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The Snow-Image
and Other Twice-Told Tales
by Nathaniel Hawthorne
Contents
PREFACE
TO HORATIO BRIDGE, ESQ., U. S. N.
TO HORATIO BRIDGE, ESQ., U. S. N.
MY DEAR BRIDGE:—Some of the more crabbed of my critics, I understand, have pronounced your friend egotistical, indiscreet, and even impertinent, on account of the Prefaces and Introductions with which, on several occasions, he has seen fit to pave the reader’s way into the interior edifice of a book. In the justice of this censure I do not exactly concur, for the reasons, on the one hand, that the public generally has negatived the idea of undue freedom on the author’s part, by evincing, it seems to me, rather more interest in those aforesaid Introductions than in the stories which followed; and that, on the other hand, with whatever appearance of confidential intimacy, I have been especially careful to make no disclosures respecting myself which the most indifferent observer might not have been acquainted with, and which I was not perfectly willing that my worst enemy should know. I might further justify myself, on the plea that, ever since my youth, I have been addressing a very limited circle of friendly readers, without much danger of being overheard by the public at large; and that the habits thus acquired might pardonably continue, although strangers may have begun to mingle with my audience.
MY DEAR BRIDGE:—I've heard that some of my harsher critics think your friend is self-centered, overly candid, and even rude because of the Prefaces and Introductions he has included to guide readers into the deeper parts of his books. I don’t fully agree with this criticism. For one, the public seems to show more interest in those Introductions than in the stories that follow, which suggests they don’t mind the author's approach. Additionally, while I try to write with a sense of closeness, I’ve been very careful not to share anything about myself that a casual observer wouldn’t already know and that I wouldn’t be okay with my worst enemy learning. I could also defend myself by saying that I’ve been writing for a small group of friendly readers since my youth, and I haven't had to worry much about being overheard by the wider public; this habit might understandably continue, even as new faces start to join my audience.
But the charge, I am bold to say, is not a reasonable one, in any view which we can fairly take of it. There is no harm, but, on the contrary, good, in arraying some of the ordinary facts of life in a slightly idealized and artistic guise. I have taken facts which relate to myself, because they chance to be nearest at hand, and likewise are my own property. And, as for egotism, a person, who has been burrowing, to his utmost ability, into the depths of our common nature, for the purposes of psychological romance,—and who pursues his researches in that dusky region, as he needs must, as well by the tact of sympathy as by the light of observation,—will smile at incurring such an imputation in virtue of a little preliminary talk about his external habits, his abode, his casual associates, and other matters entirely upon the surface. These things hide the man, instead of displaying him. You must make quite another kind of inquest, and look through the whole range of his fictitious characters, good and evil, in order to detect any of his essential traits.
But I'm confident in saying that the accusation isn't fair, no matter how we look at it. There's nothing wrong, and actually something good, about presenting some everyday facts of life in a slightly idealized and artistic way. I've chosen to share facts about myself because they're closest to me and also belong to me. And regarding egotism, someone who has been deeply exploring the depths of our shared human experience for the sake of psychological storytelling—who navigates that murky territory using both empathy and observation—would laugh at being called egotistical just for sharing a bit of background about his daily life, living situation, casual friends, and other surface-level details. These aspects conceal the true person rather than reveal him. To truly understand someone, you need to take a different kind of investigation and look beyond the entire range of his fictional characters, both good and bad, to discover any of his core traits.
Be all this as it may, there can be no question as to the propriety of my inscribing this volume of earlier and later sketches to you, and pausing here, a few moments, to speak of them, as friend speaks to friend; still being cautious, however, that the public and the critics shall overhear nothing which we care about concealing. On you, if on no other person, I am entitled to rely, to sustain the position of my Dedicatee. If anybody is responsible for my being at this day an author, it is yourself. I know not whence your faith came; but, while we were lads together at a country college,—gathering blueberries, in study-hours, under those tall academic pines; or watching the great logs, as they tumbled along the current of the Androscoggin; or shooting pigeons and gray squirrels in the woods; or bat-fowling in the summer twilight; or catching trouts in that shadowy little stream which, I suppose, is still wandering riverward through the forest,—though you and I will never cast a line in it again,—two idle lads, in short (as we need not fear to acknowledge now), doing a hundred things that the Faculty never heard of, or else it had been the worse for us,—still it was your prognostic of your friend’s destiny, that he was to be a writer of fiction.
Be that as it may, there’s no doubt about the appropriateness of dedicating this collection of earlier and later sketches to you. I’d like to take a moment here to discuss them, as a friend would with another friend, while still being careful that the public and the critics don't overhear anything we want to keep private. If I can rely on anyone for the support of my Dedicatee, it’s you. If anyone is responsible for me being an author today, it's you. I’m not sure where your faith in me came from, but during our time together at that country college—picking blueberries during study hours under those tall academic pines, watching the great logs float down the Androscoggin, hunting pigeons and squirrels in the woods, bat-fowling in the summer dusk, or fishing for trout in that little shadowy stream which I assume is still flowing through the forest—though you and I will never fish there again—two idle lads, to put it frankly (which we can admit now), doing a hundred things that the faculty never knew about, or it would have been trouble for us. Still, it was your prediction of your friend’s future that he would become a writer of fiction.
And a fiction-monger, in due season, he became. But was there ever such a weary delay in obtaining the slightest recognition from the public, as in my case? I sat down by the wayside of life, like a man under enchantment, and a shrubbery sprung up around me, and the bushes grew to be saplings, and the saplings became trees, until no exit appeared possible, through the entangling depths of my obscurity. And there, perhaps, I should be sitting at this moment, with the moss on the imprisoning tree-trunks, and the yellow leaves of more than a score of autumns piled above me, if it had not been for you. For it was through your interposition—and that, moreover, unknown to himself—that your early friend was brought before the public, somewhat more prominently than theretofore, in the first volume of Twice-told Tales. Not a publisher in America, I presume, would have thought well enough of my forgotten or never-noticed stories to risk the expense of print and paper; nor do I say this with any purpose of casting odium on the respectable fraternity of booksellers, for their blindness to my wonderful merit. To confess the truth, I doubted of the public recognition quite as much as they could do. So much the more generous was your confidence; and knowing, as I do, that it was founded on old friendship rather than cold criticism, I value it only the more for that.
And eventually, he became a storyteller. But was there ever such a slow wait to get even the slightest acknowledgment from the public, as in my case? I sat down by the side of life, like someone under a spell, and a thicket grew around me, the bushes turned into saplings, and the saplings grew into trees, until there seemed to be no way out through the tangled depths of my obscurity. And there I might still be sitting now, with moss on the imprisoning tree trunks and the yellow leaves of more than twenty autumns piled on top of me, if it hadn't been for you. It was through your intervention—and, moreover, without him even knowing it—that your early friend was presented to the public, somewhat more noticeably than before, in the first volume of Twice-told Tales. I doubt any publisher in America would have thought highly enough of my forgotten or unnoticed stories to risk the cost of printing and paper; nor do I say this to cast blame on the respectable community of booksellers for their lack of vision regarding my remarkable talent. To be honest, I doubted public recognition just as much as they did. Your faith in me was even more generous; and knowing that it was based on our old friendship rather than cold criticism, I value it all the more because of that.
So, now, when I turn back upon my path, lighted by a transitory gleam of public favor, to pick up a few articles which were left out of my former collections, I take pleasure in making them the memorial of our very long and unbroken connection. Some of these sketches were among the earliest that I wrote, and, after lying for years in manuscript, they at last skulked into the Annuals or Magazines, and have hidden themselves there ever since. Others were the productions of a later period; others, again, were written recently. The comparison of these various trifles—the indices of intellectual condition at far separate epochs—affects me with a singular complexity of regrets. I am disposed to quarrel with the earlier sketches, both because a mature judgment discerns so many faults, and still more because they come so nearly up to the standard of the best that I can achieve now. The ripened autumnal fruit tastes but little better than the early windfalls. It would, indeed, be mortifying to believe that the summer-time of life has passed away, without any greater progress and improvement than is indicated here. But—at least, so I would fain hope—these things are scarcely to be depended upon, as measures of the intellectual and moral man. In youth, men are apt to write more wisely than they really know or feel; and the remainder of life may be not idly spent in realizing and convincing themselves of the wisdom which they uttered long ago. The truth that was only in the fancy then may have since become a substance in the mind and heart.
So now, as I look back on my journey, briefly illuminated by a fleeting moment of public approval, I enjoy collecting a few pieces I left out of my previous works. These sketches remind me of our long and uninterrupted connection. Some of these were among the first I ever wrote and, after sitting in a drawer for years, they finally made their way into Annuals or Magazines, where they've remained hidden ever since. Others were created later, while some were written more recently. Comparing these different pieces—representations of my intellectual state at different times—fills me with a mix of regrets. I find myself critiquing the earlier sketches, not just because my current judgment reveals many flaws, but also because they are so close to the best I can do now. The ripe autumn fruit doesn't taste much better than the early fallen ones. It would be disheartening to think that the prime years of life have gone by without any significant progress or improvement. But at least, I hope, these works shouldn't be viewed as reliable measures of who I am intellectually and morally. In youth, people often write more wisely than they actually understand or feel; the later years can be spent realizing and convincing themselves of the wisdom they spoke of long ago. The truths that were once just ideas may have since become real in the mind and heart.
I have nothing further, I think, to say; unless it be that the public need not dread my again trespassing on its kindness, with any more of these musty and mouse-nibbled leaves of old periodicals, transformed, by the magic arts of my friendly publishers, into a new book. These are the last. Or, if a few still remain, they are either such as no paternal partiality could induce the author to think worth preserving, or else they have got into some very dark and dusty hiding-place, quite out of my own remembrance and whence no researches can avail to unearth them. So there let them rest.
I don't have anything more to say, I think, except to mention that the public doesn’t need to worry about me imposing on its kindness with more of these old, worn-out pages from outdated magazines, which have been magically turned into a new book by my friendly publishers. These are the last ones. If there are a few left, they’re either not worth keeping, even by a father’s bias, or they’ve ended up in some dark and dusty spot that I can’t even remember, and no amount of searching will bring them back. So let them stay there.
Very sincerely yours,
Sincerely,
N. H.
N. H.
LENOX, November 1, 1851.
LENOX, November 1, 1851.
THE SNOW-IMAGE:
A CHILDISH MIRACLE
One afternoon of a cold winter’s day, when the sun shone forth with chilly brightness, after a long storm, two children asked leave of their mother to run out and play in the new-fallen snow. The elder child was a little girl, whom, because she was of a tender and modest disposition, and was thought to be very beautiful, her parents, and other people who were familiar with her, used to call Violet. But her brother was known by the style and title of Peony, on account of the ruddiness of his broad and round little phiz, which made everybody think of sunshine and great scarlet flowers. The father of these two children, a certain Mr. Lindsey, it is important to say, was an excellent but exceedingly matter-of-fact sort of man, a dealer in hardware, and was sturdily accustomed to take what is called the common-sense view of all matters that came under his consideration. With a heart about as tender as other people’s, he had a head as hard and impenetrable, and therefore, perhaps, as empty, as one of the iron pots which it was a part of his business to sell. The mother’s character, on the other hand, had a strain of poetry in it, a trait of unworldly beauty,—a delicate and dewy flower, as it were, that had survived out of her imaginative youth, and still kept itself alive amid the dusty realities of matrimony and motherhood.
One cold winter afternoon, when the sun shone with a chilly brightness after a long storm, two kids asked their mom if they could go outside and play in the fresh snow. The older child was a little girl who was sweet and shy, and because she was considered very pretty, her parents and friends called her Violet. Her brother, on the other hand, was named Peony due to the rosy glow of his round little face, which reminded everyone of sunshine and bright red flowers. Their dad, Mr. Lindsey, was an excellent but very practical man who sold hardware and always took a common-sense approach to everything. While he had a heart just like anyone else's, his head was as tough and solid as the iron pots he sold, making him seem somewhat empty-minded. In contrast, their mother had a poetic side, possessing a touch of ethereal beauty—a delicate, fresh flower that had survived from her imaginative youth and remained alive amid the everyday realities of marriage and motherhood.
So, Violet and Peony, as I began with saying, besought their mother to let them run out and play in the new snow; for, though it had looked so dreary and dismal, drifting downward out of the gray sky, it had a very cheerful aspect, now that the sun was shining on it. The children dwelt in a city, and had no wider play-place than a little garden before the house, divided by a white fence from the street, and with a pear-tree and two or three plum-trees overshadowing it, and some rose-bushes just in front of the parlor-windows. The trees and shrubs, however, were now leafless, and their twigs were enveloped in the light snow, which thus made a kind of wintry foliage, with here and there a pendent icicle for the fruit.
So, Violet and Peony, as I mentioned before, begged their mom to let them run outside and play in the fresh snow; because, even though it had seemed so dreary and gloomy as it fell from the gray sky, it looked really bright and cheerful now that the sun was shining on it. The kids lived in a city and didn’t have a bigger play area than a small garden in front of their house, separated by a white fence from the street, with a pear tree and a couple of plum trees providing some shade, along with a few rose bushes right in front of the living room windows. However, the trees and shrubs were now bare, and their branches were covered in a light layer of snow, creating a kind of wintry foliage, with a few icicles hanging down like fruit.
“Yes, Violet,—yes, my little Peony,” said their kind mother, “you may go out and play in the new snow.”
“Yes, Violet—yes, my little Peony,” said their kind mother, “you can go outside and play in the fresh snow.”
Accordingly, the good lady bundled up her darlings in woollen jackets and wadded sacks, and put comforters round their necks, and a pair of striped gaiters on each little pair of legs, and worsted mittens on their hands, and gave them a kiss apiece, by way of a spell to keep away Jack Frost. Forth sallied the two children, with a hop-skip-and-jump, that carried them at once into the very heart of a huge snow-drift, whence Violet emerged like a snow-bunting, while little Peony floundered out with his round face in full bloom. Then what a merry time had they! To look at them, frolicking in the wintry garden, you would have thought that the dark and pitiless storm had been sent for no other purpose but to provide a new plaything for Violet and Peony; and that they themselves had been created, as the snow-birds were, to take delight only in the tempest, and in the white mantle which it spread over the earth.
So, the kind lady wrapped her little ones in wool jackets and padded bags, put comforters around their necks, and slipped striped gaiters on their little legs, along with wool mittens on their hands. She gave each of them a kiss as a charm to keep Jack Frost away. Off went the two children, hopping and skipping right into a big snowdrift, where Violet popped out like a snowbird, while little Peony tumbled out with his round, rosy face. They were having such a great time! Watching them play in the winter garden, you’d think the dark and fierce storm was just there to give Violet and Peony a new toy; and that they were meant to be, like the snowbirds, to find joy only in the storm and the white blanket it laid over the ground.
At last, when they had frosted one another all over with handfuls of snow, Violet, after laughing heartily at little Peony’s figure, was struck with a new idea.
At last, after they had covered each other in snow, Violet, while laughing at little Peony’s shape, suddenly came up with a new idea.
“You look exactly like a snow-image, Peony,” said she, “if your cheeks were not so red. And that puts me in mind! Let us make an image out of snow,—an image of a little girl,—and it shall be our sister, and shall run about and play with us all winter long. Won’t it be nice?”
“You look just like a snow figure, Peony,” she said, “if your cheeks weren’t so red. And that reminds me! Let’s make a snow figure—a little girl—and she’ll be our sister, and she can run around and play with us all winter long. Won’t that be nice?”
“Oh yes!” cried Peony, as plainly as he could speak, for he was but a little boy. “That will be nice! And mamma shall see it!”
“Oh yes!” shouted Peony as clearly as he could, since he was just a little boy. “That will be great! And Mom will see it!”
“Yes,” answered Violet; “mamma shall see the new little girl. But she must not make her come into the warm parlor; for, you know, our little snow-sister will not love the warmth.”
“Yes,” answered Violet; “Mom will see the new little girl. But she must not make her come into the warm living room; because, you know, our little snow-sister won't love the heat.”
And forthwith the children began this great business of making a snow-image that should run about; while their mother, who was sitting at the window and overheard some of their talk, could not help smiling at the gravity with which they set about it. They really seemed to imagine that there would be no difficulty whatever in creating a live little girl out of the snow. And, to say the truth, if miracles are ever to be wrought, it will be by putting our hands to the work in precisely such a simple and undoubting frame of mind as that in which Violet and Peony now undertook to perform one, without so much as knowing that it was a miracle. So thought the mother; and thought, likewise, that the new snow, just fallen from heaven, would be excellent material to make new beings of, if it were not so very cold. She gazed at the children a moment longer, delighting to watch their little figures,—the girl, tall for her age, graceful and agile, and so delicately colored that she looked like a cheerful thought more than a physical reality; while Peony expanded in breadth rather than height, and rolled along on his short and sturdy legs as substantial as an elephant, though not quite so big. Then the mother resumed her work. What it was I forget; but she was either trimming a silken bonnet for Violet, or darning a pair of stockings for little Peony’s short legs. Again, however, and again, and yet other agains, she could not help turning her head to the window to see how the children got on with their snow-image.
And right away the kids started on this big project of making a snow figure that would come to life, while their mom, sitting by the window and overhearing some of their conversation, couldn’t help but smile at the seriousness with which they approached it. They genuinely seemed to believe that there would be no trouble at all in creating a living little girl out of snow. And to be honest, if miracles are ever going to happen, it will be by getting to work with the same simple and unwavering mindset that Violet and Peony had when they decided to try, without even realizing it was a miracle. That’s what the mom thought; she also thought that the fresh snow, just fallen from the sky, would be perfect material for creating new beings—if only it weren’t so cold. She watched the kids a moment longer, enjoying the sight of their little figures—the girl, tall for her age, graceful and quick, and so delicately colored that she looked more like a cheerful thought than a real person, while Peony was broader than he was tall, waddling along on his short, sturdy legs, as solid as an elephant, though not quite as large. Then the mom went back to her work. What it was I can’t remember, but she was either trimming a silk bonnet for Violet or mending a pair of stockings for little Peony’s short legs. Yet again, she couldn’t help but glance out the window to see how the kids were doing with their snow figure.
Indeed, it was an exceedingly pleasant sight, those bright little souls at their task! Moreover, it was really wonderful to observe how knowingly and skilfully they managed the matter. Violet assumed the chief direction, and told Peony what to do, while, with her own delicate fingers, she shaped out all the nicer parts of the snow-figure. It seemed, in fact, not so much to be made by the children, as to grow up under their hands, while they were playing and prattling about it. Their mother was quite surprised at this; and the longer she looked, the more and more surprised she grew.
Indeed, it was a really delightful sight to see those cheerful little ones at work! It was truly amazing to watch how confidently and skillfully they handled everything. Violet took the lead and instructed Peony on what to do, while she expertly shaped the finer details of the snow figure with her delicate fingers. It felt as if the figure was not so much being made by the children, but rather growing under their hands as they played and chatted about it. Their mother was quite taken aback by this; and the more she watched, the more surprised she became.
“What remarkable children mine are!” thought she, smiling with a mother’s pride; and, smiling at herself, too, for being so proud of them. “What other children could have made anything so like a little girl’s figure out of snow at the first trial? Well; but now I must finish Peony’s new frock, for his grandfather is coming to-morrow, and I want the little fellow to look handsome.”
“What amazing kids I have!” she thought, smiling with a mother’s pride; and she couldn't help but smile at herself for feeling so proud of them. “What other kids could create something that looks so much like a little girl out of snow on their first try? Well, I need to finish Peony’s new dress because his grandfather is coming tomorrow, and I want the little guy to look great.”
So she took up the frock, and was soon as busily at work again with her needle as the two children with their snow-image. But still, as the needle travelled hither and thither through the seams of the dress, the mother made her toil light and happy by listening to the airy voices of Violet and Peony. They kept talking to one another all the time, their tongues being quite as active as their feet and hands. Except at intervals, she could not distinctly hear what was said, but had merely a sweet impression that they were in a most loving mood, and were enjoying themselves highly, and that the business of making the snow-image went prosperously on. Now and then, however, when Violet and Peony happened to raise their voices, the words were as audible as if they had been spoken in the very parlor where the mother sat. Oh how delightfully those words echoed in her heart, even though they meant nothing so very wise or wonderful, after all!
So she picked up the dress and was soon working just as busily with her needle as the two kids were with their snow sculpture. But even as the needle moved back and forth through the seams of the dress, the mother made her work light and joyful by listening to the cheerful voices of Violet and Peony. They kept chatting away the whole time, their mouths just as busy as their feet and hands. Except for some moments, she couldn’t quite hear what they were saying, but she had a sweet feeling that they were in a really loving mood and having a great time, and that making the snow sculpture was going really well. Now and then, however, when Violet and Peony raised their voices, their words were as clear as if they were spoken right in the living room where the mother was. Oh, how beautifully those words echoed in her heart, even though they didn’t mean anything particularly wise or amazing, after all!
But you must know a mother listens with her heart much more than with her ears; and thus she is often delighted with the trills of celestial music, when other people can hear nothing of the kind.
But you should know a mother hears with her heart way more than with her ears; and because of that, she often finds joy in the beautiful sounds of heavenly music, even when others can’t hear anything like it.
“Peony, Peony!” cried Violet to her brother, who had gone to another part of the garden, “bring me some of that fresh snow, Peony, from the very farthest corner, where we have not been trampling. I want it to shape our little snow-sister’s bosom with. You know that part must be quite pure, just as it came out of the sky!”
“Peony, Peony!” shouted Violet to her brother, who had wandered off to another part of the garden. “Bring me some of that fresh snow, Peony, from the farthest corner, where we haven’t been trampling. I want it to shape our little snow-sister's chest with. You know that part needs to be completely pure, just like it fell from the sky!”
“Here it is, Violet!” answered Peony, in his bluff tone,—but a very sweet tone, too,—as he came floundering through the half-trodden drifts. “Here is the snow for her little bosom. O Violet, how beau-ti-ful she begins to look!”
“Here it is, Violet!” replied Peony, in his hearty voice—but it was a really sweet voice, too—as he stumbled through the half-trodden drifts. “Here is the snow for her little chest. O Violet, how beautiful she’s starting to look!”
“Yes,” said Violet, thoughtfully and quietly; “our snow-sister does look very lovely. I did not quite know, Peony, that we could make such a sweet little girl as this.”
“Yes,” Violet said thoughtfully and quietly, “our snow-sister really does look beautiful. I didn’t realize, Peony, that we could create such a cute little girl like her.”
The mother, as she listened, thought how fit and delightful an incident it would be, if fairies, or still better, if angel-children were to come from paradise, and play invisibly with her own darlings, and help them to make their snow-image, giving it the features of celestial babyhood! Violet and Peony would not be aware of their immortal playmates,—only they would see that the image grew very beautiful while they worked at it, and would think that they themselves had done it all.
The mother, as she listened, thought about how perfect and wonderful it would be if fairies, or even better, angel-children came from paradise to play invisibly with her little ones and help them create their snow figure, giving it the qualities of heavenly childhood! Violet and Peony wouldn’t know about their immortal playmates—they would just notice how beautiful the figure became while they worked on it and believe that they had done it all themselves.
“My little girl and boy deserve such playmates, if mortal children ever did!” said the mother to herself; and then she smiled again at her own motherly pride.
“My little girl and boy deserve such playmates, if any kids ever did!” the mother thought to herself; and then she smiled again at her own maternal pride.
Nevertheless, the idea seized upon her imagination; and, ever and anon, she took a glimpse out of the window, half dreaming that she might see the golden-haired children of paradise sporting with her own golden-haired Violet and bright-cheeked Peony.
Nevertheless, the idea captured her imagination; and, now and then, she glanced out of the window, half dreaming that she might see the golden-haired kids of paradise playing with her own golden-haired Violet and rosy-cheeked Peony.
Now, for a few moments, there was a busy and earnest, but indistinct hum of the two children’s voices, as Violet and Peony wrought together with one happy consent. Violet still seemed to be the guiding spirit, while Peony acted rather as a laborer, and brought her the snow from far and near. And yet the little urchin evidently had a proper understanding of the matter, too!
Now, for a little while, there was a busy and sincere, but unclear buzz of the two kids' voices, as Violet and Peony worked together with one joyful agreement. Violet still seemed to be the leader, while Peony acted more like a worker, bringing her snow from all around. Yet the little one clearly grasped what was going on too!
“Peony, Peony!” cried Violet; for her brother was again at the other side of the garden. “Bring me those light wreaths of snow that have rested on the lower branches of the pear-tree. You can clamber on the snowdrift, Peony, and reach them easily. I must have them to make some ringlets for our snow-sister’s head!”
“Peony, Peony!” shouted Violet; because her brother was once again on the other side of the garden. “Bring me those light wreaths of snow that have settled on the lower branches of the pear tree. You can climb on the snowdrift, Peony, and grab them easily. I need them to make some curls for our snow-sister’s head!”
“Here they are, Violet!” answered the little boy. “Take care you do not break them. Well done! Well done! How pretty!”
“Here they are, Violet!” said the little boy. “Be careful not to break them. Great job! Great job! They’re so pretty!”
“Does she not look sweetly?” said Violet, with a very satisfied tone; “and now we must have some little shining bits of ice, to make the brightness of her eyes. She is not finished yet. Mamma will see how very beautiful she is; but papa will say, ‘Tush! nonsense!—come in out of the cold!’”
“Doesn’t she look adorable?” said Violet, sounding very pleased. “Now we just need some little shiny bits of ice to match the sparkle in her eyes. She’s not done yet. Mom will see how beautiful she is, but Dad will just say, ‘Nonsense! Come in out of the cold!’”
“Let us call mamma to look out,” said Peony; and then he shouted lustily, “Mamma! mamma!! mamma!!! Look out, and see what a nice ’ittle girl we are making!”
“Let’s call Mom to look outside,” said Peony; and then he yelled excitedly, “Mom! Mom!! Mom!!! Look outside and see what a nice little girl we’re making!”
The mother put down her work for an instant, and looked out of the window. But it so happened that the sun—for this was one of the shortest days of the whole year—had sunken so nearly to the edge of the world that his setting shine came obliquely into the lady’s eyes. So she was dazzled, you must understand, and could not very distinctly observe what was in the garden. Still, however, through all that bright, blinding dazzle of the sun and the new snow, she beheld a small white figure in the garden, that seemed to have a wonderful deal of human likeness about it. And she saw Violet and Peony,—indeed, she looked more at them than at the image,—she saw the two children still at work; Peony bringing fresh snow, and Violet applying it to the figure as scientifically as a sculptor adds clay to his model. Indistinctly as she discerned the snow-child, the mother thought to herself that never before was there a snow-figure so cunningly made, nor ever such a dear little girl and boy to make it.
The mother paused her work for a moment and looked out the window. It just so happened that the sun—on one of the shortest days of the year—had dipped so close to the horizon that its rays shone directly into her eyes. She was dazzled, so she couldn’t see clearly what was happening in the garden. Still, through the bright glare of the sun and the fresh snow, she noticed a small white figure in the garden that looked quite human-like. She also saw Violet and Peony—she actually watched them more than the figure—still busy at work; Peony was bringing more snow while Violet was applying it to the figure as skillfully as a sculptor adds clay to his model. Although she barely made out the snow-child, the mother thought to herself that there had never been a snow figure crafted so beautifully, nor such a sweet little girl and boy to create it.
“They do everything better than other children,” said she, very complacently. “No wonder they make better snow-images!”
“They do everything better than other kids,” she said, quite pleased with herself. “No wonder they create better snow figures!”
She sat down again to her work, and made as much haste with it as possible; because twilight would soon come, and Peony’s frock was not yet finished, and grandfather was expected, by railroad, pretty early in the morning. Faster and faster, therefore, went her flying fingers. The children, likewise, kept busily at work in the garden, and still the mother listened, whenever she could catch a word. She was amused to observe how their little imaginations had got mixed up with what they were doing, and carried away by it. They seemed positively to think that the snow-child would run about and play with them.
She sat down again to her work and hurried as much as she could; twilight would be here soon, and Peony's dress wasn't finished yet. Grandfather was expected by train pretty early in the morning. So her fingers moved faster and faster. The kids were also busy working in the garden, and their mother listened whenever she could catch a word. She was entertained to see how their little imaginations blended with what they were doing, completely absorbed in it. They genuinely seemed to believe that the snow-child would come out and play with them.
“What a nice playmate she will be for us, all winter long!” said Violet. “I hope papa will not be afraid of her giving us a cold! Sha’n’t you love her dearly, Peony?”
“What a great playmate she’ll be for us all winter long!” said Violet. “I hope Dad won’t worry about her making us sick! Won’t you love her so much, Peony?”
“Oh yes!” cried Peony. “And I will hug her, and she shall sit down close by me and drink some of my warm milk!”
“Oh yes!” exclaimed Peony. “And I’ll hug her, and she can sit right next to me and drink some of my warm milk!”
“Oh no, Peony!” answered Violet, with grave wisdom. “That will not do at all. Warm milk will not be wholesome for our little snow-sister. Little snow people, like her, eat nothing but icicles. No, no, Peony; we must not give her anything warm to drink!”
“Oh no, Peony!” replied Violet, with serious wisdom. “That’s not a good idea at all. Warm milk isn’t healthy for our little snow-sister. Little snow people like her only eat icicles. No, no, Peony; we can’t give her anything warm to drink!”
There was a minute or two of silence; for Peony, whose short legs were never weary, had gone on a pilgrimage again to the other side of the garden. All of a sudden, Violet cried out, loudly and joyfully,—“Look here, Peony! Come quickly! A light has been shining on her cheek out of that rose-colored cloud! and the color does not go away! Is not that beautiful!”
There was a moment of silence because Peony, whose short legs never got tired, had ventured on another pilgrimage to the other side of the garden. Suddenly, Violet shouted, excited and joyful, "Hey, Peony! Come quick! There's a light shining on her cheek from that pink cloud! And the color isn't fading away! Isn't that beautiful?"
“Yes; it is beau-ti-ful,” answered Peony, pronouncing the three syllables with deliberate accuracy. “O Violet, only look at her hair! It is all like gold!”
“Yes, it’s beautiful,” Peony replied, carefully emphasizing each syllable. “O Violet, just look at her hair! It’s all like gold!”
“Oh certainly,” said Violet, with tranquillity, as if it were very much a matter of course. “That color, you know, comes from the golden clouds, that we see up there in the sky. She is almost finished now. But her lips must be made very red,—redder than her cheeks. Perhaps, Peony, it will make them red if we both kiss them!”
“Oh sure,” said Violet calmly, as if it were completely normal. “That color, you know, comes from the golden clouds we see up in the sky. She’s almost done now. But her lips need to be really red—redder than her cheeks. Maybe, Peony, it’ll make them red if we both kiss them!”
Accordingly, the mother heard two smart little smacks, as if both her children were kissing the snow-image on its frozen mouth. But, as this did not seem to make the lips quite red enough, Violet next proposed that the snow-child should be invited to kiss Peony’s scarlet cheek.
Accordingly, the mother heard two quick little smacks, as if both her kids were kissing the snow figure on its frozen mouth. But, since this didn’t seem to make the lips red enough, Violet then suggested that the snow child should be invited to kiss Peony’s bright red cheek.
“Come, ’ittle snow-sister, kiss me!” cried Peony.
“Come here, little snow-sister, kiss me!” cried Peony.
“There! she has kissed you,” added Violet, “and now her lips are very red. And she blushed a little, too!”
“There! She just kissed you,” Violet said, “and now her lips are really red. And she even blushed a little, too!”
“Oh, what a cold kiss!” cried Peony.
“Oh, what a cold kiss!” exclaimed Peony.
Just then, there came a breeze of the pure west-wind, sweeping through the garden and rattling the parlor-windows. It sounded so wintry cold, that the mother was about to tap on the window-pane with her thimbled finger, to summon the two children in, when they both cried out to her with one voice. The tone was not a tone of surprise, although they were evidently a good deal excited; it appeared rather as if they were very much rejoiced at some event that had now happened, but which they had been looking for, and had reckoned upon all along.
Just then, a fresh breeze from the west blew through the garden, rattling the parlor windows. It felt so cold and wintry that the mother was about to tap on the window with her thimbled finger to call the two kids inside when they both shouted out to her in unison. Their tone didn’t show surprise, even though they were clearly excited; it sounded more like they were really happy about something that had just happened, something they had been anticipating and counting on all along.
“Mamma! mamma! We have finished our little snow-sister, and she is running about the garden with us!”
“Mama! Mama! We’ve finished our little snow-sister, and she’s running around the garden with us!”
“What imaginative little beings my children are!” thought the mother, putting the last few stitches into Peony’s frock. “And it is strange, too that they make me almost as much a child as they themselves are! I can hardly help believing, now, that the snow-image has really come to life!”
“What imaginative little beings my children are!” thought the mother, finishing up the last few stitches on Peony’s dress. “And it’s funny how they make me feel almost as much of a child as they are! I can hardly help believing, now, that the snow-image has actually come to life!”
“Dear mamma!” cried Violet, “pray look out and see what a sweet playmate we have!”
“Dear mom!” cried Violet, “please look out and see what a sweet playmate we have!”
The mother, being thus entreated, could no longer delay to look forth from the window. The sun was now gone out of the sky, leaving, however, a rich inheritance of his brightness among those purple and golden clouds which make the sunsets of winter so magnificent. But there was not the slightest gleam or dazzle, either on the window or on the snow; so that the good lady could look all over the garden, and see everything and everybody in it. And what do you think she saw there? Violet and Peony, of course, her own two darling children. Ah, but whom or what did she see besides? Why, if you will believe me, there was a small figure of a girl, dressed all in white, with rose-tinged cheeks and ringlets of golden hue, playing about the garden with the two children! A stranger though she was, the child seemed to be on as familiar terms with Violet and Peony, and they with her, as if all the three had been playmates during the whole of their little lives. The mother thought to herself that it must certainly be the daughter of one of the neighbors, and that, seeing Violet and Peony in the garden, the child had run across the street to play with them. So this kind lady went to the door, intending to invite the little runaway into her comfortable parlor; for, now that the sunshine was withdrawn, the atmosphere, out of doors, was already growing very cold.
The mother, feeling urged, could no longer put off looking out the window. The sun had set, leaving behind a beautiful glow among the purple and golden clouds that make winter sunsets so stunning. But there was no reflection or sparkle on the window or the snow, so the kind lady could see the entire garden and everything in it. And what do you think she saw? Violet and Peony, of course, her two beloved children. But who or what else was there? Believe it or not, there was a small girl dressed entirely in white, with rosy cheeks and golden curls, playing in the garden with the two children! Even though she was a stranger, the child seemed to know Violet and Peony as if they had been friends their whole lives. The mother thought that she must be the daughter of one of the neighbors who, seeing Violet and Peony outside, had run across the street to join them. So, this kind lady went to the door, planning to invite the little girl inside her cozy living room because, with the sun gone, the outdoor air was already becoming quite chilly.
But, after opening the house-door, she stood an instant on the threshold, hesitating whether she ought to ask the child to come in, or whether she should even speak to her. Indeed, she almost doubted whether it were a real child after all, or only a light wreath of the new-fallen snow, blown hither and thither about the garden by the intensely cold west-wind. There was certainly something very singular in the aspect of the little stranger. Among all the children of the neighborhood, the lady could remember no such face, with its pure white, and delicate rose-color, and the golden ringlets tossing about the forehead and cheeks. And as for her dress, which was entirely of white, and fluttering in the breeze, it was such as no reasonable woman would put upon a little girl, when sending her out to play, in the depth of winter. It made this kind and careful mother shiver only to look at those small feet, with nothing in the world on them, except a very thin pair of white slippers. Nevertheless, airily as she was clad, the child seemed to feel not the slightest inconvenience from the cold, but danced so lightly over the snow that the tips of her toes left hardly a print in its surface; while Violet could but just keep pace with her, and Peony’s short legs compelled him to lag behind.
But after she opened the front door, she paused for a moment on the threshold, unsure whether she should invite the child inside or even say anything to her. In fact, she almost questioned if this was a real child at all or just a light swirl of the fresh snow, blown around the garden by the frigid west wind. There was definitely something unique about the little stranger. Among all the kids in the neighborhood, the woman couldn't recall any face like hers, with its pure white complexion, delicate rosy cheeks, and golden ringlets bouncing around her forehead and cheeks. And as for her dress, which was completely white and fluttering in the breeze, it was something no sensible mother would dress a little girl in when letting her play outside in the depths of winter. Just looking at those tiny feet, completely bare except for a very thin pair of white slippers, made this caring mother shiver. Yet, despite being so lightly dressed, the child didn’t seem to feel the cold at all and danced so gracefully over the snow that her toes barely left a mark in its surface while Violet could just keep up with her, and Peony's short legs forced him to fall behind.
Once, in the course of their play, the strange child placed herself between Violet and Peony, and taking a hand of each, skipped merrily forward, and they along with her. Almost immediately, however, Peony pulled away his little fist, and began to rub it as if the fingers were tingling with cold; while Violet also released herself, though with less abruptness, gravely remarking that it was better not to take hold of hands. The white-robed damsel said not a word, but danced about, just as merrily as before. If Violet and Peony did not choose to play with her, she could make just as good a playmate of the brisk and cold west-wind, which kept blowing her all about the garden, and took such liberties with her, that they seemed to have been friends for a long time. All this while, the mother stood on the threshold, wondering how a little girl could look so much like a flying snow-drift, or how a snow-drift could look so very like a little girl.
Once, during their play, the strange child skipped between Violet and Peony, taking one of each of their hands, and they followed her cheerfully. But almost immediately, Peony pulled his little fist away and started rubbing it as if his fingers were tingling from the cold. Violet let go too, though less abruptly, seriously saying it was better not to hold hands. The girl in white said nothing but danced around just as happily as before. If Violet and Peony didn’t want to play with her, she could just as easily enjoy playing with the brisk, cold west wind, which kept swirling her around the garden and seemed to be like an old friend. Meanwhile, the mother stood at the door, wondering how a little girl could look so much like a flying snowdrift, or how a snowdrift could resemble a little girl so closely.
She called Violet, and whispered to her.
She called Violet and whispered to her.
“Violet my darling, what is this child’s name?” asked she. “Does she live near us?”
“Violet, my darling, what’s this child’s name?” she asked. “Does she live close to us?”
“Why, dearest mamma,” answered Violet, laughing to think that her mother did not comprehend so very plain an affair, “this is our little snow-sister whom we have just been making!”
“Why, dear Mom,” replied Violet, laughing at the thought that her mother didn’t understand such a simple thing, “this is our little snow-sister that we just made!”
“Yes, dear mamma,” cried Peony, running to his mother, and looking up simply into her face. “This is our snow-image! Is it not a nice ’ittle child?”
“Yes, dear mom,” exclaimed Peony, rushing to her mother and looking up innocently into her face. “This is our snowman! Isn't it a cute little kid?”
At this instant a flock of snow-birds came flitting through the air. As was very natural, they avoided Violet and Peony. But—and this looked strange—they flew at once to the white-robed child, fluttered eagerly about her head, alighted on her shoulders, and seemed to claim her as an old acquaintance. She, on her part, was evidently as glad to see these little birds, old Winter’s grandchildren, as they were to see her, and welcomed them by holding out both her hands. Hereupon, they each and all tried to alight on her two palms and ten small fingers and thumbs, crowding one another off, with an immense fluttering of their tiny wings. One dear little bird nestled tenderly in her bosom; another put its bill to her lips. They were as joyous, all the while, and seemed as much in their element, as you may have seen them when sporting with a snow-storm.
At that moment, a flock of snowbirds zipped through the air. Naturally, they stayed away from Violet and Peony. But—and this was unusual—they quickly flew to the child in white, flitting excitedly around her head, landing on her shoulders, and appeared to recognize her as an old friend. She, for her part, was just as happy to see these little birds, Winter’s grandchildren, as they were to see her, and welcomed them by extending both her hands. Immediately, they all tried to land on her palms and ten small fingers, bumping each other off in a flurry of tiny wings. One sweet little bird snuggled into her bosom; another tapped its beak against her lips. They were all so joyful and seemed completely at home, just like you might see them playing in a snowstorm.
Violet and Peony stood laughing at this pretty sight; for they enjoyed the merry time which their new playmate was having with these small-winged visitants, almost as much as if they themselves took part in it.
Violet and Peony stood laughing at this lovely scene; they were enjoying the fun their new playmate was having with these tiny-winged visitors almost as much as if they were part of it themselves.
“Violet,” said her mother, greatly perplexed, “tell me the truth, without any jest. Who is this little girl?”
“Violet,” her mother said, clearly confused, “please tell me the truth, no jokes. Who is this little girl?”
“My darling mamma,” answered Violet, looking seriously into her mother’s face, and apparently surprised that she should need any further explanation, “I have told you truly who she is. It is our little snow-image, which Peony and I have been making. Peony will tell you so, as well as I.”
"My dear mom," Violet replied, looking earnestly into her mother's face, clearly surprised that she would need any more explanation. "I've honestly told you who she is. It's our little snow figure that Peony and I have been creating. Peony will confirm it too."
“Yes, mamma,” asseverated Peony, with much gravity in his crimson little phiz; “this is ’ittle snow-child. Is not she a nice one? But, mamma, her hand is, oh, so very cold!”
“Yes, mom,” insisted Peony, with a serious look on his little red face; “this is a little snow-child. Isn’t she cute? But, mom, her hand is, oh, so very cold!”
While mamma still hesitated what to think and what to do, the street-gate was thrown open, and the father of Violet and Peony appeared, wrapped in a pilot-cloth sack, with a fur cap drawn down over his ears, and the thickest of gloves upon his hands. Mr. Lindsey was a middle-aged man, with a weary and yet a happy look in his wind-flushed and frost-pinched face, as if he had been busy all the day long, and was glad to get back to his quiet home. His eyes brightened at the sight of his wife and children, although he could not help uttering a word or two of surprise, at finding the whole family in the open air, on so bleak a day, and after sunset too. He soon perceived the little white stranger sporting to and fro in the garden, like a dancing snow-wreath, and the flock of snow-birds fluttering about her head.
While Mom was still unsure about what to think and do, the street gate swung open, and the father of Violet and Peony appeared, bundled up in a heavy coat, with a fur hat pulled down over his ears and the thickest gloves on his hands. Mr. Lindsey was a middle-aged man with a tired yet content look on his wind-kissed and frost-nipped face, as if he had been busy all day and was happy to return to his peaceful home. His eyes lit up at the sight of his wife and children, although he couldn't help but express a bit of surprise at finding the whole family outside on such a chilly day and after sunset. He soon noticed the little white stranger playing around in the garden, like a dancing snowflake, with a bunch of snowbirds flitting about her head.
“Pray, what little girl may that be?” inquired this very sensible man. “Surely her mother must be crazy to let her go out in such bitter weather as it has been to-day, with only that flimsy white gown and those thin slippers!”
“Excuse me, which little girl is that?” asked this very sensible man. “Her mother must be out of her mind to let her go out in such cold weather as it’s been today, wearing just that flimsy white dress and those thin slippers!”
“My dear husband,” said his wife, “I know no more about the little thing than you do. Some neighbor’s child, I suppose. Our Violet and Peony,” she added, laughing at herself for repeating so absurd a story, “insist that she is nothing but a snow-image, which they have been busy about in the garden, almost all the afternoon.”
“My dear husband,” said his wife, “I don’t know any more about this little thing than you do. It’s probably just a neighbor’s kid. Our Violet and Peony,” she added, laughing at herself for telling such a ridiculous story, “are convinced that she’s nothing but a snow figure they’ve been working on in the garden for most of the afternoon.”
As she said this, the mother glanced her eyes toward the spot where the children’s snow-image had been made. What was her surprise, on perceiving that there was not the slightest trace of so much labor!—no image at all!—no piled up heap of snow!—nothing whatever, save the prints of little footsteps around a vacant space!
As she said this, the mother looked over at the spot where the kids had built their snowman. To her surprise, she noticed that there was no sign of all that hard work!—no snowman at all!—no pile of snow!—nothing except the little footprints around an empty area!
“This is very strange!” said she.
“This is really strange!” she said.
“What is strange, dear mother?” asked Violet. “Dear father, do not you see how it is? This is our snow-image, which Peony and I have made, because we wanted another playmate. Did not we, Peony?”
“What’s going on, mom?” asked Violet. “Dad, don’t you see? This is the snowman that Peony and I built because we wanted another playmate. Right, Peony?”
“Yes, papa,” said crimson Peony. “This be our ’ittle snow-sister. Is she not beau-ti-ful? But she gave me such a cold kiss!”
“Yes, Dad,” said crimson Peony. “This is our little snow-sister. Isn't she beautiful? But she gave me such a cold kiss!”
“Poh, nonsense, children!” cried their good, honest father, who, as we have already intimated, had an exceedingly common-sensible way of looking at matters. “Do not tell me of making live figures out of snow. Come, wife; this little stranger must not stay out in the bleak air a moment longer. We will bring her into the parlor; and you shall give her a supper of warm bread and milk, and make her as comfortable as you can. Meanwhile, I will inquire among the neighbors; or, if necessary, send the city-crier about the streets, to give notice of a lost child.”
“Come on, that’s ridiculous, kids!” exclaimed their honest father, who, as we’ve mentioned before, had a very practical way of viewing things. “Don’t talk to me about making living figures out of snow. Come on, wife; this little girl can’t stay out in the cold for another second. Let’s take her into the living room; you can give her some warm bread and milk for dinner and make her as comfy as possible. In the meantime, I’ll check with the neighbors or, if needed, send the town crier through the streets to announce a missing child.”
So saying, this honest and very kind-hearted man was going toward the little white damsel, with the best intentions in the world. But Violet and Peony, each seizing their father by the hand, earnestly besought him not to make her come in.
So saying, this sincere and very kind-hearted man was walking toward the little white girl, with the best intentions. But Violet and Peony, each grabbing their father by the hand, urgently begged him not to let her come inside.
“Dear father,” cried Violet, putting herself before him, “it is true what I have been telling you! This is our little snow-girl, and she cannot live any longer than while she breathes the cold west-wind. Do not make her come into the hot room!”
“Dear dad,” Violet exclaimed, stepping in front of him, “it’s true what I’ve been saying! This is our little snow-girl, and she can only live as long as she’s breathing the cold west wind. Please don’t make her go into the hot room!”
“Yes, father,” shouted Peony, stamping his little foot, so mightily was he in earnest, “this be nothing but our ’ittle snow-child! She will not love the hot fire!”
“Yes, Dad,” yelled Peony, stamping his little foot, so serious was he, “this is nothing but our little snow-child! She won’t love the hot fire!”
“Nonsense, children, nonsense, nonsense!” cried the father, half vexed, half laughing at what he considered their foolish obstinacy. “Run into the house, this moment! It is too late to play any longer, now. I must take care of this little girl immediately, or she will catch her death-a-cold!”
“Nonsense, kids, nonsense, nonsense!” shouted the father, half annoyed, half laughing at what he saw as their silly stubbornness. “Get inside the house, right now! It’s too late to play any longer. I need to take care of this little girl right away, or she’s going to catch a cold!”
“Husband! dear husband!” said his wife, in a low voice,—for she had been looking narrowly at the snow-child, and was more perplexed than ever,—“there is something very singular in all this. You will think me foolish,—but—but—may it not be that some invisible angel has been attracted by the simplicity and good faith with which our children set about their undertaking? May he not have spent an hour of his immortality in playing with those dear little souls? and so the result is what we call a miracle. No, no! Do not laugh at me; I see what a foolish thought it is!”
“Honey! dear honey!” his wife said quietly, as she had been closely observing the snow-child and was even more confused than before. “There’s something really strange about all this. You might think I’m crazy—but—maybe it’s possible that some invisible angel has been drawn to the innocence and sincerity with which our kids went about their task? Could he have spent an hour of his eternity playing with those sweet little ones? And so the result is what we call a miracle. No, no! Please don’t laugh at me; I realize how silly this thought is!”
“My dear wife,” replied the husband, laughing heartily, “you are as much a child as Violet and Peony.”
“My dear wife,” the husband said, laughing heartily, “you’re just as much of a child as Violet and Peony.”
And in one sense so she was, for all through life she had kept her heart full of childlike simplicity and faith, which was as pure and clear as crystal; and, looking at all matters through this transparent medium, she sometimes saw truths so profound that other people laughed at them as nonsense and absurdity.
And in a way, that was true, because throughout her life, she had filled her heart with childlike simplicity and faith, which was as pure and clear as crystal. And, viewing everything through this clear lens, she sometimes perceived truths so deep that others dismissed them as nonsense and absurdity.
But now kind Mr. Lindsey had entered the garden, breaking away from his two children, who still sent their shrill voices after him, beseeching him to let the snow-child stay and enjoy herself in the cold west-wind. As he approached, the snow-birds took to flight. The little white damsel, also, fled backward, shaking her head, as if to say, “Pray, do not touch me!” and roguishly, as it appeared, leading him through the deepest of the snow. Once, the good man stumbled, and floundered down upon his face, so that, gathering himself up again, with the snow sticking to his rough pilot-cloth sack, he looked as white and wintry as a snow-image of the largest size. Some of the neighbors, meanwhile, seeing him from their windows, wondered what could possess poor Mr. Lindsey to be running about his garden in pursuit of a snow-drift, which the west-wind was driving hither and thither! At length, after a vast deal of trouble, he chased the little stranger into a corner, where she could not possibly escape him. His wife had been looking on, and, it being nearly twilight, was wonder-struck to observe how the snow-child gleamed and sparkled, and how she seemed to shed a glow all round about her; and when driven into the corner, she positively glistened like a star! It was a frosty kind of brightness, too, like that of an icicle in the moonlight. The wife thought it strange that good Mr. Lindsey should see nothing remarkable in the snow-child’s appearance.
But now kind Mr. Lindsey had entered the garden, breaking away from his two children, who were still calling after him, begging him to let the snow-child stay and enjoy herself in the cold west wind. As he got closer, the snow-birds took flight. The little white girl also backed away, shaking her head, as if to say, “Please, don’t touch me!” Mischievously, as it seemed, she led him through the deepest snow. At one point, the good man stumbled and fell face-first, so when he picked himself up, with snow clinging to his rough coat, he looked as white and wintry as a giant snowman. Meanwhile, some of the neighbors, seeing him from their windows, wondered what could possibly motivate poor Mr. Lindsey to be running around his garden in pursuit of a snowdrift that the west wind was blowing everywhere! Eventually, after a lot of effort, he chased the little stranger into a corner where she couldn’t possibly escape him. His wife had been watching, and as it was nearly twilight, she was astonished to see how the snow-child shimmered and sparkled, and how she seemed to emit a glow all around her; and when cornered, she actually glistened like a star! It was a frosty kind of brightness too, like that of an icicle in the moonlight. The wife thought it was strange that good Mr. Lindsey didn’t see anything remarkable about the snow-child’s appearance.
“Come, you odd little thing!” cried the honest man, seizing her by the hand, “I have caught you at last, and will make you comfortable in spite of yourself. We will put a nice warm pair of worsted stockings on your frozen little feet, and you shall have a good thick shawl to wrap yourself in. Your poor white nose, I am afraid, is actually frost-bitten. But we will make it all right. Come along in.”
“Come on, you quirky little thing!” exclaimed the honest man, grabbing her hand. “I’ve finally caught you, and I’m going to make you comfortable whether you like it or not. We’ll get you a nice warm pair of wool stockings for your freezing little feet, and you’ll have a good thick shawl to wrap around yourself. I’m worried your poor little nose is actually frostbitten. But we’ll fix it all. Let’s go inside.”
And so, with a most benevolent smile on his sagacious visage, all purple as it was with the cold, this very well-meaning gentleman took the snow-child by the hand and led her towards the house. She followed him, droopingly and reluctant; for all the glow and sparkle was gone out of her figure; and whereas just before she had resembled a bright, frosty, star-gemmed evening, with a crimson gleam on the cold horizon, she now looked as dull and languid as a thaw. As kind Mr. Lindsey led her up the steps of the door, Violet and Peony looked into his face,—their eyes full of tears, which froze before they could run down their cheeks,—and again entreated him not to bring their snow-image into the house.
And so, with a warm smile on his wise face, all purple from the cold, this kind-hearted gentleman took the snow-girl by the hand and led her toward the house. She followed him, feeling down and reluctant; all the brightness and sparkle had left her, and whereas just before she had looked like a bright, frosty, starry evening with a red glow on the cold horizon, she now seemed as dull and tired as a thaw. As kind Mr. Lindsey led her up the steps to the door, Violet and Peony looked up at his face—tears filling their eyes, freezing before they could roll down their cheeks—and they again begged him not to bring their snow-image inside.
“Not bring her in!” exclaimed the kind-hearted man. “Why, you are crazy, my little Violet!—quite crazy, my small Peony! She is so cold, already, that her hand has almost frozen mine, in spite of my thick gloves. Would you have her freeze to death?”
“Don’t bring her in!” shouted the kind-hearted man. “What’s wrong with you, my little Violet!—you’re out of your mind, my small Peony! She’s already so cold that her hand has nearly frozen mine, even with my thick gloves on. Do you want her to freeze to death?”
His wife, as he came up the steps, had been taking another long, earnest, almost awe-stricken gaze at the little white stranger. She hardly knew whether it was a dream or no; but she could not help fancying that she saw the delicate print of Violet’s fingers on the child’s neck. It looked just as if, while Violet was shaping out the image, she had given it a gentle pat with her hand, and had neglected to smooth the impression quite away.
His wife, as he walked up the steps, had been giving another long, serious, almost awe-filled look at the little white baby. She could hardly tell if it was a dream or not; but she couldn't shake the feeling that she saw the faint impression of Violet's fingers on the child's neck. It seemed as if, while Violet was creating the image, she had gently patted it with her hand and hadn’t completely smoothed away the mark.
“After all, husband,” said the mother, recurring to her idea that the angels would be as much delighted to play with Violet and Peony as she herself was,—“after all, she does look strangely like a snow-image! I do believe she is made of snow!”
“After all, husband,” said the mother, going back to her thought that the angels would be just as happy to play with Violet and Peony as she was, “after all, she does look oddly like a snow statue! I really think she’s made of snow!”
A puff of the west-wind blew against the snow-child, and again she sparkled like a star.
A gust of the west wind brushed against the snow child, and once more she sparkled like a star.
“Snow!” repeated good Mr. Lindsey, drawing the reluctant guest over his hospitable threshold. “No wonder she looks like snow. She is half frozen, poor little thing! But a good fire will put everything to rights!”
“Snow!” repeated kind Mr. Lindsey, pulling the hesitant guest over his welcoming threshold. “No wonder she looks like snow. She’s half frozen, poor thing! But a good fire will fix everything!”
Without further talk, and always with the same best intentions, this highly benevolent and common-sensible individual led the little white damsel—drooping, drooping, drooping, more and more out of the frosty air, and into his comfortable parlor. A Heidenberg stove, filled to the brim with intensely burning anthracite, was sending a bright gleam through the isinglass of its iron door, and causing the vase of water on its top to fume and bubble with excitement. A warm, sultry smell was diffused throughout the room. A thermometer on the wall farthest from the stove stood at eighty degrees. The parlor was hung with red curtains, and covered with a red carpet, and looked just as warm as it felt. The difference betwixt the atmosphere here and the cold, wintry twilight out of doors, was like stepping at once from Nova Zembla to the hottest part of India, or from the North Pole into an oven. Oh, this was a fine place for the little white stranger!
Without any more conversation, and always with the best intentions, this kind and sensible person led the little white girl—slumped, slumping, slumping more and more from the chilly air—into his cozy living room. A Heidenberg stove, packed full of fiercely burning anthracite, was casting a bright glow through the glass of its iron door, causing the vase of water on top to steam and bubble with excitement. A warm, muggy scent filled the room. A thermometer on the wall farthest from the stove read eighty degrees. The living room was decorated with red curtains, covered with a red carpet, and looked just as warm as it felt. The difference between the atmosphere here and the cold, wintry twilight outside was like stepping straight from Nova Zembla to the hottest part of India, or from the North Pole into an oven. Oh, this was a great place for the little white stranger!
The common-sensible man placed the snow-child on the hearth-rug, right in front of the hissing and fuming stove.
The practical man set the snow-child on the rug in front of the crackling stove.
“Now she will be comfortable!” cried Mr. Lindsey, rubbing his hands and looking about him, with the pleasantest smile you ever saw. “Make yourself at home, my child.”
“Now she will be comfortable!” exclaimed Mr. Lindsey, rubbing his hands and looking around with the friendliest smile you’ve ever seen. “Make yourself at home, my child.”
Sad, sad and drooping, looked the little white maiden, as she stood on the hearth-rug, with the hot blast of the stove striking through her like a pestilence. Once, she threw a glance wistfully toward the windows, and caught a glimpse, through its red curtains, of the snow-covered roofs, and the stars glimmering frostily, and all the delicious intensity of the cold night. The bleak wind rattled the window-panes, as if it were summoning her to come forth. But there stood the snow-child, drooping, before the hot stove!
Sad, sad and drooping, the little white girl looked as she stood on the hearth rug, with the hot blast from the stove hitting her like a sickness. She glanced wistfully toward the windows and caught a glimpse, through the red curtains, of the snow-covered roofs and the stars glimmering frostily, all the beautiful intensity of the cold night. The chilly wind rattled the window panes, as if calling her to come outside. But there she stood, the snow child, drooping before the hot stove!
But the common-sensible man saw nothing amiss.
But the sensible person saw nothing wrong.
“Come wife,” said he, “let her have a pair of thick stockings and a woollen shawl or blanket directly; and tell Dora to give her some warm supper as soon as the milk boils. You, Violet and Peony, amuse your little friend. She is out of spirits, you see, at finding herself in a strange place. For my part, I will go around among the neighbors, and find out where she belongs.”
“Come on, wife,” he said, “get her a pair of thick stockings and a wool blanket right away; and tell Dora to prepare her some warm supper as soon as the milk boils. You, Violet and Peony, keep your little friend entertained. She seems a bit down about being in a new place. As for me, I’ll go talk to the neighbors and see where she’s from.”
The mother, meanwhile, had gone in search of the shawl and stockings; for her own view of the matter, however subtle and delicate, had given way, as it always did, to the stubborn materialism of her husband. Without heeding the remonstrances of his two children, who still kept murmuring that their little snow-sister did not love the warmth, good Mr. Lindsey took his departure, shutting the parlor-door carefully behind him. Turning up the collar of his sack over his ears, he emerged from the house, and had barely reached the street-gate, when he was recalled by the screams of Violet and Peony, and the rapping of a thimbled finger against the parlor window.
The mother had gone to look for the shawl and stockings. However, her gentle and nuanced perspective had given way, as it always did, to her husband's stubborn practicality. Ignoring the protests of his two children, who were still whispering that their little snow-sister didn't like the warmth, good Mr. Lindsey left, carefully closing the parlor door behind him. Pulling the collar of his coat up over his ears, he stepped outside and had just reached the street gate when he was called back by the screams of Violet and Peony, along with the sound of a thimble-tapped finger against the parlor window.
“Husband! husband!” cried his wife, showing her horror-stricken face through the window-panes. “There is no need of going for the child’s parents!”
“Husband! husband!” cried his wife, her terrified face appearing through the window. “There’s no need to go for the child’s parents!”
“We told you so, father!” screamed Violet and Peony, as he re-entered the parlor. “You would bring her in; and now our poor—dear-beau-ti-ful little snow-sister is thawed!”
“We told you so, Dad!” shouted Violet and Peony when he walked back into the living room. “You said you’d bring her in; and now our poor—dear-beau-ti-ful little snow-sister is melted!”
And their own sweet little faces were already dissolved in tears; so that their father, seeing what strange things occasionally happen in this every-day world, felt not a little anxious lest his children might be going to thaw too! In the utmost perplexity, he demanded an explanation of his wife. She could only reply, that, being summoned to the parlor by the cries of Violet and Peony, she found no trace of the little white maiden, unless it were the remains of a heap of snow, which, while she was gazing at it, melted quite away upon the hearth-rug.
And their sweet little faces were already streaming with tears, so their father, realizing the strange things that can happen in this everyday world, felt a bit anxious that his kids might be melting too! In his confusion, he asked his wife for an explanation. She could only say that when she was called to the living room by Violet and Peony's cries, she found no sign of the little white maiden, except for a pile of snow, which, while she was looking at it, completely melted away on the rug.
“And there you see all that is left of it!” added she, pointing to a pool of water in front of the stove.
“And there you see all that’s left of it!” she added, pointing to a puddle of water in front of the stove.
“Yes, father,” said Violet looking reproachfully at him, through her tears, “there is all that is left of our dear little snow-sister!”
“Yes, Dad,” said Violet, looking at him with disappointment through her tears, “that’s all that’s left of our dear little snow-sister!”
“Naughty father!” cried Peony, stamping his foot, and—I shudder to say—shaking his little fist at the common-sensible man. “We told you how it would be! What for did you bring her in?”
“Naughty father!” cried Peony, stamping his foot, and—I can’t believe I’m saying this—shaking his little fist at the sensible man. “We warned you how this would go! Why did you bring her here?”
And the Heidenberg stove, through the isinglass of its door, seemed to glare at good Mr. Lindsey, like a red-eyed demon, triumphing in the mischief which it had done!
And the Heidenberg stove, through the glass of its door, seemed to glare at good Mr. Lindsey like a red-eyed demon, reveling in the trouble it had caused!
This, you will observe, was one of those rare cases, which yet will occasionally happen, where common-sense finds itself at fault. The remarkable story of the snow-image, though to that sagacious class of people to whom good Mr. Lindsey belongs it may seem but a childish affair, is, nevertheless, capable of being moralized in various methods, greatly for their edification. One of its lessons, for instance, might be, that it behooves men, and especially men of benevolence, to consider well what they are about, and, before acting on their philanthropic purposes, to be quite sure that they comprehend the nature and all the relations of the business in hand. What has been established as an element of good to one being may prove absolute mischief to another; even as the warmth of the parlor was proper enough for children of flesh and blood, like Violet and Peony,—though by no means very wholesome, even for them,—but involved nothing short of annihilation to the unfortunate snow-image.
This, as you’ll notice, was one of those rare situations where common sense gets it wrong. The extraordinary tale of the snow-image may seem like a trivial matter to insightful people like Mr. Lindsey, but it can actually teach several valuable lessons for their benefit. One of its takeaways, for example, could be that it’s essential for people, especially those who want to help, to think carefully about their actions and ensure they fully understand the nature and all the implications of what they’re doing before pursuing their charitable intentions. What might be beneficial for one person could be completely harmful to another; just like the warmth of the parlor was perfectly fine for living children, like Violet and Peony—though not extremely healthy for them—but was utterly deadly for the unfortunate snow-image.
But, after all, there is no teaching anything to wise men of good Mr. Lindsey’s stamp. They know everything,—oh, to be sure!—everything that has been, and everything that is, and everything that, by any future possibility, can be. And, should some phenomenon of nature or providence transcend their system, they will not recognize it, even if it come to pass under their very noses.
But, after all, you can't teach anything to wise men like Mr. Lindsey. They know everything—oh, of course!—everything that has happened, everything that is happening, and everything that could possibly happen in the future. And if something happens in nature or by chance that goes beyond their understanding, they won't see it, even if it happens right in front of them.
“Wife,” said Mr. Lindsey, after a fit of silence, “see what a quantity of snow the children have brought in on their feet! It has made quite a puddle here before the stove. Pray tell Dora to bring some towels and mop it up!”
“Wife,” Mr. Lindsey said after a moment of silence, “look at all the snow the kids have tracked in on their shoes! It’s created quite a puddle in front of the stove. Please ask Dora to bring some towels and clean it up!”
THE GREAT STONE FACE
One afternoon, when the sun was going down, a mother and her little boy sat at the door of their cottage, talking about the Great Stone Face. They had but to lift their eyes, and there it was plainly to be seen, though miles away, with the sunshine brightening all its features.
One afternoon, as the sun was setting, a mother and her young son sat at the door of their cottage, chatting about the Great Stone Face. They only had to lift their eyes, and there it was, clearly visible even from miles away, with the sunlight highlighting all its details.
And what was the Great Stone Face?
And what was the Great Stone Face?
Embosomed amongst a family of lofty mountains, there was a valley so spacious that it contained many thousand inhabitants. Some of these good people dwelt in log-huts, with the black forest all around them, on the steep and difficult hill-sides. Others had their homes in comfortable farm-houses, and cultivated the rich soil on the gentle slopes or level surfaces of the valley. Others, again, were congregated into populous villages, where some wild, highland rivulet, tumbling down from its birthplace in the upper mountain region, had been caught and tamed by human cunning, and compelled to turn the machinery of cotton-factories. The inhabitants of this valley, in short, were numerous, and of many modes of life. But all of them, grown people and children, had a kind of familiarity with the Great Stone Face, although some possessed the gift of distinguishing this grand natural phenomenon more perfectly than many of their neighbors.
Surrounded by a range of tall mountains, there was a valley so large that it housed thousands of people. Some of these kind folks lived in log cabins, nestled in the dense forest on the steep, challenging hillsides. Others resided in cozy farmhouses, working the fertile soil on the gentle slopes and flat areas of the valley. Additionally, some gathered in busy villages, where a wild mountain stream, rushing down from its origins high in the mountains, had been harnessed by human ingenuity to power cotton factories. In short, the people of this valley were numerous and led various lifestyles. Yet, all of them, adults and kids alike, shared a connection with the Great Stone Face, although some had a greater ability to appreciate this impressive natural wonder than many of their neighbors.
The Great Stone Face, then, was a work of Nature in her mood of majestic playfulness, formed on the perpendicular side of a mountain by some immense rocks, which had been thrown together in such a position as, when viewed at a proper distance, precisely to resemble the features of the human countenance. It seemed as if an enormous giant, or a Titan, had sculptured his own likeness on the precipice. There was the broad arch of the forehead, a hundred feet in height; the nose, with its long bridge; and the vast lips, which, if they could have spoken, would have rolled their thunder accents from one end of the valley to the other. True it is, that if the spectator approached too near, he lost the outline of the gigantic visage, and could discern only a heap of ponderous and gigantic rocks, piled in chaotic ruin one upon another. Retracing his steps, however, the wondrous features would again be seen; and the farther he withdrew from them, the more like a human face, with all its original divinity intact, did they appear; until, as it grew dim in the distance, with the clouds and glorified vapor of the mountains clustering about it, the Great Stone Face seemed positively to be alive.
The Great Stone Face was a creation of Nature in her grand, playful style, formed on the steep side of a mountain by massive rocks that had been arranged in such a way that, when viewed from the right distance, they perfectly resembled the features of a human face. It looked as if a giant or a Titan had carved their own likeness into the cliff. There was the broad arch of the forehead, towering a hundred feet high; the long bridge of the nose; and the vast lips that, if they could speak, would echo thunderous sounds throughout the valley. It's true that if someone got too close, they would lose the outline of the giant face and only see a jumble of large, heavy rocks piled in disarray. But stepping back, the incredible features would come into view again; the farther away one got, the more they resembled a human face, with all its original majesty preserved, until, as it faded into the distance, surrounded by clouds and the glowing mist of the mountains, the Great Stone Face seemed almost alive.
It was a happy lot for children to grow up to manhood or womanhood with the Great Stone Face before their eyes, for all the features were noble, and the expression was at once grand and sweet, as if it were the glow of a vast, warm heart, that embraced all mankind in its affections, and had room for more. It was an education only to look at it. According to the belief of many people, the valley owed much of its fertility to this benign aspect that was continually beaming over it, illuminating the clouds, and infusing its tenderness into the sunshine.
It was a fortunate thing for children to grow up into adulthood with the Great Stone Face in view, because all its features were noble and its expression was both grand and gentle, like the warmth of a big heart that welcomed all humanity and still had space for more. Just looking at it was a form of education. Many people believed that the valley's fertility was largely due to this kind and constant presence that shone down on it, lighting up the clouds and spreading its warmth into the sunshine.
As we began with saying, a mother and her little boy sat at their cottage-door, gazing at the Great Stone Face, and talking about it. The child’s name was Ernest.
As we started by saying, a mother and her little boy sat at their cottage door, looking at the Great Stone Face and discussing it. The child's name was Ernest.
“Mother,” said he, while the Titanic visage smiled on him, “I wish that it could speak, for it looks so very kindly that its voice must needs be pleasant. If I were to see a man with such a face, I should love him dearly.”
“Mom,” he said, as the Titanic face smiled at him, “I wish it could talk because it looks so friendly that its voice must be nice. If I saw a guy with a face like that, I would really like him.”
“If an old prophecy should come to pass,” answered his mother, “we may see a man, some time or other, with exactly such a face as that.”
“If an old prophecy comes true,” his mother replied, “we might see a man someday with a face just like that.”
“What prophecy do you mean, dear mother?” eagerly inquired Ernest. “Pray tell me about it!”
“What prophecy are you talking about, dear mom?” Ernest asked eagerly. “Please tell me about it!”
So his mother told him a story that her own mother had told to her, when she herself was younger than little Ernest; a story, not of things that were past, but of what was yet to come; a story, nevertheless, so very old, that even the Indians, who formerly inhabited this valley, had heard it from their forefathers, to whom, as they affirmed, it had been murmured by the mountain streams, and whispered by the wind among the tree-tops. The purport was, that, at some future day, a child should be born hereabouts, who was destined to become the greatest and noblest personage of his time, and whose countenance, in manhood, should bear an exact resemblance to the Great Stone Face. Not a few old-fashioned people, and young ones likewise, in the ardor of their hopes, still cherished an enduring faith in this old prophecy. But others, who had seen more of the world, had watched and waited till they were weary, and had beheld no man with such a face, nor any man that proved to be much greater or nobler than his neighbors, concluded it to be nothing but an idle tale. At all events, the great man of the prophecy had not yet appeared.
So his mother told him a story that her own mother had told her when she was younger than little Ernest; a story not about things that had happened, but about what was still to come; a story, however, so very old that even the Native Americans who once lived in this valley had heard it from their ancestors, who claimed it was whispered to them by the mountain streams and carried by the wind through the treetops. The message was that, one day, a child would be born in this area who was meant to become the greatest and noblest person of his time, and whose face, as an adult, would look exactly like the Great Stone Face. Many old-fashioned people, as well as some young ones, held onto this old prophecy with great hope. But others, who had experienced more of the world, had waited and watched until they were tired, seeing no one with such a face or anyone who turned out to be significantly greater or nobler than their peers, concluded it was just a silly story. In any case, the great person from the prophecy had not yet shown up.
“O mother, dear mother!” cried Ernest, clapping his hands above his head, “I do hope that I shall live to see him!”
“O mom, dear mom!” cried Ernest, clapping his hands above his head, “I really hope I get to see him!”
His mother was an affectionate and thoughtful woman, and felt that it was wisest not to discourage the generous hopes of her little boy. So she only said to him, “Perhaps you may.”
His mom was a caring and considerate woman, and she felt it was best not to dampen her little boy's generous hopes. So she just told him, “Maybe you will.”
And Ernest never forgot the story that his mother told him. It was always in his mind, whenever he looked upon the Great Stone Face. He spent his childhood in the log-cottage where he was born, and was dutiful to his mother, and helpful to her in many things, assisting her much with his little hands, and more with his loving heart. In this manner, from a happy yet often pensive child, he grew up to be a mild, quiet, unobtrusive boy, and sun-browned with labor in the fields, but with more intelligence brightening his aspect than is seen in many lads who have been taught at famous schools. Yet Ernest had had no teacher, save only that the Great Stone Face became one to him. When the toil of the day was over, he would gaze at it for hours, until he began to imagine that those vast features recognized him, and gave him a smile of kindness and encouragement, responsive to his own look of veneration. We must not take upon us to affirm that this was a mistake, although the Face may have looked no more kindly at Ernest than at all the world besides. But the secret was that the boy’s tender and confiding simplicity discerned what other people could not see; and thus the love, which was meant for all, became his peculiar portion.
And Ernest never forgot the story his mother told him. It stayed in his mind whenever he looked at the Great Stone Face. He spent his childhood in the log cabin where he was born, always being dutiful to his mother and helping her with many tasks, using both his little hands and his loving heart. This way, from a happy but often thoughtful child, he grew into a gentle, quiet, unobtrusive boy, tanned from working in the fields, but with more intelligence shining in his face than you often see in boys who’ve been educated at prestigious schools. Yet, Ernest had no teacher except for the Great Stone Face, which became one for him. After working all day, he would stare at it for hours, starting to believe that those huge features recognized him and smiled at him with kindness and encouragement, just like he looked at them with admiration. We can’t say for sure that this was a misunderstanding, even if the Face might not have looked at Ernest any differently than it did at anyone else. But the truth was that the boy’s gentle and trusting nature saw what others couldn't see; and so the love that was meant for everyone became something special just for him.
About this time there went a rumor throughout the valley, that the great man, foretold from ages long ago, who was to bear a resemblance to the Great Stone Face, had appeared at last. It seems that, many years before, a young man had migrated from the valley and settled at a distant seaport, where, after getting together a little money, he had set up as a shopkeeper. His name—but I could never learn whether it was his real one, or a nickname that had grown out of his habits and success in life—was Gathergold. Being shrewd and active, and endowed by Providence with that inscrutable faculty which develops itself in what the world calls luck, he became an exceedingly rich merchant, and owner of a whole fleet of bulky-bottomed ships. All the countries of the globe appeared to join hands for the mere purpose of adding heap after heap to the mountainous accumulation of this one man’s wealth. The cold regions of the north, almost within the gloom and shadow of the Arctic Circle, sent him their tribute in the shape of furs; hot Africa sifted for him the golden sands of her rivers, and gathered up the ivory tusks of her great elephants out of the forests; the East came bringing him the rich shawls, and spices, and teas, and the effulgence of diamonds, and the gleaming purity of large pearls. The ocean, not to be behindhand with the earth, yielded up her mighty whales, that Mr. Gathergold might sell their oil, and make a profit of it. Be the original commodity what it might, it was gold within his grasp. It might be said of him, as of Midas in the fable, that whatever he touched with his finger immediately glistened, and grew yellow, and was changed at once into sterling metal, or, which suited him still better, into piles of coin. And, when Mr. Gathergold had become so very rich that it would have taken him a hundred years only to count his wealth, he bethought himself of his native valley, and resolved to go back thither, and end his days where he was born. With this purpose in view, he sent a skilful architect to build him such a palace as should be fit for a man of his vast wealth to live in.
Around this time, a rumor spread throughout the valley that the great man, predicted long ago to resemble the Great Stone Face, had finally appeared. Many years prior, a young man had left the valley and settled in a distant seaport. After saving some money, he started a shop. His name—though I could never figure out if it was his real name or a nickname earned from his habits and success—was Gathergold. Being clever and energetic, and blessed by fate with what people often call luck, he became an incredibly wealthy merchant and owned a whole fleet of sturdy ships. It seemed like all the countries of the world joined forces just to add more and more to this one man’s wealth. The cold northern regions, nearly under the shadow of the Arctic Circle, sent him their tribute in furs; hot Africa provided him with golden sands from her rivers and collected the ivory tusks of her massive elephants from the forests. The East brought him rich shawls, spices, teas, sparkling diamonds, and the pure shine of large pearls. The ocean, not wanting to be left out, provided mighty whales so Mr. Gathergold could sell their oil and profit from it. No matter what the original product was, it turned into gold in his hands. It could be said of him, like in the tale of Midas, that whatever he touched instantly glimmered, turned golden, and transformed into solid metal, or even better for him, into stacks of coins. And when Mr. Gathergold became so incredibly rich that it would take him a hundred years just to count his fortune, he thought of his hometown and decided to return there to spend the rest of his days where he was born. With this goal in mind, he sent a skilled architect to build him a palace worthy of a man with such immense wealth.
As I have said above, it had already been rumored in the valley that Mr. Gathergold had turned out to be the prophetic personage so long and vainly looked for, and that his visage was the perfect and undeniable similitude of the Great Stone Face. People were the more ready to believe that this must needs be the fact, when they beheld the splendid edifice that rose, as if by enchantment, on the site of his father’s old weatherbeaten farm-house. The exterior was of marble, so dazzlingly white that it seemed as though the whole structure might melt away in the sunshine, like those humbler ones which Mr. Gathergold, in his young play-days, before his fingers were gifted with the touch of transmutation, had been accustomed to build of snow. It had a richly ornamented portico, supported by tall pillars, beneath which was a lofty door, studded with silver knobs, and made of a kind of variegated wood that had been brought from beyond the sea. The windows, from the floor to the ceiling of each stately apartment, were composed, respectively, of but one enormous pane of glass, so transparently pure that it was said to be a finer medium than even the vacant atmosphere. Hardly anybody had been permitted to see the interior of this palace; but it was reported, and with good semblance of truth, to be far more gorgeous than the outside, insomuch that whatever was iron or brass in other houses was silver or gold in this; and Mr. Gathergold’s bedchamber, especially, made such a glittering appearance that no ordinary man would have been able to close his eyes there. But, on the other hand, Mr. Gathergold was now so inured to wealth, that perhaps he could not have closed his eyes unless where the gleam of it was certain to find its way beneath his eyelids.
As I mentioned earlier, it was already being talked about in the valley that Mr. Gathergold was the prophetic figure everyone had searched for, and that his face perfectly resembled the Great Stone Face. People were even more inclined to believe this when they saw the magnificent building that appeared almost magically on the site of his father's old, dilapidated farmhouse. The exterior was made of marble, so brilliantly white that it looked as if the entire structure could just melt away in the sunlight, like the simpler houses Mr. Gathergold used to build from snow in his childhood before he discovered how to turn things to gold. It featured a beautifully decorated portico, held up by tall pillars, under which stood a grand door, adorned with silver knobs and made from a kind of colorful wood imported from overseas. The windows stretched from floor to ceiling in each impressive room and were made from one enormous pane of glass, so incredibly clear that it was said to be a better medium than even the empty air. Very few people had been allowed to enter this palace, but it was rumored, with good reason, to be even more magnificent inside; anything made of iron or brass in other homes was silver or gold in this one. Particularly, Mr. Gathergold's bedroom sparkled so much that an ordinary man would struggle to keep his eyes closed there. However, Mr. Gathergold had gotten so used to wealth that he might only be able to close his eyes if he was sure some glimmer of it would slip under his eyelids.
In due time, the mansion was finished; next came the upholsterers, with magnificent furniture; then, a whole troop of black and white servants, the harbingers of Mr. Gathergold, who, in his own majestic person, was expected to arrive at sunset. Our friend Ernest, meanwhile, had been deeply stirred by the idea that the great man, the noble man, the man of prophecy, after so many ages of delay, was at length to be made manifest to his native valley. He knew, boy as he was, that there were a thousand ways in which Mr. Gathergold, with his vast wealth, might transform himself into an angel of beneficence, and assume a control over human affairs as wide and benignant as the smile of the Great Stone Face. Full of faith and hope, Ernest doubted not that what the people said was true, and that now he was to behold the living likeness of those wondrous features on the mountain-side. While the boy was still gazing up the valley, and fancying, as he always did, that the Great Stone Face returned his gaze and looked kindly at him, the rumbling of wheels was heard, approaching swiftly along the winding road.
In due time, the mansion was finished; next came the upholsterers, with stunning furniture; then, a whole group of black and white servants, the heralds of Mr. Gathergold, who was expected to arrive at sunset in his grand style. Our friend Ernest, meanwhile, was deeply moved by the thought that the great man, the noble man, the man of prophecy, after so many years of waiting, was finally going to reveal himself to his hometown valley. He knew, even as a boy, that there were countless ways Mr. Gathergold, with his immense wealth, could become a force for good and take on a role in people's lives as broad and benevolent as the smile of the Great Stone Face. Full of faith and hope, Ernest was sure that what the people said was true, and that soon he would see the living image of those remarkable features on the mountainside. While the boy was still looking up the valley, imagining, as he always did, that the Great Stone Face was returning his gaze and looking kindly at him, the sound of wheels rolling in quickly along the winding road was heard.
“Here he comes!” cried a group of people who were assembled to witness the arrival. “Here comes the great Mr. Gathergold!”
“Here he comes!” shouted a crowd gathered to see the arrival. “Here comes the amazing Mr. Gathergold!”
A carriage, drawn by four horses, dashed round the turn of the road. Within it, thrust partly out of the window, appeared the physiognomy of the old man, with a skin as yellow as if his own Midas-hand had transmuted it. He had a low forehead, small, sharp eyes, puckered about with innumerable wrinkles, and very thin lips, which he made still thinner by pressing them forcibly together.
A carriage pulled by four horses rushed around the bend in the road. Inside, partly leaning out of the window, was the old man's face, with skin as yellow as if his own Midas touch had transformed it. He had a receding hairline, small, sharp eyes surrounded by countless wrinkles, and very thin lips, which he pressed together tightly to make them even thinner.
“The very image of the Great Stone Face!” shouted the people. “Sure enough, the old prophecy is true; and here we have the great man come, at last!”
“The exact image of the Great Stone Face!” shouted the people. “Indeed, the old prophecy is true; and here we have the great man arrived, at last!”
And, what greatly perplexed Ernest, they seemed actually to believe that here was the likeness which they spoke of. By the roadside there chanced to be an old beggar-woman and two little beggar-children, stragglers from some far-off region, who, as the carriage rolled onward, held out their hands and lifted up their doleful voices, most piteously beseeching charity. A yellow claw—the very same that had clawed together so much wealth—poked itself out of the coach-window, and dropt some copper coins upon the ground; so that, though the great man’s name seems to have been Gathergold, he might just as suitably have been nicknamed Scattercopper. Still, nevertheless, with an earnest shout, and evidently with as much good faith as ever, the people bellowed, “He is the very image of the Great Stone Face!”
And what really confused Ernest was that they actually seemed to believe this was the likeness they were talking about. By the side of the road, there happened to be an old beggar-woman and two little beggar-children, stragglers from some distant place, who, as the carriage rolled by, held out their hands and cried out with sorrowful voices, desperately asking for help. A yellow claw—the very same one that had grasped so much wealth—stuck out of the coach window and dropped some coins on the ground; so even though the big man’s name seemed to have been Gathergold, he could just as easily have been called Scattercopper. Still, with an honest shout and clearly with as much sincerity as ever, the crowd yelled, “He is the very image of the Great Stone Face!”
But Ernest turned sadly from the wrinkled shrewdness of that sordid visage, and gazed up the valley, where, amid a gathering mist, gilded by the last sunbeams, he could still distinguish those glorious features which had impressed themselves into his soul. Their aspect cheered him. What did the benign lips seem to say?
But Ernest turned away sadly from the wrinkled shrewdness of that grim face and looked up the valley, where, amid a gathering mist, illuminated by the last rays of the sun, he could still make out those beautiful features that had been etched into his soul. Their appearance lifted his spirits. What did those kind lips seem to say?
“He will come! Fear not, Ernest; the man will come!”
“He will come! Don’t worry, Ernest; he will definitely come!”
The years went on, and Ernest ceased to be a boy. He had grown to be a young man now. He attracted little notice from the other inhabitants of the valley; for they saw nothing remarkable in his way of life save that, when the labor of the day was over, he still loved to go apart and gaze and meditate upon the Great Stone Face. According to their idea of the matter, it was a folly, indeed, but pardonable, inasmuch as Ernest was industrious, kind, and neighborly, and neglected no duty for the sake of indulging this idle habit. They knew not that the Great Stone Face had become a teacher to him, and that the sentiment which was expressed in it would enlarge the young man’s heart, and fill it with wider and deeper sympathies than other hearts. They knew not that thence would come a better wisdom than could be learned from books, and a better life than could be moulded on the defaced example of other human lives. Neither did Ernest know that the thoughts and affections which came to him so naturally, in the fields and at the fireside, and wherever he communed with himself, were of a higher tone than those which all men shared with him. A simple soul,—simple as when his mother first taught him the old prophecy,—he beheld the marvellous features beaming adown the valley, and still wondered that their human counterpart was so long in making his appearance.
The years passed, and Ernest stopped being a boy. He had become a young man now. He attracted little attention from the other people in the valley; they saw nothing special in his lifestyle except that, when the workday was done, he still liked to go off by himself and reflect on the Great Stone Face. In their view, it was a foolish thing to do, but excusable since Ernest was hardworking, kind, and friendly, and did not neglect any responsibilities for the sake of this idle pastime. They didn't realize that the Great Stone Face had become a mentor to him, and that the feelings it inspired would open up the young man’s heart and fill it with broader and deeper compassion than most others had. They didn’t know that from this, he would gain a better wisdom than could be found in books, and a richer life than could be shaped by the flawed examples of other people's lives. Ernest also didn’t know that the thoughts and feelings that came to him so easily, whether in the fields or by the fire, and whenever he was lost in his own thoughts, were of a higher quality than those shared by most people. A simple soul—simple like when his mother first taught him the old prophecy—he looked at the amazing features glowing down the valley and still wondered why their human counterpart was taking so long to appear.
By this time poor Mr. Gathergold was dead and buried; and the oddest part of the matter was, that his wealth, which was the body and spirit of his existence, had disappeared before his death, leaving nothing of him but a living skeleton, covered over with a wrinkled yellow skin. Since the melting away of his gold, it had been very generally conceded that there was no such striking resemblance, after all, betwixt the ignoble features of the ruined merchant and that majestic face upon the mountain-side. So the people ceased to honor him during his lifetime, and quietly consigned him to forgetfulness after his decease. Once in a while, it is true, his memory was brought up in connection with the magnificent palace which he had built, and which had long ago been turned into a hotel for the accommodation of strangers, multitudes of whom came, every summer, to visit that famous natural curiosity, the Great Stone Face. Thus, Mr. Gathergold being discredited and thrown into the shade, the man of prophecy was yet to come.
By this time, poor Mr. Gathergold was dead and buried, and the strangest part of it all was that his wealth, which had been the essence of his life, had vanished before his death, leaving behind only a living skeleton wrapped in wrinkled yellow skin. Since his gold had melted away, people generally agreed that there wasn’t such a remarkable resemblance after all between the unremarkable features of the fallen merchant and that majestic face on the mountain. So, the public stopped honoring him while he was alive and slowly forgot him after he passed away. Occasionally, his memory would come up in relation to the grand palace he had built, which had long since been converted into a hotel for visitors, many of whom came every summer to see the famous natural wonder, the Great Stone Face. Thus, with Mr. Gathergold discredited and forgotten, the person of prophecy was still to come.
It so happened that a native-born son of the valley, many years before, had enlisted as a soldier, and, after a great deal of hard fighting, had now become an illustrious commander. Whatever he may be called in history, he was known in camps and on the battle-field under the nickname of Old Blood-and-Thunder. This war-worn veteran being now infirm with age and wounds, and weary of the turmoil of a military life, and of the roll of the drum and the clangor of the trumpet, that had so long been ringing in his ears, had lately signified a purpose of returning to his native valley, hoping to find repose where he remembered to have left it. The inhabitants, his old neighbors and their grown-up children, were resolved to welcome the renowned warrior with a salute of cannon and a public dinner; and all the more enthusiastically, it being affirmed that now, at last, the likeness of the Great Stone Face had actually appeared. An aid-de-camp of Old Blood-and-Thunder, travelling through the valley, was said to have been struck with the resemblance. Moreover the schoolmates and early acquaintances of the general were ready to testify, on oath, that, to the best of their recollection, the aforesaid general had been exceedingly like the majestic image, even when a boy, only the idea had never occurred to them at that period. Great, therefore, was the excitement throughout the valley; and many people, who had never once thought of glancing at the Great Stone Face for years before, now spent their time in gazing at it, for the sake of knowing exactly how General Blood-and-Thunder looked.
It just so happened that a local guy from the valley, years ago, had signed up as a soldier, and after a lot of hard fighting, he became a famous commander. No matter what history might call him, in camps and on the battlefield, he was known by the nickname Old Blood-and-Thunder. Now, this battle-hardened veteran was old and worn out from age and injuries, tired of the chaos of military life, and the sound of drums and trumpets that had been ringing in his ears for so long. He recently expressed his desire to return to his home valley, hoping to find peace where he remembered leaving it. The locals, his old neighbors and their grown-up kids, were determined to welcome the famous warrior with a cannon salute and a public dinner; they were even more excited because it was said that, finally, the likeness of the Great Stone Face had actually appeared. An aide to Old Blood-and-Thunder, traveling through the valley, was said to have noticed the resemblance. Additionally, the general’s schoolmates and childhood friends were ready to swear that, as far as they could remember, the general had looked a lot like the majestic image even as a boy, although the thought had never occurred to them at that time. Thus, there was great excitement throughout the valley; many people who hadn't even thought about looking at the Great Stone Face for years were now spending their time staring at it, eager to see exactly how General Blood-and-Thunder looked.
On the day of the great festival, Ernest, with all the other people of the valley, left their work, and proceeded to the spot where the sylvan banquet was prepared. As he approached, the loud voice of the Rev. Dr. Battleblast was heard, beseeching a blessing on the good things set before them, and on the distinguished friend of peace in whose honor they were assembled. The tables were arranged in a cleared space of the woods, shut in by the surrounding trees, except where a vista opened eastward, and afforded a distant view of the Great Stone Face. Over the general’s chair, which was a relic from the home of Washington, there was an arch of verdant boughs, with the laurel profusely intermixed, and surmounted by his country’s banner, beneath which he had won his victories. Our friend Ernest raised himself on his tiptoes, in hopes to get a glimpse of the celebrated guest; but there was a mighty crowd about the tables anxious to hear the toasts and speeches, and to catch any word that might fall from the general in reply; and a volunteer company, doing duty as a guard, pricked ruthlessly with their bayonets at any particularly quiet person among the throng. So Ernest, being of an unobtrusive character, was thrust quite into the background, where he could see no more of Old Blood-and-Thunder’s physiognomy than if it had been still blazing on the battle-field. To console himself, he turned towards the Great Stone Face, which, like a faithful and long remembered friend, looked back and smiled upon him through the vista of the forest. Meantime, however, he could overhear the remarks of various individuals, who were comparing the features of the hero with the face on the distant mountain-side.
On the day of the big festival, Ernest and all the other people in the valley took a break from their work and headed to the place where the outdoor feast was set up. As he got closer, he could hear the loud voice of Rev. Dr. Battleblast asking for a blessing on the delicious food and on the distinguished friend of peace they were gathered to honor. The tables were arranged in a cleared area of the woods, surrounded by trees, except for a view to the east that showed a distant glimpse of the Great Stone Face. Above the general's chair, which was a relic from Washington's home, there was an arch of green branches, lavishly mixed with laurel, and topped with his country's flag, under which he had achieved his victories. Ernest stood on his tiptoes, hoping to catch a glimpse of the famous guest, but the large crowd around the tables was eager to hear the toasts and speeches, trying to catch any words from the general in response. A volunteer company, acting as a guard, pushed roughly with their bayonets at anyone who was particularly quiet in the crowd. So, being somewhat shy, Ernest was pushed back into the background, where he could see no more of Old Blood-and-Thunder's face than if it were still glowing from the battlefield. To cheer himself up, he turned to the Great Stone Face, which, like a loyal and long-remembered friend, gazed back and smiled at him through the forest view. In the meantime, he could hear different people talking, comparing the hero's features to the face on the distant mountainside.
“’Tis the same face, to a hair!” cried one man, cutting a caper for joy.
“It's the same face, to the last detail!” shouted a man, jumping for joy.
“Wonderfully like, that’s a fact!” responded another.
"Absolutely, that's true!" replied another.
“Like! why, I call it Old Blood-and-Thunder himself, in a monstrous looking-glass!” cried a third. “And why not? He’s the greatest man of this or any other age, beyond a doubt.”
“Like! I call it Old Blood-and-Thunder himself, in a huge mirror!” cried a third. “And why not? He’s definitely the greatest man of this or any other time.”
And then all three of the speakers gave a great shout, which communicated electricity to the crowd, and called forth a roar from a thousand voices, that went reverberating for miles among the mountains, until you might have supposed that the Great Stone Face had poured its thunderbreath into the cry. All these comments, and this vast enthusiasm, served the more to interest our friend; nor did he think of questioning that now, at length, the mountain-visage had found its human counterpart. It is true, Ernest had imagined that this long-looked-for personage would appear in the character of a man of peace, uttering wisdom, and doing good, and making people happy. But, taking an habitual breadth of view, with all his simplicity, he contended that Providence should choose its own method of blessing mankind, and could conceive that this great end might be effected even by a warrior and a bloody sword, should inscrutable wisdom see fit to order matters so.
Then all three speakers let out a loud cheer that energized the crowd, erupting into a roar from a thousand voices that echoed for miles among the mountains, almost as if the Great Stone Face had amplified their cry with its thunderous breath. All this excitement and enthusiasm only intrigued our friend more; he no longer doubted that, finally, the mountain's visage had found its human counterpart. It’s true, Ernest had envisioned this long-awaited figure as a man of peace, sharing wisdom, doing good, and bringing happiness to others. But, with his usual broad perspective and simplicity, he argued that Providence should choose its own way of blessing humanity, and he could accept that this great purpose might even be achieved through a warrior wielding a bloody sword if inscrutable wisdom deemed it fit.
“The general! the general!” was now the cry. “Hush! silence! Old Blood-and-Thunder’s going to make a speech.”
“The general! the general!” was now the shout. “Shh! Quiet! Old Blood-and-Thunder is about to give a speech.”
Even so; for, the cloth being removed, the general’s health had been drunk, amid shouts of applause, and he now stood upon his feet to thank the company. Ernest saw him. There he was, over the shoulders of the crowd, from the two glittering epaulets and embroidered collar upward, beneath the arch of green boughs with intertwined laurel, and the banner drooping as if to shade his brow! And there, too, visible in the same glance, through the vista of the forest, appeared the Great Stone Face! And was there, indeed, such a resemblance as the crowd had testified? Alas, Ernest could not recognize it! He beheld a war-worn and weatherbeaten countenance, full of energy, and expressive of an iron will; but the gentle wisdom, the deep, broad, tender sympathies, were altogether wanting in Old Blood-and-Thunder’s visage; and even if the Great Stone Face had assumed his look of stern command, the milder traits would still have tempered it.
Even so, when the cloth was taken away, everyone raised a toast to the general’s health amidst cheers. He stood up to thank the crowd. Ernest saw him there, visible over the heads of people, from his two shiny epaulets and fancy collar up, beneath an arch of green branches intertwined with laurel, and the banner hanging down like it was shading his face! And in the same view, through the trees, he also saw the Great Stone Face! Was there really such a resemblance as the crowd had claimed? Sadly, Ernest couldn’t see it! He saw a war-torn and weathered face, full of energy and showing a strong will, but the gentle wisdom and broad, tender feelings were completely missing from Old Blood-and-Thunder’s expression; and even if the Great Stone Face had reflected his authoritative look, the softer features would have still balanced it out.
“This is not the man of prophecy,” sighed Ernest to himself, as he made his way out of the throng. “And must the world wait longer yet?”
“This isn't the man of prophecy,” sighed Ernest to himself as he pushed his way through the crowd. “Does the world have to wait even longer?”
The mists had congregated about the distant mountain-side, and there were seen the grand and awful features of the Great Stone Face, awful but benignant, as if a mighty angel were sitting among the hills, and enrobing himself in a cloud-vesture of gold and purple. As he looked, Ernest could hardly believe but that a smile beamed over the whole visage, with a radiance still brightening, although without motion of the lips. It was probably the effect of the western sunshine, melting through the thinly diffused vapors that had swept between him and the object that he gazed at. But—as it always did—the aspect of his marvellous friend made Ernest as hopeful as if he had never hoped in vain.
The mists had gathered around the distant mountains, revealing the impressive and awe-inspiring features of the Great Stone Face, terrifying yet kind, as if a mighty angel were sitting among the hills, draped in a cloud-like cloak of gold and purple. As he looked, Ernest could hardly believe that a smile lit up the entire face, glowing even brighter, though the lips didn't move. It was likely due to the western sunshine filtering through the lightly spread mist that stood between him and what he was looking at. But—just like always—the sight of his amazing friend filled Ernest with hope as if he had never experienced disappointment.
“Fear not, Ernest,” said his heart, even as if the Great Face were whispering him,—“fear not, Ernest; he will come.”
“Don’t be afraid, Ernest,” said his heart, as if the Great Face were whispering to him, “don’t worry, Ernest; he will come.”
More years sped swiftly and tranquilly away. Ernest still dwelt in his native valley, and was now a man of middle age. By imperceptible degrees, he had become known among the people. Now, as heretofore, he labored for his bread, and was the same simple-hearted man that he had always been. But he had thought and felt so much, he had given so many of the best hours of his life to unworldly hopes for some great good to mankind, that it seemed as though he had been talking with the angels, and had imbibed a portion of their wisdom unawares. It was visible in the calm and well-considered beneficence of his daily life, the quiet stream of which had made a wide green margin all along its course. Not a day passed by, that the world was not the better because this man, humble as he was, had lived. He never stepped aside from his own path, yet would always reach a blessing to his neighbor. Almost involuntarily too, he had become a preacher. The pure and high simplicity of his thought, which, as one of its manifestations, took shape in the good deeds that dropped silently from his hand, flowed also forth in speech. He uttered truths that wrought upon and moulded the lives of those who heard him. His auditors, it may be, never suspected that Ernest, their own neighbor and familiar friend, was more than an ordinary man; least of all did Ernest himself suspect it; but, inevitably as the murmur of a rivulet, came thoughts out of his mouth that no other human lips had spoken.
More years passed quickly and peacefully. Ernest still lived in his hometown and was now a middle-aged man. Gradually, he had made a name for himself among the people. As before, he worked for his living and remained the same kind-hearted man he had always been. But he had thought and felt so deeply, dedicating many of the best hours of his life to selfless hopes for a greater good for humanity, that it seemed like he had been conversing with angels and had unknowingly absorbed some of their wisdom. This was evident in the calm and thoughtful kindness of his daily life, which had created a wide green margin along its path. Not a day went by without the world being better for the presence of this humble man. He never strayed from his own path yet always managed to bless his neighbors. Almost naturally, he had become a preacher. The pure and profound simplicity of his thoughts, which manifested in the good deeds he silently performed, also flowed into his speech. He spoke truths that impacted and shaped the lives of those who listened. His audience might never have suspected that Ernest, their own neighbor and friend, was anything more than an ordinary man; least of all did Ernest himself suspect it. Yet, just like the gentle murmur of a stream, words would flow from his mouth that no other human had ever spoken.
When the people’s minds had had a little time to cool, they were ready enough to acknowledge their mistake in imagining a similarity between General Blood-and-Thunder’s truculent physiognomy and the benign visage on the mountain-side. But now, again, there were reports and many paragraphs in the newspapers, affirming that the likeness of the Great Stone Face had appeared upon the broad shoulders of a certain eminent statesman. He, like Mr. Gathergold and Old Blood-and-Thunder, was a native of the valley, but had left it in his early days, and taken up the trades of law and politics. Instead of the rich man’s wealth and the warrior’s sword, he had but a tongue, and it was mightier than both together. So wonderfully eloquent was he, that whatever he might choose to say, his auditors had no choice but to believe him; wrong looked like right, and right like wrong; for when it pleased him, he could make a kind of illuminated fog with his mere breath, and obscure the natural daylight with it. His tongue, indeed, was a magic instrument: sometimes it rumbled like the thunder; sometimes it warbled like the sweetest music. It was the blast of war, the song of peace; and it seemed to have a heart in it, when there was no such matter. In good truth, he was a wondrous man; and when his tongue had acquired him all other imaginable success,—when it had been heard in halls of state, and in the courts of princes and potentates,—after it had made him known all over the world, even as a voice crying from shore to shore,—it finally persuaded his countrymen to select him for the Presidency. Before this time,—indeed, as soon as he began to grow celebrated,—his admirers had found out the resemblance between him and the Great Stone Face; and so much were they struck by it, that throughout the country this distinguished gentleman was known by the name of Old Stony Phiz. The phrase was considered as giving a highly favorable aspect to his political prospects; for, as is likewise the case with the Popedom, nobody ever becomes President without taking a name other than his own.
When people had a chance to calm down a bit, they were ready to admit their mistake in thinking there was a resemblance between General Blood-and-Thunder's fierce face and the gentle expression of the Great Stone Face on the mountainside. But soon, there were reports and a lot of articles in the newspapers claiming that the likeness of the Great Stone Face had appeared on the broad shoulders of a certain prominent politician. He, like Mr. Gathergold and Old Blood-and-Thunder, was from the valley but had left it in his youth to pursue careers in law and politics. Instead of the wealthy man's riches and the warrior's sword, all he had was a powerful voice, which turned out to be mightier than either. He was so incredibly persuasive that whatever he said, people had no choice but to believe him; wrong seemed right, and right seemed wrong. When he wanted to, he could create a kind of dazzling fog with his words, obscuring the natural light around him. His voice was truly magical: sometimes it roared like thunder, and other times it sang like the sweetest melody. It could be the call to battle or the anthem of peace, and it seemed to hold a heart, even when there wasn't one there. He was indeed an extraordinary man; and after his words brought him every kind of success—once they echoed in government chambers and among kings and rulers—after making him famous around the globe, even as a voice carrying from one shore to another, it finally convinced his fellow citizens to elect him President. Before this, as soon as he started to gain fame, his fans noticed the resemblance between him and the Great Stone Face; they were so taken by it that across the country, this distinguished man was known as Old Stony Phiz. This nickname was seen as a lucky charm for his political future; just like with the Popes, no one becomes President without adopting a name different from their own.
While his friends were doing their best to make him President, Old Stony Phiz, as he was called, set out on a visit to the valley where he was born. Of course, he had no other object than to shake hands with his fellow-citizens and neither thought nor cared about any effect which his progress through the country might have upon the election. Magnificent preparations were made to receive the illustrious statesman; a cavalcade of horsemen set forth to meet him at the boundary line of the State, and all the people left their business and gathered along the wayside to see him pass. Among these was Ernest. Though more than once disappointed, as we have seen, he had such a hopeful and confiding nature, that he was always ready to believe in whatever seemed beautiful and good. He kept his heart continually open, and thus was sure to catch the blessing from on high when it should come. So now again, as buoyantly as ever, he went forth to behold the likeness of the Great Stone Face.
While his friends were doing their best to make him President, Old Stony Phiz, as he was known, set off on a visit to the valley where he was born. Of course, he wasn’t really thinking about the election or how his journey might impact it; he just wanted to shake hands with his fellow citizens. There were amazing preparations made to welcome the esteemed statesman; a group of horsemen rode out to meet him at the state border, and everyone dropped what they were doing to gather along the roadside to catch a glimpse of him. Among them was Ernest. Despite being let down more than once, as we’ve seen, he had such a hopeful and trusting nature that he was always ready to believe in what seemed beautiful and good. He kept his heart wide open, ensuring he would receive blessings from above when they came. So once again, as cheerfully as ever, he set out to see the likeness of the Great Stone Face.
The cavalcade came prancing along the road, with a great clattering of hoofs and a mighty cloud of dust, which rose up so dense and high that the visage of the mountain-side was completely hidden from Ernest’s eyes. All the great men of the neighborhood were there on horseback; militia officers, in uniform; the member of Congress; the sheriff of the county; the editors of newspapers; and many a farmer, too, had mounted his patient steed, with his Sunday coat upon his back. It really was a very brilliant spectacle, especially as there were numerous banners flaunting over the cavalcade, on some of which were gorgeous portraits of the illustrious statesman and the Great Stone Face, smiling familiarly at one another, like two brothers. If the pictures were to be trusted, the mutual resemblance, it must be confessed, was marvellous. We must not forget to mention that there was a band of music, which made the echoes of the mountains ring and reverberate with the loud triumph of its strains; so that airy and soul-thrilling melodies broke out among all the heights and hollows, as if every nook of his native valley had found a voice, to welcome the distinguished guest. But the grandest effect was when the far-off mountain precipice flung back the music; for then the Great Stone Face itself seemed to be swelling the triumphant chorus, in acknowledgment that, at length, the man of prophecy was come.
The parade came trotting along the road, making a loud noise with hooves and kicking up a huge cloud of dust that was so thick and high it completely blocked Ernest’s view of the mountainside. All the notable people from the area were there on horseback; militia officers in uniform, the member of Congress, the county sheriff, newspaper editors, and plenty of farmers had also saddled up their trusty horses, wearing their Sunday best. It was truly a dazzling sight, especially with the many banners waving over the procession, some featuring vibrant portraits of the famous statesman and the Great Stone Face, looking at each other like old friends. If the images were to be believed, their resemblance was indeed remarkable. We should also mention the band playing music, causing the mountain echoes to resonate with the lively triumph of its tunes; airy and uplifting melodies spread throughout the heights and valleys, as if every corner of his homeland were celebrating the special guest. But the most impressive moment was when the distant mountain cliffs echoed the music back; at that point, the Great Stone Face itself seemed to join in the joyful chorus, acknowledging that, at last, the prophesied man had arrived.
All this while the people were throwing up their hats and shouting with enthusiasm so contagious that the heart of Ernest kindled up, and he likewise threw up his hat, and shouted, as loudly as the loudest, “Huzza for the great man! Huzza for Old Stony Phiz!” But as yet he had not seen him.
All this time, the crowd was throwing their hats and cheering with such infectious enthusiasm that Ernest's heart was warmed. He also tossed his hat in the air and shouted as loudly as anyone else, “Hurray for the great man! Hurray for Old Stony Phiz!” But he still hadn’t seen him.
“Here he is, now!” cried those who stood near Ernest. “There! There! Look at Old Stony Phiz and then at the Old Man of the Mountain, and see if they are not as like as two twin-brothers!”
“Here he is, now!” shouted those who were nearby Ernest. “There! There! Check out Old Stony Phiz and then look at the Old Man of the Mountain, and see if they aren’t just like two twin brothers!”
In the midst of all this gallant array came an open barouche, drawn by four white horses; and in the barouche, with his massive head uncovered, sat the illustrious statesman, Old Stony Phiz himself.
In the middle of all this impressive spectacle came a convertible carriage pulled by four white horses; and in the carriage, with his large head uncovered, sat the famous politician, Old Stony Phiz himself.
“Confess it,” said one of Ernest’s neighbors to him, “the Great Stone Face has met its match at last!”
“Admit it,” one of Ernest’s neighbors said to him, “the Great Stone Face has finally found its equal!”
Now, it must be owned that, at his first glimpse of the countenance which was bowing and smiling from the barouche, Ernest did fancy that there was a resemblance between it and the old familiar face upon the mountain-side. The brow, with its massive depth and loftiness, and all the other features, indeed, were boldly and strongly hewn, as if in emulation of a more than heroic, of a Titanic model. But the sublimity and stateliness, the grand expression of a divine sympathy, that illuminated the mountain visage and etherealized its ponderous granite substance into spirit, might here be sought in vain. Something had been originally left out, or had departed. And therefore the marvellously gifted statesman had always a weary gloom in the deep caverns of his eyes, as of a child that has outgrown its playthings or a man of mighty faculties and little aims, whose life, with all its high performances, was vague and empty, because no high purpose had endowed it with reality.
Now, it must be said that when he first saw the face smiling and bowing from the carriage, Ernest thought there was a resemblance to the old familiar face he remembered on the mountainside. The brow, with its impressive depth and height, and all the other features were indeed boldly and strongly carved, as if inspired by a model more than heroic, almost Titan-like. But the grandeur and dignity, the profound expression of a divine connection that illuminated the mountain face and transformed its heavy granite substance into something ethereal, were nowhere to be found here. Something essential had either been missed or lost. Because of this, the incredibly talented statesman always seemed to carry a weary sadness in the depths of his eyes, like a child who has outgrown its toys or a man with immense capabilities but little ambition, whose life, despite all its impressive achievements, felt vague and hollow, lacking the high purpose that could give it meaning.
Still, Ernest’s neighbor was thrusting his elbow into his side, and pressing him for an answer.
Still, Ernest’s neighbor was digging his elbow into his side and pushing him for a response.
“Confess! confess! Is not he the very picture of your Old Man of the Mountain?”
“Admit it! admit it! Isn’t he just like your Old Man of the Mountain?”
“No!” said Ernest bluntly, “I see little or no likeness.”
“No!” Ernest said outright, “I see very little resemblance.”
“Then so much the worse for the Great Stone Face!” answered his neighbor; and again he set up a shout for Old Stony Phiz.
“Then that’s even worse for the Great Stone Face!” answered his neighbor; and once more he shouted for Old Stony Phiz.
But Ernest turned away, melancholy, and almost despondent: for this was the saddest of his disappointments, to behold a man who might have fulfilled the prophecy, and had not willed to do so. Meantime, the cavalcade, the banners, the music, and the barouches swept past him, with the vociferous crowd in the rear, leaving the dust to settle down, and the Great Stone Face to be revealed again, with the grandeur that it had worn for untold centuries.
But Ernest turned away, feeling down and almost hopeless: this was his saddest disappointment, to see a man who could have fulfilled the prophecy but chose not to. Meanwhile, the parade, with its banners, music, and carriages, passed by him, followed by the loud crowd, leaving the dust to settle and revealing the Great Stone Face once more, with the grandeur it had displayed for countless centuries.
“Lo, here I am, Ernest!” the benign lips seemed to say. “I have waited longer than thou, and am not yet weary. Fear not; the man will come.”
“Look, here I am, Ernest!” the kind lips seemed to say. “I have waited longer than you, and I’m not tired yet. Don’t worry; the man will come.”
The years hurried onward, treading in their haste on one another’s heels. And now they began to bring white hairs, and scatter them over the head of Ernest; they made reverend wrinkles across his forehead, and furrows in his cheeks. He was an aged man. But not in vain had he grown old: more than the white hairs on his head were the sage thoughts in his mind; his wrinkles and furrows were inscriptions that Time had graved, and in which he had written legends of wisdom that had been tested by the tenor of a life. And Ernest had ceased to be obscure. Unsought for, undesired, had come the fame which so many seek, and made him known in the great world, beyond the limits of the valley in which he had dwelt so quietly. College professors, and even the active men of cities, came from far to see and converse with Ernest; for the report had gone abroad that this simple husbandman had ideas unlike those of other men, not gained from books, but of a higher tone,—a tranquil and familiar majesty, as if he had been talking with the angels as his daily friends. Whether it were sage, statesman, or philanthropist, Ernest received these visitors with the gentle sincerity that had characterized him from boyhood, and spoke freely with them of whatever came uppermost, or lay deepest in his heart or their own. While they talked together, his face would kindle, unawares, and shine upon them, as with a mild evening light. Pensive with the fulness of such discourse, his guests took leave and went their way; and passing up the valley, paused to look at the Great Stone Face, imagining that they had seen its likeness in a human countenance, but could not remember where.
The years rushed by, quickly following one after another. Now, they started to bring white hairs, scattering them over Ernest's head; they formed deep wrinkles on his forehead and lines on his cheeks. He was an older man. But he hadn't aged in vain: more than the white hairs on his head were the wise thoughts in his mind; his wrinkles and lines were marks that Time had etched, telling tales of wisdom gained from a life well-lived. And Ernest was no longer unknown. Unasked for and unanticipated, fame came to him, making him recognized in the larger world beyond the quiet valley where he had lived. College professors and even busy city dwellers traveled from afar to meet and talk with Ernest, for word had spread that this humble farmer had unique ideas, not learned from books, but of a higher nature—a calm and familiar greatness, as if he had been conversing with angels as his everyday companions. Whether sage, statesman, or philanthropist, Ernest welcomed these visitors with the gentle sincerity he had shown since childhood, freely discussing whatever was on their minds or weighed heavily in their hearts. As they spoke, his face would light up unknowingly, glowing with a soft evening warmth. Reflective from such rich conversation, his guests would take their leave and head back, often stopping to gaze at the Great Stone Face, thinking they had seen its reflection in a human face, but couldn't quite remember where.
While Ernest had been growing up and growing old, a bountiful Providence had granted a new poet to this earth. He likewise, was a native of the valley, but had spent the greater part of his life at a distance from that romantic region, pouring out his sweet music amid the bustle and din of cities. Often, however, did the mountains which had been familiar to him in his childhood lift their snowy peaks into the clear atmosphere of his poetry. Neither was the Great Stone Face forgotten, for the poet had celebrated it in an ode, which was grand enough to have been uttered by its own majestic lips. This man of genius, we may say, had come down from heaven with wonderful endowments. If he sang of a mountain, the eyes of all mankind beheld a mightier grandeur reposing on its breast, or soaring to its summit, than had before been seen there. If his theme were a lovely lake, a celestial smile had now been thrown over it, to gleam forever on its surface. If it were the vast old sea, even the deep immensity of its dread bosom seemed to swell the higher, as if moved by the emotions of the song. Thus the world assumed another and a better aspect from the hour that the poet blessed it with his happy eyes. The Creator had bestowed him, as the last best touch to his own handiwork. Creation was not finished till the poet came to interpret, and so complete it.
While Ernest was growing up and aging, a generous Providence brought a new poet into the world. He, too, was from the valley but had spent most of his life far from that romantic area, sharing his beautiful music amidst the noise and chaos of cities. However, the mountains he knew in his childhood often appeared with their snowy peaks in the clear atmosphere of his poetry. The Great Stone Face was not forgotten either, as the poet had honored it in an ode that could have been spoken by its own majestic lips. This brilliant man, we might say, had come down from heaven with amazing gifts. When he sang of a mountain, everyone could see a greater beauty resting on its slopes or rising to its peak than ever before. If he wrote about a lovely lake, it received a celestial glow that would sparkle forever on its surface. If his subject was the vast ocean, even the deep expanse of its fearsome depths seemed to swell higher, as if stirred by the emotions of his song. Thus, the world took on a new and better perspective from the moment the poet graced it with his joyful vision. The Creator had given him as the final, perfect touch to His own creation. Creation wasn’t complete until the poet arrived to interpret and finish it.
The effect was no less high and beautiful, when his human brethren were the subject of his verse. The man or woman, sordid with the common dust of life, who crossed his daily path, and the little child who played in it, were glorified if he beheld them in his mood of poetic faith. He showed the golden links of the great chain that intertwined them with an angelic kindred; he brought out the hidden traits of a celestial birth that made them worthy of such kin. Some, indeed, there were, who thought to show the soundness of their judgment by affirming that all the beauty and dignity of the natural world existed only in the poet’s fancy. Let such men speak for themselves, who undoubtedly appear to have been spawned forth by Nature with a contemptuous bitterness; she having plastered them up out of her refuse stuff, after all the swine were made. As respects all things else, the poet’s ideal was the truest truth.
The effect remained just as powerful and beautiful when his human companions were the focus of his poetry. The man or woman, covered in the everyday grime of life, who crossed his path, and the little child playing nearby, were glorified when he saw them through his lens of poetic faith. He revealed the golden connections in the great chain that linked them to a divine kinship; he highlighted the hidden traits of a celestial origin that made them deserving of such connection. There were some, indeed, who thought they could prove their wisdom by claiming that all the beauty and dignity of the natural world existed only in the poet’s imagination. Let those men speak for themselves; they clearly seem to have emerged from Nature with a disdainful bitterness, fashioned from her leftover materials after all the better creations were made. In regard to everything else, the poet's ideal was the truest truth.
The songs of this poet found their way to Ernest. He read them after his customary toil, seated on the bench before his cottage-door, where for such a length of time he had filled his repose with thought, by gazing at the Great Stone Face. And now as he read stanzas that caused the soul to thrill within him, he lifted his eyes to the vast countenance beaming on him so benignantly.
The poet's songs reached Ernest. He read them after his usual work, sitting on the bench in front of his cottage, where he often spent his time lost in thought, looking at the Great Stone Face. As he read lines that sent shivers through his soul, he lifted his gaze to the huge face shining down on him so kindly.
“O majestic friend,” he murmured, addressing the Great Stone Face, “is not this man worthy to resemble thee?”
“O majestic friend,” he said softly, addressing the Great Stone Face, “isn’t this man worthy of looking like you?”
The Face seemed to smile, but answered not a word.
The Face looked like it was smiling, but didn’t say anything.
Now it happened that the poet, though he dwelt so far away, had not only heard of Ernest, but had meditated much upon his character, until he deemed nothing so desirable as to meet this man, whose untaught wisdom walked hand in hand with the noble simplicity of his life. One summer morning, therefore, he took passage by the railroad, and, in the decline of the afternoon, alighted from the cars at no great distance from Ernest’s cottage. The great hotel, which had formerly been the palace of Mr. Gathergold, was close at hand, but the poet, with his carpet-bag on his arm, inquired at once where Ernest dwelt, and was resolved to be accepted as his guest.
Now, it so happened that the poet, even though he lived far away, had not only heard of Ernest but had also thought a lot about his character. He found nothing more appealing than meeting this man, whose natural wisdom went hand in hand with the admirable simplicity of his life. So one summer morning, he took the train and, in the late afternoon, got off the train not far from Ernest’s cottage. The large hotel, which used to be Mr. Gathergold’s palace, was nearby, but the poet, with his suitcase in hand, immediately asked where Ernest lived and was determined to be welcomed as his guest.
Approaching the door, he there found the good old man, holding a volume in his hand, which alternately he read, and then, with a finger between the leaves, looked lovingly at the Great Stone Face.
Approaching the door, he found the old man there, holding a book in his hand, which he read from time to time, and then, with his finger in the pages, looked fondly at the Great Stone Face.
“Good evening,” said the poet. “Can you give a traveller a night’s lodging?”
“Good evening,” said the poet. “Can you give a traveler a night’s lodging?”
“Willingly,” answered Ernest; and then he added, smiling, “Methinks I never saw the Great Stone Face look so hospitably at a stranger.”
“Sure,” answered Ernest; and then he added, smiling, “I don't think I've ever seen the Great Stone Face look so welcoming to a stranger.”
The poet sat down on the bench beside him, and he and Ernest talked together. Often had the poet held intercourse with the wittiest and the wisest, but never before with a man like Ernest, whose thoughts and feelings gushed up with such a natural freedom, and who made great truths so familiar by his simple utterance of them. Angels, as had been so often said, seemed to have wrought with him at his labor in the fields; angels seemed to have sat with him by the fireside; and, dwelling with angels as friend with friends, he had imbibed the sublimity of their ideas, and imbued it with the sweet and lowly charm of household words. So thought the poet. And Ernest, on the other hand, was moved and agitated by the living images which the poet flung out of his mind, and which peopled all the air about the cottage-door with shapes of beauty, both gay and pensive. The sympathies of these two men instructed them with a profounder sense than either could have attained alone. Their minds accorded into one strain, and made delightful music which neither of them could have claimed as all his own, nor distinguished his own share from the other’s. They led one another, as it were, into a high pavilion of their thoughts, so remote, and hitherto so dim, that they had never entered it before, and so beautiful that they desired to be there always.
The poet sat down on the bench next to him, and he and Ernest talked. The poet had often conversed with the smartest and wisest people, but never before had he met someone like Ernest, whose thoughts and feelings flowed with such natural ease and who made big ideas so relatable with his simple way of expressing them. It seemed, as had often been said, that angels had worked alongside him in the fields; angels seemed to have sat with him by the fire; and, living with angels as friends, he had absorbed the greatness of their ideas while blending it with the sweet and humble charm of everyday language. That's what the poet thought. On the other hand, Ernest was stirred and excited by the vivid images that the poet conjured up, filling the air around the cottage door with beautiful shapes, both joyful and reflective. The connection between these two men gave them a deeper understanding than either could have achieved alone. Their minds harmonized into a single melody, creating delightful music that neither could claim as solely theirs nor separate their contributions from each other. They led each other, in a way, to a high place of thought that was so far removed and previously so unclear that they had never explored it before, and it was so beautiful that they wished to stay there forever.
As Ernest listened to the poet, he imagined that the Great Stone Face was bending forward to listen too. He gazed earnestly into the poet’s glowing eyes.
As Ernest listened to the poet, he pictured the Great Stone Face leaning in to listen as well. He looked intently into the poet’s bright eyes.
“Who are you, my strangely gifted guest?” he said.
“Who are you, my uniquely talented guest?” he said.
The poet laid his finger on the volume that Ernest had been reading.
The poet touched the book that Ernest had been reading.
“You have read these poems,” said he. “You know me, then,—for I wrote them.”
“You’ve read these poems,” he said. “So you know me—because I wrote them.”
Again, and still more earnestly than before, Ernest examined the poet’s features; then turned towards the Great Stone Face; then back, with an uncertain aspect, to his guest. But his countenance fell; he shook his head, and sighed.
Again, and even more intently than before, Ernest studied the poet’s features; then he looked at the Great Stone Face; then he returned, with a puzzled expression, to his guest. But his expression darkened; he shook his head and sighed.
“Wherefore are you sad?” inquired the poet.
“Why are you sad?” the poet asked.
“Because,” replied Ernest, “all through life I have awaited the fulfilment of a prophecy; and, when I read these poems, I hoped that it might be fulfilled in you.”
“Because,” replied Ernest, “I've spent my whole life waiting for a prophecy to come true; and when I read these poems, I hoped that it might come true with you.”
“You hoped,” answered the poet, faintly smiling, “to find in me the likeness of the Great Stone Face. And you are disappointed, as formerly with Mr. Gathergold, and Old Blood-and-Thunder, and Old Stony Phiz. Yes, Ernest, it is my doom. You must add my name to the illustrious three, and record another failure of your hopes. For—in shame and sadness do I speak it, Ernest—I am not worthy to be typified by yonder benign and majestic image.”
“You hoped,” replied the poet, faintly smiling, “to see in me a resemblance to the Great Stone Face. And you're let down, just like you were with Mr. Gathergold, and Old Blood-and-Thunder, and Old Stony Phiz. Yes, Ernest, it’s my fate. You should add my name to the distinguished three, marking another disappointment for you. Because—in shame and sadness I say this, Ernest—I’m not worthy to be represented by that kind and majestic figure over there.”
“And why?” asked Ernest. He pointed to the volume. “Are not those thoughts divine?”
“And why?” asked Ernest. He pointed to the book. “Aren’t those thoughts amazing?”
“They have a strain of the Divinity,” replied the poet. “You can hear in them the far-off echo of a heavenly song. But my life, dear Ernest, has not corresponded with my thought. I have had grand dreams, but they have been only dreams, because I have lived—and that, too, by my own choice—among poor and mean realities. Sometimes even—shall I dare to say it?—I lack faith in the grandeur, the beauty, and the goodness, which my own words are said to have made more evident in nature and in human life. Why, then, pure seeker of the good and true, shouldst thou hope to find me, in yonder image of the divine?”
“They have a touch of the divine,” replied the poet. “You can hear the distant echo of a heavenly song in them. But my life, dear Ernest, hasn't matched my thoughts. I’ve had big dreams, but they’ve just been dreams because I’ve lived—and I chose this—among modest and harsh realities. Sometimes even—should I admit it?—I doubt the greatness, the beauty, and the goodness that my own words are said to have highlighted in nature and in human life. So why, pure seeker of the good and true, should you expect to find me in that image of the divine?”
The poet spoke sadly, and his eyes were dim with tears. So, likewise, were those of Ernest.
The poet spoke sadly, and his eyes were misty with tears. So were Ernest's.
At the hour of sunset, as had long been his frequent custom, Ernest was to discourse to an assemblage of the neighboring inhabitants in the open air. He and the poet, arm in arm, still talking together as they went along, proceeded to the spot. It was a small nook among the hills, with a gray precipice behind, the stern front of which was relieved by the pleasant foliage of many creeping plants that made a tapestry for the naked rock, by hanging their festoons from all its rugged angles. At a small elevation above the ground, set in a rich framework of verdure, there appeared a niche, spacious enough to admit a human figure, with freedom for such gestures as spontaneously accompany earnest thought and genuine emotion. Into this natural pulpit Ernest ascended, and threw a look of familiar kindness around upon his audience. They stood, or sat, or reclined upon the grass, as seemed good to each, with the departing sunshine falling obliquely over them, and mingling its subdued cheerfulness with the solemnity of a grove of ancient trees, beneath and amid the boughs of which the golden rays were constrained to pass. In another direction was seen the Great Stone Face, with the same cheer, combined with the same solemnity, in its benignant aspect.
At sunset, as had been his usual habit, Ernest was about to speak to a group of local residents in the open air. He and the poet, walking side by side and continuing their conversation, made their way to the spot. It was a small clearing among the hills, with a gray cliff behind, which was softened by the pleasant greenery of many climbing plants that draped over the bare rock, creating a tapestry of vines from its rugged edges. Elevated slightly above the ground, framed by lush vegetation, there was a nook spacious enough for a person to stand and gesticulate freely, allowing for the spontaneous movements that accompany deep thought and genuine feeling. Ernest stepped into this natural pulpit and cast a warm, friendly glance at his audience. They stood, sat, or lay on the grass as they wished, with the fading sunlight casting a warm glow over them, blending its gentle brightness with the solemnity of an ancient tree grove, through which the golden rays filtered. In another direction, the Great Stone Face was visible, expressing the same warmth, combined with a similar solemnity, in its kindly demeanor.
Ernest began to speak, giving to the people of what was in his heart and mind. His words had power, because they accorded with his thoughts; and his thoughts had reality and depth, because they harmonized with the life which he had always lived. It was not mere breath that this preacher uttered; they were the words of life, because a life of good deeds and holy love was melted into them. Pearls, pure and rich, had been dissolved into this precious draught. The poet, as he listened, felt that the being and character of Ernest were a nobler strain of poetry than he had ever written. His eyes glistening with tears, he gazed reverentially at the venerable man, and said within himself that never was there an aspect so worthy of a prophet and a sage as that mild, sweet, thoughtful countenance, with the glory of white hair diffused about it. At a distance, but distinctly to be seen, high up in the golden light of the setting sun, appeared the Great Stone Face, with hoary mists around it, like the white hairs around the brow of Ernest. Its look of grand beneficence seemed to embrace the world.
Ernest started to speak, sharing what was in his heart and mind with the people. His words held power because they matched his thoughts, and his thoughts had substance and depth because they were aligned with the life he had always lived. What this preacher spoke were not just empty words; they were words of life, infused with a life of good deeds and deep love. Precious pearls, pure and rich, were blended into this valuable message. The poet, as he listened, felt that Ernest’s essence and character were a nobler form of poetry than anything he had ever written. With tears in his eyes, he looked at the wise man with reverence and thought to himself that no one had a look more fitting of a prophet and a sage than that gentle, kind, thoughtful face, framed by a halo of white hair. In the distance, high up in the golden light of the setting sun, the Great Stone Face appeared, surrounded by mist, much like the white hair encircling Ernest's brow. Its expression of grand kindness seemed to embrace the whole world.
At that moment, in sympathy with a thought which he was about to utter, the face of Ernest assumed a grandeur of expression, so imbued with benevolence, that the poet, by an irresistible impulse, threw his arms aloft and shouted, “Behold! Behold! Ernest is himself the likeness of the Great Stone Face!”
At that moment, connected to a thought he was about to share, Ernest's face took on a majestic expression, filled with kindness, that the poet, unable to hold back, raised his arms and exclaimed, “Look! Look! Ernest is the living image of the Great Stone Face!”
Then all the people looked, and saw that what the deep-sighted poet said was true. The prophecy was fulfilled. But Ernest, having finished what he had to say, took the poet’s arm, and walked slowly homeward, still hoping that some wiser and better man than himself would by and by appear, bearing a resemblance to the GREAT STONE FACE.
Then everyone looked and saw that what the insightful poet said was true. The prophecy was fulfilled. But Ernest, after finishing what he had to say, took the poet’s arm and walked slowly home, still hoping that a wiser and better man than himself would eventually show up, looking like the GREAT STONE FACE.
MAIN STREET
A respectable-looking individual makes his bow and addresses the public. In my daily walks along the principal street of my native town, it has often occurred to me, that, if its growth from infancy upward, and the vicissitude of characteristic scenes that have passed along this thoroughfare during the more than two centuries of its existence, could be presented to the eye in a shifting panorama, it would be an exceedingly effective method of illustrating the march of time. Acting on this idea, I have contrived a certain pictorial exhibition, somewhat in the nature of a puppet-show, by means of which I propose to call up the multiform and many-colored Past before the spectator, and show him the ghosts of his forefathers, amid a succession of historic incidents, with no greater trouble than the turning of a crank. Be pleased, therefore, my indulgent patrons, to walk into the show-room, and take your seats before yonder mysterious curtain. The little wheels and springs of my machinery have been well oiled; a multitude of puppets are dressed in character, representing all varieties of fashion, from the Puritan cloak and jerkin to the latest Oak Hall coat; the lamps are trimmed, and shall brighten into noontide sunshine, or fade away in moonlight, or muffle their brilliancy in a November cloud, as the nature of the scene may require; and, in short, the exhibition is just ready to commence. Unless something should go wrong,—as, for instance, the misplacing of a picture, whereby the people and events of one century might be thrust into the middle of another; or the breaking of a wire, which would bring the course of time to a sudden period,—barring, I say, the casualties to which such a complicated piece of mechanism is liable,—I flatter myself, ladies and gentlemen,—that the performance will elicit your generous approbation.
A respectable-looking person steps forward and addresses the audience. During my daily walks along the main street of my hometown, I've often thought that if we could show its growth from infancy and the various scenes that have unfolded along this road over the more than two centuries of its existence in a shifting panorama, it would be a powerful way to illustrate the passage of time. Acting on this idea, I've created a kind of pictorial exhibition, similar to a puppet show, through which I plan to bring the colorful and diverse Past to life for you, showing you the spirits of your ancestors amid a series of historical events, with no more effort than turning a crank. So, dear patrons, please step into the show room and take your seats in front of that mysterious curtain. The little wheels and springs of my machinery are well oiled; a multitude of puppets are dressed in character, representing all sorts of styles, from the Puritan cloak and jerkin to the latest Oak Hall coat; the lights are set to brighten into bright sunshine, fade into moonlight, or dim under a November cloud, depending on the scene's needs; in short, the show is ready to begin. Unless something goes wrong—like a picture being out of place, causing people and events from one century to mix with another, or a wire breaking, which would abruptly halt the flow of time—barring those potential mishaps that can affect such a complex machine, I believe, ladies and gentlemen, that the performance will earn your generous approval.
Ting-a-ting-ting! goes the bell; the curtain rises; and we behold—not, indeed, the Main Street—but the track of leaf-strewn forest-land over which its dusty pavement is hereafter to extend.
Ting-a-ting-ting! goes the bell; the curtain rises; and we see—not the Main Street, but the path of leaf-covered forest land where its dusty pavement will eventually stretch.
You perceive, at a glance, that this is the ancient and primitive wood,—the ever-youthful and venerably old,—verdant with new twigs, yet hoary, as it were, with the snowfall of innumerable years, that have accumulated upon its intermingled branches. The white man’s axe has never smitten a single tree; his footstep has never crumpled a single one of the withered leaves, which all the autumns since the flood have been harvesting beneath. Yet, see! along through the vista of impending boughs, there is already a faintly traced path, running nearly east and west, as if a prophecy or foreboding of the future street had stolen into the heart of the solemn old wood. Onward goes this hardly perceptible track, now ascending over a natural swell of land, now subsiding gently into a hollow; traversed here by a little streamlet, which glitters like a snake through the gleam of sunshine, and quickly hides itself among the underbrush, in its quest for the neighboring cove; and impeded there by the massy corpse of a giant of the forest, which had lived out its incalculable term of life, and been overthrown by mere old age, and lies buried in the new vegetation that is born of its decay. What footsteps can have worn this half-seen path? Hark! Do we not hear them now rustling softly over the leaves? We discern an Indian woman,—a majestic and queenly woman, or else her spectral image does not represent her truly,—for this is the great Squaw Sachem, whose rule, with that of her sons, extends from Mystic to Agawam. That red chief, who stalks by her side, is Wappacowet, her second husband, the priest and magician, whose incantations shall hereafter affright the pale-faced settlers with grisly phantoms, dancing and shrieking in the woods, at midnight. But greater would be the affright of the Indian necromancer, if, mirrored in the pool of water at his feet, he could catch a prophetic glimpse of the noonday marvels which the white man is destined to achieve; if he could see, as in a dream, the stone front of the stately hall, which will cast its shadow over this very spot; if he could be aware that the future edifice will contain a noble Museum, where, among countless curiosities of earth and sea, a few Indian arrow-heads shall be treasured up as memorials of a vanished race!
You can tell right away that this is the ancient and untouched forest—evergreen and timeless—full of new twigs yet gray with the countless years that have piled up on its intertwined branches. The white man's axe has never touched a single tree; his foot has never crumpled any of the dried leaves that have gathered beneath during all the autumns since the flood. But look! Through the looming branches, there's already a faint path marked out, stretching nearly east and west, as if a vision or warning of a future road has seeped into the heart of the solemn old woods. This barely noticeable track goes on, sometimes rising over a natural rise in the land, sometimes gently dipping into a hollow; crossed here by a little stream that glimmers like a snake in the sunlight, quickly hiding among the underbrush as it seeks the nearby cove, and blocked there by the massive remains of a forest giant, which had lived its incredible life span and was brought down by old age, now lying buried in the new plants that spring from its decay. What footsteps could have worn this barely visible path? Listen! Do we not hear them softly rustling over the leaves? We can see an Indian woman—a majestic and queenly figure, or else her ghostly image truly doesn’t represent her—because she is the great Squaw Sachem, whose rule, along with that of her sons, stretches from Mystic to Agawam. That red chief walking beside her is Wappacowet, her second husband, the priest and magician, whose spells will later frighten the pale-faced settlers with ghastly apparitions dancing and screaming in the woods at midnight. But the Indian necromancer would be even more terrified if he could catch a prophetic glimpse in the pool of water at his feet of the wonders the white man is destined to achieve; if he could see, as in a dream, the stone facade of the grand hall that will cast its shadow over this very spot; if he could know that the future building will house a grand Museum, where, among countless treasures of land and sea, a few Indian arrowheads will be cherished as mementos of a lost race!
No such forebodings disturb the Squaw Sachem and Wappacowet. They pass on, beneath the tangled shade, holding high talk on matters of state and religion, and imagine, doubtless, that their own system of affairs will endure forever. Meanwhile, how full of its own proper life is the scene that lies around them! The gray squirrel runs up the trees, and rustles among the upper branches. Was not that the leap of a deer? And there is the whirr of a partridge! Methinks, too, I catch the cruel and stealthy eye of a wolf, as he draws back into yonder impervious density of underbrush. So, there, amid the murmur of boughs, go the Indian queen and the Indian priest; while the gloom of the broad wilderness impends over them, and its sombre mystery invests them as with something preternatural; and only momentary streaks of quivering sunlight, once in a great while, find their way down, and glimmer among the feathers in their dusky hair. Can it be that the thronged street of a city will ever pass into this twilight solitude,—over those soft heaps of the decaying tree-trunks, and through the swampy places, green with water-moss, and penetrate that hopeless entanglement of great trees, which have been uprooted and tossed together by a whirlwind? It has been a wilderness from the creation. Must it not be a wilderness forever?
No such fears bother the Squaw Sachem and Wappacowet. They continue on, under the tangled shade, engaged in serious discussions about state and religion, likely believing that their own way of life will last forever. Meanwhile, the scene around them is full of its own vibrant life! The gray squirrel scurries up the trees and rustles among the top branches. Was that the leap of a deer? And there’s the flurry of a partridge! I think I also catch the sharp and stealthy gaze of a wolf as it retreats into that thick underbrush. So, there, amidst the whispering branches, go the Indian queen and the Indian priest; while the shadow of the vast wilderness looms over them, and its dark mystery surrounds them like something supernatural; and only brief glimpses of flickering sunlight, every once in a while, break through, shimmering among the feathers in their dark hair. Could it be that the crowded streets of a city will ever invade this quiet solitude—over those soft mounds of decaying tree trunks, and through the swampy areas, green with water-moss, and make their way into that tangled mess of giant trees, which have been uprooted and thrown together by a whirlwind? It has been a wilderness since the beginning. Must it not remain a wilderness forever?
Here an acidulous-looking gentleman in blue glasses, with bows of Berlin steel, who has taken a seat at the extremity of the front row, begins, at this early stage of the exhibition, to criticise.
Here, a sour-looking guy in blue glasses, with Berlin steel bows, who has taken a seat at the end of the front row, starts to criticize at this early stage of the exhibition.
“The whole affair is a manifest catchpenny!” observes he, scarcely under his breath. “The trees look more like weeds in a garden than a primitive forest; the Squaw Sachem and Wappacowet are stiff in their pasteboard joints; and the squirrels, the deer, and the wolf move with all the grace of a child’s wooden monkey, sliding up and down a stick.”
“The whole thing is such a blatant money grab!” he observes, barely above a whisper. “The trees look more like weeds in a garden than a real forest; the Squaw Sachem and Wappacowet are rigid in their cardboard joints; and the squirrels, the deer, and the wolf move with all the grace of a child’s wooden monkey sliding up and down a stick.”
“I am obliged to you, sir, for the candor of your remarks,” replies the showman, with a bow. “Perhaps they are just. Human art has its limits, and we must now and then ask a little aid from the spectator’s imagination.”
“I appreciate your honesty, sir,” the showman replies, bowing. “Maybe you’re right. Human art has its boundaries, and we occasionally need a bit of help from the audience’s imagination.”
“You will get no such aid from mine,” responds the critic. “I make it a point to see things precisely as they are. But come! go ahead! the stage is waiting!”
“You won’t get any help from me,” the critic replies. “I make it a point to see things exactly as they are. But go on! The stage is ready!”
The showman proceeds.
The performer continues.
Casting our eyes again over the scene, we perceive that strangers have found their way into the solitary place. In more than one spot, among the trees, an upheaved axe is glittering in the sunshine. Roger Conant, the first settler in Naumkeag, has built his dwelling, months ago, on the border of the forest-path; and at this moment he comes eastward through the vista of woods, with his gun over his shoulder, bringing home the choice portions of a deer. His stalwart figure, clad in a leathern jerkin and breeches of the same, strides sturdily onward, with such an air of physical force and energy that we might almost expect the very trees to stand aside, and give him room to pass. And so, indeed, they must; for, humble as is his name in history, Roger Conant still is of that class of men who do not merely find, but make, their place in the system of human affairs; a man of thoughtful strength, he has planted the germ of a city. There stands his habitation, showing in its rough architecture some features of the Indian wigwam, and some of the log-cabin, and somewhat, too, of the straw-thatched cottage in Old England, where this good yeoman had his birth and breeding. The dwelling is surrounded by a cleared space of a few acres, where Indian corn grows thrivingly among the stumps of the trees; while the dark forest hems it in, and scenes to gaze silently and solemnly, as if wondering at the breadth of sunshine which the white man spreads around him. An Indian, half hidden in the dusky shade, is gazing and wondering too.
Looking again at the scene, we see that strangers have arrived in this lonely place. In several spots among the trees, a raised axe glimmers in the sunlight. Roger Conant, the first settler in Naumkeag, built his home months ago at the edge of the forest path. Right now, he’s walking east through the woods with his gun slung over his shoulder, bringing back the best parts of a deer. His strong figure, dressed in a leather jacket and matching trousers, strides confidently forward, exuding such physical strength and energy that it seems the trees might almost part to let him through. And they probably should, because, despite his name being relatively obscure in history, Roger Conant belongs to that group of men who not only find their place but also create it in the world; a man of considerable thought and strength, he has planted the seeds of a city. There stands his home, which has some characteristics of an Indian wigwam, some of a log cabin, and a bit of the thatched cottage from Old England, where this hardworking farmer was born and raised. The house is surrounded by a cleared area of a few acres, where corn flourishes among the tree stumps; the dark forest encircles it, watching silently and solemnly, as if curious about the expanse of sunlight that the white man spreads around him. An Indian, partly hidden in the dimness, is watching and wondering too.
Within the door of the cottage you discern the wife, with her ruddy English cheek. She is singing, doubtless, a psalm tune, at her household work; or, perhaps she sighs at the remembrance of the cheerful gossip, and all the merry social life, of her native village beyond the vast and melancholy sea. Yet the next moment she laughs, with sympathetic glee, at the sports of her little tribe of children; and soon turns round, with the home-look in her face, as her husband’s foot is heard approaching the rough-hewn threshold. How sweet must it be for those who have an Eden in their hearts, like Roger Conant and his wife, to find a new world to project it into, as they have, instead of dwelling among old haunts of men, where so many household fires have been kindled and burnt out, that the very glow of happiness has something dreary in it! Not that this pair are alone in their wild Eden, for here comes Goodwife Massey, the young spouse of Jeffrey Massey, from her home hard by, with an infant at her breast. Dame Conant has another of like age; and it shall hereafter be one of the disputed points of history which of these two babies was the first town-born child.
At the door of the cottage, you see the wife, with her rosy English cheek. She’s probably singing a psalm tune while doing her household chores or maybe sighing at the memory of the cheerful conversations and lively social life from her village across the vast, lonely sea. But in the next moment, she laughs joyfully at the antics of her little group of children, and soon turns around with a warm expression on her face as she hears her husband’s footsteps approaching the rough-hewn threshold. How wonderful it must be for those who have an Eden in their hearts, like Roger Conant and his wife, to find a new world to project it into, as they have, instead of living among the old places where so many fires have been lit and burned out, making the very glow of happiness feel a bit gloomy! Not that this couple is alone in their wild Eden; here comes Goodwife Massey, the young wife of Jeffrey Massey, from her home nearby, with a baby at her breast. Dame Conant has another child around the same age, and it will be one of the debated points of history which of these two babies was the first child born in the town.
But see! Roger Conant has other neighbors within view. Peter Palfrey likewise has built himself a house, and so has Balch, and Norman, and Woodbury. Their dwellings, indeed,—such is the ingenious contrivance of this piece of pictorial mechanism,—seem to have arisen, at various points of the scene, even while we have been looking at it. The forest-track, trodden more and more by the hobnailed shoes of these sturdy and ponderous Englishmen, has now a distinctness which it never could have acquired from the light tread of a hundred times as many Indian moccasins. It will be a street, anon! As we observe it now, it goes onward from one clearing to another, here plunging into a shadowy strip of woods, there open to the sunshine, but everywhere showing a decided line, along which human interests have begun to hold their career. Over yonder swampy spot, two trees have been felled, and laid side by side to make a causeway. In another place, the axe has cleared away a confused intricacy of fallen trees and clustered boughs, which had been tossed together by a hurricane. So now the little children, just beginning to run alone, may trip along the path, and not often stumble over an impediment, unless they stray from it to gather wood-berries beneath the trees. And, besides the feet of grown people and children, there are the cloven hoofs of a small herd of cows, who seek their subsistence from the native grasses, and help to deepen the track of the future thoroughfare. Goats also browse along it, and nibble at the twigs that thrust themselves across the way. Not seldom, in its more secluded portions, where the black shadow of the forest strives to hide the trace of human-footsteps, stalks a gaunt wolf, on the watch for a kid or a young calf; or fixes his hungry gaze on the group of children gathering berries, and can hardly forbear to rush upon them. And the Indians, coming from their distant wigwams to view the white man’s settlement, marvel at the deep track which he makes, and perhaps are saddened by a flitting presentiment that this heavy tread will find its way over all the land; and that the wild-woods, the wild wolf, and the wild Indian will alike be trampled beneath it. Even so shall it be. The pavements of the Main Street must be laid over the red man’s grave.
But look! Roger Conant has other neighbors in sight. Peter Palfrey has also built himself a house, as have Balch, Norman, and Woodbury. Their homes, indeed—thanks to the clever design of this scene—seem to have appeared at various spots while we’ve been watching. The forest path, increasingly worn by the heavy boots of these strong Englishmen, stands out now in a way it never could have with the light steps of a hundred times as many Indian moccasins. It will soon become a street! As we see it now, it stretches from one clearing to another, sometimes diving into a shadowy stretch of woods, at other times basking in the sunlight, but always showing a clear line where human interests have begun to thrive. Over there in that marshy area, two trees have been cut down and laid side by side to form a pathway. In another spot, the axe has cleared away the tangled mess of fallen trees and branches tossed together by a storm. Now, the little children, just learning to walk on their own, can stroll along the path without often tripping, unless they wander off to pick berries beneath the trees. Besides the footsteps of adults and kids, there are the cloven hooves of a small herd of cows grazing on the native grasses, which help deepen the track for the future road. Goats also graze along it, nibbling at the branches that stretch across the pathway. In some of its quieter sections, where the dense shade of the forest tries to hide the signs of human footsteps, a lean wolf stalks, watching for a kid or a young calf; or he gazes hungrily at the group of kids gathering berries, barely able to resist the urge to pounce on them. Meanwhile, the Indians, coming from their distant homes to check out the white man’s settlement, are amazed at the deep track he creates and may feel a fleeting sense of sadness that this heavy tread will spread across the land; that the wild woods, the wild wolf, and the wild Indian will all be trampled beneath it. And so it will be. The pavement for Main Street must be laid over the red man’s grave.
Behold! here is a spectacle which should be ushered in by the peal of trumpets, if Naumkeag had ever yet heard that cheery music, and by the roar of cannon, echoing among the woods. A procession,—for, by its dignity, as marking an epoch in the history of the street, it deserves that name,—a procession advances along the pathway. The good ship Abigail has arrived from England, bringing wares and merchandise, for the comfort of the inhabitants, and traffic with the Indians; bringing passengers too, and, more important than all, a governor for the new settlement. Roger Conant and Peter Palfrey, with their companions, have been to the shore to welcome him; and now, with such honor and triumph as their rude way of life permits, are escorting the sea-flushed voyagers to their habitations. At the point where Endicott enters upon the scene, two venerable trees unite their branches high above his head; thus forming a triumphal arch of living verdure, beneath which he pauses, with his wife leaning on his arm, to catch the first impression of their new-found home. The old settlers gaze not less earnestly at him, than he at the hoary woods and the rough surface of the clearings. They like his bearded face, under the shadow of the broad-brimmed and steeple-crowned Puritan hat;—a visage resolute, grave, and thoughtful, yet apt to kindle with that glow of a cheerful spirit by which men of strong character are enabled to go joyfully on their proper tasks. His form, too, as you see it, in a doublet and hose of sad-colored cloth, is of a manly make, fit for toil and hardship, and fit to wield the heavy sword that hangs from his leathern belt. His aspect is a better warrant for the ruler’s office than the parchment commission which he bears, however fortified it may be with the broad seal of the London council. Peter Palfrey nods to Roger Conant. “The worshipful Court of Assistants have done wisely,” say they between themselves. “They have chosen for our governor a man out of a thousand.” Then they toss up their hats,—they, and all the uncouth figures of their company, most of whom are clad in skins, inasmuch as their old kersey and linsey-woolsey garments have been torn and tattered by many a long month’s wear,—they all toss up their hats, and salute their new governor and captain with a hearty English shout of welcome. We seem to hear it with our own ears, so perfectly is the action represented in this life-like, this almost magic picture!
Behold! Here’s a scene that deserves to be celebrated with the sound of trumpets, if Naumkeag had ever heard that joyful music, and the booming of cannons echoing through the woods. A procession—because it carries the weight of significance in the history of the street—advances along the path. The good ship Abigail has arrived from England, bringing goods and supplies for the comfort of the residents and trade with the Indians; it also brings passengers and, most importantly, a governor for the new settlement. Roger Conant and Peter Palfrey, along with their companions, have gone to the shore to welcome him; now, with the honor and celebration their simple lives allow, they escort the sea-tanned voyagers to their homes. At the point where Endicott makes his entrance, two old trees stretch their branches high above him, forming a living arch of greenery, beneath which he stops, with his wife leaning on his arm, to take in the first impression of their new home. The settlers gaze at him as intently as he looks at the ancient woods and the rough land. They like his bearded face, shaded by the broad-brimmed, tall-crowned Puritan hat—a face that is resolute, serious, and contemplative, yet capable of lighting up with the warmth that allows strong-willed people to go joyfully about their work. His figure, dressed in a doublet and hose of dark cloth, is sturdy and suited for hard work and capable of wielding the heavy sword hanging from his leather belt. His presence is a better badge for the ruler’s role than the official document he holds, no matter how much it is backed by the London council's seal. Peter Palfrey nods to Roger Conant. “The wise Court of Assistants has chosen well,” they think to themselves. “They’ve picked a man out of a thousand for our governor.” Then they all toss their hats up in the air—along with the awkward figures in their company, most of whom are dressed in animal skins since their old woolen clothes have been worn and tattered for many months—they all throw their hats up and greet their new governor and captain with a hearty English cheer. We seem to hear it ourselves; the action is so vividly captured in this lifelike, almost magical scene!
But have you observed the lady who leans upon the arm of Endicott?—-a rose of beauty from an English garden, now to be transplanted to a fresher soil. It may be that, long years—centuries indeed—after this fair flower shall have decayed, other flowers of the same race will appear in the same soil, and gladden other generations with hereditary beauty. Does not the vision haunt us yet? Has not Nature kept the mould unbroken, deeming it a pity that the idea should vanish from mortal sight forever, after only once assuming earthly substance? Do we not recognize, in that fair woman’s face, a model of features which still beam, at happy moments, on what was then the woodland pathway, but has long since grown into a busy street?
But have you noticed the woman leaning on Endicott’s arm?—a beautiful rose from an English garden, now being moved to a fresher environment. It’s possible that, many years—centuries even—after this lovely flower has withered, other flowers of the same kind will bloom in the same place, bringing joy to future generations with their inherited beauty. Doesn’t this vision linger in our minds? Hasn’t Nature kept the mold intact, feeling it would be a shame for the idea to disappear from human sight forever after only once taking on a physical form? Don’t we see in that beautiful woman’s face a model of features that still shine, at joyful moments, on what was once a woodland path, now transformed into a busy street?
“This is too ridiculous!—positively insufferable!” mutters the same critic who had before expressed his disapprobation. “Here is a pasteboard figure, such as a child would cut out of a card, with a pair of very dull scissors; and the fellow modestly requests us to see in it the prototype of hereditary beauty!”
“This is just ridiculous!—absolutely intolerable!” grumbles the same critic who had earlier shown his disapproval. “Here’s a cardboard figure, like something a kid would cut out of a piece of cardboard with some really dull scissors; and the guy confidently asks us to see it as the model of inherited beauty!”
“But, sir, you have not the proper point of view,” remarks the showman. “You sit altogether too near to get the best effect of my pictorial exhibition. Pray, oblige me by removing to this other bench, and I venture to assure you the proper light and shadow will transform the spectacle into quite another thing.”
“But, sir, you’re not looking at it the right way,” the showman says. “You’re sitting way too close to really appreciate my exhibition. Please, do me a favor and move to that other bench, and I guarantee that the right light and shadow will make the show look completely different.”
“Pshaw!” replies the critic; “I want no other light and shade. I have already told you that it is my business to see things just as they are.”
“Pshaw!” replies the critic; “I don't need any other light and shadow. I've already told you that it's my job to see things exactly as they are.”
“I would suggest to the author of this ingenious exhibition,” observes a gentlemanly person, who has shown signs of being much interested,—“I would suggest that Anna Gower, the first wife of Governor Endicott, and who came with him from England, left no posterity; and that, consequently, we cannot be indebted to that honorable lady for any specimens of feminine loveliness now extant among us.”
“I’d like to suggest to the author of this brilliant exhibition,” says a well-mannered gentleman, who has shown a lot of interest, “I’d suggest that Anna Gower, the first wife of Governor Endicott, who came with him from England, had no children; and therefore, we can’t credit that esteemed lady for any examples of female beauty that still exist among us.”
Having nothing to allege against this genealogical objection, the showman points again to the scene.
Having nothing to argue against this genealogical objection, the showman points back to the scene.
During this little interruption, you perceive that the Anglo-Saxon energy—as the phrase now goes—has been at work in the spectacle before us. So many chimneys now send up their smoke, that it begins to have the aspect of a village street; although everything is so inartificial and inceptive, that it seems as if one returning wave of the wild nature might overwhelm it all. But the one edifice which gives the pledge of permanence to this bold enterprise is seen at the central point of the picture. There stands the meeting-house, a small structure, low-roofed, without a spire, and built of rough timber, newly hewn, with the sap still in the logs, and here and there a strip of bark adhering to them. A meaner temple was never consecrated to the worship of the Deity. With the alternative of kneeling beneath the awful vault of the firmament, it is strange that men should creep into this pent-up nook, and expect God’s presence there. Such, at least, one would imagine, might be the feeling of these forest-settlers, accustomed, as they had been, to stand under the dim arches of vast cathedrals, and to offer up their hereditary worship in the old ivy-covered churches of rural England, around which lay the bones of many generations of their forefathers. How could they dispense with the carved altar-work?—how, with the pictured windows, where the light of common day was hallowed by being transmitted through the glorified figures of saints?—how, with the lofty roof, imbued, as it must have been, with the prayers that had gone upward for centuries?—how, with the rich peal of the solemn organ, rolling along the aisles, pervading the whole church, and sweeping the soul away on a flood of audible religion? They needed nothing of all this. Their house of worship, like their ceremonial, was naked, simple, and severe. But the zeal of a recovered faith burned like a lamp within their hearts, enriching everything around them with its radiance; making of these new walls, and this narrow compass, its own cathedral; and being, in itself, that spiritual mystery and experience, of which sacred architecture, pictured windows, and the organ’s grand solemnity are remote and imperfect symbols. All was well, so long as their lamps were freshly kindled at heavenly flame. After a while, however, whether in their time or their children’s, these lamps began to burn more dimly, or with a less genuine lustre; and then it might be seen how hard, cold, and confined was their system,—how like an iron cage was that which they called Liberty.
During this brief interruption, you notice that the Anglo-Saxon energy— as people say nowadays—has been at work in the scene before us. So many chimneys are now sending up smoke that it starts to resemble a village street; even though everything feels so artificial and brand new, it seems like one returning wave from the wild nature could overwhelm it all. But the single structure that promises permanence to this bold venture stands at the center of the picture. There is the meeting-house, a small, low-roofed building without a spire, made of rough timber that’s freshly cut, with the sap still in the logs, and here and there a strip of bark still attached. A more humble temple has never been dedicated to the worship of God. Given the choice of kneeling beneath the vast open sky, it's odd that people would crawl into this cramped little space and expect God's presence there. This is certainly what one might think of these forest settlers, who were used to standing under the dim arches of grand cathedrals and offering their traditional worship in the old ivy-covered churches of rural England, where the bones of many generations of their ancestors lay. How could they manage without intricately carved altars?—without stained glass windows that transformed ordinary light into something holy through the glorified images of saints?—without the lofty roof, which must have been infused with prayers that had risen for centuries?—without the rich sound of the solemn organ echoing through the aisles, filling the entire church and carrying the soul away on a wave of sacred music? They needed none of this. Their place of worship, like their rituals, was bare, simple, and intense. But the passion of a renewed faith burned like a lamp within their hearts, illuminating everything around them with its light; turning these new walls and this small space into their own cathedral; and embodying that spiritual mystery and experience, of which sacred architecture, stained glass, and the grandeur of the organ are distant and imperfect representations. Everything was fine as long as their lamps were lit by a divine flame. However, after some time, whether in their lifetime or their children's, these lamps began to burn dimmer, or with a less genuine glow; and then it became clear how hard, cold, and cramped their system was—how much like an iron cage was what they called Liberty.
Too much of this. Look again at the picture, and observe how the aforesaid Anglo-Saxon energy is now trampling along the street, and raising a positive cloud of dust beneath its sturdy footsteps. For there the carpenters are building a new house, the frame of which was hewn and fitted in England, of English oak, and sent hither on shipboard; and here a blacksmith makes huge slang and clatter on his anvil, shaping out tools and weapons; and yonder a wheelwright, who boasts himself a London workman, regularly bred to his handicraft, is fashioning a set of wagon-wheels, the track of which shall soon be visible. The wild forest is shrinking back; the street has lost the aromatic odor of the pine-trees, and of the sweet-fern that grew beneath them. The tender and modest wild-flowers, those gentle children of savage nature that grew pale beneath the ever-brooding shade, have shrank away and disappeared, like stars that vanish in the breadth of light. Gardens are fenced in, and display pumpkin-beds and rows of cabbages and beans; and, though the governor and the minister both view them with a disapproving eye, plants of broad-leaved tobacco, which the cultivators are enjoined to use privily, or not at all. No wolf, for a year past, has been heard to bark, or known to range among the dwellings, except that single one, whose grisly head, with a plash of blood beneath it, is now affixed to the portal of the meeting-house. The partridge has ceased to run across the too-frequented path. Of all the wild life that used to throng here, only the Indians still come into the settlement, bringing the skins of beaver and otter, bear and elk, which they sell to Endicott for the wares of England. And there is little John Massey, the son of Jeffrey Massey and first-born of Naumkeag, playing beside his father’s threshold, a child of six or seven years old. Which is the better-grown infant,—the town or the boy?
Too much of this. Look again at the picture and see how the mentioned Anglo-Saxon energy is now marching down the street, kicking up a cloud of dust with each sturdy step. Over there, carpenters are building a new house, its frame cut and shaped in England from English oak, shipped over here; and here a blacksmith is hammering away at his anvil, crafting tools and weapons; and over there a wheelwright, who proudly claims to be a London craftsman, trained in his trade, is making a set of wagon wheels, soon to mark the road. The wild forest is pulling back; the street has lost the fresh scent of pine trees and the sweet fern that used to grow beneath them. The delicate wildflowers, those gentle children of untamed nature that grew pale in the ever-present shade, have vanished, like stars disappearing in bright light. Gardens are enclosed and show pumpkin patches and rows of cabbages and beans; and although the governor and the minister both look at them disapprovingly, there are broad-leaved tobacco plants, which the farmers are told to use secretly, or not at all. No wolf has been heard barking or spotted roaming near the homes for the past year, except for the single one, whose grim head, with a splash of blood beneath it, is now fixed to the entrance of the meeting house. The partridge no longer darts across the too-frequented path. Of all the wildlife that used to crowd here, only the Indians still come to the settlement, bringing beaver and otter, bear and elk skins, which they sell to Endicott for English goods. And there’s little John Massey, the son of Jeffrey Massey and the firstborn of Naumkeag, playing by his father’s door, a child of six or seven years old. Which is the better-developed child—the town or the boy?
The red men have become aware that the street is no longer free to them, save by the sufferance and permission of the settlers. Often, to impress them with an awe of English power, there is a muster and training of the town-forces, and a stately march of the mail-clad band, like this which we now see advancing up the street. There they come, fifty of them, or more; all with their iron breastplates and steel caps well burnished, and glimmering bravely against the sun; their ponderous muskets on their shoulders, their bandaliers about their waists, their lighted matches in their hands, and the drum and fife playing cheerily before them. See! do they not step like martial men? Do they not manœuvre like soldiers who have seen stricken fields? And well they may; for this band is composed of precisely such materials as those with which Cromwell is preparing to beat down the strength of a kingdom; and his famous regiment of Ironsides might be recruited from just such men. In everything, at this period, New England was the essential spirit and flower of that which was about to become uppermost in the mother-country. Many a bold and wise man lost the fame which would have accrued to him in English history, by crossing the Atlantic with our forefathers. Many a valiant captain, who might have been foremost at Marston Moor or Naseby, exhausted his martial ardor in the command of a log-built fortress, like that which you observe on the gently rising ground at the right of the pathway,—its banner fluttering in the breeze, and the culverins and sakers showing their deadly muzzles over the rampart.
The Native Americans have realized that the street is no longer theirs to use freely, except by the tolerance and approval of the settlers. To instill a sense of awe about English power, the town often holds parades and training sessions for its forces, like the one we see making its way up the street now. Here they come, fifty or more of them; all wearing shiny iron breastplates and steel helmets that glisten in the sunlight. They carry heavy muskets on their shoulders, bandoliers around their waists, lit matches in their hands, and a drum and fife playing cheerfully ahead of them. Look! Do they not march like soldiers? Do they not maneuver like troops experienced in battle? And they have good reason to; this group is made up of just the kind of men Cromwell is gathering to challenge the strength of a kingdom, and his famous Ironsides regiment could have been recruited from men like these. At this moment, New England truly embodies the spirit and essence of what was about to dominate in the mother country. Many a bold and wise individual missed the recognition that would have come to him in English history by crossing the Atlantic with our ancestors. Many a brave captain, who might have made his mark at Marston Moor or Naseby, spent his fighting spirit commanding a log-built fortress like the one you can see on the gently rising ground to the right of the path, its flag waving in the breeze, with cannons peering over the rampart.
A multitude of people were now thronging to New England: some, because the ancient and ponderous framework of Church and State threatened to crumble down upon their heads; others, because they despaired of such a downfall. Among those who came to Naumkeag were men of history and legend, whose feet leave a track of brightness along any pathway which they have trodden. You shall behold their life-like images—their spectres, if you choose so to call them—passing, encountering with a familiar nod, stopping to converse together, praying, bearing weapons, laboring or resting from their labors, in the Main Street. Here, now, comes Hugh Peters, an earnest, restless man, walking swiftly, as being impelled by that fiery activity of nature which shall hereafter thrust him into the conflict of dangerous affairs, make him the chaplain and counsellor of Cromwell, and finally bring him to a bloody end. He pauses, by the meetinghouse, to exchange a greeting with Roger Williams, whose face indicates, methinks, a gentler spirit, kinder and more expansive, than that of Peters; yet not less active for what he discerns to be the will of God, or the welfare of mankind. And look! here is a guest for Endicott, coming forth out of the forest, through which he has been journeying from Boston, and which, with its rude branches, has caught hold of his attire, and has wet his feet with its swamps and streams. Still there is something in his mild and venerable, though not aged presence—a propriety, an equilibrium, in Governor Winthrop’s nature—that causes the disarray of his costume to be unnoticed, and gives us the same impression as if he were clad in such rave and rich attire as we may suppose him to have worn in the Council Chamber of the colony. Is not this characteristic wonderfully perceptible in our spectral representative of his person? But what dignitary is this crossing from the other side to greet the governor? A stately personage, in a dark velvet cloak, with a hoary beard, and a gold chain across his breast; he has the authoritative port of one who has filled the highest civic station in the first of cities. Of all men in the world, we should least expect to meet the Lord Mayor of London—as Sir Richard Saltonstall has been, once and again—in a forest-bordered settlement of the western wilderness.
A lot of people are now flocking to New England: some because the old and heavy structures of Church and State are about to collapse on them; others, because they have lost hope that such a collapse will occur. Among those who came to Naumkeag were men of history and legend, whose footprints leave a trail of light wherever they go. You will see their lifelike images— or their ghosts, if you prefer—passing by, greeting each other with a familiar nod, stopping to chat, praying, carrying weapons, working, or resting from their work on Main Street. Here comes Hugh Peters, an intense, restless man, walking quickly, as if driven by a powerful natural energy that will later throw him into dangerous conflicts, making him Cromwell's chaplain and advisor, ultimately leading him to a violent end. He pauses by the meetinghouse to greet Roger Williams, whose face suggests a gentler, kinder, more open spirit than Peters’s; yet he is just as active in pursuing what he sees as God's will or the good of humanity. And look! Here comes a guest for Endicott, emerging from the forest he has traveled through from Boston, with its rough branches snagging his clothes and its swamps and streams soaking his feet. Still, there is something in his mild and dignified presence—though not old—that gives Governor Winthrop a sense of propriety and balance, making the disheveled state of his clothes go unnoticed, and leaving us with the impression that he is dressed in the grand and rich attire we imagine he wore in the colony's Council Chamber. Isn’t this characteristic strikingly clear in our spectral representation of him? But who is this dignitary crossing over to greet the governor? A stately figure in a dark velvet cloak, with a gray beard and a gold chain across his chest; he carries the authoritative bearing of someone who has held the highest civic position in the largest city. Of all people, we would least expect to find the Lord Mayor of London—who Sir Richard Saltonstall has been, time and again—in a settlement surrounded by forests in the western wilderness.
Farther down the street, we see Emanuel Downing, a grave and worthy citizen, with his son George, a stripling who has a career before him; his shrewd and quick capacity and pliant conscience shall not only exalt him high, but secure him from a downfall. Here is another figure, on whose characteristic make and expressive action I will stake the credit of my pictorial puppet-show.
Farther down the street, we see Emanuel Downing, a serious and respected citizen, with his son George, a young man with a promising future ahead of him; his sharp mind and adaptable morals will not only elevate him but will also protect him from failure. Here’s another figure on whose distinctive traits and expressive actions I will bet the credibility of my visual showcase.
Have you not already detected a quaint, sly humor in that face,—an eccentricity in the manner,—a certain indescribable waywardness,—all the marks, in short, of an original man, unmistakably impressed, yet kept down by a sense of clerical restraint? That is Nathaniel Ward, the minister of Ipswich, but better remembered as the simple cobbler of Agawam. He hammered his sole so faithfully, and stitched his upper-leather so well, that the shoe is hardly yet worn out, though thrown aside for some two centuries past. And next, among these Puritans and Roundheads, we observe the very model of a Cavalier, with the curling lovelock, the fantastically trimmed beard, the embroidery, the ornamented rapier, the gilded dagger, and all other foppishnesses that distinguished the wild gallants who rode headlong to their overthrow in the cause of King Charles. This is Morton of Merry Mount, who has come hither to hold a council with Endicott, but will shortly be his prisoner. Yonder pale, decaying figure of a white-robed woman, who glides slowly along the street, is the Lady Arabella, looking for her own grave in the virgin soil. That other female form, who seems to be talking—we might almost say preaching or expounding—in the centre of a group of profoundly attentive auditors, is Ann Hutchinson. And here comes Vane—
Have you not already noticed a quirky, sly humor in that face—a bit of eccentricity in the way he carries himself—a certain indescribable waywardness—all the signs, in short, of an original man, clearly marked, yet held back by a sense of clerical restraint? That’s Nathaniel Ward, the minister of Ipswich, but he’s better remembered as the simple cobbler of Agawam. He hammered his soles so diligently and stitched his uppers so well that the shoe is hardly worn out, even though it’s been discarded for about two centuries now. And next, among these Puritans and Roundheads, we see the perfect example of a Cavalier, with the curled love-lock, the flamboyantly trimmed beard, the embroidery, the decorated rapier, the gilded dagger, and all the other foppish traits that set apart the wild gallants who rushed headlong to their downfall for King Charles. This is Morton of Merry Mount, who has come here to hold a council with Endicott but will soon be his prisoner. Over there, the pale, fading figure of a white-robed woman, gliding slowly along the street, is Lady Arabella, searching for her own grave in the untouched soil. That other woman, who seems to be talking—we might almost say preaching or explaining—in the center of a group of deeply attentive listeners, is Ann Hutchinson. And here comes Vane—
“But, my dear sir,” interrupts the same gentleman who before questioned the showman’s genealogical accuracy, “allow me to observe that these historical personages could not possibly have met together in the Main Street. They might, and probably did, all visit our old town, at one time or another, but not simultaneously; and you have fallen into anachronisms that I positively shudder to think of!”
“But, my dear sir,” interrupts the same gentleman who previously questioned the showman’s accuracy about his ancestry, “let me point out that these historical figures couldn't have possibly gathered together on Main Street. They might have, and probably did, all come to our town at different times, but not at the same time; and you’ve made some historical errors that I can hardly bear to think of!”
“The fellow,” adds the scarcely civil critic, “has learned a bead-roll of historic names, whom he lugs into his pictorial puppet-show, as he calls it, helter-skelter, without caring whether they were contemporaries or not,—and sets them all by the ears together. But was there ever such a fund of impudence? To hear his running commentary, you would suppose that these miserable slips of painted pasteboard, with hardly the remotest outlines of the human figure, had all the character and expression of Michael Angelo’s pictures. Well! go on, sir!”
“The guy,” adds the barely polite critic, “has memorized a list of historical names, which he throws into his visual puppet show, as he calls it, all mixed up, without caring whether they were from the same time period or not,—and pits them all against each other. But is there ever such a level of arrogance? If you listen to his constant commentary, you would think these pathetic pieces of painted cardboard, with hardly any resemblance to the human form, had all the character and expression of Michelangelo’s artwork. Well! Keep going, sir!”
“Sir, you break the illusion of the scene,” mildly remonstrates the showman.
“Sir, you’re ruining the illusion of the scene,” the showman gently protests.
“Illusion! What illusion?” rejoins the critic, with a contemptuous snort. “On the word of a gentleman, I see nothing illusive in the wretchedly bedaubed sheet of canvas that forms your background, or in these pasteboard slips that hitch and jerk along the front. The only illusion, permit me to say, is in the puppet-showman’s tongue,—and that but a wretched one, into the bargain!”
“Illusion! What illusion?” the critic retorts with a disdainful snort. “Honestly, I see nothing deceptive in the poorly painted canvas that makes up your backdrop, or in these cardboard pieces that bounce and jerk around the front. The only illusion, if I may say so, is in the puppet showman's words—and that’s pretty pathetic too!”
“We public men,” replies the showman, meekly, “must lay our account, sometimes, to meet an uncandid severity of criticism. But—merely for your own pleasure, sir—let me entreat you to take another point of view. Sit farther back, by that young lady, in whose face I have watched the reflection of every changing scene; only oblige me by sitting there; and, take my word for it, the slips of pasteboard shall assume spiritual life, and the bedaubed canvas become an airy and changeable reflex of what it purports to represent.”
“We public figures,” the showman replies, humbly, “sometimes have to accept a harsh level of criticism. But—just for your enjoyment, sir—let me ask you to see things from a different perspective. Please sit a bit further back, next to that young lady, whose face I’ve seen reflect every changing scene; just do me this favor and sit there; and trust me, the cardboard cutouts will come to life, and the painted canvas will turn into a lively and ever-changing reflection of what it’s supposed to show.”
“I know better,” retorts the critic, settling himself in his seat, with sullen but self-complacent immovableness. “And, as for my own pleasure, I shall best consult it by remaining precisely where I am.”
“I know better,” replies the critic, getting comfortable in his seat, with a gloomy but satisfied stillness. “And, for my own enjoyment, I will best serve it by staying exactly where I am.”
The showman bows, and waves his hand; and, at the signal, as if time and vicissitude had been awaiting his permission to move onward, the mimic street becomes alive again.
The showman bows and waves his hand; at the signal, as if time and circumstance had been waiting for his go-ahead to move forward, the fake street comes to life again.
Years have rolled over our scene, and converted the forest-track into a dusty thoroughfare, which, being intersected with lanes and cross-paths, may fairly be designated as the Main Street. On the ground-sites of many of the log-built sheds, into which the first settlers crept for shelter, houses of quaint architecture have now risen. These later edifices are built, as you see, in one generally accordant style, though with such subordinate variety as keeps the beholder’s curiosity excited, and causes each structure, like its owner’s character, to produce its own peculiar impression. Most of them have a huge chimney in the centre, with flues so vast that it must have been easy for the witches to fly out of them as they were wont to do, when bound on an aerial visit to the Black Man in the forest. Around this great chimney the wooden house clusters itself, in a whole community of gable-ends, each ascending into its own separate peak; the second story, with its lattice-windows, projecting over the first; and the door, which is perhaps arched, provided on the outside with an iron hammer, wherewith the visitor’s hand may give a thundering rat-a-tat.
Years have passed, transforming the forest path into a dusty main road, which, with its intersecting lanes and side paths, can rightly be called Main Street. On the grounds where many log cabins were built by the first settlers seeking shelter, houses with unique architecture have now emerged. These newer buildings are generally designed in a cohesive style, yet the subtle differences keep onlookers intrigued, making each structure, like its owner's personality, leave its own distinct impression. Most of them feature a large chimney in the center, with flues so spacious that it must have been easy for witches to fly out of them as they did when headed for a visit to the Black Man in the woods. Surrounding this massive chimney, the wooden house clusters together with a community of gable ends, each rising into its own peak; the second story, with its lattice windows, protruding over the first floor; and the door, which may be arched, equipped on the outside with an iron knocker, allowing visitors to knock loudly.
The timber framework of these houses, as compared with those of recent date, is like the skeleton of an old giant, beside the frail bones of a modern man of fashion. Many of them, by the vast strength and soundness of their oaken substance, have been preserved through a length of time which would have tried the stability of brick and stone; so that, in all the progressive decay and continual reconstruction of the street, down to our own days, we shall still behold these old edifices occupying their long-accustomed sites. For instance, on the upper corner of that green lane which shall hereafter be North Street, we see the Curwen House, newly built, with the carpenters still at work on the roof nailing down the last sheaf of shingles. On the lower corner stands another dwelling,—destined, at some period of its existence, to be the abode of an unsuccessful alchemist,—which shall likewise survive to our own generation, and perhaps long outlive it. Thus, through the medium of these patriarchal edifices, we have now established a sort of kindred and hereditary acquaintance with the Main Street.
The wooden framework of these houses, compared to the newer ones, looks like the skeleton of an old giant next to the delicate bones of a modern guy. Many of them, thanks to the strong and sturdy oak, have lasted through a time that would have tested the durability of brick and stone. So, despite all the gradual decay and constant rebuilding of the street up to now, we can still see these old buildings standing in their familiar spots. For example, at the upper corner of the green lane that will later be called North Street, we see the Curwen House, just built, with carpenters still working on the roof, nailing down the last batch of shingles. On the lower corner is another house—once home to a failed alchemist at some point in its history—that will also endure into our generation, and maybe long beyond it. In this way, through these historic buildings, we have formed a kind of connection and lasting familiarity with Main Street.
Great as is the transformation produced by a short term of years, each single day creeps through the Puritan settlement sluggishly enough. It shall pass before your eyes, condensed into the space of a few moments. The gray light of early morning is slowly diffusing itself over the scene; and the bellman, whose office it is to cry the hour at the street-corners, rings the last peal upon his hand bell, and goes wearily homewards, with the owls, the bats, and other creatures of the night. Lattices are thrust back on their hinges, as if the town were opening its eyes, in the summer morning. Forth stumbles the still drowsy cowherd, with his horn; putting which to his lips, it emits a bellowing bray, impossible to be represented in the picture, but which reaches the pricked-up ears of every cow in the settlement, and tells her that the dewy pasture-hour is come. House after house awakes, and sends the smoke up curling from its chimney, like frosty breath from living nostrils; and as those white wreaths of smoke, though impregnated with earthy admixtures, climb skyward, so, from each dwelling, does the morning worship—its spiritual essence, bearing up its human imperfection—find its way to the heavenly Father’s throne.
As remarkable as the change brought on by just a few years is, each single day drags by in the Puritan settlement. It will pass before your eyes, condensed into just a few moments. The gray light of early morning slowly spreads across the scene, and the bell ringer, whose job it is to announce the hour at the street corners, rings the last toll on his hand bell and wearily heads home with the owls, bats, and other night creatures. Windows are pushed open as if the town is waking up to the summer morning. The still sleepy cowherd stumbles out with his horn; when he puts it to his lips, it lets out a loud bray, impossible to capture in a picture, but it reaches the alert ears of every cow in the settlement, letting her know that it’s time for the dewy pasture. One by one, houses wake up and send smoke curling from their chimneys, like frosty breath from living nostrils; and as those white spirals of smoke, though mixed with earthy bits, rise into the sky, so does the morning worship—its spiritual essence, lifting up its human imperfections—make its way to the heavenly Father’s throne.
The breakfast-hour being passed, the inhabitants do not, as usual, go to their fields or workshops, but remain within doors; or perhaps walk the street, with a grave sobriety, yet a disengaged and unburdened aspect, that belongs neither to a holiday nor a Sabbath. And, indeed, this passing day is neither, nor is it a common week-day, although partaking of all the three. It is the Thursday Lecture; an institution which New England has long ago relinquished, and almost forgotten, yet which it would have been better to retain, as bearing relations to both the spiritual and ordinary life, and bringing each acquainted with the other. The tokens of its observance, however, which here meet our eyes, are of rather a questionable cast. It is, in one sense, a day of public shame; the day on which transgressors, who have made themselves liable to the minor severities of the Puritan law receive their reward of ignominy. At this very moment, this constable has bound an idle fellow to the whipping-post, and is giving him his deserts with a cat-o’-nine tails. Ever since sunrise, Daniel Fairfield has been standing on the steps of the meeting-house, with a halter about his neck, which he is condemned to wear visibly throughout his lifetime; Dorothy Talby is chained to a post at the corner of Prison Lane, with the hot sun blazing on her matronly face, and all for no other offence than lifting her hand against her husband; while, through the bars of that great wooden cage, in the centre of the scene, we discern either a human being or a wild beast, or both in one, whom this public infamy causes to roar, and gnash his teeth, and shake the strong oaken bars, as if he would break forth, and tear in pieces the little children who have been peeping at him. Such are the profitable sights that serve the good people to while away the earlier part of lecture-day. Betimes in the forenoon, a traveller—the first traveller that has come hitherward this morning—rides slowly into the street on his patient steed. He seems a clergyman; and, as he draws near, we recognize the minister of Lynn, who was pre-engaged to lecture here, and has been revolving his discourse, as he rode through the hoary wilderness. Behold, now, the whole town thronging into the meeting-house, mostly with such sombre visages that the sunshine becomes little better than a shadow when it falls upon them. There go the Thirteen Men, grim rulers of a grim community! There goes John Massey, the first town-born child, now a youth of twenty, whose eye wanders with peculiar interest towards that buxom damsel who comes up the steps at the same instant. There hobbles Goody Foster, a sour and bitter old beldam, looking as if she went to curse, and not to pray, and whom many of her neighbors suspect of taking an occasional airing on a broomstick. There, too, slinking shamefacedly in, you observe that same poor do-nothing and good-for-nothing whom we saw castigated just now at the whipping-post. Last of all, there goes the tithing-man, lugging in a couple of small boys, whom he has caught at play beneath God’s blessed sunshine, in a back lane. What native of Naumkeag, whose recollections go back more than thirty years, does not still shudder at that dark ogre of his infancy, who perhaps had long ceased to have an actual existence, but still lived in his childish belief, in a horrible idea, and in the nurse’s threat, as the Tidy Man!
The breakfast hour is over, and instead of heading to their fields or workshops as usual, the townsfolk stay indoors or stroll down the street with a serious look, yet appearing relaxed and free, which doesn't belong to a holiday or a Sunday. In fact, this day is neither of those nor just an ordinary weekday, though it has aspects of all three. It’s Thursday Lecture; an institution that New England has long abandoned and nearly forgotten, yet it would have been better to keep it, as it connects both spiritual and everyday life, allowing them to interact. However, the signs of its observance that we see here are rather dubious. In one way, it’s a day of public shame; the day when wrongdoers who’ve incurred the lesser punishments of Puritan law receive their due humiliation. Right now, this constable has tied an idle man to the whipping post, giving him his punishment with a whip. Since sunrise, Daniel Fairfield has been standing on the steps of the meeting house with a noose around his neck, which he is condemned to wear openly for life; Dorothy Talby is chained to a post at the corner of Prison Lane, with the scorching sun shining down on her face, all for no greater offense than hitting her husband; meanwhile, through the bars of a large wooden cage in the center of the scene, we can see either a person or a wild animal, or both in one, who this public disgrace has caused to roar and gnash its teeth, shaking the sturdy oak bars, as if it wants to break free and tear apart the curious children peeking at it. These are the entertaining sights that the good people use to pass the early part of lecture day. Early in the morning, a traveler—the first to come this way today—rides slowly into the street on his obedient horse. He looks like a clergyman, and as he approaches, we recognize the minister from Lynn, who was scheduled to lecture here and has been thinking over his sermon while riding through the rugged wilderness. Look now, as the entire town crowds into the meeting house, mostly with such gloomy faces that the sunshine barely makes a difference when it hits them. There go the Thirteen Men, stern leaders of a stern community! There goes John Massey, the first child born in the town, now a twenty-year-old, whose gaze is particularly drawn to that cheerful young woman ascending the steps at the same time. There hobbles Goody Foster, a grumpy old woman, looking as if she’s heading there to curse rather than to pray, and many of her neighbors suspect she sometimes flies around on a broomstick. And there, too, sneaking in shamefully, is the same lazy good-for-nothing we just saw being punished at the whipping post. Last of all, there goes the tithing man, dragging in a couple of small boys he caught playing under God’s blessed sunshine in an alley. What native of Naumkeag, whose memories go back more than thirty years, doesn’t still shudder at that dark figure from his childhood, who may have long since stopped existing but still lived on in his childish imagination and the nurse's warnings as the Tidy Man!
It will be hardly worth our while to wait two, or it may be three, turnings of the hour-glass, for the conclusion of the lecture. Therefore, by my control over light and darkness, I cause the dusk, and then the starless night, to brood over the street; and summon forth again the bellman, with his lantern casting a gleam about his footsteps, to pace wearily from corner to corner, and shout drowsily the hour to drowsy or dreaming ears. Happy are we, if for nothing else, yet because we did not live in those days. In truth, when the first novelty and stir of spirit had subsided,—when the new settlement, between the forest-border and the sea, had become actually a little town,—its daily life must have trudged onward with hardly anything to diversify and enliven it, while also its rigidity could not fail to cause miserable distortions of the moral nature. Such a life was sinister to the intellect, and sinister to the heart; especially when one generation had bequeathed its religious gloom, and the counterfeit of its religious ardor, to the next; for these characteristics, as was inevitable, assumed the form both of hypocrisy and exaggeration, by being inherited from the example and precept of other human beings, and not from an original and spiritual source. The sons and grandchildren of the first settlers were a race of lower and narrower souls than their progenitors had been. The latter were stern, severe, intolerant, but not superstitious, not even fanatical; and endowed, if any men of that age were, with a far-seeing worldly sagacity. But it was impossible for the succeeding race to grow up, in heaven’s freedom, beneath the discipline which their gloomy energy of character had established; nor, it may be, have we even yet thrown off all the unfavorable influences which, among many good ones, were bequeathed to us by our Puritan forefathers. Let us thank God for having given us such ancestors; and let each successive generation thank him, not less fervently, for being one step further from them in the march of ages.
It’s hardly worth our time to wait two, or maybe three, turnings of the hourglass for the lecture to wrap up. So, with my control over light and darkness, I create dusk and then a starless night to hover over the street; and I call upon the bellman, with his lantern casting a light around his feet, to stroll tiredly from corner to corner, sleepily announcing the hour to sleepy or dreaming ears. We are lucky, if for no other reason, that we didn't live in those days. In reality, when the excitement and novelty wore off—when the new settlement between the edge of the forest and the sea had turned into a small town—its daily life must have moved on with hardly anything to spice it up or make it lively, while its rigidity would certainly have caused significant moral distortions. Such a life was harmful to the mind and to the heart, especially when one generation passed on its religious darkness and fake passion to the next; because these traits, as was bound to happen, morphed into both hypocrisy and exaggeration by being inherited from the examples and teachings of others, rather than from an original and spiritual source. The sons and grandsons of the first settlers were a narrower and lesser-minded group than their ancestors had been. The latter were strict, harsh, intolerant, but not superstitious or even fanatical; and if anyone in that time had it, they possessed a practical worldly wisdom. But it was impossible for the following generation to grow up in true freedom under the strict environment shaped by their gloomy character; nor do we perhaps even now fully shake off all the negative influences, alongside the many positive ones, that were passed down to us by our Puritan ancestors. Let’s thank God for giving us such forebears; and let each generation that comes after us thank Him just as passionately for being one step further away from them in the passage of time.
“What is all this?” cries the critic. “A sermon? If so, it is not in the bill.”
“What’s all this?” shouts the critic. “A sermon? If that's the case, it isn't what was advertised.”
“Very true,” replies the showman; “and I ask pardon of the audience.”
“That's very true,” replies the showman; “and I apologize to the audience.”
Look now at the street, and observe a strange people entering it. Their garments are torn and disordered, their faces haggard, their figures emaciated; for they have made their way hither through pathless deserts, suffering hunger and hardship, with no other shelter thin a hollow tree, the lair of a wild beast, or an Indian wigwam. Nor, in the most inhospitable and dangerous of such lodging-places, was there half the peril that awaits them in this thoroughfare of Christian men, with those secure dwellings and warm hearths on either side of it, and yonder meeting-house as the central object of the scene. These wanderers have received from Heaven a gift that, in all epochs of the world, has brought with it the penalties of mortal suffering and persecution, scorn, enmity, and death itself;—a gift that, thus terrible to its possessors, has ever been most hateful to all other men, since its very existence seems to threaten the overthrow of whatever else the toilsome ages have built up;—the gift of a new idea. You can discern it in them, illuminating their faces—their whole persons, indeed, however earthly and cloddish—with a light that inevitably shines through, and makes the startled community aware that these men are not as they themselves are,—not brethren nor neighbors of their thought. Forthwith, it is as if an earthquake rumbled through the town, making its vibrations felt at every hearthstone, and especially causing the spire of the meeting-house to totter. The Quakers have come. We are in peril! See! they trample upon our wise and well-established laws in the person of our chief magistrate; for Governor Endicott is passing, now an aged man, and dignified with long habits of authority,—and not one of the irreverent vagabonds has moved his hat. Did you note the ominous frown of the white-bearded Puritan governor, as he turned himself about, and, in his anger, half uplifted the staff that has become a needful support to his old age? Here comes old Mr. Norris, our venerable minister. Will they doff their hats, and pay reverence to him? No: their hats stick fast to their ungracious heads, as if they grew there; and—impious varlets that they are, and worse than the heathen Indians!—they eye our reverend pastor with a peculiar scorn, distrust, unbelief, and utter denial of his sanctified pretensions, of which he himself immediately becomes conscious; the more bitterly conscious, as he never knew nor dreamed of the like before.
Look at the street now and notice the strange people entering it. Their clothes are torn and messy, their faces look worn out, and their bodies are frail; they’ve made their way here through endless deserts, enduring hunger and suffering, finding shelter only in a hollow tree, a wild animal's den, or an Indian wigwam. Even in the most unwelcoming and dangerous of those shelters, there was less danger than what awaits them here in this street filled with Christians, surrounded by secure homes and warm hearths on both sides, with that meeting house as the focal point of the scene. These wanderers have received a gift from Heaven that, throughout history, has brought pain and persecution, scorn, hostility, and even death; a gift that, while tormenting its bearers, has always been loathed by everyone else because its existence threatens to upend everything that has been built over the ages—a new idea. You can see it in them, lighting up their faces—their entire selves, really, no matter how earthly and dull—with a glow that shines through, revealing to the startled community that these men are not like them, nor are they brothers or neighbors in thought. Suddenly, it feels as if an earthquake has shaken the town, sending tremors felt at every home, especially causing the spire of the meeting house to shake. The Quakers have arrived. We are in danger! Look! They disregard our wise and well-established laws through our chief magistrate; for Governor Endicott is passing by, now an old man, dignified by years of authority—and not one of the disrespectful wanderers has removed his hat. Did you see the ominous frown on the white-bearded Puritan governor as he turned around and, in his anger, half-raised the staff that has become a necessary support in his old age? Here comes old Mr. Norris, our respected minister. Will they take off their hats and show him respect? No: their hats remain firmly on their ungracious heads, as if they’re stuck there; and—impious rascals that they are, and worse than the heathen Indians!—they look at our revered pastor with blatant scorn, distrust, disbelief, and complete rejection of his holy claims, of which he suddenly becomes painfully aware; the more acutely aware, since he has never known or imagined anything like this before.
But look yonder! Can we believe our eyes? A Quaker woman, clad in sackcloth, and with ashes on her head, has mounted the steps of the meeting-house. She addresses the people in a wild, shrill voice,—wild and shrill it must be to suit such a figure,—which makes them tremble and turn pale, although they crowd open-mouthed to hear her. She is bold against established authority; she denounces the priest and his steeple-house. Many of her hearers are appalled; some weep; and others listen with a rapt attention, as if a living truth had now, for the first time, forced its way through the crust of habit, reached their hearts, and awakened them to life. This matter must be looked to; else we have brought our faith across the seas with us in vain; and it had been better that the old forest were still standing here, waving its tangled boughs and murmuring to the sky out of its desolate recesses, instead of this goodly street, if such blasphemies be spoken in it.
But look over there! Can we believe our eyes? A Quaker woman, dressed in rough garments and with ashes on her head, has climbed the steps of the meeting house. She speaks to the crowd in a wild, piercing voice—wild and piercing, to match her appearance—which makes them shake and go pale, even as they gather with their mouths agape to listen to her. She boldly challenges the established authority; she condemns the preacher and his church. Many in the crowd are horrified; some cry; and others listen intently, as if a genuine truth has finally broken through the barriers of routine and reached their hearts, waking them up. This issue needs attention; otherwise, we’ve brought our faith across the ocean in vain; and it would have been better for the old forest to still be standing here, swaying its twisted branches and whispering to the sky from its lonely depths, than for this beautiful street to exist if such blasphemies are being spoken here.
So thought the old Puritans. What was their mode of action may be partly judged from the spectacles which now pass before your eyes. Joshua Buffum is standing in the pillory. Cassandra Southwick is led to prison. And there a woman, it is Ann Coleman,—naked from the waist upward, and bound to the tail of a cart, is dragged through the Main Street at the pace of a brisk walk, while the constable follows with a whip of knotted cords. A strong-armed fellow is that constable; and each time that he flourishes his lash in the air, you see a frown wrinkling and twisting his brow, and, at the same instant, a smile upon his lips. He loves his business, faithful officer that he is, and puts his soul into every stroke, zealous to fulfil the injunction of Major Hawthorne’s warrant, in the spirit and to the letter. There came down a stroke that has drawn blood! Ten such stripes are to be given in Salem, ten in Boston, and ten in Dedham; and, with those thirty stripes of blood upon her, she is to be driven into the forest. The crimson trail goes wavering along the Main Street; but Heaven grant that, as the rain of so many years has wept upon it, time after time, and washed it all away, so there may have been a dew of mercy, to cleanse this cruel blood-stain out of the record of the persecutor’s life!
So thought the old Puritans. You can partly understand their way of acting by looking at the scenes unfolding before you. Joshua Buffum is in the pillory. Cassandra Southwick is being taken to prison. And there’s a woman, Ann Coleman—bare from the waist up and tied to the back of a cart, being dragged through Main Street at a brisk pace, while the constable follows with a whip made of knotted cords. That constable is a strong man, and each time he swings his whip in the air, you can see a frown wrinkling his brow, and at the same moment, a smile on his lips. He enjoys his job, that dedicated officer, putting his heart into every strike, eager to carry out Major Hawthorne’s orders exactly as given. One blow lands, drawing blood! She’s to receive ten lashes in Salem, ten in Boston, and ten in Dedham; with those thirty bloody stripes on her, she’ll be driven into the woods. The crimson trail wavers down Main Street; but may it be that, as the countless rains through the years have washed it away, there has also been a drop of mercy to cleanse this cruel bloodstain from the record of the persecutor’s life!
Pass on, thou spectral constable, and betake thee to thine own place of torment. Meanwhile, by the silent operation of the mechanism behind the scenes, a considerable space of time would seem to have lapsed over the street. The older dwellings now begin to look weather-beaten, through the effect of the many eastern storms that have moistened their unpainted shingles and clapboards, for not less than forty years. Such is the age we would assign to the town, judging by the aspect of John Massey, the first town-born child, whom his neighbors now call Goodman Massey, and whom we see yonder, a grave, almost autumnal-looking man, with children of his own about him. To the patriarchs of the settlement, no doubt, the Main Street is still but an affair of yesterday, hardly more antique, even if destined to be more permanent, than a path shovelled through the snow. But to the middle-aged and elderly men who came hither in childhood or early youth, it presents the aspect of a long and well-established work, on which they have expended the strength and ardor of their life. And the younger people, native to the street, whose earliest recollections are of creeping over the paternal threshold, and rolling on the grassy margin of the track, look at it as one of the perdurable things of our mortal state,—as old as the hills of the great pasture, or the headland at the harbor’s mouth. Their fathers and grandsires tell them how, within a few years past, the forest stood here, with but a lonely track beneath its tangled shade. Vain legend! They cannot make it true and real to their conceptions. With them, moreover, the Main Street is a street indeed, worthy to hold its way with the thronged and stately avenues of cities beyond the sea. The old Puritans tell them of the crowds that hurry along Cheapside and Fleet Street and the Strand, and of the rush of tumultuous life at Temple Bar. They describe London Bridge, itself a street, with a row of houses on each side. They speak of the vast structure of the Tower, and the solemn grandeur of Westminster Abbey. The children listen, and still inquire if the streets of London are longer and broader than the one before their father’s door; if the Tower is bigger than the jail in Prison Lane; if the old Abbey will hold a larger congregation than our meeting-house. Nothing impresses them, except their own experience.
Move along, you ghostly constable, and go to your own place of torment. In the meantime, through the silent workings behind the scenes, quite a bit of time seems to have passed over the street. The older homes now appear weathered, affected by the many eastern storms that have soaked their unpainted shingles and clapboards for at least forty years. This is the age we would assign to the town, judging by the appearance of John Massey, the first child born in the town, who his neighbors now refer to as Goodman Massey. We see him over there, a serious, almost autumn-like man, surrounded by his own children. To the town's early settlers, Main Street is likely still just a recent development, hardly more ancient, even if it’s destined to last longer, than a path cleared through the snow. But to the middle-aged and older men who arrived here in childhood or early youth, it looks like a long-established project that they have poured their energy and passion into throughout their lives. The younger people, native to the street, who first remember crawling over their family doorstep and playing on the grassy edges of the path, view it as one of the lasting elements of our existence— as old as the hills of the great pasture or the headland at the mouth of the harbor. Their fathers and grandfathers tell them how, just a few years ago, the forest was here, with only a lonely path beneath its tangled shade. A futile tale! They can’t make it believable or real in their minds. For them, Main Street is definitely a street, worthy of holding its own alongside the busy and grand avenues of cities across the ocean. The old Puritans recount tales of the crowds rushing through Cheapside and Fleet Street and the Strand, and the hustle of life at Temple Bar. They describe London Bridge, which is also a street lined with houses on either side. They talk about the massive structure of the Tower and the solemn grandeur of Westminster Abbey. The children listen and still ask whether the streets of London are longer and wider than the one in front of their father's door; if the Tower is bigger than the jail on Prison Lane; if the old Abbey can hold a larger crowd than our meeting house. Nothing impresses them except their own experiences.
It seems all a fable, too, that wolves have ever prowled here; and not less so, that the Squaw Sachem, and the Sagamore her son, once ruled over this region, and treated as sovereign potentates with the English settlers, then so few and storm-beaten, now so powerful. There stand some school-boys, you observe, in a little group around a drunken Indian, himself a prince of the Squaw Sachem’s lineage. He brought hither some beaver-skins for sale, and has already swallowed the larger portion of their price, in deadly draughts of firewater. Is there not a touch of pathos in that picture? and does it not go far towards telling the whole story of the vast growth and prosperity of one race, and the fated decay of another?—the children of the stranger making game of the great Squaw Sachem’s grandson!
It feels almost like a tale that wolves ever roamed here; and even more so that the Squaw Sachem and her son, the Sagamore, once ruled this area and treated the English settlers, who were so few and battered back then, as powerful leaders. You can see some schoolboys gathered around a drunken Native American, a prince from the Squaw Sachem's lineage. He brought some beaver pelts to sell and has already drunk away most of their value in hard liquor. Isn’t there something sad about that scene? Doesn’t it highlight the whole story of one race's incredible growth and success and the inevitable decline of another?—the children of the newcomers mocking the great Squaw Sachem’s grandson!
But the whole race of red men have not vanished with that wild princess and her posterity. This march of soldiers along the street betokens the breaking out of King Philip’s war; and these young men, the flower of Essex, are on their way to defend the villages on the Connecticut; where, at Bloody Brook, a terrible blow shall be smitten, and hardly one of that gallant band be left alive. And there, at that stately mansion, with its three peaks in front, and its two little peaked towers, one on either side of the door, we see brave Captain Gardner issuing forth, clad in his embroidered buff-coat, and his plumed cap upon his head. His trusty sword, in its steel scabbard, strikes clanking on the doorstep. See how the people throng to their doors and windows, as the cavalier rides past, reining his mettled steed so gallantly, and looking so like the very soul and emblem of martial achievement,—destined, too, to meet a warrior’s fate, at the desperate assault on the fortress of the Narragansetts!
But the entire race of Native Americans hasn’t disappeared with that wild princess and her descendants. This march of soldiers down the street signals the start of King Philip’s War; and these young men, the finest of Essex, are heading to protect the villages along the Connecticut River, where, at Bloody Brook, a devastating blow will be dealt, leaving hardly any of that brave group alive. And there, at that impressive mansion with its three peaks in front and two small peaked towers on either side of the door, we see brave Captain Gardner stepping out, dressed in his embroidered buff coat and wearing his plumed cap. His reliable sword, in its steel scabbard, clinks against the doorstep. Look at how people crowd to their doors and windows as the horseman rides by, skillfully controlling his spirited steed and appearing to embody the spirit of military success—also destined to face a warrior’s fate at the fierce assault on the Narragansett fortress!
“The mettled steed looks like a pig,” interrupts the critic, “and Captain Gardner himself like the Devil, though a very tame one, and on a most diminutive scale.”
“The spirited horse looks like a pig,” interrupts the critic, “and Captain Gardner himself looks like the Devil, though a very tame one and on a much smaller scale.”
“Sir, sir!” cries the persecuted showman, losing all patience,—for, indeed, he had particularly prided himself on these figures of Captain Gardner and his horse,—“I see that there is no hope of pleasing you. Pray, sir, do me the favor to take back your money, and withdraw!”
“Sir, sir!” shouts the frustrated showman, losing all patience—because he had really taken pride in these figures of Captain Gardner and his horse—“I see there’s no chance of making you happy. Please, sir, do me a favor and take your money back and leave!”
“Not I!” answers the unconscionable critic. “I am just beginning to get interested in the matter. Come! turn your crank, and grind out a few more of these fooleries!”
“Not me!” replies the unreasonable critic. “I’m just starting to get interested in this. Come on! Keep going, and churn out a few more of these nonsense pieces!”
The showman rubs his brow impulsively, whisks the little rod with which he points out the notabilities of the scene, but, finally, with the inevitable acquiescence of all public servants, resumes his composure and goes on.
The showman wipes his brow nervously, waves the small stick he uses to point out the highlights of the scene, but ultimately, like all public figures, regains his composure and continues.
Pass onward, onward, Time! Build up new houses here, and tear down thy works of yesterday, that have already the rusty moss upon them! Summon forth the minister to the abode of the young maiden, and bid him unite her to the joyful bridegroom! Let the youthful parents carry their first-born to the meeting-house, to receive the baptismal rite! Knock at the door, whence the sable line of the funeral is next to issue! Provide other successive generations of men, to trade, talk, quarrel, or walk in friendly intercourse along the street, as their fathers did before them! Do all thy daily and accustomed business, Father Time, in this thoroughfare, which thy footsteps, for so many years, have now made dusty! But here, at last, thou leadest along a procession which, once witnessed, shall appear no more, and be remembered only as a hideous dream of thine, or a frenzy of thy old brain.
Move forward, Time! Build new houses here and take down the structures of yesterday that are already covered in rusty moss! Bring the minister to the home of the young woman and have him unite her with her happy groom! Let the young parents take their first child to the church to receive the baptism! Knock at the door where the line of mourners will soon emerge! Provide new generations of people to trade, chat, argue, or stroll together down the street, just like their parents did before them! Handle all your usual business, Father Time, in this street that you have made dusty over the years! But now, you are leading a procession that, once seen, will never happen again and will be remembered only as a terrible dream of yours or a frenzy of your aging mind.
“Turn your crank, I say,” bellows the remorseless critic, “and grind it out, whatever it be, without further preface!”
“Get to work, I say,” shouts the unyielding critic, “and produce it, whatever it is, without any more delay!”
The showman deems it best to comply.
The showman thinks it's best to go along with it.
Then, here comes the worshipful Captain Curwen, sheriff of Essex, on horseback, at the head of an armed guard, escorting a company of condemned prisoners from the jail to their place of execution on Gallows Hill. The witches! There is no mistaking them! The witches! As they approach up Prison Lane, and turn into the Main Street, let us watch their faces, as if we made a part of the pale crowd that presses so eagerly about them, yet shrinks back with such shuddering dread, leaving an open passage betwixt a dense throng on either side. Listen to what the people say.
Then, here comes the esteemed Captain Curwen, sheriff of Essex, riding on horseback, leading an armed guard, escorting a group of condemned prisoners from the jail to their execution site on Gallows Hill. The witches! There's no mistaking them! The witches! As they approach up Prison Lane and turn onto Main Street, let's watch their faces as if we were part of the pale crowd that gathers around them, yet recoils with such intense fear, leaving a clear path between two dense throngs on either side. Listen to what the people are saying.
There is old George Jacobs, known hereabouts, these sixty years, as a man whom we thought upright in all his way of life, quiet, blameless, a good husband before his pious wife was summoned from the evil to come, and a good father to the children whom she left him. Ah! but when that blessed woman went to heaven, George Jacobs’s heart was empty, his hearth lonely, his life broken tip; his children were married, and betook themselves to habitations of their own; and Satan, in his wanderings up and down, beheld this forlorn old man, to whom life was a sameness and a weariness, and found the way to tempt him. So the miserable sinner was prevailed with to mount into the air, and career among the clouds; and he is proved to have been present at a witch-meeting as far off as Falmouth, on the very same night that his next neighbors saw him, with his rheumatic stoop, going in at his own door. There is John Willard, too; an honest man we thought him, and so shrewd and active in his business, so practical, so intent on every-day affairs, so constant at his little place of trade, where he bartered English goods for Indian corn and all kinds of country produce! How could such a man find time, or what could put it into his mind, to leave his proper calling, and become a wizard? It is a mystery, unless the Black Man tempted him with great heaps of gold. See that aged couple,—a sad sight, truly,—John Proctor, and his wife Elizabeth. If there were two old people in all the county of Essex who seemed to have led a true Christian life, and to be treading hopefully the little remnant of their earthly path, it was this very pair. Yet have we heard it sworn, to the satisfaction of the worshipful Chief-Justice Sewell, and all the court and jury, that Proctor and his wife have shown their withered faces at children’s bedsides, mocking, making mouths, and affrighting the poor little innocents in the night-time. They, or their spectral appearances, have stuck pins into the Afflicted Ones, and thrown them into deadly fainting-fits with a touch, or but a look. And, while we supposed the old man to be reading the Bible to his old wife,—she meanwhile knitting in the chimney-corner,—the pair of hoary reprobates have whisked up the chimney, both on one broomstick, and flown away to a witch-communion, far into the depths of the chill, dark forest. How foolish! Were it only for fear of rheumatic pains in their old bones, they had better have stayed at home. But away they went; and the laughter of their decayed, cackling voices has been heard at midnight, aloft in the air. Now, in the sunny noontide, as they go tottering to the gallows, it is the Devil’s turn to laugh.
There’s old George Jacobs, known around here for sixty years as a man we thought was good and decent in every way. He was quiet, without blame, a good husband before his devout wife was taken from him, and a good father to the children she left behind. But when that blessed woman went to heaven, George Jacobs’s heart was empty, his home was lonely, and his life fell apart. His children got married and moved into their own homes; meanwhile, the Devil, wandering around, saw this lonely old man, whose life had become monotonous and tiresome, and found a way to tempt him. So the miserable sinner was persuaded to fly into the air and dash among the clouds; it’s proven that he was at a witch meeting as far away as Falmouth, on the same night his neighbors saw him, with his weak back, walking into his own door. There’s also John Willard; we thought he was an honest man, so smart and active in his work, so practical, so focused on everyday matters, so consistent at his little store where he traded English goods for Indian corn and all kinds of local produce! How could such a man find the time, or what could make him think about leaving his proper job to become a wizard? It’s a mystery, unless the Devil tempted him with piles of gold. Look at that old couple—a truly sad sight—John Proctor and his wife Elizabeth. If there were two old people in all of Essex County who seemed to have led a true Christian life and were hopefully walking the final stretch of their earthly path, it was this couple. Yet we’ve heard it testified, to the satisfaction of the esteemed Chief Justice Sewell and the entire court and jury, that Proctor and his wife have appeared with their withered faces at children’s bedsides, mocking, making faces, and scaring the poor little innocents at night. They, or their ghostly forms, have stuck pins into the Afflicted Ones and thrown them into deadly fainting fits with just a touch or a glance. And while we thought the old man was reading the Bible to his old wife—who was knitting in the corner—the pair of hoary wrongdoers have whisked up the chimney, both on one broomstick, and flown off to a witch meeting deep in the chilly, dark forest. How foolish! If just to avoid rheumatic pains in their old bones, they should have stayed home. But away they went; the sound of their decaying, cackling laughter has been heard at midnight, high in the air. Now, in the bright noon, as they totter toward the gallows, it’s the Devil’s turn to laugh.
Behind these two,—who help another along, and seem to be comforting and encouraging each other, in a manner truly pitiful, if it were not a sin to pity the old witch and wizard,—behind them comes a woman, with a dark proud face that has been beautiful, and a figure that is still majestic. Do you know her? It is Martha Carrier, whom the Devil found in a humble cottage, and looked into her discontented heart, and saw pride there, and tempted her with his promise that she should be Queen of Hell. And now, with that lofty demeanor, she is passing to her kingdom, and, by her unquenchable pride, transforms this escort of shame into a triumphal procession, that shall attend her to the gates of her infernal palace, and seat her upon the fiery throne. Within this hour, she shall assume her royal dignity.
Behind these two—who are helping each other along and seem to be comforting and encouraging one another in a way that's truly sad, if it weren't inappropriate to feel sorry for the old witch and wizard—comes a woman with a dark, proud face that used to be beautiful, and a figure that is still impressive. Do you recognize her? It's Martha Carrier, whom the Devil discovered in a simple cottage, looked into her discontented heart, saw pride there, and tempted her with his promise that she would be Queen of Hell. And now, with that haughty demeanor, she is making her way to her kingdom, and, through her unquenchable pride, turns this shameful escort into a victorious parade that will accompany her to the gates of her infernal palace and seat her on the fiery throne. Within this hour, she will claim her royal status.
Last of the miserable train comes a man clad in black, of small stature and a dark complexion, with a clerical band about his neck. Many a time, in the years gone by, that face has been uplifted heavenward from the pulpit of the East Meeting-House, when the Rev. Mr. Burroughs seemed to worship God. What!—he? The holy man!—the learned!—the wise! How has the Devil tempted him? His fellow-criminals, for the most part, are obtuse, uncultivated creatures, some of them scarcely half-witted by nature, and others greatly decayed in their intellects through age. They were an easy prey for the destroyer. Not so with this George Burroughs, as we judge by the inward light which glows through his dark countenance, and, we might almost say, glorifies his figure, in spite of the soil and haggardness of long imprisonment,—in spite of the heavy shadow that must fall on him, while death is walking by his side. What bribe could Satan offer, rich enough to tempt and overcome this mail? Alas! it may have been in the very strength of his high and searching intellect, that the Tempter found the weakness which betrayed him. He yearned for knowledge he went groping onward into a world of mystery; at first, as the witnesses have sworn, he summoned up the ghosts of his two dead wives, and talked with them of matters beyond the grave; and, when their responses failed to satisfy the intense and sinful craving of his spirit, he called on Satan, and was heard. Yet—to look at him—who, that had not known the proof, could believe him guilty? Who would not say, while we see him offering comfort to the weak and aged partners of his horrible crime,—while we hear his ejaculations of prayer, that seem to bubble up out of the depths of his heart, and fly heavenward, unawares,—while we behold a radiance brightening on his features as from the other world, which is but a few steps off,—who would not say, that, over the dusty track of the Main Street, a Christian saint is now going to a martyr’s death? May not the Arch-Fiend have been too subtle for the court and jury, and betrayed them—laughing in his sleeve, the while—into the awful error of pouring out sanctified blood as an acceptable sacrifice upon God’s altar? Ah! no; for listen to wise Cotton Mather, who, as he sits there on his horse, speaks comfortably to the perplexed multitude, and tells them that all has been religiously and justly done, and that Satan’s power shall this day receive its death-blow in New England.
Last in the sorry procession of the train is a man dressed in black, short in stature with a dark complexion, wearing a clerical collar around his neck. Many times in the past, his face has been raised to the heavens from the pulpit of the East Meeting-House, when Rev. Mr. Burroughs seemed to worship God. What? Him? The holy man! The learned one! The wise! How has the Devil tempted him? Most of his fellow criminals are dull, uneducated individuals, some barely half-witted and others greatly diminished in intellect due to age. They were easy victims for the destroyer. Not so with George Burroughs; we see the inner light glowing through his dark features, almost glorifying his appearance despite the dirt and weariness from long imprisonment—in spite of the heavy shadow that looms over him while death walks at his side. What bribe could Satan offer that would be enticing enough to tempt and overpower this man? Sadly, it might have been in the very strength of his keen and probing intellect that the Tempter found the weakness that led to his downfall. He craved knowledge and ventured into a world of mystery; at first, as witnesses have testified, he summoned the spirits of his two deceased wives and spoke with them about matters beyond the grave. When their responses failed to satisfy the intense and sinful yearning of his soul, he called upon Satan, and he was answered. Yet—looking at him—who, that hadn't seen the evidence, could believe him guilty? Who wouldn’t think, while we see him comforting the weak and elderly companions of his terrible crime—while we hear his heartfelt prayers that seem to spring up from the depths of his soul and ascend to heaven unknowingly—while we observe a glow brightening his features as if from the other world, which is only a few steps away—who wouldn’t say that over the dusty path of Main Street, a Christian saint is heading toward a martyr’s death? Could it be that the Arch-Fiend was too clever for the court and jury, tricking them—sneering to himself all the while—into the grave mistake of spilling holy blood as a worthy sacrifice on God’s altar? Ah! No; for listen to wise Cotton Mather, who, sitting there on his horse, speaks reassuringly to the confused crowd, telling them that everything has been done with religiousness and justice, and that today Satan’s power will receive its death blow in New England.
Heaven grant it be so!—the great scholar must be right; so lead the poor creatures to their death! Do you see that group of children and half-grown girls, and, among them, an old, hag-like Indian woman, Tituba by name? Those are the Afflicted Ones. Behold, at this very instant, a proof of Satan’s power and malice! Mercy Parris, the minister’s daughter, has been smitten by a flash of Martha Carrier’s eye, and falls down in the street, writhing with horrible spasms and foaming at the mouth, like the possessed one spoken of in Scripture. Hurry on the accursed witches to the gallows, ere they do more mischief!—ere they fling out their withered arms, and scatter pestilence by handfuls among the crowd!—ere, as their parting legacy, they cast a blight over the land, so that henceforth it may bear no fruit nor blade of grass, and be fit for nothing but a sepulchre for their unhallowed carcasses! So, on they go; and old George Jacobs has stumbled, by reason of his infirmity; but Goodman Proctor and his wife lean on one another, and walk at a reasonably steady pace, considering their age. Mr. Burroughs seems to administer counsel to Martha Carrier, whose face and mien, methinks, are milder and humbler than they were. Among the multitude, meanwhile, there is horror, fear, and distrust; and friend looks askance at friend, and the husband at his wife, and the wife at him, and even the mother at her little child; as if, in every creature that God has made, they suspected a witch, or dreaded an accuser. Never, never again, whether in this or any other shape, may Universal Madness riot in the Main Street!
Heaven help us! The great scholar must be right; so lead the poor souls to their doom! Do you see that group of children and young girls, and, among them, an old, witch-like Indian woman named Tituba? Those are the Afflicted Ones. Look, at this very moment, there’s proof of Satan’s power and malice! Mercy Parris, the minister’s daughter, has been struck by a glance from Martha Carrier and collapses in the street, writhing in agony and foaming at the mouth, like the possessed one mentioned in the Scriptures. Hurry those cursed witches to the gallows before they cause more harm! Before they wave their gnarled arms and unleash disease among the crowd! Before, as their final act, they bring a plague upon the land, ensuring it bears no fruit or grass, serving only as a grave for their unholy bodies! So, on they go; and old George Jacobs has stumbled, due to his frailty; but Goodman Proctor and his wife support each other and walk at a fairly steady pace, considering their age. Mr. Burroughs seems to be advising Martha Carrier, whose expression looks gentler and more humble than before. Amid the crowd, there’s horror, fear, and distrust; friends look suspiciously at each other, husbands eye their wives, wives return the gaze, and even mothers glance warily at their children, as if, in every person God created, they suspected a witch or feared an accuser. Never, ever again, whether in this form or any other, should Universal Madness run rampant in the Main Street!
I perceive in your eyes, my indulgent spectators, the criticism which you are too kind to utter. These scenes, you think, are all too sombre. So, indeed, they are; but the blame must rest on the sombre spirit of our forefathers, who wove their web of life with hardly a single thread of rose-color or gold, and not on me, who have a tropic-love of sunshine, and would gladly gild all the world with it, if I knew where to find so much. That you may believe me, I will exhibit one of the only class of scenes, so far as my investigation has taught me, in which our ancestors were wont to steep their tough old hearts in wine and strong drink, and indulge an outbreak of grisly jollity.
I can see in your eyes, my generous audience, the unspoken criticism you're too nice to express. You think these scenes are too dark. And you’re right; they really are. But the blame lies with the grim outlook of our ancestors, who lived their lives without a single hint of brightness or glamour, not with me—I have a love for sunlight and would happily brighten the world if I knew how to find enough of it. To prove my point, I’ll show you one of the few types of scenes that, as my research suggests, our forebears immersed themselves in with wine and strong drinks, indulging in bursts of dark cheerfulness.
Here it comes, out of the same house whence we saw brave Captain Gardner go forth to the wars. What! A coffin, borne on men’s shoulders, and six aged gentlemen as pall-bearers, and a long train of mourners, with black gloves and black hat-bands, and everything black, save a white handkerchief in each mourner’s hand, to wipe away his tears withal. Now, my kind patrons, you are angry with me. You were bidden to a bridal-dance, and find yourselves walking in a funeral procession. Even so; but look back through all the social customs of New England, in the first century of her existence, and read all her traits of character; and if you find one occasion, other than a funeral feast, where jollity was sanctioned by universal practice, I will set fire to my puppet-show without another word. These are the obsequies of old Governor Bradstreet, the patriarch and survivor of the first settlers, who, having intermarried with the Widow Gardner, is now resting from his labors, at the great age of ninety-four. The white-bearded corpse, which was his spirit’s earthly garniture, now lies beneath yonder coffin-lid. Many a cask of ale and cider is on tap, and many a draught of spiced wine and aqua-vitæ has been quaffed. Else why should the bearers stagger, as they tremulously uphold the coffin?—and the aged pall-bearers, too, as they strive to walk solemnly beside it?—and wherefore do the mourners tread on one another’s heels?—and why, if we may ask without offence, should the nose of the Rev. Mr. Noyes, through which he has just been delivering the funeral discourse, glow like a ruddy coal of fire? Well, well, old friends! Pass on, with your burden of mortality, And lay it in the tomb with jolly hearts. People should be permitted to enjoy themselves in their own fashion; every man to his taste; but New England must have been a dismal abode for the man of pleasure, when the only boon-companion was Death!
Here it comes, out of the same house where we saw brave Captain Gardner head off to war. What’s this? A coffin, carried on men’s shoulders, with six elderly gentlemen as pallbearers, and a long line of mourners dressed in black gloves and black armbands, everything black except for a white handkerchief in each mourner’s hand to wipe away their tears. Now, my kind friends, I know you’re frustrated with me. You were invited to a wedding celebration and now find yourselves in a funeral procession. That’s right; but take a look back through all the social customs of New England in its first century, and read about its traits of character. If you can find even one occasion, other than a funeral feast, where merriment was publicly accepted, I’ll set fire to my puppet show without a second thought. These are the last rites of old Governor Bradstreet, the patriarch and the last of the first settlers, who, after marrying the Widow Gardner, is now at peace after a long life, reaching the age of ninety-four. The white-bearded body, which was his soul’s earthly form, now lies beneath that coffin lid. There’s plenty of ale and cider available, and many glasses of spiced wine and aqua-vitæ have been drunk. Otherwise, why else would the bearers be staggering as they tremble to hold up the coffin?—and the elderly pallbearers, too, as they try to walk solemnly next to it?—and why do the mourners keep stepping on each other’s heels?—and why, if we may ask respectfully, does the nose of Rev. Mr. Noyes, who just delivered the funeral sermon, glow like a bright coal? Well, well, old friends! Continue forward with your burden of mortality, and lay it to rest in the tomb with joyful hearts. People should be able to enjoy themselves however they choose; to each their own; but New England must have been a dreary place for anyone who liked to have fun, when the only companion allowed was Death!
Under cover of a mist that has settled over the scene, a few years flit by, and escape our notice. As the atmosphere becomes transparent, we perceive a decrepit grandsire, hobbling along the street. Do you recognize him? We saw him, first, as the baby in Goodwife Massey’s arms, when the primeval trees were flinging their shadow over Roger Conant’s cabin; we have seen him, as the boy, the youth, the man, bearing his humble part in all the successive scenes, and forming the index-figure whereby to note the age of his coeval town. And here he is, old Goodman Massey, taking his last walk,—often pausing,—often leaning over his staff,—and calling to mind whose dwelling stood at such and such a spot, and whose field or garden occupied the site of those more recent houses. He can render a reason for all the bends and deviations of the thoroughfare, which, in its flexible and plastic infancy, was made to swerve aside from a straight line, in order to visit every settler’s door. The Main Street is still youthful; the coeval man is in his latest age. Soon he will be gone, a patriarch of fourscore, yet shall retain a sort of infantine life in our local history, as the first town-born child.
Wrapped in a mist that has settled over the scene, a few years pass by unnoticed. As the atmosphere clears, we see an elderly man slowly making his way down the street. Do you recognize him? We first saw him as a baby in Goodwife Massey’s arms, when the ancient trees cast their shadows over Roger Conant’s cabin; we’ve watched him transition through boyhood, youth, and adulthood, playing his part in all the events, and serving as a marker for the age of his town. And here he is, old Goodman Massey, taking his final walk—often pausing—often leaning on his cane—and reminiscing about which house used to stand where, and whose field or garden occupied that spot where the newer homes are now. He can explain all the twists and turns of the road that, in its youthful days, was designed to veer off the straight path in order to reach every settler’s door. Main Street is still young; the contemporary man is in his twilight years. Soon he will be gone, a wise old man in his eighties, yet he will continue to hold a kind of youthful legacy in our local history as the first child born in the town.
Behold here a change, wrought in the twinkling of an eye, like an incident in a tale of magic, even while your observation has been fixed upon the scene. The Main Street has vanished out of sight. In its stead appears a wintry waste of snow, with the sun just peeping over it, cold and bright, and tingeing the white expanse with the faintest and most ethereal rose-color. This is the Great Snow of 1717, famous for the mountain-drifts in which it buried the whole country. It would seem as if the street, the growth of which we have noted so attentively, following it from its first phase, as an Indian track, until it reached the dignity of sidewalks, were all at once obliterated, and resolved into a drearier pathlessness than when the forest covered it. The gigantic swells and billows of the snow have swept over each man’s metes and bounds, and annihilated all the visible distinctions of human property. So that now the traces of former times and hitherto accomplished deeds being done away, mankind should be at liberty to enter on new paths, and guide themselves by other laws than heretofore; if, indeed, the race be not extinct, and it be worth our while to go on with the march of life, over the cold and desolate expanse that lies before us. It may be, however, that matters are not so desperate as they appear. That vast icicle, glittering so cheerlessly in the sunshine, must be the spire of the meeting-house, incrusted with frozen sleet. Those great heaps, too, which we mistook for drifts, are houses, buried up to their eaves, and with their peaked roofs rounded by the depth of snow upon them. There, now, comes a gush of smoke from what I judge to be the chimney of the Ship Tavern;—and another—another—and another—from the chimneys of other dwellings, where fireside comfort, domestic peace, the sports of children, and the quietude of age are living yet, in spite of the frozen crust above them.
Look here, a change has happened in the blink of an eye, like something out of a magic story, even while you've been focused on the scene. Main Street has disappeared from view. In its place is a wintry wasteland of snow, with the sun just starting to rise over it, cold and bright, tinting the white landscape with the faintest touch of rosy color. This is the Great Snow of 1717, known for the mountain-like drifts that buried the entire region. It seems as if the street, which we've watched grow from its early days as an Indian pathway to becoming a proper road with sidewalks, has suddenly vanished, leaving behind a more desolate emptiness than when it was still covered by forest. The massive banks and waves of snow have covered every person's property, erasing all the visible boundaries of human ownership. Now, with the signs of the past and all the accomplishments removed, humanity is free to explore new paths and follow different rules than before; provided, of course, that our kind isn’t extinct and it’s still worthwhile to continue the journey of life across the cold and barren landscape that lies ahead. It may be, though, that things aren’t as dire as they seem. That big icicle, shining drearily in the sunlight, must be the spire of the meeting house, coated in frozen sleet. Those large piles we mistook for snowdrifts are actually houses, buried up to their eaves, with their pointed roofs rounded by the weight of snow on top of them. Look, smoke is rising from what I guess is the chimney of the Ship Tavern;—and another—another—another—from the chimneys of other homes, where the warmth of family life, domestic happiness, children's laughter, and the tranquility of old age still exist, despite the frozen layer above them.
But it is time to change the scene. Its dreary monotony shall not test your fortitude like one of our actual New England winters, which leaves so large a blank—so melancholy a death-spot—in lives so brief that they ought to be all summer-time. Here, at least, I may claim to be ruler of the seasons. One turn of the crank shall melt away the snow from the Main Street, and show the trees in their full foliage, the rose-bushes in bloom, and a border of green grass along the sidewalk. There! But what! How! The scene will not move. A wire is broken. The street continues buried beneath the snow, and the fate of Herculaneum and Pompeii has its parallel in this catastrophe.
But it’s time to change the scene. Its dreary sameness shouldn’t test your endurance like one of our actual New England winters, which leave such a big emptiness—so sad a dead spot—in lives that are so short they should be all summer. Here, at least, I can say I'm in charge of the seasons. One turn of the crank will clear the snow from Main Street and reveal the trees in full bloom, the rose bushes flowering, and a border of green grass along the sidewalk. There! But what! How! The scene won’t change. A wire is broken. The street stays buried under the snow, and the fate of Herculaneum and Pompeii echoes in this disaster.
Alas! my kind and gentle audience, you know not the extent of your misfortune. The scenes to come were far better than the past. The street itself would have been more worthy of pictorial exhibition; the deeds of its inhabitants not less so. And how would your interest have deepened, as, passing out of the cold shadow of antiquity, in my long and weary course, I should arrive within the limits of man’s memory, and, leading you at last into the sunshine of the present, should give a reflex of the very life that is flitting past us! Your own beauty, my fair townswomen, would have beamed upon you, out of my scene. Not a gentleman that walks the street but should have beheld his own face and figure, his gait, the peculiar swing of his arm, and the coat that he put on yesterday. Then, too,—and it is what I chiefly regret,—I had expended a vast deal of light and brilliancy on a representation of the street in its whole length, from Buffum’s Corner downward, on the night of the grand illumination for General Taylor’s triumph. Lastly, I should have given the crank one other turn, and have brought out the future, showing you who shall walk the Main Street to-morrow, and, perchance, whose funeral shall pass through it!
Alas! My kind and gentle audience, you have no idea how unfortunate you truly are. The scenes ahead are far better than what we've just experienced. The street itself would be much more worthy of being featured in artwork; the actions of its residents would be just as significant. And how much more engaged you would be as, moving out of the cold shadow of the past in my long and exhausting journey, I would finally bring you into the light of the present, capturing the very life that’s passing us by! Your own beauty, my lovely townswomen, would shine through in my portrayal. Not a single gentleman on this street wouldn’t see his own likeness, his walk, the unique way he moves his arm, and the coat he wore yesterday. Moreover—and this is what I regret the most—I had poured a great deal of light and vibrancy into depicting the entire length of the street, from Buffum’s Corner downwards, on the night of the grand celebration for General Taylor’s victory. Finally, I would have taken one more turn of the crank and revealed the future, showing you who will walk Main Street tomorrow, and perhaps whose funeral will pass through it!
But these, like most other human purposes, lie unaccomplished; and I have only further to say, that any lady or gentlemen who may feel dissatisfied with the evening’s entertainment shall receive back the admission fee at the door.
But these, like most other human goals, remain unachieved; and I just want to add that any lady or gentleman who feels unhappy with the evening's entertainment can get their admission fee back at the door.
“Then give me mine,” cries the critic, stretching out his palm. “I said that your exhibition would prove a humbug, and so it has turned out. So, hand over my quarter!”
“Then give me what’s mine,” shouts the critic, extending his hand. “I said your exhibition would be a fraud, and that’s exactly what it has been. So, give me my quarter!”
ETHAN BRAND:
A CHAPTER FROM AN ABORTIVE ROMANCE
Bartram the lime-burner, a rough, heavy-looking man, begrimed with charcoal, sat watching his kiln at nightfall, while his little son played at building houses with the scattered fragments of marble, when, on the hill-side below them, they heard a roar of laughter, not mirthful, but slow, and even solemn, like a wind shaking the boughs of the forest.
Bartram the lime-burner, a tough, heavy-set guy covered in charcoal, sat watching his kiln as night fell while his young son played, using the broken pieces of marble to build houses. Suddenly, from the hillside below them, they heard a deep roar of laughter, not joyful, but slow and almost solemn, like the wind shaking the branches of the trees.
“Father, what is that?” asked the little boy, leaving his play, and pressing betwixt his father’s knees.
“Dad, what is that?” asked the little boy, stopping his play and pressing between his father’s knees.
“Oh, some drunken man, I suppose,” answered the lime-burner; “some merry fellow from the bar-room in the village, who dared not laugh loud enough within doors lest he should blow the roof of the house off. So here he is, shaking his jolly sides at the foot of Graylock.”
“Oh, just a drunken guy, I guess,” replied the lime-burner; “some happy dude from the pub in the village, who was too afraid to laugh too loudly inside, for fear of bringing the roof down. So here he is, shaking his cheerful belly at the foot of Graylock.”
“But, father,” said the child, more sensitive than the obtuse, middle-aged clown, “he does not laugh like a man that is glad. So the noise frightens me!”
“But, Dad,” said the child, more sensitive than the thick-headed, middle-aged clown, “he doesn't laugh like someone who's happy. It scares me!”
“Don’t be a fool, child!” cried his father, gruffly. “You will never make a man, I do believe; there is too much of your mother in you. I have known the rustling of a leaf startle you. Hark! Here comes the merry fellow now. You shall see that there is no harm in him.”
“Don’t be an idiot, kid!” his father shouted, gruffly. “You’ll never grow up to be a man, I really think; you’ve got too much of your mother in you. I’ve seen a leaf rustle and make you jump. Listen! Here comes that cheerful guy now. You’ll see there’s nothing wrong with him.”
Bartram and his little son, while they were talking thus, sat watching the same lime-kiln that had been the scene of Ethan Brand’s solitary and meditative life, before he began his search for the Unpardonable Sin. Many years, as we have seen, had now elapsed, since that portentous night when the IDEA was first developed. The kiln, however, on the mountain-side, stood unimpaired, and was in nothing changed since he had thrown his dark thoughts into the intense glow of its furnace, and melted them, as it were, into the one thought that took possession of his life. It was a rude, round, tower-like structure about twenty feet high, heavily built of rough stones, and with a hillock of earth heaped about the larger part of its circumference; so that the blocks and fragments of marble might be drawn by cart-loads, and thrown in at the top. There was an opening at the bottom of the tower, like an over-mouth, but large enough to admit a man in a stooping posture, and provided with a massive iron door. With the smoke and jets of flame issuing from the chinks and crevices of this door, which seemed to give admittance into the hill-side, it resembled nothing so much as the private entrance to the infernal regions, which the shepherds of the Delectable Mountains were accustomed to show to pilgrims.
Bartram and his young son sat talking and watching the same lime kiln that had been the backdrop of Ethan Brand’s solitary and thoughtful life, before he started his quest for the Unpardonable Sin. Many years had passed since that fateful night when the IDEA first took shape. The kiln, however, on the mountainside, still stood intact and had not changed since he had poured his dark thoughts into the intense blaze of its furnace, melting them into the single thought that consumed his life. It was a rough, round, tower-like structure about twenty feet tall, built solidly of coarse stones, with a mound of earth heaped around most of its base, allowing cartloads of marble blocks and fragments to be dumped in at the top. There was an opening at the bottom of the tower, like a large mouth, but big enough for a man to enter while bent over, equipped with a heavy iron door. With smoke and jets of flame coming through the cracks and crevices of this door, which seemed to lead into the hillside, it resembled nothing so much as a private entrance to the underworld, which the shepherds of the Delectable Mountains were known to show to visitors.
There are many such lime-kilns in that tract of country, for the purpose of burning the white marble which composes a large part of the substance of the hills. Some of them, built years ago, and long deserted, with weeds growing in the vacant round of the interior, which is open to the sky, and grass and wild-flowers rooting themselves into the chinks of the stones, look already like relics of antiquity, and may yet be overspread with the lichens of centuries to come. Others, where the lime-burner still feeds his daily and night-long fire, afford points of interest to the wanderer among the hills, who seats himself on a log of wood or a fragment of marble, to hold a chat with the solitary man. It is a lonesome, and, when the character is inclined to thought, may be an intensely thoughtful occupation; as it proved in the case of Ethan Brand, who had mused to such strange purpose, in days gone by, while the fire in this very kiln was burning.
There are many lime kilns in that area, meant for burning the white marble that makes up a large part of the hills. Some of them, built years ago and now abandoned, have weeds growing in the open interior, which is exposed to the sky, and grass and wildflowers taking root in the cracks of the stones. They already resemble relics of the past and may eventually be covered with lichens over the centuries to come. Others, where the lime burner still tends to his daily and all-night fire, provide points of interest for wanderers in the hills, who may sit on a log or a piece of marble to chat with the solitary worker. It’s a lonely job, and when one’s mind is reflective, it can be an extremely contemplative task, as it was for Ethan Brand, who had mused in such a peculiar way in the past while the fire in this very kiln was burning.
The man who now watched the fire was of a different order, and troubled himself with no thoughts save the very few that were requisite to his business. At frequent intervals, he flung back the clashing weight of the iron door, and, turning his face from the insufferable glare, thrust in huge logs of oak, or stirred the immense brands with a long pole. Within the furnace were seen the curling and riotous flames, and the burning marble, almost molten with the intensity of heat; while without, the reflection of the fire quivered on the dark intricacy of the surrounding forest, and showed in the foreground a bright and ruddy little picture of the hut, the spring beside its door, the athletic and coal-begrimed figure of the lime-burner, and the half-frightened child, shrinking into the protection of his father’s shadow. And when, again, the iron door was closed, then reappeared the tender light of the half-full moon, which vainly strove to trace out the indistinct shapes of the neighboring mountains; and, in the upper sky, there was a flitting congregation of clouds, still faintly tinged with the rosy sunset, though thus far down into the valley the sunshine had vanished long and long ago.
The man watching the fire was different, focusing only on the few thoughts necessary for his work. At regular intervals, he swung open the heavy iron door and, turning his face from the blinding glare, he tossed in large oak logs or poked the massive embers with a long pole. Inside the furnace, the flames danced wildly, and the marble burned intensely, almost melting from the heat; outside, the fire's reflection flickered on the dark complexity of the surrounding forest, creating a bright and vibrant scene of the hut, the spring by its door, the strong, soot-covered figure of the lime-burner, and the timid child shrinking into the safety of his father’s shadow. And when the iron door was closed again, the gentle light of the half-full moon returned, trying unsuccessfully to outline the blurred shapes of the nearby mountains; above, a shifting group of clouds, still faintly tinged with the pink of sunset, floated in the sky, even though the sunlight had long disappeared from the valley below.
The little boy now crept still closer to his father, as footsteps were heard ascending the hill-side, and a human form thrust aside the bushes that clustered beneath the trees.
The little boy quietly moved even closer to his father as footsteps were heard coming up the hillside, and a person pushed through the bushes that grew under the trees.
“Halloo! who is it?” cried the lime-burner, vexed at his son’s timidity, yet half infected by it. “Come forward, and show yourself, like a man, or I’ll fling this chunk of marble at your head!”
“Hey! Who is it?” shouted the lime-burner, annoyed by his son’s fear, yet feeling a bit anxious himself. “Step forward and show yourself, like a man, or I’ll throw this piece of marble at your head!”
“You offer me a rough welcome,” said a gloomy voice, as the unknown man drew nigh. “Yet I neither claim nor desire a kinder one, even at my own fireside.”
“You're giving me a pretty cold welcome,” said a grim voice as the stranger approached. “But I don’t ask for or want a warmer one, even in my own home.”
To obtain a distincter view, Bartram threw open the iron door of the kiln, whence immediately issued a gush of fierce light, that smote full upon the stranger’s face and figure. To a careless eye there appeared nothing very remarkable in his aspect, which was that of a man in a coarse brown, country-made suit of clothes, tall and thin, with the staff and heavy shoes of a wayfarer. As he advanced, he fixed his eyes—which were very bright—intently upon the brightness of the furnace, as if he beheld, or expected to behold, some object worthy of note within it.
To get a better view, Bartram swung open the heavy iron door of the kiln, and a rush of intense light spilled out, hitting the stranger right in the face and on his body. To someone not paying much attention, he didn’t seem particularly remarkable, looking like a tall, thin man in a rough, brown, homemade suit, complete with the staff and sturdy shoes typical of a traveler. As he moved closer, he focused his bright eyes intently on the glow of the furnace, as if he saw or was expecting to see something significant inside it.
“Good evening, stranger,” said the lime-burner; “whence come you, so late in the day?”
“Good evening, stranger,” said the lime-burner; “where are you coming from, so late in the day?”
“I come from my search,” answered the wayfarer; “for, at last, it is finished.”
“I’ve returned from my search,” replied the traveler; “it’s finally over.”
“Drunk!—or crazy!” muttered Bartram to himself. “I shall have trouble with the fellow. The sooner I drive him away, the better.”
“Drunk!—or insane!” Bartram murmured to himself. “I’m going to have trouble with this guy. The sooner I get rid of him, the better.”
The little boy, all in a tremble, whispered to his father, and begged him to shut the door of the kiln, so that there might not be so much light; for that there was something in the man’s face which he was afraid to look at, yet could not look away from. And, indeed, even the lime-burner’s dull and torpid sense began to be impressed by an indescribable something in that thin, rugged, thoughtful visage, with the grizzled hair hanging wildly about it, and those deeply sunken eyes, which gleamed like fires within the entrance of a mysterious cavern. But, as he closed the door, the stranger turned towards him, and spoke in a quiet, familiar way, that made Bartram feel as if he were a sane and sensible man, after all.
The little boy, shaking with fear, whispered to his father and asked him to close the kiln door to reduce the light. He felt there was something in the man's face that scared him, yet he couldn't look away. Even the lime-burner, usually dull and sluggish, started to feel something indescribable in that thin, rugged, thoughtful face, with wild gray hair and deeply sunken eyes that sparkled like fires in the entrance of a mysterious cave. But as he shut the door, the stranger turned to him and spoke in a calm, friendly way that made Bartram feel like a reasonable and sensible man after all.
“Your task draws to an end, I see,” said he. “This marble has already been burning three days. A few hours more will convert the stone to lime.”
“Looks like you’re almost done,” he said. “This marble has been burning for three days already. Just a few more hours will turn it into lime.”
“Why, who are you?” exclaimed the lime-burner. “You seem as well acquainted with my business as I am myself.”
“Who are you?” exclaimed the lime-burner. “You seem as familiar with my business as I am.”
“And well I may be,” said the stranger; “for I followed the same craft many a long year, and here, too, on this very spot. But you are a newcomer in these parts. Did you never hear of Ethan Brand?”
“Yeah, I might be,” said the stranger; “I’ve been doing the same work for many years, right here in this very spot. But you’re new around here. Have you ever heard of Ethan Brand?”
“The man that went in search of the Unpardonable Sin?” asked Bartram, with a laugh.
“The guy who went looking for the Unpardonable Sin?” asked Bartram, laughing.
“The same,” answered the stranger. “He has found what he sought, and therefore he comes back again.”
“The same,” replied the stranger. “He has found what he was looking for, and that’s why he’s coming back again.”
“What! then you are Ethan Brand himself?” cried the lime-burner, in amazement. “I am a new-comer here, as you say, and they call it eighteen years since you left the foot of Graylock. But, I can tell you, the good folks still talk about Ethan Brand, in the village yonder, and what a strange errand took him away from his lime-kiln. Well, and so you have found the Unpardonable Sin?”
“What! So you’re Ethan Brand?” exclaimed the lime-burner, astonished. “I’m new here, like you said, and it’s been eighteen years since you left the foot of Graylock. But I can tell you, the good people still talk about Ethan Brand in that village over there, and the strange reason he left his lime-kiln. So, have you really found the Unpardonable Sin?”
“Even so!” said the stranger, calmly.
"Even so!" said the stranger, calmly.
“If the question is a fair one,” proceeded Bartram, “where might it be?”
“If that’s a fair question,” Bartram continued, “where could it be?”
Ethan Brand laid his finger on his own heart.
Ethan Brand touched his own heart.
“Here!” replied he.
“Here!” he replied.
And then, without mirth in his countenance, but as if moved by an involuntary recognition of the infinite absurdity of seeking throughout the world for what was the closest of all things to himself, and looking into every heart, save his own, for what was hidden in no other breast, he broke into a laugh of scorn. It was the same slow, heavy laugh, that had almost appalled the lime-burner when it heralded the wayfarer’s approach.
And then, without a smile on his face, as if he was struck by the ridiculousness of searching everywhere for something that was already the closest thing to him, and looking into everyone else's heart except his own for what was only hidden in him, he started to laugh scornfully. It was that same slow, deep laugh that had nearly terrified the lime-burner when it announced the traveler’s arrival.
The solitary mountain-side was made dismal by it. Laughter, when out of place, mistimed, or bursting forth from a disordered state of feeling, may be the most terrible modulation of the human voice. The laughter of one asleep, even if it be a little child,—the madman’s laugh,—the wild, screaming laugh of a born idiot,—are sounds that we sometimes tremble to hear, and would always willingly forget. Poets have imagined no utterance of fiends or hobgoblins so fearfully appropriate as a laugh. And even the obtuse lime-burner felt his nerves shaken, as this strange man looked inward at his own heart, and burst into laughter that rolled away into the night, and was indistinctly reverberated among the hills.
The lonely mountainside was made gloomy by it. Laughter, when it's out of place, poorly timed, or erupting from a chaotic state of mind, can be the most unsettling sound of the human voice. The laughter of someone asleep, even if it’s a small child—the laugh of a madman—the wild, screeching laugh of someone with severe disabilities—are sounds that can make us shudder and that we would always prefer to forget. Poets have envisioned no expression from demons or goblins as terrifyingly fitting as a laugh. Even the thick-headed lime burner felt his nerves rattle when this strange man looked deep within himself and erupted in laughter that rolled away into the night, echoing faintly among the hills.
“Joe,” said he to his little son, “scamper down to the tavern in the village, and tell the jolly fellows there that Ethan Brand has come back, and that he has found the Unpardonable Sin!”
“Joe,” he said to his little son, “run down to the tavern in the village and tell the cheerful folks there that Ethan Brand is back and that he has discovered the Unpardonable Sin!”
The boy darted away on his errand, to which Ethan Brand made no objection, nor seemed hardly to notice it. He sat on a log of wood, looking steadfastly at the iron door of the kiln. When the child was out of sight, and his swift and light footsteps ceased to be heard treading first on the fallen leaves and then on the rocky mountain-path, the lime-burner began to regret his departure. He felt that the little fellow’s presence had been a barrier between his guest and himself, and that he must now deal, heart to heart, with a man who, on his own confession, had committed the one only crime for which Heaven could afford no mercy. That crime, in its indistinct blackness, seemed to overshadow him, and made his memory riotous with a throng of evil shapes that asserted their kindred with the Master Sin, whatever it might be, which it was within the scope of man’s corrupted nature to conceive and cherish. They were all of one family; they went to and fro between his breast and Ethan Brand’s, and carried dark greetings from one to the other.
The boy took off on his errand, and Ethan Brand didn’t object or seem to even notice. He sat on a log, staring intently at the iron door of the kiln. Once the child was out of sight, and his quick, light footsteps faded away on the fallen leaves and then on the rocky path, the lime-burner started to regret his leaving. He realized that the little boy’s presence had acted as a barrier between him and his guest, and now he had to confront a man who, by his own admission, had committed the one crime that Heaven could not forgive. That crime loomed over him, filling his mind with a chaotic mix of dark thoughts that were all connected to the Master Sin, whatever it was that a corrupted human nature could imagine and hold onto. They were all part of the same family; they moved back and forth between his heart and Ethan Brand’s, exchanging dark messages from one to the other.
Then Bartram remembered the stories which had grown traditionary in reference to this strange man, who had come upon him like a shadow of the night, and was making himself at home in his old place, after so long absence, that the dead people, dead and buried for years, would have had more right to be at home, in any familiar spot, than he. Ethan Brand, it was said, had conversed with Satan himself in the lurid blaze of this very kiln. The legend had been matter of mirth heretofore, but looked grisly now. According to this tale, before Ethan Brand departed on his search, he had been accustomed to evoke a fiend from the hot furnace of the lime-kiln, night after night, in order to confer with him about the Unpardonable Sin; the man and the fiend each laboring to frame the image of some mode of guilt which could neither be atoned for nor forgiven. And, with the first gleam of light upon the mountain-top, the fiend crept in at the iron door, there to abide the intensest element of fire until again summoned forth to share in the dreadful task of extending man’s possible guilt beyond the scope of Heaven’s else infinite mercy.
Then Bartram recalled the stories that had become traditional about this strange man, who had appeared like a shadow in the night and was settling back into his old home after such a long absence that the dead people, who had been buried for years, would have had more right to be there than he did. It was said that Ethan Brand had spoken with Satan himself in the blazing heat of this very kiln. The legend had been a source of amusement in the past, but now it felt grim. According to this tale, before Ethan Brand set out on his quest, he was known to summon a demon from the fiery furnace of the lime-kiln, night after night, to discuss the Unpardonable Sin; both the man and the demon working to shape the concept of a guilt that could neither be atoned for nor forgiven. And with the first light shining on the mountain peak, the demon would slip through the iron door, ready to endure the fiercest heat until called upon again to take part in the horrifying task of pushing human guilt beyond the reach of Heaven's otherwise infinite mercy.
While the lime-burner was struggling with the horror of these thoughts, Ethan Brand rose from the log, and flung open the door of the kiln. The action was in such accordance with the idea in Bartram’s mind, that he almost expected to see the Evil One issue forth, red-hot, from the raging furnace.
While the lime-burner was grappling with the terror of these thoughts, Ethan Brand got up from the log and threw open the kiln door. This move was so in line with what Bartram was thinking that he almost anticipated seeing the Evil One emerge, glowing red-hot, from the intense furnace.
“Hold! hold!” cried he, with a tremulous attempt to laugh; for he was ashamed of his fears, although they overmastered him. “Don’t, for mercy’s sake, bring out your Devil now!”
“Stop! stop!” he shouted, trying to laugh but trembling; he was embarrassed by his fears, even though they took control of him. “Please, for heaven's sake, don’t bring out your Devil now!”
“Man!” sternly replied Ethan Brand, “what need have I of the Devil? I have left him behind me, on my track. It is with such half-way sinners as you that he busies himself. Fear not, because I open the door. I do but act by old custom, and am going to trim your fire, like a lime-burner, as I was once.”
“Man!” Ethan Brand replied sternly, “why would I need the Devil? I’ve already left him in my past. It’s with half-hearted sinners like you that he concerns himself. Don’t worry, as I open the door. I’m just following an old habit and am going to tend to your fire, like a lime-burner, as I once did.”
He stirred the vast coals, thrust in more wood, and bent forward to gaze into the hollow prison-house of the fire, regardless of the fierce glow that reddened upon his face. The lime-burner sat watching him, and half suspected this strange guest of a purpose, if not to evoke a fiend, at least to plunge into the flames, and thus vanish from the sight of man. Ethan Brand, however, drew quietly back, and closed the door of the kiln.
He stirred the huge coals, added more wood, and leaned forward to look into the deep, fiery pit, ignoring the intense heat that lit up his face. The lime-burner watched him, partly suspecting that this unusual visitor had some kind of plan, if not to summon a demon, at least to jump into the flames and disappear from the world. However, Ethan Brand quietly stepped back and shut the door of the kiln.
“I have looked,” said he, “into many a human heart that was seven times hotter with sinful passions than yonder furnace is with fire. But I found not there what I sought. No, not the Unpardonable Sin!”
“I have looked,” he said, “into many human hearts that were seven times hotter with sinful passions than that furnace is with fire. But I did not find what I was looking for. No, not the Unpardonable Sin!”
“What is the Unpardonable Sin?” asked the lime-burner; and then he shrank farther from his companion, trembling lest his question should be answered.
“What is the Unforgivable Sin?” asked the lime-burner; and then he pulled away from his companion, shaking with fear that his question might be answered.
“It is a sin that grew within my own breast,” replied Ethan Brand, standing erect with a pride that distinguishes all enthusiasts of his stamp. “A sin that grew nowhere else! The sin of an intellect that triumphed over the sense of brotherhood with man and reverence for God, and sacrificed everything to its own mighty claims! The only sin that deserves a recompense of immortal agony! Freely, were it to do again, would I incur the guilt. Unshrinkingly I accept the retribution!”
“It’s a sin that grew inside me,” replied Ethan Brand, standing tall with a pride that sets apart all true enthusiasts like him. “A sin that blossomed nowhere else! The sin of an intellect that conquered the sense of brotherhood with humanity and respect for God, sacrificing everything for its own powerful demands! The only sin that deserves to be paid back with eternal suffering! If I had the chance to do it all over again, I would willingly take on the guilt. Without hesitation, I accept the consequences!”
“The man’s head is turned,” muttered the lime-burner to himself. “He may be a sinner like the rest of us,—nothing more likely,—but, I’ll be sworn, he is a madman too.”
“The man’s head is turned,” the lime-burner muttered to himself. “He might be a sinner like the rest of us—nothing more likely—but I swear, he’s a madman too.”
Nevertheless, he felt uncomfortable at his situation, alone with Ethan Brand on the wild mountain-side, and was right glad to hear the rough murmur of tongues, and the footsteps of what seemed a pretty numerous party, stumbling over the stones and rustling through the underbrush. Soon appeared the whole lazy regiment that was wont to infest the village tavern, comprehending three or four individuals who had drunk flip beside the bar-room fire through all the winters, and smoked their pipes beneath the stoop through all the summers, since Ethan Brand’s departure. Laughing boisterously, and mingling all their voices together in unceremonious talk, they now burst into the moonshine and narrow streaks of firelight that illuminated the open space before the lime-kiln. Bartram set the door ajar again, flooding the spot with light, that the whole company might get a fair view of Ethan Brand, and he of them.
He felt uneasy about his situation, alone with Ethan Brand on the wild mountainside, and was really glad to hear the rough murmur of voices and the footsteps of what seemed like a pretty big group stumbling over the stones and rustling through the underbrush. Soon, the whole lazy crew that usually hung around the village tavern showed up, made up of three or four people who had been drinking flip by the bar-room fire all winter and smoking their pipes on the porch all summer since Ethan Brand left. Laughing loudly and mixing all their voices in casual chatter, they stepped into the moonlight and the narrow beams of firelight that lit up the area in front of the lime-kiln. Bartram opened the door a crack again, flooding the spot with light so that the whole group could get a good look at Ethan Brand, and he at them.
There, among other old acquaintances, was a once ubiquitous man, now almost extinct, but whom we were formerly sure to encounter at the hotel of every thriving village throughout the country. It was the stage-agent. The present specimen of the genus was a wilted and smoke-dried man, wrinkled and red-nosed, in a smartly cut, brown, bobtailed coat, with brass buttons, who, for a length of time unknown, had kept his desk and corner in the bar-room, and was still puffing what seemed to be the same cigar that he had lighted twenty years before. He had great fame as a dry joker, though, perhaps, less on account of any intrinsic humor than from a certain flavor of brandy-toddy and tobacco-smoke, which impregnated all his ideas and expressions, as well as his person. Another well-remembered, though strangely altered, face was that of Lawyer Giles, as people still called him in courtesy; an elderly ragamuffin, in his soiled shirtsleeves and tow-cloth trousers. This poor fellow had been an attorney, in what he called his better days, a sharp practitioner, and in great vogue among the village litigants; but flip, and sling, and toddy, and cocktails, imbibed at all hours, morning, noon, and night, had caused him to slide from intellectual to various kinds and degrees of bodily labor, till at last, to adopt his own phrase, he slid into a soap-vat. In other words, Giles was now a soap-boiler, in a small way. He had come to be but the fragment of a human being, a part of one foot having been chopped off by an axe, and an entire hand torn away by the devilish grip of a steam-engine. Yet, though the corporeal hand was gone, a spiritual member remained; for, stretching forth the stump, Giles steadfastly averred that he felt an invisible thumb and fingers with as vivid a sensation as before the real ones were amputated. A maimed and miserable wretch he was; but one, nevertheless, whom the world could not trample on, and had no right to scorn, either in this or any previous stage of his misfortunes, since he had still kept up the courage and spirit of a man, asked nothing in charity, and with his one hand—and that the left one—fought a stern battle against want and hostile circumstances.
There, among other old acquaintances, was a once common man, now almost extinct, who we used to see at the hotel of every thriving village across the country. It was the stage agent. The current example of this type was a worn-out and smoke-dried man, wrinkled and red-nosed, dressed in a sharply tailored, brown, bobtail coat with brass buttons. He had held his corner desk in the barroom for an unknown amount of time and was still puffing on what seemed to be the same cigar he lit twenty years ago. He was well-known as a dry joker, though perhaps it wasn’t so much for any real humor as for a certain blend of brandy toddy and tobacco smoke that infused all his thoughts and expressions, as well as his very being. Another familiar yet oddly changed face was that of Lawyer Giles, as people still courteously called him; an elderly scruffy man in his dirty shirt sleeves and rough trousers. This poor guy had been a lawyer in what he called his better days, a sharp practitioner who was quite popular among the village litigants. But booze, cigarettes, and cocktails consumed at all hours—morning, noon, and night—had caused him to sink from intellectual work to various forms and levels of manual labor until, as he put it, he slid into a soap vat. In other words, Giles was now a small-time soap maker. He had become just a shell of a human being, having lost part of one foot to an axe and an entire hand to the brutal grip of a steam engine. Yet, even though his physical hand was gone, a spiritual one remained; he claimed that he could still feel an invisible thumb and fingers with as much sensation as before the real ones were amputated. He was a maimed and miserable wretch; however, he was someone whom the world couldn’t trample on and had no right to disrespect, neither now nor at any previous point in his misfortunes, since he had maintained the courage and spirit of a man, asked nothing in charity, and with his one hand—and it was the left one—fought a tough battle against poverty and adverse circumstances.
Among the throng, too, came another personage, who, with certain points of similarity to Lawyer Giles, had many more of difference. It was the village doctor; a man of some fifty years, whom, at an earlier period of his life, we introduced as paying a professional visit to Ethan Brand during the latter’s supposed insanity. He was now a purple-visaged, rude, and brutal, yet half-gentlemanly figure, with something wild, ruined, and desperate in his talk, and in all the details of his gesture and manners. Brandy possessed this man like an evil spirit, and made him as surly and savage as a wild beast, and as miserable as a lost soul; but there was supposed to be in him such wonderful skill, such native gifts of healing, beyond any which medical science could impart, that society caught hold of him, and would not let him sink out of its reach. So, swaying to and fro upon his horse, and grumbling thick accents at the bedside, he visited all the sick-chambers for miles about among the mountain towns, and sometimes raised a dying man, as it were, by miracle, or quite as often, no doubt, sent his patient to a grave that was dug many a year too soon. The doctor had an everlasting pipe in his mouth, and, as somebody said, in allusion to his habit of swearing, it was always alight with hell-fire.
Among the crowd was another character who, while sharing some traits with Lawyer Giles, had many more differences. It was the village doctor, a man around fifty years old, whom we previously introduced as visiting Ethan Brand during his supposed insanity. Now, he was a rough, red-faced figure—brutal yet somewhat gentlemanly—with a wild, ruined, and desperate way of speaking and moving. He was consumed by alcohol like a malevolent spirit, making him as grumpy and fierce as a wild beast and as unhappy as a lost soul. However, he was believed to have remarkable healing abilities, far beyond what medical training could offer, which is why society clung to him and wouldn’t let him fall into obscurity. So, swaying back and forth on his horse and muttering in thick accents at the bedside, he traveled to all the sickrooms across the mountain towns, occasionally pulling a dying man back from the brink like it was a miracle, but just as often sending his patients to an early grave. The doctor always had a pipe in his mouth, and as someone commented regarding his penchant for swearing, it was perpetually lit with hell-fire.
These three worthies pressed forward, and greeted Ethan Brand each after his own fashion, earnestly inviting him to partake of the contents of a certain black bottle, in which, as they averred, he would find something far better worth seeking than the Unpardonable Sin. No mind, which has wrought itself by intense and solitary meditation into a high state of enthusiasm, can endure the kind of contact with low and vulgar modes of thought and feeling to which Ethan Brand was now subjected. It made him doubt—and, strange to say, it was a painful doubt—whether he had indeed found the Unpardonable Sin, and found it within himself. The whole question on which he had exhausted life, and more than life, looked like a delusion.
These three individuals moved closer and greeted Ethan Brand in their own ways, earnestly inviting him to share the contents of a certain black bottle, claiming it held something far more valuable than the Unpardonable Sin. No mind that has engaged deeply in intense and solitary reflection can handle the kind of interaction with basic and crude thoughts and feelings that Ethan Brand was now experiencing. It made him question—and oddly enough, it was a painful doubt—whether he had truly found the Unpardonable Sin, and if he had found it within himself. The entire issue he had devoted his life to, and more than just his life, now felt like an illusion.
“Leave me,” he said bitterly, “ye brute beasts, that have made yourselves so, shrivelling up your souls with fiery liquors! I have done with you. Years and years ago, I groped into your hearts and found nothing there for my purpose. Get ye gone!”
“Leave me,” he said bitterly, “you brutal creatures, who have made yourselves this way, numbing your souls with strong drinks! I’m done with you. Years ago, I searched your hearts and found nothing useful there. Get lost!”
“Why, you uncivil scoundrel,” cried the fierce doctor, “is that the way you respond to the kindness of your best friends? Then let me tell you the truth. You have no more found the Unpardonable Sin than yonder boy Joe has. You are but a crazy fellow,—I told you so twenty years ago,—neither better nor worse than a crazy fellow, and the fit companion of old Humphrey, here!”
“Why, you rude scoundrel,” shouted the intense doctor, “is that how you react to the kindness of your closest friends? Then let me be honest with you. You haven't found the Unpardonable Sin any more than that boy Joe over there has. You’re just a crazy guy—I told you that twenty years ago—neither better nor worse than a crazy guy, and a perfect match for old Humphrey, here!”
He pointed to an old man, shabbily dressed, with long white hair, thin visage, and unsteady eyes. For some years past this aged person had been wandering about among the hills, inquiring of all travellers whom he met for his daughter. The girl, it seemed, had gone off with a company of circus-performers, and occasionally tidings of her came to the village, and fine stories were told of her glittering appearance as she rode on horseback in the ring, or performed marvellous feats on the tight-rope.
He pointed to an old man, dressed in rags, with long white hair, a thin face, and shaky eyes. For the past few years, this elderly man had been wandering among the hills, asking every traveler he met about his daughter. Apparently, the girl had run away with a group of circus performers, and every so often, news would reach the village, with great stories told of her dazzling presence as she rode on horseback in the ring or amazed everyone with her incredible tightrope skills.
The white-haired father now approached Ethan Brand, and gazed unsteadily into his face.
The white-haired father now walked up to Ethan Brand and looked unsteadily at his face.
“They tell me you have been all over the earth,” said he, wringing his hands with earnestness. “You must have seen my daughter, for she makes a grand figure in the world, and everybody goes to see her. Did she send any word to her old father, or say when she was coming back?”
“They say you’ve traveled all around the world,” he said, wringing his hands with sincerity. “You must have seen my daughter; she really stands out and everyone goes to visit her. Did she send any word to her old dad, or mention when she’s coming back?”
Ethan Brand’s eye quailed beneath the old man’s. That daughter, from whom he so earnestly desired a word of greeting, was the Esther of our tale, the very girl whom, with such cold and remorseless purpose, Ethan Brand had made the subject of a psychological experiment, and wasted, absorbed, and perhaps annihilated her soul, in the process.
Ethan Brand's gaze faltered under the old man's stare. That daughter, from whom he desperately wanted a friendly word, was the Esther of our story, the very girl whom, with such a detached and ruthless intent, Ethan Brand had turned into the subject of a psychological experiment, wasting, consuming, and perhaps destroying her soul in the process.
“Yes,” he murmured, turning away from the hoary wanderer, “it is no delusion. There is an Unpardonable Sin!”
“Yes,” he said softly, turning away from the old wanderer, “it’s not an illusion. There is an Unforgivable Sin!”
While these things were passing, a merry scene was going forward in the area of cheerful light, beside the spring and before the door of the hut. A number of the youth of the village, young men and girls, had hurried up the hill-side, impelled by curiosity to see Ethan Brand, the hero of so many a legend familiar to their childhood. Finding nothing, however, very remarkable in his aspect,—nothing but a sunburnt wayfarer, in plain garb and dusty shoes, who sat looking into the fire as if he fancied pictures among the coals,—these young people speedily grew tired of observing him. As it happened, there was other amusement at hand. An old German Jew travelling with a diorama on his back, was passing down the mountain-road towards the village just as the party turned aside from it, and, in hopes of eking out the profits of the day, the showman had kept them company to the lime-kiln.
While all this was happening, a lively scene was unfolding in the bright area near the spring and in front of the hut. A group of village youths, both young men and girls, rushed up the hillside, driven by curiosity to see Ethan Brand, the legendary figure they had heard about in their childhood stories. However, they found nothing particularly remarkable about him—just a sunburned traveler in plain clothes and dusty shoes, sitting and staring into the fire as if imagining pictures in the coals. The young people quickly grew bored of watching him. Fortunately, there was other entertainment nearby. An old German Jew, traveling with a diorama on his back, was making his way down the mountain road toward the village right as the group moved away from it, and in hopes of boosting his earnings for the day, the showman had accompanied them to the lime-kiln.
“Come, old Dutchman,” cried one of the young men, “let us see your pictures, if you can swear they are worth looking at!”
“Come on, old Dutchman,” shouted one of the young men, “show us your paintings, if you can promise they’re worth our time!”
“Oh yes, Captain,” answered the Jew,—whether as a matter of courtesy or craft, he styled everybody Captain,—“I shall show you, indeed, some very superb pictures!”
“Oh yes, Captain,” replied the Jew—whether out of courtesy or cunning, he referred to everyone as Captain—“I’ll definitely show you some really amazing pictures!”
So, placing his box in a proper position, he invited the young men and girls to look through the glass orifices of the machine, and proceeded to exhibit a series of the most outrageous scratchings and daubings, as specimens of the fine arts, that ever an itinerant showman had the face to impose upon his circle of spectators. The pictures were worn out, moreover, tattered, full of cracks and wrinkles, dingy with tobacco-smoke, and otherwise in a most pitiable condition. Some purported to be cities, public edifices, and ruined castles in Europe; others represented Napoleon’s battles and Nelson’s sea-fights; and in the midst of these would be seen a gigantic, brown, hairy hand,—which might have been mistaken for the Hand of Destiny, though, in truth, it was only the showman’s,—pointing its forefinger to various scenes of the conflict, while its owner gave historical illustrations. When, with much merriment at its abominable deficiency of merit, the exhibition was concluded, the German bade little Joe put his head into the box. Viewed through the magnifying-glasses, the boy’s round, rosy visage assumed the strangest imaginable aspect of an immense Titanic child, the mouth grinning broadly, and the eyes and every other feature overflowing with fun at the joke. Suddenly, however, that merry face turned pale, and its expression changed to horror, for this easily impressed and excitable child had become sensible that the eye of Ethan Brand was fixed upon him through the glass.
So, after setting up his box in the right spot, he invited the young men and women to look through the glass openings of the machine and started showcasing a series of the most ridiculous scribbles and smudges, presented as fine art, that any traveling showman could possibly have the nerve to show to his audience. The pictures were old, tattered, full of cracks and wrinkles, stained with tobacco smoke, and in a pretty sorry state. Some claimed to depict cities, public buildings, and crumbling castles in Europe; others illustrated Napoleon's battles and Nelson's sea fights; and among these, a huge, brown, hairy hand— which could have been mistaken for the Hand of Destiny, but was actually just the showman's—pointed its forefinger at various scenes of conflict, while its owner provided historical explanations. When the audience laughed at the display's terrible lack of quality and it came to an end, the German told little Joe to put his head into the box. Through the magnifying glasses, the boy’s round, rosy face took on the most bizarre look of a gigantic child, with a wide grin and every feature bursting with joy at the joke. Suddenly, however, that happy face went pale, and its expression shifted to horror, as this easily impressed and excitable child realized that Ethan Brand’s gaze was locked on him through the glass.
“You make the little man to be afraid, Captain,” said the German Jew, turning up the dark and strong outline of his visage from his stooping posture. “But look again, and, by chance, I shall cause you to see somewhat that is very fine, upon my word!”
“You're scaring the little guy, Captain,” said the German Jew, raising the dark and strong outline of his face from his slouched position. “But take another look, and maybe I’ll show you something really impressive, I swear!”
Ethan Brand gazed into the box for an instant, and then starting back, looked fixedly at the German. What had he seen? Nothing, apparently; for a curious youth, who had peeped in almost at the same moment, beheld only a vacant space of canvas.
Ethan Brand glanced into the box for a moment, then recoiling, stared intently at the German. What had he seen? Nothing, it seemed; because a curious young guy, who had looked in almost at the same time, saw only an empty stretch of canvas.
“I remember you now,” muttered Ethan Brand to the showman.
“I remember you now,” Ethan Brand said quietly to the showman.
“Ah, Captain,” whispered the Jew of Nuremberg, with a dark smile, “I find it to be a heavy matter in my show-box,—this Unpardonable Sin! By my faith, Captain, it has wearied my shoulders, this long day, to carry it over the mountain.”
“Ah, Captain,” whispered the Jew of Nuremberg, with a dark smile, “I find it to be a burdensome thing in my show-box—this Unpardonable Sin! Honestly, Captain, it has tired me out all day, carrying it over the mountain.”
“Peace,” answered Ethan Brand, sternly, “or get thee into the furnace yonder!”
“Peace,” replied Ethan Brand firmly, “or get yourself into that furnace over there!”
The Jew’s exhibition had scarcely concluded, when a great, elderly dog—who seemed to be his own master, as no person in the company laid claim to him—saw fit to render himself the object of public notice. Hitherto, he had shown himself a very quiet, well-disposed old dog, going round from one to another, and, by way of being sociable, offering his rough head to be patted by any kindly hand that would take so much trouble. But now, all of a sudden, this grave and venerable quadruped, of his own mere motion, and without the slightest suggestion from anybody else, began to run round after his tail, which, to heighten the absurdity of the proceeding, was a great deal shorter than it should have been. Never was seen such headlong eagerness in pursuit of an object that could not possibly be attained; never was heard such a tremendous outbreak of growling, snarling, barking, and snapping,—as if one end of the ridiculous brute’s body were at deadly and most unforgivable enmity with the other. Faster and faster, round about went the cur; and faster and still faster fled the unapproachable brevity of his tail; and louder and fiercer grew his yells of rage and animosity; until, utterly exhausted, and as far from the goal as ever, the foolish old dog ceased his performance as suddenly as he had begun it. The next moment he was as mild, quiet, sensible, and respectable in his deportment, as when he first scraped acquaintance with the company.
The Jew's exhibition had barely wrapped up when a large, old dog—who seemed to be his own master since no one in the crowd claimed him—decided to grab everyone's attention. Until then, he had been a very calm, friendly old dog, moving from one person to another, and trying to be sociable by nudging his rough head for anyone who wanted to give him a pat. But suddenly, this serious and venerable dog, on his own whim and without any encouragement from anyone else, started to chase his own tail, which, to make it even more ridiculous, was much shorter than it should have been. Never had there been such a frenzied eagerness in the pursuit of something impossible to catch; never had there been such a chaotic mix of growling, snarling, barking, and snapping—as if one end of the silly dog’s body was in a fierce and unforgivable battle with the other. Round and round went the dog, faster and faster; and the elusive shortness of his tail fled even faster; and his cries of anger and frustration grew louder and more intense until, utterly worn out and no closer to his goal than before, the foolish old dog stopped his antics just as abruptly as he had started them. In the next moment, he was as gentle, calm, sensible, and dignified as he had been when he first joined the group.
As may be supposed, the exhibition was greeted with universal laughter, clapping of hands, and shouts of encore, to which the canine performer responded by wagging all that there was to wag of his tail, but appeared totally unable to repeat his very successful effort to amuse the spectators.
As you might expect, the show was met with laughter, applause, and cries for an encore, which the dog performer acknowledged by wagging his tail as much as he could, but he seemed completely unable to replicate his earlier success in entertaining the audience.
Meanwhile, Ethan Brand had resumed his seat upon the log, and moved, as it might be, by a perception of some remote analogy between his own case and that of this self-pursuing cur, he broke into the awful laugh, which, more than any other token, expressed the condition of his inward being. From that moment, the merriment of the party was at an end; they stood aghast, dreading lest the inauspicious sound should be reverberated around the horizon, and that mountain would thunder it to mountain, and so the horror be prolonged upon their ears. Then, whispering one to another that it was late,—that the moon was almost down,-that the August night was growing chill,—they hurried homewards, leaving the lime-burner and little Joe to deal as they might with their unwelcome guest. Save for these three human beings, the open space on the hill-side was a solitude, set in a vast gloom of forest. Beyond that darksome verge, the firelight glimmered on the stately trunks and almost black foliage of pines, intermixed with the lighter verdure of sapling oaks, maples, and poplars, while here and there lay the gigantic corpses of dead trees, decaying on the leaf-strewn soil. And it seemed to little Joe—a timorous and imaginative child—that the silent forest was holding its breath until some fearful thing should happen.
Meanwhile, Ethan Brand had settled back on the log, and, as if sensing some distant similarity between his situation and that of this relentless dog, he burst into a chilling laugh that, more than anything else, captured the state of his inner self. From that moment, the group's laughter came to an abrupt end; they stood frozen, fearing that the ominous sound would echo across the horizon, causing mountains to relay it back and prolong their horror. Then, they whispered to each other that it was getting late—that the moon was nearly down—that the August night was turning cold—and hurried home, leaving the lime-burner and little Joe to face their unwelcome visitor alone. Apart from these three humans, the hillside was a lonely expanse, engulfed in a vast darkness of forest. Beyond that shadowy edge, the firelight flickered on the tall trunks and almost black leaves of the pines, mixed with the lighter greenery of young oaks, maples, and poplars, while here and there lay the massive remains of dead trees, rotting on the leaf-covered ground. And it seemed to little Joe—a timid and imaginative child—that the silent forest was holding its breath, waiting for something dreadful to happen.
Ethan Brand thrust more wood into the fire, and closed the door of the kiln; then looking over his shoulder at the lime-burner and his son, he bade, rather than advised, them to retire to rest.
Ethan Brand shoved more wood into the fire and shut the door of the kiln; then, glancing back at the lime-burner and his son, he told them, rather than suggested, to go to bed.
“For myself, I cannot sleep,” said he. “I have matters that it concerns me to meditate upon. I will watch the fire, as I used to do in the old time.”
“Honestly, I can’t sleep,” he said. “I have things on my mind that I need to think about. I’ll keep an eye on the fire, like I used to back in the day.”
“And call the Devil out of the furnace to keep you company, I suppose,” muttered Bartram, who had been making intimate acquaintance with the black bottle above mentioned. “But watch, if you like, and call as many devils as you like! For my part, I shall be all the better for a snooze. Come, Joe!”
“And call the devil out of the furnace to keep you company, I guess,” muttered Bartram, who had gotten pretty familiar with the black bottle mentioned earlier. “But go ahead, watch, and call as many devils as you want! As for me, I’ll be better off catching some sleep. Come on, Joe!”
As the boy followed his father into the hut, he looked back at the wayfarer, and the tears came into his eyes, for his tender spirit had an intuition of the bleak and terrible loneliness in which this man had enveloped himself.
As the boy followed his father into the hut, he looked back at the traveler, and tears filled his eyes, for his gentle heart sensed the cold and awful loneliness that this man had surrounded himself with.
When they had gone, Ethan Brand sat listening to the crackling of the kindled wood, and looking at the little spirts of fire that issued through the chinks of the door. These trifles, however, once so familiar, had but the slightest hold of his attention, while deep within his mind he was reviewing the gradual but marvellous change that had been wrought upon him by the search to which he had devoted himself. He remembered how the night dew had fallen upon him,—how the dark forest had whispered to him,—how the stars had gleamed upon him,—a simple and loving man, watching his fire in the years gone by, and ever musing as it burned. He remembered with what tenderness, with what love and sympathy for mankind and what pity for human guilt and woe, he had first begun to contemplate those ideas which afterwards became the inspiration of his life; with what reverence he had then looked into the heart of man, viewing it as a temple originally divine, and, however desecrated, still to be held sacred by a brother; with what awful fear he had deprecated the success of his pursuit, and prayed that the Unpardonable Sin might never be revealed to him. Then ensued that vast intellectual development, which, in its progress, disturbed the counterpoise between his mind and heart. The Idea that possessed his life had operated as a means of education; it had gone on cultivating his powers to the highest point of which they were susceptible; it had raised him from the level of an unlettered laborer to stand on a star-lit eminence, whither the philosophers of the earth, laden with the lore of universities, might vainly strive to clamber after him. So much for the intellect! But where was the heart? That, indeed, had withered,—had contracted,—had hardened,—had perished! It had ceased to partake of the universal throb. He had lost his hold of the magnetic chain of humanity. He was no longer a brother-man, opening the chambers or the dungeons of our common nature by the key of holy sympathy, which gave him a right to share in all its secrets; he was now a cold observer, looking on mankind as the subject of his experiment, and, at length, converting man and woman to be his puppets, and pulling the wires that moved them to such degrees of crime as were demanded for his study.
When they left, Ethan Brand sat listening to the crackling firewood and watching the little sparks that flickered through the gaps in the door. These details, once so familiar, barely caught his attention, while deep in his mind he reflected on the gradual yet incredible change that had come over him from the search he had dedicated himself to. He remembered how the night dew had fallen on him, how the dark forest had whispered to him, how the stars had shone down on him—a simple, loving man watching his fire in years past, always pondering as it burned. He recalled the tenderness, love, and sympathy he had felt for humanity and the pity for human guilt and suffering that had initially inspired the ideas that later became the driving force of his life; how reverently he had looked into the heart of man, seeing it as a once-divine temple, and, despite its desecration, still worthy of being treated as sacred by a fellow human; how he had been filled with dreadful fear at the thought of his pursuit succeeding, praying that the Unpardonable Sin would never be revealed to him. Then came the immense intellectual growth, which, in its course, upset the balance between his mind and heart. The idea that consumed his life had served as an educational tool; it had pushed his abilities to their maximum potential; it had elevated him from being an uneducated laborer to standing on a star-lit peak, where the world’s philosophers, laden with knowledge from universities, might futilely try to climb after him. So much for intellect! But where was the heart? That had indeed withered, contracted, hardened, and perished! It had stopped feeling the universal pulse. He had lost his connection to the magnetic chain of humanity. No longer a fellow human sharing in the chambers or dungeons of our common nature with the key of genuine sympathy, giving him the right to share in all its secrets; he had become a detached observer, viewing humanity as subjects of his experiment, ultimately turning men and women into his puppets and pulling the strings that led them to commit the crimes necessary for his study.
Thus Ethan Brand became a fiend. He began to be so from the moment that his moral nature had ceased to keep the pace of improvement with his intellect. And now, as his highest effort and inevitable development,—as the bright and gorgeous flower, and rich, delicious fruit of his life’s labor,—he had produced the Unpardonable Sin!
Thus, Ethan Brand became a monster. He started to become one the moment his moral compass stopped evolving alongside his intelligence. And now, as his greatest achievement and unavoidable evolution—like the beautiful and vibrant flower, and the rich, sweet fruit of all his hard work—he had created the Unpardonable Sin!
“What more have I to seek? what more to achieve?” said Ethan Brand to himself. “My task is done, and well done!”
“What else do I need to look for? What else do I need to accomplish?” said Ethan Brand to himself. “I've finished my work, and I've done it well!”
Starting from the log with a certain alacrity in his gait and ascending the hillock of earth that was raised against the stone circumference of the lime-kiln, he thus reached the top of the structure. It was a space of perhaps ten feet across, from edge to edge, presenting a view of the upper surface of the immense mass of broken marble with which the kiln was heaped. All these innumerable blocks and fragments of marble were redhot and vividly on fire, sending up great spouts of blue flame, which quivered aloft and danced madly, as within a magic circle, and sank and rose again, with continual and multitudinous activity. As the lonely man bent forward over this terrible body of fire, the blasting heat smote up against his person with a breath that, it might be supposed, would have scorched and shrivelled him up in a moment.
Starting from the log with a certain eagerness in his walk and climbing up the mound of earth that was piled against the stone edge of the lime kiln, he made it to the top of the structure. It was an area of about ten feet across, from one side to the other, offering a view of the upper surface of the massive heap of broken marble in the kiln. All these countless blocks and pieces of marble were glowing red and intensely on fire, shooting up large jets of blue flames that flickered above and danced wildly, as if within a magic circle, rising and falling with constant and numerous energy. As the solitary man leaned forward over this fearsome blaze, the scorching heat hit him with a force that seemed like it would have burned and withered him in an instant.
Ethan Brand stood erect, and raised his arms on high. The blue flames played upon his face, and imparted the wild and ghastly light which alone could have suited its expression; it was that of a fiend on the verge of plunging into his gulf of intensest torment.
Ethan Brand stood tall, raising his arms high. The blue flames danced on his face, giving off a wild and eerie light that perfectly matched his expression; it looked like a devil about to dive into a pit of extreme suffering.
“O Mother Earth,” cried he, “who art no more my Mother, and into whose bosom this frame shall never be resolved! O mankind, whose brotherhood I have cast off, and trampled thy great heart beneath my feet! O stars of heaven, that shone on me of old, as if to light me onward and upward!—farewell all, and forever. Come, deadly element of Fire,-henceforth my familiar friend! Embrace me, as I do thee!”
“O Mother Earth,” he cried, “who is no longer my Mother, and into whose embrace this body will never return! O humanity, whose brotherhood I have rejected, and trampled your great heart beneath my feet! O stars in the sky, that once shined on me, lighting my way onward and upward!—farewell to all, and forever. Come, deadly element of Fire— from now on, my familiar friend! Embrace me, as I embrace you!”
That night the sound of a fearful peal of laughter rolled heavily through the sleep of the lime-burner and his little son; dim shapes of horror and anguish haunted their dreams, and seemed still present in the rude hovel, when they opened their eyes to the daylight.
That night, the sound of a terrifying laugh echoed loudly through the sleep of the lime-burner and his young son; vague figures of fear and suffering haunted their dreams and seemed to linger in the rough cabin when they opened their eyes to the daylight.
“Up, boy, up!” cried the lime-burner, staring about him. “Thank Heaven, the night is gone, at last; and rather than pass such another, I would watch my lime-kiln, wide awake, for a twelvemonth. This Ethan Brand, with his humbug of an Unpardonable Sin, has done me no such mighty favor, in taking my place!”
“Get up, boy, get up!” shouted the lime-burner, looking around. “Thank God, the night is finally over; and I would rather stay wide awake watching my lime kiln for a year than go through another night like that. This Ethan Brand, with his nonsense about an Unpardonable Sin, hasn’t done me any big favors by taking my spot!”
He issued from the hut, followed by little Joe, who kept fast hold of his father’s hand. The early sunshine was already pouring its gold upon the mountain-tops, and though the valleys were still in shadow, they smiled cheerfully in the promise of the bright day that was hastening onward. The village, completely shut in by hills, which swelled away gently about it, looked as if it had rested peacefully in the hollow of the great hand of Providence. Every dwelling was distinctly visible; the little spires of the two churches pointed upwards, and caught a fore-glimmering of brightness from the sun-gilt skies upon their gilded weather-cocks. The tavern was astir, and the figure of the old, smoke-dried stage-agent, cigar in mouth, was seen beneath the stoop. Old Graylock was glorified with a golden cloud upon his head. Scattered likewise over the breasts of the surrounding mountains, there were heaps of hoary mist, in fantastic shapes, some of them far down into the valley, others high up towards the summits, and still others, of the same family of mist or cloud, hovering in the gold radiance of the upper atmosphere. Stepping from one to another of the clouds that rested on the hills, and thence to the loftier brotherhood that sailed in air, it seemed almost as if a mortal man might thus ascend into the heavenly regions. Earth was so mingled with sky that it was a day-dream to look at it.
He came out of the hut, followed by little Joe, who held tightly onto his father’s hand. The early sunlight was already spilling its gold over the mountain tops, and although the valleys were still in shadow, they looked cheerful, promising a bright day ahead. The village, completely surrounded by gently rising hills, seemed to rest peacefully in the great hand of Providence. Every home was clearly visible; the small spires of the two churches reached upward and caught a hint of brightness from the sunlit skies on their gilded weather vanes. The tavern was bustling, and the figure of the old, smoke-stained stage-agent with a cigar in his mouth was seen beneath the porch. Old Graylock was crowned with a golden cloud. Scattered across the slopes of the nearby mountains were patches of gray mist, in strange shapes, some reaching deep into the valley, others high up towards the peaks, and others of the same misty kind hovering in the golden light of the upper atmosphere. It felt almost as if a person could step from one cloud resting on the hills to another and then to the higher ones floating in the air, making it seem as though a mortal could ascend into the heavenly realm. Earth and sky were so intertwined that it felt like a daydream to behold.
To supply that charm of the familiar and homely, which Nature so readily adopts into a scene like this, the stage-coach was rattling down the mountain-road, and the driver sounded his horn, while Echo caught up the notes, and intertwined them into a rich and varied and elaborate harmony, of which the original performer could lay claim to little share. The great hills played a concert among themselves, each contributing a strain of airy sweetness.
To provide that comforting and cozy feel that Nature easily brings into a scene like this, the stagecoach was clattering down the mountain road, and the driver honked his horn, while Echo picked up the notes and wove them into a rich, varied, and complex harmony, of which the original performer had little claim. The grand hills were holding a concert among themselves, each adding a note of light sweetness.
Little Joe’s face brightened at once.
Little Joe's face lit up immediately.
“Dear father,” cried he, skipping cheerily to and fro, “that strange man is gone, and the sky and the mountains all seem glad of it!”
“Dear dad,” he exclaimed, skipping happily back and forth, “that weird guy is gone, and the sky and the mountains all seem really glad about it!”
“Yes,” growled the lime-burner, with an oath, “but he has let the fire go down, and no thanks to him if five hundred bushels of lime are not spoiled. If I catch the fellow hereabouts again, I shall feel like tossing him into the furnace!”
“Yes,” growled the lime-burner, swearing, “but he let the fire go out, and it’s a miracle if five hundred bushels of lime aren’t ruined because of him. If I catch that guy around here again, I’ll feel like throwing him into the furnace!”
With his long pole in his hand, he ascended to the top of the kiln. After a moment’s pause, he called to his son.
With his long pole in hand, he climbed to the top of the kiln. After a brief pause, he called out to his son.
“Come up here, Joe!” said he.
“Come up here, Joe!” he said.
So little Joe ran up the hillock, and stood by his father’s side. The marble was all burnt into perfect, snow-white lime. But on its surface, in the midst of the circle,—snow-white too, and thoroughly converted into lime,—lay a human skeleton, in the attitude of a person who, after long toil, lies down to long repose. Within the ribs—strange to say—was the shape of a human heart.
So little Joe ran up the hill and stood by his father’s side. The marble had all burned down into perfect, snow-white lime. But on its surface, in the middle of the circle—also snow-white and completely turned into lime—laid a human skeleton, in the pose of someone who, after long labor, lies down for a long rest. Inside the ribs—strangely enough—was the shape of a human heart.
“Was the fellow’s heart made of marble?” cried Bartram, in some perplexity at this phenomenon. “At any rate, it is burnt into what looks like special good lime; and, taking all the bones together, my kiln is half a bushel the richer for him.”
“Was the guy’s heart made of marble?” exclaimed Bartram, feeling puzzled by this situation. “In any case, it’s turned into something that resembles high-quality lime; and, considering all the bones together, my kiln has gained half a bushel from him.”
So saying, the rude lime-burner lifted his pole, and, letting it fall upon the skeleton, the relics of Ethan Brand were crumbled into fragments.
So saying, the rough lime-burner lifted his pole and let it fall on the skeleton, shattering the remains of Ethan Brand into pieces.
A BELL’S BIOGRAPHY
Hearken to our neighbor with the iron tongue. While I sit musing over my sheet of foolscap, he emphatically tells the hour, in tones loud enough for all the town to hear, though doubtless intended only as a gentle hint to myself, that I may begin his biography before the evening shall be further wasted. Unquestionably, a personage in such an elevated position, and making so great a noise in the world, has a fair claim to the services of a biographer. He is the representative and most illustrious member of that innumerable class, whose characteristic feature is the tongue, and whose sole business, to clamor for the public good. If any of his noisy brethren, in our tongue-governed democracy, be envious of the superiority which I have assigned him, they have my free consent to hang themselves as high as he. And, for his history, let not the reader apprehend an empty repetition of ding-dong-bell. He has been the passive hero of wonderful vicissitudes, with which I have chanced to become acquainted, possibly from his own mouth; while the careless multitude supposed him to be talking merely of the time of day, or calling them to dinner or to church, or bidding drowsy people go bedward, or the dead to their graves. Many a revolution has it been his fate to go through, and invariably with a prodigious uproar. And whether or no he have told me his reminiscences, this at least is true, that the more I study his deep-toned language, the more sense, and sentiment, and soul, do I discover in it.
Listen to our neighbor with the loud voice. While I sit thinking over my notepad, he loudly announces the time, loud enough for everyone in town to hear, even though it's likely just a gentle reminder for me to start writing about his life before the evening slips away. No doubt, a person in such a prominent position, making such a noise in the world, deserves a biographer. He’s the standout representative of that vast group known for their chatter, whose main job is to advocate for the public good. If any of his noisy peers, in our talkative democracy, envy the status I’ve given him, they have my full permission to aspire to his level. And about his story, the reader shouldn’t fear it’s just an endless chime of bells. He has lived through amazing ups and downs, which I’ve become aware of, possibly directly from him; while the oblivious crowd thought he was merely speaking about the time, calling them to dinner or to church, or telling sleepy people to go to bed or leading the dead to their graves. He’s been through many upheavals, each time with a tremendous noise. And whether he has shared his memories with me or not, one thing is certain: the more I delve into his rich language, the more meaning, feeling, and spirit I find in it.
This bell—for we may as well drop our quaint personification—is of antique French manufacture, and the symbol of the cross betokens that it was meant to be suspended in the belfry of a Romish place of worship. The old people hereabout have a tradition, that a considerable part of the metal was supplied by a brass cannon, captured in one of the victories of Louis the Fourteenth over the Spaniards, and that a Bourbon princess threw her golden crucifix into the molten mass. It is said, likewise, that a bishop baptized and blessed the bell, and prayed that a heavenly influence might mingle with its tones. When all due ceremonies had been performed, the Grand Monarque bestowed the gift—than which none could resound his beneficence more loudly—on the Jesuits, who were then converting the American Indians to the spiritual dominion of the Pope. So the bell,—our self-same bell, whose familiar voice we may hear at all hours, in the streets,—this very bell sent forth its first-born accents from the tower of a log-built chapel, westward of Lake Champlain, and near the mighty stream of the St. Lawrence. It was called Our Lady’s Chapel of the Forest. The peal went forth as if to redeem and consecrate the heathen wilderness. The wolf growled at the sound, as he prowled stealthily through the underbrush; the grim bear turned his back, and stalked sullenly away; the startled doe leaped up, and led her fawn into a deeper solitude. The red men wondered what awful voice was speaking amid the wind that roared through the tree-tops; and, following reverentially its summons, the dark-robed fathers blessed them, as they drew near the cross-crowned chapel. In a little time, there was a crucifix on every dusky bosom. The Indians knelt beneath the lowly roof, worshipping in the same forms that were observed under the vast dome of St. Peter’s, when the Pope performed high mass in the presence of kneeling princes. All the religious festivals, that awoke the chiming bells of lofty cathedrals, called forth a peal from Our Lady’s Chapel of the Forest. Loudly rang the bell of the wilderness while the streets of Paris echoed with rejoicings for the birthday of the Bourbon, or whenever France had triumphed on some European battle-field. And the solemn woods were saddened with a melancholy knell, as often as the thick-strewn leaves were swept away from the virgin soil, for the burial of an Indian chief.
This bell—let's skip the old-fashioned personification—is made in antique French style, and the cross symbol indicates it was meant to hang in a Catholic church. Locals have a tradition that a significant portion of the metal came from a brass cannon, captured during one of Louis the Fourteenth's victories over the Spaniards, and that a Bourbon princess dropped her gold crucifix into the melted metal. It's also said that a bishop baptized and blessed the bell, praying for heavenly influence to blend with its sounds. After all the ceremonies were completed, the Grand Monarch gifted it—louder than any other sign of his generosity—to the Jesuits, who were then converting the Native Americans to the spiritual authority of the Pope. So this bell—our familiar bell, whose voice we can hear at all hours in the streets—first sounded from the tower of a log chapel, west of Lake Champlain, near the great St. Lawrence River. It was called Our Lady’s Chapel of the Forest. The peal rang out as if to rescue and sanctify the wild wilderness. The wolf growled at the sound as it stealthily moved through the bushes; the grim bear turned away and lumbered off; the startled doe leaped up and led her fawn into deeper solitude. Native Americans wondered what powerful voice was speaking among the wind that roared through the treetops, and, following its respectful call, the dark-robed priests blessed them as they approached the chapel crowned with a cross. Soon, there was a crucifix on every dark chest. The Native Americans knelt beneath the humble roof, worshiping in the same way practiced under the vast dome of St. Peter’s, when the Pope conducted a high mass in the presence of kneeling princes. All the religious festivals that set off the ringing bells of grand cathedrals also prompted a peal from Our Lady’s Chapel of the Forest. The bell of the wilderness rang loudly while the streets of Paris echoed with celebrations for the Bourbon's birthday, or whenever France triumphed on some European battlefield. And the solemn woods grew quiet with a mournful toll whenever the thick leaves were cleared from the virgin ground for the burial of an Indian chief.
Meantime, the bells of a hostile people and a hostile faith were ringing on Sabbaths and lecture-days, at Boston and other Puritan towns. Their echoes died away hundreds of miles southeastward of Our Lady’s Chapel. But scouts had threaded the pathless desert that lay between, and, from behind the huge tree-trunks, perceived the Indians assembling at the summons of the bell. Some bore flaxen-haired scalps at their girdles, as if to lay those bloody trophies on Our Lady’s altar. It was reported, and believed, all through New England, that the Pope of Rome, and the King of France, had established this little chapel in the forest, for the purpose of stirring up the red men to a crusade against the English settlers. The latter took energetic measures to secure their religion and their lives. On the eve of an especial fast of the Romish Church, while the bell tolled dismally, and the priests were chanting a doleful stave, a band of New England rangers rushed from the surrounding woods. Fierce shouts, and the report of musketry, pealed suddenly within the chapel. The ministering priests threw themselves before the altar, and were slain even on its steps. If, as antique traditions tell us, no grass will grow where the blood of martyrs has been shed, there should be a barren spot, to this very day, on the site of that desecrated altar.
Meanwhile, the bells of a hostile community and an opposing faith were ringing on Sundays and lecture days in Boston and other Puritan towns. Their echoes faded away hundreds of miles southeast of Our Lady’s Chapel. But scouts had navigated the pathless wilderness in between and, from behind the massive tree trunks, saw the Indians gathering at the sound of the bell. Some carried flaxen-haired scalps at their belts, as if to offer those bloody trophies on Our Lady’s altar. It was reported and believed throughout New England that the Pope in Rome and the King of France had established this small chapel in the woods to incite the Native Americans to launch a crusade against the English settlers. The settlers took strong action to protect their faith and their lives. On the eve of a special fast of the Roman Catholic Church, as the bell tolled mournfully and the priests chanted a sorrowful hymn, a group of New England rangers charged out from the surrounding woods. Fierce shouts and the sound of gunfire suddenly erupted within the chapel. The priests threw themselves in front of the altar and were killed right at its steps. If, as old traditions say, no grass will grow where the blood of martyrs has been spilled, there should be a barren patch to this very day at the site of that desecrated altar.
While the blood was still plashing from step to step, the leader of the rangers seized a torch, and applied it to the drapery of the shrine. The flame and smoke arose, as from a burnt-sacrifice, at once illuminating and obscuring the whole interior of the chapel,—now hiding the dead priests in a sable shroud, now revealing them and their slayers in one terrific glare. Some already wished that the altar-smoke could cover the deed from the sight of Heaven. But one of the rangers—a man of sanctified aspect, though his hands were bloody—approached the captain.
While the blood was still splashing from step to step, the leader of the rangers grabbed a torch and set the shrine's drapery on fire. The flames and smoke rose like a burnt offering, lighting up and then darkening the whole interior of the chapel—sometimes concealing the dead priests in a dark shroud, sometimes revealing them and their killers in a chilling glow. Some already wished that the altar smoke could hide the act from the gaze of Heaven. But one of the rangers—a man with a holy demeanor, despite his bloody hands—stepped up to the captain.
“Sir,” said he, “our village meeting-house lacks a bell, and hitherto we have been fain to summon the good people to worship by beat of drum. Give me, I pray you, the bell of this popish chapel, for the sake of the godly Mr. Rogers, who doubtless hath remembered us in the prayers of the congregation, ever since we began our march. Who can tell what share of this night’s good success we owe to that holy man’s wrestling with the Lord?”
“Sir,” he said, “our village meeting house doesn’t have a bell, and until now we’ve had to call the good people to worship by beating a drum. Please give me the bell from this Catholic chapel, for the sake of the righteous Mr. Rogers, who has surely remembered us in the congregation's prayers ever since we set out on our journey. Who can say how much of tonight’s success we owe to that holy man’s prayers with the Lord?”
“Nay, then,” answered the captain, “if good Mr. Rogers hath holpen our enterprise, it is right that he should share the spoil. Take the bell and welcome, Deacon Lawson, if you will be at the trouble of carrying it home. Hitherto it hath spoken nothing but papistry, and that too in the French or Indian gibberish; but I warrant me, if Mr. Rogers consecrate it anew, it will talk like a good English and Protestant bell.”
“Nah, then,” replied the captain, “if good Mr. Rogers has helped our mission, it’s only fair that he should get his share of the rewards. Take the bell and welcome it, Deacon Lawson, if you’re willing to carry it home. Until now, it has only spoken nonsense, and that too in some French or Indian gibberish; but I bet if Mr. Rogers blesses it again, it will sound just like a proper English and Protestant bell.”
So Deacon Lawson and half a score of his townsmen took down the bell, suspended it on a pole, and bore it away on their sturdy shoulders, meaning to carry it to the shore of Lake Champlain, and thence homeward by water. Far through the woods gleamed the flames of Our Lady’s Chapel, flinging fantastic shadows from the clustered foliage, and glancing on brooks that had never caught the sunlight. As the rangers traversed the midnight forest, staggering under their heavy burden, the tongue of the bell gave many a tremendous stroke,—clang, clang, clang!—a most doleful sound, as if it were tolling for the slaughter of the priests and the ruin of the chapel. Little dreamed Deacon Lawson and his townsmen that it was their own funeral knell. A war-party of Indians had heard the report, of musketry, and seen the blaze of the chapel, and now were on the track of the rangers, summoned to vengeance by the bell’s dismal murmurs. In the midst of a deep swamp, they made a sudden onset on the retreating foe. Good Deacon Lawson battled stoutly, but had his skull cloven by a tomahawk, and sank into the depths of the morass, with the ponderous bell above him. And, for many a year thereafter, our hero’s voice was heard no more on earth, neither at the hour of worship, nor at festivals nor funerals.
So Deacon Lawson and about a dozen of his fellow townsmen took down the bell, hung it on a pole, and carried it away on their strong shoulders, planning to transport it to the shore of Lake Champlain, and then home by water. Far through the woods, the flames of Our Lady’s Chapel flickered, casting eerie shadows from the dense foliage and shimmering on brooks that had never seen sunlight. As the rangers moved through the midnight forest, struggling under their heavy load, the bell rang out with tremendous clangs—clang, clang, clang!—a mournful sound, as if it were tolling for the deaths of the priests and the destruction of the chapel. Little did Deacon Lawson and his townsmen realize that it was their own funeral bell. A war party of Indians had heard the gunfire and seen the flames of the chapel, and now they were tracking the rangers, drawn to revenge by the bell's ominous ringing. In the middle of a deep swamp, they launched a sudden attack on the retreating men. Good Deacon Lawson fought bravely but was struck down by a tomahawk and sank into the depths of the swamp, with the heavy bell above him. And for many years after, our hero’s voice was never heard on earth again, neither during worship, nor at festivals, nor at funerals.
And is he still buried in that unknown grave? Scarcely so, dear reader. Hark! How plainly we hear him at this moment, the spokesman of Time, proclaiming that it is nine o’clock at night! We may therefore safely conclude that some happy chance has restored him to upper air.
And is he still buried in that unknown grave? Hardly, dear reader. Listen! How clearly we hear him right now, the voice of Time, announcing that it’s nine o’clock at night! We can therefore safely assume that some fortunate event has brought him back to the surface.
But there lay the bell, for many silent years; and the wonder is, that he did not lie silent there a century, or perhaps a dozen centuries, till the world should have forgotten not only his voice, but the voices of the whole brotherhood of bells. How would the first accent of his iron tongue have startled his resurrectionists! But he was not fated to be a subject of discussion among the antiquaries of far posterity. Near the close of the Old French War, a party of New England axe-men, who preceded the march of Colonel Bradstreet toward Lake Ontario, were building a bridge of logs through a swamp. Plunging down a stake, one of these pioneers felt it graze against some hard, smooth substance. He called his comrades, and, by their united efforts, the top of the bell was raised to the surface, a rope made fast to it, and thence passed over the horizontal limb of a tree. Heave ho! up they hoisted their prize, dripping with moisture, and festooned with verdant water-moss. As the base of the bell emerged from the swamp, the pioneers perceived that a skeleton was clinging with its bony fingers to the clapper, but immediately relaxing its nerveless grasp, sank back into the stagnant water. The bell then gave forth a sullen clang. No wonder that he was in haste to speak, after holding his tongue for such a length of time! The pioneers shoved the bell to and fro, thus ringing a loud and heavy peal, which echoed widely through the forest, and reached the ears of Colonel Bradstreet, and his three thousand men. The soldiers paused on their march; a feeling of religion, mingled with borne-tenderness, overpowered their rude hearts; each seemed to hear the clangor of the old church-bell, which had been familiar to hint from infancy, and had tolled at the funerals of all his forefathers. By what magic had that holy sound strayed over the wide-murmuring ocean, and become audible amid the clash of arms, the loud crashing of the artillery over the rough wilderness-path, and the melancholy roar of the wind among the boughs?
But there lay the bell, silent for many years; and it's amazing that it didn't stay silent for a century, or even a dozen centuries, until the world forgot not just its voice, but the voices of all the bells together. Can you imagine how startled the resurrectionists would have been by the first sound of its iron tongue? But it wasn’t meant to be a topic of discussion among the historians of the distant future. Near the end of the Old French War, a group of New England lumberjacks, who were ahead of Colonel Bradstreet's march towards Lake Ontario, were building a log bridge through a swamp. As one of these pioneers drove down a stake, he felt it bump against something hard and smooth. He called over his teammates, and together they raised the top of the bell to the surface, tied a rope around it, and threw it over a horizontal tree limb. With a heave ho! they hoisted their prize, dripping with moisture and covered in green water-moss. When the base of the bell came out of the swamp, they noticed a skeleton clinging to the clapper with its bony fingers, but it quickly let go and sank back into the stagnant water. The bell then let out a dull clang. It’s no wonder it was eager to sound off after being silent for so long! The pioneers pushed the bell back and forth, ringing out a loud and heavy toll that echoed widely through the forest, reaching Colonel Bradstreet and his three thousand men. The soldiers halted in their march; a mix of reverence and deep emotion overcame their tough hearts; each seemed to hear the clang of an old church bell, familiar to them since childhood, which had tolled at the funerals of all their ancestors. How had that sacred sound traveled across the vast ocean and become audible amid the chaos of battle, the loud booming of artillery over the rough wilderness path, and the sorrowful rustle of the wind among the branches?
The New-Englanders hid their prize in a shadowy nook, betwixt a large gray stone and the earthy roots of an overthrown tree; and when the campaign was ended, they conveyed our friend to Boston, and put him up at auction on the sidewalk of King Street. He was suspended, for the nonce, by a block and tackle, and being swung backward and forward, gave such loud and clear testimony to his own merits, that the auctioneer had no need to say a word. The highest bidder was a rich old representative from our town, who piously bestowed the bell on the meeting-house where he had been a worshipper for half a century. The good man had his reward. By a strange coincidence, the very first duty of the sexton, after the bell had been hoisted into the belfry, was to toll the funeral knell of the donor. Soon, however, those doleful echoes were drowned by a triumphant peal for the surrender of Quebec.
The New Englanders hid their prize in a shady spot between a large gray stone and the roots of a fallen tree. When the campaign ended, they took our friend to Boston and put him up for auction on the sidewalk of King Street. He was hung temporarily with a block and tackle, and as he swung back and forth, he made such loud and clear sounds showcasing his value that the auctioneer didn’t need to say a word. The highest bidder was a wealthy old representative from our town, who solemnly donated the bell to the meeting house where he had worshiped for fifty years. The kind man got his reward. By a strange coincidence, the very first task of the sexton, after the bell had been raised into the belfry, was to ring the funeral toll for the donor. Soon, though, those mournful sounds were overpowered by a joyful peal celebrating the surrender of Quebec.
Ever since that period, our hero has occupied the same elevated station, and has put in his word on all matters of public importance, civil, military, or religious. On the day when Independence was first proclaimed in the street beneath, he uttered a peal which many deemed ominous and fearful, rather than triumphant. But he has told the same story these sixty years, and none mistake his meaning now. When Washington, in the fulness of his glory, rode through our flower-strewn streets, this was the tongue that bade the Father of his Country welcome! Again the same voice was heard, when La Fayette came to gather in his half-century’s harvest of gratitude. Meantime, vast changes have been going on below. His voice, which once floated over a little provincial seaport, is now reverberated between brick edifices, and strikes the ear amid the buzz and tumult of a city. On the Sabbaths of olden time, the summons of the bell was obeyed by a picturesque and varied throng; stately gentlemen in purple velvet coats, embroidered waistcoats, white wigs, and gold-laced hats, stepping with grave courtesy beside ladies in flowered satin gowns, and hoop-petticoats of majestic circumference; while behind followed a liveried slave or bondsman, bearing the psalm-book, and a stove for his mistress’s feet. The commonalty, clad in homely garb, gave precedence to their betters at the door of the meetinghouse, as if admitting that there were distinctions between them, even in the sight of God. Yet, as their coffins were borne one after another through the street, the bell has tolled a requiem for all alike. What mattered it, whether or no there were a silver scutcheon on the coffin-lid? “Open thy bosom, Mother Earth!” Thus spake the bell. “Another of thy children is coming to his long rest. Take him to thy bosom, and let him slumber in peace.” Thus spake the bell, and Mother Earth received her child. With the self-same tones will the present generation be ushered to the embraces of their mother; and Mother Earth will still receive her children. Is not thy tongue a-weary, mournful talker of two centuries? O funeral bell! wilt thou never be shattered with thine own melancholy strokes? Yea, and a trumpet-call shall arouse the sleepers, whom thy heavy clang could awake no more!
Ever since that time, our hero has held the same high position and has voiced his opinions on all important public issues—civil, military, or religious. On the day Independence was first declared in the street below, he rang out a sound that many interpreted as ominous and frightening rather than triumphant. But he has told the same story for sixty years now, and no one misinterprets his meaning anymore. When Washington, at the height of his glory, rode through our flower-filled streets, this was the voice that welcomed the Father of his Country! The same voice was heard again when La Fayette came to collect his decades of gratitude. Meanwhile, huge changes have taken place below. His voice, which once echoed over a small provincial seaport, now resonates between brick buildings, cutting through the noise and chaos of a city. In the old days, when the bell rang on Sundays, a colorful and diverse crowd responded; dignified gentlemen in purple velvet coats, embroidered vests, white wigs, and gold-laced hats walked with a solemn courtesy beside ladies in floral satin dresses and wide hoop skirts; behind them followed a servant carrying the psalm book and a stove for his mistress’s feet. The common folk, dressed in simple clothing, stepped aside for their social betters at the meetinghouse door, as if acknowledging that there were distinctions even in the eyes of God. Yet, as their coffins were carried one by one through the street, the bell tolled a farewell for all alike. What difference did it make if there was a silver plaque on the coffin lid? “Open your arms, Mother Earth!” said the bell. “Another of your children is coming to their eternal rest. Embrace them and let them sleep in peace.” So spoke the bell, and Mother Earth welcomed her child. With the same voice, the current generation will be ushered into the arms of their mother; and Mother Earth will continue to receive her children. Isn’t your voice weary, mournful storyteller of two centuries? O funeral bell! Will you never break from your own sorrowful tolls? Yes, and a trumpet call will awaken the sleepers whom your heavy clang could not rouse anymore!
Again—again thy voice, reminding me that I am wasting the “midnight oil.” In my lonely fantasy, I can scarce believe that other mortals have caught the sound, or that it vibrates elsewhere than in my secret soul. But to many hast thou spoken. Anxious men have heard thee on their sleepless pillows, and bethought themselves anew of to-morrow’s care. In a brief interval of wakefulness, the sons of toil have heard thee, and say, “Is so much of our quiet slumber spent?—is the morning so near at hand?” Crime has heard thee, and mutters, “Now is the very hour!” Despair answers thee, “Thus much of this weary life is gone!” The young mother, on her bed of pain and ecstasy, has counted thy echoing strokes, and dates from them her first-born’s share of life and immortality. The bridegroom and the bride have listened, and feel that their night of rapture flits like a dream away. Thine accents have fallen faintly on the ear of the dying man, and warned him that, ere thou speakest again, his spirit shall have passed whither no voice of time can ever reach. Alas for the departing traveller, if thy voice—the voice of fleeting time—have taught him no lessons for Eternity!
Again—again your voice is reminding me that I’m wasting the “midnight oil.” In my lonely daydream, I can hardly believe that other people have heard it, or that it echoing anywhere outside of my secret soul. But you have spoken to many. Anxious men have heard you on their sleepless pillows, and pondered anew tomorrow’s worries. In a brief moment of wakefulness, workers have heard you and asked, “Have we spent so much of our peaceful sleep? Is morning almost here?” Criminals have heard you and mumble, “Now is the perfect time!” Despair responds, “So much of this weary life is gone!” The young mother, on her bed of pain and joy, has counted your echoing chimes and marks from them her first child’s share of life and immortality. The bridegroom and bride have listened and feel their night of happiness slipping away like a dream. Your sounds have faintly reached the ear of the dying man, warning him that, before you speak again, his spirit will have passed to a place where no voice of time can ever reach. Alas for the departing traveler, if your voice—the voice of fleeting time—has taught him no lessons for Eternity!
SYLPH ETHEREGE
On a bright summer evening, two persons stood among the shrubbery of a garden, stealthily watching a young girl, who sat in the window seat of a neighboring mansion. One of these unseen observers, a gentleman, was youthful, and had an air of high breeding and refinement, and a face marked with intellect, though otherwise of unprepossessing aspect. His features wore even an ominous, though somewhat mirthful expression, while he pointed his long forefinger at the girl, and seemed to regard her as a creature completely within the scope of his influence.
On a bright summer evening, two people stood among the bushes in a garden, quietly watching a young girl sitting in the window seat of a nearby mansion. One of these hidden observers, a young man, had an air of sophistication and elegance, with a face suggesting intelligence, although he was otherwise not particularly attractive. His expression was even a mix of foreboding and a hint of amusement as he pointed his long finger at the girl, seeming to see her as someone entirely under his control.
“The charm works!” said he, in a low, but emphatic whisper.
“The charm works!” he said, in a quiet but forceful whisper.
“Do you know, Edward Hamilton,—since so you choose to be named,—do you know,” said the lady beside him, “that I have almost a mind to break the spell at once? What if the lesson should prove too severe! True, if my ward could be thus laughed out of her fantastic nonsense, she might be the better for it through life. But then, she is such a delicate creature! And, besides, are you not ruining your own chance, by putting forward this shadow of a rival?”
“Do you know, Edward Hamilton—since that’s how you want to be called—do you know,” the lady next to him said, “that I’m really tempted to end this situation right now? What if the lesson turns out to be too harsh! True, if my ward could be laughed out of her silly fantasies, it might benefit her for life. But she’s such a delicate person! And besides, aren’t you jeopardizing your own chances by bringing up this barely-there rival?”
“But will he not vanish into thin air, at my bidding?” rejoined Edward Hamilton. “Let the charm work!”
“But won’t he just disappear into thin air if I ask?” Edward Hamilton replied. “Let the charm do its thing!”
The girl’s slender and sylph-like figure, tinged with radiance from the sunset clouds, and overhung with the rich drapery of the silken curtains, and set within the deep frame of the window, was a perfect picture; or, rather, it was like the original loveliness in a painter’s fancy, from which the most finished picture is but an imperfect copy. Though her occupation excited so much interest in the two spectators, she was merely gazing at a miniature which she held in her hand, encased in white satin and red morocco; nor did there appear to be any other cause for the smile of mockery and malice with which Hamilton regarded her.
The girl’s slender, graceful figure was bathed in the warm glow of the sunset clouds, draped in luxurious silk curtains, and framed perfectly by the window. It was like a scene straight from an artist's imagination, where reality is just an imperfect version of beauty. While the two onlookers were captivated by her, she was simply admiring a miniature picture in her hand, which was wrapped in white satin and red leather. There didn't seem to be any other reason for the mocking, hostile smile that Hamilton directed at her.
“The charm works!” muttered he, again. “Our pretty Sylvia’s scorn will have a dear retribution!”
“The charm works!” he muttered again. “Our beautiful Sylvia’s scorn will come back to bite her!”
At this moment the girl raised her eyes, and, instead of a life-like semblance of the miniature, beheld the ill-omened shape of Edward Hamilton, who now stepped forth from his concealment in the shrubbery.
At that moment, the girl looked up, and instead of seeing a realistic version of the miniature, she saw the ominous figure of Edward Hamilton, who now emerged from his hiding spot in the bushes.
Sylvia Etherege was an orphan girl, who had spent her life, till within a few months past, under the guardianship, and in the secluded dwelling, of an old bachelor uncle. While yet in her cradle, she had been the destined bride of a cousin, who was no less passive in the betrothal than herself. Their future union had been projected, as the means of uniting two rich estates, and was rendered highly expedient, if not indispensable, by the testamentary dispositions of the parents on both sides. Edgar Vaughan, the promised bridegroom, had been bred from infancy in Europe, and had never seen the beautiful girl whose heart he was to claim as his inheritance. But already, for several years, a correspondence had been kept up between tine cousins, and had produced an intellectual intimacy, though it could but imperfectly acquaint them with each other’s character.
Sylvia Etherege was an orphan girl who had spent her life, until a few months ago, under the care of her old bachelor uncle in a secluded house. From her cradle, she had been promised to a cousin, who was just as passive in the engagement as she was. Their future marriage was planned to unite two wealthy estates and was deemed very necessary, if not essential, by the wills of both their parents. Edgar Vaughan, the betrothed groom, had been raised in Europe since he was a child and had never met the beautiful girl whose heart he was supposed to inherit. However, for several years, the two cousins had maintained a correspondence that created an intellectual closeness, although it could only partially help them understand each other’s character.
Sylvia was shy, sensitive, and fanciful; and her guardian’s secluded habits had shut her out from even so much of the world as is generally open to maidens of her age. She had been left to seek associates and friends for herself in the haunts of imagination, and to converse with them, sometimes in the language of dead poets, oftener in the poetry of her own mind. The companion whom she chiefly summoned up was the cousin with whose idea her earliest thoughts had been connected. She made a vision of Edgar Vaughan, and tinted it with stronger hues than a mere fancy-picture, yet graced it with so many bright and delicate perfections, that her cousin could nowhere have encountered so dangerous a rival. To this shadow she cherished a romantic fidelity. With its airy presence sitting by her side, or gliding along her favorite paths, the loneliness of her young life was blissful; her heart was satisfied with love, while yet its virgin purity was untainted by the earthliness that the touch of a real lover would have left there. Edgar Vaughan seemed to be conscious of her character; for, in his letters, he gave her a name that was happily appropriate to the sensitiveness of her disposition, the delicate peculiarity of her manners, and the ethereal beauty both of her mind and person. Instead of Sylvia, he called her Sylph,—with the prerogative of a cousin and a lover,—his dear Sylph Etherege.
Sylvia was shy, sensitive, and imaginative; and her guardian’s reclusive lifestyle had kept her from even the parts of the world that are usually accessible to girls her age. She had been left to find companions and friends on her own in the realms of her imagination, conversing with them, at times using the words of long-gone poets, but more often expressing the poetry of her own thoughts. The companion she mostly conjured up was the cousin to whom her earliest thoughts had been linked. She envisioned Edgar Vaughan, coloring it with stronger shades than a mere fantasy, yet adorning it with so many bright and delicate qualities that her cousin could not have matched such a captivating rival. She held onto this illusion with romantic loyalty. With this ethereal presence beside her, or drifting along her favorite paths, the solitude of her young life felt blissful; her heart was fulfilled with love, while its innocent purity remained untouched by the reality a real lover would have brought. Edgar Vaughan seemed to understand her essence; in his letters, he gave her a name that perfectly suited her sensitive nature, the delicate uniqueness of her mannerisms, and the ethereal beauty of both her mind and appearance. Instead of calling her Sylvia, he referred to her as Sylph—with the privilege of a cousin and a lover—his dear Sylph Etherege.
When Sylvia was seventeen, her guardian died, and she passed under the care of Mrs. Grosvenor, a lady of wealth and fashion, and Sylvia’s nearest relative, though a distant one. While an inmate of Mrs. Grosvenor’s family, she still preserved somewhat of her life-long habits of seclusion, and shrank from a too familiar intercourse with those around her. Still, too, she was faithful to her cousin, or to the shadow which bore his name.
When Sylvia turned seventeen, her guardian passed away, and she came under the care of Mrs. Grosvenor, a wealthy and fashionable woman who was her closest relative, even though they weren't very close. While living with Mrs. Grosvenor's family, she continued some of her lifelong habits of keeping to herself and avoided getting too close to those around her. However, she remained loyal to her cousin, or to the memory of him.
The time now drew near when Edgar Vaughan, whose education had been completed by an extensive range of travel, was to revisit the soil of his nativity. Edward Hamilton, a young gentleman, who had been Vaughan’s companion, both in his studies and rambles, had already recrossed the Atlantic, bringing letters to Mrs. Grosvenor and Sylvia Etherege. These credentials insured him an earnest welcome, which, however, on Sylvia’s part, was not followed by personal partiality, or even the regard that seemed due to her cousin’s most intimate friend. As she herself could have assigned no cause for her repugnance, it might be termed instinctive. Hamilton’s person, it is true, was the reverse of attractive, especially when beheld for the first time. Yet, in the eyes of the most fastidious judges, the defect of natural grace was compensated by the polish of his manners, and by the intellect which so often gleamed through his dark features. Mrs. Grosvenor, with whom he immediately became a prodigious favorite, exerted herself to overcome Sylvia’s dislike. But, in this matter, her ward could neither be reasoned with nor persuaded. The presence of Edward Hamilton was sure to render her cold, shy, and distant, abstracting all the vivacity from her deportment, as if a cloud had come betwixt her and the sunshine.
The time was approaching when Edgar Vaughan, whose education had been shaped by extensive travel, was set to return to his homeland. Edward Hamilton, a young man who had been Vaughan’s companion in both his studies and adventures, had already crossed the Atlantic again, bringing letters for Mrs. Grosvenor and Sylvia Etherege. These letters guaranteed him a warm welcome, which, however, was not matched by Sylvia’s personal affection or the attention typically given to her cousin’s closest friend. Since she couldn't pinpoint a reason for her aversion, it seemed instinctive. It’s true that Hamilton’s appearance was not particularly appealing, especially at first glance. Still, to even the most discerning observers, his lack of natural charm was balanced out by the elegance of his manners and the intelligence that often shone through his dark features. Mrs. Grosvenor, who quickly became a huge fan of his, worked hard to overcome Sylvia’s dislike. Yet, in this situation, her ward was neither reasoned with nor swayed. Edward Hamilton’s presence always made her cold, shy, and distant, draining all the liveliness from her demeanor, as if a cloud had come between her and the sunshine.
The simplicity of Sylvia’s demeanor rendered it easy for so keen an observer as Hamilton to detect her feelings. Whenever any slight circumstance made him sensible of them, a smile might be seen to flit over the young man’s sallow visage. None, that had once beheld this smile, were in any danger of forgetting it; whenever they recalled to memory the features of Edward Hamilton, they were always duskily illuminated by this expression of mockery and malice.
The simplicity of Sylvia’s behavior made it easy for someone as observant as Hamilton to notice her feelings. Whenever something small made him aware of them, a smile would briefly appear on the young man’s pale face. Anyone who had ever seen this smile was unlikely to forget it; whenever they remembered Edward Hamilton’s features, they were always shaded by this expression of mockery and malice.
In a few weeks after Hamilton’s arrival, he presented to Sylvia Etherege a miniature of her cousin, which, as he informed her, would have been delivered sooner, but was detained with a portion of his baggage. This was the miniature in the contemplation of which we beheld Sylvia so absorbed, at the commencement of our story. Such, in truth, was too often the habit of the shy and musing girl. The beauty of the pictured countenance was almost too perfect to represent a human creature, that had been born of a fallen and world-worn race, and had lived to manhood amid ordinary troubles and enjoyments, and must become wrinkled with age and care. It seemed too bright for a thing formed of dust, and doomed to crumble into dust again. Sylvia feared that such a being would be too refined and delicate to love a simple girl like her. Yet, even while her spirit drooped with that apprehension, the picture was but the masculine counterpart of Sylph Etherege’s sylphlike beauty. There was that resemblance between her own face and the miniature which is said often to exist between lovers whom Heaven has destined for each other, and which, in this instance, might be owing to the kindred blood of the two parties. Sylvia felt, indeed, that there was something familiar in the countenance, so like a friend did the eyes smile upon her, and seem to imply a knowledge of her thoughts. She could account for this impression only by supposing that, in some of her day-dreams, imagination had conjured up the true similitude of her distant and unseen lover.
In a few weeks after Hamilton arrived, he gave Sylvia Etherege a miniature of her cousin, which, as he explained, would have been delivered sooner but was held up with some of his baggage. This was the miniature that we saw Sylvia so absorbed in at the beginning of our story. Often, the shy and introspective girl would lose herself in such things. The beauty of the image was almost too perfect to represent a real person, someone born from a fallen and weary race, who lived through ordinary troubles and joys, and would eventually become wrinkled with age and worry. It seemed too vibrant for something made of dust, destined to return to dust. Sylvia worried that such a being would be too refined and delicate to love a simple girl like her. Yet, even as her spirit sank with that fear, the picture was merely the masculine version of Sylph Etherege’s ethereal beauty. There was a similarity between her own face and the miniature that is often said to exist between lovers destined for each other, which in this case might have been due to their shared blood. Sylvia indeed felt something familiar in the face, as if the eyes were smiling at her like a friend and seemed to understand her thoughts. She could only explain this feeling by thinking that, in some of her daydreams, her imagination had conjured up the true likeness of her distant and unseen lover.
But now could Sylvia give a brighter semblance of reality to those day-dreams. Clasping the miniature to her heart, she could summon forth, from that haunted cell of pure and blissful fantasies, the life-like shadow, to roam with her in the moonlight garden. Even at noontide it sat with her in the arbor, when the sunshine threw its broken flakes of gold into the clustering shade. The effect upon her mind was hardly less powerful than if she had actually listened to, and reciprocated, the vows of Edgar Vaughan; for, though the illusion never quite deceived her, yet the remembrance was as distinct as of a remembered interview. Those heavenly eyes gazed forever into her soul, which drank at them as at a fountain, and was disquieted if reality threw a momentary cloud between. She heard the melody of a voice breathing sentiments with which her own chimed in like music. O happy, yet hapless girl! Thus to create the being whom she loves, to endow him with all the attributes that were most fascinating to her heart, and then to flit with the airy creature into the realm of fantasy and moonlight, where dwelt his dreamy kindred! For her lover wiled Sylvia away from earth, which seemed strange, and dull, and darksome, and lured her to a country where her spirit roamed in peaceful rapture, deeming that it had found its home. Many, in their youth, have visited that land of dreams, and wandered so long in its enchanted groves, that, when banished thence, they feel like exiles everywhere.
But now Sylvia could give a brighter appearance to those daydreams. Holding the miniature close to her heart, she could call forth, from that enchanted space of pure and blissful fantasies, the lifelike shadow to wander with her in the moonlit garden. Even at noon, it sat with her in the arbor, as the sunlight cast its broken flakes of gold into the clustered shade. The effect on her mind was almost as strong as if she had truly listened to and exchanged vows with Edgar Vaughan; for, although the illusion never fully tricked her, the memory was as vivid as a recalled meeting. Those heavenly eyes gazed deeply into her soul, which drank from them like a fountain and felt disturbed if reality cast a brief shadow between them. She heard the melody of a voice expressing feelings that harmonized with her own like music. Oh, happy yet unfortunate girl! To create the being she loves, to give him all the qualities that captivated her heart, and then to drift with the ethereal being into the realm of fantasy and moonlight, where his dreamy kin resided! For her lover drew Sylvia away from the earth, which felt strange, dull, and dark, and lured her to a land where her spirit soared in peaceful joy, believing it had found its home. Many, in their youth, have visited that land of dreams, and wandered so long in its enchanted groves that, when banished from there, they feel like exiles everywhere.
The dark-browed Edward Hamilton, like the villain of a tale, would often glide through the romance wherein poor Sylvia walked. Sometimes, at the most blissful moment of her ecstasy, when the features of the miniature were pictured brightest in the air, they would suddenly change, and darken, and be transformed into his visage. And always, when such change occurred, the intrusive visage wore that peculiar smile with which Hamilton had glanced at Sylvia.
The dark-browed Edward Hamilton, like the villain in a story, would often slip into the romance where poor Sylvia existed. Sometimes, at the happiest moment of her joy, when the details of the miniature vividly came to life in the air, they would suddenly shift, darken, and turn into his face. And every time this change happened, the unwanted face had that distinct smile with which Hamilton had looked at Sylvia.
Before the close of summer, it was told Sylvia Etherege that Vaughan had arrived from France, and that she would meet him—would meet, for the first time, the loved of years—that very evening. We will not tell how often and how earnestly she gazed upon the miniature, thus endeavoring to prepare herself for the approaching interview, lest the throbbing of her timorous heart should stifle the words of welcome. While the twilight grew deeper and duskier, she sat with Mrs. Grosvenor in an inner apartment, lighted only by the softened gleam from an alabaster lamp, which was burning at a distance on the centre-table of the drawing-room. Never before had Sylph Etherege looked so sylph-like. She had communed with a creature of imagination, till her own loveliness seemed but the creation of a delicate and dreamy fancy. Every vibration of her spirit was visible in her frame, as she listened to the rattling of wheels and the tramp upon the pavement, and deemed that even the breeze bore the sound of her lover’s footsteps, as if he trode upon the viewless air. Mrs. Grosvenor, too, while she watched the tremulous flow of Sylvia’s feelings, was deeply moved; she looked uneasily at the agitated girl, and was about to speak, when the opening of the street-door arrested the words upon her lips.
Before summer ended, Sylvia Etherege learned that Vaughan had arrived from France and that she would meet him—for the first time, the one she had loved for years—that very evening. We won’t say how often and how intensely she gazed at the miniature, trying to prepare herself for the upcoming meeting, worried that the pounding of her anxious heart might stifle her words of welcome. As twilight deepened and darkened, she sat with Mrs. Grosvenor in a dimly lit room, illuminated only by the soft glow of an alabaster lamp burning on the center table in the drawing room. Never had Sylph Etherege looked so ethereal. She had connected with a creature of imagination, and her own beauty seemed like a creation of a delicate, dreamy fantasy. Every emotion she felt was visible in her body as she listened to the sound of wheels and footsteps on the pavement, even imagining that the breeze carried the sound of her lover’s steps, as if he walked on the invisible air. Mrs. Grosvenor, too, while observing Sylvia’s nervousness, was deeply affected; she gazed uneasily at the agitated girl and was about to speak when the street door opened, stopping her words.
Footsteps ascended the staircase, with a confident and familiar tread, and some one entered the drawing-room. From the sofa where they sat, in the inner apartment, Mrs. Grosvenor and Sylvia could not discern the visitor.
Footsteps climbed the stairs, with a confident and familiar rhythm, and someone entered the living room. From the sofa where they sat in the inner room, Mrs. Grosvenor and Sylvia couldn’t see the visitor.
“Sylph!” cried a voice. “Dearest Sylph! Where are you, sweet Sylph Etherege? Here is your Edgar Vaughan!”
“Sylph!” shouted a voice. “My dear Sylph! Where are you, lovely Sylph Etherege? Here’s your Edgar Vaughan!”
But instead of answering, or rising to meet her lover,—who had greeted her by the sweet and fanciful name, which, appropriate as it was to her character, was known only to him,—Sylvia grasped Mrs. Grosvenor’s arm, while her whole frame shook with the throbbing of her heart.
But instead of responding or standing up to greet her partner—who had called her by the sweet and imaginative name, which, fitting as it was for her personality, only he knew—Sylvia clutched Mrs. Grosvenor’s arm, her entire body trembling with the pounding of her heart.
“Who is it?” gasped she. “Who calls me Sylph?”
“Who is it?” she gasped. “Who’s calling me Sylph?”
Before Mrs. Grosvenor could reply, the stranger entered the room, bearing the lamp in his hand. Approaching the sofa, he displayed to Sylvia the features of Edward Hamilton, illuminated by that evil smile, from which his face derived so marked an individuality.
Before Mrs. Grosvenor could respond, the stranger walked into the room, holding a lamp in his hand. As he approached the sofa, he revealed to Sylvia the face of Edward Hamilton, lit up by that wicked smile, which gave his face such a distinct character.
“Is not the miniature an admirable likeness?” inquired he.
“Isn't the miniature an amazing likeness?” he asked.
Sylvia shuddered, but had not power to turn away her white face from his gaze. The miniature, which she had been holding in her hand, fell down upon the floor, where Hamilton, or Vaughan, set his foot upon it, and crushed the ivory counterfeit to fragments.
Sylvia shivered but couldn't pull her pale face away from his stare. The small portrait she had been holding slipped from her hand and dropped to the floor, where Hamilton, or Vaughan, stepped on it, shattering the ivory image into pieces.
“There, my sweet Sylph,” he exclaimed. “It was I that created your phantom-lover, and now I annihilate him! Your dream is rudely broken. Awake, Sylph Etherege, awake to truth! I am the only Edgar Vaughan!”
“There, my sweet Sylph,” he exclaimed. “I was the one who created your phantom-lover, and now I'm destroying him! Your dream is shattered. Wake up, Sylph Etherege, and face the truth! I am the only Edgar Vaughan!”
“We have gone too far, Edgar Vaughan,” said Mrs. Grosvenor, catching Sylvia in her arms. The revengeful freak, which Vaughan’s wounded vanity had suggested, had been countenanced by this lady, in the hope of curing Sylvia of her romantic notions, and reconciling her to the truths and realities of life. “Look at the poor child!” she continued. “I protest I tremble for the consequences!”
“We’ve gone too far, Edgar Vaughan,” said Mrs. Grosvenor, catching Sylvia in her arms. The vengeful prank that Vaughan’s hurt pride had suggested was supported by this lady, hoping to cure Sylvia of her romantic ideas and help her come to terms with the truths and realities of life. “Look at the poor girl!” she continued. “I honestly fear for the consequences!”
“Indeed, madam!” replied Vaughan, sneeringly, as he threw the light of the lamp on Sylvia’s closed eyes and marble features. “Well, my conscience is clear. I did but look into this delicate creature’s heart; and with the pure fantasies that I found there, I made what seemed a man,—and the delusive shadow has wiled her away to Shadow-land, and vanished there! It is no new tale. Many a sweet maid has shared the lot of poor Sylph Etherege!”
“Sure, madam!” Vaughan replied with a sneer as he shone the lamp's light on Sylvia’s closed eyes and marble-like face. “Well, I have a clear conscience. I merely took a peek into this delicate creature’s heart; and with the pure dreams I discovered there, I created what appeared to be a man,—and that deceptive shadow has lured her away to Shadow-land and disappeared! This is not a new story. Many a sweet girl has faced the same fate as poor Sylph Etherege!”
“And now, Edgar Vaughan,” said Mrs. Grosvenor, as Sylvia’s heart began faintly to throb again, “now try, in good earnest, to win back her love from the phantom which you conjured up. If you succeed, she will be the better, her whole life long, for the lesson we have given her.”
“And now, Edgar Vaughan,” said Mrs. Grosvenor, as Sylvia’s heart began to faintly beat again, “now seriously try to win back her love from the illusion you created. If you succeed, she will benefit from the lesson we’ve taught her for the rest of her life.”
Whether the result of the lesson corresponded with Mrs. Grosvenor’s hopes, may be gathered from the closing scene of our story. It had been made known to the fashionable world that Edgar Vaughan had returned from France, and, under the assumed name of Edward Hamilton, had won the affections of the lovely girl to whom he had been affianced in his boyhood. The nuptials were to take place at an early date. One evening, before the day of anticipated bliss arrived, Edgar Vaughan entered Mrs. Grosvenor’s drawing-room, where he found that lady and Sylph Etherege.
Whether the outcome of the lesson matched Mrs. Grosvenor’s hopes can be seen in the final part of our story. It had been announced in high society that Edgar Vaughan had returned from France and, under the fake name Edward Hamilton, had captured the heart of the beautiful girl he was engaged to in his youth. The wedding was set to happen soon. One evening, just before the much-anticipated day, Edgar Vaughan walked into Mrs. Grosvenor’s drawing room, where he found her and Sylph Etherege.
“Only that Sylvia makes no complaint,” remarked Mrs. Grosvenor, “I should apprehend that the town air is ill-suited to her constitution. She was always, indeed, a delicate creature; but now she is a mere gossamer. Do but look at her! Did you ever imagine anything so fragile?”
“Only that Sylvia doesn’t complain,” Mrs. Grosvenor said, “I would think that the town air doesn’t agree with her health. She has always been quite delicate; but now she is just a wisp. Just look at her! Did you ever see anything so fragile?”
Vaughan was already attentively observing his mistress, who sat in a shadowy and moonlighted recess of the room, with her dreamy eyes fixed steadfastly upon his own. The bough of a tree was waving before the window, and sometimes enveloped her in the gloom of its shadow, into which she seemed to vanish.
Vaughan was already closely watching his mistress, who sat in a dim and moonlit corner of the room, her dreamy eyes locked on his. The branches of a tree were swaying outside the window, occasionally casting shadows that surrounded her, making her appear to disappear into the darkness.
“Yes,” he said, to Mrs. Grosvenor. “I can scarcely deem her of the earth, earthy. No wonder that I call her Sylph! Methinks she will fade into the moonlight, which falls upon her through the window. Or, in the open air, she might flit away upon the breeze, like a wreath of mist!”
“Yes,” he said to Mrs. Grosvenor. “I can hardly think of her as being earthly. It's no surprise that I call her Sylph! I feel like she might dissolve into the moonlight streaming through the window. Or, in the open air, she could drift away on the breeze, just like a wisp of mist!”
Sylvia’s eyes grew yet brighter. She waved her hand to Edgar Vaughan, with a gesture of ethereal triumph.
Sylvia’s eyes sparkled even more. She waved at Edgar Vaughan, her hand moving in a graceful gesture of joy.
“Farewell!” she said. “I will neither fade into the moonlight, nor flit away upon the breeze. Yet you cannot keep me here!”
“Goodbye!” she said. “I won't disappear into the moonlight, nor drift away on the breeze. But you can’t make me stay here!”
There was something in Sylvia’s look and tones that startled Mrs. Grosvenor with a terrible apprehension. But, as she was rushing towards the girl, Vaughan held her back.
There was something in Sylvia’s expression and tone that filled Mrs. Grosvenor with a deep sense of dread. But as she hurried toward the girl, Vaughan stopped her.
“Stay!” cried he, with a strange smile of mockery and anguish. “Can our sweet Sylph be going to heaven, to seek the original of the miniature?”
“Stay!” he shouted, with a strange smile that mixed mockery and pain. “Could our dear Sylph be heading to heaven to find the original of the miniature?”
THE CANTERBURY PILGRIMS
The summer moon, which shines in so many a tale, was beaming over a broad extent of uneven country. Some of its brightest rays were flung into a spring of water, where no traveller, toiling, as the writer has, up the hilly road beside which it gushes, ever failed to quench his thirst. The work of neat hands and considerate art was visible about this blessed fountain. An open cistern, hewn and hollowed out of solid stone, was placed above the waters, which filled it to the brim, but by some invisible outlet were conveyed away without dripping down its sides. Though the basin had not room for another drop, and the continual gush of water made a tremor on the surface, there was a secret charm that forbade it to overflow. I remember, that when I had slaked my summer thirst, and sat panting by the cistern, it was my fanciful theory that Nature could not afford to lavish so pure a liquid, as she does the waters of all meaner fountains.
The summer moon, which shines in so many stories, was glowing over a vast area of uneven land. Some of its brightest rays were cast into a spring, where no traveler, struggling like the writer has, up the hilly road next to it, ever failed to satisfy his thirst. The work of skilled hands and thoughtful design was visible around this wonderful fountain. An open basin, carved from solid stone, was placed above the waters, filling it to the top, but somehow, through an unseen outlet, the water flowed away without dripping down its sides. Even though the basin couldn't hold another drop, and the constant flow created ripples on the surface, there was a hidden charm that kept it from overflowing. I remember that after quenching my summer thirst and sitting panting by the basin, I fancied that Nature couldn’t afford to waste such pure water, unlike what she does with the waters of lesser fountains.
While the moon was hanging almost perpendicularly over this spot, two figures appeared on the summit of the hill, and came with noiseless footsteps down towards the spring. They were then in the first freshness of youth; nor is there a wrinkle now on either of their brows, and yet they wore a strange, old-fashioned garb. One, a young man with ruddy cheeks, walked beneath the canopy of a broad-brimmed gray hat; he seemed to have inherited his great-grandsire’s square-skirted coat, and a waistcoat that extended its immense flaps to his knees; his brown locks, also, hung down behind, in a mode unknown to our times. By his side was a sweet young damsel, her fair features sheltered by a prim little bonnet, within which appeared the vestal muslin of a cap; her close, long-waisted gown, and indeed her whole attire, might have been worn by some rustic beauty who had faded half a century before. But that there was something too warm and life-like in them, I would here have compared this couple to the ghosts of two young lovers who had died long since in the glow of passion, and now were straying out of their graves, to renew the old vows, and shadow forth the unforgotten kiss of their earthly lips, beside the moonlit spring.
While the moon hung almost directly above this spot, two figures appeared on the top of the hill and quietly made their way down toward the spring. They were in the freshness of youth, with no wrinkles on either of their brows, yet they wore a strange, old-fashioned style. One was a young man with rosy cheeks, walking under a wide-brimmed gray hat; he seemed to have inherited his great-grandfather’s square-cut coat and a waistcoat with huge flaps that reached his knees. His brown hair also hung down behind in a style that's unfamiliar today. By his side was a lovely young woman, her fair features partly hidden by a modest little bonnet, under which peeked a simple muslin cap; her fitted, long-waisted dress, and indeed her entire outfit, looked like something a rural beauty might have worn decades ago. If it weren't for the warmth and life in them, I would compare this couple to the ghosts of two young lovers who had long since died in the heat of passion and were now wandering out of their graves, wanting to renew their old vows and remember the unforgettable kiss of their earthly lips by the moonlit spring.
“Thee and I will rest here a moment, Miriam,” said the young man, as they drew near the stone cistern, “for there is no fear that the elders know what we have done; and this may be the last time we shall ever taste this water.”
“Thee and I will rest here for a moment, Miriam,” said the young man, as they approached the stone cistern, “because there’s no worry that the elders know what we’ve done; and this might be the last time we ever drink this water.”
Thus speaking, with a little sadness in his face, which was also visible in that of his companion, he made her sit down on a stone, and was about to place himself very close to her side; she, however, repelled him, though not unkindly.
Thus speaking, with a hint of sadness in his expression, which was also seen in his companion's face, he made her sit down on a stone and was about to sit very close to her. However, she gently pushed him away, but not unkindly.
“Nay, Josiah,” said she, giving him a timid push with her maiden hand, “thee must sit farther off, on that other stone, with the spring between us. What would the sisters say, if thee were to sit so close to me?”
“Nah, Josiah,” she said, giving him a shy push with her hand, “you need to sit farther away, on that other stone, with the spring between us. What would the sisters think if you sat so close to me?”
“But we are of the world’s people now, Miriam,” answered Josiah.
“But we are part of the world's people now, Miriam,” replied Josiah.
The girl persisted in her prudery, nor did the youth, in fact, seem altogether free from a similar sort of shyness; so they sat apart from each other, gazing up the hill, where the moonlight discovered the tops of a group of buildings. While their attention was thus occupied, a party of travellers, who had come wearily up the long ascent, made a halt to refresh themselves at the spring. There were three men, a woman, and a little girl and boy. Their attire was mean, covered with the dust of the summer’s day, and damp with the night-dew; they all looked woebegone, as if the cares and sorrows of the world had made their steps heavier as they climbed the hill; even the two little children appeared older in evil days than the young man and maiden who had first approached the spring.
The girl continued to be overly modest, and the young man didn't seem entirely free from a similar awkwardness; so they sat apart, looking up the hill where the moonlight revealed the tops of a group of buildings. While they were focused on that, a group of travelers, who had tiredly made their way up the long slope, stopped to refresh themselves at the spring. There were three men, a woman, and a little girl and boy. Their clothes were shabby, covered in the dust from the summer day and damp from the night dew; they all looked distressed, as if the weight of the world’s troubles had made their steps heavier as they climbed the hill; even the two little children seemed to have aged beyond their years compared to the young man and woman who had first approached the spring.
“Good evening to you, young folks,” was the salutation of the travellers; and “Good evening, friends,” replied the youth and damsel.
“Good evening to you, young people,” said the travelers; and “Good evening, friends,” replied the young man and woman.
“Is that white building the Shaker meeting-house?” asked one of the strangers. “And are those the red roofs of the Shaker village?”
“Is that white building the Shaker meeting house?” one of the strangers asked. “And are those the red roofs of the Shaker village?”
“Friend, it is the Shaker village,” answered Josiah, after some hesitation.
“Friend, it’s the Shaker village,” Josiah replied, after a moment of uncertainly.
The travellers, who, from the first, had looked suspiciously at the garb of these young people, now taxed them with an intention which all the circumstances, indeed, rendered too obvious to be mistaken.
The travelers, who had initially eyed the clothing of these young people with suspicion, now accused them of an intention that was, in fact, too clear to misunderstand given all the circumstances.
“It is true, friends,” replied the young man, summoning up his courage. “Miriam and I have a gift to love each other, and we are going among the world’s people, to live after their fashion. And ye know that we do not transgress the law of the land; and neither ye, nor the elders themselves, have a right to hinder us.”
“It’s true, friends,” the young man said, gathering his courage. “Miriam and I have a special bond, and we’re going out into the world to live our lives our way. And you know we aren’t breaking any laws; neither you nor the elders have the right to stop us.”
“Yet you think it expedient to depart without leave-taking,” remarked one of the travellers.
“Yet you think it wise to leave without saying goodbye,” remarked one of the travelers.
“Yea, ye-a,” said Josiah, reluctantly, “because father Job is a very awful man to speak with; and being aged himself, he has but little charity for what he calls the iniquities of the flesh.”
“Yeah, yeah,” said Josiah, hesitantly, “because Father Job is really hard to talk to; and since he’s older, he has very little tolerance for what he calls the sins of the flesh.”
“Well,” said the stranger, “we will neither use force to bring you back to the village, nor will we betray you to the elders. But sit you here awhile, and when you have heard what we shall tell you of the world which we have left, and into which you are going, perhaps you will turn back with us of your own accord. What say you?” added he, turning to his companions. “We have travelled thus far without becoming known to each other. Shall we tell our stories, here by this pleasant spring, for our own pastime, and the benefit of these misguided young lovers?”
"Well," said the stranger, "we're not going to force you to go back to the village, nor are we going to betray you to the elders. But sit with us for a while, and when you've heard what we have to share about the world we've left and the one you're heading into, maybe you'll decide to come back with us on your own. What do you think?" He then turned to his companions. "We've traveled this far without really knowing each other. Should we share our stories here by this nice spring, for our own enjoyment and for the sake of these confused young lovers?"
In accordance with this proposal, the whole party stationed themselves round the stone cistern; the two children, being very weary, fell asleep upon the damp earth, and the pretty Shaker girl, whose feelings were those of a nun or a Turkish lady, crept as close as possible to the female traveller, and as far as she well could from the unknown men. The same person who had hitherto been the chief spokesman now stood up, waving his hat in his hand, and suffered the moonlight to fall full upon his front.
In line with this proposal, the entire group gathered around the stone cistern; the two kids, feeling very tired, fell asleep on the damp ground, and the pretty Shaker girl, who had feelings similar to those of a nun or a Turkish lady, inched as close as she could to the woman traveler and as far away as possible from the unknown men. The same person who had been the main spokesperson until now stood up, waving his hat in his hand, letting the moonlight shine directly on his face.
“In me,” said he, with a certain majesty of utterance,—“in me, you behold a poet.”
“Within me,” he said, with a certain majesty of expression, “you see a poet.”
Though a lithographic print of this gentleman is extant, it may be well to notice that he was now nearly forty, a thin and stooping figure, in a black coat, out at elbows; notwithstanding the ill condition of his attire, there were about him several tokens of a peculiar sort of foppery, unworthy of a mature man, particularly in the arrangement of his hair which was so disposed as to give all possible loftiness and breadth to his forehead. However, he had an intelligent eye, and, on the whole, a marked countenance.
Though a lithographic print of this guy still exists, it’s worth mentioning that he was almost forty, a thin and hunched figure, wearing a worn-out black coat; despite his shabby clothes, there were a few signs of a peculiar kind of vanity that didn’t suit a grown man, especially in the way he styled his hair, which was arranged to emphasize the height and width of his forehead. However, he had an intelligent eye and, overall, a distinctive face.
“A poet!” repeated the young Shaker, a little puzzled how to understand such a designation, seldom heard in the utilitarian community where he had spent his life. “Oh, ay, Miriam, he means a varse-maker, thee must know.”
“A poet!” repeated the young Shaker, a bit confused about how to understand such a term, rarely heard in the practical community where he had lived his life. “Oh, yeah, Miriam, he means a verse-maker, you must know.”
This remark jarred upon the susceptible nerves of the poet; nor could he help wondering what strange fatality had put into this young man’s mouth an epithet, which ill-natured people had affirmed to be more proper to his merit than the one assumed by himself.
This comment struck a nerve with the poet, and he couldn’t help but wonder what bizarre twist of fate had led this young man to use a term that mean-spirited people claimed suited him better than the one he had chosen for himself.
“True, I am a verse-maker,” he resumed, “but my verse is no more than the material body into which I breathe the celestial soul of thought. Alas! how many a pang has it cost me, this same insensibility to the ethereal essence of poetry, with which you have here tortured me again, at the moment when I am to relinquish my profession forever! O Fate! why hast thou warred with Nature, turning all her higher and more perfect gifts to the ruin of me, their possessor? What is the voice of song, when the world lacks the ear of taste? How can I rejoice in my strength and delicacy of feeling, when they have but made great sorrows out of little ones? Have I dreaded scorn like death, and yearned for fame as others pant for vital air, only to find myself in a middle state between obscurity and infamy? But I have my revenge! I could have given existence to a thousand bright creations. I crush them into my heart, and there let them putrefy! I shake off the dust of my feet against my countrymen! But posterity, tracing my footsteps up this weary hill, will cry shame upon the unworthy age that drove one of the fathers of American song to end his days in a Shaker village!”
“Sure, I’m a poet,” he continued, “but my poetry is just the physical form that I fill with the heavenly spirit of thought. Sadly! How many pains has this very insensitivity to the ethereal essence of poetry cost me, which you have once again inflicted on me at the moment I’m about to give up my profession for good! O Fate! Why have you fought against Nature, turning all her higher and more perfect gifts into my ruin as their possessor? What is the voice of song when the world lacks the ear for appreciation? How can I take pride in my strength and sensitivity when they’ve only turned small sorrows into great ones? Have I feared scorn like death and longed for fame like others crave fresh air, only to find myself caught between obscurity and infamy? But I have my revenge! I could have brought a thousand bright creations to life. I crush them in my heart, and there they rot! I shake the dust off my feet against my fellow countrymen! But generations to come, following my path up this exhausting hill, will call out shame on the unworthy age that drove one of the founders of American song to spend his last days in a Shaker village!”
During this harangue, the speaker gesticulated with great energy, and, as poetry is the natural language of passion, there appeared reason to apprehend his final explosion into an ode extempore. The reader must understand that, for all these bitter words, he was a kind, gentle, harmless, poor fellow enough, whom Nature, tossing her ingredients together without looking at her recipe, had sent into the world with too much of one sort of brain, and hardly any of another.
During this rant, the speaker waved his arms energetically, and since poetry is the natural language of passion, it seemed likely he would burst into an improvised ode. The reader should know that, despite all his harsh words, he was a kind, gentle, harmless, and poor guy, whom Nature had mixed together haphazardly, giving him too much of one kind of intelligence and barely any of another.
“Friend,” said the young Shaker, in some perplexity, “thee seemest to have met with great troubles; and, doubtless, I should pity them, if—if I could but understand what they were.”
“Friend,” said the young Shaker, a bit confused, “you seem to have faced a lot of troubles; and, of course, I would feel sorry for you, if—if I could just understand what they were.”
“Happy in your ignorance!” replied the poet, with an air of sublime superiority. “To your coarser mind, perhaps, I may seem to speak of more important griefs when I add, what I had well-nigh forgotten, that I am out at elbows, and almost starved to death. At any rate, you have the advice and example of one individual to warn you back; for I am come hither, a disappointed man, flinging aside the fragments of my hopes, and seeking shelter in the calm retreat which you are so anxious to leave.”
“Happy in your ignorance!” the poet replied, with a sense of lofty superiority. “To your simpler mind, I might seem to be talking about more significant sorrows when I mention, what I almost forgot, that I’m broke and nearly starving. Regardless, you have the warning and example of one person to guide you; because I’ve come here as a letdown, casting aside the pieces of my hopes, and looking for refuge in the peaceful place you’re so eager to escape.”
“I thank thee, friend,” rejoined the youth, “but I do not mean to be a poet, nor, Heaven be praised! do I think Miriam ever made a varse in her life. So we need not fear thy disappointments. But, Miriam,” he added, with real concern, “thee knowest that the elders admit nobody that has not a gift to be useful. Now, what under the sun can they do with this poor varse-maker?”
"I appreciate it, my friend," the young man replied, "but I don’t intend to be a poet, and thankfully, I don’t believe Miriam has ever written a verse in her life. So, we don’t need to worry about your disappointments. But, Miriam," he added with genuine concern, "you know that the elders only accept those who have a skill to contribute. Now, what on earth can they do with this poor verse-maker?"
“Nay, Josiah, do not thee discourage the poor man,” said the girl, in all simplicity and kindness. “Our hymns are very rough, and perhaps they may trust him to smooth them.”
“Nah, Josiah, don’t discourage the poor man,” the girl said, with all her simplicity and kindness. “Our hymns are pretty rough, and maybe they can count on him to polish them up.”
Without noticing this hint of professional employment, the poet turned away, and gave himself up to a sort of vague reverie, which he called thought. Sometimes he watched the moon, pouring a silvery liquid on the clouds, through which it slowly melted till they became all bright; then he saw the same sweet radiance dancing on the leafy trees which rustled as if to shake it off, or sleeping on the high tops of hills, or hovering down in distant valleys, like the material of unshaped dreams; lastly, he looked into the spring, and there the light was mingling with the water. In its crystal bosom, too, beholding all heaven reflected there, he found an emblem of a pure and tranquil breast. He listened to that most ethereal of all sounds, the song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one of the Shaker brethren, to Concord, where they were published in the New Hampshire Patriot.
Without noticing this hint of professional work, the poet turned away and lost himself in a kind of vague daydream, which he called thought. Sometimes he watched the moon pouring a silvery light onto the clouds, slowly melting them until they glowed bright; then he saw that same gentle glow dancing on the leafy trees that rustled as if trying to shake it off, or resting on the high tops of hills, or hovering in distant valleys, like the essence of unformed dreams; finally, he looked into the spring, where the light mingled with the water. In its clear depths, seeing all of heaven reflected there, he discovered a symbol of a pure and peaceful heart. He listened to the most delicate of sounds, the song of crickets, coming in a full chorus on the breeze, imagining that if moonlight could be heard, it would sound just like that. Ultimately, he took a drink from the Shaker spring, and as if it were the true Castalia, he was immediately inspired to write a lyric, a Farewell to his Harp, which he vowed would be its final melody, the last verse an ungrateful world would hear from him. He later sent this piece, along with two or three other small works he wrote afterward, at the first chance, by one of the Shaker brethren, to Concord, where they were published in the New Hampshire Patriot.
Meantime, another of the Canterbury pilgrims, one so different from the poet that the delicate fancy of the latter could hardly have conceived of him, began to relate his sad experience. He was a small man, of quick and unquiet gestures, about fifty years old, with a narrow forehead, all wrinkled and drawn together. He held in his hand a pencil, and a card of some commission-merchant in foreign parts, on the back of which, for there was light enough to read or write by, he seemed ready to figure out a calculation.
Meantime, another one of the Canterbury pilgrims, who was so different from the poet that the poet’s delicate imagination could hardly have conceived of him, started to share his sad experience. He was a small man, fidgeting with quick, restless movements, around fifty years old, with a narrow forehead full of wrinkles. He was holding a pencil and a business card from some merchant abroad, and on the back of it, since there was enough light to see or write, he appeared to be about to do some calculations.
“Young man,” said he, abruptly, “what quantity of land do the Shakers own here, in Canterbury?”
“Young man,” he said suddenly, “how much land do the Shakers own here in Canterbury?”
“That is more than I can tell thee, friend,” answered Josiah, “but it is a very rich establishment, and for a long way by the roadside thee may guess the land to be ours, by the neatness of the fences.”
“That's more than I can tell you, my friend,” Josiah replied, “but it's a very prosperous place, and for a long stretch along the road, you can tell the land is ours by how tidy the fences are.”
“And what may be the value of the whole,” continued the stranger, “with all the buildings and improvements, pretty nearly, in round numbers?”
“And what do you think the whole thing is worth,” the stranger continued, “including all the buildings and upgrades, roughly speaking, in whole numbers?”
“Oh, a monstrous sum,—more than I can reckon,” replied the young Shaker.
“Oh, that's an enormous amount—way more than I can figure out,” replied the young Shaker.
“Well, sir,” said the pilgrim, “there was a day, and not very long ago, neither, when I stood at my counting-room window, and watched the signal flags of three of my own ships entering the harbor, from the East Indies, from Liverpool, and from up the Straits, and I would not have given the invoice of the least of them for the title-deeds of this whole Shaker settlement. You stare. Perhaps, now, you won’t believe that I could have put more value on a little piece of paper, no bigger than the palm of your hand, than all these solid acres of grain, grass, and pasture-land would sell for?”
“Well, sir,” said the pilgrim, “not too long ago, I stood at my office window and watched the signal flags of three of my own ships coming into the harbor, one from the East Indies, another from Liverpool, and the last from up the Straits. I wouldn’t have traded the invoice for the smallest of them for the title deeds to this entire Shaker settlement. You look surprised. Maybe you won’t believe that I could place more value on a small piece of paper, no bigger than the palm of your hand, than all these solid acres of crops, grass, and pastureland would be worth?”
“I won’t dispute it, friend,” answered Josiah, “but I know I had rather have fifty acres of this good land than a whole sheet of thy paper.”
“I won’t argue with you, my friend,” replied Josiah, “but I’d much prefer to have fifty acres of this good land than a whole sheet of your paper.”
“You may say so now,” said the ruined merchant, bitterly, “for my name would not be worth the paper I should write it on. Of course, you must have heard of my failure?”
“You might say that now,” the broken merchant replied bitterly, “because my name wouldn’t be worth the paper I’d write it on. Of course, you’ve heard about my failure, right?”
And the stranger mentioned his name, which, however mighty it might have been in the commercial world, the young Shaker had never heard of among the Canterbury hills.
And the stranger mentioned his name, which, no matter how powerful it might have been in the business world, the young Shaker had never heard of in the Canterbury hills.
“Not heard of my failure!” exclaimed the merchant, considerably piqued. “Why, it was spoken of on ’Change in London, and from Boston to New Orleans men trembled in their shoes. At all events, I did fail, and you see me here on my road to the Shaker village, where, doubtless (for the Shakers are a shrewd sect), they will have a due respect for my experience, and give me the management of the trading part of the concern, in which case I think I can pledge myself to double their capital in four or five years. Turn back with me, young man; for though you will never meet with my good luck, you can hardly escape my bad.”
“Have you seriously not heard about my failure?” the merchant exclaimed, visibly annoyed. “It was all over the London stock exchange, and from Boston to New Orleans, people were shaking in their boots. In any case, I did fail, and here I am on my way to the Shaker village, where, without a doubt (since the Shakers are pretty sharp), they will respect my experience and put me in charge of the trading side of things. If that happens, I’m confident I can promise to double their investment in four or five years. Come back with me, young man; although you may never have my good fortune, you can’t possibly avoid my bad luck.”
“I will not turn back for this,” replied Josiah, calmly, “any more than for the advice of the varse-maker, between whom and thee, friend, I see a sort of likeness, though I can’t justly say where it lies. But Miriam and I can earn our daily bread among the world’s people as well as in the Shaker village. And do we want anything more, Miriam?”
“I won’t go back on this,” Josiah replied calmly, “any more than I would take advice from the varse-maker, with whom I see some similarities, though I can’t quite pinpoint what they are. But Miriam and I can make a living among the world's people just as well as we can in the Shaker village. And do we want anything more, Miriam?”
“Nothing more, Josiah,” said the girl, quietly.
“Nothing more, Josiah,” the girl said softly.
“Yea, Miriam, and daily bread for some other little mouths, if God send them,” observed the simple Shaker lad.
“Yeah, Miriam, and daily bread for some other little mouths, if God provides,” said the simple Shaker boy.
Miriam did not reply, but looked down into the spring, where she encountered the image of her own pretty face, blushing within the prim little bonnet. The third pilgrim now took up the conversation. He was a sunburnt countryman, of tall frame and bony strength, on whose rude and manly face there appeared a darker, more sullen and obstinate despondency, than on those of either the poet or the merchant.
Miriam didn’t respond but gazed into the spring, where she saw her own pretty face, blushing under her neat little bonnet. The third traveler now joined the conversation. He was a sunburned farmer, tall and strong, with a rugged and masculine face that showed a darker, more gloomy, and stubborn despondency than that of either the poet or the merchant.
“Well, now, youngster,” he began, “these folks have had their say, so I’ll take my turn. My story will cut but a poor figure by the side of theirs; for I never supposed that I could have a right to meat and drink, and great praise besides, only for tagging rhymes together, as it seems this man does; nor ever tried to get the substance of hundreds into my own hands, like the trader there. When I was about of your years, I married me a wife,—just such a neat and pretty young woman as Miriam, if that’s her name,—and all I asked of Providence was an ordinary blessing on the sweat of my brow, so that we might be decent and comfortable, and have daily bread for ourselves, and for some other little mouths that we soon had to feed. We had no very great prospects before us; but I never wanted to be idle; and I thought it a matter of course that the Lord would help me, because I was willing to help myself.”
“Well, now, kid,” he started, “these folks have had their say, so I’ll share mine. My story won’t shine as much as theirs; I never thought I could deserve food and praise just for putting rhymes together like this guy does, nor did I ever try to grab the wealth of many for myself, like that trader over there. When I was around your age, I married a wife—just as neat and pretty as Miriam, if that’s her name—and all I asked from Providence was a regular blessing on my hard work, so we could live decently, comfortably, and have enough food for ourselves and the little ones we soon had to take care of. We didn’t have grand prospects, but I never wanted to be lazy, and I figured it was only natural that the Lord would assist me since I was ready to help myself.”
“And didn’t He help thee, friend?” demanded Josiah, with some eagerness.
“And didn’t He help you, friend?” asked Josiah, a bit eagerly.
“No,” said the yeoman, sullenly; “for then you would not have seen me here. I have labored hard for years; and my means have been growing narrower, and my living poorer, and my heart colder and heavier, all the time; till at last I could bear it no longer. I set myself down to calculate whether I had best go on the Oregon expedition, or come here to the Shaker village; but I had not hope enough left in me to begin the world over again; and, to make my story short, here I am. And now, youngster, take my advice, and turn back; or else, some few years hence, you’ll have to climb this hill, with as heavy a heart as mine.”
“No,” the yeoman replied, gloomy; “because if I had been better off, you wouldn’t see me here. I’ve worked hard for years, and my resources have been dwindling, my living has gotten poorer, and my heart has grown colder and heavier all the while, until I just couldn’t take it anymore. I sat down to figure out whether I should join the Oregon expedition or come to the Shaker village; but I didn’t have enough hope left in me to start over again. To keep it short, here I am. And now, kid, take my advice and turn back; otherwise, a few years from now, you’ll be climbing this hill with a heart as heavy as mine.”
This simple story had a strong effect on the young fugitives. The misfortunes of the poet and merchant had won little sympathy from their plain good sense and unworldly feelings, qualities which made them such unprejudiced and inflexible judges, that few men would have chosen to take the opinion of this youth and maiden as to the wisdom or folly of their pursuits. But here was one whose simple wishes had resembled their own, and who, after efforts which almost gave him a right to claim success from fate, had failed in accomplishing them.
This straightforward story had a powerful impact on the young runaways. The struggles of the poet and merchant earned little sympathy from their straightforward common sense and idealistic feelings—qualities that made them such fair and unwavering judges that few people would have opted to seek the opinions of this young man and woman regarding the wisdom or foolishness of their choices. But here was someone whose simple desires mirrored their own, and who, after putting in efforts that nearly justified claiming success from fate, had failed to achieve them.
“But thy wife, friend?” exclaimed the younger man. “What became of the pretty girl, like Miriam? Oh, I am afraid she is dead!”
“But your wife, friend?” the younger man exclaimed. “What happened to the pretty girl, like Miriam? Oh, I’m afraid she’s dead!”
“Yea, poor man, she must be dead,—she and the children, too,” sobbed Miriam.
“Yeah, poor guy, she must be dead—her and the kids, too,” sobbed Miriam.
The female pilgrim had been leaning over the spring, wherein latterly a tear or two might have been seen to fall, and form its little circle on the surface of the water. She now looked up, disclosing features still comely, but which had acquired an expression of fretfulness, in the same long course of evil fortune that had thrown a sullen gloom over the temper of the unprosperous yeoman.
The female pilgrim had been leaning over the spring, where recently a tear or two might have fallen, creating little ripples on the water's surface. She now looked up, revealing features that were still attractive but now carried an expression of irritation, the same long stretch of bad luck that had cast a shadow over the mood of the struggling farmer.
“I am his wife,” said she, a shade of irritability just perceptible in the sadness of her tone. “These poor little things, asleep on the ground, are two of our children. We had two more, but God has provided better for them than we could, by taking them to Himself.”
“I am his wife,” she said, a hint of irritation barely noticeable in the sadness of her voice. “These poor little ones, sleeping on the ground, are two of our children. We had two more, but God has taken them to Himself, providing for them in a way we couldn't.”
“And what would thee advise Josiah and me to do?” asked Miriam, this being the first question which she had put to either of the strangers.
“And what would you suggest Josiah and me do?” asked Miriam, this being the first question she had directed to either of the strangers.
“’Tis a thing almost against nature for a woman to try to part true lovers,” answered the yeoman’s wife, after a pause; “but I’ll speak as truly to you as if these were my dying words. Though my husband told you some of our troubles, he didn’t mention the greatest, and that which makes all the rest so hard to bear. If you and your sweetheart marry, you’ll be kind and pleasant to each other for a year or two, and while that’s the case, you never will repent; but, by and by, he’ll grow gloomy, rough, and hard to please, and you’ll be peevish, and full of little angry fits, and apt to be complaining by the fireside, when he comes to rest himself from his troubles out of doors; so your love will wear away by little and little, and leave you miserable at last. It has been so with us; and yet my husband and I were true lovers once, if ever two young folks were .”
“It’s almost unnatural for a woman to try to split up true lovers,” replied the yeoman’s wife after a moment. “But I’ll tell you as honestly as if these were my last words. Even though my husband shared some of our problems, he didn’t mention the biggest one, which makes everything else so difficult to endure. If you and your sweetheart get married, you’ll be kind and happy with each other for a year or two, and during that time, you won’t regret it. But eventually, he’ll become moody, gruff, and hard to please, while you’ll get irritable, full of little outbursts, and likely to complain by the fire when he comes home to unwind from his troubles outside. So your love will gradually fade away, leaving you miserable in the end. It happened with us; and my husband and I were true lovers once, if ever there were two young people who were.”
As she ceased, the yeoman and his wife exchanged a glance, in which there was more and warmer affection than they had supposed to have escaped the frost of a wintry fate, in either of their breasts. At that moment, when they stood on the utmost verge of married life, one word fitly spoken, or perhaps one peculiar look, had they had mutual confidence enough to reciprocate it, might have renewed all their old feelings, and sent them back, resolved to sustain each other amid the struggles of the world. But the crisis passed and never came again. Just then, also, the children, roused by their mother’s voice, looked up, and added their wailing accents to the testimony borne by all the Canterbury pilgrims against the world from which they fled.
As she stopped, the farmer and his wife exchanged a glance that held more warmth and affection than they thought could survive the chill of their difficult lives. In that moment, standing on the edge of their marriage, a well-timed word or maybe just a certain look—if only they had enough trust to share it—could have reignited their old feelings and sent them back, determined to support each other through life's challenges. But that moment passed and never returned. At that same time, the children, stirred by their mother’s voice, looked up and added their crying voices to the collective complaint of all the Canterbury travelers against the world they were trying to escape.
“We are tired and hungry!” cried they. “Is it far to the Shaker village?”
“We're tired and hungry!” they cried. “Is it far to the Shaker village?”
The Shaker youth and maiden looked mournfully into each other’s eyes. They had but stepped across the threshold of their homes, when lo! the dark array of cares and sorrows that rose up to warn them back. The varied narratives of the strangers had arranged themselves into a parable; they seemed not merely instances of woful fate that had befallen others, but shadowy omens of disappointed hope and unavailing toil, domestic grief and estranged affection, that would cloud the onward path of these poor fugitives. But after one instant’s hesitation, they opened their arms, and sealed their resolve with as pure and fond an embrace as ever youthful love had hallowed.
The Shaker youth and maiden looked sadly into each other’s eyes. They had just stepped outside their homes, when suddenly, the heavy burden of cares and sorrows rose up to warn them back. The different stories of the strangers had come together into a lesson; they felt not only like examples of misfortune that had happened to others, but also like dark warnings of shattered hopes and futile struggles, home troubles and broken bonds that would shadow the future of these poor souls. But after a moment's hesitation, they opened their arms and solidified their commitment with a pure and affectionate embrace that youth's love had ever blessed.
“We will not go back,” said they. “The world never can be dark to us, for we will always love one another.”
“We're not going back,” they said. “The world can never be dark for us, because we'll always love each other.”
Then the Canterbury pilgrims went up the hill, while the poet chanted a drear and desperate stanza of the Farewell to his Harp, fitting music for that melancholy band. They sought a home where all former ties of nature or society would be sundered, and all old distinctions levelled, and a cold and passionless security be substituted for mortal hope and fear, as in that other refuge of the world’s weary outcasts, the grave. The lovers drank at the Shaker spring, and then, with chastened hopes, but more confiding affections, went on to mingle in an untried life.
Then the Canterbury pilgrims went up the hill while the poet recited a gloomy and desperate stanza of the Farewell to his Harp, fitting music for that sad group. They looked for a place where all previous ties of nature or society would be broken, and all old distinctions erased, and a cold, emotionless security would replace human hopes and fears, similar to that other refuge for the world's weary outcasts, the grave. The lovers drank from the Shaker spring, and then, with tempered hopes but deeper trust in their feelings, moved on to blend into an unknown life.
OLD NEWS
There is a volume of what were once newspapers each on a small half-sheet, yellow and time-stained, of a coarse fabric, and imprinted with a rude old type. Their aspect conveys a singular impression of antiquity, in a species of literature which we are accustomed to consider as connected only with the present moment. Ephemeral as they were intended and supposed to be, they have long outlived the printer and his whole subscription-list, and have proved more durable, as to their physical existence, than most of the timber, bricks, and stone of the town where they were issued. These are but the least of their triumphs. The government, the interests, the opinions, in short, all the moral circumstances that were contemporary with their publication, have passed away, and left no better record of what they were than may be found in these frail leaves. Happy are the editors of newspapers! Their productions excel all others in immediate popularity, and are certain to acquire another sort of value with the lapse of time. They scatter their leaves to the wind, as the sibyl did, and posterity collects them, to be treasured up among the best materials of its wisdom. With hasty pens they write for immortality.
There’s a collection of what used to be newspapers, each made from a small half-sheet, yellowed and stained with age, using rough material and printed with old-fashioned type. They give off a unique vibe of being ancient, in a type of literature we usually think of as linked only to the present. Though they were meant to be short-lived, they have outlasted the printer and all of his subscribers, proving to be physically more durable than most of the wood, brick, and stone from the town where they were published. These are just the smallest of their victories. The government, the interests, the opinions—basically, all the moral contexts that existed when they were published—have disappeared, leaving no better record of their existence than these fragile pages. Editors of newspapers are fortunate! Their work is more popular than anything else right away and will gain a different kind of value over time. They toss their pages to the wind, like the sibyl, and later generations gather them up, preserving them as some of the best information for their knowledge. With their quick pens, they write for eternal recognition.
It is pleasant to take one of these little dingy half-sheets between the thumb and finger, and picture forth the personage who, above ninety years ago, held it, wet from the press, and steaming, before the fire. Many of the numbers bear the name of an old colonial dignitary. There he sits, a major, a member of the council, and a weighty merchant, in his high-backed arm-chair, wearing a solemn wig and grave attire, such as befits his imposing gravity of mien, and displaying but little finery, except a huge pair of silver shoe-buckles, curiously carved. Observe the awful reverence of his visage, as he reads his Majesty’s most gracious speech; and the deliberate wisdom with which he ponders over some paragraph of provincial politics, and the keener intelligence with which he glances at the ship-news and commercial advertisements. Observe, and smile! He may have been a wise man in his day; but, to us, the wisdom of the politician appears like folly, because we can compare its prognostics with actual results; and the old merchant seems to have busied himself about vanities, because we know that the expected ships have been lost at sea, or mouldered at the wharves; that his imported broadcloths were long ago worn to tatters, and his cargoes of wine quaffed to the lees; and that the most precious leaves of his ledger have become waste-paper. Yet, his avocations were not so vain as our philosophic moralizing. In this world we are the things of a moment, and are made to pursue momentary things, with here and there a thought that stretches mistily towards eternity, and perhaps may endure as long. All philosophy that would abstract mankind from the present is no more than words.
It’s nice to hold one of these old, faded half-sheets between your thumb and finger and imagine the person who, over ninety years ago, had it fresh from the press, steaming before the fire. Many of the editions bear the name of an old colonial official. There he sits—a major, a council member, and a prominent merchant—in his high-backed armchair, wearing a solemn wig and serious clothing that match his impressive demeanor, with little decoration except for a large pair of intricately carved silver shoe buckles. Notice the deep reverence on his face as he reads His Majesty’s gracious speech, the careful thoughtfulness with which he considers a paragraph about local politics, and the sharper focus he has as he checks the shipping news and commercial ads. Look and smile! He may have been wise in his time, but to us, the wisdom of politicians seems like foolishness because we can compare their predictions with what actually happened. The old merchant appears to have occupied himself with trivial matters since we know the ships he awaited were lost at sea or decayed at the docks, his imported broadcloths are long worn to rags, and his shipments of wine have been drunk to the last drop. The most valuable leaves of his ledger have turned to waste paper. Yet, his pursuits were not as trivial as our philosophical musings. In this world, we are fleeting things, driven to chase fleeting things, with just a few thoughts that vaguely reach toward eternity, and perhaps may last as long. All philosophy that tries to draw people away from the present is nothing more than words.
The first pages of most of these old papers are as soporific as a bed of poppies. Here we have an erudite clergyman, or perhaps a Cambridge professor, occupying several successive weeks with a criticism on Tate and Brady, as compared with the New England version of the Psalms. Of course, the preference is given to the native article. Here are doctors disagreeing about the treatment of a putrid fever then prevalent, and blackguarding each other with a characteristic virulence that renders the controversy not altogether unreadable. Here are President Wigglesworth and the Rev. Dr. Colman, endeavoring to raise a fund for the support of missionaries among the Indians of Massachusetts Bay. Easy would be the duties of such a mission now! Here—for there is nothing new under the sun—are frequent complaints of the disordered state of the currency, and the project of a bank with a capital of five hundred thousand pounds, secured on lands. Here are literary essays, from the Gentleman’s Magazine; and squibs against the Pretender, from the London newspapers. And here, occasionally, are specimens of New England honor, laboriously light and lamentably mirthful, as if some very sober person, in his zeal to be merry, were dancing a jig to the tune of a funeral-psalm. All this is wearisome, and we must turn the leaf.
The first pages of most of these old papers are as dull as a bed of poppies. Here we find a knowledgeable clergyman, or maybe a Cambridge professor, spending several weeks critiquing Tate and Brady compared to the New England version of the Psalms. Of course, the preference goes to the local version. We've got doctors arguing about how to treat a then-common putrid fever, throwing insults at each other with a characteristic bitterness that makes the debate somewhat readable. Here are President Wigglesworth and Rev. Dr. Colman trying to raise funds to support missionaries for the Native Americans in Massachusetts Bay. Their mission would be a lot easier today! Here—because there’s nothing new under the sun—are frequent complaints about the unstable currency and the proposal for a bank with a capital of five hundred thousand pounds, backed by land. There are literary essays from the Gentleman’s Magazine and jabs against the Pretender from London newspapers. And sometimes, there are examples of New England honor, awkwardly light and sadly humorous, as if some very serious person, in an effort to be funny, was dancing a jig to a funeral hymn. All this is tiresome, and we need to turn the page.
There is a good deal of amusement, and some profit, in the perusal of those little items which characterize the manners and circumstances of the country. New England was then in a state incomparably more picturesque than at present, or than it has been within the memory of man; there being, as yet, only a narrow strip of civilization along the edge of a vast forest, peopled with enough of its original race to contrast the savage life with the old customs of another world. The white population, also, was diversified by the influx of all sorts of expatriated vagabonds, and by the continual importation of bond-servants from Ireland and elsewhere, so that there was a wild and unsettled multitude, forming a strong minority to the sober descendants of the Puritans. Then, there were the slaves, contributing their dark shade to the picture of society. The consequence of all this was a great variety and singularity of action and incident, many instances of which might be selected from these columns, where they are told with a simplicity and quaintness of style that bring the striking points into very strong relief. It is natural to suppose, too, that these circumstances affected the body of the people, and made their course of life generally less regular than that of their descendants. There is no evidence that the moral standard was higher then than now; or, indeed, that morality was so well defined as it has since become. There seem to have been quite as many frauds and robberies, in proportion to the number of honest deeds; there were murders, in hot-blood and in malice; and bloody quarrels over liquor. Some of our fathers also appear to have been yoked to unfaithful wives, if we may trust the frequent notices of elopements from bed and board. The pillory, the whipping-post, the prison, and the gallows, each had their use in those old times; and, in short, as often as our imagination lives in the past, we find it a ruder and rougher age than our own, with hardly any perceptible advantages, and much that gave life a gloomier tinge. In vain we endeavor to throw a sunny and joyous air over our picture of this period; nothing passes before our fancy but a crowd of sad-visaged people, moving duskily through a dull gray atmosphere. It is certain that winter rushed upon them with fiercer storms than now, blocking up the narrow forest-paths, and overwhelming the roads along the sea-coast with mountain snow drifts; so that weeks elapsed before the newspaper could announce how many travellers had perished, or what wrecks had strewn the shore. The cold was more piercing then, and lingered further into the spring, making the chimney-corner a comfortable seat till long past May-day. By the number of such accidents on record, we might suppose that the thunder-stone, as they termed it, fell oftener and deadlier on steeples, dwellings, and unsheltered wretches. In fine, our fathers bore the brunt of more raging and pitiless elements than we. There were forebodings, also, of a more fearful tempest than those of the elements. At two or three dates, we have stories of drums, trumpets, and all sorts of martial music, passing athwart the midnight sky, accompanied with the—roar of cannon and rattle of musketry, prophetic echoes of the sounds that were soon to shake the land. Besides these airy prognostics, there were rumors of French fleets on the coast, and of the march of French and Indians through the wilderness, along the borders of the settlements. The country was saddened, moreover, with grievous sicknesses. The small-pox raged in many of the towns, and seems, though so familiar a scourge, to have been regarded with as much affright as that which drove the throng from Wall Street and Broadway at the approach of a new pestilence. There were autumnal fevers too, and a contagious and destructive throat-distemper,—diseases unwritten in medical hooks. The dark superstition of former days had not yet been so far dispelled as not to heighten the gloom of the present times. There is an advertisement, indeed, by a committee of the Legislature, calling for information as to the circumstances of sufferers in the “late calamity of 1692,” with a view to reparation for their losses and misfortunes. But the tenderness with which, after above forty years, it was thought expedient to allude to the witchcraft delusion, indicates a good deal of lingering error, as well as the advance of more enlightened opinions. The rigid hand of Puritanism might yet be felt upon the reins of government, while some of the ordinances intimate a disorderly spirit on the part of the people. The Suffolk justices, after a preamble that great disturbances have been committed by persons entering town and leaving it in coaches, chaises, calashes, and other wheel-carriages, on the evening before the Sabbath, give notice that a watch will hereafter be set at the “fortification-gate,” to prevent these outrages. It is amusing to see Boston assuming the aspect of a walled city, guarded, probably, by a detachment of church-members, with a deacon at their head. Governor Belcher makes proclamation against certain “loose and dissolute people” who have been wont to stop passengers in the streets, on the Fifth of November, “otherwise called Pope’s Day,” and levy contributions for the building of bonfires. In this instance, the populace are more puritanic than the magistrate.
There’s a lot of entertainment, and some gain, in reading those little snippets that describe the customs and situations in the country. New England was much more picturesque back then than it is now, or even within living memory; there was only a narrow strip of civilization along the edge of a vast forest, populated with enough of its original inhabitants to create a contrast between savage life and the old ways of a different world. The white population was also diverse due to the arrival of all sorts of displaced drifters and the continuous importation of bonded servants from Ireland and elsewhere, creating a wild and unsettled crowd that formed a significant minority compared to the sober descendants of the Puritans. Additionally, there were slaves, adding their dark shadow to the societal picture. As a result, there was a great variety and uniqueness in actions and events, many examples of which can be drawn from these columns, where they are reported in a style that emphasizes the striking details. It’s natural to assume that these circumstances influenced the people and made their way of life generally less orderly than that of their descendants. There’s no evidence that the moral standard was higher then than it is now; in fact, morality seemed less defined than it has become since. There appeared to be just as many frauds and robberies in relation to honest deeds; there were murders, fueled by anger and malice; and violent disputes over alcohol. Some of our ancestors also seem to have been tied to unfaithful spouses, if we can believe the frequent reports of elopements. The pillory, whipping post, prison, and gallows each served their purpose in those times; in short, when we imagine the past, we find it was a rougher and more brutal age than our own, with hardly any noticeable benefits and much that cast a darker shadow over life. We may try in vain to portray this period in a sunny and joyful light; what comes to mind is simply a crowd of somber-faced people moving through a dull gray atmosphere. It's clear that winter hit them with harsher storms than today, blocking narrow forest paths and covering coastal roads with massive snow drifts, resulting in weeks passing before newspapers could report how many travelers had perished or what shipwrecks had littered the shore. The cold was sharper then and lingered deeper into spring, making the fireplace a cozy spot well past May Day. From the number of such incidents recorded, one might think the thunder-stone, as they called it, struck with more frequency and deadly force on steeples, homes, and exposed people. In summary, our forefathers faced more extreme and relentless natural elements than we do. There were also ominous signs of worse storms than those from nature. At two or three different times, there are accounts of drums, trumpets, and all kinds of military music crossing the midnight sky, accompanied by cannon fire and musket shots, prophetic sounds that would soon rattle the nation. In addition to these eerie predictions, there were rumors of French fleets on the coast and French and Indian movements through the wilderness, close to the settlements. The country was also burdened with serious illnesses. Smallpox raged in many towns and seems to have been viewed with as much dread as the crowds that fled Wall Street and Broadway at the approach of a new plague, despite being such a familiar affliction. There were also autumn fevers and a contagious and destructive throat illness—diseases not documented in medical books. The old superstitions hadn’t been fully dispelled yet, contributing to the gloom of those times. There’s even an advertisement from a committee of the Legislature asking for information about the circumstances of victims from the “recent calamity of 1692,” aiming to make reparations for their losses. However, the careful way in which this witchcraft delusion is mentioned, more than forty years later, shows there was still a lot of lingering ignorance alongside advances in more enlightened views. The strict hand of Puritanism was still felt in the government, while some regulations hinted at a disorderly spirit among the people. The Suffolk justices, after a statement about the significant disturbances caused by people entering and leaving town in carriages the evening before the Sabbath, announced that a watch would be set at the “fortification-gate” to prevent such outrages. It’s amusing to see Boston taking on the look of a walled city, likely guarded by a group of church members led by a deacon. Governor Belcher issued a proclamation against certain “loose and dissolute people” who had been known to stop pedestrians on the streets on November 5th, “also known as Pope’s Day,” and collect donations for bonfires. In this case, the people were more puritanical than the magistrate.
The elaborate solemnities of funerals were in accordance with the sombre character of the times. In cases of ordinary death, the printer seldom fails to notice that the corpse was “very decently interred.” But when some mightier mortal has yielded to his fate, the decease of the “worshipful” such-a-one is announced, with all his titles of deacon, justice, councillor, and colonel; then follows an heraldic sketch of his honorable ancestors, and lastly an account of the black pomp of his funeral, and the liberal expenditure of scarfs, gloves, and mourning rings. The burial train glides slowly before us, as we have seen it represented in the woodcuts of that day, the coffin, and the bearers, and the lamentable friends, trailing their long black garments, while grim Death, a most misshapen skeleton, with all kinds of doleful emblems, stalks hideously in front. There was a coach maker at this period, one John Lucas, who scents to have gained the chief of his living by letting out a sable coach to funerals. It would not be fair, however, to leave quite so dismal an impression on the reader’s mind; nor should it be forgotten that happiness may walk soberly in dark attire, as well as dance lightsomely in a gala-dress. And this reminds us that there is an incidental notice of the “dancing-school near the Orange-Tree,” whence we may infer that the salutatory art was occasionally practised, though perhaps chastened into a characteristic gravity of movement. This pastime was probably confined to the aristocratic circle, of which the royal governor was the centre. But we are scandalized at the attempt of Jonathan Furness to introduce a more reprehensible amusement: he challenges the whole country to match his black gelding in a race for a hundred pounds, to be decided on Metonomy Common or Chelsea Beach. Nothing as to the manners of the times can be inferred from this freak of an individual. There were no daily and continual opportunities of being merry; but sometimes the people rejoiced, in their own peculiar fashion, oftener with a calm, religious smile than with a broad laugh, as when they feasted, like one great family, at Thanksgiving time, or indulged a livelier mirth throughout the pleasant days of Election-week. This latter was the true holiday season of New England. Military musters were too seriously important in that warlike time to be classed among amusements; but they stirred up and enlivened the public mind, and were occasions of solemn festival to the governor and great men of the province, at the expense of the field-offices. The Revolution blotted a feast-day out of our calendar; for the anniversary of the king’s birth appears to have been celebrated with most imposing pomp, by salutes from Castle William, a military parade, a grand dinner at the town-house, and a brilliant illumination in the evening. There was nothing forced nor feigned in these testimonials of loyalty to George the Second. So long as they dreaded the re-establishment of a popish dynasty, the people were fervent for the house of Hanover: and, besides, the immediate magistracy of the country was a barrier between the monarch and the occasional discontents of the colonies; the waves of faction sometimes reached the governor’s chair, but never swelled against the throne. Thus, until oppression was felt to proceed from the king’s own hand, New England rejoiced with her whole heart on his Majesty’s birthday.
The elaborate solemnities of funerals matched the somber nature of the times. In cases of ordinary death, the printer often notes that the corpse was “very decently buried.” But when a more significant person passes away, the death of the “worshipful” such-and-such is announced, complete with all his titles—deacon, justice, councillor, and colonel; then comes a brief history of his honorable ancestors, followed by a detailed account of the grand pomp of his funeral, highlighting the lavish spending on scarves, gloves, and mourning rings. The funeral procession moves slowly before us, just like we've seen in the woodcuts of that era—the coffin, the bearers, and the grieving friends in their long black garments, while grim Death, a rather grotesque skeleton with various mournful symbols, stalks grotesquely in front. At this time, there was a coach maker named John Lucas, who seems to have made most of his living by renting out a black coach for funerals. However, it wouldn’t be fair to leave such a bleak impression on the reader; let’s not forget that happiness can wear sober attire just as easily as it can dance joyfully in festive dress. This brings to mind a mention of the “dancing school near the Orange-Tree,” suggesting that the art of dance was occasionally practiced, perhaps with a more restrained and serious style. This pastime was likely limited to the aristocratic circle, with the royal governor at its center. However, we are shocked by Jonathan Furness's attempt to introduce a more questionable form of entertainment: he dares the entire country to race his black gelding for a hundred pounds, to take place at Metonomy Common or Chelsea Beach. Nothing about the manners of the times can be inferred from this individual’s oddity. There weren’t constant opportunities for merriment, but sometimes the people celebrated in their own unique way, often with a calm, religious smile rather than a loud laugh, like when they feasted, united as one big family, during Thanksgiving, or enjoyed livelier mirth during the cheerful days of Election week. This latter was the true holiday season of New England. Military musters were too significant in that warlike era to be considered mere entertainment; they energized and engaged the public, becoming solemn festivals for the governor and the province's prominent figures, funded by the field offices. The Revolution removed a holiday from our calendar; the anniversary of the king's birth had previously been celebrated with great pomp—salutes from Castle William, a military parade, a grand dinner at the town hall, and a dazzling evening illumination. There was nothing forced or fake about these displays of loyalty to George the Second. As long as they feared the return of a Catholic dynasty, the people passionately supported the House of Hanover; additionally, the local magistracy served as a buffer between the monarch and the occasional discontent from the colonies. The waves of faction sometimes reached the governor’s chair but never swelled against the throne. Therefore, until oppression was felt to come from the king himself, New England wholeheartedly celebrated his Majesty’s birthday.
But the slaves, we suspect, were the merriest part of the population, since it was their gift to be merry in the worst of circumstances; and they endured, comparatively, few hardships, under the domestic sway of our fathers. There seems to have been a great trade in these human commodities. No advertisements are more frequent than those of “a negro fellow, fit for almost any household work”; “a negro woman, honest, healthy, and capable”; “a negro wench of many desirable qualities”; “a negro man, very fit for a taylor.” We know not in what this natural fitness for a tailor consisted, unless it were some peculiarity of conformation that enabled him to sit cross-legged. When the slaves of a family were inconveniently prolific,—it being not quite orthodox to drown the superfluous offspring, like a litter of kittens,—notice was promulgated of “a negro child to be given away.” Sometimes the slaves assumed the property of their own persons, and made their escape; among many such instances, the governor raises a hue-and-cry after his negro Juba. But, without venturing a word in extenuation of the general system, we confess our opinion that Caesar, Pompey, Scipio, and all such great Roman namesakes, would have been better advised had they stayed at home, foddering the cattle, cleaning dishes,—in fine, performing their moderate share of the labors of life, without being harassed by its cares. The sable inmates of the mansion were not excluded from the domestic affections: in families of middling rank, they had their places at the board; and when the circle closed round the evening hearth, its blaze glowed on their dark shining faces, intermixed familiarly with their master’s children. It must have contributed to reconcile them to their lot, that they saw white men and women imported from Europe as they had been from Africa, and sold, though only for a term of years, yet as actual slaves to the highest bidder. Slave labor being but a small part of the industry of the country, it did not change the character of the people; the latter, on the contrary, modified and softened the institution, making it a patriarchal, and almost a beautiful, peculiarity of the times.
But the slaves, we think, were the happiest part of the population since they had a knack for being cheerful even in the toughest situations; and they faced relatively few hardships under the care of our forefathers. There seems to have been a big market for these human beings. No ads were more common than those for “a Black man, suitable for almost any household work”; “a Black woman, honest, healthy, and capable”; “a Black girl with many desirable qualities”; “a Black man, very suitable for a tailor.” We don’t know what this natural fit for a tailor was about, unless it had something to do with being able to sit cross-legged. When a family’s slaves had too many children—it wasn't exactly acceptable to drown the extra babies like a litter of kittens—there would be announcements of “a Black child to be given away.” Sometimes the slaves took control of their own lives and escaped; in one such case, the governor raised a fuss over his runaway slave Juba. But, without trying to justify the overall system, we believe that Caesar, Pompey, Scipio, and all those renowned Roman names would have been wiser to stay home, tending to cattle, washing dishes—in short, doing their fair share of life’s work without being troubled by its worries. The Black residents of the household were not excluded from family affection: in middle-class families, they had their spots at the table; and when the group gathered around the evening fire, its glow lit up their dark faces, mingling comfortably with their master’s children. It likely helped them come to terms with their situation to see white men and women brought over from Europe just as they had been from Africa and sold, albeit for a limited time, as actual slaves to the highest bidder. Since slave labor was only a small part of the country’s economy, it didn’t change the people’s character; rather, the people shaped and softened the institution, making it a patriarchal and almost beautiful characteristic of the era.
Ah! We had forgotten the good old merchant, over whose shoulder we were peeping, while he read the newspaper. Let us now suppose him putting on his three-cornered gold-laced hat, grasping his cane, with a head inlaid of ebony and mother-of-pearl, and setting forth, through the crooked streets of Boston, on various errands, suggested by the advertisements of the day. Thus he communes with himself: I must be mindful, says he, to call at Captain Scut’s, in Creek Lane, and examine his rich velvet, whether it be fit for my apparel on Election-day,—that I may wear a stately aspect in presence of the governor and my brethren of the council. I will look in, also, at the shop of Michael Cario, the jeweller: he has silver buckles of a new fashion; and mine have lasted me some half-score years. My fair daughter Miriam shall have an apron of gold brocade, and a velvet mask,—though it would be a pity the wench should hide her comely visage; and also a French cap, from Robert Jenkins’s, on the north side of the town-house. He hath beads, too, and ear-rings, and necklaces, of all sorts; these are but vanities, nevertheless, they would please the silly maiden well. My dame desireth another female in the kitchen; wherefore, I must inspect the lot of Irish lasses, for sale by Samuel Waldo, aboard the schooner Endeavor; as also the likely negro wench, at Captain Bulfinch’s. It were not amiss that I took my daughter Miriam to see the royal waxwork, near the town-dock, that she may learn to honor our most gracious King and Queen, and their royal progeny, even in their waxen images; not that I would approve of image-worship. The camel, too, that strange beast from Africa, with two great humps, to be seen near the Common; methinks I would fain go thither, and see how the old patriarchs were wont to ride. I will tarry awhile in Queen Street, at the bookstore of my good friends Kneeland & Green, and purchase Dr. Colman’s new sermon, and the volume of discourses by Mr. Henry Flynt; and look over the controversy on baptism, between the Rev. Peter Clarke and an unknown adversary; and see whether this George Whitefield be as great in print as he is famed to be in the pulpit. By that time, the auction will have commenced at the Royal Exchange, in King Street. Moreover, I must look to the disposal of my last cargo of West India rum and muscovado sugar; and also the lot of choice Cheshire cheese, lest it grow mouldy. It were well that I ordered a cask of good English beer, at the lower end of Milk Street.
Ah! We had forgotten about the good old merchant, over whose shoulder we were peeking while he read the newspaper. Let's imagine him putting on his three-cornered, gold-laced hat, grabbing his cane, with a handle made of ebony and mother-of-pearl, and heading out through the winding streets of Boston on various errands suggested by the day's advertisements. He thinks to himself: I need to remember to stop by Captain Scut’s in Creek Lane and check out his rich velvet to see if it’s suitable for my outfit on Election Day—so I can present a stately appearance in front of the governor and my fellow council members. I’ll also swing by Michael Cario’s jeweler shop; he has silver buckles in a new style, and mine have lasted me about six years. My lovely daughter Miriam should have an apron made of gold brocade and a velvet mask—though it would be a shame for the girl to hide her pretty face; and I also need to get her a French cap from Robert Jenkins’s on the north side of the town hall. He also has beads, earrings, and necklaces of all kinds; these are mere trinkets, but they would surely delight the silly girl. My wife wants another woman for the kitchen, so I need to check out the group of Irish girls for sale by Samuel Waldo on the schooner Endeavor; and there’s also a promising black girl at Captain Bulfinch’s. It wouldn’t hurt to take my daughter Miriam to see the royal wax figures near the town dock so she can learn to respect our most gracious King and Queen, and their royal children, even in their wax forms; not that I would endorse idol worship. The camel, too, that strange animal from Africa with two big humps, is set to be seen near the Common; I think I’d like to go there and see how the old patriarchs used to ride. I’ll spend some time on Queen Street at my good friends Kneeland & Green’s bookstore, to buy Dr. Colman’s new sermon and the collection of discourses by Mr. Henry Flynt; and I’ll check out the debate on baptism between the Rev. Peter Clarke and an unknown opponent; and see if this George Whitefield is as impressive in writing as he’s said to be in the pulpit. By that time, the auction at the Royal Exchange on King Street will have started. Besides, I need to take care of the sale of my latest shipment of West India rum and muscovado sugar; and also the selection of fine Cheshire cheese, before it goes moldy. It’d be good if I ordered a cask of decent English beer at the lower end of Milk Street.
Then am I to speak with certain dealers about the lot of stout old Vidonia, rich Canary, and Oporto-wines, which I have now lying in the cellar of the Old South meeting-house. But, a pipe or two of the rich Canary shall be reserved, that it may grow mellow in mine own wine-cellar, and gladden my heart when it begins to droop with old age.
Then I need to talk to some dealers about the stash of strong old Vidonia, rich Canary, and Oporto wines that I currently have stored in the cellar of the Old South meeting house. However, a cask or two of the rich Canary will be set aside so it can mature in my own wine cellar and bring joy to my heart when I start to feel old.
Provident old gentleman! But, was he mindful of his sepulchre? Did he bethink him to call at the workshop of Timothy Sheaffe, in Cold Lane, and select such a gravestone as would best please him? There wrought the man whose handiwork, or that of his fellow-craftsmen, was ultimately in demand by all the busy multitude who have left a record of their earthly toil in these old time-stained papers. And now, as we turn over the volume, we seem to be wandering among the mossy stones of a burial-ground.
Generous old man! But, was he aware of his tomb? Did he think to visit the workshop of Timothy Sheaffe in Cold Lane and choose a gravestone that would suit him best? There worked the man whose craft, or that of his colleagues, was eventually sought after by all the busy people who have left a mark of their earthly struggles in these old, worn papers. And now, as we flip through the book, it feels like we’re wandering among the mossy stones of a cemetery.
II. THE OLD FRENCH WAR.
At a period about twenty years subsequent to that of our former sketch, we again attempt a delineation of some of the characteristics of life and manners in New England. Our text-book, as before, is a file of antique newspapers. The volume which serves us for a writing-desk is a folio of larger dimensions than the one before described; and the papers are generally printed on a whole sheet, sometimes with a supplemental leaf of news and advertisements. They have a venerable appearance, being overspread with a duskiness of more than seventy years, and discolored, here and there, with the deeper stains of some liquid, as if the contents of a wineglass had long since been splashed upon the page. Still, the old book conveys an impression that, when the separate numbers were flying about town, in the first day or two of their respective existences, they might have been fit reading for very stylish people. Such newspapers could have been issued nowhere but in a metropolis the centre, not only of public and private affairs, but of fashion and gayety. Without any discredit to the colonial press, these might have been, and probably were, spread out on the tables of the British coffee-house, in king Street, for the perusal of the throng of officers who then drank their wine at that celebrated establishment. To interest these military gentlemen, there were bulletins of the war between Prussia and Austria; between England and France, on the old battle-plains of Flanders; and between the same antagonists, in the newer fields of the East Indies,—and in our own trackless woods, where white men never trod until they came to fight there. Or, the travelled American, the petit-maitre of the colonies,—the ape of London foppery, as the newspaper was the semblance of the London journals,—he, with his gray powdered periwig, his embroidered coat, lace ruffles, and glossy silk stockings, golden-clocked,—his buckles of glittering paste, at knee-band and shoe-strap,—his scented handkerchief, and chapeau beneath his arm, even such a dainty figure need not have disdained to glance at these old yellow pages, while they were the mirror of passing times. For his amusement, there were essays of wit and humor, the light literature of the day, which, for breadth and license, might have proceeded from the pen of Fielding or Smollet; while, in other columns, he would delight his imagination with the enumerated items of all sorts of finery, and with the rival advertisements of half a dozen peruke-makers. In short, newer manners and customs had almost entirely superseded those of the Puritans, even in their own city of refuge.
About twenty years after our previous exploration, we try again to capture some characteristics of life and social customs in New England. Our source, as before, is a collection of old newspapers. The volume we're using as a writing surface is larger than the one previously mentioned, and the papers are generally printed on a full sheet, sometimes with an extra page of news and ads. They have an aged look, covered with more than seventy years of dust, and stained here and there with deeper marks from some liquid, as if wine had been spilled on the pages a long time ago. Still, this old book gives the impression that, when the individual papers were circulating around town in their early days, they might have been suitable reading for fashionable people. Such newspapers could only have come from a city that was the center of both public and personal affairs, as well as style and entertainment. Without diminishing the colonial press, these might have been spread out on tables at the British coffee-house on King Street for officers enjoying their drinks at that famous spot. To capture the interest of these military men, there were updates on the war between Prussia and Austria; between England and France, on the historic battlefields of Flanders; and between those same opponents in the newer territories of the East Indies—and in our own unexplored forests, which white men had not stepped into until they came to fight there. Or, the fashionable American, the dandy of the colonies—the imitator of London trends, just as the newspaper mimicked the London publications—he, with his gray powdered wig, embroidered coat, lace cuffs, and shiny silk stockings adorned with gold clocking—his shimmering paste buckles at knee and shoe—his scented handkerchief, and hat under his arm, even such a delicate figure would not have looked down on these old yellowed pages, as they reflected the times. For his entertainment, there were essays filled with wit and humor, the light reading of the day, which, in terms of breadth and boldness, might have come from the pen of Fielding or Smollett; while, in other sections, he could indulge his imagination with lists of all kinds of finery and competing ads from half a dozen wig-makers. In short, newer customs and manners had nearly completely replaced those of the Puritans, even in their own refuge city.
It was natural that, with the lapse of time and increase of wealth and population, the peculiarities of the early settlers should have waxed fainter and fainter through the generations of their descendants, who also had been alloyed by a continual accession of emigrants from many countries and of all characters. It tended to assimilate the colonial manners to those of the mother-country, that the commercial intercourse was great, and that the merchants often went thither in their own ships. Indeed, almost every man of adequate fortune felt a yearning desire, and even judged it a filial duty, at least once in his life, to visit the home of his ancestors. They still called it their own home, as if New England were to them, what many of the old Puritans had considered it, not a permanent abiding-place, but merely a lodge in the wilderness, until the trouble of the times should be passed. The example of the royal governors must have had much influence on the manners of the colonists; for these rulers assumed a degree of state and splendor which had never been practised by their predecessors, who differed in nothing from republican chief-magistrates, under the old charter. The officers of the crown, the public characters in the interest of the administration, and the gentlemen of wealth and good descent, generally noted for their loyalty, would constitute a dignified circle, with the governor in the centre, bearing a very passable resemblance to a court. Their ideas, their habits, their bode of courtesy, and their dress would have all the fresh glitter of fashions immediately derived from the fountain-head, in England. To prevent their modes of life from becoming the standard with all who had the ability to imitate them, there was no longer an undue severity of religion, nor as yet any disaffection to British supremacy, nor democratic prejudices against pomp. Thus, while the colonies were attaining that strength which was soon to render them an independent republic, it might have been supposed that the wealthier classes were growing into an aristocracy, and ripening for hereditary rank, while the poor were to be stationary in their abasement, and the country, perhaps, to be a sister monarchy with England. Such, doubtless, were the plausible conjectures deduced from the superficial phenomena of our connection with a monarchical government, until the prospective nobility were levelled with the mob, by the mere gathering of winds that preceded the storm of the Revolution. The portents of that storm were not yet visible in the air. A true picture of society, therefore, would have the rich effect produced by distinctions of rank that seemed permanent, and by appropriate habits of splendor on the part of the gentry.
It was natural that over time, as wealth and population grew, the unique traits of the early settlers faded through generations of their descendants, who became mixed with a steady influx of immigrants from various countries and backgrounds. The close commercial ties helped blend the colonial lifestyle with that of the mother country since merchants often traveled back and forth in their own ships. In fact, almost every man with sufficient means felt a strong desire, and even viewed it as a duty, to visit his ancestors' homeland at least once in his life. They still referred to it as their home, as if New England were, to them, what many of the old Puritans saw it as—a temporary refuge in the wilderness until the troubles of the time passed. The example set by royal governors likely influenced the behavior of the colonists; these rulers embraced a level of dignity and opulence that their predecessors, who were similar to republican leaders under the old charter, hadn’t displayed. Crown officials, public figures supporting the administration, and wealthy gentlemen known for their loyalty formed a respectable circle with the governor at the center, resembling a court. Their ideas, habits, social etiquette, and fashion were fresh off the press from England. To keep their way of life from being the norm for everyone who could mimic them, there was no longer an oppressive religious strictness, nor any significant opposition to British authority, or democratic biases against showiness. Thus, while the colonies were gaining the strength that would soon lead them to independence, it might have been thought that the wealthier classes were evolving into an aristocracy, preparing for hereditary status, while the poor remained stuck in their circumstances, and the country might become a sister monarchy to England. These were likely the reasonable assumptions drawn from the superficial aspects of our relationship with a monarchical government, until the emerging nobility was leveled with the masses by the gathering winds that heralded the coming Revolution. The signs of that storm were not yet visible. A true depiction of society would show the affluent in a way that emphasized ranks thought to be permanent, accompanied by splendid habits among the gentry.
The people at large had been somewhat changed in character, since the period of our last sketch, by their great exploit, the conquest of Louisburg. After that event, the New-Englanders never settled into precisely the same quiet race which all the world had imagined them to be. They had done a deed of history, and were anxious to add new ones to the record. They had proved themselves powerful enough to influence the result of a war, and were thenceforth called upon, and willingly consented, to join their strength against the enemies of England; on those fields, at least, where victory would redound to their peculiar advantage. And now, in the heat of the Old French War, they might well be termed a martial people. Every man was a soldier, or the father or brother of a soldier; and the whole land literally echoed with the roll of the drum, either beating up for recruits among the towns and villages, or striking the march towards the frontiers. Besides the provincial troops, there were twenty-three British regiments in the northern colonies. The country has never known a period of such excitement and warlike life; except during the Revolution,—perhaps scarcely then; for that was a lingering war, and this a stirring and eventful one.
The people had changed somewhat since our last description, thanks to their significant achievement, the conquest of Louisburg. After that event, the New Englanders never went back to being the calm group everyone thought they were. They had accomplished something historic and were eager to add more to their legacy. They had shown they were strong enough to impact the outcome of a war, and from then on, they were called upon—and willingly agreed—to join their efforts against England's enemies, at least in battles that would benefit them specifically. Now, in the heat of the Old French War, they could definitely be called a martial people. Every man was a soldier, or the father or brother of one; the entire land was filled with the sound of drums, either recruiting for troops in towns and villages or marching towards the frontiers. In addition to the provincial troops, there were twenty-three British regiments in the northern colonies. The country had never experienced such a period of excitement and military activity, except perhaps during the Revolution—but even then, it was a drawn-out war, while this one was dynamic and full of events.
One would think that no very wonderful talent was requisite for an historical novel, when the rough and hurried paragraphs of these newspapers can recall the past so magically. We seem to be waiting in the street for the arrival of the post-rider—who is seldom more than twelve hours beyond his time—with letters, by way of Albany, from the various departments of the army. Or, we may fancy ourselves in the circle of listeners, all with necks stretched out towards an old gentleman in the centre, who deliberately puts on his spectacles, unfolds the wet newspaper, and gives us the details of the broken and contradictory reports, which have been flying from mouth to mouth, ever since the courier alighted at Secretary Oliver’s office. Sometimes we have an account of the Indian skirmishes near Lake George, and how a ranging party of provincials were so closely pursued, that they threw away their arms, and eke their shoes, stockings, and breeches, barely reaching the camp in their shirts, which also were terribly tattered by the bushes. Then, there is a journal of the siege of Fort Niagara, so minute that it almost numbers the cannon-shot and bombs, and describes the effect of the latter missiles on the French commandant’s stone mansion, within the fortress. In the letters of the provincial officers, it is amusing to observe how some of them endeavor to catch the careless and jovial turn of old campaigners. One gentleman tells us that he holds a brimming glass in his hand, intending to drink the health of his correspondent, unless a cannon ball should dash the liquor from his lips; in the midst of his letter he hears the bells of the French churches ringing, in Quebec, and recollects that it is Sunday; whereupon, like a good Protestant, he resolves to disturb the Catholic worship by a few thirty-two pound shot. While this wicked man of war was thus making a jest of religion, his pious mother had probably put up a note, that very Sabbath-day, desiring the “prayers of the congregation for a son gone a soldiering.” We trust, however, that there were some stout old worthies who were not ashamed to do as their fathers did, but went to prayer, with their soldiers, before leading them to battle; and doubtless fought none the worse for that. If we had enlisted in the Old French War, it should have been under such a captain; for we love to see a man keep the characteristics of his country.*
One would think that no exceptional skill is needed for a historical novel when the rough and quick paragraphs of these newspapers can recall the past so incredibly. We seem to be waiting on the street for the arrival of the mail rider—who is rarely more than twelve hours late—with letters, sent via Albany, from various army departments. Or, we might imagine ourselves in a group of listeners, all with necks craned towards an older gentleman in the middle, who slowly puts on his glasses, unfolds the damp newspaper, and shares the details of the fragmented and conflicting reports that have been circulating ever since the courier arrived at Secretary Oliver’s office. Sometimes we get an account of the Indian skirmishes near Lake George, describing how a scouting party of provincials was pursued so closely that they discarded their weapons, shoes, stockings, and trousers, barely making it back to camp in their shirts, which were also badly torn by the bushes. Then, there’s a detailed report of the siege of Fort Niagara, so precise that it almost counts the cannon shots and bombs, and describes the impact of the latter on the French commandant’s stone house within the fortress. In the letters from the provincial officers, it’s amusing to see how some of them try to capture the carefree and jovial attitude of seasoned campaigners. One gentleman mentions that he has a full glass in his hand, planning to toast his correspondent, unless a cannonball knocks the drink from his lips; in the middle of his letter, he hears the bells of the French churches ringing in Quebec and remembers that it’s Sunday; therefore, like a good Protestant, he decides to interrupt the Catholic worship with a few thirty-two pound cannonballs. While this wicked soldier was making a joke of religion, his devout mother likely sent up a prayer that very Sunday, requesting “the congregation’s prayers for a son gone soldiering.” We hope, however, that there were some strong old guys who weren’t ashamed to do as their fathers did and went to prayer with their soldiers before leading them into battle; and undoubtedly fought just as well for it. If we had enlisted in the Old French War, it would have been under such a captain; because we enjoy seeing a man maintain the characteristics of his country.*
[* The contemptuous jealousy of the British army, from the general downwards, was very galling to the provincial troops. In one of the newspapers, there is an admirable letter of a New England man, copied from the London Chronicle, defending the provincials with an ability worthy of Franklin, and somewhat in his style. The letter is remarkable, also, because it takes up the cause of the whole range of colonies, as if the writer looked upon them all as constituting one country, and that his own. Colonial patriotism had not hitherto been so broad a sentiment.]
[* The disdainful jealousy of the British army, from the top down, was really frustrating for the provincial troops. In one of the newspapers, there's a great letter from a New England man, taken from the London Chronicle, defending the provincials with a skill worthy of Franklin, and somewhat in his style. The letter is also notable because it represents the interests of all the colonies, as if the writer viewed them all as one country, his own. Colonial patriotism hadn't been such a widespread feeling before now.]
These letters, and other intelligence from the army, are pleasant and lively reading, and stir up the mind like the music of a drum and fife. It is less agreeable to meet with accounts of women slain and scalped, and infants dashed against trees, by the Indians on the frontiers. It is a striking circumstance, that innumerable bears, driven from the woods, by the uproar of contending armies in their accustomed haunts, broke into the settlements, and committed great ravages among children, as well as sheep and swine. Some of them prowled where bears had never been for a century, penetrating within a mile or two of Boston; a fact that gives a strong and gloomy impression of something very terrific going on in the forest, since these savage beasts fled townward to avoid it. But it is impossible to moralize about such trifles, when every newspaper contains tales of military enterprise, and often a huzza for victory; as, for instance, the taking of Ticonderoga, long a place of awe to the provincials, and one of the bloodiest spots in the present war. Nor is it unpleasant, among whole pages of exultation, to find a note of sorrow for the fall of some brave officer; it comes wailing in, like a funeral strain amidst a peal of triumph, itself triumphant too. Such was the lamentation over Wolfe. Somewhere, in this volume of newspapers, though we cannot now lay our finger upon the passage, we recollect a report that General Wolfe was slain, not by the enemy, but by a shot from his own soldiers.
These letters and other information from the army are enjoyable and engaging to read, energizing the mind like the sound of a drum and fife. It's less pleasant to read about women being killed and scalped, and babies being thrown against trees by the Indians on the frontiers. It’s remarkable that countless bears, frightened from their homes by the noise of battling armies in their usual territory, invaded the settlements and caused significant damage among children, as well as sheep and pigs. Some of them wandered into areas where bears hadn’t been seen for a century, coming within a mile or two of Boston; this paints a strong and grim picture of something truly terrifying happening in the forest, as these wild animals fled toward the town to escape it. But it's hard to reflect on such trivial matters when every newspaper is filled with stories of military actions, often celebrating victories; for example, the capture of Ticonderoga, which has long been a source of fear for the locals and one of the bloodiest places in the current war. It's also poignant to find, amidst all the pages of celebration, a note of sorrow for the loss of a brave officer; it comes in like a mournful tune in the middle of a triumphant cheer, and is triumphant in its own way as well. Such was the mourning over Wolfe. Somewhere in this collection of newspapers, even though we can't currently pinpoint the exact spot, we remember a report that General Wolfe was not killed by the enemy, but rather by a shot from his own troops.
In the advertising columns, also, we are continually reminded that the country was in a state of war. Governor Pownall makes proclamation for the enlisting of soldiers, and directs the militia colonels to attend to the discipline of their regiments, and the selectmen of every town to replenish their stocks of ammunition. The magazine, by the way, was generally kept in the upper loft of the village meeting-house. The provincial captains are drumming up for soldiers, in every newspaper. Sir Jeffrey Amherst advertises for batteaux-men, to be employed on the lakes; and gives notice to the officers of seven British regiments, dispersed on the recruiting service, to rendezvous in Boston. Captain Hallowell, of the province ship-of-war King George, invites able-bodied seamen to serve his Majesty, for fifteen pounds, old tenor, per month. By the rewards offered, there would appear to have been frequent desertions from the New England forces: we applaud their wisdom, if not their valor or integrity. Cannon of all calibres, gunpowder and balls, firelocks, pistols, swords, and hangers, were common articles of merchandise. Daniel Jones, at the sign of the hat and helmet, offers to supply officers with scarlet broadcloth, gold-lace for hats and waistcoats, cockades, and other military foppery, allowing credit until the payrolls shall be made up. This advertisement gives us quite a gorgeous idea of a provincial captain in full dress.
In the ads, we're constantly reminded that the country is at war. Governor Pownall is calling for soldiers to enlist and instructs the militia leaders to take care of their troops' discipline, while the town selectmen need to stock up on ammunition. By the way, the magazine was typically stored in the upper loft of the village meeting house. Provincial captains are recruiting soldiers in every newspaper. Sir Jeffrey Amherst is looking for boatmen to work on the lakes and tells the officers of seven British regiments, scattered for recruitment, to meet in Boston. Captain Hallowell, of the provincial warship King George, is inviting able-bodied seamen to serve His Majesty for fifteen pounds, old tenor, a month. From the rewards offered, it seems there were frequent desertions from the New England forces; we commend their wisdom, if not their bravery or honesty. Cannons of all sizes, gunpowder and bullets, muskets, pistols, swords, and daggers were common merchandise. Daniel Jones, at the sign of the hat and helmet, offers to provide officers with scarlet broadcloth, gold lace for hats and waistcoats, cockades, and other military extravagances, extending credit until the payrolls are settled. This ad gives us quite a flashy impression of a provincial captain in full regalia.
At the commencement of the campaign of 1759, the British general informs the farmers of New England that a regular market will be established at Lake George, whither they are invited to bring provisions and refreshments of all sorts, for the use of the army. Hence, we may form a singular picture of petty traffic, far away from any permanent settlements, among the hills which border that romantic lake, with the solemn woods overshadowing the scene. Carcasses of bullocks and fat porkers are placed upright against the huge trunks of the trees; fowls hang from the lower branches, bobbing against the heads of those beneath; butter-firkins, great cheeses, and brown loaves of household bread, baked in distant ovens, are collected under temporary shelters or pine-boughs, with gingerbread, and pumpkin-pies, perhaps, and other toothsome dainties. Barrels of cider and spruce-beer are running freely into the wooden canteens of the soldiers. Imagine such a scene, beneath the dark forest canopy, with here and there a few struggling sunbeams, to dissipate the gloom. See the shrewd yeomen, haggling with their scarlet-coated customers, abating somewhat in their prices, but still dealing at monstrous profit; and then complete the picture with circumstances that bespeak war and danger. A cannon shall be seen to belch its smoke from among the trees, against some distant canoes on the lake; the traffickers shall pause, and seem to hearken, at intervals, as if they heard the rattle of musketry or the shout of Indians; a scouting-party shall be driven in, with two or three faint and bloody men among them. And, in spite of these disturbances, business goes on briskly in the market of the wilderness.
At the start of the 1759 campaign, the British general informs the farmers of New England that a regular market will be set up at Lake George, where they are invited to bring all kinds of food and drinks for the army. This creates a unique scene of small-scale trade, far from any permanent settlements, among the hills surrounding that picturesque lake, under the shadow of solemn woods. Carcasses of cattle and plump pigs are propped up against the massive trunks of the trees; chickens hang from the lower branches, bumping into the heads of those below; tubs of butter, large cheeses, and loaves of homemade bread, baked in distant ovens, are gathered under makeshift shelters or pine branches, along with gingerbread, pumpkin pies, and other tasty treats. Barrels of cider and spruce beer are flowing freely into the soldiers' wooden canteens. Picture this scene beneath the dark forest canopy, with a few struggling beams of sunlight breaking through the gloom. See the shrewd farmers haggling with their red-coated customers, lowering their prices a bit but still making a hefty profit; then complete the image with elements that signal war and danger. A cannon can be seen smoking amidst the trees, aimed at distant canoes on the lake; the traders stop and listen intently, as if they hear the crack of muskets or the shouts of Native Americans; a scouting party may return, carrying two or three injured and bloody men. Despite these interruptions, business continues briskly in the wilderness market.
It must not be supposed that the martial character of the times interrupted all pursuits except those connected with war. On the contrary, there appears to have been a general vigor and vivacity diffused into the whole round of colonial life. During the winter of 1759, it was computed that about a thousand sled-loads of country produce were daily brought into Boston market. It was a symptom of an irregular and unquiet course of affairs, that innumerable lotteries were projected, ostensibly for the purpose of public improvements, such as roads and bridges. Many females seized the opportunity to engage in business: as, among others, Alice Quick, who dealt in crockery and hosiery, next door to Deacon Beautineau’s; Mary Jackson, who sold butter, at the Brazen-Head, in Cornhill; Abigail Hiller, who taught ornamental work, near the Orange-Tree, where also were to be seen the King and Queen, in wax-work; Sarah Morehead, an instructor in glass-painting, drawing, and japanning; Mary Salmon, who shod horses, at the South End; Harriet Pain, at the Buck and Glove, and Mrs. Henrietta Maria Caine, at the Golden Fan, both fashionable milliners; Anna Adams, who advertises Quebec and Garrick bonnets, Prussian cloaks, and scarlet cardinals, opposite the old brick meeting-house; besides a lady at the head of a wine and spirit establishment. Little did these good dames expect to reappear before the public, so long after they had made their last courtesies behind the counter. Our great-grandmothers were a stirring sisterhood, and seem not to have been utterly despised by the gentlemen at the British coffee-house; at least, some gracious bachelor, there resident, gives public notice of his willingness to take a wife, provided she be not above twenty-three, and possess brown hair, regular features, a brisk eye, and a fortune. Now, this was great condescension towards the ladies of Massachusetts Bay, in a threadbare lieutenant of foot.
It shouldn't be assumed that the military nature of the times interrupted all activities except those related to war. On the contrary, there seems to have been a lively energy throughout colonial life. During the winter of 1759, it was estimated that about a thousand sled-loads of local produce were brought into the Boston market every day. It was a sign of the chaotic and unsettled state of affairs that countless lotteries were proposed, supposedly for public improvements like roads and bridges. Many women took the chance to start businesses: for example, Alice Quick, who sold crockery and hosiery next to Deacon Beautineau’s; Mary Jackson, who sold butter at the Brazen-Head in Cornhill; Abigail Hiller, who taught decorative arts near the Orange-Tree, where there were also wax figures of the King and Queen; Sarah Morehead, who taught glass painting, drawing, and japanning; Mary Salmon, who shod horses at the South End; Harriet Pain, at the Buck and Glove, and Mrs. Henrietta Maria Caine, at the Golden Fan, both stylish milliners; Anna Adams, who advertised Quebec and Garrick bonnets, Prussian cloaks, and scarlet cardinals across from the old brick meetinghouse; plus a lady managing a wine and spirits business. Little did these women expect to be back before the public so long after they had last made their farewells behind the counter. Our great-grandmothers were an active group and seemed not to have been completely looked down upon by the gentlemen at the British coffee-house; at least, a kind bachelor living there publicly announced his willingness to marry a woman, provided she was no older than twenty-three, had brown hair, a nice face, a lively eye, and some wealth. Now, this was quite a gesture toward the ladies of Massachusetts Bay, coming from a worn-out lieutenant of foot.
Polite literature was beginning to make its appearance. Few native works were advertised, it is true, except sermons and treatises of controversial divinity; nor were the English authors of the day much known on this side of the Atlantic. But catalogues were frequently offered at auction or private sale, comprising the standard English books, history, essays, and poetry, of Queen Anne’s age, and the preceding century. We see nothing in the nature of a novel, unless it be “The Two Mothers, price four coppers.” There was an American poet, however, of whom Mr. Kettell has preserved no specimen,—the author of “War, an Heroic Poem”; he publishes by subscription, and threatens to prosecute his patrons for not taking their books. We have discovered a periodical, also, and one that has a peculiar claim to be recorded here, since it bore the title of “THE NEW ENGLAND MAGAZINE,” a forgotten predecessor, for which we should have a filial respect, and take its excellence on trust. The fine arts, too, were budding into existence. At the “old glass and picture shop,” in Cornhill, various maps, plates, and views are advertised, and among them a “Prospect of Boston,” a copperplate engraving of Quebec, and the effigies of all the New England ministers ever done in mezzotinto. All these must have been very salable articles. Other ornamental wares were to be found at the same shop; such as violins, flutes, hautboys, musical books, English and Dutch toys, and London babies. About this period, Mr. Dipper gives notice of a concert of vocal and instrumental music. There had already been an attempt at theatrical exhibitions.
Polite literature was starting to emerge. It's true that few local works were advertised, aside from sermons and controversial religious texts; the English authors of that time weren't well-known on this side of the Atlantic. However, catalogs were often available at auctions or for private sale, featuring the standard English books, history, essays, and poetry from Queen Anne’s era and the century before. We don't see anything resembling a novel, unless it's “The Two Mothers, priced at four coppers.” There was an American poet, though, whose work Mr. Kettell hasn't preserved—a writer of “War, an Heroic Poem”; he publishes through subscriptions and threatens to sue his patrons for not buying their books. We also found a periodical that deserves mention, titled “THE NEW ENGLAND MAGAZINE,” a forgotten predecessor that we should honor and trust for its quality. The fine arts were also beginning to develop. At the “old glass and picture shop” in Cornhill, various maps, plates, and views were advertised, including a "Prospect of Boston," a copperplate engraving of Quebec, and depictions of all the New England ministers ever created in mezzotint. All these must have been quite popular items. Other decorative goods were available at the same shop, such as violins, flutes, hautboys, music books, English and Dutch toys, and London dolls. Around this time, Mr. Dipper announced a concert featuring vocal and instrumental music. There had already been efforts to stage theatrical performances.
There are tokens, in every newspaper, of a style of luxury and magnificence which we do not usually associate with our ideas of the times. When the property of a deceased person was to be sold, we find, among the household furniture, silk beds and hangings, damask table-cloths, Turkey carpets, pictures, pier-glasses, massive plate, and all things proper for a noble mansion. Wine was more generally drunk than now, though by no means to the neglect of ardent spirits. For the apparel of both sexes, the mercers and milliners imported good store of fine broadcloths, especially scarlet, crimson, and sky-blue, silks, satins, lawns, and velvets, gold brocade, and gold and silver lace, and silver tassels, and silver spangles, until Cornhill shone and sparkled with their merchandise. The gaudiest dress permissible by modern taste fades into a Quaker-like sobriety, compared with the deep, rich, glowing splendor of our ancestors. Such figures were almost too fine to go about town on foot; accordingly, carriages were so numerous as to require a tax; and it is recorded that, when Governor Bernard came to the province, he was met between Dedham and Boston by a multitude of gentlemen in their coaches and chariots.
There are signs in every newspaper of a style of luxury and grandeur that we don’t usually connect with our current times. When the belongings of a deceased person were put up for sale, we would find among the household items silk bed linens, decorative wall hangings, damask tablecloths, Turkish carpets, paintings, ornate mirrors, heavy silverware, and everything else suitable for a noble residence. Wine was consumed more frequently than it is now, but spirits were also popular. For clothing for both men and women, merchants and milliners imported large quantities of fine broadcloths, especially in colors like scarlet, crimson, and sky-blue, as well as silks, satins, lawns, velvets, gold brocade, and gold and silver lace, along with silver tassels and spangles, making Cornhill glisten with their products. The most extravagant modern outfits look almost plain compared to the rich, vibrant splendor of our ancestors. Those dressed in such fine clothing were almost too elegant to walk through the city; as a result, carriages became so numerous that a tax was imposed on them; it is noted that when Governor Bernard arrived in the province, he was greeted between Dedham and Boston by a crowd of gentlemen in their coaches and chariots.
Take my arm, gentle reader, and come with me into some street, perhaps trodden by your daily footsteps, but which now has such an aspect of half-familiar strangeness, that you suspect yourself to be walking abroad in a dream. True, there are some brick edifices which you remember from childhood, and which your father and grandfather remembered as well; but you are perplexed by the absence of many that were here only an hour or two since; and still more amazing is the presence of whole rows of wooden and plastered houses, projecting over the sidewalks, and bearing iron figures on their fronts, which prove them to have stood on the same sites above a century. Where have your eyes been that you never saw them before? Along the ghostly street,—for, at length, you conclude that all is unsubstantial, though it be so good a mockery of an antique town,—along the ghostly street, there are ghostly people too. Every gentleman has his three-cornered hat, either on his head or under his arm; and all wear wigs in infinite variety,—the Tie, the Brigadier, the Spencer, the Albemarle, the Major, the Ramillies, the grave Full-bottom, or the giddy Feather-top. Look at the elaborate lace-ruffles, and the square-skirted coats of gorgeous hues, bedizened with silver and gold! Make way for the phantom-ladies, whose hoops require such breadth of passage, as they pace majestically along, in silken gowns, blue, green, or yellow, brilliantly embroidered, and with small satin hats surmounting their powdered hair. Make way; for the whole spectral show will vanish, if your earthly garments brush against their robes. Now that the scene is brightest, and the whole street glitters with imaginary sunshine,—now hark to the bells of the Old South and the Old North, ringing out with a sudden and merry peal, while the cannon of Castle William thunder below the town, and those of the Diana frigate repeat the sound, and the Charlestown batteries reply with a nearer roar! You see the crowd toss up their hats in visionary joy. You hear of illuminations and fire-works, and of bonfires, built oil scaffolds, raised several stories above the ground, that are to blaze all night in King Street and on Beacon Hill. And here come the trumpets and kettle-drums, and the tramping hoofs of the Boston troop of horseguards, escorting the governor to King’s Chapel, where he is to return solemn thanks for the surrender of Quebec. March on, thou shadowy troop! and vanish, ghostly crowd! and change again, old street! for those stirring times are gone.
Take my arm, dear reader, and come with me into a street that you might walk down every day, but now looks oddly familiar yet strange, leaving you feeling like you're in a dream. Sure, there are some brick buildings you remember from childhood that your father and grandfather recall too; but you’re confused by the absence of many places that were here just an hour or two ago. Even more surprising are whole rows of wooden and plaster houses, jutting over the sidewalks, with iron figures on their fronts proving they’ve stood on the same spots for over a century. Where have you been that you never noticed them before? Along this eerie street—since you come to realize that it’s all insubstantial, despite its convincing imitation of an old town—there are eerie people, too. Every gentleman sports a three-cornered hat, either on his head or tucked under his arm; all of them wear wigs in endless styles—the Tie, the Brigadier, the Spencer, the Albemarle, the Major, the Ramillies, the solemn Full-bottom, or the lively Feather-top. Look at the intricate lace ruffles and the square coats in stunning colors, adorned with silver and gold! Make way for the ghostly ladies, whose wide hoops require ample space as they glide majestically in silk dresses—blue, green, or yellow—brilliantly embroidered, with small satin hats perched atop their powdered hair. Make way; for the entire spectral scene will disappear if your earthly clothes brush against their skirts. Now that the scene is at its brightest and the whole street sparkles with imagined sunshine—listen to the bells of the Old South and the Old North ringing out a joyful peal, while the cannon from Castle William boom beneath the town, and those of the Diana frigate echo the sound, while the batteries in Charlestown respond with a closer roar! You see the crowd tossing their hats in joyful visions. You hear about illuminations and fireworks, and bonfires built on scaffolds several stories high that will blaze all night in King Street and on Beacon Hill. Here come the trumpets and kettledrums, and the pounding hooves of the Boston horseguards, escorting the governor to King’s Chapel to give thanks for the surrender of Quebec. March on, you shadowy troop! and disappear, ghostly crowd! and change again, old street! for those exciting times are gone.
Opportunely for the conclusion of our sketch, a fire broke out, on the twentieth of March, 1760, at the Brazen-Head, in Cornhill, and consumed nearly four hundred buildings. Similar disasters have always been epochs in the chronology of Boston. That of 1711 had hitherto been termed the Great Fire, but now resigned its baleful dignity to one which has ever since retained it. Did we desire to move the reader’s sympathies on this subject, we would not be grandiloquent about the sea of billowy flame, the glowing and crumbling streets, the broad, black firmament of smoke, and the blast or wind that sprang up with the conflagration and roared behind it. It would be more effective to mark out a single family at the moment when the flames caught upon an angle of their dwelling: then would ensue the removal of the bedridden grandmother, the cradle with the sleeping infant, and, most dismal of all, the dying man just at the extremity of a lingering disease. Do but imagine the confused agony of one thus awfully disturbed in his last hour; his fearful glance behind at the consuming fire raging after him, from house to house, as its devoted victim; and, finally, the almost eagerness with which he would seize some calmer interval to die! The Great Fire must have realized many such a scene.
Opportunely for the conclusion of our story, a fire broke out on March 20, 1760, at the Brazen-Head in Cornhill and destroyed nearly four hundred buildings. Similar disasters have always marked important moments in the history of Boston. The fire of 1711 was previously known as the Great Fire, but now it has passed that grim title to the one that has held it ever since. If we wanted to stir the reader's emotions on this topic, we wouldn't get overly dramatic about the sea of flames, the glowing and crumbling streets, the thick black smoke filling the sky, and the wind that picked up with the blaze, roaring behind it. It would be more impactful to focus on a single family at the moment when the flames reached the corner of their home: we would see the bedridden grandmother being carried out, the cradle with the sleeping baby, and, most tragically, the dying man at the end of a long illness. Just imagine the overwhelming distress of someone abruptly faced with such chaos in their final moments; his terrified glance back at the raging fire chasing him from house to house, as its helpless victim; and finally, the almost desperate way he would wait for a brief moment of calm to pass away! The Great Fire must have brought forth many such heart-wrenching scenes.
Doubtless posterity has acquired a better city by the calamity of that generation. None will be inclined to lament it at this late day, except the lover of antiquity, who would have been glad to walk among those streets of venerable houses, fancying the old inhabitants still there, that he might commune with their shadows, and paint a more vivid picture of their times.
Surely future generations have gained a better city thanks to the misfortunes of that time. No one, except for those who cherish the past, will likely mourn it now. Such a person would have loved to stroll through those streets lined with historic homes, imagining the old residents still present so they could connect with their memories and create a more vibrant picture of their era.
III. THE OLD TORY.
Again we take a leap of about twenty years, and alight in the midst of the Revolution. Indeed, having just closed a volume of colonial newspapers, which represented the period when monarchical and aristocratic sentiments were at the highest,—and now opening another volume printed in the same metropolis, after such sentiments had long been deemed a sin and shame,—we feel as if the leap were more than figurative. Our late course of reading has tinctured us, for the moment, with antique prejudices; and we shrink from the strangely contrasted times into which we emerge, like one of those immutable old Tories, who acknowledge no oppression in the Stamp Act. It may be the most effective method of going through the present file of papers, to follow out this idea, and transform ourself, perchance, from a modern Tory into such a sturdy King-man as once wore that pliable nickname.
Once again, we jump forward about twenty years and land right in the middle of the Revolution. Having just finished reading a collection of colonial newspapers that reflect a time when royal and aristocratic feelings were at their peak—and now opening another collection printed in the same city, after those feelings have long been considered a disgrace—we can’t help but feel this leap is more than just metaphorical. Our recent reading has colored our perspective with old-fashioned biases; we recoil from the jarringly different times we find ourselves in, much like those stubborn old Tories who see no injustice in the Stamp Act. It might be most effective to go through the current set of papers by embracing this idea and transforming ourselves, perhaps, from a modern Tory into one of those strong supporters of the King who once proudly wore that flexible label.
Well, then, here we sit, an old, gray, withered, sour-visaged, threadbare sort of gentleman, erect enough, here in our solitude, but marked out by a depressed and distrustful mien abroad, as one conscious of a stigma upon his forehead, though for no crime. We were already in the decline of life when the first tremors of the earthquake that has convulsed the continent were felt. Our mind had grown too rigid to change any of its opinions, when the voice of the people demanded that all should be changed. We are an Episcopalian, and sat under the High-Church doctrines of Dr. Caner; we have been a captain of the provincial forces, and love our king the better for the blood that we shed in his cause on the Plains of Abraham. Among all the refugees, there is not one more loyal to the backbone than we. Still we lingered behind when the British army evacuated Boston, sweeping in its train most of those with whom we held communion; the old, loyal gentlemen, the aristocracy of the colonies, the hereditary Englishman, imbued with more than native zeal and admiration for the glorious island and its monarch, because the far-intervening ocean threw a dim reverence around them. When our brethren departed, we could not tear our aged roots out of the soil.
Well, here we are, an old, gray, worn-out man with a sour face, sitting upright in our solitude but looking downcast and distrustful in public, as if we have a mark on our forehead, even though we’ve done nothing wrong. We were already in the later stages of life when we first felt the tremors of the earthquake that has shaken the whole continent. Our minds had become too set to change any of our opinions when the people demanded that everything should change. We are Episcopalian and have followed the High-Church teachings of Dr. Caner; we have been a captain of the provincial forces and love our king even more because of the blood we shed for him on the Plains of Abraham. Among all the refugees, there’s no one more loyal than we are. Still, we stayed behind when the British army left Boston, taking with them most of those we associated with—the old loyal gentlemen, the aristocracy of the colonies, the Englishmen who, because of the distance of the ocean, had an even greater admiration for the glorious island and its monarch. When our brothers left, we couldn’t uproot our old ties to the land.
We have remained, therefore, enduring to be outwardly a freeman, but idolizing King George in secrecy and silence,—one true old heart amongst a host of enemies. We watch, with a weary hope, for the moment when all this turmoil shall subside, and the impious novelty that has distracted our latter years, like a wild dream, give place to the blessed quietude of royal sway, with the king’s name in every ordinance, his prayer in the church, his health at the board, and his love in the people’s heart. Meantime, our old age finds little honor. Hustled have we been, till driven from town-meetings; dirty water has been cast upon our ruffles by a Whig chambermaid; John Hancock’s coachman seizes every opportunity to bespatter us with mud; daily are we hooted by the unbreeched rebel brats; and narrowly, once, did our gray hairs escape the ignominy of tar and feathers. Alas! only that we cannot bear to die till the next royal governor comes over, we would fain be in our quiet grave.
We have thus continued to appear outwardly as free citizens, but secretly and silently we idolize King George—one loyal heart among many enemies. We watch, with a tired hope, for the moment when all this chaos will settle down, and the disrespectful changes that have disturbed our recent years, like a wild dream, will give way to the comforting stability of royal rule, with the king’s name in every law, his prayer in the church, his health at the table, and his love in the people's hearts. In the meantime, our old age finds little honor. We’ve been pushed around until we’ve been driven from town meetings; dirty water has been splashed on our clothes by a Whig maid; John Hancock’s coachman takes every chance to cover us in mud; we’re daily jeered at by rebellious kids; and once, we narrowly escaped the shame of being tarred and feathered. If it weren't for the fact that we can't bear to die until the next royal governor arrives, we would prefer to be resting peacefully in our graves.
Such an old man among new things are we who now hold at arm’s-length the rebel newspaper of the day. The very figure-head, for the thousandth time, elicits it groan of spiteful lamentation. Where are the united heart and crown, the loyal emblem, that used to hallow the sheet on which it was impressed, in our younger days? In its stead we find a continental officer, with the Declaration of Independence in one hand, a drawn sword in the other, and above his head a scroll, bearing the motto, “WE APPEAL TO HEAVEN.” Then say we, with a prospective triumph, let Heaven judge, in its own good time! The material of the sheet attracts our scorn. It is a fair specimen of rebel manufacture, thick and coarse, like wrapping-paper, all overspread with little knobs; and of such a deep, dingy blue color, that we wipe our spectacles thrice before we can distinguish a letter of the wretched print. Thus, in all points, the newspaper is a type of the times, far more fit for the rough hands of a democratic mob, than for our own delicate, though bony fingers. Nay we will not handle it without our gloves!
Such an old man among new things are we who now hold at arm’s length the rebel newspaper of the day. The very figurehead, for the thousandth time, elicits a groan of spiteful lament. Where are the united heart and crown, the loyal emblem, that used to bless the paper it was printed on in our younger days? Instead, we find a continental officer, with the Declaration of Independence in one hand, a drawn sword in the other, and above him a scroll that reads, “WE APPEAL TO HEAVEN.” Then we say, with a hopeful triumph, let Heaven judge, in its own good time! The material of the sheet brings us disdain. It’s a poor example of rebel production, thick and rough, like wrapping paper, covered with little knobs, and of such a deep, dingy blue that we wipe our glasses three times before we can read a letter of the wretched print. Thus, in every way, the newspaper reflects the times, far more suited for the rough hands of a democratic mob than for our own delicate, though bony fingers. No, we won't touch it without our gloves!
Glancing down the page, our eyes are greeted everywhere by the offer of lands at auction, for sale or to be leased, not by the rightful owners, but a rebel committee; notices of the town constable, that he is authorized to receive the taxes on such all estate, in default of which, that also is to be knocked down to the highest bidder; and notifications of complaints filed by the attorney-general against certain traitorous absentees, and of confiscations that are to ensue. And who are these traitors? Our own best friends; names as old, once as honored, as any in the land where they are no longer to have a patrimony, nor to be remembered as good men who have passed away. We are ashamed of not relinquishing our little property, too; but comfort ourselves because we still keep our principles, without gratifying the rebels with our plunder. Plunder, indeed, they are seizing everywhere,—by the strong hand at sea, as well as by legal forms oil shore. Here are prize-vessels for sale; no French nor Spanish merchantmen, whose wealth is the birthright of British subjects, but hulls of British oak, from Liverpool, Bristol, and the Thames, laden with the king’s own stores, for his army in New York. And what a fleet of privateers—pirates, say we—are fitting out for new ravages, with rebellion in their very names! The Free Yankee, the General Greene, the Saratoga, the Lafayette, and the Grand Monarch! Yes, the Grand Monarch; so is a French king styled, by the sons of Englishmen. And here we have an ordinance from the Court of Versailles, with the Bourbon’s own signature affixed, as if New England were already a French province. Everything is French,—French soldiers, French sailors, French surgeons, and French diseases too, I trow; besides French dancing-masters and French milliners, to debauch our daughters with French fashions! Everything in America is French, except the Canadas, the loyal Canadas, which we helped to wrest, from France. And to that old French province the Englishman of the colonies must go to find his country!
Looking down the page, our eyes are met everywhere by the offer of lands for auction, for sale, or for lease, not by the rightful owners, but by a rebel committee; announcements from the town constable that he is authorized to collect taxes on such estates, or else they will be sold to the highest bidder; and notifications of complaints filed by the attorney general against certain traitorous absentees, along with the confiscations that will follow. And who are these traitors? Our own closest friends; names that are as old and once as respected as any in the land, where they will no longer have an inheritance, nor be remembered as good men who have passed on. We feel guilty for not giving up our small property too; but we comfort ourselves because we still hold onto our principles, without giving the rebels the satisfaction of our possessions. Possessions, indeed, they are seizing everywhere—through brute force at sea, as well as through legal means onshore. Here are captured ships for sale; not French or Spanish merchant vessels, whose wealth belongs to British subjects by birthright, but hulls made of British oak, from Liverpool, Bristol, and the Thames, loaded with the king’s own supplies for his army in New York. And what a fleet of privateers—pirates, we say—are getting ready for new plunder, with rebellion in their very names! The Free Yankee, the General Greene, the Saratoga, the Lafayette, and the Grand Monarch! Yes, the Grand Monarch; that’s how a French king is referred to by Englishmen. And here we have an ordinance from the Court of Versailles, with the Bourbon’s own signature attached, as if New England were already a French province. Everything is French—French soldiers, French sailors, French doctors, and even French diseases, I wager; not to mention French dancing teachers and French milliners, to corrupt our daughters with French styles! Everything in America is French, except for Canada, the loyal Canada, which we helped to take from France. And to that old French province, the Englishman in the colonies must go to find his homeland!
O, the misery of seeing the whole system of things changed in my old days, when I would be loath to change even a pair of buckles! The British coffee-house, where oft we sat, brimful of wine and loyalty, with the gallant gentlemen of Amherst’s army, when we wore a redcoat too,—the British coffee-house, forsooth, must now be styled the American, with a golden eagle instead of the royal arms above the door. Even the street it stands in is no longer King Street! Nothing is the king’s, except this heavy heart in my old bosom. Wherever I glance my eyes, they meet something that pricks them like a needle. This soap-maker, for instance, this Hobert Hewes, has conspired against my peace, by notifying that his shop is situated near Liberty Stump. But when will their misnamed liberty have its true emblem in that Stump, hewn down by British steel?
Oh, the misery of seeing everything change in my old age, when I wouldn’t even want to change a pair of buckles! The British coffeehouse, where we often sat, full of wine and loyalty, with the brave gentlemen of Amherst’s army, when we were in redcoats too — the British coffeehouse, indeed, must now be called the American, with a golden eagle instead of the royal arms above the door. Even the street it’s on is no longer King Street! Nothing belongs to the king, except this heavy heart in my old chest. Wherever I look, I see something that stings like a needle. This soapmaker, for instance, this Hobert Hewes, has conspired against my peace by declaring that his shop is near Liberty Stump. But when will their misnamed liberty have its true symbol in that Stump, chopped down by British steel?
Where shall we buy our next year’s almanac? Not this of Weatherwise’s, certainly; for it contains a likeness of George Washington, the upright rebel, whom we most hate, though reverentially, as a fallen angel, with his heavenly brightness undiminished, evincing pure fame in an unhallowed cause. And here is a new book for my evening’s recreation,—a History of the War till the close of the year 1779, with the heads of thirteen distinguished officers, engraved on copperplate. A plague upon their heads! We desire not to see them till they grin at us from the balcony before the town-house, fixed on spikes, as the heads of traitors. How bloody-minded the villains make a peaceable old man! What next? An Oration, on the Horrid Massacre of 1770. When that blood was shed,—the first that the British soldier ever drew from the bosoms of our countrymen,—we turned sick at heart, and do so still, as often as they make it reek anew from among the stones in King Street. The pool that we saw that night has swelled into a lake,—English blood and American,—no! all British, all blood of my brethren. And here come down tears. Shame on me, since half of them are shed for rebels! Who are not rebels now! Even the women are thrusting their white hands into the war, and come out in this very paper with proposals to form a society—the lady of George Washington at their head—for clothing the continental troops. They will strip off their stiff petticoats to cover the ragged rascals, and then enlist in the ranks themselves.
Where should we buy our almanac for next year? Definitely not this one from Weatherwise; it has a portrait of George Washington, the righteous rebel, whom we mostly dislike, though with some respect, like a fallen angel whose brilliance is still intact, showing pure fame in a cause that isn't sacred. And here’s a new book for my evening reading—a History of the War up to the end of 1779, featuring portraits of thirteen notable officers engraved on copperplate. A plague on their heads! We don’t want to see them until they’re grinning at us from the balcony of the town hall, stuck on spikes like the heads of traitors. How murderous the villains make a peaceful old man! What next? A speech on the Horrid Massacre of 1770. When that blood was shed—the first that British soldiers ever drew from the hearts of our countrymen—we felt sick, and still do, each time they make it fresh again from the stones in King Street. The pool we saw that night has turned into a lake—English blood and American—no! all British, all the blood of my fellow countrymen. And here come tears. Shame on me, since half of them are shed for rebels! Who isn’t a rebel now? Even the women are getting involved in the war, and they appear in this very paper with plans to create a society—the wife of George Washington leading the way—to provide clothing for the Continental troops. They’ll take off their stiff petticoats to cover those ragged fellows and then enlist in the ranks themselves.
What have we here? Burgoyne’s proclamation turned into Hudibrastic rhyme! And here, some verses against the king, in which the scribbler leaves a blank for the name of George, as if his doggerel might yet exalt him to the pillory. Such, after years of rebellion, is the heart’s unconquerable reverence for the Lord’s anointed! In the next column, we have scripture parodied in a squib against his sacred Majesty. What would our Puritan great-grandsires have said to that? They never laughed at God’s word, though they cut off a king’s head.
What do we have here? Burgoyne’s proclamation turned into a silly rhyme! And here are some lines against the king, where the writer leaves a blank for George's name, as if this nonsense could still get him in trouble. After years of rebellion, this shows the heart’s unbreakable respect for the Lord’s anointed! In the next column, there’s a parody of scripture aimed at his sacred Majesty. What would our Puritan great-grandfathers have thought about that? They never laughed at God’s word, even though they executed a king.
Yes; it was for us to prove how disloyalty goes hand in hand with irreligion, and all other vices come trooping in the train. Nowadays men commit robbery and sacrilege for the mere luxury of wickedness, as this advertisement testifies. Three hundred pounds reward for the detection of the villains who stole and destroyed the cushions and pulpit drapery of the Brattle Street and Old South churches. Was it a crime? I can scarcely think our temples hallowed, since the king ceased to be prayed for. But it is not temples only that they rob. Here a man offers a thousand dollars—a thousand dollars, in Continental rags!—for the recovery of his stolen cloak, and other articles of clothing. Horse-thieves are innumerable. Now is the day when every beggar gets on horseback. And is not the whole land like a beggar on horseback riding post to the Davil? Ha! here is a murder, too. A woman slain at midnight, by all unknown ruffian, and found cold, stiff, and bloody, in her violated bed! Let the hue-and-cry follow hard after the man in the uniform of blue and buff who last went by that way. My life on it, he is the blood-stained ravisher! These deserters whom we see proclaimed in every column,—proof that the banditti are as false to their Stars and Stripes as to the Holy Red Cross,—they bring the crimes of a rebel camp into a soil well suited to them; the bosom of a people, without the heart that kept them virtuous,—their king!
Yes; it's up to us to show how disloyalty is linked with irreligion, and how other vices follow closely behind. Nowadays, people commit robbery and sacrilege just for the thrill of being wicked, as this ad indicates. There's a reward of three hundred pounds for information leading to the criminals who stole and damaged the cushions and pulpit drapery of the Brattle Street and Old South churches. Was it really a crime? I can hardly consider our places of worship sacred now that prayers for the king have stopped. But they don't just rob churches. Here’s a guy offering a thousand dollars—a thousand dollars, in Continental rags!—for the return of his stolen cloak and other clothing items. Horse thefts are everywhere. Now it seems like every beggar is riding a horse. And isn't the whole country like a beggar on horseback racing straight to the Devil? Ha! And there's a murder, too. A woman killed at midnight by some unknown thug, found cold, stiff, and bloody in her violated bed! Let’s chase after the man in the blue and buff uniform who last passed by. I bet he's the bloody rapist! These deserters we see advertised in every column—proof that the bandits are just as unfaithful to their Stars and Stripes as they are to the Holy Red Cross—they bring the crimes of a rebel camp into a place that’s too good for them; the heart of a nation, which has lost the virtue that came from their king!
Here flaunting down a whole column, with official seal and signature, here comes a proclamation. By whose authority? Ah! the United States,—these thirteen little anarchies, assembled in that one grand anarchy, their Congress. And what the import? A general Fast. By Heaven! for once the traitorous blockheads have legislated wisely! Yea; let a misguided people kneel down in sackcloth and ashes, from end to end, from border to border, of their wasted country. Well may they fast where there is no food, and cry aloud for whatever remnant of God’s mercy their sins may not have exhausted. We too will fast, even at a rebel summons. Pray others as they will, there shall be at least an old man kneeling for the righteous cause. Lord, put down the rebels! God save the king!
Here, strutting down an entire column, with an official seal and signature, comes a proclamation. By whose authority? Ah! the United States—these thirteen small anarchies, gathered in that one great anarchy, their Congress. And what does it say? A national day of fasting. By heaven! For once, the treacherous fools have legislated wisely! Yes, let a misguided nation kneel in sackcloth and ashes, from one end to the other, of their ravaged country. They might as well fast where there’s no food and cry out for whatever shard of God’s mercy their sins haven’t used up. We too will fast, even in response to a rebel call. Let others pray as they wish; there will at least be an old man kneeling for the righteous cause. Lord, put down the rebels! God save the king!
Peace to the good old Tory! One of our objects has been to exemplify, without softening a single prejudice proper to the character which we assumed, that the Americans who clung to the losing side in the Revolution were men greatly to be pitied and often worthy of our sympathy. It would be difficult to say whose lot was most lamentable, that of the active Tories, who gave up their patrimonies for a pittance from the British pension-roll, and their native land for a cold reception in their miscalled home, or the passive ones who remained behind to endure the coldness of former friends, and the public opprobrium, as despised citizens, under a government which they abhorred. In justice to the old gentleman who has favored us with his discontented musings, we must remark that the state of the country, so far as can be gathered from these papers, was of dismal augury for the tendencies of democratic rule. It was pardonable in the conservative of that day to mistake the temporary evils of a change for permanent diseases of the system which that change was to establish. A revolution, or anything that interrupts social order, may afford opportunities for the individual display of eminent virtues; but its effects are pernicious to general morality. Most people are so constituted that they can be virtuous only in a certain routine; and an irregular course of public affairs demoralizes them. One great source of disorder was the multitude of disbanded troops, who were continually returning home, after terms of service just long enough to give them a distaste to peaceable occupations; neither citizens nor soldiers, they were very liable to become ruffians. Almost all our impressions in regard to this period are unpleasant, whether referring to the state of civil society, or to the character of the contest, which, especially where native Americans were opposed to each other, was waged with the deadly hatred of fraternal enemies. It is the beauty of war, for men to commit mutual havoc with undisturbed good-humor.
Peace to the good old Tory! One of our goals has been to show, without softening any prejudice appropriate to the role we took on, that the Americans who held onto the losing side in the Revolution were people to be greatly pitied and often deserving of our sympathy. It would be hard to say whose situation was more unfortunate: the active Tories, who sacrificed their inheritances for a small pension from the British and their homeland for a chilly reception in their misnamed home, or the passive ones who stayed behind to face the coldness of former friends and the public scorn as despised citizens under a government they detested. To be fair to the old gentleman who has shared his discontented thoughts with us, we must note that the state of the country, as gathered from these papers, looked grim for the future of democratic governance. It was understandable for conservatives of that time to confuse the temporary problems brought by a change for lasting issues of the system that change would create. A revolution, or anything that disrupts social order, might provide opportunities for individuals to show remarkable virtues; however, its effects are harmful to overall morality. Most people are made in such a way that they can only be virtuous within a certain routine, and an irregular course of public affairs demoralizes them. One major source of disorder was the many disbanded troops, who kept returning home after terms of service just long enough to grow tired of peaceful activities; neither citizens nor soldiers, they were likely to become thugs. Almost all our impressions about this time are unpleasant, whether concerning the state of civil society or the nature of the conflict, which, especially when native Americans were fighting against each other, was carried out with the fierce hatred of fraternal enemies. It is the irony of war that allows men to wreak mutual destruction with unbothered good humor.
The present volume of newspapers contains fewer characteristic traits than any which we have looked over. Except for the peculiarities attendant on the passing struggle, manners seem to have taken a modern cast. Whatever antique fashions lingered into the War of the Revolution, or beyond it, they were not so strongly marked as to leave their traces in the public journals. Moreover, the old newspapers had an indescribable picturesqueness, not to be found in the later ones. Whether it be something in the literary execution, or the ancient print and paper, and the idea that those same musty pages have been handled by people once alive and bustling amid the scenes there recorded, yet now in their graves beyond the memory of man; so it is, that in those elder volumes we seem to find the life of a past age preserved between the leaves, like a dry specimen of foliage. It is so difficult to discover what touches are really picturesque, that we doubt whether our attempts have produced any similar effect.
The current collection of newspapers has fewer distinctive features than any we've reviewed. Apart from the quirks related to the ongoing struggle, social customs seem to have taken on a contemporary style. Any old-fashioned trends that survived through the Revolutionary War or beyond weren't prominent enough to leave a mark in the public press. Additionally, the old newspapers had an indescribable charm that’s missing from the newer ones. Whether it’s something about the writing style, the vintage print and paper, or the notion that these aged pages were once handled by vibrant individuals who lived through the events recorded within, yet are now resting in graves beyond anyone's memory; in those earlier volumes, we seem to capture the essence of a bygone era preserved between the pages, like a dried specimen of leaves. It's so challenging to pinpoint what makes something truly picturesque that we wonder if our efforts have achieved a similar effect.
THE MAN OF ADAMANT: AN APOLOGUE
In the old times of religious gloom and intolerance lived Richard Digby, the gloomiest and most intolerant of a stern brotherhood. His plan of salvation was so narrow, that, like a plank in a tempestuous sea, it could avail no sinner but himself, who bestrode it triumphantly, and hurled anathemas against the wretches whom he saw struggling with the billows of eternal death. In his view of the matter, it was a most abominable crime—as, indeed, it is a great folly—for men to trust to their own strength, or even to grapple to any other fragment of the wreck, save this narrow plank, which, moreover, he took special care to keep out of their reach. In other words, as his creed was like no man’s else, and being well pleased that Providence had intrusted him alone, of mortals, with the treasure of a true faith, Richard Digby determined to seclude himself to the sole and constant enjoyment of his happy fortune.
In the old days of religious gloom and intolerance lived Richard Digby, the gloomiest and most intolerant of a harsh group. His plan for salvation was so narrow that, like a plank in a stormy sea, it could save no sinner but himself, who stood on it proudly and hurled curses at the wretches he saw struggling with the waves of eternal death. In his opinion, it was a terrible crime—as it truly is a great foolishness—for people to rely on their own strength, or even to cling to any other piece of the wreck, except this narrow plank, which, furthermore, he made sure to keep out of their reach. In other words, since his beliefs were unlike anyone else's and he was quite pleased that Providence had entrusted him alone, among all mortals, with the treasure of true faith, Richard Digby decided to isolate himself to fully enjoy his fortunate circumstances.
“And verily,” thought he, “I deem it a chief condition of Heaven’s mercy to myself, that I hold no communion with those abominable myriads which it hath cast off to perish. Peradventure, were I to tarry longer in the tents of Kedar, the gracious boon would be revoked, and I also be swallowed up in the deluge of wrath, or consumed in the storm of fire and brimstone, or involved in whatever new kind of ruin is ordained for the horrible perversity of this generation.”
"And truly," he thought, "I believe it's a key part of Heaven's mercy towards me that I have no connection with those terrible multitudes it has rejected to face destruction. Perhaps if I stay longer in the tents of Kedar, this gracious gift will be taken away, and I too will be engulfed in the flood of anger, or burned up in the storm of fire and brimstone, or caught up in whatever new disaster is planned for the awful corruption of this generation."
So Richard Digby took an axe, to hew space enough for a tabernacle in the wilderness, and some few other necessaries, especially a sword and gun, to smite and slay any intruder upon his hallowed seclusion; and plunged into the dreariest depths of the forest. On its verge, however, he paused a moment, to shake off the dust of his feet against the village where he had dwelt, and to invoke a curse on the meeting-house, which he regarded as a temple of heathen idolatry. He felt a curiosity, also, to see whether the fire and brimstone would not rush down from Heaven at once, now that the one righteous man had provided for his own safety. But, as the sunshine continued to fall peacefully on the cottages and fields, and the husbandmen labored and children played, and as there were many tokens of present happiness, and nothing ominous of a speedy judgment, he turned away, somewhat disappointed. The farther he went, however, and the lonelier he felt himself, and the thicker the trees stood along his path, and the darker the shadow overhead, so much the more did Richard Digby exult. He talked to himself, as he strode onward; he read his Bible to himself, as he sat beneath the trees; and, as the gloom of the forest hid the blessed sky, I had almost added, that, at morning, noon, and eventide, he prayed to himself. So congenial was this mode of life to his disposition, that he often laughed to himself, but was displeased when an echo tossed him back the long loud roar.
So Richard Digby took an axe to create enough space for a shelter in the wilderness, along with a few other essentials, especially a sword and a gun, to defend against any intruders in his sacred solitude; then, he ventured into the deepest parts of the forest. At the edge, however, he paused for a moment to shake the dust from his feet against the village where he had lived and to curse the meeting house, which he saw as a place of pagan worship. He was also curious to see if fire and brimstone would fall from Heaven right away now that the one righteous man had ensured his own safety. But as sunlight continued to shine down peacefully on the cottages and fields, and as farmers worked and children played, with signs of happiness all around and nothing to suggest impending judgment, he turned away, feeling a bit let down. The further he walked, though, and the lonelier he felt, as the trees thickened along his path and the shadows grew darker above him, the more Richard Digby rejoiced. He talked to himself as he walked, read the Bible to himself while sitting under the trees, and, as the gloom of the forest obscured the blessed sky, I would almost say that morning, noon, and night, he prayed to himself. This lifestyle was so in tune with his nature that he often laughed to himself, though he was annoyed when an echo returned his long loud laughter.
In this manner, he journeyed onward three days and two nights, and came, on the third evening, to the mouth of a cave, which, at first sight, reminded him of Elijah’s cave at Horeb, though perhaps it more resembled Abraham’s sepulchral cave at Machpelah. It entered into the heart of a rocky hill. There was so dense a veil of tangled foliage about it, that none but a sworn lover of gloomy recesses would have discovered the low arch of its entrance, or have dared to step within its vaulted chamber, where the burning eyes of a panther might encounter him. If Nature meant this remote and dismal cavern for the use of man, it could only be to bury in its gloom the victims of a pestilence, and then to block up its mouth with stones, and avoid the spot forever after. There was nothing bright nor cheerful near it, except a bubbling fountain, some twenty paces off, at which Richard Digby hardly threw away a glance. But he thrust his head into the cave, shivered, and congratulated himself.
In this way, he traveled for three days and two nights, and on the third evening, he arrived at the entrance of a cave, which at first glance reminded him of Elijah’s cave at Horeb, though it actually looked more like Abraham’s burial cave at Machpelah. It went deep into the heart of a rocky hill. There was such a thick curtain of tangled foliage around it that only someone who truly loved dark places would have noticed the low arch of its entrance or dared to step into its vaulted chamber, where the intense gaze of a panther might find him. If Nature intended this remote and gloomy cave for human use, it could only have been to hide the victims of a plague in its darkness and then cover the entrance with stones, avoiding the area forever after. There was nothing bright or cheerful nearby, except for a bubbling spring about twenty paces away, which Richard Digby barely glanced at. Instead, he peered into the cave, shivered, and felt pleased with himself.
“The finger of Providence hath pointed my way!” cried he, aloud, while the tomb-like den returned a strange echo, as if some one within were mocking him. “Here my soul will be at peace; for the wicked will not find me. Here I can read the Scriptures, and be no more provoked with lying interpretations. Here I can offer up acceptable prayers, because my voice will not be mingled with the sinful supplications of the multitude. Of a truth, the only way to heaven leadeth through the narrow entrance of this cave,—and I alone have found it!”
“The hand of Providence has shown me the way!” he exclaimed loudly, while the cave returned an eerie echo, as if someone inside was mocking him. “Here my soul will find peace; the wicked won’t reach me. Here I can read the Scriptures without being annoyed by false interpretations. Here I can offer sincere prayers because my voice won’t mix with the sinful cries of the crowd. Truly, the only way to heaven goes through the narrow entrance of this cave—and I’m the only one who has found it!”
In regard to this cave it was observable that the roof, so far as the imperfect light permitted it to be seen, was hung with substances resembling opaque icicles; for the damps of unknown centuries, dripping down continually, had become as hard as adamant; and wherever that moisture fell, it seemed to possess the power of converting what it bathed to stone. The fallen leaves and sprigs of foliage, which the wind had swept into the cave, and the little feathery shrubs, rooted near the threshold, were not wet with a natural dew, but had been embalmed by this wondrous process. And here I am put in mind that Richard Digby, before he withdrew himself from the world, was supposed by skilful physicians to have contracted a disease for which no remedy was written in their medical books. It was a deposition of calculous particles within his heart, caused by an obstructed circulation of the blood; and, unless a miracle should be wrought for him, there was danger that the malady might act on the entire substance of the organ, and change his fleshy heart to stone. Many, indeed, affirmed that the process was already near its consummation. Richard Digby, however, could never be convinced that any such direful work was going on within him; nor when he saw the sprigs of marble foliage, did his heart even throb the quicker, at the similitude suggested by these once tender herbs. It may be that this same insensibility was a symptom of the disease.
In relation to this cave, it was noticeable that the ceiling, as much as the dim light allowed it to be seen, was covered with substances that looked like opaque icicles; the moisture from unknown centuries, continually dripping down, had become as hard as rock. And wherever that moisture landed, it seemed to have the power to turn anything it touched into stone. The fallen leaves and bits of foliage that the wind had blown into the cave, as well as the little feathery shrubs growing near the entrance, were not damp from natural dew, but had been preserved by this amazing process. This reminds me that Richard Digby, before he withdrew from society, was believed by skilled doctors to have developed a disease for which there was no cure in their medical texts. It was a buildup of calculus particles within his heart, caused by an obstructed blood flow; and unless a miracle happened for him, there was a risk that the illness could affect the entire organ, turning his fleshly heart to stone. Many indeed claimed that this process was already close to completion. However, Richard Digby could never be convinced that such a dreadful process was happening inside him; nor did his heart beat faster when he saw the pieces of marble-like foliage, despite the similarity to these once delicate plants. It might be that this insensitivity was a symptom of the disease.
Be that as it might, Richard Digby was well contented with his sepulchral cave. So dearly did he love this congenial spot, that, instead of going a few paces to the bubbling spring for water, he allayed his thirst with now and then a drop of moisture from the roof, which, had it fallen anywhere but on his tongue, would have been congealed into a pebble. For a man predisposed to stoniness of the heart, this surely was unwholesome liquor. But there he dwelt, for three days more eating herbs and roots, drinking his own destruction, sleeping, as it were, in a tomb, and awaking to the solitude of death, yet esteeming this horrible mode of life as hardly inferior to celestial bliss. Perhaps superior; for, above the sky, there would be angels to disturb him. At the close of the third day, he sat in the portal of his mansion, reading the Bible aloud, because no other ear could profit by it, and reading it amiss, because the rays of the setting sun did not penetrate the dismal depth of shadow round about him, nor fall upon the sacred page. Suddenly, however, a faint gleam of light was thrown over the volume, and, raising his eyes, Richard Digby saw that a young woman stood before the mouth of the cave, and that the sunbeams bathed her white garment, which thus seemed to possess a radiance of its own.
Be that as it might, Richard Digby was quite content with his dark cave. He loved this cozy spot so much that, instead of walking a few steps to the bubbling spring for water, he quenched his thirst with the occasional drop of moisture from the ceiling, which would have turned into a pebble if it had fallen anywhere else. For a man already inclined to emotional coldness, this was surely an unhealthy drink. But there he stayed, for three more days eating herbs and roots, drinking his own destruction, sleeping as if in a tomb and waking to the solitude of death, yet considering this grim way of life to be hardly worse than heavenly bliss. Maybe better; after all, above the sky, there would be angels to disturb him. At the end of the third day, he sat at the entrance of his cave, reading the Bible aloud since no one else could benefit from it, and misreading it because the rays of the setting sun didn’t reach the gloomy shadows around him or shine on the sacred page. Suddenly, a faint light fell over the book, and when he looked up, Richard Digby saw a young woman standing at the mouth of the cave, with sunlight illuminating her white dress, making it seem to glow on its own.
“Good evening, Richard,” said the girl; “I have come from afar to find thee.”
“Good evening, Richard,” said the girl; “I’ve come from far away to find you.”
The slender grace and gentle loveliness of this young woman were at once recognized by Richard Digby. Her name was Mary Goffe. She had been a convert to his preaching of the word in England, before he yielded himself to that exclusive bigotry which now enfolded him with such an iron grasp that no other sentiment could reach his bosom. When he came a pilgrim to America, she had remained in her father’s hall; but now, as it appeared, had crossed the ocean after him, impelled by the same faith that led other exiles hither, and perhaps by love almost as holy. What else but faith and love united could have sustained so delicate a creature, wandering thus far into the forest, with her golden hair dishevelled by the boughs, and her feet wounded by the thorns? Yet, weary and faint though she must have been, and affrighted at the dreariness of the cave, she looked on the lonely man with a mild and pitying expression, such as might beam from an angel’s eyes, towards an afflicted mortal. But the recluse, frowning sternly upon her, and keeping his finger between the leaves of his half-closed Bible, motioned her away with his hand.
The slender grace and gentle beauty of this young woman were immediately recognized by Richard Digby. Her name was Mary Goffe. She had been a follower of his preaching in England before he succumbed to the narrow-minded views that now held him in such a tight grip that no other feeling could reach his heart. When he arrived in America as a pilgrim, she had stayed in her father's home; but now, it seemed, she had crossed the ocean after him, driven by the same faith that brought other exiles here, and maybe by a love that felt almost as sacred. What else but faith and love combined could have helped such a delicate person venture so far into the wilderness, with her golden hair tangled by the branches and her feet hurt by the thorns? Yet, despite how tired and weak she must have been, and frightened by the bleakness of the cave, she looked at the lonely man with a gentle and compassionate expression, like an angel looking down on a suffering human. But the recluse, scowling at her, and keeping his finger in the pages of his half-closed Bible, waved her away with his hand.
“Off!” cried he. “I am sanctified, and thou art sinful. Away!”
“Get away!” he shouted. “I am holy, and you are sinful. Leave me alone!”
“O Richard,” said she, earnestly, “I have come this weary way because I heard that a grievous distemper had seized upon thy heart; and a great Physician hath given me the skill to cure it. There is no other remedy than this which I have brought thee. Turn me not away, therefore, nor refuse my medicine; for then must this dismal cave be thy sepulchre.”
“O Richard,” she said earnestly, “I’ve traveled this long way because I heard that a serious illness has taken hold of your heart; and a great healer has given me the ability to cure it. There’s no other remedy than this which I’ve brought for you. Don’t turn me away or refuse my help, for then this dismal cave will have to be your tomb.”
“Away!” replied Richard Digby, still with a dark frown. “My heart is in better condition than thine own. Leave me, earthly one; for the sun is almost set; and when no light reaches the door of the cave, then is my prayer-time.”
“Away!” replied Richard Digby, still with a dark frown. “My heart is in better shape than yours. Leave me, earthly one; for the sun is almost set; and when no light reaches the mouth of the cave, then is my prayer time.”
Now, great as was her need, Mary Goffe did not plead with this stony-hearted man for shelter and protection, nor ask anything whatever for her own sake. All her zeal was for his welfare.
Now, as much as she needed help, Mary Goffe didn't beg this cold-hearted man for shelter and protection, nor did she ask for anything for herself. All her concern was for his well-being.
“Come back with me!” she exclaimed, clasping her hands,—“come back to thy fellow-men; for they need thee, Richard, and thou hast tenfold need of them. Stay not in this evil den; for the air is chill, and the damps are fatal; nor will any that perish within it ever find the path to heaven. Hasten hence, I entreat thee, for thine own soul’s sake; for either the roof will fall upon thy head, or some other speedy destruction is at hand.”
“Come back with me!” she shouted, clasping her hands. “Come back to your fellow humans; they need you, Richard, and you need them even more. Don’t stay in this terrible place; the air is cold, and the damp is deadly. Anyone who dies here will never find their way to heaven. Please hurry and leave for your own sake; either the roof will fall in on you, or some other disaster is about to happen.”
“Perverse woman!” answered Richard Digby, laughing aloud,—for he was moved to bitter mirth by her foolish vehemence,—“I tell thee that the path to heaven leadeth straight through this narrow portal where I sit. And, moreover, the destruction thou speakest of is ordained, not for this blessed cave, but for all other habitations of mankind, throughout the earth. Get thee hence speedily, that thou mayst have thy share!”
“Wicked woman!” Richard Digby replied, laughing out loud—he couldn’t help but find her foolish passion amusing—“I’m telling you that the way to heaven goes straight through this narrow doorway where I’m sitting. And the destruction you’re talking about is meant not for this blessed cave, but for all other places where people live, all around the world. Get out of here quickly, so you can have your share!”
So saving, he opened his Bible again, and fixed his eyes intently on the page, being resolved to withdraw his thoughts from this child of sin and wrath, and to waste no more of his holy breath upon her. The shadow had now grown so deep, where he was sitting, that he made continual mistakes in what he read, converting all that was gracious and merciful to denunciations of vengeance and unutterable woe on every created being but himself. Mary Goffe, meanwhile, was leaning against a tree, beside the sepulchral cave, very sad, yet with something heavenly and ethereal in her unselfish sorrow. The light from the setting sun still glorified her form, and was reflected a little way within the darksome den, discovering so terrible a gloom that the maiden shuddered for its self-doomed inhabitant. Espying the bright fountain near at hand, she hastened thither, and scooped up a portion of its water, in a cup of birchen bark. A few tears mingled with the draught, and perhaps gave it all its efficacy. She then returned to the mouth of the cave, and knelt down at Richard Digby’s feet.
So he saved his resolve, opened his Bible again, and focused intently on the page, determined to pull his thoughts away from this child of sin and anger, and to waste no more of his sacred words on her. The shadow had become so deep where he was sitting that he kept misreading what he was saying, turning anything gracious and merciful into threats of vengeance and unimaginable suffering for every living being except himself. Meanwhile, Mary Goffe leaned against a tree next to the grave-like cave, feeling very sad, yet there was something heavenly and ethereal about her selfless sorrow. The light from the setting sun still highlighted her form and reflected slightly into the dark cave, revealing such a terrible gloom that the girl shivered for its doomed inhabitant. Spotting the bright fountain nearby, she hurried over and scooped some of its water into a birch bark cup. A few tears mixed with the drink, perhaps giving it all its power. She then returned to the cave’s entrance and knelt down at Richard Digby’s feet.
“Richard,” she said, with passionate fervor, yet a gentleness in all her passion, “I pray thee, by thy hope of heaven, and as thou wouldst not dwell in this tomb forever, drink of this hallowed water, be it but a single drop! Then, make room for me by thy side, and let us read together one page of that blessed volume; and, lastly, kneel down with me and pray! Do this, and thy stony heart shall become softer than a babe’s, and all be well.”
“Richard,” she said, passionately yet gently, “I beg you, by your hope of heaven, and as you wouldn’t want to be trapped in this tomb forever, drink this holy water, even if it’s just a single drop! Then, make space for me by your side, and let’s read together one page of that blessed book; and finally, kneel down with me and pray! Do this, and your hardened heart will become softer than a baby’s, and everything will be alright.”
But Richard Digby, in utter abhorrence of the proposal, cast the Bible at his feet, and eyed her with such a fixed and evil frown, that he looked less like a living man than a marble statue, wrought by some dark-imagined sculptor to express the most repulsive mood that human features could assume. And, as his look grew even devilish, so, with an equal change did Mary Goffe become more sad, more mild, more pitiful, more like a sorrowing angel. But, the more heavenly she was, the more hateful did she seem to Richard Digby, who at length raised his hand, and smote down the cup of hallowed water upon the threshold of the cave, thus rejecting the only medicine that could have cured his stony heart. A sweet perfume lingered in the air for a moment, and then was gone.
But Richard Digby, completely disgusted by the suggestion, threw the Bible at her feet and glared at her with such a fixed and sinister scowl that he resembled less a living being and more a marble statue, crafted by some dark-minded sculptor to capture the most repulsive expression human features could convey. As his expression grew even more menacing, Mary Goffe transformed, becoming sadder, gentler, more pitiful, and more like a grieving angel. But the more angelic she appeared, the more repugnant she seemed to Richard Digby. Finally, he raised his hand and knocked the cup of holy water down onto the cave's threshold, thus rejecting the only remedy that could have healed his cold heart. A sweet fragrance lingered in the air for a moment before it vanished.
“Tempt me no more, accursed woman,” exclaimed he, still with his marble frown, “lest I smite thee down also! What hast thou to do with my Bible?—what with my prayers?—what with my heaven?”
“Don’t tempt me anymore, cursed woman,” he exclaimed, still wearing his marble frown, “or I’ll strike you down too! What do you have to do with my Bible?—what about my prayers?—what about my heaven?”
No sooner had he spoken these dreadful words, than Richard Digby’s heart ceased to beat; while—so the legend says-the form of Mary Goffe melted into the last sunbeams, and returned from the sepulchral cave to heaven. For Mary Golfe had been buried in an English churchyard, months before; and either it was her ghost that haunted the wild forest, or else a dream-like spirit, typifying pure Religion.
No sooner had he said those terrible words than Richard Digby’s heart stopped. According to the legend, Mary Goffe’s figure faded into the last rays of the sun and returned from the grave to heaven. Mary Goffe had been buried in an English churchyard months earlier, and it was either her ghost haunting the wild forest or a dream-like spirit representing pure Religion.
Above a century afterwards, when the trackless forest of Richard Digby’s day had long been interspersed with settlements, the children of a neighboring farmer were playing at the foot of a hill. The trees, on account of the rude and broken surface of this acclivity, had never been felled, and were crowded so densely together as to hide all but a few rocky prominences, wherever their roots could grapple with the soil. A little boy and girl, to conceal themselves from their playmates, had crept into the deepest shade, where not only the darksome pines, but a thick veil of creeping plants suspended from an overhanging rock, combined to make a twilight at noonday, and almost a midnight at all other seasons. There the children hid themselves, and shouted, repeating the cry at intervals, till the whole party of pursuers were drawn thither, and, pulling aside the matted foliage, let in a doubtful glimpse of daylight. But scarcely was this accomplished, when the little group uttered a simultaneous shriek, and tumbled headlong down the hill, making the best of their way homeward, without a second glance into the gloomy recess. Their father, unable to comprehend what had so startled them, took his axe, and, by felling one or two trees, and tearing away the creeping plants, laid the mystery open to the day. He had discovered the entrance of a cave, closely resembling the mouth of a sepulchre, within which sat the figure of a man, whose gesture and attitude warned the father and children to stand back, while his visage wore a most forbidding frown. This repulsive personage seemed to have been carved in the same gray stone that formed the walls and portal of the cave. On minuter inspection, indeed, such blemishes were observed, as made it doubtful whether the figure were really a statue, chiselled by human art and somewhat worn and defaced by the lapse of ages, or a freak of Nature, who might have chosen to imitate, in stone, her usual handiwork of flesh. Perhaps it was the least unreasonable idea, suggested by this strange spectacle, that the moisture of the cave possessed a petrifying quality, which had thus awfully embalmed a human corpse.
More than a century later, when the vast forest from Richard Digby’s time had been replaced by settlements, the children of a nearby farmer were playing at the base of a hill. The trees, due to the rough and uneven terrain of this slope, had never been cut down and grew so closely together that they covered all but a few rocky outcrops where their roots could cling to the soil. A little boy and girl, wanting to hide from their playmates, crept into the thickest shade, where the dark pines and a dense curtain of climbing plants hanging from a rock combined to create twilight at noon and almost complete darkness the rest of the year. There, the children hid and shouted, echoing their cries at intervals until the whole group of pursuers came to them, parting the tangled leaves to let in a faint glimpse of daylight. But as soon as this was done, the little group let out a simultaneous shriek and tumbled down the hill, rushing home without a second glance at the dark corner. Their father, unable to understand what had frightened them so much, took his axe and by chopping down a couple of trees and clearing away the vines, revealed the mystery to the light. He discovered the entrance of a cave that looked like the mouth of a tomb, inside which sat a man whose gestures and posture warned the father and children to keep their distance, while his face wore a very menacing scowl. This unsettling figure seemed to be carved from the same gray stone that made up the cave’s walls and entrance. Upon closer inspection, flaws were noted that raised doubts about whether this figure was actually a statue, sculpted by human hands and somewhat worn by time, or a quirk of nature that had chosen to mimic its usual work of flesh in stone. Perhaps the most reasonable idea suggested by this bizarre sight was that the moisture within the cave had a petrifying effect, which had horrifyingly preserved a human corpse.
There was something so frightful in the aspect of this Man of Adamant, that the farmer, the moment that he recovered from the fascination of his first gaze, began to heap stones into the mouth of the cavern. His wife, who had followed him to the hill, assisted her husband’s efforts. The children, also, approached as near as they durst, with their little hands full of pebbles, and cast them on the pile. Earth was then thrown into the crevices, and the whole fabric overlaid with sods. Thus all traces of the discovery were obliterated, leaving only a marvellous legend, which grew wilder from one generation to another, as the children told it to their grandchildren, and they to their posterity, till few believed that there had ever been a cavern or a statue, where now they saw but a grassy patch on the shadowy hillside. Yet, grown people avoid the spot, nor do children play there. Friendship, and Love, and Piety, all human and celestial sympathies, should keep aloof from that hidden cave; for there still sits, and, unless an earthquake crumble down the roof upon his head, shall sit forever, the shape of Richard Digby, in the attitude of repelling the whole race of mortals,—not from heaven,—but from the horrible loneliness of his dark, cold sepulchre!
There was something so terrifying about the appearance of this Man of Adamant that as soon as the farmer snapped out of the trance from his initial look, he started piling stones into the entrance of the cave. His wife, who had followed him up the hill, helped him. The children also drew as close as they dared, their tiny hands filled with pebbles, and added them to the pile. Earth was then shoved into the gaps, and the entire structure was covered with sod. This way, all evidence of the discovery was erased, leaving only a fantastic legend that grew more exaggerated with each generation, as children passed it down to their grandchildren, and they to their descendants, until few believed that there had ever been a cave or a statue, where now only a grassy patch remained on the shadowy hillside. Yet, adults avoid the place, and children don’t play there. Friendship, Love, and Piety, all human and divine connections, should stay away from that hidden cave; for there still sits, and unless an earthquake brings the roof crashing down on him, shall sit forever, the figure of Richard Digby, in a stance that seems to push away all humanity—not from heaven—but from the horrifying emptiness of his dark, cold tomb!
THE DEVIL IN MANUSCRIPT
On a bitter evening of December, I arrived by mail in a large town, which was then the residence of an intimate friend, one of those gifted youths who cultivate poetry and the belles-lettres, and call themselves students at law. My first business, after supper, was to visit him at the office of his distinguished instructor. As I have said, it was a bitter night, clear starlight, but cold as Nova Zembla,—the shop-windows along the street being frosted, so as almost to hide the lights, while the wheels of coaches thundered equally loud over frozen earth and pavements of stone. There was no snow, either on the ground or the roofs of the houses. The wind blew so violently, that I had but to spread my cloak like a main-sail, and scud along the street at the rate of ten knots, greatly envied by other navigators, who were beating slowly up, with the gale right in their teeth. One of these I capsized, but was gone on the wings of the wind before he could even vociferate an oath.
On a cold December evening, I arrived by mail in a large town, which was then the home of a close friend, one of those talented young people who pursue poetry and literature while calling themselves law students. My first task after dinner was to visit him at his mentor's office. As I mentioned, it was a bitter night, clear and starry, but as cold as Nova Zembla—the shop windows along the street were frosted, nearly obscuring the lights, while the wheels of carriages clattered loudly over the frozen ground and stone pavements. There was no snow on the ground or the roofs of the houses. The wind blew so fiercely that I could simply spread my cloak like a sail and dash down the street at a fast pace, envied by others who struggled against the wind, moving slowly into the gusts. One of them I knocked over, but I was blown away on the wind before he could even shout a curse.
After this picture of an inclement night, behold us seated by a great blazing fire, which looked so comfortable and delicious that I felt inclined to lie down and roll among the hot coals. The usual furniture of a lawyer’s office was around us,—rows of volumes in sheepskin, and a multitude of writs, summonses, and other legal papers, scattered over the desks and tables. But there were certain objects which seemed to intimate that we had little dread of the intrusion of clients, or of the learned counsellor himself, who, indeed, was attending court in a distant town. A tall, decanter-shaped bottle stood on the table, between two tumblers, and beside a pile of blotted manuscripts, altogether dissimilar to any law documents recognized in our courts. My friend, whom I shall call Oberon,—it was a name of fancy and friendship between him and me,—my friend Oberon looked at these papers with a peculiar expression of disquietude.
After this scene of a stormy night, picture us sitting by a large, blazing fire that looked so cozy and inviting that I felt tempted to lie down and roll in the hot coals. The usual furniture of a lawyer's office surrounded us—rows of leather-bound volumes and a bunch of legal documents, like writs and summonses, scattered across the desks and tables. However, there were certain items that suggested we weren’t too worried about clients dropping by or the serious lawyer himself, who was actually in court in a faraway town. A tall, decanter-shaped bottle rested on the table, between two glasses, and next to a stack of messy manuscripts, all quite different from any legal papers we’d see in court. My friend, whom I’ll call Oberon—it was a name of imagination and friendship between us—looked at these papers with a distinct look of unease.
“I do believe,” said he, soberly, “or, at least, I could believe, if I chose, that there is a devil in this pile of blotted papers. You have read them, and know what I mean,—that conception in which I endeavored to embody the character of a fiend, as represented in our traditions and the written records of witchcraft. Oh, I have a horror of what was created in my own brain, and shudder at the manuscripts in which I gave that dark idea a sort of material existence! Would they were out of my sight!”
“I truly believe,” he said earnestly, “or at least I could believe if I wanted to, that there’s a devil in this stack of messy papers. You’ve read them and understand what I mean—that idea where I tried to capture the essence of a demon as depicted in our folklore and the documented accounts of witchcraft. Oh, I’m horrified by what was conjured in my own mind and shudder at the manuscripts where I gave that dark notion a kind of physical presence! I wish they were out of my sight!”
“And of mine, too,” thought I.
“And of mine, too,” I thought.
“You remember,” continued Oberon, “how the hellish thing used to suck away the happiness of those who, by a simple concession that seemed almost innocent, subjected themselves to his power. Just so my peace is gone, and all by these accursed manuscripts. Have you felt nothing of the same influence?”
“You remember,” Oberon went on, “how that tormenting thing used to drain the happiness from those who, by a small concession that seemed almost innocent, gave in to his control. Just like that, my peace is gone, all because of these cursed manuscripts. Haven't you felt any of the same effects?”
“Nothing,” replied I, “unless the spell be hid in a desire to turn novelist, after reading your delightful tales.”
“Nothing,” I replied, “unless the secret lies in wanting to become a novelist after reading your amazing stories.”
“Novelist!” exclaimed Oberon, half seriously. “Then, indeed, my devil has his claw on you! You are gone! You cannot even pray for deliverance! But we will be the last and only victims; for this night I mean to burn the manuscripts, and commit the fiend to his retribution in the flames.”
“Novelist!” Oberon exclaimed, half-jokingly. “Then, truly, my devil has a grip on you! You’re done for! You can’t even pray for help! But we will be the final victims; tonight, I plan to burn the manuscripts and send the fiend to his fate in the flames.”
“Burn your tales!” repeated I, startled at the desperation of the idea.
“Burn your stories!” I said again, shocked by the desperation of the thought.
“Even so,” said the author, despondingly. “You cannot conceive what an effect the composition of these tales has had on me. I have become ambitious of a bubble, and careless of solid reputation. I am surrounding myself with shadows, which bewilder me, by aping the realities of life. They have drawn me aside from the beaten path of the world, and led me into a strange sort of solitude,—a solitude in the midst of men,-where nobody wishes for what I do, nor thinks nor feels as I do. The tales have done all this. When they are ashes, perhaps I shall be as I was before they had existence. Moreover, the sacrifice is less than you may suppose, since nobody will publish them.”
“Even so,” the author said sadly, “you can't imagine the effect these stories have had on me. I've become obsessed with something superficial and indifferent to a solid reputation. I'm enveloping myself in illusions that confuse me by imitating the realities of life. They’ve pulled me away from the well-trodden path of the world and into a strange kind of solitude—in the middle of people—where no one wants what I do, nor thinks or feels like I do. These stories have done all this. Once they turn to ashes, maybe I’ll return to how I was before they ever existed. Also, the sacrifice is less than you might think, since no one will publish them.”
“That does make a difference, indeed,” said I.
"That really makes a difference," I said.
“They have been offered, by letter,” continued Oberon, reddening with vexation, “to some seventeen booksellers. It would make you stare to read their answers; and read them you should, only that I burnt them as fast as they arrived. One man publishes nothing but school-books; another has five novels already under examination.”
“They have been offered, by letter,” continued Oberon, blushing with annoyance, “to about seventeen booksellers. You would be amazed to see their replies; and you should read them, if only I hadn’t burned them as soon as they came in. One guy only publishes schoolbooks; another has five novels already being reviewed.”
“What a voluminous mass the unpublished literature of America must be!” cried I.
“What a massive collection the unpublished literature of America must be!” I exclaimed.
“Oh, the Alexandrian manuscripts were nothing to it!” said my friend. “Well, another gentleman is just giving up business, on purpose, I verily believe, to escape publishing my book. Several, however, would not absolutely decline the agency, on my advancing half the cost of an edition, and giving bonds for the remainder, besides a high percentage to themselves, whether the book sells or not. Another advises a subscription.”
“Oh, the Alexandrian manuscripts were nothing compared to this!” said my friend. “Well, another guy is about to quit his job, I really believe, just to avoid publishing my book. However, some wouldn’t completely refuse the deal if I cover half the cost of an edition and provide guarantees for the rest, plus a high percentage for themselves, regardless of whether the book sells or not. Another one suggests a subscription.”
“The villain!” exclaimed I.
“The villain!” I exclaimed.
“A fact!” said Oberon. “In short, of all the seventeen booksellers, only one has vouchsafed even to read my tales; and he—a literary dabbler himself, I should judge—has the impertinence to criticise them, proposing what he calls vast improvements, and concluding, after a general sentence of condemnation, with the definitive assurance that he will not be concerned on any terms.”
“A fact!” said Oberon. “Basically, out of all seventeen booksellers, only one has bothered to read my stories; and he—who I assume is just a casual writer himself—has the audacity to criticize them, suggesting what he calls major improvements, and wrapping it up, after completely dismissing them, with the final word that he won’t work with me under any circumstances.”
“It might not be amiss to pull that fellow’s nose,” remarked I.
“It might not be a bad idea to pull that guy’s nose,” commented I.
“If the whole ‘trade’ had one common nose, there would be some satisfaction in pulling it,” answered the author. “But, there does seem to be one honest man among these seventeen unrighteous ones; and he tells me fairly, that no American publisher will meddle with an American work,—seldom if by a known writer, and never if by a new one,—unless at the writer’s risk.”
“If the entire ‘trade’ had one common nose, it would be somewhat satisfying to pull it,” the author replied. “However, there appears to be one honest man among these seventeen untrustworthy ones; and he candidly tells me that no American publisher will get involved with an American work—rarely if it’s by a known writer, and never if it’s by a new one—unless it’s at the writer’s risk.”
“The paltry rogues!” cried I. “Will they live by literature, and yet risk nothing for its sake? But, after all, you might publish on your own account.”
“The pathetic crooks!” I exclaimed. “Do they expect to live off literature and yet not take any risks for it? But still, you could publish on your own.”
“And so I might,” replied Oberon. “But the devil of the business is this. These people have put me so out of conceit with the tales, that I loathe the very thought of them, and actually experience a physical sickness of the stomach, whenever I glance at them on the table. I tell you there is a demon in them! I anticipate a wild enjoyment in seeing them in the blaze; such as I should feel in taking vengeance on an enemy, or destroying something noxious.”
“And so I might,” Oberon replied. “But here’s the problem. These people have made me lose all interest in the stories, to the point where just thinking about them makes me feel physically ill. I swear there’s a malevolent force in them! I can’t help but feel a thrill at the thought of watching them burn, like I would if I were getting back at an enemy or getting rid of something harmful.”
I did not very strenuously oppose this determination, being privately of opinion, in spite of my partiality for the author, that his tales would make a more brilliant appearance in the fire than anywhere else. Before proceeding to execution, we broached the bottle of champagne, which Oberon had provided for keeping up his spirits in this doleful business. We swallowed each a tumblerful, in sparkling commotion; it went bubbling down our throats, and brightened my eyes at once, but left my friend sad and heavy as before. He drew the tales towards him, with a mixture of natural affection and natural disgust, like a father taking a deformed infant into his arms.
I didn't strongly oppose this decision, believing privately, despite my fondness for the author, that his stories would shine more in the fire than anywhere else. Before carrying it out, we popped open the bottle of champagne that Oberon had provided to lift our spirits for this gloomy task. We both took a tumblerful, it fizzed as it went down, and it brightened my eyes right away, but left my friend feeling just as sad and heavy as before. He pulled the stories closer to him, with a mix of natural affection and disgust, like a father holding a deformed infant in his arms.
“Pooh! Pish! Pshaw!” exclaimed he, holding them at arm’s-length. “It was Gray’s idea of heaven, to lounge on a sofa and read new novels. Now, what more appropriate torture would Dante himself have contrived, for the sinner who perpetrates a bad book, than to be continually turning over the manuscript?”
“Ugh! No way! Seriously?” he exclaimed, holding them at arm's length. “It was Gray’s idea of paradise to lounge on a couch and read new novels. Now, what better punishment could Dante himself have come up with for the sinner who writes a terrible book, than to be stuck constantly flipping through the manuscript?”
“It would fail of effect,” said I, “because a bad author is always his own great admirer.”
“It wouldn’t work,” I said, “because a bad writer is always their own biggest fan.”
“I lack that one characteristic of my tribe,—the only desirable one,” observed Oberon. “But how many recollections throng upon me, as I turn over these leaves! This scene came into my fancy as I walked along a hilly road, on a starlight October evening; in the pure and bracing air, I became all soul, and felt as if I could climb the sky, and run a race along the Milky Way. Here is another tale, in which I wrapt myself during a dark and dreary night-ride in the month of March, till the rattling of the wheels and the voices of my companions seemed like faint sounds of a dream, and my visions a bright reality. That scribbled page describes shadows which I summoned to my bedside at midnight: they would not depart when I bade them; the gray dawn came, and found me wide awake and feverish, the victim of my own enchantments!”
“I lack that one trait that my people have—the only one worth having,” Oberon said. “But so many memories flood my mind as I flip through these pages! This scene popped into my head as I walked along a hilly road on a starry October night; in the fresh, crisp air, I felt completely alive, as if I could soar into the sky and race along the Milky Way. Here’s another story I lost myself in during a dark, gloomy night ride in March, where the clatter of the wheels and the voices of my friends felt like distant whispers, and my dreams felt like vivid reality. That scribbled page captures the shadows I called to my bedside at midnight: they wouldn’t leave when I asked them to; the gray dawn arrived, finding me wide awake and restless, a victim of my own fantasies!”
“There must have been a sort of happiness in all this,” said I, smitten with a strange longing to make proof of it.
“There had to be some kind of happiness in all this,” I said, filled with a strange desire to experience it for myself.
“There may be happiness in a fever fit,” replied the author. “And then the various moods in which I wrote! Sometimes my ideas were like precious stones under the earth, requiring toil to dig them up, and care to polish and brighten them; but often a delicious stream of thought would gush out upon the page at once, like water sparkling up suddenly in the desert; and when it had passed, I gnawed my pen hopelessly, or blundered on with cold and miserable toil, as if there were a wall of ice between me and my subject.”
“There might be joy in a feverish state,” the author replied. “And then there were the different moods I wrote in! Sometimes my ideas felt like hidden gems in the ground, needing effort to uncover them and care to refine and enhance them; but often, a wonderful flow of thoughts would burst onto the page all at once, like water suddenly bubbling up in the desert; and once it was gone, I would gnaw my pen in despair, or struggle through with tedious and miserable work, as if there were an icy barrier separating me from my topic.”
“Do you now perceive a corresponding difference,” inquired I, “between the passages which you wrote so coldly, and those fervid flashes of the mind?”
“Do you see a difference now,” I asked, “between the parts you wrote so unemotionally and those passionate bursts of inspiration?”
“No,” said Oberon, tossing the manuscripts on the table. “I find no traces of the golden pen with which I wrote in characters of fire. My treasure of fairy coin is changed to worthless dross. My picture, painted in what seemed the loveliest hues, presents nothing but a faded and indistinguishable surface. I have been eloquent and poetical and humorous in a dream,—and behold! it is all nonsense, now that I am awake.”
“No,” said Oberon, throwing the manuscripts on the table. “I see no sign of the golden pen I used to write with fiery letters. My stash of fairy coins has turned into worthless junk. My painting, which once seemed to have the brightest colors, now looks faded and unrecognizable. I was eloquent, poetic, and funny in my dream—but now that I’m awake, it all feels like nonsense.”
My friend now threw sticks of wood and dry chips upon the fire, and seeing it blaze like Nebuchadnezzar’s furnace, seized the champagne bottle, and drank two or three brimming bumpers, successively. The heady liquor combined with his agitation to throw him into a species of rage. He laid violent hands on the tales. In one instant more, their faults and beauties would alike have vanished in a glowing purgatory. But, all at once, I remembered passages of high imagination, deep pathos, original thoughts, and points of such varied excellence, that the vastness of the sacrifice struck me most forcibly. I caught his arm.
My friend started tossing sticks of wood and dry chips onto the fire, and seeing it blaze like Nebuchadnezzar’s furnace, grabbed the champagne bottle and drank two or three full glasses in a row. The strong drink mixed with his agitation put him into a kind of rage. He got rough with the stories. In another moment, their flaws and strengths would have been lost in a bright purgatory. But suddenly, I remembered passages of great imagination, deep emotion, original ideas, and points of such diverse excellence that the enormity of the loss hit me hard. I grabbed his arm.
“Surely, you do not mean to burn them!” I exclaimed.
“Surely, you can't be serious about burning them!” I exclaimed.
“Let me alone!” cried Oberon, his eyes flashing fire. “I will burn them! Not a scorched syllable shall escape! Would you have me a damned author?—To undergo sneers, taunts, abuse, and cold neglect, and faint praise, bestowed, for pity’s sake, against the giver’s conscience! A hissing and a laughing-stock to my own traitorous thoughts! An outlaw from the protection of the grave,—one whose ashes every careless foot might spurn, unhonored in life, and remembered scornfully in death! Am I to bear all this, when yonder fire will insure me from the whole? No! There go the tales! May my hand wither when it would write another!”
“Leave me alone!” shouted Oberon, his eyes blazing. “I will destroy them! Not a single scorched word will get away! Do you want me to be a cursed author?—To face sneers, taunts, abuse, cold neglect, and half-hearted praise given out of pity, against the giver’s better judgment! A target for hissing and laughter because of my own treacherous thoughts! An outcast from the peace of the grave—someone whose ashes every careless foot could trample, uncelebrated in life, and remembered with scorn in death! Am I supposed to endure all this, when that fire will protect me from it all? No! Away with the stories! May my hand wither if it tries to write another!”
The deed was done. He had thrown the manuscripts into the hottest of the fire, which at first seemed to shrink away, but soon curled around them, and made them a part of its own fervent brightness. Oberon stood gazing at the conflagration, and shortly began to soliloquize, in the wildest strain, as if Fancy resisted and became riotous, at the moment when he would have compelled her to ascend that funeral pile. His words described objects which he appeared to discern in the fire, fed by his own precious thoughts; perhaps the thousand visions which the writer’s magic had incorporated with these pages became visible to him in the dissolving heat, brightening forth ere they vanished forever; while the smoke, the vivid sheets of flame, the ruddy and whitening coals, caught the aspect of a varied scenery.
The deed was done. He had thrown the manuscripts into the hottest part of the fire, which at first seemed to pull away, but soon curled around them, making them a part of its own intense brightness. Oberon stood gazing at the flames, and soon began to speak aloud, in the most passionate way, as if his imagination was resisting and becoming unruly, just when he was trying to make her rise from that burning pile. His words painted pictures of things he seemed to see in the fire, fed by his own cherished thoughts; perhaps the countless visions that the writer's magic had woven into these pages became visible to him in the melting heat, shining brightly before they disappeared forever; while the smoke, the bright flames, and the glowing coals created the look of a varied landscape.
“They blaze,” said he, “as if I had steeped them in the intensest spirit of genius. There I see my lovers clasped in each other’s arms. How pure the flame that bursts from their glowing hearts! And yonder the features of a villain writhing in the fire that shall torment him to eternity. My holy men, my pious and angelic women, stand like martyrs amid the flames, their mild eyes lifted heavenward. Ring out the bells! A city is on fire. See!—destruction roars through my dark forests, while the lakes boil up in steaming billows, and the mountains are volcanoes, and the sky kindles with a lurid brightness! All elements are but one pervading flame! Ha! The fiend!”
“They blaze,” he said, “as if I had soaked them in the deepest essence of creativity. There I see my lovers wrapped in each other’s arms. How pure the flame that bursts from their passionate hearts! And over there, the face of a villain twisting in the fire that will torment him for eternity. My holy men, my pious and angelic women, stand like martyrs amidst the flames, their gentle eyes lifted to the heavens. Ring the bells! A city is burning. Look!—destruction roars through my dark forests, while the lakes bubble up in steaming waves, the mountains become volcanoes, and the sky ignites with a fiery glow! All elements are just one all-encompassing flame! Ha! The fiend!”
I was somewhat startled by this latter exclamation. The tales were almost consumed, but just then threw forth a broad sheet of fire, which flickered as with laughter, making the whole room dance in its brightness, and then roared portentously up the chimney.
I was a bit taken aback by that last exclamation. The fire was nearly out, but just then it burst into a wide sheet of flames that flickered as if it were laughing, making the entire room glow and dance with its brightness, and then it roared ominously up the chimney.
“You saw him? You must have seen him!” cried Oberon. “How he glared at me and laughed, in that last sheet of flame, with just the features that I imagined for him! Well! The tales are gone.”
“You saw him? You had to have seen him!” shouted Oberon. “The way he glared at me and laughed in that last burst of flame, with exactly the features I pictured for him! Well! The stories are over.”
The papers were indeed reduced to a heap of black cinders, with a multitude of sparks hurrying confusedly among them, the traces of the pen being now represented by white lines, and the whole mass fluttering to and fro in the draughts of air. The destroyer knelt down to look at them.
The papers were completely turned into a pile of black ashes, with a bunch of sparks darting chaotically among them. The marks of the pen were now shown as white lines, and the entire mass was fluttering back and forth in the drafts of air. The destroyer knelt down to inspect them.
“What is more potent than fire!” said he, in his gloomiest tone. “Even thought, invisible and incorporeal as it is, cannot escape it. In this little time, it has annihilated the creations of long nights and days, which I could no more reproduce, in their first glow and freshness, than cause ashes and whitened bones to rise up and live. There, too, I sacrificed the unborn children of my mind. All that I had accomplished—all that I planned for future years—has perished by one common ruin, and left only this heap of embers! The deed has been my fate. And what remains? A weary and aimless life,—a long repentance of this hour,—and at last an obscure grave, where they will bury and forget me!”
“What is more powerful than fire!” he said, in his darkest tone. “Even thought, as invisible and intangible as it is, can’t escape it. In this short time, it has destroyed the creations of countless nights and days, which I could no longer recreate in their original brilliance and freshness, just like I can’t make ashes and bones rise up and live again. There, too, I sacrificed the unborn ideas of my mind. Everything I had achieved—all that I had planned for the future—has been wiped out by one shared disaster, leaving nothing but this pile of ashes! This action has been my destiny. And what’s left? A tired and aimless life—a long regret for this moment—and eventually an unremarkable grave, where they will bury me and forget I ever existed!”
As the author concluded his dolorous moan, the extinguished embers arose and settled down and arose again, and finally flew up the chimney, like a demon with sable wings. Just as they disappeared, there was a loud and solitary cry in the street below us. “Fire!” Fire! Other voices caught up that terrible word, and it speedily became the shout of a multitude. Oberon started to his feet, in fresh excitement.
As the author finished his mournful sigh, the dying embers flickered and settled, then flared up again, eventually shooting up the chimney like a demon with black wings. Just as they vanished, a loud, lonely shout echoed from the street below us. “Fire!” Other voices quickly joined in, rapidly transforming it into the cry of a crowd. Oberon jumped to his feet, filled with renewed excitement.
“A fire on such a night!” cried he. “The wind blows a gale, and wherever it whirls the flames, the roofs will flash up like gunpowder. Every pump is frozen up, and boiling water would turn to ice the moment it was flung from the engine. In an hour, this wooden town will be one great bonfire! What a glorious scene for my next—Pshaw!”
“A fire on a night like this!” he shouted. “The wind is howling, and wherever it carries the flames, the roofs will ignite like gunpowder. Every pump is frozen, and boiling water would turn to ice the moment it’s thrown from the engine. In an hour, this wooden town will be one massive bonfire! What a stunning scene for my next—Ugh!”
The street was now all alive with footsteps, and the air full of voices. We heard one engine thundering round a corner, and another rattling from a distance over the pavements. The bells of three steeples clanged out at once, spreading the alarm to many a neighboring town, and expressing hurry, confusion, and terror, so inimitably that I could almost distinguish in their peal the burden of the universal cry,—“Fire! Fire! Fire!”
The street was bustling with footsteps, and the air was filled with voices. We heard one engine roaring around a corner, and another clattering from afar over the pavement. The bells of three steeples rang out simultaneously, sending the alarm to several nearby towns and conveying urgency, chaos, and fear so perfectly that I could almost make out in their ringing the cry of the masses—“Fire! Fire! Fire!”
“What is so eloquent as their iron tongues!” exclaimed Oberon. “My heart leaps and trembles, but not with fear. And that other sound, too,—deep and awful as a mighty organ,—the roar and thunder of the multitude on the pavement below! Come! We are losing time. I will cry out in the loudest of the uproar, and mingle my spirit with the wildest of the confusion, and be a bubble on the top of the ferment!”
“What could be more powerful than their strong voices?” exclaimed Oberon. “My heart races and shakes, but not out of fear. And that other sound, too—deep and frightening like a huge organ—the roar and rumble of the crowd on the pavement below! Come on! We’re wasting time. I’ll shout over the loudest noise and join my spirit with the wildest chaos, and be a bubble on top of the foam!”
From the first outcry, my forebodings had warned me of the true object and centre of alarm. There was nothing now but uproar, above, beneath, and around us; footsteps stumbling pell-mell up the public staircase, eager shouts and heavy thumps at the door, the whiz and dash of water from the engines, and the crash of furniture thrown upon the pavement. At once, the truth flashed upon my friend. His frenzy took the hue of joy, and, with a wild gesture of exultation, he leaped almost to the ceiling of the chamber.
From the first shout, I had a bad feeling about the real reason for the alarm. All around us there was chaos; people were rushing up the public staircase, shouting excitedly and banging on the door, water was spraying from the hoses, and furniture was crashing onto the pavement. In an instant, the truth hit my friend. His panic turned into joy, and with a wild gesture of triumph, he nearly jumped to the ceiling of the room.
“My tales!” cried Oberon. “The chimney! The roof! The Fiend has gone forth by night, and startled thousands in fear and wonder from their beds! Here I stand,—a triumphant author! Huzza! Huzza! My brain has set the town on fire! Huzza!”
“My stories!” shouted Oberon. “The chimney! The roof! The Fiend has prowled out at night, scaring thousands from their beds in fear and awe! Here I am— a triumphant author! Hooray! Hooray! My ideas have set the town ablaze! Hooray!”
JOHN INGLEFIELD’S THANKSGIVING
On the evening of Thanksgiving day, John Inglefield, the blacksmith, sat in his elbow-chair, among those who had been keeping festival at his board. Being the central figure of the domestic circle, the fire threw its strongest light on his massive and sturdy frame, reddening his rough visage, so that it looked like the head of an iron statue, all aglow, from his own forge, and with its features rudely fashioned on his own anvil. At John Inglefield’s right hand was an empty chair. The other places round the hearth were filled by the members of the family, who all sat quietly, while, with a semblance of fantastic merriment, their shadows danced on the wall behind then. One of the group was John Inglefield’s son, who had been bred at college, and was now a student of theology at Andover. There was also a daughter of sixteen, whom nobody could look at without thinking of a rosebud almost blossomed. The only other person at the fireside was Robert Moore, formerly an apprentice of the blacksmith, but now his journeyman, and who seemed more like an own son of John Inglefield than did the pale and slender student.
On Thanksgiving evening, John Inglefield, the blacksmith, sat in his armchair, surrounded by those who had been celebrating at his table. As the central figure of the family, the fire cast its brightest light on his robust and sturdy frame, giving his rough face a warm glow, making it look like an iron statue lit up from his own forge, with features roughly shaped on his own anvil. An empty chair sat at John Inglefield’s right side. The other spots around the fireplace were occupied by family members, who sat quietly while their shadows created a playful display on the wall behind them. One of them was John Inglefield’s son, who had gone to college and was now studying theology at Andover. There was also a sixteen-year-old daughter, who looked like a rosebud ready to bloom. The last person by the fire was Robert Moore, who had once been the blacksmith's apprentice but was now his journeyman, appearing more like John Inglefield's own son than the pale and slender student.
Only these four had kept New England’s festival beneath that roof. The vacant chair at John Inglefield’s right hand was in memory of his wife, whom death had snatched from him since the previous Thanksgiving. With a feeling that few would have looked for in his rough nature, the bereaved husband had himself set the chair in its place next his own; and often did his eye glance thitherward, as if he deemed it possible that the cold grave might send back its tenant to the cheerful fireside, at least for that one evening. Thus did he cherish the grief that was dear to him. But there was another grief which he would fain have torn from his heart; or, since that could never be, have buried it too deep for others to behold, or for his own remembrance. Within the past year another member of his household had gone from him, but not to the grave. Yet they kept no vacant chair for her.
Only these four had kept New England’s festival under that roof. The empty chair at John Inglefield’s right was in memory of his wife, who had been taken from him by death since the last Thanksgiving. With a feeling that few would have expected from his tough demeanor, the grieving husband had placed the chair next to his own; and often his gaze would drift that way, as if he believed it possible that the cold grave might send back its occupant to the warm fireside, at least for that one evening. Thus did he hold onto the grief that was precious to him. But there was another sorrow that he wished he could remove from his heart; or, since that could never be, he wished to bury it so deep that others wouldn't see it, or that he himself would forget it. In the past year, another member of his household had left him, but not to the grave. Yet they didn’t keep an empty chair for her.
While John Inglefield and his family were sitting round the hearth with the shadows dancing behind them on the wall, the outer door was opened, and a light footstep came along the passage. The latch of the inner door was lifted by some familiar hand, and a young girl came in, wearing a cloak and hood, which she took off, and laid on the table beneath the looking-glass. Then, after gazing a moment at the fireside circle, she approached, and took the seat at John Inglefield’s right hand, as if it had been reserved on purpose for her.
While John Inglefield and his family were gathered around the fireplace with shadows dancing behind them on the wall, the outer door opened, and a light footstep echoed down the hallway. A familiar hand lifted the latch of the inner door, and a young girl entered, wearing a cloak and hood, which she took off and placed on the table beneath the mirror. After glancing at the group by the fire for a moment, she approached and took the seat to John Inglefield’s right, as if it had been saved just for her.
“Here I am, at last, father,” said she. “You ate your Thanksgiving dinner without me, but I have come back to spend the evening with you.”
“Here I am, finally, Dad,” she said. “You had your Thanksgiving dinner without me, but I’ve come back to spend the evening with you.”
Yes, it was Prudence Inglefield. She wore the same neat and maidenly attire which she had been accustomed to put on when the household work was over for the day, and her hair was parted from her brow, in the simple and modest fashion that became her best of all. If her cheek might otherwise have been pale, yet the glow of the fire suffused it with a healthful bloom. If she had spent the many months of her absence in guilt and infamy, yet they seemed to have left no traces on her gentle aspect. She could not have looked less altered, had she merely stepped away from her father’s fireside for half an hour, and returned while the blaze was quivering upwards from the same brands that were burning at her departure. And to John Inglefield she was the very image of his buried wife, such as he remembered her on the first Thanksgiving which they had passed under their own roof. Therefore, though naturally a stern and rugged man, he could not speak unkindly to his sinful child, nor yet could he take her to his bosom.
Yes, it was Prudence Inglefield. She wore the same neat and feminine outfit she always put on when household chores were done for the day, and her hair was parted from her forehead in the simple and modest style that suited her best. If her cheek had been pale, the glow of the fire gave it a healthy flush. Although she had spent the many months of her absence in wrongdoing and shame, those experiences seemed to have left no marks on her gentle face. She could not have looked less changed, as if she had just stepped away from her father’s fireside for half an hour and returned while the flames flickered upward from the same logs that had been burning when she left. To John Inglefield, she was the very image of his deceased wife, just as he remembered her from their first Thanksgiving under their own roof. Therefore, even though he was naturally a stern and tough man, he could not speak harshly to his wayward child, nor could he embrace her.
“You are welcome home, Prudence,” said he, glancing sideways at her, and his voice faltered. “Your mother would have rejoiced to see you, but she has been gone from us these four months.”
“You're home, Prudence,” he said, glancing sideways at her, and his voice broke. “Your mom would have been so happy to see you, but she's been gone for four months.”
“I know it, father, I know it,” replied Prudence, quickly. “And yet, when I first came in, my eyes were so dazzled by the firelight, that she seemed to be sitting in this very chair!”
“I know it, Dad, I know it,” Prudence replied quickly. “And yet, when I first walked in, my eyes were so blinded by the firelight that it looked like she was sitting in this very chair!”
By this time the other members of the family had begun to recover from their surprise, and became sensible that it was no ghost from the grave, nor vision of their vivid recollections, but Prudence, her own self. Her brother was the next that greeted her. He advanced and held out his hand affectionately, as a brother should; yet not entirely like a brother, for, with all his kindness, he was still a clergyman, and speaking to a child of sin.
By this time, the other family members had started to shake off their shock and realized that it wasn't a ghost from the grave or a figment of their imaginations, but Prudence herself. Her brother was the next to greet her. He stepped forward and offered his hand warmly, as a brother should; yet it didn't quite feel like a typical brotherly gesture because, despite his kindness, he was still a clergyman talking to a child about sin.
“Sister Prudence,” said he, earnestly, “I rejoice that a merciful Providence hath turned your steps homeward, in time for me to bid you a last farewell. In a few weeks, sister, I am to sail as a missionary to the far islands of the Pacific. There is not one of these beloved faces that I shall ever hope to behold again on this earth. O, may I see all of them--yours and all--beyond the grave!”
“Sister Prudence,” he said earnestly, “I’m so glad that a kind fate has brought you back home just in time for me to say goodbye. In a few weeks, I’ll be leaving as a missionary to the distant islands of the Pacific. I’ll never get to see any of these beloved faces again on this earth. Oh, I hope to see all of you—yours and everyone else—beyond the grave!”
A shadow flitted across the girl’s countenance.
A shadow passed over the girl's face.
“The grave is very dark, brother,” answered she, withdrawing her hand somewhat hastily from his grasp. “You must look your last at me by the light of this fire.”
“The grave is really dark, brother,” she said, pulling her hand away from his grip a bit quickly. “You need to look at me for the last time in the light of this fire.”
While this was passing, the twin-girl-the rosebud that had grown on the same stem with the castaway--stood gazing at her sister, longing to fling herself upon her bosom, so that the tendrils of their hearts might intertwine again. At first she was restrained by mingled grief and shame, and by a dread that Prudence was too much changed to respond to her affection, or that her own purity would be felt as a reproach by the lost one. But, as she listened to the familiar voice, while the face grew more and more familiar, she forgot everything save that Prudence had come back. Springing forward, she would have clasped her in a close embrace. At that very instant, however, Prudence started from her chair, and held out both her hands, with a warning gesture.
While this was happening, the twin girl—the rosebud that had grown on the same stem as the lost one—stood there looking at her sister, wanting to throw herself into her arms so their hearts could connect again. At first, she felt held back by a mix of sadness and shame, and by a fear that Prudence had changed too much to feel her love, or that her own purity would seem like a judgment to the one who was lost. But as she listened to the familiar voice and saw the increasingly recognizable face, she forgot everything except that Prudence had returned. Jumping forward, she was about to embrace her tightly. At that very moment, however, Prudence jumped up from her chair and held out both her hands with a warning gesture.
“No, Mary,--no, my sister,” cried she, “do not you touch me. Your bosom must not be pressed to mine!”
“No, Mary—no, my sister,” she exclaimed, “don’t touch me. Your chest must not be pressed against mine!”
Mary shuddered and stood still, for she felt that something darker than the grave was between Prudence and herself, though they seemed so near each other in the light of their father’s hearth, where they had grown up together. Meanwhile Prudence threw her eyes around the room, in search of one who had not yet bidden her welcome. He had withdrawn from his seat by the fireside, and was standing near the door, with his face averted, so that his features could be discerned only by the flickering shadow of the profile upon the wall. But Prudence called to him, in a cheerful and kindly tone:--
Mary shuddered and froze in place, feeling that something darker than death was between Prudence and her, even though they seemed so close together by their father's fireplace, where they had grown up side by side. Meanwhile, Prudence scanned the room, looking for someone who hadn't welcomed her yet. He had stepped away from his spot by the fire and was standing by the door, his face turned away, so his features could only be seen as a flickering shadow on the wall. But Prudence called out to him in a bright and friendly tone:--
“Come, Robert,” said she, “won’t you shake hands with your old friend?”
“Come on, Robert,” she said, “won’t you shake hands with your old friend?”
Robert Moore held back for a moment, but affection struggled powerfully, and overcame his pride and resentment; he rushed towards Prudence, seized her hand, and pressed it to his bosom.
Robert Moore paused for a moment, but his feelings fought strong and won over his pride and resentment; he hurried towards Prudence, took her hand, and pressed it to his chest.
“There, there, Robert!” said she, smiling sadly, as she withdrew her hand, “you must not give me too warm a welcome.”
“There, there, Robert!” she said, smiling sadly as she pulled her hand back. “You shouldn't welcome me so warmly.”
And now, having exchanged greetings with each member of the family, Prudence again seated herself in the chair at John Inglefield’s right hand. She was naturally a girl of quick and tender sensibilities, gladsome in her general mood, but with a bewitching pathos interfused among her merriest words and deeds. It was remarked of her, too, that she had a faculty, even from childhood, of throwing her own feelings, like a spell, over her companions. Such as she had been in her days of innocence, so did she appear this evening. Her friends, in the surprise and bewilderment of her return, almost forgot that she had ever left them, or that she had forfeited any of her claims to their affection. In the morning, perhaps, they might have looked at her with altered eyes, but by the Thanksgiving fireside they felt only that their own Prudence had come back to them, and were thankful. John Inglefleld’s rough visage brightened with the glow of his heart, as it grew warm and merry within him; once or twice, even, he laughed till the room rang again, yet seemed startled by the echo of his own mirth. The grave young minister became as frolicsome as a school-boy. Mary, too, the rosebud, forgot that her twin-blossom had ever been torn from the stem, and trampled in the dust. And as for Robert Moore, he gazed at Prudence with the bashful earnestness of love new-born, while she, with sweet maiden coquetry, half smiled upon and half discouraged him.
And now, after greeting each family member, Prudence sat down again in the chair next to John Inglefield. She was naturally a girl with quick and sensitive feelings, generally cheerful, but there was a captivating sadness woven into her happiest words and actions. People remarked that, even from childhood, she had a knack for casting her feelings over her friends like a spell. Just as she had been in her innocent days, she appeared this evening. Her friends, surprised and bewildered by her return, almost forgot that she had ever left or that she had given up any of her right to their affection. In the morning, they might have viewed her differently, but by the Thanksgiving fireside, they felt only that their own Prudence had returned, and they were grateful. John Inglefield’s rugged face lit up with the warmth of his heart as he grew cheerful inside; a couple of times, he laughed so loudly that it echoed in the room, and he seemed startled by the sound of his own happiness. The serious young minister became as playful as a schoolboy. Mary, too, the budding rose, forgot that her twin bloom had ever been taken away and trampled in the dirt. As for Robert Moore, he looked at Prudence with the shy intensity of new love, while she, with sweet teasing, partly smiled at him and partly held him back.
In short, it was one of those intervals when sorrow vanishes in its own depth of shadow, and joy starts forth in transitory brightness. When the clock struck eight, Prudence poured out her father’s customary draught of herb-tea, which had been steeping by the fireside ever since twilight.
In short, it was one of those moments when sadness fades into its own deep shadow, and happiness bursts forth in fleeting brightness. When the clock struck eight, Prudence poured her father's usual cup of herbal tea, which had been brewing by the fire since dusk.
“God bless you, child!” said John Inglefield, as he took the cup from her hand; “you have made your old father happy again. But we miss your mother sadly, Prudence, sadly. It seems as if she ought to be here now.”
“God bless you, kid!” said John Inglefield, as he took the cup from her hand; “you’ve made your old dad happy again. But we really miss your mom, Prudence, really. It feels like she should be here right now.”
“Now, father, or never,” replied Prudence.
“Now, Dad, or never,” replied Prudence.
It was now the hour for domestic worship. But while the family were making preparations for this duty, they suddenly perceived that Prudence had put on her cloak and hood, and was lifting the latch of the door.
It was now time for family worship. But while the family was getting ready for this duty, they suddenly noticed that Prudence had put on her cloak and hood and was lifting the latch of the door.
“Prudence, Prudence! where are you going?” cried they all, with one voice.
“Prudence, Prudence! Where are you going?” they all cried in unison.
As Prudence passed out of the door, she turned towards them, and flung back her hand with a gesture of farewell. But her face was so changed that they hardly recognized it. Sin and evil passions glowed through its comeliness, and wrought a horrible deformity; a smile gleamed in her eyes, as of triumphant mockery, at their surprise and grief.
As Prudence stepped out the door, she turned to them and waved her hand in farewell. But her face had changed so much that they could hardly recognize her. Sin and dark desires shone through her beauty, creating an awful distortion; a smile sparkled in her eyes, full of triumphant mockery at their shock and sorrow.
“Daughter,” cried John Inglefield, between wrath and sorrow, “stay and be your father’s blessing, or take his curse with you!”
“Daughter,” shouted John Inglefield, torn between anger and sadness, “stay and be your father’s blessing, or take his curse with you!”
For an instant Prudence lingered and looked back into the fire-lighted room, while her countenance wore almost the expression as if she were struggling with a fiend, who had power to seize his victim even within the hallowed precincts of her father’s hearth. The fiend prevailed; and Prudence vanished into the outer darkness. When the family rushed to the door, they could see nothing, but heard the sound of wheels rattling over the frozen ground.
For a moment, Prudence paused and glanced back into the room lit by the fire, her face almost showing that she was battling a demon, one that could snatch its victim even within the sacred space of her father's home. The demon won; Prudence disappeared into the darkness outside. When the family ran to the door, they could see nothing, but they heard the sound of wheels clattering over the frozen ground.
That same night, among the painted beauties at the theatre of a neighboring city, there was one whose dissolute mirth seemed inconsistent with any sympathy for pure affections, and for the joys and griefs which are hallowed by them. Yet this was Prudence Inglefield. Her visit to the Thanksgiving fireside was the realization of one of those waking dreams in which the guilty soul will sometimes stray back to its innocence. But Sin, alas! is careful of her bond-slaves; they hear her voice, perhaps, at the holiest moment, and are constrained to go whither she summons them. The same dark power that drew Prudence Inglefleld from her father’s hearth--the same in its nature, though heightened then to a dread necessity--would snatch a guilty soul from the gate of heaven, and make its sin and its punishment alike eternal.
That same night, among the glamorous performers at the theater in a nearby city, there was one whose wild laughter seemed out of place with any real understanding of genuine feelings and the joys and sorrows that come with them. Yet this was Prudence Inglefield. Her visit to the Thanksgiving gathering was like a dream come to life, a moment when a troubled soul might wish to return to its innocence. But Sin, unfortunately, takes good care of her captives; they hear her voice, perhaps, at the most sacred moments, and feel compelled to follow her call. The same dark force that pulled Prudence Inglefield away from her father's home—the same in its essence, though intensified at that time to a terrible necessity—would drag a guilty soul away from the gates of heaven, making its sin and its punishment both eternal.
OLD TICONDEROGA
A PICTURE OF THE PAST
The greatest attraction, in this vicinity, is the famous old fortress of Ticonderoga, the remains of which are visible from the piazza of the tavern, on a swell of land that shuts in the prospect of the lake. Those celebrated heights, Mount Defiance and Mount Independence, familiar to all Americans in history, stand too prominent not to be recognized, though neither of them precisely corresponds to the images excited by their names. In truth, the whole scene, except the interior of the fortress, disappointed me. Mount Defiance, which one pictures as a steep, lofty, and rugged hill, of most formidable aspect, frowning down with the grim visage of a precipice on old Ticonderoga, is merely a long and wooded ridge; and bore, at some former period, the gentle name of Sugar Hill. The brow is certainly difficult to climb, and high enough to look into every corner of the fortress. St. Clair’s most probable reason, however, for neglecting to occupy it, was the deficiency of troops to man the works already constructed, rather than the supposed inaccessibility of Mount Defiance. It is singular that the French never fortified this height, standing, as it does, in the quarter whence they must have looked for the advance of a British army.
The biggest attraction around here is the famous old fortress of Ticonderoga, which can be seen from the tavern's piazza, on a rise of land that frames the view of the lake. Those well-known heights, Mount Defiance and Mount Independence, familiar to all Americans in history, are too prominent to miss, although they don’t exactly match the images suggested by their names. Honestly, the whole scene, except for the inside of the fortress, let me down. Mount Defiance, which one imagines as a steep, tall, and rugged hill, looming ominously over old Ticonderoga, is actually just a long, wooded ridge; it was once gently called Sugar Hill. The top is definitely challenging to climb and high enough to see every part of the fortress. However, St. Clair's likely reason for not occupying it was more about not having enough troops to staff the fortifications already built, rather than because of any supposed inaccessibility of Mount Defiance. It's odd that the French never fortified this height, especially since it was the direction from which they would have expected a British army to advance.
In my first view of the ruins, I was favored with the scientific guidance of a young lieutenant of engineers, recently from West Point, where he had gained credit for great military genius. I saw nothing but confusion in what chiefly interested him; straight lines and zigzags, defence within defence, wall opposed to wall, and ditch intersecting ditch; oblong squares of masonry below the surface of the earth, and huge mounds, or turf-covered hills of stone, above it. On one of these artificial hillocks, a pine-tree has rooted itself, and grown tall and strong, since the banner-staff was levelled. But where my unmilitary glance could trace no regularity, the young lieutenant was perfectly at home. He fathomed the meaning of every ditch, and formed an entire plan of the fortress from its half-obliterated lines. His description of Ticonderoga would be as accurate as a geometrical theorem, and as barren of the poetry that has clustered round its decay. I viewed Ticonderoga as a place of ancient strength, in ruins for half a century: where the flags of three nations had successively waved, and none waved now; where armies had struggled, so long ago that the bones of the slain were mouldered; where Peace had found a heritage in the forsaken haunts of War. Now the young West-Pointer, with his lectures on ravelins, counterscarps, angles, and covered ways, made it an affair of brick and mortar and hewn stone, arranged on certain regular principles, having a good deal to do with mathematics, but nothing at all with poetry.
In my first look at the ruins, I was guided by a young engineer lieutenant who had just come from West Point, where he was recognized for his military talent. I saw nothing but chaos in what mainly caught his interest; straight lines and zigzags, layers of defense, walls facing each other, and ditches crossing each other; rectangular blocks of masonry below ground and large mounds or grassy hills of stone above it. On one of these artificial hills, a pine tree has taken root and grown tall and strong since the flagpole was taken down. But where my untrained eye saw no order, the young lieutenant felt completely at ease. He understood the significance of every ditch and created a full plan of the fortress from its faded outlines. His description of Ticonderoga would be as precise as a mathematical theorem, and as devoid of the poetry that has surrounded its ruins. I saw Ticonderoga as a place of ancient strength, in ruins for half a century: where the flags of three nations had flown in succession, and now none flew; where armies had fought so long ago that the bones of the dead had turned to dust; where Peace had found a home in the abandoned sites of War. Now the young West Pointer, with his talks about ravelins, counterscarps, angles, and covered ways, reduced it to a matter of bricks and mortar and cut stone, organized according to certain regular principles, heavily tied to mathematics, but completely lacking in poetry.
I should have been glad of a hoary veteran to totter by my side, and tell me, perhaps, of the French garrisons and their Indian allies,—of Abercrombie, Lord Howe, and Amherst,—of Ethan Allen’s triumph and St. Clair’s surrender. The old soldier and the old fortress would be emblems of each other. His reminiscences, though vivid as the image of Ticonderoga in the lake, would harmonize with the gray influence of the scene. A survivor of the long-disbanded garrisons, though but a private soldier, might have mustered his dead chiefs and comrades,—some from Westminster Abbey, and English churchyards, and battle-fields in Europe,—others from their graves here in America,—others, not a few, who lie sleeping round the fortress; he might have mustered them all, and bid them march through the ruined gateway, turning their old historic faces on me, as they passed. Next to such a companion, the best is one’s own fancy.
I should have felt glad to have an old veteran shuffling along beside me, sharing stories about the French garrisons and their Indian allies—about Abercrombie, Lord Howe, and Amherst—about Ethan Allen’s victories and St. Clair’s defeat. The old soldier and the ancient fortress would reflect each other. His memories, as vivid as the image of Ticonderoga in the lake, would blend with the somber atmosphere of the place. A survivor from the long-gone garrisons, even if he were just a private, could have called forth the spirits of his fallen leaders and comrades—some from Westminster Abbey, English cemeteries, and battlefields in Europe—others from their graves here in America—and many more who lie resting around the fortress; he could have gathered them all and urged them to march through the crumbling gateway, turning their historic faces toward me as they went by. Next to such a companion, the best is your own imagination.
At another visit I was alone, and, after rambling all over the ramparts, sat down to rest myself in one of the roofless barracks. These are old French structures, and appear to have occupied three sides of a large area, now overgrown with grass, nettles, and thistles. The one in which I sat was long and narrow, as all the rest had been, with peaked gables. The exterior walls were nearly entire, constructed of gray, flat, unpicked stones, the aged strength of which promised long to resist the elements, if no other violence should precipitate their fall.—The roof, floors, partitions, and the rest of the wood-work had probably been burnt, except some bars of stanch old oak, which were blackened with fire, but still remained imbedded into the window-sills and over the doors. There were a few particles of plastering near the chimney, scratched with rude figures, perhaps by a soldier’s hand. A most luxuriant crop of weeds had sprung up within the edifice, and hid the scattered fragments of the wall. Grass and weeds grew in the windows, and in all the crevices of the stone, climbing, step by step, till a tuft of yellow flowers was waving on the highest peak of the gable. Some spicy herb diffused a pleasant odor through the ruin. A verdant heap of vegetation had covered the hearth of the second floor, clustering on the very spot where the huge logs had mouldered to glowing coals, and flourished beneath the broad flue, which had so often puffed the smoke over a circle of French or English soldiers. I felt that there was no other token of decay so impressive as that bed of weeds in the place of the backlog.
During another visit, I was alone and, after wandering all over the ramparts, I sat down to rest in one of the roofless barracks. These are old French buildings and seem to have occupied three sides of a large area now overgrown with grass, nettles, and thistles. The one I sat in was long and narrow, like all the others, with peaked gables. The exterior walls were mostly intact, built of gray, flat, uncut stones, the aged strength of which promised to withstand the elements for a long time, unless other violence caused their fall. The roof, floors, partitions, and other woodwork had likely been burned, except for some sturdy old oak beams, which were blackened by fire but still remained embedded in the window sills and over the doors. A few pieces of plaster near the chimney were scratched with crude figures, possibly by a soldier's hand. A thick crop of weeds had sprouted inside the building, hiding the scattered remnants of the wall. Grass and weeds grew in the windows and in all the cracks of the stone, climbing higher until a tuft of yellow flowers was waving at the highest point of the gable. A fragrant herb filled the ruin with a pleasant scent. A lush pile of vegetation had covered the hearth of the second floor, growing right where the huge logs had decayed into glowing coals, flourishing beneath the broad flue that had often puffed smoke over a circle of French or English soldiers. I felt there was no other sign of decay as striking as that bed of weeds in place of the backlog.
Here I sat, with those roofless walls about me, the clear sky over my head, and the afternoon sunshine falling gently bright through the window-frames and doorway. I heard the tinkling of a cow-bell, the twittering of birds, and the pleasant hum of insects. Once a gay butterfly, with four gold-speckled wings, came and fluttered about my head, then flew up and lighted on the highest tuft of yellow flowers, and at last took wing across the lake. Next a bee buzzed through the sunshine, and found much sweetness among the weeds. After watching him till he went off to his distant hive, I closed my eyes on Ticonderoga in ruins, and cast a dream-like glance over pictures of the past, and scenes of which this spot had been the theatre.
Here I sat, with the roofless walls around me, the clear sky above my head, and the afternoon sun streaming gently through the window frames and doorway. I heard the tinkling of a cowbell, the chirping of birds, and the soothing buzz of insects. A colorful butterfly with gold-speckled wings flitted around my head, then rose up and landed on the tallest tuft of yellow flowers, eventually taking off across the lake. Then a bee buzzed through the sunlight, finding plenty of sweetness among the weeds. After watching him until he flew off to his distant hive, I closed my eyes on the ruins of Ticonderoga and took a dreamy look back at memories of the past, and scenes that had played out in this very spot.
At first, my fancy saw only the stern hills, lonely lakes, and venerable woods. Not a tree, since their seeds were first scattered over the infant soil, had felt the axe, but had grown up and flourished through its long generation, had fallen beneath the weight of years, been buried in green moss, and nourished the roots of others as gigantic. Hark! A light paddle dips into the lake, a birch canoe glides round the point, and an Indian chief has passed, painted and feather-crested, armed with a bow of hickory, a stone tomahawk, and flint-headed arrows. But the ripple had hardly vanished from the water, when a white flag caught the breeze, over a castle in the wilderness, with frowning ramparts and a hundred cannon. There stood a French chevalier, commandant of the fortress, paying court to a copper-colored lady, the princess of the land, and winning her wild love by the arts which had been successful with Parisian dames. A war-party of French and Indians were issuing from the gate to lay waste some village of New England. Near the fortress there was a group of dancers. The merry soldiers footing it with the swart savage maids; deeper in the wood, some red men were growing frantic around a keg of the fire-water; and elsewhere a Jesuit preached the faith of high cathedrals beneath a canopy of forest boughs, and distributed crucifixes to be worn beside English scalps.
At first, my imagination only saw the rugged hills, isolated lakes, and ancient forests. Not a single tree, since their seeds were first spread over the young soil, had been cut down; they had grown tall and thrived through generations, fallen under the weight of time, been buried in green moss, and nourished the roots of others that were massive. Listen! A light paddle dips into the lake, a birch canoe glides around the bend, and an Indian chief passes by, painted and adorned with feathers, armed with a hickory bow, a stone tomahawk, and flint-tipped arrows. But the ripple barely faded from the water when a white flag caught the wind over a fortress in the wilderness, with looming walls and a hundred cannons. There stood a French knight, the commander of the fortress, trying to win over a copper-skinned lady, the princess of the land, charming her with the same tactics that had worked on Parisian women. A war party of French and Indians emerged from the gate to attack some village in New England. Near the fortress, a group of dancers gathered, cheerful soldiers dancing with dark-skinned maidens; deeper in the woods, some Native Americans were getting wild around a keg of alcohol; and elsewhere a Jesuit preached his faith of grand cathedrals beneath a canopy of tree branches, handing out crucifixes to be worn alongside English scalps.
I tried to make a series of pictures from the old French war, when fleets were on the lake and armies in the woods, and especially of Abercrombie’s disastrous repulse, where thousands of lives were utterly thrown away; but, being at a loss how to order the battle, I chose an evening scene in the barracks, after the fortress had surrendered to Sir Jeffrey Amherst. What an immense fire blazes on that hearth, gleaming on swords, bayonets, and musket-barrels, and blending with the hue of the scarlet coats till the whole barrack-room is quivering with ruddy light! One soldier has thrown himself down to rest, after a deer-hunt, or perhaps a long run through the woods with Indians on his trail. Two stand up to wrestle, and are on the point of coming to blows. A fifer plays a shrill accompaniment to a drummer’s song,—a strain of light love and bloody war, with a chorus thundered forth by twenty voices. Meantime, a veteran in the corner is prosing about Dettingen and Fontenoy, and relates camp-traditions of Marlborough’s battles, till his pipe, having been roguishly charged with gunpowder, makes a terrible explosion under his nose. And now they all vanish in a puff of smoke from the chimney.
I tried to create a series of images from the old French war, when fleets were on the lake and armies were in the woods, especially focusing on Abercrombie’s disastrous defeat, where thousands of lives were completely wasted. However, since I wasn’t sure how to arrange the battle, I opted for an evening scene in the barracks after the fortress had surrendered to Sir Jeffrey Amherst. What a huge fire burns in that hearth, glowing on swords, bayonets, and musket barrels, blending with the color of the red coats until the entire barrack room is alive with warm light! One soldier has collapsed to rest after a deer hunt, or maybe after a long chase through the woods with Indians on his tail. Two others are standing up to wrestle and are about to come to blows. A fifer plays a high-pitched accompaniment to a drummer’s song—mixing a tune of lighthearted love and fierce war, with a chorus shouted by twenty voices. Meanwhile, a veteran in the corner is rambling on about Dettingen and Fontenoy, sharing camp stories from Marlborough’s battles, until his pipe, which was mischievously filled with gunpowder, goes off with a loud bang right under his nose. And just like that, they all disappear in a puff of smoke from the chimney.
I merely glanced at the ensuing twenty years, which glided peacefully over the frontier fortress, till Ethan Allen’s shout was heard, summoning it to surrender “in the name of the great Jehovah and of the Continental Congress.” Strange allies! thought the British captain. Next came the hurried muster of the soldiers of liberty, when the cannon of Burgoyne, pointing down upon their stronghold from the brow of Mount Defiance, announced a new conqueror of Ticonderoga. No virgin fortress, this! Forth rushed the motley throng from the barracks, one man wearing the blue and buff of the Union, another the red coat of Britain, a third a dragoon’s jacket, and a fourth a cotton frock; here was a pair of leather breeches, and striped trousers there; a grenadier’s cap on one head, and a broad-brimmed hat, with a tall feather, on the next; this fellow shouldering a king’s arm, that might throw a bullet to Crown Point, and his comrade a long fowling-piece, admirable to shoot ducks on the lake. In the midst of the bustle, when the fortress was all alive with its last warlike scene, the ringing of a bell on the lake made me suddenly unclose my eyes, and behold only the gray and weed-grown ruins. They were as peaceful in the sun as a warrior’s grave.
I quickly looked at the next twenty years, which passed quietly over the frontier fortress, until Ethan Allen's shout rang out, commanding it to surrender “in the name of the great Jehovah and of the Continental Congress.” What strange allies! thought the British captain. Then came the hurried gathering of the soldiers of freedom, as Burgoyne's cannon, aimed at their stronghold from the top of Mount Defiance, announced a new conqueror of Ticonderoga. Not a virgin fortress anymore! Out rushed the colorful crowd from the barracks, one person in the blue and buff of the Union, another in the red coat of Britain, a third in a dragoon’s jacket, and a fourth in a cotton frock; there were leather breeches here and striped pants there; a grenadier's cap on one head and a wide-brimmed hat with a tall feather on another; one guy shoulder a king’s arm, another might shoot a bullet to Crown Point, and his friend had a long shotgun, great for hunting ducks on the lake. In the midst of the chaos, when the fortress was alive with its final military scene, the ringing of a bell on the lake suddenly made me open my eyes and see only the gray, weed-covered ruins. They were as peaceful in the sunlight as a warrior’s grave.
Hastening to the rampart, I perceived that the signal had been given by the steamboat Franklin, which landed a passenger from Whitehall at the tavern, and resumed its progress northward, to reach Canada the next morning. A sloop was pursuing the same track; a little skiff had just crossed the ferry; while a scow, laden with lumber, spread its huge square sail, and went up the lake. The whole country was a cultivated farm. Within musket-shot of the ramparts lay the neat villa of Mr. Pell, who, since the Revolution, has become proprietor of a spot for which France, England, and America have so often struggled. How forcibly the lapse of time and change of circumstances came home to my apprehension! Banner would never wave again, nor cannon roar, nor blood be shed, nor trumpet stir up a soldier’s heart, in this old fort of Ticonderoga. Tall trees have grown upon its ramparts, since the last garrison marched out, to return no more, or only at some dreamer’s summons, gliding from the twilight past to vanish among realities.
Rushing to the rampart, I noticed that the signal had been given by the steamboat Franklin, which dropped off a passenger from Whitehall at the tavern and continued its journey northward to reach Canada the next morning. A sloop was following the same route; a small skiff had just crossed the ferry; while a barge full of lumber raised its large square sail and moved up the lake. The entire area was a cultivated farm. Within musket range of the ramparts was the neat villa of Mr. Pell, who, since the Revolution, has become the owner of a place that France, England, and America have fought over so many times. How vividly the passage of time and changes in circumstances hit me! The flag would never wave again, nor would cannons roar, nor would blood be shed, nor would trumpets inspire a soldier's heart in this old fort of Ticonderoga. Tall trees have taken root on its ramparts since the last troops marched out, never to return, or only to answer some dreamer’s call, drifting from the twilight past to disappear among the realities.
THE WIVES OF THE DEAD
The following story, the simple and domestic incidents of which may be deemed scarcely worth relating, after such a lapse of time, awakened some degree of interest, a hundred years ago, in a principal seaport of the Bay Province. The rainy twilight of an autumn day,—a parlor on the second floor of a small house, plainly furnished, as beseemed the middling circumstances of its inhabitants, yet decorated with little curiosities from beyond the sea, and a few delicate specimens of Indian manufacture,—these are the only particulars to be premised in regard to scene and season. Two young and comely women sat together by the fireside, nursing their mutual and peculiar sorrows. They were the recent brides of two brothers, a sailor and a landsman, and two successive days had brought tidings of the death of each, by the chances of Canadian warfare and the tempestuous Atlantic. The universal sympathy excited by this bereavement drew numerous condoling guests to the habitation of the widowed sisters. Several, among whom was the minister, had remained till the verge of evening; when, one by one, whispering many comfortable passages of Scripture, that were answered by more abundant tears, they took their leave, and departed to their own happier homes. The mourners, though not insensible to the kindness of their friends, had yearned to be left alone. United, as they had been, by the relationship of the living, and now more closely so by that of the dead, each felt as if whatever consolation her grief admitted were to be found in the bosom of the other. They joined their hearts, and wept together silently. But after an hour of such indulgence, one of the sisters, all of whose emotions were influenced by her mild, quiet, yet not feeble character, began to recollect the precepts of resignation and endurance which piety had taught her, when she did not think to need them. Her misfortune, besides, as earliest known, should earliest cease to interfere with her regular course of duties; accordingly, having placed the table before the fire, and arranged a frugal meal, she took the hand of her companion.
The following story, which might seem too simple and mundane to share after all this time, stirred some interest a hundred years ago in a main seaport of the Bay Province. It was a rainy twilight on an autumn day in a parlor on the second floor of a small, plainly furnished house, reflecting the modest circumstances of its residents, yet adorned with little curiosities from abroad and a few delicate pieces made by Indians—these are the only details that set the scene and the season. Two young and attractive women sat together by the fire, sharing their mutual and unique sorrows. They were the newlywed wives of two brothers, a sailor and a landsman, and in just two days, they had received news of each brother's death due to the perils of Canadian warfare and the stormy Atlantic. The widespread sympathy generated by this tragedy attracted many condoling visitors to the sisters’ home. Several, including the minister, stayed until nearly evening; one by one, whispering comforting passages from the Bible that only drew more tears, they took their leave and returned to their own happier homes. While the mourners appreciated the kindness of their friends, they longed to be left alone. Connected, as they had been, by the living, and now even more closely by the dead, each felt that whatever comfort their grief allowed could only be found in each other. They united their hearts and wept together silently. But after an hour of such indulgence, one of the sisters, whose emotions were shaped by her gentle, calm, yet strong character, began to recall the lessons of acceptance and endurance that her faith had taught her when she thought she wouldn’t need them. Also, since her sorrow was known first, it should be the first to not interfere with her daily responsibilities; accordingly, she set the table before the fire and prepared a light meal, then took her companion’s hand.
“Come, dearest sister; you have eaten not a morsel to-day,” she said. “Arise, I pray you, and let us ask a blessing on that which is provided for us.”
“Come, dear sister; you haven’t eaten anything today,” she said. “Get up, please, and let’s say a blessing over the food that’s been prepared for us.”
Her sister-in-law was of a lively and irritable temperament, and the first pangs of her sorrow had been expressed by shrieks and passionate lamentation. She now shrunk from Mary’s words, like a wounded sufferer from a hand that revives the throb.
Her sister-in-law had a lively and irritable personality, and the first moments of her grief had come out in screams and intense crying. Now, she recoiled from Mary’s words, like a hurt person recoiling from a touch that brings back the pain.
“There is no blessing left for me, neither will I ask it!” cried Margaret, with a fresh burst of tears. “Would it were His will that I might never taste food more!”
“There’s no blessing left for me, and I won’t ask for one!” cried Margaret, bursting into tears again. “I wish it were His will that I would never have to eat again!”
Yet she trembled at these rebellious expressions, almost as soon as they were uttered, and, by degrees, Mary succeeded in bringing her sister’s mind nearer to the situation of her own. Time went on, and their usual hour of repose arrived. The brothers and their brides, entering the married state with no more than the slender means which then sanctioned such a step, had confederated themselves in one household, with equal rights to the parlor, and claiming exclusive privileges in two sleeping-rooms contiguous to it. Thither the widowed ones retired, after heaping ashes upon the dying embers of their fire, and placing a lighted lamp upon the hearth. The doors of both chambers were left open, so that a part of the interior of each, and the beds with their unclosed curtains, were reciprocally visible. Sleep did not steal upon the sisters at one and the same time. Mary experienced the effect often consequent upon grief quietly borne, and soon sunk into temporary forgetfulness, while Margaret became more disturbed and feverish, in proportion as the night advanced with its deepest and stillest hours. She lay listening to the drops of rain, that came down in monotonous succession, unswayed by a breath of wind; and a nervous impulse continually caused her to lift her head from the pillow, and gaze into Mary’s chamber and the intermediate apartment. The cold light of the lamp threw the shadows of the furniture up against the wall, stamping them immovably there, except when they were shaken by a sudden flicker of the flame. Two vacant arm-chairs were in their old positions on opposite sides of the hearth, where the brothers had been wont to sit in young and laughing dignity, as heads of families; two humbler seats were near them, the true thrones of that little empire, where Mary and herself had exercised in love a power that love had won. The cheerful radiance of the fire had shone upon the happy circle, and the dead glimmer of the lamp might have befitted their reunion now. While Margaret groaned in bitterness, she heard a knock at the street door.
Yet she trembled at these rebellious words almost as soon as they were spoken, and gradually, Mary managed to bring her sister’s thoughts closer to her own situation. Time passed, and their usual time to relax arrived. The brothers and their brides, starting their married lives with barely enough resources that were acceptable at the time, had united in one household, sharing rights to the living room and claiming exclusive access to two bedrooms next to it. The widowed sisters retreated there after tossing ashes onto the dying embers of their fire and placing a lit lamp on the hearth. The doors to both rooms were left open, so that part of each room, including the beds with their curtains drawn back, was easily seen by the other. The sisters did not fall asleep at the same time. Mary felt the effect that often follows quietly endured grief and soon drifted into temporary forgetfulness, while Margaret grew more restless and anxious as the night progressed into its deepest, quietest hours. She lay there listening to the rain falling in a steady rhythm, unaffected by a breath of wind; a nervous impulse repeatedly made her lift her head from the pillow to peek into Mary’s room and the space in between. The cold light from the lamp cast shadows of the furniture on the wall, leaving them fixed in place unless stirred by a sudden flicker of the flame. Two empty armchairs stood in their usual spots on opposite sides of the hearth, where the brothers had often sat in youthful dignity as heads of their families; two smaller chairs were nearby, the true thrones of their little kingdom, where Mary and she had lovingly exercised a power won through affection. The warm glow of the fire had once illuminated their happy gatherings, and the dim light of the lamp now seemed a fitting backdrop for their reunion. While Margaret groaned in sorrow, she heard a knock at the front door.
“How would my heart have leapt at that sound but yesterday!” thought she, remembering the anxiety with which she had long awaited tidings from her husband.
“How would my heart have jumped at that sound just yesterday!” she thought, recalling the anxiety with which she had long awaited news from her husband.
“I care not for it now; let them begone, for I will not arise.”
“I don't care about it anymore; let them go, because I won't get up.”
But even while a sort of childish fretfulness made her thus resolve, she was breathing hurriedly, and straining her ears to catch a repetition of the summons. It is difficult to be convinced of the death of one whom we have deemed another self. The knocking was now renewed in slow and regular strokes, apparently given with the soft end of a doubled fist, and was accompanied by words, faintly heard through several thicknesses of wall. Margaret looked to her sister’s chamber, and beheld her still lying in the depths of sleep. She arose, placed her foot upon the floor, and slightly arrayed herself, trembling between fear and eagerness as she did so.
But even as a kind of childish restlessness made her decide this, she was breathing fast and straining to hear the call again. It’s hard to accept the death of someone we've considered a part of ourselves. The knocking started again, slow and steady, seemingly made with the soft end of a doubled fist, accompanied by words that could only be faintly heard through several layers of wall. Margaret glanced towards her sister's room and saw her still deep in sleep. She stood up, put her foot on the floor, and quickly got herself ready, shivering with a mix of fear and excitement as she did so.
“Heaven help me!” sighed she. “I have nothing left to fear, and methinks I am ten times more a coward than ever.”
“God help me!” she sighed. “I have nothing left to fear, and I think I’m even more of a coward than ever.”
Seizing the lamp from the hearth, she hastened to the window that overlooked the street-door. It was a lattice, turning upon hinges; and having thrown it back, she stretched her head a little way into the moist atmosphere. A lantern was reddening the front of the house, and melting its light in the neighboring puddles, while a deluge of darkness overwhelmed every other object. As the window grated on its hinges, a man in a broad-brimmed hat and blanket-coat stepped from under the shelter of the projecting story, and looked upward to discover whom his application had aroused. Margaret knew him as a friendly innkeeper of the town.
Grabbing the lamp from the hearth, she rushed to the window that faced the street door. It was a hinged lattice, and after pushing it open, she leaned her head slightly into the damp air. A lantern illuminated the front of the house, its glow reflecting in the nearby puddles, while a flood of darkness shadowed everything else. As the window creaked on its hinges, a man wearing a wide-brimmed hat and a heavy coat stepped out from under the overhang and looked up to see who had been stirred awake. Margaret recognized him as a friendly innkeeper from town.
“What would you have, Goodman Parker?” cried the widow.
“What do you want, Mr. Parker?” shouted the widow.
“Lackaday, is it you, Mistress Margaret?” replied the innkeeper. “I was afraid it might be your sister Mary; for I hate to see a young woman in trouble, when I have n’t a word of comfort to whisper her.”
“Wow, is that you, Mistress Margaret?” replied the innkeeper. “I was worried it might be your sister Mary; I can’t stand to see a young woman in trouble when I don’t have a single comforting word to offer her.”
“For Heaven’s sake, what news do you bring?” screamed Margaret.
“For heaven’s sake, what news do you have?” screamed Margaret.
“Why, there has been an express through the town within this half-hour,” said Goodman Parker, “travelling from the eastern jurisdiction with letters from the governor and council. He tarried at my house to refresh himself with a drop and a morsel, and I asked him what tidings on the frontiers. He tells me we had the better in the skirmish you wot of, and that thirteen men reported slain are well and sound, and your husband among them. Besides, he is appointed of the escort to bring the captivated Frenchers and Indians home to the province jail. I judged you would n’t mind being broke of your rest, and so I stepped over to tell you. Good night.”
“Hey, there’s been a courier going through town in the last half hour,” said Goodman Parker. “He’s come from the eastern area with letters from the governor and council. He stopped by my house to grab a drink and a bite to eat, and I asked him for news from the frontiers. He told me we were victorious in the skirmish you know about, and that thirteen men who were reported dead are actually alive and well, including your husband. Plus, he’s been assigned to escort the captured French and Indians back to the provincial jail. I figured you wouldn’t mind being woken up, so I came over to let you know. Good night.”
So saying, the honest man departed; and his lantern gleamed along the street, bringing to view indistinct shapes of things, and the fragments of a world, like order glimmering through chaos, or memory roaming over the past. But Margaret stayed not to watch these picturesque effects. Joy flashed into her heart, and lighted it up at once; and breathless, and with winged steps, she flew to the bedside of her sister. She paused, however, at the door of the chamber, while a thought of pain broke in upon her.
So saying, the honest man left; and his lantern shone along the street, revealing blurry shapes of things and bits of a world, like order shining through chaos or memories drifting over the past. But Margaret didn’t stop to admire these beautiful sights. Joy surged into her heart and lit it up instantly; breathless and with quick steps, she rushed to her sister's bedside. However, she paused at the door of the room as a painful thought interrupted her.
“Poor Mary!” said she to herself. “Shall I waken her, to feel her sorrow sharpened by my happiness? No; I will keep it within my own bosom till the morrow.”
“Poor Mary!” she said to herself. “Should I wake her, to make her feel more pain because of my happiness? No; I’ll keep it to myself until tomorrow.”
She approached the bed, to discover if Mary’s sleep were peaceful. Her face was turned partly inward to the pillow, and had been hidden there to weep; but a look of motionless contentment was now visible upon it, as if her heart, like a deep lake, had grown calm because its dead had sunk down so far within. Happy is it, and strange, that the lighter sorrows are those from which dreams are chiefly fabricated. Margaret shrunk from disturbing her sister-in-law, and felt as if her own better fortune had rendered her involuntarily unfaithful, and as if altered and diminished affection must be the consequence of the disclosure she had to make. With a sudden step she turned away. But joy could not long be repressed, even by circumstances that would have excited heavy grief at another moment. Her mind was thronged with delightful thoughts, till sleep stole on, and transformed them to visions, more delightful and more wild, like the breath of winter (but what a cold comparison!) working fantastic tracery upon a window.
She approached the bed to see if Mary was sleeping peacefully. Her face was partly turned into the pillow, where she had hidden herself to cry; but now a look of calm happiness was visible on it, as if her heart, like a deep lake, had settled down because its sorrows had sunk so far inside. It’s both happy and strange that the lighter sorrows are the ones that mainly create dreams. Margaret hesitated to wake her sister-in-law and felt as though her own better luck had made her unintentionally disloyal, as if her changed and lessened affection would be the result of the news she had to deliver. With a sudden step, she turned away. But joy couldn’t be held back for long, even by situations that would have brought heavy sadness at another time. Her mind was filled with delightful thoughts until sleep took over and turned them into even more wonderful and wild dreams, like winter’s breath (but what a cold comparison!) creating intricate patterns on a window.
When the night was far advanced, Mary awoke with a sudden start. A vivid dream had latterly involved her in its unreal life, of which, however, she could only remember that it had been broken in upon at the most interesting point. For a little time, slumber hung about her like a morning mist, hindering her from perceiving the distinct outline of her situation. She listened with imperfect consciousness to two or three volleys of a rapid and eager knocking; and first she deemed the noise a matter of course, like the breath she drew; next, it appeared a thing in which she had no concern; and lastly, she became aware that it was a summons necessary to be obeyed. At the same moment, the pang of recollection darted into her mind; the pall of sleep was thrown back from the face of grief; the dim light of the chamber, and the objects therein revealed, had retained all her suspended ideas, and restored them as soon as she unclosed her eyes. Again there was a quick peal upon the street-door. Fearing that her sister would also be disturbed, Mary wrapped herself in a cloak and hood, took the lamp from the hearth, and hastened to the window. By some accident, it had been left unhasped, and yielded easily to her hand.
As the night wore on, Mary suddenly woke up. A vivid dream had recently pulled her into its unreal world, but all she could remember was that it had been interrupted at the most thrilling moment. For a little while, drowsiness hung around her like morning fog, making it hard for her to grasp her situation. She listened, barely aware, to a few rounds of fast, eager knocking; at first, she thought the noise was just part of the background, like her own breathing; then it seemed like something that didn’t concern her; and finally, she realized it was a call she needed to respond to. At that moment, a sharp memory struck her; the haze of sleep faded away, revealing the weight of her grief; the dim light in the room and the objects within it brought back all her suspended thoughts as soon as she opened her eyes. There was another quick knock at the front door. Worried that her sister might also be disturbed, Mary wrapped herself in a cloak and hood, grabbed the lamp from the hearth, and hurried to the window. By some chance, it had been left unlatched and opened easily at her touch.
“Who’s there?” asked Mary, trembling as she looked forth.
“Who’s there?” Mary asked, shivering as she peered out.
The storm was over, and the moon was up; it shone upon broken clouds above, and below upon houses black with moisture, and upon little lakes of the fallen rain, curling into silver beneath the quick enchantment of a breeze. A young man in a sailor’s dress, wet as if he had come out of the depths of the sea, stood alone under the window. Mary recognized him as one whose livelihood was gained by short voyages along the coast; nor did she forget that, previous to her marriage, he had been an unsuccessful wooer of her own.
The storm had passed, and the moon was shining; it lit up the broken clouds above and the damp houses below, along with small puddles of fallen rain, glimmering like silver in the quickening breeze. A young man in a sailor's outfit, soaked as if he had just emerged from the sea, stood alone beneath the window. Mary recognized him as someone who made a living from short trips along the coast; she also remembered that before she got married, he had unsuccessfully tried to win her over.
“What do you seek here, Stephen?” said she.
“What are you looking for here, Stephen?” she asked.
“Cheer up, Mary, for I seek to comfort you,” answered the rejected lover. “You must know I got home not ten minutes ago, and the first thing my good mother told me was the news about your husband. So, without saying a word to the old woman, I clapped on my hat, and ran out of the house. I could n’t have slept a wink before speaking to you, Mary, for the sake of old times.”
“Cheer up, Mary, I’m here to comfort you,” replied the spurned lover. “You should know I just got home ten minutes ago, and the first thing my caring mother told me was about your husband. So, without saying anything to her, I put on my hat and rushed out of the house. I couldn’t have slept a wink without talking to you, Mary, for the sake of the good old days.”
“Stephen, I thought better of you!” exclaimed the widow, with gushing tears and preparing to close the lattice; for she was no whit inclined to imitate the first wife of Zadig.
“Stephen, I expected more from you!” exclaimed the widow, with tears streaming down her face and preparing to close the window; for she had no desire to follow in the footsteps of the first wife of Zadig.
“But stop, and hear my story out,” cried the young sailor. “I tell you we spoke a brig yesterday afternoon, bound in from Old England. And who do you think I saw standing on deck, well and hearty, only a bit thinner than he was five months ago?”
“But stop and listen to my story,” shouted the young sailor. “I’m telling you we spoke to a brig yesterday afternoon, coming in from Old England. And guess who I saw standing on deck, looking healthy, just a little thinner than he was five months ago?”
Mary leaned from the window, but could not speak. “Why, it was your husband himself,” continued the generous seaman. “He and three others saved themselves on a spar, when the Blessing turned bottom upwards. The brig will beat into the bay by daylight, with this wind, and you’ll see him here to-morrow. There’s the comfort I bring you, Mary, and so good night.”
Mary leaned out of the window but couldn’t say anything. “Well, it was your husband himself,” the kind sailor continued. “He and three others made it to safety on a spar when the Blessing capsized. The ship will come into the bay by morning with this wind, and you’ll see him here tomorrow. That’s the good news I bring you, Mary, so good night.”
He hurried away, while Mary watched him with a doubt of waking reality, that seemed stronger or weaker as he alternately entered the shade of the houses, or emerged into the broad streaks of moonlight. Gradually, however, a blessed flood of conviction swelled into her heart, in strength enough to overwhelm her, had its increase been more abrupt. Her first impulse was to rouse her sister-in-law, and communicate the new-born gladness. She opened the chamber-door, which had been closed in the course of the night, though not latched, advanced to the bedside, and was about to lay her hand upon the slumberer’s shoulder. But then she remembered that Margaret would awake to thoughts of death and woe, rendered not the less bitter by their contrast with her own felicity. She suffered the rays of the lamp to fall upon the unconscious form of the bereaved one. Margaret lay in unquiet sleep, and the drapery was displaced around her; her young cheek was rosy-tinted, and her lips half opened in a vivid smile; an expression of joy, debarred its passage by her sealed eyelids, struggled forth like incense from the whole countenance.
He hurried away, while Mary watched him with a lingering doubt about reality that seemed stronger or weaker as he stepped into the shadows of the houses or emerged into the bright moonlight. Gradually, though, a wonderful flood of conviction filled her heart, strong enough to overwhelm her, if it hadn't increased so gradually. Her first instinct was to wake her sister-in-law and share the newfound happiness. She opened the bedroom door, which had been closed during the night but not locked, moved to the bedside, and was about to place her hand on the sleeping woman's shoulder. But then she remembered that Margaret would wake up to thoughts of death and sorrow, made even more painful by the contrast to her own joy. She let the light from the lamp shine on the unconscious figure of the grieving woman. Margaret lay in restless sleep, her bedding disheveled; her young cheek was rosy, and her lips were slightly parted in a bright smile; an expression of joy, held back by her closed eyelids, seemed to radiate like incense from her whole face.
“My poor sister! you will waken too soon from that happy dream,” thought Mary.
“My poor sister! You’re going to wake up too soon from that happy dream,” thought Mary.
Before retiring, she set down the lamp, and endeavored to arrange the bedclothes so that the chill air might not do harm to the feverish slumberer. But her hand trembled against Margaret’s neck, a tear also fell upon her cheek, and she suddenly awoke.
Before going to bed, she put down the lamp and tried to adjust the blankets so the cold air wouldn’t harm the feverish sleeper. But her hand shook against Margaret’s neck, a tear also fell on her cheek, and she suddenly woke up.
LITTLE DAFFYDOWNDILLY
Daffydowndilly was so called because in his nature he resembled a flower, and loved to do only what was beautiful and agreeable, and took no delight in labor of any kind. But, while Daffydowndilly was yet a little boy, his mother sent him away from his pleasant home, and put him under the care of a very strict schoolmaster, who went by the name of Mr. Toil. Those who knew him best affirmed that this Mr. Toil was a very worthy character; and that he had done more good, both to children and grown people, than anybody else in the world. Certainly he had lived long enough to do a great deal of good; for, if all stories be true, he had dwelt upon earth ever since Adam was driven from the garden of Eden.
Daffydowndilly got his name because he was like a flower, preferring to do things that were beautiful and enjoyable, and he didn’t take pleasure in any kind of hard work. But when Daffydowndilly was still a young boy, his mother sent him away from his lovely home and placed him under the supervision of a very strict schoolmaster known as Mr. Toil. Those who knew him best said that Mr. Toil was a truly good man, and that he had done more for both children and adults than anyone else in the world. He had certainly lived long enough to make a significant impact; if all stories are accurate, he had been on Earth since Adam was expelled from the Garden of Eden.
Nevertheless, Mr. Toil had a severe and ugly countenance, especially for such little boys or big men as were inclined to be idle; his voice, too, was harsh; and all his ways and customs seemed very disagreeable to our friend Daffydowndilly. The whole day long, this terrible old schoolmaster sat at his desk overlooking the scholars, or stalked about the school-room with a certain awful birch rod in his hand. Now came a rap over the shoulders of a boy whom Mr. Toil had caught at play; now he punished a whole class who were behindhand with their lessons; and, in short, unless a lad chose to attend quietly and constantly to his book, he had no chance of enjoying a quiet moment in the school-room of Mr. Toil.
Nevertheless, Mr. Toil had a harsh and unappealing face, especially for the young boys or grown men who tended to be lazy; his voice was also grating, and everything about him seemed really off-putting to our friend Daffydowndilly. The whole day, this fearsome old schoolmaster sat at his desk watching the students or marched around the classroom with an intimidating birch rod in his hand. He would suddenly smack a boy on the shoulders whom he caught playing; he would punish an entire class that was falling behind on their lessons; and, basically, unless a kid decided to focus quietly and consistently on his studies, he had no chance of having a peaceful moment in Mr. Toil's classroom.
“This will never do for me,” thought Daffydowndilly.
“This isn’t going to work for me,” thought Daffydowndilly.
Now, the whole of Daffydowndilly’s life had hitherto been passed with his dear mother, who had a much sweeter face than old Mr. Toil, and who had always been very indulgent to her little boy. No wonder, therefore, that poor Daffydowndilly found it a woful change, to be sent away from the good lady’s side, and put under the care of this ugly-visaged schoolmaster, who never gave him any apples or cakes, and seemed to think that little boys were created only to get lessons.
Now, Daffydowndilly had spent his whole life with his dear mother, who had a much kinder face than old Mr. Toil, and who had always been very indulgent to her little boy. It’s no surprise, then, that poor Daffydowndilly found it a terrible change to be sent away from the kind lady’s side and placed under the care of this grumpy-looking schoolmaster, who never gave him any apples or cakes and seemed to think that little boys were only meant to learn lessons.
“I can’t bear it any longer,” said Daffydowndilly to himself, when he had been at school about a week. “I’ll run away, and try to find my dear mother; and, at any rate, I shall never find anybody half so disagreeable as this old Mr. Toil!”
“I can’t take it anymore,” said Daffydowndilly to himself, after being at school for about a week. “I’ll run away and try to find my dear mother; and, anyway, I’ll never find anyone as unpleasant as this old Mr. Toil!”
So, the very next morning, off started poor Daffydowndilly, and began his rambles about the world, with only some bread and cheese for his breakfast, and very little pocket-money to pay his expenses. But he had gone only a short distance, when he overtook a man of grave and sedate appearance, who was trudging at a moderate pace along the road.
So, the very next morning, poor Daffydowndilly set off and started wandering around the world, with just some bread and cheese for breakfast and very little pocket money to cover his expenses. But he hadn’t gone far when he caught up with a man who looked serious and composed, walking at a steady pace along the road.
“Good morning, my fine lad,” said the stranger; and his voice seemed hard and severe, but yet had a sort of kindness in it; “whence do you come so early, and whither are you going?”
“Good morning, my good young man,” said the stranger; and his voice sounded tough and strict, but still had a touch of kindness in it; “where are you coming from so early, and where are you headed?”
Little Daffydowndilly was a boy of very ingenuous disposition, and had never been known to tell a lie in all his life. Nor did he tell one now. He hesitated a moment or two, but finally confessed that he had run away from school, on account of his great dislike to Mr. Toil; and that he was resolved to find some place in the world where he should never see or hear of the old schoolmaster again.
Little Daffydowndilly was a boy with a very innocent nature, and he had never been known to tell a lie in his life. Nor did he lie now. He paused for a moment but ultimately admitted that he had run away from school because he greatly disliked Mr. Toil, and he was determined to find a place in the world where he would never see or hear about the old schoolmaster again.
“O, very well, my little friend!” answered the stranger. “Then we will go together; for I, likewise, have had a good deal to do with Mr. Toil, and should be glad to find some place where he was never heard of.”
“O, very well, my little friend!” replied the stranger. “Then let's go together; I've also had quite a bit of experience with Mr. Toil, and I'd love to find a place where he’s never mentioned.”
Our friend Daffydowndilly would have been better pleased with a companion of his own age, with whom he might have gathered flowers along the roadside, or have chased butterflies, or have done many other things to make the journey pleasant. But he had wisdom enough to understand that he should get along through the world much easier by having a man of experience to show him the way. So he accepted the stranger’s proposal, and they walked on very sociably together.
Our friend Daffydowndilly would have preferred a companion his own age, with whom he could pick flowers by the roadside, chase butterflies, or do many other fun things to make the journey enjoyable. But he was wise enough to realize that it would be much easier to get through life with an experienced person to guide him. So he agreed to the stranger's suggestion, and they continued walking together quite amicably.
They had not gone far, when the road passed by a field where some haymakers were at work, mowing down the tall grass, and spreading it out in the sun to dry. Daffydowndilly was delighted with the sweet smell of the new-mown grass, and thought how much pleasanter it must be to make hay in the sunshine, under the blue sky, and with the birds singing sweetly in the neighboring trees and bushes, than to be shut up in a dismal school-room, learning lessons all day long, and continually scolded by old Mr. Toil. But, in the midst of these thoughts, while he was stopping to peep over the stone wall, he started back and caught hold of his companion’s hand.
They hadn't gone far when the road passed a field where some haymakers were working, cutting down the tall grass and spreading it out to dry in the sun. Daffydowndilly was thrilled by the sweet smell of the freshly cut grass and thought about how much nicer it must be to make hay in the sunshine, under the blue sky, with the birds singing happily in the nearby trees and bushes, than to be stuck in a gloomy classroom, studying all day long, always getting scolded by old Mr. Toil. But in the middle of these thoughts, as he leaned over the stone wall to get a better look, he suddenly jumped back and grabbed his friend's hand.
“Quick, quick!” cried he. “Let us run away, or he will catch us!”
“Quick, quick!” he shouted. “Let’s run away, or he’ll catch us!”
“Who will catch us?” asked the stranger.
“Who will catch us?” the stranger asked.
“Mr. Toil, the old schoolmaster!” answered Daffydowndilly. “Don’t you see him amongst the haymakers?”
“Mr. Toil, the old teacher!” replied Daffydowndilly. “Can’t you see him among the haymakers?”
And Daffydowndilly pointed to an elderly man, who seemed to be the owner of the field, and the employer of the men at work there. He had stripped off his coat and waistcoat, and was busily at work in his shirt-sleeves. The drops of sweat stood upon his brow; but he gave himself not a moment’s rest, and kept crying out to the haymakers to make hay while the sun shone. Now, strange to say, the figure and features of this old farmer were precisely the same as those of old Mr. Toil, who, at that very moment, must have been just entering his school-room.
And Daffydowndilly pointed to an older man, who seemed to be the owner of the field and the boss of the workers there. He had taken off his coat and vest and was hard at work in his shirt sleeves. Sweat was dripping from his forehead, yet he didn't take a single moment to rest, constantly shouting at the haymakers to make hay while the sun was shining. Interestingly, the appearance and features of this old farmer were exactly the same as those of old Mr. Toil, who, at that very moment, must have just been entering his classroom.
“Don’t be afraid,” said the stranger. “This is not Mr. Toil the schoolmaster, but a brother of his, who was bred a farmer; and people say he is the most disagreeable man of the two. However, he won’t trouble you, unless you become a laborer on the farm.”
“Don’t worry,” said the stranger. “This isn’t Mr. Toil the schoolmaster, but his brother, who was raised to be a farmer; and people say he’s the more unpleasant of the two. However, he won’t bother you unless you decide to work as a laborer on the farm.”
Little Daffydowndilly believed what his companion said, but was very glad, nevertheless, when they were out of sight of the old farmer, who bore such a singular resemblance to Mr. Toil. The two travellers had gone but little farther, when they came to a spot where some carpenters were erecting a house. Daffydowndilly begged his companion to stop a moment; for it was a very pretty sight to see how neatly the carpenters did their work, with their broad-axes, and saws, and planes, and hammers, shaping out the doors, and putting in the window-sashes, and nailing on the clapboards; and he could not help thinking that he should like to take a broad-axe, a saw, a plane, and a hammer, and build a little house for himself. And then, when he should have a house of his own, old Mr. Toil would never dare to molest him.
Little Daffydowndilly believed what his friend said, but he was still very happy when they were out of sight of the old farmer, who looked so much like Mr. Toil. The two travelers hadn’t gone much farther when they reached a place where some carpenters were building a house. Daffydowndilly asked his friend to pause for a moment because it was really nice to see how skillfully the carpenters worked with their broad axes, saws, planes, and hammers, shaping the doors, installing the window frames, and nailing on the siding. He couldn’t help but think that he would love to grab a broad axe, a saw, a plane, and a hammer to build a little house for himself. And then, once he had his own house, old Mr. Toil would never dare to bother him.
But, just while he was delighting himself with this idea, little Daffydowndilly beheld something that made him catch hold of his companion’s hand, all in a fright.
But just as he was enjoying this idea, little Daffydowndilly saw something that made him grab his companion’s hand, completely scared.
“Make haste. Quick, quick!” cried he. “There he is again!”
“ Hurry up. Fast, fast!” he shouted. “There he is again!”
“Who?” asked the stranger, very quietly.
“Who?” asked the stranger quietly.
“Old Mr. Toil,” said Daffydowndilly, trembling. “There! he that is overseeing the carpenters. ‘T is my old schoolmaster, as sure as I’m alive!”
“Old Mr. Toil,” said Daffydowndilly, trembling. “There! He’s the one supervising the carpenters. It’s my old schoolmaster, as sure as I’m alive!”
The stranger cast his eyes where Daffydowndilly pointed his finger; and he saw an elderly man, with a carpenter’s rule and compasses in his hand. This person went to and fro about the unfinished house, measuring pieces of timber, and marking out the work that was to be done, and continually exhorting the other carpenters to be diligent. And wherever he turned his hard and wrinkled visage, the men seemed to feel that they had a task-master over them, and sawed, and hammered, and planed, as if for dear life.
The stranger looked where Daffydowndilly was pointing and saw an old man holding a carpenter's ruler and compass. This man moved around the incomplete house, measuring pieces of wood and outlining the work to be done, constantly urging the other carpenters to work hard. Whenever he turned his tough, wrinkled face, the workers seemed to feel that they had a taskmaster overseeing them, and they sawed, hammered, and planed as if their lives depended on it.
“O no! this is not Mr. Toil, the schoolmaster,” said the stranger. “It is another brother of his, who follows the trade of carpenter.”
“O no! this isn't Mr. Toil, the schoolmaster,” said the stranger. “It's another brother of his, who works as a carpenter.”
“I am very glad to hear it,” quoth Daffydowndilly; “but if you please, sir, I should like to get out of his way as soon as possible.”
“I’m really glad to hear that,” said Daffydowndilly; “but if you don’t mind, sir, I’d like to get out of his way as soon as I can.”
Then they went on a little farther, and soon heard the sound of a drum and fife. Daffydowndilly pricked up his ears at this, and besought his companion to hurry forward, that they might not miss seeing the soldiers. Accordingly, they made what haste they could, and soon met a company of soldiers, gayly dressed, with beautiful feathers in their caps, and bright muskets on their shoulders. In front marched two drummers and two fifers, beating on their drums and playing on their fifes with might and main, and making such lively music that little Daffydowndilly would gladly have followed them to the end of the world. And if he was only a soldier, then, he said to himself, old Mr. Toil would never venture to look him in the face.
Then they walked a bit farther and soon heard the sound of a drum and fife. Daffydowndilly perked up at this and urged his friend to hurry so they wouldn’t miss seeing the soldiers. So, they rushed as best they could and soon met a group of soldiers, brightly dressed, with beautiful feathers in their caps and shiny muskets on their shoulders. Marching in front were two drummers and two fifers, pounding on their drums and playing their fifes with all their might, creating such lively music that little Daffydowndilly would have happily followed them to the ends of the earth. And he thought to himself that if only he were a soldier, then old Mr. Toil would never dare to look him in the eye.
“Quick step! Forward march!” shouted a gruff voice.
“Quick step! Forward march!” shouted a rough voice.
Little Daffydowndilly started, in great dismay; for this voice which had spoken to the soldiers sounded precisely the same as that which he had heard every day in Mr. Toil’s school-room, out of Mr. Toil’s own mouth. And, turning his eyes to the captain of the company, what should he see but the very image of old Mr. Toil himself, with a smart cap and feather on his head, a pair of gold epaulets on his shoulders, a laced coat on his back, a purple sash round his waist, and a long sword, instead of a birch rod, in his hand. And though he held his head so high, and strutted like a turkey-cock, still he looked quite as ugly and disagreeable as when he was hearing lessons in the schoolroom.
Little Daffydowndilly was taken aback, filled with fear; the voice that had spoken to the soldiers sounded exactly like the one he heard every day in Mr. Toil’s classroom, coming straight from Mr. Toil himself. And when he turned his gaze to the captain of the company, he was shocked to see a perfect replica of old Mr. Toil, wearing a stylish cap and feather, gold epaulets on his shoulders, a fancy coat, a purple sash around his waist, and a long sword, instead of a birch rod, in his hand. Even though he held his head high and strutted like a proud turkey, he still looked just as ugly and unpleasant as he did when they were in the classroom.
“This is certainly old Mr. Toil,” said Daffydowndilly, in a trembling voice. “Let us run away, for fear he should make us enlist in his company!”
“This is definitely old Mr. Toil,” said Daffydowndilly, in a shaky voice. “Let’s get out of here, so he doesn’t make us join his crew!”
“You are mistaken again, my little friend,” replied the stranger, very composedly. “This is not Mr. Toil, the schoolmaster, but a brother of his, who has served in the army all his life. People say he’s a terribly severe fellow; but you and I need not be afraid of him.”
“You're mistaken again, my little friend,” the stranger replied calmly. “This isn’t Mr. Toil, the schoolmaster, but his brother, who has spent his whole life in the army. People say he’s really strict; but you and I don’t need to worry about him.”
“Well, well,” said little Daffydowndilly, “but, if you please, sir, I don’t want to see the soldiers any more.”
“Well, well,” said little Daffydowndilly, “but, if you don’t mind, sir, I don’t want to see the soldiers anymore.”
So the child and the stranger resumed their journey; and, by and by, they came to a house by the roadside, where a number of people were making merry. Young men and rosy-checked girls, with smiles on their faces, were dancing to the sound of a fiddle. It was the pleasantest sight that Daffydowndilly had yet met with, and it comforted him for all his disappointments.
So the child and the stranger continued their journey, and eventually, they arrived at a house by the side of the road, where a group of people were having a good time. Young men and rosy-cheeked girls, smiling, were dancing to the music of a fiddle. It was the most delightful sight that Daffydowndilly had come across so far, and it made him feel better about all his disappointments.
“O, let us stop here,” cried he to his companion; “for Mr. Toil will never dare to show his face where there is a fiddler, and where people are dancing and making merry. We shall be quite safe here!”
“O, let’s stop here,” he exclaimed to his companion; “because Mr. Toil will never have the guts to show up where there’s a fiddler and where people are dancing and having a good time. We’ll be totally safe here!”
But these last words died away upon Daffydowndilly’s tongue; for, happening to cast his eyes on the fiddler, whom should be behold again, but the likeness of Mr. Toil, holding a fiddle-bow instead of a birch rod, and flourishing it with as much ease and dexterity as if he had been a fiddler all his life! He had somewhat the air of a Frenchman, but still looked exactly like the old schoolmaster; and Daffydowndilly even fancied that he nodded and winked at him, and made signs for him to join in the dance.
But these last words faded away on Daffydowndilly's lips; for, happening to glance at the fiddler, who should he see again but the likeness of Mr. Toil, holding a fiddle bow instead of a birch rod, and waving it with as much ease and skill as if he had been a fiddler his entire life! He had a bit of a French vibe, but still looked just like the old schoolmaster; and Daffydowndilly even thought he nodded and winked at him, making gestures for him to join in the dance.
“O dear me!” whispered he, turning pale. “It seems as if there was nobody but Mr. Toil in the world. Who could have thought of his playing on a fiddle!”
“O dear me!” he whispered, going pale. “It feels like there's nobody in the world except Mr. Toil. Who would have imagined he could play the fiddle?”
“This is not your old schoolmaster,” observed the stranger, “but another brother of his, who was bred in France, where he learned the profession of a fiddler. He is ashamed of his family, and generally calls himself Monsieur le Plaisir; but his real name is Toil, and those who have known him best think him still more disagreeable than his brothers.”
“This isn’t your old schoolmaster,” the stranger remarked, “but another brother of his, who grew up in France and learned to be a fiddler there. He’s embarrassed by his family and usually goes by Monsieur le Plaisir; but his real name is Toil, and those who know him well think he’s even more unpleasant than his brothers.”
“Pray let us go a little farther,” said Daffydowndilly. “I don’t like the looks of this fiddler at all.”
“Please, let’s go a bit further,” said Daffydowndilly. “I really don’t trust this fiddler at all.”
Well, thus the stranger and little Daffydowndilly went wandering along the highway, and in shady lanes, and through pleasant villages; and whithersoever they went, behold! there was the image of old Mr. Toil. He stood like a scarecrow in the cornfields. If they entered a house, he sat in the parlor; if they peeped into the kitchen, he was there. He made himself at home in every cottage, and stole, under one disguise or another, into the most splendid mansions. Everywhere there was sure to be somebody wearing the likeness of Mr. Toil, and who, as the stranger affirmed, was one of the old schoolmaster’s innumerable brethren.
Well, so the stranger and little Daffydowndilly wandered along the highway, through shady lanes, and into charming villages; and wherever they went, there was the image of old Mr. Toil. He stood like a scarecrow in the cornfields. If they entered a house, he was sitting in the living room; if they peeked into the kitchen, he was there too. He made himself at home in every cottage and slipped, under one disguise or another, into the most luxurious mansions. Everywhere, there was bound to be someone who looked like Mr. Toil, and who, as the stranger claimed, was one of the countless siblings of the old schoolmaster.
Little Daffydowndilly was almost tired to death, when he perceived some people reclining lazily in a shady place, by the side of the road. The poor child entreated his companion that they might sit down there, and take some repose.
Little Daffydowndilly was nearly exhausted when he noticed a few people lounging lazily in a shady spot by the side of the road. The poor child asked his friend if they could sit down there and take a break.
“Old Mr. Toil will never come here,” said he; “for he hates to see people taking their ease.”
“Old Mr. Toil will never come here,” he said, “because he can't stand watching people relax.”
But, even while he spoke, Daffydowndilly’s eyes fell upon a person who seemed the laziest, and heaviest, and most torpid of all those lazy and heavy and torpid people who had lain down to sleep in the shade. Who should it be, again, but the very image of Mr. Toil!
But, even as he spoke, Daffydowndilly noticed someone who seemed the laziest, heaviest, and most sluggish of all the lazy, heavy, and sluggish people who had settled down to sleep in the shade. And who could it be but the spitting image of Mr. Toil!
“There is a large family of these Toils,” remarked the stranger. “This is another of the old schoolmaster’s brothers, who was bred in Italy, where he acquired very idle habits, and goes by the name of Signor Far Niente. He pretends to lead an easy life, but is really the most miserable fellow in the family.”
“There’s a big family of these Toils,” said the stranger. “This is another one of the old schoolmaster’s brothers, who grew up in Italy, where he picked up some really lazy habits, and he goes by the name of Signor Far Niente. He acts like he’s living the easy life, but he’s actually the most miserable guy in the family.”
“O, take me back!—take me back!” cried poor little Daffydowndilly, bursting into tears. “If there is nothing but Toil all the world over, I may just as well go back to the school-house!”
“O, take me back!—take me back!” cried poor little Daffydowndilly, bursting into tears. “If there’s nothing but hard work all over the world, I might as well go back to the schoolhouse!”
“Yonder it is,—there is the school-house!” said the stranger; for though he and little Daffydowndilly had taken a great many steps, they had travelled in a circle, instead of a straight line. “Come; we will go back to school together.”
“Look, there it is—the schoolhouse!” said the stranger; for even though he and little Daffydowndilly had taken a lot of steps, they had gone in a circle instead of a straight line. “Come on; let’s go back to school together.”
There was something in his companion’s voice that little Daffydowndilly now remembered; and it is strange that he had not remembered it sooner. Looking up into his face, behold! there again was the likeness of old Mr. Toil; so that the poor child had been in company with Toil all day, even while he was doing his best to run away from him. Some people, to whom I have told little Daffydowndilly’s story, are of opinion that old Mr. Toil was a magician, and possessed the power of multiplying himself into as many shapes as he saw fit.
There was something in his companion’s voice that little Daffydowndilly now remembered; and it’s strange that he hadn’t recalled it sooner. Looking up into his face, there it was again—the resemblance to old Mr. Toil. So, the poor child had been in the presence of Toil all day, even while he was doing his best to escape from him. Some people I've shared little Daffydowndilly’s story with believe that old Mr. Toil was a magician, capable of transforming himself into as many forms as he wanted.
Be this as it may, little Daffydowndilly had learned a good lesson, and from that time forward was diligent at his task, because he knew that diligence is not a whit more toilsome than sport or idleness. And when he became better acquainted with Mr. Toil, he began to think that his ways were not so very disagreeable, and that the old schoolmaster’s smile of approbation made his face almost as pleasant as even that of Daffydowndilly’s mother.
Be that as it may, little Daffydowndilly had learned a valuable lesson, and from then on, he was dedicated to his work because he realized that being diligent isn’t any more exhausting than play or laziness. As he got to know Mr. Toil better, he started to think that his methods weren’t so unpleasant after all, and that the old schoolmaster’s approving smile made his face almost as warm and inviting as Daffydowndilly’s mother’s.
MY KINSMAN, MAJOR MOLINEUX
After the kings of Great Britain had assumed the right of appointing the colonial governors, the measures of the latter seldom met with the ready and generous approbation which had been paid to those of their predecessors, under the original charters. The people looked with most jealous scrutiny to the exercise of power which did not emanate from themselves, and they usually rewarded their rulers with slender gratitude for the compliances by which, in softening their instructions from beyond the sea, they had incurred the reprehension of those who gave them. The annals of Massachusetts Bay will inform us, that of six governors in the space of about forty years from the surrender of the old charter, under James II, two were imprisoned by a popular insurrection; a third, as Hutchinson inclines to believe, was driven from the province by the whizzing of a musket-ball; a fourth, in the opinion of the same historian, was hastened to his grave by continual bickerings with the House of Representatives; and the remaining two, as well as their successors, till the Revolution, were favored with few and brief intervals of peaceful sway. The inferior members of the court party, in times of high political excitement, led scarcely a more desirable life. These remarks may serve as a preface to the following adventures, which chanced upon a summer night, not far from a hundred years ago. The reader, in order to avoid a long and dry detail of colonial affairs, is requested to dispense with an account of the train of circumstances that had caused much temporary inflammation of the popular mind.
After the kings of Great Britain took on the power to appoint colonial governors, the actions of these governors rarely received the same enthusiastic approval that their predecessors had enjoyed under the original charters. The people scrutinized the exercise of power that didn’t come from them very closely, and they often showed minimal gratitude to their leaders for softening the directives from overseas, as it earned them criticism from the authorities who issued those orders. The history of Massachusetts Bay tells us that over a span of about forty years following the loss of the old charter under James II, two governors were imprisoned due to popular uprisings; a third, as Hutchinson believes, was forced to flee the province after a musket fired; a fourth, according to Hutchinson, died prematurely after constant conflicts with the House of Representatives; and the last two, along with their successors until the Revolution, were given few and short-lived periods of peaceful rule. The lesser members of the ruling party, during times of intense political tension, had it hardly any better. These observations can introduce the following stories that took place on a summer night nearly a hundred years ago. The reader is asked to skip a lengthy and dry account of the interconnected events that inflamed public sentiment at the time.
It was near nine o’clock of a moonlight evening, when a boat crossed the ferry with a single passenger, who had obtained his conveyance at that unusual hour by the promise of an extra fare. While he stood on the landing-place, searching in either pocket for the means of fulfilling his agreement, the ferryman lifted a lantern, by the aid of which, and the newly risen moon, he took a very accurate survey of the stranger’s figure. He was a youth of barely eighteen years, evidently country-bred, and now, as it should seem, upon his first visit to town. He was clad in a coarse gray coat, well worn, but in excellent repair; his under garments were durably constructed of leather, and fitted tight to a pair of serviceable and well-shaped limbs; his stockings of blue yarn were the incontrovertible work of a mother or a sister; and on his head was a three-cornered hat, which in its better days had perhaps sheltered the graver brow of the lad’s father. Under his left arm was a heavy cudgel formed of an oak sapling, and retaining a part of the hardened root; and his equipment was completed by a wallet, not so abundantly stocked as to incommode the vigorous shoulders on which it hung. Brown, curly hair, well-shaped features, and bright, cheerful eyes were nature’s gifts, and worth all that art could have done for his adornment.
It was around nine o’clock on a moonlit evening when a boat crossed the ferry with a single passenger, who had gotten his ride at that unusual hour by offering an extra fare. While he stood on the dock, searching in both pockets for the means to keep his promise, the ferryman lifted a lantern, with which, along with the newly risen moon, he took a good look at the stranger’s figure. He was a young man of barely eighteen, clearly from the countryside, and apparently visiting the city for the first time. He wore a well-worn, coarse gray coat that was in excellent condition; his undergarments were made of durable leather, fitting snugly to his strong, well-shaped legs; his blue yarn stockings were undoubtedly crafted by a mother or sister; and on his head was a three-cornered hat that had probably once rested on his father’s serious brow. Under his left arm, he held a sturdy cudgel made from an oak sapling, still showing part of the hardened root; his gear was completed by a wallet that wasn’t so full as to weigh down his strong shoulders. With brown, curly hair, well-defined features, and bright, cheerful eyes, he had natural gifts that were more valuable than anything art could have done to enhance his looks.
The youth, one of whose names was Robin, finally drew from his pocket the half of a little province bill of five shillings, which, in the depreciation in that sort of currency, did but satisfy the ferryman’s demand, with the surplus of a sexangular piece of parchment, valued at three pence. He then walked forward into the town, with as light a step as if his day’s journey had not already exceeded thirty miles, and with as eager an eye as if he were entering London city, instead of the little metropolis of a New England colony. Before Robin had proceeded far, however, it occurred to him that he knew not whither to direct his steps; so he paused, and looked up and down the narrow street, scrutinizing the small and mean wooden buildings that were scattered on either side.
The young man, one of whom was named Robin, finally pulled out of his pocket half of a five-shilling provincial bill, which, due to the devaluation of that currency, was just enough to meet the ferryman’s fee, along with the remainder of a six-sided piece of parchment valued at three pence. He then walked into the town with a light step as if he hadn't already walked over thirty miles that day, and with an eager gaze as if he were entering London, instead of the small capital of a New England colony. However, before Robin went too far, it occurred to him that he didn’t know where to go, so he paused and glanced up and down the narrow street, examining the small, shabby wooden buildings scattered on either side.
“This low hovel cannot be my kinsman’s dwelling,” thought he, “nor yonder old house, where the moonlight enters at the broken casement; and truly I see none hereabouts that might be worthy of him. It would have been wise to inquire my way of the ferryman, and doubtless he would have gone with me, and earned a shilling from the Major for his pains. But the next man I meet will do as well.”
“This little shack can't be my relative's home,” he thought. “Neither can that old house over there, where the moonlight spills in through the broken window. Honestly, I don't see anything around here that would be worthy of him. It would have been smart to ask the ferryman for directions, and I'm sure he would have come with me and earned a shilling from the Major for his trouble. But the next person I meet will do just as well.”
He resumed his walk, and was glad to perceive that the street now became wider, and the houses more respectable in their appearance. He soon discerned a figure moving on moderately in advance, and hastened his steps to overtake it. As Robin drew nigh, he saw that the passenger was a man in years, with a full periwig of gray hair, a wide-skirted coat of dark cloth, and silk stockings rolled above his knees. He carried a long and polished cane, which he struck down perpendicularly before him at every step; and at regular intervals he uttered two successive hems, of a peculiarly solemn and sepulchral intonation. Having made these observations, Robin laid hold of the skirt of the old man’s coat just when the light from the open door and windows of a barber’s shop fell upon both their figures.
He continued his walk, feeling happy to notice that the street was now wider and the houses looked more decent. He soon spotted a figure ahead, moving at a moderate pace, and quickened his steps to catch up. As Robin got closer, he saw that the person was an older man, wearing a full gray wig, a long dark coat, and silk stockings rolled up above his knees. He carried a long, shiny cane that he tapped down in front of him with each step, and he regularly let out two deep coughs that had a strangely serious and eerie sound. After taking all this in, Robin grabbed the edge of the old man’s coat just as the light from the open door and windows of a barber’s shop illuminated both of them.
“Good evening to you, honored sir,” said he, making a low bow, and still retaining his hold of the skirt. “I pray you tell me whereabouts is the dwelling of my kinsman, Major Molineux.”
“Good evening to you, respected sir,” he said, making a low bow and still holding onto the skirt. “Please tell me where my relative, Major Molineux, lives.”
The youth’s question was uttered very loudly; and one of the barbers, whose razor was descending on a well-soaped chin, and another who was dressing a Ramillies wig, left their occupations, and came to the door. The citizen, in the mean time, turned a long-favored countenance upon Robin, and answered him in a tone of excessive anger and annoyance. His two sepulchral hems, however, broke into the very centre of his rebuke, with most singular effect, like a thought of the cold grave obtruding among wrathful passions.
The young man's question was shouted loudly; and one of the barbers, whose razor was gliding over a well-lathered chin, and another who was styling a Ramillies wig, stopped what they were doing and came to the door. Meanwhile, the citizen turned a long-suffering face towards Robin and responded in a voice full of anger and irritation. His two deep "hems," however, interrupted his harsh response in a striking way, like a reminder of death intruding among his angry feelings.
“Let go my garment, fellow! I tell you, I know not the man you speak of. What! I have authority, I have—hem, hem—authority; and if this be the respect you show for your betters, your feet shall be brought acquainted with the stocks by daylight, tomorrow morning!”
“Let go of my clothing, buddy! I’m telling you, I don’t know the guy you’re talking about. What! I have authority, I have—uh, um—authority; and if this is the respect you show to your superiors, you’ll find your feet in stocks by daylight tomorrow morning!”
Robin released the old man’s skirt, and hastened away, pursued by an ill-mannered roar of laughter from the barber’s shop. He was at first considerably surprised by the result of his question, but, being a shrewd youth, soon thought himself able to account for the mystery.
Robin let go of the old man’s skirt and quickly left, chased by a rude burst of laughter from the barber’s shop. He was initially quite surprised by the outcome of his question, but being a clever young man, he soon figured he could explain the mystery.
“This is some country representative,” was his conclusion, “who has never seen the inside of my kinsman’s door, and lacks the breeding to answer a stranger civilly. The man is old, or verily—I might be tempted to turn back and smite him on the nose. Ah, Robin, Robin! even the barber’s boys laugh at you for choosing such a guide! You will be wiser in time, friend Robin.”
“This is some country representative,” he concluded, “who has never set foot inside my relative’s place and doesn’t have the manners to speak politely to a stranger. The guy must be really old, or I would seriously consider turning back and hitting him on the nose. Ah, Robin, Robin! Even the barber’s kids are laughing at you for picking such a guide! You’ll learn to be smarter in time, friend Robin.”
He now became entangled in a succession of crooked and narrow streets, which crossed each other, and meandered at no great distance from the water-side. The smell of tar was obvious to his nostrils, the masts of vessels pierced the moonlight above the tops of the buildings, and the numerous signs, which Robin paused to read, informed him that he was near the centre of business. But the streets were empty, the shops were closed, and lights were visible only in the second stories of a few dwelling-houses. At length, on the corner of a narrow lane, through which he was passing, he beheld the broad countenance of a British hero swinging before the door of an inn, whence proceeded the voices of many guests. The casement of one of the lower windows was thrown back, and a very thin curtain permitted Robin to distinguish a party at supper, round a well-furnished table. The fragrance of the good cheer steamed forth into the outer air, and the youth could not fail to recollect that the last remnant of his travelling stock of provision had yielded to his morning appetite, and that noon had found and left him dinnerless.
He found himself tangled in a series of twisty, narrow streets that crossed each other and wandered not far from the water's edge. The smell of tar filled the air, the masts of boats rose above the rooftops in the moonlight, and the many signs that Robin stopped to read indicated he was close to the business district. But the streets were empty, the shops were closed, and light shone only from a few second-story windows of some houses. Finally, at the corner of a narrow lane he was passing through, he spotted the face of a British hero swinging above the entrance of an inn, from which the voices of many guests could be heard. One of the lower windows was wide open, and a very thin curtain allowed Robin to see a group having dinner around a well-set table. The delicious smell of the food wafted out into the night air, and Robin couldn't help but remember that the last of his travel snacks had been consumed that morning, and he had been without lunch.
“Oh, that a parchment three-penny might give me a right to sit down at yonder table!” said Robin, with a sigh. “But the Major will make me welcome to the best of his victuals; so I will even step boldly in, and inquire my way to his dwelling.”
“Oh, if only a three-penny parchment could give me the right to sit at that table!” said Robin with a sigh. “But the Major will gladly share the best of his food with me; so I’ll just walk right in and ask for directions to his place.”
He entered the tavern, and was guided by the murmur of voices and the fumes of tobacco to the public-room. It was a long and low apartment, with oaken walls, grown dark in the continual smoke, and a floor which was thickly sanded, but of no immaculate purity. A number of persons—the larger part of whom appeared to be mariners, or in some way connected with the sea—occupied the wooden benches, or leatherbottomed chairs, conversing on various matters, and occasionally lending their attention to some topic of general interest. Three or four little groups were draining as many bowls of punch, which the West India trade had long since made a familiar drink in the colony. Others, who had the appearance of men who lived by regular and laborious handicraft, preferred the insulated bliss of an unshared potation, and became more taciturn under its influence. Nearly all, in short, evinced a predilection for the Good Creature in some of its various shapes, for this is a vice to which, as Fast Day sermons of a hundred years ago will testify, we have a long hereditary claim. The only guests to whom Robin’s sympathies inclined him were two or three sheepish countrymen, who were using the inn somewhat after the fashion of a Turkish caravansary; they had gotten themselves into the darkest corner of the room, and heedless of the Nicotian atmosphere, were supping on the bread of their own ovens, and the bacon cured in their own chimney-smoke. But though Robin felt a sort of brotherhood with these strangers, his eyes were attracted from them to a person who stood near the door, holding whispered conversation with a group of ill-dressed associates. His features were separately striking almost to grotesqueness, and the whole face left a deep impression on the memory. The forehead bulged out into a double prominence, with a vale between; the nose came boldly forth in an irregular curve, and its bridge was of more than a finger’s breadth; the eyebrows were deep and shaggy, and the eyes glowed beneath them like fire in a cave.
He walked into the tavern, drawn by the quiet buzz of conversations and the smell of tobacco to the main room. It was a long, low space, with dark oak walls that had absorbed the ongoing smoke, and a floor that was thick with sand but definitely not spotless. A number of people—mostly sailors or somehow related to the sea—were sitting on wooden benches or in leather chairs, chatting about various topics and occasionally joining in on something everyone found interesting. Three or four small groups were finishing off bowls of punch, which the West India trade had long made a common drink in the colony. Others, who looked like they made their living through hard physical work, preferred the solitude of their own drinks and grew quieter as they indulged. In short, almost all of them showed a preference for the Good Creature in its many forms, a vice that, as old Fast Day sermons will show, we’ve inherited for a long time. The only guests Robin felt inclined to sympathize with were two or three shy countrymen who were using the inn like a Turkish inn; they had settled into the darkest corner of the room and, ignoring the smoky air, were enjoying bread from their own ovens and bacon cured in their own chimney smoke. But even though Robin felt a sense of brotherhood with these strangers, his attention shifted to a person standing near the door, quietly talking to a group of poorly dressed companions. His features were striking to the point of being almost grotesque, and his entire face left a strong impression. His forehead stuck out with a double ridge, with a dip in between; his nose jutted out in a crooked line, and its bridge was wider than a finger; the eyebrows were thick and bushy, and his eyes glowed beneath like fire in a cave.
While Robin deliberated of whom to inquire respecting his kinsman’s dwelling, he was accosted by the innkeeper, a little man in a stained white apron, who had come to pay his professional welcome to the stranger. Being in the second generation from a French Protestant, he seemed to have inherited the courtesy of his parent nation; but no variety of circumstances was ever known to change his voice from the one shrill note in which he now addressed Robin.
While Robin was thinking about whom to ask about his relative's place, he was approached by the innkeeper, a short man in a stained white apron, who had come to give a professional welcome to the newcomer. Being the second generation from a French Protestant, he seemed to have inherited the politeness of his ancestral country; however, nothing ever seemed to change his voice from the one high-pitched tone he used to speak to Robin.
“From the country, I presume, sir?” said he, with a profound bow. “Beg leave to congratulate you on your arrival, and trust you intend a long stay with us. Fine town here, sir, beautiful buildings, and much that may interest a stranger. May I hope for the honor of your commands in respect to supper?”
“From the countryside, I assume, sir?” he said, with a deep bow. “I’d like to congratulate you on your arrival and hope you plan to stay with us for a while. It’s a lovely town here, with beautiful buildings and plenty that might interest a visitor. Can I hope for the honor of your instructions regarding dinner?”
“The man sees a family likeness! the rogue has guessed that I am related to the Major!” thought Robin, who had hitherto experienced little superfluous civility.
“The man sees a family resemblance! The con artist has figured out that I’m related to the Major!” thought Robin, who had so far encountered little extra politeness.
All eyes were now turned on the country lad, standing at the door, in his worn three-cornered hat, gray coat, leather breeches, and blue yarn stockings, leaning on an oaken cudgel, and bearing a wallet on his back.
All eyes were now on the country boy standing at the door, wearing his old three-cornered hat, gray coat, leather pants, and blue wool stockings, leaning on a wooden stick and carrying a bag on his back.
Robin replied to the courteous innkeeper, with such an assumption of confidence as befitted the Major’s relative. “My honest friend,” he said, “I shall make it a point to patronize your house on some occasion, when”—here he could not help lowering his voice—“when I may have more than a parchment three-pence in my pocket. My present business,” continued he, speaking with lofty confidence, “is merely to inquire my way to the dwelling of my kinsman, Major Molineux.”
Robin replied to the courteous innkeeper with an air of confidence that suited the Major’s relative. “My good friend,” he said, “I’ll make sure to visit your establishment sometime when”—here he couldn't help but lower his voice—“when I might have more than a three-penny note in my pocket. My current reason for being here,” he continued, speaking with high confidence, “is simply to ask for directions to my relative’s house, Major Molineux.”
There was a sudden and general movement in the room, which Robin interpreted as expressing the eagerness of each individual to become his guide. But the innkeeper turned his eyes to a written paper on the wall, which he read, or seemed to read, with occasional recurrences to the young man’s figure.
There was a sudden shift in the room, which Robin took as a sign that everyone was eager to be his guide. However, the innkeeper focused his gaze on a piece of paper on the wall, which he read—or appeared to read—while occasionally glancing at the young man.
“What have we here?” said he, breaking his speech into little dry fragments. “‘Left the house of the subscriber, bounden servant, Hezekiah Mudge,—had on, when he went away, gray coat, leather breeches, master’s third-best hat. One pound currency reward to whosoever shall lodge him in any jail of the providence.’ Better trudge, boy; better trudge!”
“What do we have here?” he said, breaking his speech into small, dry pieces. “’Left the home of the subscriber, devoted servant, Hezekiah Mudge—was wearing, when he left, a gray coat, leather pants, and the master’s third-best hat. A one-pound cash reward for anyone who brings him to any jail in the province.’ You better get moving, kid; better get moving!”
Robin had begun to draw his hand towards the lighter end of the oak cudgel, but a strange hostility in every countenance induced him to relinquish his purpose of breaking the courteous innkeeper’s head. As he turned to leave the room, he encountered a sneering glance from the bold-featured personage whom he had before noticed; and no sooner was he beyond the door, than he heard a general laugh, in which the innkeeper’s voice might be distinguished, like the dropping of small stones into a kettle.
Robin had started to reach for the lighter end of the oak cudgel, but the strange hostility in everyone's faces made him change his mind about smashing the polite innkeeper’s head. As he turned to leave the room, he caught a mocking look from the bold-faced person he had noticed earlier; and as soon as he stepped through the door, he heard a collective laugh, with the innkeeper’s voice standing out, like small stones dropping into a kettle.
“Now, is it not strange,” thought Robin, with his usual shrewdness, “is it not strange that the confession of an empty pocket should outweigh the name of my kinsman, Major Molineux? Oh, if I had one of those grinning rascals in the woods, where I and my oak sapling grew up together, I would teach him that my arm is heavy though my purse be light!”
“Isn’t it weird,” Robin thought, with his usual cleverness, “isn’t it weird that admitting I’m broke carries more weight than the name of my relative, Major Molineux? Oh, if I had one of those sneering troublemakers from the woods where I grew up with my oak sapling, I’d show him that my fist is strong even if my wallet’s empty!”
On turning the corner of the narrow lane, Robin found himself in a spacious street, with an unbroken line of lofty houses on each side, and a steepled building at the upper end, whence the ringing of a bell announced the hour of nine. The light of the moon, and the lamps from the numerous shop-windows, discovered people promenading on the pavement, and amongst them Robin had hoped to recognize his hitherto inscrutable relative. The result of his former inquiries made him unwilling to hazard another, in a scene of such publicity, and he determined to walk slowly and silently up the street, thrusting his face close to that of every elderly gentleman, in search of the Major’s lineaments. In his progress, Robin encountered many gay and gallant figures. Embroidered garments of showy colors, enormous periwigs, gold-laced hats, and silver-hilted swords glided past him and dazzled his optics. Travelled youths, imitators of the European fine gentlemen of the period, trod jauntily along, half dancing to the fashionable tunes which they hummed, and making poor Robin ashamed of his quiet and natural gait. At length, after many pauses to examine the gorgeous display of goods in the shop-windows, and after suffering some rebukes for the impertinence of his scrutiny into people’s faces, the Major’s kinsman found himself near the steepled building, still unsuccessful in his search. As yet, however, he had seen only one side of the thronged street; so Robin crossed, and continued the same sort of inquisition down the opposite pavement, with stronger hopes than the philosopher seeking an honest man, but with no better fortune. He had arrived about midway towards the lower end, from which his course began, when he overheard the approach of some one who struck down a cane on the flag-stones at every step, uttering at regular intervals, two sepulchral hems.
As Robin turned the corner of the narrow lane, he found himself on a wide street lined with tall houses on either side, and a steepled building at the far end where the ringing of a bell announced nine o'clock. The moonlight, along with the lights from the many shop windows, revealed people strolling on the sidewalk, and Robin hoped to spot his previously mysterious relative among them. Given the outcome of his earlier inquiries, he was reluctant to ask again in such a public place, so he decided to walk slowly and quietly up the street, leaning in close to every older gentleman he passed in search of the Major’s features. Along the way, Robin encountered many colorful and stylish figures. Brightly embroidered clothes, huge periwigs, gold-trimmed hats, and silver-handled swords flashed past him, dazzling his eyes. Young men, trying to mimic the trendy European gentlemen of the time, strutted by, half-dancing to the fashionable tunes they hummed, making Robin feel self-conscious about his simple and natural way of walking. After many stops to admire the lavish displays in the shop windows, and enduring some scolding for staring too intently at people's faces, Robin finally found himself near the steepled building, still unsuccessful in his search. However, he had only seen one side of the bustling street so far, so he crossed over and continued his quest on the other sidewalk, feeling more optimistic than the philosopher in search of an honest man, but with no better luck. He had just reached the midpoint toward the lower end of the street when he heard someone approaching, hitting a cane against the pavement with each step while occasionally letting out two grave-sounding "hem" coughs.
“Mercy on us!” quoth Robin, recognizing the sound.
“Have mercy on us!” said Robin, recognizing the sound.
Turning a corner, which chanced to be close at his right hand, he hastened to pursue his researches in some other part of the town. His patience now was wearing low, and he seemed to feel more fatigue from his rambles since he crossed the ferry, than from his journey of several days on the other side. Hunger also pleaded loudly within him, and Robin began to balance the propriety of demanding, violently, and with lifted cudgel, the necessary guidance from the first solitary passenger whom he should meet. While a resolution to this effect was gaining strength, he entered a street of mean appearance, on either side of which a row of ill-built houses was straggling towards the harbor. The moonlight fell upon no passenger along the whole extent, but in the third domicile which Robin passed there was a half-opened door, and his keen glance detected a woman’s garment within.
Turning a corner, which happened to be on his right, he hurried to continue his search in another part of the town. His patience was wearing thin, and he felt more tired from his wandering since he crossed the ferry than from his several-day journey on the other side. Hunger also urged him strongly, and Robin started to consider whether he should demand help, forcefully, and with a raised club, from the first lone traveler he encountered. Just as this decision was gaining momentum, he entered a shabby street lined with poorly constructed houses leading toward the harbor. The moonlight revealed no signs of life along that stretch, but at the third house he passed, there was a half-open door, and his sharp eyes spotted a woman's garment inside.
“My luck may be better here,” said he to himself.
“My luck might be better here,” he said to himself.
Accordingly, he approached the doors and beheld it shut closer as he did so; yet an open space remained, sufficing for the fair occupant to observe the stranger, without a corresponding display on her part. All that Robin could discern was a strip of scarlet petticoat, and the occasional sparkle of an eye, as if the moonbeams were trembling on some bright thing.
Accordingly, he walked up to the doors and noticed them closing as he approached; still, there was a gap left open, enough for the beautiful occupant to see the stranger without showing herself in return. All Robin could make out was a bit of a red petticoat and the occasional glimmer of an eye, like moonlight flickering on something shiny.
“Pretty mistress,” for I may call her so with a good conscience thought the shrewd youth, since I know nothing to the contrary,—“my sweet pretty mistress, will you be kind enough to tell me whereabouts I must seek the dwelling of my kinsman, Major Molineux?”
“Pretty mistress,” for I can call her that with a clear conscience, thought the clever young man, since I know nothing to contradict it—“my lovely pretty mistress, would you be kind enough to tell me where I can find my relative, Major Molineux?”
Robin’s voice was plaintive and winning, and the female, seeing nothing to be shunned in the handsome country youth, thrust open the door, and came forth into the moonlight. She was a dainty little figure with a white neck, round arms, and a slender waist, at the extremity of which her scarlet petticoat jutted out over a hoop, as if she were standing in a balloon. Moreover, her face was oval and pretty, her hair dark beneath the little cap, and her bright eyes possessed a sly freedom, which triumphed over those of Robin.
Robin’s voice was sad and charming, and the girl, seeing nothing off-putting in the attractive country lad, pushed the door open and stepped out into the moonlight. She was a delicate little figure with a white neck, round arms, and a slender waist, at the end of which her red petticoat flared out over a hoop, as if she were standing in a balloon. Additionally, her face was oval and pretty, her hair dark beneath the small cap, and her bright eyes held a mischievous freedom that seemed to outshine Robin’s.
“Major Molineux dwells here,” said this fair woman.
“Major Molineux lives here,” said this beautiful woman.
Now, her voice was the sweetest Robin had heard that night, yet he could not help doubting whether that sweet voice spoke Gospel truth. He looked up and down the mean street, and then surveyed the house before which they stood. It was a small, dark edifice of two stories, the second of which projected over the lower floor, and the front apartment had the aspect of a shop for petty commodities.
Now, her voice was the sweetest Robin had heard that night, yet he couldn’t help doubting whether that sweet voice spoke the truth. He looked up and down the gritty street, and then examined the house in front of them. It was a small, dark building with two stories, the second of which hung over the lower floor, and the front room had the look of a shop selling small goods.
“Now, truly, I am in luck,” replied Robin, cunningly, “and so indeed is my kinsman, the Major, in having so pretty a housekeeper. But I prithee trouble him to step to the door; I will deliver him a message from his friends in the country, and then go back to my lodgings at the inn.”
“Now, honestly, I’m lucky,” Robin said slyly, “and so is my relative, the Major, for having such a lovely housekeeper. But could you please ask him to come to the door? I have a message for him from his friends in the countryside, and then I'll head back to my room at the inn.”
“Nay, the Major has been abed this hour or more,” said the lady of the scarlet petticoat; “and it would be to little purpose to disturb him to-night, seeing his evening draught was of the strongest. But he is a kind-hearted man, and it would be as much as my life’s worth to let a kinsman of his turn away from the door. You are the good old gentleman’s very picture, and I could swear that was his rainy-weather hat. Also he has garments very much resembling those leather small-clothes. But come in, I pray, for I bid you hearty welcome in his name.”
“Nah, the Major has been in bed for the past hour or so,” said the woman in the red petticoat. “It wouldn't do any good to disturb him tonight, considering his evening drink was pretty strong. But he’s a kind-hearted man, and it would be a matter of life or death for me to let one of his relatives leave without help. You look just like the good old gentleman, and I could swear that’s his rainy-day hat. He also has clothes that look very similar to those leather shorts. But please, come in; I warmly welcome you in his name.”
So saying, the fair and hospitable dame took our hero by the hand; and the touch was light, and the force was gentleness, and though Robin read in her eyes what he did not hear in her words, yet the slender-waisted woman in the scarlet petticoat proved stronger than the athletic country youth. She had drawn his half-willing footsteps nearly to the threshold, when the opening of a door in the neighborhood startled the Major’s housekeeper, and, leaving the Major’s kinsman, she vanished speedily into her own domicile. A heavy yawn preceded the appearance of a man, who, like the Moonshine of Pyramus and Thisbe, carried a lantern, needlessly aiding his sister luminary in the heavens. As he walked sleepily up the street, he turned his broad, dull face on Robin, and displayed a long staff, spiked at the end.
So saying, the beautiful and welcoming woman took our hero by the hand; her touch was light and gentle, and even though Robin could see in her eyes what he didn’t hear in her words, the slender woman in the red petticoat was stronger than the athletic country youth. She had almost pulled him to the doorstep when the opening of a nearby door startled the Major’s housekeeper, and leaving the Major’s relative, she quickly slipped back into her own home. A heavy yawn preceded the appearance of a man, who, like the Moonshine of Pyramus and Thisbe, carried a lantern, unnecessarily helping out his sister star in the sky. As he walked sleepily up the street, he turned his broad, dull face towards Robin and showed off a long staff, spiked at the end.
“Home, vagabond, home!” said the watchman, in accents that seemed to fall asleep as soon as they were uttered. “Home, or we’ll set you in the stocks by peep of day!”
“Home, wanderer, home!” said the watchman, in a tone that felt like it dozed off as soon as he spoke. “Home, or we’ll put you in the stocks at first light!”
“This is the second hint of the kind,” thought Robin. “I wish they would end my difficulties, by setting me there to-night.”
“This is the second hint like this,” Robin thought. “I wish they would just solve my problems by putting me there tonight.”
Nevertheless, the youth felt an instinctive antipathy towards the guardian of midnight order, which at first prevented him from asking his usual question. But just when the man was about to vanish behind the corner, Robin resolved not to lose the opportunity, and shouted lustily after him, “I say, friend! will you guide me to the house of my kinsman, Major Molineux?”
Nevertheless, the young man felt an instinctive dislike for the guardian of midnight order, which initially held him back from asking his usual question. But just as the man was about to disappear around the corner, Robin decided not to miss the chance and called out loudly after him, “Hey there, friend! Can you lead me to my relative's house, Major Molineux?”
The watchman made no reply, but turned the corner and was gone; yet Robin seemed to hear the sound of drowsy laughter stealing along the solitary street. At that moment, also, a pleasant titter saluted him from the open window above his head; he looked up, and caught the sparkle of a saucy eye; a round arm beckoned to him, and next he heard light footsteps descending the staircase within. But Robin, being of the household of a New England clergyman, was a good youth, as well as a shrewd one; so he resisted temptation, and fled away.
The watchman didn’t respond but turned the corner and disappeared; still, Robin felt like he could hear the sound of lazy laughter drifting down the empty street. At that moment, a cheerful giggle greeted him from the open window above. He looked up and caught sight of a playful eye; a round arm waved at him, and then he heard light footsteps coming down the stairs inside. But Robin, being part of a New England clergyman's household, was a good young man as well as a clever one; so he ignored the temptation and ran off.
He now roamed desperately, and at random, through the town, almost ready to believe that a spell was on him, like that by which a wizard of his country had once kept three pursuers wandering, a whole winter night, within twenty paces of the cottage which they sought. The streets lay before him, strange and desolate, and the lights were extinguished in almost every house. Twice, however, little parties of men, among whom Robin distinguished individuals in outlandish attire, came hurrying along; but, though on both occasions, they paused to address him such intercourse did not at all enlighten his perplexity. They did but utter a few words in some language of which Robin knew nothing, and perceiving his inability to answer, bestowed a curse upon him in plain English and hastened away. Finally, the lad determined to knock at the door of every mansion that might appear worthy to be occupied by his kinsman, trusting that perseverance would overcome the fatality that had hitherto thwarted him. Firm in this resolve, he was passing beneath the walls of a church, which formed the corner of two streets, when, as he turned into the shade of its steeple, he encountered a bulky stranger muffled in a cloak. The man was proceeding with the speed of earnest business, but Robin planted himself full before him, holding the oak cudgel with both hands across his body as a bar to further passage.
He now wandered frantically and aimlessly through the town, nearly convinced that he was under some kind of spell, similar to the one a wizard from his homeland had once used to keep three pursuers lost for an entire winter night, just twenty paces away from the cottage they were searching for. The streets lay before him, strange and empty, with almost every house dark. Still, on two occasions, small groups of men, some of whom Robin recognized as wearing bizarre clothing, rushed by; but even though they stopped to speak to him both times, their words did nothing to clear his confusion. They only uttered a few phrases in an unfamiliar language, and seeing that he couldn't respond, they cursed him in plain English and quickly moved on. Eventually, the young man decided to knock on the doors of every house that seemed fit for his relative, believing that persistence would help him overcome the bad luck that had thwarted him so far. Determined, he was walking past the walls of a church that stood at the intersection of two streets when, as he stepped into the shadow of its steeple, he ran into a large stranger wrapped in a cloak. The man was moving quickly, as if he had urgent business, but Robin positioned himself directly in front of him, holding the oak club across his body to block further movement.
“Halt, honest man, and answer me a question,” said he, very resolutely. “Tell me, this instant, whereabouts is the dwelling of my kinsman, Major Molineux!”
“Stop, honest man, and answer me a question,” he said firmly. “Tell me right now, where is the home of my relative, Major Molineux?”
“Keep your tongue between your teeth, fool, and let me pass!” said a deep, gruff voice, which Robin partly remembered. “Let me pass, or I’ll strike you to the earth!”
“Shut your mouth, idiot, and let me go by!” said a deep, rough voice that Robin somewhat recognized. “Let me through, or I’ll knock you down!”
“No, no, neighbor!” cried Robin, flourishing his cudgel, and then thrusting its larger end close to the man’s muffled face. “No, no, I’m not the fool you take me for, nor do you pass till I have an answer to my question. Whereabouts is the dwelling of my kinsman, Major Molineux?” The stranger, instead of attempting to force his passage, stepped back into the moonlight, unmuffled his face, and stared full into that of Robin.
“No, no, neighbor!” shouted Robin, waving his club and shoving the thicker end close to the man’s covered face. “No, no, I’m not the idiot you think I am, and you’re not getting by until I get an answer to my question. Where does my relative, Major Molineux, live?” Instead of trying to push his way through, the stranger stepped back into the moonlight, uncovered his face, and looked directly at Robin.
“Watch here an hour, and Major Molineux will pass by,” said he.
“Wait here for an hour, and Major Molineux will walk by,” he said.
Robin gazed with dismay and astonishment on the unprecedented physiognomy of the speaker. The forehead with its double prominence the broad hooked nose, the shaggy eyebrows, and fiery eyes were those which he had noticed at the inn, but the man’s complexion had undergone a singular, or, more properly, a twofold change. One side of the face blazed an intense red, while the other was black as midnight, the division line being in the broad bridge of the nose; and a mouth which seemed to extend from ear to ear was black or red, in contrast to the color of the cheek. The effect was as if two individual devils, a fiend of fire and a fiend of darkness, had united themselves to form this infernal visage. The stranger grinned in Robin’s face, muffled his party-colored features, and was out of sight in a moment.
Robin looked on in shock and disbelief at the speaker's unusual appearance. The forehead with its double prominence, the broad hooked nose, the bushy eyebrows, and fiery eyes were the same ones he had noticed at the inn, but the man’s complexion had changed in a strange, or more accurately, a twofold way. One side of his face burned an intense red, while the other was as black as night, with the dividing line running along the bridge of his nose; his mouth, which seemed to stretch from ear to ear, was either black or red, contrasting with the color of his cheek. It looked as if two separate devils, a fire demon and a shadow demon, had come together to create this hellish face. The stranger grinned at Robin, twisted his multicolored features, and vanished in an instant.
“Strange things we travellers see!” ejaculated Robin.
“Strange things we travelers see!” exclaimed Robin.
He seated himself, however, upon the steps of the church-door, resolving to wait the appointed time for his kinsman. A few moments were consumed in philosophical speculations upon the species of man who had just left him; but having settled this point shrewdly, rationally, and satisfactorily, he was compelled to look elsewhere for his amusement. And first he threw his eyes along the street. It was of more respectable appearance than most of those into which he had wandered, and the moon, creating, like the imaginative power, a beautiful strangeness in familiar objects, gave something of romance to a scene that might not have possessed it in the light of day. The irregular and often quaint architecture of the houses, some of whose roofs were broken into numerous little peaks, while others ascended, steep and narrow, into a single point, and others again were square; the pure snow-white of some of their complexions, the aged darkness of others, and the thousand sparklings, reflected from bright substances in the walls of many; these matters engaged Robin’s attention for a while, and then began to grow wearisome. Next he endeavored to define the forms of distant objects, starting away, with almost ghostly indistinctness, just as his eye appeared to grasp them, and finally he took a minute survey of an edifice which stood on the opposite side of the street, directly in front of the church-door, where he was stationed. It was a large, square mansion, distinguished from its neighbors by a balcony, which rested on tall pillars, and by an elaborate Gothic window, communicating therewith.
He sat down on the steps of the church door, deciding to wait for his relative. A few moments went by as he pondered the type of person who had just left him; after he had thoroughly and logically figured that out, he needed to find something else to keep him entertained. First, he looked down the street. It looked nicer than most of the places he’d been to, and the moon added a beautiful, almost magical touch to familiar sights, making the scene feel more romantic than it would in daylight. The unique and sometimes quirky architecture of the houses caught his eye—some had roofs with multiple little peaks, while others were steep and narrow, tapering to a single point, and some were square. The bright white of some buildings contrasted with the weathered darkness of others, and the thousands of sparkles reflecting off shiny surfaces in many walls also captured Robin’s attention for a bit, but then it became tedious. He then tried to make out the shapes of distant objects that seemed to slip away into almost ghostly obscurity just as he thought he was focusing on them. Finally, he took a close look at a large, square building across the street, directly in front of the church door where he was waiting. It was distinct from its neighbors due to a balcony supported by tall pillars and an intricate Gothic window connected to it.
“Perhaps this is the very house I have been seeking,” thought Robin.
“Maybe this is the exact house I've been looking for,” thought Robin.
Then he strove to speed away the time, by listening to a murmur which swept continually along the street, yet was scarcely audible, except to an unaccustomed ear like his; it was a low, dull, dreamy sound, compounded of many noises, each of which was at too great a distance to be separately heard. Robin marvelled at this snore of a sleeping town, and marvelled more whenever its continuity was broken by now and then a distant shout, apparently loud where it originated. But altogether it was a sleep-inspiring sound, and, to shake off its drowsy influence, Robin arose, and climbed a window-frame, that he might view the interior of the church. There the moonbeams came trembling in, and fell down upon the deserted pews, and extended along the quiet aisles. A fainter yet more awful radiance was hovering around the pulpit, and one solitary ray had dared to rest upon the open page of the great Bible. Had nature, in that deep hour, become a worshipper in the house which man had builded? Or was that heavenly light the visible sanctity of the place,—visible because no earthly and impure feet were within the walls? The scene made Robin’s heart shiver with a sensation of loneliness stronger than he had ever felt in the remotest depths of his native woods; so he turned away and sat down again before the door. There were graves around the church, and now an uneasy thought obtruded into Robin’s breast. What if the object of his search, which had been so often and so strangely thwarted, were all the time mouldering in his shroud? What if his kinsman should glide through yonder gate, and nod and smile to him in dimly passing by?
Then he tried to pass the time by listening to a quiet murmur that constantly flowed along the street, which was barely audible, except to someone unaccustomed like him; it was a low, dull, dreamy sound made up of various noises, each one too far away to be heard individually. Robin was fascinated by this gentle hum of a sleeping town, and he was even more intrigued whenever it was interrupted by a distant shout that seemed loud where it originated. But overall, it was a sound that made him feel drowsy, and to shake off its sleepy influence, Robin got up and climbed onto a window frame to look inside the church. There, the moonlight streamed in, casting beams on the empty pews and stretching down the quiet aisles. A fainter but more eerie glow hovered around the pulpit, and one single ray had boldness enough to rest on the open page of the large Bible. Had nature, in that deep hour, become a worshipper in the building that man had created? Or was that heavenly light the visible sanctity of the place—apparent because no earthly, impure feet were within those walls? The scene made Robin’s heart shiver with a sense of loneliness stronger than he had ever felt in the deepest parts of his home woods; so he turned away and sat back down in front of the door. There were graves around the church, and now an uneasy thought crept into Robin’s mind. What if the person he was searching for, who had been so often and strangely elusive, was all the while decaying in his grave? What if his relative should drift through that gate and nod and smile at him as he passed by?
“Oh that any breathing thing were here with me!” said Robin.
“Oh, I wish there was someone here with me!” said Robin.
Recalling his thoughts from this uncomfortable track, he sent them over forest, hill, and stream, and attempted to imagine how that evening of ambiguity and weariness had been spent by his father’s household. He pictured them assembled at the door, beneath the tree, the great old tree, which had been spared for its huge twisted trunk and venerable shade, when a thousand leafy brethren fell. There, at the going down of the summer sun, it was his father’s custom to perform domestic worship that the neighbors might come and join with him like brothers of the family, and that the wayfaring man might pause to drink at that fountain, and keep his heart pure by freshening the memory of home. Robin distinguished the seat of every individual of the little audience; he saw the good man in the midst, holding the Scriptures in the golden light that fell from the western clouds; he beheld him close the book and all rise up to pray. He heard the old thanksgivings for daily mercies, the old supplications for their continuance to which he had so often listened in weariness, but which were now among his dear remembrances. He perceived the slight inequality of his father’s voice when he came to speak of the absent one; he noted how his mother turned her face to the broad and knotted trunk; how his elder brother scorned, because the beard was rough upon his upper lip, to permit his features to be moved; how the younger sister drew down a low hanging branch before her eyes; and how the little one of all, whose sports had hitherto broken the decorum of the scene, understood the prayer for her playmate, and burst into clamorous grief. Then he saw them go in at the door; and when Robin would have entered also, the latch tinkled into its place, and he was excluded from his home.
Recalling his thoughts from this uncomfortable path, he sent them over the forest, hill, and stream, trying to picture how that evening of uncertainty and exhaustion was spent by his father’s household. He imagined them gathered at the door, under the great old tree, which had been spared for its massive twisted trunk and venerable shade, while a thousand leafy siblings fell. There, at sunset, it was his father’s tradition to hold domestic worship, so the neighbors could join in like family, and so that travelers could stop to drink from that fountain and keep their hearts pure by refreshing memories of home. Robin recognized the spot of every person in the small gathering; he saw the good man in the middle, holding the Scriptures in the golden light from the western clouds; he watched as he closed the book and everyone rose to pray. He heard the familiar thanksgivings for daily blessings, the familiar requests for their continuation to which he had often listened with fatigue, but which were now among his cherished memories. He noticed the slight change in his father’s voice when he spoke of the one who was absent; he observed how his mother turned her face to the broad and knotted trunk; how his older brother, embarrassed by the roughness of his upper lip, refused to let his expression show; how his younger sister pulled down a low-hanging branch to hide her eyes; and how the youngest of all, whose games had previously disrupted the decorum of the scene, understood the prayer for her playmate and burst into loud sorrow. Then he saw them go inside through the door; and when Robin tried to enter as well, the latch clicked into place, and he was shut out from his home.
“Am I here, or there?” cried Robin, starting; for all at once, when his thoughts had become visible and audible in a dream, the long, wide, solitary street shone out before him.
“Am I here, or there?” cried Robin, startled; for suddenly, when his thoughts had become clear and loud in a dream, the long, wide, empty street appeared before him.
He aroused himself, and endeavored to fix his attention steadily upon the large edifice which he had surveyed before. But still his mind kept vibrating between fancy and reality; by turns, the pillars of the balcony lengthened into the tall, bare stems of pines, dwindled down to human figures, settled again into their true shape and size, and then commenced a new succession of changes. For a single moment, when he deemed himself awake, he could have sworn that a visage—one which he seemed to remember, yet could not absolutely name as his kinsman’s—was looking towards him from the Gothic window. A deeper sleep wrestled with and nearly overcame him, but fled at the sound of footsteps along the opposite pavement. Robin rubbed his eyes, discerned a man passing at the foot of the balcony, and addressed him in a loud, peevish, and lamentable cry.
He woke up and tried to focus his attention on the large building he had looked at before. But his mind kept bouncing between imagination and reality; sometimes the pillars of the balcony stretched into tall, bare tree trunks, then shrank down to human figures, transformed back into their original shape and size, and then began to change again. For a brief moment, when he thought he was awake, he could have sworn he saw a face—one he vaguely remembered but couldn't quite identify as his relative's—looking at him from the Gothic window. A deeper sleep battled with him and almost took over, but it vanished when he heard footsteps on the pavement below. Robin rubbed his eyes, noticed a man walking at the base of the balcony, and shouted at him in a loud, whiny, and sorrowful voice.
“Hallo, friend! must I wait here all night for my kinsman, Major Molineux?”
“Hey, friend! Do I have to wait here all night for my relative, Major Molineux?”
The sleeping echoes awoke, and answered the voice; and the passenger, barely able to discern a figure sitting in the oblique shade of the steeple, traversed the street to obtain a nearer view. He was himself a gentleman in his prime, of open, intelligent, cheerful, and altogether prepossessing countenance. Perceiving a country youth, apparently homeless and without friends, he accosted him in a tone of real kindness, which had become strange to Robin’s ears.
The sleeping echoes stirred and responded to the voice, and the passenger, struggling to make out a figure sitting in the dim shade of the steeple, crossed the street for a closer look. He was a gentleman in his prime, with an open, intelligent, cheerful, and altogether attractive face. Noticing a young country boy who seemed homeless and alone, he approached him with a tone of genuine kindness, a tone that felt unfamiliar to Robin.
“Well, my good lad, why are you sitting here?” inquired he. “Can I be of service to you in any way?”
“Well, my good man, why are you sitting here?” he asked. “Can I help you with anything?”
“I am afraid not, sir,” replied Robin, despondingly; “yet I shall take it kindly, if you’ll answer me a single question. I’ve been searching, half the night, for one Major Molineux, now, sir, is there really such a person in these parts, or am I dreaming?”
“I’m afraid not, sir,” Robin replied, feeling downcast; “but I would appreciate it if you could answer me one question. I’ve been looking for a Major Molineux half the night. Is there actually a person by that name around here, or am I just dreaming?”
“Major Molineux! The name is not altogether strange to me,” said the gentleman, smiling. “Have you any objection to telling me the nature of your business with him?”
“Major Molineux! The name sounds familiar,” said the gentleman, smiling. “Do you mind sharing what your business is with him?”
Then Robin briefly related that his father was a clergyman, settled on a small salary, at a long distance back in the country, and that he and Major Molineux were brothers’ children. The Major, having inherited riches, and acquired civil and military rank, had visited his cousin, in great pomp, a year or two before; had manifested much interest in Robin and an elder brother, and, being childless himself, had thrown out hints respecting the future establishment of one of them in life. The elder brother was destined to succeed to the farm which his father cultivated in the interval of sacred duties; it was therefore determined that Robin should profit by his kinsman’s generous intentions, especially as he seemed to be rather the favorite, and was thought to possess other necessary endowments.
Then Robin briefly shared that his father was a clergyman, earning a small salary, far back in the countryside, and that he and Major Molineux were cousins. The Major, who had inherited wealth and achieved both civil and military rank, had visited his cousin with great fanfare a year or two earlier; he showed a lot of interest in Robin and his older brother, and since he was childless, he dropped hints about helping one of them establish a future. The older brother was set to take over the family farm that their father managed while fulfilling his religious duties; therefore, it was decided that Robin should benefit from his cousin's generous intentions, especially since he seemed to be the favorite and was believed to have other important qualities.
“For I have the name of being a shrewd youth,” observed Robin, in this part of his story.
“For I have a reputation for being a clever young man,” Robin noted in this part of his story.
“I doubt not you deserve it,” replied his new friend, good-naturedly; “but pray proceed.”
“I don’t doubt you deserve it,” replied his new friend, good-naturedly; “but please go ahead.”
“Well, sir, being nearly eighteen years old, and well grown, as you see,” continued Robin, drawing himself up to his full height, “I thought it high time to begin in the world. So my mother and sister put me in handsome trim, and my father gave me half the remnant of his last year’s salary, and five days ago I started for this place, to pay the Major a visit. But, would you believe it, sir! I crossed the ferry a little after dark, and have yet found nobody that would show me the way to his dwelling; only, an hour or two since, I was told to wait here, and Major Molineux would pass by.”
“Well, sir, since I’m almost eighteen and quite tall, as you can see,” continued Robin, standing up straight, “I figured it was the right time to step out into the world. So my mom and sister got me all dressed up nicely, and my dad gave me half of what was left of his salary from last year, and five days ago I set off for this place to visit the Major. But, can you believe it, sir? I crossed the ferry a little after dark, and I still haven’t found anyone who could show me the way to his house; just a couple of hours ago, someone told me to wait here, and Major Molineux would walk by.”
“Can you describe the man who told you this?” inquired the gentleman.
“Can you describe the man who told you this?” the gentleman asked.
“Oh, he was a very ill-favored fellow, sir,” replied Robin, “with two great bumps on his forehead, a hook nose, fiery eyes; and, what struck me as the strangest, his face was of two different colors. Do you happen to know such a man, sir?”
“Oh, he was a really unattractive guy, sir,” replied Robin, “with two big bumps on his forehead, a hooked nose, fiery eyes; and what struck me as the weirdest part was that his face had two different colors. Do you happen to know someone like that, sir?”
“Not intimately,” answered the stranger, “but I chanced to meet him a little time previous to your stopping me. I believe you may trust his word, and that the Major will very shortly pass through this street. In the mean time, as I have a singular curiosity to witness your meeting, I will sit down here upon the steps and bear you company.”
“Not closely,” the stranger replied, “but I happened to meet him right before you stopped me. I think you can trust what he says, and that the Major will be coming down this street soon. In the meantime, since I’m really curious to see your meeting, I’ll sit down here on the steps and keep you company.”
He seated himself accordingly, and soon engaged his companion in animated discourse. It was but of brief continuance, however, for a noise of shouting, which had long been remotely audible, drew so much nearer that Robin inquired its cause.
He sat down and quickly started a lively conversation with his friend. However, it didn't last long, as a shouting noise, which had been faintly heard for a while, grew closer, prompting Robin to ask what was going on.
“What may be the meaning of this uproar?” asked he. “Truly, if your town be always as noisy, I shall find little sleep while I am an inhabitant.”
“What’s all this noise about?” he asked. “Honestly, if your town is always this loud, I’m not going to get much sleep while I’m living here.”
“Why, indeed, friend Robin, there do appear to be three or four riotous fellows abroad to-night,” replied the gentleman. “You must not expect all the stillness of your native woods here in our streets. But the watch will shortly be at the heels of these lads and—”
“Why, yes, friend Robin, there seem to be three or four rowdy guys out tonight,” replied the gentleman. “You can't expect all the peace of your home woods here in our streets. But the watch will soon be on the tail of these guys and—”
“Ay, and set them in the stocks by peep of day,” interrupted Robin recollecting his own encounter with the drowsy lantern-bearer. “But, dear sir, if I may trust my ears, an army of watchmen would never make head against such a multitude of rioters. There were at least a thousand voices went up to make that one shout.”
“Ay, and put them in the stocks at dawn,” interrupted Robin, remembering his own run-in with the sleepy lantern-bearer. “But, dear sir, if I can believe my ears, an army of watchmen would never stand a chance against such a huge crowd of rioters. There were at least a thousand voices joining together to make that one shout.”
“May not a man have several voices, Robin, as well as two complexions?” said his friend.
“Can’t a guy have different voices, Robin, just like he can have two skin tones?” said his friend.
“Perhaps a man may; but Heaven forbid that a woman should!” responded the shrewd youth, thinking of the seductive tones of the Major’s housekeeper.
“Maybe a guy could; but God forbid a woman should!” replied the clever young man, remembering the tempting voice of the Major’s housekeeper.
The sounds of a trumpet in some neighboring street now became so evident and continual, that Robin’s curiosity was strongly excited. In addition to the shouts, he heard frequent bursts from many instruments of discord, and a wild and confused laughter filled up the intervals. Robin rose from the steps, and looked wistfully towards a point whither people seemed to be hastening.
The sounds of a trumpet from a nearby street now became so loud and constant that Robin’s curiosity was really piqued. Along with the shouting, he heard frequent blasts from various discordant instruments, and wild, chaotic laughter filled the gaps. Robin got up from the steps and looked longingly toward a spot where people seemed to be rushing.
“Surely some prodigious merry-making is going on,” exclaimed he “I have laughed very little since I left home, sir, and should be sorry to lose an opportunity. Shall we step round the corner by that darkish house and take our share of the fun?”
“Surely some amazing celebration is happening,” he exclaimed. “I haven’t laughed much since I left home, sir, and I’d hate to miss out on a good time. Should we go around the corner by that gloomy house and join in on the fun?”
“Sit down again, sit down, good Robin,” replied the gentleman, laying his hand on the skirt of the gray coat. “You forget that we must wait here for your kinsman; and there is reason to believe that he will pass by, in the course of a very few moments.”
“Sit down again, sit down, good Robin,” the gentleman replied, placing his hand on the edge of the gray coat. “You’re forgetting that we need to wait here for your relative; and there's good reason to believe he’ll be here in just a few moments.”
The near approach of the uproar had now disturbed the neighborhood; windows flew open on all sides; and many heads, in the attire of the pillow, and confused by sleep suddenly broken, were protruded to the gaze of whoever had leisure to observe them. Eager voices hailed each other from house to house, all demanding the explanation, which not a soul could give. Half-dressed men hurried towards the unknown commotion stumbling as they went over the stone steps that thrust themselves into the narrow foot-walk. The shouts, the laughter, and the tuneless bray the antipodes of music, came onwards with increasing din, till scattered individuals, and then denser bodies, began to appear round a corner at the distance of a hundred yards.
The commotion had now disturbed the neighborhood; windows flew open on all sides, and many people, still in their pajamas and disoriented from their sudden wake-up, stuck their heads out to see what was going on. Eager voices called out to each other from house to house, all asking for an explanation that no one could provide. Half-dressed men rushed toward the unknown ruckus, stumbling over the stone steps that jutted into the narrow walkways. The shouts, laughter, and off-key noise—completely unmusical—grew louder, until scattered individuals, followed by larger groups, began to appear around a corner about a hundred yards away.
“Will you recognize your kinsman, if he passes in this crowd?” inquired the gentleman.
“Will you recognize your relative if he walks by in this crowd?” asked the gentleman.
“Indeed, I can’t warrant it, sir; but I’ll take my stand here, and keep a bright lookout,” answered Robin, descending to the outer edge of the pavement.
“Sure, I can’t promise that, sir; but I’ll stand here and keep a close eye out,” Robin replied, stepping down to the outer edge of the sidewalk.
A mighty stream of people now emptied into the street, and came rolling slowly towards the church. A single horseman wheeled the corner in the midst of them, and close behind him came a band of fearful wind instruments, sending forth a fresher discord now that no intervening buildings kept it from the ear. Then a redder light disturbed the moonbeams, and a dense multitude of torches shone along the street, concealing, by their glare, whatever object they illuminated. The single horseman, clad in a military dress, and bearing a drawn sword, rode onward as the leader, and, by his fierce and variegated countenance, appeared like war personified; the red of one cheek was an emblem of fire and sword; the blackness of the other betokened the mourning that attends them. In his train were wild figures in the Indian dress, and many fantastic shapes without a model, giving the whole march a visionary air, as if a dream had broken forth from some feverish brain, and were sweeping visibly through the midnight streets. A mass of people, inactive, except as applauding spectators, hemmed the procession in; and several women ran along the sidewalk, piercing the confusion of heavier sounds with their shrill voices of mirth or terror.
A huge crowd of people now spilled into the street, slowly making their way toward the church. A single horseman turned the corner right in the middle of them, and just behind him came a group of loud wind instruments, creating a more intense clash of sounds now that there were no buildings in the way. Then a brighter light broke through the moonlight, and a thick line of torches lit up the street, hiding whatever they illuminated with their brightness. The lone horseman, dressed in military attire and holding a drawn sword, continued forward as the leader, and with his fierce, mixed expressions, he seemed like a personification of war; the red on one cheek symbolized fire and battle, while the blackness of the other represented the mourning that follows. Following him were wild figures in Native American dress and many strange shapes without a clear model, giving the whole march a dreamlike feel, as if a vision had burst out from some feverish mind and was sweeping through the midnight streets. A mass of people stood still, only acting as applauding spectators, surrounding the procession; and several women dashed along the sidewalk, cutting through the noise with their sharp voices, whether in laughter or in fear.
“The double-faced fellow has his eye upon me,” muttered Robin, with an indefinite but an uncomfortable idea that he was himself to bear a part in the pageantry.
“The two-faced guy has his eye on me,” muttered Robin, with a vague but uneasy feeling that he was going to play a role in the spectacle.
The leader turned himself in the saddle, and fixed his glance full upon the country youth, as the steed went slowly by. When Robin had freed his eyes from those fiery ones, the musicians were passing before him, and the torches were close at hand; but the unsteady brightness of the latter formed a veil which he could not penetrate. The rattling of wheels over the stones sometimes found its way to his ear, and confused traces of a human form appeared at intervals, and then melted into the vivid light. A moment more, and the leader thundered a command to halt: the trumpets vomited a horrid breath, and then held their peace; the shouts and laughter of the people died away, and there remained only a universal hum, allied to silence. Right before Robin’s eyes was an uncovered cart. There the torches blazed the brightest, there the moon shone out like day, and there, in tar-and-feathery dignity, sat his kinsman, Major Molineux!
The leader turned in the saddle and locked his gaze on the country youth as the horse moved slowly past. Once Robin freed himself from those intense eyes, the musicians passed by, and the torches were close by; however, the flickering light formed a barrier he couldn’t see through. The sound of wheels rattling over the stones occasionally reached his ears, and blurry shapes of people appeared for a moment, then vanished into the bright light. In an instant, the leader shouted a command to stop: the trumpets let out a dreadful sound and then went silent; the cheers and laughter of the crowd faded away, leaving only a collective buzz in the quiet. Right in front of Robin was an open cart. That’s where the torches burned the brightest, where the moon shone like daylight, and there, in a dignified display of tar and feathers, sat his relative, Major Molineux!
He was an elderly man, of large and majestic person, and strong, square features, betokening a steady soul; but steady as it was, his enemies had found means to shake it. His face was pale as death, and far more ghastly; the broad forehead was contracted in his agony, so that his eyebrows formed one grizzled line; his eyes were red and wild, and the foam hung white upon his quivering lip. His whole frame was agitated by a quick and continual tremor, which his pride strove to quell, even in those circumstances of overwhelming humiliation. But perhaps the bitterest pang of all was when his eyes met those of Robin; for he evidently knew him on the instant, as the youth stood witnessing the foul disgrace of a head grown gray in honor. They stared at each other in silence, and Robin’s knees shook, and his hair bristled, with a mixture of pity and terror. Soon, however, a bewildering excitement began to seize upon his mind; the preceding adventures of the night, the unexpected appearance of the crowd, the torches, the confused din and the hush that followed, the spectre of his kinsman reviled by that great multitude,—all this, and, more than all, a perception of tremendous ridicule in the whole scene, affected him with a sort of mental inebriety. At that moment a voice of sluggish merriment saluted Robin’s ears; he turned instinctively, and just behind the corner of the church stood the lantern-bearer, rubbing his eyes, and drowsily enjoying the lad’s amazement. Then he heard a peal of laughter like the ringing of silvery bells; a woman twitched his arm, a saucy eye met his, and he saw the lady of the scarlet petticoat. A sharp, dry cachinnation appealed to his memory, and, standing on tiptoe in the crowd, with his white apron over his head, he beheld the courteous little innkeeper. And lastly, there sailed over the heads of the multitude a great, broad laugh, broken in the midst by two sepulchral hems; thus, “Haw, haw, haw,—hem, hem,—haw, haw, haw, haw!”
He was an old man, tall and imposing, with strong, square features that suggested a steadfast spirit; but despite his steadiness, his enemies had found a way to rattle him. His face was pale, more ghastly than death; his broad forehead was wrinkled in pain, causing his eyebrows to join into one grizzled line; his eyes were red and wild, and foam clung to his trembling lip. His entire body twitched with a rapid and constant tremor that his pride fought to suppress, even in such humiliating circumstances. But perhaps the most painful moment was when he locked eyes with Robin; he instantly recognized him as the young man witnessed the disgrace of someone whose hair had turned gray from honor. They stared at each other in silence, and Robin's knees weakened, his hair stood on end, caught between pity and fear. Soon, however, a dizzying excitement started to take over his mind; the events of the night, the sudden crowd, the torches, the chaotic noise followed by silence, the haunting image of his relative being scorned by that vast multitude—all this, and especially the overwhelming absurdity of the whole scene, made him feel almost drunk. Just then, a sluggish laugh reached Robin's ears; he turned instinctively to see the lantern-bearer standing just behind the corner of the church, rubbing his eyes and lazily enjoying the boy's shock. Then he heard a burst of laughter like the chiming of silver bells; a woman tugged his arm, a playful glint met his eyes, and he saw the lady in the red petticoat. A sharp, dry cackle stirred his memory, and standing on tiptoe in the crowd, with his white apron over his head, he spotted the polite little innkeeper. Finally, a loud, hearty laugh rang out over the heads of the crowd, interrupted with two deep coughs: “Haw, haw, haw,—hem, hem,—haw, haw, haw, haw!”
The sound proceeded from the balcony of the opposite edifice, and thither Robin turned his eyes. In front of the Gothic window stood the old citizen, wrapped in a wide gown, his gray periwig exchanged for a nightcap, which was thrust back from his forehead, and his silk stockings hanging about his legs. He supported himself on his polished cane in a fit of convulsive merriment, which manifested itself on his solemn old features like a funny inscription on a tombstone. Then Robin seemed to hear the voices of the barbers, of the guests of the inn, and of all who had made sport of him that night. The contagion was spreading among the multitude, when all at once, it seized upon Robin, and he sent forth a shout of laughter that echoed through the street,—every man shook his sides, every man emptied his lungs, but Robin’s shout was the loudest there. The cloud-spirits peeped from their silvery islands, as the congregated mirth went roaring up the sky! The Man in the Moon heard the far bellow. “Oho,” quoth he, “the old earth is frolicsome to-night!”
The sound came from the balcony of the building across the way, and Robin turned his gaze in that direction. In front of the Gothic window stood the old man, bundled up in a long robe, his gray wig replaced by a nightcap pushed back from his forehead, with his silk stockings slumping around his legs. He leaned on his polished cane, caught in a fit of uncontrollable laughter that twisted his serious old face into a comical expression, like a humorous inscription on a tombstone. Then Robin seemed to hear the voices of the barbers, the inn's guests, and everyone else who had mocked him that night. The laughter spread among the crowd, and then suddenly, it struck Robin, prompting him to let out a laugh that rang through the street—every person holding their sides, every person letting out a hearty laugh, but Robin’s laugh was the loudest of all. The cloud spirits peeked out from their silvery islands as the collective joy roared up into the sky! The Man in the Moon heard the distant bellow. “Oh, look,” he said, “the old earth is in a playful mood tonight!”
When there was a momentary calm in that tempestuous sea of sound, the leader gave the sign, the procession resumed its march. On they went, like fiends that throng in mockery around some dead potentate, mighty no more, but majestic still in his agony. On they went, in counterfeited pomp, in senseless uproar, in frenzied merriment, trampling all on an old man’s heart. On swept the tumult, and left a silent street behind.
When there was a brief lull in that chaotic sea of noise, the leader signaled, and the procession continued its march. They moved on, like demons crowding around a deceased ruler, no longer powerful, but still impressive in his suffering. They advanced, displaying false grandeur, in meaningless clamor, in wild joy, trampling on an old man’s heart. The chaos surged forward, leaving a quiet street in its wake.
“Well, Robin, are you dreaming?” inquired the gentleman, laying his hand on the youth’s shoulder.
“Well, Robin, are you daydreaming?” the gentleman asked, placing his hand on the young man's shoulder.
Robin started, and withdrew his arm from the stone post to which he had instinctively clung, as the living stream rolled by him. His cheek was somewhat pale, and his eye not quite as lively as in the earlier part of the evening.
Robin flinched and pulled his arm away from the stone post he had instinctively grabbed onto as the flowing water passed him. His cheek looked a bit pale, and his eye wasn't as bright as it had been earlier in the evening.
“Will you be kind enough to show me the way to the ferry?” said he, after a moment’s pause.
“Could you please show me the way to the ferry?” he asked after a brief pause.
“You have, then, adopted a new subject of inquiry?” observed his companion, with a smile.
“You’ve picked a new topic to explore?” his companion said with a smile.
“Why, yes, sir,” replied Robin, rather dryly. “Thanks to you, and to my other friends, I have at last met my kinsman, and he will scarce desire to see my face again. I begin to grow weary of a town life, sir. Will you show me the way to the ferry?”
“Sure, sir,” replied Robin, a bit dryly. “Thanks to you and my other friends, I’ve finally met my relative, and I doubt he’ll want to see me again. I’m starting to get tired of life in the city, sir. Can you tell me how to get to the ferry?”
“No, my good friend Robin,—not to-night, at least,” said the gentleman. “Some few days hence, if you wish it, I will speed you on your journey. Or, if you prefer to remain with us, perhaps, as you are a shrewd youth, you may rise in the world without the help of your kinsman, Major Molineux.”
"No, my good friend Robin—not tonight, at least," said the gentleman. "In a few days, if you want, I can help you on your journey. Or, if you'd rather stay with us, maybe you, being a clever young man, can make your way in the world without your relative, Major Molineux."
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