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Adam Bede
by George Eliot
CONTENTS
Chapter I
The Workshop
With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen, I will show you the roomy workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799.
With a single drop of ink as a mirror, the Egyptian sorcerer sets out to show anyone who stops by vast visions of the past. This is what I aim to do for you, reader. With this drop of ink at the end of my pen, I will reveal the spacious workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it looked on June 18, 1799.
The afternoon sun was warm on the five workmen there, busy upon doors and window-frames and wainscoting. A scent of pine-wood from a tentlike pile of planks outside the open door mingled itself with the scent of the elder-bushes which were spreading their summer snow close to the open window opposite; the slanting sunbeams shone through the transparent shavings that flew before the steady plane, and lit up the fine grain of the oak panelling which stood propped against the wall. On a heap of those soft shavings a rough, grey shepherd dog had made himself a pleasant bed, and was lying with his nose between his fore-paws, occasionally wrinkling his brows to cast a glance at the tallest of the five workmen, who was carving a shield in the centre of a wooden mantelpiece. It was to this workman that the strong barytone belonged which was heard above the sound of plane and hammer singing—
The afternoon sun was warm on the five workers busy with doors, window frames, and wainscoting. The smell of pine from a tent-like pile of planks outside the open door mixed with the fragrance of the elder bushes, which were spreading their summer blooms close to the open window opposite. The slanting sunbeams shone through the transparent shavings flying around from the steady plane, illuminating the fine grain of the oak paneling propped against the wall. On a pile of those soft shavings, a rough, gray shepherd dog had made himself a cozy bed and lay with his nose between his forepaws, occasionally furrowing his brow to glance at the tallest of the five workers, who was carving a shield in the center of a wooden mantelpiece. It was to this worker that the deep baritone belonged, heard above the sounds of the plane and hammer singing—
Awake, my soul, and with the sun
Thy daily stage of duty run;
Shake off dull sloth...
Awake, my soul, and with the sun
Your daily responsibilities begin;
Shake off the dull laziness...
Here some measurement was to be taken which required more concentrated attention, and the sonorous voice subsided into a low whistle; but it presently broke out again with renewed vigour—
Here, some measurements needed to be taken that required more focused attention, and the loud voice faded into a low whistle; but it soon broke out again with renewed energy—
Let all thy converse be sincere,
Thy conscience as the noonday clear.
Let all your conversations be honest,
Your conscience as clear as noon.
Such a voice could only come from a broad chest, and the broad chest belonged to a large-boned, muscular man nearly six feet high, with a back so flat and a head so well poised that when he drew himself up to take a more distant survey of his work, he had the air of a soldier standing at ease. The sleeve rolled up above the elbow showed an arm that was likely to win the prize for feats of strength; yet the long supple hand, with its broad finger-tips, looked ready for works of skill. In his tall stalwartness Adam Bede was a Saxon, and justified his name; but the jet-black hair, made the more noticeable by its contrast with the light paper cap, and the keen glance of the dark eyes that shone from under strongly marked, prominent and mobile eyebrows, indicated a mixture of Celtic blood. The face was large and roughly hewn, and when in repose had no other beauty than such as belongs to an expression of good-humoured honest intelligence.
Such a voice could only come from a broad chest, and the broad chest belonged to a large-boned, muscular man nearly six feet tall, with a flat back and a well-balanced head. When he straightened up to get a better look at his work, he resembled a soldier standing at ease. The sleeve rolled up above the elbow revealed an arm likely to win prizes for strength, yet the long, flexible hand with its broad fingertips seemed ready for skilled tasks. In his tall, strong build, Adam Bede looked like a Saxon and lived up to his name; however, his jet-black hair, which stood out against the light paper cap, and the sharp gaze of his dark eyes, shining under clearly defined, prominent, and expressive eyebrows, suggested a mix of Celtic heritage. His face was large and roughly shaped, and when relaxed, it had no beauty other than that of a good-humored, honest intelligence.
It is clear at a glance that the next workman is Adam’s brother. He is nearly as tall; he has the same type of features, the same hue of hair and complexion; but the strength of the family likeness seems only to render more conspicuous the remarkable difference of expression both in form and face. Seth’s broad shoulders have a slight stoop; his eyes are grey; his eyebrows have less prominence and more repose than his brother’s; and his glance, instead of being keen, is confiding and benign. He has thrown off his paper cap, and you see that his hair is not thick and straight, like Adam’s, but thin and wavy, allowing you to discern the exact contour of a coronal arch that predominates very decidedly over the brow.
At first glance, it's obvious that the next worker is Adam’s brother. He’s almost the same height; he shares similar features, hair color, and skin tone, but the strong family resemblance only makes their different expressions stand out even more in both form and face. Seth has broad shoulders that slightly stoop; his eyes are gray; his eyebrows are less prominent and more relaxed compared to his brother’s; and his gaze is not sharp but trusting and kind. He has taken off his paper cap, revealing that his hair is not thick and straight like Adam’s, but thin and wavy, clearly showing the distinct shape of a coronal arch that prominently outlines his forehead.
The idle tramps always felt sure they could get a copper from Seth; they scarcely ever spoke to Adam.
The lazy drifters were always confident they could snag some change from Seth; they hardly ever talked to Adam.
The concert of the tools and Adam’s voice was at last broken by Seth, who, lifting the door at which he had been working intently, placed it against the wall, and said, “There! I’ve finished my door to-day, anyhow.”
The noise of the tools and Adam’s voice was finally interrupted by Seth, who, lifting the door he had been working on, leaned it against the wall and said, “There! I’ve finished my door today, at least.”
The workmen all looked up; Jim Salt, a burly, red-haired man known as Sandy Jim, paused from his planing, and Adam said to Seth, with a sharp glance of surprise, “What! Dost think thee’st finished the door?”
The workmen all looked up; Jim Salt, a sturdy, red-haired guy known as Sandy Jim, stopped his planing, and Adam said to Seth, with a quick look of surprise, “What! Do you really think you’ve finished the door?”
“Aye, sure,” said Seth, with answering surprise; “what’s awanting to’t?”
"Yeah, sure," said Seth, with equal surprise; "what's missing from it?"
A loud roar of laughter from the other three workmen made Seth look round confusedly. Adam did not join in the laughter, but there was a slight smile on his face as he said, in a gentler tone than before, “Why, thee’st forgot the panels.”
A loud roar of laughter from the other three workers made Seth look around, confused. Adam didn’t laugh, but there was a slight smile on his face as he said, in a softer tone than before, “Wow, you forgot the panels.”
The laughter burst out afresh as Seth clapped his hands to his head, and coloured over brow and crown.
The laughter broke out again as Seth put his hands to his head, his face turning red.
“Hoorray!” shouted a small lithe fellow called Wiry Ben, running forward and seizing the door. “We’ll hang up th’ door at fur end o’ th’ shop an’ write on’t ‘Seth Bede, the Methody, his work.’ Here, Jim, lend’s hould o’ th’ red pot.”
“Yay!” shouted a little wiry guy named Wiry Ben, running up and grabbing the door. “We’ll hang the door at the back of the shop and write on it, ‘Seth Bede, the Methodist, his work.’ Here, Jim, hand me the red pot.”
“Nonsense!” said Adam. “Let it alone, Ben Cranage. You’ll mayhap be making such a slip yourself some day; you’ll laugh o’ th’ other side o’ your mouth then.”
“Nonsense!” said Adam. “Leave it alone, Ben Cranage. You might make a mistake like that someday; you’ll be laughing on the other side of your face then.”
“Catch me at it, Adam. It’ll be a good while afore my head’s full o’ th’ Methodies,” said Ben.
“Catch me doing that, Adam. It’ll be quite a while before my head’s filled with the Methodists,” said Ben.
“Nay, but it’s often full o’ drink, and that’s worse.”
“No, but it’s often full of drink, and that’s worse.”
Ben, however, had now got the “red pot” in his hand, and was about to begin writing his inscription, making, by way of preliminary, an imaginary S in the air.
Ben, however, now had the “red pot” in his hand and was about to start writing his inscription, first making an imaginary S in the air as a warm-up.
“Let it alone, will you?” Adam called out, laying down his tools, striding up to Ben, and seizing his right shoulder. “Let it alone, or I’ll shake the soul out o’ your body.”
“Just leave it alone, okay?” Adam shouted, putting down his tools, walking up to Ben, and grabbing his right shoulder. “Leave it alone, or I’ll shake the soul right out of you.”
Ben shook in Adam’s iron grasp, but, like a plucky small man as he was, he didn’t mean to give in. With his left hand he snatched the brush from his powerless right, and made a movement as if he would perform the feat of writing with his left. In a moment Adam turned him round, seized his other shoulder, and, pushing him along, pinned him against the wall. But now Seth spoke.
Ben trembled in Adam’s strong grip, but, being the determined small man he was, he refused to back down. With his left hand, he grabbed the brush from his helpless right hand and made a gesture as if he intended to write with his left. In no time, Adam spun him around, grabbed his other shoulder, and, forcing him along, pinned him against the wall. But now Seth spoke.
“Let be, Addy, let be. Ben will be joking. Why, he’s i’ the right to laugh at me—I canna help laughing at myself.”
“Just let it go, Addy, just let it go. Ben is probably joking. I mean, he’s got every right to laugh at me—I can’t help but laugh at myself.”
“I shan’t loose him till he promises to let the door alone,” said Adam.
“I won’t let him go until he promises to leave the door alone,” said Adam.
“Come, Ben, lad,” said Seth, in a persuasive tone, “don’t let’s have a quarrel about it. You know Adam will have his way. You may’s well try to turn a waggon in a narrow lane. Say you’ll leave the door alone, and make an end on’t.”
“Come on, Ben,” Seth said in a convincing tone, “let’s not argue about this. You know Adam will get his way. You might as well try to turn a wagon in a narrow lane. Just say you’ll leave the door alone, and let’s be done with it.”
“I binna frighted at Adam,” said Ben, “but I donna mind sayin’ as I’ll let ’t alone at your askin’, Seth.”
“I’m not scared of Adam,” Ben said, “but I don’t mind saying that I’ll leave it alone at your request, Seth.”
“Come, that’s wise of you, Ben,” said Adam, laughing and relaxing his grasp.
“Come on, that’s smart of you, Ben,” Adam said, laughing and loosening his grip.
They all returned to their work now; but Wiry Ben, having had the worst in the bodily contest, was bent on retrieving that humiliation by a success in sarcasm.
They all went back to their work now; but Wiry Ben, having lost the physical contest, was determined to make up for that embarrassment with a victory in sarcasm.
“Which was ye thinkin’ on, Seth,” he began—“the pretty parson’s face or her sarmunt, when ye forgot the panels?”
“Which were you thinking about, Seth,” he started—“the pretty preacher's face or her sermon, when you forgot the panels?”
“Come and hear her, Ben,” said Seth, good-humouredly; “she’s going to preach on the Green to-night; happen ye’d get something to think on yourself then, instead o’ those wicked songs you’re so fond on. Ye might get religion, and that ’ud be the best day’s earnings y’ ever made.”
“Come and listen to her, Ben,” Seth said cheerfully. “She’s going to preach on the Green tonight; maybe you’ll get something to think about instead of those naughty songs you love so much. You might even find religion, and that would be the best day’s work you’ve ever done.”
“All i’ good time for that, Seth; I’ll think about that when I’m a-goin’ to settle i’ life; bachelors doesn’t want such heavy earnin’s. Happen I shall do the coortin’ an’ the religion both together, as ye do, Seth; but ye wouldna ha’ me get converted an’ chop in atween ye an’ the pretty preacher, an’ carry her aff?”
“All in good time for that, Seth; I’ll think about it when I’m ready to settle down; bachelors don’t need such heavy responsibilities. Maybe I’ll do both the courting and the religion together, like you do, Seth; but you wouldn’t want me to get converted and come between you and the pretty preacher, would you?”
“No fear o’ that, Ben; she’s neither for you nor for me to win, I doubt. Only you come and hear her, and you won’t speak lightly on her again.”
“No worries about that, Ben; she’s not meant for you or me to win, I’m sure. Just come and listen to her, and you won’t take her lightly again.”
“Well, I’m half a mind t’ ha’ a look at her to-night, if there isn’t good company at th’ Holly Bush. What’ll she take for her text? Happen ye can tell me, Seth, if so be as I shouldna come up i’ time for’t. Will’t be—what come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess—a uncommon pretty young woman.”
“Well, I’m thinking about checking her out tonight if there's no good company at the Holly Bush. What will she take for her text? Maybe you can tell me, Seth, in case I don’t make it in time for it. Will it be—what did you come out to see? A prophetess? Yeah, I’m telling you, and more than a prophetess—a really pretty young woman.”
“Come, Ben,” said Adam, rather sternly, “you let the words o’ the Bible alone; you’re going too far now.”
“Come on, Ben,” Adam said firmly, “leave the words of the Bible alone; you’re overstepping now.”
“What! Are ye a-turnin’ roun’, Adam? I thought ye war dead again th’ women preachin’, a while agoo?”
“What! Are you turning around, Adam? I thought you were dead again after the women preaching a while ago?”
“Nay, I’m not turnin’ noway. I said nought about the women preachin’. I said, You let the Bible alone: you’ve got a jest-book, han’t you, as you’re rare and proud on? Keep your dirty fingers to that.”
“Nah, I’m not changing my mind. I didn’t say anything about women preaching. I said, You leave the Bible out of it: you have a joke book, don’t you, that you’re so proud of? Keep your dirty fingers on that.”
“Why, y’ are gettin’ as big a saint as Seth. Y’ are goin’ to th’ preachin’ to-night, I should think. Ye’ll do finely t’ lead the singin’. But I don’ know what Parson Irwine ’ull say at his gran’ favright Adam Bede a-turnin’ Methody.”
“Wow, you’re becoming as much of a saint as Seth. I bet you’ll be going to the preaching tonight. You’ll do great leading the singing. But I’m not sure what Parson Irwine will think about his favorite, Adam Bede, turning Methodist.”
“Never do you bother yourself about me, Ben. I’m not a-going to turn Methodist any more nor you are—though it’s like enough you’ll turn to something worse. Mester Irwine’s got more sense nor to meddle wi’ people’s doing as they like in religion. That’s between themselves and God, as he’s said to me many a time.”
“Don’t worry about me, Ben. I’m not going to become a Methodist any more than you will—though it’s likely you’ll turn to something even worse. Mr. Irwine is smart enough not to interfere with how people practice their religion. That’s between them and God, as he’s told me many times.”
“Aye, aye; but he’s none so fond o’ your dissenters, for all that.”
“Yeah, yeah; but he’s not really a fan of your dissenters, despite all that.”
“Maybe; I’m none so fond o’ Josh Tod’s thick ale, but I don’t hinder you from making a fool o’ yourself wi’t.”
"Maybe; I'm not really a fan of Josh Tod's thick ale, but I won't stop you from making a fool of yourself with it."
There was a laugh at this thrust of Adam’s, but Seth said, very seriously. “Nay, nay, Addy, thee mustna say as anybody’s religion’s like thick ale. Thee dostna believe but what the dissenters and the Methodists have got the root o’ the matter as well as the church folks.”
There was a laugh at Adam's comment, but Seth said very seriously, "No, no, Addy, you shouldn't say that anyone's religion is like thick beer. You don’t believe that the dissenters and the Methodists don’t have a grasp on the matter just as much as the church folks do."
“Nay, Seth, lad; I’m not for laughing at no man’s religion. Let ’em follow their consciences, that’s all. Only I think it ’ud be better if their consciences ’ud let ’em stay quiet i’ the church—there’s a deal to be learnt there. And there’s such a thing as being oversperitial; we must have something beside Gospel i’ this world. Look at the canals, an’ th’ aqueduc’s, an’ th’ coal-pit engines, and Arkwright’s mills there at Cromford; a man must learn summat beside Gospel to make them things, I reckon. But t’ hear some o’ them preachers, you’d think as a man must be doing nothing all’s life but shutting’s eyes and looking what’s agoing on inside him. I know a man must have the love o’ God in his soul, and the Bible’s God’s word. But what does the Bible say? Why, it says as God put his sperrit into the workman as built the tabernacle, to make him do all the carved work and things as wanted a nice hand. And this is my way o’ looking at it: there’s the sperrit o’ God in all things and all times—weekday as well as Sunday—and i’ the great works and inventions, and i’ the figuring and the mechanics. And God helps us with our headpieces and our hands as well as with our souls; and if a man does bits o’ jobs out o’ working hours—builds a oven for ’s wife to save her from going to the bakehouse, or scrats at his bit o’ garden and makes two potatoes grow istead o’ one, he’s doin’ more good, and he’s just as near to God, as if he was running after some preacher and a-praying and a-groaning.”
“Nah, Seth, I’m not here to laugh at anyone's beliefs. Let them follow their own consciences, that’s all. I just think it would be better if their consciences would let them stay quiet in church—there’s a lot to learn there. And there’s such a thing as being overly spiritual; we need more than just the Gospel in this world. Look at the canals, the aqueducts, the coal mine engines, and Arkwright's mills at Cromford; a person has to learn something besides the Gospel to make those things, I believe. But listening to some of those preachers, you’d think a person should spend their whole life with their eyes shut, just focusing on what’s going on inside them. I know a person must have the love of God in their soul, and the Bible is God’s word. But what does the Bible say? Well, it says that God gave His spirit to the craftsman who built the tabernacle, enabling him to do all the intricate carving and detailed work. This is how I see it: the spirit of God is in everything, all the time—on weekdays as well as Sundays—and in great works and inventions, and in the math and mechanics. God helps us with our minds and hands just as much as with our souls; and if a person does odd jobs outside of work hours—like building an oven for their wife to save her from going to the bakery, or toiling in their little garden and making two potatoes grow instead of one—they're doing more good and they’re just as close to God as if they were chasing after some preacher, praying and moaning.”
“Well done, Adam!” said Sandy Jim, who had paused from his planing to shift his planks while Adam was speaking; “that’s the best sarmunt I’ve heared this long while. By th’ same token, my wife’s been a-plaguin’ on me to build her a oven this twelvemont.”
“Nice job, Adam!” said Sandy Jim, who had stopped his planing to move his planks while Adam was talking; “that’s the best sermon I’ve heard in a long time. By the way, my wife’s been nagging me to build her an oven this year.”
“There’s reason in what thee say’st, Adam,” observed Seth, gravely. “But thee know’st thyself as it’s hearing the preachers thee find’st so much fault with has turned many an idle fellow into an industrious un. It’s the preacher as empties th’ alehouse; and if a man gets religion, he’ll do his work none the worse for that.”
“There’s some truth in what you’re saying, Adam,” Seth remarked seriously. “But you know yourself that it’s listening to the preachers you complain about that has transformed many lazy individuals into hardworking ones. It’s the preacher who clears out the pub; and if a man finds faith, he’ll do his work even better for it.”
“On’y he’ll lave the panels out o’ th’ doors sometimes, eh, Seth?” said Wiry Ben.
“Only he'll leave the panels out of the doors sometimes, right, Seth?” said Wiry Ben.
“Ah, Ben, you’ve got a joke again’ me as ’ll last you your life. But it isna religion as was i’ fault there; it was Seth Bede, as was allays a wool-gathering chap, and religion hasna cured him, the more’s the pity.”
“Ah, Ben, you’ve got a joke against me that will last you your whole life. But it wasn’t religion that caused it; it was Seth Bede, who was always a bit of a daydreamer, and sadly, religion didn’t fix that.”
“Ne’er heed me, Seth,” said Wiry Ben, “y’ are a down-right good-hearted chap, panels or no panels; an’ ye donna set up your bristles at every bit o’ fun, like some o’ your kin, as is mayhap cliverer.”
“Don't pay attention to me, Seth,” said Wiry Ben, “you’re a truly good-hearted guy, panels or no panels; and you don’t get all defensive at every little joke, like some of your relatives who might be a bit smarter.”
“Seth, lad,” said Adam, taking no notice of the sarcasm against himself, “thee mustna take me unkind. I wasna driving at thee in what I said just now. Some ’s got one way o’ looking at things and some ’s got another.”
“Seth, my boy,” said Adam, ignoring the sarcasm directed at him, “you shouldn’t take me the wrong way. I wasn’t aiming that at you with what I just said. Some people see things one way, and others see them another.”
“Nay, nay, Addy, thee mean’st me no unkindness,” said Seth, “I know that well enough. Thee’t like thy dog Gyp—thee bark’st at me sometimes, but thee allays lick’st my hand after.”
“Nah, nah, Addy, you don't mean any harm to me,” said Seth, “I know that for sure. You're just like your dog Gyp—you bark at me sometimes, but you always lick my hand afterward.”
All hands worked on in silence for some minutes, until the church clock began to strike six. Before the first stroke had died away, Sandy Jim had loosed his plane and was reaching his jacket; Wiry Ben had left a screw half driven in, and thrown his screwdriver into his tool-basket; Mum Taft, who, true to his name, had kept silence throughout the previous conversation, had flung down his hammer as he was in the act of lifting it; and Seth, too, had straightened his back, and was putting out his hand towards his paper cap. Adam alone had gone on with his work as if nothing had happened. But observing the cessation of the tools, he looked up, and said, in a tone of indignation, “Look there, now! I can’t abide to see men throw away their tools i’ that way, the minute the clock begins to strike, as if they took no pleasure i’ their work and was afraid o’ doing a stroke too much.”
Everyone worked in silence for a few minutes until the church clock started to chime six. Before the first chime faded, Sandy Jim set down his plane and reached for his jacket; Wiry Ben had left a screw half driven in and tossed his screwdriver into his tool basket; Mum Taft, true to his name, had stayed quiet throughout the previous conversation and had dropped his hammer just as he was about to lift it; and Seth, too, had straightened his back and was reaching for his paper cap. Adam, however, kept working as if nothing was happening. But when he noticed everyone had stopped using their tools, he looked up and said, with a tone of irritation, “Look at that! I can’t stand seeing men just toss their tools aside the moment the clock strikes, as if they don’t enjoy their work and are afraid of doing even one stroke more.”
Seth looked a little conscious, and began to be slower in his preparations for going, but Mum Taft broke silence, and said, “Aye, aye, Adam lad, ye talk like a young un. When y’ are six-an’-forty like me, istid o’ six-an’-twenty, ye wonna be so flush o’ workin’ for nought.”
Seth looked a bit self-conscious and started to take longer to get ready to leave, but Mum Taft broke the silence and said, “Yeah, yeah, Adam, you sound like a kid. When you’re forty-six like me instead of twenty-six, you won’t be so eager to work for free.”
“Nonsense,” said Adam, still wrathful; “what’s age got to do with it, I wonder? Ye arena getting stiff yet, I reckon. I hate to see a man’s arms drop down as if he was shot, before the clock’s fairly struck, just as if he’d never a bit o’ pride and delight in ’s work. The very grindstone ’ull go on turning a bit after you loose it.”
“Nonsense,” said Adam, still angry; “what does age have to do with it, I wonder? You’re not getting stiff yet, I guess. I hate to see a man’s arms drop down like he’s been shot before the clock has even struck, as if he doesn’t have any pride or joy in his work. The grindstone will keep turning a bit after you let it go.”
“Bodderation, Adam!” exclaimed Wiry Ben; “lave a chap aloon, will ’ee? Ye war afinding faut wi’ preachers a while agoo—y’ are fond enough o’ preachin’ yoursen. Ye may like work better nor play, but I like play better nor work; that’ll ’commodate ye—it laves ye th’ more to do.”
“Come on, Adam!” exclaimed Wiry Ben; “leave a guy alone, will you? You were criticizing preachers a while ago—you’re pretty fond of preaching yourself. You might prefer work over play, but I prefer play over work; that suits you—it leaves you with more to do.”
With this exit speech, which he considered effective, Wiry Ben shouldered his basket and left the workshop, quickly followed by Mum Taft and Sandy Jim. Seth lingered, and looked wistfully at Adam, as if he expected him to say something.
With his exit speech, which he thought was impactful, Wiry Ben picked up his basket and left the workshop, followed closely by Mum Taft and Sandy Jim. Seth stayed behind, glancing longingly at Adam, as if he was hoping he would say something.
“Shalt go home before thee go’st to the preaching?” Adam asked, looking up.
“Are you going home before you head to the sermon?” Adam asked, looking up.
“Nay; I’ve got my hat and things at Will Maskery’s. I shan’t be home before going for ten. I’ll happen see Dinah Morris safe home, if she’s willing. There’s nobody comes with her from Poyser’s, thee know’st.”
“Nah; I’ve got my hat and stuff at Will Maskery’s. I won’t be home before going for ten. I’ll probably see Dinah Morris home safely, if she’s okay with it. There’s nobody going with her from Poyser’s, you know.”
“Then I’ll tell mother not to look for thee,” said Adam.
"Then I'll tell Mom not to look for you," Adam said.
“Thee artna going to Poyser’s thyself to-night?” said Seth rather timidly, as he turned to leave the workshop.
“Are you going to Poyser’s yourself tonight?” Seth asked a bit nervously as he turned to leave the workshop.
“Nay, I’m going to th’ school.”
“Nah, I’m going to class.”
Hitherto Gyp had kept his comfortable bed, only lifting up his head and watching Adam more closely as he noticed the other workmen departing. But no sooner did Adam put his ruler in his pocket, and begin to twist his apron round his waist, than Gyp ran forward and looked up in his master’s face with patient expectation. If Gyp had had a tail he would doubtless have wagged it, but being destitute of that vehicle for his emotions, he was like many other worthy personages, destined to appear more phlegmatic than nature had made him.
Until now, Gyp had stayed in his cozy bed, only lifting his head to watch Adam more closely as he noticed the other workers leaving. But as soon as Adam put his ruler in his pocket and started to tie his apron around his waist, Gyp rushed over and looked up at his master’s face with patient anticipation. If Gyp had had a tail, he surely would have wagged it, but lacking that way to express his feelings, he resembled many other good-hearted individuals, appearing more unemotional than he truly was.
“What! Art ready for the basket, eh, Gyp?” said Adam, with the same gentle modulation of voice as when he spoke to Seth.
“What! You ready for the basket, huh, Gyp?” said Adam, with the same gentle tone he used when he spoke to Seth.
Gyp jumped and gave a short bark, as much as to say, “Of course.” Poor fellow, he had not a great range of expression.
Gyp jumped and let out a quick bark, as if to say, “Of course.” Poor guy, he didn't have much of a range of expression.
The basket was the one which on workdays held Adam’s and Seth’s dinner; and no official, walking in procession, could look more resolutely unconscious of all acquaintances than Gyp with his basket, trotting at his master’s heels.
The basket was the one that held Adam’s and Seth’s dinner on workdays; and no official, walking in a procession, could appear more determinedly unaware of all his connections than Gyp with his basket, trotting at his master’s heels.
On leaving the workshop Adam locked the door, took the key out, and carried it to the house on the other side of the woodyard. It was a low house, with smooth grey thatch and buff walls, looking pleasant and mellow in the evening light. The leaded windows were bright and speckless, and the door-stone was as clean as a white boulder at ebb tide. On the door-stone stood a clean old woman, in a dark-striped linen gown, a red kerchief, and a linen cap, talking to some speckled fowls which appeared to have been drawn towards her by an illusory expectation of cold potatoes or barley. The old woman’s sight seemed to be dim, for she did not recognize Adam till he said, “Here’s the key, Dolly; lay it down for me in the house, will you?”
On leaving the workshop, Adam locked the door, took the key out, and carried it to the house on the other side of the woodpile. It was a small house with smooth gray thatch and light-colored walls, looking warm and inviting in the evening light. The leaded windows were bright and spotless, and the doorstep was as clean as a white rock at low tide. On the doorstep stood a tidy old woman, wearing a dark-striped linen dress, a red kerchief, and a linen cap, talking to some speckled chickens that seemed to be drawn to her by a false hope of cold potatoes or barley. The old woman’s vision seemed a bit weak, as she didn’t recognize Adam until he said, “Here’s the key, Dolly; please put it down for me in the house, will you?”
“Aye, sure; but wunna ye come in, Adam? Miss Mary’s i’ th’ house, and Mester Burge ’ull be back anon; he’d be glad t’ ha’ ye to supper wi’m, I’ll be’s warrand.”
“Aye, sure; but won’t you come in, Adam? Miss Mary’s in the house, and Mr. Burge will be back soon; he’d be happy to have you for supper with him, I’ll guarantee that.”
“No, Dolly, thank you; I’m off home. Good evening.”
“No, Dolly, thanks; I'm heading home. Good evening.”
Adam hastened with long strides, Gyp close to his heels, out of the workyard, and along the highroad leading away from the village and down to the valley. As he reached the foot of the slope, an elderly horseman, with his portmanteau strapped behind him, stopped his horse when Adam had passed him, and turned round to have another long look at the stalwart workman in paper cap, leather breeches, and dark-blue worsted stockings.
Adam hurried along with long strides, Gyp right behind him, out of the workyard and down the main road leading away from the village into the valley. As he got to the bottom of the slope, an older man on a horse, with a suitcase strapped behind him, halted his horse after Adam had passed and turned around to take another long look at the strong worker in a paper cap, leather pants, and dark blue knitted socks.
Adam, unconscious of the admiration he was exciting, presently struck across the fields, and now broke out into the tune which had all day long been running in his head:
Adam, unaware of the admiration he was generating, walked across the fields and then began to sing the tune that had been playing in his head all day:
Let all thy converse be sincere,
Thy conscience as the noonday clear;
For God’s all-seeing eye surveys
Thy secret thoughts, thy works and ways.
Let all your conversation be genuine,
Your conscience as clear as noon;
For God's all-seeing eye observes
Your hidden thoughts, your actions, and ways.
Chapter II
The Preaching
About a quarter to seven there was an unusual appearance of excitement in the village of Hayslope, and through the whole length of its little street, from the Donnithorne Arms to the churchyard gate, the inhabitants had evidently been drawn out of their houses by something more than the pleasure of lounging in the evening sunshine. The Donnithorne Arms stood at the entrance of the village, and a small farmyard and stackyard which flanked it, indicating that there was a pretty take of land attached to the inn, gave the traveller a promise of good feed for himself and his horse, which might well console him for the ignorance in which the weather-beaten sign left him as to the heraldic bearings of that ancient family, the Donnithornes. Mr. Casson, the landlord, had been for some time standing at the door with his hands in his pockets, balancing himself on his heels and toes and looking towards a piece of unenclosed ground, with a maple in the middle of it, which he knew to be the destination of certain grave-looking men and women whom he had observed passing at intervals.
Around a quarter to seven, there was an unusual sense of excitement in the village of Hayslope. Throughout the entire length of its small street, from the Donnithorne Arms to the churchyard gate, the residents had clearly been drawn out of their homes by something more than just the enjoyment of lounging in the evening sun. The Donnithorne Arms was located at the entrance of the village, and a small farm and stack yard next to it suggested that a nice piece of land was attached to the inn, promising good food for both travelers and their horses, which might well make up for the confusion caused by the weather-beaten sign that left them clueless about the heraldic emblems of the old Donnithorne family. Mr. Casson, the landlord, had been standing at the door for some time, hands in his pockets, rocking back and forth on his heels and toes, looking towards a patch of unclaimed land with a maple tree in the center, which he knew was the destination for certain serious-looking men and women he had noticed passing by at intervals.
Mr. Casson’s person was by no means of that common type which can be allowed to pass without description. On a front view it appeared to consist principally of two spheres, bearing about the same relation to each other as the earth and the moon: that is to say, the lower sphere might be said, at a rough guess, to be thirteen times larger than the upper which naturally performed the function of a mere satellite and tributary. But here the resemblance ceased, for Mr. Casson’s head was not at all a melancholy-looking satellite nor was it a “spotty globe,” as Milton has irreverently called the moon; on the contrary, no head and face could look more sleek and healthy, and its expression—which was chiefly confined to a pair of round and ruddy cheeks, the slight knot and interruptions forming the nose and eyes being scarcely worth mention—was one of jolly contentment, only tempered by that sense of personal dignity which usually made itself felt in his attitude and bearing. This sense of dignity could hardly be considered excessive in a man who had been butler to “the family” for fifteen years, and who, in his present high position, was necessarily very much in contact with his inferiors. How to reconcile his dignity with the satisfaction of his curiosity by walking towards the Green was the problem that Mr. Casson had been revolving in his mind for the last five minutes; but when he had partly solved it by taking his hands out of his pockets, and thrusting them into the armholes of his waistcoat, by throwing his head on one side, and providing himself with an air of contemptuous indifference to whatever might fall under his notice, his thoughts were diverted by the approach of the horseman whom we lately saw pausing to have another look at our friend Adam, and who now pulled up at the door of the Donnithorne Arms.
Mr. Casson was definitely not the kind of person who could go without being described. From the front, he seemed to consist mainly of two shapes, somewhat like the earth and the moon: the lower shape could roughly be guessed to be thirteen times larger than the upper, which naturally played the role of a mere satellite and supporter. But that’s where the comparison ended, because Mr. Casson’s head was not at all a gloomy-looking satellite, nor was it a “spotty globe,” as Milton irreverently referred to the moon; instead, no head or face could look more smooth and healthy, and the expression—which mainly came from his round, rosy cheeks, with the slight bumps that made up his nose and eyes hardly worth mentioning—was one of happy contentment, only slightly tempered by a sense of personal dignity that was evident in his posture and demeanor. This sense of dignity could hardly be seen as excessive in a man who had been the butler for “the family” for fifteen years, and who, in his current elevated position, was necessarily in contact with those beneath him. How to balance his dignity with his curiosity about walking toward the Green was the dilemma Mr. Casson had been pondering for the last five minutes; however, when he partly resolved it by taking his hands out of his pockets, stuffing them into the armholes of his waistcoat, tilting his head to the side, and adopting an air of disdainful indifference to whatever he might notice, his thoughts were interrupted by the arrival of the horseman we recently saw stopping to take another look at our friend Adam, who now pulled up at the door of the Donnithorne Arms.
“Take off the bridle and give him a drink, ostler,” said the traveller to the lad in a smock-frock, who had come out of the yard at the sound of the horse’s hoofs.
“Take off the bridle and give him a drink, stablehand,” said the traveler to the young man in a smock, who had come out of the yard at the sound of the horse’s hooves.
“Why, what’s up in your pretty village, landlord?” he continued, getting down. “There seems to be quite a stir.”
“Hey, what’s going on in your nice little town, landlord?” he asked as he got down. “There seems to be a lot of excitement.”
“It’s a Methodis’ preaching, sir; it’s been gev hout as a young woman’s a-going to preach on the Green,” answered Mr. Casson, in a treble and wheezy voice, with a slightly mincing accent. “Will you please to step in, sir, an’ tek somethink?”
“It’s a Methodist preaching, sir; it’s been given out that a young woman’s going to preach on the Green,” answered Mr. Casson in a high-pitched, wheezy voice with a bit of a fussy tone. “Would you please come in, sir, and have something?”
“No, I must be getting on to Rosseter. I only want a drink for my horse. And what does your parson say, I wonder, to a young woman preaching just under his nose?”
“No, I need to head over to Rosseter. I just want a drink for my horse. And what does your pastor think about a young woman preaching right under his nose?”
“Parson Irwine, sir, doesn’t live here; he lives at Brox’on, over the hill there. The parsonage here’s a tumble-down place, sir, not fit for gentry to live in. He comes here to preach of a Sunday afternoon, sir, an’ puts up his hoss here. It’s a grey cob, sir, an’ he sets great store by’t. He’s allays put up his hoss here, sir, iver since before I hed the Donnithorne Arms. I’m not this countryman, you may tell by my tongue, sir. They’re cur’ous talkers i’ this country, sir; the gentry’s hard work to hunderstand ’em. I was brought hup among the gentry, sir, an’ got the turn o’ their tongue when I was a bye. Why, what do you think the folks here says for ‘hevn’t you?’—the gentry, you know, says, ‘hevn’t you’—well, the people about here says ‘hanna yey.’ It’s what they call the dileck as is spoke hereabout, sir. That’s what I’ve heared Squire Donnithorne say many a time; it’s the dileck, says he.”
“Parson Irwine doesn’t live here; he lives at Brox’on, over the hill. The parsonage here is a rundown place, not fit for respectable people to live in. He comes here to preach on Sunday afternoons and puts up his horse here. It’s a gray cob, and he really values it. He’s always put up his horse here since before I took over the Donnithorne Arms. I’m not from this area, you can tell by my accent. The locals have a peculiar way of speaking; it’s hard to understand them. I was raised among the gentry, and I picked up their way of speaking when I was a boy. Can you believe what the people here say for ‘haven’t you?’—the gentry say ‘haven’t you’—but the folks around here say ‘hanna yey.’ That’s what they call the dialect spoken around here. That’s what I’ve heard Squire Donnithorne say many times; it’s the dialect, he says.”
“Aye, aye,” said the stranger, smiling. “I know it very well. But you’ve not got many Methodists about here, surely—in this agricultural spot? I should have thought there would hardly be such a thing as a Methodist to be found about here. You’re all farmers, aren’t you? The Methodists can seldom lay much hold on them.”
“Aye, aye,” said the stranger, smiling. “I know it very well. But there aren't many Methodists around here, are there—in this farming area? I would have thought there wouldn’t be any Methodists to be found here. You're all farmers, right? The Methodists usually don’t have much influence over them.”
“Why, sir, there’s a pretty lot o’ workmen round about, sir. There’s Mester Burge as owns the timber-yard over there, he underteks a good bit o’ building an’ repairs. An’ there’s the stone-pits not far off. There’s plenty of emply i’ this countryside, sir. An’ there’s a fine batch o’ Methodisses at Treddles’on—that’s the market town about three mile off—you’ll maybe ha’ come through it, sir. There’s pretty nigh a score of ’em on the Green now, as come from there. That’s where our people gets it from, though there’s only two men of ’em in all Hayslope: that’s Will Maskery, the wheelwright, and Seth Bede, a young man as works at the carpenterin’.”
“Why, sir, there are quite a few workers around here. There’s Mr. Burge who owns the timber yard over there; he takes on a lot of building and repair jobs. And there are the stone pits not far away. There’s plenty of work in this countryside, sir. And there’s a good group of Methodists in Treddleson—that’s the market town about three miles away—you might have passed through it, sir. There are almost twenty of them on the Green now, who came from there. That’s where our folks get it from, even though there are only two of them in all of Hayslope: that’s Will Maskery, the wheelwright, and Seth Bede, a young man who works as a carpenter.”
“The preacher comes from Treddleston, then, does she?”
“The preacher is from Treddleston, right?”
“Nay, sir, she comes out o’ Stonyshire, pretty nigh thirty mile off. But she’s a-visitin’ hereabout at Mester Poyser’s at the Hall Farm—it’s them barns an’ big walnut-trees, right away to the left, sir. She’s own niece to Poyser’s wife, an’ they’ll be fine an’ vexed at her for making a fool of herself i’ that way. But I’ve heared as there’s no holding these Methodisses when the maggit’s once got i’ their head: many of ’em goes stark starin’ mad wi’ their religion. Though this young woman’s quiet enough to look at, by what I can make out; I’ve not seen her myself.”
“No, sir, she comes from Stonyshire, almost thirty miles away. But she’s visiting around here at Mr. Poyser’s at the Hall Farm—it’s those barns and big walnut trees, just to the left, sir. She’s the direct niece of Mrs. Poyser, and they’ll be very upset with her for making a fool of herself like that. But I’ve heard there’s no stopping these Methodists once they get something in their heads: many of them go completely crazy with their religion. Although this young woman seems quiet enough from what I can tell; I haven’t seen her myself.”
“Well, I wish I had time to wait and see her, but I must get on. I’ve been out of my way for the last twenty minutes to have a look at that place in the valley. It’s Squire Donnithorne’s, I suppose?”
“Well, I wish I had time to wait and see her, but I need to keep going. I’ve gone out of my way for the last twenty minutes to check out that place in the valley. It belongs to Squire Donnithorne, right?”
“Yes, sir, that’s Donnithorne Chase, that is. Fine hoaks there, isn’t there, sir? I should know what it is, sir, for I’ve lived butler there a-going i’ fifteen year. It’s Captain Donnithorne as is th’ heir, sir—Squire Donnithorne’s grandson. He’ll be comin’ of hage this ’ay-’arvest, sir, an’ we shall hev fine doin’s. He owns all the land about here, sir, Squire Donnithorne does.”
“Yes, sir, that’s Donnithorne Chase, right there. Nice oak trees, aren’t there, sir? I should know what it is, sir, because I’ve worked as the butler here for about fifteen years. It’s Captain Donnithorne who is the heir, sir—Squire Donnithorne’s grandson. He’ll be coming of age this harvest season, sir, and we’ll have a grand celebration. He owns all the land around here, sir, Squire Donnithorne does.”
“Well, it’s a pretty spot, whoever may own it,” said the traveller, mounting his horse; “and one meets some fine strapping fellows about too. I met as fine a young fellow as ever I saw in my life, about half an hour ago, before I came up the hill—a carpenter, a tall, broad-shouldered fellow with black hair and black eyes, marching along like a soldier. We want such fellows as he to lick the French.”
“Well, it's a beautiful place, no matter who owns it,” said the traveler, getting on his horse. “And you also run into some impressive guys around here. I just met a great young guy about half an hour ago, before I came up the hill—a carpenter, a tall, broad-shouldered guy with black hair and dark eyes, marching along like a soldier. We need guys like him to take on the French.”
“Aye, sir, that’s Adam Bede, that is, I’ll be bound—Thias Bede’s son everybody knows him hereabout. He’s an uncommon clever stiddy fellow, an’ wonderful strong. Lord bless you, sir—if you’ll hexcuse me for saying so—he can walk forty mile a-day, an’ lift a matter o’ sixty ston’. He’s an uncommon favourite wi’ the gentry, sir: Captain Donnithorne and Parson Irwine meks a fine fuss wi’ him. But he’s a little lifted up an’ peppery-like.”
“Yeah, sir, that’s Adam Bede, I’m sure of it—everyone around here knows he’s Thias Bede’s son. He’s an exceptionally smart and hardworking guy, and really strong. Honestly, sir—if you don’t mind me saying—he can walk forty miles a day and lift about sixty stone. He’s quite a favorite with the upper class, sir: Captain Donnithorne and Parson Irwine make a big deal about him. But he can be a bit proud and hot-headed.”
“Well, good evening to you, landlord; I must get on.”
“Well, good evening to you, landlord; I need to get going.”
“Your servant, sir; good evenin’.”
“Your servant, sir; good evening.”
The traveller put his horse into a quick walk up the village, but when he approached the Green, the beauty of the view that lay on his right hand, the singular contrast presented by the groups of villagers with the knot of Methodists near the maple, and perhaps yet more, curiosity to see the young female preacher, proved too much for his anxiety to get to the end of his journey, and he paused.
The traveler urged his horse into a brisk walk up the village, but as he neared the Green, the stunning view to his right, the unique contrast of the groups of villagers with the cluster of Methodists by the maple tree, and perhaps even more so, his curiosity about the young female preacher, became too tempting for him to ignore his urge to reach the end of his journey, so he stopped.
The Green lay at the extremity of the village, and from it the road branched off in two directions, one leading farther up the hill by the church, and the other winding gently down towards the valley. On the side of the Green that led towards the church, the broken line of thatched cottages was continued nearly to the churchyard gate; but on the opposite northwestern side, there was nothing to obstruct the view of gently swelling meadow, and wooded valley, and dark masses of distant hill. That rich undulating district of Loamshire to which Hayslope belonged lies close to a grim outskirt of Stonyshire, overlooked by its barren hills as a pretty blooming sister may sometimes be seen linked in the arm of a rugged, tall, swarthy brother; and in two or three hours’ ride the traveller might exchange a bleak treeless region, intersected by lines of cold grey stone, for one where his road wound under the shelter of woods, or up swelling hills, muffled with hedgerows and long meadow-grass and thick corn; and where at every turn he came upon some fine old country-seat nestled in the valley or crowning the slope, some homestead with its long length of barn and its cluster of golden ricks, some grey steeple looking out from a pretty confusion of trees and thatch and dark-red tiles. It was just such a picture as this last that Hayslope Church had made to the traveller as he began to mount the gentle slope leading to its pleasant uplands, and now from his station near the Green he had before him in one view nearly all the other typical features of this pleasant land. High up against the horizon were the huge conical masses of hill, like giant mounds intended to fortify this region of corn and grass against the keen and hungry winds of the north; not distant enough to be clothed in purple mystery, but with sombre greenish sides visibly specked with sheep, whose motion was only revealed by memory, not detected by sight; wooed from day to day by the changing hours, but responding with no change in themselves—left for ever grim and sullen after the flush of morning, the winged gleams of the April noonday, the parting crimson glory of the ripening summer sun. And directly below them the eye rested on a more advanced line of hanging woods, divided by bright patches of pasture or furrowed crops, and not yet deepened into the uniform leafy curtains of high summer, but still showing the warm tints of the young oak and the tender green of the ash and lime. Then came the valley, where the woods grew thicker, as if they had rolled down and hurried together from the patches left smooth on the slope, that they might take the better care of the tall mansion which lifted its parapets and sent its faint blue summer smoke among them. Doubtless there was a large sweep of park and a broad glassy pool in front of that mansion, but the swelling slope of meadow would not let our traveller see them from the village green. He saw instead a foreground which was just as lovely—the level sunlight lying like transparent gold among the gently curving stems of the feathered grass and the tall red sorrel, and the white ambels of the hemlocks lining the bushy hedgerows. It was that moment in summer when the sound of the scythe being whetted makes us cast more lingering looks at the flower-sprinkled tresses of the meadows.
The Green was at the edge of the village, and from there the road split in two directions: one went further up the hill by the church, and the other gently wound down into the valley. On the side of the Green that led toward the church, a broken line of thatched cottages extended nearly to the churchyard gate; but on the opposite northwestern side, the view of gently rolling meadows, wooded valleys, and distant dark hills was completely unobstructed. The rich, undulating area of Loamshire, where Hayslope was located, is close to a bleak outskirt of Stonyshire, overshadowed by barren hills, similar to how a pretty blooming sister might appear linked to a rugged, tall, dark-complexioned brother; and in just a few hours' ride, a traveler could swap a harsh, treeless landscape marked by rows of cold grey stone for one where the road curved through sheltered woods and up rolling hills adorned with hedgerows, long meadow grass, and thick corn; and at every turn, they would find an elegant old country house tucked in the valley or on the slope, a homestead with a long barn and a pile of golden haystacks, or a grey steeple peeking out from a lovely mix of trees, thatch, and dark-red tiles. It was just such a scene that Hayslope Church presented to the traveler as he began to climb the gentle slope leading to its pleasant uplands, and now from his spot near the Green, he could see almost all the other typical features of this charming land in one view. High against the horizon were the massive conical hills, like giant mounds meant to protect this area of corn and grass from the sharp, hungry northern winds; they were close enough to be seen without the purple mystery of distance, with their somber greenish sides dotted with sheep, whose movement was known only in memory, not detected by sight; attracted day by day by the changing hours but showing no change in themselves—forever grim and sullen after the morning glow, the sparkling rays of the April midday, and the departing crimson brilliance of the ripe summer sun. Directly below them, the eye was drawn to a more advanced line of hanging woods, divided by bright patches of pasture or tilled crops, and not yet thickened into the uniform leafy curtains of mid-summer, still displaying the warm colors of young oak and the soft green of ash and lime. Then came the valley, where the woods grew denser, as if they had rushed down from the smooth patches on the slope to better protect the tall mansion that rose with its parapets, sending wisps of faint blue summer smoke among them. Surely, there was a large expanse of park and a broad, glassy pond in front of that mansion, but the rising meadow slope hid them from the view of our traveler on the village green. Instead, he saw a foreground just as beautiful—the sunlight shining like transparent gold among the gently bending stems of feathered grass and tall red sorrel, and the white flowers of the hemlocks lining the bushy hedgerows. It was that moment in summer when the sound of a whetted scythe makes us linger longer on the flower-strewn locks of the meadows.
He might have seen other beauties in the landscape if he had turned a little in his saddle and looked eastward, beyond Jonathan Burge’s pasture and woodyard towards the green corn-fields and walnut-trees of the Hall Farm; but apparently there was more interest for him in the living groups close at hand. Every generation in the village was there, from old “Feyther Taft” in his brown worsted night-cap, who was bent nearly double, but seemed tough enough to keep on his legs a long while, leaning on his short stick, down to the babies with their little round heads lolling forward in quilted linen caps. Now and then there was a new arrival; perhaps a slouching labourer, who, having eaten his supper, came out to look at the unusual scene with a slow bovine gaze, willing to hear what any one had to say in explanation of it, but by no means excited enough to ask a question. But all took care not to join the Methodists on the Green, and identify themselves in that way with the expectant audience, for there was not one of them that would not have disclaimed the imputation of having come out to hear the “preacher woman”—they had only come out to see “what war a-goin’ on, like.” The men were chiefly gathered in the neighbourhood of the blacksmith’s shop. But do not imagine them gathered in a knot. Villagers never swarm: a whisper is unknown among them, and they seem almost as incapable of an undertone as a cow or a stag. Your true rustic turns his back on his interlocutor, throwing a question over his shoulder as if he meant to run away from the answer, and walking a step or two farther off when the interest of the dialogue culminates. So the group in the vicinity of the blacksmith’s door was by no means a close one, and formed no screen in front of Chad Cranage, the blacksmith himself, who stood with his black brawny arms folded, leaning against the door-post, and occasionally sending forth a bellowing laugh at his own jokes, giving them a marked preference over the sarcasms of Wiry Ben, who had renounced the pleasures of the Holly Bush for the sake of seeing life under a new form. But both styles of wit were treated with equal contempt by Mr. Joshua Rann. Mr. Rann’s leathern apron and subdued griminess can leave no one in any doubt that he is the village shoemaker; the thrusting out of his chin and stomach and the twirling of his thumbs are more subtle indications, intended to prepare unwary strangers for the discovery that they are in the presence of the parish clerk. “Old Joshway,” as he is irreverently called by his neighbours, is in a state of simmering indignation; but he has not yet opened his lips except to say, in a resounding bass undertone, like the tuning of a violoncello, “Sehon, King of the Amorites; for His mercy endureth for ever; and Og the King of Basan: for His mercy endureth for ever”—a quotation which may seem to have slight bearing on the present occasion, but, as with every other anomaly, adequate knowledge will show it to be a natural sequence. Mr. Rann was inwardly maintaining the dignity of the Church in the face of this scandalous irruption of Methodism, and as that dignity was bound up with his own sonorous utterance of the responses, his argument naturally suggested a quotation from the psalm he had read the last Sunday afternoon.
He might have noticed other beautiful sights in the landscape if he had turned slightly in his saddle and looked eastward, beyond Jonathan Burge’s pasture and woodpile, towards the green cornfields and walnut trees of Hall Farm; but apparently, he found more interest in the living groups nearby. Every generation in the village was present, from old “Father Taft” in his brown wool nightcap, who was hunched nearly double but seemed strong enough to stay on his feet for a long time, leaning on his short stick, down to the babies with their little round heads peeking forward in quilted linen caps. Every so often, a new face arrived; perhaps a slouching laborer who, having finished his supper, came out to look at the unusual scene with a slow, dull gaze, willing to hear any explanation but not excited enough to ask a question. However, everyone made sure to avoid aligning themselves with the Methodists on the Green, distancing themselves from that expectant crowd, as there wasn’t one of them who would admit to coming out to hear the “preacher woman”—they only came out to see “what was going on, you know.” The men were mainly gathered around the blacksmith’s shop. But don’t picture them in a huddle. Villagers never clump together: whispers are unheard among them, and they seem as incapable of speaking softly as a cow or a stag. Your true rustic will turn his back on his conversation partner, tossing a question over his shoulder as if he means to escape the answer, and taking a couple of steps away when the dialogue gets interesting. So the group around the blacksmith’s door was definitely not a tight one and didn’t block Chad Cranage, the blacksmith himself, who stood with his thick, muscular arms crossed, leaning against the doorpost and occasionally bursting out with a loud laugh at his own jokes, favoring them over the sarcasm of Wiry Ben, who had given up hanging at the Holly Bush to see life from a new perspective. But both types of humor were met with equal disdain by Mr. Joshua Rann. Mr. Rann’s leather apron and slight filth leave no doubt that he is the village shoemaker; the jutting out of his chin and stomach and the spinning of his thumbs are more subtle signs, meant to prepare unsuspecting strangers for realizing they are in the presence of the parish clerk. “Old Joshway,” as his neighbors irreverently call him, is in a state of simmering anger; but he hasn’t said much yet except to rumble in a deep voice, like the tuning of a cello, “Sehon, King of the Amorites; for His mercy endureth for ever; and Og the King of Basan: for His mercy endureth for ever”—a quote that might not seem relevant to the current situation, but, as with every other oddity, understanding will reveal it as a natural progression. Mr. Rann was quietly upholding the dignity of the Church in the face of this shocking invasion of Methodism, and since that dignity was tied up with his own forceful delivery of the responses, his thoughts naturally led to a line from the psalm he had read the last Sunday afternoon.
The stronger curiosity of the women had drawn them quite to the edge of the Green, where they could examine more closely the Quakerlike costume and odd deportment of the female Methodists. Underneath the maple there was a small cart, which had been brought from the wheelwright’s to serve as a pulpit, and round this a couple of benches and a few chairs had been placed. Some of the Methodists were resting on these, with their eyes closed, as if wrapt in prayer or meditation. Others chose to continue standing, and had turned their faces towards the villagers with a look of melancholy compassion, which was highly amusing to Bessy Cranage, the blacksmith’s buxom daughter, known to her neighbours as Chad’s Bess, who wondered “why the folks war amakin’ faces a that’ns.” Chad’s Bess was the object of peculiar compassion, because her hair, being turned back under a cap which was set at the top of her head, exposed to view an ornament of which she was much prouder than of her red cheeks—namely, a pair of large round ear-rings with false garnets in them, ornaments condemned not only by the Methodists, but by her own cousin and namesake Timothy’s Bess, who, with much cousinly feeling, often wished “them ear-rings” might come to good.
The women's stronger curiosity had led them right to the edge of the Green, where they could take a closer look at the Quaker-like outfits and strange behavior of the female Methodists. Beneath the maple tree, there was a small cart, brought from the wheelwright’s to serve as a pulpit, with a couple of benches and a few chairs placed around it. Some of the Methodists were resting on these, eyes closed, as if lost in prayer or meditation. Others chose to keep standing, turning their faces toward the villagers with an expression of sad compassion that Bessy Cranage, the blacksmith’s robust daughter known as Chad’s Bess, found quite amusing. She wondered “why the folks were making faces at them.” Chad’s Bess was the target of special compassion because her hair was pulled back under a cap perched at the top of her head, revealing an adornment she was far prouder of than her rosy cheeks—specifically, a pair of large round earrings with fake garnets, accessories disapproved of not just by the Methodists but also by her cousin and namesake, Timothy’s Bess, who, with much cousinly sentiment, often hoped that “those earrings” would come to good.
Timothy’s Bess, though retaining her maiden appellation among her familiars, had long been the wife of Sandy Jim, and possessed a handsome set of matronly jewels, of which it is enough to mention the heavy baby she was rocking in her arms, and the sturdy fellow of five in knee-breeches, and red legs, who had a rusty milk-can round his neck by way of drum, and was very carefully avoided by Chad’s small terrier. This young olive-branch, notorious under the name of Timothy’s Bess’s Ben, being of an inquiring disposition, unchecked by any false modesty, had advanced beyond the group of women and children, and was walking round the Methodists, looking up in their faces with his mouth wide open, and beating his stick against the milk-can by way of musical accompaniment. But one of the elderly women bending down to take him by the shoulder, with an air of grave remonstrance, Timothy’s Bess’s Ben first kicked out vigorously, then took to his heels and sought refuge behind his father’s legs.
Timothy’s Bess, still called by her maiden name among her friends, had long been Sandy Jim’s wife and owned a nice collection of matronly jewelry. It's enough to mention the heavy baby she was rocking in her arms and the sturdy five-year-old wearing knee-breeches and red legs, who had a rusty milk can around his neck as a drum and was carefully avoided by Chad’s small terrier. This young addition to the family, known as Timothy’s Bess’s Ben, had a curious nature and, without any false modesty, had moved beyond the group of women and children. He was circling around the Methodists, looking up at their faces with his mouth wide open while beating his stick against the milk can for musical accompaniment. However, when one of the older women bent down to take him by the shoulder, trying to scold him seriously, Timothy’s Bess’s Ben first kicked out vigorously, then took off running and hid behind his father’s legs.
“Ye gallows young dog,” said Sandy Jim, with some paternal pride, “if ye donna keep that stick quiet, I’ll tek it from ye. What dy’e mane by kickin’ foulks?”
“Hey, you young rascal,” said Sandy Jim, with a bit of paternal pride, “if you don’t keep that stick quiet, I’ll take it from you. What do you mean by kicking people?”
“Here! Gie him here to me, Jim,” said Chad Cranage; “I’ll tie hirs up an’ shoe him as I do th’ hosses. Well, Mester Casson,” he continued, as that personage sauntered up towards the group of men, “how are ye t’ naight? Are ye coom t’ help groon? They say folks allays groon when they’re hearkenin’ to th’ Methodys, as if they war bad i’ th’ inside. I mane to groon as loud as your cow did th’ other naight, an’ then the praicher ’ull think I’m i’ th’ raight way.”
“Here! Give him here to me, Jim,” said Chad Cranage; “I’ll tie him up and shoe him like I do the horses. Well, Mr. Casson,” he continued, as that person sauntered over to the group of men, “how are you tonight? Did you come to help groan? They say people always groan when they’re listening to the Methodists, as if they’re bad on the inside. I plan to groan as loud as your cow did the other night, and then the preacher will think I’m on the right path.”
“I’d advise you not to be up to no nonsense, Chad,” said Mr. Casson, with some dignity; “Poyser wouldn’t like to hear as his wife’s niece was treated any ways disrespectful, for all he mayn’t be fond of her taking on herself to preach.”
“I’d recommend you to avoid any trouble, Chad,” said Mr. Casson, with some dignity; “Poyser wouldn’t appreciate hearing that his wife’s niece was treated disrespectfully, even if he’s not fond of her trying to preach.”
“Aye, an’ she’s a pleasant-looked un too,” said Wiry Ben. “I’ll stick up for the pretty women preachin’; I know they’d persuade me over a deal sooner nor th’ ugly men. I shouldna wonder if I turn Methody afore the night’s out, an’ begin to coort the preacher, like Seth Bede.”
“Yeah, and she looks nice too,” said Wiry Ben. “I’ll support the pretty women preaching; I know they could convince me to change my mind about something way faster than the ugly men. I wouldn’t be surprised if I end up being a Methodist before the night is over and start courting the preacher, just like Seth Bede.”
“Why, Seth’s looking rether too high, I should think,” said Mr. Casson. “This woman’s kin wouldn’t like her to demean herself to a common carpenter.”
“Why, Seth’s aiming way too high, I’d say,” Mr. Casson remarked. “This woman’s family wouldn’t want her to lower herself to a regular carpenter.”
“Tchu!” said Ben, with a long treble intonation, “what’s folks’s kin got to do wi’t? Not a chip. Poyser’s wife may turn her nose up an’ forget bygones, but this Dinah Morris, they tell me, ’s as poor as iver she was—works at a mill, an’s much ado to keep hersen. A strappin’ young carpenter as is a ready-made Methody, like Seth, wouldna be a bad match for her. Why, Poysers make as big a fuss wi’ Adam Bede as if he war a nevvy o’ their own.”
“Tch!” said Ben, with a long high-pitched tone, “what does anyone's family have to do with it? Not a thing. Poyser’s wife might turn her nose up and forget the past, but this Dinah Morris, I hear, is just as poor as she ever was—working at a mill, and really struggles to take care of herself. A strong young carpenter who’s a ready-made Methodist, like Seth, wouldn’t be a bad match for her. Honestly, the Poysers make as big a fuss over Adam Bede as if he were a nephew of their own.”
“Idle talk! idle talk!” said Mr. Joshua Rann. “Adam an’ Seth’s two men; you wunna fit them two wi’ the same last.”
“Just worthless chatter! Just worthless chatter!” said Mr. Joshua Rann. “Adam and Seth's two guys; you can't fit them both with the same surname.”
“Maybe,” said Wiry Ben, contemptuously, “but Seth’s the lad for me, though he war a Methody twice o’er. I’m fair beat wi’ Seth, for I’ve been teasin’ him iver sin’ we’ve been workin’ together, an’ he bears me no more malice nor a lamb. An’ he’s a stout-hearted feller too, for when we saw the old tree all afire a-comin’ across the fields one night, an’ we thought as it war a boguy, Seth made no more ado, but he up to’t as bold as a constable. Why, there he comes out o’ Will Maskery’s; an’ there’s Will hisself, lookin’ as meek as if he couldna knock a nail o’ the head for fear o’ hurtin’t. An’ there’s the pretty preacher woman! My eye, she’s got her bonnet off. I mun go a bit nearer.”
“Maybe,” said Wiry Ben with disdain, “but Seth’s the guy for me, even if he is a Methody twice over. I’m totally into Seth, because I’ve been teasing him ever since we started working together, and he holds no grudge against me at all. Plus, he’s really brave; one night when we saw the old tree on fire coming across the fields and thought it was a ghost, Seth didn’t hesitate and went right up to it like a cop on duty. Look, there he comes out of Will Maskery’s place; and there’s Will himself, looking as harmless as if he couldn’t hit a nail on the head for fear of causing harm. And there’s the pretty preacher woman! Wow, she’s taken her bonnet off. I need to go a bit closer.”
Several of the men followed Ben’s lead, and the traveller pushed his horse on to the Green, as Dinah walked rather quickly and in advance of her companions towards the cart under the maple-tree. While she was near Seth’s tall figure, she looked short, but when she had mounted the cart, and was away from all comparison, she seemed above the middle height of woman, though in reality she did not exceed it—an effect which was due to the slimness of her figure and the simple line of her black stuff dress. The stranger was struck with surprise as he saw her approach and mount the cart—surprise, not so much at the feminine delicacy of her appearance, as at the total absence of self-consciousness in her demeanour. He had made up his mind to see her advance with a measured step and a demure solemnity of countenance; he had felt sure that her face would be mantled with the smile of conscious saintship, or else charged with denunciatory bitterness. He knew but two types of Methodist—the ecstatic and the bilious. But Dinah walked as simply as if she were going to market, and seemed as unconscious of her outward appearance as a little boy: there was no blush, no tremulousness, which said, “I know you think me a pretty woman, too young to preach”; no casting up or down of the eyelids, no compression of the lips, no attitude of the arms that said, “But you must think of me as a saint.” She held no book in her ungloved hands, but let them hang down lightly crossed before her, as she stood and turned her grey eyes on the people. There was no keenness in the eyes; they seemed rather to be shedding love than making observations; they had the liquid look which tells that the mind is full of what it has to give out, rather than impressed by external objects. She stood with her left hand towards the descending sun, and leafy boughs screened her from its rays; but in this sober light the delicate colouring of her face seemed to gather a calm vividness, like flowers at evening. It was a small oval face, of a uniform transparent whiteness, with an egg-like line of cheek and chin, a full but firm mouth, a delicate nostril, and a low perpendicular brow, surmounted by a rising arch of parting between smooth locks of pale reddish hair. The hair was drawn straight back behind the ears, and covered, except for an inch or two above the brow, by a net Quaker cap. The eyebrows, of the same colour as the hair, were perfectly horizontal and firmly pencilled; the eyelashes, though no darker, were long and abundant—nothing was left blurred or unfinished. It was one of those faces that make one think of white flowers with light touches of colour on their pure petals. The eyes had no peculiar beauty, beyond that of expression; they looked so simple, so candid, so gravely loving, that no accusing scowl, no light sneer could help melting away before their glance. Joshua Rann gave a long cough, as if he were clearing his throat in order to come to a new understanding with himself; Chad Cranage lifted up his leather skull-cap and scratched his head; and Wiry Ben wondered how Seth had the pluck to think of courting her.
Several of the men followed Ben’s lead, and the traveler urged his horse on to the Green while Dinah walked quickly ahead of her companions toward the cart under the maple tree. When she was near Seth’s tall figure, she looked short, but once she climbed onto the cart and was away from any comparison, she seemed taller than average, even though she was actually of average height—this effect came from the slimness of her figure and the simple cut of her black dress. The stranger was surprised to see her approach and get onto the cart—not so much by her delicate appearance, but by her complete lack of self-awareness in how she carried herself. He had expected to see her walk with a measured step and a solemn expression; he thought her face would be lit with the smile of someone who knew she was saintly, or marked by bitter disapproval. He only knew two kinds of Methodists—the ecstatic and the irritable. But Dinah walked as casually as if she were going to the market, completely unaware of her appearance, much like a little boy; there was no blush, no tremble that said, “I know you think I’m a pretty woman, too young to preach”; no looking up or down with her eyelids, no pressing of her lips, no posture that implied, “But you must see me as a saint.” She didn’t hold a book in her bare hands, but let them hang loosely crossed in front of her as she stood and looked at the people with her gray eyes. There was no sharpness in her gaze; it seemed more loving than observant; her eyes had that soft look that suggests a mind full of thoughts to share rather than preoccupied with external things. She stood with her left hand facing the setting sun, while leafy branches shielded her from its rays; yet in this soft light, the delicate color of her face seemed to gain a calm brightness, like flowers in the evening. It was a small oval face, uniformly pale and transparent, with a gentle line of cheek and chin, a full yet firm mouth, a delicate nostril, and a low, straight brow, topped by a gentle arch created by a part in her smooth, pale reddish hair. Her hair was pulled straight back behind her ears and covered, except for an inch or two above her brow, by a net Quaker cap. Her eyebrows, matching the color of her hair, were perfectly horizontal and well-defined; her eyelashes, though not darker, were long and full—nothing was left blurry or unfinished. It was one of those faces that makes you think of white flowers with subtle touches of color on their pure petals. Her eyes didn’t have any unique beauty beyond their expression; they looked so simple, so earnest, so lovingly sincere that no accusing frown or sneering glance could hold firm under their gaze. Joshua Rann gave a long cough, as if clearing his throat to come to a fresh realization; Chad Cranage lifted his leather skull cap and scratched his head; and Wiry Ben wondered how Seth had the courage to consider courting her.
“A sweet woman,” the stranger said to himself, “but surely nature never meant her for a preacher.”
“A nice woman,” the stranger thought to himself, “but surely nature never intended her to be a preacher.”
Perhaps he was one of those who think that nature has theatrical properties and, with the considerate view of facilitating art and psychology, “makes up,” her characters, so that there may be no mistake about them. But Dinah began to speak.
Perhaps he was one of those who think that nature has a dramatic side and, with the thoughtful aim of supporting art and psychology, “creates” her characters, so there’s no confusion about them. But Dinah started to speak.
“Dear friends,” she said in a clear but not loud voice “let us pray for a blessing.”
“Dear friends,” she said in a clear but quiet voice, “let's pray for a blessing.”
She closed her eyes, and hanging her head down a little continued in the same moderate tone, as if speaking to some one quite near her: “Saviour of sinners! When a poor woman laden with sins, went out to the well to draw water, she found Thee sitting at the well. She knew Thee not; she had not sought Thee; her mind was dark; her life was unholy. But Thou didst speak to her, Thou didst teach her, Thou didst show her that her life lay open before Thee, and yet Thou wast ready to give her that blessing which she had never sought. Jesus, Thou art in the midst of us, and Thou knowest all men: if there is any here like that poor woman—if their minds are dark, their lives unholy—if they have come out not seeking Thee, not desiring to be taught; deal with them according to the free mercy which Thou didst show to her. Speak to them, Lord, open their ears to my message, bring their sins to their minds, and make them thirst for that salvation which Thou art ready to give.
She closed her eyes, slightly lowered her head, and continued in the same calm tone, as if speaking to someone very close to her: “Savior of sinners! When a troubled woman burdened with her sins went to the well to draw water, she found You sitting there. She didn’t recognize You; she hadn’t sought You; her mind was clouded; her life was not pure. But You spoke to her, You taught her, You showed her that her life was laid bare before You, and yet You were ready to give her a blessing she never sought. Jesus, You are here among us, and You know everyone: if there’s anyone here like that poor woman—if their minds are clouded, their lives are impure—if they’ve come here not seeking You, not wanting to be taught; deal with them according to the generous mercy You showed her. Speak to them, Lord, open their ears to my message, bring their sins to their minds, and make them long for the salvation that You are ready to give.
“Lord, Thou art with Thy people still: they see Thee in the night-watches, and their hearts burn within them as Thou talkest with them by the way. And Thou art near to those who have not known Thee: open their eyes that they may see Thee—see Thee weeping over them, and saying ‘Ye will not come unto me that ye might have life’—see Thee hanging on the cross and saying, ‘Father, forgive them, for they know not what they do’—see Thee as Thou wilt come again in Thy glory to judge them at the last. Amen.”
“Lord, You are still with Your people: they see You in the night hours, and their hearts burn within them as You speak with them along the way. And You are close to those who don’t know You: open their eyes so they can see You—see You weeping over them and saying, ‘You won’t come to me so you can have life’—see You hanging on the cross and saying, ‘Father, forgive them, for they don’t know what they’re doing’—see You as You will return in Your glory to judge them in the end. Amen.”
Dinah opened her eyes again and paused, looking at the group of villagers, who were now gathered rather more closely on her right hand.
Dinah opened her eyes again and paused, glancing at the group of villagers, who were now gathered much closer on her right side.
“Dear friends,” she began, raising her voice a little, “you have all of you been to church, and I think you must have heard the clergyman read these words: ‘The Spirit of the Lord is upon me, because he hath anointed me to preach the gospel to the poor.’ Jesus Christ spoke those words—he said he came to preach the Gospel to the poor: I don’t know whether you ever thought about those words much, but I will tell you when I remember first hearing them. It was on just such a sort of evening as this, when I was a little girl, and my aunt as brought me up took me to hear a good man preach out of doors, just as we are here. I remember his face well: he was a very old man, and had very long white hair; his voice was very soft and beautiful, not like any voice I had ever heard before. I was a little girl and scarcely knew anything, and this old man seemed to me such a different sort of a man from anybody I had ever seen before that I thought he had perhaps come down from the sky to preach to us, and I said, ‘Aunt, will he go back to the sky to-night, like the picture in the Bible?’
“Dear friends,” she began, raising her voice a bit, “you’ve all been to church, and I think you must have heard the clergyman read these words: ‘The Spirit of the Lord is upon me, because he has anointed me to preach the gospel to the poor.’ Jesus Christ said these words—he declared he came to preach the Gospel to the poor: I don’t know if you’ve ever thought much about those words, but I’ll share when I first heard them. It was on an evening like this one, when I was a little girl, and my aunt, who raised me, took me to hear a good man preach outdoors, just like we’re here. I remember his face well: he was very old and had long white hair; his voice was soft and beautiful, unlike any I had ever heard before. I was a little girl, barely knowing anything, and this old man seemed so different from anyone I had seen before that I thought he might have come down from the sky to preach to us, and I asked, ‘Aunt, will he go back to the sky tonight, like the picture in the Bible?’
“That man of God was Mr. Wesley, who spent his life in doing what our blessed Lord did—preaching the Gospel to the poor—and he entered into his rest eight years ago. I came to know more about him years after, but I was a foolish thoughtless child then, and I remembered only one thing he told us in his sermon. He told us as ‘Gospel’ meant ‘good news.’ The Gospel, you know, is what the Bible tells us about God.
“That man of God was Mr. Wesley, who dedicated his life to doing what our blessed Lord did—preaching the Gospel to the poor—and he passed away eight years ago. I learned more about him years later, but I was a foolish, thoughtless child back then, and I only remembered one thing he told us in his sermon. He told us that ‘Gospel’ means ‘good news.’ The Gospel, you know, is what the Bible teaches us about God.”
“Think of that now! Jesus Christ did really come down from heaven, as I, like a silly child, thought Mr. Wesley did; and what he came down for was to tell good news about God to the poor. Why, you and me, dear friends, are poor. We have been brought up in poor cottages and have been reared on oat-cake, and lived coarse; and we haven’t been to school much, nor read books, and we don’t know much about anything but what happens just round us. We are just the sort of people that want to hear good news. For when anybody’s well off, they don’t much mind about hearing news from distant parts; but if a poor man or woman’s in trouble and has hard work to make out a living, they like to have a letter to tell ’em they’ve got a friend as will help ’em. To be sure, we can’t help knowing something about God, even if we’ve never heard the Gospel, the good news that our Saviour brought us. For we know everything comes from God: don’t you say almost every day, ‘This and that will happen, please God,’ and ‘We shall begin to cut the grass soon, please God to send us a little more sunshine’? We know very well we are altogether in the hands of God. We didn’t bring ourselves into the world, we can’t keep ourselves alive while we’re sleeping; the daylight, and the wind, and the corn, and the cows to give us milk—everything we have comes from God. And he gave us our souls and put love between parents and children, and husband and wife. But is that as much as we want to know about God? We see he is great and mighty, and can do what he will: we are lost, as if we was struggling in great waters, when we try to think of him.
“Think about that now! Jesus Christ really did come down from heaven, just like I, as a naive child, believed Mr. Wesley did; and the reason he came down was to share good news about God with the poor. Well, you and I, dear friends, are poor. We grew up in humble homes, lived on oat cakes, and had a rough life; we haven’t gone to school much, nor read many books, and we don’t know much about anything beyond what’s right around us. We are exactly the kind of people who need to hear good news. Because when someone is well off, they don’t really care much about news from far away; but if a poor man or woman is struggling and has a hard time making ends meet, they’d love to get a letter saying they have a friend who will help them. Of course, we can’t help but know something about God, even if we’ve never heard the Gospel, the good news that our Savior brought us. We know that everything comes from God: don’t you say almost every day, ‘This or that will happen, God willing,’ and ‘We’ll start to cut the grass soon, if God sends us a little more sunshine’? We know very well that we are completely in God’s hands. We didn’t bring ourselves into this world, and we can’t keep ourselves alive while we’re sleeping; the daylight, the wind, the crops, and the cows that give us milk—everything we have comes from God. And he gave us our souls and created love between parents and children, and between husband and wife. But is that all we want to know about God? We see that he is great and powerful, and can do whatever he wants: we feel lost, like we’re struggling in deep waters, when we try to think of him.”
“But perhaps doubts come into your mind like this: Can God take much notice of us poor people? Perhaps he only made the world for the great and the wise and the rich. It doesn’t cost him much to give us our little handful of victual and bit of clothing; but how do we know he cares for us any more than we care for the worms and things in the garden, so as we rear our carrots and onions? Will God take care of us when we die? And has he any comfort for us when we are lame and sick and helpless? Perhaps, too, he is angry with us; else why does the blight come, and the bad harvests, and the fever, and all sorts of pain and trouble? For our life is full of trouble, and if God sends us good, he seems to send bad too. How is it? How is it?
"But maybe doubts creep into your mind like this: Can God really pay attention to us poor people? Maybe He created the world for the great, the wise, and the wealthy. It doesn’t take much for Him to provide us with our small bit of food and some clothing; but how do we know He cares for us any more than we care for the worms and insects in the garden while we grow our carrots and onions? Will God watch over us when we die? Does He have any comfort for us when we’re hurt, sick, and powerless? Maybe He’s angry with us; otherwise, why do we experience blight, bad harvests, fevers, and all kinds of pain and trouble? Our lives are full of struggle, and when God gives us something good, it seems like He also gives us something bad. What’s going on? What’s going on?"
“Ah, dear friends, we are in sad want of good news about God; and what does other good news signify if we haven’t that? For everything else comes to an end, and when we die we leave it all. But God lasts when everything else is gone. What shall we do if he is not our friend?”
“Ah, dear friends, we really need some good news about God; and what does any other good news mean if we don’t have that? Because everything else comes to an end, and when we die we leave it all behind. But God remains when everything else is gone. What will we do if He isn’t our friend?”
Then Dinah told how the good news had been brought, and how the mind of God towards the poor had been made manifest in the life of Jesus, dwelling on its lowliness and its acts of mercy.
Then Dinah explained how the good news had been shared, and how God's compassion for the poor had been revealed through Jesus's life, focusing on its humility and acts of kindness.
“So you see, dear friends,” she went on, “Jesus spent his time almost all in doing good to poor people; he preached out of doors to them, and he made friends of poor workmen, and taught them and took pains with them. Not but what he did good to the rich too, for he was full of love to all men, only he saw as the poor were more in want of his help. So he cured the lame and the sick and the blind, and he worked miracles to feed the hungry because, he said, he was sorry for them; and he was very kind to the little children and comforted those who had lost their friends; and he spoke very tenderly to poor sinners that were sorry for their sins.
“So you see, dear friends,” she continued, “Jesus spent almost all his time helping poor people; he preached outdoors to them, made friends with poor workers, and taught and guided them. It’s not that he didn’t help the rich too, because he loved everyone, but he noticed that the poor needed his help more. So he healed the lame, the sick, and the blind, and performed miracles to feed the hungry because he felt compassion for them; he was very kind to little children and comforted those who had lost loved ones; and he spoke gently to poor sinners who were truly sorry for their sins.”
“Ah, wouldn’t you love such a man if you saw him—if he were here in this village? What a kind heart he must have! What a friend he would be to go to in trouble! How pleasant it must be to be taught by him.
“Ah, wouldn’t you love a guy like that if you met him—if he were here in this village? He must have such a kind heart! What a great friend he would be to turn to in tough times! How nice it must be to learn from him.”
“Well, dear friends, who was this man? Was he only a good man—a very good man, and no more—like our dear Mr. Wesley, who has been taken from us?... He was the Son of God—‘in the image of the Father,’ the Bible says; that means, just like God, who is the beginning and end of all things—the God we want to know about. So then, all the love that Jesus showed to the poor is the same love that God has for us. We can understand what Jesus felt, because he came in a body like ours and spoke words such as we speak to each other. We were afraid to think what God was before—the God who made the world and the sky and the thunder and lightning. We could never see him; we could only see the things he had made; and some of these things was very terrible, so as we might well tremble when we thought of him. But our blessed Saviour has showed us what God is in a way us poor ignorant people can understand; he has showed us what God’s heart is, what are his feelings towards us.
“Well, dear friends, who was this man? Was he just a good man—a really good man, and nothing more—like our dear Mr. Wesley, who is no longer with us?... He was the Son of God—‘in the image of the Father,’ as the Bible says; that means, just like God, who is the beginning and end of all things—the God we want to know about. So, all the love that Jesus showed to the poor is the same love that God has for us. We can understand what Jesus felt because he came in a body like ours and spoke words just like we do. We were afraid to think about what God was before—the God who created the world and the sky and the thunder and lightning. We could never see him; we could only see the things he had made; and some of those things were quite terrifying, so it’s understandable that we might tremble when we thought of him. But our blessed Savior has shown us what God is like in a way that we, poor ignorant people, can understand; he has revealed God’s heart and feelings towards us.”
“But let us see a little more about what Jesus came on earth for. Another time he said, ‘I came to seek and to save that which was lost’; and another time, ‘I came not to call the righteous but sinners to repentance.’
“But let’s explore more about why Jesus came to Earth. At one point, He said, ‘I came to seek and save what was lost’; and at another time, He said, ‘I didn’t come to call the righteous but sinners to repentance.’”
“The lost!... Sinners!... Ah, dear friends, does that mean you and me?”
“The lost!... Sinners!... Ah, dear friends, does that mean you and me?”
Hitherto the traveller had been chained to the spot against his will by the charm of Dinah’s mellow treble tones, which had a variety of modulation like that of a fine instrument touched with the unconscious skill of musical instinct. The simple things she said seemed like novelties, as a melody strikes us with a new feeling when we hear it sung by the pure voice of a boyish chorister; the quiet depth of conviction with which she spoke seemed in itself an evidence for the truth of her message. He saw that she had thoroughly arrested her hearers. The villagers had pressed nearer to her, and there was no longer anything but grave attention on all faces. She spoke slowly, though quite fluently, often pausing after a question, or before any transition of ideas. There was no change of attitude, no gesture; the effect of her speech was produced entirely by the inflections of her voice, and when she came to the question, “Will God take care of us when we die?” she uttered it in such a tone of plaintive appeal that the tears came into some of the hardest eyes. The stranger had ceased to doubt, as he had done at the first glance, that she could fix the attention of her rougher hearers, but still he wondered whether she could have that power of rousing their more violent emotions, which must surely be a necessary seal of her vocation as a Methodist preacher, until she came to the words, “Lost!—Sinners!” when there was a great change in her voice and manner. She had made a long pause before the exclamation, and the pause seemed to be filled by agitating thoughts that showed themselves in her features. Her pale face became paler; the circles under her eyes deepened, as they did when tears half-gather without falling; and the mild loving eyes took an expression of appalled pity, as if she had suddenly discerned a destroying angel hovering over the heads of the people. Her voice became deep and muffled, but there was still no gesture. Nothing could be less like the ordinary type of the Ranter than Dinah. She was not preaching as she heard others preach, but speaking directly from her own emotions and under the inspiration of her own simple faith.
Until now, the traveler had been stuck in place against his will, captivated by Dinah’s warm, smooth voice, which had a range of tones like a beautifully played instrument by someone who instinctively understands music. The simple things she said felt fresh and new, much like a melody that hits differently when sung by the pure voice of a young choir boy; the sincere conviction in her words seemed to validate her message. He noticed that she had completely captured her audience’s attention. The villagers moved closer to her, and everyone wore expressions of serious interest. She spoke slowly but smoothly, often pausing after a question or before changing topics. There was no change in her posture or gestures; the impact of her speech came solely from the way she modulated her voice. When she asked, “Will God take care of us when we die?” she delivered it in a tone of heartfelt appeal that brought tears to even the toughest among them. The stranger no longer doubted, as he had at first, that she could command the attention of her rougher listeners, but he still questioned whether she could stir their more intense emotions, which must surely be essential to her role as a Methodist preacher. Then she said the words, “Lost!—Sinners!” and her voice and demeanor transformed dramatically. She had paused for a long moment before that exclamation, and in that silence, her face revealed the turmoil of her thoughts. Her pale complexion grew even paler, the dark circles under her eyes deepened as if she were holding back tears, and her gentle, loving eyes took on an expression of deep pity, as if she had suddenly seen a destructive angel looming over the crowd. Her voice turned deep and muffled, yet still, she made no gestures. Dinah was nothing like the typical Ranter. She wasn’t preaching the way she had seen others do; she was speaking directly from her own feelings and inspired by her simple faith.
But now she had entered into a new current of feeling. Her manner became less calm, her utterance more rapid and agitated, as she tried to bring home to the people their guilt, their wilful darkness, their state of disobedience to God—as she dwelt on the hatefulness of sin, the Divine holiness, and the sufferings of the Saviour, by which a way had been opened for their salvation. At last it seemed as if, in her yearning desire to reclaim the lost sheep, she could not be satisfied by addressing her hearers as a body. She appealed first to one and then to another, beseeching them with tears to turn to God while there was yet time; painting to them the desolation of their souls, lost in sin, feeding on the husks of this miserable world, far away from God their Father; and then the love of the Saviour, who was waiting and watching for their return.
But now she had entered a new wave of emotion. Her demeanor became less calm, her speech more hurried and anxious as she tried to make the people confront their guilt, their willful ignorance, and their disobedience to God. She focused on the ugliness of sin, the holiness of the Divine, and the sufferings of the Savior, which had created a path for their salvation. Eventually, it seemed that in her deep desire to reclaim the lost, she couldn't be content addressing her audience as a whole. She spoke to one person and then to another, pleading with them in tears to turn to God while there was still time; describing the devastation of their souls, trapped in sin, surviving on the scraps of this miserable world, far from God, their Father; and then the love of the Savior, who was waiting and watching for their return.
There was many a responsive sigh and groan from her fellow-Methodists, but the village mind does not easily take fire, and a little smouldering vague anxiety that might easily die out again was the utmost effect Dinah’s preaching had wrought in them at present. Yet no one had retired, except the children and “old Feyther Taft,” who being too deaf to catch many words, had some time ago gone back to his inglenook. Wiry Ben was feeling very uncomfortable, and almost wishing he had not come to hear Dinah; he thought what she said would haunt him somehow. Yet he couldn’t help liking to look at her and listen to her, though he dreaded every moment that she would fix her eyes on him and address him in particular. She had already addressed Sandy Jim, who was now holding the baby to relieve his wife, and the big soft-hearted man had rubbed away some tears with his fist, with a confused intention of being a better fellow, going less to the Holly Bush down by the Stone-pits, and cleaning himself more regularly of a Sunday.
There were many sighs and groans from her fellow Methodists, but the village wasn’t easily stirred up, and the vague anxiety that had started among them was likely to fade away soon. Still, no one had left, except for the children and “old Father Taft,” who, being too deaf to catch much of what was said, had retreated to his cozy corner long ago. Wiry Ben was feeling pretty uncomfortable and almost regretting coming to hear Dinah; he thought her words would haunt him in some way. Yet, he couldn’t help but enjoy looking at her and listening to her, even though he dreaded the moment she would lock eyes with him and talk directly to him. She had already spoken to Sandy Jim, who was now holding the baby to give his wife a break, and the big, soft-hearted man had wiped away some tears with his fist, intending to be a better person, going to the Holly Bush down by the Stone-pits less often, and cleaning himself up more regularly on Sundays.
In front of Sandy Jim stood Chad’s Bess, who had shown an unwonted quietude and fixity of attention ever since Dinah had begun to speak. Not that the matter of the discourse had arrested her at once, for she was lost in a puzzling speculation as to what pleasure and satisfaction there could be in life to a young woman who wore a cap like Dinah’s. Giving up this inquiry in despair, she took to studying Dinah’s nose, eyes, mouth, and hair, and wondering whether it was better to have such a sort of pale face as that, or fat red cheeks and round black eyes like her own. But gradually the influence of the general gravity told upon her, and she became conscious of what Dinah was saying. The gentle tones, the loving persuasion, did not touch her, but when the more severe appeals came she began to be frightened. Poor Bessy had always been considered a naughty girl; she was conscious of it; if it was necessary to be very good, it was clear she must be in a bad way. She couldn’t find her places at church as Sally Rann could, she had often been tittering when she “curcheyed” to Mr. Irwine; and these religious deficiencies were accompanied by a corresponding slackness in the minor morals, for Bessy belonged unquestionably to that unsoaped lazy class of feminine characters with whom you may venture to “eat an egg, an apple, or a nut.” All this she was generally conscious of, and hitherto had not been greatly ashamed of it. But now she began to feel very much as if the constable had come to take her up and carry her before the justice for some undefined offence. She had a terrified sense that God, whom she had always thought of as very far off, was very near to her, and that Jesus was close by looking at her, though she could not see him. For Dinah had that belief in visible manifestations of Jesus, which is common among the Methodists, and she communicated it irresistibly to her hearers: she made them feel that he was among them bodily, and might at any moment show himself to them in some way that would strike anguish and penitence into their hearts.
In front of Sandy, Jim stood Chad’s Bess, who had been unusually quiet and focused ever since Dinah started speaking. It wasn’t that the topic of conversation had grabbed her attention right away; she was lost in a confusing thought about what joy and satisfaction life could hold for a young woman wearing a cap like Dinah’s. After giving up on that thought in frustration, she focused on studying Dinah’s nose, eyes, mouth, and hair, wondering whether it was better to have a pale face like that, or plump red cheeks and round black eyes like her own. Gradually, the overall seriousness of the moment began to affect her, and she became aware of what Dinah was saying. The gentle tones and loving persuasion didn’t affect her, but when the harsher appeals came, she started to feel scared. Poor Bessy had always been seen as a naughty girl, and she was aware of it; if she needed to be very good, it clearly meant she was in trouble. She couldn’t find her place at church like Sally Rann could, and she often giggled when she “curtsied” to Mr. Irwine; these religious shortcomings were matched by a similar laziness in her minor morals, as Bessy undeniably belonged to that unpolished, lazy group of women with whom you might dare to “eat an egg, an apple, or a nut.” She was generally aware of all this and hadn’t been too ashamed of it before. But now, she felt very much like the constable had come to arrest her and bring her before a judge for some vague wrongdoing. She had a frightened sense that God, whom she had always thought of as being very far away, was very close to her, and that Jesus was nearby watching her, even though she couldn’t see him. Dinah had a belief in the visible presence of Jesus, which is common among Methodists, and she communicated this belief irresistibly to her listeners, making them feel that he was physically among them and could reveal himself at any moment in a way that would evoke anguish and repentance in their hearts.
“See!” she exclaimed, turning to the left, with her eyes fixed on a point above the heads of the people. “See where our blessed Lord stands and weeps and stretches out his arms towards you. Hear what he says: ‘How often would I have gathered you as a hen gathereth her chickens under her wings, and ye would not!’... and ye would not,” she repeated, in a tone of pleading reproach, turning her eyes on the people again. “See the print of the nails on his dear hands and feet. It is your sins that made them! Ah! How pale and worn he looks! He has gone through all that great agony in the garden, when his soul was exceeding sorrowful even unto death, and the great drops of sweat fell like blood to the ground. They spat upon him and buffeted him, they scourged him, they mocked him, they laid the heavy cross on his bruised shoulders. Then they nailed him up. Ah, what pain! His lips are parched with thirst, and they mock him still in this great agony; yet with those parched lips he prays for them, ‘Father, forgive them, for they know not what they do.’ Then a horror of great darkness fell upon him, and he felt what sinners feel when they are for ever shut out from God. That was the last drop in the cup of bitterness. ‘My God, my God!’ he cries, ‘why hast Thou forsaken me?’
“Look!” she exclaimed, turning to the left, her eyes fixed on a point above the heads of the crowd. “Look where our blessed Lord is standing, weeping and reaching out his arms to you. Listen to what he says: ‘How often I wanted to gather you like a hen gathers her chicks under her wings, but you were not willing!’… and you were not willing,” she repeated, with a pleading tone of reproach, turning her gaze back to the people. “See the marks of the nails on his dear hands and feet. It’s your sins that put them there! Ah! How pale and worn he looks! He has endured all that great agony in the garden, when his soul was deeply sorrowful even to the point of death, and the great drops of sweat fell like blood to the ground. They spat on him and beat him, they whipped him, they mocked him, they laid the heavy cross on his bruised shoulders. Then they nailed him up. Ah, what pain! His lips are dry with thirst, and they continue to mock him in this great agony; yet with those dry lips, he prays for them, ‘Father, forgive them, for they don’t know what they do.’ Then a terrible darkness fell upon him, and he felt what sinners feel when they are forever shut out from God. That was the final drop in the cup of bitterness. ‘My God, my God!’ he cries, ‘why have You forsaken me?’
“All this he bore for you! For you—and you never think of him; for you—and you turn your backs on him; you don’t care what he has gone through for you. Yet he is not weary of toiling for you: he has risen from the dead, he is praying for you at the right hand of God—‘Father, forgive them, for they know not what they do.’ And he is upon this earth too; he is among us; he is there close to you now; I see his wounded body and his look of love.”
“All of this he endured for you! For you—and you never think about him; for you—and you turn your backs on him; you don’t care what he has gone through for you. Yet he doesn’t tire of working for you: he has risen from the dead, he’s praying for you at the right hand of God—‘Father, forgive them, for they don’t know what they’re doing.’ And he’s here on this earth too; he’s among us; he’s right there next to you now; I see his wounded body and his loving gaze.”
Here Dinah turned to Bessy Cranage, whose bonny youth and evident vanity had touched her with pity.
Here Dinah turned to Bessy Cranage, whose beautiful youth and clear vanity had made her feel pity.
“Poor child! Poor child! He is beseeching you, and you don’t listen to him. You think of ear-rings and fine gowns and caps, and you never think of the Saviour who died to save your precious soul. Your cheeks will be shrivelled one day, your hair will be grey, your poor body will be thin and tottering! Then you will begin to feel that your soul is not saved; then you will have to stand before God dressed in your sins, in your evil tempers and vain thoughts. And Jesus, who stands ready to help you now, won’t help you then; because you won’t have him to be your Saviour, he will be your judge. Now he looks at you with love and mercy and says, ‘Come to me that you may have life’; then he will turn away from you, and say, ‘Depart from me into ever-lasting fire!’”
“Poor child! Poor child! He is pleading with you, and you don’t pay attention. You’re focused on earrings and fancy dresses and hats, and you never think of the Savior who died to save your precious soul. One day your cheeks will be wrinkled, your hair will be grey, and your frail body will be weak and unsteady! Then you’ll start to realize that your soul isn’t saved; then you’ll have to stand before God covered in your sins, your bad temper, and your vain thoughts. And Jesus, who is ready to help you now, won’t help you then; because you won’t have him as your Savior, he will be your judge. Right now he looks at you with love and mercy and says, ‘Come to me so you can have life’; then he will turn away from you, and say, ‘Depart from me into everlasting fire!’”
Poor Bessy’s wide-open black eyes began to fill with tears, her great red cheeks and lips became quite pale, and her face was distorted like a little child’s before a burst of crying.
Poor Bessy’s wide-open black eyes started to fill with tears, her bright red cheeks and lips turned pale, and her face twisted like a small child’s just before they start crying.
“Ah, poor blind child!” Dinah went on, “think if it should happen to you as it once happened to a servant of God in the days of her vanity. She thought of her lace caps and saved all her money to buy ’em; she thought nothing about how she might get a clean heart and a right spirit—she only wanted to have better lace than other girls. And one day when she put her new cap on and looked in the glass, she saw a bleeding Face crowned with thorns. That face is looking at you now”—here Dinah pointed to a spot close in front of Bessy—“Ah, tear off those follies! Cast them away from you, as if they were stinging adders. They are stinging you—they are poisoning your soul—they are dragging you down into a dark bottomless pit, where you will sink for ever, and for ever, and for ever, further away from light and God.”
“Ah, poor blind child!” Dinah continued, “imagine if it happened to you like it did to a servant of God back in her foolish days. She focused on her lace caps and saved every penny to buy them; she didn’t think about getting a clean heart and a right spirit—she just wanted to have nicer lace than the other girls. One day, when she put on her new cap and looked in the mirror, she saw a bleeding face crowned with thorns. That face is looking at you now”—here Dinah pointed to a spot right in front of Bessy—“Ah, tear off those distractions! Cast them away from you, like they were stinging snakes. They *are* stinging you—they are poisoning your soul—they are dragging you down into a dark, bottomless pit, where you will sink forever, and ever, and ever, further away from light and God.”
Bessy could bear it no longer: a great terror was upon her, and wrenching her ear-rings from her ears, she threw them down before her, sobbing aloud. Her father, Chad, frightened lest he should be “laid hold on” too, this impression on the rebellious Bess striking him as nothing less than a miracle, walked hastily away and began to work at his anvil by way of reassuring himself. “Folks mun ha’ hoss-shoes, praichin’ or no praichin’: the divil canna lay hould o’ me for that,” he muttered to himself.
Bessy couldn't take it anymore: a huge fear was overwhelming her, and ripping her earrings from her ears, she tossed them down in front of her, crying loudly. Her father, Chad, afraid that he might be "caught" too, thought this reaction from the rebellious Bess was nothing short of a miracle. He quickly walked away and started working at his anvil to calm himself. “People need horseshoes, preaching or no preaching: the devil can't grab hold of me for that,” he muttered to himself.
But now Dinah began to tell of the joys that were in store for the penitent, and to describe in her simple way the divine peace and love with which the soul of the believer is filled—how the sense of God’s love turns poverty into riches and satisfies the soul so that no uneasy desire vexes it, no fear alarms it: how, at last, the very temptation to sin is extinguished, and heaven is begun upon earth, because no cloud passes between the soul and God, who is its eternal sun.
But now Dinah started to share the joys awaiting those who repent, describing in her straightforward way the divine peace and love that fill the believer's soul—how the feeling of God’s love transforms poverty into wealth and satisfies the soul so that no restless desire troubles it, no fear disturbs it: how, eventually, even the temptation to sin disappears, and heaven begins on earth, because no cloud stands between the soul and God, who is its eternal light.
“Dear friends,” she said at last, “brothers and sisters, whom I love as those for whom my Lord has died, believe me, I know what this great blessedness is; and because I know it, I want you to have it too. I am poor, like you: I have to get my living with my hands; but no lord nor lady can be so happy as me, if they haven’t got the love of God in their souls. Think what it is—not to hate anything but sin; to be full of love to every creature; to be frightened at nothing; to be sure that all things will turn to good; not to mind pain, because it is our Father’s will; to know that nothing—no, not if the earth was to be burnt up, or the waters come and drown us—nothing could part us from God who loves us, and who fills our souls with peace and joy, because we are sure that whatever he wills is holy, just, and good.
“Dear friends,” she said finally, “brothers and sisters, whom I love as those for whom my Lord has died, believe me, I know what this great blessedness is; and because I know it, I want you to have it too. I’m poor, like you: I have to earn my living with my hands; but no lord or lady can be as happy as I am if they don’t have the love of God in their souls. Think about it—not hating anything but sin; being filled with love for every creature; not being scared of anything; being certain that everything will turn out fine; not being bothered by pain, because it’s our Father’s will; knowing that nothing—no, not if the earth were to be burned up, or the waters came and drowned us—nothing could separate us from God who loves us, and who fills our souls with peace and joy, because we are confident that whatever He wills is holy, just, and good.
“Dear friends, come and take this blessedness; it is offered to you; it is the good news that Jesus came to preach to the poor. It is not like the riches of this world, so that the more one gets the less the rest can have. God is without end; his love is without end—”
“Dear friends, come and take this blessing; it’s offered to you; it’s the good news that Jesus came to share with the poor. It’s not like the wealth of this world, where the more one has, the less there is for everyone else. God is limitless; his love is limitless—”
Its streams the whole creation reach,
So plenteous is the store;
Enough for all, enough for each,
Enough for evermore.
Its streams touch all of creation,
So abundant is the supply;
Enough for everyone, enough for each,
Enough for all time.
Dinah had been speaking at least an hour, and the reddening light of the parting day seemed to give a solemn emphasis to her closing words. The stranger, who had been interested in the course of her sermon as if it had been the development of a drama—for there is this sort of fascination in all sincere unpremeditated eloquence, which opens to one the inward drama of the speaker’s emotions—now turned his horse aside and pursued his way, while Dinah said, “Let us sing a little, dear friends”; and as he was still winding down the slope, the voices of the Methodists reached him, rising and falling in that strange blending of exultation and sadness which belongs to the cadence of a hymn.
Dinah had been speaking for at least an hour, and the fading light of the setting day seemed to add a serious tone to her final words. The stranger, who had been captivated by her sermon as if it were the unfolding of a play—since there’s a certain charm in all genuine, spontaneous speech that reveals the speaker’s emotional journey—now turned his horse away and continued on his path, while Dinah said, “Let’s sing a bit, dear friends”; and as he was still going down the slope, the voices of the Methodists reached him, rising and falling in that unique mix of joy and sorrow that characterizes the rhythm of a hymn.
Chapter III
After the Preaching
In less than an hour from that time, Seth Bede was walking by Dinah’s side along the hedgerow-path that skirted the pastures and green corn-fields which lay between the village and the Hall Farm. Dinah had taken off her little Quaker bonnet again, and was holding it in her hands that she might have a freer enjoyment of the cool evening twilight, and Seth could see the expression of her face quite clearly as he walked by her side, timidly revolving something he wanted to say to her. It was an expression of unconscious placid gravity—of absorption in thoughts that had no connection with the present moment or with her own personality—an expression that is most of all discouraging to a lover. Her very walk was discouraging: it had that quiet elasticity that asks for no support. Seth felt this dimly; he said to himself, “She’s too good and holy for any man, let alone me,” and the words he had been summoning rushed back again before they had reached his lips. But another thought gave him courage: “There’s no man could love her better and leave her freer to follow the Lord’s work.” They had been silent for many minutes now, since they had done talking about Bessy Cranage; Dinah seemed almost to have forgotten Seth’s presence, and her pace was becoming so much quicker that the sense of their being only a few minutes’ walk from the yard-gates of the Hall Farm at last gave Seth courage to speak.
In less than an hour, Seth Bede was walking alongside Dinah on the path by the hedgerow that bordered the pastures and the green cornfields between the village and Hall Farm. Dinah had taken off her little Quaker bonnet again and was holding it in her hands to enjoy the cool evening twilight more freely. Seth could see her face clearly as he walked beside her, hesitantly thinking about something he wanted to say. Her expression was one of calm seriousness—lost in thoughts unrelated to the present moment or to herself—an expression that was particularly discouraging for a lover. Even her way of walking felt discouraging; it had a quiet strength that seemed to require no support. Seth sensed this dimly and thought, “She’s too good and holy for any man, let alone me,” and the words he had been trying to say faded away before he could speak them. But another thought gave him courage: “No man could love her more and let her follow the Lord’s work.” They had been silent for several minutes since they stopped talking about Bessy Cranage; Dinah seemed almost to have forgotten Seth was there, and her pace was quickening so much that the realization they were only a few minutes away from the Hall Farm gates finally gave Seth the courage to speak.
“You’ve quite made up your mind to go back to Snowfield o’ Saturday, Dinah?”
“You’re really set on going back to Snowfield on Saturday, Dinah?”
“Yes,” said Dinah, quietly. “I’m called there. It was borne in upon my mind while I was meditating on Sunday night, as Sister Allen, who’s in a decline, is in need of me. I saw her as plain as we see that bit of thin white cloud, lifting up her poor thin hand and beckoning to me. And this morning when I opened the Bible for direction, the first words my eyes fell on were, ‘And after we had seen the vision, immediately we endeavoured to go into Macedonia.’ If it wasn’t for that clear showing of the Lord’s will, I should be loath to go, for my heart yearns over my aunt and her little ones, and that poor wandering lamb Hetty Sorrel. I’ve been much drawn out in prayer for her of late, and I look on it as a token that there may be mercy in store for her.”
“Yes,” Dinah said quietly. “I feel called there. It came to me while I was thinking on Sunday night, as Sister Allen, who’s not well, needs me. I saw her clearly, like that thin white cloud, lifting her frail hand and beckoning to me. This morning when I opened the Bible for guidance, the first words I saw were, ‘And after we had seen the vision, immediately we endeavoured to go into Macedonia.’ If it weren’t for that clear indication of the Lord’s will, I wouldn't want to go, because my heart aches for my aunt and her little ones, and for that poor lost soul, Hetty Sorrel. I've been praying a lot for her lately, and I see it as a sign that there might be mercy waiting for her.”
“God grant it,” said Seth. “For I doubt Adam’s heart is so set on her, he’ll never turn to anybody else; and yet it ’ud go to my heart if he was to marry her, for I canna think as she’d make him happy. It’s a deep mystery—the way the heart of man turns to one woman out of all the rest he’s seen i’ the world, and makes it easier for him to work seven year for her, like Jacob did for Rachel, sooner than have any other woman for th’ asking. I often think of them words, ‘And Jacob served seven years for Rachel; and they seemed to him but a few days for the love he had to her.’ I know those words ’ud come true with me, Dinah, if so be you’d give me hope as I might win you after seven years was over. I know you think a husband ’ud be taking up too much o’ your thoughts, because St. Paul says, ‘She that’s married careth for the things of the world how she may please her husband’; and may happen you’ll think me overbold to speak to you about it again, after what you told me o’ your mind last Saturday. But I’ve been thinking it over again by night and by day, and I’ve prayed not to be blinded by my own desires, to think what’s only good for me must be good for you too. And it seems to me there’s more texts for your marrying than ever you can find against it. For St. Paul says as plain as can be in another place, ‘I will that the younger women marry, bear children, guide the house, give none occasion to the adversary to speak reproachfully’; and then ‘two are better than one’; and that holds good with marriage as well as with other things. For we should be o’ one heart and o’ one mind, Dinah. We both serve the same Master, and are striving after the same gifts; and I’d never be the husband to make a claim on you as could interfere with your doing the work God has fitted you for. I’d make a shift, and fend indoor and out, to give you more liberty—more than you can have now, for you’ve got to get your own living now, and I’m strong enough to work for us both.”
“God grant it,” said Seth. “I doubt Adam's heart is so set on her that he’ll never look at anyone else; and yet it would hurt me if he married her because I can't see her making him happy. It's a deep mystery how a man's heart can choose one woman out of all the others he’s seen in the world, and make it easier for him to work seven years for her, like Jacob did for Rachel, rather than have any other woman for the asking. I often think about those words, ‘And Jacob served seven years for Rachel; and they seemed to him but a few days for the love he had for her.’ I know those words would come true for me, Dinah, if you’d give me hope that I might win you after those seven years are over. I know you think that a husband would take up too much of your thoughts because St. Paul says, ‘She that’s married cares for the things of the world, how she may please her husband’; and maybe you’ll think I’m too bold to bring it up again after what you told me about your feelings last Saturday. But I’ve been thinking it over day and night, and I’ve prayed not to be blinded by my own desires, to assume that what’s good for me must also be good for you. It seems to me there are more scriptures that support your marrying than you can find against it. Because St. Paul states very clearly in another passage, ‘I desire that the younger women marry, bear children, manage the household, and give no reason for the adversary to speak reproachfully’; and then ‘two are better than one’; and that applies to marriage just like other things. We should be of one heart and one mind, Dinah. We both serve the same Master and are striving for the same gifts; and I’d never be the kind of husband to make a claim on you that would interfere with the work God has designed you for. I’d find a way to take care of things, both inside and outside, to give you more freedom—more than you can have now, since you have to earn your own living, and I’m strong enough to work for both of us.”
When Seth had once begun to urge his suit, he went on earnestly and almost hurriedly, lest Dinah should speak some decisive word before he had poured forth all the arguments he had prepared. His cheeks became flushed as he went on, his mild grey eyes filled with tears, and his voice trembled as he spoke the last sentence. They had reached one of those very narrow passes between two tall stones, which performed the office of a stile in Loamshire, and Dinah paused as she turned towards Seth and said, in her tender but calm treble notes, “Seth Bede, I thank you for your love towards me, and if I could think of any man as more than a Christian brother, I think it would be you. But my heart is not free to marry. That is good for other women, and it is a great and a blessed thing to be a wife and mother; but ‘as God has distributed to every man, as the Lord hath called every man, so let him walk.’ God has called me to minister to others, not to have any joys or sorrows of my own, but to rejoice with them that do rejoice, and to weep with those that weep. He has called me to speak his word, and he has greatly owned my work. It could only be on a very clear showing that I could leave the brethren and sisters at Snowfield, who are favoured with very little of this world’s good; where the trees are few, so that a child might count them, and there’s very hard living for the poor in the winter. It has been given me to help, to comfort, and strengthen the little flock there and to call in many wanderers; and my soul is filled with these things from my rising up till my lying down. My life is too short, and God’s work is too great for me to think of making a home for myself in this world. I’ve not turned a deaf ear to your words, Seth, for when I saw as your love was given to me, I thought it might be a leading of Providence for me to change my way of life, and that we should be fellow-helpers; and I spread the matter before the Lord. But whenever I tried to fix my mind on marriage, and our living together, other thoughts always came in—the times when I’ve prayed by the sick and dying, and the happy hours I’ve had preaching, when my heart was filled with love, and the Word was given to me abundantly. And when I’ve opened the Bible for direction, I’ve always lighted on some clear word to tell me where my work lay. I believe what you say, Seth, that you would try to be a help and not a hindrance to my work; but I see that our marriage is not God’s will—He draws my heart another way. I desire to live and die without husband or children. I seem to have no room in my soul for wants and fears of my own, it has pleased God to fill my heart so full with the wants and sufferings of his poor people.”
When Seth started to express his feelings, he spoke earnestly and almost rushed, fearing Dinah would interrupt him with a decisive answer before he could share all his thoughts. His cheeks turned red as he continued, his gentle gray eyes filled with tears, and his voice shook as he spoke his final words. They had reached a very narrow passage between two tall stones, which served as a stile in Loamshire, and Dinah paused, turned towards Seth, and said in her soft but steady voice, “Seth Bede, I appreciate your love for me, and if I could think of any man as more than just a Christian brother, it would be you. But my heart isn’t free to marry. That’s suitable for other women, and it’s a wonderful blessing to be a wife and mother; but ‘as God has assigned to each person, as the Lord has called each person, so let them live.’ God has called me to serve others, not to pursue my own joys or pains, but to rejoice with those who rejoice and to weep with those who weep. He has called me to share His word, and He has greatly supported my work. It would take a very clear reason for me to leave the brothers and sisters at Snowfield, who have so little of this world’s goods; where the trees are so few that a child could count them, and it’s very hard for the poor during winter. I have been given the chance to help, comfort, and strengthen that little community and to bring back many who have strayed; and my heart is filled with these responsibilities from morning until night. My life is too short, and God’s work is too large for me to consider building a home for myself in this world. I haven’t ignored your words, Seth, for when I felt your love, I considered that it might be a guiding sign for me to change my path and that we could work together. I laid this matter before the Lord. But whenever I tried to focus on marriage and our life together, other thoughts came to me—those times I prayed with the sick and dying, and the joyful moments I had preaching, when my heart overflowed with love, and I received His Word abundantly. Each time I opened the Bible for guidance, I found clear messages showing me where my work lies. I believe you, Seth, when you say you would try to support and not hinder my work; but I see that our marriage isn’t God’s plan—He is leading my heart in another direction. I want to live and die without a husband or children. It seems there’s no room in my heart for my own wants and fears; God has filled my heart so completely with the needs and suffering of His people.”
Seth was unable to reply, and they walked on in silence. At last, as they were nearly at the yard-gate, he said, “Well, Dinah, I must seek for strength to bear it, and to endure as seeing Him who is invisible. But I feel now how weak my faith is. It seems as if, when you are gone, I could never joy in anything any more. I think it’s something passing the love of women as I feel for you, for I could be content without your marrying me if I could go and live at Snowfield and be near you. I trusted as the strong love God has given me towards you was a leading for us both; but it seems it was only meant for my trial. Perhaps I feel more for you than I ought to feel for any creature, for I often can’t help saying of you what the hymn says—
Seth couldn't respond, and they continued walking in silence. Finally, as they were nearing the yard gate, he said, “Well, Dinah, I have to find the strength to handle this and endure like I'm seeing the invisible. But right now, I realize how weak my faith is. It feels like when you're gone, I won’t be able to find joy in anything again. I think what I feel for you goes beyond the love a woman usually inspires, because I’d be okay without you marrying me if I could just live close to you at Snowfield. I believed that the strong love God gave me for you was meant to guide us both, but it seems it was just a test for me. Maybe I feel more for you than I should for anyone, because I often end up echoing what the hymn says about you—
In darkest shades if she appear,
My dawning is begun;
She is my soul’s bright morning-star,
And she my rising sun.
In the darkest moments, if she shows up,
My new day has started;
She is the bright morning star of my soul,
And she is my rising sun.
That may be wrong, and I am to be taught better. But you wouldn’t be displeased with me if things turned out so as I could leave this country and go to live at Snowfield?”
That might be wrong, and I need to learn better. But you wouldn’t be upset with me if things worked out so I could leave this country and live at Snowfield?
“No, Seth; but I counsel you to wait patiently, and not lightly to leave your own country and kindred. Do nothing without the Lord’s clear bidding. It’s a bleak and barren country there, not like this land of Goshen you’ve been used to. We mustn’t be in a hurry to fix and choose our own lot; we must wait to be guided.”
“No, Seth; but I advise you to wait patiently and not to leave your own country and family lightly. Don’t do anything without the Lord’s clear direction. That place is harsh and barren, unlike this land of Goshen you’re used to. We shouldn’t rush to decide our own path; we need to wait for guidance.”
“But you’d let me write you a letter, Dinah, if there was anything I wanted to tell you?”
“But you’d let me write you a letter, Dinah, if there was anything I wanted to tell you?”
“Yes, sure; let me know if you’re in any trouble. You’ll be continually in my prayers.”
“Yes, of course; just let me know if you need help. You’ll be in my thoughts and prayers.”
They had now reached the yard-gate, and Seth said, “I won’t go in, Dinah, so farewell.” He paused and hesitated after she had given him her hand, and then said, “There’s no knowing but what you may see things different after a while. There may be a new leading.”
They had now arrived at the yard gate, and Seth said, “I won’t go in, Dinah, so goodbye.” He paused and hesitated after she had given him her hand, then added, “You never know, you might see things differently after a while. There could be a new direction.”
“Let us leave that, Seth. It’s good to live only a moment at a time, as I’ve read in one of Mr. Wesley’s books. It isn’t for you and me to lay plans; we’ve nothing to do but to obey and to trust. Farewell.”
“Let’s put that aside, Seth. It’s best to live just one moment at a time, as I’ve read in one of Mr. Wesley’s books. It’s not our place to make plans; we should just follow and trust. Goodbye.”
Dinah pressed his hand with rather a sad look in her loving eyes, and then passed through the gate, while Seth turned away to walk lingeringly home. But instead of taking the direct road, he chose to turn back along the fields through which he and Dinah had already passed; and I think his blue linen handkerchief was very wet with tears long before he had made up his mind that it was time for him to set his face steadily homewards. He was but three-and-twenty, and had only just learned what it is to love—to love with that adoration which a young man gives to a woman whom he feels to be greater and better than himself. Love of this sort is hardly distinguishable from religious feeling. What deep and worthy love is so, whether of woman or child, or art or music. Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression into silence, our love at its highest flood rushes beyond its object and loses itself in the sense of divine mystery. And this blessed gift of venerating love has been given to too many humble craftsmen since the world began for us to feel any surprise that it should have existed in the soul of a Methodist carpenter half a century ago, while there was yet a lingering after-glow from the time when Wesley and his fellow-labourer fed on the hips and haws of the Cornwall hedges, after exhausting limbs and lungs in carrying a divine message to the poor.
Dinah pressed his hand with a sad look in her loving eyes and then walked through the gate, while Seth turned away to stroll slowly home. Instead of taking the direct road, he decided to retrace his steps along the fields where he and Dinah had just walked; I think his blue linen handkerchief was soaked with tears long before he decided it was time to head home. He was only twenty-three and had just discovered what it means to love— to love with the kind of admiration a young man feels for a woman he sees as greater and better than himself. This kind of love is often indistinguishable from religious feeling. What deep and meaningful love isn't, whether it's for a woman or a child, or for art or music? Our embraces, our sweet words, our quiet awe during autumn sunsets, or grand vistas, or calm majestic statues, or Beethoven's symphonies all create a sense that they are just small waves in an endless ocean of love and beauty; our emotions in their most intense moments shift from expression to silence, and our love at its peak rushes beyond its object and gets lost in the sense of divine mystery. This beautiful gift of reverent love has been given to countless humble craftsmen since the beginning of time, so it's no surprise that it existed in the soul of a Methodist carpenter fifty years ago, when there was still a lingering glow from the time when Wesley and his fellow worker survived on the hips and haws of the Cornish hedges after exhausting their bodies in delivering a divine message to the poor.
That afterglow has long faded away; and the picture we are apt to make of Methodism in our imagination is not an amphitheatre of green hills, or the deep shade of broad-leaved sycamores, where a crowd of rough men and weary-hearted women drank in a faith which was a rudimentary culture, which linked their thoughts with the past, lifted their imagination above the sordid details of their own narrow lives, and suffused their souls with the sense of a pitying, loving, infinite Presence, sweet as summer to the houseless needy. It is too possible that to some of my readers Methodism may mean nothing more than low-pitched gables up dingy streets, sleek grocers, sponging preachers, and hypocritical jargon—elements which are regarded as an exhaustive analysis of Methodism in many fashionable quarters.
That afterglow has long faded away; and the image we tend to have of Methodism in our minds is not an amphitheater of green hills or the deep shade of broad-leaved sycamores, where a crowd of rough men and weary women absorbed a faith that was a basic form of culture, connecting their thoughts with the past, lifting their imaginations above the grim details of their narrow lives, and filling their souls with a sense of a caring, loving, infinite Presence, as comforting as summer to the homeless. It’s very possible that for some of my readers, Methodism may mean nothing more than low-pitched roofs on dirty streets, smooth-talking grocers, freeloading preachers, and insincere language—elements that are seen as a complete breakdown of Methodism in many trendy circles.
That would be a pity; for I cannot pretend that Seth and Dinah were anything else than Methodists—not indeed of that modern type which reads quarterly reviews and attends in chapels with pillared porticoes, but of a very old-fashioned kind. They believed in present miracles, in instantaneous conversions, in revelations by dreams and visions; they drew lots, and sought for Divine guidance by opening the Bible at hazard; having a literal way of interpreting the Scriptures, which is not at all sanctioned by approved commentators; and it is impossible for me to represent their diction as correct, or their instruction as liberal. Still—if I have read religious history aright—faith, hope, and charity have not always been found in a direct ratio with a sensibility to the three concords, and it is possible—thank Heaven!—to have very erroneous theories and very sublime feelings. The raw bacon which clumsy Molly spares from her own scanty store that she may carry it to her neighbour’s child to “stop the fits,” may be a piteously inefficacious remedy; but the generous stirring of neighbourly kindness that prompted the deed has a beneficent radiation that is not lost.
That would be a shame; because I can’t pretend that Seth and Dinah were anything other than Methodists—not the modern kind that reads quarterly reviews and attends chapels with pillared entrances, but a very old-fashioned type. They believed in present-day miracles, instant conversions, and revelations through dreams and visions; they drew lots and sought Divine guidance by randomly opening the Bible; they interpreted the Scriptures literally, which is not at all supported by respected commentators; and I can’t frame their language as correct or their teaching as open-minded. Still—if I’ve understood religious history correctly—faith, hope, and charity haven’t always been directly proportional to an awareness of those three principles, and it is possible—thank goodness!—to have very misguided beliefs and still feel very deeply. The raw bacon that clumsy Molly saves from her meager supply to take to her neighbor’s child to “stop the fits” may be a sadly ineffective remedy; but the generous spirit of neighborly kindness that motivated the act has a positive impact that is not lost.
Considering these things, we can hardly think Dinah and Seth beneath our sympathy, accustomed as we may be to weep over the loftier sorrows of heroines in satin boots and crinoline, and of heroes riding fiery horses, themselves ridden by still more fiery passions.
Considering all this, it's difficult to feel compassion for Dinah and Seth, even though we might be used to crying over the grander struggles of heroines in fancy dresses and heroes on powerful horses, driven by even stronger emotions.
Poor Seth! He was never on horseback in his life except once, when he was a little lad, and Mr. Jonathan Burge took him up behind, telling him to “hold on tight”; and instead of bursting out into wild accusing apostrophes to God and destiny, he is resolving, as he now walks homewards under the solemn starlight, to repress his sadness, to be less bent on having his own will, and to live more for others, as Dinah does.
Poor Seth! He had never been on a horse in his life except for that one time when he was a little kid, and Mr. Jonathan Burge put him up behind him, telling him to “hold on tight.” Instead of breaking down and shouting at God and fate, he’s deciding, as he walks home under the solemn starlight, to keep his sadness in check, to be less focused on getting his own way, and to live more for others, like Dinah does.
Chapter IV
Home and Its Sorrows
A green valley with a brook running through it, full almost to overflowing with the late rains, overhung by low stooping willows. Across this brook a plank is thrown, and over this plank Adam Bede is passing with his undoubting step, followed close by Gyp with the basket; evidently making his way to the thatched house, with a stack of timber by the side of it, about twenty yards up the opposite slope.
A green valley with a stream flowing through it, almost overflowing from the late rains, shaded by low-hanging willows. Across the stream, there's a plank bridge, and Adam Bede confidently walks over it, followed closely by Gyp carrying the basket; they are clearly headed to the thatched house with a pile of timber next to it, about twenty yards up the slope on the other side.
The door of the house is open, and an elderly woman is looking out; but she is not placidly contemplating the evening sunshine; she has been watching with dim eyes the gradually enlarging speck which for the last few minutes she has been quite sure is her darling son Adam. Lisbeth Bede loves her son with the love of a woman to whom her first-born has come late in life. She is an anxious, spare, yet vigorous old woman, clean as a snowdrop. Her grey hair is turned neatly back under a pure linen cap with a black band round it; her broad chest is covered with a buff neckerchief, and below this you see a sort of short bedgown made of blue-checkered linen, tied round the waist and descending to the hips, from whence there is a considerable length of linsey-woolsey petticoat. For Lisbeth is tall, and in other points too there is a strong likeness between her and her son Adam. Her dark eyes are somewhat dim now—perhaps from too much crying—but her broadly marked eyebrows are still black, her teeth are sound, and as she stands knitting rapidly and unconsciously with her work-hardened hands, she has as firmly upright an attitude as when she is carrying a pail of water on her head from the spring. There is the same type of frame and the same keen activity of temperament in mother and son, but it was not from her that Adam got his well-filled brow and his expression of large-hearted intelligence.
The door of the house is open, and an elderly woman is looking out; but she isn't quietly enjoying the evening sunshine; she's been watching with blurry eyes the gradually growing speck that she’s been pretty sure is her beloved son Adam. Lisbeth Bede loves her son with the deep affection of a woman who had her firstborn later in life. She is an anxious, thin, yet strong old woman, as fresh as a snowdrop. Her grey hair is neatly pulled back under a pure linen cap with a black band around it; her broad chest is covered with a buff neckerchief, and below that, you can see a short bedgown made of blue-checkered linen, tied around the waist and falling to her hips, from which hangs a considerable length of linsey-woolsey petticoat. For Lisbeth is tall, and in many ways, she resembles her son Adam. Her dark eyes are somewhat dull now—maybe from too much crying—but her thickly marked eyebrows are still black, her teeth are strong, and as she stands knitting quickly and absentmindedly with her work-hardened hands, she has as upright a posture as when she's carrying a bucket of water on her head from the spring. There’s the same type of build and the same lively temperament in both mother and son, but Adam didn't inherit his prominent brow and his expression of big-hearted intelligence from her.
Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement. We hear a voice with the very cadence of our own uttering the thoughts we despise; we see eyes—ah, so like our mother’s!—averted from us in cold alienation; and our last darling child startles us with the air and gestures of the sister we parted from in bitterness long years ago. The father to whom we owe our best heritage—the mechanical instinct, the keen sensibility to harmony, the unconscious skill of the modelling hand—galls us and puts us to shame by his daily errors; the long-lost mother, whose face we begin to see in the glass as our own wrinkles come, once fretted our young souls with her anxious humours and irrational persistence.
Family resemblance often carries a deep sadness. Nature, that great tragic playwright, connects us through our bones and muscles while separating us with the more complex workings of our minds; it mixes longing and rejection, and ties us by our heartstrings to those who disturb us at every turn. We hear a voice that sounds just like our own expressing the thoughts we despise; we see eyes—oh, so much like our mother’s!—turned away from us in cold indifference; and our youngest child surprises us with gestures and expressions of the sister we lost touch with in bitterness long ago. The father to whom we owe our greatest traits—the mechanical instinct, the sharp sensitivity to harmony, the effortless skill of the artist’s hand—frustrates and shames us with his everyday mistakes; the long-lost mother, whose face we start to recognize in the mirror as our own wrinkles appear, once troubled our young souls with her anxious moods and unreasonable insistence.
It is such a fond anxious mother’s voice that you hear, as Lisbeth says, “Well, my lad, it’s gone seven by th’ clock. Thee’t allays stay till the last child’s born. Thee wants thy supper, I’ll warrand. Where’s Seth? Gone arter some o’s chapellin’, I reckon?”
It’s such a caring, worried mother’s voice you hear as Lisbeth says, “Well, my boy, it’s past seven o’clock. You always stay until the last child is born. You must be hungry; I’m sure of it. Where’s Seth? I guess he’s gone after some of those chapel folks?”
“Aye, aye, Seth’s at no harm, mother, thee mayst be sure. But where’s father?” said Adam quickly, as he entered the house and glanced into the room on the left hand, which was used as a workshop. “Hasn’t he done the coffin for Tholer? There’s the stuff standing just as I left it this morning.”
“Aye, aye, Seth’s fine, Mom, you can be sure of that. But where’s Dad?” said Adam quickly as he walked into the house and looked into the room on the left, which was used as a workshop. “Hasn’t he finished the coffin for Tholer? There’s the material just as I left it this morning.”
“Done the coffin?” said Lisbeth, following him, and knitting uninterruptedly, though she looked at her son very anxiously. “Eh, my lad, he went aff to Treddles’on this forenoon, an’s niver come back. I doubt he’s got to th’ ‘Waggin Overthrow’ again.”
“Did you finish the coffin?” Lisbeth asked, following him, knitting without pause, although she watched her son with concern. “Well, my boy, he went off to Treddles’on this morning and hasn’t come back. I worry he’s ended up at the ‘Waggin Overthrow’ again.”
A deep flush of anger passed rapidly over Adam’s face. He said nothing, but threw off his jacket and began to roll up his shirt-sleeves again.
A deep flush of anger quickly spread across Adam’s face. He didn’t say anything, but he tossed off his jacket and started rolling up his shirt sleeves again.
“What art goin’ to do, Adam?” said the mother, with a tone and look of alarm. “Thee wouldstna go to work again, wi’out ha’in thy bit o’ supper?”
“What are you going to do, Adam?” asked the mother, with a tone and look of concern. “You wouldn’t go to work again without having your little bit of supper?”
Adam, too angry to speak, walked into the workshop. But his mother threw down her knitting, and, hurrying after him, took hold of his arm, and said, in a tone of plaintive remonstrance, “Nay, my lad, my lad, thee munna go wi’out thy supper; there’s the taters wi’ the gravy in ’em, just as thee lik’st ’em. I saved ’em o’ purpose for thee. Come an’ ha’ thy supper, come.”
Adam, too angry to say anything, walked into the workshop. But his mother dropped her knitting and hurried after him, grabbing his arm and saying in a pleading tone, “No, my boy, you can’t go without your supper; there are the potatoes with gravy in them, just how you like them. I saved them just for you. Come and have your supper, come.”
“Let be!” said Adam impetuously, shaking her off and seizing one of the planks that stood against the wall. “It’s fine talking about having supper when here’s a coffin promised to be ready at Brox’on by seven o’clock to-morrow morning, and ought to ha’ been there now, and not a nail struck yet. My throat’s too full to swallow victuals.”
“Let it be!” Adam said impulsively, pushing her away and grabbing one of the planks that was leaning against the wall. “It’s easy to talk about having dinner when there’s a coffin supposed to be ready at Brox’on by seven o'clock tomorrow morning, and it should have been there already, but not a single nail has been hammered yet. I can’t even swallow food right now.”
“Why, thee canstna get the coffin ready,” said Lisbeth. “Thee’t work thyself to death. It ’ud take thee all night to do’t.”
“Why, you can’t get the coffin ready,” said Lisbeth. “You’ll work yourself to death. It would take you all night to do it.”
“What signifies how long it takes me? Isn’t the coffin promised? Can they bury the man without a coffin? I’d work my right hand off sooner than deceive people with lies i’ that way. It makes me mad to think on’t. I shall overrun these doings before long. I’ve stood enough of ’em.”
“What does it matter how long it takes me? Isn’t the coffin guaranteed? Can they bury a man without a coffin? I’d rather work my hand to the bone than deceive people with lies like that. It drives me crazy to think about it. I’ll put an end to this mess soon. I’ve had enough of it.”
Poor Lisbeth did not hear this threat for the first time, and if she had been wise she would have gone away quietly and said nothing for the next hour. But one of the lessons a woman most rarely learns is never to talk to an angry or a drunken man. Lisbeth sat down on the chopping bench and began to cry, and by the time she had cried enough to make her voice very piteous, she burst out into words.
Poor Lisbeth had heard this threat before, and if she had been smart, she would have just walked away quietly and stayed silent for the next hour. But one lesson that women rarely learn is to avoid talking to an angry or drunk man. Lisbeth sat down on the chopping bench and started to cry, and by the time her tears turned her voice into a very pitiful sound, she couldn't help but speak up.
“Nay, my lad, my lad, thee wouldstna go away an’ break thy mother’s heart, an’ leave thy feyther to ruin. Thee wouldstna ha’ ’em carry me to th’ churchyard, an’ thee not to follow me. I shanna rest i’ my grave if I donna see thee at th’ last; an’ how’s they to let thee know as I’m a-dyin’, if thee’t gone a-workin’ i’ distant parts, an’ Seth belike gone arter thee, and thy feyther not able to hold a pen for’s hand shakin’, besides not knowin’ where thee art? Thee mun forgie thy feyther—thee munna be so bitter again’ him. He war a good feyther to thee afore he took to th’ drink. He’s a clever workman, an’ taught thee thy trade, remember, an’s niver gen me a blow nor so much as an ill word—no, not even in ’s drink. Thee wouldstna ha’ ’m go to the workhus—thy own feyther—an’ him as was a fine-growed man an’ handy at everythin’ amost as thee art thysen, five-an’-twenty ’ear ago, when thee wast a baby at the breast.”
"No, my boy, you wouldn't go away and break your mother’s heart, leaving your father to fall apart. You wouldn’t let them take me to the graveyard without you following me. I won’t be at peace in my grave if I don’t see you in the end; and how will they let you know I’m dying if you’re off working far away, and Seth is probably gone after you, and your father can hardly hold a pen because his hands are shaking, not to mention he doesn’t know where you are? You must forgive your father—you mustn't be so bitter against him. He was a good father to you before he turned to drinking. He’s a skilled worker and taught you your trade, remember, and he never laid a hand on me or even spoke a harsh word—not even when he was drinking. You wouldn’t want him to go to the workhouse—your own father—and he was such a strong man, capable of almost everything just like you are now, twenty-five years ago when you were a baby at my breast."
Lisbeth’s voice became louder, and choked with sobs—a sort of wail, the most irritating of all sounds where real sorrows are to be borne and real work to be done. Adam broke in impatiently.
Lisbeth's voice grew louder and choked with sobs—a kind of wail, the most annoying of all sounds when genuine sadness is present and real tasks need to be accomplished. Adam interrupted impatiently.
“Now, Mother, don’t cry and talk so. Haven’t I got enough to vex me without that? What’s th’ use o’ telling me things as I only think too much on every day? If I didna think on ’em, why should I do as I do, for the sake o’ keeping things together here? But I hate to be talking where it’s no use: I like to keep my breath for doing i’stead o’ talking.”
“Now, Mom, don’t cry and say things like that. Don’t I have enough to deal with without adding that? What’s the point of telling me things I already worry about every day? If I didn’t think about them, why would I work so hard to keep everything together here? But I hate talking when it doesn’t help; I prefer to save my energy for doing instead of talking.”
“I know thee dost things as nobody else ’ud do, my lad. But thee’t allays so hard upo’ thy feyther, Adam. Thee think’st nothing too much to do for Seth: thee snapp’st me up if iver I find faut wi’ th’ lad. But thee’t so angered wi’ thy feyther, more nor wi’ anybody else.”
“I know you do things that nobody else would, my lad. But you're always so hard on your father, Adam. You think it’s never too much to do for Seth; you snap at me if I ever find fault with the boy. But you’re angrier with your father than with anyone else.”
“That’s better than speaking soft and letting things go the wrong way, I reckon, isn’t it? If I wasn’t sharp with him he’d sell every bit o’ stuff i’ th’ yard and spend it on drink. I know there’s a duty to be done by my father, but it isn’t my duty to encourage him in running headlong to ruin. And what has Seth got to do with it? The lad does no harm as I know of. But leave me alone, Mother, and let me get on with the work.”
“That’s better than speaking softly and letting things go wrong, right? If I wasn’t tough with him, he’d sell everything in the yard and spend it on alcohol. I know I have a responsibility to my father, but it’s not my job to encourage him to rush headlong into ruin. And what does Seth have to do with it? The kid doesn’t do any harm that I know of. But just leave me alone, Mom, and let me get on with the work.”
Lisbeth dared not say any more; but she got up and called Gyp, thinking to console herself somewhat for Adam’s refusal of the supper she had spread out in the loving expectation of looking at him while he ate it, by feeding Adam’s dog with extra liberality. But Gyp was watching his master with wrinkled brow and ears erect, puzzled at this unusual course of things; and though he glanced at Lisbeth when she called him, and moved his fore-paws uneasily, well knowing that she was inviting him to supper, he was in a divided state of mind, and remained seated on his haunches, again fixing his eyes anxiously on his master. Adam noticed Gyp’s mental conflict, and though his anger had made him less tender than usual to his mother, it did not prevent him from caring as much as usual for his dog. We are apt to be kinder to the brutes that love us than to the women that love us. Is it because the brutes are dumb?
Lisbeth didn’t dare say anything more; instead, she got up and called Gyp, hoping to comfort herself a bit after Adam’s rejection of the dinner she had prepared in the loving hope of watching him eat it. She figured that by feeding Adam’s dog more than usual, she could feel better. But Gyp was watching his owner with a furrowed brow and perked ears, confused by this unusual situation. He glanced at Lisbeth when she called him and shifted his front paws restlessly, fully aware that she was inviting him to dinner, but he was torn and remained sitting on his haunches, focusing anxiously on his master. Adam noticed Gyp’s inner turmoil, and although his anger had made him less affectionate than usual towards his mother, it didn’t stop him from caring for his dog just as much as he normally did. We tend to be kinder to the animals that love us than to the women who love us. Is it because animals can’t speak?
“Go, Gyp; go, lad!” Adam said, in a tone of encouraging command; and Gyp, apparently satisfied that duty and pleasure were one, followed Lisbeth into the house-place.
“Go on, Gyp; go for it, buddy!” Adam said, using an encouraging tone; and Gyp, clearly pleased that work and fun were the same, followed Lisbeth into the living room.
But no sooner had he licked up his supper than he went back to his master, while Lisbeth sat down alone to cry over her knitting. Women who are never bitter and resentful are often the most querulous; and if Solomon was as wise as he is reputed to be, I feel sure that when he compared a contentious woman to a continual dropping on a very rainy day, he had not a vixen in his eye—a fury with long nails, acrid and selfish. Depend upon it, he meant a good creature, who had no joy but in the happiness of the loved ones whom she contributed to make uncomfortable, putting by all the tid-bits for them and spending nothing on herself. Such a woman as Lisbeth, for example—at once patient and complaining, self-renouncing and exacting, brooding the livelong day over what happened yesterday and what is likely to happen to-morrow, and crying very readily both at the good and the evil. But a certain awe mingled itself with her idolatrous love of Adam, and when he said, “Leave me alone,” she was always silenced.
But as soon as he finished his dinner, he went back to his master, while Lisbeth sat down alone to cry over her knitting. Women who are never bitter and resentful often end up being the most complaining; and if Solomon was as wise as people say, I’m sure that when he compared a nagging woman to a constant drip on a rainy day, he wasn’t thinking about a nasty piece of work—a fury with sharp nails, harsh and selfish. Trust me, he meant a good-hearted woman, who found happiness only in the joy of those she loved, even if it meant making them uncomfortable, saving all the good bits for them and not spending anything on herself. Like Lisbeth, for instance—both patient and whiny, self-sacrificing yet demanding, constantly dwelling on what happened yesterday and what might happen tomorrow, crying easily over both the good and the bad. But there was a certain reverence mixed with her devoted love for Adam, and when he said, “Leave me alone,” she always fell silent.
So the hours passed, to the loud ticking of the old day-clock and the sound of Adam’s tools. At last he called for a light and a draught of water (beer was a thing only to be drunk on holidays), and Lisbeth ventured to say as she took it in, “Thy supper stan’s ready for thee, when thee lik’st.”
So the hours went by, with the loud ticking of the old clock and the noise of Adam’s tools. Finally, he called for a light and a glass of water (beer was only for holidays), and Lisbeth bravely said as she brought it in, “Your supper is ready for you, whenever you’d like.”
“Donna thee sit up, mother,” said Adam, in a gentle tone. He had worked off his anger now, and whenever he wished to be especially kind to his mother, he fell into his strongest native accent and dialect, with which at other times his speech was less deeply tinged. “I’ll see to Father when he comes home; maybe he wonna come at all to-night. I shall be easier if thee’t i’ bed.”
“Sit up, mom,” said Adam in a gentle tone. He had calmed down now, and whenever he wanted to be especially kind to his mother, he naturally slipped into his strongest accent and dialect, which was usually less pronounced in his speech. “I’ll take care of Dad when he gets home; he might not even come back tonight. I’ll feel better if you’re in bed.”
“Nay, I’ll bide till Seth comes. He wonna be long now, I reckon.”
“Nah, I’ll wait until Seth comes. He shouldn’t be long now, I guess.”
It was then past nine by the clock, which was always in advance of the days, and before it had struck ten the latch was lifted and Seth entered. He had heard the sound of the tools as he was approaching.
It was already past nine on the clock, which was always ahead of the times, and before it hit ten, the latch was lifted and Seth walked in. He had heard the noise of the tools as he got closer.
“Why, Mother,” he said, “how is it as Father’s working so late?”
“Why, Mom,” he asked, “isn’t it strange that Dad is working so late?”
“It’s none o’ thy feyther as is a-workin’—thee might know that well anoof if thy head warna full o’ chapellin’—it’s thy brother as does iverything, for there’s niver nobody else i’ th’ way to do nothin’.”
“It’s none of your father who is working—you should know that well enough if your head wasn’t full of nonsense—it’s your brother who does everything, because there’s never anyone else around to do anything.”
Lisbeth was going on, for she was not at all afraid of Seth, and usually poured into his ears all the querulousness which was repressed by her awe of Adam. Seth had never in his life spoken a harsh word to his mother, and timid people always wreak their peevishness on the gentle. But Seth, with an anxious look, had passed into the workshop and said, “Addy, how’s this? What! Father’s forgot the coffin?”
Lisbeth kept going, as she wasn’t afraid of Seth at all, and usually unloaded all her complaints that she held back out of respect for Adam. Seth had never said a harsh word to his mother, and timid people often take out their frustrations on the kind-hearted. But with a worried expression, Seth went into the workshop and said, “Addy, what’s going on? What! Has Dad forgotten the coffin?”
“Aye, lad, th’ old tale; but I shall get it done,” said Adam, looking up and casting one of his bright keen glances at his brother. “Why, what’s the matter with thee? Thee’t in trouble.”
“Yeah, buddy, the old story; but I’ll get it done,” Adam said, looking up and giving one of his sharp, bright looks at his brother. “Why, what’s wrong with you? You’re in trouble.”
Seth’s eyes were red, and there was a look of deep depression on his mild face.
Seth’s eyes were red, and his gentle face showed signs of deep sadness.
“Yes, Addy, but it’s what must be borne, and can’t be helped. Why, thee’st never been to the school, then?”
“Yes, Addy, but it’s what we have to deal with, and it can’t be changed. So, you’ve never been to the school, then?”
“School? No, that screw can wait,” said Adam, hammering away again.
“School? No, that can wait,” said Adam, hammering away again.
“Let me take my turn now, and do thee go to bed,” said Seth.
"Let me have my turn now, and you should go to bed," said Seth.
“No, lad, I’d rather go on, now I’m in harness. Thee’t help me to carry it to Brox’on when it’s done. I’ll call thee up at sunrise. Go and eat thy supper, and shut the door so as I mayn’t hear Mother’s talk.”
“No, kid, I’d rather keep going since I'm already working. You’ll help me carry it to Brox’on when it’s finished. I’ll wake you up at sunrise. Go eat your dinner and shut the door so I don’t have to hear Mother talking.”
Seth knew that Adam always meant what he said, and was not to be persuaded into meaning anything else. So he turned, with rather a heavy heart, into the house-place.
Seth knew that Adam always meant what he said and couldn't be convinced to mean anything different. So he turned, feeling quite heavy-hearted, into the house.
“Adam’s niver touched a bit o’ victual sin’ home he’s come,” said Lisbeth. “I reckon thee’st hed thy supper at some o’ thy Methody folks.”
“Adam hasn't eaten anything since he got home,” said Lisbeth. “I guess you've had your dinner with some of your Methodist friends.”
“Nay, Mother,” said Seth, “I’ve had no supper yet.”
“Nah, Mom,” said Seth, “I haven’t had dinner yet.”
“Come, then,” said Lisbeth, “but donna thee ate the taters, for Adam ’ull happen ate ’em if I leave ’em stannin’. He loves a bit o’ taters an’ gravy. But he’s been so sore an’ angered, he wouldn’t ate ’em, for all I’d putten ’em by o’ purpose for him. An’ he’s been a-threatenin’ to go away again,” she went on, whimpering, “an’ I’m fast sure he’ll go some dawnin’ afore I’m up, an’ niver let me know aforehand, an’ he’ll niver come back again when once he’s gone. An’ I’d better niver ha’ had a son, as is like no other body’s son for the deftness an’ th’ handiness, an’ so looked on by th’ grit folks, an’ tall an’ upright like a poplar-tree, an’ me to be parted from him an’ niver see ’m no more.”
“Come on, then,” said Lisbeth, “but don’t eat the potatoes, because Adam will probably eat them if I leave them standing. He loves a little potatoes and gravy. But he’s been so upset and angry that he wouldn’t eat them, even though I saved them just for him. And he’s been threatening to leave again,” she continued, tearing up, “and I’m pretty sure he’ll go one morning before I’m up and never let me know beforehand, and he’ll never come back again once he’s gone. And I’d be better off having never had a son, who is like no other son for his skill and resourcefulness, so admired by the important people, tall and strong like a poplar tree, and here I am, being separated from him and never seeing him again.”
“Come, Mother, donna grieve thyself in vain,” said Seth, in a soothing voice. “Thee’st not half so good reason to think as Adam ’ull go away as to think he’ll stay with thee. He may say such a thing when he’s in wrath—and he’s got excuse for being wrathful sometimes—but his heart ’ud never let him go. Think how he’s stood by us all when it’s been none so easy—paying his savings to free me from going for a soldier, an’ turnin’ his earnin’s into wood for father, when he’s got plenty o’ uses for his money, and many a young man like him ’ud ha’ been married and settled before now. He’ll never turn round and knock down his own work, and forsake them as it’s been the labour of his life to stand by.”
“Come on, Mom, don’t worry yourself unnecessarily,” Seth said in a calming voice. “You have just as much reason to think Adam will leave as you do to think he’ll stay with you. He might say something like that when he’s angry—and he has good reason to be angry sometimes—but deep down, he could never leave. Just think about how he’s supported us when times have been tough—using his savings to keep me from being drafted, and turning his earnings into firewood for Dad, even though he could use his money for a lot of other things. Plenty of guys like him would have gotten married and settled down by now. He won’t just throw away his own hard work and abandon those he has dedicated his life to supporting.”
“Donna talk to me about’s marr’in’,” said Lisbeth, crying afresh. “He’s set’s heart on that Hetty Sorrel, as ’ull niver save a penny, an’ ’ull toss up her head at’s old mother. An’ to think as he might ha’ Mary Burge, an’ be took partners, an’ be a big man wi’ workmen under him, like Mester Burge—Dolly’s told me so o’er and o’er again—if it warna as he’s set’s heart on that bit of a wench, as is o’ no more use nor the gillyflower on the wall. An’ he so wise at bookin’ an’ figurin’, an’ not to know no better nor that!”
“Donna, talk to me about marriage,” Lisbeth said, crying again. “He’s got his heart set on that Hetty Sorrel, who will never save a penny, and she’ll turn her nose up at his old mother. And to think he could have had Mary Burge, and been a partner, and become a big deal with workers under him, like Mr. Burge—Dolly has told me that over and over again—if it weren't for the fact that he’s so obsessed with that girl, who’s as useful as the gillyflower on the wall. And he’s so good at books and figuring things out, yet he doesn’t know any better than that!”
“But, Mother, thee know’st we canna love just where other folks ’ud have us. There’s nobody but God can control the heart of man. I could ha’ wished myself as Adam could ha’ made another choice, but I wouldn’t reproach him for what he can’t help. And I’m not sure but what he tries to o’ercome it. But it’s a matter as he doesn’t like to be spoke to about, and I can only pray to the Lord to bless and direct him.”
“But, Mother, you know we can’t love where other people want us to. Only God can control a person's heart. I could have wished that I had the choice like Adam did, but I wouldn’t blame him for what he can’t change. And I’m not even sure he isn’t trying to overcome it. But it’s something he doesn’t want to talk about, and I can only pray to the Lord to bless and guide him.”
“Aye, thee’t allays ready enough at prayin’, but I donna see as thee gets much wi’ thy prayin’. Thee wotna get double earnin’s o’ this side Yule. Th’ Methodies ’ll niver make thee half the man thy brother is, for all they’re a-makin’ a preacher on thee.”
“Yeah, you’re always ready to pray, but I don’t see how much good it does you. You won’t get double the earnings before Christmas. The Methodists will never make you half the man your brother is, even though they’re making you a preacher.”
“It’s partly truth thee speak’st there, Mother,” said Seth, mildly; “Adam’s far before me, an’s done more for me than I can ever do for him. God distributes talents to every man according as He sees good. But thee mustna undervally prayer. Prayer mayna bring money, but it brings us what no money can buy—a power to keep from sin and be content with God’s will, whatever He may please to send. If thee wouldst pray to God to help thee, and trust in His goodness, thee wouldstna be so uneasy about things.”
“It’s partly true what you’re saying, Mother,” Seth said gently. “Adam is far ahead of me and has done more for me than I could ever do for him. God gives talents to everyone as He sees fit. But you shouldn’t underestimate prayer. Prayer might not bring money, but it gives us what no amount of money can buy—a strength to resist sin and be okay with God’s will, no matter what He decides to send our way. If you would pray to God for help and trust in His goodness, you wouldn’t feel so anxious about things.”
“Unaisy? I’m i’ th’ right on’t to be unaisy. It’s well seen on thee what it is niver to be unaisy. Thee’t gi’ away all thy earnin’s, an’ niver be unaisy as thee’st nothin’ laid up again’ a rainy day. If Adam had been as aisy as thee, he’d niver ha’ had no money to pay for thee. Take no thought for the morrow—take no thought—that’s what thee’t allays sayin’; an’ what comes on’t? Why, as Adam has to take thought for thee.”
“Are you worried? I have every right to be. It’s obvious from you what it means to never worry. You’ve given away all your earnings and never worry as you have nothing saved up for a rainy day. If Adam had been as carefree as you, he’d never have had any money to pay for you. Don’t think about tomorrow—don’t think about it—that’s what you always say; and what happens because of that? Well, Adam has to think about you.”
“Those are the words o’ the Bible, Mother,” said Seth. “They don’t mean as we should be idle. They mean we shouldn’t be overanxious and worreting ourselves about what’ll happen to-morrow, but do our duty and leave the rest to God’s will.”
“Those are the words of the Bible, Mom,” said Seth. “They don’t mean we should be lazy. They mean we shouldn’t be overly anxious and worry about what will happen tomorrow, but we should do our duty and leave the rest to God’s will.”
“Aye, aye, that’s the way wi’ thee: thee allays makes a peck o’ thy own words out o’ a pint o’ the Bible’s. I donna see how thee’t to know as ‘take no thought for the morrow’ means all that. An’ when the Bible’s such a big book, an’ thee canst read all thro’t, an’ ha’ the pick o’ the texes, I canna think why thee dostna pick better words as donna mean so much more nor they say. Adam doesna pick a that’n; I can understan’ the tex as he’s allays a-sayin’, ‘God helps them as helps theirsens.’”
"Yeah, yeah, that’s how it is with you: you always make a bunch of your own words out of a little bit of the Bible’s. I don’t see how you think that ‘take no thought for the morrow’ means all that. And when the Bible’s such a big book, and you can read through it all, and have your pick of the verses, I can’t understand why you don’t choose better words that mean so much more than they say. Adam doesn’t say that; I can understand the verse because he’s always saying, ‘God helps those who help themselves.’"
“Nay, Mother,” said Seth, “that’s no text o’ the Bible. It comes out of a book as Adam picked up at the stall at Treddles’on. It was wrote by a knowing man, but overworldly, I doubt. However, that saying’s partly true; for the Bible tells us we must be workers together with God.”
“Nah, Mom,” said Seth, “that’s not a Bible verse. It’s from a book that Adam picked up at the stall in Treddles’on. It was written by a smart guy, but I doubt he was very down-to-earth. Still, that saying is partly true; because the Bible tells us we have to work together with God.”
“Well, how’m I to know? It sounds like a tex. But what’s th’ matter wi’ th’ lad? Thee’t hardly atin’ a bit o’ supper. Dostna mean to ha’ no more nor that bit o’ oat-cake? An’ thee lookst as white as a flick o’ new bacon. What’s th’ matter wi’ thee?”
“Well, how am I supposed to know? It sounds like a text. But what’s wrong with the guy? You’ve hardly eaten any supper. Don’t you plan to have more than that little bit of oat cake? And you look as pale as a slice of fresh bacon. What’s wrong with you?”
“Nothing to mind about, Mother; I’m not hungry. I’ll just look in at Adam again, and see if he’ll let me go on with the coffin.”
“Don’t worry about it, Mom; I’m not hungry. I’ll just check in on Adam again and see if he’ll let me continue with the coffin.”
“Ha’ a drop o’ warm broth?” said Lisbeth, whose motherly feeling now got the better of her “nattering” habit. “I’ll set two-three sticks a-light in a minute.”
“Want some warm broth?” asked Lisbeth, her motherly instincts taking over her usual tendency to chatter. “I’ll light a couple of sticks in a minute.”
“Nay, Mother, thank thee; thee’t very good,” said Seth, gratefully; and encouraged by this touch of tenderness, he went on: “Let me pray a bit with thee for Father, and Adam, and all of us—it’ll comfort thee, happen, more than thee thinkst.”
“Nah, Mom, thank you; that’s really nice,” said Seth, feeling grateful; and encouraged by this moment of warmth, he continued: “Let me say a little prayer with you for Dad, and Adam, and all of us—it might comfort you more than you realize.”
“Well, I’ve nothin’ to say again’ it.”
“Well, I have nothing to say against it.”
Lisbeth, though disposed always to take the negative side in her conversations with Seth, had a vague sense that there was some comfort and safety in the fact of his piety, and that it somehow relieved her from the trouble of any spiritual transactions on her own behalf.
Lisbeth, while usually inclined to argue against Seth, had a vague feeling that his faith brought her some comfort and safety, and that it somehow spared her from having to deal with any spiritual matters for herself.
So the mother and son knelt down together, and Seth prayed for the poor wandering father and for those who were sorrowing for him at home. And when he came to the petition that Adam might never be called to set up his tent in a far country, but that his mother might be cheered and comforted by his presence all the days of her pilgrimage, Lisbeth’s ready tears flowed again, and she wept aloud.
So the mother and son knelt down together, and Seth prayed for the poor wandering father and for those who were grieving for him at home. And when he got to the request that Adam might never have to go far away, but that his mother might be uplifted and comforted by his presence all the days of her journey, Lisbeth’s tears started flowing again, and she cried out loud.
When they rose from their knees, Seth went to Adam again and said, “Wilt only lie down for an hour or two, and let me go on the while?”
When they got up from their knees, Seth went to Adam again and said, “Will you just lie down for an hour or two and let me keep going?”
“No, Seth, no. Make Mother go to bed, and go thyself.”
“No, Seth, no. Make Mom go to bed, and you go too.”
Meantime Lisbeth had dried her eyes, and now followed Seth, holding something in her hands. It was the brown-and-yellow platter containing the baked potatoes with the gravy in them and bits of meat which she had cut and mixed among them. Those were dear times, when wheaten bread and fresh meat were delicacies to working people. She set the dish down rather timidly on the bench by Adam’s side and said, “Thee canst pick a bit while thee’t workin’. I’ll bring thee another drop o’ water.”
In the meantime, Lisbeth had dried her tears and now followed Seth, carrying something in her hands. It was the brown-and-yellow platter with the baked potatoes smothered in gravy and mixed with bits of meat. Those were tough times when bread and fresh meat were treats for working people. She placed the dish down a bit shyly on the bench beside Adam and said, “You can have some while you’re working. I’ll bring you another drink of water.”
“Aye, Mother, do,” said Adam, kindly; “I’m getting very thirsty.”
“Yeah, Mom, please do,” said Adam, kindly; “I’m really thirsty.”
In half an hour all was quiet; no sound was to be heard in the house but the loud ticking of the old day-clock and the ringing of Adam’s tools. The night was very still: when Adam opened the door to look out at twelve o’clock, the only motion seemed to be in the glowing, twinkling stars; every blade of grass was asleep.
In half an hour, everything was quiet; the only sounds in the house were the loud ticking of the old clock and the ringing of Adam's tools. The night was very still: when Adam opened the door to look outside at midnight, the only movement seemed to be in the glowing, twinkling stars; every blade of grass was asleep.
Bodily haste and exertion usually leave our thoughts very much at the mercy of our feelings and imagination; and it was so to-night with Adam. While his muscles were working lustily, his mind seemed as passive as a spectator at a diorama: scenes of the sad past, and probably sad future, floating before him and giving place one to the other in swift succession.
Bodily rush and effort often leave our thoughts completely at the mercy of our emotions and imagination; and tonight was no different for Adam. While his muscles were working hard, his mind felt as passive as a spectator in a diorama: scenes from the painful past and likely painful future floated before him, quickly giving way to one another.
He saw how it would be to-morrow morning, when he had carried the coffin to Broxton and was at home again, having his breakfast: his father perhaps would come in ashamed to meet his son’s glance—would sit down, looking older and more tottering than he had done the morning before, and hang down his head, examining the floor-quarries; while Lisbeth would ask him how he supposed the coffin had been got ready, that he had slinked off and left undone—for Lisbeth was always the first to utter the word of reproach, although she cried at Adam’s severity towards his father.
He imagined what it would be like tomorrow morning, after he had taken the coffin to Broxton and returned home to have breakfast: his father would probably come in, embarrassed to face his son's gaze—he would sit down, looking older and more fragile than he had the day before, and lower his head, staring at the floor; meanwhile, Lisbeth would ask him how he thought the coffin had been prepared, since he had sneaked off and left it unfinished—Lisbeth was always the first to speak up with criticism, even though she wept over Adam’s harshness towards their father.
“So it will go on, worsening and worsening,” thought Adam; “there’s no slipping uphill again, and no standing still when once you ’ve begun to slip down.” And then the day came back to him when he was a little fellow and used to run by his father’s side, proud to be taken out to work, and prouder still to hear his father boasting to his fellow-workmen how “the little chap had an uncommon notion o’ carpentering.” What a fine active fellow his father was then! When people asked Adam whose little lad he was, he had a sense of distinction as he answered, “I’m Thias Bede’s lad.” He was quite sure everybody knew Thias Bede—didn’t he make the wonderful pigeon-house at Broxton parsonage? Those were happy days, especially when Seth, who was three years the younger, began to go out working too, and Adam began to be a teacher as well as a learner. But then came the days of sadness, when Adam was someway on in his teens, and Thias began to loiter at the public-houses, and Lisbeth began to cry at home, and to pour forth her plaints in the hearing of her sons. Adam remembered well the night of shame and anguish when he first saw his father quite wild and foolish, shouting a song out fitfully among his drunken companions at the “Waggon Overthrown.” He had run away once when he was only eighteen, making his escape in the morning twilight with a little blue bundle over his shoulder, and his “mensuration book” in his pocket, and saying to himself very decidedly that he could bear the vexations of home no longer—he would go and seek his fortune, setting up his stick at the crossways and bending his steps the way it fell. But by the time he got to Stoniton, the thought of his mother and Seth, left behind to endure everything without him, became too importunate, and his resolution failed him. He came back the next day, but the misery and terror his mother had gone through in those two days had haunted her ever since.
“So it will keep getting worse,” Adam thought; “there’s no way to go back up once you start sliding down, and you can’t just stay put.” Then he remembered the days when he was little, running alongside his father, proud to go out to work, and even prouder when he heard his father bragging to other workers about how “the little guy had a real knack for carpentry.” His father was such a capable man back then! When people asked Adam whose kid he was, he felt special as he replied, “I’m Thias Bede’s kid.” He was certain everyone knew Thias Bede—didn’t he build that amazing pigeon house at Broxton parsonage? Those were happy times, especially when Seth, who was three years younger, started working too, and Adam began to teach as well as learn. But then came the sad days, when Adam was in his teens, and Thias started hanging out at the pubs, while Lisbeth cried at home, voicing her complaints within earshot of her sons. Adam clearly remembered that night of shame when he saw his father completely unraveled, singing a song erratically among his drunken friends at the “Waggon Overthrown.” He had run away once when he was only eighteen, sneaking out in the morning light with a small blue bundle slung over his shoulder and his “mensuration book” in his pocket, firmly telling himself that he couldn’t put up with the troubles at home any longer—he would go seek his fortune, setting up his stick at the crossroads and following the path it pointed to. But by the time he reached Stoniton, thinking of his mother and Seth, left behind to face everything without him, became too pressing, and he lost his resolve. He returned the next day, but the pain and worry his mother experienced during those two days never left her.
“No!” Adam said to himself to-night, “that must never happen again. It ’ud make a poor balance when my doings are cast up at the last, if my poor old mother stood o’ the wrong side. My back’s broad enough and strong enough; I should be no better than a coward to go away and leave the troubles to be borne by them as aren’t half so able. ‘They that are strong ought to bear the infirmities of those that are weak, and not to please themselves.’ There’s a text wants no candle to show’t; it shines by its own light. It’s plain enough you get into the wrong road i’ this life if you run after this and that only for the sake o’ making things easy and pleasant to yourself. A pig may poke his nose into the trough and think o’ nothing outside it; but if you’ve got a man’s heart and soul in you, you can’t be easy a-making your own bed an’ leaving the rest to lie on the stones. Nay, nay, I’ll never slip my neck out o’ the yoke, and leave the load to be drawn by the weak uns. Father’s a sore cross to me, an’s likely to be for many a long year to come. What then? I’ve got th’ health, and the limbs, and the sperrit to bear it.”
“No!” Adam said to himself tonight, “that can never happen again. It would make for a poor outcome when my actions are evaluated in the end, if my poor old mother ended up on the wrong side. My back is broad and strong enough; I’d be no better than a coward to walk away and leave the burdens to those who aren’t nearly as capable. ‘The strong should help bear the weaknesses of the weak, and not just look out for themselves.’ That’s a saying that doesn’t need any light to be understood; it shines on its own. It’s clear enough that you’re heading down the wrong path in life if you pursue everything just to make things easy and enjoyable for yourself. A pig might shove its nose into the trough and think of nothing beyond it; but if you have a man’s heart and soul, you can’t feel comfortable making your own life easy while leaving others to suffer. No, no, I’ll never slip my neck out of the yoke and leave the burden for those who are weaker. My father is a heavy cross for me, and he’s likely to be for many years to come. So what? I’ve got the health, the strength, and the spirit to bear it.”
At this moment a smart rap, as if with a willow wand, was given at the house door, and Gyp, instead of barking, as might have been expected, gave a loud howl. Adam, very much startled, went at once to the door and opened it. Nothing was there; all was still, as when he opened it an hour before; the leaves were motionless, and the light of the stars showed the placid fields on both sides of the brook quite empty of visible life. Adam walked round the house, and still saw nothing except a rat which darted into the woodshed as he passed. He went in again, wondering; the sound was so peculiar that the moment he heard it it called up the image of the willow wand striking the door. He could not help a little shudder, as he remembered how often his mother had told him of just such a sound coming as a sign when some one was dying. Adam was not a man to be gratuitously superstitious, but he had the blood of the peasant in him as well as of the artisan, and a peasant can no more help believing in a traditional superstition than a horse can help trembling when he sees a camel. Besides, he had that mental combination which is at once humble in the region of mystery and keen in the region of knowledge: it was the depth of his reverence quite as much as his hard common sense which gave him his disinclination to doctrinal religion, and he often checked Seth’s argumentative spiritualism by saying, “Eh, it’s a big mystery; thee know’st but little about it.” And so it happened that Adam was at once penetrating and credulous. If a new building had fallen down and he had been told that this was a divine judgment, he would have said, “May be; but the bearing o’ the roof and walls wasn’t right, else it wouldn’t ha’ come down”; yet he believed in dreams and prognostics, and to his dying day he bated his breath a little when he told the story of the stroke with the willow wand. I tell it as he told it, not attempting to reduce it to its natural elements—in our eagerness to explain impressions, we often lose our hold of the sympathy that comprehends them.
At that moment, a sharp knock, like a tap from a willow stick, echoed at the front door. Gyp, instead of barking as expected, let out a loud howl. Adam, quite startled, immediately went to the door and opened it. Nothing was there; everything was quiet, just like when he opened it an hour earlier; the leaves were still, and the starry light revealed the calm fields on both sides of the brook were completely devoid of life. Adam walked around the house and saw nothing except a rat that dashed into the woodshed as he walked by. He went back inside, feeling curious; the sound was so strange that it immediately reminded him of a willow wand hitting the door. He couldn't help but shudder a little, recalling how often his mother had said that such a sound signals someone dying. Adam wasn't one to be superstitious for no reason, but he had the blood of peasants as well as artisans in him, and a peasant can’t help but believe in traditional superstitions any more than a horse can stop trembling when it sees a camel. Besides, he had a mindset that was humble in the face of mystery yet sharp in understanding: it was his deep respect combined with his practical common sense that made him shy away from organized religion, and he often countered Seth’s arguments about spirituality by saying, “Eh, it’s a big mystery; you know little about it.” So, Adam was both insightful and gullible. If a new building had collapsed and someone told him it was a divine punishment, he might have replied, “Maybe; but the support of the roof and walls wasn’t good, or it wouldn’t have fallen.” Yet, he believed in dreams and omens, and even to his dying day, he held his breath a little when recounting the story of the knock from the willow stick. I tell it as he told it, not trying to break it down into its basic parts—often in our eagerness to explain feelings, we lose the connection that helps us understand them.
But he had the best antidote against imaginative dread in the necessity for getting on with the coffin, and for the next ten minutes his hammer was ringing so uninterruptedly, that other sounds, if there were any, might well be overpowered. A pause came, however, when he had to take up his ruler, and now again came the strange rap, and again Gyp howled. Adam was at the door without the loss of a moment; but again all was still, and the starlight showed there was nothing but the dew-laden grass in front of the cottage.
But he had the perfect cure for his imaginative fear in the need to finish the coffin, and for the next ten minutes, his hammer was ringing so consistently that any other sounds, if there were any, were easily drowned out. A pause came when he had to pick up his ruler, and again the strange knock sounded, followed by Gyp's howl. Adam rushed to the door without wasting a moment, but once more everything was quiet, and the starlight revealed nothing but the dew-covered grass in front of the cottage.
Adam for a moment thought uncomfortably about his father; but of late years he had never come home at dark hours from Treddleston, and there was every reason for believing that he was then sleeping off his drunkenness at the “Waggon Overthrown.” Besides, to Adam, the conception of the future was so inseparable from the painful image of his father that the fear of any fatal accident to him was excluded by the deeply infixed fear of his continual degradation. The next thought that occurred to him was one that made him slip off his shoes and tread lightly upstairs, to listen at the bedroom doors. But both Seth and his mother were breathing regularly.
Adam briefly felt uneasy thinking about his father; however, in recent years he had never returned home in the dark from Treddleston, and it was reasonable to assume that he was currently passed out from drinking at the “Waggon Overthrown.” Moreover, for Adam, the idea of the future was so tied to the painful image of his father that the worry of any tragic accident happening to him was overshadowed by the deep-rooted fear of his ongoing decline. The next thought that crossed his mind led him to take off his shoes and quietly head upstairs to listen at the bedroom doors. But both Seth and his mother were sleeping soundly.
Adam came down and set to work again, saying to himself, “I won’t open the door again. It’s no use staring about to catch sight of a sound. Maybe there’s a world about us as we can’t see, but th’ ear’s quicker than the eye and catches a sound from’t now and then. Some people think they get a sight on’t too, but they’re mostly folks whose eyes are not much use to ’em at anything else. For my part, I think it’s better to see when your perpendicular’s true than to see a ghost.”
Adam came down and got back to work, telling himself, “I won’t open the door again. There’s no point in staring around trying to spot a sound. Maybe there’s a world around us that we can’t see, but the ear is quicker than the eye and picks up a sound from it now and then. Some people think they can see it too, but they’re mostly folks whose eyes aren’t much good for anything else. As for me, I think it’s better to see when your balance is right than to see a ghost.”
Such thoughts as these are apt to grow stronger and stronger as daylight quenches the candles and the birds begin to sing. By the time the red sunlight shone on the brass nails that formed the initials on the lid of the coffin, any lingering foreboding from the sound of the willow wand was merged in satisfaction that the work was done and the promise redeemed. There was no need to call Seth, for he was already moving overhead, and presently came downstairs.
Such thoughts tend to become stronger as the daylight puts out the candles and the birds start to sing. By the time the red sunlight reflected off the brass nails that made the initials on the coffin lid, any remaining unease from the sound of the willow wand was replaced by the satisfaction that the job was finished and the promise kept. There was no need to call Seth, because he was already moving around upstairs and soon came downstairs.
“Now, lad,” said Adam, as Seth made his appearance, “the coffin’s done, and we can take it over to Brox’on, and be back again before half after six. I’ll take a mouthful o’ oat-cake, and then we’ll be off.”
“Hey, kid,” said Adam, as Seth showed up, “the coffin’s ready, and we can take it over to Brox’on and be back before 6:30. I’ll grab a piece of oat cake, and then we’ll head out.”
The coffin was soon propped on the tall shoulders of the two brothers, and they were making their way, followed close by Gyp, out of the little woodyard into the lane at the back of the house. It was but about a mile and a half to Broxton over the opposite slope, and their road wound very pleasantly along lanes and across fields, where the pale woodbines and the dog-roses were scenting the hedgerows, and the birds were twittering and trilling in the tall leafy boughs of oak and elm. It was a strangely mingled picture—the fresh youth of the summer morning, with its Edenlike peace and loveliness, the stalwart strength of the two brothers in their rusty working clothes, and the long coffin on their shoulders. They paused for the last time before a small farmhouse outside the village of Broxton. By six o’clock the task was done, the coffin nailed down, and Adam and Seth were on their way home. They chose a shorter way homewards, which would take them across the fields and the brook in front of the house. Adam had not mentioned to Seth what had happened in the night, but he still retained sufficient impression from it himself to say, “Seth, lad, if Father isn’t come home by the time we’ve had our breakfast, I think it’ll be as well for thee to go over to Treddles’on and look after him, and thee canst get me the brass wire I want. Never mind about losing an hour at thy work; we can make that up. What dost say?”
The coffin was soon balanced on the broad shoulders of the two brothers as they made their way, closely followed by Gyp, out of the small wooded area into the lane behind the house. It was only about a mile and a half to Broxton over the nearby slope, and their path wound pleasantly through lanes and across fields, where the pale honeysuckles and dog roses filled the hedges with fragrance, and the birds were chirping and singing in the tall leafy branches of oak and elm. It was a uniquely mixed scene—the fresh youth of the summer morning, with its idyllic peace and beauty, the strong build of the two brothers in their worn work clothes, and the long coffin resting on their shoulders. They paused one last time in front of a small farmhouse just outside the village of Broxton. By six o’clock, the job was finished, the coffin secured, and Adam and Seth were on their way home. They took a shorter route back, crossing the fields and the stream in front of the house. Adam hadn’t told Seth what had happened during the night, but he was still impacted enough to say, “Seth, if Dad isn’t home by the time we’ve had breakfast, I think it would be best for you to go over to Treddleson and check on him, and you can grab the brass wire I need. Don’t worry about losing an hour at work; we can make that up. What do you say?”
“I’m willing,” said Seth. “But see what clouds have gathered since we set out. I’m thinking we shall have more rain. It’ll be a sore time for th’ haymaking if the meadows are flooded again. The brook’s fine and full now: another day’s rain ’ud cover the plank, and we should have to go round by the road.”
“I’m willing,” said Seth. “But look at the clouds that have gathered since we started out. I think we’re going to get more rain. It’ll be a tough time for haymaking if the meadows get flooded again. The brook is nice and full right now: another day of rain would cover the plank, and we’d have to go the long way around by the road.”
They were coming across the valley now, and had entered the pasture through which the brook ran.
They were crossing the valley now and had entered the pasture where the stream flowed.
“Why, what’s that sticking against the willow?” continued Seth, beginning to walk faster. Adam’s heart rose to his mouth: the vague anxiety about his father was changed into a great dread. He made no answer to Seth, but ran forward preceded by Gyp, who began to bark uneasily; and in two moments he was at the bridge.
“Why, what’s that stuck against the willow?” Seth asked, picking up his pace. Adam’s heart jumped into his throat: his vague worry about his father transformed into a deep fear. He didn’t respond to Seth but took off running, with Gyp leading the way, barking anxiously; within moments, he reached the bridge.
This was what the omen meant, then! And the grey-haired father, of whom he had thought with a sort of hardness a few hours ago, as certain to live to be a thorn in his side was perhaps even then struggling with that watery death! This was the first thought that flashed through Adam’s conscience, before he had time to seize the coat and drag out the tall heavy body. Seth was already by his side, helping him, and when they had it on the bank, the two sons in the first moment knelt and looked with mute awe at the glazed eyes, forgetting that there was need for action—forgetting everything but that their father lay dead before them. Adam was the first to speak.
This was what the omen meant! And the old man, whom he had thought of with a kind of bitterness just a few hours ago, as someone who would surely be a constant irritation, was perhaps even then fighting against that watery death! This was the first thought that shot through Adam’s mind before he could grab the coat and pull out the tall, heavy body. Seth was already by his side, assisting him, and when they got it onto the bank, the two sons knelt in silence, gazing in awe at the glazed eyes, forgetting that they needed to act—forgetting everything except that their father lay dead in front of them. Adam was the first to speak.
“I’ll run to Mother,” he said, in a loud whisper. “I’ll be back to thee in a minute.”
“I'll run to Mom,” he said in a loud whisper. “I'll be back in a minute.”
Poor Lisbeth was busy preparing her sons’ breakfast, and their porridge was already steaming on the fire. Her kitchen always looked the pink of cleanliness, but this morning she was more than usually bent on making her hearth and breakfast-table look comfortable and inviting.
Poor Lisbeth was busy getting her sons' breakfast ready, and their porridge was already steaming on the stove. Her kitchen always looked perfectly clean, but this morning she was especially focused on making her hearth and breakfast table look cozy and welcoming.
“The lads ’ull be fine an’ hungry,” she said, half-aloud, as she stirred the porridge. “It’s a good step to Brox’on, an’ it’s hungry air o’er the hill—wi’ that heavy coffin too. Eh! It’s heavier now, wi’ poor Bob Tholer in’t. Howiver, I’ve made a drap more porridge nor common this mornin’. The feyther ’ull happen come in arter a bit. Not as he’ll ate much porridge. He swallers sixpenn’orth o’ ale, an’ saves a hap’orth o’ por-ridge—that’s his way o’ layin’ by money, as I’ve told him many a time, an’ am likely to tell him again afore the day’s out. Eh, poor mon, he takes it quiet enough; there’s no denyin’ that.”
“The guys will be really hungry,” she said, half to herself, as she stirred the porridge. “It’s a long walk to Brox’on, and it’s chilly up in the hills—especially with that heavy coffin too. Ugh! It feels even heavier now with poor Bob Tholer in it. Anyway, I made a bit more porridge than usual this morning. Dad will probably come in soon. Not that he’ll eat much porridge. He drinks sixpence worth of ale and saves a little bit of porridge—that’s his way of saving money, as I’ve told him many times and I’ll likely tell him again before the day’s over. Poor man, he takes it pretty well; that’s for sure.”
But now Lisbeth heard the heavy “thud” of a running footstep on the turf, and, turning quickly towards the door, she saw Adam enter, looking so pale and overwhelmed that she screamed aloud and rushed towards him before he had time to speak.
But now Lisbeth heard the loud "thud" of footsteps hitting the grass, and, quickly turning toward the door, she saw Adam come in, looking so pale and shocked that she screamed and ran to him before he could say anything.
“Hush, Mother,” Adam said, rather hoarsely, “don’t be frightened. Father’s tumbled into the water. Belike we may bring him round again. Seth and me are going to carry him in. Get a blanket and make it hot as the fire.”
“Hush, Mom,” Adam said, a bit hoarsely, “don't be scared. Dad fell into the water. We might be able to bring him back. Seth and I are going to carry him in. Get a blanket and heat it up by the fire.”
In reality Adam was convinced that his father was dead but he knew there was no other way of repressing his mother’s impetuous wailing grief than by occupying her with some active task which had hope in it.
In reality, Adam was convinced that his father was dead, but he knew there was no other way to silence his mother’s intense, sorrowful crying than by keeping her busy with some meaningful task that offered hope.
He ran back to Seth, and the two sons lifted the sad burden in heart-stricken silence. The wide-open glazed eyes were grey, like Seth’s, and had once looked with mild pride on the boys before whom Thias had lived to hang his head in shame. Seth’s chief feeling was awe and distress at this sudden snatching away of his father’s soul; but Adam’s mind rushed back over the past in a flood of relenting and pity. When death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.
He sprinted back to Seth, and the two brothers silently lifted the heavy burden, their hearts broken. The wide-open, glassy eyes were gray, like Seth’s, and had once looked at the boys with mild pride before Thias had lived to hang his head in shame. Seth mainly felt a mix of awe and distress at the sudden loss of his father’s soul; but Adam's thoughts flooded back over the past, filled with regret and pity. When death, the great Reconciler, arrives, it’s never our kindness that we regret, but our harshness.
Chapter V
The Rector
Before twelve o’clock there had been some heavy storms of rain, and the water lay in deep gutters on the sides of the gravel walks in the garden of Broxton Parsonage; the great Provence roses had been cruelly tossed by the wind and beaten by the rain, and all the delicate-stemmed border flowers had been dashed down and stained with the wet soil. A melancholy morning—because it was nearly time hay-harvest should begin, and instead of that the meadows were likely to be flooded.
Before noon, there had been some heavy rainstorms, and water pooled in deep gutters along the gravel paths in the garden of Broxton Parsonage. The large Provence roses had been brutally tossed by the wind and battered by the rain, and all the delicate border flowers had been knocked down and stained with muddy soil. It was a gloomy morning—because it was almost time for hay harvest to start, and instead, the meadows were likely to be flooded.
But people who have pleasant homes get indoor enjoyments that they would never think of but for the rain. If it had not been a wet morning, Mr. Irwine would not have been in the dining-room playing at chess with his mother, and he loves both his mother and chess quite well enough to pass some cloudy hours very easily by their help. Let me take you into that dining-room and show you the Rev. Adolphus Irwine, Rector of Broxton, Vicar of Hayslope, and Vicar of Blythe, a pluralist at whom the severest Church reformer would have found it difficult to look sour. We will enter very softly and stand still in the open doorway, without awaking the glossy-brown setter who is stretched across the hearth, with her two puppies beside her; or the pug, who is dozing, with his black muzzle aloft, like a sleepy president.
But people with nice homes enjoy indoor activities that they wouldn't think of if it weren't for the rain. If it hadn't been a wet morning, Mr. Irwine wouldn't have been in the dining room playing chess with his mother, and he loves both his mother and chess enough to easily spend some cloudy hours that way. Let me take you into that dining room and show you the Rev. Adolphus Irwine, Rector of Broxton, Vicar of Hayslope, and Vicar of Blythe, a pluralist who even the strictest Church reformer would have a hard time frowning at. We'll enter quietly and stand still in the open doorway, trying not to wake the glossy-brown setter stretched out across the hearth, with her two puppies beside her, or the pug who's dozing with his black muzzle up in the air, like a sleepy president.
The room is a large and lofty one, with an ample mullioned oriel window at one end; the walls, you see, are new, and not yet painted; but the furniture, though originally of an expensive sort, is old and scanty, and there is no drapery about the window. The crimson cloth over the large dining-table is very threadbare, though it contrasts pleasantly enough with the dead hue of the plaster on the walls; but on this cloth there is a massive silver waiter with a decanter of water on it, of the same pattern as two larger ones that are propped up on the sideboard with a coat of arms conspicuous in their centre. You suspect at once that the inhabitants of this room have inherited more blood than wealth, and would not be surprised to find that Mr. Irwine had a finely cut nostril and upper lip; but at present we can only see that he has a broad flat back and an abundance of powdered hair, all thrown backward and tied behind with a black ribbon—a bit of conservatism in costume which tells you that he is not a young man. He will perhaps turn round by and by, and in the meantime we can look at that stately old lady, his mother, a beautiful aged brunette, whose rich-toned complexion is well set off by the complex wrappings of pure white cambric and lace about her head and neck. She is as erect in her comely embonpoint as a statue of Ceres; and her dark face, with its delicate aquiline nose, firm proud mouth, and small, intense, black eye, is so keen and sarcastic in its expression that you instinctively substitute a pack of cards for the chess-men and imagine her telling your fortune. The small brown hand with which she is lifting her queen is laden with pearls, diamonds, and turquoises; and a large black veil is very carefully adjusted over the crown of her cap, and falls in sharp contrast on the white folds about her neck. It must take a long time to dress that old lady in the morning! But it seems a law of nature that she should be dressed so: she is clearly one of those children of royalty who have never doubted their right divine and never met with any one so absurd as to question it.
The room is spacious and airy, featuring a large mullioned oriel window at one end. The walls are new and still unpainted, but the furniture, once high-quality, is old and sparse, with no curtains at the window. The crimson cloth on the large dining table is quite worn, although it contrasts pleasantly with the dull plaster on the walls. On this cloth sits a hefty silver tray with a decanter of water, matching two larger ones displayed on the sideboard, which bear a coat of arms prominently in the center. You quickly gather that the people living here likely come from a line of more nobility than riches, and it wouldn’t surprise you if Mr. Irwine had an elegantly shaped nostril and upper lip; right now, though, all you notice is his broad, flat back and a lot of powdered hair, all swept back and tied with a black ribbon—a touch of old-fashioned style that suggests he's not a young man. He might turn around eventually, but for now, let’s focus on that dignified older lady, his mother, a striking elderly brunette whose rich complexion is beautifully framed by the intricate layers of pure white cambric and lace around her head and neck. She stands upright in her appealing figure like a statue of Ceres; her dark face, with its refined aquiline nose, proud mouth, and small, sharp black eye, has such a witty and discerning expression that you almost picture her swapping cards for chess pieces and telling your fortune. The small brown hand she uses to lift her queen is adorned with pearls, diamonds, and turquoises, and a large black veil is carefully positioned over the crown of her cap, creating a stark contrast with the white folds around her neck. It must take a long time to get that old lady ready in the morning! Yet it seems only natural for her to be so dressed up: she clearly belongs to the kind of noble lineage that has never questioned their divine right and has never encountered anyone foolish enough to challenge it.
“There, Dauphin, tell me what that is!” says this magnificent old lady, as she deposits her queen very quietly and folds her arms. “I should be sorry to utter a word disagreeable to your feelings.”
“There, Dauphin, tell me what that is!” says this magnificent old lady as she quietly puts down her queen and crosses her arms. “I would hate to say anything that would upset you.”
“Ah, you witch-mother, you sorceress! How is a Christian man to win a game off you? I should have sprinkled the board with holy water before we began. You’ve not won that game by fair means, now, so don’t pretend it.”
“Ah, you witch-mother, you sorceress! How is a Christian man supposed to win a game against you? I should have sprinkled the board with holy water before we started. You didn't win that game fairly, so don’t act like you did.”
“Yes, yes, that’s what the beaten have always said of great conquerors. But see, there’s the sunshine falling on the board, to show you more clearly what a foolish move you made with that pawn. Come, shall I give you another chance?”
“Yes, yes, that’s what the defeated have always said about great conquerors. But look, there’s sunlight shining on the board, making it clear just how foolish that pawn move was. Come on, should I give you another chance?”
“No, Mother, I shall leave you to your own conscience, now it’s clearing up. We must go and plash up the mud a little, mus’n’t we, Juno?” This was addressed to the brown setter, who had jumped up at the sound of the voices and laid her nose in an insinuating way on her master’s leg. “But I must go upstairs first and see Anne. I was called away to Tholer’s funeral just when I was going before.”
“No, Mom, I’ll leave you to your own conscience now that it’s clearing up. We should go and splash around in the mud a bit, shouldn’t we, Juno?” This was directed at the brown setter, who had jumped up at the sound of the voices and rested her nose in a playful way on her owner’s leg. “But I need to go upstairs first and check on Anne. I was called away to Tholer’s funeral just when I was about to go.”
“It’s of no use, child; she can’t speak to you. Kate says she has one of her worst headaches this morning.”
“It’s no use, kid; she can’t talk to you. Kate says she’s got one of her worst headaches this morning.”
“Oh, she likes me to go and see her just the same; she’s never too ill to care about that.”
“Oh, she still wants me to come and see her; she’s never too sick to care about that.”
If you know how much of human speech is mere purposeless impulse or habit, you will not wonder when I tell you that this identical objection had been made, and had received the same kind of answer, many hundred times in the course of the fifteen years that Mr. Irwine’s sister Anne had been an invalid. Splendid old ladies, who take a long time to dress in the morning, have often slight sympathy with sickly daughters.
If you realize how much of what we say is just mindless chatter or routine, you won’t be surprised when I say that this exact complaint has been raised—and answered in the same way—hundreds of times over the fifteen years that Mr. Irwine’s sister Anne has been unwell. Magnificent old ladies, who spend a long time getting ready in the morning, often have little sympathy for their frail daughters.
But while Mr. Irwine was still seated, leaning back in his chair and stroking Juno’s head, the servant came to the door and said, “If you please, sir, Joshua Rann wishes to speak with you, if you are at liberty.”
But while Mr. Irwine was still sitting back in his chair and petting Juno’s head, the servant came to the door and said, “Excuse me, sir, Joshua Rann wants to speak with you, if you’re available.”
“Let him be shown in here,” said Mrs. Irwine, taking up her knitting. “I always like to hear what Mr. Rann has got to say. His shoes will be dirty, but see that he wipes them Carroll.”
“Let him in,” said Mrs. Irwine, picking up her knitting. “I always enjoy hearing what Mr. Rann has to say. His shoes will be dirty, so make sure he wipes them, Carroll.”
In two minutes Mr. Rann appeared at the door with very deferential bows, which, however, were far from conciliating Pug, who gave a sharp bark and ran across the room to reconnoitre the stranger’s legs; while the two puppies, regarding Mr. Rann’s prominent calf and ribbed worsted stockings from a more sensuous point of view, plunged and growled over them in great enjoyment. Meantime, Mr. Irwine turned round his chair and said, “Well, Joshua, anything the matter at Hayslope, that you’ve come over this damp morning? Sit down, sit down. Never mind the dogs; give them a friendly kick. Here, Pug, you rascal!”
In two minutes, Mr. Rann showed up at the door with very polite bows, which didn’t seem to please Pug at all. Pug let out a sharp bark and rushed across the room to check out the stranger’s legs, while the two puppies, looking at Mr. Rann’s noticeable calf and ribbed socks in a more playful way, jumped around and growled over them with delight. Meanwhile, Mr. Irwine turned his chair around and said, “Well, Joshua, is anything wrong at Hayslope that brought you over this damp morning? Sit down, sit down. Don’t worry about the dogs; just give them a friendly kick. Here, Pug, you little rascal!”
It is very pleasant to see some men turn round; pleasant as a sudden rush of warm air in winter, or the flash of firelight in the chill dusk. Mr. Irwine was one of those men. He bore the same sort of resemblance to his mother that our loving memory of a friend’s face often bears to the face itself: the lines were all more generous, the smile brighter, the expression heartier. If the outline had been less finely cut, his face might have been called jolly; but that was not the right word for its mixture of bonhomie and distinction.
It’s really nice to see some men turn around; just like a sudden warm breeze in winter or the flicker of firelight in the cool dusk. Mr. Irwine was one of those men. He looked a lot like his mother, just like how our fond memories of a friend's face can resemble the actual face: the features were softer, the smile more radiant, the expression friendlier. If his face had been less sharply defined, you could have called it jolly; but that wasn’t the right word for its blend of warmth and elegance.
“Thank Your Reverence,” answered Mr. Rann, endeavouring to look unconcerned about his legs, but shaking them alternately to keep off the puppies; “I’ll stand, if you please, as more becoming. I hope I see you an’ Mrs. Irwine well, an’ Miss Irwine—an’ Miss Anne, I hope’s as well as usual.”
“Thank you, Your Reverence,” Mr. Rann replied, trying to act casual about his legs but shaking them back and forth to fend off the puppies. “I’ll stand, if that's alright, as it seems more fitting. I hope you and Mrs. Irwine are doing well, and Miss Irwine—also, I hope Miss Anne is doing as well as usual.”
“Yes, Joshua, thank you. You see how blooming my mother looks. She beats us younger people hollow. But what’s the matter?”
“Yes, Joshua, thank you. You can see how radiant my mother looks. She puts us younger folks to shame. But what's wrong?”
“Why, sir, I had to come to Brox’on to deliver some work, and I thought it but right to call and let you know the goins-on as there’s been i’ the village, such as I hanna seen i’ my time, and I’ve lived in it man and boy sixty year come St. Thomas, and collected th’ Easter dues for Mr. Blick before Your Reverence come into the parish, and been at the ringin’ o’ every bell, and the diggin’ o’ every grave, and sung i’ the choir long afore Bartle Massey come from nobody knows where, wi’ his counter-singin’ and fine anthems, as puts everybody out but himself—one takin’ it up after another like sheep a-bleatin’ i’ th’ fold. I know what belongs to bein’ a parish clerk, and I know as I should be wantin’ i’ respect to Your Reverence, an’ church, an’ king, if I was t’ allow such goins-on wi’out speakin’. I was took by surprise, an’ knowed nothin’ on it beforehand, an’ I was so flustered, I was clean as if I’d lost my tools. I hanna slep’ more nor four hour this night as is past an’ gone; an’ then it was nothin’ but nightmare, as tired me worse nor wakin’.”
“Why, sir, I had to come to Brox’on to deliver some work, and I thought it was only right to stop by and let you know what's been happening in the village, which is something I haven't seen in my lifetime. I've lived here, man and boy, for sixty years come St. Thomas, and I've collected the Easter dues for Mr. Blick before Your Reverence came into the parish. I've been present at the ringing of every bell, the digging of every grave, and I've sung in the choir long before Bartle Massey came from who knows where with his counter-singing and fancy anthems, which throw everyone off except himself—one person picking it up after another like sheep bleating in the fold. I know what it means to be a parish clerk, and I recognize that I would be lacking in respect to Your Reverence, the church, and the king if I allowed such goings-on without saying something. I was caught off guard and didn’t have any idea about it beforehand, and I was so flustered, it felt like I had lost my tools. I haven't slept more than four hours last night; and even then, it was nothing but nightmares, which tired me out more than being awake.”
“Why, what in the world is the matter, Joshua? Have the thieves been at the church lead again?”
“Why, what on earth is the matter, Joshua? Have the thieves hit the church lead again?”
“Thieves! No, sir—an’ yet, as I may say, it is thieves, an’ a-thievin’ the church, too. It’s the Methodisses as is like to get th’ upper hand i’ th’ parish, if Your Reverence an’ His Honour, Squire Donnithorne, doesna think well to say the word an’ forbid it. Not as I’m a-dictatin’ to you, sir; I’m not forgettin’ myself so far as to be wise above my betters. Howiver, whether I’m wise or no, that’s neither here nor there, but what I’ve got to say I say—as the young Methodis woman as is at Mester Poyser’s was a-preachin’ an’ a-prayin’ on the Green last night, as sure as I’m a-stannin’ afore Your Reverence now.”
"Thieves! No, sir—but I have to say, it really is thieves, and they’re stealing from the church, too. It's the Methodists who are likely to take over in the parish if you and His Honor, Squire Donnithorne, don’t think to speak up and put a stop to it. Not that I’m trying to tell you what to do, sir; I’m not forgetting myself to think I know better than those above me. However, whether I’m wise or not, that’s beside the point, but I’ll say what I have to say—like that young Methodist woman who was preaching and praying on the Green last night, as sure as I’m standing here before you now."
“Preaching on the Green!” said Mr. Irwine, looking surprised but quite serene. “What, that pale pretty young woman I’ve seen at Poyser’s? I saw she was a Methodist, or Quaker, or something of that sort, by her dress, but I didn’t know she was a preacher.”
“Preaching on the green!” Mr. Irwine said, looking surprised but completely calm. “What? That pale, pretty young woman I’ve seen at Poyser’s? I noticed she was a Methodist, or a Quaker, or something like that by her dress, but I had no idea she was a preacher.”
“It’s a true word as I say, sir,” rejoined Mr. Rann, compressing his mouth into a semicircular form and pausing long enough to indicate three notes of exclamation. “She preached on the Green last night; an’ she’s laid hold of Chad’s Bess, as the girl’s been i’ fits welly iver sin’.”
“It’s a true word, as I’m saying, sir,” replied Mr. Rann, pressing his lips together in a half-moon shape and pausing long enough to emphasize his point. “She preached on the Green last night, and she’s got a hold on Chad’s Bess, since the girl has been having fits nearly all the time.”
“Well, Bessy Cranage is a hearty-looking lass; I daresay she’ll come round again, Joshua. Did anybody else go into fits?”
“Well, Bessy Cranage is a healthy-looking girl; I bet she’ll be back, Joshua. Did anyone else have fits?”
“No, sir, I canna say as they did. But there’s no knowin’ what’ll come, if we’re t’ have such preachin’s as that a-goin’ on ivery week—there’ll be no livin’ i’ th’ village. For them Methodisses make folks believe as if they take a mug o’ drink extry, an’ make theirselves a bit comfortable, they’ll have to go to hell for’t as sure as they’re born. I’m not a tipplin’ man nor a drunkard—nobody can say it on me—but I like a extry quart at Easter or Christmas time, as is nat’ral when we’re goin’ the rounds a-singin’, an’ folks offer’t you for nothin’; or when I’m a-collectin’ the dues; an’ I like a pint wi’ my pipe, an’ a neighbourly chat at Mester Casson’s now an’ then, for I was brought up i’ the Church, thank God, an’ ha’ been a parish clerk this two-an’-thirty year: I should know what the church religion is.”
“No, sir, I can’t say they did. But who knows what will happen if we have such sermons going on every week—there’ll be no living in the village. Those Methodists make people believe that if they have an extra drink to make themselves comfortable, they'll definitely end up in hell, as sure as they’re born. I'm not a drinking man or a drunkard—nobody can say that about me—but I enjoy an extra quart at Easter or Christmas, which is natural when we’re going around singing, and people offer it to you for free; or when I’m collecting the dues; and I like a pint with my pipe and a friendly chat at Mr. Casson’s now and then, because I was raised in the Church, thank God, and I’ve been a parish clerk for thirty-two years: I should know what church religion is.”
“Well, what’s your advice, Joshua? What do you think should be done?”
“Well, what’s your advice, Joshua? What do you think should happen?”
“Well, Your Reverence, I’m not for takin’ any measures again’ the young woman. She’s well enough if she’d let alone preachin’; an’ I hear as she’s a-goin’ away back to her own country soon. She’s Mr. Poyser’s own niece, an’ I donna wish to say what’s anyways disrespectful o’ th’ family at th’ Hall Farm, as I’ve measured for shoes, little an’ big, welly iver sin’ I’ve been a shoemaker. But there’s that Will Maskery, sir as is the rampageousest Methodis as can be, an’ I make no doubt it was him as stirred up th’ young woman to preach last night, an’ he’ll be a-bringin’ other folks to preach from Treddles’on, if his comb isn’t cut a bit; an’ I think as he should be let know as he isna t’ have the makin’ an’ mendin’ o’ church carts an’ implemen’s, let alone stayin’ i’ that house an’ yard as is Squire Donnithorne’s.”
"Well, Your Reverence, I’m not for taking any action against the young woman. She's fine enough if she’d just stop preaching; and I hear she’s going back to her own country soon. She’s Mr. Poyser’s niece, and I don’t want to say anything disrespectful about the family at Hall Farm, as I’ve been sizing shoes, big and small, pretty much
“Well, but you say yourself, Joshua, that you never knew any one come to preach on the Green before; why should you think they’ll come again? The Methodists don’t come to preach in little villages like Hayslope, where there’s only a handful of labourers, too tired to listen to them. They might almost as well go and preach on the Binton Hills. Will Maskery is no preacher himself, I think.”
"Well, you yourself said, Joshua, that you’ve never seen anyone come to preach on the Green before; so why would you expect them to come again? The Methodists don’t usually preach in small villages like Hayslope, where there are only a few laborers who are too tired to pay attention. They might as well go preach on the Binton Hills. I doubt Will Maskery is much of a preacher either."
“Nay, sir, he’s no gift at stringin’ the words together wi’out book; he’d be stuck fast like a cow i’ wet clay. But he’s got tongue enough to speak disrespectful about’s neebors, for he said as I was a blind Pharisee—a-usin’ the Bible i’ that way to find nick-names for folks as are his elders an’ betters!—and what’s worse, he’s been heard to say very unbecomin’ words about Your Reverence; for I could bring them as ’ud swear as he called you a ‘dumb dog,’ an’ a ‘idle shepherd.’ You’ll forgi’e me for sayin’ such things over again.”
“No, sir, he really can’t string words together without a book; he’d be stuck like a cow in wet clay. But he has enough to say disrespectfully about our neighbors, since he called me a blind Pharisee—using the Bible like that to come up with nicknames for people who are older and better than him! And what’s worse, he's been heard saying some very inappropriate things about Your Reverence; I could bring in people who would swear he called you a ‘dumb dog’ and an ‘idle shepherd.’ You’ll forgive me for repeating such things.”
“Better not, better not, Joshua. Let evil words die as soon as they’re spoken. Will Maskery might be a great deal worse fellow than he is. He used to be a wild drunken rascal, neglecting his work and beating his wife, they told me; now he’s thrifty and decent, and he and his wife look comfortable together. If you can bring me any proof that he interferes with his neighbours and creates any disturbance, I shall think it my duty as a clergyman and a magistrate to interfere. But it wouldn’t become wise people like you and me to be making a fuss about trifles, as if we thought the Church was in danger because Will Maskery lets his tongue wag rather foolishly, or a young woman talks in a serious way to a handful of people on the Green. We must ‘live and let live,’ Joshua, in religion as well as in other things. You go on doing your duty, as parish clerk and sexton, as well as you’ve always done it, and making those capital thick boots for your neighbours, and things won’t go far wrong in Hayslope, depend upon it.”
“Better not, better not, Joshua. Let negative words fade away as soon as they’re said. Will Maskery might actually be a lot worse than he is. He used to be a wild drunk, neglecting his work and hitting his wife, they told me; now he’s responsible and decent, and he and his wife seem comfortable together. If you can give me any evidence that he’s bothering his neighbors and causing trouble, I’ll consider it my duty as a clergyman and a magistrate to step in. But it wouldn’t be wise for people like you and me to make a big deal out of small things, as if we thought the Church was at risk because Will Maskery talks a bit foolishly, or because a young woman speaks seriously to a small group of people on the Green. We must ‘live and let live,’ Joshua, in religion and everything else. You keep doing your duty, as parish clerk and sexton, just as you always have, and making those great thick boots for your neighbors, and things won’t go wrong in Hayslope, believe me.”
“Your Reverence is very good to say so; an’ I’m sensable as, you not livin’ i’ the parish, there’s more upo’ my shoulders.”
“Your Excellency is very kind to say that; and I’m aware that, since you don’t live in the parish, there’s more responsibility on my shoulders.”
“To be sure; and you must mind and not lower the Church in people’s eyes by seeming to be frightened about it for a little thing, Joshua. I shall trust to your good sense, now to take no notice at all of what Will Maskery says, either about you or me. You and your neighbours can go on taking your pot of beer soberly, when you’ve done your day’s work, like good churchmen; and if Will Maskery doesn’t like to join you, but to go to a prayer-meeting at Treddleston instead, let him; that’s no business of yours, so long as he doesn’t hinder you from doing what you like. And as to people saying a few idle words about us, we must not mind that, any more than the old church-steeple minds the rooks cawing about it. Will Maskery comes to church every Sunday afternoon, and does his wheelwright’s business steadily in the weekdays, and as long as he does that he must be let alone.”
“Of course; and you need to make sure not to lower the Church's reputation in people's eyes by acting scared over something minor, Joshua. I'm counting on your good judgment to ignore what Will Maskery says about you or me. You and your neighbors can keep enjoying your beer after a hard day's work, just like good church members; and if Will Maskery prefers to go to a prayer meeting at Treddleston instead of joining you, that’s his choice; it’s not your concern as long as he doesn’t stop you from doing what you want. And we shouldn’t worry about people saying a few silly things about us, any more than the old church steeple worries about the rooks cawing around it. Will Maskery comes to church every Sunday afternoon and works steadily as a wheelwright during the week, so as long as he does that, he should be left alone.”
“Ah, sir, but when he comes to church, he sits an’ shakes his head, an’ looks as sour an’ as coxy when we’re a-singin’ as I should like to fetch him a rap across the jowl—God forgi’e me—an’ Mrs. Irwine, an’ Your Reverence too, for speakin’ so afore you. An’ he said as our Christmas singin’ was no better nor the cracklin’ o’ thorns under a pot.”
“Ah, sir, but when he comes to church, he sits there shaking his head and looks as sour and smug while we’re singing as I’d like to give him a slap across the face—God forgive me—and Mrs. Irwine, and Your Reverence too, for saying that in front of you. And he said our Christmas singing was no better than the crackling of thorns under a pot.”
“Well, he’s got a bad ear for music, Joshua. When people have wooden heads, you know, it can’t be helped. He won’t bring the other people in Hayslope round to his opinion, while you go on singing as well as you do.”
“Well, he’s got a terrible ear for music, Joshua. When people are stubborn, you know, it can’t be helped. He won’t convince the others in Hayslope to see things his way, while you keep singing as beautifully as you do.”
“Yes, sir, but it turns a man’s stomach t’ hear the Scripture misused i’ that way. I know as much o’ the words o’ the Bible as he does, an’ could say the Psalms right through i’ my sleep if you was to pinch me; but I know better nor to take ’em to say my own say wi’. I might as well take the Sacriment-cup home and use it at meals.”
“Yes, sir, but it makes a person feel sick to hear the Scripture used that way. I know as much of the Bible's words as he does, and I could recite the Psalms perfectly in my sleep if you pinched me; but I know better than to twist them to say what I want. I might as well take the communion cup home and use it at mealtime.”
“That’s a very sensible remark of yours, Joshua; but, as I said before——”
“That’s a really sensible comment from you, Joshua; but, as I mentioned earlier——”
While Mr. Irwine was speaking, the sound of a booted step and the clink of a spur were heard on the stone floor of the entrance-hall, and Joshua Rann moved hastily aside from the doorway to make room for some one who paused there, and said, in a ringing tenor voice,
While Mr. Irwine was talking, the sound of a booted step and the clink of a spur echoed on the stone floor of the entrance hall, and Joshua Rann quickly stepped aside from the doorway to make way for someone who stopped there and said in a clear tenor voice,
“Godson Arthur—may he come in?”
“Godson Arthur—can he come in?”
“Come in, come in, godson!” Mrs. Irwine answered, in the deep half-masculine tone which belongs to the vigorous old woman, and there entered a young gentleman in a riding-dress, with his right arm in a sling; whereupon followed that pleasant confusion of laughing interjections, and hand-shakings, and “How are you’s?” mingled with joyous short barks and wagging of tails on the part of the canine members of the family, which tells that the visitor is on the best terms with the visited. The young gentleman was Arthur Donnithorne, known in Hayslope, variously, as “the young squire,” “the heir,” and “the captain.” He was only a captain in the Loamshire Militia, but to the Hayslope tenants he was more intensely a captain than all the young gentlemen of the same rank in his Majesty’s regulars—he outshone them as the planet Jupiter outshines the Milky Way. If you want to know more particularly how he looked, call to your remembrance some tawny-whiskered, brown-locked, clear-complexioned young Englishman whom you have met with in a foreign town, and been proud of as a fellow-countryman—well-washed, high-bred, white-handed, yet looking as if he could deliver well from the left shoulder and floor his man: I will not be so much of a tailor as to trouble your imagination with the difference of costume, and insist on the striped waistcoat, long-tailed coat, and low top-boots.
“Come in, come in, godson!” Mrs. Irwine said in her strong, slightly masculine voice that matched her spirited personality. A young man entered, dressed for riding, with his right arm in a sling. This was followed by the lighthearted chaos of laughter, handshakes, and greetings of “How are you?” mixed with excited barks and wagging tails from the family dogs, signaling that the visitor was on good terms with the hosts. The young man was Arthur Donnithorne, known in Hayslope by various nicknames like “the young squire,” “the heir,” and “the captain.” Although he was only a captain in the Loamshire Militia, to the Hayslope residents, he was a captain in every sense, shining brighter than any young man of the same rank in the regular army—like how Jupiter stands out against the Milky Way. If you want to know what he looked like, think of a young Englishman with tawny whiskers, brown hair, and a clear complexion who you’ve encountered in a foreign city and felt proud to call a fellow countryman—well-groomed, refined, with elegant hands, yet looking like he could handle himself in a fight: I won’t get into the details of his outfit, like the striped waistcoat, long-tailed coat, and low top-boots.
Turning round to take a chair, Captain Donnithorne said, “But don’t let me interrupt Joshua’s business—he has something to say.”
Turning to grab a chair, Captain Donnithorne said, “But don’t let me interrupt Joshua’s business—he has something to say.”
“Humbly begging Your Honour’s pardon,” said Joshua, bowing low, “there was one thing I had to say to His Reverence as other things had drove out o’ my head.”
“Humbly begging your Honor’s pardon,” said Joshua, bowing low, “there was one thing I needed to say to His Reverence since other things had slipped my mind.”
“Out with it, Joshua, quickly!” said Mr. Irwine.
“Spit it out, Joshua, fast!” said Mr. Irwine.
“Belike, sir, you havena heared as Thias Bede’s dead—drownded this morning, or more like overnight, i’ the Willow Brook, again’ the bridge right i’ front o’ the house.”
“Likely, sir, you haven’t heard that Thias Bede has died—drowned this morning, or more likely overnight, in the Willow Brook, right against the bridge in front of the house.”
“Ah!” exclaimed both the gentlemen at once, as if they were a good deal interested in the information.
“Ah!” both gentlemen exclaimed at the same time, as if they were quite interested in the information.
“An’ Seth Bede’s been to me this morning to say he wished me to tell Your Reverence as his brother Adam begged of you particular t’ allow his father’s grave to be dug by the White Thorn, because his mother’s set her heart on it, on account of a dream as she had; an’ they’d ha’ come theirselves to ask you, but they’ve so much to see after with the crowner, an’ that; an’ their mother’s took on so, an’ wants ’em to make sure o’ the spot for fear somebody else should take it. An’ if Your Reverence sees well and good, I’ll send my boy to tell ’em as soon as I get home; an’ that’s why I make bold to trouble you wi’ it, His Honour being present.”
“Seth Bede came to me this morning asking me to tell you, Your Reverence, that his brother Adam requested you to allow his father’s grave to be dug by the White Thorn because their mother is set on it due to a dream she had. They would have come themselves to ask you, but they have so much to manage with the coroner and everything. Their mother is very upset and wants to make sure they get that spot in case someone else takes it. If you agree, I’ll send my son to let them know as soon as I get home, and that’s why I’m bold enough to trouble you with it, with His Honour being present.”
“To be sure, Joshua, to be sure, they shall have it. I’ll ride round to Adam myself, and see him. Send your boy, however, to say they shall have the grave, lest anything should happen to detain me. And now, good morning, Joshua; go into the kitchen and have some ale.”
"Definitely, Joshua, definitely, they’ll get it. I’ll go talk to Adam myself. But send your boy to let them know they’ll have the grave, just in case I get held up. Now, good morning, Joshua; go into the kitchen and grab some ale."
“Poor old Thias!” said Mr. Irwine, when Joshua was gone. “I’m afraid the drink helped the brook to drown him. I should have been glad for the load to have been taken off my friend Adam’s shoulders in a less painful way. That fine fellow has been propping up his father from ruin for the last five or six years.”
“Poor Thias!” said Mr. Irwine, after Joshua left. “I’m afraid the drink contributed to his drowning. I wish the burden could have been lifted from my friend Adam’s shoulders in a less painful manner. That great guy has been supporting his father from falling apart for the last five or six years.”
“He’s a regular trump, is Adam,” said Captain Donnithorne. “When I was a little fellow, and Adam was a strapping lad of fifteen, and taught me carpentering, I used to think if ever I was a rich sultan, I would make Adam my grand-vizier. And I believe now he would bear the exaltation as well as any poor wise man in an Eastern story. If ever I live to be a large-acred man instead of a poor devil with a mortgaged allowance of pocket-money, I’ll have Adam for my right hand. He shall manage my woods for me, for he seems to have a better notion of those things than any man I ever met with; and I know he would make twice the money of them that my grandfather does, with that miserable old Satchell to manage, who understands no more about timber than an old carp. I’ve mentioned the subject to my grandfather once or twice, but for some reason or other he has a dislike to Adam, and I can do nothing. But come, Your Reverence, are you for a ride with me? It’s splendid out of doors now. We can go to Adam’s together, if you like; but I want to call at the Hall Farm on my way, to look at the whelps Poyser is keeping for me.”
“Adam's a real gem,” said Captain Donnithorne. “When I was a kid and Adam was a strong fifteen-year-old teaching me carpentry, I used to think that if I ever became a rich sultan, I’d make Adam my grand-vizier. And I believe he could handle that kind of position as well as any wise man in an Eastern tale. If I ever become well-off instead of being a broke guy with a mortgaged allowance, I’ll have Adam by my side. He’ll manage my woodlands because he seems to know more about that stuff than anyone I've ever met; I’m sure he'd make twice the profit from them than my grandfather does, with that miserable old Satchell managing who doesn’t know any more about timber than a worn-out carpenter. I've brought it up with my grandfather a couple of times, but for some reason, he's not fond of Adam, and I can’t change that. But come on, Your Reverence, want to take a ride with me? It’s beautiful outside right now. We can go to Adam's together if you want, but I’d like to stop by the Hall Farm on the way to check out the puppies Poyser is raising for me.”
“You must stay and have lunch first, Arthur,” said Mrs. Irwine. “It’s nearly two. Carroll will bring it in directly.”
“You have to stay and have lunch first, Arthur,” Mrs. Irwine said. “It’s almost two. Carroll will bring it in soon.”
“I want to go to the Hall Farm too,” said Mr. Irwine, “to have another look at the little Methodist who is staying there. Joshua tells me she was preaching on the Green last night.”
“I want to go to Hall Farm too,” said Mr. Irwine, “to take another look at the little Methodist who’s staying there. Joshua told me she was preaching on the Green last night.”
“Oh, by Jove!” said Captain Donnithorne, laughing. “Why, she looks as quiet as a mouse. There’s something rather striking about her, though. I positively felt quite bashful the first time I saw her—she was sitting stooping over her sewing in the sunshine outside the house, when I rode up and called out, without noticing that she was a stranger, ‘Is Martin Poyser at home?’ I declare, when she got up and looked at me and just said, ‘He’s in the house, I believe: I’ll go and call him,’ I felt quite ashamed of having spoken so abruptly to her. She looked like St. Catherine in a Quaker dress. It’s a type of face one rarely sees among our common people.”
“Oh, wow!” said Captain Donnithorne, laughing. “She looks as quiet as a mouse. But there’s something quite striking about her. I actually felt pretty bashful the first time I saw her—she was sitting there, hunched over her sewing in the sunshine outside the house when I rode up and called out, not even realizing she was a stranger, ‘Is Martin Poyser at home?’ I swear, when she got up, looked at me, and simply said, ‘He’s in the house, I believe: I’ll go and call him,’ I felt totally ashamed for having spoken to her so abruptly. She looked like St. Catherine in a Quaker dress. It’s a type of face you rarely see among ordinary people.”
“I should like to see the young woman, Dauphin,” said Mrs. Irwine. “Make her come here on some pretext or other.”
“I’d like to see the young woman, Dauphin,” said Mrs. Irwine. “Bring her here under some excuse or another.”
“I don’t know how I can manage that, Mother; it will hardly do for me to patronize a Methodist preacher, even if she would consent to be patronized by an idle shepherd, as Will Maskery calls me. You should have come in a little sooner, Arthur, to hear Joshua’s denunciation of his neighbour Will Maskery. The old fellow wants me to excommunicate the wheelwright, and then deliver him over to the civil arm—that is to say, to your grandfather—to be turned out of house and yard. If I chose to interfere in this business, now, I might get up as pretty a story of hatred and persecution as the Methodists need desire to publish in the next number of their magazine. It wouldn’t take me much trouble to persuade Chad Cranage and half a dozen other bull-headed fellows that they would be doing an acceptable service to the Church by hunting Will Maskery out of the village with rope-ends and pitchforks; and then, when I had furnished them with half a sovereign to get gloriously drunk after their exertions, I should have put the climax to as pretty a farce as any of my brother clergy have set going in their parishes for the last thirty years.”
“I don’t know how I can handle that, Mom; it wouldn’t be great for me to support a Methodist preacher, even if she would be okay with being supported by an idle shepherd, as Will Maskery calls me. You should have come in a bit earlier, Arthur, to hear Joshua ranting about his neighbor Will Maskery. The old guy wants me to kick the wheelwright out of the church, and then hand him over to the civil authorities—which means your grandfather—to be thrown out of his home. If I decided to get involved in this, I could easily create a dramatic story of hatred and persecution that the Methodists would love to publish in their next magazine issue. It wouldn’t take much effort to convince Chad Cranage and a few other stubborn guys that they’d be doing the Church a favor by chasing Will Maskery out of the village with ropes and pitchforks; and then, after I gave them half a sovereign for a good night out drinking after their efforts, I’d have staged one of the best farces any of my fellow clergy have pulled off in their parishes in the last thirty years.”
“It is really insolent of the man, though, to call you an ‘idle shepherd’ and a ‘dumb dog,’” said Mrs. Irwine. “I should be inclined to check him a little there. You are too easy-tempered, Dauphin.”
“It’s really rude of him to call you an ‘idle shepherd’ and a ‘dumb dog,’” said Mrs. Irwine. “I feel like I should put him in his place a bit. You’re too easygoing, Dauphin.”
“Why, Mother, you don’t think it would be a good way of sustaining my dignity to set about vindicating myself from the aspersions of Will Maskery? Besides, I’m not so sure that they are aspersions. I am a lazy fellow, and get terribly heavy in my saddle; not to mention that I’m always spending more than I can afford in bricks and mortar, so that I get savage at a lame beggar when he asks me for sixpence. Those poor lean cobblers, who think they can help to regenerate mankind by setting out to preach in the morning twilight before they begin their day’s work, may well have a poor opinion of me. But come, let us have our luncheon. Isn’t Kate coming to lunch?”
“Why, Mom, you don’t think it would be a good idea to clear my name from Will Maskery’s accusations, do you? Plus, I’m not even sure they are accusations. I really am a lazy guy, and I get pretty heavy in my seat; not to mention I always spend more than I can afford on buildings, so I end up getting annoyed at a begging man when he asks me for sixpence. Those poor skinny cobblers, who believe they can change the world by preaching in the early morning before starting their day, probably think poorly of me. But come on, let’s have our lunch. Isn’t Kate joining us?”
“Miss Irwine told Bridget to take her lunch upstairs,” said Carroll; “she can’t leave Miss Anne.”
“Miss Irwine told Bridget to take her lunch upstairs,” said Carroll; “she can’t leave Miss Anne.”
“Oh, very well. Tell Bridget to say I’ll go up and see Miss Anne presently. You can use your right arm quite well now, Arthur,” Mr. Irwine continued, observing that Captain Donnithorne had taken his arm out of the sling.
“Oh, fine. Tell Bridget to let Miss Anne know I’ll go up and see her shortly. You can use your right arm pretty well now, Arthur,” Mr. Irwine continued, noticing that Captain Donnithorne had taken his arm out of the sling.
“Yes, pretty well; but Godwin insists on my keeping it up constantly for some time to come. I hope I shall be able to get away to the regiment, though, in the beginning of August. It’s a desperately dull business being shut up at the Chase in the summer months, when one can neither hunt nor shoot, so as to make one’s self pleasantly sleepy in the evening. However, we are to astonish the echoes on the 30th of July. My grandfather has given me carte blanche for once, and I promise you the entertainment shall be worthy of the occasion. The world will not see the grand epoch of my majority twice. I think I shall have a lofty throne for you, Godmamma, or rather two, one on the lawn and another in the ballroom, that you may sit and look down upon us like an Olympian goddess.”
“Yes, doing pretty well; but Godwin insists I keep this up for a while. I hope I can get to the regiment at the beginning of August. It’s incredibly dull being stuck at the Chase in the summer, when I can’t hunt or shoot to make myself nicely sleepy in the evening. However, we’re going to surprise everyone on the 30th of July. My grandfather has given me carte blanche for once, and I promise the entertainment will be worthy of the occasion. The world won’t see the grand moment of my coming of age twice. I think I’ll have a high throne for you, Godmamma, or rather two—one on the lawn and another in the ballroom—so you can sit and look down on us like an Olympian goddess.”
“I mean to bring out my best brocade, that I wore at your christening twenty years ago,” said Mrs. Irwine. “Ah, I think I shall see your poor mother flitting about in her white dress, which looked to me almost like a shroud that very day; and it was her shroud only three months after; and your little cap and christening dress were buried with her too. She had set her heart on that, sweet soul! Thank God you take after your mother’s family, Arthur. If you had been a puny, wiry, yellow baby, I wouldn’t have stood godmother to you. I should have been sure you would turn out a Donnithorne. But you were such a broad-faced, broad-chested, loud-screaming rascal, I knew you were every inch of you a Tradgett.”
“I’m going to wear my best brocade that I had on at your christening twenty years ago,” said Mrs. Irwine. “Ah, I can still picture your poor mother moving around in her white dress, which looked almost like a shroud to me that day; and it was her shroud just three months later; and your little cap and christening dress were buried with her too. She was so set on that, sweet soul! Thank God you take after your mother’s side of the family, Arthur. If you had been a frail, scrawny, yellow baby, I wouldn’t have wanted to be your godmother. I would have been sure you’d grow up to be a Donnithorne. But you were such a broad-faced, broad-chested, loud-screaming rascal, I knew you were every inch a Tradgett.”
“But you might have been a little too hasty there, Mother,” said Mr. Irwine, smiling. “Don’t you remember how it was with Juno’s last pups? One of them was the very image of its mother, but it had two or three of its father’s tricks notwithstanding. Nature is clever enough to cheat even you, Mother.”
“But you might have been a bit too quick there, Mom,” Mr. Irwine said with a smile. “Don’t you remember what happened with Juno’s last pups? One of them looked just like its mother, but it still picked up a couple of its father’s quirks. Nature is smart enough to trick even you, Mom.”
“Nonsense, child! Nature never makes a ferret in the shape of a mastiff. You’ll never persuade me that I can’t tell what men are by their outsides. If I don’t like a man’s looks, depend upon it I shall never like him. I don’t want to know people that look ugly and disagreeable, any more than I want to taste dishes that look disagreeable. If they make me shudder at the first glance, I say, take them away. An ugly, piggish, or fishy eye, now, makes me feel quite ill; it’s like a bad smell.”
“Nonsense, kid! Nature never makes a ferret look like a mastiff. You won’t convince me that I can’t judge what people are by their appearances. If I don’t like how a guy looks, you can bet I’ll never like him. I don’t want to know people who look ugly and unpleasant, just like I don’t want to eat food that looks unappetizing. If something makes me cringe at first sight, I say, get it away from me. An ugly, pig-like, or fishy eye makes me feel really sick; it’s like a terrible smell.”
“Talking of eyes,” said Captain Donnithorne, “that reminds me that I’ve got a book I meant to bring you, Godmamma. It came down in a parcel from London the other day. I know you are fond of queer, wizardlike stories. It’s a volume of poems, ‘Lyrical Ballads.’ Most of them seem to be twaddling stuff, but the first is in a different style—‘The Ancient Mariner’ is the title. I can hardly make head or tail of it as a story, but it’s a strange, striking thing. I’ll send it over to you; and there are some other books that you may like to see, Irwine—pamphlets about Antinomianism and Evangelicalism, whatever they may be. I can’t think what the fellow means by sending such things to me. I’ve written to him to desire that from henceforth he will send me no book or pamphlet on anything that ends in ism.”
“Speaking of eyes,” said Captain Donnithorne, “that reminds me I have a book I meant to bring you, Godmamma. It arrived in a package from London the other day. I know you enjoy odd, mystical stories. It’s a collection of poems, ‘Lyrical Ballads.’ Most of them seem like nonsense, but the first one is different—‘The Ancient Mariner’ is the title. I can hardly understand it as a story, but it’s a strange, impactful piece. I’ll send it over to you; and there are some other books that you might like to see, Irwine—pamphlets about Antinomianism and Evangelicalism, whatever those are. I can’t understand why he would send such things to me. I’ve written to him asking that from now on he doesn’t send me any books or pamphlets on anything that ends in ism.”
“Well, I don’t know that I’m very fond of isms myself; but I may as well look at the pamphlets; they let one see what is going on. I’ve a little matter to attend to, Arthur,” continued Mr. Irwine, rising to leave the room, “and then I shall be ready to set out with you.”
“Well, I’m not really a fan of isms myself, but I might as well check out the pamphlets; they give you an idea of what's happening. I've got something to take care of, Arthur,” Mr. Irwine said as he got up to leave the room, “and then I'll be ready to head out with you.”
The little matter that Mr. Irwine had to attend to took him up the old stone staircase (part of the house was very old) and made him pause before a door at which he knocked gently. “Come in,” said a woman’s voice, and he entered a room so darkened by blinds and curtains that Miss Kate, the thin middle-aged lady standing by the bedside, would not have had light enough for any other sort of work than the knitting which lay on the little table near her. But at present she was doing what required only the dimmest light—sponging the aching head that lay on the pillow with fresh vinegar. It was a small face, that of the poor sufferer; perhaps it had once been pretty, but now it was worn and sallow. Miss Kate came towards her brother and whispered, “Don’t speak to her; she can’t bear to be spoken to to-day.” Anne’s eyes were closed, and her brow contracted as if from intense pain. Mr. Irwine went to the bedside and took up one of the delicate hands and kissed it, a slight pressure from the small fingers told him that it was worth-while to have come upstairs for the sake of doing that. He lingered a moment, looking at her, and then turned away and left the room, treading very gently—he had taken off his boots and put on slippers before he came upstairs. Whoever remembers how many things he has declined to do even for himself, rather than have the trouble of putting on or taking off his boots, will not think this last detail insignificant.
The small task that Mr. Irwine needed to handle took him up the old stone staircase (part of the house was quite old) and made him pause in front of a door, which he knocked on gently. “Come in,” said a woman's voice, and he entered a room so darkened by blinds and curtains that Miss Kate, the thin middle-aged woman standing by the bedside, wouldn’t have had enough light for anything but the knitting sitting on the little table beside her. But right now she was doing something that required just a little light—sponging the aching head resting on the pillow with fresh vinegar. The face of the poor sufferer was small; it may have once been pretty, but now it looked worn and pale. Miss Kate came over to her brother and whispered, “Don’t talk to her; she can’t stand being spoken to today.” Anne’s eyes were closed, and her forehead was furrowed as if in intense pain. Mr. Irwine went to the bedside, picked up one of the frail hands, and kissed it. A slight squeeze from the small fingers assured him that it was worth coming upstairs just to do that. He stayed for a moment, looking at her, then turned and left the room, walking very gently—he had taken off his boots and put on slippers before coming upstairs. Anyone who remembers how often they’ve avoided doing things for themselves just to skip the hassle of putting on or taking off their boots won’t think this last detail is unimportant.
And Mr. Irwine’s sisters, as any person of family within ten miles of Broxton could have testified, were such stupid, uninteresting women! It was quite a pity handsome, clever Mrs. Irwine should have had such commonplace daughters. That fine old lady herself was worth driving ten miles to see, any day; her beauty, her well-preserved faculties, and her old-fashioned dignity made her a graceful subject for conversation in turn with the King’s health, the sweet new patterns in cotton dresses, the news from Egypt, and Lord Dacey’s lawsuit, which was fretting poor Lady Dacey to death. But no one ever thought of mentioning the Miss Irwines, except the poor people in Broxton village, who regarded them as deep in the science of medicine, and spoke of them vaguely as “the gentlefolks.” If any one had asked old Job Dummilow who gave him his flannel jacket, he would have answered, “the gentlefolks, last winter”; and widow Steene dwelt much on the virtues of the “stuff” the gentlefolks gave her for her cough. Under this name too, they were used with great effect as a means of taming refractory children, so that at the sight of poor Miss Anne’s sallow face, several small urchins had a terrified sense that she was cognizant of all their worst misdemeanours, and knew the precise number of stones with which they had intended to hit Farmer Britton’s ducks. But for all who saw them through a less mythical medium, the Miss Irwines were quite superfluous existences—inartistic figures crowding the canvas of life without adequate effect. Miss Anne, indeed, if her chronic headaches could have been accounted for by a pathetic story of disappointed love, might have had some romantic interest attached to her: but no such story had either been known or invented concerning her, and the general impression was quite in accordance with the fact, that both the sisters were old maids for the prosaic reason that they had never received an eligible offer.
And Mr. Irwine’s sisters, as anyone from a well-connected family within ten miles of Broxton could tell you, were really dull and uninteresting women! It was a real shame that the charming and intelligent Mrs. Irwine had such ordinary daughters. That lovely old lady herself was worth traveling ten miles to see any day; her beauty, her sharp mind, and her traditional dignity made her a great topic of conversation alongside the King’s health, the latest cotton dress patterns, news from Egypt, and Lord Dacey’s lawsuit, which was driving poor Lady Dacey crazy. But no one ever thought to mention the Miss Irwines, except for the villagers in Broxton, who thought of them as being knowledgeable about medicine and referred to them vaguely as “the gentlefolks.” If anyone had asked old Job Dummilow who gave him his flannel jacket, he would have replied, “the gentlefolks, last winter,” and widow Steene often talked about the benefits of the “stuff” that the gentlefolks gave her for her cough. They were also used effectively to calm unruly children, so that at the sight of poor Miss Anne’s pale face, several little kids had a fearful sense that she knew all about their worst misdeeds and even how many stones they planned to throw at Farmer Britton’s ducks. But for everyone who viewed them without any mythic lens, the Miss Irwines were completely unnecessary—awkward figures cluttering the canvas of life without making much of an impact. Miss Anne, in fact, might have had some romantic allure if her constant headaches were linked to a tragic love story, but no such tale had ever been known or created about her, and the general belief aligned with the reality that both sisters were old maids simply because they had never received a good marriage proposal.
Nevertheless, to speak paradoxically, the existence of insignificant people has very important consequences in the world. It can be shown to affect the price of bread and the rate of wages, to call forth many evil tempers from the selfish and many heroisms from the sympathetic, and, in other ways, to play no small part in the tragedy of life. And if that handsome, generous-blooded clergyman, the Rev. Adolphus Irwine, had not had these two hopelessly maiden sisters, his lot would have been shaped quite differently: he would very likely have taken a comely wife in his youth, and now, when his hair was getting grey under the powder, would have had tall sons and blooming daughters—such possessions, in short, as men commonly think will repay them for all the labour they take under the sun. As it was—having with all his three livings no more than seven hundred a-year, and seeing no way of keeping his splendid mother and his sickly sister, not to reckon a second sister, who was usually spoken of without any adjective, in such ladylike ease as became their birth and habits, and at the same time providing for a family of his own—he remained, you see, at the age of eight-and-forty, a bachelor, not making any merit of that renunciation, but saying laughingly, if any one alluded to it, that he made it an excuse for many indulgences which a wife would never have allowed him. And perhaps he was the only person in the world who did not think his sisters uninteresting and superfluous; for his was one of those large-hearted, sweet-blooded natures that never know a narrow or a grudging thought; Epicurean, if you will, with no enthusiasm, no self-scourging sense of duty; but yet, as you have seen, of a sufficiently subtle moral fibre to have an unwearying tenderness for obscure and monotonous suffering. It was his large-hearted indulgence that made him ignore his mother’s hardness towards her daughters, which was the more striking from its contrast with her doting fondness towards himself; he held it no virtue to frown at irremediable faults.
Still, paradoxically speaking, the presence of seemingly insignificant people has a significant impact on the world. It can be shown to influence the price of bread and wage rates, to awaken selfish individuals' bad tempers and to inspire acts of heroism from sympathetic souls, and in various ways, to play a considerable role in life's tragedies. If the charming and warm-hearted clergyman, Rev. Adolphus Irwine, hadn’t had these two hopelessly single sisters, his life would have taken a very different path: he likely would have married a lovely woman in his youth, and by now, with his hair turning grey, he would have had tall sons and beautiful daughters—those kinds of possessions that men typically believe will reward them for all their hard work. As it stood—having three church positions that only brought in seven hundred a year, and no means of providing for his elegant mother and ill sister, not to mention a second sister usually discussed without any positive description, while also supporting a family of his own—he remained a bachelor at forty-eight, not claiming any virtue from this choice, but jokingly telling anyone who mentioned it that it gave him an excuse for many pleasures a wife wouldn’t have permitted. He was perhaps the only person who didn’t find his sisters dull or unnecessary; his was one of those big-hearted, kind natures that never harbored narrow or spiteful thoughts; Epicurean, if you like, without fervor or a self-punishing sense of obligation; yet, as you’ve seen, with enough moral sensitivity to have a tireless compassion for quiet and monotonous suffering. It was his generous indulgence that allowed him to overlook his mother’s harshness towards her daughters, which was especially noticeable against her affectionate treatment of him; he saw no point in scowling at unchangeable faults.
See the difference between the impression a man makes on you when you walk by his side in familiar talk, or look at him in his home, and the figure he makes when seen from a lofty historical level, or even in the eyes of a critical neighbour who thinks of him as an embodied system or opinion rather than as a man. Mr. Roe, the “travelling preacher” stationed at Treddleston, had included Mr. Irwine in a general statement concerning the Church clergy in the surrounding district, whom he described as men given up to the lusts of the flesh and the pride of life; hunting and shooting, and adorning their own houses; asking what shall we eat, and what shall we drink, and wherewithal shall we be clothed?—careless of dispensing the bread of life to their flocks, preaching at best but a carnal and soul-benumbing morality, and trafficking in the souls of men by receiving money for discharging the pastoral office in parishes where they did not so much as look on the faces of the people more than once a-year. The ecclesiastical historian, too, looking into parliamentary reports of that period, finds honourable members zealous for the Church, and untainted with any sympathy for the “tribe of canting Methodists,” making statements scarcely less melancholy than that of Mr. Roe. And it is impossible for me to say that Mr. Irwine was altogether belied by the generic classification assigned him. He really had no very lofty aims, no theological enthusiasm: if I were closely questioned, I should be obliged to confess that he felt no serious alarms about the souls of his parishioners, and would have thought it a mere loss of time to talk in a doctrinal and awakening manner to old “Feyther Taft,” or even to Chad Cranage the blacksmith. If he had been in the habit of speaking theoretically, he would perhaps have said that the only healthy form religion could take in such minds was that of certain dim but strong emotions, suffusing themselves as a hallowing influence over the family affections and neighbourly duties. He thought the custom of baptism more important than its doctrine, and that the religious benefits the peasant drew from the church where his fathers worshipped and the sacred piece of turf where they lay buried were but slightly dependent on a clear understanding of the Liturgy or the sermon. Clearly the rector was not what is called in these days an “earnest” man: he was fonder of church history than of divinity, and had much more insight into men’s characters than interest in their opinions; he was neither laborious, nor obviously self-denying, nor very copious in alms-giving, and his theology, you perceive, was lax. His mental palate, indeed, was rather pagan, and found a savouriness in a quotation from Sophocles or Theocritus that was quite absent from any text in Isaiah or Amos. But if you feed your young setter on raw flesh, how can you wonder at its retaining a relish for uncooked partridge in after-life? And Mr. Irwine’s recollections of young enthusiasm and ambition were all associated with poetry and ethics that lay aloof from the Bible.
Notice the difference between how a man seems when you’re having casual conversations with him or seeing him at home, compared to how he appears from a grand historical perspective, or through the eyes of a critical neighbor who views him as a set of beliefs or opinions rather than a real person. Mr. Roe, the “traveling preacher” based in Treddleston, included Mr. Irwine in a general comment about the Church clergy in the area, describing them as men who are obsessed with worldly pleasures and pride; focused on hunting and shooting, decorating their own homes; worrying about what to eat, drink, and wear—neglecting to provide spiritual guidance to their congregations, preaching a dull and lifeless morality at best, and exploiting people’s souls by taking money for pastoral care in parishes where they barely even interacted with the community more than once a year. The church historian, looking through parliamentary reports from that time, finds respectable members passionate about the Church and showing no compassion for the "hypocritical Methodists," making claims that are just as depressing as Mr. Roe’s. I can’t say that Mr. Irwine was completely misrepresented by this general categorization. He didn’t have high aspirations or any real theological passion: if you pressed him, I’d have to admit that he showed no real concern for the souls of his parishioners and would consider it a waste of time to discuss serious doctrine or spiritual awakening with old “Feyther Taft,” or even Chad Cranage the blacksmith. If he had talked theoretically, he might have claimed that the only healthy form of religion for such minds was a set of vague but strong emotions, acting as a nurturing influence on family love and neighborly duties. He believed that the act of baptism was more important than its teachings, and that the spiritual benefits a peasant received from the church where his ancestors worshipped and the sacred plot of land where they were buried had little to do with a clear understanding of the Liturgy or the sermon. Clearly, the rector wasn’t what you would call "earnest" in today’s terms: he preferred church history over theology, was far more interested in understanding people’s characters than their beliefs; he wasn’t hard-working, self-denying, or particularly generous with donations, and his theology, as you can see, was quite relaxed. His mental tastes were, in fact, rather pagan, finding more enjoyment in a quote from Sophocles or Theocritus than in any verse from Isaiah or Amos. But if you feed your young setter raw meat, how can you be surprised when it craves uncooked partridge later on? Mr. Irwine’s memories of youthful excitement and ambition were all tied to poetry and ethics that were distant from the Bible.
On the other hand, I must plead, for I have an affectionate partiality towards the rector’s memory, that he was not vindictive—and some philanthropists have been so; that he was not intolerant—and there is a rumour that some zealous theologians have not been altogether free from that blemish; that although he would probably have declined to give his body to be burned in any public cause, and was far from bestowing all his goods to feed the poor, he had that charity which has sometimes been lacking to very illustrious virtue—he was tender to other men’s failings, and unwilling to impute evil. He was one of those men, and they are not the commonest, of whom we can know the best only by following them away from the marketplace, the platform, and the pulpit, entering with them into their own homes, hearing the voice with which they speak to the young and aged about their own hearthstone, and witnessing their thoughtful care for the everyday wants of everyday companions, who take all their kindness as a matter of course, and not as a subject for panegyric.
On the other hand, I have to admit, since I have a fondness for the rector’s memory, that he wasn’t vindictive—and some philanthropists can be; that he wasn’t intolerant—and there are rumors that some passionate theologians haven't been completely free from that flaw; that although he probably wouldn’t have agreed to sacrifice himself for any public cause, and wasn’t one to give away all his possessions to help the poor, he had that charity that often seems missing from even the most distinguished virtue—he was compassionate towards others’ shortcomings and hesitant to judge harshly. He was one of those men, and they’re not very common, whom we truly understand best only by stepping away from the marketplace, the stage, and the pulpit, entering their homes, listening to how they speak to the young and old around their own dinner table, and observing their genuine care for the everyday needs of those around them, who take all their kindness for granted and not as something to be praised.
Such men, happily, have lived in times when great abuses flourished, and have sometimes even been the living representatives of the abuses. That is a thought which might comfort us a little under the opposite fact—that it is better sometimes not to follow great reformers of abuses beyond the threshold of their homes.
Such men, luckily, have lived during times when serious abuses thrived, and they've sometimes even been the living symbols of those abuses. That's a thought that might give us a bit of comfort in light of the contrary fact—that it's sometimes better not to follow great reformers of abuses beyond their front door.
But whatever you may think of Mr. Irwine now, if you had met him that June afternoon riding on his grey cob, with his dogs running beside him—portly, upright, manly, with a good-natured smile on his finely turned lips as he talked to his dashing young companion on the bay mare, you must have felt that, however ill he harmonized with sound theories of the clerical office, he somehow harmonized extremely well with that peaceful landscape.
But no matter what you think of Mr. Irwine now, if you had seen him that June afternoon riding his grey horse with his dogs running alongside him—stout, upright, and manly, with a friendly smile on his nicely shaped lips as he chatted with his stylish young companion on the bay mare—you would have felt that, no matter how poorly he fit the typical ideals of a clergyman, he oddly blended perfectly with that tranquil landscape.
See them in the bright sunlight, interrupted every now and then by rolling masses of cloud, ascending the slope from the Broxton side, where the tall gables and elms of the rectory predominate over the tiny whitewashed church. They will soon be in the parish of Hayslope; the grey church-tower and village roofs lie before them to the left, and farther on, to the right, they can just see the chimneys of the Hall Farm.
See them in the bright sunlight, occasionally blocked by rolling clouds, climbing the slope from the Broxton side, where the tall gables and elms of the rectory tower over the little whitewashed church. They’ll soon be in the parish of Hayslope; the grey church tower and village roofs are to their left, and further ahead, on the right, they can just make out the chimneys of the Hall Farm.
Chapter VI
The Hall Farm
Evidently that gate is never opened, for the long grass and the great hemlocks grow close against it, and if it were opened, it is so rusty that the force necessary to turn it on its hinges would be likely to pull down the square stone-built pillars, to the detriment of the two stone lionesses which grin with a doubtful carnivorous affability above a coat of arms surmounting each of the pillars. It would be easy enough, by the aid of the nicks in the stone pillars, to climb over the brick wall with its smooth stone coping; but by putting our eyes close to the rusty bars of the gate, we can see the house well enough, and all but the very corners of the grassy enclosure.
Clearly, that gate is never opened since the long grass and tall hemlocks grow right up against it. If it were opened, it’s so rusty that it would probably take a lot of force to turn it on its hinges, which might cause the square stone-built pillars to collapse, endangering the two stone lionesses that grin with a questionable, hungry friendliness above a coat of arms on each pillar. It would be easy to climb over the brick wall with its smooth stone top by using the nicks in the stone pillars as footholds. However, if we lean in close to the rusty bars of the gate, we can see the house quite well, except for the very corners of the grassy enclosure.
It is a very fine old place, of red brick, softened by a pale powdery lichen, which has dispersed itself with happy irregularity, so as to bring the red brick into terms of friendly companionship with the limestone ornaments surrounding the three gables, the windows, and the door-place. But the windows are patched with wooden panes, and the door, I think, is like the gate—it is never opened. How it would groan and grate against the stone floor if it were! For it is a solid, heavy, handsome door, and must once have been in the habit of shutting with a sonorous bang behind a liveried lackey, who had just seen his master and mistress off the grounds in a carriage and pair.
It’s a really beautiful old place made of red brick, softened by a light, powdery lichen that has spread itself around with a charming randomness, blending the red brick nicely with the limestone decorations around the three gables, the windows, and the entrance. But the windows have wooden panes patched over them, and the door seems to be like the gate—it never opens. Just imagine how it would creak and scrape against the stone floor if it did! It’s a solid, heavy, attractive door, and it must have once closed with a loud bang behind a dressed-up servant who had just seen his master and mistress off in a carriage.
But at present one might fancy the house in the early stage of a chancery suit, and that the fruit from that grand double row of walnut-trees on the right hand of the enclosure would fall and rot among the grass, if it were not that we heard the booming bark of dogs echoing from great buildings at the back. And now the half-weaned calves that have been sheltering themselves in a gorse-built hovel against the left-hand wall come out and set up a silly answer to that terrible bark, doubtless supposing that it has reference to buckets of milk.
But right now, one might imagine the house at the beginning of a legal dispute, and that the fruit from that impressive double row of walnut trees on the right side of the yard would just fall and rot in the grass, if we didn’t hear the deep barking of dogs echoing from the large buildings at the back. And now, the half-weaned calves that have been hiding in a gorse-built shelter against the left wall come out and make a silly response to that loud bark, surely thinking it has something to do with buckets of milk.
Yes, the house must be inhabited, and we will see by whom; for imagination is a licensed trespasser: it has no fear of dogs, but may climb over walls and peep in at windows with impunity. Put your face to one of the glass panes in the right-hand window: what do you see? A large open fireplace, with rusty dogs in it, and a bare boarded floor; at the far end, fleeces of wool stacked up; in the middle of the floor, some empty corn-bags. That is the furniture of the dining-room. And what through the left-hand window? Several clothes-horses, a pillion, a spinning-wheel, and an old box wide open and stuffed full of coloured rags. At the edge of this box there lies a great wooden doll, which, so far as mutilation is concerned, bears a strong resemblance to the finest Greek sculpture, and especially in the total loss of its nose. Near it there is a little chair, and the butt end of a boy’s leather long-lashed whip.
Yes, the house has to be lived in, and we'll find out by whom; because imagination is a licensed intruder: it doesn’t fear dogs, and can easily climb walls and peek through windows without worry. Press your face to one of the glass panes in the right-hand window: what do you see? A large open fireplace with rusty tools in it, and a bare wooden floor; stacked at the far end are fleeces of wool; in the middle of the floor, some empty corn bags. That’s the dining room furniture. And what about through the left-hand window? Several clothes dryers, a pillion, a spinning wheel, and an old box wide open and stuffed full of colorful rags. At the edge of this box lies a large wooden doll, which, in terms of damage, closely resembles the best Greek sculpture, especially with the complete absence of its nose. Next to it is a small chair and the end of a boy’s leather whip with long lashes.
The history of the house is plain now. It was once the residence of a country squire, whose family, probably dwindling down to mere spinsterhood, got merged in the more territorial name of Donnithorne. It was once the Hall; it is now the Hall Farm. Like the life in some coast town that was once a watering-place, and is now a port, where the genteel streets are silent and grass-grown, and the docks and warehouses busy and resonant, the life at the Hall has changed its focus, and no longer radiates from the parlour, but from the kitchen and the farmyard.
The history of the house is clear now. It used to be the home of a country squire, whose family, likely fading down to just a single unmarried woman, became part of the more prominent name of Donnithorne. It used to be the Hall; now it's the Hall Farm. Like a coastal town that was once a popular resort and is now a busy port, where the elegant streets are quiet and overgrown with grass, while the docks and warehouses are lively and bustling, the life at the Hall has shifted its focus and no longer centers around the parlor, but instead from the kitchen and the farmyard.
Plenty of life there, though this is the drowsiest time of the year, just before hay-harvest; and it is the drowsiest time of the day too, for it is close upon three by the sun, and it is half-past three by Mrs. Poyser’s handsome eight-day clock. But there is always a stronger sense of life when the sun is brilliant after rain; and now he is pouring down his beams, and making sparkles among the wet straw, and lighting up every patch of vivid green moss on the red tiles of the cow-shed, and turning even the muddy water that is hurrying along the channel to the drain into a mirror for the yellow-billed ducks, who are seizing the opportunity of getting a drink with as much body in it as possible. There is quite a concert of noises; the great bull-dog, chained against the stables, is thrown into furious exasperation by the unwary approach of a cock too near the mouth of his kennel, and sends forth a thundering bark, which is answered by two fox-hounds shut up in the opposite cow-house; the old top-knotted hens, scratching with their chicks among the straw, set up a sympathetic croaking as the discomfited cock joins them; a sow with her brood, all very muddy as to the legs, and curled as to the tail, throws in some deep staccato notes; our friends the calves are bleating from the home croft; and, under all, a fine ear discerns the continuous hum of human voices.
There's a lot of life here, even though it's the slowest time of the year, right before hay harvest; and it's also the slowest part of the day since it's close to three o'clock by the sun, and half-past three by Mrs. Poyser’s impressive eight-day clock. But when the sun shines brightly after rain, there's always a stronger feeling of life; right now, it's pouring down rays, making sparkles on the wet straw, brightening every patch of vibrant green moss on the red tiles of the cow shed, and even turning the muddy water rushing to the drain into a mirror for the yellow-billed ducks, who are taking the chance to drink as much as they can. There’s quite a symphony of sounds; the big bulldog, chained by the stables, is thrown into a furious rage by an unsuspecting rooster getting too close to his kennel, letting out a booming bark, which is met by two foxhounds locked up in the opposing cow shed; the old hens, with their chicks scratching in the straw, join in a sympathetic croaking as the defeated rooster joins them; a sow with her messy piglets, all muddy on their legs and curled up tails, adds some deep staccato noises; our friends the calves are bleating from the home field; and beneath it all, a keen ear can catch the continuous buzz of human voices.
For the great barn-doors are thrown wide open, and men are busy there mending the harness, under the superintendence of Mr. Goby, the “whittaw,” otherwise saddler, who entertains them with the latest Treddleston gossip. It is certainly rather an unfortunate day that Alick, the shepherd, has chosen for having the whittaws, since the morning turned out so wet; and Mrs. Poyser has spoken her mind pretty strongly as to the dirt which the extra number of men’s shoes brought into the house at dinnertime. Indeed, she has not yet recovered her equanimity on the subject, though it is now nearly three hours since dinner, and the house-floor is perfectly clean again; as clean as everything else in that wonderful house-place, where the only chance of collecting a few grains of dust would be to climb on the salt-coffer, and put your finger on the high mantel-shelf on which the glittering brass candlesticks are enjoying their summer sinecure; for at this time of year, of course, every one goes to bed while it is yet light, or at least light enough to discern the outline of objects after you have bruised your shins against them. Surely nowhere else could an oak clock-case and an oak table have got to such a polish by the hand: genuine “elbow polish,” as Mrs. Poyser called it, for she thanked God she never had any of your varnished rubbish in her house. Hetty Sorrel often took the opportunity, when her aunt’s back was turned, of looking at the pleasing reflection of herself in those polished surfaces, for the oak table was usually turned up like a screen, and was more for ornament than for use; and she could see herself sometimes in the great round pewter dishes that were ranged on the shelves above the long deal dinner-table, or in the hobs of the grate, which always shone like jasper.
The big barn doors are wide open, and men are busy fixing the harness under the watchful eye of Mr. Goby, the saddler, who keeps them entertained with the latest gossip from Treddleston. It’s definitely an unfortunate day for Alick, the shepherd, to have the saddlers over since the morning turned out so wet, and Mrs. Poyser has expressed her displeasure about the dirt that all those extra shoes brought into the house at dinnertime. In fact, she hasn’t fully calmed down about it yet, even though it’s been almost three hours since dinner and the floor is perfectly clean again; as clean as everything else in that amazing kitchen, where the only way to find a few specks of dust would be to climb onto the salt chest and touch the high mantel where the shiny brass candlesticks are enjoying their summer break. At this time of year, everyone goes to bed while it’s still light, or at least light enough to see the shapes of things after you’ve bumped your shins on them. Surely nowhere else could an oak clock case and an oak table have become so polished by hand: genuine “elbow polish,” as Mrs. Poyser called it, for she was grateful that she never had any of that varnished nonsense in her house. Hetty Sorrel often took the chance to admire her reflection in those shiny surfaces when her aunt wasn’t looking, since the oak table was usually flipped up like a screen and was more decorative than functional; and she could sometimes see herself in the large round pewter dishes lined up on the shelves above the long dining table, or in the shiny hobs of the fireplace, which always gleamed like jasper.
Everything was looking at its brightest at this moment, for the sun shone right on the pewter dishes, and from their reflecting surfaces pleasant jets of light were thrown on mellow oak and bright brass—and on a still pleasanter object than these, for some of the rays fell on Dinah’s finely moulded cheek, and lit up her pale red hair to auburn, as she bent over the heavy household linen which she was mending for her aunt. No scene could have been more peaceful, if Mrs. Poyser, who was ironing a few things that still remained from the Monday’s wash, had not been making a frequent clinking with her iron and moving to and fro whenever she wanted it to cool; carrying the keen glance of her blue-grey eye from the kitchen to the dairy, where Hetty was making up the butter, and from the dairy to the back kitchen, where Nancy was taking the pies out of the oven. Do not suppose, however, that Mrs. Poyser was elderly or shrewish in her appearance; she was a good-looking woman, not more than eight-and-thirty, of fair complexion and sandy hair, well-shapen, light-footed. The most conspicuous article in her attire was an ample checkered linen apron, which almost covered her skirt; and nothing could be plainer or less noticeable than her cap and gown, for there was no weakness of which she was less tolerant than feminine vanity, and the preference of ornament to utility. The family likeness between her and her niece Dinah Morris, with the contrast between her keenness and Dinah’s seraphic gentleness of expression, might have served a painter as an excellent suggestion for a Martha and Mary. Their eyes were just of the same colour, but a striking test of the difference in their operation was seen in the demeanour of Trip, the black-and-tan terrier, whenever that much-suspected dog unwarily exposed himself to the freezing arctic ray of Mrs. Poyser’s glance. Her tongue was not less keen than her eye, and, whenever a damsel came within earshot, seemed to take up an unfinished lecture, as a barrel-organ takes up a tune, precisely at the point where it had left off.
Everything was at its brightest in that moment, as the sun shone directly on the pewter dishes, casting cheerful glints of light onto the warm oak and shiny brass—and even more pleasantly, some rays lit up Dinah's beautifully shaped cheek and turned her pale red hair to auburn, as she bent over the heavy household linen she was mending for her aunt. The scene could hardly be more peaceful, if it weren't for Mrs. Poyser, who was ironing a few items leftover from Monday’s wash, frequently clinking her iron and moving back and forth whenever it needed to cool; her sharp blue-grey eyes shifting from the kitchen to the dairy, where Hetty was making butter, and then to the back kitchen, where Nancy was taking pies out of the oven. However, don’t think Mrs. Poyser looked elderly or unpleasant; she was an attractive woman, not more than thirty-eight, with a fair complexion and sandy hair, well-shaped and light on her feet. The most notable part of her outfit was a large checkered linen apron that nearly covered her skirt, and nothing could be simpler or less eye-catching than her cap and gown, as she had little tolerance for any form of feminine vanity or putting decoration above practicality. The family resemblance between her and her niece Dinah Morris, along with the contrast between her sharpness and Dinah’s serene gentleness, could have inspired a painter for a scene of Martha and Mary. Their eyes were the same color, but the difference in their expressions was clear when observing Trip, the black-and-tan terrier, who clearly felt the icy chill of Mrs. Poyser’s gaze whenever that much-suspected dog happened to cross her path. Her tongue was just as sharp as her eye, and whenever a girl came within earshot, it seemed to pick up an unfinished lecture, just like a barrel-organ continues a tune exactly where it had left off.
The fact that it was churning day was another reason why it was inconvenient to have the whittaws, and why, consequently, Mrs. Poyser should scold Molly the housemaid with unusual severity. To all appearance Molly had got through her after-dinner work in an exemplary manner, had “cleaned herself” with great dispatch, and now came to ask, submissively, if she should sit down to her spinning till milking time. But this blameless conduct, according to Mrs. Poyser, shrouded a secret indulgence of unbecoming wishes, which she now dragged forth and held up to Molly’s view with cutting eloquence.
The fact that it was a churning day made it inconvenient to have the whittaws, which was why Mrs. Poyser felt the need to scold Molly the housemaid more harshly than usual. It seemed like Molly had finished her after-dinner chores perfectly, had “cleaned herself” quickly, and now came to ask, politely, if she could sit down to her spinning until it was time to milk the cows. But according to Mrs. Poyser, this seemingly innocent behavior hid a secret desire for inappropriate things, which she now brought to light and pointed out to Molly with sharp words.
“Spinning, indeed! It isn’t spinning as you’d be at, I’ll be bound, and let you have your own way. I never knew your equals for gallowsness. To think of a gell o’ your age wanting to go and sit with half-a-dozen men! I’d ha’ been ashamed to let the words pass over my lips if I’d been you. And you, as have been here ever since last Michaelmas, and I hired you at Treddles’on stattits, without a bit o’ character—as I say, you might be grateful to be hired in that way to a respectable place; and you knew no more o’ what belongs to work when you come here than the mawkin i’ the field. As poor a two-fisted thing as ever I saw, you know you was. Who taught you to scrub a floor, I should like to know? Why, you’d leave the dirt in heaps i’ the corners—anybody ’ud think you’d never been brought up among Christians. And as for spinning, why, you’ve wasted as much as your wage i’ the flax you’ve spoiled learning to spin. And you’ve a right to feel that, and not to go about as gaping and as thoughtless as if you was beholding to nobody. Comb the wool for the whittaws, indeed! That’s what you’d like to be doing, is it? That’s the way with you—that’s the road you’d all like to go, headlongs to ruin. You’re never easy till you’ve got some sweetheart as is as big a fool as yourself: you think you’ll be finely off when you’re married, I daresay, and have got a three-legged stool to sit on, and never a blanket to cover you, and a bit o’ oat-cake for your dinner, as three children are a-snatching at.”
“Spinning, really? It’s not spinning like you think it is, I bet, and I’ll let you have your way. I’ve never seen anyone as reckless as you. Can you believe a girl your age wants to go sit with a bunch of men? I would’ve been embarrassed to even say that if I were you. And you’ve been here since last Michaelmas, and I hired you at Treddles’on without even a reference—like I said, you should be grateful to be hired in such a way by a respectable place; you knew nothing about work when you showed up here, not any more than the scarecrow in the field. You were as useless as anyone I’ve ever seen, and you know it. Who taught you how to clean a floor, if I may ask? You’d leave dirt piled up in the corners—anyone would think you’d never been raised among decent people. And as for spinning, you’ve wasted as much flax learning as you earned in wages. You should feel that and not wander around looking so clueless as if you owe nothing to anyone. Combing wool for the whittaws, is that what you want to do? That’s typical of you—that’s the path you’d all like to take, rushing headfirst into disaster. You’re never satisfied until you find some partner who’s just as foolish as you are; you probably think you’ll be living the good life once you’re married, sitting on a three-legged stool with no blanket to cover you and just a bit of oat-cake for dinner while three kids pull at you.”
“I’m sure I donna want t’ go wi’ the whittaws,” said Molly, whimpering, and quite overcome by this Dantean picture of her future, “on’y we allays used to comb the wool for ’n at Mester Ottley’s; an’ so I just axed ye. I donna want to set eyes on the whittaws again; I wish I may never stir if I do.”
“I’m sure I don’t want to go with the Whites,” said Molly, whimpering and totally overwhelmed by this hellish image of her future, “but we always used to comb the wool for him at Mr. Ottley’s; so I just asked you. I don’t want to see the Whites again; I hope I never have to if I do.”
“Mr. Ottley’s, indeed! It’s fine talking o’ what you did at Mr. Ottley’s. Your missis there might like her floors dirted wi’ whittaws for what I know. There’s no knowing what people wonna like—such ways as I’ve heard of! I never had a gell come into my house as seemed to know what cleaning was; I think people live like pigs, for my part. And as to that Betty as was dairymaid at Trent’s before she come to me, she’d ha’ left the cheeses without turning from week’s end to week’s end, and the dairy thralls, I might ha’ wrote my name on ’em, when I come downstairs after my illness, as the doctor said it was inflammation—it was a mercy I got well of it. And to think o’ your knowing no better, Molly, and been here a-going i’ nine months, and not for want o’ talking to, neither—and what are you stanning there for, like a jack as is run down, instead o’ getting your wheel out? You’re a rare un for sitting down to your work a little while after it’s time to put by.”
“Mr. Ottley’s, really! It’s nice to talk about what you did at Mr. Ottley’s. Your wife there might be okay with her floors dirtied with whittaws for all I know. There’s no telling what people like—some of the things I’ve heard of! I’ve never had a girl come into my house who seemed to know what cleaning was; I think people live like pigs, honestly. And about that Betty who was the dairymaid at Trent’s before she came to me, she would have left the cheeses without turning from week to week, and the dairy tools were so dirty, I could have written my name on them when I came downstairs after my illness, which the doctor said was inflammation—it was a miracle I got over it. And to think that you don’t know any better, Molly, after being here for nine months, and not for lack of talking either—and what are you standing there for, like a broken jack, instead of getting your wheel out? You’re really something for sitting down to your work just a little while after it’s time to put it away.”
“Munny, my iron’s twite told; pease put it down to warm.”
“Munny, my iron’s tweet told; please put it down to warm.”
The small chirruping voice that uttered this request came from a little sunny-haired girl between three and four, who, seated on a high chair at the end of the ironing table, was arduously clutching the handle of a miniature iron with her tiny fat fist, and ironing rags with an assiduity that required her to put her little red tongue out as far as anatomy would allow.
The small, chirping voice that made this request belonged to a little girl with sunny blonde hair, around three or four years old. She was perched on a high chair at the end of the ironing table, intently gripping the handle of a tiny iron with her chubby little fist and ironing rags with such concentration that she stuck her little red tongue out as far as she could.
“Cold, is it, my darling? Bless your sweet face!” said Mrs. Poyser, who was remarkable for the facility with which she could relapse from her official objurgatory to one of fondness or of friendly converse. “Never mind! Mother’s done her ironing now. She’s going to put the ironing things away.”
"Is it cold, my dear? Bless your sweet face!" said Mrs. Poyser, who was known for her ability to switch from scolding to affectionate or friendly conversation with ease. "Don't worry! Mom has finished her ironing now. She's going to put the ironing stuff away."
“Munny, I tould ’ike to do into de barn to Tommy, to see de whittawd.”
“Munny, I’d like to go into the barn to see Tommy and the white horse.”
“No, no, no; Totty ’ud get her feet wet,” said Mrs. Poyser, carrying away her iron. “Run into the dairy and see cousin Hetty make the butter.”
“No, no, no; Totty would get her feet wet,” said Mrs. Poyser, taking her iron away. “Run into the dairy and see cousin Hetty making the butter.”
“I tould ’ike a bit o’ pum-take,” rejoined Totty, who seemed to be provided with several relays of requests; at the same time, taking the opportunity of her momentary leisure to put her fingers into a bowl of starch, and drag it down so as to empty the contents with tolerable completeness on to the ironing sheet.
“I’d like a bit of pumpkin pie,” replied Totty, who appeared to have a series of requests lined up; at the same time, seizing her moment of free time to dip her fingers into a bowl of starch and spill most of it onto the ironing sheet.
“Did ever anybody see the like?” screamed Mrs. Poyser, running towards the table when her eye had fallen on the blue stream. “The child’s allays i’ mischief if your back’s turned a minute. What shall I do to you, you naughty, naughty gell?”
“Has anyone ever seen anything like this?” shouted Mrs. Poyser, rushing over to the table when she spotted the blue mess. “The kid’s always getting into trouble if you look away for even a second. What am I going to do with you, you naughty, naughty girl?”
Totty, however, had descended from her chair with great swiftness, and was already in retreat towards the dairy with a sort of waddling run, and an amount of fat on the nape of her neck which made her look like the metamorphosis of a white suckling pig.
Totty, however, quickly got off her chair and was already retreating toward the dairy with a sort of waddling run, her neck just fat enough to make her look like a transformed white piglet.
The starch having been wiped up by Molly’s help, and the ironing apparatus put by, Mrs. Poyser took up her knitting which always lay ready at hand, and was the work she liked best, because she could carry it on automatically as she walked to and fro. But now she came and sat down opposite Dinah, whom she looked at in a meditative way, as she knitted her grey worsted stocking.
The starch cleaned up with Molly's help, and the ironing equipment put away, Mrs. Poyser picked up her knitting, which was always ready for her, and was her favorite task because she could do it without thinking as she moved around. But now she sat down across from Dinah, looking at her thoughtfully as she knitted her gray worsted stocking.
“You look th’ image o’ your Aunt Judith, Dinah, when you sit a-sewing. I could almost fancy it was thirty years back, and I was a little gell at home, looking at Judith as she sat at her work, after she’d done the house up; only it was a little cottage, Father’s was, and not a big rambling house as gets dirty i’ one corner as fast as you clean it in another—but for all that, I could fancy you was your Aunt Judith, only her hair was a deal darker than yours, and she was stouter and broader i’ the shoulders. Judith and me allays hung together, though she had such queer ways, but your mother and her never could agree. Ah, your mother little thought as she’d have a daughter just cut out after the very pattern o’ Judith, and leave her an orphan, too, for Judith to take care on, and bring up with a spoon when she was in the graveyard at Stoniton. I allays said that o’ Judith, as she’d bear a pound weight any day to save anybody else carrying a ounce. And she was just the same from the first o’ my remembering her; it made no difference in her, as I could see, when she took to the Methodists, only she talked a bit different and wore a different sort o’ cap; but she’d never in her life spent a penny on herself more than keeping herself decent.”
“You look just like your Aunt Judith, Dinah, when you sit sewing. I could almost imagine it was thirty years ago, and I was a little girl at home, watching Judith as she worked after tidying up the house; only it was a small cottage that belonged to Father, not a big sprawling house that gets dirty in one corner as fast as you clean it in another—but still, I could picture you as your Aunt Judith, except her hair was much darker than yours, and she was broader and stouter in the shoulders. Judith and I always hung out together, even though she had such odd ways, but your mother and she never got along. Ah, your mother never thought she’d have a daughter who looked just like Judith and leave her an orphan, too, for Judith to take care of and raise with a spoon when she was in the graveyard at Stoniton. I always said that about Judith, that she’d carry a pound any day to save someone else from carrying an ounce. And she was just the same from the first time I can remember her; it didn’t change her when she joined the Methodists, only she talked a bit differently and wore a different kind of cap; but she never spent a penny on herself beyond just keeping herself presentable.”
“She was a blessed woman,” said Dinah; “God had given her a loving, self-forgetting nature, and He perfected it by grace. And she was very fond of you too, Aunt Rachel. I often heard her talk of you in the same sort of way. When she had that bad illness, and I was only eleven years old, she used to say, ‘You’ll have a friend on earth in your Aunt Rachel, if I’m taken from you, for she has a kind heart,’ and I’m sure I’ve found it so.”
“She was a wonderful woman,” said Dinah; “God gave her a loving, selfless nature, and He perfected it with grace. And she really cared about you too, Aunt Rachel. I often heard her speak of you in the same way. When she was really sick, and I was only eleven, she used to say, ‘You’ll have a friend on earth in your Aunt Rachel if I’m no longer here, because she has a kind heart,’ and I’m sure I’ve found that to be true.”
“I don’t know how, child; anybody ’ud be cunning to do anything for you, I think; you’re like the birds o’ th’ air, and live nobody knows how. I’d ha’ been glad to behave to you like a mother’s sister, if you’d come and live i’ this country where there’s some shelter and victual for man and beast, and folks don’t live on the naked hills, like poultry a-scratching on a gravel bank. And then you might get married to some decent man, and there’d be plenty ready to have you, if you’d only leave off that preaching, as is ten times worse than anything your Aunt Judith ever did. And even if you’d marry Seth Bede, as is a poor wool-gathering Methodist and’s never like to have a penny beforehand, I know your uncle ’ud help you with a pig, and very like a cow, for he’s allays been good-natur’d to my kin, for all they’re poor, and made ’em welcome to the house; and ’ud do for you, I’ll be bound, as much as ever he’d do for Hetty, though she’s his own niece. And there’s linen in the house as I could well spare you, for I’ve got lots o’ sheeting and table-clothing, and towelling, as isn’t made up. There’s a piece o’ sheeting I could give you as that squinting Kitty spun—she was a rare girl to spin, for all she squinted, and the children couldn’t abide her; and, you know, the spinning’s going on constant, and there’s new linen wove twice as fast as the old wears out. But where’s the use o’ talking, if ye wonna be persuaded, and settle down like any other woman in her senses, i’stead o’ wearing yourself out with walking and preaching, and giving away every penny you get, so as you’ve nothing saved against sickness; and all the things you’ve got i’ the world, I verily believe, ’ud go into a bundle no bigger nor a double cheese. And all because you’ve got notions i’ your head about religion more nor what’s i’ the Catechism and the Prayer-book.”
“I don’t know how, child; anyone would be clever to do anything for you, I think; you’re like the birds in the air, living in a way that nobody understands. I would have been glad to treat you like a mother’s sister if you’d come and live in this country where there’s some shelter and food for both people and animals, and where folks don’t live on the bare hills like chickens scratching on a gravel bank. Then you could get married to a decent man, and there’d be plenty of men interested in you if you’d just stop that preaching, which is ten times worse than anything your Aunt Judith ever did. And even if you married Seth Bede, who’s a poor daydreamer and likely won’t have a penny to his name, I know your uncle would help you with a pig, and probably a cow too, because he’s always been kind-hearted to my family despite their poverty and welcomed them into his home; and he’d do as much for you, I’m sure, as he would for Hetty, even though she’s his own niece. And there’s linen in the house that I could easily spare you, because I’ve got plenty of sheeting and tablecloths and towels that aren’t finished. There’s a piece of sheeting I could give you that squinting Kitty spun—she was a great spinner, despite her squint, and the kids couldn’t stand her; and, you know, the spinning is ongoing, and there’s new linen being woven twice as fast as the old wears out. But what’s the point of talking if you won’t be persuaded, and settle down like any other sensible woman, instead of wearing yourself out with walking and preaching and giving away every penny you earn, so you have nothing saved for when you’re sick; and all the things you own in the world, I truly believe, would fit into a bundle no bigger than a double cheese. All because you’ve got ideas in your head about religion that go beyond what’s in the Catechism and the Prayer Book.”
“But not more than what’s in the Bible, Aunt,” said Dinah.
“But not more than what’s in the Bible, Aunt,” Dinah said.
“Yes, and the Bible too, for that matter,” Mrs. Poyser rejoined, rather sharply; “else why shouldn’t them as know best what’s in the Bible—the parsons and people as have got nothing to do but learn it—do the same as you do? But, for the matter o’ that, if everybody was to do like you, the world must come to a standstill; for if everybody tried to do without house and home, and with poor eating and drinking, and was allays talking as we must despise the things o’ the world as you say, I should like to know where the pick o’ the stock, and the corn, and the best new-milk cheeses ’ud have to go. Everybody ’ud be wanting bread made o’ tail ends and everybody ’ud be running after everybody else to preach to ’em, istead o’ bringing up their families, and laying by against a bad harvest. It stands to sense as that can’t be the right religion.”
“Yes, and the Bible too, for that matter,” Mrs. Poyser replied, a bit sharply; “otherwise, why shouldn’t those who know the Bible best—the ministers and people who have nothing to do but study it—do what you do? But really, if everyone acted like you, the world would come to a halt; because if everyone tried to live without a home, with poor food and drink, and was always talking about how we should despise worldly things like you say, I’d like to know where the best of the livestock, the grain, and the finest fresh cheeses would end up. Everyone would be wanting bread made from scraps, and everyone would be running after each other to preach at them, instead of taking care of their families and saving for a bad harvest. It just makes sense that can’t be the right religion.”
“Nay, dear aunt, you never heard me say that all people are called to forsake their work and their families. It’s quite right the land should be ploughed and sowed, and the precious corn stored, and the things of this life cared for, and right that people should rejoice in their families, and provide for them, so that this is done in the fear of the Lord, and that they are not unmindful of the soul’s wants while they are caring for the body. We can all be servants of God wherever our lot is cast, but He gives us different sorts of work, according as He fits us for it and calls us to it. I can no more help spending my life in trying to do what I can for the souls of others, than you could help running if you heard little Totty crying at the other end of the house; the voice would go to your heart, you would think the dear child was in trouble or in danger, and you couldn’t rest without running to help her and comfort her.”
“No, dear aunt, you’ve never heard me say that everyone should abandon their jobs and families. It’s important for the land to be plowed and planted, for the precious grain to be stored, and for the needs of this life to be taken care of. It’s also right for people to enjoy their families and provide for them, as long as they do so with respect for the Lord and remain aware of their souls' needs while caring for their bodies. We can all serve God no matter where we are, but He gives us different kinds of work based on how He prepares and calls us. I can’t help but dedicate my life to doing what I can for the souls of others, just as you wouldn’t be able to resist rushing to help little Totty if you heard her crying at the other end of the house; that sound would tug at your heart, and you would think the dear child was in trouble or something was wrong, and you wouldn’t be able to rest until you went to comfort her.”
“Ah,” said Mrs. Poyser, rising and walking towards the door, “I know it ’ud be just the same if I was to talk to you for hours. You’d make me the same answer, at th’ end. I might as well talk to the running brook and tell it to stan’ still.”
“Ah,” said Mrs. Poyser, standing up and walking towards the door, “I know it would be just the same if I talked to you for hours. You’d give me the same response in the end. I might as well talk to the flowing stream and tell it to stop moving.”
The causeway outside the kitchen door was dry enough now for Mrs. Poyser to stand there quite pleasantly and see what was going on in the yard, the grey worsted stocking making a steady progress in her hands all the while. But she had not been standing there more than five minutes before she came in again, and said to Dinah, in rather a flurried, awe-stricken tone, “If there isn’t Captain Donnithorne and Mr. Irwine a-coming into the yard! I’ll lay my life they’re come to speak about your preaching on the Green, Dinah; it’s you must answer ’em, for I’m dumb. I’ve said enough a’ready about your bringing such disgrace upo’ your uncle’s family. I wouldn’t ha’ minded if you’d been Mr. Poyser’s own niece—folks must put up wi’ their own kin, as they put up wi’ their own noses—it’s their own flesh and blood. But to think of a niece o’ mine being cause o’ my husband’s being turned out of his farm, and me brought him no fortin but my savin’s——”
The path outside the kitchen door was dry enough now for Mrs. Poyser to stand there comfortably and see what was happening in the yard, the gray wool stocking steadily progressing in her hands the whole time. But she hadn’t been there more than five minutes before she came back in and said to Dinah, in a somewhat flustered, awestruck tone, “If it isn’t Captain Donnithorne and Mr. Irwine coming into the yard! I bet they’re here to talk about your preaching on the Green, Dinah; you’ll have to handle them because I’m at a loss for words. I’ve said enough already about you bringing such disgrace on your uncle’s family. I wouldn’t have minded if you were Mr. Poyser’s own niece—people have to deal with their own relatives, just like they put up with their own noses—it’s their own flesh and blood. But to think of a niece of mine being the reason for my husband getting kicked off his farm, and me not bringing him any fortune except my savings——”
“Nay, dear Aunt Rachel,” said Dinah gently, “you’ve no cause for such fears. I’ve strong assurance that no evil will happen to you and my uncle and the children from anything I’ve done. I didn’t preach without direction.”
“Nah, dear Aunt Rachel,” said Dinah gently, “you don’t need to worry like that. I’m sure that nothing bad will happen to you, my uncle, or the kids because of anything I’ve done. I didn’t speak out without guidance.”
“Direction! I know very well what you mean by direction,” said Mrs. Poyser, knitting in a rapid and agitated manner. “When there’s a bigger maggot than usual in your head you call it ‘direction’; and then nothing can stir you—you look like the statty o’ the outside o’ Treddles’on church, a-starin’ and a-smilin’ whether it’s fair weather or foul. I hanna common patience with you.”
“Direction! I know exactly what you mean by direction,” Mrs. Poyser said, knitting quickly and nervously. “When there’s a bigger idea than usual in your head, you call it ‘direction’; and then nothing can move you—you look like the statue on the outside of Treddles’on church, staring and smiling no matter if the weather is nice or terrible. I don't have any common patience for you.”
By this time the two gentlemen had reached the palings and had got down from their horses: it was plain they meant to come in. Mrs. Poyser advanced to the door to meet them, curtsying low and trembling between anger with Dinah and anxiety to conduct herself with perfect propriety on the occasion. For in those days the keenest of bucolic minds felt a whispering awe at the sight of the gentry, such as of old men felt when they stood on tiptoe to watch the gods passing by in tall human shape.
By this time, the two gentlemen had arrived at the fence and gotten off their horses: it was clear they intended to come in. Mrs. Poyser stepped forward to the door to greet them, curtsying deeply while caught between her anger at Dinah and her desire to behave perfectly in the situation. Back then, even the sharpest rural minds felt a sense of awe at the appearance of the gentry, similar to how older men felt when they stood on tiptoe to catch a glimpse of the gods in their tall, human forms.
“Well, Mrs. Poyser, how are you after this stormy morning?” said Mr. Irwine, with his stately cordiality. “Our feet are quite dry; we shall not soil your beautiful floor.”
“Well, Mrs. Poyser, how are you after this stormy morning?” said Mr. Irwine, with his dignified friendliness. “Our feet are completely dry; we won’t dirty your lovely floor.”
“Oh, sir, don’t mention it,” said Mrs. Poyser. “Will you and the captain please to walk into the parlour?”
“Oh, sir, don’t mention it,” said Mrs. Poyser. “Could you and the captain please walk into the living room?”
“No, indeed, thank you, Mrs. Poyser,” said the captain, looking eagerly round the kitchen, as if his eye were seeking something it could not find. “I delight in your kitchen. I think it is the most charming room I know. I should like every farmer’s wife to come and look at it for a pattern.”
“No, really, thank you, Mrs. Poyser,” said the captain, glancing around the kitchen with eager eyes, as if he was searching for something he couldn’t quite locate. “I love your kitchen. I think it’s the most charming room I’ve ever seen. I’d like every farmer’s wife to come and see it as an example.”
“Oh, you’re pleased to say so, sir. Pray take a seat,” said Mrs. Poyser, relieved a little by this compliment and the captain’s evident good-humour, but still glancing anxiously at Mr. Irwine, who, she saw, was looking at Dinah and advancing towards her.
“Oh, you’re glad to hear that, sir. Please have a seat,” said Mrs. Poyser, feeling a bit relieved by this compliment and the captain’s clear good mood, but still looking nervously at Mr. Irwine, who she noticed was looking at Dinah and moving toward her.
“Poyser is not at home, is he?” said Captain Donnithorne, seating himself where he could see along the short passage to the open dairy-door.
“Poyser isn’t home, is he?” said Captain Donnithorne, sitting down where he could see down the short hallway to the open dairy door.
“No, sir, he isn’t; he’s gone to Rosseter to see Mr. West, the factor, about the wool. But there’s Father i’ the barn, sir, if he’d be of any use.”
“No, sir, he’s not here; he’s gone to Rosseter to talk to Mr. West, the factor, about the wool. But there’s Father in the barn, sir, if he can help.”
“No, thank you; I’ll just look at the whelps and leave a message about them with your shepherd. I must come another day and see your husband; I want to have a consultation with him about horses. Do you know when he’s likely to be at liberty?”
“No, thank you; I’ll just check on the pups and leave a message about them with your shepherd. I need to come back another day and talk to your husband; I want to discuss some things about horses with him. Do you know when he’ll be available?”
“Why, sir, you can hardly miss him, except it’s o’ Treddles’on market-day—that’s of a Friday, you know. For if he’s anywhere on the farm we can send for him in a minute. If we’d got rid o’ the Scantlands, we should have no outlying fields; and I should be glad of it, for if ever anything happens, he’s sure to be gone to the Scantlands. Things allays happen so contrairy, if they’ve a chance; and it’s an unnat’ral thing to have one bit o’ your farm in one county and all the rest in another.”
“Why, sir, you can hardly miss him, except on Treddleson market day—that's a Friday, you know. If he's anywhere on the farm, we can call for him in a minute. If we got rid of the Scantlands, we wouldn't have any outlying fields; and I'd be glad of it because whenever something happens, he's sure to be at the Scantlands. Things always happen in the most inconvenient way when they get the chance; and it's unnatural to have one part of your farm in one county and all the rest in another.”
“Ah, the Scantlands would go much better with Choyce’s farm, especially as he wants dairyland and you’ve got plenty. I think yours is the prettiest farm on the estate, though; and do you know, Mrs. Poyser, if I were going to marry and settle, I should be tempted to turn you out, and do up this fine old house, and turn farmer myself.”
“Ah, the Scantlands would fit perfectly with Choyce’s farm, especially since he wants dairy land and you have plenty. I think yours is the most beautiful farm on the estate, though; and you know, Mrs. Poyser, if I were going to marry and settle down, I’d be tempted to kick you out, renovate this lovely old house, and become a farmer myself.”
“Oh, sir,” said Mrs. Poyser, rather alarmed, “you wouldn’t like it at all. As for farming, it’s putting money into your pocket wi’ your right hand and fetching it out wi’ your left. As fur as I can see, it’s raising victual for other folks and just getting a mouthful for yourself and your children as you go along. Not as you’d be like a poor man as wants to get his bread—you could afford to lose as much money as you liked i’ farming—but it’s poor fun losing money, I should think, though I understan’ it’s what the great folks i’ London play at more than anything. For my husband heard at market as Lord Dacey’s eldest son had lost thousands upo’ thousands to the Prince o’ Wales, and they said my lady was going to pawn her jewels to pay for him. But you know more about that than I do, sir. But, as for farming, sir, I canna think as you’d like it; and this house—the draughts in it are enough to cut you through, and it’s my opinion the floors upstairs are very rotten, and the rats i’ the cellar are beyond anything.”
“Oh, sir,” said Mrs. Poyser, looking a bit worried, “you wouldn’t enjoy it at all. When it comes to farming, it’s like putting money in your pocket with one hand and taking it out with the other. As far as I can see, you’re just growing food for other people while you barely get a little for yourself and your kids. Not that you’re like a poor man trying to make ends meet—you could afford to lose as much money in farming as you wanted—but it’s not much fun losing money, I would think, even though I hear that’s what the rich folks in London do more than anything. My husband heard at the market that Lord Dacey’s oldest son lost thousands and thousands to the Prince of Wales, and they said my lady was thinking of pawning her jewels to pay for him. But you probably know more about that than I do, sir. But as for farming, sir, I really don’t think you’d like it; and this house—the drafts in it are enough to chill you to the bone, and I believe the floors upstairs are very rotten, and the rats in the cellar are something else entirely.”
“Why, that’s a terrible picture, Mrs. Poyser. I think I should be doing you a service to turn you out of such a place. But there’s no chance of that. I’m not likely to settle for the next twenty years, till I’m a stout gentleman of forty; and my grandfather would never consent to part with such good tenants as you.”
“Wow, that’s not a good picture at all, Mrs. Poyser. I think it would actually be doing you a favor to get you out of such a place. But that’s not going to happen. I’m not planning to settle down for at least the next twenty years, until I’m a hefty man of forty; and my grandfather would never agree to lose such great tenants as you.”
“Well, sir, if he thinks so well o’ Mr. Poyser for a tenant I wish you could put in a word for him to allow us some new gates for the Five closes, for my husband’s been asking and asking till he’s tired, and to think o’ what he’s done for the farm, and’s never had a penny allowed him, be the times bad or good. And as I’ve said to my husband often and often, I’m sure if the captain had anything to do with it, it wouldn’t be so. Not as I wish to speak disrespectful o’ them as have got the power i’ their hands, but it’s more than flesh and blood ’ull bear sometimes, to be toiling and striving, and up early and down late, and hardly sleeping a wink when you lie down for thinking as the cheese may swell, or the cows may slip their calf, or the wheat may grow green again i’ the sheaf—and after all, at th’ end o’ the year, it’s like as if you’d been cooking a feast and had got the smell of it for your pains.”
"Well, sir, if he thinks so highly of Mr. Poyser as a tenant, I wish you could speak to him about getting us some new gates for the Five closes. My husband has been asking repeatedly until he's worn out, and considering everything he's done for the farm without getting a single penny, whether times are bad or good, it's frustrating. As I've told my husband many times, I'm sure if the captain were involved, it wouldn’t be like this. Not that I want to speak disrespectfully of those in power, but it’s more than anyone can bear sometimes to be working so hard, getting up early and staying up late, barely sleeping a wink out of worry that the cheese might spoil, the cows might lose their calves, or the wheat might spoil in the sheaf—and after all that, at the end of the year, it feels like you've prepared a feast but only got the smell of it for your trouble."
Mrs. Poyser, once launched into conversation, always sailed along without any check from her preliminary awe of the gentry. The confidence she felt in her own powers of exposition was a motive force that overcame all resistance.
Mrs. Poyser, once she started talking, never held back due to her initial fear of the upper class. The confidence she had in her ability to explain things was a driving force that pushed through any obstacles.
“I’m afraid I should only do harm instead of good, if I were to speak about the gates, Mrs. Poyser,” said the captain, “though I assure you there’s no man on the estate I would sooner say a word for than your husband. I know his farm is in better order than any other within ten miles of us; and as for the kitchen,” he added, smiling, “I don’t believe there’s one in the kingdom to beat it. By the by, I’ve never seen your dairy: I must see your dairy, Mrs. Poyser.”
“I’m afraid talking about the gates would only cause trouble, Mrs. Poyser,” said the captain. “But I promise you, there’s no one on the estate I’d rather vouch for than your husband. I know his farm is in better shape than any other within ten miles. And as for the kitchen,” he added with a smile, “I don’t think there’s one in the whole kingdom that can compare. By the way, I’ve never seen your dairy: I really want to check out your dairy, Mrs. Poyser.”
“Indeed, sir, it’s not fit for you to go in, for Hetty’s in the middle o’ making the butter, for the churning was thrown late, and I’m quite ashamed.” This Mrs. Poyser said blushing, and believing that the captain was really interested in her milk-pans, and would adjust his opinion of her to the appearance of her dairy.
“Honestly, sir, it’s not a good time for you to come in because Hetty’s in the middle of making the butter; the churning started late, and I’m pretty embarrassed.” Mrs. Poyser said this with a blush, thinking that the captain was genuinely interested in her milk-pans and would judge her based on how her dairy looked.
“Oh, I’ve no doubt it’s in capital order. Take me in,” said the captain, himself leading the way, while Mrs. Poyser followed.
“Oh, I’m sure everything’s just fine. Show me in,” said the captain, leading the way, while Mrs. Poyser followed.
Chapter VII
The Dairy
The dairy was certainly worth looking at: it was a scene to sicken for with a sort of calenture in hot and dusty streets—such coolness, such purity, such fresh fragrance of new-pressed cheese, of firm butter, of wooden vessels perpetually bathed in pure water; such soft colouring of red earthenware and creamy surfaces, brown wood and polished tin, grey limestone and rich orange-red rust on the iron weights and hooks and hinges. But one gets only a confused notion of these details when they surround a distractingly pretty girl of seventeen, standing on little pattens and rounding her dimpled arm to lift a pound of butter out of the scale.
The dairy was definitely worth seeing: it was a sight to behold in the hot, dusty streets—offering such coolness, such purity, and such a fresh aroma of newly pressed cheese, firm butter, and wooden containers always soaked in clean water; with soft colors of red clay, creamy finishes, brown wood, polished tin, gray limestone, and vibrant orange-red rust on the iron weights, hooks, and hinges. But it's hard to focus on these details when there's a distractingly beautiful seventeen-year-old girl standing on little pattens, using her dimpled arm to lift a pound of butter off the scale.
Hetty blushed a deep rose-colour when Captain Donnithorne entered the dairy and spoke to her; but it was not at all a distressed blush, for it was inwreathed with smiles and dimples, and with sparkles from under long, curled, dark eyelashes; and while her aunt was discoursing to him about the limited amount of milk that was to be spared for butter and cheese so long as the calves were not all weaned, and a large quantity but inferior quality of milk yielded by the shorthorn, which had been bought on experiment, together with other matters which must be interesting to a young gentleman who would one day be a landlord, Hetty tossed and patted her pound of butter with quite a self-possessed, coquettish air, slyly conscious that no turn of her head was lost.
Hetty blushed a deep pink when Captain Donnithorne walked into the dairy and talked to her, but it wasn't an embarrassed blush; it was filled with smiles and dimples and sparkles from beneath her long, curled dark eyelashes. While her aunt was discussing the limited amount of milk that could be spared for butter and cheese until the calves were weaned, and the large quantity of low-quality milk produced by the shorthorn they had bought as an experiment, along with other topics that should interest a young man who would one day own land, Hetty confidently shaped and patted her pound of butter with a playful flair, fully aware that every move she made was being noticed.
There are various orders of beauty, causing men to make fools of themselves in various styles, from the desperate to the sheepish; but there is one order of beauty which seems made to turn the heads not only of men, but of all intelligent mammals, even of women. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle and to engage in conscious mischief—a beauty with which you can never be angry, but that you feel ready to crush for inability to comprehend the state of mind into which it throws you. Hetty Sorrel’s was that sort of beauty. Her aunt, Mrs. Poyser, who professed to despise all personal attractions and intended to be the severest of mentors, continually gazed at Hetty’s charms by the sly, fascinated in spite of herself; and after administering such a scolding as naturally flowed from her anxiety to do well by her husband’s niece—who had no mother of her own to scold her, poor thing!—she would often confess to her husband, when they were safe out of hearing, that she firmly believed, “the naughtier the little huzzy behaved, the prettier she looked.”
There are different kinds of beauty that make people act foolishly in various ways, from desperate to bashful; but there's one type of beauty that seems to capture not just men, but all intelligent creatures, even women. It’s a beauty like that of kittens, or tiny fluffy ducks making soft sounds with their little bills, or toddlers just starting to walk and get into playful trouble—a beauty that can’t provoke anger, but instead makes you feel like you want to crush it for the confusion it brings. Hetty Sorrel had that kind of beauty. Her aunt, Mrs. Poyser, who claimed to look down on all personal charm and meant to be a strict guide, couldn’t help but admire Hetty’s looks, even when she tried not to; and after giving Hetty a scolding that came from her desire to do right by her husband's niece—who didn’t have a mother of her own to scold her, poor thing!—she would often admit to her husband, when they were out of earshot, that she was convinced, "the naughtier that little hussy acted, the prettier she looked."
It is of little use for me to tell you that Hetty’s cheek was like a rose-petal, that dimples played about her pouting lips, that her large dark eyes hid a soft roguishness under their long lashes, and that her curly hair, though all pushed back under her round cap while she was at work, stole back in dark delicate rings on her forehead, and about her white shell-like ears; it is of little use for me to say how lovely was the contour of her pink-and-white neckerchief, tucked into her low plum-coloured stuff bodice, or how the linen butter-making apron, with its bib, seemed a thing to be imitated in silk by duchesses, since it fell in such charming lines, or how her brown stockings and thick-soled buckled shoes lost all that clumsiness which they must certainly have had when empty of her foot and ankle—of little use, unless you have seen a woman who affected you as Hetty affected her beholders, for otherwise, though you might conjure up the image of a lovely woman, she would not in the least resemble that distracting kittenlike maiden. I might mention all the divine charms of a bright spring day, but if you had never in your life utterly forgotten yourself in straining your eyes after the mounting lark, or in wandering through the still lanes when the fresh-opened blossoms fill them with a sacred silent beauty like that of fretted aisles, where would be the use of my descriptive catalogue? I could never make you know what I meant by a bright spring day. Hetty’s was a spring-tide beauty; it was the beauty of young frisking things, round-limbed, gambolling, circumventing you by a false air of innocence—the innocence of a young star-browed calf, for example, that, being inclined for a promenade out of bounds, leads you a severe steeplechase over hedge and ditch, and only comes to a stand in the middle of a bog.
It's pretty pointless for me to tell you that Hetty's cheek was like a rose petal, that dimples danced around her pouting lips, that her large dark eyes hid a soft mischievousness beneath their long lashes, and that her curly hair, though all pushed back under her round cap while she was working, curled back in delicate dark rings on her forehead and around her white shell-like ears; it’s not much use for me to say how beautiful the shape of her pink-and-white neckerchief was, tucked into her low plum-colored bodice, or how the linen butter-making apron, with its bib, seemed something that duchesses would want to replicate in silk, since it fell in such charming lines, or how her brown stockings and thick-soled buckled shoes lost all their clumsiness, which they must have had when empty of her foot and ankle—of little use, unless you’ve seen a woman who affected you as Hetty did her admirers, because otherwise, even if you imagined a beautiful woman, she wouldn’t come close to resembling that captivating, kitten-like girl. I could mention all the divine charms of a bright spring day, but if you had never lost yourself completely while straining your eyes after a rising lark, or while wandering through the still lanes when fresh-opened blossoms fill them with a sacred, serene beauty like that of intricately designed aisles, what would be the point of my descriptive list? I could never make you understand what I meant by a bright spring day. Hetty’s beauty was like spring; it was the beauty of young, frolicking things, round-limbed and playful, leading you on a wild chase with a false air of innocence—the innocence of a young, starry-eyed calf, for example, that, wanting to roam out of bounds, leads you on a tough adventure over hedge and ditch, only to come to a stop in the middle of a bog.
And they are the prettiest attitudes and movements into which a pretty girl is thrown in making up butter—tossing movements that give a charming curve to the arm, and a sideward inclination of the round white neck; little patting and rolling movements with the palm of the hand, and nice adaptations and finishings which cannot at all be effected without a great play of the pouting mouth and the dark eyes. And then the butter itself seems to communicate a fresh charm—it is so pure, so sweet-scented; it is turned off the mould with such a beautiful firm surface, like marble in a pale yellow light! Moreover, Hetty was particularly clever at making up the butter; it was the one performance of hers that her aunt allowed to pass without severe criticism; so she handled it with all the grace that belongs to mastery.
And they are the most beautiful gestures and movements that a pretty girl makes while preparing butter—flowing motions that give a lovely curve to her arm and a slight tilt to her smooth neck; gentle patting and rolling actions with her hand, along with nice finishing touches that rely on the playful expressions of her lips and bright eyes. The butter itself seems to radiate a new charm—it’s so pure and wonderfully fragrant; it’s taken out of the mold with such a smooth surface, resembling marble in soft yellow light! Plus, Hetty was especially skilled at making the butter; it was the one thing her aunt would let slide without harsh criticism, so she approached it with all the elegance that comes from mastery.
“I hope you will be ready for a great holiday on the thirtieth of July, Mrs. Poyser,” said Captain Donnithorne, when he had sufficiently admired the dairy and given several improvised opinions on Swede turnips and shorthorns. “You know what is to happen then, and I shall expect you to be one of the guests who come earliest and leave latest. Will you promise me your hand for two dances, Miss Hetty? If I don’t get your promise now, I know I shall hardly have a chance, for all the smart young farmers will take care to secure you.”
“I hope you’re ready for an amazing holiday on July 30th, Mrs. Poyser,” said Captain Donnithorne after he had admired the dairy enough and shared some spontaneous thoughts about Swede turnips and shorthorns. “You know what’s happening then, and I expect you to be one of the guests who arrives earliest and leaves latest. Will you promise me your hand for two dances, Miss Hetty? If I don’t get your promise now, I know I probably won’t have another chance, since all the dapper young farmers will be sure to claim you.”
Hetty smiled and blushed, but before she could answer, Mrs. Poyser interposed, scandalized at the mere suggestion that the young squire could be excluded by any meaner partners.
Hetty smiled and flushed, but before she could respond, Mrs. Poyser jumped in, appalled at the idea that the young squire could be left out by any less worthy partners.
“Indeed, sir, you are very kind to take that notice of her. And I’m sure, whenever you’re pleased to dance with her, she’ll be proud and thankful, if she stood still all the rest o’ th’ evening.”
“Honestly, sir, it’s really nice of you to pay attention to her. And I’m sure that whenever you choose to dance with her, she’ll feel proud and grateful, even if she stands still for the rest of the evening.”
“Oh no, no, that would be too cruel to all the other young fellows who can dance. But you will promise me two dances, won’t you?” the captain continued, determined to make Hetty look at him and speak to him.
“Oh no, no, that would be too mean to all the other guys who can dance. But you will promise me two dances, won’t you?” the captain persisted, eager to get Hetty to look at him and talk to him.
Hetty dropped the prettiest little curtsy, and stole a half-shy, half-coquettish glance at him as she said, “Yes, thank you, sir.”
Hetty did the cutest little curtsy and gave him a half-shy, half-flirtatious look as she said, “Yes, thank you, sir.”
“And you must bring all your children, you know, Mrs. Poyser; your little Totty, as well as the boys. I want all the youngest children on the estate to be there—all those who will be fine young men and women when I’m a bald old fellow.”
“And you have to bring all your kids, you know, Mrs. Poyser; your little Totty, as well as the boys. I want all the youngest kids on the estate to be there—all those who will grow up to be fine young men and women when I’m an old bald guy.”
“Oh dear, sir, that ’ull be a long time first,” said Mrs. Poyser, quite overcome at the young squire’s speaking so lightly of himself, and thinking how her husband would be interested in hearing her recount this remarkable specimen of high-born humour. The captain was thought to be “very full of his jokes,” and was a great favourite throughout the estate on account of his free manners. Every tenant was quite sure things would be different when the reins got into his hands—there was to be a millennial abundance of new gates, allowances of lime, and returns of ten per cent.
“Oh dear, sir, that’ll take a long time,” said Mrs. Poyser, quite taken aback by the young squire’s casual way of talking about himself, and thinking how her husband would be interested in hearing her tell this remarkable example of high-born humor. The captain was known to be “full of his jokes” and was a favorite across the estate because of his easygoing nature. Every tenant was certain that things would change when he took over—there would be a huge abundance of new gates, allowances of lime, and a ten percent return.
“But where is Totty to-day?” he said. “I want to see her.”
“But where is Totty today?” he said. “I want to see her.”
“Where is the little un, Hetty?” said Mrs. Poyser. “She came in here not long ago.”
“Where’s the little one, Hetty?” Mrs. Poyser asked. “She was just in here a little while ago.”
“I don’t know. She went into the brewhouse to Nancy, I think.”
“I don’t know. She went into the brewhouse to find Nancy, I think.”
The proud mother, unable to resist the temptation to show her Totty, passed at once into the back kitchen, in search of her, not, however, without misgivings lest something should have happened to render her person and attire unfit for presentation.
The proud mother, unable to resist the urge to show her Totty, quickly headed into the back kitchen looking for her, though she couldn't shake off the worry that something might have happened to make her look presentable.
“And do you carry the butter to market when you’ve made it?” said the Captain to Hetty, meanwhile.
“And do you take the butter to the market when you’ve made it?” said the Captain to Hetty, meanwhile.
“Oh no, sir; not when it’s so heavy. I’m not strong enough to carry it. Alick takes it on horseback.”
“Oh no, sir; not when it’s so heavy. I’m not strong enough to carry it. Alick takes it by horse.”
“No, I’m sure your pretty arms were never meant for such heavy weights. But you go out a walk sometimes these pleasant evenings, don’t you? Why don’t you have a walk in the Chase sometimes, now it’s so green and pleasant? I hardly ever see you anywhere except at home and at church.”
“No, I’m sure your lovely arms were never meant for such heavy weights. But you do go for a walk sometimes on these nice evenings, right? Why don’t you take a walk in the Chase sometimes now that it’s so green and nice? I hardly ever see you anywhere except at home and at church.”
“Aunt doesn’t like me to go a-walking only when I’m going somewhere,” said Hetty. “But I go through the Chase sometimes.”
“Aunt doesn’t like me to go walking unless I’m heading somewhere,” said Hetty. “But I sometimes walk through the Chase.”
“And don’t you ever go to see Mrs. Best, the housekeeper? I think I saw you once in the housekeeper’s room.”
“And don’t you ever go see Mrs. Best, the housekeeper? I think I saw you once in her room.”
“It isn’t Mrs. Best, it’s Mrs. Pomfret, the lady’s maid, as I go to see. She’s teaching me tent-stitch and the lace-mending. I’m going to tea with her to-morrow afternoon.”
“It isn’t Mrs. Best; it’s Mrs. Pomfret, the lady’s maid, who I’m going to see. She’s teaching me tent stitch and how to mend lace. I’m going to have tea with her tomorrow afternoon.”
The reason why there had been space for this tête-à-tête can only be known by looking into the back kitchen, where Totty had been discovered rubbing a stray blue-bag against her nose, and in the same moment allowing some liberal indigo drops to fall on her afternoon pinafore. But now she appeared holding her mother’s hand—the end of her round nose rather shiny from a recent and hurried application of soap and water.
The reason there was time for this tête-à-tête can only be understood by checking the back kitchen, where Totty was found rubbing a stray blue bag against her nose, and at the same time, letting some generous drops of indigo land on her afternoon pinafore. But now she seemed to be holding her mother’s hand—the tip of her round nose a bit shiny from a recent and rushed wash with soap and water.
“Here she is!” said the captain, lifting her up and setting her on the low stone shelf. “Here’s Totty! By the by, what’s her other name? She wasn’t christened Totty.”
“Here she is!” said the captain, lifting her up and placing her on the low stone shelf. “Here’s Totty! By the way, what’s her other name? She wasn’t named Totty at her christening.”
“Oh, sir, we call her sadly out of her name. Charlotte’s her christened name. It’s a name i’ Mr. Poyser’s family: his grandmother was named Charlotte. But we began with calling her Lotty, and now it’s got to Totty. To be sure it’s more like a name for a dog than a Christian child.”
“Oh, sir, we really call her by the wrong name. Her real name is Charlotte. It’s a name from Mr. Poyser’s family; his grandmother was named Charlotte. We started by calling her Lotty, and now it’s turned into Totty. Honestly, it sounds more like a name for a dog than for a child.”
“Totty’s a capital name. Why, she looks like a Totty. Has she got a pocket on?” said the captain, feeling in his own waistcoat pockets.
“Totty’s a great name. I mean, she totally looks like a Totty. Does she have a pocket?” said the captain, checking his own waistcoat pockets.
Totty immediately with great gravity lifted up her frock, and showed a tiny pink pocket at present in a state of collapse.
Totty immediately, with serious intent, lifted her dress and revealed a tiny pink pocket that was currently in a state of disarray.
“It dot notin’ in it,” she said, as she looked down at it very earnestly.
“It doesn’t do anything in it,” she said, as she looked down at it very earnestly.
“No! What a pity! Such a pretty pocket. Well, I think I’ve got some things in mine that will make a pretty jingle in it. Yes! I declare I’ve got five little round silver things, and hear what a pretty noise they make in Totty’s pink pocket.” Here he shook the pocket with the five sixpences in it, and Totty showed her teeth and wrinkled her nose in great glee; but, divining that there was nothing more to be got by staying, she jumped off the shelf and ran away to jingle her pocket in the hearing of Nancy, while her mother called after her, “Oh for shame, you naughty gell! Not to thank the captain for what he’s given you, I’m sure, sir, it’s very kind of you; but she’s spoiled shameful; her father won’t have her said nay in anything, and there’s no managing her. It’s being the youngest, and th’ only gell.”
"No! What a shame! Such a cute little pocket. Well, I think I’ve got some stuff in mine that will make a nice jingle. Yes! I swear I’ve got five little round silver coins, and listen to the lovely sound they make in Totty’s pink pocket.” He shook the pocket with the five sixpences inside, and Totty grinned and wrinkled her nose in delight; but realizing there was no point in sticking around, she hopped off the shelf and ran off to jingle her pocket where Nancy could hear it, while her mother called after her, “Oh for shame, you naughty girl! Not thanking the captain for what he’s given you, I must say, sir, it’s very kind of you; but she’s spoiled rotten; her father lets her get away with anything, and there’s no managing her. It’s because she’s the youngest and the only girl.”
“Oh, she’s a funny little fatty; I wouldn’t have her different. But I must be going now, for I suppose the rector is waiting for me.”
“Oh, she’s a funny little fatty; I wouldn’t change her for anything. But I have to leave now, since I guess the rector is waiting for me.”
With a “good-bye,” a bright glance, and a bow to Hetty Arthur left the dairy. But he was mistaken in imagining himself waited for. The rector had been so much interested in his conversation with Dinah that he would not have chosen to close it earlier; and you shall hear now what they had been saying to each other.
With a "goodbye," a bright look, and a nod to Hetty, Arthur left the dairy. But he was wrong to think someone was waiting for him. The rector had been so engaged in his conversation with Dinah that he wouldn’t have wanted to end it sooner; and now you'll hear what they had been discussing.
Chapter VIII
A Vocation
Dinah, who had risen when the gentlemen came in, but still kept hold of the sheet she was mending, curtsied respectfully when she saw Mr. Irwine looking at her and advancing towards her. He had never yet spoken to her, or stood face to face with her, and her first thought, as her eyes met his, was, “What a well-favoured countenance! Oh that the good seed might fall on that soil, for it would surely flourish.” The agreeable impression must have been mutual, for Mr. Irwine bowed to her with a benignant deference, which would have been equally in place if she had been the most dignified lady of his acquaintance.
Dinah, who had stood up when the gentlemen came in but still held onto the sheet she was mending, curtsied politely when she noticed Mr. Irwine looking at her and approaching. He had never spoken to her or stood directly in front of her before, and her first thought as their eyes met was, “What a handsome face! If only good things could grow from such a person, they would surely thrive.” The positive feeling must have been mutual, as Mr. Irwine bowed to her with a kind respect that would have been appropriate even if she had been the most esteemed lady he knew.
“You are only a visitor in this neighbourhood, I think?” were his first words, as he seated himself opposite to her.
“You're just a visitor in this neighborhood, right?” were his first words as he sat down across from her.
“No, sir, I come from Snowfield, in Stonyshire. But my aunt was very kind, wanting me to have rest from my work there, because I’d been ill, and she invited me to come and stay with her for a while.”
“No, sir, I’m from Snowfield in Stonyshire. But my aunt was really nice, wanting me to take a break from my work there since I had been sick, and she invited me to come stay with her for a bit.”
“Ah, I remember Snowfield very well; I once had occasion to go there. It’s a dreary bleak place. They were building a cotton-mill there; but that’s many years ago now. I suppose the place is a good deal changed by the employment that mill must have brought.”
“Ah, I remember Snowfield very well; I had the chance to go there once. It’s a dreary and bleak place. They were building a cotton mill there, but that was many years ago. I guess the place has changed quite a bit because of the jobs that mill must have created.”
“It is changed so far as the mill has brought people there, who get a livelihood for themselves by working in it, and make it better for the tradesfolks. I work in it myself, and have reason to be grateful, for thereby I have enough and to spare. But it’s still a bleak place, as you say, sir—very different from this country.”
“It is changed because the mill has brought people in who earn a living by working there, improving things for the local tradespeople. I work there myself and have every reason to be thankful since I have enough to get by. But it’s still a pretty dreary place, as you mentioned, sir—very different from this country.”
“You have relations living there, probably, so that you are attached to the place as your home?”
"You probably have family living there, so you're attached to it as your home?"
“I had an aunt there once; she brought me up, for I was an orphan. But she was taken away seven years ago, and I have no other kindred that I know of, besides my Aunt Poyser, who is very good to me, and would have me come and live in this country, which to be sure is a good land, wherein they eat bread without scarceness. But I’m not free to leave Snowfield, where I was first planted, and have grown deep into it, like the small grass on the hill-top.”
“I had an aunt there once; she raised me because I was an orphan. But she passed away seven years ago, and I don't know of any other family, except for my Aunt Poyser, who is very kind to me and wants me to come live in her area, which is definitely a nice place where they have plenty of bread. But I can’t leave Snowfield, where I was first settled, and have grown so attached to it, like the tiny grass on the hilltop.”
“Ah, I daresay you have many religious friends and companions there; you are a Methodist—a Wesleyan, I think?”
“Ah, I would say you have a lot of religious friends and companions there; you’re a Methodist—a Wesleyan, right?”
“Yes, my aunt at Snowfield belonged to the Society, and I have cause to be thankful for the privileges I have had thereby from my earliest childhood.”
“Yes, my aunt at Snowfield was part of the Society, and I have reason to be grateful for the advantages I’ve received from it since I was a child.”
“And have you been long in the habit of preaching? For I understand you preached at Hayslope last night.”
“Have you been preaching for a while? I heard you preached at Hayslope last night.”
“I first took to the work four years since, when I was twenty-one.”
"I first started the work four years ago when I was twenty-one."
“Your Society sanctions women’s preaching, then?”
“Your Society allows women to preach, then?”
“It doesn’t forbid them, sir, when they’ve a clear call to the work, and when their ministry is owned by the conversion of sinners and the strengthening of God’s people. Mrs. Fletcher, as you may have heard about, was the first woman to preach in the Society, I believe, before she was married, when she was Miss Bosanquet; and Mr. Wesley approved of her undertaking the work. She had a great gift, and there are many others now living who are precious fellow-helpers in the work of the ministry. I understand there’s been voices raised against it in the Society of late, but I cannot but think their counsel will come to nought. It isn’t for men to make channels for God’s Spirit, as they make channels for the watercourses, and say, ‘Flow here, but flow not there.’”
“It doesn’t prohibit them, sir, when they have a clear calling to the work, and when their ministry is recognized by the conversion of sinners and the strengthening of God’s people. Mrs. Fletcher, as you might know, was the first woman to preach in the Society, I believe, before she got married, when she was Miss Bosanquet; and Mr. Wesley supported her in taking on this work. She had a remarkable gift, and there are many others today who are valuable fellow-workers in the ministry. I've heard there have been some voices raised against it in the Society lately, but I truly believe their advice will amount to nothing. It’s not for men to create paths for God’s Spirit, like they create paths for water, and say, ‘Flow this way, but not that way.’”
“But don’t you find some danger among your people—I don’t mean to say that it is so with you, far from it—but don’t you find sometimes that both men and women fancy themselves channels for God’s Spirit, and are quite mistaken, so that they set about a work for which they are unfit and bring holy things into contempt?”
“But don’t you see some danger among your people—I’m not saying this applies to you, not at all—but don’t you sometimes notice that both men and women think they are conduits for God’s Spirit, and are completely wrong, leading them to take on tasks for which they are unqualified and disrespecting sacred things?”
“Doubtless it is so sometimes; for there have been evil-doers among us who have sought to deceive the brethren, and some there are who deceive their own selves. But we are not without discipline and correction to put a check upon these things. There’s a very strict order kept among us, and the brethren and sisters watch for each other’s souls as they that must give account. They don’t go every one his own way and say, ‘Am I my brother’s keeper?’”
“Of course, this happens at times; there have been wrongdoers among us who have tried to deceive others, and some people even deceive themselves. But we have discipline and correction to address these issues. We maintain strict order among us, and the brothers and sisters look out for each other’s well-being as they know they will have to account for it. They don’t just go their own way and say, ‘Am I responsible for my brother?’”
“But tell me—if I may ask, and I am really interested in knowing it—how you first came to think of preaching?”
"But tell me—if I can ask, and I'm really curious to know—how did you first come to think about preaching?"
“Indeed, sir, I didn’t think of it at all—I’d been used from the time I was sixteen to talk to the little children, and teach them, and sometimes I had had my heart enlarged to speak in class, and was much drawn out in prayer with the sick. But I had felt no call to preach, for when I’m not greatly wrought upon, I’m too much given to sit still and keep by myself. It seems as if I could sit silent all day long with the thought of God overflowing my soul—as the pebbles lie bathed in the Willow Brook. For thoughts are so great—aren’t they, sir? They seem to lie upon us like a deep flood; and it’s my besetment to forget where I am and everything about me, and lose myself in thoughts that I could give no account of, for I could neither make a beginning nor ending of them in words. That was my way as long as I can remember; but sometimes it seemed as if speech came to me without any will of my own, and words were given to me that came out as the tears come, because our hearts are full and we can’t help it. And those were always times of great blessing, though I had never thought it could be so with me before a congregation of people. But, sir, we are led on, like the little children, by a way that we know not. I was called to preach quite suddenly, and since then I have never been left in doubt about the work that was laid upon me.”
"Honestly, sir, I didn’t think of it at all—I’d been talking to little kids and teaching them since I was sixteen, and sometimes I felt inspired to speak in class and was very engaged in prayer for the sick. But I didn’t feel a calling to preach because when I’m not deeply affected, I tend to just sit quietly and keep to myself. It feels like I could stay silent all day, with the thought of God filling my soul—kind of like pebbles lying in the Willow Brook. Thoughts are so profound—aren’t they, sir? They wrap around us like a deep tide; and it’s a struggle for me to remember where I am and everything around me, losing myself in thoughts I can’t even explain, since I can’t start or finish them in words. That’s how I’ve always been, as far back as I can remember; but sometimes it felt like words just came to me without my intention, pouring out like tears when our hearts are full and we can’t help it. Those were always times of great blessing, even though I never thought it could feel that way for me in front of a crowd. But, sir, we’re guided along, like little children, by a path we don’t understand. I was called to preach all of a sudden, and since then I’ve never doubted the work set before me."
“But tell me the circumstances—just how it was, the very day you began to preach.”
“But tell me what happened—exactly what it was like on the day you started to preach.”
“It was one Sunday I walked with brother Marlowe, who was an aged man, one of the local preachers, all the way to Hetton-Deeps—that’s a village where the people get their living by working in the lead-mines, and where there’s no church nor preacher, but they live like sheep without a shepherd. It’s better than twelve miles from Snowfield, so we set out early in the morning, for it was summertime; and I had a wonderful sense of the Divine love as we walked over the hills, where there’s no trees, you know, sir, as there is here, to make the sky look smaller, but you see the heavens stretched out like a tent, and you feel the everlasting arms around you. But before we got to Hetton, brother Marlowe was seized with a dizziness that made him afraid of falling, for he overworked himself sadly, at his years, in watching and praying, and walking so many miles to speak the Word, as well as carrying on his trade of linen-weaving. And when we got to the village, the people were expecting him, for he’d appointed the time and the place when he was there before, and such of them as cared to hear the Word of Life were assembled on a spot where the cottages was thickest, so as others might be drawn to come. But he felt as he couldn’t stand up to preach, and he was forced to lie down in the first of the cottages we came to. So I went to tell the people, thinking we’d go into one of the houses, and I would read and pray with them. But as I passed along by the cottages and saw the aged and trembling women at the doors, and the hard looks of the men, who seemed to have their eyes no more filled with the sight of the Sabbath morning than if they had been dumb oxen that never looked up to the sky, I felt a great movement in my soul, and I trembled as if I was shaken by a strong spirit entering into my weak body. And I went to where the little flock of people was gathered together, and stepped on the low wall that was built against the green hillside, and I spoke the words that were given to me abundantly. And they all came round me out of all the cottages, and many wept over their sins, and have since been joined to the Lord. That was the beginning of my preaching, sir, and I’ve preached ever since.”
“One Sunday, I walked with Brother Marlowe, an elderly man and one of the local preachers, all the way to Hetton-Deeps—a village where people make their living working in the lead mines, and where there’s no church or preacher, living like sheep without a shepherd. It’s over twelve miles from Snowfield, so we set out early in the morning since it was summertime. I felt a wonderful sense of Divine love as we walked over the hills, where there are no trees like there are here to make the sky look smaller; instead, you see the heavens stretched out like a tent, and you feel the everlasting arms around you. But before we got to Hetton, Brother Marlowe was hit with dizziness that made him afraid of falling, as he had overworked himself at his age with all the watching, praying, and walking so many miles to share the Word, along with his trade of linen-weaving. When we reached the village, the people were expecting him because he had set the time and place for his visit before, and those who wanted to hear the Word of Life had gathered in the spot where the cottages were thick, hoping to draw in others. But he felt he couldn’t stand up to preach and had to lie down in the first cottage we found. So I went to inform the people, thinking we’d go into one of the houses, and I would read and pray with them. But as I walked past the cottages and saw the elderly, trembling women at their doors and the hardened looks of the men, who seemed to view the Sabbath morning like dumb oxen that never looked up at the sky, I felt a powerful movement in my soul and trembled as if a strong spirit was entering my weak body. I went to where the little flock had gathered, stepped onto the low wall built against the green hillside, and spoke the words that were abundantly given to me. They all came around me from the cottages, and many wept over their sins and have since joined the Lord. That was the beginning of my preaching, sir, and I’ve been preaching ever since.”
Dinah had let her work fall during this narrative, which she uttered in her usual simple way, but with that sincere articulate, thrilling treble by which she always mastered her audience. She stooped now to gather up her sewing, and then went on with it as before. Mr. Irwine was deeply interested. He said to himself, “He must be a miserable prig who would act the pedagogue here: one might as well go and lecture the trees for growing in their own shape.”
Dinah had let her work slide during this story, which she told in her usual straightforward manner, but with that genuine, expressive, exciting tone that always captivated her audience. She leaned down to pick up her sewing, then continued with it as before. Mr. Irwine was really interested. He thought to himself, “Anyone who tries to be a know-it-all here must be pretty miserable: it’s like going to lecture the trees for growing however they want.”
“And you never feel any embarrassment from the sense of your youth—that you are a lovely young woman on whom men’s eyes are fixed?” he said aloud.
“And you never feel embarrassed about your youth—that you’re a beautiful young woman who catches men’s attention?” he said out loud.
“No, I’ve no room for such feelings, and I don’t believe the people ever take notice about that. I think, sir, when God makes His presence felt through us, we are like the burning bush: Moses never took any heed what sort of bush it was—he only saw the brightness of the Lord. I’ve preached to as rough ignorant people as can be in the villages about Snowfield—men that looked very hard and wild—but they never said an uncivil word to me, and often thanked me kindly as they made way for me to pass through the midst of them.”
“No, I have no space for those kinds of feelings, and I don’t think people really notice it. I believe, sir, when God shows His presence through us, we are like the burning bush: Moses didn’t care what type of bush it was—he only saw the brightness of the Lord. I’ve preached to some really rough and uneducated folks in the villages around Snowfield—men who looked tough and wild—but they never said anything rude to me, and often thanked me nicely as they let me pass through them.”
“That I can believe—that I can well believe,” said Mr. Irwine, emphatically. “And what did you think of your hearers last night, now? Did you find them quiet and attentive?”
“That I can believe—that I can definitely believe,” Mr. Irwine said emphatically. “So, what did you think of your audience last night? Were they quiet and attentive?”
“Very quiet, sir, but I saw no signs of any great work upon them, except in a young girl named Bessy Cranage, towards whom my heart yearned greatly, when my eyes first fell on her blooming youth, given up to folly and vanity. I had some private talk and prayer with her afterwards, and I trust her heart is touched. But I’ve noticed that in these villages where the people lead a quiet life among the green pastures and the still waters, tilling the ground and tending the cattle, there’s a strange deadness to the Word, as different as can be from the great towns, like Leeds, where I once went to visit a holy woman who preaches there. It’s wonderful how rich is the harvest of souls up those high-walled streets, where you seemed to walk as in a prison-yard, and the ear is deafened with the sounds of worldly toil. I think maybe it is because the promise is sweeter when this life is so dark and weary, and the soul gets more hungry when the body is ill at ease.”
“Very quiet, sir, but I saw no signs of any significant work being done among them, except for a young girl named Bessy Cranage, towards whom I felt a deep affection when I first saw her vibrant youth, lost in folly and vanity. I had some private conversations and prayers with her afterward, and I hope her heart was touched. But I've noticed that in these villages where people live a peaceful life among the green fields and calm waters, farming the land and caring for the animals, there's a strange dullness to the Word, which is completely different from the big cities, like Leeds, where I once visited a holy woman who preaches there. It's amazing how plentiful the harvest of souls is in those high-walled streets, where you feel as if you're walking in a prison yard, and the noise of daily struggles is overwhelming. I think it might be because the promise feels sweeter when this life is so dark and exhausting, and the soul craves more when the body is uncomfortable.”
“Why, yes, our farm-labourers are not easily roused. They take life almost as slowly as the sheep and cows. But we have some intelligent workmen about here. I daresay you know the Bedes; Seth Bede, by the by, is a Methodist.”
“Sure, our farm workers are not easily stirred. They take life nearly as slowly as the sheep and cows. But we do have some smart workers around here. I bet you know the Bedes; by the way, Seth Bede is a Methodist.”
“Yes, I know Seth well, and his brother Adam a little. Seth is a gracious young man—sincere and without offence; and Adam is like the patriarch Joseph, for his great skill and knowledge and the kindness he shows to his brother and his parents.”
“Yes, I know Seth really well, and I know his brother Adam a bit. Seth is a polite young man—genuine and never offensive; and Adam is like the patriarch Joseph, because of his great skills and knowledge and the kindness he shows to his brother and parents.”
“Perhaps you don’t know the trouble that has just happened to them? Their father, Matthias Bede, was drowned in the Willow Brook last night, not far from his own door. I’m going now to see Adam.”
“Maybe you haven’t heard about the trouble they just went through? Their dad, Matthias Bede, drowned in Willow Brook last night, not far from his own home. I’m heading over to see Adam now.”
“Ah, their poor aged mother!” said Dinah, dropping her hands and looking before her with pitying eyes, as if she saw the object of her sympathy. “She will mourn heavily, for Seth has told me she’s of an anxious, troubled heart. I must go and see if I can give her any help.”
“Ah, their poor old mother!” said Dinah, dropping her hands and looking ahead with sympathetic eyes, as if she could see the person she was pitying. “She will grieve deeply, because Seth told me she has a worried and troubled heart. I need to go and see if I can offer her any help.”
As she rose and was beginning to fold up her work, Captain Donnithorne, having exhausted all plausible pretexts for remaining among the milk-pans, came out of the dairy, followed by Mrs. Poyser. Mr. Irwine now rose also, and, advancing towards Dinah, held out his hand, and said, “Good-bye. I hear you are going away soon; but this will not be the last visit you will pay your aunt—so we shall meet again, I hope.”
As she got up and started to put away her work, Captain Donnithorne, having run out of reasonable excuses to stay by the milk-pans, came out of the dairy, followed by Mrs. Poyser. Mr. Irwine also got up, walked over to Dinah, extended his hand, and said, “Goodbye. I hear you’re leaving soon, but this won’t be your last visit to your aunt—so I hope we’ll meet again.”
His cordiality towards Dinah set all Mrs. Poyser’s anxieties at rest, and her face was brighter than usual, as she said, “I’ve never asked after Mrs. Irwine and the Miss Irwines, sir; I hope they’re as well as usual.”
His friendliness towards Dinah eased all of Mrs. Poyser’s worries, and her expression was happier than usual as she said, “I’ve never asked about Mrs. Irwine and the Miss Irwines, sir; I hope they’re doing as well as always.”
“Yes, thank you, Mrs. Poyser, except that Miss Anne has one of her bad headaches to-day. By the by, we all liked that nice cream-cheese you sent us—my mother especially.”
“Yes, thank you, Mrs. Poyser, but Miss Anne has one of her bad headaches today. By the way, we all really liked that delicious cream cheese you sent us—my mom especially.”
“I’m very glad, indeed, sir. It is but seldom I make one, but I remembered Mrs. Irwine was fond of ’em. Please to give my duty to her, and to Miss Kate and Miss Anne. They’ve never been to look at my poultry this long while, and I’ve got some beautiful speckled chickens, black and white, as Miss Kate might like to have some of amongst hers.”
“I’m really glad, sir. I rarely make one, but I remembered that Mrs. Irwine likes them. Please send my regards to her, as well as to Miss Kate and Miss Anne. They haven’t been to see my poultry in a while, and I’ve got some beautiful speckled chickens, black and white, that Miss Kate might want to add to hers.”
“Well, I’ll tell her; she must come and see them. Good-bye,” said the rector, mounting his horse.
“Well, I’ll tell her; she has to come and see them. Bye,” said the rector, getting on his horse.
“Just ride slowly on, Irwine,” said Captain Donnithorne, mounting also. “I’ll overtake you in three minutes. I’m only going to speak to the shepherd about the whelps. Good-bye, Mrs. Poyser; tell your husband I shall come and have a long talk with him soon.”
“Just ride slowly on, Irwine,” said Captain Donnithorne, getting on his horse too. “I’ll catch up with you in three minutes. I just need to talk to the shepherd about the pups. Goodbye, Mrs. Poyser; tell your husband I’ll come by soon for a long chat.”
Mrs. Poyser curtsied duly, and watched the two horses until they had disappeared from the yard, amidst great excitement on the part of the pigs and the poultry, and under the furious indignation of the bull-dog, who performed a Pyrrhic dance, that every moment seemed to threaten the breaking of his chain. Mrs. Poyser delighted in this noisy exit; it was a fresh assurance to her that the farm-yard was well guarded, and that no loiterers could enter unobserved; and it was not until the gate had closed behind the captain that she turned into the kitchen again, where Dinah stood with her bonnet in her hand, waiting to speak to her aunt, before she set out for Lisbeth Bede’s cottage.
Mrs. Poyser curtsied properly and watched the two horses until they were out of sight in the yard, surrounded by the excited pigs and poultry, and under the furious indignation of the bulldog, who was dancing around in a way that looked like he might break his chain at any moment. Mrs. Poyser enjoyed this noisy departure; it reassured her that the farmyard was well protected and that no one could enter unnoticed. It wasn't until the gate had closed behind the captain that she went back into the kitchen, where Dinah was waiting with her bonnet in her hand, ready to talk to her aunt before heading out to Lisbeth Bede’s cottage.
Mrs. Poyser, however, though she noticed the bonnet, deferred remarking on it until she had disburdened herself of her surprise at Mr. Irwine’s behaviour.
Mrs. Poyser, however, even though she noticed the bonnet, held off commenting on it until she had expressed her surprise at Mr. Irwine’s behavior.
“Why, Mr. Irwine wasn’t angry, then? What did he say to you, Dinah? Didn’t he scold you for preaching?”
“Wait, Mr. Irwine wasn’t angry? What did he say to you, Dinah? Didn’t he scold you for preaching?”
“No, he was not at all angry; he was very friendly to me. I was quite drawn out to speak to him; I hardly know how, for I had always thought of him as a worldly Sadducee. But his countenance is as pleasant as the morning sunshine.”
“No, he wasn’t angry at all; he was really friendly to me. I felt really drawn to talk to him; I’m not sure why, since I had always thought of him as a worldly Sadducee. But his face is as pleasant as the morning sunshine.”
“Pleasant! and what else did y’ expect to find him but pleasant?” said Mrs. Poyser impatiently, resuming her knitting. “I should think his countenance is pleasant indeed! And him a gentleman born, and’s got a mother like a picter. You may go the country round and not find such another woman turned sixty-six. It’s summat-like to see such a man as that i’ the desk of a Sunday! As I say to Poyser, it’s like looking at a full crop o’ wheat, or a pasture with a fine dairy o’ cows in it; it makes you think the world’s comfortable-like. But as for such creaturs as you Methodisses run after, I’d as soon go to look at a lot o’ bare-ribbed runts on a common. Fine folks they are to tell you what’s right, as look as if they’d never tasted nothing better than bacon-sword and sour-cake i’ their lives. But what did Mr. Irwine say to you about that fool’s trick o’ preaching on the Green?”
“Pleasant! And what else did you expect to find him but pleasant?” Mrs. Poyser said impatiently, picking up her knitting again. “I would say his face is indeed pleasant! And he’s a born gentleman, with a mother who looks like a picture. You could travel the countryside and not find another woman who's turned sixty-six like her. It’s something to see a man like that at the desk on a Sunday! As I tell Poyser, it’s like looking at a full wheat crop or a pasture with a fine dairy of cows; it makes you think that the world is a comfortable place. But as for the kind of people you Methodists chase after, I’d just as soon go look at a bunch of scrawny runts on a common. They’re the kind of people who’ll tell you what’s right, but they look like they’ve never tasted anything better than bacon sword and sour cake in their lives. But what did Mr. Irwine say to you about that foolish act of preaching on the Green?”
“He only said he’d heard of it; he didn’t seem to feel any displeasure about it. But, dear aunt, don’t think any more about that. He told me something that I’m sure will cause you sorrow, as it does me. Thias Bede was drowned last night in the Willow Brook, and I’m thinking that the aged mother will be greatly in need of comfort. Perhaps I can be of use to her, so I have fetched my bonnet and am going to set out.”
“He just said he’d heard about it; he didn’t seem upset at all. But, dear aunt, please don’t dwell on that anymore. He told me something that I know will upset you, just like it does me. Thias Bede drowned last night in the Willow Brook, and I’m worried that his elderly mother will need a lot of support. Maybe I can help her, so I’ve grabbed my bonnet and I’m getting ready to go.”
“Dear heart, dear heart! But you must have a cup o’ tea first, child,” said Mrs. Poyser, falling at once from the key of B with five sharps to the frank and genial C. “The kettle’s boiling—we’ll have it ready in a minute; and the young uns ’ull be in and wanting theirs directly. I’m quite willing you should go and see th’ old woman, for you’re one as is allays welcome in trouble, Methodist or no Methodist; but, for the matter o’ that, it’s the flesh and blood folks are made on as makes the difference. Some cheeses are made o’ skimmed milk and some o’ new milk, and it’s no matter what you call ’em, you may tell which is which by the look and the smell. But as to Thias Bede, he’s better out o’ the way nor in—God forgi’ me for saying so—for he’s done little this ten year but make trouble for them as belonged to him; and I think it ’ud be well for you to take a little bottle o’ rum for th’ old woman, for I daresay she’s got never a drop o’ nothing to comfort her inside. Sit down, child, and be easy, for you shan’t stir out till you’ve had a cup o’ tea, and so I tell you.”
“Dear heart, dear heart! But you need to have a cup of tea first, child,” said Mrs. Poyser, shifting from a formal tone to a warm and friendly one. “The kettle’s boiling—we’ll have it ready in a minute; and the kids will be in wanting theirs right away. I’m totally fine with you going to see the old woman, because you’re always welcome when there’s trouble, Methodist or not; but, to be honest, it’s the flesh-and-blood relatives that really make the difference. Some cheeses are made from skimmed milk and some from whole milk, and it doesn’t matter what you call them, you can tell which is which by the look and the smell. But as for Thias Bede, he’s better off out of the way than in—God forgive me for saying that—since he’s done nothing but cause trouble for those related to him for the last ten years; and I think it would be good for you to take a little bottle of rum for the old woman, because I bet she doesn’t have a drop of anything to comfort her. Sit down, child, and relax, because you won’t be leaving until you’ve had a cup of tea, and that’s final.”
During the latter part of this speech, Mrs. Poyser had been reaching down the tea-things from the shelves, and was on her way towards the pantry for the loaf (followed close by Totty, who had made her appearance on the rattling of the tea-cups), when Hetty came out of the dairy relieving her tired arms by lifting them up, and clasping her hands at the back of her head.
During the later part of this speech, Mrs. Poyser had been taking the tea things down from the shelves and was heading to the pantry for the loaf (followed closely by Totty, who had shown up at the sound of the rattling tea cups), when Hetty came out of the dairy, stretching her tired arms by lifting them up and clasping her hands behind her head.
“Molly,” she said, rather languidly, “just run out and get me a bunch of dock-leaves: the butter’s ready to pack up now.”
“Molly,” she said, a bit lazily, “just run out and grab me a bunch of dock leaves: the butter’s ready to pack up now.”
“D’ you hear what’s happened, Hetty?” said her aunt.
“Did you hear what happened, Hetty?” said her aunt.
“No; how should I hear anything?” was the answer, in a pettish tone.
“No, how am I supposed to hear anything?” was the response, in an annoyed tone.
“Not as you’d care much, I daresay, if you did hear; for you’re too feather-headed to mind if everybody was dead, so as you could stay upstairs a-dressing yourself for two hours by the clock. But anybody besides yourself ’ud mind about such things happening to them as think a deal more of you than you deserve. But Adam Bede and all his kin might be drownded for what you’d care—you’d be perking at the glass the next minute.”
“Not that you’d care much, I bet, if you did hear; because you’re too scatterbrained to worry if everyone was dead, just so you could spend two hours upstairs getting ready. But anyone besides you would care about such things happening to them, especially those who think a lot more of you than you deserve. But Adam Bede and all his family could drown for all you’d care—you’d be admiring yourself in the mirror the next minute.”
“Adam Bede—drowned?” said Hetty, letting her arms fall and looking rather bewildered, but suspecting that her aunt was as usual exaggerating with a didactic purpose.
“Adam Bede—drowned?” said Hetty, dropping her arms and looking a bit confused, but suspecting that her aunt was, as usual, exaggerating for a teaching moment.
“No, my dear, no,” said Dinah kindly, for Mrs. Poyser had passed on to the pantry without deigning more precise information. “Not Adam. Adam’s father, the old man, is drowned. He was drowned last night in the Willow Brook. Mr. Irwine has just told me about it.”
“No, my dear, no,” Dinah said kindly, because Mrs. Poyser had moved on to the pantry without giving any more details. “Not Adam. Adam’s father, the old man, has drowned. He drowned last night in the Willow Brook. Mr. Irwine just told me about it.”
“Oh, how dreadful!” said Hetty, looking serious, but not deeply affected; and as Molly now entered with the dock-leaves, she took them silently and returned to the dairy without asking further questions.
“Oh, how awful!” said Hetty, looking serious, but not too bothered; and as Molly came in with the dock leaves, she took them silently and went back to the dairy without asking any more questions.
Chapter IX
Hetty’s World
While she adjusted the broad leaves that set off the pale fragrant butter as the primrose is set off by its nest of green I am afraid Hetty was thinking a great deal more of the looks Captain Donnithorne had cast at her than of Adam and his troubles. Bright, admiring glances from a handsome young gentleman with white hands, a gold chain, occasional regimentals, and wealth and grandeur immeasurable—those were the warm rays that set poor Hetty’s heart vibrating and playing its little foolish tunes over and over again. We do not hear that Memnon’s statue gave forth its melody at all under the rushing of the mightiest wind, or in response to any other influence divine or human than certain short-lived sunbeams of morning; and we must learn to accommodate ourselves to the discovery that some of those cunningly fashioned instruments called human souls have only a very limited range of music, and will not vibrate in the least under a touch that fills others with tremulous rapture or quivering agony.
While she adjusted the broad leaves that framed the pale, fragrant butter like the primrose is framed by its green nest, I’m afraid Hetty was thinking a lot more about the glances Captain Donnithorne had given her than about Adam and his troubles. Warm, admiring looks from a handsome young man with white hands, a gold chain, occasional military uniforms, and immense wealth and status—those were the bright rays that made poor Hetty’s heart resonate and play its little silly tunes over and over again. We don’t hear that Memnon’s statue produced its melody at all under the force of the strongest wind or in response to any other divine or human influence except for certain brief morning sunbeams; and we must accept the realization that some of those intricately designed instruments called human souls have only a very limited range of music and won’t respond at all to a touch that makes others feel trembling joy or intense pain.
Hetty was quite used to the thought that people liked to look at her. She was not blind to the fact that young Luke Britton of Broxton came to Hayslope Church on a Sunday afternoon on purpose that he might see her; and that he would have made much more decided advances if her uncle Poyser, thinking but lightly of a young man whose father’s land was so foul as old Luke Britton’s, had not forbidden her aunt to encourage him by any civilities. She was aware, too, that Mr. Craig, the gardener at the Chase, was over head and ears in love with her, and had lately made unmistakable avowals in luscious strawberries and hyperbolical peas. She knew still better, that Adam Bede—tall, upright, clever, brave Adam Bede—who carried such authority with all the people round about, and whom her uncle was always delighted to see of an evening, saying that “Adam knew a fine sight more o’ the natur o’ things than those as thought themselves his betters”—she knew that this Adam, who was often rather stern to other people and not much given to run after the lasses, could be made to turn pale or red any day by a word or a look from her. Hetty’s sphere of comparison was not large, but she couldn’t help perceiving that Adam was “something like” a man; always knew what to say about things, could tell her uncle how to prop the hovel, and had mended the churn in no time; knew, with only looking at it, the value of the chestnut-tree that was blown down, and why the damp came in the walls, and what they must do to stop the rats; and wrote a beautiful hand that you could read off, and could do figures in his head—a degree of accomplishment totally unknown among the richest farmers of that countryside. Not at all like that slouching Luke Britton, who, when she once walked with him all the way from Broxton to Hayslope, had only broken silence to remark that the grey goose had begun to lay. And as for Mr. Craig, the gardener, he was a sensible man enough, to be sure, but he was knock-kneed, and had a queer sort of sing-song in his talk; moreover, on the most charitable supposition, he must be far on the way to forty.
Hetty was quite used to the idea that people liked to look at her. She wasn’t oblivious to the fact that young Luke Britton of Broxton came to Hayslope Church on Sunday afternoons just to see her; and he would have made much bolder moves if her uncle Poyser hadn’t discouraged her aunt from being friendly to him, thinking lightly of a young man whose father’s land was as bad as old Luke Britton’s. She also knew that Mr. Craig, the gardener at the Chase, was head over heels in love with her and had recently made his feelings obvious with luscious strawberries and exaggerated peas. Even more, she was aware that Adam Bede—tall, upright, smart, and brave Adam Bede—who commanded respect from everyone around, and whom her uncle was always happy to see in the evenings, saying that “Adam knew a lot more about the nature of things than those who thought they were better than him”—she knew that this Adam, who was often pretty stern with others and didn’t usually chase after girls, could go pale or red any time with just a word or a glance from her. Hetty’s experience of comparison wasn’t broad, but she couldn’t help noticing that Adam was “something like” a man; he always knew what to say about things, could tell her uncle how to prop up the hovel, and fixed the churn in no time; he could, just by looking at it, assess the value of the chestnut tree that had fallen and understand why moisture was coming through the walls, and what needed to be done to get rid of the rats; plus, he wrote beautifully and did math in his head—a level of skill completely unknown among the wealthiest farmers in that area. Not at all like that slouching Luke Britton, who, when she once walked with him from Broxton to Hayslope, only broke the silence to mention that the grey goose had started laying. As for Mr. Craig, the gardener, he was sensible enough, for sure, but he was knock-kneed and spoke in a strange sing-song; moreover, if one were generous, he must be nearly forty.
Hetty was quite certain her uncle wanted her to encourage Adam, and would be pleased for her to marry him. For those were times when there was no rigid demarcation of rank between the farmer and the respectable artisan, and on the home hearth, as well as in the public house, they might be seen taking their jug of ale together; the farmer having a latent sense of capital, and of weight in parish affairs, which sustained him under his conspicuous inferiority in conversation. Martin Poyser was not a frequenter of public houses, but he liked a friendly chat over his own home-brewed; and though it was pleasant to lay down the law to a stupid neighbour who had no notion how to make the best of his farm, it was also an agreeable variety to learn something from a clever fellow like Adam Bede. Accordingly, for the last three years—ever since he had superintended the building of the new barn—Adam had always been made welcome at the Hall Farm, especially of a winter evening, when the whole family, in patriarchal fashion, master and mistress, children and servants, were assembled in that glorious kitchen, at well-graduated distances from the blazing fire. And for the last two years, at least, Hetty had been in the habit of hearing her uncle say, “Adam Bede may be working for wage now, but he’ll be a master-man some day, as sure as I sit in this chair. Mester Burge is in the right on’t to want him to go partners and marry his daughter, if it’s true what they say; the woman as marries him ’ull have a good take, be’t Lady day or Michaelmas,” a remark which Mrs. Poyser always followed up with her cordial assent. “Ah,” she would say, “it’s all very fine having a ready-made rich man, but mayhappen he’ll be a ready-made fool; and it’s no use filling your pocket full o’ money if you’ve got a hole in the corner. It’ll do you no good to sit in a spring-cart o’ your own, if you’ve got a soft to drive you: he’ll soon turn you over into the ditch. I allays said I’d never marry a man as had got no brains; for where’s the use of a woman having brains of her own if she’s tackled to a geck as everybody’s a-laughing at? She might as well dress herself fine to sit back’ards on a donkey.”
Hetty was pretty sure her uncle wanted her to encourage Adam and would be happy if she married him. Back then, there wasn’t a strict divide between farmers and skilled workers, and you could see them sharing a jug of ale both at home and in pubs; farmers had a sense of their own importance and influence in the community that helped them deal with their lack of eloquence in conversation. Martin Poyser didn’t often go to pubs, but he enjoyed a friendly chat over his homemade brew; while it was nice to lecture a clueless neighbor who didn’t know how to run his farm, it was also refreshing to learn something from someone sharp like Adam Bede. For the past three years—ever since Adam oversaw the construction of the new barn—he had always been welcomed at Hall Farm, especially on winter evenings when the whole family, in a traditional way, gathered together in the cozy kitchen, sitting at a respectful distance from the warm fire. And for at least the last two years, Hetty had been hearing her uncle say, “Adam Bede may be working for wages now, but he’ll be a master someday, just like I’m sitting in this chair. Mester Burge is right to want him to go into business and marry his daughter, if the rumors are true; the woman who marries him will have it good, whether it's Lady Day or Michaelmas,” a comment that Mrs. Poyser always backed up with her enthusiastic agreement. “Ah,” she would say, “it sounds nice to have a ready-made rich guy, but he might end up being a ready-made fool; it’s no good filling your pockets with money if there’s a hole in them. It won’t help you to ride in your own spring cart if you have a fool driving you: he’ll soon tip you over into the ditch. I’ve always said I’d never marry a man without any brains; what’s the point of a woman having brains of her own if she’s stuck with a guy everyone laughs at? She might as well dress up nicely to sit backward on a donkey.”
These expressions, though figurative, sufficiently indicated the bent of Mrs. Poyser’s mind with regard to Adam; and though she and her husband might have viewed the subject differently if Hetty had been a daughter of their own, it was clear that they would have welcomed the match with Adam for a penniless niece. For what could Hetty have been but a servant elsewhere, if her uncle had not taken her in and brought her up as a domestic help to her aunt, whose health since the birth of Totty had not been equal to more positive labour than the superintendence of servants and children? But Hetty had never given Adam any steady encouragement. Even in the moments when she was most thoroughly conscious of his superiority to her other admirers, she had never brought herself to think of accepting him. She liked to feel that this strong, skilful, keen-eyed man was in her power, and would have been indignant if he had shown the least sign of slipping from under the yoke of her coquettish tyranny and attaching himself to the gentle Mary Burge, who would have been grateful enough for the most trifling notice from him. “Mary Burge, indeed! Such a sallow-faced girl: if she put on a bit of pink ribbon, she looked as yellow as a crow-flower and her hair was as straight as a hank of cotton.” And always when Adam stayed away for several weeks from the Hall Farm, and otherwise made some show of resistance to his passion as a foolish one, Hetty took care to entice him back into the net by little airs of meekness and timidity, as if she were in trouble at his neglect. But as to marrying Adam, that was a very different affair! There was nothing in the world to tempt her to do that. Her cheeks never grew a shade deeper when his name was mentioned; she felt no thrill when she saw him passing along the causeway by the window, or advancing towards her unexpectedly in the footpath across the meadow; she felt nothing, when his eyes rested on her, but the cold triumph of knowing that he loved her and would not care to look at Mary Burge. He could no more stir in her the emotions that make the sweet intoxication of young love than the mere picture of a sun can stir the spring sap in the subtle fibres of the plant. She saw him as he was—a poor man with old parents to keep, who would not be able, for a long while to come, to give her even such luxuries as she shared in her uncle’s house. And Hetty’s dreams were all of luxuries: to sit in a carpeted parlour, and always wear white stockings; to have some large beautiful ear-rings, such as were all the fashion; to have Nottingham lace round the top of her gown, and something to make her handkerchief smell nice, like Miss Lydia Donnithorne’s when she drew it out at church; and not to be obliged to get up early or be scolded by anybody. She thought, if Adam had been rich and could have given her these things, she loved him well enough to marry him.
These expressions, while figurative, clearly showed Mrs. Poyser’s feelings about Adam. Even if she and her husband might have felt differently if Hetty were their own daughter, it was obvious that they would have been happy with a match between Adam and their penniless niece. Because what else could Hetty have been but a servant elsewhere if her uncle hadn’t taken her in and raised her as a domestic helper for her aunt, whose health since Totty’s birth hadn’t allowed her to do anything more demanding than manage the servants and children? Yet, Hetty had never really encouraged Adam. Even when she was most aware of how much better he was than her other admirers, she hadn’t allowed herself to consider accepting him. She enjoyed knowing that this strong, skilled, sharp-eyed man was under her control and would have been upset if he showed any sign of breaking free from her teasing control to pursue the gentle Mary Burge, who would have appreciated even the slightest attention from him. “Mary Burge, really? Such a pale girl: if she wore a bit of pink ribbon, she looked as yellow as a weed, and her hair was as flat as a piece of string.” And whenever Adam was away from the Hall Farm for several weeks or otherwise acted as if his feelings were foolish, Hetty made sure to draw him back in with little displays of meekness and vulnerability, as if she were suffering from his neglect. But marrying Adam? That was a totally different story! There was nothing in the world that could convince her to do that. Her cheeks didn't flush even slightly when his name was mentioned; she felt no excitement when she saw him walking by the window or approaching her unexpectedly along the path through the meadow; all she felt when his gaze fell on her was the cold satisfaction of knowing he loved her and wasn't interested in Mary Burge. He couldn’t evoke in her the feelings that create the sweet intoxication of young love any more than a mere picture of the sun can warm the budding sap in a plant. She saw him as he was—a poor man with elderly parents to support, who wouldn’t be able to give her even the small luxuries she enjoyed at her uncle’s house for a long time. And Hetty’s fantasies were all about luxuries: to sit in a carpeted parlor, always wear white stockings, own some large, beautiful earrings that were all the rage, have Nottingham lace around the top of her gown, and something to make her handkerchief smell nice, like Miss Lydia Donnithorne’s when she took it out at church; and not having to wake up early or be scolded by anyone. She thought that if Adam had been rich and could provide her with these things, she loved him enough to marry him.
But for the last few weeks a new influence had come over Hetty—vague, atmospheric, shaping itself into no self-confessed hopes or prospects, but producing a pleasant narcotic effect, making her tread the ground and go about her work in a sort of dream, unconscious of weight or effort, and showing her all things through a soft, liquid veil, as if she were living not in this solid world of brick and stone, but in a beatified world, such as the sun lights up for us in the waters. Hetty had become aware that Mr. Arthur Donnithorne would take a good deal of trouble for the chance of seeing her; that he always placed himself at church so as to have the fullest view of her both sitting and standing; that he was constantly finding reason for calling at the Hall Farm, and always would contrive to say something for the sake of making her speak to him and look at him. The poor child no more conceived at present the idea that the young squire could ever be her lover than a baker’s pretty daughter in the crowd, whom a young emperor distinguishes by an imperial but admiring smile, conceives that she shall be made empress. But the baker’s daughter goes home and dreams of the handsome young emperor, and perhaps weighs the flour amiss while she is thinking what a heavenly lot it must be to have him for a husband. And so, poor Hetty had got a face and a presence haunting her waking and sleeping dreams; bright, soft glances had penetrated her, and suffused her life with a strange, happy languor. The eyes that shed those glances were really not half so fine as Adam’s, which sometimes looked at her with a sad, beseeching tenderness, but they had found a ready medium in Hetty’s little silly imagination, whereas Adam’s could get no entrance through that atmosphere. For three weeks, at least, her inward life had consisted of little else than living through in memory the looks and words Arthur had directed towards her—of little else than recalling the sensations with which she heard his voice outside the house, and saw him enter, and became conscious that his eyes were fixed on her, and then became conscious that a tall figure, looking down on her with eyes that seemed to touch her, was coming nearer in clothes of beautiful texture with an odour like that of a flower-garden borne on the evening breeze. Foolish thoughts! But all this happened, you must remember, nearly sixty years ago, and Hetty was quite uneducated—a simple farmer’s girl, to whom a gentleman with a white hand was dazzling as an Olympian god. Until to-day, she had never looked farther into the future than to the next time Captain Donnithorne would come to the Farm, or the next Sunday when she should see him at church; but now she thought, perhaps he would try to meet her when she went to the Chase to-morrow—and if he should speak to her, and walk a little way, when nobody was by! That had never happened yet; and now her imagination, instead of retracing the past, was busy fashioning what would happen to-morrow—whereabout in the Chase she should see him coming towards her, how she should put her new rose-coloured ribbon on, which he had never seen, and what he would say to her to make her return his glance—a glance which she would be living through in her memory, over and over again, all the rest of the day.
But for the last few weeks, a new feeling had taken over Hetty—indistinct, almost dreamy, not forming into any clear hopes or expectations, but creating a pleasant, dreamy effect that made her move through her days as if in a trance, unaware of any weight or effort. Everything around her seemed to shimmer through a soft, liquid haze, making her feel like she was living not in this solid world of brick and stone, but in a blissful place, illuminated like a paradise in the waters. Hetty realized that Mr. Arthur Donnithorne would go out of his way just for the chance to see her; that he always sat in church to have the best view of her, whether she was sitting or standing; that he constantly found excuses to visit the Hall Farm, and always managed to say something just to make her talk to him and look at him. The poor girl couldn’t even begin to imagine that the young squire could ever be her lover, just like a pretty baker's daughter in the crowd who is singled out by an admiring smile from a young emperor would never imagine she would become empress. But the baker’s daughter goes home and dreams of the handsome young emperor, perhaps mismeasuring the flour while thinking about what a glorious life it would be to have him as her husband. So, Hetty was haunted by his face and presence in both her waking and sleeping dreams; bright, soft glances filled her thoughts with a strange, happy heaviness. The eyes giving those glances weren't nearly as enchanting as Adam’s, which sometimes regarded her with a sad, pleading tenderness, but they managed to penetrate Hetty's naive imagination, while Adam's could not break through that barrier. For at least three weeks, her inner life had revolved around reliving the looks and words directed at her by Arthur—replaying the feelings she experienced when she heard his voice outside, saw him enter, and felt his gaze fixed on her. She became aware of a tall figure moving closer, looking down at her with eyes that seemed to touch her as he came nearer, dressed in clothes of exquisite fabric that carried the scent of a flower garden in the evening breeze. Silly thoughts! But remember, this was nearly sixty years ago, and Hetty was completely uneducated—a simple farmer's girl, dazzled by a gentleman with a pale hand, who appeared like a god from Olympus. Until today, she had only looked forward to the next time Captain Donnithorne visited the Farm or the upcoming Sunday when she would see him at church; but now she wondered if he might try to meet her when she went to the Chase tomorrow—and if he spoke to her and walked a little with her, when no one else was around! That had never happened yet; and now her imagination, instead of reliving the past, was busy imagining what would happen tomorrow—where in the Chase she would see him approaching, how she would wear her new rose-colored ribbon, which he had never seen, and what he would say to her to make her return his gaze—a glance she would replay in her mind over and over again for the rest of the day.
In this state of mind, how could Hetty give any feeling to Adam’s troubles, or think much about poor old Thias being drowned? Young souls, in such pleasant delirium as hers are as unsympathetic as butterflies sipping nectar; they are isolated from all appeals by a barrier of dreams—by invisible looks and impalpable arms.
In this frame of mind, how could Hetty feel anything for Adam’s troubles or think much about poor old Thias being drowned? Young souls, caught up in such a delightful delirium as hers, are as indifferent as butterflies sipping nectar; they are separated from all pleas by a wall of dreams—by unseen gazes and intangible embraces.
While Hetty’s hands were busy packing up the butter, and her head filled with these pictures of the morrow, Arthur Donnithorne, riding by Mr. Irwine’s side towards the valley of the Willow Brook, had also certain indistinct anticipations, running as an undercurrent in his mind while he was listening to Mr. Irwine’s account of Dinah—indistinct, yet strong enough to make him feel rather conscious when Mr. Irwine suddenly said, “What fascinated you so in Mrs. Poyser’s dairy, Arthur? Have you become an amateur of damp quarries and skimming dishes?”
While Hetty was busy packing the butter and her mind was filled with thoughts of tomorrow, Arthur Donnithorne, riding alongside Mr. Irwine towards the valley of the Willow Brook, had his own vague expectations floating in his mind as he listened to Mr. Irwine talk about Dinah—vague, yet strong enough to make him feel a bit uncomfortable when Mr. Irwine suddenly asked, “What caught your interest in Mrs. Poyser’s dairy, Arthur? Have you taken up a hobby for damp quarries and skimming dishes?”
Arthur knew the rector too well to suppose that a clever invention would be of any use, so he said, with his accustomed frankness, “No, I went to look at the pretty butter-maker Hetty Sorrel. She’s a perfect Hebe; and if I were an artist, I would paint her. It’s amazing what pretty girls one sees among the farmers’ daughters, when the men are such clowns. That common, round, red face one sees sometimes in the men—all cheek and no features, like Martin Poyser’s—comes out in the women of the family as the most charming phiz imaginable.”
Arthur knew the rector too well to think that a clever idea would change anything, so he said, with his usual honesty, “No, I went to check out the beautiful butter-maker, Hetty Sorrel. She’s a perfect beauty; if I were an artist, I would paint her. It’s amazing how many pretty girls you find among farmers’ daughters, especially when the men are such clowns. That common, round, red face you often see on the men—all cheeks and no features, like Martin Poyser’s—comes out in the women of the family as the most charming face you can imagine.”
“Well, I have no objection to your contemplating Hetty in an artistic light, but I must not have you feeding her vanity and filling her little noddle with the notion that she’s a great beauty, attractive to fine gentlemen, or you will spoil her for a poor man’s wife—honest Craig’s, for example, whom I have seen bestowing soft glances on her. The little puss seems already to have airs enough to make a husband as miserable as it’s a law of nature for a quiet man to be when he marries a beauty. Apropos of marrying, I hope our friend Adam will get settled, now the poor old man’s gone. He will only have his mother to keep in future, and I’ve a notion that there’s a kindness between him and that nice modest girl, Mary Burge, from something that fell from old Jonathan one day when I was talking to him. But when I mentioned the subject to Adam he looked uneasy and turned the conversation. I suppose the love-making doesn’t run smooth, or perhaps Adam hangs back till he’s in a better position. He has independence of spirit enough for two men—rather an excess of pride, if anything.”
"Well, I don’t mind you looking at Hetty in an artistic way, but I can't have you boosting her ego and convincing her that she’s a great beauty, attractive to wealthy men. If you do, you’ll ruin her for a poor man’s wife—like honest Craig, for instance, who I’ve noticed giving her lingering glances. The little girl already seems to have enough self-importance to make any husband as miserable as it's natural for a quiet man to be when he marries a beauty. Speaking of marriage, I hope our friend Adam will settle down now that the poor old man is gone. He’ll only have his mother to take care of now, and I suspect there’s some affection between him and that nice, modest girl, Mary Burge, based on something old Jonathan said one day when I was chatting with him. But when I brought it up with Adam, he seemed uncomfortable and changed the subject. I guess things aren't going smoothly in the romance department, or maybe Adam is holding back until he has a better situation. He has enough independent spirit for two people—maybe too much pride, actually."
“That would be a capital match for Adam. He would slip into old Burge’s shoes and make a fine thing of that building business, I’ll answer for him. I should like to see him well settled in this parish; he would be ready then to act as my grand-vizier when I wanted one. We could plan no end of repairs and improvements together. I’ve never seen the girl, though, I think—at least I’ve never looked at her.”
“That would be a great match for Adam. He would take over old Burge’s role and really excel in that building business, I’m sure of it. I would love to see him well established in this community; then he’d be ready to act as my right-hand man when I needed one. We could come up with all sorts of repairs and improvements together. I’ve never seen the girl, though; I don’t think I’ve ever actually looked at her.”
“Look at her next Sunday at church—she sits with her father on the left of the reading-desk. You needn’t look quite so much at Hetty Sorrel then. When I’ve made up my mind that I can’t afford to buy a tempting dog, I take no notice of him, because if he took a strong fancy to me and looked lovingly at me, the struggle between arithmetic and inclination might become unpleasantly severe. I pique myself on my wisdom there, Arthur, and as an old fellow to whom wisdom had become cheap, I bestow it upon you.”
“Check her out next Sunday at church—she’s sitting with her dad to the left of the reading desk. You don’t need to pay so much attention to Hetty Sorrel then. When I decide I can’t afford to buy an adorable dog, I ignore him because if he really takes a liking to me and looks at me with those sweet eyes, the battle between logic and desire could get pretty intense. I take pride in my wisdom on this, Arthur, and as an older guy who finds wisdom easy to come by, I’m sharing it with you.”
“Thank you. It may stand me in good stead some day though I don’t know that I have any present use for it. Bless me! How the brook has overflowed. Suppose we have a canter, now we’re at the bottom of the hill.”
“Thank you. This might be useful to me someday, even if I don’t currently need it. Wow! Look how much the brook has flooded. What do you say we go for a ride now that we're at the bottom of the hill?”
That is the great advantage of dialogue on horseback; it can be merged any minute into a trot or a canter, and one might have escaped from Socrates himself in the saddle. The two friends were free from the necessity of further conversation till they pulled up in the lane behind Adam’s cottage.
That’s the great thing about talking while riding; it can easily switch to a trot or canter, and you might feel like you’ve escaped from Socrates himself in the saddle. The two friends didn’t need to keep talking until they stopped in the lane behind Adam’s cottage.
Chapter X
Dinah Visits Lisbeth
At five o’clock Lisbeth came downstairs with a large key in her hand: it was the key of the chamber where her husband lay dead. Throughout the day, except in her occasional outbursts of wailing grief, she had been in incessant movement, performing the initial duties to her dead with the awe and exactitude that belong to religious rites. She had brought out her little store of bleached linen, which she had for long years kept in reserve for this supreme use. It seemed but yesterday—that time so many midsummers ago, when she had told Thias where this linen lay, that he might be sure and reach it out for her when she died, for she was the elder of the two. Then there had been the work of cleansing to the strictest purity every object in the sacred chamber, and of removing from it every trace of common daily occupation. The small window, which had hitherto freely let in the frosty moonlight or the warm summer sunrise on the working man’s slumber, must now be darkened with a fair white sheet, for this was the sleep which is as sacred under the bare rafters as in ceiled houses. Lisbeth had even mended a long-neglected and unnoticeable rent in the checkered bit of bed-curtain; for the moments were few and precious now in which she would be able to do the smallest office of respect or love for the still corpse, to which in all her thoughts she attributed some consciousness. Our dead are never dead to us until we have forgotten them: they can be injured by us, they can be wounded; they know all our penitence, all our aching sense that their place is empty, all the kisses we bestow on the smallest relic of their presence. And the aged peasant woman most of all believes that her dead are conscious. Decent burial was what Lisbeth had been thinking of for herself through years of thrift, with an indistinct expectation that she should know when she was being carried to the churchyard, followed by her husband and her sons; and now she felt as if the greatest work of her life were to be done in seeing that Thias was buried decently before her—under the white thorn, where once, in a dream, she had thought she lay in the coffin, yet all the while saw the sunshine above and smelt the white blossoms that were so thick upon the thorn the Sunday she went to be churched after Adam was born.
At five o’clock, Lisbeth came downstairs with a large key in her hand: it was the key to the room where her husband lay dead. Throughout the day, except for her occasional outbursts of wailing grief, she had been in constant motion, performing the initial rites for her dead with the respect and precision that come with religious ceremonies. She had taken out her small stash of bleached linen, which she had kept for many years for this ultimate purpose. It felt like just yesterday—so many midsummers ago—when she had told Thias where this linen was, so he could be sure to get it for her when she died, since she was the older of the two. Then there was the task of cleaning every object in the sacred room to the highest standards of purity and removing all signs of everyday life from it. The small window, which had previously let in the frosty moonlight or the warm summer sunrise on the working man’s sleep, now needed to be covered with a single white sheet because this was a slumber as sacred beneath the bare rafters as it was in roofed houses. Lisbeth had even repaired a long-neglected and barely noticeable tear in the checkered bed curtain; for the moments were few and precious now in which she could show respect or love for the still corpse, which she believed retained some awareness. Our dead are never truly gone to us until we forget them: they can be hurt by us, they can feel our pain; they know all our regret, our deep sense of loss for their empty place, all the kisses we place on the smallest remnant of their presence. And the elderly peasant woman especially believes her dead are aware. Proper burial was what Lisbeth had been planning for herself over years of saving, with a vague anticipation that she would know when she was being taken to the churchyard, followed by her husband and her sons; and now she felt as if the greatest mission of her life was to ensure Thias was buried respectfully before her—under the white thorn, where once, in a dream, she had thought she lay in the coffin, yet could still see the sunshine above and smell the thick white blossoms on the thorn the Sunday she went to be churched after Adam was born.
But now she had done everything that could be done to-day in the chamber of death—had done it all herself, with some aid from her sons in lifting, for she would let no one be fetched to help her from the village, not being fond of female neighbours generally; and her favourite Dolly, the old housekeeper at Mr. Burge’s, who had come to condole with her in the morning as soon as she heard of Thias’s death, was too dim-sighted to be of much use. She had locked the door, and now held the key in her hand, as she threw herself wearily into a chair that stood out of its place in the middle of the house floor, where in ordinary times she would never have consented to sit. The kitchen had had none of her attention that day; it was soiled with the tread of muddy shoes and untidy with clothes and other objects out of place. But what at another time would have been intolerable to Lisbeth’s habits of order and cleanliness seemed to her now just what should be: it was right that things should look strange and disordered and wretched, now the old man had come to his end in that sad way; the kitchen ought not to look as if nothing had happened. Adam, overcome with the agitations and exertions of the day after his night of hard work, had fallen asleep on a bench in the workshop; and Seth was in the back kitchen making a fire of sticks that he might get the kettle to boil, and persuade his mother to have a cup of tea, an indulgence which she rarely allowed herself.
But now she had done everything that could be done today in the death room—had done it all herself, with some help from her sons in lifting, because she didn’t want anyone from the village to come help her; she generally didn’t like her female neighbors. Her favorite, Dolly, the old housekeeper at Mr. Burge’s, had come to offer her condolences that morning as soon as she heard about Thias’s death, but she was too dim-sighted to be of much help. She had locked the door and now held the key in her hand as she wearily threw herself into a chair that was out of place in the middle of the house, where normally she wouldn’t have let herself sit. The kitchen hadn’t received any of her attention that day; it was dirty with muddy footprints and cluttered with clothes and other items out of place. But what would have been unacceptable to Lisbeth’s usual standards of order and cleanliness now seemed just right to her: it made sense for things to look strange and chaotic and miserable, now that the old man had met his end in such a sad way; the kitchen shouldn’t look like nothing had happened. Adam, exhausted from the day’s events and his night of hard work, had fallen asleep on a bench in the workshop; and Seth was in the back kitchen starting a fire with sticks to get the kettle boiling, hoping to convince his mother to have a cup of tea, a treat that she rarely allowed herself.
There was no one in the kitchen when Lisbeth entered and threw herself into the chair. She looked round with blank eyes at the dirt and confusion on which the bright afternoon’s sun shone dismally; it was all of a piece with the sad confusion of her mind—that confusion which belongs to the first hours of a sudden sorrow, when the poor human soul is like one who has been deposited sleeping among the ruins of a vast city, and wakes up in dreary amazement, not knowing whether it is the growing or the dying day—not knowing why and whence came this illimitable scene of desolation, or why he too finds himself desolate in the midst of it.
There was no one in the kitchen when Lisbeth walked in and slumped into the chair. She glanced around with vacant eyes at the mess and disorder that the bright afternoon sun shone down on uncheerfully; it matched the sadness and chaos in her mind—the kind of confusion that comes in the early hours after unexpected grief, when a person feels like they’ve been left sleeping among the ruins of a vast city, only to wake up in bleak bewilderment, unable to tell if it's dawn or dusk—unsure why this endless scene of devastation surrounds her, or why she feels so lost in the middle of it all.
At another time Lisbeth’s first thought would have been, “Where is Adam?” but the sudden death of her husband had restored him in these hours to that first place in her affections which he had held six-and-twenty years ago. She had forgotten his faults as we forget the sorrows of our departed childhood, and thought of nothing but the young husband’s kindness and the old man’s patience. Her eyes continued to wander blankly until Seth came in and began to remove some of the scattered things, and clear the small round deal table that he might set out his mother’s tea upon it.
At another time, Lisbeth’s first thought would have been, “Where is Adam?” but the sudden death of her husband had brought him back to that top spot in her heart that he had occupied twenty-six years ago. She had forgotten his faults, just like we forget the grief of our lost childhood, and thought only of her young husband’s kindness and the old man’s patience. Her eyes kept wandering aimlessly until Seth walked in and began to tidy up the scattered items, clearing the small round tabletop so he could set out his mother’s tea on it.
“What art goin’ to do?” she said, rather peevishly.
“What are you going to do?” she said, somewhat irritably.
“I want thee to have a cup of tea, Mother,” answered Seth, tenderly. “It’ll do thee good; and I’ll put two or three of these things away, and make the house look more comfortable.”
“I want you to have a cup of tea, Mom,” Seth said gently. “It’ll do you good; and I’ll put a few of these things away and make the house look cozier.”
“Comfortable! How canst talk o’ ma’in’ things comfortable? Let a-be, let a-be. There’s no comfort for me no more,” she went on, the tears coming when she began to speak, “now thy poor feyther’s gone, as I’n washed for and mended, an’ got’s victual for him for thirty ’ear, an’ him allays so pleased wi’ iverything I done for him, an’ used to be so handy an’ do the jobs for me when I war ill an’ cumbered wi’ th’ babby, an’ made me the posset an’ brought it upstairs as proud as could be, an’ carried the lad as war as heavy as two children for five mile an’ ne’er grumbled, all the way to Warson Wake, ’cause I wanted to go an’ see my sister, as war dead an’ gone the very next Christmas as e’er come. An’ him to be drownded in the brook as we passed o’er the day we war married an’ come home together, an’ he’d made them lots o’ shelves for me to put my plates an’ things on, an’ showed ’em me as proud as could be, ’cause he know’d I should be pleased. An’ he war to die an’ me not to know, but to be a-sleepin’ i’ my bed, as if I caredna nought about it. Eh! An’ me to live to see that! An’ us as war young folks once, an’ thought we should do rarely when we war married. Let a-be, lad, let a-be! I wonna ha’ no tay. I carena if I ne’er ate nor drink no more. When one end o’ th’ bridge tumbles down, where’s th’ use o’ th’ other stannin’? I may’s well die, an’ foller my old man. There’s no knowin’ but he’ll want me.”
“Comfortable! How can you talk about things being comfortable? Just leave it be, leave it be. There's no comfort for me anymore,” she continued, tears welling up as she spoke, “now that your poor father’s gone, whom I’ve washed and mended for, and provided meals for him for thirty years, and he was always so pleased with everything I did for him, and he used to help me out when I was sick and overwhelmed with the baby, and he made me the posset and brought it upstairs, so proud of himself, and he carried the boy, who was as heavy as two children, for five miles without complaining, all the way to Warson Wake, because I wanted to go and see my sister, who passed away the very next Christmas. And he drowned in the brook we crossed on the day we got married and came home together, and he had built me lots of shelves to put my plates and things on, showing them to me so proudly, knowing I would be happy. And he was to die and I wouldn’t even know, just sleeping in my bed as if I didn’t care at all about it. Oh! And I have to live to see that! We were once young and thought we would have a wonderful life when we were married. Just let it be, lad, let it be! I don’t want any tea. I don’t care if I never eat or drink again. When one end of the bridge collapses, what’s the point of the other end standing? I might as well die and join my old man. Who knows, maybe he’ll want me.”
Here Lisbeth broke from words into moans, swaying herself backwards and forwards on her chair. Seth, always timid in his behaviour towards his mother, from the sense that he had no influence over her, felt it was useless to attempt to persuade or soothe her till this passion was past; so he contented himself with tending the back kitchen fire and folding up his father’s clothes, which had been hanging out to dry since morning—afraid to move about in the room where his mother was, lest he should irritate her further.
Here, Lisbeth went from speaking to simply moaning, rocking back and forth in her chair. Seth, who always felt shy around his mother because he believed he had no power over her, thought it was pointless to try to calm or comfort her until this wave of emotion was over; so he kept himself busy tending the fire in the back kitchen and folding up his father’s clothes, which had been hanging out to dry since morning—worried to move around in the room with his mother, afraid he might upset her even more.
But after Lisbeth had been rocking herself and moaning for some minutes, she suddenly paused and said aloud to herself, “I’ll go an’ see arter Adam, for I canna think where he’s gotten; an’ I want him to go upstairs wi’ me afore it’s dark, for the minutes to look at the corpse is like the meltin’ snow.”
But after Lisbeth had been rocking back and forth and groaning for a few minutes, she suddenly stopped and said aloud to herself, “I’ll go check on Adam, because I can’t think where he’s gone; and I want him to come upstairs with me before it gets dark, because the time to look at the body is slipping away like melting snow.”
Seth overheard this, and coming into the kitchen again, as his mother rose from her chair, he said, “Adam’s asleep in the workshop, mother. Thee’dst better not wake him. He was o’erwrought with work and trouble.”
Seth overheard this, and as he walked back into the kitchen while his mother stood up from her chair, he said, “Adam’s asleep in the workshop, Mom. You’d better not wake him. He’s been overwhelmed with work and stress.”
“Wake him? Who’s a-goin’ to wake him? I shanna wake him wi’ lookin’ at him. I hanna seen the lad this two hour—I’d welly forgot as he’d e’er growed up from a babby when’s feyther carried him.”
“Wake him? Who's going to wake him? I can't wake him just by looking at him. I haven't seen the kid in two hours—I nearly forgot he ever grew up from a baby when his father carried him.”
Adam was seated on a rough bench, his head supported by his arm, which rested from the shoulder to the elbow on the long planing-table in the middle of the workshop. It seemed as if he had sat down for a few minutes’ rest and had fallen asleep without slipping from his first attitude of sad, fatigued thought. His face, unwashed since yesterday, looked pallid and clammy; his hair was tossed shaggily about his forehead, and his closed eyes had the sunken look which follows upon watching and sorrow. His brow was knit, and his whole face had an expression of weariness and pain. Gyp was evidently uneasy, for he sat on his haunches, resting his nose on his master’s stretched-out leg, and dividing the time between licking the hand that hung listlessly down and glancing with a listening air towards the door. The poor dog was hungry and restless, but would not leave his master, and was waiting impatiently for some change in the scene. It was owing to this feeling on Gyp’s part that, when Lisbeth came into the workshop and advanced towards Adam as noiselessly as she could, her intention not to awaken him was immediately defeated; for Gyp’s excitement was too great to find vent in anything short of a sharp bark, and in a moment Adam opened his eyes and saw his mother standing before him. It was not very unlike his dream, for his sleep had been little more than living through again, in a fevered delirious way, all that had happened since daybreak, and his mother with her fretful grief was present to him through it all. The chief difference between the reality and the vision was that in his dream Hetty was continually coming before him in bodily presence—strangely mingling herself as an actor in scenes with which she had nothing to do. She was even by the Willow Brook; she made his mother angry by coming into the house; and he met her with her smart clothes quite wet through, as he walked in the rain to Treddleston, to tell the coroner. But wherever Hetty came, his mother was sure to follow soon; and when he opened his eyes, it was not at all startling to see her standing near him.
Adam was sitting on a rough bench, his head propped up by his arm, which rested from his shoulder to his elbow on the long planing table in the middle of the workshop. It looked like he had just sat down for a quick rest and had fallen asleep without changing his sad, tired expression. His face, unwashed since yesterday, looked pale and sweaty; his hair was messily falling over his forehead, and his closed eyes had a sunken appearance from not sleeping well and worrying. His brow was furrowed, and his whole face showed signs of exhaustion and pain. Gyp seemed uneasy, sitting on his haunches with his nose resting on Adam's outstretched leg. He was alternating between licking the hand that hung down and glancing curiously toward the door. The poor dog was hungry and restless but refused to leave Adam’s side, anxiously waiting for something to change. Because of this, when Lisbeth entered the workshop and tiptoed toward Adam, trying not to wake him, her plan to not disturb him immediately fell apart; Gyp’s excitement was too much to contain, and he let out a sharp bark, causing Adam to open his eyes and see his mother standing in front of him. It felt a lot like his dream, as his sleep had been little more than reliving all that had happened since dawn in a fevered, delirious way, with his mother’s anxious grief present throughout. The main difference between reality and his dream was that in his dream, Hetty kept appearing alongside him in scenes where she didn’t belong. She was even by the Willow Brook, making his mother angry by coming into the house; he encountered her in her fancy, soaked clothes as he trudged through the rain to Treddleston to inform the coroner. But wherever Hetty showed up, his mother wasn’t far behind; so, when he opened his eyes, it didn’t shock him to see her standing nearby.
“Eh, my lad, my lad!” Lisbeth burst out immediately, her wailing impulse returning, for grief in its freshness feels the need of associating its loss and its lament with every change of scene and incident, “thee’st got nobody now but thy old mother to torment thee and be a burden to thee. Thy poor feyther ’ull ne’er anger thee no more; an’ thy mother may’s well go arter him—the sooner the better—for I’m no good to nobody now. One old coat ’ull do to patch another, but it’s good for nought else. Thee’dst like to ha’ a wife to mend thy clothes an’ get thy victual, better nor thy old mother. An’ I shall be nought but cumber, a-sittin’ i’ th’ chimney-corner. (Adam winced and moved uneasily; he dreaded, of all things, to hear his mother speak of Hetty.) But if thy feyther had lived, he’d ne’er ha’ wanted me to go to make room for another, for he could no more ha’ done wi’out me nor one side o’ the scissars can do wi’out th’ other. Eh, we should ha’ been both flung away together, an’ then I shouldna ha’ seen this day, an’ one buryin’ ’ud ha’ done for us both.”
“Hey, my boy, my boy!” Lisbeth exclaimed immediately, her grief returning, because fresh sorrow needs to connect its loss and mourning with every change in scenery and situation. “You’ve only got your old mother left to annoy you and be a burden. Your poor father will never upset you again; and your mother might as well follow him—the sooner, the better—because I'm no good to anyone now. One old coat can be used to patch another, but it's useless for anything else. You’d prefer to have a wife to mend your clothes and make your meals, better than your old mother. And I’ll just be a burden, sitting by the fireplace. (Adam winced and shifted uncomfortably; he dreaded hearing his mother talk about Hetty.) But if your father had lived, he would never have wanted me to leave and make space for someone else, because he couldn’t have done without me any more than one side of scissors can do without the other. Oh, we should have been cast away together, and then I wouldn’t have seen this day, and one burial would have sufficed for both of us.”
Here Lisbeth paused, but Adam sat in pained silence—he could not speak otherwise than tenderly to his mother to-day, but he could not help being irritated by this plaint. It was not possible for poor Lisbeth to know how it affected Adam any more than it is possible for a wounded dog to know how his moans affect the nerves of his master. Like all complaining women, she complained in the expectation of being soothed, and when Adam said nothing, she was only prompted to complain more bitterly.
Here Lisbeth paused, but Adam sat in painful silence—he couldn’t speak to his mother any other way today, but he couldn’t help feeling irritated by her whining. Poor Lisbeth had no idea how her complaints affected Adam, just like a wounded dog doesn’t realize how its whines impact its owner’s nerves. Like many women who complain, she did so hoping to be comforted, and when Adam didn’t respond, it only pushed her to whine even more bitterly.
“I know thee couldst do better wi’out me, for thee couldst go where thee likedst an’ marry them as thee likedst. But I donna want to say thee nay, let thee bring home who thee wut; I’d ne’er open my lips to find faut, for when folks is old an’ o’ no use, they may think theirsens well off to get the bit an’ the sup, though they’n to swallow ill words wi’t. An’ if thee’st set thy heart on a lass as’ll bring thee nought and waste all, when thee mightst ha’ them as ’ud make a man on thee, I’ll say nought, now thy feyther’s dead an’ drownded, for I’m no better nor an old haft when the blade’s gone.”
“I know you could do better without me, because you could go wherever you wanted and marry whoever you wanted. But I don’t want to say no to you; bring home whoever you want. I’d never complain, because when people are old and no longer useful, they might think they’re lucky just to get the food and drink, even if they have to swallow harsh words with it. And if you’ve set your heart on a girl who brings you nothing and wastes everything, when you could have someone who would help you become a better man, I won’t say anything now that your father’s dead and gone, because I’m no better than an old handle when the blade’s gone.”
Adam, unable to bear this any longer, rose silently from the bench and walked out of the workshop into the kitchen. But Lisbeth followed him.
Adam, unable to take it any longer, quietly got up from the bench and walked out of the workshop into the kitchen. But Lisbeth followed him.
“Thee wutna go upstairs an’ see thy feyther then? I’n done everythin’ now, an’ he’d like thee to go an’ look at him, for he war allays so pleased when thee wast mild to him.”
“Are you not going upstairs to see your father then? I’ve done everything now, and he’d like you to go and look at him, because he was always so pleased when you were nice to him.”
Adam turned round at once and said, “Yes, mother; let us go upstairs. Come, Seth, let us go together.”
Adam turned around immediately and said, “Yes, mom; let’s head upstairs. Come on, Seth, let’s go together.”
They went upstairs, and for five minutes all was silence. Then the key was turned again, and there was a sound of footsteps on the stairs. But Adam did not come down again; he was too weary and worn-out to encounter more of his mother’s querulous grief, and he went to rest on his bed. Lisbeth no sooner entered the kitchen and sat down than she threw her apron over her head, and began to cry and moan and rock herself as before. Seth thought, “She will be quieter by and by, now we have been upstairs”; and he went into the back kitchen again, to tend his little fire, hoping that he should presently induce her to have some tea.
They went upstairs, and for five minutes, everything was quiet. Then the key turned again, and they heard footsteps on the stairs. But Adam didn’t come down again; he was too exhausted and worn out to face more of his mother’s complaining grief, so he went to rest on his bed. As soon as Lisbeth entered the kitchen and sat down, she threw her apron over her head and started crying, moaning, and rocking herself like before. Seth thought, “She’ll be calmer soon now that we've been upstairs,” and he went back into the small kitchen to tend his little fire, hoping he could get her to have some tea soon.
Lisbeth had been rocking herself in this way for more than five minutes, giving a low moan with every forward movement of her body, when she suddenly felt a hand placed gently on hers, and a sweet treble voice said to her, “Dear sister, the Lord has sent me to see if I can be a comfort to you.”
Lisbeth had been rocking herself like this for over five minutes, letting out a low moan with each forward sway, when she suddenly felt a hand softly placed on hers, and a sweet, high voice said to her, “Dear sister, the Lord has sent me to see if I can comfort you.”
Lisbeth paused, in a listening attitude, without removing her apron from her face. The voice was strange to her. Could it be her sister’s spirit come back to her from the dead after all those years? She trembled and dared not look.
Lisbeth paused, listening without taking her apron down from her face. The voice sounded unfamiliar. Could it be her sister’s spirit returning from the dead after all those years? She trembled and didn’t dare to look.
Dinah, believing that this pause of wonder was in itself a relief for the sorrowing woman, said no more just yet, but quietly took off her bonnet, and then, motioning silence to Seth, who, on hearing her voice, had come in with a beating heart, laid one hand on the back of Lisbeth’s chair and leaned over her, that she might be aware of a friendly presence.
Dinah, thinking that this moment of amazement was a comfort for the grieving woman, said nothing more for now but quietly removed her bonnet. Then, signaling for silence to Seth, who had entered with an anxious heart at the sound of her voice, she placed one hand on the back of Lisbeth’s chair and leaned over her so that Lisbeth could feel a supportive presence.
Slowly Lisbeth drew down her apron, and timidly she opened her dim dark eyes. She saw nothing at first but a face—a pure, pale face, with loving grey eyes, and it was quite unknown to her. Her wonder increased; perhaps it was an angel. But in the same instant Dinah had laid her hand on Lisbeth’s again, and the old woman looked down at it. It was a much smaller hand than her own, but it was not white and delicate, for Dinah had never worn a glove in her life, and her hand bore the traces of labour from her childhood upwards. Lisbeth looked earnestly at the hand for a moment, and then, fixing her eyes again on Dinah’s face, said, with something of restored courage, but in a tone of surprise, “Why, ye’re a workin’ woman!”
Slowly, Lisbeth lowered her apron and timidly opened her dull, dark eyes. At first, all she saw was a face—a pure, pale face with loving gray eyes that was completely unfamiliar to her. Her wonder grew; maybe it was an angel. But in that same instant, Dinah placed her hand on Lisbeth’s once more, and the old woman looked down at it. It was a much smaller hand than her own, but it wasn't white and delicate because Dinah had never worn gloves in her life, and her hand showed the marks of hard work from childhood onwards. Lisbeth gazed at the hand for a moment, and then, looking again at Dinah’s face, said, with a bit of regained courage but in a surprised tone, “Wow, you’re a working woman!”
“Yes, I am Dinah Morris, and I work in the cotton-mill when I am at home.”
“Yes, I’m Dinah Morris, and I work at the cotton mill when I’m home.”
“Ah!” said Lisbeth slowly, still wondering; “ye comed in so light, like the shadow on the wall, an’ spoke i’ my ear, as I thought ye might be a sperrit. Ye’ve got a’most the face o’ one as is a-sittin’ on the grave i’ Adam’s new Bible.”
“Ah!” said Lisbeth slowly, still wondering; “you came in so quietly, like a shadow on the wall, and whispered in my ear, as I thought you might be a spirit. You almost look like someone sitting on the grave in Adam’s new Bible.”
“I come from the Hall Farm now. You know Mrs. Poyser—she’s my aunt, and she has heard of your great affliction, and is very sorry; and I’m come to see if I can be any help to you in your trouble; for I know your sons Adam and Seth, and I know you have no daughter; and when the clergyman told me how the hand of God was heavy upon you, my heart went out towards you, and I felt a command to come and be to you in the place of a daughter in this grief, if you will let me.”
“I just came from Hall Farm. You know Mrs. Poyser—she's my aunt, and she’s heard about your terrible situation, and she feels very bad; I’m here to see if I can help you in your time of need because I know your sons Adam and Seth, and I know you don’t have a daughter. When the clergyman told me how much you’ve been struggling, I felt a pull to come and act as a daughter for you during this difficult time, if you’ll allow it.”
“Ah! I know who y’ are now; y’ are a Methody, like Seth; he’s tould me on you,” said Lisbeth fretfully, her overpowering sense of pain returning, now her wonder was gone. “Ye’ll make it out as trouble’s a good thing, like he allays does. But where’s the use o’ talkin’ to me a-that’n? Ye canna make the smart less wi’ talkin’. Ye’ll ne’er make me believe as it’s better for me not to ha’ my old man die in’s bed, if he must die, an’ ha’ the parson to pray by him, an’ me to sit by him, an’ tell him ne’er to mind th’ ill words I’ve gi’en him sometimes when I war angered, an’ to gi’ him a bit an’ a sup, as long as a bit an’ a sup he’d swallow. But eh! To die i’ the cold water, an’ us close to him, an’ ne’er to know; an’ me a-sleepin’, as if I ne’er belonged to him no more nor if he’d been a journeyman tramp from nobody knows where!”
“Ah! I know who you are now; you’re a Methodist, like Seth; he’s told me about you,” said Lisbeth irritably, her overwhelming sense of pain returning now that her curiosity was gone. “You’ll try to convince me that trouble is a good thing, like he always does. But what’s the use of talking to me about that? You can’t make the pain any less with words. You’ll never make me believe that it’s better for me not to have my old man die in his bed, if he has to die, with the pastor praying by him, and me sitting by him, telling him not to think about the harsh things I’ve said to him sometimes when I was angry, and giving him food and drink, as long as he could eat and drink. But oh! To die in cold water, with us so close to him, and never to know; and me asleep, as if I never belonged to him any more than if he had been a traveling worker from who knows where!”
Here Lisbeth began to cry and rock herself again; and Dinah said, “Yes, dear friend, your affliction is great. It would be hardness of heart to say that your trouble was not heavy to bear. God didn’t send me to you to make light of your sorrow, but to mourn with you, if you will let me. If you had a table spread for a feast, and was making merry with your friends, you would think it was kind to let me come and sit down and rejoice with you, because you’d think I should like to share those good things; but I should like better to share in your trouble and your labour, and it would seem harder to me if you denied me that. You won’t send me away? You’re not angry with me for coming?”
Here Lisbeth started to cry and rock herself again, and Dinah said, “Yes, my dear friend, your pain is immense. It would be cruel to say your suffering isn’t heavy. God didn’t send me to you to downplay your sadness, but to share in it with you, if you’ll let me. If you had a feast and were having fun with your friends, you would think it was kind to let me join you and celebrate, because you’d believe I’d want to enjoy those good times with you. But I would prefer to be there for your struggles and your hard work, and it would seem harsher to me if you pushed me away from that. You won’t send me away, will you? You’re not mad at me for coming, are you?”
“Nay, nay; angered! who said I war angered? It war good on you to come. An’ Seth, why donna ye get her some tay? Ye war in a hurry to get some for me, as had no need, but ye donna think o’ gettin’ ’t for them as wants it. Sit ye down; sit ye down. I thank you kindly for comin’, for it’s little wage ye get by walkin’ through the wet fields to see an old woman like me.... Nay, I’n got no daughter o’ my own—ne’er had one—an’ I warna sorry, for they’re poor queechy things, gells is; I allays wanted to ha’ lads, as could fend for theirsens. An’ the lads ’ull be marryin’—I shall ha’ daughters eno’, an’ too many. But now, do ye make the tay as ye like it, for I’n got no taste i’ my mouth this day—it’s all one what I swaller—it’s all got the taste o’ sorrow wi’t.”
"No, no; angry! Who said I was angry? It was nice of you to come. And Seth, why don’t you get her some tea? You were quick to get some for me when I didn’t need it, but you don’t think about getting it for those who want it. Sit down; sit down. I really appreciate you coming, because you don’t get much for walking through the wet fields to see an old woman like me... No, I don’t have a daughter of my own—I never had one—and I’m not sorry, because they’re such strange creatures; I always wanted to have boys, who could take care of themselves. And the boys will be marrying—I’ll have enough daughters, and too many. But now, make the tea the way you like it, because I don’t have any taste in my mouth today—it all feels like sorrow to me."
Dinah took care not to betray that she had had her tea, and accepted Lisbeth’s invitation very readily, for the sake of persuading the old woman herself to take the food and drink she so much needed after a day of hard work and fasting.
Dinah made sure not to let on that she had already had her tea, and gladly accepted Lisbeth’s invitation to encourage the old woman to eat and drink what she desperately needed after a long day of hard work and fasting.
Seth was so happy now Dinah was in the house that he could not help thinking her presence was worth purchasing with a life in which grief incessantly followed upon grief; but the next moment he reproached himself—it was almost as if he were rejoicing in his father’s sad death. Nevertheless the joy of being with Dinah would triumph—it was like the influence of climate, which no resistance can overcome. And the feeling even suffused itself over his face so as to attract his mother’s notice, while she was drinking her tea.
Seth was so happy that Dinah was in the house that he couldn’t help but think her presence was worth trading for a life filled with constant grief; but the next moment he felt guilty—almost as if he was celebrating his father's tragic death. Still, the joy of being with Dinah would prevail—it was like the power of the weather, which nothing can resist. And the feeling even showed on his face, catching his mother’s attention while she was having her tea.
“Thee may’st well talk o’ trouble bein’ a good thing, Seth, for thee thriv’st on’t. Thee look’st as if thee know’dst no more o’ care an’ cumber nor when thee wast a babby a-lyin’ awake i’ th’ cradle. For thee’dst allays lie still wi’ thy eyes open, an’ Adam ne’er ’ud lie still a minute when he wakened. Thee wast allays like a bag o’ meal as can ne’er be bruised—though, for the matter o’ that, thy poor feyther war just such another. But ye’ve got the same look too” (here Lisbeth turned to Dinah). “I reckon it’s wi’ bein’ a Methody. Not as I’m a-findin’ faut wi’ ye for’t, for ye’ve no call to be frettin’, an’ somehow ye looken sorry too. Eh! Well, if the Methodies are fond o’ trouble, they’re like to thrive: it’s a pity they canna ha’t all, an’ take it away from them as donna like it. I could ha’ gi’en ’em plenty; for when I’d gotten my old man I war worreted from morn till night; and now he’s gone, I’d be glad for the worst o’er again.”
"You might say that trouble is a good thing, Seth, because you seem to thrive on it. You look like you don't know anything about worry or stress, just like when you were a baby lying awake in the crib. You would always lie there quietly with your eyes open, while Adam could never stay still for even a minute once he woke up. You were always like a bag of flour that can't be damaged—though, to be fair, your poor father was just like that too. But you’ve got that same look as well" (here Lisbeth turned to Dinah). "I guess it has something to do with being a Methodist. Not that I'm criticizing you for it, because you have no reason to fret, and somehow you look a bit sad too. Well! If the Methodists enjoy trouble, they’re likely to do well; it’s a shame they can’t handle it all and take it away from those who don’t want it. I could have given them plenty because when I had my husband, I was worried from morning until night; and now that he’s gone, I would gladly go through the worst of it all over again."
“Yes,” said Dinah, careful not to oppose any feeling of Lisbeth’s, for her reliance, in her smallest words and deeds, on a divine guidance, always issued in that finest woman’s tact which proceeds from acute and ready sympathy; “yes, I remember too, when my dear aunt died, I longed for the sound of her bad cough in the nights, instead of the silence that came when she was gone. But now, dear friend, drink this other cup of tea and eat a little more.”
“Yes,” Dinah said, being careful not to challenge any feelings Lisbeth had, since her trust in divine guidance, expressed in her smallest words and actions, always came from a deep and immediate sympathy; “yes, I remember when my dear aunt passed away, I longed for the sound of her bad cough at night instead of the silence that followed her absence. But now, dear friend, have this other cup of tea and eat a bit more.”
“What!” said Lisbeth, taking the cup and speaking in a less querulous tone, “had ye got no feyther and mother, then, as ye war so sorry about your aunt?”
“What!” said Lisbeth, taking the cup and speaking in a less whiny tone, “did you have no father and mother, then, if you were so upset about your aunt?”
“No, I never knew a father or mother; my aunt brought me up from a baby. She had no children, for she was never married and she brought me up as tenderly as if I’d been her own child.”
“No, I never knew my father or mother; my aunt raised me from infancy. She had no children because she was never married, and she took care of me as lovingly as if I were her own child.”
“Eh, she’d fine work wi’ ye, I’ll warrant, bringin’ ye up from a babby, an’ her a lone woman—it’s ill bringin’ up a cade lamb. But I daresay ye warna franzy, for ye look as if ye’d ne’er been angered i’ your life. But what did ye do when your aunt died, an’ why didna ye come to live in this country, bein’ as Mrs. Poyser’s your aunt too?”
“Hey, she did a great job with you, I bet, raising you from a baby all on her own—it’s tough raising a weak lamb. But I’d say you weren’t a handful, since you look like you’ve never been angry in your life. But what did you do when your aunt died, and why didn’t you come to live in this country since Mrs. Poyser is your aunt too?”
Dinah, seeing that Lisbeth’s attention was attracted, told her the story of her early life—how she had been brought up to work hard, and what sort of place Snowfield was, and how many people had a hard life there—all the details that she thought likely to interest Lisbeth. The old woman listened, and forgot to be fretful, unconsciously subject to the soothing influence of Dinah’s face and voice. After a while she was persuaded to let the kitchen be made tidy; for Dinah was bent on this, believing that the sense of order and quietude around her would help in disposing Lisbeth to join in the prayer she longed to pour forth at her side. Seth, meanwhile, went out to chop wood, for he surmised that Dinah would like to be left alone with his mother.
Dinah, noticing that Lisbeth was paying attention, shared the story of her early life—how she was raised to work hard, what Snowfield was like, and how many people struggled there—all the details she thought would interest Lisbeth. The old woman listened and forgot to be grumpy, unconsciously influenced by the calming effect of Dinah’s face and voice. After a while, she agreed to tidy up the kitchen; Dinah was determined to do this, believing that a sense of order and calm around them would encourage Lisbeth to join her in the prayer she longed to share. Meanwhile, Seth went outside to chop wood, sensing that Dinah wanted some time alone with his mother.
Lisbeth sat watching her as she moved about in her still quick way, and said at last, “Ye’ve got a notion o’ cleanin’ up. I wouldna mind ha’in ye for a daughter, for ye wouldna spend the lad’s wage i’ fine clothes an’ waste. Ye’re not like the lasses o’ this countryside. I reckon folks is different at Snowfield from what they are here.”
Lisbeth sat and watched her as she moved around with her lively energy, and finally said, “You have a talent for cleaning up. I wouldn't mind having you as a daughter, because you wouldn’t spend the boy’s wages on fancy clothes and waste. You’re not like the girls around here. I think people are different in Snowfield than they are here.”
“They have a different sort of life, many of ’em,” said Dinah; “they work at different things—some in the mill, and many in the mines, in the villages round about. But the heart of man is the same everywhere, and there are the children of this world and the children of light there as well as elsewhere. But we’ve many more Methodists there than in this country.”
“They live a different kind of life, many of them,” said Dinah; “they have various jobs—some in the mill, and many in the mines in the nearby villages. But the human heart is the same everywhere, and there are the children of this world and the children of light there as well as anywhere else. But we have many more Methodists there than we do in this country.”
“Well, I didna know as the Methody women war like ye, for there’s Will Maskery’s wife, as they say’s a big Methody, isna pleasant to look at, at all. I’d as lief look at a tooad. An’ I’m thinkin’ I wouldna mind if ye’d stay an’ sleep here, for I should like to see ye i’ th’ house i’ th’ mornin’. But mayhappen they’ll be lookin for ye at Mester Poyser’s.”
“Well, I didn’t know the Methody women were like you, because Will Maskery’s wife, they say, is a big Methody and not pleasant to look at at all. I’d rather look at a toad. And I’m thinking I wouldn’t mind if you stayed and slept here because I would like to see you in the house in the morning. But maybe they’ll be looking for you at Mr. Poyser’s.”
“No,” said Dinah, “they don’t expect me, and I should like to stay, if you’ll let me.”
“No,” Dinah said, “they don’t expect me, and I’d like to stay, if you’ll let me.”
“Well, there’s room; I’n got my bed laid i’ th’ little room o’er the back kitchen, an’ ye can lie beside me. I’d be glad to ha’ ye wi’ me to speak to i’ th’ night, for ye’ve got a nice way o’ talkin’. It puts me i’ mind o’ the swallows as was under the thack last ’ear when they fust begun to sing low an’ soft-like i’ th’ mornin’. Eh, but my old man war fond o’ them birds! An’ so war Adam, but they’n ne’er comed again this ’ear. Happen they’re dead too.”
"Well, there's space; I’ve got my bed set up in the small room over the back kitchen, and you can lie next to me. I’d be happy to have you here to talk to during the night, because you have a nice way of speaking. It reminds me of the swallows that were under the thatch last year when they first started to sing softly in the morning. Oh, but my husband loved those birds! And so did Adam, but they haven't come back this year. Maybe they're gone too."
“There,” said Dinah, “now the kitchen looks tidy, and now, dear Mother—for I’m your daughter to-night, you know—I should like you to wash your face and have a clean cap on. Do you remember what David did, when God took away his child from him? While the child was yet alive he fasted and prayed to God to spare it, and he would neither eat nor drink, but lay on the ground all night, beseeching God for the child. But when he knew it was dead, he rose up from the ground and washed and anointed himself, and changed his clothes, and ate and drank; and when they asked him how it was that he seemed to have left off grieving now the child was dead, he said, ‘While the child was yet alive, I fasted and wept; for I said, Who can tell whether God will be gracious to me, that the child may live? But now he is dead, wherefore should I fast? Can I bring him back again? I shall go to him, but he shall not return to me.’”
“There,” said Dinah, “now the kitchen looks neat, and now, dear Mom—because I’m your daughter tonight, you know—I’d like you to wash your face and put on a clean cap. Do you remember what David did when God took his child away? While the child was still alive, he fasted and prayed to God to spare it, refusing to eat or drink, and laying on the ground all night, asking God for the child. But when he learned it was dead, he got up, washed himself, put on lotion, changed his clothes, and ate and drank. When they asked him why he seemed to have stopped grieving now that the child was gone, he said, ‘While the child was alive, I fasted and wept; I thought, Who knows if God will be gracious to me so that the child may live? But now that he’s dead, why should I fast? Can I bring him back? I will go to him, but he won’t return to me.’”
“Eh, that’s a true word,” said Lisbeth. “Yea, my old man wonna come back to me, but I shall go to him—the sooner the better. Well, ye may do as ye like wi’ me: there’s a clean cap i’ that drawer, an’ I’ll go i’ the back kitchen an’ wash my face. An’ Seth, thee may’st reach down Adam’s new Bible wi’ th’ picters in, an’ she shall read us a chapter. Eh, I like them words—‘I shall go to him, but he wonna come back to me.’”
“Yeah, that’s true,” Lisbeth said. “Sure, my old man wants to come back to me, but I’ll go to him—the sooner, the better. You can do what you want with me: there’s a clean cap in that drawer, and I’ll go to the back kitchen and wash my face. And Seth, you can reach down Adam’s new Bible with the pictures in it, and she can read us a chapter. I really like those words—‘I’ll go to him, but he won’t come back to me.’”
Dinah and Seth were both inwardly offering thanks for the greater quietness of spirit that had come over Lisbeth. This was what Dinah had been trying to bring about, through all her still sympathy and absence from exhortation. From her girlhood upwards she had had experience among the sick and the mourning, among minds hardened and shrivelled through poverty and ignorance, and had gained the subtlest perception of the mode in which they could best be touched and softened into willingness to receive words of spiritual consolation or warning. As Dinah expressed it, “she was never left to herself; but it was always given her when to keep silence and when to speak.” And do we not all agree to call rapid thought and noble impulse by the name of inspiration? After our subtlest analysis of the mental process, we must still say, as Dinah did, that our highest thoughts and our best deeds are all given to us.
Dinah and Seth were both quietly grateful for the calmness that had settled over Lisbeth. This was what Dinah had been aiming for, through her gentle support and absence of pressure. Since her girlhood, she had been involved with the sick and the grieving, dealing with minds hardened and shriveled by poverty and ignorance, and had developed a keen understanding of how to best reach and soften them so they would be open to spiritual comfort or advice. As Dinah put it, “she was never left alone; it was always clear to her when to be silent and when to speak.” And don’t we all agree to call quick thinking and noble actions inspiration? Despite our closest analysis of how the mind works, we must still say, as Dinah did, that our greatest thoughts and best actions are all gifts to us.
And so there was earnest prayer—there was faith, love, and hope pouring forth that evening in the little kitchen. And poor, aged, fretful Lisbeth, without grasping any distinct idea, without going through any course of religious emotions, felt a vague sense of goodness and love, and of something right lying underneath and beyond all this sorrowing life. She couldn’t understand the sorrow; but, for these moments, under the subduing influence of Dinah’s spirit, she felt that she must be patient and still.
And so there was sincere prayer—there was faith, love, and hope flowing that evening in the small kitchen. And poor, old, anxious Lisbeth, without grasping any clear idea, without going through any specific religious feelings, felt a vague sense of kindness and love, and of something good lying beneath and beyond all this sorrowful life. She couldn’t understand the sadness; but, in these moments, under the calming influence of Dinah’s spirit, she felt that she needed to be patient and quiet.
Chapter XI
In the Cottage
It was but half-past four the next morning when Dinah, tired of lying awake listening to the birds and watching the growing light through the little window in the garret roof, rose and began to dress herself very quietly, lest she should disturb Lisbeth. But already some one else was astir in the house, and had gone downstairs, preceded by Gyp. The dog’s pattering step was a sure sign that it was Adam who went down; but Dinah was not aware of this, and she thought it was more likely to be Seth, for he had told her how Adam had stayed up working the night before. Seth, however, had only just awakened at the sound of the opening door. The exciting influence of the previous day, heightened at last by Dinah’s unexpected presence, had not been counteracted by any bodily weariness, for he had not done his ordinary amount of hard work; and so when he went to bed; it was not till he had tired himself with hours of tossing wakefulness that drowsiness came, and led on a heavier morning sleep than was usual with him.
It was just past four-thirty the next morning when Dinah, tired of lying awake listening to the birds and watching the light grow through the small window in the attic, got up and started to get dressed quietly, so she wouldn’t wake Lisbeth. But someone else was already up in the house and had gone downstairs, followed by Gyp. The sound of the dog’s paws was a clear sign that it was Adam going down; however, Dinah didn’t know this and thought it was more likely Seth, since he had mentioned that Adam had stayed up working the night before. Seth, though, had just woken up at the sound of the door opening. The excitement from the day before, especially with Dinah’s unexpected arrival, hadn’t been balanced out by any physical exhaustion, since he hadn’t done his usual amount of hard work. So when he finally went to bed, it wasn’t until he had tired himself out from hours of tossing and turning that sleepiness set in, leading to a deeper morning sleep than he usually had.
But Adam had been refreshed by his long rest, and with his habitual impatience of mere passivity, he was eager to begin the new day and subdue sadness by his strong will and strong arm. The white mist lay in the valley; it was going to be a bright warm day, and he would start to work again when he had had his breakfast.
But Adam felt recharged after his long rest, and with his usual impatience for just sitting around, he was ready to kick off the new day and push away sadness with his strong will and strength. The white mist was sitting in the valley; it was going to be a bright, warm day, and he would get back to work once he finished his breakfast.
“There’s nothing but what’s bearable as long as a man can work,” he said to himself; “the natur o’ things doesn’t change, though it seems as if one’s own life was nothing but change. The square o’ four is sixteen, and you must lengthen your lever in proportion to your weight, is as true when a man’s miserable as when he’s happy; and the best o’ working is, it gives you a grip hold o’ things outside your own lot.”
“There’s nothing but what’s manageable as long as a guy can work,” he said to himself; “the nature of things doesn’t change, even though it feels like one’s own life is nothing but change. Four squared is sixteen, and you’ve got to extend your lever in proportion to your weight, just as true when a person’s miserable as when he’s happy; and the best part about working is that it gives you a solid hold on things outside your own situation.”
As he dashed the cold water over his head and face, he felt completely himself again, and with his black eyes as keen as ever and his thick black hair all glistening with the fresh moisture, he went into the workshop to look out the wood for his father’s coffin, intending that he and Seth should carry it with them to Jonathan Burge’s and have the coffin made by one of the workmen there, so that his mother might not see and hear the sad task going forward at home.
As he splashed cold water over his head and face, he felt like himself again. With his black eyes sharp as ever and his thick black hair gleaming with fresh moisture, he went into the workshop to pick out the wood for his father’s coffin. He planned for himself and Seth to take it to Jonathan Burge’s so one of the workers there could make it, avoiding having his mother see or hear the sad task happening at home.
He had just gone into the workshop when his quick ear detected a light rapid foot on the stairs—certainly not his mother’s. He had been in bed and asleep when Dinah had come in, in the evening, and now he wondered whose step this could be. A foolish thought came, and moved him strangely. As if it could be Hetty! She was the last person likely to be in the house. And yet he felt reluctant to go and look and have the clear proof that it was some one else. He stood leaning on a plank he had taken hold of, listening to sounds which his imagination interpreted for him so pleasantly that the keen strong face became suffused with a timid tenderness. The light footstep moved about the kitchen, followed by the sound of the sweeping brush, hardly making so much noise as the lightest breeze that chases the autumn leaves along the dusty path; and Adam’s imagination saw a dimpled face, with dark bright eyes and roguish smiles looking backward at this brush, and a rounded figure just leaning a little to clasp the handle. A very foolish thought—it could not be Hetty; but the only way of dismissing such nonsense from his head was to go and see who it was, for his fancy only got nearer and nearer to belief while he stood there listening. He loosed the plank and went to the kitchen door.
He had just entered the workshop when his sharp ear caught the sound of light, quick footsteps on the stairs—definitely not his mother’s. He had been asleep in bed when Dinah came in that evening, and now he wondered whose footsteps they could be. A silly thought crossed his mind, unsettling him. What if it was Hetty? She was the last person who would be in the house. And yet, he felt hesitant to go look and confirm that it was someone else. He leaned on a plank he had picked up, listening to sounds that his imagination turned into something so pleasant that his strong, sharp features softened into a timid tenderness. The light footsteps moved around the kitchen, followed by the sound of a broom sweeping, barely making more noise than the softest breeze rustling autumn leaves along a dusty path; Adam's imagination conjured up a dimpled face, with bright dark eyes and playful smiles looking back at the broom, and a rounded figure slightly leaning to grasp the handle. It was a very silly thought—it couldn’t be Hetty; but the only way to dispel such nonsense from his mind was to go see who it was, as his imagination only grew closer to believing while he stood there listening. He put down the plank and walked to the kitchen door.
“How do you do, Adam Bede?” said Dinah, in her calm treble, pausing from her sweeping and fixing her mild grave eyes upon him. “I trust you feel rested and strengthened again to bear the burden and heat of the day.”
"How's it going, Adam Bede?" Dinah said in her calm voice, pausing from her sweeping and fixing her gentle, serious eyes on him. "I hope you're feeling rested and ready to handle the burden and heat of the day."
It was like dreaming of the sunshine and awaking in the moonlight. Adam had seen Dinah several times, but always at the Hall Farm, where he was not very vividly conscious of any woman’s presence except Hetty’s, and he had only in the last day or two begun to suspect that Seth was in love with her, so that his attention had not hitherto been drawn towards her for his brother’s sake. But now her slim figure, her plain black gown, and her pale serene face impressed him with all the force that belongs to a reality contrasted with a preoccupying fancy. For the first moment or two he made no answer, but looked at her with the concentrated, examining glance which a man gives to an object in which he has suddenly begun to be interested. Dinah, for the first time in her life, felt a painful self-consciousness; there was something in the dark penetrating glance of this strong man so different from the mildness and timidity of his brother Seth. A faint blush came, which deepened as she wondered at it. This blush recalled Adam from his forgetfulness.
It was like dreaming of sunshine and waking up to moonlight. Adam had seen Dinah several times, but always at Hall Farm, where he wasn’t really aware of any woman’s presence except Hetty’s. Just in the last day or two, he had started to suspect that Seth had feelings for her, so he hadn’t really paid much attention to her for his brother’s sake. But now, her slender figure, her simple black dress, and her pale, calm face struck him with all the impact of a reality contrasting with a distracting fantasy. For the first moment or two, he didn’t respond but looked at her with the focused, scrutinizing gaze a man gives to something he suddenly finds intriguing. Dinah, for the first time in her life, felt a painful self-consciousness; there was something in the strong man’s dark, penetrating gaze that was so different from the gentleness and shyness of his brother Seth. A slight blush appeared, deepening as she wondered about it. This blush brought Adam back from his distraction.
“I was quite taken by surprise; it was very good of you to come and see my mother in her trouble,” he said, in a gentle grateful tone, for his quick mind told him at once how she came to be there. “I hope my mother was thankful to have you,” he added, wondering rather anxiously what had been Dinah’s reception.
“I was really surprised; it was so kind of you to come and see my mom during this tough time,” he said, in a gently grateful tone, as his quick mind immediately figured out how she ended up there. “I hope my mom appreciated having you here,” he added, feeling a bit anxious about how Dinah had been received.
“Yes,” said Dinah, resuming her work, “she seemed greatly comforted after a while, and she’s had a good deal of rest in the night, by times. She was fast asleep when I left her.”
“Yeah,” Dinah said, going back to her work, “she seemed a lot better after some time, and she got quite a bit of rest last night, occasionally. She was sound asleep when I left her.”
“Who was it took the news to the Hall Farm?” said Adam, his thoughts reverting to some one there; he wondered whether she had felt anything about it.
“Who took the news to the Hall Farm?” Adam asked, his mind drifting to someone there; he wondered if she had felt anything about it.
“It was Mr. Irwine, the clergyman, told me, and my aunt was grieved for your mother when she heard it, and wanted me to come; and so is my uncle, I’m sure, now he’s heard it, but he was gone out to Rosseter all yesterday. They’ll look for you there as soon as you’ve got time to go, for there’s nobody round that hearth but what’s glad to see you.”
“It was Mr. Irwine, the clergyman, who told me, and my aunt was sad about your mother when she heard the news and wanted me to come; and I’m sure my uncle feels the same now that he’s heard it, but he was out in Rosseter all yesterday. They’ll be looking for you there as soon as you have time to go, because everyone around that hearth is happy to see you.”
Dinah, with her sympathetic divination, knew quite well that Adam was longing to hear if Hetty had said anything about their trouble; she was too rigorously truthful for benevolent invention, but she had contrived to say something in which Hetty was tacitly included. Love has a way of cheating itself consciously, like a child who plays at solitary hide-and-seek; it is pleased with assurances that it all the while disbelieves. Adam liked what Dinah had said so much that his mind was directly full of the next visit he should pay to the Hall Farm, when Hetty would perhaps behave more kindly to him than she had ever done before.
Dinah, with her insightful intuition, understood that Adam was eager to find out if Hetty had mentioned anything about their issue; she was too committed to honesty to make up a story, but she managed to say something that included Hetty without directly naming her. Love has a way of fooling itself, much like a child playing a game of hide-and-seek alone; it takes comfort in reassurances it deep down doubts. Adam was so taken with what Dinah had said that he couldn’t help but think about his next visit to the Hall Farm, hoping that Hetty would treat him more kindly than she ever had before.
“But you won’t be there yourself any longer?” he said to Dinah.
"But you won't be there yourself anymore?" he said to Dinah.
“No, I go back to Snowfield on Saturday, and I shall have to set out to Treddleston early, to be in time for the Oakbourne carrier. So I must go back to the farm to-night, that I may have the last day with my aunt and her children. But I can stay here all to-day, if your mother would like me; and her heart seemed inclined towards me last night.”
“No, I'm going back to Snowfield on Saturday, and I need to leave for Treddleston early to catch the Oakbourne carrier. So, I should head back to the farm tonight to spend my last day with my aunt and her kids. But I can stay here all day if your mom would like me to; she seemed to warm up to me last night.”
“Ah, then, she’s sure to want you to-day. If mother takes to people at the beginning, she’s sure to get fond of ’em; but she’s a strange way of not liking young women. Though, to be sure,” Adam went on, smiling, “her not liking other young women is no reason why she shouldn’t like you.”
“Ah, then, she’s definitely going to want you today. If mom likes someone from the start, she’s sure to get attached to them; but she has a peculiar way of not being fond of young women. Still,” Adam continued, smiling, “the fact that she doesn’t like other young women doesn’t mean she won’t like you.”
Hitherto Gyp had been assisting at this conversation in motionless silence, seated on his haunches, and alternately looking up in his master’s face to watch its expression and observing Dinah’s movements about the kitchen. The kind smile with which Adam uttered the last words was apparently decisive with Gyp of the light in which the stranger was to be regarded, and as she turned round after putting aside her sweeping-brush, he trotted towards her and put up his muzzle against her hand in a friendly way.
Until now, Gyp had been silently listening to this conversation, sitting on his haunches and alternating between looking up at his master’s face to gauge his expression and watching Dinah as she moved around the kitchen. The kind smile with which Adam said his last words seemed to influence how Gyp viewed the stranger, and when Dinah turned around after putting down her broom, he trotted over to her and gently nudged her hand with his muzzle in a friendly manner.
“You see Gyp bids you welcome,” said Adam, “and he’s very slow to welcome strangers.”
“You see, Gyp is welcoming you,” said Adam, “and he usually takes his time to greet strangers.”
“Poor dog!” said Dinah, patting the rough grey coat, “I’ve a strange feeling about the dumb things as if they wanted to speak, and it was a trouble to ’em because they couldn’t. I can’t help being sorry for the dogs always, though perhaps there’s no need. But they may well have more in them than they know how to make us understand, for we can’t say half what we feel, with all our words.”
“Poor dog!” said Dinah, stroking the rough grey fur. “I have a weird feeling about these dumb animals, as if they want to talk, and it frustrates them that they can't. I can't help but feel sorry for dogs all the time, even if it might not be necessary. But they might have more inside them than they can express to us, because we can barely say half of what we feel, despite all the words we have.”
Seth came down now, and was pleased to find Adam talking with Dinah; he wanted Adam to know how much better she was than all other women. But after a few words of greeting, Adam drew him into the workshop to consult about the coffin, and Dinah went on with her cleaning.
Seth came down now and was glad to see Adam chatting with Dinah; he wanted Adam to realize how much better she was than all the other women. But after a few words of greeting, Adam pulled him into the workshop to discuss the coffin, and Dinah continued with her cleaning.
By six o’clock they were all at breakfast with Lisbeth in a kitchen as clean as she could have made it herself. The window and door were open, and the morning air brought with it a mingled scent of southernwood, thyme, and sweet-briar from the patch of garden by the side of the cottage. Dinah did not sit down at first, but moved about, serving the others with the warm porridge and the toasted oat-cake, which she had got ready in the usual way, for she had asked Seth to tell her just what his mother gave them for breakfast. Lisbeth had been unusually silent since she came downstairs, apparently requiring some time to adjust her ideas to a state of things in which she came down like a lady to find all the work done, and sat still to be waited on. Her new sensations seemed to exclude the remembrance of her grief. At last, after tasting the porridge, she broke silence:
By six o'clock, everyone was having breakfast with Lisbeth in a kitchen as clean as she could make it herself. The window and door were open, and the morning air brought a mix of scents from southernwood, thyme, and sweet-briar from the garden patch by the side of the cottage. Dinah didn’t sit down at first but moved around, serving the others warm porridge and toasted oat-cake, which she had prepared in the usual way, since she had asked Seth to tell her exactly what his mother made for breakfast. Lisbeth had been unusually quiet since coming downstairs, apparently needing some time to adjust to the situation where she came down like a lady to find all the work done and could sit still while being waited on. Her new feelings seemed to push aside any memory of her grief. Finally, after tasting the porridge, she broke the silence:
“Ye might ha’ made the parridge worse,” she said to Dinah; “I can ate it wi’out its turnin’ my stomach. It might ha’ been a trifle thicker an’ no harm, an’ I allays putten a sprig o’ mint in mysen; but how’s ye t’ know that? The lads arena like to get folks as ’ll make their parridge as I’n made it for ’em; it’s well if they get onybody as ’ll make parridge at all. But ye might do, wi’ a bit o’ showin’; for ye’re a stirrin’ body in a mornin’, an’ ye’ve a light heel, an’ ye’ve cleaned th’ house well enough for a ma’shift.”
"You might have made the porridge worse," she said to Dinah; "I can eat it without it turning my stomach. It could have been a bit thicker and that wouldn't have hurt, and I always put a sprig of mint in mine; but how would you know that? The lads aren't likely to find anyone who will make their porridge like I've made it for them; it's a miracle if they get anyone who will make porridge at all. But you might do well with a little guidance; because you're an energetic person in the morning, and you have a light touch, and you've cleaned the house well enough for a temporary fix."
“Makeshift, mother?” said Adam. “Why, I think the house looks beautiful. I don’t know how it could look better.”
“Makeshift, Mom?” said Adam. “I think the house looks beautiful. I don’t see how it could look any better.”
“Thee dostna know? Nay; how’s thee to know? Th’ men ne’er know whether the floor’s cleaned or cat-licked. But thee’lt know when thee gets thy parridge burnt, as it’s like enough to be when I’n gi’en o’er makin’ it. Thee’lt think thy mother war good for summat then.”
“Don’t you know? No; how would you know? The men never know if the floor's been cleaned or just licked by the cat. But you'll find out when your porridge gets burnt, which is likely to happen when I stop making it. You’ll wish your mother was good for something then.”
“Dinah,” said Seth, “do come and sit down now and have your breakfast. We’re all served now.”
“Dinah,” Seth said, “come sit down and have your breakfast. We’re all ready now.”
“Aye, come an’ sit ye down—do,” said Lisbeth, “an’ ate a morsel; ye’d need, arter bein’ upo’ your legs this hour an’ half a’ready. Come, then,” she added, in a tone of complaining affection, as Dinah sat down by her side, “I’ll be loath for ye t’ go, but ye canna stay much longer, I doubt. I could put up wi’ ye i’ th’ house better nor wi’ most folks.”
"Come and sit down," said Lisbeth, "and have a bite to eat; you must be hungry after being on your feet for an hour and a half already. Come on," she added in a tone that mixed complaint with affection as Dinah sat down next to her, "I'll hate for you to leave, but I doubt you can stay much longer. I could put up with you in the house better than most people."
“I’ll stay till to-night if you’re willing,” said Dinah. “I’d stay longer, only I’m going back to Snowfield on Saturday, and I must be with my aunt to-morrow.”
“I’ll stay until tonight if you're okay with that,” said Dinah. “I’d stay longer, but I’m heading back to Snowfield on Saturday, and I need to be with my aunt tomorrow.”
“Eh, I’d ne’er go back to that country. My old man come from that Stonyshire side, but he left it when he war a young un, an’ i’ the right on’t too; for he said as there war no wood there, an’ it ’ud ha’ been a bad country for a carpenter.”
“Eh, I’d never go back to that country. My dad came from that Stonyshire side, but he left when he was young, and rightfully so; because he said there was no wood there, and it would have been a bad place for a carpenter.”
“Ah,” said Adam, “I remember father telling me when I was a little lad that he made up his mind if ever he moved it should be south’ard. But I’m not so sure about it. Bartle Massey says—and he knows the South—as the northern men are a finer breed than the southern, harder-headed and stronger-bodied, and a deal taller. And then he says in some o’ those counties it’s as flat as the back o’ your hand, and you can see nothing of a distance without climbing up the highest trees. I couldn’t abide that. I like to go to work by a road that’ll take me up a bit of a hill, and see the fields for miles round me, and a bridge, or a town, or a bit of a steeple here and there. It makes you feel the world’s a big place, and there’s other men working in it with their heads and hands besides yourself.”
“Ah,” Adam said, “I remember my dad telling me when I was a kid that he decided if he ever moved, it would be south. But I’m not so sure about that. Bartle Massey says—and he knows the South—that northern people are a better breed than those from the south; they’re tougher, stronger, and usually taller. Plus, he says in some of those counties it's as flat as your hand, and you can't see anything in the distance without climbing the tallest trees. I couldn't stand that. I like to work along a road that goes up a hill, so I can see fields for miles around, and a bridge, or a town, or a steeple here and there. It makes you feel like the world’s a big place, and there are other people working with their heads and hands besides just you.”
“I like th’ hills best,” said Seth, “when the clouds are over your head and you see the sun shining ever so far off, over the Loamford way, as I’ve often done o’ late, on the stormy days. It seems to me as if that was heaven where there’s always joy and sunshine, though this life’s dark and cloudy.”
“I like the hills the most,” said Seth, “when the clouds are overhead and you can see the sun shining way off in the distance, over the Loamford area, like I’ve often seen lately on those stormy days. It feels to me like that’s heaven, where there’s always happiness and sunshine, even though this life is dark and cloudy.”
“Oh, I love the Stonyshire side,” said Dinah; “I shouldn’t like to set my face towards the countries where they’re rich in corn and cattle, and the ground so level and easy to tread; and to turn my back on the hills where the poor people have to live such a hard life and the men spend their days in the mines away from the sunlight. It’s very blessed on a bleak cold day, when the sky is hanging dark over the hill, to feel the love of God in one’s soul, and carry it to the lonely, bare, stone houses, where there’s nothing else to give comfort.”
“Oh, I love the Stonyshire side,” said Dinah; “I wouldn’t want to head towards the places where they have plenty of grain and livestock, and the land is so flat and easy to walk on; and turn my back on the hills where the less fortunate have to endure such a tough life and men spend their days in the mines away from the sunlight. It’s truly a blessing on a chilly, bleak day when the sky hangs dark over the hills, to feel God’s love in your soul and take it to the lonely, bare, stone houses, where there’s nothing else to offer comfort.”
“Eh!” said Lisbeth, “that’s very well for ye to talk, as looks welly like the snowdrop-flowers as ha’ lived for days an’ days when I’n gethered ’em, wi’ nothin’ but a drop o’ water an’ a peep o’ daylight; but th’ hungry foulks had better leave th’ hungry country. It makes less mouths for the scant cake. But,” she went on, looking at Adam, “donna thee talk o’ goin’ south’ard or north’ard, an’ leavin’ thy feyther and mother i’ the churchyard, an’ goin’ to a country as they know nothin’ on. I’ll ne’er rest i’ my grave if I donna see thee i’ the churchyard of a Sunday.”
“Eh!” said Lisbeth, “it’s easy for you to talk. Those snowdrop flowers look good and have lived for days when I’ve gathered them with just a little water and some daylight; but the hungry folks should really leave the starving country. It means fewer mouths to feed with the meager food. But,” she continued, looking at Adam, “don’t talk about going south or north and leaving your father and mother in the churchyard, heading off to a place they know nothing about. I’ll never rest in my grave if I don’t see you in the churchyard on a Sunday.”
“Donna fear, mother,” said Adam. “If I hadna made up my mind not to go, I should ha’ been gone before now.”
“Don’t worry, Mom,” said Adam. “If I hadn’t decided not to go, I would have left already.”
He had finished his breakfast now, and rose as he was speaking.
He had finished his breakfast and stood up as he was talking.
“What art goin’ to do?” asked Lisbeth. “Set about thy feyther’s coffin?”
“What are you going to do?” asked Lisbeth. “Are you going to take care of your father's coffin?”
“No, mother,” said Adam; “we’re going to take the wood to the village and have it made there.”
“No, Mom,” said Adam; “we’re going to take the wood to the village and have it made there.”
“Nay, my lad, nay,” Lisbeth burst out in an eager, wailing tone; “thee wotna let nobody make thy feyther’s coffin but thysen? Who’d make it so well? An’ him as know’d what good work war, an’s got a son as is the head o’ the village an’ all Treddles’on too, for cleverness.”
“Nah, my boy, nah,” Lisbeth exclaimed in an eager, crying voice; “aren’t you going to let anyone but yourself make your father’s coffin? Who could do it better? And he knew what good work was, plus he has a son who’s the smartest in the village and all of Treddles’on too.”
“Very well, mother, if that’s thy wish, I’ll make the coffin at home; but I thought thee wouldstna like to hear the work going on.”
“Alright, Mom, if that’s what you want, I’ll make the coffin at home; but I thought you wouldn’t want to hear the noise while I’m working.”
“An’ why shouldna I like ’t? It’s the right thing to be done. An’ what’s liking got to do wi’t? It’s choice o’ mislikings is all I’n got i’ this world. One morsel’s as good as another when your mouth’s out o’ taste. Thee mun set about it now this mornin’ fust thing. I wonna ha’ nobody to touch the coffin but thee.”
“Why shouldn’t I like it? It’s the right thing to do. And what does liking have to do with it? All I have in this world is a choice of things I don’t like. One bite is as good as another when your taste is gone. You must get started on it now first thing this morning. I don’t want anyone else to touch the coffin but you.”
Adam’s eyes met Seth’s, which looked from Dinah to him rather wistfully.
Adam’s eyes met Seth’s, who glanced from Dinah to him with a hint of longing.
“No, Mother,” he said, “I’ll not consent but Seth shall have a hand in it too, if it’s to be done at home. I’ll go to the village this forenoon, because Mr. Burge ’ull want to see me, and Seth shall stay at home and begin the coffin. I can come back at noon, and then he can go.”
“No, Mom,” he said, “I won’t agree unless Seth can be involved too if it’s going to be done at home. I’ll head to the village this morning because Mr. Burge wants to see me, and Seth can stay home and start on the coffin. I can return by noon, and then he can go.”
“Nay, nay,” persisted Lisbeth, beginning to cry, “I’n set my heart on’t as thee shalt ma’ thy feyther’s coffin. Thee’t so stiff an’ masterful, thee’t ne’er do as thy mother wants thee. Thee wast often angered wi’ thy feyther when he war alive; thee must be the better to him now he’s gone. He’d ha’ thought nothin’ on’t for Seth to ma’s coffin.”
“Naw, naw,” Lisbeth insisted, starting to cry, “I’m set on it just like you’ll make your father’s coffin. You’re so stubborn and controlling; you never do what your mother wants. You often got angry with your father when he was alive; you should be kinder to him now that he’s gone. He wouldn’t have thought anything of it for Seth to make his coffin.”
“Say no more, Adam, say no more,” said Seth, gently, though his voice told that he spoke with some effort; “Mother’s in the right. I’ll go to work, and do thee stay at home.”
“Don’t say anything else, Adam, don’t say anything else,” Seth said softly, though his voice showed that he was putting in some effort; “Mom’s right. I’ll get to work, and you just stay at home.”
He passed into the workshop immediately, followed by Adam; while Lisbeth, automatically obeying her old habits, began to put away the breakfast things, as if she did not mean Dinah to take her place any longer. Dinah said nothing, but presently used the opportunity of quietly joining the brothers in the workshop.
He went into the workshop right away, followed by Adam, while Lisbeth, sticking to her old routines, started to clean up the breakfast items, as if she didn't plan to let Dinah take over anymore. Dinah said nothing but eventually took the chance to quietly join the brothers in the workshop.
They had already got on their aprons and paper caps, and Adam was standing with his left hand on Seth’s shoulder, while he pointed with the hammer in his right to some boards which they were looking at. Their backs were turned towards the door by which Dinah entered, and she came in so gently that they were not aware of her presence till they heard her voice saying, “Seth Bede!” Seth started, and they both turned round. Dinah looked as if she did not see Adam, and fixed her eyes on Seth’s face, saying with calm kindness, “I won’t say farewell. I shall see you again when you come from work. So as I’m at the farm before dark, it will be quite soon enough.”
They had already put on their aprons and paper caps, and Adam was standing with his left hand on Seth’s shoulder while pointing with a hammer in his right hand at some boards they were examining. Their backs were to the door through which Dinah entered, and she came in so quietly that they didn’t notice her until they heard her say, “Seth Bede!” Seth jumped, and they both turned around. Dinah looked like she didn’t see Adam and focused her gaze on Seth’s face, speaking with calm kindness, “I won’t say goodbye. I’ll see you again when you finish work. Since I’ll be at the farm before dark, that will be soon enough.”
“Thank you, Dinah; I should like to walk home with you once more. It’ll perhaps be the last time.”
“Thanks, Dinah; I’d like to walk home with you one more time. It might be the last chance.”
There was a little tremor in Seth’s voice. Dinah put out her hand and said, “You’ll have sweet peace in your mind to-day, Seth, for your tenderness and long-suffering towards your aged mother.”
There was a slight shake in Seth's voice. Dinah reached out her hand and said, "You’ll have peace of mind today, Seth, for your kindness and patience towards your elderly mother."
She turned round and left the workshop as quickly and quietly as she had entered it. Adam had been observing her closely all the while, but she had not looked at him. As soon as she was gone, he said, “I don’t wonder at thee for loving her, Seth. She’s got a face like a lily.”
She turned around and left the workshop as quickly and quietly as she had entered. Adam had been watching her closely the whole time, but she hadn’t looked at him. As soon as she was gone, he said, “I can’t blame you for loving her, Seth. She has a face like a lily.”
Seth’s soul rushed to his eyes and lips: he had never yet confessed his secret to Adam, but now he felt a delicious sense of disburdenment, as he answered, “Aye, Addy, I do love her—too much, I doubt. But she doesna love me, lad, only as one child o’ God loves another. She’ll never love any man as a husband—that’s my belief.”
Seth's soul surged to his eyes and lips: he had never confessed his secret to Adam, but now he felt a thrilling sense of relief as he replied, "Yeah, Addy, I do love her—maybe too much. But she doesn't love me, man, only as one child of God loves another. I don't think she'll ever love any man as a husband."
“Nay, lad, there’s no telling; thee mustna lose heart. She’s made out o’ stuff with a finer grain than most o’ the women; I can see that clear enough. But if she’s better than they are in other things, I canna think she’ll fall short of ’em in loving.”
“Nah, kid, there’s no way to know; you mustn’t lose hope. She’s made of something better than most women; I can see that clearly. But if she’s better than they are in other ways, I can’t believe she would be lacking in love.”
No more was said. Seth set out to the village, and Adam began his work on the coffin.
No more was said. Seth headed to the village, and Adam started working on the coffin.
“God help the lad, and me too,” he thought, as he lifted the board. “We’re like enough to find life a tough job—hard work inside and out. It’s a strange thing to think of a man as can lift a chair with his teeth and walk fifty mile on end, trembling and turning hot and cold at only a look from one woman out of all the rest i’ the world. It’s a mystery we can give no account of; but no more we can of the sprouting o’ the seed, for that matter.”
“God help the kid, and me too,” he thought as he picked up the board. “We’re probably going to find life to be a tough job—hard work inside and out. It’s strange to think about a man who can lift a chair with his teeth and walk fifty miles straight, shaking and getting hot and cold at just a glance from one woman out of all the others in the world. It’s a mystery we can’t explain; just like we can’t explain how a seed sprouts, for that matter.”
Chapter XII
In the Wood
That same Thursday morning, as Arthur Donnithorne was moving about in his dressing-room seeing his well-looking British person reflected in the old-fashioned mirrors, and stared at, from a dingy olive-green piece of tapestry, by Pharaoh’s daughter and her maidens, who ought to have been minding the infant Moses, he was holding a discussion with himself, which, by the time his valet was tying the black silk sling over his shoulder, had issued in a distinct practical resolution.
That same Thursday morning, as Arthur Donnithorne was getting ready in his dressing room and admiring his good-looking British self in the old-fashioned mirrors, he was being watched from a faded olive-green piece of tapestry by Pharaoh’s daughter and her maidens, who were supposed to be taking care of the baby Moses. He was having a conversation with himself, which, by the time his valet was tying the black silk sling over his shoulder, had led to a clear practical decision.
“I mean to go to Eagledale and fish for a week or so,” he said aloud. “I shall take you with me, Pym, and set off this morning; so be ready by half-past eleven.”
“I plan to go to Eagledale and fish for about a week,” he said out loud. “I’ll take you with me, Pym, and we’ll leave this morning; so be ready by half-past eleven.”
The low whistle, which had assisted him in arriving at this resolution, here broke out into his loudest ringing tenor, and the corridor, as he hurried along it, echoed to his favourite song from the Beggar’s Opera, “When the heart of a man is oppressed with care.” Not an heroic strain; nevertheless Arthur felt himself very heroic as he strode towards the stables to give his orders about the horses. His own approbation was necessary to him, and it was not an approbation to be enjoyed quite gratuitously; it must be won by a fair amount of merit. He had never yet forfeited that approbation, and he had considerable reliance on his own virtues. No young man could confess his faults more candidly; candour was one of his favourite virtues; and how can a man’s candour be seen in all its lustre unless he has a few failings to talk of? But he had an agreeable confidence that his faults were all of a generous kind—impetuous, warm-blooded, leonine; never crawling, crafty, reptilian. It was not possible for Arthur Donnithorne to do anything mean, dastardly, or cruel. “No! I’m a devil of a fellow for getting myself into a hobble, but I always take care the load shall fall on my own shoulders.” Unhappily, there is no inherent poetical justice in hobbles, and they will sometimes obstinately refuse to inflict their worst consequences on the prime offender, in spite of his loudly expressed wish. It was entirely owing to this deficiency in the scheme of things that Arthur had ever brought any one into trouble besides himself. He was nothing if not good-natured; and all his pictures of the future, when he should come into the estate, were made up of a prosperous, contented tenantry, adoring their landlord, who would be the model of an English gentleman—mansion in first-rate order, all elegance and high taste—jolly housekeeping, finest stud in Loamshire—purse open to all public objects—in short, everything as different as possible from what was now associated with the name of Donnithorne. And one of the first good actions he would perform in that future should be to increase Irwine’s income for the vicarage of Hayslope, so that he might keep a carriage for his mother and sisters. His hearty affection for the rector dated from the age of frocks and trousers. It was an affection partly filial, partly fraternal—fraternal enough to make him like Irwine’s company better than that of most younger men, and filial enough to make him shrink strongly from incurring Irwine’s disapprobation.
The low whistle that helped him come to this decision erupted into his loudest ringing tenor, and the corridor echoed with his favorite song from the Beggar’s Opera, “When the heart of a man is oppressed with care.” It wasn’t an inspiring tune, but Arthur felt very heroic as he walked toward the stables to give his orders about the horses. He needed his own approval, and it wasn’t something he could take for granted; he had to earn it with real merit. He had never lost that approval, and he had a strong belief in his own virtues. No young man could admit his flaws more openly; honesty was one of his favorite traits, and how can a man’s honesty shine unless he has a few faults to discuss? But he was confidently convinced that his faults were all noble—impulsive, passionate, lion-hearted; never sneaky, cunning, or deceitful. Arthur Donnithorne couldn’t do anything mean, cowardly, or cruel. “No! I’m a reckless guy who gets himself into trouble, but I always make sure the burden falls on my own shoulders.” Unfortunately, there’s no inherent poetic justice in troubles, and they can sometimes stubbornly refuse to deliver the worst consequences to the main culprit, despite his loud protests. It was entirely because of this flaw in the way things worked that Arthur had ever dragged anyone else into trouble besides himself. He was nothing if not good-natured; all his visions of the future, when he would inherit the estate, were filled with a thriving, happy community of tenants who adored their landlord, who would be the model of an English gentleman—a mansion in top condition, all elegance and style—cheerful hospitality, the finest horse collection in Loamshire—a generous benefactor for all public needs—in short, everything as different as possible from what was currently associated with the name of Donnithorne. One of the first good things he would do in that future would be to increase Irwine’s income for the vicarage of Hayslope, so he could keep a carriage for his mother and sisters. His deep affection for the rector dated back to when he was a child. It was a mix of a son’s love and a brother’s bond—brotherly enough that he preferred Irwine’s company over most younger men, and son-like enough that he was deeply concerned about incurring Irwine’s disapproval.
You perceive that Arthur Donnithorne was “a good fellow”—all his college friends thought him such. He couldn’t bear to see any one uncomfortable; he would have been sorry even in his angriest moods for any harm to happen to his grandfather; and his Aunt Lydia herself had the benefit of that soft-heartedness which he bore towards the whole sex. Whether he would have self-mastery enough to be always as harmless and purely beneficent as his good-nature led him to desire, was a question that no one had yet decided against him; he was but twenty-one, you remember, and we don’t inquire too closely into character in the case of a handsome generous young fellow, who will have property enough to support numerous peccadilloes—who, if he should unfortunately break a man’s legs in his rash driving, will be able to pension him handsomely; or if he should happen to spoil a woman’s existence for her, will make it up to her with expensive bon-bons, packed up and directed by his own hand. It would be ridiculous to be prying and analytic in such cases, as if one were inquiring into the character of a confidential clerk. We use round, general, gentlemanly epithets about a young man of birth and fortune; and ladies, with that fine intuition which is the distinguishing attribute of their sex, see at once that he is “nice.” The chances are that he will go through life without scandalizing any one; a seaworthy vessel that no one would refuse to insure. Ships, certainly, are liable to casualties, which sometimes make terribly evident some flaw in their construction that would never have been discoverable in smooth water; and many a “good fellow,” through a disastrous combination of circumstances, has undergone a like betrayal.
You see that Arthur Donnithorne was considered "a good guy"—all his college friends thought so. He couldn’t stand to see anyone uncomfortable; he would have felt bad, even in his angriest moments, if anything happened to his grandfather; and his Aunt Lydia benefited from that kindness he showed toward everyone. Whether he would always be able to control himself enough to be as harmless and genuinely helpful as his good nature made him want to be was a question no one had ruled out against him; he was just twenty-one, after all, and we don’t scrutinize someone's character too closely when it comes to a handsome, generous young man who will have enough money to cover for many little misdeeds—who, if he were to accidentally injure someone with his reckless driving, could afford to take care of them for life; or if he ruined a woman’s life, could make it up to her with expensive treats, personally packaged and sent. It would be ridiculous to pry and analyze in such cases, as if we were assessing the character of a trusted employee. We use broad, polite, gentlemanly terms for a young man of noble birth and wealth; and women, with their excellent intuition, quickly see that he is "nice." The odds are that he will get through life without causing any scandals—like a solid ship that no one would hesitate to insure. Of course, ships can encounter accidents that sometimes reveal serious flaws in their design that would never have shown up in calm waters; and many a "good guy," due to a disastrous mix of circumstances, has faced a similar betrayal.
But we have no fair ground for entertaining unfavourable auguries concerning Arthur Donnithorne, who this morning proves himself capable of a prudent resolution founded on conscience. One thing is clear: Nature has taken care that he shall never go far astray with perfect comfort and satisfaction to himself; he will never get beyond that border-land of sin, where he will be perpetually harassed by assaults from the other side of the boundary. He will never be a courtier of Vice, and wear her orders in his button-hole.
But we have no reason to think negatively about Arthur Donnithorne, who this morning shows he's capable of making a wise decision based on his conscience. One thing is clear: Nature has ensured that he won't stray too far from the right path, where he can feel completely comfortable and satisfied with himself; he will never cross into that gray area of wrongdoing, where he'll constantly be troubled by temptations from the other side. He will never be a servant of Vice, flaunting her symbols in his clothing.
It was about ten o’clock, and the sun was shining brilliantly; everything was looking lovelier for the yesterday’s rain. It is a pleasant thing on such a morning to walk along the well-rolled gravel on one’s way to the stables, meditating an excursion. But the scent of the stables, which, in a natural state of things, ought to be among the soothing influences of a man’s life, always brought with it some irritation to Arthur. There was no having his own way in the stables; everything was managed in the stingiest fashion. His grandfather persisted in retaining as head groom an old dolt whom no sort of lever could move out of his old habits, and who was allowed to hire a succession of raw Loamshire lads as his subordinates, one of whom had lately tested a new pair of shears by clipping an oblong patch on Arthur’s bay mare. This state of things is naturally embittering; one can put up with annoyances in the house, but to have the stable made a scene of vexation and disgust is a point beyond what human flesh and blood can be expected to endure long together without danger of misanthropy.
It was around ten o’clock, and the sun was shining brightly; everything looked prettier thanks to yesterday’s rain. It’s nice to walk along the well-packed gravel on a morning like this while thinking about an outing. But the smell of the stables, which should normally be one of the comforting parts of a man’s life, always irritated Arthur. He couldn’t get his way in the stables; everything was run in the most miserly way. His grandfather insisted on keeping an old fool as the head groom, someone who couldn’t be budged from his old routines, and he was allowed to hire a string of inexperienced local lads as his assistants, one of whom recently used a new pair of shears to give Arthur’s bay mare an odd patch haircut. This situation is understandably frustrating; you can tolerate annoyances in the house, but having the stable turn into a source of irritation and disgust is more than any person can handle for long without risking becoming misanthropic.
Old John’s wooden, deep-wrinkled face was the first object that met Arthur’s eyes as he entered the stable-yard, and it quite poisoned for him the bark of the two bloodhounds that kept watch there. He could never speak quite patiently to the old blockhead.
Old John’s wooden, deeply wrinkled face was the first thing Arthur noticed as he walked into the stable yard, and it completely ruined the sound of the two bloodhounds barking nearby. He could never talk to the old fool without losing his patience.
“You must have Meg saddled for me and brought to the door at half-past eleven, and I shall want Rattler saddled for Pym at the same time. Do you hear?”
“You need to have Meg saddled up for me and ready at the door by half-past eleven, and I also want Rattler saddled for Pym at the same time. Got it?”
“Yes, I hear, I hear, Cap’n,” said old John very deliberately, following the young master into the stable. John considered a young master as the natural enemy of an old servant, and young people in general as a poor contrivance for carrying on the world.
“Yes, I hear, I hear, Captain,” said old John very deliberately, following the young master into the stable. John viewed a young master as the natural enemy of an old servant, and young people in general as a poor way to run the world.
Arthur went in for the sake of patting Meg, declining as far as possible to see anything in the stables, lest he should lose his temper before breakfast. The pretty creature was in one of the inner stables, and turned her mild head as her master came beside her. Little Trot, a tiny spaniel, her inseparable companion in the stable, was comfortably curled up on her back.
Arthur entered to give Meg some affection, trying his best to ignore anything in the stables so he wouldn't lose his temper before breakfast. The beautiful horse was in one of the inner stalls and turned her gentle head as her owner approached. Little Trot, a small spaniel and her constant companion in the stable, was happily curled up on her back.
“Well, Meg, my pretty girl,” said Arthur, patting her neck, “we’ll have a glorious canter this morning.”
“Well, Meg, my lovely girl,” said Arthur, patting her neck, “we’re going to have an amazing ride this morning.”
“Nay, your honour, I donna see as that can be,” said John.
“Nah, your honor, I don’t see how that can be,” said John.
“Not be? Why not?”
“Not be? Why not though?”
“Why, she’s got lamed.”
“Why, she’s gotten hurt.”
“Lamed, confound you! What do you mean?”
“Lamed, what the heck! What are you talking about?”
“Why, th’ lad took her too close to Dalton’s hosses, an’ one on ’em flung out at her, an’ she’s got her shank bruised o’ the near foreleg.”
“Why, the kid took her too close to Dalton’s horses, and one of them kicked at her, and she’s got her shin bruised on the near foreleg.”
The judicious historian abstains from narrating precisely what ensued. You understand that there was a great deal of strong language, mingled with soothing “who-ho’s” while the leg was examined; that John stood by with quite as much emotion as if he had been a cunningly carved crab-tree walking-stick, and that Arthur Donnithorne presently repassed the iron gates of the pleasure-ground without singing as he went.
The wise historian avoids telling exactly what happened next. You get that there was a lot of shouting, mixed with calming “who-ho’s” while the leg was checked; that John stood there as if he were a skillfully crafted walking stick, and that Arthur Donnithorne soon walked back through the iron gates of the garden without singing.
He considered himself thoroughly disappointed and annoyed. There was not another mount in the stable for himself and his servant besides Meg and Rattler. It was vexatious; just when he wanted to get out of the way for a week or two. It seemed culpable in Providence to allow such a combination of circumstances. To be shut up at the Chase with a broken arm when every other fellow in his regiment was enjoying himself at Windsor—shut up with his grandfather, who had the same sort of affection for him as for his parchment deeds! And to be disgusted at every turn with the management of the house and the estate! In such circumstances a man necessarily gets in an ill humour, and works off the irritation by some excess or other. “Salkeld would have drunk a bottle of port every day,” he muttered to himself, “but I’m not well seasoned enough for that. Well, since I can’t go to Eagledale, I’ll have a gallop on Rattler to Norburne this morning, and lunch with Gawaine.”
He felt totally disappointed and annoyed. There was no other horse in the stable for him and his servant besides Meg and Rattler. It was frustrating; just when he wanted to get away for a week or two. It seemed unfair of fate to let such a situation happen. To be stuck at the Chase with a broken arm while everyone else in his regiment was having a great time at Windsor—stuck with his grandfather, who cared for him as much as for his old documents! And to be irritated at every turn with how the house and estate were managed! Under those circumstances, a person naturally gets in a bad mood and finds some way to let off steam. “Salkeld would have downed a bottle of port every day,” he muttered to himself, “but I’m not tough enough for that. Well, since I can’t go to Eagledale, I’ll take Rattler for a ride to Norburne this morning and have lunch with Gawaine.”
Behind this explicit resolution there lay an implicit one. If he lunched with Gawaine and lingered chatting, he should not reach the Chase again till nearly five, when Hetty would be safe out of his sight in the housekeeper’s room; and when she set out to go home, it would be his lazy time after dinner, so he should keep out of her way altogether. There really would have been no harm in being kind to the little thing, and it was worth dancing with a dozen ballroom belles only to look at Hetty for half an hour. But perhaps he had better not take any more notice of her; it might put notions into her head, as Irwine had hinted; though Arthur, for his part, thought girls were not by any means so soft and easily bruised; indeed, he had generally found them twice as cool and cunning as he was himself. As for any real harm in Hetty’s case, it was out of the question: Arthur Donnithorne accepted his own bond for himself with perfect confidence.
Behind this clear decision, there was an unspoken one. If he had lunch with Gawaine and stayed to chat, he wouldn’t get back to the Chase until nearly five, when Hetty would be safe out of his sight in the housekeeper’s room. And when she left to go home, it would be after dinner, so he could avoid her completely. There really wouldn’t be any problem with being nice to her, and it was worth dancing with a dozen ballroom beauties just to spend half an hour looking at Hetty. But maybe it was better not to pay her any more attention; it might give her ideas, as Irwine had suggested. Still, Arthur thought girls were not as soft and easily hurt as people made them out to be; in fact, he generally found them to be twice as cool and crafty as he was. As for any real trouble with Hetty, that was out of the question: Arthur Donnithorne was completely confident in his own ability to handle himself.
So the twelve o’clock sun saw him galloping towards Norburne; and by good fortune Halsell Common lay in his road and gave him some fine leaps for Rattler. Nothing like “taking” a few bushes and ditches for exorcising a demon; and it is really astonishing that the Centaurs, with their immense advantages in this way, have left so bad a reputation in history.
So the noon sun saw him racing towards Norburne; and luckily, Halsell Common was in his path and offered some great jumps for Rattler. There’s nothing like “taking” a few bushes and ditches to shake off a bad mood; and it’s really surprising that the Centaurs, with all their advantages, have such a poor reputation in history.
After this, you will perhaps be surprised to hear that although Gawaine was at home, the hand of the dial in the courtyard had scarcely cleared the last stroke of three when Arthur returned through the entrance-gates, got down from the panting Rattler, and went into the house to take a hasty luncheon. But I believe there have been men since his day who have ridden a long way to avoid a rencontre, and then galloped hastily back lest they should miss it. It is the favourite stratagem of our passions to sham a retreat, and to turn sharp round upon us at the moment we have made up our minds that the day is our own.
After this, you might be surprised to hear that even though Gawaine was home, the hand of the dial in the courtyard had barely passed the last stroke of three when Arthur came back through the entrance gates, got off the panting Rattler, and went into the house for a quick lunch. But I believe there have been guys since his time who have ridden a long way to avoid a meeting, only to rush back so they wouldn’t miss it. It’s a common trick of our emotions to fake a retreat and then turn sharply on us right when we think we’ve got the day in our favor.
“The cap’n’s been ridin’ the devil’s own pace,” said Dalton the coachman, whose person stood out in high relief as he smoked his pipe against the stable wall, when John brought up Rattler.
“The captain's been going at a crazy pace,” said Dalton the coachman, whose figure was clearly visible as he smoked his pipe against the stable wall when John brought up Rattler.
“An’ I wish he’d get the devil to do’s grooming for’n,” growled John.
“Man, I wish he’d let the devil handle his grooming for him,” grumbled John.
“Aye; he’d hev a deal haimabler groom nor what he has now,” observed Dalton—and the joke appeared to him so good that, being left alone upon the scene, he continued at intervals to take his pipe from his mouth in order to wink at an imaginary audience and shake luxuriously with a silent, ventral laughter, mentally rehearsing the dialogue from the beginning, that he might recite it with effect in the servants’ hall.
“Yeah; he’d have a way nicer groom than what he has now,” Dalton remarked—and he found the joke so funny that, after being left alone at the scene, he kept pausing to take his pipe out of his mouth to wink at an imaginary audience and shake with a silent, belly laugh, mentally going over the dialogue from the beginning so he could tell it with impact in the servants’ hall.
When Arthur went up to his dressing-room again after luncheon, it was inevitable that the debate he had had with himself there earlier in the day should flash across his mind; but it was impossible for him now to dwell on the remembrance—impossible to recall the feelings and reflections which had been decisive with him then, any more than to recall the peculiar scent of the air that had freshened him when he first opened his window. The desire to see Hetty had rushed back like an ill-stemmed current; he was amazed himself at the force with which this trivial fancy seemed to grasp him: he was even rather tremulous as he brushed his hair—pooh! it was riding in that break-neck way. It was because he had made a serious affair of an idle matter, by thinking of it as if it were of any consequence. He would amuse himself by seeing Hetty to-day, and get rid of the whole thing from his mind. It was all Irwine’s fault. “If Irwine had said nothing, I shouldn’t have thought half so much of Hetty as of Meg’s lameness.” However, it was just the sort of day for lolling in the Hermitage, and he would go and finish Dr. Moore’s Zeluco there before dinner. The Hermitage stood in Fir-tree Grove—the way Hetty was sure to come in walking from the Hall Farm. So nothing could be simpler and more natural: meeting Hetty was a mere circumstance of his walk, not its object.
When Arthur went back to his dressing room after lunch, it was inevitable that the debate he had with himself earlier in the day would come to mind; however, he couldn't focus on those memories now—he couldn't recall the feelings and thoughts that had been so crucial to him then, just like he couldn't remember the unique scent of the air that had refreshed him when he first opened his window. The longing to see Hetty surged back unexpectedly; he was surprised by how intensely this seemingly trivial thought seized him: he even felt a bit nervous as he brushed his hair—ugh, it was a mess. It was because he had treated a casual matter seriously, thinking of it as if it really mattered. He would entertain himself by seeing Hetty today and then forget about the whole thing. It was all Irwine’s fault. “If Irwine hadn’t said anything, I wouldn’t have thought nearly as much about Hetty as I would about Meg’s lameness.” Still, it was just the kind of day for relaxing in the Hermitage, so he would go there and finish Dr. Moore’s Zeluco before dinner. The Hermitage was in Fir-tree Grove—the way Hetty was sure to come in walking from the Hall Farm. So, nothing could be simpler or more natural: running into Hetty was just a part of his walk, not its goal.
Arthur’s shadow flitted rather faster among the sturdy oaks of the Chase than might have been expected from the shadow of a tired man on a warm afternoon, and it was still scarcely four o’clock when he stood before the tall narrow gate leading into the delicious labyrinthine wood which skirted one side of the Chase, and which was called Fir-tree Grove, not because the firs were many, but because they were few. It was a wood of beeches and limes, with here and there a light silver-stemmed birch—just the sort of wood most haunted by the nymphs: you see their white sunlit limbs gleaming athwart the boughs, or peeping from behind the smooth-sweeping outline of a tall lime; you hear their soft liquid laughter—but if you look with a too curious sacrilegious eye, they vanish behind the silvery beeches, they make you believe that their voice was only a running brooklet, perhaps they metamorphose themselves into a tawny squirrel that scampers away and mocks you from the topmost bough. It was not a grove with measured grass or rolled gravel for you to tread upon, but with narrow, hollow-shaped, earthy paths, edged with faint dashes of delicate moss—paths which look as if they were made by the free will of the trees and underwood, moving reverently aside to look at the tall queen of the white-footed nymphs.
Arthur's shadow moved much quicker among the sturdy oaks of the Chase than you'd expect from a tired man on a warm afternoon, and it was barely four o'clock when he stood before the tall, narrow gate leading into the beautiful, winding wood that bordered one side of the Chase, called Fir-tree Grove—not because there were many firs, but because there were few. It was a woods of beeches and limes, with a few light silver-stemmed birches scattered about—just the kind of place most often visited by nymphs: you catch glimpses of their white, sunlit limbs shining through the branches, or peeking from behind the smooth curve of a tall lime; you hear their soft, flowing laughter—but if you look too closely, they disappear behind the silvery beeches, making you think their voice was just a babbling brook, or they might transform into a tawny squirrel that scampers away and mocks you from the highest branch. It wasn't a grove with neatly trimmed grass or rolled gravel for you to walk on, but with narrow, hollow-shaped dirt paths, lined with delicate moss—paths that seemed created by the natural will of the trees and underbrush, moving aside in reverence to admire the tall queen of the white-footed nymphs.
It was along the broadest of these paths that Arthur Donnithorne passed, under an avenue of limes and beeches. It was a still afternoon—the golden light was lingering languidly among the upper boughs, only glancing down here and there on the purple pathway and its edge of faintly sprinkled moss: an afternoon in which destiny disguises her cold awful face behind a hazy radiant veil, encloses us in warm downy wings, and poisons us with violet-scented breath. Arthur strolled along carelessly, with a book under his arm, but not looking on the ground as meditative men are apt to do; his eyes would fix themselves on the distant bend in the road round which a little figure must surely appear before long. Ah! There she comes. First a bright patch of colour, like a tropic bird among the boughs; then a tripping figure, with a round hat on, and a small basket under her arm; then a deep-blushing, almost frightened, but bright-smiling girl, making her curtsy with a fluttered yet happy glance, as Arthur came up to her. If Arthur had had time to think at all, he would have thought it strange that he should feel fluttered too, be conscious of blushing too—in fact, look and feel as foolish as if he had been taken by surprise instead of meeting just what he expected. Poor things! It was a pity they were not in that golden age of childhood when they would have stood face to face, eyeing each other with timid liking, then given each other a little butterfly kiss, and toddled off to play together. Arthur would have gone home to his silk-curtained cot, and Hetty to her home-spun pillow, and both would have slept without dreams, and to-morrow would have been a life hardly conscious of a yesterday.
It was along the widest of these paths that Arthur Donnithorne walked, beneath a row of lime and beech trees. It was a calm afternoon—the golden light was lingering lazily among the branches, occasionally shining down on the soft purple path and its edge of lightly sprinkled moss: an afternoon when fate conceals her cold, terrifying face behind a hazy, radiant veil, wraps us in warm, soft wings, and fills the air with a sweet violet scent. Arthur strolled along casually, with a book under his arm, but not looking down as thoughtful people often do; his eyes would focus on the distant bend in the road, where a small figure would surely appear soon. Ah! Here she comes. First a bright splash of color, like a tropical bird among the branches; then a skipping figure, with a round hat on, and a small basket under her arm; then a deep-blushing, almost shy, but bright-smiling girl, making her curtsy with a flustered yet happy glance as Arthur approached her. If Arthur had had a moment to think, he would have found it strange that he felt flustered too, aware of his own blush—in fact, looking and feeling as silly as if he had been caught off guard instead of encountering exactly what he expected. Poor things! It was a shame they weren't in that golden age of childhood when they would have stood face to face, gazing at each other with shy affection, then exchanged a quick butterfly kiss, and run off to play. Arthur would have gone home to his silk-curtained bed, and Hetty to her simple pillow, and both would have slept without dreams, and tomorrow would feel like a life barely aware of a yesterday.
Arthur turned round and walked by Hetty’s side without giving a reason. They were alone together for the first time. What an overpowering presence that first privacy is! He actually dared not look at this little butter-maker for the first minute or two. As for Hetty, her feet rested on a cloud, and she was borne along by warm zephyrs; she had forgotten her rose-coloured ribbons; she was no more conscious of her limbs than if her childish soul had passed into a water-lily, resting on a liquid bed and warmed by the midsummer sun-beams. It may seem a contradiction, but Arthur gathered a certain carelessness and confidence from his timidity: it was an entirely different state of mind from what he had expected in such a meeting with Hetty; and full as he was of vague feeling, there was room, in those moments of silence, for the thought that his previous debates and scruples were needless.
Arthur turned around and walked alongside Hetty without explaining why. They were alone together for the first time. That first moment of privacy is so intense! He actually didn’t dare to look at the little butter-maker for a minute or two. As for Hetty, she felt like she was floating on a cloud, carried along by warm breezes; she had forgotten about her pink ribbons; she was as unaware of her body as if her young spirit had transformed into a waterlily, resting on a gentle surface and warmed by the summer sun. It might seem like a contradiction, but Arthur found a sense of carelessness and confidence in his shyness: it was a completely different mindset from what he had anticipated in meeting Hetty, and even though he was filled with vague emotions, there was space in those quiet moments for the thought that his earlier doubts and worries were pointless.
“You are quite right to choose this way of coming to the Chase,” he said at last, looking down at Hetty; “it is so much prettier as well as shorter than coming by either of the lodges.”
“You're absolutely right to take this path to the Chase,” he finally said, looking down at Hetty; “it's much prettier and shorter than going through either of the lodges.”
“Yes, sir,” Hetty answered, with a tremulous, almost whispering voice. She didn’t know one bit how to speak to a gentleman like Mr. Arthur, and her very vanity made her more coy of speech.
“Yes, sir,” Hetty replied, her voice shaking and almost a whisper. She had no idea how to talk to a gentleman like Mr. Arthur, and her own vanity made her even more hesitant to speak.
“Do you come every week to see Mrs. Pomfret?”
“Do you come every week to visit Mrs. Pomfret?”
“Yes, sir, every Thursday, only when she’s got to go out with Miss Donnithorne.”
“Yes, sir, every Thursday, only when she has to go out with Miss Donnithorne.”
“And she’s teaching you something, is she?”
“And she’s teaching you something, huh?”
“Yes, sir, the lace-mending as she learnt abroad, and the stocking-mending—it looks just like the stocking, you can’t tell it’s been mended; and she teaches me cutting-out too.”
“Yes, sir, the lace mending she learned while abroad, and the stocking mending—it looks just like the original stocking; you can’t tell it’s been repaired; and she teaches me how to cut out patterns too.”
“What! are you going to be a lady’s maid?”
“What! Are you going to be a lady’s maid?”
“I should like to be one very much indeed.” Hetty spoke more audibly now, but still rather tremulously; she thought, perhaps she seemed as stupid to Captain Donnithorne as Luke Britton did to her.
“I would really like to be one.” Hetty said a bit louder now, though still a little shakily; she wondered if she seemed as foolish to Captain Donnithorne as Luke Britton did to her.
“I suppose Mrs. Pomfret always expects you at this time?”
“I guess Mrs. Pomfret always expects you around this time?”
“She expects me at four o’clock. I’m rather late to-day, because my aunt couldn’t spare me; but the regular time is four, because that gives us time before Miss Donnithorne’s bell rings.”
“She expects me at four o’clock. I’m running late today because my aunt couldn’t let me go; but the usual time is four, since that gives us time before Miss Donnithorne’s bell rings.”
“Ah, then, I must not keep you now, else I should like to show you the Hermitage. Did you ever see it?”
“Ah, then I shouldn't keep you any longer, or else I would love to show you the Hermitage. Have you ever seen it?”
“No, sir.”
“No, thanks.”
“This is the walk where we turn up to it. But we must not go now. I’ll show it you some other time, if you’d like to see it.”
“This is the path where we go up to it. But we shouldn't go now. I can show it to you another time if you want to see it.”
“Yes, please, sir.”
“Yes, please, sir.”
“Do you always come back this way in the evening, or are you afraid to come so lonely a road?”
“Do you always take this way in the evening, or are you scared to walk such a lonely road?”
“Oh no, sir, it’s never late; I always set out by eight o’clock, and it’s so light now in the evening. My aunt would be angry with me if I didn’t get home before nine.”
“Oh no, sir, it’s never too late; I always leave by eight o'clock, and it’s really bright out in the evening now. My aunt would be upset with me if I didn’t get home before nine.”
“Perhaps Craig, the gardener, comes to take care of you?”
“Maybe Craig, the gardener, is coming to take care of you?”
A deep blush overspread Hetty’s face and neck. “I’m sure he doesn’t; I’m sure he never did; I wouldn’t let him; I don’t like him,” she said hastily, and the tears of vexation had come so fast that before she had done speaking a bright drop rolled down her hot cheek. Then she felt ashamed to death that she was crying, and for one long instant her happiness was all gone. But in the next she felt an arm steal round her, and a gentle voice said, “Why, Hetty, what makes you cry? I didn’t mean to vex you. I wouldn’t vex you for the world, you little blossom. Come, don’t cry; look at me, else I shall think you won’t forgive me.”
A deep blush spread across Hetty’s face and neck. “I’m sure he doesn’t; I’m sure he never did; I wouldn’t let him; I don’t like him,” she said quickly, and the tears of frustration came so fast that by the time she finished speaking, a bright drop rolled down her warm cheek. Then she felt incredibly ashamed to be crying, and for a long moment, all her happiness disappeared. But in the next moment, she felt an arm wrap around her, and a gentle voice said, “Hey, Hetty, what’s making you cry? I didn’t mean to upset you. I wouldn’t upset you for the world, you little flower. Come on, don’t cry; look at me, or I’ll think you won’t forgive me.”
Arthur had laid his hand on the soft arm that was nearest to him, and was stooping towards Hetty with a look of coaxing entreaty. Hetty lifted her long dewy lashes, and met the eyes that were bent towards her with a sweet, timid, beseeching look. What a space of time those three moments were while their eyes met and his arms touched her! Love is such a simple thing when we have only one-and-twenty summers and a sweet girl of seventeen trembles under our glance, as if she were a bud first opening her heart with wondering rapture to the morning. Such young unfurrowed souls roll to meet each other like two velvet peaches that touch softly and are at rest; they mingle as easily as two brooklets that ask for nothing but to entwine themselves and ripple with ever-interlacing curves in the leafiest hiding-places. While Arthur gazed into Hetty’s dark beseeching eyes, it made no difference to him what sort of English she spoke; and even if hoops and powder had been in fashion, he would very likely not have been sensible just then that Hetty wanted those signs of high breeding.
Arthur placed his hand on the soft arm closest to him and leaned towards Hetty with a pleading look. Hetty lifted her long, dewy lashes and met his gaze with a sweet, shy, imploring expression. Those few moments felt like an eternity as their eyes locked and his arms brushed against her. Love is so uncomplicated when you're just twenty-one and a lovely seventeen-year-old girl trembles under your stare, like a bud slowly opening its heart to the morning sun. Such young, unblemished souls come together like two soft peaches that touch gently and remain still; they blend effortlessly, like two streams that only seek to weave together and flow in delicate curves in the lushest hideaways. As Arthur looked into Hetty's dark, pleading eyes, it didn’t matter to him what kind of English she spoke, and even if corsets and powdered wigs were in style, he likely wouldn’t have noticed that Hetty desired those markers of high status.
But they started asunder with beating hearts: something had fallen on the ground with a rattling noise; it was Hetty’s basket; all her little workwoman’s matters were scattered on the path, some of them showing a capability of rolling to great lengths. There was much to be done in picking up, and not a word was spoken; but when Arthur hung the basket over her arm again, the poor child felt a strange difference in his look and manner. He just pressed her hand, and said, with a look and tone that were almost chilling to her, “I have been hindering you; I must not keep you any longer now. You will be expected at the house. Good-bye.”
But they separated with racing hearts: something had dropped to the ground with a rattling sound; it was Hetty’s basket. All her little work tools were scattered on the path, some of them rolling away quite a bit. There was a lot to pick up, and not a word was spoken; but when Arthur placed the basket back on her arm, the poor girl noticed a strange change in his look and behavior. He just squeezed her hand and said, with a look and tone that felt almost cold to her, “I’ve been holding you back; I shouldn’t keep you any longer now. You’ll be expected at the house. Goodbye.”
Without waiting for her to speak, he turned away from her and hurried back towards the road that led to the Hermitage, leaving Hetty to pursue her way in a strange dream that seemed to have begun in bewildering delight and was now passing into contrarieties and sadness. Would he meet her again as she came home? Why had he spoken almost as if he were displeased with her? And then run away so suddenly? She cried, hardly knowing why.
Without waiting for her to say anything, he turned away and rushed back toward the road that led to the Hermitage, leaving Hetty to continue on her path in a strange daze that seemed to have started with confusing joy and was now shifting into contradictions and sadness. Would he see her again when she came home? Why did he speak as if he were upset with her? And then leave so abruptly? She cried, not really knowing why.
Arthur too was very uneasy, but his feelings were lit up for him by a more distinct consciousness. He hurried to the Hermitage, which stood in the heart of the wood, unlocked the door with a hasty wrench, slammed it after him, pitched Zeluco into the most distant corner, and thrusting his right hand into his pocket, first walked four or five times up and down the scanty length of the little room, and then seated himself on the ottoman in an uncomfortable stiff way, as we often do when we wish not to abandon ourselves to feeling.
Arthur was also quite anxious, but he had a clearer understanding of his emotions. He rushed to the Hermitage, which was deep in the woods, unlocked the door quickly, slammed it shut behind him, threw Zeluco into the farthest corner, and shoved his right hand into his pocket. He then paced back and forth a few times in the cramped little room before sitting down on the ottoman in a rigid, uncomfortable way, as we often do when we try to keep our feelings in check.
He was getting in love with Hetty—that was quite plain. He was ready to pitch everything else—no matter where—for the sake of surrendering himself to this delicious feeling which had just disclosed itself. It was no use blinking the fact now—they would get too fond of each other, if he went on taking notice of her—and what would come of it? He should have to go away in a few weeks, and the poor little thing would be miserable. He must not see her alone again; he must keep out of her way. What a fool he was for coming back from Gawaine’s!
He was falling in love with Hetty—that was obvious. He was ready to give up everything—no matter the cost—for the chance to embrace this wonderful feeling that had just revealed itself. There was no point in denying it now—they would become too attached to each other if he kept noticing her—and what would that lead to? He would have to leave in a few weeks, and the poor girl would be heartbroken. He couldn't see her alone again; he had to avoid her. What a fool he was for coming back from Gawaine’s!
He got up and threw open the windows, to let in the soft breath of the afternoon, and the healthy scent of the firs that made a belt round the Hermitage. The soft air did not help his resolution, as he leaned out and looked into the leafy distance. But he considered his resolution sufficiently fixed: there was no need to debate with himself any longer. He had made up his mind not to meet Hetty again; and now he might give himself up to thinking how immensely agreeable it would be if circumstances were different—how pleasant it would have been to meet her this evening as she came back, and put his arm round her again and look into her sweet face. He wondered if the dear little thing were thinking of him too—twenty to one she was. How beautiful her eyes were with the tear on their lashes! He would like to satisfy his soul for a day with looking at them, and he must see her again—he must see her, simply to remove any false impression from her mind about his manner to her just now. He would behave in a quiet, kind way to her—just to prevent her from going home with her head full of wrong fancies. Yes, that would be the best thing to do after all.
He got up and threw open the windows to let in the gentle afternoon breeze and the fresh scent of the fir trees surrounding the Hermitage. The soft air didn’t strengthen his resolve as he leaned out and gazed into the leafy distance. But he felt his decision was firm: he didn’t need to argue with himself any longer. He had decided not to meet Hetty again; now he could indulge in thoughts about how wonderfully enjoyable it would be if things were different—how nice it would have been to see her tonight as she returned, to wrap his arm around her again and look into her lovely face. He wondered if she was thinking of him too—chances are she was. How beautiful her eyes looked with tears on their lashes! He wanted to take a day just to gaze at them, and he had to see her again—he had to see her, just to clear up any wrong ideas she might have about how he acted toward her earlier. He would be calm and kind with her—just to make sure she didn’t go home with misunderstandings. Yes, that would be the best thing to do after all.
It was a long while—more than an hour before Arthur had brought his meditations to this point; but once arrived there, he could stay no longer at the Hermitage. The time must be filled up with movement until he should see Hetty again. And it was already late enough to go and dress for dinner, for his grandfather’s dinner-hour was six.
It had been a long time—over an hour—since Arthur had focused his thoughts on this point; but now that he was here, he couldn't stay any longer at the Hermitage. He had to keep himself busy until he saw Hetty again. And it was already late enough to go get ready for dinner, since his grandfather’s dinner hour was six.
Chapter XIII
Evening in the Wood
It happened that Mrs. Pomfret had had a slight quarrel with Mrs. Best, the housekeeper, on this Thursday morning—a fact which had two consequences highly convenient to Hetty. It caused Mrs. Pomfret to have tea sent up to her own room, and it inspired that exemplary lady’s maid with so lively a recollection of former passages in Mrs. Best’s conduct, and of dialogues in which Mrs. Best had decidedly the inferiority as an interlocutor with Mrs. Pomfret, that Hetty required no more presence of mind than was demanded for using her needle, and throwing in an occasional “yes” or “no.” She would have wanted to put on her hat earlier than usual; only she had told Captain Donnithorne that she usually set out about eight o’clock, and if he should go to the Grove again expecting to see her, and she should be gone! Would he come? Her little butterfly soul fluttered incessantly between memory and dubious expectation. At last the minute-hand of the old-fashioned brazen-faced timepiece was on the last quarter to eight, and there was every reason for its being time to get ready for departure. Even Mrs. Pomfret’s preoccupied mind did not prevent her from noticing what looked like a new flush of beauty in the little thing as she tied on her hat before the looking-glass.
It turned out that Mrs. Pomfret had a small argument with Mrs. Best, the housekeeper, that Thursday morning—a situation that brought two very convenient outcomes for Hetty. It led to Mrs. Pomfret having tea sent to her room, and it reminded the dedicated lady’s maid of past incidents where Mrs. Best had clearly been at a disadvantage in conversations with Mrs. Pomfret, to the point that Hetty only needed to focus on her sewing and occasionally say “yes” or “no.” She would have liked to put on her hat earlier than usual; however, she had informed Captain Donnithorne that she usually left around eight o’clock, and if he happened to go to the Grove expecting to see her and she wasn’t there! Would he come? Her little restless heart buzzed with memories and uncertain hopes. Finally, the minute hand of the old-fashioned clock was nearing a quarter to eight, and it was definitely time to get ready to leave. Even Mrs. Pomfret’s distracted mind noticed what seemed like a new glow of beauty in the young woman as she secured her hat in front of the mirror.
“That child gets prettier and prettier every day, I do believe,” was her inward comment. “The more’s the pity. She’ll get neither a place nor a husband any the sooner for it. Sober well-to-do men don’t like such pretty wives. When I was a girl, I was more admired than if I had been so very pretty. However, she’s reason to be grateful to me for teaching her something to get her bread with, better than farm-house work. They always told me I was good-natured—and that’s the truth, and to my hurt too, else there’s them in this house that wouldn’t be here now to lord it over me in the housekeeper’s room.”
“That child gets prettier every day, I swear,” was her inner thought. “What a shame. She won’t get a spot or a husband any faster because of it. Sober, well-off men don’t go for such pretty wives. When I was younger, I was admired more for my personality than for being really pretty. Still, she should be thankful to me for teaching her a skill to make a living with, better than just farm work. They always said I was good-natured—and that’s true, and it’s also been my downfall, or there are people in this house who wouldn’t be here now to boss me around in the housekeeper’s room.”
Hetty walked hastily across the short space of pleasure-ground which she had to traverse, dreading to meet Mr. Craig, to whom she could hardly have spoken civilly. How relieved she was when she had got safely under the oaks and among the fern of the Chase! Even then she was as ready to be startled as the deer that leaped away at her approach. She thought nothing of the evening light that lay gently in the grassy alleys between the fern, and made the beauty of their living green more visible than it had been in the overpowering flood of noon: she thought of nothing that was present. She only saw something that was possible: Mr. Arthur Donnithorne coming to meet her again along the Fir-tree Grove. That was the foreground of Hetty’s picture; behind it lay a bright hazy something—days that were not to be as the other days of her life had been. It was as if she had been wooed by a river-god, who might any time take her to his wondrous halls below a watery heaven. There was no knowing what would come, since this strange entrancing delight had come. If a chest full of lace and satin and jewels had been sent her from some unknown source, how could she but have thought that her whole lot was going to change, and that to-morrow some still more bewildering joy would befall her? Hetty had never read a novel; if she had ever seen one, I think the words would have been too hard for her; how then could she find a shape for her expectations? They were as formless as the sweet languid odours of the garden at the Chase, which had floated past her as she walked by the gate.
Hetty hurried across the small stretch of park she had to cross, fearing she’d run into Mr. Craig, to whom she could barely have spoken nicely. She felt such relief when she was safely under the oaks and among the ferns in the Chase! Even then, she was just as easily startled as the deer that dashed away at her approach. She didn’t notice the evening light softly laying in the grassy paths between the ferns, making the beauty of the vibrant green more visible than it had been in the harsh glare of noon; she didn’t think of anything that was happening right now. She only saw the possibility of Mr. Arthur Donnithorne coming to meet her again along the Fir-tree Grove. That was the main focus of Hetty’s thoughts; behind it lay a bright, hazy possibility—days that wouldn’t be like the other days of her life. It was as if she had been courted by a river-god, who might one day take her to his marvelous halls beneath a watery sky. There was no way to know what would happen next, now that this strange, enchanting joy had entered her life. If a chest full of lace, satin, and jewels had been sent to her from some unknown place, how could she not think that her entire life was about to change, and that tomorrow something even more bewildering would happen to her? Hetty had never read a novel; if she had ever seen one, the words would probably have been too difficult for her to understand; so how could she shape her expectations? They were as formless as the sweet, languorous scents of the garden at the Chase, which had drifted past her as she walked by the gate.
She is at another gate now—that leading into Fir-tree Grove. She enters the wood, where it is already twilight, and at every step she takes, the fear at her heart becomes colder. If he should not come! Oh, how dreary it was—the thought of going out at the other end of the wood, into the unsheltered road, without having seen him. She reaches the first turning towards the Hermitage, walking slowly—he is not there. She hates the leveret that runs across the path; she hates everything that is not what she longs for. She walks on, happy whenever she is coming to a bend in the road, for perhaps he is behind it. No. She is beginning to cry: her heart has swelled so, the tears stand in her eyes; she gives one great sob, while the corners of her mouth quiver, and the tears roll down.
She’s at another gate now—the one leading into Fir-tree Grove. She steps into the woods, where it’s already twilight, and with every step, the fear in her heart gets colder. What if he doesn’t come? Oh, how bleak that thought is—imagine going out the other side of the woods, onto the open road, without having seen him. She reaches the first turn towards the Hermitage, walking slowly—he’s not there. She hates the rabbit that scurries across her path; she hates everything that isn't what she longs for. She continues on, feeling a spark of hope whenever she approaches a bend in the road, thinking maybe he’s behind it. No. She's starting to cry: her heart is swelling, and tears fill her eyes; she lets out a big sob, while the corners of her mouth quiver, and the tears stream down.
She doesn’t know that there is another turning to the Hermitage, that she is close against it, and that Arthur Donnithorne is only a few yards from her, full of one thought, and a thought of which she only is the object. He is going to see Hetty again: that is the longing which has been growing through the last three hours to a feverish thirst. Not, of course, to speak in the caressing way into which he had unguardedly fallen before dinner, but to set things right with her by a kindness which would have the air of friendly civility, and prevent her from running away with wrong notions about their mutual relation.
She doesn’t realize that there’s another turn to the Hermitage, that she’s almost there, and that Arthur Donnithorne is just a few yards away, filled with one thought, and that thought is all about her. He’s eager to see Hetty again: that desire has built up over the last three hours into a desperate craving. Not, of course, to speak in the affectionate way he had accidentally slipped into before dinner, but to clear things up with her through a kindness that feels friendly and polite, making sure she doesn’t get the wrong idea about their relationship.
If Hetty had known he was there, she would not have cried; and it would have been better, for then Arthur would perhaps have behaved as wisely as he had intended. As it was, she started when he appeared at the end of the side-alley, and looked up at him with two great drops rolling down her cheeks. What else could he do but speak to her in a soft, soothing tone, as if she were a bright-eyed spaniel with a thorn in her foot?
If Hetty had known he was there, she wouldn't have cried; and that would have been better, because then Arthur might have acted as wisely as he planned. Instead, she jumped when he showed up at the end of the side-alley and looked up at him with two big tears rolling down her cheeks. What else could he do but speak to her in a gentle, comforting tone, like she was a bright-eyed dog with a thorn in its paw?
“Has something frightened you, Hetty? Have you seen anything in the wood? Don’t be frightened—I’ll take care of you now.”
“Are you scared, Hetty? Did you see something in the woods? Don’t be afraid—I’ll protect you now.”
Hetty was blushing so, she didn’t know whether she was happy or miserable. To be crying again—what did gentlemen think of girls who cried in that way? She felt unable even to say “no,” but could only look away from him and wipe the tears from her cheek. Not before a great drop had fallen on her rose-coloured strings—she knew that quite well.
Hetty was blushing so much that she didn’t know if she was happy or sad. Why was she crying again—what would guys think of girls who cried like that? She felt unable to even say “no,” and could only look away from him and wipe the tears from her cheek. Not before a big drop had fallen on her pink strings—she knew that very well.
“Come, be cheerful again. Smile at me, and tell me what’s the matter. Come, tell me.”
“Come on, cheer up. Smile at me and tell me what’s going on. Come on, share with me.”
Hetty turned her head towards him, whispered, “I thought you wouldn’t come,” and slowly got courage to lift her eyes to him. That look was too much: he must have had eyes of Egyptian granite not to look too lovingly in return.
Hetty turned her head towards him and whispered, “I thought you wouldn’t come,” then gradually found the courage to look him in the eye. That gaze was overwhelming; he would have to have eyes of solid stone not to look back at her with deep affection.
“You little frightened bird! Little tearful rose! Silly pet! You won’t cry again, now I’m with you, will you?”
“You little scared bird! Little crying rose! Cute pet! You won’t cry again now that I’m here with you, will you?”
Ah, he doesn’t know in the least what he is saying. This is not what he meant to say. His arm is stealing round the waist again; it is tightening its clasp; he is bending his face nearer and nearer to the round cheek; his lips are meeting those pouting child-lips, and for a long moment time has vanished. He may be a shepherd in Arcadia for aught he knows, he may be the first youth kissing the first maiden, he may be Eros himself, sipping the lips of Psyche—it is all one.
Ah, he has no idea what he's saying. This isn't what he intended to say. His arm is wrapping around her waist again; it's tightening its hold; he's leaning his face closer and closer to her round cheek; his lips are meeting her pouting lips, and for a long moment, time has disappeared. He could be a shepherd in Arcadia for all he knows, or the first guy kissing the first girl, or even Eros himself, kissing the lips of Psyche—it all feels the same.
There was no speaking for minutes after. They walked along with beating hearts till they came within sight of the gate at the end of the wood. Then they looked at each other, not quite as they had looked before, for in their eyes there was the memory of a kiss.
There was no talking for several minutes after that. They walked on with racing hearts until they finally saw the gate at the end of the woods. Then they looked at each other, but not in the same way as before, because in their eyes, there was the memory of a kiss.
But already something bitter had begun to mingle itself with the fountain of sweets: already Arthur was uncomfortable. He took his arm from Hetty’s waist, and said, “Here we are, almost at the end of the Grove. I wonder how late it is,” he added, pulling out his watch. “Twenty minutes past eight—but my watch is too fast. However, I’d better not go any further now. Trot along quickly with your little feet, and get home safely. Good-bye.”
But already something bitter had started to mix with the sweetness: Arthur was feeling uneasy. He removed his arm from Hetty’s waist and said, “Here we are, almost at the end of the Grove. I wonder what time it is,” he added, pulling out his watch. “Twenty minutes past eight—but my watch is running fast. Anyway, I’d better not go any further now. Hurry along with your little feet, and get home safely. Goodbye.”
He took her hand, and looked at her half-sadly, half with a constrained smile. Hetty’s eyes seemed to beseech him not to go away yet; but he patted her cheek and said “Good-bye” again. She was obliged to turn away from him and go on.
He took her hand and looked at her with a mix of sadness and a forced smile. Hetty’s eyes seemed to plead with him not to leave just yet, but he gently patted her cheek and said “Goodbye” once more. She had no choice but to turn away from him and continue on.
As for Arthur, he rushed back through the wood, as if he wanted to put a wide space between himself and Hetty. He would not go to the Hermitage again; he remembered how he had debated with himself there before dinner, and it had all come to nothing—worse than nothing. He walked right on into the Chase, glad to get out of the Grove, which surely was haunted by his evil genius. Those beeches and smooth limes—there was something enervating in the very sight of them; but the strong knotted old oaks had no bending languor in them—the sight of them would give a man some energy. Arthur lost himself among the narrow openings in the fern, winding about without seeking any issue, till the twilight deepened almost to night under the great boughs, and the hare looked black as it darted across his path.
Arthur hurried back through the woods, as if he wanted to distance himself from Hetty. He decided not to go to the Hermitage again; he remembered how he had wrestled with himself there before dinner, and it had all led to nothing—worse than nothing. He walked straight into the Chase, relieved to escape the Grove, which felt like it was haunted by his bad luck. Those beeches and smooth limes—there was something draining just in their presence; but the strong, gnarled old oaks had no weakness about them—the sight of them would give a man some energy. Arthur wandered through the narrow paths in the ferns, meandering aimlessly until twilight faded almost into night under the large branches, and he spotted a hare darting black across his path.
He was feeling much more strongly than he had done in the morning: it was as if his horse had wheeled round from a leap and dared to dispute his mastery. He was dissatisfied with himself, irritated, mortified. He no sooner fixed his mind on the probable consequences of giving way to the emotions which had stolen over him to-day—of continuing to notice Hetty, of allowing himself any opportunity for such slight caresses as he had been betrayed into already—than he refused to believe such a future possible for himself. To flirt with Hetty was a very different affair from flirting with a pretty girl of his own station: that was understood to be an amusement on both sides, or, if it became serious, there was no obstacle to marriage. But this little thing would be spoken ill of directly, if she happened to be seen walking with him; and then those excellent people, the Poysers, to whom a good name was as precious as if they had the best blood in the land in their veins—he should hate himself if he made a scandal of that sort, on the estate that was to be his own some day, and among tenants by whom he liked, above all, to be respected. He could no more believe that he should so fall in his own esteem than that he should break both his legs and go on crutches all the rest of his life. He couldn’t imagine himself in that position; it was too odious, too unlike him.
He was feeling much more intensely than he had that morning: it was like his horse had spun around mid-leap and dared to challenge his control. He was unhappy with himself, annoyed, embarrassed. The moment he thought about the possible consequences of giving in to the feelings that had come over him today—of continuing to notice Hetty, of letting himself have any chance for those small affectionate gestures he had already slipped into—he couldn't believe such a future was possible for him. Flirting with Hetty was a totally different situation from flirting with a pretty girl of his own social standing: that was seen as a mutual fun, or, if it got serious, there was no barrier to marriage. But this little thing would be talked about negatively right away if she were seen walking with him; and then those wonderful people, the Poysers, for whom a good reputation was as valuable as if they had the best lineage in the country—he would loathe himself if he caused a scandal like that, on the estate that was meant to be his one day, among tenants he really wanted to be respected by. He could no more believe that he would lower his own self-worth than he could imagine breaking both his legs and using crutches for the rest of his life. He couldn’t picture himself in that situation; it was too disgusting, too unlike him.
And even if no one knew anything about it, they might get too fond of each other, and then there could be nothing but the misery of parting, after all. No gentleman, out of a ballad, could marry a farmer’s niece. There must be an end to the whole thing at once. It was too foolish.
And even if no one knew anything about it, they might get too attached to each other, and then there would only be the heartbreak of saying goodbye, after all. No gentleman from a ballad could marry a farmer’s niece. There has to be a definite end to it all right now. It was just too silly.
And yet he had been so determined this morning, before he went to Gawaine’s; and while he was there something had taken hold of him and made him gallop back. It seemed he couldn’t quite depend on his own resolution, as he had thought he could; he almost wished his arm would get painful again, and then he should think of nothing but the comfort it would be to get rid of the pain. There was no knowing what impulse might seize him to-morrow, in this confounded place, where there was nothing to occupy him imperiously through the livelong day. What could he do to secure himself from any more of this folly?
And yet he had been so set on it this morning, before he went to Gawaine’s; and while he was there, something had taken hold of him and made him rush back. It felt like he couldn't fully trust his own determination, as he had thought he could; he almost wished his arm would start hurting again, so he could focus solely on how nice it would be to be rid of the pain. There’s no telling what impulse might hit him tomorrow, in this frustrating place, where there was nothing to keep him busy throughout the entire day. What could he do to protect himself from any more of this nonsense?
There was but one resource. He would go and tell Irwine—tell him everything. The mere act of telling it would make it seem trivial; the temptation would vanish, as the charm of fond words vanishes when one repeats them to the indifferent. In every way it would help him to tell Irwine. He would ride to Broxton Rectory the first thing after breakfast to-morrow.
There was only one option. He would go and tell Irwine—tell him everything. Just the act of sharing it would make it feel insignificant; the temptation would fade away, like the magic of sweet words disappears when you repeat them to someone who doesn’t care. In every way, it would benefit him to talk to Irwine. He would ride to Broxton Rectory first thing after breakfast tomorrow.
Arthur had no sooner come to this determination than he began to think which of the paths would lead him home, and made as short a walk thither as he could. He felt sure he should sleep now: he had had enough to tire him, and there was no more need for him to think.
Arthur barely finished making up his mind when he started to consider which path would take him home, and he picked the quickest route he could find. He was confident he would be able to sleep now: he was tired enough, and he didn’t need to think anymore.
Chapter XIV
The Return Home
While that parting in the wood was happening, there was a parting in the cottage too, and Lisbeth had stood with Adam at the door, straining her aged eyes to get the last glimpse of Seth and Dinah, as they mounted the opposite slope.
While that separation in the woods was happening, there was a separation in the cottage too, and Lisbeth stood with Adam at the door, straining her old eyes to catch the last sight of Seth and Dinah as they climbed the opposite slope.
“Eh, I’m loath to see the last on her,” she said to Adam, as they turned into the house again. “I’d ha’ been willin’ t’ ha’ her about me till I died and went to lie by my old man. She’d make it easier dyin’—she spakes so gentle an’ moves about so still. I could be fast sure that pictur’ was drawed for her i’ thy new Bible—th’ angel a-sittin’ on the big stone by the grave. Eh, I wouldna mind ha’in a daughter like that; but nobody ne’er marries them as is good for aught.”
“Ugh, I really don’t want to see the last of her,” she said to Adam as they stepped back into the house. “I would have been happy to have her around until I died and was laid to rest next to my husband. She’d make dying easier—she speaks so softly and moves so quietly. I could be sure that picture was drawn for her in your new Bible—the angel sitting on the big stone by the grave. Ugh, I wouldn’t mind having a daughter like that; but no one ever marries someone who's actually good for anything.”
“Well, Mother, I hope thee wilt have her for a daughter; for Seth’s got a liking for her, and I hope she’ll get a liking for Seth in time.”
“Well, Mom, I hope you’ll have her for a daughter; because Seth likes her, and I hope she’ll come to like Seth in time.”
“Where’s th’ use o’ talkin’ a-that’n? She caresna for Seth. She’s goin’ away twenty mile aff. How’s she to get a likin’ for him, I’d like to know? No more nor the cake ’ull come wi’out the leaven. Thy figurin’ books might ha’ tould thee better nor that, I should think, else thee mightst as well read the commin print, as Seth allays does.”
“What's the point of talking about that? She doesn't care for Seth. She's going twenty miles away. How is she supposed to develop feelings for him, I'd like to know? Just like the cake won't rise without yeast. Your math books should have taught you better than that, I think, otherwise you might as well read the fine print, like Seth always does.”
“Nay, Mother,” said Adam, laughing, “the figures tell us a fine deal, and we couldn’t go far without ’em, but they don’t tell us about folks’s feelings. It’s a nicer job to calculate them. But Seth’s as good-hearted a lad as ever handled a tool, and plenty o’ sense, and good-looking too; and he’s got the same way o’ thinking as Dinah. He deserves to win her, though there’s no denying she’s a rare bit o’ workmanship. You don’t see such women turned off the wheel every day.”
“Nah, Mom,” said Adam, laughing, “the numbers tell us a lot, and we couldn’t get far without them, but they don’t explain people’s feelings. It’s a more complex task to figure those out. But Seth’s as good-hearted a guy as ever held a tool, and he’s got plenty of common sense, and he’s good-looking too; plus, he thinks the same way as Dinah. He deserves to win her, even if there’s no denying she’s an exceptional catch. You don’t see women like her come around every day.”
“Eh, thee’t allays stick up for thy brother. Thee’st been just the same, e’er sin’ ye war little uns together. Thee wart allays for halving iverything wi’ him. But what’s Seth got to do with marryin’, as is on’y three-an’-twenty? He’d more need to learn an’ lay by sixpence. An’ as for his desarving her—she’s two ’ear older nor Seth: she’s pretty near as old as thee. But that’s the way; folks mun allays choose by contrairies, as if they must be sorted like the pork—a bit o’ good meat wi’ a bit o’ offal.”
"Hey, you always defend your brother. You've been the same ever since you were little kids together. You always wanted to share everything with him. But what's Seth got to do with getting married when he's only twenty-three? He should focus on learning and saving up some money. And as for him deserving her—she's two years older than Seth: she's almost as old as you. But that's how it goes; people always seem to choose opposites, like sorting pork—a bit of good meat with a bit of offal."
To the feminine mind in some of its moods, all things that might be receive a temporary charm from comparison with what is; and since Adam did not want to marry Dinah himself, Lisbeth felt rather peevish on that score—as peevish as she would have been if he had wanted to marry her, and so shut himself out from Mary Burge and the partnership as effectually as by marrying Hetty.
To a woman's mind in certain moods, everything that could be takes on a temporary allure when compared to what actually is; and since Adam didn't want to marry Dinah himself, Lisbeth felt a bit annoyed about it—just as annoyed as she would have been if he had wanted to marry her, which would have cut him off from Mary Burge and the partnership just as effectively as marrying Hetty would have.
It was more than half-past eight when Adam and his mother were talking in this way, so that when, about ten minutes later, Hetty reached the turning of the lane that led to the farmyard gate, she saw Dinah and Seth approaching it from the opposite direction, and waited for them to come up to her. They, too, like Hetty, had lingered a little in their walk, for Dinah was trying to speak words of comfort and strength to Seth in these parting moments. But when they saw Hetty, they paused and shook hands; Seth turned homewards, and Dinah came on alone.
It was just after 8:30 when Adam and his mother were talking like this, so about ten minutes later, when Hetty reached the turn in the lane that led to the farmyard gate, she saw Dinah and Seth coming toward her from the opposite direction and waited for them to catch up. They, like Hetty, had also taken their time walking, as Dinah was trying to offer words of comfort and strength to Seth in these final moments. But when they spotted Hetty, they stopped and shook hands; Seth turned to head home, and Dinah continued on alone.
“Seth Bede would have come and spoken to you, my dear,” she said, as she reached Hetty, “but he’s very full of trouble to-night.”
“Seth Bede would have come and talked to you, my dear,” she said, as she reached Hetty, “but he’s really overwhelmed with problems tonight.”
Hetty answered with a dimpled smile, as if she did not quite know what had been said; and it made a strange contrast to see that sparkling self-engrossed loveliness looked at by Dinah’s calm pitying face, with its open glance which told that her heart lived in no cherished secrets of its own, but in feelings which it longed to share with all the world. Hetty liked Dinah as well as she had ever liked any woman; how was it possible to feel otherwise towards one who always put in a kind word for her when her aunt was finding fault, and who was always ready to take Totty off her hands—little tiresome Totty, that was made such a pet of by every one, and that Hetty could see no interest in at all? Dinah had never said anything disapproving or reproachful to Hetty during her whole visit to the Hall Farm; she had talked to her a great deal in a serious way, but Hetty didn’t mind that much, for she never listened: whatever Dinah might say, she almost always stroked Hetty’s cheek after it, and wanted to do some mending for her. Dinah was a riddle to her; Hetty looked at her much in the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow or the mounting of the lark; but she did not care to solve such riddles, any more than she cared to know what was meant by the pictures in the Pilgrim’s Progress, or in the old folio Bible that Marty and Tommy always plagued her about on a Sunday.
Hetty responded with a dimpled smile, as if she didn’t quite understand what had been said; and it created a strange contrast to see her sparkling, self-absorbed beauty being observed by Dinah’s calm, sympathetic face, with its open gaze that indicated her heart didn’t hold any cherished secrets of its own, but instead was full of feelings she wanted to share with the world. Hetty liked Dinah as much as she had ever liked any woman; how could she feel otherwise towards someone who always had a kind word for her when her aunt was criticizing her, and who was always willing to take Totty off her hands—little annoying Totty, who was spoiled by everyone, and whom Hetty felt no interest in at all? Dinah had never said anything disapproving or critical to Hetty during her whole visit to the Hall Farm; she had talked to her seriously a lot, but Hetty didn’t mind much, because she never really listened: no matter what Dinah said, she almost always stroked Hetty’s cheek afterward and wanted to mend something for her. Dinah was a puzzle to her; Hetty observed her much like a little bird that could only flit from branch to branch as it watched the swift movements of a swallow or the rise of a lark; but she didn’t care to solve such puzzles, just as she didn’t care to understand the images in the Pilgrim’s Progress or in the old folio Bible that Marty and Tommy always teased her about on Sundays.
Dinah took her hand now and drew it under her own arm.
Dinah took her hand now and pulled it under her own arm.
“You look very happy to-night, dear child,” she said. “I shall think of you often when I’m at Snowfield, and see your face before me as it is now. It’s a strange thing—sometimes when I’m quite alone, sitting in my room with my eyes closed, or walking over the hills, the people I’ve seen and known, if it’s only been for a few days, are brought before me, and I hear their voices and see them look and move almost plainer than I ever did when they were really with me so as I could touch them. And then my heart is drawn out towards them, and I feel their lot as if it was my own, and I take comfort in spreading it before the Lord and resting in His love, on their behalf as well as my own. And so I feel sure you will come before me.”
“You look really happy tonight, dear child,” she said. “I’ll think about you often when I’m at Snowfield and picture your face just like it is now. It’s a strange thing—sometimes when I’m completely alone, sitting in my room with my eyes closed, or walking over the hills, the people I’ve seen and known, even if it was just for a few days, come back to me. I hear their voices and see them moving almost more clearly than when they were actually with me, close enough to touch. And then my heart reaches out to them, and I feel their struggles as if they were my own, finding comfort in laying it all before the Lord and resting in His love on their behalf as well as my own. So I’m sure you’ll come to mind.”
She paused a moment, but Hetty said nothing.
She paused for a moment, but Hetty said nothing.
“It has been a very precious time to me,” Dinah went on, “last night and to-day—seeing two such good sons as Adam and Seth Bede. They are so tender and thoughtful for their aged mother. And she has been telling me what Adam has done, for these many years, to help his father and his brother; it’s wonderful what a spirit of wisdom and knowledge he has, and how he’s ready to use it all in behalf of them that are feeble. And I’m sure he has a loving spirit too. I’ve noticed it often among my own people round Snowfield, that the strong, skilful men are often the gentlest to the women and children; and it’s pretty to see ’em carrying the little babies as if they were no heavier than little birds. And the babies always seem to like the strong arm best. I feel sure it would be so with Adam Bede. Don’t you think so, Hetty?”
“It has been such a special time for me,” Dinah continued, “last night and today—seeing two wonderful sons like Adam and Seth Bede. They are so caring and considerate toward their elderly mother. She has been telling me about all that Adam has done over the years to support his father and brother; it's amazing how much wisdom and knowledge he has, and how he’s always ready to use it for those who are weak. And I’m certain he has a loving nature as well. I’ve often noticed among my own people around Snowfield that the strong, skilled men are often the gentlest with women and children; it’s lovely to see them carry the little babies as if they were no heavier than little birds. And the babies always seem to prefer the strong arms. I believe it would be the same with Adam Bede. Don’t you think so, Hetty?”
“Yes,” said Hetty abstractedly, for her mind had been all the while in the wood, and she would have found it difficult to say what she was assenting to. Dinah saw she was not inclined to talk, but there would not have been time to say much more, for they were now at the yard-gate.
"Yes," Hetty replied absentmindedly, as her thoughts had been focused on the woods, and she would have struggled to articulate what she was agreeing to. Dinah noticed that she didn't feel like talking, but there wasn't much time left to say anything else, as they had just arrived at the yard gate.
The still twilight, with its dying western red and its few faint struggling stars, rested on the farm-yard, where there was not a sound to be heard but the stamping of the cart-horses in the stable. It was about twenty minutes after sunset. The fowls were all gone to roost, and the bull-dog lay stretched on the straw outside his kennel, with the black-and-tan terrier by his side, when the falling-to of the gate disturbed them and set them barking, like good officials, before they had any distinct knowledge of the reason.
The quiet twilight, with its fading red hues and a few dim, struggling stars, settled over the farmyard, where the only sound came from the horses stamping in the stable. It was about twenty minutes after sunset. The chickens had all gone to their roosts, and the bulldog lay sprawled on the straw outside his kennel, with the black-and-tan terrier beside him, when the creaking of the gate startled them and caused them to bark, like dutiful guards, before they even knew why.
The barking had its effect in the house, for, as Dinah and Hetty approached, the doorway was filled by a portly figure, with a ruddy black-eyed face which bore in it the possibility of looking extremely acute, and occasionally contemptuous, on market-days, but had now a predominant after-supper expression of hearty good-nature. It is well known that great scholars who have shown the most pitiless acerbity in their criticism of other men’s scholarship have yet been of a relenting and indulgent temper in private life; and I have heard of a learned man meekly rocking the twins in the cradle with his left hand, while with his right he inflicted the most lacerating sarcasms on an opponent who had betrayed a brutal ignorance of Hebrew. Weaknesses and errors must be forgiven—alas! they are not alien to us—but the man who takes the wrong side on the momentous subject of the Hebrew points must be treated as the enemy of his race. There was the same sort of antithetic mixture in Martin Poyser: he was of so excellent a disposition that he had been kinder and more respectful than ever to his old father since he had made a deed of gift of all his property, and no man judged his neighbours more charitably on all personal matters; but for a farmer, like Luke Britton, for example, whose fallows were not well cleaned, who didn’t know the rudiments of hedging and ditching, and showed but a small share of judgment in the purchase of winter stock, Martin Poyser was as hard and implacable as the north-east wind. Luke Britton could not make a remark, even on the weather, but Martin Poyser detected in it a taint of that unsoundness and general ignorance which was palpable in all his farming operations. He hated to see the fellow lift the pewter pint to his mouth in the bar of the Royal George on market-day, and the mere sight of him on the other side of the road brought a severe and critical expression into his black eyes, as different as possible from the fatherly glance he bent on his two nieces as they approached the door. Mr. Poyser had smoked his evening pipe, and now held his hands in his pockets, as the only resource of a man who continues to sit up after the day’s business is done.
The barking had an effect in the house because, as Dinah and Hetty got closer, the doorway was filled by a stout figure with a ruddy, black-eyed face that could look quite sharp and occasionally disdainful on market days, but had now settled into a warm, good-natured expression after dinner. It's well known that great scholars, who have been mercilessly critical of others’ scholarship, are often quite forgiving and easygoing in their personal lives; I’ve heard of a learned man gently rocking twins in a cradle with one hand while he used the other to deliver brutal sarcasm to an opponent who showed a shocking ignorance of Hebrew. Weaknesses and mistakes must be forgiven—unfortunately, they are not foreign to us—but anyone who takes the wrong stance on the important issue of Hebrew punctuation must be considered an enemy to his people. Martin Poyser had a similar mix of traits: he was so good-natured that he had become kinder and more respectful to his elderly father since gifting him all his property, and no one judged their neighbors more fairly in personal matters. However, for a farmer like Luke Britton, whose fields weren’t properly maintained, who didn’t understand the basics of hedging and ditching, and showed little judgment in buying winter stock, Martin Poyser was as harsh and unyielding as the northeast wind. Luke Britton could barely make a comment, even about the weather, without Martin Poyser detecting a hint of the cluelessness and general ignorance that was evident in all his farming efforts. He couldn't stand to see the guy raise a pewter pint to his lips in the bar of the Royal George on market days, and just seeing him across the street brought a stern and critical look to his dark eyes, so different from the fatherly gaze he directed at his two nieces as they approached the door. Mr. Poyser had smoked his evening pipe and now had his hands in his pockets, the only thing a man can do when he stays up after the day’s work is done.
“Why, lasses, ye’re rather late to-night,” he said, when they reached the little gate leading into the causeway. “The mother’s begun to fidget about you, an’ she’s got the little un ill. An’ how did you leave the old woman Bede, Dinah? Is she much down about the old man? He’d been but a poor bargain to her this five year.”
“Why, girls, you’re pretty late tonight,” he said when they got to the little gate leading into the pathway. “Mom’s started to worry about you, and she has the little one sick. And how is the old woman Bede, Dinah? Is she really upset about the old man? He hasn’t been much good to her these past five years.”
“She’s been greatly distressed for the loss of him,” said Dinah, “but she’s seemed more comforted to-day. Her son Adam’s been at home all day, working at his father’s coffin, and she loves to have him at home. She’s been talking about him to me almost all the day. She has a loving heart, though she’s sorely given to fret and be fearful. I wish she had a surer trust to comfort her in her old age.”
“She's been really upset about losing him,” Dinah said, “but she seems a bit more at peace today. Her son Adam's been home all day, working on his father's coffin, and she loves having him around. She's been talking about him to me almost all day. She has a caring heart, even though she tends to worry and be anxious. I wish she had a stronger faith to bring her comfort in her old age.”
“Adam’s sure enough,” said Mr. Poyser, misunderstanding Dinah’s wish. “There’s no fear but he’ll yield well i’ the threshing. He’s not one o’ them as is all straw and no grain. I’ll be bond for him any day, as he’ll be a good son to the last. Did he say he’d be coming to see us soon? But come in, come in,” he added, making way for them; “I hadn’t need keep y’ out any longer.”
“Adam’s definitely the one,” said Mr. Poyser, misunderstanding Dinah’s wish. “There’s no doubt he’ll do well in the threshing. He’s not one of those who are all show and no substance. I’ll bet on him any day; he’ll be a good son until the end. Did he say he’d be coming to see us soon? But come in, come in,” he added, making way for them; “I shouldn’t keep you out any longer.”
The tall buildings round the yard shut out a good deal of the sky, but the large window let in abundant light to show every corner of the house-place.
The tall buildings around the yard blocked a lot of the sky, but the large window allowed plenty of light to fill every corner of the living space.
Mrs. Poyser, seated in the rocking-chair, which had been brought out of the “right-hand parlour,” was trying to soothe Totty to sleep. But Totty was not disposed to sleep; and when her cousins entered, she raised herself up and showed a pair of flushed cheeks, which looked fatter than ever now they were defined by the edge of her linen night-cap.
Mrs. Poyser, sitting in the rocking chair that had been taken out of the “right-hand parlor,” was trying to get Totty to sleep. But Totty wasn’t ready to sleep; when her cousins walked in, she propped herself up and displayed a pair of flushed cheeks that looked chubbier than ever now that they were framed by the edge of her linen nightcap.
In the large wicker-bottomed arm-chair in the left-hand chimney-nook sat old Martin Poyser, a hale but shrunken and bleached image of his portly black-haired son—his head hanging forward a little, and his elbows pushed backwards so as to allow the whole of his forearm to rest on the arm of the chair. His blue handkerchief was spread over his knees, as was usual indoors, when it was not hanging over his head; and he sat watching what went forward with the quiet outward glance of healthy old age, which, disengaged from any interest in an inward drama, spies out pins upon the floor, follows one’s minutest motions with an unexpectant purposeless tenacity, watches the flickering of the flame or the sun-gleams on the wall, counts the quarries on the floor, watches even the hand of the clock, and pleases itself with detecting a rhythm in the tick.
In the big wicker-bottomed armchair in the left chimney nook sat old Martin Poyser, a sturdy yet withered and faded version of his chubby black-haired son—his head slightly forward, and his elbows pushed back so that his entire forearm rested on the chair's arm. His blue handkerchief was spread over his knees, as usual indoors, when it wasn’t draped over his head; he sat watching what was happening with the calm, outward gaze of healthy old age, which, removed from any interest in inner drama, notices pins on the floor, tracks the smallest movements with a detached persistence, observes the flicker of the flame or the sunlight on the wall, counts the patterns on the floor, watches even the clock's hand, and finds satisfaction in noticing a rhythm in the ticking.
“What a time o’ night this is to come home, Hetty!” said Mrs. Poyser. “Look at the clock, do; why, it’s going on for half-past nine, and I’ve sent the gells to bed this half-hour, and late enough too; when they’ve got to get up at half after four, and the mowers’ bottles to fill, and the baking; and here’s this blessed child wi’ the fever for what I know, and as wakeful as if it was dinner-time, and nobody to help me to give her the physic but your uncle, and fine work there’s been, and half of it spilt on her night-gown—it’s well if she’s swallowed more nor ’ull make her worse i’stead o’ better. But folks as have no mind to be o’ use have allays the luck to be out o’ the road when there’s anything to be done.”
"What a time of night this is to come home, Hetty!" said Mrs. Poyser. "Look at the clock, would you? It’s almost half-past nine, and I’ve sent the girls to bed a half-hour ago, which is late enough too; especially since they have to get up at half past four, with the mowers’ bottles to fill and the baking to do. And here’s this poor child probably running a fever for all I know, wide awake like it’s mealtime, with nobody to help me give her the medicine except your uncle, and it’s been a real mess, with half of it spilled all over her nightgown—it’s a miracle if she’s swallowed enough to do her more good than harm. But people who have no intention of being helpful always seem to be conveniently out of the way when there’s work to be done."
“I did set out before eight, aunt,” said Hetty, in a pettish tone, with a slight toss of her head. “But this clock’s so much before the clock at the Chase, there’s no telling what time it’ll be when I get here.”
“I did leave before eight, aunt,” said Hetty, in a whiny tone, with a slight toss of her head. “But this clock is way ahead of the clock at the Chase, so there’s no way to know what time it’ll be when I get here.”
“What! You’d be wanting the clock set by gentlefolks’s time, would you? An’ sit up burnin’ candle, an’ lie a-bed wi’ the sun a-bakin’ you like a cowcumber i’ the frame? The clock hasn’t been put forrard for the first time to-day, I reckon.”
“What! You want to set the clock by the time of the upper class, do you? And stay up burning candles, and lie in bed while the sun bakes you like a cucumber in the frame? I reckon the clock hasn’t been put forward for the first time today.”
The fact was, Hetty had really forgotten the difference of the clocks when she told Captain Donnithorne that she set out at eight, and this, with her lingering pace, had made her nearly half an hour later than usual. But here her aunt’s attention was diverted from this tender subject by Totty, who, perceiving at length that the arrival of her cousins was not likely to bring anything satisfactory to her in particular, began to cry, “Munny, munny,” in an explosive manner.
The truth was, Hetty had completely forgotten about the time difference when she told Captain Donnithorne that she left at eight, and because of her slow pace, she ended up being nearly half an hour later than usual. But now her aunt’s focus shifted away from this sensitive topic thanks to Totty, who, realizing that her cousins’ arrival wasn’t going to bring her anything good, started to shout, “Munny, munny,” in an outburst.
“Well, then, my pet, Mother’s got her, Mother won’t leave her; Totty be a good dilling, and go to sleep now,” said Mrs. Poyser, leaning back and rocking the chair, while she tried to make Totty nestle against her. But Totty only cried louder, and said, “Don’t yock!” So the mother, with that wondrous patience which love gives to the quickest temperament, sat up again, and pressed her cheek against the linen night-cap and kissed it, and forgot to scold Hetty any longer.
“Well, my dear, Mother has her, and Mother isn’t going to leave her; Totty, be a good little one and go to sleep now,” Mrs. Poyser said, leaning back and rocking the chair while she tried to get Totty to snuggle against her. But Totty just cried louder and said, “Don’t rock!” So the mother, with that amazing patience that love brings to the most energetic temperament, sat up again, pressed her cheek against the linen nightcap, kissed it, and forgot to scold Hetty any longer.
“Come, Hetty,” said Martin Poyser, in a conciliatory tone, “go and get your supper i’ the pantry, as the things are all put away; an’ then you can come and take the little un while your aunt undresses herself, for she won’t lie down in bed without her mother. An’ I reckon you could eat a bit, Dinah, for they don’t keep much of a house down there.”
“Come on, Hetty,” said Martin Poyser in a friendly tone, “go grab your dinner in the pantry since everything is put away. After that, you can take care of the little one while your aunt gets ready for bed, because she won’t settle down without her mother. And I bet you could eat something, Dinah, since they don’t have much food down there.”
“No, thank you, Uncle,” said Dinah; “I ate a good meal before I came away, for Mrs. Bede would make a kettle-cake for me.”
“No, thank you, Uncle,” Dinah said; “I had a hearty meal before I left because Mrs. Bede made a kettle cake for me.”
“I don’t want any supper,” said Hetty, taking off her hat. “I can hold Totty now, if Aunt wants me.”
“I don’t want any dinner,” said Hetty, taking off her hat. “I can take care of Totty now, if Aunt needs me.”
“Why, what nonsense that is to talk!” said Mrs. Poyser. “Do you think you can live wi’out eatin’, an’ nourish your inside wi’ stickin’ red ribbons on your head? Go an’ get your supper this minute, child; there’s a nice bit o’ cold pudding i’ the safe—just what you’re fond of.”
“Why, what nonsense that is to say!” said Mrs. Poyser. “Do you think you can live without eating, and feed yourself by just tying red ribbons in your hair? Go and get your supper right now, child; there’s a nice piece of cold pudding in the fridge—just what you like.”
Hetty complied silently by going towards the pantry, and Mrs. Poyser went on speaking to Dinah.
Hetty quietly went to the pantry, and Mrs. Poyser continued talking to Dinah.
“Sit down, my dear, an’ look as if you knowed what it was to make yourself a bit comfortable i’ the world. I warrant the old woman was glad to see you, since you stayed so long.”
“Sit down, my dear, and act like you know what it is to make yourself at home in the world. I bet the old woman was happy to see you since you stayed so long.”
“She seemed to like having me there at last; but her sons say she doesn’t like young women about her commonly; and I thought just at first she was almost angry with me for going.”
“She finally seemed to enjoy having me around; but her sons say she usually doesn’t like young women near her; and I thought at first that she was almost annoyed with me for coming.”
“Eh, it’s a poor look-out when th’ ould folks doesna like the young uns,” said old Martin, bending his head down lower, and seeming to trace the pattern of the quarries with his eye.
“Yeah, it’s a bad sign when the old folks don’t like the young ones,” said old Martin, lowering his head and seeming to follow the pattern of the quarries with his gaze.
“Aye, it’s ill livin’ in a hen-roost for them as doesn’t like fleas,” said Mrs. Poyser. “We’ve all had our turn at bein’ young, I reckon, be’t good luck or ill.”
“Aye, it’s tough living in a henhouse for those who don’t like fleas,” said Mrs. Poyser. “We’ve all had our time being young, I guess, whether it was good luck or bad.”
“But she must learn to ’commodate herself to young women,” said Mr. Poyser, “for it isn’t to be counted on as Adam and Seth ’ull keep bachelors for the next ten year to please their mother. That ’ud be unreasonable. It isn’t right for old nor young nayther to make a bargain all o’ their own side. What’s good for one’s good all round i’ the long run. I’m no friend to young fellows a-marrying afore they know the difference atween a crab an’ a apple; but they may wait o’er long.”
“But she needs to learn to get along with young women,” said Mr. Poyser, “because we can’t expect Adam and Seth to stay single for the next ten years just to please their mother. That would be unreasonable. It’s not fair for anyone, young or old, to make a deal that only benefits their side. What’s good for one is good for everyone in the long run. I’m not in favor of young guys getting married before they understand the difference between a crab and an apple; but they might end up waiting too long.”
“To be sure,” said Mrs. Poyser; “if you go past your dinner-time, there’ll be little relish o’ your meat. You turn it o’er an’ o’er wi’ your fork, an’ don’t eat it after all. You find faut wi’ your meat, an’ the faut’s all i’ your own stomach.”
“To be sure,” said Mrs. Poyser, “if you wait too long past your dinner time, you won’t enjoy your food. You keep turning it over with your fork and don’t end up eating it at all. You find faults with your meal, but the problem is all in your own stomach.”
Hetty now came back from the pantry and said, “I can take Totty now, Aunt, if you like.”
Hetty came back from the pantry and said, “I can take Totty now, Aunt, if you want.”
“Come, Rachel,” said Mr. Poyser, as his wife seemed to hesitate, seeing that Totty was at last nestling quietly, “thee’dst better let Hetty carry her upstairs, while thee tak’st thy things off. Thee’t tired. It’s time thee wast in bed. Thee’t bring on the pain in thy side again.”
“Come on, Rachel,” said Mr. Poyser, as his wife seemed to hesitate, noticing that Totty was finally settled down, “you’d better let Hetty take her upstairs while you take off your things. You’re tired. It’s time you were in bed. You’ll make that pain in your side come back.”
“Well, she may hold her if the child ’ull go to her,” said Mrs. Poyser.
“Well, she can keep her if the child wants to go to her,” said Mrs. Poyser.
Hetty went close to the rocking-chair, and stood without her usual smile, and without any attempt to entice Totty, simply waiting for her aunt to give the child into her hands.
Hetty moved near the rocking chair, standing without her usual smile and without trying to coax Totty, just waiting for her aunt to hand the child over to her.
“Wilt go to Cousin Hetty, my dilling, while mother gets ready to go to bed? Then Totty shall go into Mother’s bed, and sleep there all night.”
“Will you go to Cousin Hetty, my dear, while mom gets ready for bed? Then Totty can sleep in Mom’s bed all night.”
Before her mother had done speaking, Totty had given her answer in an unmistakable manner, by knitting her brow, setting her tiny teeth against her underlip, and leaning forward to slap Hetty on the arm with her utmost force. Then, without speaking, she nestled to her mother again.
Before her mother had finished speaking, Totty made her point clear by furrowing her brow, biting down on her lower lip with her small teeth, and leaning in to slap Hetty on the arm as hard as she could. Then, without a word, she snuggled back up to her mother.
“Hey, hey,” said Mr. Poyser, while Hetty stood without moving, “not go to Cousin Hetty? That’s like a babby. Totty’s a little woman, an’ not a babby.”
“Hey, hey,” said Mr. Poyser, while Hetty stood still, “not go to Cousin Hetty? That’s like a baby. Totty’s a little woman, not a baby.”
“It’s no use trying to persuade her,” said Mrs. Poyser. “She allays takes against Hetty when she isn’t well. Happen she’ll go to Dinah.”
“It’s no use trying to convince her,” said Mrs. Poyser. “She always holds a grudge against Hetty when she’s not feeling well. Maybe she’ll go to Dinah.”
Dinah, having taken off her bonnet and shawl, had hitherto kept quietly seated in the background, not liking to thrust herself between Hetty and what was considered Hetty’s proper work. But now she came forward, and, putting out her arms, said, “Come Totty, come and let Dinah carry her upstairs along with Mother: poor, poor Mother! she’s so tired—she wants to go to bed.”
Dinah, having removed her bonnet and shawl, had been quietly sitting in the background, not wanting to interrupt Hetty and what was seen as Hetty’s rightful task. But now she stepped forward, extending her arms, and said, “Come on, Totty, let Dinah carry you upstairs with Mother: poor, poor Mother! She’s so tired—she wants to go to bed.”
Totty turned her face towards Dinah, and looked at her an instant, then lifted herself up, put out her little arms, and let Dinah lift her from her mother’s lap. Hetty turned away without any sign of ill humour, and, taking her hat from the table, stood waiting with an air of indifference, to see if she should be told to do anything else.
Totty turned her face towards Dinah and looked at her for a moment, then lifted herself up, reached out her little arms, and let Dinah pick her up from her mother’s lap. Hetty turned away without showing any annoyance and, taking her hat from the table, stood waiting with an air of indifference to see if she would be asked to do anything else.
“You may make the door fast now, Poyser; Alick’s been come in this long while,” said Mrs. Poyser, rising with an appearance of relief from her low chair. “Get me the matches down, Hetty, for I must have the rushlight burning i’ my room. Come, Father.”
“You can lock the door now, Poyser; Alick has been here for quite a while,” said Mrs. Poyser, getting up with a sense of relief from her low chair. “Get me the matches, Hetty, because I need to have the rushlight on in my room. Come on, Father.”
The heavy wooden bolts began to roll in the house doors, and old Martin prepared to move, by gathering up his blue handkerchief, and reaching his bright knobbed walnut-tree stick from the corner. Mrs. Poyser then led the way out of the kitchen, followed by the grandfather, and Dinah with Totty in her arms—all going to bed by twilight, like the birds. Mrs. Poyser, on her way, peeped into the room where her two boys lay; just to see their ruddy round cheeks on the pillow, and to hear for a moment their light regular breathing.
The heavy wooden bolts started to roll in the house doors, and old Martin got ready to move, grabbing his blue handkerchief and picking up his brightly knobbled walnut stick from the corner. Mrs. Poyser then led the way out of the kitchen, followed by the grandfather and Dinah with Totty in her arms—all heading to bed at twilight, like the birds. On her way, Mrs. Poyser peeked into the room where her two boys were lying down; she just wanted to see their rosy round cheeks on the pillow and hear their light, even breathing for a moment.
“Come, Hetty, get to bed,” said Mr. Poyser, in a soothing tone, as he himself turned to go upstairs. “You didna mean to be late, I’ll be bound, but your aunt’s been worrited to-day. Good-night, my wench, good-night.”
“Come on, Hetty, time for bed,” Mr. Poyser said gently as he headed upstairs. “You didn’t mean to stay up late, I’m sure, but your aunt has been worried today. Goodnight, my girl, goodnight.”
Chapter XV
The Two Bed-Chambers
Hetty and Dinah both slept in the second story, in rooms adjoining each other, meagrely furnished rooms, with no blinds to shut out the light, which was now beginning to gather new strength from the rising of the moon—more than enough strength to enable Hetty to move about and undress with perfect comfort. She could see quite well the pegs in the old painted linen-press on which she hung her hat and gown; she could see the head of every pin on her red cloth pin-cushion; she could see a reflection of herself in the old-fashioned looking-glass, quite as distinct as was needful, considering that she had only to brush her hair and put on her night-cap. A queer old looking-glass! Hetty got into an ill temper with it almost every time she dressed. It had been considered a handsome glass in its day, and had probably been bought into the Poyser family a quarter of a century before, at a sale of genteel household furniture. Even now an auctioneer could say something for it: it had a great deal of tarnished gilding about it; it had a firm mahogany base, well supplied with drawers, which opened with a decided jerk and sent the contents leaping out from the farthest corners, without giving you the trouble of reaching them; above all, it had a brass candle-socket on each side, which would give it an aristocratic air to the very last. But Hetty objected to it because it had numerous dim blotches sprinkled over the mirror, which no rubbing would remove, and because, instead of swinging backwards and forwards, it was fixed in an upright position, so that she could only get one good view of her head and neck, and that was to be had only by sitting down on a low chair before her dressing-table. And the dressing-table was no dressing-table at all, but a small old chest of drawers, the most awkward thing in the world to sit down before, for the big brass handles quite hurt her knees, and she couldn’t get near the glass at all comfortably. But devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.
Hetty and Dinah both slept on the second floor, in adjoining rooms that were sparsely furnished, without any blinds to block out the light. The moon was rising, bringing more than enough light for Hetty to move around and change comfortably. She could clearly see the pegs in the old painted linen press where she hung her hat and dress; she could see the heads of every pin on her red cloth pin cushion; she could even see a reflection of herself in the outdated mirror, distinct enough for her to just brush her hair and put on her nightcap. That odd old mirror! Hetty got frustrated with it almost every time she got ready. It had once been considered a nice mirror and was probably bought by the Poyser family about twenty-five years before, at a sale of fancy household items. Even now, an auctioneer could say something nice about it: it had a lot of tarnished gold around it; it had a sturdy mahogany base, well-equipped with drawers that opened with a sudden jerk, sending their contents flying out from the farthest corners without you needing to reach for them; and it even had a brass candle holder on each side, giving it an upscale vibe to the very end. But Hetty disliked it because it had many dull spots on the mirror that no amount of rubbing could fix, and instead of swinging back and forth, it was fixed straight up, so she could only get one decent view of her head and neck, and that was only by sitting down on a low chair in front of her dressing table. And the dressing table wasn’t really a dressing table at all, but a small old chest of drawers, which was the most awkward thing to sit in front of, since the large brass handles dug into her knees, making it hard to get close to the mirror. But dedicated worshippers never let inconveniences stop them from carrying out their rituals, and that evening, Hetty was more focused on her own form of worship than usual.
Having taken off her gown and white kerchief, she drew a key from the large pocket that hung outside her petticoat, and, unlocking one of the lower drawers in the chest, reached from it two short bits of wax candle—secretly bought at Treddleston—and stuck them in the two brass sockets. Then she drew forth a bundle of matches and lighted the candles; and last of all, a small red-framed shilling looking-glass, without blotches. It was into this small glass that she chose to look first after seating herself. She looked into it, smiling and turning her head on one side, for a minute, then laid it down and took out her brush and comb from an upper drawer. She was going to let down her hair, and make herself look like that picture of a lady in Miss Lydia Donnithorne’s dressing-room. It was soon done, and the dark hyacinthine curves fell on her neck. It was not heavy, massive, merely rippling hair, but soft and silken, running at every opportunity into delicate rings. But she pushed it all backward to look like the picture, and form a dark curtain, throwing into relief her round white neck. Then she put down her brush and comb and looked at herself, folding her arms before her, still like the picture. Even the old mottled glass couldn’t help sending back a lovely image, none the less lovely because Hetty’s stays were not of white satin—such as I feel sure heroines must generally wear—but of a dark greenish cotton texture.
Having taken off her dress and white headscarf, she pulled a key out of the large pocket hanging outside her petticoat and unlocked one of the lower drawers in the chest. From it, she retrieved two short bits of wax candle—secretly bought at Treddleston—and stuck them into the two brass holders. Then she took out a bundle of matches and lit the candles; and finally, a small red-framed shilling mirror, unblemished. It was into this small mirror that she decided to look first after sitting down. She smiled and tilted her head to one side while gazing into it for a minute, then set it aside and took out her brush and comb from an upper drawer. She was going to let down her hair and style it like the picture of a lady in Miss Lydia Donnithorne’s dressing room. It didn't take long, and the dark wavy curls fell onto her neck. It wasn’t heavy or thick, just softly flowing hair, curling delicately at every opportunity. But she pushed it all back to mimic the picture, creating a dark curtain that highlighted her round white neck. Then she set down her brush and comb and looked at herself, arms folded in front of her, still resembling the picture. Even the old mottled glass couldn’t help but reflect a lovely image, none the less beautiful because Hetty’s corset wasn’t made of white satin—like what I’m sure heroines usually wear—but of a dark greenish cotton fabric.
Oh yes! She was very pretty. Captain Donnithorne thought so. Prettier than anybody about Hayslope—prettier than any of the ladies she had ever seen visiting at the Chase—indeed it seemed fine ladies were rather old and ugly—and prettier than Miss Bacon, the miller’s daughter, who was called the beauty of Treddleston. And Hetty looked at herself to-night with quite a different sensation from what she had ever felt before; there was an invisible spectator whose eye rested on her like morning on the flowers. His soft voice was saying over and over again those pretty things she had heard in the wood; his arm was round her, and the delicate rose-scent of his hair was with her still. The vainest woman is never thoroughly conscious of her own beauty till she is loved by the man who sets her own passion vibrating in return.
Oh yes! She was really pretty. Captain Donnithorne thought so. Prettier than anyone in Hayslope—prettier than any of the women she had ever seen visiting at the Chase—really it seemed like the elegant ladies were rather old and unattractive—and prettier than Miss Bacon, the miller’s daughter, who was known as the beauty of Treddleston. And tonight, Hetty looked at herself with a feeling she had never experienced before; there was an invisible observer whose gaze rested on her like the morning light on flowers. His soft voice kept echoing those sweet things she had heard in the woods; his arm was around her, and the delicate rose scent of his hair lingered with her. The vainest woman never truly realizes her own beauty until she is loved by the man who stirs her own passion in return.
But Hetty seemed to have made up her mind that something was wanting, for she got up and reached an old black lace scarf out of the linen-press, and a pair of large ear-rings out of the sacred drawer from which she had taken her candles. It was an old old scarf, full of rents, but it would make a becoming border round her shoulders, and set off the whiteness of her upper arm. And she would take out the little ear-rings she had in her ears—oh, how her aunt had scolded her for having her ears bored!—and put in those large ones. They were but coloured glass and gilding, but if you didn’t know what they were made of, they looked just as well as what the ladies wore. And so she sat down again, with the large ear-rings in her ears, and the black lace scarf adjusted round her shoulders. She looked down at her arms: no arms could be prettier down to a little way below the elbow—they were white and plump, and dimpled to match her cheeks; but towards the wrist, she thought with vexation that they were coarsened by butter-making and other work that ladies never did.
But Hetty seemed to have decided that something was missing, so she got up and grabbed an old black lace scarf from the linen press and a pair of large earrings from the special drawer where she had taken her candles. It was an ancient scarf, full of tears, but it would create a nice border around her shoulders and highlight the whiteness of her upper arm. She would take out the small earrings from her ears—oh, how her aunt had scolded her for having her ears pierced!—and put in those big ones. They were just colored glass and gold plating, but if you didn’t know what they were made of, they looked just as good as what the ladies wore. And so she sat down again, with the big earrings in her ears and the black lace scarf adjusted around her shoulders. She looked down at her arms: no arms could be prettier just below the elbow—they were white and plump, and dimpled like her cheeks; but towards the wrist, she thought with irritation that they were roughened by butter-making and other tasks that ladies never did.
Captain Donnithorne couldn’t like her to go on doing work: he would like to see her in nice clothes, and thin shoes, and white stockings, perhaps with silk clocks to them; for he must love her very much—no one else had ever put his arm round her and kissed her in that way. He would want to marry her and make a lady of her; she could hardly dare to shape the thought—yet how else could it be? Marry her quite secretly, as Mr. James, the doctor’s assistant, married the doctor’s niece, and nobody ever found it out for a long while after, and then it was of no use to be angry. The doctor had told her aunt all about it in Hetty’s hearing. She didn’t know how it would be, but it was quite plain the old Squire could never be told anything about it, for Hetty was ready to faint with awe and fright if she came across him at the Chase. He might have been earth-born, for what she knew. It had never entered her mind that he had been young like other men; he had always been the old Squire at whom everybody was frightened. Oh, it was impossible to think how it would be! But Captain Donnithorne would know; he was a great gentleman, and could have his way in everything, and could buy everything he liked. And nothing could be as it had been again: perhaps some day she should be a grand lady, and ride in her coach, and dress for dinner in a brocaded silk, with feathers in her hair, and her dress sweeping the ground, like Miss Lydia and Lady Dacey, when she saw them going into the dining-room one evening as she peeped through the little round window in the lobby; only she should not be old and ugly like Miss Lydia, or all the same thickness like Lady Dacey, but very pretty, with her hair done in a great many different ways, and sometimes in a pink dress, and sometimes in a white one—she didn’t know which she liked best; and Mary Burge and everybody would perhaps see her going out in her carriage—or rather, they would hear of it: it was impossible to imagine these things happening at Hayslope in sight of her aunt. At the thought of all this splendour, Hetty got up from her chair, and in doing so caught the little red-framed glass with the edge of her scarf, so that it fell with a bang on the floor; but she was too eagerly occupied with her vision to care about picking it up; and after a momentary start, began to pace with a pigeon-like stateliness backwards and forwards along her room, in her coloured stays and coloured skirt, and the old black lace scarf round her shoulders, and the great glass ear-rings in her ears.
Captain Donnithorne wouldn’t want her to keep working: he’d prefer to see her in nice clothes, thin shoes, and white stockings, maybe with silk designs on them; because he must really love her—no one else had ever wrapped his arm around her and kissed her like that. He would want to marry her and turn her into a lady; she could barely allow herself to think about it—yet how could it be any other way? Secretly marry her, like Mr. James, the doctor’s assistant, married the doctor’s niece, and no one found out for a long time, and by then it was pointless to be angry. The doctor had told her aunt everything in Hetty’s hearing. She didn’t know how it would work out, but it was clear that the old Squire could never know, as Hetty was ready to faint with awe and fear if she saw him at the Chase. He could have been born from the earth, for all she knew. It never occurred to her that he had once been young like other men; he had always been just the old Squire, whom everyone feared. Oh, it was impossible to imagine what it would be like! But Captain Donnithorne would know; he was a great gentleman and could get his way in everything, and buy whatever he liked. Things could never go back to how they were; maybe someday she’d be a grand lady, ride in her coach, and dress for dinner in brocaded silk, with feathers in her hair, and her dress trailing on the ground, like Miss Lydia and Lady Dacey when she saw them going into the dining room one evening while peeking through the little round window in the lobby; but she wouldn’t be old and ugly like Miss Lydia or a thick mass like Lady Dacey, but very pretty, with her hair styled in many different ways, sometimes in a pink dress, sometimes in a white one—she couldn’t decide which she liked best; and Mary Burge and everyone might see her going out in her carriage—or rather, they would hear about it: it seemed unimaginable for these things to happen at Hayslope in front of her aunt. Thinking of all this splendor, Hetty got up from her chair and, in doing so, caught the little red-framed glass with the edge of her scarf, making it crash to the floor; but she was too caught up in her vision to bother picking it up; and after a brief moment of surprise, she began to walk with a stately grace back and forth in her colorful stays and skirt, the old black lace scarf around her shoulders, and the big glass earrings in her ears.
How pretty the little puss looks in that odd dress! It would be the easiest folly in the world to fall in love with her: there is such a sweet babylike roundness about her face and figure; the delicate dark rings of hair lie so charmingly about her ears and neck; her great dark eyes with their long eye-lashes touch one so strangely, as if an imprisoned frisky sprite looked out of them.
How cute the little cat looks in that strange outfit! It would be the simplest thing in the world to fall in love with her: there’s such a sweet, baby-like roundness to her face and body; the delicate dark strands of hair fall so beautifully around her ears and neck; her big dark eyes with their long lashes affect you so oddly, as if a playful little spirit is peeking out from them.
Ah, what a prize the man gets who wins a sweet bride like Hetty! How the men envy him who come to the wedding breakfast, and see her hanging on his arm in her white lace and orange blossoms. The dear, young, round, soft, flexible thing! Her heart must be just as soft, her temper just as free from angles, her character just as pliant. If anything ever goes wrong, it must be the husband’s fault there: he can make her what he likes—that is plain. And the lover himself thinks so too: the little darling is so fond of him, her little vanities are so bewitching, he wouldn’t consent to her being a bit wiser; those kittenlike glances and movements are just what one wants to make one’s hearth a paradise. Every man under such circumstances is conscious of being a great physiognomist. Nature, he knows, has a language of her own, which she uses with strict veracity, and he considers himself an adept in the language. Nature has written out his bride’s character for him in those exquisite lines of cheek and lip and chin, in those eyelids delicate as petals, in those long lashes curled like the stamen of a flower, in the dark liquid depths of those wonderful eyes. How she will dote on her children! She is almost a child herself, and the little pink round things will hang about her like florets round the central flower; and the husband will look on, smiling benignly, able, whenever he chooses, to withdraw into the sanctuary of his wisdom, towards which his sweet wife will look reverently, and never lift the curtain. It is a marriage such as they made in the golden age, when the men were all wise and majestic and the women all lovely and loving.
Ah, what a prize a guy gets when he wins a sweet bride like Hetty! How the men envy him as they come to the wedding breakfast, seeing her hanging on his arm in her white lace and orange blossoms. The dear, young, round, soft, flexible thing! Her heart must be just as soft, her temper just as easygoing, her character just as adaptable. If anything ever goes wrong, it must be the husband's fault—he can shape her however he wants—that's clear. And the lover thinks so too: the little darling is so into him, her little quirks are so charming, he wouldn’t want her to be any wiser; those kitten-like glances and moves are exactly what one needs to make a home feel like paradise. Every guy in this situation feels like he's a great judge of character. He knows that nature has its own language, which it uses honestly, and he sees himself as an expert in that language. Nature has outlined his bride’s character for him in those beautiful lines of her cheeks and lips and chin, in those eyelids as delicate as petals, in those long lashes curled like a flower’s stamen, in the dark, deep beauty of those amazing eyes. How she will adore her kids! She’s almost a child herself, and the little pink bundles will gather around her like flowers around a central bloom; and the husband will watch on, smiling kindly, able to retreat into the comfort of his wisdom whenever he wants, while his sweet wife looks at him with admiration, never pulling back the curtain. It’s a marriage like they had in the golden age, when the men were all wise and grand, and the women were all beautiful and loving.
It was very much in this way that our friend Adam Bede thought about Hetty; only he put his thoughts into different words. If ever she behaved with cold vanity towards him, he said to himself it is only because she doesn’t love me well enough; and he was sure that her love, whenever she gave it, would be the most precious thing a man could possess on earth. Before you despise Adam as deficient in penetration, pray ask yourself if you were ever predisposed to believe evil of any pretty woman—if you ever could, without hard head-breaking demonstration, believe evil of the one supremely pretty woman who has bewitched you. No: people who love downy peaches are apt not to think of the stone, and sometimes jar their teeth terribly against it.
It was very much like this that our friend Adam Bede thought about Hetty; he just expressed his thoughts differently. Whenever she acted with cold vanity towards him, he told himself it was only because she didn’t love him enough; and he was convinced that her love, whenever she offered it, would be the most valuable thing a man could have on earth. Before you judge Adam as lacking insight, seriously ask yourself if you've ever been inclined to see the worst in any attractive woman—if you’ve ever really, without solid proof, been able to believe something bad about the one incredibly beautiful woman who has captivated you. No: people who adore sweet peaches often forget about the pit, and sometimes they end up banging their teeth against it.
Arthur Donnithorne, too, had the same sort of notion about Hetty, so far as he had thought of her nature of all. He felt sure she was a dear, affectionate, good little thing. The man who awakes the wondering tremulous passion of a young girl always thinks her affectionate; and if he chances to look forward to future years, probably imagines himself being virtuously tender to her, because the poor thing is so clingingly fond of him. God made these dear women so—and it is a convenient arrangement in case of sickness.
Arthur Donnithorne also had a similar idea about Hetty, as much as he had considered her character at all. He was sure she was a sweet, caring, and good girl. The guy who stirs the curious, nervous passion of a young woman always believes she’s affectionate; and if he happens to imagine the years ahead, he likely pictures himself being lovingly protective of her, simply because she is so devoted to him. God made these wonderful women this way—and it works out well if he gets sick.
After all, I believe the wisest of us must be beguiled in this way sometimes, and must think both better and worse of people than they deserve. Nature has her language, and she is not unveracious; but we don’t know all the intricacies of her syntax just yet, and in a hasty reading we may happen to extract the very opposite of her real meaning. Long dark eyelashes, now—what can be more exquisite? I find it impossible not to expect some depth of soul behind a deep grey eye with a long dark eyelash, in spite of an experience which has shown me that they may go along with deceit, peculation, and stupidity. But if, in the reaction of disgust, I have betaken myself to a fishy eye, there has been a surprising similarity of result. One begins to suspect at length that there is no direct correlation between eyelashes and morals; or else, that the eyelashes express the disposition of the fair one’s grandmother, which is on the whole less important to us.
After all, I think even the wisest among us can be deceived like this sometimes, and we tend to judge people both better and worse than they actually are. Nature has its own language, and it's not untruthful; but we still don’t understand all the complexities of its grammar, and in a quick glance, we can misinterpret her true meaning. Long dark eyelashes—what could be more beautiful? I find it hard not to expect some depth of character behind a deep grey eye with long dark eyelashes, despite experiences that have shown me they can come hand in hand with deceit, greed, and ignorance. Yet, when I've turned to eyes that seem fishy out of disgust, the results have often been surprisingly similar. Eventually, you start to wonder if there's really any connection between eyelashes and a person's morals; or maybe the eyelashes reveal more about the character of the fair one's grandmother, which is generally less relevant to us.
No eyelashes could be more beautiful than Hetty’s; and now, while she walks with her pigeon-like stateliness along the room and looks down on her shoulders bordered by the old black lace, the dark fringe shows to perfection on her pink cheek. They are but dim ill-defined pictures that her narrow bit of an imagination can make of the future; but of every picture she is the central figure in fine clothes; Captain Donnithorne is very close to her, putting his arm round her, perhaps kissing her, and everybody else is admiring and envying her—especially Mary Burge, whose new print dress looks very contemptible by the side of Hetty’s resplendent toilette. Does any sweet or sad memory mingle with this dream of the future—any loving thought of her second parents—of the children she had helped to tend—of any youthful companion, any pet animal, any relic of her own childhood even? Not one. There are some plants that have hardly any roots: you may tear them from their native nook of rock or wall, and just lay them over your ornamental flower-pot, and they blossom none the worse. Hetty could have cast all her past life behind her and never cared to be reminded of it again. I think she had no feeling at all towards the old house, and did not like the Jacob’s Ladder and the long row of hollyhocks in the garden better than other flowers—perhaps not so well. It was wonderful how little she seemed to care about waiting on her uncle, who had been a good father to her—she hardly ever remembered to reach him his pipe at the right time without being told, unless a visitor happened to be there, who would have a better opportunity of seeing her as she walked across the hearth. Hetty did not understand how anybody could be very fond of middle-aged people. And as for those tiresome children, Marty and Tommy and Totty, they had been the very nuisance of her life—as bad as buzzing insects that will come teasing you on a hot day when you want to be quiet. Marty, the eldest, was a baby when she first came to the farm, for the children born before him had died, and so Hetty had had them all three, one after the other, toddling by her side in the meadow, or playing about her on wet days in the half-empty rooms of the large old house. The boys were out of hand now, but Totty was still a day-long plague, worse than either of the others had been, because there was more fuss made about her. And there was no end to the making and mending of clothes. Hetty would have been glad to hear that she should never see a child again; they were worse than the nasty little lambs that the shepherd was always bringing in to be taken special care of in lambing time; for the lambs were got rid of sooner or later. As for the young chickens and turkeys, Hetty would have hated the very word “hatching,” if her aunt had not bribed her to attend to the young poultry by promising her the proceeds of one out of every brood. The round downy chicks peeping out from under their mother’s wing never touched Hetty with any pleasure; that was not the sort of prettiness she cared about, but she did care about the prettiness of the new things she would buy for herself at Treddleston Fair with the money they fetched. And yet she looked so dimpled, so charming, as she stooped down to put the soaked bread under the hen-coop, that you must have been a very acute personage indeed to suspect her of that hardness. Molly, the housemaid, with a turn-up nose and a protuberant jaw, was really a tender-hearted girl, and, as Mrs. Poyser said, a jewel to look after the poultry; but her stolid face showed nothing of this maternal delight, any more than a brown earthenware pitcher will show the light of the lamp within it.
No eyelashes could be more beautiful than Hetty’s, and now, as she walks with her pigeon-like poise across the room, looking down at her shoulders draped in old black lace, her dark fringe stands out perfectly against her pink cheek. Her narrow imagination barely conjures dim, vague images of the future, but in every image, she's the central figure in fine clothes; Captain Donnithorne is very close to her, putting his arm around her, maybe kissing her, while everyone admires and envies her—especially Mary Burge, whose new print dress pales in comparison to Hetty’s stunning outfit. Does any sweet or sad memory mix with this dream of the future—any loving thought of her guardians—of the children she had helped care for—of any childhood friend, pet, or even a memento from her own youth? Not at all. Some plants have barely any roots: you can pull them from their rocky or wall niches and just lay them on your decorative flower pot, and they bloom just fine. Hetty could easily leave her past behind and not care to remember it again. I think she didn’t have any feelings for the old house and didn’t like the Jacob’s Ladder or the long row of hollyhocks in the garden any more than other flowers—maybe even less. It was amazing how little she seemed to care about taking care of her uncle, who had been a good father figure to her—she hardly ever remembered to get his pipe at the right time without being reminded, unless there was a guest who could appreciate her grace as she walked across the hearth. Hetty didn’t understand how anyone could be very fond of middle-aged people. And those annoying children, Marty, Tommy, and Totty, had been a huge nuisance in her life—just like buzzing insects that bother you on a hot day when you want peace. Marty, the oldest, was an infant when she first arrived at the farm since the children born before him had died, so Hetty had seen all three of them, one after the other, toddling beside her in the meadow, or playing around her on rainy days in the half-empty rooms of the big old house. The boys were a handful now, but Totty was still a constant headache, even worse than the others had been, because she required even more attention. And the endless cycle of making and mending clothes was exhausting. Hetty would have been pleased to know she'd never see a child again; they were worse than the pesky little lambs the shepherd always brought in for extra care during lambing season because the lambs were eventually sent away. As for the young chicks and turkeys, Hetty would have despised the word “hatching” if her aunt hadn’t tempted her to help with the young poultry by promising her a share of the profits from each brood. The fluffy chicks peeping out from under their mother’s wing didn’t bring her any joy; that wasn't the kind of cuteness she cared about, but she was definitely interested in the new things she could buy for herself at Treddleston Fair with the money they brought in. Yet, she looked so dimpled and charming as she bent down to place the soaked bread under the hen-coop that you’d have to be incredibly perceptive to suspect her of any hardness. Molly, the housemaid, with her turn-up nose and prominent jaw, was genuinely a kind-hearted girl, and as Mrs. Poyser said, a gem when it came to taking care of the poultry; but her expressionless face revealed nothing of this maternal joy, just like a brown earthenware pitcher wouldn’t show the light of the lamp inside it.
It is generally a feminine eye that first detects the moral deficiencies hidden under the “dear deceit” of beauty, so it is not surprising that Mrs. Poyser, with her keenness and abundant opportunity for observation, should have formed a tolerably fair estimate of what might be expected from Hetty in the way of feeling, and in moments of indignation she had sometimes spoken with great openness on the subject to her husband.
It’s usually a woman’s eye that first notices the moral flaws hidden beneath the “sweet deception” of beauty, so it’s no surprise that Mrs. Poyser, with her sharp insight and ample chance to observe, would have a pretty good understanding of what to expect from Hetty in terms of feelings. In moments of anger, she had sometimes talked very honestly about this with her husband.
“She’s no better than a peacock, as ’ud strut about on the wall and spread its tail when the sun shone if all the folks i’ the parish was dying: there’s nothing seems to give her a turn i’ th’ inside, not even when we thought Totty had tumbled into the pit. To think o’ that dear cherub! And we found her wi’ her little shoes stuck i’ the mud an’ crying fit to break her heart by the far horse-pit. But Hetty never minded it, I could see, though she’s been at the nussin’ o’ the child ever since it was a babby. It’s my belief her heart’s as hard as a pebble.”
“She’s just like a peacock, strutting around on the wall and fanning out her feathers when the sun shines, even if everyone in the neighborhood is dying. Nothing seems to affect her, not even when we thought Totty had fallen into the pit. Just thinking about that sweet little cherub! We found her with her tiny shoes stuck in the mud, crying her eyes out by the far horse-pit. But Hetty didn’t seem to care, even though she’s been taking care of the child since she was a baby. I truly believe her heart is as hard as a stone.”
“Nay, nay,” said Mr. Poyser, “thee mustn’t judge Hetty too hard. Them young gells are like the unripe grain; they’ll make good meal by and by, but they’re squashy as yet. Thee’t see Hetty ’ll be all right when she’s got a good husband and children of her own.”
“Nah, nah,” said Mr. Poyser, “you shouldn’t judge Hetty too harshly. Those young girls are like unripe grain; they’ll turn out well eventually, but they’re still soft right now. You’ll see Hetty will be fine once she has a good husband and children of her own.”
“I don’t want to be hard upo’ the gell. She’s got cliver fingers of her own, and can be useful enough when she likes and I should miss her wi’ the butter, for she’s got a cool hand. An’ let be what may, I’d strive to do my part by a niece o’ yours—an’ that I’ve done, for I’ve taught her everything as belongs to a house, an’ I’ve told her her duty often enough, though, God knows, I’ve no breath to spare, an’ that catchin’ pain comes on dreadful by times. Wi’ them three gells in the house I’d need have twice the strength to keep ’em up to their work. It’s like having roast meat at three fires; as soon as you’ve basted one, another’s burnin’.”
“I don’t want to be too hard on the girl. She’s got clever fingers of her own and can be quite handy when she wants to be, and I would miss her in the kitchen because she has a steady hand. And no matter what happens, I’d try to do my part for your niece—and I have, because I’ve taught her everything she needs to know about running a household, and I’ve reminded her of her responsibilities enough times, although, God knows, I don’t have much energy to spare, and that catching pain can be really bad sometimes. With those three girls in the house, I’d need twice the strength to keep them on task. It’s like trying to keep roast meat cooking over three fires; as soon as you’ve basted one, another is burning.”
Hetty stood sufficiently in awe of her aunt to be anxious to conceal from her so much of her vanity as could be hidden without too great a sacrifice. She could not resist spending her money in bits of finery which Mrs. Poyser disapproved; but she would have been ready to die with shame, vexation, and fright if her aunt had this moment opened the door, and seen her with her bits of candle lighted, and strutting about decked in her scarf and ear-rings. To prevent such a surprise, she always bolted her door, and she had not forgotten to do so to-night. It was well: for there now came a light tap, and Hetty, with a leaping heart, rushed to blow out the candles and throw them into the drawer. She dared not stay to take out her ear-rings, but she threw off her scarf, and let it fall on the floor, before the light tap came again. We shall know how it was that the light tap came, if we leave Hetty for a short time and return to Dinah, at the moment when she had delivered Totty to her mother’s arms, and was come upstairs to her bedroom, adjoining Hetty’s.
Hetty was so in awe of her aunt that she wanted to hide as much of her vanity as possible without giving up too much. She couldn’t help but spend her money on bits of fancy things that Mrs. Poyser didn’t approve of; however, she would have been mortified, frustrated, and scared if her aunt had suddenly opened the door and found her parading around with her lit candles, decked out in her scarf and earrings. To avoid such a surprise, she always locked her door, and she hadn’t forgotten to do that tonight. It was a good thing, too, because there was now a light knock, and Hetty, her heart racing, rushed to blow out the candles and hide them in the drawer. She didn’t have time to take off her earrings, but she managed to throw off her scarf, letting it fall on the floor, just before the light knock came again. We’ll find out how that light knock happened if we leave Hetty for a moment and check in on Dinah, who had just handed Totty back to her mother and was heading up to her bedroom next to Hetty's.
Dinah delighted in her bedroom window. Being on the second story of that tall house, it gave her a wide view over the fields. The thickness of the wall formed a broad step about a yard below the window, where she could place her chair. And now the first thing she did on entering her room was to seat herself in this chair and look out on the peaceful fields beyond which the large moon was rising, just above the hedgerow elms. She liked the pasture best where the milch cows were lying, and next to that the meadow where the grass was half-mown, and lay in silvered sweeping lines. Her heart was very full, for there was to be only one more night on which she would look out on those fields for a long time to come; but she thought little of leaving the mere scene, for, to her, bleak Snowfield had just as many charms. She thought of all the dear people whom she had learned to care for among these peaceful fields, and who would now have a place in her loving remembrance for ever. She thought of the struggles and the weariness that might lie before them in the rest of their life’s journey, when she would be away from them, and know nothing of what was befalling them; and the pressure of this thought soon became too strong for her to enjoy the unresponding stillness of the moonlit fields. She closed her eyes, that she might feel more intensely the presence of a Love and Sympathy deeper and more tender than was breathed from the earth and sky. That was often Dinah’s mode of praying in solitude. Simply to close her eyes and to feel herself enclosed by the Divine Presence; then gradually her fears, her yearning anxieties for others, melted away like ice-crystals in a warm ocean. She had sat in this way perfectly still, with her hands crossed on her lap and the pale light resting on her calm face, for at least ten minutes when she was startled by a loud sound, apparently of something falling in Hetty’s room. But like all sounds that fall on our ears in a state of abstraction, it had no distinct character, but was simply loud and startling, so that she felt uncertain whether she had interpreted it rightly. She rose and listened, but all was quiet afterwards, and she reflected that Hetty might merely have knocked something down in getting into bed. She began slowly to undress; but now, owing to the suggestions of this sound, her thoughts became concentrated on Hetty—that sweet young thing, with life and all its trials before her—the solemn daily duties of the wife and mother—and her mind so unprepared for them all, bent merely on little foolish, selfish pleasures, like a child hugging its toys in the beginning of a long toilsome journey in which it will have to bear hunger and cold and unsheltered darkness. Dinah felt a double care for Hetty, because she shared Seth’s anxious interest in his brother’s lot, and she had not come to the conclusion that Hetty did not love Adam well enough to marry him. She saw too clearly the absence of any warm, self-devoting love in Hetty’s nature to regard the coldness of her behaviour towards Adam as any indication that he was not the man she would like to have for a husband. And this blank in Hetty’s nature, instead of exciting Dinah’s dislike, only touched her with a deeper pity: the lovely face and form affected her as beauty always affects a pure and tender mind, free from selfish jealousies. It was an excellent divine gift, that gave a deeper pathos to the need, the sin, the sorrow with which it was mingled, as the canker in a lily-white bud is more grievous to behold than in a common pot-herb.
Dinah loved sitting by her bedroom window. Being on the second floor of that tall house, she had a wide view over the fields. The thick wall created a broad ledge about a yard below the window, where she could place her chair. The first thing she did when she entered her room was sit down in that chair and look out at the peaceful fields, where the large moon was rising just above the hedgerow elms. She especially liked the pasture where the milking cows were lying, and next to that, the meadow where the grass was half-mown, lying in silvered sweeping lines. Her heart was heavy because there would only be one more night to look out at those fields for a long time; but she didn't dwell on leaving the scene—she thought bleak Snowfield had just as many charms. She thought of all the dear people she had learned to care for in those peaceful fields, who would forever hold a place in her loving memories. She thought about the struggles and weariness that might lie ahead for them in the rest of their lives when she would be away and unaware of what was happening to them; the weight of this thought became too much for her to enjoy the silent stillness of the moonlit fields. She closed her eyes to feel more intensely the presence of a Love and Sympathy deeper and more tender than what the earth and sky could offer. This was often how Dinah prayed in solitude—simply closing her eyes and feeling enveloped by the Divine Presence; gradually, her fears and anxious thoughts for others melted away like ice crystals in a warm ocean. She sat this way perfectly still, her hands crossed in her lap and the pale light resting on her calm face, for at least ten minutes until a loud sound from Hetty’s room startled her. But like all sounds that break through our thoughts, it had no clear character—it was just loud and startling, leaving her unsure if she had interpreted it correctly. She got up to listen, but after that, all was quiet, and she thought that Hetty might have just knocked something over while getting into bed. She began to undress slowly; but now, because of that sound, her thoughts were focused on Hetty—that sweet young woman, with life and all its challenges ahead—the serious daily responsibilities of being a wife and mother—and her mind so unprepared for all of it, focused only on little foolish, selfish pleasures, like a child hugging its toys at the start of a long, tiring journey in which it would have to face hunger, cold, and darkness. Dinah felt a double concern for Hetty, as she shared Seth’s anxious interest in his brother’s life. She hadn’t concluded that Hetty didn’t love Adam enough to marry him. She saw too clearly the lack of any warm, self-sacrificing love in Hetty’s nature to think that her coldness towards Adam meant he wasn’t the man she would want as a husband. This emptiness in Hetty’s nature, instead of making Dinah feel dislike, filled her with deeper pity: the lovely face and figure affected her as beauty always affects a pure and tender heart, free from selfish jealousy. It was a wonderful divine gift that added a deeper sadness to the needs, sins, and sorrows intertwined with it, like finding a flaw in a pristine white bud that hurts more to see than one in an ordinary garden herb.
By the time Dinah had undressed and put on her night-gown, this feeling about Hetty had gathered a painful intensity; her imagination had created a thorny thicket of sin and sorrow, in which she saw the poor thing struggling torn and bleeding, looking with tears for rescue and finding none. It was in this way that Dinah’s imagination and sympathy acted and reacted habitually, each heightening the other. She felt a deep longing to go now and pour into Hetty’s ear all the words of tender warning and appeal that rushed into her mind. But perhaps Hetty was already asleep. Dinah put her ear to the partition and heard still some slight noises, which convinced her that Hetty was not yet in bed. Still she hesitated; she was not quite certain of a divine direction; the voice that told her to go to Hetty seemed no stronger than the other voice which said that Hetty was weary, and that going to her now in an unseasonable moment would only tend to close her heart more obstinately. Dinah was not satisfied without a more unmistakable guidance than those inward voices. There was light enough for her, if she opened her Bible, to discern the text sufficiently to know what it would say to her. She knew the physiognomy of every page, and could tell on what book she opened, sometimes on what chapter, without seeing title or number. It was a small thick Bible, worn quite round at the edges. Dinah laid it sideways on the window ledge, where the light was strongest, and then opened it with her forefinger. The first words she looked at were those at the top of the left-hand page: “And they all wept sore, and fell on Paul’s neck and kissed him.” That was enough for Dinah; she had opened on that memorable parting at Ephesus, when Paul had felt bound to open his heart in a last exhortation and warning. She hesitated no longer, but, opening her own door gently, went and tapped on Hetty’s. We know she had to tap twice, because Hetty had to put out her candles and throw off her black lace scarf; but after the second tap the door was opened immediately. Dinah said, “Will you let me come in, Hetty?” and Hetty, without speaking, for she was confused and vexed, opened the door wider and let her in.
By the time Dinah had changed into her nightgown, her feelings about Hetty had become painfully intense; her imagination had created a tangled mess of sin and sorrow, where she saw the poor girl struggling, hurt and bleeding, looking for help but finding none. This was how Dinah's imagination and sympathy usually interacted, each amplifying the other. She felt a strong urge to go and share all the words of gentle warning and plea that flooded her mind. But maybe Hetty was already asleep. Dinah pressed her ear to the wall and heard some faint sounds, convincing her that Hetty was still awake. Still, she hesitated; she wasn't entirely sure she was being divinely guided; the voice urging her to go to Hetty seemed just as strong as the voice saying that Hetty was tired and that visiting her at this late hour would only make her more resistant. Dinah wasn't satisfied without clearer direction than those internal voices. There was enough light for her, if she opened her Bible, to see the text well enough to understand what it would say to her. She knew every page's appearance and could tell which book she was on, sometimes even which chapter, without needing to see the title or number. It was a small, thick Bible, worn down at the edges. Dinah laid it sideways on the windowsill, where the light was brightest, and opened it with her forefinger. The first words she saw were at the top of the left page: “And they all wept sore, and fell on Paul’s neck and kissed him.” That was enough for Dinah; she had opened to that memorable farewell in Ephesus, when Paul felt compelled to give a last heartfelt admonition and warning. She no longer hesitated; gently opening her own door, she went and knocked on Hetty’s. We know she had to knock twice because Hetty had to put out her candles and remove her black lace scarf; but after the second knock, the door was opened right away. Dinah said, “Can I come in, Hetty?” and Hetty, without speaking, because she was flustered and annoyed, opened the door wider and let her in.
What a strange contrast the two figures made, visible enough in that mingled twilight and moonlight! Hetty, her cheeks flushed and her eyes glistening from her imaginary drama, her beautiful neck and arms bare, her hair hanging in a curly tangle down her back, and the baubles in her ears. Dinah, covered with her long white dress, her pale face full of subdued emotion, almost like a lovely corpse into which the soul has returned charged with sublimer secrets and a sublimer love. They were nearly of the same height; Dinah evidently a little the taller as she put her arm round Hetty’s waist and kissed her forehead.
What a strange contrast the two figures created, clearly visible in the mixed twilight and moonlight! Hetty, with her flushed cheeks and sparkling eyes from her imagined drama, her beautiful neck and arms exposed, her hair cascading in a curly tangle down her back, and the earrings glinting in her ears. Dinah, dressed in her long white gown, her pale face filled with suppressed emotion, almost resembling a beautiful corpse whose soul has returned, filled with deeper secrets and a more profound love. They were nearly the same height; Dinah was clearly a bit taller as she wrapped her arm around Hetty's waist and kissed her forehead.
“I knew you were not in bed, my dear,” she said, in her sweet clear voice, which was irritating to Hetty, mingling with her own peevish vexation like music with jangling chains, “for I heard you moving; and I longed to speak to you again to-night, for it is the last but one that I shall be here, and we don’t know what may happen to-morrow to keep us apart. Shall I sit down with you while you do up your hair?”
“I knew you weren’t in bed, my dear,” she said in her sweet, clear voice, which only irritated Hetty more, mixing with her own annoyance like music clashing with jarring chains. “I heard you moving, and I wanted to talk to you again tonight, since it’s the second to last time I’ll be here, and we don’t know what might happen tomorrow that could keep us apart. Should I sit down with you while you fix your hair?”
“Oh yes,” said Hetty, hastily turning round and reaching the second chair in the room, glad that Dinah looked as if she did not notice her ear-rings.
“Oh yes,” Hetty said, quickly turning around and grabbing the second chair in the room, relieved that Dinah didn’t seem to notice her earrings.
Dinah sat down, and Hetty began to brush together her hair before twisting it up, doing it with that air of excessive indifference which belongs to confused self-consciousness. But the expression of Dinah’s eyes gradually relieved her; they seemed unobservant of all details.
Dinah sat down, and Hetty started to brush her hair before twisting it up, doing so with an excessive indifference that comes from feeling awkward and self-conscious. But the look in Dinah's eyes gradually eased her; they appeared to not notice any details.
“Dear Hetty,” she said, “It has been borne in upon my mind to-night that you may some day be in trouble—trouble is appointed for us all here below, and there comes a time when we need more comfort and help than the things of this life can give. I want to tell you that if ever you are in trouble, and need a friend that will always feel for you and love you, you have got that friend in Dinah Morris at Snowfield, and if you come to her, or send for her, she’ll never forget this night and the words she is speaking to you now. Will you remember it, Hetty?”
“Dear Hetty,” she said, “I’ve been thinking tonight that you might someday find yourself in trouble—trouble is something we all have to face in life, and there will be times when we need more comfort and support than the things of this world can provide. I want you to know that if you ever find yourself in trouble and need a friend who will always care for you and love you, you have that friend in Dinah Morris at Snowfield. If you reach out to her or ask for her, she’ll always remember this night and the words she’s telling you now. Will you remember that, Hetty?”
“Yes,” said Hetty, rather frightened. “But why should you think I shall be in trouble? Do you know of anything?”
“Yes,” said Hetty, feeling quite scared. “But why do you think I'll be in trouble? Do you know something?”
Hetty had seated herself as she tied on her cap, and now Dinah leaned forwards and took her hands as she answered, “Because, dear, trouble comes to us all in this life: we set our hearts on things which it isn’t God’s will for us to have, and then we go sorrowing; the people we love are taken from us, and we can joy in nothing because they are not with us; sickness comes, and we faint under the burden of our feeble bodies; we go astray and do wrong, and bring ourselves into trouble with our fellow-men. There is no man or woman born into this world to whom some of these trials do not fall, and so I feel that some of them must happen to you; and I desire for you, that while you are young you should seek for strength from your Heavenly Father, that you may have a support which will not fail you in the evil day.”
Hetty had sat down while putting on her cap, and now Dinah leaned forward and took her hands as she replied, “Because, dear, everyone faces trouble in this life: we desire things that it isn’t God’s plan for us to have, and then we grieve; the people we love are taken from us, and we can’t find joy in anything because they aren’t here; we get sick, and we struggle under the weight of our weak bodies; we make mistakes and cause ourselves trouble with others. There’s no man or woman born into this world who doesn’t experience some of these challenges, and so I believe that some of them will come to you; and I wish for you, that while you are young, you should seek strength from your Heavenly Father, so that you have a support that won’t fail you in difficult times.”
Dinah paused and released Hetty’s hands that she might not hinder her. Hetty sat quite still; she felt no response within herself to Dinah’s anxious affection; but Dinah’s words uttered with solemn pathetic distinctness, affected her with a chill fear. Her flush had died away almost to paleness; she had the timidity of a luxurious pleasure-seeking nature, which shrinks from the hint of pain. Dinah saw the effect, and her tender anxious pleading became the more earnest, till Hetty, full of a vague fear that something evil was some time to befall her, began to cry.
Dinah paused and let go of Hetty’s hands so she wouldn’t hold her back. Hetty sat completely still; she didn’t feel anything in response to Dinah’s worried affection, but Dinah’s words, said with a serious and moving clarity, filled her with a chilling fear. Her blush faded almost to a pale color; she had the shyness of someone who enjoys comfort and pleasure and shrinks away from any hint of pain. Dinah noticed the impact and her tender, anxious pleading grew even more intense, until Hetty, filled with a vague fear that something bad was going to happen to her, started to cry.
It is our habit to say that while the lower nature can never understand the higher, the higher nature commands a complete view of the lower. But I think the higher nature has to learn this comprehension, as we learn the art of vision, by a good deal of hard experience, often with bruises and gashes incurred in taking things up by the wrong end, and fancying our space wider than it is. Dinah had never seen Hetty affected in this way before, and, with her usual benignant hopefulness, she trusted it was the stirring of a divine impulse. She kissed the sobbing thing, and began to cry with her for grateful joy. But Hetty was simply in that excitable state of mind in which there is no calculating what turn the feelings may take from one moment to another, and for the first time she became irritated under Dinah’s caress. She pushed her away impatiently, and said, with a childish sobbing voice, “Don’t talk to me so, Dinah. Why do you come to frighten me? I’ve never done anything to you. Why can’t you let me be?”
It’s common for us to say that while the lower nature can never grasp the higher, the higher nature has a complete understanding of the lower. But I believe the higher nature has to learn this understanding, just like we learn to see, through a lot of tough experiences, often getting hurt when we tackle things incorrectly and thinking our reach is broader than it really is. Dinah had never seen Hetty like this before, and with her usual hopeful optimism, she believed it was the beginning of a divine spark. She kissed the sobbing girl and began to cry with her out of grateful joy. But Hetty was just in that overly emotional state where you can’t predict how feelings will shift from one moment to the next, and for the first time, she felt irritated by Dinah’s affection. She pushed her away impatiently and said, in a childish sobbing voice, “Don’t talk to me like that, Dinah. Why do you come to scare me? I’ve never done anything to you. Why can’t you just leave me alone?”
Poor Dinah felt a pang. She was too wise to persist, and only said mildly, “Yes, my dear, you’re tired; I won’t hinder you any longer. Make haste and get into bed. Good-night.”
Poor Dinah felt a twinge. She was too smart to press on, and only said gently, “Yes, my dear, you’re tired; I won’t keep you any longer. Hurry and get into bed. Good-night.”
She went out of the room almost as quietly and quickly as if she had been a ghost; but once by the side of her own bed, she threw herself on her knees and poured out in deep silence all the passionate pity that filled her heart.
She left the room almost as quietly and quickly as if she were a ghost; but once she was by her own bed, she fell to her knees and silently poured out all the intense pity that filled her heart.
As for Hetty, she was soon in the wood again—her waking dreams being merged in a sleeping life scarcely more fragmentary and confused.
As for Hetty, she was soon back in the woods—her waking dreams blending into a sleeping life that was barely more coherent and clear.
Chapter XVI
Links
Arthur Donnithorne, you remember, is under an engagement with himself to go and see Mr. Irwine this Friday morning, and he is awake and dressing so early that he determines to go before breakfast, instead of after. The rector, he knows, breakfasts alone at half-past nine, the ladies of the family having a different breakfast-hour; Arthur will have an early ride over the hill and breakfast with him. One can say everything best over a meal.
Arthur Donnithorne, as you remember, promised himself he would visit Mr. Irwine this Friday morning, and he’s up and getting ready so early that he decides to go before breakfast instead of after. He knows the rector has breakfast alone at half-past nine, while the ladies of the family have a different breakfast time. Arthur plans to take an early ride over the hill and have breakfast with him. You can express everything better over a meal.
The progress of civilization has made a breakfast or a dinner an easy and cheerful substitute for more troublesome and disagreeable ceremonies. We take a less gloomy view of our errors now our father confessor listens to us over his egg and coffee. We are more distinctly conscious that rude penances are out of the question for gentlemen in an enlightened age, and that mortal sin is not incompatible with an appetite for muffins. An assault on our pockets, which in more barbarous times would have been made in the brusque form of a pistol-shot, is quite a well-bred and smiling procedure now it has become a request for a loan thrown in as an easy parenthesis between the second and third glasses of claret.
The progress of civilization has turned breakfast or dinner into an easy and enjoyable replacement for more troublesome and unpleasant rituals. We have a less grim perspective on our mistakes now that our confessor listens to us over his eggs and coffee. We are more aware that harsh punishments are off the table for gentlemen in a modern age, and that serious sins can coexist with a craving for muffins. A hit to our wallets, which in harsher times would have been delivered directly with a gunshot, is now a polite and friendly request for a loan casually made between the second and third glasses of claret.
Still, there was this advantage in the old rigid forms, that they committed you to the fulfilment of a resolution by some outward deed: when you have put your mouth to one end of a hole in a stone wall and are aware that there is an expectant ear at the other end, you are more likely to say what you came out with the intention of saying than if you were seated with your legs in an easy attitude under the mahogany with a companion who will have no reason to be surprised if you have nothing particular to say.
Still, there was an advantage to the old rigid formats; they forced you to follow through on a resolution with some outward action. When you put your mouth to one end of a hole in a stone wall and know there's an eager ear at the other end, you're more likely to say what you intended to say than if you were lounging comfortably under the mahogany with a friend who wouldn’t be surprised if you had nothing specific to share.
However, Arthur Donnithorne, as he winds among the pleasant lanes on horseback in the morning sunshine, has a sincere determination to open his heart to the rector, and the swirling sound of the scythe as he passes by the meadow is all the pleasanter to him because of this honest purpose. He is glad to see the promise of settled weather now, for getting in the hay, about which the farmers have been fearful; and there is something so healthful in the sharing of a joy that is general and not merely personal, that this thought about the hay-harvest reacts on his state of mind and makes his resolution seem an easier matter. A man about town might perhaps consider that these influences were not to be felt out of a child’s story-book; but when you are among the fields and hedgerows, it is impossible to maintain a consistent superiority to simple natural pleasures.
However, Arthur Donnithorne, as he rides his horse through the lovely lanes in the morning sunshine, genuinely plans to open up to the rector, and the sound of the scythe as he passes the meadow is even more enjoyable because of this honest intention. He’s happy to see the promise of good weather now, which is great for getting in the hay—a concern for the farmers. There’s something so refreshing about sharing a joy that feels universal rather than just personal, and this thought about the hay harvest lifts his spirits and makes his resolution feel more achievable. Someone from the city might think these feelings are only found in a children’s storybook, but when you’re surrounded by fields and hedgerows, it’s hard to keep up a sense of superiority over simple natural pleasures.
Arthur had passed the village of Hayslope and was approaching the Broxton side of the hill, when, at a turning in the road, he saw a figure about a hundred yards before him which it was impossible to mistake for any one else than Adam Bede, even if there had been no grey, tailless shepherd-dog at his heels. He was striding along at his usual rapid pace, and Arthur pushed on his horse to overtake him, for he retained too much of his boyish feeling for Adam to miss an opportunity of chatting with him. I will not say that his love for that good fellow did not owe some of its force to the love of patronage: our friend Arthur liked to do everything that was handsome, and to have his handsome deeds recognized.
Arthur had passed through the village of Hayslope and was nearing the Broxton side of the hill when, at a bend in the road, he spotted a figure about a hundred yards ahead that he could only identify as Adam Bede, even without the grey, tailless shepherd-dog at his heels. Adam was striding along at his usual brisk pace, and Arthur urged his horse to catch up with him, as he still felt a youthful fondness for Adam and didn’t want to miss the chance to chat. I won’t say that his affection for that good guy didn’t have some of its depth from a desire to be a supporter; our friend Arthur liked to do everything noble and appreciated having his noble actions acknowledged.
Adam looked round as he heard the quickening clatter of the horse’s heels, and waited for the horseman, lifting his paper cap from his head with a bright smile of recognition. Next to his own brother Seth, Adam would have done more for Arthur Donnithorne than for any other young man in the world. There was hardly anything he would not rather have lost than the two-feet ruler which he always carried in his pocket; it was Arthur’s present, bought with his pocket-money when he was a fair-haired lad of eleven, and when he had profited so well by Adam’s lessons in carpentering and turning as to embarrass every female in the house with gifts of superfluous thread-reels and round boxes. Adam had quite a pride in the little squire in those early days, and the feeling had only become slightly modified as the fair-haired lad had grown into the whiskered young man. Adam, I confess, was very susceptible to the influence of rank, and quite ready to give an extra amount of respect to every one who had more advantages than himself, not being a philosopher or a proletaire with democratic ideas, but simply a stout-limbed clever carpenter with a large fund of reverence in his nature, which inclined him to admit all established claims unless he saw very clear grounds for questioning them. He had no theories about setting the world to rights, but he saw there was a great deal of damage done by building with ill-seasoned timber—by ignorant men in fine clothes making plans for outhouses and workshops and the like without knowing the bearings of things—by slovenly joiners’ work, and by hasty contracts that could never be fulfilled without ruining somebody; and he resolved, for his part, to set his face against such doings. On these points he would have maintained his opinion against the largest landed proprietor in Loamshire or Stonyshire either; but he felt that beyond these it would be better for him to defer to people who were more knowing than himself. He saw as plainly as possible how ill the woods on the estate were managed, and the shameful state of the farm-buildings; and if old Squire Donnithorne had asked him the effect of this mismanagement, he would have spoken his opinion without flinching, but the impulse to a respectful demeanour towards a “gentleman” would have been strong within him all the while. The word “gentleman” had a spell for Adam, and, as he often said, he “couldn’t abide a fellow who thought he made himself fine by being coxy to’s betters.” I must remind you again that Adam had the blood of the peasant in his veins, and that since he was in his prime half a century ago, you must expect some of his characteristics to be obsolete.
Adam looked around as he heard the rapid clatter of the horse's hooves and waited for the rider, lifting his paper cap with a bright smile of recognition. Next to his own brother Seth, Adam would have done more for Arthur Donnithorne than for any other young man in the world. There was hardly anything he would rather have lost than the two-foot ruler he always carried in his pocket; it was a gift from Arthur, bought with his pocket money when he was an eleven-year-old fair-haired boy, who had benefited so much from Adam's carpentry and turning lessons that he embarrassed every woman in the house with gifts of extra thread reels and round boxes. Adam took great pride in the little squire in those early days, and that fondness only slightly changed as the fair-haired boy grew into a whiskered young man. Adam, I must admit, was very influenced by social status and readily showed extra respect to anyone who had more advantages than he did. He wasn’t a philosopher or a socialist with democratic ideas, just a strong, skilled carpenter with a deep sense of reverence that led him to respect established claims unless he had clear reason to question them. He didn’t have theories about fixing the world, but he saw a lot of damage caused by using poor-quality timber—by ignorant people in fancy clothes making plans for outbuildings and workshops without understanding the details—by careless joinery, and by rushed contracts that would end up ruining someone. And he was determined to oppose such practices. On these matters, he would have defended his views against the largest landowner in Loamshire or Stonyshire; however, he believed it was better to defer to those who knew more than he did. He noticed all too clearly how poorly the woods on the estate were managed and the disgraceful state of the farm buildings; if old Squire Donnithorne had asked him about the impact of this mismanagement, he would have spoken his mind without hesitation, but the urge to act respectfully toward a "gentleman" would have been strong within him. The term "gentleman" had a certain charm for Adam, and as he often said, he “couldn’t stand a guy who thought he made himself important by being snobbish to his betters.” I must remind you again that Adam had the blood of the peasant in his veins, and since he was in his prime half a century ago, you should expect some of his traits to be outdated.
Towards the young squire this instinctive reverence of Adam’s was assisted by boyish memories and personal regard so you may imagine that he thought far more of Arthur’s good qualities, and attached far more value to very slight actions of his, than if they had been the qualities and actions of a common workman like himself. He felt sure it would be a fine day for everybody about Hayslope when the young squire came into the estate—such a generous open-hearted disposition as he had, and an “uncommon” notion about improvements and repairs, considering he was only just coming of age. Thus there was both respect and affection in the smile with which he raised his paper cap as Arthur Donnithorne rode up.
Towards the young squire, Adam's instinctive respect was enhanced by his youthful memories and personal admiration. You can imagine he appreciated Arthur’s good qualities much more and placed greater importance on his small actions than he would have if those qualities and actions came from a regular worker like himself. He was certain that it would be a great day for everyone in Hayslope when the young squire took over the estate—given his generous and warm-hearted nature, along with his “uncommon” ideas about improvements and repairs, especially since he was just reaching adulthood. So, there was both respect and affection in the smile with which he lifted his paper cap as Arthur Donnithorne rode up.
“Well, Adam, how are you?” said Arthur, holding out his hand. He never shook hands with any of the farmers, and Adam felt the honour keenly. “I could swear to your back a long way off. It’s just the same back, only broader, as when you used to carry me on it. Do you remember?”
“Hey, Adam, how’s it going?” said Arthur, extending his hand. He never shook hands with any of the farmers, and Adam appreciated the honor. “I could recognize your back from far away. It looks just like it did back when you used to carry me on it. Do you remember?”
“Aye, sir, I remember. It ’ud be a poor look-out if folks didn’t remember what they did and said when they were lads. We should think no more about old friends than we do about new uns, then.”
“Yeah, sir, I remember. It would be a shame if people didn’t remember what they did and said when they were young. We wouldn’t think any more about old friends than we do about new ones, then.”
“You’re going to Broxton, I suppose?” said Arthur, putting his horse on at a slow pace while Adam walked by his side. “Are you going to the rectory?”
“You're heading to Broxton, I guess?” Arthur said, setting his horse to a slow pace while Adam walked alongside him. “Are you going to the rectory?”
“No, sir, I’m going to see about Bradwell’s barn. They’re afraid of the roof pushing the walls out, and I’m going to see what can be done with it before we send the stuff and the workmen.”
“No, sir, I’m going to check on Bradwell’s barn. They’re worried about the roof pushing the walls out, and I’m going to figure out what can be done about it before we send the materials and the workers.”
“Why, Burge trusts almost everything to you now, Adam, doesn’t he? I should think he will make you his partner soon. He will, if he’s wise.”
“Why, Burge trusts just about everything to you now, Adam, doesn’t he? I’d say he’ll make you his partner soon. He will, if he’s smart.”
“Nay, sir, I don’t see as he’d be much the better off for that. A foreman, if he’s got a conscience and delights in his work, will do his business as well as if he was a partner. I wouldn’t give a penny for a man as ’ud drive a nail in slack because he didn’t get extra pay for it.”
“Nah, sir, I don’t think he’d be any better off for that. A foreman, if he has a conscience and enjoys his work, will do his job just as well as if he were a partner. I wouldn’t pay a dime for a guy who would drive a nail loosely just because he wasn’t getting extra money for it.”
“I know that, Adam; I know you work for him as well as if you were working for yourself. But you would have more power than you have now, and could turn the business to better account perhaps. The old man must give up his business sometime, and he has no son; I suppose he’ll want a son-in-law who can take to it. But he has rather grasping fingers of his own, I fancy. I daresay he wants a man who can put some money into the business. If I were not as poor as a rat, I would gladly invest some money in that way, for the sake of having you settled on the estate. I’m sure I should profit by it in the end. And perhaps I shall be better off in a year or two. I shall have a larger allowance now I’m of age; and when I’ve paid off a debt or two, I shall be able to look about me.”
“I get that, Adam; I know you work for him just like you’d work for yourself. But you'd have more influence than you do now, and you could possibly make the business more successful. The old guy will have to retire eventually, and since he has no son, I bet he’ll want a son-in-law who can step in. But I think he is pretty greedy. I suppose he wants someone who can invest money in the business. If I weren’t as broke as I am, I’d happily put some money into it just to have you settled on the estate. I’m sure it would benefit me in the long run. And maybe I’ll be in a better financial situation in a year or two. I’ll have a bigger allowance now that I’m of age; and once I pay off a debt or two, I can start looking around.”
“You’re very good to say so, sir, and I’m not unthankful. But”—Adam continued, in a decided tone—“I shouldn’t like to make any offers to Mr. Burge, or t’ have any made for me. I see no clear road to a partnership. If he should ever want to dispose of the business, that ’ud be a different matter. I should be glad of some money at a fair interest then, for I feel sure I could pay it off in time.”
“You’re really kind to say that, sir, and I appreciate it. But”—Adam continued, in a firm tone—“I wouldn’t want to make any offers to Mr. Burge, or have anyone make offers for me. I don’t see a clear path to a partnership. If he ever wants to sell the business, that would be a different story. I would be happy to borrow some money at a reasonable interest then, because I’m confident I could pay it back over time.”
“Very well, Adam,” said Arthur, remembering what Mr. Irwine had said about a probable hitch in the love-making between Adam and Mary Burge, “we’ll say no more about it at present. When is your father to be buried?”
“Alright, Adam,” Arthur said, recalling what Mr. Irwine had mentioned regarding a possible issue in the romantic situation between Adam and Mary Burge, “let’s not discuss it further for now. When is your father’s funeral?”
“On Sunday, sir; Mr. Irwine’s coming earlier on purpose. I shall be glad when it’s over, for I think my mother ’ull perhaps get easier then. It cuts one sadly to see the grief of old people; they’ve no way o’ working it off, and the new spring brings no new shoots out on the withered tree.”
“On Sunday, sir; Mr. Irwine is coming earlier on purpose. I’ll be glad when it’s over because I think my mom might feel better then. It’s really tough to see old people in pain; they have no way to deal with it, and the new spring doesn’t bring any new growth to the withered tree.”
“Ah, you’ve had a good deal of trouble and vexation in your life, Adam. I don’t think you’ve ever been hare-brained and light-hearted, like other youngsters. You’ve always had some care on your mind.”
“Ah, you’ve been through a lot of trouble and frustration in your life, Adam. I don’t think you’ve ever been impulsive and carefree like other young people. You’ve always had something weighing on your mind.”
“Why, yes, sir; but that’s nothing to make a fuss about. If we’re men and have men’s feelings, I reckon we must have men’s troubles. We can’t be like the birds, as fly from their nest as soon as they’ve got their wings, and never know their kin when they see ’em, and get a fresh lot every year. I’ve had enough to be thankful for: I’ve allays had health and strength and brains to give me a delight in my work; and I count it a great thing as I’ve had Bartle Massey’s night-school to go to. He’s helped me to knowledge I could never ha’ got by myself.”
“Of course, sir; but that's not something to get worked up about. If we're men and have men's feelings, I guess we have to deal with men's problems too. We can't be like birds that fly away from their nests as soon as they’ve got their wings and never recognize their family when they see them and pick out a new one each year. I've got plenty to be grateful for: I've always had health and strength and the smarts to enjoy my work; and I think it's a big deal that I've had Bartle Massey’s night school to attend. He’s given me knowledge I could never have gained on my own.”
“What a rare fellow you are, Adam!” said Arthur, after a pause, in which he had looked musingly at the big fellow walking by his side. “I could hit out better than most men at Oxford, and yet I believe you would knock me into next week if I were to have a battle with you.”
“What a unique guy you are, Adam!” Arthur said after a pause, during which he had been looking thoughtfully at the big guy walking beside him. “I could throw a punch better than most people at Oxford, but I honestly think you would take me down easily if we faced off.”
“God forbid I should ever do that, sir,” said Adam, looking round at Arthur and smiling. “I used to fight for fun, but I’ve never done that since I was the cause o’ poor Gil Tranter being laid up for a fortnight. I’ll never fight any man again, only when he behaves like a scoundrel. If you get hold of a chap that’s got no shame nor conscience to stop him, you must try what you can do by bunging his eyes up.”
“God forbid I ever do that, sir,” Adam said, glancing at Arthur and smiling. “I used to fight for fun, but I haven’t done that since I caused poor Gil Tranter to be out of commission for two weeks. I won’t fight any man again unless he’s acting like a scoundrel. If you come across a guy who has no shame or sense of right and wrong to stop him, you’ve got to do what you can to give him a black eye.”
Arthur did not laugh, for he was preoccupied with some thought that made him say presently, “I should think now, Adam, you never have any struggles within yourself. I fancy you would master a wish that you had made up your mind it was not quite right to indulge, as easily as you would knock down a drunken fellow who was quarrelsome with you. I mean, you are never shilly-shally, first making up your mind that you won’t do a thing, and then doing it after all?”
Arthur didn’t laugh, as he was lost in a thought that led him to say, “I imagine, Adam, you never have any internal conflicts. I bet you could easily resist a desire you decided wasn't right to indulge in, just like you would take down a drunk guy who was causing trouble. What I mean is, you’re never indecisive, deciding that you won’t do something and then doing it anyway, right?”
“Well,” said Adam, slowly, after a moment’s hesitation, “no. I don’t remember ever being see-saw in that way, when I’d made my mind up, as you say, that a thing was wrong. It takes the taste out o’ my mouth for things, when I know I should have a heavy conscience after ’em. I’ve seen pretty clear, ever since I could cast up a sum, as you can never do what’s wrong without breeding sin and trouble more than you can ever see. It’s like a bit o’ bad workmanship—you never see th’ end o’ the mischief it’ll do. And it’s a poor look-out to come into the world to make your fellow-creatures worse off instead o’ better. But there’s a difference between the things folks call wrong. I’m not for making a sin of every little fool’s trick, or bit o’ nonsense anybody may be let into, like some o’ them dissenters. And a man may have two minds whether it isn’t worthwhile to get a bruise or two for the sake of a bit o’ fun. But it isn’t my way to be see-saw about anything: I think my fault lies th’ other way. When I’ve said a thing, if it’s only to myself, it’s hard for me to go back.”
"Well," Adam said slowly after a moment's pause, "no. I don't recall ever being indecisive like that when I was sure, as you put it, that something was wrong. It leaves a bad taste in my mouth when I know I should feel guilty afterward. I've understood clearly since I could do basic math that you can never do something wrong without creating sin and trouble beyond what you can see. It's like shoddy workmanship—you never fully grasp the damage it will cause. It's a poor outlook to enter the world only to make others worse off instead of better. But there’s a difference between the things people call wrong. I'm not about to label every silly mistake or bit of nonsense as a sin, unlike some of those dissenters. And a person might have mixed feelings about whether it’s worth getting hurt a bit for the sake of fun. But I tend to be unwavering about things: I think my issue lies in the opposite direction. Once I've said something, even if it's just to myself, it's hard for me to take it back."
“Yes, that’s just what I expected of you,” said Arthur. “You’ve got an iron will, as well as an iron arm. But however strong a man’s resolution may be, it costs him something to carry it out, now and then. We may determine not to gather any cherries and keep our hands sturdily in our pockets, but we can’t prevent our mouths from watering.”
“Yes, that’s just what I expected from you,” said Arthur. “You have a strong will, as well as a strong arm. But no matter how firm a man’s determination might be, it takes a toll on him to follow through, sometimes. We might decide not to pick any cherries and keep our hands firmly in our pockets, but we can't stop ourselves from salivating.”
“That’s true, sir, but there’s nothing like settling with ourselves as there’s a deal we must do without i’ this life. It’s no use looking on life as if it was Treddles’on Fair, where folks only go to see shows and get fairings. If we do, we shall find it different. But where’s the use o’ me talking to you, sir? You know better than I do.”
"That’s true, sir, but there’s nothing like making peace with ourselves since there’s a deal we have to handle in this life. It’s pointless to look at life like it’s a fair, where people just go to see shows and buy trinkets. If we do, we’ll find it’s not the same. But what’s the point of me talking to you, sir? You know more than I do."
“I’m not so sure of that, Adam. You’ve had four or five years of experience more than I’ve had, and I think your life has been a better school to you than college has been to me.”
“I’m not so sure about that, Adam. You’ve had four or five more years of experience than I have, and I believe your life has taught you more than college has taught me.”
“Why, sir, you seem to think o’ college something like what Bartle Massey does. He says college mostly makes people like bladders—just good for nothing but t’ hold the stuff as is poured into ’em. But he’s got a tongue like a sharp blade, Bartle has—it never touches anything but it cuts. Here’s the turning, sir. I must bid you good-morning, as you’re going to the rectory.”
“Why, sir, you seem to think of college the same way Bartle Massey does. He says college mostly turns people into bladders—just good for holding whatever's poured into them. But he has a tongue like a sharp blade; it cuts everything it touches. Here’s the turn, sir. I must say good morning, since you’re heading to the rectory.”
“Good-bye, Adam, good-bye.”
"Bye, Adam, bye."
Arthur gave his horse to the groom at the rectory gate, and walked along the gravel towards the door which opened on the garden. He knew that the rector always breakfasted in his study, and the study lay on the left hand of this door, opposite the dining-room. It was a small low room, belonging to the old part of the house—dark with the sombre covers of the books that lined the walls; yet it looked very cheery this morning as Arthur reached the open window. For the morning sun fell aslant on the great glass globe with gold fish in it, which stood on a scagliola pillar in front of the ready-spread bachelor breakfast-table, and by the side of this breakfast-table was a group which would have made any room enticing. In the crimson damask easy-chair sat Mr. Irwine, with that radiant freshness which he always had when he came from his morning toilet; his finely formed plump white hand was playing along Juno’s brown curly back; and close to Juno’s tail, which was wagging with calm matronly pleasure, the two brown pups were rolling over each other in an ecstatic duet of worrying noises. On a cushion a little removed sat Pug, with the air of a maiden lady, who looked on these familiarities as animal weaknesses, which she made as little show as possible of observing. On the table, at Mr. Irwine’s elbow, lay the first volume of the Foulis Æschylus, which Arthur knew well by sight; and the silver coffee-pot, which Carroll was bringing in, sent forth a fragrant steam which completed the delights of a bachelor breakfast.
Arthur handed his horse over to the groom at the rectory gate and walked along the gravel path toward the door that led to the garden. He knew the rector always had breakfast in his study, which was to the left of that door, opposite the dining room. It was a small, low room from the old part of the house—dim with the dark covers of the books lining the walls; yet it looked very inviting this morning as Arthur reached the open window. The morning sun streamed in, shining on the large glass globe with goldfish in it that stood on a scagliola pedestal in front of the already set bachelor breakfast table. Beside the breakfast table was a scene that would have made any room enticing. In the crimson damask armchair sat Mr. Irwine, radiating the fresh look he always had after his morning routine; his well-shaped, plump white hand was stroking Juno’s brown, curly back, and right by Juno’s tail, which was wagging with calm, matronly pleasure, the two brown puppies were playfully rolling over each other, making an ecstatic chorus of playful noises. A little aside, Pug sat on a cushion, looking like an unmarried lady, watching the antics with a critical air, treating these displays of affection as minor animal weaknesses she preferred not to acknowledge too overtly. On the table, next to Mr. Irwine, lay the first volume of the Foulis Æschylus, which Arthur recognized well, and the silver coffee pot that Carroll was bringing in sent up a fragrant steam that completed the pleasures of a bachelor breakfast.
“Hallo, Arthur, that’s a good fellow! You’re just in time,” said Mr. Irwine, as Arthur paused and stepped in over the low window-sill. “Carroll, we shall want more coffee and eggs, and haven’t you got some cold fowl for us to eat with that ham? Why, this is like old days, Arthur; you haven’t been to breakfast with me these five years.”
“Hey, Arthur, good to see you! You came just in time,” said Mr. Irwine as Arthur paused and stepped over the low window-sill. “Carroll, we’ll need more coffee and eggs, and don’t you have some cold chicken for us to eat with that ham? It feels like old times, Arthur; you haven’t had breakfast with me in five years.”
“It was a tempting morning for a ride before breakfast,” said Arthur; “and I used to like breakfasting with you so when I was reading with you. My grandfather is always a few degrees colder at breakfast than at any other hour in the day. I think his morning bath doesn’t agree with him.”
“It was an inviting morning for a ride before breakfast,” Arthur said, “and I used to enjoy having breakfast with you while I was studying. My grandfather is always a bit colder at breakfast than at any other time of day. I think his morning bath doesn’t suit him.”
Arthur was anxious not to imply that he came with any special purpose. He had no sooner found himself in Mr. Irwine’s presence than the confidence which he had thought quite easy before, suddenly appeared the most difficult thing in the world to him, and at the very moment of shaking hands he saw his purpose in quite a new light. How could he make Irwine understand his position unless he told him those little scenes in the wood; and how could he tell them without looking like a fool? And then his weakness in coming back from Gawaine’s, and doing the very opposite of what he intended! Irwine would think him a shilly-shally fellow ever after. However, it must come out in an unpremeditated way; the conversation might lead up to it.
Arthur was worried not to suggest that he had any special agenda. As soon as he was in Mr. Irwine's presence, the confidence he had felt was so easy before suddenly seemed like the hardest thing in the world, and at the moment they shook hands, he saw his purpose in a completely different light. How could he make Irwine understand his situation without sharing those little moments in the woods? And how could he do that without looking foolish? Plus, there was his weakness in returning from Gawaine’s and doing the exact opposite of what he had planned! Irwine would think he was indecisive from then on. Still, it had to come out naturally; the conversation might lead to it.
“I like breakfast-time better than any other moment in the day,” said Mr. Irwine. “No dust has settled on one’s mind then, and it presents a clear mirror to the rays of things. I always have a favourite book by me at breakfast, and I enjoy the bits I pick up then so much, that regularly every morning it seems to me as if I should certainly become studious again. But presently Dent brings up a poor fellow who has killed a hare, and when I’ve got through my ‘justicing,’ as Carroll calls it, I’m inclined for a ride round the glebe, and on my way back I meet with the master of the workhouse, who has got a long story of a mutinous pauper to tell me; and so the day goes on, and I’m always the same lazy fellow before evening sets in. Besides, one wants the stimulus of sympathy, and I have never had that since poor D’Oyley left Treddleston. If you had stuck to your books well, you rascal, I should have had a pleasanter prospect before me. But scholarship doesn’t run in your family blood.”
“I like breakfast time better than any other part of the day,” Mr. Irwine said. “There’s no clutter in your mind then, and it reflects everything clearly. I always have a favorite book with me at breakfast, and I enjoy the pieces I read so much that every morning it feels like I might actually get back into studying. But then Dent brings up some poor guy who has killed a hare, and once I finish my ‘justicing,’ as Carroll calls it, I feel like going for a ride around the fields. On my way back, I run into the workhouse master, who has a long story about a rebellious pauper to share with me; and that’s how the day goes on, and I end up being the same lazy guy before evening comes. Besides, you need the motivation of sympathy, and I haven’t had that since poor D’Oyley left Treddleston. If you had focused on your studies, you troublemaker, I would have had a nicer outlook ahead of me. But scholarship doesn’t run in your family.”
“No indeed. It’s well if I can remember a little inapplicable Latin to adorn my maiden speech in Parliament six or seven years hence. ‘Cras ingens iterabimus aequor,’ and a few shreds of that sort, will perhaps stick to me, and I shall arrange my opinions so as to introduce them. But I don’t think a knowledge of the classics is a pressing want to a country gentleman; as far as I can see, he’d much better have a knowledge of manures. I’ve been reading your friend Arthur Young’s books lately, and there’s nothing I should like better than to carry out some of his ideas in putting the farmers on a better management of their land; and, as he says, making what was a wild country, all of the same dark hue, bright and variegated with corn and cattle. My grandfather will never let me have any power while he lives, but there’s nothing I should like better than to undertake the Stonyshire side of the estate—it’s in a dismal condition—and set improvements on foot, and gallop about from one place to another and overlook them. I should like to know all the labourers, and see them touching their hats to me with a look of goodwill.”
“No way. It’s good if I can remember some random Latin to spice up my first speech in Parliament six or seven years from now. ‘Cras ingens iterabimus aequor,’ and a few bits like that might stick with me, and I’ll figure out how to weave them into my opinions. But I really don’t think knowing the classics is something that a country gentleman needs; from what I can see, it would be way more useful to know about fertilizers. I’ve been reading your friend Arthur Young’s books lately, and I’d love to implement some of his ideas to help farmers manage their land better; and, as he says, turn what used to be a wild, dark country into a bright patchwork of crops and cattle. My grandfather won’t let me have any power while he’s alive, but nothing would make me happier than to take charge of the Stonyshire side of the estate—it’s in terrible shape—and start making improvements, bouncing around from one spot to another to oversee them. I’d love to know all the laborers, and see them tipping their hats to me with friendly looks.”
“Bravo, Arthur! A man who has no feeling for the classics couldn’t make a better apology for coming into the world than by increasing the quantity of food to maintain scholars—and rectors who appreciate scholars. And whenever you enter on your career of model landlord may I be there to see. You’ll want a portly rector to complete the picture, and take his tithe of all the respect and honour you get by your hard work. Only don’t set your heart too strongly on the goodwill you are to get in consequence. I’m not sure that men are the fondest of those who try to be useful to them. You know Gawaine has got the curses of the whole neighbourhood upon him about that enclosure. You must make it quite clear to your mind which you are most bent upon, old boy—popularity or usefulness—else you may happen to miss both.”
“Bravo, Arthur! A person who doesn’t appreciate the classics could hardly apologize for being in this world better than by providing more food to support scholars—and those who value them. And whenever you start your journey as a model landlord, I hope to be there to witness it. You’ll need a respectable rector to complete the scene, taking his share of the respect and honor you earn through your hard work. Just don’t get too attached to the goodwill you think you’ll receive in return. I’m not sure that people are particularly fond of those who try to be helpful to them. You know Gawaine has the whole neighborhood cursing him over that enclosure. You really need to decide what you want most, my friend—popularity or usefulness—or you might end up missing out on both.”
“Oh! Gawaine is harsh in his manners; he doesn’t make himself personally agreeable to his tenants. I don’t believe there’s anything you can’t prevail on people to do with kindness. For my part, I couldn’t live in a neighbourhood where I was not respected and beloved. And it’s very pleasant to go among the tenants here—they seem all so well inclined to me I suppose it seems only the other day to them since I was a little lad, riding on a pony about as big as a sheep. And if fair allowances were made to them, and their buildings attended to, one could persuade them to farm on a better plan, stupid as they are.”
“Oh! Gawaine is rude to everyone; he doesn’t make an effort to be friendly with his tenants. I believe you can get people to do anything with kindness. Personally, I couldn’t live in a neighborhood where I wasn’t respected and liked. And it’s really nice to be among the tenants here—they all seem so friendly to me. I guess it feels like just yesterday I was a small kid, riding on a pony that was about the size of a sheep. If we were more understanding of them and took care of their buildings, we could convince them to farm better, even if they aren’t the brightest.”
“Then mind you fall in love in the right place, and don’t get a wife who will drain your purse and make you niggardly in spite of yourself. My mother and I have a little discussion about you sometimes: she says, ‘I’ll never risk a single prophecy on Arthur until I see the woman he falls in love with.’ She thinks your lady-love will rule you as the moon rules the tides. But I feel bound to stand up for you, as my pupil you know, and I maintain that you’re not of that watery quality. So mind you don’t disgrace my judgment.”
"Make sure to fall in love with the right person, and don’t choose a wife who will empty your wallet and make you greedy against your better judgment. My mom and I sometimes talk about you: she says, ‘I won’t make any predictions about Arthur until I see the woman he loves.’ She believes your love will control you just like the moon controls the tides. But I feel it’s my duty to defend you, as my student, and I insist that you’re not that easily swayed. So just make sure you don’t prove me wrong."
Arthur winced under this speech, for keen old Mrs. Irwine’s opinion about him had the disagreeable effect of a sinister omen. This, to be sure, was only another reason for persevering in his intention, and getting an additional security against himself. Nevertheless, at this point in the conversation, he was conscious of increased disinclination to tell his story about Hetty. He was of an impressible nature, and lived a great deal in other people’s opinions and feelings concerning himself; and the mere fact that he was in the presence of an intimate friend, who had not the slightest notion that he had had any such serious internal struggle as he came to confide, rather shook his own belief in the seriousness of the struggle. It was not, after all, a thing to make a fuss about; and what could Irwine do for him that he could not do for himself? He would go to Eagledale in spite of Meg’s lameness—go on Rattler, and let Pym follow as well as he could on the old hack. That was his thought as he sugared his coffee; but the next minute, as he was lifting the cup to his lips, he remembered how thoroughly he had made up his mind last night to tell Irwine. No! He would not be vacillating again—he would do what he had meant to do, this time. So it would be well not to let the personal tone of the conversation altogether drop. If they went to quite indifferent topics, his difficulty would be heightened. It had required no noticeable pause for this rush and rebound of feeling, before he answered, “But I think it is hardly an argument against a man’s general strength of character that he should be apt to be mastered by love. A fine constitution doesn’t insure one against smallpox or any other of those inevitable diseases. A man may be very firm in other matters and yet be under a sort of witchery from a woman.”
Arthur winced at this speech, as old Mrs. Irwine’s opinion about him felt like an ominous sign. This, of course, only pushed him to stick to his plan and find more ways to protect himself. Still, at that moment in the conversation, he felt more reluctant to share his story about Hetty. He was sensitive and often absorbed others' opinions and feelings about him; the fact that he was with a close friend who had no idea about his serious personal struggle shook his confidence in the significance of that struggle. It wasn't really something to make a big deal about; and what could Irwine do for him that he couldn’t do for himself? He would go to Eagledale despite Meg’s lameness—he’d ride Rattler and let Pym keep up as best he could on the old horse. That was his thought as he sweetened his coffee, but the next moment, as he brought the cup to his lips, he remembered how completely he had decided last night to tell Irwine. No! He wouldn’t waver again—he would do what he had planned this time. So, it would be better not to let the personal nature of the conversation drop entirely. If they switched to completely neutral topics, his struggle would feel even more daunting. It didn’t take long for this rush of emotions to pass before he responded, “But I think it’s not fair to assume a man's character is weak just because he might be overwhelmed by love. A strong constitution doesn’t protect someone from smallpox or other unavoidable illnesses. A man can be very strong in other areas and still be enchanted by a woman.”
“Yes; but there’s this difference between love and smallpox, or bewitchment either—that if you detect the disease at an early stage and try change of air, there is every chance of complete escape without any further development of symptoms. And there are certain alternative doses which a man may administer to himself by keeping unpleasant consequences before his mind: this gives you a sort of smoked glass through which you may look at the resplendent fair one and discern her true outline; though I’m afraid, by the by, the smoked glass is apt to be missing just at the moment it is most wanted. I daresay, now, even a man fortified with a knowledge of the classics might be lured into an imprudent marriage, in spite of the warning given him by the chorus in the Prometheus.”
“Yes; but there’s this difference between love and smallpox, or witchcraft: if you catch the disease early and change your environment, there’s a good chance you can avoid any serious symptoms. There are also certain mental tricks a person can use by keeping the unpleasant consequences in mind: this gives you a sort of tinted lens through which you can view the dazzling beauty and see her true form; though, unfortunately, that tinted lens tends to be absent just when you need it the most. I bet even a guy well-versed in classic literature might be tempted into a rash marriage, despite the warnings from the chorus in the Prometheus.”
The smile that flitted across Arthur’s face was a faint one, and instead of following Mr. Irwine’s playful lead, he said, quite seriously—“Yes, that’s the worst of it. It’s a desperately vexatious thing, that after all one’s reflections and quiet determinations, we should be ruled by moods that one can’t calculate on beforehand. I don’t think a man ought to be blamed so much if he is betrayed into doing things in that way, in spite of his resolutions.”
The smile that briefly appeared on Arthur’s face was subtle, and instead of joining in on Mr. Irwine’s lighthearted banter, he said, quite seriously, “Yeah, that’s the frustrating part. It’s really irritating that after all our thoughts and careful decisions, we can still be controlled by moods we didn’t see coming. I don’t think a guy should be judged too harshly if he ends up acting that way, despite his good intentions.”
“Ah, but the moods lie in his nature, my boy, just as much as his reflections did, and more. A man can never do anything at variance with his own nature. He carries within him the germ of his most exceptional action; and if we wise people make eminent fools of ourselves on any particular occasion, we must endure the legitimate conclusion that we carry a few grains of folly to our ounce of wisdom.”
“Ah, but his moods are just as much a part of him, my boy, as his thoughts are, and even more so. A person can never act against their own nature. They hold within them the seed of their most remarkable actions; and if we smart folks occasionally make complete fools of ourselves, we have to accept the valid conclusion that we carry a little bit of foolishness with our wisdom.”
“Well, but one may be betrayed into doing things by a combination of circumstances, which one might never have done otherwise.”
“Well, sometimes circumstances can lead someone to do things they would never have done otherwise.”
“Why, yes, a man can’t very well steal a bank-note unless the bank-note lies within convenient reach; but he won’t make us think him an honest man because he begins to howl at the bank-note for falling in his way.”
“Sure, a guy can’t really steal a banknote unless it’s within easy reach; but that doesn’t make us think he’s an honest person just because he starts complaining about the banknote being in his way.”
“But surely you don’t think a man who struggles against a temptation into which he falls at last as bad as the man who never struggles at all?”
“But surely you don’t think that a man who fights against a temptation and eventually gives in is as bad as the man who doesn’t struggle at all?”
“No, certainly; I pity him in proportion to his struggles, for they foreshadow the inward suffering which is the worst form of Nemesis. Consequences are unpitying. Our deeds carry their terrible consequences, quite apart from any fluctuations that went before—consequences that are hardly ever confined to ourselves. And it is best to fix our minds on that certainty, instead of considering what may be the elements of excuse for us. But I never knew you so inclined for moral discussion, Arthur? Is it some danger of your own that you are considering in this philosophical, general way?”
“No, of course not; I feel for him based on his struggles because they hint at the inner pain that is the worst kind of revenge. Consequences are unyielding. Our actions bring their harsh outcomes, regardless of any previous circumstances—outcomes that rarely affect just ourselves. It's better to focus on that reality instead of thinking about what excuses we might have. But I’ve never seen you so keen on moral debates, Arthur. Is there some personal risk you’re thinking about in this philosophical, broad way?”
In asking this question, Mr. Irwine pushed his plate away, threw himself back in his chair, and looked straight at Arthur. He really suspected that Arthur wanted to tell him something, and thought of smoothing the way for him by this direct question. But he was mistaken. Brought suddenly and involuntarily to the brink of confession, Arthur shrank back and felt less disposed towards it than ever. The conversation had taken a more serious tone than he had intended—it would quite mislead Irwine—he would imagine there was a deep passion for Hetty, while there was no such thing. He was conscious of colouring, and was annoyed at his boyishness.
As he asked this question, Mr. Irwine pushed his plate aside, leaned back in his chair, and looked directly at Arthur. He really thought that Arthur wanted to share something and hoped to make it easier for him with this straightforward question. But he was wrong. Suddenly and without meaning to, Arthur was pushed to the edge of confession, and he recoiled, feeling less inclined to open up than ever. The conversation had become more serious than he intended—it would completely confuse Irwine—he would think there was a deep passion for Hetty when that wasn’t the case at all. He was aware that he was blushing and felt annoyed by his youthful behavior.
“Oh no, no danger,” he said as indifferently as he could. “I don’t know that I am more liable to irresolution than other people; only there are little incidents now and then that set one speculating on what might happen in the future.”
“Oh no, no danger,” he said as casually as he could. “I don’t think I’m any more prone to indecision than anyone else; it’s just that there are small incidents every now and then that make you wonder about what could happen in the future.”
Was there a motive at work under this strange reluctance of Arthur’s which had a sort of backstairs influence, not admitted to himself? Our mental business is carried on much in the same way as the business of the State: a great deal of hard work is done by agents who are not acknowledged. In a piece of machinery, too, I believe there is often a small unnoticeable wheel which has a great deal to do with the motion of the large obvious ones. Possibly there was some such unrecognized agent secretly busy in Arthur’s mind at this moment—possibly it was the fear lest he might hereafter find the fact of having made a confession to the rector a serious annoyance, in case he should not be able quite to carry out his good resolutions? I dare not assert that it was not so. The human soul is a very complex thing.
Was there a hidden motive behind Arthur's strange reluctance that he didn't even acknowledge to himself? Our minds operate a lot like the government: a lot of hard work happens through agents that go unrecognized. In any machine, I believe there's often a small, unnoticed wheel that plays a huge role in driving the larger, more visible ones. There might have been some unrecognized force quietly at play in Arthur’s mind at that moment—perhaps it was the worry that he might later find it really annoying to have confessed to the rector if he couldn’t fully follow through on his good intentions? I can't say that it wasn't. The human soul is incredibly complex.
The idea of Hetty had just crossed Mr. Irwine’s mind as he looked inquiringly at Arthur, but his disclaiming indifferent answer confirmed the thought which had quickly followed—that there could be nothing serious in that direction. There was no probability that Arthur ever saw her except at church, and at her own home under the eye of Mrs. Poyser; and the hint he had given Arthur about her the other day had no more serious meaning than to prevent him from noticing her so as to rouse the little chit’s vanity, and in this way perturb the rustic drama of her life. Arthur would soon join his regiment, and be far away: no, there could be no danger in that quarter, even if Arthur’s character had not been a strong security against it. His honest, patronizing pride in the good-will and respect of everybody about him was a safeguard even against foolish romance, still more against a lower kind of folly. If there had been anything special on Arthur’s mind in the previous conversation, it was clear he was not inclined to enter into details, and Mr. Irwine was too delicate to imply even a friendly curiosity. He perceived a change of subject would be welcome, and said, “By the way, Arthur, at your colonel’s birthday fête there were some transparencies that made a great effect in honour of Britannia, and Pitt, and the Loamshire Militia, and, above all, the ‘generous youth,’ the hero of the day. Don’t you think you should get up something of the same sort to astonish our weak minds?”
The thought of Hetty had just popped into Mr. Irwine’s head as he looked at Arthur with curiosity, but Arthur’s dismissive answer confirmed what quickly came to mind—that there was nothing serious happening there. Arthur probably only saw her at church and at her house under Mrs. Poyser’s watchful eye. The hint he had dropped to Arthur the other day was just to stop him from paying her too much attention, which would only inflate the little girl’s ego and disrupt the simple story of her life. Arthur would soon join his regiment and be far away: no, there was no risk in that direction, even if Arthur's character hadn’t been a strong defense against it. His sincere, proud reliance on the goodwill and respect of those around him acted as a shield against foolish romantic notions, let alone any more ridiculous mistakes. If there had been anything specific on Arthur’s mind from their earlier conversation, it was clear he didn’t want to get into it, and Mr. Irwine was too tactful to show any friendly curiosity. He sensed a change of subject would be appreciated and said, “By the way, Arthur, at your colonel’s birthday party, there were some displays that made a big impression in honor of Britannia, Pitt, the Loamshire Militia, and, most importantly, the 'generous youth,' the hero of the day. Don’t you think you should come up with something similar to amaze our simple minds?”
The opportunity was gone. While Arthur was hesitating, the rope to which he might have clung had drifted away—he must trust now to his own swimming.
The opportunity was gone. While Arthur hesitated, the rope he could have clung to had drifted away—now he had to rely on his own swimming skills.
In ten minutes from that time, Mr. Irwine was called for on business, and Arthur, bidding him good-bye, mounted his horse again with a sense of dissatisfaction, which he tried to quell by determining to set off for Eagledale without an hour’s delay.
In ten minutes, Mr. Irwine was called away for work, and Arthur, saying goodbye to him, got back on his horse with a feeling of unease that he tried to shake off by deciding to leave for Eagledale without wasting any time.
Chapter XVII
In Which the Story Pauses a Little
“This Rector of Broxton is little better than a pagan!” I hear one of my readers exclaim. “How much more edifying it would have been if you had made him give Arthur some truly spiritual advice! You might have put into his mouth the most beautiful things—quite as good as reading a sermon.”
“This Rector of Broxton is hardly any better than a pagan!” I hear one of my readers say. “It would have been so much more enlightening if you had made him give Arthur some genuine spiritual advice! You could have given him the most beautiful things to say—just as good as reading a sermon.”
Certainly I could, if I held it the highest vocation of the novelist to represent things as they never have been and never will be. Then, of course, I might refashion life and character entirely after my own liking; I might select the most unexceptionable type of clergyman and put my own admirable opinions into his mouth on all occasions. But it happens, on the contrary, that my strongest effort is to avoid any such arbitrary picture, and to give a faithful account of men and things as they have mirrored themselves in my mind. The mirror is doubtless defective, the outlines will sometimes be disturbed, the reflection faint or confused; but I feel as much bound to tell you as precisely as I can what that reflection is, as if I were in the witness-box, narrating my experience on oath.
Sure, I could do that if I thought the main job of a novelist was to portray things that have never been and never will be. Then, I could completely reshape life and characters to fit my preferences; I could choose the most ideal type of clergyman and make him speak only my commendable opinions at all times. But the truth is, my biggest goal is to avoid such a made-up representation and to provide an honest account of people and situations as they have appeared in my mind. The reflection in this mirror is definitely flawed; the outlines may sometimes be off, and the image could be faint or unclear. But I feel just as obligated to tell you as accurately as I can what that reflection is, as if I were in a witness box, describing my experience under oath.
Sixty years ago—it is a long time, so no wonder things have changed—all clergymen were not zealous; indeed, there is reason to believe that the number of zealous clergymen was small, and it is probable that if one among the small minority had owned the livings of Broxton and Hayslope in the year 1799, you would have liked him no better than you like Mr. Irwine. Ten to one, you would have thought him a tasteless, indiscreet, methodistical man. It is so very rarely that facts hit that nice medium required by our own enlightened opinions and refined taste! Perhaps you will say, “Do improve the facts a little, then; make them more accordant with those correct views which it is our privilege to possess. The world is not just what we like; do touch it up with a tasteful pencil, and make believe it is not quite such a mixed entangled affair. Let all people who hold unexceptionable opinions act unexceptionably. Let your most faulty characters always be on the wrong side, and your virtuous ones on the right. Then we shall see at a glance whom we are to condemn and whom we are to approve. Then we shall be able to admire, without the slightest disturbance of our prepossessions: we shall hate and despise with that true ruminant relish which belongs to undoubting confidence.”
Sixty years ago—it seems like a long time, so it makes sense that things have changed—most clergymen weren't passionate; in fact, it's likely that the number of passionate clergymen was very small. If one of that small minority had been in charge of the livings of Broxton and Hayslope back in 1799, you probably wouldn't have liked him any better than you like Mr. Irwine. Chances are, you would have thought he was an unrefined, indiscreet, overly religious guy. It's really rare for facts to fall perfectly in line with our own enlightened opinions and refined tastes! Perhaps you might say, “Why not improve the facts a bit; make them align better with the correct views we are lucky to have. The world isn't exactly what we want; so, polish it up a bit and pretend it’s not such a complicated mess. Let all people with impeccable opinions behave impeccably. Let the most flawed characters always be on the wrong side and the virtuous ones on the right. Then we will see at a glance whom we should condemn and whom we should praise. This way, we can admire without any disruption to our biases: we can hate and look down on others with that comfortable certainty that comes from absolute confidence.”
But, my good friend, what will you do then with your fellow-parishioner who opposes your husband in the vestry? With your newly appointed vicar, whose style of preaching you find painfully below that of his regretted predecessor? With the honest servant who worries your soul with her one failing? With your neighbour, Mrs. Green, who was really kind to you in your last illness, but has said several ill-natured things about you since your convalescence? Nay, with your excellent husband himself, who has other irritating habits besides that of not wiping his shoes? These fellow-mortals, every one, must be accepted as they are: you can neither straighten their noses, nor brighten their wit, nor rectify their dispositions; and it is these people—amongst whom your life is passed—that it is needful you should tolerate, pity, and love: it is these more or less ugly, stupid, inconsistent people whose movements of goodness you should be able to admire—for whom you should cherish all possible hopes, all possible patience. And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up in the morning to do our daily work, that you would be likely to turn a harder, colder eye on the dusty streets and the common green fields—on the real breathing men and women, who can be chilled by your indifference or injured by your prejudice; who can be cheered and helped onward by your fellow-feeling, your forbearance, your outspoken, brave justice.
But, my good friend, what will you do about your fellow parishioner who disagrees with your husband in the church committee? About your new vicar, whose preaching style you find painfully lacking compared to his sadly missed predecessor? About the honest servant who worries you with her one fault? About your neighbor, Mrs. Green, who was really kind to you during your last illness but has said some unkind things about you since you got better? And what about your wonderful husband himself, who has other annoying habits besides not wiping his shoes? Every one of these fellow humans must be accepted as they are: you can’t change their looks, improve their intelligence, or fix their personalities; and it is these people—among whom you live your life—that you need to tolerate, pity, and love. It is these more or less flawed, foolish, inconsistent individuals whose moments of goodness you should learn to admire— for whom you should hold all possible hopes and patience. I wouldn’t want to be the clever novelist who could create a world so much better than this one, where you might look at the dusty streets and the ordinary green fields with a harsher, colder attitude—toward the real, breathing men and women who can be hurt by your indifference or affected by your biases; who can be uplifted and encouraged by your empathy, your patience, and your honest, courageous sense of justice.
So I am content to tell my simple story, without trying to make things seem better than they were; dreading nothing, indeed, but falsity, which, in spite of one’s best efforts, there is reason to dread. Falsehood is so easy, truth so difficult. The pencil is conscious of a delightful facility in drawing a griffin—the longer the claws, and the larger the wings, the better; but that marvellous facility which we mistook for genius is apt to forsake us when we want to draw a real unexaggerated lion. Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your own immediate feelings—much harder than to say something fine about them which is not the exact truth.
So I’m happy to share my straightforward story, without trying to make things sound better than they actually were; I only fear one thing: dishonesty, which, despite our best efforts, is something to worry about. Lying comes easily, while telling the truth is quite challenging. It’s really easy to sketch a griffin—the longer the claws and the bigger the wings, the better; but that amazing ease we mistakenly think of as talent tends to leave us when we try to draw a real, unexaggerated lion. If you really think about your words, you'll notice that even when you don’t have any reason to be dishonest, it’s really hard to express the exact truth, even about your own immediate feelings—much harder than saying something nice about them that isn’t the exact truth.
It is for this rare, precious quality of truthfulness that I delight in many Dutch paintings, which lofty-minded people despise. I find a source of delicious sympathy in these faithful pictures of a monotonous homely existence, which has been the fate of so many more among my fellow-mortals than a life of pomp or of absolute indigence, of tragic suffering or of world-stirring actions. I turn, without shrinking, from cloud-borne angels, from prophets, sibyls, and heroic warriors, to an old woman bending over her flower-pot, or eating her solitary dinner, while the noonday light, softened perhaps by a screen of leaves, falls on her mob-cap, and just touches the rim of her spinning-wheel, and her stone jug, and all those cheap common things which are the precious necessaries of life to her—or I turn to that village wedding, kept between four brown walls, where an awkward bridegroom opens the dance with a high-shouldered, broad-faced bride, while elderly and middle-aged friends look on, with very irregular noses and lips, and probably with quart-pots in their hands, but with an expression of unmistakable contentment and goodwill. “Foh!” says my idealistic friend, “what vulgar details! What good is there in taking all these pains to give an exact likeness of old women and clowns? What a low phase of life! What clumsy, ugly people!”
It’s for this rare, precious quality of truthfulness that I enjoy many Dutch paintings, which some high-minded people look down on. I find a source of delightful sympathy in these honest depictions of a simple, everyday life, which has been the reality for many more of my fellow humans than a life of extravagance or extreme poverty, of tragic suffering or world-changing actions. I turn, without hesitation, from heavenly angels, prophets, or heroic warriors, to an old woman tending to her flower pot or eating her lonely meal, while the midday light, maybe softened by a screen of leaves, falls on her mob cap and lightly touches the edge of her spinning wheel, her stone jug, and all those cheap, ordinary items that are the essential necessities of life for her—or I look at that village wedding, held within four brown walls, where an awkward groom starts the dance with a broad-faced bride, as older friends watch on, likely with oddly shaped noses and lips, possibly holding quart-pots, but with clear expressions of contentment and goodwill. “Ugh!” says my idealistic friend, “what vulgar details! What’s the point of going to all this trouble to create a realistic portrayal of old women and clowns? What a low point in life! What clumsy, unattractive people!”
But bless us, things may be lovable that are not altogether handsome, I hope? I am not at all sure that the majority of the human race have not been ugly, and even among those “lords of their kind,” the British, squat figures, ill-shapen nostrils, and dingy complexions are not startling exceptions. Yet there is a great deal of family love amongst us. I have a friend or two whose class of features is such that the Apollo curl on the summit of their brows would be decidedly trying; yet to my certain knowledge tender hearts have beaten for them, and their miniatures—flattering, but still not lovely—are kissed in secret by motherly lips. I have seen many an excellent matron, who could have never in her best days have been handsome, and yet she had a packet of yellow love-letters in a private drawer, and sweet children showered kisses on her sallow cheeks. And I believe there have been plenty of young heroes, of middle stature and feeble beards, who have felt quite sure they could never love anything more insignificant than a Diana, and yet have found themselves in middle life happily settled with a wife who waddles. Yes! Thank God; human feeling is like the mighty rivers that bless the earth: it does not wait for beauty—it flows with resistless force and brings beauty with it.
But let's be real, there are things that can be lovable even if they aren't conventionally attractive, right? I'm not at all convinced that most of humanity hasn't been ugly, and even among those “lords of their kind,” the British, short stature, oddly shaped noses, and dull complexions are not exactly rare. Still, there's a lot of love in our families. I have a friend or two who aren't the most good-looking, and honestly, the curl of their hair would be pretty challenging to pull off; yet I know for a fact that kind hearts have cared for them, and their portraits—flattering but still not beautiful—are secretly kissed by loving mothers. I've seen many a wonderful woman who could never have been called pretty in her youth, yet she kept a stash of old love letters in a hidden drawer, and sweet kids showered her with kisses on her pale cheeks. And I believe there have been plenty of young guys, average height with sparse facial hair, who thought they could only love someone as stunning as a goddess, yet found themselves in middle age happily settled down with a wife who's a bit on the heavy side. Yes! Thank God; human emotion is like the great rivers that nourish the earth: it doesn’t wait for beauty—it flows with unstoppable force and creates beauty along the way.
All honour and reverence to the divine beauty of form! Let us cultivate it to the utmost in men, women, and children—in our gardens and in our houses. But let us love that other beauty too, which lies in no secret of proportion, but in the secret of deep human sympathy. Paint us an angel, if you can, with a floating violet robe, and a face paled by the celestial light; paint us yet oftener a Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pot-house, those rounded backs and stupid weather-beaten faces that have bent over the spade and done the rough work of the world—those homes with their tin pans, their brown pitchers, their rough curs, and their clusters of onions. In this world there are so many of these common coarse people, who have no picturesque sentimental wretchedness! It is so needful we should remember their existence, else we may happen to leave them quite out of our religion and philosophy and frame lofty theories which only fit a world of extremes. Therefore, let Art always remind us of them; therefore let us always have men ready to give the loving pains of a life to the faithful representing of commonplace things—men who see beauty in these commonplace things, and delight in showing how kindly the light of heaven falls on them. There are few prophets in the world; few sublimely beautiful women; few heroes. I can’t afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my every-day fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch, for whom I have to make way with kindly courtesy. Neither are picturesque lazzaroni or romantic criminals half so frequent as your common labourer, who gets his own bread and eats it vulgarly but creditably with his own pocket-knife. It is more needful that I should have a fibre of sympathy connecting me with that vulgar citizen who weighs out my sugar in a vilely assorted cravat and waistcoat, than with the handsomest rascal in red scarf and green feathers—more needful that my heart should swell with loving admiration at some trait of gentle goodness in the faulty people who sit at the same hearth with me, or in the clergyman of my own parish, who is perhaps rather too corpulent and in other respects is not an Oberlin or a Tillotson, than at the deeds of heroes whom I shall never know except by hearsay, or at the sublimest abstract of all clerical graces that was ever conceived by an able novelist.
All honor and respect to the divine beauty of form! Let's nurture it as much as possible in men, women, and children—in our gardens and our homes. But let's also cherish that other beauty, which isn't hidden in some secret of proportion, but in the deep truth of human connection. Paint us an angel, if you like, dressed in a flowing violet robe, with a face illuminated by celestial light; but paint us even more often a Madonna, lifting her gentle face upward and opening her arms to embrace the divine glory; however, please don’t impose on us any artistic rules that would keep out those old women peeling carrots with their work-worn hands, those heavyset clowns enjoying a break in a dingy bar, those rounded backs and weathered faces that have toiled over the spade and done the rough work of life—those homes with their tin pans, brown pitchers, scruffy dogs, and bunches of onions. There are so many ordinary, rough people in this world, who don’t have any picturesque or sentimental suffering! It's crucial that we remember their existence, or we might end up leaving them out of our beliefs and philosophies and end up forming lofty theories that only apply to extreme situations. Therefore, let Art always remind us of them; let’s have people dedicated to lovingly and accurately representing these everyday things—people who can find beauty in the ordinary and enjoy showing how kindly the light of heaven shines on them. There are few prophets in the world; few incredibly beautiful women; few heroes. I can't afford to give all my love and reverence to such rarities: I want to reserve a lot of those feelings for my everyday fellow humans, especially for those few in the foreground of the vast crowd, whose faces I recognize, whose hands I shake, for whom I strive to show courtesy. Furthermore, the picturesque beggars or romantic criminals aren't nearly as common as the ordinary laborer, who earns his own living and eats it rather simply but honorably with his own pocketknife. It’s more important that I feel a connection with that average citizen who weighs my sugar in a mismatched tie and vest, than with the handsomest scoundrel dressed in a red scarf and green feathers—more vital that my heart swells with admiration for some small act of kindness in the flawed individuals who share my hearth, or in the clergyman of my parish, who may be somewhat overweight and not in other ways an Oberlin or a Tillotson, than in the deeds of heroes I’ll never know except through hearsay, or in the loftiest ideal of all clerical virtues imagined by a talented novelist.
And so I come back to Mr. Irwine, with whom I desire you to be in perfect charity, far as he may be from satisfying your demands on the clerical character. Perhaps you think he was not—as he ought to have been—a living demonstration of the benefits attached to a national church? But I am not sure of that; at least I know that the people in Broxton and Hayslope would have been very sorry to part with their clergyman, and that most faces brightened at his approach; and until it can be proved that hatred is a better thing for the soul than love, I must believe that Mr. Irwine’s influence in his parish was a more wholesome one than that of the zealous Mr. Ryde, who came there twenty years afterwards, when Mr. Irwine had been gathered to his fathers. It is true, Mr. Ryde insisted strongly on the doctrines of the Reformation, visited his flock a great deal in their own homes, and was severe in rebuking the aberrations of the flesh—put a stop, indeed, to the Christmas rounds of the church singers, as promoting drunkenness and too light a handling of sacred things. But I gathered from Adam Bede, to whom I talked of these matters in his old age, that few clergymen could be less successful in winning the hearts of their parishioners than Mr. Ryde. They learned a great many notions about doctrine from him, so that almost every church-goer under fifty began to distinguish as well between the genuine gospel and what did not come precisely up to that standard, as if he had been born and bred a Dissenter; and for some time after his arrival there seemed to be quite a religious movement in that quiet rural district. “But,” said Adam, “I’ve seen pretty clear, ever since I was a young un, as religion’s something else besides notions. It isn’t notions sets people doing the right thing—it’s feelings. It’s the same with the notions in religion as it is with math’matics—a man may be able to work problems straight off in’s head as he sits by the fire and smokes his pipe, but if he has to make a machine or a building, he must have a will and a resolution and love something else better than his own ease. Somehow, the congregation began to fall off, and people began to speak light o’ Mr. Ryde. I believe he meant right at bottom; but, you see, he was sourish-tempered, and was for beating down prices with the people as worked for him; and his preaching wouldn’t go down well with that sauce. And he wanted to be like my lord judge i’ the parish, punishing folks for doing wrong; and he scolded ’em from the pulpit as if he’d been a Ranter, and yet he couldn’t abide the Dissenters, and was a deal more set against ’em than Mr. Irwine was. And then he didn’t keep within his income, for he seemed to think at first go-off that six hundred a-year was to make him as big a man as Mr. Donnithorne. That’s a sore mischief I’ve often seen with the poor curates jumping into a bit of a living all of a sudden. Mr. Ryde was a deal thought on at a distance, I believe, and he wrote books, but as for math’matics and the natur o’ things, he was as ignorant as a woman. He was very knowing about doctrines, and used to call ’em the bulwarks of the Reformation; but I’ve always mistrusted that sort o’ learning as leaves folks foolish and unreasonable about business. Now Mester Irwine was as different as could be: as quick!—he understood what you meant in a minute, and he knew all about building, and could see when you’d made a good job. And he behaved as much like a gentleman to the farmers, and th’ old women, and the labourers, as he did to the gentry. You never saw him interfering and scolding, and trying to play th’ emperor. Ah, he was a fine man as ever you set eyes on; and so kind to’s mother and sisters. That poor sickly Miss Anne—he seemed to think more of her than of anybody else in the world. There wasn’t a soul in the parish had a word to say against him; and his servants stayed with him till they were so old and pottering, he had to hire other folks to do their work.”
And so I come back to Mr. Irwine, with whom I hope you'll be on good terms, even though he may not meet your expectations regarding the clergy. Maybe you think he wasn't—a living example of the benefits of a national church? But I'm not so sure about that; I at least know that the people in Broxton and Hayslope would have been very upset to lose their clergyman, and most faces lit up when he arrived. Until it's proven that hatred is better for the soul than love, I believe Mr. Irwine's influence in his parish was healthier than that of the enthusiastic Mr. Ryde, who came twenty years later when Mr. Irwine had passed away. It's true Mr. Ryde strongly emphasized the doctrines of the Reformation, visited his parishioners frequently in their homes, and was harsh in denouncing immoral behavior—he even put a stop to the Christmas caroling in the church, claiming it encouraged drunkenness and too casual an approach to sacred matters. However, from my conversations with Adam Bede, during his old age, I gathered that few clergymen were less successful in winning the hearts of their parishioners than Mr. Ryde. They picked up many ideas about doctrine from him, so that almost every churchgoer under fifty started to distinguish between the true gospel and what didn't quite meet that standard, as if they'd been raised as Nonconformists; and for a while, after he arrived, there seemed to be a real religious movement in that quiet rural area. “But,” Adam said, “I've understood pretty clearly since I was young that religion is something more than just ideas. It's not ideas that motivate people to do the right thing—it's feelings. The same goes for ideas in religion as it does in mathematics—a man might solve problems easily in his head while sitting by the fire smoking his pipe, but if he wants to build a machine or a structure, he needs willpower and determination and must care about something more than his own comfort. Somehow, the congregation started to dwindle, and people began to speak lightly of Mr. Ryde. I believe he had good intentions, but he had a sour demeanor and tried to underpay the workers for him; and his preaching didn't resonate well with that vibe. He wanted to be like the local judge, punishing folks for wrongdoing; he'd lecture them from the pulpit as if he were a Ranters, but he couldn't stand the Nonconformists and was much more opposed to them than Mr. Irwine ever was. Plus, he didn't live within his means; he seemed to think that making six hundred a year put him on par with Mr. Donnithorne. That's a serious problem I've often seen with poor curates suddenly jumping into a small living. Mr. Ryde was highly regarded from afar, I believe, and he wrote books, but when it came to mathematics and the nature of things, he was as clueless as a woman. He was very knowledgeable about doctrines and referred to them as the bulwarks of the Reformation, but I've always been wary of that kind of learning that leaves people foolish and unreasonable about practical matters. Now Mr. Irwine was completely different: he was sharp!—he understood what you meant instantly and knew all about building, recognizing when you’d done a good job. He treated the farmers, the older women, and the laborers just as respectfully as he did the gentry. You'd never see him interfering and scolding or trying to act like the emperor. Ah, he was the finest man you could ever lay eyes on; so kind to his mother and sisters. That poor, sickly Miss Anne—he seemed to care for her more than anyone else in the world. No one in the parish had a bad word to say about him, and his servants remained with him until they were so old and fragile that he had to hire others to do their jobs.
“Well,” I said, “that was an excellent way of preaching in the weekdays; but I daresay, if your old friend Mr. Irwine were to come to life again, and get into the pulpit next Sunday, you would be rather ashamed that he didn’t preach better after all your praise of him.”
“Well,” I said, “that was a great way of preaching during the week; but I bet if your old friend Mr. Irwine were to come back to life and get into the pulpit next Sunday, you would feel a bit embarrassed that he didn’t preach better after all your praise of him.”
“Nay, nay,” said Adam, broadening his chest and throwing himself back in his chair, as if he were ready to meet all inferences, “nobody has ever heard me say Mr. Irwine was much of a preacher. He didn’t go into deep speritial experience; and I know there’s a deal in a man’s inward life as you can’t measure by the square, and say, ‘Do this and that ’ll follow,’ and, ‘Do that and this ’ll follow.’ There’s things go on in the soul, and times when feelings come into you like a rushing mighty wind, as the Scripture says, and part your life in two a’most, so you look back on yourself as if you was somebody else. Those are things as you can’t bottle up in a ‘do this’ and ‘do that’; and I’ll go so far with the strongest Methodist ever you’ll find. That shows me there’s deep speritial things in religion. You can’t make much out wi’ talking about it, but you feel it. Mr. Irwine didn’t go into those things—he preached short moral sermons, and that was all. But then he acted pretty much up to what he said; he didn’t set up for being so different from other folks one day, and then be as like ’em as two peas the next. And he made folks love him and respect him, and that was better nor stirring up their gall wi’ being overbusy. Mrs. Poyser used to say—you know she would have her word about everything—she said, Mr. Irwine was like a good meal o’ victual, you were the better for him without thinking on it, and Mr. Ryde was like a dose o’ physic, he gripped you and worreted you, and after all he left you much the same.”
“No, no,” Adam said, puffing out his chest and leaning back in his chair, as if ready to address any implications. “Nobody has ever heard me say Mr. Irwine was a great preacher. He didn’t delve into deep spiritual experience, and I know there’s a lot in a person’s inner life that you can’t measure by simple rules and say, ‘Do this and that will follow,’ or, ‘Do that and this will follow.’ There are things happening in the soul, and times when feelings come over you like a rushing wind, just like the Bible says, and they can split your life in two, so you look back on yourself as if you were someone else. Those are things you can’t just bottle up with ‘do this’ and ‘do that’; I’ll agree with the strongest Methodist you can find on that. It shows there are profound spiritual aspects to religion. You can’t explain much with words, but you can feel it. Mr. Irwine didn’t go into those areas—he preached short moral sermons, and that was it. But he lived pretty much according to what he preached; he didn’t act all different from everyone one day and then just like them the next. He made people love and respect him, which was better than stirring up their anger by being overly pushy. Mrs. Poyser used to say—you know she always had something to say about everything—that Mr. Irwine was like a good meal; you were better off for having him around without even realizing it, while Mr. Ryde was like a dose of medicine; he bothered you and worried you, and after all that, you ended up pretty much the same.”
“But didn’t Mr. Ryde preach a great deal more about that spiritual part of religion that you talk of, Adam? Couldn’t you get more out of his sermons than out of Mr. Irwine’s?”
“But didn’t Mr. Ryde talk a lot more about that spiritual side of religion that you mention, Adam? Couldn’t you get more from his sermons than from Mr. Irwine’s?”
“Eh, I knowna. He preached a deal about doctrines. But I’ve seen pretty clear, ever since I was a young un, as religion’s something else besides doctrines and notions. I look at it as if the doctrines was like finding names for your feelings, so as you can talk of ’em when you’ve never known ’em, just as a man may talk o’ tools when he knows their names, though he’s never so much as seen ’em, still less handled ’em. I’ve heard a deal o’ doctrine i’ my time, for I used to go after the Dissenting preachers along wi’ Seth, when I was a lad o’ seventeen, and got puzzling myself a deal about th’ Arminians and the Calvinists. The Wesleyans, you know, are strong Arminians; and Seth, who could never abide anything harsh and was always for hoping the best, held fast by the Wesleyans from the very first; but I thought I could pick a hole or two in their notions, and I got disputing wi’ one o’ the class leaders down at Treddles’on, and harassed him so, first o’ this side and then o’ that, till at last he said, ‘Young man, it’s the devil making use o’ your pride and conceit as a weapon to war against the simplicity o’ the truth.’ I couldn’t help laughing then, but as I was going home, I thought the man wasn’t far wrong. I began to see as all this weighing and sifting what this text means and that text means, and whether folks are saved all by God’s grace, or whether there goes an ounce o’ their own will to’t, was no part o’ real religion at all. You may talk o’ these things for hours on end, and you’ll only be all the more coxy and conceited for’t. So I took to going nowhere but to church, and hearing nobody but Mr. Irwine, for he said nothing but what was good and what you’d be the wiser for remembering. And I found it better for my soul to be humble before the mysteries o’ God’s dealings, and not be making a clatter about what I could never understand. And they’re poor foolish questions after all; for what have we got either inside or outside of us but what comes from God? If we’ve got a resolution to do right, He gave it us, I reckon, first or last; but I see plain enough we shall never do it without a resolution, and that’s enough for me.”
“Eh, I don’t know. He talked a lot about doctrines. But I’ve understood clearly, ever since I was young, that religion is something more than just doctrines and ideas. I see doctrines like naming your feelings so you can discuss them even if you’ve never truly felt them, just like someone might talk about tools if they know their names, even if they’ve never seen or held them. I’ve heard a lot of doctrine in my time because I used to follow the Dissenting preachers with Seth when I was seventeen, and I got pretty confused about the Arminians and the Calvinists. The Wesleyans, you know, are strong Arminians; and Seth, who could never stand anything harsh and always hoped for the best, stuck with the Wesleyans from the start. I thought I could poke some holes in their beliefs, and I ended up arguing with one of the class leaders down at Treddles’on. I bothered him so much, first from one angle and then the other, until he finally said, ‘Young man, it’s the devil using your pride and arrogance as a weapon against the simplicity of the truth.’ I couldn’t help but laugh then, but while I was heading home, I thought he wasn’t that far off. I began to realize that all this weighing and sifting about what this text means and that text means, and whether people are saved solely by God’s grace or if their own will plays a part, was not true religion at all. You can talk about these things for hours, but you’ll only become more self-satisfied and arrogant for it. So I decided to only go to church and listen to Mr. Irwine, because he was the only one who spoke about things that were good and valuable to remember. I found it better for my soul to stay humble in the face of God’s mysteries and not make noise about what I could never understand. And in the end, those are just foolish questions; because what do we have inside or outside us that doesn’t come from God? If we have the will to do right, I suppose He gave it to us, whether at the beginning or the end; but I see clearly that we’ll never do it without that will, and that’s enough for me.”
Adam, you perceive, was a warm admirer, perhaps a partial judge, of Mr. Irwine, as, happily, some of us still are of the people we have known familiarly. Doubtless it will be despised as a weakness by that lofty order of minds who pant after the ideal, and are oppressed by a general sense that their emotions are of too exquisite a character to find fit objects among their everyday fellowmen. I have often been favoured with the confidence of these select natures, and find them to concur in the experience that great men are overestimated and small men are insupportable; that if you would love a woman without ever looking back on your love as a folly, she must die while you are courting her; and if you would maintain the slightest belief in human heroism, you must never make a pilgrimage to see the hero. I confess I have often meanly shrunk from confessing to these accomplished and acute gentlemen what my own experience has been. I am afraid I have often smiled with hypocritical assent, and gratified them with an epigram on the fleeting nature of our illusions, which any one moderately acquainted with French literature can command at a moment’s notice. Human converse, I think some wise man has remarked, is not rigidly sincere. But I herewith discharge my conscience, and declare that I have had quite enthusiastic movements of admiration towards old gentlemen who spoke the worst English, who were occasionally fretful in their temper, and who had never moved in a higher sphere of influence than that of parish overseer; and that the way in which I have come to the conclusion that human nature is lovable—the way I have learnt something of its deep pathos, its sublime mysteries—has been by living a great deal among people more or less commonplace and vulgar, of whom you would perhaps hear nothing very surprising if you were to inquire about them in the neighbourhoods where they dwelt. Ten to one most of the small shopkeepers in their vicinity saw nothing at all in them. For I have observed this remarkable coincidence, that the select natures who pant after the ideal, and find nothing in pantaloons or petticoats great enough to command their reverence and love, are curiously in unison with the narrowest and pettiest. For example, I have often heard Mr. Gedge, the landlord of the Royal Oak, who used to turn a bloodshot eye on his neighbours in the village of Shepperton, sum up his opinion of the people in his own parish—and they were all the people he knew—in these emphatic words: “Aye, sir, I’ve said it often, and I’ll say it again, they’re a poor lot i’ this parish—a poor lot, sir, big and little.” I think he had a dim idea that if he could migrate to a distant parish, he might find neighbours worthy of him; and indeed he did subsequently transfer himself to the Saracen’s Head, which was doing a thriving business in the back street of a neighbouring market-town. But, oddly enough, he has found the people up that back street of precisely the same stamp as the inhabitants of Shepperton—“a poor lot, sir, big and little, and them as comes for a go o’ gin are no better than them as comes for a pint o’ twopenny—a poor lot.”
Adam, as you can tell, was a passionate admirer, maybe a bit biased, of Mr. Irwine, just like some of us still are of people we’ve known well. Surely, those high-minded folks who chase after ideals and feel that their emotions are too refined to connect with everyday people will look down on this as a flaw. I’ve often received the trust of these elite individuals and noticed they tend to agree that great people are overrated and small-minded people are unbearable; that if you want to love a woman without regretting it later, she has to die while you're winning her over; and if you want to keep any faith in human heroism, you shouldn’t visit the hero in person. I admit I’ve often cowardly hesitated to share my experiences with these sophisticated and sharp-minded gentlemen. I’m afraid I’ve often pretended to agree and satisfied them with a quip about how fleeting our illusions are—something anyone who knows a bit about French literature can pull from memory. I think some wise person has noted that human conversation isn’t entirely sincere. But I’m clearing my conscience now and admitting that I’ve had deep feelings of admiration for older gentlemen who spoke terrible English, were occasionally irritable, and never held a higher position than that of a parish overseer; and that the way I’ve come to understand that human nature is lovable—the way I’ve learned something about its profound sadness and its deep mysteries—has been by spending a lot of time among people who are quite ordinary and unremarkable, whom you probably wouldn’t find anything surprising about if you asked around their neighborhoods. Most of the small shopkeepers nearby likely saw nothing special in them. I’ve noticed this strange connection: those who chase after ideals and find nothing in trousers or skirts worthy of their respect and affection strangely align with the most narrow-minded and petty. For instance, I’ve often heard Mr. Gedge, the landlord of the Royal Oak, whose bloodshot eyes scrutinized his neighbors in the village of Shepperton, sum up his opinion of the people in his own parish—and they were the only ones he knew—with these emphatic words: “Yep, sir, I’ve said it often, and I’ll say it again, they’re a poor lot in this parish—a poor lot, sir, big and little.” I think he had a vague notion that if he could move to a different parish, he might find neighbors more deserving of him; and in fact, he later moved to the Saracen’s Head, which was doing well in a back street of a nearby market town. But, oddly enough, he found the people in that back street were exactly the same as those in Shepperton—“a poor lot, sir, big and little, and those who come for a bit of gin are no better than those who come for a pint of twopenny—a poor lot.”
Chapter XVIII
Church
“Hetty, Hetty, don’t you know church begins at two, and it’s gone half after one a’ready? Have you got nothing better to think on this good Sunday as poor old Thias Bede’s to be put into the ground, and him drownded i’ th’ dead o’ the night, as it’s enough to make one’s back run cold, but you must be ’dizening yourself as if there was a wedding i’stid of a funeral?”
“Hetty, Hetty, don’t you know church starts at two, and it’s already half past one? Don’t you have anything better to think about on this good Sunday than poor old Thias Bede being laid to rest, drowned in the dead of the night? It’s enough to send chills down your spine, and still, you’re busy getting ready as if it’s a wedding instead of a funeral?”
“Well, Aunt,” said Hetty, “I can’t be ready so soon as everybody else, when I’ve got Totty’s things to put on. And I’d ever such work to make her stand still.”
“Well, Aunt,” said Hetty, “I can’t get ready as quickly as everyone else when I have to put on Totty’s stuff. And it takes me a lot of effort to make her stand still.”
Hetty was coming downstairs, and Mrs. Poyser, in her plain bonnet and shawl, was standing below. If ever a girl looked as if she had been made of roses, that girl was Hetty in her Sunday hat and frock. For her hat was trimmed with pink, and her frock had pink spots, sprinkled on a white ground. There was nothing but pink and white about her, except in her dark hair and eyes and her little buckled shoes. Mrs. Poyser was provoked at herself, for she could hardly keep from smiling, as any mortal is inclined to do at the sight of pretty round things. So she turned without speaking, and joined the group outside the house door, followed by Hetty, whose heart was fluttering so at the thought of some one she expected to see at church that she hardly felt the ground she trod on.
Hetty was coming downstairs, and Mrs. Poyser, in her simple bonnet and shawl, was standing below. If there ever was a girl who looked like she was made of roses, it was Hetty in her Sunday hat and dress. Her hat was decorated with pink, and her dress had pink spots scattered on a white background. Everything about her was pink and white, except for her dark hair and eyes and her little buckled shoes. Mrs. Poyser felt annoyed with herself because she could barely stop herself from smiling, as anyone would at the sight of pretty round things. So she turned without saying anything and joined the group outside the front door, followed by Hetty, whose heart was racing at the thought of someone she expected to see at church, making her hardly aware of the ground beneath her feet.
And now the little procession set off. Mr. Poyser was in his Sunday suit of drab, with a red-and-green waistcoat and a green watch-ribbon having a large cornelian seal attached, pendant like a plumb-line from that promontory where his watch-pocket was situated; a silk handkerchief of a yellow tone round his neck; and excellent grey ribbed stockings, knitted by Mrs. Poyser’s own hand, setting off the proportions of his leg. Mr. Poyser had no reason to be ashamed of his leg, and suspected that the growing abuse of top-boots and other fashions tending to disguise the nether limbs had their origin in a pitiable degeneracy of the human calf. Still less had he reason to be ashamed of his round jolly face, which was good humour itself as he said, “Come, Hetty—come, little uns!” and giving his arm to his wife, led the way through the causeway gate into the yard.
And now the little procession set off. Mr. Poyser was dressed in his Sunday suit of gray, with a red-and-green vest and a green watch ribbon with a large carnelian seal hanging down like a plumb line from where his watch pocket was located; a yellow silk handkerchief around his neck; and excellent gray ribbed stockings, knitted by Mrs. Poyser herself, showcasing the shape of his leg. Mr. Poyser had no reason to be ashamed of his legs and thought that the increasing trend of wearing top boots and other styles that hid the lower limbs came from a sad decline in the appearance of calves. Even less did he have reason to be ashamed of his round, cheerful face, which radiated good humor as he said, “Come on, Hetty—come on, little ones!” and offering his arm to his wife, led the way through the causeway gate into the yard.
The “little uns” addressed were Marty and Tommy, boys of nine and seven, in little fustian tailed coats and knee-breeches, relieved by rosy cheeks and black eyes, looking as much like their father as a very small elephant is like a very large one. Hetty walked between them, and behind came patient Molly, whose task it was to carry Totty through the yard and over all the wet places on the road; for Totty, having speedily recovered from her threatened fever, had insisted on going to church to-day, and especially on wearing her red-and-black necklace outside her tippet. And there were many wet places for her to be carried over this afternoon, for there had been heavy showers in the morning, though now the clouds had rolled off and lay in towering silvery masses on the horizon.
The “little ones” mentioned were Marty and Tommy, boys of nine and seven, wearing small fustian tail coats and knee-breeches, brightened by rosy cheeks and dark eyes, looking as much like their dad as a tiny elephant looks like a big one. Hetty walked between them, and behind came patient Molly, whose job was to carry Totty through the yard and over all the muddy spots on the road; because Totty, having quickly recovered from her mild fever, insisted on going to church today, and especially on wearing her red-and-black necklace over her tippet. And there were many muddy spots for her to be carried over this afternoon, as there had been heavy rain in the morning, even though now the clouds had cleared and lay in towering silvery masses on the horizon.
You might have known it was Sunday if you had only waked up in the farmyard. The cocks and hens seemed to know it, and made only crooning subdued noises; the very bull-dog looked less savage, as if he would have been satisfied with a smaller bite than usual. The sunshine seemed to call all things to rest and not to labour. It was asleep itself on the moss-grown cow-shed; on the group of white ducks nestling together with their bills tucked under their wings; on the old black sow stretched languidly on the straw, while her largest young one found an excellent spring-bed on his mother’s fat ribs; on Alick, the shepherd, in his new smock-frock, taking an uneasy siesta, half-sitting, half-standing on the granary steps. Alick was of opinion that church, like other luxuries, was not to be indulged in often by a foreman who had the weather and the ewes on his mind. “Church! Nay—I’n gotten summat else to think on,” was an answer which he often uttered in a tone of bitter significance that silenced further question. I feel sure Alick meant no irreverence; indeed, I know that his mind was not of a speculative, negative cast, and he would on no account have missed going to church on Christmas Day, Easter Sunday, and “Whissuntide.” But he had a general impression that public worship and religious ceremonies, like other non-productive employments, were intended for people who had leisure.
You might have realized it was Sunday if you had just woken up in the farmyard. The roosters and hens seemed to know it and made only soft, muted sounds; even the bulldog looked less fierce, as if he would have been okay with a smaller bite than usual. The sunshine seemed to invite everything to relax and not work. It was resting itself on the moss-covered cow shed; on the group of white ducks cuddled together with their bills tucked under their wings; on the old black sow stretched out lazily on the straw, while her biggest piglet found a nice springy spot on her fat ribs; on Alick, the shepherd, in his new smock, taking an uneasy nap, half-sitting, half-standing on the granary steps. Alick believed that going to church, like other luxuries, shouldn't be done too often for a foreman who had the weather and the ewes on his mind. “Church? No—I’ve got something else to think about,” was a reply he often said in a tone that made it clear he didn’t want to discuss it further. I’m sure Alick didn’t mean any disrespect; in fact, I know that he wasn’t the type to be negative or questioning, and he wouldn’t have missed church on Christmas Day, Easter Sunday, and “Whitsun.” But he generally thought that public worship and religious ceremonies, like other non-productive activities, were meant for people who had free time.
“There’s Father a-standing at the yard-gate,” said Martin Poyser. “I reckon he wants to watch us down the field. It’s wonderful what sight he has, and him turned seventy-five.”
“There's Dad standing at the yard gate,” said Martin Poyser. “I think he wants to watch us down the field. It's amazing how well he can see, especially now that he's seventy-five.”
“Ah, I often think it’s wi’ th’ old folks as it is wi’ the babbies,” said Mrs. Poyser; “they’re satisfied wi’ looking, no matter what they’re looking at. It’s God A’mighty’s way o’ quietening ’em, I reckon, afore they go to sleep.”
“Ah, I often think it's the same with old people as it is with babies,” said Mrs. Poyser; “they're content just to watch, no matter what they're watching. I guess it’s God Almighty’s way of calming them down before they go to sleep.”
Old Martin opened the gate as he saw the family procession approaching, and held it wide open, leaning on his stick—pleased to do this bit of work; for, like all old men whose life has been spent in labour, he liked to feel that he was still useful—that there was a better crop of onions in the garden because he was by at the sowing—and that the cows would be milked the better if he stayed at home on a Sunday afternoon to look on. He always went to church on Sacrament Sundays, but not very regularly at other times; on wet Sundays, or whenever he had a touch of rheumatism, he used to read the three first chapters of Genesis instead.
Old Martin opened the gate when he saw the family walking up, holding it wide open while leaning on his cane—happy to do this little task; because, like all old men who spent their lives working hard, he liked to feel that he was still helpful—that there were better onions in the garden because he was around to plant them—and that the cows would be milked more efficiently if he stayed home on Sunday afternoons to supervise. He always attended church on Sacrament Sundays, but not very often at other times; on rainy Sundays, or whenever he felt some pain from rheumatism, he preferred to read the first three chapters of Genesis instead.
“They’ll ha’ putten Thias Bede i’ the ground afore ye get to the churchyard,” he said, as his son came up. “It ’ud ha’ been better luck if they’d ha’ buried him i’ the forenoon when the rain was fallin’; there’s no likelihoods of a drop now; an’ the moon lies like a boat there, dost see? That’s a sure sign o’ fair weather—there’s a many as is false but that’s sure.”
“They’ll have put Thias Bede in the ground before you get to the churchyard,” he said as his son approached. “It would have been better luck if they had buried him in the morning when it was raining; there’s no chance of rain now; and the moon is hanging low like a boat, see? That’s a sure sign of good weather—many things can be misleading, but that one is certain.”
“Aye, aye,” said the son, “I’m in hopes it’ll hold up now.”
“Aye, aye,” said the son, “I hope it holds up now.”
“Mind what the parson says, mind what the parson says, my lads,” said Grandfather to the black-eyed youngsters in knee-breeches, conscious of a marble or two in their pockets which they looked forward to handling, a little, secretly, during the sermon.
“Pay attention to what the priest says, pay attention to what the priest says, boys,” Grandfather told the dark-eyed youngsters in knee-breeches, aware of a marble or two in their pockets that they looked forward to secretly handling a bit during the sermon.
“Dood-bye, Dandad,” said Totty. “Me doin’ to church. Me dot my neklace on. Dive me a peppermint.”
“Goodbye, Dandad,” said Totty. “I’m going to church. I put my necklace on. Give me a peppermint.”
Grandad, shaking with laughter at this “deep little wench,” slowly transferred his stick to his left hand, which held the gate open, and slowly thrust his finger into the waistcoat pocket on which Totty had fixed her eyes with a confident look of expectation.
Grandad, shaking with laughter at this "sharp little girl," slowly moved his stick to his left hand, which was holding the gate open, and carefully reached his finger into the waistcoat pocket that Totty was staring at with a confident look of anticipation.
And when they were all gone, the old man leaned on the gate again, watching them across the lane along the Home Close, and through the far gate, till they disappeared behind a bend in the hedge. For the hedgerows in those days shut out one’s view, even on the better-managed farms; and this afternoon, the dog-roses were tossing out their pink wreaths, the nightshade was in its yellow and purple glory, the pale honeysuckle grew out of reach, peeping high up out of a holly bush, and over all an ash or a sycamore every now and then threw its shadow across the path.
And when they had all left, the old man leaned on the gate again, watching them across the lane along the Home Close, and through the far gate, until they vanished behind a bend in the hedge. Back then, the hedgerows blocked the view, even on well-kept farms; and this afternoon, the dog-roses were showing off their pink blooms, the nightshade was in its vibrant yellow and purple, the pale honeysuckle climbed out of reach, peeking high above from a holly bush, and from time to time, an ash or a sycamore cast its shadow across the path.
There were acquaintances at other gates who had to move aside and let them pass: at the gate of the Home Close there was half the dairy of cows standing one behind the other, extremely slow to understand that their large bodies might be in the way; at the far gate there was the mare holding her head over the bars, and beside her the liver-coloured foal with its head towards its mother’s flank, apparently still much embarrassed by its own straddling existence. The way lay entirely through Mr. Poyser’s own fields till they reached the main road leading to the village, and he turned a keen eye on the stock and the crops as they went along, while Mrs. Poyser was ready to supply a running commentary on them all. The woman who manages a dairy has a large share in making the rent, so she may well be allowed to have her opinion on stock and their “keep”—an exercise which strengthens her understanding so much that she finds herself able to give her husband advice on most other subjects.
There were people at other gates who had to step aside and let them through: at the gate of the Home Close, there was a line of cows standing one behind the other, very slow to realize that their big bodies were in the way; at the far gate, a mare had her head over the bars, and next to her was the liver-colored foal, its head resting against its mother’s side, looking quite awkward about its own existence. The path went completely through Mr. Poyser’s fields until they reached the main road leading to the village. Mr. Poyser kept a sharp eye on the livestock and the crops as they walked, while Mrs. Poyser was ready to provide a continuous commentary on everything. The woman who runs a dairy plays a big role in meeting the rent, so she’s entitled to her opinion on livestock and their care—a practice that enhances her knowledge to the point where she can give her husband advice on most other topics.
“There’s that shorthorned Sally,” she said, as they entered the Home Close, and she caught sight of the meek beast that lay chewing the cud and looking at her with a sleepy eye. “I begin to hate the sight o’ the cow; and I say now what I said three weeks ago, the sooner we get rid of her the better, for there’s that little yallow cow as doesn’t give half the milk, and yet I’ve twice as much butter from her.”
“There’s that short-horned Sally,” she said as they walked into the Home Close and saw the gentle cow lying there, chewing her cud and looking at her with a sleepy eye. “I’m starting to hate the sight of that cow, and I’ll say what I said three weeks ago: the sooner we get rid of her, the better. That little yellow cow doesn’t give half the milk, but I still get twice as much butter from her.”
“Why, thee’t not like the women in general,” said Mr. Poyser; “they like the shorthorns, as give such a lot o’ milk. There’s Chowne’s wife wants him to buy no other sort.”
“Why, you don’t like women in general,” said Mr. Poyser; “they prefer the shorthorns, which give a lot of milk. Chowne’s wife wants him to buy no other kind.”
“What’s it sinnify what Chowne’s wife likes? A poor soft thing, wi’ no more head-piece nor a sparrow. She’d take a big cullender to strain her lard wi’, and then wonder as the scratchin’s run through. I’ve seen enough of her to know as I’ll niver take a servant from her house again—all hugger-mugger—and you’d niver know, when you went in, whether it was Monday or Friday, the wash draggin’ on to th’ end o’ the week; and as for her cheese, I know well enough it rose like a loaf in a tin last year. And then she talks o’ the weather bein’ i’ fault, as there’s folks ’ud stand on their heads and then say the fault was i’ their boots.”
“What does it matter what Chowne’s wife likes? She’s a poor, soft thing, with no more sense than a sparrow. She’d use a big colander to strain her fat and then wonder why bits got through. I’ve seen enough of her to know I’ll never hire a servant from her house again—all chaos—and you’d never know if you walked in whether it was Monday or Friday, the laundry dragging on into the weekend; and as for her cheese, I know it rose like a loaf in a tin last year. And then she blames the weather, as if there are people who would stand on their heads and still say the problem is with their boots.”
“Well, Chowne’s been wanting to buy Sally, so we can get rid of her if thee lik’st,” said Mr. Poyser, secretly proud of his wife’s superior power of putting two and two together; indeed, on recent market-days he had more than once boasted of her discernment in this very matter of shorthorns. “Aye, them as choose a soft for a wife may’s well buy up the shorthorns, for if you get your head stuck in a bog, your legs may’s well go after it. Eh! Talk o’ legs, there’s legs for you,” Mrs. Poyser continued, as Totty, who had been set down now the road was dry, toddled on in front of her father and mother. “There’s shapes! An’ she’s got such a long foot, she’ll be her father’s own child.”
“Well, Chowne’s been wanting to buy Sally, so we can get rid of her if you’d like,” said Mr. Poyser, secretly proud of his wife’s impressive ability to put things together; in fact, on recent market days he had more than once bragged about her insight in this very matter of short-horns. “Yeah, those who choose a soft woman as a wife might as well buy the short-horns, because if you get your head stuck in a bog, your legs might as well follow. Oh! Speaking of legs, look at those legs,” Mrs. Poyser continued, as Totty, who had been let down now that the road was dry, walked ahead of her father and mother. “Just look at those shapes! And she’s got such a long foot; she’ll be just like her father.”
“Aye, she’ll be welly such a one as Hetty i’ ten years’ time, on’y she’s got thy coloured eyes. I niver remember a blue eye i’ my family; my mother had eyes as black as sloes, just like Hetty’s.”
“Yeah, she’ll be just like Hetty in ten years, only she has your colored eyes. I never remember anyone with blue eyes in my family; my mom had eyes as black as sloe berries, just like Hetty’s.”
“The child ’ull be none the worse for having summat as isn’t like Hetty. An’ I’m none for having her so overpretty. Though for the matter o’ that, there’s people wi’ light hair an’ blue eyes as pretty as them wi’ black. If Dinah had got a bit o’ colour in her cheeks, an’ didn’t stick that Methodist cap on her head, enough to frighten the cows, folks ’ud think her as pretty as Hetty.”
“The child will be just fine for having something that isn’t like Hetty. And I’m not in favor of her being too pretty. Although, to be fair, there are people with light hair and blue eyes just as pretty as those with black. If Dinah had a bit of color in her cheeks and didn’t wear that Methodist cap that’s scary enough to frighten the cows, people would think she’s just as pretty as Hetty.”
“Nay, nay,” said Mr. Poyser, with rather a contemptuous emphasis, “thee dostna know the pints of a woman. The men ’ud niver run after Dinah as they would after Hetty.”
“Nah, nah,” said Mr. Poyser, with a somewhat scornful tone, “you don’t understand the ways of a woman. The men would never chase after Dinah the way they would after Hetty.”
“What care I what the men ’ud run after? It’s well seen what choice the most of ’em know how to make, by the poor draggle-tails o’ wives you see, like bits o’ gauze ribbin, good for nothing when the colour’s gone.”
“What do I care about the men they’d chase after? It’s obvious what kind of choices most of them make, based on the pathetic wives you see, like scraps of ribbon, useless once the color fades.”
“Well, well, thee canstna say but what I knowed how to make a choice when I married thee,” said Mr. Poyser, who usually settled little conjugal disputes by a compliment of this sort; “and thee wast twice as buxom as Dinah ten year ago.”
“Well, well, you can’t say I didn’t know how to make a choice when I married you,” said Mr. Poyser, who usually resolved small marital disagreements with a compliment like this; “and you were twice as attractive as Dinah ten years ago.”
“I niver said as a woman had need to be ugly to make a good missis of a house. There’s Chowne’s wife ugly enough to turn the milk an’ save the rennet, but she’ll niver save nothing any other way. But as for Dinah, poor child, she’s niver likely to be buxom as long as she’ll make her dinner o’ cake and water, for the sake o’ giving to them as want. She provoked me past bearing sometimes; and, as I told her, she went clean again’ the Scriptur’, for that says, ‘Love your neighbour as yourself’; ‘but,’ I said, ‘if you loved your neighbour no better nor you do yourself, Dinah, it’s little enough you’d do for him. You’d be thinking he might do well enough on a half-empty stomach.’ Eh, I wonder where she is this blessed Sunday! Sitting by that sick woman, I daresay, as she’d set her heart on going to all of a sudden.”
“I never said a woman has to be ugly to be a good housewife. There’s Chowne’s wife, ugly enough to curdle the milk and spoil the rennet, but she’ll never save anything any other way. But as for Dinah, poor thing, she’s never going to be healthy as long as she makes her dinner of cake and water just to give to those in need. She really tested my patience sometimes; and, as I told her, she was completely going against the Scriptures, which say, ‘Love your neighbor as yourself’; ‘but,’ I said, ‘if you loved your neighbor any less than you do yourself, Dinah, you’d hardly do much for him. You’d think he could manage on a half-empty stomach.’ I wonder where she is this lovely Sunday! Probably sitting by that sick woman, as she’s suddenly decided she wanted to do.”
“Ah, it was a pity she should take such megrims into her head, when she might ha’ stayed wi’ us all summer, and eaten twice as much as she wanted, and it ’ud niver ha’ been missed. She made no odds in th’ house at all, for she sat as still at her sewing as a bird on the nest, and was uncommon nimble at running to fetch anything. If Hetty gets married, theed’st like to ha’ Dinah wi’ thee constant.”
"Ah, it's such a shame she had those silly thoughts, when she could have stayed with us all summer and eaten as much as she wanted, and nobody would have even noticed. She didn’t make much difference in the house at all; she sat as still at her sewing as a bird on its nest and was really quick at running to fetch anything. If Hetty gets married, you’d probably want Dinah with you all the time."
“It’s no use thinking o’ that,” said Mrs. Poyser. “You might as well beckon to the flying swallow as ask Dinah to come an’ live here comfortable, like other folks. If anything could turn her, I should ha’ turned her, for I’ve talked to her for a hour on end, and scolded her too; for she’s my own sister’s child, and it behoves me to do what I can for her. But eh, poor thing, as soon as she’d said us ‘good-bye’ an’ got into the cart, an’ looked back at me with her pale face, as is welly like her Aunt Judith come back from heaven, I begun to be frightened to think o’ the set-downs I’d given her; for it comes over you sometimes as if she’d a way o’ knowing the rights o’ things more nor other folks have. But I’ll niver give in as that’s ’cause she’s a Methodist, no more nor a white calf’s white ’cause it eats out o’ the same bucket wi’ a black un.”
“It’s useless to think about that,” said Mrs. Poyser. “You might as well try to call a flying swallow as to ask Dinah to come and live here comfortably, like everyone else. If anything could change her mind, I would have done it, since I’ve talked to her for an hour straight and scolded her too; after all, she’s my sister’s child, and it’s my responsibility to do what I can for her. But oh, poor thing, as soon as she said ‘goodbye’ and got into the cart, looking back at me with her pale face—like Aunt Judith returned from heaven—I started to feel scared thinking about the harsh words I’d said to her. Sometimes it seems like she knows the truth better than others do. But I’ll never accept that it’s because she’s a Methodist, any more than a white calf is white because it eats from the same bucket with a black one.”
“Nay,” said Mr. Poyser, with as near an approach to a snarl as his good-nature would allow; “I’m no opinion o’ the Methodists. It’s on’y tradesfolks as turn Methodists; you nuver knew a farmer bitten wi’ them maggots. There’s maybe a workman now an’ then, as isn’t overclever at’s work, takes to preachin’ an’ that, like Seth Bede. But you see Adam, as has got one o’ the best head-pieces hereabout, knows better; he’s a good Churchman, else I’d never encourage him for a sweetheart for Hetty.”
“Not at all,” said Mr. Poyser, sounding as close to a snarl as his good nature would allow; “I don’t think much of the Methodists. It’s only tradespeople who turn Methodist; you never see a farmer getting caught up in their nonsense. Maybe there’s a worker now and then, who’s not too skilled at his job, who starts preaching and all that, like Seth Bede. But you see, Adam, who’s got one of the best minds around here, knows better; he’s a good Churchman, or else I wouldn’t encourage him as a potential boyfriend for Hetty.”
“Why, goodness me,” said Mrs. Poyser, who had looked back while her husband was speaking, “look where Molly is with them lads! They’re the field’s length behind us. How could you let ’em do so, Hetty? Anybody might as well set a pictur’ to watch the children as you. Run back and tell ’em to come on.”
“Wow, oh my,” said Mrs. Poyser, who had turned around while her husband was talking, “look where Molly is with those boys! They’re a whole field length behind us. How could you let them do that, Hetty? You might as well have set a picture to watch the kids as you are. Go back and tell them to catch up.”
Mr. and Mrs. Poyser were now at the end of the second field, so they set Totty on the top of one of the large stones forming the true Loamshire stile, and awaited the loiterers; Totty observing with complacency, “Dey naughty, naughty boys—me dood.”
Mr. and Mrs. Poyser were now at the end of the second field, so they set Totty on top of one of the large stones making up the real Loamshire stile and waited for the stragglers; Totty remarked contentedly, “They’re naughty, naughty boys—I'm good.”
The fact was that this Sunday walk through the fields was fraught with great excitement to Marty and Tommy, who saw a perpetual drama going on in the hedgerows, and could no more refrain from stopping and peeping than if they had been a couple of spaniels or terriers. Marty was quite sure he saw a yellow-hammer on the boughs of the great ash, and while he was peeping, he missed the sight of a white-throated stoat, which had run across the path and was described with much fervour by the junior Tommy. Then there was a little greenfinch, just fledged, fluttering along the ground, and it seemed quite possible to catch it, till it managed to flutter under the blackberry bush. Hetty could not be got to give any heed to these things, so Molly was called on for her ready sympathy, and peeped with open mouth wherever she was told, and said “Lawks!” whenever she was expected to wonder.
The truth was that this Sunday stroll through the fields was filled with excitement for Marty and Tommy, who saw an ongoing drama in the hedgerows and couldn’t help but stop and take a look, just like a couple of spaniels or terriers. Marty was pretty sure he spotted a yellowhammer on the branches of the big ash tree, and while he was peeking, he missed seeing a white-throated stoat that darted across their path, which Tommy enthusiastically described. Then there was a little greenfinch, just learning to fly, fluttering along the ground, and it seemed easy to catch it until it managed to slip under the blackberry bush. Hetty wouldn’t pay any attention to these things, so Molly was called upon for her enthusiastic support, and she would gape in amazement wherever directed and exclaimed “Wow!” whenever it was expected of her.
Molly hastened on with some alarm when Hetty had come back and called to them that her aunt was angry; but Marty ran on first, shouting, “We’ve found the speckled turkey’s nest, Mother!” with the instinctive confidence that people who bring good news are never in fault.
Molly hurried along with a bit of worry when Hetty returned and told them that her aunt was upset; but Marty dashed ahead, yelling, “We found the speckled turkey’s nest, Mom!” with the natural assurance that people bringing good news never get it wrong.
“Ah,” said Mrs. Poyser, really forgetting all discipline in this pleasant surprise, “that’s a good lad; why, where is it?”
“Ah,” said Mrs. Poyser, completely losing track of all discipline in her pleasant surprise, “that’s a good boy; where is it?”
“Down in ever such a hole, under the hedge. I saw it first, looking after the greenfinch, and she sat on th’ nest.”
“Down in a hole under the hedge. I saw it first while watching the greenfinch, and she was sitting on the nest.”
“You didn’t frighten her, I hope,” said the mother, “else she’ll forsake it.”
"You didn't scare her, I hope," said the mother, "otherwise she'll give it up."
“No, I went away as still as still, and whispered to Molly—didn’t I, Molly?”
“No, I left quietly and whispered to Molly—didn’t I, Molly?”
“Well, well, now come on,” said Mrs. Poyser, “and walk before Father and Mother, and take your little sister by the hand. We must go straight on now. Good boys don’t look after the birds of a Sunday.”
“Well, well, come on,” said Mrs. Poyser, “and walk in front of Father and Mother, and take your little sister by the hand. We need to move along now. Good boys don’t chase after birds on a Sunday.”
“But, Mother,” said Marty, “you said you’d give half-a-crown to find the speckled turkey’s nest. Mayn’t I have the half-crown put into my money-box?”
“But, Mom,” said Marty, “you said you’d give half a crown to find the speckled turkey’s nest. Can’t I have the half crown put into my money box?”
“We’ll see about that, my lad, if you walk along now, like a good boy.”
“We’ll see about that, kid, if you keep walking now, like a good boy.”
The father and mother exchanged a significant glance of amusement at their eldest-born’s acuteness; but on Tommy’s round face there was a cloud.
The parents shared an amused look at their oldest child's sharpness, but Tommy's round face showed a frown.
“Mother,” he said, half-crying, “Marty’s got ever so much more money in his box nor I’ve got in mine.”
“Mom,” he said, half-crying, “Marty has way more money in his box than I have in mine.”
“Munny, me want half-a-toun in my bots,” said Totty.
“Money, I want half a town in my boots,” said Totty.
“Hush, hush, hush,” said Mrs. Poyser, “did ever anybody hear such naughty children? Nobody shall ever see their money-boxes any more, if they don’t make haste and go on to church.”
“Hush, hush, hush,” said Mrs. Poyser, “has anyone ever heard such naughty kids? No one will ever see their piggy banks again if they don’t hurry up and get to church.”
This dreadful threat had the desired effect, and through the two remaining fields the three pair of small legs trotted on without any serious interruption, notwithstanding a small pond full of tadpoles, alias “bullheads,” which the lads looked at wistfully.
This scary threat had the intended effect, and across the last two fields, the three pairs of small legs trotted along without any major interruptions, despite a small pond full of tadpoles, also known as “bullheads,” which the boys gazed at longingly.
The damp hay that must be scattered and turned afresh to-morrow was not a cheering sight to Mr. Poyser, who during hay and corn harvest had often some mental struggles as to the benefits of a day of rest; but no temptation would have induced him to carry on any field-work, however early in the morning, on a Sunday; for had not Michael Holdsworth had a pair of oxen “sweltered” while he was ploughing on Good Friday? That was a demonstration that work on sacred days was a wicked thing; and with wickedness of any sort Martin Poyser was quite clear that he would have nothing to do, since money got by such means would never prosper.
The damp hay that needed to be spread and turned again tomorrow was not an uplifting sight for Mr. Poyser, who often grappled with the idea of taking a day off during hay and corn harvest; but no temptation would have made him do any field work, no matter how early, on a Sunday. After all, hadn’t Michael Holdsworth lost a pair of oxen while plowing on Good Friday? That was proof that working on sacred days was a sinful act; and Martin Poyser was completely convinced that he wanted nothing to do with any form of wickedness, since money earned through such means would never thrive.
“It a’most makes your fingers itch to be at the hay now the sun shines so,” he observed, as they passed through the “Big Meadow.” “But it’s poor foolishness to think o’ saving by going against your conscience. There’s that Jim Wakefield, as they used to call ‘Gentleman Wakefield,’ used to do the same of a Sunday as o’ weekdays, and took no heed to right or wrong, as if there was nayther God nor devil. An’ what’s he come to? Why, I saw him myself last market-day a-carrying a basket wi’ oranges in’t.”
“It almost makes your fingers itch to get to the hay now that the sun is shining,” he said, as they walked through the “Big Meadow.” “But it’s ridiculous to think you can save by going against your conscience. There’s that Jim Wakefield, who they used to call ‘Gentleman Wakefield,’ he did the same things on Sunday as he did on weekdays, and he didn’t care about right or wrong, as if there was neither God nor devil. And look where he ended up! I saw him myself last market day carrying a basket with oranges in it.”
“Ah, to be sure,” said Mrs. Poyser, emphatically, “you make but a poor trap to catch luck if you go and bait it wi’ wickedness. The money as is got so’s like to burn holes i’ your pocket. I’d niver wish us to leave our lads a sixpence but what was got i’ the rightful way. And as for the weather, there’s One above makes it, and we must put up wi’t: it’s nothing of a plague to what the wenches are.”
“Absolutely,” Mrs. Poyser said firmly, “you really set a poor trap for luck if you bait it with wickedness. Money earned that way tends to burn a hole in your pocket. I would never want us to leave our boys a penny that wasn’t earned the right way. And as for the weather, there’s Someone above who controls it, and we have to deal with it: it’s nothing compared to what the women are like.”
Notwithstanding the interruption in their walk, the excellent habit which Mrs. Poyser’s clock had of taking time by the forelock had secured their arrival at the village while it was still a quarter to two, though almost every one who meant to go to church was already within the churchyard gates. Those who stayed at home were chiefly mothers, like Timothy’s Bess, who stood at her own door nursing her baby and feeling as women feel in that position—that nothing else can be expected of them.
Despite the interruption in their walk, Mrs. Poyser’s clock had a great habit of keeping track of time, so they arrived at the village while it was still a quarter to two, even though almost everyone who planned to go to church was already inside the churchyard gates. Those who stayed home were mostly mothers, like Timothy’s Bess, who stood at her own door nursing her baby and feeling just as women do in that situation—that nothing else can be expected of them.
It was not entirely to see Thias Bede’s funeral that the people were standing about the churchyard so long before service began; that was their common practice. The women, indeed, usually entered the church at once, and the farmers’ wives talked in an undertone to each other, over the tall pews, about their illnesses and the total failure of doctor’s stuff, recommending dandelion-tea, and other home-made specifics, as far preferable—about the servants, and their growing exorbitance as to wages, whereas the quality of their services declined from year to year, and there was no girl nowadays to be trusted any further than you could see her—about the bad price Mr. Dingall, the Treddleston grocer, was giving for butter, and the reasonable doubts that might be held as to his solvency, notwithstanding that Mrs. Dingall was a sensible woman, and they were all sorry for her, for she had very good kin. Meantime the men lingered outside, and hardly any of them except the singers, who had a humming and fragmentary rehearsal to go through, entered the church until Mr. Irwine was in the desk. They saw no reason for that premature entrance—what could they do in church if they were there before service began?—and they did not conceive that any power in the universe could take it ill of them if they stayed out and talked a little about “bus’ness.”
It wasn’t just to see Thias Bede’s funeral that people were hanging around the churchyard long before the service started; that was just what they usually did. The women typically went into the church right away, and the farmers’ wives would quietly chat over the tall pews about their health issues and how ineffective the doctor’s remedies were, suggesting that dandelion tea and other homemade cures were much better—then they’d discuss the servants and their rising demands for pay, even though their work quality declined every year, and that there was no girl nowadays you could trust any further than you could see her—about the low price Mr. Dingall, the grocer from Treddleston, was offering for butter, and the reasonable concerns about his financial stability, even though Mrs. Dingall was a sensible woman, and they all felt sorry for her, since she had very good family connections. Meanwhile, the men lingered outside, and hardly any of them except the singers, who had a brief rehearsal to get through, went into the church until Mr. Irwine was at the pulpit. They saw no reason to go in early—what could they do in church if they arrived before the service began?—and they didn’t think any higher power would mind if they stayed outside and talked a bit about “business.”
Chad Cranage looks like quite a new acquaintance to-day, for he has got his clean Sunday face, which always makes his little granddaughter cry at him as a stranger. But an experienced eye would have fixed on him at once as the village blacksmith, after seeing the humble deference with which the big saucy fellow took off his hat and stroked his hair to the farmers; for Chad was accustomed to say that a working-man must hold a candle to a personage understood to be as black as he was himself on weekdays; by which evil-sounding rule of conduct he meant what was, after all, rather virtuous than otherwise, namely, that men who had horses to be shod must be treated with respect. Chad and the rougher sort of workmen kept aloof from the grave under the white thorn, where the burial was going forward; but Sandy Jim, and several of the farm-labourers, made a group round it, and stood with their hats off, as fellow-mourners with the mother and sons. Others held a midway position, sometimes watching the group at the grave, sometimes listening to the conversation of the farmers, who stood in a knot near the church door, and were now joined by Martin Poyser, while his family passed into the church. On the outside of this knot stood Mr. Casson, the landlord of the Donnithorne Arms, in his most striking attitude—that is to say, with the forefinger of his right hand thrust between the buttons of his waistcoat, his left hand in his breeches pocket, and his head very much on one side; looking, on the whole, like an actor who has only a mono-syllabic part entrusted to him, but feels sure that the audience discern his fitness for the leading business; curiously in contrast with old Jonathan Burge, who held his hands behind him and leaned forward, coughing asthmatically, with an inward scorn of all knowingness that could not be turned into cash. The talk was in rather a lower tone than usual to-day, hushed a little by the sound of Mr. Irwine’s voice reading the final prayers of the burial-service. They had all had their word of pity for poor Thias, but now they had got upon the nearer subject of their own grievances against Satchell, the Squire’s bailiff, who played the part of steward so far as it was not performed by old Mr. Donnithorne himself, for that gentleman had the meanness to receive his own rents and make bargains about his own timber. This subject of conversation was an additional reason for not being loud, since Satchell himself might presently be walking up the paved road to the church door. And soon they became suddenly silent; for Mr. Irwine’s voice had ceased, and the group round the white thorn was dispersing itself towards the church.
Chad Cranage looks like a completely new person today because he’s got his clean Sunday face on, which always makes his little granddaughter cry at him like he’s a stranger. But anyone who really knows the village would instantly recognize him as the blacksmith after noticing how respectfully the big, cheeky guy takes off his hat and smooths his hair for the farmers; Chad often says that a working man has to show respect to someone thought to be as rough and tough as he is during the week. By this somewhat harsh rule, he meant something that is, in fact, rather virtuous—men who need their horses shod should be treated with respect. Chad and the rougher workmen stayed away from the somber gathering under the white thorn tree where the burial was taking place; meanwhile, Sandy Jim and several farm laborers formed a group around it, standing with their hats off as fellow mourners alongside the mother and sons. Others were in between, sometimes watching the group at the grave and sometimes listening to the farmers, who were bunched together near the church door. They were joined by Martin Poyser, while his family went into the church. Standing outside this group was Mr. Casson, the landlord of the Donnithorne Arms, striking a pose—with the forefinger of his right hand poked between the buttons of his waistcoat, his left hand in his breeches pocket, and his head tilted to one side; he looked, overall, like an actor stuck with a one-syllable line but convinced the audience could see he was meant for a bigger role. This was a curious contrast to old Jonathan Burge, who stood with his hands behind him, leaning forward and coughing as if he had asthma, looking down on all the pretense that couldn’t be turned into cash. The conversation was quieter than usual today, dampened by the sound of Mr. Irwine reading the final prayers of the burial service. They had all offered their condolences for poor Thias, but now they had shifted their focus to their own complaints against Satchell, the Squire's bailiff, who took on the role of steward when old Mr. Donnithorne wasn’t doing it himself, since that gentleman had the stinginess to collect his own rents and make deals about his own timber. This topic added another reason to keep the volume down, as Satchell might soon be walking up the paved road to the church door. They quickly fell silent when Mr. Irwine’s voice stopped, and the group around the white thorn started to disperse toward the church.
They all moved aside, and stood with their hats off, while Mr. Irwine passed. Adam and Seth were coming next, with their mother between them; for Joshua Rann officiated as head sexton as well as clerk, and was not yet ready to follow the rector into the vestry. But there was a pause before the three mourners came on: Lisbeth had turned round to look again towards the grave! Ah! There was nothing now but the brown earth under the white thorn. Yet she cried less to-day than she had done any day since her husband’s death. Along with all her grief there was mixed an unusual sense of her own importance in having a “burial,” and in Mr. Irwine’s reading a special service for her husband; and besides, she knew the funeral psalm was going to be sung for him. She felt this counter-excitement to her sorrow still more strongly as she walked with her sons towards the church door, and saw the friendly sympathetic nods of their fellow-parishioners.
They all stepped aside and stood with their hats off as Mr. Irwine passed by. Adam and Seth were next, with their mom between them, since Joshua Rann was acting as head sexton and clerk, and wasn’t ready to follow the rector into the vestry yet. But there was a pause before the three mourners approached: Lisbeth turned around to look at the grave again! Ah! There was nothing left but the brown earth under the white thorn. Yet she cried less today than she had on any day since her husband’s death. Along with all her grief, there was a strange sense of her own importance in having a “burial” and in Mr. Irwine reading a special service for her husband; plus, she knew the funeral psalm was going to be sung for him. She felt this counter-excitement to her sorrow even more as she walked with her sons toward the church door, noticing the friendly, sympathetic nods of their fellow parishioners.
The mother and sons passed into the church, and one by one the loiterers followed, though some still lingered without; the sight of Mr. Donnithorne’s carriage, which was winding slowly up the hill, perhaps helping to make them feel that there was no need for haste.
The mother and her sons entered the church, and one by one the people hanging around followed, though some still stuck around outside; the sight of Mr. Donnithorne’s carriage slowly making its way up the hill probably made them feel like there was no rush.
But presently the sound of the bassoon and the key-bugles burst forth; the evening hymn, which always opened the service, had begun, and every one must now enter and take his place.
But soon the sound of the bassoon and the key-bugles broke out; the evening hymn, which always started the service, had begun, and everyone had to come in and take their seats.
I cannot say that the interior of Hayslope Church was remarkable for anything except for the grey age of its oaken pews—great square pews mostly, ranged on each side of a narrow aisle. It was free, indeed, from the modern blemish of galleries. The choir had two narrow pews to themselves in the middle of the right-hand row, so that it was a short process for Joshua Rann to take his place among them as principal bass, and return to his desk after the singing was over. The pulpit and desk, grey and old as the pews, stood on one side of the arch leading into the chancel, which also had its grey square pews for Mr. Donnithorne’s family and servants. Yet I assure you these grey pews, with the buff-washed walls, gave a very pleasing tone to this shabby interior, and agreed extremely well with the ruddy faces and bright waistcoats. And there were liberal touches of crimson toward the chancel, for the pulpit and Mr. Donnithorne’s own pew had handsome crimson cloth cushions; and, to close the vista, there was a crimson altar-cloth, embroidered with golden rays by Miss Lydia’s own hand.
I can't say the inside of Hayslope Church stood out for anything except the aged gray of its oak pews—mostly large square ones, lined up on either side of a narrow aisle. It was, in fact, free of the modern eyesore of galleries. The choir had two narrow pews just for them in the center of the right-hand row, making it easy for Joshua Rann to take his spot as the principal bass and return to his desk after the singing was done. The pulpit and desk, as gray and old as the pews, were positioned on one side of the arch leading into the chancel, which also had its grey square pews for Mr. Donnithorne’s family and servants. Still, I assure you these gray pews, along with the buff-washed walls, gave a pleasing vibe to this worn interior, harmonizing beautifully with the ruddy faces and bright waistcoats. There were also bold touches of crimson toward the chancel, as the pulpit and Mr. Donnithorne’s own pew featured elegant crimson cloth cushions; and at the end of the view, there was a crimson altar-cloth, embroidered with golden rays by Miss Lydia’s own hand.
But even without the crimson cloth, the effect must have been warm and cheering when Mr. Irwine was in the desk, looking benignly round on that simple congregation—on the hardy old men, with bent knees and shoulders, perhaps, but with vigour left for much hedge-clipping and thatching; on the tall stalwart frames and roughly cut bronzed faces of the stone-cutters and carpenters; on the half-dozen well-to-do farmers, with their apple-cheeked families; and on the clean old women, mostly farm-labourers’ wives, with their bit of snow-white cap-border under their black bonnets, and with their withered arms, bare from the elbow, folded passively over their chests. For none of the old people held books—why should they? Not one of them could read. But they knew a few “good words” by heart, and their withered lips now and then moved silently, following the service without any very clear comprehension indeed, but with a simple faith in its efficacy to ward off harm and bring blessing. And now all faces were visible, for all were standing up—the little children on the seats peeping over the edge of the grey pews, while good Bishop Ken’s evening hymn was being sung to one of those lively psalm-tunes which died out with the last generation of rectors and choral parish clerks. Melodies die out, like the pipe of Pan, with the ears that love them and listen for them. Adam was not in his usual place among the singers to-day, for he sat with his mother and Seth, and he noticed with surprise that Bartle Massey was absent too—all the more agreeable for Mr. Joshua Rann, who gave out his bass notes with unusual complacency and threw an extra ray of severity into the glances he sent over his spectacles at the recusant Will Maskery.
But even without the red cloth, the atmosphere must have been warm and uplifting when Mr. Irwine was at the desk, looking kindly around at that simple congregation—at the tough old men, with bent knees and shoulders, perhaps, but still strong enough for plenty of hedge-trimming and thatching; at the tall, sturdy figures and roughly carved, tanned faces of the stonecutters and carpenters; at the half-dozen well-off farmers with their rosy-cheeked families; and at the tidy older women, mostly farm laborers’ wives, with a bit of snow-white cap-border peeking out from under their black bonnets, and with their worn arms, bare from the elbow, folded gently over their chests. None of the elderly people held books—why would they? Not one of them could read. But they knew a few “good words” by heart, and their withered lips occasionally moved silently, following the service without much clear understanding, but with a simple faith in its power to protect and bring blessings. Now all the faces were visible, as everyone was standing—the little children perched on the seats, peeking over the edge of the gray pews, while good Bishop Ken’s evening hymn was sung to one of those lively psalm tunes that faded away with the last generation of rectors and choral parish clerks. Melodies disappear, like the pipe of Pan, with the ears that cherish them and listen for them. Adam wasn't in his usual spot among the singers today; he sat with his mother and Seth, and he noticed with surprise that Bartle Massey was missing too—all the more pleasant for Mr. Joshua Rann, who delivered his bass notes with unusual satisfaction and threw an extra look of disapproval over his spectacles at the defiant Will Maskery.
I beseech you to imagine Mr. Irwine looking round on this scene, in his ample white surplice that became him so well, with his powdered hair thrown back, his rich brown complexion, and his finely cut nostril and upper lip; for there was a certain virtue in that benignant yet keen countenance as there is in all human faces from which a generous soul beams out. And over all streamed the delicious June sunshine through the old windows, with their desultory patches of yellow, red, and blue, that threw pleasant touches of colour on the opposite wall.
I urge you to picture Mr. Irwine looking around at this scene, dressed in his flowing white surplice that suited him so well, with his powdered hair pulled back, his rich brown complexion, and his sharply defined nostrils and upper lip; there was a certain goodness in that kind yet sharp face, just as there is in all human faces from which a generous spirit shines through. And above it all, the wonderful June sunshine poured through the old windows, casting random patches of yellow, red, and blue that added cheerful splashes of color to the wall across from it.
I think, as Mr. Irwine looked round to-day, his eyes rested an instant longer than usual on the square pew occupied by Martin Poyser and his family. And there was another pair of dark eyes that found it impossible not to wander thither, and rest on that round pink-and-white figure. But Hetty was at that moment quite careless of any glances—she was absorbed in the thought that Arthur Donnithorne would soon be coming into church, for the carriage must surely be at the church-gate by this time. She had never seen him since she parted with him in the wood on Thursday evening, and oh, how long the time had seemed! Things had gone on just the same as ever since that evening; the wonders that had happened then had brought no changes after them; they were already like a dream. When she heard the church door swinging, her heart beat so, she dared not look up. She felt that her aunt was curtsying; she curtsied herself. That must be old Mr. Donnithorne—he always came first, the wrinkled small old man, peering round with short-sighted glances at the bowing and curtsying congregation; then she knew Miss Lydia was passing, and though Hetty liked so much to look at her fashionable little coal-scuttle bonnet, with the wreath of small roses round it, she didn’t mind it to-day. But there were no more curtsies—no, he was not come; she felt sure there was nothing else passing the pew door but the house-keeper’s black bonnet and the lady’s maid’s beautiful straw hat that had once been Miss Lydia’s, and then the powdered heads of the butler and footman. No, he was not there; yet she would look now—she might be mistaken—for, after all, she had not looked. So she lifted up her eyelids and glanced timidly at the cushioned pew in the chancel—there was no one but old Mr. Donnithorne rubbing his spectacles with his white handkerchief, and Miss Lydia opening the large gilt-edged prayer-book. The chill disappointment was too hard to bear. She felt herself turning pale, her lips trembling; she was ready to cry. Oh, what should she do? Everybody would know the reason; they would know she was crying because Arthur was not there. And Mr. Craig, with the wonderful hothouse plant in his button-hole, was staring at her, she knew. It was dreadfully long before the General Confession began, so that she could kneel down. Two great drops would fall then, but no one saw them except good-natured Molly, for her aunt and uncle knelt with their backs towards her. Molly, unable to imagine any cause for tears in church except faintness, of which she had a vague traditional knowledge, drew out of her pocket a queer little flat blue smelling-bottle, and after much labour in pulling the cork out, thrust the narrow neck against Hetty’s nostrils. “It donna smell,” she whispered, thinking this was a great advantage which old salts had over fresh ones: they did you good without biting your nose. Hetty pushed it away peevishly; but this little flash of temper did what the salts could not have done—it roused her to wipe away the traces of her tears, and try with all her might not to shed any more. Hetty had a certain strength in her vain little nature: she would have borne anything rather than be laughed at, or pointed at with any other feeling than admiration; she would have pressed her own nails into her tender flesh rather than people should know a secret she did not want them to know.
I think, as Mr. Irwine looked around today, his eyes lingered a moment longer than usual on the square pew where Martin Poyser and his family sat. And there was another pair of dark eyes that couldn’t help but wander over there and focus on that round pink-and-white figure. But Hetty was completely oblivious to any glances—she was lost in the thought that Arthur Donnithorne would soon be entering the church, since the carriage must surely be by the church gate by now. She hadn’t seen him since they parted in the woods on Thursday evening, and oh, how long that had felt! Everything had continued as usual since that evening; the wonders that had happened then had not brought any changes afterwards; they already felt like a dream. When she heard the church door swing open, her heart raced so much that she didn’t dare to look up. She sensed her aunt curtsying; she curtsied too. That must be old Mr. Donnithorne—he always arrived first, the small wrinkled old man, squinting around with his short-sighted glances at the bowing and curtsying congregation; then she knew Miss Lydia was walking by, and although Hetty usually loved looking at her fashionable little coal-scuttle bonnet adorned with a wreath of small roses, today it didn’t matter. But there were no more curtsies—no, he hadn’t arrived; she was sure that the only things passing the pew door were the housekeeper’s black bonnet and the lady’s maid’s lovely straw hat that used to belong to Miss Lydia, followed by the powdered heads of the butler and footman. No, he wasn’t there; yet she decided to look now—maybe she was mistaken—after all, she hadn’t really looked. So she lifted her eyelids and glanced shyly at the cushioned pew in the chancel—there was no one there but old Mr. Donnithorne rubbing his glasses with his white handkerchief, and Miss Lydia opening the large gilt-edged prayer book. The cold disappointment was hard to bear. She felt herself growing pale, her lips trembling; she was on the verge of tears. Oh, what was she going to do? Everyone would know why; they would see she was crying because Arthur wasn't there. And Mr. Craig, with the amazing hothouse plant in his buttonhole, was staring at her, she could feel it. It felt like forever before the General Confession started, so that she could kneel down. Two big tears would fall then, but no one saw them except the good-natured Molly, since her aunt and uncle were kneeling with their backs to her. Molly, unable to think of any reason for tears in church other than faintness, of which she had a vague, traditional knowledge, pulled out a funny little flat blue smelling bottle from her pocket, and after a struggle with the cork, held the narrow neck against Hetty’s nose. “It doesn’t smell,” she whispered, thinking this was a big advantage old salts had over fresh ones: they helped without stinging your nose. Hetty pushed it away irritably; but this little burst of temper did what the salts couldn’t have done—it made her wipe away the traces of her tears and try as hard as she could not to shed any more. Hetty had a certain strength in her vain little nature: she would have endured anything rather than be laughed at or pointed at with any feeling other than admiration; she would have dug her own nails into her soft skin rather than let anyone find out a secret she didn’t want them to know.
What fluctuations there were in her busy thoughts and feelings, while Mr. Irwine was pronouncing the solemn “Absolution” in her deaf ears, and through all the tones of petition that followed! Anger lay very close to disappointment, and soon won the victory over the conjectures her small ingenuity could devise to account for Arthur’s absence on the supposition that he really wanted to come, really wanted to see her again. And by the time she rose from her knees mechanically, because all the rest were rising, the colour had returned to her cheeks even with a heightened glow, for she was framing little indignant speeches to herself, saying she hated Arthur for giving her this pain—she would like him to suffer too. Yet while this selfish tumult was going on in her soul, her eyes were bent down on her prayer-book, and the eyelids with their dark fringe looked as lovely as ever. Adam Bede thought so, as he glanced at her for a moment on rising from his knees.
What a mix of thoughts and feelings she experienced while Mr. Irwine was reciting the serious "Absolution" in her deaf ears, along with all the petitions that followed! Anger was very close to disappointment and quickly took over her attempts to come up with reasons for Arthur’s absence, assuming he really wanted to come and see her again. By the time she stood up mechanically, just because everyone else was standing, her cheeks had flushed again, with a deeper color, as she was crafting little angry speeches in her mind, saying she hated Arthur for causing her this pain—she wanted him to feel it too. Yet, while this selfish chaos was going on inside her, her eyes were focused on her prayer book, and her eyelids with their dark lashes looked as beautiful as ever. Adam Bede thought so too, as he glanced at her for a moment while getting up from his knees.
But Adam’s thoughts of Hetty did not deafen him to the service; they rather blended with all the other deep feelings for which the church service was a channel to him this afternoon, as a certain consciousness of our entire past and our imagined future blends itself with all our moments of keen sensibility. And to Adam the church service was the best channel he could have found for his mingled regret, yearning, and resignation; its interchange of beseeching cries for help with outbursts of faith and praise, its recurrent responses and the familiar rhythm of its collects, seemed to speak for him as no other form of worship could have done; as, to those early Christians who had worshipped from their childhood upwards in catacombs, the torch-light and shadows must have seemed nearer the Divine presence than the heathenish daylight of the streets. The secret of our emotions never lies in the bare object, but in its subtle relations to our own past: no wonder the secret escapes the unsympathizing observer, who might as well put on his spectacles to discern odours.
But Adam’s thoughts of Hetty didn’t distract him from the service; they instead mixed with all the other deep feelings that the church service stirred in him this afternoon, just as our awareness of our entire past and imagined future blends into our moments of strong emotion. For Adam, the church service was the best outlet he could have found for his mixed feelings of regret, longing, and acceptance; its alternating pleas for help with expressions of faith and praise, its repeated responses, and the familiar rhythm of its prayers seemed to express his feelings like no other form of worship could. It was similar to how early Christians, who had worshipped in catacombs since childhood, must have felt that the torchlight and shadows brought them closer to the Divine presence than the pagan daylight outside. The essence of our emotions doesn’t lie in the object itself, but in its subtle connections to our own past: it's no surprise that this essence escapes the unfeeling observer, who might as well try to use glasses to see smells.
But there was one reason why even a chance comer would have found the service in Hayslope Church more impressive than in most other village nooks in the kingdom—a reason of which I am sure you have not the slightest suspicion. It was the reading of our friend Joshua Rann. Where that good shoemaker got his notion of reading from remained a mystery even to his most intimate acquaintances. I believe, after all, he got it chiefly from Nature, who had poured some of her music into this honest conceited soul, as she had been known to do into other narrow souls before his. She had given him, at least, a fine bass voice and a musical ear; but I cannot positively say whether these alone had sufficed to inspire him with the rich chant in which he delivered the responses. The way he rolled from a rich deep forte into a melancholy cadence, subsiding, at the end of the last word, into a sort of faint resonance, like the lingering vibrations of a fine violoncello, I can compare to nothing for its strong calm melancholy but the rush and cadence of the wind among the autumn boughs. This may seem a strange mode of speaking about the reading of a parish clerk—a man in rusty spectacles, with stubbly hair, a large occiput, and a prominent crown. But that is Nature’s way: she will allow a gentleman of splendid physiognomy and poetic aspirations to sing woefully out of tune, and not give him the slightest hint of it; and takes care that some narrow-browed fellow, trolling a ballad in the corner of a pot-house, shall be as true to his intervals as a bird.
But there was one reason why even a random visitor would have found the service in Hayslope Church more impressive than in most other village spots in the kingdom—a reason I’m sure you have no idea about. It was the way our friend Joshua Rann read. Where that good shoemaker picked up his reading style was a mystery even to his closest friends. I believe, after all, he mostly got it from Nature, who had infused some of her music into this honest yet proud soul, as she has done for other narrow-minded souls before him. She had given him, at the very least, a rich bass voice and a good musical ear; but I can’t say for sure whether those alone inspired him with the beautiful chant he used to deliver the responses. The way he moved from a powerful deep sound into a melancholic tune, fading out at the end of the last word into a gentle echo, like the lingering notes of a fine cello, I can compare to nothing else for its strong calm sadness than the rush and rhythm of the wind among the autumn branches. This might seem like a strange way to talk about the reading of a parish clerk—a man in rusty glasses, with bristly hair, a large back of the head, and a prominent crown. But that’s how Nature works: she lets a guy with a striking appearance and poetic dreams sing terribly off-key while giving him no hints about it; meanwhile, she ensures that some narrow-minded fellow crooning a ballad in the corner of a bar stays as true to his notes as a bird.
Joshua himself was less proud of his reading than of his singing, and it was always with a sense of heightened importance that he passed from the desk to the choir. Still more to-day: it was a special occasion, for an old man, familiar to all the parish, had died a sad death—not in his bed, a circumstance the most painful to the mind of the peasant—and now the funeral psalm was to be sung in memory of his sudden departure. Moreover, Bartle Massey was not at church, and Joshua’s importance in the choir suffered no eclipse. It was a solemn minor strain they sang. The old psalm-tunes have many a wail among them, and the words—
Joshua was less proud of his reading than he was of his singing, and he always felt a sense of importance as he moved from the desk to the choir. Today felt even more significant: it was a special occasion because an old man, known to everyone in the parish, had died a tragic death—not peacefully in his bed, which was the toughest scenario for a peasant to bear—and now they were going to sing a funeral psalm in honor of his sudden passing. Plus, Bartle Massey wasn't at church, so Joshua's standing in the choir remained unchallenged. They sang a solemn, mournful tune. The old psalm melodies carry a lot of sorrow, and the words—
“Thou sweep’st us off as with a flood;
We vanish hence like dreams”—
"You sweep us away like a flood;
We disappear like dreams—"
seemed to have a closer application than usual in the death of poor Thias. The mother and sons listened, each with peculiar feelings. Lisbeth had a vague belief that the psalm was doing her husband good; it was part of that decent burial which she would have thought it a greater wrong to withhold from him than to have caused him many unhappy days while he was living. The more there was said about her husband, the more there was done for him, surely the safer he would be. It was poor Lisbeth’s blind way of feeling that human love and pity are a ground of faith in some other love. Seth, who was easily touched, shed tears, and tried to recall, as he had done continually since his father’s death, all that he had heard of the possibility that a single moment of consciousness at the last might be a moment of pardon and reconcilement; for was it not written in the very psalm they were singing that the Divine dealings were not measured and circumscribed by time? Adam had never been unable to join in a psalm before. He had known plenty of trouble and vexation since he had been a lad, but this was the first sorrow that had hemmed in his voice, and strangely enough it was sorrow because the chief source of his past trouble and vexation was for ever gone out of his reach. He had not been able to press his father’s hand before their parting, and say, “Father, you know it was all right between us; I never forgot what I owed you when I was a lad; you forgive me if I have been too hot and hasty now and then!” Adam thought but little to-day of the hard work and the earnings he had spent on his father: his thoughts ran constantly on what the old man’s feelings had been in moments of humiliation, when he had held down his head before the rebukes of his son. When our indignation is borne in submissive silence, we are apt to feel twinges of doubt afterwards as to our own generosity, if not justice; how much more when the object of our anger has gone into everlasting silence, and we have seen his face for the last time in the meekness of death!
seemed to hit closer to home than usual with the death of poor Thias. The mother and sons listened, each feeling uniquely affected. Lisbeth had a vague belief that the psalm was benefiting her husband; it was part of the respectful burial she would have considered a greater wrong to deny him than causing him many unhappy days while he was alive. The more they talked about her husband and the more they did for him, surely the safer he would be. It was poor Lisbeth’s naive way of believing that human love and compassion are a basis for faith in some other love. Seth, who was easily moved, shed tears and tried to remember, as he had continuously since his father’s death, all that he had heard about the possibility that a single moment of awareness at the end could be a moment of forgiveness and reconciliation; for was it not said in the very psalm they were singing that divine actions were not restricted by time? Adam had never found it hard to join in a psalm before. He had experienced plenty of trouble and frustration since he was a boy, but this was the first sorrow that had choked his voice, and strangely enough, it was sorrow because the main source of his past troubles and frustrations was forever beyond his reach. He hadn’t been able to press his father’s hand before their farewell and say, “Father, you know everything was fine between us; I never forgot what I owed you when I was young; forgive me if I’ve been too quick-tempered now and then!” Adam thought little today about the hard work and earnings he had spent on his father; his thoughts were constantly on what the old man had felt in moments of humiliation, when he had bowed his head before his son’s reprimands. When our anger is taken in silent submission, we often feel pangs of doubt later about our own generosity, if not justice; how much more so when the object of our anger has slipped into everlasting silence, and we have seen his face for the last time in the humility of death!
“Ah! I was always too hard,” Adam said to himself. “It’s a sore fault in me as I’m so hot and out o’ patience with people when they do wrong, and my heart gets shut up against ’em, so as I can’t bring myself to forgive ’em. I see clear enough there’s more pride nor love in my soul, for I could sooner make a thousand strokes with th’ hammer for my father than bring myself to say a kind word to him. And there went plenty o’ pride and temper to the strokes, as the devil will be having his finger in what we call our duties as well as our sins. Mayhap the best thing I ever did in my life was only doing what was easiest for myself. It’s allays been easier for me to work nor to sit still, but the real tough job for me ’ud be to master my own will and temper and go right against my own pride. It seems to me now, if I was to find Father at home to-night, I should behave different; but there’s no knowing—perhaps nothing ’ud be a lesson to us if it didn’t come too late. It’s well we should feel as life’s a reckoning we can’t make twice over; there’s no real making amends in this world, any more nor you can mend a wrong subtraction by doing your addition right.”
“Ah! I’ve always been too hard,” Adam said to himself. “It’s a real flaw in me because I get so angry and impatient with people when they mess up, and my heart closes off to them, so I can’t forgive them. I see clearly that there’s more pride than love in my soul, because I could hammer away a thousand times for my dad but can’t bring myself to say a kind word to him. And there was definitely a lot of pride and anger in those hammering strokes, as the devil will interfere in what we call our duties just as much as in our sins. Maybe the best thing I ever did in my life was just doing what was easiest for myself. It’s always been easier for me to work than to sit still, but the real challenge for me would be to control my own will and temper and overcome my own pride. It seems to me now, if I found Dad at home tonight, I should act differently; but who knows—maybe nothing would teach us if it didn’t come too late. It’s good to realize that life is a reckoning we can’t redo; there’s really no way to make amends in this world, just like you can’t fix a wrong subtraction by getting your addition right.”
This was the key-note to which Adam’s thoughts had perpetually returned since his father’s death, and the solemn wail of the funeral psalm was only an influence that brought back the old thoughts with stronger emphasis. So was the sermon, which Mr. Irwine had chosen with reference to Thias’s funeral. It spoke briefly and simply of the words, “In the midst of life we are in death”—how the present moment is all we can call our own for works of mercy, of righteous dealing, and of family tenderness. All very old truths—but what we thought the oldest truth becomes the most startling to us in the week when we have looked on the dead face of one who has made a part of our own lives. For when men want to impress us with the effect of a new and wonderfully vivid light, do they not let it fall on the most familiar objects, that we may measure its intensity by remembering the former dimness?
This was the idea that Adam’s thoughts constantly returned to since his father’s death, and the mournful sound of the funeral hymn only served to bring back those old thoughts with even more intensity. So did the sermon Mr. Irwine chose for Thias’s funeral. It spoke briefly and clearly about the words, “In the midst of life we are in death”—how the present moment is all we really have for acts of kindness, fairness, and family love. These are very old truths—but what we think is the oldest truth can hit us the hardest during the week when we’ve looked upon the lifeless face of someone who was part of our lives. Because when people want to show us the impact of a new and incredibly bright light, don’t they let it shine on the most familiar things, so we can gauge its intensity by recalling how dim things used to be?
Then came the moment of the final blessing, when the forever sublime words, “The peace of God, which passeth all understanding,” seemed to blend with the calm afternoon sunshine that fell on the bowed heads of the congregation; and then the quiet rising, the mothers tying on the bonnets of the little maidens who had slept through the sermon, the fathers collecting the prayer-books, until all streamed out through the old archway into the green churchyard and began their neighbourly talk, their simple civilities, and their invitations to tea; for on a Sunday every one was ready to receive a guest—it was the day when all must be in their best clothes and their best humour.
Then came the moment for the final blessing, when the timeless words, “The peace of God, which surpasses all understanding,” seemed to merge with the peaceful afternoon sunshine that bathed the heads of the congregation; and then there was the quiet rise, with mothers putting bonnets on the little girls who had dozed through the sermon, fathers gathering the prayer books, until everyone flowed out through the old archway into the green churchyard and started their friendly conversations, their simple niceties, and their invitations for tea; because on a Sunday everyone was ready to host a visitor—it was the day when everyone had to wear their best clothes and their best attitudes.
Mr. and Mrs. Poyser paused a minute at the church gate: they were waiting for Adam to come up, not being contented to go away without saying a kind word to the widow and her sons.
Mr. and Mrs. Poyser stopped for a moment at the church gate; they were waiting for Adam to catch up, unwilling to leave without saying a kind word to the widow and her sons.
“Well, Mrs. Bede,” said Mrs. Poyser, as they walked on together, “you must keep up your heart; husbands and wives must be content when they’ve lived to rear their children and see one another’s hair grey.”
“Well, Mrs. Bede,” said Mrs. Poyser, as they walked on together, “you need to stay positive; husbands and wives should be satisfied when they've raised their children and watched each other's hair turn grey.”
“Aye, aye,” said Mr. Poyser; “they wonna have long to wait for one another then, anyhow. And ye’ve got two o’ the strapping’st sons i’ th’ country; and well you may, for I remember poor Thias as fine a broad-shouldered fellow as need to be; and as for you, Mrs. Bede, why you’re straighter i’ the back nor half the young women now.”
“Aye, aye,” said Mr. Poyser; “they won’t have to wait long for each other, that’s for sure. And you’ve got two of the strongest sons in the country; and it’s no wonder, because I remember poor Thias as a fine broad-shouldered guy; and as for you, Mrs. Bede, you’re straighter in the back than half the young women nowadays.”
“Eh,” said Lisbeth, “it’s poor luck for the platter to wear well when it’s broke i’ two. The sooner I’m laid under the thorn the better. I’m no good to nobody now.”
“Eh,” said Lisbeth, “it’s bad luck for the platter to last long when it’s broken in two. The sooner I’m buried under the thorn, the better. I’m no good to anyone now.”
Adam never took notice of his mother’s little unjust plaints; but Seth said, “Nay, Mother, thee mustna say so. Thy sons ’ull never get another mother.”
Adam never paid attention to his mother’s small complaints; but Seth said, “No, Mother, you shouldn’t say that. Your sons will never have another mother.”
“That’s true, lad, that’s true,” said Mr. Poyser; “and it’s wrong on us to give way to grief, Mrs. Bede; for it’s like the children cryin’ when the fathers and mothers take things from ’em. There’s One above knows better nor us.”
“That's true, kid, that's true,” Mr. Poyser said. “And it's wrong for us to give in to grief, Mrs. Bede, because it's like children crying when their parents take things away from them. There's Someone above who knows better than we do.”
“Ah,” said Mrs. Poyser, “an’ it’s poor work allays settin’ the dead above the livin’. We shall all on us be dead some time, I reckon—it ’ud be better if folks ’ud make much on us beforehand, i’stid o’ beginnin’ when we’re gone. It’s but little good you’ll do a-watering the last year’s crop.”
“Ah,” said Mrs. Poyser, “and it’s always a pity putting the dead above the living. I guess we’ll all be dead one day— it would be better if people appreciated us while we’re still here, instead of only starting to care when we’re gone. You won’t achieve much by tending to last year’s harvest.”
“Well, Adam,” said Mr. Poyser, feeling that his wife’s words were, as usual, rather incisive than soothing, and that it would be well to change the subject, “you’ll come and see us again now, I hope. I hanna had a talk with you this long while, and the missis here wants you to see what can be done with her best spinning-wheel, for it’s got broke, and it’ll be a nice job to mend it—there’ll want a bit o’ turning. You’ll come as soon as you can now, will you?”
“Well, Adam,” Mr. Poyser said, sensing that his wife’s comments were, as always, more cutting than comforting, and thinking it was best to switch topics, “I hope you’ll come to visit us again soon. I haven't had a chance to talk with you in ages, and the missus wants you to check out her favorite spinning wheel since it's broken, and it'll be a nice project to fix—it’ll need a bit of turning. You’ll come by as soon as you can, right?”
Mr. Poyser paused and looked round while he was speaking, as if to see where Hetty was; for the children were running on before. Hetty was not without a companion, and she had, besides, more pink and white about her than ever, for she held in her hand the wonderful pink-and-white hot-house plant, with a very long name—a Scotch name, she supposed, since people said Mr. Craig the gardener was Scotch. Adam took the opportunity of looking round too; and I am sure you will not require of him that he should feel any vexation in observing a pouting expression on Hetty’s face as she listened to the gardener’s small talk. Yet in her secret heart she was glad to have him by her side, for she would perhaps learn from him how it was Arthur had not come to church. Not that she cared to ask him the question, but she hoped the information would be given spontaneously; for Mr. Craig, like a superior man, was very fond of giving information.
Mr. Poyser paused and looked around as he spoke, probably trying to see where Hetty was, since the kids were running ahead. Hetty had a companion and was dressed in even more pink and white than usual, because she was holding the amazing pink-and-white greenhouse plant with a really long name—a Scottish name, she figured, since people said Mr. Craig, the gardener, was Scottish. Adam took the chance to look around too, and I'm sure you wouldn't expect him to feel any annoyance seeing a sulky expression on Hetty’s face as she listened to the gardener’s small talk. But deep down, she was happy to have him next to her, hoping to find out from him why Arthur hadn’t come to church. Not that she wanted to ask him directly; she just hoped the information would come up naturally, since Mr. Craig, being a knowledgeable man, loved to share information.
Mr. Craig was never aware that his conversation and advances were received coldly, for to shift one’s point of view beyond certain limits is impossible to the most liberal and expansive mind; we are none of us aware of the impression we produce on Brazilian monkeys of feeble understanding—it is possible they see hardly anything in us. Moreover, Mr. Craig was a man of sober passions, and was already in his tenth year of hesitation as to the relative advantages of matrimony and bachelorhood. It is true that, now and then, when he had been a little heated by an extra glass of grog, he had been heard to say of Hetty that the “lass was well enough,” and that “a man might do worse”; but on convivial occasions men are apt to express themselves strongly.
Mr. Craig never realized that his conversation and advances were met with indifference because it's impossible for even the most open-minded person to see beyond certain limits. None of us really know how we come across to Brazilian monkeys with limited understanding; they might hardly perceive us at all. Besides, Mr. Craig was a man of moderate passions and had been uncertain for ten years about the pros and cons of marriage versus being single. It’s true that occasionally, after a few too many drinks, he would remark about Hetty that she was “good enough” and that “a man could do worse.” But during social gatherings, men tend to make bold statements.
Martin Poyser held Mr. Craig in honour, as a man who “knew his business” and who had great lights concerning soils and compost; but he was less of a favourite with Mrs. Poyser, who had more than once said in confidence to her husband, “You’re mighty fond o’ Craig, but for my part, I think he’s welly like a cock as thinks the sun’s rose o’ purpose to hear him crow.” For the rest, Mr. Craig was an estimable gardener, and was not without reasons for having a high opinion of himself. He had also high shoulders and high cheek-bones and hung his head forward a little, as he walked along with his hands in his breeches pockets. I think it was his pedigree only that had the advantage of being Scotch, and not his “bringing up”; for except that he had a stronger burr in his accent, his speech differed little from that of the Loamshire people about him. But a gardener is Scotch, as a French teacher is Parisian.
Martin Poyser held Mr. Craig in high regard, seeing him as someone who “knew his stuff” and had great knowledge about soils and compost; however, Mrs. Poyser wasn't as fond of him. She had privately told her husband more than once, “You really like Craig, but I think he’s just like a rooster that thinks the sun rises just to hear him crow.” Overall, Mr. Craig was a respected gardener and had good reasons to think highly of himself. He also had broad shoulders, prominent cheekbones, and he walked with his head slightly forward, hands in his pants pockets. I believe it was just his Scottish background that set him apart, not his upbringing; because aside from a stronger burr in his accent, his way of speaking was hardly different from the Loamshire folk around him. But a gardener is Scottish, just as a French teacher is from Paris.
“Well, Mr. Poyser,” he said, before the good slow farmer had time to speak, “ye’ll not be carrying your hay to-morrow, I’m thinking. The glass sticks at ‘change,’ and ye may rely upo’ my word as we’ll ha’ more downfall afore twenty-four hours is past. Ye see that darkish-blue cloud there upo’ the ’rizon—ye know what I mean by the ’rizon, where the land and sky seems to meet?”
“Well, Mr. Poyser,” he said, before the good slow farmer had a chance to respond, “I don’t think you’ll be moving your hay tomorrow. The barometer is stuck at ‘change,’ and you can trust me when I say we’ll have more rain before the next twenty-four hours are over. Do you see that darkish-blue cloud over there on the horizon—you know what I mean by the horizon, where the land and sky seem to meet?”
“Aye, aye, I see the cloud,” said Mr. Poyser, “’rizon or no ’rizon. It’s right o’er Mike Holdsworth’s fallow, and a foul fallow it is.”
“Yeah, I see the cloud,” said Mr. Poyser, “horizon or no horizon. It’s right over Mike Holdsworth’s uncultivated land, and it’s pretty bad land it is.”
“Well, you mark my words, as that cloud ’ull spread o’er the sky pretty nigh as quick as you’d spread a tarpaulin over one o’ your hay-ricks. It’s a great thing to ha’ studied the look o’ the clouds. Lord bless you! Th’ met’orological almanecks can learn me nothing, but there’s a pretty sight o’ things I could let them up to, if they’d just come to me. And how are you, Mrs. Poyser?—thinking o’ getherin’ the red currants soon, I reckon. You’d a deal better gether ’em afore they’re o’erripe, wi’ such weather as we’ve got to look forward to. How do ye do, Mistress Bede?” Mr. Craig continued, without a pause, nodding by the way to Adam and Seth. “I hope y’ enjoyed them spinach and gooseberries as I sent Chester with th’ other day. If ye want vegetables while ye’re in trouble, ye know where to come to. It’s well known I’m not giving other folks’ things away, for when I’ve supplied the house, the garden’s my own spekilation, and it isna every man th’ old squire could get as ’ud be equil to the undertaking, let alone asking whether he’d be willing. I’ve got to run my calkilation fine, I can tell you, to make sure o’ getting back the money as I pay the squire. I should like to see some o’ them fellows as make the almanecks looking as far before their noses as I’ve got to do every year as comes.”
“Well, mark my words, that cloud will spread across the sky almost as quickly as you’d throw a tarp over one of your haystacks. It’s really important to know how to read the clouds. Honestly! Those meteorological almanacs can’t teach me anything, but there’s a lot I could teach them if they’d just come to me. And how are you, Mrs. Poyser?—thinking of gathering the red currants soon, I suppose. You’d be better off picking them before they get overripe, with the kind of weather we’re expecting. How are you, Mistress Bede?” Mr. Craig continued without missing a beat, nodding to Adam and Seth along the way. “I hope you enjoyed those spinach and gooseberries I sent Chester with the other day. If you need vegetables while you’re in a pinch, you know where to find me. It’s well known I’m not giving away other people’s things, because once I’ve supplied the house, the garden’s my own investment, and not every man the old squire could find would be up for that challenge, let alone be willing to do it. I have to manage my finances carefully, I can tell you, to make sure I get back the money I pay the squire. I’d like to see some of those guys who make the almanacs try to look as far ahead as I have to every year.”
“They look pretty fur, though,” said Mr. Poyser, turning his head on one side and speaking in rather a subdued reverential tone. “Why, what could come truer nor that pictur o’ the cock wi’ the big spurs, as has got its head knocked down wi’ th’ anchor, an’ th’ firin’, an’ the ships behind? Why, that pictur was made afore Christmas, and yit it’s come as true as th’ Bible. Why, th’ cock’s France, an’ th’ anchor’s Nelson—an’ they told us that beforehand.”
"They look pretty real, though," Mr. Poyser said, tilting his head to the side and speaking in a somewhat subdued, respectful tone. "I mean, what could be truer than that picture of the rooster with the big spurs, which has its head knocked down by the anchor, and the firing, and the ships behind? That picture was made before Christmas, and yet it’s come out as true as the Bible. The rooster represents France, and the anchor represents Nelson—and they told us that beforehand."
“Pee—ee-eh!” said Mr. Craig. “A man doesna want to see fur to know as th’ English ’ull beat the French. Why, I know upo’ good authority as it’s a big Frenchman as reaches five foot high, an’ they live upo’ spoon-meat mostly. I knew a man as his father had a particular knowledge o’ the French. I should like to know what them grasshoppers are to do against such fine fellows as our young Captain Arthur. Why, it ’ud astonish a Frenchman only to look at him; his arm’s thicker nor a Frenchman’s body, I’ll be bound, for they pinch theirsells in wi’ stays; and it’s easy enough, for they’ve got nothing i’ their insides.”
“Pee-eh!” said Mr. Craig. “A man doesn’t need to see much to know that the English will beat the French. I heard from a reliable source that there’s a big Frenchman who is only five feet tall, and they mostly live on soft food. I knew a guy whose father really understood the French. I’d like to see what those grasshoppers are going to do against someone as great as our young Captain Arthur. It would shock a Frenchman just to look at him; his arm is thicker than a Frenchman’s body, I’m sure, because they squeeze themselves in with corsets; and it’s easy for them since they don’t have much inside them.”
“Where is the captain, as he wasna at church to-day?” said Adam. “I was talking to him o’ Friday, and he said nothing about his going away.”
“Where is the captain, since he wasn't at church today?” Adam said. “I was talking to him on Friday, and he didn't mention anything about leaving.”
“Oh, he’s only gone to Eagledale for a bit o’ fishing; I reckon he’ll be back again afore many days are o’er, for he’s to be at all th’ arranging and preparing o’ things for the comin’ o’ age o’ the 30th o’ July. But he’s fond o’ getting away for a bit, now and then. Him and th’ old squire fit one another like frost and flowers.”
“Oh, he just went to Eagledale for some fishing; I think he’ll be back in a few days because he’s supposed to take care of all the arrangements for the coming of age on the 30th of July. But he likes to get away for a bit now and then. He and the old squire complement each other like frost and flowers.”
Mr. Craig smiled and winked slowly as he made this last observation, but the subject was not developed farther, for now they had reached the turning in the road where Adam and his companions must say “good-bye.” The gardener, too, would have had to turn off in the same direction if he had not accepted Mr. Poyser’s invitation to tea. Mrs. Poyser duly seconded the invitation, for she would have held it a deep disgrace not to make her neighbours welcome to her house: personal likes and dislikes must not interfere with that sacred custom. Moreover, Mr. Craig had always been full of civilities to the family at the Hall Farm, and Mrs. Poyser was scrupulous in declaring that she had “nothing to say again’ him, on’y it was a pity he couldna be hatched o’er again, an’ hatched different.”
Mr. Craig smiled and winked slowly as he made this last comment, but the topic didn’t go any further, as they had now reached the point in the road where Adam and his friends had to say “good-bye.” The gardener would have had to turn off in the same direction if he hadn’t accepted Mr. Poyser’s invitation for tea. Mrs. Poyser quickly supported the invitation because she would have considered it a shame not to welcome her neighbors into her home; her personal feelings couldn’t get in the way of that important tradition. Furthermore, Mr. Craig had always been polite to the family at Hall Farm, and Mrs. Poyser was careful to say that she had “nothing against him, only it was a shame he couldn’t be hatched over again and turned out differently.”
So Adam and Seth, with their mother between them, wound their way down to the valley and up again to the old house, where a saddened memory had taken the place of a long, long anxiety—where Adam would never have to ask again as he entered, “Where’s Father?”
So Adam and Seth, with their mom between them, made their way down to the valley and back up to the old house, where a bittersweet memory had replaced a long, lingering worry—where Adam would never have to ask again as he walked in, “Where’s Dad?”
And the other family party, with Mr. Craig for company, went back to the pleasant bright house-place at the Hall Farm—all with quiet minds, except Hetty, who knew now where Arthur was gone, but was only the more puzzled and uneasy. For it appeared that his absence was quite voluntary; he need not have gone—he would not have gone if he had wanted to see her. She had a sickening sense that no lot could ever be pleasant to her again if her Thursday night’s vision was not to be fulfilled; and in this moment of chill, bare, wintry disappointment and doubt, she looked towards the possibility of being with Arthur again, of meeting his loving glance, and hearing his soft words with that eager yearning which one may call the “growing pain” of passion.
And the other family group, with Mr. Craig along for the ride, returned to the cozy, bright home at the Hall Farm—all with calm minds, except for Hetty, who now knew where Arthur had gone but felt even more confused and uneasy. It turned out that his absence was completely voluntary; he didn’t have to leave—he wouldn’t have left if he had wanted to see her. She felt a sickening sense that nothing could ever be enjoyable for her again if her Thursday night’s vision didn’t come true; and in this moment of cold, stark, winter disappointment and doubt, she looked toward the possibility of being with Arthur again, longing to meet his loving gaze and hear his gentle words with that eager yearning that one might call the “growing pain” of passion.
Chapter XIX
Adam on a Working Day
Notwithstanding Mr. Craig’s prophecy, the dark-blue cloud dispersed itself without having produced the threatened consequences. “The weather”—as he observed the next morning—“the weather, you see, ’s a ticklish thing, an’ a fool ’ull hit on’t sometimes when a wise man misses; that’s why the almanecks get so much credit. It’s one o’ them chancy things as fools thrive on.”
Despite Mr. Craig's prediction, the dark-blue cloud cleared away without causing the expected problems. "The weather," he noted the next morning, "is a tricky thing, and a fool can sometimes get it right when a smart person misses; that’s why almanacs get so much credit. It’s one of those uncertain things that fools seem to thrive on."
This unreasonable behaviour of the weather, however, could displease no one else in Hayslope besides Mr. Craig. All hands were to be out in the meadows this morning as soon as the dew had risen; the wives and daughters did double work in every farmhouse, that the maids might give their help in tossing the hay; and when Adam was marching along the lanes, with his basket of tools over his shoulder, he caught the sound of jocose talk and ringing laughter from behind the hedges. The jocose talk of hay-makers is best at a distance; like those clumsy bells round the cows’ necks, it has rather a coarse sound when it comes close, and may even grate on your ears painfully; but heard from far off, it mingles very prettily with the other joyous sounds of nature. Men’s muscles move better when their souls are making merry music, though their merriment is of a poor blundering sort, not at all like the merriment of birds.
The unpredictable behavior of the weather, however, could only irritate Mr. Craig in Hayslope. Everyone was supposed to be out in the meadows this morning as soon as the dew had dried up; the wives and daughters were working twice as hard in every farmhouse so that the maids could help toss the hay. As Adam walked along the lanes with his basket of tools over his shoulder, he heard cheerful chatter and laughter from behind the hedges. The joyful banter of hay-makers is best enjoyed from a distance; up close, it sounds a bit rough, almost like those clumsy bells around cows’ necks, and can even be harsh on your ears. But from afar, it blends beautifully with the other joyful sounds of nature. Men move better when their spirits are lifted by joyful music, even if their laughter is a bit clumsy and nothing like the sweet songs of birds.
And perhaps there is no time in a summer’s day more cheering than when the warmth of the sun is just beginning to triumph over the freshness of the morning—when there is just a lingering hint of early coolness to keep off languor under the delicious influence of warmth. The reason Adam was walking along the lanes at this time was because his work for the rest of the day lay at a country-house about three miles off, which was being put in repair for the son of a neighbouring squire; and he had been busy since early morning with the packing of panels, doors, and chimney-pieces, in a waggon which was now gone on before him, while Jonathan Burge himself had ridden to the spot on horseback, to await its arrival and direct the workmen.
And maybe there’s no time on a summer day that feels more uplifting than when the warmth of the sun starts to beat the freshness of the morning—when there’s just a hint of early coolness to prevent any fatigue under the pleasant warmth. The reason Adam was walking along the lanes at that time was that he had work to do for the rest of the day at a country house about three miles away, which was being renovated for the son of a nearby landowner; he had been busy since early morning packing panels, doors, and chimney pieces into a wagon that had already gone ahead of him, while Jonathan Burge himself had ridden there on horseback to wait for its arrival and direct the workers.
This little walk was a rest to Adam, and he was unconsciously under the charm of the moment. It was summer morning in his heart, and he saw Hetty in the sunshine—a sunshine without glare, with slanting rays that tremble between the delicate shadows of the leaves. He thought, yesterday when he put out his hand to her as they came out of church, that there was a touch of melancholy kindness in her face, such as he had not seen before, and he took it as a sign that she had some sympathy with his family trouble. Poor fellow! That touch of melancholy came from quite another source, but how was he to know? We look at the one little woman’s face we love as we look at the face of our mother earth, and see all sorts of answers to our own yearnings. It was impossible for Adam not to feel that what had happened in the last week had brought the prospect of marriage nearer to him. Hitherto he had felt keenly the danger that some other man might step in and get possession of Hetty’s heart and hand, while he himself was still in a position that made him shrink from asking her to accept him. Even if he had had a strong hope that she was fond of him—and his hope was far from being strong—he had been too heavily burdened with other claims to provide a home for himself and Hetty—a home such as he could expect her to be content with after the comfort and plenty of the Farm. Like all strong natures, Adam had confidence in his ability to achieve something in the future; he felt sure he should some day, if he lived, be able to maintain a family and make a good broad path for himself; but he had too cool a head not to estimate to the full the obstacles that were to be overcome. And the time would be so long! And there was Hetty, like a bright-cheeked apple hanging over the orchard wall, within sight of everybody, and everybody must long for her! To be sure, if she loved him very much, she would be content to wait for him: but did she love him? His hopes had never risen so high that he had dared to ask her. He was clear-sighted enough to be aware that her uncle and aunt would have looked kindly on his suit, and indeed, without this encouragement he would never have persevered in going to the Farm; but it was impossible to come to any but fluctuating conclusions about Hetty’s feelings. She was like a kitten, and had the same distractingly pretty looks, that meant nothing, for everybody that came near her.
This little walk was a break for Adam, and he was unknowingly caught up in the moment. It felt like summer morning in his heart, and he saw Hetty in the sunshine—a gentle light, with slanting rays that danced between the delicate shadows of the leaves. He thought about how yesterday, when he reached out to her after church, she had a hint of sad kindness in her expression that he hadn’t noticed before, and he saw it as a sign that she felt some sympathy for his family issues. Poor guy! That hint of sadness came from a completely different place, but how could he know? We look at the face of the one woman we love like we look at the face of mother earth, hoping for answers to our own desires. Adam couldn't help but feel that everything that had happened in the last week brought the possibility of marriage closer to him. Until now, he had been acutely aware of the risk that some other man could come in and win Hetty’s heart while he was still too unsure to ask her to be with him. Even if he had strong reasons to believe she liked him—and his belief wasn’t very strong—he felt too weighed down by other responsibilities to be able to provide a home for himself and Hetty—a home that he could expect her to be happy with after the comfort and abundance of the Farm. Like all strong individuals, Adam believed he could achieve something in the future; he felt confident that one day, if he lived, he would be able to support a family and carve out a good path for himself. But he was smart enough to fully recognize the obstacles he would have to overcome. And the wait would be so long! And there was Hetty, like a rosy apple hanging over the orchard wall, visible to everyone, and everyone must desire her! Of course, if she really loved him, she would be willing to wait for him: but did she love him? His hopes had never risen so high that he had dared to ask her. He was clear enough to see that her uncle and aunt would have supported his interest in her, and honestly, without that encouragement, he would never have kept visiting the Farm; but it was impossible to reach anything but wavering conclusions about Hetty’s feelings. She was like a kitten, with that distractingly pretty appearance that meant nothing for anyone who got close to her.
But now he could not help saying to himself that the heaviest part of his burden was removed, and that even before the end of another year his circumstances might be brought into a shape that would allow him to think of marrying. It would always be a hard struggle with his mother, he knew: she would be jealous of any wife he might choose, and she had set her mind especially against Hetty—perhaps for no other reason than that she suspected Hetty to be the woman he had chosen. It would never do, he feared, for his mother to live in the same house with him when he was married; and yet how hard she would think it if he asked her to leave him! Yes, there was a great deal of pain to be gone through with his mother, but it was a case in which he must make her feel that his will was strong—it would be better for her in the end. For himself, he would have liked that they should all live together till Seth was married, and they might have built a bit themselves to the old house, and made more room. He did not like “to part wi’ th’ lad”: they had hardly ever been separated for more than a day since they were born.
But now he couldn't help but think that the heaviest part of his burden was lifted, and that even before the end of another year, his situation might change enough for him to consider getting married. He knew it would always be a tough battle with his mother; she would be jealous of any wife he chose, and she was especially against Hetty—maybe just because she suspected Hetty was the woman he had picked. He worried it wouldn't work for his mother to live in the same house with him once he was married; yet, how hard would it be for her if he asked her to leave him? Yes, there would be a lot of pain to deal with regarding his mother, but he had to make her realize that his will was strong—it would be better for her in the long run. As for himself, he would have preferred that they all live together until Seth got married, and they could have added on a bit to the old house to make more space. He didn’t like the idea of “parting with the lad”: they had hardly ever been apart for more than a day since they were born.
But Adam had no sooner caught his imagination leaping forward in this way—making arrangements for an uncertain future—than he checked himself. “A pretty building I’m making, without either bricks or timber. I’m up i’ the garret a’ready, and haven’t so much as dug the foundation.” Whenever Adam was strongly convinced of any proposition, it took the form of a principle in his mind: it was knowledge to be acted on, as much as the knowledge that damp will cause rust. Perhaps here lay the secret of the hardness he had accused himself of: he had too little fellow-feeling with the weakness that errs in spite of foreseen consequences. Without this fellow-feeling, how are we to get enough patience and charity towards our stumbling, falling companions in the long and changeful journey? And there is but one way in which a strong determined soul can learn it—by getting his heart-strings bound round the weak and erring, so that he must share not only the outward consequence of their error, but their inward suffering. That is a long and hard lesson, and Adam had at present only learned the alphabet of it in his father’s sudden death, which, by annihilating in an instant all that had stimulated his indignation, had sent a sudden rush of thought and memory over what had claimed his pity and tenderness.
But as soon as Adam found his imagination racing ahead—planning for an uncertain future—he stopped himself. “What a nice structure I’m building, without any bricks or wood. I’m already up in the attic, and I haven’t even dug the foundation.” Whenever Adam was firmly convinced of something, it turned into a principle in his mind: it was knowledge that needed to be acted upon, just like the understanding that dampness causes rust. Perhaps this was the key to the harshness he had accused himself of: he lacked enough empathy for the weakness that makes mistakes despite knowing the consequences. Without this empathy, how can we find enough patience and compassion for our stumbling, falling companions on this long and changing journey? And there’s only one way for a strong, determined person to learn it—by binding their heart to the weak and flawed, so they must share not only the visible outcomes of their mistakes but also their inner pain. That’s a long and tough lesson, and Adam had only just begun to grasp it following his father’s sudden death, which wiped out everything that had fueled his anger in an instant, flooding him with thoughts and memories of what had deserved his compassion and care.
But it was Adam’s strength, not its correlative hardness, that influenced his meditations this morning. He had long made up his mind that it would be wrong as well as foolish for him to marry a blooming young girl, so long as he had no other prospect than that of growing poverty with a growing family. And his savings had been so constantly drawn upon (besides the terrible sweep of paying for Seth’s substitute in the militia) that he had not enough money beforehand to furnish even a small cottage, and keep something in reserve against a rainy day. He had good hope that he should be “firmer on his legs” by and by; but he could not be satisfied with a vague confidence in his arm and brain; he must have definite plans, and set about them at once. The partnership with Jonathan Burge was not to be thought of at present—there were things implicitly tacked to it that he could not accept; but Adam thought that he and Seth might carry on a little business for themselves in addition to their journeyman’s work, by buying a small stock of superior wood and making articles of household furniture, for which Adam had no end of contrivances. Seth might gain more by working at separate jobs under Adam’s direction than by his journeyman’s work, and Adam, in his overhours, could do all the “nice” work that required peculiar skill. The money gained in this way, with the good wages he received as foreman, would soon enable them to get beforehand with the world, so sparingly as they would all live now. No sooner had this little plan shaped itself in his mind than he began to be busy with exact calculations about the wood to be bought and the particular article of furniture that should be undertaken first—a kitchen cupboard of his own contrivance, with such an ingenious arrangement of sliding-doors and bolts, such convenient nooks for stowing household provender, and such a symmetrical result to the eye, that every good housewife would be in raptures with it, and fall through all the gradations of melancholy longing till her husband promised to buy it for her. Adam pictured to himself Mrs. Poyser examining it with her keen eye and trying in vain to find out a deficiency; and, of course, close to Mrs. Poyser stood Hetty, and Adam was again beguiled from calculations and contrivances into dreams and hopes. Yes, he would go and see her this evening—it was so long since he had been at the Hall Farm. He would have liked to go to the night-school, to see why Bartle Massey had not been at church yesterday, for he feared his old friend was ill; but, unless he could manage both visits, this last must be put off till to-morrow—the desire to be near Hetty and to speak to her again was too strong.
But it was Adam's strength, not its related hardness, that shaped his thoughts this morning. He had long decided that it would be both wrong and foolish to marry a young woman while facing the prospect of increasing poverty with a growing family. His savings had been so frequently depleted (not to mention the hefty cost of paying for Seth’s replacement in the militia) that he didn't have enough money saved up to even furnish a small cottage and keep something aside for emergencies. He hoped to be "on firmer ground" soon, but he couldn’t be satisfied with vague confidence in his abilities; he needed concrete plans and to start acting on them immediately. Partnering with Jonathan Burge wasn’t an option right now—there were elements tied to it that he simply couldn’t accept—but Adam believed that he and Seth could run a small business on the side, alongside their journeyman work, by buying quality wood and making household furniture, for which Adam had countless ideas. Seth could earn more working separate jobs under Adam's guidance than by his journeyman work, and during his overtime, Adam could handle the "finishing" work that required special skills. The money they made this way, combined with the good wages he received as a foreman, would soon help them get ahead in life, even with their frugal living. As soon as this little plan formed in his mind, he got busy calculating the wood to buy and what piece of furniture to start with first—a kitchen cupboard of his own design, featuring clever sliding doors and bolts, handy nooks for storing supplies, and a visually pleasing overall look that every good housewife would admire and would make her yearn for it until her husband promised to buy it for her. Adam imagined Mrs. Poyser examining it closely, trying unsuccessfully to spot a flaw; and, of course, standing next to Mrs. Poyser was Hetty, pulling Adam once again from practical thoughts into dreams and hopes. Yes, he would go see her this evening—it had been too long since he visited the Hall Farm. He would have liked to go to night school to check why Bartle Massey hadn’t been at church yesterday, fearing his old friend might be ill; but unless he could fit in both visits, the latter would have to wait until tomorrow—the urge to be near Hetty and talk to her again was simply too strong.
As he made up his mind to this, he was coming very near to the end of his walk, within the sound of the hammers at work on the refitting of the old house. The sound of tools to a clever workman who loves his work is like the tentative sounds of the orchestra to the violinist who has to bear his part in the overture: the strong fibres begin their accustomed thrill, and what was a moment before joy, vexation, or ambition, begins its change into energy. All passion becomes strength when it has an outlet from the narrow limits of our personal lot in the labour of our right arm, the cunning of our right hand, or the still, creative activity of our thought. Look at Adam through the rest of the day, as he stands on the scaffolding with the two-feet ruler in his hand, whistling low while he considers how a difficulty about a floor-joist or a window-frame is to be overcome; or as he pushes one of the younger workmen aside and takes his place in upheaving a weight of timber, saying, “Let alone, lad! Thee’st got too much gristle i’ thy bones yet”; or as he fixes his keen black eyes on the motions of a workman on the other side of the room and warns him that his distances are not right. Look at this broad-shouldered man with the bare muscular arms, and the thick, firm, black hair tossed about like trodden meadow-grass whenever he takes off his paper cap, and with the strong barytone voice bursting every now and then into loud and solemn psalm-tunes, as if seeking an outlet for superfluous strength, yet presently checking himself, apparently crossed by some thought which jars with the singing. Perhaps, if you had not been already in the secret, you might not have guessed what sad memories, what warm affection, what tender fluttering hopes, had their home in this athletic body with the broken finger-nails—in this rough man, who knew no better lyrics than he could find in the Old and New Version and an occasional hymn; who knew the smallest possible amount of profane history; and for whom the motion and shape of the earth, the course of the sun, and the changes of the seasons lay in the region of mystery just made visible by fragmentary knowledge. It had cost Adam a great deal of trouble and work in overhours to know what he knew over and above the secrets of his handicraft, and that acquaintance with mechanics and figures, and the nature of the materials he worked with, which was made easy to him by inborn inherited faculty—to get the mastery of his pen, and write a plain hand, to spell without any other mistakes than must in fairness be attributed to the unreasonable character of orthography rather than to any deficiency in the speller, and, moreover, to learn his musical notes and part-singing. Besides all this, he had read his Bible, including the apocryphal books; Poor Richard’s Almanac, Taylor’s Holy Living and Dying, The Pilgrim’s Progress, with Bunyan’s Life and Holy War, a great deal of Bailey’s Dictionary, Valentine and Orson, and part of a History of Babylon, which Bartle Massey had lent him. He might have had many more books from Bartle Massey, but he had no time for reading “the commin print,” as Lisbeth called it, so busy as he was with figures in all the leisure moments which he did not fill up with extra carpentry.
As he decided on this, he was getting close to the end of his walk, within earshot of the hammers working on the renovation of the old house. The sound of tools to a skilled craftsman who loves his work is like the tentative sounds of an orchestra to a violinist preparing for his part in the overture: the strong fibers start to tingle, and what was joy, frustration, or ambition just moments before begins to transform into energy. All passion turns into strength when it has a way out from the narrow confines of our personal lives into the effort of our right arm, the skill of our right hand, or the quiet, creative energy of our thoughts. Look at Adam throughout the rest of the day as he stands on the scaffolding with a two-foot ruler in his hand, softly whistling while he figures out how to overcome a challenge with a floor joist or a window frame; or as he moves aside one of the younger workers and takes his place in lifting a heavy beam, saying, “Step aside, kid! You’re still too green for this”; or as he intently watches a worker on the other side of the room and warns him that he’s not measuring properly. Look at this broad-shouldered man with muscular arms and thick, firm black hair that gets tousled like trampled grass whenever he removes his paper cap, and with the deep voice that occasionally bursts into loud and solemn hymn tunes, as if trying to release some excess strength, yet soon stops himself, evidently distracted by a thought that clashes with the singing. Perhaps, if you weren’t already aware, you might not suspect what sad memories, warm affections, and tender hopes lived in this strong body with broken fingernails—in this rough man, who knew no better songs than those found in the Old and New Version and an occasional hymn; who had only a minimal understanding of secular history; and for whom the movement and shape of the earth, the path of the sun, and the changes of the seasons were shrouded in mystery, illuminated only by bits of knowledge. It had taken Adam a great deal of effort and work in his spare time to learn what he did beyond the secrets of his craft, and that understanding of mechanics and numbers, along with the nature of the materials he worked with, which came easily to him thanks to his inherited talents—to master his pen and write neatly, spell with only the unavoidable errors attributed to the absurdity of spelling rather than any lack in the speller, and also to learn musical notes and part-singing. On top of all this, he had read his Bible, including the apocryphal books; Poor Richard’s Almanac, Taylor’s Holy Living and Dying, The Pilgrim’s Progress, along with Bunyan’s Life and Holy War, a lot of Bailey’s Dictionary, Valentine and Orson, and part of a History of Babylon borrowed from Bartle Massey. He could have had many more books from Bartle Massey, but he didn’t have time for reading “the tiny print,” as Lisbeth called it, so focused was he on figures in all the spare moments that he didn’t fill with extra carpentry.
Adam, you perceive, was by no means a marvellous man, nor, properly speaking, a genius, yet I will not pretend that his was an ordinary character among workmen; and it would not be at all a safe conclusion that the next best man you may happen to see with a basket of tools over his shoulder and a paper cap on his head has the strong conscience and the strong sense, the blended susceptibility and self-command, of our friend Adam. He was not an average man. Yet such men as he are reared here and there in every generation of our peasant artisans—with an inheritance of affections nurtured by a simple family life of common need and common industry, and an inheritance of faculties trained in skilful courageous labour: they make their way upwards, rarely as geniuses, most commonly as painstaking honest men, with the skill and conscience to do well the tasks that lie before them. Their lives have no discernible echo beyond the neighbourhood where they dwelt, but you are almost sure to find there some good piece of road, some building, some application of mineral produce, some improvement in farming practice, some reform of parish abuses, with which their names are associated by one or two generations after them. Their employers were the richer for them, the work of their hands has worn well, and the work of their brains has guided well the hands of other men. They went about in their youth in flannel or paper caps, in coats black with coal-dust or streaked with lime and red paint; in old age their white hairs are seen in a place of honour at church and at market, and they tell their well-dressed sons and daughters, seated round the bright hearth on winter evenings, how pleased they were when they first earned their twopence a-day. Others there are who die poor and never put off the workman’s coat on weekdays. They have not had the art of getting rich, but they are men of trust, and when they die before the work is all out of them, it is as if some main screw had got loose in a machine; the master who employed them says, “Where shall I find their like?”
Adam, you see, wasn’t exactly an extraordinary person, nor, technically speaking, a genius, but I won’t pretend that he was an average guy among workers; it wouldn’t be safe to assume that the next person you see with a tool basket over their shoulder and a paper cap on their head has the same strong conscience and solid judgment, along with the mix of sensitivity and self-control, that our friend Adam had. He was not an average man. However, men like him pop up here and there in every generation of our local craftsmen—with an upbringing filled with love fostered by a simple family life marked by shared needs and hard work, along with skills honed through brave, dedicated labor: they rise through the ranks, rarely as geniuses, but mostly as hardworking, honest individuals, equipped with the skill and integrity to do their jobs well. Their lives might not leave a noticeable mark beyond the neighborhood they lived in, but you can bet there’s some good road, a building, a mineral project, an advancement in farming, or a local improvement tied to their names a generation or two down the line. Their employers benefited from them, their work has held up well, and their insights have effectively guided others’ efforts. In their younger days, they dressed in flannel or paper caps, and coats black with coal dust or splattered with lime and red paint; in old age, their gray hair is seen proudly at church and market, and they share with their well-dressed sons and daughters gathered around the warm hearth on winter evenings how thrilled they were to earn their first two pence a day. Others die poor and never take off their work clothes during the week. They may not have mastered the art of making money, but they are trustworthy individuals, and when they pass away before they've finished their tasks, it feels as if a key part has come loose in a machine; their employer wonders, “Where will I find someone like them again?”
Chapter XX
Adam Visits the Hall Farm
Adam came back from his work in the empty waggon—that was why he had changed his clothes—and was ready to set out to the Hall Farm when it still wanted a quarter to seven.
Adam returned from his job in the empty wagon—that's why he had changed his clothes—and was ready to head to the Hall Farm when it was still a quarter to seven.
“What’s thee got thy Sunday cloose on for?” said Lisbeth complainingly, as he came downstairs. “Thee artna goin’ to th’ school i’ thy best coat?”
“What do you have your Sunday clothes on for?” Lisbeth said with a complaint as he came downstairs. “You’re not going to school in your best coat, are you?”
“No, Mother,” said Adam, quietly. “I’m going to the Hall Farm, but mayhap I may go to the school after, so thee mustna wonder if I’m a bit late. Seth ’ull be at home in half an hour—he’s only gone to the village; so thee wutna mind.”
“No, Mom,” Adam said softly. “I’m going to the Hall Farm, but I might go to school afterward, so don’t worry if I’m a bit late. Seth will be home in half an hour—he just went to the village; so you won’t mind.”
“Eh, an’ what’s thee got thy best cloose on for to go to th’ Hall Farm? The Poyser folks see’d thee in ’em yesterday, I warrand. What dost mean by turnin’ worki’day into Sunday a-that’n? It’s poor keepin’ company wi’ folks as donna like to see thee i’ thy workin’ jacket.”
“Hey, and what are you wearing your best clothes for to go to the Hall Farm? The Poyser folks saw you in them yesterday, I bet. What do you mean by turning your everyday look into something fancy for that? It’s not great to be seen with people who don’t appreciate you in your work jacket.”
“Good-bye, mother, I can’t stay,” said Adam, putting on his hat and going out.
“Goodbye, Mom, I can’t stay,” said Adam, putting on his hat and heading out.
But he had no sooner gone a few paces beyond the door than Lisbeth became uneasy at the thought that she had vexed him. Of course, the secret of her objection to the best clothes was her suspicion that they were put on for Hetty’s sake; but deeper than all her peevishness lay the need that her son should love her. She hurried after him, and laid hold of his arm before he had got half-way down to the brook, and said, “Nay, my lad, thee wutna go away angered wi’ thy mother, an’ her got nought to do but to sit by hersen an’ think on thee?”
But he had barely taken a few steps beyond the door when Lisbeth felt uneasy, worrying that she had upset him. The real reason she didn’t like him wearing his best clothes was her suspicion that he dressed up for Hetty’s benefit; but beneath all her irritation was a deep need for her son to love her. She hurried after him, grabbed his arm before he had gone halfway to the brook, and said, “No, my boy, you’re not going to walk away angry with your mother when all she can do is sit by herself and think about you?”
“Nay, nay, Mother,” said Adam, gravely, and standing still while he put his arm on her shoulder, “I’m not angered. But I wish, for thy own sake, thee’dst be more contented to let me do what I’ve made up my mind to do. I’ll never be no other than a good son to thee as long as we live. But a man has other feelings besides what he owes to’s father and mother, and thee oughtna to want to rule over me body and soul. And thee must make up thy mind as I’ll not give way to thee where I’ve a right to do what I like. So let us have no more words about it.”
“No, no, Mom,” Adam said seriously, pausing to put his arm on her shoulder. “I’m not angry. But I wish, for your own sake, that you’d be more willing to let me do what I’ve decided to do. I’ll always be a good son to you as long as we live. But a man has other feelings beyond what he owes to his parents, and you shouldn’t want to control me completely. You need to understand that I won’t give in to you when I have the right to choose for myself. So let’s not discuss it anymore.”
“Eh,” said Lisbeth, not willing to show that she felt the real bearing of Adam’s words, “and’ who likes to see thee i’ thy best cloose better nor thy mother? An’ when thee’st got thy face washed as clean as the smooth white pibble, an’ thy hair combed so nice, and thy eyes a-sparklin’—what else is there as thy old mother should like to look at half so well? An’ thee sha’t put on thy Sunday cloose when thee lik’st for me—I’ll ne’er plague thee no moor about’n.”
“Eh,” said Lisbeth, not wanting to show that she truly understood the impact of Adam’s words, “who likes to see you in your best clothes more than your mother? And when you’ve got your face washed as clean as a smooth white pebble, and your hair combed nicely, and your eyes sparkling—what else is there that your old mother would want to look at as much? And you can put on your Sunday clothes whenever you want for me—I won’t bother you about it anymore.”
“Well, well; good-bye, mother,” said Adam, kissing her and hurrying away. He saw there was no other means of putting an end to the dialogue. Lisbeth stood still on the spot, shading her eyes and looking after him till he was quite out of sight. She felt to the full all the meaning that had lain in Adam’s words, and, as she lost sight of him and turned back slowly into the house, she said aloud to herself—for it was her way to speak her thoughts aloud in the long days when her husband and sons were at their work—“Eh, he’ll be tellin’ me as he’s goin’ to bring her home one o’ these days; an’ she’ll be missis o’er me, and I mun look on, belike, while she uses the blue-edged platters, and breaks ’em, mayhap, though there’s ne’er been one broke sin’ my old man an’ me bought ’em at the fair twenty ’ear come next Whissuntide. Eh!” she went on, still louder, as she caught up her knitting from the table, “but she’ll ne’er knit the lad’s stockin’s, nor foot ’em nayther, while I live; an’ when I’m gone, he’ll bethink him as nobody ’ull ne’er fit’s leg an’ foot as his old mother did. She’ll know nothin’ o’ narrowin’ an’ heelin’, I warrand, an’ she’ll make a long toe as he canna get’s boot on. That’s what comes o’ marr’in’ young wenches. I war gone thirty, an’ th’ feyther too, afore we war married; an’ young enough too. She’ll be a poor dratchell by then she’s thirty, a-marr’in’ a-that’n, afore her teeth’s all come.”
“Well, well; goodbye, mom,” Adam said, kissing her and rushing off. He realized there was no other way to end the conversation. Lisbeth stood still, shielding her eyes and watching him until he was completely out of sight. She fully understood the weight of Adam’s words, and as she turned slowly back into the house, she said aloud to herself—since she often spoke her thoughts out loud during the long days when her husband and sons were busy working—“Oh, he’ll be telling me he’s going to bring her home one of these days; and she’ll be the mistress over me, and I’ll have to watch while she uses the blue-edged plates, and maybe even breaks them, though not a single one has been broken since my husband and I bought them at the fair twenty years next Whitsun. Oh!” she continued, raising her voice as she picked up her knitting from the table, “but she’ll never knit the boy’s stockings, nor sew them either, while I’m alive; and when I’m gone, he’ll remember that no one will ever fit his leg and foot like his old mother did. She won’t know anything about narrowing and heeling, I guarantee, and she’ll make a long toe that he won’t be able to fit into a boot. That’s what happens when you marry young girls. I was thirty, and the father too, before we got married; and young enough as well. She’ll be a poor creature by the time she’s thirty, marrying someone like that, before her teeth are all in.”
Adam walked so fast that he was at the yard-gate before seven. Martin Poyser and the grandfather were not yet come in from the meadow: every one was in the meadow, even to the black-and-tan terrier—no one kept watch in the yard but the bull-dog; and when Adam reached the house-door, which stood wide open, he saw there was no one in the bright clean house-place. But he guessed where Mrs. Poyser and some one else would be, quite within hearing; so he knocked on the door and said in his strong voice, “Mrs. Poyser within?”
Adam walked so quickly that he got to the yard gate before seven. Martin Poyser and the grandfather hadn't come in from the meadow yet; everyone was out in the meadow, even the black-and-tan terrier—only the bulldog was keeping watch in the yard. When Adam reached the house door, which was wide open, he noticed that no one was inside the bright, clean room. But he had a good idea of where Mrs. Poyser and someone else would be, close enough to hear him, so he knocked on the door and called out in his strong voice, “Is Mrs. Poyser in there?”
“Come in, Mr. Bede, come in,” Mrs. Poyser called out from the dairy. She always gave Adam this title when she received him in her own house. “You may come into the dairy if you will, for I canna justly leave the cheese.”
“Come in, Mr. Bede, come in,” Mrs. Poyser called out from the dairy. She always gave Adam this title when he visited her home. “You can come into the dairy if you want, because I can't really leave the cheese.”
Adam walked into the dairy, where Mrs. Poyser and Nancy were crushing the first evening cheese.
Adam walked into the dairy, where Mrs. Poyser and Nancy were making the first evening cheese.
“Why, you might think you war come to a dead-house,” said Mrs. Poyser, as he stood in the open doorway; “they’re all i’ the meadow; but Martin’s sure to be in afore long, for they’re leaving the hay cocked to-night, ready for carrying first thing to-morrow. I’ve been forced t’ have Nancy in, upo’ ’count as Hetty must gether the red currants to-night; the fruit allays ripens so contrairy, just when every hand’s wanted. An’ there’s no trustin’ the children to gether it, for they put more into their own mouths nor into the basket; you might as well set the wasps to gether the fruit.”
“Why, you might think you came to a dead house,” said Mrs. Poyser, as he stood in the open doorway. “They’re all in the meadow, but Martin will be back soon, because they’re leaving the hay stacked up tonight, ready to be carried first thing tomorrow. I had to get Nancy in because Hetty has to gather the red currants tonight; the fruit always ripens so oddly, just when every hand is needed. And you can't trust the kids to gather it, since they put more in their mouths than in the basket; you might as well set the wasps to gather the fruit.”
Adam longed to say he would go into the garden till Mr. Poyser came in, but he was not quite courageous enough, so he said, “I could be looking at your spinning-wheel, then, and see what wants doing to it. Perhaps it stands in the house, where I can find it?”
Adam wanted to say he would stay in the garden until Mr. Poyser came in, but he didn't quite have the courage, so he said, “I could look at your spinning wheel then, and see what needs fixing. Maybe it’s inside, where I can find it?”
“No, I’ve put it away in the right-hand parlour; but let it be till I can fetch it and show it you. I’d be glad now if you’d go into the garden and tell Hetty to send Totty in. The child ’ull run in if she’s told, an’ I know Hetty’s lettin’ her eat too many currants. I’ll be much obliged to you, Mr. Bede, if you’ll go and send her in; an’ there’s the York and Lankester roses beautiful in the garden now—you’ll like to see ’em. But you’d like a drink o’ whey first, p’r’aps; I know you’re fond o’ whey, as most folks is when they hanna got to crush it out.”
“No, I’ve put it away in the right-hand parlor; but I’ll wait until I can get it and show it to you. I’d appreciate it if you could go into the garden and tell Hetty to send Totty in. The child will come in if she’s asked, and I know Hetty is letting her eat too many currants. I’d be really grateful to you, Mr. Bede, if you could do that; and the York and Lankester roses are looking beautiful in the garden right now—you’ll enjoy seeing them. But you might want a drink of whey first, maybe; I know you like whey, like most people do when they don’t have to strain it out.”
“Thank you, Mrs. Poyser,” said Adam; “a drink o’ whey’s allays a treat to me. I’d rather have it than beer any day.”
“Thank you, Mrs. Poyser,” said Adam; “a drink of whey is always a treat for me. I’d choose it over beer any day.”
“Aye, aye,” said Mrs. Poyser, reaching a small white basin that stood on the shelf, and dipping it into the whey-tub, “the smell o’ bread’s sweet t’ everybody but the baker. The Miss Irwines allays say, ‘Oh, Mrs. Poyser, I envy you your dairy; and I envy you your chickens; and what a beautiful thing a farm-house is, to be sure!’ An’ I say, ‘Yes; a farm-house is a fine thing for them as look on, an’ don’t know the liftin’, an’ the stannin’, an’ the worritin’ o’ th’ inside as belongs to’t.’”
“Yeah, yeah,” said Mrs. Poyser, reaching for a small white basin that was on the shelf and dipping it into the whey-tub, “the smell of bread is sweet to everyone except the baker. The Miss Irwines always say, ‘Oh, Mrs. Poyser, I envy you your dairy; and I envy you your chickens; and what a beautiful thing a farmhouse is, for sure!’ And I say, ‘Yes; a farmhouse is great for those who just look on and don’t know the lifting, and the standing, and the worrying that goes on inside it.’”
“Why, Mrs. Poyser, you wouldn’t like to live anywhere else but in a farm-house, so well as you manage it,” said Adam, taking the basin; “and there can be nothing to look at pleasanter nor a fine milch cow, standing up to’ts knees in pasture, and the new milk frothing in the pail, and the fresh butter ready for market, and the calves, and the poultry. Here’s to your health, and may you allays have strength to look after your own dairy, and set a pattern t’ all the farmers’ wives in the country.”
“Why, Mrs. Poyser, I can’t imagine you wanting to live anywhere other than a farmhouse, especially with how well you manage it,” said Adam, taking the basin. “There’s nothing nicer to look at than a beautiful milk cow, standing knee-deep in the pasture, with fresh milk frothing in the pail, fresh butter ready for market, the calves, and the poultry. Here’s to your health, and may you always have the strength to take care of your own dairy and set an example for all the farmers’ wives in the country.”
Mrs. Poyser was not to be caught in the weakness of smiling at a compliment, but a quiet complacency over-spread her face like a stealing sunbeam, and gave a milder glance than usual to her blue-grey eyes, as she looked at Adam drinking the whey. Ah! I think I taste that whey now—with a flavour so delicate that one can hardly distinguish it from an odour, and with that soft gliding warmth that fills one’s imagination with a still, happy dreaminess. And the light music of the dropping whey is in my ears, mingling with the twittering of a bird outside the wire network window—the window overlooking the garden, and shaded by tall Guelder roses.
Mrs. Poyser wasn’t one to fall for the weakness of smiling at a compliment, but a quiet sense of satisfaction spread across her face like a gentle sunbeam, giving her blue-grey eyes a softer look than usual as she watched Adam drink the whey. Ah! I think I can taste that whey now—its flavor so subtle that it’s almost indistinguishable from a scent, and that soft, warm feeling fills one's mind with a calm, happy daydream. The soft sound of the whey dripping is in my ears, blending with the chirping of a bird outside the wire mesh window—the one overlooking the garden, shaded by tall Guelder roses.
“Have a little more, Mr. Bede?” said Mrs. Poyser, as Adam set down the basin.
“Would you like some more, Mr. Bede?” said Mrs. Poyser, as Adam set down the bowl.
“No, thank you; I’ll go into the garden now, and send in the little lass.”
“No, thanks; I’ll head into the garden now and send the little girl in.”
“Aye, do; and tell her to come to her mother in the dairy.”
“Yeah, go ahead; and tell her to come see her mother in the dairy.”
Adam walked round by the rick-yard, at present empty of ricks, to the little wooden gate leading into the garden—once the well-tended kitchen-garden of a manor-house; now, but for the handsome brick wall with stone coping that ran along one side of it, a true farmhouse garden, with hardy perennial flowers, unpruned fruit-trees, and kitchen vegetables growing together in careless, half-neglected abundance. In that leafy, flowery, bushy time, to look for any one in this garden was like playing at “hide-and-seek.” There were the tall hollyhocks beginning to flower and dazzle the eye with their pink, white, and yellow; there were the syringas and Guelder roses, all large and disorderly for want of trimming; there were leafy walls of scarlet beans and late peas; there was a row of bushy filberts in one direction, and in another a huge apple-tree making a barren circle under its low-spreading boughs. But what signified a barren patch or two? The garden was so large. There was always a superfluity of broad beans—it took nine or ten of Adam’s strides to get to the end of the uncut grass walk that ran by the side of them; and as for other vegetables, there was so much more room than was necessary for them that in the rotation of crops a large flourishing bed of groundsel was of yearly occurrence on one spot or other. The very rose-trees at which Adam stopped to pluck one looked as if they grew wild; they were all huddled together in bushy masses, now flaunting with wide-open petals, almost all of them of the streaked pink-and-white kind, which doubtless dated from the union of the houses of York and Lancaster. Adam was wise enough to choose a compact Provence rose that peeped out half-smothered by its flaunting scentless neighbours, and held it in his hand—he thought he should be more at ease holding something in his hand—as he walked on to the far end of the garden, where he remembered there was the largest row of currant-trees, not far off from the great yew-tree arbour.
Adam walked around the empty rick-yard to the little wooden gate that led into the garden—once a well-kept kitchen garden of a manor house; now, aside from the nice brick wall with stone coping on one side, it was a real farmhouse garden, filled with hardy perennial flowers, untrimmed fruit trees, and kitchen vegetables growing together in a carefree, slightly neglected abundance. In that leafy, flowery time, looking for anyone in this garden felt like playing “hide-and-seek.” The tall hollyhocks were starting to bloom, dazzling the eye with their pink, white, and yellow; there were the syringas and Guelder roses, all large and messy from not being trimmed; there were leafy walls of scarlet beans and late peas; a row of bushy filberts in one direction, and in another, a huge apple tree creating a barren circle beneath its low-hanging branches. But what did a couple of barren patches matter? The garden was so big. There was always an excess of broad beans—it took nine or ten of Adam’s strides to reach the end of the uncut grass path beside them; and as for other vegetables, there was way more space than necessary, so in the crop rotation, a large, flourishing patch of groundsel was a yearly fixture in one spot or another. Even the rose bushes where Adam stopped to pick one looked wild; they were all bunched together in thick clusters, proudly displaying wide-open petals, mostly in the streaked pink-and-white variety, likely originating from the merger of the houses of York and Lancaster. Adam was clever enough to pick a compact Provence rose peeking out, half-hidden by its showy, scentless neighbors, and held it in his hand—he thought it would feel better to have something to hold—as he walked to the far end of the garden, where he remembered there was the largest row of currant bushes, not far from the big yew tree arbour.
But he had not gone many steps beyond the roses, when he heard the shaking of a bough, and a boy’s voice saying, “Now, then, Totty, hold out your pinny—there’s a duck.”
But he hadn't taken many steps past the roses when he heard a branch rustling and a boy's voice saying, "Alright, Totty, hold out your apron—there's a duck."
The voice came from the boughs of a tall cherry-tree, where Adam had no difficulty in discerning a small blue-pinafored figure perched in a commodious position where the fruit was thickest. Doubtless Totty was below, behind the screen of peas. Yes—with her bonnet hanging down her back, and her fat face, dreadfully smeared with red juice, turned up towards the cherry-tree, while she held her little round hole of a mouth and her red-stained pinafore to receive the promised downfall. I am sorry to say, more than half the cherries that fell were hard and yellow instead of juicy and red; but Totty spent no time in useless regrets, and she was already sucking the third juiciest when Adam said, “There now, Totty, you’ve got your cherries. Run into the house with ’em to Mother—she wants you—she’s in the dairy. Run in this minute—there’s a good little girl.”
The voice came from the branches of a tall cherry tree, where Adam easily spotted a small figure in a blue pinafore perched comfortably among the thick fruit. Totty was definitely below, hidden behind the pea plants. Yes—her bonnet was hanging down her back, and her chubby face, covered in red juice, was turned up towards the cherry tree as she held her little round mouth and her red-stained pinafore ready to catch the falling fruit. Unfortunately, more than half the cherries that fell were hard and yellow instead of juicy and red; but Totty didn't waste any time regretting it, and she was already sucking on the third juiciest one when Adam said, “There now, Totty, you’ve got your cherries. Run into the house with them to Mother—she wants you—she’s in the dairy. Go on now—there’s a good little girl.”
He lifted her up in his strong arms and kissed her as he spoke, a ceremony which Totty regarded as a tiresome interruption to cherry-eating; and when he set her down she trotted off quite silently towards the house, sucking her cherries as she went along.
He picked her up in his strong arms and kissed her while he talked, which Totty found to be a boring distraction from eating cherries; and when he put her down, she walked off quietly towards the house, sucking on her cherries as she went.
“Tommy, my lad, take care you’re not shot for a little thieving bird,” said Adam, as he walked on towards the currant-trees.
“Tommy, my boy, be careful you don’t get shot for being a little thief,” said Adam, as he continued on towards the currant trees.
He could see there was a large basket at the end of the row: Hetty would not be far off, and Adam already felt as if she were looking at him. Yet when he turned the corner she was standing with her back towards him, and stooping to gather the low-hanging fruit. Strange that she had not heard him coming! Perhaps it was because she was making the leaves rustle. She started when she became conscious that some one was near—started so violently that she dropped the basin with the currants in it, and then, when she saw it was Adam, she turned from pale to deep red. That blush made his heart beat with a new happiness. Hetty had never blushed at seeing him before.
He noticed there was a big basket at the end of the row: Hetty couldn't be far away, and Adam already felt like she was watching him. But when he turned the corner, she was facing away from him, bending down to pick the low-hanging fruit. It was strange that she hadn't heard him approaching! Maybe it was because she was rustling the leaves. She jumped when she realized someone was close—so much that she dropped the basin with the currants. When she saw it was Adam, her face went from pale to bright red. That blush made his heart race with a new happiness. Hetty had never blushed when she saw him before.
“I frightened you,” he said, with a delicious sense that it didn’t signify what he said, since Hetty seemed to feel as much as he did; “let me pick the currants up.”
“I scared you,” he said, enjoying the fact that it didn’t really matter what he said, since Hetty seemed to feel just as he did; “let me pick up the currants.”
That was soon done, for they had only fallen in a tangled mass on the grass-plot, and Adam, as he rose and gave her the basin again, looked straight into her eyes with the subdued tenderness that belongs to the first moments of hopeful love.
That was quickly taken care of, since they had just ended up in a tangled heap on the grass. As Adam got up and handed her the basin again, he looked directly into her eyes with the gentle tenderness that comes with the early moments of budding love.
Hetty did not turn away her eyes; her blush had subsided, and she met his glance with a quiet sadness, which contented Adam because it was so unlike anything he had seen in her before.
Hetty didn’t look away; her blush had faded, and she met his gaze with a calm sadness, which pleased Adam because it was so different from anything he had seen in her before.
“There’s not many more currants to get,” she said; “I shall soon ha’ done now.”
“There's not many more currants to get,” she said; “I’ll be done soon.”
“I’ll help you,” said Adam; and he fetched the large basket, which was nearly full of currants, and set it close to them.
“I’ll help you,” Adam said, and he brought over the large basket, which was almost full of currants, and placed it nearby.
Not a word more was spoken as they gathered the currants. Adam’s heart was too full to speak, and he thought Hetty knew all that was in it. She was not indifferent to his presence after all; she had blushed when she saw him, and then there was that touch of sadness about her which must surely mean love, since it was the opposite of her usual manner, which had often impressed him as indifference. And he could glance at her continually as she bent over the fruit, while the level evening sunbeams stole through the thick apple-tree boughs, and rested on her round cheek and neck as if they too were in love with her. It was to Adam the time that a man can least forget in after-life, the time when he believes that the first woman he has ever loved betrays by a slight something—a word, a tone, a glance, the quivering of a lip or an eyelid—that she is at least beginning to love him in return. The sign is so slight, it is scarcely perceptible to the ear or eye—he could describe it to no one—it is a mere feather-touch, yet it seems to have changed his whole being, to have merged an uneasy yearning into a delicious unconsciousness of everything but the present moment. So much of our early gladness vanishes utterly from our memory: we can never recall the joy with which we laid our heads on our mother’s bosom or rode on our father’s back in childhood. Doubtless that joy is wrought up into our nature, as the sunlight of long-past mornings is wrought up in the soft mellowness of the apricot, but it is gone for ever from our imagination, and we can only believe in the joy of childhood. But the first glad moment in our first love is a vision which returns to us to the last, and brings with it a thrill of feeling intense and special as the recurrent sensation of a sweet odour breathed in a far-off hour of happiness. It is a memory that gives a more exquisite touch to tenderness, that feeds the madness of jealousy and adds the last keenness to the agony of despair.
Not a word was said as they picked the currants. Adam’s heart was too full to speak, and he thought Hetty understood everything he felt. She wasn’t as indifferent to him as he had assumed; she had blushed when she saw him, and there was a hint of sadness in her expression, which must have meant love, since it contrasted with her usual indifference that often left him feeling distant. He could keep glancing at her as she leaned over the fruit, while the evening sunbeams filtered through the thick apple tree branches, lighting up her cheek and neck as if they were in love with her too. For Adam, this was a time he would never forget, the moment when he believed the first woman he ever loved revealed in the smallest way—a word, a tone, a look, the quiver of a lip or an eyelid—that she might be starting to love him back. The sign was so delicate, hardly noticeable to anyone else—he couldn’t even put it into words—it was just a faint touch, yet it felt like it changed his entire being, transforming an uneasy longing into a blissful focus on nothing but the moment. Much of our youthful joy disappears completely from our memory: we can never quite remember the happiness of resting our heads on our mother’s shoulder or riding on our father’s back as children. That joy, no doubt, is woven into our nature, like the sunlight of long-ago mornings is absorbed in the soft sweetness of an apricot, but it has vanished forever from our imagination, and we can only *believe* in the joy of childhood. But the first moment of happiness in our first love is a vision that stays with us until the end, bringing with it a thrill of feeling as intense and special as the sweet scent of a distant happy time. It’s a memory that adds a deeper touch to tenderness, fuels the fire of jealousy, and sharpens the ache of despair.
Hetty bending over the red bunches, the level rays piercing the screen of apple-tree boughs, the length of bushy garden beyond, his own emotion as he looked at her and believed that she was thinking of him, and that there was no need for them to talk—Adam remembered it all to the last moment of his life.
Hetty leaning over the red clusters, the sunlight cutting through the branches of the apple trees, the expanse of the lush garden beyond, his own feelings as he watched her and believed that she was thinking of him, and that they didn't need to say a word—Adam remembered it all until the very end of his life.
And Hetty? You know quite well that Adam was mistaken about her. Like many other men, he thought the signs of love for another were signs of love towards himself. When Adam was approaching unseen by her, she was absorbed as usual in thinking and wondering about Arthur’s possible return. The sound of any man’s footstep would have affected her just in the same way—she would have felt it might be Arthur before she had time to see, and the blood that forsook her cheek in the agitation of that momentary feeling would have rushed back again at the sight of any one else just as much as at the sight of Adam. He was not wrong in thinking that a change had come over Hetty: the anxieties and fears of a first passion, with which she was trembling, had become stronger than vanity, had given her for the first time that sense of helpless dependence on another’s feeling which awakens the clinging deprecating womanhood even in the shallowest girl that can ever experience it, and creates in her a sensibility to kindness which found her quite hard before. For the first time Hetty felt that there was something soothing to her in Adam’s timid yet manly tenderness. She wanted to be treated lovingly—oh, it was very hard to bear this blank of absence, silence, apparent indifference, after those moments of glowing love! She was not afraid that Adam would tease her with love-making and flattering speeches like her other admirers; he had always been so reserved to her; she could enjoy without any fear the sense that this strong brave man loved her and was near her. It never entered into her mind that Adam was pitiable too—that Adam too must suffer one day.
And Hetty? You know Adam was mistaken about her. Like many men, he thought that signs of her love for someone else meant she loved him too. When Adam got close without her seeing him, she was lost in her thoughts, wondering if Arthur might come back. Any man’s footsteps would have made her feel the same way—she would have sensed it might be Arthur before she even saw him, and the blood that left her cheeks from that moment of anxiety would have rushed back just as much at the sight of anyone else as it would have for Adam. He wasn’t wrong to think something had changed in Hetty: the worries and fears of her first love, which made her tremble, had become stronger than her vanity. For the first time, she felt that helpless dependency on someone else's feelings that can make even the shallowest girl recognize the softness of womanhood and develop a sensitivity to kindness that she previously found difficult. For the first time, Hetty realized there was something comforting in Adam’s shy yet strong kindness. She longed to be loved—oh, it was so hard to endure this emptiness, this silence, this seeming indifference, after experiencing those moments of passionate love! She wasn't worried that Adam would tease her with flirtation and sweet words like her other admirers; he had always been so reserved around her. She could enjoy, without any fear, the awareness that this strong, brave man loved her and was close by. It never crossed her mind that Adam was vulnerable too—that he would have to suffer one day as well.
Hetty, we know, was not the first woman that had behaved more gently to the man who loved her in vain because she had herself begun to love another. It was a very old story, but Adam knew nothing about it, so he drank in the sweet delusion.
Hetty, we know, wasn't the first woman to treat the man who loved her unrequitedly more kindly because she had started to love someone else. It was a very old story, but Adam had no idea about it, so he embraced the sweet illusion.
“That’ll do,” said Hetty, after a little while. “Aunt wants me to leave some on the trees. I’ll take ’em in now.”
“That’s enough,” said Hetty, after a moment. “Aunt wants me to leave some on the trees. I’ll bring them in now.”
“It’s very well I came to carry the basket,” said Adam “for it ’ud ha’ been too heavy for your little arms.”
“It’s a good thing I came to carry the basket,” said Adam, “because it would have been too heavy for your little arms.”
“No; I could ha’ carried it with both hands.”
“No; I could have carried it with both hands.”
“Oh, I daresay,” said Adam, smiling, “and been as long getting into the house as a little ant carrying a caterpillar. Have you ever seen those tiny fellows carrying things four times as big as themselves?”
“Oh, I must admit,” said Adam, smiling, “that it’s taken as long to get into the house as a little ant carrying a caterpillar. Have you ever seen those little guys carrying things four times their size?”
“No,” said Hetty, indifferently, not caring to know the difficulties of ant life.
“No,” said Hetty, dismissively, not interested in learning about the challenges of ant life.
“Oh, I used to watch ’em often when I was a lad. But now, you see, I can carry the basket with one arm, as if it was an empty nutshell, and give you th’ other arm to lean on. Won’t you? Such big arms as mine were made for little arms like yours to lean on.”
“Oh, I used to watch them a lot when I was a kid. But now, you see, I can carry the basket with one arm, as if it were an empty nutshell, and give you the other arm to lean on. Won’t you? Such big arms like mine were made for little arms like yours to lean on.”
Hetty smiled faintly and put her arm within his. Adam looked down at her, but her eyes were turned dreamily towards another corner of the garden.
Hetty smiled softly and slipped her arm through his. Adam glanced down at her, but her eyes were gazing dreamily at another part of the garden.
“Have you ever been to Eagledale?” she said, as they walked slowly along.
“Have you ever been to Eagledale?” she asked as they strolled slowly along.
“Yes,” said Adam, pleased to have her ask a question about himself. “Ten years ago, when I was a lad, I went with father to see about some work there. It’s a wonderful sight—rocks and caves such as you never saw in your life. I never had a right notion o’ rocks till I went there.”
“Yes,” said Adam, happy to have her ask about him. “Ten years ago, when I was a kid, I went with my dad to look for some work there. It’s an amazing place—rocks and caves like you’ve never seen in your life. I never really understood rocks until I went there.”
“How long did it take to get there?”
“How long did it take to arrive there?”
“Why, it took us the best part o’ two days’ walking. But it’s nothing of a day’s journey for anybody as has got a first-rate nag. The captain ’ud get there in nine or ten hours, I’ll be bound, he’s such a rider. And I shouldn’t wonder if he’s back again to-morrow; he’s too active to rest long in that lonely place, all by himself, for there’s nothing but a bit of a inn i’ that part where he’s gone to fish. I wish he’d got th’ estate in his hands; that ’ud be the right thing for him, for it ’ud give him plenty to do, and he’d do’t well too, for all he’s so young; he’s got better notions o’ things than many a man twice his age. He spoke very handsome to me th’ other day about lending me money to set up i’ business; and if things came round that way, I’d rather be beholding to him nor to any man i’ the world.”
“Why, it took us almost two days of walking. But it's just a day's journey for anyone with a good horse. The captain could get there in nine or ten hours, I bet, he's such a good rider. I wouldn’t be surprised if he’s back again tomorrow; he’s too energetic to stay long in that lonely spot by himself, since there’s only a small inn where he’s gone to fish. I wish he had the estate in his hands; that would be ideal for him, because it would keep him busy, and he’d handle it well, even though he’s so young; he has better ideas than many men twice his age. He spoke really nicely to me the other day about lending me money to start a business; and if things turned out that way, I’d rather owe him than any other man in the world.”
Poor Adam was led on to speak about Arthur because he thought Hetty would be pleased to know that the young squire was so ready to befriend him; the fact entered into his future prospects, which he would like to seem promising in her eyes. And it was true that Hetty listened with an interest which brought a new light into her eyes and a half-smile upon her lips.
Poor Adam started talking about Arthur because he thought Hetty would be happy to hear that the young squire was so eager to be his friend. This fact played a role in his future hopes, which he wanted to appear promising to her. It was true that Hetty listened with an interest that added a new sparkle to her eyes and a slight smile to her lips.
“How pretty the roses are now!” Adam continued, pausing to look at them. “See! I stole the prettiest, but I didna mean to keep it myself. I think these as are all pink, and have got a finer sort o’ green leaves, are prettier than the striped uns, don’t you?”
“How beautiful the roses are now!” Adam said, stopping to admire them. “Look! I picked the prettiest one, but I didn’t mean to keep it for myself. I think the ones that are all pink and have nicer green leaves are prettier than the striped ones, don’t you?”
He set down the basket and took the rose from his button-hole.
He set down the basket and took the rose from his lapel.
“It smells very sweet,” he said; “those striped uns have no smell. Stick it in your frock, and then you can put it in water after. It ’ud be a pity to let it fade.”
“It smells really sweet,” he said; “those striped ones have no scent. Put it in your dress, and then you can put it in water afterward. It would be a shame to let it wither.”
Hetty took the rose, smiling as she did so at the pleasant thought that Arthur could so soon get back if he liked. There was a flash of hope and happiness in her mind, and with a sudden impulse of gaiety she did what she had very often done before—stuck the rose in her hair a little above the left ear. The tender admiration in Adam’s face was slightly shadowed by reluctant disapproval. Hetty’s love of finery was just the thing that would most provoke his mother, and he himself disliked it as much as it was possible for him to dislike anything that belonged to her.
Hetty took the rose, smiling at the nice thought that Arthur could come back soon if he wanted to. A wave of hope and happiness filled her mind, and with a burst of cheerfulness, she did what she had often done before—she stuck the rose in her hair just above her left ear. The gentle admiration on Adam’s face was somewhat clouded by a hint of disapproval. Hetty’s love for fancy things was exactly what would bother his mother the most, and he himself disliked it as much as he could dislike anything that belonged to her.
“Ah,” he said, “that’s like the ladies in the pictures at the Chase; they’ve mostly got flowers or feathers or gold things i’ their hair, but somehow I don’t like to see ’em; they allays put me i’ mind o’ the painted women outside the shows at Treddles’on Fair. What can a woman have to set her off better than her own hair, when it curls so, like yours? If a woman’s young and pretty, I think you can see her good looks all the better for her being plain dressed. Why, Dinah Morris looks very nice, for all she wears such a plain cap and gown. It seems to me as a woman’s face doesna want flowers; it’s almost like a flower itself. I’m sure yours is.”
“Ah,” he said, “that’s just like the ladies in the pictures at the Chase; they mostly have flowers or feathers or gold things in their hair, but somehow I don’t like seeing them; they always remind me of the painted women outside the shows at Treddles’on Fair. What can a woman have to enhance her beauty better than her own hair, especially when it curls like yours? If a woman’s young and pretty, I think her good looks stand out even more when she’s dressed simply. Why, Dinah Morris looks very nice, despite wearing such a plain cap and gown. It seems to me a woman’s face doesn’t need flowers; it’s almost like a flower itself. I’m sure yours is.”
“Oh, very well,” said Hetty, with a little playful pout, taking the rose out of her hair. “I’ll put one o’ Dinah’s caps on when we go in, and you’ll see if I look better in it. She left one behind, so I can take the pattern.”
“Oh, fine,” said Hetty, with a slight playful pout, taking the rose out of her hair. “I’ll put on one of Dinah’s caps when we go inside, and you can see if I look better in it. She left one behind, so I can use the pattern.”
“Nay, nay, I don’t want you to wear a Methodist cap like Dinah’s. I daresay it’s a very ugly cap, and I used to think when I saw her here as it was nonsense for her to dress different t’ other people; but I never rightly noticed her till she came to see mother last week, and then I thought the cap seemed to fit her face somehow as th ‘acorn-cup fits th’ acorn, and I shouldn’t like to see her so well without it. But you’ve got another sort o’ face; I’d have you just as you are now, without anything t’ interfere with your own looks. It’s like when a man’s singing a good tune—you don’t want t’ hear bells tinkling and interfering wi’ the sound.”
"No, no, I don’t want you to wear a Methodist cap like Dinah’s. Honestly, it’s a pretty ugly cap, and I used to think it was silly for her to dress differently from everyone else. But I didn’t really pay attention to her until she came to see my mom last week, and then I thought the cap actually seemed to suit her face in a way, like an acorn cup fits the acorn, and I wouldn’t want to see her looking so good without it. But your face is different; I’d prefer you just as you are now, without anything to distract from your looks. It’s like when a guy is singing a great tune—you don’t want to hear bells tinkling and messing up the sound."
He took her arm and put it within his again, looking down on her fondly. He was afraid she should think he had lectured her, imagining, as we are apt to do, that she had perceived all the thoughts he had only half-expressed. And the thing he dreaded most was lest any cloud should come over this evening’s happiness. For the world he would not have spoken of his love to Hetty yet, till this commencing kindness towards him should have grown into unmistakable love. In his imagination he saw long years of his future life stretching before him, blest with the right to call Hetty his own: he could be content with very little at present. So he took up the basket of currants once more, and they went on towards the house.
He took her arm and placed it back within his, looking down at her affectionately. He worried she might think he was lecturing her, assuming, as we often do, that she had picked up on all the thoughts he had only partially shared. The thing he feared most was that any shadow would fall over the happiness of the evening. For the time being, he didn’t want to confess his love to Hetty until this budding kindness toward him blossomed into clear love. In his mind, he envisioned many years of his future stretching ahead, blessed with the right to call Hetty his own: he could be satisfied with very little for now. So, he picked up the basket of currants again, and they continued on toward the house.
The scene had quite changed in the half-hour that Adam had been in the garden. The yard was full of life now: Marty was letting the screaming geese through the gate, and wickedly provoking the gander by hissing at him; the granary-door was groaning on its hinges as Alick shut it, after dealing out the corn; the horses were being led out to watering, amidst much barking of all the three dogs and many “whups” from Tim the ploughman, as if the heavy animals who held down their meek, intelligent heads, and lifted their shaggy feet so deliberately, were likely to rush wildly in every direction but the right. Everybody was come back from the meadow; and when Hetty and Adam entered the house-place, Mr. Poyser was seated in the three-cornered chair, and the grandfather in the large arm-chair opposite, looking on with pleasant expectation while the supper was being laid on the oak table. Mrs. Poyser had laid the cloth herself—a cloth made of homespun linen, with a shining checkered pattern on it, and of an agreeable whitey-brown hue, such as all sensible housewives like to see—none of your bleached “shop-rag” that would wear into holes in no time, but good homespun that would last for two generations. The cold veal, the fresh lettuces, and the stuffed chine might well look tempting to hungry men who had dined at half-past twelve o’clock. On the large deal table against the wall there were bright pewter plates and spoons and cans, ready for Alick and his companions; for the master and servants ate their supper not far off each other; which was all the pleasanter, because if a remark about to-morrow morning’s work occurred to Mr. Poyser, Alick was at hand to hear it.
The scene had changed a lot in the half-hour that Adam had been in the garden. The yard was full of life now: Marty was letting the noisy geese through the gate and playfully provoking the gander by hissing at him; the granary door was creaking on its hinges as Alick shut it after giving out the corn; the horses were being led out to drink, with all three dogs barking and Tim the ploughman making a lot of “whups” as if the big animals, with their humble, intelligent heads lowered, and lifting their shaggy feet so slowly, might bolt in every direction except the right one. Everyone had returned from the meadow; and when Hetty and Adam entered the house, Mr. Poyser was sitting in the three-cornered chair, and the grandfather in the large armchair opposite, watching with pleasant expectation while supper was being set on the oak table. Mrs. Poyser had set the table herself—a cloth made of homespun linen, with a shiny checkered pattern, in a pleasing whitey-brown shade that every sensible housewife appreciates—definitely not your bleached “shop-rag” that would wear out quickly, but sturdy homespun that would last two generations. The cold veal, fresh lettuces, and stuffed chine must have looked tempting to hungry men who had eaten at half-past twelve. On the large deal table against the wall, there were shiny pewter plates, spoons, and cans, ready for Alick and his crew; the master and the servants had supper not far from each other, which was nice because if Mr. Poyser had a thought about tomorrow morning’s work, Alick was right there to hear it.
“Well, Adam, I’m glad to see ye,” said Mr. Poyser. “What! ye’ve been helping Hetty to gether the curran’s, eh? Come, sit ye down, sit ye down. Why, it’s pretty near a three-week since y’ had your supper with us; and the missis has got one of her rare stuffed chines. I’m glad ye’re come.”
“Well, Adam, I’m happy to see you,” said Mr. Poyser. “So, you’ve been helping Hetty gather the currants, huh? Come, sit down, sit down. It’s been almost three weeks since you had dinner with us, and the missus has made one of her special stuffed chinos. I’m glad you’re here.”
“Hetty,” said Mrs. Poyser, as she looked into the basket of currants to see if the fruit was fine, “run upstairs and send Molly down. She’s putting Totty to bed, and I want her to draw th’ ale, for Nancy’s busy yet i’ the dairy. You can see to the child. But whativer did you let her run away from you along wi’ Tommy for, and stuff herself wi’ fruit as she can’t eat a bit o’ good victual?”
“Hetty,” Mrs. Poyser said as she looked into the basket of currants to check if the fruit was good, “run upstairs and send Molly down. She’s putting Totty to bed, and I need her to pour the ale since Nancy’s still busy in the dairy. You can take care of the child. But why on earth did you let her run off with Tommy and stuff herself with fruit that she can’t eat at all?”
This was said in a lower tone than usual, while her husband was talking to Adam; for Mrs. Poyser was strict in adherence to her own rules of propriety, and she considered that a young girl was not to be treated sharply in the presence of a respectable man who was courting her. That would not be fair-play: every woman was young in her turn, and had her chances of matrimony, which it was a point of honour for other women not to spoil—just as one market-woman who has sold her own eggs must not try to balk another of a customer.
This was said in a quieter voice than usual while her husband was talking to Adam, since Mrs. Poyser was strict about her own rules of decency. She believed that a young girl shouldn’t be treated harshly in front of a respectable man who was pursuing her. That wouldn’t be fair: every woman had her youth and opportunities for marriage, which it was important for other women not to undermine—just like one market woman who has sold her own eggs shouldn’t try to prevent another from getting a customer.
Hetty made haste to run away upstairs, not easily finding an answer to her aunt’s question, and Mrs. Poyser went out to see after Marty and Tommy and bring them in to supper.
Hetty quickly ran upstairs, struggling to come up with a reply to her aunt’s question, while Mrs. Poyser went out to check on Marty and Tommy and bring them in for supper.
Soon they were all seated—the two rosy lads, one on each side, by the pale mother, a place being left for Hetty between Adam and her uncle. Alick too was come in, and was seated in his far corner, eating cold broad beans out of a large dish with his pocket-knife, and finding a flavour in them which he would not have exchanged for the finest pineapple.
Soon they were all seated—the two cheerful boys, one on each side of their pale mother, with a spot saved for Hetty between Adam and her uncle. Alick had also come in and was sitting in his corner, eating cold broad beans from a large dish with his pocket knife, enjoying a taste that he wouldn't trade for the best pineapple.
“What a time that gell is drawing th’ ale, to be sure!” said Mrs. Poyser, when she was dispensing her slices of stuffed chine. “I think she sets the jug under and forgets to turn the tap, as there’s nothing you can’t believe o’ them wenches: they’ll set the empty kettle o’ the fire, and then come an hour after to see if the water boils.”
“What a time that girl is taking to pour the ale, for sure!” said Mrs. Poyser, while she was serving her slices of stuffed meat. “I think she puts the jug underneath and forgets to turn on the tap, because you can’t trust those women: they’ll put the empty kettle on the fire and then come back an hour later to check if the water is boiling.”
“She’s drawin’ for the men too,” said Mr. Poyser. “Thee shouldst ha’ told her to bring our jug up first.”
“She’s getting ready for the men too,” said Mr. Poyser. “You should have told her to bring our jug up first.”
“Told her?” said Mrs. Poyser. “Yes, I might spend all the wind i’ my body, an’ take the bellows too, if I was to tell them gells everything as their own sharpness wonna tell ’em. Mr. Bede, will you take some vinegar with your lettuce? Aye you’re i’ the right not. It spoils the flavour o’ the chine, to my thinking. It’s poor eating where the flavour o’ the meat lies i’ the cruets. There’s folks as make bad butter and trusten to the salt t’ hide it.”
“Did you tell her?” said Mrs. Poyser. “Yeah, I could use all my breath and take the bellows too, if I were to tell those girls everything their own sharpness won’t. Mr. Bede, do you want some vinegar with your lettuce? Yeah, you're right not to. It ruins the flavor of the meat, in my opinion. It’s not good eating when the flavor of the meat depends on the condiments. There are people who make bad butter and rely on the salt to cover it up.”
Mrs. Poyser’s attention was here diverted by the appearance of Molly, carrying a large jug, two small mugs, and four drinking-cans, all full of ale or small beer—an interesting example of the prehensile power possessed by the human hand. Poor Molly’s mouth was rather wider open than usual, as she walked along with her eyes fixed on the double cluster of vessels in her hands, quite innocent of the expression in her mistress’s eye.
Mrs. Poyser's attention was drawn away by the sight of Molly, who was carrying a large jug, two small mugs, and four drinking cans, all filled with ale or small beer—an impressive showcase of the dexterity of the human hand. Poor Molly's mouth was a bit more open than usual as she walked along, her eyes focused on the double cluster of vessels in her hands, completely unaware of the look in her mistress's eye.
“Molly, I niver knew your equils—to think o’ your poor mother as is a widow, an’ I took you wi’ as good as no character, an’ the times an’ times I’ve told you....”
“Molly, I never knew anyone like you—to think of your poor mother who is a widow, and I took you with almost no reputation, and the countless times I’ve told you....”
Molly had not seen the lightning, and the thunder shook her nerves the more for the want of that preparation. With a vague alarmed sense that she must somehow comport herself differently, she hastened her step a little towards the far deal table, where she might set down her cans—caught her foot in her apron, which had become untied, and fell with a crash and a splash into a pool of beer; whereupon a tittering explosion from Marty and Tommy, and a serious “Ello!” from Mr. Poyser, who saw his draught of ale unpleasantly deferred.
Molly hadn’t seen the lightning, and the thunder made her more nervous since she wasn’t prepared for it. With a vague feeling that she needed to act differently, she quickened her pace towards the far wooden table, where she could set down her cans—caught her foot in her apron, which had come untied, and fell with a crash and a splash into a puddle of beer; this caused Marty and Tommy to burst out laughing, and Mr. Poyser to seriously say, “Hey!” as he realized his drink of ale was being delayed.
“There you go!” resumed Mrs. Poyser, in a cutting tone, as she rose and went towards the cupboard while Molly began dolefully to pick up the fragments of pottery. “It’s what I told you ’ud come, over and over again; and there’s your month’s wage gone, and more, to pay for that jug as I’ve had i’ the house this ten year, and nothing ever happened to’t before; but the crockery you’ve broke sin’ here in th’ house you’ve been ’ud make a parson swear—God forgi’ me for saying so—an’ if it had been boiling wort out o’ the copper, it ’ud ha’ been the same, and you’d ha’ been scalded and very like lamed for life, as there’s no knowing but what you will be some day if you go on; for anybody ’ud think you’d got the St. Vitus’s Dance, to see the things you’ve throwed down. It’s a pity but what the bits was stacked up for you to see, though it’s neither seeing nor hearing as ’ull make much odds to you—anybody ’ud think you war case-hardened.”
“There you go!” Mrs. Poyser said sharply as she stood up and walked over to the cupboard while Molly sadly began picking up the broken pieces of pottery. “I warned you this would happen over and over again; and now there’s your month’s pay gone, and more, to replace that jug I’ve had in the house for ten years, and nothing ever happened to it before. But the dishes you’ve broken since you’ve been here could make a priest curse—God forgive me for saying so—and if it had been boiling wort from the kettle, it would have been the same, and you could have been scalded and possibly maimed for life, which who knows could still happen if you keep this up; anyone would think you had St. Vitus’s Dance, seeing the things you’ve knocked over. It’s a shame the pieces weren’t piled up for you to see, though it wouldn’t make much difference to you—anyone would think you were case-hardened.”
Poor Molly’s tears were dropping fast by this time, and in her desperation at the lively movement of the beer-stream towards Alick’s legs, she was converting her apron into a mop, while Mrs. Poyser, opening the cupboard, turned a blighting eye upon her.
Poor Molly was crying hard by this point, and in her panic at the quick flow of beer moving toward Alick’s legs, she was using her apron as a mop, while Mrs. Poyser, opening the cupboard, shot her a disapproving look.
“Ah,” she went on, “you’ll do no good wi’ crying an’ making more wet to wipe up. It’s all your own wilfulness, as I tell you, for there’s nobody no call to break anything if they’ll only go the right way to work. But wooden folks had need ha’ wooden things t’ handle. And here must I take the brown-and-white jug, as it’s niver been used three times this year, and go down i’ the cellar myself, and belike catch my death, and be laid up wi’ inflammation....”
“Ah,” she continued, “crying isn’t going to help; it just makes more mess to clean up. This is all your own stubbornness, like I said, because nobody has to break anything if they just approach things the right way. But people who are wooden need wooden things to deal with. And here I have to take the brown-and-white jug, which I haven't used more than three times this year, and go down into the cellar myself, and maybe catch a cold and end up with inflammation...”
Mrs. Poyser had turned round from the cupboard with the brown-and-white jug in her hand, when she caught sight of something at the other end of the kitchen; perhaps it was because she was already trembling and nervous that the apparition had so strong an effect on her; perhaps jug-breaking, like other crimes, has a contagious influence. However it was, she stared and started like a ghost-seer, and the precious brown-and-white jug fell to the ground, parting for ever with its spout and handle.
Mrs. Poyser had turned away from the cupboard with the brown-and-white jug in her hand when she noticed something at the other end of the kitchen. Maybe it was because she was already feeling shaky and anxious that the sight affected her so much; maybe breaking a jug, like other mishaps, is somehow contagious. Whatever the reason, she stared and jumped like someone who had seen a ghost, and the precious brown-and-white jug fell to the ground, losing its spout and handle forever.
“Did ever anybody see the like?” she said, with a suddenly lowered tone, after a moment’s bewildered glance round the room. “The jugs are bewitched, I think. It’s them nasty glazed handles—they slip o’er the finger like a snail.”
“Has anyone ever seen anything like this?” she said, lowering her voice suddenly after a moment of confused scanning of the room. “I think the jugs are cursed. It’s those greasy glazed handles—they slip through your fingers like a snail.”
“Why, thee’st let thy own whip fly i’ thy face,” said her husband, who had now joined in the laugh of the young ones.
“Why, you’ve let your own whip hit you in the face,” said her husband, who had now joined in the laughter of the young ones.
“It’s all very fine to look on and grin,” rejoined Mrs. Poyser; “but there’s times when the crockery seems alive an’ flies out o’ your hand like a bird. It’s like the glass, sometimes, ’ull crack as it stands. What is to be broke will be broke, for I never dropped a thing i’ my life for want o’ holding it, else I should never ha’ kept the crockery all these ’ears as I bought at my own wedding. And Hetty, are you mad? Whativer do you mean by coming down i’ that way, and making one think as there’s a ghost a-walking i’ th’ house?”
“It’s all very nice to stand by and smile,” Mrs. Poyser replied; “but there are times when the dishes seem alive and fly out of your hand like a bird. It's like glass; sometimes, it will crack just sitting there. What’s meant to break will break, because I’ve never dropped anything in my life from not holding it properly; otherwise, I wouldn’t have kept all the dishes I bought at my wedding all these years. And Hetty, are you crazy? What on earth do you mean by coming down dressed like that and making everyone think there’s a ghost wandering around in the house?”
A new outbreak of laughter, while Mrs. Poyser was speaking, was caused, less by her sudden conversion to a fatalistic view of jug-breaking than by that strange appearance of Hetty, which had startled her aunt. The little minx had found a black gown of her aunt’s, and pinned it close round her neck to look like Dinah’s, had made her hair as flat as she could, and had tied on one of Dinah’s high-crowned borderless net caps. The thought of Dinah’s pale grave face and mild grey eyes, which the sight of the gown and cap brought with it, made it a laughable surprise enough to see them replaced by Hetty’s round rosy cheeks and coquettish dark eyes. The boys got off their chairs and jumped round her, clapping their hands, and even Alick gave a low ventral laugh as he looked up from his beans. Under cover of the noise, Mrs. Poyser went into the back kitchen to send Nancy into the cellar with the great pewter measure, which had some chance of being free from bewitchment.
A new burst of laughter erupted while Mrs. Poyser was speaking, not really because she suddenly embraced a fatalistic view on breaking jugs, but because of Hetty’s strange appearance that had shocked her aunt. The little troublemaker had found one of her aunt’s black gowns and pinned it tightly around her neck to mimic Dinah’s style, flattened her hair as much as she could, and put on one of Dinah’s high-crowned, borderless net caps. The thought of Dinah’s pale, serious face and soft grey eyes, which the sight of the gown and cap evoked, made it a funny surprise to see them replaced by Hetty’s round, rosy cheeks and flirtatious dark eyes. The boys jumped off their chairs and circled around her, clapping their hands, and even Alick let out a low chuckle as he glanced up from his beans. Amidst the noise, Mrs. Poyser slipped into the back kitchen to send Nancy to the cellar with the large pewter measure, which might just be free from any enchantment.
“Why, Hetty, lass, are ye turned Methodist?” said Mr. Poyser, with that comfortable slow enjoyment of a laugh which one only sees in stout people. “You must pull your face a deal longer before you’ll do for one; mustna she, Adam? How come you put them things on, eh?”
“Why, Hetty, girl, have you become a Methodist?” said Mr. Poyser, with that relaxed, hearty laugh that you only see in heavier people. “You have to make your face a lot longer before you could pass as one, don’t you think, Adam? What made you put those things on, huh?”
“Adam said he liked Dinah’s cap and gown better nor my clothes,” said Hetty, sitting down demurely. “He says folks looks better in ugly clothes.”
“Adam said he liked Dinah’s cap and gown better than my clothes,” said Hetty, sitting down modestly. “He says people look better in ugly clothes.”
“Nay, nay,” said Adam, looking at her admiringly; “I only said they seemed to suit Dinah. But if I’d said you’d look pretty in ’em, I should ha’ said nothing but what was true.”
“ No, no,” Adam said, looking at her with admiration; “I only mentioned that they seemed to suit Dinah. But if I had said you’d look pretty in them, I would have only spoken the truth.”
“Why, thee thought’st Hetty war a ghost, didstna?” said Mr. Poyser to his wife, who now came back and took her seat again. “Thee look’dst as scared as scared.”
“Why, you thought Hetty was a ghost, didn’t you?” said Mr. Poyser to his wife, who had just returned and taken her seat again. “You looked as scared as can be.”
“It little sinnifies how I looked,” said Mrs. Poyser; “looks ’ull mend no jugs, nor laughing neither, as I see. Mr. Bede, I’m sorry you’ve to wait so long for your ale, but it’s coming in a minute. Make yourself at home wi’ th’ cold potatoes: I know you like ’em. Tommy, I’ll send you to bed this minute, if you don’t give over laughing. What is there to laugh at, I should like to know? I’d sooner cry nor laugh at the sight o’ that poor thing’s cap; and there’s them as ’ud be better if they could make theirselves like her i’ more ways nor putting on her cap. It little becomes anybody i’ this house to make fun o’ my sister’s child, an’ her just gone away from us, as it went to my heart to part wi’ her. An’ I know one thing, as if trouble was to come, an’ I was to be laid up i’ my bed, an’ the children was to die—as there’s no knowing but what they will—an’ the murrain was to come among the cattle again, an’ everything went to rack an’ ruin, I say we might be glad to get sight o’ Dinah’s cap again, wi’ her own face under it, border or no border. For she’s one o’ them things as looks the brightest on a rainy day, and loves you the best when you’re most i’ need on’t.”
“It doesn’t matter how I looked,” said Mrs. Poyser; “looks won’t fix any jugs, nor will laughing, as I can see. Mr. Bede, I’m sorry you have to wait so long for your ale, but it’s coming in a minute. Make yourself at home with the cold potatoes: I know you like them. Tommy, I’ll send you to bed right now if you don’t stop laughing. What’s so funny, I’d like to know? I’d rather cry than laugh at the sight of that poor thing’s cap; and there are those who’d be better off if they could be like her in more ways than just putting on her cap. It doesn’t become anyone in this house to make fun of my sister’s child, especially right after she just left us, which broke my heart. And I know one thing, if trouble comes, and I’m laid up in bed, and the children die—as you never know, they might—and there’s another outbreak among the cattle, and everything goes to waste and ruin, I say we’d be glad to see Dinah’s cap again, with her own face under it, border or no border. Because she’s one of those people who looks the brightest on a rainy day, and loves you the most when you need it the most.”
Mrs. Poyser, you perceive, was aware that nothing would be so likely to expel the comic as the terrible. Tommy, who was of a susceptible disposition, and very fond of his mother, and who had, besides, eaten so many cherries as to have his feelings less under command than usual, was so affected by the dreadful picture she had made of the possible future that he began to cry; and the good-natured father, indulgent to all weaknesses but those of negligent farmers, said to Hetty, “You’d better take the things off again, my lass; it hurts your aunt to see ’em.”
Mrs. Poyser, as you can see, knew that nothing would be more likely to chase away the humor than something truly terrible. Tommy, who was sensitive and very attached to his mother, and who had also eaten so many cherries that he was feeling more emotional than usual, was so moved by the awful picture she had painted of their possible future that he started to cry. The kind-hearted father, who was indulgent to all weaknesses except those of careless farmers, said to Hetty, “You'd better take those things off again, my dear; it hurts your aunt to see them.”
Hetty went upstairs again, and the arrival of the ale made an agreeable diversion; for Adam had to give his opinion of the new tap, which could not be otherwise than complimentary to Mrs. Poyser; and then followed a discussion on the secrets of good brewing, the folly of stinginess in “hopping,” and the doubtful economy of a farmer’s making his own malt. Mrs. Poyser had so many opportunities of expressing herself with weight on these subjects that by the time supper was ended, the ale-jug refilled, and Mr. Poyser’s pipe alight she was once more in high good humour, and ready, at Adam’s request, to fetch the broken spinning-wheel for his inspection.
Hetty went upstairs again, and the arrival of the ale provided a pleasant distraction; Adam had to share his thoughts on the new tap, which could only be flattering to Mrs. Poyser. This led to a discussion about the secrets of good brewing, the foolishness of being stingy with hops, and the questionable savings of a farmer making their own malt. Mrs. Poyser had many chances to express her views on these topics, so by the time supper was over, the ale jug was refilled, and Mr. Poyser's pipe was lit, she was once again in a great mood and, at Adam's request, went to get the broken spinning wheel for him to look at.
“Ah,” said Adam, looking at it carefully, “here’s a nice bit o’ turning wanted. It’s a pretty wheel. I must have it up at the turning-shop in the village and do it there, for I’ve no convenence for turning at home. If you’ll send it to Mr. Burge’s shop i’ the morning, I’ll get it done for you by Wednesday. I’ve been turning it over in my mind,” he continued, looking at Mr. Poyser, “to make a bit more convenence at home for nice jobs o’ cabinet-making. I’ve always done a deal at such little things in odd hours, and they’re profitable, for there’s more workmanship nor material in ’em. I look for me and Seth to get a little business for ourselves i’ that way, for I know a man at Rosseter as ’ull take as many things as we should make, besides what we could get orders for round about.”
“Ah,” said Adam, examining it closely, “here’s a nice piece that needs turning. It’s a beautiful wheel. I need to take it to the turning shop in the village because I don’t have the right setup at home. If you could send it to Mr. Burge’s shop in the morning, I’ll have it ready for you by Wednesday. I’ve been thinking,” he continued, looking at Mr. Poyser, “about setting up a better workspace at home for nice cabinet-making jobs. I’ve always done a lot of these little projects in my spare time, and they’re quite profitable since there’s more craftsmanship involved than materials. I expect that Seth and I could start a small business doing this, as I know a guy in Rosseter who would take as many pieces as we can make, not to mention the orders we could get in the area.”
Mr. Poyser entered with interest into a project which seemed a step towards Adam’s becoming a “master-man,” and Mrs. Poyser gave her approbation to the scheme of the movable kitchen cupboard, which was to be capable of containing grocery, pickles, crockery, and house-linen in the utmost compactness without confusion. Hetty, once more in her own dress, with her neckerchief pushed a little backwards on this warm evening, was seated picking currants near the window, where Adam could see her quite well. And so the time passed pleasantly till Adam got up to go. He was pressed to come again soon, but not to stay longer, for at this busy time sensible people would not run the risk of being sleepy at five o’clock in the morning.
Mr. Poyser was really interested in a plan that seemed like a step toward Adam becoming a “master-man,” and Mrs. Poyser supported the idea of a movable kitchen cupboard that could hold groceries, pickles, dishes, and linens in the most compact way without things getting mixed up. Hetty, now back in her own outfit with her neckerchief slightly pushed back on this warm evening, was sitting by the window picking currants, where Adam could see her clearly. Time passed pleasantly until Adam got up to leave. They urged him to come back soon but not to stay longer, as sensible people wouldn’t want to risk being sleepy at five in the morning during this busy time.
“I shall take a step farther,” said Adam, “and go on to see Mester Massey, for he wasn’t at church yesterday, and I’ve not seen him for a week past. I’ve never hardly known him to miss church before.”
“I’m going to take it a step further,” Adam said, “and check on Mester Massey because he wasn’t at church yesterday, and I haven’t seen him for a week. I can’t remember the last time he missed church.”
“Aye,” said Mr. Poyser, “we’ve heared nothing about him, for it’s the boys’ hollodays now, so we can give you no account.”
“Aye,” said Mr. Poyser, “we haven’t heard anything about him, since it’s the boys’ holidays now, so we can’t give you any information.”
“But you’ll niver think o’ going there at this hour o’ the night?” said Mrs. Poyser, folding up her knitting.
“But you won’t ever think of going there at this hour of the night?” said Mrs. Poyser, folding up her knitting.
“Oh, Mester Massey sits up late,” said Adam. “An’ the night-school’s not over yet. Some o’ the men don’t come till late—they’ve got so far to walk. And Bartle himself’s never in bed till it’s gone eleven.”
“Oh, Master Massey stays up late,” said Adam. “And the night class isn’t over yet. Some of the guys don’t arrive until late—they have a long way to walk. And Bartle himself doesn’t go to bed until after eleven.”
“I wouldna have him to live wi’ me, then,” said Mrs. Poyser, “a-dropping candle-grease about, as you’re like to tumble down o’ the floor the first thing i’ the morning.”
“I wouldn’t want him living with me, then,” said Mrs. Poyser, “dropping candle wax everywhere, and you’re likely to trip over it first thing in the morning.”
“Aye, eleven o’clock’s late—it’s late,” said old Martin. “I ne’er sot up so i’ my life, not to say as it warna a marr’in’, or a christenin’, or a wake, or th’ harvest supper. Eleven o’clock’s late.”
“Yeah, eleven o’clock is late—it’s late,” said old Martin. “I’ve never stayed up this late in my life, not even for a wedding, a christening, a wake, or the harvest supper. Eleven o’clock is late.”
“Why, I sit up till after twelve often,” said Adam, laughing, “but it isn’t t’ eat and drink extry, it’s to work extry. Good-night, Mrs. Poyser; good-night, Hetty.”
“Honestly, I stay up past midnight pretty often,” Adam said with a laugh, “but it’s not for eating and drinking more, it’s to work more. Good night, Mrs. Poyser; good night, Hetty.”
Hetty could only smile and not shake hands, for hers were dyed and damp with currant-juice; but all the rest gave a hearty shake to the large palm that was held out to them, and said, “Come again, come again!”
Hetty could only smile and couldn’t shake hands, since hers were stained and wet with currant juice; but everyone else warmly shook the large hand that was extended to them, saying, “Come back, come back!”
“Aye, think o’ that now,” said Mr. Poyser, when Adam was out of on the causeway. “Sitting up till past twelve to do extry work! Ye’ll not find many men o’ six-an’ twenty as ’ull do to put i’ the shafts wi’ him. If you can catch Adam for a husband, Hetty, you’ll ride i’ your own spring-cart some day, I’ll be your warrant.”
“Yeah, think about that now,” said Mr. Poyser, as Adam walked down the path. “Staying up until after midnight to do extra work! You won’t find many twenty-six-year-olds who would work alongside him. If you can snag Adam as a husband, Hetty, you’ll be driving your own cart one day, I promise you.”
Hetty was moving across the kitchen with the currants, so her uncle did not see the little toss of the head with which she answered him. To ride in a spring-cart seemed a very miserable lot indeed to her now.
Hetty was moving through the kitchen with the currants, so her uncle didn't notice the slight toss of her head as she responded to him. Riding in a spring-cart now seemed like a really miserable situation to her.
Chapter XXI
The Night-School and the Schoolmaster
Bartle Massey’s was one of a few scattered houses on the edge of a common, which was divided by the road to Treddleston. Adam reached it in a quarter of an hour after leaving the Hall Farm; and when he had his hand on the door-latch, he could see, through the curtainless window, that there were eight or nine heads bending over the desks, lighted by thin dips.
Bartle Massey’s was one of a few houses spread out on the edge of a common, split by the road to Treddleston. Adam got there in about fifteen minutes after leaving the Hall Farm; and when he reached for the door handle, he could see through the uncurtained window that eight or nine people were leaning over the desks, lit by flickering candles.
When he entered, a reading lesson was going forward and Bartle Massey merely nodded, leaving him to take his place where he pleased. He had not come for the sake of a lesson to-night, and his mind was too full of personal matters, too full of the last two hours he had passed in Hetty’s presence, for him to amuse himself with a book till school was over; so he sat down in a corner and looked on with an absent mind. It was a sort of scene which Adam had beheld almost weekly for years; he knew by heart every arabesque flourish in the framed specimen of Bartle Massey’s handwriting which hung over the schoolmaster’s head, by way of keeping a lofty ideal before the minds of his pupils; he knew the backs of all the books on the shelf running along the whitewashed wall above the pegs for the slates; he knew exactly how many grains were gone out of the ear of Indian corn that hung from one of the rafters; he had long ago exhausted the resources of his imagination in trying to think how the bunch of leathery seaweed had looked and grown in its native element; and from the place where he sat, he could make nothing of the old map of England that hung against the opposite wall, for age had turned it of a fine yellow brown, something like that of a well-seasoned meerschaum. The drama that was going on was almost as familiar as the scene, nevertheless habit had not made him indifferent to it, and even in his present self-absorbed mood, Adam felt a momentary stirring of the old fellow-feeling, as he looked at the rough men painfully holding pen or pencil with their cramped hands, or humbly labouring through their reading lesson.
When he walked in, a reading lesson was in progress, and Bartle Massey just nodded, letting him choose where to sit. He hadn’t come for a lesson tonight; his mind was too occupied with personal things, especially the last couple of hours he had spent with Hetty, to entertain himself with a book until class was over. So, he settled in a corner and watched with a distracted mind. It was a scene Adam had seen almost every week for years; he knew every flourish in the framed example of Bartle Massey’s handwriting that hung above the schoolmaster’s desk, meant to inspire his students. He recognized the spines of all the books on the shelf along the whitewashed wall above the slate hooks; he counted how many grains were missing from the ear of Indian corn hanging from one of the rafters; he had long since run out of ideas imagining how the bunch of leathery seaweed looked and thrived in its natural environment; and from where he sat, he couldn’t make out the old map of England on the opposite wall, as age had turned it a nice yellow-brown, similar to a well-used meerschaum pipe. The drama unfolding was almost as familiar as the setting, yet even though he was preoccupied, Adam felt a fleeting connection to the old sense of camaraderie as he watched the rough men struggling to hold a pen or pencil with their cramped hands or diligently working through their reading lesson.
The reading class now seated on the form in front of the schoolmaster’s desk consisted of the three most backward pupils. Adam would have known it only by seeing Bartle Massey’s face as he looked over his spectacles, which he had shifted to the ridge of his nose, not requiring them for present purposes. The face wore its mildest expression: the grizzled bushy eyebrows had taken their more acute angle of compassionate kindness, and the mouth, habitually compressed with a pout of the lower lip, was relaxed so as to be ready to speak a helpful word or syllable in a moment. This gentle expression was the more interesting because the schoolmaster’s nose, an irregular aquiline twisted a little on one side, had rather a formidable character; and his brow, moreover, had that peculiar tension which always impresses one as a sign of a keen impatient temperament: the blue veins stood out like cords under the transparent yellow skin, and this intimidating brow was softened by no tendency to baldness, for the grey bristly hair, cut down to about an inch in length, stood round it in as close ranks as ever.
The reading class now sitting on the bench in front of the schoolmaster’s desk was made up of the three slowest students. Adam would have recognized it just by looking at Bartle Massey’s face as he peered over his glasses, which he had pushed up to the bridge of his nose since he didn’t need them right now. His face had its kindest look: his grizzled, bushy eyebrows had taken on a slightly more sympathetic angle, and his mouth, usually pressed together with a pout of the lower lip, was relaxed and ready to say a helpful word or sound at any moment. This gentle expression was all the more striking because the schoolmaster had an irregular, slightly twisted aquiline nose that looked rather intimidating; also, his forehead had that particular tension that always gives the impression of a sharp, restless temperament: the blue veins stood out like cords under his transparent, yellowing skin, and this formidable brow wasn’t softened by any signs of balding, as his grey, bristly hair was cut to about an inch in length and framed it closely.
“Nay, Bill, nay,” Bartle was saying in a kind tone, as he nodded to Adam, “begin that again, and then perhaps, it’ll come to you what d-r-y spells. It’s the same lesson you read last week, you know.”
“Nah, Bill, nah,” Bartle said gently, nodding to Adam, “try that again, and maybe you’ll remember what d-r-y spells. It’s the same lesson you read last week, you know.”
“Bill” was a sturdy fellow, aged four-and-twenty, an excellent stone-sawyer, who could get as good wages as any man in the trade of his years; but he found a reading lesson in words of one syllable a harder matter to deal with than the hardest stone he had ever had to saw. The letters, he complained, were so “uncommon alike, there was no tellin’ ’em one from another,” the sawyer’s business not being concerned with minute differences such as exist between a letter with its tail turned up and a letter with its tail turned down. But Bill had a firm determination that he would learn to read, founded chiefly on two reasons: first, that Tom Hazelow, his cousin, could read anything “right off,” whether it was print or writing, and Tom had sent him a letter from twenty miles off, saying how he was prospering in the world and had got an overlooker’s place; secondly, that Sam Phillips, who sawed with him, had learned to read when he was turned twenty, and what could be done by a little fellow like Sam Phillips, Bill considered, could be done by himself, seeing that he could pound Sam into wet clay if circumstances required it. So here he was, pointing his big finger towards three words at once, and turning his head on one side that he might keep better hold with his eye of the one word which was to be discriminated out of the group. The amount of knowledge Bartle Massey must possess was something so dim and vast that Bill’s imagination recoiled before it: he would hardly have ventured to deny that the schoolmaster might have something to do in bringing about the regular return of daylight and the changes in the weather.
“Bill” was a strong guy, twenty-four years old, an excellent stone cutter who could earn as much as any man in his field at that age. But he found reading words with just one syllable much tougher than the hardest stone he ever had to cut. He complained that the letters were so "uncommonly alike" that he couldn’t tell them apart, as his work didn’t involve the tiny differences between letters that had their tails pointing up or down. However, Bill was determined to learn to read for two main reasons: first, his cousin Tom Hazelow could read anything easily, whether it was printed or handwritten, and Tom had sent him a letter from twenty miles away, telling him how well he was doing and that he had gotten a supervisor’s job; secondly, Sam Phillips, who worked with him, had learned to read when he turned twenty, and Bill thought that if a little guy like Sam could do it, then he could too, especially since he could easily overpower Sam if needed. So there he was, pointing his big finger at three words at once, tilting his head to focus better on the one word he was trying to figure out. The amount of knowledge Bartle Massey must have was so vast and unclear that Bill’s imagination struggled to grasp it: he might even have hesitated to deny that the schoolmaster could play a role in bringing about the regular return of daylight and changes in the weather.
The man seated next to Bill was of a very different type: he was a Methodist brickmaker who, after spending thirty years of his life in perfect satisfaction with his ignorance, had lately “got religion,” and along with it the desire to read the Bible. But with him, too, learning was a heavy business, and on his way out to-night he had offered as usual a special prayer for help, seeing that he had undertaken this hard task with a single eye to the nourishment of his soul—that he might have a greater abundance of texts and hymns wherewith to banish evil memories and the temptations of old habit—or, in brief language, the devil. For the brickmaker had been a notorious poacher, and was suspected, though there was no good evidence against him, of being the man who had shot a neighbouring gamekeeper in the leg. However that might be, it is certain that shortly after the accident referred to, which was coincident with the arrival of an awakening Methodist preacher at Treddleston, a great change had been observed in the brickmaker; and though he was still known in the neighbourhood by his old sobriquet of “Brimstone,” there was nothing he held in so much horror as any further transactions with that evil-smelling element. He was a broad-chested fellow with a fervid temperament, which helped him better in imbibing religious ideas than in the dry process of acquiring the mere human knowledge of the alphabet. Indeed, he had been already a little shaken in his resolution by a brother Methodist, who assured him that the letter was a mere obstruction to the Spirit, and expressed a fear that Brimstone was too eager for the knowledge that puffeth up.
The man sitting next to Bill was very different: he was a Methodist brickmaker who, after spending thirty years content in his ignorance, had recently “found religion” and also developed a desire to read the Bible. However, for him, learning was still a tough task, and on his way out tonight, he had offered his usual special prayer for help, knowing he had taken on this challenging job solely to nourish his soul—that he might have more scriptures and hymns to help him get rid of bad memories and old temptations—or, in simpler terms, the devil. The brickmaker had a reputation as a notorious poacher and was suspected, though there was no solid evidence against him, of being the one who shot a neighboring gamekeeper in the leg. Regardless of that, it's clear that shortly after the aforementioned incident, which coincided with the arrival of a revivalist Methodist preacher in Treddleston, a significant change was noticed in the brickmaker; and even though he was still known locally by his old nickname “Brimstone,” there was nothing he feared more than any further dealings with that foul-smelling element. He was a broad-chested guy with a passionate temperament, which helped him embrace religious ideas more easily than mastering the dry task of learning the alphabet. In fact, he had already been a bit shaken in his determination by a fellow Methodist, who told him that letters were merely an obstacle to the Spirit and expressed concern that Brimstone was too eager for knowledge that puffs up.
The third beginner was a much more promising pupil. He was a tall but thin and wiry man, nearly as old as Brimstone, with a very pale face and hands stained a deep blue. He was a dyer, who in the course of dipping homespun wool and old women’s petticoats had got fired with the ambition to learn a great deal more about the strange secrets of colour. He had already a high reputation in the district for his dyes, and he was bent on discovering some method by which he could reduce the expense of crimsons and scarlets. The druggist at Treddleston had given him a notion that he might save himself a great deal of labour and expense if he could learn to read, and so he had begun to give his spare hours to the night-school, resolving that his “little chap” should lose no time in coming to Mr. Massey’s day-school as soon as he was old enough.
The third beginner was a much more promising student. He was a tall, thin, and wiry man, nearly as old as Brimstone, with a very pale face and hands stained a deep blue. He worked as a dyer, and while dipping homespun wool and old women’s petticoats, he became passionate about learning much more about the strange secrets of color. He already had a strong reputation in the area for his dyes, and he was determined to find a way to reduce the cost of crimsons and scarlets. The druggist in Treddleston had suggested that he could save a lot of time and money if he learned to read, so he started spending his spare hours at night school, planning that his “little chap” would waste no time in attending Mr. Massey’s day school as soon as he was old enough.
It was touching to see these three big men, with the marks of their hard labour about them, anxiously bending over the worn books and painfully making out, “The grass is green,” “The sticks are dry,” “The corn is ripe”—a very hard lesson to pass to after columns of single words all alike except in the first letter. It was almost as if three rough animals were making humble efforts to learn how they might become human. And it touched the tenderest fibre in Bartle Massey’s nature, for such full-grown children as these were the only pupils for whom he had no severe epithets and no impatient tones. He was not gifted with an imperturbable temper, and on music-nights it was apparent that patience could never be an easy virtue to him; but this evening, as he glances over his spectacles at Bill Downes, the sawyer, who is turning his head on one side with a desperate sense of blankness before the letters d-r-y, his eyes shed their mildest and most encouraging light.
It was heartwarming to see these three big men, showing signs of their hard work, anxiously leaning over the worn books and struggling to read, “The grass is green,” “The sticks are dry,” “The corn is ripe”—a tough lesson to tackle after rows of single words that were all alike except for the first letter. It was almost like three rough creatures were making genuine efforts to learn how to be more like humans. And it deeply moved Bartle Massey, because for these fully grown but childlike pupils, he had no harsh words or impatient tones. He didn’t have an unshakeable temperament, and during music nights, it was clear that patience wasn’t an easy quality for him; but that evening, as he looked over his glasses at Bill Downes, the sawyer, who was tilting his head in confusion before the letters d-r-y, his eyes radiated their kindest and most encouraging warmth.
After the reading class, two youths between sixteen and nineteen came up with the imaginary bills of parcels, which they had been writing out on their slates and were now required to calculate “off-hand”—a test which they stood with such imperfect success that Bartle Massey, whose eyes had been glaring at them ominously through his spectacles for some minutes, at length burst out in a bitter, high-pitched tone, pausing between every sentence to rap the floor with a knobbed stick which rested between his legs.
After the reading class, two kids between sixteen and nineteen approached with the pretend invoices they had been writing on their slates. They were now supposed to calculate everything on the spot—a challenge they handled with such poor results that Bartle Massey, who had been glaring at them disapprovingly through his glasses for several minutes, finally exploded in a sharp, high-pitched voice, pausing between each sentence to tap the floor with a knobbed stick he was resting between his legs.
“Now, you see, you don’t do this thing a bit better than you did a fortnight ago, and I’ll tell you what’s the reason. You want to learn accounts—that’s well and good. But you think all you need do to learn accounts is to come to me and do sums for an hour or so, two or three times a-week; and no sooner do you get your caps on and turn out of doors again than you sweep the whole thing clean out of your mind. You go whistling about, and take no more care what you’re thinking of than if your heads were gutters for any rubbish to swill through that happened to be in the way; and if you get a good notion in ’em, it’s pretty soon washed out again. You think knowledge is to be got cheap—you’ll come and pay Bartle Massey sixpence a-week, and he’ll make you clever at figures without your taking any trouble. But knowledge isn’t to be got with paying sixpence, let me tell you. If you’re to know figures, you must turn ’em over in your heads and keep your thoughts fixed on ’em. There’s nothing you can’t turn into a sum, for there’s nothing but what’s got number in it—even a fool. You may say to yourselves, ‘I’m one fool, and Jack’s another; if my fool’s head weighed four pound, and Jack’s three pound three ounces and three quarters, how many pennyweights heavier would my head be than Jack’s?’ A man that had got his heart in learning figures would make sums for himself and work ’em in his head. When he sat at his shoemaking, he’d count his stitches by fives, and then put a price on his stitches, say half a farthing, and then see how much money he could get in an hour; and then ask himself how much money he’d get in a day at that rate; and then how much ten workmen would get working three, or twenty, or a hundred years at that rate—and all the while his needle would be going just as fast as if he left his head empty for the devil to dance in. But the long and the short of it is—I’ll have nobody in my night-school that doesn’t strive to learn what he comes to learn, as hard as if he was striving to get out of a dark hole into broad daylight. I’ll send no man away because he’s stupid: if Billy Taft, the idiot, wanted to learn anything, I’d not refuse to teach him. But I’ll not throw away good knowledge on people who think they can get it by the sixpenn’orth, and carry it away with ’em as they would an ounce of snuff. So never come to me again, if you can’t show that you’ve been working with your own heads, instead of thinking that you can pay for mine to work for you. That’s the last word I’ve got to say to you.”
“Now, you see, you’re not doing this any better than you were two weeks ago, and I’ll tell you why. You want to learn accounting—that’s great. But you think all you have to do to learn it is come to me and do math for an hour or so, a couple of times a week. As soon as you put your hat on and head out the door, you completely forget everything. You stroll around without a care, as if your mind were a gutter for any junk that happens to float by, and if you get a good idea in there, it’s gone just as quickly. You think you can get knowledge easily—you’ll pay Bartle Massey sixpence a week, and he’ll make you smart at numbers without you putting in any effort. But knowledge doesn’t come cheap, let me tell you. If you want to understand numbers, you have to really think about them and keep your focus on them. Everything can be turned into a math problem, because everything involves numbers—even foolishness. You might think, ‘I’m one fool, and Jack’s another; if my foolish head weighed four pounds, and Jack’s three pounds three ounces and three quarters, how many pennyweights heavier is my head than Jack’s?’ Someone who truly cares about learning numbers would create problems for themselves and solve them in their head. While doing shoemaking, they’d count their stitches by fives, then price them, say half a farthing, and see how much money they could make in an hour; then they’d figure out how much they’d earn in a day at that rate; and then how much ten workers would make in three, twenty, or even a hundred years at that rate—and all this while sewing just as quickly as if their mind were empty for the devil to dance in. But the bottom line is—I won’t accept anyone in my night class who doesn’t work hard to learn what they come to learn, as if they were trying to escape a dark hole into the light. I won’t send anyone away because they’re not smart: if Billy Taft, the idiot, wanted to learn something, I wouldn’t refuse to teach him. But I won’t waste good knowledge on people who think they can buy it for sixpence and take it with them like a pinch of snuff. So don’t come to me again unless you can prove that you’ve been working with your own brain, instead of thinking you can pay for mine to do the work for you. That’s all I have to say.”
With this final sentence, Bartle Massey gave a sharper rap than ever with his knobbed stick, and the discomfited lads got up to go with a sulky look. The other pupils had happily only their writing-books to show, in various stages of progress from pot-hooks to round text; and mere pen-strokes, however perverse, were less exasperating to Bartle than false arithmetic. He was a little more severe than usual on Jacob Storey’s Z’s, of which poor Jacob had written a pageful, all with their tops turned the wrong way, with a puzzled sense that they were not right “somehow.” But he observed in apology, that it was a letter you never wanted hardly, and he thought it had only been there “to finish off th’ alphabet, like, though ampusand (&) would ha’ done as well, for what he could see.”
With this final statement, Bartle Massey gave a sharper tap than ever with his knobbed stick, and the defeated boys got up to leave with sulky expressions. The other students happily only had their writing books to show, in various stages of progress from scribbles to neat text; and mere pen strokes, no matter how awkward, were less irritating to Bartle than incorrect math. He was a bit harsher than usual on Jacob Storey’s Z’s, of which poor Jacob had written a whole page, all with their tops facing the wrong way, feeling confused that they weren't "right somehow." But he added in defense that it was a letter you hardly ever needed, and he thought it was only there “to finish off the alphabet, like, though ampersand (&) would have worked just as well, as far as he could tell.”
At last the pupils had all taken their hats and said their “Good-nights,” and Adam, knowing his old master’s habits, rose and said, “Shall I put the candles out, Mr. Massey?”
At last, the students had all grabbed their hats and said their "Goodnights," and Adam, knowing his old master's routines, stood up and asked, "Should I put the candles out, Mr. Massey?"
“Yes, my boy, yes, all but this, which I’ll carry into the house; and just lock the outer door, now you’re near it,” said Bartle, getting his stick in the fitting angle to help him in descending from his stool. He was no sooner on the ground than it became obvious why the stick was necessary—the left leg was much shorter than the right. But the school-master was so active with his lameness that it was hardly thought of as a misfortune; and if you had seen him make his way along the schoolroom floor, and up the step into his kitchen, you would perhaps have understood why the naughty boys sometimes felt that his pace might be indefinitely quickened and that he and his stick might overtake them even in their swiftest run.
“Yes, my boy, yes, everything except this, which I’ll take into the house; and just lock the outer door now that you're close to it,” said Bartle, adjusting his stick to help him get down from his stool. No sooner was he on the ground than it became clear why he needed the stick—his left leg was much shorter than his right. But the schoolmaster moved around so nimbly despite his lameness that it didn’t seem like a misfortune; and if you had seen him navigate the schoolroom floor and ascend the step into his kitchen, you might have understood why the mischievous boys sometimes thought he could speed up infinitely and catch up to them, even in their fastest runs.
The moment he appeared at the kitchen door with the candle in his hand, a faint whimpering began in the chimney-corner, and a brown-and-tan-coloured bitch, of that wise-looking breed with short legs and long body, known to an unmechanical generation as turnspits, came creeping along the floor, wagging her tail, and hesitating at every other step, as if her affections were painfully divided between the hamper in the chimney-corner and the master, whom she could not leave without a greeting.
The moment he showed up at the kitchen door with a candle in his hand, a soft whimpering started in the corner by the chimney. A brown-and-tan dog, from that clever-looking breed with short legs and long bodies known to a less tech-savvy time as turnspits, came inching across the floor, wagging her tail and pausing at every other step, as if her loyalties were painfully split between the basket in the chimney corner and the master, whom she couldn't approach without saying hello.
“Well, Vixen, well then, how are the babbies?” said the schoolmaster, making haste towards the chimney-corner and holding the candle over the low hamper, where two extremely blind puppies lifted up their heads towards the light from a nest of flannel and wool. Vixen could not even see her master look at them without painful excitement: she got into the hamper and got out again the next moment, and behaved with true feminine folly, though looking all the while as wise as a dwarf with a large old-fashioned head and body on the most abbreviated legs.
“Well, Vixen, so how are the babies?” said the schoolmaster, rushing over to the fireplace and holding the candle over the low hamper, where two completely blind puppies raised their heads toward the light from a nest of flannel and wool. Vixen couldn’t even watch her master look at them without feeling anxious excitement: she jumped into the hamper and hopped out again the next moment, behaving with true feminine silliness, all while looking as wise as a dwarf with a large old-fashioned head and body on very short legs.
“Why, you’ve got a family, I see, Mr. Massey?” said Adam, smiling, as he came into the kitchen. “How’s that? I thought it was against the law here.”
“Why, I see you have a family, Mr. Massey?” said Adam, smiling as he walked into the kitchen. “How’s that? I thought that was against the law around here.”
“Law? What’s the use o’ law when a man’s once such a fool as to let a woman into his house?” said Bartle, turning away from the hamper with some bitterness. He always called Vixen a woman, and seemed to have lost all consciousness that he was using a figure of speech. “If I’d known Vixen was a woman, I’d never have held the boys from drowning her; but when I’d got her into my hand, I was forced to take to her. And now you see what she’s brought me to—the sly, hypocritical wench”—Bartle spoke these last words in a rasping tone of reproach, and looked at Vixen, who poked down her head and turned up her eyes towards him with a keen sense of opprobrium—“and contrived to be brought to bed on a Sunday at church-time. I’ve wished again and again I’d been a bloody minded man, that I could have strangled the mother and the brats with one cord.”
“Law? What’s the point of law when a man is foolish enough to let a woman into his house?” Bartle said bitterly, turning away from the hamper. He always referred to Vixen as a woman and seemed completely unaware that he was using a metaphor. “If I’d known Vixen was a woman, I never would have stopped the boys from drowning her; but once I had her in my grip, I was forced to take care of her. And look where that’s gotten me—the sly, hypocritical wench”—Bartle said the last part in a rough tone of reproach, glancing at Vixen, who lowered her head and looked up at him with a sharp sense of shame—“and somehow managed to give birth on a Sunday during church time. I’ve wished over and over that I were a ruthless man so I could have strangled the mother and the brats with one cord.”
“I’m glad it was no worse a cause kept you from church,” said Adam. “I was afraid you must be ill for the first time i’ your life. And I was particularly sorry not to have you at church yesterday.”
“I’m glad it wasn’t anything worse that kept you from church,” said Adam. “I was worried you might be sick for the first time in your life. And I was especially sorry not to have you at church yesterday.”
“Ah, my boy, I know why, I know why,” said Bartle kindly, going up to Adam and raising his hand up to the shoulder that was almost on a level with his own head. “You’ve had a rough bit o’ road to get over since I saw you—a rough bit o’ road. But I’m in hopes there are better times coming for you. I’ve got some news to tell you. But I must get my supper first, for I’m hungry, I’m hungry. Sit down, sit down.”
“Ah, my boy, I understand, I understand,” Bartle said gently, walking over to Adam and raising his hand to the shoulder that was almost at the same height as his own head. “You’ve been through a tough time since I last saw you—a really tough time. But I’m hopeful that better days are ahead for you. I have some news to share. But I need to have my dinner first because I’m hungry, I’m really hungry. Sit down, sit down.”
Bartle went into his little pantry, and brought out an excellent home-baked loaf; for it was his one extravagance in these dear times to eat bread once a-day instead of oat-cake; and he justified it by observing, that what a schoolmaster wanted was brains, and oat-cake ran too much to bone instead of brains. Then came a piece of cheese and a quart jug with a crown of foam upon it. He placed them all on the round deal table which stood against his large arm-chair in the chimney-corner, with Vixen’s hamper on one side of it and a window-shelf with a few books piled up in it on the other. The table was as clean as if Vixen had been an excellent housewife in a checkered apron; so was the quarry floor; and the old carved oaken press, table, and chairs, which in these days would be bought at a high price in aristocratic houses, though, in that period of spider-legs and inlaid cupids, Bartle had got them for an old song, were as free from dust as things could be at the end of a summer’s day.
Bartle walked into his small pantry and brought out a nice homemade loaf of bread; it was his one treat during tough times to eat bread once a day instead of oatcakes. He justified it by saying that what a schoolmaster needed was brains, and oatcakes were too heavy on the bones instead of the brains. Next, he brought out a piece of cheese and a quart jug topped with a frothy crown. He set everything on the round wooden table next to his large armchair in the fireplace corner, with Vixen’s basket on one side and a window shelf stacked with a few books on the other. The table was as clean as if Vixen had been a meticulous housewife in a checked apron; the stone floor was just as tidy, and the old carved oak press, table, and chairs—which would fetch a high price in fancy homes today, though Bartle had picked them up for next to nothing back when spider-leg furniture and inlaid cupids were all the rage—were as dust-free as you could get at the end of a summer day.
“Now, then, my boy, draw up, draw up. We’ll not talk about business till we’ve had our supper. No man can be wise on an empty stomach. But,” said Bartle, rising from his chair again, “I must give Vixen her supper too, confound her! Though she’ll do nothing with it but nourish those unnecessary babbies. That’s the way with these women—they’ve got no head-pieces to nourish, and so their food all runs either to fat or to brats.”
“Alright, kid, come closer. We won't discuss business until after dinner. No one can think clearly on an empty stomach. But,” Bartle said, getting up from his chair again, “I also need to feed Vixen, damn her! Although she’ll just use it to feed those unnecessary babies. That’s how it goes with these women—they don’t have any brains to feed, so their food just goes to fat or to kids.”
He brought out of the pantry a dish of scraps, which Vixen at once fixed her eyes on, and jumped out of her hamper to lick up with the utmost dispatch.
He pulled a dish of scraps out of the pantry, which Vixen immediately focused on, and jumped out of her basket to gobble up as quickly as possible.
“I’ve had my supper, Mr. Massey,” said Adam, “so I’ll look on while you eat yours. I’ve been at the Hall Farm, and they always have their supper betimes, you know: they don’t keep your late hours.”
“I’ve had my dinner, Mr. Massey,” Adam said, “so I’ll watch you eat yours. I was at the Hall Farm, and they always have their dinner early, you know: they don’t stay up late like you do.”
“I know little about their hours,” said Bartle dryly, cutting his bread and not shrinking from the crust. “It’s a house I seldom go into, though I’m fond of the boys, and Martin Poyser’s a good fellow. There’s too many women in the house for me: I hate the sound of women’s voices; they’re always either a-buzz or a-squeak—always either a-buzz or a-squeak. Mrs. Poyser keeps at the top o’ the talk like a fife; and as for the young lasses, I’d as soon look at water-grubs. I know what they’ll turn to—stinging gnats, stinging gnats. Here, take some ale, my boy: it’s been drawn for you—it’s been drawn for you.”
“I don’t know much about their schedule,” Bartle said dryly, chopping his bread without avoiding the crust. “It’s a place I rarely visit, even though I like the boys, and Martin Poyser is a decent guy. There are too many women in that house for me: I can’t stand the sound of women’s voices; they’re always buzzing or squeaking—always buzzing or squeaking. Mrs. Poyser is always leading the conversation like a fife; and as for the young women, I’d rather not look at them. I know how they’ll turn out—stinging gnats, stinging gnats. Here, have some ale, my boy: it’s been poured for you—it’s been poured for you.”
“Nay, Mr. Massey,” said Adam, who took his old friend’s whim more seriously than usual to-night, “don’t be so hard on the creaturs God has made to be companions for us. A working-man ’ud be badly off without a wife to see to th’ house and the victual, and make things clean and comfortable.”
“Nah, Mr. Massey,” said Adam, who was taking his old friend’s quirks more seriously than usual tonight, “don’t be so tough on the creatures God made to be our companions. A working man would be in a bad spot without a wife to manage the house, cook meals, and keep things clean and comfortable.”
“Nonsense! It’s the silliest lie a sensible man like you ever believed, to say a woman makes a house comfortable. It’s a story got up because the women are there and something must be found for ’em to do. I tell you there isn’t a thing under the sun that needs to be done at all, but what a man can do better than a woman, unless it’s bearing children, and they do that in a poor make-shift way; it had better ha’ been left to the men—it had better ha’ been left to the men. I tell you, a woman ’ull bake you a pie every week of her life and never come to see that the hotter th’ oven the shorter the time. I tell you, a woman ’ull make your porridge every day for twenty years and never think of measuring the proportion between the meal and the milk—a little more or less, she’ll think, doesn’t signify. The porridge will be awk’ard now and then: if it’s wrong, it’s summat in the meal, or it’s summat in the milk, or it’s summat in the water. Look at me! I make my own bread, and there’s no difference between one batch and another from year’s end to year’s end; but if I’d got any other woman besides Vixen in the house, I must pray to the Lord every baking to give me patience if the bread turned out heavy. And as for cleanliness, my house is cleaner than any other house on the Common, though the half of ’em swarm with women. Will Baker’s lad comes to help me in a morning, and we get as much cleaning done in one hour, without any fuss, as a woman ’ud get done in three, and all the while be sending buckets o’ water after your ankles, and let the fender and the fire-irons stand in the middle o’ the floor half the day for you to break your shins against ’em. Don’t tell me about God having made such creatures to be companions for us! I don’t say but He might make Eve to be a companion to Adam in Paradise—there was no cooking to be spoilt there, and no other woman to cackle with and make mischief, though you see what mischief she did as soon as she’d an opportunity. But it’s an impious, unscriptural opinion to say a woman’s a blessing to a man now; you might as well say adders and wasps, and foxes and wild beasts are a blessing, when they’re only the evils that belong to this state o’ probation, which it’s lawful for a man to keep as clear of as he can in this life, hoping to get quit of ’em for ever in another—hoping to get quit of ’em for ever in another.”
“Nonsense! It’s the silliest lie a sensible man like you has ever believed, saying that a woman makes a house comfortable. It’s a story made up because women are around, and something has to be found for them to do. I tell you, there isn’t a single thing that needs to be done that a man can’t do better than a woman, except for having children, and they do that in a pretty slapdash way; it would’ve been better left to the men—it would’ve been better left to the men. I tell you, a woman will bake you a pie every week of her life and never realize that the hotter the oven, the less time it takes. I tell you, a woman will make your porridge every day for twenty years and never think about measuring the ratio of the meal to the milk—a little more or less, she’ll think, doesn’t matter. The porridge will be awkward now and then: if it’s wrong, it’s something in the meal, or it’s something in the milk, or it’s something in the water. Look at me! I make my own bread, and there’s no difference between one batch and another from year’s end to year’s end; but if I had any other woman besides Vixen in the house, I would need to pray to the Lord every baking to give me patience if the bread turned out heavy. And as for cleanliness, my house is cleaner than any other house on the Common, even though half of them are full of women. Will Baker’s lad comes to help me in the mornings, and we get as much cleaning done in one hour, without any fuss, as a woman would get done in three, while still sending buckets of water splashing around your ankles, and leaving the fender and the fire-irons in the middle of the floor half the day for you to trip over. Don’t tell me about God making such creatures to be companions for us! I don’t doubt that He might have made Eve to be a companion to Adam in Paradise—there was no cooking to spoil there, and no other woman to gossip with and cause trouble, though you can see what trouble she caused as soon as she had the chance. But it’s an impious, unbiblical belief to say a woman is a blessing to a man now; you might as well say that adders and wasps, and foxes and wild beasts are blessings, when they’re just the evils that belong to this state of trial, which a man is allowed to keep as far away from as he can in this life, hoping to be rid of them forever in another—hoping to be rid of them forever in another.”
Bartle had become so excited and angry in the course of his invective that he had forgotten his supper, and only used the knife for the purpose of rapping the table with the haft. But towards the close, the raps became so sharp and frequent, and his voice so quarrelsome, that Vixen felt it incumbent on her to jump out of the hamper and bark vaguely.
Bartle had gotten so worked up and mad during his rant that he forgot about his dinner and only used the knife to tap the table with the handle. But by the end, the taps got so loud and frequent, and his tone so confrontational, that Vixen thought it was necessary to jump out of the basket and bark randomly.
“Quiet, Vixen!” snarled Bartle, turning round upon her. “You’re like the rest o’ the women—always putting in your word before you know why.”
"Shut up, Vixen!" Bartle snapped, turning to face her. "You're just like all the other women—always saying something before you even know what's going on."
Vixen returned to her hamper again in humiliation, and her master continued his supper in a silence which Adam did not choose to interrupt; he knew the old man would be in a better humour when he had had his supper and lighted his pipe. Adam was used to hear him talk in this way, but had never learned so much of Bartle’s past life as to know whether his view of married comfort was founded on experience. On that point Bartle was mute, and it was even a secret where he had lived previous to the twenty years in which happily for the peasants and artisans of this neighbourhood he had been settled among them as their only schoolmaster. If anything like a question was ventured on this subject, Bartle always replied, “Oh, I’ve seen many places—I’ve been a deal in the south,” and the Loamshire men would as soon have thought of asking for a particular town or village in Africa as in “the south.”
Vixen went back to her hamper, feeling embarrassed, while her master continued his dinner in silence, which Adam didn’t want to break; he knew the old man would be in a better mood after eating and lighting his pipe. Adam was used to hearing him speak this way but had never learned much about Bartle’s past to know if his views on married life came from experience. On that topic, Bartle stayed quiet, and no one even knew where he had lived before the twenty years he had been happily settled among the peasants and artisans of this area as their only schoolmaster. If anyone dared to ask about it, Bartle would always say, “Oh, I’ve seen many places—I’ve spent quite a bit of time in the south,” and the Loamshire men would sooner think of asking for a specific town or village in Africa than “the south.”
“Now then, my boy,” said Bartle, at last, when he had poured out his second mug of ale and lighted his pipe, “now then, we’ll have a little talk. But tell me first, have you heard any particular news to-day?”
“Now then, my boy,” said Bartle, finally, after he poured his second mug of beer and lit his pipe, “now then, let’s have a little chat. But first, tell me, have you heard any interesting news today?”
“No,” said Adam, “not as I remember.”
“No,” Adam said, “not that I remember.”
“Ah, they’ll keep it close, they’ll keep it close, I daresay. But I found it out by chance; and it’s news that may concern you, Adam, else I’m a man that don’t know a superficial square foot from a solid.”
“Ah, they’ll keep it under wraps, they’ll keep it under wraps, I bet. But I discovered it by chance; and it’s news that might matter to you, Adam, otherwise I’m a person who can’t tell a superficial square foot from a solid one.”
Here Bartle gave a series of fierce and rapid puffs, looking earnestly the while at Adam. Your impatient loquacious man has never any notion of keeping his pipe alight by gentle measured puffs; he is always letting it go nearly out, and then punishing it for that negligence. At last he said, “Satchell’s got a paralytic stroke. I found it out from the lad they sent to Treddleston for the doctor, before seven o’clock this morning. He’s a good way beyond sixty, you know; it’s much if he gets over it.”
Here Bartle took a series of quick, intense puffs on his pipe, focusing intently on Adam the whole time. The impatient, chatty guy never seems to understand that he should keep his pipe going with slow, steady puffs; he always lets it almost go out and then punishes it for that carelessness. Finally, he said, “Satchell’s had a stroke. I found out from the kid they sent to Treddleston for the doctor before seven this morning. He’s past sixty, you know; it’s a big deal if he pulls through.”
“Well,” said Adam, “I daresay there’d be more rejoicing than sorrow in the parish at his being laid up. He’s been a selfish, tale-bearing, mischievous fellow; but, after all, there’s nobody he’s done so much harm to as to th’ old squire. Though it’s the squire himself as is to blame—making a stupid fellow like that a sort o’ man-of-all-work, just to save th’ expense of having a proper steward to look after th’ estate. And he’s lost more by ill management o’ the woods, I’ll be bound, than ’ud pay for two stewards. If he’s laid on the shelf, it’s to be hoped he’ll make way for a better man, but I don’t see how it’s like to make any difference to me.”
“Well,” said Adam, “I bet there'd be more celebration than sadness in the parish at him being out of action. He’s been a selfish, gossiping, troublemaker; but honestly, he hasn't done more harm to anyone than to the old squire. Although it’s the squire himself who’s at fault—making a foolish guy like that a sort of jack-of-all-trades just to save money on hiring a real steward to manage the estate. And he’s probably lost more from poor management of the woods than it would cost for two stewards. If he’s out of the picture, let’s hope he makes way for someone better, but I doubt it’ll make any difference to me.”
“But I see it, but I see it,” said Bartle, “and others besides me. The captain’s coming of age now—you know that as well as I do—and it’s to be expected he’ll have a little more voice in things. And I know, and you know too, what ’ud be the captain’s wish about the woods, if there was a fair opportunity for making a change. He’s said in plenty of people’s hearing that he’d make you manager of the woods to-morrow, if he’d the power. Why, Carroll, Mr. Irwine’s butler, heard him say so to the parson not many days ago. Carroll looked in when we were smoking our pipes o’ Saturday night at Casson’s, and he told us about it; and whenever anybody says a good word for you, the parson’s ready to back it, that I’ll answer for. It was pretty well talked over, I can tell you, at Casson’s, and one and another had their fling at you; for if donkeys set to work to sing, you’re pretty sure what the tune’ll be.”
“But I see it, but I see it,” Bartle said, “and others see it too. The captain is coming into his own now—you know that as well as I do—and it’s expected he’ll have a bit more say in things. And I know, and you know too, what the captain would want regarding the woods if there was a fair chance to make a change. He’s said in front of plenty of people that he’d make you the manager of the woods tomorrow if he had the power. Why, Carroll, Mr. Irwine’s butler, heard him say that to the parson not long ago. Carroll popped in while we were smoking our pipes on Saturday night at Casson’s, and he told us about it; and whenever anyone speaks highly of you, the parson’s ready to back it up, you can count on that. It was pretty much discussed at Casson’s, I can tell you, and some had their digs at you; because if donkeys start to sing, you can bet you know what the tune will be.”
“Why, did they talk it over before Mr. Burge?” said Adam; “or wasn’t he there o’ Saturday?”
“Did they discuss it with Mr. Burge?” Adam asked. “Or wasn't he there on Saturday?”
“Oh, he went away before Carroll came; and Casson—he’s always for setting other folks right, you know—would have it Burge was the man to have the management of the woods. ‘A substantial man,’ says he, ‘with pretty near sixty years’ experience o’ timber: it ’ud be all very well for Adam Bede to act under him, but it isn’t to be supposed the squire ’ud appoint a young fellow like Adam, when there’s his elders and betters at hand!’ But I said, ‘That’s a pretty notion o’ yours, Casson. Why, Burge is the man to buy timber; would you put the woods into his hands and let him make his own bargains? I think you don’t leave your customers to score their own drink, do you? And as for age, what that’s worth depends on the quality o’ the liquor. It’s pretty well known who’s the backbone of Jonathan Burge’s business.’”
“Oh, he left before Carroll arrived; and Casson—he always likes to correct others, you know—insisted that Burge was the right person to manage the woods. ‘A solid person,’ he said, ‘with nearly sixty years of experience in timber: it would be fine for Adam Bede to work under him, but don’t expect the squire to appoint a young guy like Adam when there are older and better qualified people available!’ But I replied, ‘That’s an interesting idea of yours, Casson. Look, Burge is the person to buy timber; would you really put him in charge of the woods and let him make his own deals? I don’t think you let your customers serve themselves drinks, do you? And as for age, its value depends on the quality of the product. It’s pretty well known who’s the backbone of Jonathan Burge’s business.’”
“I thank you for your good word, Mr. Massey,” said Adam. “But, for all that, Casson was partly i’ the right for once. There’s not much likelihood that th’ old squire ’ud ever consent t’ employ me. I offended him about two years ago, and he’s never forgiven me.”
“I appreciate your kind words, Mr. Massey,” said Adam. “But, despite that, Casson was partly right for once. There’s not much chance that the old squire would ever agree to hire me. I upset him about two years ago, and he’s never gotten over it.”
“Why, how was that? You never told me about it,” said Bartle.
“Why, how was that? You never mentioned it to me,” Bartle said.
“Oh, it was a bit o’ nonsense. I’d made a frame for a screen for Miss Lyddy—she’s allays making something with her worsted-work, you know—and she’d given me particular orders about this screen, and there was as much talking and measuring as if we’d been planning a house. However, it was a nice bit o’ work, and I liked doing it for her. But, you know, those little friggling things take a deal o’ time. I only worked at it in overhours—often late at night—and I had to go to Treddleston over an’ over again about little bits o’ brass nails and such gear; and I turned the little knobs and the legs, and carved th’ open work, after a pattern, as nice as could be. And I was uncommon pleased with it when it was done. And when I took it home, Miss Lyddy sent for me to bring it into her drawing-room, so as she might give me directions about fastening on the work—very fine needlework, Jacob and Rachel a-kissing one another among the sheep, like a picture—and th’ old squire was sitting there, for he mostly sits with her. Well, she was mighty pleased with the screen, and then she wanted to know what pay she was to give me. I didn’t speak at random—you know it’s not my way; I’d calculated pretty close, though I hadn’t made out a bill, and I said, ‘One pound thirteen.’ That was paying for the mater’als and paying me, but none too much, for my work. Th’ old squire looked up at this, and peered in his way at the screen, and said, ‘One pound thirteen for a gimcrack like that! Lydia, my dear, if you must spend money on these things, why don’t you get them at Rosseter, instead of paying double price for clumsy work here? Such things are not work for a carpenter like Adam. Give him a guinea, and no more.’ Well, Miss Lyddy, I reckon, believed what he told her, and she’s not overfond o’ parting with the money herself—she’s not a bad woman at bottom, but she’s been brought up under his thumb; so she began fidgeting with her purse, and turned as red as her ribbon. But I made a bow, and said, ‘No, thank you, madam; I’ll make you a present o’ the screen, if you please. I’ve charged the regular price for my work, and I know it’s done well; and I know, begging His Honour’s pardon, that you couldn’t get such a screen at Rosseter under two guineas. I’m willing to give you my work—it’s been done in my own time, and nobody’s got anything to do with it but me; but if I’m paid, I can’t take a smaller price than I asked, because that ’ud be like saying I’d asked more than was just. With your leave, madam, I’ll bid you good-morning.’ I made my bow and went out before she’d time to say any more, for she stood with the purse in her hand, looking almost foolish. I didn’t mean to be disrespectful, and I spoke as polite as I could; but I can give in to no man, if he wants to make it out as I’m trying to overreach him. And in the evening the footman brought me the one pound thirteen wrapped in paper. But since then I’ve seen pretty clear as th’ old squire can’t abide me.”
“Oh, it was a bit of nonsense. I’d made a frame for a screen for Miss Lyddy—she’s always crafting something with her wool work, you know—and she’d given me specific instructions about this screen, and there was as much talking and measuring as if we were planning a house. However, it was a nice piece of work, and I enjoyed making it for her. But, you know, those little fiddly things take a lot of time. I only worked on it during overtime—often late at night—and I had to go to Treddleston repeatedly for little brass nails and such; I turned the knobs and legs, and carved the open work after a pattern, as nicely as possible. I was really pleased with it when it was done. And when I took it home, Miss Lyddy asked me to bring it into her drawing-room, so she could give me directions on how to fasten on the work—very fine needlework, Jacob and Rachel kissing among the sheep, like a picture—and the old squire was sitting there since he usually sits with her. Well, she was very pleased with the screen, and then she wanted to know what payment she should give me. I didn’t just throw out a number—you know that's not my style; I’d calculated pretty closely, though I hadn’t made out a bill, and I said, ‘One pound thirteen.’ That covered the materials and my time, but wasn’t too much for my work. The old squire looked up at this, peered at the screen, and said, ‘One pound thirteen for a trinket like that! Lydia, my dear, if you must spend money on these things, why don’t you get them at Rosseter instead of paying double the price for clumsy work here? Such things are not for a carpenter like Adam. Give him a guinea, and nothing more.’ Well, Miss Lyddy, I guess, believed what he told her, and she’s not too fond of spending money herself—she’s not a bad woman at heart, but she’s been brought up under his thumb; so she started fiddling with her purse and turned as red as her ribbon. But I made a bow and said, ‘No, thank you, madam; I’ll gift you the screen if you like. I’ve charged the regular price for my work, and I know it’s well done; and I know, with all due respect, that you couldn’t get such a screen at Rosseter for under two guineas. I’m happy to give you my work—it’s been done in my own time, and it’s solely mine; but if I’m paid, I can’t accept a lower price than I asked, because that would imply I’d asked for more than was fair. If it’s alright with you, madam, I’ll wish you good morning.’ I bowed and left before she had a chance to say anything else, as she stood there with her purse in hand, looking almost foolish. I didn’t mean to be disrespectful, and I spoke as politely as I could; but I can't back down if someone acts like I’m trying to shortchange him. And in the evening, the footman brought me the one pound thirteen wrapped in paper. But since then, I’ve realized that the old squire can’t stand me.”
“That’s likely enough, that’s likely enough,” said Bartle meditatively. “The only way to bring him round would be to show him what was for his own interest, and that the captain may do—that the captain may do.”
“That’s probably enough, that’s probably enough,” Bartle said thoughtfully. “The only way to get him to see reason would be to show him what’s in his best interest, and that’s something the captain can do—that’s something the captain can do.”
“Nay, I don’t know,” said Adam; “the squire’s ’cute enough but it takes something else besides ’cuteness to make folks see what’ll be their interest in the long run. It takes some conscience and belief in right and wrong, I see that pretty clear. You’d hardly ever bring round th’ old squire to believe he’d gain as much in a straightfor’ard way as by tricks and turns. And, besides, I’ve not much mind to work under him: I don’t want to quarrel with any gentleman, more particular an old gentleman turned eighty, and I know we couldn’t agree long. If the captain was master o’ th’ estate, it ’ud be different: he’s got a conscience and a will to do right, and I’d sooner work for him nor for any man living.”
“Nah, I don’t know,” said Adam. “The squire is smart enough, but it takes more than just being clever to make people see what’s truly in their best interest over time. It requires some sense of right and wrong, and I can see that pretty clearly. You’d hardly ever convince the old squire that he’d gain more through honesty than through tricks and schemes. Plus, I really don’t want to work under him; I don’t want to get into a fight with any gentleman, especially an old man who’s nearing eighty, and I know we wouldn’t see eye to eye for long. If the captain were in charge of the estate, it would be a different story: he has a conscience and a genuine desire to do what’s right, and I’d prefer to work for him over anyone else around.”
“Well, well, my boy, if good luck knocks at your door, don’t you put your head out at window and tell it to be gone about its business, that’s all. You must learn to deal with odd and even in life, as well as in figures. I tell you now, as I told you ten years ago, when you pommelled young Mike Holdsworth for wanting to pass a bad shilling before you knew whether he was in jest or earnest—you’re overhasty and proud, and apt to set your teeth against folks that don’t square to your notions. It’s no harm for me to be a bit fiery and stiff-backed—I’m an old schoolmaster, and shall never want to get on to a higher perch. But where’s the use of all the time I’ve spent in teaching you writing and mapping and mensuration, if you’re not to get for’ard in the world and show folks there’s some advantage in having a head on your shoulders, instead of a turnip? Do you mean to go on turning up your nose at every opportunity because it’s got a bit of a smell about it that nobody finds out but yourself? It’s as foolish as that notion o’ yours that a wife is to make a working-man comfortable. Stuff and nonsense! Stuff and nonsense! Leave that to fools that never got beyond a sum in simple addition. Simple addition enough! Add one fool to another fool, and in six years’ time six fools more—they’re all of the same denomination, big and little’s nothing to do with the sum!”
"Well, well, my boy, if good luck knocks on your door, don’t stick your head out the window and tell it to go away, that’s all. You need to learn to handle both good and bad situations in life, just like with numbers. I’m telling you now, as I did ten years ago, when you beat up young Mike Holdsworth for trying to pass off a fake shilling before you knew if he was joking or serious—you’re too hasty and proud, and quick to turn against people who don’t fit your ideas. It’s fine for me to be a little fiery and stubborn—I’m an old schoolteacher, and I don’t need to climb any higher. But what’s the point of all the time I spent teaching you writing, geography, and measurements, if you're not going to move forward in life and show people that having a brain is better than being clueless? Are you really going to keep turning your nose up at every opportunity just because it has a bit of a smell that only you can detect? It’s as silly as thinking that a wife is supposed to make a working man comfortable. Nonsense! Leave that to fools who only know simple addition. Simple enough! Add one fool to another fool, and in six years' time, you’ll have six more fools—they’re all of the same kind, and size doesn’t change the calculation!"
During this rather heated exhortation to coolness and discretion the pipe had gone out, and Bartle gave the climax to his speech by striking a light furiously, after which he puffed with fierce resolution, fixing his eye still on Adam, who was trying not to laugh.
During this heated plea for calmness and discretion, the pipe went out, and Bartle emphasized his point by furiously lighting it again. He then puffed with determined intensity, keeping his gaze fixed on Adam, who was trying not to laugh.
“There’s a good deal o’ sense in what you say, Mr. Massey,” Adam began, as soon as he felt quite serious, “as there always is. But you’ll give in that it’s no business o’ mine to be building on chances that may never happen. What I’ve got to do is to work as well as I can with the tools and mater’als I’ve got in my hands. If a good chance comes to me, I’ll think o’ what you’ve been saying; but till then, I’ve got nothing to do but to trust to my own hands and my own head-piece. I’m turning over a little plan for Seth and me to go into the cabinet-making a bit by ourselves, and win a extra pound or two in that way. But it’s getting late now—it’ll be pretty near eleven before I’m at home, and Mother may happen to lie awake; she’s more fidgety nor usual now. So I’ll bid you good-night.”
“There’s a lot of truth in what you’re saying, Mr. Massey,” Adam started, as soon as he felt completely serious, “as there usually is. But you have to agree that it’s not my place to rely on chances that might never come. What I really need to do is to work as well as I can with the tools and materials I have in front of me. If a good opportunity comes my way, I’ll consider what you’ve mentioned; but until then, I have to depend on my own skills and my own judgment. I’m thinking about a little plan for Seth and me to start our own cabinet-making business and earn a bit of extra cash that way. But it’s getting late now—it’ll be close to eleven before I get home, and Mother might be awake; she’s more restless than usual these days. So I’ll say good-night.”
“Well, well, we’ll go to the gate with you—it’s a fine night,” said Bartle, taking up his stick. Vixen was at once on her legs, and without further words the three walked out into the starlight, by the side of Bartle’s potato-beds, to the little gate.
“Well, well, we’ll walk you to the gate—it’s a nice night,” said Bartle, picking up his stick. Vixen immediately got to her feet, and without saying anything more, the three of them walked out into the starlight, next to Bartle’s potato beds, to the little gate.
“Come to the music o’ Friday night, if you can, my boy,” said the old man, as he closed the gate after Adam and leaned against it.
“Come to the music on Friday night, if you can, my boy,” said the old man as he closed the gate after Adam and leaned against it.
“Aye, aye,” said Adam, striding along towards the streak of pale road. He was the only object moving on the wide common. The two grey donkeys, just visible in front of the gorse bushes, stood as still as limestone images—as still as the grey-thatched roof of the mud cottage a little farther on. Bartle kept his eye on the moving figure till it passed into the darkness, while Vixen, in a state of divided affection, had twice run back to the house to bestow a parenthetic lick on her puppies.
“Yeah, yeah,” said Adam, walking towards the pale stretch of road. He was the only thing moving on the wide common. The two gray donkeys, barely visible in front of the gorse bushes, stood as still as stone statues—as still as the gray roof of the mud cottage a little further down. Bartle kept his eye on the moving figure until it disappeared into the darkness, while Vixen, torn between affections, had run back to the house twice to give a quick lick to her puppies.
“Aye, aye,” muttered the schoolmaster, as Adam disappeared, “there you go, stalking along—stalking along; but you wouldn’t have been what you are if you hadn’t had a bit of old lame Bartle inside you. The strongest calf must have something to suck at. There’s plenty of these big, lumbering fellows ’ud never have known their A B C if it hadn’t been for Bartle Massey. Well, well, Vixen, you foolish wench, what is it, what is it? I must go in, must I? Aye, aye, I’m never to have a will o’ my own any more. And those pups—what do you think I’m to do with ’em, when they’re twice as big as you? For I’m pretty sure the father was that hulking bull-terrier of Will Baker’s—wasn’t he now, eh, you sly hussy?”(Here Vixen tucked her tail between her legs and ran forward into the house. Subjects are sometimes broached which a well-bred female will ignore.)
“Yeah, yeah,” muttered the schoolmaster as Adam walked away, “there you go, striding along—striding along; but you wouldn’t be who you are if you didn’t have a bit of old lame Bartle in you. The strongest calf always needs something to suck on. There are plenty of these big, clumsy guys who would never have known their A B C if it hadn’t been for Bartle Massey. Well, well, Vixen, you silly girl, what’s going on? Do I have to go in? Yeah, yeah, I guess I’m never going to have a will of my own again. And those pups—what do you think I’m supposed to do with them when they’re twice as big as you? Because I’m pretty sure their father was that big bull-terrier of Will Baker’s—wasn’t he now, huh, you sneaky little thing?” (Here Vixen tucked her tail between her legs and ran into the house. Some topics are just too much for a well-bred lady to handle.)
“But where’s the use of talking to a woman with babbies?” continued Bartle. “She’s got no conscience—no conscience; it’s all run to milk.”
“But what’s the point of talking to a woman with kids?” Bartle continued. “She’s got no conscience—no conscience; it’s all gone to waste.”
Chapter XXII
Going to the Birthday Feast
The thirtieth of July was come, and it was one of those half-dozen warm days which sometimes occur in the middle of a rainy English summer. No rain had fallen for the last three or four days, and the weather was perfect for that time of the year: there was less dust than usual on the dark-green hedge-rows and on the wild camomile that starred the roadside, yet the grass was dry enough for the little children to roll on it, and there was no cloud but a long dash of light, downy ripple, high, high up in the far-off blue sky. Perfect weather for an outdoor July merry-making, yet surely not the best time of year to be born in. Nature seems to make a hot pause just then: all the loveliest flowers are gone; the sweet time of early growth and vague hopes is past; and yet the time of harvest and ingathering is not come, and we tremble at the possible storms that may ruin the precious fruit in the moment of its ripeness. The woods are all one dark monotonous green; the waggon-loads of hay no longer creep along the lanes, scattering their sweet-smelling fragments on the blackberry branches; the pastures are often a little tanned, yet the corn has not got its last splendour of red and gold; the lambs and calves have lost all traces of their innocent frisky prettiness, and have become stupid young sheep and cows. But it is a time of leisure on the farm—that pause between hay-and corn-harvest, and so the farmers and labourers in Hayslope and Broxton thought the captain did well to come of age just then, when they could give their undivided minds to the flavour of the great cask of ale which had been brewed the autumn after “the heir” was born, and was to be tapped on his twenty-first birthday. The air had been merry with the ringing of church-bells very early this morning, and every one had made haste to get through the needful work before twelve, when it would be time to think of getting ready to go to the Chase.
July 30th had arrived, and it was one of those few warm days that sometimes happen in the middle of a rainy English summer. There hadn't been any rain for the last three or four days, and the weather was perfect for that time of year: the dark-green hedgerows and the wild chamomile blooming along the roadside had less dust than usual, yet the grass was dry enough for the little kids to roll around on, and there was no cloud in the sky, just a long streak of soft, airy ripple way up in the bright blue. It was ideal weather for an outdoor July celebration, but surely not the best time of year to be born. Nature seems to pause in the heat at this moment: all the beautiful flowers are gone; the sweet time of early growth and vague hopes has passed; and yet the harvest season hasn’t arrived, making us anxious about the storms that could ruin the precious fruit at its ripeness. The woods are a single, dark, dull green; the wagonloads of hay no longer crawl down the lanes, scattering their sweet-smelling bits on the blackberry branches; the pastures are often a bit parched, yet the corn hasn’t yet achieved its final glory of red and gold; the lambs and calves have lost all traces of their innocent, lively cuteness and have turned into dull young sheep and cows. But it’s a time of leisure on the farm—this pause between hay and corn harvest—and so the farmers and laborers in Hayslope and Broxton believed the captain's coming of age was well-timed, allowing them to fully enjoy the flavor of the huge cask of ale brewed the autumn after “the heir” was born, which was set to be tapped on his twenty-first birthday. The morning air had been filled with the cheerful ringing of church bells very early, and everyone had hurried to finish their necessary work before noon, when it would be time to start getting ready to head to the Chase.
The midday sun was streaming into Hetty’s bedchamber, and there was no blind to temper the heat with which it fell on her head as she looked at herself in the old specked glass. Still, that was the only glass she had in which she could see her neck and arms, for the small hanging glass she had fetched out of the next room—the room that had been Dinah’s—would show her nothing below her little chin; and that beautiful bit of neck where the roundness of her cheek melted into another roundness shadowed by dark delicate curls. And to-day she thought more than usual about her neck and arms; for at the dance this evening she was not to wear any neckerchief, and she had been busy yesterday with her spotted pink-and-white frock, that she might make the sleeves either long or short at will. She was dressed now just as she was to be in the evening, with a tucker made of “real” lace, which her aunt had lent her for this unparalleled occasion, but with no ornaments besides; she had even taken out her small round ear-rings which she wore every day. But there was something more to be done, apparently, before she put on her neckerchief and long sleeves, which she was to wear in the day-time, for now she unlocked the drawer that held her private treasures. It is more than a month since we saw her unlock that drawer before, and now it holds new treasures, so much more precious than the old ones that these are thrust into the corner. Hetty would not care to put the large coloured glass ear-rings into her ears now; for see! she has got a beautiful pair of gold and pearls and garnet, lying snugly in a pretty little box lined with white satin. Oh, the delight of taking out that little box and looking at the ear-rings! Do not reason about it, my philosphical reader, and say that Hetty, being very pretty, must have known that it did not signify whether she had on any ornaments or not; and that, moreover, to look at ear-rings which she could not possibly wear out of her bedroom could hardly be a satisfaction, the essence of vanity being a reference to the impressions produced on others; you will never understand women’s natures if you are so excessively rational. Try rather to divest yourself of all your rational prejudices, as much as if you were studying the psychology of a canary bird, and only watch the movements of this pretty round creature as she turns her head on one side with an unconscious smile at the ear-rings nestled in the little box. Ah, you think, it is for the sake of the person who has given them to her, and her thoughts are gone back now to the moment when they were put into her hands. No; else why should she have cared to have ear-rings rather than anything else? And I know that she had longed for ear-rings from among all the ornaments she could imagine.
The midday sun was pouring into Hetty’s bedroom, and there was no blind to soften the heat on her head as she looked at herself in the old speckled glass. Still, it was the only mirror she had that showed her neck and arms since the small hanging mirror she had brought from the next room—the room that had belonged to Dinah—only reflected her face up to her chin; and that lovely bit of neck where her cheek rounded into another curve, shaded by delicate dark curls. Today, she thought more than usual about her neck and arms because at the dance this evening, she wouldn’t wear a neckerchief, and she had spent yesterday adjusting her pink-and-white dress, so she could make the sleeves either long or short whenever she wanted. She was dressed now just as she would be later, with a tucker made of “real” lace that her aunt had lent her for this special occasion, but without any jewelry except for that; she had even taken off her small round earrings that she wore every day. But there was still something more to do before she put on her neckerchief and long sleeves meant for the daytime, so now she unlocked the drawer that held her special treasures. It’s been over a month since we saw her unlock that drawer, and now it contains new treasures, so much more precious than the old ones that the others are pushed into the corner. Hetty wasn’t interested in putting the large colored glass earrings in her ears now; because look! she had a beautiful pair of gold earrings with pearls and garnets, snugly resting in a pretty little box lined with white satin. Oh, the joy of opening that box and looking at the earrings! Don’t overthink it, my philosophical reader, and claim that Hetty, being very pretty, must know it doesn’t matter whether she wears any jewelry or not; that, besides, admiring earrings she couldn’t wear outside her bedroom could hardly be fulfilling, as vanity is essentially about how others perceive you; you’ll never grasp women’s nature if you’re too rational. Instead, try to set aside all your logical biases, as if you were studying the psychology of a canary, and just observe the movements of this lovely creature as she tilts her head with an unconscious smile at the earrings resting in the little box. Ah, you think, it’s about the person who gave them to her, and her thoughts drift back to the moment they were placed in her hands. No; if that were the case, then why would she care about earrings over anything else? And I know she had hoped for earrings among all the adornments she could envision.
“Little, little ears!” Arthur had said, pretending to pinch them one evening, as Hetty sat beside him on the grass without her hat. “I wish I had some pretty ear-rings!” she said in a moment, almost before she knew what she was saying—the wish lay so close to her lips, it would flutter past them at the slightest breath. And the next day—it was only last week—Arthur had ridden over to Rosseter on purpose to buy them. That little wish so naively uttered seemed to him the prettiest bit of childishness; he had never heard anything like it before; and he had wrapped the box up in a great many covers, that he might see Hetty unwrapping it with growing curiosity, till at last her eyes flashed back their new delight into his.
“Little, little ears!” Arthur had said, pretending to pinch them one evening, as Hetty sat beside him on the grass without her hat. “I wish I had some pretty earrings!” she said in a moment, almost before she realized what she was saying—the wish was so close to her lips, it would slip out at the slightest breath. And the next day—it was only last week—Arthur rode over to Rosseter just to buy them. That little wish, so innocently expressed, seemed to him the cutest thing; he had never heard anything like it before; and he wrapped the box in lots of layers, wanting to see Hetty unwrap it with growing curiosity, until at last her eyes sparkled with her new delight reflected back at him.
No, she was not thinking most of the giver when she smiled at the ear-rings, for now she is taking them out of the box, not to press them to her lips, but to fasten them in her ears—only for one moment, to see how pretty they look, as she peeps at them in the glass against the wall, with first one position of the head and then another, like a listening bird. It is impossible to be wise on the subject of ear-rings as one looks at her; what should those delicate pearls and crystals be made for, if not for such ears? One cannot even find fault with the tiny round hole which they leave when they are taken out; perhaps water-nixies, and such lovely things without souls, have these little round holes in their ears by nature, ready to hang jewels in. And Hetty must be one of them: it is too painful to think that she is a woman, with a woman’s destiny before her—a woman spinning in young ignorance a light web of folly and vain hopes which may one day close round her and press upon her, a rancorous poisoned garment, changing all at once her fluttering, trivial butterfly sensations into a life of deep human anguish.
No, she wasn't thinking much about the gift as she smiled at the earrings. Now she is taking them out of the box, not to press them to her lips, but to put them in her ears—only for a moment, to see how pretty they look as she glances at them in the mirror on the wall, tilting her head this way and that, like a curious bird. It's hard to be wise about earrings when looking at her; what else could those delicate pearls and crystals be made for if not for such ears? You can’t even criticize the tiny round holes they leave when taken out; maybe water nymphs and other beautiful, soulless beings have those little round holes in their ears naturally, just waiting for jewels to hang in them. And Hetty must be one of them: it’s too painful to think of her as a woman, with a woman’s fate ahead of her—a woman spinning a light web of folly and vain hopes in her youth that could one day wrap around her tightly and suffocate her, transforming her fluttering, trivial butterfly feelings into a life filled with deep human suffering.
But she cannot keep in the ear-rings long, else she may make her uncle and aunt wait. She puts them quickly into the box again and shuts them up. Some day she will be able to wear any ear-rings she likes, and already she lives in an invisible world of brilliant costumes, shimmering gauze, soft satin, and velvet, such as the lady’s maid at the Chase has shown her in Miss Lydia’s wardrobe. She feels the bracelets on her arms, and treads on a soft carpet in front of a tall mirror. But she has one thing in the drawer which she can venture to wear to-day, because she can hang it on the chain of dark-brown berries which she has been used to wear on grand days, with a tiny flat scent-bottle at the end of it tucked inside her frock; and she must put on her brown berries—her neck would look so unfinished without it. Hetty was not quite as fond of the locket as of the ear-rings, though it was a handsome large locket, with enamelled flowers at the back and a beautiful gold border round the glass, which showed a light-brown slightly waving lock, forming a background for two little dark rings. She must keep it under her clothes, and no one would see it. But Hetty had another passion, only a little less strong than her love of finery, and that other passion made her like to wear the locket even hidden in her bosom. She would always have worn it, if she had dared to encounter her aunt’s questions about a ribbon round her neck. So now she slipped it on along her chain of dark-brown berries, and snapped the chain round her neck. It was not a very long chain, only allowing the locket to hang a little way below the edge of her frock. And now she had nothing to do but to put on her long sleeves, her new white gauze neckerchief, and her straw hat trimmed with white to-day instead of the pink, which had become rather faded under the July sun. That hat made the drop of bitterness in Hetty’s cup to-day, for it was not quite new—everybody would see that it was a little tanned against the white ribbon—and Mary Burge, she felt sure, would have a new hat or bonnet on. She looked for consolation at her fine white cotton stockings: they really were very nice indeed, and she had given almost all her spare money for them. Hetty’s dream of the future could not make her insensible to triumph in the present. To be sure, Captain Donnithorne loved her so that he would never care about looking at other people, but then those other people didn’t know how he loved her, and she was not satisfied to appear shabby and insignificant in their eyes even for a short space.
But she can't wear the earrings for long, or she might make her uncle and aunt wait. She quickly puts them back in the box and shuts it. Someday, she'll be able to wear any earrings she wants, and already she imagines a world of dazzling outfits, shimmering fabrics, soft satin, and velvet, like those the lady’s maid at the Chase showed her in Miss Lydia’s wardrobe. She feels the bracelets on her arms and walks on a soft carpet in front of a tall mirror. But there's one thing in the drawer she can wear today because she can hang it on the chain of dark-brown berries she usually wears on special occasions, with a tiny flat scent bottle at the end tucked inside her dress; she *must* wear her brown berries—her neck would look so bare without it. Hetty wasn't quite as attached to the locket as she was to the earrings, though it was a gorgeous large locket, with enameled flowers on the back and a beautiful gold border around the glass, which showed a light-brown, slightly wavy lock, providing a background for two little dark rings. She had to keep it under her clothes, so no one would see it. But Hetty had another passion, only slightly less intense than her love of fancy things, and that passion made her want to wear the locket even if it was hidden in her bosom. She would have worn it all the time if she hadn’t feared her aunt’s questions about the ribbon around her neck. So now she slipped it onto her chain of dark-brown berries and fastened the chain around her neck. It wasn't a very long chain, just enough for the locket to hang slightly below the edge of her dress. Now she only had to put on her long sleeves, her new white gauze neckerchief, and her straw hat trimmed with white today instead of the pink one that had faded a bit under the July sun. That hat was the one downside for Hetty today, as it wasn't brand new—everyone would see that it was slightly tanned against the white ribbon—and she was sure Mary Burge would have a new hat or bonnet on. She looked for comfort in her nice white cotton stockings; they really were lovely, and she had spent almost all her extra money on them. Hetty's dream of the future couldn't drown out her desire to shine in the present. Of course, Captain Donnithorne loved her so much that he wouldn't care about looking at anyone else, but those other people didn’t know how he loved her, and she wasn't okay with being seen as shabby and insignificant, even for a little while.
The whole party was assembled in the house-place when Hetty went down, all of course in their Sunday clothes; and the bells had been ringing so this morning in honour of the captain’s twenty-first birthday, and the work had all been got done so early, that Marty and Tommy were not quite easy in their minds until their mother had assured them that going to church was not part of the day’s festivities. Mr. Poyser had once suggested that the house should be shut up and left to take care of itself; “for,” said he, “there’s no danger of anybody’s breaking in—everybody’ll be at the Chase, thieves an’ all. If we lock th’ house up, all the men can go: it’s a day they wonna see twice i’ their lives.” But Mrs. Poyser answered with great decision: “I never left the house to take care of itself since I was a missis, and I never will. There’s been ill-looking tramps enoo’ about the place this last week, to carry off every ham an’ every spoon we’n got; and they all collogue together, them tramps, as it’s a mercy they hanna come and poisoned the dogs and murdered us all in our beds afore we knowed, some Friday night when we’n got the money in th’ house to pay the men. And it’s like enough the tramps know where we’re going as well as we do oursens; for if Old Harry wants any work done, you may be sure he’ll find the means.”
The whole party was gathered in the living room when Hetty came down, all dressed in their Sunday best. The bells had been ringing all morning to celebrate the captain’s twenty-first birthday, and they had finished all their chores early enough that Marty and Tommy were still a bit anxious until their mom reassured them that going to church wasn't part of the day's celebrations. Mr. Poyser had suggested that they should close up the house and leave it to look after itself; “Because,” he said, “there’s no chance of anyone breaking in—everyone will be at the Chase, including the thieves. If we lock up the house, all the men can go: it’s a day they won’t see again in their lives.” But Mrs. Poyser firmly replied, “I haven’t left the house to fend for itself since I got married, and I never will. There have been enough shady-looking tramps around here this past week to steal every ham and spoon we have; and they all work together, those tramps, and it’s a miracle they haven’t come and poisoned the dogs and killed us in our beds before we knew it, some Friday night when we have money in the house to pay the men. And it’s likely the tramps know where we’re going just as well as we do ourselves; because if Old Harry wants any work done, you can bet he’ll find a way.”
“Nonsense about murdering us in our beds,” said Mr. Poyser; “I’ve got a gun i’ our room, hanna I? and thee’st got ears as ’ud find it out if a mouse was gnawing the bacon. Howiver, if thee wouldstna be easy, Alick can stay at home i’ the forepart o’ the day, and Tim can come back tow’rds five o’clock, and let Alick have his turn. They may let Growler loose if anybody offers to do mischief, and there’s Alick’s dog too, ready enough to set his tooth in a tramp if Alick gives him a wink.”
"All that talk about killing us in our sleep is ridiculous," said Mr. Poyser. "I've got a gun in our room, don't I? And you've got ears sharp enough to hear a mouse chewing on the bacon. Anyway, if you’re still worried, Alick can stay home in the morning, and Tim can come back around five o'clock to switch with Alick. They can let Growler loose if anyone tries anything, and Alick's dog is always ready to bite a trespasser if Alick gives him a nod."
Mrs. Poyser accepted this compromise, but thought it advisable to bar and bolt to the utmost; and now, at the last moment before starting, Nancy, the dairy-maid, was closing the shutters of the house-place, although the window, lying under the immediate observation of Alick and the dogs, might have been supposed the least likely to be selected for a burglarious attempt.
Mrs. Poyser agreed to this compromise but felt it was smart to secure everything as much as possible. Just before they were about to leave, Nancy, the dairy maid, was shutting the shutters of the living room, even though the window, right in view of Alick and the dogs, seemed the least likely target for a burglary.
The covered cart, without springs, was standing ready to carry the whole family except the men-servants. Mr. Poyser and the grandfather sat on the seat in front, and within there was room for all the women and children; the fuller the cart the better, because then the jolting would not hurt so much, and Nancy’s broad person and thick arms were an excellent cushion to be pitched on. But Mr. Poyser drove at no more than a walking pace, that there might be as little risk of jolting as possible on this warm day, and there was time to exchange greetings and remarks with the foot-passengers who were going the same way, specking the paths between the green meadows and the golden cornfields with bits of movable bright colour—a scarlet waistcoat to match the poppies that nodded a little too thickly among the corn, or a dark-blue neckerchief with ends flaunting across a brand-new white smock-frock. All Broxton and all Hayslope were to be at the Chase, and make merry there in honour of “th’ heir”; and the old men and women, who had never been so far down this side of the hill for the last twenty years, were being brought from Broxton and Hayslope in one of the farmer’s waggons, at Mr. Irwine’s suggestion. The church-bells had struck up again now—a last tune, before the ringers came down the hill to have their share in the festival; and before the bells had finished, other music was heard approaching, so that even Old Brown, the sober horse that was drawing Mr. Poyser’s cart, began to prick up his ears. It was the band of the Benefit Club, which had mustered in all its glory—that is to say, in bright-blue scarfs and blue favours, and carrying its banner with the motto, “Let brotherly love continue,” encircling a picture of a stone-pit.
The covered cart, without springs, was ready to carry the whole family except the male servants. Mr. Poyser and the grandfather sat on the front seat, and inside there was enough room for all the women and children; the fuller the cart, the better, because then the bumps wouldn’t be as painful, and Nancy’s broad body and thick arms made an excellent cushion for everyone. But Mr. Poyser drove at a slow pace so there would be as little jolting as possible on this warm day, allowing time to exchange greetings and comments with pedestrians heading the same way, adding bits of bright color to the paths between the green meadows and golden cornfields—a scarlet waistcoat matching the poppies swaying a bit too densely among the corn, or a dark-blue neckerchief with ends fluttering across a brand-new white smock. All of Broxton and Hayslope were headed to the Chase to celebrate "the heir"; and the older men and women, who hadn’t ventured this far down the hill in the last twenty years, were being brought from Broxton and Hayslope in one of the farmer’s wagons, following Mr. Irwine’s suggestion. The church bells had started ringing again—a final tune before the ringers came down the hill to partake in the festivities; and before the bells had finished, other music was heard approaching, making even Old Brown, the serious horse pulling Mr. Poyser’s cart, perk up his ears. It was the band of the Benefit Club, proudly displaying its bright-blue scarves and blue favors, carrying its banner with the motto, “Let brotherly love continue,” encircling a picture of a stone pit.
The carts, of course, were not to enter the Chase. Every one must get down at the lodges, and the vehicles must be sent back.
The carts, of course, weren’t allowed to enter the Chase. Everyone had to get out at the lodges, and the vehicles had to be sent back.
“Why, the Chase is like a fair a’ready,” said Mrs. Poyser, as she got down from the cart, and saw the groups scattered under the great oaks, and the boys running about in the hot sunshine to survey the tall poles surmounted by the fluttering garments that were to be the prize of the successful climbers. “I should ha’ thought there wasna so many people i’ the two parishes. Mercy on us! How hot it is out o’ the shade! Come here, Totty, else your little face ’ull be burnt to a scratchin’! They might ha’ cooked the dinners i’ that open space an’ saved the fires. I shall go to Mrs. Best’s room an’ sit down.”
“Wow, the fair looks amazing already,” said Mrs. Poyser as she got down from the cart and saw groups gathered under the big oak trees, with boys running around in the hot sun checking out the tall poles topped with fluttering garments that would be the prizes for the successful climbers. “I wouldn’t have thought there were so many people from the two parishes. Goodness! It’s so hot out of the shade! Come here, Totty, or your little face will get burnt! They could have cooked the dinners in that open space and saved on the fires. I’m going to Mrs. Best’s room to sit down.”
“Stop a bit, stop a bit,” said Mr. Poyser. “There’s th’ waggin coming wi’ th’ old folks in’t; it’ll be such a sight as wonna come o’er again, to see ’em get down an’ walk along all together. You remember some on ’em i’ their prime, eh, Father?”
“Wait a minute, wait a minute,” said Mr. Poyser. “The wagon is coming with the old folks in it; it’ll be such a sight that won’t come around again, to see them get down and walk along all together. You remember some of them in their prime, right, Father?”
“Aye, aye,” said old Martin, walking slowly under the shade of the lodge porch, from which he could see the aged party descend. “I remember Jacob Taft walking fifty mile after the Scotch raybels, when they turned back from Stoniton.”
“Aye, aye,” said old Martin, walking slowly under the shade of the lodge porch, from which he could see the old group coming down. “I remember Jacob Taft walking fifty miles after the Scottish rebels when they turned back from Stoniton.”
He felt himself quite a youngster, with a long life before him, as he saw the Hayslope patriarch, old Feyther Taft, descend from the waggon and walk towards him, in his brown nightcap, and leaning on his two sticks.
He felt like a young man with a long life ahead of him as he watched the Hayslope patriarch, old Father Taft, climb down from the wagon and walk toward him, wearing his brown nightcap and leaning on his two canes.
“Well, Mester Taft,” shouted old Martin, at the utmost stretch of his voice—for though he knew the old man was stone deaf, he could not omit the propriety of a greeting—“you’re hearty yet. You can enjoy yoursen to-day, for-all you’re ninety an’ better.”
“Well, Mester Taft,” shouted old Martin, at the top of his lungs—for even though he knew the old man was completely deaf, he couldn’t skip the courtesy of a greeting—“you’re still going strong. You can have a good time today, even though you’re over ninety.”
“Your sarvant, mesters, your sarvant,” said Feyther Taft in a treble tone, perceiving that he was in company.
“Your servant, masters, your servant,” said Father Taft in a high-pitched voice, realizing that he was in the company of others.
The aged group, under care of sons or daughters, themselves worn and grey, passed on along the least-winding carriage-road towards the house, where a special table was prepared for them; while the Poyser party wisely struck across the grass under the shade of the great trees, but not out of view of the house-front, with its sloping lawn and flower-beds, or of the pretty striped marquee at the edge of the lawn, standing at right angles with two larger marquees on each side of the open green space where the games were to be played. The house would have been nothing but a plain square mansion of Queen Anne’s time, but for the remnant of an old abbey to which it was united at one end, in much the same way as one may sometimes see a new farmhouse rising high and prim at the end of older and lower farm-offices. The fine old remnant stood a little backward and under the shadow of tall beeches, but the sun was now on the taller and more advanced front, the blinds were all down, and the house seemed asleep in the hot midday. It made Hetty quite sad to look at it: Arthur must be somewhere in the back rooms, with the grand company, where he could not possibly know that she was come, and she should not see him for a long, long while—not till after dinner, when they said he was to come up and make a speech.
The older folks, cared for by their sons or daughters, who were also worn out and gray, made their way along the least winding road toward the house, where a special table was set for them. Meanwhile, the Poyser group smartly took a shortcut across the grass under the shade of the big trees, but still within sight of the house front with its sloping lawn and flower beds, as well as the pretty striped tent at the edge of the lawn, standing at right angles to two larger tents on either side of the open green area where the games would take place. The house itself would have been just a plain square mansion from the Queen Anne period if it weren't for the remains of an old abbey connected to it at one end, similar to how a new farmhouse might be built tall and straight next to older, shorter farm buildings. The fine old structure stood slightly back under the tall beech trees, but the sun was shining on the taller, more prominent part of the house, the blinds were all down, and the house seemed to be sleeping in the hot midday sun. Looking at it made Hetty feel quite sad: Arthur must be somewhere in the back rooms with the fancy guests, where he couldn't possibly know she had arrived, and she wouldn't see him for a very long time—not until after dinner, when they said he was supposed to come up and give a speech.
But Hetty was wrong in part of her conjecture. No grand company was come except the Irwines, for whom the carriage had been sent early, and Arthur was at that moment not in a back room, but walking with the rector into the broad stone cloisters of the old abbey, where the long tables were laid for all the cottage tenants and the farm-servants. A very handsome young Briton he looked to-day, in high spirits and a bright-blue frock-coat, the highest mode—his arm no longer in a sling. So open-looking and candid, too; but candid people have their secrets, and secrets leave no lines in young faces.
But Hetty was partly mistaken in her guess. No big group had arrived except the Irwines, for whom the carriage had been sent early, and at that moment, Arthur wasn’t in a back room but was walking with the rector into the wide stone cloisters of the old abbey, where long tables were set for all the cottage tenants and farm workers. He looked very handsome today, in high spirits and a bright-blue frock coat, the latest fashion—his arm no longer in a sling. He seemed so open and honest, but candid people have their secrets, and secrets don’t leave any marks on young faces.
“Upon my word,” he said, as they entered the cool cloisters, “I think the cottagers have the best of it: these cloisters make a delightful dining-room on a hot day. That was capital advice of yours, Irwine, about the dinners—to let them be as orderly and comfortable as possible, and only for the tenants: especially as I had only a limited sum after all; for though my grandfather talked of a carte blanche, he couldn’t make up his mind to trust me, when it came to the point.”
“Honestly,” he said as they walked into the cool cloisters, “I think the cottagers have it better: these cloisters make a lovely dining room on a hot day. That was excellent advice you gave, Irwine, about the dinners—keeping them as orderly and comfortable as possible and only for the tenants—especially since I had a limited budget after all; because even though my grandfather mentioned a carte blanche, he couldn't bring himself to trust me when it really counted.”
“Never mind, you’ll give more pleasure in this quiet way,” said Mr. Irwine. “In this sort of thing people are constantly confounding liberality with riot and disorder. It sounds very grand to say that so many sheep and oxen were roasted whole, and everybody ate who liked to come; but in the end it generally happens that no one has had an enjoyable meal. If the people get a good dinner and a moderate quantity of ale in the middle of the day, they’ll be able to enjoy the games as the day cools. You can’t hinder some of them from getting too much towards evening, but drunkenness and darkness go better together than drunkenness and daylight.”
“Don’t worry, you’ll bring more joy this way,” Mr. Irwine said. “People often mix up generosity with chaos and messiness. It sounds impressive to say that so many sheep and cattle were roasted whole, and everyone who wanted to eat could come; but in the end, it usually turns out that no one actually enjoyed their meal. If people get a decent dinner and a moderate amount of ale in the afternoon, they’ll be able to enjoy the games as it cools down. You can’t stop some of them from overdoing it in the evening, but drunkenness pairs better with darkness than with daylight.”
“Well, I hope there won’t be much of it. I’ve kept the Treddleston people away by having a feast for them in the town; and I’ve got Casson and Adam Bede and some other good fellows to look to the giving out of ale in the booths, and to take care things don’t go too far. Come, let us go up above now and see the dinner-tables for the large tenants.”
“Well, I hope there won’t be too much of it. I’ve kept the Treddleston folks away by hosting a feast for them in town; and I’ve got Casson and Adam Bede and some other good guys to handle the distribution of ale in the booths, and to make sure things don’t get out of hand. Come on, let’s go upstairs now and check out the dinner tables for the big tenants.”
They went up the stone staircase leading simply to the long gallery above the cloisters, a gallery where all the dusty worthless old pictures had been banished for the last three generations—mouldy portraits of Queen Elizabeth and her ladies, General Monk with his eye knocked out, Daniel very much in the dark among the lions, and Julius Cæsar on horseback, with a high nose and laurel crown, holding his Commentaries in his hand.
They ascended the stone staircase that led directly to the long gallery above the cloisters, a space where all the dusty, useless old paintings had been removed for the past three generations—moldy portraits of Queen Elizabeth and her ladies, General Monk missing an eye, Daniel shrouded in darkness among the lions, and Julius Caesar on horseback, sporting a long nose and a laurel crown, holding his Commentaries in his hand.
“What a capital thing it is that they saved this piece of the old abbey!” said Arthur. “If I’m ever master here, I shall do up the gallery in first-rate style. We’ve got no room in the house a third as large as this. That second table is for the farmers’ wives and children: Mrs. Best said it would be more comfortable for the mothers and children to be by themselves. I was determined to have the children, and make a regular family thing of it. I shall be ‘the old squire’ to those little lads and lasses some day, and they’ll tell their children what a much finer young fellow I was than my own son. There’s a table for the women and children below as well. But you will see them all—you will come up with me after dinner, I hope?”
“What a great thing it is that they saved this part of the old abbey!” said Arthur. “If I ever become the master here, I’ll renovate the gallery in top-notch style. We don’t have any room in the house a third as big as this. That second table is for the farmers’ wives and kids: Mrs. Best said it would be more comfortable for the mothers and children to be on their own. I was determined to include the kids and make it a real family event. I’ll be ‘the old squire’ to those little boys and girls one day, and they’ll tell their kids what a much better young man I was than my own son. There’s a table for the women and children downstairs too. But you’ll see them all—you will come up with me after dinner, right?”
“Yes, to be sure,” said Mr. Irwine. “I wouldn’t miss your maiden speech to the tenantry.”
“Yes, definitely,” said Mr. Irwine. “I wouldn’t miss your first speech to the tenants.”
“And there will be something else you’ll like to hear,” said Arthur. “Let us go into the library and I’ll tell you all about it while my grandfather is in the drawing-room with the ladies. Something that will surprise you,” he continued, as they sat down. “My grandfather has come round after all.”
“And there’s something else you’ll want to hear,” Arthur said. “Let’s head to the library, and I’ll fill you in while my grandfather is in the drawing room with the ladies. It’s something that will surprise you,” he continued as they took a seat. “My grandfather has finally come around.”
“What, about Adam?”
“What about Adam?”
“Yes; I should have ridden over to tell you about it, only I was so busy. You know I told you I had quite given up arguing the matter with him—I thought it was hopeless—but yesterday morning he asked me to come in here to him before I went out, and astonished me by saying that he had decided on all the new arrangements he should make in consequence of old Satchell being obliged to lay by work, and that he intended to employ Adam in superintending the woods at a salary of a guinea a-week, and the use of a pony to be kept here. I believe the secret of it is, he saw from the first it would be a profitable plan, but he had some particular dislike of Adam to get over—and besides, the fact that I propose a thing is generally a reason with him for rejecting it. There’s the most curious contradiction in my grandfather: I know he means to leave me all the money he has saved, and he is likely enough to have cut off poor Aunt Lydia, who has been a slave to him all her life, with only five hundred a-year, for the sake of giving me all the more; and yet I sometimes think he positively hates me because I’m his heir. I believe if I were to break my neck, he would feel it the greatest misfortune that could befall him, and yet it seems a pleasure to him to make my life a series of petty annoyances.”
"Yeah, I should have come by to tell you about this, but I was really busy. You remember I told you I had completely stopped arguing with him—I thought it was pointless—but yesterday morning he asked me to come in before I headed out and surprised me by saying he had made decisions about all the new arrangements since old Satchell had to stop working. He plans to hire Adam to oversee the woods with a salary of a guinea a week and a pony to keep here. I think the reason behind this is that he realized from the start it would be a smart move, but he had some personal issue with Adam to get past—and on top of that, the fact that I suggested it usually makes him want to reject it. There’s the strangest contradiction in my grandfather: I know he intends to leave me all the money he’s saved, and he probably cut poor Aunt Lydia, who has served him her whole life, down to just five hundred a year so he could give me more. And yet sometimes I think he actually dislikes me because I'm his heir. I believe if I were to break my neck, he would consider it the worst misfortune that could happen to him, and still, it seems to make him happy to turn my life into a string of little annoyances."
“Ah, my boy, it is not only woman’s love that is ἀπέρωτος ἒρως as old Æschylus calls it. There’s plenty of ‘unloving love’ in the world of a masculine kind. But tell me about Adam. Has he accepted the post? I don’t see that it can be much more profitable than his present work, though, to be sure, it will leave him a good deal of time on his own hands.”
“Ah, my boy, it’s not just a woman's love that is ἀπέρωτος ἒρως as old Æschylus puts it. There’s plenty of ‘unloving love’ out there in a masculine form, too. But what's up with Adam? Has he taken the job? I can’t see it being any more profitable than what he’s doing now, although it will definitely give him a lot of free time.”
“Well, I felt some doubt about it when I spoke to him and he seemed to hesitate at first. His objection was that he thought he should not be able to satisfy my grandfather. But I begged him as a personal favour to me not to let any reason prevent him from accepting the place, if he really liked the employment and would not be giving up anything that was more profitable to him. And he assured me he should like it of all things—it would be a great step forward for him in business, and it would enable him to do what he had long wished to do, to give up working for Burge. He says he shall have plenty of time to superintend a little business of his own, which he and Seth will carry on, and will perhaps be able to enlarge by degrees. So he has agreed at last, and I have arranged that he shall dine with the large tenants to-day; and I mean to announce the appointment to them, and ask them to drink Adam’s health. It’s a little drama I’ve got up in honour of my friend Adam. He’s a fine fellow, and I like the opportunity of letting people know that I think so.”
“Well, I had some doubts when I spoke to him, and he seemed to hesitate at first. His concern was that he didn’t think he could meet my grandfather’s expectations. But I urged him, as a personal favor, not to let any reason hold him back from accepting the position, if he really liked the job and wasn’t giving up something more lucrative. He assured me that he would love it—it would be a great opportunity for him in his career and would allow him to finally stop working for Burge. He mentioned that he would have plenty of time to oversee a small business of his own that he and Seth would run, and they might even be able to expand it gradually. So he’s agreed in the end, and I’ve arranged for him to have dinner with the big tenants today; I plan to announce his appointment and ask them to raise a toast to Adam’s success. It’s a little event I’ve organized in honor of my friend Adam. He’s a great guy, and I want people to know how much I appreciate him.”
“A drama in which friend Arthur piques himself on having a pretty part to play,” said Mr. Irwine, smiling. But when he saw Arthur colour, he went on relentingly, “My part, you know, is always that of the old fogy who sees nothing to admire in the young folks. I don’t like to admit that I’m proud of my pupil when he does graceful things. But I must play the amiable old gentleman for once, and second your toast in honour of Adam. Has your grandfather yielded on the other point too, and agreed to have a respectable man as steward?”
“A drama where my friend Arthur takes pride in having a nice role to play,” said Mr. Irwine, smiling. But when he saw Arthur blush, he continued kindly, “My role, you see, is always that of the old fogey who doesn’t see anything to admire in the younger crowd. I hate to admit that I’m proud of my student when he does graceful things. But I guess I’ll play the charming old gentleman for once and toast Adam. Has your grandfather also given in on the other matter and agreed to have a respectable person as steward?”
“Oh no,” said Arthur, rising from his chair with an air of impatience and walking along the room with his hands in his pockets. “He’s got some project or other about letting the Chase Farm and bargaining for a supply of milk and butter for the house. But I ask no questions about it—it makes me too angry. I believe he means to do all the business himself, and have nothing in the shape of a steward. It’s amazing what energy he has, though.”
“Oh no,” Arthur said, getting up from his chair with impatience and pacing around the room with his hands in his pockets. “He’s got some plan about leasing the Chase Farm and trying to secure a supply of milk and butter for the house. But I’m not asking any questions about it—it just makes me too angry. I think he intends to handle all the business himself and won’t have any kind of steward. It’s impressive how much energy he has, though.”
“Well, we’ll go to the ladies now,” said Mr. Irwine, rising too. “I want to tell my mother what a splendid throne you’ve prepared for her under the marquee.”
“Well, let’s go see the ladies now,” said Mr. Irwine, standing up as well. “I want to tell my mom about the amazing throne you’ve set up for her under the marquee.”
“Yes, and we must be going to luncheon too,” said Arthur. “It must be two o’clock, for there is the gong beginning to sound for the tenants’ dinners.”
“Yes, and we should head to lunch too,” said Arthur. “It must be two o’clock, because the gong is starting to ring for the tenants' dinners.”
Chapter XXIII
Dinner-Time
When Adam heard that he was to dine upstairs with the large tenants, he felt rather uncomfortable at the idea of being exalted in this way above his mother and Seth, who were to dine in the cloisters below. But Mr. Mills, the butler, assured him that Captain Donnithorne had given particular orders about it, and would be very angry if Adam was not there.
When Adam found out he was having dinner upstairs with the important tenants, he felt pretty uneasy about being put above his mother and Seth, who would be dining in the cloisters below. But Mr. Mills, the butler, reassured him that Captain Donnithorne had specifically requested it and would be very upset if Adam didn’t attend.
Adam nodded and went up to Seth, who was standing a few yards off. “Seth, lad,” he said, “the captain has sent to say I’m to dine upstairs—he wishes it particular, Mr. Mills says, so I suppose it ’ud be behaving ill for me not to go. But I don’t like sitting up above thee and mother, as if I was better than my own flesh and blood. Thee’t not take it unkind, I hope?”
Adam nodded and walked over to Seth, who was standing a few yards away. “Seth, my friend,” he said, “the captain has sent word that I’m supposed to have dinner upstairs—he specifically requested it, according to Mr. Mills, so I guess it wouldn’t be right for me not to go. But I don’t like the idea of dining above you and Mom, as if I’m better than my own family. I hope you won’t take it the wrong way?”
“Nay, nay, lad,” said Seth, “thy honour’s our honour; and if thee get’st respect, thee’st won it by thy own deserts. The further I see thee above me, the better, so long as thee feel’st like a brother to me. It’s because o’ thy being appointed over the woods, and it’s nothing but what’s right. That’s a place o’ trust, and thee’t above a common workman now.”
“Nah, nah, kid,” said Seth, “your honor is our honor; and if you get respect, you’ve earned it by your own efforts. The more I see you above me, the better, as long as you still feel like a brother to me. It’s because you’ve been put in charge of the woods, and that’s exactly how it should be. That’s a position of trust, and you’re above an ordinary worker now.”
“Aye,” said Adam, “but nobody knows a word about it yet. I haven’t given notice to Mr. Burge about leaving him, and I don’t like to tell anybody else about it before he knows, for he’ll be a good bit hurt, I doubt. People ’ull be wondering to see me there, and they’ll like enough be guessing the reason and asking questions, for there’s been so much talk up and down about my having the place, this last three weeks.”
“Yeah,” Adam said, “but nobody knows anything about it yet. I haven’t told Mr. Burge that I’m leaving, and I don’t want to mention it to anyone else until he knows, because I think he’ll be pretty hurt. People will be surprised to see me there, and they’ll probably start guessing why and asking questions since there’s been so much buzz about me getting the place over these last three weeks.”
“Well, thee canst say thee wast ordered to come without being told the reason. That’s the truth. And mother ’ull be fine and joyful about it. Let’s go and tell her.”
“Well, you can say you were told to come without knowing the reason. That's the truth. And mom will be fine and happy about it. Let’s go tell her.”
Adam was not the only guest invited to come upstairs on other grounds than the amount he contributed to the rent-roll. There were other people in the two parishes who derived dignity from their functions rather than from their pocket, and of these Bartle Massey was one. His lame walk was rather slower than usual on this warm day, so Adam lingered behind when the bell rang for dinner, that he might walk up with his old friend; for he was a little too shy to join the Poyser party on this public occasion. Opportunities of getting to Hetty’s side would be sure to turn up in the course of the day, and Adam contented himself with that for he disliked any risk of being “joked” about Hetty—the big, outspoken, fearless man was very shy and diffident as to his love-making.
Adam wasn't the only guest invited upstairs for reasons beyond how much he contributed to the rent. There were others in the two parishes who held dignity from their roles rather than their wealth, and Bartle Massey was one of them. His limp was even slower than usual on this warm day, so Adam stayed back when the dinner bell rang, wanting to walk up with his old friend; he felt a bit too shy to join the Poyser group on this public occasion. Opportunities to get closer to Hetty would surely arise throughout the day, and Adam was okay with that because he didn’t want to risk being teased about her—the tough, outspoken man felt very shy and hesitant when it came to pursuing his feelings.
“Well, Mester Massey,” said Adam, as Bartle came up “I’m going to dine upstairs with you to-day: the captain’s sent me orders.”
“Well, Mester Massey,” said Adam as Bartle approached, “I’m going to have dinner with you upstairs today; the captain’s sent me orders.”
“Ah!” said Bartle, pausing, with one hand on his back. “Then there’s something in the wind—there’s something in the wind. Have you heard anything about what the old squire means to do?”
“Ah!” said Bartle, pausing with one hand on his back. “Then something’s brewing—there’s definitely something brewing. Have you heard anything about what the old squire plans to do?”
“Why, yes,” said Adam; “I’ll tell you what I know, because I believe you can keep a still tongue in your head if you like, and I hope you’ll not let drop a word till it’s common talk, for I’ve particular reasons against its being known.”
“Sure,” Adam said. “I’ll share what I know, because I think you can keep quiet if you want to, and I hope you won’t say a word until it’s common knowledge, since I have specific reasons for wanting it to stay secret.”
“Trust to me, my boy, trust to me. I’ve got no wife to worm it out of me and then run out and cackle it in everybody’s hearing. If you trust a man, let him be a bachelor—let him be a bachelor.”
“Trust me, my boy, trust me. I don't have a wife to pry it out of me and then run off and spill it to everyone. If you’re going to trust a guy, let him be single—let him be single.”
“Well, then, it was so far settled yesterday that I’m to take the management o’ the woods. The captain sent for me t’ offer it me, when I was seeing to the poles and things here and I’ve agreed to’t. But if anybody asks any questions upstairs, just you take no notice, and turn the talk to something else, and I’ll be obliged to you. Now, let us go on, for we’re pretty nigh the last, I think.”
“Well, it was settled yesterday that I’m taking over the management of the woods. The captain called me to offer it when I was checking on the poles and other things here, and I’ve agreed to it. But if anyone upstairs asks questions, just ignore them, and change the subject, and I’d appreciate it. Now, let’s keep going, because I think we’re almost the last ones.”
“I know what to do, never fear,” said Bartle, moving on. “The news will be good sauce to my dinner. Aye, aye, my boy, you’ll get on. I’ll back you for an eye at measuring and a head-piece for figures, against any man in this county and you’ve had good teaching—you’ve had good teaching.”
“I know what to do, don’t worry,” said Bartle, continuing on. “The news will be a nice addition to my dinner. Yes, yes, my boy, you’ll succeed. I’ll support you when it comes to measuring and calculating against anyone in this county, and you’ve had excellent training—you’ve had excellent training.”
When they got upstairs, the question which Arthur had left unsettled, as to who was to be president, and who vice, was still under discussion, so that Adam’s entrance passed without remark.
When they got upstairs, the question that Arthur had left unresolved about who was going to be president and who would be vice president was still being discussed, so Adam's arrival went unnoticed.
“It stands to sense,” Mr. Casson was saying, “as old Mr. Poyser, as is th’ oldest man i’ the room, should sit at top o’ the table. I wasn’t butler fifteen year without learning the rights and the wrongs about dinner.”
“It makes sense,” Mr. Casson was saying, “that old Mr. Poyser, being the oldest man in the room, should sit at the head of the table. I wasn’t a butler for fifteen years without figuring out what’s right and what’s wrong about dinner.”
“Nay, nay,” said old Martin, “I’n gi’en up to my son; I’m no tenant now: let my son take my place. Th’ ould foulks ha’ had their turn: they mun make way for the young uns.”
“Nah, nah,” said old Martin, “I’m giving up to my son; I’m not a tenant anymore: let my son take my place. The old folks have had their turn: they must make way for the young ones.”
“I should ha’ thought the biggest tenant had the best right, more nor th’ oldest,” said Luke Britton, who was not fond of the critical Mr. Poyser; “there’s Mester Holdsworth has more land nor anybody else on th’ estate.”
“I would have thought the biggest tenant had the best claim, more than the oldest,” said Luke Britton, who didn’t like the critical Mr. Poyser; “there’s Mr. Holdsworth who has more land than anyone else on the estate.”
“Well,” said Mr. Poyser, “suppose we say the man wi’ the foulest land shall sit at top; then whoever gets th’ honour, there’ll be no envying on him.”
“Well,” said Mr. Poyser, “let’s say the guy with the dirtiest land gets to sit at the top; that way, whoever gets the honor won’t be envied by anyone.”
“Eh, here’s Mester Massey,” said Mr. Craig, who, being a neutral in the dispute, had no interest but in conciliation; “the schoolmaster ought to be able to tell you what’s right. Who’s to sit at top o’ the table, Mr. Massey?”
“Hey, here’s Mr. Massey,” said Mr. Craig, who, staying neutral in the argument, just wanted to help everyone get along; “the teacher should be able to tell you what’s right. Who’s going to sit at the head of the table, Mr. Massey?”
“Why, the broadest man,” said Bartle; “and then he won’t take up other folks’ room; and the next broadest must sit at bottom.”
“Why, the biggest guy,” said Bartle; “and then he won’t take up anyone else’s space; and the next biggest has to sit at the bottom.”
This happy mode of settling the dispute produced much laughter—a smaller joke would have sufficed for that. Mr. Casson, however, did not feel it compatible with his dignity and superior knowledge to join in the laugh, until it turned out that he was fixed on as the second broadest man. Martin Poyser the younger, as the broadest, was to be president, and Mr. Casson, as next broadest, was to be vice.
This cheerful way of resolving the disagreement led to a lot of laughter—a smaller joke would have been enough for that. Mr. Casson, however, didn’t think it was dignified or appropriate for him to laugh until it became clear that he was chosen as the second broadest man. Martin Poyser the younger, being the broadest, was set to be president, and Mr. Casson, as the next broadest, was to be vice president.
Owing to this arrangement, Adam, being, of course, at the bottom of the table, fell under the immediate observation of Mr. Casson, who, too much occupied with the question of precedence, had not hitherto noticed his entrance. Mr. Casson, we have seen, considered Adam “rather lifted up and peppery-like”: he thought the gentry made more fuss about this young carpenter than was necessary; they made no fuss about Mr. Casson, although he had been an excellent butler for fifteen years.
Due to this setup, Adam, who was obviously at the bottom of the table, caught the attention of Mr. Casson, who, too focused on the issue of who should go first, had not noticed him walk in until now. Mr. Casson, as we know, viewed Adam as “a bit too proud and a bit spicy”: he believed the upper class was making a bigger deal about this young carpenter than was needed; they didn’t make a fuss over Mr. Casson, even though he had been a great butler for fifteen years.
“Well, Mr. Bede, you’re one o’ them as mounts hup’ards apace,” he said, when Adam sat down. “You’ve niver dined here before, as I remember.”
“Well, Mr. Bede, you’re one of those who moves up quickly,” he said when Adam sat down. “You’ve never eaten here before, as I recall.”
“No, Mr. Casson,” said Adam, in his strong voice, that could be heard along the table; “I’ve never dined here before, but I come by Captain Donnithorne’s wish, and I hope it’s not disagreeable to anybody here.”
“No, Mr. Casson,” said Adam, in his loud voice that could be heard across the table; “I’ve never eaten here before, but I’m here at Captain Donnithorne’s request, and I hope it’s not a problem for anyone.”
“Nay, nay,” said several voices at once, “we’re glad ye’re come. Who’s got anything to say again’ it?”
“Nah, nah,” several voices said at once, “we're glad you’re here. Who’s got something to say against it?”
“And ye’ll sing us ‘Over the hills and far away,’ after dinner, wonna ye?” said Mr. Chowne. “That’s a song I’m uncommon fond on.”
“And you'll sing us ‘Over the hills and far away’ after dinner, right?” Mr. Chowne said. “That’s a song I really love.”
“Peeh!” said Mr. Craig; “it’s not to be named by side o’ the Scotch tunes. I’ve never cared about singing myself; I’ve had something better to do. A man that’s got the names and the natur o’ plants in’s head isna likely to keep a hollow place t’ hold tunes in. But a second cousin o’ mine, a drovier, was a rare hand at remembering the Scotch tunes. He’d got nothing else to think on.”
“Peeh!” said Mr. Craig; “you can’t even compare it to Scottish songs. I’ve never cared much for singing myself; I’ve always had better things to do. A man who has the names and nature of plants in his head isn’t likely to have an empty space for tunes. But a second cousin of mine, a drover, was great at remembering Scottish songs. He had nothing else to focus on.”
“The Scotch tunes!” said Bartle Massey, contemptuously; “I’ve heard enough o’ the Scotch tunes to last me while I live. They’re fit for nothing but to frighten the birds with—that’s to say, the English birds, for the Scotch birds may sing Scotch for what I know. Give the lads a bagpipe instead of a rattle, and I’ll answer for it the corn ’ll be safe.”
“The Scottish tunes!” Bartle Massey scoffed. “I’ve heard enough of those to last me a lifetime. They’re only good for scaring off birds—that is, the English birds, because the Scottish birds can sing Scottish for all I care. Give the guys a bagpipe instead of a rattle, and I guarantee the crops will be safe.”
“Yes, there’s folks as find a pleasure in undervallying what they know but little about,” said Mr. Craig.
“Yes, there are people who take pleasure in degrading what they know very little about,” said Mr. Craig.
“Why, the Scotch tunes are just like a scolding, nagging woman,” Bartle went on, without deigning to notice Mr. Craig’s remark. “They go on with the same thing over and over again, and never come to a reasonable end. Anybody ’ud think the Scotch tunes had always been asking a question of somebody as deaf as old Taft, and had never got an answer yet.”
“Why, the Scottish tunes are just like a nagging woman,” Bartle continued, ignoring Mr. Craig’s comment. “They repeat the same thing over and over again, never reaching a sensible conclusion. You’d think the Scottish tunes were always asking a question to someone as deaf as old Taft, and had never received an answer.”
Adam minded the less about sitting by Mr. Casson, because this position enabled him to see Hetty, who was not far off him at the next table. Hetty, however, had not even noticed his presence yet, for she was giving angry attention to Totty, who insisted on drawing up her feet on to the bench in antique fashion, and thereby threatened to make dusty marks on Hetty’s pink-and-white frock. No sooner were the little fat legs pushed down than up they came again, for Totty’s eyes were too busy in staring at the large dishes to see where the plum pudding was for her to retain any consciousness of her legs. Hetty got quite out of patience, and at last, with a frown and pout, and gathering tears, she said, “Oh dear, Aunt, I wish you’d speak to Totty; she keeps putting her legs up so, and messing my frock.”
Adam didn’t mind sitting next to Mr. Casson because it allowed him to see Hetty, who was not far away at the next table. However, Hetty hadn’t noticed him yet; she was angrily focused on Totty, who kept drawing her feet up onto the bench in an old-fashioned way, threatening to leave dusty marks on Hetty’s pink-and-white dress. As soon as Totty’s little chubby legs were pushed down, they shot back up again, because she was too busy staring at the large dishes to remember where her legs were. Hetty got really frustrated and finally, with a frown, a pout, and tears welling up, she said, “Oh dear, Aunt, I wish you’d talk to Totty; she keeps putting her legs up like that and ruining my dress.”
“What’s the matter wi’ the child? She can niver please you,” said the mother. “Let her come by the side o’ me, then. I can put up wi’ her.”
“What's wrong with the child? She can never make you happy,” said the mother. “Let her come sit next to me, then. I can deal with her.”
Adam was looking at Hetty, and saw the frown, and pout, and the dark eyes seeming to grow larger with pettish half-gathered tears. Quiet Mary Burge, who sat near enough to see that Hetty was cross and that Adam’s eyes were fixed on her, thought that so sensible a man as Adam must be reflecting on the small value of beauty in a woman whose temper was bad. Mary was a good girl, not given to indulge in evil feelings, but she said to herself, that, since Hetty had a bad temper, it was better Adam should know it. And it was quite true that if Hetty had been plain, she would have looked very ugly and unamiable at that moment, and no one’s moral judgment upon her would have been in the least beguiled. But really there was something quite charming in her pettishness: it looked so much more like innocent distress than ill humour; and the severe Adam felt no movement of disapprobation; he only felt a sort of amused pity, as if he had seen a kitten setting up its back, or a little bird with its feathers ruffled. He could not gather what was vexing her, but it was impossible to him to feel otherwise than that she was the prettiest thing in the world, and that if he could have his way, nothing should ever vex her any more. And presently, when Totty was gone, she caught his eye, and her face broke into one of its brightest smiles, as she nodded to him. It was a bit of flirtation—she knew Mary Burge was looking at them. But the smile was like wine to Adam.
Adam was watching Hetty and noticed her frown and pout, with her dark eyes seeming to swell with half-formed tears. Quiet Mary Burge, sitting close enough to see that Hetty was upset and that Adam was focused on her, thought that a sensible man like Adam must be considering how little value beauty has in a woman with a bad temper. Mary was a good girl, not one to indulge in negative feelings, but she told herself that since Hetty had a bad temper, it was better for Adam to be aware of it. It was also true that if Hetty had been plain, she would have appeared very unattractive and unfriendly at that moment, and no one’s moral opinion of her would have been misled. But there was something quite charming about her sulkiness: it seemed more like innocent distress than true bad mood; and the serious Adam didn’t feel any disapproval; he only felt a kind of amused pity, as if he’d seen a kitten arching its back or a small bird with ruffled feathers. He couldn’t figure out what was bothering her, but he couldn’t help but think she was the prettiest thing in the world, and that if he could, he would make sure nothing ever upset her again. Then, when Totty was gone, she caught his eye and her face lit up with one of her brightest smiles as she nodded at him. It was a bit flirty—she knew Mary Burge was watching them. But the smile was like wine to Adam.
Chapter XXIV
The Health-Drinking
When the dinner was over, and the first draughts from the great cask of birthday ale were brought up, room was made for the broad Mr. Poyser at the side of the table, and two chairs were placed at the head. It had been settled very definitely what Mr. Poyser was to do when the young squire should appear, and for the last five minutes he had been in a state of abstraction, with his eyes fixed on the dark picture opposite, and his hands busy with the loose cash and other articles in his breeches pockets.
When dinner ended and the first mugs of birthday ale were brought out, space was made for the stout Mr. Poyser at the side of the table, and two chairs were set up at the head. They had clearly decided what Mr. Poyser should do when the young squire arrived, and for the last five minutes, he had been lost in thought, staring at the dark painting across from him, while his hands fiddled with the loose change and other items in his pockets.
When the young squire entered, with Mr. Irwine by his side, every one stood up, and this moment of homage was very agreeable to Arthur. He liked to feel his own importance, and besides that, he cared a great deal for the good-will of these people: he was fond of thinking that they had a hearty, special regard for him. The pleasure he felt was in his face as he said, “My grandfather and I hope all our friends here have enjoyed their dinner, and find my birthday ale good. Mr. Irwine and I are come to taste it with you, and I am sure we shall all like anything the better that the rector shares with us.”
When the young squire walked in with Mr. Irwine beside him, everyone stood up, and this moment of recognition was very pleasing to Arthur. He liked feeling important, and on top of that, he really valued the goodwill of these people; he enjoyed believing that they held a genuine fondness for him. The happiness he felt showed on his face as he said, “My grandfather and I hope that all our friends here enjoyed their dinner and find my birthday ale delicious. Mr. Irwine and I are here to taste it with you, and I’m sure we’ll all enjoy it even more because the rector is joining us.”
All eyes were now turned on Mr. Poyser, who, with his hands still busy in his pockets, began with the deliberateness of a slow-striking clock. “Captain, my neighbours have put it upo’ me to speak for ’em to-day, for where folks think pretty much alike, one spokesman’s as good as a score. And though we’ve mayhappen got contrairy ways o’ thinking about a many things—one man lays down his land one way an’ another another—an’ I’ll not take it upon me to speak to no man’s farming, but my own—this I’ll say, as we’re all o’ one mind about our young squire. We’ve pretty nigh all on us known you when you war a little un, an’ we’ve niver known anything on you but what was good an’ honorable. You speak fair an’ y’ act fair, an’ we’re joyful when we look forrard to your being our landlord, for we ’lieve you mean to do right by everybody, an’ ’ull make no man’s bread bitter to him if you can help it. That’s what I mean, an’ that’s what we all mean; and when a man’s said what he means, he’d better stop, for th’ ale ’ull be none the better for stannin’. An’ I’ll not say how we like th’ ale yet, for we couldna well taste it till we’d drunk your health in it; but the dinner was good, an’ if there’s anybody hasna enjoyed it, it must be the fault of his own inside. An’ as for the rector’s company, it’s well known as that’s welcome t’ all the parish wherever he may be; an’ I hope, an’ we all hope, as he’ll live to see us old folks, an’ our children grown to men an’ women an’ Your Honour a family man. I’ve no more to say as concerns the present time, an’ so we’ll drink our young squire’s health—three times three.”
All eyes were now on Mr. Poyser, who, with his hands still in his pockets, started speaking at a slow and deliberate pace, like a clock ticking away. “Captain, my neighbors have asked me to speak for them today, because when people mostly think alike, one representative is just as good as many. Even though we might have different opinions on a lot of things—one person farms one way and another farms a different way—I won’t presume to comment on anyone's farming but my own. This is what I will say: we all agree about our young squire. Almost all of us have known you since you were a child, and we’ve never heard anything bad about you, only good and honorable things. You talk and act fairly, and we're excited about you becoming our landlord because we believe you intend to treat everyone right and won’t make anyone’s life difficult if you can help it. That’s what I mean, and that’s what we all mean; and once a man has said what he means, he should just stop talking because the ale won’t be any better for sitting. And I won’t say how we enjoy the ale yet, since we couldn’t really taste it until we toasted to your health with it; but the dinner was great, and if anyone didn’t enjoy it, it must be their own fault. As for the rector’s company, we all know he’s welcome in every part of the parish wherever he goes. I hope, and we all hope, that he’ll live to see us old folks as well as our children grow up to be men and women, and you, Your Honor, a family man. I have nothing more to say for now, so let’s raise a glass to our young squire’s health—three cheers.”
Hereupon a glorious shouting, a rapping, a jingling, a clattering, and a shouting, with plentiful da capo, pleasanter than a strain of sublimest music in the ears that receive such a tribute for the first time. Arthur had felt a twinge of conscience during Mr. Poyser’s speech, but it was too feeble to nullify the pleasure he felt in being praised. Did he not deserve what was said of him on the whole? If there was something in his conduct that Poyser wouldn’t have liked if he had known it, why, no man’s conduct will bear too close an inspection; and Poyser was not likely to know it; and, after all, what had he done? Gone a little too far, perhaps, in flirtation, but another man in his place would have acted much worse; and no harm would come—no harm should come, for the next time he was alone with Hetty, he would explain to her that she must not think seriously of him or of what had passed. It was necessary to Arthur, you perceive, to be satisfied with himself. Uncomfortable thoughts must be got rid of by good intentions for the future, which can be formed so rapidly that he had time to be uncomfortable and to become easy again before Mr. Poyser’s slow speech was finished, and when it was time for him to speak he was quite light-hearted.
Then there came a glorious noise, a banging, a jingling, a clattering, and shouting, with plenty of da capo, more delightful than the most beautiful music in the ears of someone hearing such praise for the first time. Arthur felt a twinge of guilt during Mr. Poyser’s speech, but it was too weak to overshadow the pleasure he took in being praised. Did he not deserve everything that was said about him overall? If there was anything in his behavior that Poyser wouldn’t have liked if he had known, well, no one’s actions can withstand too much scrutiny; and Poyser probably wouldn’t find out, and, after all, what had he really done? Maybe he went a bit too far with flirting, but another guy in his position would have behaved much worse; and no harm would come—no harm should come, because the next time he was alone with Hetty, he would tell her that she shouldn’t take him or what had happened seriously. It was important for Arthur, you see, to feel good about himself. He needed to shake off uncomfortable thoughts with good intentions for the future, which could be formed so quickly that he had time to feel uneasy and then become at ease again before Mr. Poyser’s slow speech ended, and when it was time for him to speak, he felt completely light-hearted.
“I thank you all, my good friends and neighbours,” Arthur said, “for the good opinion of me, and the kind feelings towards me which Mr. Poyser has been expressing on your behalf and on his own, and it will always be my heartiest wish to deserve them. In the course of things we may expect that, if I live, I shall one day or other be your landlord; indeed, it is on the ground of that expectation that my grandfather has wished me to celebrate this day and to come among you now; and I look forward to this position, not merely as one of power and pleasure for myself, but as a means of benefiting my neighbours. It hardly becomes so young a man as I am to talk much about farming to you, who are most of you so much older, and are men of experience; still, I have interested myself a good deal in such matters, and learned as much about them as my opportunities have allowed; and when the course of events shall place the estate in my hands, it will be my first desire to afford my tenants all the encouragement a landlord can give them, in improving their land and trying to bring about a better practice of husbandry. It will be my wish to be looked on by all my deserving tenants as their best friend, and nothing would make me so happy as to be able to respect every man on the estate, and to be respected by him in return. It is not my place at present to enter into particulars; I only meet your good hopes concerning me by telling you that my own hopes correspond to them—that what you expect from me I desire to fulfil; and I am quite of Mr. Poyser’s opinion, that when a man has said what he means, he had better stop. But the pleasure I feel in having my own health drunk by you would not be perfect if we did not drink the health of my grandfather, who has filled the place of both parents to me. I will say no more, until you have joined me in drinking his health on a day when he has wished me to appear among you as the future representative of his name and family.”
“I want to thank you all, my good friends and neighbors,” Arthur said, “for your positive opinion of me and the kind sentiments that Mr. Poyser has been expressing on your behalf and his own. My deepest wish is always to deserve your goodwill. As things go, we can reasonably expect that if I live long enough, I will one day be your landlord; in fact, that’s why my grandfather wanted me to celebrate this day and be here with you now. I look forward to this role, not just as a position of power and enjoyment for myself, but as a way to help my neighbors. It hardly seems appropriate for someone as young as I am to talk about farming to you, most of whom are much older and way more experienced; still, I've taken a strong interest in these matters and learned as much as I could given my opportunities. When circumstances allow me to manage the estate, my first goal will be to support my tenants with all the encouragement a landlord can provide to improve their land and adopt better farming practices. I wish to be seen as the best friend of all my deserving tenants, and nothing would make me happier than to respect every person on the estate and earn their respect in return. It’s not my place right now to go into details; I just want to assure you that my hopes match yours—that what you expect from me is what I aspire to fulfill. I'm completely in agreement with Mr. Poyser that once a man has expressed himself, it's best to stop. However, the happiness I feel from you toasting my health wouldn’t be complete without also toasting my grandfather, who has taken both parental roles for me. I won’t say more until you join me in raising a glass to his health on a day that he hoped I would be here as the future representative of his name and family.”
Perhaps there was no one present except Mr. Irwine who thoroughly understood and approved Arthur’s graceful mode of proposing his grandfather’s health. The farmers thought the young squire knew well enough that they hated the old squire, and Mrs. Poyser said, “he’d better not ha’ stirred a kettle o’ sour broth.” The bucolic mind does not readily apprehend the refinements of good taste. But the toast could not be rejected and when it had been drunk, Arthur said, “I thank you, both for my grandfather and myself; and now there is one more thing I wish to tell you, that you may share my pleasure about it, as I hope and believe you will. I think there can be no man here who has not a respect, and some of you, I am sure, have a very high regard, for my friend Adam Bede. It is well known to every one in this neighbourhood that there is no man whose word can be more depended on than his; that whatever he undertakes to do, he does well, and is as careful for the interests of those who employ him as for his own. I’m proud to say that I was very fond of Adam when I was a little boy, and I have never lost my old feeling for him—I think that shows that I know a good fellow when I find him. It has long been my wish that he should have the management of the woods on the estate, which happen to be very valuable, not only because I think so highly of his character, but because he has the knowledge and the skill which fit him for the place. And I am happy to tell you that it is my grandfather’s wish too, and it is now settled that Adam shall manage the woods—a change which I am sure will be very much for the advantage of the estate; and I hope you will by and by join me in drinking his health, and in wishing him all the prosperity in life that he deserves. But there is a still older friend of mine than Adam Bede present, and I need not tell you that it is Mr. Irwine. I’m sure you will agree with me that we must drink no other person’s health until we have drunk his. I know you have all reason to love him, but no one of his parishioners has so much reason as I. Come, charge your glasses, and let us drink to our excellent rector—three times three!”
Perhaps there was no one present except Mr. Irwine who truly understood and approved Arthur’s elegant way of proposing a toast to his grandfather's health. The farmers thought the young squire was well aware that they disliked the old squire, and Mrs. Poyser remarked, “He’d better not stir up a pot of sour broth.” The rural mindset doesn’t easily grasp the nuances of good taste. But the toast couldn’t be rejected, and when it had been made, Arthur said, “Thank you, both for my grandfather and myself; and now there’s one more thing I want to share with you, so you can celebrate it with me, as I hope and believe you will. I think there’s no man here who doesn’t respect my friend Adam Bede, and some of you, I’m sure, hold him in high regard. It’s well known that there’s no one in this neighborhood whose word is more trustworthy than his; that whatever he takes on, he does well, and he cares for the interests of those who hire him as much as for his own. I’m proud to say I was very fond of Adam when I was a little boy, and I’ve never lost that affection for him—I think that shows I know a good person when I see one. I’ve long wished for him to manage the woods on the estate, which are quite valuable, not just because of my high opinion of his character, but also because he has the knowledge and skills that make him fit for the job. I’m happy to say that it’s my grandfather’s wish too, and it’s now decided that Adam will manage the woods—a change I’m sure will greatly benefit the estate; and I hope you’ll join me later in raising a glass to his health and wishing him all the success he deserves. But there’s someone even older than Adam Bede here, and you all know it’s Mr. Irwine. I’m sure you’ll agree that we should toast no one else until we’ve toasted him. I know you all have reason to appreciate him, but no one among his parishioners has more reason than I do. Come on, fill your glasses, and let’s toast to our wonderful rector—three cheers!”
This toast was drunk with all the enthusiasm that was wanting to the last, and it certainly was the most picturesque moment in the scene when Mr. Irwine got up to speak, and all the faces in the room were turned towards him. The superior refinement of his face was much more striking than that of Arthur’s when seen in comparison with the people round them. Arthur’s was a much commoner British face, and the splendour of his new-fashioned clothes was more akin to the young farmer’s taste in costume than Mr. Irwine’s powder and the well-brushed but well-worn black, which seemed to be his chosen suit for great occasions; for he had the mysterious secret of never wearing a new-looking coat.
This toast was raised with all the enthusiasm that was missing before, and it was definitely the most memorable moment in the scene when Mr. Irwine stood up to speak, with everyone in the room facing him. The refined look on his face was much more striking compared to Arthur’s when seen next to the others around them. Arthur had a more typical British face, and the brightness of his trendy clothes was more similar to what a young farmer would choose than Mr. Irwine’s powdered look and the well-brushed but worn black suit he reserved for special occasions; he had the uncanny ability to never wear a coat that looked new.
“This is not the first time, by a great many,” he said, “that I have had to thank my parishioners for giving me tokens of their goodwill, but neighbourly kindness is among those things that are the more precious the older they get. Indeed, our pleasant meeting to-day is a proof that when what is good comes of age and is likely to live, there is reason for rejoicing, and the relation between us as clergyman and parishioners came of age two years ago, for it is three-and-twenty years since I first came among you, and I see some tall fine-looking young men here, as well as some blooming young women, that were far from looking as pleasantly at me when I christened them as I am happy to see them looking now. But I’m sure you will not wonder when I say that among all those young men, the one in whom I have the strongest interest is my friend Mr. Arthur Donnithorne, for whom you have just expressed your regard. I had the pleasure of being his tutor for several years, and have naturally had opportunities of knowing him intimately which cannot have occurred to any one else who is present; and I have some pride as well as pleasure in assuring you that I share your high hopes concerning him, and your confidence in his possession of those qualities which will make him an excellent landlord when the time shall come for him to take that important position among you. We feel alike on most matters on which a man who is getting towards fifty can feel in common with a young man of one-and-twenty, and he has just been expressing a feeling which I share very heartily, and I would not willingly omit the opportunity of saying so. That feeling is his value and respect for Adam Bede. People in a high station are of course more thought of and talked about and have their virtues more praised, than those whose lives are passed in humble everyday work; but every sensible man knows how necessary that humble everyday work is, and how important it is to us that it should be done well. And I agree with my friend Mr. Arthur Donnithorne in feeling that when a man whose duty lies in that sort of work shows a character which would make him an example in any station, his merit should be acknowledged. He is one of those to whom honour is due, and his friends should delight to honour him. I know Adam Bede well—I know what he is as a workman, and what he has been as a son and brother—and I am saying the simplest truth when I say that I respect him as much as I respect any man living. But I am not speaking to you about a stranger; some of you are his intimate friends, and I believe there is not one here who does not know enough of him to join heartily in drinking his health.”
“This isn’t the first time by a long shot,” he said, “that I’ve had to thank my parishioners for their tokens of goodwill, but neighborly kindness is one of those things that becomes more precious as time goes on. Our nice meeting today shows that when something good matures and is likely to endure, there’s reason to celebrate. The relationship between us as clergyman and parishioners became official two years ago, but it’s been twenty-three years since I first came among you. I see some tall, fine-looking young men here, as well as some lovely young women, who certainly didn’t look as happily at me when I baptized them as I’m glad to see them look now. But I’m sure you won’t be surprised when I say that among all those young men, the one I’m most interested in is my friend Mr. Arthur Donnithorne, for whom you just expressed your regard. I had the pleasure of being his tutor for several years, and I’ve naturally had opportunities to know him intimately that others here haven’t had. I take pride, as well as joy, in telling you that I share your high hopes for him and your confidence in his qualities that will make him an excellent landlord when it’s time for him to take on that important role among you. We share similar views on most matters that a man nearing fifty can relate to with a young man of twenty-one. He’s just expressed a sentiment that I fully agree with, and I wouldn’t want to miss the chance to say it. That sentiment is his appreciation and respect for Adam Bede. People in higher positions, of course, get more attention and praise for their virtues than those who do humble everyday work; but every sensible person knows how essential that everyday work is and how important it is that it’s done well. I agree with my friend Mr. Arthur Donnithorne in believing that when a man dedicated to that kind of work displays a character that would make him a role model in any position, his merits should be recognized. He is one of those to whom honor is due, and his friends should take joy in honoring him. I know Adam Bede well—I know what he’s like as a worker, and what he’s been as a son and brother—and I tell you honestly that I respect him as much as I respect any man alive. But I’m not talking about a stranger; some of you are his close friends, and I believe there isn’t a single person here who doesn’t know enough about him to join wholeheartedly in raising a toast to his health.”
As Mr. Irwine paused, Arthur jumped up and, filling his glass, said, “A bumper to Adam Bede, and may he live to have sons as faithful and clever as himself!”
As Mr. Irwine paused, Arthur jumped up and, filling his glass, said, “Cheers to Adam Bede, and may he live to have sons as loyal and smart as he is!”
No hearer, not even Bartle Massey, was so delighted with this toast as Mr. Poyser. “Tough work” as his first speech had been, he would have started up to make another if he had not known the extreme irregularity of such a course. As it was, he found an outlet for his feeling in drinking his ale unusually fast, and setting down his glass with a swing of his arm and a determined rap. If Jonathan Burge and a few others felt less comfortable on the occasion, they tried their best to look contented, and so the toast was drunk with a goodwill apparently unanimous.
No one in the room, not even Bartle Massey, was as pleased with this toast as Mr. Poyser. Even though his first speech had been "tough work," he would have jumped up to give another one if he hadn't known how inappropriate that would be. Instead, he channeled his excitement into drinking his ale unusually quickly, slamming his glass down with a quick motion of his arm and a firm tap. While Jonathan Burge and a few others felt less at ease during the event, they did their best to appear satisfied, and so the toast was raised with what seemed like unanimous goodwill.
Adam was rather paler than usual when he got up to thank his friends. He was a good deal moved by this public tribute—very naturally, for he was in the presence of all his little world, and it was uniting to do him honour. But he felt no shyness about speaking, not being troubled with small vanity or lack of words; he looked neither awkward nor embarrassed, but stood in his usual firm upright attitude, with his head thrown a little backward and his hands perfectly still, in that rough dignity which is peculiar to intelligent, honest, well-built workmen, who are never wondering what is their business in the world.
Adam was a bit paler than usual when he got up to thank his friends. He was quite moved by this public tribute—understandably, since he was surrounded by all the people in his life, and it was a way to honor him. But he didn't feel shy about speaking; he wasn’t bothered by any small vanity or lack of words. He didn’t look awkward or embarrassed; he stood in his usual firm upright posture, with his head tilted back slightly and his hands completely still, embodying that rough dignity unique to intelligent, honest, well-built workers, who never question their purpose in life.
“I’m quite taken by surprise,” he said. “I didn’t expect anything o’ this sort, for it’s a good deal more than my wages. But I’ve the more reason to be grateful to you, Captain, and to you, Mr. Irwine, and to all my friends here, who’ve drunk my health and wished me well. It ’ud be nonsense for me to be saying, I don’t at all deserve th’ opinion you have of me; that ’ud be poor thanks to you, to say that you’ve known me all these years and yet haven’t sense enough to find out a great deal o’ the truth about me. You think, if I undertake to do a bit o’ work, I’ll do it well, be my pay big or little—and that’s true. I’d be ashamed to stand before you here if it wasna true. But it seems to me that’s a man’s plain duty, and nothing to be conceited about, and it’s pretty clear to me as I’ve never done more than my duty; for let us do what we will, it’s only making use o’ the sperrit and the powers that ha’ been given to us. And so this kindness o’ yours, I’m sure, is no debt you owe me, but a free gift, and as such I accept it and am thankful. And as to this new employment I’ve taken in hand, I’ll only say that I took it at Captain Donnithorne’s desire, and that I’ll try to fulfil his expectations. I’d wish for no better lot than to work under him, and to know that while I was getting my own bread I was taking care of his int’rests. For I believe he’s one o’ those gentlemen as wishes to do the right thing, and to leave the world a bit better than he found it, which it’s my belief every man may do, whether he’s gentle or simple, whether he sets a good bit o’ work going and finds the money, or whether he does the work with his own hands. There’s no occasion for me to say any more about what I feel towards him: I hope to show it through the rest o’ my life in my actions.”
“I’m really surprised,” he said. “I didn’t expect anything like this, since it’s a lot more than my wages. But I have even more reason to be grateful to you, Captain, and you, Mr. Irwine, and all my friends here, who’ve toasted to my health and wished me well. It would be silly for me to say I don’t deserve the opinion you have of me; that would be a poor way to thank you, considering you’ve known me all these years and still haven’t figured out much of the truth about me. You think that if I take on a job, I’ll do it well, regardless of whether the pay is big or small—and that’s true. I would be ashamed to stand here before you if it weren’t true. But I believe that’s just a man’s plain duty, nothing to be proud about, and it’s clear to me that I’ve never done more than my duty; because whatever we do, we’re just using the spirit and the abilities that have been given to us. So this kindness of yours is definitely not a debt you owe me, but a free gift, and I accept it and am grateful. As for this new job I’ve taken on, I’ll just say that I accepted it at Captain Donnithorne’s request, and I’ll do my best to meet his expectations. I couldn’t ask for a better situation than to work under him, knowing that while I earn my own living, I’m also looking after his interests. I believe he’s one of those gentlemen who genuinely wants to do the right thing and leave the world a little better than he found it, which I think every man can do, whether he’s wealthy or not, whether he starts a big project and secures funding, or whether he does the work with his own hands. I don’t need to say anything more about how I feel toward him: I hope to demonstrate it through my actions for the rest of my life.”
There were various opinions about Adam’s speech: some of the women whispered that he didn’t show himself thankful enough, and seemed to speak as proud as could be; but most of the men were of opinion that nobody could speak more straightfor’ard, and that Adam was as fine a chap as need to be. While such observations were being buzzed about, mingled with wonderings as to what the old squire meant to do for a bailiff, and whether he was going to have a steward, the two gentlemen had risen, and were walking round to the table where the wives and children sat. There was none of the strong ale here, of course, but wine and dessert—sparkling gooseberry for the young ones, and some good sherry for the mothers. Mrs. Poyser was at the head of this table, and Totty was now seated in her lap, bending her small nose deep down into a wine-glass in search of the nuts floating there.
There were different opinions about Adam’s speech: some of the women whispered that he didn’t seem thankful enough and appeared to be as proud as could be; but most of the men thought that no one could speak more straightforwardly and that Adam was as good a guy as anyone could be. While such comments were being exchanged, mixed with questions about what the old squire planned to do for a bailiff, and whether he was going to have a steward, the two gentlemen had gotten up and were walking over to the table where the wives and children were sitting. There wasn’t any strong ale here, of course, but there was wine and dessert—sparkling gooseberry for the kids, and some good sherry for the mothers. Mrs. Poyser was at the head of this table, and Totty was now sitting in her lap, leaning her small nose deep into a wine glass looking for the floating nuts.
“How do you do, Mrs. Poyser?” said Arthur. “Weren’t you pleased to hear your husband make such a good speech to-day?”
“Hello, Mrs. Poyser,” said Arthur. “Weren’t you happy to hear your husband give such a great speech today?”
“Oh, sir, the men are mostly so tongue-tied—you’re forced partly to guess what they mean, as you do wi’ the dumb creaturs.”
“Oh, sir, the men are mostly so speechless—you’re partially forced to guess what they mean, just like you do with the mute creatures.”
“What! you think you could have made it better for him?” said Mr. Irwine, laughing.
“What! You think you could have done a better job for him?” Mr. Irwine said, laughing.
“Well, sir, when I want to say anything, I can mostly find words to say it in, thank God. Not as I’m a-finding faut wi’ my husband, for if he’s a man o’ few words, what he says he’ll stand to.”
“Well, sir, when I want to say something, I can usually find the right words, thank God. It’s not that I’m complaining about my husband; if he’s a man of few words, he really means what he says.”
“I’m sure I never saw a prettier party than this,” Arthur said, looking round at the apple-cheeked children. “My aunt and the Miss Irwines will come up and see you presently. They were afraid of the noise of the toasts, but it would be a shame for them not to see you at table.”
“I’m sure I’ve never seen a prettier party than this,” Arthur said, looking around at the rosy-cheeked kids. “My aunt and the Miss Irwines will come up and see you soon. They were worried about the noise from the toasts, but it would be a shame for them not to see you at the table.”
He walked on, speaking to the mothers and patting the children, while Mr. Irwine satisfied himself with standing still and nodding at a distance, that no one’s attention might be disturbed from the young squire, the hero of the day. Arthur did not venture to stop near Hetty, but merely bowed to her as he passed along the opposite side. The foolish child felt her heart swelling with discontent; for what woman was ever satisfied with apparent neglect, even when she knows it to be the mask of love? Hetty thought this was going to be the most miserable day she had had for a long while, a moment of chill daylight and reality came across her dream: Arthur, who had seemed so near to her only a few hours before, was separated from her, as the hero of a great procession is separated from a small outsider in the crowd.
He kept walking, chatting with the mothers and giving the kids a friendly pat, while Mr. Irwine stayed back, watching quietly and nodding, making sure no one got distracted from the young squire, the star of the day. Arthur didn't feel comfortable stopping near Hetty; he just gave her a nod as he passed by on the other side. The silly girl felt her heart aching with disappointment; after all, what woman is ever happy with seeming indifference, even when she knows it's just a disguise for love? Hetty thought this was going to be the most miserable day she had in a long time; a cold moment of reality broke through her dream: Arthur, who had felt so close to her just a few hours earlier, was now as distant as a hero in a grand parade is from someone lost in the crowd.
Chapter XXV
The Games
The great dance was not to begin until eight o’clock, but for any lads and lasses who liked to dance on the shady grass before then, there was music always at hand—for was not the band of the Benefit Club capable of playing excellent jigs, reels, and hornpipes? And, besides this, there was a grand band hired from Rosseter, who, with their wonderful wind-instruments and puffed-out cheeks, were themselves a delightful show to the small boys and girls. To say nothing of Joshua Rann’s fiddle, which, by an act of generous forethought, he had provided himself with, in case any one should be of sufficiently pure taste to prefer dancing to a solo on that instrument.
The big dance wasn't set to start until eight o'clock, but for any guys and gals who wanted to dance on the shady grass before then, there was always music available—after all, the Benefit Club's band could play great jigs, reels, and hornpipes. Plus, there was an awesome band hired from Rosseter, who, with their amazing wind instruments and puffed-up cheeks, were a real treat for the little boys and girls. Not to mention Joshua Rann’s fiddle, which he had thoughtfully brought along in case anyone had the refined taste to prefer dancing to a solo on that instrument.
Meantime, when the sun had moved off the great open space in front of the house, the games began. There were, of course, well-soaped poles to be climbed by the boys and youths, races to be run by the old women, races to be run in sacks, heavy weights to be lifted by the strong men, and a long list of challenges to such ambitious attempts as that of walking as many yards possible on one leg—feats in which it was generally remarked that Wiry Ben, being “the lissom’st, springest fellow i’ the country,” was sure to be pre-eminent. To crown all, there was to be a donkey-race—that sublimest of all races, conducted on the grand socialistic idea of everybody encouraging everybody else’s donkey, and the sorriest donkey winning.
In the meantime, once the sun had moved away from the big open area in front of the house, the games kicked off. There were, of course, slippery poles for the boys and young men to climb, races for the older women, sack races, heavy weights for the strong men to lift, and a long list of challenges like walking as far as possible on one leg—activities where it was often said that Wiry Ben, being “the most agile and springy guy in the area,” was bound to excel. To top it all off, there was going to be a donkey race—the ultimate of all races, based on the idea that everyone cheers for everyone else's donkey, with the most pitiful donkey taking the win.
And soon after four o’clock, splendid old Mrs. Irwine, in her damask satin and jewels and black lace, was led out by Arthur, followed by the whole family party, to her raised seat under the striped marquee, where she was to give out the prizes to the victors. Staid, formal Miss Lydia had requested to resign that queenly office to the royal old lady, and Arthur was pleased with this opportunity of gratifying his godmother’s taste for stateliness. Old Mr. Donnithorne, the delicately clean, finely scented, withered old man, led out Miss Irwine, with his air of punctilious, acid politeness; Mr. Gawaine brought Miss Lydia, looking neutral and stiff in an elegant peach-blossom silk; and Mr. Irwine came last with his pale sister Anne. No other friend of the family, besides Mr. Gawaine, was invited to-day; there was to be a grand dinner for the neighbouring gentry on the morrow, but to-day all the forces were required for the entertainment of the tenants.
And soon after four o’clock, the wonderful Mrs. Irwine, dressed in her damask satin, jewels, and black lace, was escorted by Arthur, followed by the entire family, to her elevated seat under the striped tent where she would present the prizes to the winners. Formal Miss Lydia had chosen to pass on that royal duty to the esteemed elderly lady, and Arthur was happy to indulge his godmother’s love for grandeur. The meticulously groomed and faintly scented old Mr. Donnithorne escorted Miss Irwine, exhibiting his air of careful, sharp politeness; Mr. Gawaine brought in Miss Lydia, who looked stiff and neutral in an elegant peach-blossom silk; and Mr. Irwine followed last with his pale sister Anne. No other family friends, aside from Mr. Gawaine, were invited today; there would be a grand dinner for the nearby gentry tomorrow, but today all efforts were focused on entertaining the tenants.
There was a sunk fence in front of the marquee, dividing the lawn from the park, but a temporary bridge had been made for the passage of the victors, and the groups of people standing, or seated here and there on benches, stretched on each side of the open space from the white marquees up to the sunk fence.
There was a lowered fence in front of the marquee, separating the lawn from the park, but a temporary bridge had been built for the victors to pass through, and the clusters of people standing or sitting on benches were spread out on both sides of the open area from the white marquees up to the lowered fence.
“Upon my word it’s a pretty sight,” said the old lady, in her deep voice, when she was seated, and looked round on the bright scene with its dark-green background; “and it’s the last fête-day I’m likely to see, unless you make haste and get married, Arthur. But take care you get a charming bride, else I would rather die without seeing her.”
“Honestly, it’s a beautiful sight,” said the old lady, in her deep voice, as she sat down and looked around at the vibrant scene against its dark-green background; “and it’s the last celebration day I’m likely to see, unless you hurry up and get married, Arthur. But make sure to choose a lovely bride, or I’d rather die without meeting her.”
“You’re so terribly fastidious, Godmother,” said Arthur, “I’m afraid I should never satisfy you with my choice.”
“You're so incredibly picky, Godmother,” Arthur said, “I’m worried I could never meet your expectations with my choice.”
“Well, I won’t forgive you if she’s not handsome. I can’t be put off with amiability, which is always the excuse people are making for the existence of plain people. And she must not be silly; that will never do, because you’ll want managing, and a silly woman can’t manage you. Who is that tall young man, Dauphin, with the mild face? There, standing without his hat, and taking such care of that tall old woman by the side of him—his mother, of course. I like to see that.”
“Well, I won’t forgive you if she isn’t attractive. I can’t be swayed by friendliness, which is always the excuse people give for the existence of plain individuals. And she shouldn’t be frivolous; that won’t work, because you’ll need someone to handle you, and a silly woman can’t do that. Who is that tall young guy, Dauphin, with the gentle face? There, standing without his hat, and taking such care of that tall older woman next to him—his mother, of course. I like seeing that.”
“What, don’t you know him, Mother?” said Mr. Irwine. “That is Seth Bede, Adam’s brother—a Methodist, but a very good fellow. Poor Seth has looked rather down-hearted of late; I thought it was because of his father’s dying in that sad way, but Joshua Rann tells me he wanted to marry that sweet little Methodist preacher who was here about a month ago, and I suppose she refused him.”
“What, don’t you know him, Mom?” said Mr. Irwine. “That’s Seth Bede, Adam’s brother—a Methodist, but a really good guy. Poor Seth has seemed a bit down lately; I thought it was because of his father passing away in that unfortunate way, but Joshua Rann told me he wanted to marry that sweet little Methodist preacher who was here about a month ago, and I guess she turned him down.”
“Ah, I remember hearing about her. But there are no end of people here that I don’t know, for they’re grown up and altered so since I used to go about.”
“Ah, I remember hearing about her. But there are so many people here that I don’t know, as they’ve grown up and changed so much since I used to be around.”
“What excellent sight you have!” said old Mr. Donnithorne, who was holding a double glass up to his eyes, “to see the expression of that young man’s face so far off. His face is nothing but a pale blurred spot to me. But I fancy I have the advantage of you when we come to look close. I can read small print without spectacles.”
“What great eyesight you have!” said old Mr. Donnithorne, holding a pair of binoculars to his eyes. “You can see the expression on that young man's face from so far away. To me, his face is just a pale, blurry spot. But I think I have the advantage when it comes to looking at things up close. I can read small print without glasses.”
“Ah, my dear sir, you began with being very near-sighted, and those near-sighted eyes always wear the best. I want very strong spectacles to read with, but then I think my eyes get better and better for things at a distance. I suppose if I could live another fifty years, I should be blind to everything that wasn’t out of other people’s sight, like a man who stands in a well and sees nothing but the stars.”
“Ah, my dear sir, you started off really nearsighted, and those nearsighted eyes always have the best perspective. I need very strong glasses to read, but I feel like my vision for things far away is improving. I guess if I could live another fifty years, I’d be blind to everything that wasn’t in other people’s sight, like someone standing in a well who can only see the stars.”
“See,” said Arthur, “the old women are ready to set out on their race now. Which do you bet on, Gawaine?”
“Look,” Arthur said, “the old women are ready to start their race now. Who are you betting on, Gawaine?”
“The long-legged one, unless they’re going to have several heats, and then the little wiry one may win.”
“The tall one, unless they’re going to have several heats, and then the small, wiry one might win.”
“There are the Poysers, Mother, not far off on the right hand,” said Miss Irwine. “Mrs. Poyser is looking at you. Do take notice of her.”
“There are the Poysers, Mom, not too far off on the right,” said Miss Irwine. “Mrs. Poyser is watching you. Please pay attention to her.”
“To be sure I will,” said the old lady, giving a gracious bow to Mrs. Poyser. “A woman who sends me such excellent cream-cheese is not to be neglected. Bless me! What a fat child that is she is holding on her knee! But who is that pretty girl with dark eyes?”
“To be sure I will,” said the old lady, gracefully bowing to Mrs. Poyser. “A woman who sends me such great cream cheese is not to be overlooked. My goodness! What a chubby child she’s holding on her lap! But who is that pretty girl with the dark eyes?”
“That is Hetty Sorrel,” said Miss Lydia Donnithorne, “Martin Poyser’s niece—a very likely young person, and well-looking too. My maid has taught her fine needlework, and she has mended some lace of mine very respectably indeed—very respectably.”
“That is Hetty Sorrel,” said Miss Lydia Donnithorne, “Martin Poyser’s niece—a very promising young woman, and quite attractive as well. My maid has taught her some excellent needlework, and she has done an admirable job mending some of my lace—truly impressive.”
“Why, she has lived with the Poysers six or seven years, Mother; you must have seen her,” said Miss Irwine.
“Why, she’s been living with the Poysers for six or seven years, Mom; you must have seen her,” said Miss Irwine.
“No, I’ve never seen her, child—at least not as she is now,” said Mrs. Irwine, continuing to look at Hetty. “Well-looking, indeed! She’s a perfect beauty! I’ve never seen anything so pretty since my young days. What a pity such beauty as that should be thrown away among the farmers, when it’s wanted so terribly among the good families without fortune! I daresay, now, she’ll marry a man who would have thought her just as pretty if she had had round eyes and red hair.”
“No, I’ve never seen her, kid—at least not the way she looks now,” said Mrs. Irwine, continuing to gaze at Hetty. “She's really something! A total beauty! I haven't seen anyone that pretty since I was young. It's such a shame that a beauty like that is wasted among farmers when it's so desperately needed in well-off families! I bet she’ll end up marrying a guy who would have thought she was just as pretty if she had round eyes and red hair.”
Arthur dared not turn his eyes towards Hetty while Mrs. Irwine was speaking of her. He feigned not to hear, and to be occupied with something on the opposite side. But he saw her plainly enough without looking; saw her in heightened beauty, because he heard her beauty praised—for other men’s opinion, you know, was like a native climate to Arthur’s feelings: it was the air on which they thrived the best, and grew strong. Yes! She was enough to turn any man’s head: any man in his place would have done and felt the same. And to give her up after all, as he was determined to do, would be an act that he should always look back upon with pride.
Arthur didn’t dare to look at Hetty while Mrs. Irwine was talking about her. He pretended not to hear and focused on something on the other side. But he could see her clearly enough without looking; she looked even more beautiful because he heard her beauty praised—other men’s opinions, you know, were like a natural environment for Arthur’s feelings: it was the atmosphere in which they thrived best and grew strong. Yes! She was enough to turn any man’s head: any man in his position would have done and felt the same. And giving her up after all, as he was determined to do, would be something he would always look back on with pride.
“No, Mother,” and Mr. Irwine, replying to her last words; “I can’t agree with you there. The common people are not quite so stupid as you imagine. The commonest man, who has his ounce of sense and feeling, is conscious of the difference between a lovely, delicate woman and a coarse one. Even a dog feels a difference in their presence. The man may be no better able than the dog to explain the influence the more refined beauty has on him, but he feels it.”
“No, Mother,” Mr. Irwine responded to her last words, “I can’t agree with you there. Regular people aren’t as foolish as you think. The average man, who has a bit of sense and feeling, knows the difference between a beautiful, delicate woman and a rough one. Even a dog can sense the difference when they’re around. The man might not be able to explain the effect that a more refined beauty has on him any better than the dog, but he definitely feels it.”
“Bless me, Dauphin, what does an old bachelor like you know about it?”
“Bless me, Dauphin, what does an old bachelor like you know about this?”
“Oh, that is one of the matters in which old bachelors are wiser than married men, because they have time for more general contemplation. Your fine critic of woman must never shackle his judgment by calling one woman his own. But, as an example of what I was saying, that pretty Methodist preacher I mentioned just now told me that she had preached to the roughest miners and had never been treated with anything but the utmost respect and kindness by them. The reason is—though she doesn’t know it—that there’s so much tenderness, refinement, and purity about her. Such a woman as that brings with her ‘airs from heaven’ that the coarsest fellow is not insensible to.”
“Oh, that's one of the things that old bachelors understand better than married men because they have the time for broader reflection. A sharp critic of women should never limit his judgment by claiming one woman as his own. But to illustrate what I mean, that lovely Methodist preacher I mentioned earlier told me that she has preached to the toughest miners and has always been treated with nothing but the utmost respect and kindness by them. The reason is—though she doesn’t realize it—that there’s so much warmth, grace, and purity about her. A woman like that brings with her ‘airs from heaven’ that even the roughest guy can’t ignore.”
“Here’s a delicate bit of womanhood, or girlhood, coming to receive a prize, I suppose,” said Mr. Gawaine. “She must be one of the racers in the sacks, who had set off before we came.”
“Here’s a delicate young woman, or girl, coming to accept an award, I guess,” said Mr. Gawaine. “She must be one of the racers in the sacks, who took off before we arrived.”
The “bit of womanhood” was our old acquaintance Bessy Cranage, otherwise Chad’s Bess, whose large red cheeks and blowsy person had undergone an exaggeration of colour, which, if she had happened to be a heavenly body, would have made her sublime. Bessy, I am sorry to say, had taken to her ear-rings again since Dinah’s departure, and was otherwise decked out in such small finery as she could muster. Any one who could have looked into poor Bessy’s heart would have seen a striking resemblance between her little hopes and anxieties and Hetty’s. The advantage, perhaps, would have been on Bessy’s side in the matter of feeling. But then, you see, they were so very different outside! You would have been inclined to box Bessy’s ears, and you would have longed to kiss Hetty.
The “bit of womanhood” was our old friend Bessy Cranage, also known as Chad’s Bess, whose round red cheeks and full figure had become even more exaggerated in color, which, if she were a celestial body, would have made her magnificent. Bessy, I regret to say, had started wearing her earrings again since Dinah left, and she was otherwise dressed up in whatever small adornments she could find. Anyone who could have peered into poor Bessy’s heart would have noticed a striking similarity between her little hopes and worries and Hetty’s. The advantage might have been in Bessy’s favor in terms of feelings. But then, you see, they looked so very different on the outside! You would have felt like giving Bessy a reprimand, and you would have wanted to kiss Hetty.
Bessy had been tempted to run the arduous race, partly from mere hedonish gaiety, partly because of the prize. Some one had said there were to be cloaks and other nice clothes for prizes, and she approached the marquee, fanning herself with her handkerchief, but with exultation sparkling in her round eyes.
Bessy had been tempted to run the challenging race, partly because she was feeling cheerful and partly because of the prize. Someone had mentioned that there would be cloaks and other nice clothes as prizes, and she walked towards the marquee, fanning herself with her handkerchief, but with excitement shining in her round eyes.
“Here is the prize for the first sack-race,” said Miss Lydia, taking a large parcel from the table where the prizes were laid and giving it to Mrs. Irwine before Bessy came up, “an excellent grogram gown and a piece of flannel.”
“Here’s the prize for the first sack race,” said Miss Lydia, grabbing a large package from the table where the prizes were displayed and handing it to Mrs. Irwine just before Bessy arrived, “a lovely grogram gown and a piece of flannel.”
“You didn’t think the winner was to be so young, I suppose, Aunt?” said Arthur. “Couldn’t you find something else for this girl, and save that grim-looking gown for one of the older women?”
“You didn’t think the winner would be so young, did you, Aunt?” Arthur asked. “Couldn’t you find something else for this girl and save that gloomy-looking gown for one of the older women?”
“I have bought nothing but what is useful and substantial,” said Miss Lydia, adjusting her own lace; “I should not think of encouraging a love of finery in young women of that class. I have a scarlet cloak, but that is for the old woman who wins.”
“I’ve only bought things that are useful and meaningful,” said Miss Lydia, adjusting her lace. “I wouldn’t think of promoting a love for fancy things in young women of that class. I have a red cloak, but that’s for the old woman who wins.”
This speech of Miss Lydia’s produced rather a mocking expression in Mrs. Irwine’s face as she looked at Arthur, while Bessy came up and dropped a series of curtsies.
This speech from Miss Lydia made Mrs. Irwine smirk as she looked at Arthur, while Bessy approached and dropped several curtsies.
“This is Bessy Cranage, mother,” said Mr. Irwine, kindly, “Chad Cranage’s daughter. You remember Chad Cranage, the blacksmith?”
“This is Bessy Cranage, Mom,” Mr. Irwine said gently, “Chad Cranage’s daughter. You remember Chad Cranage, the blacksmith?”
“Yes, to be sure,” said Mrs. Irwine. “Well, Bessy, here is your prize—excellent warm things for winter. I’m sure you have had hard work to win them this warm day.”
“Yes, of course,” said Mrs. Irwine. “Well, Bessy, here’s your prize—great warm stuff for winter. I’m sure you’ve worked hard to earn them on this warm day.”
Bessy’s lip fell as she saw the ugly, heavy gown—which felt so hot and disagreeable too, on this July day, and was such a great ugly thing to carry. She dropped her curtsies again, without looking up, and with a growing tremulousness about the corners of her mouth, and then turned away.
Bessy’s lip drooped as she saw the ugly, heavy gown—which felt so hot and uncomfortable on this July day, and was such a cumbersome thing to carry. She dropped her curtsies again, without looking up, with her mouth starting to tremble, and then turned away.
“Poor girl,” said Arthur; “I think she’s disappointed. I wish it had been something more to her taste.”
“Poor girl,” Arthur said. “I think she’s let down. I wish it had been something more to her liking.”
“She’s a bold-looking young person,” observed Miss Lydia. “Not at all one I should like to encourage.”
“She looks pretty bold,” Miss Lydia noted. “Definitely not someone I’d want to encourage.”
Arthur silently resolved that he would make Bessy a present of money before the day was over, that she might buy something more to her mind; but she, not aware of the consolation in store for her, turned out of the open space, where she was visible from the marquee, and throwing down the odious bundle under a tree, began to cry—very much tittered at the while by the small boys. In this situation she was descried by her discreet matronly cousin, who lost no time in coming up, having just given the baby into her husband’s charge.
Arthur quietly decided that he would give Bessy some money before the day ended, so she could buy something she liked better. However, she, unaware of the surprise waiting for her, stepped away from the open area where she could be seen from the marquee. She tossed the unpleasant bundle under a tree and began to cry, while the little boys laughed at her. At that moment, her sensible, older cousin spotted her and quickly came over after just handing the baby to her husband.
“What’s the matter wi’ ye?” said Bess the matron, taking up the bundle and examining it. “Ye’n sweltered yoursen, I reckon, running that fool’s race. An’ here, they’n gi’en you lots o’ good grogram and flannel, as should ha’ been gi’en by good rights to them as had the sense to keep away from such foolery. Ye might spare me a bit o’ this grogram to make clothes for the lad—ye war ne’er ill-natured, Bess; I ne’er said that on ye.”
“What’s wrong with you?” said Bess the matron, picking up the bundle and looking it over. “You’ve really overdone it, I guess, running that ridiculous race. And here, they’ve given you plenty of good fabric and flannel, which should have been given to those who had the sense to avoid such nonsense. You could spare me a bit of this fabric to make clothes for the boy—you were never mean-spirited, Bess; I never said that about you.”
“Ye may take it all, for what I care,” said Bess the maiden, with a pettish movement, beginning to wipe away her tears and recover herself.
"You can take it all, for all I care," said Bess the maiden, with a sulky gesture, starting to wipe away her tears and compose herself.
“Well, I could do wi’t, if so be ye want to get rid on’t,” said the disinterested cousin, walking quickly away with the bundle, lest Chad’s Bess should change her mind.
“Well, I could do with it, if you really want to get rid of it,” said the uninterested cousin, walking quickly away with the bundle, in case Chad’s Bess changed her mind.
But that bonny-cheeked lass was blessed with an elasticity of spirits that secured her from any rankling grief; and by the time the grand climax of the donkey-race came on, her disappointment was entirely lost in the delightful excitement of attempting to stimulate the last donkey by hisses, while the boys applied the argument of sticks. But the strength of the donkey mind lies in adopting a course inversely as the arguments urged, which, well considered, requires as great a mental force as the direct sequence; and the present donkey proved the first-rate order of his intelligence by coming to a dead standstill just when the blows were thickest. Great was the shouting of the crowd, radiant the grinning of Bill Downes the stone-sawyer and the fortunate rider of this superior beast, which stood calm and stiff-legged in the midst of its triumph.
But that cheerful girl had a resilient spirit that kept her from feeling any deep sadness; by the time the big moment of the donkey race arrived, her disappointment was completely overshadowed by the fun of trying to encourage the last donkey with hisses, while the boys used sticks to motivate it. But the donkey's stubborn nature meant it often went the opposite way of what was encouraged, which, if you think about it, takes just as much mental effort as following instructions; and this particular donkey showed off its cleverness by coming to a complete stop just when the hits were hardest. The crowd erupted in cheers, and Bill Downes, the stone-cutter and the lucky rider of this impressive donkey, grinned widely as it stood still and proud amidst all the celebration.
Arthur himself had provided the prizes for the men, and Bill was made happy with a splendid pocket-knife, supplied with blades and gimlets enough to make a man at home on a desert island. He had hardly returned from the marquee with the prize in his hand, when it began to be understood that Wiry Ben proposed to amuse the company, before the gentry went to dinner, with an impromptu and gratuitous performance—namely, a hornpipe, the main idea of which was doubtless borrowed; but this was to be developed by the dancer in so peculiar and complex a manner that no one could deny him the praise of originality. Wiry Ben’s pride in his dancing—an accomplishment productive of great effect at the yearly Wake—had needed only slightly elevating by an extra quantity of good ale to convince him that the gentry would be very much struck with his performance of his hornpipe; and he had been decidedly encouraged in this idea by Joshua Rann, who observed that it was nothing but right to do something to please the young squire, in return for what he had done for them. You will be the less surprised at this opinion in so grave a personage when you learn that Ben had requested Mr. Rann to accompany him on the fiddle, and Joshua felt quite sure that though there might not be much in the dancing, the music would make up for it. Adam Bede, who was present in one of the large marquees, where the plan was being discussed, told Ben he had better not make a fool of himself—a remark which at once fixed Ben’s determination: he was not going to let anything alone because Adam Bede turned up his nose at it.
Arthur had provided the prizes for the men, and Bill was thrilled with a fantastic pocket knife, complete with enough blades and tools to make any man feel at home on a deserted island. He had barely come back from the tent with his prize when it became clear that Wiry Ben intended to entertain the crowd, before dinner, with an impromptu and free performance—a hornpipe. The main concept was probably borrowed, but the dancer was going to interpret it in such a unique and intricate way that no one could deny his originality. Wiry Ben was quite proud of his dancing—an act that always made a big impression at the annual Wake—and with just a little more good ale, he was convinced the guests would be really impressed by his hornpipe performance. He had been largely encouraged in this idea by Joshua Rann, who thought it was only fair to do something to please the young squire in return for what he had done for them. You wouldn't be surprised by such an opinion from someone so serious once you realized that Ben had asked Mr. Rann to join him on the fiddle, and Joshua was pretty sure that even if the dancing wasn't great, the music would make up for it. Adam Bede, who was present in one of the large tents where they were discussing the plan, told Ben that he should probably not embarrass himself—a comment that only fueled Ben's determination; he was not going to shy away from anything just because Adam Bede looked down on it.
“What’s this, what’s this?” said old Mr. Donnithorne. “Is it something you’ve arranged, Arthur? Here’s the clerk coming with his fiddle, and a smart fellow with a nosegay in his button-hole.”
“What’s going on, what’s going on?” said old Mr. Donnithorne. “Did you set this up, Arthur? Here comes the clerk with his fiddle, and a stylish guy with a flower in his buttonhole.”
“No,” said Arthur; “I know nothing about it. By Jove, he’s going to dance! It’s one of the carpenters—I forget his name at this moment.”
“No,” said Arthur; “I don’t know anything about it. Wow, he’s going to dance! It’s one of the carpenters—I can’t remember his name right now.”
“It’s Ben Cranage—Wiry Ben, they call him,” said Mr. Irwine; “rather a loose fish, I think. Anne, my dear, I see that fiddle-scraping is too much for you: you’re getting tired. Let me take you in now, that you may rest till dinner.”
“It’s Ben Cranage—Wiry Ben, as they call him,” said Mr. Irwine; “he's a bit of a free spirit, I think. Anne, my dear, I can see that the fiddle playing is wearing you out: you’re getting tired. Let me take you inside now so you can rest until dinner.”
Miss Anne rose assentingly, and the good brother took her away, while Joshua’s preliminary scrapings burst into the “White Cockade,” from which he intended to pass to a variety of tunes, by a series of transitions which his good ear really taught him to execute with some skill. It would have been an exasperating fact to him, if he had known it, that the general attention was too thoroughly absorbed by Ben’s dancing for any one to give much heed to the music.
Miss Anne got up in agreement, and the kind brother led her away, while Joshua's initial notes kicked off the "White Cockade," which he planned to transition into a mix of other tunes, a series of changes that his good ear allowed him to pull off quite skillfully. It would have frustrated him, if he had known, that everyone's attention was so captivated by Ben's dancing that hardly anyone noticed the music.
Have you ever seen a real English rustic perform a solo dance? Perhaps you have only seen a ballet rustic, smiling like a merry countryman in crockery, with graceful turns of the haunch and insinuating movements of the head. That is as much like the real thing as the “Bird Waltz” is like the song of birds. Wiry Ben never smiled: he looked as serious as a dancing monkey—as serious as if he had been an experimental philosopher ascertaining in his own person the amount of shaking and the varieties of angularity that could be given to the human limbs.
Have you ever seen a real English country person do a solo dance? Maybe you've only seen a ballet version, smiling like a cheerful farmer in a fancy outfit, with graceful twists of the hips and suggestive head movements. That's as similar to the real thing as the “Bird Waltz” is to the actual songs of birds. Wiry Ben never smiled: he looked as serious as a dancing monkey—just as serious as if he were a scientist testing how much shaking and how many angles could be applied to human limbs.
To make amends for the abundant laughter in the striped marquee, Arthur clapped his hands continually and cried “Bravo!” But Ben had one admirer whose eyes followed his movements with a fervid gravity that equalled his own. It was Martin Poyser, who was seated on a bench, with Tommy between his legs.
To make up for the lots of laughter under the striped tent, Arthur kept clapping his hands and shouted “Bravo!” But Ben had one fan whose eyes tracked his every move with an intensity that matched his own. It was Martin Poyser, sitting on a bench with Tommy between his legs.
“What dost think o’ that?” he said to his wife. “He goes as pat to the music as if he was made o’ clockwork. I used to be a pretty good un at dancing myself when I was lighter, but I could niver ha’ hit it just to th’ hair like that.”
“What do you think of that?” he said to his wife. “He moves to the music as if he was made of clockwork. I used to be a pretty good dancer myself when I was lighter, but I could never have hit it just right like that.”
“It’s little matter what his limbs are, to my thinking,” re-turned Mrs. Poyser. “He’s empty enough i’ the upper story, or he’d niver come jigging an’ stamping i’ that way, like a mad grasshopper, for the gentry to look at him. They’re fit to die wi’ laughing, I can see.”
“It doesn’t really matter what he looks like to me,” Mrs. Poyser replied. “He’s pretty empty in the head, or he wouldn’t be dancing around like a crazy grasshopper for the rich to watch him. I can see they’re about to die laughing.”
“Well, well, so much the better, it amuses ’em,” said Mr. Poyser, who did not easily take an irritable view of things. “But they’re going away now, t’ have their dinner, I reckon. We’ll move about a bit, shall we, and see what Adam Bede’s doing. He’s got to look after the drinking and things: I doubt he hasna had much fun.”
“Well, well, that’s good, it keeps them entertained,” said Mr. Poyser, who didn’t usually see things in an irritable way. “But they’re heading off now to have their dinner, I guess. Let’s move around a bit, shall we, and see what Adam Bede is up to. He needs to take care of the drinks and stuff: I doubt he’s had much fun.”
Chapter XXVI
The Dance
Arthur had chosen the entrance-hall for the ballroom: very wisely, for no other room could have been so airy, or would have had the advantage of the wide doors opening into the garden, as well as a ready entrance into the other rooms. To be sure, a stone floor was not the pleasantest to dance on, but then, most of the dancers had known what it was to enjoy a Christmas dance on kitchen quarries. It was one of those entrance-halls which make the surrounding rooms look like closets—with stucco angels, trumpets, and flower-wreaths on the lofty ceiling, and great medallions of miscellaneous heroes on the walls, alternating with statues in niches. Just the sort of place to be ornamented well with green boughs, and Mr. Craig had been proud to show his taste and his hothouse plants on the occasion. The broad steps of the stone staircase were covered with cushions to serve as seats for the children, who were to stay till half-past nine with the servant-maids to see the dancing, and as this dance was confined to the chief tenants, there was abundant room for every one. The lights were charmingly disposed in coloured-paper lamps, high up among green boughs, and the farmers’ wives and daughters, as they peeped in, believed no scene could be more splendid; they knew now quite well in what sort of rooms the king and queen lived, and their thoughts glanced with some pity towards cousins and acquaintances who had not this fine opportunity of knowing how things went on in the great world. The lamps were already lit, though the sun had not long set, and there was that calm light out of doors in which we seem to see all objects more distinctly than in the broad day.
Arthur had chosen the entrance hall for the ballroom, which was a smart decision, as no other room could be so airy or have the advantage of wide doors leading into the garden, along with easy access to the other rooms. Sure, a stone floor wasn’t the best for dancing, but most of the dancers had experienced the joy of a Christmas dance on kitchen tiles. This entrance hall made the surrounding rooms look like closets—with stucco angels, trumpets, and flower wreaths on the high ceiling, and large medallions of various heroes on the walls, alternated with statues in niches. It was the perfect place to decorate with green branches, and Mr. Craig was proud to showcase his taste along with his greenhouse plants for the occasion. The wide steps of the stone staircase were covered with cushions to serve as seating for the children, who were allowed to stay until half-past nine with the maids to watch the dancing. Since this dance was only for the main tenants, there was plenty of room for everyone. The lights were beautifully arranged in colored paper lamps, high up among green branches, and the farmers’ wives and daughters, peeking in, thought there could be no scene more splendid; they now clearly understood the kind of rooms where the king and queen lived, and their thoughts went out in pity for cousins and acquaintances who didn’t have this wonderful chance to see how life unfolded in the wider world. The lamps were already lit, even though the sun had only just set, and there was that soft light outside where we seem to see everything more clearly than in broad daylight.
It was a pretty scene outside the house: the farmers and their families were moving about the lawn, among the flowers and shrubs, or along the broad straight road leading from the east front, where a carpet of mossy grass spread on each side, studded here and there with a dark flat-boughed cedar, or a grand pyramidal fir sweeping the ground with its branches, all tipped with a fringe of paler green. The groups of cottagers in the park were gradually diminishing, the young ones being attracted towards the lights that were beginning to gleam from the windows of the gallery in the abbey, which was to be their dancing-room, and some of the sober elder ones thinking it time to go home quietly. One of these was Lisbeth Bede, and Seth went with her—not from filial attention only, for his conscience would not let him join in dancing. It had been rather a melancholy day to Seth: Dinah had never been more constantly present with him than in this scene, where everything was so unlike her. He saw her all the more vividly after looking at the thoughtless faces and gay-coloured dresses of the young women—just as one feels the beauty and the greatness of a pictured Madonna the more when it has been for a moment screened from us by a vulgar head in a bonnet. But this presence of Dinah in his mind only helped him to bear the better with his mother’s mood, which had been becoming more and more querulous for the last hour. Poor Lisbeth was suffering from a strange conflict of feelings. Her joy and pride in the honour paid to her darling son Adam was beginning to be worsted in the conflict with the jealousy and fretfulness which had revived when Adam came to tell her that Captain Donnithorne desired him to join the dancers in the hall. Adam was getting more and more out of her reach; she wished all the old troubles back again, for then it mattered more to Adam what his mother said and did.
It was a beautiful scene outside the house: the farmers and their families were moving around the lawn, among the flowers and shrubs, or along the wide, straight road leading from the east front, where a carpet of mossy grass spread on each side, dotted here and there with dark, flat-boughed cedar trees, or a tall, pyramidal fir sweeping the ground with its branches, all edged with a fringe of lighter green. The groups of cottagers in the park were gradually thinning out, the younger ones drawn towards the lights that were starting to shine from the windows of the gallery in the abbey, which would be their dance floor, while some of the more serious older ones thought it was time to head home quietly. One of these was Lisbeth Bede, and Seth went with her—not just out of duty, since his conscience wouldn’t allow him to join the dancing. It had been a somewhat gloomy day for Seth: Dinah felt more present with him in this setting, where everything was so different from her. He saw her even more clearly after looking at the carefree faces and brightly colored dresses of the young women—just as one appreciates the beauty and greatness of a painted Madonna even more when it has briefly been blocked by a plain head in a bonnet. But this presence of Dinah in his mind helped him cope better with his mother’s mood, which had grown more and more irritable over the last hour. Poor Lisbeth was caught in a strange conflict of emotions. Her joy and pride in the honor given to her beloved son Adam were being overshadowed by jealousy and frustration that had resurfaced when Adam came to tell her that Captain Donnithorne wanted him to join the dancers in the hall. Adam was becoming more and more out of reach for her; she longed for all the old troubles to return, because back then, it mattered more to Adam what his mother said and did.
“Eh, it’s fine talkin’ o’ dancin’,” she said, “an’ thy father not a five week in’s grave. An’ I wish I war there too, i’stid o’ bein’ left to take up merrier folks’s room above ground.”
“Eh, it’s fine talking about dancing,” she said, “and your father not even five weeks in the grave. And I wish I were there too, instead of being left to take up space for happier people above ground.”
“Nay, don’t look at it i’ that way, Mother,” said Adam, who was determined to be gentle to her to-day. “I don’t mean to dance—I shall only look on. And since the captain wishes me to be there, it ’ud look as if I thought I knew better than him to say as I’d rather not stay. And thee know’st how he’s behaved to me to-day.”
“Nah, don’t view it like that, Mom,” said Adam, who was set on being gentle with her today. “I don’t plan to dance—I’ll just be watching. And since the captain wants me to be there, it would seem like I think I know better than him if I say I’d rather not stay. And you know how he’s treated me today.”
“Eh, thee’t do as thee lik’st, for thy old mother’s got no right t’ hinder thee. She’s nought but th’ old husk, and thee’st slipped away from her, like the ripe nut.”
“Eh, you can do whatever you want, because your old mother has no right to stop you. She’s just the old shell, and you’ve slipped away from her, like a ripe nut.”
“Well, Mother,” said Adam, “I’ll go and tell the captain as it hurts thy feelings for me to stay, and I’d rather go home upo’ that account: he won’t take it ill then, I daresay, and I’m willing.” He said this with some effort, for he really longed to be near Hetty this evening.
"Well, Mom," Adam said, "I'll go tell the captain since it bothers you for me to stay, and I'd rather head home for that reason. I doubt he'll take it badly, and I'm okay with that." He said this with some difficulty because he really wanted to be near Hetty tonight.
“Nay, nay, I wonna ha’ thee do that—the young squire ’ull be angered. Go an’ do what thee’t ordered to do, an’ me and Seth ’ull go whome. I know it’s a grit honour for thee to be so looked on—an’ who’s to be prouder on it nor thy mother? Hadna she the cumber o’ rearin’ thee an’ doin’ for thee all these ’ears?”
“Nah, nah, I don’t want you to do that—the young squire will be upset. Just go and do what you’ve been told to do, and Seth and I will head home. I know it’s a big honor for you to be seen that way—and who would be prouder than your mother? Didn’t she have the trouble of raising you and taking care of you all these years?”
“Well, good-bye, then, Mother—good-bye, lad—remember Gyp when you get home,” said Adam, turning away towards the gate of the pleasure-grounds, where he hoped he might be able to join the Poysers, for he had been so occupied throughout the afternoon that he had had no time to speak to Hetty. His eye soon detected a distant group, which he knew to be the right one, returning to the house along the broad gravel road, and he hastened on to meet them.
“Well, goodbye then, Mom—goodbye, buddy—remember Gyp when you get home,” said Adam, turning toward the gate of the gardens, hoping he could catch up with the Poysers. He had been so busy all afternoon that he hadn’t had a chance to talk to Hetty. Soon, he spotted a distant group that he recognized as the right one, returning to the house along the wide gravel path, so he quickened his pace to meet them.
“Why, Adam, I’m glad to get sight on y’ again,” said Mr. Poyser, who was carrying Totty on his arm. “You’re going t’ have a bit o’ fun, I hope, now your work’s all done. And here’s Hetty has promised no end o’ partners, an’ I’ve just been askin’ her if she’d agreed to dance wi’ you, an’ she says no.”
“Hey, Adam, I’m really happy to see you again,” said Mr. Poyser, who was carrying Totty on his arm. “I hope you’re going to have some fun now that your work is finished. And Hetty has promised to have plenty of partners, but I just asked her if she’d agreed to dance with you, and she said no.”
“Well, I didn’t think o’ dancing to-night,” said Adam, already tempted to change his mind, as he looked at Hetty.
“Well, I didn’t think about dancing tonight,” Adam said, already tempted to change his mind as he looked at Hetty.
“Nonsense!” said Mr. Poyser. “Why, everybody’s goin’ to dance to-night, all but th’ old squire and Mrs. Irwine. Mrs. Best’s been tellin’ us as Miss Lyddy and Miss Irwine ’ull dance, an’ the young squire ’ull pick my wife for his first partner, t’ open the ball: so she’ll be forced to dance, though she’s laid by ever sin’ the Christmas afore the little un was born. You canna for shame stand still, Adam, an’ you a fine young fellow and can dance as well as anybody.”
“That's ridiculous!” said Mr. Poyser. “Everyone is going to dance tonight, except for the old squire and Mrs. Irwine. Mrs. Best has been telling us that Miss Lyddy and Miss Irwine will dance, and the young squire will choose my wife as his first partner to kick off the ball: so she’ll have to dance, even though she’s been resting ever since last Christmas when the little one was born. You can’t possibly just stand there, Adam, you’re a fine young man and can dance just as well as anyone.”
“Nay, nay,” said Mrs. Poyser, “it ’ud be unbecomin’. I know the dancin’s nonsense, but if you stick at everything because it’s nonsense, you wonna go far i’ this life. When your broth’s ready-made for you, you mun swallow the thickenin’, or else let the broth alone.”
“Nah, nah,” said Mrs. Poyser, “that wouldn’t be appropriate. I know the dancing is silly, but if you avoid everything just because it’s silly, you won’t get far in this life. When your broth is ready-made for you, you have to deal with the thickening, or else just leave the broth alone.”
“Then if Hetty ’ull dance with me,” said Adam, yielding either to Mrs. Poyser’s argument or to something else, “I’ll dance whichever dance she’s free.”
“Then if Hetty will dance with me,” said Adam, giving in either to Mrs. Poyser’s argument or to something else, “I’ll dance whatever dance she wants.”
“I’ve got no partner for the fourth dance,” said Hetty; “I’ll dance that with you, if you like.”
“I don’t have a partner for the fourth dance,” Hetty said. “I can dance that with you if you want.”
“Ah,” said Mr. Poyser, “but you mun dance the first dance, Adam, else it’ll look partic’ler. There’s plenty o’ nice partners to pick an’ choose from, an’ it’s hard for the gells when the men stan’ by and don’t ask ’em.”
“Ah,” said Mr. Poyser, “but you have to dance the first dance, Adam, or it’ll look strange. There are plenty of nice partners to choose from, and it’s tough for the girls when the guys just stand there and don’t ask them.”
Adam felt the justice of Mr. Poyser’s observation: it would not do for him to dance with no one besides Hetty; and remembering that Jonathan Burge had some reason to feel hurt to-day, he resolved to ask Miss Mary to dance with him the first dance, if she had no other partner.
Adam understood Mr. Poyser’s point: he shouldn't dance only with Hetty. Remembering that Jonathan Burge was feeling upset today, he decided to ask Miss Mary to dance with him for the first dance, if she didn't already have a partner.
“There’s the big clock strikin’ eight,” said Mr. Poyser; “we must make haste in now, else the squire and the ladies ’ull be in afore us, an’ that wouldna look well.”
“There's the big clock striking eight,” said Mr. Poyser; “we need to hurry in now, or the squire and the ladies will be in before us, and that wouldn't look good.”
When they had entered the hall, and the three children under Molly’s charge had been seated on the stairs, the folding-doors of the drawing-room were thrown open, and Arthur entered in his regimentals, leading Mrs. Irwine to a carpet-covered dais ornamented with hot-house plants, where she and Miss Anne were to be seated with old Mr. Donnithorne, that they might look on at the dancing, like the kings and queens in the plays. Arthur had put on his uniform to please the tenants, he said, who thought as much of his militia dignity as if it had been an elevation to the premiership. He had not the least objection to gratify them in that way: his uniform was very advantageous to his figure.
When they entered the hall and the three kids under Molly’s care were seated on the stairs, the folding doors of the drawing room swung open, and Arthur walked in wearing his military uniform, guiding Mrs. Irwine to a dais covered in carpet and decorated with plants from the greenhouse. There, she and Miss Anne were to sit with old Mr. Donnithorne to watch the dancing, like kings and queens in a play. Arthur had put on his uniform to please the tenants, who regarded his militia rank as highly as if he had been appointed prime minister. He didn’t mind satisfying them in that way; his uniform looked great on him.
The old squire, before sitting down, walked round the hall to greet the tenants and make polite speeches to the wives: he was always polite; but the farmers had found out, after long puzzling, that this polish was one of the signs of hardness. It was observed that he gave his most elaborate civility to Mrs. Poyser to-night, inquiring particularly about her health, recommending her to strengthen herself with cold water as he did, and avoid all drugs. Mrs. Poyser curtsied and thanked him with great self-command, but when he had passed on, she whispered to her husband, “I’ll lay my life he’s brewin’ some nasty turn against us. Old Harry doesna wag his tail so for nothin’.” Mr. Poyser had no time to answer, for now Arthur came up and said, “Mrs. Poyser, I’m come to request the favour of your hand for the first dance; and, Mr. Poyser, you must let me take you to my aunt, for she claims you as her partner.”
The old squire, before sitting down, walked around the hall to greet the tenants and make polite speeches to their wives: he was always courteous; but the farmers had figured out, after some time, that this politeness was a sign of his coldness. It was noted that he gave his most elaborate attention to Mrs. Poyser tonight, asking specifically about her health, suggesting she strengthen herself with cold water like he did, and avoid any medicines. Mrs. Poyser curtsied and thanked him with great composure, but once he moved on, she whispered to her husband, “I bet he’s up to something nasty against us. Old Harry doesn’t wag his tail for no reason.” Mr. Poyser didn’t have time to respond, because Arthur approached and said, “Mrs. Poyser, I’m here to ask for the pleasure of your hand for the first dance; and, Mr. Poyser, you have to let me take you to my aunt, as she has claimed you as her partner.”
The wife’s pale cheek flushed with a nervous sense of unwonted honour as Arthur led her to the top of the room; but Mr. Poyser, to whom an extra glass had restored his youthful confidence in his good looks and good dancing, walked along with them quite proudly, secretly flattering himself that Miss Lydia had never had a partner in her life who could lift her off the ground as he would. In order to balance the honours given to the two parishes, Miss Irwine danced with Luke Britton, the largest Broxton farmer, and Mr. Gawaine led out Mrs. Britton. Mr. Irwine, after seating his sister Anne, had gone to the abbey gallery, as he had agreed with Arthur beforehand, to see how the merriment of the cottagers was prospering. Meanwhile, all the less distinguished couples had taken their places: Hetty was led out by the inevitable Mr. Craig, and Mary Burge by Adam; and now the music struck up, and the glorious country-dance, best of all dances, began.
The wife’s pale cheek flushed with a nervous sense of unexpected honor as Arthur led her to the front of the room; but Mr. Poyser, who had enjoyed an extra drink that restored his youthful confidence in his looks and dancing, walked alongside them proudly, secretly convincing himself that Miss Lydia had never had a partner in her life who could lift her off the ground like he could. To balance the honors given to the two parishes, Miss Irwine danced with Luke Britton, the largest farmer in Broxton, while Mr. Gawaine led Mrs. Britton onto the floor. After seating his sister Anne, Mr. Irwine had gone to the abbey gallery, as he had agreed with Arthur beforehand, to check on how the cottagers were enjoying themselves. Meanwhile, all the less notable couples had taken their places: Hetty was led out by the usual Mr. Craig, and Mary Burge by Adam; and now the music started, and the magnificent country dance, the best of all dances, began.
Pity it was not a boarded floor! Then the rhythmic stamping of the thick shoes would have been better than any drums. That merry stamping, that gracious nodding of the head, that waving bestowal of the hand—where can we see them now? That simple dancing of well-covered matrons, laying aside for an hour the cares of house and dairy, remembering but not affecting youth, not jealous but proud of the young maidens by their side—that holiday sprightliness of portly husbands paying little compliments to their wives, as if their courting days were come again—those lads and lasses a little confused and awkward with their partners, having nothing to say—it would be a pleasant variety to see all that sometimes, instead of low dresses and large skirts, and scanning glances exploring costumes, and languid men in lacquered boots smiling with double meaning.
It's too bad it wasn't a wooden floor! Then the rhythmic stomping of those heavy shoes would have been better than any drums. That cheerful stomping, that graceful nodding of the head, that waving gesture—where can we see those now? That simple dancing of well-dressed women, putting aside for an hour the worries of home and chores, remembering youth without trying to reclaim it, proud rather than jealous of the young ladies beside them—that joyful spirit of round husbands giving sweet compliments to their wives, as if they were courting again—those young guys and girls a bit shy and awkward with their partners, having nothing to say—it would be a refreshing change to see all that sometimes, instead of low-cut dresses and big skirts, and sneaky glances checking each other out, and laid-back guys in shiny boots smiling with mixed intentions.
There was but one thing to mar Martin Poyser’s pleasure in this dance: it was that he was always in close contact with Luke Britton, that slovenly farmer. He thought of throwing a little glazed coldness into his eye in the crossing of hands; but then, as Miss Irwine was opposite to him instead of the offensive Luke, he might freeze the wrong person. So he gave his face up to hilarity, unchilled by moral judgments.
There was only one thing that spoiled Martin Poyser's enjoyment of this dance: he had to stay close to Luke Britton, that untidy farmer. He considered shooting Luke a cold glare during the hand-crossing, but since Miss Irwine was across from him instead of the annoying Luke, he might end up freezing the wrong person. So, he let himself embrace the fun, ignoring any moral judgment.
How Hetty’s heart beat as Arthur approached her! He had hardly looked at her to-day: now he must take her hand. Would he press it? Would he look at her? She thought she would cry if he gave her no sign of feeling. Now he was there—he had taken her hand—yes, he was pressing it. Hetty turned pale as she looked up at him for an instant and met his eyes, before the dance carried him away. That pale look came upon Arthur like the beginning of a dull pain, which clung to him, though he must dance and smile and joke all the same. Hetty would look so, when he told her what he had to tell her; and he should never be able to bear it—he should be a fool and give way again. Hetty’s look did not really mean so much as he thought: it was only the sign of a struggle between the desire for him to notice her and the dread lest she should betray the desire to others. But Hetty’s face had a language that transcended her feelings. There are faces which nature charges with a meaning and pathos not belonging to the single human soul that flutters beneath them, but speaking the joys and sorrows of foregone generations—eyes that tell of deep love which doubtless has been and is somewhere, but not paired with these eyes—perhaps paired with pale eyes that can say nothing; just as a national language may be instinct with poetry unfelt by the lips that use it. That look of Hetty’s oppressed Arthur with a dread which yet had something of a terrible unconfessed delight in it, that she loved him too well. There was a hard task before him, for at that moment he felt he would have given up three years of his youth for the happiness of abandoning himself without remorse to his passion for Hetty.
How Hetty's heart raced as Arthur approached her! He had barely glanced at her today; now he had to take her hand. Would he hold it? Would he look at her? She thought she might cry if he showed no sign of feeling. Now he was there—he had taken her hand—yes, he was holding it. Hetty turned pale as she looked up at him for a moment and locked eyes with him, before the dance carried him away. That pale look struck Arthur like the start of a dull ache, which lingered even though he had to dance, smile, and joke. Hetty would look like that when he told her what he needed to say; and he knew he would never be able to handle it—he would be a fool and give in again. Hetty’s expression didn't really mean as much as he thought: it was just a sign of her struggle between wanting him to notice her and fearing she might show that desire to others. But Hetty’s face had a language that went beyond her feelings. Some faces carry meanings and emotions that don't belong to the individual soul behind them, expressing joys and sorrows of past generations—eyes that reflect deep love that has undoubtedly existed, but isn't matched with these eyes—perhaps matched with pale eyes that can't express anything; just like a national language can be full of poetry that the lips using it cannot feel. That look from Hetty weighed on Arthur with a fear that also held a kind of terrible, unacknowledged pleasure in it—that she loved him too much. He had a difficult task ahead because at that moment he felt he would have traded three years of his youth for the happiness of giving himself completely to his passion for Hetty.
These were the incongruous thoughts in his mind as he led Mrs. Poyser, who was panting with fatigue, and secretly resolving that neither judge nor jury should force her to dance another dance, to take a quiet rest in the dining-room, where supper was laid out for the guests to come and take it as they chose.
These were the conflicting thoughts in his mind as he guided Mrs. Poyser, who was out of breath and secretly deciding that neither the judge nor the jury would make her dance again, to take a break in the dining room, where supper was set out for the guests to enjoy as they liked.
“I’ve desired Hetty to remember as she’s got to dance wi’ you, sir,” said the good innocent woman; “for she’s so thoughtless, she’d be like enough to go an’ engage herself for ivery dance. So I told her not to promise too many.”
“I’ve asked Hetty to keep in mind that she has to dance with you, sir,” said the kind, naive woman; “because she’s so careless, she might just end up agreeing to dance every single time. So I told her not to commit to too many.”
“Thank you, Mrs. Poyser,” said Arthur, not without a twinge. “Now, sit down in this comfortable chair, and here is Mills ready to give you what you would like best.”
“Thanks, Mrs. Poyser,” said Arthur, feeling a bit uneasy. “Now, take a seat in this comfy chair, and here’s Mills ready to give you what you’d like most.”
He hurried away to seek another matronly partner, for due honour must be paid to the married women before he asked any of the young ones; and the country-dances, and the stamping, and the gracious nodding, and the waving of the hands, went on joyously.
He rushed off to find another married partner, since he had to show respect to the married women before asking any of the young ones; meanwhile, the country dances, the stamping, the polite nodding, and the waving of hands continued happily.
At last the time had come for the fourth dance—longed for by the strong, grave Adam, as if he had been a delicate-handed youth of eighteen; for we are all very much alike when we are in our first love; and Adam had hardly ever touched Hetty’s hand for more than a transient greeting—had never danced with her but once before. His eyes had followed her eagerly to-night in spite of himself, and had taken in deeper draughts of love. He thought she behaved so prettily, so quietly; she did not seem to be flirting at all, she smiled less than usual; there was almost a sweet sadness about her. “God bless her!” he said inwardly; “I’d make her life a happy ’un, if a strong arm to work for her, and a heart to love her, could do it.”
At last, the moment had arrived for the fourth dance—something that the serious, strong Adam had been looking forward to, as if he were a delicate eighteen-year-old; because we all act similarly when we experience our first love. Adam had hardly ever held Hetty’s hand for more than a brief greeting—he had only danced with her once before. Tonight, his eyes had been drawn to her despite himself, drinking in even deeper feelings of love. He thought she looked so charming, so composed; she didn’t seem to be flirting at all, and she smiled less than usual; there was an almost sweet sadness about her. “God bless her!” he thought to himself; “I’d make her life so happy if a strong arm to work for her and a heart to love her could do it.”
And then there stole over him delicious thoughts of coming home from work, and drawing Hetty to his side, and feeling her cheek softly pressed against his, till he forgot where he was, and the music and the tread of feet might have been the falling of rain and the roaring of the wind, for what he knew.
And then he was filled with wonderful thoughts of coming home from work, pulling Hetty close to him, and feeling her cheek softly against his, until he forgot his surroundings, and the music and footsteps could have been the sound of rain and the wind for all he knew.
But now the third dance was ended, and he might go up to her and claim her hand. She was at the far end of the hall near the staircase, whispering with Molly, who had just given the sleeping Totty into her arms before running to fetch shawls and bonnets from the landing. Mrs. Poyser had taken the two boys away into the dining-room to give them some cake before they went home in the cart with Grandfather and Molly was to follow as fast as possible.
But now the third dance was over, and he could go up to her and ask for her hand. She was at the far end of the hall by the staircase, talking quietly with Molly, who had just handed the sleeping Totty to her before rushing off to grab shawls and bonnets from the landing. Mrs. Poyser had taken the two boys into the dining room to give them some cake before they headed home in the cart with Grandfather, and Molly was supposed to follow as quickly as she could.
“Let me hold her,” said Adam, as Molly turned upstairs; “the children are so heavy when they’re asleep.”
“Let me hold her,” Adam said as Molly went upstairs. “The kids are so heavy when they’re asleep.”
Hetty was glad of the relief, for to hold Totty in her arms, standing, was not at all a pleasant variety to her. But this second transfer had the unfortunate effect of rousing Totty, who was not behind any child of her age in peevishness at an unseasonable awaking. While Hetty was in the act of placing her in Adam’s arms, and had not yet withdrawn her own, Totty opened her eyes, and forthwith fought out with her left fist at Adam’s arm, and with her right caught at the string of brown beads round Hetty’s neck. The locket leaped out from her frock, and the next moment the string was broken, and Hetty, helpless, saw beads and locket scattered wide on the floor.
Hetty was relieved, because holding Totty in her arms while standing wasn't pleasant at all for her. However, this second transfer had the unfortunate effect of waking Totty, who was as fussy as any child her age when it came to being woken up at an inconvenient time. Just as Hetty was placing her in Adam’s arms, and hadn’t yet pulled her hands away, Totty opened her eyes and immediately swung her left fist at Adam’s arm while grabbing at the string of brown beads around Hetty’s neck with her right hand. The locket popped out from her dress, and in the next moment, the string broke, leaving Hetty helpless as she watched beads and the locket scatter across the floor.
“My locket, my locket!” she said, in a loud frightened whisper to Adam; “never mind the beads.”
“My locket, my locket!” she said in a loud, scared whisper to Adam; “forget about the beads.”
Adam had already seen where the locket fell, for it had attracted his glance as it leaped out of her frock. It had fallen on the raised wooden dais where the band sat, not on the stone floor; and as Adam picked it up, he saw the glass with the dark and light locks of hair under it. It had fallen that side upwards, so the glass was not broken. He turned it over on his hand, and saw the enamelled gold back.
Adam had already noticed where the locket dropped, as it caught his eye when it slipped out of her dress. It landed on the raised wooden platform where the band was seated, not on the stone floor; and as Adam picked it up, he saw the glass containing the dark and light strands of hair underneath. It had landed right side up, so the glass wasn't shattered. He flipped it over in his hand and saw the enameled gold back.
“It isn’t hurt,” he said, as he held it towards Hetty, who was unable to take it because both her hands were occupied with Totty.
“It doesn’t hurt,” he said, holding it out to Hetty, who couldn’t take it because both her hands were busy with Totty.
“Oh, it doesn’t matter, I don’t mind about it,” said Hetty, who had been pale and was now red.
“Oh, it’s fine, I don’t care about it,” said Hetty, who had been pale and was now flushed.
“Not matter?” said Adam, gravely. “You seemed very frightened about it. I’ll hold it till you’re ready to take it,” he added, quietly closing his hand over it, that she might not think he wanted to look at it again.
“Not matter?” Adam said seriously. “You looked really scared about it. I’ll keep it until you’re ready to take it,” he added, quietly closing his hand over it, so she wouldn’t think he wanted to look at it again.
By this time Molly had come with bonnet and shawl, and as soon as she had taken Totty, Adam placed the locket in Hetty’s hand. She took it with an air of indifference and put it in her pocket, in her heart vexed and angry with Adam because he had seen it, but determined now that she would show no more signs of agitation.
By this point, Molly had arrived wearing her bonnet and shawl, and as soon as she took Totty, Adam handed the locket to Hetty. She accepted it with a casual attitude and slipped it into her pocket, secretly annoyed and upset with Adam for having seen it, but now resolved to show no more signs of distress.
“See,” she said, “they’re taking their places to dance; let us go.”
“Look,” she said, “they're getting ready to dance; let's go.”
Adam assented silently. A puzzled alarm had taken possession of him. Had Hetty a lover he didn’t know of? For none of her relations, he was sure, would give her a locket like that; and none of her admirers, with whom he was acquainted, was in the position of an accepted lover, as the giver of that locket must be. Adam was lost in the utter impossibility of finding any person for his fears to alight on. He could only feel with a terrible pang that there was something in Hetty’s life unknown to him; that while he had been rocking himself in the hope that she would come to love him, she was already loving another. The pleasure of the dance with Hetty was gone; his eyes, when they rested on her, had an uneasy questioning expression in them; he could think of nothing to say to her; and she too was out of temper and disinclined to speak. They were both glad when the dance was ended.
Adam nodded silently. Confusion and alarm washed over him. Did Hetty have a lover he didn’t know about? He was sure none of her family would give her a locket like that; and none of her admirers, whom he knew, were in the position of an accepted lover, as the giver of that locket must be. Adam felt utterly lost, unable to pinpoint anyone to direct his fears towards. He could only feel a terrible ache knowing there was something in Hetty’s life that he was unaware of; while he had been clinging to the hope that she would come to love him, she was already in love with someone else. The joy of dancing with Hetty had vanished; his eyes, when they looked at her, held a restless questioning gaze; he couldn’t think of anything to say to her; and she was also in a bad mood and reluctant to talk. They both felt relieved when the dance finally ended.
Adam was determined to stay no longer; no one wanted him, and no one would notice if he slipped away. As soon as he got out of doors, he began to walk at his habitual rapid pace, hurrying along without knowing why, busy with the painful thought that the memory of this day, so full of honour and promise to him, was poisoned for ever. Suddenly, when he was far on through the Chase, he stopped, startled by a flash of reviving hope. After all, he might be a fool, making a great misery out of a trifle. Hetty, fond of finery as she was, might have bought the thing herself. It looked too expensive for that—it looked like the things on white satin in the great jeweller’s shop at Rosseter. But Adam had very imperfect notions of the value of such things, and he thought it could certainly not cost more than a guinea. Perhaps Hetty had had as much as that in Christmas boxes, and there was no knowing but she might have been childish enough to spend it in that way; she was such a young thing, and she couldn’t help loving finery! But then, why had she been so frightened about it at first, and changed colour so, and afterwards pretended not to care? Oh, that was because she was ashamed of his seeing that she had such a smart thing—she was conscious that it was wrong for her to spend her money on it, and she knew that Adam disapproved of finery. It was a proof she cared about what he liked and disliked. She must have thought from his silence and gravity afterwards that he was very much displeased with her, that he was inclined to be harsh and severe towards her foibles. And as he walked on more quietly, chewing the cud of this new hope, his only uneasiness was that he had behaved in a way which might chill Hetty’s feeling towards him. For this last view of the matter must be the true one. How could Hetty have an accepted lover, quite unknown to him? She was never away from her uncle’s house for more than a day; she could have no acquaintances that did not come there, and no intimacies unknown to her uncle and aunt. It would be folly to believe that the locket was given to her by a lover. The little ring of dark hair he felt sure was her own; he could form no guess about the light hair under it, for he had not seen it very distinctly. It might be a bit of her father’s or mother’s, who had died when she was a child, and she would naturally put a bit of her own along with it.
Adam was determined to leave; no one wanted him there, and no one would notice if he disappeared. As soon as he stepped outside, he started walking quickly, hurrying along without really knowing why, consumed by the painful thought that the memory of this day, which had been so full of honor and promise for him, was forever tainted. Suddenly, while he was deep in the Chase, he stopped, startled by a flicker of renewed hope. After all, he might be overreacting, turning a minor issue into a huge problem. Hetty, who loved pretty things, might have bought it herself. It looked too expensive for that—it reminded him of the items displayed on white satin at the fancy jeweler’s shop in Rosseter. But Adam didn't really understand the value of such things, and he thought it probably couldn’t cost more than a guinea. Maybe Hetty had gotten that much from Christmas gifts, and who knows, she might have been silly enough to spend it on something like that; she was so young, and she couldn’t help loving beautiful things! But then, why had she seemed so scared about it at first, changing color, and later pretending not to care? Oh, that was because she was embarrassed he saw how fancy it was—she realized it wasn't right to spend money on it, and she knew Adam didn’t approve of such extravagance. This showed she cared about his likes and dislikes. She must have thought from his silence and seriousness afterward that he was very displeased with her and could be harsh about her little faults. As he walked on more calmly, reflecting on this new hope, his only worry was that he might have acted in a way that could cool Hetty’s feelings toward him. Because this last perspective had to be the true one. How could Hetty have a secret lover that he didn’t know about? She was hardly ever away from her uncle’s house for more than a day; she wouldn’t have any friends who didn’t visit there, and no close relationships hidden from her uncle and aunt. It would be foolish to think that the locket was given to her by a lover. The small ring of dark hair was definitely hers; he couldn’t guess much about the light hair underneath it since he hadn’t seen it clearly. It could have belonged to either of her parents, who died when she was a child, and naturally, she would include a bit of her own hair along with it.
And so Adam went to bed comforted, having woven for himself an ingenious web of probabilities—the surest screen a wise man can place between himself and the truth. His last waking thoughts melted into a dream that he was with Hetty again at the Hall Farm, and that he was asking her to forgive him for being so cold and silent.
And so Adam went to bed feeling reassured, having created a clever web of possibilities—the best barrier a wise person can put between himself and the truth. His last thoughts before sleep turned into a dream where he was with Hetty again at the Hall Farm, asking her to forgive him for being so distant and quiet.
And while he was dreaming this, Arthur was leading Hetty to the dance and saying to her in low hurried tones, “I shall be in the wood the day after to-morrow at seven; come as early as you can.” And Hetty’s foolish joys and hopes, which had flown away for a little space, scared by a mere nothing, now all came fluttering back, unconscious of the real peril. She was happy for the first time this long day, and wished that dance would last for hours. Arthur wished it too; it was the last weakness he meant to indulge in; and a man never lies with more delicious languor under the influence of a passion than when he has persuaded himself that he shall subdue it to-morrow.
And while he was lost in thought, Arthur was taking Hetty to the dance, whispering to her quickly, “I’ll be in the woods the day after tomorrow at seven; come as early as you can.” Hetty's silly joys and hopes, which had briefly faded away for no good reason, now returned, unaware of the real danger. For the first time all day, she felt happy and wished the dance could go on for hours. Arthur felt the same way; it was the last indulgence he planned to allow himself, and a man never feels more deliciously relaxed under the influence of desire than when he’s convinced he will control it tomorrow.
But Mrs. Poyser’s wishes were quite the reverse of this, for her mind was filled with dreary forebodings as to the retardation of to-morrow morning’s cheese in consequence of these late hours. Now that Hetty had done her duty and danced one dance with the young squire, Mr. Poyser must go out and see if the cart was come back to fetch them, for it was half-past ten o’clock, and notwithstanding a mild suggestion on his part that it would be bad manners for them to be the first to go, Mrs. Poyser was resolute on the point, “manners or no manners.”
But Mrs. Poyser wanted the exact opposite, as she was filled with gloomy thoughts about how the cheese would be delayed tomorrow morning because of these late hours. Now that Hetty had done her part and danced with the young squire, Mr. Poyser needed to go outside and check if the cart had come back to pick them up, since it was half-past ten o’clock. Despite his mild suggestion that it would be rude for them to be the first ones to leave, Mrs. Poyser was firm on the matter, “manners or no manners.”
“What! Going already, Mrs. Poyser?” said old Mr. Donnithorne, as she came to curtsy and take leave; “I thought we should not part with any of our guests till eleven. Mrs. Irwine and I, who are elderly people, think of sitting out the dance till then.”
“What! Are you leaving already, Mrs. Poyser?” said old Mr. Donnithorne as she came to curtsy and say goodbye; “I thought we wouldn’t let any of our guests go until eleven. Mrs. Irwine and I, being older, are planning to stay and enjoy the dance until then.”
“Oh, Your Honour, it’s all right and proper for gentlefolks to stay up by candlelight—they’ve got no cheese on their minds. We’re late enough as it is, an’ there’s no lettin’ the cows know as they mustn’t want to be milked so early to-morrow mornin’. So, if you’ll please t’ excuse us, we’ll take our leave.”
“Oh, Your Honor, it’s perfectly fine for gentlemen to stay up by candlelight—they don’t have worries on their minds. We’re already running late, and we can’t let the cows know that they shouldn't expect to be milked so early tomorrow morning. So, if you’ll excuse us, we’ll take our leave.”
“Eh!” she said to her husband, as they set off in the cart, “I’d sooner ha’ brewin’ day and washin’ day together than one o’ these pleasurin’ days. There’s no work so tirin’ as danglin’ about an’ starin’ an’ not rightly knowin’ what you’re goin’ to do next; and keepin’ your face i’ smilin’ order like a grocer o’ market-day for fear people shouldna think you civil enough. An’ you’ve nothing to show for’t when it’s done, if it isn’t a yallow face wi’ eatin’ things as disagree.”
“Ugh!” she said to her husband as they set off in the cart, “I’d rather have brewing day and washing day together than one of these leisure days. There’s no work as tiring as just hanging around and staring and not really knowing what you’re going to do next; and keeping your face smiling like a grocer on market day for fear people might think you’re not friendly enough. And you’ve got nothing to show for it when it’s over, except maybe a yellow face from eating things that don’t agree with you.”
“Nay, nay,” said Mr. Poyser, who was in his merriest mood, and felt that he had had a great day, “a bit o’ pleasuring’s good for thee sometimes. An’ thee danc’st as well as any of ’em, for I’ll back thee against all the wives i’ the parish for a light foot an’ ankle. An’ it was a great honour for the young squire to ask thee first—I reckon it was because I sat at th’ head o’ the table an’ made the speech. An’ Hetty too—she never had such a partner before—a fine young gentleman in reg’mentals. It’ll serve you to talk on, Hetty, when you’re an old woman—how you danced wi’ th’ young squire the day he come o’ age.”
“Nah, nah,” said Mr. Poyser, who was in his happiest mood and felt like he had a great day, “a little fun is good for you sometimes. And you dance just as well as any of them; I’d bet on you against all the wives in the parish for a light foot and ankle. And it was a big honor for the young squire to ask you first—I guess it was because I sat at the head of the table and made the speech. And Hetty too—she has never had such a partner before—a fine young gentleman in uniform. You’ll have something to talk about when you’re an old woman—how you danced with the young squire the day he came of age.”
Chapter XXVII
A crisis
It was beyond the middle of August—nearly three weeks after the birthday feast. The reaping of the wheat had begun in our north midland county of Loamshire, but the harvest was likely still to be retarded by the heavy rains, which were causing inundations and much damage throughout the country. From this last trouble the Broxton and Hayslope farmers, on their pleasant uplands and in their brook-watered valleys, had not suffered, and as I cannot pretend that they were such exceptional farmers as to love the general good better than their own, you will infer that they were not in very low spirits about the rapid rise in the price of bread, so long as there was hope of gathering in their own corn undamaged; and occasional days of sunshine and drying winds flattered this hope.
It was past the middle of August—almost three weeks after the birthday celebration. The wheat harvest had started in our north midland county of Loamshire, but the heavy rains were likely still slowing things down, causing flooding and significant damage across the country. The farmers in Broxton and Hayslope, with their charming hills and grassy valleys, hadn’t been affected by this issue. And since I can’t claim they were such exceptional farmers that they cared more about the common good than their own interests, you can guess they weren’t too upset about the rising bread prices, as long as they still had hope of bringing in their own crops unscathed; plus, some sunny and breezy days were boosting that hope.
The eighteenth of August was one of these days when the sunshine looked brighter in all eyes for the gloom that went before. Grand masses of cloud were hurried across the blue, and the great round hills behind the Chase seemed alive with their flying shadows; the sun was hidden for a moment, and then shone out warm again like a recovered joy; the leaves, still green, were tossed off the hedgerow trees by the wind; around the farmhouses there was a sound of clapping doors; the apples fell in the orchards; and the stray horses on the green sides of the lanes and on the common had their manes blown about their faces. And yet the wind seemed only part of the general gladness because the sun was shining. A merry day for the children, who ran and shouted to see if they could top the wind with their voices; and the grown-up people too were in good spirits, inclined to believe in yet finer days, when the wind had fallen. If only the corn were not ripe enough to be blown out of the husk and scattered as untimely seed!
The eighteenth of August was one of those days when the sunshine felt brighter in everyone’s eyes after the previous gloom. Big clouds raced across the blue sky, and the large hills behind the Chase seemed alive with their moving shadows; the sun disappeared for a moment and then shone out warmly again like a regained joy; the leaves, still green, were blown off the hedgerow trees by the wind; around the farmhouses, you could hear doors slamming; the apples dropped in the orchards; and the stray horses on the grassy sides of the lanes and on the common had their manes blown around their faces. And yet the wind felt like part of the overall happiness because the sun was shining. It was a joyful day for the children, who ran and shouted to see if they could outdo the wind with their voices; and the adults were in good spirits too, hopeful for even better days once the wind died down. If only the corn weren’t ripe enough to be blown out of the husk and scattered like unwanted seeds!
And yet a day on which a blighting sorrow may fall upon a man. For if it be true that Nature at certain moments seems charged with a presentiment of one individual lot must it not also be true that she seems unmindful, unconscious of another? For there is no hour that has not its births of gladness and despair, no morning brightness that does not bring new sickness to desolation as well as new forces to genius and love. There are so many of us, and our lots are so different, what wonder that Nature’s mood is often in harsh contrast with the great crisis of our lives? We are children of a large family, and must learn, as such children do, not to expect that our hurts will be made much of—to be content with little nurture and caressing, and help each other the more.
And yet there are days when a deep sorrow can hit a person hard. If it's true that Nature sometimes seems aware of one person's fate, then it must also be true that she appears indifferent or unaware of another's. Every hour brings both joy and despair, and no bright morning arrives without also stirring new sadness alongside fresh inspiration for creativity and love. There are so many of us, and our experiences are so varied, so it's no surprise that Nature's mood often feels sharply at odds with the major events in our lives. We are all part of a big family and must learn, like any siblings, not to expect much acknowledgment of our pain—to be okay with little comfort and support, and to help each other out more.
It was a busy day with Adam, who of late had done almost double work, for he was continuing to act as foreman for Jonathan Burge, until some satisfactory person could be found to supply his place, and Jonathan was slow to find that person. But he had done the extra work cheerfully, for his hopes were buoyant again about Hetty. Every time she had seen him since the birthday, she had seemed to make an effort to behave all the more kindly to him, that she might make him understand she had forgiven his silence and coldness during the dance. He had never mentioned the locket to her again; too happy that she smiled at him—still happier because he observed in her a more subdued air, something that he interpreted as the growth of womanly tenderness and seriousness. “Ah!” he thought, again and again, “she’s only seventeen; she’ll be thoughtful enough after a while. And her aunt allays says how clever she is at the work. She’ll make a wife as Mother’ll have no occasion to grumble at, after all.” To be sure, he had only seen her at home twice since the birthday; for one Sunday, when he was intending to go from church to the Hall Farm, Hetty had joined the party of upper servants from the Chase and had gone home with them—almost as if she were inclined to encourage Mr. Craig. “She’s takin’ too much likin’ to them folks i’ the housekeeper’s room,” Mrs. Poyser remarked. “For my part, I was never overfond o’ gentlefolks’s servants—they’re mostly like the fine ladies’ fat dogs, nayther good for barking nor butcher’s meat, but on’y for show.” And another evening she was gone to Treddleston to buy some things; though, to his great surprise, as he was returning home, he saw her at a distance getting over a stile quite out of the Treddleston road. But, when he hastened to her, she was very kind, and asked him to go in again when he had taken her to the yard gate. She had gone a little farther into the fields after coming from Treddleston because she didn’t want to go in, she said: it was so nice to be out of doors, and her aunt always made such a fuss about it if she wanted to go out. “Oh, do come in with me!” she said, as he was going to shake hands with her at the gate, and he could not resist that. So he went in, and Mrs. Poyser was contented with only a slight remark on Hetty’s being later than was expected; while Hetty, who had looked out of spirits when he met her, smiled and talked and waited on them all with unusual promptitude.
It was a hectic day for Adam, who had recently been working almost twice as hard because he was still covering for Jonathan Burge until a suitable replacement could be found, and Jonathan was slow to find that person. But Adam took on the extra work with a good attitude because he felt hopeful again about Hetty. Every time she had seen him since her birthday, she had seemed to try harder to be kind to him, wanting to show that she forgave his silence and coldness during the dance. He had never brought up the locket again; he was just so happy that she smiled at him—especially pleased because he noticed a more gentle, serious demeanor in her, something he saw as a sign of her growing womanly tenderness. “Ah!” he thought repeatedly, “She’s only seventeen; she’ll become more thoughtful over time. And her aunt always says how talented she is at her work. She’ll make a wife that Mother won’t have to complain about, after all.” He had only seen her at home twice since the birthday; one Sunday, when he planned to visit from church to the Hall Farm, Hetty had joined a group of upper servants from the Chase and left with them—almost as if she wanted to encourage Mr. Craig. “She’s getting too attached to those people in the housekeeper’s room,” Mrs. Poyser commented. “For my part, I never cared much for the servants of gentlefolk—they’re mostly like the fat dogs of fine ladies, neither good for barking nor for butchering, but just for show.” Another evening, she had gone to Treddleston to buy some things; but to his surprise, as he was returning home, he spotted her from a distance crossing over a stile away from the Treddleston road. When he hurried over to her, she was very kind, asking him to come in with her after he walked her to the yard gate. She had gone a bit further into the fields after coming from Treddleston because she didn’t want to go inside, she said; it was so nice to be outdoors, and her aunt always made a big deal about it if she wanted to go out. “Oh, please come in with me!” she said as he was about to shake hands with her at the gate, and he couldn’t say no to that. So he went inside, and Mrs. Poyser was fine with only a brief comment about Hetty being later than expected; meanwhile, Hetty, who had seemed downcast when he first met her, smiled, chatted, and attended to everyone with unusual eagerness.
That was the last time he had seen her; but he meant to make leisure for going to the Farm to-morrow. To-day, he knew, was her day for going to the Chase to sew with the lady’s maid, so he would get as much work done as possible this evening, that the next might be clear.
That was the last time he had seen her, but he planned to take the time to go to the Farm tomorrow. He knew that today was her day to go to the Chase to sew with the lady’s maid, so he would get as much work done as possible this evening to keep tomorrow clear.
One piece of work that Adam was superintending was some slight repairs at the Chase Farm, which had been hitherto occupied by Satchell, as bailiff, but which it was now rumoured that the old squire was going to let to a smart man in top-boots, who had been seen to ride over it one day. Nothing but the desire to get a tenant could account for the squire’s undertaking repairs, though the Saturday-evening party at Mr. Casson’s agreed over their pipes that no man in his senses would take the Chase Farm unless there was a bit more ploughland laid to it. However that might be, the repairs were ordered to be executed with all dispatch, and Adam, acting for Mr. Burge, was carrying out the order with his usual energy. But to-day, having been occupied elsewhere, he had not been able to arrive at the Chase Farm till late in the afternoon, and he then discovered that some old roofing, which he had calculated on preserving, had given way. There was clearly no good to be done with this part of the building without pulling it all down, and Adam immediately saw in his mind a plan for building it up again, so as to make the most convenient of cow-sheds and calf-pens, with a hovel for implements; and all without any great expense for materials. So, when the workmen were gone, he sat down, took out his pocket-book, and busied himself with sketching a plan, and making a specification of the expenses that he might show it to Burge the next morning, and set him on persuading the squire to consent. To “make a good job” of anything, however small, was always a pleasure to Adam, and he sat on a block, with his book resting on a planing-table, whistling low every now and then and turning his head on one side with a just perceptible smile of gratification—of pride, too, for if Adam loved a bit of good work, he loved also to think, “I did it!” And I believe the only people who are free from that weakness are those who have no work to call their own. It was nearly seven before he had finished and put on his jacket again; and on giving a last look round, he observed that Seth, who had been working here to-day, had left his basket of tools behind him. “Why, th’ lad’s forgot his tools,” thought Adam, “and he’s got to work up at the shop to-morrow. There never was such a chap for wool-gathering; he’d leave his head behind him, if it was loose. However, it’s lucky I’ve seen ’em; I’ll carry ’em home.”
One project Adam was overseeing was some minor repairs at the Chase Farm, which had previously been managed by Satchell, the bailiff. However, it was now rumored that the old squire planned to rent it to a sharp guy in tall boots, who had been seen riding over the property one day. The squire's decision to undertake repairs could only be explained by his desire to find a tenant, although the Saturday evening gathering at Mr. Casson’s concluded over their drinks that no one in their right mind would take the Chase Farm unless it came with a bit more ploughland. Regardless, the repairs were ordered to be completed quickly, and Adam, acting on behalf of Mr. Burge, was carrying out the order with his usual enthusiasm. But today, since he had been busy elsewhere, he didn't arrive at the Chase Farm until late afternoon and found that some old roofing he thought he could keep had collapsed. Clearly, there was no point in fixing this part of the building without tearing it all down, and Adam quickly pictured a plan in his mind to rebuild it into a practical cow shed and calf pens, with a storage space for tools—without a big expense for materials. After the workmen left, he sat down, took out his notebook, and focused on sketching a plan and creating a budget to show to Burge the next morning, encouraging him to persuade the squire to agree. Adam always took pleasure in “doing a good job,” no matter how small, so he sat on a block with his notebook resting on a planing table, occasionally whistling softly and tilting his head with a slight smile of satisfaction—also with a sense of pride, because if Adam loved good work, he also loved to think, “I did it!” I believe the only people free from that sentiment are those who have no work of their own. It was nearly seven before he finished and put on his jacket again. As he took a final look around, he noticed that Seth, who had been working there today, had left his tool basket behind. “Well, the lad’s forgotten his tools,” Adam thought, “and he has to work at the shop tomorrow. There’s never been someone so scatterbrained; he’d leave his head behind if it weren’t attached. Luckily, I’ve seen them; I’ll take them home.”
The buildings of the Chase Farm lay at one extremity of the Chase, at about ten minutes’ walking distance from the Abbey. Adam had come thither on his pony, intending to ride to the stables and put up his nag on his way home. At the stables he encountered Mr. Craig, who had come to look at the captain’s new horse, on which he was to ride away the day after to-morrow; and Mr. Craig detained him to tell how all the servants were to collect at the gate of the courtyard to wish the young squire luck as he rode out; so that by the time Adam had got into the Chase, and was striding along with the basket of tools over his shoulder, the sun was on the point of setting, and was sending level crimson rays among the great trunks of the old oaks, and touching every bare patch of ground with a transient glory that made it look like a jewel dropt upon the grass. The wind had fallen now, and there was only enough breeze to stir the delicate-stemmed leaves. Any one who had been sitting in the house all day would have been glad to walk now; but Adam had been quite enough in the open air to wish to shorten his way home, and he bethought himself that he might do so by striking across the Chase and going through the Grove, where he had never been for years. He hurried on across the Chase, stalking along the narrow paths between the fern, with Gyp at his heels, not lingering to watch the magnificent changes of the light—hardly once thinking of it—yet feeling its presence in a certain calm happy awe which mingled itself with his busy working-day thoughts. How could he help feeling it? The very deer felt it, and were more timid.
The buildings of the Chase Farm were located at one end of the Chase, about a ten-minute walk from the Abbey. Adam had come there on his pony, planning to ride to the stables and put away his pony on his way home. At the stables, he ran into Mr. Craig, who had come to check out the captain’s new horse that he was supposed to ride away the day after tomorrow. Mr. Craig kept him there to talk about how all the staff would gather at the courtyard gate to wish the young squire good luck as he rode out. By the time Adam entered the Chase and was walking along with the basket of tools over his shoulder, the sun was about to set, casting crimson rays among the tall trunks of the old oaks and touching every bare spot on the ground with a fleeting glow that made it look like a jewel dropped on the grass. The wind had died down, leaving just a gentle breeze to rustle the delicate leaves. Anyone who had been sitting indoors all day would have loved to go for a walk now, but Adam had spent enough time outside that he wanted to shorten his journey home. He thought he could do that by cutting across the Chase and going through the Grove, which he hadn’t visited in years. He hurried across the Chase, striding along the narrow paths between the ferns, with Gyp following closely behind, not stopping to admire the beautiful changes in light—barely thinking about it—yet sensing its presence in a calm, happy awe that blended with his busy workday thoughts. How could he not feel it? Even the deer sensed it and seemed more timid.
Presently Adam’s thoughts recurred to what Mr. Craig had said about Arthur Donnithorne, and pictured his going away, and the changes that might take place before he came back; then they travelled back affectionately over the old scenes of boyish companionship, and dwelt on Arthur’s good qualities, which Adam had a pride in, as we all have in the virtues of the superior who honours us. A nature like Adam’s, with a great need of love and reverence in it, depends for so much of its happiness on what it can believe and feel about others! And he had no ideal world of dead heroes; he knew little of the life of men in the past; he must find the beings to whom he could cling with loving admiration among those who came within speech of him. These pleasant thoughts about Arthur brought a milder expression than usual into his keen rough face: perhaps they were the reason why, when he opened the old green gate leading into the Grove, he paused to pat Gyp and say a kind word to him.
Right now, Adam was thinking about what Mr. Craig had said about Arthur Donnithorne, imagining him leaving and the changes that could happen by the time he returned. Then his thoughts fondly wandered back to their boyhood friendship and focused on Arthur's good traits, which Adam felt proud of, as we all do for those who inspire us. Someone like Adam, who deeply needs love and respect, finds so much of his happiness in how he perceives and feels about others. He didn’t have an idealized world of dead heroes; he knew little about the lives of men from the past. He needed to find people he could admire and bond with among those who were around him. These happy thoughts about Arthur softened his usually sharp face. Perhaps that’s why, when he opened the old green gate leading into the Grove, he took a moment to pet Gyp and say a few kind words to him.
After that pause, he strode on again along the broad winding path through the Grove. What grand beeches! Adam delighted in a fine tree of all things; as the fisherman’s sight is keenest on the sea, so Adam’s perceptions were more at home with trees than with other objects. He kept them in his memory, as a painter does, with all the flecks and knots in their bark, all the curves and angles of their boughs, and had often calculated the height and contents of a trunk to a nicety, as he stood looking at it. No wonder that, not-withstanding his desire to get on, he could not help pausing to look at a curious large beech which he had seen standing before him at a turning in the road, and convince himself that it was not two trees wedded together, but only one. For the rest of his life he remembered that moment when he was calmly examining the beech, as a man remembers his last glimpse of the home where his youth was passed, before the road turned, and he saw it no more. The beech stood at the last turning before the Grove ended in an archway of boughs that let in the eastern light; and as Adam stepped away from the tree to continue his walk, his eyes fell on two figures about twenty yards before him.
After that pause, he continued along the wide, winding path through the Grove. What magnificent beeches! Adam took great pleasure in a fine tree; just as a fisherman’s eyes are most attuned to the sea, Adam’s senses were more in tune with trees than with anything else. He stored them in his memory like an artist, remembering all the speckles and knots in their bark, all the curves and angles of their branches, and he often calculated the height and dimensions of a trunk very precisely as he stood admiring it. No wonder that, despite his urge to move on, he couldn't help stopping to look at a curious large beech he had spotted ahead at a bend in the road, convincing himself that it wasn't two trees fused together but just one. For the rest of his life, he remembered that moment when he was peacefully examining the beech, like a person recalls their last sight of the home where they spent their youth, just before the road turned, and he could see it no more. The beech stood at the last bend before the Grove opened into an archway of branches that allowed the morning light to filter through; and as Adam moved away from the tree to continue his walk, his eyes fell on two figures about twenty yards ahead of him.
He remained as motionless as a statue, and turned almost as pale. The two figures were standing opposite to each other, with clasped hands about to part; and while they were bending to kiss, Gyp, who had been running among the brushwood, came out, caught sight of them, and gave a sharp bark. They separated with a start—one hurried through the gate out of the Grove, and the other, turning round, walked slowly, with a sort of saunter, towards Adam who still stood transfixed and pale, clutching tighter the stick with which he held the basket of tools over his shoulder, and looking at the approaching figure with eyes in which amazement was fast turning to fierceness.
He stood as still as a statue, looking almost as pale. The two figures faced each other, hands clasped and about to part; just as they leaned in to kiss, Gyp, who had been running through the underbrush, appeared, spotted them, and let out a sharp bark. They jumped apart—one quickly dashed through the gate out of the Grove, while the other turned and walked slowly, sort of casually, toward Adam, who remained frozen and pale, gripping the stick with which he carried the basket of tools over his shoulder, eyes fixed on the approaching figure, where surprise was quickly turning to anger.
Arthur Donnithorne looked flushed and excited; he had tried to make unpleasant feelings more bearable by drinking a little more wine than usual at dinner to-day, and was still enough under its flattering influence to think more lightly of this unwished-for rencontre with Adam than he would otherwise have done. After all, Adam was the best person who could have happened to see him and Hetty together—he was a sensible fellow, and would not babble about it to other people. Arthur felt confident that he could laugh the thing off and explain it away. And so he sauntered forward with elaborate carelessness—his flushed face, his evening dress of fine cloth and fine linen, his hands half-thrust into his waistcoat pockets, all shone upon by the strange evening light which the light clouds had caught up even to the zenith, and were now shedding down between the topmost branches above him.
Arthur Donnithorne looked flushed and excited; he had tried to make his uncomfortable feelings easier to handle by drinking a bit more wine than usual at dinner today, and he was still under its enticing influence, making him think less seriously about this unexpected encounter with Adam than he normally would. After all, Adam was the best person who could have caught him and Hetty together—he was sensible and wouldn't gossip about it to anyone else. Arthur felt sure that he could brush it off and come up with a reasonable explanation. So he strolled forward with a casual air—his flushed face, his evening outfit of fine fabric and fine linen, his hands half-buried in his waistcoat pockets, all illuminated by the unusual evening light that the light clouds had gathered even to the highest point and were now spilling down between the treetops above him.
Adam was still motionless, looking at him as he came up. He understood it all now—the locket and everything else that had been doubtful to him: a terrible scorching light showed him the hidden letters that changed the meaning of the past. If he had moved a muscle, he must inevitably have sprung upon Arthur like a tiger; and in the conflicting emotions that filled those long moments, he had told himself that he would not give loose to passion, he would only speak the right thing. He stood as if petrified by an unseen force, but the force was his own strong will.
Adam remained still, watching as he approached. He finally understood everything—the locket and all the things that had confused him: a blinding light revealed the hidden letters that altered the meaning of the past. If he had so much as twitched, he would have lunged at Arthur like a tiger; and amid the whirlwind of emotions that filled those tense moments, he told himself he wouldn’t give in to passion, he would only say the right thing. He stood there as if frozen by an invisible force, but that force was his own strong will.
“Well, Adam,” said Arthur, “you’ve been looking at the fine old beeches, eh? They’re not to be come near by the hatchet, though; this is a sacred grove. I overtook pretty little Hetty Sorrel as I was coming to my den—the Hermitage, there. She ought not to come home this way so late. So I took care of her to the gate, and asked for a kiss for my pains. But I must get back now, for this road is confoundedly damp. Good-night, Adam. I shall see you to-morrow—to say good-bye, you know.”
“Well, Adam,” said Arthur, “you’ve been admiring those beautiful old beeches, right? They’re off-limits to the axe, though; this is a sacred grove. I ran into sweet little Hetty Sorrel on my way back to my place—the Hermitage, over there. She really shouldn’t be out this late. So, I walked her to the gate and asked for a kiss for my trouble. But I need to head back now, as this road is really damp. Goodnight, Adam. I’ll see you tomorrow—to say goodbye, you know.”
Arthur was too much preoccupied with the part he was playing himself to be thoroughly aware of the expression in Adam’s face. He did not look directly at Adam, but glanced carelessly round at the trees and then lifted up one foot to look at the sole of his boot. He cared to say no more—he had thrown quite dust enough into honest Adam’s eyes—and as he spoke the last words, he walked on.
Arthur was too caught up in his own role to really notice the look on Adam’s face. He didn’t look directly at Adam, but casually glanced around at the trees and then lifted one foot to inspect the bottom of his boot. He didn’t want to say anything more—he had already obscured the truth enough for honest Adam—and as he finished speaking, he walked away.
“Stop a bit, sir,” said Adam, in a hard peremptory voice, without turning round. “I’ve got a word to say to you.”
“Hold on a second, sir,” Adam said in a firm, commanding voice without turning around. “I need to talk to you.”
Arthur paused in surprise. Susceptible persons are more affected by a change of tone than by unexpected words, and Arthur had the susceptibility of a nature at once affectionate and vain. He was still more surprised when he saw that Adam had not moved, but stood with his back to him, as if summoning him to return. What did he mean? He was going to make a serious business of this affair. Arthur felt his temper rising. A patronising disposition always has its meaner side, and in the confusion of his irritation and alarm there entered the feeling that a man to whom he had shown so much favour as to Adam was not in a position to criticize his conduct. And yet he was dominated, as one who feels himself in the wrong always is, by the man whose good opinion he cares for. In spite of pride and temper, there was as much deprecation as anger in his voice when he said, “What do you mean, Adam?”
Arthur stopped, surprised. Sensitive people are more affected by a change in tone than by unexpected words, and Arthur had the mix of an affectionate and vain nature. He was even more surprised to see that Adam hadn’t moved; instead, he stood with his back to him, as if urging him to come back. What did he mean? He was really going to take this seriously. Arthur felt his frustration rising. A patronizing attitude always has its less flattering side, and in the midst of his irritation and anxiety, he felt that a man he had been so generous toward, like Adam, wasn’t in a position to judge him. Yet, he was still dominated by the one whose opinion mattered to him, as people often are when they feel they’re in the wrong. Despite his pride and anger, there was more regret than rage in his voice when he asked, “What do you mean, Adam?”
“I mean, sir”—answered Adam, in the same harsh voice, still without turning round—“I mean, sir, that you don’t deceive me by your light words. This is not the first time you’ve met Hetty Sorrel in this grove, and this is not the first time you’ve kissed her.”
“I mean, sir”—answered Adam, in the same harsh voice, still without turning around—“I mean, sir, that you’re not fooling me with your casual words. This isn’t the first time you’ve met Hetty Sorrel in this grove, and this isn’t the first time you’ve kissed her.”
Arthur felt a startled uncertainty how far Adam was speaking from knowledge, and how far from mere inference. And this uncertainty, which prevented him from contriving a prudent answer, heightened his irritation. He said, in a high sharp tone, “Well, sir, what then?”
Arthur felt a sudden uncertainty about how much Adam was speaking from actual knowledge and how much was just speculation. This uncertainty, which kept him from thinking of a smart response, only made his irritation worse. He said, in a high, sharp tone, "Well, sir, what then?"
“Why, then, instead of acting like th’ upright, honourable man we’ve all believed you to be, you’ve been acting the part of a selfish light-minded scoundrel. You know as well as I do what it’s to lead to when a gentleman like you kisses and makes love to a young woman like Hetty, and gives her presents as she’s frightened for other folks to see. And I say it again, you’re acting the part of a selfish light-minded scoundrel though it cuts me to th’ heart to say so, and I’d rather ha’ lost my right hand.”
“Why, instead of behaving like the upstanding, honorable man we all thought you were, you’ve been acting like a selfish, irresponsible jerk. You know as well as I do where it leads when a gentleman like you kisses and romances a young woman like Hetty and gives her gifts that she’s too scared to let anyone see. And I’ll say it again, you’re acting like a selfish, irresponsible jerk, even though it really hurts me to say that, and I’d rather lose my right hand.”
“Let me tell you, Adam,” said Arthur, bridling his growing anger and trying to recur to his careless tone, “you’re not only devilishly impertinent, but you’re talking nonsense. Every pretty girl is not such a fool as you, to suppose that when a gentleman admires her beauty and pays her a little attention, he must mean something particular. Every man likes to flirt with a pretty girl, and every pretty girl likes to be flirted with. The wider the distance between them, the less harm there is, for then she’s not likely to deceive herself.”
“Let me tell you, Adam,” Arthur said, trying to rein in his growing anger and stick to his relaxed tone, “you’re not just incredibly rude, but you’re talking nonsense. Not every attractive girl is foolish enough to think that when a guy admires her looks and gives her some attention, he must have a special interest. Every guy enjoys flirting with an attractive girl, and every attractive girl enjoys being flirted with. The bigger the gap between them, the less trouble there is, because then she’s less likely to fool herself.”
“I don’t know what you mean by flirting,” said Adam, “but if you mean behaving to a woman as if you loved her, and yet not loving her all the while, I say that’s not th’ action of an honest man, and what isn’t honest does come t’ harm. I’m not a fool, and you’re not a fool, and you know better than what you’re saying. You know it couldn’t be made public as you’ve behaved to Hetty as y’ have done without her losing her character and bringing shame and trouble on her and her relations. What if you meant nothing by your kissing and your presents? Other folks won’t believe as you’ve meant nothing; and don’t tell me about her not deceiving herself. I tell you as you’ve filled her mind so with the thought of you as it’ll mayhap poison her life, and she’ll never love another man as ’ud make her a good husband.”
“I don’t know what you mean by flirting,” Adam said, “but if you’re talking about treating a woman like you love her while not actually loving her at all, I say that’s not the action of an honest man, and dishonesty will come back to bite you. I’m not an idiot, and you’re not an idiot, and you know better than what you’re saying. You know it couldn’t be made public the way you’ve acted toward Hetty without her losing her reputation and causing shame and trouble for her and her family. What if you meant nothing by your kisses and gifts? Other people won’t believe you didn’t mean anything; and don’t tell me she’s not fooling herself. I’m telling you, you’ve filled her mind with thoughts of you to the point it might ruin her life, and she’ll never love another man who could be a good husband to her.”
Arthur had felt a sudden relief while Adam was speaking; he perceived that Adam had no positive knowledge of the past, and that there was no irrevocable damage done by this evening’s unfortunate rencontre. Adam could still be deceived. The candid Arthur had brought himself into a position in which successful lying was his only hope. The hope allayed his anger a little.
Arthur felt a sudden sense of relief while Adam was talking; he realized that Adam had no real knowledge of the past and that the unfortunate encounter from that evening hadn’t caused any permanent harm. Adam could still be misled. The honest Arthur had put himself in a situation where successful deception was his only option. That hope eased his anger a bit.
“Well, Adam,” he said, in a tone of friendly concession, “you’re perhaps right. Perhaps I’ve gone a little too far in taking notice of the pretty little thing and stealing a kiss now and then. You’re such a grave, steady fellow, you don’t understand the temptation to such trifling. I’m sure I wouldn’t bring any trouble or annoyance on her and the good Poysers on any account if I could help it. But I think you look a little too seriously at it. You know I’m going away immediately, so I shan’t make any more mistakes of the kind. But let us say good-night”—Arthur here turned round to walk on—“and talk no more about the matter. The whole thing will soon be forgotten.”
“Well, Adam,” he said, in a tone of friendly agreement, “you might be right. Maybe I’ve gone a bit too far by noticing the pretty girl and stealing a kiss now and then. You’re such a serious, steady guy; you don’t get the temptation of such small things. I promise I wouldn’t cause any trouble or bother for her and the good Poysers if I could help it. But I think you’re taking it a bit too seriously. You know I’m leaving right away, so I won’t make any more mistakes like that. But let’s just say good-night.” Arthur then turned to walk away. “Let’s not talk about it anymore. It’ll all be forgotten soon.”
“No, by God!” Adam burst out with rage that could be controlled no longer, throwing down the basket of tools and striding forward till he was right in front of Arthur. All his jealousy and sense of personal injury, which he had been hitherto trying to keep under, had leaped up and mastered him. What man of us, in the first moments of a sharp agony, could ever feel that the fellow-man who has been the medium of inflicting it did not mean to hurt us? In our instinctive rebellion against pain, we are children again, and demand an active will to wreak our vengeance on. Adam at this moment could only feel that he had been robbed of Hetty—robbed treacherously by the man in whom he had trusted—and he stood close in front of Arthur, with fierce eyes glaring at him, with pale lips and clenched hands, the hard tones in which he had hitherto been constraining himself to express no more than a just indignation giving way to a deep agitated voice that seemed to shake him as he spoke.
“No, for God's sake!” Adam exploded, his rage no longer controllable, throwing down the basket of tools and striding forward until he was right in front of Arthur. All his jealousy and sense of personal injury, which he had been trying to suppress, surged up and took over. What man among us, in the first moments of sharp pain, can truly believe that the person who caused it didn’t mean to hurt us? In our instinctive rebellion against suffering, we become like children again, searching for a target to unleash our anger on. At that moment, Adam could only feel that he had been stolen from Hetty—treacherously taken by the man he had trusted—and he stood close to Arthur, with fierce eyes glaring at him, pale lips, and clenched fists, the firm tone he had managed to use to express merely justified indignation giving way to a deep, agitated voice that seemed to shake him as he spoke.
“No, it’ll not be soon forgot, as you’ve come in between her and me, when she might ha’ loved me—it’ll not soon be forgot as you’ve robbed me o’ my happiness, while I thought you was my best friend, and a noble-minded man, as I was proud to work for. And you’ve been kissing her, and meaning nothing, have you? And I never kissed her i’ my life—but I’d ha’ worked hard for years for the right to kiss her. And you make light of it. You think little o’ doing what may damage other folks, so as you get your bit o’ trifling, as means nothing. I throw back your favours, for you’re not the man I took you for. I’ll never count you my friend any more. I’d rather you’d act as my enemy, and fight me where I stand—it’s all th’ amends you can make me.”
“No, it won’t be forgotten anytime soon, since you came between her and me, when she might have loved me—it won’t be easily forgotten because you've stolen my happiness, while I thought you were my best friend and a noble person I was proud to work for. And you’ve been kissing her, without meaning anything, right? And I’ve never kissed her in my life—but I would have worked hard for years for the right to kiss her. And you think it’s not a big deal. You don’t care about how your actions might hurt others, as long as you get your little thrill that means nothing. I reject your favors, because you’re not the person I thought you were. I will never consider you my friend again. I’d rather you acted like my enemy and fought me face to face—that’s the only kind of apology you can offer me.”
Poor Adam, possessed by rage that could find no other vent, began to throw off his coat and his cap, too blind with passion to notice the change that had taken place in Arthur while he was speaking. Arthur’s lips were now as pale as Adam’s; his heart was beating violently. The discovery that Adam loved Hetty was a shock which made him for the moment see himself in the light of Adam’s indignation, and regard Adam’s suffering as not merely a consequence, but an element of his error. The words of hatred and contempt—the first he had ever heard in his life—seemed like scorching missiles that were making ineffaceable scars on him. All screening self-excuse, which rarely falls quite away while others respect us, forsook him for an instant, and he stood face to face with the first great irrevocable evil he had ever committed. He was only twenty-one, and three months ago—nay, much later—he had thought proudly that no man should ever be able to reproach him justly. His first impulse, if there had been time for it, would perhaps have been to utter words of propitiation; but Adam had no sooner thrown off his coat and cap than he became aware that Arthur was standing pale and motionless, with his hands still thrust in his waistcoat pockets.
Poor Adam, overwhelmed with anger that had no other outlet, started to take off his coat and cap, too blinded by passion to notice the change in Arthur while he was talking. Arthur’s lips were now as pale as Adam’s; his heart was racing. The realization that Adam loved Hetty hit him like a shock, making him momentarily see himself through Adam’s indignation and perceive Adam’s suffering as not just a consequence, but a part of his own mistake. The words full of hatred and contempt—the first he had ever heard in his life—felt like burning arrows leaving permanent scars on him. All the self-excuses he usually clung to, which typically stick around while others respect us, abandoned him for a moment, and he faced the first major irreversible wrong he had ever done. He was only twenty-one, and just three months ago—no, even later—he had thought with pride that no one would ever justly reproach him. His first impulse, if there had been time for it, might have been to say words of apology; but as soon as Adam threw off his coat and cap, he noticed that Arthur was standing pale and still, with his hands still shoved in his waistcoat pockets.
“What!” he said, “won’t you fight me like a man? You know I won’t strike you while you stand so.”
“What!” he said, “won’t you fight me like a man? You know I won’t hit you while you’re standing like that.”
“Go away, Adam,” said Arthur, “I don’t want to fight you.”
“Go away, Adam,” Arthur said, “I don’t want to fight you.”
“No,” said Adam, bitterly; “you don’t want to fight me—you think I’m a common man, as you can injure without answering for it.”
“No,” Adam said angrily. “You don’t really want to fight me—you think I’m just an ordinary guy you can hurt without any consequences.”
“I never meant to injure you,” said Arthur, with returning anger. “I didn’t know you loved her.”
“I never meant to hurt you,” Arthur said, feeling his anger return. “I didn’t know you loved her.”
“But you’ve made her love you,” said Adam. “You’re a double-faced man—I’ll never believe a word you say again.”
“But you’ve made her love you,” Adam said. “You’re two-faced—I’ll never trust a word you say again.”
“Go away, I tell you,” said Arthur, angrily, “or we shall both repent.”
"Get out of here, I'm serious," Arthur said, angrily. "Otherwise, we'll both regret it."
“No,” said Adam, with a convulsed voice, “I swear I won’t go away without fighting you. Do you want provoking any more? I tell you you’re a coward and a scoundrel, and I despise you.”
“No,” Adam said, his voice shaking, “I swear I won’t leave without fighting you. Do you want to provoke me even more? I’m telling you, you’re a coward and a scoundrel, and I can’t stand you.”
The colour had all rushed back to Arthur’s face; in a moment his right hand was clenched, and dealt a blow like lightning, which sent Adam staggering backward. His blood was as thoroughly up as Adam’s now, and the two men, forgetting the emotions that had gone before, fought with the instinctive fierceness of panthers in the deepening twilight darkened by the trees. The delicate-handed gentleman was a match for the workman in everything but strength, and Arthur’s skill enabled him to protract the struggle for some long moments. But between unarmed men the battle is to the strong, where the strong is no blunderer, and Arthur must sink under a well-planted blow of Adam’s as a steel rod is broken by an iron bar. The blow soon came, and Arthur fell, his head lying concealed in a tuft of fern, so that Adam could only discern his darkly clad body.
The color rushed back to Arthur's face; in an instant, his right hand was clenched and delivered a lightning-fast punch that sent Adam staggering backward. His blood was boiling just like Adam's now, and the two men, forgetting their previous emotions, fought with the instinctive fierceness of panthers in the deepening twilight shadowed by the trees. The delicate-handed gentleman matched the workman in everything except strength, and Arthur’s skill allowed him to prolong the struggle for several moments. But in a battle between unarmed men, the strongest prevails, provided they’re not a fool, and Arthur was eventually overwhelmed by a well-placed blow from Adam, just like a steel rod is snapped by an iron bar. The blow came soon enough, and Arthur fell, his head tucked away in a clump of ferns, leaving Adam only able to see his darkly clad body.
He stood still in the dim light waiting for Arthur to rise.
He stood still in the low light, waiting for Arthur to get up.
The blow had been given now, towards which he had been straining all the force of nerve and muscle—and what was the good of it? What had he done by fighting? Only satisfied his own passion, only wreaked his own vengeance. He had not rescued Hetty, nor changed the past—there it was, just as it had been, and he sickened at the vanity of his own rage.
The hit had been taken now, which he had been pushing all his strength into—and what was the point? What had he achieved by fighting? He had only satisfied his own anger, only taken his own revenge. He hadn’t saved Hetty or changed the past—there it was, just as it had been, and he felt disgusted by the foolishness of his own rage.
But why did not Arthur rise? He was perfectly motionless, and the time seemed long to Adam. Good God! had the blow been too much for him? Adam shuddered at the thought of his own strength, as with the oncoming of this dread he knelt down by Arthur’s side and lifted his head from among the fern. There was no sign of life: the eyes and teeth were set. The horror that rushed over Adam completely mastered him, and forced upon him its own belief. He could feel nothing but that death was in Arthur’s face, and that he was helpless before it. He made not a single movement, but knelt like an image of despair gazing at an image of death.
But why wasn’t Arthur getting up? He was completely still, and the wait felt long to Adam. Good God! Had the blow been too much for him? Adam shuddered at the thought of his own strength, and with that dread washing over him, he knelt beside Arthur and lifted his head from the ferns. There was no sign of life: his eyes and teeth were locked in place. The horror that overwhelmed Adam took control of him and imposed its own belief. He could feel nothing but that death was on Arthur’s face, and he was powerless against it. He didn’t move at all, just knelt there like a statue of despair staring at a statue of death.
Chapter XXVIII
A Dilemma
It was only a few minutes measured by the clock—though Adam always thought it had been a long while—before he perceived a gleam of consciousness in Arthur’s face and a slight shiver through his frame. The intense joy that flooded his soul brought back some of the old affection with it.
It was only a few minutes by the clock—although Adam always felt it had been a long time—before he noticed a spark of awareness in Arthur’s face and a slight tremor in his body. The overwhelming joy that filled his heart rekindled some of the old affection he had for him.
“Do you feel any pain, sir?” he said, tenderly, loosening Arthur’s cravat.
“Do you feel any pain, sir?” he asked gently, loosening Arthur’s tie.
Arthur turned his eyes on Adam with a vague stare which gave way to a slightly startled motion as if from the shock of returning memory. But he only shivered again and said nothing.
Arthur looked at Adam with a blank stare, which quickly turned into a slight startle, like he was jolted by a sudden memory. But he just shivered once more and said nothing.
“Do you feel any hurt, sir?” Adam said again, with a trembling in his voice.
“Do you feel any pain, sir?” Adam asked again, his voice shaking.
Arthur put his hand up to his waistcoat buttons, and when Adam had unbuttoned it, he took a longer breath. “Lay my head down,” he said, faintly, “and get me some water if you can.”
Arthur raised his hand to his waistcoat buttons, and when Adam had undone them, he took a deep breath. “Please lay my head down,” he said weakly, “and get me some water if you can.”
Adam laid the head down gently on the fern again, and emptying the tools out of the flag-basket, hurried through the trees to the edge of the Grove bordering on the Chase, where a brook ran below the bank.
Adam gently placed the head back on the fern and, after emptying the tools from the flag-basket, rushed through the trees to the edge of the Grove next to the Chase, where a stream flowed beneath the bank.
When he returned with his basket leaking, but still half-full, Arthur looked at him with a more thoroughly reawakened consciousness.
When he came back with his basket leaking but still half-full, Arthur looked at him with a fully awakened awareness.
“Can you drink a drop out o’ your hand, sir?” said Adam, kneeling down again to lift up Arthur’s head.
“Can you drink a drop from your hand, sir?” said Adam, kneeling down again to lift Arthur's head.
“No,” said Arthur, “dip my cravat in and souse it on my head.”
“No,” said Arthur, “dunk my tie in and splash it on my head.”
The water seemed to do him some good, for he presently raised himself a little higher, resting on Adam’s arm.
The water seemed to help him, as he soon propped himself up a bit more, leaning on Adam’s arm.
“Do you feel any hurt inside sir?” Adam asked again
“Do you feel any pain inside, sir?” Adam asked again.
“No—no hurt,” said Arthur, still faintly, “but rather done up.”
“No—no pain,” Arthur said softly, “but more like finished up.”
After a while he said, “I suppose I fainted away when you knocked me down.”
After a bit, he said, “I guess I passed out when you knocked me down.”
“Yes, sir, thank God,” said Adam. “I thought it was worse.”
“Yes, sir, thank God,” Adam said. “I thought it was worse.”
“What! You thought you’d done for me, eh? Come help me on my legs.”
“What! You thought you’d taken care of me, huh? Come help me up on my feet.”
“I feel terribly shaky and dizzy,” Arthur said, as he stood leaning on Adam’s arm; “that blow of yours must have come against me like a battering-ram. I don’t believe I can walk alone.”
“I feel really shaky and dizzy,” Arthur said, leaning on Adam’s arm. “That hit of yours felt like a battering ram. I don’t think I can walk by myself.”
“Lean on me, sir; I’ll get you along,” said Adam. “Or, will you sit down a bit longer, on my coat here, and I’ll prop y’ up. You’ll perhaps be better in a minute or two.”
“Lean on me, sir; I’ll help you out,” said Adam. “Or, would you like to sit down a bit longer on my coat here, and I’ll support you. You might feel better in a minute or two.”
“No,” said Arthur. “I’ll go to the Hermitage—I think I’ve got some brandy there. There’s a short road to it a little farther on, near the gate. If you’ll just help me on.”
“No,” Arthur said. “I’ll head to the Hermitage—I think I have some brandy there. There’s a shortcut a bit further along, near the gate. If you could just help me out.”
They walked slowly, with frequent pauses, but without speaking again. In both of them, the concentration in the present which had attended the first moments of Arthur’s revival had now given way to a vivid recollection of the previous scene. It was nearly dark in the narrow path among the trees, but within the circle of fir-trees round the Hermitage there was room for the growing moonlight to enter in at the windows. Their steps were noiseless on the thick carpet of fir-needles, and the outward stillness seemed to heighten their inward consciousness, as Arthur took the key out of his pocket and placed it in Adam’s hand, for him to open the door. Adam had not known before that Arthur had furnished the old Hermitage and made it a retreat for himself, and it was a surprise to him when he opened the door to see a snug room with all the signs of frequent habitation.
They walked slowly, taking breaks often but not speaking again. The focus on the moment that had marked the initial moments of Arthur’s return had shifted to a vivid memory of what had just happened. It was almost dark along the narrow path among the trees, but inside the circle of fir trees around the Hermitage, there was room for the growing moonlight to shine through the windows. Their steps were quiet on the thick carpet of fir needles, and the stillness outside seemed to amplify their internal awareness as Arthur took the key from his pocket and handed it to Adam to unlock the door. Adam hadn’t known before that Arthur had furnished the old Hermitage and turned it into a retreat for himself, so he was surprised when he opened the door to find a cozy room showing clear signs of regular use.
Arthur loosed Adam’s arm and threw himself on the ottoman. “You’ll see my hunting-bottle somewhere,” he said. “A leather case with a bottle and glass in.”
Arthur let go of Adam's arm and threw himself onto the ottoman. “You'll find my hunting bottle around here somewhere,” he said. “It's in a leather case with a bottle and glass inside.”
Adam was not long in finding the case. “There’s very little brandy in it, sir,” he said, turning it downwards over the glass, as he held it before the window; “hardly this little glassful.”
Adam quickly found the case. “There’s barely any brandy in it, sir,” he said, tipping it upside down over the glass as he held it up to the window; “hardly this little glassful.”
“Well, give me that,” said Arthur, with the peevishness of physical depression. When he had taken some sips, Adam said, “Hadn’t I better run to th’ house, sir, and get some more brandy? I can be there and back pretty soon. It’ll be a stiff walk home for you, if you don’t have something to revive you.”
“Well, give me that,” said Arthur, sounding annoyed due to his physical exhaustion. After he had taken a few sips, Adam said, “Shouldn’t I go to the house, sir, and grab some more brandy? I can make it there and back pretty quickly. It’ll be a tough walk home for you if you don’t have something to perk you up.”
“Yes—go. But don’t say I’m ill. Ask for my man Pym, and tell him to get it from Mills, and not to say I’m at the Hermitage. Get some water too.”
“Yeah—go ahead. But don’t say I’m sick. Ask for my guy Pym, and tell him to get it from Mills, and don’t mention that I’m at the Hermitage. Also, grab some water.”
Adam was relieved to have an active task—both of them were relieved to be apart from each other for a short time. But Adam’s swift pace could not still the eager pain of thinking—of living again with concentrated suffering through the last wretched hour, and looking out from it over all the new sad future.
Adam felt a sense of relief at having something to do—both of them felt relieved to have a break from each other for a little while. But Adam's quick steps couldn't ease the anxious ache of his thoughts—of reliving that last miserable hour filled with pain, and staring out at all the sad times that lay ahead.
Arthur lay still for some minutes after Adam was gone, but presently he rose feebly from the ottoman and peered about slowly in the broken moonlight, seeking something. It was a short bit of wax candle that stood amongst a confusion of writing and drawing materials. There was more searching for the means of lighting the candle, and when that was done, he went cautiously round the room, as if wishing to assure himself of the presence or absence of something. At last he had found a slight thing, which he put first in his pocket, and then, on a second thought, took out again and thrust deep down into a waste-paper basket. It was a woman’s little, pink, silk neckerchief. He set the candle on the table, and threw himself down on the ottoman again, exhausted with the effort.
Arthur lay still for a few minutes after Adam left, but soon he weakly got up from the ottoman and looked around slowly in the dim moonlight, searching for something. It was a small piece of wax candle that was mixed in with a jumble of writing and drawing supplies. After some more searching for a way to light the candle, he carefully moved around the room, as if trying to confirm whether something was there or not. Eventually, he found a small item, which he first put in his pocket, but then changed his mind and pushed it deep into a waste-paper basket. It was a woman’s little pink silk neckerchief. He placed the candle on the table and collapsed back onto the ottoman, drained from the effort.
When Adam came back with his supplies, his entrance awoke Arthur from a doze.
When Adam returned with his supplies, his arrival woke Arthur from a nap.
“That’s right,” Arthur said; “I’m tremendously in want of some brandy-vigour.”
"That's right," Arthur said, "I really need some brandy for a boost."
“I’m glad to see you’ve got a light, sir,” said Adam. “I’ve been thinking I’d better have asked for a lanthorn.”
“I’m glad to see you have a light, sir,” said Adam. “I’ve been thinking I should’ve asked for a lantern.”
“No, no; the candle will last long enough—I shall soon be up to walking home now.”
“No, no; the candle will last long enough—I’ll be ready to walk home soon.”
“I can’t go before I’ve seen you safe home, sir,” said Adam, hesitatingly.
“I can’t leave until I’ve seen you home safe, sir,” said Adam, hesitantly.
“No: it will be better for you to stay—sit down.”
“No: it’s better for you to stay—have a seat.”
Adam sat down, and they remained opposite to each other in uneasy silence, while Arthur slowly drank brandy-and-water, with visibly renovating effect. He began to lie in a more voluntary position, and looked as if he were less overpowered by bodily sensations. Adam was keenly alive to these indications, and as his anxiety about Arthur’s condition began to be allayed, he felt more of that impatience which every one knows who has had his just indignation suspended by the physical state of the culprit. Yet there was one thing on his mind to be done before he could recur to remonstrance: it was to confess what had been unjust in his own words. Perhaps he longed all the more to make this confession, that his indignation might be free again; and as he saw the signs of returning ease in Arthur, the words again and again came to his lips and went back, checked by the thought that it would be better to leave everything till to-morrow. As long as they were silent they did not look at each other, and a foreboding came across Adam that if they began to speak as though they remembered the past—if they looked at each other with full recognition—they must take fire again. So they sat in silence till the bit of wax candle flickered low in the socket, the silence all the while becoming more irksome to Adam. Arthur had just poured out some more brandy-and-water, and he threw one arm behind his head and drew up one leg in an attitude of recovered ease, which was an irresistible temptation to Adam to speak what was on his mind.
Adam sat down, and they faced each other in uncomfortable silence, while Arthur slowly sipped brandy and water, which was clearly helping him. He started to relax and looked less overwhelmed by his physical state. Adam was acutely aware of these signs, and as his worry about Arthur's condition eased, he felt more of that frustration that anyone experiences when their righteous anger is muted by the offender's weakened state. But there was one thing he needed to do before he could voice his grievances: he had to acknowledge what was unjust in his own words. Maybe he wanted to confess even more so he could freely express his anger again; and as he noticed Arthur seeming more at ease, the words kept coming to his lips but held back by the thought that it was better to wait until tomorrow. As long as they remained silent, they didn’t look at each other, and Adam felt a sense of dread that if they started talking as if they remembered the past—if they made eye contact with full awareness—they would ignite that tension again. So they sat in silence until the little wax candle flickered low in its holder, the quiet growing more unbearable for Adam. Arthur had just poured himself more brandy and water, and he propped one arm behind his head and pulled one leg up in a relaxed position, which was an irresistible temptation for Adam to say what he was thinking.
“You begin to feel more yourself again, sir,” he said, as the candle went out and they were half-hidden from each other in the faint moonlight.
“You're starting to feel more like yourself again, sir,” he said, as the candle flickered out and they were partially obscured from each other in the dim moonlight.
“Yes: I don’t feel good for much—very lazy, and not inclined to move; but I’ll go home when I’ve taken this dose.”
“Yes: I don’t feel great—really lazy, and not in the mood to move; but I’ll head home once I’ve taken this dose.”
There was a slight pause before Adam said, “My temper got the better of me, and I said things as wasn’t true. I’d no right to speak as if you’d known you was doing me an injury: you’d no grounds for knowing it; I’ve always kept what I felt for her as secret as I could.”
There was a brief pause before Adam said, “I lost my temper and said things that weren't true. I had no right to act as if you knew you were hurting me; you had no reason to know that. I've always kept my feelings for her as private as I could.”
He paused again before he went on.
He paused again before moving on.
“And perhaps I judged you too harsh—I’m apt to be harsh—and you may have acted out o’ thoughtlessness more than I should ha’ believed was possible for a man with a heart and a conscience. We’re not all put together alike, and we may misjudge one another. God knows, it’s all the joy I could have now, to think the best of you.”
“And maybe I was too hard on you—I tend to be tough—and you might have acted out of thoughtlessness more than I ever thought possible for a man with a heart and a conscience. We’re not all the same, and we can misjudge each other. God knows, it’s all the happiness I can have right now to think the best of you.”
Arthur wanted to go home without saying any more—he was too painfully embarrassed in mind, as well as too weak in body, to wish for any further explanation to-night. And yet it was a relief to him that Adam reopened the subject in a way the least difficult for him to answer. Arthur was in the wretched position of an open, generous man who has committed an error which makes deception seem a necessity. The native impulse to give truth in return for truth, to meet trust with frank confession, must be suppressed, and duty was becoming a question of tactics. His deed was reacting upon him—was already governing him tyrannously and forcing him into a course that jarred with his habitual feelings. The only aim that seemed admissible to him now was to deceive Adam to the utmost: to make Adam think better of him than he deserved. And when he heard the words of honest retractation—when he heard the sad appeal with which Adam ended—he was obliged to rejoice in the remains of ignorant confidence it implied. He did not answer immediately, for he had to be judicious and not truthful.
Arthur wanted to go home without saying anything more—he felt too embarrassingly conflicted in his mind, as well as too weak physically, to want any further explanation tonight. And yet, he felt a relief when Adam brought up the subject again in a way that was easiest for him to respond to. Arthur was in the miserable position of an open, generous person who had made a mistake that made lying seem necessary. His natural impulse to give honesty in return for honesty, to meet trust with complete confession, had to be pushed aside, and doing the right thing was turning into a matter of strategy. His actions were weighing heavily on him—already controlling him cruelly and pushing him into a path that clashed with his usual feelings. The only goal that seemed acceptable to him now was to deceive Adam as much as possible: to make Adam think better of him than he truly was. And when he heard the words of sincere retraction—when he heard the sad plea with which Adam concluded—he had no choice but to take comfort in the remnants of blind trust it suggested. He didn’t respond right away, as he needed to be careful and not completely honest.
“Say no more about our anger, Adam,” he said, at last, very languidly, for the labour of speech was unwelcome to him; “I forgive your momentary injustice—it was quite natural, with the exaggerated notions you had in your mind. We shall be none the worse friends in future, I hope, because we’ve fought. You had the best of it, and that was as it should be, for I believe I’ve been most in the wrong of the two. Come, let us shake hands.”
“Let’s not talk about our anger anymore, Adam,” he said finally, very tiredly, as talking felt like a burden to him. “I forgive your brief unfairness—it was completely understandable, given the exaggerated ideas you had. I hope we’ll still be good friends going forward, even after our fight. You came out on top, and that’s how it should be, because I think I’ve been the one more at fault. Come on, let’s shake hands.”
Arthur held out his hand, but Adam sat still.
Arthur extended his hand, but Adam remained seated.
“I don’t like to say ‘No’ to that, sir,” he said, “but I can’t shake hands till it’s clear what we mean by’t. I was wrong when I spoke as if you’d done me an injury knowingly, but I wasn’t wrong in what I said before, about your behaviour t’ Hetty, and I can’t shake hands with you as if I held you my friend the same as ever till you’ve cleared that up better.”
“I don’t want to say ‘No’ to that, sir,” he said, “but I can’t shake hands until it’s clear what we mean by that. I was wrong to act like you had hurt me on purpose, but I wasn’t wrong in what I said before about how you treated Hetty, and I can’t shake hands with you as if I still consider you my friend until you clarify that better.”
Arthur swallowed his pride and resentment as he drew back his hand. He was silent for some moments, and then said, as indifferently as he could, “I don’t know what you mean by clearing up, Adam. I’ve told you already that you think too seriously of a little flirtation. But if you are right in supposing there is any danger in it—I’m going away on Saturday, and there will be an end of it. As for the pain it has given you, I’m heartily sorry for it. I can say no more.”
Arthur swallowed his pride and resentment as he pulled his hand back. He was quiet for a few moments, then replied, doing his best to sound indifferent, “I don’t know what you mean by clearing things up, Adam. I’ve already told you that you’re taking this little flirtation way too seriously. But if you’re right and there’s any real danger in it—I’m leaving on Saturday, and that will be the end of it. I’m really sorry for any pain this has caused you. I can’t say anything more.”
Adam said nothing, but rose from his chair and stood with his face towards one of the windows, as if looking at the blackness of the moonlit fir-trees; but he was in reality conscious of nothing but the conflict within him. It was of no use now—his resolution not to speak till to-morrow. He must speak there and then. But it was several minutes before he turned round and stepped nearer to Arthur, standing and looking down on him as he lay.
Adam said nothing, but got up from his chair and faced one of the windows, as if he were looking at the dark silhouette of the moonlit fir trees; but in reality, he was aware of nothing except the turmoil inside him. His decision to stay silent until the next day was pointless now. He had to speak right then and there. It took him several minutes before he turned around and moved closer to Arthur, standing over him as he lay there.
“It’ll be better for me to speak plain,” he said, with evident effort, “though it’s hard work. You see, sir, this isn’t a trifle to me, whatever it may be to you. I’m none o’ them men as can go making love first to one woman and then t’ another, and don’t think it much odds which of ’em I take. What I feel for Hetty’s a different sort o’ love, such as I believe nobody can know much about but them as feel it and God as has given it to ’em. She’s more nor everything else to me, all but my conscience and my good name. And if it’s true what you’ve been saying all along—and if it’s only been trifling and flirting as you call it, as ’ll be put an end to by your going away—why, then, I’d wait, and hope her heart ’ud turn to me after all. I’m loath to think you’d speak false to me, and I’ll believe your word, however things may look.”
“It’s better if I just say it straight,” he said, clearly struggling, “even though it’s tough. You see, sir, this isn’t just a small thing to me, no matter how it seems to you. I’m not one of those guys who can just flirt with one woman and then another, without really caring who it is. What I feel for Hetty is a different kind of love, a feeling that I believe only those who experience it and God who gave it can truly understand. She means more to me than anything else, except for my conscience and my reputation. And if what you’ve been saying all along is true—and if it’s just been flirting as you say, which will end once you leave—then I’d wait and hope her heart would eventually turn to me. I really don’t want to think you’d lie to me, and I’ll trust your word, no matter how things may look.”
“You would be wronging Hetty more than me not to believe it,” said Arthur, almost violently, starting up from the ottoman and moving away. But he threw himself into a chair again directly, saying, more feebly, “You seem to forget that, in suspecting me, you are casting imputations upon her.”
“You’d be doing Hetty more of a disservice than me if you don’t believe it,” Arthur said, almost angrily, jumping up from the ottoman and walking away. But he quickly flopped back into a chair, adding more weakly, “You seem to forget that by suspecting me, you’re throwing accusations at her.”
“Nay, sir,” Adam said, in a calmer voice, as if he were half-relieved—for he was too straightforward to make a distinction between a direct falsehood and an indirect one—“Nay, sir, things don’t lie level between Hetty and you. You’re acting with your eyes open, whatever you may do; but how do you know what’s been in her mind? She’s all but a child—as any man with a conscience in him ought to feel bound to take care on. And whatever you may think, I know you’ve disturbed her mind. I know she’s been fixing her heart on you, for there’s a many things clear to me now as I didn’t understand before. But you seem to make light o’ what she may feel—you don’t think o’ that.”
“No, sir,” Adam said in a calmer tone, sounding somewhat relieved—he was too honest to see a difference between a direct lie and an indirect one—“No, sir, things aren’t balanced between Hetty and you. You’re acting with your eyes wide open, no matter what you do; but how do you know what’s been going through her mind? She’s practically a child—any decent man should feel responsible to look out for her. And whatever you might think, I know you’ve shaken her up. I know she’s been focusing her heart on you, because there are a lot of things I see clearly now that I didn’t understand before. But you seem to take lightly what she might feel—you don’t think about that.”
“Good God, Adam, let me alone!” Arthur burst out impetuously; “I feel it enough without your worrying me.”
“Good God, Adam, just leave me alone!” Arthur said impulsively; “I feel it enough without you bothering me.”
He was aware of his indiscretion as soon as the words had escaped him.
He realized his mistake right after the words slipped out.
“Well, then, if you feel it,” Adam rejoined, eagerly; “if you feel as you may ha’ put false notions into her mind, and made her believe as you loved her, when all the while you meant nothing, I’ve this demand to make of you—I’m not speaking for myself, but for her. I ask you t’ undeceive her before you go away. Y’aren’t going away for ever, and if you leave her behind with a notion in her head o’ your feeling about her the same as she feels about you, she’ll be hankering after you, and the mischief may get worse. It may be a smart to her now, but it’ll save her pain i’ th’ end. I ask you to write a letter—you may trust to my seeing as she gets it. Tell her the truth, and take blame to yourself for behaving as you’d no right to do to a young woman as isn’t your equal. I speak plain, sir, but I can’t speak any other way. There’s nobody can take care o’ Hetty in this thing but me.”
“Well, if you really feel that way,” Adam said eagerly, “if you think you might have led her to believe you loved her when you didn’t mean anything at all, I have a request for you—I’m not doing this for myself, but for her. I need you to clear things up for her before you leave. You’re not leaving for good, and if you go without setting the record straight, she’ll be hanging on to a false idea about your feelings for her, and it could cause more trouble later. It might seem harmless to her now, but it will spare her from pain in the long run. I’m asking you to write her a letter—you can trust that I’ll make sure she gets it. Be honest with her, and take responsibility for treating her in a way that wasn’t right for someone of your status. I’m being direct, sir, but it’s the only way I know how to speak. No one can look after Hetty in this situation except for me.”
“I can do what I think needful in the matter,” said Arthur, more and more irritated by mingled distress and perplexity, “without giving promises to you. I shall take what measures I think proper.”
“I can do what I think is necessary about this,” Arthur said, increasingly irritated by a mix of distress and confusion, “without making any promises to you. I will take the steps I believe are right.”
“No,” said Adam, in an abrupt decided tone, “that won’t do. I must know what ground I’m treading on. I must be safe as you’ve put an end to what ought never to ha’ been begun. I don’t forget what’s owing to you as a gentleman, but in this thing we’re man and man, and I can’t give up.”
“No,” Adam said sharply, “that won’t work. I need to know what situation I’m in. I need to be secure since you’ve ended something that should never have started. I don’t forget what I owe you as a gentleman, but in this matter, we’re both men, and I can’t back down.”
There was no answer for some moments. Then Arthur said, “I’ll see you to-morrow. I can bear no more now; I’m ill.” He rose as he spoke, and reached his cap, as if intending to go.
There was no response for a few moments. Then Arthur said, “I’ll see you tomorrow. I can’t take any more right now; I’m feeling sick.” He stood up as he spoke and grabbed his cap, as if he was planning to leave.
“You won’t see her again!” Adam exclaimed, with a flash of recurring anger and suspicion, moving towards the door and placing his back against it. “Either tell me she can never be my wife—tell me you’ve been lying—or else promise me what I’ve said.”
“You won’t see her again!” Adam shouted, a mix of anger and suspicion flashing across his face as he moved to the door and leaned against it. “Either tell me she can never be my wife—tell me you’ve been lying—or promise me you’ll do what I’ve asked.”
Adam, uttering this alternative, stood like a terrible fate before Arthur, who had moved forward a step or two, and now stopped, faint, shaken, sick in mind and body. It seemed long to both of them—that inward struggle of Arthur’s—before he said, feebly, “I promise; let me go.”
Adam, presenting this option, stood like a looming threat before Arthur, who had taken a step or two forward but now halted, feeling weak, shaken, and unwell both mentally and physically. To both of them, it felt like an eternity—Arthur's internal battle—before he finally said, weakly, "I promise; just let me go."
Adam moved away from the door and opened it, but when Arthur reached the step, he stopped again and leaned against the door-post.
Adam stepped back from the door and opened it, but when Arthur got to the step, he paused again and leaned against the doorframe.
“You’re not well enough to walk alone, sir,” said Adam. “Take my arm again.”
“Sir, you’re not well enough to walk on your own,” Adam said. “Take my arm again.”
Arthur made no answer, and presently walked on, Adam following. But, after a few steps, he stood still again, and said, coldly, “I believe I must trouble you. It’s getting late now, and there may be an alarm set up about me at home.”
Arthur didn’t reply and continued walking, Adam trailing behind. But after a few steps, he stopped again and said, coldly, “I think I need to bother you. It’s getting late, and there might be a commotion about me back home.”
Adam gave his arm, and they walked on without uttering a word, till they came where the basket and the tools lay.
Adam offered his arm, and they walked on in silence until they reached the spot where the basket and tools were lying.
“I must pick up the tools, sir,” Adam said. “They’re my brother’s. I doubt they’ll be rusted. If you’ll please to wait a minute.”
“I need to grab the tools, sir,” Adam said. “They belong to my brother. I’m sure they won’t be rusted. If you could just wait a minute.”
Arthur stood still without speaking, and no other word passed between them till they were at the side entrance, where he hoped to get in without being seen by any one. He said then, “Thank you; I needn’t trouble you any further.”
Arthur stood quietly without saying a word, and they didn’t exchange anything else until they reached the side entrance, where he hoped to slip in without anyone noticing. He then said, “Thank you; I won’t need to bother you anymore.”
“What time will it be conven’ent for me to see you to-morrow, sir?” said Adam.
“What time will it be convenient for me to see you tomorrow, sir?” said Adam.
“You may send me word that you’re here at five o’clock,” said Arthur; “not before.”
“You can let me know when you’re here at five o’clock,” said Arthur; “not before.”
“Good-night, sir,” said Adam. But he heard no reply; Arthur had turned into the house.
“Good night, sir,” Adam said. But he got no reply; Arthur had gone into the house.
Chapter XXIX
The Next Morning
Arthur did not pass a sleepless night; he slept long and well. For sleep comes to the perplexed—if the perplexed are only weary enough. But at seven he rang his bell and astonished Pym by declaring he was going to get up, and must have breakfast brought to him at eight.
Arthur didn’t have a restless night; he slept deeply and soundly. Sleep tends to find those who are troubled—if they’re tired enough. But at seven, he rang his bell and surprised Pym by saying he was going to get up and needed breakfast brought to him at eight.
“And see that my mare is saddled at half-past eight, and tell my grandfather when he’s down that I’m better this morning and am gone for a ride.”
“Make sure my mare is saddled by 8:30, and let my grandfather know when he’s up that I’m feeling better this morning and have gone for a ride.”
He had been awake an hour, and could rest in bed no longer. In bed our yesterdays are too oppressive: if a man can only get up, though it be but to whistle or to smoke, he has a present which offers some resistance to the past—sensations which assert themselves against tyrannous memories. And if there were such a thing as taking averages of feeling, it would certainly be found that in the hunting and shooting seasons regret, self-reproach, and mortified pride weigh lighter on country gentlemen than in late spring and summer. Arthur felt that he should be more of a man on horseback. Even the presence of Pym, waiting on him with the usual deference, was a reassurance to him after the scenes of yesterday. For, with Arthur’s sensitiveness to opinion, the loss of Adam’s respect was a shock to his self-contentment which suffused his imagination with the sense that he had sunk in all eyes—as a sudden shock of fear from some real peril makes a nervous woman afraid even to step, because all her perceptions are suffused with a sense of danger.
He had been awake for an hour and couldn’t lie in bed any longer. In bed, our pasts feel too heavy: if a guy can just get up, even if it’s just to whistle or smoke, he has a present moment that pushes back against the past—feelings that fight against overpowering memories. And if there were a way to measure feelings, it would definitely show that during the hunting and shooting seasons, regret, guilt, and crushed pride weigh less on country gentlemen than in late spring and summer. Arthur felt he would be more of a man on horseback. Even the presence of Pym, attending to him with the usual respect, provided reassurance after yesterday’s events. Because of Arthur’s sensitivity to others' opinions, losing Adam’s respect was a blow to his self-esteem that filled his mind with the feeling that he had fallen in everyone’s eyes—just like a sudden jolt of fear from real danger makes an anxious woman hesitant to move, as her senses become overwhelmed with a feeling of threat.
Arthur’s, as you know, was a loving nature. Deeds of kindness were as easy to him as a bad habit: they were the common issue of his weaknesses and good qualities, of his egoism and his sympathy. He didn’t like to witness pain, and he liked to have grateful eyes beaming on him as the giver of pleasure. When he was a lad of seven, he one day kicked down an old gardener’s pitcher of broth, from no motive but a kicking impulse, not reflecting that it was the old man’s dinner; but on learning that sad fact, he took his favourite pencil-case and a silver-hafted knife out of his pocket and offered them as compensation. He had been the same Arthur ever since, trying to make all offences forgotten in benefits. If there were any bitterness in his nature, it could only show itself against the man who refused to be conciliated by him. And perhaps the time was come for some of that bitterness to rise. At the first moment, Arthur had felt pure distress and self-reproach at discovering that Adam’s happiness was involved in his relation to Hetty. If there had been a possibility of making Adam tenfold amends—if deeds of gift, or any other deeds, could have restored Adam’s contentment and regard for him as a benefactor, Arthur would not only have executed them without hesitation, but would have felt bound all the more closely to Adam, and would never have been weary of making retribution. But Adam could receive no amends; his suffering could not be cancelled; his respect and affection could not be recovered by any prompt deeds of atonement. He stood like an immovable obstacle against which no pressure could avail; an embodiment of what Arthur most shrank from believing in—the irrevocableness of his own wrongdoing. The words of scorn, the refusal to shake hands, the mastery asserted over him in their last conversation in the Hermitage—above all, the sense of having been knocked down, to which a man does not very well reconcile himself, even under the most heroic circumstances—pressed on him with a galling pain which was stronger than compunction. Arthur would so gladly have persuaded himself that he had done no harm! And if no one had told him the contrary, he could have persuaded himself so much better. Nemesis can seldom forge a sword for herself out of our consciences—out of the suffering we feel in the suffering we may have caused: there is rarely metal enough there to make an effective weapon. Our moral sense learns the manners of good society and smiles when others smile, but when some rude person gives rough names to our actions, she is apt to take part against us. And so it was with Arthur: Adam’s judgment of him, Adam’s grating words, disturbed his self-soothing arguments.
Arthur, as you know, was a kind-hearted person. Acts of kindness came to him as easily as a bad habit: they were a mix of his weaknesses and strengths, of his selfishness and empathy. He hated seeing people in pain and loved having grateful eyes looking at him as the source of happiness. When he was seven, he once accidentally kicked over an old gardener’s bowl of soup, not realizing it was the old man's dinner; but once he learned that, he took out his favorite pencil case and a silver-handled knife from his pocket and offered them as compensation. He had been the same Arthur ever since, trying to make up for his mistakes with good deeds. If there was any bitterness in him, it only showed towards those who wouldn’t accept his attempts to make amends. And perhaps the time had come for some of that bitterness to surface. Initially, Arthur felt pure distress and guilt upon realizing that Adam’s happiness was tied to his relationship with Hetty. If there had been a way to make things right—if gifts or any other actions could restore Adam’s happiness and respect for him as a benefactor, Arthur would not only have done them without hesitation, but would have felt even more connected to Adam and would have never grown tired of making amends. But Adam couldn’t accept any compensation; his suffering couldn’t be erased; his respect and affection couldn’t be regained through any quick acts of atonement. He stood like an unyielding barrier that no amount of pressure could change; an embodiment of what Arthur most dreaded accepting—the irreversibility of his own wrongdoing. The scornful words, the refusal to shake hands, the control asserted over him during their last talk at the Hermitage—most of all, the feeling of being knocked down, which is something a person can never fully come to terms with, even in the most heroic circumstances—weighed on him with a painful reminder that was stronger than guilt. Arthur would have loved to convince himself that he hadn’t caused any harm! And if nobody had told him otherwise, he could have convinced himself much easier. Justice rarely crafts a sword from our own consciences—from the pain we feel for the pain we might have caused: there isn’t often enough substance there to create a powerful weapon. Our moral sense learns the ways of social conduct and smiles when others do, but when someone rude labels our actions, it often turns against us. And that’s how it was for Arthur: Adam’s judgment, Adam’s harsh words, disrupted his self-soothing justifications.
Not that Arthur had been at ease before Adam’s discovery. Struggles and resolves had transformed themselves into compunction and anxiety. He was distressed for Hetty’s sake, and distressed for his own, that he must leave her behind. He had always, both in making and breaking resolutions, looked beyond his passion and seen that it must speedily end in separation; but his nature was too ardent and tender for him not to suffer at this parting; and on Hetty’s account he was filled with uneasiness. He had found out the dream in which she was living—that she was to be a lady in silks and satins—and when he had first talked to her about his going away, she had asked him tremblingly to let her go with him and be married. It was his painful knowledge of this which had given the most exasperating sting to Adam’s reproaches. He had said no word with the purpose of deceiving her—her vision was all spun by her own childish fancy—but he was obliged to confess to himself that it was spun half out of his own actions. And to increase the mischief, on this last evening he had not dared to hint the truth to Hetty; he had been obliged to soothe her with tender, hopeful words, lest he should throw her into violent distress. He felt the situation acutely, felt the sorrow of the dear thing in the present, and thought with a darker anxiety of the tenacity which her feelings might have in the future. That was the one sharp point which pressed against him; every other he could evade by hopeful self-persuasion. The whole thing had been secret; the Poysers had not the shadow of a suspicion. No one, except Adam, knew anything of what had passed—no one else was likely to know; for Arthur had impressed on Hetty that it would be fatal to betray, by word or look, that there had been the least intimacy between them; and Adam, who knew half their secret, would rather help them to keep it than betray it. It was an unfortunate business altogether, but there was no use in making it worse than it was by imaginary exaggerations and forebodings of evil that might never come. The temporary sadness for Hetty was the worst consequence; he resolutely turned away his eyes from any bad consequence that was not demonstrably inevitable. But—but Hetty might have had the trouble in some other way if not in this. And perhaps hereafter he might be able to do a great deal for her and make up to her for all the tears she would shed about him. She would owe the advantage of his care for her in future years to the sorrow she had incurred now. So good comes out of evil. Such is the beautiful arrangement of things!
Not that Arthur had been feeling okay before Adam’s discovery. His struggles and decisions had turned into guilt and anxiety. He was upset for Hetty’s sake and distressed for his own that he had to leave her behind. He had always looked beyond his emotions, knowing it would quickly lead to separation, but his passionate and tender nature made the parting painful; he felt uneasy about Hetty. He had realized the dream she was living in—that she would be a lady in silks and satins—and when he first talked to her about leaving, she had nervously asked to go with him and get married. It was this painful knowledge that added the most annoying sting to Adam’s accusations. He hadn’t said anything to intentionally deceive her—her fantasy was entirely created by her childish imagination—but he had to admit that it was partly influenced by his own actions. To make matters worse, on this last evening, he hadn’t dared to hint at the truth to Hetty; he had to comfort her with kind, hopeful words to avoid causing her distress. He felt the weight of the situation deeply and was saddened by her feelings in the moment, worrying even more about how those feelings might linger in the future. That was the one thing that pressed down on him; he could dodge all other worries with hopeful thoughts. Everything had been kept secret; the Poysers had no suspicion at all. No one, except Adam, knew anything about what had happened—no one else was likely to find out; Arthur had made it clear to Hetty that it would be disastrous to reveal, by word or look, that there had been any closeness between them; and Adam, who knew part of their secret, would rather help them keep it than expose it. It was an unfortunate situation overall, but there was no point in making it worse with imagined exaggerations and fears of problems that might never happen. The temporary sadness for Hetty was the worst outcome; he resolutely tried to ignore any negative consequences that weren’t obviously unavoidable. But—but Hetty might have faced trouble in some other way if not this. And maybe in the future, he could do a lot for her and make up for all the tears she would shed over him. She would owe the benefit of his care in the years to come to the sorrow she faced now. So good comes out of evil. That's how beautifully things are arranged!
Are you inclined to ask whether this can be the same Arthur who, two months ago, had that freshness of feeling, that delicate honour which shrinks from wounding even a sentiment, and does not contemplate any more positive offence as possible for it?—who thought that his own self-respect was a higher tribunal than any external opinion? The same, I assure you, only under different conditions. Our deeds determine us, as much as we determine our deeds, and until we know what has been or will be the peculiar combination of outward with inward facts, which constitutes a man’s critical actions, it will be better not to think ourselves wise about his character. There is a terrible coercion in our deeds, which may first turn the honest man into a deceiver and then reconcile him to the change, for this reason—that the second wrong presents itself to him in the guise of the only practicable right. The action which before commission has been seen with that blended common sense and fresh untarnished feeling which is the healthy eye of the soul, is looked at afterwards with the lens of apologetic ingenuity, through which all things that men call beautiful and ugly are seen to be made up of textures very much alike. Europe adjusts itself to a fait accompli, and so does an individual character—until the placid adjustment is disturbed by a convulsive retribution.
Are you wondering if this is really the same Arthur who, two months ago, had that freshness of emotion and that delicate sense of honor that avoids hurting even a feeling, and who couldn’t imagine doing anything more obviously wrong?—who believed that self-respect was a bigger deal than anyone else's opinion? Yes, it's the same guy, just in different circumstances. Our actions define us just as much as we shape our actions, and until we fully understand the unique mix of external and internal factors that make up someone's critical choices, it’s better not to think we know their character. There’s a harsh pressure in our actions that can turn an honest person into a liar and then make them okay with that change; because to them, the second wrong often seems like the only reasonable right. The action that initially appears with that combination of common sense and fresh, unblemished feeling—the clear view of the soul—gets looked at later through the lens of excuses, which makes everything, beautiful or ugly, seem to resemble each other. Europe adapts to a fait accompli, and so does an individual’s character—until that calm adjustment gets shaken up by a sudden reckoning.
No man can escape this vitiating effect of an offence against his own sentiment of right, and the effect was the stronger in Arthur because of that very need of self-respect which, while his conscience was still at ease, was one of his best safeguards. Self-accusation was too painful to him—he could not face it. He must persuade himself that he had not been very much to blame; he began even to pity himself for the necessity he was under of deceiving Adam—it was a course so opposed to the honesty of his own nature. But then, it was the only right thing to do.
No one can escape the damaging effects of acting against their own sense of right, and this was especially true for Arthur because of his strong need for self-respect, which had previously been one of his best protections when his conscience was clear. Self-blame was too painful for him—he couldn't confront it. He had to convince himself that he wasn't really at fault. He even started to feel sorry for himself for having to deceive Adam, which was so contrary to his own honest nature. But then, it was the only right thing to do.
Well, whatever had been amiss in him, he was miserable enough in consequence: miserable about Hetty; miserable about this letter that he had promised to write, and that seemed at one moment to be a gross barbarity, at another perhaps the greatest kindness he could do to her. And across all this reflection would dart every now and then a sudden impulse of passionate defiance towards all consequences. He would carry Hetty away, and all other considerations might go to....
Well, whatever was wrong with him, he was really miserable because of it: miserable about Hetty; miserable about this letter he had promised to write, which sometimes felt like a cruel thing to do, and other times seemed like the kindest thing he could offer her. Through all this thinking, there would occasionally be a quick surge of passionate defiance against any consequences. He would take Hetty away, and all other concerns could go to...
In this state of mind the four walls of his room made an intolerable prison to him; they seemed to hem in and press down upon him all the crowd of contradictory thoughts and conflicting feelings, some of which would fly away in the open air. He had only an hour or two to make up his mind in, and he must get clear and calm. Once on Meg’s back, in the fresh air of that fine morning, he should be more master of the situation.
In this state of mind, the four walls of his room felt like an unbearable prison; they seemed to close in on him, suffocating him with a mix of conflicting thoughts and feelings that might escape in the open air. He had only an hour or two to figure things out, and he needed to find some clarity and calm. Once he was on Meg’s back, in the fresh air of that beautiful morning, he would feel more in control of the situation.
The pretty creature arched her bay neck in the sunshine, and pawed the gravel, and trembled with pleasure when her master stroked her nose, and patted her, and talked to her even in a more caressing tone than usual. He loved her the better because she knew nothing of his secrets. But Meg was quite as well acquainted with her master’s mental state as many others of her sex with the mental condition of the nice young gentlemen towards whom their hearts are in a state of fluttering expectation.
The beautiful creature arched her brown neck in the sunlight, pawed at the gravel, and quivered with joy when her owner stroked her nose, patted her, and spoke to her in an even more affectionate tone than usual. He loved her even more because she was unaware of his secrets. But Meg understood her owner's mental state just as well as many other women understand the feelings of the nice young men they're anxiously hoping for.
Arthur cantered for five miles beyond the Chase, till he was at the foot of a hill where there were no hedges or trees to hem in the road. Then he threw the bridle on Meg’s neck and prepared to make up his mind.
Arthur trotted for five miles beyond the Chase until he reached the bottom of a hill where there were no hedges or trees lining the road. Then he tossed the bridle onto Meg’s neck and got ready to make a decision.
Hetty knew that their meeting yesterday must be the last before Arthur went away—there was no possibility of their contriving another without exciting suspicion—and she was like a frightened child, unable to think of anything, only able to cry at the mention of parting, and then put her face up to have the tears kissed away. He could do nothing but comfort her, and lull her into dreaming on. A letter would be a dreadfully abrupt way of awakening her! Yet there was truth in what Adam said—that it would save her from a lengthened delusion, which might be worse than a sharp immediate pain. And it was the only way of satisfying Adam, who must be satisfied, for more reasons than one. If he could have seen her again! But that was impossible; there was such a thorny hedge of hindrances between them, and an imprudence would be fatal. And yet, if he could see her again, what good would it do? Only cause him to suffer more from the sight of her distress and the remembrance of it. Away from him she was surrounded by all the motives to self-control.
Hetty realized that their meeting yesterday had to be the last before Arthur left—there was no way they could arrange another without raising suspicion—and she felt like a scared child, unable to think clearly, just crying at the thought of parting, and then lifting her face to have her tears kissed away. He could only comfort her and lull her into a dreamlike state. A letter would be a painfully sudden way to wake her up! Yet there was some truth in what Adam said—that it would save her from a prolonged delusion, which might be worse than a sharp, immediate pain. And it was the only way to satisfy Adam, who simply had to be satisfied for several reasons. If only he could see her again! But that was impossible; there were so many obstacles in their way, and being reckless could lead to serious consequences. And still, if he could see her again, what good would it do? It would only make him suffer more from seeing her in distress and remembering it later. Away from him, she was surrounded by all the reasons to keep herself together.
A sudden dread here fell like a shadow across his imagination—the dread lest she should do something violent in her grief; and close upon that dread came another, which deepened the shadow. But he shook them off with the force of youth and hope. What was the ground for painting the future in that dark way? It was just as likely to be the reverse. Arthur told himself he did not deserve that things should turn out badly. He had never meant beforehand to do anything his conscience disapproved; he had been led on by circumstances. There was a sort of implicit confidence in him that he was really such a good fellow at bottom, Providence would not treat him harshly.
A sudden fear fell over him like a shadow—fear that she might do something reckless in her grief; and right after that fear came another, deepening the shadow. But he pushed them away with the energy of youth and optimism. What was the reason for visualizing the future so negatively? It could just as easily turn out the opposite way. Arthur reminded himself that he didn’t deserve for things to go wrong. He had never intended to do anything his conscience found wrong; he had been swept along by circumstances. Deep down, he felt that he was a decent guy and that fate wouldn’t be too hard on him.
At all events, he couldn’t help what would come now: all he could do was to take what seemed the best course at the present moment. And he persuaded himself that that course was to make the way open between Adam and Hetty. Her heart might really turn to Adam, as he said, after a while; and in that case there would have been no great harm done, since it was still Adam’s ardent wish to make her his wife. To be sure, Adam was deceived—deceived in a way that Arthur would have resented as a deep wrong if it had been practised on himself. That was a reflection that marred the consoling prospect. Arthur’s cheeks even burned in mingled shame and irritation at the thought. But what could a man do in such a dilemma? He was bound in honour to say no word that could injure Hetty: his first duty was to guard her. He would never have told or acted a lie on his own account. Good God! What a miserable fool he was to have brought himself into such a dilemma; and yet, if ever a man had excuses, he had. (Pity that consequences are determined not by excuses but by actions!)
At any rate, he couldn’t control what would happen next: all he could do was take what seemed like the best option at the moment. He convinced himself that the right choice was to create a path between Adam and Hetty. Her feelings might actually turn toward Adam, as he suggested, in time; and in that case, it wouldn’t be such a big deal, since Adam still genuinely wanted to marry her. Of course, Adam was being misled—misled in a way that Arthur would have found deeply wrong if it had happened to him. That thought clouded the comforting outlook. Arthur’s cheeks flushed with a mix of shame and irritation at the idea. But what could a man do in such a situation? He had to honorably refrain from saying anything that could hurt Hetty: his main responsibility was to protect her. He would never have lied or acted dishonestly for himself. Good God! What a miserable fool he was to have put himself in such a predicament; and yet, if anyone had reasons, he did. (It’s a shame that outcomes are determined by actions, not by excuses!)
Well, the letter must be written; it was the only means that promised a solution of the difficulty. The tears came into Arthur’s eyes as he thought of Hetty reading it; but it would be almost as hard for him to write it; he was not doing anything easy to himself; and this last thought helped him to arrive at a conclusion. He could never deliberately have taken a step which inflicted pain on another and left himself at ease. Even a movement of jealousy at the thought of giving up Hetty to Adam went to convince him that he was making a sacrifice.
Well, the letter has to be written; it was the only way that seemed to offer a solution to the problem. Tears filled Arthur’s eyes as he imagined Hetty reading it; but writing it would be just as hard for him; he wasn’t doing anything easy for himself; and this last thought helped him reach a conclusion. He could never intentionally take a step that caused pain to someone else while feeling comfortable himself. Even a moment of jealousy at the idea of giving Hetty up for Adam confirmed for him that he was making a sacrifice.
When once he had come to this conclusion, he turned Meg round and set off home again in a canter. The letter should be written the first thing, and the rest of the day would be filled up with other business: he should have no time to look behind him. Happily, Irwine and Gawaine were coming to dinner, and by twelve o’clock the next day he should have left the Chase miles behind him. There was some security in this constant occupation against an uncontrollable impulse seizing him to rush to Hetty and thrust into her hand some mad proposition that would undo everything. Faster and faster went the sensitive Meg, at every slight sign from her rider, till the canter had passed into a swift gallop.
Once he reached this decision, he turned Meg around and headed home at a canter. He needed to write the letter first thing, and the rest of the day would be filled with other tasks: he wouldn't have time to look back. Luckily, Irwine and Gawaine were coming to dinner, and by noon the next day, he’d have left the Chase far behind. This constant activity provided some reassurance against the overwhelming urge to rush to Hetty and hand her some crazy proposal that could ruin everything. Meg, sensitive to her rider's cues, picked up speed at every slight hint, shifting from a canter to a fast gallop.
“I thought they said th’ young mester war took ill last night,” said sour old John, the groom, at dinner-time in the servants’ hall. “He’s been ridin’ fit to split the mare i’ two this forenoon.”
“I thought they said the young master got sick last night,” said grumpy old John, the groom, at dinner time in the servants’ hall. “He’s been riding hard enough to split the mare in two this morning.”
“That’s happen one o’ the symptims, John,” said the facetious coachman.
"That's one of the symptoms, John," said the joking coachman.
“Then I wish he war let blood for ’t, that’s all,” said John, grimly.
“Then I wish he would bleed for it, that’s all,” said John, grimly.
Adam had been early at the Chase to know how Arthur was, and had been relieved from all anxiety about the effects of his blow by learning that he was gone out for a ride. At five o’clock he was punctually there again, and sent up word of his arrival. In a few minutes Pym came down with a letter in his hand and gave it to Adam, saying that the captain was too busy to see him, and had written everything he had to say. The letter was directed to Adam, but he went out of doors again before opening it. It contained a sealed enclosure directed to Hetty. On the inside of the cover Adam read:
Adam had arrived early at the Chase to check on Arthur and felt relieved to learn that Arthur had gone out for a ride, easing his worries about the aftermath of the blow. By five o’clock, he was back on time and sent a message about his arrival. A few minutes later, Pym came down with a letter in his hand and handed it to Adam, saying that the captain was too busy to see him and had written everything he needed to convey. The letter was addressed to Adam, but he stepped outside again before opening it. Inside was a sealed envelope addressed to Hetty. On the cover, Adam read:
“In the enclosed letter I have written everything you wish. I leave it to you
to decide whether you will be doing best to deliver it to Hetty or to return it
to me. Ask yourself once more whether you are not taking a measure which may
pain her more than mere silence.
“There is no need for our seeing each other again now. We shall meet with
better feelings some months hence.
“In the attached letter, I’ve shared everything you want. It’s up to you to decide whether it’s better to give it to Hetty or send it back to me. Consider if this choice might hurt her more than just staying quiet.
“There’s no need for us to see each other again right now. We can meet with better feelings in a few months.”
“A.D.”
“CE”
“Perhaps he’s i’ th’ right on ’t not to see me,” thought Adam. “It’s no use meeting to say more hard words, and it’s no use meeting to shake hands and say we’re friends again. We’re not friends, an’ it’s better not to pretend it. I know forgiveness is a man’s duty, but, to my thinking, that can only mean as you’re to give up all thoughts o’ taking revenge: it can never mean as you’re t’ have your old feelings back again, for that’s not possible. He’s not the same man to me, and I can’t feel the same towards him. God help me! I don’t know whether I feel the same towards anybody: I seem as if I’d been measuring my work from a false line, and had got it all to measure over again.”
“Maybe it’s better that he doesn’t see me,” Adam thought. “There’s no point in getting together just to say more harsh words, and it’s pointless to meet to shake hands and pretend we’re friends again. We’re not friends, and it’s better not to act like we are. I know forgiveness is a guy’s responsibility, but to me, that only means you should let go of any thoughts of revenge; it can never mean you’ll have your old feelings back because that’s just not possible. He’s not the same guy to me, and I can’t feel the same way about him. God help me! I don’t even know if I feel the same way about anyone; it’s like I’ve been measuring my work against the wrong standard, and now I have to measure it all over again.”
But the question about delivering the letter to Hetty soon absorbed Adam’s thoughts. Arthur had procured some relief to himself by throwing the decision on Adam with a warning; and Adam, who was not given to hesitation, hesitated here. He determined to feel his way—to ascertain as well as he could what was Hetty’s state of mind before he decided on delivering the letter.
But the question of whether to deliver the letter to Hetty soon occupied Adam's thoughts. Arthur had relieved himself by pushing the decision onto Adam with a warning, and Adam, who usually didn’t hesitate, found himself unsure this time. He decided to take his time—to figure out as much as he could about Hetty’s state of mind before deciding whether to deliver the letter.
Chapter XXX
The Delivery of the Letter
The next Sunday Adam joined the Poysers on their way out of church, hoping for an invitation to go home with them. He had the letter in his pocket, and was anxious to have an opportunity of talking to Hetty alone. He could not see her face at church, for she had changed her seat, and when he came up to her to shake hands, her manner was doubtful and constrained. He expected this, for it was the first time she had met him since she had been aware that he had seen her with Arthur in the Grove.
The next Sunday, Adam walked out of church with the Poysers, hoping they would invite him to join them at their house. He had the letter in his pocket and was eager for a chance to speak to Hetty privately. He couldn’t see her face during the service because she had changed her seat, and when he approached her to shake hands, her demeanor was awkward and hesitant. He anticipated this reaction since it was the first time they had seen each other since she found out he had seen her with Arthur in the Grove.
“Come, you’ll go on with us, Adam,” Mr. Poyser said when they reached the turning; and as soon as they were in the fields Adam ventured to offer his arm to Hetty. The children soon gave them an opportunity of lingering behind a little, and then Adam said:
“Come on, you’re joining us, Adam,” Mr. Poyser said when they got to the turn; and as soon as they stepped into the fields, Adam took a chance to offer his arm to Hetty. The kids quickly gave them a chance to hang back a bit, and then Adam said:
“Will you contrive for me to walk out in the garden a bit with you this evening, if it keeps fine, Hetty? I’ve something partic’lar to talk to you about.”
“Will you arrange for me to walk out in the garden a bit with you this evening, if the weather stays nice, Hetty? I have something specific to talk to you about.”
Hetty said, “Very well.” She was really as anxious as Adam was that she should have some private talk with him. She wondered what he thought of her and Arthur. He must have seen them kissing, she knew, but she had no conception of the scene that had taken place between Arthur and Adam. Her first feeling had been that Adam would be very angry with her, and perhaps would tell her aunt and uncle, but it never entered her mind that he would dare to say anything to Captain Donnithorne. It was a relief to her that he behaved so kindly to her to-day, and wanted to speak to her alone; for she had trembled when she found he was going home with them lest he should mean “to tell.” But, now he wanted to talk to her by herself, she should learn what he thought and what he meant to do. She felt a certain confidence that she could persuade him not to do anything she did not want him to do; she could perhaps even make him believe that she didn’t care for Arthur; and as long as Adam thought there was any hope of her having him, he would do just what she liked, she knew. Besides, she must go on seeming to encourage Adam, lest her uncle and aunt should be angry and suspect her of having some secret lover.
Hetty said, “Alright.” She was just as eager as Adam was to have a private conversation with him. She wondered what he thought about her and Arthur. She knew he must have seen them kissing, but she had no idea about what had happened between Arthur and Adam. Initially, she felt that Adam would be really upset with her and might tell her aunt and uncle, but it never crossed her mind that he would dare to say anything to Captain Donnithorne. It was a relief to her that he was being so nice to her today and wanted to talk to her alone; she had felt nervous when she realized he was going home with them, worried he might mean “to tell.” But now that he wanted to speak to her privately, she would find out what he thought and what he intended to do. She felt a certain confidence that she could convince him not to do anything she didn’t want him to do; she could even make him believe that she didn’t care for Arthur; and as long as Adam thought there was any chance of her being interested in him, he would do whatever she wanted, she was sure. Plus, she had to keep acting like she was encouraging Adam so her uncle and aunt wouldn’t get upset or suspect that she had some secret lover.
Hetty’s little brain was busy with this combination as she hung on Adam’s arm and said “yes” or “no” to some slight observations of his about the many hawthorn-berries there would be for the birds this next winter, and the low-hanging clouds that would hardly hold up till morning. And when they rejoined her aunt and uncle, she could pursue her thoughts without interruption, for Mr. Poyser held that though a young man might like to have the woman he was courting on his arm, he would nevertheless be glad of a little reasonable talk about business the while; and, for his own part, he was curious to hear the most recent news about the Chase Farm. So, through the rest of the walk, he claimed Adam’s conversation for himself, and Hetty laid her small plots and imagined her little scenes of cunning blandishment, as she walked along by the hedgerows on honest Adam’s arm, quite as well as if she had been an elegantly clad coquette alone in her boudoir. For if a country beauty in clumsy shoes be only shallow-hearted enough, it is astonishing how closely her mental processes may resemble those of a lady in society and crinoline, who applies her refined intellect to the problem of committing indiscretions without compromising herself. Perhaps the resemblance was not much the less because Hetty felt very unhappy all the while. The parting with Arthur was a double pain to her—mingling with the tumult of passion and vanity there was a dim undefined fear that the future might shape itself in some way quite unlike her dream. She clung to the comforting hopeful words Arthur had uttered in their last meeting—“I shall come again at Christmas, and then we will see what can be done.” She clung to the belief that he was so fond of her, he would never be happy without her; and she still hugged her secret—that a great gentleman loved her—with gratified pride, as a superiority over all the girls she knew. But the uncertainty of the future, the possibilities to which she could give no shape, began to press upon her like the invisible weight of air; she was alone on her little island of dreams, and all around her was the dark unknown water where Arthur was gone. She could gather no elation of spirits now by looking forward, but only by looking backward to build confidence on past words and caresses. But occasionally, since Thursday evening, her dim anxieties had been almost lost behind the more definite fear that Adam might betray what he knew to her uncle and aunt, and his sudden proposition to talk with her alone had set her thoughts to work in a new way. She was eager not to lose this evening’s opportunity; and after tea, when the boys were going into the garden and Totty begged to go with them, Hetty said, with an alacrity that surprised Mrs. Poyser, “I’ll go with her, Aunt.”
Hetty's mind was busy with this mix of thoughts as she hung on Adam’s arm, responding with “yes” or “no” to his comments about the numerous hawthorn berries there would be for the birds this upcoming winter, and the low-hanging clouds that wouldn’t last until morning. When they met up with her aunt and uncle again, she could continue her thoughts without interruption, since Mr. Poyser believed that even though a young man might enjoy having the woman he was courting on his arm, he would still appreciate a bit of sensible chat about business at the same time; and for his part, he was eager to hear the latest news about the Chase Farm. So, throughout the rest of the walk, he monopolized Adam’s conversation, while Hetty crafted her little schemes and imagined her charming tactics, walking along with honest Adam’s arm no differently than if she were a fashionable coquette alone in her boudoir. Because if a rural beauty wears clunky shoes and is shallow enough, it’s surprising how much her thought processes can mirror those of a lady in society and crinolines, who cleverly navigates the art of making mistakes without tarnishing her reputation. Perhaps the similarity was heightened by Hetty feeling quite unhappy the entire time. Parting with Arthur was a dual pain for her—mixed with the chaos of passion and vanity was a vague, undefined fear that the future might turn out to be completely unlike her dreams. She clung to the comforting hopeful words Arthur had spoken during their last meeting—“I’ll come back at Christmas, and we’ll see what we can do.” She clung to the belief that he cared for her so much that he could never be happy without her; and she continued to relish her secret—that a great gentleman loved her—with proud satisfaction, seeing it as an advantage over all the other girls she knew. But the uncertainty of the future, the possibilities she couldn’t really define, began to weigh on her like the invisible pressure of air; she felt isolated on her little island of dreams, surrounded by the dark, unknown waters where Arthur had gone. She could find no joy by looking ahead but only by looking back to build her confidence on past words and affection. However, since Thursday evening, her vague worries had almost faded behind the clearer fear that Adam might reveal what he knew to her uncle and aunt, and his unexpected suggestion to talk with her alone had set her mind working in a different direction. She was determined not to miss this evening’s chance; and after tea, when the boys were heading into the garden and Totty asked to join them, Hetty said, with an eagerness that surprised Mrs. Poyser, “I’ll go with her, Aunt.”
It did not seem at all surprising that Adam said he would go too, and soon he and Hetty were left alone together on the walk by the filbert-trees, while the boys were busy elsewhere gathering the large unripe nuts to play at “cob-nut” with, and Totty was watching them with a puppylike air of contemplation. It was but a short time—hardly two months—since Adam had had his mind filled with delicious hopes as he stood by Hetty’s side in this garden. The remembrance of that scene had often been with him since Thursday evening: the sunlight through the apple-tree boughs, the red bunches, Hetty’s sweet blush. It came importunately now, on this sad evening, with the low-hanging clouds, but he tried to suppress it, lest some emotion should impel him to say more than was needful for Hetty’s sake.
It wasn’t surprising at all when Adam said he would go too, and soon he and Hetty were left alone on the path by the hazelnut trees, while the boys were busy elsewhere gathering the large unripe nuts to play “cob-nut” with, and Totty was watching them with a curious, puppy-like look. It had only been a short time—hardly two months—since Adam had been filled with sweet hopes as he stood by Hetty’s side in this garden. The memory of that moment had often stayed with him since Thursday evening: the sunlight filtering through the apple tree branches, the red clusters, Hetty’s lovely blush. It came back to him insistently now, on this sad evening with the low-hanging clouds, but he tried to push it down, afraid that some feeling might lead him to say more than was necessary for Hetty’s sake.
“After what I saw on Thursday night, Hetty,” he began, “you won’t think me making too free in what I’m going to say. If you was being courted by any man as ’ud make you his wife, and I’d known you was fond of him and meant to have him, I should have no right to speak a word to you about it; but when I see you’re being made love to by a gentleman as can never marry you, and doesna think o’ marrying you, I feel bound t’ interfere for you. I can’t speak about it to them as are i’ the place o’ your parents, for that might bring worse trouble than’s needful.”
“After what I saw on Thursday night, Hetty,” he started, “you won’t think I’m being too forward in what I'm about to say. If you were being courted by a man who wanted to marry you, and I knew you liked him and planned to be with him, I wouldn’t have any right to say anything. But when I see you being pursued by a gentleman who can never marry you and doesn’t even consider marrying you, I feel it’s my responsibility to step in for you. I can’t talk to your parents about it, because that might lead to more trouble than necessary.”
Adam’s words relieved one of Hetty’s fears, but they also carried a meaning which sickened her with a strengthened foreboding. She was pale and trembling, and yet she would have angrily contradicted Adam, if she had dared to betray her feelings. But she was silent.
Adam's words eased one of Hetty's fears, but they also had a meaning that made her feel even more uneasy. She was pale and shaking, and even though she wanted to angrily argue with Adam, she couldn’t bring herself to show her true feelings. So, she stayed quiet.
“You’re so young, you know, Hetty,” he went on, almost tenderly, “and y’ haven’t seen much o’ what goes on in the world. It’s right for me to do what I can to save you from getting into trouble for want o’ your knowing where you’re being led to. If anybody besides me knew what I know about your meeting a gentleman and having fine presents from him, they’d speak light on you, and you’d lose your character. And besides that, you’ll have to suffer in your feelings, wi’ giving your love to a man as can never marry you, so as he might take care of you all your life.”
“You’re so young, you know, Hetty,” he continued, almost gently, “and you haven’t seen much of what happens in the world. It’s important for me to do what I can to protect you from getting into trouble because you don’t realize where you’re being led. If anyone other than me knew what I know about you meeting a gentleman and receiving nice gifts from him, they’d think poorly of you, and you’d ruin your reputation. Also, you’ll end up hurt emotionally, giving your love to a man who can never marry you, just so he might take care of you for the rest of your life.”
Adam paused and looked at Hetty, who was plucking the leaves from the filbert-trees and tearing them up in her hand. Her little plans and preconcerted speeches had all forsaken her, like an ill-learnt lesson, under the terrible agitation produced by Adam’s words. There was a cruel force in their calm certainty which threatened to grapple and crush her flimsy hopes and fancies. She wanted to resist them—she wanted to throw them off with angry contradiction—but the determination to conceal what she felt still governed her. It was nothing more than a blind prompting now, for she was unable to calculate the effect of her words.
Adam paused and looked at Hetty, who was picking leaves from the filbert trees and tearing them apart in her hand. All her little plans and rehearsed speeches had vanished, like a poorly learned lesson, under the intense stress caused by Adam’s words. There was a harsh power in their calm certainty that threatened to crush her fragile hopes and dreams. She wanted to fight back—she wanted to reject them with angry denials—but the urge to hide what she felt still controlled her. It was just a blind instinct at this point, as she couldn't anticipate the impact of her words.
“You’ve no right to say as I love him,” she said, faintly, but impetuously, plucking another rough leaf and tearing it up. She was very beautiful in her paleness and agitation, with her dark childish eyes dilated and her breath shorter than usual. Adam’s heart yearned over her as he looked at her. Ah, if he could but comfort her, and soothe her, and save her from this pain; if he had but some sort of strength that would enable him to rescue her poor troubled mind, as he would have rescued her body in the face of all danger!
“You have no right to say that I love him,” she said weakly but passionately, plucking another rough leaf and tearing it apart. She was stunning in her paleness and agitation, with her dark, innocent eyes wide and her breath shorter than usual. Adam’s heart ached for her as he looked at her. Oh, if only he could comfort her, soothe her, and save her from this pain; if only he had some kind of strength that would allow him to rescue her troubled mind, just as he would have saved her body from any danger!
“I doubt it must be so, Hetty,” he said, tenderly; “for I canna believe you’d let any man kiss you by yourselves, and give you a gold box with his hair, and go a-walking i’ the Grove to meet him, if you didna love him. I’m not blaming you, for I know it ’ud begin by little and little, till at last you’d not be able to throw it off. It’s him I blame for stealing your love i’ that way, when he knew he could never make you the right amends. He’s been trifling with you, and making a plaything of you, and caring nothing about you as a man ought to care.”
“I doubt that's true, Hetty,” he said gently; “because I can't believe you would let any man kiss you alone, give you a gold box with his hair in it, and go for walks in the Grove to meet him if you didn't love him. I'm not blaming you, because I know it starts small and eventually you wouldn't be able to let it go. I blame him for taking your love like that, knowing he could never truly make it right. He's been playing with you, treating you like a toy, and not caring about you the way a man should.”
“Yes, he does care for me; I know better nor you,” Hetty burst out. Everything was forgotten but the pain and anger she felt at Adam’s words.
“Yes, he does care for me; I know better than you,” Hetty exclaimed. Everything else was forgotten except the pain and anger she felt at Adam’s words.
“Nay, Hetty,” said Adam, “if he’d cared for you rightly, he’d never ha’ behaved so. He told me himself he meant nothing by his kissing and presents, and he wanted to make me believe as you thought light of ’em too. But I know better nor that. I can’t help thinking as you’ve been trusting to his loving you well enough to marry you, for all he’s a gentleman. And that’s why I must speak to you about it, Hetty, for fear you should be deceiving yourself. It’s never entered his head the thought o’ marrying you.”
“No, Hetty,” said Adam, “if he truly cared for you, he wouldn't have acted that way. He told me himself he didn’t mean anything by his kisses and gifts, and he wanted me to believe that you didn’t care about them either. But I know better than that. I can’t help but think you’ve been hoping that he loves you enough to marry you, just because he’s a gentleman. And that’s why I need to talk to you about it, Hetty, in case you’re deceiving yourself. The thought of marrying you has never crossed his mind.”
“How do you know? How durst you say so?” said Hetty, pausing in her walk and trembling. The terrible decision of Adam’s tone shook her with fear. She had no presence of mind left for the reflection that Arthur would have his reasons for not telling the truth to Adam. Her words and look were enough to determine Adam: he must give her the letter.
“How do you know? How dare you say that?” Hetty said, stopping in her tracks and shaking. The harshness of Adam’s tone filled her with fear. She couldn't think straight enough to realize that Arthur might have his reasons for not being honest with Adam. Her words and expression were enough to make Adam decide: he had to give her the letter.
“Perhaps you can’t believe me, Hetty, because you think too well of him—because you think he loves you better than he does. But I’ve got a letter i’ my pocket, as he wrote himself for me to give you. I’ve not read the letter, but he says he’s told you the truth in it. But before I give you the letter, consider, Hetty, and don’t let it take too much hold on you. It wouldna ha’ been good for you if he’d wanted to do such a mad thing as marry you: it ’ud ha’ led to no happiness i’ th’ end.”
“Maybe you can’t believe me, Hetty, because you think too highly of him—because you believe he loves you more than he really does. But I have a letter in my pocket, which he wrote for me to give to you. I haven’t read the letter, but he says he’s told you the truth in it. But before I give you the letter, think about it, Hetty, and don’t let it affect you too much. It wouldn’t have been good for you if he wanted to do something crazy like marry you: it would not have led to any happiness in the end.”
Hetty said nothing; she felt a revival of hope at the mention of a letter which Adam had not read. There would be something quite different in it from what he thought.
Hetty said nothing; she felt a surge of hope at the mention of a letter that Adam hadn’t read. There would be something entirely different in it from what he thought.
Adam took out the letter, but he held it in his hand still, while he said, in a tone of tender entreaty, “Don’t you bear me ill will, Hetty, because I’m the means o’ bringing you this pain. God knows I’d ha’ borne a good deal worse for the sake o’ sparing it you. And think—there’s nobody but me knows about this, and I’ll take care of you as if I was your brother. You’re the same as ever to me, for I don’t believe you’ve done any wrong knowingly.”
Adam took out the letter, but he kept it in his hand while he said, in a tone of gentle pleading, “Please don’t hold any resentment against me, Hetty, just because I’m the one bringing you this pain. God knows I would have endured much worse to spare you from it. And think about it—no one else knows about this, and I’ll look after you like I’m your brother. You mean just as much to me as before, because I truly believe you haven’t done anything wrong on purpose.”
Hetty had laid her hand on the letter, but Adam did not loose it till he had done speaking. She took no notice of what he said—she had not listened; but when he loosed the letter, she put it into her pocket, without opening it, and then began to walk more quickly, as if she wanted to go in.
Hetty had placed her hand on the letter, but Adam didn't let it go until he finished speaking. She paid no attention to what he said—she hadn't listened; but when he finally released the letter, she slipped it into her pocket without opening it and then started to walk faster, as if she wanted to go inside.
“You’re in the right not to read it just yet,” said Adam. “Read it when you’re by yourself. But stay out a little bit longer, and let us call the children: you look so white and ill, your aunt may take notice of it.”
“You're totally okay not to read it just yet,” said Adam. “Read it when you're alone. But hang out a little longer, and let us call the kids: you look so pale and sick, your aunt might notice.”
Hetty heard the warning. It recalled to her the necessity of rallying her native powers of concealment, which had half given way under the shock of Adam’s words. And she had the letter in her pocket: she was sure there was comfort in that letter in spite of Adam. She ran to find Totty, and soon reappeared with recovered colour, leading Totty, who was making a sour face because she had been obliged to throw away an unripe apple that she had set her small teeth in.
Hetty heard the warning. It reminded her of the need to gather her natural ability to hide her feelings, which had almost faltered after Adam’s words. And she had the letter in her pocket: she was sure there was reassurance in that letter despite Adam. She ran to find Totty and soon came back, looking better, leading Totty, who was making a grimace because she had to throw away an unripe apple she had bitten into.
“Hegh, Totty,” said Adam, “come and ride on my shoulder—ever so high—you’ll touch the tops o’ the trees.”
“Hegh, Totty,” said Adam, “come and ride on my shoulder—really high—you’ll touch the tops of the trees.”
What little child ever refused to be comforted by that glorious sense of being seized strongly and swung upward? I don’t believe Ganymede cried when the eagle carried him away, and perhaps deposited him on Jove’s shoulder at the end. Totty smiled down complacently from her secure height, and pleasant was the sight to the mother’s eyes, as she stood at the house door and saw Adam coming with his small burden.
What little kid would ever say no to the amazing feeling of being grabbed up and swung into the air? I doubt Ganymede cried when the eagle took him away and maybe dropped him on Jove's shoulder later. Totty grinned down happily from her safe spot, and it was a nice sight for the mother as she stood at the front door watching Adam come back with his small load.
“Bless your sweet face, my pet,” she said, the mother’s strong love filling her keen eyes with mildness, as Totty leaned forward and put out her arms. She had no eyes for Hetty at that moment, and only said, without looking at her, “You go and draw some ale, Hetty; the gells are both at the cheese.”
“Bless your sweet face, my dear,” she said, her love as a mother softening her sharp eyes as Totty leaned in and reached out her arms. She didn’t even notice Hetty right then and simply said, without looking at her, “You go and get some ale, Hetty; the girls are both at the cheese.”
After the ale had been drawn and her uncle’s pipe lighted, there was Totty to be taken to bed, and brought down again in her night-gown because she would cry instead of going to sleep. Then there was supper to be got ready, and Hetty must be continually in the way to give help. Adam stayed till he knew Mrs. Poyser expected him to go, engaging her and her husband in talk as constantly as he could, for the sake of leaving Hetty more at ease. He lingered, because he wanted to see her safely through that evening, and he was delighted to find how much self-command she showed. He knew she had not had time to read the letter, but he did not know she was buoyed up by a secret hope that the letter would contradict everything he had said. It was hard work for him to leave her—hard to think that he should not know for days how she was bearing her trouble. But he must go at last, and all he could do was to press her hand gently as he said “Good-bye,” and hope she would take that as a sign that if his love could ever be a refuge for her, it was there the same as ever. How busy his thoughts were, as he walked home, in devising pitying excuses for her folly, in referring all her weakness to the sweet lovingness of her nature, in blaming Arthur, with less and less inclination to admit that his conduct might be extenuated too! His exasperation at Hetty’s suffering—and also at the sense that she was possibly thrust for ever out of his own reach—deafened him to any plea for the miscalled friend who had wrought this misery. Adam was a clear-sighted, fair-minded man—a fine fellow, indeed, morally as well as physically. But if Aristides the Just was ever in love and jealous, he was at that moment not perfectly magnanimous. And I cannot pretend that Adam, in these painful days, felt nothing but righteous indignation and loving pity. He was bitterly jealous, and in proportion as his love made him indulgent in his judgment of Hetty, the bitterness found a vent in his feeling towards Arthur.
After the beer was poured and her uncle's pipe was lit, it was time to take Totty to bed, only to bring her back down in her nightgown because she would cry instead of falling asleep. Then there was supper to prepare, and Hetty had to be in the way to help out. Adam stayed until he knew Mrs. Poyser expected him to leave, trying to engage her and her husband in conversation as much as possible to make Hetty feel more comfortable. He lingered because he wanted to make sure she got through that evening okay, and he was pleased to see how much self-control she showed. He knew she hadn’t had time to read the letter, but he didn’t realize she was holding onto a secret hope that the letter would contradict everything he had said. It was tough for him to leave her—it was hard to think he wouldn’t know for days how she was coping with her troubles. But he had to leave eventually, and all he could do was gently squeeze her hand as he said “Good-bye,” hoping she would understand that if his love could ever be a safe haven for her, it was still there, unchanged. His mind was racing as he walked home, coming up with sympathetic excuses for her mistakes, attributing all her weaknesses to the sweetness of her nature, and blaming Arthur, becoming less willing to admit that his actions might also be excusable! His frustration over Hetty's suffering—and the realization that she might be forever out of his reach—made him ignore any compassion for the so-called friend who had caused her pain. Adam was a clear-headed, fair-minded guy—a really good man, both morally and physically. But if Aristides the Just was ever in love and jealous, he certainly wasn't feeling magnanimous at that moment. And I can't pretend that during these painful days, Adam felt only righteous anger and loving compassion. He was deeply jealous, and as his love made him more forgiving in judging Hetty, that bitterness found an outlet in his feelings towards Arthur.
“Her head was allays likely to be turned,” he thought, “when a gentleman, with his fine manners, and fine clothes, and his white hands, and that way o’ talking gentlefolks have, came about her, making up to her in a bold way, as a man couldn’t do that was only her equal; and it’s much if she’ll ever like a common man now.” He could not help drawing his own hands out of his pocket and looking at them—at the hard palms and the broken finger-nails. “I’m a roughish fellow, altogether; I don’t know, now I come to think on’t, what there is much for a woman to like about me; and yet I might ha’ got another wife easy enough, if I hadn’t set my heart on her. But it’s little matter what other women think about me, if she can’t love me. She might ha’ loved me, perhaps, as likely as any other man—there’s nobody hereabouts as I’m afraid of, if he hadn’t come between us; but now I shall belike be hateful to her because I’m so different to him. And yet there’s no telling—she may turn round the other way, when she finds he’s made light of her all the while. She may come to feel the vally of a man as ’ud be thankful to be bound to her all his life. But I must put up with it whichever way it is—I’ve only to be thankful it’s been no worse. I am not th’ only man that’s got to do without much happiness i’ this life. There’s many a good bit o’ work done with a bad heart. It’s God’s will, and that’s enough for us: we shouldn’t know better how things ought to be than He does, I reckon, if we was to spend our lives i’ puzzling. But it ’ud ha’ gone near to spoil my work for me, if I’d seen her brought to sorrow and shame, and through the man as I’ve always been proud to think on. Since I’ve been spared that, I’ve no right to grumble. When a man’s got his limbs whole, he can bear a smart cut or two.”
“Her head was always likely to be turned,” he thought, “when a gentleman, with his polished manners, stylish clothes, and his delicate hands, and that smooth way of speaking that fancy people have, came around her, making advances in a way that a man who was just her equal couldn’t. It’s likely she’ll never like a regular guy now.” He couldn’t help taking his hands out of his pockets and looking at them—at the rough palms and the broken nails. “I’m a rough guy, all around; now that I think about it, I don’t know what there is for a woman to like about me; yet I could have easily found another wife if I hadn’t set my heart on her. But it doesn’t really matter what other women think of me if she can’t love me. She might have loved me, just as likely as any other man—there’s no one around here I’m afraid of, if he hadn’t come between us; but now I might end up being repulsive to her because I’m so different from him. And yet who knows—she might realize the truth when she sees he’s taken her for granted all along. She may come to appreciate a man who would be grateful to be committed to her for life. But I have to deal with it either way—I just have to be thankful it hasn’t been worse. I’m not the only man who has to go without much happiness in this life. A lot of good work gets done with a heavy heart. It’s God’s will, and that should be enough for us: we shouldn’t think we know better how things should be than He does, I guess, if we were to spend our lives trying to figure it out. But it would have almost ruined my work for me if I’d seen her brought to sorrow and shame, and by the man who I’ve always been proud to think of. Since I’ve been spared that, I have no right to complain. When a man’s got his body whole, he can tough it out through a few painful cuts.”
As Adam was getting over a stile at this point in his reflections, he perceived a man walking along the field before him. He knew it was Seth, returning from an evening preaching, and made haste to overtake him.
As Adam was climbing over a stile during his thoughts, he noticed a man walking across the field ahead of him. He recognized it was Seth, coming back from an evening sermon, and quickly hurried to catch up with him.
“I thought thee’dst be at home before me,” he said, as Seth turned round to wait for him, “for I’m later than usual to-night.”
“I thought you’d be home before me,” he said, as Seth turned around to wait for him, “because I’m later than usual tonight.”
“Well, I’m later too, for I got into talk, after meeting, with John Barnes, who has lately professed himself in a state of perfection, and I’d a question to ask him about his experience. It’s one o’ them subjects that lead you further than y’ expect—they don’t lie along the straight road.”
“Well, I’m late too because I started talking after the meeting with John Barnes, who recently claimed to be in a state of perfection, and I had a question to ask him about his experience. It’s one of those topics that takes you further than you expect—they don’t follow a straight path.”
They walked along together in silence two or three minutes. Adam was not inclined to enter into the subtleties of religious experience, but he was inclined to interchange a word or two of brotherly affection and confidence with Seth. That was a rare impulse in him, much as the brothers loved each other. They hardly ever spoke of personal matters, or uttered more than an allusion to their family troubles. Adam was by nature reserved in all matters of feeling, and Seth felt a certain timidity towards his more practical brother.
They walked together in silence for two or three minutes. Adam wasn’t inclined to get into the details of religious experiences, but he wanted to share a few words of brotherly affection and trust with Seth. That was a rare impulse for him, even though the brothers loved each other a lot. They rarely talked about personal issues or more than hinted at their family troubles. Adam was naturally reserved when it came to feelings, and Seth felt a bit shy around his more practical brother.
“Seth, lad,” Adam said, putting his arm on his brother’s shoulder, “hast heard anything from Dinah Morris since she went away?”
“Seth, buddy,” Adam said, putting his arm on his brother’s shoulder, “have you heard anything from Dinah Morris since she left?”
“Yes,” said Seth. “She told me I might write her word after a while, how we went on, and how mother bore up under her trouble. So I wrote to her a fortnight ago, and told her about thee having a new employment, and how Mother was more contented; and last Wednesday, when I called at the post at Treddles’on, I found a letter from her. I think thee’dst perhaps like to read it, but I didna say anything about it because thee’st seemed so full of other things. It’s quite easy t’ read—she writes wonderful for a woman.”
“Yes,” Seth said. “She told me I could update her on how things were going and how Mom was handling her struggles. So, I wrote to her two weeks ago and let her know about your new job and how Mom was feeling happier. Then last Wednesday, when I stopped by the post at Treddles’on, I found a letter from her. I thought you might like to read it, but I didn’t mention it since you seemed busy with other things. It’s really easy to read—she writes amazingly well for a woman.”
Seth had drawn the letter from his pocket and held it out to Adam, who said, as he took it, “Aye, lad, I’ve got a tough load to carry just now—thee mustna take it ill if I’m a bit silenter and crustier nor usual. Trouble doesna make me care the less for thee. I know we shall stick together to the last.”
Seth pulled the letter out of his pocket and handed it to Adam, who replied as he accepted it, “Yeah, buddy, I’ve got a heavy burden to bear right now—don’t take it personally if I’m a bit quieter and grumpier than usual. Trouble doesn’t change how much I care about you. I know we’ll stick together until the end.”
“I take nought ill o’ thee, Adam. I know well enough what it means if thee’t a bit short wi’ me now and then.”
"I don’t hold anything against you, Adam. I understand what it means when you’re a little short with me now and then."
“There’s Mother opening the door to look out for us,” said Adam, as they mounted the slope. “She’s been sitting i’ the dark as usual. Well, Gyp, well, art glad to see me?”
“There’s Mom opening the door to look out for us,” said Adam as they climbed the hill. “She’s been sitting in the dark as usual. Well, Gyp, are you glad to see me?”
Lisbeth went in again quickly and lighted a candle, for she had heard the welcome rustling of footsteps on the grass, before Gyp’s joyful bark.
Lisbeth quickly went back in and lit a candle because she heard the familiar sound of footsteps on the grass, followed by Gyp’s happy bark.
“Eh, my lads! Th’ hours war ne’er so long sin’ I war born as they’n been this blessed Sunday night. What can ye both ha’ been doin’ till this time?”
“Hey, guys! The hours have never felt so long since I was born as they have this blessed Sunday night. What could you both have been doing until now?”
“Thee shouldstna sit i’ the dark, Mother,” said Adam; “that makes the time seem longer.”
“Thee shouldn't sit in the dark, Mother,” Adam said; “that makes the time feel longer.”
“Eh, what am I to do wi’ burnin’ candle of a Sunday, when there’s on’y me an’ it’s sin to do a bit o’ knittin’? The daylight’s long enough for me to stare i’ the booke as I canna read. It ’ud be a fine way o’ shortenin’ the time, to make it waste the good candle. But which on you’s for ha’in’ supper? Ye mun ayther be clemmed or full, I should think, seein’ what time o’ night it is.”
“Hey, what am I supposed to do with a burning candle on a Sunday when it’s just me and it’s a sin to do any knitting? The daylight lasts long enough for me to stare at the book since I can't read. It would be a great way to pass the time, but it feels wrong to waste the good candle. So, who’s up for having supper? You must either be starving or full, considering what time it is.”
“I’m hungry, Mother,” said Seth, seating himself at the little table, which had been spread ever since it was light.
“I’m hungry, Mom,” said Seth, sitting down at the little table that had been set since it got light.
“I’ve had my supper,” said Adam. “Here, Gyp,” he added, taking some cold potato from the table and rubbing the rough grey head that looked up towards him.
“I’ve had my dinner,” said Adam. “Here, Gyp,” he added, taking some cold potato from the table and rubbing the rough gray head that looked up at him.
“Thee needstna be gi’in’ th’ dog,” said Lisbeth; “I’n fed him well a’ready. I’m not like to forget him, I reckon, when he’s all o’ thee I can get sight on.”
“You don’t need to give the dog any more,” said Lisbeth. “I’ve fed him well already. I doubt I’ll forget him, I guess, when he’s all I can see of you.”
“Come, then, Gyp,” said Adam, “we’ll go to bed. Good-night, Mother; I’m very tired.”
“Come on, Gyp,” Adam said, “let's go to bed. Goodnight, Mom; I’m really tired.”
“What ails him, dost know?” Lisbeth said to Seth, when Adam was gone upstairs. “He’s like as if he was struck for death this day or two—he’s so cast down. I found him i’ the shop this forenoon, arter thee wast gone, a-sittin’ an’ doin’ nothin’—not so much as a booke afore him.”
“What’s wrong with him, do you know?” Lisbeth said to Seth, after Adam had gone upstairs. “He looks like he’s been hit hard, like he’s about to die—he’s so down. I found him in the shop this morning, after you had left, just sitting there doing nothing—not even a book in front of him.”
“He’s a deal o’ work upon him just now, Mother,” said Seth, “and I think he’s a bit troubled in his mind. Don’t you take notice of it, because it hurts him when you do. Be as kind to him as you can, Mother, and don’t say anything to vex him.”
“He’s a handful right now, Mom,” said Seth, “and I think he’s a little troubled. Don’t mention it, because it bothers him when you do. Be as kind to him as you can, Mom, and don’t say anything to upset him.”
“Eh, what dost talk o’ my vexin’ him? An’ what am I like to be but kind? I’ll ma’ him a kettle-cake for breakfast i’ the mornin’.”
“Eh, what are you talking about, me bothering him? And what am I supposed to be but kind? I’ll make him a kettle cake for breakfast in the morning.”
Adam, meanwhile, was reading Dinah’s letter by the light of his dip candle.
Adam was reading Dinah’s letter by the light of his candle.
DEAR BROTHER SETH—Your letter lay three days beyond my knowing of it at the post, for I had not money enough by me to pay the carriage, this being a time of great need and sickness here, with the rains that have fallen, as if the windows of heaven were opened again; and to lay by money, from day to day, in such a time, when there are so many in present need of all things, would be a want of trust like the laying up of the manna. I speak of this, because I would not have you think me slow to answer, or that I had small joy in your rejoicing at the worldly good that has befallen your brother Adam. The honour and love you bear him is nothing but meet, for God has given him great gifts, and he uses them as the patriarch Joseph did, who, when he was exalted to a place of power and trust, yet yearned with tenderness towards his parent and his younger brother.
DEAR BROTHER SETH—Your letter was sitting at the post for three days before I knew about it because I didn't have enough money to pay for the postage. We're dealing with a tough time of sickness and need here, especially with the heavy rains pouring down, as if the heavens have opened up again. Saving money day by day during such a time, when so many are in urgent need of everything, feels like a lack of faith, just like hoarding the manna. I mention this because I don’t want you to think I’m slow to respond or that I don’t share in your joy over the good fortune that has come to your brother Adam. The honor and love you have for him are completely deserved, as God has blessed him with great talents, and he uses them just like the patriarch Joseph, who, despite being elevated to a position of power and trust, still cared deeply for his father and younger brother.
“My heart is knit to your aged mother since it was granted me to be near her in the day of trouble. Speak to her of me, and tell her I often bear her in my thoughts at evening time, when I am sitting in the dim light as I did with her, and we held one another’s hands, and I spoke the words of comfort that were given to me. Ah, that is a blessed time, isn’t it, Seth, when the outward light is fading, and the body is a little wearied with its work and its labour. Then the inward light shines the brighter, and we have a deeper sense of resting on the Divine strength. I sit on my chair in the dark room and close my eyes, and it is as if I was out of the body and could feel no want for evermore. For then, the very hardship, and the sorrow, and the blindness, and the sin I have beheld and been ready to weep over—yea, all the anguish of the children of men, which sometimes wraps me round like sudden darkness—I can bear with a willing pain, as if I was sharing the Redeemer’s cross. For I feel it, I feel it—infinite love is suffering too—yea, in the fulness of knowledge it suffers, it yearns, it mourns; and that is a blind self-seeking which wants to be freed from the sorrow wherewith the whole creation groaneth and travaileth. Surely it is not true blessedness to be free from sorrow, while there is sorrow and sin in the world: sorrow is then a part of love, and love does not seek to throw it off. It is not the spirit only that tells me this—I see it in the whole work and word of the Gospel. Is there not pleading in heaven? Is not the Man of Sorrows there in that crucified body wherewith he ascended? And is He not one with the Infinite Love itself—as our love is one with our sorrow?
"My heart is connected to your elderly mother since I have had the chance to be with her in her time of trouble. Please let her know that I often think of her in the evenings, when I'm sitting in the dim light like I did with her. We would hold hands, and I would say the comforting words that came to me. Ah, that's such a cherished moment, isn't it, Seth, when the outside light fades and the body feels a bit tired from its work and labor? Then the inner light shines even brighter, and we feel a deeper sense of resting in Divine strength. I sit in my chair in the dark room and close my eyes, as if I'm out of my body and will never feel want again. In that moment, the hardships, sorrows, blindness, and sins I've witnessed and been ready to weep over—all the anguish of humanity that sometimes surrounds me like sudden darkness—I can bear with a willing pain, as if I'm sharing in the Redeemer’s suffering. For I feel it, I really feel it—infinite love is suffering too. Yes, in the fullness of understanding, it suffers, it longs, it mourns; and wanting to be free from sorrow while the whole creation groans and struggles is a blind self-centeredness. Surely, true blessedness is not about being free from sorrow while there is still sorrow and sin in the world: sorrow becomes part of love, and love doesn't try to abandon it. It's not just the spirit that communicates this to me—I see it in the entirety of the Gospel's work and message. Is there not intercession in heaven? Is not the Man of Sorrows present there in that crucified body with which He ascended? And is He not united with Infinite Love itself—as our love is intertwined with our sorrow?"
“These thoughts have been much borne in on me of late, and I have seen with new clearness the meaning of those words, ‘If any man love me, let him take up my cross.’ I have heard this enlarged on as if it meant the troubles and persecutions we bring on ourselves by confessing Jesus. But surely that is a narrow thought. The true cross of the Redeemer was the sin and sorrow of this world—that was what lay heavy on his heart—and that is the cross we shall share with him, that is the cup we must drink of with him, if we would have any part in that Divine Love which is one with his sorrow.
“These thoughts have been weighing on me a lot lately, and I’ve come to see the meaning of those words, ‘If anyone loves me, let him take up my cross.’ I’ve heard this discussed as if it refers to the troubles and persecution we face for confessing Jesus. But that seems like a limited perspective. The true cross of the Redeemer was the sin and sorrow of this world—that was what weighed heavily on his heart—and that is the cross we will share with him, that is the cup we must drink from with him, if we want to be part of that Divine Love that is intertwined with his sorrow.
“In my outward lot, which you ask about, I have all things and abound. I have had constant work in the mill, though some of the other hands have been turned off for a time, and my body is greatly strengthened, so that I feel little weariness after long walking and speaking. What you say about staying in your own country with your mother and brother shows me that you have a true guidance; your lot is appointed there by a clear showing, and to seek a greater blessing elsewhere would be like laying a false offering on the altar and expecting the fire from heaven to kindle it. My work and my joy are here among the hills, and I sometimes think I cling too much to my life among the people here, and should be rebellious if I was called away.
“In my current situation, which you’re asking about, I have everything I need and more. I’ve had steady work at the mill, even though some of the other workers were let go for a while, and my body feels really strong, so I hardly get tired after long walks and talks. What you say about staying in your own country with your mother and brother shows me that you have good instincts; your path is clearly set there, and looking for something better elsewhere would be like placing a fake offering on the altar and hoping for fire from heaven to ignite it. My work and happiness are here among the hills, and sometimes I think I hold on to my life with these people a bit too tightly, and I’d be upset if I had to leave."
“I was thankful for your tidings about the dear friends at the Hall Farm, for though I sent them a letter, by my aunt’s desire, after I came back from my sojourn among them, I have had no word from them. My aunt has not the pen of a ready writer, and the work of the house is sufficient for the day, for she is weak in body. My heart cleaves to her and her children as the nearest of all to me in the flesh—yea, and to all in that house. I am carried away to them continually in my sleep, and often in the midst of work, and even of speech, the thought of them is borne in on me as if they were in need and trouble, which yet is dark to me. There may be some leading here; but I wait to be taught. You say they are all well.
“I was grateful for your news about our dear friends at the Hall Farm, because even though I sent them a letter at my aunt’s request after I returned from my visit, I haven’t heard back from them. My aunt isn’t a quick writer, and the household chores keep her busy since she’s not very strong. I feel a deep connection to her and her children as they are the closest to me in the flesh—indeed, to everyone in that house. I find myself thinking of them often, even in my sleep, and sometimes while I’m working, their presence weighs on my mind as if they are in need and facing troubles, though I can’t quite understand it. There might be some guidance in this; I'm just waiting to learn. You say they are all well.
“We shall see each other again in the body, I trust, though, it may be, not for a long while; for the brethren and sisters at Leeds are desirous to have me for a short space among them, when I have a door opened me again to leave Snowfield.
“We will see each other again in person, I hope, though it might not be for a long time; the brothers and sisters in Leeds want me to spend a little time with them when I have the chance to leave Snowfield again.”
“Farewell, dear brother—and yet not farewell. For those children of God whom it has been granted to see each other face to face, and to hold communion together, and to feel the same spirit working in both can never more be sundered though the hills may lie between. For their souls are enlarged for evermore by that union, and they bear one another about in their thoughts continually as it were a new strength.—Your faithful Sister and fellow-worker in Christ,
“Goodbye, dear brother—but not really goodbye. For those children of God who have been given the blessing to see each other face to face, to share in communion together, and to feel the same spirit at work in both can never truly be separated, even if mountains stand between them. Their souls grow forever from that bond, and they carry each other in their thoughts constantly as if it were a new strength.—Your faithful Sister and co-worker in Christ,
“DINAH MORRIS.”
“DINAH MORRIS.”
“I have not skill to write the words so small as you do and my pen moves slow. And so I am straitened, and say but little of what is in my mind. Greet your mother for me with a kiss. She asked me to kiss her twice when we parted.”
"I don't have the skill to write as small as you do, and my pen moves slowly. So, I'm limited in how much I can express what’s on my mind. Please give your mother a kiss for me. She asked me to kiss her twice when we said goodbye."
Adam had refolded the letter, and was sitting meditatively with his head resting on his arm at the head of the bed, when Seth came upstairs.
Adam had refolded the letter and was sitting thoughtfully with his head resting on his arm at the top of the bed when Seth came upstairs.
“Hast read the letter?” said Seth.
“Have you read the letter?” said Seth.
“Yes,” said Adam. “I don’t know what I should ha’ thought of her and her letter if I’d never seen her: I daresay I should ha’ thought a preaching woman hateful. But she’s one as makes everything seem right she says and does, and I seemed to see her and hear her speaking when I read the letter. It’s wonderful how I remember her looks and her voice. She’d make thee rare and happy, Seth; she’s just the woman for thee.”
“Yes,” said Adam. “I don’t know what I would have thought of her and her letter if I’d never met her: I guess I would have thought a preaching woman was annoying. But she’s someone who makes everything she says and does feel right, and I could almost see her and hear her speaking as I read the letter. It’s amazing how I remember her looks and her voice. She would make you really happy, Seth; she’s just the woman for you.”
“It’s no use thinking o’ that,” said Seth, despondingly. “She spoke so firm, and she’s not the woman to say one thing and mean another.”
“It’s no use thinking about that,” said Seth, feeling hopeless. “She spoke so confidently, and she’s not the kind of woman to say one thing and mean another.”
“Nay, but her feelings may grow different. A woman may get to love by degrees—the best fire dosna flare up the soonest. I’d have thee go and see her by and by: I’d make it convenient for thee to be away three or four days, and it ’ud be no walk for thee—only between twenty and thirty mile.”
“No, but her feelings might change. A woman can learn to love gradually—the best fire doesn’t flare up right away. I’d like you to go and see her soon: I can make it possible for you to be away for three or four days, and it wouldn’t be too far for you—only twenty to thirty miles.”
“I should like to see her again, whether or no, if she wouldna be displeased with me for going,” said Seth.
“I’d like to see her again, no matter what, even if she would be upset with me for going,” said Seth.
“She’ll be none displeased,” said Adam emphatically, getting up and throwing off his coat. “It might be a great happiness to us all if she’d have thee, for mother took to her so wonderful and seemed so contented to be with her.”
“She won’t be upset at all,” Adam said with emphasis, getting up and taking off his coat. “It could be a huge blessing for all of us if she accepted you, since our mother really liked her and seemed so happy to be around her.”
“Aye,” said Seth, rather timidly, “and Dinah’s fond o’ Hetty too; she thinks a deal about her.”
“Aye,” said Seth, a bit shyly, “and Dinah’s really fond of Hetty too; she cares a lot about her.”
Adam made no reply to that, and no other word but “good-night” passed between them.
Adam didn’t respond to that, and the only words exchanged between them were “good night.”
Chapter XXXI
In Hetty’s Bed-Chamber
It was no longer light enough to go to bed without a candle, even in Mrs. Poyser’s early household, and Hetty carried one with her as she went up at last to her bedroom soon after Adam was gone, and bolted the door behind her.
It was too dark to go to bed without a candle, even in Mrs. Poyser’s earlier household, and Hetty took one with her as she finally went up to her bedroom shortly after Adam left, locking the door behind her.
Now she would read her letter. It must—it must have comfort in it. How was Adam to know the truth? It was always likely he should say what he did say.
Now she would read her letter. It had to—there had to be comfort in it. How was Adam supposed to know the truth? It was only natural for him to say what he said.
She set down the candle and took out the letter. It had a faint scent of roses, which made her feel as if Arthur were close to her. She put it to her lips, and a rush of remembered sensations for a moment or two swept away all fear. But her heart began to flutter strangely, and her hands to tremble as she broke the seal. She read slowly; it was not easy for her to read a gentleman’s handwriting, though Arthur had taken pains to write plainly.
She set the candle down and took out the letter. It had a faint scent of roses, making her feel like Arthur was close to her. She pressed it to her lips, and for a moment, a wave of familiar feelings washed away all her fear. But her heart started to flutter strangely, and her hands shook as she broke the seal. She read slowly; it wasn’t easy for her to read a gentleman’s handwriting, even though Arthur had made an effort to write clearly.
“DEAREST HETTY—I have spoken truly when I have said that I loved you, and I shall never forget our love. I shall be your true friend as long as life lasts, and I hope to prove this to you in many ways. If I say anything to pain you in this letter, do not believe it is for want of love and tenderness towards you, for there is nothing I would not do for you, if I knew it to be really for your happiness. I cannot bear to think of my little Hetty shedding tears when I am not there to kiss them away; and if I followed only my own inclinations, I should be with her at this moment instead of writing. It is very hard for me to part from her—harder still for me to write words which may seem unkind, though they spring from the truest kindness.
“Dear Hetty—I've been honest when I said that I loved you, and I'll never forget our love. I’ll be your true friend for as long as I live, and I hope to show you this in many ways. If I say something in this letter that hurts you, don’t think it’s because I lack love and tenderness for you; there’s nothing I wouldn’t do for you if I knew it would truly make you happy. I can’t stand the thought of my little Hetty crying when I’m not there to wipe away her tears; and if I followed only my own desires, I would be with her right now instead of writing this. It’s very hard for me to be apart from her—it's even harder to write words that may seem unkind, even though they come from the deepest kindness.”
“Dear, dear Hetty, sweet as our love has been to me, sweet as it would be to me for you to love me always, I feel that it would have been better for us both if we had never had that happiness, and that it is my duty to ask you to love me and care for me as little as you can. The fault has all been mine, for though I have been unable to resist the longing to be near you, I have felt all the while that your affection for me might cause you grief. I ought to have resisted my feelings. I should have done so, if I had been a better fellow than I am; but now, since the past cannot be altered, I am bound to save you from any evil that I have power to prevent. And I feel it would be a great evil for you if your affections continued so fixed on me that you could think of no other man who might be able to make you happier by his love than I ever can, and if you continued to look towards something in the future which cannot possibly happen. For, dear Hetty, if I were to do what you one day spoke of, and make you my wife, I should do what you yourself would come to feel was for your misery instead of your welfare. I know you can never be happy except by marrying a man in your own station; and if I were to marry you now, I should only be adding to any wrong I have done, besides offending against my duty in the other relations of life. You know nothing, dear Hetty, of the world in which I must always live, and you would soon begin to dislike me, because there would be so little in which we should be alike.
“Dear, dear Hetty, as sweet as our love has been to me, and as wonderful as it would be for you to love me always, I think it would have been better for both of us if we had never experienced that happiness. It’s my responsibility to ask you to love me and care for me as little as you can. The fault is entirely mine; although I couldn’t resist the urge to be near you, I always felt that my affection for you might bring you sorrow. I should have pushed my feelings aside. I would have if I were a better person; but now, since we can’t change the past, I have to protect you from any harm I can prevent. I believe it would be a great harm to you if your feelings for me remained so strong that you couldn’t see any other man who might be able to make you happier with his love than I can, and if you continued to hope for a future that can’t possibly happen. Because, dear Hetty, if I were to do what you once mentioned and make you my wife, I would be doing something you would eventually realize causes you more unhappiness than good. I know you can only find true happiness by marrying someone from your own social class; and if I were to marry you now, I would only be adding to the mistakes I’ve made, while also failing in my duty to my other relationships in life. You don’t know anything, dear Hetty, about the world I have to live in, and you would quickly start to dislike me because there would be so little we would have in common.”
“And since I cannot marry you, we must part—we must try not to feel like lovers any more. I am miserable while I say this, but nothing else can be. Be angry with me, my sweet one, I deserve it; but do not believe that I shall not always care for you—always be grateful to you—always remember my Hetty; and if any trouble should come that we do not now foresee, trust in me to do everything that lies in my power.
“And since I can’t marry you, we have to say goodbye—we have to stop feeling like lovers. It makes me so unhappy to say this, but there’s no other way. Be mad at me, my dear, I deserve it; but don’t think that I won’t always care for you—always be grateful to you—always remember my Hetty; and if any trouble comes that we can’t foresee right now, trust that I’ll do everything I can to help.”
“I have told you where you are to direct a letter to, if you want to write, but I put it down below lest you should have forgotten. Do not write unless there is something I can really do for you; for, dear Hetty, we must try to think of each other as little as we can. Forgive me, and try to forget everything about me, except that I shall be, as long as I live, your affectionate friend,
“I’ve shared the address for you to send a letter, in case you want to write, but I’ve noted it again below just in case you forgot. Please don’t write unless there’s something I can genuinely help you with; because, dear Hetty, we need to try to think of each other as little as possible. Forgive me, and try to forget everything about me, except that I will always be, as long as I live, your caring friend.
“ARTHUR DONNITHORNE.”
“ARTHUR DONNITHORNE.”
Slowly Hetty had read this letter; and when she looked up from it there was the reflection of a blanched face in the old dim glass—a white marble face with rounded childish forms, but with something sadder than a child’s pain in it. Hetty did not see the face—she saw nothing—she only felt that she was cold and sick and trembling. The letter shook and rustled in her hand. She laid it down. It was a horrible sensation—this cold and trembling. It swept away the very ideas that produced it, and Hetty got up to reach a warm cloak from her clothes-press, wrapped it round her, and sat as if she were thinking of nothing but getting warm. Presently she took up the letter with a firmer hand, and began to read it through again. The tears came this time—great rushing tears that blinded her and blotched the paper. She felt nothing but that Arthur was cruel—cruel to write so, cruel not to marry her. Reasons why he could not marry her had no existence for her mind; how could she believe in any misery that could come to her from the fulfilment of all she had been longing for and dreaming of? She had not the ideas that could make up the notion of that misery.
Slowly, Hetty read the letter, and when she looked up from it, she saw a pale reflection in the old, dim glass—a white marble face with soft, childlike features, but with something sadder than a child's pain in it. Hetty didn't notice the face—she saw nothing—she just felt cold, sick, and trembling. The letter shook and rustled in her hand. She put it down. The chill and tremors were a horrible sensation. They wiped away the very thoughts that caused them. Hetty stood up to grab a warm cloak from her clothes-press, wrapped it around herself, and sat there as if her only concern was to get warm. After a moment, she picked up the letter with a steadier hand and started reading it again. Tears came this time—big, rushing tears that blinded her and soaked the paper. All she felt was that Arthur was cruel—cruel to write like that, cruel not to marry her. The reasons he couldn't marry her didn't register in her mind; how could she believe in any suffering that could come from fulfilling everything she had been longing for and dreaming about? She lacked the understanding to conceive of that kind of misery.
As she threw down the letter again, she caught sight of her face in the glass; it was reddened now, and wet with tears; it was almost like a companion that she might complain to—that would pity her. She leaned forward on her elbows, and looked into those dark overflooding eyes and at the quivering mouth, and saw how the tears came thicker and thicker, and how the mouth became convulsed with sobs.
As she tossed the letter down again, she noticed her reflection in the glass; her face was flushed and wet with tears, almost like a friend she could confide in—one that would sympathize with her. She leaned in on her elbows, gazing into those dark, overflowing eyes and the trembling mouth, watching as the tears flowed more and more, and how her mouth twisted with sobs.
The shattering of all her little dream-world, the crushing blow on her new-born passion, afflicted her pleasure-craving nature with an overpowering pain that annihilated all impulse to resistance, and suspended her anger. She sat sobbing till the candle went out, and then, wearied, aching, stupefied with crying, threw herself on the bed without undressing and went to sleep.
The destruction of all her little dreams, the harsh blow to her newly found passion, left her desire for pleasure filled with a deep pain that wiped out any urge to fight back and put her anger on hold. She sat there crying until the candle burned out, and then, exhausted, aching, and dazed from all the tears, she collapsed onto the bed without changing and fell asleep.
There was a feeble dawn in the room when Hetty awoke, a little after four o’clock, with a sense of dull misery, the cause of which broke upon her gradually as she began to discern the objects round her in the dim light. And then came the frightening thought that she had to conceal her misery as well as to bear it, in this dreary daylight that was coming. She could lie no longer. She got up and went towards the table: there lay the letter. She opened her treasure-drawer: there lay the ear-rings and the locket—the signs of all her short happiness—the signs of the lifelong dreariness that was to follow it. Looking at the little trinkets which she had once eyed and fingered so fondly as the earnest of her future paradise of finery, she lived back in the moments when they had been given to her with such tender caresses, such strangely pretty words, such glowing looks, which filled her with a bewildering delicious surprise—they were so much sweeter than she had thought anything could be. And the Arthur who had spoken to her and looked at her in this way, who was present with her now—whose arm she felt round her, his cheek against hers, his very breath upon her—was the cruel, cruel Arthur who had written that letter, that letter which she snatched and crushed and then opened again, that she might read it once more. The half-benumbed mental condition which was the effect of the last night’s violent crying made it necessary to her to look again and see if her wretched thoughts were actually true—if the letter was really so cruel. She had to hold it close to the window, else she could not have read it by the faint light. Yes! It was worse—it was more cruel. She crushed it up again in anger. She hated the writer of that letter—hated him for the very reason that she hung upon him with all her love—all the girlish passion and vanity that made up her love.
There was a weak dawn in the room when Hetty woke up a little after four o’clock, feeling a dull misery, the cause of which slowly came to her as she started to see the objects around her in the dim light. Then came the terrifying thought that she had to hide her misery as well as endure it, in this bleak daylight that was approaching. She couldn’t lie still any longer. She got up and walked to the table: there lay the letter. She opened her drawer of treasures: there were the earrings and the locket—symbols of all her brief happiness—symbols of the endless gloom that would follow. Looking at the little jewelry she had once cherished so dearly as a promise of her future paradise of luxury, she relived the moments when they were given to her with such loving touches, such oddly beautiful words, such glowing looks that filled her with a dizzying delight—they were so much sweeter than she had thought anything could be. And the Arthur who had talked to her and looked at her this way, who was there with her now—whose arm she felt around her, his cheek against hers, his very breath upon her—was the cruel, cruel Arthur who had written that letter, that letter which she grabbed and crushed and then opened again to read once more. The half-stunned mental state from last night’s intense crying forced her to check again to see if her miserable thoughts were really true—if the letter was indeed so harsh. She had to hold it up close to the window, or else she wouldn’t have been able to read it in the faint light. Yes! It was worse—it was even more cruel. She crumpled it up again in anger. She hated the writer of that letter—hated him for the very reason that she loved him with all her heart—all the youthful passion and vanity that defined her love.
She had no tears this morning. She had wept them all away last night, and now she felt that dry-eyed morning misery, which is worse than the first shock because it has the future in it as well as the present. Every morning to come, as far as her imagination could stretch, she would have to get up and feel that the day would have no joy for her. For there is no despair so absolute as that which comes with the first moments of our first great sorrow, when we have not yet known what it is to have suffered and be healed, to have despaired and to have recovered hope. As Hetty began languidly to take off the clothes she had worn all the night, that she might wash herself and brush her hair, she had a sickening sense that her life would go on in this way. She should always be doing things she had no pleasure in, getting up to the old tasks of work, seeing people she cared nothing about, going to church, and to Treddleston, and to tea with Mrs. Best, and carrying no happy thought with her. For her short poisonous delights had spoiled for ever all the little joys that had once made the sweetness of her life—the new frock ready for Treddleston Fair, the party at Mr. Britton’s at Broxton wake, the beaux that she would say “No” to for a long while, and the prospect of the wedding that was to come at last when she would have a silk gown and a great many clothes all at once. These things were all flat and dreary to her now; everything would be a weariness, and she would carry about for ever a hopeless thirst and longing.
She had no tears this morning. She had cried them all out last night, and now she felt that dry-eyed morning misery, which is worse than the initial shock because it carries both the present and a bleak future. For every morning that lay ahead, as far as she could imagine, she would wake up knowing that the day would bring her no joy. There is no despair as complete as that which hits in the early moments of our first deep sorrow, when we haven't yet experienced suffering and healing, despair and the rediscovery of hope. As Hetty slowly started to take off the clothes she had worn all night, preparing to wash herself and brush her hair, she felt a sickening sense that her life would continue like this. She would always be doing things she took no pleasure in, getting up to face the same old tasks, seeing people she didn’t care about, going to church, heading to Treddleston, having tea with Mrs. Best, all without a single happy thought to carry with her. Her fleeting, toxic pleasures had forever ruined the small joys that once sweetened her life—like the new dress for Treddleston Fair, the party at Mr. Britton’s during Broxton wake, the suitors she would turn down for ages, and the upcoming wedding when she would finally get a silk gown and an array of clothes all at once. Those things felt flat and dreary to her now; everything would be a drag, and she’d carry a hopeless thirst and longing forever.
She paused in the midst of her languid undressing and leaned against the dark old clothes-press. Her neck and arms were bare, her hair hung down in delicate rings—and they were just as beautiful as they were that night two months ago, when she walked up and down this bed-chamber glowing with vanity and hope. She was not thinking of her neck and arms now; even her own beauty was indifferent to her. Her eyes wandered sadly over the dull old chamber, and then looked out vacantly towards the growing dawn. Did a remembrance of Dinah come across her mind? Of her foreboding words, which had made her angry? Of Dinah’s affectionate entreaty to think of her as a friend in trouble? No, the impression had been too slight to recur. Any affection or comfort Dinah could have given her would have been as indifferent to Hetty this morning as everything else was except her bruised passion. She was only thinking she could never stay here and go on with the old life—she could better bear something quite new than sinking back into the old everyday round. She would like to run away that very morning, and never see any of the old faces again. But Hetty’s was not a nature to face difficulties—to dare to loose her hold on the familiar and rush blindly on some unknown condition. Hers was a luxurious and vain nature—not a passionate one—and if she were ever to take any violent measure, she must be urged to it by the desperation of terror. There was not much room for her thoughts to travel in the narrow circle of her imagination, and she soon fixed on the one thing she would do to get away from her old life: she would ask her uncle to let her go to be a lady’s maid. Miss Lydia’s maid would help her to get a situation, if she knew Hetty had her uncle’s leave.
She paused in the middle of her slow undressing and leaned against the dark old wardrobe. Her neck and arms were bare, her hair fell in soft curls—and she looked just as beautiful as she had two months ago, when she walked around this bedroom glowing with vanity and hope. She wasn’t thinking about her neck and arms now; even her own beauty felt unimportant to her. Her eyes wandered sadly over the dull old room, then looked out blankly towards the growing dawn. Did a memory of Dinah come to her mind? Of her ominous words that had made her angry? Of Dinah’s heartfelt plea to think of her as a friend in need? No, the impression had been too faint to come back. Any affection or comfort Dinah could have offered her felt just as unimportant to Hetty this morning as everything else, except for her aching heart. She could only think that she could never stay here and continue with the old life—she would prefer to face something completely new rather than slip back into the same old routine. She wanted to run away that very morning and never see any of the familiar faces again. But Hetty wasn’t the kind of person who could face difficulties—she couldn’t dare to let go of what she knew and rush blindly into the unknown. She had a luxurious and vain nature—not a passionate one—and if she ever took a drastic step, it would have to be pushed by the desperation of fear. There wasn’t much space for her thoughts to expand in the narrow scope of her imagination, and she soon settled on one thing she could do to escape her old life: she would ask her uncle if she could become a lady’s maid. Miss Lydia’s maid would help her find a job if she knew Hetty had her uncle’s permission.
When she had thought of this, she fastened up her hair and began to wash: it seemed more possible to her to go downstairs and try to behave as usual. She would ask her uncle this very day. On Hetty’s blooming health it would take a great deal of such mental suffering as hers to leave any deep impress; and when she was dressed as neatly as usual in her working-dress, with her hair tucked up under her little cap, an indifferent observer would have been more struck with the young roundness of her cheek and neck and the darkness of her eyes and eyelashes than with any signs of sadness about her. But when she took up the crushed letter and put it in her drawer, that she might lock it out of sight, hard smarting tears, having no relief in them as the great drops had that fell last night, forced their way into her eyes. She wiped them away quickly: she must not cry in the day-time. Nobody should find out how miserable she was, nobody should know she was disappointed about anything; and the thought that the eyes of her aunt and uncle would be upon her gave her the self-command which often accompanies a great dread. For Hetty looked out from her secret misery towards the possibility of their ever knowing what had happened, as the sick and weary prisoner might think of the possible pillory. They would think her conduct shameful, and shame was torture. That was poor little Hetty’s conscience.
When she thought about this, she tied up her hair and started to wash; it felt more realistic to go downstairs and act like everything was normal. She would ask her uncle today. Hetty’s vibrant health would take a lot of mental suffering to leave any lasting mark on her; and when she was dressed neatly in her work clothes, with her hair tucked under her little cap, a casual observer would notice more the youthful roundness of her cheeks and neck and the darkness of her eyes and eyelashes than any signs of sadness. But when she picked up the crumpled letter and put it in her drawer to lock it away, tears that stung her eyes, without any relief like the big drops that fell last night, pushed their way out. She quickly wiped them away: she couldn’t cry during the day. No one should find out how miserable she was, no one should know she was disappointed about anything; and the thought of her aunt’s and uncle's eyes on her gave her the self-control that often comes with great fear. For Hetty looked out from her hidden misery at the possibility of them ever knowing what had happened, like a sick and weary prisoner might think of the potential punishment. They would think her actions were shameful, and shame was torture. That was poor little Hetty’s conscience.
So she locked up her drawer and went away to her early work.
So she locked her drawer and went off to her morning shift.
In the evening, when Mr. Poyser was smoking his pipe, and his good-nature was therefore at its superlative moment, Hetty seized the opportunity of her aunt’s absence to say, “Uncle, I wish you’d let me go for a lady’s maid.”
In the evening, when Mr. Poyser was smoking his pipe and his mood was at its best, Hetty took the chance of her aunt not being there to say, “Uncle, I wish you would let me get a lady’s maid.”
Mr. Poyser took the pipe from his mouth and looked at Hetty in mild surprise for some moments. She was sewing, and went on with her work industriously.
Mr. Poyser took the pipe from his mouth and looked at Hetty in mild surprise for a few moments. She was sewing and continued with her work diligently.
“Why, what’s put that into your head, my wench?” he said at last, after he had given one conservative puff.
“Why, what’s gotten into your head, my girl?” he said finally, after taking a cautious puff.
“I should like it—I should like it better than farm-work.”
“I would like it—I would like it more than farm work.”
“Nay, nay; you fancy so because you donna know it, my wench. It wouldn’t be half so good for your health, nor for your luck i’ life. I’d like you to stay wi’ us till you’ve got a good husband: you’re my own niece, and I wouldn’t have you go to service, though it was a gentleman’s house, as long as I’ve got a home for you.”
“No, no; you think that way because you don’t know any better, my girl. It wouldn’t be good for your health or your luck in life. I want you to stay with us until you find a good husband: you’re my own niece, and I wouldn’t want you to go work as a servant, even if it was for a gentleman, as long as I have a home for you.”
Mr. Poyser paused, and puffed away at his pipe.
Mr. Poyser paused and took a drag from his pipe.
“I like the needlework,” said Hetty, “and I should get good wages.”
“I like sewing,” said Hetty, “and I’d earn a good salary.”
“Has your aunt been a bit sharp wi’ you?” said Mr. Poyser, not noticing Hetty’s further argument. “You mustna mind that, my wench—she does it for your good. She wishes you well; an’ there isn’t many aunts as are no kin to you ’ud ha’ done by you as she has.”
“Has your aunt been a little harsh with you?” said Mr. Poyser, not paying attention to Hetty’s continued argument. “You shouldn’t take it personally, my dear—she does it for your benefit. She wants the best for you; and there aren’t many aunts who aren’t related to you that would have treated you like she has.”
“No, it isn’t my aunt,” said Hetty, “but I should like the work better.”
“No, it’s not my aunt,” said Hetty, “but I would prefer the job.”
“It was all very well for you to learn the work a bit—an’ I gev my consent to that fast enough, sin’ Mrs. Pomfret was willing to teach you. For if anything was t’ happen, it’s well to know how to turn your hand to different sorts o’ things. But I niver meant you to go to service, my wench; my family’s ate their own bread and cheese as fur back as anybody knows, hanna they, Father? You wouldna like your grand-child to take wage?”
“It was fine for you to learn the work a little—I agreed to that since Mrs. Pomfret was willing to teach you. If something were to happen, it’s good to know how to handle different kinds of tasks. But I never meant for you to be in service, my girl; my family has made their own living for as long as anyone can remember, haven’t they, Father? Would you like your grandchild to earn a wage?”
“Na-a-y,” said old Martin, with an elongation of the word, meant to make it bitter as well as negative, while he leaned forward and looked down on the floor. “But the wench takes arter her mother. I’d hard work t’ hould her in, an’ she married i’ spite o’ me—a feller wi’ on’y two head o’ stock when there should ha’ been ten on’s farm—she might well die o’ th’ inflammation afore she war thirty.”
“Na-a-y,” said old Martin, stretching the word to make it sound bitter as well as negative, while he leaned forward and looked down at the floor. “But the girl takes after her mother. I had a tough time keeping her in, and she got married despite me—a guy with only two heads of livestock when there should have been ten on the farm—she might well die of the inflammation before she turns thirty.”
It was seldom the old man made so long a speech, but his son’s question had fallen like a bit of dry fuel on the embers of a long unextinguished resentment, which had always made the grandfather more indifferent to Hetty than to his son’s children. Her mother’s fortune had been spent by that good-for-nought Sorrel, and Hetty had Sorrel’s blood in her veins.
It was rare for the old man to give such a long speech, but his son’s question had sparked a lingering resentment that had always made the grandfather more indifferent toward Hetty than his own grandchildren. Hetty’s mother’s fortune had been wasted by that useless Sorrel, and Hetty carried Sorrel’s blood in her veins.
“Poor thing, poor thing!” said Martin the younger, who was sorry to have provoked this retrospective harshness. “She’d but bad luck. But Hetty’s got as good a chance o’ getting a solid, sober husband as any gell i’ this country.”
“Poor thing, poor thing!” said Martin the younger, feeling regret for stirring up this harshness from the past. “She just had bad luck. But Hetty has as good a chance of finding a solid, sober husband as any girl in this country.”
After throwing out this pregnant hint, Mr. Poyser recurred to his pipe and his silence, looking at Hetty to see if she did not give some sign of having renounced her ill-advised wish. But instead of that, Hetty, in spite of herself, began to cry, half out of ill temper at the denial, half out of the day’s repressed sadness.
After dropping this obvious hint, Mr. Poyser returned to his pipe and fell silent, watching Hetty to see if she would show any sign of having given up her poorly thought-out wish. But instead, Hetty, despite herself, started to cry, partly out of frustration at the refusal and partly because of the day’s pent-up sadness.
“Hegh, hegh!” said Mr. Poyser, meaning to check her playfully, “don’t let’s have any crying. Crying’s for them as ha’ got no home, not for them as want to get rid o’ one. What dost think?” he continued to his wife, who now came back into the house-place, knitting with fierce rapidity, as if that movement were a necessary function, like the twittering of a crab’s antennæ.
“Hegh, hegh!” said Mr. Poyser, wanting to tease her, “let’s not have any crying. Crying is for those who have no home, not for those who want to get rid of one. What do you think?” he continued to his wife, who had just returned to the room, knitting with intense speed, as if that motion were a necessary function, like the twitching of a crab’s antennae.
“Think? Why, I think we shall have the fowl stole before we are much older, wi’ that gell forgetting to lock the pens up o’ nights. What’s the matter now, Hetty? What are you crying at?”
“Think? I think we’re going to have the chickens stolen pretty soon, with that girl forgetting to lock up the coop at night. What’s wrong now, Hetty? Why are you crying?”
“Why, she’s been wanting to go for a lady’s maid,” said Mr. Poyser. “I tell her we can do better for her nor that.”
“Why, she’s been wanting to go for a lady’s maid,” said Mr. Poyser. “I tell her we can do better for her than that.”
“I thought she’d got some maggot in her head, she’s gone about wi’ her mouth buttoned up so all day. It’s all wi’ going so among them servants at the Chase, as we war fools for letting her. She thinks it ’ud be a finer life than being wi’ them as are akin to her and ha’ brought her up sin’ she war no bigger nor Marty. She thinks there’s nothing belongs to being a lady’s maid but wearing finer clothes nor she was born to, I’ll be bound. It’s what rag she can get to stick on her as she’s thinking on from morning till night, as I often ask her if she wouldn’t like to be the mawkin i’ the field, for then she’d be made o’ rags inside and out. I’ll never gi’ my consent to her going for a lady’s maid, while she’s got good friends to take care on her till she’s married to somebody better nor one o’ them valets, as is neither a common man nor a gentleman, an’ must live on the fat o’ the land, an’s like enough to stick his hands under his coat-tails and expect his wife to work for him.”
“I thought she had a screw loose, she’s been walking around with her mouth shut all day. It’s all because of hanging out with those servants at the Chase, we were fools for letting her do it. She thinks it would be a better life than being with her own people who raised her since she was no bigger than Marty. She believes being a lady’s maid is just about wearing nicer clothes than what she was born into, I’m sure of it. It’s all about what rags she can find to put on from morning till night, and I often ask her if she wouldn’t prefer to be a scarecrow in the field, because then she’d be made of rags inside and out. I’ll never agree to her becoming a lady’s maid while she has good friends to look out for her until she gets married to someone better than one of those valets, who’s neither a common man nor a gentleman, and must live off the fat of the land, likely expecting his wife to do all the work for him.”
“Aye, aye,” said Mr. Poyser, “we must have a better husband for her nor that, and there’s better at hand. Come, my wench, give over crying and get to bed. I’ll do better for you nor letting you go for a lady’s maid. Let’s hear no more on’t.”
“Aye, aye,” said Mr. Poyser, “we need to find her a better husband than that, and there are better options available. Come on, my girl, stop crying and get to bed. I’ll find a better situation for you than letting you go as a lady’s maid. Let’s not talk about this anymore.”
When Hetty was gone upstairs he said, “I canna make it out as she should want to go away, for I thought she’d got a mind t’ Adam Bede. She’s looked like it o’ late.”
When Hetty went upstairs, he said, “I can’t figure out why she would want to leave, because I thought she had feelings for Adam Bede. She’s seemed that way lately.”
“Eh, there’s no knowing what she’s got a liking to, for things take no more hold on her than if she was a dried pea. I believe that gell, Molly—as is aggravatin’ enough, for the matter o’ that—but I believe she’d care more about leaving us and the children, for all she’s been here but a year come Michaelmas, nor Hetty would. But she’s got this notion o’ being a lady’s maid wi’ going among them servants—we might ha’ known what it ’ud lead to when we let her go to learn the fine work. But I’ll put a stop to it pretty quick.”
"Well, there’s no telling what she likes, since things don’t stick to her any more than if she were a dried pea. I think that girl, Molly—it's frustrating enough, really—but I believe she’d care more about leaving us and the kids, even though she’s only been here a year come Michaelmas, than Hetty would. But she’s got this idea about being a lady’s maid, mingling with those servants—we should have known what it would lead to when we let her go learn the fancy work. But I’ll put a stop to it pretty quickly."
“Thee’dst be sorry to part wi’ her, if it wasn’t for her good,” said Mr. Poyser. “She’s useful to thee i’ the work.”
"You'd be sorry to part with her, if it wasn’t for her own good," said Mr. Poyser. "She's helpful to you in the work."
“Sorry? Yes, I’m fonder on her nor she deserves—a little hard-hearted hussy, wanting to leave us i’ that way. I can’t ha’ had her about me these seven year, I reckon, and done for her, and taught her everything wi’out caring about her. An’ here I’m having linen spun, an’ thinking all the while it’ll make sheeting and table-clothing for her when she’s married, an’ she’ll live i’ the parish wi’ us, and never go out of our sights—like a fool as I am for thinking aught about her, as is no better nor a cherry wi’ a hard stone inside it.”
"Sorry? Yeah, I care about her more than she deserves—a bit of a cold-hearted girl, wanting to leave us like this. I can't believe I've had her around for seven years, taken care of her, and taught her everything without really caring about her. And here I am having linen spun, thinking all along it will make sheets and tablecloths for her when she gets married, and she'll live in the parish with us and never leave our sight—like a fool for thinking anything about her, who is no better than a cherry with a hard pit inside."
“Nay, nay, thee mustna make much of a trifle,” said Mr. Poyser, soothingly. “She’s fond on us, I’ll be bound; but she’s young, an’ gets things in her head as she can’t rightly give account on. Them young fillies ’ull run away often wi’out knowing why.”
“Come on, don’t make a big deal out of nothing,” Mr. Poyser said calmly. “She’s fond of us, I’m sure of it; but she’s young and gets ideas in her head that she can’t really explain. Those young girls will often run off without knowing why.”
Her uncle’s answers, however, had had another effect on Hetty besides that of disappointing her and making her cry. She knew quite well whom he had in his mind in his allusions to marriage, and to a sober, solid husband; and when she was in her bedroom again, the possibility of her marrying Adam presented itself to her in a new light. In a mind where no strong sympathies are at work, where there is no supreme sense of right to which the agitated nature can cling and steady itself to quiet endurance, one of the first results of sorrow is a desperate vague clutching after any deed that will change the actual condition. Poor Hetty’s vision of consequences, at no time more than a narrow fantastic calculation of her own probable pleasures and pains, was now quite shut out by reckless irritation under present suffering, and she was ready for one of those convulsive, motiveless actions by which wretched men and women leap from a temporary sorrow into a lifelong misery.
Her uncle’s answers, though, had a different effect on Hetty beyond just disappointing her and making her cry. She knew exactly who he was hinting at with his comments about marriage and a steady, reliable husband; and when she was back in her bedroom, the idea of marrying Adam came to her in a new way. When there are no strong feelings guiding someone, and no deep sense of right to help calm their agitated mind, the first reaction to sorrow is often a desperate attempt to do something to change their situation. Poor Hetty’s view of the consequences, which had never been more than a narrow, fanciful calculation of her own potential joys and pains, was now completely clouded by reckless irritation from her current suffering. She was primed for one of those impulsive, aimless actions that lead miserable men and women to jump from a temporary heartbreak into lasting despair.
Why should she not marry Adam? She did not care what she did, so that it made some change in her life. She felt confident that he would still want to marry her, and any further thought about Adam’s happiness in the matter had never yet visited her.
Why shouldn't she marry Adam? She didn’t mind what she did, as long as it brought some change to her life. She felt sure that he would still want to marry her, and she had never really thought about Adam’s happiness in the situation.
“Strange!” perhaps you will say, “this rush of impulse towards a course that might have seemed the most repugnant to her present state of mind, and in only the second night of her sadness!”
"Strange!" you might say, "this sudden urge to go down a path that would have seemed the most disturbing to her current mindset, and it's only the second night of her sadness!"
Yes, the actions of a little trivial soul like Hetty’s, struggling amidst the serious sad destinies of a human being, are strange. So are the motions of a little vessel without ballast tossed about on a stormy sea. How pretty it looked with its parti-coloured sail in the sunlight, moored in the quiet bay!
Yes, the actions of a small, insignificant person like Hetty, struggling among the serious, sad fates of humanity, are strange. So are the movements of a small boat without ballast tossed around on a stormy sea. How beautiful it looked with its colorful sail in the sunlight, anchored in the calm bay!
“Let that man bear the loss who loosed it from its moorings.”
“Let that man take the loss who untied it from its dock.”
But that will not save the vessel—the pretty thing that might have been a lasting joy.
But that won’t save the ship—the beautiful thing that could have been a lasting joy.
Chapter XXXII
Mrs. Poyser “Has Her Say Out”
The next Saturday evening there was much excited discussion at the Donnithorne Arms concerning an incident which had occurred that very day—no less than a second appearance of the smart man in top-boots said by some to be a mere farmer in treaty for the Chase Farm, by others to be the future steward, but by Mr. Casson himself, the personal witness to the stranger’s visit, pronounced contemptuously to be nothing better than a bailiff, such as Satchell had been before him. No one had thought of denying Mr. Casson’s testimony to the fact that he had seen the stranger; nevertheless, he proffered various corroborating circumstances.
The following Saturday evening, there was a lot of excited chatter at the Donnithorne Arms about an incident that had happened that very day—specifically, a second sighting of the sharp-dressed man in tall boots. Some claimed he was just a farmer negotiating for the Chase Farm, others said he was the future steward, but Mr. Casson, who personally witnessed the stranger's visit, dismissively declared him to be nothing more than a bailiff, like Satchell had been before him. No one disputed Mr. Casson’s account of seeing the stranger; however, he offered various details to back up his claims.
“I see him myself,” he said; “I see him coming along by the Crab-tree Meadow on a bald-faced hoss. I’d just been t’ hev a pint—it was half after ten i’ the fore-noon, when I hev my pint as reg’lar as the clock—and I says to Knowles, as druv up with his waggon, ‘You’ll get a bit o’ barley to-day, Knowles,’ I says, ‘if you look about you’; and then I went round by the rick-yard, and towart the Treddles’on road, and just as I come up by the big ash-tree, I see the man i’ top-boots coming along on a bald-faced hoss—I wish I may never stir if I didn’t. And I stood still till he come up, and I says, ‘Good morning, sir,’ I says, for I wanted to hear the turn of his tongue, as I might know whether he was a this-country man; so I says, ‘Good morning, sir: it ’ll ’old hup for the barley this morning, I think. There’ll be a bit got hin, if we’ve good luck.’ And he says, ‘Eh, ye may be raight, there’s noo tallin’,’ he says, and I knowed by that”—here Mr. Casson gave a wink—“as he didn’t come from a hundred mile off. I daresay he’d think me a hodd talker, as you Loamshire folks allays does hany one as talks the right language.”
“I see him myself,” he said; “I see him coming along by the Crab-tree Meadow on a bald-faced horse. I had just gone to have a drink—it was a little after ten in the morning when I have my drink as regularly as the clock—and I said to Knowles, who drove up with his wagon, ‘You’ll get a bit of barley today, Knowles,’ I said, ‘if you pay attention’; and then I went around by the rick-yard, and towards the Treddleson road, and just as I got by the big ash tree, I saw the man in top-boots coming along on a bald-faced horse—I swear it’s true. I stood still until he came up, and I said, ‘Good morning, sir,’ I said, because I wanted to hear the way he spoke, so I could tell if he was from this country; so I said, ‘Good morning, sir: I think it will hold up for the barley this morning. We might get a bit in, if we’re lucky.’ And he said, ‘Eh, you may be right, there’s no telling,’ he said, and I knew by that”—here Mr. Casson winked—“that he didn’t come from a hundred miles away. I bet he thought I was a bit of a simpleton, just like you Loamshire folks always do with anyone who speaks the right language.”
“The right language!” said Bartle Massey, contemptuously. “You’re about as near the right language as a pig’s squeaking is like a tune played on a key-bugle.”
“The right language!” Bartle Massey said with disdain. “You’re as close to the right language as a pig’s squeal is to a tune played on a key-bugle.”
“Well, I don’t know,” answered Mr. Casson, with an angry smile. “I should think a man as has lived among the gentry from a by, is likely to know what’s the right language pretty nigh as well as a schoolmaster.”
“Well, I don’t know,” replied Mr. Casson, with an irritated smile. “I’d assume a man who has spent time among the gentry for a while is likely to know what the right language is almost as well as a teacher.”
“Ay, ay, man,” said Bartle, with a tone of sarcastic consolation, “you talk the right language for you. When Mike Holdsworth’s goat says ba-a-a, it’s all right—it ’ud be unnatural for it to make any other noise.”
“Ay, ay, man,” Bartle said with a sarcastic tone, “you’re speaking the right language for you. When Mike Holdsworth’s goat says baa, it’s fine—it would be weird for it to make any other sound.”
The rest of the party being Loamshire men, Mr. Casson had the laugh strongly against him, and wisely fell back on the previous question, which, far from being exhausted in a single evening, was renewed in the churchyard, before service, the next day, with the fresh interest conferred on all news when there is a fresh person to hear it; and that fresh hearer was Martin Poyser, who, as his wife said, “never went boozin’ with that set at Casson’s, a-sittin’ soakin’ in drink, and looking as wise as a lot o’ cod-fish wi’ red faces.”
The rest of the group were from Loamshire, so Mr. Casson became the target of their jokes. He smartly shifted the topic back to the earlier question, which wasn’t fully discussed in just one evening. The conversation picked up again in the churchyard before service the next day, gaining new interest since a fresh person was there to hear it. That newcomer was Martin Poyser, who, as his wife pointed out, “never hung out drinking with that crowd at Casson’s, just sitting around getting hammered and looking as clueless as a bunch of red-faced codfish.”
It was probably owing to the conversation she had had with her husband on their way from church concerning this problematic stranger that Mrs. Poyser’s thoughts immediately reverted to him when, a day or two afterwards, as she was standing at the house-door with her knitting, in that eager leisure which came to her when the afternoon cleaning was done, she saw the old squire enter the yard on his black pony, followed by John the groom. She always cited it afterwards as a case of prevision, which really had something more in it than her own remarkable penetration, that the moment she set eyes on the squire she said to herself, “I shouldna wonder if he’s come about that man as is a-going to take the Chase Farm, wanting Poyser to do something for him without pay. But Poyser’s a fool if he does.”
It was probably because of the conversation she had with her husband on their way back from church about this mysterious stranger that Mrs. Poyser immediately thought of him when, a day or two later, as she was standing at the front door with her knitting, enjoying some free time after finishing her afternoon cleaning, she saw the old squire ride into the yard on his black pony, followed by John the groom. She always recalled it later as a moment of foresight, which had more to it than just her own keen intuition, that the instant she spotted the squire, she thought to herself, “I wouldn’t be surprised if he’s come about that guy who’s going to take the Chase Farm, asking Poyser to do something for him without any pay. But Poyser would be a fool if he agrees.”
Something unwonted must clearly be in the wind, for the old squire’s visits to his tenantry were rare; and though Mrs. Poyser had during the last twelvemonth recited many imaginary speeches, meaning even more than met the ear, which she was quite determined to make to him the next time he appeared within the gates of the Hall Farm, the speeches had always remained imaginary.
Something unusual must clearly be happening, since the old squire rarely visited his tenants; and although Mrs. Poyser had spent the past year rehearsing many imaginary speeches, meaning far more than what was obvious, which she was eager to deliver to him the next time he showed up at the gates of the Hall Farm, those speeches had always remained just in her imagination.
“Good-day, Mrs. Poyser,” said the old squire, peering at her with his short-sighted eyes—a mode of looking at her which, as Mrs. Poyser observed, “allays aggravated me: it was as if you was a insect, and he was going to dab his finger-nail on you.”
“Good day, Mrs. Poyser,” said the old squire, squinting at her with his poor eyesight—a way of looking at her which, as Mrs. Poyser noted, “really annoyed me: it was like you were an insect, and he was about to jab his fingernail at you.”
However, she said, “Your servant, sir,” and curtsied with an air of perfect deference as she advanced towards him: she was not the woman to misbehave towards her betters, and fly in the face of the catechism, without severe provocation.
However, she said, “Your servant, sir,” and curtsied with a perfect sense of respect as she approached him: she was not the type to disrespect her superiors or go against the teachings without serious provocation.
“Is your husband at home, Mrs. Poyser?”
“Is your husband home, Mrs. Poyser?”
“Yes, sir; he’s only i’ the rick-yard. I’ll send for him in a minute, if you’ll please to get down and step in.”
“Yes, sir; he’s just in the haystack area. I’ll get him in a minute if you’d like to get down and come inside.”
“Thank you; I will do so. I want to consult him about a little matter; but you are quite as much concerned in it, if not more. I must have your opinion too.”
"Thanks; I'll do that. I want to talk to him about a small issue, but you are just as involved, if not more. I need your thoughts on it too."
“Hetty, run and tell your uncle to come in,” said Mrs. Poyser, as they entered the house, and the old gentleman bowed low in answer to Hetty’s curtsy; while Totty, conscious of a pinafore stained with gooseberry jam, stood hiding her face against the clock and peeping round furtively.
“Hetty, go and tell your uncle to come in,” Mrs. Poyser said as they walked into the house. The old gentleman bowed low in response to Hetty’s curtsy, while Totty, aware of her pinafore splattered with gooseberry jam, hid her face against the clock and peeked around cautiously.
“What a fine old kitchen this is!” said Mr. Donnithorne, looking round admiringly. He always spoke in the same deliberate, well-chiselled, polite way, whether his words were sugary or venomous. “And you keep it so exquisitely clean, Mrs. Poyser. I like these premises, do you know, beyond any on the estate.”
“What a lovely old kitchen this is!” said Mr. Donnithorne, glancing around with appreciation. He always spoke in the same careful, polished, polite manner, whether his words were sweet or sharp. “And you keep it so beautifully clean, Mrs. Poyser. I really like this place more than any other on the estate.”
“Well, sir, since you’re fond of ’em, I should be glad if you’d let a bit o’ repairs be done to ’em, for the boarding’s i’ that state as we’re like to be eaten up wi’ rats and mice; and the cellar, you may stan’ up to your knees i’ water in’t, if you like to go down; but perhaps you’d rather believe my words. Won’t you please to sit down, sir?”
“Well, sir, since you like them, I’d appreciate it if you could let some repairs be made because the boarding is in such bad shape that we might end up overrun with rats and mice. And the cellar, well, you can stand in water up to your knees if you want to go down there, but maybe you'd prefer to just take my word for it. Would you please sit down, sir?”
“Not yet; I must see your dairy. I have not seen it for years, and I hear on all hands about your fine cheese and butter,” said the squire, looking politely unconscious that there could be any question on which he and Mrs. Poyser might happen to disagree. “I think I see the door open, there. You must not be surprised if I cast a covetous eye on your cream and butter. I don’t expect that Mrs. Satchell’s cream and butter will bear comparison with yours.”
“Not yet; I need to see your dairy. I haven't seen it in years, and I keep hearing from everyone about your amazing cheese and butter,” said the squire, looking politely unaware that there could be any disagreement between him and Mrs. Poyser. “I think I see the door open there. Don’t be surprised if I take a greedy interest in your cream and butter. I don’t expect Mrs. Satchell’s cream and butter will compare to yours.”
“I can’t say, sir, I’m sure. It’s seldom I see other folks’s butter, though there’s some on it as one’s no need to see—the smell’s enough.”
“I can’t say, sir, I’m not sure. I rarely see other people’s butter, though there are some that you don’t need to see—the smell is enough.”
“Ah, now this I like,” said Mr. Donnithorne, looking round at the damp temple of cleanliness, but keeping near the door. “I’m sure I should like my breakfast better if I knew the butter and cream came from this dairy. Thank you, that really is a pleasant sight. Unfortunately, my slight tendency to rheumatism makes me afraid of damp: I’ll sit down in your comfortable kitchen. Ah, Poyser, how do you do? In the midst of business, I see, as usual. I’ve been looking at your wife’s beautiful dairy—the best manager in the parish, is she not?”
“Ah, now this I like,” said Mr. Donnithorne, glancing around at the clean but damp space, though he stayed close to the door. “I’m sure I’d enjoy my breakfast more knowing the butter and cream came from this dairy. Thank you, that really is a nice sight. Unfortunately, my slight tendency toward rheumatism makes me wary of dampness: I’ll take a seat in your cozy kitchen. Ah, Poyser, how’s it going? You seem busy, as usual. I’ve been admiring your wife’s lovely dairy—the best manager in the parish, right?”
Mr. Poyser had just entered in shirt-sleeves and open waistcoat, with a face a shade redder than usual, from the exertion of “pitching.” As he stood, red, rotund, and radiant, before the small, wiry, cool old gentleman, he looked like a prize apple by the side of a withered crab.
Mr. Poyser had just walked in wearing his shirt sleeves rolled up and his waistcoat open, with a face a bit redder than usual from the effort of "pitching." As he stood there, red, round, and beaming, in front of the small, wiry, cool old gentleman, he looked like a prize apple next to a shriveled crab.
“Will you please to take this chair, sir?” he said, lifting his father’s arm-chair forward a little: “you’ll find it easy.”
“Could you please take this chair, sir?” he said, moving his father’s armchair a bit closer: “you’ll find it comfortable.”
“No, thank you, I never sit in easy-chairs,” said the old gentleman, seating himself on a small chair near the door. “Do you know, Mrs. Poyser—sit down, pray, both of you—I’ve been far from contented, for some time, with Mrs. Satchell’s dairy management. I think she has not a good method, as you have.”
“No, thank you, I never sit in easy chairs,” said the old gentleman, sitting himself down on a small chair near the door. “Do you know, Mrs. Poyser—please, both of you, have a seat—I’ve been feeling quite dissatisfied with Mrs. Satchell’s management of the dairy for a while now. I believe she doesn’t have a good method, unlike you.”
“Indeed, sir, I can’t speak to that,” said Mrs. Poyser in a hard voice, rolling and unrolling her knitting and looking icily out of the window, as she continued to stand opposite the squire. Poyser might sit down if he liked, she thought; she wasn’t going to sit down, as if she’d give in to any such smooth-tongued palaver. Mr. Poyser, who looked and felt the reverse of icy, did sit down in his three-cornered chair.
"Honestly, sir, I can’t comment on that," Mrs. Poyser said in a cold tone, rolling and unrolling her knitting while staring out the window, still standing across from the squire. Poyser could sit down if he wanted; she wasn’t about to sit, as if she’d fall for any kind of sweet talk. Mr. Poyser, who felt anything but cold, took a seat in his three-cornered chair.
“And now, Poyser, as Satchell is laid up, I am intending to let the Chase Farm to a respectable tenant. I’m tired of having a farm on my own hands—nothing is made the best of in such cases, as you know. A satisfactory bailiff is hard to find; and I think you and I, Poyser, and your excellent wife here, can enter into a little arrangement in consequence, which will be to our mutual advantage.”
“And now, Poyser, since Satchell is unavailable, I’m planning to rent out the Chase Farm to a reputable tenant. I’m done managing a farm myself—nothing gets properly taken care of in those situations, as you know. It’s tough to find a reliable bailiff; and I think you, Poyser, and your wonderful wife here, can come to a little agreement that will benefit us both.”
“Oh,” said Mr. Poyser, with a good-natured blankness of imagination as to the nature of the arrangement.
“Oh,” said Mr. Poyser, with a friendly cluelessness about the details of the arrangement.
“If I’m called upon to speak, sir,” said Mrs. Poyser, after glancing at her husband with pity at his softness, “you know better than me; but I don’t see what the Chase Farm is t’ us—we’ve cumber enough wi’ our own farm. Not but what I’m glad to hear o’ anybody respectable coming into the parish; there’s some as ha’ been brought in as hasn’t been looked on i’ that character.”
“If I’m asked to speak, sir,” said Mrs. Poyser, after looking at her husband with pity for his weakness, “you know better than I do; but I don’t understand what the Chase Farm means for us—we have enough to deal with our own farm. Not that I’m not glad to hear about anyone respectable moving into the parish; there have been some who’ve come in that haven’t been seen that way.”
“You’re likely to find Mr. Thurle an excellent neighbour, I assure you—such a one as you will feel glad to have accommodated by the little plan I’m going to mention, especially as I hope you will find it as much to your own advantage as his.”
“You’ll probably find Mr. Thurle to be a great neighbor, I assure you—someone you’ll be happy to have benefited from the small plan I’m about to mention, especially since I hope you’ll find it as advantageous for you as it is for him.”
“Indeed, sir, if it’s anything t’ our advantage, it’ll be the first offer o’ the sort I’ve heared on. It’s them as take advantage that get advantage i’ this world, I think: folks have to wait long enough afore it’s brought to ’em.”
“Definitely, sir, if it benefits us in any way, it’ll be the first offer of its kind I’ve heard of. It’s those who seize opportunities that gain advantages in this world, I think: people have to wait a long time before it’s presented to them.”
“The fact is, Poyser,” said the squire, ignoring Mrs. Poyser’s theory of worldly prosperity, “there is too much dairy land, and too little plough land, on the Chase Farm to suit Thurle’s purpose—indeed, he will only take the farm on condition of some change in it: his wife, it appears, is not a clever dairy-woman, like yours. Now, the plan I’m thinking of is to effect a little exchange. If you were to have the Hollow Pastures, you might increase your dairy, which must be so profitable under your wife’s management; and I should request you, Mrs. Poyser, to supply my house with milk, cream, and butter at the market prices. On the other hand, Poyser, you might let Thurle have the Lower and Upper Ridges, which really, with our wet seasons, would be a good riddance for you. There is much less risk in dairy land than corn land.”
“The thing is, Poyser,” said the squire, disregarding Mrs. Poyser’s ideas about financial success, “there’s too much dairy land and not enough farmland at the Chase Farm for Thurle’s needs—actually, he’ll only take the farm if some changes are made: his wife, it turns out, isn’t as skilled in dairy as yours. Now, what I’m thinking is to make a little trade. If you took the Hollow Pastures, you could boost your dairy production, which must be quite profitable with your wife running things; and I’d ask you, Mrs. Poyser, to provide my house with milk, cream, and butter at market prices. On the flip side, Poyser, you could let Thurle have the Lower and Upper Ridges, which honestly, with our rainy seasons, would be a relief for you. There’s much less risk in dairy land compared to corn land.”
Mr. Poyser was leaning forward, with his elbows on his knees, his head on one side, and his mouth screwed up—apparently absorbed in making the tips of his fingers meet so as to represent with perfect accuracy the ribs of a ship. He was much too acute a man not to see through the whole business, and to foresee perfectly what would be his wife’s view of the subject; but he disliked giving unpleasant answers. Unless it was on a point of farming practice, he would rather give up than have a quarrel, any day; and, after all, it mattered more to his wife than to him. So, after a few moments’ silence, he looked up at her and said mildly, “What dost say?”
Mr. Poyser was leaning forward, with his elbows on his knees, his head tilted to one side, and his mouth scrunched up—clearly focused on making the tips of his fingers touch to accurately represent the ribs of a ship. He was too sharp not to see through the whole situation and to clearly predict how his wife would feel about it; however, he really didn’t like giving unpleasant answers. Unless it was about farming practices, he would rather back down than start a fight any day; and in the end, it mattered more to his wife than to him. So, after a brief silence, he looked up at her and said gently, “What do you think?”
Mrs. Poyser had had her eyes fixed on her husband with cold severity during his silence, but now she turned away her head with a toss, looked icily at the opposite roof of the cow-shed, and spearing her knitting together with the loose pin, held it firmly between her clasped hands.
Mrs. Poyser had her eyes locked on her husband with a cold intensity during his silence, but now she turned her head away with a toss, glanced frostily at the roof of the cow-shed across from her, and, jabbing her knitting with the loose pin, held it tightly between her clasped hands.
“Say? Why, I say you may do as you like about giving up any o’ your corn-land afore your lease is up, which it won’t be for a year come next Michaelmas, but I’ll not consent to take more dairy work into my hands, either for love or money; and there’s nayther love nor money here, as I can see, on’y other folks’s love o’ theirselves, and the money as is to go into other folks’s pockets. I know there’s them as is born t’ own the land, and them as is born to sweat on’t”—here Mrs. Poyser paused to gasp a little—“and I know it’s christened folks’s duty to submit to their betters as fur as flesh and blood ’ull bear it; but I’ll not make a martyr o’ myself, and wear myself to skin and bone, and worret myself as if I was a churn wi’ butter a-coming in’t, for no landlord in England, not if he was King George himself.”
"Say? Well, I say you can do whatever you want about giving up any of your corn land before your lease is up, which won’t be for a year after the next Michaelmas, but I won’t agree to take on more dairy work, neither for love nor money; and I don’t see either love or money here, just other people’s love for themselves, and the money that’s going into other people’s pockets. I know there are some who are meant to own the land and others who are meant to work it”—here Mrs. Poyser paused to catch her breath—“and I know it’s the duty of us common folks to submit to our betters as much as we can; but I won't martyr myself, wear myself down to skin and bones, or worry myself as if I were a churn with butter about to come in, for any landlord in England, not even if he were King George himself."
“No, no, my dear Mrs. Poyser, certainly not,” said the squire, still confident in his own powers of persuasion, “you must not overwork yourself; but don’t you think your work will rather be lessened than increased in this way? There is so much milk required at the Abbey that you will have little increase of cheese and butter making from the addition to your dairy; and I believe selling the milk is the most profitable way of disposing of dairy produce, is it not?”
“No, no, my dear Mrs. Poyser, definitely not,” said the squire, still confident in his ability to persuade, “you shouldn’t push yourself too hard; but don’t you think your workload will actually decrease instead of increase this way? There's so much milk needed at the Abbey that your cheese and butter production won’t really go up with the extra cows in your dairy; and I believe selling the milk is the most profitable way to handle dairy products, isn’t it?”
“Aye, that’s true,” said Mr. Poyser, unable to repress an opinion on a question of farming profits, and forgetting that it was not in this case a purely abstract question.
“Yeah, that’s true,” said Mr. Poyser, unable to hold back his opinion on a farming profits issue, and forgetting that it wasn’t just an abstract question this time.
“I daresay,” said Mrs. Poyser bitterly, turning her head half-way towards her husband and looking at the vacant arm-chair—“I daresay it’s true for men as sit i’ th’ chimney-corner and make believe as everything’s cut wi’ ins an’ outs to fit int’ everything else. If you could make a pudding wi’ thinking o’ the batter, it ’ud be easy getting dinner. How do I know whether the milk ’ull be wanted constant? What’s to make me sure as the house won’t be put o’ board wage afore we’re many months older, and then I may have to lie awake o’ nights wi’ twenty gallons o’ milk on my mind—and Dingall ’ull take no more butter, let alone paying for it; and we must fat pigs till we’re obliged to beg the butcher on our knees to buy ’em, and lose half of ’em wi’ the measles. And there’s the fetching and carrying, as ’ud be welly half a day’s work for a man an’ hoss—that’s to be took out o’ the profits, I reckon? But there’s folks ’ud hold a sieve under the pump and expect to carry away the water.”
“I dare say,” Mrs. Poyser said bitterly, turning her head halfway toward her husband and glancing at the empty armchair, “I dare say it’s true for men who sit in the living room and pretend that everything is neatly worked out. If you could make a pudding just by thinking about the batter, it would be easy to get dinner. How do I know if we’ll constantly need milk? What’s to guarantee that the house won't be on the chopping block in a few months, and then I might have to lie awake at night worrying about twenty gallons of milk—and Dingall won’t take any more butter, let alone pay for it; and we have to fatten pigs until we’re forced to beg the butcher to buy them, and lose half of them to measles. And there’s the fetching and carrying, which would take nearly half a day’s work for a man and a horse—that’s to be deducted from the profits, I suppose? But there are people who would hold a sieve under the pump and expect to carry away the water.”
“That difficulty—about the fetching and carrying—you will not have, Mrs. Poyser,” said the squire, who thought that this entrance into particulars indicated a distant inclination to compromise on Mrs. Poyser’s part. “Bethell will do that regularly with the cart and pony.”
“That issue—about the fetching and carrying—you won’t have to worry about, Mrs. Poyser,” said the squire, who believed that this dive into details showed a potential willingness to compromise on Mrs. Poyser’s side. “Bethell will handle that regularly with the cart and pony.”
“Oh, sir, begging your pardon, I’ve never been used t’ having gentlefolks’s servants coming about my back places, a-making love to both the gells at once and keeping ’em with their hands on their hips listening to all manner o’ gossip when they should be down on their knees a-scouring. If we’re to go to ruin, it shanna be wi’ having our back kitchen turned into a public.”
“Oh, sir, excuse me, but I’ve never been used to having gentlemen’s servants hanging around my back areas, flirting with both the girls at once and making them stand with their hands on their hips, listening to all sorts of gossip when they should be on their knees scrubbing. If we’re going to ruin, it won’t be because we have our back kitchen turned into a hangout.”
“Well, Poyser,” said the squire, shifting his tactics and looking as if he thought Mrs. Poyser had suddenly withdrawn from the proceedings and left the room, “you can turn the Hollows into feeding-land. I can easily make another arrangement about supplying my house. And I shall not forget your readiness to accommodate your landlord as well as a neighbour. I know you will be glad to have your lease renewed for three years, when the present one expires; otherwise, I daresay Thurle, who is a man of some capital, would be glad to take both the farms, as they could be worked so well together. But I don’t want to part with an old tenant like you.”
“Well, Poyser,” said the squire, changing his approach and acting as if he believed Mrs. Poyser had suddenly left the conversation, “you can turn the Hollows into pasture. I can easily find another way to supply food for my house. And I won’t forget your willingness to help both your landlord and your neighbor. I know you’d be happy to have your lease renewed for three years when the current one ends; otherwise, I’m sure Thurle, who has some money, would be eager to take both farms since they could work well together. But I don’t want to lose a long-time tenant like you.”
To be thrust out of the discussion in this way would have been enough to complete Mrs. Poyser’s exasperation, even without the final threat. Her husband, really alarmed at the possibility of their leaving the old place where he had been bred and born—for he believed the old squire had small spite enough for anything—was beginning a mild remonstrance explanatory of the inconvenience he should find in having to buy and sell more stock, with, “Well, sir, I think as it’s rether hard...” when Mrs. Poyser burst in with the desperate determination to have her say out this once, though it were to rain notices to quit and the only shelter were the work-house.
Being pushed out of the conversation like that would have been enough to drive Mrs. Poyser crazy, even without the final threat. Her husband, really worried about the chance of leaving the old place where he grew up—because he thought the old squire was too petty for anything—was starting a gentle protest explaining how inconvenient it would be for him to buy and sell more livestock, saying, “Well, sir, I think it’s pretty unfair...” when Mrs. Poyser interrupted with a desperate need to express her thoughts this one time, even if it meant receiving eviction notices and the only shelter available was the workhouse.
“Then, sir, if I may speak—as, for all I’m a woman, and there’s folks as thinks a woman’s fool enough to stan’ by an’ look on while the men sign her soul away, I’ve a right to speak, for I make one quarter o’ the rent, and save another quarter—I say, if Mr. Thurle’s so ready to take farms under you, it’s a pity but what he should take this, and see if he likes to live in a house wi’ all the plagues o’ Egypt in’t—wi’ the cellar full o’ water, and frogs and toads hoppin’ up the steps by dozens—and the floors rotten, and the rats and mice gnawing every bit o’ cheese, and runnin’ over our heads as we lie i’ bed till we expect ’em to eat us up alive—as it’s a mercy they hanna eat the children long ago. I should like to see if there’s another tenant besides Poyser as ’ud put up wi’ never having a bit o’ repairs done till a place tumbles down—and not then, on’y wi’ begging and praying and having to pay half—and being strung up wi’ the rent as it’s much if he gets enough out o’ the land to pay, for all he’s put his own money into the ground beforehand. See if you’ll get a stranger to lead such a life here as that: a maggot must be born i’ the rotten cheese to like it, I reckon. You may run away from my words, sir,” continued Mrs. Poyser, following the old squire beyond the door—for after the first moments of stunned surprise he had got up, and, waving his hand towards her with a smile, had walked out towards his pony. But it was impossible for him to get away immediately, for John was walking the pony up and down the yard, and was some distance from the causeway when his master beckoned.
“Then, sir, if I may speak—just because I’m a woman, and there are people who think a woman is foolish enough to just stand by and watch while men sign away her life, I have the right to speak, since I pay a quarter of the rent and save another quarter—I say, if Mr. Thurle is so eager to take farms from you, it’s a shame he shouldn’t take this one and see if he likes living in a house with all the plagues of Egypt in it—with a cellar full of water, and frogs and toads hopping up the steps by the dozens—and the floors rotting, and the rats and mice gnawing every bit of cheese, and running over our heads as we lie in bed until we expect them to eat us alive—thank goodness they haven’t eaten the children long ago. I’d like to see if there’s another tenant besides Poyser who would put up with never having any repairs done until a place falls apart—and not even then, only with begging and pleading and having to pay half—and being stretched thin with the rent as it’s a wonder if he gets enough out of the land to pay, considering he’s already put his own money into the ground. See if you can get a stranger to live such a life here: a maggot must be born in the rotten cheese to like it, I suppose. You may try to escape my words, sir,” Mrs. Poyser continued, following the old squire beyond the door—after the initial shock, he had gotten up, waved her off with a smile, and walked towards his pony. But he couldn’t get away right away, because John was walking the pony up and down the yard and was some distance from the path when his master signaled him.
“You may run away from my words, sir, and you may go spinnin’ underhand ways o’ doing us a mischief, for you’ve got Old Harry to your friend, though nobody else is, but I tell you for once as we’re not dumb creatures to be abused and made money on by them as ha’ got the lash i’ their hands, for want o’ knowing how t’ undo the tackle. An’ if I’m th’ only one as speaks my mind, there’s plenty o’ the same way o’ thinking i’ this parish and the next to ’t, for your name’s no better than a brimstone match in everybody’s nose—if it isna two-three old folks as you think o’ saving your soul by giving ’em a bit o’ flannel and a drop o’ porridge. An’ you may be right i’ thinking it’ll take but little to save your soul, for it’ll be the smallest savin’ y’ iver made, wi’ all your scrapin’.”
“You might try to ignore what I’m saying, sir, and you might find sneaky ways to cause us trouble, since you’ve got the devil on your side while no one else does. But let me tell you, we’re not just dumb creatures to be mistreated and exploited by those with power, especially since they don’t know how to fix things. And if I’m the only one speaking up, there are plenty of others in this parish and the next who think the same way, because your name is like a stinky match to everyone—unless it’s just a few old folks you think you’re saving by giving them some old clothes and a bit of porridge. And you might be right to think it doesn't take much to save your soul, since it’ll be the smallest kindness you’ve ever given, with all your saving.”
There are occasions on which two servant-girls and a waggoner may be a formidable audience, and as the squire rode away on his black pony, even the gift of short-sightedness did not prevent him from being aware that Molly and Nancy and Tim were grinning not far from him. Perhaps he suspected that sour old John was grinning behind him—which was also the fact. Meanwhile the bull-dog, the black-and-tan terrier, Alick’s sheep-dog, and the gander hissing at a safe distance from the pony’s heels carried out the idea of Mrs. Poyser’s solo in an impressive quartet.
There are times when two maids and a wagon driver can be quite an audience, and as the squire rode away on his black pony, even his poor eyesight couldn’t stop him from noticing that Molly, Nancy, and Tim were smirking nearby. He might have also guessed that grumpy old John was grinning behind him—which was true as well. Meanwhile, the bulldog, the black-and-tan terrier, Alick’s sheepdog, and the gander hissing at a safe distance from the pony’s hooves created a kind of impressive quartet that echoed Mrs. Poyser’s solo.
Mrs. Poyser, however, had no sooner seen the pony move off than she turned round, gave the two hilarious damsels a look which drove them into the back kitchen, and unspearing her knitting, began to knit again with her usual rapidity as she re-entered the house.
Mrs. Poyser, however, had barely seen the pony leave before she turned around, shot the two giggling girls a look that sent them scurrying into the back kitchen, and, putting her knitting back in her hands, started knitting again at her usual quick pace as she went back inside the house.
“Thee’st done it now,” said Mr. Poyser, a little alarmed and uneasy, but not without some triumphant amusement at his wife’s outbreak.
"You've done it now," said Mr. Poyser, a bit alarmed and uneasy, but not without a sense of triumphant amusement at his wife's outburst.
“Yes, I know I’ve done it,” said Mrs. Poyser; “but I’ve had my say out, and I shall be th’ easier for’t all my life. There’s no pleasure i’ living if you’re to be corked up for ever, and only dribble your mind out by the sly, like a leaky barrel. I shan’t repent saying what I think, if I live to be as old as th’ old squire; and there’s little likelihood—for it seems as if them as aren’t wanted here are th’ only folks as aren’t wanted i’ th’ other world.”
“Yes, I know I did it,” said Mrs. Poyser; “but I’ve gotten everything off my chest, and I’ll feel better for it all my life. There’s no joy in living if you have to keep everything bottled up, only letting your thoughts slip out sneakily, like a leaky barrel. I won’t regret speaking my mind, even if I live as long as the old squire; and it seems unlikely—because it feels like those who aren’t wanted here are the only ones who aren’t wanted in the next world.”
“But thee wutna like moving from th’ old place, this Michaelmas twelvemonth,” said Mr. Poyser, “and going into a strange parish, where thee know’st nobody. It’ll be hard upon us both, and upo’ Father too.”
“But you wouldn’t want to move from the old place this time next year,” said Mr. Poyser, “and go into a new parish where you don’t know anyone. It’ll be tough on both of us, and on Father too.”
“Eh, it’s no use worreting; there’s plenty o’ things may happen between this and Michaelmas twelvemonth. The captain may be master afore then, for what we know,” said Mrs. Poyser, inclined to take an unusually hopeful view of an embarrassment which had been brought about by her own merit and not by other people’s fault.
“Yeah, there’s no point in worrying; a lot can happen between now and next Michaelmas. The captain might even be in charge by then, for all we know,” said Mrs. Poyser, leaning towards an unusually optimistic perspective on a situation that had arisen because of her own actions, not anyone else's mistakes.
“I’m none for worreting,” said Mr. Poyser, rising from his three-cornered chair and walking slowly towards the door; “but I should be loath to leave th’ old place, and the parish where I was bred and born, and Father afore me. We should leave our roots behind us, I doubt, and niver thrive again.”
I'm not one for worrying," said Mr. Poyser, getting up from his three-cornered chair and walking slowly towards the door; "but I would hate to leave the old place, and the parish where I was raised and where my father was before me. I think we would leave our roots behind, and we might never thrive again."
Chapter XXXIII
More Links
The barley was all carried at last, and the harvest suppers went by without waiting for the dismal black crop of beans. The apples and nuts were gathered and stored; the scent of whey departed from the farm-houses, and the scent of brewing came in its stead. The woods behind the Chase, and all the hedgerow trees, took on a solemn splendour under the dark low-hanging skies. Michaelmas was come, with its fragrant basketfuls of purple damsons, and its paler purple daisies, and its lads and lasses leaving or seeking service and winding along between the yellow hedges, with their bundles under their arms. But though Michaelmas was come, Mr. Thurle, that desirable tenant, did not come to the Chase Farm, and the old squire, after all, had been obliged to put in a new bailiff. It was known throughout the two parishes that the squire’s plan had been frustrated because the Poysers had refused to be “put upon,” and Mrs. Poyser’s outbreak was discussed in all the farm-houses with a zest which was only heightened by frequent repetition. The news that “Bony” was come back from Egypt was comparatively insipid, and the repulse of the French in Italy was nothing to Mrs. Poyser’s repulse of the old squire. Mr. Irwine had heard a version of it in every parishioner’s house, with the one exception of the Chase. But since he had always, with marvellous skill, avoided any quarrel with Mr. Donnithorne, he could not allow himself the pleasure of laughing at the old gentleman’s discomfiture with any one besides his mother, who declared that if she were rich she should like to allow Mrs. Poyser a pension for life, and wanted to invite her to the parsonage that she might hear an account of the scene from Mrs. Poyser’s own lips.
The barley was finally all carried away, and the harvest dinners happened without waiting for the disappointing black crop of beans. The apples and nuts were picked and stored; the smell of whey left the farmhouses, replaced by the aroma of brewing. The woods behind the Chase and all the hedgerow trees took on a serious beauty under the dark, low-hanging skies. Michaelmas had arrived, bringing its fragrant baskets of purple damsons, paler purple daisies, and young men and women leaving or looking for work, winding along the yellow hedges with their bundles under their arms. However, even with Michaelmas here, Mr. Thurle, the desirable tenant, didn't come to the Chase Farm, and the old squire had to hire a new bailiff. It was known throughout the two parishes that the squire’s plans had been thwarted because the Poysers refused to be "pushed around," and Mrs. Poyser’s outburst was discussed at all the farmhouses with a keen interest that only grew with each retelling. The news that "Bony" was back from Egypt was relatively dull, and the French defeat in Italy didn't compare to Mrs. Poyser putting the old squire in his place. Mr. Irwine had heard a version of the story in nearly every parishioner’s home, except for the Chase. But since he had always skillfully avoided any conflict with Mr. Donnithorne, he couldn't allow himself the pleasure of laughing at the old gentleman’s embarrassment with anyone other than his mother, who said that if she were wealthy, she would want to provide Mrs. Poyser with a pension for life and wished to invite her to the parsonage so she could hear the story from Mrs. Poyser's own perspective.
“No, no, Mother,” said Mr. Irwine; “it was a little bit of irregular justice on Mrs. Poyser’s part, but a magistrate like me must not countenance irregular justice. There must be no report spread that I have taken notice of the quarrel, else I shall lose the little good influence I have over the old man.”
“No, no, Mom,” said Mr. Irwine; “it was a bit of unfair justice on Mrs. Poyser’s part, but a magistrate like me must not support unfair justice. There must be no gossip that I’ve acknowledged the argument, or else I’ll lose the little influence I have over the old man.”
“Well, I like that woman even better than her cream-cheeses,” said Mrs. Irwine. “She has the spirit of three men, with that pale face of hers. And she says such sharp things too.”
“Well, I like that woman even more than her cream cheeses,” said Mrs. Irwine. “She has the spirit of three men with that pale face of hers. And she says such bold things too.”
“Sharp! Yes, her tongue is like a new-set razor. She’s quite original in her talk too; one of those untaught wits that help to stock a country with proverbs. I told you that capital thing I heard her say about Craig—that he was like a cock, who thought the sun had risen to hear him crow. Now that’s an Æsop’s fable in a sentence.”
“Sharp! Yes, her tongue is like a brand new razor. She’s really original in how she talks too; one of those natural wits that give a country its sayings. I told you that great thing I heard her say about Craig—that he was like a rooster who thought the sun rose just to hear him crow. Now that’s an Aesop’s fable in a single sentence.”
“But it will be a bad business if the old gentleman turns them out of the farm next Michaelmas, eh?” said Mrs. Irwine.
“But it will be a bad deal if the old gentleman kicks them off the farm next Michaelmas, right?” said Mrs. Irwine.
“Oh, that must not be; and Poyser is such a good tenant that Donnithorne is likely to think twice, and digest his spleen rather than turn them out. But if he should give them notice at Lady Day, Arthur and I must move heaven and earth to mollify him. Such old parishioners as they are must not go.”
“Oh, that can't happen; and Poyser is such a good tenant that Donnithorne is likely to think twice and calm down rather than evict them. But if he does give them notice at Lady Day, Arthur and I will have to do everything we can to smooth things over. We can't let such long-time parishioners leave.”
“Ah, there’s no knowing what may happen before Lady day,” said Mrs. Irwine. “It struck me on Arthur’s birthday that the old man was a little shaken: he’s eighty-three, you know. It’s really an unconscionable age. It’s only women who have a right to live as long as that.”
“Ah, who knows what could happen before Lady Day," Mrs. Irwine said. "It struck me on Arthur’s birthday that the old man seemed a bit unsteady: he’s eighty-three, you know. That’s really an unbelievable age. It’s only women who are meant to live that long.”
“When they’ve got old-bachelor sons who would be forlorn without them,” said Mr. Irwine, laughing, and kissing his mother’s hand.
“When they have old-bachelor sons who would be lost without them,” said Mr. Irwine, laughing and kissing his mother’s hand.
Mrs. Poyser, too, met her husband’s occasional forebodings of a notice to quit with “There’s no knowing what may happen before Lady day”—one of those undeniable general propositions which are usually intended to convey a particular meaning very far from undeniable. But it is really too hard upon human nature that it should be held a criminal offence to imagine the death even of the king when he is turned eighty-three. It is not to be believed that any but the dullest Britons can be good subjects under that hard condition.
Mrs. Poyser also met her husband’s occasional worries about a notice to vacate with, “You never know what might happen before Lady Day”—one of those undeniable statements that usually means something quite different. But it really is too harsh on human nature that it’s considered a crime to even think about the death of the king when he’s turned eighty-three. It’s hard to believe that anyone but the most unthinking Britons can be loyal subjects under such a tough expectation.
Apart from this foreboding, things went on much as usual in the Poyser household. Mrs. Poyser thought she noticed a surprising improvement in Hetty. To be sure, the girl got “closer tempered, and sometimes she seemed as if there’d be no drawing a word from her with cart-ropes,” but she thought much less about her dress, and went after the work quite eagerly, without any telling. And it was wonderful how she never wanted to go out now—indeed, could hardly be persuaded to go; and she bore her aunt’s putting a stop to her weekly lesson in fine-work at the Chase without the least grumbling or pouting. It must be, after all, that she had set her heart on Adam at last, and her sudden freak of wanting to be a lady’s maid must have been caused by some little pique or misunderstanding between them, which had passed by. For whenever Adam came to the Hall Farm, Hetty seemed to be in better spirits and to talk more than at other times, though she was almost sullen when Mr. Craig or any other admirer happened to pay a visit there.
Apart from this gloomy feeling, things went on pretty much as usual in the Poyser household. Mrs. Poyser thought she noticed a surprising change in Hetty. Sure, the girl got “short-tempered, and sometimes she seemed like you couldn't get a word out of her no matter what,” but she thought about her dress a lot less and went after the work quite eagerly, without needing to be told. It was amazing how she never wanted to go out now—really, she could hardly be convinced to go; and she accepted her aunt stopping her weekly lesson in fine-work at the Chase without any fuss or sulking. It must be that she finally set her heart on Adam, and her sudden desire to be a lady’s maid must have been caused by some minor upset or misunderstanding between them that had blown over. Because whenever Adam came to the Hall Farm, Hetty seemed in better spirits and talked more than usual, although she was almost sullen when Mr. Craig or any other admirer happened to visit.
Adam himself watched her at first with trembling anxiety, which gave way to surprise and delicious hope. Five days after delivering Arthur’s letter, he had ventured to go to the Hall Farm again—not without dread lest the sight of him might be painful to her. She was not in the house-place when he entered, and he sat talking to Mr. and Mrs. Poyser for a few minutes with a heavy fear on his heart that they might presently tell him Hetty was ill. But by and by there came a light step that he knew, and when Mrs. Poyser said, “Come, Hetty, where have you been?” Adam was obliged to turn round, though he was afraid to see the changed look there must be in her face. He almost started when he saw her smiling as if she were pleased to see him—looking the same as ever at a first glance, only that she had her cap on, which he had never seen her in before when he came of an evening. Still, when he looked at her again and again as she moved about or sat at her work, there was a change: the cheeks were as pink as ever, and she smiled as much as she had ever done of late, but there was something different in her eyes, in the expression of her face, in all her movements, Adam thought—something harder, older, less child-like. “Poor thing!” he said to himself, “that’s allays likely. It’s because she’s had her first heartache. But she’s got a spirit to bear up under it. Thank God for that.”
Adam watched her at first with nervous anxiety, which turned into surprise and comforting hope. Five days after sending Arthur’s letter, he had dared to visit the Hall Farm again—not without fear that seeing him might hurt her. She wasn’t in the main room when he arrived, and he chatted with Mr. and Mrs. Poyser for a few minutes, feeling a heavy dread in his heart that they might soon tell him Hetty was unwell. Eventually, he heard a light step he recognized, and when Mrs. Poyser said, “Come, Hetty, where have you been?” Adam had to turn around, though he feared seeing the changes in her face. He nearly jumped when he saw her smiling as if she was happy to see him—looking just as she always did at first glance, except she was wearing her cap, which he had never seen her in before during his evening visits. Still, as he looked at her again and again while she moved around or sat working, he noticed a change: her cheeks were just as pink as ever, and she smiled as much as she had recently, but there was something different in her eyes, in the expression on her face, in all her movements, Adam thought—something harder, more mature, less child-like. “Poor thing!” he said to himself, “that’s likely to happen. It’s because she’s had her first heartache. But she has the strength to handle it. Thank God for that.”
As the weeks went by, and he saw her always looking pleased to see him—turning up her lovely face towards him as if she meant him to understand that she was glad for him to come—and going about her work in the same equable way, making no sign of sorrow, he began to believe that her feeling towards Arthur must have been much slighter than he had imagined in his first indignation and alarm, and that she had been able to think of her girlish fancy that Arthur was in love with her and would marry her as a folly of which she was timely cured. And it perhaps was, as he had sometimes in his more cheerful moments hoped it would be—her heart was really turning with all the more warmth towards the man she knew to have a serious love for her.
As the weeks passed and he noticed her always looking happy to see him—lifting her beautiful face towards him as if to show she was glad he came—and going about her work in the same calm manner, showing no signs of sadness, he started to think that her feelings for Arthur were probably much less intense than he had thought in his initial anger and worry. He believed she had managed to see her youthful notion that Arthur loved her and would marry her as a childish fantasy she had outgrown. And maybe that was the case, as he had sometimes hoped during his more optimistic moments—her heart was genuinely starting to warm even more towards the man who truly loved her.
Possibly you think that Adam was not at all sagacious in his interpretations, and that it was altogether extremely unbecoming in a sensible man to behave as he did—falling in love with a girl who really had nothing more than her beauty to recommend her, attributing imaginary virtues to her, and even condescending to cleave to her after she had fallen in love with another man, waiting for her kind looks as a patient trembling dog waits for his master’s eye to be turned upon him. But in so complex a thing as human nature, we must consider, it is hard to find rules without exceptions. Of course, I know that, as a rule, sensible men fall in love with the most sensible women of their acquaintance, see through all the pretty deceits of coquettish beauty, never imagine themselves loved when they are not loved, cease loving on all proper occasions, and marry the woman most fitted for them in every respect—indeed, so as to compel the approbation of all the maiden ladies in their neighbourhood. But even to this rule an exception will occur now and then in the lapse of centuries, and my friend Adam was one. For my own part, however, I respect him none the less—nay, I think the deep love he had for that sweet, rounded, blossom-like, dark-eyed Hetty, of whose inward self he was really very ignorant, came out of the very strength of his nature and not out of any inconsistent weakness. Is it any weakness, pray, to be wrought on by exquisite music? To feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibres of life where no memory can penetrate, and binding together your whole being past and present in one unspeakable vibration, melting you in one moment with all the tenderness, all the love that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learnt lessons of self-renouncing sympathy, blending your present joy with past sorrow and your present sorrow with all your past joy? If not, then neither is it a weakness to be so wrought upon by the exquisite curves of a woman’s cheek and neck and arms, by the liquid depths of her beseeching eyes, or the sweet childish pout of her lips. For the beauty of a lovely woman is like music: what can one say more? Beauty has an expression beyond and far above the one woman’s soul that it clothes, as the words of genius have a wider meaning than the thought that prompted them. It is more than a woman’s love that moves us in a woman’s eyes—it seems to be a far-off mighty love that has come near to us, and made speech for itself there; the rounded neck, the dimpled arm, move us by something more than their prettiness—by their close kinship with all we have known of tenderness and peace. The noblest nature sees the most of this impersonal expression in beauty (it is needless to say that there are gentlemen with whiskers dyed and undyed who see none of it whatever), and for this reason, the noblest nature is often the most blinded to the character of the one woman’s soul that the beauty clothes. Whence, I fear, the tragedy of human life is likely to continue for a long time to come, in spite of mental philosophers who are ready with the best receipts for avoiding all mistakes of the kind.
You might think that Adam wasn’t very wise in his views, and that it was completely inappropriate for a sensible guy to act as he did—falling in love with a girl who really only had her looks to recommend her, imagining virtues in her that didn’t exist, and even settling for her after she had fallen for another guy, waiting for her affectionate glances like a patient dog waits for its owner’s attention. But when it comes to something as complex as human nature, it’s tough to find rules without exceptions. I know that generally, sensible men fall for the most sensible women they know, see through the pretty tricks of flirty beauty, never assume they’re loved when they aren’t, stop loving when it’s appropriate, and marry the woman who fits them best in every way—even to impress the single ladies in their community. But now and then, there’s an exception to this rule over the centuries, and my friend Adam was one of them. Nonetheless, I respect him just the same—actually, I believe his deep love for the sweet, rounded, blossom-like, dark-eyed Hetty, of whom he really knew little, came from the very strength of his character, not from any foolish weakness. Is it a weakness, I ask, to be moved by beautiful music? To feel its amazing harmonies exploring the hidden corners of your soul, touching the delicate threads of life where memory can’t reach, and blending your entire existence—past and present—in one indescribable feeling, combining all the warmth and love accrued through difficult years into one brave or resigned emotion, merging your current joy with past sorrow and present sorrow with all your past joy? If not, then it’s also not a weakness to be so affected by the lovely curves of a woman’s cheek, neck, and arms, by the liquid depth of her pleading eyes, or the sweet, childlike pout of her lips. The beauty of a beautiful woman is like music: what more can be said? Beauty expresses something beyond—and far above—the soul of the woman it adorns, just as a genius’s words convey a broader meaning than the thought behind them. It’s more than a woman’s love that captivates us in her eyes—it seems like a distant, powerful love that has approached us and made itself known there; the graceful neck and dimpled arm move us with something deeper than their beauty—they resonate with everything we’ve ever known about tenderness and peace. The noblest souls perceive this impersonal quality in beauty (needless to say, there are men—with and without dyed whiskers—who see none of it at all), and for this reason, the noblest souls are often most blind to the character of the one woman’s soul behind that beauty. Hence, I fear, the tragedy of human life is likely to persist for a long time, despite the mental philosophers who have the best advice on how to avoid such mistakes.
Our good Adam had no fine words into which he could put his feeling for Hetty: he could not disguise mystery in this way with the appearance of knowledge; he called his love frankly a mystery, as you have heard him. He only knew that the sight and memory of her moved him deeply, touching the spring of all love and tenderness, all faith and courage within him. How could he imagine narrowness, selfishness, hardness in her? He created the mind he believed in out of his own, which was large, unselfish, tender.
Our good Adam didn't have fancy words to express his feelings for Hetty: he couldn’t mask the mystery with a facade of knowledge; he simply called his love a mystery, just like you’ve heard him say. He only knew that seeing her and remembering her affected him deeply, stirring all the love, tenderness, faith, and courage within him. How could he think of her as narrow-minded, selfish, or harsh? He envisioned the person he believed in based on his own perspective, which was generous, selfless, and caring.
The hopes he felt about Hetty softened a little his feeling towards Arthur. Surely his attentions to Hetty must have been of a slight kind; they were altogether wrong, and such as no man in Arthur’s position ought to have allowed himself, but they must have had an air of playfulness about them, which had probably blinded him to their danger and had prevented them from laying any strong hold on Hetty’s heart. As the new promise of happiness rose for Adam, his indignation and jealousy began to die out. Hetty was not made unhappy; he almost believed that she liked him best; and the thought sometimes crossed his mind that the friendship which had once seemed dead for ever might revive in the days to come, and he would not have to say “good-bye” to the grand old woods, but would like them better because they were Arthur’s. For this new promise of happiness following so quickly on the shock of pain had an intoxicating effect on the sober Adam, who had all his life been used to much hardship and moderate hope. Was he really going to have an easy lot after all? It seemed so, for at the beginning of November, Jonathan Burge, finding it impossible to replace Adam, had at last made up his mind to offer him a share in the business, without further condition than that he should continue to give his energies to it and renounce all thought of having a separate business of his own. Son-in-law or no son-in-law, Adam had made himself too necessary to be parted with, and his headwork was so much more important to Burge than his skill in handicraft that his having the management of the woods made little difference in the value of his services; and as to the bargains about the squire’s timber, it would be easy to call in a third person. Adam saw here an opening into a broadening path of prosperous work such as he had thought of with ambitious longing ever since he was a lad: he might come to build a bridge, or a town hall, or a factory, for he had always said to himself that Jonathan Burge’s building business was like an acorn, which might be the mother of a great tree. So he gave his hand to Burge on that bargain, and went home with his mind full of happy visions, in which (my refined reader will perhaps be shocked when I say it) the image of Hetty hovered, and smiled over plans for seasoning timber at a trifling expense, calculations as to the cheapening of bricks per thousand by water-carriage, and a favourite scheme for the strengthening of roofs and walls with a peculiar form of iron girder. What then? Adam’s enthusiasm lay in these things; and our love is inwrought in our enthusiasm as electricity is inwrought in the air, exalting its power by a subtle presence.
The hopes he felt about Hetty softened his feelings toward Arthur a bit. Surely, his interest in Hetty must have been minor; it was completely inappropriate, especially for someone in Arthur’s position, but there must have been a playful vibe to it that probably blinded him to the risks and kept it from really affecting Hetty’s heart. As new possibilities for happiness appeared for Adam, his anger and jealousy started to fade. Hetty wasn’t unhappy; he almost believed she liked him best. The thought occasionally crossed his mind that the friendship which had once seemed lost forever might come back in the future, and he wouldn’t have to say “good-bye” to the beautiful old woods, but would actually appreciate them more because they were Arthur’s. This new promise of happiness, following so soon after the painful shock, had a thrilling effect on the grounded Adam, who had always dealt with a lot of hardship and only moderate hope. Was he really going to have an easy life after all? It seemed possible, because at the beginning of November, Jonathan Burge, unable to find a replacement for Adam, finally decided to offer him a share in the business, with the only condition being that he would keep contributing to it and give up any idea of starting his own separate business. Whether he was a son-in-law or not, Adam had made himself too important to let go, and his strategic thinking was far more valuable to Burge than his practical skills, so having management of the woods didn’t change the value of his contributions much; as for the deals about the squire’s timber, it would be easy to involve a third person. Adam saw this as a chance to step onto a broader path of successful work that he had dreamed about with eager anticipation since he was a kid: he might end up building a bridge, a town hall, or a factory, because he had always thought of Jonathan Burge’s construction business as an acorn that could grow into a mighty tree. So he shook hands with Burge on that deal and went home filled with hopeful visions, in which (my refined reader might be shocked to hear) the image of Hetty floated, smiling over plans for seasoning timber at a low cost, calculations on reducing brick costs per thousand through water transport, and a favorite idea for strengthening roofs and walls with a special type of iron girder. What of it? Adam's passion lay in these things; our love intertwines with our enthusiasm, just as electricity weaves through the air, enhancing its power with a subtle presence.
Adam would be able to take a separate house now, and provide for his mother in the old one; his prospects would justify his marrying very soon, and if Dinah consented to have Seth, their mother would perhaps be more contented to live apart from Adam. But he told himself that he would not be hasty—he would not try Hetty’s feeling for him until it had had time to grow strong and firm. However, tomorrow, after church, he would go to the Hall Farm and tell them the news. Mr. Poyser, he knew, would like it better than a five-pound note, and he should see if Hetty’s eyes brightened at it. The months would be short with all he had to fill his mind, and this foolish eagerness which had come over him of late must not hurry him into any premature words. Yet when he got home and told his mother the good news, and ate his supper, while she sat by almost crying for joy and wanting him to eat twice as much as usual because of this good-luck, he could not help preparing her gently for the coming change by talking of the old house being too small for them all to go on living in it always.
Adam could now get a separate house and take care of his mother in the old one; his prospects were good enough for him to think about marrying soon, and if Dinah agreed to be with Seth, their mother might be more comfortable living apart from Adam. But he reminded himself not to rush things—he wouldn’t test Hetty’s feelings for him until they had time to grow strong and stable. However, tomorrow after church, he planned to go to the Hall Farm and share the news. He knew Mr. Poyser would appreciate it more than a five-pound note, and he wanted to see if Hetty's eyes lit up at the news. The months would pass quickly with everything on his mind, and he needed to keep this sudden eagerness from making him say anything too soon. Yet when he got home and told his mother the good news, and ate his supper while she sat next to him nearly in tears from joy, wanting him to eat twice as much as usual because of this good fortune, he couldn’t help but gently prepare her for the upcoming change by mentioning that the old house was getting too small for all of them to continue living there together.
Chapter XXXIV
The Betrothal
It was a dry Sunday, and really a pleasant day for the 2d of November. There was no sunshine, but the clouds were high, and the wind was so still that the yellow leaves which fluttered down from the hedgerow elms must have fallen from pure decay. Nevertheless, Mrs. Poyser did not go to church, for she had taken a cold too serious to be neglected; only two winters ago she had been laid up for weeks with a cold; and since his wife did not go to church, Mr. Poyser considered that on the whole it would be as well for him to stay away too and “keep her company.” He could perhaps have given no precise form to the reasons that determined this conclusion, but it is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium. However it was, no one from the Poyser family went to church that afternoon except Hetty and the boys; yet Adam was bold enough to join them after church, and say that he would walk home with them, though all the way through the village he appeared to be chiefly occupied with Marty and Tommy, telling them about the squirrels in Binton Coppice, and promising to take them there some day. But when they came to the fields he said to the boys, “Now, then, which is the stoutest walker? Him as gets to th’ home-gate first shall be the first to go with me to Binton Coppice on the donkey. But Tommy must have the start up to the next stile, because he’s the smallest.”
It was a dry Sunday and actually a nice day for November 2nd. There was no sunshine, but the clouds were high, and the wind was so still that the yellow leaves fluttering down from the hedgerow elms must have fallen from pure decay. Still, Mrs. Poyser didn’t go to church because she had caught a cold that was too serious to ignore; just two winters ago, she had been stuck in bed for weeks with a cold. Since his wife wasn’t going to church, Mr. Poyser figured it would be best for him to stay home too and “keep her company.” He might not have been able to clearly articulate the reasons behind this choice, but anyone with experience knows that our strongest beliefs often rely on subtle feelings that words can’t quite capture. Anyway, no one from the Poyser family went to church that afternoon except Hetty and the boys; however, Adam was bold enough to join them after church and said he would walk home with them. All the way through the village, he seemed mostly focused on Marty and Tommy, telling them about the squirrels in Binton Coppice and promising to take them there someday. But when they reached the fields, he said to the boys, “Alright, who’s the strongest walker? Whoever gets to the home gate first gets to be the first to go with me to Binton Coppice on the donkey. But Tommy gets a head start to the next stile because he’s the smallest.”
Adam had never behaved so much like a determined lover before. As soon as the boys had both set off, he looked down at Hetty and said, “Won’t you hang on my arm, Hetty?” in a pleading tone, as if he had already asked her and she had refused. Hetty looked up at him smilingly and put her round arm through his in a moment. It was nothing to her, putting her arm through Adam’s, but she knew he cared a great deal about having her arm through his, and she wished him to care. Her heart beat no faster, and she looked at the half-bare hedgerows and the ploughed field with the same sense of oppressive dulness as before. But Adam scarcely felt that he was walking. He thought Hetty must know that he was pressing her arm a little—a very little. Words rushed to his lips that he dared not utter—that he had made up his mind not to utter yet—and so he was silent for the length of that field. The calm patience with which he had once waited for Hetty’s love, content only with her presence and the thought of the future, had forsaken him since that terrible shock nearly three months ago. The agitations of jealousy had given a new restlessness to his passion—had made fear and uncertainty too hard almost to bear. But though he might not speak to Hetty of his love, he would tell her about his new prospects and see if she would be pleased. So when he was enough master of himself to talk, he said, “I’m going to tell your uncle some news that’ll surprise him, Hetty; and I think he’ll be glad to hear it too.”
Adam had never acted so much like a determined lover before. As soon as the boys left, he looked down at Hetty and said, “Won’t you hang on my arm, Hetty?” in a pleading tone, as if he had already asked her and she had said no. Hetty smiled at him and quickly put her round arm through his. It was no big deal for her to link her arm with Adam's, but she knew it meant a lot to him, and she wanted him to feel that way. Her heart didn't race, and she looked at the half-bare hedgerows and the ploughed field with the same oppressive dullness as before. But Adam barely felt like he was walking. He thought Hetty must know he was gently pressing her arm—a very little bit. Words rushed to his lips that he didn't dare say—that he had decided not to say yet—so he stayed silent for the length of that field. The calm patience with which he once waited for Hetty’s love, content only with her presence and the thought of their future, had left him since that terrible shock nearly three months ago. The agitations of jealousy had brought a new restlessness to his passion—making fear and uncertainty almost unbearable. But even though he couldn't speak to Hetty about his love, he would share his new prospects with her and see if she'd be happy. So when he had enough self-control to talk, he said, “I’m going to tell your uncle some news that’ll surprise him, Hetty; and I think he’ll be glad to hear it too.”
“What’s that?” Hetty said indifferently.
"What’s that?" Hetty said casually.
“Why, Mr. Burge has offered me a share in his business, and I’m going to take it.”
“Mr. Burge has offered me a stake in his business, and I’m going to accept it.”
There was a change in Hetty’s face, certainly not produced by any agreeable impression from this news. In fact she felt a momentary annoyance and alarm, for she had so often heard it hinted by her uncle that Adam might have Mary Burge and a share in the business any day, if he liked, that she associated the two objects now, and the thought immediately occurred that perhaps Adam had given her up because of what had happened lately, and had turned towards Mary Burge. With that thought, and before she had time to remember any reasons why it could not be true, came a new sense of forsakenness and disappointment. The one thing—the one person—her mind had rested on in its dull weariness, had slipped away from her, and peevish misery filled her eyes with tears. She was looking on the ground, but Adam saw her face, saw the tears, and before he had finished saying, “Hetty, dear Hetty, what are you crying for?” his eager rapid thought had flown through all the causes conceivable to him, and had at last alighted on half the true one. Hetty thought he was going to marry Mary Burge—she didn’t like him to marry—perhaps she didn’t like him to marry any one but herself? All caution was swept away—all reason for it was gone, and Adam could feel nothing but trembling joy. He leaned towards her and took her hand, as he said:
There was a shift in Hetty’s expression, definitely not brought on by any positive reaction to this news. In fact, she felt a brief mix of annoyance and worry because she had often heard her uncle hint that Adam could have Mary Burge and a stake in the business whenever he wanted. Now, she connected the two ideas, and it hit her that maybe Adam had chosen to let her go because of what had happened recently and was turning his attention to Mary Burge. With that thought, and before she could remind herself why it might not be true, a fresh wave of abandonment and disappointment washed over her. The one thing—the one person—her weary mind had clung to had slipped away, filling her eyes with tears of frustration. She was looking down, but Adam noticed her face and the tears, and before he had even finished saying, “Hetty, dear Hetty, what are you crying for?” his mind raced through all the possible reasons, eventually landing on part of the truth. Hetty thought he was going to marry Mary Burge—she didn’t want him to marry—maybe she didn’t want him to marry anyone but her? All caution disappeared—all reasons to hold back were gone, and Adam could only feel a thrilling joy. He leaned toward her and took her hand as he said:
“I could afford to be married now, Hetty—I could make a wife comfortable; but I shall never want to be married if you won’t have me.”
“I can afford to be married now, Hetty—I can provide for a wife; but I will never want to get married if you won’t have me.”
Hetty looked up at him and smiled through her tears, as she had done to Arthur that first evening in the wood, when she had thought he was not coming, and yet he came. It was a feebler relief, a feebler triumph she felt now, but the great dark eyes and the sweet lips were as beautiful as ever, perhaps more beautiful, for there was a more luxuriant womanliness about Hetty of late. Adam could hardly believe in the happiness of that moment. His right hand held her left, and he pressed her arm close against his heart as he leaned down towards her.
Hetty looked up at him and smiled through her tears, just like she had done with Arthur that first evening in the woods when she thought he wasn’t coming, but he did. It was a weaker relief, a smaller triumph she felt now, but her big dark eyes and sweet lips were just as beautiful as ever—maybe even more beautiful, because there was a richer femininity about Hetty lately. Adam could hardly believe the happiness of that moment. His right hand held her left, and he pressed her arm close to his heart as he leaned down toward her.
“Do you really love me, Hetty? Will you be my own wife, to love and take care of as long as I live?”
“Do you really love me, Hetty? Will you be my wife, to love and care for as long as I live?”
Hetty did not speak, but Adam’s face was very close to hers, and she put up her round cheek against his, like a kitten. She wanted to be caressed—she wanted to feel as if Arthur were with her again.
Hetty didn’t say anything, but Adam’s face was close to hers, and she pressed her round cheek against his, like a kitten. She craved affection—she wanted to feel as if Arthur was with her again.
Adam cared for no words after that, and they hardly spoke through the rest of the walk. He only said, “I may tell your uncle and aunt, mayn’t I, Hetty?” and she said, “Yes.”
Adam didn’t care for any words after that, and they barely talked for the rest of the walk. He just said, “Can I tell your uncle and aunt, right, Hetty?” and she replied, “Yes.”
The red fire-light on the hearth at the Hall Farm shone on joyful faces that evening, when Hetty was gone upstairs and Adam took the opportunity of telling Mr. and Mrs. Poyser and the grandfather that he saw his way to maintaining a wife now, and that Hetty had consented to have him.
The red glow from the fire in the Hall Farm lit up the happy faces that evening when Hetty went upstairs, and Adam took the chance to tell Mr. and Mrs. Poyser and the grandfather that he was ready to support a wife now, and that Hetty had agreed to be with him.
“I hope you have no objections against me for her husband,” said Adam; “I’m a poor man as yet, but she shall want nothing as I can work for.”
“I hope you don’t mind me being her husband,” said Adam. “I may be a poor man right now, but I’ll make sure she has everything she needs as I work for it.”
“Objections?” said Mr. Poyser, while the grandfather leaned forward and brought out his long “Nay, nay.” “What objections can we ha’ to you, lad? Never mind your being poorish as yet; there’s money in your head-piece as there’s money i’ the sown field, but it must ha’ time. You’n got enough to begin on, and we can do a deal tow’rt the bit o’ furniture you’ll want. Thee’st got feathers and linen to spare—plenty, eh?”
“Objections?” Mr. Poyser asked, as the grandfather leaned in and shook his head. “What objections do we have against you, kid? Don't worry about being a bit short on cash right now; you’ve got the smarts to make money just like a good harvest from a field, but it takes time. You’ve got enough to get started, and we can help a lot with the furniture you’ll need. You’ve got feathers and linens to spare—plenty, right?”
This question was of course addressed to Mrs. Poyser, who was wrapped up in a warm shawl and was too hoarse to speak with her usual facility. At first she only nodded emphatically, but she was presently unable to resist the temptation to be more explicit.
This question was obviously directed at Mrs. Poyser, who was bundled up in a warm shawl and her voice was too hoarse to speak as easily as usual. At first, she just nodded firmly, but soon she couldn’t resist the temptation to be more specific.
“It ud be a poor tale if I hadna feathers and linen,” she said, hoarsely, “when I never sell a fowl but what’s plucked, and the wheel’s a-going every day o’ the week.”
“It would be a bad story if I didn't have feathers and linen,” she said hoarsely, “when I never sell a bird that isn’t plucked, and the wheel's turning every day of the week.”
“Come, my wench,” said Mr. Poyser, when Hetty came down, “come and kiss us, and let us wish you luck.”
“Come here, my girl,” Mr. Poyser said when Hetty came down, “come and kiss us, and let's wish you good luck.”
Hetty went very quietly and kissed the big good-natured man.
Hetty quietly walked over and kissed the friendly big man.
“There!” he said, patting her on the back, “go and kiss your aunt and your grandfather. I’m as wishful t’ have you settled well as if you was my own daughter; and so’s your aunt, I’ll be bound, for she’s done by you this seven ’ear, Hetty, as if you’d been her own. Come, come, now,” he went on, becoming jocose, as soon as Hetty had kissed her aunt and the old man, “Adam wants a kiss too, I’ll warrant, and he’s a right to one now.”
“There!” he said, giving her a pat on the back, “go give your aunt and your grandfather a kiss. I want you to be settled as much as if you were my own daughter; and I bet your aunt feels the same, since she’s taken care of you for seven years, Hetty, as if you were her own. Come on now,” he continued, lightening the mood as soon as Hetty had kissed her aunt and the old man, “I’m sure Adam wants a kiss too, and he deserves one now.”
Hetty turned away, smiling, towards her empty chair.
Hetty turned away, smiling, at her empty chair.
“Come, Adam, then, take one,” persisted Mr. Poyser, “else y’ arena half a man.”
“Come on, Adam, take one,” Mr. Poyser insisted, “or you’re not really a whole man.”
Adam got up, blushing like a small maiden—great strong fellow as he was—and, putting his arm round Hetty stooped down and gently kissed her lips.
Adam got up, blushing like a young girl—big strong guy that he was—and, putting his arm around Hetty, leaned down and softly kissed her lips.
It was a pretty scene in the red fire-light; for there were no candles—why should there be, when the fire was so bright and was reflected from all the pewter and the polished oak? No one wanted to work on a Sunday evening. Even Hetty felt something like contentment in the midst of all this love. Adam’s attachment to her, Adam’s caress, stirred no passion in her, were no longer enough to satisfy her vanity, but they were the best her life offered her now—they promised her some change.
It was a beautiful scene in the red firelight; there were no candles—why would there be, when the fire was so bright and reflected off all the pewter and polished oak? No one wanted to work on a Sunday evening. Even Hetty felt a sense of contentment amidst all this love. Adam’s affection for her, Adam’s touch, didn’t ignite any passion in her, nor were they enough to feed her vanity anymore, but they were the best her life had to offer at that moment—they promised her some change.
There was a great deal of discussion before Adam went away, about the possibility of his finding a house that would do for him to settle in. No house was empty except the one next to Will Maskery’s in the village, and that was too small for Adam now. Mr. Poyser insisted that the best plan would be for Seth and his mother to move and leave Adam in the old home, which might be enlarged after a while, for there was plenty of space in the woodyard and garden; but Adam objected to turning his mother out.
There was a lot of talk before Adam left about whether he would be able to find a house to settle down in. The only vacant house was the one next to Will Maskery’s in the village, and that one was too small for Adam now. Mr. Poyser thought the best idea would be for Seth and their mother to move out and let Adam stay in the old home, which could be expanded later since there was plenty of space in the woodyard and garden; but Adam didn’t want to kick his mother out.
“Well, well,” said Mr. Poyser at last, “we needna fix everything to-night. We must take time to consider. You canna think o’ getting married afore Easter. I’m not for long courtships, but there must be a bit o’ time to make things comfortable.”
“Well, well,” said Mr. Poyser at last, “we don’t need to figure everything out tonight. We should take some time to think about it. You can’t expect to get married before Easter. I’m not for long engagements, but we do need a little time to make things comfortable.”
“Aye, to be sure,” said Mrs. Poyser, in a hoarse whisper; “Christian folks can’t be married like cuckoos, I reckon.”
“Yeah, for sure,” said Mrs. Poyser in a raspy whisper. “I don't think Christian people can get married like cuckoos, I guess.”
“I’m a bit daunted, though,” said Mr. Poyser, “when I think as we may have notice to quit, and belike be forced to take a farm twenty mile off.”
“I’m a bit worried, though,” said Mr. Poyser, “when I think that we might get a notice to leave, and we could end up having to take a farm twenty miles away.”
“Eh,” said the old man, staring at the floor and lifting his hands up and down, while his arms rested on the elbows of his chair, “it’s a poor tale if I mun leave th’ ould spot an be buried in a strange parish. An’ you’ll happen ha’ double rates to pay,” he added, looking up at his son.
“Eh,” said the old man, staring at the floor and moving his hands up and down as his arms rested on the elbows of his chair, “it’s a sad story if I have to leave this old place and be buried in a strange parish. And you’ll probably have to pay double rates,” he added, looking up at his son.
“Well, thee mustna fret beforehand, father,” said Martin the younger. “Happen the captain ’ull come home and make our peace wi’ th’ old squire. I build upo’ that, for I know the captain ’ll see folks righted if he can.”
“Well, you shouldn't worry ahead of time, father,” said Martin the younger. “Maybe the captain will come home and make things right with the old squire. I believe that, because I know the captain will set things straight if he can.”
Chapter XXXV
The Hidden Dread
It was a busy time for Adam—the time between the beginning of November and the beginning of February, and he could see little of Hetty, except on Sundays. But a happy time, nevertheless, for it was taking him nearer and nearer to March, when they were to be married, and all the little preparations for their new housekeeping marked the progress towards the longed-for day. Two new rooms had been “run up” to the old house, for his mother and Seth were to live with them after all. Lisbeth had cried so piteously at the thought of leaving Adam that he had gone to Hetty and asked her if, for the love of him, she would put up with his mother’s ways and consent to live with her. To his great delight, Hetty said, “Yes; I’d as soon she lived with us as not.” Hetty’s mind was oppressed at that moment with a worse difficulty than poor Lisbeth’s ways; she could not care about them. So Adam was consoled for the disappointment he had felt when Seth had come back from his visit to Snowfield and said “it was no use—Dinah’s heart wasna turned towards marrying.” For when he told his mother that Hetty was willing they should all live together and there was no more need of them to think of parting, she said, in a more contented tone than he had heard her speak in since it had been settled that he was to be married, “Eh, my lad, I’ll be as still as th’ ould tabby, an’ ne’er want to do aught but th’ offal work, as she wonna like t’ do. An’ then we needna part the platters an’ things, as ha’ stood on the shelf together sin’ afore thee wast born.”
It was a hectic time for Adam—the period between early November and early February—and he could hardly see Hetty, except on Sundays. But it was a joyful time, nonetheless, as it brought him closer to March, when they were set to get married, and all the little preparations for their new home highlighted the countdown to the eagerly awaited day. They had added two new rooms to the old house since his mother and Seth would live with them after all. Lisbeth had cried so much at the thought of leaving Adam that he went to Hetty and asked her if she would, for his sake, tolerate his mother’s habits and agree to live with her. To his great happiness, Hetty replied, “Yes; I’d just as soon she lived with us as not.” At that moment, Hetty was struggling with something worse than dealing with Lisbeth’s quirks; she just couldn’t care about them. So Adam felt reassured about the disappointment he had experienced when Seth returned from his visit to Snowfield and said, “It’s no use—Dinah’s not interested in marrying.” When he told his mother that Hetty was willing for them all to live together and there was no longer a need to think about separating, she responded in a more cheerful tone than he had heard from her since the marriage plans were announced, “Eh, my lad, I’ll be as quiet as the old tabby, and won’t want to do anything but the dirty work, since she won’t want to do it. And then we won’t have to separate the dishes and things that have been on the shelf together since before you were born.”
There was only one cloud that now and then came across Adam’s sunshine: Hetty seemed unhappy sometimes. But to all his anxious, tender questions, she replied with an assurance that she was quite contented and wished nothing different; and the next time he saw her she was more lively than usual. It might be that she was a little overdone with work and anxiety now, for soon after Christmas Mrs. Poyser had taken another cold, which had brought on inflammation, and this illness had confined her to her room all through January. Hetty had to manage everything downstairs, and half-supply Molly’s place too, while that good damsel waited on her mistress, and she seemed to throw herself so entirely into her new functions, working with a grave steadiness which was new in her, that Mr. Poyser often told Adam she was wanting to show him what a good housekeeper he would have; but he “doubted the lass was o’erdoing it—she must have a bit o’ rest when her aunt could come downstairs.”
There was only one cloud that occasionally crossed Adam’s bright days: Hetty sometimes seemed unhappy. But to all his worried, caring questions, she assured him that she was completely fine and didn’t want anything different; then the next time he saw her, she was more lively than usual. It might be that she was a little overwhelmed with work and stress recently, because soon after Christmas, Mrs. Poyser had caught another cold, which led to inflammation, and this illness kept her in her room all through January. Hetty had to handle everything downstairs and partially take over Molly’s role too, while that good woman attended to her mistress. She really threw herself into her new responsibilities, working with a seriousness that was unusual for her, so Mr. Poyser often told Adam that she was trying to show him what a great housekeeper he would have; but he “worried that the girl was overdoing it—she needed some rest when her aunt could come downstairs.”
This desirable event of Mrs. Poyser’s coming downstairs happened in the early part of February, when some mild weather thawed the last patch of snow on the Binton Hills. On one of these days, soon after her aunt came down, Hetty went to Treddleston to buy some of the wedding things which were wanting, and which Mrs. Poyser had scolded her for neglecting, observing that she supposed “it was because they were not for th’ outside, else she’d ha’ bought ’em fast enough.”
This exciting moment when Mrs. Poyser came downstairs took place in early February, when some warm weather melted the last bit of snow on the Binton Hills. On one of these days, shortly after her aunt came down, Hetty went to Treddleston to buy some of the wedding items that were needed, which Mrs. Poyser had scolded her for ignoring, noting that she thought “it was because they weren't for the outside, or else she would have bought them right away.”
It was about ten o’clock when Hetty set off, and the slight hoar-frost that had whitened the hedges in the early morning had disappeared as the sun mounted the cloudless sky. Bright February days have a stronger charm of hope about them than any other days in the year. One likes to pause in the mild rays of the sun, and look over the gates at the patient plough-horses turning at the end of the furrow, and think that the beautiful year is all before one. The birds seem to feel just the same: their notes are as clear as the clear air. There are no leaves on the trees and hedgerows, but how green all the grassy fields are! And the dark purplish brown of the ploughed earth and of the bare branches is beautiful too. What a glad world this looks like, as one drives or rides along the valleys and over the hills! I have often thought so when, in foreign countries, where the fields and woods have looked to me like our English Loamshire—the rich land tilled with just as much care, the woods rolling down the gentle slopes to the green meadows—I have come on something by the roadside which has reminded me that I am not in Loamshire: an image of a great agony—the agony of the Cross. It has stood perhaps by the clustering apple-blossoms, or in the broad sunshine by the cornfield, or at a turning by the wood where a clear brook was gurgling below; and surely, if there came a traveller to this world who knew nothing of the story of man’s life upon it, this image of agony would seem to him strangely out of place in the midst of this joyous nature. He would not know that hidden behind the apple-blossoms, or among the golden corn, or under the shrouding boughs of the wood, there might be a human heart beating heavily with anguish—perhaps a young blooming girl, not knowing where to turn for refuge from swift-advancing shame, understanding no more of this life of ours than a foolish lost lamb wandering farther and farther in the nightfall on the lonely heath, yet tasting the bitterest of life’s bitterness.
It was around ten o’clock when Hetty set off, and the light frost that had covered the hedges in the early morning had vanished as the sun rose in the clear sky. Bright February days have a stronger sense of hope than any other days of the year. One enjoys pausing in the gentle sun and looking over the gates at the patient plough horses turning at the end of the furrow, thinking that the beautiful year is ahead. The birds seem to feel the same: their songs are as clear as the crisp air. There are no leaves on the trees or hedgerows, but the grassy fields are so green! The dark purplish-brown of the ploughed earth and bare branches is beautiful too. What a joyful world this looks like as one drives or rides along the valleys and over the hills! I have often thought this when, in foreign countries where the fields and woods resembled our English Loamshire—the rich land cultivated with just as much care, the woods rolling down the gentle slopes to the green meadows—I have come across something by the roadside that reminded me I was not in Loamshire: an image of great agony—the agony of the Cross. It might have stood by the clustering apple blossoms, or in the broad sunlight by the cornfield, or at a bend by the wood where a clear brook was bubbling below; and surely, if a traveler came to this world knowing nothing of humanity's story, this image of agony would seem oddly out of place amid this joyful nature. They wouldn’t know that hidden behind the apple blossoms, or among the golden corn, or under the sheltering branches of the wood, there might be a human heart beating heavily with anguish—perhaps a young blooming girl, unsure where to turn for refuge from overwhelming shame, understanding no more of our lives than a foolish lost lamb wandering further and further into the night on the lonely heath, yet experiencing the harshest bitterness of life.
Such things are sometimes hidden among the sunny fields and behind the blossoming orchards; and the sound of the gurgling brook, if you came close to one spot behind a small bush, would be mingled for your ear with a despairing human sob. No wonder man’s religion has much sorrow in it: no wonder he needs a suffering God.
Such things are sometimes hidden among the sunny fields and behind the blooming orchards; and the sound of a gurgling brook, if you got close to one spot behind a small bush, would be mixed for you with a desperate human sob. It’s no surprise that human religion carries a lot of sorrow: no wonder we need a God who suffers.
Hetty, in her red cloak and warm bonnet, with her basket in her hand, is turning towards a gate by the side of the Treddleston road, but not that she may have a more lingering enjoyment of the sunshine and think with hope of the long unfolding year. She hardly knows that the sun is shining; and for weeks, now, when she has hoped at all, it has been for something at which she herself trembles and shudders. She only wants to be out of the high-road, that she may walk slowly and not care how her face looks, as she dwells on wretched thoughts; and through this gate she can get into a field-path behind the wide thick hedgerows. Her great dark eyes wander blankly over the fields like the eyes of one who is desolate, homeless, unloved, not the promised bride of a brave tender man. But there are no tears in them: her tears were all wept away in the weary night, before she went to sleep. At the next stile the pathway branches off: there are two roads before her—one along by the hedgerow, which will by and by lead her into the road again, the other across the fields, which will take her much farther out of the way into the Scantlands, low shrouded pastures where she will see nobody. She chooses this and begins to walk a little faster, as if she had suddenly thought of an object towards which it was worth while to hasten. Soon she is in the Scantlands, where the grassy land slopes gradually downwards, and she leaves the level ground to follow the slope. Farther on there is a clump of trees on the low ground, and she is making her way towards it. No, it is not a clump of trees, but a dark shrouded pool, so full with the wintry rains that the under boughs of the elder-bushes lie low beneath the water. She sits down on the grassy bank, against the stooping stem of the great oak that hangs over the dark pool. She has thought of this pool often in the nights of the month that has just gone by, and now at last she is come to see it. She clasps her hands round her knees, and leans forward, and looks earnestly at it, as if trying to guess what sort of bed it would make for her young round limbs.
Hetty, in her red cloak and cozy bonnet, with her basket in hand, is turning towards a gate by the side of the Treddleston road, but not because she wants to enjoy the sunshine or look forward to the unfolding year. She barely notices that the sun is shining; for weeks now, when she has hoped for anything, it has been for something that makes her tremble and shudder. She just wants to get off the main road so she can walk slowly and not worry about how her face looks while she thinks about her miserable thoughts; through this gate, she can get onto a field path behind the thick hedgerows. Her large dark eyes wander blankly over the fields like someone who feels lost, homeless, unloved, not the future bride of a brave, caring man. But there are no tears in her eyes: she has cried all her tears away during the exhausting night before she fell asleep. At the next stile, the path splits: there are two options ahead of her—one alongside the hedgerow, which will eventually lead her back to the road, and the other across the fields, which will take her much farther out of the way into the Scantlands, low, misty pastures where she won’t see a soul. She picks this route and starts to walk a bit faster, as if she’s suddenly remembered something worth hurrying toward. Soon she finds herself in the Scantlands, where the grassy land slopes gradually downward, and she leaves the flat ground to follow the slope. Ahead, there’s a cluster of trees in the low ground, and she heads toward it. No, it’s not a group of trees, but a dark, hidden pool, filled to the brim with winter rains, so much so that the lower branches of the elder bushes are submerged. She sits down on the grassy bank against the leaning trunk of the big oak that hangs over the dark water. She has thought about this pool often during the nights of the past month, and now she has finally come to see it. She wraps her hands around her knees, leans forward, and gazes intently at it, as if trying to imagine what kind of resting place it would be for her young, round limbs.
No, she has not courage to jump into that cold watery bed, and if she had, they might find her—they might find out why she had drowned herself. There is but one thing left to her: she must go away, go where they can’t find her.
No, she doesn't have the courage to jump into that cold, watery bed, and even if she did, they might find her—they might discover why she drowned herself. There's only one thing left for her: she has to leave, go somewhere they can't find her.
After the first on-coming of her great dread, some weeks after her betrothal to Adam, she had waited and waited, in the blind vague hope that something would happen to set her free from her terror; but she could wait no longer. All the force of her nature had been concentrated on the one effort of concealment, and she had shrunk with irresistible dread from every course that could tend towards a betrayal of her miserable secret. Whenever the thought of writing to Arthur had occurred to her, she had rejected it. He could do nothing for her that would shelter her from discovery and scorn among the relatives and neighbours who once more made all her world, now her airy dream had vanished. Her imagination no longer saw happiness with Arthur, for he could do nothing that would satisfy or soothe her pride. No, something else would happen—something must happen—to set her free from this dread. In young, childish, ignorant souls there is constantly this blind trust in some unshapen chance: it is as hard to a boy or girl to believe that a great wretchedness will actually befall them as to believe that they will die.
After her overwhelming fear first hit, a few weeks after she got engaged to Adam, she waited and waited, holding onto a faint hope that something would happen to free her from her terror; but she couldn’t wait any longer. All her energy had been focused on the effort of hiding her terrible secret, and she had recoiled with unstoppable dread from any action that might lead to revealing it. Whenever the idea of writing to Arthur crossed her mind, she dismissed it. He could do nothing to protect her from being discovered and judged by the relatives and neighbors who still made up her world, now that her once hopeful dream had faded. She could no longer envision happiness with Arthur, since he could offer nothing that would satisfy or calm her pride. No, something else had to happen—something must happen—to free her from this fear. In young, naïve, innocent souls, there’s often this blind trust in an undefined chance: it's just as hard for a boy or girl to believe that a great misery could actually happen to them as it is to believe that they will die.
But now necessity was pressing hard upon her—now the time of her marriage was close at hand—she could no longer rest in this blind trust. She must run away; she must hide herself where no familiar eyes could detect her; and then the terror of wandering out into the world, of which she knew nothing, made the possibility of going to Arthur a thought which brought some comfort with it. She felt so helpless now, so unable to fashion the future for herself, that the prospect of throwing herself on him had a relief in it which was stronger than her pride. As she sat by the pool and shuddered at the dark cold water, the hope that he would receive her tenderly—that he would care for her and think for her—was like a sense of lulling warmth, that made her for the moment indifferent to everything else; and she began now to think of nothing but the scheme by which she should get away.
But now she was feeling the pressure of necessity—her wedding was just around the corner—and she could no longer rely on this blind faith. She had to escape; she had to hide where no one she knew could see her; and the fear of stepping out into the unknown world made the idea of going to Arthur feel somewhat comforting. She felt so powerless now, so unable to shape her own future, that the thought of turning to him was more relieving than her pride. As she sat by the pool, shivering at the dark, cold water, the hope that he would welcome her with open arms—that he would care for her and think on her behalf—felt like a soothing warmth, making her temporarily indifferent to everything else; and she started to focus solely on how she could get away.
She had had a letter from Dinah lately, full of kind words about the coming marriage, which she had heard of from Seth; and when Hetty had read this letter aloud to her uncle, he had said, “I wish Dinah ’ud come again now, for she’d be a comfort to your aunt when you’re gone. What do you think, my wench, o’ going to see her as soon as you can be spared and persuading her to come back wi’ you? You might happen persuade her wi’ telling her as her aunt wants her, for all she writes o’ not being able to come.” Hetty had not liked the thought of going to Snowfield, and felt no longing to see Dinah, so she only said, “It’s so far off, Uncle.” But now she thought this proposed visit would serve as a pretext for going away. She would tell her aunt when she got home again that she should like the change of going to Snowfield for a week or ten days. And then, when she got to Stoniton, where nobody knew her, she would ask for the coach that would take her on the way to Windsor. Arthur was at Windsor, and she would go to him.
She recently received a letter from Dinah, filled with kind words about the upcoming marriage, which she learned about from Seth. When Hetty read the letter aloud to her uncle, he said, “I wish Dinah would come back now because she’d be a comfort to your aunt when you’re gone. What do you think, my girl, about going to see her as soon as you can and convincing her to come back with you? You might be able to persuade her by telling her that her aunt wants her, even though she says she can’t come.” Hetty didn’t like the idea of going to Snowfield and didn’t feel eager to see Dinah, so she just said, “It’s so far away, Uncle.” But now, she thought this proposed visit could be a good excuse to get away. She would tell her aunt when she got home that she wanted a change and would like to go to Snowfield for a week or ten days. Then, when she reached Stoniton, where no one knew her, she would ask for the coach that would take her towards Windsor. Arthur was in Windsor, and she planned to go to him.
As soon as Hetty had determined on this scheme, she rose from the grassy bank of the pool, took up her basket, and went on her way to Treddleston, for she must buy the wedding things she had come out for, though she would never want them. She must be careful not to raise any suspicion that she was going to run away.
As soon as Hetty decided on this plan, she got up from the grassy bank by the pool, picked up her basket, and continued her journey to Treddleston, since she needed to buy the wedding items she had come for, even though she would never actually use them. She had to be careful not to arouse any suspicion that she was planning to run away.
Mrs. Poyser was quite agreeably surprised that Hetty wished to go and see Dinah and try to bring her back to stay over the wedding. The sooner she went the better, since the weather was pleasant now; and Adam, when he came in the evening, said, if Hetty could set off to-morrow, he would make time to go with her to Treddleston and see her safe into the Stoniton coach.
Mrs. Poyser was pleasantly surprised that Hetty wanted to go see Dinah and try to bring her back for the wedding. The sooner she left, the better, since the weather was nice right now; and Adam, when he came in the evening, said that if Hetty could leave tomorrow, he would make time to go with her to Treddleston and make sure she got on the Stoniton coach safely.
“I wish I could go with you and take care of you, Hetty,” he said, the next morning, leaning in at the coach door; “but you won’t stay much beyond a week—the time ’ull seem long.”
“I wish I could go with you and take care of you, Hetty,” he said the next morning, leaning in at the coach door; “but you won’t stay much longer than a week—the time will feel long.”
He was looking at her fondly, and his strong hand held hers in its grasp. Hetty felt a sense of protection in his presence—she was used to it now: if she could have had the past undone and known no other love than her quiet liking for Adam! The tears rose as she gave him the last look.
He was gazing at her affectionately, and his strong hand held hers firmly. Hetty felt a sense of safety with him—she was accustomed to it now: if only she could erase the past and experience no other love besides her gentle fondness for Adam! Tears filled her eyes as she gave him one last look.
“God bless her for loving me,” said Adam, as he went on his way to work again, with Gyp at his heels.
“God bless her for loving me,” said Adam, as he headed to work again, with Gyp following closely behind.
But Hetty’s tears were not for Adam—not for the anguish that would come upon him when he found she was gone from him for ever. They were for the misery of her own lot, which took her away from this brave tender man who offered up his whole life to her, and threw her, a poor helpless suppliant, on the man who would think it a misfortune that she was obliged to cling to him.
But Hetty’s tears weren't for Adam—not for the pain he would feel when he realized she was gone from his life forever. They were for the misery of her own situation, which forced her away from this brave, caring man who devoted his entire life to her and left her, a poor, helpless beggar, dependent on the man who would see it as a burden that she needed to rely on him.
At three o’clock that day, when Hetty was on the coach that was to take her, they said, to Leicester—part of the long, long way to Windsor—she felt dimly that she might be travelling all this weary journey towards the beginning of new misery.
At three o’clock that day, when Hetty was on the coach that was supposed to take her to Leicester—part of the long, exhausting trip to Windsor—she had a vague feeling that she might be traveling this tiring journey toward the start of new misery.
Yet Arthur was at Windsor; he would surely not be angry with her. If he did not mind about her as he used to do, he had promised to be good to her.
Yet Arthur was at Windsor; he wouldn’t be angry with her. Even if he didn’t care about her like he used to, he had promised to treat her well.
Chapter XXXVI
The Journey of Hope
A long, lonely journey, with sadness in the heart; away from the familiar to the strange: that is a hard and dreary thing even to the rich, the strong, the instructed; a hard thing, even when we are called by duty, not urged by dread.
A long, lonely journey, filled with sadness in the heart; leaving behind the familiar for the unknown: that's tough and grim even for the wealthy, the strong, and the educated; it's a difficult thing, even when we go out of duty, not out of fear.
What was it then to Hetty? With her poor narrow thoughts, no longer melting into vague hopes, but pressed upon by the chill of definite fear, repeating again and again the same small round of memories—shaping again and again the same childish, doubtful images of what was to come—seeing nothing in this wide world but the little history of her own pleasures and pains; with so little money in her pocket, and the way so long and difficult. Unless she could afford always to go in the coaches—and she felt sure she could not, for the journey to Stoniton was more expensive than she had expected—it was plain that she must trust to carriers’ carts or slow waggons; and what a time it would be before she could get to the end of her journey! The burly old coachman from Oakbourne, seeing such a pretty young woman among the outside passengers, had invited her to come and sit beside him; and feeling that it became him as a man and a coachman to open the dialogue with a joke, he applied himself as soon as they were off the stones to the elaboration of one suitable in all respects. After many cuts with his whip and glances at Hetty out of the corner of his eye, he lifted his lips above the edge of his wrapper and said, “He’s pretty nigh six foot, I’ll be bound, isna he, now?”
What did it mean for Hetty? With her narrow-minded thoughts, no longer dissolving into vague hopes but weighed down by the cold reality of fear, she kept repeating the same small memories—shaping over and over the same childish, uncertain images of what lay ahead—seeing nothing in this vast world but the brief account of her own joys and sorrows; with so little money in her pocket and a long, tough journey ahead. Unless she could always afford to travel in coaches—and she was sure she couldn't, since the trip to Stoniton was pricier than she had expected—it was clear that she had to rely on carriers' carts or slow wagons; and what a long time it would take to reach her destination! The burly old coach driver from Oakbourne, noticing such a pretty young woman among the outside passengers, had invited her to sit beside him; and feeling it was his duty as a man and a coach driver to start a conversation with a joke, he quickly set about crafting one that was suitable. After several flicks of his whip and glances at Hetty from the corner of his eye, he finally lifted his lips above the edge of his wrapper and said, “He’s nearly six feet tall, I bet, isn’t he?”
“Who?” said Hetty, rather startled.
“Who?” Hetty said, startled.
“Why, the sweetheart as you’ve left behind, or else him as you’re goin’ arter—which is it?”
“Why, the sweetheart you’ve left behind, or the one you’re going after—what’s it going to be?”
Hetty felt her face flushing and then turning pale. She thought this coachman must know something about her. He must know Adam, and might tell him where she was gone, for it is difficult to country people to believe that those who make a figure in their own parish are not known everywhere else, and it was equally difficult to Hetty to understand that chance words could happen to apply closely to her circumstances. She was too frightened to speak.
Hetty felt her face getting hot and then going pale. She thought this coachman must know something about her. He had to know Adam and might tell him where she had gone, because it’s hard for country people to believe that those who are important in their own area aren’t known everywhere else. It was also hard for Hetty to grasp that random remarks could apply so closely to her situation. She was too scared to speak.
“Hegh, hegh!” said the coachman, seeing that his joke was not so gratifying as he had expected, “you munna take it too ser’ous; if he’s behaved ill, get another. Such a pretty lass as you can get a sweetheart any day.”
“Heh, heh!” said the coachman, noticing that his joke wasn’t as well-received as he thought it would be, “don’t take it too seriously; if he’s treated you poorly, find someone else. A pretty girl like you can find a sweetheart anytime.”
Hetty’s fear was allayed by and by, when she found that the coachman made no further allusion to her personal concerns; but it still had the effect of preventing her from asking him what were the places on the road to Windsor. She told him she was only going a little way out of Stoniton, and when she got down at the inn where the coach stopped, she hastened away with her basket to another part of the town. When she had formed her plan of going to Windsor, she had not foreseen any difficulties except that of getting away, and after she had overcome this by proposing the visit to Dinah, her thoughts flew to the meeting with Arthur and the question how he would behave to her—not resting on any probable incidents of the journey. She was too entirely ignorant of traveling to imagine any of its details, and with all her store of money—her three guineas—in her pocket, she thought herself amply provided. It was not until she found how much it cost her to get to Stoniton that she began to be alarmed about the journey, and then, for the first time, she felt her ignorance as to the places that must be passed on her way. Oppressed with this new alarm, she walked along the grim Stoniton streets, and at last turned into a shabby little inn, where she hoped to get a cheap lodging for the night. Here she asked the landlord if he could tell her what places she must go to, to get to Windsor.
Hetty’s fear gradually faded when she realized the coachman didn’t bring up her personal issues again; however, it still stopped her from asking him about the places on the way to Windsor. She told him she was only going a short distance from Stoniton, and when she got off at the inn where the coach stopped, she quickly left with her basket to another part of the town. When she decided to go to Windsor, she hadn’t anticipated any challenges aside from getting away, and after overcoming that by suggesting a visit to Dinah, her thoughts shifted to meeting Arthur and how he would respond to her—not dwelling on any likely situations during the journey. She was completely unaware of traveling to picture any of its details, and with all her money—her three guineas—in her pocket, she felt well-prepared. It wasn’t until she discovered how much it cost to get to Stoniton that she started to worry about the journey, and that was when she first felt her ignorance about the places she needed to pass through on her way. Burdened by this newfound worry, she walked through the bleak Stoniton streets and eventually turned into a rundown little inn, hoping to find a budget-friendly place to stay for the night. There, she asked the landlord if he could tell her what places she needed to go to reach Windsor.
“Well, I can’t rightly say. Windsor must be pretty nigh London, for it’s where the king lives,” was the answer. “Anyhow, you’d best go t’ Ashby next—that’s south’ard. But there’s as many places from here to London as there’s houses in Stoniton, by what I can make out. I’ve never been no traveller myself. But how comes a lone young woman like you to be thinking o’ taking such a journey as that?”
"Well, I can’t really say. Windsor is probably pretty close to London since that’s where the king lives," was the reply. "Anyway, you should head to Ashby next—that’s to the south. But there are as many places between here and London as there are houses in Stoniton, as far as I can tell. I’ve never been much of a traveler myself. But what’s a young woman like you thinking about making a trip like that?"
“I’m going to my brother—he’s a soldier at Windsor,” said Hetty, frightened at the landlord’s questioning look. “I can’t afford to go by the coach; do you think there’s a cart goes toward Ashby in the morning?”
“I’m heading to my brother—he’s a soldier at Windsor,” Hetty said, scared by the landlord’s curious look. “I can’t afford to take the coach; do you think there’s a cart that goes toward Ashby in the morning?”
“Yes, there may be carts if anybody knowed where they started from; but you might run over the town before you found out. You’d best set off and walk, and trust to summat overtaking you.”
“Yes, there might be carts if anyone knew where they came from; but you could search the whole town before you figured it out. You’d better just start walking and hope something catches up with you.”
Every word sank like lead on Hetty’s spirits; she saw the journey stretch bit by bit before her now. Even to get to Ashby seemed a hard thing: it might take the day, for what she knew, and that was nothing to the rest of the journey. But it must be done—she must get to Arthur. Oh, how she yearned to be again with somebody who would care for her! She who had never got up in the morning without the certainty of seeing familiar faces, people on whom she had an acknowledged claim; whose farthest journey had been to Rosseter on the pillion with her uncle; whose thoughts had always been taking holiday in dreams of pleasure, because all the business of her life was managed for her—this kittenlike Hetty, who till a few months ago had never felt any other grief than that of envying Mary Burge a new ribbon, or being girded at by her aunt for neglecting Totty, must now make her toilsome way in loneliness, her peaceful home left behind for ever, and nothing but a tremulous hope of distant refuge before her. Now for the first time, as she lay down to-night in the strange hard bed, she felt that her home had been a happy one, that her uncle had been very good to her, that her quiet lot at Hayslope among the things and people she knew, with her little pride in her one best gown and bonnet, and nothing to hide from any one, was what she would like to wake up to as a reality, and find that all the feverish life she had known besides was a short nightmare. She thought of all she had left behind with yearning regret for her own sake. Her own misery filled her heart—there was no room in it for other people’s sorrow. And yet, before the cruel letter, Arthur had been so tender and loving. The memory of that had still a charm for her, though it was no more than a soothing draught that just made pain bearable. For Hetty could conceive no other existence for herself in future than a hidden one, and a hidden life, even with love, would have had no delights for her; still less a life mingled with shame. She knew no romances, and had only a feeble share in the feelings which are the source of romance, so that well-read ladies may find it difficult to understand her state of mind. She was too ignorant of everything beyond the simple notions and habits in which she had been brought up to have any more definite idea of her probable future than that Arthur would take care of her somehow, and shelter her from anger and scorn. He would not marry her and make her a lady; and apart from that she could think of nothing he could give towards which she looked with longing and ambition.
Every word weighed down Hetty’s spirits; she could see the journey unfolding before her bit by bit. Even reaching Ashby felt challenging; it could take all day for all she knew, and that was just the beginning of the trip. But it had to happen—she needed to get to Arthur. Oh, how she longed to be with someone who would care for her! She had never woken up in the morning without the certainty of seeing familiar faces, people she felt connected to; her furthest journey had been to Rosseter seated behind her uncle; her thoughts had always been on vacations in dreams of pleasure because all her life's responsibilities were managed for her—this kitten-like Hetty, who until a few months ago had only felt the grief of envying Mary Burge for a new ribbon or being scolded by her aunt for neglecting Totty, now had to make her difficult way alone, leaving behind her peaceful home forever, with nothing but a shaky hope of distant refuge ahead of her. For the first time, as she lay down tonight in the strange hard bed, she realized that her home had been a happy one, that her uncle had treated her well, that her quiet life at Hayslope among the things and people she knew, with her small pride in her one best gown and bonnet, and nothing to hide from anyone, was what she wished to wake up to as a reality, hoping that all the chaotic life she had known otherwise was just a bad dream. She thought of everything she had left behind with a deep longing for her own sake. Her own misery consumed her heart—there was no space in it for anyone else's sorrow. Yet, before the cruel letter, Arthur had been so kind and loving. The memory of that still held a charm for her, even if it was just a soothing balm that made the pain manageable. For Hetty could imagine no other future for herself than a hidden one, and a concealed life, even with love, would have held no joy for her; even less a life mixed with shame. She didn’t know about romance, and only had a weak grasp of the feelings that spark romance, so well-read women might find it hard to understand her mindset. She was too unaware of anything beyond the simple ideas and routines she had grown up with to have a clearer vision of her likely future other than that Arthur would somehow take care of her and protect her from anger and ridicule. He wouldn’t marry her and make her a lady; aside from that, she could think of nothing he could offer that stirred her longing and ambition.
The next morning she rose early, and taking only some milk and bread for her breakfast, set out to walk on the road towards Ashby, under a leaden-coloured sky, with a narrowing streak of yellow, like a departing hope, on the edge of the horizon. Now in her faintness of heart at the length and difficulty of her journey, she was most of all afraid of spending her money, and becoming so destitute that she would have to ask people’s charity; for Hetty had the pride not only of a proud nature but of a proud class—the class that pays the most poor-rates, and most shudders at the idea of profiting by a poor-rate. It had not yet occurred to her that she might get money for her locket and earrings which she carried with her, and she applied all her small arithmetic and knowledge of prices to calculating how many meals and how many rides were contained in her two guineas, and the odd shillings, which had a melancholy look, as if they were the pale ashes of the other bright-flaming coin.
The next morning, she woke up early and grabbed just some milk and bread for breakfast before heading out to walk toward Ashby, under a dull gray sky, with a thin streak of yellow on the horizon that reminded her of fading hope. Feeling anxious about the length and difficulty of her journey, she was especially worried about spending her money and becoming so broke that she would have to rely on charity. Hetty had the pride not just of a proud person but also of a proud class—the kind of people who pay the most in taxes and cringe at the thought of benefiting from welfare. It hadn’t crossed her mind that she could sell her locket and earrings, which she had with her, so she used all her little math skills and knowledge of prices to figure out how many meals and rides she could afford with her two guineas and some odd shillings, which looked sad, like the pale ashes of once-lively coins.
For the first few miles out of Stoniton, she walked on bravely, always fixing on some tree or gate or projecting bush at the most distant visible point in the road as a goal, and feeling a faint joy when she had reached it. But when she came to the fourth milestone, the first she had happened to notice among the long grass by the roadside, and read that she was still only four miles beyond Stoniton, her courage sank. She had come only this little way, and yet felt tired, and almost hungry again in the keen morning air; for though Hetty was accustomed to much movement and exertion indoors, she was not used to long walks which produced quite a different sort of fatigue from that of household activity. As she was looking at the milestone she felt some drops falling on her face—it was beginning to rain. Here was a new trouble which had not entered into her sad thoughts before, and quite weighed down by this sudden addition to her burden, she sat down on the step of a stile and began to sob hysterically. The beginning of hardship is like the first taste of bitter food—it seems for a moment unbearable; yet, if there is nothing else to satisfy our hunger, we take another bite and find it possible to go on. When Hetty recovered from her burst of weeping, she rallied her fainting courage: it was raining, and she must try to get on to a village where she might find rest and shelter. Presently, as she walked on wearily, she heard the rumbling of heavy wheels behind her; a covered waggon was coming, creeping slowly along with a slouching driver cracking his whip beside the horses. She waited for it, thinking that if the waggoner were not a very sour-looking man, she would ask him to take her up. As the waggon approached her, the driver had fallen behind, but there was something in the front of the big vehicle which encouraged her. At any previous moment in her life she would not have noticed it, but now, the new susceptibility that suffering had awakened in her caused this object to impress her strongly. It was only a small white-and-liver-coloured spaniel which sat on the front ledge of the waggon, with large timid eyes, and an incessant trembling in the body, such as you may have seen in some of these small creatures. Hetty cared little for animals, as you know, but at this moment she felt as if the helpless timid creature had some fellowship with her, and without being quite aware of the reason, she was less doubtful about speaking to the driver, who now came forward—a large ruddy man, with a sack over his shoulders, by way of scarf or mantle.
For the first few miles out of Stoniton, she walked on bravely, always focusing on some tree, gate, or bush in the distance as a goal, feeling a small joy when she reached it. But when she got to the fourth milestone, the first one she noticed among the long grass by the roadside, and saw that she was still only four miles from Stoniton, her courage sunk. She had traveled only this small distance and yet felt tired and almost hungry again in the sharp morning air; although Hetty was used to a lot of activity indoors, she wasn’t accustomed to long walks, which created a different kind of fatigue than her household tasks did. As she stared at the milestone, she felt a few drops land on her face—it was starting to rain. This added a new trouble that hadn’t crossed her mind before, and feeling completely overwhelmed, she sat down on the step of a stile and began to sob hysterically. The start of hardship is like the first taste of bitter food—it seems for a moment unbearable; yet, if there’s nothing else to satisfy our hunger, we take another bite and find it possible to keep going. When Hetty calmed down from her crying, she gathered her faint courage: it was raining, and she had to try to reach a village where she could find rest and shelter. As she walked on wearily, she heard the rumbling of heavy wheels behind her; a covered wagon was coming, moving slowly with a slouching driver cracking his whip next to the horses. She waited for it, thinking that if the driver didn't look too grumpy, she would ask him for a ride. As the wagon approached, the driver lagged behind, but something at the front of the big vehicle encouraged her. At any other time in her life she wouldn't have noticed it, but now, the new sensitivity that her suffering had awakened made this object impress her strongly. It was just a small white-and-brown spaniel sitting on the front ledge of the wagon, with big timid eyes and a constant trembling, like you might see in some of these little creatures. Hetty didn’t care much for animals, as you know, but at that moment she felt a connection with the helpless, timid creature, and for some reason, she felt less hesitant about talking to the driver, who was now coming forward—a big, ruddy man with a sack over his shoulders acting as a scarf or cloak.
“Could you take me up in your waggon, if you’re going towards Ashby?” said Hetty. “I’ll pay you for it.”
“Could you give me a ride in your wagon if you’re headed toward Ashby?” Hetty asked. “I’ll pay you for it.”
“Aw,” said the big fellow, with that slowly dawning smile which belongs to heavy faces, “I can take y’ up fawst enough wi’out bein’ paid for’t if you dooant mind lyin’ a bit closish a-top o’ the wool-packs. Where do you coom from? And what do you want at Ashby?”
“Aw,” said the big guy, with that gradual smile that suits heavy faces, “I can take you up fast enough without being paid for it if you don’t mind lying a bit close on top of the wool packs. Where do you come from? And what do you want at Ashby?”
“I come from Stoniton. I’m going a long way—to Windsor.”
“I come from Stoniton. I’m traveling quite a distance—to Windsor.”
“What! Arter some service, or what?”
“What! After some service, or what?”
“Going to my brother—he’s a soldier there.”
“I'm going to see my brother—he's a soldier over there.”
“Well, I’m going no furder nor Leicester—and fur enough too—but I’ll take you, if you dooant mind being a bit long on the road. Th’ hosses wooant feel your weight no more nor they feel the little doog there, as I puck up on the road a fortni’t agoo. He war lost, I b’lieve, an’s been all of a tremble iver sin’. Come, gi’ us your basket an’ come behind and let me put y’ in.”
“Well, I’m not going any further than Leicester—and that's far enough—but I’ll take you, if you don’t mind a longer journey. The horses won’t feel your weight any more than they feel the little dog I picked up on the road a fortnight ago. He was lost, I believe, and has been trembling ever since. Come on, hand me your basket and get in the back, and let me set you up.”
To lie on the wool-packs, with a cranny left between the curtains of the awning to let in the air, was luxury to Hetty now, and she half-slept away the hours till the driver came to ask her if she wanted to get down and have “some victual”; he himself was going to eat his dinner at this “public.” Late at night they reached Leicester, and so this second day of Hetty’s journey was past. She had spent no money except what she had paid for her food, but she felt that this slow journeying would be intolerable for her another day, and in the morning she found her way to a coach-office to ask about the road to Windsor, and see if it would cost her too much to go part of the distance by coach again. Yes! The distance was too great—the coaches were too dear—she must give them up; but the elderly clerk at the office, touched by her pretty anxious face, wrote down for her the names of the chief places she must pass through. This was the only comfort she got in Leicester, for the men stared at her as she went along the street, and for the first time in her life Hetty wished no one would look at her. She set out walking again; but this day she was fortunate, for she was soon overtaken by a carrier’s cart which carried her to Hinckley, and by the help of a return chaise, with a drunken postilion—who frightened her by driving like Jehu the son of Nimshi, and shouting hilarious remarks at her, twisting himself backwards on his saddle—she was before night in the heart of woody Warwickshire: but still almost a hundred miles from Windsor, they told her. Oh what a large world it was, and what hard work for her to find her way in it! She went by mistake to Stratford-on-Avon, finding Stratford set down in her list of places, and then she was told she had come a long way out of the right road. It was not till the fifth day that she got to Stony Stratford. That seems but a slight journey as you look at the map, or remember your own pleasant travels to and from the meadowy banks of the Avon. But how wearily long it was to Hetty! It seemed to her as if this country of flat fields, and hedgerows, and dotted houses, and villages, and market-towns—all so much alike to her indifferent eyes—must have no end, and she must go on wandering among them for ever, waiting tired at toll-gates for some cart to come, and then finding the cart went only a little way—a very little way—to the miller’s a mile off perhaps; and she hated going into the public houses, where she must go to get food and ask questions, because there were always men lounging there, who stared at her and joked her rudely. Her body was very weary too with these days of new fatigue and anxiety; they had made her look more pale and worn than all the time of hidden dread she had gone through at home. When at last she reached Stony Stratford, her impatience and weariness had become too strong for her economical caution; she determined to take the coach for the rest of the way, though it should cost her all her remaining money. She would need nothing at Windsor but to find Arthur. When she had paid the fare for the last coach, she had only a shilling; and as she got down at the sign of the Green Man in Windsor at twelve o’clock in the middle of the seventh day, hungry and faint, the coachman came up, and begged her to “remember him.” She put her hand in her pocket and took out the shilling, but the tears came with the sense of exhaustion and the thought that she was giving away her last means of getting food, which she really required before she could go in search of Arthur. As she held out the shilling, she lifted up her dark tear-filled eyes to the coachman’s face and said, “Can you give me back sixpence?”
Lying on the wool bales, with a little gap between the curtains of the awning to let in the air, felt like a luxury to Hetty now, and she dozed away the hours until the driver came to ask if she wanted to get down and have “some food,” as he himself was going to eat his dinner at this “pub." Late at night, they reached Leicester, and thus, the second day of Hetty’s journey was done. She had only spent money on her food, but she realized that this slow traveling would be unbearable for her another day, and in the morning, she made her way to a coach office to ask about the route to Windsor and check if it would cost too much to travel part of the distance by coach again. Yes! The distance was too long—the coaches were too expensive—she had to give them up; but the older clerk at the office, moved by her pretty, anxious face, wrote down the names of the main places she needed to pass through. This was the only comfort she found in Leicester, as the men stared at her while she walked down the street, and for the first time in her life, Hetty wished no one would look at her. She set out walking again; but this day, luck was on her side, as she was quickly picked up by a carrier’s cart that took her to Hinckley. With the help of a return chaise, driven by a drunken postilion—who scared her by driving recklessly and shouting playful comments at her while twisting around in his saddle—she arrived in the heart of wooded Warwickshire by nightfall: but they told her she was still almost a hundred miles from Windsor. Oh, what a big world it was, and what a struggle for her to find her way in it! She accidentally went to Stratford-on-Avon, seeing it listed among her places, only to be told she had strayed far off the right path. It wasn’t until the fifth day that she finally reached Stony Stratford. This might seem like a short trip when you look at the map or think about your own enjoyable travels to and from the lush banks of the Avon. But for Hetty, it felt agonizingly long! It seemed to her that this land of flat fields, hedgerows, scattered houses, villages, and market towns—all so familiar to her indifferent eyes—would never end, and she would continue wandering among them forever, tiredly waiting at toll gates for some cart to appear, only to find the cart went just a little ways—a very short distance—to the miller’s, maybe a mile away; and she loathed entering the pubs, where she needed to go for food and directions, because there were always men hanging around who stared at her and made rude jokes. Her body was also very tired from these days of new exhaustion and anxiety; they had made her look paler and more worn than all the time of hidden dread she had experienced at home. When she finally reached Stony Stratford, her impatience and fatigue overwhelmed her careful nature; she decided to take the coach for the rest of the journey, even though it would cost her all her remaining money. All she needed in Windsor was to find Arthur. Once she paid the fare for the last coach, she had only a shilling left; and as she got down at the Green Man in Windsor at twelve noon on the seventh day, hungry and faint, the coachman approached her, asking her to “remember him.” She reached into her pocket for the shilling, but tears filled her eyes from exhaustion and the realization that she was giving away her last chance to get food, which she truly needed before she could start searching for Arthur. As she held out the shilling, she raised her dark, tear-filled eyes to the coachman’s face and said, “Can you give me back sixpence?”
“No, no,” he said, gruffly, “never mind—put the shilling up again.”
“No, no,” he said gruffly, “forget it—put the shilling back up.”
The landlord of the Green Man had stood near enough to witness this scene, and he was a man whose abundant feeding served to keep his good nature, as well as his person, in high condition. And that lovely tearful face of Hetty’s would have found out the sensitive fibre in most men.
The landlord of the Green Man had stood close enough to see this scene, and he was a man whose hearty meals helped keep his good nature, as well as his figure, in great shape. And that beautiful, tearful face of Hetty’s would have touched the sensitive side in most men.
“Come, young woman, come in,” he said, “and have a drop o’ something; you’re pretty well knocked up, I can see that.”
“Come on in, young woman,” he said, “and have a drink; you look like you’ve had a rough time, I can see that.”
He took her into the bar and said to his wife, “Here, missis, take this young woman into the parlour; she’s a little overcome”—for Hetty’s tears were falling fast. They were merely hysterical tears: she thought she had no reason for weeping now, and was vexed that she was too weak and tired to help it. She was at Windsor at last, not far from Arthur.
He took her into the bar and said to his wife, “Here, honey, take this young woman into the parlor; she’s a bit overwhelmed”—because Hetty was crying hard. They were just hysterical tears; she felt like she had no reason to cry now and was frustrated that she was too weak and tired to stop. She was finally in Windsor, not far from Arthur.
She looked with eager, hungry eyes at the bread and meat and beer that the landlady brought her, and for some minutes she forgot everything else in the delicious sensations of satisfying hunger and recovering from exhaustion. The landlady sat opposite to her as she ate, and looked at her earnestly. No wonder: Hetty had thrown off her bonnet, and her curls had fallen down. Her face was all the more touching in its youth and beauty because of its weary look, and the good woman’s eyes presently wandered to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger’s eye detects what the familiar unsuspecting eye leaves unnoticed.
She looked at the bread, meat, and beer the landlady brought her with eager, hungry eyes, and for a few minutes, she forgot everything else in the pleasure of satisfying her hunger and recovering from exhaustion. The landlady sat across from her as she ate, watching her intently. It was no wonder: Hetty had tossed off her bonnet, and her curls had fallen loose. Her face was even more striking in its youth and beauty because of its tired expression, and the good woman’s gaze soon drifted to her figure, which she had hastily dressed on her journey without trying to hide. Besides, an outsider notices things that a familiar, unsuspecting gaze might overlook.
“Why, you’re not very fit for travelling,” she said, glancing while she spoke at Hetty’s ringless hand. “Have you come far?”
“Why, you’re not really ready to travel,” she said, glancing at Hetty’s ringless hand as she spoke. “Have you come from far away?”
“Yes,” said Hetty, roused by this question to exert more self-command, and feeling the better for the food she had taken. “I’ve come a good long way, and it’s very tiring. But I’m better now. Could you tell me which way to go to this place?” Here Hetty took from her pocket a bit of paper: it was the end of Arthur’s letter on which he had written his address.
“Yes,” Hetty said, feeling more in control and better after the food she had eaten. “I’ve traveled a long way, and it’s pretty exhausting. But I’m feeling better now. Can you tell me which way to go to this place?” She then pulled a piece of paper from her pocket; it was the last part of Arthur’s letter where he had written down his address.
While she was speaking, the landlord had come in and had begun to look at her as earnestly as his wife had done. He took up the piece of paper which Hetty handed across the table, and read the address.
While she was talking, the landlord walked in and started to look at her as intensely as his wife had. He picked up the piece of paper that Hetty handed over the table and read the address.
“Why, what do you want at this house?” he said. It is in the nature of innkeepers and all men who have no pressing business of their own to ask as many questions as possible before giving any information.
“Why, what do you want at this house?” he asked. It’s typical for innkeepers and anyone without urgent business of their own to ask as many questions as they can before sharing any information.
“I want to see a gentleman as is there,” said Hetty.
“I want to see a gentleman like that one over there,” said Hetty.
“But there’s no gentleman there,” returned the landlord. “It’s shut up—been shut up this fortnight. What gentleman is it you want? Perhaps I can let you know where to find him.”
“But there's no gentleman there,” the landlord replied. “It's closed—has been closed for the past two weeks. Which gentleman are you looking for? Maybe I can help you find him.”
“It’s Captain Donnithorne,” said Hetty tremulously, her heart beginning to beat painfully at this disappointment of her hope that she should find Arthur at once.
“It’s Captain Donnithorne,” Hetty said nervously, her heart starting to race painfully at the disappointment of not finding Arthur right away.
“Captain Donnithorne? Stop a bit,” said the landlord, slowly. “Was he in the Loamshire Militia? A tall young officer with a fairish skin and reddish whiskers—and had a servant by the name o’ Pym?”
“Captain Donnithorne? Hold on a second,” said the landlord, slowly. “Was he in the Loamshire Militia? A tall young officer with light skin and reddish facial hair—and did he have a servant named Pym?”
“Oh yes,” said Hetty; “you know him—where is he?”
“Oh yes,” said Hetty; “you know him—where is he?”
“A fine sight o’ miles away from here. The Loamshire Militia’s gone to Ireland; it’s been gone this fortnight.”
“A beautiful view miles away from here. The Loamshire Militia has gone to Ireland; it’s been gone for two weeks.”
“Look there! She’s fainting,” said the landlady, hastening to support Hetty, who had lost her miserable consciousness and looked like a beautiful corpse. They carried her to the sofa and loosened her dress.
“Look over there! She’s fainting,” said the landlady, rushing to support Hetty, who had lost her poor consciousness and looked like a beautiful corpse. They laid her down on the sofa and loosened her dress.
“Here’s a bad business, I suspect,” said the landlord, as he brought in some water.
“Here’s a bad situation, I think,” said the landlord, as he brought in some water.
“Ah, it’s plain enough what sort of business it is,” said the wife. “She’s not a common flaunting dratchell, I can see that. She looks like a respectable country girl, and she comes from a good way off, to judge by her tongue. She talks something like that ostler we had that come from the north. He was as honest a fellow as we ever had about the house—they’re all honest folks in the north.”
“Yeah, it’s obvious what kind of business this is,” said the wife. “She’s not some flashy hussy, I can tell. She looks like a decent country girl, and she comes from quite a distance, judging by her accent. She talks a bit like that stablehand we had who came from the north. He was as honest a guy as we ever had around here—they’re all honest people up north.”
“I never saw a prettier young woman in my life,” said the husband. “She’s like a pictur in a shop-winder. It goes to one’s ’eart to look at her.”
“I’ve never seen a prettier young woman in my life,” said the husband. “She’s like a picture in a shop window. It touches your heart to look at her.”
“It ’ud have been a good deal better for her if she’d been uglier and had more conduct,” said the landlady, who on any charitable construction must have been supposed to have more “conduct” than beauty. “But she’s coming to again. Fetch a drop more water.”
“It would have been a lot better for her if she’d been less attractive and had better behavior,” said the landlady, who, by any reasonable standard, was assumed to have more “conduct” than looks. “But she’s coming around again. Get some more water.”
Chapter XXXVII
The Journey in Despair
Hetty was too ill through the rest of that day for any questions to be addressed to her—too ill even to think with any distinctness of the evils that were to come. She only felt that all her hope was crushed, and that instead of having found a refuge she had only reached the borders of a new wilderness where no goal lay before her. The sensations of bodily sickness, in a comfortable bed, and with the tendance of the good-natured landlady, made a sort of respite for her; such a respite as there is in the faint weariness which obliges a man to throw himself on the sand instead of toiling onward under the scorching sun.
Hetty was too sick for the rest of the day to answer any questions—too sick even to clearly think about the troubles that were coming. She only felt that all her hope was gone, and instead of finding a safe place, she had only reached the edge of a new wilderness with no destination in sight. The feeling of being physically ill, while lying in a comfortable bed and having the kind attention of the friendly landlady, provided her with a kind of break; a break similar to the faint exhaustion that makes someone collapse on the sand instead of pushing through under the blazing sun.
But when sleep and rest had brought back the strength necessary for the keenness of mental suffering—when she lay the next morning looking at the growing light which was like a cruel task-master returning to urge from her a fresh round of hated hopeless labour—she began to think what course she must take, to remember that all her money was gone, to look at the prospect of further wandering among strangers with the new clearness shed on it by the experience of her journey to Windsor. But which way could she turn? It was impossible for her to enter into any service, even if she could obtain it. There was nothing but immediate beggary before her. She thought of a young woman who had been found against the church wall at Hayslope one Sunday, nearly dead with cold and hunger—a tiny infant in her arms. The woman was rescued and taken to the parish. “The parish!” You can perhaps hardly understand the effect of that word on a mind like Hetty’s, brought up among people who were somewhat hard in their feelings even towards poverty, who lived among the fields, and had little pity for want and rags as a cruel inevitable fate such as they sometimes seem in cities, but held them a mark of idleness and vice—and it was idleness and vice that brought burdens on the parish. To Hetty the “parish” was next to the prison in obloquy, and to ask anything of strangers—to beg—lay in the same far-off hideous region of intolerable shame that Hetty had all her life thought it impossible she could ever come near. But now the remembrance of that wretched woman whom she had seen herself, on her way from church, being carried into Joshua Rann’s, came back upon her with the new terrible sense that there was very little now to divide her from the same lot. And the dread of bodily hardship mingled with the dread of shame; for Hetty had the luxurious nature of a round soft-coated pet animal.
But when sleep and rest had restored the strength she needed to feel the full weight of her mental suffering—when she lay the next morning watching the growing light that felt like a cruel taskmaster demanding yet another round of hated, hopeless labor—she started to think about what she should do, realizing that all her money was gone, and considering the prospect of more wandering among strangers, a clarity brought on by her experience during the journey to Windsor. But which way could she go? It was impossible for her to find any job, even if she could get one. There was nothing left for her but immediate begging. She remembered a young woman who had been found leaning against the church wall in Hayslope one Sunday, nearly frozen and starving—holding a tiny baby. The woman was rescued and taken to the parish. “The parish!” You might not fully grasp the impact of that word on a mind like Hetty’s, raised among people who were somewhat hard-hearted even towards the poor, who lived in the countryside and had little sympathy for need and rags, viewing them as a cruel, inevitable fate, like they sometimes appear in cities, but rather seeing them as marks of laziness and vice—and it was laziness and vice that burdened the parish. To Hetty, “parish” was nearly as shameful as prison, and to ask anything of strangers—to beg—was in the same distant, horrifying realm of unbearable shame that she had always believed she would never approach. But now, the memory of that miserable woman she had seen on her way from church being carried into Joshua Rann’s flooded back to her, accompanied by a new, terrible realization that there was very little separating her from the same fate. The fear of physical hardship mixed with the fear of shame; for Hetty had the delicate nature of a pampered pet.
How she yearned to be back in her safe home again, cherished and cared for as she had always been! Her aunt’s scolding about trifles would have been music to her ears now; she longed for it; she used to hear it in a time when she had only trifles to hide. Could she be the same Hetty that used to make up the butter in the dairy with the Guelder roses peeping in at the window—she, a runaway whom her friends would not open their doors to again, lying in this strange bed, with the knowledge that she had no money to pay for what she received, and must offer those strangers some of the clothes in her basket? It was then she thought of her locket and ear-rings, and seeing her pocket lie near, she reached it and spread the contents on the bed before her. There were the locket and ear-rings in the little velvet-lined boxes, and with them there was a beautiful silver thimble which Adam had bought her, the words “Remember me” making the ornament of the border; a steel purse, with her one shilling in it; and a small red-leather case, fastening with a strap. Those beautiful little ear-rings, with their delicate pearls and garnet, that she had tried in her ears with such longing in the bright sunshine on the 30th of July! She had no longing to put them in her ears now: her head with its dark rings of hair lay back languidly on the pillow, and the sadness that rested about her brow and eyes was something too hard for regretful memory. Yet she put her hands up to her ears: it was because there were some thin gold rings in them, which were also worth a little money. Yes, she could surely get some money for her ornaments: those Arthur had given her must have cost a great deal of money. The landlord and landlady had been good to her; perhaps they would help her to get the money for these things.
How she longed to be back in her safe home again, loved and taken care of like she always had been! Her aunt’s nagging about small things would sound comforting to her now; she missed it; she used to hear it in a time when she only had small secrets to keep. Could she really be the same Hetty who used to make butter in the dairy with the Guelder roses peeking in at the window—she, a runaway whom her friends wouldn’t let in anymore, lying in this unfamiliar bed, knowing she had no money to pay for what she received, and must offer those strangers some clothes from her bag? It was then she thought of her locket and earrings, and seeing her pocket nearby, she reached for it and laid the contents on the bed in front of her. There were the locket and earrings in their little velvet-lined boxes, along with a beautiful silver thimble that Adam had bought for her, with “Remember me” engraved on the border; a steel purse with her one shilling inside; and a small red leather case that fastened with a strap. Those lovely earrings, with their delicate pearls and garnets, that she had wished to wear so badly on the bright sunny day of July 30th! She had no desire to put them in her ears now: her head with its dark hair lay back lazily on the pillow, and the sorrow resting on her brow and in her eyes was too heavy for nostalgic thoughts. Yet she reached up to her ears: it was because there were some thin gold rings in them, which were also worth a bit of money. Yes, she could definitely get some cash for her jewelry: those gifts from Arthur must have cost a lot. The landlord and landlady had treated her well; maybe they would help her sell these things.
But this money would not keep her long. What should she do when it was gone? Where should she go? The horrible thought of want and beggary drove her once to think she would go back to her uncle and aunt and ask them to forgive her and have pity on her. But she shrank from that idea again, as she might have shrunk from scorching metal. She could never endure that shame before her uncle and aunt, before Mary Burge, and the servants at the Chase, and the people at Broxton, and everybody who knew her. They should never know what had happened to her. What could she do? She would go away from Windsor—travel again as she had done the last week, and get among the flat green fields with the high hedges round them, where nobody could see her or know her; and there, perhaps, when there was nothing else she could do, she should get courage to drown herself in some pond like that in the Scantlands. Yes, she would get away from Windsor as soon as possible: she didn’t like these people at the inn to know about her, to know that she had come to look for Captain Donnithorne. She must think of some reason to tell them why she had asked for him.
But this money wouldn't last her long. What would she do when it was gone? Where should she go? The terrifying thought of poverty and begging made her consider returning to her uncle and aunt, asking them to forgive her and feel sorry for her. But she recoiled from that idea again, as if from hot metal. She could never bear that humiliation in front of her uncle and aunt, in front of Mary Burge, the servants at the Chase, the people at Broxton, and everyone who knew her. They should never find out what had happened to her. What *could* she do? She would leave Windsor—travel again like she had the week before, and get among the flat green fields with high hedges around them, where nobody could see her or recognize her; and there, perhaps, when there was nothing else left for her to do, she might find the courage to drown herself in some pond like the one in the Scantlands. Yes, she would get away from Windsor as soon as possible: she didn’t want the people at the inn to know about her, to know that she had come to look for Captain Donnithorne. She needed to think of some excuse to tell them for why she had asked about him.
With this thought she began to put the things back into her pocket, meaning to get up and dress before the landlady came to her. She had her hand on the red-leather case, when it occurred to her that there might be something in this case which she had forgotten—something worth selling; for without knowing what she should do with her life, she craved the means of living as long as possible; and when we desire eagerly to find something, we are apt to search for it in hopeless places. No, there was nothing but common needles and pins, and dried tulip-petals between the paper leaves where she had written down her little money-accounts. But on one of these leaves there was a name, which, often as she had seen it before, now flashed on Hetty’s mind like a newly discovered message. The name was—Dinah Morris, Snowfield. There was a text above it, written, as well as the name, by Dinah’s own hand with a little pencil, one evening that they were sitting together and Hetty happened to have the red case lying open before her. Hetty did not read the text now: she was only arrested by the name. Now, for the first time, she remembered without indifference the affectionate kindness Dinah had shown her, and those words of Dinah in the bed-chamber—that Hetty must think of her as a friend in trouble. Suppose she were to go to Dinah, and ask her to help her? Dinah did not think about things as other people did. She was a mystery to Hetty, but Hetty knew she was always kind. She couldn’t imagine Dinah’s face turning away from her in dark reproof or scorn, Dinah’s voice willingly speaking ill of her, or rejoicing in her misery as a punishment. Dinah did not seem to belong to that world of Hetty’s, whose glance she dreaded like scorching fire. But even to her Hetty shrank from beseeching and confession. She could not prevail on herself to say, “I will go to Dinah”: she only thought of that as a possible alternative, if she had not courage for death.
With that thought, she started putting things back into her pocket, planning to get up and get dressed before the landlady came to her. She had her hand on the red-leather case when she realized there might be something in it that she had forgotten—something worth selling; because even though she didn’t know what to do with her life, she wanted the means to live for as long as possible. When we desperately want to find something, we often look for it in hopeless places. No, there was nothing in there but common needles and pins, and dried tulip petals between the paper leaves where she had noted her small money accounts. But on one of those leaves, there was a name that, no matter how many times she had seen it before, now struck Hetty’s mind like a newly discovered message. The name was—Dinah Morris, Snowfield. There was a phrase above it, written by Dinah’s own hand with a tiny pencil, one evening when they were sitting together and Hetty had the red case open in front of her. Hetty didn’t read the phrase now; she was only caught by the name. For the first time, she remembered without indifference the loving kindness Dinah had shown her, and those words Dinah had said in the bedroom—that Hetty must think of her as a friend in trouble. What if she went to Dinah and asked for help? Dinah didn’t think about things the way other people did. She was a mystery to Hetty, but Hetty knew she was always kind. She couldn’t imagine Dinah turning her face away in harsh judgment or scorn, or speaking badly of her, or reveling in her misfortune as a punishment. Dinah didn’t seem to belong to that part of Hetty’s world, whose gaze she feared like fire. But even with her, Hetty hesitated to beg or confess. She couldn’t bring herself to say, “I will go to Dinah”: she only thought of that as a possible alternative if she didn't have the courage to face death.
The good landlady was amazed when she saw Hetty come downstairs soon after herself, neatly dressed, and looking resolutely self-possessed. Hetty told her she was quite well this morning. She had only been very tired and overcome with her journey, for she had come a long way to ask about her brother, who had run away, and they thought he was gone for a soldier, and Captain Donnithorne might know, for he had been very kind to her brother once. It was a lame story, and the landlady looked doubtfully at Hetty as she told it; but there was a resolute air of self-reliance about her this morning, so different from the helpless prostration of yesterday, that the landlady hardly knew how to make a remark that might seem like prying into other people’s affairs. She only invited her to sit down to breakfast with them, and in the course of it Hetty brought out her ear-rings and locket, and asked the landlord if he could help her to get money for them. Her journey, she said, had cost her much more than she expected, and now she had no money to get back to her friends, which she wanted to do at once.
The good landlady was surprised when she saw Hetty come downstairs shortly after her, neatly dressed and looking determinedly composed. Hetty told her she was feeling fine this morning. She had just been very tired and overwhelmed from her journey, as she had traveled a long way to ask about her brother, who had run away, and they thought he might have joined the army. She believed Captain Donnithorne could know something since he had once been very kind to her brother. It was a shaky story, and the landlady looked doubtfully at Hetty as she spoke; but there was a strong air of self-reliance about her this morning, so different from the helplessness of yesterday, that the landlady hardly knew how to make a comment that might seem intrusive. She simply invited her to sit down for breakfast with them, and during the meal, Hetty took out her earrings and locket, asking the landlord if he could help her sell them for cash. She mentioned that her journey had cost her much more than she expected, and now she had no money to get back to her friends, which she wanted to do immediately.
It was not the first time the landlady had seen the ornaments, for she had examined the contents of Hetty’s pocket yesterday, and she and her husband had discussed the fact of a country girl having these beautiful things, with a stronger conviction than ever that Hetty had been miserably deluded by the fine young officer.
It wasn’t the first time the landlady had seen the jewelry, since she had checked Hetty’s pocket yesterday, and she and her husband had talked about how a country girl could have these lovely items, feeling even more convinced that Hetty had been horribly deceived by the charming young officer.
“Well,” said the landlord, when Hetty had spread the precious trifles before him, “we might take ’em to the jeweller’s shop, for there’s one not far off; but Lord bless you, they wouldn’t give you a quarter o’ what the things are worth. And you wouldn’t like to part with ’em?” he added, looking at her inquiringly.
"Well," said the landlord, when Hetty had laid out the precious items in front of him, "we could take them to the jeweler's shop, since there's one nearby; but honestly, they wouldn't give you even a quarter of what these things are worth. And you wouldn't really want to sell them, would you?" he added, looking at her with curiosity.
“Oh, I don’t mind,” said Hetty, hastily, “so as I can get money to go back.”
“Oh, I don’t mind,” Hetty said quickly, “as long as I can get money to go back.”
“And they might think the things were stolen, as you wanted to sell ’em,” he went on, “for it isn’t usual for a young woman like you to have fine jew’llery like that.”
“And they might think those things were stolen since you wanted to sell them,” he continued, “because it’s not typical for a young woman like you to have nice jewelry like that.”
The blood rushed to Hetty’s face with anger. “I belong to respectable folks,” she said; “I’m not a thief.”
The blood rushed to Hetty’s face with anger. “I come from a good family,” she said; “I’m not a thief.”
“No, that you aren’t, I’ll be bound,” said the landlady; “and you’d no call to say that,” looking indignantly at her husband. “The things were gev to her: that’s plain enough to be seen.”
“No, you're not, I’m sure,” said the landlady; “and you had no reason to say that,” looking angrily at her husband. “The things were given to her: that’s clear enough to see.”
“I didn’t mean as I thought so,” said the husband, apologetically, “but I said it was what the jeweller might think, and so he wouldn’t be offering much money for ’em.”
“I didn’t mean it the way I thought I did,” said the husband, apologetically, “but I mentioned it because that’s how the jeweler might see it, and so he wouldn’t be offering much money for them.”
“Well,” said the wife, “suppose you were to advance some money on the things yourself, and then if she liked to redeem ’em when she got home, she could. But if we heard nothing from her after two months, we might do as we liked with ’em.”
“Well,” said the wife, “how about you give her some money for the things yourself, and then if she wants to buy them back when she gets home, she can. But if we don’t hear from her after two months, we can do whatever we want with them.”
I will not say that in this accommodating proposition the landlady had no regard whatever to the possible reward of her good nature in the ultimate possession of the locket and ear-rings: indeed, the effect they would have in that case on the mind of the grocer’s wife had presented itself with remarkable vividness to her rapid imagination. The landlord took up the ornaments and pushed out his lips in a meditative manner. He wished Hetty well, doubtless; but pray, how many of your well-wishers would decline to make a little gain out of you? Your landlady is sincerely affected at parting with you, respects you highly, and will really rejoice if any one else is generous to you; but at the same time she hands you a bill by which she gains as high a percentage as possible.
I won't say that in this friendly offer the landlady didn’t think at all about the potential payoff for her kindness in the eventual ownership of the locket and earrings: in fact, the impact they would have on the grocer’s wife’s mindset had clearly struck her quick imagination. The landlord picked up the jewelry and pursed his lips thoughtfully. He certainly meant well for Hetty; but really, how many of your supporters would refuse to benefit a little from you? Your landlady is genuinely sad to see you go, holds you in high regard, and will truly be happy if someone else is generous to you; but at the same time, she hands you a bill that ensures she makes as much profit as possible.
“How much money do you want to get home with, young woman?” said the well-wisher, at length.
“How much money do you want to take home, young woman?” asked the well-wisher, after a moment.
“Three guineas,” answered Hetty, fixing on the sum she set out with, for want of any other standard, and afraid of asking too much.
“Three guineas,” Hetty replied, sticking to the amount she started with, since she had no other reference and was worried about asking for too much.
“Well, I’ve no objections to advance you three guineas,” said the landlord; “and if you like to send it me back and get the jewellery again, you can, you know. The Green Man isn’t going to run away.”
“Well, I don’t have a problem giving you three guineas upfront,” said the landlord; “and if you want to send it back to me and get the jewelry again, you can, you know. The Green Man isn’t going anywhere.”
“Oh yes, I’ll be very glad if you’ll give me that,” said Hetty, relieved at the thought that she would not have to go to the jeweller’s and be stared at and questioned.
“Oh yes, I’ll be really happy if you give me that,” said Hetty, relieved at the thought that she wouldn’t have to go to the jeweler’s and be stared at and questioned.
“But if you want the things again, you’ll write before long,” said the landlady, “because when two months are up, we shall make up our minds as you don’t want ’em.”
“But if you want the things back, you'll write soon enough,” said the landlady, “because when two months are up, we'll decide that you don't want them.”
“Yes,” said Hetty indifferently.
“Yes,” Hetty said, indifferent.
The husband and wife were equally content with this arrangement. The husband thought, if the ornaments were not redeemed, he could make a good thing of it by taking them to London and selling them. The wife thought she would coax the good man into letting her keep them. And they were accommodating Hetty, poor thing—a pretty, respectable-looking young woman, apparently in a sad case. They declined to take anything for her food and bed: she was quite welcome. And at eleven o’clock Hetty said “Good-bye” to them with the same quiet, resolute air she had worn all the morning, mounting the coach that was to take her twenty miles back along the way she had come.
The husband and wife were both happy with this arrangement. The husband thought that if the ornaments weren’t claimed, he could cash in by taking them to London and selling them. The wife figured she could charm the good man into letting her keep them. And they were being kind to Hetty, the poor thing—a lovely, respectable-looking young woman who seemed to be in a difficult situation. They refused to accept anything for her food and lodging: she was more than welcome. At eleven o’clock, Hetty said “Good-bye” to them with the same calm, determined demeanor she’d had all morning as she got on the coach that would take her twenty miles back along the route she had traveled.
There is a strength of self-possession which is the sign that the last hope has departed. Despair no more leans on others than perfect contentment, and in despair pride ceases to be counteracted by the sense of dependence.
There’s a kind of self-control that shows when all hope is gone. Despair doesn’t rely on others any more than pure happiness does, and in despair, pride is no longer held back by the feeling of needing someone else.
Hetty felt that no one could deliver her from the evils that would make life hateful to her; and no one, she said to herself, should ever know her misery and humiliation. No; she would not confess even to Dinah. She would wander out of sight, and drown herself where her body would never be found, and no one should know what had become of her.
Hetty felt that no one could save her from the troubles that would make life unbearable; and no one, she told herself, should ever know about her pain and humiliation. No; she wouldn't admit it even to Dinah. She would disappear and drown herself where her body would never be discovered, and no one would know what happened to her.
When she got off this coach, she began to walk again, and take cheap rides in carts, and get cheap meals, going on and on without distinct purpose, yet strangely, by some fascination, taking the way she had come, though she was determined not to go back to her own country. Perhaps it was because she had fixed her mind on the grassy Warwickshire fields, with the bushy tree-studded hedgerows that made a hiding-place even in this leafless season. She went more slowly than she came, often getting over the stiles and sitting for hours under the hedgerows, looking before her with blank, beautiful eyes; fancying herself at the edge of a hidden pool, low down, like that in the Scantlands; wondering if it were very painful to be drowned, and if there would be anything worse after death than what she dreaded in life. Religious doctrines had taken no hold on Hetty’s mind. She was one of those numerous people who have had godfathers and godmothers, learned their catechism, been confirmed, and gone to church every Sunday, and yet, for any practical result of strength in life, or trust in death, have never appropriated a single Christian idea or Christian feeling. You would misunderstand her thoughts during these wretched days, if you imagined that they were influenced either by religious fears or religious hopes.
When she got off the bus, she started walking again, taking cheap rides in carts and grabbing inexpensive meals, just going on without any clear goal. Yet, oddly enough, drawn by some fascination, she retraced the path she'd taken, even though she was resolute about not returning to her own country. Maybe it was because she had focused her thoughts on the grassy fields of Warwickshire, with the thick, tree-lined hedgerows that offered a hiding spot even in this leafless season. She walked more slowly than before, often climbing over the stiles and sitting for hours under the hedgerows, staring ahead with wide, beautiful eyes; imagining herself at the edge of a hidden pool, low down like the one in the Scantlands; wondering if it would be very painful to drown, and if there was anything worse after death than what she feared in life. Religious beliefs had never really resonated with Hetty. She was one of those many people who had godfathers and godmothers, learned their catechism, been confirmed, and attended church every Sunday, yet had never truly absorbed a single Christian idea or feeling that could provide strength in life or comfort in death. You would misinterpret her thoughts during these grim days if you thought they were affected by religious fears or hopes.
She chose to go to Stratford-on-Avon again, where she had gone before by mistake, for she remembered some grassy fields on her former way towards it—fields among which she thought she might find just the sort of pool she had in her mind. Yet she took care of her money still; she carried her basket; death seemed still a long way off, and life was so strong in her. She craved food and rest—she hastened towards them at the very moment she was picturing to herself the bank from which she would leap towards death. It was already five days since she had left Windsor, for she had wandered about, always avoiding speech or questioning looks, and recovering her air of proud self-dependence whenever she was under observation, choosing her decent lodging at night, and dressing herself neatly in the morning, and setting off on her way steadily, or remaining under shelter if it rained, as if she had a happy life to cherish.
She decided to go back to Stratford-on-Avon, where she had accidentally ended up before, remembering some grassy fields along the way that made her think she might find the kind of pool she had in mind. Still, she was careful with her money; she carried her basket, and death felt far off while life was vibrant within her. She craved food and rest, rushing towards them even as she imagined the bank from which she would leap into death. It had already been five days since she left Windsor, as she wandered around, always steering clear of conversation or curious glances, and regaining her air of proud independence whenever someone was watching her. She picked decent places to stay at night, dressed neatly in the morning, and set off on her journey purposefully, or stayed sheltered when it rained, as if she had a happy life to hold on to.
And yet, even in her most self-conscious moments, the face was sadly different from that which had smiled at itself in the old specked glass, or smiled at others when they glanced at it admiringly. A hard and even fierce look had come in the eyes, though their lashes were as long as ever, and they had all their dark brightness. And the cheek was never dimpled with smiles now. It was the same rounded, pouting, childish prettiness, but with all love and belief in love departed from it—the sadder for its beauty, like that wondrous Medusa-face, with the passionate, passionless lips.
And yet, even in her most self-aware moments, her face looked sadly different from the one that had smiled at itself in the old speckled glass, or smiled back at others when they looked at it with admiration. A hard and even fierce expression had crept into her eyes, though their lashes were still as long as ever, and they maintained their dark brightness. And her cheeks were no longer dimpled with smiles. They retained the same rounded, pouting, childish beauty, but all love and belief in love had vanished from them—the beauty even sadder for its existence, like that amazing Medusa-like face, with passionate yet passionless lips.
At last she was among the fields she had been dreaming of, on a long narrow pathway leading towards a wood. If there should be a pool in that wood! It would be better hidden than one in the fields. No, it was not a wood, only a wild brake, where there had once been gravel-pits, leaving mounds and hollows studded with brushwood and small trees. She roamed up and down, thinking there was perhaps a pool in every hollow before she came to it, till her limbs were weary, and she sat down to rest. The afternoon was far advanced, and the leaden sky was darkening, as if the sun were setting behind it. After a little while Hetty started up again, feeling that darkness would soon come on; and she must put off finding the pool till to-morrow, and make her way to some shelter for the night. She had quite lost her way in the fields, and might as well go in one direction as another, for aught she knew. She walked through field after field, and no village, no house was in sight; but there, at the corner of this pasture, there was a break in the hedges; the land seemed to dip down a little, and two trees leaned towards each other across the opening. Hetty’s heart gave a great beat as she thought there must be a pool there. She walked towards it heavily over the tufted grass, with pale lips and a sense of trembling. It was as if the thing were come in spite of herself, instead of being the object of her search.
At last she was in the fields she had been dreaming of, on a long, narrow path leading to a woods. If there could be a pool in that woods! It would be better hidden than one in the fields. No, it wasn’t a woods, just a wild area where there used to be gravel pits, leaving hills and dips covered in brush and small trees. She wandered back and forth, thinking there might be a pool in each dip before she finally reached it, until her legs grew tired and she sat down to rest. The afternoon had progressed, and the heavy sky was darkening, as if the sun were setting behind it. After a little while, Hetty got up again, feeling that darkness would come soon; she would have to postpone finding the pool until tomorrow and find somewhere to stay for the night. She had completely lost her way in the fields and might as well walk in any direction since she had no idea. She walked through field after field, with no village or house in sight; but there at the edge of this pasture, there was a break in the hedges; the land seemed to dip a little, and two trees leaned toward each other across the opening. Hetty's heart raced as she thought there must be a pool there. She walked heavily over the tufted grass, with pale lips and a sense of nervousness. It was as if the thing had come to her despite herself, instead of being the thing she was searching for.
There it was, black under the darkening sky: no motion, no sound near. She set down her basket, and then sank down herself on the grass, trembling. The pool had its wintry depth now: by the time it got shallow, as she remembered the pools did at Hayslope, in the summer, no one could find out that it was her body. But then there was her basket—she must hide that too. She must throw it into the water—make it heavy with stones first, and then throw it in. She got up to look about for stones, and soon brought five or six, which she laid down beside her basket, and then sat down again. There was no need to hurry—there was all the night to drown herself in. She sat leaning her elbow on the basket. She was weary, hungry. There were some buns in her basket—three, which she had supplied herself with at the place where she ate her dinner. She took them out now and ate them eagerly, and then sat still again, looking at the pool. The soothed sensation that came over her from the satisfaction of her hunger, and this fixed dreamy attitude, brought on drowsiness, and presently her head sank down on her knees. She was fast asleep.
There it was, black under the darkening sky: no movement, no sound nearby. She set down her basket and then sank down on the grass, trembling. The pool had its wintry depth now: by the time it got shallow, like she remembered the pools did at Hayslope in the summer, no one would know it was her body. But then there was her basket—she had to hide that too. She needed to throw it into the water—make it heavy with stones first, and then toss it in. She got up to look for stones and soon gathered five or six, which she laid down beside her basket, then sat back down. There was no need to rush—she had all night to drown herself in. She sat with her elbow resting on the basket. She was tired, hungry. There were some buns in her basket—three, which she had packed from the place where she had lunch. She took them out now and ate them eagerly, then sat still again, staring at the pool. The comforting feeling that washed over her from satisfying her hunger, along with this fixed dreamy state, made her drowsy, and soon her head sank down on her knees. She was fast asleep.
When she awoke it was deep night, and she felt chill. She was frightened at this darkness—frightened at the long night before her. If she could but throw herself into the water! No, not yet. She began to walk about that she might get warm again, as if she would have more resolution then. Oh how long the time was in that darkness! The bright hearth and the warmth and the voices of home, the secure uprising and lying down, the familiar fields, the familiar people, the Sundays and holidays with their simple joys of dress and feasting—all the sweets of her young life rushed before her now, and she seemed to be stretching her arms towards them across a great gulf. She set her teeth when she thought of Arthur. She cursed him, without knowing what her cursing would do. She wished he too might know desolation, and cold, and a life of shame that he dared not end by death.
When she woke up, it was deep into the night, and she felt cold. The darkness scared her—she was afraid of the long night ahead. If only she could throw herself into the water! No, not yet. She started to walk around to warm herself up, hoping it would give her more courage. Oh, how long the time felt in that darkness! The bright fireplace, the warmth, and the voices of home, the security of getting up and going to bed, the familiar fields, the familiar faces, the Sundays and holidays with their simple pleasures of dressing up and feasting—all the sweet moments of her young life rushed back to her now, and it felt like she was reaching out for them across a huge gap. She clenched her teeth when she thought of Arthur. She cursed him, not even knowing what her curses might achieve. She wished he could also experience desolation, cold, and a life of shame that he was too afraid to end with death.
The horror of this cold, and darkness, and solitude—out of all human reach—became greater every long minute. It was almost as if she were dead already, and knew that she was dead, and longed to get back to life again. But no: she was alive still; she had not taken the dreadful leap. She felt a strange contradictory wretchedness and exultation: wretchedness, that she did not dare to face death; exultation, that she was still in life—that she might yet know light and warmth again. She walked backwards and forwards to warm herself, beginning to discern something of the objects around her, as her eyes became accustomed to the night—the darker line of the hedge, the rapid motion of some living creature—perhaps a field-mouse—rushing across the grass. She no longer felt as if the darkness hedged her in. She thought she could walk back across the field, and get over the stile; and then, in the very next field, she thought she remembered there was a hovel of furze near a sheepfold. If she could get into that hovel, she would be warmer. She could pass the night there, for that was what Alick did at Hayslope in lambing-time. The thought of this hovel brought the energy of a new hope. She took up her basket and walked across the field, but it was some time before she got in the right direction for the stile. The exercise and the occupation of finding the stile were a stimulus to her, however, and lightened the horror of the darkness and solitude. There were sheep in the next field, and she startled a group as she set down her basket and got over the stile; and the sound of their movement comforted her, for it assured her that her impression was right—this was the field where she had seen the hovel, for it was the field where the sheep were. Right on along the path, and she would get to it. She reached the opposite gate, and felt her way along its rails and the rails of the sheep-fold, till her hand encountered the pricking of the gorsy wall. Delicious sensation! She had found the shelter. She groped her way, touching the prickly gorse, to the door, and pushed it open. It was an ill-smelling close place, but warm, and there was straw on the ground. Hetty sank down on the straw with a sense of escape. Tears came—she had never shed tears before since she left Windsor—tears and sobs of hysterical joy that she had still hold of life, that she was still on the familiar earth, with the sheep near her. The very consciousness of her own limbs was a delight to her: she turned up her sleeves, and kissed her arms with the passionate love of life. Soon warmth and weariness lulled her in the midst of her sobs, and she fell continually into dozing, fancying herself at the brink of the pool again—fancying that she had jumped into the water, and then awaking with a start, and wondering where she was. But at last deep dreamless sleep came; her head, guarded by her bonnet, found a pillow against the gorsy wall, and the poor soul, driven to and fro between two equal terrors, found the one relief that was possible to it—the relief of unconsciousness.
The horror of the cold, darkness, and solitude—so far from any human contact—grew greater with every long minute. It felt almost like she was already dead, aware of her own death, longing to return to life. But no, she was still alive; she hadn't taken that dreadful leap. She felt a strange mix of misery and joy: misery for not having the courage to face death; joy for being alive and the possibility of experiencing light and warmth again. She paced back and forth to warm herself, starting to make out some objects around her as her eyes adjusted to the night—the darker outline of the hedge, the quick movement of something alive—maybe a field mouse—darting across the grass. She no longer felt trapped by the darkness. She thought she could walk back across the field and get over the stile; and then, in the next field, she remembered there was a hovel made of gorse near a sheepfold. If she could reach that hovel, she would be warmer. She could spend the night there, just like Alick did at Hayslope during lambing season. The thought of this hovel filled her with renewed hope. She picked up her basket and crossed the field, but it took her a while to find the right direction for the stile. Still, the walking and the task of locating the stile helped lift the weight of the darkness and solitude. There were sheep in the next field, and she startled a group as she set down her basket and climbed over the stile; the sound of their movement comforted her, confirming that her memory was correct—this was indeed the field where she had seen the hovel, for this was where the sheep were. If she kept going along the path, she would reach it. She arrived at the opposite gate, feeling her way along its rails and the rails of the sheepfold until her hand brushed against the prickly gorse wall. What a delightful sensation! She had found shelter. She carefully navigated the thorny gorse to the door and pushed it open. It was a smelly, cramped place, but warm, and there was straw on the ground. Hetty sank down onto the straw with a feeling of relief. Tears came—she hadn’t cried since she left Windsor—tears and sobs of overwhelmed joy that she still had a grip on life, that she was still on familiar ground, with the sheep nearby. Just being aware of her own body was a joy to her: she rolled up her sleeves and kissed her arms with a passionate love for life. Soon, warmth and exhaustion soothed her amid her sobs, and she began to doze off, imagining herself back at the edge of the pool—imagining that she had jumped into the water, then waking with a start, confused about where she was. But eventually, deep, dreamless sleep came; her head, cushioned by her bonnet, rested against the gorse wall, and the poor soul, tossed between two equal fears, found the only relief possible—relief through unconsciousness.
Alas! That relief seems to end the moment it has begun. It seemed to Hetty as if those dozen dreams had only passed into another dream—that she was in the hovel, and her aunt was standing over her with a candle in her hand. She trembled under her aunt’s glance, and opened her eyes. There was no candle, but there was light in the hovel—the light of early morning through the open door. And there was a face looking down on her; but it was an unknown face, belonging to an elderly man in a smock-frock.
Alas! That relief seems to disappear just as quickly as it arrived. Hetty felt like those dozen dreams had just turned into another dream—that she was in the shabby little house, and her aunt was standing over her with a candle in her hand. She flinched under her aunt’s gaze and opened her eyes. There was no candle, but there was light in the hovel—the light of early morning coming in through the open door. And there was a face looking down at her; but it was a stranger’s face, belonging to an older man in a workman’s outfit.
“Why, what do you do here, young woman?” the man said roughly.
“Why, what are you doing here, young woman?” the man said gruffly.
Hetty trembled still worse under this real fear and shame than she had done in her momentary dream under her aunt’s glance. She felt that she was like a beggar already—found sleeping in that place. But in spite of her trembling, she was so eager to account to the man for her presence here, that she found words at once.
Hetty shook even more with actual fear and shame than she had in her fleeting fantasy under her aunt’s gaze. She felt like a beggar caught sleeping in that spot. But despite her shaking, she was so eager to explain to the man why she was there that she quickly found her words.
“I lost my way,” she said. “I’m travelling—north’ard, and I got away from the road into the fields, and was overtaken by the dark. Will you tell me the way to the nearest village?”
“I lost my way,” she said. “I’m traveling north, and I wandered off the road into the fields, and the darkness caught up with me. Can you tell me how to get to the nearest village?”
She got up as she was speaking, and put her hands to her bonnet to adjust it, and then laid hold of her basket.
She stood up while she was talking, adjusted her bonnet, and then grabbed her basket.
The man looked at her with a slow bovine gaze, without giving her any answer, for some seconds. Then he turned away and walked towards the door of the hovel, but it was not till he got there that he stood still, and, turning his shoulder half-round towards her, said, “Aw, I can show you the way to Norton, if you like. But what do you do gettin’ out o’ the highroad?” he added, with a tone of gruff reproof. “Y’ull be gettin’ into mischief, if you dooant mind.”
The man looked at her with a slow, blank stare, not responding for a few seconds. Then he turned away and walked towards the door of the shack, but it wasn’t until he reached it that he paused, turned slightly to face her, and said, “Well, I can show you the way to Norton, if you want. But why are you leaving the main road?” he added, with a gruff tone. “You’ll end up in trouble if you’re not careful.”
“Yes,” said Hetty, “I won’t do it again. I’ll keep in the road, if you’ll be so good as show me how to get to it.”
“Yes,” said Hetty, “I won’t do it again. I’ll stay on the road if you could please show me how to get there.”
“Why dooant you keep where there’s a finger-poasses an’ folks to ax the way on?” the man said, still more gruffly. “Anybody ’ud think you was a wild woman, an’ look at yer.”
“Why don't you stay where there are some people around and you can ask for directions?” the man said, sounding even more rough. “Anyone would think you were a wild woman, just look at you.”
Hetty was frightened at this gruff old man, and still more at this last suggestion that she looked like a wild woman. As she followed him out of the hovel she thought she would give him a sixpence for telling her the way, and then he would not suppose she was wild. As he stopped to point out the road to her, she put her hand in her pocket to get the six-pence ready, and when he was turning away, without saying good-morning, she held it out to him and said, “Thank you; will you please to take something for your trouble?”
Hetty was scared of this gruff old man, and even more so by his last comment about her looking like a wild woman. As she followed him out of the shack, she thought about giving him sixpence for showing her the way, hoping he wouldn’t think she was wild. When he stopped to point out the road to her, she reached into her pocket to take out the sixpence, and as he turned to leave without saying good morning, she held it out to him and said, “Thank you; could you please take something for your trouble?”
He looked slowly at the sixpence, and then said, “I want none o’ your money. You’d better take care on’t, else you’ll get it stool from yer, if you go trapesin’ about the fields like a mad woman a-thatway.”
He slowly looked at the sixpence and then said, “I don’t want any of your money. You’d better watch out, or you’ll lose it if you keep wandering around the fields like a crazy woman like that.”
The man left her without further speech, and Hetty held on her way. Another day had risen, and she must wander on. It was no use to think of drowning herself—she could not do it, at least while she had money left to buy food and strength to journey on. But the incident on her waking this morning heightened her dread of that time when her money would be all gone; she would have to sell her basket and clothes then, and she would really look like a beggar or a wild woman, as the man had said. The passionate joy in life she had felt in the night, after escaping from the brink of the black cold death in the pool, was gone now. Life now, by the morning light, with the impression of that man’s hard wondering look at her, was as full of dread as death—it was worse; it was a dread to which she felt chained, from which she shrank and shrank as she did from the black pool, and yet could find no refuge from it.
The man left her without saying anything else, and Hetty continued on her way. A new day had begun, and she had to keep moving. It was pointless to think about drowning herself—she just couldn’t do it, at least not while she still had money for food and the strength to keep going. But the incident from this morning intensified her fear of the day when her money ran out; she would have to sell her basket and clothes then, and she would truly look like a beggar or a wild woman, just as the man had said. The intense joy in life she had felt at night, after escaping the brink of death in the cold pool, was gone now. Life in the morning light, with that man’s harsh, puzzled look in her mind, was as terrifying as death—it was even worse; it was a fear she felt trapped by, one from which she recoiled, just like she had from the black pool, yet she could find no escape from it.
She took out her money from her purse, and looked at it. She had still two-and-twenty shillings; it would serve her for many days more, or it would help her to get on faster to Stonyshire, within reach of Dinah. The thought of Dinah urged itself more strongly now, since the experience of the night had driven her shuddering imagination away from the pool. If it had been only going to Dinah—if nobody besides Dinah would ever know—Hetty could have made up her mind to go to her. The soft voice, the pitying eyes, would have drawn her. But afterwards the other people must know, and she could no more rush on that shame than she could rush on death.
She took the money out of her purse and checked how much she had. She still had twenty-two shillings; it could last her several more days, or help her get to Stonyshire faster, where Dinah was. The thought of Dinah was becoming more urgent now, especially after the night’s events had chased her unsettling thoughts away from the pool. If it were just about going to Dinah—if no one else besides Dinah would ever find out—Hetty could have decided to go to her. The gentle voice and the compassionate eyes would have drawn her in. But afterward, others would know, and she couldn’t face that kind of shame any more than she could face death.
She must wander on and on, and wait for a lower depth of despair to give her courage. Perhaps death would come to her, for she was getting less and less able to bear the day’s weariness. And yet—such is the strange action of our souls, drawing us by a lurking desire towards the very ends we dread—Hetty, when she set out again from Norton, asked the straightest road northwards towards Stonyshire, and kept it all that day.
She must keep wandering and waiting for a deeper level of despair to give her strength. Maybe death would come to her, as she was struggling more and more to handle the day's exhaustion. Yet—such is the odd nature of our souls, pulling us toward the very things we fear—Hetty, when she set out again from Norton, asked for the quickest route north to Stonyshire and followed it the entire day.
Poor wandering Hetty, with the rounded childish face and the hard, unloving, despairing soul looking out of it—with the narrow heart and narrow thoughts, no room in them for any sorrows but her own, and tasting that sorrow with the more intense bitterness! My heart bleeds for her as I see her toiling along on her weary feet, or seated in a cart, with her eyes fixed vacantly on the road before her, never thinking or caring whither it tends, till hunger comes and makes her desire that a village may be near.
Poor wandering Hetty, with her rounded, childlike face and the hard, unloving, despairing soul behind it—with her narrow heart and narrow thoughts, having no space for anyone else's sorrows except her own, and experiencing that sorrow with even more intense bitterness! My heart aches for her as I watch her struggling along on her tired feet, or sitting in a cart, with her eyes blankly focused on the road ahead, never thinking or caring where it leads, until hunger hits and makes her wish for a nearby village.
What will be the end, the end of her objectless wandering, apart from all love, caring for human beings only through her pride, clinging to life only as the hunted wounded brute clings to it?
What will be the conclusion, the conclusion of her aimless wandering, aside from all love, caring for people only out of her pride, holding onto life only as the hunted, injured animal holds on?
God preserve you and me from being the beginners of such misery!
God protect you and me from starting such misery!
Chapter XXXVIII
The Quest
The first ten days after Hetty’s departure passed as quietly as any other days with the family at the Hall Farm, and with Adam at his daily work. They had expected Hetty to stay away a week or ten days at least, perhaps a little longer if Dinah came back with her, because there might then be something to detain them at Snowfield. But when a fortnight had passed they began to feel a little surprise that Hetty did not return; she must surely have found it pleasanter to be with Dinah than any one could have supposed. Adam, for his part, was getting very impatient to see her, and he resolved that, if she did not appear the next day (Saturday), he would set out on Sunday morning to fetch her. There was no coach on a Sunday, but by setting out before it was light, and perhaps getting a lift in a cart by the way, he would arrive pretty early at Snowfield, and bring back Hetty the next day—Dinah too, if she were coming. It was quite time Hetty came home, and he would afford to lose his Monday for the sake of bringing her.
The first ten days after Hetty left went by as quietly as any other days for the family at the Hall Farm and for Adam at his usual work. They had thought Hetty would be gone for at least a week or ten days, maybe even a bit longer if Dinah returned with her, since that might keep them at Snowfield for a while. But when two weeks had gone by, they started to feel a bit surprised that Hetty hadn’t come back; she must have found it more enjoyable with Dinah than anyone had expected. Adam, for his part, was becoming very restless to see her, and he decided that if she didn’t show up the next day (Saturday), he would head out on Sunday morning to get her. There was no coach on Sundays, but if he left before dawn and maybe caught a ride in a cart along the way, he could get to Snowfield fairly early and bring Hetty back the next day—Dinah too, if she was coming. It was definitely time for Hetty to come home, and he could afford to miss his Monday to bring her back.
His project was quite approved at the Farm when he went there on Saturday evening. Mrs. Poyser desired him emphatically not to come back without Hetty, for she had been quite too long away, considering the things she had to get ready by the middle of March, and a week was surely enough for any one to go out for their health. As for Dinah, Mrs. Poyser had small hope of their bringing her, unless they could make her believe the folks at Hayslope were twice as miserable as the folks at Snowfield. “Though,” said Mrs. Poyser, by way of conclusion, “you might tell her she’s got but one aunt left, and she’s wasted pretty nigh to a shadder; and we shall p’rhaps all be gone twenty mile farther off her next Michaelmas, and shall die o’ broken hearts among strange folks, and leave the children fatherless and motherless.”
His project was well-received at the Farm when he went there Saturday evening. Mrs. Poyser strongly urged him not to come back without Hetty, since she had been away far too long, considering the things she needed to prepare by mid-March, and a week was definitely long enough for anyone to take off for their health. As for Dinah, Mrs. Poyser had little hope of bringing her along, unless they could convince her that the people at Hayslope were twice as miserable as those at Snowfield. “Still,” Mrs. Poyser added as a final note, “you could tell her she only has one aunt left, and she's nearly just a shadow; and we might all be gone twenty miles farther away from her by next Michaelmas, and end up dying of broken hearts among strangers, leaving the children fatherless and motherless.”
“Nay, nay,” said Mr. Poyser, who certainly had the air of a man perfectly heart-whole, “it isna so bad as that. Thee’t looking rarely now, and getting flesh every day. But I’d be glad for Dinah t’ come, for she’d help thee wi’ the little uns: they took t’ her wonderful.”
“Nah, nah,” said Mr. Poyser, who definitely had the vibe of a man completely content, “it’s not that bad. You’re looking really good now and gaining weight every day. But I’d be happy for Dinah to come because she’d help you with the little ones: they really took to her.”
So at daybreak, on Sunday, Adam set off. Seth went with him the first mile or two, for the thought of Snowfield and the possibility that Dinah might come again made him restless, and the walk with Adam in the cold morning air, both in their best clothes, helped to give him a sense of Sunday calm. It was the last morning in February, with a low grey sky, and a slight hoar-frost on the green border of the road and on the black hedges. They heard the gurgling of the full brooklet hurrying down the hill, and the faint twittering of the early birds. For they walked in silence, though with a pleased sense of companionship.
So at dawn on Sunday, Adam set out. Seth joined him for the first mile or so because he was anxious about Snowfield and the chance that Dinah might show up again. The walk with Adam in the chilly morning air, both dressed in their best clothes, helped him feel a bit of that Sunday serenity. It was the last morning of February, with a low gray sky and a light frost covering the green edges of the road and the dark hedges. They heard the bubbling of the full brook rushing down the hill and the soft chirping of the early birds. They walked in silence but felt a happy sense of companionship.
“Good-bye, lad,” said Adam, laying his hand on Seth’s shoulder and looking at him affectionately as they were about to part. “I wish thee wast going all the way wi’ me, and as happy as I am.”
“Goodbye, kid,” said Adam, placing his hand on Seth’s shoulder and looking at him fondly as they were about to separate. “I wish you were going all the way with me and as happy as I am.”
“I’m content, Addy, I’m content,” said Seth cheerfully. “I’ll be an old bachelor, belike, and make a fuss wi’ thy children.”
“I'm happy, Addy, I'm happy,” Seth said cheerfully. “I'll probably be a lonely old bachelor and spoil your kids.”
They turned away from each other, and Seth walked leisurely homeward, mentally repeating one of his favourite hymns—he was very fond of hymns:
They turned away from each other, and Seth walked home slowly, mentally repeating one of his favorite hymns—he really liked hymns:
“Dark and cheerless is the morn
Unaccompanied by thee:
Joyless is the day’s return
Till thy mercy’s beams I see:
Till thou inward light impart,
Glad my eyes and warm my heart.
Visit, then, this soul of mine,
Pierce the gloom of sin and grief—
Fill me, Radiancy Divine,
Scatter all my unbelief.
More and more thyself display,
Shining to the perfect day.”
"Today feels dark and gloomy
Without you by my side:
The day is joyless
Until I see your merciful light:
Until you bring light to my soul,
Brighten my eyes and warm my heart.
So come, visit my soul,
Break through the darkness of sin and sorrow—
Fill me, Divine Light,
And dispel all my doubts.
Show yourself more and more,
Shining into a perfect day."
Adam walked much faster, and any one coming along the Oakbourne road at sunrise that morning must have had a pleasant sight in this tall broad-chested man, striding along with a carriage as upright and firm as any soldier’s, glancing with keen glad eyes at the dark-blue hills as they began to show themselves on his way. Seldom in Adam’s life had his face been so free from any cloud of anxiety as it was this morning; and this freedom from care, as is usual with constructive practical minds like his, made him all the more observant of the objects round him and all the more ready to gather suggestions from them towards his own favourite plans and ingenious contrivances. His happy love—the knowledge that his steps were carrying him nearer and nearer to Hetty, who was so soon to be his—was to his thoughts what the sweet morning air was to his sensations: it gave him a consciousness of well-being that made activity delightful. Every now and then there was a rush of more intense feeling towards her, which chased away other images than Hetty; and along with that would come a wondering thankfulness that all this happiness was given to him—that this life of ours had such sweetness in it. For Adam had a devout mind, though he was perhaps rather impatient of devout words, and his tenderness lay very close to his reverence, so that the one could hardly be stirred without the other. But after feeling had welled up and poured itself out in this way, busy thought would come back with the greater vigour; and this morning it was intent on schemes by which the roads might be improved that were so imperfect all through the country, and on picturing all the benefits that might come from the exertions of a single country gentleman, if he would set himself to getting the roads made good in his own district.
Adam walked much faster, and anyone passing by the Oakbourne road at sunrise that morning would have seen a pleasant sight in this tall, broad-chested man striding along with a posture as upright and firm as a soldier’s, glancing with bright, happy eyes at the dark-blue hills as they began to appear on his path. Rarely in Adam’s life had his face been so free from any worry as it was that morning; and this lack of concern, as often happens with practical minds like his, made him more observant of the things around him and more ready to gather ideas from them for his favorite plans and clever inventions. His joyful love—the realization that his steps were bringing him closer and closer to Hetty, who was soon to be his—was to his thoughts what the sweet morning air was to his senses: it filled him with a sense of well-being that made activity enjoyable. Every now and then, stronger feelings for her surged up, pushing aside any thoughts about anyone but Hetty; along with that came a grateful wonder that all this happiness was his—that our life could hold such sweetness. Adam had a devout mind, though he was perhaps a bit impatient with devout words, and his tenderness was closely linked to his reverence, so the one could hardly be stirred without the other. But after these feelings had risen and expressed themselves, busy thoughts would return with even greater energy; and that morning, he was focused on ideas for improving the imperfect roads throughout the country and imagining all the benefits that could come from the efforts of a single country gentleman if he committed to improving the roads in his own area.
It seemed a very short walk, the ten miles to Oakbourne, that pretty town within sight of the blue hills, where he break-fasted. After this, the country grew barer and barer: no more rolling woods, no more wide-branching trees near frequent homesteads, no more bushy hedgerows, but greystone walls intersecting the meagre pastures, and dismal wide-scattered greystone houses on broken lands where mines had been and were no longer. “A hungry land,” said Adam to himself. “I’d rather go south’ard, where they say it’s as flat as a table, than come to live here; though if Dinah likes to live in a country where she can be the most comfort to folks, she’s i’ the right to live o’ this side; for she must look as if she’d come straight from heaven, like th’ angels in the desert, to strengthen them as ha’ got nothing t’ eat.” And when at last he came in sight of Snowfield, he thought it looked like a town that was “fellow to the country,” though the stream through the valley where the great mill stood gave a pleasant greenness to the lower fields. The town lay, grim, stony, and unsheltered, up the side of a steep hill, and Adam did not go forward to it at present, for Seth had told him where to find Dinah. It was at a thatched cottage outside the town, a little way from the mill—an old cottage, standing sideways towards the road, with a little bit of potato-ground before it. Here Dinah lodged with an elderly couple; and if she and Hetty happened to be out, Adam could learn where they were gone, or when they would be at home again. Dinah might be out on some preaching errand, and perhaps she would have left Hetty at home. Adam could not help hoping this, and as he recognized the cottage by the roadside before him, there shone out in his face that involuntary smile which belongs to the expectation of a near joy.
It felt like a quick walk, the ten miles to Oakbourne, that charming town in sight of the blue hills where he had breakfast. After that, the countryside became more and more barren: no more rolling woods, no more wide-spreading trees near busy farms, no more bushy hedgerows, just gray stone walls cutting through the sparse pastures and miserable, scattered gray stone houses on the worn land where mines had existed and were now gone. “A hungry land,” Adam thought to himself. “I’d rather head south, where they say it’s as flat as a table, than move here; though if Dinah wants to live in a place where she can best support people, then she’s right to be on this side; because she must look like she’s come straight from heaven, like the angels in the desert, to uplift those who have nothing to eat.” And when he finally saw Snowfield, he thought it looked like a town that matched the surrounding countryside, although the stream in the valley where the big mill stood added a nice touch of greenery to the lower fields. The town was grim, stony, and exposed, climbing up the steep hill, and Adam didn’t go toward it just yet, since Seth had told him where to find Dinah. It was at a thatched cottage outside the town, a little away from the mill—an old cottage facing sideways to the road, with a small patch of potato ground in front of it. Dinah was staying with an elderly couple there; if she and Hetty happened to be out, Adam could find out where they had gone or when they would be back. Dinah might be out on some preaching mission, and maybe she left Hetty at home. Adam couldn’t help hoping for that, and as he recognized the cottage by the roadside ahead of him, an involuntary smile lit up his face at the thought of a coming joy.
He hurried his step along the narrow causeway, and rapped at the door. It was opened by a very clean old woman, with a slow palsied shake of the head.
He quickened his pace along the narrow path and knocked on the door. It was opened by a very tidy old woman, who shook her head slowly with a slight tremor.
“Is Dinah Morris at home?” said Adam.
“Is Dinah Morris home?” Adam asked.
“Eh?... no,” said the old woman, looking up at this tall stranger with a wonder that made her slower of speech than usual. “Will you please to come in?” she added, retiring from the door, as if recollecting herself. “Why, ye’re brother to the young man as come afore, arena ye?”
“Uh?... no,” said the old woman, looking up at the tall stranger with a sense of wonder that made her slower to speak than usual. “Could you please come in?” she added, stepping back from the door as if she was getting herself together. “Why, you're the brother of the young man who came before, aren't you?”
“Yes,” said Adam, entering. “That was Seth Bede. I’m his brother Adam. He told me to give his respects to you and your good master.”
“Yes,” said Adam as he walked in. “That was Seth Bede. I’m his brother Adam. He asked me to send his regards to you and your kind master.”
“Aye, the same t’ him. He was a gracious young man. An’ ye feature him, on’y ye’re darker. Sit ye down i’ th’ arm-chair. My man isna come home from meeting.”
“Yeah, the same goes for him. He was a nice young man. And you look like him, but you're darker. Sit down in the armchair. My husband hasn’t come home from the meeting.”
Adam sat down patiently, not liking to hurry the shaking old woman with questions, but looking eagerly towards the narrow twisting stairs in one corner, for he thought it was possible Hetty might have heard his voice and would come down them.
Adam sat down patiently, not wanting to rush the trembling old woman with questions, but glancing eagerly at the narrow, winding stairs in one corner, hoping that Hetty might have heard his voice and would come down.
“So you’re come to see Dinah Morris?” said the old woman, standing opposite to him. “An’ you didn’ know she was away from home, then?”
“So you’ve come to see Dinah Morris?” said the old woman, standing across from him. “And you didn’t know she was away from home, then?”
“No,” said Adam, “but I thought it likely she might be away, seeing as it’s Sunday. But the other young woman—is she at home, or gone along with Dinah?”
“No,” said Adam, “but I thought it was possible she might be out since it’s Sunday. But what about the other young woman—is she at home, or did she go with Dinah?”
The old woman looked at Adam with a bewildered air.
The old woman looked at Adam with a confused expression.
“Gone along wi’ her?” she said. “Eh, Dinah’s gone to Leeds, a big town ye may ha’ heared on, where there’s a many o’ the Lord’s people. She’s been gone sin’ Friday was a fortnight: they sent her the money for her journey. You may see her room here,” she went on, opening a door and not noticing the effect of her words on Adam. He rose and followed her, and darted an eager glance into the little room with its narrow bed, the portrait of Wesley on the wall, and the few books lying on the large Bible. He had had an irrational hope that Hetty might be there. He could not speak in the first moment after seeing that the room was empty; an undefined fear had seized him—something had happened to Hetty on the journey. Still the old woman was so slow of speech and apprehension, that Hetty might be at Snowfield after all.
“Gone with her?” she said. “Yeah, Dinah's gone to Leeds, a big town you might have heard of, where there are a lot of the Lord's people. She's been gone since Friday two weeks ago; they sent her the money for the trip. You can see her room here,” she continued, opening a door and not noticing how her words affected Adam. He stood up and followed her, quickly glancing into the small room with its narrow bed, the portrait of Wesley on the wall, and the few books lying on the large Bible. He had irrationally hoped that Hetty might be there. He couldn’t speak at first after seeing that the room was empty; a vague fear gripped him—something must have happened to Hetty on her journey. Still, the old woman was so slow to speak and understand that Hetty might be at Snowfield after all.
“It’s a pity ye didna know,” she said. “Have ye come from your own country o’ purpose to see her?”
“It’s a shame you didn’t know,” she said. “Did you come from your own country just to see her?”
“But Hetty—Hetty Sorrel,” said Adam, abruptly; “Where is she?”
“But Hetty—Hetty Sorrel,” Adam said suddenly; “Where is she?”
“I know nobody by that name,” said the old woman, wonderingly. “Is it anybody ye’ve heared on at Snowfield?”
“I don’t know anyone by that name,” said the old woman, curiously. “Is it someone you've heard of at Snowfield?”
“Did there come no young woman here—very young and pretty—Friday was a fortnight, to see Dinah Morris?”
“Did no young woman come here—very young and pretty—two weeks ago on Friday, to see Dinah Morris?”
“Nay; I’n seen no young woman.”
“Nah; I haven't seen any young woman.”
“Think; are you quite sure? A girl, eighteen years old, with dark eyes and dark curly hair, and a red cloak on, and a basket on her arm? You couldn’t forget her if you saw her.”
“Think; are you absolutely sure? A girl, eighteen years old, with dark eyes and curly black hair, wearing a red cloak and carrying a basket on her arm? You wouldn’t forget her if you saw her.”
“Nay; Friday was a fortnight—it was the day as Dinah went away—there come nobody. There’s ne’er been nobody asking for her till you come, for the folks about know as she’s gone. Eh dear, eh dear, is there summat the matter?”
"Nah; Friday was two weeks ago—it was the day Dinah left—nobody came by. There hasn’t been anyone asking for her until you showed up, because everyone around knows she’s gone. Oh dear, oh dear, is something wrong?"
The old woman had seen the ghastly look of fear in Adam’s face. But he was not stunned or confounded: he was thinking eagerly where he could inquire about Hetty.
The old woman had seen the terrible look of fear on Adam’s face. But he wasn’t shocked or confused: he was eagerly trying to figure out where he could ask about Hetty.
“Yes; a young woman started from our country to see Dinah, Friday was a fortnight. I came to fetch her back. I’m afraid something has happened to her. I can’t stop. Good-bye.”
“Yes; a young woman left our country to see Dinah, and it’s been two weeks. I came to bring her back. I’m worried something has happened to her. I can’t stay. Goodbye.”
He hastened out of the cottage, and the old woman followed him to the gate, watching him sadly with her shaking head as he almost ran towards the town. He was going to inquire at the place where the Oakbourne coach stopped.
He hurried out of the cottage, and the old woman followed him to the gate, watching him sadly with her shaking head as he nearly ran toward the town. He was going to ask at the place where the Oakbourne coach stopped.
No! No young woman like Hetty had been seen there. Had any accident happened to the coach a fortnight ago? No. And there was no coach to take him back to Oakbourne that day. Well, he would walk: he couldn’t stay here, in wretched inaction. But the innkeeper, seeing that Adam was in great anxiety, and entering into this new incident with the eagerness of a man who passes a great deal of time with his hands in his pockets looking into an obstinately monotonous street, offered to take him back to Oakbourne in his own “taxed cart” this very evening. It was not five o’clock; there was plenty of time for Adam to take a meal and yet to get to Oakbourne before ten o’clock. The innkeeper declared that he really wanted to go to Oakbourne, and might as well go to-night; he should have all Monday before him then. Adam, after making an ineffectual attempt to eat, put the food in his pocket, and, drinking a draught of ale, declared himself ready to set off. As they approached the cottage, it occurred to him that he would do well to learn from the old woman where Dinah was to be found in Leeds: if there was trouble at the Hall Farm—he only half-admitted the foreboding that there would be—the Poysers might like to send for Dinah. But Dinah had not left any address, and the old woman, whose memory for names was infirm, could not recall the name of the “blessed woman” who was Dinah’s chief friend in the Society at Leeds.
No! No young woman like Hetty had been seen there. Had any accident happened to the coach two weeks ago? No. And there was no coach to take him back to Oakbourne that day. Well, he would walk; he couldn’t just sit here doing nothing. But the innkeeper, noticing that Adam was really anxious and getting into this new situation with the eagerness of someone who spends a lot of time with his hands in his pockets staring at a dull street, offered to take him back to Oakbourne in his own “taxed cart” that very evening. It wasn’t even five o’clock yet; there was plenty of time for Adam to eat and still get to Oakbourne before ten o’clock. The innkeeper insisted that he actually wanted to go to Oakbourne and might as well go tonight; he would then have all of Monday free. Adam, after making a useless attempt to eat, stuffed the food in his pocket and, after drinking a mug of ale, said he was ready to leave. As they got closer to the cottage, it crossed his mind that it would be smart to ask the old woman where Dinah could be found in Leeds: if there was trouble at the Hall Farm—he only half-acknowledged his fear that there would be—the Poysers might want to send for Dinah. But Dinah hadn’t left any address, and the old woman, whose memory for names was weak, couldn’t remember the name of the “blessed woman” who was Dinah’s main friend in the Society at Leeds.
During that long, long journey in the taxed cart, there was time for all the conjectures of importunate fear and struggling hope. In the very first shock of discovering that Hetty had not been to Snowfield, the thought of Arthur had darted through Adam like a sharp pang, but he tried for some time to ward off its return by busying himself with modes of accounting for the alarming fact, quite apart from that intolerable thought. Some accident had happened. Hetty had, by some strange chance, got into a wrong vehicle from Oakbourne: she had been taken ill, and did not want to frighten them by letting them know. But this frail fence of vague improbabilities was soon hurled down by a rush of distinct agonizing fears. Hetty had been deceiving herself in thinking that she could love and marry him: she had been loving Arthur all the while; and now, in her desperation at the nearness of their marriage, she had run away. And she was gone to him. The old indignation and jealousy rose again, and prompted the suspicion that Arthur had been dealing falsely—had written to Hetty—had tempted her to come to him—being unwilling, after all, that she should belong to another man besides himself. Perhaps the whole thing had been contrived by him, and he had given her directions how to follow him to Ireland—for Adam knew that Arthur had been gone thither three weeks ago, having recently learnt it at the Chase. Every sad look of Hetty’s, since she had been engaged to Adam, returned upon him now with all the exaggeration of painful retrospect. He had been foolishly sanguine and confident. The poor thing hadn’t perhaps known her own mind for a long while; had thought that she could forget Arthur; had been momentarily drawn towards the man who offered her a protecting, faithful love. He couldn’t bear to blame her: she never meant to cause him this dreadful pain. The blame lay with that man who had selfishly played with her heart—had perhaps even deliberately lured her away.
During that long journey in the loaded cart, there was plenty of time for all the nagging fears and struggling hopes to surface. Right after realizing that Hetty hadn’t gone to Snowfield, the thought of Arthur hit Adam like a sharp pain, but he tried for a while to push it away by thinking of possible explanations for the worrying situation, completely separate from that unbearable thought. Something must have happened. Maybe Hetty had accidentally gotten into the wrong vehicle in Oakbourne; perhaps she had taken ill and didn’t want to scare them by letting them know. But this flimsy defense of vague possibilities quickly crumbled under a wave of clear, agonizing fears. Hetty had been fooling herself thinking she could love and marry him; she had been in love with Arthur all along, and now, in her desperation at the approach of their wedding, she had run away. And she had gone to him. Old feelings of anger and jealousy flared up again, urging the suspicion that Arthur had been deceitful—had written to Hetty—had tempted her to come to him—unwilling, after all, for her to belong to anyone else but him. Maybe the whole thing was his doing, and he had given her directions on how to reach him in Ireland—Adam knew that Arthur had left for there three weeks ago, having recently found out at the Chase. Every sad look on Hetty’s face since they got engaged came rushing back to him now, magnified by painful memories. He had been foolishly optimistic and confident. Maybe the poor girl hadn’t known her own feelings for a long time; she thought she could forget Arthur and was briefly drawn to the man who offered her a protective, loyal love. He couldn’t bring himself to blame her; she never intended to cause him this terrible pain. The blame lay with the man who selfishly toyed with her heart—who might have even purposely lured her away.
At Oakbourne, the ostler at the Royal Oak remembered such a young woman as Adam described getting out of the Treddleston coach more than a fortnight ago—wasn’t likely to forget such a pretty lass as that in a hurry—was sure she had not gone on by the Buxton coach that went through Snowfield, but had lost sight of her while he went away with the horses and had never set eyes on her again. Adam then went straight to the house from which the Stoniton coach started: Stoniton was the most obvious place for Hetty to go to first, whatever might be her destination, for she would hardly venture on any but the chief coach-roads. She had been noticed here too, and was remembered to have sat on the box by the coachman; but the coachman could not be seen, for another man had been driving on that road in his stead the last three or four days. He could probably be seen at Stoniton, through inquiry at the inn where the coach put up. So the anxious heart-stricken Adam must of necessity wait and try to rest till morning—nay, till eleven o’clock, when the coach started.
At Oakbourne, the stable worker at the Royal Oak remembered a young woman like the one Adam described stepping off the Treddleston coach over two weeks ago—he wasn’t likely to forget such a pretty girl anytime soon. He was certain she hadn’t left on the Buxton coach that went through Snowfield, but he lost sight of her while he went off with the horses and never saw her again. Adam then headed straight to the house where the Stoniton coach departed: Stoniton was the most likely place for Hetty to go first, no matter where she was actually headed, since she would probably stick to the main coach roads. She had been noticed there as well, and people remembered she had sat on the box with the coachman; however, the coachman couldn’t be found, as another driver had been covering for him on that road for the past three or four days. He could probably be located in Stoniton with some inquiries at the inn where the coach stopped. So the anxious, heartbroken Adam had no choice but to wait and try to rest until morning—or rather, until eleven o’clock, when the coach left.
At Stoniton another delay occurred, for the old coachman who had driven Hetty would not be in the town again till night. When he did come he remembered Hetty well, and remembered his own joke addressed to her, quoting it many times to Adam, and observing with equal frequency that he thought there was something more than common, because Hetty had not laughed when he joked her. But he declared, as the people had done at the inn, that he had lost sight of Hetty directly she got down. Part of the next morning was consumed in inquiries at every house in the town from which a coach started—(all in vain, for you know Hetty did not start from Stoniton by coach, but on foot in the grey morning)—and then in walking out to the first toll-gates on the different lines of road, in the forlorn hope of finding some recollection of her there. No, she was not to be traced any farther; and the next hard task for Adam was to go home and carry the wretched tidings to the Hall Farm. As to what he should do beyond that, he had come to two distinct resolutions amidst the tumult of thought and feeling which was going on within him while he went to and fro. He would not mention what he knew of Arthur Donnithorne’s behaviour to Hetty till there was a clear necessity for it: it was still possible Hetty might come back, and the disclosure might be an injury or an offence to her. And as soon as he had been home and done what was necessary there to prepare for his further absence, he would start off to Ireland: if he found no trace of Hetty on the road, he would go straight to Arthur Donnithorne and make himself certain how far he was acquainted with her movements. Several times the thought occurred to him that he would consult Mr. Irwine, but that would be useless unless he told him all, and so betrayed the secret about Arthur. It seems strange that Adam, in the incessant occupation of his mind about Hetty, should never have alighted on the probability that she had gone to Windsor, ignorant that Arthur was no longer there. Perhaps the reason was that he could not conceive Hetty’s throwing herself on Arthur uncalled; he imagined no cause that could have driven her to such a step, after that letter written in August. There were but two alternatives in his mind: either Arthur had written to her again and enticed her away, or she had simply fled from her approaching marriage with himself because she found, after all, she could not love him well enough, and yet was afraid of her friends’ anger if she retracted.
At Stoniton, there was another delay because the old coachman who drove Hetty wouldn’t be back in town until night. When he did arrive, he remembered Hetty well and kept bringing up his joke to her, repeating it to Adam and noting that he thought there was something unusual since Hetty hadn’t laughed at his joke. However, he insisted, like the people at the inn, that he lost sight of Hetty the moment she got down. The following morning was spent searching every house in town where a coach left—(all in vain, since Hetty didn’t leave Stoniton by coach, but on foot in the early morning)—and then walking out to the first tollgates on various roads, hoping to find someone who remembered her. No luck; she couldn’t be tracked down any further. Adam’s next tough task was to go home and deliver the bad news to Hall Farm. As for what he would do afterward, amidst the chaos of thoughts and feelings swirling inside him, he had made two clear decisions. He wouldn’t mention what he knew about Arthur Donnithorne’s behavior toward Hetty until it was absolutely necessary: there was still a chance Hetty might return, and revealing that information could hurt or offend her. As soon as he got home and took care of what he needed to before leaving again, he would head to Ireland: if he found no trace of Hetty on the way, he would go straight to Arthur Donnithorne to find out how much he knew about her whereabouts. Several times he thought about consulting Mr. Irwine, but that wouldn’t help unless he revealed everything, which would expose Arthur’s secret. It seems odd that, despite constantly thinking about Hetty, Adam never considered the possibility that she had gone to Windsor, not knowing that Arthur was no longer there. Perhaps it was because he couldn’t imagine Hetty taking the initiative to go to Arthur without being invited; he saw no reason for her to do that after that letter written in August. He only had two possibilities in his mind: either Arthur had written to her again and lured her away, or she had simply run away from their impending marriage because she realized she didn’t love him enough, yet was afraid of her friends’ anger if she changed her mind.
With this last determination on his mind, of going straight to Arthur, the thought that he had spent two days in inquiries which had proved to be almost useless, was torturing to Adam; and yet, since he would not tell the Poysers his conviction as to where Hetty was gone, or his intention to follow her thither, he must be able to say to them that he had traced her as far as possible.
With this final decision in mind, of going straight to Arthur, the thought that he had spent two days asking around, which turned out to be almost pointless, was tormenting Adam; yet, since he wouldn’t tell the Poysers his belief about where Hetty had gone or his plan to follow her there, he had to be able to tell them that he had tracked her as far as he could.
It was after twelve o’clock on Tuesday night when Adam reached Treddleston; and, unwilling to disturb his mother and Seth, and also to encounter their questions at that hour, he threw himself without undressing on a bed at the “Waggon Overthrown,” and slept hard from pure weariness. Not more than four hours, however, for before five o’clock he set out on his way home in the faint morning twilight. He always kept a key of the workshop door in his pocket, so that he could let himself in; and he wished to enter without awaking his mother, for he was anxious to avoid telling her the new trouble himself by seeing Seth first, and asking him to tell her when it should be necessary. He walked gently along the yard, and turned the key gently in the door; but, as he expected, Gyp, who lay in the workshop, gave a sharp bark. It subsided when he saw Adam, holding up his finger at him to impose silence, and in his dumb, tailless joy he must content himself with rubbing his body against his master’s legs.
It was past midnight on Tuesday when Adam arrived in Treddleston. Not wanting to wake his mother and Seth or deal with their questions at that hour, he collapsed onto a bed at the “Waggon Overthrown” without undressing and fell into a deep sleep from sheer exhaustion. However, he only managed about four hours of sleep, because before five o’clock he set off for home in the dim morning light. He always carried a key to the workshop door in his pocket so that he could let himself in; he wanted to get inside without waking his mother, as he preferred to avoid sharing the new trouble himself—planning to speak to Seth first and ask him to break the news to her when it was necessary. He walked softly across the yard and turned the key quietly in the door, but as he expected, Gyp, who was lying in the workshop, barked sharply. The barking stopped when he saw Adam, who raised a finger to signal silence, and in his silent, joyful way, Gyp contented himself by rubbing against Adam’s legs.
Adam was too heart-sick to take notice of Gyp’s fondling. He threw himself on the bench and stared dully at the wood and the signs of work around him, wondering if he should ever come to feel pleasure in them again, while Gyp, dimly aware that there was something wrong with his master, laid his rough grey head on Adam’s knee and wrinkled his brows to look up at him. Hitherto, since Sunday afternoon, Adam had been constantly among strange people and in strange places, having no associations with the details of his daily life, and now that by the light of this new morning he was come back to his home and surrounded by the familiar objects that seemed for ever robbed of their charm, the reality—the hard, inevitable reality of his troubles pressed upon him with a new weight. Right before him was an unfinished chest of drawers, which he had been making in spare moments for Hetty’s use, when his home should be hers.
Adam was too heartbroken to notice Gyp's affection. He collapsed onto the bench and stared blankly at the wood and the signs of work around him, wondering if he would ever find joy in them again. Meanwhile, Gyp, dimly sensing that something was off with his master, rested his rough gray head on Adam's knee and furrowed his brow to look up at him. Since Sunday afternoon, Adam had been surrounded by strangers and in unfamiliar places, disconnected from the details of his daily life. Now, with the light of this new morning, he had returned home, surrounded by familiar objects that felt permanently stripped of their charm. The harsh, unavoidable reality of his troubles weighed heavily on him. Right in front of him was an unfinished chest of drawers that he had been working on during his free moments for Hetty, when his home would become hers.
Seth had not heard Adam’s entrance, but he had been roused by Gyp’s bark, and Adam heard him moving about in the room above, dressing himself. Seth’s first thoughts were about his brother: he would come home to-day, surely, for the business would be wanting him sadly by to-morrow, but it was pleasant to think he had had a longer holiday than he had expected. And would Dinah come too? Seth felt that that was the greatest happiness he could look forward to for himself, though he had no hope left that she would ever love him well enough to marry him; but he had often said to himself, it was better to be Dinah’s friend and brother than any other woman’s husband. If he could but be always near her, instead of living so far off!
Seth hadn’t noticed Adam come in, but Gyp’s bark had woken him up, and Adam could hear him moving around in the room above, getting dressed. Seth’s first thoughts were about his brother: he was definitely coming home today since they would really need him for work by tomorrow, but it was nice to think he had enjoyed a longer break than he thought. And would Dinah come too? Seth believed that would be the happiest thing he could hope for, even though he had given up on the idea that she would ever love him enough to marry him; still, he often told himself it was better to be Dinah’s friend and brother than another woman’s husband. If only he could always be close to her instead of living so far away!
He came downstairs and opened the inner door leading from the kitchen into the workshop, intending to let out Gyp; but he stood still in the doorway, smitten with a sudden shock at the sight of Adam seated listlessly on the bench, pale, unwashed, with sunken blank eyes, almost like a drunkard in the morning. But Seth felt in an instant what the marks meant—not drunkenness, but some great calamity. Adam looked up at him without speaking, and Seth moved forward towards the bench, himself trembling so that speech did not come readily.
He came downstairs and opened the door from the kitchen into the workshop, planning to let Gyp out; but he paused in the doorway, hit by a sudden shock at the sight of Adam slumped on the bench, looking pale, unwashed, with hollow, empty eyes, almost like a hungover person in the morning. But Seth quickly understood what those signs indicated—not drunkenness, but some serious tragedy. Adam looked up at him without saying a word, and Seth stepped closer to the bench, trembling so much that he couldn’t find his voice easily.
“God have mercy on us, Addy,” he said, in a low voice, sitting down on the bench beside Adam, “what is it?”
“God have mercy on us, Addy,” he said quietly, sitting down on the bench next to Adam, “what’s going on?”
Adam was unable to speak. The strong man, accustomed to suppress the signs of sorrow, had felt his heart swell like a child’s at this first approach of sympathy. He fell on Seth’s neck and sobbed.
Adam couldn’t speak. The strong man, used to hiding his feelings of sadness, felt his heart swell like a child's at this first encounter with kindness. He collapsed onto Seth's shoulder and cried.
Seth was prepared for the worst now, for, even in his recollections of their boyhood, Adam had never sobbed before.
Seth was now ready for the worst because, even in his memories of their childhood, Adam had never cried before.
“Is it death, Adam? Is she dead?” he asked, in a low tone, when Adam raised his head and was recovering himself.
“Is it death, Adam? Is she dead?” he asked quietly, as Adam lifted his head and started to regain his composure.
“No, lad; but she’s gone—gone away from us. She’s never been to Snowfield. Dinah’s been gone to Leeds ever since last Friday was a fortnight, the very day Hetty set out. I can’t find out where she went after she got to Stoniton.”
“No, kid; but she’s gone—gone away from us. She’s never been to Snowfield. Dinah’s been in Leeds ever since last Friday was two weeks ago, the very day Hetty left. I can’t figure out where she went after she got to Stoniton.”
Seth was silent from utter astonishment: he knew nothing that could suggest to him a reason for Hetty’s going away.
Seth was quiet with complete shock; he had no idea what could make Hetty leave.
“Hast any notion what she’s done it for?” he said, at last.
“Do you have any idea why she did it?” he said finally.
“She can’t ha’ loved me. She didn’t like our marriage when it came nigh—that must be it,” said Adam. He had determined to mention no further reason.
“She can’t have loved me. She didn’t like our marriage when it got close—that must be it,” said Adam. He had decided not to bring up any other reasons.
“I hear Mother stirring,” said Seth. “Must we tell her?”
“I hear Mom moving around,” said Seth. “Do we have to tell her?”
“No, not yet,” said Adam, rising from the bench and pushing the hair from his face, as if he wanted to rouse himself. “I can’t have her told yet; and I must set out on another journey directly, after I’ve been to the village and th’ Hall Farm. I can’t tell thee where I’m going, and thee must say to her I’m gone on business as nobody is to know anything about. I’ll go and wash myself now.” Adam moved towards the door of the workshop, but after a step or two he turned round, and, meeting Seth’s eyes with a calm sad glance, he said, “I must take all the money out o’ the tin box, lad; but if anything happens to me, all the rest ’ll be thine, to take care o’ Mother with.”
“No, not yet,” Adam said, getting up from the bench and brushing his hair back from his face, as if trying to wake himself up. “I can’t tell her yet; I need to set out on another trip right after I visit the village and the Hall Farm. I can’t tell you where I’m headed, so you have to tell her I’m away on business that nobody is supposed to know about. I’ll go wash up now.” Adam walked toward the workshop door, but after a couple of steps, he turned back, locking eyes with Seth in a calm, sad way. “I need to take all the money out of the tin box, but if anything happens to me, the rest is yours to take care of Mother with.”
Seth was pale and trembling: he felt there was some terrible secret under all this. “Brother,” he said, faintly—he never called Adam “Brother” except in solemn moments—“I don’t believe you’ll do anything as you can’t ask God’s blessing on.”
Seth was pale and shaking: he sensed there was some awful secret behind all this. “Brother,” he said quietly—he only referred to Adam as “Brother” during serious moments—“I don’t think you’ll do anything you can’t ask God to bless.”
“Nay, lad,” said Adam, “don’t be afraid. I’m for doing nought but what’s a man’s duty.”
“Nah, kid,” said Adam, “don’t be scared. I’m only going to do what’s a man’s duty.”
The thought that if he betrayed his trouble to his mother, she would only distress him by words, half of blundering affection, half of irrepressible triumph that Hetty proved as unfit to be his wife as she had always foreseen, brought back some of his habitual firmness and self-command. He had felt ill on his journey home—he told her when she came down—had stayed all night at Tredddleston for that reason; and a bad headache, that still hung about him this morning, accounted for his paleness and heavy eyes.
The idea that if he opened up about his problems to his mom, she would just upset him with a mix of well-meaning but clumsy words and uncontainable glee that Hetty was as wrong for him as she had always believed, brought back some of his usual resolve and self-control. He mentioned to her when she came downstairs that he had felt sick on his way home and had stayed the night in Tredddleston for that reason. A lingering headache that was still bothering him this morning explained his pale face and tired eyes.
He determined to go to the village, in the first place, attend to his business for an hour, and give notice to Burge of his being obliged to go on a journey, which he must beg him not to mention to any one; for he wished to avoid going to the Hall Farm near breakfast-time, when the children and servants would be in the house-place, and there must be exclamations in their hearing about his having returned without Hetty. He waited until the clock struck nine before he left the work-yard at the village, and set off, through the fields, towards the Farm. It was an immense relief to him, as he came near the Home Close, to see Mr. Poyser advancing towards him, for this would spare him the pain of going to the house. Mr. Poyser was walking briskly this March morning, with a sense of spring business on his mind: he was going to cast the master’s eye on the shoeing of a new cart-horse, carrying his spud as a useful companion by the way. His surprise was great when he caught sight of Adam, but he was not a man given to presentiments of evil.
He decided to go to the village, first to take care of his business for an hour and to inform Burge that he had to go on a trip, which he asked him not to mention to anyone. He wanted to avoid going to the Hall Farm around breakfast time when the children and servants would be in the house, leading to comments about his returning without Hetty. He waited until the clock struck nine before leaving the workyard in the village and headed through the fields toward the Farm. It was a huge relief for him, as he approached the Home Close, to see Mr. Poyser walking toward him, since this would save him the discomfort of going to the house. Mr. Poyser was walking briskly on this March morning, with a sense of spring duties on his mind: he was going to check on the shoeing of a new cart-horse, carrying his spud as a handy tool. He was quite surprised when he spotted Adam, but he wasn't the type to worry about bad omens.
“Why, Adam, lad, is’t you? Have ye been all this time away and not brought the lasses back, after all? Where are they?”
“Hey, Adam, is that you? Have you really been gone this whole time and didn’t bring the girls back, after all? Where are they?”
“No, I’ve not brought ’em,” said Adam, turning round, to indicate that he wished to walk back with Mr. Poyser.
“No, I haven’t brought them,” Adam said, turning around to show that he wanted to walk back with Mr. Poyser.
“Why,” said Martin, looking with sharper attention at Adam, “ye look bad. Is there anything happened?”
“Why,” said Martin, looking more closely at Adam, “you look bad. Did something happen?”
“Yes,” said Adam, heavily. “A sad thing’s happened. I didna find Hetty at Snowfield.”
“Yes,” Adam said, with a heavy sigh. “Something sad has happened. I couldn’t find Hetty at Snowfield.”
Mr. Poyser’s good-natured face showed signs of troubled astonishment. “Not find her? What’s happened to her?” he said, his thoughts flying at once to bodily accident.
Mr. Poyser’s friendly face revealed a mix of shock and concern. “Not find her? What’s happened to her?” he said, immediately imagining some sort of physical accident.
“That I can’t tell, whether anything’s happened to her. She never went to Snowfield—she took the coach to Stoniton, but I can’t learn nothing of her after she got down from the Stoniton coach.”
"Honestly, I can't say if anything happened to her. She never went to Snowfield—she took the coach to Stoniton, but I can't find out anything about her after she got off the Stoniton coach."
“Why, you donna mean she’s run away?” said Martin, standing still, so puzzled and bewildered that the fact did not yet make itself felt as a trouble by him.
“Why, you don't mean she’s run away?” said Martin, standing still, so confused and bewildered that he didn’t yet fully grasp that this was a problem.
“She must ha’ done,” said Adam. “She didn’t like our marriage when it came to the point—that must be it. She’d mistook her feelings.”
“She must have done,” said Adam. “She didn't like our marriage when it came down to it—that's gotta be it. She must have confused her feelings.”
Martin was silent for a minute or two, looking on the ground and rooting up the grass with his spud, without knowing what he was doing. His usual slowness was always trebled when the subject of speech was painful. At last he looked up, right in Adam’s face, saying, “Then she didna deserve t’ ha’ ye, my lad. An’ I feel i’ fault myself, for she was my niece, and I was allays hot for her marr’ing ye. There’s no amends I can make ye, lad—the more’s the pity: it’s a sad cut-up for ye, I doubt.”
Martin was quiet for a minute or two, staring at the ground and pulling up the grass with his spade, not really aware of what he was doing. His usual slowness was always tripled when the topic of conversation was painful. Finally, he looked up directly into Adam’s face and said, “Then she didn’t deserve to have you, my boy. And I feel at fault myself, because she was my niece, and I was always pushing for her to marry you. There’s nothing I can do to make it up to you, lad—the more’s the pity: it’s a sad situation for you, I fear.”
Adam could say nothing; and Mr. Poyser, after pursuing his walk for a little while, went on, “I’ll be bound she’s gone after trying to get a lady’s maid’s place, for she’d got that in her head half a year ago, and wanted me to gi’ my consent. But I’d thought better on her”—he added, shaking his head slowly and sadly—“I’d thought better on her, nor to look for this, after she’d gi’en y’ her word, an’ everything been got ready.”
Adam couldn’t say anything; and Mr. Poyser, after continuing his walk for a little while, went on, “I bet she’s gone off to try and get a job as a maid, because she had that idea in her head six months ago and wanted me to give my consent. But I’d thought better of her”—he added, shaking his head slowly and sadly—“I’d thought better of her than to do this after she’d given you her word, and everything was all set.”
Adam had the strongest motives for encouraging this supposition in Mr. Poyser, and he even tried to believe that it might possibly be true. He had no warrant for the certainty that she was gone to Arthur.
Adam had the strongest reasons for promoting this idea to Mr. Poyser, and he even tried to convince himself that it might actually be true. He had no basis for the certainty that she had gone to Arthur.
“It was better it should be so,” he said, as quietly as he could, “if she felt she couldn’t like me for a husband. Better run away before than repent after. I hope you won’t look harshly on her if she comes back, as she may do if she finds it hard to get on away from home.”
“It’s better this way,” he said as quietly as possible, “if she feels she can’t see me as a husband. Better to leave now than regret it later. I hope you won’t judge her too harshly if she comes back, which she might do if she struggles to get by away from home.”
“I canna look on her as I’ve done before,” said Martin decisively. “She’s acted bad by you, and by all of us. But I’ll not turn my back on her: she’s but a young un, and it’s the first harm I’ve knowed on her. It’ll be a hard job for me to tell her aunt. Why didna Dinah come back wi’ ye? She’d ha’ helped to pacify her aunt a bit.”
“I can’t look at her the same way I used to,” Martin said firmly. “She’s done wrong by you and by all of us. But I won’t turn my back on her; she’s just a kid, and this is the first time I’ve seen her do anything bad. It’ll be tough to tell her aunt. Why didn’t Dinah come back with you? She would have helped to calm her aunt down a bit.”
“Dinah wasn’t at Snowfield. She’s been gone to Leeds this fortnight, and I couldn’t learn from th’ old woman any direction where she is at Leeds, else I should ha’ brought it you.”
“Dinah wasn’t at Snowfield. She’s been away in Leeds for the past two weeks, and I couldn’t get any information from the old woman about where she is in Leeds; otherwise, I would have brought it to you.”
“She’d a deal better be staying wi’ her own kin,” said Mr. Poyser, indignantly, “than going preaching among strange folks a-that’n.”
“She’d be much better off staying with her own family,” said Mr. Poyser, indignantly, “than going around preaching to strangers like that.”
“I must leave you now, Mr. Poyser,” said Adam, “for I’ve a deal to see to.”
“I need to go now, Mr. Poyser,” Adam said, “because I have a lot to take care of.”
“Aye, you’d best be after your business, and I must tell the missis when I go home. It’s a hard job.”
“Yeah, you should take care of your business, and I have to let the wife know when I get home. It’s a tough job.”
“But,” said Adam, “I beg particular, you’ll keep what’s happened quiet for a week or two. I’ve not told my mother yet, and there’s no knowing how things may turn out.”
“But,” said Adam, “please, I really need you to keep what happened under wraps for a week or two. I haven’t told my mom yet, and you never know how things might unfold.”
“Aye, aye; least said, soonest mended. We’n no need to say why the match is broke off, an’ we may hear of her after a bit. Shake hands wi’ me, lad: I wish I could make thee amends.”
“Yeah, yeah; less said, sooner fixed. We don’t need to explain why the engagement is called off, and we might hear from her later. Shake hands with me, buddy: I wish I could make things right with you.”
There was something in Martin Poyser’s throat at that moment which caused him to bring out those scanty words in rather a broken fashion. Yet Adam knew what they meant all the better, and the two honest men grasped each other’s hard hands in mutual understanding.
There was something in Martin Poyser’s throat at that moment that made him say those few words in a rather shaky way. Still, Adam understood their meaning even more clearly, and the two honest men clasped each other’s strong hands in mutual understanding.
There was nothing now to hinder Adam from setting off. He had told Seth to go to the Chase and leave a message for the squire, saying that Adam Bede had been obliged to start off suddenly on a journey—and to say as much, and no more, to any one else who made inquiries about him. If the Poysers learned that he was gone away again, Adam knew they would infer that he was gone in search of Hetty.
There was nothing stopping Adam from leaving now. He had told Seth to go to the Chase and leave a message for the squire, saying that Adam Bede had to set off unexpectedly on a journey—and to say just that, and nothing more, to anyone else who asked about him. If the Poysers found out that he was gone again, Adam knew they would assume he had left to look for Hetty.
He had intended to go right on his way from the Hall Farm, but now the impulse which had frequently visited him before—to go to Mr. Irwine, and make a confidant of him—recurred with the new force which belongs to a last opportunity. He was about to start on a long journey—a difficult one—by sea—and no soul would know where he was gone. If anything happened to him? Or, if he absolutely needed help in any matter concerning Hetty? Mr. Irwine was to be trusted; and the feeling which made Adam shrink from telling anything which was her secret must give way before the need there was that she should have some one else besides himself who would be prepared to defend her in the worst extremity. Towards Arthur, even though he might have incurred no new guilt, Adam felt that he was not bound to keep silence when Hetty’s interest called on him to speak.
He had planned to continue on his way from the Hall Farm, but now the urge that had often come to him before—to visit Mr. Irwine and confide in him—returned with the stronger intensity that comes with a final opportunity. He was about to embark on a long, challenging journey by sea, and no one would know where he had gone. What if something happened to him? Or if he absolutely needed help with anything related to Hetty? Mr. Irwine could be trusted; and the feeling that made Adam hesitate to reveal anything that was her secret had to give way to the necessity of having someone else besides himself who would be ready to defend her in the worst case. Regarding Arthur, even if he had not committed any new wrongs, Adam felt he was not obliged to remain silent when Hetty’s well-being required him to speak.
“I must do it,” said Adam, when these thoughts, which had spread themselves through hours of his sad journeying, now rushed upon him in an instant, like a wave that had been slowly gathering; “it’s the right thing. I can’t stand alone in this way any longer.”
“I have to do it,” said Adam, as the thoughts that had been building up during his long, sad journey suddenly hit him all at once, like a wave that had been slowly forming; “it’s the right thing. I can’t keep standing alone like this anymore.”
Chapter XXXIX
The Tidings
Adam turned his face towards Broxton and walked with his swiftest stride, looking at his watch with the fear that Mr. Irwine might be gone out—hunting, perhaps. The fear and haste together produced a state of strong excitement before he reached the rectory gate, and outside it he saw the deep marks of a recent hoof on the gravel.
Adam turned his face toward Broxton and walked as fast as he could, glancing at his watch with the worry that Mr. Irwine might have gone out—maybe hunting. The combination of fear and urgency built up a strong excitement in him before he reached the rectory gate, and just outside, he noticed the deep imprint of a recent hoofprint on the gravel.
But the hoofs were turned towards the gate, not away from it, and though there was a horse against the stable door, it was not Mr. Irwine’s: it had evidently had a journey this morning, and must belong to some one who had come on business. Mr. Irwine was at home, then; but Adam could hardly find breath and calmness to tell Carroll that he wanted to speak to the rector. The double suffering of certain and uncertain sorrow had begun to shake the strong man. The butler looked at him wonderingly, as he threw himself on a bench in the passage and stared absently at the clock on the opposite wall. The master had somebody with him, he said, but he heard the study door open—the stranger seemed to be coming out, and as Adam was in a hurry, he would let the master know at once.
But the hooves were pointed towards the gate, not away from it, and even though there was a horse by the stable door, it wasn’t Mr. Irwine’s; it clearly had made a journey this morning and must belong to someone who had come for business. So Mr. Irwine was home, but Adam could hardly catch his breath or gather himself to tell Carroll that he wanted to speak to the rector. The mixed pain of both certain and uncertain sorrow was starting to shake the strong man. The butler looked at him curiously as he collapsed onto a bench in the hallway and stared blankly at the clock on the opposite wall. The master had someone with him, he said, but he heard the study door open—the stranger seemed to be coming out, and since Adam was in a hurry, he would let the master know right away.
Adam sat looking at the clock: the minute-hand was hurrying along the last five minutes to ten with a loud, hard, indifferent tick, and Adam watched the movement and listened to the sound as if he had had some reason for doing so. In our times of bitter suffering there are almost always these pauses, when our consciousness is benumbed to everything but some trivial perception or sensation. It is as if semi-idiocy came to give us rest from the memory and the dread which refuse to leave us in our sleep.
Adam sat staring at the clock: the minute hand was racing through the final five minutes to ten with a loud, harsh, indifferent tick, and Adam watched the movement and listened to the sound as if he had a reason to. In our times of deep suffering, there are almost always these pauses, when our awareness is numb to everything except for some insignificant perception or sensation. It's as if a kind of semi-idiocy shows up to give us a break from the memories and fears that won’t let us rest, even in our sleep.
Carroll, coming back, recalled Adam to the sense of his burden. He was to go into the study immediately. “I can’t think what that strange person’s come about,” the butler added, from mere incontinence of remark, as he preceded Adam to the door, “he’s gone i’ the dining-room. And master looks unaccountable—as if he was frightened.” Adam took no notice of the words: he could not care about other people’s business. But when he entered the study and looked in Mr. Irwine’s face, he felt in an instant that there was a new expression in it, strangely different from the warm friendliness it had always worn for him before. A letter lay open on the table, and Mr. Irwine’s hand was on it, but the changed glance he cast on Adam could not be owing entirely to preoccupation with some disagreeable business, for he was looking eagerly towards the door, as if Adam’s entrance were a matter of poignant anxiety to him.
Carroll, coming back, reminded Adam of his responsibility. He needed to go to the study right away. “I can’t figure out what that strange person is doing here,” the butler said, talking just to fill the silence as he led Adam to the door, “he’s gone into the dining room. And the master looks really odd—like he’s scared.” Adam didn’t pay attention to what he said; he didn’t care about other people’s issues. But when he walked into the study and looked at Mr. Irwine, he instantly noticed a new expression on his face, oddly different from the warm friendliness it usually had towards him. A letter was open on the table, and Mr. Irwine had his hand on it, but the shifted look he gave Adam couldn’t just be due to being caught up in some unpleasant matter because he was watching the door eagerly, as if Adam’s arrival was incredibly important to him.
“You want to speak to me, Adam,” he said, in that low constrainedly quiet tone which a man uses when he is determined to suppress agitation. “Sit down here.” He pointed to a chair just opposite to him, at no more than a yard’s distance from his own, and Adam sat down with a sense that this cold manner of Mr. Irwine’s gave an additional unexpected difficulty to his disclosure. But when Adam had made up his mind to a measure, he was not the man to renounce it for any but imperative reasons.
“You want to talk to me, Adam,” he said, in that low, tightly controlled voice a man uses when he’s trying to hide his anger. “Sit down here.” He gestured to a chair directly across from him, no more than a yard away, and Adam took a seat, feeling that Mr. Irwine’s cold demeanor added an unexpected challenge to what he needed to say. But once Adam committed to something, he wasn't the type to back down for anything less than a compelling reason.
“I come to you, sir,” he said, “as the gentleman I look up to most of anybody. I’ve something very painful to tell you—something as it’ll pain you to hear as well as me to tell. But if I speak o’ the wrong other people have done, you’ll see I didn’t speak till I’d good reason.”
“I’m coming to you, sir,” he said, “as the person I admire most of all. I have something very difficult to tell you—something that will hurt you to hear just as much as it hurts me to say. But if I talk about the wrongs that others have done, you’ll understand that I didn’t say anything until I had a solid reason.”
Mr. Irwine nodded slowly, and Adam went on rather tremulously, “You was t’ ha’ married me and Hetty Sorrel, you know, sir, o’ the fifteenth o’ this month. I thought she loved me, and I was th’ happiest man i’ the parish. But a dreadful blow’s come upon me.”
Mr. Irwine nodded slowly, and Adam continued somewhat nervously, “You were to have married me and Hetty Sorrel, you know, sir, on the fifteenth of this month. I thought she loved me, and I was the happiest man in the parish. But a terrible blow has come upon me.”
Mr. Irwine started up from his chair, as if involuntarily, but then, determined to control himself, walked to the window and looked out.
Mr. Irwine jumped up from his chair as if he couldn't help it, but then, trying to calm himself, walked to the window and looked outside.
“She’s gone away, sir, and we don’t know where. She said she was going to Snowfield o’ Friday was a fortnight, and I went last Sunday to fetch her back; but she’d never been there, and she took the coach to Stoniton, and beyond that I can’t trace her. But now I’m going a long journey to look for her, and I can’t trust t’ anybody but you where I’m going.”
“She's left, sir, and we have no idea where she went. She mentioned she was heading to Snowfield on Friday two weeks ago, and I went last Sunday to bring her back; but she was never there, and she took the coach to Stoniton, and beyond that, I can't track her down. But now I'm going on a long journey to search for her, and I can only trust you with where I'm headed.”
Mr. Irwine came back from the window and sat down.
Mr. Irwine returned from the window and took a seat.
“Have you no idea of the reason why she went away?” he said.
“Do you have any idea why she left?” he said.
“It’s plain enough she didn’t want to marry me, sir,” said Adam. “She didn’t like it when it came so near. But that isn’t all, I doubt. There’s something else I must tell you, sir. There’s somebody else concerned besides me.”
“It’s pretty clear she didn’t want to marry me, sir,” Adam said. “She wasn’t happy when it got so close. But that’s not everything, I think. There’s something else I need to tell you, sir. There’s someone else involved besides me.”
A gleam of something—it was almost like relief or joy—came across the eager anxiety of Mr. Irwine’s face at that moment. Adam was looking on the ground, and paused a little: the next words were hard to speak. But when he went on, he lifted up his head and looked straight at Mr. Irwine. He would do the thing he had resolved to do, without flinching.
A flash of something—it was almost like relief or happiness—crossed the eager anxiety on Mr. Irwine’s face at that moment. Adam was looking down and hesitated for a bit: the next words were difficult to say. But when he continued, he raised his head and looked directly at Mr. Irwine. He would follow through with what he had decided to do, without hesitation.
“You know who’s the man I’ve reckoned my greatest friend,” he said, “and used to be proud to think as I should pass my life i’ working for him, and had felt so ever since we were lads....”
“You know who I’ve considered my closest friend,” he said, “and I used to be proud to think that I would spend my life working for him. I’ve felt that way ever since we were kids....”
Mr. Irwine, as if all self-control had forsaken him, grasped Adam’s arm, which lay on the table, and, clutching it tightly like a man in pain, said, with pale lips and a low hurried voice, “No, Adam, no—don’t say it, for God’s sake!”
Mr. Irwine, as if he had completely lost control, grabbed Adam’s arm, which was resting on the table, and held it tightly like someone in distress, saying with pale lips and a hurried low voice, “No, Adam, no—don’t say it, for God’s sake!”
Adam, surprised at the violence of Mr. Irwine’s feeling, repented of the words that had passed his lips and sat in distressed silence. The grasp on his arm gradually relaxed, and Mr. Irwine threw himself back in his chair, saying, “Go on—I must know it.”
Adam, taken aback by the intensity of Mr. Irwine’s emotions, regretted the words he had spoken and sat in uncomfortable silence. The grip on his arm slowly loosened, and Mr. Irwine leaned back in his chair, saying, “Go on—I need to hear this.”
“That man played with Hetty’s feelings, and behaved to her as he’d no right to do to a girl in her station o’ life—made her presents and used to go and meet her out a-walking. I found it out only two days before he went away—found him a-kissing her as they were parting in the Grove. There’d been nothing said between me and Hetty then, though I’d loved her for a long while, and she knew it. But I reproached him with his wrong actions, and words and blows passed between us; and he said solemnly to me, after that, as it had been all nonsense and no more than a bit o’ flirting. But I made him write a letter to tell Hetty he’d meant nothing, for I saw clear enough, sir, by several things as I hadn’t understood at the time, as he’d got hold of her heart, and I thought she’d belike go on thinking of him and never come to love another man as wanted to marry her. And I gave her the letter, and she seemed to bear it all after a while better than I’d expected... and she behaved kinder and kinder to me... I daresay she didn’t know her own feelings then, poor thing, and they came back upon her when it was too late... I don’t want to blame her... I can’t think as she meant to deceive me. But I was encouraged to think she loved me, and—you know the rest, sir. But it’s on my mind as he’s been false to me, and ’ticed her away, and she’s gone to him—and I’m going now to see, for I can never go to work again till I know what’s become of her.”
"That guy played with Hetty’s feelings and treated her in a way that he had no right to do with a girl in her position—he gave her gifts and met her while she was out for walks. I only discovered it two days before he left—caught him kissing her as they were saying goodbye in the Grove. There hadn’t been anything said between Hetty and me then, even though I’d loved her for a long time, and she knew it. But I confronted him about what he’d done, and we exchanged words and punches; he solemnly told me afterward that it had all been just a bit of flirting and nothing more. But I made him write a letter to tell Hetty he hadn’t meant anything, because I could see clearly, from several things I hadn’t understood at the time, that he had captured her heart, and I thought she might just keep thinking about him and never fall in love with another man who wanted to marry her. I gave her the letter, and she seemed to handle it better than I expected after a while... and she started being kinder and kinder to me... I suppose she didn’t understand her own feelings then, poor thing, and they hit her again when it was too late... I don’t want to blame her... I can’t believe she intended to deceive me. But I was led to believe she loved me, and—you know the rest. But it weighs on my mind that he’s been untrue to me, and lured her away, and she’s gone to him—and I’m heading out now to find out, because I can’t go back to work until I know what’s happened to her."
During Adam’s narrative, Mr. Irwine had had time to recover his self-mastery in spite of the painful thoughts that crowded upon him. It was a bitter remembrance to him now—that morning when Arthur breakfasted with him and seemed as if he were on the verge of a confession. It was plain enough now what he had wanted to confess. And if their words had taken another turn... if he himself had been less fastidious about intruding on another man’s secrets... it was cruel to think how thin a film had shut out rescue from all this guilt and misery. He saw the whole history now by that terrible illumination which the present sheds back upon the past. But every other feeling as it rushed upon him was thrown into abeyance by pity, deep respectful pity, for the man who sat before him—already so bruised, going forth with sad blind resignedness to an unreal sorrow, while a real one was close upon him, too far beyond the range of common trial for him ever to have feared it. His own agitation was quelled by a certain awe that comes over us in the presence of a great anguish, for the anguish he must inflict on Adam was already present to him. Again he put his hand on the arm that lay on the table, but very gently this time, as he said solemnly:
During Adam’s story, Mr. Irwine had enough time to regain his composure despite the painful thoughts flooding his mind. It was a bitter memory for him now— that morning when Arthur had breakfast with him and seemed on the cusp of a confession. It was clear now what he had meant to confess. And if their conversation had gone differently... if he had been less uptight about prying into another man’s secrets... it was heartbreaking to think how little it would have taken to avoid all this guilt and misery. He saw the entire situation now with that harsh clarity that the present reveals about the past. Yet every other feeling that came rushing at him was overshadowed by deep, respectful pity for the man sitting in front of him—already so battered, heading into a sad, blind acceptance of an unreal sorrow, while a real one was right on top of him, far beyond what he would have ever imagined facing. His own agitation was calmed by a certain awe that arises in the face of profound suffering, for he was already aware of the pain he would have to cause Adam. Once again, he placed his hand on the arm resting on the table, but this time very gently, as he solemnly said:
“Adam, my dear friend, you have had some hard trials in your life. You can bear sorrow manfully, as well as act manfully. God requires both tasks at our hands. And there is a heavier sorrow coming upon you than any you have yet known. But you are not guilty—you have not the worst of all sorrows. God help him who has!”
“Adam, my dear friend, you’ve been through some tough challenges in your life. You can handle pain bravely, just as you can act bravely. God asks us to do both. And there’s a bigger sorrow coming your way than anything you’ve faced before. But you’re not to blame—you don’t have the worst kind of sorrow. God help those who do!”
The two pale faces looked at each other; in Adam’s there was trembling suspense, in Mr. Irwine’s hesitating, shrinking pity. But he went on.
The two pale faces stared at each other; Adam's showed anxious tension, while Mr. Irwine's reflected uncertain, wavering sympathy. But he continued.
“I have had news of Hetty this morning. She is not gone to him. She is in Stonyshire—at Stoniton.”
"I heard news about Hetty this morning. She hasn't gone to him. She's in Stonyshire—at Stoniton."
Adam started up from his chair, as if he thought he could have leaped to her that moment. But Mr. Irwine laid hold of his arm again and said, persuasively, “Wait, Adam, wait.” So he sat down.
Adam jumped up from his chair, as if he believed he could just leap over to her in that instant. But Mr. Irwine grabbed his arm again and said, calmly, “Wait, Adam, wait.” So he sat back down.
“She is in a very unhappy position—one which will make it worse for you to find her, my poor friend, than to have lost her for ever.”
“She is in a really tough spot—one that will make it harder for you to find her, my dear friend, than to have lost her forever.”
Adam’s lips moved tremulously, but no sound came. They moved again, and he whispered, “Tell me.”
Adam's lips shook slightly, but no sound came out. They moved again, and he whispered, "Tell me."
“She has been arrested... she is in prison.”
“She’s been arrested... she’s in jail.”
It was as if an insulting blow had brought back the spirit of resistance into Adam. The blood rushed to his face, and he said, loudly and sharply, “For what?”
It felt like an insulting blow had rekindled Adam's fighting spirit. His face turned red, and he said, loudly and sharply, “For what?”
“For a great crime—the murder of her child.”
“For a terrible crime—the murder of her child.”
“It can’t be!” Adam almost shouted, starting up from his chair and making a stride towards the door; but he turned round again, setting his back against the bookcase, and looking fiercely at Mr. Irwine. “It isn’t possible. She never had a child. She can’t be guilty. Who says it?”
“It can’t be!” Adam nearly shouted, jumping up from his chair and striding toward the door; but he turned back, leaned against the bookcase, and glared at Mr. Irwine. “It’s not possible. She never had a child. She can’t be guilty. Who says that?”
“God grant she may be innocent, Adam. We can still hope she is.”
“God help us, she might be innocent, Adam. We can still hope she is.”
“But who says she is guilty?” said Adam violently. “Tell me everything.”
“But who says she’s guilty?” Adam said angrily. “Tell me everything.”
“Here is a letter from the magistrate before whom she was taken, and the constable who arrested her is in the dining-room. She will not confess her name or where she comes from; but I fear, I fear, there can be no doubt it is Hetty. The description of her person corresponds, only that she is said to look very pale and ill. She had a small red-leather pocket-book in her pocket with two names written in it—one at the beginning, ‘Hetty Sorrel, Hayslope,’ and the other near the end, ‘Dinah Morris, Snowfield.’ She will not say which is her own name—she denies everything, and will answer no questions, and application has been made to me, as a magistrate, that I may take measures for identifying her, for it was thought probable that the name which stands first is her own name.”
“Here’s a letter from the magistrate who handled her case, and the constable who arrested her is in the dining room. She won’t admit her name or where she’s from; but I’m worried, I’m really worried, there’s no doubt it’s Hetty. The description of her matches, except that she’s said to look very pale and sick. She had a small red leather wallet in her pocket with two names written inside—one at the beginning, ‘Hetty Sorrel, Hayslope,’ and the other near the end, ‘Dinah Morris, Snowfield.’ She refuses to say which is her name—she denies everything, won’t answer any questions, and I’ve been asked as a magistrate to take steps to identify her because it seems likely that the first name is her own.”
“But what proof have they got against her, if it is Hetty?” said Adam, still violently, with an effort that seemed to shake his whole frame. “I’ll not believe it. It couldn’t ha’ been, and none of us know it.”
“But what proof do they have against her, if it is Hetty?” said Adam, still intensely, with an effort that seemed to shake his entire body. “I won’t believe it. It couldn't have been, and none of us know for sure.”
“Terrible proof that she was under the temptation to commit the crime; but we have room to hope that she did not really commit it. Try and read that letter, Adam.”
“It's terrible proof that she was tempted to commit the crime; but we can still hope that she didn’t actually do it. Try to read that letter, Adam.”
Adam took the letter between his shaking hands and tried to fix his eyes steadily on it. Mr. Irwine meanwhile went out to give some orders. When he came back, Adam’s eyes were still on the first page—he couldn’t read—he could not put the words together and make out what they meant. He threw it down at last and clenched his fist.
Adam held the letter in his trembling hands and tried to focus on it. Meanwhile, Mr. Irwine stepped outside to give some orders. When he returned, Adam was still staring at the first page—he couldn't read it—he couldn't piece the words together to understand their meaning. Finally, he tossed it aside and tightened his fist.
“It’s his doing,” he said; “if there’s been any crime, it’s at his door, not at hers. He taught her to deceive—he deceived me first. Let ’em put him on his trial—let him stand in court beside her, and I’ll tell ’em how he got hold of her heart, and ’ticed her t’ evil, and then lied to me. Is he to go free, while they lay all the punishment on her... so weak and young?”
“It’s his fault,” he said; “if there’s been any crime, it’s on him, not her. He taught her how to deceive—he deceived me first. Let them put him on trial—let him stand in court next to her, and I’ll tell them how he won her heart, led her to wrongdoing, and then lied to me. Is he going to walk free while they lay all the blame on her... so weak and young?”
The image called up by these last words gave a new direction to poor Adam’s maddened feelings. He was silent, looking at the corner of the room as if he saw something there. Then he burst out again, in a tone of appealing anguish,
The image created by those last words changed the course of poor Adam’s frenzied emotions. He fell silent, staring at the corner of the room as if he were seeing something there. Then he exploded again, in a voice filled with desperate anguish,
“I can’t bear it... O God, it’s too hard to lay upon me—it’s too hard to think she’s wicked.”
“I can’t handle it... Oh God, it's too much for me to bear—it’s too hard to believe she’s evil.”
Mr. Irwine had sat down again in silence. He was too wise to utter soothing words at present, and indeed, the sight of Adam before him, with that look of sudden age which sometimes comes over a young face in moments of terrible emotion—the hard bloodless look of the skin, the deep lines about the quivering mouth, the furrows in the brow—the sight of this strong firm man shattered by the invisible stroke of sorrow, moved him so deeply that speech was not easy. Adam stood motionless, with his eyes vacantly fixed in this way for a minute or two; in that short space he was living through all his love again.
Mr. Irwine sat down again in silence. He was too wise to say anything comforting right now, and honestly, seeing Adam in front of him, with that sudden look of aging that can sometimes hit a young face during extreme emotion—the pale, lifeless look of his skin, the deep lines around his trembling mouth, the furrows in his brow—seeing this strong, solid man broken by an invisible wave of sorrow affected him so much that finding the right words was hard. Adam stood still, his eyes blankly staring for a minute or two; in that short time, he was reliving all his love again.
“She can’t ha’ done it,” he said, still without moving his eyes, as if he were only talking to himself: “it was fear made her hide it... I forgive her for deceiving me... I forgive thee, Hetty... thee wast deceived too... it’s gone hard wi’ thee, my poor Hetty... but they’ll never make me believe it.”
“She can’t have done it,” he said, still not moving his eyes, as if he were just talking to himself: “it was fear that made her hide it... I forgive her for deceiving me... I forgive you, Hetty... you were deceived too... it’s been tough for you, my poor Hetty... but they’ll never convince me otherwise.”
He was silent again for a few moments, and then he said, with fierce abruptness, “I’ll go to him—I’ll bring him back—I’ll make him go and look at her in her misery—he shall look at her till he can’t forget it—it shall follow him night and day—as long as he lives it shall follow him—he shan’t escape wi’ lies this time—I’ll fetch him, I’ll drag him myself.”
He went quiet for a few moments, then said fiercely, “I’m going to him—I’ll bring him back—I’ll make him see her in her pain—he’ll have to look at her until he can't forget it—it will haunt him day and night—as long as he lives, it will haunt him—he can’t escape with lies this time—I’ll get him, I’ll drag him back myself.”
In the act of going towards the door, Adam paused automatically and looked about for his hat, quite unconscious where he was or who was present with him. Mr. Irwine had followed him, and now took him by the arm, saying, in a quiet but decided tone,
In the act of walking to the door, Adam stopped instinctively and searched for his hat, completely unaware of his surroundings or who was with him. Mr. Irwine had followed him and now took him by the arm, saying, in a calm but firm tone,
“No, Adam, no; I’m sure you will wish to stay and see what good can be done for her, instead of going on a useless errand of vengeance. The punishment will surely fall without your aid. Besides, he is no longer in Ireland. He must be on his way home—or would be, long before you arrived, for his grandfather, I know, wrote for him to come at least ten days ago. I want you now to go with me to Stoniton. I have ordered a horse for you to ride with us, as soon as you can compose yourself.”
“No, Adam, no; I’m sure you’ll want to stay and see what good can be done for her, instead of heading off on a pointless quest for revenge. The punishment will definitely happen without your help. Plus, he’s no longer in Ireland. He must be on his way home—or he would have been long before you got here, because his grandfather, I know, wrote to him to come at least ten days ago. I want you to come with me to Stoniton now. I’ve arranged a horse for you to ride with us, as soon as you can calm down.”
While Mr. Irwine was speaking, Adam recovered his consciousness of the actual scene. He rubbed his hair off his forehead and listened.
While Mr. Irwine was talking, Adam became aware of his surroundings again. He brushed his hair off his forehead and listened.
“Remember,” Mr. Irwine went on, “there are others to think of, and act for, besides yourself, Adam: there are Hetty’s friends, the good Poysers, on whom this stroke will fall more heavily than I can bear to think. I expect it from your strength of mind, Adam—from your sense of duty to God and man—that you will try to act as long as action can be of any use.”
“Remember,” Mr. Irwine continued, “there are others to consider and act for, not just yourself, Adam: there are Hetty’s friends, the good Poysers, who will feel this blow more than I can bear to imagine. I believe in your strength of mind, Adam—from your sense of duty to God and humanity—that you will do your best to act as long as action can still make a difference.”
In reality, Mr. Irwine proposed this journey to Stoniton for Adam’s own sake. Movement, with some object before him, was the best means of counteracting the violence of suffering in these first hours.
In reality, Mr. Irwine suggested this trip to Stoniton for Adam's own benefit. Moving forward, with a purpose in mind, was the best way to fight against the intensity of his suffering in these early hours.
“You will go with me to Stoniton, Adam?” he said again, after a moment’s pause. “We have to see if it is really Hetty who is there, you know.”
“You will come with me to Stoniton, Adam?” he asked again after a brief pause. “We need to find out if it’s really Hetty who’s there, you know.”
“Yes, sir,” said Adam, “I’ll do what you think right. But the folks at th’ Hall Farm?”
“Yes, sir,” said Adam, “I’ll do what you think is right. But what about the people at the Hall Farm?”
“I wish them not to know till I return to tell them myself. I shall have ascertained things then which I am uncertain about now, and I shall return as soon as possible. Come now, the horses are ready.”
“I don’t want them to know until I get back to tell them myself. By then, I’ll have figured things out that I'm unsure about now, and I’ll return as soon as I can. Let’s go now; the horses are ready.”
Chapter XL
The Bitter Waters Spread
Mr. Irwine returned from Stoniton in a post-chaise that night, and the first words Carroll said to him, as he entered the house, were, that Squire Donnithorne was dead—found dead in his bed at ten o’clock that morning—and that Mrs. Irwine desired him to say she should be awake when Mr. Irwine came home, and she begged him not to go to bed without seeing her.
Mr. Irwine came back from Stoniton that night in a carriage, and the first thing Carroll said to him as he walked in was that Squire Donnithorne had died—he was found dead in his bed at 10 o'clock that morning—and that Mrs. Irwine wanted him to know she would be awake when Mr. Irwine got home, and she asked him not to go to bed without seeing her.
“Well, Dauphin,” Mrs. Irwine said, as her son entered her room, “you’re come at last. So the old gentleman’s fidgetiness and low spirits, which made him send for Arthur in that sudden way, really meant something. I suppose Carroll has told you that Donnithorne was found dead in his bed this morning. You will believe my prognostications another time, though I daresay I shan’t live to prognosticate anything but my own death.”
"Well, Dauphin," Mrs. Irwine said as her son walked into her room, "you've finally arrived. So the old man's restlessness and low mood, which made him suddenly call for Arthur, actually meant something. I assume Carroll has informed you that Donnithorne was found dead in his bed this morning. You'll believe my predictions next time, although I doubt I’ll live to predict anything besides my own death."
“What have they done about Arthur?” said Mr. Irwine. “Sent a messenger to await him at Liverpool?”
“What have they done about Arthur?” Mr. Irwine asked. “Did they send a messenger to wait for him in Liverpool?”
“Yes, Ralph was gone before the news was brought to us. Dear Arthur, I shall live now to see him master at the Chase, and making good times on the estate, like a generous-hearted fellow as he is. He’ll be as happy as a king now.”
“Yes, Ralph left before we heard the news. Dear Arthur, I will now live to see him in charge at the Chase, enjoying good times on the estate, just as the kind-hearted person he is. He’ll be as happy as a king now.”
Mr. Irwine could not help giving a slight groan: he was worn with anxiety and exertion, and his mother’s light words were almost intolerable.
Mr. Irwine couldn’t help but let out a small groan: he was exhausted from worry and effort, and his mother’s casual remarks were nearly unbearable.
“What are you so dismal about, Dauphin? Is there any bad news? Or are you thinking of the danger for Arthur in crossing that frightful Irish Channel at this time of year?”
“What are you so gloomy about, Dauphin? Is there some bad news? Or are you worrying about the risk to Arthur in crossing that dangerous Irish Channel at this time of year?”
“No, Mother, I’m not thinking of that; but I’m not prepared to rejoice just now.”
“No, Mom, I’m not thinking about that; but I’m not ready to celebrate right now.”
“You’ve been worried by this law business that you’ve been to Stoniton about. What in the world is it, that you can’t tell me?”
“You’ve been stressed out about this legal stuff that took you to Stoniton. What on earth is it that you can't share with me?”
“You will know by and by, mother. It would not be right for me to tell you at present. Good-night: you’ll sleep now you have no longer anything to listen for.”
“You’ll find out soon enough, mom. It wouldn’t be right for me to tell you right now. Good night; you’ll be able to sleep now that there’s nothing left for you to listen for.”
Mr. Irwine gave up his intention of sending a letter to meet Arthur, since it would not now hasten his return: the news of his grandfather’s death would bring him as soon as he could possibly come. He could go to bed now and get some needful rest, before the time came for the morning’s heavy duty of carrying his sickening news to the Hall Farm and to Adam’s home.
Mr. Irwine decided not to send a letter to meet Arthur, since it wouldn’t speed up his return: the news of his grandfather’s death would bring him back as soon as he could. He could go to bed now and get some much-needed rest before the time came to share the heavy news at the Hall Farm and at Adam’s home.
Adam himself was not come back from Stoniton, for though he shrank from seeing Hetty, he could not bear to go to a distance from her again.
Adam himself had not returned from Stoniton, for although he was reluctant to see Hetty, he couldn't stand the thought of being far away from her again.
“It’s no use, sir,” he said to the rector, “it’s no use for me to go back. I can’t go to work again while she’s here, and I couldn’t bear the sight o’ the things and folks round home. I’ll take a bit of a room here, where I can see the prison walls, and perhaps I shall get, in time, to bear seeing her.”
“It’s pointless, sir,” he said to the rector, “there’s no way I can go back. I can’t go back to work while she’s here, and I couldn’t stand seeing the things and people back home. I’ll rent a small room here, where I can see the prison walls, and maybe over time, I’ll get used to seeing her.”
Adam had not been shaken in his belief that Hetty was innocent of the crime she was charged with, for Mr. Irwine, feeling that the belief in her guilt would be a crushing addition to Adam’s load, had kept from him the facts which left no hope in his own mind. There was not any reason for thrusting the whole burden on Adam at once, and Mr. Irwine, at parting, only said, “If the evidence should tell too strongly against her, Adam, we may still hope for a pardon. Her youth and other circumstances will be a plea for her.”
Adam had not wavered in his belief that Hetty was innocent of the crime she was accused of because Mr. Irwine, knowing that believing in her guilt would be an overwhelming burden for Adam, had kept the facts that offered no hope from him. There was no reason to dump the entire burden on Adam all at once, and Mr. Irwine, as they parted, only said, “If the evidence weighs too heavily against her, Adam, we can still hope for a pardon. Her age and other factors will serve as a plea for her.”
“Ah, and it’s right people should know how she was tempted into the wrong way,” said Adam, with bitter earnestness. “It’s right they should know it was a fine gentleman made love to her, and turned her head wi’ notions. You’ll remember, sir, you’ve promised to tell my mother, and Seth, and the people at the farm, who it was as led her wrong, else they’ll think harder of her than she deserves. You’ll be doing her a hurt by sparing him, and I hold him the guiltiest before God, let her ha’ done what she may. If you spare him, I’ll expose him!”
“Yeah, people need to know how she was led astray,” said Adam, with bitter seriousness. “It’s important they understand that a fine gentleman seduced her and filled her head with ideas. You’ll remember, sir, you’ve promised to tell my mother, and Seth, and the folks at the farm, who led her down the wrong path, or else they’ll think worse of her than she deserves. You’ll be doing her a disservice by protecting him, and I consider him the most guilty before God, no matter what she may have done. If you protect him, I’ll expose him!”
“I think your demand is just, Adam,” said Mr. Irwine, “but when you are calmer, you will judge Arthur more mercifully. I say nothing now, only that his punishment is in other hands than ours.”
"I think your request is fair, Adam," said Mr. Irwine, "but when you've calmed down, you'll see Arthur in a more forgiving light. I'm not saying much right now, just that his fate is in someone else's hands."
Mr. Irwine felt it hard upon him that he should have to tell of Arthur’s sad part in the story of sin and sorrow—he who cared for Arthur with fatherly affection, who had cared for him with fatherly pride. But he saw clearly that the secret must be known before long, even apart from Adam’s determination, since it was scarcely to be supposed that Hetty would persist to the end in her obstinate silence. He made up his mind to withhold nothing from the Poysers, but to tell them the worst at once, for there was no time to rob the tidings of their suddenness. Hetty’s trial must come on at the Lent assizes, and they were to be held at Stoniton the next week. It was scarcely to be hoped that Martin Poyser could escape the pain of being called as a witness, and it was better he should know everything as long beforehand as possible.
Mr. Irwine found it difficult to share Arthur’s sad role in the story of sin and sorrow—especially since he had cared for Arthur with fatherly affection and pride. However, he understood that the truth would have to come out soon, regardless of Adam’s determination, since it was unlikely Hetty would remain silent forever. He decided not to hide anything from the Poysers and to tell them the harsh reality right away, as there was no time to soften the shock of the news. Hetty’s trial was scheduled for the Lent assizes, which would be held in Stoniton next week. It was unlikely that Martin Poyser could avoid the pain of being called as a witness, and it was better for him to know everything as far ahead of time as possible.
Before ten o’clock on Thursday morning the home at the Hall Farm was a house of mourning for a misfortune felt to be worse than death. The sense of family dishonour was too keen even in the kind-hearted Martin Poyser the younger to leave room for any compassion towards Hetty. He and his father were simple-minded farmers, proud of their untarnished character, proud that they came of a family which had held up its head and paid its way as far back as its name was in the parish register; and Hetty had brought disgrace on them all—disgrace that could never be wiped out. That was the all-conquering feeling in the mind both of father and son—the scorching sense of disgrace, which neutralised all other sensibility—and Mr. Irwine was struck with surprise to observe that Mrs. Poyser was less severe than her husband. We are often startled by the severity of mild people on exceptional occasions; the reason is, that mild people are most liable to be under the yoke of traditional impressions.
Before ten o'clock on Thursday morning, the home at Hall Farm was filled with mourning over a misfortune that felt worse than death. The sense of family shame was so strong even for the kind-hearted Martin Poyser Jr. that he couldn't find any compassion for Hetty. He and his father were straightforward farmers, proud of their unblemished reputation, proud that their family had stood tall and paid its dues as far back as their name appeared in the parish register; but Hetty had brought disgrace upon them all—disgrace that could never be erased. That sense of overwhelming shame was the dominant feeling for both father and son, a burning awareness of disgrace that overshadowed all other emotions—and Mr. Irwine was surprised to see that Mrs. Poyser was less harsh than her husband. We’re often shocked by how strict mild people can be in unusual situations; the reason is that mild people are often burdened by traditional expectations.
“I’m willing to pay any money as is wanted towards trying to bring her off,” said Martin the younger when Mr. Irwine was gone, while the old grandfather was crying in the opposite chair, “but I’ll not go nigh her, nor ever see her again, by my own will. She’s made our bread bitter to us for all our lives to come, an’ we shall ne’er hold up our heads i’ this parish nor i’ any other. The parson talks o’ folks pitying us: it’s poor amends pity ’ull make us.”
“I’m willing to pay any amount of money needed to help her,” said Martin the younger after Mr. Irwine had left, as the old grandfather cried in the chair across from him. “But I won’t go near her or see her again, not by my own choice. She’s made our lives miserable forever, and we’ll never hold our heads high in this parish or anywhere else. The parson talks about people feeling sorry for us: it won’t do us any good.”
“Pity?” said the grandfather, sharply. “I ne’er wanted folks’s pity i’ my life afore... an’ I mun begin to be looked down on now, an’ me turned seventy-two last St. Thomas’s, an’ all th’ underbearers and pall-bearers as I’n picked for my funeral are i’ this parish and the next to ’t.... It’s o’ no use now... I mun be ta’en to the grave by strangers.”
“Pity?” said the grandfather, sharply. “I’ve never wanted anyone’s pity in my life before... and now I’m starting to be looked down on, and I just turned seventy-two last St. Thomas’s, and all the underbearers and pallbearers I’ve picked for my funeral are in this parish and the next one... It’s no use now... I’ll have to be taken to the grave by strangers.”
“Don’t fret so, father,” said Mrs. Poyser, who had spoken very little, being almost overawed by her husband’s unusual hardness and decision. “You’ll have your children wi’ you; an’ there’s the lads and the little un ’ull grow up in a new parish as well as i’ th’ old un.”
“Don’t worry so much, Dad,” said Mrs. Poyser, who had said very little, feeling almost intimidated by her husband’s unusual firmness and determination. “You’ll have your kids with you, and the boys and the little one will grow up in a new neighborhood just as well as in the old one.”
“Ah, there’s no staying i’ this country for us now,” said Mr. Poyser, and the hard tears trickled slowly down his round cheeks. “We thought it ’ud be bad luck if the old squire gave us notice this Lady day, but I must gi’ notice myself now, an’ see if there can anybody be got to come an’ take to the crops as I’n put i’ the ground; for I wonna stay upo’ that man’s land a day longer nor I’m forced to’t. An’ me, as thought him such a good upright young man, as I should be glad when he come to be our landlord. I’ll ne’er lift my hat to him again, nor sit i’ the same church wi’ him... a man as has brought shame on respectable folks... an’ pretended to be such a friend t’ everybody.... Poor Adam there... a fine friend he’s been t’ Adam, making speeches an’ talking so fine, an’ all the while poisoning the lad’s life, as it’s much if he can stay i’ this country any more nor we can.”
“Ah, there’s no staying in this country for us now,” said Mr. Poyser, and the tears rolled slowly down his round cheeks. “We thought it would be bad luck if the old squire gave us notice this Lady Day, but I have to give notice myself now, and see if I can find anyone to come and tend to the crops I’ve planted in the ground; because I won’t stay on that man’s land a day longer than I have to. And me, who thought he was such a good, honest young man that I would be glad when he became our landlord. I’ll never lift my hat to him again, nor sit in the same church with him... a man who has brought shame to respectable folks... and pretended to be such a friend to everybody... Poor Adam there... what a fine friend he’s been to Adam, making speeches and talking so eloquently, all the while ruining the lad’s life, as it’s lucky if he can stay in this country any longer than we can.”
“An’ you t’ ha’ to go into court, and own you’re akin t’ her,” said the old man. “Why, they’ll cast it up to the little un, as isn’t four ’ear old, some day—they’ll cast it up t’ her as she’d a cousin tried at the ’sizes for murder.”
“Then you’ll have to go to court and admit that you’re related to her,” said the old man. “They’ll throw it in the little one’s face, who isn’t even four years old yet, someday—they’ll remind her that she had a cousin tried at the assizes for murder.”
“It’ll be their own wickedness, then,” said Mrs. Poyser, with a sob in her voice. “But there’s One above ’ull take care o’ the innicent child, else it’s but little truth they tell us at church. It’ll be harder nor ever to die an’ leave the little uns, an’ nobody to be a mother to ’em.”
“It’ll be their own wickedness, then,” said Mrs. Poyser, her voice trembling with emotion. “But there’s Someone up above who will take care of the innocent child, or else they’re not telling us the truth at church. It’ll be harder than ever to die and leave the little ones, with no one to be a mother to them.”
“We’d better ha’ sent for Dinah, if we’d known where she is,” said Mr. Poyser; “but Adam said she’d left no direction where she’d be at Leeds.”
“We should have called for Dinah if we had known where she was,” said Mr. Poyser; “but Adam said she hadn’t left any information about where she would be in Leeds.”
“Why, she’d be wi’ that woman as was a friend t’ her Aunt Judith,” said Mrs. Poyser, comforted a little by this suggestion of her husband. “I’ve often heard Dinah talk of her, but I can’t remember what name she called her by. But there’s Seth Bede; he’s like enough to know, for she’s a preaching woman as the Methodists think a deal on.”
“Why, she’d be with that woman who was a friend to her Aunt Judith,” said Mrs. Poyser, feeling a bit better by her husband’s suggestion. “I’ve often heard Dinah mention her, but I can’t remember what name she used. But there’s Seth Bede; he’s likely to know, since she’s a preaching woman that the Methodists think highly of.”
“I’ll send to Seth,” said Mr. Poyser. “I’ll send Alick to tell him to come, or else to send up word o’ the woman’s name, an’ thee canst write a letter ready to send off to Treddles’on as soon as we can make out a direction.”
“I’ll send for Seth,” said Mr. Poyser. “I’ll have Alick go tell him to come, or else to send up the woman's name, and you can write a letter ready to send off to Treddleston as soon as we figure out a direction.”
“It’s poor work writing letters when you want folks to come to you i’ trouble,” said Mrs. Poyser. “Happen it’ll be ever so long on the road, an’ never reach her at last.”
“It’s pointless writing letters when you want people to come to you in trouble,” said Mrs. Poyser. “It might take forever to arrive and never reach her at all.”
Before Alick arrived with the message, Lisbeth’s thoughts too had already flown to Dinah, and she had said to Seth, “Eh, there’s no comfort for us i’ this world any more, wi’out thee couldst get Dinah Morris to come to us, as she did when my old man died. I’d like her to come in an’ take me by th’ hand again, an’ talk to me. She’d tell me the rights on’t, belike—she’d happen know some good i’ all this trouble an’ heart-break comin’ upo’ that poor lad, as ne’er done a bit o’ wrong in’s life, but war better nor anybody else’s son, pick the country round. Eh, my lad... Adam, my poor lad!”
Before Alick arrived with the message, Lisbeth’s thoughts had already turned to Dinah, and she said to Seth, “Oh, there’s no comfort for us in this world anymore, unless you could get Dinah Morris to come to us, like she did when my husband died. I’d love for her to come in and take my hand again and talk to me. She’d probably tell me the truth about it all—she might know something good in all this trouble and heartbreak that’s affecting that poor boy, who hasn’t done a single wrong in his life, but is better than anyone else’s son around here. Oh, my boy... Adam, my poor boy!”
“Thee wouldstna like me to leave thee, to go and fetch Dinah?” said Seth, as his mother sobbed and rocked herself to and fro.
“Would you like me to leave you to go get Dinah?” said Seth, as his mother sobbed and rocked back and forth.
“Fetch her?” said Lisbeth, looking up and pausing from her grief, like a crying child who hears some promise of consolation. “Why, what place is’t she’s at, do they say?”
“Fetch her?” said Lisbeth, looking up and pausing from her sadness, like a crying child who hears a glimmer of hope. “Well, where do they say she is?”
“It’s a good way off, mother—Leeds, a big town. But I could be back in three days, if thee couldst spare me.”
“It’s quite far away, mom—Leeds, a large city. But I could be back in three days if you could let me go.”
“Nay, nay, I canna spare thee. Thee must go an’ see thy brother, an’ bring me word what he’s a-doin’. Mester Irwine said he’d come an’ tell me, but I canna make out so well what it means when he tells me. Thee must go thysen, sin’ Adam wonna let me go to him. Write a letter to Dinah canstna? Thee’t fond enough o’ writin’ when nobody wants thee.”
“Nah, nah, I can’t let you go. You need to go see your brother and let me know what he’s up to. Mr. Irwine said he’d come and tell me, but I can’t really understand what he means when he tells me. You have to go yourself since Adam won’t let me visit him. Can’t you write a letter to Dinah? You’ve always liked writing when no one else needs you.”
“I’m not sure where she’d be i’ that big town,” said Seth. “If I’d gone myself, I could ha’ found out by asking the members o’ the Society. But perhaps if I put Sarah Williamson, Methodist preacher, Leeds, o’ th’ outside, it might get to her; for most like she’d be wi’ Sarah Williamson.”
“I’m not sure where she’d be in that big town,” said Seth. “If I had gone myself, I could have found out by asking the members of the Society. But maybe if I put Sarah Williamson, Methodist preacher, Leeds, on the outside, it might reach her; because she’s probably with Sarah Williamson.”
Alick came now with the message, and Seth, finding that Mrs. Poyser was writing to Dinah, gave up the intention of writing himself; but he went to the Hall Farm to tell them all he could suggest about the address of the letter, and warn them that there might be some delay in the delivery, from his not knowing an exact direction.
Alick came over with the message, and Seth, seeing that Mrs. Poyser was writing to Dinah, decided not to write himself. However, he went to the Hall Farm to share whatever suggestions he had about the address on the letter and to let them know there might be a delay in the delivery since he didn’t have an exact address.
On leaving Lisbeth, Mr. Irwine had gone to Jonathan Burge, who had also a claim to be acquainted with what was likely to keep Adam away from business for some time; and before six o’clock that evening there were few people in Broxton and Hayslope who had not heard the sad news. Mr. Irwine had not mentioned Arthur’s name to Burge, and yet the story of his conduct towards Hetty, with all the dark shadows cast upon it by its terrible consequences, was presently as well known as that his grandfather was dead, and that he was come into the estate. For Martin Poyser felt no motive to keep silence towards the one or two neighbours who ventured to come and shake him sorrowfully by the hand on the first day of his trouble; and Carroll, who kept his ears open to all that passed at the rectory, had framed an inferential version of the story, and found early opportunities of communicating it.
After leaving Lisbeth, Mr. Irwine went to see Jonathan Burge, who had a reason to know what might keep Adam away from work for a while; and by six o’clock that evening, there were hardly any people in Broxton and Hayslope who hadn’t heard the sad news. Mr. Irwine hadn’t mentioned Arthur’s name to Burge, yet the tale of his actions towards Hetty, along with all the dark implications of its terrible consequences, was soon as well known as the fact that his grandfather had died and that he had inherited the estate. Martin Poyser felt no reason to stay quiet with the one or two neighbors who came to shake his hand sadly on the first day of his grief; and Carroll, who listened closely to everything that happened at the rectory, had pieced together an implied version of the story and found early chances to share it.
One of those neighbours who came to Martin Poyser and shook him by the hand without speaking for some minutes was Bartle Massey. He had shut up his school, and was on his way to the rectory, where he arrived about half-past seven in the evening, and, sending his duty to Mr. Irwine, begged pardon for troubling him at that hour, but had something particular on his mind. He was shown into the study, where Mr. Irwine soon joined him.
One of the neighbors who came to Martin Poyser and warmly shook his hand without saying anything for a few minutes was Bartle Massey. He had closed his school and was headed to the rectory, arriving around 7:30 in the evening. After sending his regards to Mr. Irwine, he apologized for bothering him at that hour but mentioned he had something important on his mind. He was directed to the study, where Mr. Irwine soon joined him.
“Well, Bartle?” said Mr. Irwine, putting out his hand. That was not his usual way of saluting the schoolmaster, but trouble makes us treat all who feel with us very much alike. “Sit down.”
“Well, Bartle?” said Mr. Irwine, extending his hand. That wasn’t his typical way of greeting the schoolmaster, but when we’re in trouble, we tend to treat everyone who shares our feelings in a similar way. “Take a seat.”
“You know what I’m come about as well as I do, sir, I daresay,” said Bartle.
“You know what I’m talking about just as well as I do, sir, I bet,” said Bartle.
“You wish to know the truth about the sad news that has reached you... about Hetty Sorrel?”
“You want to know the truth about the unfortunate news you've heard... about Hetty Sorrel?”
“Nay, sir, what I wish to know is about Adam Bede. I understand you left him at Stoniton, and I beg the favour of you to tell me what’s the state of the poor lad’s mind, and what he means to do. For as for that bit o’ pink-and-white they’ve taken the trouble to put in jail, I don’t value her a rotten nut—not a rotten nut—only for the harm or good that may come out of her to an honest man—a lad I’ve set such store by—trusted to, that he’d make my bit o’ knowledge go a good way in the world.... Why, sir, he’s the only scholar I’ve had in this stupid country that ever had the will or the head-piece for mathematics. If he hadn’t had so much hard work to do, poor fellow, he might have gone into the higher branches, and then this might never have happened—might never have happened.”
“Nah, sir, what I want to know is about Adam Bede. I understand you left him at Stoniton, and I’d really appreciate it if you could tell me how the poor lad is doing mentally and what he plans to do. As for that bit of pink-and-white they’ve bothered to throw in jail, I don’t care about her at all—not even a little—except for the trouble or benefit she might cause to an honest guy—a lad I really value—who I trusted to use my advice wisely in the world.... Why, sir, he’s the only scholar I’ve had in this dull country who has ever had the ambition or the smarts for mathematics. If he hadn’t had to deal with so much hard work, poor guy, he might have explored the higher levels, and then this might have never happened—might have never happened.”
Bartle was heated by the exertion of walking fast in an agitated frame of mind, and was not able to check himself on this first occasion of venting his feelings. But he paused now to rub his moist forehead, and probably his moist eyes also.
Bartle was worked up from the effort of walking quickly while feeling agitated, and he couldn't hold back his feelings this first time. But he stopped now to wipe his sweaty forehead, and likely his tearful eyes too.
“You’ll excuse me, sir,” he said, when this pause had given him time to reflect, “for running on in this way about my own feelings, like that foolish dog of mine howling in a storm, when there’s nobody wants to listen to me. I came to hear you speak, not to talk myself—if you’ll take the trouble to tell me what the poor lad’s doing.”
“You'll forgive me, sir,” he said, after taking a moment to think, “for going on about my own feelings, like that silly dog of mine howling in a storm when no one wants to hear me. I came to listen to you, not to talk myself—if you wouldn't mind telling me what the poor boy is doing.”
“Don’t put yourself under any restraint, Bartle,” said Mr. Irwine. “The fact is, I’m very much in the same condition as you just now; I’ve a great deal that’s painful on my mind, and I find it hard work to be quite silent about my own feelings and only attend to others. I share your concern for Adam, though he is not the only one whose sufferings I care for in this affair. He intends to remain at Stoniton till after the trial: it will come on probably a week to-morrow. He has taken a room there, and I encouraged him to do so, because I think it better he should be away from his own home at present; and, poor fellow, he still believes Hetty is innocent—he wants to summon up courage to see her if he can; he is unwilling to leave the spot where she is.”
"Don't hold back, Bartle," Mr. Irwine said. "Honestly, I'm feeling much like you right now; there's a lot weighing on my mind, and it’s tough for me to stay completely quiet about my feelings while focusing on others. I share your worry for Adam, but he’s not the only one whose struggles I’m concerned about in this situation. He plans to stay in Stoniton until after the trial, which is likely happening next week. He’s rented a room there, and I encouraged him to do that because I think it’s better for him to be away from home for now; and, poor guy, he still believes Hetty is innocent—he’s trying to gather the courage to see her if he can; he’s reluctant to leave the place where she is."
“Do you think the creatur’s guilty, then?” said Bartle. “Do you think they’ll hang her?”
“Do you think the creature is guilty, then?” said Bartle. “Do you think they’ll hang her?”
“I’m afraid it will go hard with her. The evidence is very strong. And one bad symptom is that she denies everything—denies that she has had a child in the face of the most positive evidence. I saw her myself, and she was obstinately silent to me; she shrank up like a frightened animal when she saw me. I was never so shocked in my life as at the change in her. But I trust that, in the worst case, we may obtain a pardon for the sake of the innocent who are involved.”
“I’m worried about her. The evidence against her is really strong. One troubling sign is that she’s denying everything—she’s claiming she hasn’t had a child despite clear proof. I saw her myself, and she went completely quiet with me; she looked like a scared animal when she saw me. I’ve never been so shocked in my life at how much she’s changed. But I hope that, if it comes to the worst, we can get a pardon for the innocent people caught up in this.”
“Stuff and nonsense!” said Bartle, forgetting in his irritation to whom he was speaking. “I beg your pardon, sir, I mean it’s stuff and nonsense for the innocent to care about her being hanged. For my own part, I think the sooner such women are put out o’ the world the better; and the men that help ’em to do mischief had better go along with ’em for that matter. What good will you do by keeping such vermin alive, eating the victual that ’ud feed rational beings? But if Adam’s fool enough to care about it, I don’t want him to suffer more than’s needful.... Is he very much cut up, poor fellow?” Bartle added, taking out his spectacles and putting them on, as if they would assist his imagination.
“That's ridiculous!” Bartle said, forgetting in his annoyance who he was speaking to. “I apologize, sir, I meant it’s ridiculous for innocent people to worry about her being hanged. Personally, I think the sooner we get rid of such women, the better; and the men who aid them in causing trouble should be dealt with too. What good does it do to keep such pests alive, consuming resources that could feed sensible people? But if Adam is foolish enough to care, I don’t want him to suffer more than necessary.... Is he really that upset, poor guy?” Bartle added, taking out his glasses and putting them on, as if they would help his imagination.
“Yes, I’m afraid the grief cuts very deep,” said Mr. Irwine. “He looks terribly shattered, and a certain violence came over him now and then yesterday, which made me wish I could have remained near him. But I shall go to Stoniton again to-morrow, and I have confidence enough in the strength of Adam’s principle to trust that he will be able to endure the worst without being driven to anything rash.”
“Yes, I'm afraid the grief runs very deep,” said Mr. Irwine. “He looks completely shattered, and there was a certain violence in him now and then yesterday that made me wish I could have stayed close to him. But I will go to Stoniton again tomorrow, and I have enough faith in Adam's principles to believe that he will be able to handle the worst without doing something rash.”
Mr. Irwine, who was involuntarily uttering his own thoughts rather than addressing Bartle Massey in the last sentence, had in his mind the possibility that the spirit of vengeance towards Arthur, which was the form Adam’s anguish was continually taking, might make him seek an encounter that was likely to end more fatally than the one in the Grove. This possibility heightened the anxiety with which he looked forward to Arthur’s arrival. But Bartle thought Mr. Irwine was referring to suicide, and his face wore a new alarm.
Mr. Irwine, who was unintentionally expressing his own thoughts instead of talking to Bartle Massey in the last sentence, was considering the chance that Adam's ongoing feelings of vengeance towards Arthur could lead him to seek a confrontation that might end even more tragically than the one in the Grove. This thought intensified the worry with which he anticipated Arthur's arrival. However, Bartle interpreted Mr. Irwine's concerns as being about suicide, and a new alarm appeared on his face.
“I’ll tell you what I have in my head, sir,” he said, “and I hope you’ll approve of it. I’m going to shut up my school—if the scholars come, they must go back again, that’s all—and I shall go to Stoniton and look after Adam till this business is over. I’ll pretend I’m come to look on at the assizes; he can’t object to that. What do you think about it, sir?”
“I’ll share what I’m thinking, sir,” he said, “and I hope you’ll agree with me. I’m going to close my school—if the students show up, they’ll just have to go back home, that’s all—and I’ll head to Stoniton to take care of Adam until this situation is resolved. I’ll act like I’m just there to watch the trials; he can’t say anything about that. What do you think, sir?”
“Well,” said Mr. Irwine, rather hesitatingly, “there would be some real advantages in that... and I honour you for your friendship towards him, Bartle. But... you must be careful what you say to him, you know. I’m afraid you have too little fellow-feeling in what you consider his weakness about Hetty.”
“Well,” said Mr. Irwine, a bit hesitantly, “there would be some real advantages to that... and I respect you for your friendship toward him, Bartle. But... you need to be careful about what you say to him, you know. I’m worried that you have too little empathy for what you see as his weakness regarding Hetty.”
“Trust to me, sir—trust to me. I know what you mean. I’ve been a fool myself in my time, but that’s between you and me. I shan’t thrust myself on him only keep my eye on him, and see that he gets some good food, and put in a word here and there.”
“Trust me, sir—trust me. I understand what you mean. I’ve been a fool myself before, but that’s just between us. I won’t impose myself on him, I’ll just keep an eye on him, make sure he gets some good food, and offer a suggestion now and then.”
“Then,” said Mr. Irwine, reassured a little as to Bartle’s discretion, “I think you’ll be doing a good deed; and it will be well for you to let Adam’s mother and brother know that you’re going.”
“Then,” said Mr. Irwine, feeling a bit more confident in Bartle’s judgment, “I think you’ll be doing a good thing; and it would be wise to let Adam’s mother and brother know that you’re going.”
“Yes, sir, yes,” said Bartle, rising, and taking off his spectacles, “I’ll do that, I’ll do that; though the mother’s a whimpering thing—I don’t like to come within earshot of her; however, she’s a straight-backed, clean woman, none of your slatterns. I wish you good-bye, sir, and thank you for the time you’ve spared me. You’re everybody’s friend in this business—everybody’s friend. It’s a heavy weight you’ve got on your shoulders.”
“Yes, sir, yes,” Bartle said, standing up and taking off his glasses, “I’ll handle that, I’ll handle that; although the mom is a bit whiny—I really don’t like being around her; still, she’s an upright, tidy woman, not one of those messy ones. I wish you farewell, sir, and thank you for the time you’ve given me. You’re a friend to everyone in this line of work—everyone’s friend. You’ve got a lot to deal with.”
“Good-bye, Bartle, till we meet at Stoniton, as I daresay we shall.”
“Goodbye, Bartle, until we meet at Stoniton, as I’m sure we will.”
Bartle hurried away from the rectory, evading Carroll’s conversational advances, and saying in an exasperated tone to Vixen, whose short legs pattered beside him on the gravel, “Now, I shall be obliged to take you with me, you good-for-nothing woman. You’d go fretting yourself to death if I left you—you know you would, and perhaps get snapped up by some tramp. And you’ll be running into bad company, I expect, putting your nose in every hole and corner where you’ve no business! But if you do anything disgraceful, I’ll disown you—mind that, madam, mind that!”
Bartle rushed away from the rectory, avoiding Carroll’s attempts to talk, and said in an annoyed tone to Vixen, whose short legs pattered beside him on the gravel, “Now, I have no choice but to take you with me, you good-for-nothing woman. You’d worry yourself to death if I left you—you know you would, and you might even get picked up by some drifter. And I expect you'll be getting into trouble, poking your nose into places where you shouldn't! But if you do anything embarrassing, I’ll disown you—remember that, madam, remember that!”
Chapter XLI
The Eve of the Trial
An upper room in a dull Stoniton street, with two beds in it—one laid on the floor. It is ten o’clock on Thursday night, and the dark wall opposite the window shuts out the moonlight that might have struggled with the light of the one dip candle by which Bartle Massey is pretending to read, while he is really looking over his spectacles at Adam Bede, seated near the dark window.
An upper room on a boring Stoniton street, with two beds in it—one on the floor. It’s ten o'clock on Thursday night, and the dark wall opposite the window blocks out the moonlight that could have competed with the light from the single dip candle that Bartle Massey is pretending to read by, while he is actually peering over his glasses at Adam Bede, who is sitting near the dark window.
You would hardly have known it was Adam without being told. His face has got thinner this last week: he has the sunken eyes, the neglected beard of a man just risen from a sick-bed. His heavy black hair hangs over his forehead, and there is no active impulse in him which inclines him to push it off, that he may be more awake to what is around him. He has one arm over the back of the chair, and he seems to be looking down at his clasped hands. He is roused by a knock at the door.
You would hardly recognize it was Adam without being told. His face has gotten thinner this past week: he has sunken eyes and a scruffy beard like someone just getting out of bed after being sick. His thick black hair falls over his forehead, and he feels no urge to push it aside to be more aware of what's around him. One arm rests over the back of the chair, and he appears to be staring down at his clasped hands. A knock at the door snaps him out of his reverie.
“There he is,” said Bartle Massey, rising hastily and unfastening the door. It was Mr. Irwine.
“There he is,” said Bartle Massey, quickly getting up and unfastening the door. It was Mr. Irwine.
Adam rose from his chair with instinctive respect, as Mr. Irwine approached him and took his hand.
Adam stood up from his chair with natural respect as Mr. Irwine came over and shook his hand.
“I’m late, Adam,” he said, sitting down on the chair which Bartle placed for him, “but I was later in setting off from Broxton than I intended to be, and I have been incessantly occupied since I arrived. I have done everything now, however—everything that can be done to-night, at least. Let us all sit down.”
“I’m late, Adam,” he said, sitting down on the chair Bartle had set up for him, “but I left Broxton later than I planned, and I’ve been busy non-stop since I got here. I’ve done everything I could, though—everything that can be done tonight, at least. Let’s all sit down.”
Adam took his chair again mechanically, and Bartle, for whom there was no chair remaining, sat on the bed in the background.
Adam sat back down in his chair automatically, while Bartle, who had no chair left, sat on the bed in the background.
“Have you seen her, sir?” said Adam tremulously.
“Have you seen her, sir?” Adam asked nervously.
“Yes, Adam; I and the chaplain have both been with her this evening.”
“Yes, Adam; the chaplain and I have both been with her this evening.”
“Did you ask her, sir... did you say anything about me?”
“Did you ask her, sir... did you say anything about me?”
“Yes,” said Mr. Irwine, with some hesitation, “I spoke of you. I said you wished to see her before the trial, if she consented.”
“Yeah,” Mr. Irwine said, a bit hesitantly, “I mentioned you. I said you wanted to see her before the trial, if she agreed.”
As Mr. Irwine paused, Adam looked at him with eager, questioning eyes.
As Mr. Irwine took a break, Adam gazed at him with eager, questioning eyes.
“You know she shrinks from seeing any one, Adam. It is not only you—some fatal influence seems to have shut up her heart against her fellow-creatures. She has scarcely said anything more than ‘No’ either to me or the chaplain. Three or four days ago, before you were mentioned to her, when I asked her if there was any one of her family whom she would like to see—to whom she could open her mind—she said, with a violent shudder, ‘Tell them not to come near me—I won’t see any of them.’”
"You know she avoids seeing anyone, Adam. It's not just you—some kind of fatal influence seems to have closed her off from others. She’s barely said anything more than ‘No’ to either me or the chaplain. Three or four days ago, before you were mentioned to her, when I asked her if there was anyone in her family she would like to see—someone she could share her thoughts with—she replied, with a strong shudder, ‘Tell them not to come near me—I won’t see any of them.’"
Adam’s head was hanging down again, and he did not speak. There was silence for a few minutes, and then Mr. Irwine said, “I don’t like to advise you against your own feelings, Adam, if they now urge you strongly to go and see her to-morrow morning, even without her consent. It is just possible, notwithstanding appearances to the contrary, that the interview might affect her favourably. But I grieve to say I have scarcely any hope of that. She didn’t seem agitated when I mentioned your name; she only said ‘No,’ in the same cold, obstinate way as usual. And if the meeting had no good effect on her, it would be pure, useless suffering to you—severe suffering, I fear. She is very much changed...”
Adam's head was hanging down again, and he didn’t say anything. There was silence for a few minutes, and then Mr. Irwine said, “I don’t want to advise you against what you really feel, Adam, especially if you strongly want to go see her tomorrow morning, even without her consent. It’s possible, despite how things seem, that the meeting could have a positive effect on her. But I’m sorry to say I have little hope of that. She didn’t seem upset when I mentioned your name; she just said ‘No,’ in her usual cold, stubborn way. And if the meeting doesn’t have any good effect on her, it would just bring you unnecessary suffering—intense suffering, I’m afraid. She has changed a lot...”
Adam started up from his chair and seized his hat, which lay on the table. But he stood still then, and looked at Mr. Irwine, as if he had a question to ask which it was yet difficult to utter. Bartle Massey rose quietly, turned the key in the door, and put it in his pocket.
Adam jumped up from his chair and grabbed his hat, which was on the table. But he paused and looked at Mr. Irwine, as if he had a question to ask that was hard to get out. Bartle Massey rose quietly, locked the door, and put the key in his pocket.
“Is he come back?” said Adam at last.
“Is he back?” Adam finally asked.
“No, he is not,” said Mr. Irwine, quietly. “Lay down your hat, Adam, unless you like to walk out with me for a little fresh air. I fear you have not been out again to-day.”
“No, he isn’t,” Mr. Irwine said quietly. “Put your hat down, Adam, unless you want to go for a little fresh air with me. I’m afraid you haven’t been outside again today.”
“You needn’t deceive me, sir,” said Adam, looking hard at Mr. Irwine and speaking in a tone of angry suspicion. “You needn’t be afraid of me. I only want justice. I want him to feel what she feels. It’s his work... she was a child as it ’ud ha’ gone t’ anybody’s heart to look at... I don’t care what she’s done... it was him brought her to it. And he shall know it... he shall feel it... if there’s a just God, he shall feel what it is t’ ha’ brought a child like her to sin and misery.”
“You don’t have to lie to me, sir,” Adam said, glaring at Mr. Irwine and speaking with an angry edge. “You don’t need to be scared of me. I just want justice. I want him to understand what she’s feeling. It’s his doing... she was a child; anyone with a heart could see that... I don’t care what she’s done... he’s the one who led her to this. And he will know it... he will feel it... if there’s a just God, he will understand what it means to have dragged a child like her into sin and misery.”
“I’m not deceiving you, Adam,” said Mr. Irwine. “Arthur Donnithorne is not come back—was not come back when I left. I have left a letter for him: he will know all as soon as he arrives.”
“I’m not lying to you, Adam,” Mr. Irwine said. “Arthur Donnithorne hasn’t returned—wasn’t back when I left. I’ve left a letter for him: he’ll know everything as soon as he arrives.”
“But you don’t mind about it,” said Adam indignantly. “You think it doesn’t matter as she lies there in shame and misery, and he knows nothing about it—he suffers nothing.”
“But you don’t care about it,” Adam said angrily. “You think it doesn’t matter as she lies there in shame and sadness, and he knows nothing about it—he doesn’t suffer at all.”
“Adam, he will know—he will suffer, long and bitterly. He has a heart and a conscience: I can’t be entirely deceived in his character. I am convinced—I am sure he didn’t fall under temptation without a struggle. He may be weak, but he is not callous, not coldly selfish. I am persuaded that this will be a shock of which he will feel the effects all his life. Why do you crave vengeance in this way? No amount of torture that you could inflict on him could benefit her.”
"Adam, he will know—he will suffer, for a long time and deeply. He has a heart and a conscience: I can't be completely fooled about who he is. I'm convinced—I know he didn't give in to temptation without a fight. He might be weak, but he isn't heartless, not self-centered. I believe this is going to be a shock that will impact him for the rest of his life. Why do you want revenge like this? No amount of pain you could cause him would help her."
“No—O God, no,” Adam groaned out, sinking on his chair again; “but then, that’s the deepest curse of all... that’s what makes the blackness of it... it can never be undone. My poor Hetty... she can never be my sweet Hetty again... the prettiest thing God had made—smiling up at me... I thought she loved me... and was good...”
“No—Oh God, no,” Adam groaned, sinking back into his chair; “but that’s the worst curse of all... that’s what makes it so dark... it can never be undone. My poor Hetty... she can never be my sweet Hetty again... the most beautiful thing God created—smiling up at me... I thought she loved me... and was good...”
Adam’s voice had been gradually sinking into a hoarse undertone, as if he were only talking to himself; but now he said abruptly, looking at Mr. Irwine, “But she isn’t as guilty as they say? You don’t think she is, sir? She can’t ha’ done it.”
Adam's voice had gradually become a hoarse whisper, almost like he was just talking to himself; but now he suddenly said, looking at Mr. Irwine, “But she isn't as guilty as they say, right? You don't think she is, sir? She can't have done it.”
“That perhaps can never be known with certainty, Adam,” Mr. Irwine answered gently. “In these cases we sometimes form our judgment on what seems to us strong evidence, and yet, for want of knowing some small fact, our judgment is wrong. But suppose the worst: you have no right to say that the guilt of her crime lies with him, and that he ought to bear the punishment. It is not for us men to apportion the shares of moral guilt and retribution. We find it impossible to avoid mistakes even in determining who has committed a single criminal act, and the problem how far a man is to be held responsible for the unforeseen consequences of his own deed is one that might well make us tremble to look into it. The evil consequences that may lie folded in a single act of selfish indulgence is a thought so awful that it ought surely to awaken some feeling less presumptuous than a rash desire to punish. You have a mind that can understand this fully, Adam, when you are calm. Don’t suppose I can’t enter into the anguish that drives you into this state of revengeful hatred. But think of this: if you were to obey your passion—for it is passion, and you deceive yourself in calling it justice—it might be with you precisely as it has been with Arthur; nay, worse; your passion might lead you yourself into a horrible crime.”
"That may never be known for sure, Adam," Mr. Irwine replied softly. "In these situations, we sometimes make judgments based on what seems like strong evidence, but because we don't know some small detail, our judgment can be wrong. But let's assume the worst: you have no right to claim that he shares the guilt for her crime and deserves the punishment. It's not our place to decide the distribution of moral guilt and consequences. We find it hard to avoid mistakes even in figuring out who has committed a single criminal act, and the question of how much a person should be held accountable for the unforeseen results of their actions is one that should make us hesitate to examine. The terrible outcomes that can arise from one selfish act is a thought so disturbing that it should prompt a feeling more humble than a reckless desire to punish. You have the capability to understand this fully, Adam, when you're calm. Don’t think I can’t empathize with the pain that pushes you toward this desire for revenge. But consider this: if you give in to your emotions—because it *is* emotion, and you're fooling yourself by calling it justice—it could very well end up like it has for Arthur; or even worse; your anger might lead you to commit a terrible crime yourself."
“No—not worse,” said Adam, bitterly; “I don’t believe it’s worse—I’d sooner do it—I’d sooner do a wickedness as I could suffer for by myself than ha’ brought her to do wickedness and then stand by and see ’em punish her while they let me alone; and all for a bit o’ pleasure, as, if he’d had a man’s heart in him, he’d ha’ cut his hand off sooner than he’d ha’ taken it. What if he didn’t foresee what’s happened? He foresaw enough; he’d no right to expect anything but harm and shame to her. And then he wanted to smooth it off wi’ lies. No—there’s plenty o’ things folks are hanged for not half so hateful as that. Let a man do what he will, if he knows he’s to bear the punishment himself, he isn’t half so bad as a mean selfish coward as makes things easy t’ himself and knows all the while the punishment ’ll fall on somebody else.”
"No—not worse," Adam said bitterly. "I don’t believe it’s worse—I’d rather do something wrong that I have to suffer for myself than have brought her to do something wrong and then stand by and watch them punish her while they leave me alone; all for a moment of pleasure, which, if he had a real man’s heart in him, he would have cut his hand off sooner than take. So what if he didn’t see what’s happened? He saw enough; he had no right to expect anything but harm and shame for her. And then he wanted to smooth it over with lies. No—there are plenty of things people get hanged for that aren’t half as hateful as that. Let a man do what he wants, if he knows he’s going to face the punishment himself, he isn’t nearly as bad as a coward who makes things easy for himself while knowing all along that the punishment will fall on someone else."
“There again you partly deceive yourself, Adam. There is no sort of wrong deed of which a man can bear the punishment alone; you can’t isolate yourself and say that the evil which is in you shall not spread. Men’s lives are as thoroughly blended with each other as the air they breathe: evil spreads as necessarily as disease. I know, I feel the terrible extent of suffering this sin of Arthur’s has caused to others; but so does every sin cause suffering to others besides those who commit it. An act of vengeance on your part against Arthur would simply be another evil added to those we are suffering under: you could not bear the punishment alone; you would entail the worst sorrows on every one who loves you. You would have committed an act of blind fury that would leave all the present evils just as they were and add worse evils to them. You may tell me that you meditate no fatal act of vengeance, but the feeling in your mind is what gives birth to such actions, and as long as you indulge it, as long as you do not see that to fix your mind on Arthur’s punishment is revenge, and not justice, you are in danger of being led on to the commission of some great wrong. Remember what you told me about your feelings after you had given that blow to Arthur in the Grove.”
“There you go again, partially deceiving yourself, Adam. There's no wrong deed that a person can face the consequences of alone; you can't shut yourself off and think that the evil within you won’t affect others. People's lives are as interconnected as the air they breathe: evil spreads as inevitably as disease. I understand, I feel the immense suffering that Arthur’s sin has caused others; but every sin causes suffering to people beyond just those who commit it. If you act out of vengeance against Arthur, that would only add to the evils we are already suffering from: you couldn't handle the consequences alone; you'd bring the worst pain onto everyone who cares about you. You would commit an act of blind rage that wouldn’t change the current issues but would create even worse ones. You might tell me that you aren't planning a deadly revenge, but the thoughts in your mind can lead to such actions, and as long as you entertain them, as long as you don’t realize that focusing on punishing Arthur is revenge, not justice, you’re at risk of being pushed into committing a serious wrongdoing. Remember what you told me about your feelings after you struck Arthur in the Grove.”
Adam was silent: the last words had called up a vivid image of the past, and Mr. Irwine left him to his thoughts, while he spoke to Bartle Massey about old Mr. Donnithorne’s funeral and other matters of an indifferent kind. But at length Adam turned round and said, in a more subdued tone, “I’ve not asked about ’em at th’ Hall Farm, sir. Is Mr. Poyser coming?”
Adam remained quiet; the final words had brought back a vivid memory from the past. Mr. Irwine allowed him to reflect while he chatted with Bartle Massey about old Mr. Donnithorne's funeral and other trivial subjects. Eventually, Adam turned around and said, in a softer tone, “I haven’t inquired about them at the Hall Farm, sir. Is Mr. Poyser coming?”
“He is come; he is in Stoniton to-night. But I could not advise him to see you, Adam. His own mind is in a very perturbed state, and it is best he should not see you till you are calmer.”
“He's here; he's in Stoniton tonight. But I can’t recommend that he see you, Adam. He’s really troubled right now, and it’s better if he doesn’t see you until you’re feeling more relaxed.”
“Is Dinah Morris come to ’em, sir? Seth said they’d sent for her.”
“Has Dinah Morris come to see them, sir? Seth said they’d sent for her.”
“No. Mr. Poyser tells me she was not come when he left. They’re afraid the letter has not reached her. It seems they had no exact address.”
“No. Mr. Poyser told me she hadn’t arrived when he left. They’re worried the letter hasn’t reached her. Apparently, they didn’t have a precise address.”
Adam sat ruminating a little while, and then said, “I wonder if Dinah ’ud ha’ gone to see her. But perhaps the Poysers would ha’ been sorely against it, since they won’t come nigh her themselves. But I think she would, for the Methodists are great folks for going into the prisons; and Seth said he thought she would. She’d a very tender way with her, Dinah had; I wonder if she could ha’ done any good. You never saw her, sir, did you?”
Adam sat thinking for a bit, and then said, “I wonder if Dinah would have gone to see her. But maybe the Poysers would have been really against it since they won’t go near her themselves. But I think she would, because the Methodists are great at visiting prisons; and Seth said he thought she would. Dinah had a really caring way about her; I wonder if she could have helped. You’ve never met her, have you?”
“Yes, I did. I had a conversation with her—she pleased me a good deal. And now you mention it, I wish she would come, for it is possible that a gentle mild woman like her might move Hetty to open her heart. The jail chaplain is rather harsh in his manner.”
“Yes, I did. I talked to her—she really impressed me. And now that you mention it, I wish she would come, because a kind, gentle woman like her might encourage Hetty to open up. The jail chaplain is quite strict in his manner.”
“But it’s o’ no use if she doesn’t come,” said Adam sadly.
“But it's no use if she doesn't come,” Adam said sadly.
“If I’d thought of it earlier, I would have taken some measures for finding her out,” said Mr. Irwine, “but it’s too late now, I fear... Well, Adam, I must go now. Try to get some rest to-night. God bless you. I’ll see you early to-morrow morning.”
“If I had thought of it earlier, I would have taken some steps to find her,” said Mr. Irwine, “but it’s too late now, I’m afraid... Well, Adam, I have to go now. Try to get some rest tonight. God bless you. I’ll see you first thing tomorrow morning.”
Chapter XLII
The Morning of the Trial
At one o’clock the next day, Adam was alone in his dull upper room; his watch lay before him on the table, as if he were counting the long minutes. He had no knowledge of what was likely to be said by the witnesses on the trial, for he had shrunk from all the particulars connected with Hetty’s arrest and accusation. This brave active man, who would have hastened towards any danger or toil to rescue Hetty from an apprehended wrong or misfortune, felt himself powerless to contemplate irremediable evil and suffering. The susceptibility which would have been an impelling force where there was any possibility of action became helpless anguish when he was obliged to be passive, or else sought an active outlet in the thought of inflicting justice on Arthur. Energetic natures, strong for all strenuous deeds, will often rush away from a hopeless sufferer, as if they were hard-hearted. It is the overmastering sense of pain that drives them. They shrink by an ungovernable instinct, as they would shrink from laceration. Adam had brought himself to think of seeing Hetty, if she would consent to see him, because he thought the meeting might possibly be a good to her—might help to melt away this terrible hardness they told him of. If she saw he bore her no ill will for what she had done to him, she might open her heart to him. But this resolution had been an immense effort—he trembled at the thought of seeing her changed face, as a timid woman trembles at the thought of the surgeon’s knife, and he chose now to bear the long hours of suspense rather than encounter what seemed to him the more intolerable agony of witnessing her trial.
At one o'clock the next day, Adam was alone in his boring upper room; his watch lay in front of him on the table, as if he were counting the long minutes. He had no idea what the witnesses would say during the trial, because he had avoided all the details surrounding Hetty’s arrest and accusation. This brave, active man, who would have rushed toward any danger or struggle to save Hetty from a feared wrong or misfortune, felt powerless to face the inevitable pain and suffering. The sensitivity that would have motivated him to act became helpless anguish when he had to remain passive, or sought an outlet in the idea of seeking justice against Arthur. Energetic people, strong for any demanding task, often pull away from someone in distress, as if they were heartless. It's the overwhelming sense of pain that drives them. They instinctively shrink back, as they would from a deep wound. Adam had made up his mind to see Hetty if she would agree to it, thinking that meeting her might bring her some relief—might help soften the terrible hardness people described to him. If she saw that he held no resentment for what she had done to him, she might open her heart to him. But this resolution had taken a great deal of effort—he trembled at the thought of seeing her changed face, just as a timid woman might tremble at the thought of a surgeon's knife, and he chose to endure the long hours of uncertainty rather than face what he thought would be the even greater agony of witnessing her trial.
Deep unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state. The yearning memories, the bitter regret, the agonized sympathy, the struggling appeals to the Invisible Right—all the intense emotions which had filled the days and nights of the past week, and were compressing themselves again like an eager crowd into the hours of this single morning, made Adam look back on all the previous years as if they had been a dim sleepy existence, and he had only now awaked to full consciousness. It seemed to him as if he had always before thought it a light thing that men should suffer, as if all that he had himself endured and called sorrow before was only a moment’s stroke that had never left a bruise. Doubtless a great anguish may do the work of years, and we may come out from that baptism of fire with a soul full of new awe and new pity.
Deep, indescribable suffering can definitely be seen as a baptism, a renewal, an entry into a new state. The longing memories, the bitter regrets, the intense sympathy, the desperate pleas to the unseen Right—all the powerful feelings that filled the days and nights of the past week, now crowding into the hours of this single morning, made Adam reflect on all his previous years as if they had been a dull, sleepy existence, and he had only just awakened to full awareness. It felt to him as if he had always thought it was trivial that people should suffer, as if everything he had experienced before and called sorrow was just a fleeting moment that had never truly left a mark. Undoubtedly, great anguish can achieve the effect of years, and we may emerge from that fiery baptism with a soul filled with new wonder and new compassion.
“O God,” Adam groaned, as he leaned on the table and looked blankly at the face of the watch, “and men have suffered like this before... and poor helpless young things have suffered like her.... Such a little while ago looking so happy and so pretty... kissing ’em all, her grandfather and all of ’em, and they wishing her luck.... O my poor, poor Hetty... dost think on it now?”
“O God,” Adam groaned, leaning on the table as he stared blankly at the watch face, “and men have suffered like this before... and poor helpless young things have suffered like her.... Just a little while ago, she looked so happy and so pretty... kissing everyone, her grandfather and all of them, wishing her luck.... O my poor, poor Hetty... can you think about it now?”
Adam started and looked round towards the door. Vixen had begun to whimper, and there was a sound of a stick and a lame walk on the stairs. It was Bartle Massey come back. Could it be all over?
Adam started and looked over at the door. Vixen had started to whimper, and there was the sound of a stick and a limp on the stairs. It was Bartle Massey coming back. Could it really be all over?
Bartle entered quietly, and, going up to Adam, grasped his hand and said, “I’m just come to look at you, my boy, for the folks are gone out of court for a bit.”
Bartle entered quietly and walked up to Adam, taking his hand and saying, “I just came to check on you, my boy, since the folks are out of court for a bit.”
Adam’s heart beat so violently he was unable to speak—he could only return the pressure of his friend’s hand—and Bartle, drawing up the other chair, came and sat in front of him, taking off his hat and his spectacles.
Adam's heart raced so intensely that he couldn't speak—he could only squeeze his friend's hand in response—and Bartle, pulling up the other chair, sat down in front of him, removing his hat and glasses.
“That’s a thing never happened to me before,” he observed, “to go out o’ the door with my spectacles on. I clean forgot to take ’em off.”
"That's something that has never happened to me before," he said, "to walk out the door with my glasses on. I completely forgot to take them off."
The old man made this trivial remark, thinking it better not to respond at all to Adam’s agitation: he would gather, in an indirect way, that there was nothing decisive to communicate at present.
The old man made this trivial comment, believing it was better not to react to Adam’s frustration: he would indirectly gather that there was nothing important to share at the moment.
“And now,” he said, rising again, “I must see to your having a bit of the loaf, and some of that wine Mr. Irwine sent this morning. He’ll be angry with me if you don’t have it. Come, now,” he went on, bringing forward the bottle and the loaf and pouring some wine into a cup, “I must have a bit and a sup myself. Drink a drop with me, my lad—drink with me.”
“And now,” he said, standing up again, “I need to make sure you get some bread and some of that wine Mr. Irwine sent this morning. He’ll be mad at me if you don’t. Come on,” he continued, pulling out the bottle and the bread and pouring some wine into a cup, “I need to have a little bit myself. Share a drink with me, my friend—drink with me.”
Adam pushed the cup gently away and said, entreatingly, “Tell me about it, Mr. Massey—tell me all about it. Was she there? Have they begun?”
Adam pushed the cup away softly and said, pleadingly, “Tell me about it, Mr. Massey—tell me everything. Was she there? Have they started?”
“Yes, my boy, yes—it’s taken all the time since I first went; but they’re slow, they’re slow; and there’s the counsel they’ve got for her puts a spoke in the wheel whenever he can, and makes a deal to do with cross-examining the witnesses and quarrelling with the other lawyers. That’s all he can do for the money they give him; and it’s a big sum—it’s a big sum. But he’s a ’cute fellow, with an eye that ’ud pick the needles out of the hay in no time. If a man had got no feelings, it ’ud be as good as a demonstration to listen to what goes on in court; but a tender heart makes one stupid. I’d have given up figures for ever only to have had some good news to bring to you, my poor lad.”
“Yes, my boy, yes—it’s taken all the time since I first went; but they’re slow, they’re slow; and the lawyer they’ve got for her throws a wrench in the works whenever he can, making a scene with cross-examining the witnesses and arguing with the other attorneys. That’s all he can do for the money they pay him; and it’s a big sum—it’s a big sum. But he’s a clever guy, with an eye that could pick needles out of hay in no time. If a man had no feelings, it’d be a real eye-opener to listen to what goes on in court; but a tender heart makes you stupid. I would have given up numbers forever just to have had some good news to bring to you, my poor lad.”
“But does it seem to be going against her?” said Adam. “Tell me what they’ve said. I must know it now—I must know what they have to bring against her.”
“But does it seem like it’s against her?” Adam asked. “Tell me what they’ve said. I need to know right now—I need to understand what they’re using against her.”
“Why, the chief evidence yet has been the doctors; all but Martin Poyser—poor Martin. Everybody in court felt for him—it was like one sob, the sound they made when he came down again. The worst was when they told him to look at the prisoner at the bar. It was hard work, poor fellow—it was hard work. Adam, my boy, the blow falls heavily on him as well as you; you must help poor Martin; you must show courage. Drink some wine now, and show me you mean to bear it like a man.”
“Look, the main evidence has been from the doctors; all except Martin Poyser—poor Martin. Everyone in the courtroom felt for him—it was like one collective sigh when he came down again. The worst part was when they asked him to look at the prisoner. It was really tough for him, poor guy—it was really tough. Adam, my boy, this hit him hard too, just like it did you; you have to help poor Martin; you have to be strong. Have some wine now, and show me you intend to handle it like a man.”
Bartle had made the right sort of appeal. Adam, with an air of quiet obedience, took up the cup and drank a little.
Bartle had made the right kind of request. Adam, seeming quietly compliant, picked up the cup and took a small sip.
“Tell me how she looked,” he said presently.
“Tell me how she looked,” he said after a moment.
“Frightened, very frightened, when they first brought her in; it was the first sight of the crowd and the judge, poor creatur. And there’s a lot o’ foolish women in fine clothes, with gewgaws all up their arms and feathers on their heads, sitting near the judge: they’ve dressed themselves out in that way, one ’ud think, to be scarecrows and warnings against any man ever meddling with a woman again. They put up their glasses, and stared and whispered. But after that she stood like a white image, staring down at her hands and seeming neither to hear nor see anything. And she’s as white as a sheet. She didn’t speak when they asked her if she’d plead ‘guilty’ or ‘not guilty,’ and they pleaded ‘not guilty’ for her. But when she heard her uncle’s name, there seemed to go a shiver right through her; and when they told him to look at her, she hung her head down, and cowered, and hid her face in her hands. He’d much ado to speak poor man, his voice trembled so. And the counsellors—who look as hard as nails mostly—I saw, spared him as much as they could. Mr. Irwine put himself near him and went with him out o’ court. Ah, it’s a great thing in a man’s life to be able to stand by a neighbour and uphold him in such trouble as that.”
“Terrified, really terrified, when they first brought her in; it was her first look at the crowd and the judge, poor thing. And there are a lot of silly women in fancy clothes, with trinkets all over their arms and feathers in their hair, sitting near the judge: you’d think they dressed like that to be scarecrows and warnings to any man thinking of messing with a woman again. They raised their glasses, stared, and whispered. But after that, she stood there like a statue, staring at her hands and seeming to neither hear nor see anything. She was as pale as a ghost. She didn’t answer when they asked if she’d plead ‘guilty’ or ‘not guilty,’ so they pleaded ‘not guilty’ for her. But when she heard her uncle’s name, you could see her shiver; and when they told him to look at her, she lowered her head, hunched over, and buried her face in her hands. He had a hard time speaking, poor man, his voice was shaking so much. And the lawyers—who usually look tough as nails—I saw, let him off as easy as they could. Mr. Irwine stood by him and took him out of the courtroom. Ah, it’s a big deal in a man’s life to be able to support a neighbor and help him in such a tough situation.”
“God bless him, and you too, Mr. Massey,” said Adam, in a low voice, laying his hand on Bartle’s arm.
“God bless him, and you too, Mr. Massey,” Adam said softly, placing his hand on Bartle’s arm.
“Aye, aye, he’s good metal; he gives the right ring when you try him, our parson does. A man o’ sense—says no more than’s needful. He’s not one of those that think they can comfort you with chattering, as if folks who stand by and look on knew a deal better what the trouble was than those who have to bear it. I’ve had to do with such folks in my time—in the south, when I was in trouble myself. Mr. Irwine is to be a witness himself, by and by, on her side, you know, to speak to her character and bringing up.”
"Yeah, he’s solid; he really comes through when you give him a chance, our pastor does. A sensible guy—he only says what’s necessary. He’s not one of those people who think they can soothe you with a lot of chatter, as if the onlookers understand the situation better than those actually going through it. I’ve dealt with people like that before—in the south, when I was facing my own issues. Mr. Irwine is going to be a witness for her later, you know, to speak about her character and upbringing.”
“But the other evidence... does it go hard against her!” said Adam. “What do you think, Mr. Massey? Tell me the truth.”
“But the other evidence... it really goes against her!” said Adam. “What do you think, Mr. Massey? Be honest with me.”
“Yes, my lad, yes. The truth is the best thing to tell. It must come at last. The doctors’ evidence is heavy on her—is heavy. But she’s gone on denying she’s had a child from first to last. These poor silly women-things—they’ve not the sense to know it’s no use denying what’s proved. It’ll make against her with the jury, I doubt, her being so obstinate: they may be less for recommending her to mercy, if the verdict’s against her. But Mr. Irwine ’ull leave no stone unturned with the judge—you may rely upon that, Adam.”
“Yeah, my boy, yeah. The truth is the best thing to tell. It has to come out eventually. The doctors’ evidence is really strong against her—it’s substantial. But she’s continued to deny that she’s had a child from the beginning to the end. These poor silly women—they don’t have the sense to realize that denying what’s been proven is pointless. I worry it might work against her with the jury; her stubbornness might make them less likely to recommend mercy if the verdict goes against her. But Mr. Irwine will do everything he can with the judge—you can count on that, Adam.”
“Is there nobody to stand by her and seem to care for her in the court?” said Adam.
“Is there really no one in the court to stand by her and show that they care?” Adam asked.
“There’s the chaplain o’ the jail sits near her, but he’s a sharp ferrety-faced man—another sort o’ flesh and blood to Mr. Irwine. They say the jail chaplains are mostly the fag-end o’ the clergy.”
“There’s the jail chaplain sitting nearby, but he’s a shifty, ferret-faced guy—completely different from Mr. Irwine. They say jail chaplains are usually the bottom of the clergy.”
“There’s one man as ought to be there,” said Adam bitterly. Presently he drew himself up and looked fixedly out of the window, apparently turning over some new idea in his mind.
“There’s one guy who should be there,” Adam said bitterly. Soon, he straightened himself and gazed intently out of the window, seemingly considering a new idea in his mind.
“Mr. Massey,” he said at last, pushing the hair off his forehead, “I’ll go back with you. I’ll go into court. It’s cowardly of me to keep away. I’ll stand by her—I’ll own her—for all she’s been deceitful. They oughtn’t to cast her off—her own flesh and blood. We hand folks over to God’s mercy, and show none ourselves. I used to be hard sometimes: I’ll never be hard again. I’ll go, Mr. Massey—I’ll go with you.”
“Mr. Massey,” he finally said, brushing the hair off his forehead, “I’ll go back with you. I’ll go to court. It’s cowardly of me to stay away. I’ll stand by her—I’ll claim her—no matter how deceitful she’s been. They shouldn’t abandon her—she’s flesh and blood. We leave others to God’s mercy, but we don’t show any ourselves. I used to be tough sometimes; I’ll never be tough again. I’ll go, Mr. Massey—I’ll go with you.”
There was a decision in Adam’s manner which would have prevented Bartle from opposing him, even if he had wished to do so. He only said, “Take a bit, then, and another sup, Adam, for the love of me. See, I must stop and eat a morsel. Now, you take some.”
There was something about Adam's demeanor that would have made it impossible for Bartle to go against him, even if he had wanted to. He simply said, “Have a little bite, then, and another drink, Adam, for my sake. Look, I need to pause and eat a bit. Now, you have some.”
Nerved by an active resolution, Adam took a morsel of bread and drank some wine. He was haggard and unshaven, as he had been yesterday, but he stood upright again, and looked more like the Adam Bede of former days.
Nerved by a strong determination, Adam took a piece of bread and drank some wine. He was tired and unshaven, just like he had been yesterday, but he stood tall again and looked more like the Adam Bede of earlier times.
Chapter XLIII
The Verdict
The place fitted up that day as a court of justice was a grand old hall, now destroyed by fire. The midday light that fell on the close pavement of human heads was shed through a line of high pointed windows, variegated with the mellow tints of old painted glass. Grim dusty armour hung in high relief in front of the dark oaken gallery at the farther end, and under the broad arch of the great mullioned window opposite was spread a curtain of old tapestry, covered with dim melancholy figures, like a dozing indistinct dream of the past. It was a place that through the rest of the year was haunted with the shadowy memories of old kings and queens, unhappy, discrowned, imprisoned; but to-day all those shadows had fled, and not a soul in the vast hall felt the presence of any but a living sorrow, which was quivering in warm hearts.
The space set up that day as a courtroom was a grand old hall, now destroyed by fire. The midday light pouring down on the close-packed heads was filtered through a row of high pointed windows, adorned with the warm hues of old stained glass. Grim, dusty armor hung in sharp contrast against the dark oak gallery at the far end, and beneath the wide arch of the large mullioned window opposite was draped a curtain of aged tapestry, featuring faded, melancholic figures that resembled a hazy, half-remembered dream from the past. It was a place that throughout the rest of the year was filled with the ghostly memories of old kings and queens—unhappy, dethroned, imprisoned; but today, all those shadows had vanished, and not a single person in the expansive hall sensed the presence of anything but a living sorrow, which resonated in warm hearts.
But that sorrow seemed to have made it itself feebly felt hitherto, now when Adam Bede’s tall figure was suddenly seen being ushered to the side of the prisoner’s dock. In the broad sunlight of the great hall, among the sleek shaven faces of other men, the marks of suffering in his face were startling even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbours from Hayslope who were present, and who told Hetty Sorrel’s story by their firesides in their old age, never forgot to say how it moved them when Adam Bede, poor fellow, taller by the head than most of the people round him, came into court and took his place by her side.
But that sadness had seemed to linger unnoticed until Adam Bede’s tall figure was suddenly seen being led to the side of the prisoner’s dock. In the bright sunlight of the grand hall, among the neatly shaved faces of the other men, the signs of suffering on his face were shocking even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbors from Hayslope who were there, and who recounted Hetty Sorrel’s story by their fireplaces in their old age, never forgot to mention how it moved them when Adam Bede, poor guy, towered over most of the people around him, walked into court, and took his place by her side.
But Hetty did not see him. She was standing in the same position Bartle Massey had described, her hands crossed over each other and her eyes fixed on them. Adam had not dared to look at her in the first moments, but at last, when the attention of the court was withdrawn by the proceedings he turned his face towards her with a resolution not to shrink.
But Hetty didn’t see him. She was standing exactly as Bartle Massey had described, her hands crossed and her eyes locked on them. Adam hadn’t dared to look at her at first, but eventually, as the court’s attention shifted due to the ongoing proceedings, he turned his face toward her, determined not to shy away.
Why did they say she was so changed? In the corpse we love, it is the likeness we see—it is the likeness, which makes itself felt the more keenly because something else was and is not. There they were—the sweet face and neck, with the dark tendrils of hair, the long dark lashes, the rounded cheek and the pouting lips—pale and thin, yes, but like Hetty, and only Hetty. Others thought she looked as if some demon had cast a blighting glance upon her, withered up the woman’s soul in her, and left only a hard despairing obstinacy. But the mother’s yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man; and to Adam, this pale, hard-looking culprit was the Hetty who had smiled at him in the garden under the apple-tree boughs—she was that Hetty’s corpse, which he had trembled to look at the first time, and then was unwilling to turn away his eyes from.
Why did they say she was so different? In the body we cherish, it’s the resemblance we see—it’s the resemblance that feels even stronger because something that was now is not. There they were—the sweet face and neck, with the dark strands of hair, the long dark lashes, the rounded cheek and the pouting lips—pale and thin, sure, but still like Hetty, and only Hetty. Others thought she looked like some demon had cast a curse on her, shriveling up the woman’s soul inside her, leaving only a harsh, despairing stubbornness. But a mother’s longing, the purest form of life in another life that represents true human love, can feel the presence of the adored child even in a debased, degraded person; and to Adam, this pale, hardened offender was the Hetty who had smiled at him in the garden under the apple tree branches—she was the corpse of that Hetty, which he had shivered at the sight of the first time, and then couldn’t bear to look away from.
But presently he heard something that compelled him to listen, and made the sense of sight less absorbing. A woman was in the witness-box, a middle-aged woman, who spoke in a firm distinct voice. She said, “My name is Sarah Stone. I am a widow, and keep a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar is the same young woman who came, looking ill and tired, with a basket on her arm, and asked for a lodging at my house on Saturday evening, the 27th of February. She had taken the house for a public, because there was a figure against the door. And when I said I didn’t take in lodgers, the prisoner began to cry, and said she was too tired to go anywhere else, and she only wanted a bed for one night. And her prettiness, and her condition, and something respectable about her clothes and looks, and the trouble she seemed to be in made me as I couldn’t find in my heart to send her away at once. I asked her to sit down, and gave her some tea, and asked her where she was going, and where her friends were. She said she was going home to her friends: they were farming folks a good way off, and she’d had a long journey that had cost her more money than she expected, so as she’d hardly any money left in her pocket, and was afraid of going where it would cost her much. She had been obliged to sell most of the things out of her basket, but she’d thankfully give a shilling for a bed. I saw no reason why I shouldn’t take the young woman in for the night. I had only one room, but there were two beds in it, and I told her she might stay with me. I thought she’d been led wrong, and got into trouble, but if she was going to her friends, it would be a good work to keep her out of further harm.”
But then he heard something that made him pay attention, and made him forget about what he was seeing. A woman was in the witness stand, a middle-aged woman who spoke clearly and confidently. She said, “My name is Sarah Stone. I’m a widow and run a small shop that sells tobacco, snuff, and tea in Church Lane, Stoniton. The woman on trial is the same young woman who came to my house on Saturday evening, February 27th, looking sick and exhausted, with a basket on her arm, and asked for a place to stay. She had taken the house for a pub since there was a sign on the door. When I told her I didn’t take in lodgers, she started to cry and said she was too tired to go anywhere else and just wanted a bed for one night. Her looks, the fact that she seemed distressed, along with something respectable about her clothes, made it hard for me to turn her away immediately. I invited her to sit down, offered her some tea, and asked her where she was going and if she had any friends. She told me she was heading home to her friends, who were farmers a long way off, and that her journey had cost her more than she expected. She had hardly any money left and was worried about going somewhere that would be expensive. She had to sell most of what was in her basket, but she would happily pay a shilling for a bed. I saw no reason not to let the young woman stay with me for the night. I had only one room, but there were two beds in it, and I told her she could stay. I thought she had made some mistakes and gotten into trouble, but if she was going to her friends, it would be kind to protect her from further harm.”
The witness then stated that in the night a child was born, and she identified the baby-clothes then shown to her as those in which she had herself dressed the child.
The witness then said that on the night a child was born, and she recognized the baby clothes shown to her as the ones she had dressed the child in herself.
“Those are the clothes. I made them myself, and had kept them by me ever since my last child was born. I took a deal of trouble both for the child and the mother. I couldn’t help taking to the little thing and being anxious about it. I didn’t send for a doctor, for there seemed no need. I told the mother in the day-time she must tell me the name of her friends, and where they lived, and let me write to them. She said, by and by she would write herself, but not to-day. She would have no nay, but she would get up and be dressed, in spite of everything I could say. She said she felt quite strong enough; and it was wonderful what spirit she showed. But I wasn’t quite easy what I should do about her, and towards evening I made up my mind I’d go, after Meeting was over, and speak to our minister about it. I left the house about half-past eight o’clock. I didn’t go out at the shop door, but at the back door, which opens into a narrow alley. I’ve only got the ground-floor of the house, and the kitchen and bedroom both look into the alley. I left the prisoner sitting up by the fire in the kitchen with the baby on her lap. She hadn’t cried or seemed low at all, as she did the night before. I thought she had a strange look with her eyes, and she got a bit flushed towards evening. I was afraid of the fever, and I thought I’d call and ask an acquaintance of mine, an experienced woman, to come back with me when I went out. It was a very dark night. I didn’t fasten the door behind me; there was no lock; it was a latch with a bolt inside, and when there was nobody in the house I always went out at the shop door. But I thought there was no danger in leaving it unfastened that little while. I was longer than I meant to be, for I had to wait for the woman that came back with me. It was an hour and a half before we got back, and when we went in, the candle was standing burning just as I left it, but the prisoner and the baby were both gone. She’d taken her cloak and bonnet, but she’d left the basket and the things in it.... I was dreadful frightened, and angry with her for going. I didn’t go to give information, because I’d no thought she meant to do any harm, and I knew she had money in her pocket to buy her food and lodging. I didn’t like to set the constable after her, for she’d a right to go from me if she liked.”
“Those are the clothes. I made them myself and have kept them ever since my last child was born. I put a lot of effort into caring for both the child and the mother. I couldn't help but grow attached to the little one and worry about it. I didn’t call a doctor because it didn’t seem necessary. I told the mother during the day that she needed to tell me the names of her friends and where they lived so I could write to them. She said she would write herself eventually, but not today. She insisted on getting up and getting dressed, despite everything I said. She claimed she felt strong enough, and it was remarkable how spirited she was. But I wasn’t quite sure what to do about her, so towards evening, I decided to talk to our minister about it after Meeting was over. I left the house around half-past eight. I didn’t use the shop door but went out the back door, which leads to a narrow alley. I only have the ground floor of the house, and both the kitchen and bedroom face the alley. I left the mother sitting by the fire in the kitchen with the baby on her lap. She hadn’t cried or seemed down at all, unlike the night before. I thought she had a strange look in her eyes, and she got a bit red towards evening. I was worried about a fever, so I decided to ask an acquaintance of mine, a knowledgeable woman, to come back with me when I went out. It was a very dark night. I didn’t lock the door behind me; there was no actual lock, just a latch with a bolt inside, and when no one was home, I usually went out the shop door. But I figured it was fine to leave it unlatched for a little while. I ended up being out longer than I planned because I had to wait for the woman who came back with me. It took us an hour and a half to return, and when we went inside, the candle was still burning just as I had left it, but both the mother and the baby were gone. She had taken her cloak and bonnet but left the basket and its contents.... I was terrified and angry with her for leaving. I didn’t go report it because I didn’t think she meant to cause any harm, and I knew she had money in her pocket for food and lodging. I just didn’t want to send the constable after her, as she had the right to leave if she wanted.”
The effect of this evidence on Adam was electrical; it gave him new force. Hetty could not be guilty of the crime—her heart must have clung to her baby—else why should she have taken it with her? She might have left it behind. The little creature had died naturally, and then she had hidden it. Babies were so liable to death—and there might be the strongest suspicions without any proof of guilt. His mind was so occupied with imaginary arguments against such suspicions, that he could not listen to the cross-examination by Hetty’s counsel, who tried, without result, to elicit evidence that the prisoner had shown some movements of maternal affection towards the child. The whole time this witness was being examined, Hetty had stood as motionless as before: no word seemed to arrest her ear. But the sound of the next witness’s voice touched a chord that was still sensitive, she gave a start and a frightened look towards him, but immediately turned away her head and looked down at her hands as before. This witness was a man, a rough peasant. He said:
The impact of this evidence on Adam was shocking; it revitalized him. Hetty couldn’t be guilty of the crime—her heart must have been attached to her baby—otherwise, why would she have taken it with her? She could have left it behind. The little one had died of natural causes, and then she had hidden it. Babies were so prone to dying—and it was possible to raise strong suspicions without any actual proof of guilt. His mind was so caught up in imaginary arguments against those suspicions that he couldn’t pay attention to Hetty’s lawyer, who was trying unsuccessfully to show that the defendant had displayed some signs of maternal affection towards the child. Throughout the entire examination of this witness, Hetty stood as still as ever: no word seemed to reach her ears. But the sound of the next witness’s voice struck a chord that was still raw; she flinched and looked at him with fear, but then quickly turned her head away and stared down at her hands like before. This witness was a man, a rough peasant. He said:
“My name is John Olding. I am a labourer, and live at Tedd’s Hole, two miles out of Stoniton. A week last Monday, towards one o’clock in the afternoon, I was going towards Hetton Coppice, and about a quarter of a mile from the coppice I saw the prisoner, in a red cloak, sitting under a bit of a haystack not far off the stile. She got up when she saw me, and seemed as if she’d be walking on the other way. It was a regular road through the fields, and nothing very uncommon to see a young woman there, but I took notice of her because she looked white and scared. I should have thought she was a beggar-woman, only for her good clothes. I thought she looked a bit crazy, but it was no business of mine. I stood and looked back after her, but she went right on while she was in sight. I had to go to the other side of the coppice to look after some stakes. There’s a road right through it, and bits of openings here and there, where the trees have been cut down, and some of ’em not carried away. I didn’t go straight along the road, but turned off towards the middle, and took a shorter way towards the spot I wanted to get to. I hadn’t got far out of the road into one of the open places before I heard a strange cry. I thought it didn’t come from any animal I knew, but I wasn’t for stopping to look about just then. But it went on, and seemed so strange to me in that place, I couldn’t help stopping to look. I began to think I might make some money of it, if it was a new thing. But I had hard work to tell which way it came from, and for a good while I kept looking up at the boughs. And then I thought it came from the ground; and there was a lot of timber-choppings lying about, and loose pieces of turf, and a trunk or two. And I looked about among them, but could find nothing, and at last the cry stopped. So I was for giving it up, and I went on about my business. But when I came back the same way pretty nigh an hour after, I couldn’t help laying down my stakes to have another look. And just as I was stooping and laying down the stakes, I saw something odd and round and whitish lying on the ground under a nut-bush by the side of me. And I stooped down on hands and knees to pick it up. And I saw it was a little baby’s hand.”
"My name is John Olding. I’m a laborer, and I live at Tedd’s Hole, which is two miles outside Stoniton. A week ago Monday, around one o’clock in the afternoon, I was heading towards Hetton Coppice, and about a quarter of a mile from the coppice, I saw the prisoner, wearing a red cloak, sitting under a small haystack not far from the stile. She stood up when she saw me and seemed like she was going to walk in the opposite direction. It was a regular path through the fields, and it was nothing unusual to see a young woman there, but I noticed her because she looked pale and frightened. I might have thought she was a beggar woman if it weren't for her nice clothes. I thought she seemed a bit off, but it wasn't my concern. I paused and looked back after her, but she continued walking until she was out of sight. I needed to go to the other side of the coppice to check on some stakes. There’s a road running through it, with some openings here and there where the trees have been cut down, and some of them were left behind. I didn’t just stick to the road; I veered off towards the middle and took a shortcut to where I needed to be. I hadn’t gone far off the road into one of the clearings before I heard a strange cry. I thought it didn’t come from any animal I recognized, but I didn’t stop to investigate right then. However, it kept going, and it sounded so odd to me in that spot that I couldn't help but stop to look. I started to think I might be able to make some money off it if it was something new. But I had a hard time figuring out where it was coming from, and for quite a while, I kept looking up into the branches. Then I thought it was coming from the ground; there was a lot of timber lying around, loose bits of turf, and a trunk or two. I searched among them but couldn’t find anything, and eventually the cry stopped. So I decided to give it up and went about my business. But when I came back the same way nearly an hour later, I couldn't help but put down my stakes to take another look. Just as I was bending down to lay down the stakes, I noticed something odd and round and whitish on the ground under a hazel bush next to me. I got down on my hands and knees to pick it up, and I realized it was a little baby’s hand."
At these words a thrill ran through the court. Hetty was visibly trembling; now, for the first time, she seemed to be listening to what a witness said.
At these words, a surge of excitement swept through the courtroom. Hetty was clearly shaking; for the first time, she appeared to be paying attention to what a witness was saying.
“There was a lot of timber-choppings put together just where the ground went hollow, like, under the bush, and the hand came out from among them. But there was a hole left in one place and I could see down it and see the child’s head; and I made haste and did away the turf and the choppings, and took out the child. It had got comfortable clothes on, but its body was cold, and I thought it must be dead. I made haste back with it out of the wood, and took it home to my wife. She said it was dead, and I’d better take it to the parish and tell the constable. And I said, ‘I’ll lay my life it’s that young woman’s child as I met going to the coppice.’ But she seemed to be gone clean out of sight. And I took the child on to Hetton parish and told the constable, and we went on to Justice Hardy. And then we went looking after the young woman till dark at night, and we went and gave information at Stoniton, as they might stop her. And the next morning, another constable came to me, to go with him to the spot where I found the child. And when we got there, there was the prisoner a-sitting against the bush where I found the child; and she cried out when she saw us, but she never offered to move. She’d got a big piece of bread on her lap.”
“There were a bunch of fallen branches piled up just where the ground formed a dip under the bushes, and a hand came out from among them. But there was a gap in one spot, and I could see down it and see the child’s head; so I hurried and removed the dirt and branches, and pulled out the child. It was dressed in nice clothes, but its body was cold, and I thought it must be dead. I rushed back with it out of the woods and took it home to my wife. She said it was dead and that I should take it to the parish and inform the constable. I said, ‘I bet it’s that young woman’s child I saw on my way to the coppice.’ But she seemed to have completely vanished. I took the child to Hetton parish and told the constable, and then we went to Justice Hardy. After that, we searched for the young woman until it got dark, and we reported it at Stoniton in case they might catch her. The next morning, another constable came to me and asked me to go with him to the place where I found the child. When we got there, the prisoner was sitting against the bush where I found the child; she cried out when she saw us but didn’t try to move. She had a large piece of bread on her lap.”
Adam had given a faint groan of despair while this witness was speaking. He had hidden his face on his arm, which rested on the boarding in front of him. It was the supreme moment of his suffering: Hetty was guilty; and he was silently calling to God for help. He heard no more of the evidence, and was unconscious when the case for the prosecution had closed—unconscious that Mr. Irwine was in the witness-box, telling of Hetty’s unblemished character in her own parish and of the virtuous habits in which she had been brought up. This testimony could have no influence on the verdict, but it was given as part of that plea for mercy which her own counsel would have made if he had been allowed to speak for her—a favour not granted to criminals in those stern times.
Adam let out a quiet groan of despair while this witness spoke. He hid his face against his arm, which rested on the railing in front of him. It was the peak of his suffering: Hetty was guilty, and he was silently pleading with God for help. He couldn’t hear any more of the evidence and was unaware when the prosecution's case had ended—oblivious to the fact that Mr. Irwine was in the witness box, talking about Hetty’s good character in her own community and the virtuous upbringing she had received. This testimony wouldn’t affect the verdict, but it was part of the appeal for mercy that her lawyer would have made if he had been allowed to speak for her—a privilege not granted to criminals in those harsh times.
At last Adam lifted up his head, for there was a general movement round him. The judge had addressed the jury, and they were retiring. The decisive moment was not far off. Adam felt a shuddering horror that would not let him look at Hetty, but she had long relapsed into her blank hard indifference. All eyes were strained to look at her, but she stood like a statue of dull despair.
At last, Adam raised his head, as there was a general stir around him. The judge had spoken to the jury, and they were leaving to deliberate. The moment of truth was approaching quickly. Adam felt a chilling sense of dread that kept him from looking at Hetty, but she had long since fallen back into her blank, hard indifference. Everyone's eyes were focused on her, but she stood there like a statue of dull despair.
There was a mingled rustling, whispering, and low buzzing throughout the court during this interval. The desire to listen was suspended, and every one had some feeling or opinion to express in undertones. Adam sat looking blankly before him, but he did not see the objects that were right in front of his eyes—the counsel and attorneys talking with an air of cool business, and Mr. Irwine in low earnest conversation with the judge—did not see Mr. Irwine sit down again in agitation and shake his head mournfully when somebody whispered to him. The inward action was too intense for Adam to take in outward objects until some strong sensation roused him.
There was a mix of rustling, whispering, and low buzzing throughout the courtroom during this time. The urge to listen was put on hold, and everyone had some feeling or opinion to express in hushed tones. Adam sat there, staring blankly ahead, but he didn’t notice the things that were right in front of him—the lawyers and attorneys speaking with a calm professionalism, and Mr. Irwine having a quiet, serious conversation with the judge—didn’t notice Mr. Irwine sit down again in distress and shake his head sadly when someone whispered to him. The inner turmoil was too intense for Adam to focus on what was happening around him until something strong jolted him back.
It was not very long, hardly more than a quarter of an hour, before the knock which told that the jury had come to their decision fell as a signal for silence on every ear. It is sublime—that sudden pause of a great multitude which tells that one soul moves in them all. Deeper and deeper the silence seemed to become, like the deepening night, while the jurymen’s names were called over, and the prisoner was made to hold up her hand, and the jury were asked for their verdict.
It wasn’t long, barely fifteen minutes, before the knock signaling that the jury had reached their decision rang out, bringing silence to everyone present. It's powerful—this sudden stillness from a large crowd that shows they share a collective feeling. The silence grew deeper, like the encroaching night, as the jurors’ names were called, and the defendant was asked to raise her hand while the jury was asked for their verdict.
“Guilty.”
“Guilty.”
It was the verdict every one expected, but there was a sigh of disappointment from some hearts that it was followed by no recommendation to mercy. Still the sympathy of the court was not with the prisoner. The unnaturalness of her crime stood out the more harshly by the side of her hard immovability and obstinate silence. Even the verdict, to distant eyes, had not appeared to move her, but those who were near saw her trembling.
It was the verdict everyone expected, but some felt a disappointment that it didn’t come with any recommendation for mercy. Still, the court's sympathy was not with the prisoner. The unnaturalness of her crime became even more striking next to her cold stillness and stubborn silence. To those watching from afar, the verdict seemed not to affect her, but those who were close could see her trembling.
The stillness was less intense until the judge put on his black cap, and the chaplain in his canonicals was observed behind him. Then it deepened again, before the crier had had time to command silence. If any sound were heard, it must have been the sound of beating hearts. The judge spoke, “Hester Sorrel....”
The stillness was less intense until the judge put on his black cap, and the chaplain in his robes was seen behind him. Then it deepened again, before the crier had the chance to order silence. If any sound was heard, it was just the beating of hearts. The judge spoke, “Hester Sorrel....”
The blood rushed to Hetty’s face, and then fled back again as she looked up at the judge and kept her wide-open eyes fixed on him, as if fascinated by fear. Adam had not yet turned towards her, there was a deep horror, like a great gulf, between them. But at the words “and then to be hanged by the neck till you be dead,” a piercing shriek rang through the hall. It was Hetty’s shriek. Adam started to his feet and stretched out his arms towards her. But the arms could not reach her: she had fallen down in a fainting-fit, and was carried out of court.
The blood rushed to Hetty’s face, then drained away again as she looked up at the judge, her wide-open eyes fixed on him, as if captivated by fear. Adam hadn’t turned toward her yet; there was a deep horror, like a huge chasm, between them. But when the judge said, “and then to be hanged by the neck till you be dead,” a piercing scream echoed through the hall. It was Hetty’s scream. Adam jumped to his feet and reached out his arms toward her. But he couldn’t reach her; she had collapsed in a faint and was carried out of the courtroom.
Chapter XLIV
Arthur’s Return
When Arthur Donnithorne landed at Liverpool and read the letter from his Aunt Lydia, briefly announcing his grand-father’s death, his first feeling was, “Poor Grandfather! I wish I could have got to him to be with him when he died. He might have felt or wished something at the last that I shall never know now. It was a lonely death.”
When Arthur Donnithorne arrived in Liverpool and read the letter from his Aunt Lydia, which briefly mentioned his grandfather’s death, his first thought was, “Poor Grandfather! I wish I could have been there with him when he died. He might have felt or wished something in his last moments that I’ll never know now. It was a solitary death.”
It is impossible to say that his grief was deeper than that. Pity and softened memory took place of the old antagonism, and in his busy thoughts about the future, as the chaise carried him rapidly along towards the home where he was now to be master, there was a continually recurring effort to remember anything by which he could show a regard for his grandfather’s wishes, without counteracting his own cherished aims for the good of the tenants and the estate. But it is not in human nature—only in human pretence—for a young man like Arthur, with a fine constitution and fine spirits, thinking well of himself, believing that others think well of him, and having a very ardent intention to give them more and more reason for that good opinion—it is not possible for such a young man, just coming into a splendid estate through the death of a very old man whom he was not fond of, to feel anything very different from exultant joy. Now his real life was beginning; now he would have room and opportunity for action, and he would use them. He would show the Loamshire people what a fine country gentleman was; he would not exchange that career for any other under the sun. He felt himself riding over the hills in the breezy autumn days, looking after favourite plans of drainage and enclosure; then admired on sombre mornings as the best rider on the best horse in the hunt; spoken well of on market-days as a first-rate landlord; by and by making speeches at election dinners, and showing a wonderful knowledge of agriculture; the patron of new ploughs and drills, the severe upbraider of negligent landowners, and withal a jolly fellow that everybody must like—happy faces greeting him everywhere on his own estate, and the neighbouring families on the best terms with him. The Irwines should dine with him every week, and have their own carriage to come in, for in some very delicate way that Arthur would devise, the lay-impropriator of the Hayslope tithes would insist on paying a couple of hundreds more to the vicar; and his aunt should be as comfortable as possible, and go on living at the Chase, if she liked, in spite of her old-maidish ways—at least until he was married, and that event lay in the indistinct background, for Arthur had not yet seen the woman who would play the lady-wife to the first-rate country gentleman.
It’s impossible to say that his grief was deeper than that. Sympathy and fond memories replaced the old hostility, and as the carriage sped him toward the home where he was now to be in charge, his mind was constantly trying to find a way to honor his grandfather’s wishes, without undermining his own ambitions for the tenants and the estate. But it’s not human nature—only human pretense—for a young man like Arthur, with a strong physique and high spirits, who thinks well of himself, believes others think well of him, and is eager to give them even more reason to think highly of him—it’s just not possible for such a young man, who has just inherited a magnificent estate after the death of a very old man he didn’t care for, to feel anything other than triumphant joy. Now his real life was starting; he would have the space and opportunity to take action, and he would seize it. He would show the people of Loamshire what a great country gentleman is like; he wouldn’t trade that path for any other in the world. He pictured himself riding across the hills on breezy autumn days, overseeing his favorite plans for drainage and land enclosure; then admired on gloomy mornings as the best rider on the finest horse during the hunt; respected on market days as a top-notch landlord; eventually making speeches at election dinners, showcasing his impressive knowledge of farming; the promoter of new plows and drills, the stern critic of careless landowners, and yet a cheerful guy that everyone would like—happy faces welcoming him everywhere on his estate, and the neighboring families in great relations with him. The Irwines should have dinner with him every week and arrive in their own carriage, because in a very thoughtful way that Arthur would figure out, the lay-impropriator of the Hayslope tithes would insist on giving a few hundred extra pounds to the vicar; and his aunt should be as comfortable as possible, staying at the Chase if she wanted, despite her old-maid habits—at least until he got married, and that event was still a vague idea, since Arthur hadn’t yet met the woman who would become the lady-wife to a top country gentleman.
These were Arthur’s chief thoughts, so far as a man’s thoughts through hours of travelling can be compressed into a few sentences, which are only like the list of names telling you what are the scenes in a long long panorama full of colour, of detail, and of life. The happy faces Arthur saw greeting him were not pale abstractions, but real ruddy faces, long familiar to him: Martin Poyser was there—the whole Poyser family.
These were Arthur’s main thoughts, as much as a person's thoughts during hours of travel can be summed up in a few sentences, which are just like a list of names showing you the scenes in a vast, colorful, detailed, and lively panorama. The cheerful faces Arthur saw welcoming him weren’t just vague images; they were real, warm faces he knew well: Martin Poyser was there—the entire Poyser family.
What—Hetty?
What—Hetty?
Yes; for Arthur was at ease about Hetty—not quite at ease about the past, for a certain burning of the ears would come whenever he thought of the scenes with Adam last August, but at ease about her present lot. Mr. Irwine, who had been a regular correspondent, telling him all the news about the old places and people, had sent him word nearly three months ago that Adam Bede was not to marry Mary Burge, as he had thought, but pretty Hetty Sorrel. Martin Poyser and Adam himself had both told Mr. Irwine all about it—that Adam had been deeply in love with Hetty these two years, and that now it was agreed they were to be married in March. That stalwart rogue Adam was more susceptible than the rector had thought; it was really quite an idyllic love affair; and if it had not been too long to tell in a letter, he would have liked to describe to Arthur the blushing looks and the simple strong words with which the fine honest fellow told his secret. He knew Arthur would like to hear that Adam had this sort of happiness in prospect.
Yes; Arthur felt relaxed about Hetty—not completely relaxed about the past, since he felt a certain heat in his ears whenever he remembered his arguments with Adam last August, but he was at ease about her current situation. Mr. Irwine, who had been regularly updating him with news about their old friends and hometown, informed him nearly three months ago that Adam Bede was not going to marry Mary Burge, as he had assumed, but rather the lovely Hetty Sorrel. Both Martin Poyser and Adam himself had shared with Mr. Irwine that Adam had been deeply in love with Hetty for the last two years, and now it was agreed that they would get married in March. That strong-willed rascal Adam was more sensitive than the rector had expected; it was truly an idyllic romance; and if it hadn't been too lengthy to explain in a letter, he would have liked to describe to Arthur the flushed expressions and the sincere, powerful words with which the good, honest man revealed his feelings. He knew Arthur would be pleased to hear that Adam had this kind of happiness on the horizon.
Yes, indeed! Arthur felt there was not air enough in the room to satisfy his renovated life, when he had read that passage in the letter. He threw up the windows, he rushed out of doors into the December air, and greeted every one who spoke to him with an eager gaiety, as if there had been news of a fresh Nelson victory. For the first time that day since he had come to Windsor, he was in true boyish spirits. The load that had been pressing upon him was gone, the haunting fear had vanished. He thought he could conquer his bitterness towards Adam now—could offer him his hand, and ask to be his friend again, in spite of that painful memory which would still make his ears burn. He had been knocked down, and he had been forced to tell a lie: such things make a scar, do what we will. But if Adam were the same again as in the old days, Arthur wished to be the same too, and to have Adam mixed up with his business and his future, as he had always desired before the accursed meeting in August. Nay, he would do a great deal more for Adam than he should otherwise have done, when he came into the estate; Hetty’s husband had a special claim on him—Hetty herself should feel that any pain she had suffered through Arthur in the past was compensated to her a hundredfold. For really she could not have felt much, since she had so soon made up her mind to marry Adam.
Yes, exactly! Arthur felt like there wasn’t enough air in the room to match his renewed energy after reading that part of the letter. He threw open the windows, dashed outside into the December chill, and greeted everyone who talked to him with an excited cheer, as if there had just been news of a new victory like Nelson's. For the first time that day since arriving in Windsor, he felt truly carefree. The weight that had been pressing down on him was lifted, and the nagging worry had disappeared. He thought he could overcome his resentment towards Adam now—could extend his hand and ask to be friends again, despite the painful memory that still made him cringe. He had been beaten down and forced to lie: those things leave a mark, no matter what we do. But if Adam was the same as he was in the past, Arthur wanted to be as well, to have Adam involved in his business and future as he had always hoped before that awful meeting in August. In fact, he would do much more for Adam than he would have otherwise when he took over the estate; Hetty's husband had a special claim on him—Hetty herself should know that any pain she suffered because of Arthur in the past was more than made up for. After all, she didn’t seem to feel much, since she quickly decided to marry Adam.
You perceive clearly what sort of picture Adam and Hetty made in the panorama of Arthur’s thoughts on his journey homeward. It was March now; they were soon to be married: perhaps they were already married. And now it was actually in his power to do a great deal for them. Sweet—sweet little Hetty! The little puss hadn’t cared for him half as much as he cared for her; for he was a great fool about her still—was almost afraid of seeing her—indeed, had not cared much to look at any other woman since he parted from her. That little figure coming towards him in the Grove, those dark-fringed childish eyes, the lovely lips put up to kiss him—that picture had got no fainter with the lapse of months. And she would look just the same. It was impossible to think how he could meet her: he should certainly tremble. Strange, how long this sort of influence lasts, for he was certainly not in love with Hetty now. He had been earnestly desiring, for months, that she should marry Adam, and there was nothing that contributed more to his happiness in these moments than the thought of their marriage. It was the exaggerating effect of imagination that made his heart still beat a little more quickly at the thought of her. When he saw the little thing again as she really was, as Adam’s wife, at work quite prosaically in her new home, he should perhaps wonder at the possibility of his past feelings. Thank heaven it had turned out so well! He should have plenty of affairs and interests to fill his life now, and not be in danger of playing the fool again.
You can clearly see how Adam and Hetty fit into Arthur's thoughts on his way home. It was March now; they were about to get married—maybe they were already married. And now he actually had the power to do a lot for them. Sweet—sweet little Hetty! She didn’t care for him nearly as much as he cared for her; he was still such a fool for her—almost scared to see her—in fact, he hadn’t really wanted to look at any other woman since he left her. That little figure coming toward him in the Grove, those dark-fringed, childish eyes, the lovely lips reaching up to kiss him—that image hadn’t faded at all over the months. And she would look just the same. It was hard to imagine how he would meet her; he would definitely be nervous. It was strange how long this kind of influence lasts, because he certainly wasn’t in love with Hetty now. He had been wishing for months that she would marry Adam, and nothing made him happier in those moments than the thought of their marriage. It was the overactive imagination that made his heart race a little faster when he thought of her. When he saw her again as she really was, as Adam’s wife, settling into her new home and doing everyday things, he might wonder how he ever felt that way. Thank goodness it all turned out so well! He would have plenty of things to keep him busy now, and wouldn’t be at risk of acting foolishly again.
Pleasant the crack of the post-boy’s whip! Pleasant the sense of being hurried along in swift ease through English scenes, so like those round his own home, only not quite so charming. Here was a market-town—very much like Treddleston—where the arms of the neighbouring lord of the manor were borne on the sign of the principal inn; then mere fields and hedges, their vicinity to a market-town carrying an agreeable suggestion of high rent, till the land began to assume a trimmer look, the woods were more frequent, and at length a white or red mansion looked down from a moderate eminence, or allowed him to be aware of its parapet and chimneys among the dense-looking masses of oaks and elms—masses reddened now with early buds. And close at hand came the village: the small church, with its red-tiled roof, looking humble even among the faded half-timbered houses; the old green gravestones with nettles round them; nothing fresh and bright but the children, opening round eyes at the swift post-chaise; nothing noisy and busy but the gaping curs of mysterious pedigree. What a much prettier village Hayslope was! And it should not be neglected like this place: vigorous repairs should go on everywhere among farm-buildings and cottages, and travellers in post-chaises, coming along the Rosseter road, should do nothing but admire as they went. And Adam Bede should superintend all the repairs, for he had a share in Burge’s business now, and, if he liked, Arthur would put some money into the concern and buy the old man out in another year or two. That was an ugly fault in Arthur’s life, that affair last summer, but the future should make amends. Many men would have retained a feeling of vindictiveness towards Adam, but he would not—he would resolutely overcome all littleness of that kind, for he had certainly been very much in the wrong; and though Adam had been harsh and violent, and had thrust on him a painful dilemma, the poor fellow was in love, and had real provocation. No, Arthur had not an evil feeling in his mind towards any human being: he was happy, and would make every one else happy that came within his reach.
Pleasant is the crack of the post-boy’s whip! Pleasant is the feeling of being whisked along effortlessly through English landscapes, so similar to those around his own home, just not quite as charming. Here was a market town—very much like Treddleston—where the coat of arms of the local lord of the manor was displayed on the sign of the main inn; then just fields and hedges, their proximity to a market town carrying a pleasant hint of high rent, until the land began to look neater, the woods became more frequent, and eventually, a white or red mansion appeared on a slight rise, making its parapet and chimneys visible among the thick masses of oaks and elms—now tinged with early buds. And close by was the village: the small church with its red-tiled roof looking humble even among the worn half-timbered houses; the old green gravestones surrounded by nettles; nothing fresh and bright except for the children, with their wide-open eyes watching the swift post-chaise; nothing noisy and bustling except the curious mutts of unknown breeds. What a much prettier village Hayslope was! And it should not be neglected like this place: vigorous repairs should take place everywhere among the farm buildings and cottages, and travelers in post-chaises, coming along the Rosseter road, should do nothing but admire as they passed. And Adam Bede should oversee all the repairs, since he now had a stake in Burge’s business, and if he wanted, Arthur would invest some money in the business and buy out the old man in another year or two. That was a serious mistake in Arthur’s life, that incident last summer, but the future would make it right. Many men would have held onto a grudge against Adam, but he wouldn’t—he would resolutely overcome any small-mindedness, as he knew he had definitely been in the wrong; and even though Adam had been harsh and aggressive, putting him in a painful situation, the poor guy was in love and had real reasons to feel that way. No, Arthur had no ill will towards anyone: he was happy and wanted to make everyone else happy who came into his life.
And here was dear old Hayslope at last, sleeping, on the hill, like a quiet old place as it was, in the late afternoon sunlight, and opposite to it the great shoulders of the Binton Hills, below them the purplish blackness of the hanging woods, and at last the pale front of the Abbey, looking out from among the oaks of the Chase, as if anxious for the heir’s return. “Poor Grandfather! And he lies dead there. He was a young fellow once, coming into the estate and making his plans. So the world goes round! Aunt Lydia must feel very desolate, poor thing; but she shall be indulged as much as she indulges her fat Fido.”
And here was dear old Hayslope at last, resting on the hill, a peaceful old place as it was, in the late afternoon sunshine, and across from it the massive shoulders of the Binton Hills, below them the deep purplish-blackness of the hanging woods, and finally the pale facade of the Abbey, peeking out from among the oaks of the Chase, as if waiting for the heir’s return. “Poor Grandfather! And he lies dead there. He was a young man once, stepping into the estate and making his plans. That’s how the world keeps spinning! Aunt Lydia must feel incredibly lonely, poor thing; but she’ll be pampered just as much as she spoils her plump Fido.”
The wheels of Arthur’s chaise had been anxiously listened for at the Chase, for to-day was Friday, and the funeral had already been deferred two days. Before it drew up on the gravel of the courtyard, all the servants in the house were assembled to receive him with a grave, decent welcome, befitting a house of death. A month ago, perhaps, it would have been difficult for them to have maintained a suitable sadness in their faces, when Mr. Arthur was come to take possession; but the hearts of the head-servants were heavy that day for another cause than the death of the old squire, and more than one of them was longing to be twenty miles away, as Mr. Craig was, knowing what was to become of Hetty Sorrel—pretty Hetty Sorrel—whom they used to see every week. They had the partisanship of household servants who like their places, and were not inclined to go the full length of the severe indignation felt against him by the farming tenants, but rather to make excuses for him; nevertheless, the upper servants, who had been on terms of neighbourly intercourse with the Poysers for many years, could not help feeling that the longed-for event of the young squire’s coming into the estate had been robbed of all its pleasantness.
The sound of Arthur's carriage wheels was eagerly awaited at the Chase, because today was Friday, and the funeral had already been postponed for two days. Before it arrived on the gravel in the courtyard, all the household staff had gathered to greet him with a somber, respectful welcome appropriate for a home in mourning. A month ago, it might have been hard for them to keep sadness on their faces when Mr. Arthur came to take over; but that day, the head-servants' hearts were heavy for a reason beyond the old squire's death, and several of them wished they were twenty miles away, like Mr. Craig, knowing what was in store for Hetty Sorrel—lovely Hetty Sorrel—whom they used to see every week. They felt a loyalty typical of household staff who like their jobs, and were not fully aligned with the intense anger felt by the farming tenants; instead, they tended to excuse him. However, the upper servants, who had been friendly with the Poysers for many years, couldn't shake the feeling that the long-anticipated arrival of the young squire to inherit the estate had lost all its joy.
To Arthur it was nothing surprising that the servants looked grave and sad: he himself was very much touched on seeing them all again, and feeling that he was in a new relation to them. It was that sort of pathetic emotion which has more pleasure than pain in it—which is perhaps one of the most delicious of all states to a good-natured man, conscious of the power to satisfy his good nature. His heart swelled agreeably as he said, “Well, Mills, how is my aunt?”
To Arthur, it was no surprise that the servants looked serious and downcast: he felt very moved to see them all again and sensed that he was in a new relationship with them. It was that kind of touching emotion that brings more pleasure than pain, which might be one of the most delightful feelings for a kind-hearted person aware of his ability to please. His heart swelled pleasantly as he said, “Well, Mills, how is my aunt?”
But now Mr. Bygate, the lawyer, who had been in the house ever since the death, came forward to give deferential greetings and answer all questions, and Arthur walked with him towards the library, where his Aunt Lydia was expecting him. Aunt Lydia was the only person in the house who knew nothing about Hetty. Her sorrow as a maiden daughter was unmixed with any other thoughts than those of anxiety about funeral arrangements and her own future lot; and, after the manner of women, she mourned for the father who had made her life important, all the more because she had a secret sense that there was little mourning for him in other hearts.
But now Mr. Bygate, the lawyer, who had been in the house since the death, stepped forward to offer polite greetings and answer all questions, and Arthur walked with him toward the library, where his Aunt Lydia was waiting for him. Aunt Lydia was the only person in the house who knew nothing about Hetty. Her sorrow as a single woman was solely focused on her worries about the funeral arrangements and her own future; and, like many women, she grieved for the father who had given her life meaning, especially because she sensed that not many others were mourning for him.
But Arthur kissed her tearful face more tenderly than he had ever done in his life before.
But Arthur kissed her tear-streaked face more gently than he ever had in his life.
“Dear Aunt,” he said affectionately, as he held her hand, “your loss is the greatest of all, but you must tell me how to try and make it up to you all the rest of your life.”
“Dear Aunt,” he said lovingly, as he held her hand, “your loss is the biggest of all, but you need to tell me how I can try to make it up to you for the rest of your life.”
“It was so sudden and so dreadful, Arthur,” poor Miss Lydia began, pouring out her little plaints, and Arthur sat down to listen with impatient patience. When a pause came, he said:
“It was so sudden and so awful, Arthur,” poor Miss Lydia started, sharing her complaints, and Arthur sat down to listen with a mix of annoyance and patience. When there was a break in her words, he said:
“Now, Aunt, I’ll leave you for a quarter of an hour just to go to my own room, and then I shall come and give full attention to everything.”
“Okay, Aunt, I'll step away for about fifteen minutes to go to my room, and then I’ll come back and focus on everything.”
“My room is all ready for me, I suppose, Mills?” he said to the butler, who seemed to be lingering uneasily about the entrance-hall.
“My room is all set for me, right, Mills?” he said to the butler, who seemed to be lingering awkwardly in the entrance hall.
“Yes, sir, and there are letters for you; they are all laid on the writing-table in your dressing-room.”
“Yes, sir, and there are letters for you; they're all on the writing desk in your dressing room.”
On entering the small anteroom which was called a dressing-room, but which Arthur really used only to lounge and write in, he just cast his eyes on the writing-table, and saw that there were several letters and packets lying there; but he was in the uncomfortable dusty condition of a man who has had a long hurried journey, and he must really refresh himself by attending to his toilette a little, before he read his letters. Pym was there, making everything ready for him, and soon, with a delightful freshness about him, as if he were prepared to begin a new day, he went back into his dressing-room to open his letters. The level rays of the low afternoon sun entered directly at the window, and as Arthur seated himself in his velvet chair with their pleasant warmth upon him, he was conscious of that quiet well-being which perhaps you and I have felt on a sunny afternoon when, in our brightest youth and health, life has opened a new vista for us, and long to-morrows of activity have stretched before us like a lovely plain which there was no need for hurrying to look at, because it was all our own.
Upon entering the small room they called a dressing room, but which Arthur really just used to relax and write, he glanced at the writing table and noticed several letters and packages piled there. However, he felt dusty and uncomfortable, having just come off a long, rushed journey, and he needed to freshen up a bit before reading his mail. Pym was there, getting everything ready for him, and soon, feeling refreshed and ready to embrace the day, he returned to his dressing room to open his letters. The soft rays of the low afternoon sun streamed directly through the window, and as Arthur settled into his velvet chair, enjoying the warm sunlight, he felt a sense of quiet contentment that many of us have experienced on a sunny afternoon when, in the prime of our youth and health, life seemed to open up new possibilities, with endless tomorrows of activity laid out before us like a beautiful landscape that we didn't need to rush to explore because it was entirely ours.
The top letter was placed with its address upwards: it was in Mr. Irwine’s handwriting, Arthur saw at once; and below the address was written, “To be delivered as soon as he arrives.” Nothing could have been less surprising to him than a letter from Mr. Irwine at that moment: of course, there was something he wished Arthur to know earlier than it was possible for them to see each other. At such a time as that it was quite natural that Irwine should have something pressing to say. Arthur broke the seal with an agreeable anticipation of soon seeing the writer.
The top letter was positioned with its address facing up: it was clearly in Mr. Irwine’s handwriting, Arthur noticed right away; and underneath the address, it said, “To be delivered as soon as he arrives.” At that moment, nothing would have surprised him less than receiving a letter from Mr. Irwine: obviously, there was something he wanted Arthur to know before they could meet. Given the circumstances, it was completely natural for Irwine to have something urgent to communicate. Arthur opened the seal with the pleasant expectation of soon seeing the sender.
“I send this letter to meet you on your arrival, Arthur, because I may then
be at Stoniton, whither I am called by the most painful duty it has ever been
given me to perform, and it is right that you should know what I have to tell
you without delay.
“I will not attempt to add by one word of reproach to the retribution that
is now falling on you: any other words that I could write at this moment must
be weak and unmeaning by the side of those in which I must tell you the simple
fact.
“Hetty Sorrel is in prison, and will be tried on Friday for the crime of
child-murder.”...
“I’m sending this letter to reach you when you arrive, Arthur, because I might be at Stoniton, where I’ve been called for the most painful duty I’ve ever had to face, and you should know what I have to say without delay.
“I won’t try to add any words of blame to the consequences you’re facing: anything else I could write right now would feel weak and pointless compared to the simple truth I must share with you.
“Hetty Sorrel is in prison and will be tried on Friday for the crime of child murder.”...
Arthur read no more. He started up from his chair and stood for a single minute with a sense of violent convulsion in his whole frame, as if the life were going out of him with horrible throbs; but the next minute he had rushed out of the room, still clutching the letter—he was hurrying along the corridor, and down the stairs into the hall. Mills was still there, but Arthur did not see him, as he passed like a hunted man across the hall and out along the gravel. The butler hurried out after him as fast as his elderly limbs could run: he guessed, he knew, where the young squire was going.
Arthur didn’t read any more. He jumped up from his chair and stood for a moment, feeling like he was being torn apart, as if life was draining out of him with terrible jolts. But the next moment, he bolted out of the room, still gripping the letter—he rushed down the corridor and down the stairs into the hall. Mills was still there, but Arthur didn’t notice him as he dashed across the hall like a man on the run and out onto the gravel. The butler hurried after him as quickly as his aging legs could carry him: he guessed, he knew, where the young squire was headed.
When Mills got to the stables, a horse was being saddled, and Arthur was forcing himself to read the remaining words of the letter. He thrust it into his pocket as the horse was led up to him, and at that moment caught sight of Mills’ anxious face in front of him.
When Mills arrived at the stables, a horse was being saddled, and Arthur was struggling to finish reading the rest of the letter. He shoved it into his pocket just as the horse was brought up to him, and at that moment, he noticed the worried expression on Mills’ face in front of him.
“Tell them I’m gone—gone to Stoniton,” he said in a muffled tone of agitation—sprang into the saddle, and set off at a gallop.
“Tell them I’m gone—gone to Stoniton,” he said in a low, tense voice—jumped into the saddle and took off at a gallop.
Chapter XLV
In the Prison
Near sunset that evening an elderly gentleman was standing with his back against the smaller entrance-door of Stoniton jail, saying a few last words to the departing chaplain. The chaplain walked away, but the elderly gentleman stood still, looking down on the pavement and stroking his chin with a ruminating air, when he was roused by a sweet clear woman’s voice, saying, “Can I get into the prison, if you please?”
Near sunset that evening, an elderly man was leaning against the smaller entrance door of Stoniton jail, saying a few final words to the departing chaplain. The chaplain walked away, but the elderly man remained, looking down at the pavement and stroking his chin thoughtfully, when he was interrupted by a sweet, clear woman's voice saying, “Can I get into the prison, please?”
He turned his head and looked fixedly at the speaker for a few moments without answering.
He turned his head and stared intently at the speaker for a few moments without responding.
“I have seen you before,” he said at last. “Do you remember preaching on the village green at Hayslope in Loamshire?”
“I’ve seen you before,” he finally said. “Do you remember preaching on the village green at Hayslope in Loamshire?”
“Yes, sir, surely. Are you the gentleman that stayed to listen on horseback?”
“Yes, of course. Are you the man who stayed to listen on horseback?”
“Yes. Why do you want to go into the prison?”
“Yes. Why do you want to go into the jail?”
“I want to go to Hetty Sorrel, the young woman who has been condemned to death—and to stay with her, if I may be permitted. Have you power in the prison, sir?”
“I want to go to Hetty Sorrel, the young woman who has been sentenced to death—and to stay with her, if that’s okay. Do you have any authority in the prison, sir?”
“Yes; I am a magistrate, and can get admittance for you. But did you know this criminal, Hetty Sorrel?”
“Yes; I’m a magistrate and can get you in. But did you know this criminal, Hetty Sorrel?”
“Yes, we are kin. My own aunt married her uncle, Martin Poyser. But I was away at Leeds, and didn’t know of this great trouble in time to get here before to-day. I entreat you, sir, for the love of our heavenly Father, to let me go to her and stay with her.”
“Yes, we are family. My aunt married her uncle, Martin Poyser. But I was in Leeds and didn’t learn about this big trouble in time to get here before today. I beg you, sir, for the love of our heavenly Father, to let me go to her and stay with her.”
“How did you know she was condemned to death, if you are only just come from Leeds?”
“How did you know she was sentenced to death if you’ve just come back from Leeds?”
“I have seen my uncle since the trial, sir. He is gone back to his home now, and the poor sinner is forsaken of all. I beseech you to get leave for me to be with her.”
“I’ve seen my uncle since the trial, sir. He’s gone back home now, and the poor sinner is alone and abandoned by everyone. I urge you to allow me to be with her.”
“What! Have you courage to stay all night in the prison? She is very sullen, and will scarcely make answer when she is spoken to.”
“What! Do you have the guts to stay all night in the prison? She’s really moody, and barely responds when you talk to her.”
“Oh, sir, it may please God to open her heart still. Don’t let us delay.”
“Oh, sir, I hope God will still open her heart. Let’s not wait.”
“Come, then,” said the elderly gentleman, ringing and gaining admission, “I know you have a key to unlock hearts.”
“Come on in,” said the elderly gentleman, ringing the bell and getting in, “I know you have a key to unlock hearts.”
Dinah mechanically took off her bonnet and shawl as soon as they were within the prison court, from the habit she had of throwing them off when she preached or prayed, or visited the sick; and when they entered the jailer’s room, she laid them down on a chair unthinkingly. There was no agitation visible in her, but a deep concentrated calmness, as if, even when she was speaking, her soul was in prayer reposing on an unseen support.
Dinah automatically took off her bonnet and shawl as soon as they were inside the prison courtyard, a habit she had developed when she preached, prayed, or visited the sick. When they entered the jailer's room, she mindlessly placed them on a chair. There was no visible agitation in her; instead, she exuded a deep, focused calmness, as if her soul was in silent prayer, resting on an invisible support, even while she was speaking.
After speaking to the jailer, the magistrate turned to her and said, “The turnkey will take you to the prisoner’s cell and leave you there for the night, if you desire it, but you can’t have a light during the night—it is contrary to rules. My name is Colonel Townley: if I can help you in anything, ask the jailer for my address and come to me. I take some interest in this Hetty Sorrel, for the sake of that fine fellow, Adam Bede. I happened to see him at Hayslope the same evening I heard you preach, and recognized him in court to-day, ill as he looked.”
After talking to the jailer, the magistrate turned to her and said, “The guard will take you to the prisoner’s cell and leave you there for the night, if you want, but you can’t have a light during the night—it’s against the rules. My name is Colonel Townley: if I can assist you with anything, ask the jailer for my address and come see me. I have some interest in this Hetty Sorrel, because of that great guy, Adam Bede. I happened to see him at Hayslope the same evening I heard you preach and recognized him in court today, even though he looked really unwell.”
“Ah, sir, can you tell me anything about him? Can you tell me where he lodges? For my poor uncle was too much weighed down with trouble to remember.”
“Hey, sir, can you tell me anything about him? Can you tell me where he stays? My poor uncle had too much on his mind to remember.”
“Close by here. I inquired all about him of Mr. Irwine. He lodges over a tinman’s shop, in the street on the right hand as you entered the prison. There is an old school-master with him. Now, good-bye: I wish you success.”
“Close by here. I asked Mr. Irwine all about him. He stays above a tinman’s shop, in the street on the right as you enter the prison. There’s an old schoolmaster with him. Now, goodbye: I wish you the best.”
“Farewell, sir. I am grateful to you.”
“Goodbye, sir. Thanks.”
As Dinah crossed the prison court with the turnkey, the solemn evening light seemed to make the walls higher than they were by day, and the sweet pale face in the cap was more than ever like a white flower on this background of gloom. The turnkey looked askance at her all the while, but never spoke. He somehow felt that the sound of his own rude voice would be grating just then. He struck a light as they entered the dark corridor leading to the condemned cell, and then said in his most civil tone, “It’ll be pretty nigh dark in the cell a’ready, but I can stop with my light a bit, if you like.”
As Dinah walked through the prison yard with the guard, the somber evening light seemed to make the walls feel taller than during the day, and her delicate pale face in the cap looked even more like a white flower against the dark background. The guard glanced at her sideways the whole time but didn’t say anything. He somehow sensed that his own harsh voice would sound jarring in that moment. He struck a match as they entered the dark hallway leading to the condemned cell, then said in his politest tone, “It’s probably already pretty dark in the cell, but I can stay with my light for a bit if you want.”
“Nay, friend, thank you,” said Dinah. “I wish to go in alone.”
“Nah, thanks, friend,” said Dinah. “I want to go in by myself.”
“As you like,” said the jailer, turning the harsh key in the lock and opening the door wide enough to admit Dinah. A jet of light from his lantern fell on the opposite corner of the cell, where Hetty was sitting on her straw pallet with her face buried in her knees. It seemed as if she were asleep, and yet the grating of the lock would have been likely to waken her.
“As you wish,” said the jailer, turning the heavy key in the lock and opening the door just enough for Dinah to enter. A beam of light from his lantern fell on the far corner of the cell, where Hetty was sitting on her straw bed with her face buried in her knees. It looked like she was asleep, yet the noise of the lock should have stirred her.
The door closed again, and the only light in the cell was that of the evening sky, through the small high grating—enough to discern human faces by. Dinah stood still for a minute, hesitating to speak because Hetty might be asleep, and looking at the motionless heap with a yearning heart. Then she said, softly, “Hetty!”
The door closed again, and the only light in the cell came from the evening sky through the small high grating—just enough to make out human faces. Dinah stood still for a minute, hesitating to speak because Hetty might be asleep, and gazing at the still figure with a heavy heart. Then she said softly, “Hetty!”
There was a slight movement perceptible in Hetty’s frame—a start such as might have been produced by a feeble electrical shock—but she did not look up. Dinah spoke again, in a tone made stronger by irrepressible emotion, “Hetty... it’s Dinah.”
There was a slight movement noticeable in Hetty's body—a flinch that could have been caused by a weak electric shock—but she didn’t look up. Dinah spoke again, her voice firmer due to overwhelming emotion, “Hetty... it’s Dinah.”
Again there was a slight startled movement through Hetty’s frame, and without uncovering her face, she raised her head a little, as if listening.
Again there was a slight startled movement through Hetty’s frame, and without uncovering her face, she lifted her head slightly, as if she were listening.
“Hetty... Dinah is come to you.”
“Hetty... Dinah has come to see you.”
After a moment’s pause, Hetty lifted her head slowly and timidly from her knees and raised her eyes. The two pale faces were looking at each other: one with a wild hard despair in it, the other full of sad yearning love. Dinah unconsciously opened her arms and stretched them out.
After a brief pause, Hetty slowly and shyly lifted her head from her knees and looked up. The two pale faces were gazing at each other: one showing a wild, harsh despair, while the other was filled with a sad, yearning love. Dinah instinctively opened her arms and stretched them out.
“Don’t you know me, Hetty? Don’t you remember Dinah? Did you think I wouldn’t come to you in trouble?”
“Don’t you know me, Hetty? Don’t you remember Dinah? Did you think I wouldn’t come to you when I was in trouble?”
Hetty kept her eyes fixed on Dinah’s face—at first like an animal that gazes, and gazes, and keeps aloof.
Hetty kept her eyes locked on Dinah’s face—at first like a creature that stares, and stares, and stays distant.
“I’m come to be with you, Hetty—not to leave you—to stay with you—to be your sister to the last.”
“I've come to be with you, Hetty—not to leave you—to stay with you—to be your sister until the end.”
Slowly, while Dinah was speaking, Hetty rose, took a step forward, and was clasped in Dinah’s arms.
Slowly, as Dinah spoke, Hetty stood up, took a step forward, and was embraced by Dinah.
They stood so a long while, for neither of them felt the impulse to move apart again. Hetty, without any distinct thought of it, hung on this something that was come to clasp her now, while she was sinking helpless in a dark gulf; and Dinah felt a deep joy in the first sign that her love was welcomed by the wretched lost one. The light got fainter as they stood, and when at last they sat down on the straw pallet together, their faces had become indistinct.
They stood there for a long time, as neither of them felt the urge to pull away. Hetty, without really thinking about it, held on to this connection that had come to embrace her while she was sinking helplessly into a dark abyss; and Dinah felt a deep joy at the first sign that her love was being accepted by the broken, lost one. The light grew dimmer as they stood, and when they finally sat down together on the straw mattress, their faces had become blurry.
Not a word was spoken. Dinah waited, hoping for a spontaneous word from Hetty, but she sat in the same dull despair, only clutching the hand that held hers and leaning her cheek against Dinah’s. It was the human contact she clung to, but she was not the less sinking into the dark gulf.
Not a word was spoken. Dinah waited, hoping for an unexpected comment from Hetty, but she remained in the same grim despair, only gripping the hand that held hers and leaning her cheek against Dinah’s. It was the human connection she clung to, but she was still sinking into the dark abyss.
Dinah began to doubt whether Hetty was conscious who it was that sat beside her. She thought suffering and fear might have driven the poor sinner out of her mind. But it was borne in upon her, as she afterwards said, that she must not hurry God’s work: we are overhasty to speak—as if God did not manifest himself by our silent feeling, and make his love felt through ours. She did not know how long they sat in that way, but it got darker and darker, till there was only a pale patch of light on the opposite wall: all the rest was darkness. But she felt the Divine presence more and more—nay, as if she herself were a part of it, and it was the Divine pity that was beating in her heart and was willing the rescue of this helpless one. At last she was prompted to speak and find out how far Hetty was conscious of the present.
Dinah started to question whether Hetty even knew who was sitting next to her. She suspected that suffering and fear might have pushed the poor soul out of her mind. But she later realized that she shouldn’t rush God’s work: we tend to speak too quickly—as if God didn’t show Himself through our quiet feelings and express His love through ours. She wasn’t sure how long they sat like that, but it grew darker and darker until there was just a faint patch of light on the opposite wall: the rest was completely dark. Yet, she felt the Divine presence more strongly—almost as if she were part of it, and that Divine compassion was beating in her heart, wanting to save this helpless person. Eventually, she felt encouraged to speak and see how aware Hetty was of the present moment.
“Hetty,” she said gently, “do you know who it is that sits by your side?”
“Hetty,” she said softly, “do you know who’s sitting next to you?”
“Yes,” Hetty answered slowly, “it’s Dinah.”
“Yes,” Hetty replied slowly, “it’s Dinah.”
“And do you remember the time when we were at the Hall Farm together, and that night when I told you to be sure and think of me as a friend in trouble?”
“And do you remember the time when we were at Hall Farm together, and that night when I asked you to make sure you thought of me as a friend in need?”
“Yes,” said Hetty. Then, after a pause, she added, “But you can do nothing for me. You can’t make ’em do anything. They’ll hang me o’ Monday—it’s Friday now.”
“Yes,” said Hetty. Then, after a pause, she added, “But you can’t help me. You can’t make them do anything. They’re going to hang me on Monday—it’s Friday now.”
As Hetty said the last words, she clung closer to Dinah, shuddering.
As Hetty finished speaking, she held onto Dinah tighter, trembling.
“No, Hetty, I can’t save you from that death. But isn’t the suffering less hard when you have somebody with you, that feels for you—that you can speak to, and say what’s in your heart?... Yes, Hetty: you lean on me: you are glad to have me with you.”
“No, Hetty, I can’t save you from that death. But isn’t the suffering a little easier when you have someone with you, who cares about you—someone you can talk to and share what’s in your heart?... Yes, Hetty: you lean on me; you’re glad to have me here with you.”
“You won’t leave me, Dinah? You’ll keep close to me?”
“You're not going to leave me, Dinah? You'll stick with me, right?”
“No, Hetty, I won’t leave you. I’ll stay with you to the last.... But, Hetty, there is some one else in this cell besides me, some one close to you.”
“No, Hetty, I won’t leave you. I’ll stay with you until the end.... But, Hetty, there’s someone else in this cell with me, someone close to you.”
Hetty said, in a frightened whisper, “Who?”
Hetty said in a scared whisper, “Who?”
“Some one who has been with you through all your hours of sin and trouble—who has known every thought you have had—has seen where you went, where you lay down and rose up again, and all the deeds you have tried to hide in darkness. And on Monday, when I can’t follow you—when my arms can’t reach you—when death has parted us—He who is with us now, and knows all, will be with you then. It makes no difference—whether we live or die, we are in the presence of God.”
“Someone who has been with you through all your moments of sin and struggle—who knows every thought you’ve had—has seen where you’ve gone, where you lay down and got back up, and all the things you’ve tried to keep hidden. And on Monday, when I can’t be with you—when my arms can’t reach you—when death has separated us—He who is with us now, and knows everything, will be with you then. It doesn’t matter—whether we live or die, we are in the presence of God.”
“Oh, Dinah, won’t nobody do anything for me? Will they hang me for certain?... I wouldn’t mind if they’d let me live.”
“Oh, Dinah, won’t anyone do anything for me? Will they really hang me?... I wouldn’t mind if they’d just let me live.”
“My poor Hetty, death is very dreadful to you. I know it’s dreadful. But if you had a friend to take care of you after death—in that other world—some one whose love is greater than mine—who can do everything?... If God our Father was your friend, and was willing to save you from sin and suffering, so as you should neither know wicked feelings nor pain again? If you could believe he loved you and would help you, as you believe I love you and will help you, it wouldn’t be so hard to die on Monday, would it?”
“My poor Hetty, death is really terrifying for you. I know it is. But what if you had a friend to take care of you after death—in that other world—someone whose love is greater than mine—who can do anything? If God, our Father, was your friend and was willing to save you from sin and suffering, so that you wouldn’t have to experience wicked thoughts or pain again? If you could believe He loved you and would help you, just like you believe I love you and will help you, it wouldn’t be so hard to die on Monday, would it?”
“But I can’t know anything about it,” Hetty said, with sullen sadness.
“But I can’t know anything about it,” Hetty said, with gloomy sadness.
“Because, Hetty, you are shutting up your soul against him, by trying to hide the truth. God’s love and mercy can overcome all things—our ignorance, and weakness, and all the burden of our past wickedness—all things but our wilful sin, sin that we cling to, and will not give up. You believe in my love and pity for you, Hetty, but if you had not let me come near you, if you wouldn’t have looked at me or spoken to me, you’d have shut me out from helping you. I couldn’t have made you feel my love; I couldn’t have told you what I felt for you. Don’t shut God’s love out in that way, by clinging to sin.... He can’t bless you while you have one falsehood in your soul; his pardoning mercy can’t reach you until you open your heart to him, and say, ‘I have done this great wickedness; O God, save me, make me pure from sin.’ While you cling to one sin and will not part with it, it must drag you down to misery after death, as it has dragged you to misery here in this world, my poor, poor Hetty. It is sin that brings dread, and darkness, and despair: there is light and blessedness for us as soon as we cast it off. God enters our souls then, and teaches us, and brings us strength and peace. Cast it off now, Hetty—now: confess the wickedness you have done—the sin you have been guilty of against your Heavenly Father. Let us kneel down together, for we are in the presence of God.”
“Because, Hetty, you’re blocking yourself off from him by trying to hide the truth. God’s love and mercy can conquer everything—our ignorance, weakness, and all the weight of our past sins—anything except our willful sin, the sin we hold onto and refuse to let go. You believe in my love and sympathy for you, Hetty, but if you hadn’t allowed me to be close to you, if you hadn’t looked at me or talked to me, you would have kept me from helping you. I couldn’t have made you feel my love; I couldn’t have expressed what I feel for you. Don’t push God’s love away like that by clinging to sin.... He can’t bless you while there’s even one lie in your soul; his forgiving mercy can’t reach you until you open your heart to him and say, ‘I have committed this great wrong; O God, save me, make me pure from sin.’ As long as you hold onto even one sin and refuse to give it up, it will drag you down into misery after death, just like it has brought you misery here in this world, my poor, poor Hetty. It is sin that brings fear, darkness, and despair: there’s light and joy available to us as soon as we let it go. God enters our souls then, teaches us, and brings us strength and peace. Let it go now, Hetty—now: confess the wrong you have done—the sin you have committed against your Heavenly Father. Let’s kneel down together, for we are in the presence of God.”
Hetty obeyed Dinah’s movement, and sank on her knees. They still held each other’s hands, and there was long silence. Then Dinah said, “Hetty, we are before God. He is waiting for you to tell the truth.”
Hetty followed Dinah's lead and sank to her knees. They still held each other's hands, enveloped in a long silence. Then Dinah said, “Hetty, we are before God. He is waiting for you to tell the truth.”
Still there was silence. At last Hetty spoke, in a tone of beseeching—
Still, there was silence. Finally, Hetty spoke, in a pleading tone—
“Dinah... help me... I can’t feel anything like you...my heart is hard.”
“Dinah... please help me... I can’t feel anything like you do... my heart is cold.”
Dinah held the clinging hand, and all her soul went forth in her voice:
Dinah held the hand tightly, and her whole being poured out through her voice:
“Jesus, thou present Saviour! Thou hast known the depths of all sorrow: thou hast entered that black darkness where God is not, and hast uttered the cry of the forsaken. Come Lord, and gather of the fruits of thy travail and thy pleading. Stretch forth thy hand, thou who art mighty to save to the uttermost, and rescue this lost one. She is clothed round with thick darkness. The fetters of her sin are upon her, and she cannot stir to come to thee. She can only feel her heart is hard, and she is helpless. She cries to me, thy weak creature.... Saviour! It is a blind cry to thee. Hear it! Pierce the darkness! Look upon her with thy face of love and sorrow that thou didst turn on him who denied thee, and melt her hard heart.
“Jesus, you present Savior! You know the depths of all sorrow: you have entered that dark place where God is not, and you have cried out as the forsaken. Come, Lord, and gather the fruits of your labor and your pleading. Reach out your hand, you who are powerful enough to save completely, and rescue this lost one. She is surrounded by thick darkness. The chains of her sin are binding her, and she cannot move to come to you. She can only feel that her heart is hard, and she is helpless. She cries out to me, your weak servant.... Savior! It is a blind cry to you. Hear it! Pierce the darkness! Look upon her with the love and sorrow that you showed the one who denied you, and soften her hardened heart.
“See, Lord, I bring her, as they of old brought the sick and helpless, and thou didst heal them. I bear her on my arms and carry her before thee. Fear and trembling have taken hold on her, but she trembles only at the pain and death of the body. Breathe upon her thy life-giving Spirit, and put a new fear within her—the fear of her sin. Make her dread to keep the accursed thing within her soul. Make her feel the presence of the living God, who beholds all the past, to whom the darkness is as noonday; who is waiting now, at the eleventh hour, for her to turn to him, and confess her sin, and cry for mercy—now, before the night of death comes, and the moment of pardon is for ever fled, like yesterday that returneth not.
“Look, Lord, I bring her, just like people in the past brought the sick and needy, and you healed them. I carry her in my arms and present her to you. Fear and anxiety have taken over her, but she only shakes from the pain and death of the body. Breathe your life-giving Spirit onto her and instill a new fear within her—the fear of her sin. Help her dread keeping the harmful things inside her soul. Make her aware of the presence of the living God, who sees all that has happened, to whom the darkness is like daylight; who is waiting now, at the last possible moment, for her to turn to Him, confess her sin, and plead for mercy—now, before the night of death arrives, and the chance for forgiveness is gone forever, like a day that cannot be relived.
“Saviour! It is yet time—time to snatch this poor soul from everlasting darkness. I believe—I believe in thy infinite love. What is my love or my pleading? It is quenched in thine. I can only clasp her in my weak arms and urge her with my weak pity. Thou—thou wilt breathe on the dead soul, and it shall arise from the unanswering sleep of death.
“Savior! It's still time—time to rescue this poor soul from eternal darkness. I believe—I believe in your limitless love. What is my love or my pleading? It's overwhelmed by yours. I can only hold her in my frail arms and encourage her with my feeble compassion. You—you will breathe life into the dead soul, and it will awaken from the unresponsive sleep of death.
“Yea, Lord, I see thee, coming through the darkness, coming, like the morning, with healing on thy wings. The marks of thy agony are upon thee—I see, I see thou art able and willing to save—thou wilt not let her perish for ever. Come, mighty Saviour! Let the dead hear thy voice. Let the eyes of the blind be opened. Let her see that God encompasses her. Let her tremble at nothing but at the sin that cuts her off from him. Melt the hard heart. Unseal the closed lips: make her cry with her whole soul, ‘Father, I have sinned.’...”
“Yeah, Lord, I see you coming through the darkness, coming like the morning, with healing on your wings. The signs of your pain are on you—I see, I see that you are able and willing to save—you won’t let her perish forever. Come, mighty Savior! Let the dead hear your voice. Let the eyes of the blind be opened. Let her see that God surrounds her. Let her tremble at nothing except the sin that separates her from Him. Soften the hard heart. Unseal the closed lips: make her cry out with her whole soul, ‘Father, I have sinned.’...”
“Dinah,” Hetty sobbed out, throwing her arms round Dinah’s neck, “I will speak... I will tell... I won’t hide it any more.”
“Dinah,” Hetty cried, wrapping her arms around Dinah’s neck, “I’ll speak... I’ll tell... I won’t keep it hidden anymore.”
But the tears and sobs were too violent. Dinah raised her gently from her knees and seated her on the pallet again, sitting down by her side. It was a long time before the convulsed throat was quiet, and even then they sat some time in stillness and darkness, holding each other’s hands. At last Hetty whispered, “I did do it, Dinah... I buried it in the wood... the little baby... and it cried... I heard it cry... ever such a way off... all night... and I went back because it cried.”
But the tears and sobs were too intense. Dinah gently lifted her from her knees and helped her sit back down on the pallet, taking a seat next to her. It took a long time for her breathing to settle, and even after that, they sat in silence and darkness, holding each other’s hands. Finally, Hetty whispered, “I did it, Dinah... I buried it in the woods... the little baby... and it cried... I heard it crying... from so far away... all night... and I went back because it cried.”
She paused, and then spoke hurriedly in a louder, pleading tone.
She paused, then spoke quickly in a louder, desperate tone.
“But I thought perhaps it wouldn’t die—there might somebody find it. I didn’t kill it—I didn’t kill it myself. I put it down there and covered it up, and when I came back it was gone.... It was because I was so very miserable, Dinah... I didn’t know where to go... and I tried to kill myself before, and I couldn’t. Oh, I tried so to drown myself in the pool, and I couldn’t. I went to Windsor—I ran away—did you know? I went to find him, as he might take care of me; and he was gone; and then I didn’t know what to do. I daredn’t go back home again—I couldn’t bear it. I couldn’t have bore to look at anybody, for they’d have scorned me. I thought o’ you sometimes, and thought I’d come to you, for I didn’t think you’d be cross with me, and cry shame on me. I thought I could tell you. But then the other folks ’ud come to know it at last, and I couldn’t bear that. It was partly thinking o’ you made me come toward Stoniton; and, besides, I was so frightened at going wandering about till I was a beggar-woman, and had nothing; and sometimes it seemed as if I must go back to the farm sooner than that. Oh, it was so dreadful, Dinah... I was so miserable... I wished I’d never been born into this world. I should never like to go into the green fields again—I hated ’em so in my misery.”
“But I thought maybe it wouldn’t die—maybe someone would find it. I didn’t kill it—I didn’t do it myself. I placed it down there and covered it up, and when I came back it was gone.... It was because I was so miserable, Dinah... I didn’t know where to go... and I tried to kill myself before, but I couldn’t. Oh, I tried so hard to drown myself in the pool, and I just couldn’t. I went to Windsor—I ran away—did you know? I went to find him because I thought he might take care of me, but he was gone; and then I didn’t know what to do. I didn’t dare go back home—I couldn’t face it. I couldn’t stand the thought of looking at anyone, because they would have scorned me. I thought about you sometimes, and considered coming to you, since I didn’t think you’d be angry with me or shame me. I thought I could tell you. But then the others would eventually find out, and I couldn’t handle that. It was partly thinking of you that made me head towards Stoniton; and besides, I was so scared of wandering around until I became a beggar-woman with nothing; and sometimes I thought it would be better to go back to the farm sooner than that. Oh, it was so terrible, Dinah... I was so miserable... I wished I had never been born into this world. I would never want to go into the green fields again—I hated them so much in my misery.”
Hetty paused again, as if the sense of the past were too strong upon her for words.
Hetty paused again, as if the weight of the past was too heavy for her to put into words.
“And then I got to Stoniton, and I began to feel frightened that night, because I was so near home. And then the little baby was born, when I didn’t expect it; and the thought came into my mind that I might get rid of it and go home again. The thought came all of a sudden, as I was lying in the bed, and it got stronger and stronger... I longed so to go back again... I couldn’t bear being so lonely and coming to beg for want. And it gave me strength and resolution to get up and dress myself. I felt I must do it... I didn’t know how... I thought I’d find a pool, if I could, like that other, in the corner of the field, in the dark. And when the woman went out, I felt as if I was strong enough to do anything... I thought I should get rid of all my misery, and go back home, and never let ’em know why I ran away. I put on my bonnet and shawl, and went out into the dark street, with the baby under my cloak; and I walked fast till I got into a street a good way off, and there was a public, and I got some warm stuff to drink and some bread. And I walked on and on, and I hardly felt the ground I trod on; and it got lighter, for there came the moon—oh, Dinah, it frightened me when it first looked at me out o’ the clouds—it never looked so before; and I turned out of the road into the fields, for I was afraid o’ meeting anybody with the moon shining on me. And I came to a haystack, where I thought I could lie down and keep myself warm all night. There was a place cut into it, where I could make me a bed, and I lay comfortable, and the baby was warm against me; and I must have gone to sleep for a good while, for when I woke it was morning, but not very light, and the baby was crying. And I saw a wood a little way off... I thought there’d perhaps be a ditch or a pond there... and it was so early I thought I could hide the child there, and get a long way off before folks was up. And then I thought I’d go home—I’d get rides in carts and go home and tell ’em I’d been to try and see for a place, and couldn’t get one. I longed so for it, Dinah, I longed so to be safe at home. I don’t know how I felt about the baby. I seemed to hate it—it was like a heavy weight hanging round my neck; and yet its crying went through me, and I daredn’t look at its little hands and face. But I went on to the wood, and I walked about, but there was no water....”
“And then I got to Stoniton, and I started to feel scared that night because I was so close to home. Then the baby was born when I didn’t expect it; and the thought crossed my mind that I could get rid of it and go home again. The idea came out of nowhere while I was lying in bed, and it kept getting stronger... I really wanted to go back... I couldn’t stand being so lonely and begging for what I needed. It gave me the strength and determination to get up and get dressed. I felt I had to do it... I didn’t know how... I thought I’d find a pool, like that one in the corner of the field, in the dark. And when the woman went out, I felt like I was strong enough to do anything... I thought I could escape all my misery, go back home, and never let them know why I ran away. I put on my bonnet and shawl, and stepped out into the dark street, with the baby under my cloak; and I walked quickly until I reached a street far away, where there was a pub, and I got some warm drink and some bread. I walked on and on, hardly feeling the ground beneath me; and it started to get lighter as the moon came out—oh, Dinah, it scared me when it first peeked out from the clouds—it looked different this time; I turned off the road into the fields because I was afraid of running into someone with the moon shining on me. I came to a haystack where I thought I could lie down and stay warm all night. There was a spot carved into it where I could make a little bed, and I lay down comfortably, the baby warm against me; I must have fallen asleep for a while because when I woke up it was morning, but not very bright, and the baby was crying. I spotted a wood a little way off... I thought there might be a ditch or a pond there... and since it was so early, I thought I could hide the child there and get far away before people were up. Then I thought I’d go home—I’d hitch rides in carts and go home and tell them I had tried to find a place and couldn’t. I longed so much for that, Dinah, I longed to be safe at home. I wasn’t sure how I felt about the baby. I seemed to hate it—it felt like a heavy weight around my neck; yet its crying cut through me, and I didn’t dare look at its little hands and face. But I continued on to the wood, and I walked around, but there was no water...”
Hetty shuddered. She was silent for some moments, and when she began again, it was in a whisper.
Hetty shuddered. She was quiet for a few moments, and when she spoke again, it was in a whisper.
“I came to a place where there was lots of chips and turf, and I sat down on the trunk of a tree to think what I should do. And all of a sudden I saw a hole under the nut-tree, like a little grave. And it darted into me like lightning—I’d lay the baby there and cover it with the grass and the chips. I couldn’t kill it any other way. And I’d done it in a minute; and, oh, it cried so, Dinah—I couldn’t cover it quite up—I thought perhaps somebody ’ud come and take care of it, and then it wouldn’t die. And I made haste out of the wood, but I could hear it crying all the while; and when I got out into the fields, it was as if I was held fast—I couldn’t go away, for all I wanted so to go. And I sat against the haystack to watch if anybody ’ud come. I was very hungry, and I’d only a bit of bread left, but I couldn’t go away. And after ever such a while—hours and hours—the man came—him in a smock-frock, and he looked at me so, I was frightened, and I made haste and went on. I thought he was going to the wood and would perhaps find the baby. And I went right on, till I came to a village, a long way off from the wood, and I was very sick, and faint, and hungry. I got something to eat there, and bought a loaf. But I was frightened to stay. I heard the baby crying, and thought the other folks heard it too—and I went on. But I was so tired, and it was getting towards dark. And at last, by the roadside there was a barn—ever such a way off any house—like the barn in Abbot’s Close, and I thought I could go in there and hide myself among the hay and straw, and nobody ’ud be likely to come. I went in, and it was half full o’ trusses of straw, and there was some hay too. And I made myself a bed, ever so far behind, where nobody could find me; and I was so tired and weak, I went to sleep.... But oh, the baby’s crying kept waking me, and I thought that man as looked at me so was come and laying hold of me. But I must have slept a long while at last, though I didn’t know, for when I got up and went out of the barn, I didn’t know whether it was night or morning. But it was morning, for it kept getting lighter, and I turned back the way I’d come. I couldn’t help it, Dinah; it was the baby’s crying made me go—and yet I was frightened to death. I thought that man in the smock-frock ’ud see me and know I put the baby there. But I went on, for all that. I’d left off thinking about going home—it had gone out o’ my mind. I saw nothing but that place in the wood where I’d buried the baby... I see it now. Oh Dinah! shall I allays see it?”
“I found a spot with lots of chips and grass and sat on a tree trunk to figure out what to do. Suddenly, I noticed a hole under the nut tree, like a small grave. It hit me like lightning—I’d put the baby there and cover it with grass and chips. I couldn’t think of another way to handle it. I did it quickly, and oh, it cried so much, Dinah—I couldn’t completely cover it up—I thought maybe someone would come and take care of it, and then it wouldn’t die. I hurried out of the woods, but I could hear it crying the whole time; and when I reached the fields, it felt like I was stuck—I couldn’t leave, even though I really wanted to. I sat against the haystack to watch for anyone who might come. I was really hungry, and I only had a piece of bread left, but I couldn’t leave. After what felt like hours, a man came—he was wearing a smock-frock, and he looked at me in a way that scared me, so I hurried on. I thought he might head to the woods and find the baby. I kept going until I reached a village far from the woods, feeling sick, faint, and hungry. I managed to get something to eat there and bought a loaf. But I was too scared to stay. I kept hearing the baby cry and thought maybe the other people heard it too—and I moved on. But I was so exhausted, and it was getting dark. Finally, I saw a barn by the roadside—far away from any house—like the barn in Abbot’s Close, and I figured I could go in there, hide among the hay and straw, where no one would find me. I entered, and it was half full of straw bales, with some hay too. I made a bed way in the back where nobody could spot me; and I was so tired and weak that I fell asleep.... But the baby’s cries kept waking me up, and I imagined that man who had looked at me was coming and grabbing me. But I must have slept a long time, though I didn't realize it, because when I finally got up and left the barn, I couldn't tell if it was night or morning. But it was morning, as it kept getting lighter, and I turned back the way I had come. I couldn’t help it, Dinah; it was the baby’s cries that drove me back—and yet I was terrified. I thought that man in the smock-frock would see me and know that I put the baby there. But I kept going anyway. I had stopped thinking about going home—it had slipped from my mind. All I could see was that spot in the woods where I had buried the baby... I can see it now. Oh Dinah! Will I always remember it?”
Hetty clung round Dinah and shuddered again. The silence seemed long before she went on.
Hetty wrapped her arms around Dinah and shivered again. The silence felt prolonged before she continued.
“I met nobody, for it was very early, and I got into the wood.... I knew the way to the place... the place against the nut-tree; and I could hear it crying at every step.... I thought it was alive.... I don’t know whether I was frightened or glad... I don’t know what I felt. I only know I was in the wood and heard the cry. I don’t know what I felt till I saw the baby was gone. And when I’d put it there, I thought I should like somebody to find it and save it from dying; but when I saw it was gone, I was struck like a stone, with fear. I never thought o’ stirring, I felt so weak. I knew I couldn’t run away, and everybody as saw me ’ud know about the baby. My heart went like a stone. I couldn’t wish or try for anything; it seemed like as if I should stay there for ever, and nothing ’ud ever change. But they came and took me away.”
“I didn’t see anyone since it was really early, and I made my way into the woods.... I knew how to get to the spot... the place by the nut tree; and I could hear it crying with every step.... I thought it was alive.... I didn’t know if I was scared or relieved... I didn’t understand what I felt. All I knew was I was in the woods and heard the cry. I didn’t know what I felt until I realized the baby was gone. When I had placed it there, I hoped someone would find it and save it from dying; but when I saw it was missing, I was frozen in fear, like a statue. I never thought about moving, I felt so weak. I knew I couldn’t run away, and everyone who saw me would know about the baby. My heart felt heavy like a stone. I couldn’t wish for anything or try to do anything; it seemed like I was going to stay there forever, and nothing would ever change. But then they came and took me away.”
Hetty was silent, but she shuddered again, as if there was still something behind; and Dinah waited, for her heart was so full that tears must come before words. At last Hetty burst out, with a sob, “Dinah, do you think God will take away that crying and the place in the wood, now I’ve told everything?”
Hetty was silent, but she shuddered again, as if there was still something behind her; and Dinah waited, her heart so full that tears had to come before words. Finally, Hetty broke down, sobbing, “Dinah, do you think God will take away that crying and the spot in the woods now that I’ve shared everything?”
“Let us pray, poor sinner. Let us fall on our knees again, and pray to the God of all mercy.”
“Let’s pray, poor sinner. Let’s get down on our knees again and pray to the God of all mercy.”
Chapter XLVI
The Hours of Suspense
On Sunday morning, when the church bells in Stoniton were ringing for morning service, Bartle Massey re-entered Adam’s room, after a short absence, and said, “Adam, here’s a visitor wants to see you.”
On Sunday morning, when the church bells in Stoniton were ringing for the morning service, Bartle Massey walked back into Adam’s room after being gone for a short while and said, “Adam, there's someone here who wants to see you.”
Adam was seated with his back towards the door, but he started up and turned round instantly, with a flushed face and an eager look. His face was even thinner and more worn than we have seen it before, but he was washed and shaven this Sunday morning.
Adam was sitting with his back to the door, but he jumped up and turned around immediately, his face flushed and looking eager. He looked even thinner and more worn than we had seen him before, but he was cleaned up and shaven this Sunday morning.
“Is it any news?” he said.
“Is there any news?” he asked.
“Keep yourself quiet, my lad,” said Bartle; “keep quiet. It’s not what you’re thinking of. It’s the young Methodist woman come from the prison. She’s at the bottom o’ the stairs, and wants to know if you think well to see her, for she has something to say to you about that poor castaway; but she wouldn’t come in without your leave, she said. She thought you’d perhaps like to go out and speak to her. These preaching women are not so back’ard commonly,” Bartle muttered to himself.
“Stay quiet, my boy,” said Bartle; “just stay quiet. It’s not what you think. It’s the young Methodist woman who came from the prison. She’s at the bottom of the stairs and wants to know if you’d like to see her because she has something to tell you about that poor lost soul; but she said she wouldn’t come in without your permission. She figured you might want to go out and talk to her. Usually, these preaching women aren’t so shy,” Bartle muttered to himself.
“Ask her to come in,” said Adam.
“Invite her to come in,” said Adam.
He was standing with his face towards the door, and as Dinah entered, lifting up her mild grey eyes towards him, she saw at once the great change that had come since the day when she had looked up at the tall man in the cottage. There was a trembling in her clear voice as she put her hand into his and said, “Be comforted, Adam Bede, the Lord has not forsaken her.”
He was facing the door, and as Dinah walked in, lifting her soft grey eyes to him, she immediately noticed the significant change that had happened since the day she had looked up at the tall man in the cottage. Her clear voice trembled as she took his hand and said, “Don’t worry, Adam Bede, the Lord hasn’t abandoned her.”
“Bless you for coming to her,” Adam said. “Mr. Massey brought me word yesterday as you was come.”
“Thanks for coming to see her,” Adam said. “Mr. Massey told me yesterday that you were here.”
They could neither of them say any more just yet, but stood before each other in silence; and Bartle Massey, too, who had put on his spectacles, seemed transfixed, examining Dinah’s face. But he recovered himself first, and said, “Sit down, young woman, sit down,” placing the chair for her and retiring to his old seat on the bed.
They couldn’t say anything more at the moment, so they stood in silence facing each other. Bartle Massey, who had put on his glasses, appeared frozen as he studied Dinah’s face. However, he was the first to regain his composure and said, “Sit down, young lady, sit down,” as he pulled out a chair for her and moved back to his previous spot on the bed.
“Thank you, friend; I won’t sit down,” said Dinah, “for I must hasten back. She entreated me not to stay long away. What I came for, Adam Bede, was to pray you to go and see the poor sinner and bid her farewell. She desires to ask your forgiveness, and it is meet you should see her to-day, rather than in the early morning, when the time will be short.”
“Thanks, friend; I won’t sit down,” said Dinah, “because I need to hurry back. She begged me not to be gone too long. What I came for, Adam Bede, was to ask you to go and see the poor sinner and say goodbye to her. She wants to ask for your forgiveness, and it’s better for you to see her today rather than in the early morning, when there will be less time.”
Adam stood trembling, and at last sank down on his chair again.
Adam stood shaking and finally sank back into his chair.
“It won’t be,” he said, “it’ll be put off—there’ll perhaps come a pardon. Mr. Irwine said there was hope. He said, I needn’t quite give it up.”
“It won’t be,” he said, “it’ll be delayed—there might still be a pardon. Mr. Irwine said there was hope. He said I shouldn’t give up just yet.”
“That’s a blessed thought to me,” said Dinah, her eyes filling with tears. “It’s a fearful thing hurrying her soul away so fast.”
"That’s a comforting thought for me," said Dinah, her eyes welling up with tears. "It’s a scary thing to rush her soul away so quickly."
“But let what will be,” she added presently. “You will surely come, and let her speak the words that are in her heart. Although her poor soul is very dark and discerns little beyond the things of the flesh, she is no longer hard. She is contrite, she has confessed all to me. The pride of her heart has given way, and she leans on me for help and desires to be taught. This fills me with trust, for I cannot but think that the brethren sometimes err in measuring the Divine love by the sinner’s knowledge. She is going to write a letter to the friends at the Hall Farm for me to give them when she is gone, and when I told her you were here, she said, ‘I should like to say good-bye to Adam and ask him to forgive me.’ You will come, Adam? Perhaps you will even now come back with me.”
“But let things unfold as they will,” she added after a moment. “You will definitely come, and let her express what’s in her heart. Even though her poor soul is very troubled and sees little beyond physical desires, she’s no longer unyielding. She feels remorse and has confessed everything to me. The pride in her heart has faded, and she relies on me for support and wants to learn. This gives me hope, because I believe the others sometimes overlook the depth of Divine love by judging it based on a sinner’s understanding. She’s going to write a letter to the friends at the Hall Farm for me to deliver after she’s gone, and when I mentioned you were here, she said, ‘I want to say goodbye to Adam and ask him to forgive me.’ You will come, Adam? Maybe you’ll even come back with me now.”
“I can’t,” Adam said. “I can’t say good-bye while there’s any hope. I’m listening, and listening—I can’t think o’ nothing but that. It can’t be as she’ll die that shameful death—I can’t bring my mind to it.”
"I can’t," Adam said. "I can’t say goodbye while there’s still hope. I’m listening, and listening—I can’t think of anything else. It can’t be that she’ll die that disgraceful death—I just can’t wrap my head around it."
He got up from his chair again and looked away out of the window, while Dinah stood with compassionate patience. In a minute or two he turned round and said,
He stood up from his chair again and looked out the window, while Dinah waited patiently with understanding. After a minute or two, he turned around and said,
“I will come, Dinah... to-morrow morning... if it must be. I may have more strength to bear it, if I know it must be. Tell her, I forgive her; tell her I will come—at the very last.”
“I will come, Dinah... tomorrow morning... if it has to be. I might have more strength to handle it if I know it must be. Tell her I forgive her; tell her I will come—at the very end.”
“I will not urge you against the voice of your own heart,” said Dinah. “I must hasten back to her, for it is wonderful how she clings now, and was not willing to let me out of her sight. She used never to make any return to my affection before, but now tribulation has opened her heart. Farewell, Adam. Our heavenly Father comfort you and strengthen you to bear all things.” Dinah put out her hand, and Adam pressed it in silence.
“I won't push you against what your heart is telling you,” Dinah said. “I need to hurry back to her because it's amazing how she holds on to me now and doesn’t want to let me out of her sight. She never used to show any love back before, but now her hardships have opened her heart. Goodbye, Adam. May our heavenly Father comfort you and give you the strength to endure everything.” Dinah extended her hand, and Adam took it silently.
Bartle Massey was getting up to lift the stiff latch of the door for her, but before he could reach it, she had said gently, “Farewell, friend,” and was gone, with her light step down the stairs.
Bartle Massey was about to lift the stiff latch of the door for her, but before he could get to it, she softly said, “Goodbye, friend,” and she was gone, her footsteps light as she went down the stairs.
“Well,” said Bartle, taking off his spectacles and putting them into his pocket, “if there must be women to make trouble in the world, it’s but fair there should be women to be comforters under it; and she’s one—she’s one. It’s a pity she’s a Methodist; but there’s no getting a woman without some foolishness or other.”
“Well,” said Bartle, taking off his glasses and putting them in his pocket, “if there are going to be women causing trouble in the world, it’s only fair there should be women to provide comfort too; and she’s one—she’s one. It’s a shame she’s a Methodist, but you can’t have a woman without some kind of foolishness.”
Adam never went to bed that night. The excitement of suspense, heightening with every hour that brought him nearer the fatal moment, was too great, and in spite of his entreaties, in spite of his promises that he would be perfectly quiet, the schoolmaster watched too.
Adam never went to bed that night. The thrill of anticipation, growing stronger with every hour that brought him closer to the critical moment, was too intense, and despite his pleas and promises that he would be completely quiet, the schoolmaster stayed awake too.
“What does it matter to me, lad?” Bartle said: “a night’s sleep more or less? I shall sleep long enough, by and by, underground. Let me keep thee company in trouble while I can.”
“What does it matter to me, kid?” Bartle said. “One more night of sleep or not? I’ll have plenty of sleep eventually, underground. Let me stick with you through this tough time while I can.”
It was a long and dreary night in that small chamber. Adam would sometimes get up and tread backwards and forwards along the short space from wall to wall; then he would sit down and hide his face, and no sound would be heard but the ticking of the watch on the table, or the falling of a cinder from the fire which the schoolmaster carefully tended. Sometimes he would burst out into vehement speech,
It was a long and gloomy night in that small room. Adam would occasionally get up and walk back and forth in the limited space between the walls; then he would sit down and cover his face, and the only sound would be the ticking of the watch on the table or the occasional drop of a cinder from the fire that the schoolmaster carefully managed. Sometimes he would suddenly start talking passionately,
“If I could ha’ done anything to save her—if my bearing anything would ha’ done any good... but t’ have to sit still, and know it, and do nothing... it’s hard for a man to bear... and to think o’ what might ha’ been now, if it hadn’t been for him.... O God, it’s the very day we should ha’ been married.”
“If I could have done anything to save her—if my suffering would have helped at all... but to just sit here, knowing that, and doing nothing... it’s so hard for a man to deal with... and to think about what could have been now, if it weren’t for him.... Oh God, it’s the exact day we should have been married.”
“Aye, my lad,” said Bartle tenderly, “it’s heavy—it’s heavy. But you must remember this: when you thought of marrying her, you’d a notion she’d got another sort of a nature inside her. You didn’t think she could have got hardened in that little while to do what she’s done.”
“Aye, my boy,” Bartle said softly, “it’s tough—it’s tough. But you have to remember this: when you were thinking about marrying her, you believed she had a different kind of nature inside her. You didn’t think she could have hardened so quickly to do what she’s done.”
“I know—I know that,” said Adam. “I thought she was loving and tender-hearted, and wouldn’t tell a lie, or act deceitful. How could I think any other way? And if he’d never come near her, and I’d married her, and been loving to her, and took care of her, she might never ha’ done anything bad. What would it ha’ signified—my having a bit o’ trouble with her? It ’ud ha’ been nothing to this.”
“I know—I know that,” said Adam. “I thought she was kind and compassionate, and wouldn’t lie or be deceitful. How could I think otherwise? And if he’d never approached her, and I’d married her, been loving to her, and taken care of her, she might never have done anything wrong. What would it have mattered—me having a little trouble with her? It would have been nothing compared to this.”
“There’s no knowing, my lad—there’s no knowing what might have come. The smart’s bad for you to bear now: you must have time—you must have time. But I’ve that opinion of you, that you’ll rise above it all and be a man again, and there may good come out of this that we don’t see.”
“There’s no way to tell, my boy—there’s no way to tell what could have happened. The pain is hard for you to handle right now: you need to give it time—you really need time. But I believe in you, that you’ll get through this and be a man again, and there may be something good that comes from this that we just can’t see.”
“Good come out of it!” said Adam passionately. “That doesn’t alter th’ evil: her ruin can’t be undone. I hate that talk o’ people, as if there was a way o’ making amends for everything. They’d more need be brought to see as the wrong they do can never be altered. When a man’s spoiled his fellow-creatur’s life, he’s no right to comfort himself with thinking good may come out of it. Somebody else’s good doesn’t alter her shame and misery.”
“Good can come out of it!” Adam said passionately. “That doesn’t change the evil: her ruin can’t be undone. I hate that talk from people, as if there’s a way to make up for everything. They need to realize that the wrong they do can never be changed. When a man has ruined someone else's life, he has no right to comfort himself by thinking good may come out of it. Someone else’s good doesn’t change her shame and misery.”
“Well, lad, well,” said Bartle, in a gentle tone, strangely in contrast with his usual peremptoriness and impatience of contradiction, “it’s likely enough I talk foolishness. I’m an old fellow, and it’s a good many years since I was in trouble myself. It’s easy finding reasons why other folks should be patient.”
"Well, kid, well," Bartle said in a soft voice, which was surprisingly different from his usual directness and intolerance of disagreement, "I probably sound foolish. I'm an old guy, and it’s been a long time since I was in trouble myself. It’s easy to come up with reasons why other people should be patient."
“Mr. Massey,” said Adam penitently, “I’m very hot and hasty. I owe you something different; but you mustn’t take it ill of me.”
“Mr. Massey,” Adam said apologetically, “I’m feeling really hot and impatient. I owe you a different attitude; but please don’t hold it against me.”
“Not I, lad—not I.”
"Not me, kid—not me."
So the night wore on in agitation till the chill dawn and the growing light brought the tremulous quiet that comes on the brink of despair. There would soon be no more suspense.
So the night dragged on in anxiety until the cold dawn and the increasing light brought the shaky quiet that comes just before despair. There would soon be no more waiting.
“Let us go to the prison now, Mr. Massey,” said Adam, when he saw the hand of his watch at six. “If there’s any news come, we shall hear about it.”
“Let’s go to the prison now, Mr. Massey,” Adam said, looking at his watch and seeing it was six o’clock. “If there’s any news, we’ll find out about it.”
The people were astir already, moving rapidly, in one direction, through the streets. Adam tried not to think where they were going, as they hurried past him in that short space between his lodging and the prison gates. He was thankful when the gates shut him in from seeing those eager people.
The crowd was already buzzing, moving quickly in one direction through the streets. Adam tried not to think about where they were headed as they rushed past him in the short stretch between his place and the prison gates. He felt relieved when the gates closed, blocking his view of those eager people.
No; there was no news come—no pardon—no reprieve.
No, there was no news—no pardon—no reprieve.
Adam lingered in the court half an hour before he could bring himself to send word to Dinah that he was come. But a voice caught his ear: he could not shut out the words.
Adam hung around in the court for half an hour before he could bring himself to let Dinah know he had arrived. But a voice caught his attention: he couldn’t ignore the words.
“The cart is to set off at half-past seven.”
“The cart is set to leave at 7:30.”
It must be said—the last good-bye: there was no help.
It has to be said—the final goodbye: there was no help.
In ten minutes from that time, Adam was at the door of the cell. Dinah had sent him word that she could not come to him; she could not leave Hetty one moment; but Hetty was prepared for the meeting.
In ten minutes, Adam was at the cell door. Dinah had messaged him that she couldn't come to see him; she couldn’t leave Hetty for even a moment; but Hetty was ready for the meeting.
He could not see her when he entered, for agitation deadened his senses, and the dim cell was almost dark to him. He stood a moment after the door closed behind him, trembling and stupefied.
He couldn't see her when he walked in, as his nerves were so frayed that everything felt dull, and the dim cell was nearly dark to him. He stood there for a moment after the door closed behind him, shaking and dazed.
But he began to see through the dimness—to see the dark eyes lifted up to him once more, but with no smile in them. O God, how sad they looked! The last time they had met his was when he parted from her with his heart full of joyous hopeful love, and they looked out with a tearful smile from a pink, dimpled, childish face. The face was marble now; the sweet lips were pallid and half-open and quivering; the dimples were all gone—all but one, that never went; and the eyes—O, the worst of all was the likeness they had to Hetty’s. They were Hetty’s eyes looking at him with that mournful gaze, as if she had come back to him from the dead to tell him of her misery.
But he started to see through the darkness—to see the dark eyes raised to him again, but with no smile in them. Oh God, how sad they looked! The last time they met, his eyes were full of joyful, hopeful love, and hers shone with a tearful smile from a pink, dimpled, childlike face. That face was like marble now; her sweet lips were pale and half-open, trembling; the dimples were all gone—except for one that never left; and the eyes—oh, the worst part was how much they looked like Hetty’s. They were Hetty's eyes looking at him with that sorrowful gaze, as if she had returned from the dead to tell him about her suffering.
She was clinging close to Dinah; her cheek was against Dinah’s. It seemed as if her last faint strength and hope lay in that contact, and the pitying love that shone out from Dinah’s face looked like a visible pledge of the Invisible Mercy.
She was holding tightly to Dinah, her cheek pressed against Dinah’s. It felt like her last bit of strength and hope depended on that touch, and the compassionate love that radiated from Dinah’s face seemed like a tangible promise of the Invisible Mercy.
When the sad eyes met—when Hetty and Adam looked at each other—she felt the change in him too, and it seemed to strike her with fresh fear. It was the first time she had seen any being whose face seemed to reflect the change in herself: Adam was a new image of the dreadful past and the dreadful present. She trembled more as she looked at him.
When their sad eyes met—when Hetty and Adam looked at each other—she felt the change in him as well, and it hit her with a renewed sense of fear. It was the first time she had seen someone whose face seemed to mirror the changes within her: Adam was a new version of the terrifying past and the terrifying present. She trembled even more as she gazed at him.
“Speak to him, Hetty,” Dinah said; “tell him what is in your heart.”
“Talk to him, Hetty,” Dinah said; “tell him how you really feel.”
Hetty obeyed her, like a little child.
Hetty followed her instructions, like a little kid.
“Adam... I’m very sorry... I behaved very wrong to you... will you forgive me... before I die?”
“Adam... I’m really sorry... I treated you badly... will you forgive me... before I die?”
Adam answered with a half-sob, “Yes, I forgive thee Hetty. I forgave thee long ago.”
Adam responded with a slight sob, “Yeah, I forgive you, Hetty. I forgave you a long time ago.”
It had seemed to Adam as if his brain would burst with the anguish of meeting Hetty’s eyes in the first moments, but the sound of her voice uttering these penitent words touched a chord which had been less strained. There was a sense of relief from what was becoming unbearable, and the rare tears came—they had never come before, since he had hung on Seth’s neck in the beginning of his sorrow.
It felt to Adam like his head might explode from the pain of meeting Hetty’s gaze at first, but when he heard her voice saying those apologetic words, it struck a chord that felt less tense. He experienced a sense of relief from what was becoming overwhelming, and he finally shed tears—tears that had never come before, since he had clung to Seth's neck at the start of his grief.
Hetty made an involuntary movement towards him, some of the love that she had once lived in the midst of was come near her again. She kept hold of Dinah’s hand, but she went up to Adam and said timidly, “Will you kiss me again, Adam, for all I’ve been so wicked?”
Hetty moved instinctively towards him, feeling a spark of the love she had once been surrounded by. She held onto Dinah’s hand but stepped up to Adam and said shyly, “Will you kiss me again, Adam, despite all the wrong I’ve done?”
Adam took the blanched wasted hand she put out to him, and they gave each other the solemn unspeakable kiss of a lifelong parting.
Adam took her pale, outstretched hand, and they shared the serious, unspoken kiss of a lifetime farewell.
“And tell him,” Hetty said, in rather a stronger voice, “tell him... for there’s nobody else to tell him... as I went after him and couldn’t find him... and I hated him and cursed him once... but Dinah says I should forgive him... and I try... for else God won’t forgive me.”
“And tell him,” Hetty said, in a much stronger voice, “tell him... because there’s no one else to tell him... that I went after him and couldn’t find him... and I hated him and cursed him once... but Dinah says I should forgive him... and I’m trying... because otherwise God won’t forgive me.”
There was a noise at the door of the cell now—the key was being turned in the lock, and when the door opened, Adam saw indistinctly that there were several faces there. He was too agitated to see more—even to see that Mr. Irwine’s face was one of them. He felt that the last preparations were beginning, and he could stay no longer. Room was silently made for him to depart, and he went to his chamber in loneliness, leaving Bartle Massey to watch and see the end.
There was a noise at the cell door—the key was turning in the lock, and when the door opened, Adam saw a few faces, but he couldn't make them out clearly. He was too tense to notice more—even that Mr. Irwine was one of them. He sensed that the final preparations were starting, and he couldn’t remain any longer. They quietly made space for him to leave, and he went to his room alone, leaving Bartle Massey to wait and see what happened next.
Chapter XLVII
The Last Moment
It was a sight that some people remembered better even than their own sorrows—the sight in that grey clear morning, when the fatal cart with the two young women in it was descried by the waiting watching multitude, cleaving its way towards the hideous symbol of a deliberately inflicted sudden death.
It was a scene that some people remembered more vividly than their own grief—the scene that gray, clear morning when the deadly cart carrying the two young women was spotted by the waiting, watching crowd, making its way toward the horrific symbol of a deliberately imposed, sudden death.
All Stoniton had heard of Dinah Morris, the young Methodist woman who had brought the obstinate criminal to confess, and there was as much eagerness to see her as to see the wretched Hetty.
All of Stoniton had heard about Dinah Morris, the young Methodist woman who got the stubborn criminal to confess, and there was just as much eagerness to see her as there was to see the miserable Hetty.
But Dinah was hardly conscious of the multitude. When Hetty had caught sight of the vast crowd in the distance, she had clutched Dinah convulsively.
But Dinah barely noticed the crowd. When Hetty saw the massive group in the distance, she had grabbed Dinah tightly.
“Close your eyes, Hetty,” Dinah said, “and let us pray without ceasing to God.”
“Close your eyes, Hetty,” Dinah said, “and let’s pray continuously to God.”
And in a low voice, as the cart went slowly along through the midst of the gazing crowd, she poured forth her soul with the wrestling intensity of a last pleading, for the trembling creature that clung to her and clutched her as the only visible sign of love and pity.
And in a quiet voice, as the cart crept along through the staring crowd, she poured out her heart with the desperate intensity of a final appeal, for the trembling being that held onto her and grasped her as the only visible symbol of love and compassion.
Dinah did not know that the crowd was silent, gazing at her with a sort of awe—she did not even know how near they were to the fatal spot, when the cart stopped, and she shrank appalled at a loud shout hideous to her ear, like a vast yell of demons. Hetty’s shriek mingled with the sound, and they clasped each other in mutual horror.
Dinah didn’t realize that the crowd was silent, staring at her with a kind of awe—she didn’t even know how close they were to the deadly spot when the cart came to a stop, and she flinched, horrified by a loud shout that was terrible to her ears, like a massive scream of demons. Hetty’s scream blended with the noise, and they held each other tightly in shared terror.
But it was not a shout of execration—not a yell of exultant cruelty.
But it wasn’t a shout of anger—not a cry of triumphant cruelty.
It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop. The horse is hot and distressed, but answers to the desperate spurring; the rider looks as if his eyes were glazed by madness, and he saw nothing but what was unseen by others. See, he has something in his hand—he is holding it up as if it were a signal.
It was a shout of sudden excitement when a horseman burst through the crowd at full speed. The horse was overheated and struggling, but responded to the frantic spurring; the rider looked like his eyes were glazed over with madness, seeing only what others couldn't. Look, he has something in his hand—he's holding it up as if it were a signal.
The Sheriff knows him: it is Arthur Donnithorne, carrying in his hand a hard-won release from death.
The Sheriff knows him: it’s Arthur Donnithorne, holding in his hand a hard-won escape from death.
Chapter XLVIII
Another Meeting in the Wood
The next day, at evening, two men were walking from opposite points towards the same scene, drawn thither by a common memory. The scene was the Grove by Donnithorne Chase: you know who the men were.
The next evening, two men were walking from opposite directions toward the same place, drawn there by a shared memory. The place was the Grove by Donnithorne Chase: you know who the men were
The old squire’s funeral had taken place that morning, the will had been read, and now in the first breathing-space, Arthur Donnithorne had come out for a lonely walk, that he might look fixedly at the new future before him and confirm himself in a sad resolution. He thought he could do that best in the Grove.
The old squire’s funeral happened that morning, the will was read, and now, in this brief moment of quiet, Arthur Donnithorne stepped out for a solitary walk, wanting to face the uncertain future ahead of him and solidify a somber decision. He believed he could do that best in the Grove.
Adam too had come from Stoniton on Monday evening, and to-day he had not left home, except to go to the family at the Hall Farm and tell them everything that Mr. Irwine had left untold. He had agreed with the Poysers that he would follow them to their new neighbourhood, wherever that might be, for he meant to give up the management of the woods, and, as soon as it was practicable, he would wind up his business with Jonathan Burge and settle with his mother and Seth in a home within reach of the friends to whom he felt bound by a mutual sorrow.
Adam had also come from Stoniton on Monday evening, and today he hadn’t left home, except to visit the family at Hall Farm and share everything that Mr. Irwine hadn’t said. He had talked with the Poysers and agreed to follow them to their new neighborhood, wherever that would be, because he planned to give up managing the woods, and as soon as he could, he would wrap up his business with Jonathan Burge and settle down with his mother and Seth in a home close to the friends he felt connected to by a shared sorrow.
“Seth and me are sure to find work,” he said. “A man that’s got our trade at his finger-ends is at home everywhere; and we must make a new start. My mother won’t stand in the way, for she’s told me, since I came home, she’d made up her mind to being buried in another parish, if I wished it, and if I’d be more comfortable elsewhere. It’s wonderful how quiet she’s been ever since I came back. It seems as if the very greatness o’ the trouble had quieted and calmed her. We shall all be better in a new country, though there’s some I shall be loath to leave behind. But I won’t part from you and yours, if I can help it, Mr. Poyser. Trouble’s made us kin.”
“Seth and I are definitely going to find work,” he said. “A guy with our skills can fit in anywhere, and we need to make a fresh start. My mom won’t get in the way; she told me when I got back that she’s okay with being buried in a different place if that’s what I want and if I’d be happier somewhere else. It’s amazing how calm she’s been ever since I returned. It
“Aye, lad,” said Martin. “We’ll go out o’ hearing o’ that man’s name. But I doubt we shall ne’er go far enough for folks not to find out as we’ve got them belonging to us as are transported o’er the seas, and were like to be hanged. We shall have that flyin’ up in our faces, and our children’s after us.”
“Yeah, kid,” Martin said. “We’ll get away from hearing that guy’s name. But I doubt we’ll ever get far enough for people not to find out that we have family members who were sent overseas and are likely to be hanged. We’ll have that hanging over us, and it’ll affect our kids too.”
That was a long visit to the Hall Farm, and drew too strongly on Adam’s energies for him to think of seeing others, or re-entering on his old occupations till the morrow. “But to-morrow,” he said to himself, “I’ll go to work again. I shall learn to like it again some time, maybe; and it’s right whether I like it or not.”
That was a long visit to the Hall Farm, and it drained Adam's energy too much for him to think about seeing others or getting back to his usual activities until tomorrow. “But tomorrow,” he told himself, “I’ll get back to work. Maybe I’ll learn to enjoy it again someday; and it’s the right thing to do whether I like it or not.”
This evening was the last he would allow to be absorbed by sorrow: suspense was gone now, and he must bear the unalterable. He was resolved not to see Arthur Donnithorne again, if it were possible to avoid him. He had no message to deliver from Hetty now, for Hetty had seen Arthur. And Adam distrusted himself—he had learned to dread the violence of his own feeling. That word of Mr. Irwine’s—that he must remember what he had felt after giving the last blow to Arthur in the Grove—had remained with him.
This evening was the last he would let himself be consumed by sadness: the suspense was over now, and he had to accept what couldn’t be changed. He was determined not to see Arthur Donnithorne again, if he could help it. He had no message to send from Hetty now, since Hetty had already seen Arthur. And Adam didn't trust himself—he had come to fear the intensity of his own feelings. That comment from Mr. Irwine—that he needed to remember how he felt after striking the final blow to Arthur in the Grove—had stuck with him.
These thoughts about Arthur, like all thoughts that are charged with strong feeling, were continually recurring, and they always called up the image of the Grove—of that spot under the overarching boughs where he had caught sight of the two bending figures, and had been possessed by sudden rage.
These thoughts about Arthur, like all thoughts filled with strong emotions, kept coming back, and they always brought to mind the image of the Grove—of that place under the wide branches where he had seen the two bent figures and had been overcome with sudden anger.
“I’ll go and see it again to-night for the last time,” he said; “it’ll do me good; it’ll make me feel over again what I felt when I’d knocked him down. I felt what poor empty work it was, as soon as I’d done it, before I began to think he might be dead.”
“I’m going to see it again tonight for the last time,” he said; “it’ll be good for me; it’ll remind me of how I felt when I knocked him down. I realized how pointless it was, as soon as I was done, before I even started to worry that he might be dead.”
In this way it happened that Arthur and Adam were walking towards the same spot at the same time.
In this way, Arthur and Adam ended up walking toward the same place at the same time.
Adam had on his working-dress again, now, for he had thrown off the other with a sense of relief as soon as he came home; and if he had had the basket of tools over his shoulder, he might have been taken, with his pale wasted face, for the spectre of the Adam Bede who entered the Grove on that August evening eight months ago. But he had no basket of tools, and he was not walking with the old erectness, looking keenly round him; his hands were thrust in his side pockets, and his eyes rested chiefly on the ground. He had not long entered the Grove, and now he paused before a beech. He knew that tree well; it was the boundary mark of his youth—the sign, to him, of the time when some of his earliest, strongest feelings had left him. He felt sure they would never return. And yet, at this moment, there was a stirring of affection at the remembrance of that Arthur Donnithorne whom he had believed in before he had come up to this beech eight months ago. It was affection for the dead: that Arthur existed no longer.
Adam was back in his work clothes now, relieved to have taken off the other outfit as soon as he got home. If he had been carrying a basket of tools over his shoulder, his pale, worn face might have made him look like the ghost of the Adam Bede who had entered the Grove that August evening eight months ago. But he didn’t have a basket of tools, and he wasn’t walking with the same upright posture, looking around with interest; instead, his hands were shoved into his pockets, and his gaze mostly fixed on the ground. He had just entered the Grove, and he stopped in front of a beech tree. He knew that tree well; it marked the boundary of his youth—a symbol of the time when some of his earliest and strongest feelings left him. He was sure they would never come back. Yet, at that moment, he felt a stirring of affection for the memory of Arthur Donnithorne, the person he had believed in before coming to this beech eight months ago. It was affection for someone who was gone: that Arthur was no longer alive.
He was disturbed by the sound of approaching footsteps, but the beech stood at a turning in the road, and he could not see who was coming until the tall slim figure in deep mourning suddenly stood before him at only two yards’ distance. They both started, and looked at each other in silence. Often, in the last fortnight, Adam had imagined himself as close to Arthur as this, assailing him with words that should be as harrowing as the voice of remorse, forcing upon him a just share in the misery he had caused; and often, too, he had told himself that such a meeting had better not be. But in imagining the meeting he had always seen Arthur, as he had met him on that evening in the Grove, florid, careless, light of speech; and the figure before him touched him with the signs of suffering. Adam knew what suffering was—he could not lay a cruel finger on a bruised man. He felt no impulse that he needed to resist. Silence was more just than reproach. Arthur was the first to speak.
He was unsettled by the sound of footsteps approaching, but the beech tree stood at a bend in the road, so he couldn't see who was coming until a tall, slim figure dressed in deep mourning suddenly appeared just two yards away. They both flinched and looked at each other in silence. Over the past two weeks, Adam had imagined confronting Arthur like this, bombarding him with words that would cut as deep as the voice of guilt, forcing him to share in the pain he had caused; and he had often told himself that such a meeting would probably be better avoided. But in his imagination, he always pictured Arthur as he had seen him that evening in the Grove—colorful, carefree, and lighthearted; the figure in front of him was instead marked by suffering. Adam understood suffering—he couldn't bring himself to inflict pain on a wounded man. He felt no urge to fight against it. Silence felt more appropriate than accusation. Arthur was the first to break the silence.
“Adam,” he said, quietly, “it may be a good thing that we have met here, for I wished to see you. I should have asked to see you to-morrow.”
“Adam,” he said quietly, “maybe it's a good thing we ran into each other here because I wanted to see you. I was going to ask to see you tomorrow.”
He paused, but Adam said nothing.
He stopped, but Adam didn't say anything.
“I know it is painful to you to meet me,” Arthur went on, “but it is not likely to happen again for years to come.”
“I know it’s tough for you to see me,” Arthur continued, “but it probably won’t happen again for years.”
“No, sir,” said Adam, coldly, “that was what I meant to write to you to-morrow, as it would be better all dealings should be at an end between us, and somebody else put in my place.”
“No, sir,” Adam said coolly, “that’s what I meant to write to you tomorrow, as it would be better if all dealings between us came to an end, and someone else took my place.”
Arthur felt the answer keenly, and it was not without an effort that he spoke again.
Arthur felt the answer deeply, and it took some effort for him to speak again.
“It was partly on that subject I wished to speak to you. I don’t want to lessen your indignation against me, or ask you to do anything for my sake. I only wish to ask you if you will help me to lessen the evil consequences of the past, which is unchangeable. I don’t mean consequences to myself, but to others. It is but little I can do, I know. I know the worst consequences will remain; but something may be done, and you can help me. Will you listen to me patiently?”
“It was partly about that topic that I wanted to talk to you. I don’t want to diminish your anger towards me, or ask you to do anything for my benefit. I just want to ask if you would help me reduce the negative impact of the past, which can’t be changed. I’m not talking about consequences for myself, but for others. I know there’s only so much I can do. I understand that the worst effects will stay, but something can be done, and you can help me. Will you listen to me patiently?”
“Yes, sir,” said Adam, after some hesitation; “I’ll hear what it is. If I can help to mend anything, I will. Anger ’ull mend nothing, I know. We’ve had enough o’ that.”
“Yes, sir,” Adam said after a bit of hesitation; “I’ll listen to what it is. If I can fix anything, I will. Anger won’t fix anything, I know that. We’ve had enough of that.”
“I was going to the Hermitage,” said Arthur. “Will you go there with me and sit down? We can talk better there.”
“I was heading to the Hermitage,” Arthur said. “Will you come with me and sit down? We can talk better there.”
The Hermitage had never been entered since they left it together, for Arthur had locked up the key in his desk. And now, when he opened the door, there was the candle burnt out in the socket; there was the chair in the same place where Adam remembered sitting; there was the waste-paper basket full of scraps, and deep down in it, Arthur felt in an instant, there was the little pink silk handkerchief. It would have been painful to enter this place if their previous thoughts had been less painful.
The Hermitage hadn’t been opened since they left it together because Arthur had locked the key in his desk. Now, as he opened the door, he saw the candle burnt out in the holder; the chair was still in the same spot where Adam remembered sitting; the waste-paper basket was full of scraps, and deep down in it, Arthur sensed right away, was the little pink silk handkerchief. It would have been painful to enter this place if their earlier thoughts hadn’t already been so painful.
They sat down opposite each other in the old places, and Arthur said, “I’m going away, Adam; I’m going into the army.”
They sat down across from each other in their usual spots, and Arthur said, “I’m leaving, Adam; I’m joining the army.”
Poor Arthur felt that Adam ought to be affected by this announcement—ought to have a movement of sympathy towards him. But Adam’s lips remained firmly closed, and the expression of his face unchanged.
Poor Arthur felt that Adam should be impacted by this announcement—should feel a sense of sympathy for him. But Adam’s lips stayed tightly shut, and the look on his face remained the same.
“What I want to say to you,” Arthur continued, “is this: one of my reasons for going away is that no one else may leave Hayslope—may leave their home on my account. I would do anything, there is no sacrifice I would not make, to prevent any further injury to others through my—through what has happened.”
“What I want to say to you,” Arthur continued, “is this: one of my reasons for leaving is that I don’t want anyone else to leave Hayslope—leave their home because of me. I would do anything, there’s no sacrifice I wouldn’t make, to prevent any more harm to others because of my—because of what’s happened.”
Arthur’s words had precisely the opposite effect to that he had anticipated. Adam thought he perceived in them that notion of compensation for irretrievable wrong, that self-soothing attempt to make evil bear the same fruits as good, which most of all roused his indignation. He was as strongly impelled to look painful facts right in the face as Arthur was to turn away his eyes from them. Moreover, he had the wakeful suspicious pride of a poor man in the presence of a rich man. He felt his old severity returning as he said, “The time’s past for that, sir. A man should make sacrifices to keep clear of doing a wrong; sacrifices won’t undo it when it’s done. When people’s feelings have got a deadly wound, they can’t be cured with favours.”
Arthur’s words had exactly the opposite effect of what he expected. Adam thought he sensed in them a desire to make up for an irreversible wrong, that self-comforting effort to make bad things yield the same results as good ones, which only fueled his anger. He felt just as driven to confront harsh realities as Arthur was to look away from them. Additionally, he had the alert, skeptical pride of someone poor in the presence of someone rich. He felt his old sternness returning as he said, “The time for that has passed, sir. A man should make sacrifices to avoid wrongdoing; sacrifices won’t fix it once it’s done. When people’s feelings have been deeply hurt, they can’t be healed with favors.”
“Favours!” said Arthur, passionately; “no; how can you suppose I meant that? But the Poysers—Mr. Irwine tells me the Poysers mean to leave the place where they have lived so many years—for generations. Don’t you see, as Mr. Irwine does, that if they could be persuaded to overcome the feeling that drives them away, it would be much better for them in the end to remain on the old spot, among the friends and neighbours who know them?”
“Favors!” Arthur said passionately. “No; how can you think I meant that? But the Poysers—Mr. Irwine tells me the Poysers plan to leave the place where they’ve lived for so many years—generations even. Don’t you see, as Mr. Irwine does, that if they could be convinced to get past the feelings that are making them want to leave, it would be so much better for them in the long run to stay in their old home, among the friends and neighbors who know them?”
“That’s true,” said Adam coldly. “But then, sir, folks’s feelings are not so easily overcome. It’ll be hard for Martin Poyser to go to a strange place, among strange faces, when he’s been bred up on the Hall Farm, and his father before him; but then it ’ud be harder for a man with his feelings to stay. I don’t see how the thing’s to be made any other than hard. There’s a sort o’ damage, sir, that can’t be made up for.”
“That’s true,” Adam said flatly. “But, sir, people’s feelings aren’t so easily ignored. It’ll be tough for Martin Poyser to go to a new place, among unfamiliar faces, when he’s grown up on the Hall Farm, just like his father before him; but it would be even harder for someone with his feelings to stay. I don’t see how this situation can be anything other than difficult. There’s a kind of hurt, sir, that can’t be compensated for.”
Arthur was silent some moments. In spite of other feelings dominant in him this evening, his pride winced under Adam’s mode of treating him. Wasn’t he himself suffering? Was not he too obliged to renounce his most cherished hopes? It was now as it had been eight months ago—Adam was forcing Arthur to feel more intensely the irrevocableness of his own wrong-doing. He was presenting the sort of resistance that was the most irritating to Arthur’s eager ardent nature. But his anger was subdued by the same influence that had subdued Adam’s when they first confronted each other—by the marks of suffering in a long familiar face. The momentary struggle ended in the feeling that he could bear a great deal from Adam, to whom he had been the occasion of bearing so much; but there was a touch of pleading, boyish vexation in his tone as he said, “But people may make injuries worse by unreasonable conduct—by giving way to anger and satisfying that for the moment, instead of thinking what will be the effect in the future.
Arthur was quiet for a few moments. Even though he was feeling a lot of different emotions tonight, his pride felt stung by the way Adam was treating him. Wasn’t he suffering too? Didn’t he also have to give up his most cherished hopes? It was just like it had been eight months ago—Adam was making Arthur feel the weight of his own mistakes even more intensely. He was putting up a kind of resistance that irritated Arthur’s passionate nature the most. But his anger was tempered by the same force that had calmed Adam when they first faced each other—by the signs of pain on a long-familiar face. The brief struggle ended with the sense that he could endure a lot from Adam, to whom he had caused so much pain; but there was a hint of pleading, youthful frustration in his voice as he said, “But people can make their injuries worse with unreasonable behavior—by giving in to anger and satisfying that in the moment, instead of considering the impact for the future."
“If I were going to stay here and act as landlord,” he added presently, with still more eagerness—“if I were careless about what I’ve done—what I’ve been the cause of, you would have some excuse, Adam, for going away and encouraging others to go. You would have some excuse then for trying to make the evil worse. But when I tell you I’m going away for years—when you know what that means for me, how it cuts off every plan of happiness I’ve ever formed—it is impossible for a sensible man like you to believe that there is any real ground for the Poysers refusing to remain. I know their feeling about disgrace—Mr. Irwine has told me all; but he is of opinion that they might be persuaded out of this idea that they are disgraced in the eyes of their neighbours, and that they can’t remain on my estate, if you would join him in his efforts—if you would stay yourself and go on managing the old woods.”
“If I were going to stay here and act as the landlord,” he added eagerly, “if I didn’t care about what I’ve done—about what I’ve caused—you’d have some justification, Adam, for leaving and encouraging others to do the same. You’d have a reason then for trying to make things worse. But when I tell you I’m leaving for years—when you know what that means for me, how it takes away every happiness I’ve ever planned—it’s hard for a sensible guy like you to believe there’s any real reason for the Poysers to refuse to stay. I understand how they feel about disgrace—Mr. Irwine has filled me in on everything; but he thinks they could be convinced out of this idea that they’re looked down upon by their neighbors and that they can’t stay on my land, if you would support him in his efforts—if you would stay and continue managing the old woods.”
Arthur paused a moment and then added, pleadingly, “You know that’s a good work to do for the sake of other people, besides the owner. And you don’t know but that they may have a better owner soon, whom you will like to work for. If I die, my cousin Tradgett will have the estate and take my name. He is a good fellow.”
Arthur paused for a moment and then added, earnestly, “You know it’s a good thing to do for other people, not just the owner. And you never know, they might get a better owner soon, someone you’d actually enjoy working for. If I die, my cousin Tradgett will inherit the estate and take my name. He’s a decent guy.”
Adam could not help being moved: it was impossible for him not to feel that this was the voice of the honest warm-hearted Arthur whom he had loved and been proud of in old days; but nearer memories would not be thrust away. He was silent; yet Arthur saw an answer in his face that induced him to go on, with growing earnestness.
Adam couldn't help but be touched; it was impossible for him not to recognize the familiar voice of the sincere and warm-hearted Arthur, someone he had loved and been proud of back in the day. However, closer memories lingered in his mind. He remained quiet, yet Arthur saw a response in his expression that encouraged him to continue, with increasing intensity.
“And then, if you would talk to the Poysers—if you would talk the matter over with Mr. Irwine—he means to see you to-morrow—and then if you would join your arguments to his to prevail on them not to go.... I know, of course, that they would not accept any favour from me—I mean nothing of that kind—but I’m sure they would suffer less in the end. Irwine thinks so too. And Mr. Irwine is to have the chief authority on the estate—he has consented to undertake that. They will really be under no man but one whom they respect and like. It would be the same with you, Adam, and it could be nothing but a desire to give me worse pain that could incline you to go.”
“And then, if you could have a talk with the Poysers—if you could discuss this with Mr. Irwine—he plans to see you tomorrow—and if you could combine your arguments with his to convince them not to leave... I know they wouldn’t accept any help from me—I mean, nothing like that—but I’m sure they’d be better off in the long run. Irwine believes that too. And Mr. Irwine is going to have the main authority on the estate—he has agreed to take that on. They will really only be under the authority of someone they respect and like. It would be the same with you, Adam, and nothing but a wish to hurt me more could make you want to leave.”
Arthur was silent again for a little while, and then said, with some agitation in his voice, “I wouldn’t act so towards you, I know. If you were in my place and I in yours, I should try to help you to do the best.”
Arthur was quiet for a bit, and then said, with a bit of urgency in his voice, “I wouldn’t treat you like that, I know. If you were in my position and I was in yours, I would try to help you do your best.”
Adam made a hasty movement on his chair and looked on the ground. Arthur went on, “Perhaps you’ve never done anything you’ve had bitterly to repent of in your life, Adam; if you had, you would be more generous. You would know then that it’s worse for me than for you.”
Adam shifted quickly in his chair and looked down at the floor. Arthur continued, “Maybe you’ve never done anything you regret deeply in your life, Adam; if you did, you would be more understanding. You would realize that it’s harder for me than for you.”
Arthur rose from his seat with the last words, and went to one of the windows, looking out and turning his back on Adam, as he continued, passionately,
Arthur stood up from his seat after finishing his words and went to one of the windows, looking outside and turning his back on Adam as he continued passionately,
“Haven’t I loved her too? Didn’t I see her yesterday? Shan’t I carry the thought of her about with me as much as you will? And don’t you think you would suffer more if you’d been in fault?”
“Have I not loved her too? Didn’t I see her yesterday? Won’t I carry the thought of her with me just as much as you will? And don’t you think you would suffer more if you were at fault?”
There was silence for several minutes, for the struggle in Adam’s mind was not easily decided. Facile natures, whose emotions have little permanence, can hardly understand how much inward resistance he overcame before he rose from his seat and turned towards Arthur. Arthur heard the movement, and turning round, met the sad but softened look with which Adam said,
There was silence for several minutes, as Adam wrestled with his thoughts. People with simpler emotions can’t really grasp how much internal conflict he pushed through before he got up from his seat and turned to Arthur. Arthur noticed the movement and, turning around, met the sad but softened expression on Adam's face as he said,
“It’s true what you say, sir. I’m hard—it’s in my nature. I was too hard with my father, for doing wrong. I’ve been a bit hard t’ everybody but her. I felt as if nobody pitied her enough—her suffering cut into me so; and when I thought the folks at the farm were too hard with her, I said I’d never be hard to anybody myself again. But feeling overmuch about her has perhaps made me unfair to you. I’ve known what it is in my life to repent and feel it’s too late. I felt I’d been too harsh to my father when he was gone from me—I feel it now, when I think of him. I’ve no right to be hard towards them as have done wrong and repent.”
"It’s true what you say, sir. I can be tough—it's just who I am. I was too tough on my father for his mistakes. I’ve been a bit harsh with everyone except her. I felt like nobody cared enough about her—her pain affected me so much; and when I saw the people at the farm being too hard on her, I promised myself I’d never treat anyone like that again. But caring too much about her has probably made me unfair to you. I know what it’s like to regret and to feel it’s too late. I realized I was too harsh with my father after he was gone—I feel that now when I think about him. I have no right to be tough on those who have made mistakes and truly regret it."
Adam spoke these words with the firm distinctness of a man who is resolved to leave nothing unsaid that he is bound to say; but he went on with more hesitation.
Adam spoke these words with the clear certainty of a man who is determined to say everything he needs to say; but he continued with more hesitation.
“I wouldn’t shake hands with you once, sir, when you asked me—but if you’re willing to do it now, for all I refused then...”
“I wouldn’t shake hands with you at all, sir, when you asked me—but if you’re willing to do it now, after I refused before...”
Arthur’s white hand was in Adam’s large grasp in an instant, and with that action there was a strong rush, on both sides, of the old, boyish affection.
Arthur’s pale hand was in Adam’s big grip in a moment, and with that, there was a powerful surge of their old, youthful affection on both sides.
“Adam,” Arthur said, impelled to full confession now, “it would never have happened if I’d known you loved her. That would have helped to save me from it. And I did struggle: I never meant to injure her. I deceived you afterwards—and that led on to worse; but I thought it was forced upon me, I thought it was the best thing I could do. And in that letter I told her to let me know if she were in any trouble: don’t think I would not have done everything I could. But I was all wrong from the very first, and horrible wrong has come of it. God knows, I’d give my life if I could undo it.”
“Adam,” Arthur said, feeling the need to come clean now, “it never would have happened if I’d known you loved her. That would have helped save me from it. And I did struggle: I never meant to hurt her. I deceived you afterwards—and that only made things worse; but I thought I had no choice, I thought it was the best thing I could do. And in that letter, I told her to reach out if she was in any trouble: don’t think I wouldn’t have done everything I could. But I was completely wrong from the very start, and terrible consequences have come from it. God knows, I’d give my life if I could take it back.”
They sat down again opposite each other, and Adam said, tremulously, “How did she seem when you left her, sir?”
They sat down again across from each other, and Adam said nervously, “How did she seem when you left her, sir?”
“Don’t ask me, Adam,” Arthur said; “I feel sometimes as if I should go mad with thinking of her looks and what she said to me, and then, that I couldn’t get a full pardon—that I couldn’t save her from that wretched fate of being transported—that I can do nothing for her all those years; and she may die under it, and never know comfort any more.”
“Don’t ask me, Adam,” Arthur said; “sometimes I feel like I’m going to lose my mind thinking about her looks and what she said to me. The fact that I couldn’t get a full pardon—couldn’t save her from that awful fate of being sent away—means I can do nothing for her all these years. She might die without ever knowing comfort again.”
“Ah, sir,” said Adam, for the first time feeling his own pain merged in sympathy for Arthur, “you and me’ll often be thinking o’ the same thing, when we’re a long way off one another. I’ll pray God to help you, as I pray him to help me.”
“Ah, sir,” Adam said, feeling his own pain blend with sympathy for Arthur for the first time, “you and I will often be thinking of the same things when we're far apart. I’ll pray to God to help you, just as I pray for His help for me.”
“But there’s that sweet woman—that Dinah Morris,” Arthur said, pursuing his own thoughts and not knowing what had been the sense of Adam’s words, “she says she shall stay with her to the very last moment—till she goes; and the poor thing clings to her as if she found some comfort in her. I could worship that woman; I don’t know what I should do if she were not there. Adam, you will see her when she comes back. I could say nothing to her yesterday—nothing of what I felt towards her. Tell her,” Arthur went on hurriedly, as if he wanted to hide the emotion with which he spoke, while he took off his chain and watch, “tell her I asked you to give her this in remembrance of me—of the man to whom she is the one source of comfort, when he thinks of... I know she doesn’t care about such things—or anything else I can give her for its own sake. But she will use the watch—I shall like to think of her using it.”
“But there’s that wonderful woman—that Dinah Morris,” Arthur said, lost in his own thoughts and not really catching the meaning of Adam’s words, “she says she’ll stay with her until the very end—until she leaves; and the poor woman holds onto her as if she finds some comfort in her. I could totally admire that woman; I wouldn’t know what to do if she wasn’t around. Adam, you’ll see her when she comes back. I couldn’t say anything to her yesterday—nothing about how I feel. Tell her,” Arthur hurried on, trying to mask the emotion in his voice as he took off his chain and watch, “tell her I asked you to give her this as a reminder of me—of the man for whom she is the only source of comfort when he thinks of... I know she doesn’t care about stuff like this—or anything else I could give her just for the sake of it. But she’ll use the watch—I’d like to think of her using it.”
“I’ll give it to her, sir,” Adam said, “and tell her your words. She told me she should come back to the people at the Hall Farm.”
“I’ll give it to her, sir,” Adam said, “and let her know what you said. She mentioned she would come back to the people at the Hall Farm.”
“And you will persuade the Poysers to stay, Adam?” said Arthur, reminded of the subject which both of them had forgotten in the first interchange of revived friendship. “You will stay yourself, and help Mr. Irwine to carry out the repairs and improvements on the estate?”
“And you will convince the Poysers to stay, Adam?” said Arthur, reminded of the topic they had both overlooked in their initial exchange of renewed friendship. “You will stay yourself and assist Mr. Irwine with the repairs and improvements on the estate?”
“There’s one thing, sir, that perhaps you don’t take account of,” said Adam, with hesitating gentleness, “and that was what made me hang back longer. You see, it’s the same with both me and the Poysers: if we stay, it’s for our own worldly interest, and it looks as if we’d put up with anything for the sake o’ that. I know that’s what they’ll feel, and I can’t help feeling a little of it myself. When folks have got an honourable independent spirit, they don’t like to do anything that might make ’em seem base-minded.”
"There's one thing, sir, that you might not consider," Adam said gently, after hesitating, "and that's what made me hold back longer. You see, it's the same for both me and the Poysers: if we stay, it's for our own benefit, and it looks like we'd tolerate anything for that reason. I know that's what they'll think, and I can't help feeling a bit of it myself. When people have an honorable independent spirit, they don't want to do anything that might make them seem low-minded."
“But no one who knows you will think that, Adam. That is not a reason strong enough against a course that is really more generous, more unselfish than the other. And it will be known—it shall be made known, that both you and the Poysers stayed at my entreaty. Adam, don’t try to make things worse for me; I’m punished enough without that.”
“But no one who knows you will think that, Adam. That’s not a strong enough reason against a choice that is truly more generous and unselfish than the other one. And it will be known—it will be made known—that both you and the Poysers stayed because I asked you to. Adam, don’t try to make things harder for me; I’m already punished enough without that.”
“No, sir, no,” Adam said, looking at Arthur with mournful affection. “God forbid I should make things worse for you. I used to wish I could do it, in my passion—but that was when I thought you didn’t feel enough. I’ll stay, sir, I’ll do the best I can. It’s all I’ve got to think of now—to do my work well and make the world a bit better place for them as can enjoy it.”
“No, sir, no,” Adam said, looking at Arthur with sad affection. “God forbid I should make things worse for you. I used to wish I could do it, in my passion—but that was when I thought you didn’t care enough. I’ll stay, sir, I’ll do my best. That's all I have to focus on now—to do my work well and make the world a slightly better place for those who can enjoy it.”
“Then we’ll part now, Adam. You will see Mr. Irwine to-morrow, and consult with him about everything.”
“Then we'll say goodbye now, Adam. You'll see Mr. Irwine tomorrow and talk to him about everything.”
“Are you going soon, sir?” said Adam.
“Are you leaving soon, sir?” Adam asked.
“As soon as possible—after I’ve made the necessary arrangements. Good-bye, Adam. I shall think of you going about the old place.”
“As soon as I can—once I’ve taken care of everything. Bye, Adam. I’ll be thinking of you in that old place.”
“Good-bye, sir. God bless you.”
“Goodbye, sir. God bless you.”
The hands were clasped once more, and Adam left the Hermitage, feeling that sorrow was more bearable now hatred was gone.
The hands were clasped once more, and Adam left the Hermitage, feeling that sorrow was more manageable now that hatred was gone.
As soon as the door was closed behind him, Arthur went to the waste-paper basket and took out the little pink silk handkerchief.
As soon as the door shut behind him, Arthur went to the trash can and took out the small pink silk handkerchief.
Chapter XLIX
At the Hall Farm
The first autumnal afternoon sunshine of 1801—more than eighteen months after that parting of Adam and Arthur in the Hermitage—was on the yard at the Hall Farm; and the bull-dog was in one of his most excited moments, for it was that hour of the day when the cows were being driven into the yard for their afternoon milking. No wonder the patient beasts ran confusedly into the wrong places, for the alarming din of the bull-dog was mingled with more distant sounds which the timid feminine creatures, with pardonable superstition, imagined also to have some relation to their own movements—with the tremendous crack of the waggoner’s whip, the roar of his voice, and the booming thunder of the waggon, as it left the rick-yard empty of its golden load.
The first autumn afternoon sunlight of 1801—more than eighteen months after Adam and Arthur parted ways in the Hermitage—shone down on the yard at Hall Farm; and the bulldog was in one of his most excited moments, as it was that time of day when the cows were herded into the yard for their afternoon milking. It’s no surprise that the patient animals ran confusedly into the wrong spots, as the barking of the bulldog blended with more distant sounds that the nervous cows, with understandable superstition, thought might be connected to their movements—like the loud crack of the wagoner's whip, the roar of his voice, and the deep rumble of the wagon as it left the rick-yard empty of its golden harvest.
The milking of the cows was a sight Mrs. Poyser loved, and at this hour on mild days she was usually standing at the house door, with her knitting in her hands, in quiet contemplation, only heightened to a keener interest when the vicious yellow cow, who had once kicked over a pailful of precious milk, was about to undergo the preventive punishment of having her hinder-legs strapped.
Mrs. Poyser loved watching the cows get milked, and on nice days at this time, she would usually stand at the front door with her knitting in hand, lost in thought, which would turn into a sharper interest when the mean yellow cow, who had once kicked over a bucket of valuable milk, was about to get her back legs strapped as a preventive measure.
To-day, however, Mrs. Poyser gave but a divided attention to the arrival of the cows, for she was in eager discussion with Dinah, who was stitching Mr. Poyser’s shirt-collars, and had borne patiently to have her thread broken three times by Totty pulling at her arm with a sudden insistence that she should look at “Baby,” that is, at a large wooden doll with no legs and a long skirt, whose bald head Totty, seated in her small chair at Dinah’s side, was caressing and pressing to her fat cheek with much fervour. Totty is larger by more than two years’ growth than when you first saw her, and she has on a black frock under her pinafore. Mrs. Poyser too has on a black gown, which seems to heighten the family likeness between her and Dinah. In other respects there is little outward change now discernible in our old friends, or in the pleasant house-place, bright with polished oak and pewter.
Today, however, Mrs. Poyser was only partially focused on the arrival of the cows, as she was engaged in an enthusiastic conversation with Dinah, who was sewing Mr. Poyser’s shirt collars. Dinah had patiently endured having her thread broken three times by Totty, who kept tugging at her arm, insisting that she look at “Baby,” a large wooden doll with no legs and a long skirt. Totty, sitting in her small chair next to Dinah, was lovingly pressing the doll's bald head to her chubby cheek with great enthusiasm. Totty has grown significantly, more than two years since you first saw her, and she is wearing a black dress under her pinafore. Mrs. Poyser is also dressed in a black gown, which seems to enhance the resemblance between her and Dinah. In other ways, there is little noticeable change in our old friends or in the cheerful living room, which shines with polished oak and pewter.
“I never saw the like to you, Dinah,” Mrs. Poyser was saying, “when you’ve once took anything into your head: there’s no more moving you than the rooted tree. You may say what you like, but I don’t believe that’s religion; for what’s the Sermon on the Mount about, as you’re so fond o’ reading to the boys, but doing what other folks ’ud have you do? But if it was anything unreasonable they wanted you to do, like taking your cloak off and giving it to ’em, or letting ’em slap you i’ the face, I daresay you’d be ready enough. It’s only when one ’ud have you do what’s plain common sense and good for yourself, as you’re obstinate th’ other way.”
“I’ve never seen anyone like you, Dinah,” Mrs. Poyser was saying, “once you get something in your head: there’s no budging you, you’re as unmovable as a rooted tree. You can say what you want, but I don’t think that’s religion; after all, what’s the Sermon on the Mount about, the one you love reading to the boys, if not about doing what others would want you to do? But if it were something unreasonable they wanted you to do, like taking off your cloak and giving it to them, or letting them slap you in the face, I bet you’d be all for it. It’s only when someone wants you to do what’s just plain common sense and good for you that you’re stubborn the other way.”
“Nay, dear Aunt,” said Dinah, smiling slightly as she went on with her work, “I’m sure your wish ’ud be a reason for me to do anything that I didn’t feel it was wrong to do.”
“Nah, dear Aunt,” Dinah said, smiling a little as she continued her work, “I’m sure your wish would be a reason for me to do anything I didn’t think was wrong to do.”
“Wrong! You drive me past bearing. What is there wrong, I should like to know, i’ staying along wi’ your own friends, as are th’ happier for having you with ’em an’ are willing to provide for you, even if your work didn’t more nor pay ’em for the bit o’ sparrow’s victual y’ eat and the bit o’ rag you put on? An’ who is it, I should like to know, as you’re bound t’ help and comfort i’ the world more nor your own flesh and blood—an’ me th’ only aunt you’ve got above-ground, an’ am brought to the brink o’ the grave welly every winter as comes, an’ there’s the child as sits beside you ’ull break her little heart when you go, an’ the grandfather not been dead a twelvemonth, an’ your uncle ’ull miss you so as never was—a-lighting his pipe an’ waiting on him, an’ now I can trust you wi’ the butter, an’ have had all the trouble o’ teaching you, and there’s all the sewing to be done, an’ I must have a strange gell out o’ Treddles’on to do it—an’ all because you must go back to that bare heap o’ stones as the very crows fly over an’ won’t stop at.”
"Wrong! You drive me crazy. What’s wrong with staying with your own friends, who are happier to have you around and are willing to take care of you, even if your work barely covers the little bit of food you eat and the rag you wear? And who should you be helping and comforting in this world more than your own family—me being the only aunt you have left, and I'm at death's door every winter? And that little girl sitting next to you will be heartbroken when you leave, and your grandfather has only been gone for a year, and your uncle will miss you like crazy—waiting for you to light his pipe. And now I can trust you with the butter after all the trouble I went through to teach you, and there’s all this sewing to do, and I have to find some strange girl from Treddleson to do it—all because you need to go back to that miserable pile of stones that even crows fly over without stopping."
“Dear Aunt Rachel,” said Dinah, looking up in Mrs. Poyser’s face, “it’s your kindness makes you say I’m useful to you. You don’t really want me now, for Nancy and Molly are clever at their work, and you’re in good health now, by the blessing of God, and my uncle is of a cheerful countenance again, and you have neighbours and friends not a few—some of them come to sit with my uncle almost daily. Indeed, you will not miss me; and at Snowfield there are brethren and sisters in great need, who have none of those comforts you have around you. I feel that I am called back to those amongst whom my lot was first cast. I feel drawn again towards the hills where I used to be blessed in carrying the word of life to the sinful and desolate.”
“Dear Aunt Rachel,” Dinah said, looking up at Mrs. Poyser, “it’s your kindness that makes you say I’m helpful to you. You don’t really need me now, because Nancy and Molly are good at their jobs, and you're healthy again, thanks to God, and my uncle is cheerful once more. You have plenty of neighbors and friends—some of whom come to visit my uncle almost every day. Honestly, you won’t miss me; and at Snowfield, there are brothers and sisters in great need who lack the comforts you have. I feel like I’m being called back to those I first lived among. I feel drawn once again to the hills where I used to be blessed by sharing the message of hope with the lost and lonely.”
“You feel! Yes,” said Mrs. Poyser, returning from a parenthetic glance at the cows, “that’s allays the reason I’m to sit down wi’, when you’ve a mind to do anything contrairy. What do you want to be preaching for more than you’re preaching now? Don’t you go off, the Lord knows where, every Sunday a-preaching and praying? An’ haven’t you got Methodists enow at Treddles’on to go and look at, if church-folks’s faces are too handsome to please you? An’ isn’t there them i’ this parish as you’ve got under hand, and they’re like enough to make friends wi’ Old Harry again as soon as your back’s turned? There’s that Bessy Cranage—she’ll be flaunting i’ new finery three weeks after you’re gone, I’ll be bound. She’ll no more go on in her new ways without you than a dog ’ull stand on its hind-legs when there’s nobody looking. But I suppose it doesna matter so much about folks’s souls i’ this country, else you’d be for staying with your own aunt, for she’s none so good but what you might help her to be better.”
“You feel! Yes,” Mrs. Poyser said, glancing back at the cows, “that’s always the reason I’m stuck sitting with you when you want to do something stubborn. Why do you want to preach more than you already are? Don’t you go off, God knows where, every Sunday to preach and pray? And haven’t you got enough Methodists in Treddleson to check out if the church folks’ faces are too pretty for you? And aren’t there people in this parish you’ve helped, and they’re likely to be friends with Old Harry again as soon as you leave? There’s that Bessy Cranage—she’ll be showing off in new clothes three weeks after you’re gone, I’ll bet. She won’t keep up her new ways without you any more than a dog will stand on its hind legs when no one is watching. But I suppose it doesn’t matter much about people’s souls in this country; otherwise, you’d be staying with your own aunt, since she’s not so good that you couldn’t help her be better.”
There was a certain something in Mrs. Poyser’s voice just then, which she did not wish to be noticed, so she turned round hastily to look at the clock, and said: “See there! It’s tea-time; an’ if Martin’s i’ the rick-yard, he’ll like a cup. Here, Totty, my chicken, let mother put your bonnet on, and then you go out into the rick-yard and see if Father’s there, and tell him he mustn’t go away again without coming t’ have a cup o’ tea; and tell your brothers to come in too.”
There was something in Mrs. Poyser’s voice at that moment that she didn’t want anyone to notice, so she quickly turned to check the time and said, “Look! It’s tea-time, and if Martin’s in the rick-yard, he’ll want a cup. Here, Totty, sweetheart, let me put your bonnet on, then you can go out to the rick-yard and see if Dad’s there, and make sure to tell him he can’t leave again without having a cup of tea; and tell your brothers to come in too.”
Totty trotted off in her flapping bonnet, while Mrs. Poyser set out the bright oak table and reached down the tea-cups.
Totty walked away in her flapping bonnet, while Mrs. Poyser set the shiny oak table and took down the tea cups.
“You talk o’ them gells Nancy and Molly being clever i’ their work,” she began again; “it’s fine talking. They’re all the same, clever or stupid—one can’t trust ’em out o’ one’s sight a minute. They want somebody’s eye on ’em constant if they’re to be kept to their work. An’ suppose I’m ill again this winter, as I was the winter before last? Who’s to look after ’em then, if you’re gone? An’ there’s that blessed child—something’s sure t’ happen to her—they’ll let her tumble into the fire, or get at the kettle wi’ the boiling lard in’t, or some mischief as ’ull lame her for life; an’ it’ll be all your fault, Dinah.”
“You talk about Nancy and Molly being good at their work,” she started again. “It’s easy to say. They’re all the same, smart or dumb—can’t trust them out of sight for a second. They need someone watching them constantly to stay on task. And what if I get sick again this winter, like I did the winter before last? Who’s going to take care of them then, if you’re not here? And that poor child—something’s bound to happen to her—they’ll let her fall into the fire, or get to the kettle with the boiling fat, or get into some trouble that could hurt her for life; and it’ll all be your fault, Dinah.”
“Aunt,” said Dinah, “I promise to come back to you in the winter if you’re ill. Don’t think I will ever stay away from you if you’re in real want of me. But, indeed, it is needful for my own soul that I should go away from this life of ease and luxury in which I have all things too richly to enjoy—at least that I should go away for a short space. No one can know but myself what are my inward needs, and the besetments I am most in danger from. Your wish for me to stay is not a call of duty which I refuse to hearken to because it is against my own desires; it is a temptation that I must resist, lest the love of the creature should become like a mist in my soul shutting out the heavenly light.”
“Aunt,” said Dinah, “I promise I’ll come back to you in the winter if you’re unwell. Don’t think I’ll ever stay away from you if you really need me. But honestly, it’s important for my own spirit that I step away from this life of comfort and luxury where I have too much to truly appreciate—at least I need to leave for a little while. No one knows my inner needs and the struggles I’m most at risk of facing except for me. Your wish for me to stay isn’t a duty I’m ignoring because it conflicts with what I want; it’s a temptation I have to resist, or else my love for the things of this world could cloud my soul and block out the heavenly light.”
“It passes my cunning to know what you mean by ease and luxury,” said Mrs. Poyser, as she cut the bread and butter. “It’s true there’s good victual enough about you, as nobody shall ever say I don’t provide enough and to spare, but if there’s ever a bit o’ odds an’ ends as nobody else ’ud eat, you’re sure to pick it out... but look there! There’s Adam Bede a-carrying the little un in. I wonder how it is he’s come so early.”
“It’s beyond me to understand what you mean by ease and luxury,” said Mrs. Poyser, while she cut the bread and butter. “It’s true there’s plenty of good food around here, and no one can say I don’t provide enough and more, but if there are any leftovers that no one else would eat, you’re sure to grab them... but look at that! There’s Adam Bede bringing the little one in. I wonder why he’s come so early.”
Mrs. Poyser hastened to the door for the pleasure of looking at her darling in a new position, with love in her eyes but reproof on her tongue.
Mrs. Poyser hurried to the door for the joy of seeing her darling in a new spot, with love in her eyes but a scolding ready on her lips.
“Oh for shame, Totty! Little gells o’ five year old should be ashamed to be carried. Why, Adam, she’ll break your arm, such a big gell as that; set her down—for shame!”
“Oh come on, Totty! Little girls who are five years old should be embarrassed to be carried. Adam, she’s going to hurt your arm, being such a big girl; put her down—shame on you!”
“Nay, nay,” said Adam, “I can lift her with my hand—I’ve no need to take my arm to it.”
“Nah, nah,” said Adam, “I can lift her with my hand—I don’t need to use my arm for that.”
Totty, looking as serenely unconscious of remark as a fat white puppy, was set down at the door-place, and the mother enforced her reproof with a shower of kisses.
Totty, appearing blissfully unaware of any comments like a chubby white puppy, was put down at the doorway, and the mother emphasized her admonition with a flurry of kisses.
“You’re surprised to see me at this hour o’ the day,” said Adam.
"You're surprised to see me at this time of day," said Adam.
“Yes, but come in,” said Mrs. Poyser, making way for him; “there’s no bad news, I hope?”
“Yes, but come in,” Mrs. Poyser said, stepping aside for him; “I hope there’s no bad news?”
“No, nothing bad,” Adam answered, as he went up to Dinah and put out his hand to her. She had laid down her work and stood up, instinctively, as he approached her. A faint blush died away from her pale cheek as she put her hand in his and looked up at him timidly.
“No, nothing bad,” Adam replied, walking up to Dinah and reaching out his hand to her. She had set down her work and stood up instinctively as he got closer. A slight blush faded from her pale cheek as she placed her hand in his and looked up at him shyly.
“It’s an errand to you brought me, Dinah,” said Adam, apparently unconscious that he was holding her hand all the while; “mother’s a bit ailing, and she’s set her heart on your coming to stay the night with her, if you’ll be so kind. I told her I’d call and ask you as I came from the village. She overworks herself, and I can’t persuade her to have a little girl t’ help her. I don’t know what’s to be done.”
“It’s a favor you did for me, Dinah,” said Adam, seemingly unaware that he was holding her hand the entire time. “My mom isn’t feeling well, and she really wants you to come stay the night with her, if you’re up for it. I told her I’d check with you while I was coming back from the village. She pushes herself too hard, and I can’t convince her to get a little help. I just don’t know what to do.”
Adam released Dinah’s hand as he ceased speaking, and was expecting an answer, but before she had opened her lips Mrs. Poyser said, “Look there now! I told you there was folks enow t’ help i’ this parish, wi’out going further off. There’s Mrs. Bede getting as old and cas’alty as can be, and she won’t let anybody but you go a-nigh her hardly. The folks at Snowfield have learnt by this time to do better wi’out you nor she can.”
Adam let go of Dinah’s hand as he stopped talking, expecting a response, but before she could say anything, Mrs. Poyser interjected, “See? I told you there are plenty of people around here to help without having to look far. There’s Mrs. Bede, getting older and crankier by the day, and she barely allows anyone but you to come near her. The folks at Snowfield have managed just fine without you, and so can she.”
“I’ll put my bonnet on and set off directly, if you don’t want anything done first, Aunt,” said Dinah, folding up her work.
“I'll put my hat on and head out right away, if you don't need anything done first, Aunt,” said Dinah, folding up her work.
“Yes, I do want something done. I want you t’ have your tea, child; it’s all ready—and you’ll have a cup, Adam, if y’ arena in too big a hurry.”
“Yes, I do want something done. I want you to have your tea, kid; it’s all ready—and you can have a cup, Adam, if you’re not in too much of a hurry.”
“Yes, I’ll have a cup, please; and then I’ll walk with Dinah. I’m going straight home, for I’ve got a lot o’ timber valuations to write out.”
"Yes, I’ll have a cup, please; and then I’ll walk with Dinah. I’m heading straight home because I have a lot of timber valuations to write up."
“Why, Adam, lad, are you here?” said Mr. Poyser, entering warm and coatless, with the two black-eyed boys behind him, still looking as much like him as two small elephants are like a large one. “How is it we’ve got sight o’ you so long before foddering-time?”
“Hey, Adam, buddy, what are you doing here?” Mr. Poyser said, coming in warm and without a coat, with the two black-eyed boys behind him, still looking as much like him as two small elephants look like a big one. “What brings you here so long before feeding time?”
“I came on an errand for Mother,” said Adam. “She’s got a touch of her old complaint, and she wants Dinah to go and stay with her a bit.”
“I came on an errand for Mom,” said Adam. “She’s feeling a bit under the weather and wants Dinah to come stay with her for a while.”
“Well, we’ll spare her for your mother a little while,” said Mr. Poyser. “But we wonna spare her for anybody else, on’y her husband.”
“Well, we’ll give her a break for your mother for a little while,” said Mr. Poyser. “But we won’t give her a break for anyone else, only her husband.”
“Husband!” said Marty, who was at the most prosaic and literal period of the boyish mind. “Why, Dinah hasn’t got a husband.”
“Husband!” said Marty, who was in the most straightforward and literal stage of a young boy's thinking. “Well, Dinah doesn’t have a husband.”
“Spare her?” said Mrs. Poyser, placing a seed-cake on the table and then seating herself to pour out the tea. “But we must spare her, it seems, and not for a husband neither, but for her own megrims. Tommy, what are you doing to your little sister’s doll? Making the child naughty, when she’d be good if you’d let her. You shanna have a morsel o’ cake if you behave so.”
“Spare her?” Mrs. Poyser said, putting a seed cake on the table and then sitting down to pour the tea. “But we have to spare her, it seems, and not for a husband either, but for her own troubles. Tommy, what are you doing to your little sister’s doll? You’re making the child naughty when she would be good if you just let her. You won’t get a piece of cake if you keep this up.”
Tommy, with true brotherly sympathy, was amusing himself by turning Dolly’s skirt over her bald head and exhibiting her truncated body to the general scorn—an indignity which cut Totty to the heart.
Tommy, with genuine brotherly sympathy, was having fun by flipping Dolly’s skirt over her bald head and showing off her little body to everyone's ridicule—an insult that hurt Totty deeply.
“What do you think Dinah’s been a-telling me since dinner-time?” Mrs. Poyser continued, looking at her husband.
“What do you think Dinah’s been telling me since dinner?” Mrs. Poyser continued, looking at her husband.
“Eh! I’m a poor un at guessing,” said Mr. Poyser.
“Eh! I’m not very good at guessing,” said Mr. Poyser.
“Why, she means to go back to Snowfield again, and work i’ the mill, and starve herself, as she used to do, like a creatur as has got no friends.”
“Why, she plans to go back to Snowfield again, work in the mill, and deny herself food like she used to, like someone who has no friends.”
Mr. Poyser did not readily find words to express his unpleasant astonishment; he only looked from his wife to Dinah, who had now seated herself beside Totty, as a bulwark against brotherly playfulness, and was busying herself with the children’s tea. If he had been given to making general reflections, it would have occurred to him that there was certainly a change come over Dinah, for she never used to change colour; but, as it was, he merely observed that her face was flushed at that moment. Mr. Poyser thought she looked the prettier for it: it was a flush no deeper than the petal of a monthly rose. Perhaps it came because her uncle was looking at her so fixedly; but there is no knowing, for just then Adam was saying, with quiet surprise, “Why, I hoped Dinah was settled among us for life. I thought she’d given up the notion o’ going back to her old country.”
Mr. Poyser struggled to find the words to express his unsettling surprise; he just looked from his wife to Dinah, who had now sat down next to Totty, acting as a shield against her brother's playful antics, and was busy preparing the children's tea. If he had been someone who made general observations, he might have noticed that Dinah had definitely changed, since she never used to blush; but instead, he just saw that her face was reddened at that moment. Mr. Poyser thought she looked more attractive because of it: the blush was no deeper than the petal of a monthly rose. Maybe it was because her uncle was staring at her so intently; but there's no way to know, as Adam was just then saying, with mild surprise, “Wow, I thought Dinah was settling in with us for life. I thought she’d given up the idea of going back to her old country.”
“Thought! Yes,” said Mrs. Poyser, “and so would anybody else ha’ thought, as had got their right end up’ards. But I suppose you must be a Methodist to know what a Methodist ’ull do. It’s ill guessing what the bats are flying after.”
“Thought! Yes,” said Mrs. Poyser, “and so would anybody else have thought, if they had their head on straight. But I guess you have to be a Methodist to understand what a Methodist will do. It’s hard to guess what the bats are after.”
“Why, what have we done to you, Dinah, as you must go away from us?” said Mr. Poyser, still pausing over his tea-cup. “It’s like breaking your word, welly, for your aunt never had no thought but you’d make this your home.”
“Why, what have we done to you, Dinah, that you have to leave us?” Mr. Poyser said, still lingering over his teacup. “It’s like going back on your promise, really, because your aunt never thought anything but that you’d make this your home.”
“Nay, Uncle,” said Dinah, trying to be quite calm. “When I first came, I said it was only for a time, as long as I could be of any comfort to my aunt.”
“Nah, Uncle,” said Dinah, trying to stay calm. “When I first arrived, I said it would only be for a little while, as long as I could be of any help to my aunt.”
“Well, an’ who said you’d ever left off being a comfort to me?” said Mrs. Poyser. “If you didna mean to stay wi’ me, you’d better never ha’ come. Them as ha’ never had a cushion don’t miss it.”
“Well, who said you ever stopped being a comfort to me?” Mrs. Poyser said. “If you didn’t plan to stay with me, you shouldn’t have come at all. Those who have never had a cushion don’t miss it.”
“Nay, nay,” said Mr. Poyser, who objected to exaggerated views. “Thee mustna say so; we should ha’ been ill off wi’out her, Lady day was a twelvemont’. We mun be thankful for that, whether she stays or no. But I canna think what she mun leave a good home for, to go back int’ a country where the land, most on’t, isna worth ten shillings an acre, rent and profits.”
“Nah, nah,” said Mr. Poyser, who didn't like extreme views. “You shouldn’t say that; we would have been in a bad spot without her, Lady Day was a year ago. We have to be grateful for that, whether she stays or not. But I can’t understand why she would leave a good home to go back to a place where most of the land isn’t even worth ten shillings an acre, both for rent and profits.”
“Why, that’s just the reason she wants to go, as fur as she can give a reason,” said Mrs. Poyser. “She says this country’s too comfortable, an’ there’s too much t’ eat, an’ folks arena miserable enough. And she’s going next week. I canna turn her, say what I will. It’s allays the way wi’ them meek-faced people; you may’s well pelt a bag o’ feathers as talk to ’em. But I say it isna religion, to be so obstinate—is it now, Adam?”
“That's exactly why she wants to go, as far as she can give a reason,” said Mrs. Poyser. “She says this country is too comfortable, there’s too much to eat, and people aren’t miserable enough. And she’s leaving next week. I can’t change her mind, no matter what I say. It’s always like this with those quiet, soft-spoken people; you might as well throw rocks at a bag of feathers as try to talk to them. But I say it’s not really religion to be so stubborn—is it now, Adam?”
Adam saw that Dinah was more disturbed than he had ever seen her by any matter relating to herself, and, anxious to relieve her, if possible, he said, looking at her affectionately, “Nay, I can’t find fault with anything Dinah does. I believe her thoughts are better than our guesses, let ’em be what they may. I should ha’ been thankful for her to stay among us, but if she thinks well to go, I wouldn’t cross her, or make it hard to her by objecting. We owe her something different to that.”
Adam noticed that Dinah was more upset than he had ever seen her over something personal, and wanting to comfort her if he could, he said, looking at her kindly, “No, I can’t criticize anything Dinah does. I believe her thoughts are clearer than our assumptions, no matter what they might be. I would have been grateful for her to stay with us, but if she feels it’s best to leave, I wouldn’t stand in her way or make it difficult for her by opposing her. We owe her something better than that.”
As it often happens, the words intended to relieve her were just too much for Dinah’s susceptible feelings at this moment. The tears came into the grey eyes too fast to be hidden and she got up hurriedly, meaning it to be understood that she was going to put on her bonnet.
As often happens, the words meant to comfort her were too overwhelming for Dinah's sensitive emotions at that moment. Tears filled her gray eyes too quickly to be concealed, and she stood up hastily, implying that she was going to put on her hat.
“Mother, what’s Dinah crying for?” said Totty. “She isn’t a naughty dell.”
“Mom, why is Dinah crying?” Totty asked. “She’s not a bad girl.”
“Thee’st gone a bit too fur,” said Mr. Poyser. “We’ve no right t’ interfere with her doing as she likes. An’ thee’dst be as angry as could be wi’ me, if I said a word against anything she did.”
“You've gone a bit too far,” said Mr. Poyser. “We have no right to interfere with her doing what she likes. And you’d be as angry as could be with me if I said a word against anything she did.”
“Because you’d very like be finding fault wi’out reason,” said Mrs. Poyser. “But there’s reason i’ what I say, else I shouldna say it. It’s easy talking for them as can’t love her so well as her own aunt does. An’ me got so used to her! I shall feel as uneasy as a new sheared sheep when she’s gone from me. An’ to think of her leaving a parish where she’s so looked on. There’s Mr. Irwine makes as much of her as if she was a lady, for all her being a Methodist, an’ wi’ that maggot o’ preaching in her head—God forgi’e me if I’m i’ the wrong to call it so.”
“Because you’d just be finding fault without any reason,” said Mrs. Poyser. “But there’s a reason behind what I say, or I wouldn't say it. It’s easy for those who can’t love her as much as her own aunt does to talk like that. I’ve gotten so used to her! I’ll feel as uneasy as a freshly shorn sheep when she’s gone from me. And to think of her leaving a community where she’s so respected. Mr. Irwine treats her like a lady, despite her being a Methodist and having that preaching obsession—God forgive me if I’m wrong for calling it that.”
“Aye,” said Mr. Poyser, looking jocose; “but thee dostna tell Adam what he said to thee about it one day. The missis was saying, Adam, as the preaching was the only fault to be found wi’ Dinah, and Mr. Irwine says, ‘But you mustn’t find fault with her for that, Mrs. Poyser; you forget she’s got no husband to preach to. I’ll answer for it, you give Poyser many a good sermon.’ The parson had thee there,” Mr. Poyser added, laughing unctuously. “I told Bartle Massey on it, an’ he laughed too.”
"Yeah," said Mr. Poyser with a playful smile, "but you haven't told Adam what he said to you about it one day. The missus was saying to Adam that preaching was the only fault anyone could find with Dinah, and Mr. Irwine replied, 'But you shouldn't criticize her for that, Mrs. Poyser; you forget she doesn’t have a husband to preach to. I’ll bet you give Poyser plenty of good sermons.' The parson had you there," Mr. Poyser added, laughing heartily. "I told Bartle Massey about it, and he laughed too."
“Yes, it’s a small joke sets men laughing when they sit a-staring at one another with a pipe i’ their mouths,” said Mrs. Poyser. “Give Bartle Massey his way and he’d have all the sharpness to himself. If the chaff-cutter had the making of us, we should all be straw, I reckon. Totty, my chicken, go upstairs to cousin Dinah, and see what she’s doing, and give her a pretty kiss.”
“Yes, it’s a small joke that makes men laugh when they sit there staring at each other with a pipe in their mouths,” said Mrs. Poyser. “If we let Bartle Massey have his way, he’d keep all the cleverness to himself. If the chaff-cutter were in charge of us, we’d all end up being just straw, I think. Totty, my dear, go upstairs to cousin Dinah, see what she’s doing, and give her a sweet kiss.”
This errand was devised for Totty as a means of checking certain threatening symptoms about the corners of the mouth; for Tommy, no longer expectant of cake, was lifting up his eyelids with his forefingers and turning his eyeballs towards Totty in a way that she felt to be disagreeably personal.
This errand was planned for Totty to check on some alarming signs around the corners of her mouth; Tommy, no longer hoping for cake, was lifting his eyelids with his fingers and turning his eyes towards Totty in a way that made her feel uncomfortably exposed.
“You’re rare and busy now—eh, Adam?” said Mr. Poyser. “Burge’s getting so bad wi’ his asthmy, it’s well if he’ll ever do much riding about again.”
“You're hard to find these days, huh, Adam?” said Mr. Poyser. “Burge's asthma is getting really bad; I doubt he'll be able to ride around much anymore.”
“Yes, we’ve got a pretty bit o’ building on hand now,” said Adam, “what with the repairs on th’ estate, and the new houses at Treddles’on.”
“Yeah, we’ve got a nice bit of construction going on right now,” said Adam, “with the repairs on the estate and the new houses at Treddles’on.”
“I’ll bet a penny that new house Burge is building on his own bit o’ land is for him and Mary to go to,” said Mr. Poyser. “He’ll be for laying by business soon, I’ll warrant, and be wanting you to take to it all and pay him so much by th’ ’ear. We shall see you living on th’ hill before another twelvemont’s over.”
“I’ll bet a penny that new house Burge is building on his own piece of land is for him and Mary to move into,” said Mr. Poyser. “He’ll be looking to step away from work soon, I’m sure, and will expect you to take it all over and pay him so much each year. We’ll see you living on the hill before another year has passed.”
“Well,” said Adam, “I should like t’ have the business in my own hands. It isn’t as I mind much about getting any more money. We’ve enough and to spare now, with only our two selves and mother; but I should like t’ have my own way about things—I could try plans then, as I can’t do now.”
“Well,” Adam said, “I’d like to have the business in my own hands. It’s not that I care much about making more money. We have enough to spare now, with just the two of us and mom; but I want to be able to do things my way—I could try out different plans then, which I can’t do now.”
“You get on pretty well wi’ the new steward, I reckon?” said Mr. Poyser.
“You're getting along pretty well with the new steward, I guess?” said Mr. Poyser.
“Yes, yes; he’s a sensible man enough; understands farming—he’s carrying on the draining, and all that, capital. You must go some day towards the Stonyshire side and see what alterations they’re making. But he’s got no notion about buildings. You can so seldom get hold of a man as can turn his brains to more nor one thing; it’s just as if they wore blinkers like th’ horses and could see nothing o’ one side of ’em. Now, there’s Mr. Irwine has got notions o’ building more nor most architects; for as for th’ architects, they set up to be fine fellows, but the most of ’em don’t know where to set a chimney so as it shan’t be quarrelling with a door. My notion is, a practical builder that’s got a bit o’ taste makes the best architect for common things; and I’ve ten times the pleasure i’ seeing after the work when I’ve made the plan myself.”
“Yes, yes; he’s a sensible enough guy; he knows farming—he’s working on the drainage and all that, great. You should go someday over to the Stonyshire side and see the changes they’re making. But he doesn’t have a clue about buildings. It’s so rare to find someone who can think about more than one thing; it’s like they’re wearing blinders like horses and can’t see anything outside their narrow view. Now, Mr. Irwine has more ideas about building than most architects; because as for architects, they act like they’re top-notch, but most of them don’t even know where to place a chimney so it doesn’t clash with a door. My opinion is that a practical builder who has a bit of taste makes the best architect for everyday things; and I get way more satisfaction from overseeing the work when I’ve made the plan myself.”
Mr. Poyser listened with an admiring interest to Adam’s discourse on building, but perhaps it suggested to him that the building of his corn-rick had been proceeding a little too long without the control of the master’s eye, for when Adam had done speaking, he got up and said, “Well, lad, I’ll bid you good-bye now, for I’m off to the rick-yard again.”
Mr. Poyser listened with great interest to Adam’s talk about building, but it might have made him realize that the construction of his corn-rick had been going on a bit too long without the oversight of the master, because when Adam finished speaking, he stood up and said, “Well, kid, I’ll say goodbye for now, because I’m heading back to the rick-yard.”
Adam rose too, for he saw Dinah entering, with her bonnet on and a little basket in her hand, preceded by Totty.
Adam stood up, too, when he saw Dinah come in, wearing her bonnet and holding a small basket, followed by Totty.
“You’re ready, I see, Dinah,” Adam said; “so we’ll set off, for the sooner I’m at home the better.”
“You're ready, I see, Dinah,” Adam said; “so we'll head out, because the sooner I'm home, the better.”
“Mother,” said Totty, with her treble pipe, “Dinah was saying her prayers and crying ever so.”
“Mom,” said Totty in her high-pitched voice, “Dinah was saying her prayers and crying a lot.”
“Hush, hush,” said the mother, “little gells mustn’t chatter.”
“Hush, hush,” said the mother, “little girls shouldn’t talk so much.”
Whereupon the father, shaking with silent laughter, set Totty on the white deal table and desired her to kiss him. Mr. and Mrs. Poyser, you perceive, had no correct principles of education.
Whereupon the father, shaking with silent laughter, set Totty on the white deal table and asked her to kiss him. Mr. and Mrs. Poyser, you see, didn’t have the right principles of education.
“Come back to-morrow if Mrs. Bede doesn’t want you, Dinah,” said Mrs. Poyser: “but you can stay, you know, if she’s ill.”
“Come back tomorrow if Mrs. Bede doesn’t need you, Dinah,” said Mrs. Poyser. “But you can stay, you know, if she’s not feeling well.”
So, when the good-byes had been said, Dinah and Adam left the Hall Farm together.
So, after saying their good-byes, Dinah and Adam left the Hall Farm together.
Chapter L
In the Cottage
Adam did not ask Dinah to take his arm when they got out into the lane. He had never yet done so, often as they had walked together, for he had observed that she never walked arm-in-arm with Seth, and he thought, perhaps, that kind of support was not agreeable to her. So they walked apart, though side by side, and the close poke of her little black bonnet hid her face from him.
Adam didn't ask Dinah to take his arm when they stepped into the lane. He had never done that, no matter how many times they had walked together, because he noticed she never walked arm-in-arm with Seth, and he thought maybe that kind of support wasn't something she liked. So they walked separately, but still side by side, and the little black bonnet she wore obscured her face from him.
“You can’t be happy, then, to make the Hall Farm your home, Dinah?” Adam said, with the quiet interest of a brother, who has no anxiety for himself in the matter. “It’s a pity, seeing they’re so fond of you.”
“You can’t be happy making Hall Farm your home, Dinah?” Adam said, with the calm interest of a brother who isn’t worried about himself in the situation. “It’s a shame, since they care about you so much.”
“You know, Adam, my heart is as their heart, so far as love for them and care for their welfare goes, but they are in no present need. Their sorrows are healed, and I feel that I am called back to my old work, in which I found a blessing that I have missed of late in the midst of too abundant worldly good. I know it is a vain thought to flee from the work that God appoints us, for the sake of finding a greater blessing to our own souls, as if we could choose for ourselves where we shall find the fulness of the Divine Presence, instead of seeking it where alone it is to be found, in loving obedience. But now, I believe, I have a clear showing that my work lies elsewhere—at least for a time. In the years to come, if my aunt’s health should fail, or she should otherwise need me, I shall return.”
“You know, Adam, my heart is like theirs when it comes to love and care for their well-being, but they don’t need anything right now. Their troubles are resolved, and I feel it's time for me to go back to my old work, where I found a blessing that I've been missing lately amid too much worldly success. I realize it’s pointless to try to escape the work that God has set for us in the hope of finding a greater blessing for ourselves, as if we could decide for ourselves where we’ll feel the fullness of Divine Presence instead of seeking it where it truly is, in loving obedience. But now, I genuinely believe I clearly see that my work is somewhere else—at least for a while. In the future, if my aunt’s health declines or if she needs me for any reason, I’ll come back.”
“You know best, Dinah,” said Adam. “I don’t believe you’d go against the wishes of them that love you, and are akin to you, without a good and sufficient reason in your own conscience. I’ve no right to say anything about my being sorry: you know well enough what cause I have to put you above every other friend I’ve got; and if it had been ordered so that you could ha’ been my sister, and lived with us all our lives, I should ha’ counted it the greatest blessing as could happen to us now. But Seth tells me there’s no hope o’ that: your feelings are different, and perhaps I’m taking too much upon me to speak about it.”
“You know best, Dinah,” Adam said. “I don’t think you’d go against the wishes of those who love you and are close to you without a really good reason in your heart. I have no right to say I’m sorry: you know well enough why I value you above every other friend I have; and if things had worked out so that you could have been my sister and lived with us our whole lives, I would consider it the greatest blessing that could happen to us now. But Seth tells me there’s no chance of that: your feelings are different, and maybe I’m overstepping by saying anything about it.”
Dinah made no answer, and they walked on in silence for some yards, till they came to the stone stile, where, as Adam had passed through first and turned round to give her his hand while she mounted the unusually high step, she could not prevent him from seeing her face. It struck him with surprise, for the grey eyes, usually so mild and grave, had the bright uneasy glance which accompanies suppressed agitation, and the slight flush in her cheeks, with which she had come downstairs, was heightened to a deep rose-colour. She looked as if she were only sister to Dinah. Adam was silent with surprise and conjecture for some moments, and then he said, “I hope I’ve not hurt or displeased you by what I’ve said, Dinah. Perhaps I was making too free. I’ve no wish different from what you see to be best, and I’m satisfied for you to live thirty mile off, if you think it right. I shall think of you just as much as I do now, for you’re bound up with what I can no more help remembering than I can help my heart beating.”
Dinah didn’t say anything, and they continued walking in silence for a few yards until they reached the stone stile. Adam went through first and turned around to help her up the unusually high step, and he couldn't help but see her face. It surprised him; her usually gentle and serious grey eyes had a bright, anxious look that comes with repressed emotions, and the slight flush in her cheeks from when she came downstairs had turned into a deep rose color. She seemed more like a sister to Dinah. Adam was taken aback for a moment, then said, “I hope I haven’t hurt or upset you with what I said, Dinah. I might’ve overstepped. I only want what you believe is best, and I'm fine with you living thirty miles away if that's what you feel is right. I'll think of you just as much as I do now because you're tied to my memories as tightly as my heartbeat.”
Poor Adam! Thus do men blunder. Dinah made no answer, but she presently said, “Have you heard any news from that poor young man, since we last spoke of him?”
Poor Adam! This is how men make mistakes. Dinah didn’t reply, but soon she said, “Have you heard any news about that poor young man since we last talked about him?”
Dinah always called Arthur so; she had never lost the image of him as she had seen him in the prison.
Dinah always called Arthur that; she had never lost the picture of him as she had seen him in prison.
“Yes,” said Adam. “Mr. Irwine read me part of a letter from him yesterday. It’s pretty certain, they say, that there’ll be a peace soon, though nobody believes it’ll last long; but he says he doesn’t mean to come home. He’s no heart for it yet, and it’s better for others that he should keep away. Mr. Irwine thinks he’s in the right not to come. It’s a sorrowful letter. He asks about you and the Poysers, as he always does. There’s one thing in the letter cut me a good deal: ‘You can’t think what an old fellow I feel,’ he says; ‘I make no schemes now. I’m the best when I’ve a good day’s march or fighting before me.’”
"Yes," Adam said. "Mr. Irwine read me part of a letter from him yesterday. They say it’s pretty likely there’ll be peace soon, though nobody expects it to last long; but he says he doesn’t intend to come home. He’s not ready for it yet, and it’s better for others if he stays away. Mr. Irwine thinks he’s right not to come. It’s a sad letter. He asks about you and the Poysers, like he always does. One thing in the letter really hit me: 'You can’t imagine how old I feel,' he says; 'I don’t make any plans anymore. I’m at my best when I have a long day’s march or a fight ahead of me.'"
“He’s of a rash, warm-hearted nature, like Esau, for whom I have always felt great pity,” said Dinah. “That meeting between the brothers, where Esau is so loving and generous, and Jacob so timid and distrustful, notwithstanding his sense of the Divine favour, has always touched me greatly. Truly, I have been tempted sometimes to say that Jacob was of a mean spirit. But that is our trial: we must learn to see the good in the midst of much that is unlovely.”
“He's impulsive and kind-hearted, like Esau, for whom I've always felt a lot of sympathy,” Dinah said. “That reunion between the brothers, where Esau is so loving and generous, and Jacob so hesitant and suspicious, despite his awareness of God's favor, has always moved me deeply. Honestly, I've sometimes thought about saying that Jacob had a small-minded spirit. But that's our challenge: we have to learn to find the good amid all the unpleasantness.”
“Ah,” said Adam, “I like to read about Moses best, in th’ Old Testament. He carried a hard business well through, and died when other folks were going to reap the fruits. A man must have courage to look at his life so, and think what’ll come of it after he’s dead and gone. A good solid bit o’ work lasts: if it’s only laying a floor down, somebody’s the better for it being done well, besides the man as does it.”
“Ah,” said Adam, “I like reading about Moses the most, in the Old Testament. He handled a tough situation well and died just before others were set to enjoy the benefits. A person has to be brave to reflect on their life like that and consider what happens after they're gone. A good solid piece of work endures; even if it’s just laying a floor, someone benefits from it being done well, in addition to the person who did it.”
They were both glad to talk of subjects that were not personal, and in this way they went on till they passed the bridge across the Willow Brook, when Adam turned round and said, “Ah, here’s Seth. I thought he’d be home soon. Does he know of you’re going, Dinah?”
They were both happy to discuss topics that weren't personal, and they continued this way until they crossed the bridge over Willow Brook, when Adam turned around and said, “Oh, here’s Seth. I figured he’d be home soon. Does he know you’re leaving, Dinah?”
“Yes, I told him last Sabbath.”
“Yes, I told him last Saturday.”
Adam remembered now that Seth had come home much depressed on Sunday evening, a circumstance which had been very unusual with him of late, for the happiness he had in seeing Dinah every week seemed long to have outweighed the pain of knowing she would never marry him. This evening he had his habitual air of dreamy benignant contentment, until he came quite close to Dinah and saw the traces of tears on her delicate eyelids and eyelashes. He gave one rapid glance at his brother, but Adam was evidently quite outside the current of emotion that had shaken Dinah: he wore his everyday look of unexpectant calm. Seth tried not to let Dinah see that he had noticed her face, and only said, “I’m thankful you’re come, Dinah, for Mother’s been hungering after the sight of you all day. She began to talk of you the first thing in the morning.”
Adam remembered that Seth had come home feeling really down on Sunday evening, which was pretty unusual for him lately, since the joy of seeing Dinah every week seemed to overshadow the sadness of knowing she would never marry him. That evening, he had his usual expression of dreamy, kind contentment until he got closer to Dinah and noticed the traces of tears on her delicate eyelids and eyelashes. He quickly glanced at his brother, but Adam seemed completely unaffected by the emotions that had upset Dinah; he looked as calm and unbothered as ever. Seth tried not to let Dinah see that he had noticed her expression and simply said, “I’m glad you’re here, Dinah, because Mother’s been longing to see you all day. She started talking about you first thing in the morning.”
When they entered the cottage, Lisbeth was seated in her arm-chair, too tired with setting out the evening meal, a task she always performed a long time beforehand, to go and meet them at the door as usual, when she heard the approaching footsteps.
When they walked into the cottage, Lisbeth was sitting in her armchair, too exhausted from preparing the evening meal, a chore she always did well in advance, to go and greet them at the door as she usually did when she heard their footsteps coming.
“Coom, child, thee’t coom at last,” she said, when Dinah went towards her. “What dost mane by lavin’ me a week an’ ne’er coomin’ a-nigh me?”
“Come here, child, you finally came,” she said, when Dinah approached her. “What do you mean by leaving me for a week and never coming near me?”
“Dear friend,” said Dinah, taking her hand, “you’re not well. If I’d known it sooner, I’d have come.”
“Hey, friend,” said Dinah, taking her hand, “you’re not feeling well. If I’d known earlier, I would’ve come.”
“An’ how’s thee t’ know if thee dostna coom? Th’ lads on’y know what I tell ’em. As long as ye can stir hand and foot the men think ye’re hearty. But I’m none so bad, on’y a bit of a cold sets me achin’. An’ th’ lads tease me so t’ ha’ somebody wi’ me t’ do the work—they make me ache worse wi’ talkin’. If thee’dst come and stay wi’ me, they’d let me alone. The Poysers canna want thee so bad as I do. But take thy bonnet off, an’ let me look at thee.”
“An’ how are you supposed to know if you’re coming? The guys only know what I tell them. As long as you can move your hands and feet, the men think you’re fine. But I’m not so bad, just a bit of a cold makes me ache. And the guys tease me so much wanting someone with me to do the work—they make me ache even more with their chatter. If you’d come and stay with me, they’d leave me alone. The Poysers can’t want you as much as I do. But take your hat off, and let me see you.”
Dinah was moving away, but Lisbeth held her fast, while she was taking off her bonnet, and looked at her face as one looks into a newly gathered snowdrop, to renew the old impressions of purity and gentleness.
Dinah was stepping away, but Lisbeth held her tight as she took off her bonnet, looking at her face as one gazes into a freshly picked snowdrop, to refresh the familiar feelings of purity and kindness.
“What’s the matter wi’ thee?” said Lisbeth, in astonishment; “thee’st been a-cryin’.”
"What’s wrong with you?" Lisbeth said, surprised. "You've been crying."
“It’s only a grief that’ll pass away,” said Dinah, who did not wish just now to call forth Lisbeth’s remonstrances by disclosing her intention to leave Hayslope. “You shall know about it shortly—we’ll talk of it to-night. I shall stay with you to-night.”
“It’s just a temporary sadness,” Dinah said, not wanting to trigger Lisbeth’s objections by revealing her plan to leave Hayslope. “You’ll find out soon—we’ll discuss it tonight. I’m staying with you tonight.”
Lisbeth was pacified by this prospect. And she had the whole evening to talk with Dinah alone; for there was a new room in the cottage, you remember, built nearly two years ago, in the expectation of a new inmate; and here Adam always sat when he had writing to do or plans to make. Seth sat there too this evening, for he knew his mother would like to have Dinah all to herself.
Lisbeth felt comforted by this idea. She had the whole evening to chat with Dinah alone because there was a new room in the cottage, built almost two years ago, anticipating a new resident. Adam always used to sit there when he had writing to do or plans to work on. Seth was sitting there this evening as well, knowing his mother would want to have Dinah all to herself.
There were two pretty pictures on the two sides of the wall in the cottage. On one side there was the broad-shouldered, large-featured, hardy old woman, in her blue jacket and buff kerchief, with her dim-eyed anxious looks turned continually on the lily face and the slight form in the black dress that were either moving lightly about in helpful activity, or seated close by the old woman’s arm-chair, holding her withered hand, with eyes lifted up towards her to speak a language which Lisbeth understood far better than the Bible or the hymn-book. She would scarcely listen to reading at all to-night. “Nay, nay, shut the book,” she said. “We mun talk. I want t’ know what thee was cryin’ about. Hast got troubles o’ thy own, like other folks?”
There were two nice pictures on either side of the wall in the cottage. On one side was the broad-shouldered, strong-featured old woman in her blue jacket and yellow kerchief, with her anxious, dim-eyed gaze constantly focused on the pale face and slight figure in the black dress that were either moving lightly around in helpful activity or sitting close to the old woman’s armchair, holding her withered hand, looking up at her to communicate in a way that Lisbeth understood far better than the Bible or the hymn book. She barely wanted to listen to any reading tonight. “No, no, close the book,” she said. “We need to talk. I want to know what you were crying about. Do you have troubles of your own, like other people?”
On the other side of the wall there were the two brothers so like each other in the midst of their unlikeness: Adam with knit brows, shaggy hair, and dark vigorous colour, absorbed in his “figuring”; Seth, with large rugged features, the close copy of his brother’s, but with thin, wavy, brown hair and blue dreamy eyes, as often as not looking vaguely out of the window instead of at his book, although it was a newly bought book—Wesley’s abridgment of Madame Guyon’s life, which was full of wonder and interest for him. Seth had said to Adam, “Can I help thee with anything in here to-night? I don’t want to make a noise in the shop.”
On the other side of the wall were the two brothers, so similar yet so different: Adam, with his furrowed brow, messy hair, and dark, strong features, focused on his calculations; and Seth, with his large, rugged features that closely resembled his brother’s but with thin, wavy brown hair and blue, dreamy eyes, often gazing out the window instead of reading his book, even though it was a newly purchased one—Wesley’s abridged version of Madame Guyon’s life, which fascinated him. Seth asked Adam, “Can I help you with anything in here tonight? I don’t want to disturb you in the shop.”
“No, lad,” Adam answered, “there’s nothing but what I must do myself. Thee’st got thy new book to read.”
“No, kid,” Adam replied, “there’s nothing but what I have to do myself. You’ve got your new book to read.”
And often, when Seth was quite unconscious, Adam, as he paused after drawing a line with his ruler, looked at his brother with a kind smile dawning in his eyes. He knew “th’ lad liked to sit full o’ thoughts he could give no account of; they’d never come t’ anything, but they made him happy,” and in the last year or so, Adam had been getting more and more indulgent to Seth. It was part of that growing tenderness which came from the sorrow at work within him.
And often, when Seth was completely unaware, Adam, as he paused after drawing a line with his ruler, looked at his brother with a kind smile starting to show in his eyes. He knew “the kid liked to sit full of thoughts he could never explain; they might not lead to anything, but they made him happy,” and in the last year or so, Adam had been becoming more and more lenient toward Seth. It was part of that growing affection that came from the sadness stirring within him.
For Adam, though you see him quite master of himself, working hard and delighting in his work after his inborn inalienable nature, had not outlived his sorrow—had not felt it slip from him as a temporary burden, and leave him the same man again. Do any of us? God forbid. It would be a poor result of all our anguish and our wrestling if we won nothing but our old selves at the end of it—if we could return to the same blind loves, the same self-confident blame, the same light thoughts of human suffering, the same frivolous gossip over blighted human lives, the same feeble sense of that Unknown towards which we have sent forth irrepressible cries in our loneliness. Let us rather be thankful that our sorrow lives in us as an indestructible force, only changing its form, as forces do, and passing from pain into sympathy—the one poor word which includes all our best insight and our best love. Not that this transformation of pain into sympathy had completely taken place in Adam yet. There was still a great remnant of pain, and this he felt would subsist as long as her pain was not a memory, but an existing thing, which he must think of as renewed with the light of every new morning. But we get accustomed to mental as well as bodily pain, without, for all that, losing our sensibility to it. It becomes a habit of our lives, and we cease to imagine a condition of perfect ease as possible for us. Desire is chastened into submission, and we are contented with our day when we have been able to bear our grief in silence and act as if we were not suffering. For it is at such periods that the sense of our lives having visible and invisible relations, beyond any of which either our present or prospective self is the centre, grows like a muscle that we are obliged to lean on and exert.
For Adam, even though he appeared to be fully in control of himself, working hard and enjoying his efforts in line with his natural instincts, he hadn’t completely moved past his sorrow—he hadn’t managed to let it go as just a temporary weight and return to being the same person again. Do any of us? God forbid. It would be a disappointing outcome of all our pain and struggles if we ended up with nothing more than our old selves—if we could go back to the same blind attachments, the same arrogant blame, the same careless attitude towards human suffering, the same trivial gossip about broken lives, the same weak understanding of that Unknown towards which we've sent out desperate cries in our loneliness. Let’s be grateful that our sorrow remains within us as an enduring force, only changing in nature, like forces do, shifting from pain into empathy—the one simple word that captures all our deepest insight and our truest love. Not that this shift from pain to empathy had fully happened in Adam yet. There was still a significant amount of pain, and he felt it would linger as long as her pain was not just a memory, but something real that he had to think about anew with each dawn. But we become accustomed to both mental and physical pain, without losing sensitivity to it. It turns into a part of our lives, and we stop imagining a state of complete comfort as possible for us. Desire becomes tamed into acceptance, and we feel satisfied with our day when we've managed to endure our grief silently and act as if we weren’t hurting. For it is during these times that the realization of our lives having visible and invisible connections, beyond which neither our present nor future selves are the center, grows strong like a muscle that we have to rely on and strengthen.
That was Adam’s state of mind in this second autumn of his sorrow. His work, as you know, had always been part of his religion, and from very early days he saw clearly that good carpentry was God’s will—was that form of God’s will that most immediately concerned him. But now there was no margin of dreams for him beyond this daylight reality, no holiday-time in the working-day world, no moment in the distance when duty would take off her iron glove and breast-plate and clasp him gently into rest. He conceived no picture of the future but one made up of hard-working days such as he lived through, with growing contentment and intensity of interest, every fresh week. Love, he thought, could never be anything to him but a living memory—a limb lopped off, but not gone from consciousness. He did not know that the power of loving was all the while gaining new force within him; that the new sensibilities bought by a deep experience were so many new fibres by which it was possible, nay, necessary to him, that his nature should intertwine with another. Yet he was aware that common affection and friendship were more precious to him than they used to be—that he clung more to his mother and Seth, and had an unspeakable satisfaction in the sight or imagination of any small addition to their happiness. The Poysers, too—hardly three or four days passed but he felt the need of seeing them and interchanging words and looks of friendliness with them. He would have felt this, probably, even if Dinah had not been with them, but he had only said the simplest truth in telling Dinah that he put her above all other friends in the world. Could anything be more natural? For in the darkest moments of memory the thought of her always came as the first ray of returning comfort. The early days of gloom at the Hall Farm had been gradually turned into soft moonlight by her presence; and in the cottage, too, for she had come at every spare moment to soothe and cheer poor Lisbeth, who had been stricken with a fear that subdued even her querulousness at the sight of her darling Adam’s grief-worn face. He had become used to watching her light quiet movements, her pretty loving ways to the children, when he went to the Hall Farm; to listen for her voice as for a recurrent music; to think everything she said and did was just right, and could not have been better. In spite of his wisdom, he could not find fault with her for her overindulgence of the children, who had managed to convert Dinah the preacher, before whom a circle of rough men had often trembled a little, into a convenient household slave—though Dinah herself was rather ashamed of this weakness, and had some inward conflict as to her departure from the precepts of Solomon. Yes, there was one thing that might have been better; she might have loved Seth and consented to marry him. He felt a little vexed, for his brother’s sake, and he could not help thinking regretfully how Dinah, as Seth’s wife, would have made their home as happy as it could be for them all—how she was the one being that would have soothed their mother’s last days into peacefulness and rest.
That was Adam’s mindset in this second autumn of his sorrow. His work, as you know, had always been part of his faith, and from a young age, he realized that good carpentry was God’s will—specifically the part of God’s will that mattered most to him. But now there was no space for dreams beyond this harsh reality, no escape from the everyday grind, no moment in the future when duty would remove her heavy armor and embrace him softly into rest. He could only imagine a future filled with hard-working days just like the ones he was living through, with increasing satisfaction and intensity of interest every week. He thought love could only ever be a living memory—a part of him that was severed but still lingered in his awareness. He didn’t realize that his capacity to love was quietly gaining strength within him; that the new sensitivities gained from deep experiences were adding to his being, making it necessary for him to connect with another person. Still, he noticed that simple affection and friendship felt more valuable to him than before—that he held onto his mother and Seth tighter, and found immense satisfaction in seeing or imagining any small improvement in their happiness. The Poysers, too—hardly three or four days would go by without him feeling the urge to visit them and share friendly words and looks. He would have felt this, probably, even if Dinah hadn’t been there with them, but he had simply stated the truth when he told Dinah that he valued her above all other friends in the world. Could anything be more natural? In his darkest memories, the thought of her always brought the first glimmer of comfort. The early days of despair at the Hall Farm turned gradually into gentle moonlight thanks to her presence; and in the cottage, too, since she came whenever she could to comfort and lift the spirits of poor Lisbeth, who had been gripped by a fear that quieted even her complaints at the sight of her beloved Adam’s sorrowful face. He had grown accustomed to watching her light, graceful movements, her sweet and caring ways with the children when he visited the Hall Farm; to listen for her voice as if it were a recurring melody; to believe that everything she said and did was perfect and couldn’t be improved upon. Despite his wisdom, he couldn’t fault her for being too lenient with the children, who had managed to turn Dinah the preacher—who had often made a circle of rough men feel a bit uneasy—into a helpful household servant, though Dinah herself felt somewhat ashamed of this weakness and struggled internally with straying from Solomon’s teachings. Yes, there was one thing that could have been better; she could have loved Seth and agreed to marry him. He felt a little annoyed, for his brother's sake, and couldn’t help but think with regret how Dinah, as Seth’s wife, would have made their home as happy as possible for all of them—how she was the one person who could have brought peace and comfort to their mother’s final days.
“It’s wonderful she doesn’t love th’ lad,” Adam had said sometimes to himself, “for anybody ’ud think he was just cut out for her. But her heart’s so taken up with other things. She’s one o’ those women that feel no drawing towards having a husband and children o’ their own. She thinks she should be filled up with her own life then, and she’s been used so to living in other folks’s cares, she can’t bear the thought of her heart being shut up from ’em. I see how it is, well enough. She’s cut out o’ different stuff from most women: I saw that long ago. She’s never easy but when she’s helping somebody, and marriage ’ud interfere with her ways—that’s true. I’ve no right to be contriving and thinking it ’ud be better if she’d have Seth, as if I was wiser than she is—or than God either, for He made her what she is, and that’s one o’ the greatest blessings I’ve ever had from His hands, and others besides me.”
“It’s great that she doesn’t love the guy,” Adam sometimes said to himself, “because anyone would think he was perfect for her. But her heart is focused on other things. She’s one of those women who don’t feel any pull towards having a husband and kids of her own. She thinks she should be fulfilled with her own life, and she’s so accustomed to living in other people’s worries that she can’t stand the idea of shutting her heart off from them. I get it, well enough. She’s made of different stuff than most women: I realized that long ago. She’s only comfortable when she’s helping someone, and marriage would disrupt her ways—that’s true. I shouldn’t be scheming and thinking it would be better if she were with Seth, as if I knew better than she does—or than God, for He made her who she is, and that’s one of the greatest gifts I’ve ever received from His hands, along with others besides me.”
This self-reproof had recurred strongly to Adam’s mind when he gathered from Dinah’s face that he had wounded her by referring to his wish that she had accepted Seth, and so he had endeavoured to put into the strongest words his confidence in her decision as right—his resignation even to her going away from them and ceasing to make part of their life otherwise than by living in their thoughts, if that separation were chosen by herself. He felt sure she knew quite well enough how much he cared to see her continually—to talk to her with the silent consciousness of a mutual great remembrance. It was not possible she should hear anything but self-renouncing affection and respect in his assurance that he was contented for her to go away; and yet there remained an uneasy feeling in his mind that he had not said quite the right thing—that, somehow, Dinah had not understood him.
This self-criticism had strongly come back to Adam's mind when he saw from Dinah's expression that he had hurt her by mentioning his wish that she had chosen Seth. So, he tried to express in the strongest terms his confidence that her decision was right—his acceptance of her possibly leaving them and being part of their lives only in their memories, if that was what she chose. He was certain she knew how much he wanted to see her all the time—to talk to her while sharing an unspoken connection of a significant shared memory. It seemed impossible for her to hear anything but selfless love and respect in his statement that he was okay with her leaving; yet he still had a nagging feeling that he hadn’t said exactly the right thing—that, somehow, Dinah hadn’t fully understood him.
Dinah must have risen a little before the sun the next morning, for she was downstairs about five o’clock. So was Seth, for, through Lisbeth’s obstinate refusal to have any woman-helper in the house, he had learned to make himself, as Adam said, “very handy in the housework,” that he might save his mother from too great weariness; on which ground I hope you will not think him unmanly, any more than you can have thought the gallant Colonel Bath unmanly when he made the gruel for his invalid sister. Adam, who had sat up late at his writing, was still asleep, and was not likely, Seth said, to be down till breakfast-time. Often as Dinah had visited Lisbeth during the last eighteen months, she had never slept in the cottage since that night after Thias’s death, when, you remember, Lisbeth praised her deft movements and even gave a modified approval to her porridge. But in that long interval Dinah had made great advances in household cleverness, and this morning, since Seth was there to help, she was bent on bringing everything to a pitch of cleanliness and order that would have satisfied her Aunt Poyser. The cottage was far from that standard at present, for Lisbeth’s rheumatism had forced her to give up her old habits of dilettante scouring and polishing. When the kitchen was to her mind, Dinah went into the new room, where Adam had been writing the night before, to see what sweeping and dusting were needed there. She opened the window and let in the fresh morning air, and the smell of the sweet-brier, and the bright low-slanting rays of the early sun, which made a glory about her pale face and pale auburn hair as she held the long brush, and swept, singing to herself in a very low tone—like a sweet summer murmur that you have to listen for very closely—one of Charles Wesley’s hymns:
Dinah must have gotten up a little before sunrise the next morning because she was downstairs around five o’clock. Seth was up too, since, due to Lisbeth’s stubborn refusal to let any women help in the house, he had learned to be, as Adam put it, "very handy with housework," so he could spare his mother from getting too worn out; I hope you won’t think him unmanly, just like you wouldn’t think the brave Colonel Bath was unmanly when he made gruel for his sick sister. Adam, who had stayed up late writing, was still asleep and wasn’t likely to wake up until breakfast time, according to Seth. Even though Dinah had visited Lisbeth frequently over the past year and a half, she hadn’t slept in the cottage since that night after Thias’s death, when, you might remember, Lisbeth praised her skilled movements and even gave a nod of approval to her porridge. But in that long time, Dinah had made significant progress in her household skills, and this morning, since Seth was there to assist, she was determined to achieve a level of cleanliness and order that would have pleased her Aunt Poyser. The cottage was far from that level at the moment, as Lisbeth’s rheumatism had forced her to abandon her usual routines of casual cleaning and polishing. Once the kitchen was to her satisfaction, Dinah moved into the new room where Adam had been writing the night before to check what sweeping and dusting needed to be done there. She opened the window to let in the fresh morning air, the scent of sweet-brier, and the slanted rays of the early sun, which created a beautiful glow around her pale face and light auburn hair as she held the long brush, sweeping and singing softly to herself—like a gentle summer murmur you have to really listen for—one of Charles Wesley’s hymns:
Eternal Beam of Light Divine,
Fountain of unexhausted love,
In whom the Father’s glories shine,
Through earth beneath and heaven above;
Jesus! the weary wanderer’s rest,
Give me thy easy yoke to bear;
With steadfast patience arm my breast,
With spotless love and holy fear.
Speak to my warring passions, “Peace!”
Say to my trembling heart, “Be still!”
Thy power my strength and fortress is,
For all things serve thy sovereign will.
Eternal Light of God,
Fountain of endless love,
In whom the Father’s glory shines,
Across the earth below and skies above;
Jesus! the tired traveler’s rest,
Help me carry your easy load;
With steady patience strengthen my heart,
With pure love and holy fear.
Speak to my battling emotions, “Peace!”
Say to my anxious heart, “Be still!”
Your power is my strength and shelter,
For everything follows your sovereign will.
She laid by the brush and took up the duster; and if you had ever lived in Mrs. Poyser’s household, you would know how the duster behaved in Dinah’s hand—how it went into every small corner, and on every ledge in and out of sight—how it went again and again round every bar of the chairs, and every leg, and under and over everything that lay on the table, till it came to Adam’s papers and rulers and the open desk near them. Dinah dusted up to the very edge of these and then hesitated, looking at them with a longing but timid eye. It was painful to see how much dust there was among them. As she was looking in this way, she heard Seth’s step just outside the open door, towards which her back was turned, and said, raising her clear treble, “Seth, is your brother wrathful when his papers are stirred?”
She lay by the brush and picked up the duster; and if you had ever lived in Mrs. Poyser’s household, you would know how the duster acted in Dinah’s hands—how it reached into every little corner and on every ledge, disappearing from sight—how it went around every slat of the chairs and every leg, and under and over everything on the table, until it got to Adam’s papers, rulers, and the open desk next to them. Dinah dusted right up to the edge of these and then paused, looking at them with a longing yet hesitant eye. It was painful to see how much dust was on them. While she was looking like this, she heard Seth’s footsteps just outside the open door, which her back was turned to, and said, raising her clear voice, “Seth, does your brother get upset when his papers get moved?”
“Yes, very, when they are not put back in the right places,” said a deep strong voice, not Seth’s.
“Yes, definitely, when they're not put back in the right places,” said a deep, strong voice, not Seth's.
It was as if Dinah had put her hands unawares on a vibrating chord. She was shaken with an intense thrill, and for the instant felt nothing else; then she knew her cheeks were glowing, and dared not look round, but stood still, distressed because she could not say good-morning in a friendly way. Adam, finding that she did not look round so as to see the smile on his face, was afraid she had thought him serious about his wrathfulness, and went up to her, so that she was obliged to look at him.
It was like Dinah had unknowingly placed her hands on a vibrating string. She was overwhelmed with a rush of excitement and for a moment felt nothing else; then she realized her cheeks were bright red and she didn't dare look around, standing there uncomfortable because she couldn't greet him in a friendly way. Adam, noticing that she wouldn’t turn to see the smile on his face, worried she thought he was genuinely upset, so he walked over to her, making her look at him.
“What! You think I’m a cross fellow at home, Dinah?” he said, smilingly.
“What! Do you think I’m a grumpy guy at home, Dinah?” he said, smiling.
“Nay,” said Dinah, looking up with timid eyes, “not so. But you might be put about by finding things meddled with; and even the man Moses, the meekest of men, was wrathful sometimes.”
“Actually,” Dinah said, looking up with shy eyes, “that’s not true. But you might be upset if you find things changed; and even Moses, the most humble man, could get angry at times.”
“Come, then,” said Adam, looking at her affectionately, “I’ll help you move the things, and put ’em back again, and then they can’t get wrong. You’re getting to be your aunt’s own niece, I see, for particularness.”
“Come on then,” said Adam, looking at her fondly, “I’ll help you move the stuff and put it back again, and then it can’t go wrong. I can see you’re becoming just like your aunt, with all this fussiness.”
They began their little task together, but Dinah had not recovered herself sufficiently to think of any remark, and Adam looked at her uneasily. Dinah, he thought, had seemed to disapprove him somehow lately; she had not been so kind and open to him as she used to be. He wanted her to look at him, and be as pleased as he was himself with doing this bit of playful work. But Dinah did not look at him—it was easy for her to avoid looking at the tall man—and when at last there was no more dusting to be done and no further excuse for him to linger near her, he could bear it no longer, and said, in rather a pleading tone, “Dinah, you’re not displeased with me for anything, are you? I’ve not said or done anything to make you think ill of me?”
They started their little task together, but Dinah hadn't fully recovered to make any comments, and Adam glanced at her anxiously. He felt like Dinah had seemed to disapprove of him lately; she hadn't been as kind and open with him as she used to be. He wanted her to look at him and share in his enjoyment of this playful work. But Dinah didn’t meet his gaze—it was easy for her to look away from the tall man—and when there was no more dusting to do and no reason for him to stick around, he could take it no longer and asked, in a somewhat pleading tone, “Dinah, you’re not upset with me for anything, are you? I haven’t said or done anything to make you think poorly of me?”
The question surprised her, and relieved her by giving a new course to her feeling. She looked up at him now, quite earnestly, almost with the tears coming, and said, “Oh, no, Adam! how could you think so?”
The question caught her off guard and relieved her by changing the direction of her emotions. She looked up at him now, very seriously, almost on the verge of tears, and said, “Oh, no, Adam! How could you think that?”
“I couldn’t bear you not to feel as much a friend to me as I do to you,” said Adam. “And you don’t know the value I set on the very thought of you, Dinah. That was what I meant yesterday, when I said I’d be content for you to go, if you thought right. I meant, the thought of you was worth so much to me, I should feel I ought to be thankful, and not grumble, if you see right to go away. You know I do mind parting with you, Dinah?”
“I couldn’t stand the thought of you not feeling as much like a friend to me as I do to you,” said Adam. “And you don’t know how much I appreciate just thinking about you, Dinah. That’s what I meant yesterday when I said I’d be okay with you leaving if you thought it was the right decision. I meant that the thought of you means so much to me that I would feel grateful and shouldn’t complain if you decide to go. You know that I really do hate saying goodbye to you, Dinah?”
“Yes, dear friend,” said Dinah, trembling, but trying to speak calmly, “I know you have a brother’s heart towards me, and we shall often be with one another in spirit; but at this season I am in heaviness through manifold temptations. You must not mark me. I feel called to leave my kindred for a while; but it is a trial—the flesh is weak.”
“Yes, dear friend,” Dinah said, trembling but trying to sound calm, “I know you care for me like a brother, and we’ll often be connected in spirit; but right now, I’m feeling heavy due to many temptations. Please don’t judge me. I feel the need to step away from my family for a bit; but it’s tough—the flesh is weak.”
Adam saw that it pained her to be obliged to answer.
Adam noticed that it hurt her to have to respond.
“I hurt you by talking about it, Dinah,” he said. “I’ll say no more. Let’s see if Seth’s ready with breakfast now.”
“I hurt you by bringing it up, Dinah,” he said. “I won’t say anything more. Let’s check if Seth is ready with breakfast now.”
That is a simple scene, reader. But it is almost certain that you, too, have been in love—perhaps, even, more than once, though you may not choose to say so to all your feminine friends. If so, you will no more think the slight words, the timid looks, the tremulous touches, by which two human souls approach each other gradually, like two little quivering rain-streams, before they mingle into one—you will no more think these things trivial than you will think the first-detected signs of coming spring trivial, though they be but a faint indescribable something in the air and in the song of the birds, and the tiniest perceptible budding on the hedge-row branches. Those slight words and looks and touches are part of the soul’s language; and the finest language, I believe, is chiefly made up of unimposing words, such as “light,” “sound,” “stars,” “music”—words really not worth looking at, or hearing, in themselves, any more than “chips” or “sawdust.” It is only that they happen to be the signs of something unspeakably great and beautiful. I am of opinion that love is a great and beautiful thing too, and if you agree with me, the smallest signs of it will not be chips and sawdust to you: they will rather be like those little words, “light” and “music,” stirring the long-winding fibres of your memory and enriching your present with your most precious past.
That’s a simple scene, reader. But it’s almost certain that you’ve been in love too—maybe even more than once, even if you don’t share that with all your female friends. If that’s the case, you won’t think the small words, the shy glances, the delicate touches, through which two people come closer together, like two little trembling streams of rain before they blend into one—will seem trivial to you, just as you wouldn’t consider the first signs of spring to be trivial, even if they’re just a faint, indescribable something in the air, a hint in the birds' songs, and the tiniest buds on the branches. Those subtle words, looks, and touches are part of the language of the soul; and the most beautiful language, I believe, is mostly made up of simple words like “light,” “sound,” “stars,” “music”—words that don’t seem significant on their own, just like “chips” or “sawdust.” It’s just that they represent something profoundly magnificent and beautiful. I believe love is a great and beautiful thing too, and if you agree, then the smallest signs of it won’t feel like mere chips and sawdust to you: they’ll be like those small words, “light” and “music,” awakening the long-buried fibers of your memory and enriching your present with your most cherished past.
Chapter LI
Sunday Morning
Lisbeth’s touch of rheumatism could not be made to appear serious enough to detain Dinah another night from the Hall Farm, now she had made up her mind to leave her aunt so soon, and at evening the friends must part. “For a long while,” Dinah had said, for she had told Lisbeth of her resolve.
Lisbeth's slight rheumatism didn't seem serious enough to keep Dinah from spending another night at the Hall Farm, now that she was determined to leave her aunt so soon, and in the evening, the friends had to say goodbye. “For a long time,” Dinah had said, since she had shared her decision with Lisbeth.
“Then it’ll be for all my life, an’ I shall ne’er see thee again,” said Lisbeth. “Long while! I’n got no long while t’ live. An’ I shall be took bad an’ die, an’ thee canst ne’er come a-nigh me, an’ I shall die a-longing for thee.”
“Then it’ll be for the rest of my life, and I’ll never see you again,” said Lisbeth. “A long time! I don’t have a long time to live. And I’ll get sick and die, and you’ll never be able to come near me, and I’ll die longing for you.”
That had been the key-note of her wailing talk all day; for Adam was not in the house, and so she put no restraint on her complaining. She had tried poor Dinah by returning again and again to the question, why she must go away; and refusing to accept reasons, which seemed to her nothing but whim and “contrairiness”; and still more, by regretting that she “couldna’ ha’ one o’ the lads” and be her daughter.
That had been the main theme of her complaining all day; Adam wasn’t in the house, so she felt free to express her grievances. She had worn out poor Dinah by repeatedly asking why she had to leave and dismissing the explanations as mere whim and "contrariness." Even more, she lamented that she “couldn’t have one of the boys” and be her daughter.
“Thee couldstna put up wi’ Seth,” she said. “He isna cliver enough for thee, happen, but he’d ha’ been very good t’ thee—he’s as handy as can be at doin’ things for me when I’m bad, an’ he’s as fond o’ the Bible an’ chappellin’ as thee art thysen. But happen, thee’dst like a husband better as isna just the cut o’ thysen: the runnin’ brook isna athirst for th’ rain. Adam ’ud ha’ done for thee—I know he would—an’ he might come t’ like thee well enough, if thee’dst stop. But he’s as stubborn as th’ iron bar—there’s no bending him no way but’s own. But he’d be a fine husband for anybody, be they who they will, so looked-on an’ so cliver as he is. And he’d be rare an’ lovin’: it does me good on’y a look o’ the lad’s eye when he means kind tow’rt me.”
“You can’t put up with Seth,” she said. “He’s probably not clever enough for you, but he would have been really good to you—he’s always so helpful when I’m feeling unwell, and he loves the Bible and church as much as you do. But maybe you’d prefer a husband who isn’t just like yourself: the running brook isn’t thirsty for the rain. Adam would have been great for you—I know he would have—and he might come to like you well enough if you’d just stick around. But he’s as stubborn as an iron bar—there’s no changing his mind except his own way. But he’d be a great husband for anyone, no matter who they are, as respected and clever as he is. And he’d be rare and affectionate: it makes me feel good to just see the kindness in the lad’s eyes.”
Dinah tried to escape from Lisbeth’s closest looks and questions by finding little tasks of housework that kept her moving about, and as soon as Seth came home in the evening she put on her bonnet to go. It touched Dinah keenly to say the last good-bye, and still more to look round on her way across the fields and see the old woman still standing at the door, gazing after her till she must have been the faintest speck in the dim aged eyes. “The God of love and peace be with them,” Dinah prayed, as she looked back from the last stile. “Make them glad according to the days wherein thou hast afflicted them, and the years wherein they have seen evil. It is thy will that I should part from them; let me have no will but thine.”
Dinah tried to avoid Lisbeth’s intense looks and questions by finding small tasks around the house that kept her busy. As soon as Seth got home in the evening, she put on her bonnet to leave. It struck Dinah deeply to say her final goodbye, and even more so to glance back while crossing the fields and see the old woman still standing at the door, watching her until she became just a tiny speck in the fading light of her eyes. “May the God of love and peace be with them,” Dinah prayed as she looked back from the last fence. “Make them happy according to the days they've suffered and the years they've endured hardship. If it’s your will for me to leave them, let me desire nothing but what you want.”
Lisbeth turned into the house at last and sat down in the workshop near Seth, who was busying himself there with fitting some bits of turned wood he had brought from the village into a small work-box, which he meant to give to Dinah before she went away.
Lisbeth finally walked into the house and sat down in the workshop next to Seth, who was busy fitting some pieces of turned wood he had brought from the village into a small workbox that he planned to give to Dinah before she left.
“Thee’t see her again o’ Sunday afore she goes,” were her first words. “If thee wast good for anything, thee’dst make her come in again o’ Sunday night wi’ thee, and see me once more.”
“Thee’ll see her again on Sunday before she leaves,” were her first words. “If you were good for anything, you’d bring her back on Sunday night with you, and let me see her one more time.”
“Nay, Mother,” said Seth. “Dinah ’ud be sure to come again if she saw right to come. I should have no need to persuade her. She only thinks it ’ud be troubling thee for nought, just to come in to say good-bye over again.”
“Nah, Mom,” said Seth. “Dinah would definitely come again if she thought it was right to. I wouldn’t need to convince her. She just thinks it would be bothering you for no reason, just to come in to say goodbye again.”
“She’d ne’er go away, I know, if Adam ’ud be fond on her an’ marry her, but everything’s so contrairy,” said Lisbeth, with a burst of vexation.
“She'd never go away, I know, if Adam would be fond of her and marry her, but everything's so contradictory,” said Lisbeth, with a burst of frustration.
Seth paused a moment and looked up, with a slight blush, at his mother’s face. “What! Has she said anything o’ that sort to thee, Mother?” he said, in a lower tone.
Seth paused for a moment and looked up, slightly blushing, at his mother's face. "What! Has she said anything like that to you, Mom?" he asked in a quieter tone.
“Said? Nay, she’ll say nothin’. It’s on’y the men as have to wait till folks say things afore they find ’em out.”
“Say? No, she won’t say anything. It’s only the men who have to wait until people say things before they figure them out.”
“Well, but what makes thee think so, Mother? What’s put it into thy head?”
"Well, what makes you think that, Mom? What got that idea in your head?"
“It’s no matter what’s put it into my head. My head’s none so hollow as it must get in, an’ nought to put it there. I know she’s fond on him, as I know th’ wind’s comin’ in at the door, an’ that’s anoof. An’ he might be willin’ to marry her if he know’d she’s fond on him, but he’ll ne’er think on’t if somebody doesna put it into’s head.”
“It doesn't matter what's in my head. My head isn't so empty that anything can just get in there, and there's nothing to put it there. I know she cares about him, just like I know the wind is coming in through the door, and that's enough. He might be willing to marry her if he knew she cared about him, but he'll never think of it unless someone puts it in his head.”
His mother’s suggestion about Dinah’s feeling towards Adam was not quite a new thought to Seth, but her last words alarmed him, lest she should herself undertake to open Adam’s eyes. He was not sure about Dinah’s feeling, and he thought he was sure about Adam’s.
His mom's suggestion about Dinah's feelings for Adam wasn't entirely a new idea to Seth, but her last comments worried him, just in case she decided to try and make Adam see things clearly. He wasn't certain about Dinah's feelings, but he felt confident about Adam's.
“Nay, Mother, nay,” he said, earnestly, “thee mustna think o’ speaking o’ such things to Adam. Thee’st no right to say what Dinah’s feelings are if she hasna told thee, and it ’ud do nothing but mischief to say such things to Adam. He feels very grateful and affectionate toward Dinah, but he’s no thoughts towards her that ’ud incline him to make her his wife, and I don’t believe Dinah ’ud marry him either. I don’t think she’ll marry at all.”
“No, Mother, no,” he said earnestly, “you shouldn’t even think about saying such things to Adam. You have no right to speak for Dinah’s feelings if she hasn't told you herself, and it would only cause trouble to say those things to Adam. He feels very grateful and affectionate toward Dinah, but he doesn’t think of her in a way that would make him want to marry her, and I don’t believe Dinah would want to marry him either. I don’t think she’ll marry at all.”
“Eh,” said Lisbeth, impatiently. “Thee think’st so ’cause she wouldna ha’ thee. She’ll ne’er marry thee; thee mightst as well like her t’ ha’ thy brother.”
“Eh,” said Lisbeth, impatiently. “You think that because she wouldn’t have you. She’ll never marry you; you might as well wish for her to have your brother.”
Seth was hurt. “Mother,” he said, in a remonstrating tone, “don’t think that of me. I should be as thankful t’ have her for a sister as thee wouldst t’ have her for a daughter. I’ve no more thoughts about myself in that thing, and I shall take it hard if ever thee say’st it again.”
Seth was upset. “Mom,” he said, in a scolding tone, “don’t think that way about me. I should be just as grateful to have her as a sister as you would be to have her as a daughter. I don’t have any selfish thoughts about this, and I’ll be really hurt if you ever say it again.”
“Well, well, then thee shouldstna cross me wi’ sayin’ things arena as I say they are.”
“Well, well, then you shouldn't cross me by saying things aren’t as I say they are.”
“But, Mother,” said Seth, “thee’dst be doing Dinah a wrong by telling Adam what thee think’st about her. It ’ud do nothing but mischief, for it ’ud make Adam uneasy if he doesna feel the same to her. And I’m pretty sure he feels nothing o’ the sort.”
“But, Mom,” said Seth, “you’d be doing Dinah a disservice by telling Adam what you think about her. It would only cause trouble because it would make Adam uncomfortable if he doesn’t feel the same way about her. And I’m pretty sure he doesn’t feel that way at all.”
“Eh, donna tell me what thee’t sure on; thee know’st nought about it. What’s he allays goin’ to the Poysers’ for, if he didna want t’ see her? He goes twice where he used t’ go once. Happen he knowsna as he wants t’ see her; he knowsna as I put salt in’s broth, but he’d miss it pretty quick if it warna there. He’ll ne’er think o’ marrying if it isna put into’s head, an’ if thee’dst any love for thy mother, thee’dst put him up to’t an’ not let her go away out o’ my sight, when I might ha’ her to make a bit o’ comfort for me afore I go to bed to my old man under the white thorn.”
“Hey, don’t tell me what you’re sure about; you don’t know anything about it. Why does he always go to the Poysers’ if he doesn’t want to see her? He goes twice as often as he used to go once. Maybe he doesn’t realize that he wants to see her; he doesn’t know that I put salt in his soup, but he’d notice pretty quickly if it wasn’t there. He’ll never think about marrying unless someone brings it up, and if you had any love for your mother, you’d encourage him and not let her leave my sight when I could have her to make my life a little more comfortable before I go to bed with my old man under the white thorn.”
“Nay, Mother,” said Seth, “thee mustna think me unkind, but I should be going against my conscience if I took upon me to say what Dinah’s feelings are. And besides that, I think I should give offence to Adam by speaking to him at all about marrying; and I counsel thee not to do’t. Thee may’st be quite deceived about Dinah. Nay, I’m pretty sure, by words she said to me last Sabbath, as she’s no mind to marry.”
“Please, Mother,” said Seth, “don’t think I’m being unkind, but I would be going against my conscience if I claimed to know what Dinah is feeling. Plus, I think I would upset Adam by even bringing up the topic of marriage, and I advise you not to do it. You might be mistaken about Dinah. In fact, I’m quite sure, from what she told me last Sunday, that she has no intention of getting married.”
“Eh, thee’t as contrairy as the rest on ’em. If it war summat I didna want, it ’ud be done fast enough.”
“Eh, you're as contrary as the rest of them. If it were something I didn’t want, it would be done quickly enough.”
Lisbeth rose from the bench at this, and went out of the workshop, leaving Seth in much anxiety lest she should disturb Adam’s mind about Dinah. He consoled himself after a time with reflecting that, since Adam’s trouble, Lisbeth had been very timid about speaking to him on matters of feeling, and that she would hardly dare to approach this tenderest of all subjects. Even if she did, he hoped Adam would not take much notice of what she said.
Lisbeth got up from the bench and left the workshop, leaving Seth worried that she might upset Adam regarding Dinah. After a while, he reassured himself by thinking that, ever since Adam's troubles, Lisbeth had been cautious about discussing feelings with him, and she would probably hesitate to bring up this most sensitive topic. Even if she did, he hoped Adam wouldn’t pay much attention to what she said.
Seth was right in believing that Lisbeth would be held in restraint by timidity, and during the next three days, the intervals in which she had an opportunity of speaking to Adam were too rare and short to cause her any strong temptation. But in her long solitary hours she brooded over her regretful thoughts about Dinah, till they had grown very near that point of unmanageable strength when thoughts are apt to take wing out of their secret nest in a startling manner. And on Sunday morning, when Seth went away to chapel at Treddleston, the dangerous opportunity came.
Seth was right to think that Lisbeth would be held back by her shyness, and over the next three days, the few chances she had to talk to Adam were too rare and brief to create any strong temptation. But during her long hours alone, she dwelled on her painful thoughts about Dinah, until they became almost too overwhelming to control, ready to burst out in a surprising way. Then, on Sunday morning, when Seth left for chapel at Treddleston, the risky opportunity presented itself.
Sunday morning was the happiest time in all the week to Lisbeth, for as there was no service at Hayslope church till the afternoon, Adam was always at home, doing nothing but reading, an occupation in which she could venture to interrupt him. Moreover, she had always a better dinner than usual to prepare for her sons—very frequently for Adam and herself alone, Seth being often away the entire day—and the smell of the roast meat before the clear fire in the clean kitchen, the clock ticking in a peaceful Sunday manner, her darling Adam seated near her in his best clothes, doing nothing very important, so that she could go and stroke her hand across his hair if she liked, and see him look up at her and smile, while Gyp, rather jealous, poked his muzzle up between them—all these things made poor Lisbeth’s earthly paradise.
Sunday morning was the happiest time of the week for Lisbeth because there was no service at Hayslope church until the afternoon, so Adam was always home, just reading—an activity she felt comfortable interrupting. Plus, she had a better dinner than usual to prepare for her sons—often just for Adam and herself since Seth was usually away the whole day. The smell of roast meat in the clean kitchen by the cozy fire, the clock ticking peacefully on a Sunday, Adam sitting next to her in his best clothes, doing nothing too important so she could reach over and stroke his hair if she wanted, and see him look up at her and smile, while Gyp, a bit jealous, nudged his muzzle between them—all these things made poor Lisbeth’s earthly paradise.
The book Adam most often read on a Sunday morning was his large pictured Bible, and this morning it lay open before him on the round white deal table in the kitchen; for he sat there in spite of the fire, because he knew his mother liked to have him with her, and it was the only day in the week when he could indulge her in that way. You would have liked to see Adam reading his Bible. He never opened it on a weekday, and so he came to it as a holiday book, serving him for history, biography, and poetry. He held one hand thrust between his waistcoat buttons, and the other ready to turn the pages, and in the course of the morning you would have seen many changes in his face. Sometimes his lips moved in semi-articulation—it was when he came to a speech that he could fancy himself uttering, such as Samuel’s dying speech to the people; then his eyebrows would be raised, and the corners of his mouth would quiver a little with sad sympathy—something, perhaps old Isaac’s meeting with his son, touched him closely; at other times, over the New Testament, a very solemn look would come upon his face, and he would every now and then shake his head in serious assent, or just lift up his hand and let it fall again. And on some mornings, when he read in the Apocrypha, of which he was very fond, the son of Sirach’s keen-edged words would bring a delighted smile, though he also enjoyed the freedom of occasionally differing from an Apocryphal writer. For Adam knew the Articles quite well, as became a good churchman.
The book Adam read most often on Sunday mornings was his big illustrated Bible, and this morning it was opened on the round white table in the kitchen; he sat there despite the fire because he knew his mother liked having him with her, and it was the only day of the week he could indulge her this way. You would have liked watching Adam read his Bible. He never opened it on weekdays, so he approached it like a holiday book, using it for history, biography, and poetry. He kept one hand tucked between his waistcoat buttons and the other ready to turn the pages, and throughout the morning, you would have seen many expressions on his face. Sometimes his lips moved quietly—it was when he reached a speech he could imagine himself saying, like Samuel’s last address to the people; then his eyebrows raised, and the corners of his mouth quivered a bit with sad sympathy—something, perhaps old Isaac’s reunion with his son, touched him deeply; at other times, while reading the New Testament, a serious expression would settle on his face, and he would nod in agreement or lift his hand and let it drop again. And on some mornings, when he read from the Apocrypha, which he liked a lot, the son of Sirach’s sharp words would make him smile, though he also enjoyed occasionally disagreeing with an Apocryphal writer. Adam knew the Articles well, as any good churchman should.
Lisbeth, in the pauses of attending to her dinner, always sat opposite to him and watched him, till she could rest no longer without going up to him and giving him a caress, to call his attention to her. This morning he was reading the Gospel according to St. Matthew, and Lisbeth had been standing close by him for some minutes, stroking his hair, which was smoother than usual this morning, and looking down at the large page with silent wonderment at the mystery of letters. She was encouraged to continue this caress, because when she first went up to him, he had thrown himself back in his chair to look at her affectionately and say, “Why, Mother, thee look’st rare and hearty this morning. Eh, Gyp wants me t’ look at him. He can’t abide to think I love thee the best.” Lisbeth said nothing, because she wanted to say so many things. And now there was a new leaf to be turned over, and it was a picture—that of the angel seated on the great stone that has been rolled away from the sepulchre. This picture had one strong association in Lisbeth’s memory, for she had been reminded of it when she first saw Dinah, and Adam had no sooner turned the page, and lifted the book sideways that they might look at the angel, than she said, “That’s her—that’s Dinah.”
Lisbeth, during breaks from her dinner, always sat across from him and watched him until she couldn't hold back any longer and had to get up to give him a hug to get his attention. This morning, he was reading the Gospel of St. Matthew, and Lisbeth had been standing close by him for a few minutes, gently stroking his hair, which felt softer than usual today, and looking down at the large page, fascinated by the mystery of letters. She felt encouraged to keep this affectionate gesture because when she first approached him, he leaned back in his chair to look at her fondly and said, “Why, Mother, you look wonderful and lively this morning. Oh, Gyp wants me to look at him. He can't stand the thought of me loving you the most.” Lisbeth didn’t say anything because she had so much she wanted to express. And now there was a new page to turn, which had a picture of the angel sitting on the great stone that had been rolled away from the tomb. This picture sparked a strong memory for Lisbeth, as it reminded her of the first time she saw Dinah, and as soon as Adam turned the page and tilted the book so they could see the angel, she said, “That’s her—that’s Dinah.”
Adam smiled, and, looking more intently at the angel’s face, said,
Adam smiled and, gazing more closely at the angel’s face, said,
“It is a bit like her; but Dinah’s prettier, I think.”
“It is a bit like her; but I think Dinah's prettier.”
“Well, then, if thee think’st her so pretty, why arn’t fond on her?”
“Well, if you think she's so pretty, why aren't you fond of her?”
Adam looked up in surprise. “Why, Mother, dost think I don’t set store by Dinah?”
Adam looked up in surprise. “Why, Mother, do you think I don’t care about Dinah?”
“Nay,” said Lisbeth, frightened at her own courage, yet feeling that she had broken the ice, and the waters must flow, whatever mischief they might do. “What’s th’ use o’ settin’ store by things as are thirty mile off? If thee wast fond enough on her, thee wouldstna let her go away.”
“Nah,” said Lisbeth, startled by her own bravery, yet sensing that she had crossed a line and there was no turning back, regardless of the consequences. “What’s the point of valuing things that are thirty miles away? If you really cared about her, you wouldn’t let her leave.”
“But I’ve no right t’ hinder her, if she thinks well,” said Adam, looking at his book as if he wanted to go on reading. He foresaw a series of complaints tending to nothing. Lisbeth sat down again in the chair opposite to him, as she said:
"But I don't have the right to stop her if she thinks it's best," said Adam, glancing at his book as if he wanted to keep reading. He anticipated a bunch of complaints that would lead nowhere. Lisbeth sat down again in the chair across from him as she said:
“But she wouldna think well if thee wastna so contrairy.” Lisbeth dared not venture beyond a vague phrase yet.
“But she wouldn't think well of you if you weren't so contrary.” Lisbeth didn’t dare to say anything more specific yet.
“Contrairy, mother?” Adam said, looking up again in some anxiety. “What have I done? What dost mean?”
“Contrary, mother?” Adam said, looking up again with some anxiety. “What have I done? What do you mean?”
“Why, thee’t never look at nothin’, nor think o’ nothin’, but thy figurin, an’ thy work,” said Lisbeth, half-crying. “An’ dost think thee canst go on so all thy life, as if thee wast a man cut out o’ timber? An’ what wut do when thy mother’s gone, an’ nobody to take care on thee as thee gett’st a bit o’ victual comfortable i’ the mornin’?”
“Why, you never look at anything, nor think about anything, but your calculating and your work,” said Lisbeth, half-crying. “And do you think you can go on like this all your life, as if you were a man made out of wood? And what will you do when your mother’s gone, and there’s no one to take care of you when you get a bit of breakfast in the morning?”
“What hast got i’ thy mind, Mother?” said Adam, vexed at this whimpering. “I canna see what thee’t driving at. Is there anything I could do for thee as I don’t do?”
“What do you have on your mind, Mom?” said Adam, annoyed by her whining. “I can’t tell what you’re getting at. Is there anything I could do for you that I’m not already doing?”
“Aye, an’ that there is. Thee might’st do as I should ha’ somebody wi’ me to comfort me a bit, an’ wait on me when I’m bad, an’ be good to me.”
"Yeah, and that's true. You might want to have someone with you to comfort you a little, and help you when you're not feeling well, and be nice to you."
“Well, Mother, whose fault is it there isna some tidy body i’ th’ house t’ help thee? It isna by my wish as thee hast a stroke o’ work to do. We can afford it—I’ve told thee often enough. It ’ud be a deal better for us.”
“Well, Mom, whose fault is it that there's no tidy person in the house to help you? It's not my choice that you have so much work to do. We can afford it—I’ve told you plenty of times. It would be a lot better for us.”
“Eh, what’s the use o’ talking o’ tidy bodies, when thee mean’st one o’ th’ wenches out o’ th’ village, or somebody from Treddles’on as I ne’er set eyes on i’ my life? I’d sooner make a shift an’ get into my own coffin afore I die, nor ha’ them folks to put me in.”
“Eh, what’s the point of talking about neat bodies when you mean one of those girls from the village, or someone from Treddleson I’ve never seen in my life? I’d rather find a way to get into my own coffin before I die than have those people put me in.”
Adam was silent, and tried to go on reading. That was the utmost severity he could show towards his mother on a Sunday morning. But Lisbeth had gone too far now to check herself, and after scarcely a minute’s quietness she began again.
Adam was quiet and tried to continue reading. That was the most he could do to be harsh with his mother on a Sunday morning. But Lisbeth had already crossed a line, and after barely a minute of silence, she started up again.
“Thee mightst know well enough who ’tis I’d like t’ ha’ wi’ me. It isna many folks I send for t’ come an’ see me, I reckon. An’ thee’st had the fetchin’ on her times enow.”
“You probably know well enough who I’d like to have with me. I don’t invite many people over, I guess. And you’ve picked her up enough times already.”
“Thee mean’st Dinah, Mother, I know,” said Adam. “But it’s no use setting thy mind on what can’t be. If Dinah ’ud be willing to stay at Hayslope, it isn’t likely she can come away from her aunt’s house, where they hold her like a daughter, and where she’s more bound than she is to us. If it had been so that she could ha’ married Seth, that ’ud ha’ been a great blessing to us, but we can’t have things just as we like in this life. Thee must try and make up thy mind to do without her.”
“You mean Dinah, Mother, I know,” said Adam. “But it’s no use hoping for what can’t happen. If Dinah would be willing to stay at Hayslope, it’s unlikely she can leave her aunt’s house, where they treat her like a daughter, and where she’s more connected to them than to us. If it had been possible for her to marry Seth, that would have been a great blessing for us, but we can’t have everything our way in this life. You need to try and accept that we have to manage without her.”
“Nay, but I canna ma’ up my mind, when she’s just cut out for thee; an’ nought shall ma’ me believe as God didna make her an’ send her there o’ purpose for thee. What’s it sinnify about her bein’ a Methody! It ’ud happen wear out on her wi’ marryin’.”
“Nah, but I can’t make up my mind when she’s just perfect for you; and nothing will make me believe that God didn’t create her and send her there on purpose for you. What does it matter that she’s a Methodist? That will fade away once she gets married.”
Adam threw himself back in his chair and looked at his mother. He understood now what she had been aiming at from the beginning of the conversation. It was as unreasonable, impracticable a wish as she had ever urged, but he could not help being moved by so entirely new an idea. The chief point, however, was to chase away the notion from his mother’s mind as quickly as possible.
Adam threw himself back in his chair and looked at his mom. He now understood what she had been trying to get at from the start of the conversation. It was as unreasonable and impractical a wish as she had ever suggested, but he couldn't help being touched by such a completely new idea. The main thing, though, was to get that notion out of his mom’s mind as quickly as possible.
“Mother,” he said, gravely, “thee’t talking wild. Don’t let me hear thee say such things again. It’s no good talking o’ what can never be. Dinah’s not for marrying; she’s fixed her heart on a different sort o’ life.”
“Mom,” he said seriously, “you’re talking crazy. Don’t let me hear you say stuff like that again. There’s no point in discussing what can never happen. Dinah’s not getting married; she’s set her heart on a different kind of life.”
“Very like,” said Lisbeth, impatiently, “very like she’s none for marr’ing, when them as she’d be willin’ t’ marry wonna ax her. I shouldna ha’ been for marr’ing thy feyther if he’d ne’er axed me; an’ she’s as fond o’ thee as e’er I war o’ Thias, poor fellow.”
“Just like,” said Lisbeth, impatiently, “just like she’s not interested in marrying, when the ones she’d be willing to marry won’t ask her. I wouldn’t have married your father if he’d never asked me; and she cares for you just as much as I ever cared for Thias, poor guy.”
The blood rushed to Adam’s face, and for a few moments he was not quite conscious where he was. His mother and the kitchen had vanished for him, and he saw nothing but Dinah’s face turned up towards his. It seemed as if there were a resurrection of his dead joy. But he woke up very speedily from that dream (the waking was chill and sad), for it would have been very foolish in him to believe his mother’s words—she could have no ground for them. He was prompted to express his disbelief very strongly—perhaps that he might call forth the proofs, if there were any to be offered.
The blood rushed to Adam’s face, and for a moment, he wasn’t fully aware of his surroundings. His mother and the kitchen seemed to disappear, and all he could see was Dinah’s face looking up at him. It felt like his lost happiness was being brought back to life. But he quickly snapped out of that fantasy (the return to reality was cold and sad), because it would have been naive to believe his mother’s words—she had no reason for them. He felt compelled to voice his skepticism strongly—maybe to prompt any evidence that could be presented.
“What dost say such things for, Mother, when thee’st got no foundation for ’em? Thee know’st nothing as gives thee a right to say that.”
"What are you saying that for, Mom, when you have no basis for it? You know nothing that gives you the right to say that."
“Then I knowna nought as gi’es me a right to say as the year’s turned, for all I feel it fust thing when I get up i’ th’ morning. She isna fond o’ Seth, I reckon, is she? She doesna want to marry him? But I can see as she doesna behave tow’rt thee as she daes tow’rt Seth. She makes no more o’ Seth’s coming a-nigh her nor if he war Gyp, but she’s all of a tremble when thee’t a-sittin’ down by her at breakfast an’ a-looking at her. Thee think’st thy mother knows nought, but she war alive afore thee wast born.”
“Then I know nothing that gives me the right to say that the year has changed, even though I feel it the first thing when I wake up in the morning. She doesn't seem to like Seth, does she? She doesn’t want to marry him? But I can see that she doesn’t act toward you the way she does toward Seth. She pays no more attention to Seth being near her than if he were Gyp, but she’s all nervous when you’re sitting down by her at breakfast and looking at her. You think your mother knows nothing, but she was alive before you were born.”
“But thee canstna be sure as the trembling means love?” said Adam anxiously.
"But you can't be sure that trembling means love?" Adam asked anxiously.
“Eh, what else should it mane? It isna hate, I reckon. An’ what should she do but love thee? Thee’t made to be loved—for where’s there a straighter cliverer man? An’ what’s it sinnify her bein’ a Methody? It’s on’y the marigold i’ th’ parridge.”
“Eh, what else should it mean? It’s not hate, I guess. And what should she do but love you? You’re meant to be loved—where else can you find a better clever guy? And what does it matter that she’s a Methodist? It’s just like having a marigold in the porridge.”
Adam had thrust his hands in his pockets, and was looking down at the book on the table, without seeing any of the letters. He was trembling like a gold-seeker who sees the strong promise of gold but sees in the same moment a sickening vision of disappointment. He could not trust his mother’s insight; she had seen what she wished to see. And yet—and yet, now the suggestion had been made to him, he remembered so many things, very slight things, like the stirring of the water by an imperceptible breeze, which seemed to him some confirmation of his mother’s words.
Adam had shoved his hands in his pockets and was staring at the book on the table without actually reading any of the words. He was shaking like a gold miner who senses a big opportunity but also gets hit with a feeling of impending failure. He couldn't rely on his mom's perspective; she had only seen what she wanted to see. And yet—and yet, now that the idea had been presented to him, he recalled so many little things, like the way the water rippled with a barely noticeable breeze, which felt like some validation of his mom's comments.
Lisbeth noticed that he was moved. She went on, “An’ thee’t find out as thee’t poorly aff when she’s gone. Thee’t fonder on her nor thee know’st. Thy eyes follow her about, welly as Gyp’s follow thee.”
Lisbeth noticed that he was affected. She continued, “And you'll realize how badly off you are when she's gone. You care for her more than you realize. Your eyes follow her around, just like Gyp's follow you.”
Adam could sit still no longer. He rose, took down his hat, and went out into the fields.
Adam couldn't sit still anymore. He stood up, grabbed his hat, and headed out into the fields.
The sunshine was on them: that early autumn sunshine which we should know was not summer’s, even if there were not the touches of yellow on the lime and chestnut; the Sunday sunshine too, which has more than autumnal calmness for the working man; the morning sunshine, which still leaves the dew-crystals on the fine gossamer webs in the shadow of the bushy hedgerows.
The sun was shining on them: that early autumn sun that we recognize isn’t summer’s, even without the hints of yellow on the linden and chestnut trees; the Sunday sun, which carries a peacefulness beyond that of autumn for the working man; the morning sun, which still leaves dew drops sparkling on the delicate spiderwebs in the shade of the thick hedgerows.
Adam needed the calm influence; he was amazed at the way in which this new thought of Dinah’s love had taken possession of him, with an overmastering power that made all other feelings give way before the impetuous desire to know that the thought was true. Strange, that till that moment the possibility of their ever being lovers had never crossed his mind, and yet now, all his longing suddenly went out towards that possibility. He had no more doubt or hesitation as to his own wishes than the bird that flies towards the opening through which the daylight gleams and the breath of heaven enters.
Adam needed the calming influence; he was surprised at how much Dinah's love had taken hold of him, with an overwhelming power that pushed aside all other feelings in an urgent desire to know if this thought was real. It was strange that until that moment, the idea of them being lovers had never occurred to him, and yet now, all his longing suddenly focused on that possibility. He felt no doubt or hesitation about his own wishes, just like a bird flying toward the opening where the daylight shines and fresh air flows in.
The autumnal Sunday sunshine soothed him, but not by preparing him with resignation to the disappointment if his mother—if he himself—proved to be mistaken about Dinah. It soothed him by gentle encouragement of his hopes. Her love was so like that calm sunshine that they seemed to make one presence to him, and he believed in them both alike. And Dinah was so bound up with the sad memories of his first passion that he was not forsaking them, but rather giving them a new sacredness by loving her. Nay, his love for her had grown out of that past: it was the noon of that morning.
The autumn Sunday sunshine comforted him, but not by preparing him to accept disappointment if his mother—or he—turned out to be wrong about Dinah. It comforted him by gently boosting his hopes. Her love felt so much like that calm sunshine that they seemed to blend into one presence for him, and he believed in both of them equally. And Dinah was so intertwined with the bittersweet memories of his first love that he wasn’t letting them go; instead, he was giving them a new sacredness by loving her. In fact, his love for her had grown out of that past: it was the peak of that morning.
But Seth? Would the lad be hurt? Hardly; for he had seemed quite contented of late, and there was no selfish jealousy in him; he had never been jealous of his mother’s fondness for Adam. But had he seen anything of what their mother talked about? Adam longed to know this, for he thought he could trust Seth’s observation better than his mother’s. He must talk to Seth before he went to see Dinah, and, with this intention in his mind, he walked back to the cottage and said to his mother, “Did Seth say anything to thee about when he was coming home? Will he be back to dinner?”
But Seth? Would the kid be hurt? Not really; he seemed pretty happy lately, and he didn’t have any selfish jealousy in him; he had never been jealous of his mother’s affection for Adam. But had he noticed anything about what their mother talked about? Adam really wanted to know this because he thought he could trust Seth’s observations more than his mother’s. He needed to talk to Seth before he went to see Dinah, and with that in mind, he walked back to the cottage and asked his mother, “Did Seth say anything to you about when he was coming home? Will he be back for dinner?”
“Aye, lad, he’ll be back for a wonder. He isna gone to Treddles’on. He’s gone somewhere else a-preachin’ and a-prayin’.”
“Yeah, kid, he’ll be back for sure. He hasn’t gone to Treddles’on. He’s gone somewhere else to preach and pray.”
“Hast any notion which way he’s gone?” said Adam.
"Do you have any idea which way he went?" said Adam.
“Nay, but he aften goes to th’ Common. Thee know’st more o’s goings nor I do.”
“Nah, but he often goes to the Common. You know more about his whereabouts than I do.”
Adam wanted to go and meet Seth, but he must content himself with walking about the near fields and getting sight of him as soon as possible. That would not be for more than an hour to come, for Seth would scarcely be at home much before their dinner-time, which was twelve o’clock. But Adam could not sit down to his reading again, and he sauntered along by the brook and stood leaning against the stiles, with eager intense eyes, which looked as if they saw something very vividly; but it was not the brook or the willows, not the fields or the sky. Again and again his vision was interrupted by wonder at the strength of his own feeling, at the strength and sweetness of this new love—almost like the wonder a man feels at the added power he finds in himself for an art which he had laid aside for a space. How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? Or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections? The boy’s flutelike voice has its own spring charm; but the man should yield a richer deeper music.
Adam wanted to go meet Seth, but he had to settle for walking around the nearby fields and catching a glimpse of him as soon as possible. That wouldn’t be for more than an hour, since Seth wouldn’t likely be home until closer to their lunch time, which was twelve o’clock. But Adam couldn’t sit back down to his reading, so he strolled by the brook and leaned against the stiles, with eager, intense eyes that seemed to see something very vividly; but it wasn't the brook or the willows, not the fields or the sky. Again and again, he was struck by the strength of his own feelings, the intensity and sweetness of this new love—almost like the surprise a person feels at the newfound power they discover within themselves for an art they had set aside for a while. Why have poets said so many beautiful things about first love and so few about later love? Are their first poems their best? Or aren’t the best ones the ones that come from a deeper understanding, richer experiences, and more deeply rooted affections? The boy’s flutelike voice has its own charming innocence; but the man should produce a richer, deeper music.
At last, there was Seth, visible at the farthest stile, and Adam hastened to meet him. Seth was surprised, and thought something unusual must have happened, but when Adam came up, his face said plainly enough that it was nothing alarming.
At last, there was Seth, visible at the farthest stile, and Adam rushed to meet him. Seth was surprised and thought something unusual must have happened, but when Adam arrived, his face clearly showed that it was nothing serious.
“Where hast been?” said Adam, when they were side by side.
"Where have you been?" said Adam, when they were next to each other.
“I’ve been to the Common,” said Seth. “Dinah’s been speaking the Word to a little company of hearers at Brimstone’s, as they call him. They’re folks as never go to church hardly—them on the Common—but they’ll go and hear Dinah a bit. She’s been speaking with power this forenoon from the words, ‘I came not to call the righteous, but sinners to repentance.’ And there was a little thing happened as was pretty to see. The women mostly bring their children with ’em, but to-day there was one stout curly headed fellow about three or four year old, that I never saw there before. He was as naughty as could be at the beginning while I was praying, and while we was singing, but when we all sat down and Dinah began to speak, th’ young un stood stock still all at once, and began to look at her with’s mouth open, and presently he ran away from’s mother and went to Dinah, and pulled at her, like a little dog, for her to take notice of him. So Dinah lifted him up and held th’ lad on her lap, while she went on speaking; and he was as good as could be till he went to sleep—and the mother cried to see him.”
“I’ve been to the Common,” said Seth. “Dinah’s been sharing the Word with a small group of listeners at Brimstone’s, as they call him. They’re people who hardly ever go to church—those on the Common—but they’ll come to hear Dinah for a bit. She spoke powerfully this morning from the words, ‘I came not to call the righteous, but sinners to repentance.’ And there was a sweet moment that was nice to see. The women mostly bring their kids along, but today, there was one chubby, curly-headed kid about three or four years old that I’d never seen there before. He was as naughty as could be at first while I was praying and while we were singing, but when we all sat down and Dinah started to speak, that little one suddenly stood still, opened his mouth in awe, and then he ran away from his mother to Dinah, tugging at her like a little puppy, trying to get her attention. So Dinah picked him up and held him on her lap while she continued speaking; and he was as good as gold until he fell asleep—and the mother cried to see him.”
“It’s a pity she shouldna be a mother herself,” said Adam, “so fond as the children are of her. Dost think she’s quite fixed against marrying, Seth? Dost think nothing ’ud turn her?”
“It’s a shame she can’t be a mother herself,” said Adam, “since the kids are so fond of her. Do you think she’s really decided against marrying, Seth? Do you think anything could change her mind?”
There was something peculiar in his brother’s tone, which made Seth steal a glance at his face before he answered.
There was something strange in his brother’s tone that made Seth take a quick look at his face before he replied.
“It ’ud be wrong of me to say nothing ’ud turn her,” he answered. “But if thee mean’st it about myself, I’ve given up all thoughts as she can ever be my wife. She calls me her brother, and that’s enough.”
“It would be wrong of me to say nothing would change her,” he replied. “But if you mean it about me, I’ve given up all hopes that she can ever be my wife. She calls me her brother, and that’s enough.”
“But dost think she might ever get fond enough of anybody else to be willing to marry ’em?” said Adam rather shyly.
"But do you think she could ever get close enough to someone else to want to marry them?" said Adam, a bit shyly.
“Well,” said Seth, after some hesitation, “it’s crossed my mind sometimes o’ late as she might; but Dinah ’ud let no fondness for the creature draw her out o’ the path as she believed God had marked out for her. If she thought the leading was not from Him, she’s not one to be brought under the power of it. And she’s allays seemed clear about that—as her work was to minister t’ others, and make no home for herself i’ this world.”
"Well," Seth said, after a moment of hesitation, "I've thought about it a bit lately, but Dinah wouldn't let any affection for the girl lead her away from the path she believes God has set for her. If she thought that guidance wasn't from Him, she wouldn't let herself be influenced by it. She's always seemed certain about that—her purpose is to help others and not to settle down in this world."
“But suppose,” said Adam, earnestly, “suppose there was a man as ’ud let her do just the same and not interfere with her—she might do a good deal o’ what she does now, just as well when she was married as when she was single. Other women of her sort have married—that’s to say, not just like her, but women as preached and attended on the sick and needy. There’s Mrs. Fletcher as she talks of.”
“But imagine,” said Adam earnestly, “imagine there was a man who would let her do the same and wouldn’t interfere with her—she could do a lot of what she does now, just as well when she’s married as when she’s single. Other women like her have married—that is, not exactly like her, but women who have preached and cared for the sick and needy. There’s Mrs. Fletcher, for instance.”
A new light had broken in on Seth. He turned round, and laying his hand on Adam’s shoulder, said, “Why, wouldst like her to marry thee, brother?”
A new understanding had dawned on Seth. He turned around, placed his hand on Adam’s shoulder, and said, “So, would you like her to marry you, brother?”
Adam looked doubtfully at Seth’s inquiring eyes and said, “Wouldst be hurt if she was to be fonder o’ me than o’ thee?”
Adam looked doubtfully at Seth’s curious eyes and said, “Would you be hurt if she liked me more than she liked you?”
“Nay,” said Seth warmly, “how canst think it? Have I felt thy trouble so little that I shouldna feel thy joy?”
“Nah,” Seth said warmly, “how can you think that? Have I felt your troubles so little that I wouldn’t feel your joy?”
There was silence a few moments as they walked on, and then Seth said, “I’d no notion as thee’dst ever think of her for a wife.”
There was silence for a few moments as they walked on, and then Seth said, “I had no idea you’d ever think of her as a wife.”
“But is it o’ any use to think of her?” said Adam. “What dost say? Mother’s made me as I hardly know where I am, with what she’s been saying to me this forenoon. She says she’s sure Dinah feels for me more than common, and ’ud be willing t’ have me. But I’m afraid she speaks without book. I want to know if thee’st seen anything.”
“But is it any use to think about her?” Adam said. “What do you think? My mom has me so confused with what she’s been saying to me this morning. She’s convinced that Dinah cares for me more than usual and would be open to having me. But I’m worried she’s just guessing. I want to know if you’ve seen anything.”
“It’s a nice point to speak about,” said Seth, “and I’m afraid o’ being wrong; besides, we’ve no right t’ intermeddle with people’s feelings when they wouldn’t tell ’em themselves.”
“It’s a good point to discuss,” said Seth, “and I’m worried about getting it wrong; plus, we don’t have the right to interfere with people’s feelings when they wouldn’t share them on their own.”
Seth paused.
Seth took a moment.
“But thee mightst ask her,” he said presently. “She took no offence at me for asking, and thee’st more right than I had, only thee’t not in the Society. But Dinah doesn’t hold wi’ them as are for keeping the Society so strict to themselves. She doesn’t mind about making folks enter the Society, so as they’re fit t’ enter the kingdom o’ God. Some o’ the brethren at Treddles’on are displeased with her for that.”
“But you could ask her,” he said after a moment. “She didn’t take offense at me for asking, and you have more right than I did, only you’re not in the Society. But Dinah doesn’t agree with those who want to keep the Society so exclusive. She doesn’t mind if people join the Society, as long as they’re fit to enter the kingdom of God. Some of the brethren at Treddleson are unhappy with her for that.”
“Where will she be the rest o’ the day?” said Adam.
“Where will she be for the rest of the day?” said Adam.
“She said she shouldn’t leave the farm again to-day,” said Seth, “because it’s her last Sabbath there, and she’s going t’ read out o’ the big Bible wi’ the children.”
“She said she shouldn’t leave the farm again today,” said Seth, “because it’s her last Sabbath there, and she’s going to read from the big Bible with the kids.”
Adam thought—but did not say—“Then I’ll go this afternoon; for if I go to church, my thoughts ’ull be with her all the while. They must sing th’ anthem without me to-day.”
Adam thought—but did not say—“Then I'll go this afternoon; because if I go to church, I'll just be thinking about her the whole time. They’ll have to sing the anthem without me today.”
Chapter LII
Adam and Dinah
It was about three o’clock when Adam entered the farmyard and roused Alick and the dogs from their Sunday dozing. Alick said everybody was gone to church “but th’ young missis”—so he called Dinah—but this did not disappoint Adam, although the “everybody” was so liberal as to include Nancy the dairymaid, whose works of necessity were not unfrequently incompatible with church-going.
It was around three o’clock when Adam walked into the farmyard and woke Alick and the dogs from their Sunday naps. Alick said everyone had gone to church “except for the young missis”—that’s what he called Dinah—but this didn’t bother Adam, even though “everyone” included Nancy the dairymaid, whose necessary tasks didn’t often align with attending church.
There was perfect stillness about the house. The doors were all closed, and the very stones and tubs seemed quieter than usual. Adam heard the water gently dripping from the pump—that was the only sound—and he knocked at the house door rather softly, as was suitable in that stillness.
There was complete silence in the house. All the doors were shut, and even the stones and tubs seemed quieter than normal. Adam heard the water softly dripping from the pump—that was the only sound—and he knocked on the house door gently, as was fitting in that quiet moment.
The door opened, and Dinah stood before him, colouring deeply with the great surprise of seeing Adam at this hour, when she knew it was his regular practice to be at church. Yesterday he would have said to her without any difficulty, “I came to see you, Dinah: I knew the rest were not at home.” But to-day something prevented him from saying that, and he put out his hand to her in silence. Neither of them spoke, and yet both wished they could speak, as Adam entered, and they sat down. Dinah took the chair she had just left; it was at the corner of the table near the window, and there was a book lying on the table, but it was not open. She had been sitting perfectly still, looking at the small bit of clear fire in the bright grate. Adam sat down opposite her, in Mr. Poyser’s three-cornered chair.
The door opened, and Dinah stood before him, blushing deeply in surprise at seeing Adam at this hour, when she knew he usually went to church. Yesterday, he would have easily said to her, “I came to see you, Dinah: I knew the others weren't home.” But today, something stopped him from saying that, and he reached out his hand to her in silence. Neither of them spoke, yet both wished they could as Adam entered and they sat down. Dinah took the chair she had just vacated; it was in the corner of the table near the window, and there was a book on the table, but it was closed. She had been sitting completely still, staring at the small flicker of fire in the bright grate. Adam sat down across from her in Mr. Poyser’s three-cornered chair.
“Your mother is not ill again, I hope, Adam?” Dinah said, recovering herself. “Seth said she was well this morning.”
“Your mom isn’t sick again, right, Adam?” Dinah asked, regaining her composure. “Seth said she was doing fine this morning.”
“No, she’s very hearty to-day,” said Adam, happy in the signs of Dinah’s feeling at the sight of him, but shy.
“No, she’s feeling really good today,” said Adam, pleased by Dinah’s reaction when she saw him, but a bit shy.
“There’s nobody at home, you see,” Dinah said; “but you’ll wait. You’ve been hindered from going to church to-day, doubtless.”
“There's no one home, you see,” Dinah said; “but you'll wait. You probably couldn't go to church today.”
“Yes,” Adam said, and then paused, before he added, “I was thinking about you: that was the reason.”
“Yeah,” Adam said, and then hesitated, before he added, “I was thinking about you: that’s why.”
This confession was very awkward and sudden, Adam felt, for he thought Dinah must understand all he meant. But the frankness of the words caused her immediately to interpret them into a renewal of his brotherly regrets that she was going away, and she answered calmly, “Do not be careful and troubled for me, Adam. I have all things and abound at Snowfield. And my mind is at rest, for I am not seeking my own will in going.”
This confession felt really awkward and unexpected to Adam because he believed Dinah would completely understand what he meant. However, the straightforwardness of his words made her think he was just expressing his brotherly sadness about her leaving. She responded calmly, “Don’t worry about me, Adam. I have everything I need and more at Snowfield. I’m at peace because I'm not following my own will in leaving.”
“But if things were different, Dinah,” said Adam, hesitatingly. “If you knew things that perhaps you don’t know now....”
“But if things were different, Dinah,” said Adam, hesitantly. “If you knew things that maybe you don’t know now....”
Dinah looked at him inquiringly, but instead of going on, he reached a chair and brought it near the corner of the table where she was sitting. She wondered, and was afraid—and the next moment her thoughts flew to the past: was it something about those distant unhappy ones that she didn’t know?
Dinah looked at him questioningly, but instead of continuing, he grabbed a chair and moved it close to the corner of the table where she was sitting. She felt uncertain and anxious—and in the next moment, her mind raced back to the past: was it something about those distant, unhappy times that she wasn't aware of?
Adam looked at her. It was so sweet to look at her eyes, which had now a self-forgetful questioning in them—for a moment he forgot that he wanted to say anything, or that it was necessary to tell her what he meant.
Adam looked at her. It was so nice to gaze into her eyes, which now held a carefree curiosity in them—he momentarily forgot that he wanted to say anything, or that it was important to explain what he meant.
“Dinah,” he said suddenly, taking both her hands between his, “I love you with my whole heart and soul. I love you next to God who made me.”
“Dinah,” he said suddenly, taking both her hands in his, “I love you with all my heart and soul. I love you more than anything, even more than God who created me.”
Dinah’s lips became pale, like her cheeks, and she trembled violently under the shock of painful joy. Her hands were cold as death between Adam’s. She could not draw them away, because he held them fast.
Dinah's lips turned pale, just like her cheeks, and she shook uncontrollably from the overwhelming mix of pain and joy. Her hands felt as cold as ice in Adam's grip. She couldn't pull them away because he held on tightly.
“Don’t tell me you can’t love me, Dinah. Don’t tell me we must part and pass our lives away from one another.”
“Don’t say you can’t love me, Dinah. Don’t say we have to separate and live our lives apart from each other.”
The tears were trembling in Dinah’s eyes, and they fell before she could answer. But she spoke in a quiet low voice.
The tears were welling up in Dinah’s eyes, and they fell before she could respond. But she spoke in a soft, low voice.
“Yes, dear Adam, we must submit to another Will. We must part.”
“Yes, dear Adam, we must yield to another will. We have to say goodbye.”
“Not if you love me, Dinah—not if you love me,” Adam said passionately. “Tell me—tell me if you can love me better than a brother?”
“Not if you love me, Dinah—not if you love me,” Adam said fervently. “Tell me—tell me if you can love me more than a brother?”
Dinah was too entirely reliant on the Supreme guidance to attempt to achieve any end by a deceptive concealment. She was recovering now from the first shock of emotion, and she looked at Adam with simple sincere eyes as she said, “Yes, Adam, my heart is drawn strongly towards you; and of my own will, if I had no clear showing to the contrary, I could find my happiness in being near you and ministering to you continually. I fear I should forget to rejoice and weep with others; nay, I fear I should forget the Divine presence, and seek no love but yours.”
Dinah was too completely dependent on Supreme guidance to try to achieve anything through deceit. She was recovering from the initial wave of emotions and looked at Adam with genuine, sincere eyes as she said, “Yes, Adam, I feel a strong connection to you; and if I had no clear reason to think otherwise, I could find my happiness being close to you and caring for you all the time. I’m afraid I would forget to share joy and sorrow with others; actually, I’m afraid I would forget about the Divine presence and seek no love but yours.”
Adam did not speak immediately. They sat looking at each other in delicious silence—for the first sense of mutual love excludes other feelings; it will have the soul all to itself.
Adam didn't say anything right away. They sat there, gazing at each other in a blissful silence—because the first spark of mutual love pushes aside all other emotions; it demands the soul's full attention.
“Then, Dinah,” Adam said at last, “how can there be anything contrary to what’s right in our belonging to one another and spending our lives together? Who put this great love into our hearts? Can anything be holier than that? For we can help one another in everything as is good. I’d never think o’ putting myself between you and God, and saying you oughtn’t to do this and you oughtn’t to do that. You’d follow your conscience as much as you do now.”
“Then, Dinah,” Adam finally said, “how can there be anything wrong with our belonging to each other and spending our lives together? Who put this incredible love in our hearts? Can anything be more sacred than that? We can support each other in everything that's good. I would never consider getting in the way of you and God, telling you what you should or shouldn’t do. You’ll follow your conscience just like you do now.”
“Yes, Adam,” Dinah said, “I know marriage is a holy state for those who are truly called to it, and have no other drawing; but from my childhood upwards I have been led towards another path; all my peace and my joy have come from having no life of my own, no wants, no wishes for myself, and living only in God and those of his creatures whose sorrows and joys he has given me to know. Those have been very blessed years to me, and I feel that if I was to listen to any voice that would draw me aside from that path, I should be turning my back on the light that has shone upon me, and darkness and doubt would take hold of me. We could not bless each other, Adam, if there were doubts in my soul, and if I yearned, when it was too late, after that better part which had once been given me and I had put away from me.”
“Yes, Adam,” Dinah said, “I understand that marriage is a sacred commitment for those who are truly meant for it and have no other pulls; but since my childhood, I’ve been drawn toward a different path. All my peace and happiness have come from not having a life of my own, no desires or wishes for myself, and living only in God and with those of His creatures whose joys and sorrows He has given me to share. Those have been very blessed years for me, and I feel that if I were to listen to any voice pulling me away from that path, I would be turning my back on the light that has guided me, and darkness and doubt would take over. We couldn’t truly bless each other, Adam, if I had doubts in my soul, and if I yearned, when it was too late, for that better part that was once given to me and that I set aside.”
“But if a new feeling has come into your mind, Dinah, and if you love me so as to be willing to be nearer to me than to other people, isn’t that a sign that it’s right for you to change your life? Doesn’t the love make it right when nothing else would?”
“But if you have new feelings in your mind, Dinah, and if you love me enough to want to be closer to me than to anyone else, isn’t that a sign that it’s okay for you to change your life? Doesn’t that love make it right when nothing else would?”
“Adam, my mind is full of questionings about that; for now, since you tell me of your strong love towards me, what was clear to me has become dark again. I felt before that my heart was too strongly drawn towards you, and that your heart was not as mine; and the thought of you had taken hold of me, so that my soul had lost its freedom, and was becoming enslaved to an earthly affection, which made me anxious and careful about what should befall myself. For in all other affection I had been content with any small return, or with none; but my heart was beginning to hunger after an equal love from you. And I had no doubt that I must wrestle against that as a great temptation, and the command was clear that I must go away.”
“Adam, I have so many questions about this; because now, since you’ve told me how deeply you love me, what I thought was clear has become confusing again. I felt before that my heart was very strongly drawn to you, while I sensed that your feelings weren’t the same. The thought of you consumed me, and I felt like my soul was losing its freedom, becoming trapped in a worldly affection, which made me anxious and worried about what might happen to me. In all my other relationships, I was okay with getting little or nothing in return, but my heart was starting to long for an equal love from you. I knew I had to fight against that feeling as a significant temptation, and it was clear that I needed to walk away.”
“But now, dear, dear Dinah, now you know I love you better than you love me... it’s all different now. You won’t think o’ going. You’ll stay, and be my dear wife, and I shall thank God for giving me my life as I never thanked him before.”
"But now, my sweet Dinah, you know I love you more than you love me...everything's changed now. You won’t think about leaving. You’ll stay and be my beloved wife, and I’ll be grateful to God for giving me my life like I’ve never been before."
“Adam, it’s hard to me to turn a deaf ear... you know it’s hard; but a great fear is upon me. It seems to me as if you were stretching out your arms to me, and beckoning me to come and take my ease and live for my own delight, and Jesus, the Man of Sorrows, was standing looking towards me, and pointing to the sinful, and suffering, and afflicted. I have seen that again and again when I have been sitting in stillness and darkness, and a great terror has come upon me lest I should become hard, and a lover of self, and no more bear willingly the Redeemer’s cross.”
“Adam, it’s hard for me to ignore this... you know it’s tough; but I’m really scared. It feels like you’re reaching out to me, urging me to relax and live for my own enjoyment, while Jesus, the Man of Sorrows, stands nearby, looking at me and pointing to those who are sinful, suffering, and struggling. I’ve experienced this over and over again when I’ve been sitting in silence and darkness, and a deep fear washes over me that I might become hardened, selfish, and stop willingly carrying the Redeemer’s cross.”
Dinah had closed her eyes, and a faint shudder went through her. “Adam,” she went on, “you wouldn’t desire that we should seek a good through any unfaithfulness to the light that is in us; you wouldn’t believe that could be a good. We are of one mind in that.”
Dinah had shut her eyes, and a slight shiver ran through her. “Adam,” she continued, “you wouldn’t want us to pursue a good that comes from being unfaithful to the light within us; you wouldn’t think that could really be a good. We're on the same page about that.”
“Yes, Dinah,” said Adam sadly, “I’ll never be the man t’ urge you against your conscience. But I can’t give up the hope that you may come to see different. I don’t believe your loving me could shut up your heart—it’s only adding to what you’ve been before, not taking away from it. For it seems to me it’s the same with love and happiness as with sorrow—the more we know of it the better we can feel what other people’s lives are or might be, and so we shall only be more tender to ’em, and wishful to help ’em. The more knowledge a man has, the better he’ll do’s work; and feeling’s a sort o’ knowledge.”
“Yes, Dinah,” Adam said sadly, “I’ll never be the kind of guy to pressure you against your conscience. But I can't give up hope that you might see things differently. I don’t believe that loving me could close off your heart—it just adds to what you've already felt, not takes away from it. To me, love and happiness are like sorrow—the more we experience it, the better we can understand what other people's lives are like or could be, and that just makes us more compassionate and eager to help them. The more knowledge a person has, the better they can do their work; and feelings are a kind of knowledge.”
Dinah was silent; her eyes were fixed in contemplation of something visible only to herself. Adam went on presently with his pleading, “And you can do almost as much as you do now. I won’t ask you to go to church with me of a Sunday. You shall go where you like among the people, and teach ’em; for though I like church best, I don’t put my soul above yours, as if my words was better for you to follow than your own conscience. And you can help the sick just as much, and you’ll have more means o’ making ’em a bit comfortable; and you’ll be among all your own friends as love you, and can help ’em and be a blessing to ’em till their dying day. Surely, Dinah, you’d be as near to God as if you was living lonely and away from me.”
Dinah was quiet; her eyes were focused on something only she could see. Adam continued with his plea, “And you can do nearly as much as you do now. I won’t ask you to go to church with me on Sundays. You can go wherever you want among the people and teach them; because while I prefer church, I don’t think my soul is more important than yours, as if my words are better for you to follow than your own conscience. You can help the sick just as much, and you’ll have more ways to make them a bit comfortable; and you’ll be with all your friends who love you and can be a blessing to them until their dying day. Surely, Dinah, you’d be as close to God as if you were living alone and away from me.”
Dinah made no answer for some time. Adam was still holding her hands and looking at her with almost trembling anxiety, when she turned her grave loving eyes on his and said, in rather a sad voice, “Adam there is truth in what you say, and there’s many of the brethren and sisters who have greater strength than I have, and find their hearts enlarged by the cares of husband and kindred. But I have not faith that it would be so with me, for since my affections have been set above measure on you, I have had less peace and joy in God. I have felt as it were a division in my heart. And think how it is with me, Adam. That life I have led is like a land I have trodden in blessedness since my childhood; and if I long for a moment to follow the voice which calls me to another land that I know not, I cannot but fear that my soul might hereafter yearn for that early blessedness which I had forsaken; and where doubt enters there is not perfect love. I must wait for clearer guidance. I must go from you, and we must submit ourselves entirely to the Divine Will. We are sometimes required to lay our natural lawful affections on the altar.”
Dinah was silent for a while. Adam was still holding her hands, looking at her with almost trembling anxiety, when she turned her serious, loving eyes to his and said, in a rather sad voice, “Adam, there’s truth in what you say, and many of our friends have more strength than I do and find their hearts growing with the responsibilities of family and loved ones. But I don’t believe that would be the case for me. Ever since my feelings for you have deepened, I’ve had less peace and joy in my faith. It feels like there’s a split in my heart. Think about how it is for me, Adam. The life I’ve lived has been like a land I’ve walked in bliss since I was a child; and if I momentarily wish to follow the call to a different land I don’t know, I can’t help but fear that my soul might later long for the early happiness I’ve left behind; and where there’s doubt, there can’t be perfect love. I need to wait for clearer guidance. I must leave you, and we must completely surrender to the Divine Will. Sometimes, we have to place our natural, rightful affections on the altar.”
Adam dared not plead again, for Dinah’s was not the voice of caprice or insincerity. But it was very hard for him; his eyes got dim as he looked at her.
Adam didn’t dare plead again, because Dinah didn’t speak out of whim or insincerity. But it was really difficult for him; his eyes became misty as he looked at her.
“But you may come to feel satisfied... to feel that you may come to me again, and we may never part, Dinah?”
"But you might start to feel satisfied... to feel like you can come to me again, and we’ll never have to say goodbye, Dinah?"
“We must submit ourselves, Adam. With time, our duty will be made clear. It may be when I have entered on my former life, I shall find all these new thoughts and wishes vanish, and become as things that were not. Then I shall know that my calling is not towards marriage. But we must wait.”
“We need to accept this, Adam. Over time, our responsibility will become clear. It might be that once I return to my old life, all these new thoughts and desires will disappear, becoming as if they never existed. Then I’ll realize that my path isn’t toward marriage. But we have to hold on and be patient.”
“Dinah,” said Adam mournfully, “you can’t love me so well as I love you, else you’d have no doubts. But it’s natural you shouldn’t, for I’m not so good as you. I can’t doubt it’s right for me to love the best thing God’s ever given me to know.”
“Dinah,” Adam said sadly, “you can’t love me as much as I love you, or else you wouldn’t have any doubts. But it makes sense that you do, because I’m not as good as you are. I can’t help but feel it’s right for me to love the best thing God has ever allowed me to know.”
“Nay, Adam. It seems to me that my love for you is not weak, for my heart waits on your words and looks, almost as a little child waits on the help and tenderness of the strong on whom it depends. If the thought of you took slight hold of me, I should not fear that it would be an idol in the temple. But you will strengthen me—you will not hinder me in seeking to obey to the uttermost.”
“Nah, Adam. It feels to me that my love for you is not weak, because my heart hangs on your words and looks, almost like a little child depends on the help and care of someone strong. If I cared for you just a little, I wouldn’t worry about it becoming an obsession. But you will support me—you won’t hold me back from trying to obey completely.”
“Let us go out into the sunshine, Dinah, and walk together. I’ll speak no word to disturb you.”
“Let’s go out into the sunshine, Dinah, and take a walk together. I won’t say anything to bother you.”
They went out and walked towards the fields, where they would meet the family coming from church. Adam said, “Take my arm, Dinah,” and she took it. That was the only change in their manner to each other since they were last walking together. But no sadness in the prospect of her going away—in the uncertainty of the issue—could rob the sweetness from Adam’s sense that Dinah loved him. He thought he would stay at the Hall Farm all that evening. He would be near her as long as he could.
They went out and walked toward the fields, where they would meet the family coming back from church. Adam said, “Take my arm, Dinah,” and she did. That was the only change in how they acted toward each other since their last walk together. But no sadness about her leaving—or the uncertainty of what might happen—could take away from Adam’s happiness in knowing that Dinah loved him. He thought he would stay at the Hall Farm all evening. He wanted to be near her for as long as possible.
“Hey-day! There’s Adam along wi’ Dinah,” said Mr. Poyser, as he opened the far gate into the Home Close. “I couldna think how he happened away from church. Why,” added good Martin, after a moment’s pause, “what dost think has just jumped into my head?”
“Wow! There’s Adam with Dinah,” said Mr. Poyser, as he opened the gate to the Home Close. “I couldn’t figure out how he was away from church. Well,” added good Martin after a brief pause, “what do you think just popped into my head?”
“Summat as hadna far to jump, for it’s just under our nose. You mean as Adam’s fond o’ Dinah.”
“Something that isn’t hard to figure out, because it’s right in front of us. You mean that Adam likes Dinah.”
“Aye! hast ever had any notion of it before?”
"Hey! Have you ever thought about it before?"
“To be sure I have,” said Mrs. Poyser, who always declined, if possible, to be taken by surprise. “I’m not one o’ those as can see the cat i’ the dairy an’ wonder what she’s come after.”
"Of course I have," said Mrs. Poyser, who always tried to avoid being caught off guard. "I'm not one of those people who can see the cat in the dairy and wonder what she's after."
“Thee never saidst a word to me about it.”
"You never said a word to me about it."
“Well, I aren’t like a bird-clapper, forced to make a rattle when the wind blows on me. I can keep my own counsel when there’s no good i’ speaking.”
“Well, I’m not like a bird-scarer, making noise whenever the wind blows my way. I can keep my thoughts to myself when there’s no point in talking.”
“But Dinah ’ll ha’ none o’ him. Dost think she will?”
“But Dinah won't have any of him. Do you think she will?”
“Nay,” said Mrs. Poyser, not sufficiently on her guard against a possible surprise, “she’ll never marry anybody, if he isn’t a Methodist and a cripple.”
“Nah,” said Mrs. Poyser, not paying enough attention to a possible surprise, “she’ll never marry anyone if he isn’t a Methodist and disabled.”
“It ’ud ha’ been a pretty thing though for ’em t’ marry,” said Martin, turning his head on one side, as if in pleased contemplation of his new idea. “Thee’dst ha’ liked it too, wouldstna?”
“It would have been nice for them to get married,” said Martin, tilting his head to one side, as if happily thinking about his new idea. “You would have liked it too, wouldn’t you?”
“Ah! I should. I should ha’ been sure of her then, as she wouldn’t go away from me to Snowfield, welly thirty mile off, and me not got a creatur to look to, only neighbours, as are no kin to me, an’ most of ’em women as I’d be ashamed to show my face, if my dairy things war like their’n. There may well be streaky butter i’ the market. An’ I should be glad to see the poor thing settled like a Christian woman, with a house of her own over her head; and we’d stock her well wi’ linen and feathers, for I love her next to my own children. An’ she makes one feel safer when she’s i’ the house, for she’s like the driven snow: anybody might sin for two as had her at their elbow.”
"Ah! I should. I should have been sure of her then, since she wouldn’t leave me to go to Snowfield, nearly thirty miles away, and I had no one to rely on, just neighbors who aren't related to me, most of them women that I’d be ashamed to show my face to if my dairy things were like theirs. There might be streaky butter in the market. And I’d be happy to see the poor thing settled like a proper woman, with a house of her own; we’d stock her up well with linens and feathers because I care for her just as much as my own children do. And she makes one feel safer when she’s in the house, because she’s like pure snow: anyone could be tempted to do wrong with her around."
“Dinah,” said Tommy, running forward to meet her, “mother says you’ll never marry anybody but a Methodist cripple. What a silly you must be!” a comment which Tommy followed up by seizing Dinah with both arms, and dancing along by her side with incommodious fondness.
“Dinah,” Tommy said as he rushed to meet her, “Mom says you’ll never marry anyone but a Methodist cripple. How silly you must be!” He then grabbed Dinah with both arms and danced awkwardly next to her with excessive affection.
“Why, Adam, we missed you i’ the singing to-day,” said Mr. Poyser. “How was it?”
“Hey, Adam, we missed you in the singing today,” Mr. Poyser said. “How was it?”
“I wanted to see Dinah—she’s going away so soon,” said Adam.
“I wanted to see Dinah—she's leaving so soon,” Adam said.
“Ah, lad! Can you persuade her to stop somehow? Find her a good husband somewhere i’ the parish. If you’ll do that, we’ll forgive you for missing church. But, anyway, she isna going before the harvest supper o’ Wednesday, and you must come then. There’s Bartle Massey comin’, an’ happen Craig. You’ll be sure an’ come, now, at seven? The missis wunna have it a bit later.”
“Hey, kid! Can you convince her to stop somehow? Find her a good husband in the parish. If you do that, we’ll forgive you for missing church. But anyway, she’s not leaving before the harvest supper on Wednesday, and you have to come then. Bartle Massey is coming, and maybe Craig too. You’ll definitely come at seven, right? The missus won’t have it any later.”
“Aye,” said Adam, “I’ll come if I can. But I can’t often say what I’ll do beforehand, for the work often holds me longer than I expect. You’ll stay till the end o’ the week, Dinah?”
“Yeah,” said Adam, “I’ll come if I can. But I can’t always predict what I’ll do ahead of time, since work often keeps me longer than I expect. You’ll be staying until the end of the week, Dinah?”
“Yes, yes!” said Mr. Poyser. “We’ll have no nay.”
“Yes, yes!” said Mr. Poyser. “We won’t take no for an answer.”
“She’s no call to be in a hurry,” observed Mrs. Poyser. “Scarceness o’ victual ’ull keep: there’s no need to be hasty wi’ the cooking. An’ scarceness is what there’s the biggest stock of i’ that country.”
“She doesn’t need to rush,” Mrs. Poyser noted. “There’s plenty of food shortages to go around; there’s no reason to be hasty with the cooking. And shortages are what that country has the most of.”
Dinah smiled, but gave no promise to stay, and they talked of other things through the rest of the walk, lingering in the sunshine to look at the great flock of geese grazing, at the new corn-ricks, and at the surprising abundance of fruit on the old pear-tree; Nancy and Molly having already hastened home, side by side, each holding, carefully wrapped in her pocket-handkerchief, a prayer-book, in which she could read little beyond the large letters and the Amens.
Dinah smiled but didn’t promise to stay, and they chatted about other topics for the rest of the walk, taking their time in the sunshine to watch the large flock of geese grazing, the new stacks of corn, and the surprising amount of fruit on the old pear tree. Nancy and Molly had already rushed home, walking side by side, each carefully holding a prayer book in her handkerchief, which she could read little beyond the big letters and the Amens.
Surely all other leisure is hurry compared with a sunny walk through the fields from “afternoon church”—as such walks used to be in those old leisurely times, when the boat, gliding sleepily along the canal, was the newest locomotive wonder; when Sunday books had most of them old brown-leather covers, and opened with remarkable precision always in one place. Leisure is gone—gone where the spinning-wheels are gone, and the pack-horses, and the slow waggons, and the pedlars, who brought bargains to the door on sunny afternoons. Ingenious philosophers tell you, perhaps, that the great work of the steam-engine is to create leisure for mankind. Do not believe them: it only creates a vacuum for eager thought to rush in. Even idleness is eager now—eager for amusement; prone to excursion-trains, art museums, periodical literature, and exciting novels; prone even to scientific theorizing and cursory peeps through microscopes. Old Leisure was quite a different personage. He only read one newspaper, innocent of leaders, and was free from that periodicity of sensations which we call post-time. He was a contemplative, rather stout gentleman, of excellent digestion; of quiet perceptions, undiseased by hypothesis; happy in his inability to know the causes of things, preferring the things themselves. He lived chiefly in the country, among pleasant seats and homesteads, and was fond of sauntering by the fruit-tree wall and scenting the apricots when they were warmed by the morning sunshine, or of sheltering himself under the orchard boughs at noon, when the summer pears were falling. He knew nothing of weekday services, and thought none the worse of the Sunday sermon if it allowed him to sleep from the text to the blessing; liking the afternoon service best, because the prayers were the shortest, and not ashamed to say so; for he had an easy, jolly conscience, broad-backed like himself, and able to carry a great deal of beer or port-wine, not being made squeamish by doubts and qualms and lofty aspirations. Life was not a task to him, but a sinecure. He fingered the guineas in his pocket, and ate his dinners, and slept the sleep of the irresponsible, for had he not kept up his character by going to church on the Sunday afternoons?
Surely all other leisure feels rushed compared to a sunny walk through the fields after “afternoon church”—as those walks used to be in those laid-back days, when the boat slowly gliding along the canal was the latest locomotive marvel; when Sunday books often had old brown leather covers and always opened exactly in one spot. Leisure is gone—gone where spinning wheels, packhorses, slow wagons, and peddlers have gone, who brought deals to the door on sunny afternoons. Clever philosophers might tell you that the steam engine's main purpose is to create leisure for humanity. Don’t believe them: it only creates emptiness for eager thoughts to fill. Even idleness is eager now—eager for entertainment; drawn to excursion trains, art museums, magazines, and thrilling novels; even drawn to scientific theories and quick looks through microscopes. Old Leisure was a completely different character. He only read one newspaper, free from editorials, and wasn't caught up in the regular series of sensations we call post-time. He was a thoughtful, somewhat plump gentleman with great digestion; he had calm perceptions, undisturbed by theories; he was happy to not know the causes of things, preferring the things themselves. He mainly lived in the countryside, among cozy homes, and enjoyed strolling by the fruit-tree wall and smelling the apricots warmed by the morning sun, or taking shelter under the orchard branches at noon when summer pears were falling. He knew nothing of weekday services and didn’t think any less of the Sunday sermon if it let him nap from the text to the blessing; he preferred the afternoon service because the prayers were the shortest, and he wasn’t ashamed to say so; he had an easy, cheerful conscience, broad-shouldered like himself, able to handle a lot of beer or port wine, not being bothered by doubts and worries and lofty ambitions. Life wasn’t a burden to him but a comfortable existence. He fiddled with the guineas in his pocket, enjoyed his meals, and slept the sleep of the carefree, for hadn’t he maintained his reputation by going to church on Sunday afternoons?
Fine old Leisure! Do not be severe upon him, and judge him by our modern standard. He never went to Exeter Hall, or heard a popular preacher, or read Tracts for the Times or Sartor Resartus.
Fine old Leisure! Don't be too harsh on him, and don't judge him by today's standards. He never went to Exeter Hall, or listened to a popular preacher, or read Tracts for the Times or Sartor Resartus.
Chapter LIII
The Harvest Supper
As Adam was going homeward, on Wednesday evening, in the six o’clock sunlight, he saw in the distance the last load of barley winding its way towards the yard-gate of the Hall Farm, and heard the chant of “Harvest Home!” rising and sinking like a wave. Fainter and fainter, and more musical through the growing distance, the falling dying sound still reached him, as he neared the Willow Brook. The low westering sun shone right on the shoulders of the old Binton Hills, turning the unconscious sheep into bright spots of light; shone on the windows of the cottage too, and made them a-flame with a glory beyond that of amber or amethyst. It was enough to make Adam feel that he was in a great temple, and that the distant chant was a sacred song.
As Adam was heading home on Wednesday evening in the six o’clock sunlight, he saw in the distance the last load of barley making its way toward the yard gate of the Hall Farm and heard the chant of “Harvest Home!” rising and falling like a wave. Fainter and more musical through the increasing distance, the fading sound still reached him as he approached the Willow Brook. The low setting sun shone directly on the shoulders of the old Binton Hills, turning the unaware sheep into bright spots of light; it also lit up the windows of the cottage, making them glow with a radiance beyond that of amber or amethyst. It made Adam feel as though he were in a grand temple, and that the distant chant was a sacred song.
“It’s wonderful,” he thought, “how that sound goes to one’s heart almost like a funeral bell, for all it tells one o’ the joyfullest time o’ the year, and the time when men are mostly the thankfullest. I suppose it’s a bit hard to us to think anything’s over and gone in our lives; and there’s a parting at the root of all our joys. It’s like what I feel about Dinah. I should never ha’ come to know that her love ’ud be the greatest o’ blessings to me, if what I counted a blessing hadn’t been wrenched and torn away from me, and left me with a greater need, so as I could crave and hunger for a greater and a better comfort.”
“It’s amazing,” he thought, “how that sound touches your heart almost like a funeral bell, even though it’s associated with the happiest time of the year, and the time when people are usually the most thankful. I guess it’s a bit tough for us to accept that anything in our lives is over and done; there’s a sense of loss underlying all our joys. It’s how I feel about Dinah. I would never have realized that her love would be my greatest blessing if what I considered a blessing hadn’t been taken away from me, leaving me with a deeper need, so that I could long and yearn for a greater and better comfort.”
He expected to see Dinah again this evening, and get leave to accompany her as far as Oakbourne; and then he would ask her to fix some time when he might go to Snowfield, and learn whether the last best hope that had been born to him must be resigned like the rest. The work he had to do at home, besides putting on his best clothes, made it seven before he was on his way again to the Hall Farm, and it was questionable whether, with his longest and quickest strides, he should be there in time even for the roast beef, which came after the plum pudding, for Mrs. Poyser’s supper would be punctual.
He was looking forward to seeing Dinah again that evening and hoped to get permission to walk with her as far as Oakbourne. Then he would ask her to set a time when he could go to Snowfield and find out if he had to let go of the last hope he had. The work he needed to do at home, besides getting dressed in his best clothes, kept him until seven before he was on his way again to the Hall Farm. It was uncertain whether, even with his longest and fastest strides, he’d arrive in time for the roast beef that came after the plum pudding, since Mrs. Poyser’s supper would be right on time.
Great was the clatter of knives and pewter plates and tin cans when Adam entered the house, but there was no hum of voices to this accompaniment: the eating of excellent roast beef, provided free of expense, was too serious a business to those good farm-labourers to be performed with a divided attention, even if they had had anything to say to each other—which they had not. And Mr. Poyser, at the head of the table, was too busy with his carving to listen to Bartle Massey’s or Mr. Craig’s ready talk.
The noise of knives, metal plates, and tin cans was loud when Adam walked into the house, but there were no voices to go with it: enjoying the delicious roast beef, which was provided for free, was too important for those hardworking farmers to distract themselves with conversation, even if they had anything to say—which they didn’t. And Mr. Poyser, sitting at the head of the table, was too focused on carving to pay attention to Bartle Massey or Mr. Craig’s lively chatter.
“Here, Adam,” said Mrs. Poyser, who was standing and looking on to see that Molly and Nancy did their duty as waiters, “here’s a place kept for you between Mr. Massey and the boys. It’s a poor tale you couldn’t come to see the pudding when it was whole.”
“Here, Adam,” said Mrs. Poyser, who was standing by to ensure that Molly and Nancy fulfilled their duties as waitstaff, “there’s a spot saved for you between Mr. Massey and the boys. It’s a pity you couldn’t come to see the pudding when it was whole.”
Adam looked anxiously round for a fourth woman’s figure, but Dinah was not there. He was almost afraid of asking about her; besides, his attention was claimed by greetings, and there remained the hope that Dinah was in the house, though perhaps disinclined to festivities on the eve of her departure.
Adam anxiously scanned the room for a fourth woman, but Dinah was missing. He was almost hesitant to ask about her; plus, he was caught up in greetings, holding onto the hope that Dinah was in the house, even if she might not be in the mood for celebrations on the night before her departure.
It was a goodly sight—that table, with Martin Poyser’s round good-humoured face and large person at the head of it helping his servants to the fragrant roast beef and pleased when the empty plates came again. Martin, though usually blest with a good appetite, really forgot to finish his own beef to-night—it was so pleasant to him to look on in the intervals of carving and see how the others enjoyed their supper; for were they not men who, on all the days of the year except Christmas Day and Sundays, ate their cold dinner, in a makeshift manner, under the hedgerows, and drank their beer out of wooden bottles—with relish certainly, but with their mouths towards the zenith, after a fashion more endurable to ducks than to human bipeds. Martin Poyser had some faint conception of the flavour such men must find in hot roast beef and fresh-drawn ale. He held his head on one side and screwed up his mouth, as he nudged Bartle Massey, and watched half-witted Tom Tholer, otherwise known as “Tom Saft,” receiving his second plateful of beef. A grin of delight broke over Tom’s face as the plate was set down before him, between his knife and fork, which he held erect, as if they had been sacred tapers. But the delight was too strong to continue smouldering in a grin—it burst out the next instant in a long-drawn “haw, haw!” followed by a sudden collapse into utter gravity, as the knife and fork darted down on the prey. Martin Poyser’s large person shook with his silent unctuous laugh. He turned towards Mrs. Poyser to see if she too had been observant of Tom, and the eyes of husband and wife met in a glance of good-natured amusement.
It was a lovely sight—that table, with Martin Poyser's round, friendly face and large frame at the head of it, serving his staff the delicious roast beef and happy when the empty plates came back. Martin, usually blessed with a good appetite, actually forgot to finish his own beef tonight—he enjoyed watching everyone else relish their dinner in between carving; after all, these were men who, on all days of the year except Christmas and Sundays, had to eat their cold lunch in a makeshift way under the hedgerows, drinking their beer from wooden bottles—enjoyable for sure, but with their mouths pointed up like it was easier for ducks than for humans. Martin Poyser had a slight idea of the flavor these men must find in hot roast beef and fresh ale. He tilted his head and pursed his mouth as he nudged Bartle Massey and watched simple-minded Tom Tholer, known as “Tom Saft,” getting his second serving of beef. A huge grin of happiness spread across Tom's face as the plate was set down in front of him, between his knife and fork, which he held upright like they were sacred candles. But the joy was too intense to stay just a grin—it erupted into a hearty “haw, haw!” followed by an immediate return to seriousness as his knife and fork dove down onto the food. Martin Poyser's large frame shook with his silent, hearty laugh. He turned to Mrs. Poyser to see if she had noticed Tom too, and they exchanged a look of good-natured amusement.
“Tom Saft” was a great favourite on the farm, where he played the part of the old jester, and made up for his practical deficiencies by his success in repartee. His hits, I imagine, were those of the flail, which falls quite at random, but nevertheless smashes an insect now and then. They were much quoted at sheep-shearing and haymaking times, but I refrain from recording them here, lest Tom’s wit should prove to be like that of many other bygone jesters eminent in their day—rather of a temporary nature, not dealing with the deeper and more lasting relations of things.
“Tom Saft” was a favorite on the farm, where he took on the role of the old jester and made up for his practical shortcomings with his quick wit. His jokes, I imagine, were like a flail that strikes at random but manages to hit an insect every now and then. They were often quoted during sheep-shearing and haymaking, but I won’t include them here, as Tom’s humor might turn out to be like that of many past jesters who were celebrated in their time—more short-lived and not addressing the deeper and more enduring aspects of life.
Tom excepted, Martin Poyser had some pride in his servants and labourers, thinking with satisfaction that they were the best worth their pay of any set on the estate. There was Kester Bale, for example (Beale, probably, if the truth were known, but he was called Bale, and was not conscious of any claim to a fifth letter), the old man with the close leather cap and the network of wrinkles on his sun-browned face. Was there any man in Loamshire who knew better the “natur” of all farming work? He was one of those invaluable labourers who can not only turn their hand to everything, but excel in everything they turn their hand to. It is true Kester’s knees were much bent outward by this time, and he walked with a perpetual curtsy, as if he were among the most reverent of men. And so he was; but I am obliged to admit that the object of his reverence was his own skill, towards which he performed some rather affecting acts of worship. He always thatched the ricks—for if anything were his forte more than another, it was thatching—and when the last touch had been put to the last beehive rick, Kester, whose home lay at some distance from the farm, would take a walk to the rick-yard in his best clothes on a Sunday morning and stand in the lane, at a due distance, to contemplate his own thatching, walking about to get each rick from the proper point of view. As he curtsied along, with his eyes upturned to the straw knobs imitative of golden globes at the summits of the beehive ricks, which indeed were gold of the best sort, you might have imagined him to be engaged in some pagan act of adoration. Kester was an old bachelor and reputed to have stockings full of coin, concerning which his master cracked a joke with him every pay-night: not a new unseasoned joke, but a good old one, that had been tried many times before and had worn well. “Th’ young measter’s a merry mon,” Kester frequently remarked; for having begun his career by frightening away the crows under the last Martin Poyser but one, he could never cease to account the reigning Martin a young master. I am not ashamed of commemorating old Kester. You and I are indebted to the hard hands of such men—hands that have long ago mingled with the soil they tilled so faithfully, thriftily making the best they could of the earth’s fruits, and receiving the smallest share as their own wages.
Tom aside, Martin Poyser took pride in his workers and laborers, feeling satisfied that they were the best value for their pay of anyone on the estate. Take Kester Bale, for instance (though it was probably Beale if we’re being honest, but he was called Bale and didn't feel the need for that extra letter), an old man wearing a snug leather cap with a network of wrinkles on his sun-tanned face. Was there anyone in Loamshire who understood the ins and outs of farming better? He was one of those indispensable workers who could not only do any job but excelled at everything they tried. It’s true that Kester’s knees had settled into a permanent outward bend by this time, and he walked with a sort of bow, as if surrounded by the most respectful of people. And in many ways, he was; though I must admit that the object of his reverence was his own skill, which he seemed to worship in some rather touching ways. He always thatched the ricks—because if he had a specialty, that was it—and when he finished the last touch on the final beehive rick, Kester, who lived some distance from the farm, would take a stroll to the rick-yard in his best clothes on Sunday morning. He’d stand in the lane, at a comfortable distance, admiring his own thatching, walking around to view each rick from the right angle. As he curtsied along, gazing up at the straw knobs resembling golden globes on top of the beehive ricks, which truly were golden in the best sense, you might have thought he was engaged in some sort of pagan worship. Kester was an old bachelor rumored to have stockings full of coins, a topic his boss joked about every pay-night: not a fresh, untested joke, but a classic one that had been around a while and still held up. “The young master’s a cheerful fellow,” Kester often said; having started his career by scaring away crows under the penultimate Martin Poyser, he never stopped seeing the current Martin as the young master. I’m not shy about honoring old Kester. You and I owe a lot to the hardworking hands of such men—hands that have long since mingled with the soil they tilled so diligently, wisely making the most they could of the earth’s produce while receiving the smallest share as their own payment.
Then, at the end of the table, opposite his master, there was Alick, the shepherd and head-man, with the ruddy face and broad shoulders, not on the best terms with old Kester; indeed, their intercourse was confined to an occasional snarl, for though they probably differed little concerning hedging and ditching and the treatment of ewes, there was a profound difference of opinion between them as to their own respective merits. When Tityrus and Meliboeus happen to be on the same farm, they are not sentimentally polite to each other. Alick, indeed, was not by any means a honeyed man. His speech had usually something of a snarl in it, and his broad-shouldered aspect something of the bull-dog expression—“Don’t you meddle with me, and I won’t meddle with you.” But he was honest even to the splitting of an oat-grain rather than he would take beyond his acknowledged share, and as “close-fisted” with his master’s property as if it had been his own—throwing very small handfuls of damaged barley to the chickens, because a large handful affected his imagination painfully with a sense of profusion. Good-tempered Tim, the waggoner, who loved his horses, had his grudge against Alick in the matter of corn. They rarely spoke to each other, and never looked at each other, even over their dish of cold potatoes; but then, as this was their usual mode of behaviour towards all mankind, it would be an unsafe conclusion that they had more than transient fits of unfriendliness. The bucolic character at Hayslope, you perceive, was not of that entirely genial, merry, broad-grinning sort, apparently observed in most districts visited by artists. The mild radiance of a smile was a rare sight on a field-labourer’s face, and there was seldom any gradation between bovine gravity and a laugh. Nor was every labourer so honest as our friend Alick. At this very table, among Mr. Poyser’s men, there is that big Ben Tholoway, a very powerful thresher, but detected more than once in carrying away his master’s corn in his pockets—an action which, as Ben was not a philosopher, could hardly be ascribed to absence of mind. However, his master had forgiven him, and continued to employ him, for the Tholoways had lived on the Common time out of mind, and had always worked for the Poysers. And on the whole, I daresay, society was not much the worse because Ben had not six months of it at the treadmill, for his views of depredation were narrow, and the House of Correction might have enlarged them. As it was, Ben ate his roast beef to-night with a serene sense of having stolen nothing more than a few peas and beans as seed for his garden since the last harvest supper, and felt warranted in thinking that Alick’s suspicious eye, for ever upon him, was an injury to his innocence.
At the end of the table, across from his boss, sat Alick, the shepherd and foreman, with a ruddy face and broad shoulders. He wasn’t on great terms with old Kester; their interactions mostly consisted of occasional snarls. While they probably didn’t disagree much about hedging, ditching, or handling ewes, they certainly had very different opinions about their own worth. When Tityrus and Meliboeus happen to be on the same farm, they aren’t especially polite to each other. Alick wasn’t exactly a warm person. His speech usually had a bit of a snarl to it, and his broad-shouldered appearance carried a bull-dog vibe—"Stay out of my way, and I’ll stay out of yours.” But he was honest to the point of splitting an oat grain rather than take more than his fair share, and he was as stingy with his boss's property as if it were his own—throwing tiny handfuls of damaged barley to the chickens because a bigger handful made him feel guilty about wasting. Good-natured Tim, the wagon driver who adored his horses, held a grudge against Alick over corn. They rarely spoke and never looked at each other, even when eating their cold potatoes. However, since this was how they behaved towards everyone, it wouldn’t be fair to think their unfriendliness was anything more than temporary. The rural vibe at Hayslope wasn’t the cheerful, wide-smiling type usually seen in areas popular with artists. A smile was a rare sight on a field worker’s face, and there wasn’t much difference between serious expressions and laughter. Not every laborer was as honest as Alick, either. At this same table, among Mr. Poyser’s men, there was big Ben Tholoway, a very strong thresher, who had been caught more than once sneaking his boss’s corn in his pockets—an act that, given Ben wasn’t a deep thinker, couldn’t really be blamed on absent-mindedness. Still, his boss forgave him and kept employing him since the Tholoways had lived on the Common for ages and had always worked for the Poysers. Overall, I guess society wasn’t much worse off for not sending Ben to the treadmill for six months, as his view on stealing was narrow, and spending time in the House of Correction might have broadened it. As it was, Ben enjoyed his roast beef tonight, feeling peacefully assured he hadn’t stolen anything more than a few peas and beans for his garden since the last harvest dinner, and believed Alick’s suspicious gaze fixed on him was unfair to his innocence.
But now the roast beef was finished and the cloth was drawn, leaving a fair large deal table for the bright drinking-cans, and the foaming brown jugs, and the bright brass candlesticks, pleasant to behold. Now, the great ceremony of the evening was to begin—the harvest-song, in which every man must join. He might be in tune, if he liked to be singular, but he must not sit with closed lips. The movement was obliged to be in triple time; the rest was ad libitum.
But now the roast beef was done, and the tablecloth was removed, leaving a nice big table for the shiny drinking mugs, the frothy brown jugs, and the bright brass candlesticks, which were a delight to look at. Now, the main event of the evening was about to start—the harvest song, in which every man had to participate. He could sing in tune if he wanted to stand out, but he couldn’t just sit there with his lips sealed. The rhythm had to be in triple time; the rest was ad libitum.
As to the origin of this song—whether it came in its actual state from the brain of a single rhapsodist, or was gradually perfected by a school or succession of rhapsodists, I am ignorant. There is a stamp of unity, of individual genius upon it, which inclines me to the former hypothesis, though I am not blind to the consideration that this unity may rather have arisen from that consensus of many minds which was a condition of primitive thought, foreign to our modern consciousness. Some will perhaps think that they detect in the first quatrain an indication of a lost line, which later rhapsodists, failing in imaginative vigour, have supplied by the feeble device of iteration. Others, however, may rather maintain that this very iteration is an original felicity, to which none but the most prosaic minds can be insensible.
I’m not sure where this song came from—whether it was created entirely by one talented performer or improved over time by a series of performers. There’s a sense of unity and individual talent in it that leads me to lean towards the first idea, though I’m aware that this unity might have come from a group of people sharing their thoughts, which is something we don’t really understand today. Some people might think they see a missing line in the first four lines, which later performers, lacking creativity, tried to fill in by repeating what was already there. Others, however, might argue that this repetition is actually a brilliant aspect of the song, one that only the most uninspired thinkers wouldn’t appreciate.
The ceremony connected with the song was a drinking ceremony. (That is perhaps a painful fact, but then, you know, we cannot reform our forefathers.) During the first and second quatrain, sung decidedly forte, no can was filled.
The ceremony associated with the song was a drinking event. (That might be a hard truth, but we can't change our ancestors, after all.) During the first and second quatrains, sung loudly forte, no can was filled.
“Here’s a health unto our master,
The founder of the feast;
Here’s a health unto our master
And to our mistress!
And may his doings prosper,
Whate’er he takes in hand,
For we are all his servants,
And are at his command.”
“Here’s to our master,
The one who started this feast;
Here’s to our master
And to our mistress!
May his efforts thrive,
Whatever he undertakes,
Because we are all his servants,
And are at his service.”
But now, immediately before the third quatrain or chorus, sung fortissimo, with emphatic raps of the table, which gave the effect of cymbals and drum together, Alick’s can was filled, and he was bound to empty it before the chorus ceased.
But now, just before the third quatrain or chorus, sung fortissimo, with loud knocks on the table that sounded like cymbals and drums combined, Alick’s can was filled, and he had to finish it before the chorus ended.
“Then drink, boys, drink!
And see ye do not spill,
For if ye do, ye shall drink two,
For ’tis our master’s will.”
“Then drink up, guys, drink!
And make sure you don’t spill,
Because if you do, you’ll have to drink twice,
Because that’s our master’s order.”
When Alick had gone successfully through this test of steady-handed manliness, it was the turn of old Kester, at his right hand—and so on, till every man had drunk his initiatory pint under the stimulus of the chorus. Tom Saft—the rogue—took care to spill a little by accident; but Mrs. Poyser (too officiously, Tom thought) interfered to prevent the exaction of the penalty.
When Alick successfully passed this test of steady-handed manliness, it was old Kester's turn, sitting next to him—and so on, until every man had downed his initiation pint, encouraged by the song. Tom Saft—the trickster—made sure to spill a little by accident; but Mrs. Poyser (too meddlesome, in Tom's opinion) stepped in to stop the punishment from happening.
To any listener outside the door it would have been the reverse of obvious why the “Drink, boys, drink!” should have such an immediate and often-repeated encore; but once entered, he would have seen that all faces were at present sober, and most of them serious—it was the regular and respectable thing for those excellent farm-labourers to do, as much as for elegant ladies and gentlemen to smirk and bow over their wine-glasses. Bartle Massey, whose ears were rather sensitive, had gone out to see what sort of evening it was at an early stage in the ceremony, and had not finished his contemplation until a silence of five minutes declared that “Drink, boys, drink!” was not likely to begin again for the next twelvemonth. Much to the regret of the boys and Totty: on them the stillness fell rather flat, after that glorious thumping of the table, towards which Totty, seated on her father’s knee, contributed with her small might and small fist.
To anyone listening outside the door, it would have been completely unclear why the phrase “Drink, boys, drink!” prompted such an immediate and frequent encore; but once inside, they would have noticed that all the faces were serious and mostly sober. It was just the expected behavior for those hardworking farm laborers, much like how refined ladies and gentlemen would smile and nod over their wine glasses. Bartle Massey, whose ears were a bit sensitive, had stepped out early in the event to see what kind of evening it was, and he didn’t finish his contemplation until a five-minute silence made it clear that “Drink, boys, drink!” wouldn't be repeated for at least a year. This brought a lot of disappointment to the boys and Totty, as the quietness felt dull after that exciting thumping of the table, which Totty, sitting on her father's knee, joined in with her small strength and tiny fist.
When Bartle re-entered, however, there appeared to be a general desire for solo music after the choral. Nancy declared that Tim the waggoner knew a song and was “allays singing like a lark i’ the stable,” whereupon Mr. Poyser said encouragingly, “Come, Tim, lad, let’s hear it.” Tim looked sheepish, tucked down his head, and said he couldn’t sing, but this encouraging invitation of the master’s was echoed all round the table. It was a conversational opportunity: everybody could say, “Come, Tim,” except Alick, who never relaxed into the frivolity of unnecessary speech. At last, Tim’s next neighbour, Ben Tholoway, began to give emphasis to his speech by nudges, at which Tim, growing rather savage, said, “Let me alooan, will ye? Else I’ll ma’ ye sing a toon ye wonna like.” A good-tempered waggoner’s patience has limits, and Tim was not to be urged further.
When Bartle came back in, it seemed like everyone wanted to hear some solo music after the choir. Nancy said that Tim the waggoner knew a song and was “always singing like a lark in the stable,” to which Mr. Poyser encouragingly responded, “Come on, Tim, let’s hear it.” Tim looked embarrassed, lowered his head, and claimed he couldn’t sing, but the master’s encouraging invitation was echoed around the table. It was a chance for everyone to say, “Come on, Tim,” except for Alick, who never joined in on unnecessary chatter. Finally, Tim's neighbor, Ben Tholoway, started nudging him to emphasize his words, which made Tim a bit annoyed and he said, “Let me be, will you? Otherwise I’ll make you sing a tune you won’t like.” A good-natured waggoner’s patience has its limits, and Tim wasn’t going to be pushed any further.
“Well, then, David, ye’re the lad to sing,” said Ben, willing to show that he was not discomfited by this check. “Sing ‘My loove’s a roos wi’out a thorn.’”
“Well, then, David, you’re the one to sing,” said Ben, eager to prove that he wasn’t bothered by this setback. “Sing ‘My love’s a rose without a thorn.’”
The amatory David was a young man of an unconscious abstracted expression, which was due probably to a squint of superior intensity rather than to any mental characteristic; for he was not indifferent to Ben’s invitation, but blushed and laughed and rubbed his sleeve over his mouth in a way that was regarded as a symptom of yielding. And for some time the company appeared to be much in earnest about the desire to hear David’s song. But in vain. The lyricism of the evening was in the cellar at present, and was not to be drawn from that retreat just yet.
The lovesick David was a young man with a dreamy expression, likely caused more by an intense squint than any mental trait; he definitely wasn’t indifferent to Ben’s invitation, as he blushed, laughed, and wiped his mouth with his sleeve, which everyone took as a sign of giving in. For a while, the group seemed very eager to hear David’s song. But it was no use. The evening's music was hiding away in the cellar right now and wasn’t ready to come out just yet.
Meanwhile the conversation at the head of the table had taken a political turn. Mr. Craig was not above talking politics occasionally, though he piqued himself rather on a wise insight than on specific information. He saw so far beyond the mere facts of a case that really it was superfluous to know them.
Meanwhile, the conversation at the head of the table had shifted to politics. Mr. Craig didn’t mind discussing politics from time to time, though he preferred to showcase his wisdom over specific information. He could see far beyond the basic facts of a situation, making it unnecessary to know them.
“I’m no reader o’ the paper myself,” he observed to-night, as he filled his pipe, “though I might read it fast enough if I liked, for there’s Miss Lyddy has ’em and ’s done with ’em i’ no time. But there’s Mills, now, sits i’ the chimney-corner and reads the paper pretty nigh from morning to night, and when he’s got to th’ end on’t he’s more addle-headed than he was at the beginning. He’s full o’ this peace now, as they talk on; he’s been reading and reading, and thinks he’s got to the bottom on’t. ‘Why, Lor’ bless you, Mills,’ says I, ‘you see no more into this thing nor you can see into the middle of a potato. I’ll tell you what it is: you think it’ll be a fine thing for the country. And I’m not again’ it—mark my words—I’m not again’ it. But it’s my opinion as there’s them at the head o’ this country as are worse enemies to us nor Bony and all the mounseers he’s got at ’s back; for as for the mounseers, you may skewer half-a-dozen of ’em at once as if they war frogs.’”
“I don’t really read the paper myself,” he mentioned tonight as he filled his pipe, “though I could read it quickly enough if I wanted to, since Miss Lyddy has them and finishes them in no time. But then there’s Mills, who sits in the corner by the fireplace and reads the paper nearly from morning to night, and by the time he’s finished, he’s more confused than he was at the start. He’s all caught up in this talk about peace now; he’s been reading and reading and thinks he understands it fully. ‘Well, bless you, Mills,’ I said, ‘you see no more into this situation than you can see into the middle of a potato. Here’s the thing: you think it’ll be great for the country. And I’m not against it—mark my words—I’m not against it. But I believe there are people in charge of this country who are worse enemies to us than Bony and all the fancy folks he has backing him; because with the fancy folks, you could skewer half a dozen of them at once like you would frogs.’”
“Aye, aye,” said Martin Poyser, listening with an air of much intelligence and edification, “they ne’er ate a bit o’ beef i’ their lives. Mostly sallet, I reckon.”
“Yeah, yeah,” said Martin Poyser, listening with a look of great understanding and insight, “they’ve never eaten a bite of beef in their lives. Mostly salad, I guess.”
“And says I to Mills,” continued Mr. Craig, “‘Will you try to make me believe as furriners like them can do us half th’ harm them ministers do with their bad government? If King George ’ud turn ’em all away and govern by himself, he’d see everything righted. He might take on Billy Pitt again if he liked; but I don’t see myself what we want wi’ anybody besides King and Parliament. It’s that nest o’ ministers does the mischief, I tell you.’”
“And I said to Mills,” continued Mr. Craig, “‘Are you really trying to make me believe that those foreigners can do us half the damage that those ministers do with their terrible government? If King George would just send them all away and govern on his own, he would fix everything. He could bring back Billy Pitt if he wanted to; but I don’t see why we need anyone besides the King and Parliament. It’s that group of ministers that causes the trouble, I’m telling you.’”
“Ah, it’s fine talking,” observed Mrs. Poyser, who was now seated near her husband, with Totty on her lap—“it’s fine talking. It’s hard work to tell which is Old Harry when everybody’s got boots on.”
“Ah, it’s nice to talk,” remarked Mrs. Poyser, now sitting next to her husband with Totty on her lap—“it’s nice to talk. It’s tough to figure out who’s Old Harry when everyone’s wearing boots.”
“As for this peace,” said Mr. Poyser, turning his head on one side in a dubitative manner and giving a precautionary puff to his pipe between each sentence, “I don’t know. Th’ war’s a fine thing for the country, an’ how’ll you keep up prices wi’out it? An’ them French are a wicked sort o’ folks, by what I can make out. What can you do better nor fight ’em?”
“As for this peace,” said Mr. Poyser, tilting his head thoughtfully and taking a cautious puff from his pipe between each sentence, “I don’t know. The war’s great for the country, and how will you maintain prices without it? And those French are a pretty wicked bunch, from what I can tell. What else can you do but fight them?”
“Ye’re partly right there, Poyser,” said Mr. Craig, “but I’m not again’ the peace—to make a holiday for a bit. We can break it when we like, an’ I’m in no fear o’ Bony, for all they talk so much o’ his cliverness. That’s what I says to Mills this morning. Lor’ bless you, he sees no more through Bony!... why, I put him up to more in three minutes than he gets from’s paper all the year round. Says I, ‘Am I a gardener as knows his business, or arn’t I, Mills? Answer me that.’ ‘To be sure y’ are, Craig,’ says he—he’s not a bad fellow, Mills isn’t, for a butler, but weak i’ the head. ‘Well,’ says I, ‘you talk o’ Bony’s cliverness; would it be any use my being a first-rate gardener if I’d got nought but a quagmire to work on?’ ‘No,’ says he. ‘Well,’ I says, ‘that’s just what it is wi’ Bony. I’ll not deny but he may be a bit cliver—he’s no Frenchman born, as I understand—but what’s he got at’s back but mounseers?’”
“You're partly right there, Poyser,” said Mr. Craig, “but I’m not against taking a break to enjoy a holiday for a bit. We can end it whenever we want, and I’m not worried about Bony, despite all the talk about his cleverness. That’s what I told Mills this morning. Goodness, he doesn’t see through Bony at all!... I mean, I explained more to him in three minutes than he gets from his paper all year. I said, ‘Am I a gardener who knows his stuff, or not, Mills? Answer me that.’ ‘Of course you are, Craig,’ he said—he’s not a bad guy, Mills isn’t, for a butler, but a bit slow on the uptake. ‘Well,’ I said, ‘you talk about Bony’s cleverness; would it help if I was a top-notch gardener if all I had to work with was a muddy mess?’ ‘No,’ he said. ‘Well,’ I said, ‘that’s exactly what it’s like with Bony. I won’t deny he might be a bit clever—he’s not a born Frenchman, as I understand—but what’s behind him but a bunch of mounseers?’”
Mr. Craig paused a moment with an emphatic stare after this triumphant specimen of Socratic argument, and then added, thumping the table rather fiercely, “Why, it’s a sure thing—and there’s them ’ull bear witness to’t—as i’ one regiment where there was one man a-missing, they put the regimentals on a big monkey, and they fit him as the shell fits the walnut, and you couldn’t tell the monkey from the mounseers!”
Mr. Craig paused for a moment with an intense look after this impressive example of Socratic argument, and then added, pounding the table a bit harshly, “Well, it’s a fact—and there are people who can back me up on this—that in one regiment, when there was a man missing, they dressed a big monkey in the uniform, and it fit him perfectly, just like a shell fits a walnut, and you couldn’t tell the monkey from the soldiers!”
“Ah! Think o’ that, now!” said Mr. Poyser, impressed at once with the political bearings of the fact and with its striking interest as an anecdote in natural history.
“Ah! Just think of that now!” said Mr. Poyser, immediately struck by the political implications of the fact and its fascinating nature as an anecdote in natural history.
“Come, Craig,” said Adam, “that’s a little too strong. You don’t believe that. It’s all nonsense about the French being such poor sticks. Mr. Irwine’s seen ’em in their own country, and he says they’ve plenty o’ fine fellows among ’em. And as for knowledge, and contrivances, and manufactures, there’s a many things as we’re a fine sight behind ’em in. It’s poor foolishness to run down your enemies. Why, Nelson and the rest of ’em ’ud have no merit i’ beating ’em, if they were such offal as folks pretend.”
“Come on, Craig,” Adam said, “that’s a bit too extreme. You don’t really believe that. It’s all nonsense about the French being so weak. Mr. Irwine has seen them in their own country, and he says there are plenty of great people among them. And when it comes to knowledge, inventions, and industries, there are many areas where we’re way behind them. It’s just foolish to badmouth your rivals. After all, Nelson and the others wouldn’t have any real achievement in defeating them if they were as worthless as people say.”
Mr. Poyser looked doubtfully at Mr. Craig, puzzled by this opposition of authorities. Mr. Irwine’s testimony was not to be disputed; but, on the other hand, Craig was a knowing fellow, and his view was less startling. Martin had never “heard tell” of the French being good for much. Mr. Craig had found no answer but such as was implied in taking a long draught of ale and then looking down fixedly at the proportions of his own leg, which he turned a little outward for that purpose, when Bartle Massey returned from the fireplace, where he had been smoking his first pipe in quiet, and broke the silence by saying, as he thrust his forefinger into the canister, “Why, Adam, how happened you not to be at church on Sunday? Answer me that, you rascal. The anthem went limping without you. Are you going to disgrace your schoolmaster in his old age?”
Mr. Poyser looked at Mr. Craig with doubt, confused by this clash of opinions. Mr. Irwine’s testimony was solid and couldn’t be challenged; but on the other hand, Craig was a clever guy, and his perspective was less shocking. Martin had never heard that the French were good for much. Craig didn’t have an answer, except for taking a long sip of ale and then staring down at his leg, which he turned slightly outward for that reason, when Bartle Massey came back from the fireplace, where he had been quietly enjoying his first pipe, and broke the silence by saying, as he reached into the canister, “Hey, Adam, why weren’t you at church on Sunday? Answer that, you rascal. The anthem was limping along without you. Are you going to embarrass your schoolmaster in his old age?”
“No, Mr. Massey,” said Adam. “Mr. and Mrs. Poyser can tell you where I was. I was in no bad company.”
“No, Mr. Massey,” Adam said. “Mr. and Mrs. Poyser can tell you where I was. I wasn’t in bad company.”
“She’s gone, Adam—gone to Snowfield,” said Mr. Poyser, reminded of Dinah for the first time this evening. “I thought you’d ha’ persuaded her better. Nought ’ud hold her, but she must go yesterday forenoon. The missis has hardly got over it. I thought she’d ha’ no sperrit for th’ harvest supper.”
“She’s gone, Adam—gone to Snowfield,” Mr. Poyser said, thinking of Dinah for the first time that evening. “I thought you would have convinced her otherwise. Nothing could keep her, but she had to leave yesterday morning. The missis is barely coping with it. I figured she wouldn’t have the energy for the harvest supper.”
Mrs. Poyser had thought of Dinah several times since Adam had come in, but she had had “no heart” to mention the bad news.
Mrs. Poyser had thought about Dinah several times since Adam came in, but she just didn’t have the heart to bring up the bad news.
“What!” said Bartle, with an air of disgust. “Was there a woman concerned? Then I give you up, Adam.”
“What!” Bartle said, looking disgusted. “Was a woman involved? Then I’m done with you, Adam.”
“But it’s a woman you’n spoke well on, Bartle,” said Mr. Poyser. “Come now, you canna draw back; you said once as women wouldna ha’ been a bad invention if they’d all been like Dinah.”
“But you spoke well of a woman, Bartle,” said Mr. Poyser. “Come on, you can't backtrack; you once said that women wouldn't have been a bad idea if they had all been like Dinah.”
“I meant her voice, man—I meant her voice, that was all,” said Bartle. “I can bear to hear her speak without wanting to put wool in my ears. As for other things, I daresay she’s like the rest o’ the women—thinks two and two ’ll come to make five, if she cries and bothers enough about it.”
“I meant her voice, man—I meant her voice, that’s all,” said Bartle. “I can stand to hear her speak without wanting to stuff my ears with wool. As for everything else, I’d say she’s like the other women—thinks that two and two will somehow make five if she complains and worries about it enough.”
“Aye, aye!” said Mrs. Poyser; “one ’ud think, an’ hear some folks talk, as the men war ’cute enough to count the corns in a bag o’ wheat wi’ only smelling at it. They can see through a barn-door, they can. Perhaps that’s the reason they can see so little o’ this side on’t.”
“Yeah, yeah!” said Mrs. Poyser; “you’d think, if you listened to some people, that men are smart enough to count the grains in a bag of wheat just by smelling it. They can see through a barn door, they can. Maybe that’s why they see so little of what’s right in front of them.”
Martin Poyser shook with delighted laughter and winked at Adam, as much as to say the schoolmaster was in for it now.
Martin Poyser shook with laughter and winked at Adam, as if to say the schoolmaster was in for it now.
“Ah!” said Bartle sneeringly, “the women are quick enough—they’re quick enough. They know the rights of a story before they hear it, and can tell a man what his thoughts are before he knows ’em himself.”
“Ah!” Bartle said with a sneer, “the women are quick enough—they really are. They know the facts of a story before they even hear it, and can tell a man what he’s thinking before he even realizes it himself.”
“Like enough,” said Mrs. Poyser, “for the men are mostly so slow, their thoughts overrun ’em, an’ they can only catch ’em by the tail. I can count a stocking-top while a man’s getting’s tongue ready an’ when he outs wi’ his speech at last, there’s little broth to be made on’t. It’s your dead chicks take the longest hatchin’. Howiver, I’m not denyin’ the women are foolish: God Almighty made ’em to match the men.”
“Probably,” said Mrs. Poyser, “because most men are so slow, their thoughts get ahead of them, and they can only catch up by the tail. I can count a stocking-top while a man is getting his thoughts together, and when he finally speaks, there’s not much to say. It’s your dead chicks that take the longest to hatch. However, I’m not saying that women aren’t foolish: God made them to match the men.”
“Match!” said Bartle. “Aye, as vinegar matches one’s teeth. If a man says a word, his wife ’ll match it with a contradiction; if he’s a mind for hot meat, his wife ’ll match it with cold bacon; if he laughs, she’ll match him with whimpering. She’s such a match as the horse-fly is to th’ horse: she’s got the right venom to sting him with—the right venom to sting him with.”
“Match!” said Bartle. “Yeah, just like vinegar matches your teeth. If a guy says something, his wife will contradict him; if he wants hot meat, she’ll offer cold bacon instead; if he’s laughing, she’ll counter with crying. She’s a match like a horse-fly is to a horse: she’s got the perfect sting to get to him—the perfect sting to get to him.”
“Yes,” said Mrs. Poyser, “I know what the men like—a poor soft, as ’ud simper at ’em like the picture o’ the sun, whether they did right or wrong, an’ say thank you for a kick, an’ pretend she didna know which end she stood uppermost, till her husband told her. That’s what a man wants in a wife, mostly; he wants to make sure o’ one fool as ’ull tell him he’s wise. But there’s some men can do wi’out that—they think so much o’ themselves a’ready. An’ that’s how it is there’s old bachelors.”
“Yes,” said Mrs. Poyser, “I know what men like—a naive woman who will smile at them like the sun, no matter if they’re right or wrong, and say thank you for a kick, pretending she doesn’t even know which way is up until her husband tells her. That’s what most men want in a wife; they want a fool who will assure them they’re wise. But some men can do without that—they already think highly of themselves. And that’s why there are old bachelors.”
“Come, Craig,” said Mr. Poyser jocosely, “you mun get married pretty quick, else you’ll be set down for an old bachelor; an’ you see what the women ’ull think on you.”
“Come on, Craig,” Mr. Poyser said jokingly, “you need to get married pretty soon, or people will start to think of you as an old bachelor; and you know how the women will see you.”
“Well,” said Mr. Craig, willing to conciliate Mrs. Poyser and setting a high value on his own compliments, “I like a cleverish woman—a woman o’ sperrit—a managing woman.”
“Well,” said Mr. Craig, eager to win over Mrs. Poyser and holding his own compliments in high regard, “I like a clever woman—a spirited woman—a woman who knows how to manage things.”
“You’re out there, Craig,” said Bartle, dryly; “you’re out there. You judge o’ your garden-stuff on a better plan than that. You pick the things for what they can excel in—for what they can excel in. You don’t value your peas for their roots, or your carrots for their flowers. Now, that’s the way you should choose women. Their cleverness ’ll never come to much—never come to much—but they make excellent simpletons, ripe and strong-flavoured.”
“You’re out there, Craig,” Bartle said dryly. “You’re out there. You evaluate your garden stuff in a smarter way than that. You select things based on what they can excel at—what they can excel at. You don’t judge your peas by their roots or your carrots by their flowers. That’s how you should pick women. Their intelligence won't amount to much—won't amount to much—but they make excellent simpletons, ripe and full of flavor.”
“What dost say to that?” said Mr. Poyser, throwing himself back and looking merrily at his wife.
“What do you say to that?” Mr. Poyser said, leaning back and looking happily at his wife.
“Say!” answered Mrs. Poyser, with dangerous fire kindling in her eye. “Why, I say as some folks’ tongues are like the clocks as run on strikin’, not to tell you the time o’ the day, but because there’s summat wrong i’ their own inside...”
“Say!” replied Mrs. Poyser, a fierce light sparking in her eyes. “Well, I think some people’s tongues are like clocks that strike not to tell you the time of day, but because there’s something wrong inside them...”
Mrs. Poyser would probably have brought her rejoinder to a further climax, if every one’s attention had not at this moment been called to the other end of the table, where the lyricism, which had at first only manifested itself by David’s sotto voce performance of “My love’s a rose without a thorn,” had gradually assumed a rather deafening and complex character. Tim, thinking slightly of David’s vocalization, was impelled to supersede that feeble buzz by a spirited commencement of “Three Merry Mowers,” but David was not to be put down so easily, and showed himself capable of a copious crescendo, which was rendering it doubtful whether the rose would not predominate over the mowers, when old Kester, with an entirely unmoved and immovable aspect, suddenly set up a quavering treble—as if he had been an alarum, and the time was come for him to go off.
Mrs. Poyser might have escalated her response further, if everyone’s attention hadn’t been drawn to the other end of the table. There, the lyrical mood, which had initially shown itself through David’s soft singing of “My love’s a rose without a thorn,” had grown into a rather overwhelming and complex situation. Tim, thinking little of David’s singing, felt compelled to drown out that weak sound by starting “Three Merry Mowers” with enthusiasm. But David wasn’t easily silenced and demonstrated he was capable of a substantial crescendo, calling into question whether the rose would outshine the mowers. Just then, old Kester, with a completely calm and unyielding demeanor, suddenly broke into a wavering high note—as if he were an alarm and it was time for him to go off.
The company at Alick’s end of the table took this form of vocal entertainment very much as a matter of course, being free from musical prejudices; but Bartle Massey laid down his pipe and put his fingers in his ears; and Adam, who had been longing to go ever since he had heard Dinah was not in the house, rose and said he must bid good-night.
The group at Alick’s end of the table treated this kind of singing like it was perfectly normal, without any musical biases. But Bartle Massey stopped playing his pipe and covered his ears; and Adam, who had been eager to leave ever since he found out Dinah wasn’t home, stood up and said he needed to say goodnight.
“I’ll go with you, lad,” said Bartle; “I’ll go with you before my ears are split.”
“I’ll go with you, buddy,” said Bartle; “I’ll go with you before my ears are blown out.”
“I’ll go round by the Common and see you home, if you like, Mr. Massey,” said Adam.
“I'll take the route through the Common and walk you home, if that’s okay with you, Mr. Massey,” said Adam.
“Aye, aye!” said Bartle; “then we can have a bit o’ talk together. I never get hold of you now.”
“Aye, aye!” said Bartle; “then we can have a little chat together. I never get to see you anymore.”
“Eh! It’s a pity but you’d sit it out,” said Martin Poyser. “They’ll all go soon, for th’ missis niver lets ’em stay past ten.”
“Hey! That’s too bad, but you’ll have to sit this one out,” said Martin Poyser. “They’ll all leave soon because Mrs. never lets them stay past ten.”
But Adam was resolute, so the good-nights were said, and the two friends turned out on their starlight walk together.
But Adam was determined, so they said their goodnights, and the two friends went out for their walk under the stars together.
“There’s that poor fool, Vixen, whimpering for me at home,” said Bartle. “I can never bring her here with me for fear she should be struck with Mrs. Poyser’s eye, and the poor bitch might go limping for ever after.”
“There's that poor fool, Vixen, whining for me at home,” said Bartle. “I can never bring her here with me because I'm afraid she might be caught in Mrs. Poyser's sights, and the poor dog could end up limping forever.”
“I’ve never any need to drive Gyp back,” said Adam, laughing. “He always turns back of his own head when he finds out I’m coming here.”
“I’ve never needed to drive Gyp back,” Adam said with a laugh. “He always turns around on his own when he realizes I’m coming here.”
“Aye, aye,” said Bartle. “A terrible woman!—made of needles, made of needles. But I stick to Martin—I shall always stick to Martin. And he likes the needles, God help him! He’s a cushion made on purpose for ’em.”
“Yeah, yeah,” said Bartle. “A horrible woman!—made of needles, made of needles. But I’m loyal to Martin—I’ll always be loyal to Martin. And he likes the needles, God help him! He’s a cushion made just for them.”
“But she’s a downright good-natur’d woman, for all that,” said Adam, “and as true as the daylight. She’s a bit cross wi’ the dogs when they offer to come in th’ house, but if they depended on her, she’d take care and have ’em well fed. If her tongue’s keen, her heart’s tender: I’ve seen that in times o’ trouble. She’s one o’ those women as are better than their word.”
"But she's really a genuinely kind woman, despite all that," said Adam, "and as honest as the day. She gets a little annoyed with the dogs when they try to come into the house, but if they relied on her, she'd make sure they were well-fed. If her words are sharp, her heart is soft; I've seen that in tough times. She's one of those women who are better than what they say."
“Well, well,” said Bartle, “I don’t say th’ apple isn’t sound at the core; but it sets my teeth on edge—it sets my teeth on edge.”
“Well, well,” Bartle said, “I’m not saying the apple isn’t good on the inside, but it drives me crazy—it really drives me crazy.”
Chapter LIV
The Meeting on the Hill
Adam understood Dinah’s haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within.
Adam understood Dinah’s urgency to leave, and he felt hopeful instead of discouraged by it. She was afraid that the intensity of her feelings for him would prevent her from patiently waiting and truly listening for the final guiding voice from within.
“I wish I’d asked her to write to me, though,” he thought. “And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I’ve no right to be impatient and interrupting her with my wishes. She’s told me what her mind is, and she’s not a woman to say one thing and mean another. I’ll wait patiently.”
“I wish I had asked her to write to me,” he thought. “But even that might bother her a little. She wants to be totally quiet in her usual way for a while. I don’t have the right to be impatient and interrupt her with my desires. She’s been clear about what she wants, and she’s not the type to say one thing and mean another. I’ll wait patiently.”
That was Adam’s wise resolution, and it throve excellently for the first two or three weeks on the nourishment it got from the remembrance of Dinah’s confession that Sunday afternoon. There is a wonderful amount of sustenance in the first few words of love. But towards the middle of October the resolution began to dwindle perceptibly, and showed dangerous symptoms of exhaustion. The weeks were unusually long: Dinah must surely have had more than enough time to make up her mind. Let a woman say what she will after she has once told a man that she loves him, he is a little too flushed and exalted with that first draught she offers him to care much about the taste of the second. He treads the earth with a very elastic step as he walks away from her, and makes light of all difficulties. But that sort of glow dies out: memory gets sadly diluted with time, and is not strong enough to revive us. Adam was no longer so confident as he had been. He began to fear that perhaps Dinah’s old life would have too strong a grasp upon her for any new feeling to triumph. If she had not felt this, she would surely have written to him to give him some comfort; but it appeared that she held it right to discourage him. As Adam’s confidence waned, his patience waned with it, and he thought he must write himself. He must ask Dinah not to leave him in painful doubt longer than was needful. He sat up late one night to write her a letter, but the next morning he burnt it, afraid of its effect. It would be worse to have a discouraging answer by letter than from her own lips, for her presence reconciled him to her will.
That was Adam’s wise decision, and it thrived quite well for the first two or three weeks, fueled by the memory of Dinah’s confession that Sunday afternoon. There’s a lot of strength in those first few words of love. But by the middle of October, the decision began to noticeably fade and showed signs of weakening. The weeks felt unusually long: Dinah must have had more than enough time to make up her mind. No matter what a woman says after she’s told a man she loves him, he’s often too high on that initial rush to care too much about how the next confession might feel. He walks away from her with a spring in his step, brushing off all obstacles. But that excitement fades: memories become sadly diluted over time and aren’t strong enough to sustain us. Adam grew less confident than before. He started to worry that Dinah’s past life would hold too much power over her for any new feelings to flourish. If she truly felt differently, she would have written to reassure him; instead, it seemed she believed it was right to discourage him. As Adam’s certainty faded, so did his patience, and he felt he had to write to her. He needed to ask Dinah not to leave him in painful uncertainty longer than necessary. He stayed up late one night to write her a letter, but the next morning he burned it, fearing its impact. It would be worse to receive a discouraging reply in a letter than to hear it from her in person, as her presence soothed him into accepting her choice.
You perceive how it was: Adam was hungering for the sight of Dinah, and when that sort of hunger reaches a certain stage, a lover is likely to still it though he may have to put his future in pawn.
You see how it was: Adam was craving to see Dinah, and when that kind of craving gets to a certain point, a lover is likely to act on it even if it means risking his future.
But what harm could he do by going to Snowfield? Dinah could not be displeased with him for it. She had not forbidden him to go. She must surely expect that he would go before long. By the second Sunday in October this view of the case had become so clear to Adam that he was already on his way to Snowfield, on horseback this time, for his hours were precious now, and he had borrowed Jonathan Burge’s good nag for the journey.
But what harm could he do by going to Snowfield? Dinah wouldn’t be upset with him for it. She hadn’t told him not to go. She probably expected that he would go sooner or later. By the second Sunday in October, Adam had become so certain of this that he was already on his way to Snowfield, riding a horse this time, since his time was valuable now, and he had borrowed Jonathan Burge’s good horse for the trip.
What keen memories went along the road with him! He had often been to Oakbourne and back since that first journey to Snowfield, but beyond Oakbourne the greystone walls, the broken country, the meagre trees, seemed to be telling him afresh the story of that painful past which he knew so well by heart. But no story is the same to us after a lapse of time—or rather, we who read it are no longer the same interpreters—and Adam this morning brought with him new thoughts through that grey country, thoughts which gave an altered significance to its story of the past.
What vivid memories accompanied him on the road! He had traveled to Oakbourne and back many times since that first trip to Snowfield, but beyond Oakbourne, the grey stone walls, the rugged terrain, and the sparse trees seemed to be reminding him anew of that painful past he knew all too well. But no story is the same to us after some time—or rather, we who read it are no longer the same interpreters—and Adam this morning carried with him new thoughts through that grey landscape, thoughts that changed the meaning of its history.
That is a base and selfish, even a blasphemous, spirit which rejoices and is thankful over the past evil that has blighted or crushed another, because it has been made a source of unforeseen good to ourselves. Adam could never cease to mourn over that mystery of human sorrow which had been brought so close to him; he could never thank God for another’s misery. And if I were capable of that narrow-sighted joy in Adam’s behalf, I should still know he was not the man to feel it for himself. He would have shaken his head at such a sentiment and said, “Evil’s evil, and sorrow’s sorrow, and you can’t alter it’s natur by wrapping it up in other words. Other folks were not created for my sake, that I should think all square when things turn out well for me.”
That is a low and selfish, even a blasphemous, attitude that takes pleasure in and is grateful for the past suffering that has harmed someone else because it has unexpectedly benefited us. Adam could never stop grieving over the mystery of human sorrow that was brought so close to him; he could never thank God for someone else's pain. And even if I could feel that short-sighted happiness on Adam's behalf, I would still know he was not the kind of person to feel that way himself. He would have shaken his head at such a feeling and said, “Evil is evil, and sorrow is sorrow, and you can’t change its nature by calling it something else. Other people weren't created for my benefit, so I shouldn't feel good just because things turned out well for me.”
But it is not ignoble to feel that the fuller life which a sad experience has brought us is worth our own personal share of pain. Surely it is not possible to feel otherwise, any more than it would be possible for a man with cataract to regret the painful process by which his dim blurred sight of men as trees walking had been exchanged for clear outline and effulgent day. The growth of higher feeling within us is like the growth of faculty, bringing with it a sense of added strength. We can no more wish to return to a narrower sympathy than a painter or a musician can wish to return to his cruder manner, or a philosopher to his less complete formula.
But it’s not shameful to think that the richer life brought to us by a painful experience is worth our own share of suffering. It’s hard to feel differently, just like a person with cataracts wouldn’t regret the painful process that restored their blurry vision of people as trees to clear sight and bright daylight. The development of deeper emotions within us is similar to gaining new skills, bringing a sense of increased strength. We can no more want to go back to a narrower understanding than an artist or musician can wish to revert to their less refined style, or a philosopher to their simpler theories.
Something like this sense of enlarged being was in Adam’s mind this Sunday morning, as he rode along in vivid recollection of the past. His feeling towards Dinah, the hope of passing his life with her, had been the distant unseen point towards which that hard journey from Snowfield eighteen months ago had been leading him. Tender and deep as his love for Hetty had been—so deep that the roots of it would never be torn away—his love for Dinah was better and more precious to him, for it was the outgrowth of that fuller life which had come to him from his acquaintance with deep sorrow. “It’s like as if it was a new strength to me,” he said to himself, “to love her and know as she loves me. I shall look t’ her to help me to see things right. For she’s better than I am—there’s less o’ self in her, and pride. And it’s a feeling as gives you a sort o’ liberty, as if you could walk more fearless, when you’ve more trust in another than y’ have in yourself. I’ve always been thinking I knew better than them as belonged to me, and that’s a poor sort o’ life, when you can’t look to them nearest to you t’ help you with a bit better thought than what you’ve got inside you a’ready.”
On this Sunday morning, Adam rode along with vivid memories filling his mind. His feelings for Dinah, the hope of spending his life with her, had been the distant, unseen goal that had guided him through the tough journey from Snowfield eighteen months ago. As tender and deep as his love for Hetty had been—so deep that its roots would never let go—his love for Dinah was more significant and valuable to him. It had blossomed from the fuller life he gained through experiencing profound sorrow. “It’s like I feel a new strength,” he thought to himself, “to love her and to know she loves me. I’ll rely on her to help me see things clearly. She’s a better person than I am—she has less selfishness and pride. It’s a feeling that gives you a kind of freedom, as if you can walk more fearlessly when you trust someone else more than you trust yourself. I’ve always believed I knew better than those closest to me, and that’s a sad way to live when you can’t look to the people nearest you for better thoughts than what you already have inside.”
It was more than two o’clock in the afternoon when Adam came in sight of the grey town on the hill-side and looked searchingly towards the green valley below, for the first glimpse of the old thatched roof near the ugly red mill. The scene looked less harsh in the soft October sunshine than it had in the eager time of early spring, and the one grand charm it possessed in common with all wide-stretching woodless regions—that it filled you with a new consciousness of the overarching sky—had a milder, more soothing influence than usual, on this almost cloudless day. Adam’s doubts and fears melted under this influence as the delicate weblike clouds had gradually melted away into the clear blue above him. He seemed to see Dinah’s gentle face assuring him, with its looks alone, of all he longed to know.
It was past two o’clock in the afternoon when Adam finally spotted the grey town on the hillside and looked intently towards the green valley below, searching for the first glimpse of the old thatched roof near the ugly red mill. The scene appeared less harsh in the soft October sunlight than it had in the eager days of early spring. The one great charm it shared with all vast, treeless areas was that it gave you a fresh awareness of the vast sky overhead, and on this nearly cloudless day, that feeling was milder and more calming than usual. Adam’s doubts and fears faded under this influence, just like the delicate, wispy clouds gradually dissolved into the clear blue above him. He felt as if he could see Dinah’s gentle face reassuring him, with just her gaze, about everything he longed to understand.
He did not expect Dinah to be at home at this hour, but he got down from his horse and tied it at the little gate, that he might ask where she was gone to-day. He had set his mind on following her and bringing her home. She was gone to Sloman’s End, a hamlet about three miles off, over the hill, the old woman told him—had set off directly after morning chapel, to preach in a cottage there, as her habit was. Anybody at the town would tell him the way to Sloman’s End. So Adam got on his horse again and rode to the town, putting up at the old inn and taking a hasty dinner there in the company of the too chatty landlord, from whose friendly questions and reminiscences he was glad to escape as soon as possible and set out towards Sloman’s End. With all his haste it was nearly four o’clock before he could set off, and he thought that as Dinah had gone so early, she would perhaps already be near returning. The little, grey, desolate-looking hamlet, unscreened by sheltering trees, lay in sight long before he reached it, and as he came near he could hear the sound of voices singing a hymn. “Perhaps that’s the last hymn before they come away,” Adam thought. “I’ll walk back a bit and turn again to meet her, farther off the village.” He walked back till he got nearly to the top of the hill again, and seated himself on a loose stone, against the low wall, to watch till he should see the little black figure leaving the hamlet and winding up the hill. He chose this spot, almost at the top of the hill, because it was away from all eyes—no house, no cattle, not even a nibbling sheep near—no presence but the still lights and shadows and the great embracing sky.
He didn’t expect Dinah to be home at this hour, but he got off his horse and tied it at the little gate so he could ask where she had gone today. He had decided to follow her and bring her back. The old woman told him she had gone to Sloman’s End, a small village about three miles away over the hill—she left right after morning chapel to preach in a cottage there, as she usually did. Anyone in town could direct him to Sloman’s End. So Adam got back on his horse and rode to town, stopping at the old inn for a quick dinner with the overly chatty landlord. He was eager to escape the friendly questions and stories as soon as he could and headed toward Sloman’s End. Despite his hurry, it was almost four o'clock by the time he set off, and he thought that since Dinah had left so early, she might already be on her way back. The small, gray, desolate-looking village, without any trees for shelter, was visible long before he reached it, and as he got closer, he could hear voices singing a hymn. “Maybe that’s the last hymn before they leave,” Adam thought. “I’ll walk back a bit and turn around to meet her farther away from the village.” He walked back until he was almost at the top of the hill and sat on a loose stone against the low wall, waiting to see the little black figure leaving the village and making its way up the hill. He chose this spot, nearly at the top of the hill, because it was hidden from everyone—no houses, no cattle, not even a grazing sheep nearby—just the quiet lights and shadows and the vast open sky.
She was much longer coming than he expected. He waited an hour at least watching for her and thinking of her, while the afternoon shadows lengthened and the light grew softer. At last he saw the little black figure coming from between the grey houses and gradually approaching the foot of the hill. Slowly, Adam thought, but Dinah was really walking at her usual pace, with a light quiet step. Now she was beginning to wind along the path up the hill, but Adam would not move yet; he would not meet her too soon; he had set his heart on meeting her in this assured loneliness. And now he began to fear lest he should startle her too much. “Yet,” he thought, “she’s not one to be overstartled; she’s always so calm and quiet, as if she was prepared for anything.”
She took way longer to arrive than he expected. He waited at least an hour, looking for her and thinking about her, while the afternoon shadows grew longer and the light became softer. Finally, he noticed a small black figure emerging from between the grey houses and slowly making its way to the foot of the hill. It felt slow to Adam, but Dinah was actually walking at her usual pace, with a light, quiet step. Now she started to wind her way up the path, but Adam decided not to move just yet; he didn't want to meet her too soon. He had his heart set on meeting her in this comfortable solitude. He began to worry that he might startle her too much. "Still," he thought, "she's not easily startled; she's always so calm and steady, as if she’s ready for anything."
What was she thinking of as she wound up the hill? Perhaps she had found complete repose without him, and had ceased to feel any need of his love. On the verge of a decision we all tremble: hope pauses with fluttering wings.
What was she thinking as she walked up the hill? Maybe she had found total peace without him and had stopped feeling any need for his love. When we're about to make a decision, we all feel uneasy: hope hesitates, like a bird with fluttering wings.
But now at last she was very near, and Adam rose from the stone wall. It happened that just as he walked forward, Dinah had paused and turned round to look back at the village—who does not pause and look back in mounting a hill? Adam was glad, for, with the fine instinct of a lover, he felt that it would be best for her to hear his voice before she saw him. He came within three paces of her and then said, “Dinah!” She started without looking round, as if she connected the sound with no place. “Dinah!” Adam said again. He knew quite well what was in her mind. She was so accustomed to think of impressions as purely spiritual monitions that she looked for no material visible accompaniment of the voice.
But now she was finally close, and Adam got up from the stone wall. Just as he stepped forward, Dinah paused and turned to look back at the village—who doesn’t stop to look back when climbing a hill? Adam felt relieved because, with the natural instinct of a lover, he sensed it would be best for her to hear his voice before she saw him. He moved within three paces of her and then said, “Dinah!” She jumped without turning, as if she didn’t connect the sound to any location. “Dinah!” Adam called again. He knew exactly what she was thinking. She was so used to thinking of impressions as purely spiritual signals that she didn’t expect any physical presence to accompany the voice.
But this second time she looked round. What a look of yearning love it was that the mild grey eyes turned on the strong dark-eyed man! She did not start again at the sight of him; she said nothing, but moved towards him so that his arm could clasp her round.
But this time she glanced around. What a look of deep love it was that the gentle gray eyes directed at the strong, dark-eyed man! She didn’t flinch at the sight of him; she stayed silent but stepped closer so that his arm could wrap around her.
And they walked on so in silence, while the warm tears fell. Adam was content, and said nothing. It was Dinah who spoke first.
And they walked on in silence, while warm tears fell. Adam was content and said nothing. It was Dinah who spoke first.
“Adam,” she said, “it is the Divine Will. My soul is so knit to yours that it is but a divided life I live without you. And this moment, now you are with me, and I feel that our hearts are filled with the same love. I have a fulness of strength to bear and do our heavenly Father’s Will that I had lost before.”
“Adam,” she said, “it’s the Divine Will. My soul is so connected to yours that my life feels incomplete without you. And right now, with you here, I can sense that our hearts are filled with the same love. I have a new strength to follow our heavenly Father’s Will that I had lost before.”
Adam paused and looked into her sincere eyes.
Adam paused and looked into her genuine eyes.
“Then we’ll never part any more, Dinah, till death parts us.”
“Then we’ll never be separated again, Dinah, until death takes us apart.”
And they kissed each other with a deep joy.
And they kissed each other with intense joy.
What greater thing is there for two human souls than to feel that they are joined for life—to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?
What could be more fulfilling for two people than to know they are linked for life—supporting each other through all challenges, leaning on each other in times of grief, caring for each other in moments of pain, and sharing an intimate connection through silent, unspoken memories at the moment of their final goodbye?
Chapter LV
Marriage Bells
In little more than a month after that meeting on the hill—on a rimy morning in departing November—Adam and Dinah were married.
In just over a month after that meeting on the hill—on a frosty morning in late November—Adam and Dinah got married.
It was an event much thought of in the village. All Mr. Burge’s men had a holiday, and all Mr. Poyser’s, and most of those who had a holiday appeared in their best clothes at the wedding. I think there was hardly an inhabitant of Hayslope specially mentioned in this history and still resident in the parish on this November morning who was not either in church to see Adam and Dinah married, or near the church door to greet them as they came forth. Mrs. Irwine and her daughters were waiting at the churchyard gates in their carriage (for they had a carriage now) to shake hands with the bride and bridegroom and wish them well; and in the absence of Miss Lydia Donnithorne at Bath, Mrs. Best, Mr. Mills, and Mr. Craig had felt it incumbent on them to represent “the family” at the Chase on the occasion. The churchyard walk was quite lined with familiar faces, many of them faces that had first looked at Dinah when she preached on the Green. And no wonder they showed this eager interest on her marriage morning, for nothing like Dinah and the history which had brought her and Adam Bede together had been known at Hayslope within the memory of man.
It was an event everyone in the village talked about. All of Mr. Burge’s workers had a day off, and so did Mr. Poyser's, and most of those on holiday showed up in their best outfits for the wedding. I doubt there was a single person in Hayslope mentioned in this story who was still living in the parish on that November morning that wasn’t either in church to see Adam and Dinah tie the knot or waiting by the church door to greet them as they came out. Mrs. Irwine and her daughters were at the churchyard gates in their carriage (since they now had one) to congratulate the bride and groom and wish them well; and since Miss Lydia Donnithorne was at Bath, Mrs. Best, Mr. Mills, and Mr. Craig felt it was their duty to represent “the family” at the Chase for this occasion. The churchyard path was completely lined with familiar faces, many of which had first seen Dinah when she preached on the Green. And it’s no surprise they showed such eager interest on her wedding day, as nothing like Dinah and the story that brought her and Adam Bede together had ever happened in Hayslope within living memory.
Bessy Cranage, in her neatest cap and frock, was crying, though she did not exactly know why; for, as her cousin Wiry Ben, who stood near her, judiciously suggested, Dinah was not going away, and if Bessy was in low spirits, the best thing for her to do was to follow Dinah’s example and marry an honest fellow who was ready to have her. Next to Bessy, just within the church door, there were the Poyser children, peeping round the corner of the pews to get a sight of the mysterious ceremony; Totty’s face wearing an unusual air of anxiety at the idea of seeing cousin Dinah come back looking rather old, for in Totty’s experience no married people were young.
Bessy Cranage, in her tidiest cap and dress, was crying, though she wasn’t sure why; as her cousin Wiry Ben, who stood nearby, wisely pointed out, Dinah wasn’t leaving, and if Bessy felt down, the best thing she could do was follow Dinah’s lead and marry a good man who wanted her. Next to Bessy, just inside the church door, were the Poyser kids, peeking around the corner of the pews to catch a glimpse of the mysterious ceremony; Totty’s face showed an unusual look of worry at the thought of seeing cousin Dinah come back looking older, because in Totty’s experience, no married people seemed young.
I envy them all the sight they had when the marriage was fairly ended and Adam led Dinah out of church. She was not in black this morning, for her Aunt Poyser would by no means allow such a risk of incurring bad luck, and had herself made a present of the wedding dress, made all of grey, though in the usual Quaker form, for on this point Dinah could not give way. So the lily face looked out with sweet gravity from under a grey Quaker bonnet, neither smiling nor blushing, but with lips trembling a little under the weight of solemn feelings. Adam, as he pressed her arm to his side, walked with his old erectness and his head thrown rather backward as if to face all the world better. But it was not because he was particularly proud this morning, as is the wont of bridegrooms, for his happiness was of a kind that had little reference to men’s opinion of it. There was a tinge of sadness in his deep joy; Dinah knew it, and did not feel aggrieved.
I envy them the moment they had when the wedding was over and Adam led Dinah out of the church. She wasn't wearing black this morning because her Aunt Poyser absolutely would not risk bringing bad luck and had gifted her a wedding dress, all in grey, though in the usual Quaker style, as Dinah wouldn’t budge on that. So, her delicate face peered out with sweet seriousness from under a grey Quaker bonnet, neither smiling nor blushing, but with her lips quivering a bit under the weight of her deep emotions. Adam, with his arm pressed to her side, walked with his usual uprightness and his head slightly thrown back as if to face the world better. But it wasn't because he was particularly proud today, like most grooms are; his happiness didn’t depend on how others viewed it. There was a hint of sadness in his overwhelming joy; Dinah sensed it and didn’t feel upset.
There were three other couples, following the bride and bridegroom: first, Martin Poyser, looking as cheery as a bright fire on this rimy morning, led quiet Mary Burge, the bridesmaid; then came Seth serenely happy, with Mrs. Poyser on his arm; and last of all Bartle Massey, with Lisbeth—Lisbeth in a new gown and bonnet, too busy with her pride in her son and her delight in possessing the one daughter she had desired to devise a single pretext for complaint.
There were three other couples following the bride and groom: first, Martin Poyser, looking as cheerful as a bright fire on this chilly morning, led quiet Mary Burge, the bridesmaid; then came Seth, who was serenely happy, with Mrs. Poyser on his arm; and finally, Bartle Massey was with Lisbeth—Lisbeth in a new dress and bonnet, too caught up in her pride for her son and her joy in having the one daughter she had always wanted to think of any reason to complain.
Bartle Massey had consented to attend the wedding at Adam’s earnest request, under protest against marriage in general and the marriage of a sensible man in particular. Nevertheless, Mr. Poyser had a joke against him after the wedding dinner, to the effect that in the vestry he had given the bride one more kiss than was necessary.
Bartle Massey had agreed to go to the wedding at Adam’s strong insistence, but he was opposed to marriage in general, and especially to a sensible man getting married. Still, Mr. Poyser had a joke about him after the wedding dinner, saying that in the vestry he had given the bride one kiss more than was needed.
Behind this last couple came Mr. Irwine, glad at heart over this good morning’s work of joining Adam and Dinah. For he had seen Adam in the worst moments of his sorrow; and what better harvest from that painful seed-time could there be than this? The love that had brought hope and comfort in the hour of despair, the love that had found its way to the dark prison cell and to poor Hetty’s darker soul—this strong gentle love was to be Adam’s companion and helper till death.
Behind this last couple came Mr. Irwine, feeling happy about the good work he had done this morning by bringing Adam and Dinah together. He had witnessed Adam during his deepest sorrow, and what better outcome from that painful time could there be than this? The love that had brought hope and comfort in moments of despair, the love that had reached into the dark prison cell and touched poor Hetty’s even darker soul—this strong, gentle love would be Adam’s companion and support until death.
There was much shaking of hands mingled with “God bless you’s” and other good wishes to the four couples, at the churchyard gate, Mr. Poyser answering for the rest with unwonted vivacity of tongue, for he had all the appropriate wedding-day jokes at his command. And the women, he observed, could never do anything but put finger in eye at a wedding. Even Mrs. Poyser could not trust herself to speak as the neighbours shook hands with her, and Lisbeth began to cry in the face of the very first person who told her she was getting young again.
There was a lot of handshaking mixed with “God bless you” and other well-wishes to the four couples at the churchyard gate, with Mr. Poyser lively and animated, cracking all the wedding-day jokes he knew. He noticed that the women could only manage to wipe tears away at a wedding. Even Mrs. Poyser couldn’t find the words as the neighbors shook hands with her, and Lisbeth started crying when the very first person remarked that she looked young again.
Mr. Joshua Rann, having a slight touch of rheumatism, did not join in the ringing of the bells this morning, and, looking on with some contempt at these informal greetings which required no official co-operation from the clerk, began to hum in his musical bass, “Oh what a joyful thing it is,” by way of preluding a little to the effect he intended to produce in the wedding psalm next Sunday.
Mr. Joshua Rann, feeling a bit of rheumatism, didn't participate in the ringing of the bells this morning. Looking on with some disdain at these casual greetings that didn't need any official help from the clerk, he started to hum in his deep voice, “Oh what a joyful thing it is,” to warm up a bit for the impact he aimed to create in the wedding psalm next Sunday.
“That’s a bit of good news to cheer Arthur,” said Mr. Irwine to his mother, as they drove off. “I shall write to him the first thing when we get home.”
“That’s some good news to lift Arthur’s spirits,” said Mr. Irwine to his mother as they drove away. “I’ll write to him as soon as we get home.”
Epilogue
It is near the end of June, in 1807. The workshops have been shut up half an hour or more in Adam Bede’s timber-yard, which used to be Jonathan Burge’s, and the mellow evening light is falling on the pleasant house with the buff walls and the soft grey thatch, very much as it did when we saw Adam bringing in the keys on that June evening nine years ago.
It’s close to the end of June in 1807. The workshops have been closed for half an hour or more in Adam Bede’s timber yard, which used to belong to Jonathan Burge, and the warm evening light is shining on the nice house with the yellow walls and soft gray thatch, just like it did when we saw Adam bringing in the keys on that June evening nine years ago.
There is a figure we know well, just come out of the house, and shading her eyes with her hands as she looks for something in the distance, for the rays that fall on her white borderless cap and her pale auburn hair are very dazzling. But now she turns away from the sunlight and looks towards the door.
There’s a familiar figure who just stepped out of the house, shielding her eyes with her hands as she searches for something in the distance, since the sunlight hitting her white cap and light auburn hair is pretty blinding. But now she turns away from the sunlight and glances toward the door.
We can see the sweet pale face quite well now: it is scarcely at all altered—only a little fuller, to correspond to her more matronly figure, which still seems light and active enough in the plain black dress.
We can see the sweet, pale face clearly now: it hasn't changed much—just a bit fuller, to match her more maternal figure, which still looks light and active enough in the simple black dress.
“I see him, Seth,” Dinah said, as she looked into the house. “Let us go and meet him. Come, Lisbeth, come with Mother.”
“I see him, Seth,” Dinah said, looking into the house. “Let's go meet him. Come on, Lisbeth, come with Mom.”
The last call was answered immediately by a small fair creature with pale auburn hair and grey eyes, little more than four years old, who ran out silently and put her hand into her mother’s.
The last call was answered right away by a small, delicate girl with light auburn hair and gray eyes, just a little over four years old, who quietly ran out and took her mother’s hand.
“Come, Uncle Seth,” said Dinah.
"Come on, Uncle Seth," said Dinah.
“Aye, aye, we’re coming,” Seth answered from within, and presently appeared stooping under the doorway, being taller than usual by the black head of a sturdy two-year-old nephew, who had caused some delay by demanding to be carried on uncle’s shoulder.
“Yeah, we’re coming,” Seth replied from inside, and soon he showed up, bending under the doorway, a bit taller than usual because of the sturdy two-year-old nephew on his shoulder, who had held things up by insisting on being carried.
“Better take him on thy arm, Seth,” said Dinah, looking fondly at the stout black-eyed fellow. “He’s troublesome to thee so.”
“Better take him on your arm, Seth,” Dinah said, looking affectionately at the sturdy black-eyed guy. “He’s a hassle for you like this.”
“Nay, nay: Addy likes a ride on my shoulder. I can carry him so for a bit.” A kindness which young Addy acknowledged by drumming his heels with promising force against Uncle Seth’s chest. But to walk by Dinah’s side, and be tyrannized over by Dinah’s and Adam’s children, was Uncle Seth’s earthly happiness.
“Nah, nah: Addy likes riding on my shoulder. I can carry him like that for a little while.” A kindness that young Addy showed by kicking his heels with impressive force against Uncle Seth’s chest. But walking next to Dinah and being bossed around by Dinah’s and Adam’s kids was Uncle Seth’s version of earthly happiness.
“Where didst see him?” asked Seth, as they walked on into the adjoining field. “I can’t catch sight of him anywhere.”
“Where did you see him?” asked Seth, as they walked into the next field. “I can’t see him anywhere.”
“Between the hedges by the roadside,” said Dinah. “I saw his hat and his shoulder. There he is again.”
“Between the hedges by the side of the road,” said Dinah. “I saw his hat and his shoulder. There he is again.”
“Trust thee for catching sight of him if he’s anywhere to be seen,” said Seth, smiling. “Thee’t like poor mother used to be. She was always on the look out for Adam, and could see him sooner than other folks, for all her eyes got dim.”
“Count on you to spot him if he’s around,” said Seth, smiling. “You’re just like our poor mother used to be. She was always watching for Adam and could see him before anyone else, even though her eyesight was fading.”
“He’s been longer than he expected,” said Dinah, taking Arthur’s watch from a small side pocket and looking at it; “it’s nigh upon seven now.”
“He's been gone longer than he thought,” said Dinah, taking Arthur's watch from a small side pocket and checking it; “it’s almost seven now.”
“Aye, they’d have a deal to say to one another,” said Seth, “and the meeting ’ud touch ’em both pretty closish. Why, it’s getting on towards eight years since they parted.”
“Yeah, they’d have a lot to talk about,” said Seth, “and the meeting would affect them both quite a bit. It’s been almost eight years since they last saw each other.”
“Yes,” said Dinah, “Adam was greatly moved this morning at the thought of the change he should see in the poor young man, from the sickness he has undergone, as well as the years which have changed us all. And the death of the poor wanderer, when she was coming back to us, has been sorrow upon sorrow.”
“Yes,” said Dinah, “Adam was really affected this morning by the thought of how much the poor young man has changed from the illness he has gone through, not to mention how the years have changed all of us. And the death of the poor wanderer, while she was trying to come back to us, has just added more grief.”
“See, Addy,” said Seth, lowering the young one to his arm now and pointing, “there’s Father coming—at the far stile.”
“Look, Addy,” Seth said, lowering the young one into his arms and pointing, “there’s Dad coming—over by the far stile.”
Dinah hastened her steps, and little Lisbeth ran on at her utmost speed till she clasped her father’s leg. Adam patted her head and lifted her up to kiss her, but Dinah could see the marks of agitation on his face as she approached him, and he put her arm within his in silence.
Dinah quickened her pace, and little Lisbeth sprinted as fast as she could until she grabbed her father's leg. Adam patted her head and picked her up for a kiss, but Dinah noticed the signs of worry on his face as she got closer, and he silently slipped her arm through his.
“Well, youngster, must I take you?” he said, trying to smile, when Addy stretched out his arms—ready, with the usual baseness of infancy, to give up his Uncle Seth at once, now there was some rarer patronage at hand.
“Well, kid, do I have to take you?” he said, trying to smile, as Addy reached out his arms—eager, with the typical selfishness of childhood, to ditch his Uncle Seth right away since there was some more exciting attention available.
“It’s cut me a good deal, Dinah,” Adam said at last, when they were walking on.
“It’s given me a great deal, Dinah,” Adam said finally as they continued walking.
“Didst find him greatly altered?” said Dinah.
“Did you find him greatly changed?” said Dinah.
“Why, he’s altered and yet not altered. I should ha’ known him anywhere. But his colour’s changed, and he looks sadly. However, the doctors say he’ll soon be set right in his own country air. He’s all sound in th’ inside; it’s only the fever shattered him so. But he speaks just the same, and smiles at me just as he did when he was a lad. It’s wonderful how he’s always had just the same sort o’ look when he smiles.”
“Why, he’s different and yet still the same. I would’ve recognized him anywhere. But his color has changed, and he looks a bit down. Still, the doctors say he’ll be fine once he’s back in his own country air. He’s perfectly healthy on the inside; it’s just the fever that took a toll on him. But he talks just like he did before and smiles at me just like he used to when he was a kid. It’s amazing how he always has that same kind of look when he smiles.”
“I’ve never seen him smile, poor young man,” said Dinah.
“I’ve never seen him smile, poor guy,” said Dinah.
“But thee wilt see him smile, to-morrow,” said Adam. “He asked after thee the first thing when he began to come round, and we could talk to one another. ‘I hope she isn’t altered,’ he said, ‘I remember her face so well.’ I told him ‘no,’” Adam continued, looking fondly at the eyes that were turned towards his, “only a bit plumper, as thee’dst a right to be after seven year. ‘I may come and see her to-morrow, mayn’t I?’ he said; ‘I long to tell her how I’ve thought of her all these years.’”
“But you will see him smile tomorrow,” said Adam. “He asked about you the moment he started to get better and we could chat. ‘I hope she hasn’t changed,’ he said, ‘I remember her face so well.’ I told him ‘no,’” Adam continued, looking fondly at the eyes that were turned towards his, “just a bit fuller, as you have every right to be after seven years. ‘I can come and see her tomorrow, can’t I?’ he said; ‘I’ve really wanted to tell her how I’ve thought of her all these years.’”
“Didst tell him I’d always used the watch?” said Dinah.
“Did you tell him I’ve always used the watch?” said Dinah.
“Aye; and we talked a deal about thee, for he says he never saw a woman a bit like thee. ‘I shall turn Methodist some day,’ he said, ‘when she preaches out of doors, and go to hear her.’ And I said, ‘Nay, sir, you can’t do that, for Conference has forbid the women preaching, and she’s given it up, all but talking to the people a bit in their houses.’”
“Aye; and we talked a lot about you, because he says he’s never seen a woman like you. ‘I’ll become a Methodist someday,’ he said, ‘when she preaches outdoors, and I’ll go to hear her.’ And I said, ‘No, sir, you can’t do that, because the Conference has banned women from preaching, and she’s given it up, except for talking to people a bit in their homes.’”
“Ah,” said Seth, who could not repress a comment on this point, “and a sore pity it was o’ Conference; and if Dinah had seen as I did, we’d ha’ left the Wesleyans and joined a body that ’ud put no bonds on Christian liberty.”
“Ah,” said Seth, unable to hold back his thoughts on this, “it’s such a shame about the Conference; if Dinah had seen things my way, we would have left the Wesleyans and joined a group that wouldn't place any restrictions on Christian freedom.”
“Nay, lad, nay,” said Adam, “she was right and thee wast wrong. There’s no rules so wise but what it’s a pity for somebody or other. Most o’ the women do more harm nor good with their preaching—they’ve not got Dinah’s gift nor her sperrit—and she’s seen that, and she thought it right to set th’ example o’ submitting, for she’s not held from other sorts o’ teaching. And I agree with her, and approve o’ what she did.”
“Nah, kid, nah,” said Adam, “she was right and you were wrong. There are no rules so wise that they don’t end up hurting someone. Most women do more harm than good with their preaching—they don’t have Dinah’s talent or her spirit—and she realized that. She thought it was right to set the example of submitting because she’s open to other kinds of teaching. I agree with her and support what she did.”
Seth was silent. This was a standing subject of difference rarely alluded to, and Dinah, wishing to quit it at once, said, “Didst remember, Adam, to speak to Colonel Donnithorne the words my uncle and aunt entrusted to thee?”
Seth was silent. This was a topic of disagreement that was rarely mentioned, and Dinah, wanting to change the subject quickly, said, “Did you remember, Adam, to tell Colonel Donnithorne the message my uncle and aunt entrusted to you?”
“Yes, and he’s going to the Hall Farm with Mr. Irwine the day after to-morrow. Mr. Irwine came in while we were talking about it, and he would have it as the Colonel must see nobody but thee to-morrow. He said—and he’s in the right of it—as it’ll be bad for him t’ have his feelings stirred with seeing many people one after another. ‘We must get you strong and hearty,’ he said, ‘that’s the first thing to be done Arthur, and then you shall have your own way. But I shall keep you under your old tutor’s thumb till then.’ Mr. Irwine’s fine and joyful at having him home again.”
“Yes, and he’s going to the Hall Farm with Mr. Irwine the day after tomorrow. Mr. Irwine came in while we were talking about it, and he insisted that the Colonel should only see you tomorrow. He said—and he’s right—that it would be bad for him to have his feelings stirred up by seeing too many people one after another. ‘We need to get you strong and healthy,’ he said, ‘that’s the first thing we have to do, Arthur, and then you can have your own way. But I’ll keep you under your old tutor’s control until then.’ Mr. Irwine is really happy to have him home again.”
Adam was silent a little while, and then said, “It was very cutting when we first saw one another. He’d never heard about poor Hetty till Mr. Irwine met him in London, for the letters missed him on his journey. The first thing he said to me, when we’d got hold o’ one another’s hands was, ‘I could never do anything for her, Adam—she lived long enough for all the suffering—and I’d thought so of the time when I might do something for her. But you told me the truth when you said to me once, “There’s a sort of wrong that can never be made up for.”’”
Adam was quiet for a moment, then said, “It was really tough when we first met. He didn’t know anything about poor Hetty until Mr. Irwine ran into him in London, because the letters didn’t reach him during his trip. The first thing he said to me when we finally shook hands was, ‘I could never do anything for her, Adam—she lived long enough with all her pain—and I had hoped for a time when I could help her. But you were right when you told me once, “Some types of wrong can never be fixed.”’”
“Why, there’s Mr. and Mrs. Poyser coming in at the yard gate,” said Seth.
“Look, there are Mr. and Mrs. Poyser coming in through the yard gate,” said Seth.
“So there is,” said Dinah. “Run, Lisbeth, run to meet Aunt Poyser. Come in, Adam, and rest; it has been a hard day for thee.”
“So there is,” said Dinah. “Run, Lisbeth, go meet Aunt Poyser. Come in, Adam, and take a break; it’s been a tough day for you.”
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