This is a modern-English version of The Life and Times of Cleopatra, Queen of Egypt: A Study in the Origin of the Roman Empire, originally written by Weigall, Arthur E. P. Brome (Arthur Edward Pearse Brome). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Transcriber’s Note

Transcription Note


The Life and Times of
Cleopatra, Egyptian queen


“Histories make men wise.”—Bacon.

“Histories make people wise.”—Bacon.

“I have no expectation that any man will read history aright who thinks that what was done in a remote age ... has any deeper sense than what he is doing to-day.”—Emerson.

“I have no expectation that any man will read history correctly who thinks that what happened in a distant past... has any greater significance than what he is doing today.”—Emerson.

“To philosophise on mankind exact observation is not sufficient.... Knowledge of the present must be supplemented from the history of the past.”—Taine.

“To think deeply about humanity, just observing isn't enough.... Understanding the present needs to be enriched by knowledge of the past.” —Taine.

“Only the dead men know the tunes the live world dances to.”—Le Gallienne.

“Only the dead know the songs that the living dance to.” —Le Gallienne.

“Awake and sing, ye that dwell in dust: for ... the earth shall cast out the dead.”—Isaiah.

“Wake up and sing, you who live in the dust: for ... the earth will bring back the dead.”—Isaiah.


British Museum.]
[Photograph by Macbeth.

CLEOPATRA.

CLEO.


The Life and Times of
Cleopatra, Queen of Egypt

The Life and Times of
Cleopatra, Egypt's Queen

A Study in the Origin
of the Roman Empire

A Study in the Origin
of the Roman Empire

BY
ARTHUR E. P. BROME WEIGALL

BY
ARTHUR E. P. BROME WEIGALL

INSPECTOR-GENERAL OF ANTIQUITIES, GOVERNMENT OF EGYPT

INSPECTOR GENERAL OF ANTIQUITIES, GOVERNMENT OF EGYPT

AUTHOR OF ‘THE LIFE AND TIMES OF AKHNATON, PHARAOH OF EGYPT,’ ‘THE TREASURE
OF ANCIENT EGYPT,’ ‘TRAVELS IN THE UPPER EGYPTIAN DESERTS,’
‘A GUIDE TO THE ANTIQUITIES OF UPPER EGYPT,’ ETC., ETC.

AUTHOR OF ‘THE LIFE AND TIMES OF AKHNATON, PHARAOH OF EGYPT,’ ‘THE TREASURE
OF ANCIENT EGYPT,’ ‘TRAVELS IN THE UPPER EGYPTIAN DESERTS,’
‘A GUIDE TO THE ANTIQUITIES OF UPPER EGYPT,’ ETC., ETC.

WITH MAPS AND ILLUSTRATIONS

WITH MAPS AND IMAGES

William Blackwood and Sons
Edinburgh and London
1914

William Blackwood and Sons
Edinburgh and London
1914

ALL RIGHTS RESERVED

All Rights Reserved


I DEDICATE THIS BOOK
TO MY FRIEND OF MANY YEARS,
RONALD STORRS,
ORIENTAL SECRETARY TO THE BRITISH AGENCY IN EGYPT,
SCHOLAR, POET, AND MUSICIAN.

I DEDICATE THIS BOOK
TO MY FRIEND OF MANY YEARS,
RONALD STORRS,
ORIENTAL SECRETARY TO THE BRITISH AGENCY IN EGYPT,
SCHOLAR, POET, AND MUSICIAN.


PREFACE.

I have to thank most heartily the Honourable Mrs Julian Byng, Mrs Gerald Lascelles, Mr Ronald Storrs, and my wife, for reading the proofs of this volume, and for giving me the benefit of their invaluable advice.

I want to sincerely thank the Honorable Mrs. Julian Byng, Mrs. Gerald Lascelles, Mr. Ronald Storrs, and my wife for reading the proofs of this book and for sharing their invaluable advice with me.


CONTENTS.

    PAGE
Intro xiii
Part 1.—CLEOPATRA AND CÆSAR.
CHAP.
I. AN INTRODUCTORY STUDY OF THE CHARACTER OF CLEOPATRA 3
II. THE CITY OF ALEXANDRIA 18
III. THE BIRTH AND EARLY YEARS OF CLEOPATRA 41
IV. THE DEATH OF POMPEY AND THE ARRIVAL OF CÆSAR IN EGYPT 65
V. CAIUS JULIUS CÆSAR 82
VI. CLEOPATRA AND CÆSAR IN THE BESIEGED PALACE AT ALEXANDRIA 95
VII. THE BIRTH OF CÆSARION AND CÆSAR’S DEPARTURE FROM EGYPT 114
VIII. CLEOPATRA AND CÆSAR IN ROME 133
IX. THE FOUNDATIONS OF THE EGYPTO-ROMAN MONARCHY 153
X. THE DEATH OF CÆSAR AND THE RETURN OF CLEOPATRA TO EGYPT 178
Part 2.—CLEOPATRA AND ANTONY.
XI. THE CHARACTER OF ANTONY AND HIS RISE TO POWER 203
XII. THE ALLIANCE BETWEEN CLEOPATRA AND ANTONY 224
XIII. CLEOPATRA AND ANTONY IN ALEXANDRIA 238
XIV. THE ALLIANCE RENEWED BETWEEN CLEOPATRA AND ANTONY 254x
XV. THE PREPARATIONS OF CLEOPATRA AND ANTONY FOR THE OVERTHROW OF OCTAVIAN 279
XVI. THE DECLINE OF ANTONY’S POWER 303
XVII. THE BATTLE OF ACTIUM AND THE FLIGHT TO EGYPT 324
XVIII. CLEOPATRA’S ATTEMPT TO BEGIN AGAIN 349
XIX. OCTAVIAN’S INVASION OF EGYPT AND THE DEATH OF ANTONY 368
XX. THE DEATH OF CLEOPATRA AND THE TRIUMPH OF OCTAVIAN 386
  GENEALOGY OF THE PTOLEMIES At end.

ILLUSTRATIONS.

CLEOPATRA
British Museum. Photo by Macbeth.
Frontispiece
To face p.
PORTRAIT OF A GREEK LADY
The painting is from a generation after Cleopatra, but it's an example of the work done by Alexandrian artists.
Cairo Museum. Photo by Brugsch.
32
SERAPIS: THE CHIEF GOD OF ALEXANDRIA
Alexandria Museum.
48
POMPEY THE GREAT
Rome. Photo by Anderson.
66
JULIUS CÆSAR
British Museum.
88
CLEOPATRA
British Museum. Photo by Macbeth.
128
JULIUS CÆSAR
Vatican. Photo by Anderson.
160
ANTONY
Vatican. Photo by Anderson.
208
OCTAVIAN
Vatican. Photo by Anderson.
240
ANTONIA, THE DAUGHTER OF ANTONY
British Museum. Photo by Macbeth.
290
CLEOPATRA AND HER SON CÆSARION
Traditionally depicted on a wall of the Temple of Dendera.
304
CLEOPATRA.
British Museum. Photo by Macbeth.
352xii
OCTAVIAN
Glyptothek, Munich. Photo by Bruckmann.
376
THE NILE
An example of Alexandrian art.
Vatican. Photo by Anderson.
400
MAPS AND PLAN.
THE KNOWN WORLD IN THE TIME OF CLEOPATRA xx
APPROXIMATE PLAN OF ALEXANDRIA IN THE TIME OF CLEOPATRA 24
ÆGYPTUS 66
CLEOPATRA’S POSSESSIONS IN RELATION TO THE ROMAN WORLD 268
A MAP ILLUSTRATING THE WAR BETWEEN CLEOPATRA AND OCTAVIAN 308

INTRODUCTION.

In the following pages it will be observed that, in order not to distract the reader, I have refrained from adding large numbers of notes, references, and discussions, such as are customary in works of this kind. I am aware that by telling a straightforward story in this manner I lay myself open to the suspicions of my fellow-workers, for there is always some tendency to take not absolutely seriously a book which neither prints chapter and verse for its every statement, nor often interrupts the text with erudite arguments. In the case of the subject which is here treated, however, it has seemed to me unnecessary to encumber the pages in this manner, since the sources of my information are all so well known; and I have thus been able to present the book to the reader in a style consonant with a principle of archæological and historical study to which I have always endeavoured to adhere—namely, the avoidance of as many of those attestations of learning as may be discarded without real loss. A friend of mine, an eminent scholar, in discussing with me the scheme of this volume, earnestly exhorted me on the present occasion not to abide by this principle. Remarkingxiv that the trouble with my interpretation of history was that I attempted to make the characters live, he urged me at least to justify the manner of their resuscitation in the eyes of the doctors of science by cramming my pages with extracts from my working notes, relevant or otherwise, and by smattering my text with Latin and Greek quotations. I trust, however, that he was speaking in behalf of a very small company, for the sooner this kind of jargon of scholarship is swept into the world’s dust-bin, the better will it be for public education. To my mind a knowledge of the past is so necessary to a happy mental poise that it seems absolutely essential for historical studies to be placed before the general reader in a manner sympathetic to him. “History,” said Emerson, “no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by languages and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived.”

In the following pages, you'll notice that I’ve avoided overwhelming the reader with a lot of notes, references, and discussions, which are typically found in works like this. I realize that by telling a straightforward story this way, I might arouse some skepticism from my peers, since there's a tendency to think that a book without extensive citations for every point, or one that doesn't frequently pause for academic debates, isn't entirely serious. However, for the topic at hand, I believe it’s unnecessary to clutter the pages like that, as the sources of my information are quite well-known. This approach allows me to present the book in a style that aligns with a principle of archaeological and historical study I’ve always tried to follow: minimizing unnecessary displays of scholarship without any real detriment. A friend of mine, a respected scholar, advised me not to stick to this principle while we discussed the layout of this volume. He pointed out that the issue with my interpretation of history is that I strive to bring the characters to life, and urged me to validate my approach in the eyes of the academic community by stuffing my pages with quotes from my research notes, relevant or not, and peppering the text with Latin and Greek quotes. However, I hope he was only speaking for a small number of people, because the sooner this type of scholarly jargon is discarded, the better it will be for public education. To me, understanding the past is so vital for a balanced mind that it’s crucial for historical studies to be presented in a way that resonates with the general reader. “History,” said Emerson, “will no longer be a dull book. It will walk incarnate in every just and wise man. You won’t tell me by languages and titles a catalogue of the volumes you’ve read. You will make me feel what periods you have lived.”

Such has been my attempt in the following pages; and, though I am so conscious of my literary limitations that I doubt my ability to place the reader in touch with past events, I must confess to a sense of gladness that I, at any rate, with almost my whole mind, have lived for a time in the company of the men and women of long ago of whom these pages tell.

Such has been my effort in the following pages; and, while I'm very aware of my writing limitations that make me question my ability to connect the reader with past events, I have to admit I'm really glad that, at the very least, I've fully immersed myself in the lives of the men and women from long ago that these pages describe.

Any of my readers who think that my interpretation of the known incidents here recorded is faulty may easily check my statements by reference to the classical authors. The sources of information are available at any big library. They consist of Plutarch, Cicero, Suetonius, Dion Cassius, Appian, ‘De Bello Alexandrino,’ Strabo, Diodorus Siculus, Livy, Velleius Paterculus, Seneca,xv Lucan, Josephus, Pliny, Dion Chrysostom, Tacitus, Florus, Lucian, Athenæus, Porphyry, and Orosius. Of modern writers reference should be made to Ferrero’s ‘Greatness and Decline of Rome,’ Bouché-Leclercq’s ‘Histoire des Lagides,’ Mahaffy’s ‘Empire of the Ptolemies,’ Mommsen’s ‘History of Rome,’ Strack’s ‘Dynastie der Ptolemäer,’ and Sergeant’s ‘Cleopatra of Egypt.’ There are also, of course, a very large number of works on special branches of the subject, which the reader will, without much difficulty, discover for himself.

Any readers who think that my interpretation of the events I've recorded here is incorrect can easily verify my statements by checking with classical authors. The sources of information are available at any major library. They include Plutarch, Cicero, Suetonius, Dion Cassius, Appian, 'De Bello Alexandrino,' Strabo, Diodorus Siculus, Livy, Velleius Paterculus, Seneca,xv Lucan, Josephus, Pliny, Dion Chrysostom, Tacitus, Florus, Lucian, Athenæus, Porphyry, and Orosius. For modern writers, you should refer to Ferrero’s 'Greatness and Decline of Rome,' Bouché-Leclercq’s 'Histoire des Lagides,' Mahaffy’s 'Empire of the Ptolemies,' Mommsen’s 'History of Rome,' Strack’s 'Dynastie der Ptolemäer,' and Sergeant’s 'Cleopatra of Egypt.' There are also, of course, a large number of works on specific aspects of the subject that the reader can easily find for themselves.

I do not think that my statements of fact will be found to be in error; but the general interpretation of the events will be seen to be almost entirely new throughout the story, and therefore plainly open to discussion. I would only plead for my views that a residence in Egypt of many years, a close association with Alexandria, Cleopatra’s capital, and a daily familiarity with Greek and Egyptian antiquities, have caused me almost unconsciously to form opinions which may not be at once acceptable to the scholar at home.

I don't think my facts will be found to be incorrect; however, the overall interpretation of the events will come across as quite different throughout the story, and so it’s definitely up for discussion. I just want to explain that my many years living in Egypt, my close ties to Alexandria, Cleopatra’s capital, and my daily exposure to Greek and Egyptian artifacts have led me to develop views that might not be immediately accepted by scholars back home.

To some extent it is the business of the biographer to make the best of the characters with which he deals, but the accusation of having made use of this prerogative in the following pages will not be able to be substantiated. There is no high purpose served by the historian who sets down this man or that woman as an unmitigated blackguard, unless it be palpably impossible to discover any good motive for his or her actions. And even then it is a pleasant thing to avert, where possible, the indignation of posterity. An undefined sense of anger is left upon the mind of many of those who have read pages of condemnatory historyxvi of this kind, written by scholars who themselves are seated comfortably in the artificial atmosphere of modern righteousness. The story of the Plantagenet kings of England, for example, as recorded by Charles Dickens in his ‘Child’s History of England,’ causes the reader to direct his anger more often to Dickens than to those weary, battle-stained, old monarchs whose blood many Englishmen are still proud to acknowledge. An historian who deals with a black period must not be fastidious. Nor must he detach his characters from their natural surroundings, and judge them according to a code of morals of which they themselves knew nothing. The modern, and not infrequently degenerate, humanitarian may utter his indignant complaint against the Norman barons who extracted the teeth of the Jewish financiers to induce them to deliver up their gold; but has he set himself to feel that pressing need of money which the barons felt, and has he endeavoured to experience their exasperation at the obstinacy of these foreigners? Let him do this and his attitude will be more tolerant: one might even live to see him hastening to the City with a pair of pincers in his pocket. Of course it is not the historian’s affair to condone, or become a party to, a crime; but it certainly is his business to consider carefully the meaning of the term “crime,” and to question its significance, as Pilate did that of truth.

To some extent, it's the biographer's job to make the best of the characters he deals with, but the claim that he has used this privilege in the following pages won’t hold up. The historian who describes this man or woman as a complete villain serves no greater purpose unless it’s clearly impossible to find any good reason for their actions. Even then, it’s nice to avoid the anger of future generations if possible. A vague sense of frustration lingers in the minds of many who have read history filled with condemnation, especially when written by scholars comfortably nestled in the artificial environment of modern morality. For instance, the story of the Plantagenet kings of England, as detailed by Charles Dickens in his ‘Child's History of England,’ often leads readers to direct their frustration more at Dickens than at those weary, battle-scarred old monarchs whose lineage many Englishmen are still proud of. An historian covering a dark period shouldn’t be overly particular. He shouldn’t separate his characters from their context and judge them by a moral standard they didn’t know. The modern, and often misguided, humanitarian might express outrage at the Norman barons who tortured Jewish financiers to extract their gold, but has he tried to grasp the desperate financial need the barons felt, or understand their frustration with the stubbornness of these outsiders? If he did, his perspective would likely become more forgiving; he might even find himself rushing to the City with a pair of pliers. Obviously, it’s not the historian’s role to excuse or become complicit in a crime; however, it is certainly his duty to carefully consider what “crime” means and to ponder its implications, much like Pilate did with the concept of truth.

In studying the characters of persons who lived in past ages, the biographer must tell us frankly whether he considers his subjects good or bad, liberal or mean, pious or impious; but at this late hour he should not often be wholly condemnatory, nor, indeed, need he be expected to have so firm a belief in man’s capacity for consistent action as to admit that any person was soxvii invariably villainous as he may be said to have been. A natural and inherent love of right-doing will sometimes lead the historian to err somewhat on the side of magnanimity; and I dare say he will serve the purpose of history best when he can honestly find a devil not so black as he is painted. Being acquainted with the morals of 1509, I would almost prefer to think of Henry the Eighth as “bluff King Hal,” than as “the most detestable villain that ever drew breath.”1 I believe that an historian, in sympathy with his period, can at one and the same moment absolve Mary Queen of Scots from the charge of treachery, and defend Elizabeth’s actions against her on that charge.

When studying the characters of people from past ages, a biographer needs to honestly share their views on whether they see their subjects as good or bad, generous or selfish, religious or irreligious. However, at this point in time, they shouldn't be completely judgmental, nor should they be expected to have such a strong belief in human consistency that they claim any person was completely villainous. A natural and inherent love for doing what’s right might sometimes lead the historian to lean a bit toward generosity; and I would argue that they serve history best when they can honestly find a villain who isn’t as evil as they're portrayed. Knowing the morals of 1509, I would almost rather think of Henry the Eighth as “bluff King Hal” than as “the most detestable villain that ever lived.” I believe that a historian, aligning with their time period, can simultaneously clear Mary Queen of Scots of the charge of treachery and defend Elizabeth's actions against her for that same charge.

In the case of Cleopatra the biographer may approach his subject from one of several directions. He may, for example, regard the Queen of Egypt as a thoroughly bad woman, or as an irresponsible sinner, or as a moderately good woman in a difficult situation. In this book it is my object to point out the difficulty of the situation, and to realise the adverse circumstances against which the Queen had to contend; and by so doing a fairer complexion will be given to certain actions which otherwise must inevitably be regarded as darkly sinful. The biographer need not, for the sake of his principles, turn his back on the sinner and refuse to consider the possibility of extenuating circumstances. He need not, as we so often must in regard to our contemporaries, make a clear distinction between good and bad, shunning the sinner that our intimates may not be contaminated. The past, to some extent, is gone beyond the eventuality of Hell; and Time, the great Redeemer, has taken from the world the sharpness of its sin. The historian thusxviii may put himself in touch with distant crime, and may attempt to apologise for it, without the charge being brought against him that in so doing he deviates from the stern path of moral rectitude. Intolerance is the simple expedient of contemporaneous society: the historian must show his distaste for wrong-doing by other means. We dare not excuse the sins of our fellows; but the wreck of times past, the need of reconstruction and rebuilding, gives the writer of history and biography a certain option in the selection of the materials which he uses in the resuscitation of his characters. He holds a warrant from the Lord of the Ages to give them the benefit of the doubt; and if it be his whim to ignore this licence and to condemn wholesale a character or a family, he sometimes loses, by a sort of perversion, the prerogative of his calling. The historian must examine from all sides the events which he is studying; and in regard to the subject with which this volume deals he must be particularly careful not to direct his gaze upon it only from the point of view of the Imperial Court of Rome, which regarded Cleopatra as the ancestral enemy of the dynasty. In dealing with history, says Emerson, “we, as we read, must become Greeks, Romans, Turks, priest and king, martyr and executioner.” Even so, as we study the life of Cleopatra, we must set behind us that view of the case that was held by one section of humanity. In like manner we must rid ourselves of the influence of the thought of any one period, and must ignore that aspect of morality which has been developed in us by contact with the age in which we have the fortune to live. Good and evil are relative qualities, defined very largely by public opinion; and it must always be remembered that certain things which arexix considered to be correct to-day may have the denunciation of yesterday and to-morrow. We, as we read of the deeds of the Queen of Egypt, must doff our modern conception of right and wrong together with our top-hats and frock-coats; and, as we pace the courts of the Ptolemies, and breathe the atmosphere of the first century before Christ, we must not commit the anachronism of criticising our surroundings from the standard of twenty centuries after Christ. It is, of course, apparent that to a great extent we must be influenced by the thought of to-day; but the true student of history will make the effort to cast from him the shackles of his contemporaneous opinions, and to parade the bygone ages in the boundless freedom of a citizen of all time and a dweller in every land.

In the case of Cleopatra, a biographer can take several approaches to her story. For instance, he might view the Queen of Egypt as a completely bad person, an irresponsible sinner, or a somewhat good woman in a tough situation. In this book, I aim to highlight the difficulties she faced and recognize the challenging circumstances the Queen had to deal with; by doing so, some actions that might seem extremely sinful can be seen in a more favorable light. The biographer doesn't have to turn away from the sinner in order to remain true to his principles; he can consider the possibility of circumstances that might lessen her guilt. Unlike how we often must judge our contemporaries by strictly separating good from bad and avoiding those we deem sinful, the past has moved beyond the reach of ultimate judgment. Time, as a great healer, has softened the harshness of past sins. This allows the historian to connect with historical wrongdoing and to defend it without being accused of straying from moral integrity. Intolerance is simply the straightforward response of present society; historians need to express their disapproval of wrong actions through different means. While we can't excuse the mistakes of others, the wreckage of earlier times and the need for reconstruction gives writers of history and biography some freedom in choosing the materials they use to bring their subjects to life. They have the authority to give these individuals the benefit of the doubt; but if they choose to ignore this privilege and broadly condemn a character or family, they may end up misusing their role. The historian must look at the events from all angles, and when examining Cleopatra, it’s crucial to avoid solely viewing her through the lens of the Roman Imperial Court, which saw her as an enemy of the dynasty. Emerson states that as we read history, "we must become Greeks, Romans, Turks, priest and king, martyr and executioner." Similarly, while studying Cleopatra’s life, we must set aside the perspectives of just one section of humanity. We also need to detach ourselves from the influence of any specific period and disregard the moral standards shaped by our current age. Good and evil are relative concepts, largely defined by public opinion; it's important to remember that certain actions considered acceptable today may have faced condemnation yesterday and will again in the future. As we read about the deeds of the Queen of Egypt, we must shed our modern views of right and wrong as we would remove our top hats and formal coats; while walking through the courts of the Ptolemies and experiencing the atmosphere of the first century B.C., we should avoid the mistake of judging that era by the standards of twenty centuries later. Of course, it's clear that we will be influenced by today's thoughts, but a true student of history will strive to break free from contemporary opinions and explore the past with the unbounded freedom of a citizen of all times and a resident of every place.


THE KNOWN WORLD
IN THE TIME OF
CLEO

PART I.
CLEOPATRA AND CAESAR


CHAPTER I.
AN INTRODUCTORY STUDY OF CLEOPATRA'S CHARACTER.

To those who make a close inquiry into the life of Cleopatra it will speedily become apparent that the generally accepted estimate of her character was placed before the public by those who sided against her in regard to the quarrel between Antony and Octavian. During the last years of her life the great Queen of Egypt became the mortal enemy of the first of the Roman Emperors, and the memory of her historic hostility was perpetuated by the supporters of every Cæsar of that dynasty. Thus the beliefs now current as to Cleopatra’s nefarious influence upon Julius Cæsar and Marc Antony are, in essence, the simple abuse of her opponents; nor has History preserved to us any record of her life set down by one who was her partisan in the great struggle in which she so bravely engaged herself. It is a noteworthy fact, however, that the writer who is most fair to her memory, namely, the inimitable Plutarch, appears to have obtained much of his information from the diary kept by Cleopatra’s doctor, Olympus. I do not presume in this volume to offer any kind of apology for the much-maligned Queen, but it will be my object to describe the events of her troubled life in such a manner that her4 aims, as I understand them, may be fairly placed before the reader; and there can be little doubt that, if I succeed in giving plausibility to the speculations here advanced, the actions of Cleopatra will, without any particular advocacy, assume a character which, at any rate, is no uglier than that of every other actor in this strange drama.

To anyone who closely examines Cleopatra's life, it quickly becomes clear that the common view of her character was shaped by those who opposed her during the conflict between Antony and Octavian. In the final years of her life, the great Queen of Egypt became a fierce enemy of the first Roman Emperor, and the memory of her historical rivalry was preserved by the supporters of every Cæsar from that dynasty. As a result, the current beliefs about Cleopatra’s supposed negative influence over Julius Cæsar and Marc Antony are largely just slander from her opponents; history has not provided us with any accounts of her life written by someone who was on her side in the significant struggle she bravely fought. Interestingly, the writer who treats her memory most fairly, the unmatched Plutarch, seems to have gotten much of his information from the diary of Cleopatra’s doctor, Olympus. I don't intend in this book to apologize for the often-misjudged Queen, but my goal is to recount the events of her troubled life in a way that her ambitions, as I see them, can be fairly presented to the reader; and there’s little doubt that if I manage to lend plausibility to the ideas presented here, Cleopatra’s actions will, without any special defense, take on a character that, at least, is no worse than those of any other participants in this strange drama.

The injustice, the adverse partiality, of the attitude assumed by classical authors will speedily become apparent to all unbiassed students; and a single instance of this obliquity of judgment is all that need be mentioned here to illustrate my contention. I refer to the original intimacy between Cleopatra and Julius Cæsar. According to the accepted view of historians, both ancient and modern, the great Dictator is supposed to have been led astray by the voluptuous Egyptian, and to have been detained in Alexandria, against his better judgment, by the wiles of this Siren of the East. At this time, however, as will be seen in due course, Cleopatra, “the stranger for whom the Roman half-brick was never wanting,”2 was actually an unmarried girl of some twenty-one years of age, against whose moral character not one shred of trustworthy evidence can be advanced; while, on the other hand, Cæsar was an elderly man who had ruined the wives and daughters of an astounding number of his friends, and whose reputation for such seductions was of a character almost past belief. How anybody, therefore, who has the known facts before him, can attribute the blame to Cleopatra in this instance, must become altogether incomprehensible to any student of the events of that time. I do not intend to represent the Queen of Egypt as a particularly5 exalted type of her sex, but an attempt will be made to deal justly with her, and by giving her on occasion, as in a court of law, the benefit of the doubt, I feel assured that the reader will be able to see in her a very good average type of womanhood. Nor need I, in so doing, be accused of using on her behalf the privilege of the biographer, which is to make excuses. I will not simply set forth the case for Cleopatra as it were in her defence: I will tell the whole story of her life as it appears to me, admitting always the possible correctness of the estimate of her character held by other historians, but, at the same time, offering to public consideration a view of her deeds and devices which, if accepted, will clear her memory of much of that unpleasant stigma so long attached to it, and will place her reputation upon a level with those of the many famous persons of her time, not one of whom can be called either thoroughly bad or wholly good.

The unfairness and bias in the perspectives of classical authors will quickly become clear to any unbiased readers. A single example of this flawed judgment is enough to support my point. I'm talking about the close relationship between Cleopatra and Julius Caesar. According to historians, both ancient and modern, the great Dictator is thought to have been misled by the seductive Egyptian and kept in Alexandria against his better judgment by the tricks of this Siren of the East. However, at this time, as will be shown later, Cleopatra, “the stranger for whom the Roman half-brick was never wanting,”2 was actually an unmarried young woman of around twenty-one years, with no reliable evidence against her moral character; on the other hand, Caesar was an older man who had damaged the lives of numerous wives and daughters of his friends, and his reputation for such seductions is almost beyond belief. Therefore, it’s completely incomprehensible how anyone with the known facts can blame Cleopatra in this situation. I don’t mean to portray the Queen of Egypt as a particularly exceptional woman, but I will strive to treat her fairly, and by occasionally giving her the benefit of the doubt, as one would in a court of law, I believe the reader will see her as a typical representation of womanhood. In doing so, I won’t be accused of taking advantage of a biographer’s privilege, which is to make excuses for her. I will not merely present Cleopatra’s case as if it were a defense; I will tell the entire story of her life as I see it, always acknowledging the validity of other historians’ assessments of her character, but at the same time, offering a perspective on her actions that, if accepted, would clear her memory of much of the negative stigma attached to it and elevate her reputation to that of many notable figures from her time, none of whom can be considered perfectly bad or entirely good.

So little is known with any certainty as to Cleopatra’s appearance, that the biographer must feel considerable reluctance in presenting her to his readers in definite guise; yet the duties of an historian do not permit him to deal with ghosts and shadows, or to invoke from the past only the misty semblance of those who once were puissant realities. For him the dead must rise not as phantoms hovering uncertainly at the mouth of their tombs, but as substantial entities observable in every detail to the mental eye; and he must endeavour to convey to others the impression, however faulty, which he himself has received. In the case of Cleopatra the materials necessary for her resuscitation are meagre, and one is forced to call in the partial assistance of the imagination in the effort to rebuild once more that6 body which has been so long dissolved into Egyptian dust.

So little is known for sure about Cleopatra’s appearance that a biographer might feel hesitant to present her to readers in a specific way; however, a historian can’t just deal with ghosts and shadows or only bring back a vague image of those who were once powerful realities. For him, the dead should rise not as uncertain phantoms at the mouths of their tombs, but as real figures that can be observed in every detail by the mind's eye; and he must try to share with others the impression, no matter how flawed, that he has received. In Cleopatra's case, the resources needed to bring her back to life are scarce, and one has to rely a bit on imagination to try to rebuild that6 body that has long since turned into Egyptian dust.

A few coins upon which the Queen’s profile is stamped, and a bust of poor workmanship in the British Museum, are the sole3 sources of information as to her features. The colour of her eyes and of her hair is not known; nor can it be said whether her skin was white as alabaster, like that of many of her Macedonian fellow-countrywomen, or whether it had that olive tone so often observed amongst the Greeks. Even her beauty, or rather the degree of her beauty, is not clearly defined. It must be remembered that, so far as we know, not one drop of Oriental blood flowed in Cleopatra’s veins, and that therefore her type must be considered as Macedonian Greek. The slightly brown skin of the Egyptian, the heavy dark eyes of the East, full, as it were, of sleep, the black hair of silken texture, are not features which are to be assigned to her. On the contrary, many Macedonian women are fair-haired and blue-eyed, and that colouring is frequently to be seen amongst the various peoples of the Eastern Mediterranean. Nevertheless, it seems most probable, all things considered, that she was a brunette; but in describing her as such it must be borne in mind that there is nothing more than a calculated likelihood to guide us.

A few coins with the Queen's profile on them, and a poorly made bust in the British Museum, are the only sources of information about her appearance. The color of her eyes and hair is unknown; it's also unclear whether her skin was as white as alabaster, like many of her Macedonian counterparts, or if it had the olive tone often observed among Greeks. Even her beauty, or how beautiful she was, isn't well defined. It's important to note that, as far as we know, Cleopatra had no Oriental ancestry, so she should be considered Macedonian Greek. The slightly brown skin of Egyptians, the heavy dark eyes typical of the East, and the silky black hair are not features attributed to her. Instead, many Macedonian women have light hair and blue eyes, which can often be seen among various peoples of the Eastern Mediterranean. Still, it seems most likely, all things considered, that she was a brunette; but when describing her that way, it's essential to remember that we're only guided by an educated guess.

The features of her face seem to have been strongly moulded, although the general effect given is that of smallness and delicacy. Her nose was aquiline and prominent, the nostrils being sensitive and having an7 appearance of good breeding. Her mouth was beautifully formed, the lips appearing to be finely chiselled. Her eyes were large and well placed, her eyebrows delicately pencilled. The contour of her cheek and chin was charmingly rounded, softening, thus, the lines of her clear-cut features. “Her beauty,” says Plutarch, “was not in itself altogether incomparable, nor such as to strike those who saw her”; and he adds that Octavia, afterwards Antony’s wife, was the more beautiful of the two women. But he admits, and no other man denies, that her personal charm and magnetism were very great. “She was splendid to hear and to see,” says Dion Cassius, “and was capable of conquering the hearts which had resisted most obstinately the influence of love and those which had been frozen by age.”

The features of her face seemed to be strongly defined, but the overall impression was one of smallness and delicacy. Her nose was prominent and elegantly shaped, with sensitive nostrils that suggested good breeding. Her mouth was beautifully shaped, with lips that looked finely sculpted. Her eyes were large and well-positioned, and her eyebrows were delicately defined. The shape of her cheeks and chin was charmingly rounded, softening the angles of her distinct features. “Her beauty,” says Plutarch, “was not entirely unique, nor did it immediately captivate those who saw her”; he also notes that Octavia, who later became Antony’s wife, was the more beautiful of the two women. However, he acknowledges, and no one else contests, that her personal charm and charisma were very strong. “She was a delight to hear and to see,” says Dion Cassius, “and she had the ability to win over hearts that had stubbornly resisted the power of love and those that had been numb with age.”

It is probable that she was very small in build. In order to obtain admittance to her palace upon an occasion of which we shall presently read, it is related that she was rolled up in some bedding and carried over the shoulders of an attendant, a fact which indicates that her weight was not considerable. The British Museum bust seems to portray the head of a small woman; and, moreover, Plutarch refers to her in terms which suggest that her charm lay to some extent in her daintiness. One imagines her thus to have been in appearance a small, graceful woman; prettily rounded rather than slight; white-skinned; dark-haired and dark-eyed; beautiful, and yet by no means a perfect type of beauty.

It’s likely that she was very petite. To gain entry to her palace during a certain event we’ll discuss shortly, it’s said that she was wrapped in some bedding and carried on an attendant's shoulders, which suggests she wasn’t heavy. The bust in the British Museum seems to depict a small woman; additionally, Plutarch describes her in a way that implies her appeal included a certain delicateness. One imagines her as a small, graceful woman; pleasantly rounded rather than frail; fair-skinned; with dark hair and dark eyes; attractive, yet not the ideal of beauty.

Her voice is said to have been her most powerful weapon, for by the perfection of its modulations it was at all times wonderfully persuasive and seductive.

Her voice is said to have been her strongest weapon, as its perfect tones were always incredibly persuasive and alluring.

"The Devil has not, in all his choices,
"An arrow for the heart like a gentle voice,"

says Byron; and in the case of Cleopatra this poignant gift of Nature must have served her well throughout her life. “Familiarity with her,” writes Plutarch, “had an irresistible charm; and her form, combined with her persuasive speech, and with the peculiar character which in a manner was diffused about her behaviour, produced a certain piquancy. There was a sweetness in the sound of her voice when she spoke.” “Her charm of speech,” Dion Cassius tells us, “was such that she won all who listened.”

says Byron; and in Cleopatra's case, this powerful gift of nature must have benefited her throughout her life. “Being around her,” writes Plutarch, “had an undeniable charm; and her appearance, along with her persuasive way of speaking and the unique vibe she exuded, created a certain allure. There was a sweetness in the sound of her voice when she spoke.” “Her way with words,” Dion Cassius tells us, “was so captivating that she enchanted everyone who listened.”

Her grace of manner was as irresistible as her voice; for, as Plutarch remarks, there seems to have been this peculiar, undefined charm in her behaviour. It may have been largely due to a kind of elusiveness and subtilty; but it would seem also to have been accentuated by a somewhat naïve and childish manner, a waywardness, an audacity, a capriciousness, which enchanted those around her. Though often wild and inclined to romp, she possessed considerable dignity and at times was haughty and proud. Pliny speaks of her as being disdainful and vain, and indeed so Cicero found her when he met her in Rome; but this was an attitude perhaps assumed by the Queen as a defence against the light criticisms of those Roman nobles of the Pompeian faction who may have found her position not so honourable as she herself believed it to be. There is, indeed, little to indicate that her manner was by nature overbearing; and one is inclined to picture her as a natural, impulsive woman who passed readily from haughtiness to simplicity. Her actions were spontaneous, and one may suppose her to have been in her9 early years as often artless as cunning. Her character was always youthful, her temperament vivacious, and her manner frequently what may be called harum-scarum. She enjoyed life, and with candour took from it whatever pleasures it held out to her. Her untutored heart leapt from mirth to sorrow, from comedy to tragedy, with unexpected ease; and with her small hands she tossed about her the fabric of her complex circumstances like a mantle of light and darkness.

Her gracefulness was as captivating as her voice; as Plutarch notes, there was a unique, undefined charm in how she behaved. This may have largely stemmed from a sense of elusiveness and subtlety, but it also seemed to be enhanced by a somewhat naïve and childlike demeanor, a mischievousness, boldness, and unpredictability that enchanted those around her. Although she could be wild and playful, she also carried a lot of dignity and could sometimes come off as haughty and proud. Pliny described her as disdainful and vain, and Cicero found her to be the same when he met her in Rome; however, this may have been a pose she adopted as protection against the light criticisms from Roman nobles of the Pompeian faction, who may have thought her position less honorable than she believed. There is little to suggest that her nature was overbearing; in fact, one might picture her as a genuine, impulsive woman who easily moved from arrogance to simplicity. Her actions were spontaneous, and it can be assumed that in her early years, she was often both innocent and sly. Her character remained youthful, her temperament lively, and her manner often carefree. She embraced life and openly accepted the pleasures it offered her. Her untamed heart moved effortlessly from joy to sadness, from comedy to tragedy; with her small hands, she navigated the fabric of her complicated circumstances like a cloak of light and darkness.

She was a gifted woman, endowed by nature with ready words and a happy wit. “She could easily turn her tongue,” says Plutarch, “like a many-stringed instrument, to any language that she pleased. She had very seldom need of an interpreter for her communication with foreigners, but she answered most men by herself, namely Ethiopians, Troglodytes, Hebrews, Arabs, Syrians, Medes, and Parthians. She is said to have learned the language of many other peoples, though the kings, her predecessors, had not even taken the pains to learn the Egyptian tongue, and some of them had not so much as given up the Macedonian dialect.” Statecraft made a strong appeal to her, and as Queen of Egypt she served the cause of her dynasty’s independence and aggrandisement with passionate energy. Dion Cassius tells us that she was intensely ambitious, and most careful that due honour should be paid to her throne. Her actions go to confirm this estimate, and one may see her consumed at times with a legitimate desire for world-power. Though clever and bold she was not highly skilled, so far as one can see, in the diplomatic art; but she seems to have plotted and schemed in the manner common to her house, not so much with great acuteness or profound depth as with sustained intensity and a sort of conviction.10 Tenacity of purpose is seen to have been her prevailing characteristic; and her unwavering struggle for her rights and those of her son Cæsarion will surely be followed by the interested reader through the long story before him with real admiration.

She was a talented woman, naturally gifted with quick words and a sharp wit. “She could easily switch her speech,” says Plutarch, “like a multi-stringed instrument, to any language she wanted. She rarely needed an interpreter to communicate with foreigners, often responding to men herself, including Ethiopians, Troglodytes, Hebrews, Arabs, Syrians, Medes, and Parthians. It’s said she learned the languages of many other peoples, even though the kings before her hadn’t bothered to learn the Egyptian language, and some hadn’t even given up the Macedonian dialect.” Politics strongly appealed to her, and as Queen of Egypt, she passionately worked for her dynasty’s independence and growth. Dion Cassius tells us she was highly ambitious and was very careful to ensure her throne was respected. Her actions confirm this view, revealing her at times consumed by a legitimate desire for power. While clever and bold, she wasn’t exceptionally skilled in diplomacy; however, she seems to have plotted and schemed like her family usually did, not necessarily with great sharpness or deep insight but with intense focus and strong conviction. Tenacity was clearly her main trait, and her relentless fight for her rights and those of her son Cæsarion will surely be followed by the interested reader through the long story ahead with genuine admiration.10

It is unanimously supposed that Cleopatra was, as Josephus words it, a slave to her lusts. The vicious sensuality of the East, the voluptuous degeneracy of an Oriental court, are thought to have found their most apparent expression in the person of this unfortunate Queen. Yet what was there, beyond the ignorant and prejudiced talk of her Roman enemies, to give a foundation to such an estimate of her character? She lived practically as Cæsar’s wife for some years, it being said, I believe with absolute truth, that he intended to make her Empress of Rome and his legal consort. After his assassination she married Antony, and cohabited with him until the last days of her life. At an age when the legal rights of marriage were violated on every side, when all Rome and all Alexandria were deeply involved in domestic intrigues, Cleopatra, so far as I can see, confined her attentions to the two men who in sequence each acted towards her in the manner of a legitimate husband, each being recognised in Egypt as her divinely-sanctioned consort. The words of Dion Cassius, which tell us that “no wealth could satisfy her, and her passions were insatiable,” do not suggest a more significant foundation than that her life was lived on extravagant and prodigal lines. There is no doubt that she was open to the accusations of her enemies, who described her habits as dissipated and intemperate; but there seems to be little to indicate that she was in any way a Delilah or a Jezebel. For all we know, she may11 have been a very moral woman: certainly she was the fond mother of four children, a fact which, even at that day, may be said to indicate, to a certain extent, a voluntary assumption of the duties of motherhood. After due consideration of all the evidence, I am of opinion that though her nature may have been somewhat voluptuous, and though her passions were not always under control, the best instincts of her sex were by no means absent; and indeed, in her maternal aspect, she may be described as a really good woman.

It is generally believed that Cleopatra was, as Josephus put it, driven by her desires. The intense sensuality of the East and the decadence of an Oriental court are thought to be most clearly represented in this tragic Queen. However, what evidence, beyond the biased and uninformed comments of her Roman foes, supports such a view of her character? She lived essentially as Cæsar’s wife for several years, and it is said—probably truthfully—that he planned to make her Empress of Rome and his legal partner. After his assassination, she married Antony and was with him until the end of her life. At a time when marriage laws were widely disregarded and when all of Rome and Alexandria were caught up in personal dramas, Cleopatra, as far as I can tell, limited her affections to these two men, each of whom treated her like a legitimate wife, both recognized in Egypt as her divinely-approved partner. The statements of Dion Cassius, claiming that “no wealth could satisfy her, and her passions were insatiable,” suggest nothing more substantial than that her life was marked by extravagant and lavish choices. While her enemies could certainly level accusations of being excessive and indulgent against her, there is little evidence to indicate she was a Delilah or a Jezebel. For all we know, she might have been a very moral person: she was undoubtedly a loving mother to four children, which even back then could indicate a commitment to her maternal responsibilities. Taking all evidence into account, I believe that although her nature might have been somewhat hedonistic and her passions not always in check, the best qualities of her gender were certainly present; in her role as a mother, she could be described as a genuinely good woman.

The state of society at the time must be remembered. In Rome, as well as in Alexandria, love intrigues were continuously in progress. Mommsen, in writing of the moral corruption of the age, speaks of the extraordinary degeneracy of the dancing girl of the period, whose record “pollutes even the pages of history.” “But,” he adds, “their, as it were, licensed trade was materially injured by the free act of the ladies of aristocratic circles. Liaisons in the first houses had become so frequent that only a scandal altogether exceptional could make them the subject of special talk, and judicial interference seemed now almost ridiculous.” Against such a background Cleopatra’s domestic life with Cæsar, and afterwards with Antony, assumes, by contrast, a fair character which is not without its refreshing aspect. We see her intense and lifelong devotion to her eldest son Cæsarion, we picture her busy nursery in the royal palace, which at one time resounded to the cries of a pair of lusty twins, and the vision of the Oriental voluptuary fades from our eyes. Can this dainty little woman, we ask, who soothes at her breast the cries of her fat baby, while three sturdy youngsters play around her, be the sensuous Queen of the East? Can this tender, ingenuous, smiling mother12 of Cæsar’s beloved son be the Siren of Egypt? There is not a particle of trustworthy evidence to show that Cleopatra carried on a single love affair in her life other than the two recorded so dramatically by history, nor is there any evidence to show that in those two affairs she conducted herself in a licentious manner.

The state of society at the time must be kept in mind. In Rome and Alexandria, love affairs were constantly happening. Mommsen, while discussing the moral decay of the era, mentions the extreme decline of the dancing girls of the time, whose stories "taint even the pages of history." "However," he adds, "their, so to speak, sanctioned profession was significantly harmed by the voluntary actions of ladies from aristocratic circles. Relationships among the elite had become so common that only an exceptionally scandalous one could really spark conversation, and legal intervention now seemed almost absurd." Against this backdrop, Cleopatra’s domestic life with Cæsar, and later with Antony, appears quite respectable in contrast, offering a refreshing perspective. We witness her deep and lifelong commitment to her eldest son Cæsarion, imagine her bustling nursery in the royal palace, once filled with the sounds of a pair of lively twins, and the vision of the Eastern seductress fades from view. Can this graceful woman, we wonder, who comforts her chubby baby at her breast while three energetic kids play around her, really be the sensual Queen of the East? Can this caring, innocent, smiling mother of Cæsar’s beloved son be the Siren of Egypt? There is no reliable evidence to suggest that Cleopatra engaged in any love affair in her life other than the two dramatically chronicled by history, nor is there any proof that she behaved immorally in those two relationships.

Cleopatra was in many ways a refined and cultured woman. Her linguistic powers indicate a certain studiousness; and at the same time she seems to have been a patron of the arts. It is recorded that she made Antony present to the city of Alexandria the library which once belonged to Pergamum, consisting of 200,000 volumes; and Cicero seems to record the fact that she interested herself in obtaining certain books for him from Alexandria. She inherited from her family a temperament naturally artistic; and there is no reason to suppose that she failed to carry on the high tradition of her house in this regard. She was a patron also of the sciences, and Photinus, the mathematician, who wrote both on arithmetic and geometry, published a book actually under her name, called the ‘Canon of Cleopatra.’ The famous physician Dioscorides was, it would seem, the friend and attendant of the Queen; and the books which he wrote at her court have been read throughout the ages. Sosigenes, the astronomer, was also, perhaps, a friend of Cleopatra, and it may have been through her good offices that he was introduced to Cæsar, with whom he collaborated in the reformation of the calendar. The evidence is very inconsiderable in regard to the Queen’s personal attitude towards the arts and sciences, but sufficient may be gleaned to give some support to the suggestion that she did not fall below the13 standard set by her forefathers. One feels that her interest in such matters is assured by the fact that she held for so long the devotion of such a man of letters as Julius Cæsar. There is little doubt that she was capable of showing great seriousness of mind when occasion demanded, and that her demeanour, so frequently tumultuous, was often thoughtful and quiet.

Cleopatra was, in many ways, a sophisticated and cultured woman. Her language skills show she was quite studious, and she also seemed to support the arts. It's noted that she gifted the city of Alexandria a library that once belonged to Pergamum, containing 200,000 volumes; Cicero even mentioned that she took an interest in obtaining specific books for him from Alexandria. She inherited an artistic temperament from her family and likely continued the high standards of her lineage in this regard. She was also a supporter of the sciences, and Photinus, the mathematician who wrote about arithmetic and geometry, published a book under her name called the ‘Canon of Cleopatra.’ The well-known physician Dioscorides appeared to be a friend and attendant of the Queen, and the works he created at her court have been read throughout the centuries. Sosigenes, the astronomer, may also have been a friend of Cleopatra, and it’s possible that she helped him connect with Cæsar, with whom he worked on reforming the calendar. There isn’t much evidence about Cleopatra’s personal views on the arts and sciences, but there’s enough to suggest she didn’t fall short of the high standards set by her ancestors. Her long-standing relationship with a scholar like Julius Cæsar certainly indicates her interest in these subjects. It's clear she could show great seriousness when needed, despite her often tumultuous behavior, which could also be thoughtful and calm.

At the same time, however, one must suppose that she viewed her life with a light heart, having, save towards the end, a greater familiarity with laughter than with tears. She was at all times ready to make merry or jest, and a humorous adventure seems to have made a special appeal to her. With Antony, as we shall see, she was wont to wander around the city at night-time, knocking at people’s doors in the darkness and running away when they were opened. It is related how once when Antony was fishing in the sea, she made a diver descend into the water to attach to his line a salted fish, which he drew to the surface amidst the greatest merriment. One gathers from the early writers that her conversation was usually sparkling and gay; and it would seem that there was often an infectious frivolity in her manner which made her society most exhilarating.

At the same time, however, one must assume that she looked at her life with a light heart, having, except towards the end, more familiarity with laughter than with tears. She was always ready to have fun or joke around, and a funny adventure seemed to appeal to her the most. With Antony, as we’ll see, she would often roam the city at night, knocking on people's doors in the dark and running away when they opened. There's a story about how once when Antony was fishing at sea, she had a diver go underwater to attach a salted fish to his line, which he pulled up to great laughter. Early writers suggest that her conversations were usually bright and cheerful; it seems there was often an infectious lightheartedness in her manner that made her company very enjoyable.

She was eminently a woman whom men might love, for she was active, high-spirited, plucky, and dashing. To use a popular phrase, she was always “game” for an adventure. Her courageous return to Egypt after she had been driven into exile by her brother, is an indication of her brave spirit; and the daring manner in which she first obtained her introduction to Cæsar, causing herself to be carried into the palace on a man’s back, is a convincing instance of that audacious courage which14 makes so strong an appeal on her behalf to the imagination. Florus, who was no friend of the Queen’s, speaks of her as being “free from all womanly fear.”

She was definitely a woman who men might love because she was energetic, spirited, brave, and adventurous. To use a popular phrase, she was always “up for” an adventure. Her bold return to Egypt after being forced into exile by her brother shows her courageous nature; and the daring way she first made her entrance to Cæsar, getting herself carried into the palace on a man’s back, is a clear example of that bold courage which14 makes her so appealing to the imagination. Florus, who was no ally of the Queen’s, describes her as being “free from all womanly fear.”

We now come to the question as to whether she was cruel by nature. It must be admitted that she caused the assassination of her sister Arsinoe, and ordered the execution of others who were, at that time, plotting against her. But it must be remembered that political murders of this kind were a custom—nay, a habit—of the period; and, moreover, the fact that the Queen of Egypt used her rough soldiers for the purpose does not differentiate the act from that of Good Queen Bess who employed a Lord Chief Justice and an axe. The early demise of Ptolemy XV., her brother, is attributable as much to Cæsar as to Cleopatra, if, indeed, he did not die a natural death. The execution of King Artavasdes of Armenia was a political act of no great significance. And the single remaining charge of cruelty which may be brought against the Queen, namely, that she tested the efficacy of various poisons on the persons of condemned criminals, need not be regarded as indicating callousness on her part; for it mattered little to the condemned prisoner what manner of sudden death he should die, but, on the other hand, the discovery of a pleasant solution to the quandary of her own life was a point of capital importance to herself. When we recall the painful record of callous murders which were perpetrated during the reigns of her predecessors, we cannot attribute to Cleopatra any extraordinary degree of heartlessness, nor can we say that she showed herself to be as cruel as were other members of her family. She lived in a ruthless age; and, on the whole, her behaviour was tolerant and good-natured.

We now turn to the question of whether she was cruel by nature. It has to be acknowledged that she was responsible for her sister Arsinoe's assassination and ordered the execution of others who were plotting against her at that time. However, it's important to note that political murders like this were common—actually, a standard practice—during her time; and the fact that the Queen of Egypt used her tough soldiers for this purpose doesn't really set her apart from Good Queen Bess, who employed a Lord Chief Justice and an axe. The early death of her brother Ptolemy XV can be attributed as much to Cæsar as to Cleopatra, if he didn't die of natural causes. The execution of King Artavasdes of Armenia was a political act of little significance. The only remaining accusation of cruelty against the Queen is that she tested various poisons on condemned criminals, but this shouldn't be seen as a sign of her callousness; for the condemned prisoner didn't care how they died suddenly, while for her, finding an effective solution to her own life was crucial. When we consider the shocking number of ruthless murders carried out during her predecessors' reigns, we can't assign Cleopatra an extraordinary level of heartlessness, nor can we say she was as cruel as other members of her family. She lived in a brutal era, and overall, her behavior was relatively tolerant and good-natured.

15 In religious matters she was not, like so many persons of that period, a disbeliever in the power of the gods. She had a strong pagan belief in the close association of divinity and royalty, and she seems to have accepted without question the hereditary assurance of her own celestial affiliation. She was wont to dress herself on gala occasions in the robes of Isis or Aphrodite, and to act the part of a goddess incarnate upon earth, assuming not divine powers but divine rights. She regarded herself as being closely in communion with the virile gods of Egypt and Greece; and when signs and wonders were pointed out to her by her astrologers, or when she noted good or ill omens in the occurrences around her, she was particularly prone to giving them full recognition as being communications from her heavenly kin. Her behaviour at the battle of Actium is often said to have been due to her consciousness of the warnings which she had received by means of such portents; and on other occasions in her life her actions were ordered by these means. It is related by Josephus that she violated the temples of Egypt in order to obtain money to carry on the war against Rome, and that no place was so holy or so infamous that she would not attempt to strip it of its treasures when she was pressed for gold. If this be true, it may be argued in the Queen’s defence that the possessions of the gods were considered by her to be, as it were, her own property, as the representative of heaven upon earth, and in this case they were the more especially at her disposal since they were to be converted into money for the glory of Egypt. As a matter of fact, it is probable that in the last emergencies of her reign, the Queen’s agents obtained supplies wherever they found them, and, if Cleopatra was consulted16 at all, she was far too distracted to give the matter very serious thought.

15 In religious matters, she wasn't, like many people of that time, a skeptic about the power of the gods. She had a strong pagan belief in the close connection between divinity and royalty and seemed to accept her own celestial affiliation without question. She often dressed in the robes of Isis or Aphrodite during special occasions, acting as a goddess incarnate on earth, claiming not divine powers but divine rights. She viewed herself as being in direct communion with the strong gods of Egypt and Greece; when her astrologers pointed out signs and wonders or when she observed good or bad omens around her, she was quick to acknowledge them as messages from her celestial family. Her actions at the battle of Actium are often said to stem from her awareness of the warnings she received through such signs; and at other times in her life, her decisions were influenced by these means. Josephus recounts that she violated the temples of Egypt to secure funds for the war against Rome, and that no place was too sacred or too notorious for her not to try to strip it of its riches when she needed gold. If this is true, one could argue in the Queen’s defense that the possessions of the gods were regarded by her as, in a sense, her own property, as she considered herself a representative of heaven on earth, thus having a special claim on them since they were to be turned into money for the glory of Egypt. In fact, it is likely that during the final crises of her reign, the Queen’s agents seized supplies wherever they could find them, and if Cleopatra was consulted16 at all, she was far too overwhelmed to give the situation much serious thought.

It is not necessary here to inquire further into the character of the Queen. Her personality, as I see it, will become apparent in the following record of her tragic life. It is essential to remember that, though her faults were many, she was not what is usually called bad. She was a brilliant, charming, and beautiful woman; perhaps not over-scrupulous and yet not altogether unprincipled; ready, no doubt, to make use of her charms, but not an immoral character. As the historian pictures her figure moving lightly through the mazes of her life, now surrounded by her armies in the thick of battle; now sailing up the moonlit Nile in her royal barge with Cæsar beside her; now tenderly playing in the nursery with her babies; now presiding brilliantly at the gorgeous feasts in the Alexandrian palace; now racing in disguise down the side-streets of her capital, choking with suppressed laughter; now speeding across the Mediterranean to her doom; and now, all haggard and forlorn, holding the deadly asp to her body,—he cannot fail to fall himself under the spell of that enchantment by which the face of the world was changed. He finds that he is dealing not with a daughter of Satan, who, from her lair in the East, stretches out her hand to entrap Rome’s heroes, but with mighty Cæsar’s wife and widow, fighting for Cæsar’s child; with Antony’s faithful consort, striving, as will be shown, to unite Egypt and Rome in one vast empire. He sees her not as the crowned courtesan of the Orient, but as the excellent royal lady, who by her wits and graces held captive the two greatest men of her time in the bonds of a union which in Egypt was equivalent to a legal17 marriage. He sees before him once more the small, graceful figure, whose beauty compels, whose voice entices, and in whose face (it may be by the kindly obliterations of time) there is no apparent evil; and the unprejudiced historian must find himself hard put to it to say whether his sympathies are ranged on the side of Cleopatra or on that of her Roman rival in the great struggle for the mastery of the whole earth which is recorded in the following pages.

It’s not necessary to dig deeper into the character of the Queen here. Her personality will become clear in the following account of her tragic life. It’s important to remember that, while she had many faults, she wasn’t what people usually call bad. She was a brilliant, charming, and beautiful woman; perhaps not overly scrupulous but not entirely unprincipled either; ready, of course, to use her charms, but she wasn’t an immoral person. As the historian depicts her moving gracefully through the complexities of her life—sometimes surrounded by her armies in the midst of battle; at other times sailing up the moonlit Nile in her royal barge with Caesar beside her; playing tenderly with her children in the nursery; presiding over lavish feasts in the Alexandrian palace; racing in disguise down the side streets of her capital, stifling her laughter; speeding across the Mediterranean to her fate; and then, all worn out and despairing, holding the deadly asp to her body—he can't help but be captivated by the enchantment that transformed the world. He realizes he’s not dealing with a daughter of Satan, reaching out from her lair in the East to ensnare Rome’s heroes, but with the mighty Caesar’s wife and widow, fighting for Caesar’s child; with Antony’s loyal partner, striving, as will be shown, to unite Egypt and Rome into one vast empire. He sees her not as the crowned courtesan of the East, but as the impressive royal lady who, with her intelligence and charms, held both of the greatest men of her time in a union that was considered a legal17 marriage in Egypt. He envisions again the small, graceful figure, whose beauty captivates, whose voice entices, and in whose face (perhaps softened by time) there’s no obvious evil; and the fair-minded historian finds it hard to decide whether his sympathies lie with Cleopatra or with her Roman rival in the epic struggle for control of the entire world, which is detailed in the following pages.


CHAPTER II.
Alexandria City.

No study of the life of Cleopatra can be of true value unless the position of the city of Alexandria, her capital, in relationship to Egypt on the one hand and to Greece and Rome on the other, is fully understood and appreciated. The reader must remember, and bear continually in mind, that Alexandria was at that time, and still is, more closely connected in many ways with the Mediterranean kingdoms than with Egypt proper. It bore, geographically, no closer relation to the Nile valley than Carthage bore to the interior of North Africa. Indeed, to some extent it is legitimate in considering Alexandria to allow the thoughts to find a parallel in the relationship of Philadelphia to the interior of America in the seventeenth century or of Bombay to India in the eighteenth century, for in these cases we see a foreign settlement, representative of a progressive civilisation, largely dependent on transmarine shipping for its prosperity, set down on the coast of a country whose habits are obsolete. It is almost as incorrect to class the Alexandrian Queen Cleopatra as a native Egyptian as it would be to imagine William Penn as a Red Indian or Warren Hastings as a Hindoo. Cleopatra in Alexandria was cut19 off from Egypt. There is no evidence that she ever even saw the Sphinx, and it would seem that the single journey up the Nile of which the history of her reign gives us any record was undertaken by her solely at the desire of Cæsar. Bearing this fact in mind, I do not think it is desirable for me to refer at any length to the affairs, or to the manners and customs, of Egypt proper in this volume; and it will be observed that, in order to avoid giving to events here recorded an Egyptian character which in reality they did not possess in any very noticeable degree, I have refrained from introducing any account of the people who lived in the great country behind Alexandria over which Cleopatra reigned.

No study of Cleopatra's life can really be valuable unless we fully understand and appreciate the position of her capital, Alexandria, in relation to Egypt on one side and Greece and Rome on the other. It's important for the reader to keep in mind that Alexandria was, and still is, more closely connected in many ways with the Mediterranean kingdoms than with Egypt itself. Geographically, it had no closer connection to the Nile valley than Carthage had to the interior of North Africa. In fact, when considering Alexandria, it makes sense to draw parallels with how Philadelphia related to the interior of America in the seventeenth century or how Bombay related to India in the eighteenth century. In these cases, we see a foreign settlement, representing a progressive civilization, largely dependent on overseas shipping for its prosperity, situated on the coast of a country with outdated customs. It’s almost just as incorrect to classify Queen Cleopatra of Alexandria as a native Egyptian as it would be to think of William Penn as a Native American or Warren Hastings as a Hindu. Cleopatra in Alexandria was cut off from Egypt. There’s no evidence that she ever even saw the Sphinx, and it seems that the only journey up the Nile that we have any record of during her reign was made solely at Caesar's request. Keeping this in mind, I don't think it's useful to discuss the affairs, manners, and customs of Egypt proper in this volume. To avoid giving the events recorded here an Egyptian character that they did not actually possess to a significant degree, I have avoided introducing any account of the people who lived in the vast country behind Alexandria, over which Cleopatra reigned.

The topographical position of Alexandria, selected by its illustrious founder, seems to have been chosen on account of its detachment from Egypt proper. The city was erected upon a strip of land having the Mediterranean on the one side and the Mareotic lake on the other. It was thus cut off from the hinterland far more effectively even than was Carthage by its semicircle of hills. Alexander had intended to make the city a purely Greek settlement, the port at which the Greeks should land their goods for distribution throughout Egypt, and whence the produce of the abundant Nile should be shipped to the north and west. He selected a remote corner of the Delta for his site, with the plain intention of holding his city at once free of, and in dominion over, Egypt; and so precisely was the location suited to his purpose that until this day Alexandria is in little more than name a city of the Egyptians. Even at the present time, when an excellent system of express railway trains connects Alexandria with Cairo and Upper Egypt, there are many well-to-do inhabitants who have not seen more20 that ten miles of Egyptian landscape; and the vast majority have never been within sight of the Pyramids. The wealthy foreigners settled in Alexandria often know nothing whatsoever about Egypt, and Cairo itself is beyond their ken. The Greeks, Levantines, and Jews, who now, as in ancient days, form a very large part of the population of Alexandria, would shed bitter tears of gloomy foreboding were they called upon to penetrate into the Egypt which the tourists and the officials know and love. The middle-class Egyptians of Alexandria are rarely tempted to enter Egypt proper, and even those who have inherited a few acres of land in the interior are often unwilling to visit their property.

The geographical location of Alexandria, chosen by its famous founder, seems to have been picked because it was separate from the rest of Egypt. The city was built on a narrow strip of land, with the Mediterranean Sea on one side and Lake Mareotis on the other. This made it more isolated from the interior than Carthage, which was shielded by a semicircle of hills. Alexander intended for the city to be a purely Greek settlement, a port where Greeks could bring their goods for distribution throughout Egypt, and from which the rich produce of the Nile would be shipped north and west. He chose a distant corner of the Delta for his site, clearly aiming to keep his city both free from and in control of Egypt; and the location was so perfectly suited to his intentions that even today Alexandria is primarily known as a city of the Egyptians in name only. Even now, with an excellent express train system connecting Alexandria to Cairo and Upper Egypt, many affluent residents have not seen more than ten miles of Egyptian landscape, and most have never even glimpsed the Pyramids. The wealthy foreigners living in Alexandria often know nothing about Egypt, and Cairo itself is out of their understanding. The Greeks, Levantines, and Jews, who still make up a large portion of Alexandria's population just like in ancient times, would feel deep anxiety if they were asked to explore the Egypt that tourists and officials know and appreciate. Middle-class Egyptians in Alexandria are rarely inclined to venture into the rest of Egypt, and even those who own some land in the interior are often hesitant to visit their property.

Egypt as we know it is a terra incognita to the Alexandrian. The towering cliffs of the desert, the wide Nile, the rainless skies, the amazing brilliance of the stars, the ruins of ancient temples, the great pyramids, the decorated tombs, the clustered mud-huts of the villages in the shade of the dom-palms and the sycamores, the creaking sakkiehs or water-wheels, the gracefully worked shadufs or water-hoists,—all these are unknown to the inhabitants of Alexandria. They have never seen the hot deserts and the white camel-tracks over the hills, they have not looked upon the Nile tumbling over the granite rocks of the cataracts, nor have they watched the broad expanse of the inundation. That peculiar, undefined aspect and feeling which is associated with the thought of Egypt in the minds of visitors and residents does not tincture the impression of the Alexandrians. They have not felt the subtle influence of the land of the Pharaohs: they are sons of the Mediterranean, not children of the Nile.

Egypt, as we know it, is a terra incognita to the people of Alexandria. The towering cliffs of the desert, the vast Nile, the rainless skies, the brilliant stars, the ruins of ancient temples, the great pyramids, the decorated tombs, the clustered mud huts in the shade of date palms and sycamores, the creaking sakkiehs or water-wheels, the elegantly crafted shadufs or water hoists—none of these are familiar to the inhabitants of Alexandria. They have never seen the scorching deserts or the white camel tracks over the hills; they have not witnessed the Nile rushing over the granite rocks of the cataracts, nor have they observed the broad expanse of the floodwaters. That peculiar, undefined aspect and feeling associated with the thought of Egypt in the minds of visitors and residents doesn’t color the impressions of the Alexandrians. They have not felt the subtle influence of the land of the Pharaohs; they are children of the Mediterranean, not of the Nile.

The climate of Alexandria is very different from that21 of the interior of the Delta, and bears no similarity to that of Upper Egypt. At Thebes the winter days are warm and brilliantly sunny, the nights often extremely cold. The summer climate is intensely hot, and there are times when the resident might there believe himself an inhabitant of the infernal regions. The temperature in and around Cairo is more moderate, and the summer is tolerable, though by no means pleasant. In Alexandria, however, the summer is cool and temperate. There is perhaps no climate in the entire world so perfect as that of Alexandria in the early summer. The days are cloudless, breezy, and brilliant; the nights cool and even cold. In August and September it is somewhat damp, and therefore unpleasant; but it is never very hot, and the conditions of life are almost precisely those of southern Europe.

The climate of Alexandria is very different from that21 of the interior Delta, and has no resemblance to that of Upper Egypt. In Thebes, winter days are warm and sunny, while nights can be extremely cold. The summer climate is intensely hot, making residents feel like they're living in a furnace. The temperature in and around Cairo is more moderate, and while summer is bearable, it’s far from enjoyable. In Alexandria, however, summer is cool and pleasant. There’s probably no climate in the world as perfect as Alexandria's in early summer. The days are clear, breezy, and bright; the nights are cool, sometimes cold. In August and September, it can be a bit humid and uncomfortable, but it never gets scorching hot, and the living conditions closely resemble those of Southern Europe.

The winter days on the sea-coast are often cold and rainy, the climate being not unlike that of Italy at the same time of year. People must needs wear thick clothing, and must study the barometer before taking their promenades. While Thebes, and even the Pyramids, bask in more or less continual sunshine, the city of Alexandria is lashed by intermittent rainstorms, and the salt sea-wind buffets the pedestrians as it screams down the paved streets. The peculiar texture of the true Egyptian atmosphere is not felt in Alexandria: the air is that of Marseilles, of Naples, or of the Piræus.

The winter days on the coast are often cold and rainy, with a climate similar to that of Italy during this time of year. People have to wear thick clothes and check the barometer before going out for walks. While Thebes and even the Pyramids enjoy mostly sunny weather, the city of Alexandria is hit by intermittent rainstorms, and the salty sea wind lashes pedestrians as it howls down the paved streets. The distinct quality of the true Egyptian atmosphere isn't experienced in Alexandria; the air resembles that of Marseille, Naples, or Piraeus.

In summer-time the sweating official of the south makes his way seaward in the spirit of one who leaves the tropics for northern shores. He enters the northbound express on some stifling evening in June, the amazing heat still radiating from the frowning cliffs of the desert, and striking up into his eyes from the22 parched earth around the station. He lies tossing and panting in his berth while the electric fans beat down the hot air upon him, until the more temperate midnight permits him to fall into a restless sleep. In the morning he arrives at Cairo, where the moisture runs more freely from his face by reason of the greater humidity, though now the startling intensity of the heat is not felt. Anon he travels through the Delta towards the north, still mopping his brow as the morning sun bursts into the carriage. But suddenly, a few miles from the coast, a change is felt. For the first time, perhaps for many weeks, he feels cool: he wishes his clothes were not so thin. He packs up his helmet and dons a straw hat. Arriving at Alexandria, he is amused to find that he actually feels chilly. He no longer dreads to move abroad in the sun at high noon, but, waving aside the importunate carriage-drivers, he walks briskly to his hotel. He does not sit in a darkened room with windows tightly shut against the heat, but pulls the chair out on to the verandah to take the air; and at night he does not lie stark naked on his bed in the garden, cursing the imagined heat of the stars and the moon, and praying for the mercy of sleep; but, like a white man in his own land, he tucks himself up under a blanket in the cool bedroom, and awakes lively and refreshed.

In the summer, the sweating official from the south makes his way to the coast like someone escaping the tropics for the cooler northern shores. He boards the northbound train on a stifling June evening, the intense heat still radiating from the looming cliffs of the desert and hitting him in the face from the dry ground around the station. He lies tossing and panting in his sleeping compartment while the electric fans blow hot air on him until the cooler midnight allows him to drift into a restless sleep. In the morning, he arrives in Cairo, where the humidity makes him sweat even more, but he no longer feels the overwhelming heat. Soon, he travels through the Delta toward the north, still wiping his brow as the morning sun pours into the train car. But suddenly, just a few miles from the coast, he feels a change. For the first time in weeks, he feels cool and wishes his clothes were a bit thicker. He stows his helmet and puts on a straw hat. When he arrives in Alexandria, he's amused to find that he actually feels chilly. He no longer fears stepping out into the sun at noon but, brushing off the persistent cab drivers, he walks briskly to his hotel. He doesn’t sit in a dark room with the windows tightly shut against the heat; instead, he takes his chair out onto the verandah to enjoy the fresh air. At night, he doesn't lie stark naked in the garden, cursing the imagined heat of the stars and the moon while praying for sleep; instead, like a man in his own country, he tucks himself under a blanket in a cool bedroom and wakes up lively and refreshed.

A European may live the year round at Alexandria, and may express a preference for the summer. The wives and children of English officials not infrequently remain there throughout the warmer months, not from necessity but from choice; and there are many persons of northern blood who are happy to call it their home. In Cairo such families rarely remain during the summer,23 unless under compulsion, while in Upper Egypt there is hardly a white woman in the land between May and October. Egypt is considered by them to be solely a winter residence, and the official is of opinion that he pays toll to fortune for the pleasures of the winter season by the perils and torments of the summer months. Even the middle and upper class Egyptians themselves, recruited, as they generally are in official circles, from Cairo, suffer terribly from the heat in the south—often more so, indeed, than the English; and I myself on more than one occasion have had to abandon a summer day’s ride owing to the prostration of one of the native staff.

A European can live in Alexandria year-round and might prefer the summer. The wives and children of English officials often stay there throughout the warm months, not out of necessity but by choice; many people of northern descent are happy to call it home. In Cairo, these families rarely stay during the summer, unless they have to, while in Upper Egypt, there’s hardly a white woman present between May and October. They view Egypt primarily as a winter destination, and officials believe that the enjoyment of winter comes at the cost of enduring the hardships and heat of summer. Even middle and upper-class Egyptians, mostly from official circles in Cairo, suffer greatly from the heat in the south—often more than the English do; I have had to cut short a summer ride more than once due to one of the local staff being overcome by the heat.23

The Egyptian of Alexandria and the north looks with scorn upon the inhabitants of the upper country. The southerner, on the other hand, has no epithet of contempt more biting than that of “Alexandrian.” To the hardy peasant of the Thebaid the term means all that “scalliwag” denotes to us. The northern Egyptian, unmindful of the relationship of a kettle to a saucepan, calls the southerner “black” in disdainful tones. A certain Alexandrian Egyptian of undiluted native stock, who was an official in a southern district, told me that he found life very dull in his provincial capital, surrounded as he was by “all these confounded niggers.” And if the Egyptians of Alexandria are thus estranged from those who constitute the backbone of the Egyptian nation, it will be understood how great is the gulf between the Greeks or other foreign residents in that city and the bulk of the people of the Nile.

The Egyptian from Alexandria and the north looks down on the people from the upper region. The southerner, however, has no insult more cutting than “Alexandrian.” To the tough farmers of the Thebaid, that term means everything that “scalliwag” means to us. The northern Egyptian, ignoring the connection between a kettle and a saucepan, refers to the southerner as “black” with disdain. An Alexandrian Egyptian of pure native lineage, who worked as an official in a southern area, told me that he found life very boring in his provincial capital, surrounded by “all these damn black people.” And if the Egyptians of Alexandria feel this way about those who form the backbone of the Egyptian nation, it’s easy to understand the large divide between the Greeks or other foreign residents in that city and the majority of the people of the Nile.

I am quite sure that Cleopatra spoke of the Egyptians of the interior as “confounded niggers.” Her interests and sympathies, like those of her city, were directed24 across the Mediterranean. She held no more intimate relationship to Egypt than does the London millionaire to the African gold-mines which he owns. Alexandria at the present day still preserves the European character with which it was endowed by Alexander and the Ptolemies; or perhaps it were more correct to say that it has once more assumed that character. There are large quarters of the city, of course, which are native in style and appearance, but, viewed as a whole, it suggests to the eye rather an Italian than an Egyptian seaport. It has extremely little in common with the Egyptian metropolis and other cities of the Nile; and we are aware that there was no greater similarity in ancient times. The very flowers and trees are different. In Upper Egypt the gardens have a somewhat artificial beauty, for the grace of the land is more dependent upon the composition of cliffs, river, and fields. There are few wild-flowers, and little natural grass. In the gardens the flowers are evident importations, while the lawns have to be sown every autumn, and do not survive the summer. But in Alexandria there is always a blaze of flowers, and one notes with surprise the English hollyhocks, foxgloves, and stocks growing side by side with the plants of southern Europe. In the fields of Mariout, over against Alexandria, the wild-flowers in spring are those of the hills of Greece. Touched by the cool breeze from the sea, one walks over ground scarlet and gold with poppies and daisies; there bloom asphodel and iris; and the ranunculus grows to the size of a tulip. There is a daintiness in these fields and gardens wholly un-Egyptian, completely different from the more permanent grace of the south. One feels that Pharaoh walked not in fields of asphodel, that25 Amon had no dominion here amidst the poppies by the sea. One is transplanted in imagination to Greece and to Italy, and the knowledge becomes the more apparent that Cleopatra and her city were an integral part of European life, only slightly touched by the very finger-tips of the Orient.

I’m pretty sure Cleopatra referred to the rural Egyptians as “confounded niggers.” Her interests and sympathies, like those of her city, were focused24 across the Mediterranean. She had no closer connection to Egypt than a wealthy Londoner has to the African gold mines they own. Alexandria still carries the European character given to it by Alexander and the Ptolemies; or maybe it’s more accurate to say it has once again taken on that character. There are certainly large parts of the city that are native in style and appearance, but overall, it looks more like an Italian seaport than an Egyptian one. It shares very little in common with the Egyptian capital or other cities along the Nile, and we know there was no greater similarity in ancient times. Even the flowers and trees are different. In Upper Egypt, the gardens have an almost artificial beauty, as the charm of the land relies more on cliffs, rivers, and fields. There are few wildflowers and very little natural grass. In the gardens, the flowers are clearly imports, while the lawns need to be sown every autumn and don’t last through summer. But in Alexandria, there’s always a burst of flowers, and it’s striking to see English hollyhocks, foxgloves, and stocks growing alongside southern European plants. In the fields of Mariout, opposite Alexandria, spring brings wildflowers that remind one of the hills of Greece. With a cool sea breeze, you walk over ground that’s bright red and gold with poppies and daisies; there are asphodels and irises blooming; and the ranunculus can grow as big as tulips. These fields and gardens have a delicateness that is entirely un-Egyptian and completely different from the more lasting beauty of the south. You can sense that Pharaoh didn’t stroll through fields of asphodel, and Amon had no reign here among the poppies by the sea. Imagination transports you to Greece and Italy, making it clear that Cleopatra and her city were a vital part of European life, only lightly touched by the very edges of the Orient.

Approximate plan of
ALEXANDRIA
in the time of Cleopatra.

The coast of Egypt rises so little above the level of the Mediterranean that the land cannot be seen by those approaching it from across the sea, until but a few miles separate them from the surf which breaks upon the sand and rocks of that barren shore. The mountains of other East-Mediterranean countries—Greece, Italy, Sicily, Crete, Cyprus, and Syria—rising out of the blue waters, served as landmarks for the mariners of ancient days, and were discernible upon the horizon for many long hours before wind or oars carried the vessels in under their lee. But the Egyptian coast offered no such assistance to the captains of sea-going galleys, and they were often obliged to approach closely to the treacherous shore before their exact whereabouts became apparent to them. The city of Alexandria was largely hidden from view by the long, low island of Pharos, which lay in front of it and which was little dissimilar in appearance from the mainland.4 Two promontories of land projected from the coast opposite either end of the island; and, these being lengthened by the building of breakwaters, the straits between Pharos Island and the mainland were converted into an excellent harbour, both it and the main part of the city being screened from the open sea. There was one tremendous landmark, however, which served to direct all vessels to their destination, namely, the far-famed Pharos lighthouse, standing upon the east end of26 the island, and overshadowing the main entrance to the port.5 It had been built during the reign of Ptolemy Philadelphus by Sostratus of Cnidus two hundred years and more before the days of Cleopatra, and it ranked as one of the wonders of the world. It was constructed of white marble, and rose to a height of 400 ells, or 590 feet. By day it stood like a pillar of alabaster, gleaming against the leaden haze of the sky; and from nightfall until dawn there shone from its summit a powerful beacon-light which could be seen, it is said6, for 300 stadia, i.e. 34 miles, across the waters.

The coast of Egypt rises so slightly above the Mediterranean that it's hard to spot it when approaching from the sea until you're just a few miles away from the surf crashing against the sand and rocks of that barren shoreline. The mountains of other East-Mediterranean countries—Greece, Italy, Sicily, Crete, Cyprus, and Syria—emerge from the blue waters and served as landmarks for ancient sailors, visible on the horizon for many hours before the wind or oars brought the ships in close. However, the Egyptian coast provided no such guidance for the captains of sea-going galleys, forcing them to get dangerously close to the unpredictable shore before they could figure out where they were. The city of Alexandria was mostly hidden from view by the long, low island of Pharos, which lay in front of it and looked similar to the mainland.4 Two land points stretched from the coast at either end of the island; along with the construction of breakwaters, these created a great harbor in the straits between Pharos Island and the mainland, sheltering both the island and the main part of the city from the open sea. There was, however, one major landmark that guided all ships to their destination: the famous Pharos lighthouse, located at the eastern end of26 the island, which loomed over the main entrance to the port.5 Built during the reign of Ptolemy Philadelphus by Sostratus of Cnidus over two hundred years before Cleopatra's time, it was one of the wonders of the world. Made of white marble, it rose to a height of 400 ells, or 590 feet. By day, it stood like a pillar of alabaster, shining against the gray sky; and from sunset to sunrise, a powerful beacon-light shone from its peak that, it is said6, could be seen for 300 stadia, or about 34 miles, across the waters.

The harbour was divided into two almost equal parts by a great embankment, known as the Heptastadium, which joined the city to the island. This was cut at either end by a passage or waterway leading from one harbour to the other, but these two passages were bridged over, and thus a clear causeway was formed, seven stadia, or 1400 yards, in length. To the west of this embankment lay the Harbour of Eunostos, or the Happy Return, which was entered from behind the western extremity of Pharos Island; while to the east of the embankment lay the Great Harbour, the entrance to which passed between the enormous lighthouse and the Diabathra, or breakwater, built out from the promontory known as Lochias. This entrance was dangerous, owing to the narrowness of the fairway and to the presence of rocks, against which the rolling waves of the Mediterranean, driven by the prevalent winds of the north, beat with almost continuous violence.

The harbor was split into two nearly equal sections by a large embankment called the Heptastadium, which connected the city to the island. There were openings at both ends that allowed water to flow between the two harbors, but these openings were bridged over, creating a smooth causeway that was seven stadia, or 1400 yards, long. To the west of this embankment was the Harbor of Eunostos, or the Happy Return, which could be accessed from behind the western end of Pharos Island; while to the east of the embankment was the Great Harbor, where the entrance lay between the massive lighthouse and the Diabathra, or breakwater, extended from the promontory known as Lochias. This entrance was treacherous due to its narrow channel and the presence of rocks, which the rolling waves of the Mediterranean, pushed by the frequent northern winds, continuously crashed against with great force.

A vessel entering the port of Alexandria from this side was steered towards the great lighthouse, around the foot27 of which the waves leapt and broke in showers of white foam. Skirting the dark rocks at the base of this marble wonder, the vessel slipped through the passage into the still entrance of the harbour, leaving the breakwater on the left hand. Here, on a windless day, one might look down to the sand and the rocks at the bottom of the sea, so clear and transparent was the water and so able to be penetrated by the strong light of the sun. Seaweed of unaccustomed hues covered the sunken rocks over which the vessels floated; and anemones, like great flowers, could be seen swaying in the gentle motion of the undercurrents. Passing on into the deeper water of the harbour, in which the sleek dolphins arose and dived in rhythmic succession, the traveller saw before him such an array of palaces and public buildings as could be found nowhere else in the world. There stood, on his left hand, the Royal Palace, which was spread over the Lochias Promontory and extended round towards the west. Here, beside a little island known as Antirrhodos, itself the site of a royal pavilion, lay the Royal Harbour, where flights of broad steps descended into the azure water, which at this point was so deep that the largest galleys might moor against the quays. Along the edge of the mainland, overlooking the Great Harbour, stood a series of magnificent buildings which must have deeply impressed all those who were approaching the city across the water. Here stood the imposing Museum, which was actually a part of another palace, and which formed a kind of institute for the study of the sciences, presided over by a priest appointed by the sovereign. The buildings seem to have consisted of a large hall wherein the professors took their meals; a series of arcades in which these men of learning walked and talked; a hall, or assembly rooms,28 in which their lectures were held; and, at the north end, close to the sea, the famous library, at this time containing more than half a million scrolls. On rising ground between the Museum and the Lochias Promontory stood the Theatre, wherein those who occupied the higher seats might look beyond the stage to the island of Antirrhodos, behind which the incoming galleys rode upon the blue waters in the shadow of Pharos. At the back of the Theatre, on still higher ground, the Paneum, or Temple of Pan, had been erected. This is described by Strabo as “an artificial mound of the shape of a fir-cone, resembling a pile of rock, to the top of which there is an ascent by a spiral path, from whose summit may be seen the whole city lying all around and beneath it.” To the west of this mound stood the Gymnasium, a superb building, the porticos of which alone exceeded a stadium, or 200 yards, in length. The Courts of Justice, surrounded by groves and gardens, adjoined the Gymnasium. Close to the harbour, to the west of the Theatre, was the Forum; and in front of it, on the quay, stood a temple of Neptune. To the west of this, near the Museum, there was an enclosure called Sema, in which stood the tombs of the Ptolemaic Kings of Egypt, built around the famous Mausoleum wherein the bones of Alexander the Great rested in a sarcophagus of alabaster.7

A boat coming into the port of Alexandria from this side was guided toward the great lighthouse, where the waves crashed and splashed in white foam. Navigating around the dark rocks at the base of this marble marvel, the boat moved into the calm entrance of the harbor, leaving the breakwater to the left. On a windless day, you could look down to the sand and rocks on the seabed, the water so clear and transparent that the strong sunlight could penetrate it. Seaweed in unusual colors covered the submerged rocks beneath the vessels; and anemones, like large flowers, swayed gently with the current. As the boat entered the deeper waters of the harbor, where sleek dolphins surfaced and dove in rhythmic patterns, the traveler saw a stunning array of palaces and public buildings unlike anything else in the world. To the left stood the Royal Palace, which spread over the Lochias Promontory and extended westward. Right here, next to a small island known as Antirrhodos, which featured a royal pavilion, was the Royal Harbor, where wide steps led down into the blue water, deep enough for the largest galleys to dock at the quays. Along the coast, overlooking the Great Harbor, were a series of magnificent buildings that must have impressed everyone approaching the city by water. Here was the impressive Museum, which was a part of another palace, serving as an institute for the study of sciences, overseen by a priest appointed by the ruler. The complex included a large hall where the professors dined; a series of arcades for the scholars to walk and talk; an assembly hall for lectures; and, at the northern end, close to the sea, the famous library, which held more than half a million scrolls at that time. On rising ground between the Museum and the Lochias Promontory was the Theatre, where those seated higher could gaze beyond the stage at the island of Antirrhodos, behind which the incoming galleys floated on the blue waters, in the shadow of Pharos. At the rear of the Theatre, on even higher ground, stood the Paneum, or Temple of Pan. Strabo described it as “an artificial mound shaped like a fir cone, resembling a pile of rock, with a spiral path leading to the top, where you could see the entire city around and below.” To the west of this mound was the Gymnasium, a magnificent building whose porticos alone exceeded a stadium, or 200 yards, in length. The Courts of Justice, surrounded by groves and gardens, were adjacent to the Gymnasium. Close to the harbor, west of the Theatre, was the Forum, and in front of it on the quay was a temple dedicated to Neptune. Further west, near the Museum, was an area called Sema, where the tombs of the Ptolemaic Kings of Egypt were built around the famous Mausoleum, which held the remains of Alexander the Great in an alabaster sarcophagus.

These buildings, all able to be seen from the harbour, formed the quarter of the city known as the Regia, Brucheion, or Royal Area. Here the white stone structures reflected in the mirror of the harbour, the statues and monuments, the trees and brilliant flower-29gardens, the flights of marble steps passing down to the sea, the broad streets and public places, must have formed a scene of magnificence not surpassed at that time in the whole world. Nor would the traveller, upon stepping ashore from his vessel, be disappointed in his expectations as he roamed the streets of the town. Passing through the Forum he would come out upon the great thoroughfare, more than three miles long, which cut right through the length of the city in a straight line, from the Gate of the Necropolis, at the western end, behind the Harbour of the Happy Return, to the Gate of Canopus, at the eastern extremity, some distance behind the Lochias Promontory. This magnificent boulevard, known as the Street of Canopus, or the Meson Pedion, was flanked on either side by colonnades, and was 100 feet in breadth.8 On its north side would be seen the Museum, the Sema, the palaces, and the gardens; on the south side the Gymnasium with its long porticos, the Paneum towering up against the sky, and numerous temples and public places. Were the traveller to walk eastwards along this street he would pass through the Jewish quarter, adorned by many synagogues and national buildings, through the Gate of Canopus, built in the city walls, and so out on to open ground, where stood the Hippodromos or Racecourse, and several public buildings. Here the sun-baked soil was sandy, the rocks glaring white, and but little turf was to be seen. A few palms, bent southward by the sea wind, and here and there a cluster of acacias, gave shade to pedestrians; while between the road and the sea the Grove of Nemesis offered a pleasant foreground to the sandy beach and the blue expanse of the Mediterranean30 beyond. Near by stood the little settlement of Eleusis, which was given over to festivities and merry-making. Here there were several restaurants and houses of entertainment which are said to have commanded beautiful views; but so noisy was the fun supplied, and so dissolute the manners of those who frequented the place, that better-class Alexandrians were inclined to avoid it. At a distance of some three miles from Alexandria stood the suburb of Nicopolis, where numerous villas, themselves “not less than a city,” says Strabo,9 had been erected along the sea-front, and the sands in summer-time were crowded with bathers. Farther eastwards the continuation of the Street of Canopus passed on to the town of that name and Egypt proper.

These buildings, all visible from the harbor, made up the part of the city known as the Regia, Brucheion, or Royal Area. Here, the white stone structures reflected in the harbor's waters, along with the statues, monuments, trees, and vibrant flower gardens. The marble steps leading down to the sea, the wide streets, and public spaces must have created a scene of splendor unmatched anywhere else in the world at that time. A traveler stepping off their ship wouldn't be let down by their expectations as they explored the town. Navigating through the Forum, they would emerge onto the major road stretching over three miles, running straight through the city from the Gate of the Necropolis at the western end, near the Harbor of the Happy Return, to the Gate of Canopus at the eastern end, not far from the Lochias Promontory. This impressive avenue, known as the Street of Canopus, or the Meson Pedion, was lined with colonnades and was 100 feet wide. On the north side, you could see the Museum, the Sema, palaces, and gardens; on the south side stood the Gymnasium with its long porticos, the Paneum towering into the sky, and many temples and public areas. If the traveler walked east along this street, they would pass through the Jewish quarter, decorated with various synagogues and national buildings, through the Gate of Canopus, built into the city walls, and into open land, where the Hippodromos or Racecourse and several public buildings were located. The sun-baked soil was sandy, the rocks shone white, and grass was scarce. A few palms, leaning southward due to the sea breeze, and some clusters of acacias provided shade for walkers; while between the road and the sea, the Grove of Nemesis created a lovely vista for the sandy beach and the blue Mediterranean beyond. Nearby was the small settlement of Eleusis, known for its festivities and celebrations. It featured several restaurants and entertainment spots said to have gorgeous views; however, the noise of the fun and the behavior of the patrons led higher-class Alexandrians to steer clear of it. About three miles from Alexandria was the suburb of Nicopolis, where many villas, described as "not less than a city" by Strabo, lined the seafront, and in the summer, the sands were packed with bathers. Further east, the Street of Canopus continued on to the town of the same name and into Egypt proper.

Returning within the city walls and walking westwards along the Street of Canopus, the visitor would pass once more through the Regia and thence through the Egyptian quarter known as Rhakotis, to the western boundary. This quarter, being immediately behind the commercial harbour, was partly occupied by warehouses and ships’ offices, and was always a very busy district of the town. Here there was an inner harbour called Cibotos, or the Ark, where there were extensive docks; and from this a canal passed, under the Street of Canopus, to the lake at the back of the city. On a rocky hill behind the Rhakotis quarter stood the magnificent Serapeum, or Temple of Serapis, which was approached by a broad street running at right angles to the Street of Canopus, which it bisected at a point not far west of the Museum, being a continuation of the Heptastadium. The temple is said to have been surpassed in grandeur by no other building in the world except the Capitol31 at Rome; and, standing as it did at a considerable elevation, it must have towered above the hubbub and the denser atmosphere of the streets and houses at its foot, as though to receive the purification of the untainted wind of the sea. Behind the temple, on the open rocky ground outside the city walls, stood the Stadium; and away towards the west the Necropolis was spread out, with its numerous gardens and mausoleums. Still farther westward there were numerous villas and gardens; and it may be that the wonderful flowers which at the present day grow wild upon this ground are actually the descendants of those introduced and cultivated by the Greeks of the days of Cleopatra.

Returning within the city walls and walking west along the Street of Canopus, the visitor would again pass through the Regia and then through the Egyptian quarter known as Rhakotis, heading towards the western boundary. This quarter, located just behind the commercial harbor, was partly filled with warehouses and ships' offices, making it a very busy part of the town. Here, there was an inner harbor called Cibotos, or the Ark, which had extensive docks; from this harbor, a canal ran under the Street of Canopus to the lake at the back of the city. On a rocky hill behind the Rhakotis quarter stood the magnificent Serapeum, or Temple of Serapis, which was accessed by a broad street that intersected the Street of Canopus not far west of the Museum, continuing from the Heptastadium. It’s said that this temple rivaled the grandeur of no other building in the world except the Capitol31 in Rome; and, perched on significant elevation, it likely towered above the noise and the thicker atmosphere of the streets and homes below, as if welcoming the clean sea breeze. Behind the temple, on the open rocky land outside the city walls, stood the Stadium; further west lay the Necropolis, with its many gardens and mausoleums. Even farther west, there were numerous villas and gardens; and it’s possible that the beautiful flowers that grow wildly in this area today are actually descendants of those introduced and cultivated by the Greeks in the days of Cleopatra.

Along the entire length of the back walls of the city lay the Lake of Mareotis, which cut off Alexandria from the Egyptian Delta, and across this stretch of water vast numbers of vessels brought the produce of Egypt to the capital. The lake harbour and docks were built around an inlet which penetrated some considerable distance into the heart of the city not far to the east of the Paneum, and from them a great colonnaded thoroughfare, as wide as the Street of Canopus, which it crossed at right angles, passed through the city to the Great Harbour, being terminated at the south end by the Gate of the Sun, and at the north end by the Gate of the Moon. These lake docks are said to have been richer and more important even than the maritime docks on the opposite side of the town; for over the lake the traffic of vessels coming by river and canal from all parts of Egypt was always greater than the shipping across the Mediterranean. The shores of this inland sea were exuberantly fertile. A certain amount of papyrus grew at the edges of the lake, considerable stretches32 of water being covered by the densely-growing reeds. The Alexandrians were wont to use the plantations for their picnics, penetrating in small boats into the thickest part of the reeds, where they were overshadowed by the leaves, which, also, they used as dishes and drinking-vessels. Extensive vineyards and fruit gardens flourished at the edge of the water; and there are said to have been eight islands which rose from the placid surface of the lake and were covered by luxuriant gardens.

Along the entire length of the back walls of the city lay the Lake of Mareotis, which separated Alexandria from the Egyptian Delta, and across this stretch of water, numerous vessels transported Egypt's produce to the capital. The lake harbor and docks were built around an inlet that extended deep into the city's heart, not far east of the Paneum. From there, a grand colonnaded road, as wide as the Street of Canopus, ran through the city to the Great Harbor, ending at the south with the Gate of the Sun and the north with the Gate of the Moon. These lake docks were said to be even richer and more important than the maritime docks on the other side of town; the traffic from vessels coming by river and canal from all parts of Egypt was always heavier than the shipping across the Mediterranean. The shores of this inland sea were incredibly fertile. Some papyrus grew at the edges of the lake, with extensive areas of water covered by thick reeds. The people of Alexandria often used the plantations for their picnics, venturing in small boats into the densest part of the reeds, where they were shaded by the leaves, which they also used as dishes and drinking vessels. Vast vineyards and fruit gardens thrived at the water's edge; and there were said to be eight islands that rose from the calm surface of the lake, all adorned with lush gardens.

Cairo Museum.]
[Photograph by Brugsch.

PORTRAIT OF A GREEK LADY

PORTRAIT OF A GREEK WOMAN

THE PAINTING DATES FROM A GENERATION LATER THAN THAT OF CLEOPATRA, BUT IT IS AN EXAMPLE OF THE WORK OF THE ALEXANDRIAN ARTISTS.

THE PAINTING DATES FROM A GENERATION AFTER CLEOPATRA, BUT IT IS AN EXAMPLE OF THE WORK OF THE ALEXANDRIAN ARTISTS.

Strabo tells us that Alexandria contained extremely beautiful public parks and grounds, and abounded with magnificent buildings of all kinds. The whole city was intersected by roads wide enough for the passage of chariots; and, as has been said, the three main streets, those leading to the Gate of Canopus, to the Serapeum, and to the Lake Harbour, were particularly noteworthy both for their breadth and length. Indeed, in the Fifteenth Idyll of Theocritus, one of the characters complains most bitterly of the excessive length of the Alexandrian streets. The kings of the Ptolemaic dynasty, for nearly three centuries, had expended vast sums in the beautification of their capital, and at the period with which we are now dealing it had become the rival of Rome in magnificence and luxury. The novelist, Achilles Tatius, writing some centuries later, when many of the Ptolemaic edifices had been replaced by Roman constructions perhaps of less merit, cried, as he beheld the city, “We are vanquished, mine eyes”; and there is every reason to suppose that his words were no unlicensed exaggeration. In the brilliant sunshine of the majority of Egyptian days, the stately palaces, temples, and public buildings which reflected themselves in the waters of the harbour, or cast their shadows across33 the magnificent Street of Canopus, must have dazzled the eyes of the spectator and brought wonder into his heart.

Strabo tells us that Alexandria had incredibly beautiful public parks and areas, filled with magnificent buildings of all kinds. The entire city was crossed by roads wide enough for chariots to pass through; and, as mentioned, the three main streets—the ones leading to the Gate of Canopus, to the Serapeum, and to the Lake Harbour—were especially notable for their width and length. In fact, in the Fifteenth Idyll of Theocritus, one of the characters complains quite bitterly about how long the streets of Alexandria were. For nearly three centuries, the kings of the Ptolemaic dynasty spent huge amounts on making their capital more beautiful, and by the time we’re discussing, it rivaled Rome in grandeur and luxury. The novelist Achilles Tatius, writing centuries later when many of the Ptolemaic buildings had been replaced by less impressive Roman constructions, exclaimed, as he looked at the city, “We are defeated, my eyes”; and there’s every reason to believe that his words were not just an exaggeration. In the bright sunshine of most Egyptian days, the grand palaces, temples, and public buildings reflecting in the waters of the harbor or casting their shadows across the stunning Street of Canopus must have dazzled onlookers and filled their hearts with wonder.

The inhabitants of the city were not altogether worthy of their splendid home. In modern times the people of Alexandria exhibit much the same conglomeration of nationalities as they did in ancient days; but the distinguishing line between Egyptians and Europeans is now more sharply defined than it was in the reign of Cleopatra, owing to the fact that the former are mostly Mohammedans and the latter Christians, no marriage being permitted between them. In Ptolemaic times only the Jews of Alexandria stood outside the circle of international marriages which was gradually forming the people of the city into a single type; for they alone practised that conventional exclusiveness which indicated a strong religious conviction. The Greek element, always predominant in the city, was mainly Macedonian; but in the period we are now studying so many intermarriages with Egyptians had taken place that in the case of a large number of families the stock was much mixed. There must have been, of course, a certain number of aristocratic houses, descended from the Macedonian soldiers and officials who had come to Egypt with Alexander the Great and the first Ptolemy, whose blood had been kept pure; and we hear of such persons boasting of their nationality, though the ruin of their fatherland and its subservience to Rome had left them little of which to be proud. In like manner there must have been many pure Egyptian families, no less proud of their nationality than were the Macedonians. The majority of educated people could now speak both the Greek and Egyptian tongues, and all official34 decrees and proclamations were published in both languages. Many Greeks assumed Egyptian names in addition to their own; and it is probable that there were at this date Egyptians who, in like manner, adopted Greek names.

The residents of the city weren't entirely deserving of their magnificent home. Nowadays, the people of Alexandria show a similar mix of nationalities as they did in ancient times; however, the distinction between Egyptians and Europeans is now more clearly defined than it was during Cleopatra's reign, mainly because the former are mostly Muslims and the latter are Christians, with no marriages allowed between the two. In Ptolemaic times, only the Jews of Alexandria were outside the sphere of international marriages that was slowly shaping the city's population into a single type; they alone practiced the kind of exclusivity that reflected a strong religious belief. The Greek community, always the largest in the city, was mainly Macedonian; but during the period we’re studying, there were so many intermarriages with Egyptians that many families had a mixed heritage. Of course, there must have been a number of aristocratic families, descended from the Macedonian soldiers and officials who came to Egypt with Alexander the Great and the first Ptolemy, whose lineage had remained pure; we hear of such individuals boasting of their nationality, even though the destruction of their homeland and its subjugation to Rome left them with little to feel proud about. Similarly, there must have been many pure Egyptian families, equally proud of their nationality as the Macedonians. Most educated people could now speak both Greek and Egyptian, and all official34 decrees and announcements were issued in both languages. Many Greeks took on Egyptian names in addition to their own; and it’s likely there were Egyptians who, in the same way, adopted Greek names.

Besides Greeks and Egyptians, there were numerous Italians, Cretans, Phœnicians, Cilicians, Cypriots, Persians, Syrians, Armenians, Arabs, and persons of other nationalities, who had, to some extent, intermarried with Alexandrian families, thus producing a stock which must have been much like that to be found in the city at the present day and now termed Levantine. Some of these had come to Alexandria originally as respectable merchants and traders; others were sailors, and, indeed, pirates; yet others were escaped slaves, outlaws, criminals, and debtors who were allowed to enter Alexandria on condition that they served in the army; while not a few were soldiers of fortune who had been enrolled in the forces of Egypt. There was a standing army of these mercenaries in Alexandria, and Polybius, writing of the days of Cleopatra’s great-grandfather, Ptolemy IX., speaks of them as being oppressive and dissolute, desiring to rule rather than to obey. A further introduction of foreign blood was due to the presence of the Gabinian Army of Occupation, the members of which had settled down in Alexandria and had married Alexandrian women. These soldiers were largely drawn from Germany and Gaul; and though there had not yet been time for them to do more than add a horde of half-cast children to the medley, their own presence in the city contributed strikingly to the cosmopolitan character of the streets. This barbaric force, with its Roman officers, must have been in constant rivalry with the35 so-called Macedonian Household Troops which guarded the palace; but when Cleopatra came to the throne the latter force had already been freely recruited from all the riff-raff of the world, and was in no way a match for the northerners.

Besides Greeks and Egyptians, there were many Italians, Cretans, Phoenicians, Cilicians, Cypriots, Persians, Syrians, Armenians, Arabs, and people of other nationalities who had, to some extent, intermarried with Alexandrian families, creating a heritage similar to what can be found in the city today, commonly referred to as Levantine. Some of these individuals initially came to Alexandria as respectable merchants and traders; others were sailors, and even pirates; while some were escaped slaves, outlaws, criminals, and debtors who were allowed to enter Alexandria on the condition that they served in the army; not a few were fortune-seekers who had joined the forces of Egypt. There was a standing army of these mercenaries in Alexandria, and Polybius, writing about the time of Cleopatra’s great-grandfather, Ptolemy IX, described them as oppressive and dissolute, wanting to rule instead of obey. Another influx of foreign blood came from the Gabinian Army of Occupation, whose members settled in Alexandria and married local women. These soldiers were mainly from Germany and Gaul; although there hadn’t been enough time for them to do anything more than add a wave of mixed-race children to the mix, their presence significantly contributed to the cosmopolitan vibe of the streets. This barbaric force, with its Roman officers, must have been in constant rivalry with the35 so-called Macedonian Household Troops guarding the palace; but by the time Cleopatra came to power, the latter had already been freely recruited from all sorts of people around the world and was no match for the northerners.

The aristocracy of Alexandria probably consisted of the cosmopolitan officers of the mercenaries and Household Troops, the Roman officers of the Gabinian army, the Macedonian courtiers, the Greek and Egyptian officials, and numerous families of wealthy Europeans, Syrians, Jews, and Egyptians. The professors and scholars of the Museum constituted a class of their own, much patronised by the court, but probably not often accepted by the aristocracy of the city for any other reason than that of their learning. The mob was mainly composed of Greeks of mixed breed, together with a large number of Egyptians of somewhat impure stock; and a more noisy, turbulent, and excitable crowd could not be found in all the world, not even in riotous Rome. The Greeks and Jews were constantly annoying one another, but the Greeks and Egyptians seem to have fraternised to a very considerable extent, for there was not so wide a gulf between them as might be imagined. The Egyptians of Alexandria, and, indeed, of all the Delta, were often no darker-skinned than the Greeks. Both peoples were noisy and excitable, vain and ostentatious, smart and clever. They did not quarrel upon religious matters, for the Egyptian gods were easily able to be identified with those of Greece, and the chief deity of Alexandria, Serapis, was here worshipped by both nations in common. In the domain of art they had no cause for dissensions, for the individual art of Egypt was practically dead, and that of Greece had been36 accepted by cultivated Egyptians as the correct expression of the refinement in which they desired to live. Both peoples were industrious, and eager in the pursuit of wealth, and both were able to set their labours aside with ease, and to turn their whole attention to the amusements which the luxurious city provided. Polybius speaks of the Egyptians as being smart and civilised; and of the Alexandrian Greeks he writes that they were a poor lot, though he seems to have preferred them to the Egyptians.

The aristocracy of Alexandria likely included the diverse officers of the mercenaries and Household Troops, the Roman leaders of the Gabinian army, the Macedonian courtiers, Greek and Egyptian officials, and many wealthy families of Europeans, Syrians, Jews, and Egyptians. The professors and scholars at the Museum formed their own unique group, heavily supported by the court, but they were probably not often accepted by the city’s aristocracy for reasons beyond their knowledge. The common people were mainly made up of mixed-breed Greeks and a large number of Egyptians with somewhat mixed ancestry; there was no noisier, more turbulent, or more excitable crowd anywhere, not even in chaotic Rome. The Greeks and Jews frequently annoyed each other, but it seems the Greeks and Egyptians bonded quite a bit, as there wasn’t as big a gap between them as one might think. The Egyptians of Alexandria, and indeed those from all over the Delta, were often no darker-skinned than the Greeks. Both groups were loud and enthusiastic, vain and showy, smart and sharp. They didn’t argue much about religion since the Egyptian gods could easily be identified with those of Greece, and the main deity of Alexandria, Serapis, was worshipped by both groups together. In arts, there were no reasons for conflict, as traditional Egyptian art was almost gone, and cultivated Egyptians had embraced Greek art as the refined standard they wanted to live by. Both groups were hardworking and eager to amass wealth, and they could easily set aside their labors to fully enjoy the entertainment the luxurious city offered. Polybius described the Egyptians as clever and sophisticated; regarding the Greeks of Alexandria, he noted that they were not a great group, although he seemed to prefer them to the Egyptians.

The people of Alexandria were passionately fond of the theatre. In the words of Dion Chrysostom, who, however, speaks of the citizens of a century later than Cleopatra, “the whole town lived for excitement, and when the manifestation of Apis (the sacred bull) took place, all Alexandria went fairly mad with musical entertainments and horse-races. When doing their ordinary work they were apparently sane, but the instant they entered the theatre or the racecourse they appeared as if possessed by some intoxicating drug, so that they no longer knew nor cared what they said or did. And this was the case even with women and children, so that when the show was over, and the first madness past, all the streets and byways were seething with excitement for days, like the swell after a storm.” The Emperor Hadrian says of them: “I have found them wholly light, wavering, and flying after every breath of a report.... They are seditious, vain, and spiteful, though as a body wealthy and prosperous.” The impudent wit of the young Græco-Egyptian dandy was proverbial, and must always have constituted a cause of offence to those whose public positions laid them open to attack. No sooner did a statesman assume office, or37 a king come to the throne, than he was given some scurrilous nickname by the wags of the city, which stuck to him throughout the remainder of his life. Thus, to quote a few examples, Ptolemy IX. was called “Bloated,” Ptolemy X. “Vetch,” Ptolemy XIII. “Piper”; Seleucus they named “Pickled-fish Pedlar,” and in later times Vespasian was named “Scullion.” All forms of ridicule appealed to them, and many are the tales told in this regard. Thus, when King Agrippa passed through the city on his way to his insecure throne, these young Alexandrians dressed up an unfortunate madman whom they had found in the streets, put a paper crown upon his head and a reed in his hand, and led him through the town, hailing him as King of the Jews: and this in spite of the fact that Agrippa was the friend of Caligula, their Emperor. Against Vespasian they told with delight the story of how he had bothered one of his friends for the payment of a trifling loan of six obols, and somebody made up a song in which the fact was recorded. They ridiculed Caracalla in the same manner, laughing at him for dressing himself like Alexander the Great, although his stature was below the average; but in this case they had not reckoned with their man, whose revenge upon them was an act no less frightful than the total extermination of all the well-to-do young men of the city, they being collected together under a false pretence and butchered in cold blood. These Alexandrians were famous for the witty and scathing verses which they composed upon topical subjects; and a later historian speaks of this proficiency of theirs “in making songs and epigrams against their rulers.” Such ditties were carried from Egypt to Rome, and were sung in the Italian capital,38 just as nowadays the latest American air is hummed and whistled in the streets of London. Indeed, in Rome the wit of Alexandria was very generally appreciated; and, a few years later, one hears of Alexandrian comedians causing Roman audiences to rock with laughter.

The people of Alexandria had a deep love for the theater. As Dion Chrysostom noted, speaking about the citizens a century after Cleopatra, “the whole town lived for excitement, and when the celebration of Apis (the sacred bull) happened, all of Alexandria went completely wild with musical performances and horse races. During their regular activities, they seemed normal, but the moment they stepped into the theater or the racecourse, it was like they were under the influence of some intoxicating substance, oblivious to what they said or did. This behavior also extended to women and children, so when the show ended and the initial frenzy faded, the streets and alleys buzzed with excitement for days, like the aftermath of a storm.” The Emperor Hadrian remarked about them: “I found them completely flighty, swaying with every whisper of gossip... They are rebellious, vain, and spiteful, though collectively wealthy and prosperous.” The brash humor of the young Greco-Egyptian trendsetter was well-known and often offended those in public office who were vulnerable to ridicule. No sooner would a politician take office or a king ascend the throne than he would be given a derogatory nickname by the city's jokesters, which would stick with him for life. For instance, Ptolemy IX was called “Bloated,” Ptolemy X “Vetch,” Ptolemy XIII “Piper”; Seleucus was derisively named “Pickled-fish Pedlar,” and later, Vespasian was mocked as “Scullion.” They relished all kinds of mockery, and there are many stories about this. For example, when King Agrippa passed through the city on his way to an uncertain throne, these young Alexandrians dressed up a poor madman they found on the streets, put a paper crown on his head and a reed in his hand, and paraded him around, calling him King of the Jews, despite Agrippa being friends with their Emperor, Caligula. They joyfully recounted how Vespasian had pestered one of his friends for a small loan of six obols, which someone turned into a song. They targeted Caracalla in the same way, making fun of him for dressing like Alexander the Great, even though he was shorter than average; however, they underestimated him, and his revenge was horrifically swift, as he ordered the complete slaughter of all the affluent young men in the city, under false pretenses. These Alexandrians were famous for their sharp and scathing verses about current events, and a later historian mentioned their talent “for creating songs and epigrams against their rulers.” Such songs were carried from Egypt to Rome, and were sung in the Italian capital, just as today the latest American hits are hummed and whistled in the streets of London. In fact, in Rome, the humor of Alexandria was widely appreciated; a few years later, Alexandrian comedians were reported to have audiences in Rome doubled over with laughter.

The Emperor Hadrian, as we have seen, speaks of the Alexandrians as being spiteful; and, no doubt, a great deal of their vaunted wit had that character. The young Græco-Egyptian was inordinately vain and self-satisfied; and no critic so soon adopts a spiteful tone as he who has thought himself above criticism. The conceit of these smart young men was very noticeable, and is frequently referred to by early writers. They appear to have been much devoted to the study of their personal appearance; and if one may judge by the habits of the upper-class Egyptians and Levantines of present-day Alexandria, many of them must have been intolerable fops. The luxury of their houses was probably far greater than that in Roman life at this date, and they had studied the culinary arts in an objectionably thorough manner. Dion Chrysostom says the Alexandrians of his day thought of little else but food and horse-racing. Both Greeks and Egyptians in Alexandria had the reputation of being fickle and easily influenced by the moment’s emotion. “I should be wasting many words in vain,” says the author of ‘De Bello Alexandrino,’ “if I were to defend the Alexandrians from the charges of deceit and levity of mind.... There can be no doubt that the race is most prone to treachery.” They had few traditions, no feelings of patriotism, and not much political interest. They did not make any study of themselves, nor write histories of their city: they lived for the moment, and if the Government of the hour were39 distasteful to them they revolted against it with startling rapidity. The city was constantly being disturbed by street rioting, and there was no great regard for human life.

The Emperor Hadrian, as we’ve seen, describes the people of Alexandria as spiteful; and there’s no doubt that much of their so-called wit had that edge to it. The young Greco-Egyptian was excessively vain and self-satisfied; and no one adopts a spiteful attitude faster than someone who believes they’re above criticism. The arrogance of these clever young men was very noticeable, and early writers often mention it. They seemed quite dedicated to perfecting their personal appearance; and judging by the habits of today’s upper-class Egyptians and Levantines in Alexandria, many of them must have been unbearable show-offs. The luxury of their homes was probably much greater than what was typical in Roman life at that time, and they had mastered the art of cooking in a rather excessive way. Dion Chrysostom notes that the Alexandrians in his time thought about little else except food and horse racing. Both Greeks and Egyptians in Alexandria were known for being capricious and easily swayed by their emotions. “I would be wasting a lot of words in vain,” says the author of ‘De Bello Alexandrino,’ “if I tried to defend the Alexandrians against accusations of deceit and fickleness.... There’s no doubt that this group is very prone to treachery.” They had few traditions, little sense of patriotism, and not much interest in politics. They didn’t reflect on themselves or write histories of their city: they lived for the moment, and if the current government displeased them, they would rebel against it with shocking speed. The city was constantly shaken by street riots, and there was little respect for human life.

The population of Alexandria is said to have been about 300,000 during the later years of the Ptolemaic dynasty, which was not much less than that of Rome before the Civil War, and twice the Roman number after that sanguinary struggle.10 In spite of its reputation for frivolity it was very largely a business city, and a goodly portion of its citizens were animated by a lively commercial spirit which quite outclassed that of the Italian capital in enterprise and bustle. This, of course, was a Greek and not an Egyptian characteristic, for the latter are notoriously unenterprising and conservative in their methods, while the Greeks, to this day, are admirable merchants and business men. Alexandria was the most important corn-market of the world, and for this reason was always envied by Rome. Incidentally I may remark that proportionally far more corn was consumed in Cleopatra’s time than in our own; and Cæsar once speaks of the endurance of his soldiers in submitting to eat meat owing to the scarcity of corn.11 The city was also engaged in many other forms of commerce, and in the reign of Cleopatra it was recognised as the greatest trading centre in the world. Here East and West met in the busy market-places; and at the time with which we are dealing the eyes of all men were beginning to be turned to this city as being the terminus of the new trade-route to India, along which such rich merchandise was already being conveyed.

The population of Alexandria is believed to have been around 300,000 during the later years of the Ptolemaic dynasty, which was almost as many as Rome had before the Civil War, and twice the number in Rome after that brutal conflict.10 Despite its reputation for being frivolous, it was mainly a business city, and a significant portion of its citizens had a vibrant commercial spirit that far surpassed that of the Italian capital in terms of enterprise and energy. This was, of course, a Greek characteristic rather than an Egyptian one, since the Egyptians are known to be unadventurous and conservative in their methods, whereas the Greeks are still outstanding merchants and businesspeople. Alexandria was the leading grain market in the world, and for that reason, it was always envied by Rome. Interestingly, far more grain was consumed in Cleopatra's time than today; Julius Caesar once commented on the endurance of his soldiers as they had to eat meat due to the grain shortage.11 The city was also involved in various other forms of commerce, and during Cleopatra's reign, it was recognized as the greatest trading hub in the world. East and West converged in the bustling marketplaces, and during this period, everyone's attention was starting to shift to this city as the endpoint of the new trade route to India, along which such valuable goods were already being transported.

40 It was at the same time the chief seat of Greek learning, and regarded itself also as the leading authority on matters of art—a point which must have been open to dispute. The great figure of Nilus, of which an illustration is given in this volume, is generally considered to be an example of Alexandrian art. The famous “Alexandrian School,” celebrated for its scientific work and its poetry, had existed for more than two hundred years, and was now in its decline, though it still attempted to continue the old Hellenic culture.12 The school of philosophy, which succeeded it in celebrity, was just beginning to come into prominence. Thus the eyes of all merchants, all scientists, all men of letters, all scholars, and all statesmen, were turned in these days to Alexandria; and the Ptolemaic court, in spite of the degeneracy of its sovereigns, was held in the highest esteem.

40 It was both the main center of Greek learning and considered the top authority on art—a claim that could easily be contested. The remarkable statue of Nilus, which is illustrated in this book, is widely seen as a prime example of Alexandrian art. The renowned “Alexandrian School,” famous for its scientific contributions and poetry, had been around for over two hundred years and was now on the decline, although it still tried to uphold the old Hellenic culture.12 The philosophy school that followed in its fame was just starting to gain attention. As a result, merchants, scientists, writers, scholars, and politicians all looked to Alexandria; even though the Ptolemaic court had deteriorated under its rulers, it was still highly regarded.


CHAPTER III.
THE BIRTH AND EARLY YEARS OF CLEOPATRA.

Cleopatra was the last of the regnant Ptolemaic sovereigns of Egypt, and was the seventh Egyptian Queen of her name,13 in her person all the rights and privileges of that extraordinary line of Pharaohs being vested. The Ptolemaic Dynasty was founded in the first years of the third century before Christ by Ptolemy, the son of Lagus, one of the Macedonian generals of Alexander the Great, who, on his master’s death, seized the province of Egypt, and, a few years later, made himself King of that country, establishing himself at the newly-founded city of Alexandria on the sea-coast. For two and a half centuries the dynasty presided over the destinies of Egypt, at first with solicitous care, and later with startling nonchalance, until, with the death of the great Cleopatra and her son Ptolemy XVI. (Cæsarion), the royal line came to an end.

Cleopatra was the last ruling queen of the Ptolemaic dynasty in Egypt and was the seventh queen of her name. In her, all the rights and privileges of that remarkable line of Pharaohs were vested. The Ptolemaic Dynasty was established in the early third century BC by Ptolemy, son of Lagus, one of Alexander the Great's Macedonian generals, who took control of Egypt after Alexander's death and later declared himself its king, setting up his reign in the newly founded city of Alexandria on the coast. For two and a half centuries, the dynasty guided the fate of Egypt, initially with great care and later with shocking indifference, until the deaths of the great Cleopatra and her son Ptolemy XVI (Cæsarion) marked the end of that royal lineage.

For the right understanding of Cleopatra’s character it must be clearly recognised that the Ptolemies were in no way Egyptians. They were Macedonians, as I42 have already said, in whose veins flowed not one drop of Egyptian blood. Their capital city of Alexandria was, in the main, a Mediterranean colony set down upon the sea-coast of Egypt, but having no connection with the Delta and the Nile Valley other than the purely commercial and official relationship which of necessity existed between the maritime seat of Government and the provinces. The city was Greek in character; the temples and public buildings were constructed in the Greek manner; the art of the period was Greek; the life of the upper classes was lived according to Greek habits; the dress of the court and of the aristocracy was Greek; the language spoken by them was Greek, pronounced, it is said, with the broad Macedonian accent. It is probable that no one of the Ptolemies ever wore Egyptian costume, except possibly for ceremonial purposes; and, in passing, it may be remarked that the modern conventional representation of the great Cleopatra walking about her palace clothed in splendid Egyptian robes and wearing the vulture-headdress of the ancient queens has no justification.14 It is true that she is said to have attired herself on certain occasions in a dress designed to simulate that which was supposed by the priests of the time to have been worn by the mother-deity Isis; but contemporaneous representations of Isis generally show her clad in the Greek and not the Egyptian manner. And if she ever wore the ancient dress of the Egyptian queens, it must have been only at great religious festivals or on occasions where conformity to obsolete habits was required by the ritual.

To really understand Cleopatra's character, it's important to recognize that the Ptolemies were not Egyptians at all. They were Macedonians, and there was not a single drop of Egyptian blood in their veins. Their capital city, Alexandria, was primarily a Mediterranean colony situated on the coastline of Egypt, but it had no connection to the Delta and the Nile Valley other than the commercial and official ties that naturally existed between the maritime seat of government and the provinces. The city had a Greek character; its temples and public buildings were built in the Greek style; the art of the period was Greek; the lifestyle of the upper classes followed Greek customs; the court and the aristocracy dressed in Greek fashion; and they spoke Greek, reportedly with a strong Macedonian accent. It's likely that none of the Ptolemies ever wore Egyptian clothing, except perhaps for ceremonial purposes. Notably, the modern depiction of the great Cleopatra walking through her palace in lavish Egyptian robes and wearing the vulture headdress of ancient queens is completely unfounded. It is said that she dressed on certain occasions to resemble what the priests believed was the attire of the mother goddess Isis, but contemporary depictions of Isis usually show her in Greek dress rather than Egyptian. If she ever donned the ancient attire of Egyptian queens, it was probably only during major religious festivals or on occasions when adherence to old customs was mandated by ritual.

The relationship of the royal house to the people was43 very similar to that existing at the present day between the Khedivial dynasty and the provincial natives of Egypt. The modern Khedivial princes are Albanians, who cannot record in their genealogy a single Egyptian ancestor. They live in the European manner, and dress according to the dictates of Paris and London. Similarly the Ptolemies retained their Macedonian nationality, and Plutarch tells us that not one of them even troubled to learn the Egyptian language. On the other hand the Egyptians, constrained by the force of circumstances, accepted the dynasty as the legal successor of the ancient Pharaonic line, and assigned to the Ptolemies all the titles and dignities of their great Pharaohs.

The relationship between the royal family and the people was43 very much like the current connection between the Khedivial dynasty and the local people of Egypt. The modern Khedivial princes are Albanians, who can't trace any Egyptian roots in their family history. They live in a European style and dress according to the trends from Paris and London. In the same way, the Ptolemies maintained their Macedonian identity, and Plutarch tells us that not one of them even bothered to learn the Egyptian language. On the other hand, the Egyptians, forced by circumstance, accepted this dynasty as the legitimate continuation of the ancient Pharaonic line and granted the Ptolemies all the titles and honors of their great Pharaohs.

These Greek sovereigns, Cleopatra no less than her predecessors, were given the titles which had been so proudly borne by Rameses the Great and the mighty Thutmosis the Third, a thousand years and more before their day. They were named, “Living Image of the God Amon,” “Child of the Sun,” and “Chosen of Ptah,” just as the great Memnon and the conquering Sesostris had been named when Egypt was the first power in the world. In the temples throughout the land, with the exception of those of importance at Alexandria, these Macedonian monarchs were pictorially represented in the guise of the ancient Pharaohs, crowned with the tall crowns of Upper and Lower Egypt, the horns and feathers of Amon upon their heads, and the royal serpent at their foreheads. There they were seen worshipping the old gods of Egypt, prostrating themselves in the presence of the cow Hathor, bowing before the crocodile Sobk, burning incense at the shrine of the cat Bast, and performing all the magical ceremonies hallowed by the usage of four thousand years. They were shown44 enthroned with the gods, embraced by Isis, saluted by Osiris, and kissed by Mout, the Mother of Heaven. Yet it is doubtful whether in actual fact any Ptolemy at any time identified himself in this manner with the traditional character of a Pharaoh.

These Greek rulers, Cleopatra just like her predecessors, were given titles that had been proudly held by Rameses the Great and the powerful Thutmosis the Third over a thousand years earlier. They were called “Living Image of the God Amon,” “Child of the Sun,” and “Chosen of Ptah,” just as the great Memnon and the victorious Sesostris were named when Egypt dominated the world. In temples across the country, except for the important ones in Alexandria, these Macedonian kings were depicted as ancient Pharaohs, wearing the tall crowns of Upper and Lower Egypt, adorned with the horns and feathers of Amon on their heads, and the royal serpent on their foreheads. They were shown worshipping the old gods of Egypt, bowing before the cow Hathor, showing reverence to the crocodile Sobk, burning incense at the shrine of the cat Bast, and performing all the magical rituals that had been honored for four thousand years. They were depicted44 seated with the gods, embraced by Isis, greeted by Osiris, and kissed by Mout, the Mother of Heaven. However, it is questionable whether any Ptolemy actually saw himself in this way as a traditional Pharaoh.

Very occasionally one of these Greek sovereigns left his city of Alexandria to visit Egypt proper, and to travel up the Nile. At certain cities he honoured the local temple with a visit and performed in a perfunctory manner the prescribed ceremonies, just as a modern sovereign lays a foundation-stone or launches a battleship. But there is nothing to show that any member of the royal house regarded himself as an Egyptian in the traditional sense of the word. They were careful as a rule to placate the priesthood, and to allow them a free use of their funds in the building and decoration of the temples; and Egyptian national life was fostered to a very considerable extent. But in Alexandria one might hardly have believed oneself to be in the land of the Pharaohs, and the court was almost entirely European in character.

Very rarely did one of these Greek rulers leave his city of Alexandria to visit Egypt itself and travel up the Nile. In certain cities, he would stop by the local temple and carry out the required ceremonies in a half-hearted way, just like a modern ruler lays a foundation stone or launches a battleship. However, there’s no evidence that any member of the royal family saw themselves as an Egyptian in the traditional sense. They generally made sure to appease the priesthood and let them use their funds freely for building and decorating temples; and Egyptian national life was supported to a significant degree. But in Alexandria, it was hard to believe you were in the land of the Pharaohs, and the court was almost entirely European in style.

The Ptolemies as a family were extraordinarily callous in their estimate of the value of human life, and the history of the dynasty is marked throughout its whole length by a series of villainous murders. In this respect they showed their non-Egyptian blood; for the people of the Nile were, and now are, a kindly, pleasant folk, not predisposed to the arts of the assassin and not by any means regardless of the rights of their fellow-men. It may be of interest to record here some of the murders for which the Ptolemies are responsible. Ptolemy III., according to Justin, was murdered by his son Ptolemy IV., who also seems to have planned at one time and45 another the murders of his brother Magas, his uncle Lysimachus, his mother Berenice, and his wife Arsinoe. Ptolemy V. is described as a cruel and violent monarch, who seems to have indulged the habit of murdering those who offended him. Ptolemy VII. is said by Polybius to have had the Egyptian vice of riotousness, although on the whole averse to shedding blood. Ptolemy VIII. murdered his young nephew, the heir to the throne, and married the dead boy’s mother, the widowed queen Cleopatra II., who shortly afterwards presented him with a baby, Memphites, whose paternal parentage is doubtful. Ptolemy later, according to some accounts, murdered this child and sent his body in pieces to the mother. He then married his niece, Cleopatra III.; and she, on being left a widow, appears to have murdered Cleopatra II. This Cleopatra III. bore a son who later ascended the throne as Ptolemy XI., whom she afterwards attempted to murder, but the tables being turned she was murdered by him. Ptolemy X. was driven from the throne by his mother, who installed Ptolemy XI. in his place, and was promptly murdered by the new king for her pains. Ptolemy XII., having married his stepmother, murdered her, and himself was murdered shortly afterwards. Ptolemy XIII., the father of the great Cleopatra, murdered his daughter Berenice and also several other persons.

The Ptolemaic family was incredibly ruthless in their view of human life, and the history of their dynasty is filled with a series of shocking murders. In this way, they showcased their non-Egyptian heritage; the people of the Nile were, and still are, kind and friendly, not inclined toward assassination and certainly not indifferent to the rights of others. It might be interesting to note some of the murders attributed to the Ptolemies. Ptolemy III, according to Justin, was killed by his son Ptolemy IV, who also appeared to have plotted the murders of his brother Magas, his uncle Lysimachus, his mother Berenice, and his wife Arsinoe. Ptolemy V is described as a cruel and violent ruler, who seemed to have a habit of killing those who displeased him. Ptolemy VII, as noted by Polybius, is said to have had the Egyptian flaw of indulging excessively, although he generally shunned bloodshed. Ptolemy VIII murdered his young nephew, the heir to the throne, and then married the boy’s mother, the widowed queen Cleopatra II, who shortly afterwards gave birth to a son, Memphites, whose paternity is questionable. Later, according to some accounts, Ptolemy killed this child and sent his dismembered body to the mother. He then married his niece, Cleopatra III, who, after being left a widow, seemingly killed Cleopatra II. Cleopatra III had a son who eventually became Ptolemy XI, whom she later tried to murder, but the situation reversed, and he killed her instead. Ptolemy X was ousted from the throne by his mother, who then placed Ptolemy XI in power, only to be murdered by the new king for her efforts. Ptolemy XII, after marrying his stepmother, killed her and was himself murdered shortly afterwards. Ptolemy XIII, the father of the famous Cleopatra, murdered his daughter Berenice and several others.

The women of this family were even more violent than the men. Mahaffy describes their characteristics in the following words: “Great power and wealth, which makes an alliance with them imply the command of large resources in men and money; mutual hatred; disregard of all ties of family and affection; the dearest object fratricide—such pictures of depravity as make46 any reasonable man pause and ask whether human nature had deserted these women and the Hyrcanian tiger of the poet taken its place.” In many other ways also this murderous family of kings possessed an unenviable reputation. The first three Ptolemies were endowed with many sterling qualities, and were conspicuous for their talents; but the remaining monarchs of the dynasty were, for the most part, degenerate and debauched. They were, however, patrons of the arts and sciences, and indeed they did more for them than did almost any other royal house in the world. Ptolemaic Alexandria was to some extent the birthplace of the sciences of anatomy, geometry, conic sections, hydrostatics, geography, and astronomy, while its position in the artistic world was most important. The splendour and luxury of the palace was far-famed, and the sovereign lived in a chronic condition of repletion which surpassed that of any other court. When Scipio Africanus visited Egypt he found our Cleopatra’s great-grandfather, Ptolemy IX., who was nicknamed Physkon, “the Bloated,” fat, puffing, and thoroughly over-fed. As Scipio walked to the palace with the King, who, in too transparent robes, breathed heavily by his side, he whispered to a friend that Alexandria had derived at least one benefit from his visit—it had seen its sovereign taking a walk. Ptolemy X., Cleopatra’s grandfather, obtained the nickname “Lathyros,” owing, it is said, to the resemblance of his nose to a vetch or some such flowery and leguminous plant: a fact which certainly suggests that the King was not a man of temperate habits. Ptolemy XI. was so bloated by gluttony and vice that he seldom walked without crutches, though, under the influence47 of wine, he was able to skip about the room freely enough with his drunken comrades. Ptolemy XIII., Cleopatra’s father, had such an objection to temperance that once he threatened to put the philosopher Demetrius to death for not being intoxicated at one of his feasts; and the unfortunate man was obliged the next day publicly to drink himself silly in order to save his life. Such glimpses as these show us the Ptolemies at their worst, and we are constrained to ask how it is possible that Cleopatra, who brought the line to a termination, could have failed to be a thoroughly bad woman. Yet, as will presently become apparent, there is no great reason to suppose that her sins were either many or scarlet.

The women in this family were even more violent than the men. Mahaffy describes their traits like this: “Great power and wealth, which makes an alliance with them mean having control over large resources in people and money; mutual hatred; disregard for all ties of family and affection; the ultimate goal being fratricide—such images of depravity that make46 any reasonable person stop and wonder whether human nature had abandoned these women and the Hyrcanian tiger of the poet had taken its place.” In many other ways, this murderous royal family had a terrible reputation. The first three Ptolemies had many admirable qualities and were known for their talents; but most of the other rulers in this dynasty were, for the most part, degenerate and debauched. However, they were patrons of the arts and sciences, and they did more for them than nearly any other royal family in the world. Ptolemaic Alexandria was somewhat the birthplace of the sciences of anatomy, geometry, conic sections, hydrostatics, geography, and astronomy, and held a key position in the artistic world. The splendor and luxury of the palace were famous, and the sovereign lived in a constant state of excess that surpassed any other court. When Scipio Africanus visited Egypt, he found Cleopatra’s great-grandfather, Ptolemy IX, nicknamed Physkon, “the Bloated,” fat, puffing, and excessively over-fed. As Scipio walked to the palace with the King, who, in overly sheer robes, puffed heavily by his side, he whispered to a friend that Alexandria had at least gained one benefit from his visit—it had seen its sovereign taking a stroll. Ptolemy X, Cleopatra’s grandfather, earned the nickname “Lathyros,” supposedly due to the resemblance of his nose to a vetch or some similar flowering plant: a fact that clearly suggests the King was not a man of moderate habits. Ptolemy XI was so bloated from gluttony and vice that he rarely walked without crutches, although, under the influence47 of wine, he could move around the room freely enough with his drunk friends. Ptolemy XIII, Cleopatra’s father, had such an aversion to sobriety that he once threatened to kill the philosopher Demetrius for not being drunk at one of his feasts; and the unfortunate man had to publicly get smashed the next day to save his life. These glimpses show us the Ptolemies at their worst, and we are forced to wonder how it is possible that Cleopatra, who ended the line, could not have been a thoroughly bad woman. Yet, as will soon become clear, there is little reason to believe that her sins were either many or severe.

Cleopatra’s father, Ptolemy XIII., who went by the nickname of Auletes, “the Piper,” was a degenerate little man, who passes across Egypt’s political stage in a condition of almost continuous inebriety. We watch his drunken antics as he directs the Bacchic orgies in the palace; we see him stupidly plotting and scheming to hold his tottering throne; we hear him playing the livelong hours away upon his flute; and we feel that his deeds would be hardly worth recording were it not for the fact that in his reign is seen the critical development of the political relationship between Rome and Egypt, which, towards the end of the Ptolemaic dynasty, came to have such a complicated bearing upon the history of both countries. After the battle of Pydna (B.C. 167) Rome had obtained almost absolute control of the Hellenistic world, and she soon began to lay her hands on all the commerce of the eastern Mediterranean. Towards the close of the Ptolemaic period the great Republic turned eager eyes48 towards Egypt, watching for an opportunity to seize that wealthy land for her own enrichment.

Cleopatra’s father, Ptolemy XIII, nicknamed Auletes, "the Piper," was a pathetic little man who staggered across Egypt's political scene in a near-constant state of drunkenness. We watch his drunken shenanigans as he oversees the wild parties in the palace; we see him foolishly plotting and scheming to cling to his shaky throne; we hear him wasting hours playing his flute; and we realize that his actions would barely be noteworthy if not for the fact that his reign marked a critical development in the political relationship between Rome and Egypt, which became increasingly complex for the history of both nations towards the end of the Ptolemaic dynasty. After the battle of Pydna (B.C. 167), Rome had gained almost total control over the Hellenistic world, and it soon began to take hold of all the commerce in the eastern Mediterranean. As the Ptolemaic period was coming to an end, the great Republic eagerly set its sights on Egypt, looking for a chance to seize that prosperous land for its own gain.

Reference to the genealogy at the end of this volume will show the reader that the main line of the Lagidæ came to an end on the assassination (after a reign of nineteen days) of Ptolemy XII. (Alexander II.), who had been raised to the throne by Roman help. The only legitimate child of Ptolemy X. (Soter II.) was Berenice III., the cousin of Ptolemy XII., who had been married to him, the union, however, producing no heir to the throne. Ptolemy X. had two sons, the half-brothers of Berenice III., but they were both illegitimate, the name and status of their mother being now unknown. It is possible that they were the children of Cleopatra IV., who was divorced from their father at his accession; or it is possible that the lady was not of royal blood. On the death of Ptolemy XII. one of these two young men proclaimed himself Pharaoh of Egypt, being known to us as Ptolemy XIII., and the other announced himself as King of Cyprus, also under the name of Ptolemy. The people of Alexandria at once accepted Ptolemy XIII. as their king, for, whether illegitimate or not, he was the eldest male descendant of the line, and their refusal to accept his rule would have brought the dynasty to a close, thereby insuring an immediate Roman occupation. Cicero speaks of the new monarch as nec regio genere ortus, which implies that whoever his mother might be, she was not a reigning queen at the time of his birth; but the Alexandrian populace were in no mood to raise scruples in regard to his origin, when it was apparent that he alone stood between their liberty and the stern domination of Rome.

Reference to the genealogy at the end of this volume will show the reader that the main line of the Lagidæ came to an end with the assassination (after a reign of nineteen days) of Ptolemy XII (Alexander II.), who had been placed on the throne with Roman support. The only legitimate child of Ptolemy X (Soter II.) was Berenice III, the cousin of Ptolemy XII, who had been married to him, though their union produced no heir to the throne. Ptolemy X had two sons, the half-brothers of Berenice III, but both were illegitimate, and the name and status of their mother are now unknown. It's possible they were the children of Cleopatra IV, who was divorced from their father when he became king; or she might not have been of royal blood. After the death of Ptolemy XII, one of these two young men proclaimed himself Pharaoh of Egypt, known to us as Ptolemy XIII, while the other declared himself King of Cyprus, also going by the name Ptolemy. The people of Alexandria immediately accepted Ptolemy XIII as their king because, whether illegitimate or not, he was the oldest male descendant of the line, and refusing to accept his rule would have meant the end of the dynasty, leading to an immediate Roman occupation. Cicero refers to the new monarch as nec regio genere ortus, which suggests that, regardless of who his mother was, she was not a reigning queen at the time of his birth; however, the Alexandrian crowd wasn’t interested in questioning his origins when it was clear he was the only one standing between them and the harsh rule of Rome.

Alexandria Museum.]

SERAPIS.

SERAPIS.

THE CHIEF GOD OF ALEXANDRIA.

The main god of Alexandria.

No sooner had he ascended the throne, however, with49 the title of Ptolemy (XIII.) Neos Dionysos, than the discovery was made that Ptolemy XII., under his name of Alexander, had in his will appointed the Roman Republic his heir, thus voluntarily bringing his dynasty to a close. Such a course of action was not novel. It had already been followed in the case of Pergamum, Cyrene, and Bithynia, and it seems likely that Ptolemy XII. had taken this step in order to obtain the financial or moral support of the Romans in regard to his accession, or for some equally urgent reason. The Senate acknowledged the authenticity of the will, which, of course, the party of Ptolemy XIII. had denied. It had been suggested that the testator was not Ptolemy XII. at all, but another Alexander, Ptolemy XI. (Alexander I.), or an obscure person sometimes referred to as Alexander III. There is little question, however, that the will was genuine enough; but there is considerable doubt as to whether it was legally valid. In the first place, it was probably written before Ptolemy XII. succeeded to the kingdom; and, in the second place, such a will would only be valid were there no heir to the throne; but the people of Alexandria had accepted Ptolemy XIII. as the rightful heir. At all events the Senate, while seizing, by virtue of the document, as much of the private fortune of the testator as they could lay hands on, took no steps to dethrone the two new kings, either of Egypt or Cyprus, though, on the other hand, they did not officially recognise them.

No sooner had he taken the throne, with49 the title of Ptolemy (XIII.) Neos Dionysos, than it was discovered that Ptolemy XII., under the name of Alexander, had named the Roman Republic as his heir in his will, effectively ending his dynasty. This kind of action wasn't new; it had already occurred in Pergamum, Cyrene, and Bithynia. It seems likely that Ptolemy XII. did this to secure financial or moral support from the Romans for his accession, or for some equally pressing reason. The Senate recognized the will as legitimate, despite Ptolemy XIII.’s supporters disputing it. Some suggested that the testator was not Ptolemy XII. at all, but another Alexander, either Ptolemy XI. (Alexander I.) or an obscure figure sometimes called Alexander III. There’s little doubt, however, that the will was authentic; there’s considerable uncertainty about whether it was legally binding. For one, it was likely written before Ptolemy XII. became king; and second, such a will would only be valid if there were no rightful heir to the throne, but the people of Alexandria had accepted Ptolemy XIII. as the legitimate heir. In any case, while the Senate seized as much of the testator’s private fortune as they could, they took no action to depose the two new kings of Egypt or Cyprus, although they didn’t officially recognize them either.

In this attitude they were influenced also by the fact that a large party in Rome did not wish to see the Republic further involved in Oriental affairs, nor did they feel at the moment inclined to place in the hands of any one man such power as would accrue to the50 official who should be appointed as Governor of the new province. Egypt was regarded as a very wealthy and important country, second only to Rome in the extent of its power. It held the keys to the rich lands of the south, and to Arabia and India it seemed to be one of the main gateways. The revenues of the palace of Alexandria were quite equal to the public income of Rome at this time; and, indeed, even at a later date, after Pompey had so greatly augmented the yearly sum in the Treasury, the wealth of the Egyptian Court was not far short of this increased total.15 Alexandria had succeeded Athens as the seat of culture and learning, and it was now regarded as the second city of the world. It was therefore felt that the armies and the generals sent over the sea to this distant land might well run the risk of being absorbed into the life of the country which they were holding, and might as it were inevitably set up an Eastern Empire which would be a menace, and even a terror, to Rome.

In this mindset, they were also influenced by the fact that many people in Rome didn’t want to see the Republic get further involved in Eastern affairs, nor were they inclined to give any one person the kind of power that would come with the role of Governor of the new province. Egypt was seen as a very wealthy and important country, second only to Rome in terms of its influence. It controlled access to the rich southern lands and was one of the main gateways to Arabia and India. The revenue from the palace of Alexandria was equal to Rome's public income at that time; in fact, even later, after Pompey had greatly increased the annual amount in the Treasury, the wealth of the Egyptian Court was still not far off from this new total. Alexandria had taken over as the center of culture and learning from Athens, and it was now considered the second city in the world. Therefore, it was believed that the armies and generals sent across the sea to this far-off land could easily become engrossed in the local life and, in a way, inevitably establish an Eastern Empire that would pose a threat, even a danger, to Rome.

The new King of Egypt, whom we may now call by his nickname Auletes, was much disturbed by the existence of this will, and throughout his reign he was constantly making efforts to buy off the expected interference of Rome. He was an unhappy and unfortunate man. All he asked was to be allowed to enjoy the royal wealth in drunken peace, and not to be bothered by the haunting fear that he might be turned out of his kingdom. He was a keen enjoyer of good living, and there was nothing that pleased him so much as the participation in one of the orgies of Dionysos. He played the pipes with some proficiency, and, when he was sober, it would seem that he spent many a contented hour piping pleasantly in the51 sun. Yet his reign was continuously overshadowed by this knowledge that the Romans might at any moment dethrone him; and one pictures him often giving vent to an evening melancholy by blowing from his little flute one of those wailing dirges of his native land, which flutter upon the ears like the notes of a night-bird, and drift at last upon a half-tone into silence.

The new King of Egypt, whom we now know as Auletes, was deeply troubled by the existence of this will, and throughout his reign, he consistently tried to fend off any interference from Rome. He was an unhappy and unfortunate man. All he wanted was to enjoy his royal wealth in drunken peace and not be plagued by the constant fear of being overthrown. He loved indulging in good food and drink, and nothing made him happier than joining in one of Dionysos's wild parties. He could play the pipes fairly well, and when he was sober, he often spent countless happy hours playing sweet melodies in the51 sun. However, his reign was always overshadowed by the fear that the Romans could dethrone him at any moment; you can imagine him often expressing his evening sorrow by playing on his small flute one of those mournful dirges from his homeland, which flutter in the air like the notes of a nightingale and eventually fade away softly.

In the fifth year of his reign, that is to say in B.C. 75, his kinswoman, Selene, sent her two sons to Rome with the object of obtaining the thrones of Egypt, Cyprus, and Syria; and Auletes must have watched with anxiety their attempts to oust him. He knew that they were giving bribes right and left to the Senators, in order to effect their purpose, and he was aware that in this manner alone the heart of the Roman Republic could be touched; yet for the time being he avoided these methods of expending his country’s revenue, and, after a while, he had the satisfaction of hearing that Selene had abandoned her efforts to obtain recognition. In the thirteenth year of his reign Pompey sent a fleet under Lentulus Marcellinus to clear the Egyptian coast of pirates, and when Lentulus was made consul he caused the Ptolemaic eagle and thunderbolt to be displayed upon his coins to mark the fact that he had exercised an act of sovereignty in connection with that country. Three years later another Roman fleet was sent to Alexandria to impose the will of the Senate in regard to certain disputed questions; and once more Auletes must have suffered from the terrors of imminent dethronement.

In the fifth year of his reign, which was in BCE 75, his relative, Selene, sent her two sons to Rome to try to claim the thrones of Egypt, Cyprus, and Syria. Auletes must have anxiously watched their attempts to overthrow him. He knew they were bribing Senators left and right to achieve their goal, and he realized that was the only way to influence the Roman Republic; however, for the time being, he avoided using his country's funds for that purpose. Eventually, he was pleased to hear that Selene had given up her quest for recognition. In the thirteenth year of his reign, Pompey sent a fleet under Lentulus Marcellinus to rid the Egyptian coast of pirates. When Lentulus became consul, he had the Ptolemaic eagle and thunderbolt displayed on his coins to show he had exercised sovereignty over that region. Three years later, another Roman fleet was sent to Alexandria to enforce the Senate's will regarding some disputed issues, and once again, Auletes must have been filled with the fear of being overthrown.

In B.C. 65 he was again disturbed from his bibulous ease by the news that the Romans were thinking of sending Crassus or Julius Cæsar to annex his kingdom; but the scheme came to naught, and for a time Auletes52 was left in peace. In B.C. 63 Pompey annexed Syria to the Roman dominions, and thereupon Auletes sent him a large present of money and military supplies in order to purchase his friendship. At the same time he invited him to come to Egypt upon a friendly visit, but Pompey, while accepting the King’s money, did not think it necessary to make use of his hospitality.

In BCE 65, he was once again disrupted from his drinking habits by the news that the Romans were considering sending Crassus or Julius Caesar to take over his kingdom. However, the plan fell through, and for a while, Auletes52 was left in peace. In BCE 63, Pompey annexed Syria to the Roman territories, and in response, Auletes sent him a substantial gift of money and military supplies to win his favor. At the same time, he invited Pompey to visit Egypt for a friendly gathering, but while Pompey accepted the King’s gifts, he didn't feel it was necessary to take him up on the invitation.

At last, in B.C. 59, Auletes decided to go himself to Rome, in the hope of obtaining, through the good offices of Pompey, or of Cæsar, who was Consul in that year, the official recognition by the Senate of his right to the Egyptian throne. Being so degenerate and so worthless a personage, there was no likelihood that the Romans would confirm him in his kingdom unless they were well paid to do so, and he therefore took with him all the money he could lay his hands upon. In Rome, as Mommsen says, “men had forgotten what honesty was. A person who refused a bribe was regarded not as an upright man, but as a personal foe.” Auletes, therefore, when he had arrived, gave huge bribes to various Senators in order to obtain their support, and he appears to have been most systematically fleeced by the acute magnates of Rome. When for the moment his Egyptian resources were exhausted, he borrowed a large sum from the great financier, Rabirius Postumus, who persuaded some of his friends also to lend the King money. These men formed a kind of syndicate to finance Auletes, on the understanding that if he were confirmed in his heritage, they should each receive in return a sum vastly greater than that which they had put in.

At last, in BCE 59, Auletes decided to go to Rome himself, hoping to get the Senate to officially recognize his right to the Egyptian throne through the help of Pompey or Cæsar, who was Consul that year. Since he was such a degenerate and worthless character, there was little chance the Romans would confirm his rule unless he paid them well, so he took all the money he could gather. In Rome, as Mommsen points out, “men had forgotten what honesty was. A person who refused a bribe was seen not as a good person, but as a personal enemy.” Therefore, upon arriving, Auletes gave large bribes to various Senators to gain their support, and he seemed to be systematically taken advantage of by the sharp elites of Rome. When his Egyptian resources ran out momentarily, he borrowed a considerable amount from the wealthy financier, Rabirius Postumus, who also convinced some of his friends to lend the King money. These men formed a sort of syndicate to fund Auletes, agreeing that if he were confirmed in his inheritance, they would each receive back much more than what they contributed.

The visit of Auletes to Rome was made in the nick of time. The Pirate and the Third Mithridatic wars had left the Republic in pressing need of money, and53 there was much talk in regard to the advantages of an immediate annexation of Egypt. Crassus, the tribune Rullus, and Julius Cæsar had shown themselves anxious to take the country without delay; and the unfortunate King of Egypt thus found himself in a most desperate position. At last, however, a bribe of 6000 talents (about a million and a half sterling) induced the nearly bankrupt Cæsar to give Auletes the desired recognition, and the disgraceful transaction came to a temporary conclusion with Cæsar’s violent forcing of his “Julian Law concerning the King of Egypt” through the Senate, whereby Ptolemy was named the “ally and friend of the Roman people.”

The visit of Auletes to Rome happened just in time. The Pirate and the Third Mithridatic wars had left the Republic in urgent need of funds, and53 there was a lot of discussion about the benefits of quickly annexing Egypt. Crassus, the tribune Rullus, and Julius Caesar had all shown a strong interest in taking the country without delay; as a result, the unfortunate King of Egypt found himself in a dire situation. However, a bribe of 6000 talents (around a million and a half pounds) finally convinced the nearly broke Caesar to give Auletes the recognition he wanted, and this shameful deal came to a temporary end with Caesar’s aggressive push of his “Julian Law concerning the King of Egypt” through the Senate, which named Ptolemy the “ally and friend of the Roman people.”

In the next year, B.C. 58, the Romans, still in need of money, prepared to annex Cyprus, over which Ptolemy, the brother of Auletes, was reigning. The annexation had been proposed by Publius Clodius, a scoundrelly politician, who bore a grudge against the Cyprian Ptolemy owing to the fact that once when Clodius was captured by pirates Ptolemy had only offered two talents for his ransom. Ptolemy would not now buy off the invaders as his brother had done, and in consequence Cato landed on the island and converted it into part of the Roman province of Cilicia. Ptolemy, with a certain royal dignity, at once poisoned himself, preferring to die than to suffer the humiliation of banishment from the throne which he had usurped. His treasure of 7000 talents (some £1,700,000) fell into the hands of Cato, who having, no doubt, helped himself to a portion of the booty,16 handed the remainder over to the benign Senate.

In the year 58 B.C., the Romans, still needing money, planned to annex Cyprus, where Ptolemy, Auletes' brother, was ruling. The annexation was suggested by Publius Clodius, a shady politician who held a grudge against Ptolemy because when Clodius was captured by pirates, Ptolemy had only offered two talents for his ransom. Ptolemy wasn’t going to buy off the invaders as his brother had done, so Cato landed on the island and made it part of the Roman province of Cilicia. Ptolemy, maintaining a sense of royal dignity, quickly poisoned himself, choosing to die rather than endure the shame of being ousted from the throne he had taken. His treasure of 7,000 talents (about £1,700,000) fell into Cato’s hands, who, no doubt, took a cut of the loot and handed the rest over to the generous Senate.

No sooner had Auletes obtained the support of Rome,54 however, than his own people of Alexandria, incensed by the increase of taxation necessary for paying off his debts, and angry also at the King’s refusal to seize Cyprus from the Romans, rose in rebellion and drove him out of Egypt. While the wretched man was on his way to Rome, he put in at Rhodes, where he had heard that Cato was staying, in order to obtain some help from this celebrated Senator; and, having had few personal dealings with Romans, he sent a royal invitation or command to Cato to come to him. The Senator, however, who that day was suffering from a bilious attack, and had just swallowed a dose of medicine, was in no mind to wait upon drunken kings. He therefore sent a message to Auletes stating that if he wished to see him he had better come to his lodgings in the town; and the King of Egypt was thus obliged to humble himself and to find his way to the Senator’s house. Cato did not even rise from his seat when Auletes was ushered in; but straightway bidding the King be seated, gave him a severe lecture on the folly of going to Rome to plead his cause. All Egypt turned into silver, he declared, would hardly satisfy the greed of the Romans whom he would have to bribe, and he strongly urged him to return to Egypt and to make his peace with his subjects. The Senator’s bilious attack, however, seems to have cut short the interview, and Auletes, unconvinced, set sail for Italy.

No sooner had Auletes gained the support of Rome,54 than his own people in Alexandria, infuriated by the rising taxes needed to pay off his debts and upset by the King’s refusal to take Cyprus from the Romans, rebelled and drove him out of Egypt. As he was heading to Rome, he stopped in Rhodes because he heard that Cato was there and hoped to get some help from this well-known Senator. Since he had little experience dealing with Romans, he sent a formal invitation for Cato to meet him. However, Cato, who was suffering from a stomach issue that day and had just taken some medicine, wasn’t in the mood to entertain drunken kings. He sent a message back to Auletes, telling him that if he wanted to see him, he needed to come to his place in town. So, the King of Egypt had to humble himself and make his way to the Senator’s house. Cato didn’t even stand up when Auletes walked in; instead, he told the King to sit down and launched into a serious lecture about the foolishness of going to Rome to plead his case. He stated that not even all the silver in Egypt would be enough to satisfy the greed of the Romans he’d have to bribe, and he strongly advised him to return to Egypt and reconcile with his subjects. However, Cato’s stomach issue seemed to cut the meeting short, and Auletes, unconvinced, set sail for Italy.

Meanwhile the King’s daughter, Berenice IV., had seized the Egyptian throne, and was reigning serenely in her father’s place. This princess and her sister, Cleopatra VI., who died soon afterwards, were the only two children of Auletes’ first marriage—namely, with Cleopatra V. There were four young children in the Palace55 nurseries who were born of a second marriage, but who their mother was, or whether she was at this time alive or dead, history does not record. Of these four children, two afterwards succeeded to the throne as Ptolemy XIV. and Ptolemy XV., a third was the unfortunate Princess Arsinoe, and the fourth was the great Cleopatra VII., the heroine of the present volume, at this time about eleven years of age, having been born in the winter of B.C. 69–68.

Meanwhile, the King’s daughter, Berenice IV, had taken the Egyptian throne and was ruling calmly in her father’s place. This princess and her sister, Cleopatra VI, who died soon after, were the only two children from Auletes’ first marriage—with Cleopatra V. There were four young kids in the palace nurseries who were born from a second marriage, but history doesn’t record who their mother was or if she was alive or dead at that time. Of these four children, two later became the rulers as Ptolemy XIV and Ptolemy XV, one was the unfortunate Princess Arsinoe, and the fourth was the great Cleopatra VII, the heroine of this volume, who was about eleven years old at this time, having been born in the winter of BCE 69–68.

Auletes having fled to Rome, approached the Senate in the manner of one who had been unjustly evicted from an estate which he had purchased from them. Again he bribed the leading statesmen, and again borrowed money on all sides, though now it is probable that his Roman creditors were less sanguine than on the previous occasion. Cæsar was absent in Gaul at this time, and therefore was not able to be bribed. Pompey, curiously enough, does not appear to have accepted the King’s money, though he offered him the hospitality of his villa in the Alban district, a fact which suggests that the idea of restoring Auletes to his throne had made a strong appeal to the imagination of this impressionable Roman. He had already made himself a kind of patron of the Egyptian Court, and there can be little doubt that he hoped to obtain from Auletes, in return for his favours, the freedom to make use of the wealth and resources of that monarch’s enormously valuable dominion.

Auletes, having fled to Rome, approached the Senate like someone who had been wrongly kicked out of a property he bought from them. He bribed the top politicians again and borrowed money from everywhere, although it's likely that his Roman creditors were not as optimistic this time. Cæsar was away in Gaul at that moment, so he couldn't be bribed. Interestingly, Pompey doesn't seem to have taken the King’s money, although he did offer him a place to stay at his villa in the Alban region, suggesting that the idea of bringing Auletes back to his throne really appealed to this impressionable Roman. He had already positioned himself as a sort of patron of the Egyptian Court, and it's clear that he was hoping to gain from Auletes, in return for his support, the freedom to tap into the wealth and resources of that king’s hugely valuable territory.

The people of Alexandria, who were eagerly desirous that Auletes should not be reinstated, now sent an embassy of a hundred persons to Rome to lay before the Senate their case against the King; but the banished monarch, driven by despair to any lengths, hired assassins and caused the embassy to be attacked near Puteoli,56 the modern Pozzuoli, many of them being slain. Those who survived were heavily bribed, and thus the crime was hushed up. The leader of the deputation, the philosopher Dion, escaped on this occasion, but was poisoned by Auletes as soon as he arrived in Rome; and thereupon the desperate King was able to breathe once more in peace. All might now have gone well with his cause, and a Roman army might have been placed at his disposal had not some political opponent discovered in the Sibylline Books an oracle which stated that if the King of Egypt were to come begging for help he should be aided with friendship but not with arms. Thereat, in despair, the unfortunate Auletes quitted Rome, and took up his residence at Ephesus, leaving in the capital an agent named Ammonios to keep him in touch with events.

The people of Alexandria, who were very eager to prevent Auletes from being restored to power, sent a delegation of a hundred people to Rome to present their case against the King to the Senate. However, the exiled monarch, driven by desperation, hired assassins to ambush the delegation near Puteoli,56 now known as Pozzuoli, resulting in the deaths of many. Those who survived were heavily bribed, which silenced the matter. The leader of the group, the philosopher Dion, managed to escape this time but was poisoned by Auletes as soon as he arrived in Rome; this allowed the desperate King to feel a moment of relief. Things could have gone well for him, and he might have even gained a Roman army to support him, but a political rival found an oracle in the Sibylline Books stating that if the King of Egypt asked for help, he should be welcomed with friendship but not with weapons. In despair over this, the unfortunate Auletes left Rome and relocated to Ephesus, leaving an agent named Ammonios in the capital to keep him updated on events.

Three years later, in January B.C. 55, the King’s interests were still being discussed, and Pompey was trying, in a desultory manner, to assist him back to his throne; but so great were the fears of the Senate at placing the task in the hands of any one man, that no decision could be arrived at. It was suggested that Lentulus Spinther, the Governor of Cilicia, should evade the Sibylline decree by leaving Auletes at Ptolemais (Acre) and going himself to Egypt at the head of an army; but the King no doubt saw in this an attempt by the wily Romans simply to seize his country, and he appears to have opposed the plan with understandable vehemence. It was then proposed that Lentulus should take no army, but should trust to the might of the Roman name for his purpose, thereby following the advice of the prophetic Books.

Three years later, in January BCE 55, the King’s interests were still being discussed, and Pompey was trying, somewhat half-heartedly, to help him regain his throne; however, the Senate was so worried about giving that responsibility to a single person that they couldn't reach a decision. It was suggested that Lentulus Spinther, the Governor of Cilicia, should sidestep the Sibylline decree by leaving Auletes in Ptolemais (Acre) and going to Egypt himself with an army; but the King likely viewed this as a clever Roman plot to seize his country, and he reportedly opposed the plan with understandable intensity. It was then proposed that Lentulus should go without an army and rely on the power of the Roman name for his purpose, thereby following the guidance of the prophetic Books.

At last, however, Auletes offered the huge bribe of57 10,000 talents (nearly two and a half millions sterling) for the repurchase of his kingdom; and, as a consequence, the Governor of Syria, Aulus Gabinius, himself a bankrupt in sore need of money, arranged to invade Egypt and to place Auletes upon the throne in spite of the Sibylline warnings. Gabinius, being so deeply in debt, and knowing that a large portion of the promised sum would pass to him, was extremely eager to undertake the war, though it is said that he feared the possibility of disaster. He therefore pushed forward the arrangements for the campaign with all despatch, and soon was prepared to set out across the desert to Egypt.

At last, Auletes offered a massive bribe of57 10,000 talents (almost two and a half million pounds) to reclaim his kingdom. As a result, the Governor of Syria, Aulus Gabinius, who was himself broke and desperate for cash, decided to invade Egypt and put Auletes back on the throne, despite the warnings from the Sibyl. Gabinius, being heavily in debt and aware that a significant part of the promised money would go to him, was very eager to lead the campaign, although it's said he was worried about the potential for failure. He quickly moved forward with planning the campaign and soon was ready to head out across the desert to Egypt.

Meanwhile the Alexandrians had married Berenice IV. to Archelaus, the High Priest of Komana in Cappadocia, an ambitious man of great influence and authority, a protégé of Pompey the Great, who had been raised to the High Priesthood by him in B.C. 64, and who at once attempted, but without success, to obtain through him the support of Rome. Gabinius was not long in declaring war against Archelaus, under the pretext that he was encouraging piracy along the North African coast, and also that he was building a fleet which might be regarded as a menace to Rome; and soon his army was marching across the desert from Gaza to Pelusium. The cavalry, which was sent in advance of the main army, was commanded by Marcus Antonius, at this time a smart young soldier whose future lay all golden before him. The frontier fortress of Pelusium fell to his brilliant generalship, and soon the Roman legions were marching on Alexandria. The palace soldiery now joined the invaders, Archelaus was killed, and the city fell.

Meanwhile, the people of Alexandria had married Berenice IV to Archelaus, the High Priest of Komana in Cappadocia. He was an ambitious man with a lot of influence and authority, a protégé of Pompey the Great, who had been appointed to the High Priesthood by him in BCE 64. Archelaus quickly tried, but failed, to gain support from Rome through Pompey. Gabinius soon declared war on Archelaus, claiming he was promoting piracy along the North African coast and building a fleet that could threaten Rome. Before long, his army was marching across the desert from Gaza to Pelusium. The cavalry, which was sent ahead of the main army, was led by Marcus Antonius, a sharp young soldier with a bright future ahead of him. Under his impressive leadership, the frontier fortress of Pelusium fell, and soon the Roman legions were on their way to Alexandria. The palace guards sided with the invaders, Archelaus was killed, and the city fell.

Auletes was at once restored to his throne, and Berenice IV. was put to death. A large number of58 Roman infantry and Celtic and German cavalry, of whom we shall hear again, were left in the city to preserve order, and it would seem that for a short time Anthony remained in Alexandria. The young Princess Cleopatra was now a girl of some fourteen years of age, and already she is said to have attracted the Roman cavalry leader by her youthful beauty and charm. At the east end of the Mediterranean a girl of fourteen years is already mature, and has long arrived at what is called a marriageable age. There is probably little importance to be attached to this meeting, but it is not without interest as an earnest of future events.

Auletes was quickly reinstated as king, and Berenice IV was executed. A significant number of 58 Roman infantry, along with Celtic and German cavalry—who we’ll hear about again—were stationed in the city to maintain order, and it seems that Anthony stayed in Alexandria for a little while. At this point, Princess Cleopatra was about fourteen years old, and she was already said to have caught the attention of the Roman cavalry leader with her youthful beauty and charm. In the eastern Mediterranean, a girl of fourteen is considered mature and has typically reached what’s seen as the right age for marriage. While this meeting may not hold much significance, it is interesting as a sign of future events.

The Romans now began to demand payment of the various sums promised to them by Auletes. Rabirius Postumus appears to have been one of the largest creditors, and the only way in which the King could pay him back was by making him Chancellor of the Exchequer, so that all taxes might pass through his hands. Rabirius also represented the interests of the importunate Julius Cæsar, and probably those of Gabinius. The situation was thus not unlike that which was found in Egypt in the ’seventies, when a European Commission was appointed to handle all public funds in order that the ruler’s private debts might be paid off. In the case of Auletes, however, it was the leading Romans who were his creditors, and hence we find the shadow of the great Republic hanging over the Alexandrian court, and Rome is seen to be inextricably mixed up with Egyptian affairs. Roman money had been lent and had to be regained; Roman officials handled all the taxes; a Roman army occupied the city, and the King reigned by permission of the Roman Senate to whom his kingdom had been bequeathed.

The Romans started to demand repayment of the various amounts promised to them by Auletes. Rabirius Postumus seems to have been one of the biggest creditors, and the only way the King could pay him back was by appointing him Chancellor of the Exchequer, allowing all taxes to go through him. Rabirius also represented the interests of the persistent Julius Cæsar, and likely those of Gabinius. The situation was similar to what was happening in Egypt in the '70s, when a European Commission was set up to manage all public funds to settle the ruler’s personal debts. In Auletes's case, however, it was the leading Romans who were his creditors, which is why we see the influence of the great Republic over the Alexandrian court, and Rome deeply intertwined with Egyptian matters. Roman money had been lent and needed to be recovered; Roman officials managed all the taxes; a Roman army occupied the city, and the King ruled with the permission of the Roman Senate, to whom his kingdom had been entrusted.

59 In B.C. 54 the Alexandrians made an attempt to shake off the incubus, and drove Rabirius out of Egypt. Roman attention was at once fixed upon Alexandria, and it is probable that the country would have been annexed at once had not the appalling Parthian catastrophe in the following year, when Crassus was defeated and killed, diverted their minds to other channels. Auletes, however, did not live long to enjoy his dearly-bought immunity; for in the summer of B.C. 51 he passed away, leaving behind him the four children born to him of his second marriage with the unknown lady who was now probably dead. The famous Cleopatra, the seventh of the name, was the eldest of this family, being, at her father’s death, about eighteen years of age. Her sister Arsinoe, whom she heartily disliked, was a few years younger. The third child was a boy of ten or eleven years of age, afterwards known as Ptolemy XIV.; and lastly, there was the child who later became Ptolemy XV., now a boy of seven or eight.17 Auletes, warned by his own bitter experiences, had taken the precaution to write an explicit will in which he stated clearly his wishes in regard to the succession. One copy of the will was kept at Alexandria, and a second copy, duly attested and sealed, was placed in the hands of Pompey at Rome, who had befriended the King when he was in that city, with the request that it should be deposited in the ærarium. In this will Auletes decreed that his eldest surviving daughter and eldest surviving son should reign jointly; and he called upon the Roman people in the name of all their gods and in view of all their treaties made with him, to60 see that the terms of his testament were carried out. He further asked the Roman people to act as guardian to the new King, as though fearing that the boy might be suppressed, or even put out of the way by his co-regnant sister. At the same time he carefully urged them to make no change in the succession, and his words have been thought to suggest that he feared lest Cleopatra, in like manner, might be removed in favour of Arsinoe. In a court such as that of the Ptolemies the fact that two sons and two daughters were living at the palace at the King’s death boded ill for the prospects of peace; and it would seem that Auletes’ knowledge that Cleopatra and Arsinoe were not on the best of terms gave rise in his mind to the greatest apprehension. Being aware of the domestic history of his family, and knowing that his own hands were stained with the blood of his daughter Berenice, whom he had murdered on his return from exile, he must have been fully alive to the possibilities of internecine warfare amongst his surviving children; and, being in his old age sick of bloodshed and desiring only a bibulous peace for himself and his descendants, he took every means in his power to secure for them that pleasant inertia which had been denied so often to himself.

59 In BCE 54, the people of Alexandria tried to free themselves from the heavy burden they faced and expelled Rabirius from Egypt. The Romans quickly turned their attention to Alexandria, and it’s likely that they would have annexed the region right away if it weren’t for the disastrous Parthian defeat the following year, when Crassus was defeated and killed, which shifted their focus elsewhere. However, Auletes didn’t live long enough to enjoy his hard-won freedom; he passed away in the summer of BCE 51, leaving behind four children from his second marriage to a woman who was likely already dead. The famous Cleopatra, the seventh of her name, was the oldest, about eighteen at her father’s death. Her sister Arsinoe, whom she disliked, was a few years younger. The third child was a boy around ten or eleven years old, later known as Ptolemy XIV; and finally, there was the youngest, who would become Ptolemy XV, now a boy of seven or eight. 17 Auletes, having learned from his own painful experiences, took the precaution of writing a detailed will that clearly expressed his wishes regarding the succession. One copy of the will was kept in Alexandria, and a second, properly signed and sealed, was given to Pompey in Rome, who had helped the King when he was there, with the request that it be stored in the ærarium. In this will, Auletes stated that his eldest surviving daughter and eldest surviving son should rule together, and he called upon the Roman people, in the name of all their gods and in light of all the treaties made with him, to ensure that his wishes were fulfilled. He also requested the Roman people to act as guardians for the new King, as if he feared that the boy might be suppressed or even harmed by his co-ruling sister. At the same time, he carefully urged them to make no changes to the succession, suggesting he was concerned that Cleopatra might similarly be removed in favor of Arsinoe. In a court like that of the Ptolemies, the presence of two sons and two daughters in the palace at the King’s death was an ominous sign for peace; and it seems Auletes’ awareness that Cleopatra and Arsinoe were not on good terms caused him great worry. Knowing the troubled history of his family and that he had blood on his hands from the murder of his daughter Berenice upon his return from exile, he must have been acutely aware of the potential for civil war among his surviving children. Now, in his old age, tired of bloodshed and longing for a peaceful life for himself and his descendants, he did everything he could to secure the kind of tranquility that had been denied to him for so long.

His wish that his eighteen-year-old daughter should reign with his ten-year-old son involved, as a matter of course, the marriage of the sister and brother, for the Ptolomies had conformed to ancient Egyptian customs to the extent of perpetrating when necessary a royal marriage between a brother and sister in this manner. The custom was of very ancient establishment in Egypt, and was based originally on the law of female succession, which made the monarch’s eldest daughter the heiress of the kingdom. The son who had been selected by his61 father to succeed to the throne, or who aspired to the sovereignty either by right or by might, obtained his legal warrant to the kingdom by marriage with this heiress. When such an heiress did not exist, or when the male claimant to the throne had no serious rivals, this rule often seems to have been set aside; but there are few instances of its disuse when circumstances demanded a solidification of the royal claim to the throne.

His desire for his eighteen-year-old daughter to rule alongside his ten-year-old son meant, as usual, that the sister and brother would marry each other. The Ptolemies followed ancient Egyptian traditions, which sometimes required royal marriages between siblings. This practice had deep roots in Egypt’s history and was originally based on the law of female succession, making the monarch's oldest daughter the heir to the kingdom. The son chosen by his61father to take the throne, or who sought power by right or force, legitimized his claim to the kingdom by marrying this heiress. When such an heiress wasn’t available, or when a male contender had no serious challengers, this rule was often disregarded; however, there are few examples of this not being followed when a strong royal claim to the throne was needed.

When, therefore, according to the terms of the will of Auletes, his eldest daughter and eldest son succeeded jointly to the throne as Cleopatra VII. and Ptolemy XIV., their formal marriage was contemplated as a matter of course. There is no evidence of this marriage, and one may suppose that it was postponed by Cleopatra’s desire, on the grounds of the extreme youth of the King. Marriages at the age of eleven or twelve years were not uncommon in ancient Egypt, but they were not altogether acceptable to Greek minds; and the Queen could not have found much difficulty in making this her justification for holding the power in her own hands. The young Ptolemy XIV. was placed in the care of the eunuch Potheinos, a man who appears to have been typical of that class of palace intriguers with whom the historian becomes tediously familiar. The royal tutor, Theodotos, an objectionable Greek rhetorician, also exercised considerable influence in the court, and a third intimate of the King was an unscrupulous soldier of Egyptian nationality named Achillas, who commanded the troops in the palace. These three men very soon obtained considerable power, and, acting in the name of their young master, they managed to take a large portion of the government62 into their own hands. Cleopatra, meanwhile, seems to have suffered something of an eclipse. She was still only a young girl, and her advisers appear to have been men of less strength of purpose than those surrounding her brother’s person. The King being still a minor, the bulk of the formal business of the State was performed by the Queen; but it would seem that the real rulers of the country were Potheinos and his friends.

When, according to the terms of Auletes' will, his eldest daughter and son took the throne together as Cleopatra VII and Ptolemy XIV, their official marriage was considered a given. There's no evidence that this marriage actually happened, and it's likely that Cleopatra chose to postpone it due to the King's young age. While marriages at ages eleven or twelve were common in ancient Egypt, they weren't fully accepted by Greek standards; Cleopatra could easily use this as a reason to maintain control. Young Ptolemy XIV was placed under the care of the eunuch Potheinos, who seemed to fit the mold of the scheming palace insiders that historians often mention. The royal tutor, Theodotos, an overly ambitious Greek rhetorician, also had significant influence at court, while another key figure was an unscrupulous Egyptian soldier named Achillas, who led the palace troops. These three men quickly gained a lot of power, and acting on behalf of their young king, they managed to take a significant part of the government into their own hands. Meanwhile, Cleopatra seemed to fade into the background. She was still a young girl, and her advisers appeared to lack the strong will of those surrounding her brother. Since the King was still a minor, most state affairs were conducted by the Queen; however, it seemed that the true leaders of the country were Potheinos and his allies.62

Some two or three years after the death of Auletes, Marcus Calpurnius Bibulus,18 the pro-consular Governor of Syria, sent his two sons to Alexandria to order the Roman troops stationed in that city to join his army in his contemplated campaign against the Parthians. These Alexandrian troops constituted the Army of Occupation, which had been left in Egypt by Gabinius in B.C. 55 as a protection to Auletes. They were for the most part, as has been said, Gallic and German cavalry, rough men whose rude habits and bulky forms must have caused them to be the wonder and terror of the city. These Gabiniani milites had by this time settled down in their new home, and had taken wives to themselves from the Greek and Egyptian families of Alexandria. In spite of the presence amongst them of a considerable body of Roman infantry veterans who had fought under Pompey, the discipline of the army was already much relaxed; and when the Governor of Syria’s orders were received there was an immediate mutiny, the two unfortunate sons of Bibulus being promptly murdered by the angry and probably drunken soldiers. When the affair was reported to the palace, Cleopatra issued orders for the immediate arrest of the63 murderers; and the army, realising that their position as mutinous troops was untenable, handed over the ringleaders apparently without further trouble. The prisoners were then sent by the Queen in chains to Bibulus; but he, being possessed of the best spirit of the old Roman aristocracy, sent back these murderers of his two sons to her with the message that the right of inflicting punishment in such cases belonged only to the Senate. History does not tell us what was the ultimate fate of these men, and the incident is not of great importance except in so far as it shows the first recorded act of Cleopatra’s reign as being one of tactful deliberation and fair dealing with her Roman neighbours.

About two or three years after Auletes died, Marcus Calpurnius Bibulus, the pro-consular Governor of Syria, sent his two sons to Alexandria to order the Roman troops stationed in that city to join his army for a planned campaign against the Parthians. These Alexandrian troops made up the Army of Occupation, which Gabinius had left in Egypt in 55 B.C. to protect Auletes. As mentioned, they were mostly Gallic and German cavalry, tough men whose rough habits and large sizes must have been both a source of fascination and fear for the city. By this time, these Gabiniani milites had settled into their new lives and married women from the Greek and Egyptian families in Alexandria. Despite having a significant group of Roman infantry veterans who had fought under Pompey among them, the army's discipline had already loosened quite a bit; and when the Governor of Syria's orders came in, a mutiny broke out, resulting in the immediate murder of Bibulus's two unfortunate sons by the angry and likely intoxicated soldiers. When the incident was reported to the palace, Cleopatra ordered the immediate arrest of the murderers; and the army, realizing that their position as mutinous troops was unsustainable, handed over the ringleaders without much fuss. The prisoners were then sent by the Queen in chains to Bibulus, but he, embodying the true spirit of the old Roman aristocracy, sent these murderers of his sons back to her with the message that the right to punish in such cases belonged only to the Senate. History does not reveal what ultimately happened to these men, and the incident is not particularly significant except for showing that Cleopatra's first recorded act in her reign was one of tactful consideration and fair treatment of her Roman neighbors.

Shortly after this, in the year B.C. 49, Pompey sent his son, Cnæus Pompeius, to Egypt to procure ships and men in preparation for the civil war which now seemed inevitable; and the Gabinian troops, feeling that a war against Julius Cæsar offered more favourable possibilities than a campaign against the ferocious Parthians, cheerfully responded to the call. Fifty warships and a force of 500 men left Alexandria with Cnæus, and eventually attached themselves to the command of Bibulus, who was now Pompey’s admiral in the Adriatic. It is said that Cnæus Pompeius was much attracted by Cleopatra’s beauty and charm, and that he managed to place himself upon terms of intimacy with her; but there is absolutely nothing to justify the suggestion that there was any sort of serious intrigue. I am of opinion that the stories of this nature which passed into circulation were due to the fact that the possibility of a marriage between Cleopatra and the young Roman had been contemplated by Alexandrian politicians. The great Pompey was master of the Roman world, and a union64 with his son, on the analogy of that between Berenice and the High Priest of Komana, was greatly to be desired. The proposal, however, does not seem to have obtained much support, and the matter was presently dropped.

Shortly after this, in the year BCE 49, Pompey sent his son, Cnæus Pompeius, to Egypt to gather ships and men in preparation for the civil war that now seemed unavoidable; and the Gabinian troops, feeling that fighting Julius Cæsar presented better opportunities than a campaign against the fierce Parthians, eagerly responded to the call. Fifty warships and a force of 500 men left Alexandria with Cnæus and eventually joined the command of Bibulus, who was now Pompey’s admiral in the Adriatic. It's said that Cnæus Pompeius was quite taken with Cleopatra’s beauty and charm, and that he managed to get close to her; but there is absolutely no evidence to support the idea that there was any serious romance. I believe that the rumors of this kind that circulated were due to the fact that Alexandrian politicians had considered the possibility of a marriage between Cleopatra and the young Roman. The great Pompey was the master of the Roman world, and a union64 with his son, similar to that between Berenice and the High Priest of Komana, was highly desirable. However, the proposal doesn’t seem to have gained much support, and the matter was soon dropped.

In the following year, B.C. 48, when Cleopatra was twenty-one years of age and her co-regnant brother fourteen, important events occurred in Alexandria of which history has left us no direct record. It would appear that the brother and sister quarrelled, and that the palace divided itself into two opposing parties. The young Ptolemy, backed by the eunuch Potheinos, the rhetorician Theodotos, and the soldier Achillas, set himself up as sole sovereign of Egypt; and Cleopatra was obliged to fly for her life into Syria. We have no knowledge of these momentous events: the struggle in the palace, the days in which the young queen walked in deadly peril, the adventurous escape, and the flight from Egypt. We know only that when the curtain is raised once more upon the royal drama, the young Ptolemy is King of Egypt, and, with his army, is stationed on the eastern frontier to prevent the incursion of his exiled sister, who has raised an expeditionary force in Syria and is marching back to her native land to seize again the throne which she had lost. There is something which appeals very greatly to the imagination in the thought of this spirited young Queen’s rapid return to the perilous scenes from which she had so recently escaped; and the historian feels at once that he is dealing with a powerful character in this woman who could so speedily raise an army of mercenaries, and could dare to march back in battle array across the desert towards the land which had cast her out.

In the following year, BCE 48, when Cleopatra was twenty-one years old and her brother was fourteen, significant events took place in Alexandria that history hasn't recorded directly. It seems that the brother and sister had a falling out, and the palace split into two opposing factions. The young Ptolemy, supported by the eunuch Potheinos, the rhetorician Theodotos, and the soldier Achillas, declared himself the sole ruler of Egypt; and Cleopatra was forced to flee for her life to Syria. We have no details about these critical events: the power struggle in the palace, the days when the young queen faced grave danger, her daring escape, and her flight from Egypt. All we know is that when the story resumes, the young Ptolemy is King of Egypt, and with his army, he is stationed on the eastern border to block his exiled sister, who has gathered a force in Syria and is marching back to reclaim the throne she had lost. There’s something incredibly intriguing about the idea of this determined young queen rapidly returning to the dangerous situations she had just escaped; and the historian quickly realizes he is dealing with a strong character in this woman who could quickly assemble an army of mercenaries and boldly march back across the desert toward the land that had rejected her.


CHAPTER IV.
THE DEATH OF POMPEY AND CÆSAR'S ARRIVAL IN EGYPT.

The fortress of Pelusium, near which the opposing armies of Ptolemy and Cleopatra were arrayed, stood on low desert ground overlooking the sea, not far east of the modern Port Said. It was the most easterly port and stronghold of the Delta; and, being built upon the much-frequented highroad which skirted the coast between Egypt and Syria, it formed the Asiatic gateway of the Ptolemaic kingdom. The young Ptolemy XIV. had stationed himself, with his advisers and his soldiers, in this fortress, in order to oppose the entrance of his sister Cleopatra, who, as we have already seen, had marched with a strong army back to Egypt from Syria, whither she had fled. On September 28th, B.C. 48, when Cleopatra’s forces, having arrived at Pelusium, were preparing to attack the fortress, and were encamped upon the sea-coast a few miles to the east of the town, an event occurred which was destined to change the whole course of Egyptian history. Round the barren headland to the west of the little port a Seleucian galley hove into sight, and cast anchor a short distance from the shore. Upon the66 deck of this vessel stood the defeated Pompey the Great and Cornelia his wife, who, flying from the rout of Pharsalia, had come to claim the hospitality of the Egyptian King. The young monarch appears to have been warned of his approach, for Pompey had touched at Alexandria, and there hearing that Ptolemy had gone to Pelusium, had probably sent a messenger to him overland and himself had sailed round by sea. The greatest flurry had been caused in the royal camp by the news, and for the moment the invasion of Cleopatra and the impending battle with her forces were quite forgotten in the excitement of the arrival of the man who for so long had been the mighty patron of the Ptolemaic Court.

The fortress of Pelusium, where the opposing armies of Ptolemy and Cleopatra were positioned, was located on low desert land with a view of the sea, not far east of modern Port Said. It was the most eastern port and stronghold of the Delta and was built along the busy highway that ran along the coast between Egypt and Syria, making it the gateway to the Ptolemaic kingdom from Asia. The young Ptolemy XIV. had gathered his advisors and soldiers in this fortress to block his sister Cleopatra's entry, who, as we have seen, had returned to Egypt from Syria with a strong army after fleeing. On September 28th, BCE 48, when Cleopatra’s forces reached Pelusium and were getting ready to attack the fortress while camping along the coastline a few miles east of the town, something happened that would change the course of Egyptian history. Around the barren headland west of the small port, a Seleucid galley came into view and dropped anchor not far from shore. On the66 deck of that ship stood the defeated Pompey the Great and his wife Cornelia, who, escaping from the defeat at Pharsalia, had come to seek refuge with the Egyptian king. It seems the young monarch had been informed of Pompey's arrival, as Pompey had made a stop in Alexandria, and learning that Ptolemy was in Pelusium, likely sent a message overland while sailing by sea himself. The royal camp was thrown into a frenzy over the news, and for a moment, Cleopatra's invasion and the impending battle with her forces were completely forgotten amidst the excitement surrounding the arrival of the man who had long been a powerful supporter of the Ptolemaic Court.

ÆGYPTUS

William Blackwood & Sons, Edinburgh

William Blackwood & Sons, Edinburgh

W. & A. K. Johnston, Limited, Edinburgh & London

W. & A. K. Johnston, Limited, Edinburgh & London

Rome.]
[Photograph by Anderson

POMPEY THE GREAT

Pompey the Great

Egypt, like all the rest of the world, had been watching with deep interest the warfare waged between the two Roman giants, Pompey and Cæsar, confident in the success of the former; and the messenger of the defeated general must have brought the first authentic news of the result of the eagerly awaited battle. The sympathies of the Alexandrians were all on the side of the Pompeians, for the fugitive, who now asked a return of his former favours, had always been to them the gigantic representative of Roman patronage. They knew little, if anything, about Cæsar, who had spent so many years in the far north-west; but Pompey was Rome itself to them, and had always shown himself particularly desirous of acting, when occasion arose, in their behalf. For many years he had been, admittedly, the most powerful personage in Rome, and the civilised world had grovelled at his feet. Then came the inevitable quarrel with Julius Cæsar, a man who could not tolerate the presence of a rival. Civil war broke out, and the67 two armies met on the plains of Pharsalia. It is not necessary to record here how Pompey’s patrician cavalry, in whom he confidently trusted, was defeated by Cæsar’s hardened legions; how the foreign allies were awed into inactivity by the spectacle of the superb contest between Romans and Romans; how the debonnaire Pompey, realising his defeat, passed, dazed, to his pavilion and sat there staring in front of him, until the enemy had penetrated to his very door, when, uttering the despairing cry, “What! even into the camp?” he galloped from the field; and how Cæsar’s men found the enemy’s tents decked in readiness for the celebration of their anticipated victory, the doorways hung with garlands of myrtle, the floors spread with rich carpets, and the tables covered with goblets of wine and dishes of food. Pompey had fled to Larissa and thence to the sea, where he boarded a merchantman and set sail for Mitylene. Here picking up his wife Cornelia, he made his way to Cyprus, where he transhipped to the galley in which he crossed to Egypt. He had expected, very naturally, to be received with courtesy by Ptolemy, who was to be regarded as his political protégé; and he had some undefined but cogent plans of gathering his forces together again and giving battle a second time to his enemies. At Pharsalia he had thought his power irrevocably destroyed, but on his way to Egypt he learnt that Cato had rallied a considerable number of his troops, and that his fleet, which had not come into action, was still loyal; and he therefore hoped that with Ptolemy’s expected help he might yet regain the mastery of the Roman world.

Egypt, like the rest of the world, had been watching with great interest the conflict between the two Roman giants, Pompey and Caesar, confident that Pompey would succeed. The messenger from the defeated general must have brought the first real news of the eagerly anticipated battle's outcome. The people of Alexandria were completely on Pompey’s side, as the fugitive, who now sought to regain his former privileges, had always represented Roman support to them. They knew very little about Caesar, who had spent many years in the distant northwest; to them, Pompey was Rome itself and had always shown a strong desire to act in their favor whenever he had the chance. For years, he had undeniably been the most powerful figure in Rome, and the civilized world had bowed before him. Then came the inevitable clash with Julius Caesar, a man who couldn’t stand having a rival. Civil war erupted, and the two armies faced off on the plains of Pharsalia. It’s not necessary to detail how Pompey’s noble cavalry, in whom he placed his full trust, was defeated by Caesar’s battle-hardened legions; how the foreign allies stood frozen in awe at the stunning sight of Romans fighting Romans; how the composed Pompey, realizing his loss, staggered to his tent and sat there staring blankly until the enemy broke into his camp, prompting his desperate cry, “What! Even into the camp?” as he fled the battlefield. Caesar's men discovered the enemy's tents prepared for a celebration of their expected victory, with doorways adorned with myrtle garlands, floors covered in lavish carpets, and tables filled with goblets of wine and dishes of food. Pompey had fled to Larissa and then to the sea, where he boarded a merchant vessel and set sail for Mitylene. There, he picked up his wife Cornelia and headed to Cyprus, where he transferred to the ship that took him to Egypt. He naturally expected a warm welcome from Ptolemy, who was supposed to be his political protégé; he had some vague but pressing plans to regroup his forces and challenge his enemies again. At Pharsalia, he had thought his power was irreversibly lost, but on his way to Egypt, he learned that Cato had managed to gather a significant number of his troops and that his fleet, which had not yet engaged, was still loyal. Therefore, he hoped that with Ptolemy’s anticipated support, he might reclaim control of the Roman world.

As soon as his approach was reported to the Egyptian King, a council of ministers was called, in order to decide68 the manner in which they should receive the fallen general. There were present at this meeting the three scoundrelly advisers of the youthful monarch whom we have already met: Potheinos, the eunuch, who was a kind of prime minister; Achillas, the Egyptian, who commanded the King’s troops; and Theodotos of Chios, the professional master of rhetoric, and tutor to Ptolemy. These three men appear to have organised the plot by which Cleopatra had been driven from Egypt; and, having the boy Ptolemy well under their thumbs, they seem to have been acting with zeal in his name for the advancement of their own fortunes. “It was, indeed, a miserable thing,” says Plutarch, “that the fate of the great Pompey should be left to the determinations of these three men; and that he, riding at anchor at a distance from the shore, should be forced to wait the sentence of this tribunal.”

As soon as the Egyptian King learned about his approach, a council of ministers was convened to decide68 how to receive the fallen general. Present at this meeting were the three shady advisors of the young monarch that we've already met: Potheinos, the eunuch, who acted as a sort of prime minister; Achillas, the Egyptian, who commanded the King’s army; and Theodotos of Chios, the skilled rhetorician and tutor to Ptolemy. These three men seemed to have organized the scheme that drove Cleopatra out of Egypt, and with the young Ptolemy firmly under their control, they appeared to be acting with eagerness in his name to advance their own interests. “It was, indeed, a wretched thing,” says Plutarch, “that the fate of the great Pompey should depend on the decisions of these three men; and that he, anchored at a distance from the shore, should be forced to wait for the verdict of this tribunal.”

Some of the councillors suggested that he should be politely requested to seek refuge in some other country, for it was obvious that Cæsar might deal harshly with them if they were to befriend him. Others proposed that they should receive him and cast in their lot with him, for it was to be supposed, and indeed such was the fact, that he still had a very good chance of recovering from the fiasco of Pharsalia; and there was the danger that, if they did not do so, he might accept the assistance of their enemy Cleopatra. Theodotos, however, pointing out, in a carefully reasoned speech, that both these courses were fraught with danger to themselves, proposed that they should curry favour with Cæsar by murdering their former patron, thus bringing the contest to a close, and thereby avoiding any risk of backing69 the wrong horse; “and,” he added with a smile, “a dead man cannot bite.” The councillors readily approved this method of dealing with the difficult situation, and they committed its execution to Achillas, who thereupon engaged the services of a certain Roman officer named Septimius, who had once held a command under Pompey, and another Roman centurion named Salvius. The three men, with a few attendants, then boarded a small boat and set out towards the galley.

Some of the council members suggested that they should politely ask him to seek refuge in another country, as it was clear that Cæsar might retaliate against them if they supported him. Others suggested they should welcome him and align themselves with him, because it was assumed, and indeed it was true, that he still had a good shot at bouncing back from the disaster at Pharsalia; and there was a risk that if they didn't, he might take help from their enemy Cleopatra. However, Theodotos pointed out, in a well-reasoned speech, that both options were risky for them. He proposed that they should win Cæsar's favor by eliminating their former supporter, thus ending the conflict and avoiding the risk of backing the wrong side; “and,” he added with a smile, “a dead man can’t bite.” The council members quickly agreed with this way of handling the tough situation, and they assigned Achillas to carry it out. He then recruited the services of a Roman officer named Septimius, who had once served under Pompey, and another Roman centurion named Salvius. The three of them, along with a few attendants, then got into a small boat and headed toward the galley.

When they had come alongside Septimius stood up and saluted Pompey by his military title; and Achillas thereupon invited him to come ashore in the smaller vessel, saying that the large galley could not make the harbour owing to the shallow water. It was now seen that a number of Egyptian battleships were cruising at no great distance, and that the sandy shore was alive with troops; and Pompey, whose suspicions were aroused, realised that he could not now turn back, but must needs place himself in the hands of the surly-looking men who had come out to meet him. His wife Cornelia was distraught with fears for his safety, but he, bidding her to await events without anxiety, lowered himself into the boat, taking with him two centurions, a freedman named Philip, and a slave called Scythes. As he bade farewell to Cornelia he quoted to her a couple of lines from Sophocles—

When they got close, Septimius stood up and greeted Pompey by his military title; then Achillas invited him to come ashore in the smaller boat, saying the large ship couldn’t enter the harbor because the water was too shallow. It became clear that several Egyptian warships were nearby and that the sandy shore was bustling with troops. Pompey, feeling suspicious, realized he couldn’t turn back now and had to put himself in the hands of the unfriendly men who had come to meet him. His wife, Cornelia, was frantic with fear for his safety, but he told her to wait and not to worry about what would happen. He lowered himself into the boat, taking with him two centurions, a freedman named Philip, and a slave called Scythes. As he said goodbye to Cornelia, he quoted a couple of lines from Sophocles—

"Once someone steps through a tyrant’s door
“Becomes a slave, even though he was free before;”

and so saying, he set out towards the shore. A deep silence fell upon the little company as the boat passed over the murky water, which at this time of year is70 beginning to be discoloured by the Nile mud brought down by the first rush of the annual floods;19 and in the damp heat of an Egyptian summer day the dreary little town and the barren colourless shore must have appeared peculiarly uninviting. In order to break the oppressive silence Pompey turned to Septimius, and, looking earnestly upon him, said: “Surely I am not mistaken in believing you to have been formerly my fellow-soldier?” Septimius made no reply, but silently nodded his head; whereupon Pompey, opening a little book, began to read, and so continued until they had reached the shore. As he was about to leave the boat he took hold of the hand of his freedman Philip; but even as he did so Septimius drew his sword and stabbed him in the back, whereupon both Salvius and Achillas attacked him. Pompey spoke no word, but, groaning a little, hid his face with his mantle, and fell into the bottom of the vessel, where he was speedily done to death.

and with that, he headed toward the shore. A heavy silence settled over the small group as the boat glided over the murky water, which at this time of year was beginning to be stained by the Nile mud brought down by the first flow of the annual floods;19 and in the damp heat of an Egyptian summer day, the dreary little town and the barren, colorless shore must have looked especially uninviting. To break the oppressive silence, Pompey turned to Septimius and, looking intently at him, said, “Surely I’m not wrong in thinking you were once my fellow soldier?” Septimius didn’t respond but silently nodded his head; then Pompey opened a small book and began to read, continuing until they reached the shore. As he was about to leave the boat, he took hold of his freedman Philip's hand; but at that moment, Septimius drew his sword and stabbed him in the back, and both Salvius and Achillas then attacked him. Pompey said nothing, but groaned a little, covered his face with his cloak, and collapsed to the bottom of the boat, where he was quickly killed.

Cornelia, standing upon the deck of the galley, witnessed the murder, and uttered so great a cry that it was heard upon the shore. Then, seeing the murderers stoop over the body and rise again with the severed head held aloft, she called to her ship’s captain to weigh anchor, and in a few moments the galley was making for the open sea and was speedily out of the range of pursuit. Pompey’s decapitated body, stripped of all clothing, was now bundled into the water, and a short time afterwards was washed up by the breakers upon the sands of the beach, where it was soon surrounded by a crowd of idlers. Meanwhile Achillas and his accomplices carried the head up to the royal camp.

Cornelia, standing on the deck of the ship, witnessed the murder and let out such a loud scream that it was heard on the shore. Then, seeing the murderers lean over the body and stand up again with the severed head held high, she called to her ship’s captain to weigh anchor, and in a few moments the ship was heading for the open sea and quickly out of reach of pursuit. Pompey’s decapitated body, stripped of all clothing, was then thrown into the water, and shortly after, it was washed up by the waves on the beach, where it soon drew a crowd of onlookers. Meanwhile, Achillas and his accomplices took the head to the royal camp.

71 The freedman Philip was not molested, and, presently making his way to the beach, wandered to and fro along the desolate shore until all had retired to the town. Then, going over to the body and kneeling down beside it, he washed it with sea-water and wrapped it in his own shirt for want of a winding-sheet. As he was searching for wood wherewith to make some sort of funeral pyre, he met with an old Roman soldier who had once served under the murdered general; and together these two men carried down to the water’s edge such pieces of wreckage and fragments of rotten wood as they could find, and placing the body upon the pile set fire to it.

71 The freedman Philip was left alone, and after a while, he made his way to the beach, wandering back and forth along the empty shore until everyone had gone to the town. Then, he approached the body, knelt beside it, washed it with sea water, and wrapped it in his shirt since there was no shroud available. While searching for wood to create a makeshift funeral pyre, he encountered an old Roman soldier who had once served under the murdered general. Together, these two men gathered what pieces of wreckage and scraps of rotten wood they could find and, placing the body on the pile, set it on fire.

Upon the next morning one of the Pompeian generals, Lucius Lentulus, who was bringing up the two thousand soldiers whom Pompey had gathered together as a bodyguard, arrived in a second galley before Pelusium; and as he was being rowed ashore he observed the still smoking remains of the pyre. “Who is this that has found his end here?” he said, being still in ignorance of the tragedy, and added with a sigh, “Possibly even thou, Pompeius Magnus!” And upon stepping ashore, he too was promptly murdered.

Upon the next morning, one of the Pompeian generals, Lucius Lentulus, who was bringing the two thousand soldiers that Pompey had gathered as a bodyguard, arrived in a second ship before Pelusium. As he was being rowed ashore, he saw the still-smoking remains of the pyre. “Who met their end here?” he asked, still unaware of the tragedy, and added with a sigh, “Maybe it was you, Pompeius Magnus!” And as soon as he stepped ashore, he was quickly murdered as well.

A few days later, on October 2nd, Julius Cæsar, in hot pursuit, arrived at Alexandria, where he heard with genuine disgust of the miserable death of his great enemy. Shortly afterwards Theodotos presented himself to the conqueror, carrying with him Pompey’s head and signet-ring; but Cæsar turned in distress from the gruesome head, and taking only the ring in his hand, was for a moment moved to tears.20 He then appears to have dismissed the astonished Theodotos from his presence like72 an offending slave: and it was not long before that disillusioned personage fled for his life from Egypt. For some years, it may be mentioned, he wandered as a vagabond through Syria and Asia Minor; but at last, after the death of Cæsar, he was recognised by Marcus Brutus, and, as a punishment for having instigated the murder of the great Pompey, was crucified with every possible ignominy. Cæsar seems to have arranged that the ashes of his rival should be sent to his wife Cornelia, by whom they were ultimately deposited at his country house near Alba; and he also gave orders that the piteous head should be buried near the sea, in the grove of Nemesis, outside the eastern walls of Alexandria, where, in the shade of the trees, a monument was set up to him and the ground around it laid out. Cæsar then offered his protection and friendship to all those partisans of Pompey whom the Egyptians had imprisoned, and he expressed his great satisfaction at being able thus to save the lives of his fellow-countrymen.

A few days later, on October 2nd, Julius Caesar arrived in Alexandria, hot on the trail of his enemies, where he heard with genuine disgust about the miserable death of his great rival. Soon after, Theodotus presented himself to the victor, carrying Pompey’s head and signet ring; but Caesar turned away in distress from the gruesome sight, and, taking only the ring in his hand, was momentarily moved to tears. He then dismissed the stunned Theodotus like an offending servant, and it wasn't long before that disillusioned man fled for his life from Egypt. For several years, he wandered as a vagrant through Syria and Asia Minor; but eventually, after Caesar's death, he was recognized by Marcus Brutus and was crucified in a degrading manner as punishment for having instigated Pompey’s murder. Caesar arranged for his rival’s ashes to be sent to his wife, Cornelia, who eventually placed them at his country house near Alba; he also ordered that the pitiable head be buried near the sea, in the grove of Nemesis, outside the eastern walls of Alexandria, where a monument was erected in his honor and the area around it landscaped. Caesar then offered his protection and friendship to all the supporters of Pompey that the Egyptians had imprisoned, expressing his great satisfaction at being able to save the lives of his fellow countrymen.

It is not difficult to appreciate the consternation caused by Cæsar’s attitude. Potheinos and Achillas at once realised that the disgrace of Theodotos awaited them unless they acted with the utmost circumspection, biding their time until, as was expected, Cæsar should take his speedy departure, or until they might deal with this new disturber of their peace in the same manner in which they had disposed of the old. But Cæsar had no intention of leaving Egypt in any haste, nor did he give them the desired opportunity of anticipating the Ides of March. With that audacious nonchalance which so often baffled his observers, he quietly decided to take up his residence in the Palace upon the Lochias Promontory at Alexandria, at that moment occupied by only73 two members of the Royal Family, the younger Ptolemy and his sister Arsinoe; and, as soon as sufficient troops had arrived to support him, he left his galley and landed at the steps of the imposing quay. Two amalgamated legions, 3200 strong, and 800 Celtic and German cavalry, disembarked with him, this small force having been considered by Cæsar sufficient for the rounding up of the Pompeian fugitives, and for the secondary purposes for which he had come to Egypt.21

It’s easy to understand the panic caused by Caesar’s attitude. Potheinos and Achillas quickly realized that they would face disgrace like Theodotos unless they acted very carefully, waiting until, as expected, Caesar would leave soon, or until they could deal with this new disruptor in the same way they had handled the previous one. But Caesar had no plans to leave Egypt quickly, nor did he give them a chance to preempt the Ides of March. With that bold indifference that often puzzled those around him, he decided to move into the Palace on the Lochias Promontory in Alexandria, which was only occupied at that time by two members of the Royal Family, the younger Ptolemy and his sister Arsinoe. Once he had enough troops to support him, he left his ship and landed at the grand quay’s steps. Two combined legions, 3,200 strong, along with 800 Celtic and German cavalry, disembarked with him. This small force was deemed by Caesar to be enough for rounding up the Pompeian defectors and for the secondary goals of his mission in Egypt.73

Cæsar’s object in hastening across the Mediterranean had been, primarily, the capture of Pompey and his colleagues, and the prevention of a rally under the shelter of the King of Egypt’s not inconsiderable armaments. It appears to have been his opinion that speed of pursuit would be more effective than strength of arms, and that his undelayed appearance at Alexandria would more simply discourage the undetermined Egyptians from rendering assistance to their former friend than a display of force at a later date. Fresh from the triumph of Pharsalia, with the memory of that astounding victory to warm his spirits, he did not anticipate any great difficulty in subjecting the Ptolemaic Court to his will, nor in demonstrating to them that he himself, and not the defeated Pompey, represented the authentic might of Rome. It would seem that he expected speedily to frustrate any further resort to arms, and to manifest his authority by acting ostentatiously in the name of the Roman people. He himself should assume the prerogatives lately held by Pompey, and should play the part of benevolent patron to the court of Alexandria so74 admirably sustained by his fallen rival for so many years. There were several outstanding matters in Egypt which, on behalf of his home government, he could regulate and adjust: and there is little doubt that he hoped by so doing to establish a despotic reputation in that important country which would retain for him, as apparent autocrat of Rome, a personal control of its affairs for many years to come. In spite of all that has been said to the contrary, I am of opinion that his return to Rome was not urgent; indeed it seems to me that it could be postponed for a short time with advantage. Pompey had been a great favourite with the Italians, and it was just as well that the turmoil caused by his defeat and death should be allowed to subside, and that the bitter memories of a sanguinary war, which had so palpably been brought about by personal rivalry, should be somewhat forgotten before the victor made his spectacular entry into Rome. At this time he was not at all popular in the capital, and indeed, six months previously he had been generally regarded as a criminal and adventurer; while, on the other hand, Pompey had been the people’s darling, and it would take some time for public opinion to be reversed.

Cæsar’s main goal in rushing across the Mediterranean was to capture Pompey and his allies and to stop any regrouping under the protection of the King of Egypt’s significant military forces. He believed that moving quickly would be more effective than relying on military strength, and that arriving in Alexandria without delay would discourage the undecided Egyptians from supporting their former ally, rather than waiting to show force later. Fresh from his victory at Pharsalia and feeling energized by that incredible win, he didn't expect much trouble in getting the Ptolemaic Court to bend to his will, nor in proving to them that he, not the defeated Pompey, represented the true power of Rome. It seems he anticipated quickly putting an end to any further military actions, and he wanted to show his authority by acting boldly in the name of the Roman people. He intended to take over the roles that Pompey had recently held and to act as a generous patron to the Alexandria court, a position that had been held so well by his fallen rival for many years. There were several important issues in Egypt that he could manage on behalf of his home government, and he likely hoped that by doing so, he would establish a reputation as a dictator in that key region, allowing him, as the visible leader of Rome, to maintain personal control over its affairs for many years to come. Despite what has been claimed otherwise, I believe that his return to Rome was not urgent; in fact, it seems to me that delaying it for a little while could be beneficial. Pompey had been immensely popular with the Italians, and it would be wise to let the chaos following his defeat and death settle down, and for the painful memories of a bloody war, which had clearly been sparked by personal rivalry, to fade a bit before the victor made his grand entrance into Rome. At this time, he was not at all well-liked in the capital; in fact, just six months earlier, he had been largely viewed as a criminal and adventurer, while Pompey had been the people's favorite, and it would take time for public sentiment to shift.

When, therefore, Cæsar heard that the treacherous deeds of the Egyptian ministers had rendered his primary action unnecessary, he determined to enter Alexandria with some show of state, to take up his residence there for a few weeks, and to interfere in its internal affairs for his own advancement and for the consolidation of his power.

When Caesar heard that the betrayal by the Egyptian ministers had made his main action unnecessary, he decided to enter Alexandria with a display of authority, stay there for a few weeks, and get involved in its local affairs to boost his own position and strengthen his power.

With this object in view his four thousand troops were landed, and he set out in procession towards the Royal Palace, the lictors carrying the fasces and axes before75 him as in the consular promenades at Rome.22 No sooner, however, were these ominous symbols observed by the mob than a rush was made towards them; and for a time the attitude of the crowd became ugly and menacing. The young King and his Court were still at Pelusium, where his army was defending the frontier from the expected attack of Cleopatra’s invading forces; but there were in Alexandria a certain number of troops which had been left there as a garrison, and both amongst these men and amongst the heterogeneous townspeople there must have been many who realised the significance of the fasces. The city was full of Roman outlaws and renegades, to whom this reminder of the length of her arm could but bring foreboding and terror. To them Cæsar’s formal entry meant the establishment of that law from which they had fled; while to many a merry member of the crowd the stately procession appeared to bring to Egypt at last that dismal shadow of Rome23 by which it had so long been menaced. On all sides it was declared that this state entry into the Egyptian capital was an insult to the King’s majesty; and so, indeed, it was, though little did that trouble Cæsar, who was well aware now of his unassailable position in the councils of Rome.

With this goal in mind, his four thousand troops were landed, and he set off in a parade towards the Royal Palace, the lictors carrying the fasces and axes in front of him like in the consular marches in Rome.75 However, as soon as the crowd spotted these ominous symbols, they rushed towards them, and for a while, the crowd's attitude turned ugly and threatening. The young King and his Court were still at Pelusium, where his army was defending the border against the expected invasion from Cleopatra’s forces. However, there were some troops left in Alexandria as a garrison, and among these soldiers and the mixed townspeople, many likely understood the significance of the fasces. The city was full of Roman outlaws and renegades, for whom this reminder of Rome's power could only bring fear and dread. To them, Cæsar’s official entrance signified the reinstatement of the laws they had escaped; while for many cheerful onlookers, the grand procession seemed to finally bring that ominous shadow of Rome23 that had loomed over Egypt for so long. Everywhere, it was declared that this state arrival in the Egyptian capital was an insult to the King's authority, and it truly was, though Cæsar cared little, fully aware of his unassailable position in the politics of Rome.

The city was in a ferment, and for some days after Cæsar had taken up his quarters at the Palace rioting continued in the streets, a number of his soldiers being killed in different parts of the town. He therefore sent post-haste to Asia Minor for reinforcements, and took76 such steps as were necessary for securing his position from attack. It is probable that he did not suppose the Alexandrians would have the audacity to make war upon him, or attempt to drive him from the city; but at the same time he desired to take no risks, for he seems at the moment to have been heartily sick of warfare and slaughter. The Palace and royal barracks in which his troops were quartered, being built mainly upon the Lochias Promontory, were easily able to be defended from attack by land—for, no doubt, in so turbulent a city, the royal quarter was protected by massive walls; and at the same time the position commanded the eastern half of the Great Harbour and the one side of its entrance over against the Pharos Lighthouse. His ships lay moored under the walls of the Palace; and a means of escape was thus kept open which, if the worst came to the worst, might be used with comparative safety upon any dark night. I think the turbulence of the mob, therefore, did not much trouble him, and he was able to set about the task which he desired to perform with a certain degree of quietude. The Civil War had been a very great strain upon his nerves, and he must have looked forward to a few weeks of actual holiday here in the luxurious royal apartments which he had so casually appropriated. Summer at Alexandria is in many ways a delightful time of year; and one may therefore picture Cæsar, at all times fond of luxury and opulence, now heartily enjoying these warm breezy days upon the beautiful Lochias Promontory. The crisis of his life had been passed; he was now absolute master of the Roman world; and his triumphant entry into the capital, when, in a few weeks’ time, the passions of the mob had cooled, was an anticipation pleasant77 enough to set his restless heart at ease, while he applied himself to the agreeable little task of regulating the affairs in Egypt. He had sent a courier to Rome announcing the death of Pompey, but it does not seem that this messenger was told to proceed with any great rapidity, for he did not arrive in the capital until near the middle of November.24

The city was in chaos, and for several days after Caesar had set up his camp at the Palace, riots continued in the streets, resulting in the deaths of several of his soldiers throughout the town. He quickly sent for reinforcements from Asia Minor and took steps to secure his position from attack. It's likely he didn't think the Alexandrians would have the boldness to wage war against him or try to force him out of the city; however, he wanted to avoid any risks because he was probably quite tired of conflict and bloodshed. The Palace and royal barracks, where his troops were stationed, were mainly situated on the Lochias Promontory, making them easy to defend from land attacks. In such a turbulent city, the royal district was protected by thick walls, while also overseeing the eastern part of the Great Harbour and one side of its entrance near the Pharos Lighthouse. His ships were anchored next to the Palace walls, providing a means of escape that could be used safely on a dark night if things went terribly wrong. Therefore, the chaos of the mob likely didn't worry him too much, and he was able to focus on his tasks with some degree of calm. The Civil War had taken a significant toll on his nerves, and he must have looked forward to a few weeks of actual relaxation in the luxurious royal quarters he had rather casually taken over. Summer in Alexandria is, in many ways, a lovely time of year; you can easily imagine Caesar, always fond of luxury and comfort, enjoying these warm, breezy days on the beautiful Lochias Promontory. The crisis of his life had passed; he was now the undisputed ruler of the Roman world, and his triumphant entry into the capital, when the mob's passions had cooled in a few weeks, was a pleasant thought that put his restless heart at ease while he focused on the enjoyable task of managing affairs in Egypt. He had sent a messenger to Rome announcing Pompey's death, but it seems this courier was not instructed to hurry, as he didn't arrive in the capital until around mid-November.7677

His first action was to send messengers to Pelusium strongly urging both Ptolemy and Cleopatra to cease their warfare, and to come to Alexandria in order to lay their respective cases before him. He chose to regard the settlement of the quarrel between the two sovereigns as a particular obligation upon himself, for it was during his previous consulship that the late monarch, Auletes, had entrusted his children to the Roman people and had made the Republic the executors of his will; and, moreover, that will had been confided to the care of Pompey, whose position as patron of the Egyptian Court Cæsar was now anxious to fill. In response to the summons Ptolemy came promptly to Alexandria, with his minister Potheinos, arriving, I suppose, on about October 5th, in order to ascertain what on earth Cæsar was doing in the Palace; and meanwhile Achillas was left in command of the army at Pelusium. On reaching Alexandria they seem to have been invited by Cæsar to take up their residence in the Palace into which he had intruded, and which was now patrolled by his Roman troops; and, apparently upon the advice of the unctuous Potheinos, the two of them made themselves as pleasant as possible to78 their new patron. Cæsar at once asked Ptolemy to disband his army, but to this Potheinos would not agree, and immediately sent word to Achillas to bring his forces to Alexandria. Cæsar, hearing of this, obliged the young King to despatch two officers, Dioscorides and Serapion, to order Achillas to remain at that place. These messengers, however, were intercepted by the agents of Potheinos, one being killed and the other wounded; and two or three days later Achillas arrived at the capital at the head of the first batch of his army of some twenty thousand foot and two thousand horse,25 taking up his residence in that part of the city unoccupied by the Romans. Cæsar thereupon fortified his position, deciding to hold as much of the city as his small force could defend—namely, the Palace and the Royal Area behind it, including the Theatre, the Forum, and probably a portion of the Street of Canopus. The Egyptian army presented a pugnacious but not extremely formidable array,26 consisting as it did of the Gabinian troops, who had now become entirely expatriated, and had assumed to some extent the habits and liberties of their adopted country; a number of criminals and outlaws from Italy who had been enrolled as mercenary troops; a horde of Syrian and Cilician pirates and brigands; and, probably, a few native levies. But as Cæsar now had with him in the Palace King Ptolemy, the little Prince Ptolemy, the Princess Arsinoe, and the minister Potheinos, who could be regarded as hostages for his safety, and four thousand of his war-hardened veterans, ensconced in a fortified position and supported79 by a business-like little fleet of galleys, I cannot see that he had any cause at the moment for alarm. One serious difficulty, however, presented itself. Immediately on arriving in Egypt he had sent orders to Cleopatra to repair to the Palace; and his task as arbiter in the royal dispute could not be performed until she arrived, nor could he expect to assert his authority until her presence completed the group of interested persons under his enforced protection. Yet she could not dare to place herself in the hands of Achillas, nor rely upon him for a safe escort through the lines; and thus Cæsar found himself in a dilemma.

His first move was to send messengers to Pelusium, urging both Ptolemy and Cleopatra to stop their fighting and come to Alexandria to present their cases to him. He felt that resolving the conflict between the two rulers was a personal responsibility, as it was during his previous consulship that the late king, Auletes, had entrusted his children to the Roman people and had named the Republic as the executors of his will; furthermore, that will had been entrusted to Pompey, whose role as protector of the Egyptian Court Cæsar was eager to assume. In response to the summons, Ptolemy promptly came to Alexandria with his minister Potheinos, arriving around October 5th, to find out what Cæsar was doing in the Palace; meanwhile, Achillas remained in charge of the army at Pelusium. Upon reaching Alexandria, it seems they were invited by Cæsar to stay in the Palace he had taken over, which was now being patrolled by his Roman troops; following the advice of the smooth-talking Potheinos, they tried to be as agreeable as possible to their new patron. Cæsar immediately asked Ptolemy to disband his army, but Potheinos refused and quickly sent word to Achillas to bring his troops to Alexandria. Learning of this, Cæsar forced the young King to send two officers, Dioscorides and Serapion, to order Achillas to stay where he was. However, these messengers were intercepted by Potheinos's agents, one was killed and the other wounded; a couple of days later, Achillas arrived in the capital leading the first group of his army, around twenty thousand infantry and two thousand cavalry, taking residence in the part of the city not occupied by the Romans. Cæsar then strengthened his position, deciding to hold as much of the city as his small force could protect—specifically, the Palace and the Royal Area behind it, which included the Theatre, the Forum, and likely part of the Street of Canopus. The Egyptian army was aggressive but not particularly intimidating, made up of the Gabinian troops who had become completely expatriated and had adopted some of the customs and freedoms of their new home; a number of criminals and outcasts from Italy who had been enlisted as mercenaries; a group of Syrian and Cilician pirates and brigands; and probably a few local recruits. However, since Cæsar had in the Palace King Ptolemy, the young Prince Ptolemy, Princess Arsinoe, and minister Potheinos, who could be seen as hostages for his safety, along with four thousand of his seasoned veterans fortified in a strong position and supported by a practical little fleet of galleys, I don’t think he had any reason to panic at that moment. One serious problem did arise. As soon as he arrived in Egypt, he had ordered Cleopatra to come to the Palace; but he could not fulfill his role as mediator in the royal dispute until she arrived, and he couldn’t expect to assert his authority until her presence completed the group of individuals under his protection. Yet she couldn’t risk putting herself in Achillas's hands or depending on him for safe passage, leaving Cæsar in a tricky situation.

The situation, however, was relieved by the pluck and audacity of the young Queen. Realising that her only hope of regaining her kingdom lay in a personal presentation of her case to the Roman arbiter, she determined, by hook or by crook, to make her entry into the Palace. Taking ship from Pelusium to Alexandria, probably at the end of the first week of October, she entered a small boat when still some distance from the city, and thus, about nightfall, slipped into the Great Harbour, accompanied only by one friend, Apollodorus the Sicilian. She seems to have been aware that her brother and Potheinos were in residence at the Palace, together with a goodly number of their own attendants and servants; but there were no means of telling how far Cæsar controlled the situation. Being unaccustomed to the presence of a power more autocratic than that of her own royal house, she does not seem to have realised that Cæsar was in absolute command of the Lochias, and that not he but Ptolemy was the guarded guest; and she felt that in landing at the Palace quays she was running the gravest risk of falling into the hands of her brother’s80 party and of being murdered before she could reach Cæsar’s presence. This fear indeed may well have been justified, for there is no doubt that Ptolemy and Potheinos had considerable liberty of action within the precincts of the Palace; and, if the rumour had spread that Cleopatra was come, neither of them would have hesitated to put a dagger into her ribs in the first dark corridor through which she had to pass. Waiting, therefore, upon the still water under the walls of the Palace until darkness had fallen, she instructed Apollodorus to roll her up in the blankets and bedding which he had brought for her in the boat as a protection against the night air, and around the bundle she told him to tie a piece of rope which, I suppose, they found in the boat. She was a very small woman, and Apollodorus apparently experienced no difficulty in shouldering the burden as he stepped ashore. Bundles of this kind were then, as they are now, the usual baggage of a common man in Egypt, and were not likely to attract notice. An Alexandrian native at the present day thus carries his worldly goods tied up in his bedding, the mat or piece of carpet which serves him for a bedstead being wrapped around the bundle and fastened with a rope, and in ancient times the custom was doubtless identical. Apollodorus, who must have been a powerful man, thus walked through the gates of the Palace with the Queen of Egypt upon his shoulders, bearing himself as though she were no heavier than the pots, pans, and clothing which were usually tied up in this manner; and when challenged by the sentries he probably replied that he was carrying the baggage to one of the soldiers of Cæsar’s guard, and asked to be directed to his apartments.

The situation, however, improved thanks to the courage and boldness of the young Queen. Realizing that her only chance of reclaiming her kingdom was to personally present her case to the Roman leader, she decided, by any means necessary, to make her way into the Palace. After taking a boat from Pelusium to Alexandria, likely at the end of the first week of October, she boarded a small vessel while still some distance from the city and, around nightfall, quietly entered the Great Harbour, accompanied only by one friend, Apollodorus the Sicilian. She seemed to know that her brother and Potheinos were at the Palace, along with a significant number of their attendants and servants; however, it was unclear how much control Cæsar had over the situation. Unfamiliar with a power more authoritarian than her own royal household, she didn’t fully grasp that Cæsar was in total command of the Lochias, and that it was not he but Ptolemy who was the protected guest; thus, she felt that landing at the Palace quays put her at great risk of falling into the hands of her brother’s party and being killed before she could reach Cæsar. This fear was likely justified, as it was clear that Ptolemy and Potheinos had considerable freedom of movement within the Palace; if word had spread that Cleopatra had arrived, neither of them would have hesitated to stab her in the first dark corridor she needed to pass through. Therefore, waiting on the still water under the Palace walls until it was fully dark, she instructed Apollodorus to wrap her up in the blankets and bedding he had brought for her as a shield against the night air, and around the bundle, she told him to tie a piece of rope, which they presumably found in the boat. She was quite small, and Apollodorus apparently had no trouble shouldering the load as he stepped ashore. Bundles like this were then, as they are now, typical baggage for an ordinary person in Egypt and were unlikely to draw attention. Nowadays, an Alexandrian native carries his belongings tied up in his bedding, with the mat or piece of carpet that serves him as a bed wrapped around the bundle and secured with a rope, and the custom was presumably the same in ancient times. Apollodorus, who must have been quite strong, walked through the Palace gates with the Queen of Egypt on his shoulders, acting as if she was no heavier than the pots, pans, and clothing that were usually tied up this way; when challenged by the guards, he probably replied that he was delivering the baggage to one of Cæsar’s soldiers and asked to be shown to his quarters.

Cæsar’s astonishment when the bundle was untied in81 his presence, revealing the dishevelled little Queen, must have been unbounded; and Plutarch tells us that he was at once “captivated by this proof of Cleopatra’s bold wit.” One pictures her bursting with laughter at her adventure, and speedily winning the admiration of the susceptible Roman, who delighted almost as keenly in deeds of daring as he did in feminine beauty. All night long they were closeted together, she relating to him her adventures since she was driven from her kingdom, and he listening with growing interest, and already perhaps with awakening love. And here it will be as well to leave them while some description is given of the appearance and character of the man who now found himself looking forward to the ensuing days of his holiday in Alexandria with an eagerness which it must have been difficult for him to conceal.

Cæsar’s shock when the bundle was untied in81 front of him, revealing the messy little Queen, must have been immense; and Plutarch tells us that he was immediately “captivated by this demonstration of Cleopatra’s bold wit.” One can imagine her laughing about her adventure, quickly winning the admiration of the sensitive Roman, who enjoyed acts of bravery almost as much as he did feminine beauty. They spent the whole night together, with her sharing her experiences since being forced out of her kingdom, and him listening with increasing interest, perhaps even beginning to fall in love. And here it’s best to pause while we describe the appearance and character of the man who now found himself eagerly anticipating his upcoming days of vacation in Alexandria, a feeling he must have struggled to hide.


CHAPTER V.
Julius Caesar.

When Cæsar thus made the acquaintance of the adventurous young Queen of Egypt he was a man of advanced middle age. He had already celebrated his fifty-fourth birthday, having been born on July 12, B.C. 102, and time was beginning to mark him down. The appalling dissipations of his youth to some extent may have added to the burden of his years; and, though he was still active and keen beyond the common measure, his face was heavily lined and seamed, and his muscles, I suppose, showed something of that tension to which the suppleness of early manhood gives place. Yet he remained graceful and full of the quality of youth, and he carried himself with the air of one conscious of his supremacy in the physical activities of life. He was a lightly-built man, of an aristocratic type which is to be found indiscriminately throughout Europe, and which nowadays, by a convention of thought, is usually associated in the mind with the cavalry barracks or the polo-ground. He appeared to be, and was, a perfect horseman. It is related of him that in Gaul he bred and rode a horse which no other man in the army dared mount; and it was his habit to demonstrate the firmness of his seat by83 clasping his hands behind his back and setting the horse at full gallop. Though by no means a small man, he must have scaled under ten stone, and in other days and other climes he might have been mistaken for a gentleman jockey. He was an extremely active soldier, a clever, graceful swordsman, a powerful swimmer, and an excellent athlete. In battle he had proved himself brave, gallant, and cool-headed; and in his earlier years he had been regarded as a dashing young officer who was neither restrained in the performance of striking deeds of bravery nor averse to receiving a gallery cheer for his pains. Already at the age of twenty-one he had won the civic crown, the Victoria Cross of that period, for saving a soldier’s life at the storming of Mytelene. In action he exposed himself bare-headed amongst his men, cheering them and encouraging them by his own fine spirits; and it is related how once he laid hands on a distraught standard-bearer who was running to cover, turned him round, and suggested to him that he had mistaken the direction of the enemy.

When Caesar met the daring young Queen of Egypt, he was already in his advanced middle age. He had just turned fifty-four, having been born on July 12, BCE 102, and the effects of time were becoming apparent. The wild excesses of his youth may have added to his years; even though he was still more active and sharp than most, his face showed significant lines and creases, and his muscles seemed to less reflect the flexibility of his younger days. Nonetheless, he remained graceful and still had a youthful demeanor, carrying himself with a confidence that showed he excelled in the physical aspects of life. He was slender and had an aristocratic presence commonly seen across Europe, which today would likely be associated with a cavalry officer or a polo player. He was an excellent horseman; it's said that in Gaul he owned and rode a horse that no one else in the army would dare to ride, and he liked to prove his riding skills by clasping his hands behind his back and galloping at full speed. Although he wasn’t particularly heavy, weighing under ten stone, in different times and places, he could have been mistaken for a gentleman jockey. He was an extremely active soldier, a skilled and graceful swordsman, a strong swimmer, and a great athlete. In battle, he had shown bravery, gallantry, and composure; in his youth, he was seen as a dashing officer who wasn’t shy about performing courageous acts and enjoyed the cheers of the crowd for his efforts. By the age of twenty-one, he had already earned the civic crown, the equivalent of a Victoria Cross in that time, for saving a soldier during the storming of Mytelene. In combat, he would often go bare-headed among his troops, cheering them on and lifting their spirits with his enthusiasm; there’s a story of how he once grabbed a panicked standard-bearer running for safety, turned him around, and pointed out that he seemed to have lost sight of the enemy.

His thin, clean-shaven face, his keen dark eyes, his clear-cut features, his hard, firm mouth with its whimsical expression, and his somewhat pale and liverish complexion, gave him at first sight the appearance of one who, being by nature a sportsman and a man of the world, a fearless rider and a keen soldier, had enjoyed every moment of an adventurous life. He was particularly well groomed and scrupulously clean, and his scanty hair was carefully arranged over his fine, broad head. His toga was ornamented with an unusually broad purple stripe, and was edged with a long fringe. He loved jewellery, and on one occasion bought a single pearl for £60,000, which he afterwards gave to a lady of his acquaintance.84 Indeed, it is said that he only invaded Britain because he had heard that fine pearls were to be obtained there. There was thus a certain foppishness in his appearance, and a slight suggestion of conceit and personal vanity marked his manner, which gave the impression that he was not unaware of his good looks, nor desirous of concealing the fact of his disreputable successes with the fair sex. Yet he was at this time by no means an old roué. His great head, the penetration of his dark eyes, and the occasional sternness of his expression were a speedy indication that much lay behind these inoffensive airs and graces; and all those who came into his presence must have felt the power of his will and brain, even though direct observation did not convey to them more than the pleasing outlines of an elderly cavalier’s figure. Regarded in certain lights and on certain occasions, the expression of his furrowed face showed the imagination, the romantic vision, and the artistic culture of his mind; but usually the qualities which were impressed upon a visitor who conversed with him at close quarters were those of keenness, determination, and, particularly, gentlemanliness, combined with the rather charming confidence of a man of fashion. His manner at all times was quiet and gracious; yet there was a certain fire, a controlled vivacity in his movements, which revealed the creative soldier and administrator behind the ideal aristocrat. His voice though high, and sometimes shrill, was occasionally very pleasant to the ear; but notwithstanding the fact that he was a wonderful orator, there was a correctness in his choice of words which was occasionally almost pedantic. His manner of speech was direct and straightforward, and his honesty of purpose and loftiness of principle were not doubted save by those who85 chanced to be aware of his little regard for moral integrity.

His slender, clean-shaven face, sharp dark eyes, defined features, strict mouth with its playful expression, and somewhat pale complexion made him, at first glance, seem like someone who, as a natural sportsman and worldly man, a fearless rider and keen soldier, had relished every moment of an adventurous life. He was especially well-groomed and meticulously clean, with his thinning hair neatly styled over his broad head. His toga had an unusually wide purple stripe and was trimmed with a long fringe. He had a fondness for jewelry, once purchasing a single pearl for £60,000, which he later gifted to a female acquaintance. Indeed, it’s said he only invaded Britain because he heard there were fine pearls to be found there. This gave him a somewhat foppish look, as well as a hint of conceit and vanity in his demeanor, suggesting he was aware of his good looks and not shy about his dubious successes with women. Yet, at this time, he was by no means an old rake. The size of his head, the intensity of his dark eyes, and the occasional seriousness of his expression quickly indicated that there was more beneath his seemingly harmless charm. Anyone in his presence would have felt the strength of his will and intellect, even if they mainly perceived the pleasing silhouette of an elderly gentleman. Depending on the moment and angle, his lined face could reveal the imagination, romantic vision, and artistic sensibility of his mind; however, typically, the impression left on a close visitor was one of sharpness, determination, and, especially, gentlemanly poise, mixed with the engaging confidence of a fashionable man. His demeanor was always calm and gracious, yet there was a spark, a controlled energy in his movements that hinted at the creative soldier and administrator behind the ideal aristocrat. His voice, while high and sometimes shrill, could also be quite pleasant; but despite being a fantastic speaker, his word choice sometimes bordered on being overly pedantic. He spoke directly and honestly, and his integrity and high principles were not questioned except by those who knew of his little respect for moral values.

Cæsar was, in fact, an extremely unscrupulous man. I do not find it possible to accept the opinion of his character held by most historians, or to suppose him to have been an heroic figure who lived and died for his lofty and patriotic principles. There was immense good in him, and he had the unquestionable merit of being a great man with vast ambitions for the orderly governance of the nations of the earth; but when he threw himself with such enthusiasm into the task of winning the heart of the harum-scarum young Queen of Egypt, it seems to me that he was very well qualified to deceive her, and to play upon her emotions with all the known arts and wiles of a wicked world. So notorious was his habit of leading women astray, that when he returned to Rome from his Gallic Wars his soldiers sang a marching song in which the citizens were warned to protect their ladies from him lest he should treat them as he had treated all the women of Gaul. “Urbani, servate uxores,” they sang; “Calvum moechum adducimus.”

César was, in reality, a very unscrupulous man. I can't accept the view most historians have of his character or believe he was a heroic figure who lived and died for noble and patriotic principles. He had many good qualities, and he was undeniably a great man with huge ambitions for the orderly governance of the nations of the earth; however, when he eagerly dived into the task of winning over the free-spirited young Queen of Egypt, it seems to me he was quite capable of deceiving her and playing with her emotions using all the tricks and manipulations of a corrupt world. His reputation for seducing women was so well-known that when he returned to Rome from his Gallic Wars, his soldiers sang a marching song warning the citizens to protect their wives from him lest he treat them as he had treated all the women of Gaul. “Urbani, servate uxores,” they sang; “Calvum moechum adducimus.”

He had no particular religion, not much honour, and few high principles; and in this regard all that can be said in his favour is that he was perfectly free from cant, never pretended to be virtuous, nor attempted to hide from his contemporaries the multitude of his sins. As a young man he indulged in every kind of vice, and so scandalous was his reputation for licentiousness that it was a matter of blank astonishment to his Roman friends when, nevertheless, he proved himself so brave and strenuous a soldier. His relationship with the mother of Brutus, who was thought to be his own son,86 shows that he prosecuted love intrigues while yet a boy. At one time he passed through a phase of extreme effeminacy, with its attendant horrors; and there was a period when he used to spend long hours each day in the practice of the mysteries of the toilet, being scented and curled and painted in the manner prescribed by the most degenerate young men of the aristocratic classes. Indeed so effeminate was he, that after staying with his friend Nicomedes, the King of Bithynia, he was jestingly called Queen of Bithynia; and on another occasion in Rome a certain wag named Octavius saluted Pompey as King and Cæsar as Queen of Rome. His intrigues with the wives of his friends had been as frequent as they were notorious. No good-looking woman was safe from him, least of all those whom he had the opportunity of seeing frequently, owing to his friendship for their husbands or other male relatives. Not even political considerations checked his amorous inclinations, as may be judged from the fact that he made a victim of Mucia, the wife of Pompey, whose friendship he most eagerly desired at that time. “He was the inevitable co-respondent in every fashionable divorce,” writes Oman; “and when we look at the list of the ladies whose names are linked with his, we can only wonder at the state of society in Rome which permitted him to survive unscathed to middle age. The marvel is that he did not end in some dark corner, with a dagger between his ribs, long before he attained the age of thirty.” Being a brilliant opportunist he made use of his success with women to promote his own interests, and at one time he is said to have conducted love intrigues with the wives of Pompey, Crassus, and Gabinius, all leaders of his87 political party. Even the knowledge of the habits of the young fops of the period, which he had acquired while emulating their mode of life, was turned to good account by him in after years. At the battle of Pharsalia, which had been fought but a few weeks before his arrival in Egypt, he had told his troops who were to receive the charges of the enemy’s patrician cavalry that they should not attempt to hamstring the horses or strike at their legs, but should aim their blows at the riders’ faces, “in the hopes,” as Plutarch says, “that young gentlemen who had not known much of battles and wounds, but came, wearing their hair long, in the flower of their age and height of their beauty, would be more apprehensive of such blows and not care for hazarding both a danger at present and a blemish for the future. And so it proved, for they turned about, and covered their faces to safeguard them.”

He didn’t have a specific religion, much honor, or strong principles; the only thing in his favor was that he was completely free from pretension, never claimed to be virtuous, and didn’t try to hide his numerous sins from others. As a young man, he indulged in every vice, and his reputation for promiscuity was so scandalous that his Roman friends were stunned when he turned out to be such a brave and hardworking soldier. His relationship with Brutus's mother, who was believed to be his own son, shows that he was involved in romantic affairs even as a boy. At one point, he went through an extremely effeminate phase, complete with its horrors; there was a time when he spent long hours each day grooming himself, being scented, curled, and painted like the most decadent young men of the aristocracy. He was so effeminate that after staying with his friend Nicomedes, the King of Bithynia, people jokingly called him the Queen of Bithynia; and one time in Rome, a joker named Octavius referred to Pompey as King and Cæsar as Queen of Rome. His flings with his friends' wives were as frequent as they were notorious. No attractive woman was safe from him, especially those he saw regularly through his friendships with their husbands or male relatives. Even political considerations didn’t hold back his romantic pursuits, as seen in the fact that he went after Mucia, Pompey’s wife, despite wanting Pompey’s friendship at that time. “He was the unavoidable co-respondent in every high-profile divorce,” writes Oman; “and when we look at the list of women linked with him, we can only wonder at the state of society in Rome that allowed him to survive unscathed into middle age. It’s incredible he didn’t end up in some dark alley with a dagger in his back long before he turned thirty.” Being a clever opportunist, he used his success with women to further his own interests, and at one point, he was rumored to have romantic liaisons with the wives of Pompey, Crassus, and Gabinius, all leaders of his political party. Even the knowledge he gained from imitating the lifestyles of the young nobles of the time was useful to him later on. At the Battle of Pharsalia, which had taken place just weeks before he arrived in Egypt, he told his troops—who were to face the enemy’s elite cavalry—not to aim for the horses' legs but to strike at the riders’ faces, “hoping,” as Plutarch says, “that these young men, who had little experience with battles and wounds, would be more fearful of such blows and not want to risk current danger or future scars. And it turned out that way, for they turned around and protected their faces.”

In regard to money matters Cæsar was entirely without principle. In his early years he borrowed vast sums on all sides, spent them recklessly, and seldom paid his debts save with further borrowed money. While still a young man he owed his creditors the sum of £280,000; and though most of this had now been paid off by means of the loot from the Gallic Wars, there had been times in his life when ruin stared him in the face. Most of his debts were incurred in the first place in buying for himself a high position in Roman political life, and in the second place in paying the electioneering expenses of candidates for office who would be likely to advance his power. He engaged the favour of the people by giving enormous public feasts, and on one occasion twenty-two thousand persons were entertained at his expense at a single meal. While he was ædile he paid88 for three hundred and twenty gladiatorial combats; and innumerable fêtes and shows were given by him throughout his life, and were paid for by the tears and anguish of his conquered enemies.

César was completely lacking in principles when it came to money. In his younger years, he borrowed huge amounts from everywhere, spent it carelessly, and rarely repaid his debts except with more borrowed money. By the time he was still quite young, he owed his creditors £280,000; although most of this had been settled with the spoils from the Gallic Wars, there were times in his life when he faced financial ruin. Most of his debts were originally incurred to buy himself a high position in Roman politics, and also to cover the campaign costs of candidates who could help him gain more power. He won over the public by hosting massive public feasts, once feeding twenty-two thousand people at a single meal. While he served as ædile, he funded three hundred and twenty gladiatorial games; throughout his life, he organized countless festivals and shows, all financed by the suffering and sorrow of his defeated enemies.

British Museum.]

JULIUS CÆSAR.

Julius Caesar.

He was one of the most ambitious men who have ever walked the stage of life, his devouring passion for absolute power being at all times abnormal; and he cared not one jot in what manner he obtained or expended money so long as his career was advanced by that means. He could not brook the thought of playing a secondary part in the world’s affairs, and nothing short of absolute autocracy satisfied his aspirations. While crossing the Alps on one occasion the poverty of a small mountain village was pointed out to him, and he was heard to remark that he would rather be first man in that little community than second man in Rome. On another occasion he was seen to burst into tears while reading the life of Alexander the Great, for the thought was intolerable to him that another man should have conquered the world at an age when he himself had done nothing of the kind. This restless “passion after honour,” as Plutarch terms it, was not apparent in his manner and was not noticed save by those who knew him well. He was too gentlemanly, too well dressed, too beautifully groomed, to give the impression of one who was seeking indefatigably for his own advancement, and at whose heart the demons of insatiate ambition were so continuously gnawing. “When I see his hair so carefully arranged,” said Cicero, “and observe him adjusting it with one finger, I cannot imagine it should enter such a man’s thoughts to subvert the Roman State.” Yet this elegant soldier, whose manners were so quietly aristocratic, whose charm was so delectable, would sink to any depths of moral depravity,89 whether financial or otherwise, in order to convert the world into his footstool. When he and Catullus were rival candidates for the office of Pontifex Maximus, the latter offered him a huge sum of money to retire from the contest; but Cæsar, spurning the proffered bribe with indignation, replied that he was about to borrow a larger sum than that in order to buy the votes for himself. At another period of his amazing career he desired to effect the downfall of Cicero, who was much in his way, and circumstances so fell out that this could best be accomplished by the appointment of a certain young scamp named Clodius as tribune. Now Clodius was the paramour of Cæsar’s wife Pompeia, whom the Dictator had made co-respondent in the action for divorce which he had brought against that lady; yet, since it served his ambitious purpose, he did not now hesitate to obtain the appointment of this amorous rogue and use him for his infamous purposes. The story need not here be related of how Clodius had disguised himself as a woman, and had thus obtained admission to certain secret female rites at which Pompeia was officiating; how he had been discovered; how he had only escaped the death penalty for his sacrilege owing to the fact that the judges were afraid to condemn him since he was a favourite with the mob, and afraid to acquit him for fear of offending the nobility, and had therefore written their verdicts so illegibly that nobody could read them; and how Pompeia had been divorced by her husband, who had then made the famous remark that “Cæsar’s wife must be above suspicion”; but it will be apparent that Plutarch is justified in regarding the man’s appointment to the tribuneship as one of the most disgraceful episodes in the Dictator’s career.

He was one of the most ambitious men who ever lived, his intense obsession with total power being consistently abnormal; he didn’t care at all how he acquired or spent money as long as it helped further his career. He couldn't stand the idea of playing a secondary role in the world’s affairs, and only complete autocracy satisfied his ambitions. While crossing the Alps once, someone pointed out the poverty of a small mountain village, and he was overheard saying he would rather be the top man in that little community than the second man in Rome. On another occasion, he was seen to break down in tears while reading about Alexander the Great, as the thought that another man had conquered the world at an age when he had achieved nothing was unbearable to him. This relentless “passion for honor,” as Plutarch calls it, was not obvious in his demeanor and was only noticed by those who knew him well. He was too gentlemanly, too well dressed, and too impeccably groomed to give the impression of someone who was relentlessly pursuing his own advancement, while the demons of insatiable ambition were continuously gnawing at his heart. “When I see his hair so carefully styled,” Cicero noted, “and see him adjusting it with one finger, I can’t imagine that such a man would think of overthrowing the Roman State.” Yet this elegant soldier, whose manners were subtly aristocratic and whose charm was delightful, would sink to any depths of moral depravity, whether financial or otherwise, to make the world his footstool. When he and Catullus were rival candidates for the position of Pontifex Maximus, the latter offered him a large sum of money to drop out of the race; but Cæsar, rejecting the bribe with indignation, replied that he was about to borrow an even larger sum to buy votes for himself. At another point in his incredible career, he wanted to take down Cicero, who was obstructing his path, and the best way to do that turned out to be appointing a certain young troublemaker named Clodius as tribune. Now, Clodius was involved with Cæsar’s wife Pompeia, whom the Dictator had named co-respondent in the divorce he initiated against her; however, because it furthered his ambition, he had no hesitation in facilitating the appointment of this scandalous rogue and using him for his own nefarious purposes. The story doesn't need to delve into how Clodius disguised himself as a woman to sneak into certain secret female rites where Pompeia was present; how he was caught; how he only escaped the death penalty for his crime because the judges feared the mob liked him and were afraid to upset the nobility; and how Pompeia was divorced by her husband, who then famously remarked that “Cæsar’s wife must be above suspicion”; but it’s clear that Plutarch is justified in viewing the man’s appointment to the tribuneship as one of the most disgraceful moments in the Dictator’s career.89

90 Cæsar’s first wife was named Cossutia, and was a wealthy heiress whom he had married for her money’s sake. Having, however, fallen in love with Cornelia, the daughter of Cinna, he divorced Cossutia, and wedded the woman of his heart, pluckily refusing to part with her when ordered to do so for political reasons by the terrible Sulla. Cornelia died in B.C. 68, and in the following year he married Pompeia, of whom we have just heard, in order to strengthen his alliance with Pompey, to whom she was related.

90 Caesar's first wife was Cossutia, a wealthy heiress he married for her money. However, after falling in love with Cornelia, the daughter of Cinna, he divorced Cossutia and married the woman he loved, bravely refusing to leave her when the fearsome Sulla ordered him to do so for political reasons. Cornelia died in BCE 68, and the following year he married Pompeia, as we just mentioned, to strengthen his alliance with Pompey, who was related to her.

Cæsar’s marriage to Calpurnia, after the dismissal of Pompeia, again showed his indifference to the moral aspect of political life. Calpurnia was the daughter of Calpurnius Piso, the pupil and disciple of Philodemus the Epicurean, a man whose verses in the Greek Anthology, and whose habits of life, were as vicious and poisonous as any in that licentious age. Cæsar at once obtained the consulship for his disreputable father-in-law, thereby causing Cato to protest that it was intolerable that the government should be prostituted by such marriages, and that persons should advance one another to the highest offices in the land by means of women. Cæsar went so far as to propose, shortly after this, that he should divorce Calpurnia and marry Pompey’s daughter, who would have to be divorced from her husband, Faustus Sulla, for the purpose; and that Pompey should marry Octavia, Cæsar’s niece, although she was at that time married to C. Marcellus, and also would have to be divorced.

César's marriage to Calpurnia, after he ended things with Pompeia, again highlighted his lack of concern for the moral side of politics. Calpurnia was the daughter of Calpurnius Piso, a student and follower of Philodemus the Epicurean, a man whose writings in the Greek Anthology and lifestyle were as corrupt and toxic as anyone’s in that decadent era. César immediately secured the consulship for his shady father-in-law, prompting Cato to argue that it was unacceptable for the government to be tainted by such marriages and that people shouldn't use women to elevate each other to the highest positions in the country. César even went so far as to suggest, shortly after this, that he would divorce Calpurnia to marry Pompey’s daughter, who would need to divorce her husband, Faustus Sulla, to make that happen; and that Pompey should marry Octavia, César’s niece, despite her being married to C. Marcellus at the time, which would also require a divorce.

There was a startling nonchalance in Cæsar’s behaviour, a studied callousness, which was not less apparent to his contemporaries than to us. His wonderful ability to squander other people’s money, his91 total disregard of principle, his undisguised satisfaction in political and domestic intrigue, revealed an unconcern which must inspire for all time the admiration of the criminal classes, and which, in certain instances, must appeal very forcibly to the imagination of all high-spirited persons. Who can resist the charm of the story of his behaviour to the pirates of Pharmacusa? For thirty-eight days he was held prisoner at that place by a band of most ferocious and bloodthirsty Cilicians, and during that time he treated his captors with a degree of reckless insouciance unmatched in the history of the world. When they asked him for a ransom of twenty talents (£5000) he laughed in their faces, and said that he was worth at least fifty (£12,500), which sum he ultimately paid over to them. He insisted upon joining in their games, jeered at them for their barbarous habits, and ordered them about as though they were his slaves. When he wished to sleep he demanded that they should keep absolute silence as they sat over their camp-fires; or, when the mood pleased him, he took part in their sing-songs, read them his atrocious Latin verses (for he was ever a poor poet), and abused them soundly if they did not applaud. A hundred times a day he told them that he would have them all hanged as soon as he was free, a pleasantry at which the pirates laughed heartily, thinking it a merry jest; but no sooner was he released than he raised a small force, attacked his former captors, and, taking most of them prisoners, had them all crucified. Crucifixion is a form of death by torture, the prolonged and frightful agony of which is not fully appreciated at the present day, owing to a complacent familiarity with the most notorious case of its application; but Cæsar92 being, on occasion, with all his indifference, a kind-hearted man, decided at the last moment mercifully to put an end to the agonies of his disillusioned victims, and with a sort of considerate nonchalance he therefore quietly cut their throats.

There was an astonishing casualness in Cæsar’s behavior, a calculated indifference, which was just as obvious to his peers as it is to us. His remarkable ability to waste other people’s money, his complete disregard for principle, and his obvious enjoyment of political and personal scheming showed a carelessness that will always captivate the criminal classes, and which, in some cases, must strongly appeal to anyone with a spirited nature. Who can resist the fascinating story of his conduct toward the pirates of Pharmacusa? For thirty-eight days, he was held captive there by a group of fierce and bloodthirsty Cilicians, and during that time, he treated his captors with a level of reckless insouciance unparalleled in history. When they demanded a ransom of twenty talents (£5000), he laughed in their faces and said he was worth at least fifty (£12,500), a sum he eventually paid to them. He insisted on joining in their games, mocked their savage ways, and bossed them around as if they were his slaves. When he wanted to sleep, he demanded complete silence while they sat around their campfires; or, when he felt like it, he joined in their sing-alongs, read them his terrible Latin poetry (since he was always a poor poet), and berated them if they didn’t applaud. A hundred times a day, he told them he would have them all hanged as soon as he was free, a joke that the pirates found hilarious, thinking it was all in good fun; but as soon as he was released, he gathered a small force, attacked his former captors, and captured most of them, having them all crucified. Crucifixion is a torturous form of death, with a prolonged and horrifying agony that isn’t fully appreciated today due to a casual familiarity with its most infamous case; but Cæsar, despite his indifference, could be a kind-hearted man at times, and at the last moment, he decided to mercifully end the suffering of his disillusioned victims, quietly cutting their throats with a sort of considerate casualness.

He was not by any means consistently a cruel man, and his kindness and magnanimity were often demonstrated. He shed tears, it will be remembered, upon seeing the signet-ring of his murdered enemy, Pompey; and in Rome he ordered that unfortunate soldier’s statues to be replaced upon the pedestals from which they had been thrown. In warfare, however, he was often ruthless, and had recourse to wholesale massacres which could hardly be regarded as necessary measures. At Uxellodunum and elsewhere he caused thousands of prisoners to be maimed by the hacking off of their right hands; and his slaughter of the members of the Senate of the Veneti seems to have been an unnecessary piece of brutality. His behaviour in regard to the Usipetes and Tencteri will always remain the chief stain upon his military reputation. After concluding peace with these unfortunate peoples, he attacked them when they were disarmed, and killed 430,000 of them—men, women, and children. For this barbarity Cato proposed that he should be put in chains and delivered over to the remnant of the massacred tribes, that they might wreak their vengeance upon him.

He wasn't always a cruel man, and he often showed kindness and generosity. Remember how he cried when he saw the signet ring of his murdered enemy, Pompey? In Rome, he even ordered the statues of that unfortunate soldier to be put back on their pedestals after they had been thrown down. However, in war, he could be ruthless and resorted to mass killings that could hardly be called necessary. At Uxellodunum and other places, he had thousands of prisoners maimed by cutting off their right hands, and his slaughter of the Senate members of the Veneti appeared to be an unnecessary act of brutality. His actions toward the Usipetes and Tencteri will always be the biggest stain on his military reputation. After making peace with these unfortunate people, he attacked them when they were defenseless and killed 430,000 of them—men, women, and children. For this cruelty, Cato suggested that he should be chained up and handed over to the surviving members of the massacred tribes so they could take their revenge on him.

During his ten years’ campaigning in Gaul he took 800 towns by storm, subdued 300 states, killed a million men, and sent another million into slavery.27 His cold-blooded execution of the brave Vercingetorix, after six years of captivity, seems more cruel to us, perhaps, than it did to93 his contemporaries; and it may be said in his favour that he treated the terrified remnant of the conquered peoples with justice and moderation. In spite of a kindly and even affable manner, his wit was caustic and his words often terribly biting. When a certain young man named Metellus, at that time tribune, had persistently questioned whether Cæsar had a right to appropriate treasury funds in the prosecution of his wars, Cæsar threatened to put him to death if any more was heard of his dissent. “And this you know, young man,” said he, “is more disagreeable for me to say than to do.” He associated freely with all manner of persons, and although so obviously an aristocrat, he was noted for his friendliness and tact in dealing with the lower classes. During his campaigns he shared all hardships with his men, and, consequently, was much beloved by them, in spite of their occasional objection to the heavy work or strenuous manœuvres which he required them to undertake. He was wont to travel in time of war at the rate of a hundred miles a day; and when a river or stream obstructed his progress he did not hesitate to dive straightway into the water and swim to the opposite shore. On the march he himself usually slept in his litter, or curled up on the floor of his chariot, and his food was of the coarsest description. At no time, indeed, was he a gourmet; and it is related how once he ate without a murmur some asparagus which had been treated with something very much like an ointment in mistake for sauce. In later life he drank no wine of any kind, an abstemiousness which was probably forced upon him by ill-health; and he who, in his early years, had been notorious for his dissipations and luxurious living, was, at the time with which we are now dealing, famous for his abstinence.

During his ten years of campaigning in Gaul, he captured 800 towns, conquered 300 regions, killed a million men, and sent another million into slavery. His cold-blooded execution of the brave Vercingetorix, after six years of captivity, seems more cruel to us now than it likely did to his contemporaries; however, it's worth noting that he treated the terrified remnants of the conquered peoples with fairness and restraint. Despite having a kind and approachable demeanor, his humor was sharp, and his words could be incredibly cutting. When a young man named Metellus, who was a tribune at the time, repeatedly questioned whether Caesar had the right to take treasury funds for his campaigns, Caesar threatened to kill him if he spoke any more against it. “And you know this, young man,” he said, “is more unpleasant for me to say than to do.” He mingled freely with people from all walks of life, and even though he was clearly part of the elite, he was known for his friendliness and diplomacy with the lower classes. During his campaigns, he shared all the hardships with his soldiers, which made him well-liked, despite their occasional complaints about the heavy labor or intense maneuvers he required of them. He used to travel at a pace of a hundred miles a day during wartime, and when a river blocked his path, he didn't hesitate to dive in and swim to the other side. While marching, he usually slept in his litter or curled up on the floor of his chariot, and he ate very simple food. At no point was he a gourmet; it’s said that once he quietly ate some asparagus mistakenly prepared with something resembling ointment instead of sauce. In later life, he drank no wine at all, likely due to health issues; he who had once been famous for his indulgence and lavish lifestyle was, at the time we're discussing, known for his temperance.

94 When Cæsar arrived in Alexandria he was come direct from his great victory over Pompey at Pharsalia, and was now absolute master of the Roman world. His brilliant campaigns in Gaul had raised him to the highest position in the Republic, and now that Pompey was dead he was without any appreciable rival. He carried himself with careful dignity, and presumed—quite correctly—that all eyes were turned upon him. He had, as Mommsen says, “a pleasing consciousness of his own manly beauty”; and the thought of his many brilliant victories and successful surmounting of all obstacles gave him the liveliest satisfaction. No longer was his elegant frame shaken with sobs at the envious thought of the exploits of Alexander the Great; but, since his insatiable ambition still urged him to make use of his opportunities, he was for the moment content to indulge his passion for conquest by attempting to win the affections of the charming, omnipotent, and fabulously wealthy Queen of Egypt.

94 When Caesar arrived in Alexandria, he had just come straight from his significant victory over Pompey at Pharsalia and was now the undisputed master of the Roman world. His impressive campaigns in Gaul had elevated him to the highest position in the Republic, and with Pompey dead, he had no significant rivals left. He carried himself with poised dignity, rightly assuming that everyone’s attention was on him. He had, as Mommsen says, “a pleasing awareness of his own manly beauty”; and the thought of his many brilliant victories and his ability to overcome all challenges gave him immense satisfaction. No longer did his elegant frame shake with sobs at the envious thought of Alexander the Great's exploits; but, since his unquenchable ambition still pushed him to seize opportunities, he was for the moment content to satisfy his passion for conquest by trying to win the affection of the charming, powerful, and fabulously wealthy Queen of Egypt.


CHAPTER VI.
CLEOPATRA AND CÆSAR IN THE SIEGED PALACE AT ALEXANDRIA.

There can be little doubt that Cæsar’s all-night interview with Cleopatra put an entirely new complexion upon his conception of the situation. Until the Queen’s dramatic entry into the Palace, his main object in remaining for a short time at Alexandria, after he had been shown the severed head of the murdered Pompey, had been to assert his authority in that city of unrivalled commercial opulence, and at the same time to make full use of a favourable opportunity to rest his weary mind and body in the luxury of its royal residence and the perfection of its sun-bathed summer days, while Rome should be quieted down and made ready for his coming. But now a new factor had introduced itself. He had found that the Queen of this desirable and important country was a young woman after his own heart: a dare-devil girl, whose manners and beauty had fired his imagination, and whose apparent admiration for him had set him thinking of the uses to which he might put the devotion he confidently expected to arouse. She seems to have laid her case before him with frankness and sincerity. She had shown him how her brother had96 driven her from the throne, in direct opposition to the will of her father, who had so earnestly desired the two of them to reign jointly and in harmony. And while she had talked to him through the long hours of the night he had found himself most willingly carried away by the desire to obtain her love, both for the pleasure which it might be expected to afford him and for the political advantage which would accrue from such an intercourse. Here was a simple means of bringing Egypt under his control—Egypt which was the granary of the world, the most important commercial market of the Mediterranean, the most powerful factor in eastern politics, and the gateway of the unconquered kingdoms of the Orient. He had made himself lord of the West; Greece and Asia Minor were, since the late war, at his feet; and now Alexandria, so long the support of Pompey’s faction, should come to him with the devotion of its Queen. I do not hold with those who suppose him to have been led like a lamb to the slaughter by the wiles of Cleopatra, and to have succumbed to her charms in the manner of one whose passions have confused his brain, causing him to forget all things save only his desire. In consideration of the fact that the young Queen was at that time, so far as we know, a woman of blameless character, and that he, on the contrary, was a man of the very worst possible reputation in regard to the opposite sex, it seems, to say the least, unfair that the burden of the blame for the subsequent events should have been assigned for all these centuries to Cleopatra.

There’s no doubt that Caesar’s all-night talk with Cleopatra completely changed how he saw the situation. Until the Queen dramatically entered the Palace, his main reason for staying in Alexandria, after being shown the severed head of the murdered Pompey, was to assert his authority in that incredibly rich city and to take advantage of a rare opportunity to relax and recharge in the luxury of its royal residence and perfect sunny summer days, while Rome was being calmed down and prepared for his return. But now, a new factor had entered the picture. He discovered that the Queen of this desirable and important country was a young woman who matched his interests: a bold girl whose charm and beauty had captivated him, and whose apparent admiration for him made him consider how he could benefit from the devotion he was sure he could inspire. She seemed to present her case with honesty and openness. She explained how her brother had96 pushed her off the throne, going against their father’s wish for them to rule together in peace. As she spoke throughout the long hours of the night, he found himself eagerly swept up in the desire to win her love—not just for the joy it might bring him, but also for the political advantage that would come from such a relationship. This seemed like an easy way to bring Egypt under his control—Egypt, the granary of the world, the most significant commercial center in the Mediterranean, a crucial player in Eastern politics, and the gateway to the unconquered kingdoms of the East. He had already captured the West; Greece and Asia Minor were now at his feet after the recent war, and now Alexandria, long a supporter of Pompey’s faction, would come to him through its Queen’s loyalty. I don’t agree with those who believe he was led like a lamb to slaughter by Cleopatra's manipulations, seduced by her charms to the point of losing control of his mind and forgetting everything except his desire. Considering that the young Queen was, to our knowledge, of impeccable character at that time, while he had a notorious reputation regarding women, it seems, at the very least, unfair that the blame for what happened next has rested on Cleopatra for all these centuries.

Before the end of that eventful night Cæsar seems to have determined to excite the passionate love of that wild and irresponsible girl, whose personality and political importance97 made a doubly powerful appeal to him; and ere the light of dawn had entered the room his decision to restore her to the throne, and to place her brother in the far background, had been irrevocably made. As the sun rose he sent for King Ptolemy, who, on entering Cæsar’s presence, must have been dismayed to be confronted with his sister whom he had driven into exile and against whom he had so recently been fighting at Pelusium. It would appear that Cæsar treated him with sternness, asking him how he had dared to go against the wishes of his father, who had entrusted their fulfilment to the Roman people, and demanding that he should at once make his peace with Cleopatra. At this the young man lost his temper, and, rushing from the room, cried out to his friends and attendants who were waiting outside that he had been betrayed and that his cause was lost. Snatching the royal diadem from his head in his boyish rage and chagrin, he dashed it upon the ground, and, no doubt, burst into tears. Thereupon an uproar arose, and the numerous Alexandrians who still remained within the Roman lines at once gathering round their King, nearly succeeded in communicating their excitement to the royal troops in the city, and arousing them to a concerted attack upon the Palace by land and sea. Cæsar, however, hurried out and addressed the crowd, promising to arrange matters to their satisfaction; and thereupon he called a meeting at which Ptolemy and Cleopatra were both induced to attend, and he read out to them their father’s will wherein it was emphatically stated that they were to reign together. He reiterated his right, as representative of the Roman people, to adjust the dispute; and at last he appears to have effected a reconciliation between the brother and sister.98 The unfortunate Ptolemy must have realised that from that moment his ambitions and hopes were become dust and ashes, for he would now always remain under the scrutiny of his elder sister; and the liberty of action for which he and his ministers had plotted and schemed was for ever gone. According to Dion Cassius, he could already see plainly that there was an understanding between Cæsar and his sister; and Cleopatra’s manner doubtless betrayed to him her elation. She must have been intensely excited. A few hours previously she had been an exile, creeping back to her own city in imminent danger of her life; now, not only was she Queen of Egypt once more, but she had won the esteem and, so it seemed, the heart also of the Autocrat of the world, whose word was absolute law to the nations. One may almost picture her making faces at her brother as they sat opposite one another in Cæsar’s improvised court of justice, and the unhappy boy’s distress must have been acute.

Before the end of that eventful night, Caesar seemed to decide to stir the passionate love of that wild and irresponsible girl, whose personality and political significance made an even stronger appeal to him. Before dawn broke, he had irrevocably resolved to restore her to the throne and to push her brother into the background. As the sun rose, he summoned King Ptolemy, who must have been shocked to face his sister, the one he had exiled and had recently been fighting against at Pelusium. It seems Caesar was stern with him, asking how he dared to go against their father's wishes, which had been handed over to the Roman people, and demanded that he quickly make amends with Cleopatra. At this, the young man lost his temper and, bursting out of the room, yelled to his friends and attendants waiting outside that he had been betrayed and his cause was lost. In a fit of boyish rage and disappointment, he ripped the royal diadem off his head and threw it to the ground, undoubtedly bursting into tears. This caused an uproar, and many Alexandrians who still remained within the Roman lines quickly gathered around their King, nearly stirring their royal troops in the city to launch a united attack on the Palace by land and sea. However, Caesar rushed out to speak to the crowd, promising to resolve the situation to their satisfaction; then he called a meeting with both Ptolemy and Cleopatra, where he read their father’s will, which clearly stated that they were to rule together. He asserted his right, as the representative of the Roman people, to settle the dispute; and ultimately, it seems he achieved a reconciliation between the brother and sister. The unfortunate Ptolemy must have realized that from that moment on, his ambitions and hopes were shattered, as he would always be under the watchful eye of his older sister, and the freedom of action that he and his advisors had plotted for was permanently lost. According to Dion Cassius, he could already see clearly that there was a deal between Caesar and his sister, and Cleopatra's demeanor must have revealed her excitement. She must have been incredibly thrilled. Just hours earlier, she was an exile sneaking back into her city while fearing for her life; now, not only was she once again Queen of Egypt, but it seemed she had also captured the respect and possibly the heart of the most powerful man in the world, whose word was law to the nations. One can almost imagine her making faces at her brother as they sat opposite each other in Caesar’s makeshift court of justice, and the young boy’s distress must have been intense.

Cæsar’s dominant idea now was to control the politics of Egypt by means of a skilled play upon the heart of Cleopatra. He did not much care what happened to King Ptolemy or to his minister Potheinos, for they had forfeited their right to consideration by their attempt to set aside the wishes of Auletes, and by their disgusting behaviour to Pompey, who, though Cæsar’s enemy, had yet been his mighty fellow-countryman; but it was his wish as soon as possible to placate the mob, and to endear the people of Alexandria to him, so that in three or four weeks’ time he might leave the country in undisturbed quiet. Now the control of Cyprus was one of the most fervent aspirations of the city, and it seems to have occurred to Cæsar that the presentation99 of the island to their royal house would be keenly appreciated by them, and would go a long way to appease their hostile excitement. When the Romans annexed Cyprus in B.C. 58, the Alexandrians had risen in revolt against Auletes largely because he had made no attempt to claim the country for himself. It had been more or less continuously an appendage of the Egyptian crown, and its possession was still the people’s dearest wish. Now, therefore, according to Dion, Cæsar made a present of the island to Egypt in the names of the two younger members of the royal house, Prince Ptolemy and Princess Arsinoe; and though we have no records definitely to show that they ever assumed control of their new possession, or that it ceased, at any rate for a year or two, to be regarded as a part of the Roman province of Cilicia, it is certain that a few years later, in B.C. 42, it had become an Egyptian dominion and was administered by a viceroy of that country.28

César's main goal now was to influence the politics of Egypt by skillfully capturing Cleopatra's heart. He didn't care much about what happened to King Ptolemy or his advisor Potheinos, since they had lost any claim to respect by ignoring Auletes' wishes and showing disrespect to Pompey, who, despite being César's enemy, was still a powerful fellow countryman. His plan was to win over the crowds quickly and endear himself to the people of Alexandria, so that in three or four weeks, he could leave the country in peace. Controlling Cyprus was one of the city's biggest desires, and César seemed to think that giving the island to their royal family would be greatly appreciated and would help ease their anger. When the Romans took Cyprus in B.C. 58, the people of Alexandria had revolted against Auletes primarily because he hadn’t tried to claim the land for himself. Cyprus had been mostly under the Egyptian crown and owning it was still a cherished dream for the people. So, according to Dion, César gifted the island to Egypt in the names of the two younger royals, Prince Ptolemy and Princess Arsinoe. While we don’t have clear records showing that they ever took control of their new territory or that it stopped being considered part of the Roman province of Cilicia for at least a year or two, it is certain that a few years later, in BCE 42, it had become an Egyptian territory and was governed by a viceroy of that country.28

Having thus relieved the situation, Cæsar turned his attention to other matters. While Auletes was in Rome, in B.C. 59, he had incurred enormous debts in his efforts to buy the support of the Roman Senate in re-establishing himself upon the Ptolemaic throne, and in this fact Cæsar now saw a means both of showing his benevolence towards the Egyptians, and of making them pay for the upkeep of his small fleet and army at Alexandria. His claim on behalf of the creditors of Auletes he fixed at the very moderate sum of ten million denarii (£400,000), although it must have been realised by all that the original debts amounted to a much higher figure than this. At the same time he made no attempt to demand a war contribution from the Egyptians, although their100 original advocacy of the cause of Pompey would have justified him in doing so.29 In this manner, and by the gift of Cyprus, he made a bid for the goodwill of the Alexandrians; but, unfortunately, his efforts in this direction were entirely frustrated by the intrigues of Potheinos. There probably need not have been any difficulty in the raising of £400,000; but Potheinos chose to order the King’s golden dishes and the rich vessels in the temples to be melted down and converted into money. He furnished the King’s own table with wooden or earthenware plates and bowls, and caused the fact to be made known to the townspeople, in order that they should be shown the straits to which Cæsar’s cupidity had reduced them. Meanwhile, he supplied the Roman soldiers with a very poor quality of corn, and told them, in reply to their complaints, that they ought to be grateful that they received any at all, since they had no right to it. Nor did he hesitate to tell Cæsar that he ought not to waste his time in Alexandria, or concern himself with the insignificant affairs of Egypt, when urgent business should be calling him back to Rome. His manner towards the Dictator was consistently rude and hostile, and there seems little doubt that he was plotting against him and was keeping in touch with Achillas.

Having sorted out the situation, Cæsar shifted his focus to other issues. While Auletes was in Rome, in BCE 59, he had accumulated massive debts trying to buy the backing of the Roman Senate to reclaim his position on the Ptolemaic throne. Cæsar saw this as an opportunity to show kindness to the Egyptians and have them cover the expenses of his small fleet and army in Alexandria. He set the claim from Auletes' creditors at a modest ten million denarii (£400,000), even though it must have been clear to everyone that the original debts were much higher. At the same time, he didn't try to demand a war contribution from the Egyptians, despite their initial support for Pompey justifying such a move. In this way, and by offering Cyprus, he sought the goodwill of the Alexandrians; however, his efforts were entirely undermined by Potheinos's scheming. Raising £400,000 shouldn’t have been too difficult, but Potheinos decided to order the King’s golden dishes and the valuable temple vessels to be melted down for cash. He replaced the King's tableware with wooden or earthenware plates and bowls and made sure the townspeople knew about it, hoping to show them how Cæsar’s greed had put them in a tough spot. Meanwhile, he provided the Roman soldiers with very poor-quality grain and told them, in response to their complaints, that they should be grateful for anything at all since they had no entitlement to it. He even went as far as to tell Cæsar that he shouldn’t waste his time in Alexandria or get involved in Egypt's trivial matters when there were pressing issues calling him back to Rome. His attitude toward the Dictator was consistently disrespectful and hostile, and it's clear he was plotting against him while maintaining contact with Achillas.

Hostilities of a more or less sporadic nature soon broke out, and it was not long before Cæsar made his first hit at the enemy. Hearing that they were attempting to man their imprisoned ships, which lay still in the101 western portion of the Great Harbour, and knowing that he was not strong enough either to hold or to utilise more than a few of them, he sent out a little force which succeeded in setting fire to, and destroying, the whole fleet, consisting of the fifty men-o’-war which, during the late hostilities, had been lent to Pompey, twenty-two guardships, and thirty-eight other craft, thus leaving in their possession only those vessels which lay in the Harbour of the Happy Return, beyond the Heptastadium. In this conflagration some of the buildings on the quay near the harbour appear to have been burnt, and it would seem that some portion of the famous Alexandrian library was destroyed; but the silence of contemporary writers upon this literary catastrophe indicates that the loss was not great, and, to my mind, puts out of account the statement of later authors that the burning of the entire library occurred on that occasion. Cæsar’s next move was to seize the Pharos Lighthouse and the eastern end of the island upon which it was built, thus securing the entrance to the Great Harbour, and making the passage of his ships to the open sea a manœuvre which could be employed at any moment. At the same time he threw up the strongest fortifications at all the vulnerable points in his land defences, and thereby rendered himself absolutely secure from direct assault.

Hostilities of a somewhat erratic nature soon began, and it wasn't long before Caesar made his first move against the enemy. Hearing that they were trying to crew their trapped ships, which remained in the101 western part of the Great Harbour, and realizing he couldn't hold or make use of more than a few of them, he sent a small force that managed to set fire to and destroy the entire fleet. This fleet included fifty warships that had been lent to Pompey during the recent conflicts, twenty-two guard ships, and thirty-eight other vessels, leaving them with only those ships that were in the Harbour of the Happy Return, beyond the Heptastadium. During this fire, some buildings on the quay near the harbour seem to have burned, and it appears that a part of the famous Alexandrian library was destroyed; however, the lack of mention of this disaster by contemporary writers suggests that the loss wasn't significant, and in my opinion, discredits later claims that the entire library was burned at that time. Caesar's next step was to take the Pharos Lighthouse and the eastern end of the island it was built on, thereby securing the entrance to the Great Harbour and allowing his ships to sail to the open sea whenever necessary. At the same time, he constructed the strongest fortifications at all the vulnerable spots in his land defenses, making him completely safe from direct attack.

He was not much troubled by the situation. It is said that he was obliged more than once to keep awake all night in order to protect himself against assassination; but such a contingency did not interfere to any great extent with his enjoyments of the life in the Alexandrian Palace. From early youth he must have been accustomed to the thought of the assassin’s knife.102 His many love-affairs had made imminent each day the possibility of sudden death, and his political and administrative career also laid him open at all times to a murderous attack. The jealousy of the husbands whose wives he had stolen, the vengeance of the survivors of the massacres instigated by him, the resentment of the politicians whose ambitions he had thwarted, and the hatred of innumerable persons whom, in one way or another, he had offended, placed his life in continuous jeopardy. The machinations of Potheinos, therefore, left him undismayed, and he was able to prosecute what was, in plain language, the seduction of the Queen of Egypt with an undistracted mind.

He wasn't too bothered by the situation. It's said that he had to stay awake all night more than once to protect himself from being assassinated, but that threat didn't really interfere with his enjoyment of life at the Alexandrian Palace. From a young age, he must have been used to the idea of the assassin’s knife.102 His many love affairs made the possibility of sudden death a daily reality, and his political and administrative career constantly put him at risk of a violent attack. The jealousy of husbands whose wives he had taken, the vengeance of the survivors of the massacres he instigated, the resentment of politicians whose ambitions he had blocked, and the hatred of countless people he had offended made his life a continuous risk. Therefore, the schemes of Potheinos didn't shake him, and he was able to pursue, in simple terms, the seduction of the Queen of Egypt with a focused mind.

Cleopatra appears to have been as strongly attracted to Cæsar as he was to her; and although at the outset each realised the advantage of winning the other’s heart, and regulated their actions accordingly, there seems little doubt that, after a day or two of close companionship, a romantic attachment of a very genuine nature had been formed between them. In the case of Cleopatra, no doubt, her love held all the sweetness of the first serious affair of her life, and on the part of Cæsar there is apparent the passionate delight of a man past his prime in the vivacity and charm of a beautiful young girl. Though elderly, Cæsar was what a romanticist would call an ideal lover. His keen, handsome face, his athletic and graceful figure, the fascination of his manners, and the wonder of the deeds which he had performed, might be calculated to win the heart of any woman; and to Cleopatra he must have made a special appeal by reason of his reputation for bravery and reliability on all occasions, and his present display of sang-froid and light-heartedness.

Cleopatra seemed just as drawn to Caesar as he was to her; and although they both recognized the benefits of winning each other's hearts at the beginning and acted accordingly, it’s clear that after a day or two of being close, a genuine romantic bond formed between them. For Cleopatra, her love likely had all the sweetness of the first serious relationship of her life, while for Caesar, it reflected the passionate joy of a man past his prime captivated by the energy and charm of a beautiful young woman. Despite his age, Caesar was what a romantic would call the ideal lover. His sharp, handsome face, athletic and graceful physique, captivating manners, and his incredible achievements would appeal to any woman. For Cleopatra, he must have been especially appealing due to his reputation for bravery and reliability in every situation, along with his current display of sang-froid and playfulness.

103 Cæsar was, at this time, in holiday mood, and the life he led at the Palace was of the gayest description. He had cast from him the cares of state with an ease which came of frequent practice in the art of throwing off responsibilities; and when about October 25th he received news from Rome that he had been made Dictator for the whole of the coming year, 47, he was able to feel that there was no cause for anxiety. While the unfortunate young Ptolemy sulked in the background, Cæsar and Cleopatra openly sought one another’s company and made merry together, it would seem, for a large part of every day. With such a man as Cæsar, the result of this intimacy was inevitable; nor was it to be expected that the happy-go-lucky and impetuous girl of but twenty years of age would act with much caution or propriety under the peculiar and exciting circumstances. It is possible that she had already gone through the form of marriage with her co-regnant brother, as was the custom of the Egyptian Court; but it is highly unlikely that this was anything more than the emptiest formality, and there is no reason to doubt that in actual fact she was, when she met Cæsar, still unwedded. The child which in due course she presented to the Dictator was her first-born; but had there been a previous marriage of more than a formal nature, it is at least probable, in view of her subsequent productivity, that she would already have been in enjoyment of the privileges of motherhood.

103 At this time, Caesar was in a festive mood, and the life he led at the Palace was quite lively. He had easily shed the burdens of state, a skill he had honed through frequent practice in ditching responsibilities; and when he received word from Rome around October 25th that he had been appointed Dictator for the entire upcoming year, 47, he felt no cause for concern. While the unfortunate young Ptolemy brooded in the background, Caesar and Cleopatra openly enjoyed each other’s company and seemed to celebrate together for much of the day. With someone like Caesar, the outcome of this closeness was predictable; it was also unlikely that the carefree and impulsive twenty-year-old girl would act with much caution or propriety given the unique and thrilling situation. She may have already gone through a ceremonial marriage with her joint-reigning brother, as was customary in the Egyptian Court; however, it’s very unlikely that this was more than a mere formality, and there’s reason to believe that she was, when she met Caesar, still unmarried. The child she eventually bore to the Dictator was her firstborn; but had there been a previous marriage of any substance, it’s at least probable, considering her later fertility, that she would have already experienced the joys of motherhood.

The gaiety of the life in the besieged Palace, and the progress of the romance which was there being enacted, were rudely disturbed by two consecutive events which led at once to the outbreak of really serious hostilities.104 The little Princess Arsinoe, who, like all the women of this family, must have been endowed with great spirit and pluck, suddenly made her escape from the Roman lines, accompanied by her nutritius Ganymedes,30 and joined the Egyptian forces under Achillas. The plot, organised no doubt by Ganymedes, had for its object the raising of the Princess to the throne, while Cleopatra and her two brothers were imprisoned in the Lochias, and no sooner had they reached the Egyptian headquarters than they began freely to bribe all officers and officials of importance in order to accomplish their purpose. Achillas, however, who had his own game to play, thought it wiser to remain loyal to his sovereign, and to attempt to rescue him from Cæsar’s clutches. It was not long before a quarrel arose between Ganymedes and Achillas, which ended in the prompt assassination of the latter, whose functions were at once assumed by his murderer, the war being thereupon prosecuted with renewed vigour. Previous to the death of Achillas, Potheinos had been in secret communication with him, apparently in regard to the possibility of murdering Cæsar and effecting the escape of King Ptolemy and himself from the Palace ere Arsinoe and Ganymedes obtained control of affairs. Information of the plot was given to Cæsar by his barber, “a busy, listening fellow, whose excessive timidity made him inquisitive into everything”;31 and, at a feast held to celebrate the reconciliation between Ptolemy and Cleopatra, Potheinos105 was arrested and immediately beheaded, a death which the poet Lucan considers to have been very much too good for him, since it was that by which he had caused the great Pompey to die. So far as one can now tell, Cæsar was entirely justified in putting this wretched eunuch out of the way of further worldly mischief. He belonged to that class of court functionary which is met with throughout the history of the Orient, and which invariably calls forth the denunciation of the more moral West; but it is to be remembered in his favour that, so far as we know, he schemed as eagerly for the fortunes of his young sovereign Ptolemy as he did for his own advancement, and his treacherous manœuvres were directed against the menacing intrusion of a power which was relentlessly crushing the life out of the royal houses of the accessible world. His crime against fallen Pompey was no more dastardly than were many other of the recorded acts of the Court he served; and the fact that he, like his two fellow-conspirators, Achillas and Theodotos, paid in blood and tears for the riches of the moment, goes far to exonerate him, at this remote date, from further execration.

The lively atmosphere of life in the besieged Palace and the unfolding romance taking place there were abruptly interrupted by two consecutive events that sparked serious hostilities.104 The young Princess Arsinoe, who, like all the women in her family, must have been courageous and spirited, suddenly escaped from the Roman lines with her caretaker Ganymedes, and joined the Egyptian forces under Achillas. This plot, likely organized by Ganymedes, aimed to place the Princess on the throne while Cleopatra and her two brothers were imprisoned in the Lochias. As soon as they reached the Egyptian headquarters, they began bribing key officers and officials to achieve their goal. However, Achillas, who had his own agenda, chose to stay loyal to his sovereign and try to rescue him from Cæsar's grasp. It wasn't long before a conflict broke out between Ganymedes and Achillas, resulting in Achillas's swift assassination, after which his killer took over his role, and the war intensified. Prior to Achillas's death, Potheinos had been secretly communicating with him about potentially murdering Cæsar and helping King Ptolemy and himself escape from the Palace before Arsinoe and Ganymedes gained control. Cæsar was informed of this plot by his barber, "a busy, listening fellow, whose excessive timidity made him inquisitive about everything";31 and during a celebration of reconciliation between Ptolemy and Cleopatra, Potheinos105 was arrested and instantly beheaded, a death that the poet Lucan deemed far too lenient for him, as he had caused the great Pompey to die. From what we know now, Cæsar was justified in removing this miserable eunuch to prevent further mischief. He belonged to the type of court official commonly found throughout Eastern history, often criticized by the more morally stringent West; however, it should be noted that, as far as we know, he schemed just as eagerly for his young sovereign Ptolemy's success as for his own gain, and his treacherous actions were aimed against a power that was relentlessly destroying royal families across the known world. His crime against the fallen Pompey was no worse than many other recorded acts of the court he served; and the fact that he, like his fellow conspirators Achillas and Theodotos, ultimately paid in blood and tears for their temporary gains largely absolves him from further condemnation at this distant point in history.

The first act of the war which caused Cæsar any misgivings was the pollution of his water supply by the enemy, and the consequent nervousness of his men. The Royal Area obtained its drinking water through subterranean channels communicating with the lake at the back of the city; and no sooner had Cæsar realised that these channels might be tampered with than he attempted to cut his way southwards, probably along the broad street32 which led to the Gate of the Sun and to the Lake Harbour. Here, however, he met with a106 stubborn resistance, and the loss of life might have been very great had he persisted in his endeavour. Fortunately, however, the sinking of trial shafts within the besieged territory led to the discovery of an abundance of good water, the existence of which had not been suspected; and thus he was saved from the ignominy of being ousted from the city which he had entered in such solemn pomp, and of being forced to retire across the Mediterranean, his self-imposed task left uncompleted, and his ambitions for the future of Cleopatra unfulfilled.

The first event of the war that made Caesar uneasy was when the enemy contaminated his water supply, which caused his troops to become anxious. The Royal Area sourced its drinking water through underground channels that connected to the lake behind the city; as soon as Caesar realized these channels could be interfered with, he tried to push south, likely along the main street32 leading to the Gate of the Sun and the Lake Harbour. However, he faced strong resistance here, and there could have been significant casualties if he had continued his effort. Fortunately, the drilling of test wells within the besieged area led to the unexpected discovery of plenty of clean water, which saved him from the shame of being forced out of the city he had entered with such grandeur and from having to retreat across the Mediterranean, leaving his mission unfinished and his hopes for Cleopatra's future unrealized.

Not long after this the welcome news was brought to him that the Thirty-seventh Legion had crossed from Asia Minor with food supplies, arms, and siege-instruments, and was anchored off the Egyptian coast, being for the moment unable to reach him owing to contrary winds. Cæsar at once sailed out to meet them, with his entire fleet, the ships being manned only by their Rhodian crews, all the troops having been left to hold the land defences. Effecting a junction with these reinforcements, he returned to the harbour, easily defeated the Egyptian vessels which had collected to the north of the Island of Pharos, and sailed triumphantly back to his moorings below the Palace.

Not long after this, he received the great news that the Thirty-seventh Legion had arrived from Asia Minor with food supplies, weapons, and siege equipment, and was anchored off the Egyptian coast, unable to reach him due to unfavorable winds. Cæsar immediately set out to meet them with his entire fleet, which was manned only by their Rhodian crews, as all the troops were left to defend the land. After joining forces with these reinforcements, he returned to the harbor, easily defeated the Egyptian ships that had gathered to the north of the Island of Pharos, and sailed triumphantly back to his moorings near the Palace.

So confident now was he in his strength that he next sailed round the island, and attacked the Egyptian fleet in its own harbour beyond the Heptastadium, inflicting heavy losses upon them. He then landed on the western end of Pharos, which was still held by the enemy, carried the forts by storm, and effected a junction with his own men who were stationed around the lighthouse at the eastern end. His plan was to advance across the Heptastadium, and thus, by holding both the island and the107 mole, to obtain possession of the western Harbour of the Happy Return and ultimately to strike a wedge into the city upon that side. But here he suffered a dangerous reverse. While he was leading in person the attack upon the south or city end of the Heptastadium, and his men were crowding on to it from the island and from the vessels in the Great Harbour, the Egyptians made a spirited attack upon its northern end, thus hemming the Romans in upon the narrow causeway, to the consternation of those who watched the battle from the Lochias Promontory. Fortunately vessels were at hand to take off the survivors of this sanguinary engagement, as the enemy drove them back from either end of the causeway; and presently they had all scrambled aboard and were rowing at full speed across the Great Harbour. Such numbers, however, jumped on to the deck of the vessel into which Cæsar had entered that it capsized, and we are then presented with the dramatic picture of the ruler of the world swimming for his life through the quiet waters of the harbour, holding aloft in one hand a bundle of important papers which he happened to be carrying at the moment of the catastrophe, dragging his scarlet military cloak along by his teeth, and at the same time constantly ducking his rather bald head under the water to avoid the missiles which were hurled at him by the victorious Egyptians, who must have been capering about upon the recaptured mole, all talking and shouting at once. He was, however, soon picked up by one of his ships; and thus he returned to the Palace, very cold and dripping wet, and having in the end lost the cloak which was the cherished mark of his rank. Four hundred legionaries and a number of seamen perished in this engagement, most of them being drowned; and now,108 perhaps for the first time, it began to appear to Cæsar that the warfare which he was waging was not the amusing game he had thought it. For at least four months he had entertained himself in the Palace, spending his days in pottering around his perfectly secure defences and his nights in enjoying the company of Cleopatra. Up till now he must have been in constant receipt of news from Rome, where his affairs were being managed by Antony, his boisterous but fairly reliable lieutenant, and it is evident that nothing had occurred there to necessitate his return. Far from being hemmed in within the Palace and obliged to fight for his life, as is generally supposed to have been the case, it seems to me that his position at all times was as open as it was secure. He could have travelled across the Mediterranean at any moment; and, had he thought it desirable, he could have sailed over to Italy for a few weeks and returned to Alexandria without any great risk. His fleet had shown itself quite capable of defending him from danger upon the high seas, as, for example, when he had sailed out to meet the Thirty-seventh Legion;33 and, as on that occasion, his troops could have been left in security in their fortified position. Supplies from Syria were plentiful, and the Rhodian sailors, after escorting him as far as Cyprus, could have returned to their duties at Alexandria in order to ensure the safe and continuous arrival of these stores and provisions.

So confident was he in his strength that he next sailed around the island and attacked the Egyptian fleet in its own harbor beyond the Heptastadium, inflicting heavy losses on them. He then landed on the western end of Pharos, which was still held by the enemy, captured the forts by storm, and made a connection with his own men who were stationed around the lighthouse at the eastern end. His plan was to advance across the Heptastadium so that by holding both the island and the mole, he could gain control of the western Harbor of the Happy Return and ultimately penetrate the city from that side. But here he faced a dangerous setback. While he personally led the attack on the southern or city end of the Heptastadium, and his men were pressing in from the island and the vessels in the Great Harbor, the Egyptians launched a spirited attack on its northern end, effectively trapping the Romans on the narrow causeway, much to the panic of those watching the battle from the Lochias Promontory. Fortunately, there were vessels nearby to rescue the survivors from this bloody engagement, as the enemy pushed them back from both ends of the causeway. Soon, they all scrambled aboard and were rowing at full speed across the Great Harbor. However, so many people jumped onto the deck of the ship that Cæsar boarded that it capsized, leading to the dramatic scene of the ruler of the world swimming for his life through the calm waters of the harbor, holding up a bundle of important papers he happened to be carrying at the moment of the disaster, dragging his scarlet military cloak along with his teeth, and constantly ducking his rather bald head underwater to avoid the projectiles hurled at him by the victorious Egyptians, who must have been celebrating on the recaptured mole, all talking and shouting at once. He was soon picked up by one of his ships; and thus he returned to the Palace, very cold and dripping wet, having ultimately lost the cloak that was a cherished symbol of his rank. Four hundred legionaries and many seamen perished in this engagement, most of them drowning; and now, perhaps for the first time, it began to seem to Cæsar that the war he was fighting was not the amusing game he had thought it was. For at least four months, he had entertained himself in the Palace, spending his days wandering around his securely defended positions and his nights enjoying Cleopatra's company. Until now, he must have been receiving constant news from Rome, where his affairs were managed by Antony, his boisterous but fairly reliable lieutenant, and it was clear that nothing had happened there to require his return. Far from being trapped within the Palace and forced to fight for his life, as is often believed, it seems to me that his position was as open as it was secure. He could have traveled across the Mediterranean at any moment; and had he deemed it necessary, he could have sailed over to Italy for a few weeks and returned to Alexandria with little risk. His fleet had proven itself capable of defending him against danger at sea, as evidenced when he had sailed out to meet the Thirty-seventh Legion; and like that occasion, his troops could have remained secure in their fortified positions. Supplies from Syria were plentiful, and the Rhodian sailors, after escorting him as far as Cyprus, could have returned to their duties in Alexandria to ensure the steady and safe arrival of these stores and provisions.

It is thus very apparent that he had no wish to abandon the enjoyments of his winter in the Egyptian capital, where he had become thoroughly absorbed both in the little Queen of that country and in the problems109 which were represented to him by her. He was an elderly man, and the weight of his years caused him to feel a temporary distaste for the restless anxieties which awaited him in Rome. His ambitions in the Occident had been attained; and now, finding himself engaged in what, I would suggest, was an easily managed and not at all dangerous war, he was determined to carry the struggle through to its inevitable end, and to find in this quite interesting and occasionally exciting task an excuse for remaining by the side of the woman who, for the time being, absorbed the attention of his wayward affections. Already he was beginning to realise that the subjection of Egypt to his will was a matter of very great political importance, as will be explained hereafter; and he felt the keenest objection to abandoning the Queen to her own devices, both on this account and by reason of the hold which she had obtained upon his heart. In after years he did not look back upon the fighting with an interest sufficient to induce him to record its history, as he had done that of other campaigns, but he caused an official account to be written by one of his comrades; and this author has been at pains to show that the struggle was severe in character. Such an interpretation of the war, however, though now unanimously accepted, is to be received with caution, and need not be taken more seriously than the statement that, in the first instance, Cæsar’s prolonged stay at Alexandria was due to the Etesian winds which made it difficult for his ships to leave the harbour. These annual winds from the north might have delayed his return for a week or two; but it is obvious that he had no desire to set sail; and the author of De Bello Alexandrino was doubtless permitted to cover Cæsar’s apparent negligence of important110 Roman affairs by thus attributing his lengthy absence to the strength of the enemy and to the inclemency of the Fates.

It’s clear that he had no desire to give up the pleasures of his winter in the Egyptian capital, where he had become completely immersed in both the young Queen of that country and the challenges she presented. He was an older man, and the burden of his years made him temporarily uninterested in the restless concerns that awaited him in Rome. His ambitions in the West had been fulfilled; and now, engaged in what I would argue was a manageable and not particularly dangerous war, he was set on seeing it through to its inevitable conclusion, using this quite interesting and sometimes exciting task as an excuse to stay close to the woman who at that moment had captured his wandering affections. He was starting to realize that bringing Egypt under his control was a matter of significant political importance, as will be explained later; and he strongly objected to leaving the Queen to fend for herself, both for this reason and because of the hold she had on his heart. In later years, he didn’t look back on the fighting with enough interest to write its history, as he had done with other campaigns, but he had one of his comrades write an official account; this author went out of his way to portray the struggle as intense. However, this interpretation of the war, though now widely accepted, should be taken with caution and not regarded as more credible than the claim that, initially, Cæsar’s extended stay in Alexandria was due to the Etesian winds making it hard for his ships to leave the harbor. These annual winds from the north might have delayed his return by a week or two; but it’s evident he had no intention of setting sail; and the author of De Bello Alexandrino was likely allowed to justify Cæsar’s apparent neglect of important Roman matters by attributing his extended absence to the strength of the enemy and the harshness of fate.

Now, however, after the ignominious defeat upon the Heptastadium, Cæsar appears to have become fully determined to punish the Alexandrians and to prosecute the campaign with more energy. He seems soon to have received news that a large army was marching across the desert from Syria to his relief, under the joint leadership of Mithridates of Pergamum, a natural son of Mithridates the Great, the Jewish Antipater, father of Herod, and Iamblichus, son of Sampsiceramus, a famous Arab chieftain from Hemesa. With the advent of these forces he knew that he would be able to crush all resistance and to impose his will upon Egypt; and he now, therefore, took a step which clearly shows his determination to handle affairs with sternness and ruthlessness, in such a manner that Cleopatra should speedily become sole ruler of the country, and thus should be in a position to lay all the might of her kingdom in his hands.

Now, however, after the humiliating defeat at the Heptastadium, Caesar seems to have become fully resolved to punish the Alexandrians and to pursue the campaign with greater energy. He soon appears to have received word that a large army was marching across the desert from Syria to support him, led by Mithridates of Pergamum, a natural son of Mithridates the Great, the Jewish Antipater, father of Herod, and Iamblichus, son of Sampsiceramus, a well-known Arab leader from Hemesa. With the arrival of these forces, he knew he could crush all resistance and impose his will on Egypt; and so, he took a step that clearly demonstrates his determination to manage affairs with severity and ruthlessness, ensuring that Cleopatra quickly became the sole ruler of the country, thus enabling her to place all the power of her kingdom in his hands.

The Princess Arsinoe had failed to make herself Queen of Egypt in spite of the efforts of Ganymedes, and the royal army was still endeavouring to rescue King Ptolemy and to fight under his banner. Cæsar, therefore, determined to hand the young man over to them, knowing, as the historian of the war admits, that there was little probability of such an action leading to a cessation of hostilities. His avowed object in taking this step was to give Ptolemy the opportunity of arranging terms of peace for him; but he did not hesitate to record officially his opinion that, in the event of a continuation of the war, it would be far more honourable for him to be fighting111 against a king than against “a crowd of sweepings of the earth and renegades.” The truth of the matter, however, seems to me to be that Cæsar wished to rid himself of the boy, who stood in the way of the accomplishment of his schemes in regard to the sole sovereignty of Cleopatra; and by handing him over to the enemy at the moment when the news of the arrival of the army from Syria made the Egyptian downfall absolutely certain, he insured the young man’s inevitable death or degradation. The miserable Ptolemy must have realised this, for when Cæsar instructed him to go over to his friends beyond the Roman lines, he burst into tears and begged to be allowed to remain in the Palace. He knew quite well that the Egyptians had not a chance of victory—that when once he had taken up his residence with his own people their conqueror would treat him as an enemy and punish him accordingly. Cæsar, however, on his part, was aware that if in the hour of Roman victory Ptolemy was still under his protection, it would be difficult not to carry out the terms of the will of Auletes by making him joint-sovereign with Cleopatra. The King’s tears and paradoxical protestations of devotion were therefore ignored; and forthwith he was pushed out of the Palace into the welcoming arms of the Alexandrians, the younger brother, whom Cæsar had designed for the safely distant throne of Cyprus, being left in the custody of the Romans alone with Cleopatra.

Princess Arsinoe had not succeeded in making herself Queen of Egypt despite Ganymedes' efforts, and the royal army was still trying to rescue King Ptolemy and fight under his banner. Cæsar, therefore, decided to hand the young man over to them, knowing, as the historian of the war acknowledges, that it was unlikely such an action would stop the fighting. His declared reason for this move was to give Ptolemy the chance to negotiate peace; however, he didn't hesitate to officially state his belief that if the war continued, it would be far more honorable for him to be fighting against a king instead of "a bunch of lowlifes and traitors." The reality, though, seems to be that Cæsar wanted to get rid of the boy, who was hindering his plans for sole control over Cleopatra. By turning him over to the enemy just as the news arrived that the army from Syria had made Egyptian defeat inevitable, he ensured the young man’s certain death or disgrace. The unfortunate Ptolemy must have realized this because when Cæsar told him to join his allies beyond the Roman lines, he broke down in tears and pleaded to stay in the Palace. He knew well that the Egyptians had no chance of winning—that once he settled with his people, their conqueror would view him as an enemy and punish him accordingly. Cæsar, on his part, recognized that if Ptolemy remained under his protection during a Roman victory, it would be difficult to avoid enforcing the terms of Auletes' will by making him co-sovereign with Cleopatra. Therefore, the King’s tears and contradictory claims of loyalty were disregarded; he was immediately pushed out of the Palace and into the open arms of the Alexandrians, while the younger brother, whom Cæsar intended for the safely distant throne of Cyprus, was left in Roman custody with Cleopatra.

The relieving army from Syria soon arrived at the eastern frontier of Egypt, and, taking Pelusium by storm, gave battle to the King’s forces not far from the Canopic mouth of the Nile. The Egyptians were easily defeated, and the invaders marched along the eastern edge of the Delta towards Memphis (near the modern Cairo), just112 below which they crossed the Nile to the western bank. The young Ptolemy thereupon, expecting no mercy at Cæsar’s hands, put himself boldly at the head of such troops as could be spared from the siege of the Palace at Alexandria, and marched across the Delta to measure swords with Mithridates and his allies. No sooner was he gone from the city than Cæsar, leaving a small garrison in the Palace, sailed out of the harbour with as many men as he could crowd into the ships at his disposal, and moved off eastwards as though making for Canopus or Pelusium. Under cover of darkness, however, he turned in the opposite direction, and before dawn disembarked upon the deserted shore some miles to the west of Alexandria. He thus out-manœuvred the Egyptian fleet with ease, and, incidentally, demonstrated that he had been throughout the siege perfectly free to come and go across the water as he chose. Marching along the western border of the desert, as his friends had marched along the eastern, he effected a junction with them at the apex of the Delta, not far north of Memphis, and immediately turned to attack the approaching Egyptian army. Ptolemy, on learning of their advance, fortified himself in a strong position at the foot of a tell, or mound, the Nile being upon one flank, a marsh upon the other, and a canal in front of him; but the allies, after a two-days’ battle, turned the position and gained a complete victory. The turning movement had been entrusted to a certain Carfulenus, who afterwards fell at Mutina fighting against Antony, and this officer managed to penetrate into the Egyptian camp. At his approach Ptolemy appears to have jumped into one of the boats which lay moored upon the Nile; but the weight of the numbers of fugitives who followed113 his example sank the vessel, and the young king was never seen alive again. It is said that his dead body was recognised afterwards by the golden corselet which he wore, and which, no doubt, had caused by its weight his rapid death. His tragic end, at the age of fifteen, relieved Cæsar of the embarrassing necessity either of pardoning him and making him joint-sovereign with Cleopatra, according to the terms of his father’s will, or of carrying him captive to Rome and putting him to death in the customary manner at the close of his triumph. The boy had foreseen the fate which would be chosen for him, when he had begged with tears to be allowed to remain in the Palace; and his sudden submersion in the muddy waters of the Nile must have terminated a life which of late had been intolerably overshadowed by the knowledge that his existence was an obstacle to Cæsar’s relentless ambitions, and by the horror of the certainty of speedy death.

The relieving army from Syria soon reached the eastern border of Egypt and, storming Pelusium, engaged the King’s forces near the Canopic mouth of the Nile. The Egyptians were easily defeated, and the invaders advanced along the eastern edge of the Delta toward Memphis (near modern Cairo), just112 south of which they crossed the Nile to the western bank. Young Ptolemy, fearing no mercy from Cæsar, boldly took command of any available troops from the siege of the Palace at Alexandria and marched across the Delta to confront Mithridates and his allies. As soon as he left the city, Cæsar, leaving a small garrison in the Palace, sailed out of the harbor with as many men as he could fit into the ships he had and headed east as if bound for Canopus or Pelusium. Under the cover of darkness, however, he changed direction and disembarked on the deserted shore a few miles west of Alexandria before dawn. This move easily outmaneuvered the Egyptian fleet and showed that he was completely free to come and go across the water during the siege. Marching along the western edge of the desert, like his allies had on the eastern side, he joined them at the apex of the Delta, not far north of Memphis, and immediately turned to attack the advancing Egyptian army. Ptolemy, upon learning of their approach, fortified his position at the base of a tell, or mound, with the Nile on one side, a marsh on the other, and a canal in front of him. However, after two days of battle, the allies outflanked him and achieved a total victory. The maneuver was led by a man named Carfulenus, who later died at Mutina fighting against Antony, and he managed to infiltrate the Egyptian camp. When he approached, Ptolemy reportedly jumped into one of the boats moored on the Nile, but the weight of the crowd of fleeing people capsized the vessel, and the young king was never seen alive again. His body was later identified by the golden corselet he wore, which had likely contributed to his swift demise. His tragic end at just fifteen relieved Cæsar of the uncomfortable choice to either pardon him and make him co-sovereign with Cleopatra, as stipulated by his father’s will, or take him captive to Rome and execute him in the usual fashion at the end of his triumph. The boy must have anticipated the fate that awaited him when he tearfully begged to stay in the Palace; his sudden drowning in the murky waters of the Nile must have ended a life that had become unbearably overshadowed by the reality that his existence was a barrier to Cæsar’s relentless ambitions, along with the horror of certain imminent death.

On March 27th, B.C. 47,34 Cæsar, who had ridden on with his cavalry, entered Alexandria in triumph, its gates being now thrown open to him. The inhabitants dressed themselves in mourning garments, sending deputations to him to beg for his mercy and forgiveness, and bringing out to him the statues of their gods as a token of their entire submission. Princess Arsinoe and Ganymedes were handed over to him as prisoners: and in pomp he rode through the city to the Palace, where as a conquering hero and saviour he was received into the arms of Cleopatra.

On March 27th, BCE 47, 34 Caesar, who had advanced with his cavalry, entered Alexandria triumphantly, its gates now open for him. The people dressed in mourning clothes, sending delegations to plead for his mercy and forgiveness, and presenting the statues of their gods as a sign of their complete submission. Princess Arsinoe and Ganymedes were handed over to him as prisoners; and in grandeur, he rode through the city to the Palace, where he was welcomed into the arms of Cleopatra as a victorious hero and savior.


CHAPTER VII.
THE BIRTH OF CÆSARION AND CÆSAR'S EXIT FROM EGYPT.

The death of Ptolemy and the submission of Alexandria brought the war to a definite close; and Cæsar, once more in comfortable residence at the Palace, was enabled at last to carry out his plans for the regulation of Egyptian affairs, with the execution of which the campaign had so long interfered. Cleopatra’s little brother, the younger Ptolemy, was a boy of only eleven years of age, who does not seem to have shown such signs of marked intelligence or strong character as would cause him to be a nuisance either to Cæsar or to his sister; and therefore it was arranged that he should be raised to the throne in place of his deceased brother, as nominal King and consort of Cleopatra. Cæsar, it will be remembered, had given Cyprus to this youth and to his sister Arsinoe; but now, since the latter was a prisoner in disgrace and the former was not old enough to cause trouble in Egypt, the island kingdom was not pressed upon them. To the Alexandrians, whose campaign against him had entertained him so admirably while he had pursued his intrigue with Cleopatra, Cæsar showed no desire to be other than lenient, and he preferred to regard the great havoc115 wrought in certain parts of their city as sufficient punishment for their misdeeds. He granted to the Jews, however, equal rights with the Greeks, in consideration of their assistance in the late war, a step which must have been somewhat irritating to the majority of the townsfolk. He then constituted a regular Roman Army of Occupation, for the purpose of supporting Cleopatra and her little brother upon the throne,35 and to keep order in Alexandria and throughout the country. This army consisted of the two legions which had been besieged with him in the Palace, together with a third which presently arrived from Syria; and to the command of this force Cæsar appointed an able officer named Rufinus, who had risen by his personal merit from the ranks, being originally one of Cæsar’s own freedmen. It is usually stated that in handing over the command to a man of this standing and not to a person belonging to the Senate, Cæsar was showing his disdain for Egypt; but I am of opinion that the step was taken deliberately to retain the control of the country entirely in his own hands, Rufinus being, no doubt, absolutely Cæsar’s man. We do not hear what became of the Gabinian troops who had fought against Cæsar, but it is probable that they were drafted to legions stationed in other parts of the world.

The death of Ptolemy and the submission of Alexandria marked the end of the war. Cæsar, now back in comfort at the Palace, was finally able to implement his plans for managing Egyptian affairs, which had been disrupted for so long by the conflict. Cleopatra’s younger brother, Ptolemy, was only eleven years old and didn’t seem to possess much intelligence or strong character that would make him a problem for Cæsar or his sister. Consequently, it was decided that he would be made king, taking the place of his deceased brother, and serve as Cleopatra’s consort. Cæsar had previously granted Cyprus to this boy and his sister Arsinoe; however, since Arsinoe was now a disgraced prisoner and the boy was too young to create issues in Egypt, the island kingdom was not insisted upon. Cæsar showed no intention of punishing the Alexandrians, who had entertained him during his attempts to court Cleopatra, and he considered the significant damage done to parts of their city to be punishment enough for their actions. He granted the Jews equal rights with the Greeks, acknowledging their help in the recent conflict, a move that likely annoyed many locals. Cæsar then established a regular Roman Army of Occupation to support Cleopatra and her brother on the throne and to maintain order in Alexandria and the surrounding areas. This army included two legions that had been besieged with him in the Palace and a third that soon arrived from Syria. Cæsar appointed an able officer named Rufinus to lead this force, who had risen through the ranks due to his personal merit and was originally one of Cæsar’s own freedmen. It’s often said that by giving command to someone of this background instead of a senator, Cæsar showed disdain for Egypt; however, I believe he did this intentionally to keep full control of the country in his hands, as Rufinus was undoubtedly loyal to Cæsar. We don’t know what happened to the Gabinian troops who fought against Cæsar, but it’s likely they were reassigned to legions stationed in other regions.

It was now April,36 and Cæsar had been in Egypt for more than six months. He had originally intended to return to Rome, it would seem, in the previous November; but his defiance by the Alexandrians, and later the siege of the Palace, had given him a reasonable excuse for116 remaining with Cleopatra. Being by nature an opportunist, he had come during these months to interest himself keenly in Egyptian affairs, and, as we have seen, both they and his passion for the Queen had fully occupied his attention. The close of the war, however, did not mean to him the termination of these interests, but rather the beginning of the opportunity for putting his schemes into execution. He must have been deeply impressed by the possibilities of expansive exploitation which Egypt offered. Cleopatra, no doubt, had told him much concerning the wonders of the land, wonders which she herself had never yet found occasion to verify. He had heard from her, and had received visible proof, of the wealth of the Nile Valley; and his march through the Delta must have revealed to him the richness of the country. No man could fail to be impressed by the spectacle of the miles upon miles of grain fields which are to be seen in Lower Egypt; and reports had doubtless reached him of the splendours of the upper reaches of the Nile, where a peaceful and law-abiding population found time both to reap three crops a year from the fertile earth, and to build huge temples for their gods and palaces for their nobles. The yearly tax upon corn alone in Egypt, which was paid in kind, must have amounted to some twenty millions of bushels, the figure at which it stood in the reign of Augustus; and this fact, if no other, must have given Cæsar cause for much covetousness.

It was now April, 36 and Caesar had been in Egypt for more than six months. He had originally planned to return to Rome, it seems, the previous November; but his defiance by the Alexandrians, and later the siege of the Palace, provided him with a reasonable excuse for116 staying with Cleopatra. Being naturally opportunistic, he had spent these months becoming very interested in Egyptian affairs, and, as we’ve seen, both those matters and his passion for the Queen had taken up all his attention. However, the end of the war did not mean the end of these interests for him, but rather the start of an opportunity to put his plans into action. He must have been greatly impressed by the possibilities for expansion and exploitation that Egypt offered. Cleopatra, no doubt, had shared a lot about the wonders of the land, wonders she had yet to verify for herself. He had heard from her and had seen proof of the wealth of the Nile Valley; and his journey through the Delta must have shown him the richness of the country. No one could miss the sight of the endless grain fields in Lower Egypt; and reports must have reached him about the splendors of the upper Nile, where a peaceful and law-abiding population managed to harvest three crops a year from the fertile land while also building massive temples for their gods and palaces for their nobles. The yearly tax on corn alone in Egypt, which was paid in kind, must have been around twenty million bushels, the amount during Augustus’s reign; and this fact, if nothing else, must have made Caesar very covetous.

He had probably heard, too, of the trade with India, which was already beginning to flourish, and which, a few years later, came to be of the utmost importance;37 and he had doubtless been told of the almost fabulous117 lands of Ethiopia, to which Egypt was the threshold, whence came the waters of the Nile. Egypt has always been a land of speculation, attracting alike the interest of the financier and the enthusiasm of the conqueror; and Cæsar’s imagination must have been stimulated by those ambitious schemes which have fired the brains of so many of her conquerors, just as that of the great Alexander had been inspired three centuries before. Feeling that his work in Gaul and the north-west was more or less completed, he may, perhaps, have considered the expediency of carrying Roman arms into the uttermost parts of Ethiopia; of crossing the Red Sea into Arabia; or of penetrating, like Alexander, to India and to the marvellous kingdoms of the East. Even so, eighteen hundred years later, Napoleon Bonaparte dreamed of marching his army through Egypt to the lands of Hindustan; and so also England, striving to hold her beloved India (as the prophetic Kinglake wrote in 1844), fixed her gaze upon the Nile Valley, until, as though by the passive force of her desire, it fell into her hands. For long the Greeks had thought that the Nile came from the east and rose in the hills of India; and even in the days with which we are now dealing Egypt was regarded as the gateway of those lands. The trade-route from Alexandria to India was yearly growing in fame. The merchants journeyed up the Nile to the city of Koptos, and thence travelled by caravan across the desert to the seaport of Berenice, whence they sailed with the trade wind to Muziris, on the west coast of India, near the modern Calicut and Mysore. It is possible that Cæsar had succumbed to the fascination of distant conquest and exploration with which Egypt, by reason of her geographical situation, has inspired so118 many minds, and that he was allowing his thoughts to travel with the merchants along the great routes to the East. He must always have felt that the unconquered Parthians would cause a march across Asia to India to be a most difficult and hazardous undertaking, and there was some doubt whether he would be able to repeat the exploits of Alexander the Great along that route; but here through Egypt lay a road to the Orient which might be followed without grave risk. The merchants were wont to leave Berenice, on the Egyptian coast, about the middle of July, when the Dog-star rose with the Sun, reaching the west coast of India about the middle of September;38 and it would be strange indeed if Cæsar had not given some consideration to the possibility of carrying his army by that route to the lands which Alexander, of whose exploits he loved to read, had conquered.

He probably also heard about the trade with India, which was already starting to thrive and would become extremely important just a few years later; 37 and he must have been told about the almost mythical117 lands of Ethiopia, which Egypt served as a gateway to, from where the Nile's waters flowed. Egypt has always been a land of speculation, attracting both financiers and conquerors; and Cæsar’s imagination must have been ignited by those ambitious plans that have inspired so many of its conquerors, just as they had inspired the great Alexander three centuries earlier. Feeling that his work in Gaul and the northwest was largely complete, he may have considered the possibility of leading Roman forces into the farthest reaches of Ethiopia, crossing the Red Sea into Arabia, or, like Alexander, pushing into India and the extraordinary kingdoms of the East. Even 1,800 years later, Napoleon Bonaparte dreamed of marching his army through Egypt to the lands of Hindustan, and England, desperate to hold onto her cherished India (as the prophetic Kinglake wrote in 1844), set her sights on the Nile Valley until it seemed to fall into her hands as if by the sheer force of her desire. For a long time, the Greeks believed that the Nile originated in the east and rose in the hills of India; and even in the times we’re discussing, Egypt was seen as the gateway to those lands. The trade route from Alexandria to India was gaining fame every year. Merchants traveled up the Nile to the city of Koptos, and then journeyed by caravan across the desert to the seaport of Berenice, from where they sailed with the trade winds to Muziris, on the west coast of India, near modern-day Calicut and Mysore. It’s likely that Cæsar was captivated by the allure of distant conquests and explorations that Egypt, due to its geographical position, has inspired in so118 many minds, and that he was letting his imagination travel with the merchants along the great routes to the East. He must have always felt that the unconquered Parthians would make a march across Asia to India a challenging and risky endeavor, and there was some uncertainty whether he could replicate Alexander the Great's feats along that route; but through Egypt lay a path to the East that seemed much less perilous. Merchants often left Berenice, on the Egyptian coast, around mid-July, when the Dog-star rose with the Sun, reaching the west coast of India by mid-September; 38 and it would be quite strange if Cæsar didn’t consider the possibility of using that route to take his army to the lands conquered by Alexander, whose exploits he loved to read about.

Abundant possibilities such as these must have filled his mind, and may have been the partial cause of his desire to stay yet a little while longer in this fascinating country; but there was another and a more poignant reason which urged him to wait for a few weeks more in Egypt. Cleopatra was about to become a mother. Seven months had passed since those days in October when Cæsar had applied himself so eagerly to the task of winning the love of the Queen, and of procuring her surrender to his wishes; and now, in another few weeks, the child of their romance would be placed in his arms. Old profligate though he was, it seems that he saw something in the present situation different from those in which he had found himself before. Cleopatra, by her brilliant wit, her good spirits, her peculiar charm of119 manner, her continuous courage, and her boundless optimism, had managed to retain his love throughout these months of their close proximity; and an appeal had been made to the more tender side of his nature which could not be resisted. He wished to be near her in her hour of trial; and, moreover (for in Cæsar’s actions there was always a practical as well as a sentimental motive), it is probable that he entertained high hopes of receiving from Cleopatra an heir to his worldly wealth and position, who should be in due course fully legitimised. His long intercourse with the Queen had much altered his point of view; and I think there can be little doubt that his mind was eagerly feeling forward to new developments and revolutionary changes in his life.

Abundant possibilities like these must have filled his mind, possibly contributing to his desire to stay a little longer in this fascinating country; but there was another, more emotional reason that urged him to wait a few more weeks in Egypt. Cleopatra was about to become a mother. Seven months had passed since those days in October when Caesar had eagerly pursued winning the love of the Queen and convincing her to submit to his wishes; and now, in just a few weeks, the child of their romance would be in his arms. Despite being a notorious womanizer, it seemed that he saw something different in this situation compared to those he had experienced before. Cleopatra, with her brilliant wit, good spirits, unique charm, continuous courage, and boundless optimism, had managed to hold his love throughout these months of being close; and an appeal had been made to the softer side of his nature that he couldn’t ignore. He wanted to be there for her during this challenging time; and, on top of that (because Caesar's actions always had a practical as well as a sentimental motive), it’s likely that he had high hopes of receiving from Cleopatra an heir to his wealth and position, who would eventually be fully legitimized. His long interactions with the Queen had significantly changed his perspective; and I think there’s little doubt that his mind was eagerly anticipating new developments and radical changes in his life.

At Cleopatra’s wish he was now allowing himself to be recognised by the Egyptians as the divine consort of the Queen, an impersonation of the god Jupiter-Amon upon earth. Some form of marriage had taken place between them, or, at any rate, the Egyptian people, if not the cynical Alexandrians, had been constrained to recognise their legal union. The approaching birth of the child had made it necessary for Cleopatra to disclose her relationship with Cæsar, and at the same time to prove to her subjects that she, their Queen, was not merely the mistress of an adventurous Roman. As soon, therefore, as her brother and formal husband Ptolemy XIV. had died, she had begun to circulate the belief that Julius Cæsar was the great god of Egypt himself come to earth, and that the child which was about to make its appearance was the offspring of a divine union. Upon the walls of the temples of Egypt, notably at Hermonthis, near Thebes, bas-reliefs were afterwards sculptured in which Cleopatra was represented in converse with the120 god Amon, who appears in human form, and in which the gods are shown assisting at the celestial birth of the child. A mythological fiction of a similar nature had been employed in ancient Egypt in reference to the births of earlier sovereigns, those of Hatshepsut (B.C. 1500) and of Amenophis III. (B.C. 1400) being two particular instances. In the known occasions of its use, the royal parentage of the child had been open to question, this being the reason why the story of the divine intercourse was introduced; and thus in the case of Cleopatra the myth had become familiar, by frequent use, to the priest-ridden minds of the Egyptians, and was not in any way startling or original. In the later years of the Queen’s reign events were dated as from this supernatural occurrence, and there is preserved to us an epitaph inscribed in the “twentieth year of (or after) the union of Cleopatra with Amon.”

At Cleopatra’s request, he was now allowing himself to be recognized by the Egyptians as the divine partner of the Queen, an embodiment of the god Jupiter-Amon on earth. Some form of marriage had occurred between them, or at least, the Egyptian people, if not the skeptical Alexandrians, felt compelled to acknowledge their legal union. The impending birth of the child made it necessary for Cleopatra to reveal her relationship with Cæsar and, at the same time, to show her subjects that she, their Queen, was not just the mistress of an adventurous Roman. Therefore, as soon as her brother and formal husband Ptolemy XIV had died, she began to spread the belief that Julius Cæsar was the great god of Egypt himself come to earth and that the child about to be born was the result of a divine union. On the walls of Egyptian temples, particularly at Hermonthis near Thebes, bas-reliefs were later carved showing Cleopatra conversing with the god Amon, who appears in human form, and depicting the gods assisting at the divine birth of the child. A similar mythological narrative had been used in ancient Egypt regarding the births of earlier rulers, with Hatshepsut (B.C. 1500) and Amenophis III (B.C. 1400) being two notable examples. In the known instances of its use, the royal lineage of the child had been questioned, which is why the story of the divine union was introduced; thus, for Cleopatra, this myth had become familiar, through frequent use, to the priest-dominated minds of the Egyptians and was not at all surprising or original. In the later years of the Queen’s reign, events were dated from this supernatural occurrence, and there exists an epitaph inscribed in the “twentieth year of (or after) the union of Cleopatra with Amon.”

Cæsar was quite willing thus to be reckoned in Egypt as a divinity. His hero Alexander the Great in like manner had been regarded as a deity, and had proclaimed himself the son of Amon, causing himself to be portrayed with the ram’s horns of that god projecting from the sides of his head. Though his belief in the gods was conspicuously absent, Cæsar had always boasted of his divine descent, his family tracing their genealogy to Iulus, the son of Æneas, the son of Anchises and the goddess Venus; and there is every reason to suppose that Cleopatra had attempted to encourage him to think of himself as being in very truth a god upon earth. She herself ruled Egypt by divine right, and deemed it no matter for doubt that she was the representative of the Sun-god here below, the mediator between man and his creator. The121 Egyptians, if not the Alexandrians, fell flat upon their faces when they saw her, and hailed her as god, in the manner in which their fathers had hailed the ancient Pharaohs. From earliest childhood she had been called a divinity, and she was named an immortal in the temples of Egypt as by undoubted right. Those who came into contact with her partook of the divine affluence, and her companions were holy in the sight of her Egyptian subjects. Cæsar, as her consort, thus became a god; and as soon as her connection with him was made public, he assumed ex officio the nature of a divine being. We shall see presently how, even in Rome, he came to regard himself as more than mortal, and how, setting aside in his own favour his disbelief in the immortals, before he died he had publicly called himself god upon earth. At the present period of his life, however, these startling assumptions were not clearly defined; and it is probable that he really did not know what to think about himself. Cleopatra had fed his mind with strange thoughts, and had so flattered his vanity, though probably without intention, that if he could but acknowledge the existence of a better world, he was quite prepared to believe himself in some sort of manner come from it. She knew that she herself was supposed to be divine; she loved Cæsar and had made him her equal; she was aware that he, too, was said to be descended from the gods: and thus, by a tacit assumption, it seems to me that she gradually forced upon him a sense of his divinity which, in the succeeding years, developed into a fixed belief.

César was more than happy to be seen as a god in Egypt. His hero, Alexander the Great, had similarly been seen as a deity, declaring himself the son of Amon and having himself depicted with the ram's horns of that god on his head. Although César didn't genuinely believe in the gods, he always boasted about his divine lineage, claiming his ancestors traced back to Iulus, the son of Aeneas, the son of Anchises and the goddess Venus. It's very likely that Cleopatra encouraged him to see himself as a true god on earth. She ruled Egypt by divine right and firmly believed she was the earthly representative of the Sun-god, acting as the link between humans and their creator. The121 Egyptians, if not the Alexandrians, bowed down when they saw her and worshipped her as a goddess, just like their ancestors had worshipped the ancient Pharaohs. From a young age, she was referred to as a divine being, and she was declared immortal in Egypt's temples as her rightful status. Those who interacted with her shared in her divine essence, and her companions were seen as sacred by her Egyptian followers. As her partner, César became a god; once their relationship was made public, he naturally took on the role of a divine figure. We will soon see how, even in Rome, he came to view himself as more than human, and despite his disbelief in the immortals, he publicly declared himself a god on earth before he died. However, at this point in his life, these bold claims were not fully formed, and it's likely he was uncertain about his own identity. Cleopatra had filled his mind with unusual ideas and flattered his ego, perhaps unintentionally, so much that if he could believe in a higher realm, he would be ready to think of himself as coming from it. She was aware that she was viewed as divine; she loved César and made him her equal. She knew he was also believed to be descended from the gods, and through this unspoken understanding, it seems she gradually instilled in him a sense of divinity that eventually grew into a firm belief in the following years.

This appreciation of his divine nature, which we see growing in Cæsar’s mind, carried with it, of course, a feeling of monarchical power, a desire to assume the122 prerogatives of kingship. Cleopatra seems now to have been naming him her consort, and in Egypt, as we have said, he must have been recognised as her legal husband. He was already, in a manner of speaking, King of Egypt; and the fact that he was not officially crowned as Pharaoh must have been due entirely to his own objection to such a proceeding. The Egyptians must now have been perfectly willing to offer to him the throne of the Ptolemies, just as they had accepted Archelaus, the High Priest of Komana, as consort of Berenice IV., Cleopatra’s half-sister;39 and in these days when their young Queen was so soon to become a mother there must have been a genuine and eager desire to regularise the situation by such a marriage with Cæsar and his elevation to the throne. Nothing could be more happy politically than the Queen’s marriage to the greatest man in Rome, and we have already seen how there was some idea of a union with Cnæus Pompeius in the days when that man’s father was the ruler of the Republic. To the Egyptian mind the fact that Cæsar was already a married man, with a wife living in Rome, was no real objection. She had borne him no son, and therefore might be divorced in favour of a more fruitful vine. Cleopatra herself must have been keenly desirous to share her Egyptian throne with Cæsar, for no doubt she saw clearly enough that, since he was already autocrat and actual Dictator of Rome, it would not be long before they became sovereigns of the whole Roman world. If she could persuade him, like Archelaus of Komana, to accept the crown of the Pharaohs, there was good reason to suppose that he would try to induce Rome to offer him the sovereignty of his own country. The tendency towards123 monarchical rule in the Roman capital, thanks largely to Pompey, was already very apparent; and both Cæsar and Cleopatra must have realised that, if they played their game with skill, a throne awaited them in that city at no very distant date.

This appreciation of his divine nature, which we see growing in Caesar’s mind, naturally came with a sense of monarchical power and a desire to take on the prerogatives of kingship. Cleopatra now seemed to be calling him her consort, and in Egypt, as we've mentioned, he must have been recognized as her legal husband. He was, in a way, King of Egypt; the fact that he wasn't officially crowned as Pharaoh was likely due solely to his own reluctance about such an event. The Egyptians must have been completely willing to offer him the throne of the Ptolemies, just as they had accepted Archelaus, the High Priest of Komana, as consort of Berenice IV., Cleopatra’s half-sister; and in these times when their young Queen was soon to become a mother, there must have been a genuine eagerness to legitimize the situation through a marriage with Caesar and his elevation to the throne. Nothing could be more politically advantageous than the Queen’s marriage to the most powerful man in Rome, and we’ve already seen that there was some thought of a union with Gnaeus Pompeius when his father was the leader of the Republic. To the Egyptian perspective, the fact that Caesar was already married, with a wife living in Rome, was no significant issue. She hadn’t given him a son, so it was reasonable to think he could divorce her for a more fruitful partnership. Cleopatra herself must have been very eager to share her Egyptian throne with Caesar, as she likely recognized that, since he was already an autocrat and the actual Dictator of Rome, it wouldn't be long before they ruled over the entire Roman world. If she could convince him, like Archelaus of Komana, to accept the crown of the Pharaohs, there was good reason to believe he would try to persuade Rome to offer him the sovereignty of his own country. The trend towards monarchical rule in the Roman capital, largely because of Pompey, was already clear; and both Caesar and Cleopatra must have realized that, if they played their cards right, a throne awaited them in that city not too far off.

Cleopatra was a keen patriot, or rather she was deeply concerned in the advancement of her own and her dynasty’s fortunes; and it must have been a matter of the utmost satisfaction to her to observe the direction in which events were moving. The man whom she loved, and who loved her, might at any moment become actual sovereign of Rome and its dominions; and the child with which she was about to present him, if it were a boy, would be the heir of the entire world. For years her dynasty had feared that Rome would crush them out of existence and absorb her kingdom into the Republic; but now there was a possibility that Egypt, and the lands to which the Nile Valley was the gateway, would become the equal of Rome at the head of the great amalgamation of the nations of the earth. Egypt, it must be remembered, was still unconquered by Rome, and was, at the time, the most wealthy and important nation outside the Republic. All Alexandrians and Egyptians believed themselves to be the foremost people in the world; and thus to Cleopatra the dream that Egypt might play the leading part in an Egypto-Roman empire was in no wise fantastic.

Cleopatra was a passionate patriot, or rather, she was deeply invested in the success of herself and her dynasty; it must have been incredibly satisfying for her to see how things were unfolding. The man she loved, who loved her back, could become the ruler of Rome at any moment; and the child she was about to have, if it was a boy, would be the heir to the entire world. For years, her dynasty had feared that Rome would wipe them out and absorb her kingdom into the Republic; but now there was a chance that Egypt, along with the lands connected to the Nile Valley, could stand equal to Rome at the forefront of a new union of nations. Egypt, it should be noted, was still unconquered by Rome and was, at that time, the richest and most significant nation outside the Republic. All Alexandrians and Egyptians considered themselves to be the best people in the world; therefore, for Cleopatra, the idea that Egypt might play a leading role in an Egypto-Roman empire was far from unrealistic.

Her policy, then, was obvious. She must attempt to retain Cæsar’s affection, and at the same time must nurse with care the growing aspirations towards monarchy which were developing in his mind. She must bind him to her so that, when the time came,124 she might ascend the throne of the world by his side; and she must make apparent to him, and keep ever present to his imagination, the fact of her own puissance and the splendour of her royal status, so that there should be no doubt in Cæsar’s mind that her flesh and blood, and hers alone, were fitted to blend with his in the foundation of that single royal line which was to rule the whole Earth.

Her plan was clear. She needed to keep Cæsar’s affection while carefully nurturing his growing desire for monarchy. She had to tie him to her so that, when the moment arrived,124 she could rise to the throne of the world alongside him. She had to make it clear to him—and keep it at the forefront of his mind—that she held power and the splendor of her royal status, ensuring there was no doubt in Cæsar’s mind that only her flesh and blood were meant to unite with his in establishing a single royal line to rule the entire Earth.

Approaching motherhood, it would seem, had much sobered her wild nature, and the glory of her ambitions had raised her thoughts to a level from which she must have contemplated with disdain her early struggles with the drowned Ptolemy, the decapitated Potheinos, the murdered Achillas, and the outlawed Theodotos. She, Cleopatra, was the daughter of the Sun, the sister of the Moon, and the kinswoman of the heavenly beings; she was mated to the descendant of Venus and the Olympian gods, and the unborn offspring of their union would be in very truth King of Earth and Heaven.

As she approached motherhood, it seemed to have significantly calmed her wild spirit, and the height of her ambitions had elevated her thoughts to a place where she must have looked back on her early struggles with disdain, including the drowned Ptolemy, the decapitated Potheinos, the murdered Achillas, and the outlawed Theodotos. She, Cleopatra, was the daughter of the Sun, the sister of the Moon, and related to the divine beings; she was paired with the descendant of Venus and the Olympian gods, and their unborn child would truly be the King of Earth and Heaven.

Historians both ancient and modern are agreed that Cleopatra was a woman of exceptional mental power. Her character, so often wayward in expression, was as dominant as her personality was strong; and she must have found no difficulty in making her appeal to the soaring ambitions of the great Roman. When occasion demanded she carried herself with dignity befitting the descendant of an ancient line of kings, and even in her escapades the royalty of her person was at all times apparent. The impression which she has left upon the world is that of a woman who was always significant of the splendour of monarchy; and her influence upon Cæsar in this regard is not to be overlooked. A man such as he could not live for six months in close contact125 with a queen without feeling to some extent the glamour of royalty. She represented monarchy in its most absolute form, and in Egypt her word was law. The very tone of her royal mode of life must have constituted new matter for Cæsar’s mind to ruminate upon; and that trait in his character which led him to abhor the thought of subordination to any living man, must have caused him to watch the actions of an autocratic queen with frank admiration and restless envy. Tales of the Kings of Alexandria and stories of the ancient Pharaohs without doubt were narrated, and without doubt took some place in Cæsar’s brain. Cleopatra’s point of view, that of the most royal of the world’s royal houses, must, by its very unfamiliarity, have impressed itself upon his thoughts.

Historians, both ancient and modern, agree that Cleopatra was an extraordinarily intelligent woman. Her character, often unpredictable in expression, was as commanding as her strong personality; she had no trouble appealing to the soaring ambitions of the great Roman leader. When necessary, she carried herself with the dignity expected of someone from an ancient royal lineage, and even during her escapades, her royal nature was always evident. The image she left on the world is that of a woman symbolizing the grandeur of monarchy, and her influence on Caesar should not be underestimated. A man like him couldn't spend six months closely interacting with a queen without feeling the allure of royalty. She embodied monarchy in its purest form, and in Egypt, her word was law. The very tone of her royal lifestyle must have provided new material for Caesar’s contemplation, and that aspect of his character that made him reject the idea of being subordinate to any man would have caused him to observe the actions of an autocratic queen with genuine admiration and restless envy. Stories of the Kings of Alexandria and tales of the ancient Pharaohs were surely shared, and they undoubtedly occupied a place in Caesar’s mind. Cleopatra’s perspective as a member of one of the world’s most prestigious royal families must have made a strong impression on his thoughts due to its unique nature.

Thus, little by little, under the influence of the Egyptian Queen and in the power of his own sleepless ambitions, Cæsar began to give serious thought to the possibilities of creating a world-empire over which he should rule as king, founding a royal line which should sit upon the supreme earthly throne for ages to come. Obviously it must have occurred to him that kings must rule by right of royal blood, and that his own blood, though noble and though said to be of divine origin, was not such as would give his descendants unquestionable command over the loyalty of their subjects. A man who is the descendant of many kings has a right to royalty which the son of a conqueror, however honourable his origin, does not possess. So thought Napoleon when he married the Austrian princess, founding a royal house in his country by using the royal blood of another land for the purpose. Looking around him with this thought in view, Cæsar could not well have chosen anybody but126 Cleopatra as the foundress of his line. There was no Roman royal house extant, and therefore a Greek was the best, if not the only, possible alternative; and the Ptolemaic Kings of Egypt were pure Macedonians, deriving their descent, by popular belief, if not in actual fact, from the royal house of Cæsar’s hero, Alexander the Great. He may well, then, have contemplated with enthusiasm the thought of the future monarchs of Rome sitting by inherited right upon the ancient throne of Macedonian Egypt; and Cleopatra on her part was no doubt inspired by the idea of future Pharaohs, blood of her blood and bone of her bone, ruling Rome by hereditary authority.

So, little by little, influenced by the Egyptian Queen and driven by his own relentless ambitions, Caesar began to seriously consider the possibility of creating a world empire that he would rule as king, starting a royal lineage that would sit on the supreme earthly throne for generations to come. It must have occurred to him that kings rule by right of royal blood, and that despite his noble ancestry and claims of divine origin, his blood wouldn't guarantee his descendants unquestionable loyalty from their subjects. A person descended from many kings has a legitimate claim to royalty that the son of a conqueror, no matter how honorable his origins, does not have. Napoleon considered this when he married the Austrian princess, establishing a royal house in his country by leveraging the royal blood of another nation. With this in mind, Caesar couldn’t have chosen anyone but Cleopatra to be the founder of his lineage. There was no existing Roman royal house, so a Greek was the best, if not the only, viable option; and the Ptolemaic Kings of Egypt were pure Macedonians, believed by many to trace their ancestry, if not in actual fact, back to the royal line of Caesar’s hero, Alexander the Great. Thus, he may have envisioned with enthusiasm the future monarchs of Rome sitting by hereditary right on the ancient throne of Macedonian Egypt; and Cleopatra, for her part, was likely inspired by the idea of future Pharaohs, blood of her blood and flesh of her flesh, ruling Rome with hereditary authority.

Cleopatra of necessity had to find a husband. Already she had postponed her marriage beyond the age at which such an event should take place; and any union with her co-regnant brother could but be of a formal nature. Cæsar now had come into her life, capturing her youthful affections and causing himself to be the parent of her child; and it is but natural to suppose that she would endeavour by every means in her power to make him her lifelong consort, thus adding to her own royal stock the worthiest blood of Rome. There can be no doubt that whether or not she might succeed in making Cæsar himself Pharaoh of Egypt, she intended to hand on the Egyptian throne to her child and his, adding to the name of Ptolemy that of the family of the Cæsars. Thus it may be said, though my assumption at first seems startling, that the Roman Empire to a large extent owes its existence to the Egyptian Queen, for the monarchy was in many respects the child of the union of Cæsar and Cleopatra.

Cleopatra had to find a husband. She had already delayed her marriage past the age when it typically should happen, and any union with her co-ruling brother would only be formal. Now, Cæsar had entered her life, winning her youthful affections and becoming the father of her child. It’s natural to think that she would do everything possible to make him her lifelong partner, thus blending her royal lineage with the noble blood of Rome. There's no doubt that whether or not she succeeded in making Cæsar himself Pharaoh of Egypt, she planned to pass the Egyptian throne on to her child and his, adding the name of the Cæsars to that of Ptolemy. Therefore, it can be said, though it may seem surprising at first, that the Roman Empire owes a significant part of its existence to the Egyptian Queen, as the monarchy was in many ways a product of the union of Cæsar and Cleopatra.

These as yet undefined ambitions and hopes found127 a very real and material expression in Cæsar’s eagerness to know whether the expected babe would be a girl, or a son and heir; and it seems likely that his determination to remain in Egypt was largely due to his unwillingness to depart before that question was answered. This, and the paternal responsibility which perhaps for the first time in his sordid life he had ever felt, led him to postpone his return to Rome. He seems to have entertained feelings of the greatest tenderness towards the Queen, whom he was beginning to regard as his wife; and he was, no doubt, anxious to be near her during the ordeal through which the young and delicately-built girl had, for the first time, to pass. It has been the custom for historians to attribute Cæsar’s prolonged residence in Egypt, after the termination of the war and the settlement of Egyptian affairs, to the sensuous allurements of Cleopatra, who is supposed to have held him captive by the arts of love and by the voluptuous attractions of her person; but here a natural fact of life has been overlooked. A woman who is about to render to mankind the great service of her sex, has neither the ability nor the desire to arouse the feverish emotions of her lover. Her condition calls forth from him the more gentle aspects of his affection. His responsibility is expressed in consideration, in interest, in sympathy, and in a kind of gratitude; but it is palpably absurd to suppose that a mere passion, such as that by which Cæsar is thought to have been animated, could at this time have influenced his actions. If love of any kind held him in Egypt, it was the love of a husband for his wife, the devotion of a man who was about to become a parent to the woman who would presently pay toll to Nature in response to his incitement. Actually, as we have seen, there was128 something more than love to keep him in Egypt; there was ambition, headlong aspiration, the intoxication of a conqueror turning his mind to new conquests, and the supreme interest of a would-be king constructing a throne which should be occupied not only by himself but by the descendants of his own flesh and blood for all time.40

These still undefined ambitions and hopes found127 a tangible expression in Caesar’s eagerness to know whether the expected baby would be a girl or a son and heir; it seems likely that his choice to stay in Egypt was largely due to his reluctance to leave before that question was answered. This, along with the paternal responsibility he perhaps felt for the first time in his troubled life, led him to delay his return to Rome. He seems to have had deep feelings for the Queen, whom he was starting to see as his wife; and he was undoubtedly eager to be near her during the challenging moment that the young and fragile girl was experiencing for the first time. Historians have often suggested that Caesar’s extended stay in Egypt, after the war ended and Egyptian affairs were settled, was due to Cleopatra's sensual allure, who was thought to have captured him with her charm and physical beauty; however, a natural fact of life has been overlooked here. A woman about to perform a significant role in life has neither the ability nor the desire to ignite the passionate emotions of her lover. Her situation brings out the softer sides of his affection. His sense of responsibility is expressed in tenderness, interest, support, and a kind of gratitude; but it’s clearly ridiculous to think that mere passion, such as the one Caesar is thought to have felt, could have influenced his actions at this time. If love of any kind kept him in Egypt, it was the love of a husband for his wife, the devotion of a man about to become a parent to the woman who would soon undergo the natural process as a result of his actions. In reality, as we have seen, there was more than love keeping him in Egypt; there was ambition, intense aspiration, the thrill of a conqueror focused on new victories, and the urgent interest of a would-be king working to build a throne that would be occupied not only by him but also by his own descendants for all time.40

British Museum.]
[Photograph by Macbeth.

CLEOPATRA.

Cleopatra.

While waiting for the desired event Cæsar could not remain inactive in the Palace at Alexandria. He desired to ascertain for himself the resources of the land which was to be considered as his wife’s dowry; and he therefore determined to conduct a peaceful expedition up the Nile with this subject in view. The royal dahabiyeh or house-boat was therefore made ready for himself and Cleopatra, whose condition might be expected to benefit by the idle and yet interesting life upon the river; and orders were given both to his own legionaries and to a considerable number of Cleopatra’s troops to prepare themselves for embarkation upon a fleet of four hundred Nile vessels. The number of ships suggests that there were several thousand soldiers employed in the expedition;129 and it appears to have been Cæsar’s intention to penetrate far into the Sudan.41 The royal vessel, or thalamegos, as it was called by the Greeks, was of immense size, and was propelled by many banks of oars.42 It contained colonnaded courts, banqueting saloons, sitting-rooms, bedrooms, shrines dedicated to Venus and to Dionysos, and a grotto or “winter garden.” The wood employed was cedar and cypress, and the decorations were executed in paint and gold-leaf. The furniture was Greek, with the exception of that in one dining-hall, which was decorated in the Egyptian style.43 The rest of the fleet consisted, no doubt, of galleys and ordinary native transports and store-ships.

While waiting for the event he anticipated, Caesar couldn't stay idle in the Palace at Alexandria. He wanted to check out the resources of the land that would be considered his wife's dowry, so he decided to lead a peaceful expedition up the Nile with this in mind. The royal dahabiyeh or houseboat was prepared for him and Cleopatra, who would likely benefit from the relaxing yet engaging life on the river. Orders were given to both his legionaries and a significant number of Cleopatra's troops to get ready for boarding a fleet of four hundred Nile vessels. The number of ships suggests that there were several thousand soldiers involved in the expedition; it seems that Caesar intended to venture far into the Sudan. The royal vessel, or thalamegos, as the Greeks called it, was enormous and powered by many rows of oars. It featured colonnaded courts, banquet halls, sitting rooms, bedrooms, shrines dedicated to Venus and Dionysus, and a grotto or “winter garden.” The wood used was cedar and cypress, and the decorations were done in paint and gold leaf. The furniture was Greek, except for that in one dining hall, which was decorated in the Egyptian style. The rest of the fleet likely included galleys along with local transport and supply ships.

From the city of Alexandria the fleet passed into the nearest branch of the Nile, and so travelled southwards to Memphis, where Cleopatra perhaps obtained her first sight of the great Pyramids and the Sphinx. Thebes, the ancient capital, at that period much fallen into decay, was probably reached in about three weeks’ time; and Cæsar must have been duly impressed by the splendid temples and monuments upon both banks of the Nile. Possibly it was at his suggestion that Cleopatra caused the great obelisk of one of her distant predecessors to be moved from the temple of Luxor at Thebes and to be transported down to Alexandria, where it was erected not far from the Forum,44 an inscription recording its130 re-erection being engraved at the base. The journey was continued probably as far as Aswan and the First Cataract, which may have been reached some four or five weeks after the departure from Alexandria; and it would seem that Cæsar here turned his face to the north once more. Suetonius states that he was anxious to proceed farther up the Nile, but that his troops were restive and inclined to be mutinous, a fact which is not surprising, since the labour of dragging the vessels up the cataract would have been immense, and the hot south winds which often blow in the spring would have added considerably to the difficulties. The temperature at this time of year may rise suddenly from the pleasant degree of an Egyptian winter to that of the height of intolerable summer, and so remain for four or five days.

From the city of Alexandria, the fleet moved into the nearest branch of the Nile and traveled south to Memphis, where Cleopatra probably had her first view of the great Pyramids and the Sphinx. Thebes, the ancient capital, which had significantly fallen into decay by that time, was likely reached in about three weeks; and Cæsar must have been quite impressed by the magnificent temples and monuments lining both sides of the Nile. It’s possible that at his suggestion, Cleopatra had the great obelisk from one of her ancestors moved from the temple of Luxor at Thebes and transported to Alexandria, where it was set up not far from the Forum,44 with an inscription recording its130 re-erection engraved at the base. The journey likely continued as far as Aswan and the First Cataract, which may have been reached about four or five weeks after leaving Alexandria; and it seems that Cæsar then turned his attention north again. Suetonius mentions that he wanted to go further up the Nile, but his troops were restless and showing signs of mutiny, which isn’t surprising since the effort to pull the ships up the cataract would have been enormous, and the hot south winds that often blow in the spring would have greatly added to the challenges. During this time of year, temperatures can suddenly spike from the pleasant chill of an Egyptian winter to the unbearable heat of summer, and then remain like that for four to five days.

Be this as it may, Cæsar turned about, having satisfied himself as to the wealth and fertility of the country, and, no doubt, having obtained as much information as possible from the natives in regard to the trade-routes which led from the Nile to Berenice and India, or to Meroe, Napata, and the Kingdom of Ethiopia. The expedition arrived at Alexandria probably some nine or ten weeks after its departure from that city—that is to say, at the end of the month of June; and it would seem that in the first week of July Cleopatra’s confinement took place.

Be that as it may, Caesar turned around, having confirmed the wealth and fertility of the land, and, no doubt, gathered as much information as he could from the locals about the trade routes leading from the Nile to Berenice and India, or to Meroe, Napata, and the Kingdom of Ethiopia. The expedition got to Alexandria probably about nine or ten weeks after leaving that city—that is, by the end of June; and it seems that Cleopatra's childbirth occurred in the first week of July.

The child proved to be a boy; and the delighted father thus found himself the parent of a son and heir who was at once accepted by the Egyptians as the legitimate child of the union of their Queen with the god Amon, who had appeared in the form of Cæsar. He was named Cæsar, or more familiarly Cæsarion, a131 Greek diminutive of the same word; but officially, of course, he was known also as Ptolemy, and ultimately was the sixteenth and last of that name. A bilingual inscription now preserved at Turin refers to him as “Ptolemy, who is also called Cæsar,” this being often seen in Egyptian inscriptions in the words Ptolemys zed nef Kysares, “Ptolemy called Cæsar.”

The child turned out to be a boy, and the thrilled father found himself the parent of a son and heir who was immediately recognized by the Egyptians as the legitimate offspring of their Queen and the god Amon, who had appeared as Cæsar. He was named Cæsar, or more commonly Cæsarion, a131 Greek nickname for the same name; but officially, he was also known as Ptolemy and ultimately became the sixteenth and final one of that name. A bilingual inscription now kept in Turin refers to him as “Ptolemy, who is also called Cæsar,” which is often found in Egyptian texts as Ptolemys zed nef Kysares, meaning “Ptolemy called Cæsar.”

The Dictator waited no longer in Egypt. For the last few months he had put Roman politics from his thoughts and had not even troubled to write any despatches to the home Government.45 But now he had to create the world-monarchy of which his winter with Cleopatra had led him to dream; and first there were campaigns to be fought on the borders of the Mediterranean; there was Parthia to be subdued; and finally India was to be invaded and conquered. Then, when all the known world had become dependent upon him, and only Egypt and her tributaries were still outside Roman dominion, he would, by one bold stroke, announce his marriage to the Queen of that country, incorporate her lands and her vast wealth with those of Rome, and declare himself sole monarch of the earth. It was a splendid ambition, worthy of a great man; and, as we shall presently see, there can be very little question that these glorious dreams would have been converted into actual realities had not his enemies murdered him on the eve of their realisation. Modern historians are unanimous in declaring that Cæsar had wasted his time in Egypt, and had devoted to a love intrigue the weeks and months which ought to have been spent in regulating the affairs of the world. Actually, however, these nine months, far from being wasted, were spent132 in the very creation of the Roman Empire. True, Cæsar’s schemes were frustrated by the knives of his assassins; but, as will be seen in the sequel, his plans were carried on by Cleopatra with the assistance of Antony, and finally were put into execution by Octavian.

The Dictator no longer waited in Egypt. For the past few months, he had pushed Roman politics out of his mind and hadn’t even bothered to send any dispatches to the home government. But now he had to bring to life the world-monarchy that his winter with Cleopatra had inspired him to envision; first, there were campaigns to fight on the Mediterranean borders; Parthia needed to be conquered; and finally, he intended to invade and dominate India. Once the entire known world was dependent on him, with only Egypt and her tributaries remaining outside Roman control, he would, in one bold move, announce his marriage to the Queen of that land, incorporate her territory and vast wealth into Rome, and declare himself the sole monarch of the earth. It was an impressive ambition, fit for a great leader; and, as we will soon see, there’s little doubt that these glorious dreams would have become actual realities had his enemies not killed him just before they could be realized. Modern historians agree that Cæsar wasted his time in Egypt, indulging in a love affair during the weeks and months he should have spent managing the world's affairs. However, these nine months were not wasted; instead, they were spent in the very building of the Roman Empire. True, Cæsar’s plans were cut short by his assassins, but, as will be demonstrated later, his objectives were carried forward by Cleopatra with Antony’s help, and eventually executed by Octavian.

As Cæsar sailed out of the Great Harbour of Alexandria he must have turned his keen grey eyes with peculiar interest upon the splendid buildings of the Palace, which towered in front of the city, upon the Lochias Promontory; and that quiet, whimsical expression must have played around his close-shut lips as he thought of the change that had been wrought in his mental attitude by the months spent amidst its royal luxuries. Enthusiasm for the work which lay before him must have burnt like a fire within him; but stamped upon his brain there must have been the picture of a darkened room in which the wild, happy-go-lucky, little Queen of Egypt, now so subdued and so gentle, lay clasping to her breast the new-born Cæsar, the sole heir to the kingdom of the whole world.

As Caesar sailed out of the Great Harbour of Alexandria, he must have gazed with particular interest at the magnificent buildings of the Palace that loomed over the city on the Lochias Promontory. That quiet, whimsical look must have danced across his tightly pressed lips as he reflected on how much his time among its royal luxuries had changed his mindset. His enthusiasm for the work ahead must have burned like a fire within him, but embedded in his mind was the image of a dimly lit room where the carefree, spirited little Queen of Egypt, now so subdued and gentle, held the newborn Caesar close to her chest, the sole heir to the kingdom of the entire world.


CHAPTER VIII.
Cleopatra and Caesar in Rome.

Cæsar’s movements during the year after his departure from Egypt do not, for the purpose of this narrative, require to be recorded in detail. From Alexandria, which he may have left at about the middle of the first week in July, he sailed in a fast-going galley across the 500 miles of open sea to Antioch, arriving at that city a few days before the middle of that month.46 There he spent a day or two in regulating the affairs of the country, and presently sailed on to Ephesus, some 600 miles from Antioch, which he probably reached at the end of the third week of July. At Antioch he heard that one of his generals, Domitius Calvinus, had been defeated by Pharnakes, the son of Mithridates the Great, and had been driven out of Pontus, and it seems that he at once sent three legions to the aid of the beaten troops with orders to await in north-western Galatia or Cappadocia for his coming. After a day or two at Ephesus, Cæsar travelled with extreme rapidity to the rendezvous, taking with him only a thousand cavalry; and arriving at Zela, 500 miles from Ephesus, on or before August 2nd, at once defeated the rebels. It had134 been his custom in Gaul to travel by himself at the rate of a hundred miles a day, and even with a heavily laden army he covered over forty miles a day, as for example in his march from Rome to Spain, which he accomplished in twenty-seven days, and he may thus have joined his main army and commenced his preparations for the battle of Zela as early as the last days of July. The crushing defeat which he inflicted on the enemy so shortly after taking over the command was thus a feat of which he might justly be proud, and it so tickled his vanity that in writing to a friend of his in Rome, named Amantius, he described the campaign in the three famous words, Veni, vidi, vici, “I came, I saw, I conquered,” which so clearly indicate that he was beginning to regard himself as a sort of swift-footed, irresistible demigod.

Cæsar's activities during the year after he left Egypt don't need to be detailed for this story. He sailed from Alexandria, likely around the middle of the first week in July, taking a fast ship across 500 miles of open sea to Antioch, arriving there a few days before mid-July. There, he spent a day or two getting the country's affairs in order, and then sailed on to Ephesus, about 600 miles from Antioch, most likely arriving at the end of the third week of July. While in Antioch, he learned that one of his generals, Domitius Calvinus, had been defeated by Pharnakes, the son of Mithridates the Great, and had been pushed out of Pontus. He immediately sent three legions to help the defeated troops, ordering them to wait in north-western Galatia or Cappadocia for him. After a day or two in Ephesus, Cæsar quickly traveled to meet them, taking only a thousand cavalry with him. He reached Zela, 500 miles from Ephesus, on or before August 2nd, and promptly defeated the rebels. He was used to traveling alone at a pace of a hundred miles a day, and even with a heavily loaded army, he managed over forty miles a day, as shown in his march from Rome to Spain, which took twenty-seven days. He could have linked up with his main army and started preparing for the battle of Zela as early as the last days of July. The decisive defeat he handed to the enemy soon after taking command was something he could be proud of, and it boosted his ego so much that when he wrote to a friend in Rome named Amantius, he described the campaign with the now-famous words, Veni, vidi, vici, “I came, I saw, I conquered,” clearly showing he was starting to see himself as a sort of swift, unstoppable demigod.

Thence he sailed at last for Italy, and reached Rome at the end of September, almost exactly a year after his arrival in Egypt. He remained in Rome not more than two and a half months, and about the middle of December he set out for North Africa, where Cato, Scipio, and other fugitive friends of Pompey had established a provisional government with the assistance of Juba, King of Numidia, and were gathering their forces. Arriving at Hadrumetum on December 28th, he at once began the war, which soon ended in the entire defeat and extermination of the enemy at Thapsus on April 6th. Of the famous Pompeian leaders, Faustus Sulla, Lucius Africanus, and Lucius Julius Cæsar were put to death; and Lucius Manlius Torquatus, Marcus Petreius, Scipio, and Cato committed suicide; while, according to Plutarch, some fifty thousand men were slain in the rout. Arriving once more in Rome on July 25th, B.C. 46, Cæsar at once began to prepare for his Triumph which was to135 take place in the following month; and it would seem that he had already sent messengers to Cleopatra, who had spent a quiet year of maternal interests in Alexandria, to tell her to come with their baby to Rome.

He finally sailed to Italy and arrived in Rome at the end of September, nearly a year after reaching Egypt. He stayed in Rome for no more than two and a half months, and around mid-December, he set off for North Africa, where Cato, Scipio, and other exiled supporters of Pompey had formed a temporary government with Juba, King of Numidia, and were gathering their forces. After arriving in Hadrumetum on December 28th, he immediately started the war, which quickly resulted in the complete defeat and destruction of the enemy at Thapsus on April 6th. Among the notable Pompeian leaders, Faustus Sulla, Lucius Africanus, and Lucius Julius Cæsar were executed; while Lucius Manlius Torquatus, Marcus Petreius, Scipio, and Cato all took their own lives; and, according to Plutarch, about fifty thousand men were killed in the rout. He returned to Rome on July 25th, BCE 46, and immediately began preparing for his Triumph, scheduled for the following month; it appears he had already sent messages to Cleopatra, who had spent a quiet year focusing on motherhood in Alexandria, asking her to come to Rome with their baby.

According to Dion, the Queen arrived shortly after the Triumph, but several modern writers47 are of opinion that she reached the capital in time for that event. I am disposed to think that she made the journey to Italy in company with the Egyptian prisoners who were to be displayed in the procession, Princess Arsinoe, the eunuch Ganymedes,48 and others, whom Cæsar probably sent for in the late spring of this year soon after the battle of Thapsus. Cleopatra could not have been averse to witnessing the Triumph, for she must have regarded the late warfare in Alexandria not so much as a Roman campaign against the Egyptians as an Egypto-Roman suppression of an Alexandrian insurrection. The serious part of the campaign could be interpreted as having been waged by Cæsar on behalf of herself and her brother, Ptolemy XIV., against the rebels Achillas and Ganymedes, and later against this same Ptolemy who had gone over to the enemy; and the victory might thus be celebrated both by her and by her Roman champion. It would therefore be fitting that she should be a spectator of the degradation of Arsinoe and Ganymedes; and her presence in Rome at this time would obviously be desirable to her as indicating that she and her country had suffered no defeat. Cæsar, on his part, must have desired her presence that she might witness the dramatic demonstration of his power and popularity. He had just been made Dictator for the third time, and this appointment136 no doubt led him to feel the security of his position and the imminence of that rise to monarchical power in which Cleopatra and their son were to play so essential a part. He was beginning to regard himself as above criticism; and his two great victories, in Pontus and Numidia, following upon his nine months of regal life in Egypt, had somewhat turned his head, so that he no longer considered the advisability of delaying his future consort’s introduction to the people of Rome. He had yet much to accomplish before he could ascend with her the throne of the world, but there can be no question whatsoever that he now desired Cleopatra to begin to make herself known in the capital; and, this being so, it seems to me to be highly probable that he would wish her to refute, by her presence as a witness of his Triumph, any suggestion that she herself was to be included in that conquered Egypt49 about which he was so continuously boasting.

According to Dion, the Queen arrived shortly after the Triumph, but several modern writers 47 believe she got to the capital in time for that event. I think she traveled to Italy alongside the Egyptian prisoners who were going to be shown in the parade, like Princess Arsinoe, the eunuch Ganymedes, 48 and others, whom Cæsar probably summoned in late spring this year shortly after the battle of Thapsus. Cleopatra likely wanted to see the Triumph, as she must have viewed the recent conflict in Alexandria not just as a Roman campaign against the Egyptians but as an Egypto-Roman effort to suppress an Alexandrian rebellion. The main part of the campaign could be seen as Cæsar fighting on behalf of her and her brother, Ptolemy XIV., against the rebels Achillas and Ganymedes, and later against Ptolemy, who had sided with the enemy; thus, the victory could be celebrated by both her and her Roman supporter. It would make sense for her to witness the humiliation of Arsinoe and Ganymedes; being in Rome at that time would clearly be beneficial for her, as it suggested that she and her nation had not been defeated. Cæsar, for his part, must have wanted her there to see the powerful display of his strength and popularity. He had just been appointed Dictator for the third time, and this position surely made him feel secure and aware of his impending rise to monarchical power, in which Cleopatra and their son would play crucial roles. He was starting to see himself as above criticism; his two major victories, in Pontus and Numidia, combined with nine months of royal life in Egypt, had somewhat inflated his ego, making him less inclined to postpone introducing his future partner to the people of Rome. He still had much to do before he could ascend with her to the throne of the world, but there is no doubt he wanted Cleopatra to start making her presence known in the capital; and, given this, it seems quite likely he would want her to counter any notion that she was part of that conquered Egypt 49 that he always bragged about.

The Queen of Egypt’s arrival in Rome must have caused something of a sensation. Cartloads of baggage, and numerous agitated eunuchs and slaves doubtless heralded her approach and followed in her train. Her little brother, Ptolemy XV., now eleven or twelve years of age, whom she had probably feared to leave alone in Alexandria lest he should follow the family tradition and declare himself sole monarch, had been forced to accompany her, and now added considerably to the commotion of her arrival. The one-year-old heir of the Cæsars and of the Ptolemies, surrounded by guards and fussing nurses, must, however, have been the cynosure of all eyes; for every Roman guessed its parentage,137 knowing as they did the peculiarities of their Dictator. Cleopatra and her suite were accommodated in Cæsar’s transtiberini horti, where a charming house stood amidst beautiful gardens on the right bank of the Tiber, near the site of the modern Villa Panfili; and it is to be presumed that his legal wife Calpurnia was left as mistress of another establishment within the city.

The arrival of the Queen of Egypt in Rome must have created quite a stir. Cartloads of luggage and a bunch of frantic eunuchs and slaves likely announced her coming and followed closely behind her. Her younger brother, Ptolemy XV, now around eleven or twelve years old, whom she probably didn’t want to leave alone in Alexandria for fear he'd declare himself the sole ruler, had to go with her and added significantly to the chaos of her arrival. The one-year-old heir to both the Cæsars and the Ptolemies, surrounded by guards and fussing nurses, must have drawn everyone's attention; every Roman likely knew who the child’s parents were, being familiar with their Dictator’s unique traits. Cleopatra and her entourage were given accommodations in Cæsar’s transtiberini horti, where a lovely house was located in beautiful gardens on the right bank of the Tiber, near what is now Villa Panfili; and it’s assumed that his legal wife, Calpurnia, stayed as the mistress of another place in the city.

Cæsar’s attitude towards Cleopatra at this time is not easily defined. It is not to be presumed that he was still very deeply in love with her; for natures such as his are totally incapable of continued devotion. During his residence in North Africa in the winter or early spring, he had been much attracted by Eunoe, the wife of Bogud, King of Mauretania, and had consoled himself for the temporary loss of Cleopatra by making her his mistress. Yet the Queen of Egypt still exercised a very considerable influence over him; and when she came to Rome it may be supposed that in his transpontine villa they resumed with some satisfaction the intimate life which they had enjoyed in the Alexandrian Palace. The first infatuation was over, however, and both Cæsar and Cleopatra must have felt that the basis of their relationship was now a business agreement designed for their mutual benefit. In all but name they were married, and it was the fixed intention of both that their marriage should presently be recognised in Rome as it already had been in Egypt. Cæsar, I suppose, took keen pleasure in the company of the witty, vivacious, and regal girl; and he was extremely happy to see her lodged in his villa, whither he could repair at any time of the day or night to enjoy her brilliant and refreshing society. Their baby son, too, was a source of interest and enjoyment to him. He was now138 fourteen months old, and his likeness to Cæsar, so pronounced in after years, must already have been apparent. Suetonius states that the boy came to resemble his father very closely, and both in looks and in manners, notably in his walk, showed very clearly his origin. These resemblances, already able to be observed, must have delighted Cæsar, who took such careful pride in his own appearance and personality; and they must have formed a bond between himself and Cleopatra as nearly permanent as anything could be in his progressive and impatient nature. The Queen, on her part, probably still took extreme pleasure in the companionship of the great Dictator, who represented an ideal both of manhood and of social charm. She must have loved the fertility of his mind, the autocratic power of his will, and the energy of his personality; and though premature age and ill-health were beginning to diminish his aptitude for the rôle of ardent swain, she found in him, no doubt, a lovable friend and husband, and one with whom the intimacies of daily comradeship were a cause of genuine happiness. They were as well suited to one another as two ambitious characters could be; and, moreover, they were irrevocably bound to one another by the memory of past passion not yet altogether in abeyance, by the sympathy of mutual understanding, by the identity of their worldly interests, and by the responsibilities of correlative parentage.

Cæsar's feelings towards Cleopatra at this point are complicated. It's not accurate to assume that he was still deeply in love with her; personalities like his are not capable of sustained devotion. While he was in North Africa that winter or early spring, he became quite taken with Eunoe, the wife of Bogud, King of Mauretania, and he eased his temporary separation from Cleopatra by taking Eunoe as his mistress. Still, Cleopatra had a significant influence over him, and when she came to Rome, it's likely they resumed the close relationship they had enjoyed in the Alexandrian Palace at his villa across the river. Although the initial passion had faded, both Cæsar and Cleopatra likely realized their relationship had shifted to a business arrangement meant for their mutual benefit. Essentially, they were married in all but name, and they both intended for their marriage to be recognized in Rome as it was already in Egypt. Cæsar probably took great pleasure in the company of the witty, lively, and regal woman, and he was very happy with her living in his villa, where he could visit any time of day or night to enjoy her vibrant presence. Their baby son was also a source of interest and joy for him. Now fourteen months old, the resemblance to Cæsar, which would become more pronounced later, was already noticeable. Suetonius notes that the boy closely resembled his father and displayed traits in both looks and mannerisms, especially in his walk, that highlighted his lineage. These similarities must have pleased Cæsar, who took great pride in his appearance and personality, and they likely created a bond between him and Cleopatra that was as close to permanent as anything could be in his changing and restless nature. Cleopatra probably still found great joy in being with the great Dictator, who epitomized both masculinity and social charm. She must have admired his sharp mind, authoritative will, and vibrant personality; even as premature aging and health issues began to hinder his ability to be a passionate lover, she likely found him to be a lovable friend and husband, and their daily companionship brought her genuine happiness. They were well-matched, both driven individuals, and they were also irrevocably connected by shared memories of past passion that hadn't completely faded, mutual understanding, shared worldly interests, and the responsibilities of co-parenting.

The arrival of Cleopatra in Rome of course caused a scandal, to which Cæsar showed his usual nonchalant indifference. People were sorry for the Dictator’s legal wife Calpurnia, who, since her marriage in B.C. 59, had been left so much alone by her husband; and they were shocked by the open manner in which the members of139 the Cæsarian party paid court to the Queen. I find no evidence to justify the modern belief50 that Roman society was at the time annoyed at the introduction of an eastern lady into its midst;51 for everybody must have known that Cleopatra had not one drop of Egyptian blood in her veins, and must have realised that she was a pure Macedonian Greek, ruling over a city which was the centre of Greek culture and civilisation. But at the same time there is evidence to show that the Romans did not like her. Cicero wrote that he detested her;52 and Dion says that the people pitied Princess Arsinoe, her sister, whose degradation was a consequence of Cleopatra’s success with Cæsar. On the whole, however, her advent did not cause as much stir as might have been expected, for she seems to have acted with tactful moderation in the capital, and to have avoided all ostentation.

The arrival of Cleopatra in Rome obviously caused a scandal, which Cæsar handled with his typical laid-back indifference. People felt sorry for the Dictator’s legal wife Calpurnia, who, since marrying in BCE 59, had been mostly abandoned by her husband; and they were shocked by how openly the members of the Cæsarian party courted the Queen. I see no evidence to support the modern belief that Roman society was bothered by the presence of an eastern lady among them; for everyone must have known that Cleopatra had no Egyptian blood in her veins and must have realized she was a pure Macedonian Greek, ruling over a city that was the center of Greek culture and civilization. However, there is evidence that the Romans did not like her. Cicero wrote that he detested her; and Dion says that the people felt pity for Princess Arsinoe, her sister, whose downfall was a result of Cleopatra’s success with Cæsar. Overall, though, her arrival didn’t create as much of a stir as one might expect, as she seemed to act with tact and avoid any showing off in the capital.

The Triumph which Cæsar celebrated in August for the amusement of Rome and for his own enjoyment was fourfold in character, and lasted for four days. Upon the first day Cæsar passed through the streets of Rome in the rôle of conqueror of Gaul, and when darkness had fallen ascended the Capitol by torchlight, forty elephants carrying numerous torch-bearers to right and left of his chariot. The unfortunate Vercingetorix, who had been held prisoner for six miserable years, was executed at the conclusion of this impressive parade—140an act of cold-blooded cruelty to an honourable foe (who had voluntarily surrendered to Cæsar to save his countrymen from further punishment) which, at the time, may have been excused on the ground that such executions were customary at the end of a Triumph. Upon the second day the conquest of the Dictator’s Egyptian enemies was celebrated, and the Princess Arsinoe was led through the streets in chains, together, it would seem, with Ganymedes, the latter perhaps being executed at the close of the performance, and the former being spared as a sort of compliment to Cleopatra’s royal house. In this procession images of Achillas and Potheinos were carried along, and were greeted by the populace with pleasant jeers; while a statue representing the famous old Nilus, and a model of Pharos, the wonder of the world, reminded the spectators of the importance of the country now under Roman protection. African animals strange to Rome, such as the giraffe, were led along in the procession, and other wonders from Egypt and Ethiopia were displayed for the delight of the populace. On the third day the conquest of Pontus was demonstrated, and a large tablet with the arrogant words Veni, Vidi, Vici painted upon it was carried before the conqueror. Finally, on the fourth day the victories in North Africa were celebrated. In this last procession Cæsar caused some offence by exhibiting captured Roman arms; for the campaign had been fought against Romans of the Pompeian party, a fact which at first he had attempted to disguise by stating that the Triumph was celebrated over King Juba of Numidia, who had sided with the enemy. Still graver offence was caused, however, when it was seen that vulgar caricatures of Cato and other of Cæsar’s personal141 enemies were exhibited in the procession; and the populace must have questioned whether such a jest at the expense of honourable Romans whose bodies were hardly yet cold in their graves was in perfect taste. It would seem indeed that Cæsar’s judgment in such matters had become somewhat warped during this last year of military and administrative success, and that he had begun to despise those who were opposed to him as though they could be but misguided fools. In this attitude one sees, perhaps, something of that same quality which led him blandly to accept in Egypt a sort of divinity as by personal right, and which persuaded him to aim always towards absolutism; for a man is in no wise normal who considers himself a being meet for worship and his enemy an object fit only for derision.

The Triumph that Caesar held in August for the entertainment of Rome and his own pleasure was fourfold and lasted for four days. On the first day, Caesar paraded through the streets of Rome as the conqueror of Gaul, and when night fell, he ascended the Capitol by torchlight, with forty elephants carrying numerous torch-bearers to the right and left of his chariot. The unfortunate Vercingetorix, who had been imprisoned for six long years, was executed at the end of this impressive procession—140an act of cold-blooded cruelty towards an honorable enemy (who had voluntarily surrendered to Caesar to spare his countrymen from further punishment) that, at the time, might have been justified on the grounds that such executions were customary at the end of a Triumph. On the second day, the defeat of Caesar's Egyptian enemies was celebrated, and Princess Arsinoe was paraded through the streets in chains, along with Ganymedes, who might have been executed at the end of the event, while Arsinoe was spared as a sort of tribute to Cleopatra's royal lineage. In this procession, images of Achillas and Potheinos were also displayed and were met with laughter from the crowd. A statue of the famous old Nile and a model of Pharos, one of the wonders of the world, served as reminders to the spectators of the significance of the territory now under Roman protection. African animals unfamiliar to Rome, such as the giraffe, were led in the procession, and other marvels from Egypt and Ethiopia were showcased for the enjoyment of the people. On the third day, the conquest of Pontus was highlighted, with a large tablet bearing the bold words Veni, Vidi, Vici carried before the conqueror. Finally, on the fourth day, the victories in North Africa were celebrated. In this last procession, Caesar caused some offense by displaying captured Roman arms; the campaign had been fought against Romans of the Pompeian faction, which he had initially tried to obscure by claiming the Triumph was over King Juba of Numidia, who had allied with the enemy. However, a more serious offense occurred when crude caricatures of Cato and other personal enemies of Caesar were shown in the procession; the crowd must have questioned whether mocking honorable Romans whose bodies were barely cold in their graves was in good taste. It seems that Caesar's judgment in such matters had become somewhat skewed during this last year of military and administrative success, leading him to view his opponents as nothing more than misguided fools. In this attitude, one can see a hint of that same quality which led him to accept a sort of divinity in Egypt as though it were his right and which drove him to aspire toward absolutism; for a man is not normal who sees himself as worthy of worship while viewing his enemies as objects of mockery.

There seems, in fact, little doubt that Cæsar was not now in a normal condition of mind. For some years he had been subject to epileptic seizures, and now the distressing malady was growing more pronounced and the seizures were of more frequent occurrence. At the battle of Thapsus he is said to have been taken ill in this manner; and on other occasions he was attacked while in discharge of his duties. Such a physical condition may be accountable for much of his growing eccentricity, and, particularly, one may attribute to it his increasing faith in his semi-divine powers. Lombroso goes so far as to say that epilepsy is almost an essential factor in the personality of one who believes himself to be a Son of God or Messenger of the Deity. Akhnaton, the great religious reformer of Ancient Egypt, suffered from epilepsy; the Prophet Mohammed, to put it bluntly, had fits; and many other religious reformers suffered in like manner. One cannot tell what hallucinations and142 strange manifestations were experienced by Cæsar under the influence of this malady; but one may be sure that to Cleopatra they were clear indications of his close relationship to the gods, and that in explanation she did not fail to remind him both of his divine descent and her own inherited divinity, in which, as her consort, he participated.

There’s little doubt that Caesar was not in a normal state of mind at this point. For several years, he had been experiencing epileptic seizures, and now the troubling condition was becoming more severe and the seizures were happening more often. During the battle of Thapsus, he is said to have fallen ill in this way, and on other occasions, he was attacked while performing his duties. This physical condition may explain much of his increasing eccentricity, and especially his growing belief in his semi-divine powers. Lombroso even suggests that epilepsy is nearly a key factor in the personality of someone who thinks of themselves as a Son of God or Messenger of the Deity. Akhnaton, the significant religious reformer of Ancient Egypt, had epilepsy; the Prophet Mohammed also had seizures; and many other religious reformers faced similar issues. It’s impossible to know what hallucinations and strange experiences Caesar might have had because of this condition; however, it’s certain that, to Cleopatra, they were clear signs of his close connection to the gods. She surely reminded him of his divine heritage and her own godly lineage, emphasizing that as her partner, he shared in that divinity.

Towards the end of September Cæsar caused a sensation in Rome by an act which shows clearly enough his attitude in this regard. He consecrated a magnificent temple in honour of Venus Genetrix, his divine ancestress; and there, in the splendour of its marble sanctuary, he placed a statue of Cleopatra, which had been executed during the previous weeks by the famous Roman sculptor, Archesilaus.53 The significance of this act has been overlooked by modern historians. In placing in this shrine of Venus, at the time of its inauguration, a figure of the Queen of Egypt, who in her own country was the representative of Isis-Aphrodite upon earth,54 Cæsar was demonstrating the divinity of Cleopatra, and was telling the people, as it were in everlasting phrases of stone, that the royal girl who now honoured his villa on the banks of the Tiber was no less than a manifestation of Venus herself. It will presently be seen how, in after years, Cleopatra went to meet Antony decked in the character of Venus, and how she was then and on other occasions hailed by the crowd as the goddess come down to earth; and we shall see how her mausoleum actually formed part of the temple of that goddess. Both at this date and in later times she was identified indiscriminately with Isis, with143 Venus-Hathor, and with Venus-Aphrodite; and even after her death the tradition so far survived that one of her famous pearl earrings was cut into two parts, and, in this form, ultimately ornamented the ears of the statue of Venus in the Pantheon at Rome. Coins dating from this period have been found upon which Cleopatra is represented as Aphrodite, carrying in her arms the baby Cæsarion, who is supposed to be Eros. Cæsar was always boasting about the connection of his house with this goddess; and now the placing of this statue of Cleopatra in his new temple is, I think, to be interpreted as signifying that he wished the Roman people to regard the Queen as a “young goddess,” which was the title given to her by the Greeks and Egyptians in her own country.

Towards the end of September, Caesar made waves in Rome with an action that clearly reflects his stance on the matter. He inaugurated a stunning temple dedicated to Venus Genetrix, his divine ancestor; and within the grandeur of its marble sanctuary, he placed a statue of Cleopatra, created in the previous weeks by the renowned Roman sculptor, Archesilaus.53 The importance of this act has been overlooked by modern historians. By placing a figure of the Queen of Egypt—who was seen as the earthly embodiment of Isis-Aphrodite—in this shrine at its inauguration, Caesar was showcasing Cleopatra's divinity. He was, in a sense, telling the people in lasting phrases of stone that the royal woman residing in his villa along the Tiber was truly a manifestation of Venus herself. It will soon be revealed how, in later years, Cleopatra met Antony dressed as Venus, and how she was recognized by the crowd as a goddess come to earth on multiple occasions; we will also see how her mausoleum was incorporated into the temple of that goddess. At this time and in the future, she was often identified with Isis, with143 Venus-Hathor, and with Venus-Aphrodite; even after her death, the tradition lingered to the extent that one of her famous pearl earrings was divided into two parts, eventually adorning the ears of the statue of Venus in the Pantheon at Rome. Coins from this era have been discovered that portray Cleopatra as Aphrodite, holding in her arms the baby Caesarion, who is meant to represent Eros. Caesar often bragged about his family's connection to this goddess; thus, the placement of Cleopatra’s statue in his new temple signifies that he wanted the Roman people to see the Queen as a “young goddess,” a title bestowed upon her by the Greeks and Egyptians in her homeland.

It is not altogether certain that Cæsar himself was actually beginning to regard Cleopatra in this light, though the increasing frequency of his epileptic attacks, and his consequent hallucinations, may have now made such an attitude possible even in the case of so hardened a sceptic as was the Dictator in former years. It seems more reasonable to suppose that he was at this time attempting to appeal to the imagination of the people in anticipation of the great coup which he was about to execute; and that, with this object in view, he allowed himself to be carried along by a kind of enthusiastic self-deception. He applied no serious analysis to his opinions in this regard; but, by means of a thoughtless vanity, he seems to have given rein to an undefined conviction, very suitable to his great purpose, that he himself was more than human, and that Cleopatra was not altogether a woman of mortal flesh and blood. Even so Alexander the Great had partially deluded himself when, on the144 one hand, he named himself the son of Jupiter-Ammon, and, on the other, was careful, once when wounded, to point out that ordinary mortal blood flowed from his veins. And so, too, Napoleon Bonaparte, during his invasion of Egypt, declared that he was the Prophet of God, and, in after years, was willing to describe to a friend, as it were in jest, his vision of himself as the founder of a new Faith.

It’s not entirely clear that Caesar was actually starting to see Cleopatra this way, but the more frequent epileptic attacks and the resulting hallucinations may have made this perspective possible, even for someone as skeptical as the Dictator once was. It seems more reasonable to think he was trying to capture the public's imagination in preparation for the big coup he was about to pull off; with this in mind, he allowed himself to be swept up in a form of enthusiastic self-deception. He didn’t seriously analyze his opinions on this matter; instead, through a thoughtless vanity, he gave in to a vague belief that fit his grand ambitions, convincing himself he was something more than human and that Cleopatra wasn’t just an ordinary mortal woman. Even Alexander the Great had partially deceived himself when, on one hand, he called himself the son of Jupiter-Ammon, and on the other, he made sure to point out that ordinary mortal blood ran through his veins when he was wounded. Likewise, Napoleon Bonaparte, during his invasion of Egypt, claimed he was the Prophet of God and later jokingly told a friend about his vision of himself as the founder of a new Faith.

The inauguration of Cæsar’s new temple, which was, one may say, the shrine of Cleopatra, was accompanied by amazing festivities, and the excitable population of this great city seemed, so to speak, to go mad with enthusiasm. Great gladiatorial shows were organised, and a miniature sea-fight upon an artificial lake was enacted for the public entertainment. The majority of the mob was ready enough to accept without comment the exalted position of the statue of Cleopatra. At this time in Rome they were very partial to new and foreign deities, celestial or in the flesh; and actually the worship of the Egyptian goddess Isis, with whom Cleopatra, as Venus, was so closely connected, had taken firm hold of their imagination. For the last few years the religion of Isis had been extremely popular with the lower classes in Rome; and when, in B.C. 58, a law which had been made forbidding foreign temples to be located within a certain area of the city, necessitated the destruction of a temple of Isis, not one man could be found who would touch the sacred building, and at last the Consul, Lucius Paullus, was obliged to tuck up his toga and set to work upon the demolition of the edifice with his own hands. Thus, this inaugural ceremony, so lavishly organised by Cæsar, was a marked success; and in spite of the indignation of Cicero, the statue of Cleopatra took its145 permanent place, with popular consent, in the sanctuary of Venus. No expense was spared on this or on any other occasion to please the people; and at one time twenty-two thousand persons partook of a sumptuous meal at Cæsar’s expense. Such a courting of the people was, indeed, necessary at this time; for although the Dictator was at the moment practically omnipotent, and though there was talk of securing him in his office for a term of ten years, his party had not that solidity which was to be desired of it. Antony, the right-hand man of the Cæsarians, was, at the time, in some disgrace owing to a quarrel with his master; and there were rumours that he wished to revenge himself by assassinating Cæsar. It was already becoming clear that the Pompeian party, in spite of Pharsalia and Thapsus, was not yet dead, and still waited to receive its death-blow. Some of the Dictator’s actions had given considerable offence, and there were certain people in Rome who made use of every opportunity to denounce him, and to offer their praise to the memory of his enemy Cato, whose tragic death after the battle of Thapsus, and the vilification of whose memory in the recent Triumph, had caused such a painful impression. Cicero wrote an encomium upon this unfortunate man, to which Cæsar, in self-defence, replied by publishing his Anti-Cato, which was marked by a tone of bitter and even venomous animosity. All manner of unpleasant remarks were being made in better-class circles in regard to Cleopatra; and when the Dictator publicly admitted the parentage of their child, and authorised him to bear the name of Cæsar, it began to be whispered that his legal marriage to the Queen was imminent.

The opening of Caesar’s new temple, which can be seen as Cleopatra's shrine, was marked by incredible celebrations, and the enthusiastic crowd in this major city seemed to go wild with excitement. Grand gladiatorial games were organized, and a scaled-down naval battle took place on a man-made lake for the public's enjoyment. Most of the crowd readily accepted Cleopatra's elevated status without question. At that time in Rome, they were quite fond of new and exotic gods, whether divine or human; the worship of the Egyptian goddess Isis, with whom Cleopatra was closely linked as Venus, had captured their imagination. For the past few years, the religion of Isis had been especially popular among the lower classes in Rome. When, in BCE 58, a law was passed prohibiting foreign temples from being built within a certain area of the city, which meant destroying an Isis temple, not a single person could be found willing to dismantle the sacred structure. Eventually, Consul Lucius Paullus had to roll up his toga and take it down himself. Thus, this grand ceremony, lavishly organized by Caesar, was a clear success; despite Cicero's outrage, Cleopatra's statue was permanently established, with popular approval, in the sanctuary of Venus. No expense was spared to win over the public; at one time, twenty-two thousand people enjoyed a lavish meal at Caesar's expense. Such courting of the populace was essential at that moment; although the Dictator was practically all-powerful and there were discussions about securing him in office for ten years, his party lacked the desired unity. Antony, Caesar's right-hand man, was somewhat in disgrace due to a disagreement with his leader and rumors swirled that he planned to take revenge by assassinating Caesar. It was becoming evident that the Pompeian faction, despite Pharsalia and Thapsus, was not yet finished and was still waiting for a decisive defeat. Some of the Dictator's actions had caused significant offense, and certain individuals in Rome seized every opportunity to criticize him while praising his rival Cato, whose tragic death after the battle of Thapsus and the slander aimed at his memory during the recent Triumph had left a profound impact. Cicero wrote a tribute to this unfortunate man, to which Caesar responded defensively by publishing his Anti-Cato, filled with bitter and even venomous hostility. Unpleasant comments about Cleopatra circulated in upper-class circles, and when the Dictator publicly acknowledged the paternity of their child, allowing him to bear the name Caesar, whispers began suggesting that a legal marriage to the Queen was on the horizon.

The mixed population of Rome delighted in political146 strife, and though Cæsar’s position seemed unassailable, there were always large numbers of persons ready to make sporadic attacks upon it. There was at this time constant rioting in the Forum, and an almost continuous restlessness was to be observed in the streets and public places. In the theatres topical allusions were received with frantic applause;55 and even in the Senate disturbances were not infrequent. The people had always to be humoured, and Cæsar was obliged at all times to play to the gallery. Fortunately for him he possessed in the highest degree the art of self-advertisement;56 and his charm of manner, together with his striking and handsome appearance, made the desired appeal to the popular fancy. His relationship to Cleopatra stood, on the whole, in his favour amongst the lower classes, who had hailed him with coarse delight as the terror of the women of Gaul; and the fact that she was a foreigner mattered not in the least to the heterogeneous population of Rome. They themselves were largely a composition of the nations of the earth; and that Cæsar’s mistress, and probable future wife, was a Greek, was to them in no wise a matter for comment. In any theatre in Rome at that date one might sit amidst an audience of foreigners to hear a drama given (at Cæsar’s expense, by the way) in language such as Greek, Phœnician, Hebrew, Syrian, or Spanish. To them Cleopatra must have appeared as a wonderful woman, closely related to the gods, come from a famous city across the waters to enjoy the society of their own half-godlike Dictator; and they were quite147 prepared to accept her as a pleasant and romantic adjunct to the political situation.

The diverse population of Rome thrived on political conflict, and although Cæsar's position seemed rock-solid, there were always plenty of people ready to launch sporadic attacks on it. At this time, the Forum was filled with constant rioting, and there was an almost nonstop restlessness in the streets and public areas. In the theaters, topical references were met with wild applause; and even in the Senate, disruptions were common. The public always needed to be entertained, and Cæsar had to constantly play to the crowd. Luckily for him, he was exceptionally skilled at self-promotion; his charm and striking good looks made a strong appeal to the populace. His association with Cleopatra generally worked in his favor among the lower classes, who celebrated him as the scourge of the women of Gaul; and the fact that she was a foreigner didn’t bother the mixed population of Rome at all. They were themselves a blend of nations; the idea that Cæsar's mistress, and likely future wife, was Greek was hardly worth mentioning. Any theater in Rome at that time was filled with an audience of foreigners enjoying a drama (funded by Cæsar, by the way) performed in languages like Greek, Phoenician, Hebrew, Syrian, or Spanish. To them, Cleopatra must have seemed like a remarkable woman, closely tied to the gods, who came from a famous city across the sea to share company with their own half-divine Dictator; and they were more than ready to accept her as a charming and romantic aspect of the political scene.

Among the many reforms which Cæsar now introduced there was one which was the direct outcome of his visit to Egypt. For some time the irregularities of the calendar had been causing much inconvenience, and the Dictator, very probably at the Queen of Egypt’s suggestion, now decided to invite some of Cleopatra’s court astronomers to Rome in order that they might establish a new system based upon the Egyptian calendar of Eudoxus. Sosigenes was at that time the most celebrated astronomer in Alexandria, and it was to him, perhaps at Cleopatra’s advice, that Cæsar now turned. After very careful study it was decided that the present year, B.C. 46, should be extended to fifteen months, or 445 days, in order that the nominal date might be brought round to correspond with the actual season. The so-called Julian calendar, which was thus established, is that upon which our present system is based; and it is not without interest to recollect that but for Cleopatra some entirely different set of months would now be used throughout the world.

Among the many reforms that Caesar introduced, one was a direct result of his visit to Egypt. For some time, the irregularities of the calendar had been causing a lot of problems, and the Dictator, likely at the suggestion of the Queen of Egypt, decided to invite some of Cleopatra's court astronomers to Rome to establish a new system based on the Egyptian calendar of Eudoxus. Sosigenes was the most famous astronomer in Alexandria at that time, and it was probably at Cleopatra's advice that Caesar turned to him. After careful study, it was decided that the current year, B.C. 46, should be extended to fifteen months, or 445 days, so that the nominal date would align with the actual season. The so-called Julian calendar, which was established in this way, is the basis for our current system; and it's interesting to remember that if it weren't for Cleopatra, we might be using a completely different set of months around the world.

Cæsar’s mind at this time was full of his plans for the conquest of the East. In B.C. 65 Pompey had brought to Rome many details regarding the overland route to the Orient. This route started from the Port of Phasis on the Black Sea, ascended the river of that name to its source in Iberia, passed over to the valley of the river Cyrus (Kur), and so came to the coast of the Caspian Sea. Crossing the water the route thence led along the river Oxus, which at that time flowed into the Caspian, to its source, and thus through Cashmir into India.148 There must then have been some talk of carrying the eagles along this highway to the Orient; and while Cæsar was in Egypt it seems probable, as we have seen, that he had studied the question of leading Roman arms thither by the great Egyptian trade route. Though this latter road to the wonderful Orient, however, must have seemed to him, after consideration, to be very suitable as a channel for the despatch of reinforcements, he appears to have favoured the land route across Asia for his original invasion. This approach to the East was blocked by the Parthians, and Cæsar now announced his intention of conducting a campaign against these people. There is no evidence to show that he desired to follow Alexander’s steps beyond Parthia into India, but I am of opinion that such was his intention. In view of the facts that the exploits of Alexander the Great had been studied by him, that he publicly declared his wish to rival them, that he must have heard from Pompey of the overland route to India with which the Romans had become acquainted during the war against Mithridates, that his love of distant conquest and exploration was inordinate, that he had spent some months in studying conditions in Egypt—a country which was in those days full of talk of India and of the new trade with the Orient, that after leaving Egypt he began at once to prepare for a campaign against the one nation which obstructed the overland route to the East, that no other part of the known world, save poverty-stricken Germania, remained to be brought by conquest under Roman sway, that India offered possibilities of untold wealth, and that Cleopatra herself ultimately made an attempt to reach those far countries,—the inference seems to me to be clear that Cæsar’s designs upon Parthia were only149 preliminary to a contemplated invasion of the East. The riches of those distant lands were already the talk of the age, and within the lifetime of young men of this period streams of Indian merchandise, comprising diamonds, precious stones, silks, spices, and scents, began to pour into Rome and were sold each year, according to the somewhat exaggerated account of Pliny, for some forty million pounds sterling.57 Could Cæsar, the world’s greatest spendthrift, the world’s most eager plunderer, have resisted the temptation of making a bid for the loot which lay behind Parthia? Does the fact that he said nothing of such an intention preclude the possibility that thoughts of this kind now filled his mind, and formed a topic of conversation between him and the adventurous Cleopatra, the Ruler of the gateway of the Orient, who herself sent Cæsar’s son to India, as we shall see in due course? Napoleon, when he invaded Egypt in 1798, said very little about his contemplated attack upon India; but it was none the less dominant in his mind for that. Egypt and Parthia in conjunction formed the basis of any attempt to capture the Orient: Egypt with its route across the seas, and Parthia with its highroad overland. Are we really to suppose that Cæsar did waste his time in Egypt, or was he then studying the same problem which now directed his attention to Parthia? By means of his partnership with Cleopatra he had secured one of the routes to India; and the merchants of Alexandria, if not his own great imagination, must have made clear to him the value of his possession in that regard; for ever since the discovery150 of the over-sea route to the East that value has been recognised. The Venetian Sanuto in later years told his compatriots of the effect on India which would follow from the conquest of the Nile Valley; the Comte Daru said that the possession of Egypt meant the opening up of India; Leibnitz told Louis XIV. of France that an invasion of Egypt would result in the capture of the Indian highroad; the Duc de Choiseul made a similar declaration to Louis XV.; Napoleon stated in his ‘Memoirs’ that his object in attacking Egypt was to lead an army of 60,000 men to India; and at the present day England holds the Nile Valley as being the gateway of her distant possessions. On the other side of the picture we see at the present time the attempts of Russia to establish her power in Northern Persia and Afghanistan, where once the Parthians of old held sway, in order to be ready for that day when English power in India shall decline. Was Cæsar, then, straining every nerve only for the possession of the two gateways of the Orient, or did his gaze penetrate through those gateways to the vast wealth of the kingdoms beyond? I am disposed to see him walking with Cleopatra in the gardens of the villa by the Tiber, just as Napoleon paced the parks of Passeriano, “frequently betraying by his exclamations the gigantic thoughts of his unlimited ambition,” as Lacroix tells us of the French conqueror.

Cæsar was preoccupied with his plans to conquer the East. In BCE 65, Pompey had shared details about the overland route to the Orient. This route began at the Port of Phasis on the Black Sea, traveled up the river of the same name to its source in Iberia, crossed over to the valley of the river Cyrus (Kur), and then reached the coast of the Caspian Sea. After crossing the water, the route continued along the river Oxus, which at that time flowed into the Caspian, all the way to its source, and then through Cashmir into India.148 There must have been discussions about sending the eagles along this route to the Orient; and while Cæsar was in Egypt, it seems likely, as we have seen, that he considered leading Roman forces there via the great Egyptian trade route. Although this road to the amazing Orient probably seemed to him suitable for sending reinforcements, he appears to have preferred the land route across Asia for his initial invasion. This route to the East was blocked by the Parthians, and Cæsar then announced his plan to campaign against them. There’s no evidence that he wanted to go beyond Parthia into India, but I believe that was his intention. Given that he had studied the exploits of Alexander the Great, that he openly expressed a desire to match them, that he likely heard from Pompey about the overland route to India learned during the war against Mithridates, that he had an insatiable desire for distant conquests, that he spent several months studying conditions in Egypt—a country buzzing with discussions about India and new trade with the Orient, that after leaving Egypt he immediately started preparing a campaign against the one nation blocking the overland route to the East, that no other part of the known world, aside from impoverished Germania, remained to be conquered by Rome, that India promised untold wealth, and that Cleopatra herself eventually tried to reach those distant lands—the conclusion seems clear: Cæsar’s plans regarding Parthia were just a prelude to a planned invasion of the East. The wealth of those faraway lands was already a popular topic, and during the lives of young men of this time, streams of Indian goods, including diamonds, precious stones, silks, spices, and perfumes, began flooding into Rome, selling each year for about forty million pounds sterling, according to the somewhat exaggerated accounts of Pliny.57 Could Cæsar, the world's biggest spendthrift and most eager plunderer, have resisted the temptation to claim the riches waiting beyond Parthia? Does his silence about such intentions mean that thoughts of this sort weren't running through his mind, or that it wasn't a topic of conversation with Cleopatra, the adventurous ruler of the gateway to the Orient, who herself sent Cæsar’s son to India, as we’ll see later? When Napoleon invaded Egypt in 1798, he said little about his plans to attack India, but that aim was nonetheless firmly in his mind. Egypt and Parthia together formed the basis for any effort to capture the Orient: Egypt with its sea routes, and Parthia with its overland highway. Are we really to think that Cæsar was just wasting time in Egypt, or was he actually studying the same problem that was now shifting his focus to Parthia? Through his alliance with Cleopatra, he had secured one route to India; and the merchants of Alexandria, if not his own grand imagination, must have made it clear to him how valuable this possession was, as that value had been recognized ever since the discovery of the sea route to the East. In later years, the Venetian Sanuto told his compatriots how the conquest of the Nile Valley would impact India; Comte Daru said that owning Egypt opened up India; Leibnitz told Louis XIV of France that an invasion of Egypt would capture the Indian highway; the Duc de Choiseul made a similar point to Louis XV; Napoleon stated in his ‘Memoirs’ that his aim in attacking Egypt was to lead an army of 60,000 men to India; and today, England controls the Nile Valley as the gateway to its far-off territories. On the flip side, we now see Russia trying to establish its power in northern Persia and Afghanistan, where the ancient Parthians once ruled, in anticipation of when English power in India declines. Was Cæsar, then, straining every muscle just to gain the two gateways to the Orient, or was he looking beyond those gateways toward the vast riches of the kingdoms beyond? I can easily picture him walking with Cleopatra in the gardens of their villa by the Tiber, just as Napoleon wandered through the parks of Passeriano, “frequently revealing through his exclamations the gigantic thoughts of his unlimited ambition,” as Lacroix tells us about the French conqueror.

Such dreams, however, were rudely interrupted by the news that the Pompeian party had gathered its forces in Spain; and Cæsar was obliged to turn his attention to that part of the world. In the winter of B.C. 46, therefore, he set out for the south-west, impatient at the delay which the new campaign necessitated in his great schemes. He was in no mood to brook any opposition151 in Rome, and before leaving the capital he arranged that he should be made Consul without a colleague for the ensuing year B.C. 45, as well as Dictator, thus giving himself absolutely autocratic power. On his way to Spain he sent a despatch to Rome, appointed eight praefecti urbi with full powers to act in his name, thus establishing a form of cabinet government which should entirely over-ride the wishes of the Senate and of the people; and in this manner he secured the political situation to his own advantage. Naturally there was a very great outcry against this high-handed action; but Cæsar was far too deeply occupied by his vast schemes, and far too annoyed by this Spanish interruption of his course towards the great goal of his ambitions, to pay much attention to the outraged feelings of his political opponents.

Such dreams, however, were abruptly interrupted by the news that the Pompeian faction had gathered its forces in Spain; and Caesar had to shift his focus to that part of the world. In the winter of B.C. 46, he set out for the southwest, frustrated by the delays that the new campaign brought to his grand plans. He wasn't in the mood to tolerate any opposition151 in Rome, and before leaving the capital, he arranged to be made Consul without a colleague for the upcoming year BCE 45, as well as Dictator, giving himself complete autocratic power. On his way to Spain, he sent a message to Rome, appointing eight praefecti urbi with full authority to act on his behalf, establishing a form of cabinet government that would completely bypass the wishes of the Senate and the people; this way, he secured the political situation to his advantage. Naturally, there was a huge outcry against this high-handed action; but Caesar was far too focused on his expansive plans and too irritated by this Spanish disruption of his path toward his grand ambitions to give much thought to the outraged feelings of his political opponents.

The enemy in Spain were led by the two sons of the great Pompey, but at the battle of Munda, fought on March 17, B.C. 45, they were entirely defeated with a loss of some thirty thousand men. The elder of the two leaders, Cnæus Pompeius, who was said to have once been a suitor for Cleopatra’s heart, was killed shortly after the battle, but the younger, Sextus, escaped. Cæsar then returned to Rome, being met outside the capital by Antony, with whom he was reconciled; and in the early summer he celebrated his Triumph. In this he offended a number of persons, owing to the fact that his victory had been won over his fellow-countrymen, whose defeat, therefore, ought not to have been the cause of more than a silent satisfaction. After Pharsalia Cæsar had celebrated no triumph, since Romans had there fought Romans; and, indeed, as Plutarch says, “he had seemed rather to be ashamed of the action than to expect honour152 from it.” But now he had come to feel that he himself was Rome, and that his enemies were not simply opposed to his party but were in arms against the State.

The enemy in Spain was led by the two sons of the great Pompey, but at the battle of Munda, fought on March 17, BCE 45, they were completely defeated, losing around thirty thousand men. The older of the two leaders, Cnæus Pompeius, who was rumored to have once courted Cleopatra, was killed shortly after the battle, but the younger, Sextus, managed to escape. Cæsar then returned to Rome, where he was met outside the city by Antony, with whom he reconciled; and in early summer, he celebrated his Triumph. This celebration upset many people since his victory was over fellow countrymen, and their defeat shouldn't have caused more than a quiet satisfaction. After Pharsalia, Cæsar hadn’t celebrated any triumph because Romans had fought against Romans; indeed, as Plutarch noted, “he had seemed rather to be ashamed of the action than to expect honor152 from it.” But now he had come to believe that he himself was Rome, and that his enemies were not just against his party but were actively against the State.

Knowing now that the Pompeians were at last crushed, Cæsar decided to attempt to appease any ill-feeling directed against himself by the friends of the fallen party; and for this purpose he caused the statues of Pompey the Great, which had been removed from their pedestals, to be replaced; and furthermore, he pardoned, and even gave office to, several leaders of the Pompeian party, notably to Brutus and Cassius, who afterwards were ranked amongst his murderers. He then settled down in Rome to prepare for his campaign in the East, and, in the meantime, to put into execution the many administrative reforms which were maturing in his restless brain. It appears that he lived for the most part of this time in the house of which his wife Calpurnia was mistress; but there can be little doubt that he was a constant visitor at his transpontine villa, and that he spent all his spare hours there in the society of Cleopatra, who remained in Rome until his death.

Knowing now that the Pompeians were finally defeated, Cæsar decided to try to smooth over any resentment aimed at him by the supporters of the fallen party. To that end, he ordered the statues of Pompey the Great, which had been taken down from their pedestals, to be put back in place. Additionally, he pardoned and even appointed several leaders of the Pompeian party, especially Brutus and Cassius, who later became known as his murderers. He then settled in Rome to prepare for his campaign in the East and, in the meantime, to implement the many administrative reforms that were developing in his restless mind. It seems he spent most of this time in the house where his wife Calpurnia was in charge, but it’s clear he frequently visited his villa across the river and spent all his free time there with Cleopatra, who remained in Rome until his death.


CHAPTER IX.
THE FOUNDATIONS OF THE EGYPTO-ROMAN MONARCHY.

The people of Rome now began to heap honours upon Cæsar, and the government which he had established did not fail to justify its existence by voting him to a position of irrevocable power. He was made Consul for ten years, and there was talk of decreeing him Dictator for life. The Senate became simply an instrument for the execution of his commands; and so little did the members concern themselves with the framing of new laws at home, or with the details of foreign administration, that Cicero is able to complain that in his official capacity he had received the thanks of Oriental potentates whose names he had never seen before, for their elevation to thrones of kingdoms of which he had never heard. Cæsar’s interests were world-wide, and the Government in Rome carried out his wishes in the manner in which an ignorant Board of Directors of a company with foreign interests follows the advice of its travelling manager. He had lived for such long periods in foreign countries, his campaigns had carried him over so much of the known world’s surface, that Rome appeared to him to be nothing more than the headquarters of his administration, and not a very convenient centre at that. His intimacy154 with Cleopatra, moreover, had widened his outlook, and had very materially assisted him to become an arbiter of universal interests. Distant cities, such as Alexandria, were no longer to him the capitals of foreign lands, but were the seats of local governments within his own dominions; and the throne towards which he was climbing was set at an elevation from which the nations of the whole earth could be observed.

The people of Rome started to shower honors on Caesar, and the government he had set up justified its existence by giving him a position of absolute power. He was appointed Consul for ten years, and there was talk of declaring him Dictator for life. The Senate became just a tool for carrying out his orders; the members paid so little attention to creating new laws at home or managing foreign affairs that Cicero complained he received thanks from Eastern rulers whose names he had never heard, for raising them to thrones of kingdoms he had never known. Caesar’s interests were global, and the government in Rome followed his wishes like a clueless Board of Directors of a company with overseas interests listens to its traveling manager. He had spent so much time in foreign countries, and his campaigns took him across so much of the known world that Rome seemed to him just the headquarters of his administration, and not even a very convenient one. His close relationship with Cleopatra had broadened his perspective and helped him become a key figure in global affairs. Distant cities like Alexandria were no longer mere capitals of foreign lands; they were local governments within his own empire. The throne he was aiming for was at a height from which he could observe the nations of the entire earth.

In accepting as his own business the concerns of so many lands, he was assuming responsibilities the weight of which no man could bear; yet his dislike of receiving advice, and his uncontrolled vanity, led him to resent all interference, nor would he admit that the strain was too great for his weakened physique. Intimate friends of the Dictator, such as Balbus and Oppius, observed that he was daily growing more irritable, more self-opinionated; and the least suggestion of a decentralisation of his powers caused him increasing annoyance. He wished always to hold the threads of the entire world’s concerns in his own hands. Now he was discussing the future of North African Carthage and of Grecian Corinth, to which places he desired to send out Roman colonists; now he was regulating the affairs of Syria and Asia Minor; and now he was absorbed in the agrarian problems of Italy. There were times when the weight of universal affairs pressed so heavily upon him that he would exclaim that he had lived long enough; and in such moods, when his friends warned him of the possibility of his assassination, he would reply that death was not such a terrible matter, nor a disaster which could come to him more than once. The frequency of his epileptic seizures was a cause of constant distress to him, and his gaunt, almost155 haggard, appearance must have indicated to his friends that the strain was becoming unbearable. Yet ever his ambitions held him to his self-imposed task; and always his piercing eyes were set upon that goal of all his schemes, the monarchy of the earth.

In taking on the concerns of so many lands as his own business, he was shouldering responsibilities that no one could possibly bear. Yet, his aversion to receiving advice and his unchecked vanity made him resent any interference, and he refused to acknowledge that the burden was too much for his frail body. Close friends of the Dictator, like Balbus and Oppius, noticed that he was becoming increasingly irritable and self-assured; even the slightest suggestion about decentralizing his powers annoyed him more and more. He always wanted to have control over all the world's affairs. One moment he was discussing the future of North African Carthage and Grecian Corinth, where he wanted to send Roman colonists; the next, he was managing the issues of Syria and Asia Minor, and then he was caught up in the agricultural problems of Italy. There were times when the pressure of global matters weighed so heavily on him that he would exclaim he had lived long enough; and during those moments, when his friends warned him about the possibility of assassination, he would say that death wasn't such a terrible thing, nor an event that could happen to him more than once. The frequency of his epileptic seizures constantly distressed him, and his gaunt, almost haggard appearance must have made his friends realize that the pressure was becoming unbearable. Yet his ambitions kept him tied to his self-imposed responsibilities, and his intense gaze was always focused on the ultimate goal of all his plans: the monarchy of the earth.

People were now beginning to discuss openly the subject of his elevation to the throne. It was freely stated that he proposed to make himself King and Cleopatra Queen, and, further, that he intended to transfer the seat of his government to Alexandria, or some other eastern city. The site of Rome was not ideal. It was too far from the sea ever to be a first-rate centre of commerce; nor had it any natural sources of wealth in the neighbourhood. The streets, which were narrow and crookedly built, were liable to be flooded at certain seasons by the swift-flowing Tiber.58 Pestilence and sickness were rife amongst the congested quarters of the city; and in the middle ages, as Mommsen has pointed out, “one German army after another melted away under its walls and left it mysteriously victorious.” After the battle of Actium, Augustus wished to change the capital to some other quarter of the globe, as, for example, to Byzantium; and it is very possible that the idea originated with Cæsar. At the period with which we are now dealing Rome was far less magnificent than it became a few years later, and it must have compared unfavourably with Alexandria and other cities. Its streets ascended and descended, twisted this way and that, in an amazing manner; and so narrow were they that Cæsar was obliged to pass a law prohibiting waggons from being driven along them in the daytime, all porterage being performed by men156 or beasts of burden. The great public buildings and palaces of the rich rose from amidst the encroaching jumble of small houses like exotic plants hemmed in by a mass of overgrown weeds; and Cæsar must often have given envious thought to Alexandria with its great Street of Canopus and its Royal Area.

People were starting to openly talk about his rise to the throne. It was widely suggested that he wanted to make himself King and Cleopatra Queen, and that he planned to move the government to Alexandria or another eastern city. Rome wasn't the best choice. It was too far from the sea to become a major trading hub, and there were no natural resources nearby. The streets, narrow and winding, would get flooded sometimes because of the fast-moving Tiber. Pestilence and illness were common in the crowded parts of the city; as Mommsen noted, “one German army after another melted away under its walls and left it mysteriously victorious.” After the battle of Actium, Augustus wanted to relocate the capital to a different part of the world, like Byzantium; it’s very possible that this idea started with Cæsar. At this time, Rome was much less impressive than it would become in a few years, and it couldn’t compete with Alexandria and other cities. Its streets went up and down, twisted in unexpected ways, and were so narrow that Cæsar had to pass a law banning wagons from using them during the day, with all transport being done by men or pack animals. The grand public buildings and the wealthy people's palaces rose among the chaotic mix of small houses like exotic plants surrounded by a mass of overgrown weeds; and Cæsar must have often felt envious of Alexandria with its grand Street of Canopus and its Royal Area.

Those who study the lives of Cleopatra and Cæsar in conjunction cannot fail to ask themselves how far the Queen influenced the Dictator’s thoughts at this time. During these last years of his life—the years which mark his greatness and give him his unique place in history—Cleopatra was living in the closest intimacy with him; and, so far as we know, there was not another man or woman in the world who had such ample opportunities for playing an influential part in his career. If Cleopatra was interested, as we know she was, in the welfare of her country and her royal house, or in the career of herself and Cæsar, or in the destiny of their son, it is palpably impossible to suppose that she did not discuss matters of statecraft with the man who was, in all but name, her husband. At a future date Cleopatra was strong enough to play one of the big political rôles in history, dealing with kingdoms and armies as the ordinary woman deals with a house and servants; and in the light of the knowledge of her character as it is unfolded to us in the years after the Dictator’s death, it is not reasonable to suppose that in Rome she kept aloof from all his schemes and plans, deeming herself capable of holding the attention of the master of the world’s activities by the entertainments of the boudoir and the arts of the bedchamber. Her individuality does not dominate the157 last years of the Roman Republic, merely because of the profligacy of her life with Antony and the tragedy of their death, but because her personality was so irresistible that it influenced in no small degree the affairs of the world. I am of opinion that Cleopatra’s name would have been stamped upon the history of this period even though the events which culminated at Actium had never occurred. The romantic tragedy of her connection with Antony has captured the popular taste, and has diverted the attention of historians from the facts of her earlier years. There is a tendency completely to overlook the influence which she exercised in the politics of Rome during the last years of Cæsar’s life.59 The eyes of historians are concentrated upon the Alexandrian drama, and the tale of Cleopatra’s life in the Dictator’s villa is overlooked. Yet who will be so bold as to state that a Queen, whose fortunes were linked by Cæsar with his own at the height of his power, left no mark upon the events of that time? When Cleopatra came to Rome her outlook upon life must have been in striking contrast to that of the Romans. The republic was still the accepted form of government, and as yet there was no definite movement towards monarchism. The hereditary emperors of the future were hardly dreamed of, and the kings of the far past were nigh forgotten. Now, although it may be supposed that Cleopatra, by contact with the world, had adopted a moderately rational view of her status, yet there can be no doubt that the sense of her royal158 and divine personality was far from dormant in her. Her education and upbringing, as I have already said, and now the adulation of Cæsar, must have influenced her mind, so that the knowledge of her royalty was at all times almost her predominant characteristic; and it would be strange indeed if the Dictator’s thoughts had been proof against the insinuating influence of this atmosphere in which he chose to spend a great portion of his time. Did Rome herself supply Cæsar’s stimulus, Rome which had not known monarchy for four hundred and fifty years? But admitting that Rome was ripe for monarchy, and that circumstances to some extent forced Cæsar towards that form of government, can we declare that the Dictator would, of his own accord, have embraced sovereignty and even divinity so rapidly had his consort not been a Queen and a goddess?

Those who study the lives of Cleopatra and Caesar together can’t help but wonder how much the Queen influenced the Dictator’s thoughts during this time. In the last years of his life—the years that define his greatness and secure his unique spot in history—Cleopatra was living in close intimacy with him; and, as far as we know, there was no one else in the world who had such great opportunities to play a significant role in his career. If Cleopatra was genuinely invested, as we know she was, in the well-being of her country and her royal family, or in her own future and that of Caesar, or in the destiny of their son, it’s hard to believe that she didn’t discuss state matters with the man who was, in all but name, her husband. Later, Cleopatra became strong enough to play a significant political role in history, managing kingdoms and armies as an ordinary woman would manage a household and its staff; and considering what we learn about her character in the years after the Dictator’s death, it’s unreasonable to think that she kept herself separate from all his schemes and plans, believing she could hold the attention of the master of the world’s affairs through the entertainments of her private quarters and the allure of her bedroom. Her individuality doesn’t just dominate the last years of the Roman Republic because of the extravagance of her life with Antony or the tragedy of their deaths, but because her personality was so influential that it significantly impacted the world’s affairs. I believe that Cleopatra’s name would have been etched into the history of this period even if the events that led up to Actium had never taken place. The romantic tragedy of her relationship with Antony has captivated public interest and distracted historians from the facts of her earlier years. There seems to be a complete disregard for the influence she had in Roman politics during the final years of Caesar’s life. Historians are focused on the drama in Alexandria, and the story of Cleopatra’s life in the Dictator’s villa is overlooked. Yet who would dare to claim that a Queen, whose fortunes were linked with Caesar’s at the peak of his power, left no mark on the events of that time? When Cleopatra arrived in Rome, her outlook on life must have sharply contrasted with that of the Romans. The republic was still the accepted form of government, and there was no clear movement towards monarchism. The future era of hereditary emperors was barely imagined, and the ancient kings were nearly forgotten. Now, while it might be assumed that Cleopatra, through her experiences with the world, had adopted a moderately rational view of her status, there’s no doubt that her sense of royal and divine identity was far from dormant. Her education and upbringing, along with the adoration of Caesar, must have shaped her thoughts, meaning her awareness of her royalty was always a key part of her identity; and it would indeed be strange if the Dictator’s thoughts were immune to the subtle allure of the environment he chose to spend much of his time in. Did Rome itself serve as inspiration for Caesar, Rome that hadn’t known monarchy for four hundred and fifty years? But allowing that Rome was ready for monarchy, and that circumstances somewhat pushed Caesar towards that kind of governance, can we really say that the Dictator would have willingly embraced sovereignty and even divinity so quickly if his partner hadn’t been a Queen and a goddess?

During the last months of his life—namely, from his return to Rome in the early summer after the Spanish campaign to his assassination in the following March—Cæsar vigorously pressed forward his schemes in regard to the monarchy. Originally, it would seem, he had intended to complete his eastern conquests before making any attempt to obtain the throne; but now the long delay in his preparations for the Parthian campaign had produced a feeling of impatience which could no longer be controlled. Moreover, his attention had been called to an old prophecy which stated that the Parthians would not be conquered until a King of Rome made war upon them; and Cæsar was sufficiently acute, if not sufficiently superstitious, to be influenced to an appreciable extent by such a declaration. Little by little, therefore, he assumed the prerogatives of kingship, daily adding to the royal character of his appearance,159 and daily assuming more autocratic and monarchical powers.

During the last months of his life—from his return to Rome in early summer after the Spanish campaign to his assassination the following March—Caesar vigorously pursued his plans regarding the monarchy. It seems that initially, he intended to finish his eastern conquests before trying to claim the throne; however, the long delay in preparing for the Parthian campaign had created an impatience he could no longer suppress. Additionally, he became aware of an old prophecy stating that the Parthians would only be defeated when a King of Rome declared war against them; and Caesar was sharp enough, if not superstitious, to be significantly influenced by this claim. So, little by little, he began to take on the rights of kingship, increasingly enhancing the royal aspect of his appearance,159 and increasingly assuming more autocratic and monarchical powers.

It was not long before he caused himself to be given the hereditary title of Imperator, a word which meant at that time “Commander-in-chief,” and had no royal significance, though the fact that it was made hereditary gave it a new significance. It is to be observed that the persons who framed the decree must have realised that the son to whom the title would descend would probably be that baby Cæsar who now ruled the nurseries of the villa beside the Tiber; for there can be little doubt that the Dictator’s legitimate marriage to Cleopatra at the first opportune moment was confidently expected by his supporters; and we are thus presented with the novel spectacle of enthusiastic Roman statesmen offering the hereditary office of Imperator to the future King of Egypt. There can surely be no clearer indication than this that the people of Rome took no exception to Cleopatra’s foreign blood,60 nor thought of her in any way as an Oriental. The attitude of the majority of modern historians suggests that they picture the Dictator at this time as living with some sort of African woman whom he had brought back with him from Egypt; but I must repeat that I am convinced that in actual fact the Romans regarded Cleopatra as a royal Greek lady whose capital city of Alexandria was the rival of the Eternal City in wealth, magnificence, and culture, bearing to Rome, to some extent, the relationship which New York bears to160 London. It was rumoured at this time that a law was about to be introduced by one of the tribunes of the people which would enable Cæsar, if necessary, to have two wives—Calpurnia and Cleopatra—and that the new wife need not be a Roman. The people could have felt no misgivings at the thought of Cleopatra’s son being Cæsar’s heir; for already they knew well enough that Cæsar was to be King of Rome, and by his marriage with Cleopatra they realised that he was adding to Rome’s dominions without force of arms the one great kingdom of the civilised world which was still independent, and was securing for his heirs upon the Roman throne the honourable appendage of the oldest crown in existence, and the vast fortune which went with it. In later years, when Cleopatra as the consort of Antony had become a public enemy, there was much talk of an East-Mediterranean peril, and the Queen came to represent Oriental splendour as opposed to Occidental simplicity; but at the time with which we are now dealing this attitude was entirely undeveloped, and Cleopatra was regarded as the most suitable mother for that son of Cæsar who should one day inherit his honours and his titles.

It wasn't long before he was given the hereditary title of Imperator, a term that meant "Commander-in-chief" at the time and had no royal significance. However, the fact that it became hereditary gave it new meaning. It's important to note that those who established the decree likely realized that the title would probably pass to that baby Cæsar who ruled the nurseries of the villa beside the Tiber. There’s little doubt that the Dictator's supporters confidently expected his legitimate marriage to Cleopatra at the first opportunity; consequently, we see enthusiastic Roman statesmen offering the hereditary office of Imperator to the future King of Egypt. This clearly indicates that the people of Rome had no issue with Cleopatra's foreign background nor saw her as an Oriental. Most modern historians seem to envision the Dictator at this time as living with some African woman he brought back from Egypt, but I must emphasize that in reality, the Romans viewed Cleopatra as a royal Greek lady whose capital city of Alexandria rivaled the Eternal City in wealth, magnificence, and culture, somewhat like the relationship between New York and London today. At this time, there were rumors that a law was about to be introduced by one of the tribunes that would allow Cæsar, if needed, to have two wives—Calpurnia and Cleopatra—and that the new wife did not have to be Roman. The people likely felt no concern about Cleopatra’s son being Cæsar’s heir; they already knew that Cæsar was set to become King of Rome, and through his marriage to Cleopatra, they realized he was adding a significant independent kingdom to Rome's territories without military force, ensuring that his heirs on the Roman throne would have the honorable connection of the oldest crown in existence and the vast fortune that came with it. In later years, when Cleopatra, as Antony's consort, became a public enemy, there was much discussion of a threat from the East Mediterranean, and the Queen came to symbolize Oriental splendor in contrast to Western simplicity; but during the time we are discussing, this perspective was not yet developed, and Cleopatra was seen as the most fitting mother for the son of Cæsar who would one day inherit his honors and titles.

Vatican]
[Photograph by Anderson.

JULIUS CÆSAR.

Julius Caesar.

At about this date the baby actually became uncrowned King of Egypt, for Cleopatra’s young brother, Ptolemy XV., mysteriously passes from the records of history, and is heard of no more. Whether Cleopatra and Cæsar caused him to be murdered as standing in the way of their ambitions, or whether he died a natural death, will now never be known. He comes into the story of these eventful days like a shadow, and like a shadow he disappears; and all that we know concerning his end is161 derived from Josephus,61 who states that he was poisoned by his sister. Such an accusation, however, is only to be expected, and would certainly have been made had the boy died of a sudden illness. It is therefore not just to Cleopatra to burden her memory with the crime; and all that one may now say is that, while the death of the unfortunate young King may be attributed to Cleopatra without improbability, there is really no reason to suppose that she had anything to do with it.

At around this time, the baby officially became the uncrowned King of Egypt, as Cleopatra’s younger brother, Ptolemy XV, mysteriously disappears from history and is never heard from again. Whether Cleopatra and Caesar had him killed because he was a threat to their ambitions or if he died a natural death will never be known. He enters the story of these dramatic days like a shadow and leaves just as quietly. All we know about how he ended up is derived from Josephus, who claims he was poisoned by his sister. However, such an accusation was expected and would likely have been made regardless of the cause had the boy died suddenly. Thus, it’s unfair to burden Cleopatra with this crime; all that can be said is that while it’s plausible to attribute the unfortunate young King’s death to Cleopatra, there’s really no solid reason to believe she was involved in it.

Cæsar now caused a statue of himself to be erected in the Capitol as the eighth royal figure there, the previous seven being those of the old Kings of Rome. Soon he began to appear in public clad in the embroidered dress of the ancient monarchs of Alba; and he caused his head to appear in true monarchical manner upon the Roman coins. A throne of gold was provided for him to sit upon in his official capacity in the Senate and on his tribunal; and in his hand he now carried a sceptre of ivory, while upon his head was a chaplet of gold in the form of a laurel-wreath. A consecrated chariot, like the sacred chariot of the Kings of Egypt, was provided for his conveyance at public ceremonies, and a kind of royal bodyguard of senators and nobles was offered to him. He was given the right, moreover, of being buried inside162 the city walls, just as Alexander the Great had been laid to rest within the Royal Area at Alexandria. These marks of kingship, when observed in conjunction with the hereditary title of Imperator which had been conferred upon him, and the lifelong Dictatorship which was about to be offered to him, are indications that the goal was now very near at hand; and both Cæsar and Cleopatra must have lived at the time in a state of continuous excitement and expectation. Everybody knew what was in the air, and Cicero went so far as to write a long letter to Cæsar urging him not to make himself King, but he was advised not to send it. The ex-Consul Lucius Aurelius Cotta inserted the thin edge of the wedge by proposing that Cæsar should be made King of the Roman dominions outside Italy; but the suggestion was not taken up with much enthusiasm. Cæsar himself seems to have been undecided as to whether he should postpone the great event until after the Parthian war or not, and the settlement of this question must have given rise to the most anxious discussions.

Cæsar had a statue of himself put up in the Capitol as the eighth royal figure there, with the previous seven being the old Kings of Rome. He soon started appearing in public wearing the embroidered robe of the ancient kings of Alba, and he had his head featured in a true royal style on Roman coins. A gold throne was arranged for him for his official duties in the Senate and on his tribunal; he now carried an ivory scepter and wore a gold laurel crown on his head. A special chariot, similar to the sacred chariot of the Kings of Egypt, was provided for him at public ceremonies, and he was offered a sort of royal bodyguard made up of senators and nobles. Additionally, he was granted the right to be buried inside162 the city walls, just as Alexander the Great had been laid to rest in the Royal Area at Alexandria. These symbols of kingship, along with the hereditary title of Imperator given to him and the lifelong Dictatorship about to be offered, indicated that his goal was very close; both Cæsar and Cleopatra must have lived in a state of constant excitement and anticipation. Everyone sensed what was about to happen, and Cicero even wrote a long letter to Cæsar urging him not to become King, but he was advised not to send it. The former Consul Lucius Aurelius Cotta first suggested that Cæsar be made King of the Roman territories outside Italy; however, the idea was not met with much enthusiasm. Cæsar himself seemed uncertain whether to delay this major event until after the Parthian war, and the resolution of this issue must have sparked intense discussions.

There was no longer need for the Dictator to hide his intentions with any great care; and as a preliminary measure he did not hesitate to proclaim to the public his belief in the divinity of his person. He caused his image to be carried in the Pompa circenis amongst those of the immortal gods. A temple dedicated to Jupiter-Julius was decreed, and a statue in his likeness was set up in the temple of Quirinus, inscribed with the words, “To the Immortal God.” A college of priestly Luperci, of whom we shall presently learn more, was established in his honour; and flamines were created as priests of his godhead, an institution which reminds one of the manner in which the Pharaoh of Egypt was worshipped by a163 body of priests. A bed of state was provided for him within the chief temples of Rome. In the formulæ of the political oaths in which Jupiter and the Penates of the Roman people had been named, the Genius of Cæsar was now called upon, just as in Egypt the Ka, or genius, of the sovereign was invoked. “The old national faith,” says Mommsen, “became the instrument of a Cæsarian papacy”; and indeed it may be said that it became the instrument actually of a supreme Cæsarian deification.

There was no longer any need for the Dictator to carefully conceal his intentions; as a first step, he openly declared to the public his belief in his own divinity. He had his image paraded in the Pompa circenis alongside those of the immortal gods. A temple dedicated to Jupiter-Julius was officially established, and a statue of him was erected in the temple of Quirinus, inscribed with the words, “To the Immortal God.” A group of priestly Luperci, which we will learn more about soon, was formed in his honor; and flamines were appointed as priests of his godhood, reminiscent of how the Pharaoh of Egypt was worshipped by a163 body of priests. A ceremonial bed was arranged for him in the main temples of Rome. In the official oaths where Jupiter and the Penates of the Roman people were once named, the Genius of Cæsar was now invoked, much like how the Ka, or spirit, of the sovereign was honored in Egypt. “The old national faith,” says Mommsen, “became the instrument of a Cæsarian papacy”; indeed, it could be said that it became the means of a supreme Cæsarian deification.

By the end of the year B.C. 45 and the beginning of B.C. 44 there was no longer any doubt in the minds of the Roman people that Cæsar intended presently to ascend the throne; and the only question asked was as to whether the event would take place before or after the Eastern campaign. Some time before February 15th he was made Dictator for life; and this, regarded in conjunction with the homage now paid to his person, and the hereditary nature of his title of Imperator, made the margin between his present status and that of kingship exceedingly narrow. It is probable that Cæsar was not determined to introduce the old title of “King,” although he affected the dress and insignia of those who had been “kings” of Rome. It is more likely that he was seeking some new monarchical title; and when, on one occasion, he declared “I am Cæsar, and no ‘King,’” he may already have decided to elevate his personal name to the significance of the royal title which it ultimately became, and still in this twentieth century continues to be.62

By the end of the year 45 B.C. and the start of 44 B.C., there was no longer any doubt among the Roman people that Cæsar intended to take the throne; the only question was whether it would happen before or after the Eastern campaign. Some time before February 15th, he was appointed Dictator for life; and this, combined with the admiration now directed towards him and the hereditary nature of his title of Imperator, made the gap between his current status and that of a king very slight. It’s likely that Cæsar didn’t plan to use the old title of “King,” even though he adopted the attire and symbols of those who had been “kings” of Rome. More likely, he was looking for some new royal title; and when he once stated, “I am Cæsar, and no ‘King,’” he may have already decided to elevate his personal name to the significance of the royal title that it ultimately became, and that still, in this twentieth century, continues to be. 62

His arrogance was daily becoming more pronounced, and his ambition was now “swell’d so much that it did164 almost stretch the sides o’ the world.”63 He severely rebuked Pontius Aquila, one of the Tribunes, for not rising when he passed in front of the Tribunician seats; and for some time afterwards he used to qualify any declaration which he made in casual conversation by the sneering words, “By Pontius Aquila’s kind permission.” Once, when a deputation of Senators came to him to confer new honours upon him, he, on the other hand, received them without rising from his seat; and he was now wont to keep his closest friends waiting in an anteroom for an audience, a fact of which Cicero bitterly complains. When his authority was questioned he invariably lost his temper, and would swear in the most horrible manner. “Men ought to look upon what I say as law,” he is reported by Titus Ampius to have said; and, indeed, there were very few persons who had the hardihood not to do so. On a certain occasion it was discovered that some enthusiast had placed a royal diadem upon the head of one of his statues, and, very correctly, the two Tribunes caused it to be removed. This so infuriated Cæsar, who declared the official act to be a deliberate insult, that he determined to punish the two men at the first convenient opportunity. On January 26th of the new year this opportunity presented itself. As he was walking through the streets some persons in the crowd hailed him as King, whereupon these zealous officials ordered them to be arrested and flung into prison. Cæsar at once raised an appalling storm, the result of which was that the two Tribunes were expelled from the Senate.

His arrogance was becoming more obvious every day, and his ambition had grown so much that it was “almost stretching the sides of the world.” He severely scolded Pontius Aquila, one of the Tribunes, for not standing when he walked by the Tribune seats; and for a while afterward, he would often qualify any statement he made in casual conversation with the sarcastic words, “By Pontius Aquila’s kind permission.” Once, when a group of Senators came to him to grant him new honors, he received them without getting up from his seat; and he had also started making his closest friends wait in an anteroom for an audience, which Cicero complained about bitterly. Whenever his authority was questioned, he would lose his temper and swear in the most awful way. “People should see what I say as law,” he reportedly said, and indeed, very few dared to disagree. On one occasion, someone enthusiastically placed a royal diadem on one of his statues, and rightfully, the two Tribunes had it removed. This enraged Cæsar, who claimed the act was a deliberate insult, and he decided to punish the two men at the first chance he got. On January 26th of the new year, this opportunity arose. As he was walking through the streets, some people in the crowd called him King, prompting these eager officials to order their arrest and imprisonment. Cæsar immediately erupted in outrage, resulting in the expulsion of the two Tribunes from the Senate.

Cleopatra’s attitude could not well fail to be influenced by that of the Dictator; and it is probable that she gave165 some offence by an occasional haughtiness of manner. Her Egyptian chamberlains and court officials must also have annoyed the Romans by failing to disguise their Alexandrian vanity; and there can be little doubt that many of Cæsar’s friends began to regard the menage at the transpontine villa with growing dislike. A letter written by Cicero to his friend Atticus is an interesting commentary upon the situation. It seems that the great writer had been favoured by Cleopatra with the promise of a gift suitable to his standing, probably in return for some service which he had rendered her. “I detest the Queen,” he writes, “and the voucher for her promises, Hammonios, knows that I have good cause for saying so. What she promised, indeed, were all things of the learned sort and suitable to my character, such as I could avow even in a public meeting. As for Sara (pion),64 besides finding him an unprincipled rascal, I also found him inclined to give himself airs towards me. I only saw him once at my house; and when I asked him politely what I could do for him, he said that he had come in hopes of seeing Atticus. The Queen’s insolence, too, when she was living in Cæsar’s trans-tiberine villa,65 I cannot recall without a pang. So I will not have anything to do with that lot.”

Cleopatra’s attitude was definitely influenced by the Dictator, and it’s likely she offended some people with her occasional arrogance. Her Egyptian chamberlains and court officials probably irritated the Romans by showing their Alexandrian pride, and many of Cæsar’s friends likely started to dislike the situation at the villa across the river. A letter Cicero wrote to his friend Atticus provides an interesting take on things. It seems Cleopatra had promised Cicero a gift worthy of his status, probably as a thank-you for some help he had given her. “I can’t stand the Queen,” he writes, “and Hammonios, who backs her promises, knows I have good reasons to say that. What she promised were all things fitting for a learned man like me, things I could acknowledge even in a public gathering. As for Sara (pion), besides being an unprincipled jerk, he also acted like he was better than me. I saw him just once at my place; and when I politely asked what I could do for him, he said he had come hoping to see Atticus. I can’t think of the Queen’s arrogance while she was living in Cæsar’s villa without feeling a jolt. So I want nothing to do with them.”

The ill-feeling towards Cæsar, which was very decidedly on the increase, is sufficient to account for the growing unpopularity of Cleopatra; but it is possible that it was somewhat accentuated by a slight jealousy which must have been felt by the Romans owing to the Dictator’s partiality for things Egyptian. Not only did it appear166 to Cæsar’s friends that he was modelling his future throne upon that of the Ptolemies and was asserting his divinity in the Ptolemaic manner; not only had he been thought to desire Alexandria as the capital of the Empire; but also he was employing large numbers of Egyptians in the execution of his schemes. Egyptian astronomers had reformed the Roman calendar; the Roman mint was being improved by Alexandrian coiners; the whole of his financial arrangements, it would seem, were entrusted to Alexandrians;66 while many of his public entertainments, as, for example, the naval displays enacted at the inauguration of the Temple of Venus, were conducted by Egyptians. Cæsar’s object in thus using Cleopatra’s subjects must have been due, to some extent, to his desire to familiarise his countrymen with those industrious Alexandrians who were to play so important a part in the construction of the new Roman Empire.

The growing resentment towards Caesar, which was clearly on the rise, explains Cleopatra's increasing unpopularity. However, it’s likely that this was partly fueled by some jealousy among the Romans because of the Dictator’s favoritism towards Egyptian culture. It seemed to Caesar’s friends that he was shaping his future throne to resemble that of the Ptolemies and was declaring his divinity in a Ptolemaic style. Not only was he believed to want Alexandria to be the capital of the Empire, but he was also employing a significant number of Egyptians to carry out his plans. Egyptian astronomers had reformed the Roman calendar; the Roman mint was being upgraded by Alexandrian coin makers; and it appeared that most of his financial dealings were in the hands of Alexandrians. Many of his public events, like the naval displays at the opening of the Temple of Venus, were organized by Egyptians. Caesar’s intention in utilizing Cleopatra’s subjects must have been partly to help his fellow countrymen get to know the hardworking Alexandrians who would play a crucial role in building the new Roman Empire.

The great schemes and projects which were now placed before the Senate by Cæsar must have startled that institution very considerably. Almost every day some new proposal was formulated or some new law drafted. At one time the diverting of the Tiber from its course occupied the Dictator’s attention; at another time he was arranging to cut a canal through the Isthmus of Corinth. Now he was planning the construction of a road over the Apennines; and now he was deep in schemes for the creation of a vast port at Ostia. Plans of great public buildings to be erected at Alexandria or in Rome were being submitted to him; or, again, he was arranging for the establishment of public libraries in various parts of the capital. Meanwhile167 the preparations for the Parthian war must have occupied the greater part of his time; for the campaign was to be of a vast character. So sure was he that it would last for three years or more that he framed a law by virtue of which the magistrates and public officials for the next three years should be appointed before his departure. He thereby insured the tranquillity of Rome during his prolonged absence in the east, thus leaving himself free to carry his arms into remote lands where communication with the capital might be almost impossible. When we recollect that Cæsar’s recent campaigns had all been of but a few months or weeks duration, and that the words veni, vidi, vici now represented his mature belief in his own capabilities, these plans for a three years’ absence from Rome seem to me to indicate clearly that he had no intention of confining himself to the conquest of Parthia, but desired to follow in Alexander’s footsteps to India, and thence to return to Rome laden with the loot of that vast country. He must have pictured himself entering the capital at the end of the war as the conqueror of the East, and there could have been no doubt in his mind that the delighted populace would then accept with enthusiasm his claim to the throne of the world.

The ambitious plans and projects that Julius Caesar presented to the Senate must have definitely shocked that institution. Almost every day, there was some new proposal or law being drafted. At one point, he focused on redirecting the Tiber River; at another, he was arranging to dig a canal through the Isthmus of Corinth. He was planning to build a road over the Apennines one moment, and then he was deep into plans for a massive port at Ostia the next. He received proposals for grand public buildings to be constructed in Alexandria or Rome; he was also organizing the establishment of public libraries throughout the capital. Meanwhile167, the preparations for the Parthian war must have taken up most of his time, as the campaign was going to be extensive. He was so sure it would last for three years or more that he created a law to appoint magistrates and public officials for the next three years before his departure. This ensured that Rome would remain stable during his long absence in the east, allowing him the freedom to expand his conquests into distant lands where communication with the capital would be nearly impossible. Considering that Caesar’s recent campaigns had only lasted a few months or weeks and that the phrase veni, vidi, vici now reflected his strong belief in his own abilities, these plans for a three-year absence from Rome clearly indicate that he didn’t intend to limit himself to conquering Parthia. He aimed to follow in Alexander’s footsteps to India and return to Rome with the spoils of that vast land. He must have envisioned himself entering the capital at the end of the war as the victor of the East, and there seemed to be no doubt in his mind that the ecstatic populace would gladly accept his claim to be the ruler of the world.

As the weeks went by Cæsar’s plans in regard to the monarchy became more clearly defined. He does not now seem to have considered it very wise to press forward the assumption of the sovereignty previous to the Parthian war, since his long absence immediately following his elevation to the throne might prove prejudicial to the new office. Moreover, a strong feeling had developed against his contemplated assumption of royalty, and Cæsar must have been aware that he could not put168 his plans into execution without considerable opposition. Plutarch tells us that “his desire of being King had brought upon him the most apparent and mortal hatred,—a fact which proved the most plausible pretence to those who had been his secret enemies all along.” Much adverse comment had been made with reference to his not rising to receive the Senatorial deputation; and indeed he felt it necessary to make excuses for his action, saying that his old illness was upon him at the time. A report was spread that he himself would have been willing to rise, but that Balbus had said to him, “Will you not remember you are Cæsar and claim the honour due to your merit?” and it was further related that when the Dictator had realised the offence he had given, he had bared his throat to his friends, and had told them that he was ready to lay down his life if the public were angry with him. Incidents such as this showed that the time was not yet wholly favourable for his coup; and reluctantly Cæsar was obliged to consider its postponement. On the other hand, there was something to be said in favour of immediate action, and he must have been more or less prepared to accept the kingship if it were urged upon him before he set out for the East. The position of Cleopatra, however, must have caused him some anxiety. Without her and their baby son the creation of an hereditary monarchy would be superfluous. His own wife Calpurnia did not seem able to furnish him with an heir, and there was certainly no other woman in Rome who could be expected to act the part of Queen with any degree of success, even if she were proficient in the production of sons and heirs. Yet how, on the instant, was he to rid himself of Calpurnia and marry Cleopatra without offending public taste? If he were169 to accept the kingship at once and make Cleopatra his wife, was she capable of sustaining with success the rôle of Queen of Rome in solitude for three years while he was away at the wars? Would it not be much wiser to send her back to Egypt for this period, there to await his return, and then to marry her and to ascend the throne at one and the same instant? During his absence in the East Calpurnia might conveniently meet with a sudden and fatal illness, and no man would dare to attribute her death to his and the apothecary’s ingenuity.

As the weeks passed, Caesar's plans for the monarchy became clearer. He no longer seemed to think it wise to push for sovereignty before the Parthian war, as his long absence right after becoming ruler could be damaging to his new position. Additionally, there was growing opposition to his intention of becoming king, and Caesar must have realized that he couldn’t carry out his plans without facing significant resistance. Plutarch tells us that “his desire to be king had brought upon him the most visible and intense hatred,—which became a convenient excuse for those who had always been his secret enemies.” There was a lot of negative talk about him not standing to greet the Senate delegation; in fact, he felt the need to apologize for it, claiming that his old illness had affected him at that moment. A rumor circulated that he would have stood up, but Balbus had told him, “Don’t forget you are Caesar and claim the honor you deserve.” It was also said that when the Dictator realized he had caused offense, he bared his throat to his friends and told them he was ready to die if the public was angry with him. Incidents like this showed that the time was not completely right for his coup; and reluctantly, Caesar had to consider delaying it. On the flip side, there were reasons to take immediate action, and he must have been somewhat prepared to accept kingship if it was offered to him before setting out for the East. However, Cleopatra's situation must have given him some concern. Without her and their son, establishing a hereditary monarchy would be pointless. His wife Calpurnia didn’t seem able to provide him with an heir, and there was no other woman in Rome likely to fulfill the role of Queen successfully, even if she could bear sons. Yet how could he immediately get rid of Calpurnia and marry Cleopatra without causing a public backlash? If he accepted kingship right away and made Cleopatra his wife, would she be able to handle the role of Queen of Rome alone for three years while he was away at war? Wouldn't it be smarter to send her back to Egypt during this time to wait for his return, and then marry her and ascend the throne simultaneously? While he was away in the East, Calpurnia could conveniently suffer a sudden and fatal illness, and no one would dare to suggest her death was due to his actions or those of the apothecary.

The will which he now made, or confirmed, in view of his departure, shows clearly that his desire for the monarchy was incompatible with his present marital conditions. Without a Queen and a son and heir there could be little point in creating a throne, since already he had been made absolute autocrat for his lifetime; for unless the office was to be handed on without dispute to his son Cæsarion, there was no advantage in striving for an immediate elevation to the kingship. By his will, therefore, which was made in view of his possible death before he had ascended his future throne, he simply divided his property, giving part of it to the nation and part to his relations, his favourite nephew, Octavian, receiving a considerable share. A codicil was added, appointing a large number of guardians for any offspring which might possibly be born to him by Calpurnia after his departure; but so little interest did he take in this remote contingency that he seems to have made no financial provision for such an infant. There was no need to leave money to Cleopatra or to her child, since she herself was fabulously wealthy. This will was, no doubt, intended to be destroyed if he were170 raised to the throne before his departure, and it was afterwards believed that he actually wrote another testament in favour of Cæsarion, which was to be used if a crown were offered to him; but if, as now seemed probable, that event were postponed until his return, the dividing of his property would be the best settlement for his affairs should he die while away in the East. So long as he remained uncrowned there was no occasion to refer either to Cleopatra or to Cæsarion in his testamentary wishes; for if he died in Parthia or India, still as Dictator, his hopes of founding a dynasty, his plans for his marriage to the Queen of Egypt, his scheme for training up Cæsarion to follow in his footsteps, indeed all his worldly ambitions, would have to be bundled into oblivion. Cæsar was not a man who cared much for the interests of other people; and, in the case of Cleopatra, he was quite prepared to leave her to fight for herself in Egypt, were he himself to be removed to those celestial spheres wherein he would have no further use for her. His passion for her appears now to have cooled; and though he must still have enjoyed her society, and, to a considerable extent, must have been open to her influence, her chief attraction for him in these latter days lay in the recognition of her suitability to ascend the new throne by his side. She, on her part, no doubt retained much of her old affection for him; and, in spite of his increasing irritability and eccentricity, she seems to have offered him the generous devotion of a warm-hearted young woman for a great and heroic old man.

The will he made, or confirmed, before his departure, clearly shows that his desire for the monarchy didn’t fit with his current marriage situation. Without a Queen and a son to inherit the throne, there was little reason to create a monarchy, since he had already been named absolute ruler for his lifetime. Unless the title was to pass on without any dispute to his son Cæsarion, there was no real benefit in pushing for an immediate kingship. Therefore, his will, made in light of his potential death before taking the throne, simply divided his property, giving part to the nation and part to his relatives, with his favorite nephew, Octavian, receiving a significant share. A codicil was added, naming a large number of guardians for any child that might be born to him by Calpurnia after he left; however, he seemed so uninterested in this unlikely possibility that he didn’t make any financial plans for such a child. There was no need to leave money to Cleopatra or her child, since she was already incredibly wealthy. This will was likely meant to be destroyed if he was crowned before he left, and later, it was thought that he wrote another will in favor of Cæsarion, which would be used if a crown was offered to him. However, if, as seemed likely now, that event was postponed until his return, dividing his property would be the best way to handle his affairs if he died while away in the East. As long as he remained uncrowned, there was no need to mention Cleopatra or Cæsarion in his testament; if he died in Parthia or India while still Dictator, his dreams of establishing a dynasty, his plans to marry the Queen of Egypt, and his goal of training Cæsarion to follow in his footsteps—indeed, all his worldly ambitions—would vanish. Cæsar wasn’t a man who cared much about other people's interests; in Cleopatra’s case, he was entirely willing to leave her to fend for herself in Egypt if he were to be taken to those heavenly realms where he wouldn’t need her anymore. His passion for her seemed to have faded; although he still enjoyed her company and was somewhat open to her influence, her main appeal to him in these later days was her potential to share the new throne beside him. She, for her part, undoubtedly held onto much of her old affection for him; despite his growing irritability and eccentricity, she appeared to offer the loyal devotion of a warm-hearted young woman to a great and heroic old man.

Cæsar, indeed, was old before his time. The famous portrait of him, now preserved in the Louvre, shows him to have been haggard and worn. He was still171 under sixty years of age, but all semblance of youth had gone from him, and the burden of his years and of his illness weighed heavily upon his spare frame. His indomitable spirit, and the keen enthusiasm of his nature, held him to his appointed tasks; but it is very doubtful whether his constitution could now have borne the hardships of the campaign which lay before him. His ill-health must have caused Cleopatra the gravest anxiety, for all her hopes were centred upon him, and upon that day when he should make her Queen of the Earth. The fact that he was now considering the postponement of the creation of the monarchy until after the Parthian war must have been a heavy blow to her, for there was good reason to fear lest his strength should give out ere his task could be completed. For three years and more she had worked with Cæsar at the laying of the foundations of their throne; and now, partly owing to the undesirability of leaving Rome for so long a period immediately after accepting the crown, partly owing to the difficulty in regard to Calpurnia, and partly owing to the hostility of a large number of prominent persons to the idea of monarchy, Cæsar was postponing for three years that coup which seemed to her not only to mean the realisation of all her personal and dynastic ambitions, but actually to be the only means by which she could save Egypt from absorption into the Roman dominions or preserve a throne of any kind for her son. In the Second Philippic Cicero says of Cæsar that “after planning for many years his way to royal power, with great labour and with many dangers, he had effected his design. By public exhibitions, by monumental buildings, by bribes and by feasts, he had conciliated the unreflecting multitude. He had bound to172 himself his own friends by favours, his opponents by a show of clemency;” and yet, when in sight of his goal, he hesitated, believing it better to wait to be carried up to the throne by that wave of popular enthusiasm which assuredly would burst over Rome when he should lead back from the East his triumphant, loot-laden legionaries, and should exhibit in golden chains in the streets of the capital the captive kings of the fabulous Orient. The delay must have been almost intolerable to Cleopatra; and it may have been due to some arrangement made by her with the Dictator and Antony, who now must have been a constant visitor at Cæsar’s villa, that an event took place which brought to a head the question of the date of the establishment of the monarchy.

Cæsar was definitely older than his years. The famous portrait of him, now in the Louvre, shows him looking haggard and worn. He was still171 under sixty, but all signs of youth had faded, and the weight of his age and illness pressed heavily on his thin frame. His unyielding spirit and intense enthusiasm kept him focused on his tasks, but it was uncertain whether his health could withstand the hardships of the upcoming campaign. His poor health must have caused Cleopatra significant worry, as all her hopes rested on him and the day he would make her Queen of the Earth. The fact that he was now considering delaying the creation of the monarchy until after the Parthian war must have been a serious blow to her, as there were good reasons to fear he might be too weak before finishing his tasks. For over three years, she had partnered with Cæsar in building the foundation for their throne, and now, due to the challenges of leaving Rome for an extended time right after claiming the crown, issues regarding Calpurnia, and considerable opposition from prominent figures to the idea of monarchy, Cæsar was postponing that coup for another three years. This was more than just a setback for her ambitions; it was the only way she saw to save Egypt from being absorbed into the Roman Empire and to secure a throne for her son. In the Second Philippic, Cicero states that Cæsar “after years of planning his path to royal power, with great effort and danger, had finally achieved his aim. Through public events, monumental buildings, bribes, and feasts, he had won over the thoughtless masses. He had tied his friends to172 him with favors, and his opponents with displays of mercy;” yet, when he was close to achieving his goal, he hesitated, thinking it better to wait for the wave of popular enthusiasm that would surely surge through Rome when he returned from the East with his victorious, treasure-laden soldiers, showcasing the captive kings of the exotic East in golden chains through the streets of the capital. The delay must have been extremely frustrating for Cleopatra, and it may have been due to some deal she made with the Dictator and Antony, who must have been a regular visitor at Cæsar’s villa, that an event occurred which forced the issue of when the monarchy would be established.

On February 15th the annual festival of the Lupercalia was celebrated in Rome; and upon this day all the populace, patrician and plebeian, were en fête. The Romans of Cæsar’s time do not seem to have known what was the origin of this festival, nor what was the real significance of the rites therein performed. They understood that upon this day they paid their respects to the god Lupercus; and, in a vague manner, they identified this obscure deity with Faunus, or with Pan, in his capacity as a producer of fertility and fecundity in all nature. Two young men were selected from the honourable order known as the College of the Luperci, and upon this day these two men opened the proceedings by sacrificing a goat and a dog. They were then “blooded,” and the ritual prescribed that as soon as this was done they should both laugh. They next cut the skins of the victims into long strips or thongs, known as februa; and, using these as whips, they proceeded to run around173 the city, striking at every woman with whom they came into contact. A thwack from the februa was believed to produce fertility, and any woman who desired to become a mother would expose herself to the blows which the two men were vigorously delivering on all sides. By reason of this strange old custom the day was known as the Dies februatus;67 and from this is derived the name of the month of February in which the festival took place.

On February 15th, the annual festival of Lupercalia was celebrated in Rome, and on this day, everyone, both noble and common, was in high spirits. The Romans during Caesar's time didn’t really know the origins of this festival or what the actual significance of the rituals was. They understood that they were honoring the god Lupercus, and in a vague way, they associated this obscure deity with Faunus or Pan, as a symbol of fertility and abundance in nature. Two young men were chosen from the respected group known as the College of the Luperci, and on this day, these two men began the festivities by sacrificing a goat and a dog. They were then "blooded," and the ritual required them to laugh immediately after this act. Next, they cut the skins of the sacrifices into long strips or thongs, known as februa; using these as whips, they ran around the city, striking every woman they encountered. A hit from the februa was thought to boost fertility, and any woman wishing to become a mother would willingly expose herself to the blows the two men were energetically delivering everywhere. Because of this unusual old custom, the day was called Dies februatus;67 and this is where the name of the month February comes from, in which the festival took place.

It seems to me certain that this ceremony was originally related to the Egyptian rites in connection with the god of fecundity, Min-Amon, the Pan of the Nile Valley. This god is usually represented holding in his hand a whip, perhaps consisting originally of jackal-skins tied to a stick;68 and it has lately been proved that the hieroglyph for the Egyptian word indicating the reproduction of species69 is composed simply of these three jackal-skins tied together, that is to say the februa. We know practically nothing of the ceremonies performed in Egypt in regard to the februa, but there is no reason to doubt that the rites were fundamentally similar to those of the Roman Lupercalia. The dog which was sacrificed in Rome had probably taken the place of the Egyptian jackal; and the goat is perhaps to be connected with the Egyptian ram which was sacred to Amon or Min-Amon.

It seems clear to me that this ceremony was originally linked to the Egyptian rituals associated with the fertility god, Min-Amon, the Pan of the Nile Valley. This god is typically depicted holding a whip, which likely started as jackal skins tied to a stick;68 and it has recently been shown that the hieroglyph for the Egyptian word indicating the reproduction of species69 simply consists of these three jackal skins tied together, which refers to the februa. We know very little about the ceremonies conducted in Egypt regarding the februa, but there's no reason to believe that the rituals were fundamentally different from those of the Roman Lupercalia. The dog that was sacrificed in Rome probably replaced the Egyptian jackal; and the goat may be related to the Egyptian ram that was sacred to Amon or Min-Amon.

Now it is very possible that in Alexandria Cleopatra and also Cæsar had become well acquainted with the Egyptian equivalent of the Roman Lupercalia, and it may be suggested, tentatively, that since Cæsar was regarded174 in that country as the god Amon who had given fertility to the Queen, he may, in Egypt, have been identified in some sort of manner with these rites. One may certainly imagine Cleopatra pointing out to Cæsar the similarity between the two ceremonies, and suggesting to him that he was, or had acted in the manner of, a kind of Lupercus. He had practically identified Cleopatra with Venus Genetrix, the goddess of fertility; and he may well have attributed to himself the faculties of that corresponding god who carried on in Rome the traditions of the Egyptian Min, to whom already Cæsar had been so closely allied by the priests of the Nile. The Dictator certainly took great interest in the festival of the Lupercalia in Rome, for he reorganised the proceedings, and actually founded an order known as the Luperci Julii, a fact which could be regarded as indicating a definite identification of himself with Lupercus. Indeed, if he was identified with Min-Amon in Egypt, and if, as I have suggested, Min-Amon is originally connected with the Lupercalia celebrations, it may be supposed that Cæsar really assumed by right the position of divine head of this order. Knowing the Dictator to have been so careful an opportunist, one is almost tempted to suggest that he found in this identification an excuse and a justification for his behaviour to the many women to whom he had lost his heart; or perhaps it were better to say that his unscrupulous attitude towards the opposite sex, and the successful manner in which, as with Cleopatra, he had succeeded in reproducing his kind, appeared to fit him constitutionally for this particular godhead.

Now it's very likely that in Alexandria, Cleopatra and Cæsar became familiar with the Egyptian version of the Roman Lupercalia. We might tentatively suggest that since Cæsar was seen in that country as the god Amon, who blessed the Queen with fertility, he could have been associated with these rites in some way. One can easily imagine Cleopatra pointing out the similarities between the two ceremonies and suggesting that he was, or had acted like, a kind of Lupercus. He had practically identified Cleopatra with Venus Genetrix, the goddess of fertility, and he probably attributed to himself the characteristics of the corresponding god who continued the traditions of the Egyptian Min in Rome, with whom Cæsar had already been closely linked by the priests of the Nile. The Dictator definitely took a keen interest in the Lupercalia festival in Rome, as he restructured the festivities and even founded an order called the Luperci Julii, which could be seen as a clear indication of his identification with Lupercus. In fact, if he was identified with Min-Amon in Egypt, and if, as I suggested, Min-Amon is originally connected to the Lupercalia celebrations, we could assume that Cæsar truly claimed the position of divine leader of this order. Knowing the Dictator's careful opportunism, one might almost say that he found in this identification an excuse and justification for his behavior towards the many women he fell for; or perhaps it’s better to say that his unscrupulous attitude towards women and his successful ability to reproduce, as he did with Cleopatra, seemed to make him particularly suited for this type of godhood.

Whether or no Cæsar, in the intolerable arrogance of his last years, was now actually naming himself the175 fruitful Lupercus in Rome as he was the fecund Amon in Egypt, it is a fact that upon this occurrence of the festival in the year B.C. 44 he was presiding over the ceremonies, while his lieutenant Antony was enacting the part of one of the two holders of the februa. On this day Cæsar, pale and emaciated, was seated in the Forum upon a golden throne, dressed in a splendid robe, in order to witness the celebrations, when suddenly the burly Antony, hot from his run, bounded into view, striking to right and left with the februa, and indulging, no doubt, in the horse-play which he always so much enjoyed. An excited and boisterous crowd followed him, and it is probable that both he and his companions thereupon did homage to the majestic figure of the Dictator, hailing him as Lupercus and king of the festivities. Profiting by the enthusiasm of the moment, and acting according to arrangements previously made with Cleopatra or with Cæsar himself, Antony now stepped forward and held out to the Dictator a royal diadem wreathed with laurels, at the same time offering him the kingship of Rome. Cæsar, as we have seen, had already been publicly hailed as a god upon earth, and now Antony seems to have addressed him in his Lupercalian character, begging him to accept this terrestrial throne as already he had received the throne of the heavens. No sooner had he spoken than a shout of approval was raised by a number of Cæsarians who had been posted in different parts of the Forum for this purpose; but, to Cæsar’s dismay, the cheers were not taken up by the crowd, who, indeed, appear to have indulged in a little quiet booing; and the Dictator was thus obliged to refuse the proffered crown with a somewhat half-hearted show of disdain.176 This action was received with general applause, and the temper of the crowd was clearly demonstrated. Again Antony held the diadem towards him, and again the isolated and very artificial cheers of his supporters were heard. Thereupon Cæsar, accepting the situation with as good a grace as possible, definitely refused to receive it; and at this the applause once more broke forth. He then gave orders that the diadem should be carried into the Capitol, and that a note should be inscribed in the official calendar stating that on this day the people had offered him the crown and that he had refused it. It seems probable that Antony, appreciating the false step which had been made, now rounded off the incident in as merry a manner as possible, beginning once more to strike about him with his magical whip, and leading the crowd out of the Forum with the same noise and horse-play with which they had entered it.

Whether or not Caesar, in the unbearable arrogance of his final years, was actually calling himself the175 fruitful Lupercus in Rome, just like he was the fertile Amon in Egypt, it's a fact that during the festival in the year BCE 44, he was overseeing the ceremonies while his deputy Antony was playing one of the two holders of the februa. On this day, Caesar, pale and thin, was seated in the Forum on a golden throne, dressed in a magnificent robe, to observe the celebrations. Suddenly, the burly Antony, fresh from his run, bounded into view, swinging the februa from side to side and likely engaging in the playful antics he loved so much. An excited and rowdy crowd followed him, and both he and his companions likely paid tribute to the impressive figure of the Dictator, calling him Lupercus and the king of the festivities. Taking advantage of the moment's excitement and acting on plans made with Cleopatra or with Caesar himself, Antony stepped forward and presented the Dictator with a royal diadem decorated with laurels, simultaneously offering him the kingship of Rome. As we’ve seen, Caesar had already been publicly hailed as a god on earth, and now Antony appeared to be addressing him in his Lupercalian role, urging him to accept this earthly throne just as he had embraced the heavenly one. No sooner had he spoken than a cheer rose up from several Caesar supporters who had been stationed around the Forum for this purpose; however, to Caesar's annoyance, the cheers weren't echoed by the crowd, who seemed to engage in some subtle booing. Consequently, the Dictator felt compelled to decline the offered crown with a somewhat reluctant display of disdain.176 This move was met with general applause, clearly indicating the crowd's mood. Once again, Antony held out the diadem, and once again, the isolated and very forced cheers from his supporters could be heard. At this point, Caesar, accepting the situation as gracefully as he could, firmly refused to take it; and with that, applause erupted once more. He then ordered that the diadem be taken to the Capitol, and a note be added to the official calendar stating that on this day the people had offered him the crown, which he had declined. It seems likely that Antony, realizing the blunder that had been made, wrapped up the incident as cheerfully as he could, starting once more to swing his magical whip and leading the crowd out of the Forum with the same noise and playfulness with which they had entered.

The chances now in regard to the immediate assumption of the kingship became more remote. Cæsar intended to set out for Parthia in about a month’s time; and it must have been apparent to him that his hopes of a throne would probably have to be set aside until the coming war was at an end. In regard to Cleopatra nothing remained for him to do, therefore, but to bid her prepare to return to Egypt, there to await until the Orient was conquered; and during the next few weeks it seems that the disappointed and troubled Queen engaged herself in making preparation for her departure. Suetonius tells us that Cæsar loaded her with presents and honours in these last days of their companionship; and doubtless he encouraged her as best he could with the recitation of his great hopes and ambitions for the future. There was still a chance that the monarchy177 would be created before the war, for there was some talk that Antony and his friends would offer the crown once more to Cæsar upon the Calends of March;70 but Cleopatra could not have dared to hope too eagerly for this event in view of the failure at the Lupercalia. To the Queen, who had expected by this time to be seated upon the Roman throne, his reassuring words can have been poor comfort; and an atmosphere of gloomy foreboding must have settled upon her as she directed the packing of her goods and chattels and prepared herself and her baby for the long journey across the Mediterranean to her now uneventful kingdom of Egypt.

The chances of immediately taking the throne became less likely. Cæsar planned to leave for Parthia in about a month, and it must have been clear to him that his hopes for a throne would likely have to wait until the upcoming war was over. As for Cleopatra, there was nothing left for him but to tell her to get ready to return to Egypt, where she would have to wait until the East was conquered. In the following weeks, it seems that the disappointed and troubled Queen focused on preparing for her departure. Suetonius tells us that Cæsar showered her with gifts and honors during their last days together; no doubt he tried to inspire her with his grand hopes and ambitions for the future. There was still a chance that the monarchy 177 could be established before the war, as there were discussions that Antony and his supporters would offer the crown to Cæsar again on the Calends of March; 70 but Cleopatra couldn’t afford to hope too much for this possibility after the failure at the Lupercalia. For the Queen, who had expected to be on the Roman throne by this time, his comforting words must have provided little solace; a sense of dark foreboding likely surrounded her as she oversaw the packing of her belongings and prepared herself and her baby for the long journey across the Mediterranean to her now uneventful kingdom of Egypt.


CHAPTER X.
THE DEATH OF CAESAR AND CLEOPATRA'S RETURN TO EGYPT.

There can be little reason for doubt that Antony, who is to play so important a part in the subsequent pages of this history, saw Cleopatra in Rome on several occasions. After his reconciliation to Cæsar in the early summer of B.C. 45, he must have been a constant visitor at the Dictator’s villa; and, as we shall presently see, his espousal of Cleopatra’s cause in regard to Cæsar’s will suggests that her charm had not been overlooked by him. It is said, as we have seen, that he had met her, and had already been attracted by her, ten years previously, when he entered Alexandria with Gabinius in order to establish her father Auletes upon his rickety throne. He was a man of impulsive and changeable character, and it is difficult to determine his exact attitude towards Cæsar at this time. While the Dictator was in Egypt Antony had been placed in charge of his affairs in Rome, but owing to a quarrel between the two men, Cæsar, on his return from Alexandria, had dismissed him from his service. Very naturally Antony had felt considerable animosity to the Dictator on this account, and it was even rumoured, as has been said, that he desired to assassinate him. After the Spanish war, however, the179 quarrel was forgotten; and, as we have just seen, it was Antony who had offered him the crown at the festival of the Lupercalia. In spite of this, Cæsar does not seem to have trusted him fully, although he now appears to have been recognised as the most ardent supporter of the Cæsarian party.

There’s little doubt that Antony, who will play a significant role in the upcoming pages of this history, met Cleopatra in Rome several times. After he reconciled with Cæsar in early summer of B.C. 45, he likely visited the Dictator’s villa regularly; and, as we’ll see shortly, his support of Cleopatra regarding Cæsar’s will suggests that he was definitely charmed by her. It’s said, as we've mentioned, that he met her and was already attracted to her ten years earlier when he entered Alexandria with Gabinius to help her father Auletes regain his shaky throne. He was impulsive and changeable, making it hard to pin down his exact feelings towards Cæsar at this time. While the Dictator was in Egypt, Antony was managing his affairs in Rome, but after a falling out between them, Cæsar dismissed him from his service upon returning from Alexandria. Naturally, Antony held some resentment towards the Dictator because of this, and it was rumored, as noted, that he wanted to assassinate him. However, after the Spanish war, the quarrel was forgotten; and, as we’ve just seen, it was Antony who offered him the crown at the Lupercalia festival. Despite this, Cæsar didn’t seem to fully trust him, although Antony was now recognized as the most passionate supporter of the Cæsarian party.

Cæsar had never excelled as a judge of men. Although unquestionably a genius and a man of supreme mental powers, the Dictator was ever open to flattery; and he collected around him a number of satellites who had won their way into his favour by blandishments and by countenance of their master’s many eccentricities. Balbus and Oppius, Cæsar’s two most intimate attendants, were men of mediocre standing; and Publius Cornelius Dolabella, who now comes into some prominence, was a young adventurer, whose desire for personal gain must have been concealed with difficulty. This personage, although only five-and-twenty years of age, had been appointed by Cæsar to the consulship which would become vacant upon his own departure for the East, a move that must have given grave offence to Antony; for Dolabella, a few years previously, had fallen in love with Antony’s wife, Antonia, who had consequently been divorced, the outraged husband thereafter finding consolation in the marriage to his present wife Fulvia. The various favours conferred by Cæsar on this young scamp must therefore have caused considerable irritation to Antony; and it is not easy to suppose that the latter’s apparent devotion to the cause of the Dictator was altogether genuine. Indeed, the rumour once more passed into circulation that Antony nursed designs upon Cæsar’s life, this time, strange to say, in conjunction with Dolabella. On hearing this report the180 Dictator remarked that he “did not fear such fat, luxurious men as these two, but rather the pale, lean fellows.”

César had never been great at judging people. Even though he was undeniably a genius and had exceptional mental abilities, the Dictator was always susceptible to flattery. He surrounded himself with a group of followers who had won his favor through compliments and by tolerating his many quirks. Balbus and Oppius, César’s two closest aides, were of average status, and Publius Cornelius Dolabella, who is becoming more significant now, was a young opportunist whose desire for personal gain was hard to hide. This individual, although only twenty-five years old, had been appointed by César to the consulship that would be vacant upon his own departure for the East, a decision that must have deeply annoyed Antony. Dolabella had previously fallen in love with Antony’s wife, Antonia, leading to her divorce, which left Antony to find solace in marrying his current wife, Fulvia. The various favors that César bestowed on this ambitious young man must have caused a lot of frustration for Antony, making it hard to believe that Antony's apparent loyalty to the Dictator was entirely sincere. In fact, rumors began to circulate again that Antony was plotting against César’s life, this time, oddly enough, in league with Dolabella. Upon hearing this news, the 180 Dictator said he “did not fear such fat, indulgent men as those two, but was much more wary of the pale, skinny ones.”

Of the latter type was Cassius, a sour, fanatical soldier and politician, who had fought against Cæsar at Pharsalia, and had been freely pardoned by him afterwards. From early youth Cassius entertained a particular hatred of any form of autocracy; and it is related of him that when at school the boy Faustus, the son of the famous Sulla, had boasted of his father’s autocratic powers, Cassius had promptly punched his head. Cæsar’s attempts to obtain the throne excited this man’s ferocity, and he was probably the originator of the plot which terminated the Dictator’s life. The plot was hatched in February B.C. 44, and, when Cassius and his friends had prevailed upon the influential and studious Marcus Brutus to join them, it rapidly developed into a widespread conspiracy. “I don’t like Cassius,” Cæsar was once heard to remark; “he looks so pale. What can he be aiming at?”

Of the latter type was Cassius, a bitter, fanatical soldier and politician, who had fought against Caesar at Pharsalia and had been forgiven by him afterwards. From a young age, Cassius had a strong dislike for any form of autocracy; it’s said that when he was in school, the boy Faustus, the son of the famous Sulla, bragged about his father’s autocratic powers, and Cassius quickly punched him in the face. Caesar’s attempts to seize power fueled Cassius's rage, and he likely was the one who came up with the plot that led to the Dictator’s assassination. The conspiracy was formed in February BCE 44, and when Cassius and his friends convinced the influential and studious Marcus Brutus to join them, it quickly turned into a widespread conspiracy. “I don’t trust Cassius,” Caesar was once heard to say; “he looks so pale. What is he up to?”

For Brutus, however, the Dictator entertained the greatest affection and esteem, and there was a time when he regarded him as his probable successor in office. One cannot view without distress, even after the passage of so many centuries, the devotion of the irritable old autocrat to this scholarly and promising young man who was now plotting against him; for, in spite of his manifold faults, Cæsar ever remains a character which all men esteem and with which all must largely sympathise. On one occasion somebody warned him that Brutus was plotting against him, to which the Dictator replied, “What, do you think Brutus will not wait out the appointed time of this little body of mine?” It is181 probable that Cæsar thought it not at all unlikely that Brutus was his own son, for his mother, Servilia, as early as the year of his birth, and for long afterwards, had been on such terms of intimacy with Cæsar as would justify this belief. Brutus, on the other hand, thought himself to be the son of Servilia’s legal husband, and through him claimed descent from the famous Junius Brutus who had expelled the Tarquins. Servilia was the sister of Cato, whose suicide had followed his defeat by Cæsar in North Africa, and Porcia, the wife of Brutus, was Cato’s daughter. It might have been supposed, therefore, that Brutus would have felt considerable antipathy towards the Dictator, more especially after the publication of his venomous Anti-Cato. There was, however, equally reasonable cause for Brutus to have sympathised with Cæsar, for his supposed father had been put to death by Pompey, an execution which Cæsar had, as it were, been instrumental in avenging. As a matter of fact, Brutus was a young man who lived upon high principles, as a cow does upon grass; and such family incidents as the seduction of his mother, or the destruction of his mother’s brother and his wife’s father, or the bloodthirsty warfare between his father’s executioner and his father-in-law’s enemy and calumniator, were not permitted to influence his righteous brain. In his early years he had, very naturally, refused on principle to speak to Pompey, but when the civil war broke out he set aside all those petty feelings of dislike which, in memory of his legal father, he had entertained towards the Pompeian faction, and, on principle, he ranged himself upon that side in the conflict, believing it to be the juster cause. Pompey is said to have been so surprised at the arrival of this good young man in his182 camp, whither nobody had asked him to come, and where nobody particularly desired his presence, that he stood up and embraced him as though he were a lost lamb come back to the fold. Then followed the battle of Pharsalia, and Brutus had been obliged to fly for his life. He need not, however, have feared for his safety, for Cæsar had given the strictest orders that nobody was to hurt him either in the battle or in the subsequent chase of the fugitives. From Larissa, whither he had fled, he wrote, on principle, to Cæsar, stating that he was prepared to surrender; and the Dictator, in memory, it is said, of many a pleasant hour with Servilia, at once pardoned him and heaped honours upon him. Brutus, then, on principle, laid information against Pompey, telling Cæsar whither he had fled; and thus it came about that the Dictator arrived in Egypt on that October morning of which we have read.

For Brutus, the Dictator had the utmost affection and respect, and there was a time when he saw him as a likely successor. It’s hard to look back, even after all these centuries, at the loyalty of the irritable old autocrat toward this educated and promising young man who was now conspiring against him; despite his many flaws, Cæsar remains a character that everyone admires and connects with. One time, someone warned him that Brutus was plotting against him, and the Dictator responded, “What, do you think Brutus won’t wait out the time of this little body of mine?” It’s likely that Cæsar thought it was possible Brutus was his own son, as his mother, Servilia, had been close to Cæsar since the year he was born and for a long time afterward, which could support this idea. On the other hand, Brutus believed he was the son of Servilia’s legal husband and claimed descent from the famous Junius Brutus who expelled the Tarquins. Servilia was Cato’s sister, whose suicide followed his defeat by Cæsar in North Africa, and Porcia, Brutus’s wife, was Cato’s daughter. Given this background, one might assume that Brutus would feel a strong dislike toward the Dictator, especially after the release of Cæsar’s harsh Anti-Cato. However, Brutus had just as much reason to sympathize with Cæsar because his supposed father had been killed by Pompey, a murder that Cæsar had, in a way, avenged. In fact, Brutus was a young man who lived by high principles, like a cow feeds on grass; family events like his mother’s seduction, the death of his mother’s brother, and his wife’s father, or the bloody conflict between his father’s killer and his father-in-law’s enemy didn’t cloud his righteous mind. In his youth, he had naturally refused to speak to Pompey on principle, but when the civil war started, he set aside all those small feelings of resentment he felt toward the Pompeian faction, in memory of his legal father, and chose to align himself with that side of the conflict, believing it was the fairer cause. Pompey was reportedly so surprised by the arrival of this well-intentioned young man at his camp—where no one had invited him and no one particularly wanted him—that he stood up and embraced him as if he were a lost lamb returning to the fold. Then came the battle of Pharsalia, and Brutus had to flee for his life. However, he didn’t need to worry for his safety, as Cæsar had issued strict orders that no one was to harm him during the battle or the ensuing pursuit of the runaways. From Larissa, where he had escaped, he wrote to Cæsar, stating that he was ready to surrender; and the Dictator, in what is said to be fond memory of many enjoyable moments with Servilia, immediately pardoned him and rewarded him with honors. Brutus then, on principle, reported to Cæsar where Pompey had fled; and that’s how the Dictator arrived in Egypt on that October morning we’ve read about.

Brutus was an intellectual young man, whose writings and orations were filled with maxims and pithy axioms. He had, however, a certain vivacity and fire; and once when Cæsar had listened, a trifle bewildered, to one of his vigorous speeches, the Dictator was heard to remark, “I don’t know what this young man means, but, whatever he means, he means it vehemently.” He believed himself to be, and indeed was, very firm and just, and he had schooled himself to resist flattery, ignoring all requests made to him by such means. He was wont to declare that a man who, in mature years, could not say “no” to his friends, must have been very badly behaved in the flower of his youth. Cassius, who was the brother-in-law of Brutus, deemed it very advisable to introduce this exemplary young man into the conspiracy, and he therefore invited him, as a preliminary183 measure, to be present in the Senate on the Calends of March, when it was rumoured that Cæsar would be made king. Brutus replied that he would most certainly absent himself on that day. Nothing daunted, Cassius asked him what he would do supposing Cæsar insisted on his being present. “In that case,” said Brutus, in the most approved style, “it will be my business not to keep silent, but to stand up boldly, and die for the liberty of my country.” Such being his views, it was apparent that there would be no difficulty in persuading him, on principle, to assist in the murder of Cæsar, who had, it is true, spared his life in Pharsalia, but who was, nevertheless, an enemy of the People. The conspirators, therefore, dropped pieces of paper on the official chair whereon he sat, inscribed with such words as “Wake up, Brutus,” or “You are not a true Brutus”; and on the statue of Junius Brutus they scribbled sentences, such as “O that we had a Brutus now!” or “O that Brutus were alive!” In this way the young man’s feelings were played upon, and, after a few days of solemn thought, he came to the conclusion that it was his painful duty, on principle, to bring Cæsar’s life to a close.

Brutus was an intelligent young man, whose writings and speeches were full of wise sayings and impactful ideas. However, he also had a certain energy and passion; once, when Cæsar listened, slightly confused, to one of his forceful speeches, the Dictator remarked, “I don’t know what this young man means, but whatever it is, he means it intensely.” He believed he was, and indeed was, very principled and fair, having trained himself to resist flattery, ignoring all requests made in that manner. He often said that a man who, in adulthood, could not say “no” to his friends must have behaved poorly in his youth. Cassius, who was Brutus's brother-in-law, thought it was wise to bring this exemplary young man into the conspiracy. So, he invited him, as a preliminary step, to attend the Senate on the Calends of March, when it was rumored that Cæsar would be declared king. Brutus replied that he would definitely not attend that day. Undeterred, Cassius asked what he would do if Cæsar insisted he be there. “In that case,” Brutus replied confidently, “it will be my responsibility not to remain silent, but to stand up boldly and die for the freedom of my country.” Given his views, it was clear there would be no trouble convincing him, on principle, to help with the murder of Cæsar, who had spared his life in Pharsalia but was still an enemy of the People. The conspirators, therefore, dropped notes on the official chair where he sat, with messages like “Wake up, Brutus,” or “You are not a true Brutus”; and on the statue of Junius Brutus, they wrote things like “Oh, that we had a Brutus now!” or “Oh, that Brutus were alive!” In this way, they appealed to the young man's emotions, and after a few days of serious consideration, he concluded that it was his painful duty, on principle, to end Cæsar’s life.

By March 1st the conspirators numbered in their ranks some sixty or eighty senators, mostly friends of the Dictator, and had Cæsar attempted then to proclaim himself king he would at once have been assassinated. There were too many rumours current of plots against him, however, to permit him to take this step, and so the days passed in uneventfulness. He had planned to leave Rome for the East on March 17th, and it was thought possible that his last visit to the Senate on March 15th, or his departure from the capital, would184 be the occasion of a demonstration in his favour which would lead to his being offered the crown as a parting gift. The conspirators therefore decided to make an end of Cæsar on March 15th, the Ides of March, upon which date he would probably come for the last time to the Senate as Dictator.

By March 1st, the conspirators included around sixty to eighty senators, mostly allies of the Dictator. If Cæsar had tried to declare himself king then, he would have been killed immediately. However, there were too many rumors of plots against him to allow him to take that step, so the days passed without incident. He planned to leave Rome for the East on March 17th, and it was thought that his final visit to the Senate on March 15th, or his departure from the capital, would184 lead to a show of support for him, possibly resulting in an offer of the crown as a farewell gift. Therefore, the conspirators decided to eliminate Cæsar on March 15th, the Ides of March, when he was likely to come to the Senate one last time as Dictator.

Brutus, of course, was terribly troubled as the day drew near. He was at heart a good and honourable man, but the weakness of his character, combined with his intense desire to act in a high-principled manner, led him often to appear to be a turncoat. Actually his motives were patriotic and noble, but he must have asked himself many a time whether what he believed to be his duty to his country was to be regarded as entirely abrogating what he knew to be his duty to his devoted patron. The tumult in his mind caused him at night to toss and turn in his sleep in a fever of unrest, and his wife, Porcia, observing his distress, implored him to confide his troubles to her. Brutus thereupon told her of the conspiracy, and thereby risked the necks of all his comrades.

Brutus was really troubled as the day approached. Deep down, he was a good and honorable man, but his character's weaknesses, combined with his strong desire to act with integrity, often made him seem like a traitor. In reality, his motives were patriotic and noble, but he had to ask himself many times whether what he thought was his duty to his country completely negated what he knew was his duty to his loyal patron. The turmoil in his mind kept him tossing and turning in restless sleep at night, and his wife, Porcia, noticing his distress, urged him to share his troubles with her. Brutus then revealed the conspiracy to her, putting the lives of all his comrades at risk.

A curious gloom seems to have fallen upon Rome at this time, and an atmosphere of foreboding, due perhaps to rumours that a plot was afoot, descended upon the actors in this unforgettable drama. Cæsar went about his preparations for the Oriental campaign in his usual business-like manner, and raised money for the war with his wonted unscrupulousness and acuteness; but it does not require any pressure upon the historical imagination to observe the depression which he now felt and which must have been shared by his associates. The majority of the conspirators were his friends and fellow-workers—men, many of them, whom he had pardoned for past185 offences during the Civil War and had raised to positions of trust in his administration. At this time he appears to have been living with Calpurnia in his city residence, and so busy was he with his arrangements that he could not have found time to pay many visits to Cleopatra.71 The Queen must therefore have remained in a state of distressing suspense. The Calends of March, at which date the proclamation of the monarchy had been expected, had passed; and now the Dictator could have held out to her but one last hope of the realisation of their joint ambition previous to his departure. Cæsar must have told her that, as far as the three-year-old Cæsarion was concerned, she could expect nothing until the throne had been created; for, obviously, this was no time in which to leave a baby as his heir. His nephew Octavian, an active and energetic young man, would have to succeed him in office if he were to die before he had obtained the crown, and his vast property would have to be distributed. The Dictator must have remembered the fact of the murder of the young son of Alexander the Great soon after his father’s death, and he could have had no desire that his own boy should be slaughtered in like manner by his rapacious guardians. Yet Cleopatra still delayed her departure, in the hope that the great event would take place on March 15th, so that at any rate she might return to Egypt in the knowledge that her position as Cæsar’s wife was secured.

A strange heaviness seems to have settled over Rome at this time, creating a sense of unease, possibly because of rumors of a plot. Cæsar went about preparing for the Eastern campaign in his usual practical way, raising funds for the war with his characteristic sharpness and disregard for propriety; but it’s clear that he was feeling a weight of depression that likely affected his associates too. Most of the conspirators were his friends and colleagues—many of whom he had pardoned for previous wrongdoings during the Civil War and had appointed to trusted positions in his government. At this time, he was living with Calpurnia in his city home, and he was so absorbed in his plans that he hardly had time to visit Cleopatra. The Queen must have been left in a state of troubling uncertainty. The Ides of March, when the announcement of the monarchy was expected, had come and gone; and now the Dictator could offer her only one last glimmer of hope for their shared ambition before he left. Cæsar likely told her that, for the three-year-old Cæsarion, there would be nothing to expect until the throne was established; clearly, this was not the moment to bequeath a baby as his heir. His nephew Octavian, a vigorous young man, would need to take over if he died before claiming the crown, and his extensive property would need to be divided up. The Dictator must have recalled the assassination of Alexander the Great’s young son shortly after his father’s passing, and he would have had no wish for his own child to meet a similar fate at the hands of greedy guardians. Still, Cleopatra delayed her departure, hoping that the significant event would occur on March 15th, so she could return to Egypt knowing her status as Cæsar’s wife was assured.

The prevailing depression acted strangely upon people’s nerves, and stories began to spread of ominous premonitions of trouble, and menacing signs and wonders. There186 were unaccountable lights in the heavens, and awful noises at dead of night. Somebody said that he had seen a number of phantoms, in the guise of men, fighting with one another, and that they were all aglow as though they were red-hot; and upon another occasion it was noticed that numerous strange birds of ill omen had alighted in the Forum. Once, when Cæsar was sacrificing, the heart of the victim was found to be missing, an omen of the worst significance; and at other times the daily auguries were observed to be extremely inauspicious. An old soothsayer, who may have got wind of the plot, warned the Dictator to beware of the Ides of March; but Cæsar, whose courage was always phenomenal, did not allow the prediction to alter his movements.

The ongoing depression was having a strange effect on people's nerves, and rumors started spreading about ominous warnings of trouble, along with alarming signs and wonders. There186 were unexplainable lights in the sky and terrifying noises in the dead of night. Someone claimed to have seen several ghostly figures, looking like men, fighting each other, glowing as if they were on fire; and at another time, many strange birds of bad omen were spotted in the Forum. Once, when Cæsar was making a sacrifice, the heart of the animal was found to be missing, a sign of terrible significance; and on other occasions, the daily omens were especially discouraging. An old fortune teller, who might have caught wind of the conspiracy, warned the Dictator to be cautious of the Ides of March; but Cæsar, known for his remarkable bravery, didn’t let the prediction change his plans.

Upon the evening of March 14th, the day before the dreaded Ides, Cæsar supped with his friend Marcus Lepidus, and as he was signing some letters which had been brought to him for approval the conversation happened to turn upon the subject of death, and the question was asked as to what kind of ending was to be preferred. The Dictator, quickly looking up from his papers, said decisively, “A sudden one!” the significance of which remark was to be realised by his friends a few hours later. That night, Plutarch tells us, as Cæsar lay upon his bed, suddenly, as though by a tremendous gust of wind, all the doors and windows of his house flew open, letting in the brilliant light of the moon. Calpurnia lay asleep by his side, but he noticed that she was uttering inarticulate words and was sobbing as though in the deepest distress; and upon being awakened she said that she had thought in her dreams that he was murdered. Cæsar must have187 realised that such a dream was probably due to her fears as to the truth of the soothsayer’s prophecy; but, at the same time, her earnest request to him not to leave his house on the following day made a considerable impression upon him.

On the evening of March 14th, the day before the infamous Ides, Caesar had dinner with his friend Marcus Lepidus. While he was signing some letters that had been brought to him for approval, the conversation shifted to the topic of death, and someone asked what kind of ending was preferred. The Dictator looked up from his papers and replied firmly, “A sudden one!” The significance of this remark would become clear to his friends just a few hours later. That night, Plutarch tells us, as Caesar lay in bed, all of a sudden, as if a powerful gust of wind had struck, all the doors and windows of his house flew open, letting in the bright light of the moon. Calpurnia was asleep beside him, but he noticed she was mumbling incoherently and crying as if she were in deep distress. When she woke up, she said she had dreamed that he was murdered. Caesar must have realized that her dream likely stemmed from her worries about the soothsayer’s prophecy; however, her heartfelt plea for him not to leave the house the next day made a significant impact on him.

In the morning the conspirators collected in that part of the governmental buildings where the Senate was to meet that day. The place chosen was a pillared portico adjoining the theatre, having at the back a deep recess in which stood a statue of Pompey.72 Some of the men were public officials whose business it was to act as magistrates and to hear cases which had been brought to them for judgment; and it is said that not one of them betrayed by his manner any nervousness or lack of interest in these public concerns. In the case of Brutus this was particularly noticeable; and it is related that upon one of the plaintiffs before him refusing to stand to his award and declaring that he would appeal to Cæsar, Brutus calmly remarked, “Cæsar does not hinder me, nor will he hinder me, from acting according to the laws.”

In the morning, the conspirators gathered in the part of the government buildings where the Senate was set to meet that day. They chose a pillared portico next to the theater, which had a deep recess in the back featuring a statue of Pompey.72 Some of the men were public officials responsible for acting as magistrates and hearing cases brought to them for judgment; it was noted that none of them showed nervousness or disinterest in these public matters. This was especially evident in Brutus; it is said that when one of the plaintiffs before him refused to accept his ruling and stated he would appeal to Caesar, Brutus calmly replied, “Caesar does not prevent me, nor will he prevent me, from acting according to the laws.”

This composure, however, began to desert them when it was found that the Dictator was delaying his departure from his house. The report spread that he had decided not to come to the Senate that day, and it was soon realised that this might be interpreted as meaning that he had discovered the plot. Their agitation was such that at length they sent a certain Decimus Brutus Albinus, a very trusted friend of the Dictator, to Cæsar’s house to urge him to make haste. Decimus found him just preparing to postpone the meeting of the Senate, his feelings having been worked upon by188 Calpurnia’s fears, and also by the fact that he had received a report from the augurs stating that the sacrifices for the day had been inauspicious. In this dilemma Decimus made a statement to Cæsar, the truth of which is now not able to be ascertained. He told the Dictator that the Senate had decided unanimously to confer upon him that day the title of King of all the Roman Dominions outside Italy, and to authorise him to wear a royal diadem in any place on land or sea except in Italy.73 He added that Cæsar should not give the Senate so fair a justification for saying that he had put a slight upon them by adjourning the meeting on so important an occasion owing to the bad dreams of a woman.

This calmness, however, started to fade when it became clear that the Dictator was taking his time leaving his house. News spread that he had decided not to attend the Senate that day, and it quickly dawned on them that this could be seen as him discovering the plot. Their anxiety grew so intense that they eventually sent Decimus Brutus Albinus, a close friend of the Dictator, to Cæsar’s house to urge him to hurry. Decimus found him just about to postpone the Senate meeting, influenced by Calpurnia’s fears and a report from the augurs indicating that the sacrifices for the day had been unfavorable. In this difficult situation, Decimus told Cæsar something that is now impossible to verify. He informed the Dictator that the Senate had unanimously decided to bestow upon him the title of King of all Roman territories outside Italy that day and to allow him to wear a royal crown anywhere on land or sea except in Italy. He added that Cæsar should not give the Senate such a good reason to say that he had insulted them by adjourning the meeting on such an important occasion due to a woman’s bad dreams.

At this piece of news Cæsar must have been filled with triumphant excitement. The wished-for moment had come. At last he was to be made king, and the dominions to be delivered over to him were obviously but the first instalment of the vaster gift which assuredly he would receive in due course. The doubt and the gloom of the last few weeks in a moment were banished, for this day he would be monarch of an empire such as had never before been seen. What did it matter that in Rome itself he would be but Dictator? He would establish his royal capital elsewhere: in Alexandria, perhaps, or on the site of Troy. He would be able at once to marry Cleopatra and to incorporate her dominions with his own. Calpurnia might remain for the present the wife of the childless Dictator in Rome, and his nephew Octavian might be his official heir; but outside his fatherland, Queen Cleopatra should be his consort, and his own little son should be his heir and189 successor. The incongruities of the situation would so soon be felt that Rome would speedily acknowledge him king in Italy as well as out of it. Probably he had often discussed with Cleopatra the possibilities of this solution of the problem, for the idea of making him king outside Italy had been proposed some weeks previously;74 and he must now have thought how amused and delighted the Queen would be by this unexpected decision of the Senate to adopt the rather absurd scheme. As soon as he had married the Sovereign of Egypt and had made Alexandria one of his capitals, his dominions would indeed be an Egypto-Roman Empire; and when at length Rome should invite him to reign also within Italy, the situation would suggest rather that Egypt had incorporated Rome than that Rome had absorbed Egypt. How that would tickle Cleopatra, whose dynasty had for so long feared extinction at the hands of the Romans!

At this news, Caesar must have been filled with triumphant excitement. The moment he had been waiting for had finally arrived. At last, he was going to be made king, and the territories handed over to him were clearly just the first part of a much greater gift that he would undoubtedly receive in time. The doubt and gloom of the past few weeks vanished in an instant because today he would be the ruler of an empire unlike any seen before. What did it matter that in Rome itself he would be just a Dictator? He would establish his royal capital somewhere else: perhaps in Alexandria or on the site of Troy. He would be able to marry Cleopatra immediately and combine her territories with his own. Calpurnia might remain the wife of the childless Dictator in Rome for the time being, and his nephew Octavian could be his official heir, but outside his homeland, Queen Cleopatra would be his consort, and his own little son would be his heir and189 successor. The oddities of the situation would soon be felt, and Rome would quickly acknowledge him as king both in Italy and beyond. He had probably discussed with Cleopatra the possibilities of this solution to the issue, as the idea of making him king outside Italy had been suggested a few weeks earlier;74 and he must have now thought about how amused and delighted the Queen would be by this unexpected decision from the Senate to adopt the somewhat ridiculous plan. Once he married the Sovereign of Egypt and made Alexandria one of his capitals, his territories would truly be an Egypto-Roman Empire; and when Rome eventually invited him to rule within Italy as well, it would appear more as though Egypt had absorbed Rome rather than the other way around. How that would delight Cleopatra, whose dynasty had long feared extinction at the hands of the Romans!

Rising to his feet, and taking Decimus by the hand, Cæsar set out at once for the Senate, his forebodings banished and his ambitious old brain full of confidence and hope. On his way through the street two persons, one a servant and the other a teacher of logic, made attempts to acquaint him with his danger; and the soothsayer who had urged him to beware of the Ides of March once more repeated his warning. But Cæsar was now in no mood to abandon the prospective excitements of the day; and the risk of assassination may, indeed, have been to him the very element which delighted him, for he was ever inspired by the presence of danger.

Rising to his feet and taking Decimus by the hand, Cæsar set off for the Senate, his fears pushed aside and his ambitious mind filled with confidence and hope. As he walked through the street, two people—a servant and a logic teacher—tried to warn him about the danger he faced; and the soothsayer who had told him to beware the Ides of March repeated his warning once again. But Cæsar wasn’t in the mood to give up on the potential excitement of the day, and the threat of assassination might have even thrilled him, as he had always been energized by the presence of danger.

Meanwhile the conspirators paced the Portico of190 Pompey in painful anxiety, fearing every moment to hear that the plot had been discovered. It must have been apparent to them that there were persons outside the conspiracy who knew of their designs; and when a certain Popilius Laena, a senator, not of their number, whispered to Brutus and Cassius that the secret was out, but that he wished them success, their feelings must have been hard to conceal. Then came news that Porcia had fallen into an hysterical frenzy caused by her suspense; and Brutus must have feared that in this condition she would reveal the plot.

Meanwhile, the conspirators paced the Portico of190 Pompey in anxious pain, fearing at any moment that their plot would be uncovered. It must have been clear to them that there were people outside their group who knew about their plans; and when a senator named Popilius Laena, who wasn't one of them, whispered to Brutus and Cassius that their secret was out but wished them success, they must have struggled to hide their feelings. Then came the news that Porcia had fallen into a hysterical frenzy due to her anxiety; and Brutus must have worried that in this state, she would expose the plot.

At length, however, Cæsar was seen to be approaching; but their consequent relief was at once checked when it was observed that Popilius Laena, who had said that he knew all, entered into deep and earnest conversation with the Dictator. The conversation, however, proved to be of no consequence, and Cæsar presently walked on into the Curia where the Senate was to meet. A certain Trebonius was now set to detain Antony in conversation outside the doorway; for it had been decided that, although the latter was Cæsar’s right-hand man, he should not be murdered, but that, after the assassination, he should be won over to the side of the so-called patriots by fair words.

At last, Cæsar was spotted coming closer; however, their relief quickly vanished when they noticed Popilius Laena, who claimed to know everything, deep in serious conversation with the Dictator. Fortunately, the talk ended up being meaningless, and Cæsar soon walked into the Curia where the Senate was set to convene. A man named Trebonius was assigned to keep Antony engaged in conversation outside the door; for it had been decided that, even though Antony was Cæsar’s right-hand man, he should not be killed, but rather, after the assassination, be persuaded to join the so-called patriots with sweet words.

When Cæsar entered the building the whole Senate rose to their feet in respectful salutation. The Dictator having taken his seat, one of the conspirators, named Tullius Cimber, approached him ostensibly with the purpose of petitioning him to pardon his exiled brother. The others at once gathered round, pressing so close upon him that Cæsar was obliged to order them to stand back. Then, perhaps suspecting their design, he sprang suddenly to his feet, whereupon Tullius caught hold of191 his toga and pulled it from him, thus leaving his spare frame covered only by a light tunic. Instantly a senator named Casca, whom the Dictator had just honoured with promotion, struck him in the shoulder with his dagger, whereupon Cæsar, grappling with him, cried out in a loud voice, “You villain, Casca! what are you doing?” A moment later, Casca’s brother stabbed him in the side. Cassius, whose life Cæsar had spared after Pharsalia, struck him in the face; Bucolianus drove a knife between his shoulder-blades, and Decimus Brutus, who so recently had encouraged him to come to the Senate, wounded him in the groin. Cæsar fought for his life like a wild animal.75 He struck out to right and left with his stilus, and, streaming with blood, managed to break his way through the circle of knives to the pedestal of the statue of his old enemy Pompey. He had just grasped Casca once more by the arm, when suddenly perceiving his beloved Marcus Brutus coming at him with dagger drawn, he gasped out, “You, too, Brutus—my son!” and fell, dying, upon the ground.76 Instantly the pack of murderers was upon him, slashing and stabbing at his prostrate form, wounding one another in their excitement, and nigh tumbling over him where he lay in a pool of blood.

When Caesar entered the building, the entire Senate stood up to greet him respectfully. Once the Dictator took his seat, one of the conspirators, named Tullius Cimber, approached him under the guise of asking for a pardon for his exiled brother. The others quickly crowded around him, pressing so close that Caesar had to tell them to step back. Then, perhaps sensing their intent, he suddenly jumped to his feet, and Tullius grabbed his toga, pulling it off and leaving him in just a light tunic. Immediately, a senator named Casca, whom the Dictator had just promoted, stabbed him in the shoulder. Caesar, wrestling with him, shouted, “You scoundrel, Casca! What are you doing?” Moments later, Casca’s brother stabbed him in the side. Cassius, whose life Caesar had spared after Pharsalia, hit him in the face; Bucolianus drove a knife between his shoulder blades, and Decimus Brutus, who had recently encouraged him to come to the Senate, wounded him in the groin. Caesar fought for his life like a wild animal. He swung out to the right and left with his stylus, and, covered in blood, managed to fight his way through the circle of knives to the base of his old enemy Pompey’s statue. He had just grabbed Casca's arm again when he suddenly saw his beloved Marcus Brutus approaching him with a drawn dagger. He gasped, “You, too, Brutus—my son!” and collapsed, dying on the ground. Immediately, the group of murderers descended on him, slashing and stabbing at his fallen form, accidentally wounding each other in their frenzy and nearly tripping over him as he lay in a pool of blood.

As soon as all signs of life had left the body, the conspirators turned to face the Senate; but, to their surprise, they found the members rushing madly from the building. Brutus had prepared a speech to make to them as soon as the murder should be accomplished; but in a few moments nobody was left in the Curia for him to address.192 He and his companions, therefore, were at a loss to know what to do; but at length they issued forth from the building, somewhat nervously brandishing their daggers and shouting catch-words about Liberty and the Republic. At their approach everybody fled to their homes; and Antony, fearing that he, too, would be murdered, disguised himself and hurried by side-streets to his house. They therefore took up their position in the Capitol, and there remained until a deputation of senators induced them to come down to the Forum. Here, standing in the rostra, Brutus addressed the crowd, who were fairly well-disposed towards him; but when another speaker, Cinna, made bitter accusations against the dead man, the people chased the conspirators back once more to the Capitol, where they spent the night.

As soon as all signs of life left the body, the conspirators turned to face the Senate; but, to their surprise, they found the members rushing out of the building in a panic. Brutus had prepared a speech to deliver to them once the murder was accomplished; but in just a few moments, no one was left in the Curia for him to address.192 He and his companions were at a loss about what to do; but eventually, they stepped out of the building, somewhat nervously waving their daggers and shouting slogans about Liberty and the Republic. At their approach, everyone ran home; and Antony, fearing he might be murdered too, disguised himself and hurried down back streets to his house. They took position in the Capitol and stayed there until a group of senators convinced them to come down to the Forum. There, standing on the rostra, Brutus spoke to the crowd, who were generally favorable towards him; but when another speaker, Cinna, made harsh accusations against the deceased, the people chased the conspirators back to the Capitol once again, where they spent the night.

When darkness had fallen and the tumult had subsided, Antony made his way to the Forum, whither, he had heard, the body of Cæsar had been carried; and here, in the light of the moon, he looked once more upon the face of his arrogant old master. Here, too, he met Calpurnia, and, apparently at her request, took charge of all the Dictator’s documents and valuables.

When night had come and the chaos had calmed down, Antony headed to the Forum, where he had heard the body of Caesar had been taken; and here, in the moonlight, he looked again at the face of his proud old master. Here, too, he encountered Calpurnia, and, seemingly at her request, he took responsibility for all the Dictator’s documents and valuables.

Upon the next day, at Antony’s suggestion, a general amnesty was proclaimed, and matters were amicably discussed. It was then decided that Cæsar’s will should be opened, but the contents must have been a surprise to both parties. The dead man bequeathed to every Roman citizen 300 sesterces, giving also to the Roman people his vast estates and gardens on the other side of the Tiber, where Cleopatra was, at the time, residing. Three-quarters of the remainder of his estate was bequeathed to Octavian, and the other quarter was divided between his two nephews, Lucius Pinarius and193 Quintus Pedius. In a codicil he added that Octavian should be his official heir; and he named several guardians for his son, should one be born to him after his death.

The next day, at Antony’s suggestion, a general amnesty was announced, and discussions were held in a friendly manner. It was then decided to open Cæsar’s will, but the contents surprised everyone. The deceased left 300 sesterces to every Roman citizen and also granted his vast estates and gardens across the Tiber, where Cleopatra was living at the time, to the Roman people. Three-quarters of the rest of his estate went to Octavian, while the remaining quarter was split between his two nephews, Lucius Pinarius and 193 Quintus Pedius. In a codicil, he stated that Octavian should be his official heir and named several guardians for his son if one were to be born after his death.

The dead body lay in state in the Forum for some five days, while the ferment in the city continued to rage unabated. The funeral was at length fixed for March 20th,77 and towards evening Antony went to the Forum, where he found the crowd wailing and lamenting around the corpse, the soldiers clashing their shields together, and the women uttering their plaintive cries. Antony at once began to sing a dirge-like hymn in praise of Cæsar; pausing in his song every few moments to stretch his hands towards the corpse and to break into loud weeping. In these intervals the crowd took up the funeral chant, and gave vent to their emotional distress in the melancholy music customary at the obsequies of the dead, reciting monotonously a verse of Accius which ran, “I saved those who have given me death.” Presently Antony held up on a spear’s point the robes pierced by so many dagger-thrusts; and standing beside this gruesome relic of the crime, he pronounced his famous funeral oration over the body of the murdered Dictator. When he had told the people of Cæsar’s gifts to them, and had worked upon their feelings by exhibiting thus the blood-stained garments, the mob broke into a frenzy of rage against the conspirators, vowing vengeance upon one and all. Somebody recalled the speech made by Cinna on a previous day, and immediately howls were raised for that orator’s blood. A minor poet, also called Cinna, happened to be standing in the crowd; and when194 a friend of his had addressed him by that hated name, the people in the immediate vicinity thought that he must be the villain for whose life the mob was shouting. They therefore caught hold of the unfortunate man, and, without further inquiries, tore him limb from limb. They then seized benches, tables, and all available woodwork; and there, in the midst of the public and sacred buildings, they erected a huge pyre, upon the top of which they placed the Dictator’s body, laid out upon a sheet of purple and gold. Torches were applied and speedily the flames arose, illuminating the savage faces of the crowd around the pyre, and casting grotesque shadows upon the gleaming walls and pillars of the adjoining buildings, while the volume of the smoke hid from view the moon now rising above the surrounding roofs and pediments. Soon the mutilated body disappeared from sight into the heart of the fire; and thereupon the spectators, plucking flaming brands from the blaze, dashed down the streets, with the purpose of burning the houses of the conspirators. The funeral pyre continued to smoulder all night long, and it must have been many hours before quiet was restored in the city. The passions of the mob were appeased next day by the general co-operation of all those concerned in public affairs, and the Senate passed what was known as an Act of Oblivion in regard to all that had occurred. Brutus, Cassius, and the chief conspirators, were assigned to positions of importance in the provinces far away from Rome; and the affairs of the capital were left, for the most part, in the hands of Antony. On March 18th, three days after Cæsar’s death, Antony and Lepidus calmly invited Brutus and Cassius to a great dinner-party, and so, for the moment, peace was restored.

The dead body was displayed in the Forum for about five days, while the unrest in the city continued to grow fiercely. The funeral was finally set for March 20th,77, and in the evening, Antony went to the Forum, where he found the crowd crying and mourning around the corpse, the soldiers banging their shields together, and the women shouting their sorrow. Antony immediately started to sing a somber hymn in honor of Cæsar, pausing every few moments to reach out his hands toward the body and burst into loud tears. During these pauses, the crowd joined in the funeral chant, expressing their emotional pain through the sad music that is typical at funerals, monotonously reciting a line from Accius that said, “I saved those who have given me death.” Soon after, Antony held up on a spear point the robes pierced by numerous knife wounds, and standing next to this gruesome evidence of the crime, he delivered his famous funeral speech over the body of the murdered Dictator. After he recounted Cæsar’s gifts to the people and stirred their emotions by showing the bloodstained clothing, the crowd erupted in a frenzy of rage against the conspirators, swearing vengeance on each and every one of them. Someone remembered the speech given by Cinna a few days earlier, and immediately cries for that orator’s blood filled the air. A lesser-known poet named Cinna happened to be in the crowd, and when a friend called out to him using that detested name, the people nearby mistakenly believed he was the person they were calling for. They seized the unfortunate man and, without any further questions, tore him apart. They then grabbed benches, tables, and any available wood they could find; right there, among public and sacred buildings, they built a massive pyre, placing the Dictator’s body on top, laid out on a sheet of purple and gold. Torches were lit, and quickly the flames rose, illuminating the savage faces of the crowd around the pyre, casting eerie shadows on the shining walls and columns of the nearby buildings, while the smoke blocked out the view of the moon rising above the surrounding rooftops and pediments. Soon, the mutilated body disappeared into the heart of the fire; and then the onlookers, taking brands from the flames, rushed down the streets to burn the homes of the conspirators. The funeral pyre continued to smolder all night, and it must have taken many hours for calm to return to the city. The mob's anger was calmed the next day by the collective cooperation of everyone involved in public affairs, and the Senate passed what was known as an Act of Oblivion regarding everything that had happened. Brutus, Cassius, and the main conspirators were assigned important positions in provinces far away from Rome, and the affairs of the capital were mostly left in Antony's hands. On March 18th, three days after Cæsar’s death, Antony and Lepidus calmly invited Brutus and Cassius to a big dinner party, and so, for the moment, peace was restored.

195 Meanwhile, Cleopatra’s state of mind must have been appalling. Not only had she lost her dearest friend and former lover, but, with his death, she had lost the vast kingdom which he had promised her. No longer was she presumptive Queen of the Earth, but now, in a moment, she was once more simply sovereign of Egypt, seated upon an unfirm throne. Moreover, she must have fancied that her own life was in danger, as well as that of the little Cæsar. The contents of the Dictator’s will must have been a further shock to her, although she probably already knew their tenor; and she must have thought with bitterness of the difference that even one day more might have made to her in this regard. It was perhaps true that the Senate had been about to offer him the throne of the provinces on the fatal Ides; and in that case Cæsar would most certainly have altered his will to meet the new situation, if indeed he had not already done so, as some say. There was reason to suppose that such a will, in favour of Cæsarion, had actually been made,78 but if this were so, it was nowhere to be found, and had perhaps been destroyed by Calpurnia. What was she to do? When would Octavian appear to claim such property and honours as Cæsar had bequeathed to him? Should she at once proclaim her baby son as the rightful heir, or should she fly the country?

195 Meanwhile, Cleopatra must have been in a terrible state of mind. Not only had she lost her best friend and former lover, but with his death, she had also lost the vast kingdom he had promised her. No longer was she the presumptive Queen of the Earth; in an instant, she was simply the sovereign of Egypt, sitting on an unstable throne. Furthermore, she must have felt that her own life was at risk, as well as that of little Caesar. The contents of the Dictator’s will must have been an additional shock to her, although she probably already knew what it said; she must have bitterly realized how much difference just one more day could have made for her in this situation. It was likely true that the Senate was about to offer him the throne of the provinces on that fateful Ides; and if that were the case, Caesar would certainly have changed his will to reflect the new circumstances, if he hadn't done so already, as some claim. There was reason to believe that such a will, favoring Caesarion, had actually been created, 78 but if that were the case, it was nowhere to be found, and perhaps Calpurnia had destroyed it. What was she supposed to do? When would Octavian show up to claim the property and honors that Caesar had left to him? Should she immediately announce her baby son as the rightful heir, or should she leave the country?

In this dilemma there seems to me to be no doubt that she must have consulted with Antony, the one man who had firmly grasped the tangled strings of the situation, and must have implored him to support the claims of her son. If the public would not admit that Cæsarion was Cæsar’s son, then the boy would, without196 doubt, pass into insignificance, and ultimately be deprived, in all probability, even of his Egyptian throne. If, on the other hand, with Antony’s support, he were officially recognised to be the Dictator’s child, then there was a good chance that the somewhat unprepossessing Octavian might be pushed aside for ever. Cæsar had taken a fancy to this obscure nephew of his during the Spanish War. The young man, although still weak after a severe illness, had set out to join the Dictator in Spain with a promptitude which had won his admiration. He had suffered shipwreck, and had ultimately made his way to his uncle’s camp by roads infested with the enemy, and thereafter had fought by his side. He was now following his studies in Apollonia, and intended to join Cæsar on his way to the East. If he could be prevented from coming to Rome the game would be in the Queen’s hands; and I am of opinion that she must now have approached Antony with some such suggestion for the solution of the difficulty. Antony, on his part, probably realised that with the establishment of Octavian in Cæsar’s seat his own power would vanish; but that, were he to support the baby Cæsarion, he himself would remain the all-powerful regent for many years to come. He might even take the dead man’s place as Cleopatra’s husband, and climb to the throne by means of the right of his stepson.79

In this dilemma, it's clear to me that she must have talked to Antony, the only person who really understood the complicated situation, and surely asked him to back her son's claims. If the public refused to accept that Cæsarion was Cæsar’s son, then the boy would undoubtedly fade into obscurity and likely lose even his Egyptian throne. However, if he were officially recognized as the Dictator’s child with Antony’s support, there was a decent chance that the somewhat unimpressive Octavian could be sidelined for good. Cæsar had taken a liking to this unknown nephew during the Spanish War. Despite still being weak from a severe illness, the young man had rushed to join the Dictator in Spain, which won Cæsar's admiration. He faced a shipwreck and navigated enemy-infested routes to reach his uncle’s camp, and then fought alongside him. He was currently studying in Apollonia and planned to join Cæsar on his journey to the East. If he could be kept from coming to Rome, the advantage would be in the Queen’s favor; and I believe she must have approached Antony with some suggestion to solve this problem. Antony likely understood that once Octavian was established in Cæsar’s position, he would lose his own power; but if he supported baby Cæsarion, he could remain a powerful regent for years. He might even take the place of the deceased man as Cleopatra’s husband and ascend to the throne through his stepson’s right.79

It would seem, therefore, that he persuaded Cleopatra to remain for the present in Rome; and not long afterwards he declared in the Senate that the little Cæsarion had been acknowledged by Cæsar to be his rightful son. This was denied at once by Oppius, who favoured the197 claims of Octavian, and ultimately this personage took the trouble to write a short book to refute Antony’s statement.

It seems that he convinced Cleopatra to stay in Rome for now; shortly after, he announced in the Senate that little Cæsarion had been recognized by Cæsar as his legitimate son. Oppius immediately denied this, supporting Octavian's claims, and eventually, he went to the effort of writing a short book to disprove Antony’s assertion.

The young Dolabella now seized the consulship in Rome, and, being on bad terms with Antony, at once showed his hostility to the friends of the late Dictator by various acts of violence against them. Cæsar, before his death, had assigned the province of Syria to Dolabella and that of Macedonia to Antony; but now the Senate, in order to rid Rome of the troublesome presence of the Dictator’s murderers, had given Macedonia and Syria to Marcus Brutus and Cassius, and these two men were now collecting troops with which to enter their dominions in safety. There was thus a political reason for Antony and Dolabella to join forces; and presently we find the two of them working together for the overthrow of Brutus and Cassius.

The young Dolabella took the consulship in Rome, and, being on bad terms with Antony, quickly displayed his hostility towards the friends of the late Dictator through various acts of violence against them. Before his death, Cæsar had assigned the province of Syria to Dolabella and Macedonia to Antony; however, the Senate, wanting to remove the troublesome presence of the Dictator’s murderers from Rome, had given Macedonia and Syria to Marcus Brutus and Cassius. These two men were now gathering troops to safely enter their territories. This created a political reason for Antony and Dolabella to team up; soon, we see the two of them working together to take down Brutus and Cassius.

Into these troubled scenes in Rome the news presently penetrated of the approach of the young Octavian, now nearly nineteen years of age, who was coming to claim his rights; and thereupon the city, setting aside the question of the conspirators, formed itself into two factions, the one supporting the newcomer, the other upholding Antony’s attitude. It is usually stated by historians that Antony was fighting solely in his own interests, being desirous of ousting Octavian and assuming the dignities of Cæsar by force of arms. If this be so, why did he make a point of declaring in the Senate that Cæsarion was the Dictator’s child? With what claims upon the public did he oppose those of Octavian if not by the supporting of Cæsar’s son? We shall see that in after years he always claimed the Roman throne198 on behalf of the child Cæsarion; and I find it difficult to suppose that that attitude was not already assumed, to some extent, by him.

Into these troubled scenes in Rome, news soon spread about the arrival of young Octavian, now almost nineteen years old, who was coming to claim his rights. As a result, the city divided into two factions: one supporting the newcomer and the other backing Antony’s stance. Historians often argue that Antony was only fighting for his own interests, wanting to push Octavian aside and seize the honors of Cæsar through military might. If that's true, why did he insist on declaring in the Senate that Cæsarion was the Dictator’s child? What claims did he have on the public that allowed him to oppose Octavian if not by supporting Cæsar’s son? We will see that in later years he consistently claimed the Roman throne198 on behalf of the child Cæsarion; and I find it hard to believe that he hadn't already adopted that position, at least to some degree.

There now began to be grave fears of the immediate outbreak of civil war; and so threatening was the situation that Cleopatra was advised to leave Rome and to return to Egypt with her son, there to await the outcome of the struggle. It is probable, indeed, that Antony urged her to return to her own country in order to raise troops and ships for his cause. Be this as it may, the Queen left Rome a few days before April 15th, upon which date Cicero wrote to Atticus, from Sinuessa, not far from Rome, commenting on the news that she had fled.

There were growing fears of an imminent civil war, and the situation became so tense that Cleopatra was advised to leave Rome and return to Egypt with her son to wait out the conflict. In fact, it’s likely that Antony encouraged her to go back to her homeland to gather troops and ships for his cause. Regardless, the Queen left Rome a few days before April 15th, on which date Cicero wrote to Atticus from Sinuessa, not far from Rome, discussing the news of her departure.

As she sailed over the Mediterranean back to Egypt her mind must have been besieged by a hundred schemes and plans for the future. The despair which she had experienced, after the death of the Dictator, at the demolition of all her vast hopes, may now have given place to a spirited desire to begin the fight once more. Cæsar was dead, but his great personality would live again in his little son, whom Antony, she believed, would champion, since in doing so he would further his own ambitions. The legions left at Alexandria by the Dictator would, no doubt, stand by her; and she would bring all the might and all the wealth of Egypt against the power of Octavian. The coming warfare would be waged by her for the creation of that throne for the establishment of which Cæsar had indeed given his life; and her arms would be directed against that form of democratic government which the Dictator, perhaps at her instance, had endeavoured to overthrow, but which a man of Octavian’s character, she supposed, would be199 contented to support. Her mighty Cæsar would look down from his place amidst the stars to direct her, and to lead their son to the goal of their ambitions; for now he was in very truth a god amongst the gods. Recently during seven days a comet had been seen blazing in the sky, and all men had been convinced that this was the soul of the murdered Dictator rushing headlong to heaven. Even now a strange haze hung over the sun, as though the light of that celestial body were dimmed by the approach of the Divine Cæsar. Before the Queen left Rome she had heard the priests and public officials name him God in very truth; and maybe she had already seen his statues embellished by the star of divinity which was set upon his brow after his death. Surely now he would not desert her, his Queen and his fellow-divinity; nor would he suffer their royal son to pass into obscurity. From his exalted heights he would defend her with his thunderbolts, and come down to her aid upon the wings of the wind. Thus there was no cause for her to despair; and with that wonderful optimism which seems to have characterised her nature, she now set her active brain to thoughts of the future, turning her mature intellect to the duties which lay before her. When Cæsar had met her in Egypt she had been an irresponsible girl. Now she was a keen-brained woman, endowed with the fire and the pluck of her audacious dynasty, and prepared to fight her way with all their unscrupulous energy to the summit of her ambitions. And, moreover, now she held the trump card in her hands in the person of her little boy, who was by all natural laws the rightful heir to the throne of the earth.

As she sailed across the Mediterranean back to Egypt, her mind must have been filled with a hundred plans and ideas for the future. The despair she felt after the Dictator's death, watching her grand hopes crumble, may have shifted into a determined desire to fight again. Cæsar was gone, but his legacy would live on in his young son, whom she believed Antony would support, as it would help him further his own ambitions. The legions left in Alexandria by the Dictator would surely stand by her, and she would bring all of Egypt's strength and wealth against Octavian's power. This upcoming battle would be fought on her behalf to create the throne that Cæsar had given his life for, and her efforts would be directed against the form of democratic government that the Dictator had tried to overthrow, possibly at her suggestion, but which she assumed a man like Octavian would be happy to support. Her great Cæsar would watch over her from the stars, guiding her and leading their son toward their dreams; for now, he was indeed a god among gods. Recently, a comet had been seen blazing in the sky for seven days, leading everyone to believe it was the soul of the murdered Dictator ascending to heaven. Even now, there was a strange haze over the sun, as if the light of that celestial body was dimmed by the arrival of the Divine Cæsar. Before the Queen left Rome, she had heard the priests and public officials truly call him God; and maybe she had already seen his statues adorned with the star of divinity placed on his brow after his death. Surely now he wouldn’t abandon her, his Queen and fellow deity; nor would he let their royal son fade into obscurity. From his lofty height, he would protect her with his thunderbolts and come to her aid on the wings of the wind. So, there was no reason for her to despair; and with that wonderful optimism that seemed to define her, she directed her active mind to thoughts of the future, applying her mature intellect to the responsibilities ahead. When Cæsar had first met her in Egypt, she had been an impulsive girl. Now she was a sharp-witted woman, filled with the passion and courage of her bold dynasty, ready to fight her way with all their relentless energy to the pinnacle of her aspirations. Moreover, now she held the winning card in the form of her little boy, who was by all natural laws the rightful heir to the throne of the earth.


PART II.
CLEOPATRA AND ANTONY


CHAPTER XI.
THE CHARACTER OF ANTONY AND HIS RISE TO POWER.

When Antony and Octavian first met after the death of Cæsar, the former was in possession of popular confidence; and he did not hesitate to advise Octavian to make no attempt to claim his inheritance. He snubbed the young man, telling him that he was mad to think himself capable of assuming the responsibilities of the Dictator’s heir at so early an age; and as a result of this attitude dissensions speedily broke out between them. A reconciliation, however, was arrived at in the following August, B.C. 44; but early in October there was much talk in regard to a supposed attempt by Octavian upon the life of Antony, and, as a result of this, the inevitable quarrel once more broke out. Antony now spread the story that his young rival had only been adopted by Cæsar in consequence of their immoral relations, and he accused him of being a low-born adventurer. Towards the end of the year Antony left Rome, and all men believed that yet another civil war was about to break out. He was now proclaiming himself the avenger of the late Dictator, and I think it possible that he had decided definitely to advance the claims of Cleopatra’s son, Cæsarion, against those of Octavian. After many204 vicissitudes he was attacked and hunted as an enemy of Rome, and the triumph of Octavian, thanks to the assistance of Cicero, seemed to be assured; but, owing to a series of surprising incidents, which we need not here relate, a reconciliation was at last effected between the combatants in October, B.C. 43. The two men, who had not met for many months, regarded one another with such extreme suspicion that when at length they were obliged to exchange the embrace of friendship, they are each said to have taken the opportunity of feeling the other’s person to ascertain that no sword or dagger was concealed under the folds of the toga.

When Antony and Octavian first met after Cæsar's death, Antony had the public's trust. He openly advised Octavian not to try to claim his inheritance. He dismissed the young man, telling him he was foolish to think he could take on the responsibilities of the Dictator’s heir at such a young age, and this attitude quickly led to conflicts between them. However, they managed to reconcile the following August, BCE 44; but by early October, there was much speculation about a supposed assassination attempt by Octavian on Antony, causing the inevitable quarrel to erupt again. Antony then spread rumors that his young rival was only adopted by Cæsar due to their scandalous relationship, and he accused him of being a low-born opportunist. By the end of the year, Antony left Rome, and everyone believed another civil war was imminent. He was now declaring himself the avenger of the late Dictator, and it seemed likely he had firmly decided to support Cleopatra’s son, Cæsarion, over Octavian. After many ups and downs, he was attacked and treated as an enemy of Rome, and Octavian's victory, aided by Cicero, appeared certain. However, due to a series of unexpected events we need not detail here, a reconciliation between the two fighters eventually took place in October, BCE 43. The two men, who hadn't seen each other in months, viewed each other with such intense suspicion that when they finally had to embrace in friendship, it is said they each took the chance to check the other for hidden swords or daggers under their togas.

As soon as the reconciliation had been established, Antony, Octavian, and a certain Lepidus formed a Triumvirate, which was to have effect until December 31, B.C. 38, it being agreed that Rome and Italy should be governed jointly by the three, but that the provinces should fall under distinctive controls, Antony and Lepidus sharing the larger portion and Octavian receiving only Africa, Numidia, and the islands. It was then decided that they should each rid themselves of their enemies by a general proscription and massacre. A list was drawn up of one hundred senators and about two thousand other rich and prominent men, and these were hunted down and murdered in the most ruthless fashion, amidst scenes of horror which can hardly have been equalled in the world’s history. Cicero was one of the victims who suffered for his animosity to Antony, who was now the leading Triumvir, and was in a position to refuse to consider Octavian’s plea for mercy for the orator. The property of the proscribed persons was seized, and upon these ill-gotten riches the three men thrived and conducted their government.

As soon as the reconciliation was made, Antony, Octavian, and a guy named Lepidus formed a Triumvirate, which would last until December 31, BCE 38. They agreed that Rome and Italy would be jointly governed by the three of them, while the provinces would be under different controls, with Antony and Lepidus sharing the majority and Octavian getting only Africa, Numidia, and the islands. They then decided to eliminate their enemies through a general proscription and massacre. A list was created of one hundred senators and about two thousand other wealthy and influential individuals, and these people were tracked down and brutally killed in scenes of horror that were probably unmatched in history. Cicero was one of the victims who suffered because of his hostility towards Antony, who was now the leading Triumvir and could refuse Octavian’s request for mercy on behalf of the orator. The property of those who were proscribed was taken, and the three men prospered and ran their government off those ill-gotten gains.

205 Brutus and Cassius, the two leaders of the conspiracy which had caused Cæsar’s death, had now come to blows with Antony and Octavian, and were collecting an army in Macedonia. Cassius, at one time, thought of invading Egypt in order to obtain possession of Cleopatra’s money and ships; but the Queen, who was holding herself in readiness for all eventualities, was saved from this misfortune. She was, of course, the bitter enemy of Brutus and Cassius, the murderers of her beloved Cæsar; but, on the other hand, she could not well throw in her lot with the Triumvirate, since it included Octavian, who was the rival of her son Cæsarion in the heirship of the Dictator’s estate. She must have been much troubled by the reconciliation between Octavian and Antony, for it seemed to show that she could no longer rely on the latter to act as her champion.

205 Brutus and Cassius, the two leaders of the conspiracy that led to Cæsar’s death, had now clashed with Antony and Octavian and were gathering an army in Macedonia. Cassius once considered invading Egypt to seize Cleopatra’s wealth and ships; however, the Queen, who was prepared for any situation, was spared this disaster. She was, of course, a fierce enemy of Brutus and Cassius, the killers of her beloved Cæsar; but she couldn't really align herself with the Triumvirate since it included Octavian, who was a rival to her son Cæsarion for the Dictator's inheritance. She must have been quite troubled by the reconciliation between Octavian and Antony, as it seemed to indicate that she could no longer depend on the latter to be her protector.

Presently Dolabella, who was now friendly to Antony and opposed to Brutus and Cassius, asked Cleopatra to send to his aid the legions left by the Dictator in Alexandria, and at about the same time a similar request came from Cassius. Cleopatra very naturally declined the latter, accepting Dolabella’s request. Cassius, however, managed to obtain from Serapion, the Queen’s viceroy in Cyprus, a number of Egyptian ships, which were handed over without her permission.80 Dolabella was later defeated by Cassius, but the disaster did not seriously affect Cleopatra, for her legions had not managed to reach him in time to be destroyed. The Queen’s next move was naturally hostile to her enemy206 Cassius. She made an attempt to join Antony. This manœuvre, however, was undertaken half-heartedly, owing to her uncertainty as to his relations with Octavian, her son’s rival; and when a serious storm had arisen, wrecking many of her ships and prostrating her with seasickness, she abandoned the attempt.

Right now, Dolabella, who was friendly with Antony and against Brutus and Cassius, asked Cleopatra to send him the legions that the Dictator had left in Alexandria. Around the same time, Cassius made a similar request. Cleopatra understandably declined Cassius's request but accepted Dolabella’s. However, Cassius managed to get a number of Egyptian ships from Serapion, the Queen’s viceroy in Cyprus, which were handed over without her consent. Dolabella was later defeated by Cassius, but this setback did not seriously impact Cleopatra because her legions hadn’t arrived in time to be destroyed. Her next move was naturally hostile toward her enemy Cassius. She tried to join Antony, but this plan was half-hearted due to her uncertainty about his relationship with Octavian, her son’s rival. When a severe storm hit, wrecking many of her ships and leaving her seasick, she gave up on the attempt.

In October of B.C. 42 Antony defeated Brutus and Cassius at the battle of Philippi, Cassius being killed and Brutus committing suicide. Octavian, who was ill, took little part in the battle, and all the glory of the victory was given to Antony. The unpopularity of Octavian was clearly demonstrated after the fight was over, for the prisoners who were led before the two generals saluted Antony with respect, but cursed Octavian in the foulest language. It was decided that Antony should now travel through the East to collect money and to assert the authority of the Triumvirate, while Octavian should attempt to restore order in Italy, the African provinces being handed over to the insignificant Lepidus. The fact that Antony chose for his sphere of influence the eastern provinces, is a clear indication that Octavian was still in the background; for these rich lands constituted the main part of the Roman dominions. With a large army Antony passed on his triumphal way through Greece, and thence through Asia Minor; and at length, in the late summer of B.C. 41, he made his temporary headquarters at Tarsus.

In October of BCE 42, Antony defeated Brutus and Cassius at the Battle of Philippi, with Cassius being killed and Brutus committing suicide. Octavian, who was sick, played a minor role in the battle, and all the credit for the victory went to Antony. The unpopularity of Octavian was clear after the fight; the prisoners brought before the two generals showed respect to Antony but cursed Octavian with the worst insults. It was agreed that Antony would travel through the East to gather funds and reinforce the authority of the Triumvirate, while Octavian would work on restoring order in Italy, with the African provinces assigned to the inconsequential Lepidus. Antony's decision to focus on the eastern provinces showed that Octavian was still in the background, as these wealthy lands were the primary part of the Roman Empire. With a large army, Antony made his victorious way through Greece, then through Asia Minor, and by late summer of BCE 41, he established his temporary headquarters in Tarsus.

From Tarsus Antony sent a certain officer named Dellius to Alexandria to invite Cleopatra to meet him in order to discuss the situation. It was suggested by Antony that she had given some assistance to the party of Brutus; but she, on the other hand, must have accused Antony of abandoning her by his league with Octavian.207 She could not afford to quarrel with him, however, for he was now the most powerful man in the world; and she therefore determined to sail across to Tarsus at once.

From Tarsus, Antony sent an officer named Dellius to Alexandria to ask Cleopatra to meet him and discuss the situation. Antony suggested that she had supported Brutus's side, but she likely accused Antony of betraying her by teaming up with Octavian.207 However, she couldn't risk a conflict with him since he was now the most powerful man in the world; so she decided to sail to Tarsus immediately.

She knew already the kind of man he was. She had seen him in Rome on many occasions, though no direct record is left of any such event, and she had probably made some sort of alliance with him; while she must constantly have heard of his faults and his virtues both from Julius Cæsar and from her Roman friends. The envoy Dellius, whom he had sent to her, had told her of his pacific intentions, and had described him as the gentlest and kindest of soldiers, while, as she well knew, a considerable part of the world called him a good fellow. He was at that time the most conspicuous figure on the face of the earth, and his nature and personality must have formed a subject of interested discussion in the palace at Alexandria as in every other court. Renan has called Antony a “colossal child, capable of conquering a world, incapable of resisting a pleasure”; and already this must have been the popular estimate of his character. The weight of his stature stood over the nations, dominating the incident of life; and, with a kind of boisterous divinity, his hand played alike with kings and common soldiers. To many men he was a good-natured giant, a personification of Bacchus, the Giver of Joy; but in the ruined lands upon which he had trampled he was named the Devourer, and the fear of him was almighty.

She already knew what kind of man he was. She had seen him in Rome many times, although there's no official record of any specific encounter, and she likely had some sort of connection with him. She must have constantly heard about his faults and virtues from Julius Caesar and her Roman friends. The envoy Dellius, whom he had sent to her, told her about his peaceful intentions and described him as the gentlest and kindest of soldiers, while, as she well knew, many people referred to him as a good guy. At that time, he was the most prominent figure in the world, and his character and personality must have been a topic of interest in the palace in Alexandria as well as in every other court. Renan called Antony a “colossal child, capable of conquering a world, incapable of resisting a pleasure,” and this must have already been the popular view of his character. The weight of his presence loomed over nations, influencing everyday life; with a kind of boisterous divinity, he interacted with both kings and common soldiers. To many, he was a friendly giant, a personification of Bacchus, the Giver of Joy; but in the ruined lands he had trodden, he was known as the Devourer, and he inspired immense fear.

He was a man of remarkable appearance. Tall, and heavily built, his muscles developed like those of a gladiator, and his thick hair curling about his head, he reminded those who saw him of the statues and paintings of Hercules, from whom he claimed lineal descent. His forehead was broad, his nose aquiline, and208 his mouth and chin, though somewhat heavy, were strong and well formed. His expression was open and frank; and there was a suggestion of good-humour about his lips and eyes (as seen in the Vatican bust)81 which must have been most engaging. His physical strength and his noble appearance evoked an unbounded admiration amongst his fellow-men, whilst to most women his masculine attraction was irresistible: a power of which he made ungoverned use. Cicero, who was his most bitter enemy, described him as a sort of butcher or prize-fighter, with his heavy jaw, powerful neck, and mighty flanks; but this, perhaps, is a natural, and certainly an easy, misinterpretation of features that may well have inspired envy.

He was a man with a striking appearance. Tall and muscular, his physique was like that of a gladiator, and his thick hair curled around his head, reminding those who saw him of the statues and paintings of Hercules, from whom he claimed to be a direct descendant. He had a broad forehead, an aquiline nose, and his mouth and chin, while a bit heavy, were strong and well-defined. His expression was open and sincere; there was a hint of good humor in his lips and eyes (as seen in the Vatican bust)81 that must have been quite charming. His physical strength and noble looks drew immense admiration from his peers, and to most women, his masculinity was irresistible—a power he wielded without restraint. Cicero, his most ardent enemy, described him as a sort of butcher or prize-fighter, with his heavy jaw, strong neck, and powerful build; but this may simply be a natural and certainly easy misinterpretation of features that likely inspired envy.

Vatican]
[Photograph by Anderson

ANTONY.

ANTONY.

His nature, in spite of many gross faults, was unusually lovable. He was adored by his soldiers, who, it is said, preferred his good opinion of them to their very lives. This devotion, says Plutarch, was due to many causes: to the nobility of his family, his eloquence, his frank and open manners, his liberal and magnificent habits, his familiarity in talking with everybody, and his kindness in visiting and pitying the sick and joining in all their pains. After a battle he would go from tent to tent to comfort the wounded, himself breaking into a very passion of grief at the sufferings of his men; and they, with radiant faces, would seize his hands and call him their emperor and their general. The simplicity of his character commanded affection; for, amidst the deep complexities and insincerities of human life, an open and intelligible nature is always most eagerly appreciated.209 The abysmal intellect of the genius gives delight to the highly cultured, but to the average man the child-like frankness of an Antony makes a greater appeal. Antony was not a genius: he was a gigantic commonplace. One sees in him an ordinary man in extraordinary circumstances, dominating success and towering above misfortune, until at the end he gives way unmeritoriously to the pressure of events.

His personality, despite several serious flaws, was really lovable. He was cherished by his soldiers, who, it's said, valued his approval of them more than their own lives. This loyalty, according to Plutarch, stemmed from many factors: his noble lineage, his persuasive speaking, his straightforward and open demeanor, his generous and extravagant lifestyle, his willingness to chat with everyone, and his compassion in visiting and empathizing with the sick and sharing in their suffering. After a battle, he would move from tent to tent to comfort the wounded, often breaking down in grief over his men's pain; they would respond with bright smiles, grabbing his hands and calling him their emperor and general. The straightforwardness of his character earned him affection; amidst the deep complexities and dishonesty of human life, a genuine and clear personality is always deeply valued. 209 The profound intellect of a genius delights the highly educated, but for the average person, the child-like honesty of an Antony is much more appealing. Antony wasn’t a genius; he was extraordinarily ordinary. He embodies an average man in remarkable situations, achieving great success and rising above misfortune, until ultimately he succumbs without merit to the weight of events.

The naturalness and ingenuousness of his character are surprisingly apparent in some of the anecdotes related by Plutarch. His wife, Fulvia, is described as a matron “not born for spinning or housewifery, nor one who could be content with ruling a private husband, but a woman prepared to govern a first magistrate or give orders to a commander-in-chief.” To keep this strong-minded woman in a good-humour the guileless Antony was wont to play upon her all manner of boyish pranks; and it would seem that he took delight in bouncing out at her from dark corners of the house and the like. When Cæsar was returning from the war in Spain a rumour spread that he had been defeated and that the enemy were marching on Rome. Antony had gone out to meet his chief, and found in this rumour an opportunity for another practical joke at his stern wife’s expense. He therefore disguised himself as a camp-follower and made his way back to his house, to which he obtained admittance by declaring that he had a terribly urgent letter from Antony to deliver into Fulvia’s hands. He was shown into the presence of the agitated matron, and stood there before her, a muffled, mysterious figure, no doubt much like a Spanish brigand in a modern comic opera. Fulvia asked dramatically if aught had befallen her husband, but, without replying, the silent figure210 thrust a letter at her; and then, as she was nervously opening it, he suddenly dashed aside the cloak, took her about the neck, and kissed her. After which he returned to Cæsar, and entered Rome in the utmost pomp, riding in the Dictator’s chariot with all the solemnity befitting the occasion.

The naturalness and simplicity of his character are surprisingly clear in some of the stories told by Plutarch. His wife, Fulvia, is described as a matron “not born for spinning or housewifery, nor one who could be content with ruling a private husband, but a woman ready to govern a top official or issue orders to a commander-in-chief.” To keep this strong-minded woman in a good mood, the naive Antony would often play all sorts of childish pranks on her; it seems he enjoyed jumping out at her from dark corners of the house and similar antics. When Cæsar was returning from the war in Spain, word spread that he had been defeated and that the enemy was marching on Rome. Antony had gone out to meet his chief and saw this rumor as a chance for another practical joke at his stern wife's expense. He disguised himself as a camp follower and made his way back to his house, getting in by claiming he had an urgent letter from Antony to deliver to Fulvia. He was brought to the presence of the anxious matron, standing there as a muffled, mysterious figure, probably looking a lot like a Spanish bandit in a modern comic opera. Fulvia dramatically asked if anything had happened to her husband, but without answering, the silent figure thrust a letter at her; and just as she nervously began to open it, he suddenly threw aside the cloak, grabbed her around the neck, and kissed her. After that, he returned to Cæsar and entered Rome in the utmost grandeur, riding in the Dictator’s chariot with all the formality the occasion required.

In later years he was constantly playing such tricks at Alexandria, and in the company of Cleopatra he was wont to wander about the city at night, disguised as a servant, and used to disturb and worry his friends by tapping at their doors and windows, for which, says Plutarch, he was often scurvily treated and even beaten, though most people guessed who he was. Antony remained a boy all his days; and it must have been largely this boisterous inconsequence during the most anxious periods that gave an air of Bacchic divinity to his personality. His friends must have thought that there was surely a touch of the divine in one who could romp through times of peril as he did.

In later years, he was always playing tricks in Alexandria, and when he was with Cleopatra, he would often wander around the city at night, pretending to be a servant. He would bother his friends by knocking on their doors and windows, for which, according to Plutarch, he was often treated poorly and even beaten, though most people figured out who he was. Antony remained playful throughout his life, and it was likely this carefree attitude during the most stressful times that gave his personality an aura of divine wildness. His friends probably thought there was definitely something divine about someone who could frolic through dangerous times as he did.

He allowed little to stand in the way of his pleasures; and he played at empire-making as it were between meals. On a certain morning in Rome it was necessary for him to make an important public speech while he was yet suffering from the effects of immoderate drinking all night at the wedding of Hippias, a comedian, who was a particular friend of his. Standing unsteadily before the eager political audience, he was about to begin his address when he was overcome with nausea, and outraged nature was revenged upon him in the sight of all men. Incidents of this kind made him at times, as Cicero states, absolutely odious to the upper classes in Rome; but it is necessary to state that the above-mentioned accident occurred when he was still a young211 man, and that his excesses were not so crude in later years. During the greater part of his life his feasting and drinking were intemperate; but there is no reason to suppose that he was, except perhaps towards the end of his life, besotted to a chronic extent. One does not picture him imbibing continuously or secretly in the manner of an habitual drunkard; but at feasts and ceremonies he swallowed the wine with a will and drank with any man. When food and wine were short, as often happened during his campaigns, Antony became abstemious without effort. Once when Cicero had caused him and his legions to be driven out of Rome, he gave, in Plutarch’s words, “a most wonderful example to his soldiers. He who had just quitted so much luxury and sumptuous living, made no difficulty now of drinking foul water and feeding on wild fruits and roots.”

He didn’t let much get in the way of his pleasures; he played at building an empire almost like a hobby between meals. One morning in Rome, he needed to deliver an important public speech while still feeling sick from drinking too much the night before at the wedding of Hippias, a comedian and his close friend. Standing unsteadily in front of the eager political crowd, he was about to start his speech when he was struck by nausea, and nature's wrath took its revenge on him in front of everyone. Incidents like this made him, as Cicero noted, quite disliked by the upper classes in Rome at times; however, it's worth mentioning that this incident happened when he was still quite young, and his excesses were not as blatant in later years. For most of his life, he feasted and drank excessively, but there’s no evidence to suggest that he was, except maybe towards the end of his life, an outright alcoholic. You wouldn’t picture him drinking constantly or secretly like an everyday drunkard; rather, at banquets and ceremonies, he enthusiastically indulged in wine and drank with anyone. When food and wine were scarce, which often happened during his campaigns, Antony was able to abstain easily. Once, when Cicero had driven him and his legions out of Rome, he set, in Plutarch's words, “a remarkable example to his soldiers. He who had just left so much luxury and lavish living had no trouble drinking dirty water and eating wild fruits and roots.”

Antony was, of course, something of a barbarian, and his excesses often put one in mind of the habits of the Goths or Vikings. He drank hard, jested uproariously, was on occasion brutal, enjoyed the love of women, brawled like a schoolboy, and probably swore like a trooper. But with it all he retained until some two years before his death a very fair capacity for hard work, as is evidenced by the fact that he was Julius Cæsar’s right-hand man, and afterwards absolute autocrat of the East. His nature was so forceful, and yet his character so built up of the magnified virtues and failings of mankind, that by his very resemblance to the ordinary soldier, his conformity to the type of the average citizen, he won an absolute ascendancy over the minds of normal men. It touched the vanity of every individual that a man, by the exercise of brains and faculties no greater than his own, was become lord212 of half the world. It was no prodigious intellectual genius who ruled the earth with incomprehensible ability, but a burly, virile, simple, brave, vulgar man. It was related with satisfaction that when Antony was shown the little senate-house at Megara, which seems to have been an ancient architectural gem of which the cultured inhabitants were justly proud, he told them that it was “not very large, but extremely ruinous”—a remark which recalls the comment of the American tourist in Oxford, that the buildings were very much out of repair. A little honest Philistinism is a very useful thing.

Antony was definitely a bit of a barbarian, and his wild ways often reminded people of the habits of the Goths or Vikings. He drank heavily, laughed loudly, could be brutal at times, enjoyed the company of women, fought like a schoolboy, and probably swore like a sailor. However, despite all that, he still managed to work hard right up until about two years before his death, as shown by the fact that he was Julius Cæsar’s right-hand man and later the absolute ruler of the East. His personality was so powerful, and yet his character displayed both the exaggerated virtues and flaws of humanity, that his resemblance to the average soldier and fit with the typical citizen allowed him to dominate the thoughts of ordinary people. It flattered everyone’s vanity that a man with brains and abilities no more exceptional than their own had become the lord of half the world. It wasn't an incredible intellectual genius ruling the earth with unexplainable skill, but a robust, masculine, straightforward, brave, and unrefined man. It was happily reported that when Antony was shown the small senate house in Megara, which seemed to be an ancient architectural gem the cultured locals were justly proud of, he said it was “not very large, but extremely ruinous”—a comment that calls to mind what an American tourist said about the dilapidated buildings in Oxford. A little straightforward Philistinism can be quite useful.

A touch of purple, too, as Stevenson has reminded us, is not without its value. Antony was always something of an actor, and enjoyed a display in a manner as theatrical as it was unforced. When he made his public orations, he attempted to attract the eye of his audience at the same time that he tickled their ears. In his famous funeral oration after the death of Cæsar, we have seen how he exhibited, at the psychological moment, the gory clothes of the murdered Dictator, showing to the crowd the holes made by the daggers of the assassins and the stains of his blood. Desiring to make a profound effect upon his harassed troops during the retreat from Media, he clothed himself in a dismal mourning habit, and was only with difficulty persuaded by his officers to change it for the scarlet cloak of a general. He enjoyed dressing himself to suit the part of a Hercules, for which nature, indeed, had already caused him to be cast; and in public assemblies he would often appear with “his tunic girt low about his hips, a broadsword at his side, and over all a large, coarse mantle,” cutting, one may suppose,213 a very fine figure. In cultured Athens he thought it was perhaps more fitting to present himself in a pacific guise, and we find him at the public games clad in the gown and white shoes of a steward, the wands of that gentle office carried before him. On this occasion, however, he introduced the herculean rôle to this extent, that he parted the combatants by seizing the scruff of their necks and holding them from one another at arm’s length. In later life his love of display led him into strange habits; and, while he was often clothed in the guise of Bacchus, his garments for daily use were of the richest purple, and were clasped with enormous jewels.

A touch of purple, as Stevenson reminded us, holds its own value. Antony was always a bit of a performer, enjoying a display that was just as theatrical as it was natural. When he gave public speeches, he tried to grab the attention of his audience while also captivating their ears. In his famous eulogy following Cæsar's death, he showed, at the perfect moment, the bloody clothes of the murdered Dictator, displaying the knife wounds made by the assassins and the stains of his blood. Wanting to make a strong impact on his distressed troops during the retreat from Media, he dressed in a somber mourning outfit, and it took a lot of convincing from his officers to get him to switch to the general's scarlet cloak. He loved dressing to fit the role of Hercules, which nature had already prepared him for; in public gatherings, he'd often show up with “his tunic tied low around his hips, a broadsword at his side, and over it all a large, coarse mantle,” making, one might assume,213 a striking impression. In cultured Athens, he thought it was perhaps more appropriate to present himself in a peaceful manner, and we find him at the public games dressed in the gown and white shoes of a steward, with the wands of that gentle role carried in front of him. On this occasion, however, he introduced the herculean role to the extent that he physically separated the fighters by grabbing the scruff of their necks and holding them apart at arm’s length. In later life, his love of attention led him to adopt unusual habits; while he often dressed like Bacchus, his everyday garments were made of the richest purple and were adorned with massive jewels.

The glamour of the stage always appealed to his nature, and he found, moreover, that the society of players and comedians held peculiar attractions for him. The actor Sergius was one of his best friends in Rome; and he was so proud of his acquaintance with an actress named Cytheris that he often invited her to accompany him upon some excursion, and assigned to her a litter not inferior to that of his own mother, which might have been extremely galling to the elder lady. On these journeys he would cause pavilions to be erected, and sumptuous repasts prepared under the trees beside the Tiber, his guests being served with priceless wines in golden cups. When he made his more public progress through the land a very circus-show accompanied him, and the populace were entertained by the spectacle of buffoons, musicians, and chariots drawn by lions. On these journeys Cytheris would often accompany him, as though to amuse him, and a number of dancing-girls and singers would form part of his retinue. At the214 night’s halt, the billeting of these somewhat surprising young women in the houses of “serious fathers and mothers of families,” as Plutarch puts it, caused much resentment, and suggested an attitude of mind in Antony which cannot altogether be attributed to a boyish desire to shock. There can be no doubt that he enjoyed upsetting decorum, and took kindly to those people whom others considered to be outcasts. Like Charles Lamb, he may have expressed a preference for “man as he ought not to be,” which, to a controlled and limited extent, may be an admirable attitude. But it is more probable that actions such as that just recorded were merely thoughtless, and were not tempered by much consideration for the feelings of others until those outraged feelings were pointed out to him, whereupon, so Plutarch tells us, he could be frankly repentant.

The allure of the stage always attracted him, and he also found that the company of actors and comedians had a unique appeal. The actor Sergius was one of his closest friends in Rome, and he was so proud to know an actress named Cytheris that he often invited her to join him on outings. He provided her with a litter that rivaled his own mother's, which might have been quite upsetting to the older woman. During these trips, he would have pavilions set up and lavish feasts prepared under the trees by the Tiber, treating his guests to exquisite wines in golden cups. When he made more formal appearances around the country, a circus-style spectacle accompanied him, entertaining the crowd with clowns, musicians, and chariots pulled by lions. Cytheris frequently accompanied him on these excursions, seemingly to keep him entertained, along with a group of dancers and singers. At the214 night’s stop, the presence of these somewhat surprising young women in the homes of “serious fathers and mothers of families,” as Plutarch describes, caused quite a backlash and hinted at a mindset in Antony that can’t be entirely chalked up to youthful rebellion. It’s clear that he relished challenging social norms and was drawn to those whom society deemed outcasts. Like Charles Lamb, he may have preferred “man as he ought not to be,” which, to a certain extent, can be an admirable view. But it’s more likely that his actions, like the one previously mentioned, were simply thoughtless and lacked consideration for others' feelings until those feelings were brought to his attention, at which point, according to Plutarch, he could genuinely feel remorseful.

He cared little for public opinion, and had no idea of the annoyance and distress caused by his actions. He was much in the hands of his courtiers and friends, and so long as all about him appeared to be happy and jolly, he found no reason for further inquiry. While in Asia he considered it needful to the good condition of his army to levy a tax upon the cities which had already paid their tribute to him, and orders were given to this effect, without the matter receiving much consideration by him. In fact, it would seem that the first tribute had slipped his memory. A certain Hybreas, therefore, complained to him in the name of the Asiatic cities, reminding him of the earlier tax. “If it has not been paid to you,” he said, “ask your collectors for it; if it has, and is all gone, we are ruined men.” Antony at once saw the sense of this, realised the suffering he was about to cause, and being, so it is said, touched to the215 quick, promptly made other arrangements. Having a very good opinion of himself, and being in a rough sort of manner much flattered by his friends, he was slow to see his own faults; but when he was of opinion that he had been in the wrong, he became profoundly repentant, and was never ashamed of asking the pardon of those he had injured. With boyish extravagance he made reparation to them, lavishing gifts upon them in such a manner that his generosity on these occasions is said to have exceeded by far his severity on others.

He didn't care much about what people thought and had no clue about the annoyance and distress his actions caused. He was heavily influenced by his courtiers and friends, and as long as everyone around him seemed happy and cheerful, he felt no need to dig deeper. While in Asia, he thought it necessary for the well-being of his army to impose a tax on cities that had already paid their tribute, and he issued orders for this without giving it much thought. In fact, it seemed like he completely forgot about the previous tribute. So, a man named Hybreas complained to him on behalf of the Asian cities, reminding him of the earlier tax. “If it hasn’t been paid to you,” he said, “ask your collectors for it; if it has and it’s all gone, we’re ruined.” Antony immediately understood the point, recognized the suffering he was about to cause, and, feeling genuinely moved, quickly made other arrangements. He had a high opinion of himself and, in a rough sort of way, was flattered by his friends, which made him slow to see his own faults. However, when he realized he was in the wrong, he genuinely felt remorseful and had no shame in asking for forgiveness from those he had harmed. With childlike extravagance, he made amends by showering them with gifts, to the point where his generosity during these moments was said to far exceed his harshness at other times.

He was at all times generous, both to his friends and to his enemies. He seems to have inherited this quality from his father, who, from the brief reference to him in Plutarch, appears to have been a kindly old man, somewhat afraid of his wife, and given to making presents to his friends behind her back. Antony’s “generous ways,” says Plutarch, “his open and lavish hand in gifts and favours to his friends and fellow-soldiers, did a great deal for him in his first advance to power; and after he had become great, long maintained his fortunes, when a thousand follies were hastening their overthrow.” So lavish were his presents to his friends and his hospitality that he was always in debt, and even in his early manhood he owed his creditors a huge fortune. He had little idea of the value of money, and his extravagances were the talk of the world. On one occasion he ordered his steward to pay a certain large sum of money to one of his needy friends, and the amount so shocked that official that he counted it out in small silver decies, which he caused to be piled into a heap in a conspicuous place where it should catch the donor’s eye, and, by its size, cause him to change his mind. In216 due course Antony came upon the heap of money, and asked what was its purpose. The steward replied in a significant tone that it was the amount which was to be given to his friend. “Oh,” said Antony, quite unmoved, “I should have thought the decies would have been much more. It is too little: let the amount be doubled.”

He was always generous, both to his friends and enemies. He seems to have gotten this trait from his father, who, based on the brief mention in Plutarch, appeared to be a kind old man, somewhat afraid of his wife, and prone to giving gifts to his friends without her knowing. Plutarch notes that Antony’s “generous ways,” with his open and lavish hand in gifts and favors to his friends and fellow soldiers, really helped him rise to power; and after he became great, it continued to support him, even when numerous foolish actions were leading to his downfall. His gifts to friends and his hospitality were so extravagant that he was always in debt, and even in his youth, he owed his creditors a massive fortune. He had little sense of the value of money, and his lavish spending was the talk of the town. At one point, he told his steward to pay a significant amount of money to one of his needy friends, and the amount shocked the steward so much that he counted it out in small silver decies, piling it up in a visible spot to catch Antony’s attention and hopefully make him reconsider. Eventually, Antony came across the pile of money and asked what it was for. The steward replied in a meaningful tone that it was to be given to his friend. “Oh,” said Antony, completely unfazed, “I would have thought the decies would have been much more. It’s too little: let’s double it.”

He was as generous, moreover, in his dealings as in his gifts. After his Alexandrian Triumph he did not put to death the conquered Armenian King Artavasdes, who had been led in golden chains through the streets, although such an execution was customary according to Roman usage. Just previous to the battle of Actium, the consul Domitius Ahenobarbus deserted and went over to Octavian, leaving behind him all his goods and chattels and his entire retinue. With a splendid nobility Antony sent his baggage after him, not deigning to enrich himself at the expense of his treacherous friend, nor to revenge himself by maltreating any of those whom the consul had left in such jeopardy. After the battle of Philippi, Antony was eager to take his enemy, Brutus, alive; but a certain officer named Lucilius heroically prevented this by pretending to be the defeated general, and by giving himself up to Antony’s soldiers. The men brought their captive in triumph to Antony, but as soon as he was come into his presence he explained that he was not Brutus, and that he had pretended to be so in order to save his master, and was now prepared to pay with his life the penalty for his deception. Thereupon Antony, addressing the angry and excited crowd, said: “I see, comrades, that you are upset, and take it ill that you have been thus deceived, and think yourselves abused and insulted by it; but you must know that you have met with a prize217 better than that you sought. For you were in search of an enemy, but you have brought me here a friend. And of this I am sure, that it is better to have such men as this Lucilius our friends than our enemies.”82 And with these words he embraced the brave officer, and gave him a free pardon. Shortly after this, when Brutus, the murderer both of his old friend Julius Cæsar and of his own brother Caius, had committed suicide, he did not revenge himself upon the body by exposing it to insult, as was so often done, but covered it decently with his own scarlet mantle, and gave orders that it should be buried at his private expense with the honours of war. Similarly, after the capture of Pelusium and the defeat and death of Archelaus, Antony sought out the body of his conquered enemy and buried it with royal honours. In his earlier years, his treatment of Lepidus, whose army he had won over from him, was courteous in the extreme. Although absolute master of the situation, and Lepidus a prisoner in his hands, he insisted upon the fallen general remaining commander of the army, and always addressed him respectfully as Father.

He was just as generous in his actions as he was with his gifts. After his triumph in Alexandria, he chose not to execute the captured Armenian King Artavasdes, who had been paraded in golden chains, even though it was a common practice in Roman culture. Just before the battle of Actium, the consul Domitius Ahenobarbus switched sides and joined Octavian, abandoning all his possessions and his entire entourage. With remarkable nobility, Antony sent his belongings after him, not stooping to profit from his treacherous friend's misfortune or take revenge by mistreating those left in danger. After the battle of Philippi, Antony was eager to capture his enemy, Brutus, alive; however, an officer named Lucilius bravely thwarted this by pretending to be the defeated general and surrendering to Antony’s soldiers. The men brought this captive triumphantly to Antony, but once in his presence, Lucilius clarified that he was not Brutus and had acted as he did to save his master, ready to face the consequences of his ruse with his life. Then Antony, addressing the angry and agitated crowd, stated: “I see, comrades, that you are upset and feel wronged by this deception, thinking you’ve been cheated and disrespected; however, you must understand that you have actually captured a prize217 better than the one you sought. You were looking for an enemy, but instead, you’ve brought me a friend. And I’m certain that it’s better to count men like Lucilius among our friends than our foes.” 82 With that, he embraced the courageous officer and granted him a full pardon. Shortly afterward, when Brutus, who had murdered both his former friend Julius Caesar and his own brother Caius, committed suicide, Antony did not seek revenge on his body by subjecting it to humiliation, as was often done; instead, he covered it respectfully with his own scarlet cloak and ordered it to be buried at his own expense with military honors. Likewise, after the capture of Pelusium and the defeat and death of Archelaus, Antony personally sought out the body of his fallen enemy and buried it with royal honors. In his earlier years, he treated Lepidus, whose army he had taken over, with extreme courtesy. Despite being the absolute master of the situation and having Lepidus as a prisoner, he insisted that the fallen general remain commander of the army and always addressed him respectfully as Father.

Many of his actions were due to a kind of youthful impulsiveness. He gave his cook a fine house in Magnesia—the property, by the way, of somebody else—in reward for a single successful supper. This impetuosity was manifest in other ways, for, by its nature, which allowed of no delay in putting into action the thought dominant in his mind, it must be defined as a kind of impatience. As a young man desiring rapid fame, he had suddenly thrown in his lot with Clodius, “the most218 insolent and outrageous demagogue of the time,” leading with him a life of violence and disorder; and as suddenly he had severed that partnership, going to Greece to study with enthusiasm the polite arts. In later years his sudden invasion of Media, with such haste that he was obliged to leave behind him all his engines of war, is the most notable example of this impatience. The battle of Actium, which ended his career, was lost by a sudden impulse on his part; and, at the last, the taking of his own life was to some extent the impatient anticipation of the processes of nature.

Many of his actions were driven by a kind of youthful impulsiveness. He gave his cook a nice house in Magnesia—a property that belonged to someone else—as a reward for just one successful dinner. This rashness showed in other ways too; by its nature, it didn’t allow for any delay in acting on the dominant thought in his mind, so it can be described as a sort of impatience. As a young man eager for quick fame, he suddenly allied himself with Clodius, “the most218 brazen and outrageous demagogue of the time,” living a life of violence and chaos with him. Then just as suddenly, he ended that partnership and went to Greece to enthusiastically study the fine arts. In later years, his hasty invasion of Media, where he had to leave all his war machines behind, is the clearest example of this impatience. The battle of Actium, which marked the end of his career, was lost due to a sudden impulse on his part; and finally, his decision to take his own life was somewhat an impatient anticipation of the natural processes.

This trait in his character, combined with an inherent bravery, caused him to cut a very dashing figure in warfare, and when fortune was with him, made of him a brilliant general. He stood in fear of nothing, and dangers seem to have presented themselves to him as pleasant relaxations of the humdrum of life. In the battle which opened the war against Aristobulus he was the first man to scale the enemy’s works; and in a pitched battle he routed a force far larger than his own, took Aristobulus and his son prisoners, and, like an avenging deity, slaughtered almost the entire hostile army. At another time his dash across the desert to Pelusium, and his brilliant capture of that fortress, brought him considerable fame. Again, in the war against Pompey, “there was not one of the many battles,” says Plutarch, “in which he did not signalise himself: twice he stopped the army in its full flight, led them back to a charge, and gained the victory, so that ... his reputation, next to Cæsar’s, was the greatest in the army.” In the disastrous retreat from Media he showed the greatest bravery; and it was no common courage that allowed him, after the horrors of the219 march back to Armenia, to prepare for a second campaign.

This trait in his character, along with his natural bravery, made him stand out in warfare, and when luck was on his side, he became a brilliant general. He was afraid of nothing, and dangers seemed to him like welcome breaks from the monotony of life. In the battle that kicked off the war against Aristobulus, he was the first to breach the enemy’s defenses; and in a full-scale battle, he defeated a much larger force, captured Aristobulus and his son, and like an avenging deity, decimated almost the entire enemy army. At another time, his daring dash across the desert to Pelusium and his impressive capture of that fortress earned him considerable fame. Again, in the war against Pompey, “there was not one of the many battles,” says Plutarch, “in which he did not distinguish himself: twice he rallied the army in full retreat, led them back into the fray, and secured victory, so that ... his reputation, second only to Cæsar’s, was the greatest in the army.” During the disastrous retreat from Media, he displayed immense bravery; and it was no ordinary courage that enabled him, after the horrors of the219 march back to Armenia, to prepare for a second campaign.

His generalship was not extraordinarily skilful, though it is true that at Pharsalia Cæsar placed him in command of the left wing of the army, himself taking the right; but his great courage, and the confidence and devotion which he inspired in his men, served to make him a trustworthy commander. His popularity amongst his soldiers, as has been said, was unbounded. His magnificent, manly appearance appealed to that sense of the dramatic in which a soldier, by military display, is very properly trained. His familiarity with his men, moreover, introduced a very personal note into their devotion, and each soldier felt that his general’s eye was upon him. He would sometimes go amongst them at the common mess, sit down with them at their tables, and eat or drink with them. He joined with them in their exercises, and seems to have been able to run, wrestle, or box with the best. He jested with high and low, and liked them to answer him back. “His raillery,” says Plutarch, “was sharp and insulting, but the edge of it was taken off by his readiness to submit to any kind of repartee; for he was as well contented to be rallied as he was pleased to rally others.” In a word, he was “the delight and pleasure of the army.”

His leadership wasn't exceptionally skilled, but it's true that at Pharsalia, Cæsar put him in charge of the left flank of the army while he took the right. However, his immense courage and the confidence and loyalty he inspired in his men made him a reliable commander. His popularity among his soldiers was, as mentioned, limitless. His impressive, masculine appearance appealed to the dramatic sense that soldiers are rightly trained to appreciate through military display. His familiarity with his men added a personal touch to their loyalty, with each soldier feeling that their general was watching over them. He would sometimes mingle with them at the communal meals, sit down at their tables, and eat or drink alongside them. He participated in their exercises and seemed capable of running, wrestling, or boxing with the best of them. He joked with everyone, from the highest ranks to the lowest, and enjoyed when they responded to him. “His humor,” says Plutarch, “was sharp and insulting, but the sting of it was softened by his willingness to take any kind of comeback; he was just as happy to be teased as he was to tease others.” In short, he was “the joy and pride of the army.”

His eloquence was very marked, a faculty which he seems to have inherited from his grandfather, who was a famous pleader and advocate. As a young man he studied the art at Athens, and took to a style known as the Asiatic, which was somewhat flowery and ostentatious. When Pompey’s power at Rome was at its height, and Cæsar was in eclipse, Antony read his chief’s letters in the Senate with such effect that he obtained220 many adherents to their cause. His public speech at the funeral of Cæsar led to the downfall of the assassins. When he himself was driven out of Rome he made such an impression by his words upon the army of Lepidus, to which he had fled, that an order was given to sound the trumpets in order to drown his appealing voice. “There was no man of his time like him for addressing a multitude,” says Plutarch, “or for carrying soldiers with him by the force of words.” It was in eloquence, perhaps, that he made his nearest approach to a diversion from the ordinary; though even in this it is possible to find no more than an exalted mediocrity. A fine presence, a frank utterance, and a vigorous delivery make a great impression upon a crowd; and common sincerity is the most electrifying agent in man’s employment.

His eloquence was quite remarkable, a skill he seems to have inherited from his grandfather, a renowned lawyer and advocate. As a young man, he studied the art in Athens and adopted a style known as Asiatic, which was somewhat flowery and showy. When Pompey's power in Rome was at its peak, and Caesar was in decline, Antony read his leader’s letters in the Senate so effectively that he gained many supporters for their cause. His public speech at Caesar's funeral led to the downfall of the assassins. When he was forced out of Rome, he made such an impact with his words on Lepidus's army, where he had sought refuge, that they ordered the trumpets to play to drown out his pleading voice. “There was no man of his time who could address a crowd like him,” says Plutarch, “or inspire soldiers with the power of his words.” It was perhaps in eloquence that he made his closest approach to breaking from the ordinary, though even there, it might just be seen as an elevated mediocrity. A strong presence, honest expression, and powerful delivery leave a lasting impression on a crowd; and genuine sincerity is the most electrifying force in a person’s skill set.

Yet another of the causes of his popularity both amongst his troops and with his friends was the sympathy which he always showed with the intrigues and troubles of lovers. “In love affairs,” says Plutarch, “he was very agreeable; he gained friends by the assistance he gave them in theirs, and took other people’s raillery upon his own with good-humour.” He used to lose his heart to women with the utmost ease and the greatest frequency; and they, by reason of his splendid physique and noble bearing, not infrequently followed suit. Amongst serious-minded people he had an ill name for familiarity with other men’s wives; but the domestic habits of the age were very irregular, and his own wife Antonia had carried on an intrigue with his friend Dolabella for which Antony had divorced her, thereafter marrying the strong-minded Fulvia. Antony was a full-blooded, virile man, unrestrained by any strong principles of morality and possessed of no standard of221 domestic constancy either by education or by inclination. He was not ashamed of the consequences of his promiscuous amours, but allowed nature to have her will with him. Like his ancestor Hercules, he was so proud of his stock that he wished it multiplied in many lands, and he never confined his hopes of progeny to any one woman.

Another reason for his popularity with both his troops and friends was his empathy for the romantic intrigues and troubles of others. “In love affairs,” Plutarch says, “he was very easy to get along with; he made friends by helping them with theirs and took other people’s teasing about his own love life in stride.” He would easily and frequently fall for women, and due to his impressive physique and noble demeanor, many of them often returned his interest. Among serious-minded individuals, he had a bad reputation for being too familiar with other men’s wives; however, the domestic norms of the time were quite lax, and his own wife, Antonia, had an affair with his friend Dolabella, which led Antony to divorce her, later marrying the strong-willed Fulvia. Antony was a passionate, virile man, not bound by strict moral principles and lacking any standards of domestic fidelity, either by upbringing or personal choice. He wasn’t ashamed of the consequences of his numerous affairs and let nature take its course. Like his ancestor Hercules, he was so proud of his lineage that he wanted it to spread across many lands and never limited his hopes for offspring to just one woman.

There was a certain brutality in his nature, and of this the particular instance is the murder of Cicero. The orator had incurred his bitter hostility in the first place by putting to death, and perhaps denying burial to Antony’s stepfather, Cornelius Lentulus. Later he was the cause of Antony’s ejection from Rome and of his privations while making the passage of the Alps. The traitorous Dolabella was Cicero’s son-in-law, which must have added something to the family feud. Moreover, Cicero’s orations and writings against Antony were continuous and full of invective. It is perhaps not to be wondered at, therefore, that when Octavian, Antony, and Lepidus decided to rid the State of certain undesirable persons, as we have already seen, Cicero was proscribed and put to death. Plutarch tells us that his head and right hand were hung up above the speaker’s place in the Forum, and that Antony laughed when he saw them, perhaps because, in his simple way, he did not know what else to do to carry off a situation of which he was somewhat ashamed.

There was a certain brutality in his character, and a key example of this is the murder of Cicero. The orator had earned his intense hatred initially by executing, and possibly denying burial to, Antony’s stepfather, Cornelius Lentulus. Later, he was responsible for Antony’s expulsion from Rome and for his hardships while crossing the Alps. The traitorous Dolabella was Cicero’s son-in-law, which likely intensified the family rivalry. Additionally, Cicero’s speeches and writings against Antony were relentless and filled with insults. It’s not surprising, then, that when Octavian, Antony, and Lepidus decided to eliminate some unwanted figures from the State, Cicero was marked for death. Plutarch tells us that his head and right hand were displayed above the speaker’s platform in the Forum, and that Antony laughed when he saw them, possibly because, in his crude way, he didn’t know how else to handle a situation he felt somewhat embarrassed about.

As a rule, however, Antony was kind-hearted and humane, and, as has already been shown, was seldom severe or cruel to his enemies. To many people he embodied and personified good-nature, jollity, and strength: he seemed to them to be a blending of Bacchus with Hercules; and if his morals were not222 of a lofty character, it may be said in his defence that they were consistent with the part for which nature had cast him.

As a general rule, Antony was kind and compassionate, and as we've already seen, he was rarely harsh or cruel to his opponents. Many viewed him as the embodiment of good humor, happiness, and strength; to them, he seemed like a mix of Bacchus and Hercules. While his morals might not have been particularly high, it's fair to say in his defense that they aligned with the role he was meant to play.

Little is known as to his attitude towards religion, and one cannot tell whether he entertained any of the atheistic doctrines which were then so widely preached, nor does the fact that he allowed himself to be worshipped as Bacchus help us to form an opinion in this regard. It is probable, however, that his faith was of a simple kind in conformity with his character; and it is known that he was superstitious and aware of the presence of the supernatural. A certain Egyptian diviner made a profound impression upon him by foreshadowing the future events of his life and warning him against the power of Octavian. And again, when he set out upon his Parthian campaign, he carried with him a vessel containing the water of the Clepsydra, an oracle having urged him to do so, while, at the same time, he took with him a wreath made of the leaves of the sacred olive-tree. He believed implicitly in the divine nature of dreams, and we are told of one occasion upon which he dreamed that his right hand was thunderstruck, and thereupon discovered a plot against his life. Such superstitions, however, were very general, even amongst educated people; and Antony’s belief in omens has only to be noted here because it played some part in his career. Until the last year of his life he was attended with good luck, and a friendly fortune helped him out of many difficult situations into which his impetuosity had led him. It seemed to many that Bacchus had really identified himself with Antony, bringing to his aid the powers of his godhead; and when at the end his downfall was complete, several223 persons declared that they actually heard the clatter and the processional music which marked the departure of the deity from the destinies of the fallen giant. The historian cannot but find extenuating circumstances in the majority of the culpable acts of the “colossal child”; and amongst these excuses there is none so urgent as this continuous presence of a smiling fortune. “Antony in misfortune,” says Plutarch, “was most nearly a virtuous man”; and if we wish to form a true estimate of his character we must give prominence to his hardy and noble attitude in the days of his flight from Rome or of his retreat from Media. It was then that he had done with his boyish inconsequence and played the man. At all other times he was the spoilt child of fortune, rollicking on his triumphant way; jesting, drinking, loving, and fighting; careless of public opinion; and, like a god, sporting at will with the ball of the world.

Little is known about his attitude toward religion, and it's unclear whether he subscribed to any of the atheistic beliefs that were popular at the time. The fact that he allowed himself to be worshipped as Bacchus doesn’t really help us form an opinion on this matter. It's likely, however, that his faith was simple and aligned with his character. It is known that he was superstitious and aware of the supernatural. An Egyptian diviner made a strong impression on him by predicting future events in his life and warning him about the power of Octavian. Additionally, when he embarked on his Parthian campaign, he carried a vessel with water from the Clepsydra, as an oracle had urged him to do this, and he also took with him a wreath of sacred olive leaves. He believed wholeheartedly in the divine nature of dreams, and there’s an account of one occasion when he dreamed that his right hand was struck by lightning, which led him to uncover a plot against his life. Such superstitions were common, even among educated people; Antony’s belief in omens is worth mentioning simply because it played a role in his career. Right up until the last year of his life, he experienced good luck, and a favorable fortune helped him escape many tough situations caused by his impulsiveness. Many felt that Bacchus truly aligned with Antony, granting him the powers of his divinity; when his downfall finally occurred, several people claimed they actually heard the sound of clattering and processional music signaling the god’s departure from the fate of the fallen giant. Historians can’t help but find mitigating factors in most of the reckless actions of this “colossal child.” Among these excuses, none is more pressing than his consistent encounter with fortune smiling upon him. “Antony in misfortune,” notes Plutarch, “was most nearly a virtuous man”; and if we want to accurately assess his character, we must highlight his brave and noble stance during his flight from Rome or his retreat from Media. It was during those times that he shed his childish recklessness and acted like a man. At all other times, he was the pampered child of fortune, happily moving along his victorious path, joking, drinking, loving, and fighting, indifferent to public opinion, and, like a deity, playing with the world as he wished.

When Dellius came to bring Cleopatra to him he was at the height of his power. Absolute master of the East, he was courted by kings and princes, who saw in him the future ruler of the entire Roman Empire. Cæsar must have often told the Queen of his faults and abilities, and she herself must have noticed the frank simplicity of his character. She set out, therefore, prepared to meet not with a complex genius, but with an ordinary man, representative, in a monstrous manner, of the victories and the blunders of common human nature, and, incidentally, a man somewhat plagued by an emancipated wife.

When Dellius came to take Cleopatra to him, he was at the peak of his power. As the absolute master of the East, he was sought after by kings and princes, who saw him as the future ruler of the entire Roman Empire. Cæsar must have often spoken to the Queen about his strengths and weaknesses, and she herself must have noticed his straightforward and simple nature. So she set out expecting to meet not a complicated genius, but an ordinary man who, in an exaggerated way, represented both the victories and the mistakes of ordinary human nature, and, by the way, a man somewhat troubled by a liberated wife.


CHAPTER XII.
THE ALLIANCE BETWEEN CLEOPATRA AND ANTONY.

Determined to win the fickle Antony back to her cause and that of her son, Cleopatra set sail from Alexandria, and, passing between Cyprus and the coast of Syria, at length one morning entered the mouth of the Cydnus in Cilicia, and made her way up to the city of Tarsus which was situated on the banks of the river in the shadow of the wooded slopes of the Taurus mountains. The city was famous both for its maritime commerce and for its school of oratory. The ships of Tarshish (i.e., Tarsus) had been renowned since ancient days, and upon these vessels the rhetoricians travelled far and wide, carrying the methods of their alma mater throughout the known world. Julius Cæsar and Cato may be named as two of the pupils of this school who have played their parts in the foregoing pages;83 and now Antony, the foremost Roman of this period, was honouring Tarsus itself with his presence. The city stood some miles back from the sea, and it was late afternoon before its buildings and busy docks were observed by the Egyptians, sheltering against the slopes of the mountains. As the fleet sailed up the Cydnus, the people of225 the neighbourhood swarmed down to the water’s edge to watch its stately progress; and the excitement was intense when it was seen that the Queen’s vessel was fitted and decked out in the most extravagant manner. Near the city the river widens into a quiet lake, and here in the roads, where lay the world-renowned merchant vessels, Cleopatra’s ships probably came to anchor, while the quays and embankments were crowded with the townsfolk who had gathered to witness the Queen’s arrival.

Determined to win back the unpredictable Antony and support her son, Cleopatra set sail from Alexandria. She passed between Cyprus and the coast of Syria, and one morning finally entered the mouth of the Cydnus in Cilicia. She made her way to Tarsus, a city located along the river, nestled in the shade of the wooded slopes of the Taurus mountains. The city was known for its maritime trade and its school of rhetoric. The ships of Tarshish (i.e., Tarsus) had been famous since ancient times, and on these vessels, orators traveled far and wide, spreading the teachings of their alma mater throughout the known world. Julius Cæsar and Cato were two well-known pupils from this school who had previously played significant roles in the narrative; and now, Antony, the leading Roman of this era, was gracing Tarsus with his presence. The city stood several miles inland from the sea, and it was late afternoon before the Egyptians noticed its buildings and bustling docks, which were nestled against the slopes of the mountains. As the fleet sailed up the Cydnus, the local people rushed to the water’s edge to watch its majestic journey, creating a buzz of excitement when they saw that the Queen’s ship was lavishly decorated. Close to the city, the river widened into a calm lake, and here, in the harbor where the famous merchant vessels rested, Cleopatra’s ships likely dropped anchor, while the quays and embankments were packed with townspeople who had gathered to catch a glimpse of the Queen’s arrival.

On hearing of her approach Antony had seated himself upon the public tribunal in the market-place, expecting that she would land at once and come to pay her respects to him in official manner. But Cleopatra had no intention of playing a part which might in any way be interpreted as that of a vassal or suppliant; and she therefore seems to have remained on board her ship at a distance from the shore, as though in no haste to meet Antony.

On hearing that she was coming, Antony took his seat on the public platform in the marketplace, anticipating that she would arrive and come to greet him formally. However, Cleopatra had no intention of acting like a subordinate or a beggar, so she appears to have stayed on her ship, keeping her distance from the shore, as if she wasn't in a hurry to meet Antony.

Meanwhile reports began to spread of the magnificence of the Queen’s vessels, and it was said that preparations were being made on board for the reception of the Triumvir. The crowds surrounding the tribunal thereupon hurried from the market-place to join those upon the quays, and soon Antony was left alone with his retinue. There he sat waiting for some time, till, losing patience, he sent a message to the Queen inviting her to dine with him. To this she replied by asking him to bring the Roman and local magnates to dine with her instead; and Antony, not wishing to stand upon ceremony with his old friend, at once accepted the invitation. At dusk, therefore, Cleopatra appears to have ordered her vessel to be brought across the lake to the city, and to be226 moored at the crowded quay, where already Antony was waiting to come on board; and the burly Roman, always a lover of theatrical display, must then have been entertained by a spectacle more stirring than any he had known before.

Meanwhile, reports started to spread about the grandeur of the Queen's ships, and it was said that preparations were being made on board for the arrival of the Triumvir. The crowds around the tribunal quickly left the market place to join those at the docks, and soon Antony found himself alone with his entourage. He sat there waiting for some time until, losing patience, he sent a message to the Queen inviting her to dinner with him. She replied by asking him to bring the Roman and local dignitaries to dine with her instead; not wanting to be formal with his old friend, Antony immediately accepted the invitation. At dusk, Cleopatra seemingly ordered her ship to be brought across the lake to the city and moored at the busy dock, where Antony was already waiting to come on board; the burly Roman, always fond of dramatic displays, must have been thrilled by a scene more captivating than any he had ever experienced before.

Across the water, in which the last light of the sunset was reflected, the royal galley was rowed by banks of silver-mounted oars, the great purple sails hanging idly in the still air of evening. The vessel was steered by two oar-like rudders, controlled by helmsmen who stood in the stern of the ship under a shelter constructed in the form of an enormous elephant’s head of shining gold, the trunk raised aloft.84 Around the helmsmen a number of beautiful slave-women were grouped in the guise of sea-nymphs and graces; and near them a company of musicians played a melody upon their flutes, pipes, and harps, for which the slow-moving oars seemed to beat the time. Cleopatra herself, decked in the loose, shimmering robes of the goddess Venus, lay under an awning bespangled with gold, while boys dressed as Cupids stood on either side of her couch, fanning her with the coloured ostrich plumes of the Egyptian court. Before the royal canopy brazen censers stood upon delicate pedestals, sending forth fragrant clouds of exquisitely prepared Egyptian incense, the marvellous odour of which was wafted to the shore ere yet the vessel had come to its moorings.85

Across the water, where the last light of the sunset was reflected, the royal galley was rowed by banks of silver-mounted oars, with the great purple sails hanging idly in the still evening air. The vessel was steered by two oar-like rudders, controlled by helmsmen who stood at the back of the ship under a shelter designed like an enormous elephant’s head made of shining gold, its trunk raised high. Around the helmsmen, several beautiful slave-women were gathered, dressed as sea nymphs and graces; nearby, a group of musicians played a melody on their flutes, pipes, and harps, their slow-moving oars matching the rhythm. Cleopatra herself, adorned in loose, shimmering robes like the goddess Venus, reclined under an awning decorated with gold, while boys dressed as Cupids stood on either side of her couch, fanning her with colorful ostrich plumes from the Egyptian court. In front of the royal canopy, bronze censers rested on delicate pedestals, releasing fragrant clouds of finely prepared Egyptian incense, the incredible aroma drifting to the shore even before the vessel had reached its moorings.

At last, as the light of day began to fade, the royal galley was moored to the crowded quay, and Antony227 stepped on board, followed by the chief officers of his staff and by the local celebrities of Tarsus. His meeting with the Queen appears to have been of the most cordial nature, for the manner of her approach must have made it impossible for him at that moment to censure her conduct. Moreover, the splendid allurements of the scene in which they met, the enchantment of the twilight, the enticement of her beauty, the delicacy of the music blending with the ripple of the water, the intoxication of the incense and the priceless perfumes, must have stirred his imagination and driven from his mind all thought of reproach. Nor could he have found much opportunity for serious conversation with her, for presently the company was led down to the banqueting-saloon where a dinner of the utmost magnificence was served. Twelve triple couches, covered with embroideries and furnished with cushions, were set around the room, before each of which stood a table whereon rested golden dishes inlaid with precious stones, and drinking goblets of exquisite workmanship. The walls of the saloon were hung with embroideries worked in purple and gold, and the floor was strewn with flowers. Antony could not refrain from exclaiming at the splendour of the entertainment, whereupon Cleopatra declared that it was not worthy of comment; and, there and then, she made him a present of everything used at the banquet—dishes, drinking-vessels, couches, embroideries, and all else in the saloon. Returning once more to the deck, the elated guests, now made more impressionable by the effects of Egyptian wine, were amazed to find themselves standing beneath a marvellous kaleidoscope of lanterns, hung in squares and circles from a forest of branches interlaced above their heads, and in these almost magical surroundings228 they enjoyed the enlivening company of the fascinating young Queen until the wine-jars were emptied and the lamps had burnt low.

At last, as the daylight began to fade, the royal ship was docked at the busy quay, and Antony227 stepped on board, followed by his top officers and the local celebrities of Tarsus. His meeting with the Queen seemed to be very friendly, as her approach must have made it impossible for him to criticize her at that moment. Additionally, the stunning beauty of the setting where they met—the enchantment of twilight, the allure of her beauty, the soft music blending with the water's gentle ripples, the intoxicating incense, and priceless perfumes—must have sparked his imagination and pushed any thoughts of reproach from his mind. He likely had little chance for serious conversation with her, as the group was soon led to the banquet hall where an extravagant dinner was served. Twelve triple couches, draped with rich fabrics and adorned with cushions, lined the room, and before each one was a table holding golden dishes inlaid with precious stones, along with exquisitely crafted drinking goblets. The walls of the hall were adorned with embroidered fabrics in purple and gold, and the floor was covered in flowers. Antony couldn't help but exclaim at the splendor of the feast, prompting Cleopatra to say it wasn’t worth commenting on; right then, she gifted him everything used at the banquet—dishes, drinking vessels, couches, embroideries, and everything else in the hall. Returning once more to the deck, the delighted guests, now more susceptible to the effects of Egyptian wine, were amazed to find themselves standing beneath a stunning display of lanterns, hung in squares and circles from a forest of branches intertwined above their heads. In this almost magical atmosphere228, they enjoyed the lively company of the captivating young Queen until the wine jars were emptied and the lamps began to dim.

From the shore the figures of the revellers, moving to and fro amidst this galaxy of lights to the happy strains of the music, must have appeared to be actors in some divine masque; and it was freely stated, as though it had been fact, that Venus had come down to earth to feast with Dionysos (Antony) for the common good of Asia. Cleopatra, as we have already seen, had been identified with Venus during the time when she lived in Rome; and in Egypt she was always deified. And thus the character in which she presented herself at Tarsus was not assumed, as is generally supposed, simply for the purpose of creating a charming picture, but it was her wish actually to be received as a goddess, that Antony might behold in her the divine Queen of Egypt whom the great Cæsar himself had accepted and honoured as an incarnation of Venus. It must be remembered that at this period men were very prone to identify prominent persons with popular divinities. Julia, the daughter of Octavian, was in like manner identified with Venus Genetrix by the inhabitants of certain cities. We have seen how Cæsar seems to have been named Lupercus, and how Antony was called Dionysos (Bacchus); and it will be remembered how, at Lystra, Paul and Barnabas were saluted as Hermes and Zeus. In the many known cases, such as these, the people actually credited the identification; and though a little thought probably checked a continuance of such a belief, at the time there seemed to be no cause for doubt that these divinities had made themselves manifest on earth. The crowds who stood on the banks of the Cydnus that229 night must therefore have really believed themselves to be peeping at an entertainment provided by a manifestation of a popular goddess for the amusement of an incarnation of a favourite god.

From the shore, the figures of the partygoers, moving back and forth among this galaxy of lights to the cheerful sounds of music, must have looked like actors in some divine play; and it was openly suggested, as if it were true, that Venus had come down to earth to feast with Dionysus (Antony) for the good of Asia. Cleopatra, as we've already noted, had been associated with Venus during her time in Rome; and in Egypt, she was always worshipped. So the persona she presented at Tarsus wasn't just a façade, as is commonly thought, created merely for aesthetics; she genuinely wanted to be recognized as a goddess, so Antony might see her as the divine Queen of Egypt, whom the great Caesar himself had acknowledged and honored as an embodiment of Venus. It's important to remember that during this time, people were very likely to associate notable figures with well-known deities. Julia, Octavian's daughter, was similarly linked to Venus Genetrix by the residents of certain cities. We have seen how Caesar seems to have been called Lupercus and how Antony was referred to as Dionysus (Bacchus); and let's not forget how, in Lystra, Paul and Barnabas were hailed as Hermes and Zeus. In these various instances, people genuinely believed in these associations; although a bit of reflection might have dampened such beliefs, at the moment, there appeared to be no reason to doubt that these gods had manifested on earth. The crowds standing on the banks of the Cydnus that night must have truly believed they were witnessing an event hosted by a popular goddess for the entertainment of an incarnation of a beloved god.

It would appear that Antony invited Cleopatra to sup with him on the following evening, but the Queen seems to have urged him and his suite again to feast with her. This second banquet was so far more splendid than the first that, according to Plutarch, the entertainment already described seemed by comparison to be contemptible. When the guests departed, not only did she give to each one the couch upon which he had lain, and the goblets which had been set before him, but she also presented the chief guests with litters, and with slaves to carry them, and Ethiopian boys to bear torches in front of them; while for the lesser guests she provided horses adorned with golden trappings, which they were bidden to keep as mementos of the banquet.

It seems that Antony invited Cleopatra to dinner with him the next evening, but the Queen urged him and his entourage to join her for a feast instead. This second banquet was so much more lavish than the first that, according to Plutarch, the earlier entertainment seemed pretty pathetic by comparison. When the guests left, she not only gave each of them the couch they had lounged on and the goblets that had been in front of them, but she also provided the main guests with litters and slaves to carry them, along with Ethiopian boys to hold torches in front of them. For the lesser guests, she arranged for horses decorated with golden decorations, which they were encouraged to keep as souvenirs of the banquet.

On the next night Cleopatra at last deigned to dine with Antony, who had exhausted the resources of Tarsus in his desire to provide a feast which should equal in magnificence those given by the Queen; but in this he failed, and he was the first to make a jest of his unsuccess and of the poverty of his wits. The Queen’s entertainments had been marked by that brilliancy of conversation and atmosphere of refinement which in past years had so appealed to the intelligence of the great Dictator; but Antony’s banquet, on the contrary, was notable for the coarseness of the wit and for what Plutarch describes as a sort of rustic awkwardness. Cleopatra, however, was equal to the occasion, and speedily adjusted her conduct to suit that of her burly host. “Perceiving that his raillery was broad and230 gross, and that it savoured more of the soldier than of the courtier, she rejoined in the same taste, and fell at once into that manner, without any sort of reluctance or reserve.”86 Thus she soon succeeded in captivating this powerful Roman, and in making him her most devoted friend and ally. There was something irresistible in the excitement of her presence: for the daintiness of her person, the vivacity of her character, and the enchantment of her voice, were, so to speak, enhanced by the audacity of her treatment of the broad subjects introduced in conversation. Antony had sent for her to censure her for a supposed negligence of his interests; but speedily he was led to realise that he himself, and not the Queen, had deviated from the course upon which they had agreed in Rome. It was he who, by his association with Octavian, had appeared to desert what Cleopatra believed to be the genuine Cæsarian cause; whereas, on the other hand, the Queen was able to show that she had refrained from sending aid to the Triumvirate simply because she could not decide in what manner the welfare of her son, the little Cæsar, was to be promoted by such an action. Under the spell of her attraction Antony, who in the Dictator’s lifetime had never been permitted to receive in his heart the full force of her charming attack, now fell an easy victim to her strategy, and declared himself ready to carry out her wishes in all things.

On the next night, Cleopatra finally agreed to dine with Antony, who had exhausted Tarsus in his effort to host a feast that would rival the grandeur of the Queen's events; however, he fell short, and he was the first to joke about his failure and his lack of cleverness. The Queen's gatherings were known for their lively conversation and refined atmosphere, which had previously fascinated the great Dictator; in contrast, Antony's banquet was marked by crude humor and what Plutarch describes as a kind of rustic awkwardness. Cleopatra, however, rose to the occasion and quickly adapted her behavior to match that of her hefty host. “Noticing that his jokes were crude and boorish, and that they leaned more toward soldierly banter than courtly grace, she responded in kind and effortlessly adopted that style, without any hesitation or reserve.” Thus, she quickly managed to win over this powerful Roman, making him her most devoted friend and ally. There was something captivating about her presence: the elegance of her figure, the liveliness of her spirit, and the charm of her voice were all, in a way, heightened by her bold approach to the broad topics discussed. Antony had summoned her to reprimand her for supposedly neglecting his interests; however, he soon came to realize that it was he, not the Queen, who had strayed from the agreement they had made in Rome. It was he who, through his ties with Octavian, appeared to abandon what Cleopatra believed to be the true Cæsarian cause; meanwhile, the Queen was able to demonstrate that she had held back from aiding the Triumvirate simply because she couldn't determine how such actions would benefit her son, the young Cæsar. Under her spell, Antony, who had never before been allowed to fully experience the charm of her allure during the Dictator's lifetime, now fell easily into her plans and declared his willingness to fulfill her wishes in everything.

On the fourth night of her visit to Tarsus, Cleopatra entertained the Roman officers at another banquet; and on this occasion she caused the floor of the saloon to be strewn with roses to the depth of nearly two feet, the flowers being held in a solid formation by nets which231 were tightly spread over them and fastened to the surrounding walls, the guests thus walking to their couches upon a perfumed mattress of blooms, the cost of which, for the one room, was some £250.

On the fourth night of her visit to Tarsus, Cleopatra hosted a banquet for the Roman officers. This time, she had the floor of the hall covered with roses nearly two feet deep. The flowers were held in place by nets that were tightly spread over them and attached to the surrounding walls. The guests walked to their couches on a fragrant mattress of blooms, which cost about £250 for that one room.

In this prodigious manner the next few days were spent. The Queen made every possible effort to display to Antony her wealth and power, in order that she might obtain his consent to some form of alliance between them which should be directed against Octavian. Her one desire now was to effect a break between these two leaders, to set them at one another’s throats, and then, by lending Antony her support, to secure the overthrow of Octavian, Cæsar’s nephew, and the triumph of Cæsarion, Cæsar’s son. For this purpose it was absolutely necessary to reveal the extent of her wealth, and to exhibit the limitless stream of her resources. She therefore seems to have shown a mild disdain for the Roman general’s efforts to entertain her, and at his banquets she seems to have conveyed to him the disquieting impression that she was smiling at his attempted magnificence, and was even puzzled by his inability to give to his feasts that fairy aspect which characterised her own.

In this impressive way, the next few days went by. The Queen did everything she could to show Antony her wealth and power, hoping to get him to agree to some kind of alliance aimed at Octavian. Her main goal now was to create a rift between the two leaders, get them to fight each other, and then support Antony to help take down Octavian, who was Caesar’s nephew, and see Caesarian, Caesar’s son, succeed. To do this, it was essential to showcase the extent of her wealth and highlight the endless resources she had. She seemed to look down somewhat on the Roman general’s attempts to impress her, and during his banquets, she gave him the unsettling impression that she was amused by his efforts at grandeur and was even confused by his inability to make his feasts feel as magical as hers.

Her attitude caused Antony some uneasiness, and at length it seems that he asked the Queen directly what more could be done to add to the splendour of his table. During the course of the conversation which ensued he appears to have told her how much an entertainment of the kind cost him; whereupon she replied that she herself could with ease expend the equivalent of a hundred and fifty thousand pounds sterling upon a single meal. Antony promptly denied it, declaring that such a thing was impossible; and the Queen thereupon offered232 him a wager that she would do so on the next day. This was accepted, and a certain Plancus was invited to decide it. Antony does not appear to have recollected that in time past Clodius, the son of the comedian Æsop, was wont to mingle melted pearls with his food, that the cost of his meals might be interestingly enormous;87 for he would then have realised that Cleopatra intended to employ some such device to win her wager, and he would perhaps have restrained her.

Her attitude made Antony a bit uneasy, and eventually, he directly asked the Queen what more could be done to make his table more extravagant. During their conversation, he mentioned how much such an event cost him; she replied that she could easily spend the equivalent of one hundred and fifty thousand pounds sterling on a single meal. Antony quickly denied it, insisting that it was impossible. The Queen then offered him a wager that she would do it the next day. He accepted, and they invited a certain Plancus to judge it. Antony didn't seem to remember that in the past, Clodius, son of the comedian Æsop, used to mix melted pearls into his food to make the cost of his meals ridiculously extravagant; if he had recalled that, he might have realized that Cleopatra planned to use a similar trick to win her bet, and he would probably have stopped her.

To the next day’s banquet the Roman looked forward with some excitement; and he must have been at once elated and disappointed when he found the display to be not much above the ordinary. At the end of the meal he calculated with Plancus the expenses of the various dishes, and estimated the value of the golden plates and goblets. He then turned to the Queen, telling her that the total amount did not nearly reach the figure named in the wager.

To the next day's banquet, the Roman was looking forward to it with some excitement; he must have felt both thrilled and let down when he saw that the display was just average. At the end of the meal, he and Plancus tallied up the costs of the different dishes and assessed the worth of the gold plates and goblets. He then turned to the Queen, telling her that the total didn’t even come close to the amount stated in the bet.

“Wait,” said Cleopatra. “This is only a beginning. I shall now try whether I cannot spend the stipulated sum upon myself.”

“Wait,” said Cleopatra. “This is just the beginning. I'm going to see if I can spend the agreed amount on myself.”

A signal was given to the attendant slaves, who brought a table to her, upon which a single cup containing a little vinegar was set. She was wearing in her ears at the time two enormous pearls, the value of each of which was more than half the amount named in the wager; and one of these she rapidly detached, throwing it into the vinegar, wherein it soon disintegrated. The vinegar and some seventy-five thousand pounds having then trickled down her royal throat, she prepared to destroy the second pearl in like manner; but Plancus intervened, and declared the wager won,233 while Antony, no doubt, pondered not without gloom upon the ways of women.

A signal was given to the attendant slaves, who brought her a table, on which a single cup filled with a bit of vinegar was placed. At that moment, she was wearing two huge pearls in her ears, each worth more than half the amount stated in the bet; and she quickly removed one, throwing it into the vinegar, where it soon broke down. After the vinegar and about seventy-five thousand pounds had trickled down her royal throat, she got ready to destroy the second pearl in the same way; but Plancus stepped in and declared the bet won,233 while Antony surely pondered with a hint of sadness about the ways of women.

It has generally been thought that the Queen’s extravagance was to be attributed to her vain desire to impress Antony with the fact of her personal wealth. But, as we have seen, there was certainly a strong political reason for her actions; and there is no need to suppose that she was actuated by vanity. Indeed, the display of her wealth does not appear to have been on any occasion as ostentatious as one might gather from the Greek authors, whose writings suggest that they attributed to her a boastful profligacy in financial matters which could only be described as bad form. It would seem rather that the instances of her prodigality recorded here were all characterised in appearance by a subtle show of unaffected simplicity and ingenuousness, a sort of breath-taking audacity, while in quality they were largely political and speculative.

It has generally been believed that the Queen’s lavishness was driven by her desire to impress Antony with her wealth. However, as we've seen, there was definitely a significant political motivation behind her actions, and there's no need to assume she was motivated by vanity. In fact, her display of wealth doesn’t seem to have been as extravagant as one might get from the Greek writers, who portrayed her as overly boastful and reckless with money, which could only be seen as poor taste. Instead, it appears that the examples of her extravagance recorded here were marked by a subtle sense of unpretentiousness and sincerity, showcasing a kind of breathtaking boldness, while in essence, they were mainly political and strategic.

It is very important for the reader to understand the attitude of Cleopatra at this time, and to divest his mind of the views usually accepted in regard to the Queen’s alliance with Antony; and therefore I must repeat that it was Cleopatra’s desire at Tarsus to arouse the interest of Antony in the possibilities of Egypt as the basis of an attempt upon Rome. She wished to lead him, as I have said, to put faith in the limitless wealth that might flow down the Nile to fill the coffers which should be his, were he to lead an army to claim the throne for herself as Cæsar’s wife, and for her son as Cæsar’s flesh and blood. Here was the man who could conquer for her the empire which she had lost by the premature death of the great Dictator. It was necessary to make him understand the advantages of234 partnership with her, and hence it became needful for her to display to him the untold wealth that she could command. There was no particular vanity in her actions, nor real wastefulness: she was playing a great game, and the stakes were high. A few golden goblets, a melted pearl or two, were not an excessive price to pay for the partisanship of Antony. Her son Cæsarion was too young to fight his own battles, and she herself could not lead an army. Antony’s championship therefore had to be obtained, and there was no way of enlisting his sympathies so sure as that of revealing to him the boundless riches which she could bring to his aid. Let him have practical demonstration of the wealth of hidden Africa and mysterious Asia at her command, and he would surely not shun an enterprise which should make Cæsar’s friend, Cæsar’s wife, and Cæsar’s son the three sovereigns of the world. She would show him the gold of Ethiopia and of Nubia; she would turn his attention to the great trade-routes to India; and she would remind him of the advantageous possibilities which the great Dictator had seen in an alliance with her. In this manner she would again win his support, as she believed she had already done in Rome; and thus through him the ambitious schemes of Julius Cæsar might at last be put into execution.

It’s really important for the reader to grasp Cleopatra’s mindset during this time and to shake off the common perceptions about her alliance with Antony. I want to emphasize that Cleopatra aimed to pique Antony’s interest in Egypt as a launching point for a move on Rome. She wanted to convince him, as I mentioned earlier, to believe in the endless wealth that could flow from the Nile to fill his coffers if he led an army to claim the throne for her, as Cæsar’s wife, and for her son as Cæsar’s descendant. Here was the man who could help her regain the empire she lost due to the untimely death of the great Dictator. She needed to make him aware of the benefits of partnering with her, so it was crucial for her to showcase the immense wealth she could offer. There wasn’t any real vanity in her actions, nor was there any genuine wastefulness; she was playing a significant game, and the stakes were high. A few golden goblets or a melted pearl or two weren’t an unreasonable price for Antony’s support. Her son Cæsarion was too young to fight his own battles, and she couldn’t lead an army herself. Therefore, winning Antony’s backing was essential, and the best way to gain his sympathy was to reveal the unlimited riches she could provide. If he could see the wealth of hidden Africa and mysterious Asia that she commanded, he’d be unlikely to back away from an endeavor that would make Cæsar’s friend, Cæsar’s wife, and Cæsar’s son the three rulers of the world. She would show him the gold from Ethiopia and Nubia, highlight the great trade routes to India, and remind him of the promising opportunities that the great Dictator had envisioned in an alliance with her. In this way, she hoped to win his support again, as she believed she had already done in Rome; and through him, Julius Cæsar’s ambitious plans might finally come to fruition.

There were, however, one or two outstanding matters which required immediate attention. The Princess Arsinoe, who had walked the streets of Rome in Cæsar’s Triumph and had been released after that event, was now residing either at Miletus or Ephesus,88 where she had received sanctuary amongst the priests and priestesses attached to the temple of Artemis. The High Priest235 treated her kindly, and even honoured her as a queen, a fact which suggests that he had definitely placed himself upon her side in her feud with Cleopatra. She seems to have been a daring and ambitious woman, who, throughout her short life, struggled vainly to obtain the throne of Egypt for herself; and now it would appear that she was once more scheming to oust her sister, just as she had schemed in the Alexandrian Palace in the days when Ganymedes was her chamberlain.

There were, however, a couple of important issues that needed immediate attention. Princess Arsinoe, who had walked the streets of Rome during Caesar's Triumph and had been freed after that event, was now living either in Miletus or Ephesus, where she had found refuge among the priests and priestesses of the temple of Artemis. The High Priest235 treated her well and even honored her like a queen, which suggests he had definitely taken her side in her conflict with Cleopatra. She seems to have been a bold and ambitious woman who, throughout her brief life, fought fruitlessly to claim the throne of Egypt for herself; and now it seems she was once again plotting to remove her sister, just as she had done in the Alexandrian Palace when Ganymedes was her chamberlain.

It will be remembered that the Dictator had given the throne of Cyprus to Arsinoe and her brother, but it does not seem that this gift had ever been ratified, though no doubt the Princess attempted to style herself Queen of that island. It may be that she had come to some terms with Cassius and Brutus by offering them aid in their war with Antony if they would assist her in her endeavours to obtain the Egyptian throne; and it is possible that the Egyptian Viceroy of Cyprus, Serapion, was involved in this arrangement when he handed over his fleet to Cassius, as has been recorded in the last chapter. At all events, Cleopatra was now able to obtain Antony’s consent to the execution both of Arsinoe and of Serapion. A number of men were despatched, therefore, with orders to put her to death, and these entering the temple while Arsinoe was serving in the sanctuary, killed her at the steps of the altar. The High Priest was indicted apparently on the charge of conspiracy, and it was only with great difficulty that the priesthood managed to obtain his pardon. Serapion, however, could not claim indulgence on account of his calling, and he was speedily arrested and slain.

It will be remembered that the Dictator gave the throne of Cyprus to Arsinoe and her brother, but it seems this gift was never officially confirmed, even though the Princess likely tried to call herself Queen of the island. She may have reached some kind of deal with Cassius and Brutus by offering them support in their fight against Antony in exchange for their help in her quest for the Egyptian throne; and it’s possible the Egyptian Viceroy of Cyprus, Serapion, was part of this plan when he handed over his fleet to Cassius, as mentioned in the last chapter. Regardless, Cleopatra was now able to get Antony’s approval for the executions of both Arsinoe and Serapion. Therefore, a group of men was sent with orders to kill her, and they entered the temple while Arsinoe was serving in the sanctuary, killing her at the steps of the altar. The High Priest was apparently charged with conspiracy, and it was only with great difficulty that the priesthood managed to secure his pardon. However, Serapion could not claim leniency due to his position, and he was quickly arrested and killed.

Having thus rid herself of one serious menace to her236 throne, Cleopatra persuaded Antony to assist her to remove from her mind another cause for deep anxiety. It will be remembered that when Cæsar defeated the Egyptian army in the south of the Delta in March B.C. 47, the young King Ptolemy XIV. was drowned in the rout, his body being said to have been recognised by his golden corselet. Now, however, a man who claimed to be none other than this unfortunate monarch was trying to obtain a following, and possibly had put himself in correspondence with his supposed sister Arsinoe. The pretender was residing at this time in Phœnicia, a fact which suggests that he had also been in communication with Serapion, who at the time of his arrest was likewise travelling in that country. Antony therefore consented to the arrest and execution of this pseudo-monarch, and in a few weeks’ time he was quietly despatched.

Having dealt with one major threat to her236 throne, Cleopatra convinced Antony to help her eliminate another source of anxiety. It’s worth noting that when Cæsar defeated the Egyptian army in southern Delta in March BCE 47, the young King Ptolemy XIV. drowned in the chaos, and his body was reportedly identified by his golden corselet. However, a man claiming to be this unfortunate king was trying to gain support and might have made contact with his supposed sister Arsinoe. The pretender was living in Phœnicia at this time, suggesting he had also been in touch with Serapion, who was traveling in that region when he was arrested. Therefore, Antony agreed to the arrest and execution of this impostor, and within a few weeks, he was quietly dealt with.

Historians are inclined to see in the deaths of these three conspirators an instance of Cleopatra’s cruelty and vindictiveness; and one finds them described as victims of her insatiable ambition, the killing of Arsinoe being named as the darkest stain upon the Queen’s black reputation. I cannot see, however, in what manner a menace to her throne of this kind could have been removed, save by the ejection of the makers of the trouble from the earthly sphere of their activities. The death of Arsinoe, like that of Thomas à Beckett, is rendered ugly by the fact that it took place at the steps of a sacred altar; but, remembering the period in which these events occurred, the executions are not to be censured too severely, for what goodly king or queen of former days has not thus removed by death all pretenders to the throne?

Historians tend to view the deaths of these three conspirators as examples of Cleopatra’s cruelty and vindictiveness, describing them as victims of her endless ambition, with the killing of Arsinoe being highlighted as the darkest stain on the Queen’s already grim reputation. However, I don’t see how a threat to her throne like this could have been dealt with in any way other than eliminating the people causing the trouble. The death of Arsinoe, much like that of Thomas à Beckett, is particularly gruesome because it happened at the steps of a sacred altar; but considering the time period in which these events took place, we shouldn’t judge the executions too harshly, as how many noble kings or queens of the past haven’t removed all pretenders to the throne through death?

Cleopatra’s visit to Tarsus does not seem to have been237 prolonged beyond a few weeks, but when at length she returned to Alexandria, she must have felt that her short residence with Antony had raised her prestige once more to the loftiest heights. Not only had she used his dictatorial power to sweep her two rivals and their presumed accomplice from the face of the earth, not only had she struck the terror of her power into the heart of the powerful High Priest of Artemis who, in the distant Ægean, had merely harboured a pretender to Egypt’s throne, but she had actually won the full support of Antony once more, and had extracted from him a promise to pay her a visit at Alexandria in order that he might see with his own eyes the wealth which Egypt could offer. For the first time, therefore, since the death of Cæsar, her prospects seemed once more to be brilliant; and it must have been with a light heart that she sailed across the Mediterranean once more towards her own splendid city.

Cleopatra's stay in Tarsus didn't seem to last more than a few weeks, but when she finally returned to Alexandria, she must have felt that her brief time with Antony had boosted her status back to the highest levels. Not only had she used his authority to eliminate her two rivals and their alleged accomplice, but she had also instilled fear in the powerful High Priest of Artemis, who, far away in the Aegean, had merely supported a pretender to Egypt’s throne. In addition, she had secured Antony’s full support again and extracted a promise from him to visit Alexandria so he could witness the wealth Egypt had to offer with his own eyes. For the first time since Caesar's death, her future looked promising again; it must have felt exhilarating as she sailed back across the Mediterranean towards her magnificent city.


CHAPTER XIII.
Cleopatra and Antony in Alexandria.

There can be little doubt that Antony was extremely anxious to form a solid alliance with Cleopatra at this juncture, for he needed just such an ally for the schemes which he had in view. His relations with Octavian were strained, and the insignificant part played by the latter in the operations which culminated at Philippi had led him to feel some contempt for the young man’s abilities. The Triumvirate was, at best, a compromise; and Antony had no expectation that it would for one day outlive the acquisition either by Octavian or himself of preponderant power. At the back of his mind he hoped for the fall of Cæsar’s nephew; and he saw in the alliance with Cleopatra the means whereby he could obtain a numerical advantage over his rival.

There’s no doubt that Antony was very eager to establish a strong alliance with Cleopatra at this point because he needed an ally for his plans. His relationship with Octavian was tense, and the minor role that Octavian played in the events leading up to Philippi made Antony look down on the younger man’s abilities. The Triumvirate was, at best, a compromise; and Antony didn’t expect it to last beyond the moment either he or Octavian gained significant power. Deep down, he wished for Cæsar’s nephew to fall, and he saw his partnership with Cleopatra as a way to gain an advantage over his rival.

After the battle of Philippi Octavian had returned to Rome, and Antony now received news that the troops under their joint command were highly dissatisfied with the rewards which they had received for their labours. There was considerable friction between those who were loyal to Octavian and those who thought that Antony would treat them more generously; and the latter’s agents in Rome, notably his wife Fulvia, were endeavouring239 to widen the breach, more probably of their own accord than with their leader’s direct consent. Antony had no wish to break with Octavian until he could feel confident of success; and, moreover, his attention was directed at this time more keenly to the question of the conquest of Parthia than to that of the destruction of Octavian. The great Dictator had stirred his imagination in regard to the Parthians, and possibly the project of the invasion of India was already exercising his mind, as it certainly did in later years.89 His plans therefore, in broad outline, now seem to have been grouped into three movements: firstly, the formation of an offensive and defensive alliance with Cleopatra, in order that her money, men, and ships might be placed at his disposal; secondly, the invasion of Parthia, so that the glory of his victories and the loot of the conquered country might raise his prestige to the highest point; and thirdly, the picking of a quarrel with Octavian, in order that he might sweep him from the face of the earth, thereby leaving himself ruler of the world. Then, like Cæsar, he would probably proclaim himself King, would marry Cleopatra, and would establish a royal dynasty, his successor being either his stepson, the Dictator’s child, or the future son of his marriage with the Queen of Egypt should their union be fruitful.

After the battle of Philippi, Octavian returned to Rome, and Antony received word that the troops they commanded together were very unhappy with the rewards they received for their efforts. There was significant tension between those loyal to Octavian and those who believed Antony would treat them more fairly; Antony’s supporters in Rome, especially his wife Fulvia, were trying to widen the divide, likely more on their own initiative than with Antony's direct approval. Antony didn’t want to break ties with Octavian until he felt confident about his success; plus, he was currently more focused on the conquest of Parthia than on taking down Octavian. The great Dictator had inspired him regarding the Parthians, and it’s possible he was already thinking about invading India, as he certainly did in later years. His plans now seemed to have come together around three key actions: first, forming a military alliance with Cleopatra to use her money, manpower, and ships; second, invading Parthia to gain glory and wealth that would boost his standing; and third, picking a fight with Octavian so he could eliminate him and become the ruler of the world. Then, like Caesar, he would probably declare himself King, marry Cleopatra, and establish a royal dynasty, with his heir being either his stepson (the Dictator’s child) or the future child of his marriage to the Queen of Egypt if they had children.

Filled with these hopes, which corresponded so closely to those of Cleopatra, Antony prepared to go to Alexandria in the autumn of the year B.C. 41, intent on sealing the alliance with the Queen of Egypt. He arranged for a certain Decidius Saxa, one of the late Dictator’s chosen generals, to be placed in command of the forces in Syria; and it was this officer’s duty to keep240 him informed of the movements of the Parthians, and to prepare for the coming campaign against them. The King of Parthia, Orodes by name, had engaged the services of a Roman renegade named Quintus Labienus, a former colleague of Cassius and Brutus; and this man was now working in conjunction with Pacorus, the King’s son, in organising the Parthian armies and preparing them for an offensive movement against the neighbouring Roman provinces. There seemed thus to be no doubt that war would speedily break out, and Antony was therefore very anxious to put himself in possession of the Egyptian military and naval resources as quickly as possible.

Filled with these hopes, which were so closely aligned with Cleopatra's, Antony got ready to head to Alexandria in the autumn of 41 B.C., determined to solidify the alliance with the Queen of Egypt. He arranged for Decidius Saxa, one of the late Dictator’s chosen generals, to take command of the forces in Syria; it was this officer’s responsibility to keep him updated on the movements of the Parthians and to prepare for the upcoming campaign against them. The King of Parthia, named Orodes, had hired a Roman turncoat named Quintus Labienus, a former colleague of Cassius and Brutus; this man was now collaborating with Pacorus, the King’s son, to organize the Parthian armies and ready them for an offensive against the neighboring Roman provinces. It seemed clear that war was about to break out, and Antony was therefore very eager to gain control of Egypt's military and naval resources as soon as possible.

Vatican.]
[Photograph by Anderson.

OCTAVIAN.

OCTAVIAN.

He was about to set sail for Alexandria when news seems to have reached him that the troubles in Rome were coming to a head, and that his brother Lucius Antonius, and his wife Fulvia, were preparing to attack Octavian. He must therefore have hesitated in deciding whether he should return to Rome or not. He must have been considerably annoyed at the turn which events had taken, for he knew well enough that he was not then in a position to wage a successful war against Octavian; and he was much afraid of being involved in a contest which would probably lead to his own downfall. If he returned to Italy it was possible that he might be able to patch up the quarrel, and to effect a reconciliation which should keep the world at peace until the time when he himself desired war. But if he failed in his pacific efforts, a conflict would ensue for which he was not prepared. It seems to me, therefore, that he thought it more desirable that he should keep clear of the quarrel, and should show himself to be absorbed in eastern questions. By going over to Egypt for a few weeks, not241 only would he detach himself from the embarrassing tactics of his party in Rome, but he would also raise forces and money, nominally for his Parthian campaign, which would be of immense service to him should Octavian press the quarrel to a conclusive issue. Moreover, there can be little question that to Antony the thought of meeting his stern wife again and of being obliged to live once more under her powerful scrutiny was very distasteful; whereas, on the other hand, he looked forward with youthful enthusiasm to a repetition of the charming entertainment provided by Cleopatra. Antony was no great statesman or diplomatist; and jolly overgrown boy that he was, his effective actions were at all times largely dictated by his pleasurable desires. The Queen of Egypt had made a most disconcerting appeal to that spontaneous nature, which, in matters of this kind, required little encouragement from without; and now the fact that it seemed wise at the time to keep away from Rome served as full warrant for the manœuvre which his ambition and his heart jointly urged upon him.

He was about to set sail for Alexandria when he got news that the troubles in Rome were escalating, and that his brother Lucius Antonius and his wife Fulvia were getting ready to confront Octavian. He must have hesitated over whether to return to Rome or not. He was likely quite frustrated with how things were turning out, knowing that he wasn't in a good position to win a war against Octavian; he was very concerned about getting into a conflict that could lead to his downfall. If he went back to Italy, there was a chance he could patch things up and make a peace that would keep the world calm until he was ready for war. But if his attempts at peace failed, he would be caught in a conflict he wasn't prepared for. So, it seems he thought it would be better to stay out of the fight and focus on issues in the east. By heading to Egypt for a few weeks, not only would he be able to distance himself from the tricky politics of his party in Rome, but he could also gather troops and funds, officially for his campaign against Parthia, which would be extremely helpful if Octavian forced the issue. Besides, it’s clear that the thought of facing his stern wife again and living under her close watch was very unappealing to Antony; on the other hand, he eagerly anticipated the delightful entertainment that Cleopatra provided. Antony wasn't exactly a great statesman or diplomat; as a carefree, grown man-child, his actions were often driven by his desire for pleasure. The Queen of Egypt had made a compelling appeal to his spontaneous nature, which didn’t need much external encouragement in these matters; now, the fact that it seemed smart to stay away from Rome gave him all the justification he needed for the move that his ambition and heart were pushing him towards.

Early in the winter of B.C. 41, therefore, he made his way to Alexandria, and was received by Cleopatra into the beautiful Lochias Palace as a most profoundly honoured guest. All the resources of that sumptuous establishment were concerted for his amusement, and it was not long before the affairs of the Roman world were relegated to the back of his genial mind. In the case of Cleopatra, however, there was no such laxity. The Queen’s ambitions, fired by Cæsar, had been stirred into renewed flame by her success at Tarsus; and she was determined to make Antony the champion of her cause. From the moment when she had realised his pliability and his susceptibility to her overtures, she had made up her mind242 to join forces with him in an attempt upon the throne of the Roman Empire; and it was now her business both to fascinate him by her personal charms and, by the nature of her entertainments, to demonstrate to him her wealth and power.

Early in the winter of BCE 41, he traveled to Alexandria, where Cleopatra welcomed him into the stunning Lochias Palace as a deeply honored guest. All the resources of that lavish setting were arranged for his enjoyment, and it didn't take long for the issues in the Roman world to fade from his cheerful mind. In Cleopatra's case, though, there was no such distraction. The Queen's ambitions, ignited by Cæsar, were reignited by her victory at Tarsus; she was determined to make Antony the champion of her cause. From the moment she recognized his flexibility and susceptibility to her advances, she decided to align with him in a bid for the Roman Empire's throne; and now it was her task to both charm him with her allure and, through her extravagant entertainments, show him her wealth and power.

“It would be trifling without end,” says Plutarch, “to give a particular account of Antony’s follies at Alexandria.” For several weeks he gave himself up to amusements of the most frivolous character, and to the enjoyment of a life more luxurious than any he had ever known. His own family had been simple in their style of living, and although he had taught himself much in this regard, and had expended a great deal of money on lavish entertainments, there were no means of obtaining in Rome a splendour which could compare with the magnificence of these Alexandrian festivities. His friends, too, many of whom were common actresses and comedians, had not been brilliant tutors in the arts of entertainment; nor had they encouraged him to provide them so much with refined luxury as with good strong drink and jovial company. Now, however, in Cleopatra’s palace, Antony found himself surrounded on all sides by the devices and appliances of the most advanced culture of the age; and an appeal was made to his senses which would have put the efforts even of the extravagant Lucullus to shame. Alexandria has been called “the Paris of the ancient world,”90 and it is not difficult to understand the glamour which it cast upon the imagination of the lusty Roman, who, for the first time in his life, found himself surrounded by a group of cultured men and women highly practised in the art of living sumptuously. Moreover, he was received by Cleopatra as prospective lord of all he surveyed,243 for the Queen seems to have shown him quite clearly that all these things would be his if he would but cast in his lot with her.

“It would be endlessly trivial,” says Plutarch, “to detail Antony’s mistakes in Alexandria.” For several weeks, he indulged in the most superficial amusements and enjoyed a lifestyle more luxurious than anything he had ever experienced. His own family had lived simply, and while he had learned a lot in this area and spent a considerable amount on lavish parties, there was no way to achieve in Rome a splendor that could compare to the magnificence of these Alexandrian festivities. His friends, many of whom were common actresses and comedians, were not great teachers in the ways of entertaining; they encouraged him to provide them with hearty drinks and lively company rather than refined luxury. However, in Cleopatra’s palace, Antony found himself surrounded by the sophisticated luxuries of the most advanced culture of the age; the sensory appeal was enough to make even the lavish Lucullus look inadequate. Alexandria has been dubbed “the Paris of the ancient world,” and it’s easy to see the allure it had on the passionate Roman, who, for the first time in his life, was among a group of cultured people skilled in the art of extravagant living. Additionally, Cleopatra welcomed him as if he were the future ruler of everything he saw, as the Queen made it clear that all of this would be his if he chose to align himself with her.243

Antony quickly adapted his manners to those of the Alexandrians. He set aside his Roman dress and clothed himself in the square-cut Greek costume, putting upon his feet the white Attic shoes known as phæcasium. He seems to have spoken the Greek language well; and he now made himself diplomatically agreeable to the Grecian nobles who frequented the court. He constantly visited the meeting-places of learned men, spending much time in the temples and in the Museum; and thereby he won for himself an assured position in the brilliant society of the Queen’s Alexandrian court, which, in spite of its devotion to the pleasant follies of civilisation, prided itself upon its culture and learning.

Antony quickly adjusted his behavior to match that of the Alexandrians. He put aside his Roman clothes and dressed in the typical square-cut Greek style, wearing the white Attic shoes known as phæcasium. He seemed to speak Greek quite well, and he made a point of being diplomatically charming to the Greek nobles who gathered at the court. He often visited places where scholars met, spending a lot of time in the temples and the Museum; as a result, he secured a prominent spot in the vibrant society of the Queen’s Alexandrian court, which, though dedicated to the enjoyable aspects of culture, took great pride in its scholarship and education.

Meanwhile he did not hesitate to endear himself by every means in his power to Cleopatra. He knew that she desired him, for dynastic reasons, to become her legal husband, and that there was no other man in the world, from her point of view, so suitable for the position of her consort. He knew, also, that as a young “widow,” whose first union had been so short-lived, Cleopatra was eagerly desirous of a satisfactory marriage which should give her the comfort of a strong companion upon whom to lean in her many hours of anxiety, and an ardent lover to whom she could turn in her loneliness. He knew that she was attracted by his herculean strength and brave appearance; and it must have been apparent to him from the first that he could without much exertion win her devotion almost as easily as the great Cæsar had done. The Queen was young, passionate, and exceedingly lonely; and it did not require any keen perception on his244 part to show him how great was her need, both for political and for personal reasons, of a reliable marriage. He therefore paid court to his hostess with confidence; and it was not long before she surrendered herself to him with all the eagerness and whole-hearted interest of her warm, impulsive nature.

Meanwhile, he didn't hesitate to win Cleopatra over using every means at his disposal. He knew she wanted him, for dynastic reasons, to become her legal husband, and from her perspective, there was no one else in the world more suitable for the role of her partner. He also realized that as a young “widow,” whose first marriage had been so short-lived, Cleopatra was eager for a fulfilling marriage that would provide her with the comfort of a strong companion to lean on during her many anxious moments, as well as a passionate lover to turn to in her loneliness. He knew she was attracted to his impressive strength and brave appearance; it must have been clear to him from the start that winning her devotion could be done almost as easily as it had been for the great Caesar. The Queen was young, passionate, and extremely lonely; it didn’t take much insight on his part to understand how much she needed a reliable marriage, both politically and personally. So, he confidently courted his hostess, and it wasn't long before she completely surrendered herself to him with all the eagerness and wholehearted interest typical of her warm, impulsive nature.

The union was at once sanctioned by the court and the priesthood, and was converted in Egypt into as legal a marriage as that with Cæsar had been. There can be little doubt that Cleopatra obtained from him some sort of promise that he would not desert her; and at this time she must have felt herself able to trust him as implicitly as she had trusted the great Dictator. Cæsar had not played her false; he had taken her to Rome and had made no secret of his intention to raise her to the throne by his side. In like manner she believed that Antony, virtually Cæsar’s successor, would create an empire over which they should jointly rule; and she must have rejoiced in her successful capture of his heart, whereby she had obtained both a good-natured, handsome lover and a bold political champion.

The union was approved by both the court and the clergy, and it became a legally recognized marriage in Egypt, just like the one with Caesar had been. There's little doubt that Cleopatra got some kind of promise from him that he wouldn’t abandon her; at this point, she likely felt she could trust him completely, just as she had trusted the great Dictator. Caesar had not betrayed her; he had taken her to Rome and had been open about his plan to elevate her to the throne beside him. Similarly, she believed that Antony, who was essentially Caesar’s successor, would create an empire for them to rule together. She must have felt thrilled to have captured his heart, gaining not only a charming and good-natured lover but also a brave political ally.

In the union between these two powerful personages the historian may thus see both a diplomatic and a romantic amalgamation. Neither Cleopatra nor Antony seem to me yet to have been very deeply in love, but I fancy each was stirred by the attractions of the other, and each believed for the moment that the gods had provided the mate so long awaited. Cleopatra with her dainty beauty, and Antony with his magnificent physique, must have appeared to be admirably matched by Nature; while their royal and famous destinies could not, in the eyes of the material world, have been more closely allied.

In the union between these two powerful figures, the historian can see both a diplomatic and a romantic blend. I don’t think Cleopatra or Antony were truly in love yet, but I believe each was captivated by the other and thought for a moment that fate had finally brought them their long-awaited partner. Cleopatra, with her delicate beauty, and Antony, with his impressive physique, must have seemed perfectly matched by nature; while their royal and renowned destinies could not have been more closely intertwined in the eyes of the material world.

We have seen how Antony allowed his more refined245 instincts full play in Alexandria, and how, in order to win the Queen’s admiration, he showed himself devoted to the society of learned men. In like manner Cleopatra gave full vent to the more frivolous side of her nature, in order to render herself attractive to her Roman comrade, whose boyish love of tomfoolery was so pronounced. Sometimes in the darkness of the night, as we have already seen, she would dress herself in the clothes of a peasant woman, and disguising Antony in the garments of a slave, she would lead him through the streets of the city in search of adventure. They would knock ominously at the doors or windows of unknown houses, and disappear like ghosts when they were opened. Occasionally, of course, they were caught by the doorkeepers or servants, and, as Plutarch says, “were very scurvily answered and sometimes even beaten severely, though most people guessed who they were.”

We’ve seen how Antony embraced his more cultured side in Alexandria, and how he went out of his way to impress the Queen by surrounding himself with intellectuals. Similarly, Cleopatra let her playful side shine through to attract her Roman partner, whose childish love for silliness was quite obvious. Sometimes at night, as we've noted before, she would dress up as a peasant woman and disguise Antony as a slave, leading him through the streets in search of excitement. They would knock loudly on the doors or windows of unfamiliar houses and vanish like ghosts when someone answered. Of course, they sometimes got caught by the doormen or servants, and as Plutarch notes, “they were treated very rudely and sometimes even beaten badly, although most people figured out who they were.”

Cleopatra provided all manner of amusements for her companion. She would ride and hunt with him in the desert beyond the city walls, boat and fish with him on the sea or the Mareotic Lake, romp with him through the halls of the Palace, watch him wrestle, fence, and exercise himself in arms, play dice with him, drink with him, and fascinate him by the arts of love. The following story presents a characteristic picture of the jovial life led by them in Alexandria during this memorable winter. Antony had been fishing from one of the vessels in the harbour; but, failing to make any catches, he employed a diver to descend into the water and to attach newly-caught fishes to his hook, which he then landed amidst the applause of Cleopatra and her friends. The Queen, however, soon guessed what was happening, and at once invited a number of persons to come on246 the next day to witness Antony’s dexterity. She then procured some preserved fish which had come from the Black Sea, and instructed a slave to dive under the vessel and to attach one to the hook as soon as it should strike the water. This having been done, Antony drew to the surface the salted fish, the appearance of which was greeted with hearty laughter; whereupon Cleopatra, turning to the discomfited angler, tactfully said, “Leave the fishing-rod, general, to us poor sovereigns of Pharos and Canopus: your game is cities, provinces, and kingdoms.”

Cleopatra arranged all sorts of fun for her companion. She would ride and hunt with him in the desert outside the city walls, go boating and fishing with him on the sea or Mareotic Lake, play around with him in the halls of the Palace, watch him wrestle, fence, and practice his skills with weapons, play dice with him, drink with him, and captivate him with her charm. The following story illustrates their lively life together in Alexandria during that memorable winter. Antony had been fishing from one of the boats in the harbor, but when he couldn't catch anything, he had a diver go underwater to attach freshly caught fish to his hook, which he then pulled up to the cheers of Cleopatra and her friends. However, the Queen soon figured out what was going on and immediately invited several people to come the next day to see Antony's skills. She then got some preserved fish that had come from the Black Sea and told a slave to dive under the boat and attach one to the hook as soon as it hit the water. Once that was done, Antony brought up the salted fish, which provoked hearty laughter; then Cleopatra, turning to the embarrassed fisherman, tactfully said, “Leave the fishing rod, General, to us poor rulers of Pharos and Canopus: your business is cities, provinces, and kingdoms.”

During this winter Antony and the Queen together founded a kind of society or club which they named the Amimetobioi, or Inimitable Livers, the members of which entertained one another in turn each day in the most extravagant manner. Antony, it would seem probable, was the president of this society; and two inscriptions have been found in which he is named “The Inimitable,” perhaps not without reference to this office. A story told by a certain Philotas, a medical student at that time residing in Alexandria, will best illustrate the prodigality of the feasts provided by the members of this club. Philotas was one day visiting the kitchens of Cleopatra’s palace, and was surprised to see no less than eight wild boars roasting whole. “You evidently have a great number of guests to-day,” he said to the cook; to which the latter replied, “No, there are not above twelve to dine, but the meat has to be served up just roasted to a turn: and maybe Antony will wish to dine now, maybe not for an hour; yet if anything is even one minute ill-timed it will be spoilt, so that not one but many meals must be in readiness, as it is impossible to guess at his dining-hour.”

During this winter, Antony and the Queen started a sort of society or club that they called the Amimetobioi, or Inimitable Livers, where the members took turns hosting each other every day in the most extravagant ways. It seems likely that Antony was the president of this group; two inscriptions have been found calling him “The Inimitable,” probably in reference to this role. A story from a guy named Philotas, a medical student living in Alexandria at the time, best illustrates the lavishness of the feasts held by this club. One day, Philotas was visiting the kitchens of Cleopatra’s palace and was shocked to see eight whole wild boars roasting. “You must have a lot of guests today,” he told the cook, who replied, “No, we only have about twelve dining, but the meat has to be served perfectly roasted: Antony might want to eat now or not for another hour; if anything is even a minute late, it’ll be ruined, so we need to have multiple meals ready, as it’s impossible to know when he’ll want to eat.”

247 As an example of the food served at these Alexandrian banquets, I may be permitted to give a list of the dishes provided some years previously at a dinner given in Rome by Mucius Lentulus Niger, at which Julius Cæsar had been one of the guests; but it is to be remembered that Cleopatra’s feasts are thought to have been far more prodigious than any known in Rome. The menu is as follows: Sea-hedgehogs; oysters; mussels; sphondyli; fieldfares with asparagus; fattened fowls; oyster and mussel pasties; black and white sea-acorns; sphondyli again; glycimarides; sea-nettles; becaficoes; roe-ribs; boar’s ribs; fowls dressed with flour; becaficoes again; purple shell-fish of two kinds; sow’s udder; boar’s head; fish pasties; ducks; boiled teals; hares; roasted fowls; starch-pastry; and Pontic pastry. Varro, in one of his satires, mentions some of the most noted foreign delicacies which were to be found upon the tables of the rich. These include peacocks from Samos; grouse from Phrygia; cranes from Melos; kids from Ambracia; tunny-fish from Chalcedon; murænas from the Straits of Gades; ass-fish from Pessinus; oysters and scallops from Tarentum; sturgeons from Rhodes; scarus-fish from Cilicia; nuts from Thasos; and acorns from Spain. The vegetables then known included most of those now eaten, with the notable exception, of course, of potatoes.91 The main meal of the day, the cœna, was often prolonged into a drinking party, known as commissatio, at which an Arbiter bibendi, or Master of Revels, was appointed by the throwing of dice, whose duty it was to mix the wine in a large bowl. The diners lay upon couches usually arranged round three sides of the table, and they ate their food with their fingers. Chaplets248 of flowers were placed upon their heads, cinnamon was sprinkled upon the hair, and sweet perfumes were thrown upon their bodies, and sometimes even mixed with the wines. During the meals the guests were entertained by the performances of dancing-girls, musicians, actors, acrobats, clowns, dwarfs, or even gladiators; and afterwards dice-throwing and other games of chance were indulged in. The decoration of the rooms and the splendour of the furniture and plate were always very carefully considered, Cleopatra’s banquets being specially noteworthy for the magnificence of the table services. These dishes and drinking-vessels, which the Queen was wont modestly to describe as her Kerama or “earthenware,” were usually made of gold and silver encrusted with precious stones; and so famous were they for their beauty of workmanship that three centuries later they formed still a standard of perfection, Queen Zenobia of Palmyra being related to have collected them eagerly for her own use.

247 To illustrate the food served at these Alexandrian banquets, I can share a list of the dishes served a few years earlier at a dinner hosted in Rome by Mucius Lentulus Niger, where Julius Caesar was among the guests. However, it's important to note that Cleopatra's feasts were believed to be far more extravagant than any known in Rome. The menu includes: Sea urchins; oysters; mussels; sphondyli; fieldfares with asparagus; plump fowls; oyster and mussel pies; black and white sea acorns; sphondyli again; glycymerides; jellyfish; becaficoes; roe ribs; boar ribs; fowls cooked with flour; becaficoes again; two kinds of purple shellfish; sow's udder; boar's head; fish pies; ducks; boiled teal; hares; roasted fowls; starch pastries; and Pontic pastries. Varro, in one of his satires, mentions some of the most famous foreign delicacies found on the tables of the wealthy. These include peacocks from Samos; grouse from Phrygia; cranes from Melos; kids from Ambracia; tuna from Chalcedon; moray eels from the Straits of Gades; fish from Pessinus; oysters and scallops from Tarentum; sturgeons from Rhodes; scarus fish from Cilicia; nuts from Thasos; and acorns from Spain. The vegetables known at the time included most of those we eat today, with the notable exception, of course, of potatoes.91 The main meal of the day, the cœna, often turned into a drinking party called commissatio, where an Arbiter bibendi, or Master of Revels, was chosen by a dice roll to mix the wine in a large bowl. The diners reclined on couches usually arranged on three sides of the table, eating their food with their fingers. Flower crowns were placed on their heads, cinnamon was sprinkled in their hair, and sweet perfumes were poured on their bodies, sometimes even mixed with the wines. During the meals, guests were entertained by dancers, musicians, actors, acrobats, clowns, dwarfs, or even gladiators, and afterward, they enjoyed dice games and other games of chance. The decoration of the rooms and the lavishness of the furniture and tableware were always given careful thought, with Cleopatra's banquets being especially noted for the grandeur of the table settings. These dishes and drinking vessels, which the Queen modestly referred to as her Kerama or “earthenware,” were typically made of gold and silver, encrusted with precious stones; so renowned was their craftsmanship that, three centuries later, they still represented a standard of perfection, with Queen Zenobia of Palmyra reportedly eager to collect them for her own use.

Thus, with feasting, merry-making, and amusements of all kinds, the winter slipped by. To a large extent Plutarch is justified in stating that in Alexandria Antony “squandered that most costly of all valuables, time”; but the months were not altogether wasted. He and Cleopatra had cemented their alliance by living together in the most intimate relations; and both now thought it probable that when the time came for the attempted overthrow of Octavian they would fight their battle side by side. By becoming Cleopatra’s lover, and by appealing to the purely instinctive side of her nature, Antony had obtained from her the whole-hearted promise of Egypt’s support in all his undertakings; and these happy winter months in Alexandria could not have seemed to249 him to be wasted when each day the powerful young Queen come to be more completely at his beck and call. The course of Cleopatra’s love for Antony seems to have followed almost precisely the same lines as had her love for Julius Cæsar. Inspired at first by a political motive, she had come to feel a genuine and romantic affection for her Roman consort; and the intimacies which ensued, though largely due to the weaknesses of the flesh, seemed to find full justification in the fact that her dynastic ambitions were furthered by this means. Cleopatra thought of Antony as her husband, and she wished to be regarded as his wife. The fact that no public marriage had taken place was of little consequence; for she, as goddess and Queen, must have felt herself exempt from the common law, and at perfect liberty to contract whatever union seemed desirable to her for the good of her country and dynasty, and for the satisfaction of her own womanly instincts. Early in the year B.C. 40 she and Antony became aware that their union was to be fruitful; and this fact must have made Cleopatra more than ever anxious to keep Antony in Alexandria with her, and to bind him to her by causing him to be recognised as her consort. He was not willing, however, to assume the rank and status of King of Egypt; for such a move would inevitably precipitate the quarrel with Octavian, and he would then be obliged to stake all on an immediate war with the faction which would assuredly come to be recognised as the legitimate Roman party. This unwillingness on his part to bind himself to her must have caused her some misgiving; and, as the winter drew to a close, I think that the Queen must have felt somewhat apprehensive in regard to Antony’s sincerity.

So, with feasting, celebrations, and all sorts of fun, the winter went by. Plutarch is mostly right when he says that in Alexandria, Antony “wasted that most precious of all resources, time”; but the months weren’t entirely lost. He and Cleopatra solidified their alliance by living together closely, and they both believed that when the time came to challenge Octavian, they would fight side by side. By becoming Cleopatra’s lover and appealing to her instinctual nature, Antony secured her full support for all his endeavors, and those joyful winter months in Alexandria couldn’t have felt wasteful to him, especially as each day, the powerful young Queen became more completely at his command. Cleopatra’s love for Antony seems to have followed almost exactly the same path as her love for Julius Caesar. Initially driven by political motives, she developed a genuine romantic affection for her Roman partner; the intimacy that followed, while largely stemming from physical desires, felt justified because it advanced her dynastic ambitions. Cleopatra viewed Antony as her husband and wanted to be seen as his wife. The lack of a public marriage didn’t matter much; as a goddess and Queen, she likely felt exempt from common laws and free to enter into whatever union she deemed necessary for her country, her dynasty, and her own desires. Early in the year BCE 40, she and Antony realized that their union would be fruitful; this knowledge likely made Cleopatra even more eager to keep Antony in Alexandria and to secure his recognition as her partner. However, he was reluctant to take on the title and status of King of Egypt; doing so would inevitably spark a conflict with Octavian, forcing him to risk everything on an immediate war with what would surely become regarded as the legitimate Roman faction. His hesitation to commit must have caused her some concern, and as winter came to an end, I think the Queen began to feel a bit anxious about Antony’s sincerity.

250 Setting aside all sentimental factors in the situation, and leaving out of consideration for the moment all physical causes of the alliance, it will be seen that Antony’s position was now more satisfactory than was that of the often sorely perplexed Queen. By spending the winter at Alexandria the Roman Triumvir had kept himself aloof from the political troubles in Italy at a time when his presence at home might have complicated matters to his own disadvantage; he had obtained the full support of Egyptian wealth and Egyptian arms should he require them; and he had prepared the way for a definite marriage with Cleopatra at the moment when he should desire her partnership in the foundation of a great monarchy such as that for which Julius Cæsar had striven. He had not yet irrevocably compromised himself, and he was free to return to his Roman order of life with superficially clean hands. Nobody in Rome would think the less of him for having combined a certain amount of pleasure with the obvious business which had called him to Egypt; and his friends would certainly be as easily persuaded to accept the political excuses which he would advance for his lengthy residence in Alexandria as the Cæsarian party had been to admit those put forward by the great Dictator under very similar circumstances. Like Julius Cæsar and like Pompey, Antony was certainly justified in making himself the patron of the wealthy Egyptian court; and all Roman statesmen were aware how desirable it was at this juncture for a party leader to cement an alliance with the powerful Queen of that country.

250 If we put aside all the emotional aspects of the situation and ignore the physical reasons for the alliance for now, it becomes clear that Antony's position was more favorable than that of the often confused Queen. By spending the winter in Alexandria, the Roman Triumvir had distanced himself from the political issues in Italy, where his presence might have made things more complicated for him. He had secured the full support of Egyptian wealth and military resources if he needed them, and he had set the stage for a formal marriage with Cleopatra when he wanted her partnership in establishing a great monarchy similar to what Julius Cæsar had aimed for. He hadn't fully committed himself yet, which meant he could return to his Roman lifestyle with clean hands. No one in Rome would think less of him for mixing a bit of pleasure with the important business that had brought him to Egypt, and his friends would easily accept the political reasons he would give for staying in Alexandria as the Cæsarian party had done for the great Dictator under similar circumstances. Like Julius Cæsar and Pompey, Antony was justified in being the patron of the wealthy Egyptian court; all Roman statesmen knew how important it was for a party leader at this time to strengthen an alliance with the powerful Queen of that country.

On the part of Cleopatra, however, the circumstances were far less happy. She had staked all on the alliance with Antony—her personal honour and prestige as well251 as her dynasty’s future; and in return for her great gifts she must have been beginning to feel that she had received nothing save vague promises and unsatisfactory assurances. Without Antony’s help not only would she lose all hope of an Egypto-Roman throne for herself and her son Cæsarion, but she would inevitably fail to keep Egypt from absorption into the Roman dominions. There were only two mighty leaders at that time in the Roman world—Octavian and Antony; and Octavian was her relentless enemy, for the reason that her son Cæsarion was his rival in the claim on the Dictator’s worldly and political estate. Failing the support of Antony there were no means of retaining her country’s liberty, except perhaps by the desperate eventuality of some sort of alliance with Parthia. It must have occurred to her that Egypt, with its growing trade with southern India, might join forces with Parthia, whose influence in northern India must have been great, and might thus effect an amalgamation of nations hostile to Rome, which in a vast semicircle should include Egypt, Ethiopia, Arabia, Persia, India, Scythia, Parthia, Armenia, Syria, and perhaps Asia Minor. Such a combination might be expected to sweep Rome from the face of the earth; but the difficulties in the way of the huge union were almost insuperable, and the alliance with Antony was infinitely more tangible. Yet, towards the end of the winter, she must constantly have asked herself whether she could trust Antony, to whom she had given so much. She loved him, she had given herself to him; but she must have known him to be unreliable, inconsequent, and, in certain aspects, merely an overgrown boy. The stakes for which she was fighting were so absolutely essential to herself and to her country: the champion252 whose services she had enlisted was so light-hearted, so reluctant to pledge himself. And now that she was about to bear him a son, and thus to bring before his wayward notice the grave responsibilities which she felt he had so flippantly undertaken, would he stand by her as Cæsar had done, or would he desert her?

On Cleopatra's side, though, things were much less favorable. She had put everything on the line with her alliance with Antony—her personal honor and reputation, as well as her dynasty's future; and for all her grand gifts, she was probably starting to realize that she had only gotten vague promises and disappointing reassurances in return. Without Antony's support, not only would she lose all hope of securing an Egypto-Roman throne for herself and her son Cæsarion, but she would also inevitably fail to prevent Egypt from being absorbed into the Roman Empire. At that time, there were only two powerful leaders in the Roman world—Octavian and Antony; and Octavian was her relentless enemy because her son Cæsarion was his rival for the Dictator's worldly and political estate. Without Antony's help, there was little chance of retaining her country's freedom, except maybe through the desperate option of some sort of alliance with Parthia. It must have crossed her mind that Egypt, with its increasing trade with southern India, might collaborate with Parthia, whose influence in northern India was likely significant, and could thus create a coalition of nations opposed to Rome, forming a vast semicircle that would include Egypt, Ethiopia, Arabia, Persia, India, Scythia, Parthia, Armenia, Syria, and perhaps Asia Minor. Such a coalition could potentially drive Rome off the map; but the challenges of unifying such a massive group were nearly impossible, and the alliance with Antony felt far more concrete. Yet, as winter came to an end, she must have repeatedly asked herself if she could trust Antony, to whom she had given so much. She loved him, she had given herself to him; but she must have known he was unreliable, unpredictable, and, in some ways, just a grown child. The stakes she was fighting for were absolutely crucial to her and her country: the champion she had enlisted was so carefree and so hesitant to commit. And now that she was about to have his child, bringing to his attention the serious responsibilities she felt he had so casually taken on, would he stand by her as Cæsar had, or would he betray her?

Her feelings may be imagined, therefore, when in February B.C. 40, Antony told her that he had received disconcerting news from Rome and from Syria, and that he must leave her at once. The news from Rome does not appear to have been very definite, but it gave him to understand that his wife and his brother had come to actual blows with Octavian, and, being worsted, had fled from Italy. From Syria, however, came a very urgent despatch, in regard to which there could be no doubts. Some of the Syrian princes whom he had deposed in the previous autumn, together with Antigonus, whose claims to the throne of Palestine he had rejected, had made an alliance with the Parthians and were marching down from the north-east against Decimus Saxa, the governor of Syria. The Roman forces in that country were few in number, consisting for the most part of the remnants of the army of Brutus and Cassius; and they could hardly be expected to put up a good fight against the invaders. Antony’s own trusted legions were now stationed in Italy, Gaul, and Macedonia; and there were many grave reasons for their retention in their present quarters. The situation, therefore, was very serious, and Antony was obliged to bring his pleasant visit to Alexandria to an abrupt end. Plutarch describes him as “rousing himself with difficulty from sleep, and shaking off the fumes of wine” in preparation for his departure; but I do not think253 that his winter had been so debauched as these words suggest. He had combined business and pleasure, as the saying is, and at times had lost sight of the one in his eager prosecution of the other; but, looking at the matter purely from a hygienic point of view, it seems probable that the hunting, riding, and military exercises of which Plutarch speaks, had kept him in a fairly healthy condition in spite of the stupendous character of the meals set before him.

Her feelings can be imagined when, in February BCE 40, Antony told her he had received troubling news from Rome and Syria and needed to leave her immediately. The news from Rome wasn't very clear, but it indicated that his wife and brother had come to blows with Octavian and, being beaten, had fled from Italy. However, the message from Syria was very urgent and left no room for doubt. Some of the Syrian princes he had deposed the previous autumn, along with Antigonus, whose claim to the throne of Palestine he had dismissed, had formed an alliance with the Parthians and were marching down from the northeast to confront Decimus Saxa, the governor of Syria. The Roman forces in that area were few, mainly made up of remnants from Brutus and Cassius's army, and they were unlikely to put up a strong resistance against the invaders. Antony’s own trusted legions were stationed in Italy, Gaul, and Macedonia, and there were many serious reasons for keeping them there. The situation was very dire, and Antony was forced to cut his enjoyable visit to Alexandria short. Plutarch describes him as “struggling to wake up from sleep and shaking off the effects of wine” to prepare for his departure; however, I don't think his winter was as debauched as those words imply. He had balanced business and pleasure, as the saying goes, and at times had lost focus on one while eagerly pursuing the other; but looking at it purely from a health perspective, it seems likely that the hunting, riding, and military exercises Plutarch mentions had kept him in reasonably good shape despite the extravagant meals he had been served.

The parting of Antony and Cleopatra early in March must have contained in it an element of real tragedy. He could not tell what difficulties were in store for him, and at the moment he had not asked the Queen for any military help. He must have bade her lie low until he was able to tell her in what manner she could best help their cause; and thereby he consigned her to a period of deep anxiety and sustained worry. In loneliness she would have to face her coming confinement, and, like a deserted courtesan, would have to nurse a fatherless child. She would have to hold her throne without the comfort of a husband’s advice; and in all things she would once more be obliged to live the dreary life of a solitary unmated Queen. It was a miserable prospect, but, as will be seen in the following chapter, the actual event proved to be far more distressing than she had expected; for, as Antony sailed out of the harbour of Alexandria, and was shut out from sight behind the mighty tower of Pharos, Cleopatra did not know that she would not see his face again for four long years.

The farewell between Antony and Cleopatra in early March must have been genuinely tragic. He had no idea what challenges awaited him, and he hadn't asked the Queen for any military support at that moment. He likely told her to stay out of sight until he could explain how she could best assist their cause, which left her in a state of deep anxiety and ongoing worry. In solitude, she would have to face her impending childbirth, and, like a forsaken courtesan, she would raise a fatherless child. She would need to hold onto her throne without the reassurance of a husband’s counsel, and in every respect, she would once again have to endure the bleak life of a solitary queen. It was a dismal outlook, but, as will be revealed in the next chapter, the reality turned out to be far more distressing than she anticipated; for as Antony sailed out of the harbor of Alexandria, disappearing behind the massive tower of Pharos, Cleopatra had no idea that she wouldn't see him again for four long years.


CHAPTER XIV.
THE ALLIANCE BETWEEN CLEOPATRA AND ANTONY IS RENEWED.

In the autumn of the year B.C. 40, some six months after the departure of Antony, Cleopatra gave birth to twins, a boy and a girl, whom she named Alexander Helios and Cleopatra Selene, the Sun and the Moon. With this event she passes almost entirely from the pages of history for more than three years, and we hear hardly anything of her doings until the beginning of B.C. 36. During this time she must have been considerably occupied in governing her own kingdom and in watching, with a kind of despair, the complicated events in the Roman world. Despatches from Europe must have come to her from time to time telling of the progress of affairs, but almost all the news which she thus received was disappointing and disconcerting to her; and one must suppose that she passed these years in very deep sadness and depression. I do not think that any historian has attempted to point out to his readers the painful condition of disillusionment in which the little Queen now found herself. When Antony left her she must have expected him either to return soon to her, or presently to send his lieutenants to bring her to him; but the weeks passed and no such event took255 place. While she suffered all the misery of lonely childbirth, her consort was engaged in absorbing affairs in which she played no immediate part; and it seems certain that in the stress of his desperate circumstances the inconsequent Antony had put her almost entirely from his thoughts.

In the autumn of the year BCE 40, about six months after Antony left, Cleopatra gave birth to twins, a boy and a girl, whom she named Alexander Helios and Cleopatra Selene, the Sun and the Moon. With this event, she almost entirely disappears from history for over three years, and we hear hardly anything about her activities until the beginning of BCE 36. During this time, she must have been quite busy managing her own kingdom and watching, in despair, the complex events in the Roman world. Reports from Europe must have reached her now and then, detailing the situation, but almost all the news she received was disappointing and unsettling; one can assume that she spent these years in deep sadness and depression. I don't think any historian has highlighted the painful disillusionment that the little Queen was experiencing. When Antony left her, she probably expected him either to return soon or to send his lieutenants to bring her to him, but the weeks went by without such events occurring. While she endured the struggles of solitary childbirth, her partner was involved in critical matters that did not include her, and it seems likely that, in the midst of his desperate circumstances, the inconsistent Antony had almost completely forgotten about her.

When he left her in the spring of B.C. 40 he sailed straight across the Mediterranean to Tyre, where he learnt to his dismay that practically all Syria and Phœnicia had fallen into the hands of the Parthians, and that there was no chance of resisting their advance successfully with the troops now holding the few remaining seaport towns. He therefore hastened with 200 ships by Cyprus and Rhodes to Greece, abandoning Syria for the time being to the enemy. Arriving at Ephesus, he heard details of the troubles in Italy; how his supporters had been besieged by Octavian in Perugia, which had at length been captured; and how all his friends and relatives had fled from Italy. His wife Fulvia, he was told, escorted by 3000 cavalry, had sailed from Brundisium for Greece, and would soon join him there; and his mother, Julia, had fled to the popular hero, Sextus Pompeius, the outlawed son of the great Pompey, who had received her very kindly. Thus, not only was Italy shut to Antony, since Octavian was now sole master of the country, but he seemed likely also to be turned out of his eastern provinces by the advance of the Parthians. His position was a desperate one; and he must now have both reproached himself very deeply for his waste of time in Alexandria and blamed his relations for their impetuosity in making war against Octavian.

When he left her in the spring of BCE 40, he sailed straight across the Mediterranean to Tyre, where he was dismayed to learn that nearly all of Syria and Phoenicia had fallen into the hands of the Parthians, and there was no chance of successfully resisting their advance with the troops now holding the few remaining seaport towns. He quickly moved with 200 ships past Cyprus and Rhodes to Greece, temporarily abandoning Syria to the enemy. Upon arriving in Ephesus, he heard about the troubles in Italy; how his supporters had been besieged by Octavian in Perugia, which had finally been captured; and how all his friends and family had fled Italy. He was told that his wife, Fulvia, accompanied by 3,000 cavalry, had sailed from Brundisium to Greece and would soon join him there; and that his mother, Julia, had taken refuge with the popular hero, Sextus Pompeius, the outlawed son of the great Pompey, who had welcomed her warmly. Thus, not only was Italy closed off to Antony, since Octavian was now the sole ruler of the country, but he also seemed likely to be ousted from his eastern provinces by the advancing Parthians. His situation was desperate; he must have been regretting his wasted time in Alexandria and blaming his relatives for their rashness in going to war with Octavian.

Towards the end of June Antony arrived in Athens,256 and there he was obliged to go through the ordeal of meeting the domineering Fulvia, of whom he was not a little afraid, more especially in view of his notorious intrigue with the Queen of Egypt. The ensuing interviews between them must have been of a very painful character. Fulvia probably bitterly reproved her errant husband for deserting her and for remaining so long with Cleopatra, while Antony must have abused her roundly for making so disastrous a mess of his affairs in Italy. Ultimately the unfortunate woman seems to have been crushed and dispirited by Antony’s continued anger; and having fallen ill while staying at Sicyon, some sixty miles west of Athens, and lacking the desire to live, she there died in the month of August. Meanwhile Antony, having made an alliance with Sextus Pompeius, was ravaging the coasts of Italy in a rather futile attempt to regain some of his lost prestige; but no sooner was the death of Fulvia announced than he shifted the entire blame for the war on to his late wife’s shoulders, and speedily made his peace with Octavian. The two rivals met at Brundisium in September B.C. 40, and a treaty was made between them by which the peace of the Roman world was expected to be assured for some years to come. It was arranged that Octavian should remain autocrat in Italy, and should hold all the European provinces, including Dalmatia and Illyria; and that Antony should be master of the East, his dominions comprising Macedonia, Greece, Bithynia, Asia, Syria, and Cyrene. The remaining provinces of North Africa, west of Cyrene, fell to the lot of the third Triumvir, the insignificant Lepidus. This treaty was sealed by the marriage of Antony with Octavia, the sister of Octavian, a young woman who had been left a widow some months previously,257 and the wedding was celebrated in Rome in October B.C. 40, the populace showing peculiar pleasure at seeing the two rivals, whose quarrels had caused such bloodshed and misery, thus fraternising in the streets of the capital.

Towards the end of June, Antony arrived in Athens,256 where he had to face the challenging situation of meeting the overbearing Fulvia, who he was quite afraid of, especially given his infamous affair with the Queen of Egypt. Their subsequent meetings must have been very difficult. Fulvia likely harshly criticized her wandering husband for abandoning her and for spending so much time with Cleopatra, while Antony must have vented his frustration at her for poorly managing his affairs in Italy. Eventually, the unfortunate woman seemed to be crushed and demoralized by Antony’s ongoing anger; she fell ill while staying in Sicyon, about sixty miles west of Athens, and lacking the will to live, she passed away in August. In the meantime, Antony, having formed an alliance with Sextus Pompeius, was plundering the coasts of Italy in a somewhat vain effort to regain some of his lost prestige; but as soon as Fulvia's death was reported, he quickly shifted all the blame for the conflict onto his late wife and made amends with Octavian. The two rivals met in Brundisium in September BCE 40, and they reached a treaty that was expected to secure peace in the Roman world for several years. It was agreed that Octavian would remain in control of Italy and manage all the European provinces, including Dalmatia and Illyria, while Antony would oversee the East, with his territories covering Macedonia, Greece, Bithynia, Asia, Syria, and Cyrene. The remaining provinces of North Africa, west of Cyrene, were assigned to the third Triumvir, the insignificant Lepidus. This treaty was cemented by Antony's marriage to Octavia, the sister of Octavian, a young woman who had recently become a widow,257 and the wedding took place in Rome in October BCE 40, with the public showing particular joy at seeing the two rivals, whose disputes had led to so much bloodshed and suffering, now bonding in the streets of the capital.

The consternation of Cleopatra, when the news of Antony’s marriage reached her, must have been sad to witness. The twins whom she had borne to him were but a few weeks old at the time when their father’s perfidy was thus made known to her; and bitterly must she have chided herself for ever putting her trust in so unstable a man. It now seemed to her that he had come to Alexandria as it were to fleece her of her wealth, and she, falling a victim to his false protestations of love, had given her all to him, only to be deserted when most she needed him. With the news of his marriage, her hopes of obtaining a vast kingdom for herself and for Cæsar’s son were driven from her mind, and her plans for the future had to be diverted into other directions. She must have determined at once to give no more assistance to Antony, either in money or in materials of war; and we have no evidence of any such help being offered to him in the military operations which ensued during the next two years. Cleopatra had perhaps known Antony’s new wife in Rome, and certainly she must have heard much of her charms and her goodness. Plutarch tells us that Octavia was younger and more beautiful than the Queen, and one may therefore understand how greatly Cleopatra must have suffered at this time. Not only was her heart heavy with the thought of the miscarriage of all her schemes, but her mind it would seem was aflame with womanly jealousy.

The shock of Cleopatra when she heard about Antony's marriage must have been heartbreaking to see. The twins she had just given birth to were only a few weeks old when she found out about their father’s betrayal; she must have regretted ever trusting such an unreliable man. It seemed to her that he had come to Alexandria just to take advantage of her wealth, and she, naive in believing his false declarations of love, had given him everything, only to be abandoned when she needed him the most. With the news of his marriage, her hopes of securing a vast kingdom for herself and Caesar’s son were shattered, and she had to rethink her plans for the future. She must have immediately decided to stop supporting Antony, whether with money or military supplies; there’s no evidence that she offered him any help in the military actions that followed over the next two years. Cleopatra might have known Antony’s new wife in Rome and certainly had heard a lot about her attractiveness and virtues. Plutarch tells us that Octavia was younger and more beautiful than Cleopatra, which explains just how deeply Cleopatra must have felt the pain during this time. Not only was her heart burdened with the failure of all her plans, but her mind was also likely consumed by jealousy.

In the following year, B.C. 39, by the force of public258 opinion, Sextus Pompeius was admitted to the general peace, the daughter of the sea-rover marrying Marcellus, the son of Octavian. The agreement was made at Misenum (not far from Naples), and was celebrated by a banquet which was given by Sextus Pompeius on board his flag-ship, a galley of six banks of oars, “the only house,” as the host declared, “that Pompey is heir to of his father’s.” During the feast the guests drank heavily, and presently many irresponsible jests began to be made in regard to Antony and Cleopatra. Antony very naturally was annoyed at the remarks which were passed, and there seems to have been some danger of a fracas. Observing this, a pirate-chief named Menas, who was one of the guests, whispered to Sextus: “Shall I cut the cables and make you master of the whole Roman Empire?” “Menas,” replied he, after a moment’s thought, “this might have been done without telling me, but now we must rest content. I cannot break my word.” Thus Antony was saved from assassination, and incidentally it may be remarked that had he been done to death at this time, history would probably have had to record an alliance between Sextus and Cleopatra directed against Octavian, which might have been as fruitful of romantic incident as was the story which has here to be related. We hear vaguely of some sort of negotiations between Sextus and the Queen, and it is very probable that with his rise to a position of importance Cleopatra would have attempted to make an alliance with this son of Egypt’s former patron.

In the next year, B.C. 39, due to public opinion, Sextus Pompeius was brought into the general peace, with the daughter of the sea raider marrying Marcellus, the son of Octavian. The agreement took place at Misenum (not far from Naples) and was marked by a banquet hosted by Sextus Pompeius on his flagship, a galley with six levels of oars, which he referred to as “the only home” he inherited from his father. During the feast, the guests drank heavily, and soon many careless jokes were made about Antony and Cleopatra. Naturally, Antony was irritated by the comments being made, and it seemed like a fight could break out. Noticing this, a pirate chief named Menas, who was among the guests, whispered to Sextus: “Should I cut the cables and make you the master of the whole Roman Empire?” “Menas,” he replied after a moment of contemplation, “this could have been done without telling me, but now we have to be content. I can't break my word.” Thus, Antony was spared from assassination, and it’s worth noting that if he had been killed at that moment, history would likely have recorded a partnership between Sextus and Cleopatra directed against Octavian, which might have resulted in as many dramatic events as the story we’re about to tell. We hear vague hints of some sort of negotiations between Sextus and the Queen, and it's very likely that with his rise to power, Cleopatra would have sought to form an alliance with this son of Egypt’s former supporter.

In September B.C. 39, Octavia presented Antony with a daughter who was called Antonia, and who subsequently became the grandmother of the Emperor Nero. Shortly after this he took up his quarters at Athens,259 where he threw himself as keenly into the life of the Athenians as he had into that of the Alexandrians. He dressed himself in the Greek manner, with certain Oriental touches, and it was noticed that he ceased to take any interest in Roman affairs. He feasted sumptuously, drank heavily, spent a very great deal of money, and wasted any amount of time. The habits of the East appealed to him, and in his administration he adopted the methods sometimes practised by Greeks in the Orient. He abolished the Roman governorships in many of the provinces under his control, converting them into vassal kingdoms. Thus Herod was created King of Judea; Darius, son of Pharnaces, was made King of Pontus; Amyntas was raised to the throne of Pisidia; Polemo was given the crown of Lycaonia, and so on. His rule was mild and kindly, though despotic; and on all sides he was hailed as the jolly god Dionysos, or Bacchus, come to earth. Like Julius Cæsar, he was quite willing to accept divinity, and he even went so far as personally to take the place of the statue of Dionysos in the temple of that god, and to go through the mystical ceremony of marriage to Athene at Athens. His popularity was immense, and this assumption of a godhead was received quite favourably by the Athenians; but when one of his generals, Ventidius Bassus, who had been sent to check the advance of the Parthians, returned with the news that he had completely defeated them, public enthusiasm knew no bounds, and Antony was fêted and entertained in the most astonishing manner.

In September BCE 39, Octavia gave birth to a daughter named Antonia, who would later become the grandmother of Emperor Nero. Shortly after, he settled in Athens,259 where he immersed himself in Athenian life just as he had in Alexandria. He adopted a Greek style of dress with some Eastern influences and lost interest in Roman affairs. He indulged in lavish feasts, drank heavily, spent a lot of money, and wasted plenty of time. The customs of the East appealed to him, and in his administration, he used methods sometimes seen among Greeks in the East. He abolished many Roman governorships in the provinces he controlled, turning them into client kingdoms. Herod became King of Judea; Darius, son of Pharnaces, was made King of Pontus; Amyntas ascended to the throne of Pisidia; Polemo was crowned King of Lycaonia, and so on. His rule was mild and benevolent, yet despotic, and he was celebrated as the cheerful god Dionysos, or Bacchus, on earth. Like Julius Cæsar, he was open to being viewed as divine, even going so far as to take the place of the statue of Dionysos in his temple and participating in a mystical marriage ceremony to Athene in Athens. His popularity was immense, and this claim to divinity was well received by the Athenians. However, when one of his generals, Ventidius Bassus, returned with news of a complete victory over the Parthians, public excitement reached new heights, and Antony was celebrated and entertained in astonishing ways.

The contrast between Antony’s benevolent government of his eastern provinces and Octavian’s conduct in the west was striking. Octavian was a curious-tempered man, morose, quietly cruel, and secretly vicious. So260 many persons were tortured and crucified by him that he came to be known as the “Executioner.” His manner was imperturbable and always controlled in public; but in private life at this time he indulged in the wildest debauches, gambled, and surrounded himself with the lowest companions. His rule in Italy in these days constituted a Reign of Terror; and large numbers of the populace hated the very sight of him. His appearance was unimposing, for he was somewhat short and was careless in his deportment; while, although his face was handsome, it had certain very marked defects. His complexion was very sallow and unhealthy, his skin being covered with spots, and his teeth were much decayed; but his eyes were large and remarkably brilliant, a fact of which he was peculiarly proud. He did not look well groomed or clean, and he was notably averse to taking a bath, though he did not object to an occasional steaming, or Turkish bath, as we should now call it. He was eccentric in his dress, though precise and correct in business affairs. He disliked the sunshine, and always wore a broad-brimmed hat to protect his head from its brilliancy; but at the same time he detested cold weather, and in winter he is said to have worn a thick toga, at least four tunics, a shirt, and a flannel stomacher, while his legs and thighs were swathed in yards of warm cloth. In spite of this he was constantly suffering from colds in his head, and was always sneezing and snuffling. His liver, too, was generally out of order, a fact to which perhaps his ill-temper may be attributed. His clothes were all made at home by his wife and sister, and fitted him badly; and his light-brown, curly hair always looked unbrushed. He was a poor general, but an able statesman; and his cold261 nature, which was lacking in all ardour as was his personality in all magnetism, caused him to be better fitted for the office than for the public platform. He was not what would now be called a gentleman: he was, indeed, very distinctly a parvenu. His grandfather had been a wealthy money-lender of bourgeois origin, and his father had raised himself by this ill-gotten wealth to a position in Roman society, and had married into Cæsar’s family.

The difference between Antony’s kind leadership in his eastern provinces and Octavian’s behavior in the west was striking. Octavian was a moody guy, gloomy, quietly cruel, and secretly vicious. So260 many people were tortured and crucified by him that he became known as the “Executioner.” He was calm and always maintained control in public, but privately, he often engaged in wild parties, gambled, and hung out with the worst company. His rule in Italy at the time was a Reign of Terror, and many people hated even the sight of him. He didn’t look imposing, as he was a bit short and careless in how he carried himself; while his face was handsome, it had some notable flaws. His complexion was pale and unhealthy, his skin was marked with spots, and his teeth were in poor condition; however, his large, bright eyes were something he took pride in. He didn’t seem well-groomed or clean, and he notably disliked bathing, although he didn’t mind the occasional steaming, or Turkish bath, as we call it now. His clothing was eccentric, although he was precise and correct in his business dealings. He disliked sunny weather and always wore a wide-brimmed hat to shield his head from the brightness; yet he equally hated cold weather, and in winter, it’s said he wore a thick toga, at least four tunics, a shirt, and a flannel undergarment, while his legs and thighs were wrapped in yards of warm fabric. Despite this, he frequently suffered from colds and was always sneezing and sniffling. His liver was usually out of whack, which might explain his bad temper. His clothes were all made at home by his wife and sister and fit him poorly; his light-brown, curly hair always looked unkempt. He was a poor general but a competent statesman; his cold nature, lacking warmth and charisma, made him better suited for office work than public speaking. He wouldn’t be seen as a gentleman today: he was clearly a self-made man. His grandfather had been a wealthy money-lender from a middle-class background, and his father had risen through this ill-gotten wealth to a position in Roman society, marrying into Cæsar’s family.

These facts were not calculated to give him much of a position in public esteem: and there was no question at this time that Antony was the popular hero, while Sextus Pompeius, the former outlaw, was fast rising in favour. In the spring of B.C. 38 Octavian decided to make war upon this roving son of the great Pompey, and he asked Antony to aid him in the undertaking. The latter made some attempt to prevent the war, but his efforts were not successful. In the following July, to the delight of a large number of Romans, Octavian was badly defeated by Sextus; and Cæsar’s nephew thus lost a very considerable amount of prestige. At about the same time Antony’s reputation made an equally extensive gain, for in June Ventidius Bassus, acting under Antony’s directions, again defeated the Parthians, Pacorus, the King’s son, being killed in the battle. The news stirred the Romans to wild enthusiasm. At last, after sixteen years, Crassus92 had been avenged; and Antony appeared to have put into execution with the utmost ease the plans of the late Dictator in regard to the Parthians, while, on the other hand, Octavian, the Dictator’s nephew, had failed even to suppress the sea-roving Pompeians. A Triumph was262 decreed both for Antony and for Ventidius, and before the end of the year this took place.

These facts didn't really help his standing in public opinion: it was clear at this time that Antony was the popular hero, while Sextus Pompeius, the former outlaw, was quickly gaining favor. In the spring of BCE 38, Octavian decided to go to war against this wandering son of the great Pompey and asked Antony to help him. Antony tried to prevent the war, but his efforts didn't work. In July, much to the delight of many Romans, Octavian was badly defeated by Sextus, and Caesar's nephew lost a significant amount of prestige. Around the same time, Antony's reputation soared, as in June Ventidius Bassus, acting on Antony's orders, defeated the Parthians again, with Pacorus, the king's son, being killed in the battle. The news sparked wild enthusiasm among the Romans. Finally, after sixteen years, Crassus92 had been avenged, and Antony seemed to have effortlessly carried out the late Dictator's plans regarding the Parthians, while, on the other hand, Octavian, the Dictator's nephew, had failed to even deal with the sea-roaming Pompeians. A Triumph was262 decreed for both Antony and Ventidius, and this took place before the end of the year.

In January B.C. 37 the Triumvirate, which had then expired, was renewed for a period of five years, in spite of a very considerable amount of friction between the happy-go-lucky Antony and the morose Octavian. At length these quarrels were patched up by means of an agreement whereby Antony gave Octavian 130 ships with which to fight Sextus Pompeius, and Octavian handed over some 21,000 legionaries to Antony for his Parthian war. In this agreement it will be observed that Antony, in order to obtain troops, sacrificed the man who had befriended his mother and who had assisted his cause against Octavian at a time when his fortunes were at a low ebb; and it must be presumed, therefore, that his desire to conquer Parthia and to penetrate far into the Orient was now of such absorbing importance to him that all other considerations were abrogated by it. Antony, in fact, enthusiastically contemplating an enlarged eastern empire, desired to have no part in the concerns of the west; and he cared not one jot what fate awaited his late ally, Sextus, who, he felt, was certain in any case ultimately to go down before Octavian. He was beginning, indeed, to trouble himself very little in regard to Octavian either; for he now seems to have thought that, when the Orient had been conquered and consolidated, he would probably be able to capture the Occident also from the cruel hands of his unpopular rival with little difficulty. Two years previously he had found it necessary to keep himself on friendly terms with Octavian at all costs, and for this reason he had abandoned Cleopatra with brutal callousness. Now, however, his position was such that he was able to defy Cæsar’s263 nephew, and the presentation to him of the 130 ships was no more than a shrewd business deal, whereby he had obtained a new contingent of troops. One sees that his thoughts were turning once more towards the Queen of Egypt; and he seems at this time to have recalled to mind both the pleasure afforded him by her brilliant society and the importance to himself of the position which she held in eastern affairs. The Egyptian navy was large and well-equipped, and the deficiency in his own fleet due to his gift to Octavian might easily be made good by the Queen.

In January BCE 37, the Triumvirate, which had expired, was renewed for another five years, despite significant tension between the carefree Antony and the grim Octavian. Eventually, they resolved their conflicts through an agreement in which Antony gave Octavian 130 ships to fight Sextus Pompeius, and Octavian handed over about 21,000 soldiers to Antony for his campaign against Parthia. It’s important to note that in this agreement, Antony sacrificed the man who had supported his mother and helped him against Octavian during tough times to get those troops; this suggests that his ambition to conquer Parthia and expand into the East was so overwhelming that he disregarded all other concerns. Antony, eagerly envisioning a larger eastern empire, wanted nothing to do with western affairs and cared little about the fate of his former ally, Sextus, who he believed would inevitably fall to Octavian. He was beginning to think even less about Octavian, as he assumed that once he conquered and stabilized the East, he could easily take the West from his disliked rival. Just two years earlier, he had felt compelled to stay on good terms with Octavian, even leaving Cleopatra in a callous fashion. Now, however, he was in a position to challenge Cæsar’s263 nephew, and giving away the 130 ships was just a savvy move to secure more troops. His thoughts were once again drifting back to the Queen of Egypt, as he recalled both the joy of her impressive company and the significance of her role in Eastern politics. The Egyptian navy was large and well-equipped, so he could easily make up for the shortfall in his own fleet caused by his gift to Octavian with her support.

In the autumn of B.C. 37 these considerations bore their inevitable fruit. On his way to Corfu, in pursuit of his Parthian schemes, he came to the conclusion that he would once and for all cut himself off from Rome until that day when he should return to it as the earth’s conqueror. He therefore sent his wife Octavia back to Italy, determined never to see her again; and at the same time he despatched a certain Fonteius Capito to Alexandria to invite Cleopatra to meet him in Syria. Octavia was a woman of extreme sweetness, goodness, and domesticity. Her gentle influence always made for peace; and her invariable good behaviour and meekness must have almost driven Antony crazy. No doubt she wanted to make his clothes for him, as she had made those of her brother; and she seems always to have been anxious to bring before his notice, in her sweet way, the charms of old-fashioned, respectable, family life, a condition which absolutely nauseated Antony. She now accepted her marching orders with a wifely meekness which can hardly command one’s respect; and in pathetic obedience she returned forthwith to Rome. I cannot help thinking that if only she had now shown264 some spirit, and had been able to substitute energy for sweetness in the movements of her mind, the history of the period would have been entirely altered.

In the autumn of BCE 37, these thoughts led to an inevitable outcome. While traveling to Corfu for his Parthian plans, he decided he would completely cut ties with Rome until the day he could return as the world's conqueror. He sent his wife Octavia back to Italy, resolved never to see her again; at the same time, he sent a man named Fonteius Capito to Alexandria to invite Cleopatra to join him in Syria. Octavia was incredibly sweet, kind, and devoted to her home. Her gentle presence always promoted peace, and her constant good behavior and submissiveness must have driven Antony up the wall. She likely wanted to make his clothes for him, just as she had for her brother, and seemed eager to show him, in her gentle way, the appeal of traditional, respectable family life, which utterly disgusted Antony. She accepted her orders with a wifely obedience that can hardly be admired, and with a heavy heart, she returned immediately to Rome. I can't help but think that if she had shown some spirit and replaced her sweetness with determination, the history of that time could have been completely different.

It must surely be clear to the impartial reader that Antony’s change of attitude was due more to political than to romantic considerations.93 We have heard so much of the arts of seduction practised by Cleopatra that it is not easy at first to rid the mind of the traditional interpretation of this reunion; and we are, at the outset, inclined to accept Plutarch’s definition of the affair when he tells us that “Antony’s passion for Cleopatra, which better thoughts had seemed to have lulled and charmed into oblivion, now gathered strength again, and broke into flame; and like Plato’s restive and rebellious horse of the human soul, flinging off all good and wholesome counsel, and fairly breaking loose, he sent Fonteius Capito to bring her into Syria.” But it is to be remembered that this “passion” for the Queen had not been strong enough to hold him from marrying Octavia a few months after he had left the arms of Cleopatra; and now three and a half years had passed since he had seen the Queen,—a period which, to a memory so short as Antony’s, constituted a very complete hiatus in this particular love-story. So slight, indeed, was his affection for her at this time that, in speaking of the twins with which she had presented him, he made the famous remark already quoted, that he had no intention of confining his hopes of progeny to any one woman, but, like his ancestor Hercules, he hoped to let nature take her will with him, the best way of circulating noble blood through the world being thus personally to beget in every country a new line of kings. Antony doubtless265 looked forward with youthful excitement to a renewal of his relations with the Queen, and, to some extent, it may be true that he now joyously broke loose from the gentle, and, for that reason, galling, bonds of domesticity; but actually he purposed, for political reasons, to make a definite alliance with Cleopatra, and it is unreasonable to suppose that any flames of ungoverned passion burnt within his jolly heart at this time.

It should be obvious to any fair-minded reader that Antony’s change in attitude was driven more by politics than romance. We’ve heard so much about Cleopatra’s seductive skills that it’s hard to shake off the traditional view of their reunion; at first, we might be inclined to accept Plutarch’s description of the situation when he writes that “Antony’s passion for Cleopatra, which better thoughts had seemed to have lulled and charmed into oblivion, now grew stronger again, and burst into flame; and like Plato’s restless and rebellious horse of the human soul, shaking off all good and sound advice, he completely broke free and sent Fonteius Capito to bring her into Syria.” However, it’s important to remember that this “passion” for the Queen hadn’t been strong enough to stop him from marrying Octavia just a few months after leaving Cleopatra’s arms; and now three and a half years had gone by since he last saw her—time that, for someone with Antony’s short memory, created a significant gap in this love story. His affection for her at this point was so minimal that when discussing the twins she had given him, he famously remarked that he had no plans to limit his hopes for offspring to just one woman, but instead, like his ancestor Hercules, he hoped to let nature take its course, believing the best way to spread noble blood across the world was to father a new line of kings in every country. Antony probably looked forward with youthful excitement to rekindling his relationship with the Queen, and to some extent, it may be true that he was happily breaking free from the gentle, yet irritating, constraints of domestic life; but in reality, he intended, for political reasons, to form a solid alliance with Cleopatra, and it’s unreasonable to think that any uncontrolled passion burned within his cheerful heart at this time.

On Cleopatra’s side the case was somewhat different. The stress of bitter experience had knocked out of her all that harum-scarum attitude towards life which had been her marked characteristic in earlier years; and she was no longer able to play with her fortune nor to romp through her days as formerly she had done. Antony, whom in her way she had loved, had cruelly deserted her, and now was asking for a renewal of her favours. Could she believe (for no doubt such was his excuse) that his long absence from her and his marriage to another woman were purely political manœuvres which had in no way interfered with the continuity of his love for her? Could she put her trust in him this second time? Could she, on the other hand, manage her complicated affairs without him? Evidently he was now omnipotent in the East; Parthia was likely to go down before him; and Octavian’s sombre figure was already almost entirely eclipsed by this new Dionysos, save only in little Italy itself. Would there be any hope of enlarging her dominions, or even of retaining those she already possessed, without his assistance? Such questions could only have one solution. She must come to an absolutely definite understanding with Antony, and must make a binding agreement with him. In a word, if there was to be any renewal of their relationship, he must marry her. There must be no266 more diplomatic manœuvring, which, to her, meant desertion, misery, and painful anxiety. He must become the open enemy of Octavian, and, with her help, must aim at the conquest both of the limitless East and of the entire West. He must act in all things as the successor of the divine Julius Cæsar, and the heir to their joint power must be Cæsar’s son, the little Cæsarion, now a growing boy of over ten years of age.

On Cleopatra’s side, things were a bit different. The harsh realities she had faced had stripped away her carefree attitude toward life that had defined her in earlier years; she could no longer play with her fortune or flit through her days like she used to. Antony, whom she had loved in her own way, had brutally abandoned her, and now he was asking for another chance. Could she really believe (as he likely claimed) that his long absence and marriage to someone else were just political strategies and hadn’t affected his feelings for her? Could she trust him again? On the other hand, could she handle her complicated affairs without him? Clearly, he was now extremely powerful in the East; Parthia was likely to fall before him, and Octavian’s dark figure was nearly overshadowed by this new Dionysos, except in little Italy itself. Was there any hope of expanding her territory, or even keeping what she already had, without his help? Those questions had only one answer. She needed to come to a clear agreement with Antony and make a binding commitment with him. In short, if their relationship was to be renewed, he had to marry her. There could be no more diplomatic maneuvering, which to her meant abandonment, suffering, and anxiety. He needed to become the open enemy of Octavian, and with her support, aim to conquer both the vast East and the entire West. He must act as the successor of the divine Julius Caesar, and their joint legacy must be Caesar’s son, the little Caesarion, now a growing boy of over ten years old.

With this determination fixed in her mind she accepted the invitation presented to her by Fonteius Capito, and set sail for Syria. A few weeks later, towards the end of the year B.C. 37, she met Antony in the city of Antioch; and at once she set herself to the execution of her decision. History does not tell us what passed between them at their first interviews; but it may be supposed that Antony excused his previous conduct on political grounds, and made it clear to the Queen that he now desired a definite and lasting alliance with her; while Cleopatra, on her part, intimated her willingness to unite herself with him, provided that the contract was made legal and binding on both sides.

With this determination in mind, she accepted the invitation from Fonteius Capito and set sail for Syria. A few weeks later, towards the end of the year BCE 37, she met Antony in the city of Antioch; and immediately she focused on carrying out her plan. History doesn’t reveal what was said during their first meetings, but it’s likely that Antony justified his past actions for political reasons and made it clear to the Queen that he now wanted a solid and lasting partnership with her; while Cleopatra indicated that she was open to uniting with him, as long as the agreement was made legal and binding for both parties.

The fact that she obtained Antony’s consent to an agreement which was in every way to her advantage, not only shows what a high value was set by Antony upon Egypt’s friendship at this time, but it also proves how great were her powers of persuasion. It must be remembered that Cleopatra had been for over three years a wronged woman, deserted by her lover, despairing of ever obtaining the recognition of her son’s claims upon Rome, and almost hopeless even of retaining the independence of Egypt. Now she had the pluck to demand from him all manner of increased rights and privileges and the confirmation of all her dynastic hopes; and, to267 her great joy, Antony was willing to accede to her wishes. I have already shown that he did not really love her with a passion so deep that his sober judgment was obscured thereby, and the agreement is therefore to be attributed more to the Queen’s shrewd bargaining, and to her very understandable anxiety not to be duped once more by her fickle lover. She must have worked upon Antony’s feelings by telling him of her genuine distress; and at the same time she must warmly have confirmed his estimate of Egypt’s importance to him at this juncture.

The fact that she got Antony’s approval for an agreement that was completely in her favor not only shows how much Antony valued Egypt's friendship at that time, but also demonstrates her impressive powers of persuasion. It's important to remember that Cleopatra had been a wronged woman for over three years, abandoned by her lover, despairing of ever getting recognition for her son's claims in Rome, and nearly hopeless about maintaining Egypt's independence. Yet, she had the courage to ask him for all sorts of additional rights and privileges and to confirm all her dynastic hopes; and, to her delight, Antony was willing to agree to her requests. I have already pointed out that he didn’t truly love her with a passion so intense that it clouded his judgment, so the agreement can be credited more to the Queen’s clever negotiation and her understandable fear of being deceived by her unreliable lover again. She must have played on Antony's feelings by expressing her genuine distress, while also affirming his view of Egypt’s significance to him at this moment.

The terms of the agreement appear to me to have been as follows:—

The terms of the agreement seem to me to be as follows:—

Firstly, it seems to have been arranged that a legal marriage should be contracted between them according to Egyptian custom. We have already seen how, many years previously, Julius Cæsar had countenanced a law designed to legalise his proposed marriage with Cleopatra, by the terms of which he would have been able to marry more than one wife;94 and Antony now seems to have based his attitude upon a somewhat similar understanding. The marriage would not be announced to the Senate in Rome, since he intended no longer to regard himself as subject to the old Roman Law in these matters; but in Egypt it would be accepted as a legal and terrestrial confirmation of the so-called celestial union of B.C. 40.

Firstly, it seems that they had planned for a legal marriage to take place between them according to Egyptian customs. We have already seen how, many years earlier, Julius Caesar had supported a law meant to legalize his proposed marriage with Cleopatra, allowing him to marry more than one wife;94 and Antony appears to have based his stance on a somewhat similar idea. The marriage wouldn’t be announced to the Senate in Rome since he intended to no longer view himself as bound by the old Roman law regarding these matters; but in Egypt, it would be accepted as a legal and earthly confirmation of the so-called celestial union of BCE 40.

Secondly, it was agreed that Antony should not assume the title of King of Egypt, but should call himself Autocratori.e., “absolute ruler,” of the entire East. The word αὐτοκράτωρ was a fair Greek equivalent of the Roman Imperator, a title which, it will be remembered, was made hereditary in Julius Cæsar’s behalf, and which268 was probably intended by him to obtain its subsequent significance of “Emperor.” Antony would not adopt the title of βασιλεύς or rex, which was always objectionable to Roman ears; nor was the word Imperator quite distinguished enough, since it was held by all commanders-in-chief of Roman armies. But the title Autocrator was significant of omnipotence; and it is to be noted that from this time onwards every “Pharaoh” of Egypt was called by that name, which in hieroglyphs reads Aut’k’r’d’r. Antony also retained for the time being his title of Triumvir.

Secondly, it was agreed that Antony would not take the title of King of Egypt, but would refer to himself as Autocratori.e., “absolute ruler” of the entire East. The term emperor was a suitable Greek equivalent of the Roman Imperator, a title that, as we remember, was made hereditary for Julius Cæsar, and which268 he likely intended to carry the future significance of “Emperor.” Antony would not take the title king or rex, which was always unappealing to Roman sensibilities; nor was the word Imperator clear enough, as it was held by all commanders-in-chief of Roman armies. However, the title Autocrator indicated total power; and it's important to note that from this point forward, every “Pharaoh” of Egypt was called by that name, which in hieroglyphs reads Aut’k’r’d’r. Antony also kept his title of Triumvir for the time being.

Thirdly, Antony probably promised to regard Cæsarion, the son of Cleopatra and Julius Cæsar, as the rightful heir to the throne;95 and he agreed to give his own children by the Queen the minor kingdoms within their empire.

Thirdly, Antony likely promised to see Cæsarion, the son of Cleopatra and Julius Caesar, as the legitimate heir to the throne;95 and he agreed to give his own children with the Queen the smaller kingdoms within their empire.

CLEOPATRA’S POSSESSIONS
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Fourthly, Antony appears to have promised to increase the extent of Egyptian power to that which existed fourteen hundred years previously, in the days of the mighty Pharaohs of the Eighteenth dynasty. He therefore gave to the Queen Sinai; Arabia, including probably the rock-city of Petra; the east coast of the Dead Sea; part of the valley of the Jordan and the City of Jericho; perhaps a portion of Samaria and Galilee; the Phœnician coast, with the exception of the free cities of Tyre and Sidon; the Lebanon; probably the north coast of Syria; part of Cilicia, perhaps including Tarsus; the island of Cyprus; and a part of Crete. The Kingdom of Judea, ruled by Herod, was thus enclosed within Cleopatra’s dominions; but the deduction of this valuable land from the Egyptian sphere was compensated for by the addition of the Cilician territory, which had always lain269 beyond Egypt’s frontiers, even in the days of the great Pharaohs.

Fourthly, Antony seems to have promised to expand Egyptian power to what it was fourteen hundred years earlier, during the reign of the powerful Pharaohs of the Eighteenth dynasty. He therefore granted the Queen Sinai; Arabia, likely including the rock-city of Petra; the east coast of the Dead Sea; part of the Jordan Valley and the City of Jericho; possibly a section of Samaria and Galilee; the Phoenician coast, except for the independent cities of Tyre and Sidon; the Lebanon; probably the northern coast of Syria; part of Cilicia, maybe including Tarsus; the island of Cyprus; and a part of Crete. The Kingdom of Judea, governed by Herod, was thus surrounded by Cleopatra’s territories; but the loss of this valuable land from the Egyptian domain was balanced by the gain of Cilician territory, which had always been خارج Egypt's borders, even in the era of the great Pharaohs.

Lastly, in return for these gifts Cleopatra must have undertaken to place all the financial and military resources of Egypt at Antony’s disposal whenever he should need them.

Lastly, in exchange for these gifts, Cleopatra must have agreed to put all of Egypt's financial and military resources at Antony’s disposal whenever he needed them.

As soon as this agreement was made I think there can be little doubt that Cleopatra and Antony were quietly married;96 and in celebration of the event coins were struck, showing their two heads, and inscribed with both their names, she being called Queen and he Autocrator. In honour of the occasion, moreover, Cleopatra began a new dating of the years of her reign; and on a coin minted six years later, the heads of Antony and the Queen are shown with the inscription, “In the reign of Queen Cleopatra, in the 21st, which is also the 6th, year of the goddess.” It will be remembered that Cleopatra came to the throne in the summer of B.C. 51, and therefore the 21st year of her reign would begin after the summer of B.C. 31, which period would also be the close of the 6th year dating from this alliance at Antioch at the end of B.C. 37. Thus these coins must have been struck in the autumn of B.C. 31, at which time the beginning of the 21st year of Cleopatra’s reign as Queen of Egypt coincided with the end of the 6th year of her reign with Antony. There are, of course, many arguments to be advanced against the theory that she was now definitely married; but in view of the facts that their two heads now appear on the coins, that Antony now settled upon her this vast estate, that she began a new dating to her reign, that270 Antony henceforth lived with her, and that, as we know from his letter to Octavian,97 he spoke of her afterwards as his wife, I do not think that there is any good reason for postponing the wedding until a later period.

As soon as this agreement was made, it seems clear that Cleopatra and Antony were quietly married;96 and to celebrate the occasion, coins were minted featuring their two heads and inscribed with both their names, with her being called Queen and him Autocrator. Additionally, Cleopatra started a new way of counting the years of her reign; on a coin made six years later, their heads are shown with the inscription, “In the reign of Queen Cleopatra, in the 21st, which is also the 6th, year of the goddess.” Remember that Cleopatra became queen in the summer of B.C. 51, so the 21st year of her reign would start after the summer of BCE 31, which marks the end of the 6th year from this alliance at Antioch at the end of BCE 37. Therefore, these coins must have been minted in the autumn of BCE 31, when the start of Cleopatra’s 21st year as Queen of Egypt aligned with the end of her 6th year with Antony. There are certainly many arguments against the idea that she was definitely married at this point; however, considering that their two heads are now on the coins, that Antony transferred this vast estate to her, that she started a new dating system for her reign, that270 Antony began living with her from then on, and that he referred to her as his wife in his letter to Octavian,97 I believe there is no strong reason to delay the wedding to a later time.

The winter was spent quietly at Antioch, Antony being busily engaged in preparations for his new Parthian campaign which was to bring him, he hoped, such enormous prestige and popularity in the Roman world. The city was the metropolis of Syria, and at this time must already have been recognised as the third city of the world, ranking immediately below Rome and Alexandria. The residential quarter, called Daphnæ, was covered with thick groves of laurels and cypresses for ten miles around, and a thousand little streams ran down from the hills and passed under the shade of the trees where, even in the height of summer, it was always cool. The city was famous for its art and learning, and was a centre eminently suited to Cleopatra’s tastes. The months passed by without much event. The Queen is said to have tried to persuade Antony to dethrone Herod and to add Judea to her new dominions, but this he would not do, and he begged her not to meddle with Herod’s affairs, a correction which she at once accepted, thereafter acting with great cordiality to the Jewish King.

The winter was spent quietly in Antioch, where Antony was busy preparing for his new Parthian campaign, which he hoped would bring him significant prestige and popularity in the Roman world. The city was the capital of Syria and was already recognized as the third largest city in the world, right after Rome and Alexandria. The residential area, known as Daphnæ, was surrounded by thick groves of laurels and cypress trees for ten miles, and a thousand little streams flowed down from the hills, passing under the shade of the trees where it was always cool, even in the middle of summer. The city was well-known for its art and learning, making it a place that perfectly suited Cleopatra's tastes. The months went by without much happening. The Queen supposedly tried to convince Antony to dethrone Herod and add Judea to her new territories, but he refused and asked her not to interfere with Herod’s affairs, a request she immediately accepted, subsequently treating the Jewish King with great warmth.

In March B.C. 26, Antony set out for the war, Cleopatra accompanying him as far as Zeugma, a town on the Euphrates, near the Armenian frontier, a march of about 150 miles from Antioch. It is probable that she wished to go through the whole campaign by his side, for, at a later date, we find her again attempting to remain by him under similar circumstances; but at Zeugma a discovery271 seems to have been made in regard to her condition which necessitated her going back to Egypt, there to await his triumphant return. In spite of the anxieties and disappointments of her life the Queen had retained her energy and pluck in a marked degree, and she was now no less hardy and daring than she had been in the days when Julius Cæsar had found her invading Egypt at the head of her Syrian army. She enjoyed the open life of a campaign, and she took pleasure in the dangers which had to be faced. An ancient writer, Florus, has described her, as we have already noticed, as being “free from all womanly fear,” and this attempt to go to the wars with her husband is an indication that the audacity and dash so often noticeable in her actions had not been impaired by her misfortunes. She does not appear to have been altogether in favour of the expedition, for it seemed a risky undertaking, and one which would cost her a great deal of money, but the adventure of it appealed to her, and added that quality of excitement to her days which seems to have been so necessary to her existence. Antony, however, fond as he was of her, could not have appreciated the honour of her company at such a time; and he must have been not a little relieved when he saw her retreating cavalcade disappear along the road to Antioch.

In March BCE 26, Antony set off for war, with Cleopatra traveling alongside him as far as Zeugma, a town on the Euphrates near the Armenian border, about 150 miles from Antioch. It seems likely she wanted to stay with him throughout the campaign, as later she tried to be by his side in similar situations; but at Zeugma, something came to light about her condition that required her to return to Egypt, where she would wait for his victorious homecoming. Despite the worries and setbacks in her life, the Queen had maintained her energy and courage, and she was just as tough and bold as she had been when Julius Cæsar found her invading Egypt with her Syrian army. She thrived in the active life of a campaign and relished the dangers she faced. An ancient writer, Florus, described her, as noted before, as “free from all womanly fear,” and her attempt to join her husband at war shows that the boldness and flair she often displayed had not been diminished by her hardships. It seems she wasn't entirely in favor of the expedition, as it appeared to be a risky venture that would cost her a lot of money, but the thrill of the experience attracted her and added the sense of excitement to her life that she seemed to need. However, even though Antony loved her, he likely didn't appreciate having her company at such a time and must have felt somewhat relieved when he saw her retreating procession disappearing down the road to Antioch.

From Antioch Cleopatra made her way up the valley of the Orontes to Apamea, whence she travelled past Arethusa and Emesa to the Anti-Lebanon, and so to Damascus. From here she seems to have crossed to the Sea of Galilee, and thence along the river Jordan to Jericho. Hereabouts she was met by the handsome and adventurous Herod, who came to her in order that272 they might arrive at some agreement in regard to the portions of Judea which Antony had given to her; and, after some bargaining, it was finally decided that Herod should rent these territories from her for a certain sum of money. Jericho’s tropical climate produced great abundance of palms, henna, sometimes known as camphire, myrobalan or zukkûm, and balsam, the “balm of Gilead,” so much prized as perfume and for medicinal purposes. Josephus speaks of Jericho as a “divine region,” and strategically it was the key of Palestine. It may be understood, therefore, how annoying it must have been to Herod to be dispossessed of this jewel of his crown; and it is said that, after he had rented it from Cleopatra, it became his favourite place of residence. The transaction being settled, the Queen seems to have continued her journey to Egypt, at the Jewish King’s invitation, by way of Jerusalem and Gaza—that is to say, across the Kingdom of Judea; but no sooner had she set her foot on Jewish territory than Herod conceived the plan of seizing her and putting her to death. The road from Jericho to Jerusalem ascends the steep, wild mountain-side, and zigzags upwards through rugged and bare scenery. It would have been a simple matter to ambush the Queen in one of the desolate ravines through which she had to pass, and the blame might be placed with the brigands who infested these regions. He pointed out to his advisers, as Josephus tells us, that Cleopatra by reason of her enormous influence upon the affairs of Rome had become a menace to all minor sovereigns; and now that he had her in his power he could, with the greatest ease, rid the world of a woman who had become irksome to them all, and thereby deliver them from a very multitude of evils and273 misfortunes. He told them that Cleopatra was actually turning her beautiful eyes upon himself, and he doubted not but that she would make an attempt upon his virtue before he had got her across his southern frontier. He argued that Antony would in the long-run come to thank him for her murder; for it was apparent that she would never be a faithful friend to him, but would desert him at the moment when he should most stand in need of her fidelity. The councillors, however, were appalled at the King’s proposal, and implored him not to put it into execution. “They laid hard at him,” says naïf Josephus, “and begged him to undertake nothing rashly; for that Antony would never bear it, no, not though any one should lay evidently before his eyes that it was for his own advantage. This woman was of the supremest dignity of any of her sex at that time in the world; and such an undertaking would appear to deserve condemnation on account of the insolence Herod must take upon himself in doing it.”

From Antioch, Cleopatra made her way up the Orontes Valley to Apamea, then traveled past Arethusa and Emesa to the Anti-Lebanon, and on to Damascus. From there, she seems to have crossed to the Sea of Galilee and then followed the Jordan River to Jericho. Around this area, she was met by the handsome and adventurous Herod, who approached her to negotiate the territories of Judea that Antony had given to her; after some bargaining, it was ultimately decided that Herod would rent these lands from her for a specific amount of money. Jericho’s tropical climate produced a wealth of palms, henna (also known as camphire), myrobalan, or zukkûm, and balsam, referred to as the “balm of Gilead,” highly valued for its fragrance and medicinal properties. Josephus describes Jericho as a “divine region,” and strategically, it was the key to Palestine. Therefore, it's easy to understand how frustrating it must have been for Herod to be stripped of this gem of his crown; it’s said that after renting it from Cleopatra, it became his favorite residence. Once the agreement was settled, the Queen continued her journey to Egypt at the Jewish King’s invitation, traveling through Jerusalem and Gaza—that is, across the Kingdom of Judea; however, as soon as she stepped onto Jewish land, Herod devised a plan to capture her and have her killed. The road from Jericho to Jerusalem climbs steeply along the wild mountainside, winding upward through rugged and barren landscapes. It would have been straightforward to ambush the Queen in one of the desolate ravines she needed to traverse, and the blame could easily be shifted to the bandits who roamed these areas. As Josephus recounts, he pointed out to his advisers that Cleopatra, due to her immense influence in Roman affairs, had become a threat to all lesser rulers; and now that he had her in his grasp, he could easily eliminate a woman who had become burdensome to them all, freeing them from a multitude of problems and misfortunes. He argued that Cleopatra was actually setting her sights on him, and he had no doubt she would try to seduce him before he got her past his southern border. He believed that, in the long run, Antony would thank him for her murder; it was clear that she would never be a loyal ally, but would abandon him just when he needed her most. However, the councillors were horrified at the King’s suggestion and pleaded with him not to go through with it. “They pressed him hard,” says naïf Josephus, “and urged him not to act rashly; for Antony would never tolerate it, not even if someone clearly showed him it was for his own benefit. This woman was of the highest rank of her gender at that time in the world; and such an act would certainly deserve condemnation because of the arrogance Herod would demonstrate by doing it.”

The Jewish King, therefore, giving up his treacherous scheme, politely escorted Cleopatra to the frontier fortress of Pelusium, and thus she came unscathed to Alexandria, where she settled down to await the birth of her fourth child. It is perhaps worth noting that she is said to have brought back to Egypt from Jericho many cuttings of the balsam shrubs, and planted them at Heliopolis, near the modern Cairo.98 The Queen’s mind must now have been full of optimism. Antony had collected an enormous army, and already, she supposed, he must have penetrated far into Parthia. In spite of her previous fears, she now expected that he would return to her covered with glory, having opened the road through274 Persia to India and the fabulous East. Rome would hail him as their hero and idol, and the unpopular Octavian would sink into insignificance. Then he would claim for himself and for her the throne of the West as well as that of the Orient, and at last her little son Cæsarion, as their heir, would come into his own.

The Jewish king, therefore, abandoning his deceitful plan, politely escorted Cleopatra to the border fortress of Pelusium, and so she arrived unharmed in Alexandria, where she settled in to await the birth of her fourth child. It's worth mentioning that she is said to have brought back many balsam shrub cuttings from Jericho and planted them at Heliopolis, near modern Cairo.98 The Queen must have been filled with optimism. Antony had gathered a massive army, and she believed he must have already made significant progress into Parthia. Despite her earlier fears, she now expected him to return to her victorious, having opened the path through274 Persia to India and the marvelous East. Rome would celebrate him as their hero and idol, and the unpopular Octavian would fade into irrelevance. Then he would claim both the Western and Eastern thrones for himself and for her, and finally, their little son Cæsarion, as their heir, would have his rightful place.

With such hopes as these to support her, Cleopatra passed through her time of waiting; and in the late autumn she gave birth to a boy, whom she named Ptolemy, according to the custom of her house. But ere she had yet fully recovered her strength she received despatches from Antony, breaking to her the appalling news that his campaign had been a disastrous failure, and that he had reached northern Syria with only a remnant of his grand army, clad in rags, emaciated by hunger and illness, and totally lacking in funds. He implored her to come to his aid, and to bring him money wherewith to pay his disheartened soldiers, and he told her that he would await her coming upon the Syrian coast somewhere between Sidon and Berytus.

With hopes like these to support her, Cleopatra got through her time of waiting; and in late autumn, she gave birth to a boy, whom she named Ptolemy, following the tradition of her family. But before she had fully recovered her strength, she received messages from Antony delivering the devastating news that his campaign had ended in a disastrous failure, and that he had reached northern Syria with only a fraction of his grand army, dressed in rags, weakened by hunger and illness, and completely out of money. He begged her to come to his aid and to bring him money to pay his discouraged soldiers, telling her that he would wait for her arrival on the Syrian coast somewhere between Sidon and Berytus.

Once more the unfortunate Queen’s hopes were dashed to the ground; but pluckily rising to the occasion, she collected money, clothes, and munitions of war, and set out with all possible speed to her husband’s relief.

Once again, the unfortunate Queen's hopes were shattered; but bravely rising to the challenge, she gathered money, clothes, and supplies for battle, and headed out as quickly as possible to help her husband.

The history of the disaster is soon told. From Zeugma Antony had marched to the plateau of Erzeroum, where he had reviewed his enormous army, consisting of 60,000 Roman foot (including Spaniards and Gauls), 10,000 Roman horse, and some 30,000 troops of other nationalities, including 13,000 horse and foot supplied by Artavasdes, King of Armenia, and a strong force provided by King Polemo of Pontus. An immense number of heavy engines of war had been collected; and these were275 despatched towards Media along the valley of the Araxes, together with the contingents from Armenia and Pontus and two Roman legions. Antony himself, with the main army, marched by a more direct route across northern Assyria into Media, being impatient to attack the enemy. The news of his approach in such force, says Plutarch, not only alarmed the Parthians but filled North India with fear, and, indeed, made all Asia shake. It was generally supposed that he would march in triumph through Persia; and there must have been considerable talk as to whether he would carry his arms, like Alexander the Great, into India, where Cleopatra’s ships, coming across the high sea trade-route from Egypt, would meet him with money and supplies. Towards the end of August, Antony reached the city of Phraaspa, the capital of Media-Atropatene, and there he awaited the arrival of his siege-train and its accompanying contingent. He had expected that the city would speedily surrender, but in this he was mistaken; and, ere he had settled down to the business of a protracted siege, he received the news that his second army had been attacked and defeated, that his entire siege-train had been captured, that the King of Armenia had fled with the remnant of his forces back to his own country, and that the King of Pontus had been taken prisoner. In spite of this crushing loss, however, Antony bravely determined to continue the siege; but soon the arrival of the Parthian army, fresh from its victory, began to cause him great discomfort, and his lines were constantly harassed from the outside by bodies of the famous Parthian cavalry, though not once did the enemy allow a general battle to take place. At last, in October, he was obliged to open negotiations with the enemy; for, in view of the general lack of provisions276 and the deep despondency of the troops, the approach of winter could not be contemplated without the utmost dread. He therefore sent a message to the Parthian King stating that if the prisoners captured from Crassus were handed over, together with the lost eagles, he would raise the siege and depart. The enemy refused these terms, but declared that if Antony would retire, his retreat would not be molested; and to this the Romans agreed. The Parthians, however, did not keep their word; and as the weary legionaries crossed the snow-covered mountains they were attacked again and again by the fierce tribesmen, who ambushed them at every pass, and followed in their rear to cut off stragglers. The intense cold, the lack of food, and the extreme weariness of the troops, caused the number of these stragglers to be very great; and besides the thousands of men who were thus cut off or killed in the daily fighting, a great number perished from exposure and want of food. At one period so great was the scarcity of provisions that a loaf of bread was worth its weight in silver; and it was at this time that large numbers of men, having devoured a certain root which seemed to be edible, went mad and died. “He that had eaten of this root,” says Plutarch, “remembered nothing in the world, and employed himself only in moving great stones from one place to another, which he did with as much earnestness and industry as if it had been a business of the greatest consequence; and thus through all the camp there was nothing to be seen but men grubbing upon the ground at stones, which they carried from place to place, until in the end they vomited and died.” This account, though of course exaggerated and confused, gives a vivid picture of the distressed legionaries, some dying of this poison, some going mad,277 some perishing from exposure and vainly endeavouring to build themselves a shelter from the biting wind.

The history of the disaster is quickly told. From Zeugma, Antony marched to the plateau of Erzeroum, where he reviewed his massive army, which consisted of 60,000 Roman infantry (including Spaniards and Gauls), 10,000 Roman cavalry, and around 30,000 troops from other nationalities, including 13,000 foot and horse soldiers provided by Artavasdes, King of Armenia, and a strong force from King Polemo of Pontus. A huge number of heavy war engines had been collected and were275 sent towards Media along the Araxes Valley, accompanied by the contingents from Armenia and Pontus, as well as two Roman legions. Antony himself led the main army directly across northern Assyria into Media, eager to engage the enemy. The news of his large force, Plutarch states, not only alarmed the Parthians but also frightened North India, making all of Asia tremble. People generally believed he would march triumphantly through Persia, and there was considerable discussion about whether he would carry his campaign, like Alexander the Great, into India, where Cleopatra’s ships, coming across the high-seas trade route from Egypt, would meet him with money and supplies. By late August, Antony arrived at the city of Phraaspa, the capital of Media-Atropatene, where he awaited the arrival of his siege equipment and accompanying troops. He expected the city to surrender quickly, but he was wrong. Before he could settle in for a long siege, he received news that his second army had been attacked and defeated, that his entire siege train had been captured, that the King of Armenia had fled back to his homeland with the remnants of his forces, and that the King of Pontus had been taken prisoner. Despite this crushing defeat, Antony bravely decided to continue the siege. However, the arrival of the Parthian army, fresh off its victory, began to create significant problems for him, and his lines were constantly harassed by the famous Parthian cavalry, who never allowed a general battle to occur. Finally, in October, he had to open negotiations with the enemy due to the overall lack of supplies276 and the deep despair among the troops, making the approach of winter terrifying. He sent a message to the Parthian King saying that if they returned the prisoners captured from Crassus and the lost standards, he would lift the siege and leave. The enemy refused these terms but stated that if Antony retreated, they would not obstruct him; the Romans accepted this. However, the Parthians did not keep their promise, and as the exhausted legionaries traversed the snow-covered mountains, they were repeatedly attacked by the fierce tribesmen, who ambushed them at every pass and pursued them to cut off any stragglers. The extreme cold, lack of food, and the soldiers' exhaustion led to a significant number of these stragglers. In addition to the thousands of men who were cut off or killed in daily skirmishes, many others died from exposure and starvation. At one point, the scarcity of provisions was so severe that a loaf of bread was worth its weight in silver; it was during this time that many men, having consumed a certain root that seemed edible, went mad and died. "Those who ate this root," says Plutarch, "remembered nothing in the world and only focused on moving large stones from one place to another, doing so with as much seriousness and effort as if it were the most important task; thus, throughout the camp, there was nothing to be seen but men digging around stones, carrying them from place to place, until finally, they vomited and died." This account, although certainly exaggerated and chaotic, paints a vivid picture of the suffering legionaries, some dying from this poison, some going insane,277 and others perishing from exposure while desperately trying to build shelters against the biting wind.

All through the long and terrible march Antony behaved with consummate bravery and endurance. He shared every hardship with his men, and when the camp was pitched at night he went from tent to tent, talking to the legionaries, and cheering them with encouraging words. His sympathy and concern for the wounded was that of the tenderest woman; and he would throw himself down beside sufferers and burst into uncontrolled tears. The men adored him; and even those who were at the point of death, arousing themselves in his presence, called him by every respectful and endearing name. “They seized his hands,” says Plutarch, “with joyful faces, bidding him go and see to himself and not be concerned about them; calling him their Emperor and their General, and saying that if only he were well they were safe.” Many times Antony was heard to exclaim, “O, the ten thousand!” as though in admiration for Xenophon’s famous retreat, which was even more arduous than his own. On one occasion so serious was the situation that he made one of his slaves, named Rhamnus, take an oath that in the event of a general massacre he would run his sword through his body, and cut off his head, in order that he might neither be captured alive nor be recognised when dead.

Throughout the long and grueling march, Antony displayed remarkable bravery and endurance. He shared every hardship with his men, and each night when the camp was set up, he moved from tent to tent, talking to the soldiers and lifting their spirits with encouraging words. His compassion for the wounded was as tender as any woman’s; he would sit beside those in pain and break down in tears. The men adored him, and even those on the brink of death, mustering their strength in his presence, called him every respectful and affectionate name. “They grabbed his hands,” Plutarch writes, “with joyful faces, urging him to take care of himself and not worry about them; calling him their Emperor and their General, and saying that if only he were okay, they were safe.” Many times, Antony was heard exclaiming, “O, the ten thousand!” as if in admiration of Xenophon’s famous retreat, which was even more challenging than his own. At one point, the situation became so dire that he made a slave named Rhamnus swear that if there was a general massacre, he would stab him and behead him to ensure he wasn’t captured alive or recognized when dead.

At last, after twenty-seven terrible days, during which they had beaten off the Parthians no less than eighteen times, they crossed the Araxes and brought the eagles safely into Armenia. Here, making a review of the army, Antony found that he had lost 20,000 foot and 4000 horse, the majority of which had died of exposure and illness. Their troubles, however, were by no means at an end;278 for although the enemy had now been left behind, the snows of winter had still to be faced, and the march through Armenia into Syria was fraught with difficulties. By the time that the coast was reached eight thousand more men had perished; and the army which finally went into winter quarters at a place known as the White Village, between Sidon and Berytus, was but the tattered remnant of the great host which had set out so bravely in the previous spring. Yet it may be said that had not Antony proved himself so dauntless a leader, not one man would have escaped from those terrible mountains, but all would have shared the doom of Crassus and his ill-fated expedition.

At last, after twenty-seven grueling days, during which they had fought off the Parthians no less than eighteen times, they crossed the Araxes and brought the eagles safely into Armenia. Here, while reviewing the army, Antony discovered that he had lost 20,000 infantry and 4,000 cavalry, most of whom had died from exposure and illness. Their troubles, however, were far from over; for although the enemy had now been left behind, they still had to face the winter snows, and the march through Armenia into Syria was filled with challenges. By the time they reached the coast, another 8,000 men had perished; and the army that finally settled into winter quarters at a place known as the White Village, between Sidon and Berytus, was merely a battered remnant of the great force that had set out so boldly the previous spring. Yet it can be said that had Antony not shown such fearless leadership, not a single man would have escaped from those treacherous mountains, and they would all have met the same fate as Crassus and his doomed expedition.

At the White Village Antony eagerly awaited the coming of Cleopatra; yet so ashamed was he at his failure, and so unhappy at the thought of her reproaches for his ill-success, that he turned in despair to the false comfort of the wine-jar, and daily drank himself into a state of oblivious intoxication. When not in a condition of coma he was nervous and restless. He could not endure the tediousness of a long meal, but would start up from table and run down to the sea-shore to scan the horizon for a sight of her sails. Both he and his officers were haggard and unkempt, his men being clad in rags; and it was in this condition that Cleopatra found them when at last her fleet sailed into the bay, bringing clothing, provisions, and money.

At the White Village, Antony eagerly awaited Cleopatra's arrival; however, he felt so ashamed of his failures and was so unhappy thinking about her potential anger over his lack of success that he turned to the false comfort of the wine jar, drinking himself into a state of oblivion every day. When he wasn't in a drunken stupor, he was anxious and restless. He couldn’t stand the monotony of long meals and would often get up from the table to run down to the beach to look for her sails on the horizon. Both he and his officers looked worn out and unkempt, with his men dressed in rags. It was in this state that Cleopatra found them when her fleet finally arrived in the bay, bringing clothes, supplies, and money.


CHAPTER XV.
THE PREPARATIONS OF CLEOPATRA AND ANTONY TO TOPPLE OCTAVIAN.

When Cleopatra carried Antony back to Alexandria to recuperate after his exertions, it seems to me that she spoke to him very directly in regard to his future plans. She seems to have pointed out to him that Roman attempts to conquer Parthia always ended in failure, and that it was a sheer waste of money, men, and time to endeavour to obtain possession of a country so vast and having such limitless resources. Wars of this kind exhausted their funds and gave them nothing in return. Would it not be much better, therefore, at once to concentrate all their energies upon the overthrow of Octavian and the capture of Rome? Antony had proved his popularity with his men and their confidence in him and his powers as a leader, for he had performed with ultimate success that most difficult feat of generalship—an orderly retreat. Surely, therefore, it would be wise to expend no further portion of their not unlimited means upon their eastern schemes, but to concentrate their full attention first upon Italy. The Parthians, after all, had been turned out of Armenia and Syria, and they might now be left severely alone within their own country until280 that day when Antony would march against them, in accordance with the prophecies of the Sibylline Books, as King of Rome. Cleopatra had never favoured the Parthian expedition, though she had helped to finance it as being part of Julius Cæsar’s original design; and she had accepted as reasonable the argument put forward by Antony, that if successful it would enhance enormously his prestige and ensure his acceptance as a popular hero in Rome. The war, however, had been disastrous, and it would be better now to abandon the whole scheme than to risk a further catastrophe. Antony, fagged out and suffering from the effects of his severe drinking-bout, appears to have acquiesced in these arguments; and it seems that he arrived in Alexandria with the intention of recuperating his resources for a year or two in view of his coming quarrel with Octavian. In Syria he had received news of the events which had occurred in Rome during his absence at the wars. Octavian had at last defeated Sextus Pompeius, who had fled to Mytilene; and Lepidus, the third Triumvir, had retired into private life, leaving his province of Africa in Octavian’s hands. His rival, therefore, now held the West in complete subjection, and it was not unlikely that he himself would presently pick a quarrel with Antony.

When Cleopatra took Antony back to Alexandria to recover after his efforts, it seems she spoke very directly about his future plans. She likely pointed out that Roman attempts to conquer Parthia always ended in failure and that trying to take over such a vast country with endless resources was a total waste of money, men, and time. Wars like this drained their finances and provided nothing in return. Wouldn’t it be much better, then, to focus all their energy on defeating Octavian and capturing Rome? Antony had shown his popularity with his men and their trust in him as a leader, having successfully managed the difficult task of an orderly retreat. Surely, it would be wise to spend no more of their limited resources on eastern ambitions and instead direct their full attention to Italy first. After all, the Parthians had already been driven out of Armenia and Syria, and they could be left alone in their own territory until 280 the day Antony would march against them, as foretold by the Sibylline Books, as King of Rome. Cleopatra had never supported the Parthian mission, even though she had helped finance it as part of Julius Caesar’s original plan, and she had accepted Antony's reasoning that success would greatly boost his prestige and secure his status as a popular hero in Rome. The war had turned out to be a disaster, and it would be better to abandon the whole idea than risk another catastrophe. Antony, exhausted and suffering from the effects of a heavy drinking spree, seemed to agree with her arguments; he apparently arrived in Alexandria ready to recuperate his resources for a year or two in preparation for his upcoming conflict with Octavian. In Syria, he had heard about the events in Rome during his absence from the wars. Octavian had finally defeated Sextus Pompeius, who had fled to Mytilene, and Lepidus, the third Triumvir, had retired from public life, leaving Africa in Octavian’s control. Thus, his rival held the West completely under his thumb, and it was likely that he would soon provoke a conflict with Antony.

The comforts of the Alexandrian Palace, and the pleasures of Cleopatra’s brilliant society, must have come to Antony as an entrancing change after the rigours of his campaign; and the remainder of the winter, no doubt, slipped by in happy ease. The stern affairs of life, however, seem to have checked any repetition of the frivolities of his earlier stay in the Egyptian capital; and we now hear nothing of the Inimitable Livers or of their prodigious entertainments. Antony wrote a long letter281 to Rome, giving a more or less glowing account of the war, and stating that in many respects it had been very successful. Early in the new year, B.C. 35, Sextus Pompeius attempted to open negotiations with the Egyptian court; but the envoys whom he sent to Alexandria failed to secure any favourable response. Antony, on the other hand, learnt from them that Sextus was engaged in a secret correspondence with the Parthians, and was attempting to corrupt Domitius Ahenobarbus, his lieutenant in Asia. Thereupon he and Cleopatra determined to capture this buccaneering son of the great Pompey and to put him to death. The order was carried out by a certain Titius, who effected the arrest in Phrygia; and Sextus was executed in Miletus shortly afterwards. This action was likely to be extremely ill received in Rome, for the outlaw, in the manner of a Robin Hood, had always been immensely popular; and for this reason Antony never seems to have admitted his responsibility for it, the order being generally said to have been signed by his lieutenant, Plancus.

The comforts of the Alexandrian Palace and the pleasures of Cleopatra’s vibrant society must have felt like a refreshing change for Antony after the hardships of his campaign. The rest of the winter likely passed in relaxed enjoyment. However, the serious matters of life seemed to have put a stop to the carefree antics of his earlier visit to the Egyptian capital, and we no longer hear about the Inimitable Livers or their extravagant parties. Antony wrote a long letter281 to Rome, giving a mostly positive overview of the war and stating that, in many ways, it had been quite successful. Early in the new year, BCE 35, Sextus Pompeius tried to open negotiations with the Egyptian court, but the envoys he sent to Alexandria didn’t get any positive response. Meanwhile, Antony discovered from them that Sextus was secretly communicating with the Parthians and trying to bribe Domitius Ahenobarbus, his lieutenant in Asia. As a result, he and Cleopatra decided to capture this pirate son of the great Pompey and have him killed. The capture was carried out by a certain Titius, who arrested him in Phrygia, and Sextus was executed in Miletus shortly after. This move was likely to be very unpopular in Rome since the outlaw, much like Robin Hood, had always been extremely popular; for this reason, Antony never seemed to take responsibility for it, as the order was generally said to have been signed by his lieutenant, Plancus.

Shortly after this the whole course of events was suddenly altered by the arrival in Alexandria of no less a personage than the King of Pontus, who, it will be remembered, had been captured by the Parthians99 at the outset of Antony’s late campaign, and had been held prisoner by the King of Media. The latter now sent him to Egypt with the news that the lately allied kingdoms of Media and Parthia had come to blows; and the King of Media proposed that Antony should help him to overthrow his rival. This announcement caused the greatest upheaval in Cleopatra’s palace. Here was an unexpected282 opportunity to conquer the terrible Parthians with comparative ease; for Media had always been their powerful ally, and the Roman arms had come to grief on former occasions in Median territory. Cleopatra, however, fearing the duplicity of these eastern monarchs, and having set her heart on the immediate overthrow of Octavian, whose power was now so distinctly on the increase, tried to dissuade her husband from this second campaign, and begged him to take no further risks in that direction. As a tentative measure Antony sent a despatch to Artavasdes, the King of Armenia, who had deserted him after his defeat in Media, ordering him to come to Alexandria without delay, presumably to discuss the situation. Artavasdes, however, showed no desire to place himself in the hands of his overlord whom he had thus betrayed, and preferred to seek safety, if necessary, in his own hills or to throw in his lot with the Parthians.

Shortly after this, everything changed when the King of Pontus arrived in Alexandria. He had been captured by the Parthians at the start of Antony’s recent campaign and held prisoner by the King of Media. The latter sent him to Egypt with news that the once-allied kingdoms of Media and Parthia were now at war, proposing that Antony assist him in defeating his rival. This news caused a huge stir in Cleopatra’s palace. Here was an unexpected opportunity to defeat the formidable Parthians relatively easily, as Media had always been their strong ally, and Roman forces had previously faced setbacks in Median territory. However, Cleopatra, wary of the deceit of these eastern rulers and focused on swiftly defeating Octavian—whose power was clearly growing—tried to convince her husband against this second campaign and urged him to avoid any further risks in that direction. As a preliminary step, Antony sent a message to Artavasdes, the King of Armenia, who had abandoned him after his defeat in Media, instructing him to come to Alexandria immediately to discuss the situation. However, Artavasdes showed no interest in placing himself at the mercy of his betrayer and preferred to seek refuge in the mountains or align himself with the Parthians instead.

Antony was deaf to Cleopatra’s advice; and at length accepting the proposal conveyed by the King of Pontus, he prepared to set out at once for the north-east. Thereupon Cleopatra made up her mind to accompany him; and in the late spring they set out together for Syria. No sooner had they arrived in that country, however, than Antony received the disconcerting news that his Roman wife Octavia was on her way to join him once more, and proposed to meet him in Greece. It appears that her brother Octavian had chosen this means of bringing his quarrel with Antony to an issue; for if she were not well received he would have just cause for denouncing her errant husband as a deserter; and in order to show how justly he himself was dealing he despatched with Octavia two thousand legionaries and some munitions of war. As a matter of fact the legionaries served actually as283 a bodyguard for Octavia,100 while their ultimate presentation to Antony was to be regarded partly as a payment for the number of his ships which had been destroyed in Octavian’s war against Sextus, and partly as a sort of formal present from one autocrat to another. Antony at once sent a letter to Octavia telling her to remain at Athens, as he was going to Media; and in reply to this Octavia despatched a family friend, named Niger, to ask Antony what she should do with the troops and supplies. Niger had the hardihood to speak openly in regard to Octavia’s treatment, and to praise her very highly for her noble and quiet bearing in her great distress; but Antony was in no mood to listen to him, and sent him about his business with no satisfactory reply. At the same time he appears to have been very sorry for Octavia, and there can be little doubt that, had such a thing been possible, he would have liked to see her for a short time, if only to save her from the added insult of his present attitude. He was an irresponsible boy in these matters, and so long as everybody was happy he really did not care very deeply which woman he lived with, though he was now, it would seem, extremely devoted to Cleopatra, and very dependent upon her lively society.

Antony ignored Cleopatra’s advice, and eventually accepted the proposal from the King of Pontus, preparing to head northeast immediately. Cleopatra decided to go with him; and in late spring, they left together for Syria. However, as soon as they arrived in that country, Antony got the troubling news that his Roman wife, Octavia, was on her way to join him again and planned to meet him in Greece. It seems her brother, Octavian, had chosen this way to confront Antony; if she wasn’t welcomed, he would have a good reason to accuse her estranged husband of being a deserter. To demonstrate that he was handling the situation fairly, he sent two thousand soldiers and some military supplies along with Octavia. In reality, the soldiers served mainly as a bodyguard for Octavia, while their eventual delivery to Antony was meant both as compensation for the ships he lost in Octavian's war against Sextus and as a kind of official gift from one leader to another. Antony immediately wrote to Octavia, telling her to stay in Athens as he planned to go to Media. In response, Octavia sent a family friend named Niger to ask Antony what she should do with the troops and supplies. Niger boldly spoke about how Octavia was treated and praised her calm and dignified demeanor during her distress; however, Antony wasn’t in the mood to listen and dismissed him without offering a satisfactory response. Still, he seemed to feel quite sorry for Octavia, and had circumstances allowed, he likely would have wanted to see her for a moment, just to spare her the added humiliation of his current behavior. He was irresponsible in these matters; as long as everyone was content, he really didn't care much about which woman he was with, though he seemed very devoted to Cleopatra and depended heavily on her lively company.

The Queen, of course, was considerably alarmed by this new development, for she could not be sure whether Antony would stand by the solemn compact he had made with her at Antioch, or whether he would once more prove a fickle friend. She realised very clearly that the insult offered to Octavia would precipitate the war between East and West, and she seems to have felt even284 more strongly than before that Antony would be ill advised at this critical juncture to enter into any further Parthian complication. To her mind it was absolutely essential that she should carry him safely back to Alexandria, where he would be, on the one hand, well out of reach of Octavia, and, on the other, far removed from the temptation of pursuing his Oriental schemes. Antony, however, was as eager to be at his old enemy once more as a beaten boy might have been to revenge himself upon his rival; and the thought of giving up this opportunity for vengeance in order to prepare for an immediate fight with Octavian was extremely distasteful to him. Everything now seemed to be favourable for a successful invasion of Parthia. Not only had he the support of the King of Media, but the fickle King of Armenia had thought it wise at the last moment to make his peace with Antony, and the new agreement was to be sealed by the betrothal of his daughter to Antony’s little son Alexander Helios. Cleopatra, however, did not care so much about the conquest of Parthia as she did for the overthrow of her son’s rival, who seemed to have usurped the estate which ought to have passed from the great Cæsar to Cæsarion and herself; and she endeavoured now, with every art at her disposal, to prevent Antony taking any further risk in the East, and to urge his return to Alexandria. “She feigned to be dying of love for Antony,” says Plutarch, “bringing her body down by slender diet. When he entered the room she fixed her eyes upon him in adoration, and when he left she seemed to languish and half faint away. She took great pains that he should see her in tears, and, as soon as he noticed it, she hastily dried them and turned away, as285 if it were her wish that he should know nothing of it. Meanwhile Cleopatra’s agents were not slow to forward her design, upbraiding Antony with his unfeeling hard-hearted nature for thus letting a woman perish whose soul depended upon him and him alone. Octavia, it was true, was his wife; but Cleopatra, the sovereign queen of many nations, had been contented with the name of his mistress,101 and if she were bereaved of him she would not survive the loss.”

The Queen was obviously very worried about this new situation because she wasn't sure if Antony would stick to the serious promise he made to her at Antioch or if he would turn out to be a unreliable friend again. She clearly understood that the insult to Octavia would spark a war between East and West, and she seemed to feel even more strongly than before that it would be a bad move for Antony to get involved in any more issues with the Parthians at this critical moment. She believed it was absolutely essential that she get him safely back to Alexandria, where he would be safely away from Octavia and also far from the temptation of pursuing his Eastern ambitions. However, Antony was just as eager to confront his old enemy as a beaten boy might want to get back at his rival, and the idea of giving up this chance for revenge to prepare for an immediate battle with Octavian was very unappealing to him. Everything seemed to be set for a successful invasion of Parthia. Not only did he have the support of the King of Media, but the unreliable King of Armenia had wisely decided to make peace with Antony at the last minute, and the new agreement was going to be sealed by the engagement of his daughter to Antony's young son, Alexander Helios. Cleopatra, however, cared less about conquering Parthia than about defeating her son's rival, who seemed to have taken the inheritance that should have gone from the great Caesar to Cæsarion and her. She now used every trick she had to stop Antony from taking any more risks in the East and pushed for his return to Alexandria. “She pretended to be dying of love for Antony,” Plutarch says, “starving herself to appear fragile. When he entered the room, she gazed at him adoringly, and when he left, she seemed to fade and nearly faint. She made sure he saw her in tears, and as soon as he noticed, she quickly wiped them away and turned away, as if she wanted him to be oblivious to it. Meanwhile, Cleopatra’s agents were quick to support her plan, criticizing Antony for being so callous as to let a woman die whose very soul depended solely on him. It was true that Octavia was his wife, but Cleopatra, the powerful queen of many nations, had been satisfied with being called his mistress, and if she lost him, she would not survive the heartbreak.”

In this manner she prevailed upon him at last to give up the proposed war; nor must we censure her too severely for her piece of acting. She was playing a desperate game at this time. She had persuaded Antony to turn his back upon Octavia in a manner which could but be final; and yet immediately after this, as though oblivious to the consequences of his action, he was eager to go off to Persia at a time when Octavian would probably attempt to declare him an enemy of the Roman people. Of course, in reality the Queen was no more deeply in love with Antony than he with her; but he was absolutely essential to the realisation of her hopes, and the necessity of a speedy trial of strength with Octavian became daily more urgent. For this he must prepare by a quiet collecting of funds and munitions, and all other projects must be given up.

In this way, she finally convinced him to abandon the proposed war; we shouldn't judge her too harshly for her performance. She was playing a risky game at this point. She had persuaded Antony to turn his back on Octavia in a way that seemed irreversible; yet right after that, as if unaware of the consequences of his actions, he was eager to head to Persia when Octavian would likely try to label him an enemy of the Roman people. In reality, the Queen wasn't any more in love with Antony than he was with her; but he was crucial for her hopes, and the need for a quick showdown with Octavian became more urgent every day. For this, he needed to quietly gather funds and supplies, and all other plans had to be set aside.

Very reluctantly, therefore, Antony returned to Alexandria, and there he spent the winter of B.C. 35–34 in soberly governing his vast possessions. In the following spring, however, he determined to secure Armenia and286 Media for his own ends; and when he transferred his headquarters to Syria for the summer season102 he again sent word to King Artavasdes to meet him in order to discuss the affairs of Parthia. The Armenian king, however, seems to have been intriguing against Antony during the winter; and now he declined to place himself in Roman hands lest he might suffer the consequence of his duplicity. Thereupon Antony advanced rapidly into Armenia, took the King prisoner, seized his treasure, pillaged his lands, and declared the country to be henceforth a Roman province. The loot obtained in this rapid campaign was very great. The legionaries seized upon every object of value which they observed: and they even plundered the ancient temple of Anaitis in Acilisene, laying hands on the statue of the goddess which was made of pure gold, and pounding it into pieces for purposes of division.

Very reluctantly, Antony returned to Alexandria, where he spent the winter of BCE 35–34 managing his vast lands. However, in the following spring, he decided to secure Armenia and286 Media for his own ambitions; and when he moved his base to Syria for the summer, he reached out to King Artavasdes to discuss the situation in Parthia. The Armenian king, however, seemed to have been scheming against Antony over the winter, and now he refused to put himself into Roman hands, fearing he might face the consequences of his treachery. Consequently, Antony quickly advanced into Armenia, captured the King, took his treasure, looted his lands, and declared the territory a Roman province. The spoils from this swift campaign were substantial. The soldiers seized every valuable item they found, even plundering the ancient temple of Anaitis in Acilisene, grabbing the statue of the goddess made of pure gold, and smashing it into pieces for distribution.

On his return to Syria Antony entered into negotiations with the King of Media, the result of which was that the Median Princess Iotapa was married to the little Alexander Helios, whose betrothal to the King of Armenia’s daughter had, of course, terminated with the late war. As we shall presently see, it is probable that the King of Media had consented to make the youthful couple his heirs to the throne of Media, for it would seem that he had no son; and thus Antony is seen to have once more put into practice his jesting scheme of founding royal dynasties of287 his own flesh and blood in many lands. Antony then returned to Alexandria, well satisfied with his summer’s work, but “with his thoughts,” as Plutarch says, “now taken up with the coming civil war.” Octavia had returned to Rome, and had made no secret of her ill-treatment. Her brother, therefore, told her to leave Antony’s house, thus to show her resentment against him; but she would not do this, nor did she permit Octavian to make war upon her husband on her account, for, she declared, it would be intolerable to have it said that two women, herself and Cleopatra, had been the cause of such a terrific contest. Nevertheless, there was little chance of the quarrel being patched up; and Antony must have realised now the wisdom of Cleopatra’s objection to an expensive and exhausting campaign in Parthia.

On his return to Syria, Antony started negotiations with the King of Media, leading to the marriage of the Median Princess Iotapa to young Alexander Helios. His engagement to the King of Armenia’s daughter had, of course, ended with the recent war. As we’ll soon see, it’s likely that the King of Media agreed to make the young couple his heirs to the throne because he had no son. This shows how Antony was again trying to establish royal dynasties from his own lineage in various regions. Antony then went back to Alexandria, feeling satisfied with his summer accomplishments, but, as Plutarch notes, “with his thoughts now focused on the upcoming civil war.” Octavia had returned to Rome and made it clear that she had been treated poorly. Her brother, therefore, told her to leave Antony’s house to express her displeasure with him; however, she refused to do this and also didn’t allow Octavian to wage war against her husband on her behalf, claiming it would be unacceptable to have it said that two women, herself and Cleopatra, were the cause of such a massive conflict. Still, there was little chance of reconciling the feud, and Antony must have recognized the wisdom in Cleopatra’s concerns about an expensive and exhausting campaign in Parthia.

On his return to Alexandria in the autumn of B.C. 34, Antony set the Roman world agog by celebrating his triumph over Armenia in the Egyptian capital. Never before had a Roman General held a formal Triumph outside Rome; and Antony’s action appeared to be a definite proclamation that Alexandria had become the rival, if not the successor, of Rome as the capital of the world. It will be remembered that Julius Cæsar had talked of removing the seat of government from Rome to Alexandria; and now it seemed that Antony had transferred the capital, at any rate of the Eastern Empire, to that city, and was regarding it as his home. Alexandria was certainly far more conveniently situated than Rome for the government of the world. It must be remembered that the barbaric western countries—the unexplored Germania, the newly conquered Gallia, the insignificant Britannia, the wild Hispania, and others—288were not of nearly such value as were the civilised eastern provinces; and thus Rome stood on the far western outskirts of the important dominions she governed. From Alexandria a march of 600 or 800 miles brought one to Antioch or to Tarsus; whereas Rome was nearly three times as far from these great centres. The southern Peloponnesus was, by way of Crete, considerably nearer to Alexandria than it was to Rome by way of Brundisium. Ephesus and other cities of Asia Minor could be reached more quickly by land or sea from Egypt than they could from Rome. Rhodes, Lycia, Bithynia, Galatia, Pamphylia, Cilicia, Cappadocia, Pontus, Armenia, Commagene, Crete, Cyprus, and many other great and important lands, were all closer to Alexandria than to Rome; while Thrace and Byzantium, by the land or sea route, were about equidistant from either capital. As a city, too, Alexandria was far more magnificent, more cultivated, more healthy, more wealthy in trade, and more “go-ahead” than Rome. Thus there was really very good ground for supposing that Antony, by holding his Triumph here, was proclaiming a definite transference of his home and of the seat of government; and one may imagine the anxiety which it caused in Italy.

On his return to Alexandria in the fall of BCE 34, Antony shocked the Roman world by celebrating his victory over Armenia in the Egyptian capital. It was unprecedented for a Roman General to hold a formal Triumph outside of Rome; Antony’s act seemed to clearly announce that Alexandria had become a rival, if not a successor, to Rome as the capital of the world. It’s worth noting that Julius Cæsar had considered moving the seat of government from Rome to Alexandria; now it appeared that Antony had relocated the capital, at least for the Eastern Empire, to that city, treating it as his home. Alexandria was definitely better positioned than Rome for governing the world. The so-called barbaric western regions—unexplored Germania, the recently conquered Gallia, the minor Britannia, the wild Hispania, and others—288 were not nearly as valuable as the civilized eastern provinces; thus, Rome was located on the far western edge of the significant territories it controlled. From Alexandria, a journey of 600 or 800 miles would take you to Antioch or Tarsus; meanwhile, Rome was almost three times that distance from these important centers. The southern Peloponnesus was much closer to Alexandria via Crete than it was to Rome through Brundisium. Cities like Ephesus and others in Asia Minor could be reached more quickly by land or sea from Egypt than from Rome. Rhodes, Lycia, Bithynia, Galatia, Pamphylia, Cilicia, Cappadocia, Pontus, Armenia, Commagene, Crete, Cyprus, and many other significant regions were all nearer to Alexandria than to Rome; while Thrace and Byzantium were roughly equidistant from both capitals. As a city, Alexandria was also far more impressive, more cultured, healthier, wealthier in trade, and more progressive than Rome. Therefore, there was a solid basis for believing that Antony, by holding his Triumph there, was signaling a clear shift of his home and the seat of government; one can only imagine the concern this caused in Italy.

The Triumph was a particularly gorgeous ceremony. At the head of the procession there seems to have marched a body of Roman legionaries, whose shields were inscribed with the large C which is said to have stood for “Cleopatra,” but which, with equal probability, may have stood for “Cæsar,” that is to say, for the legitimate Cæsarian cause. Antony rode in the customary chariot drawn by four white horses, and before him walked the unfortunate King Artavasdes289 loaded with golden chains, together with his queen and their sons. Behind the chariot walked a long procession of Armenian captives, and after these came the usual cars loaded with the spoils of war. Then followed a number of municipal deputations drawn from vassal cities, each carrying a golden crown or chaplet which had been voted to Antony in commemoration of his conquest. Roman legionaries, Egyptian troops, and several eastern contingents, brought up the rear.

The Triumph was a particularly stunning ceremony. At the front of the procession, a group of Roman soldiers marched, their shields marked with a big C that is said to have stood for “Cleopatra,” but could just as easily have represented “Cæsar,” meaning the legitimate Cæsarian cause. Antony rode in the usual chariot pulled by four white horses, and before him walked the unfortunate King Artavasdes289, weighed down with golden chains, accompanied by his queen and their sons. Behind the chariot was a long line of Armenian captives, followed by the typical carts filled with the spoils of war. After that came a number of municipal delegations from vassal cities, each carrying a golden crown or wreath that had been awarded to Antony in honor of his victory. Roman soldiers, Egyptian troops, and several eastern units followed at the rear.

The procession seems to have set out in the sunshine of the morning from the Royal Palace on the Lochias Promontory, and to have skirted the harbour as far as the temple of Neptune. It then travelled probably through the Forum, past the stately buildings and luxuriant gardens of the Regia, and so out into the Street of Canopus at about the point where the great mound of the Paneum rose up against the blue sky, its ascending pathway packed with spectators. Turning now to the west, the procession moved slowly along this broad paved street, the colonnades on either side being massed with sightseers. On the right-hand side the walls of the Sema, or Royal Mausoleum, were passed, where lay the bones of Alexander the Great; and on the left the long porticos of the Gymnasium and the Law Courts formed a shaded stand for hundreds of people of the upper classes. On the other side of the road the colonnades and windows of the Museum were crowded, I suppose, with the professors and students who had come with their families to witness the spectacle. Some distance farther along, the procession turned to the south, and proceeded along the broad Street of Serapis, at the end of which, on high ground, stood the splendid building of the Serapeum. Here Cleopatra and her court,290 together with the high functionaries of Alexandria, were gathered, while the priests and priestesses of Serapis were massed on either side of the street and upon the broad steps which led up to the porticos of the temple. At this point Antony dismounted from his chariot; and probably amidst the shouts of the spectators and the shaking of hundreds of systra, he ascended to the temple to offer the prescribed sacrifice to Serapis, as in Rome he would have done to Jupiter Capitolinus. This accomplished he returned to the court in front of the sacred building, where a platform had been erected, the sides of which were plated with silver. On this platform, upon a throne of gold, sat Cleopatra, clad in the robes of Isis or Venus; and to her feet Antony now led the royal captives of Armenia, all hot and dusty from their long walk, and dejected by the continuous booing and jeering of the crowds through which they had passed. Artavasdes was no barbarian: he was a refined and cultured man, to whose sensitive nature the ordeal must have been most terrible. He was something of a poet, and in his time had written plays and tragedies not without merit. He was now told to abase himself before Cleopatra, and to salute her as a goddess; but this he totally refused to do, and, in spite of some rough handling by his guards, he persisted in standing upright before her and in addressing her simply by her name. In Rome it was customary at the conclusion of a Triumph to put to death the royal captives who had been exhibited in the procession; and now that he had openly insulted the Queen of Egypt he could not have expected to see another sun rise. Antony and Cleopatra, however, appear to have been touched at his dignified attitude; and neither he nor his family were291 harmed. Instead, they were treated with some show of honour,103 and thereafter were held as state prisoners in the Egyptian capital.

The procession seems to have started in the morning sunshine from the Royal Palace on the Lochias Promontory and moved along the harbor toward the temple of Neptune. It likely went through the Forum, passing the impressive buildings and lush gardens of the Regia, and then out onto the Street of Canopus, right where the large mound of the Paneum loomed against the blue sky, its pathway filled with spectators. Turning west, the procession moved slowly down this wide paved street, with crowds of onlookers filling the colonnades on both sides. On the right, they passed the walls of the Sema, or Royal Mausoleum, resting place of Alexander the Great, while on the left, the long porticos of the Gymnasium and Law Courts provided shaded seating for hundreds of upper-class citizens. Across the road, the colonnades and windows of the Museum were crowded, presumably with professors and students who had come with their families to witness the spectacle. A bit farther along, the procession turned south and continued down the wide Street of Serapis, where the magnificent building of the Serapeum stood on high ground. Here, Cleopatra and her court, along with the top officials of Alexandria, were gathered, while the priests and priestesses of Serapis lined both sides of the street and the wide steps leading up to the temple. At this point, Antony got out of his chariot and, likely amidst the cheers of the crowd and the shaking of hundreds of systra, went up to the temple to offer the required sacrifice to Serapis, just as he would have done for Jupiter Capitolinus in Rome. After this, he returned to the court in front of the sacred building, where a platform covered in silver had been set up. On this platform, on a throne of gold, sat Cleopatra, dressed in the robes of Isis or Venus; and before her, Antony now brought in the royal captives from Armenia, all sweaty and dusty from their long walk, feeling downcast from the continuous booing and jeering of the crowds they had passed through. Artavasdes was no barbarian; he was a refined and cultured man whose sensitive nature must have found the ordeal incredibly distressing. He was a bit of a poet and had written plays and tragedies that were not without merit. He was told to bow to Cleopatra and greet her as a goddess, but he completely refused to do so, and despite some rough handling by his guards, he stood there upright before her and addressed her simply by her name. In Rome, it was customary at the end of a Triumph to execute the royal captives shown in the procession; having insulted the Queen of Egypt openly, he could not have expected to see another sunrise. However, Antony and Cleopatra seemed to be moved by his dignified stance; neither he nor his family were harmed. Instead, they were treated with some honor, and afterwards were kept as state prisoners in the Egyptian capital.

British Museum.]
[Photograph by Macbeth.

ANTONIA, the Daughter of Antony.

ANTONIA, Antony's Daughter.

The Triumph ended, a vast banquet was given to all the inhabitants of Alexandria; and late in the afternoon a second ceremony was held in the grounds of the Gymnasium. Here again a silver-covered platform had been erected, upon which two large and four smaller thrones of gold had been set up; and, when the company was assembled, Antony, Cleopatra, and her children took their seats upon them. Certain formalities having been observed, Antony arose to address the crowd; and, after referring no doubt to his victories, he proceeded to confer upon the Queen and her offspring a series of startling honours. He appears to have proclaimed Cleopatra sovereign of Egypt, and of the dominions which he had bestowed upon her at Antioch nearly three years previously. He named Cæsarion, the son of Julius Cæsar, co-regent with his mother, and gave him the mighty title of King of Kings.104 Cæsarion was now thirteen and a half years of age; and since, as Suetonius remarks, he resembled his father, the great Dictator, in a remarkable manner, Antony’s feelings must have been strangely complicated as he now conferred upon him these vast honours. To Alexander Helios, his own child, Antony next gave the kingdom of Armenia; the kingdom of Media, presumably after the death of the reigning monarch, whose daughter had just been married to him; and ultimately the kingdom of Parthia, provided that it had been conquered. This seems to have been292 arranged by treaty with the King of Media in the previous summer,105 the agreement probably being that, on the death of that monarch, Alexander Helios and the Median heiress, Iotapa, should ascend the amalgamated thrones of Armenia, Media, and Parthia, Antony promising in return to assist in the conquest of the last-named country. The boy was now six years of age, and his chubby little figure had been dressed for the occasion in Median or Armenian costume. Upon his head he wore the high, stiff tiara of these countries, from the back of which depended a flap of cloth covering his neck; his body was clothed in a sleeved tunic, over which was worn a flowing cloak, thrown over one shoulder and hanging in graceful folds at the back; and his legs were covered by the long, loosely-fitting trousers worn very generally throughout Persia. To Cleopatra Selene, Alexander’s twin-sister, Antony gave Cyrenaica, Libya, and as much of the north-African coast as was in his gift; and finally he proclaimed the small Ptolemy King of Phœnicia, northern Syria, and Cilicia. This little boy, only two years of age, had been dressed up for the occasion in Macedonian costume, and wore the national mantle, the boots, and the cap encircled with the diadem, in the manner made customary by the successors of Alexander. At the end of this surprising ceremony the children, having saluted their parents, were each surrounded by a bodyguard composed of men belonging to the nations over whom they were to rule; and at last all returned in state to the Palace as the sun set behind the Harbour of the Happy Return.

The Triumph over, a huge feast was held for all the people of Alexandria; and later in the afternoon, a second ceremony took place at the Gymnasium. Once again, a silver-covered platform was set up, featuring two large thrones and four smaller thrones made of gold. When everyone had gathered, Antony, Cleopatra, and her children took their places. After certain formalities were observed, Antony stood up to speak to the crowd; and after mentioning his victories, he went on to give the Queen and her children a series of impressive honors. He proclaimed Cleopatra sovereign of Egypt and the territories he had granted her in Antioch nearly three years earlier. He appointed Cæsarion, the son of Julius Cæsar, as co-regent alongside his mother, bestowing upon him the grand title of King of Kings. Cæsarion was now thirteen and a half years old; and since, as Suetonius noted, he bore a striking resemblance to his father, the great Dictator, Antony’s feelings must have been quite complex as he granted him these significant honors. Next, Antony gave his own child, Alexander Helios, the kingdom of Armenia; the kingdom of Media, likely after the death of the reigning king, whose daughter had just married him; and eventually the kingdom of Parthia, provided it was conquered. This was seemingly arranged through a treaty with the King of Media the previous summer, likely agreeing that upon the king's death, Alexander Helios and the Median heiress, Iotapa, would share the merged thrones of Armenia, Media, and Parthia, with Antony promising to help conquer the last one. At this point, the boy was six years old and had been dressed for the occasion in Median or Armenian attire. He wore the high, stiff tiara from these regions, with a flap of cloth hanging down to cover his neck; his body was clad in a sleeved tunic, topped with a flowing cloak draped over one shoulder and cascading gracefully at the back; and his legs were in long, loose trousers commonly worn throughout Persia. To Cleopatra Selene, Alexander’s twin sister, Antony gave Cyrenaica, Libya, and as much of the North African coast as was within his power to grant; and finally, he crowned the small Ptolemy as King of Phoenicia, northern Syria, and Cilicia. This little boy, just two years old, was also dressed for the occasion in Macedonian attire, sporting the traditional mantle, boots, and a cap adorned with a diadem, as customary for the successors of Alexander. At the end of this surprising ceremony, the children, after saluting their parents, were each surrounded by a bodyguard composed of men from the nations they were to govern; and finally, they all returned ceremoniously to the Palace as the sun set behind the Harbour of the Happy Return.

In celebration of the occasion coins were struck bearing the inscription Cleopatræ reginæ regum filiorum regum—“Of Cleopatra the Queen, and of the Kings the children293 of Kings.” Antony perhaps also caused a bronze statue to be made, representing his son Alexander Helios dressed in the royal costume of his new kingdom, for a figure has recently been discovered which appears to represent the boy in this manner. He then wrote an account of the whole affair to the Senate in Rome, together with a report on his Armenian war; and in a covering letter he told his agents to obtain a formal ratification of the changes which he had made in the distribution of the thrones in his dominions. The news was received in Italy with astonishment, and in official circles the greatest exasperation was felt. Antony’s agents very wisely decided not to read the despatches to the Senate; but Octavian insisted, and after much wrangling their contents were at last publicly declared. Stories at once began to circulate in which Antony figured as a kind of Oriental Sultan, living at Alexandria a life of voluptuous degeneracy. He was declared to be constantly drunken; and, since no such charge could be brought against Cleopatra, the Queen was said to keep sober by means of a magical ring of amethyst, which had the virtue of dispelling the fumes of wine from the head of the wearer.

In celebration of the occasion, coins were minted with the inscription Cleopatræ reginæ regum filiorum regum—“Of Cleopatra the Queen, and of the Kings the children of Kings.” Antony may have also commissioned a bronze statue of his son Alexander Helios dressed in the royal attire of his new kingdom, as a figure was recently discovered that seems to depict the boy this way. He then wrote a detailed account of everything to the Senate in Rome, along with a report on his Armenian war; in a cover letter, he instructed his agents to obtain formal approval for the changes he made in the distribution of the thrones in his territories. The news was met in Italy with shock, and among officials, there was significant frustration. Antony’s agents wisely chose not to read the dispatches to the Senate; however, Octavian insisted, and after much debate, their contents were finally announced publicly. Immediately, rumors began circulating portraying Antony as a kind of Eastern Sultan living in Alexandria, indulging in a life of excessive luxury. He was said to be perpetually drunk; and, since no such accusation could be made against Cleopatra, it was claimed that she remained sober thanks to a magical amethyst ring, which was believed to have the power to clear the mind of its intoxication.

There can, indeed, be little doubt that Antony was very intemperate at this period. He was worried to distraction by the approach of the great war with Octavian; and he must have felt that his popularity in Rome was now very much at stake. While waiting for events to shape themselves, therefore, he attempted to free his mind from its anxieties by heavy drinking; but in so doing, it would seem from subsequent events, he began to lose the place in Cleopatra’s esteem which he had formerly held. She herself did not ever drink much294 wine, if we may judge from the fact, just now quoted, that she was at all times notably sober; and she must have watched with increasing uneasiness the dissolute habits of the man upon whom she was obliged to rely for the fulfilment of her ambitions.

There’s definitely little doubt that Antony was very reckless during this time. He was stressed out by the impending war with Octavian, and he must have realized that his popularity in Rome was on the line. While he was waiting for things to unfold, he tried to cope with his worries by drinking heavily; however, it seems from later events that he started to lose the position in Cleopatra’s regard that he once had. She herself didn’t drink much wine, as we can see from the fact that she was always notably sober; and she must have watched with growing concern the wild habits of the man she relied on to achieve her ambitions.294

The fact that he was ceasing to be a Roman, and was daily becoming more like an Oriental potentate, did not trouble her so much. It differentiated him, of course, from the great Dictator, whose memory became more dear to her as she contrasted his activities with Antony’s growing laziness; but all her life she had been accustomed to the ways of Eastern monarchs, and she could not have been much shocked at her husband’s new method of life, except in so far as it modified his abilities as an active leader of men. Now that the quarrel with Octavian was coming to a head, her throne and her very existence depended on Antony’s ability to inspire and to command; and I dare say a limited adoption of the manners of the East made him more agreeable to the people with whom he had to deal. “Cleopatra,” says the violently partisan Florus, “asked of the drunken general as the price of her love the Roman Empire, and Antony promised it to her, as though Romans were easier to conquer than Parthians.... Forgetting his country, his name, his toga, and the insignia of his office, he had degenerated wholly, in thought, feeling, and dress, into that monster of whom we know. In his hand was a golden sceptre, at his side a scimitar; his purple robes were clasped with great jewels; and he wore a diadem upon his head so that he might be a King to match the Queen he loved.”

The fact that he was no longer a Roman and was increasingly becoming more like an Eastern ruler didn’t bother her much. It certainly set him apart from the great Dictator, whose memory she cherished more as she compared his actions to Antony’s growing laziness; but throughout her life, she had been familiar with the customs of Eastern kings, and she couldn’t have been too shocked by her husband’s new lifestyle, except that it affected his capabilities as an active leader. Now that the conflict with Octavian was reaching a climax, her throne and very existence depended on Antony’s ability to inspire and lead; and I’m sure a limited adoption of Eastern manners made him more likable to the people he had to deal with. “Cleopatra,” says the fiercely biased Florus, “asked the drunken general for the Roman Empire as the price of her love, and Antony promised it to her, as if Romans were easier to conquer than Parthians.... Forgetting his country, his name, his toga, and the symbols of his office, he had completely degraded, in thought, feeling, and appearance, into that monster we know. In his hand was a golden scepter, at his side a scimitar; his purple robes were adorned with large jewels; and he wore a diadem on his head to be a King worthy of the Queen he loved.”

The Palace at Alexandria had been much embellished and decorated during recent years; and it was now a295 fitting setting for the ponderous movements of this burly monarch of the East. Lucan tells us how sumptuous a place the royal home had come to be. The ceilings were fretted and inlaid, and gold-foil hid the rafters. The walls and pillars were mainly made of fine marble, but a considerable amount of purple porphyry106 and agate were used in the decoration. The flooring of some of the halls was of onyx or alabaster; ebony was used as freely as common wood; and ivory was to be seen on all sides. The doors were ornamented with tortoise-shells brought from India and studded with emeralds. The couches and chairs were encrusted with gems; much of the furniture was shining with jasper and carnelian; and there were many priceless tables of carved ivory. The coverings were bright with Tyrian dye, shining with spangled gold, or fiery with cochineal. About the halls walked slaves, chosen for their good looks. Some were dark-skinned, others were white; some had the crisp black hair of the Ethiopians; others the golden or flaxen locks of Gaul and Germania. Pliny tells us that Antony bought two boys for £800 each, and that they were supposed to be twins, but that actually they came from different countries. Of Cleopatra, Lucan writes: “She breathes heavily beneath the weight of her ornaments; and her white breasts shine through the Sidonian fabric which, wrought in close texture by the sley of the Chinese, the needle of the workmen of the Nile has separated, loosening the warp by stretching out the web.” The newly-developed trade with India had filled296 the Palace with the luxurious fabrics of the Orient; and the Greek, or even Egyptian, character of the materials and objects in daily use was beginning to be lost in the medley of heterogenous articles drawn from all parts of the world.

The Palace in Alexandria had been greatly enhanced and decorated in recent years, making it a fitting backdrop for the grand presence of this hefty Eastern king. Lucan describes how lavish the royal residence had become. The ceilings were intricately designed and inlaid, with gold foil covering the rafters. The walls and columns were mostly made of fine marble, but a significant amount of purple porphyry and agate were also used in the décor. Some of the hall floors were made of onyx or alabaster; ebony was used just as often as regular wood, and ivory was visible everywhere. The doors were adorned with tortoise shells from India and studded with emeralds. The couches and chairs were embedded with gems; much of the furniture gleamed with jasper and carnelian, and there were many priceless tables made of carved ivory. The coverings were bright with Tyrian dye, sparkling with gold, or vivid with cochineal. Beautifully selected slaves wandered the halls, showcasing a range of appearances. Some had dark skin, while others were fair; some had the tight black hair of Ethiopians, and others had golden or light hair from Gaul and Germania. Pliny notes that Antony bought two boys for £800 each, thought to be twins, but they actually hailed from different countries. Of Cleopatra, Lucan writes: “She breathes heavily beneath the weight of her jewels; her white breasts shine through the Sidonian fabric, which, woven tightly by the machines of the Chinese, the needlework of the Nile has loosened by stretching out the threads.” The newly established trade with India had filled the Palace with luxurious fabrics from the East, and the Greek or even Egyptian style of everyday materials and items was starting to fade in the mix of diverse goods from around the world.

Amidst these theatrical surroundings Antony acted, with a kind of childish extravagance, the part of the half-divine Autocrator of the East. When he was sober his mind must have been full of cares and anxieties; but on the many occasions when he was somewhat intoxicated he behaved himself in the manner of an overgrown boy. He delighted in the general recognition of his identity with Bacchus or Dionysos; and he loved to hear himself spoken of as the new “Liber Pater.” In the festivals of that deity he was driven through the streets of Alexandria in a car constructed like that traditionally used by the bibulous god; a golden crown upon his head, often poised, it would seem, at a peculiar angle, garlands of ivy tossed about his shoulders, buskins on his feet, and the thyrsus in his hand. In this manner he was trundled along the stately Street of Canopus, surrounded by leaping women and prancing men, the crowds on either side of the road shouting and yelling their merry salutations to him. A temple in his honour was begun in the Regia at Alexandria, just to the west of the Forum; but this was not completed until some years afterwards, when it was converted into a shrine in honour of Octavian, and was known as the Cæsareum. On one occasion he assigned the part of the sea-god Glaucus to his friend Plancus, who forthwith danced about at a banquet, naked and painted blue, a chaplet of sea-weed upon his head and a fish-tail tied from his waist.

Amidst these theatrical surroundings, Antony performed with a sort of childish extravagance as the semi-divine Autocrat of the East. When he was sober, his mind was likely filled with worries and stress; but on the many occasions he was somewhat drunk, he acted like an oversized child. He reveled in being recognized as the embodiment of Bacchus or Dionysos, and he enjoyed hearing himself referred to as the new “Liber Pater.” During the festivals for that god, he was paraded through the streets of Alexandria in a chariot designed like the one traditionally associated with the tipsy deity; with a golden crown on his head, often tilted at an odd angle, ivy garlands draped over his shoulders, buskins on his feet, and a thyrsus in his hand. In this manner, he was rolled along the grand Street of Canopus, surrounded by dancing women and lively men, the crowds on either side of the road cheering and celebrating him. A temple was initiated in his honor at the Regia in Alexandria, just west of the Forum; however, it was not finished until several years later, when it was turned into a shrine for Octavian and became known as the Cæsareum. On one occasion, he assigned the role of the sea-god Glaucus to his friend Plancus, who then danced at a banquet, naked and painted blue, with a seaweed crown on his head and a fish tail tied around his waist.

297 Antony had never troubled himself much in regard to his dignity; and now, in the character of the jolly ruler of the East, he was quite unmindful of his appearance in the eyes of serious men. Often he was to be seen walking on foot by the side of Cleopatra’s chariot, talking to the eunuchs and servants who followed in her train. He caused the Queen to give him the post of Superintendent of the Games,—a position which was not considered to be particularly honourable. It is apparent that her company had become very essential to him, and much notice was taken of the fact that he now accompanied her wherever she went. He rode through the streets at her side, conducted the official and religious ceremonies for her, or sat by her when she was trying cases in the public tribunal. Sometimes when he himself was alone upon the judicial bench, looking out of the window in the midst of some intricate judgment and by chance seeing Cleopatra’s chariot passing by across the square, he would without explanation start up from his seat, run over to her, and walk back to the Palace at her side, leaving the magistrate, police, and prisoners in open-mouthed astonishment.

297 Antony never really cared much about his dignity; and now, as the cheerful ruler of the East, he paid no attention to how he appeared to serious people. He was often seen walking alongside Cleopatra’s chariot, chatting with the eunuchs and servants trailing behind her. He convinced the Queen to give him the role of Superintendent of the Games—a position that wasn’t exactly considered prestigious. It was clear that her company had become very important to him, and it was widely noted that he now went everywhere with her. He rode through the streets next to her, led the official and religious ceremonies for her, or sat beside her when she was presiding over cases in the public court. Sometimes, even when he was alone on the judicial bench, deep in thought on some complicated judgment, he would suddenly see Cleopatra’s chariot passing by in the square, and without a word, he would jump up from his seat, rush over to her, and walk back to the Palace with her, leaving the magistrate, police, and prisoners in stunned silence.

We hear nothing in regard to Antony’s relations with his children, and it is difficult to picture him as he appeared in the family circle. His stepson Cæsarion, his two sons Alexander and Ptolemy, and his daughter Cleopatra, were all at this time residing in the Palace; and moreover his son by Fulvia, Antyllus, a boy somewhat younger than Cæsarion, had now come to live with him in Alexandria. It is probable that he was an affectionate and indulgent father; and there must have been many happy scenes enacted in the royal nurseries, which, could they have been recorded, would298 have gone far to correct the popular estimate of the nature of Antony’s home-life with Cleopatra. The Queen was his legal wife;107 and in contemplating the extravagances and eccentricities of his behaviour at Alexandria, we must not lose sight of the obvious fact that his life at this period had also its domestic aspect. He did not admit to himself that his union with Cleopatra was in any way scandalous; and writing to Octavian in the following year he seems to be quite surprised that his family life should be regarded as infamous. “Is it because I live in intimate relations with a Queen?” he asks. “She is my wife. Is this a new thing with me? Have I not acted so for these nine years?” Indeed, as compared with Octavian’s private life, the family circle at Alexandria, in spite of Antony’s buffoonery and heavy drinking, was by no means wholly shameful. In Rome Octavian was at this time employing his friends to search the town for women to amuse him, and these agents, acting on his orders, are related to have kidnapped respectable girls, and to have torn their clothes from them, as did the common slave-dealers, in order to ascertain whether they were fit presents for their vile master. We hear no such stories in regard to the jovial Antony.

We hear nothing about Antony’s relationship with his kids, and it’s hard to picture him in the family setting. At this time, his stepson Cæsarion, his two sons Alexander and Ptolemy, and his daughter Cleopatra were all living in the Palace; plus, his son with Fulvia, Antyllus, who was a bit younger than Cæsarion, had now joined him in Alexandria. It’s likely he was a loving and lenient father, and there must have been many joyful moments in the royal nurseries that, if recorded, would298 greatly counter the common view of Antony’s home life with Cleopatra. The Queen was his legal wife;107 and while considering the wildness and oddities of his behavior in Alexandria, we shouldn’t overlook the clear fact that his life at this time also had a domestic side. He didn’t believe that his relationship with Cleopatra was scandalous. When he wrote to Octavian the next year, he seemed genuinely surprised that his family life was seen as disgraceful. “Is it because I live closely with a Queen?” he asks. “She is my wife. Is this something new for me? Haven’t I been living this way for nine years?” In fact, compared to Octavian’s personal life, the family life in Alexandria, despite Antony’s clowning and heavy drinking, was not completely shameful. At this time in Rome, Octavian was using his friends to search the city for women to entertain him, and these agents, following his orders, reportedly kidnapped respectable girls and ripped their clothes off, just like the common slave-traders, to see if they were suitable presents for their disgusting master. We don’t hear any such stories about the jovial Antony.

A characteristic tale is told by Plutarch which illustrates the open-handed opulence of the Alexandrian court at this time. A certain Philotas, while dining with Antony’s son Antyllus, shut the mouth of a rather noisy comrade by a very absurd syllogism, which made299 everybody laugh. Antyllus was so delighted that he promptly made a present of a sideboard covered with valuable plate to the embarrassed Philotas, who, of course, refused it, not imagining that a youth of that age could dispose in this light manner of such costly objects. Having returned to his house, however, a friend presently arrived, bringing the plate to him; and on his still objecting to receive it, “What ails the man?” said the bearer of the gift. “Don’t you know that he who gives you this is Antony’s son, who is free to give it even if it were all gold?”

A notable story is shared by Plutarch that highlights the lavish generosity of the Alexandrian court at that time. A man named Philotas, while dining with Antony’s son Antyllus, silenced a rather loud friend with a ridiculous argument that made everyone laugh. Antyllus was so amused that he immediately gifted Philotas a sideboard covered with expensive silverware, leaving Philotas embarrassed and refusing the offer, as he couldn’t believe someone so young could casually give away such valuable items. When he returned home, however, a friend soon arrived with the silverware; and when Philotas continued to object to accepting it, the friend said, “What’s wrong with you? Don’t you realize that the one giving this to you is Antony’s son, who can give it away even if it were all gold?”

Thus the winter of B.C. 34–33 passed, and in the spring of 33 Antony set out for his summer quarters in Syria. He desired to cement the agreement with the King of Media, in order to guard himself against a Parthian attack while engaged in the coming war with Octavian; and for this purpose he determined to proceed at once to the borders of that country. Cleopatra, therefore, did not accompany him; and in this fact we may perhaps see an indication of some loss of interest on her part, due to her growing disrespect for him. Passing through Syria he went north-eastwards into Armenia, and there he seems to have effected a meeting with the King of Media. To him he now gave a large portion of Greater Armenia, and to the King of Pontus he handed over the territory known as Lesser Armenia. The little Median princess, Iotapa, who had been married to the young Alexander Helios, was placed in the care of Antony with the idea that she should be educated at Alexandria. With her the King sent Antony a present of the eagles captured from his army at the time when the siege-train was lost in B.C. 36; and he also presented him with a regiment of the famous mounted archers who had300 wrought so much havoc on the Roman lines in the late campaign, while in return for these men Antony sent a detachment of legionaries to the Median capital.

Thus, the winter of BCE 34–33 passed, and in the spring of 33, Antony set off for his summer base in Syria. He aimed to strengthen the agreement with the King of Media to protect himself from a Parthian attack while preparing for the upcoming war with Octavian. For this reason, he decided to head straight to the borders of that country. Cleopatra did not go with him, which might indicate her waning interest and growing disrespect for him. Traveling through Syria, he moved northeast into Armenia, where he seems to have arranged a meeting with the King of Media. To the King, he granted a large part of Greater Armenia and handed over the region known as Lesser Armenia to the King of Pontus. The young Median princess, Iotapa, who had been married to Alexander Helios, was entrusted to Antony’s care with plans for her education in Alexandria. Along with her, the King sent Antony a gift of the eagles captured from his army during the siege when they lost the siege-train in B.C. 36; he also gifted him a regiment of the famous mounted archers who had caused so much destruction to the Roman lines in the recent campaign. In exchange for these troops, Antony sent a group of legionaries to the Median capital.

The Parthian danger being thus circumvented by this extremely important and far-reaching compact with Media, Antony set out for Egypt with the idea of spending the winter there once more.108 He took with him the little Princess Iotapa, and in the early autumn he reached Alexandria. His news in regard to Media must have been very satisfactory to Cleopatra, and Iotapa thenceforth became the companion of the royal children in the Palace. But the news which he had to relate in connection with Octavian was of the worst, and Cleopatra must have asked him in astonishment how he could think of spending the winter quietly in Alexandria in view of the imminence of war. In the first place, the Triumvirate109 came to an end at the close of the year, and it seemed likely that Octavian would bring matters to an issue on that date. Then Octavian had attacked him violently in the Senate, and excited the public mind against his rival; and Antony, hearing of this while in Armenia, wrote to him an obscene letter, much too disgusting to quote here. To this Octavian replied in like manner. Antony then charged him with acting unfairly, firstly, by not dividing the spoils captured from Sextus Pompeius; secondly, by not returning the ships which had been lent to him for the Pompeian war; thirdly, by not sharing the province of Africa taken over after the retirement of Lepidus; and lastly, that he had parcelled out almost all the free land in Italy amongst301 his own soldiers, thus leaving none for Antony’s legionaries. Octavian had replied that he would divide all the spoils of war as soon as Antony gave him a share in Armenia and Egypt, while in regard to the lands given as rewards to his legionaries, Antony’s troops could hardly want them, since, no doubt, by now they had all Media and Parthia to share amongst themselves. This reference to Egypt, as though it were a province of Rome instead of an independent kingdom, must have been deeply annoying to Cleopatra; but, on the other hand, it was pleasant to hear that Octavian had abused Antony for living immorally with the Queen, and that Antony had replied by stating emphatically that she was his legal wife.

The Parthian threat was effectively managed through this crucial and wide-ranging agreement with Media, so Antony headed to Egypt with plans to spend the winter there again. He brought along the young Princess Iotapa, and by early autumn, he arrived in Alexandria. His news about Media must have been very pleasing to Cleopatra, and from that point on, Iotapa became a friend to the royal children in the Palace. However, the news he had to share regarding Octavian was devastating, and Cleopatra must have been shocked that he planned to spend the winter peacefully in Alexandria with the war looming. Firstly, the Triumvirate was set to end at the year's close, and it seemed likely that Octavian would take action on that date. Additionally, Octavian had aggressively attacked him in the Senate, stirring public sentiment against his rival. While Antony was in Armenia, he wrote Octavian a disgusting letter, too vulgar to quote here. Octavian responded in kind. Antony then accused him of being unfair, first by not sharing the spoils taken from Sextus Pompeius; second by not returning the ships lent to him for the Pompeian war; third by not sharing the province of Africa acquired after Lepidus’s departure; and finally, by giving nearly all the free land in Italy to his own soldiers, leaving none for Antony’s legionaries. Octavian replied that he would divide all the war spoils once Antony granted him a share of Armenia and Egypt, and that as for the lands awarded to his soldiers, Antony’s troops probably didn’t need them since they likely had all of Media and Parthia to distribute among themselves. This comment about Egypt, as if it were a Roman province rather than an independent kingdom, must have infuriated Cleopatra; yet it was somewhat satisfying to hear that Octavian had criticized Antony for living immorally with the Queen, and that Antony had firmly responded that she was his lawful wife.

The war, thus, was now on the eve of breaking out, and Cleopatra must have been in a fever of excitement. Antony’s vague and casual behaviour seems, therefore, to have annoyed her very considerably; and it was not until he had decided to take up his winter quarters at Ephesus instead of in Egypt that harmony was restored. Once aroused, he acted with energy. He sent messengers in all directions to gather in his forces; and he eagerly helped Cleopatra to make her warlike preparations in her own country. In a few weeks the arrangements were complete, and Antony and Cleopatra set out for Ephesus early in the winter of B.C. 33, at the head of a huge assemblage of naval and military armaments and munitions. The people of Alexandria must have realised that their Queen was going forth upon the most marvellous adventure. Only a few years ago they had lain prone under the heel of Italy, expecting at any moment to be deprived of their independent existence. Now, thanks to the skill, the tact, and the charm of their divine302 Queen, their incarnate Isis-Aphrodite, they were privileged to witness the departure of the ships, the hosts, and the captains of Egypt for the conquest of mighty Rome. They had heard Cleopatra swear to seat herself and her son Cæsarion in the Capitol; and there could have been few in the cheering crowds whose hearts did not swell with pride at the thought of the glorious future which awaited their country and their royal house.

The war was on the verge of breaking out, and Cleopatra must have been incredibly excited. Antony's vague and laid-back behavior seemed to frustrate her a lot; it wasn't until he decided to spend the winter in Ephesus instead of Egypt that things finally settled down. Once motivated, he acted decisively. He sent messengers everywhere to gather his forces and eagerly assisted Cleopatra in preparing for war in her own country. In just a few weeks, everything was arranged, and Antony and Cleopatra set out for Ephesus early in the winter of BCE 33, leading a massive gathering of naval and military equipment and supplies. The people of Alexandria must have realized that their Queen was embarking on the most incredible adventure. Just a few years earlier, they had been under the rule of Italy, fearing they would lose their independence at any moment. Now, thanks to the skill, tact, and charisma of their divine302 Queen, their living Isis-Aphrodite, they could witness the departure of the ships, the armies, and the leaders of Egypt aiming to conquer mighty Rome. They had heard Cleopatra vow to take her place and her son Cæsarion in the Capitol; and it’s likely that few in the cheering crowds didn't feel their hearts swell with pride at the thought of the glorious future waiting for their country and royal family.


CHAPTER XVI.
THE FALL OF ANTONY’S POWER.

The city of Ephesus was situated near the mouth of the river Caystrus in the shadow of the Messogis mountains, not far south of Smyrna, and overlooking the island of Samos. Standing on the coast of Asia Minor, near the frontier which divided Lydia from Caria, it looked directly across the sea to Athens, and was sheltered from the menacing coasts of Italy by the intervening Greek peninsula. Ephesus, I need hardly remind the reader, was famous for its temple, dedicated to Diana of the Ephesians. The building was constructed of white marble and cypress- and cedar-wood, and was richly ornamented with gold. Many statues adorned its colonnades, and there were many celebrated paintings upon its walls, including a fine picture of Alexander the Great. Diana was here worshipped under the name Artemis, and was often identified with Venus, with whom Cleopatra claimed identity. Here Antony and Cleopatra collected their forces, and soon the ancient city came to be the largest military and naval centre in the world. Cleopatra had brought with her from Egypt a powerful fleet of two hundred ships of war, and a host of soldiers, sailors, workmen, and slaves.304 She had drawn 20,000 talents (i.e., £4,000,000) from her treasury; and, besides this, she had brought a vast amount of corn, foodstuffs, clothing, arms, and munitions of war. From Syria, Armenia, and Pontus, vessels were arriving daily with further supplies; and Antony’s own fleet of many hundred battleships and vessels of burden was rapidly mobilising at the mouth of the river. All day and all night the roads to the city thundered with the tread of armed men, as the kings and rulers of the East marched their armies to the rendezvous. Bocchus, King of Mauritania; Tarcondimotus, ruler of Upper Cilicia; Archelaus, King of Cappadocia; Philadelphus, King of Paphlagonia; Mithridates, King of Commagene; Sadalas and Rhœmetalces, Kings of Thrace; Amyntas, King of Galatia, and many other great rulers, responded to the call to arms, and hastened to place their services at the disposal of Antony and his Queen.

The city of Ephesus was located near the mouth of the river Caystrus, under the shadow of the Messogis mountains, just south of Smyrna, and overlooking the island of Samos. Nestled on the coast of Asia Minor, near the boundary that separated Lydia from Caria, it faced directly across the sea towards Athens and was protected from the threatening coasts of Italy by the Greek peninsula in between. Ephesus, as I should remind you, was renowned for its temple dedicated to Diana of the Ephesians. The structure was built from white marble and cypress and cedar wood, lavishly decorated with gold. Many statues lined its colonnades, and the walls featured celebrated paintings, including a stunning depiction of Alexander the Great. Diana was worshipped here under the name Artemis and was often associated with Venus, with whom Cleopatra claimed to share an identity. Here, Antony and Cleopatra gathered their forces, and soon the ancient city became the largest military and naval hub in the world. Cleopatra had brought a powerful fleet of two hundred warships from Egypt, along with a multitude of soldiers, sailors, workers, and slaves. She had taken out 20,000 talents (i.e., £4,000,000) from her treasury; in addition, she brought a massive supply of grain, food, clothing, weapons, and military equipment. Daily, ships were arriving from Syria, Armenia, and Pontus with additional supplies; Antony's own fleet of several hundred warships and cargo vessels was rapidly assembling at the river's mouth. All day and night, the roads to the city reverberated with the march of armed men as kings and leaders from the East brought their armies to the meeting point. Bocchus, King of Mauritania; Tarcondimotus, ruler of Upper Cilicia; Archelaus, King of Cappadocia; Philadelphus, King of Paphlagonia; Mithridates, King of Commagene; Sadalas and Rhœmetalces, Kings of Thrace; Amyntas, King of Galatia, and many other powerful rulers responded to the call to arms and quickly offered their support to Antony and his Queen.304

CLEOPATRA AND HER SON CÆSARION.

CLEOPATRA AND HER SON CAESARION.

REPRESENTED CONVENTIONALLY UPON A WALL OF THE TEMPLE OF DENDERA

REPRESENTED TRADITIONALLY ON A WALL OF THE TEMPLE OF DENDERA

One cannot help wondering whether these mighty men realised for what they were about to fight. They were flocking to the standard of a man who had held supreme power over their countries for many years, and whose rule had been kindly and easy. They owed a great deal to him,—in some cases their very thrones; and, were he now to be defeated by his rival, they would probably fall with him. Success, however, seemed certain in view of Antony’s enormous forces; and they therefore felt that the assistance which they gave would undoubtedly bear abundant fruit, and that their reward would be great. Antony, of course, told them, perhaps with his tongue in his cheek, that he was fighting to some extent on behalf of the Roman Republic, in order to free the country from the oppression of an autocratic rule, and to restore the old constitution. He was not such a fool305 as to admit that he was aiming at a throne: Julius Cæsar had been assassinated on that very account, and a declaration of this kind would likewise alienate a large number of his supporters in Rome. He still had numerous friends in the capital, men who disliked the forbidding personality of Octavian, and who admired his own frank and open manners. Moreover, a considerable body supported him in memory of the great Dictator, regarding Antony as the guardian of young Cæsarion, whose rights they had at heart. A story, of which we have already heard, had been circulated in regard to Julius Cæsar’s will. It was said that the document which decreed Octavian the heir was not the Dictator’s last testament, but that he had made a later will in favour of Cleopatra’s son, Cæsarion, which had been suppressed, probably by Calpurnia. Thus, to many of his Roman friends, Antony was fighting to carry out the Dictator’s wishes, and to overthrow the usurping Octavian. Was this, one asks, the justification which he placed before the consideration of the vassal kings? At any rate Dion Cassius states definitely that Antony’s recognition of Cæsarion’s right to this great inheritance was the real cause of the war.

One can't help but wonder if these powerful men understood what they were truly fighting for. They were gathering behind a leader who had held ultimate power in their lands for many years and whose rule had been kind and easy. They owed him a lot— in some cases, their very thrones; and if he were to be defeated by his rival, they would likely lose everything along with him. However, success seemed certain given Antony’s enormous forces, which made them believe that their support would surely pay off, and their rewards would be significant. Antony, of course, told them, maybe with a bit of sarcasm, that he was partly fighting for the Roman Republic, to liberate the country from the grip of an autocrat, and to restore the old constitution. He wasn't foolish enough to admit he was after a throne: Julius Cæsar had been murdered for that very reason, and saying something like that would alienate many of his supporters in Rome. He still had plenty of friends in the capital—men who found Octavian’s stern demeanor unappealing and admired Antony's straightforward nature. Additionally, a considerable group supported him out of loyalty to the late Dictator, viewing Antony as the protector of young Cæsarion, whose rights they cared about. A rumor, which we’ve heard before, circulated regarding Julius Cæsar’s will. It was said that the document naming Octavian as the heir wasn’t the Dictator’s final will; instead, he had made a later will favoring Cleopatra’s son, Cæsarion, which had likely been hidden away by Calpurnia. Thus, to many of his Roman allies, Antony was fighting to fulfill the Dictator’s wishes and to dethrone the usurping Octavian. One might ask, was this the justification he presented to the vassal kings? In any case, Dion Cassius clearly states that Antony’s recognition of Cæsarion’s right to this significant inheritance was the real reason for the war.

It does not seem to me that this point is fully recognised by historians; but it is very apparent that Antony’s position at Ephesus would have been almost untenable without a justification such as that of the championing of Cæsarion. It was plain to every eastern eye that he was acting in conjunction with Egypt and with Cleopatra; and all men now knew that the Queen was his legal wife. It was obvious that, if successful, he would enter Rome with the Queen of Egypt by his side. Yet, at the same time, he was denying that he intended to establish a monarchy in Rome on the lines proposed306 by the Dictator, and he was talking a great deal of rubbish about reviving the Republic. There is, surely, only one way in which these divergent interests could be made to fit into a scheme capable of satisfying both his Roman and his Oriental supporters, and would serve as a professed justification for the war: he was going to establish the Dictator’s son, Cæsarion, in his father’s seat, and to turn out the wrongful heir, Octavian. He himself would be the boy’s guardian, and would act, at any rate in Italy, on republican lines. Cleopatra, as his wife, would doff her crown while in Italy, but would assume it once more within her own dominions, just as Julius Cæsar had proposed to do in the last year of his life.110 Of course it must have been recognised that the throne of Rome would ultimately be offered to him, and that he would hand it on to Cæsarion in due course, thus founding a dynasty of the blood of the divine Julius; but this fact was kept severely in the background. If Cæsarion and his cause had not formed part of the casus belli, it is unlikely that Antony would have been at all widely supported in Rome; and what man would have tolerated the armed presence of Cleopatra and her Egyptians, save in her capacity as mother of the claimant and wife of the claimant’s guardian? Without Cæsarion, what was Antony’s justification for the war? I can find very little. He would have been fighting to turn out Octavian, who, in that case, would have been the rightful and only heir; he would have been introducing Cleopatra into Roman politics with the obvious intention of creating a throne for her, the very step which had been Cæsar’s undoing; and he would have been offering her royal view of life in307 exchange for Octavian’s republican sentiments, not as something of which the best had to be made under the circumstances, but as a habit of mind desirable in itself. His apparent deference to Cleopatra, and the manner in which she shared his supremacy, must have been liable to cause much offence in Rome and in Ephesus, and would never have been tolerated had she not been put forward as Julius Cæsar’s widow and the mother of his son.

It seems to me that historians don't fully recognize this point; however, it’s clear that Antony’s position in Ephesus would have been nearly impossible without a justification like championing Cæsarion. Everyone in the East could see he was working with Egypt and Cleopatra, and everyone knew that the Queen was legally his wife. It was obvious that if he succeeded, he would enter Rome with the Queen of Egypt at his side. Yet, at the same time, he was denying his intention to set up a monarchy in Rome like the one proposed by the Dictator, while talking a lot about restoring the Republic. There’s surely only one way these conflicting interests could fit into a plan that would satisfy both his Roman and Eastern supporters, serving as a supposed justification for the war: he intended to place the Dictator’s son, Cæsarion, on his father’s throne and oust the unworthy heir, Octavian. He would be the boy’s guardian and would operate, at least in Italy, along republican lines. Cleopatra, as his wife, would take off her crown while in Italy but would wear it again in her own territories, just as Julius Cæsar had planned to do in the last year of his life.110 Of course, it must have been understood that the throne of Rome would eventually be offered to him, and he would pass it on to Cæsarion in due time, thus starting a dynasty from the bloodline of the divine Julius; but this fact was kept very much in the background. If Cæsarion and his cause hadn’t been part of the casus belli, it’s unlikely that Antony would have enjoyed widespread support in Rome; and which man would have accepted the armed presence of Cleopatra and her Egyptians, except in her role as the mother of the claimant and wife of the claimant’s guardian? Without Cæsarion, what was Antony’s reason for the war? I can find very little. He would have been fighting to remove Octavian, who in that case would have been the rightful and only heir; he would have been bringing Cleopatra into Roman politics with the clear intention of creating a throne for her, the very thing that had led to Cæsar’s downfall; and he would have been offering her a royal lifestyle in exchange for Octavian’s republican ideals, not as a necessary compromise under the circumstances, but as something inherently desirable. His apparent respect for Cleopatra, and the way she shared his dominance, must have been likely to cause a lot of offense in Rome and Ephesus, and would never have been tolerated if she hadn’t been presented as Julius Cæsar’s widow and the mother of his son.

The armies marching into the city comprised soldiers of almost every nation. There were nineteen Roman legions; troops of Gauls and Germans; contingents of Moorish, Egyptian, Sudanese, Arab, and Bedouin warriors; the wild tribesmen from Media; hardy Armenians; barbaric fighting men from the coast of the Black Sea; Greeks, Jews, and Syrians. The streets of the city were packed with men in every kind of costume, bearing all manner of arms, and talking a hundred languages. Never, probably, in the world’s history had so many nationalities been gathered together; and Cleopatra’s heart must have been nigh bursting with feminine pride and gratification at the knowledge that in reality she had been the cause of the great mobilisation. They had come together at Antony’s bidding, it is true; but they had come to fight her battles. They were here to vindicate her honour, to place her upon the throne of the World. With their forests of swords and spears they were about to justify those nights, nearly sixteen years ago, when, as the wild little queen of little Egypt, she lay in the arms of Rome’s mighty old reprobate. In those far-off days she was fighting to retain the independence of her small country and her dynasty: now she was Queen of dominions more extensive than any308 governed by the proudest of the Pharaohs, and she would soon see her royal house raised to a height never before attained by man. It was her custom at this time to use as an oath the words, “As surely as I shall one day administer justice on the Capitol”; and, proudly acting the part of hostess in Ephesus, she must have felt that the great day was very near. Already the Ephesians were hailing her as their Queen, and the deference paid to her by the vassal kings was very marked.

The armies marching into the city included soldiers from nearly every nation. There were nineteen Roman legions, troops of Gauls and Germans, groups of Moorish, Egyptian, Sudanese, Arab, and Bedouin warriors, wild tribesmen from Media, tough Armenians, barbaric fighters from the Black Sea coast, as well as Greeks, Jews, and Syrians. The streets of the city were filled with men in all kinds of outfits, carrying various weapons, and speaking a hundred languages. Never, probably, in the history of the world had so many nationalities come together; and Cleopatra's heart must have been nearly bursting with pride and satisfaction knowing that she was essentially the reason for this grand mobilization. They had come together at Antony’s request, it’s true, but they were there to fight for her. They were ready to defend her honor and place her on the throne of the world. With their forests of swords and spears, they were about to validate those nights nearly sixteen years ago, when, as the wild little queen of tiny Egypt, she lay in the arms of Rome’s mighty old scoundrel. Back then, she was fighting to keep her small country and her dynasty independent; now she was the Queen of territories larger than any governed by the proudest Pharaohs, and she would soon see her royal house reach heights never before achieved by anyone. It was her custom at this time to swear by saying, “As surely as I will one day administer justice on the Capitol”; and, proudly acting as the hostess in Ephesus, she must have felt that the great day was very close. Already the Ephesians were calling her their Queen, and the respect shown to her by the vassal kings was very clear.

In the spring of B.C. 32 some four hundred Roman senators arrived at Antony’s headquarters. These men stated that Octavian, after denouncing his rival in the Senate, had advised all who were on the enemy’s side to quit the city, whereupon they had set sail for Ephesus, leaving behind them some seven or eight hundred senators who either held with Octavian or pursued a non-committal policy. War had not yet been declared, but no declaration seemed now to be necessary.

In the spring of BCE 32, around four hundred Roman senators showed up at Antony’s base. They explained that Octavian, after condemning his rival in the Senate, had told everyone on the opposing side to leave the city. They then sailed off to Ephesus, leaving behind about seven or eight hundred senators who either supported Octavian or were taking a neutral stance. War hadn’t been officially declared yet, but it didn’t seem like a declaration was needed anymore.

A Map
Illustrating the War between
Cleopatra and Octavian.
William Blackwood & Sons, Edinburgh
W. & A. K. Johnston, Limited, Edinburgh & London.

With the arrival of the senators trouble began to brew in the camp. Cleopatra’s power and authority were much resented by the new-comers, to whom the existing situation was something of a revelation. They had not realised that the Queen of Egypt was playing an active part in the preparations, and many of them speedily recognised the fact that Antony, as Autocrat of the East and husband of Cleopatra, was hardly the man to restore a republican government to Rome. It was not long before some of them began to show their dislike of the Queen and to hint that she ought to retire into the background, at any rate for the time being. There was one old soldier, Cnæus Domitius Ahenobarbus, the representative of an ancient republican family, who would never acknowledge Cleopatra’s right to the supremacy which she had attained,309 nor, on any occasion, would he address her by her title, but always called her simply by her name. This man at length told Antony in the most direct manner that he ought to send Cleopatra back to Egypt, there to await the conclusion of the war. He seems to have pointed out that her presence with the army gave a false impression, and would be liable to alienate the sympathies of many of his Roman friends. He suggested, perhaps, that the Queen should vacate her place in favour of Cæsarion, whose rights few denied. Antony, seeing the wisdom of this advice, told Cleopatra to return to Alexandria; but she, in great alarm, is said to have bribed Publius Canidius, one of Antony’s most trusted councillors, to plead with him on her behalf—the result being that the proposal of Domitius Ahenobarbus was discarded, and the Queen remained with the army. Publius Canidius had pointed out to Antony that the Egyptian fleet would fight much more willingly if their Queen were with them, and Egyptian money would be more readily obtained if she herself were felt to be in need of it. “And, besides,” said he, “I do not see to which of the kings who have joined this expedition Cleopatra is inferior in wisdom; for she has for a long time governed by herself a vast kingdom, and has learnt in your company the handling of great affairs.”111

With the arrival of the senators, trouble started brewing in the camp. Cleopatra’s power and authority were greatly resented by the newcomers, for whom the current situation was quite a revelation. They hadn’t realized that the Queen of Egypt was actively involved in the preparations, and many quickly recognized that Antony, as the Autocrat of the East and husband to Cleopatra, was hardly the person to return a republican government to Rome. It didn’t take long for some of them to express their dislike for the Queen and suggest that she should step back, at least for the time being. One veteran soldier, Cnæus Domitius Ahenobarbus, from an old republican family, refused to acknowledge Cleopatra’s right to the position she had gained, and on every occasion, he refused to address her by her title, instead simply calling her by her name. Eventually, this man told Antony directly that he should send Cleopatra back to Egypt to await the end of the war. He pointed out that her presence with the army gave a misleading impression and could alienate many of his Roman allies. He suggested that the Queen should give up her place for Cæsarion, whose rights were generally accepted. Antony, recognizing the wisdom in this advice, told Cleopatra to return to Alexandria; but in great distress, she is said to have bribed Publius Canidius, one of Antony’s most trusted advisors, to advocate for her—the result being that Domitius Ahenobarbus's proposal was rejected, and the Queen stayed with the army. Publius Canidius had pointed out to Antony that the Egyptian fleet would fight much more eagerly if their Queen was with them, and that Egyptian resources would be more readily available if she was perceived to be in need of them. “And, besides,” he said, “I don’t see that Cleopatra is any less wise than the other kings involved in this campaign; she has been governing a vast kingdom on her own for a long time and has learned how to handle significant matters in your company.”309

The Queen’s continuance at Ephesus and her connection with the war was the cause of great dissensions, and the Roman senators began to range themselves into two distinct parties: those who fell in with Antony’s schemes, and those who now favoured a reconciliation with Octavian as a means of ridding Roman politics of Cleopatra’s disturbing influence. When the efforts of the310 peacemakers came to her ears her annoyance must have been intense. Were all her hopes to be dashed to the ground just because a few stiff-backed senators disliked the idea of a foreign sovereign concerning herself with republican politics? She no longer trusted Antony, for it seemed apparent to her that he was, at heart, striving only for his own aggrandisement, and was prepared to push her into the background at the moment when her interests threatened to injure his own. It was she who had incited him into warfare, who had kept him up to the mark, aroused him to his duties, and financed to a large extent his present operations; and yet he was, even at this eleventh hour, half-minded to listen to those who urged him to make peace. Only recently he had made some sort of offer to Octavian to lay down his arms if the latter would do likewise. At the time Cleopatra had probably thought this simply a diplomatic move designed to gain popularity; but now she seems to have questioned seriously Antony’s desire for war, and to have asked herself whether he would not much prefer peace, quietness, and leisure wherein to drink and feast to his jovial heart’s content. Yet war was essential to her ambitions, and to the realisation of the rights of her son. If Octavian were not overthrown, she would never have any sense of security; and with all her heart she desired to come to a safe harbour after these years of storm and stress.

The Queen’s stay in Ephesus and her involvement in the war created major conflicts, leading the Roman senators to split into two clear groups: those who supported Antony’s plans and those who now wanted to reconcile with Octavian to eliminate Cleopatra’s disruptive influence from Roman politics. When the peacemakers’ efforts reached her, she must have been extremely frustrated. Were all her hopes about to be crushed just because a few stubborn senators disapproved of a foreign ruler getting involved in republican affairs? She no longer trusted Antony because it seemed clear to her that his main goal was his own advancement, and he was ready to push her aside when her interests threatened his. It was she who had encouraged him to go to war, motivated him to fulfill his responsibilities, and financed a large part of his current endeavors; yet even at this critical moment, he was still considering the advice of those who wanted him to seek peace. Recently, he had even made some kind of offer to Octavian to lay down his arms if Octavian would do the same. At that point, Cleopatra probably thought it was just a diplomatic gesture meant to boost his popularity; but now she seriously questioned Antony’s commitment to war and wondered if he wouldn’t rather have peace, relaxation, and the chance to enjoy himself. However, war was crucial for her ambitions and the realization of her son’s rights. If Octavian wasn’t defeated, she would never feel secure, and she longed to find a safe place after these years of turmoil.

It will be seen, then, that to her the need of preventing peace was paramount. She therefore made one last effort in this direction; and, bringing all her arts and devices to bear upon her husband, she began to persuade him to issue a writ casting off Octavia and thereby insulting Octavian beyond the limits of apology.311 As soon as the scheme came to the ears of the peace party pressure was brought to bear on Antony to effect a reconciliation with Octavia; and the unfortunate man appears to have been badgered and pestered by both factions until he must have been heartily sick of the subject. Cleopatra’s councils, however, at last prevailed to this extent, that Antony decided to make a forward movement and to cross the sea to Greece, thus bringing hostilities a step nearer. At the end of April he sailed over from Ephesus to the island of Samos, leaving a part of the army behind him. Here he remained for two or three weeks, during which time, in reaction after his worries, he indulged in a round of dissipations. He had told his various vassals to bring with them to the rendezvous their leading actors and comedians, so that the great gathering should not lack amusement; and now these players were shipped across to Samos, there to perform before this audience of kings and rulers. These sovereigns competed with one another in the giving of superb banquets, but we do not now hear of any such extravagances on the part of Cleopatra, who was probably far too anxious, and too sobered, to give any extraordinary attention to her duties as hostess. Splendid sacrifices were offered to the gods in the island temples, each city contributing an ox for this purpose; and the sacred buildings must have resounded with invocations to almost every popular deity of the east and west. The contrast was striking between the brilliancy and festivity at Samos and the anxiety and dejection of the cities of the rest of the world, which had been bereft of their soldiers and their money, and were about to be plunged into all the horrors of internecine warfare. “While pretty nearly the whole world,” says Plutarch,312 “was filled with groans and lamentations, this one island for some days resounded with piping and harping, theatres filling, and choruses playing; so that men began to ask themselves what would be done to celebrate victory when they went to such an expense of festivity at the opening of the war.”

It’s clear that for her, the need to avoid peace was crucial. She made one last push in this direction, using all her skills and tricks to convince her husband to issue a decree to reject Octavia, effectively insulting Octavian beyond any chance of apology.311 Once the peace party caught wind of this plan, they pressured Antony to reconcile with Octavia, and the poor guy seemed to be harassed by both sides until he must have been completely fed up with the situation. However, Cleopatra’s advice eventually won out to the extent that Antony decided to take action and set sail for Greece, making conflict a step closer. At the end of April, he sailed from Ephesus to the island of Samos, leaving part of his army behind. He stayed there for two or three weeks, during which time, needing a break from his stress, he indulged in a series of parties. He had instructed his various allies to bring their top performers and comedians to the meetup so that the grand assembly wouldn’t lack entertainment, and now these entertainers were shipped to Samos to perform before this gathering of kings and leaders. These rulers outdid each other with lavish feasts, but we don’t hear of any such extravagance from Cleopatra, who was likely too worried and serious to focus on her role as a hostess. Magnificent sacrifices were made to the gods in the island’s temples, with each city contributing an ox for this purpose, causing the sacred buildings to resonate with prayers to almost every popular deity from both the east and west. The stark contrast between the lively festivities at Samos and the worry and sadness in other parts of the world, which had lost their soldiers and funds and were about to be thrown into brutal civil war, was evident. “While pretty much the whole world,” says Plutarch,312 “was filled with groans and lamentations, this one island for several days echoed with music and performances, filling theaters and showcasing choruses; so much so that people began to wonder what kind of celebration would mark their victory when they went to such lengths of festivity at the start of war.”

Towards the end of May the great assemblage crossed over the sea to Athens, and here Antony and Cleopatra held their court. The Queen’s mind was now, I fancy, in a very disturbed condition, owing to the ominous dissensions arising from her presence with the army, and to the lack of confidence which she was feeling in her husband’s sincerity. I think it very probable that they were not on the best of terms with one another at this time, and, although Antony was perhaps a good deal more devoted to the Queen than he had been before, there may have been some bickering and actual quarrelling. Cleopatra desired the divorce of Octavia and immediate war, but Antony on his part was seemingly disinclined to take any decisive steps. He was, in fact, in a very great dilemma. He had, apparently, promised the Queen that if he were victorious he would at once aim for the monarchy proposed by Julius Cæsar, and would arrange for Cæsarion to succeed in due course to the throne; but now it had been pointed out to him by the majority of the senators who were with him that he was earnestly expected to restore the republic, and to celebrate his victory by becoming once more an ordinary citizen. In early life he would have faced these difficulties with a light heart, and devised some means of turning the situation to his own advantage. Now, however, the power of his will had been undermined by excessive drinking; and, moreover, he had come to be313 extremely dependent upon Cleopatra in all things. He was very fond of her, and was becoming daily more maudlin in his affections. He was now nearly fifty years old; and, with the decrease of his vitality, he had ceased to be so promiscuous in affairs of the heart, centering his interest more wholly upon the Queen, though she herself was no longer very youthful, being at this time some thirty-eight years of age. His quarrels with her seemed to have distressed him very much, and in his weakened condition, her growing disrespect for him caused him to be more devotedly her slave. He seems to have watched with a sort of bibulous admiration her masterly and energetic handling of affairs, and he was anxious to do his best to retain her affection for him, which he could see, was on the wane. To the dauntless heart of a woman like Cleopatra, however, no appeal could be made save by manly strength and powerful determination; and one seems to observe the growth in the Queen’s mind of a kind of horror at the rapid degeneration of the man whom she had loved and trusted.

Towards the end of May, the large gathering crossed the sea to Athens, where Antony and Cleopatra held court. The Queen’s mind, I imagine, was quite troubled due to the troubling disagreements arising from her presence with the army and the doubts she felt about her husband’s sincerity. It's very likely that they were not getting along well at this point, and although Antony was probably more devoted to the Queen than before, there may have been some arguments and real disagreements. Cleopatra wanted Octavia to be divorced and for war to start immediately, but Antony, it seemed, was reluctant to take any decisive action. He was, in fact, in a serious dilemma. He had apparently promised the Queen that if he won, he would immediately aim for the monarchy that Julius Cæsar had proposed and make arrangements for Cæsarion to eventually inherit the throne; however, the majority of the senators with him insisted that he was expected to restore the republic and celebrate his victory by becoming an ordinary citizen once again. In his youth, he would have faced these challenges with ease and found a way to turn the situation to his advantage. Now, though, his willpower had been weakened by excessive drinking, and he had grown extremely dependent on Cleopatra for everything. He was very fond of her and was becoming increasingly sentimental in his feelings. He was now nearly fifty years old, and as his vitality declined, he had stopped being so promiscuous in love, focusing all his interest on the Queen, even though she herself was no longer very young at around thirty-eight years old. His fights with her seemed to upset him greatly, and in his weakened state, her growing disrespect for him only made him more devoted to her. He appeared to admire her skillful and energetic handling of affairs with a kind of drunken fascination and was keen to do everything he could to keep her affection, which he sensed was fading. To a strong woman like Cleopatra, however, the only appeal was through manly strength and determination; you could see her growing horror at the rapid decline of the man she had loved and trusted.

To make matters worse, there arrived at Athens Antony’s fourteen-year-old son, Antyllus, whom we have already met at Alexandria. He had recently been in Rome, where he had been kindly treated by the dutiful Octavia, whose attitude to all her husband’s children was invariably generous and noble. Antony regarded this boy, it would seem, with great affection, and had caused him to be proclaimed an hereditary prince. The lad became something of a rival to Cæsarion, to whom Cleopatra was devotedly attached; and one may perhaps see in his presence at Athens a further cause for dissension.

To make things worse, Antony’s fourteen-year-old son, Antyllus, arrived in Athens, whom we already met in Alexandria. He had recently been in Rome, where Octavia treated him kindly, always showing generosity and nobility toward all her husband’s children. Antony seemed to have a lot of affection for this boy and had declared him an hereditary prince. The boy became somewhat of a rival to Cæsarion, who Cleopatra was deeply attached to, and his presence in Athens might have added to the tension.

314 At length, however, early in June the Queen persuaded Antony to take the final step, and to divorce Octavia. Having placed the matter before his senators, by whom the question was angrily discussed, he sent messengers to Rome to serve Octavia with the order of ejection from his house; and at the same time he issued a command to the troops still at Ephesus to cross at once to Greece. This was tantamount to a declaration of war, and Cleopatra’s mind must have been extremely relieved thereby. No sooner, however, had this step been taken than many of Antony’s Roman friends appear to have come to him in the greatest alarm, pointing out that the brutal treatment of Octavia, who had won all men’s sympathy by her quiet and dutiful behaviour, would turn from him a great number of his supporters in Italy, and would be received as a clear indication of his subserviency to Cleopatra. They implored him to correct this impression; and Antony, harassed and confused, thereupon made a speech to his Roman legions promising them that within two months of their final victory he would re-establish the republic.

314 Eventually, in early June, the Queen convinced Antony to take the final step and divorce Octavia. After presenting the issue to his senators, who debated it fiercely, he sent messengers to Rome to inform Octavia that she had to leave his house. At the same time, he ordered the troops still in Ephesus to move to Greece immediately. This was effectively a declaration of war, and it must have greatly relieved Cleopatra. However, as soon as this decision was made, many of Antony’s Roman friends came to him in a panic, pointing out that the harsh treatment of Octavia, who had garnered everyone’s sympathy through her calm and dutiful behavior, would alienate many of his supporters in Italy and would be seen as a clear sign of his submission to Cleopatra. They urged him to change this perception. Feeling harassed and confused, Antony then addressed his Roman legions, promising that within two months of their final victory, he would restore the republic.

The announcement must have come as a shock to Cleopatra, and must have shown her clearly that Antony was playing a double game. She realised, no doubt, that the promise did not necessitate the abandonment of their designs in regard to the monarchy; for, after establishing the old constitution, Antony would have plenty of time in which to build the foundations of a throne. Yet the declaration unnerved her, and caused her to recognise with more clarity the great divergence between her autocratic sentiments and the democratic principles of the country she was attempting to bring under her315 sway. She saw that, little by little, the basis upon which the project of the war was founded was being changed. At first the great justification for hostilities had been the ousting of Octavian from the estate belonging by right to her son, Cæsarion. Now the talk was all of liberty, of democracy, and of the restoration of republican institutions.

The announcement must have shocked Cleopatra and made it clear to her that Antony was playing both sides. She undoubtedly realized that the promise didn't mean they had to give up their plans for the monarchy; after restoring the old government, Antony would have plenty of time to lay the groundwork for a throne. Still, the declaration unsettled her and made her more aware of the significant gap between her autocratic views and the democratic principles of the country she was trying to control. She noticed that, little by little, the foundation of their war project was changing. Initially, the main reason for the conflict had been to remove Octavian from the position that rightly belonged to her son, Cæsarion. Now, the focus was all on freedom, democracy, and restoring republican institutions.

Her overwrought feelings, however, were somewhat soothed by Antony’s personal behaviour, which at this time was anything but democratic. He was allowing himself to be recognised as a divine personage by the Athenians, and he insisted on the payment of the most royal and celestial honours to Cleopatra, of whom he was at this time inordinately proud. The Queen was, indeed, in these days supreme, and the early authors are all agreed that Antony was to a large extent under her thumb. The Athenians, recognising her as their fellow-Greek, were eager to admit her omnipotence. They caused her statue to be set up in the Acropolis near that already erected to Antony; they hailed her as Aphrodite; they voted her all manner of municipal honours, and, to announce the fact, sent a deputation to her which was headed by Antony in his rôle as a freeman of the city. Octavia, it will be remembered, had resided at Athens some years previously, and had been much liked by the citizens; but the memory of her quiet and pathetic figure was quickly obliterated by the presence of the splendid little Queen of Egypt who sat by Antony’s side at the head of a gathering of kings and princes. Already she seemed to be Queen of the Earth; for, acting as hostess to all these monarchs, speaking to each in his own language, and entertaining them with her brilliant wit, she appeared316 to be the leading spirit both in their festivities and in their councils.

Her intense emotions were somewhat calmed by Antony’s behavior, which at this point was anything but democratic. He was allowing himself to be seen as a divine figure by the Athenians, and he insisted on the most royal and heavenly honors being paid to Cleopatra, of whom he was exceptionally proud at this time. The Queen was, in those days, in complete control, and early writers all agree that Antony was largely under her influence. The Athenians, recognizing her as one of their own, were eager to acknowledge her power. They had her statue erected in the Acropolis next to Antony's, hailed her as Aphrodite, gave her various municipal honors, and sent a delegation to her led by Antony in his role as a citizen of the city. Remember that Octavia had lived in Athens a few years earlier and was well-liked by the people; however, the memory of her gentle and touching presence was quickly overshadowed by the dazzling little Queen of Egypt, who sat beside Antony at the forefront of a gathering of kings and princes. She already seemed to be the Queen of the Earth; by hosting all these monarchs, speaking to each in their own language, and entertaining them with her quick wit, she appeared to be the central figure in their celebrations and discussions.

Antony, meanwhile, having quieted the dissensions amongst his supporters, gave himself up to merry-making in his habitual manner; and presently he caused the Athenians to recognise him formally as Dionysos, or Bacchus, come down to earth. In anticipation of a certain Bacchic day of festival he set all the carpenters in the city to make a huge skeleton roof over the big theatre, this being then covered with green branches and vines, as in the caves sacred to this god; and from these branches hundreds of drums, faun-skins, and other Bacchic toys and symbols were suspended. On the festal day Antony sat himself, with his friends around him, in the middle of the theatre, the afternoon sun splashing down upon them through the interlaced greenery; and thus, in the guise of Bacchus, he presided at a wild drinking-bout, hundreds of astonished Athenians watching him from around the theatre. When darkness had fallen the city was illuminated, and, in the light of a thousand torches and lanterns, Antony rollicked up to the Acropolis, where he was proclaimed as the god himself.

Antony, having settled the disputes among his supporters, indulged in celebrations as was his custom. He soon had the Athenians formally acknowledge him as Dionysus, or Bacchus, returned to earth. In preparation for an upcoming Bacchic festival, he had all the carpenters in the city construct a massive skeletal roof over the main theater, which was then adorned with green branches and vines, resembling the caves dedicated to this god. From these branches, hundreds of drums, faun-skins, and other Bacchic decorations and symbols were hung. On the festival day, Antony sat in the center of the theater with his friends around him, the afternoon sun shining down on them through the intertwined greenery; and in the role of Bacchus, he oversaw a wild drinking party, with hundreds of astonished Athenians watching from the theater’s periphery. Once darkness fell, the city was lit up, and in the glow of a thousand torches and lanterns, Antony joyfully made his way to the Acropolis, where he was hailed as the god himself.

Many were the banquets given at this time both by Antony and Cleopatra, and the behaviour of the former was often uproarious and undignified. On one state occasion he caused much excitement by going across to Cleopatra in the middle of the meal and rubbing her feet, a ministration always performed by a slave, and now undertaken by him, it is said, to fulfil a wager. He was always heedless of public opinion, and at this period of his life the habit of indifference to comment had grown upon him to a startling extent. Frequently317 he would rudely interrupt an audience which he was giving to one of the vassal kings by receiving and openly reading some message from Cleopatra written upon a tablet of onyx or crystal; and once when Furnius, a famous orator, was pleading a case before him, he brought the eloquent speech to an abrupt end by hurrying off to join the Queen outside, having entirely forgotten, it would seem, that the orator’s arguments were being addressed to himself.

Many lavish banquets were held during this time by both Antony and Cleopatra, and Antony's behavior was often loud and undignified. At one formal event, he caused quite a stir by walking over to Cleopatra in the middle of the meal and rubbing her feet, something usually done by a servant, which he supposedly did to settle a bet. He was always unconcerned about what others thought, and during this phase of his life, his disregard for public opinion had noticeably increased. He would frequently interrupt an audience he was giving to one of the vassal kings by receiving and openly reading messages from Cleopatra written on a tablet of onyx or crystal. Once, while Furnius, a well-known orator, was presenting a case before him, Antony abruptly cut off the eloquent speech by rushing outside to join the Queen, seemingly forgetting that the orator was addressing him.

An event now occurred which threw the whole of the Antonian party into a state of the utmost anxiety. Two of the leading men at that time in Athens deserted and went over to Octavian. One of these, Titius, has already been noticed in connection with the arrest and execution of Sextus Pompeius; the other, Plancus, was the man who made so great a fool of himself at Alexandria when he painted himself blue and danced naked about the room, as has been described already.112 Velleius speaks of him as “the meanest flatterer of the Queen, a man more obsequious than any slave”; and one need not be surprised, therefore, that Cleopatra was rude to him, which was the cause, so he said, of his desertion. These two men had both been witnesses to Antony’s will, a copy of which had been deposited with the Vestal Virgins; and as soon as they were come to Rome they informed Octavian of its contents, who promptly went to the temple of Vesta, seized the document, and, a few days later, read it out to the Senate. Many senators were scandalised at the proceedings; but they were, nevertheless, curious to hear what the will set forth, and therefore did not oppose the reading. The only clause, however, out of which Octavian was able to make much318 capital was that wherein Antony stated that if he were to die in Rome he desired his body, after being carried in state through the Forum, to be sent to Alexandria, there to be buried beside Cleopatra.

An event happened that threw the entire Antonian party into a panic. Two of the leading figures in Athens at that time switched sides and joined Octavian. One of them, Titius, had already been mentioned regarding the arrest and execution of Sextus Pompeius; the other, Plancus, was the guy who made a complete fool of himself in Alexandria by painting himself blue and dancing naked around the room, as previously described. Velleius refers to him as “the most sycophantic flatterer of the Queen, a man more servile than any slave”; so it’s not surprising that Cleopatra was rude to him, which he claimed was the reason for his defection. These two had both witnessed Antony’s will, a copy of which had been deposited with the Vestal Virgins; and as soon as they arrived in Rome, they informed Octavian of its contents. He quickly went to the temple of Vesta, seized the document, and a few days later, read it out loud to the Senate. Many senators were scandalized by the actions; however, they were still curious to know what the will contained, so they did not object to the reading. The only part, however, that Octavian could really exploit was the section where Antony stated that if he died in Rome, he wanted his body, after being paraded through the Forum, to be sent to Alexandria to be buried alongside Cleopatra.

The two deserters now began to spread throughout Italy all manner of stories derogatory to Antony, and to heap abuse upon the Queen, whom they described as having complete ascendancy over her husband, due, they were sure, to the magical love-potions which she secretly administered to him. When we consider that the accusations made by disreputable tattlers, such as Plancus, were all concerned with Antony’s devotion to her, we may realise how little there really was to be brought against her. Antony, they said, was under her magical spell; he had allowed the Ephesians to hail her as Queen; she had forced him to present to her the library of Pergamum (a city not far from Ephesus), consisting of 200,000 volumes; he was wont to become drunken while she, of course by magic, remained sober; he had become her slave and even rubbed her feet always for her, and so on. Such rubbishy tales as these were the basis upon which the fabulous story of Cleopatra’s terrible wickedness was founded, and presently we hear her spoken of as “the harlot queen of incestuous Canopus, who aspired to set up against Jupiter the barking Anubis, and to drown the Roman trumpet with her jangling systrum.”113

The two deserters started to spread all sorts of negative stories about Antony throughout Italy and to insult the Queen, claiming she completely controlled her husband, supposedly because of the magical love potions she secretly gave him. When we consider that the rumors spread by disreputable gossipers like Plancus were all about Antony’s loyalty to her, we can see how little there was to actually accuse her of. They claimed Antony was under her spell; he let the Ephesians call her Queen; she made him give her the library of Pergamum (a city not far from Ephesus), which had 200,000 volumes; he used to get drunk while she, supposedly through magic, stayed sober; he had become her servant and even rubbed her feet all the time, and so on. These ridiculous stories formed the basis for the outrageous tale of Cleopatra’s supposed wickedness, and soon we hear her called “the harlot queen of incestuous Canopus, who aimed to challenge Jupiter with the barking Anubis and drown the Roman trumpet with her noisy systrum.”113

The friends of Antony in Rome, alarmed by the hostile attitude of the majority of the public, sent a certain Geminius to Athens to warn their leader that319 he would soon be proclaimed an enemy of the State. On his arrival at the headquarters, he was thought to be an agent of Octavia, and both Cleopatra and Antony treated him with considerable coldness, assigning to him the least important place at their banquets, and making him a continual butt for their most biting remarks. For some time he bore this treatment patiently; but at length one night, when both he and Antony were somewhat intoxicated, the latter asked him point-blank what was his business at Athens, and Geminius, springing to his feet, replied that he would keep that until a soberer hour, but one thing he would say here and now, drunk or sober, that if only the Queen would go back to Egypt all would be well with their cause. At this Antony was furious, but Cleopatra, keeping her temper, said in her most scathing manner: “You have done well, Geminius, to tell your secret without being put to torture.” A day or two later he slipped away from Athens and hurried back to Rome.

The friends of Antony in Rome, worried about the negative attitude of most people, sent a guy named Geminius to Athens to warn their leader that319 he would soon be declared an enemy of the State. When he arrived at the headquarters, everyone thought he was an agent of Octavia, so both Cleopatra and Antony treated him pretty coldly, giving him the least important spot at their parties and constantly making him the target of their sharpest insults. For a while, he put up with this treatment; but eventually, one night when both he and Antony were a bit drunk, Antony asked him directly what he was doing in Athens. Geminius jumped up and said he would save that for a more sober moment, but he would say one thing right then and there: if the Queen would just go back to Egypt, everything would be fine for their cause. Antony exploded with anger, but Cleopatra, keeping her cool, responded in her sharpest tone: “You’ve done well, Geminius, to reveal your secret without being tortured.” A day or two later, he slipped away from Athens and rushed back to Rome.

The next man to desert was Marcus Silanus, formerly an officer of Julius Cæsar in Gaul, who also carried to Rome stories of Cleopatra’s power and Antony’s weakness. Shortly after this Octavian issued a formal declaration of war, not, however, against Antony but against Cleopatra. The decree deprived Antony of his offices and his authority, because, it declared, he had allowed a woman to exercise it in his place. Octavian added that Antony had evidently drunk potions which had bereft him of his senses, and that the generals against whom the Romans would fight would be the Egyptian court-eunuchs, Mardion and Potheinos;114320 Cleopatra’s hair-dressing girl, Iras, and her attendant, Charmion; for these nowadays were Antony’s chief state-councillors. The Queen was thus made to realise that her husband’s cause in Rome was suffering very seriously from her presence with the army; but, at the same time, were she now to return to Egypt she knew that Antony might play her false, and the fact that war had not been declared upon him but upon her would give him an easy loophole for escape. To counteract the prevailing impression in Italy Antony despatched a large number of agents who were to attempt to turn popular opinion in his favour, and meanwhile he disposed his army for the final struggle. He had decided to wait for Octavian to attack him, partly because he felt confident in the ability of his great fleet to destroy the enemy before ever it could land on the shores of Greece, and partly because he believed that Octavian’s forces would become disaffected long before they could be brought across the sea. The state of war would be felt in Italy very soon, whereas in Greece and Asia Minor it would hardly make any difference to the price of provisions. Egypt alone would supply enough corn to feed the whole army, while Italy would soon starve; and Egypt would provide money for the regular payment of the troops, while Octavian did not know where to turn for cash. Indeed, so great was the distress in Italy, and so great the likelihood of mutinies in the enemy’s army, that Antony did not expect to have to fight a big battle on land. For this reason he had felt it safe to leave four of his legions at Cyrene, four in Egypt, and three in Syria; and he linked up the whole of the sea-coast around the eastern Mediterranean with small garrisons. The army which he kept with him in Greece consisted321 of some 100,000 foot and 12,000 horse, a force which must certainly have seemed adequate, since it was greater than that of the enemy. Octavian had at least 250 ships of war, 80,000 foot, and 12,000 horse.

The next person to leave was Marcus Silanus, who had previously served as an officer for Julius Cæsar in Gaul. He brought back tales of Cleopatra’s influence and Antony’s vulnerabilities to Rome. Shortly after this, Octavian made a formal declaration of war, not against Antony, but against Cleopatra. This decree stripped Antony of his positions and authority, claiming he had allowed a woman to take over in his stead. Octavian also stated that Antony had clearly been under the influence of potions that had clouded his judgment, and that the generals the Romans would face were the Egyptian court-eunuchs, Mardion and Potheinos; Cleopatra’s hair-stylist, Iras, and her attendant, Charmion; for these were now Antony’s main advisers. The Queen was made to understand that her presence with the army was seriously harming her husband’s cause in Rome. However, she also realized that if she returned to Egypt now, Antony might betray her, and since the war was officially declared on her instead of him, it would give him an easy escape. To counter the negative perception in Italy, Antony sent out a large number of agents to sway public opinion in his favor, while he organized his army for the final conflict. He decided to wait for Octavian to strike first, partly because he had confidence in his powerful fleet to destroy the enemy before they could land in Greece, and partly because he believed Octavian’s troops would grow discontent long before crossing the sea. The state of war would soon be felt in Italy, while in Greece and Asia Minor, it wouldn’t significantly impact food prices. Egypt alone would provide enough grain to feed the entire army, while Italy would quickly suffer from shortages; Egypt would also supply money for the regular payment of troops, whereas Octavian didn’t know where to find funds. Indeed, the distress in Italy was so severe, and the potential for mutinies in the enemy's camp so likely, that Antony did not anticipate having to engage in a large land battle. This was why he felt it was safe to leave four of his legions in Cyrene, four in Egypt, and three in Syria, while he stationed small garrisons along the entire eastern Mediterranean coastline. His army in Greece totaled around 100,000 infantry and 12,000 cavalry, a force that likely seemed sufficient since it was larger than that of the enemy. Octavian had at least 250 warships, 80,000 infantry, and 12,000 cavalry.

When winter approached Cleopatra and Antony advanced with the whole army from Athens to Patrae, and there went into winter quarters. Patrae stood near the mouth of the Gulf of Corinth, on the Achaian side, not much more than 200 miles from the Italian coast. The fleet, meanwhile, was sent farther north to the Gulf of Ambracia, which formed a huge natural harbour with a narrow entrance; and outposts were placed at Corcyra, the modern Corfu, some 70 miles from the Italian coast. In the period of waiting which followed, when the storms of winter made warfare almost out of the question, Antony and Octavian exchanged several pugnacious messages. Octavian, constrained by the restlessness of his men and the difficulty of providing for them during the winter, is said to have written to Antony asking him not to protract the war, but to come over to Italy and fight him at once. He even promised not to oppose his disembarkation, but to offer him battle only when he was quite prepared to meet him with his full forces. Antony replied by challenging Octavian to a single combat, although, as he stated, he was already an elderly man. This challenge Octavian refused to accept, and thereupon Antony invited him to bring his army over to the plains to Pharsalia and to fight him there, where Julius Cæsar and Pompey had fought nearly seventeen years before. This offer was likewise refused; and thereafter the two huge armies settled down once more to glare at one another across the Ionian Sea.

When winter was approaching, Cleopatra and Antony moved the entire army from Athens to Patrae, where they set up winter quarters. Patrae was located near the entrance of the Gulf of Corinth, on the Achaian side, a little over 200 miles from the Italian coast. Meanwhile, the fleet was sent further north to the Gulf of Ambracia, which had a massive natural harbor with a narrow entrance, and outposts were established at Corcyra, now known as Corfu, about 70 miles from the Italian coast. During the wait that followed, when winter storms made warfare nearly impossible, Antony and Octavian exchanged several aggressive messages. Octavian, feeling the pressure from his restless troops and struggling to provide for them over the winter, reportedly wrote to Antony asking him not to drag out the war but to come to Italy and engage him right away. He even promised not to block his landing and would only confront him when completely ready with his full forces. Antony responded by challenging Octavian to a one-on-one fight, even though he mentioned he was already an old man. Octavian declined this challenge, prompting Antony to invite him to bring his army to the plains of Pharsalia and fight there, where Julius Caesar and Pompey had battled nearly seventeen years earlier. This offer was also turned down, and after that, the two massive armies settled in once more to stare each other down across the Ionian Sea.

Octavian now sent a message to Greece inviting the322 Roman senators who were still with Antony to return to Rome where they would be well received; and this offer must have found many ready ears, though none yet dared to act upon it. Several of these senators felt disgust at their leader’s intemperate habits, and were deeply jealous of the power of Cleopatra, whose influence did not seem likely to serve the cause of the Republic. The declaring of war against the Queen and not against themselves had touched them sharply, and to add to their discomfort in this regard news now came across the sea that Octavian, in making his official sacrifices to the gods at the opening of hostilities, had employed the ritual observed before a campaign against a foreign enemy. He had stood, as the ancient rites of Rome prescribed, before the temple of Bellona in the Campus Martius, and, clad in the robes of a Fetial priest, had thrown the javelin, as a declaration that war was undertaken against an alien enemy.

Octavian sent a message to Greece inviting the322 Roman senators still with Antony to come back to Rome, where they would be welcomed. This offer likely caught the attention of many, though none were brave enough to act on it just yet. Several of these senators were turned off by their leader’s excessive behavior and felt envious of Cleopatra's power, which didn’t seem to benefit the Republic. The declaration of war against the Queen rather than themselves hit them hard, and to add to their unease, news arrived that Octavian, during his official sacrifices to the gods as hostilities began, followed the rituals reserved for a campaign against a foreign enemy. He stood, as the ancient Roman rites dictated, before the temple of Bellona in the Campus Martius and, dressed in the robes of a Fetial priest, threw the javelin as a sign that war was being waged against an outside enemy.

Now came disconcerting rumours from the Gulf of Ambracia which could not be kept secret. During the winter the supplies had run out, and all manner of diseases had attacked the rowing-slaves and sailors, the result being that nearly a third of their number had perished. To fill their places Antony had ordered his officers to press into service every man on whom they could lay their hands. Peasants, farm hands, harvesters, ploughboys, donkey-drivers, and even common travellers had been seized upon and thrust into the ships, but still their complements were incomplete, and many of them were unfit for action. The news caused the greatest anxiety in the camp, and when, in March B.C. 31, the cessation of the storms of winter brought the opening of actual hostilities close at hand, there was many a man323 at Patrae who wished with all his heart that he were safe in his own country.

Now there were troubling rumors from the Gulf of Ambracia that couldn't be hidden. During the winter, the supplies had run out, and all sorts of diseases had struck the rowing slaves and sailors, resulting in nearly a third of them dying. To replace them, Antony had ordered his officers to recruit every man they could find. Peasants, farm workers, harvesters, plowboys, donkey drivers, and even ordinary travelers had been rounded up and put on the ships, but still their numbers were insufficient, and many were unfit for duty. The news created great anxiety in the camp, and when, in March BCE 31, the end of the winter storms brought the start of actual fighting closer, many men at Patrae wished with all their hearts that they were safely back in their own country.

The first blow was struck by Octavian, who sent a flying squadron across the open sea to the south coast of Greece, under the command of his great friend Marcus Vipsanius Agrippa. This force seized Methone, and appeared to be seeking a landing-place for the main army; and Antony at once prepared to march down and hold the coast against the expected attack. But while his eyes were turned in this direction Octavian slipped across with his army from Brindisi and Tarentum to Corcyra, and thence to the mainland, marching down through Epirus towards the Gulf of Ambracia, thus menacing the ill-manned fleet lying in those waters. Antony thereupon hastened northwards with all possible speed, and arrived at the promontory of Actium, which formed the southern side of the mouth of the Gulf, almost at the same moment at which Octavian reached the opposite, or northern, promontory. Realising that an attack was about to be made upon the fleet, Antony drew his ships up in battle array, manning them where necessary with legionaries; and thereupon Octavian gave up the project of immediate battle. Antony then settled himself down on his southern promontory where he formed an enormous camp, and a few days later he was joined there by Cleopatra.

The first strike was made by Octavian, who sent a squadron across the open sea to the south coast of Greece, led by his close friend Marcus Vipsanius Agrippa. This force captured Methone and seemed to be looking for a landing spot for the main army; Antony quickly prepared to march down and defend the coast against the anticipated attack. However, while he focused on this front, Octavian moved his army from Brindisi and Tarentum to Corcyra, and then to the mainland, advancing through Epirus toward the Gulf of Ambracia, threatening the poorly manned fleet in those waters. Antony then rushed north as fast as he could and arrived at the promontory of Actium, which marked the southern side of the Gulf entrance, almost simultaneously with Octavian reaching the opposite, northern promontory. Realizing an attack was imminent on the fleet, Antony lined up his ships for battle, filling them with legionaries where needed; as a result, Octavian decided to postpone immediate conflict. Antony then established himself on his southern promontory, setting up a massive camp, and a few days later, he was joined by Cleopatra.


CHAPTER XVII.
THE BATTLE OF ACTIUM AND THE ESCAPE TO EGYPT.

The story of the battle of Actium has troubled historians of all periods, and no one has been able to offer a satisfactory explanation of the startling incidents which occurred in it or of the events which led up to them. I am not able to accept the ingenious theory set forward by Ferrero, nor is it easy to agree wholly with the explanations given by classical authors. In the following chapter I relate the events as I think they occurred, but of course my interpretation is open to question. The reader, however, may refer to the early authors to check my statements; and there he will find, as no doubt he has already observed in other parts of this volume, that while the incidents and facts all have the authority of these early writers, the theories which explain them, representing my own opinion, are frankly open to discussion.

The story of the Battle of Actium has puzzled historians throughout the ages, and no one has been able to provide a clear explanation for the surprising events that took place or the circumstances that led up to them. I can't fully accept the clever theory proposed by Ferrero, nor is it easy to completely agree with the explanations given by classical authors. In the next chapter, I share the events as I believe they happened, but my interpretation is, of course, subject to scrutiny. The reader can refer to the early authors to verify my claims; there, they will find, as they likely have noticed in other parts of this volume, that while the incidents and facts have the backing of these early writers, the theories explaining them, which represent my own views, are clearly open to debate.

For the time being Octavian did not care to be at too close quarters to Antony, and he therefore fortified himself in a position a few miles back from the actual entrance to the Gulf of Ambracia. Antony at once shipped a part of his army across from Actium to the north side of the great harbour’s mouth, and thus placed himself in command of the passage into the inland water.325 Octavian soon threw up impregnable earthworks around his camp, and built a wall down to the shore of the Ionian Sea, so that the enemy could not interfere with the landing of his supplies, all of which had to come from across the water. He stationed his ships in such a position that they could command the entrance to the Gulf of Ambracia; and, these vessels proving to be extremely well manned and handled, Antony soon found that his own fleet was actually bottled up in the Gulf, and could not pass into the open sea without fighting every inch of the passage out through the narrow fairway. Octavian was thus in command of the Ionian Sea, and was free to receive provisions or munitions of war day by day from Italy. He could not, however, leave his fortified camp, for Antony commanded all the country around him. Thus, while Octavian blockaded Antony’s fleet in the Gulf, Antony besieged Octavian’s army in their camp; and while Octavian commanded the open sea and obtained his supplies freely from Italy, Antony commanded the land and received his provisions without interruption from Greece. A deadlock therefore ensued, and neither side was able to make a hostile move. It seems clear to me that a decisive battle could only be brought on by one of two manœuvres: either Antony must retire from Actium and induce Octavian to come after him into Greece, or else his fleet must fight its way out of the Gulf and cut off Octavian’s supplies, thus starving him into surrender. Many of Antony’s generals were of opinion that the former movement should be undertaken, and they pressed him to retire and thus draw Octavian from his stronghold. Cleopatra, however, appears to have been in favour of breaking the blockade and regaining possession of the sea. She may have considered Antony’s326 army to be composed of too many nationalities to make success on land absolutely assured, and any retreat at this moment might easily be misinterpreted and might lead to desertions. On the other hand, she had confidence in her Egyptian fleet and in Antony’s own ships, if, by cutting down their number, their crews could be brought up to the full complement; and she believed that with, say, 300 vessels Octavian’s blockade could be forced, and his own position subjected to the same treatment. I gather that this plan, however, was hotly opposed by Domitius Ahenobarbus and others; and, since a loss of time was not likely to alter the situation to their disadvantage, no movement was yet made.

For now, Octavian didn’t want to get too close to Antony, so he set up camp a few miles back from the entrance to the Gulf of Ambracia. Antony quickly moved part of his army from Actium to the north side of the harbor’s mouth, taking control of the passage into the inland waters.325 Octavian quickly built strong defenses around his camp and constructed a wall down to the Ionian Sea, preventing the enemy from interfering with the delivery of his supplies, which all had to come by sea. He positioned his ships to control the entrance to the Gulf of Ambracia; since these vessels were very well manned and operated, Antony soon discovered that his own fleet was trapped in the Gulf and couldn't move into the open sea without fighting every step of the way through the narrow passage. Octavian was in control of the Ionian Sea and could receive supplies and ammunition regularly from Italy. However, he couldn’t leave his fortified camp because Antony controlled all the surrounding land. So, while Octavian blockaded Antony’s fleet in the Gulf, Antony laid siege to Octavian’s army in their camp; and while Octavian had command of the open sea and got his supplies without trouble from Italy, Antony controlled the land and received his provisions uninterrupted from Greece. A stalemate ensued, and neither side could take aggressive action. It seems clear to me that a decisive battle could only be prompted by one of two strategies: either Antony needed to retreat from Actium and lure Octavian into Greece, or his fleet had to fight its way out of the Gulf and cut off Octavian’s supplies, starving him into surrender. Many of Antony’s generals believed that the first approach should be used, urging him to withdraw and draw Octavian out of his stronghold. However, Cleopatra seemed to prefer breaking the blockade and regaining control of the sea. She might have thought that Antony’s army was made up of too many different nationalities to guarantee success on land, and any retreat at that moment could easily be misread, leading to desertions. On the other hand, she had confidence in her Egyptian fleet and Antony’s own ships, believing that if the number of ships was reduced, the crews could be brought up to full strength. She thought that with about 300 vessels, they could break Octavian’s blockade and make him face the same situation. I gather, however, that this plan was strongly opposed by Domitius Ahenobarbus and others; and since wasting time was unlikely to change their situation for the worse, no action was taken yet.

Some time in June Antony sent a squadron of cavalry round the shores of the Gulf to try to cut off Octavian’s water-supply, but the move was not attended with much success and was abandoned. Shortly after this the deserter Titius defeated a small body of Antony’s cavalry, and Agrippa captured a few of his ships which had been cruising from stations outside the Gulf; whereupon Octavian sent despatches to Rome announcing these successes as important victories, and stating that he had trapped Antony’s fleet within the Gulf. He also sent agents into Greece to try to shake the confidence of the inhabitants in his enemy, and these men appear to have been partially successful in their endeavours.

Some time in June, Antony sent a group of cavalry around the shores of the Gulf to try to cut off Octavian’s water supply, but the attempt didn’t go well and was called off. Soon after, the deserter Titius defeated a small group of Antony’s cavalry, and Agrippa captured a few of his ships that had been operating from stations outside the Gulf. After that, Octavian sent messages to Rome announcing these successes as major victories and claimed that he had trapped Antony’s fleet inside the Gulf. He also sent agents to Greece to try to undermine the locals' trust in his enemy, and these agents seemed to have some success in their efforts.

These small victories of Octavian seem to have unnerved Antony, and to have had a dispiriting effect upon the army. Cleopatra, too, must have been particularly depressed by them, for they seemed to be a confirmation of the several ominous and inauspicious occurrences which had recently taken place. An Egyptian soothsayer had once told Antony that his genius would327 go down before that of Octavian; and Cleopatra, having watched her husband’s rapid deterioration in the last two years, now feared that the man’s words were indeed true. News had lately come from Athens that a violent hurricane had torn down the statue of Bacchus, the god whom Antony impersonated, from a group representing the Battle of the Giants; and two colossal statues of Fumenes and Attalus, each of which was inscribed with Antony’s name, had also been knocked over during the same cyclone. This news recalled the fact that a few months previously at Patrae the temple of Hercules, the ancestor of Antony, had been struck by lightning; and at about the same time a small township founded by him at Pisaurum, on the east coast of Italy, north of Ancona, had been destroyed by an earthquake. These and other ill-omened accidents had a very depressing effect on Cleopatra’s spirits, and her constant quarrels with Antony and his generals seem to have caused her to be in a state of great nervous tension. Towards the end of July or early in August, when the low-lying ground on which their camp was pitched became infested with mosquitos, and when the damp heat of summer had set the tempers of everybody on edge, the quarrels in regard to the conduct of the campaign broke out with renewed fury. Domitius Ahenobarbus, Dellius, Amyntas, and others, again urged Antony to retire inland and to fight a pitched battle with Octavian as soon as he should come after them. Cleopatra, however, still appears to have considered that the forcing of the blockade was the most important operation to be undertaken, and this she urged upon her undecided husband. It was of course a risky undertaking, but by reason of the very danger it made a strong appeal to Cleopatra’s mind. If their fleet could328 destroy that of Octavian, they would have him caught in his stronghold as in a trap. They would not even have to wait for the surrender; but, leaving eighty or a hundred thousand men to prevent his escape, they might sail over to Italy with twenty or thirty thousand legionaries and take possession of empty Rome. There was not a senator nor a military force in the capital, for Octavian had lately made the entire senate in Rome come over to his camp, in order to give tone to his proceedings; and, when once Octavian’s sea-power had been destroyed, Antony and Cleopatra would be free to ride unchecked into Rome while the enemy was starved into surrender in Greece. A single naval battle, and Rome would be theirs! This, surely, was better than a slow and ponderous retreat into the interior.

These small victories of Octavian seem to have unsettled Antony and had a demoralizing effect on the army. Cleopatra must have felt particularly down about them, as they appeared to confirm several grim and unlucky events that had recently occurred. An Egyptian soothsayer had told Antony that his fate would falter before Octavian’s, and having witnessed her husband’s rapid decline over the last two years, Cleopatra now feared that the soothsayer's words were indeed coming true. Recently, news from Athens reported that a violent storm had knocked down the statue of Bacchus, the god Antony represented, from a group depicting the Battle of the Giants; and two massive statues of Fumenes and Attalus, both inscribed with Antony’s name, had also been toppled during the same storm. This news recalled that a few months earlier at Patrae, the temple of Hercules, Antony's ancestor, had been struck by lightning; and around the same time, a small town founded by him at Pisaurum, on Italy’s east coast, north of Ancona, had been destroyed by an earthquake. These and other ill-fated incidents weighed heavily on Cleopatra’s spirits, and her constant arguments with Antony and his generals seemed to put her on edge. Toward the end of July or early August, as the low-lying ground of their camp became infested with mosquitoes, and the summer's humid heat frayed everyone’s tempers, the disputes regarding the campaign flared up again. Domitius Ahenobarbus, Dellius, Amyntas, and others pushed Antony to retreat inland and to engage in a decisive battle with Octavian once he pursued them. However, Cleopatra still believed that breaking the blockade was the most crucial operation, and she pressed her undecided husband on this matter. It was, of course, a risky move, but the very danger made it all the more appealing to Cleopatra. If their fleet could destroy Octavian's, they could trap him in his stronghold. They wouldn't even need to wait for him to surrender; by leaving eighty or a hundred thousand men to block his escape, they could sail to Italy with twenty or thirty thousand legionaries and take over an empty Rome. There wasn't a senator or military force in the capital, since Octavian had recently brought the entire senate in Rome to his camp to support his actions; and once Octavian's naval power was defeated, Antony and Cleopatra would be free to ride unopposed into Rome while the enemy starved into submission in Greece. One single naval battle, and Rome would be theirs! This was surely better than a slow and heavy retreat inland.

Antony, however, could not persuade his generals to agree to this. The risk was great, they seem to have argued; and even if they were victorious, was he going to march into Rome with Cleopatra by his side? The citizens would never stand it, after the stories they had heard in regard to the Queen’s magical power over him. Let her go back to Egypt, nor any longer remain to undermine Antony’s popularity. How could he appear to the world as a good republican with royal Cleopatra’s arm linked in his? By abandoning the idea of a naval battle the Egyptian fleet could be dispensed with, and could be allowed to depart to Egypt if it succeeded in running the blockade. Cleopatra had supplied ships but hardly any soldiers, and a land battle could be fought without her aid, and therefore without cause for criticism; nor would Octavian any longer be able to say that he was waging war against Cleopatra and not against Antony. The money which she had supplied for the campaign was329 almost exhausted, and thus she was of no further use to the cause. Let Antony then give up the projected naval battle, and order the Queen to go back quickly with her ships to her own country: for thus, and thus only, could the disaffected republican element in their army be brought into line. Cleopatra, they said, had been the moving spirit in the war; Cleopatra had supplied the money; it was against Cleopatra that Octavian had declared war; it was Cleopatra’s name, and the false stories regarding her, which had aroused Rome to Octavian’s support; it was Cleopatra who was now said on all sides to be supreme in command of the whole army; and it was of Cleopatra that every senator, every vassal king, and every general, was furiously jealous. Unless she were made to go, the whole cause was lost.

Antony, however, couldn't convince his generals to agree to this. They argued that the risk was too high; even if they won, would he really march into Rome with Cleopatra by his side? The citizens would never accept it, especially after all the stories they had heard about the Queen's magical influence over him. They insisted she should return to Egypt and stop undermining Antony's popularity. How could he present himself as a good republican with royal Cleopatra's arm linked with his? By scrapping the idea of a naval battle, they could do without the Egyptian fleet, allowing it to return to Egypt if it managed to break through the blockade. Cleopatra had provided ships but barely any soldiers, so they could fight a land battle without her assistance, avoiding any criticism; plus, Octavian would no longer be able to claim he was waging war against Cleopatra instead of Antony. The money she had provided for the campaign was329 nearly depleted, making her less useful to their cause. So, Antony should abandon the planned naval battle and quickly send the Queen back to her homeland with her ships: that was the only way to get the discontented republicans in their army back in line. They argued that Cleopatra had been the driving force in the war; she had funded it; it was against her that Octavian had declared war; her name and the false narratives surrounding her had rallied Rome to support Octavian; she was now seen by everyone as in command of the entire army; and every senator, every vassal king, and every general was enviously wary of her. If she weren't sent away, their entire effort would be doomed.

Antony seems to have realised the justice of these arguments, and to have promised to try to persuade his wife to retire to Egypt to await the outcome of the war; and he was further strengthened in this resolve when even Canidius, who had all along favoured the keeping of Cleopatra with the army, now urged him to ask her to leave them to fight their own battle. He therefore told the Queen, it would seem, that he desired her to go, pointing out that in this way alone could victory be secured.

Antony seems to have understood the validity of these arguments and promised to try to convince his wife to go to Egypt and wait for the war's outcome; he became even more determined when Canidius, who had always supported keeping Cleopatra with the army, now urged him to ask her to leave them to fight their own battle. So, it appears he told the Queen that he wanted her to go, explaining that this was the only way to secure victory.

Cleopatra, I take it, was furious. She did not trust Antony, and she appears to have been very doubtful whether he would still champion her cause after victory. She even doubted that he would be victorious. He was now but the wreck of the man he had once been, for a too lifelike impersonation of the god Bacchus had played havoc with his nerves and with his character. He had no longer the strength and the determination necessary330 for the founding of an imperial throne in Rome; and she felt that, even if he were successful in arms against Octavian, he would make but a poor regent for her son Cæsarion. Having used her money and her ships for his war, he might abandon her cause; and the fact that they were fighting for Cæsar’s son and heir, which had already been placed in the background, might be for ever banished. It must have seemed madness for her to leave her husband at this critical juncture. In order to prevent further desertions he would probably proclaim his republican principles as soon as her back was turned; and, in his drunken weakness, he might commit himself so deeply that he would never be able to go back upon his democratic promises. Since she was unpopular with his generals, he would perhaps at once tell them that she was nothing to him; and for the sake of assuring victory he might even divorce her. Of course, it was obvious that he was devoted to her, and relied on her in all matters, seeming to be utterly lost without her; but, for all she knew, his ambition might be stronger than his love. She therefore refused absolutely to go; and Antony was too kind-hearted, and perhaps too much afraid of her anger, to press the matter.

Cleopatra was furious. She didn’t trust Antony and had serious doubts about whether he would still support her after a win. She even questioned whether he would actually secure a victory. He was now just a shadow of the man he used to be; his excessive role-playing as Bacchus had messed with his nerves and his character. He lacked the strength and determination needed330 to establish an imperial throne in Rome, and she sensed that, even if he did win against Octavian, he wouldn’t be a good caretaker for her son Cæsarion. Having used her resources for his war, he might abandon her cause, and the fact that they were fighting for Cæsar’s heir, which had already been sidelined, could be forgotten forever. It must have seemed crazy for her to leave her husband at such a critical moment. To prevent further losses, he’d likely announce his republican beliefs as soon as she was out of sight, and in his drunken state, he might make promises he couldn’t take back. Since his generals didn’t like her, he might tell them outright that she meant nothing to him; and to secure a victory, he could even divorce her. Of course, he was clearly devoted to her, relied on her for everything, and seemed completely lost without her; but for all she knew, his ambition could overpower his love. Therefore, she refused to go absolutely, and Antony was too kind-hearted—and possibly too afraid of her wrath—to push the issue.

His talk with her, however, seems to have decided him to break the blockade as soon as possible, and at the same time to invest Octavian’s lines so that he could not escape from the stronghold which would become his death-trap. Once master of the sea, he would, at any rate, have opened a path for Cleopatra’s departure, and she could retire unmolested with her fleet to her own country. He therefore hurried on the manning of his ships, and at the same time sent Dellius and Amyntas into Thrace to recruit a force of cavalry to supplement331 those at his disposal. Cleopatra pointed out to him that the ground upon which their camp was pitched at Actium was extremely unhealthy, and if they remained there much longer the troops would be decimated by malaria; and she seems perhaps to have urged him to move round to the north of the Gulf of Ambracia, in order both to obtain more healthy conditions for the army and to invest more closely the camp of Octavian in preparation for the naval fight. Domitius Ahenobarbus was still hotly opposed to this fight; and now, finding that not only was Cleopatra to be allowed to remain with the army, but also that her plan of breaking the blockade was to be adopted, instead of that of the retreat inland, he was deeply incensed, and could no longer bear to remain in the same camp with the Queen. Going on board a vessel, therefore, as he said, for the sake of his health, he slipped over to Octavian’s lines and offered his services to the enemy. He did not live, however, to enjoy the favourable consequences of his change, for, having contracted a fever while at Actium, he died before the battle of that name was fought.

His conversation with her, however, seems to have convinced him to break the blockade as soon as possible and at the same time to surround Octavian’s position so that he couldn't escape from the stronghold that would become his death trap. Once he controlled the sea, he would have opened a route for Cleopatra’s departure, allowing her to retreat safely with her fleet to her own country. So, he rushed the crew assignments for his ships and also sent Dellius and Amyntas into Thrace to gather more cavalry to supplement331 the forces he had. Cleopatra pointed out to him that the area where their camp was set up at Actium was highly unhealthy, and if they stayed much longer, the troops would be devastated by malaria; she seems to have encouraged him to move to the north of the Gulf of Ambracia, to secure better conditions for the army and to closely encircle Octavian’s camp in preparation for the naval battle. Domitius Ahenobarbus was still strongly against this fight, and now, seeing that not only was Cleopatra allowed to stay with the army, but that her plan to break the blockade was being accepted instead of retreating inland, he was extremely angry and could no longer tolerate being in the same camp as the Queen. So, claiming it was for his health, he boarded a ship and slipped over to Octavian’s lines to offer his services to the enemy. However, he didn't live long enough to enjoy the benefits of his switch, since he caught a fever while at Actium and died before the battle of that name took place.

This desertion, which occurred probably early in August, came as a terrible shock to Antony, and he seems to have accused his wife of being the cause of it, which undoubtedly she was. This time he insisted more vehemently on her leaving the army and retiring to Egypt; and thereupon a violent quarrel ensued, which lasted, I think, without cessation during the remainder of their stay in Greece. At first, it seems to me, the Queen positively refused to leave him, and she probably accused him of wishing to abandon her cause. With a sneer, she may have reminded him that his compact with her, and his arrangements for an Egypto-Roman332 monarchy, were made at a time when he had, to a great extent, cut himself off from Rome and when he required financial aid; but now he had four hundred respectable republican senators to influence him, and, no doubt, their support at this juncture was far more valuable to him than her own. He had deserted her once before, and she was quite prepared for him to do so again.

This desertion, which probably happened in early August, was a huge shock to Antony, and he seems to have blamed his wife for it, which she definitely was. This time, he insisted even more strongly that she leave the army and go back to Egypt; this led to a violent argument that, I think, lasted without interruption for the rest of their time in Greece. At first, it seems to me that the Queen outright refused to leave him, and she likely accused him of wanting to abandon her cause. With a sneer, she might have reminded him that his agreement with her and his plans for an Egypto-Roman monarchy were made when he had largely cut ties with Rome and needed financial support; but now he had four hundred respectable republican senators to influence him, and their backing at this moment was probably far more valuable to him than hers. He had deserted her once before, and she was totally prepared for him to do it again.

Her anger, mistrust, and unhappiness must have distressed Antony deeply, and he would, perhaps, have given way once again had not three more desertions from his camp taken place. The King of Paphlagonia, jealous, apparently, of Cleopatra’s power, slipped across to Octavian’s lines, carrying thither an account of the dissensions in Antony’s camp. The two others, a Roman senator named Quintus Postumius, and an Arab chieftain from Emesa, named Iamblichus, were both caught; and, to terrify those who might intend to go over to the enemy, both were put to death, the one being torn to pieces and the other tortured. Every day Octavian’s cause was growing in popularity, and Antony was being subjected to greater ridicule for his subserviency to the little Queen of Egypt, who appeared to direct all his councils and who now seemed to frighten him by her anger. Octavian’s men were becoming self-confident and even audacious. On one occasion while Antony, accompanied by an officer, was walking at night down to the harbour between the two ramparts which he had thrown up to guard the road, some of the enemy’s men crept over the wall and laid in wait for him. As they sprang up from their ambush, however, they seized Antony’s attendant officer in mistake for himself, and, by a rapid flight down the road, he was able to escape.

Her anger, mistrust, and unhappiness must have upset Antony deeply, and he might have given in once more if it weren't for three more defections from his camp. The King of Paphlagonia, apparently jealous of Cleopatra’s influence, crossed over to Octavian’s side, bringing with him news of the divisions in Antony’s camp. The other two, a Roman senator named Quintus Postumius and an Arab leader from Emesa named Iamblichus, were both captured; to intimidate anyone who might consider switching sides, both were executed, one being torn apart and the other tortured. Every day, Octavian’s cause gained popularity, and Antony faced more ridicule for being subservient to the little Queen of Egypt, who seemed to control all his decisions and now appeared to frighten him with her anger. Octavian’s troops were growing more confident and even bold. One night, while Antony was walking with an officer down to the harbor between the two ramparts he had built for protection, some of the enemy’s men climbed over the wall and ambushed him. However, in their haste, they grabbed Antony’s accompanying officer by mistake, allowing him to escape quickly down the road.

333 Thoroughly unnerved by the course events were taking, he again ordered the Queen to retire to Egypt; and at last, stung by Antony’s reproaches, Cleopatra made up her mind to go and to take her fleet with her. Having formed this decision, she appears to have treated Antony with the utmost hostility; and he, being in a highly nervous condition, began to fear that she might kill him. Her great eyes seemed to blaze with anger when she looked upon him, and the contempt which she now felt for him was shown in the expression of her face. He appears to have cowered before her in the manner of a naughty boy, and to have told his friends that he believed she would murder him in her wrath. On hearing this, Cleopatra decided to teach him a lesson which he should not forget. One night at supper, she caused her goblet to be filled from the same wine-jar from which all had been drinking, and having herself drunk some of the wine, she handed the cup to Antony as though in token of reconciliation; and he, eagerly raising it to his mouth, was about to place his lips where those of the Queen had rested a moment before, when, as though to add grace to her act, she took the wreath of flowers from her hair and dipped it into the wine. Antony again lifted the cup, but suddenly Cleopatra dashed it from his hand, telling him that the wine was poisoned. Antony appears to have protested that she was mistaken, since she herself had just drunk from the same cup; but Cleopatra calmly explained that the wreath which she had dipped into the wine as she handed it to him was poisoned, and that she had chosen this means of showing him how baseless were his fears for his life, for that, did she wish to rid herself of him, she could do so at any moment by some such subtle334 means. “I could have killed you at any time,” she said, “if I could have done without you.”

333 Feeling completely unnerved by how things were unfolding, he once again told the Queen to head back to Egypt; and finally, hurt by Antony's accusations, Cleopatra decided to go and take her fleet with her. After making this choice, she seemed to treat Antony with extreme hostility; and he, being very anxious, started to worry that she might actually kill him. Her large eyes seemed to blaze with anger whenever she looked at him, and the disdain she now felt for him was evident in her expression. He appeared to shrink back before her like a naughty child and told his friends that he believed she would murder him in her fury. Upon hearing this, Cleopatra resolved to teach him a lesson he wouldn't forget. One evening at dinner, she had her goblet filled from the same wine jar everyone else had been using, and after drinking some of the wine herself, she handed it to Antony as if to signify a truce. He, eagerly raising it to his lips, was about to drink from the spot where the Queen had just sipped, when, as if to add elegance to her gesture, she took a flower wreath from her hair and dipped it into the wine. Antony raised the cup again, but suddenly Cleopatra knocked it from his hand, telling him the wine was poisoned. Antony protested that she was wrong, since she had just drunk from the same cup; but Cleopatra calmly explained that the wreath she had dipped into the wine as she handed it to him was poisoned, and she had chosen this method to show him how unfounded his fears for his life were, because if she wanted to be rid of him, she could do so at any moment with such subtle means. “I could have killed you at any time,” she said, “if I could have done without you.” 334

The Queen, I imagine, now carried herself very proudly and disdainfully, regarding Antony’s insistence on her departure as a breach of faith. In her own mind she must have feared lest he would actually abandon her, and the anxiety in regard to the future of her country and dynasty must have gnawed at her heart all day and all night; but to him she seems only to have shown coldness and contempt, thus driving him to a condition of complete wretchedness. He did not dare, however, to alter his decision in regard to her departure, for he seems to have admitted some of his senators and generals into the secret of this coming event, and it had much quieted the volcanic atmosphere so long prevalent in the camp. I am of opinion that the plan upon which he and his wife had agreed was as follows: Having invested Octavian’s lines more closely, and having taken all steps to prevent him issuing from his stronghold, the pick of Antony’s legionaries would be embarked upon as many of the vessels in the Gulf of Ambracia as were seaworthy, and these warships would force their way out and destroy Octavian’s fleet. As soon as this was done an assault would be made on the enemy’s position by sea and land; and Cleopatra, taking with her the Egyptian fleet, could then sail away to Alexandria, leaving Antony to enter Rome alone.

The Queen, I imagine, now carried herself very proudly and with disdain, viewing Antony’s insistence on her leaving as a betrayal. In her mind, she must have worried that he would actually abandon her, and the anxiety about the future of her country and dynasty must have gnawed at her heart day and night; but to him, she seemed to show only coldness and contempt, pushing him into a state of total misery. He didn't dare change his decision about her departure, though, since he had apparently confided this upcoming event to some of his senators and generals, which had eased the previously tense atmosphere in the camp. I believe the plan he and his wife had agreed on was this: After tightening their siege on Octavian and taking all necessary measures to prevent him from leaving his stronghold, the best of Antony’s soldiers would board as many seaworthy ships in the Gulf of Ambracia as possible, and these warships would break out and destroy Octavian’s fleet. Once that was accomplished, an attack would be launched on the enemy’s position by land and sea; and Cleopatra, taking the Egyptian fleet with her, could then sail to Alexandria, leaving Antony to enter Rome alone.

This scheme, in my opinion, presented the only possible means by which the Antonian army could rid itself of Egyptian influence. If Cleopatra was made to retire overland by way of Asia Minor and Syria, not only would her passage through these countries be regarded by the inhabitants as a flight, thus causing instant panic and335 revolt, but also the Egyptian fleet would still remain in the Gulf of Ambracia to show by its presence that Cleopatra and her Kingdom of Egypt were yet the main factors in the war. On the other hand, if the Queen retired by sea with her ships, a naval battle designed to force the blockade would have to be fought in order to permit her to escape by that route. Thus, the republican demand that the Queen should go to her own country, and Cleopatra’s own reiterated proposal that the war should be decided by a sea-fight, here concurred in determining Antony to stake all upon a naval engagement.

This plan, in my view, was the only way for the Antonian army to free itself from Egyptian influence. If Cleopatra had to travel overland through Asia Minor and Syria, people in those regions would see it as a retreat, sparking immediate panic and 335 revolt. Additionally, the Egyptian fleet would still be in the Gulf of Ambracia, demonstrating that Cleopatra and her Kingdom of Egypt were still major players in the conflict. On the flip side, if the Queen left by sea with her ships, a naval battle would need to happen to break the blockade, enabling her to escape that way. Therefore, the republican demand for the Queen to return to her own country, along with Cleopatra’s insistence that the war be resolved through a naval conflict, ultimately led Antony to put everything on the line for a naval engagement.

This being settled, Antony announced to the army that the fleet should break the blockade on August 29, but the fact that the Egyptian ships were to depart immediately after the battle was not made known, save to a few. A great many of the vessels were ill furnished for the fight, and were much under-manned; and Antony now ordered these to be burnt, for, though they were useless to him, they might be of value to the enemy, and might be seized by them while the fleet was away scouring the Ionian Sea. Sixty of the best Egyptian vessels, and at least three hundred115 other ships, were made ready for the contest; and during these preparations it was no easy matter to keep the secret of the Egyptian departure from leaking out. In order to cross to Egypt Cleopatra’s sixty ships required their large sails, but these sails would not under ordinary circumstances be taken into battle; and in order that the Egyptian vessels should not be made conspicuous by alone preparing for a long voyage, thereby causing suspicions to336 arise, all the fleet was ordered to ship its big sails; Antony, therefore, having to explain that they would be required in the pursuit of the enemy. Another difficulty arose from the fact that Cleopatra had to ship her baggage, including her plate and jewels; but this was ultimately done under cover of darkness without arousing suspicion.

This settled, Antony told the army that the fleet would break the blockade on August 29. However, the news that the Egyptian ships would leave right after the battle was kept from all but a few. Many of the vessels were poorly equipped for the fight and had too few crew members, so Antony ordered them to be burned. Although they were useless to him, they could be valuable to the enemy and might be captured while the fleet was away searching the Ionian Sea. Sixty of the best Egyptian ships and at least three hundred other ships were prepared for battle. During these preparations, it was challenging to keep the secret about the Egyptian departure from leaking out. Cleopatra’s sixty ships needed their large sails to cross to Egypt, but those sails typically wouldn’t be used in battle. To avoid drawing attention to the Egyptian ships preparing for a long journey and raising suspicions, all the ships in the fleet were instructed to set up their big sails. Antony explained that they would be needed for chasing the enemy. Another challenge was that Cleopatra had to load her baggage, including her silverware and jewels, but this was eventually done under the cover of darkness without raising suspicion.

Many of the generals, not realising that the naval battle was largely forced upon Antony by those who desired to rid his party of the Egyptians, were much opposed to the scheme; and one infantry officer, pointing to the many scars and marks of wounds which his body bore, implored Antony to fight upon land. “O General,” he said, “what have our wounds and our swords done to displease you, that you should give your confidence to rotten timbers? Let Egyptians and Phœnicians fight on the sea; but give us the land, where we well know how to die where we stand or else gain the victory.” Antony, however, gave him no reply, but made a motion with his hand as though to bid him be of good courage.

Many of the generals, not realizing that the naval battle was mostly forced on Antony by those who wanted to remove the Egyptians from his party, strongly opposed the plan. One infantry officer, showing off the many scars and wounds on his body, pleaded with Antony to fight on land. “Oh General,” he said, “what have our wounds and swords done to upset you, that you would trust rotten wood? Let the Egyptians and Phoenicians fight at sea; but give us the land, where we know how to either stand and die or seize victory.” Antony, however, didn’t respond but gestured with his hand as if to encourage him.

On August 28 twenty thousand legionaries and two thousand archers were embarked upon the ships of war116 in preparation for the morrow’s battle. The vessels were much larger than those of Octavian, some of them having as many as ten banks of oars; and it seemed likely that victory would be on their side. On the next day, however, the sea was extremely rough, and the battle had to be postponed. The storm proved to be of great violence, and all question of breaking the blockade had to be abandoned for the next four days. The337 delay was found to be a very heavy strain upon the nerves of all concerned, and so great was the anxiety of the two important generals, Dellius117 and Amyntas, that they both deserted to Octavian’s lines, the latter taking with him two thousand Galatian cavalry. Dellius had probably heard rumours about the proposed departure of Cleopatra, and he was able to tell Octavian something of the plans for the battle. In after years he stated that his desertion was partly due to his fear of the Queen, for he believed her to be angry with him for having once remarked that Antony’s friends were served with sour wine, whereas even Sarmentus, Octavian’s delicia, or page, drank Falernian. One may understand Cleopatra’s annoyance at this hint that money and supplies were running short, more especially since this must actually have been the fact.

On August 28, twenty thousand soldiers and two thousand archers were loaded onto the warships in preparation for the battle the next day. The ships were much larger than Octavian's, some with as many as ten banks of oars, and it seemed like victory would be in their favor. However, the next day, the sea was extremely rough, forcing a postponement of the battle. The storm was very violent, and any hope of breaking the blockade had to be abandoned for the next four days. This delay took a heavy toll on everyone involved, and the anxiety grew so intense for the two key generals, Dellius and Amyntas, that they both defected to Octavian’s side, with Amyntas bringing along two thousand Galatian cavalry. Dellius had likely heard rumors about Cleopatra's possible departure, and he was able to share some of the battle plans with Octavian. In later years, he claimed that part of his reason for deserting was his fear of the Queen, as he believed she was upset with him for once saying that Antony’s friends were served sour wine, while even Sarmentus, Octavian’s favorite page, drank fine wine. It’s easy to see why Cleopatra would be annoyed by this suggestion that money and supplies were running low, especially since it was likely true.

On September 1st the storm abated, and in the evening Antony went from ship to ship encouraging his men. Octavian, informed by Dellius, also prepared for battle, embarking eight legions and five pretorian cohorts upon his ships of war, which seem to have been more numerous, but much smaller, than those of Antony.

On September 1st, the storm calmed down, and in the evening, Antony moved from ship to ship, motivating his men. Octavian, alerted by Dellius, also got ready for battle, loading eight legions and five praetorian cohorts onto his warships, which appeared to be more in number but significantly smaller than Antony's.

The morning of September 2nd was calm, and at an early hour Octavian’s workmanlike ships stationed themselves about three-quarters of a mile from the mouth of the Gulf of Ambracia, where they were watched by the eyes of both armies. They were formed into three divisions, the left wing being commanded by Agrippa, the centre by Lucius Arruntius, and the right wing by Octavian. At about noon Antony’s huge men-o’-war began to pass out from the harbour, under cover of the338 troops and engines of war stationed upon the two promontories. Octavian seems to have thought that it would be difficult to attack them in the straits, and therefore he retired out to sea, giving his enemies the opportunity of forming up for battle. This was speedily done, the fleet being divided, like Octavian’s, into three squadrons, C. Sossius moving against Octavian, Marcus Insteius opposing Arruntius, and Antony facing Agrippa. The sixty Egyptian ships, under Cleopatra’s command, were the last to leave the Gulf, and formed up behind the central division.

The morning of September 2nd was calm, and early on, Octavian’s efficient ships positioned themselves about three-quarters of a mile from the entrance of the Gulf of Ambracia, where both armies kept a watchful eye. They were organized into three divisions: the left wing was led by Agrippa, the center by Lucius Arruntius, and the right wing by Octavian. Around noon, Antony’s massive warships began to emerge from the harbor, shielded by the338 troops and war machines stationed on the two headlands. Octavian seemed to think it would be challenging to attack them in the narrow straits, so he retreated out to sea, allowing his enemies the chance to arrange themselves for battle. This was quickly done, with the fleet split, just like Octavian’s, into three squadrons: C. Sossius advanced against Octavian, Marcus Insteius confronted Arruntius, and Antony faced Agrippa. The sixty Egyptian ships, led by Cleopatra, were the last to leave the Gulf and positioned themselves behind the central division.

Antony appears to have arranged with Cleopatra that her ships should give him full assistance in the fight, and should sail for Egypt as soon as the victory was won. He intended, no doubt, to board her flagship at the close of the battle and to bid her farewell. They had separated that morning, it would seem from subsequent events, with anger and bitterness. Cleopatra, I imagine, had once more told him how distasteful was her coming departure to her, and had shown him how little she trusted him. She had bewailed the misery of her life and the bitterness of her disillusionment. She had accused him of wishing to abandon her cause, and she had, no doubt, called him coward and traitor. Very possibly in her anger she had told him that she was leaving him with delight, having found him wholly degenerate, and that she hoped never to see his face again. Her accusations, I fancy, had stung Antony to bitter retorts; and they had departed, each to their own flagship, with cruel words upon their lips and fury in their minds. Antony’s nature, however, always boyish, impulsive, and quickly repentant, could not bear with equanimity so painful a scene with the woman to whom339 he was really devoted, and as he passed out to battle he must have been consumed by the desire to ask her forgiveness. The thought, if I understand him aright, was awful to him that they should thus separate in anger; and being probably a little intoxicated, the contemplation of his coming loneliness reduced him almost to tears. He was perhaps a little cheered by the thought that when next he saw her the battle would probably be won, and he would appear to her in the rôle of conqueror—a theatrical situation which made an appeal to his dramatic instincts; yet, in the meantime, I think he was as miserable as any young lover who had quarrelled with his sweetheart.

Antony seems to have made arrangements with Cleopatra for her ships to fully support him in the fight and to sail for Egypt as soon as they secured victory. He probably planned to board her flagship at the end of the battle to say goodbye. They had clearly parted that morning, as later events reveal, in anger and resentment. Cleopatra likely expressed once again how much she hated the thought of leaving and showed him how little she trusted him. She lamented the sadness of her life and the bitterness of her disillusionment. She accused him of wanting to abandon her cause and probably called him a coward and a traitor. In her anger, she might have said she was leaving him with happiness, having deemed him completely worthless, and that she hoped to never see him again. I imagine her accusations sparked bitter replies from Antony, and they both went to their respective ships with harsh words lingering between them and rage in their hearts. However, Antony’s nature was always youthful, impulsive, and quick to regret, so he couldn’t handle such a painful scene with the woman he truly cared for. As he headed into battle, he must have been overwhelmed by the desire to ask her for forgiveness. The thought that they had parted in anger was unbearable to him; and likely feeling a bit tipsy, the idea of facing loneliness brought him to the brink of tears. He may have found some comfort in thinking that when he saw her next, the battle would likely be won, and he would stride before her as the conqueror—an appealing, dramatic role for him. Yet, meanwhile, I believe he was as miserable as any young lover who had just quarreled with his girlfriend.

The battle was opened by the advance of Antony’s left wing, and Agrippa’s attempt to outflank it with his right. Antony’s other divisions then moved forward, and the fight became general. “When they engaged,” writes Plutarch, “there was no ramming or charging of one ship into another, because Antony’s vessels, by reason of their great bulk, were incapable of the speed to make the stroke effectual, and, on the other side, Octavian’s ships dared not charge, prow to prow, into Antony’s, which were all armed with solid masses and spikes of brass, nor did they care even to run in on their sides, which were so strongly built with great squared pieces of timber, fastened together with iron bolts, that their own vessels’ bows would certainly have been shattered upon them. Thus the engagement resembled a land fight, or, to speak more properly, the assault and defence of a fortified place; for there were always three or four of Octavian’s vessels around each one of Antony’s, pressing upon them with spears, javelins, poles, and several inventions of fire which they flung into them,340 Antony’s men using catapults also to hurl down missiles from their wooden towers.”

The battle began with the advance of Antony’s left wing and Agrippa’s attempt to flank it with his right. Antony’s other divisions then moved forward, and the fighting became widespread. “When they clashed,” writes Plutarch, “there was no ramming or charging of one ship into another because Antony’s vessels, due to their size, lacked the speed to make a significant impact. On the other hand, Octavian’s ships hesitated to charge head-on into Antony’s, which were all fitted with solid metal spikes, and they didn't even want to approach their sides, built as they were with large squared timber, reinforced with iron bolts, which would have surely damaged their own ships. Thus, the engagement resembled a land battle, or more accurately, the attack and defense of a fortified position; for there were always three or four of Octavian’s ships surrounding each of Antony’s, attacking with spears, javelins, poles, and various fire devices they threw at them,340 while Antony’s men used catapults to launch missiles from their wooden towers.”

The fight raged for three or four hours, but gradually the awful truth was borne in upon Antony and Cleopatra, that Octavian’s little ships were winning the day. Antony’s flagship was so closely hemmed in on all sides that he himself was kept busily occupied, and he had no time to think clearly. But as, one by one, his ships were fired, sunk, or captured, his desperation seems to have become more acute. If his fleet were defeated and destroyed, would his army stand firm? That was the question which must have drummed in his head, as in an agony of apprehension he watched the confused battle and listened to the clash of arms and the cries and shouts of the combatants. Cleopatra, meanwhile, after being subjected to much battering by the enemy, had perhaps freed her flagship for a moment from the attentions of Octavian’s little warships, and, in manœuvring for a better position, she was able to obtain a full view of the situation. With growing horror she observed the struggle around Antony’s flagship, and heard the cheers of the enemy as some huge vessel struck or was set on fire. Her Egyptian fleet had probably suffered heavily, though her sailors would hardly have fought with the same audacity as had those under Antony’s command. As she surveyed the appalling scene no doubt remained in her mind that Octavian had beaten them, and she must even have feared that Antony would be killed or captured. The anxieties which had harassed her overwrought brain during the last few weeks as to her husband’s intentions in regard to her position and that of her son Cæsarion, were now displaced by the more frightful thought that the opportunity would never341 be given to him of proving his constancy; for, here and now, he would meet his end. Her anger against him for his vacillation, her contempt for the increasing weakness of his character, and her misgivings in regard to his ability to direct his forces in view of the growing intemperance of his habits, were now combined in the one staggering certainty that defeat and ruin awaited him. He had told her to go back to Egypt, he had ordered her to take herself off with her fleet at the end of the battle. That end seemed to her already in sight. It was not from a riotous scene of victory, however, that she was to retire, nor was she to carry over to Alexandria the tidings of her triumph with which to cover the shame of her banishment from her husband’s side; but now she would have to sail away from the spectacle of the wreck of their cause, and free herself by flight from a man who, no longer a champion of her rights, had become an encumbrance to the movement of her ambitions.

The battle went on for three or four hours, but gradually the harsh reality hit Antony and Cleopatra that Octavian's small ships were taking the lead. Antony's flagship was so surrounded that he was kept busy and had no time to think clearly. But as one by one his ships were set on fire, sunk, or captured, his desperation seemed to grow. If his fleet was defeated and destroyed, would his army stand strong? That was the question that must have kept echoing in his mind as he anxiously watched the chaotic battle and heard the sounds of clashing weapons and the shouts of the fighters. Meanwhile, Cleopatra, after enduring a lot of attacks from the enemy, might have briefly cleared her flagship from the focus of Octavian's small warships, and while maneuvering for a better position, she was able to get a full view of the situation. With increasing horror, she watched the struggle around Antony's flagship and heard the enemy cheering as a large ship was hit or set ablaze. Her Egyptian fleet had likely taken heavy losses, though her sailors probably didn’t fight with the same courage as those under Antony’s command. As she surveyed the terrifying scene, she had no doubt in her mind that Octavian had defeated them, and she must have feared for Antony’s life, worried that he would be killed or captured. The anxieties that had troubled her over the past few weeks about her husband's intentions concerning her future and that of her son Cæsarion were now overshadowed by the more frightening thought that he might never have the chance to prove his loyalty; for right then and there, he could meet his end. Her anger at him for his indecision, her contempt for his growing weakness, and her doubts about his ability to lead his forces given the increasing instability of his habits all culminated in the staggering certainty that defeat and ruin awaited him. He had told her to return to Egypt, commanding her to leave with her fleet at the end of the battle. That end already seemed visible to her. However, it wouldn’t be a triumphant scene she was leaving, nor was she going to carry news of victory back to Alexandria to cover up the shame of being banished from her husband’s side; instead, she would have to sail away from the wreckage of their cause and escape from a man who, no longer defending her rights, had become a hindrance to her ambitions.

In the late afternoon, while yet the victory was actually undecided, although there could have been no hope for the Antonian party left in Cleopatra’s weary mind, a strong wind from the north sprang up, blowing straight from unconquered Rome towards distant Egypt. The sea grew rough, and the waves beat against the sides of the Queen’s flagship, causing an increase of confusion in the battle. As the wind blew in her face, suddenly, it seems to me, the thought came to her that the moment had arrived for her departure. Antony had told her with furious words to go: why, then, should she wait? In another hour, probably, he would be captured or killed, and she, too, would be taken prisoner, to be marched in degradation to the Capitol whereon she had hoped to sit enthroned. She would pay her husband342 back in his own coin: she would desert him as he had deserted her. She would not stand by him to await an immediate downfall. Though he was sodden with wine, she herself was still full of life. She would rise above her troubles, as she had always risen before. She would cast him off, and begin her life once more. Her throne should not be taken from her at one blow. She would, at this moment, obey Antony’s command and go; and in distant Egypt she would endeavour to start again in the pursuit of that dynastic security which had proved so intangible a vision.

In the late afternoon, while the outcome was still uncertain, and even though Cleopatra had lost all hope for Antony’s side, a strong north wind picked up, blowing straight from unconquered Rome towards far-off Egypt. The sea became rough, and the waves crashed against the sides of the Queen’s flagship, adding to the chaos of the battle. As the wind hit her face, it suddenly struck her that it was time for her to leave. Antony had angrily told her to go; so why should she stay? In another hour, he would likely be captured or killed, and she, too, would be taken prisoner, paraded in shame to the Capitol where she had hoped to reign. She would repay her husband in his own way: she would abandon him as he had abandoned her. She refused to stand by him and wait for his downfall. Though he was drunk, she was still full of life. She would rise above her troubles, just as she always had. She would cast him off and start her life over. Her throne wouldn’t be taken from her without a fight. Right now, she would follow Antony’s command and leave; and in distant Egypt, she would try to begin again in the pursuit of that elusive dynastic security she had always dreamed of.

Having arrived at this decision she ordered the signal to be given to her scattered ships, and hoisting sail she passed right through the combatants, and made off down the wind, followed by her damaged fleet. At that moment, it seems, Antony had freed his flagship from the surrounding galleys, and thus obtained an uninterrupted view of the Queen’s departure. His feelings must have overwhelmed him,—anger, misery, remorse, and despair flooding his confused mind. Cleopatra was leaving him to his fate: she was obeying the order which he ought never to have given her, and he would not see her face again. All the grace, the charm, the beauty which had so enslaved him, was being taken from him; and alone he would have to face the horrors of probable defeat. He had relied of late so entirely upon her that her receding ships struck a kind of terror into his degenerate mind. It was intolerable to him, moreover, that she should leave him without one word of farewell, and that the weight of his cruelty and anger should be the last impression received by her. He could not let her depart unreconciled and unforgiving; he must go after her, if only to see her for a moment. Yet what did343 it matter if he did not return to the battle? There was little hope of victory. His fevered and exhausted mind saw no favourable incident in the fight which raged around him. Disgrace and ruin stared him in the face; and the sooner he fled from the horror of defeat the better would be his chance of retaining his reason.

Having made this decision, she signaled her scattered ships, and with the sails raised, she sailed right through the fighters, heading downwind, followed by her damaged fleet. At that moment, it seemed Antony had freed his flagship from the surrounding galleys and had an unobstructed view of the Queen’s departure. His feelings must have overwhelmed him—anger, sadness, guilt, and despair flooded his chaotic mind. Cleopatra was leaving him to face his fate; she was following the order he should have never given, and he wouldn’t see her face again. All the grace, charm, and beauty that had captivated him were being taken away; now, alone, he would have to confront the horrors of likely defeat. He had become so reliant on her that her departing ships instilled a kind of dread in his weakened mind. It was unbearable to him that she was leaving without even a farewell, and that the weight of his cruelty and anger would be the last impression she had of him. He couldn’t let her go without reconciliation and forgiveness; he had to go after her, even if it was just for a moment. Yet, what did it matter if he didn’t return to the battle? There was little hope for victory. His fevered and exhausted mind saw no favorable turn in the fight surrounding him. Disgrace and ruin loomed ahead; the sooner he escaped the horror of defeat, the better his chances would be of keeping his sanity.

“Here it was,” says Plutarch, “that Antony showed to all the world that he was no longer actuated by the thoughts and motives of a commander or a man, or indeed by his own judgment at all; and what was once said in jest, that the soul of a lover lives in the loved one’s body, he proved to be a serious truth. For, as if he had been born part of her, and must move with her wheresoever she went, as soon as he saw her ships sailing away he abandoned all that were fighting and laying down their lives for him, and followed after her.” Hailing one of his fastest galleys, he quickly boarded her and told the captain to go after Cleopatra’s flagship with all possible speed. He took with him only two persons, Alexander the Syrian, and a certain Scellias. It was not long before the galley, rowed by five banks of oars, overhauled the retreating Egyptians, and Cleopatra then learnt that Antony had followed her and had abandoned the fight. Her feelings may be imagined. Her leaving the battle had, then, terminated the struggle, and her retreat had removed the last hope of victory from the Antonians. Antony was a ruined and defeated man, and a speedy death was the best thing he could hope for; but not so easily was she to be rid of him. He was going to cling to her to the end: she would never be able to shake herself clear of him, but, drowning, he would drag her down with him. Yet he was her husband, and she could not abandon him in defeat as in victory he344 had wished to abandon her. She therefore signalled to him to come aboard; and having done this she retired to her cabin, refusing to see him or speak to him. Antony, having been helped on to the deck, was too dazed to ask to be taken to her, and too miserable to wish to be approached by her. He walked, as in a dream, to the prow of the ship, and there seating himself, buried his face in his hands, uttering not a word.

“Here it was,” says Plutarch, “that Antony showed the world that he was no longer guided by the thoughts and motives of a leader or a man, or even by his own judgment at all; and what was once said jokingly, that the soul of a lover lives in the body of the loved one, he proved to be a serious truth. For, as if he had been born part of her and had to move with her wherever she went, as soon as he saw her ships sailing away, he abandoned all those who were fighting and giving their lives for him, and followed after her.” Hailing one of his fastest galleys, he quickly boarded it and instructed the captain to pursue Cleopatra’s flagship with all possible speed. He took with him only two people, Alexander the Syrian, and a certain Scellias. It wasn’t long before the galley, powered by five rows of oars, caught up with the retreating Egyptians, and Cleopatra then learned that Antony had followed her and abandoned the fight. Her emotions can be imagined. Her leaving the battle had ended the struggle, and her retreat had taken away the last hope of victory from Antony’s side. Antony was a defeated man, and a quick death was the best he could hope for; but he would not be shaken off so easily. He was determined to cling to her until the end: she could never fully escape him, but, sinking, he would pull her down with him. Yet he was her husband, and she could not abandon him in defeat as he had wished to abandon her in victory. She therefore signaled for him to come aboard; and after doing this, she went to her cabin, refusing to see him or speak to him. Antony, having been helped onto the deck, was too dazed to ask to be taken to her, and too miserable to want her to approach him. He walked, like in a dream, to the front of the ship, and there sat down, burying his face in his hands, uttering not a word.

Thus some hours passed, but after it had grown dark the beat of the oars of several galleys was heard behind them, and presently the hull of the foremost vessel loomed out of the darkness. The commotion on board and the shouts across the water aroused Antony. For a moment he seems to have thought that the pursuing ships were bringing him some message from Actium—perhaps that the tide of battle had turned in his favour. He therefore ordered the captain to turn about to meet them, and to be ready to give battle if they belonged to the enemy; and, standing in the prow, he called across the black waters: “Who is this that follows Antony?” Through the darkness a voice responded: “I am Eurycles, the son of Lachares, come to revenge my father’s death.” Antony had caused Lachares to be beheaded for robbery, although he came of the noblest family in the Peloponnese; and his son had fitted out a galley at his own expense and had sworn to avenge his father. Eurycles could now be seen standing upon his deck, and handling a lance as though about to hurl it; but a moment later, by some mistake which must have been due to the darkness, he had charged with terrific force into another Egyptian vessel which was sailing close to the flagship. The blow turned her round, and in the darkness and confusion which followed, Cleopatra’s345 captain was able to get away. The other vessel, however, was captured, together with a great quantity of gold plate and rich furniture which she was carrying back to Egypt.

Thus several hours passed, but after it got dark, the sound of oars from several galleys was heard behind them, and soon the hull of the leading ship appeared from the darkness. The noise on board and the shouts across the water woke Antony. For a moment, he thought that the pursuing ships were bringing him news from Actium—maybe that the tide of battle had turned in his favor. So he ordered the captain to turn around to meet them and be ready to fight if they were enemies; and, standing at the front, he shouted across the dark waters: “Who is this that follows Antony?” A voice replied from the darkness: “I am Eurycles, the son of Lachares, here to avenge my father's death.” Antony had ordered Lachares to be beheaded for robbery, even though he came from one of the noblest families in the Peloponnese; his son had equipped a galley at his own expense and swore to avenge his father. Eurycles could now be seen standing on his deck, holding a lance as if about to throw it; but a moment later, due to some mistake likely caused by the darkness, he crashed with great force into another Egyptian vessel sailing near the flagship. The impact turned her around, and in the resulting darkness and confusion, Cleopatra’s345 captain managed to escape. However, the other vessel was captured, along with a large amount of gold plate and valuable furniture that it was carrying back to Egypt.

When the danger was passed Antony sat himself down once more in the prow, nor did he move from that part of the ship for three whole days. Hour after hour he sat staring out to sea, his hands idly folded before him, his mind dazed by his utter despair. By his own folly he had lost everything, and he had carried down with him in his fall all the hope, all the ambition, and all the fortune of Cleopatra. It is surprising that he did not at once put an end to his life, for his misery was pitiable; yet, when at last the port of Tænarus was reached, at the southern end of the Greek peninsula, he was still seated at the prow, his eyes fixed before him. At length, however, Iras, Charmion, and other of Cleopatra’s women induced the Queen to invite him to her cabin; and after much persuasion they consented to speak to one another, and, later, to sup and sleep together. Cleopatra could not but pity her wretched husband, now so sobered and terribly conscious of the full meaning of his position; and I imagine that she gave him what consolation she could.118

Once the danger had passed, Antony settled himself again at the front of the ship, and he didn't leave that spot for three full days. Hour after hour, he sat staring out at the sea, his hands idly resting in front of him, his mind foggy from overwhelming despair. By his own mistakes, he had lost everything, and he took down with him in his downfall all the hope, ambition, and fortune of Cleopatra. It’s surprising he didn’t end his life right then, as his misery was heartbreaking; yet, when they finally reached the port of Tænarus at the southern tip of the Greek peninsula, he was still sitting at the front, his eyes staring blankly ahead. Eventually, Iras, Charmion, and other women of Cleopatra convinced the Queen to invite him to her cabin; after much urging, they agreed to talk to each other, and later, to share a meal and sleep together. Cleopatra couldn’t help but feel sympathy for her miserable husband, now so sober and painfully aware of the full weight of his situation; I imagine she offered him what comfort she could.

346 As their ship lay at anchor several vessels came into the harbour, bringing fugitives from Actium; and these reported to him that his fleet was entirely destroyed or captured, more than five thousand of his men having been killed, but that the army stood firm and had not at once surrendered. At this news Cleopatra, who had not been wholly crushed under the weight of her misfortunes, seems to have advised Antony to try to save some remnant of his forces, and to send messengers to Canidius to march his legions with all speed through Macedonia into Asia Minor. This he did; and then, sending for those of his friends who had come into the port, he begged them to leave him and Cleopatra to their fate, and to give their whole attention to their own safety. He and the Queen handed to the fugitives a large sum of money and numerous dishes and cups of gold and silver wherewith to purchase their security; and he wrote letters in their behalf to his steward at Corinth, that he should provide for them until they had made their peace with Octavian. In deep dejection these defeated officers attempted to refuse the gifts, but Antony, pressing them to accept, “cheered them,” as Plutarch says, “with all the goodness and humanity imaginable,” so that they could not refrain from tears. At length the fleet put out to sea once more, and set sail for the coast of Egypt, arriving many days later at Parætonium, a desolate spot some 160 miles west of Alexandria, where a small Roman garrison was stationed.119 Here Antony decided to stay for a time in hiding, while the braver347 Cleopatra went on to the capital to face her people; and for the next few weeks he remained in the great solitude of this desert station. A few mud huts, a palm-tree or two, and a little fort constituted the dreary settlement, which in the damp heat of September must have presented a colourless scene of peculiarly depressing aspect. This part of the coast is absolutely barren, and only those who have visited these regions in the summer-time can realise the strange melancholy, the complete loneliness, of this sun-scorched outpost. The slow, breaking waves beat upon the beach with the steady insistence of a tolling bell which counts out a man’s life; the desert rolls back from the bleak sea-shore, carrying the eye to the leaden haze of the far horizon; and overhead the sun beats down from a sky which is, as it were, deadened by the heat. In surroundings such as these heart-broken Antony remained for several weeks, daily wandering along the beach accompanied only by two friends, one, a certain Aristocrates, a Greek rhetorician, and the other the Roman soldier Lucilius, who, fighting on the side of the enemy at Philippi, as we have read, had heroically prevented the capture of the defeated Brutus, and had been pardoned by Antony as a reward for his courage, remaining thereafter, and until the last, his devoted friend.

346 As their ship lay anchored, several vessels entered the harbor, bringing escapees from Actium. They informed him that his fleet had been completely destroyed or captured, with more than five thousand of his men killed, but that the army held strong and hadn’t surrendered right away. Upon hearing this, Cleopatra, who hadn’t been entirely defeated by her misfortunes, seemed to suggest to Antony that he should try to salvage some of his forces and send messengers to Canidius to get his legions to march urgently through Macedonia into Asia Minor. He proceeded to do this; then, calling for those friends who had come into the port, he urged them to abandon him and Cleopatra to their fate and focus entirely on their own safety. He and the Queen provided the escapees with a large sum of money along with numerous dishes and cups made of gold and silver to help ensure their safety. He also wrote letters on their behalf to his steward in Corinth, instructing him to take care of them until they could negotiate peace with Octavian. In deep despair, these defeated officers tried to refuse the gifts, but Antony insisted they accept, “cheering them,” as Plutarch notes, “with all the kindness and compassion possible,” which brought them to tears. Eventually, the fleet set sail again, heading for the coast of Egypt, arriving many days later at Parætonium, a desolate area about 160 miles west of Alexandria, where a small Roman garrison was stationed.119 Here, Antony chose to hide for a while, while the braver Cleopatra went on to the capital to face her people; and for the next few weeks, he remained in the isolation of this desert outpost. A few mud huts, a palm tree or two, and a little fort made up the dreary settlement, which in the damp heat of September must have been a starkly colorless and depressing sight. This part of the coast is completely barren, and only those who have visited these areas in the summer can understand the strange melancholy and utter loneliness of this sun-baked outpost. The slow, breaking waves crashed onto the shore with the steady persistence of a tolling bell that marks a person’s life; the desert stretched out from the bleak coastline, drawing the eye toward the heavy haze on the distant horizon; and overhead, the sun blazed down from a sky that felt almost numbed by the heat. In such surroundings, heartbroken Antony remained for several weeks, wandering daily along the beach with only two friends: one, a certain Aristocrates, a Greek rhetorician, and the other, the Roman soldier Lucilius, who, as we have read, had heroically prevented the capture of the defeated Brutus during the battle at Philippi by fighting on the opposing side, and had been pardoned by Antony as a reward for his bravery, remaining his loyal friend until the end.

At length one of his ships, putting into the little port, seems to have brought him the news of events at Actium. After his flight the battered remnant of his fleet, having continued the fight until sunset, sailed back into the Gulf of Ambracia; and next day Octavian invited them and the army to surrender on easy terms. No one, however, would believe that Antony had fled, and the offer was refused. Next day, however, some of the vassal kings348 laid down their arms, and, after a week of suspense, Canidius fled. Part of the legions scattered into Macedonia, and on September 9th the remainder surrendered together with the fleet. Octavian then sailed round to Athens, and there received the submission of every city in Greece, with the exception of Corinth. He at once began a general massacre of Antony’s adherents, and, to save their skins, the townspeople in every district heaped honours upon the conqueror, erecting statues to him and decreeing him all manner of civic distinctions. Shortly after this a messenger reached Antony from the west stating that the legions left in North Africa had also gone over to Octavian; and thereupon he attempted to commit suicide. He was, however, restrained by his two faithful friends; and in the deepest dejection he was at last persuaded by them to sail for Alexandria, once more to comfort himself with the presence of Cleopatra.

At last, one of his ships arrived at the small port, seemingly bringing news of what happened at Actium. After his retreat, the damaged remnants of his fleet continued fighting until sunset and then sailed back into the Gulf of Ambracia. The next day, Octavian offered them and the army a chance to surrender on easy terms. However, no one believed that Antony had fled, and the offer was rejected. The following day, though, some of the vassal kings348 laid down their arms, and after a week of uncertainty, Canidius fled. Part of the legions scattered into Macedonia, and on September 9th, the rest surrendered along with the fleet. Octavian then sailed to Athens, where he accepted the submission of every city in Greece except for Corinth. He immediately began a widespread massacre of Antony’s supporters, and to save themselves, the townspeople in every area honored the conqueror, building statues to him and granting him various civic titles. Soon after, a messenger arrived for Antony from the west, reporting that the legions left in North Africa had also switched sides to Octavian; this led him to attempt suicide. However, he was stopped by his two loyal friends, and in his deep despair, he was finally convinced by them to sail to Alexandria to seek comfort in Cleopatra's presence again.


CHAPTER XVIII.
CLEOPATRA'S FRESH START.

Crushed and broken by her misfortunes, it might have been expected that Cleopatra would now give up the fight. She was not made, however, of ordinary stuff; and she could not yet bring herself to believe that her cause was hopeless. On her voyage across the Mediterranean she seems to have pulled herself together after the first shock of defeat; and, with that wonderful recuperative power, of which we have already seen many instances in her life, she appears, so to speak, to have regained her feet, standing up once more, eager and defiant, to face the world. The defeat of Antony, though it postponed for many years all chance of obtaining a footing in Rome, did not altogether preclude that possibility. He would now probably kill himself, and though the thought of his suicide must have been very distressing to her, she could but feel that she would be well rid of him. A drunken and discredited outlaw with a price upon his head was not a desirable consort for a Queen; and he had long since ceased to make an appeal to any quality in her, save to her pity. Octavian would hunt him down, and would not rest until he had350 driven him to the land of the shades; but she herself might possibly be spared and her throne be saved in recognition of the fact that she had been the great Dictator’s “wife.” Then, some chance occurrence, such as the death of Octavian, might give her son Cæsarion the opportunity of putting himself forward once more as Cæsar’s heir.

Crushed and broken by her misfortunes, one might have expected Cleopatra to give up the fight. However, she wasn't made of ordinary stuff; and she couldn't yet convince herself that her cause was hopeless. During her journey across the Mediterranean, she seems to have gathered herself after the initial shock of defeat; and with that remarkable ability to bounce back, which we’ve seen many times in her life, she appears to have, so to speak, regained her strength, standing up once more, eager and defiant, ready to face the world. Antony's defeat, though it delayed her chances of establishing a foothold in Rome for many years, didn’t completely close the door on that possibility. He would probably take his own life, and while the thought of his suicide must have been very distressing to her, she could not help but feel that she would be better off without him. A drunk and discredited outlaw with a bounty on his head was not a suitable partner for a Queen; and he had long stopped appealing to any part of her except her pity. Octavian would hunt him down and wouldn’t stop until he had350driven him to the afterlife; but she might be spared, and her throne saved, in recognition of the fact that she had been the great Dictator’s “wife.” Then, some unexpected event, like the death of Octavian, might allow her son Cæsarion to step forward again as Cæsar’s heir.

Antony was now a terrible encumbrance. His presence with her endangered her own life, and, what was more important, imperilled the existence of her royal dynasty. Had he not the courage, like defeated Cato at Utica, like her uncle Ptolemy of Cyprus, like Brutus after Philippi, and like hundreds of others, to kill himself and so end his misfortunes? It is to be remembered that suicide after disaster was a doctrine emphatically preached throughout the civilised world at this time, and so frequently was it practised that it was felt to be far less terrible than we are now accustomed to think it. The popular spectacle of gladiatorial fights, the many wars conducted in recent years, and the numerous political murders and massacres, had made people very familiar with violent death. The case of Arria, the wife of Pætus, is an illustration of the light manner in which the termination of life was regarded. Her husband having been condemned to death, Arria determined to anticipate the executioner; and therefore, having driven a dagger into her breast, she coolly handed the weapon to him, with the casual words, Paete non dole, “It isn’t painful.”120 I do not think, therefore, that Cleopatra need be blamed if she now hoped that Antony would make his exit from the stage of life.

Antony had become a huge burden. His presence put her own life at risk, and more importantly, threatened the future of her royal family. Didn't he have the bravery, like defeated Cato at Utica, like her uncle Ptolemy of Cyprus, like Brutus after Philippi, and like many others, to end his own life and put an end to his troubles? It's important to note that suicide after a disaster was widely accepted and encouraged throughout the civilized world at this time, and it was so common that it was considered much less horrifying than we think today. The popular display of gladiatorial contests, the many recent wars, and the countless political murders and massacres had made people quite accustomed to violent death. The case of Arria, the wife of Pætus, shows how casually life was viewed. When her husband was condemned to death, Arria decided to take matters into her own hands; she stabbed herself and calmly handed him the dagger, saying with indifference, Paete non dole, “It isn’t painful.” 120 So, I don’t think Cleopatra should be criticized for hoping that Antony would exit the stage of life.

Her fertile brain turned to the consideration of other351 means of holding her throne should Octavian’s clemency not be extended to her. Her dominant hope was now the keeping of Egypt independent of Rome. The founding of an Egypto-Roman empire having been indefinitely postponed by the defeat at Actium, her whole energies would have to be given to the retention of some sort of crown for her son. The dominions which Antony had given her she could hardly expect to hold: but for Egypt, her birthright, she must fight while breath remained in her body. Under this inspiration her thoughts turned to the Orient, to Media, Persia, Parthia, and India. Was there not some means of forming an alliance with one or all of these distant countries, thereby strengthening her position? Her son Alexander Helios was prospective King of Media. Could not she find in Persia or India an extension of the dominions which she could hand on to Cæsarion? And could not some great amalgamation of these nations, which had never been conquered by Rome, be effected?

Her fertile mind began to consider other ways to maintain her throne if Octavian didn’t show her mercy. Her main hope was now to keep Egypt independent from Rome. The idea of creating an Egypto-Roman empire had been indefinitely delayed by the defeat at Actium, so she had to focus all her energy on securing some kind of crown for her son. The territories Antony had given her were hardly something she could expect to keep, but for Egypt, her birthright, she would fight as long as she had breath. Inspired by this thought, she turned her attention to the East: Media, Persia, Parthia, and India. Was there a way to form alliances with one or more of these distant lands to strengthen her position? Her son Alexander Helios was set to be King of Media. Could she find an opportunity in Persia or India to expand the lands she could pass on to Cæsarion? And could a significant alliance of these nations, which had never been conquered by Rome, be realized?

I imagine that her thoughts ran in these channels as she sailed over the sea; but when she had dropped Antony at Parætonium and was heading for Alexandria the more immediate question of her entry into the capital must have filled her mind. It was essential to prevent the news of the defeat from being spread in the capital until after she had once more obtained control of affairs. She therefore seems to have arranged to sail into the harbour some days before the arrival of the fleet, and she caused her flagship to be decorated as though in celebration of a victory. Her arrival took place at about the end of September B.C. 31; and, with music playing, sailors dancing, and pennants flying, the ship passed under the shadow of the white Pharos and entered the352 Great Harbour. Having moored the vessel at the steps of the Palace, Cleopatra was carried ashore in royal state, and was soon safely ensconced behind the walls of the Lochias. She brought, no doubt, written orders from Antony to the legions stationed in Alexandria; and, relying on the loyalty of these troops, she soon took the sternest measures to prevent any revolt or rioting in the city as the news of the disaster began to filter through. Several prominent citizens who attempted to stir up trouble were promptly arrested and put to death; and by the time that full confirmation of the news of the defeat had arrived, Cleopatra was in absolute control of the situation.

I think her thoughts went along these lines as she traveled over the sea; but when she dropped Antony off at Parætonium and headed for Alexandria, the more urgent issue of her entrance into the capital must have occupied her mind. It was crucial to keep the news of the defeat from spreading in the capital until she had regained control of affairs. So, she seems to have planned to sail into the harbor a few days before the fleet arrived, and she ordered her flagship to be decorated as if in celebration of a victory. Her arrival happened at about the end of September BCE 31; and with music playing, sailors dancing, and flags flying, the ship passed under the shadow of the white Pharos and entered the 352 Great Harbour. After mooring the vessel at the steps of the Palace, Cleopatra was carried ashore in royal style and soon secured herself behind the walls of the Lochias. She likely brought written orders from Antony to the legions stationed in Alexandria; and trusting in the loyalty of these troops, she quickly took strict measures to prevent any uprising or riots in the city as news of the disaster began to leak out. Several prominent citizens who tried to incite trouble were quickly arrested and executed; and by the time full confirmation of the news of the defeat had arrived, Cleopatra was completely in control of the situation.

British Museum.]
[Photograph by Macbeth.

CLEOPATRA.

CLEO.

She now began to carry out her schemes in regard to the East, in pursuance of which her first step was, naturally, the confirmation of her treaty with the King of Media. It will be remembered that the elder son of Cleopatra and Antony, Alexander Helios, had been married to the King of Media’s daughter, on the understanding, apparently, that he should be heir to the kingdoms of Media and Armenia. The little princess was now living at Alexandria; and it will be recalled that Artavasdes, the dethroned King of Armenia, the greater part of whose kingdom had been handed over to Media, remained a prisoner in the Egyptian capital, where he had been incarcerated since the Triumph in B.C. 34, three years previously. The defeat of Antony, however, would probably cause the reinstatement of the rulers deposed by him; and it seemed very probable that Octavian would restore Artavasdes to his lost kingdom, and that Media, on the other hand, by reason of its support of the Antonian party, would be stripped of as much territory as the Romans dared to seize. In order353 to prevent this by removing the claimant to the Armenian throne, and perhaps owing to some attempt on the part of Artavasdes to escape or to communicate with Octavian, Cleopatra ordered him to be put to death; and she thereupon sent an embassy to Media bearing his head to the King as a token of her good faith.121 I think it is probable that at the same time she sent the little Alexander and his child-wife Iotapa to the Median court in order that they might there live in safety; and there can be little doubt that she made various proposals to the King for joint action.

She now started to implement her plans regarding the East, with her first step being, of course, to confirm her treaty with the King of Media. It should be noted that Cleopatra and Antony's elder son, Alexander Helios, was married to the King of Media’s daughter, apparently with the understanding that he would inherit the kingdoms of Media and Armenia. The young princess was currently living in Alexandria; and it is important to remember that Artavasdes, the deposed King of Armenia, most of whose kingdom had been given to Media, was still a prisoner in the Egyptian capital, where he had been locked up since the Triumph in B.C. 34, three years earlier. Antony's defeat, however, would likely lead to the restoration of the rulers he had removed; and it seemed very likely that Octavian would restore Artavasdes to his lost kingdom, while Media, due to its support of Antony’s faction, would lose as much territory as the Romans dared to take. To prevent this by eliminating the claimant to the Armenian throne, and perhaps because of an attempt by Artavasdes to escape or communicate with Octavian, Cleopatra ordered his execution; and then she sent an embassy to Media with his head as a sign of her good faith. 121 I think it’s likely that at the same time she sent little Alexander and his child-wife Iotapa to the Median court so they could live there safely; and there’s little doubt she made several proposals to the King for collaboration.

She then began an undertaking which Plutarch describes as “a most bold and wonderful enterprise.” The northernmost inlet of the Red Sea, the modern Gulf of Suez, was separated from the waters of the Mediterranean by a belt of low-lying desert not more than thirty-five miles in breadth. Across the northern side of this isthmus the Pelusian branch of the Nile passed from the Delta down to the Mediterranean. Somewhat further south lay the Lakes of Balah and Timsah, and between these and the Gulf of Suez lay the so-called Bitter Lakes. These pieces of water had been linked together by a canal opened nearly five hundred years previously by the great Persian conqueror Darius I., who had thus sent his ships through from one sea to the other by a route not far divergent from that of the modern Suez Canal. King Ptolemy Philadelphus, three hundred years later, had reopened the waterway, and had built a great system of locks at its southern end, near the fortress354 of Clysma;122 but now a large part of the canal had become blocked up once more by the encroaching sand, and any vessel which had to be transported from the Mediterranean to the Red Sea would have to be dragged for several miles over the desert. In spite of the enormous labour involved, however, Cleopatra determined to transfer immediately all her battleships which had survived Actium to the Red Sea, where they would be safe from the clutches of Octavian, and would be in a position to sail to India or to Southern Persia whenever she might require them to do so. She also began with startling energy to build other vessels at Suez, in the hope of there fitting out an imposing fleet. Plutarch states simply that her object was to go “with her soldiers and her treasure to secure herself a home where she might live in peace, far away from war and slavery”; but, viewing the enterprise in connection with the embassy to Media, it appears to me that she had determined to put into partial execution the schemes of which she seems to have talked with Julius Cæsar while he was staying with her in Alexandria,123 in regard to the conquest of the East.

She then started a project that Plutarch describes as “a very bold and remarkable undertaking.” The northernmost inlet of the Red Sea, known today as the Gulf of Suez, was separated from the Mediterranean by a stretch of low desert that was no more than thirty-five miles wide. On the northern side of this isthmus, the Pelusian branch of the Nile flowed from the Delta to the Mediterranean. A bit further south were the Lakes of Balah and Timsah, and between these lakes and the Gulf of Suez were the so-called Bitter Lakes. These bodies of water had been connected by a canal opened nearly five hundred years earlier by the great Persian conqueror Darius I., who had thus sent his ships from one sea to the other along a route not far from what we know as the modern Suez Canal. King Ptolemy Philadelphus, three hundred years later, had reopened the waterway and built a large system of locks at its southern end, near the fortress of Clysma; however, now a significant portion of the canal had become blocked again by encroaching sand, and any vessel that needed to be transported from the Mediterranean to the Red Sea would have to be dragged several miles across the desert. Despite the enormous work that would be involved, Cleopatra was determined to move all her battleships that had survived Actium to the Red Sea immediately, where they would be safe from Octavian and ready to sail to India or Southern Persia whenever she needed them. She also energetically began constructing other ships at Suez, hoping to assemble an impressive fleet there. Plutarch simply states that her goal was to go “with her soldiers and her treasure to secure herself a home where she might live in peace, far away from war and slavery”; however, when considering this venture alongside the embassy to Media, it seems to me that she had decided to partially implement the plans she had discussed with Julius Cæsar while he was staying with her in Alexandria regarding the conquest of the East.

Media, Parthia, and India were all outside the influence of Rome. Of these countries Media was now bound to Egypt by the closest ties of blood, while India was engaged in a thriving trade with Cleopatra’s kingdom. Parthia, now the enemy of Media, lay somewhere between these vast lands; and if the Egyptian fleet could sail round the coasts of Arabia and effect a junction with the Median armies in the Persian Gulf, some sort of355 support might be given to the allies by the Indian States, and Parthia could be conquered or frightened into joining the confederacy. Syria and Armenia could then be controlled, and once more the fight with the West might be undertaken. In the meantime these far countries offered a safe hiding-place for herself and her family; and having, as I suppose, despatched her son Alexander to his future kingdom of Media, she now began to consider the sending of her beloved Cæsarion to India,124 there to prepare the way for the approach of her fleet.

Media, Parthia, and India were all beyond Rome's reach. Of these nations, Media was now closely linked to Egypt by strong family ties, while India was engaged in a thriving trade with Cleopatra’s kingdom. Parthia, now the rival of Media, was located somewhere between these vast territories; and if the Egyptian fleet could navigate around the coasts of Arabia and connect with the Median armies in the Persian Gulf, some support might be provided to the allies by the Indian States, and Parthia could either be conquered or intimidated into joining the alliance. Syria and Armenia could then be dominated, and the battle with the West could be fought again. In the meantime, these distant lands offered a safe refuge for her and her family; and after I assume she sent her son Alexander to his future kingdom of Media, she began to consider sending her beloved Cæsarion to India, there to lay the groundwork for the arrival of her fleet.

In these great schemes Antony played no part. During their undertaking he was wandering about the desolate shores of Parætonium, engrossed in his misfortunes and bemoaning the ingratitude of his generals and friends whom, in forgetfulness of his own behaviour at Actium, he accused of deserting him. Cleopatra, as she toiled at the organisation of her new projects, and struggled by every means, fair or foul, to raise money for the great task, must have heartily wished her husband out of the way; and it must have been with very mixed feelings that she presently received the news of his approach. On his arrival, perhaps in November, he was astonished at the Queen’s activities; but, being opposed to the idea of keeping up the struggle and of setting out for the East, he tried to discourage her by talking hopefully about the loyalty of the various garrisons of whose desertion he had not yet heard. He seems also to have pointed out to her that some sort of peace might be made with Octavian, which would secure her throne to her family; and, in one way and356 another, he managed to dishearten her and to dull her energies. He himself desired now to retire from public life, and to take up his residence in some city, such as Athens, where he might live in the obscurity of private citizenship. He well knew the contempt in which Cleopatra held him, and at this time he thought it would be best, in the long-run, if he left her to her fate. At all events, he seems to have earnestly hoped that she would not expect him to set out on any further adventures; and in this his views must have met hers, for she could have had no use for him. Her son Cæsarion was growing to manhood, and in the energy of his youth he would be worth a hundred degenerate Antonys.

In these big plans, Antony had no role. While they were busy, he was wandering around the barren shores of Parætonium, lost in his troubles and lamenting the ingratitude of his generals and friends, whom he accused of abandoning him, ignoring his own actions at Actium. Cleopatra, while working on her new initiatives and trying every possible way, good or bad, to fund the massive project, must have genuinely wished her husband was out of the picture; she probably received the news of his arrival with very mixed emotions. When he got there, possibly in November, he was surprised by the Queen's activities; however, opposed to the idea of continuing the fight and heading to the East, he tried to dissuade her by speaking positively about the loyalty of the various garrisons of whose defection he had not yet learned. He also seemed to suggest that some sort of peace could be arranged with Octavian, which would secure her throne for her family; in various ways, he managed to discourage her and dampen her spirits. He now wanted to withdraw from public life and settle in a city like Athens, where he could live quietly as a private citizen. He was well aware of the disdain Cleopatra held for him, and at that moment, he thought it would be best in the long run if he left her to her own devices. In any case, he seemed to earnestly hope she wouldn’t expect him to embark on any more adventures; and in this regard, their views likely aligned, since she wouldn't have any need for him. Her son Cæsarion was growing up, and with the vigor of his youth, he would be worth a hundred degraded Antonys.

An unexpected check, however, was put to her schemes, and once again misfortune seemed to dog her steps. The Nabathæan Arabs from the neighbourhood of Petra, being on bad terms with the Egyptians, raided the new docks at Suez and, driving off the troops stationed there, burnt the first galleys which had been dragged across from the Mediterranean and those which were being built in the docks. Cleopatra could not spare troops enough to protect the work, and therefore the great enterprise had to be abandoned.

An unexpected setback, however, derailed her plans, and once again, bad luck seemed to follow her. The Nabataean Arabs from the area around Petra, who were on bad terms with the Egyptians, attacked the new docks at Suez. They drove off the soldiers stationed there and burned the first galleys that had been transported from the Mediterranean, along with those that were being built at the docks. Cleopatra couldn't spare enough troops to protect the project, so that major undertaking had to be abandoned.

Shortly after this Canidius himself arrived in Alexandria, apparently bringing the news that all Antony’s troops in all parts of the dominions had surrendered to Octavian, and that nothing now remained to him save Egypt and its forces. Thereupon, by the code of honour then in recognition, Antony ought most certainly to have killed himself; but a new idea had entered his head, appealing to his sentimental and theatrical nature. He decided that he would not die, but would live, like Timon of Athens, the enemy of all men. He would build himself357 a little house, the walls buffeted by the rolling swell of the sea; and there in solitude he would count out the days of his life, his hand turned against all men. There was a pier jutting out into the Great Harbour125 just to the west of the Island of Antirrhodos, close to the Forum and the Temple of Neptune. Though a powerful construction, some three hundred yards long, it does not appear to have been then in use; and Antony hit upon the idea of repairing it and building himself a little villa at its extreme end, wherein he might dwell in solitude. Cleopatra was far too much occupied with the business of life to care what her husband did; and she seems to have humoured him as she would a child, and to have caused a nice little house to be built for him on this site, which, in honour of the misanthrope whom Antony desired to emulate, she named the Timonium. It appears that she was entirely estranged from him at this time, and he was, no doubt, glad enough to remove himself from the scorn of her eyes and tongue. From his new dwelling he could look across the water to Cleopatra’s palace; and at night the blaze of the Pharos beacon, and the many gleaming windows on the Lochias Promontory and around the harbour, all reflected with the stars in the dark water, must have formed a spectacle romantic enough for any dreamer. In the daytime he could watch the vessels entering or leaving the port; and behind him the noise and bustle of Cleopatra’s busy Alexandrians was wafted to his ears to serve as a correct subject for his Timonian curses.

Shortly after this, Canidius himself arrived in Alexandria, apparently bringing the news that all of Antony’s troops across the dominions had surrendered to Octavian, leaving him with nothing but Egypt and its forces. Under the code of honor at the time, Antony should have killed himself; however, a new idea struck him, appealing to his sentimental and theatrical nature. He decided that he wouldn't die but would live like Timon of Athens, the enemy of all men. He would build himself a little house, with walls buffeted by the rolling waves of the sea; there, in solitude, he would count the days of his life, with his hand turned against all men. There was a pier extending into the Great Harbour just west of the Island of Antirrhodos, close to the Forum and the Temple of Neptune. Though it was a sturdy structure, about three hundred yards long, it seemed not to be in use at the time; Antony came up with the idea of fixing it up and building a little villa at its far end, where he could live in solitude. Cleopatra was far too busy with her life to care what her husband did; she seemed to humor him like a child and had a nice little house built for him on this site, which, in honor of the misanthrope he wished to emulate, she named the Timonium. It seems that she was completely estranged from him at this point, and he was likely glad to remove himself from the disdain of her eyes and words. From his new dwelling, he could look across the water to Cleopatra’s palace, and at night the glow of the Pharos beacon and the many shining windows on the Lochias Promontory and around the harbor, all reflected in the stars in the dark water, must have created a scene romantic enough for any dreamer. During the day, he could watch the ships coming in and out of the port, while behind him, the noise and bustle of Cleopatra’s busy Alexandrians filled the air, providing perfect material for his Timonian curses.

The famous Timon, I need hardly say, was a citizen of358 Athens, who lived during the days of the Peloponnesian war, and figures in the comedies of Aristophanes and Plato. He heartily detested his fellow-men, his only two associates being Alcibiades, whom he esteemed because he was likely to do so much mischief to Athens, and Apemantus, who also was a confirmed misanthrope. Once when Timon and Apemantus were celebrating a drinking festival alone together, the latter, wishing to show how much he appreciated the fact that no other of his hated fellow-men was present, remarked: “What a pleasant little party, Timon!” “Well, it would be,” replied Timon, “if you were not here.” Upon another occasion, during an assembly in the public meeting-place, Timon mounted into the speaker’s place and addressed the crowd. “Men of Athens,” he said, “I have a little plot of ground, and in it grows a fig-tree, from the branches of which many citizens have been pleased to hang themselves; and now, having resolved to build on that site, I wish to announce it publicly, that any of you who may so wish may go and hang yourselves there before I cut it down.” Before his death he composed two epitaphs, one of which reads—

The well-known Timon, I don’t need to mention, was a citizen of358 Athens, living during the Peloponnesian War, and he appears in the comedies of Aristophanes and Plato. He strongly hated his fellow humans, his only two companions being Alcibiades, whom he respected for his potential to cause chaos in Athens, and Apemantus, who was also a staunch misanthrope. One time, when Timon and Apemantus were enjoying a drinking party alone together, Apemantus, wanting to express his appreciation for the absence of anyone else he despised, said, “What a lovely little party, Timon!” Timon responded, “Well, it would be,” “if you weren’t here.” On another occasion, at a public assembly, Timon took the speaker’s platform and addressed the crowd. “Men of Athens,” he began, “I have a small plot of land with a fig tree growing on it, from which many citizens have been pleased to hang themselves; and now that I’ve decided to build on that site, I want to announce publicly that anyone who wishes can go hang themselves there before I cut it down.” Before he died, he wrote two epitaphs, one of which reads—

"Timon, the misanthrope, am I beneath,
“Go, and criticize me, stranger—just go!”

The other, which was inscribed upon his tomb, reads—

The other, which was written on his tomb, reads—

"Free from a boring life, I lie below.
"Don't ask for my name, just take my curse and leave."

Such was the man whom Antony now desired to imitate; and for the present the fallen Autocrator may be left seated in glum solitude, while Cleopatra’s eager struggle for her throne occupies our attention. The359 Queen’s activities were now directed to urgent affairs of State. She engaged herself in sending embassies to the various neighbouring kingdoms in the attempt to confirm her earlier friendships. Alexandria and Egypt had to be governed with extreme firmness, in order to prevent any insurrections or riots in these critical days; and, at the same time, her subjects had to be heavily taxed so that she might raise money for her projects. The task of government must have been peculiarly anxious, and the dread of the impending reckoning with Octavian hung over her like a dark cloud. It was quite certain that Octavian would presently invade Egypt; but for the moment he was prevented from doing so, mainly by financial embarrassments. After his visit to Athens he had crossed into Asia Minor, and now he was making arrangements for an advance through Syria to Egypt, as soon as he should have collected enough money for the expedition.

This was the man whom Antony wanted to emulate; for now, the fallen ruler can be left in his gloomy solitude while Cleopatra's determined fight for her throne takes center stage. The359 Queen was focused on pressing matters of State. She busied herself with sending envoys to neighboring kingdoms to strengthen her previous alliances. Alexandria and Egypt needed to be governed with strict authority to prevent any uprisings or disturbances during these tense times; at the same time, she needed to impose heavy taxes on her people to raise money for her plans. Governing was likely a source of great anxiety, and the fear of an inevitable confrontation with Octavian loomed over her like a dark cloud. It was clear that Octavian would eventually invade Egypt; however, for now, he was held back mainly due to financial issues. After his trip to Athens, he had moved into Asia Minor and was now making preparations for a march through Syria to Egypt as soon as he had raised enough funds for the campaign.

Towards the close of the year B.C. 31, the Jewish King Herod seems to have come to Alexandria to discuss the situation with Antony, his former friend and patron. Herod’s dislike of Cleopatra, and his desire to put her to death when she was passing through his country, will be recalled;126 and now, after paying the necessary compliments to the Queen, he appears to have engaged himself in earnest conversation with Antony, perhaps visiting him in his sea-girt hermitage. Josephus tells us that he urged the fallen triumvir to arrange for the assassination of Cleopatra, declaring that only by so doing could he hope to have his life spared by Octavian. Antony, however, would not entertain this proposal, for, though anxious to escape his impending doom, he was360 not prepared to do so at the cost of his wife. Herod’s object, of course, was to rid his horizon of the fascinating queen, who might very possibly play upon Octavian’s sympathies and retain her Egyptian and Syrian dominions, thus remaining an objectionable and exacting neighbour to the kingdom of Judea. But failing to obtain Antony’s co-operation in this plot, he returned to Jerusalem, and presently sailed for Rhodes to pay his respects to Octavian. Antony, hearing of his intention, sent after him a certain Alexis of Laodicea, to urge him not to abandon his cause, This Alexis had been instrumental in persuading Antony to divorce Octavia, and Cleopatra had often used him in persuading her husband to actions in regard to which he was undetermined; but he now showed the misapplication of the trust placed in him both by Antony and the Queen, for he did not return to Egypt from Herod’s court, going on instead to place himself at the disposal of Octavian. His connection with Octavia’s divorce, however, had not been forgotten by her revengeful brother, and his treachery was rewarded by a summary death. Herod, meanwhile, by boldly admitting that he had been Antony’s friend, but was now prepared to change his allegiance, managed to win the favour of the conqueror, and his throne was not taken from him, although practically all the other kings and princes who had assisted Antony were dispossessed.

Towards the end of the year BCE 31, King Herod of the Jews went to Alexandria to talk things over with Antony, his former ally. Herod had a strong dislike for Cleopatra and had even considered having her killed when she passed through his territory. After paying the necessary formalities to the Queen, he seemed to engage Antony in serious discussion, possibly visiting him in his coastal retreat. Josephus tells us that he urged Antony to arrange for Cleopatra's assassination, claiming that this was the only way he could ensure his own survival with Octavian. However, Antony rejected this idea; despite his wish to escape his looming fate, he wasn’t willing to do so at the expense of his wife. Herod’s main goal was to eliminate the attractive queen, who could potentially sway Octavian's feelings and maintain her control over Egypt and Syria, thus remaining a troublesome neighbor to Judea. But after failing to get Antony's support for his plan, he returned to Jerusalem and soon set sail for Rhodes to pay homage to Octavian. When Antony learned of his plans, he sent a man named Alexis from Laodicea to persuade Herod not to give up on his cause. Alexis had played a role in convincing Antony to divorce Octavia, and Cleopatra had often used him to influence her husband in uncertain matters. However, he betrayed both Antony and the Queen by not returning to Egypt, instead opting to align himself with Octavian. His involvement in Octavia's divorce had not been forgotten by her vengeful brother, and this treachery earned him a swift death. Meanwhile, Herod boldly acknowledged that he had been Antony’s ally but was now ready to switch his loyalty, which helped him win Octavian's favor, allowing him to keep his throne, unlike most other kings and princes who had supported Antony and were subsequently removed from power.

About the beginning of February B.C. 30, Octavian returned to Italy to quell certain disturbances arising from his inability to pay his disbanded troops, and there he stayed about a month, sailing once more for Asia Minor early in March. Dion tells us that the news of his voyage to Rome and that of his return to361 Asia Minor were received simultaneously in Alexandria, probably late in April; but I think it very unlikely that the news of the first voyage was so long delayed, and, at any rate, some rumours of Octavian’s retirement to Rome must have filtered through to Cleopatra during the month of March.

About the beginning of February BCE 30, Octavian returned to Italy to deal with some issues that came up because he couldn't pay his disbanded troops, and he stayed there for about a month, setting sail for Asia Minor again in early March. Dion tells us that the news of his trip to Rome and his return to 361 Asia Minor arrived at the same time in Alexandria, probably late in April; however, I find it hard to believe that news of the first trip was delayed for that long. In any case, some rumors about Octavian’s return to Rome must have reached Cleopatra during March.

The news of this respite once more fired the Queen with hope, and she determined to make the best possible use of this precious gift of time. It will be remembered that her son Cæsarion, if I am not in error, was born at the beginning of July B.C. 47;127 but a short time afterwards, some eighty days were added to the calendar in order to correct the existing inexactitude,128 the real anniversary of the boy’s birthday thereby being made to fall at about the middle of April.129 The preparations for the celebration in this year B.C. 30, of his seventeenth birthday, were thus beginning to be put into motion at the time when Octavian was still thought to be struggling in Rome with his discontented troops. Cleopatra therefore determined to mark the festival by very great splendour, and to celebrate it more particularly by a public declaration of the fact that Cæsarion was now of age. I do not think it can be determined with certainty whether or not the seventeenth birthday was the customary age at which the state of manhood was supposed362 to be reached by an Egyptian sovereign, but it may certainly be said that the coming of age was seldom, if ever, postponed to a later period. Cleopatra seems to have wished to make a very particular point of this fact of her son’s majority, which would demonstrate to the Alexandrians, as Dion says, “that they now had a man as King.” Let the public think, if they were so minded, that she herself was a defeated and condemned woman; but from this time onwards they had a grown man to lead them, a son of the divine Julius Cæsar, for whose rights she had fought while he was a boy, but who was henceforth capable of defending himself. Whatever her own fate might be, her son would, at any rate, have a better chance of retaining his throne by being firmly established upon it in the capacity of a grown man. In future she herself could work, as it were, behind the scenes, and her son could carry on the great task which she had so long striven to accomplish.

The news of this break once again filled the Queen with hope, and she decided to make the best use of this precious gift of time. It’s worth noting that her son Cæsarion, if I’m not mistaken, was born at the beginning of July BCE 47;127 but shortly after that, about eighty days were added to the calendar to fix existing inaccuracies, 128 making the actual anniversary of the boy’s birthday fall around the middle of April.129 Preparations for celebrating his seventeenth birthday in this year BCE 30 began at a time when Octavian was still believed to be having difficulties in Rome with his unhappy troops. Cleopatra decided to celebrate the event with great splendor, especially by publicly announcing that Cæsarion was now of age. It's uncertain whether the age of seventeen was considered the traditional age for an Egyptian king to reach manhood, but it's fair to say that coming of age was rarely, if ever, delayed. Cleopatra seemed keen to emphasize her son's adulthood, which would show the people of Alexandria, as Dion states, “that they now had a man as King.” Let the public believe, if they wanted, that she was a defeated and condemned woman; but from now on, they had a grown man to lead them, the son of the divine Julius Cæsar, for whose rights she had fought while he was still a boy, but who was now capable of defending himself. No matter what her own future held, her son would have a better chance of keeping his throne by being firmly established in it as an adult. Moving forward, she could operate behind the scenes, while her son carried on the important work she had long been striving to achieve.

When the news of the coming celebrations was conveyed to Antony in his hermitage, he seems to have been much disturbed by it. Cæsarion and his rights had been to a large extent the cause of his ruin, and he must have been somewhat frightened at the audacity of the Queen in thus giving Octavian further cause for annoyance. Here was Alexandria preparing to celebrate in the most triumphant manner the coming of age of Octavian’s rival, the claimant to Julius Cæsar’s powers and estate. Was the move to be regarded as clever policy or as reckless effrontery? Leaving the passive solitude of his little Timonium, he seems to have entered once more into active discussions with Cleopatra; and as a result of these conversations, he363 appears to have received the impression that his wife’s desire was now to resign her power to a large extent into her son’s hands, thus leaving to the energy of youth the labours which middle age had failed to accomplish. This aspect of the movement appealed to him, and he determined in like manner to be represented in future by a younger generation. His son by Fulvia, Antyllus, who was a year or so younger than Cæsarion, was living in the Alexandrian Palace; and Antony therefore arranged with Cleopatra that the two youths should together be declared of age (ephebi), Antyllus thenceforth being authorised to wear the legal dress of Roman manhood. Cleopatra then appears to have persuaded her husband to give up his ridiculous affectation of misanthropy, and either to make himself useful in organising her schemes of defence, or to leave Egypt altogether. Antony was by this time heartily tired of his solitary life, and he was glad enough to abandon his Timonian pose. He therefore took up his residence once more in the Palace, and both he and Cleopatra made some attempt to renew their old relationship. Their paths had diverged, however, too far ever to resume any sort of unity. Antony had brooded in solitude over his supposed wrongs, and he now regarded his wife with a sort of suspicion; and she, on her part, accepted him no longer as her equal, but as a creature deserving her contempt, though arousing to some extent her generous pity.

When Antony heard about the upcoming celebrations while he was in his retreat, he seemed to be quite troubled by it. Cæsarion and his claims had largely caused his downfall, and he must have been somewhat scared by the Queen's boldness in giving Octavian even more reason to be annoyed. Here was Alexandria getting ready to celebrate the coming of age of Octavian’s rival, the one claiming Julius Cæsar’s powers and estate. Should this be seen as smart strategy or just foolish audacity? Leaving the quiet solitude of his little retreat, he seemed to enter back into serious discussions with Cleopatra; as a result of their talks, he363 got the impression that his wife wanted to hand over much of her power to their son, allowing the energy of youth to tackle the challenges that middle age had failed to address. This idea appealed to him, and he decided to also be represented by a younger generation. His son with Fulvia, Antyllus, who was about a year younger than Cæsarion, was living in the Alexandrian Palace; so, Antony arranged with Cleopatra for the two young men to be declared of age (ephebi), with Antyllus now allowed to wear the legal dress of Roman manhood. Then Cleopatra seems to have convinced her husband to drop his ridiculous act of misanthropy and either get involved in organizing her defense plans or leave Egypt completely. By this point, Antony was really tired of his solitary life and was more than happy to give up his withdrawn act. So, he moved back into the Palace, and both he and Cleopatra tried to rekindle their old relationship. However, their paths had diverged too much to ever achieve any sort of unity again. Antony had brooded alone over his imagined grievances, and he now looked at his wife with suspicion; on her part, she no longer saw him as her equal, but rather as someone deserving of her contempt, though to some extent he evoked her generous pity.

The birthday celebrations were conducted on the most magnificent lines, and the whole city was given over to feasting and revelling for many days. The impending storm was put away from the minds of all, and it would have been indeed difficult for a visitor to Alexandria364 during that time to believe that he had entered a city whose rulers had recently been defeated by an enemy already preparing to invade Egypt itself. Cleopatra, in fact, could not be brought to admit that the game was up; and in spite of the misery and anxiety weighing upon her mind she kept a cheerful and hopeful demeanour which ought to have won for her the admiration of all historians. Antony, on the other hand, was completely demoralised by the situation; and the birthday festivities having whetted his appetite once more for the pleasures of riotous living, he decided to bring his life to a close in a round of mad dissipation. Calling together the members of the order of Inimitable Livers, the banqueting club which he had founded some years before,130 he invited them to sign their names to the roll of membership of a new society which he named the Synapotha-noumenoi or the “Die-togethers.” “Let us eat, drink, and be merry, for to-morrow we die,” must have been his motto; and he seems to have thrown himself into this new phase with as much shallow profundity as he had displayed in his adoption of the Timonian pose. Having no longer a world-wide audience before whom he could play the jovial rôle of Bacchus or Hercules, he now acted his dramatic parts before the eyes of an inner love of pretence; and with a kind of honest and boyish charlatanism he paraded the halls of the Palace in the grim but not original character of the reveller who banqueted with his good friend Death. Antony actually had no intention of dying: he hoped to be allowed to retire, like his late colleague, Lepidus, the third triumvir, into an unmolested private life; but the paradoxical situation in which he now found himself, that of a state prisoner365 sent back, as it were, on bail to the luxuries of his home, could not fail to be turned to account by this “colossal child.”

The birthday celebrations were held in a grand way, and the entire city indulged in feasting and partying for several days. Everyone put aside thoughts of the looming storm, making it hard for any visitor to Alexandria364 at that time to believe they had entered a city whose leaders had recently been defeated by an enemy already gearing up to invade Egypt. Cleopatra, in fact, wouldn’t accept that it was over; and despite the sorrow and worry weighing on her, she maintained a cheerful and hopeful attitude that should have earned her the respect of all historians. Antony, on the other hand, was completely defeated by the situation; and as the birthday festivities rekindled his taste for the pleasures of reckless living, he decided to end his life with a spree of wild extravagance. He called together the members of the Inimitable Livers, the dining club he had established a few years earlier, and invited them to sign up for a new group he named the Synapotha-noumenoi or the “Die-togethers.” “Let’s eat, drink, and be merry, for tomorrow we die,” must have been his motto; and he seemed to dive into this new phase with as much hollow depth as he had shown in embracing the Timonian pose. No longer having a worldwide audience to perform the jovial role of Bacchus or Hercules, he now played his dramatic parts in front of an inner love of pretense; and with a sort of genuine and boyish trickery, he strolled through the halls of the Palace in the grim but unoriginal guise of the partygoer who dined with his good friend Death. Antony actually didn’t plan on dying: he hoped to retire peacefully, like his late colleague, Lepidus, the third triumvir, into a quiet life; but the ironic situation he found himself in—being a state prisoner effectively released on bail to enjoy the luxuries of his home—was something this “colossal child” couldn’t help but exploit.

Cleopatra, on the other hand, was prepared for all eventualities; and, while she hoped somehow to be able to win her way out of her dilemma, she did not fail to make ready for the death which she might have to face. The news of Octavian’s return to Asia Minor was presently received in Alexandria, and she must have felt that her chances of successfully circumventing her difficulties were remote. She therefore busied herself in making a collection of all manner of poisonous drugs, and she often went down to the dungeons to make eager experiments upon the persons of condemned criminals. Anxiously she watched the death-struggles of the prisoners to whom the different poisons had been administered, discarding those drugs which produced pain and convulsions, and continuing her tests and trials with those which appeared to offer an easy liberation from life. She also experimented with venomous snakes, subjecting animals and human beings to their poisonous bites; and Plutarch tells us that “she pretty well satisfied herself that nothing was comparable to the bite of the asp, which, without causing convulsion or groaning, brought on a heavy drowsiness and coma, with a gentle perspiration on the face, the senses being stupefied by degrees, and the victim being apparently sensible of no pain, but only annoyed when disturbed or awakened, like one who is in a profound natural sleep.”131 If the worst came to the worst, she decided that she would take her life in this manner; and this question being366 settled, she turned her undivided attention once more to the problems which beset her.

Cleopatra, on the other hand, was ready for anything that might happen; and, while she hoped to somehow find a way out of her situation, she didn’t overlook the possibility of facing death. News of Octavian’s return to Asia Minor soon reached Alexandria, and she must have realized that her chances of successfully navigating her challenges were slim. So, she focused on collecting various poisonous substances and frequently visited the dungeons to eagerly experiment on condemned prisoners. She anxiously observed the dying struggles of the inmates after administering different poisons, discarding those that caused pain and convulsions while continuing her tests with those that seemed to offer a peaceful way to die. She also experimented with venomous snakes, testing their bites on animals and humans; and Plutarch tells us that “she pretty well satisfied herself that nothing was comparable to the bite of the asp, which, without causing convulsion or groaning, brought on a heavy drowsiness and coma, with a gentle perspiration on the face, the senses being stupefied by degrees, and the victim being apparently sensible of no pain, but only annoyed when disturbed or awakened, like one who is in a profound natural sleep.” If it came to the worst, she decided she would end her life this way; and with that question settled, she turned her full attention again to the problems that troubled her.

By May Octavian had marched into Syria, where all the garrisons surrendered to him. He sent Cornelius Gallus to take command of the legions which had surrendered to him in North Africa, and this army had now taken possession of Parætonium, where Antony had stayed after his flight from Actium. The news that this frontier fortress had passed into the hands of the enemy had not yet reached Alexandria, but that of Octavian’s advance through Syria was already known in the city, and must have caused the greatest anxiety. Cleopatra thereupon decided upon a bold and dignified course of action. Towards the end of May she sent her son Cæsarion, with his tutor Rhodon, up the Nile to Koptos,132 and thence across the desert to the port of Berenice, where as many ships as she could collect were ordered to be in waiting for him. The young Cæsar travelled, it would seem, in considerable state, and carried with him a huge sum of money. He was expected to arrive at Berenice by about the end of June; and when, towards the middle of July,133 the merchants journeying to India began to set out upon their long voyage, it was arranged that he should also set sail for those distant lands, there to make friends with the Kings of Hindustan, and perhaps to organise the great amalgamation of eastern nations of which Cleopatra had so often dreamed. She herself decided to remain at Alexandria, first to negotiate with Octavian for the retention of her throne, and in the event of this proving367 unsuccessful, to fight him to the death. No thought of flight entered her mind;134 and though, with a mother’s solicitous care, she made these adventurous arrangements for the safety of her beloved son, it does not seem to have occurred to her to accompany him to the East, where she might have expected at any rate to find a temporary harbour of refuge. Her parting with him must have been one of the most unhappy events of her unfortunate life. For his safety and for his rights she had struggled for seventeen years; and now it was necessary to send him with the Indian merchants across perilous seas to strange lands in order to save him from the clutches of his successful rival Octavian, while she herself remained to face their enemies and to fight for their joint throne. Her thoughts in these days of distress were turning once more to the memory of the boy’s father, the great Julius Cæsar, for often, it would seem, she gazed at his pictures or read over again the letters which he had written to her; and now as she despatched the young Cæsar upon his distant voyage to those lands which had always so keenly interested his father, she must have invoked the aid of that deified spirit which all the Roman world worshipped as Divus Julius, and, in an agony of supplication, must have implored him to come to the assistance of his only earthly son and heir.

By May, Octavian had marched into Syria, where all the garrisons surrendered to him. He sent Cornelius Gallus to take command of the legions that had submitted to him in North Africa, and this army had now taken control of Parætonium, where Antony had stayed after his escape from Actium. The news that this border fortress had fallen into enemy hands hadn't yet reached Alexandria, but word of Octavian’s advance through Syria was already known in the city and must have caused significant anxiety. Cleopatra then decided on a bold and dignified course of action. Toward the end of May, she sent her son Cæsarion, with his tutor Rhodon, up the Nile to Koptos, and from there across the desert to the port of Berenice, where as many ships as she could gather were told to wait for him. The young Cæsar traveled in considerable style and brought with him a large sum of money. He was expected to arrive in Berenice by the end of June; and when, around mid-July, the merchants journeying to India began their long voyage, it was arranged for him to also set sail for those distant lands, to befriend the Kings of Hindustan, and possibly to organize the great merging of Eastern nations that Cleopatra had often dreamed about. She chose to stay in Alexandria, first to negotiate with Octavian about keeping her throne, and if that failed, to fight him to the death. She had no thoughts of fleeing; and though, with a mother’s concerned care, she made these daring plans for her beloved son’s safety, it never seemed to cross her mind to go with him to the East, where she could have at least hoped to find a temporary refuge. Her farewell to him must have been one of the saddest moments of her unfortunate life. For his safety and rights, she had fought for seventeen years; and now, it was necessary to send him with the Indian merchants across dangerous seas to unfamiliar lands to protect him from the grip of the successful Octavian, while she remained to confront their enemies and fight for their shared throne. During those days of distress, her thoughts turned once again to the memory of the boy’s father, the great Julius Cæsar, for it seemed she often gazed at his portraits or read over the letters he had written to her; and as she sent the young Cæsar on his long voyage to lands that had always fascinated his father, she must have called upon the help of that deified spirit worshipped by the Roman world as Divus Julius, and, in a state of desperate prayer, must have implored him to aid his only earthly son and heir.


CHAPTER XIX.
OCTAVIAN’S INVASION OF EGYPT AND ANTONY'S DEATH.

The historian must feel some reluctance in discrediting the romantic story of the attachment of Cleopatra and Antony at this period; but nevertheless the fact cannot be denied that they had now decided to live apart from one another, and there seems very little doubt that each regarded the other with distrust and suspicion. Antony had lived so long alone in his Timonium that he was altogether out of touch with his wife’s projects; and she, on her part, had not, for many a month, admitted him fully into her confidence. Their relationship was marked, on his side, by mistrust, and on hers, by disdainful pity; and I can find no indication of that romantic passage, hand-in-hand to their doom, which has come to be regarded as the grand finale of their tragic tale. In its place, however, I would offer the spectacle of the lonely and courageous fight made by the little Queen against her fate, which must surely command the admiration of all men. Her husband having so signally failed her, the whole burden of the government of her country and of the organisation of her defence seems to have fallen upon her shoulders. Day and night she must have been harassed by fearful anxieties,369 and haunted by the thought of her probable doom; yet she conducted herself with undaunted courage, never deigning to consider the question of flight, and never once turning from the pathway of that personal and dynastic ambition which seems to me hardly able to be distinguished from her real duty to her country.

The historian may hesitate to dismiss the romantic tale of Cleopatra and Antony's bond during this time; however, it can't be ignored that they had chosen to live separately, and it's clear that both viewed each other with distrust and suspicion. Antony had been on his own in Timonium for so long that he was completely out of the loop regarding his wife's plans; meanwhile, she had not fully trusted him for many months. Their relationship was characterized by his mistrust and her disdainful pity, and I find no evidence of that romantic journey to their demise that has come to be seen as the dramatic climax of their tragic story. Instead, I would present the image of the brave and solitary struggle of the little Queen against her fate, which surely deserves the admiration of everyone. With her husband having let her down so dramatically, the entire responsibility for governing her country and organizing its defense appeared to fall on her. Day and night, she must have been plagued by intense worries and haunted by the thought of her likely fate; yet she carried herself with unwavering bravery, never even considering the option of fleeing, and never straying from the path of her personal and dynastic ambitions, which I believe were closely tied to her true duty to her country.369

When Octavian was preparing in Syria, during the month of June B.C. 30, to invade Egypt, both Cleopatra and Antony attempted to open negotiations with him. They sent a certain Greek named Euphronius, who had been a tutor to one of the young princes, to the enemy bearing messages from them both. Cleopatra asked that, in return for her surrender, her son Cæsarion might be allowed to retain the throne of Egypt; but Antony prayed only that he might be allowed to live the life of a private man, either at Alexandria or else in Athens. With this embassy Cleopatra sent her crown, her sceptre, and her state-chariot, in the hope that Octavian would bestow them again upon her son, if not upon herself. The mission, however, was a partial failure. Octavian would not listen to any proposals in regard to Antony; but to Cleopatra he sent a secret message, conveyed by one of his freedmen, named Thyrsus, indicating that he was well-disposed towards her, and would be inclined to leave her in possession of Egypt, if only she would cause Antony to be put to death. Actually, Octavian had no intention of showing any particular mercy to Cleopatra, and his suggestions were intended to deceive her. He seems to have made up his mind how to act. Antony would have to be murdered or made to take his own life: it would be awkward to have to condemn him to death and formally to execute him. Cæsarion, his rival, would also have370 to meet with a violent end. Cleopatra ought to be captured alive so that he might display her in his Triumph, after which she would be sent into exile, while her country and its wealth would fall into his hands, the loot serving for the payment of his troops. In all his subsequent dealings with the Queen we shall observe his anxiety to take her alive, while towards Antony he will be seen to show a relentless hostility.

When Octavian was getting ready in Syria, during June BCE 30, to invade Egypt, both Cleopatra and Antony tried to negotiate with him. They sent a Greek named Euphronius, who had taught one of the young princes, to deliver messages from them both. Cleopatra requested that if she surrendered, her son Cæsarion could keep the throne of Egypt; Antony only asked to be allowed to live a private life, either in Alexandria or Athens. With this envoy, Cleopatra sent her crown, her scepter, and her state chariot, hoping Octavian would return them to her son, if not to her. However, the mission was only partially successful. Octavian refused to consider any proposals regarding Antony but sent a secret message to Cleopatra through one of his freedmen, Thyrsus, indicating he had a favorable view of her and would be inclined to leave her in control of Egypt if she arranged for Antony's death. In reality, Octavian had no plans to show Cleopatra any particular mercy, and his hints were meant to mislead her. He seemed to have already decided what to do. Antony would have to be killed or forced to take his own life; it would be complicated to condemn him to death and execute him formally. Cæsarion, his rival, would also have to meet a violent end. Cleopatra should be captured alive so he could display her in his Triumph, after which she would be exiled, and her country and its wealth would fall into his hands, providing loot to pay his troops. In all his subsequent interactions with the Queen, we will see his determination to capture her alive, while his hostility towards Antony remains unyielding.

The freedman Thyrsus was a personage of tact and understanding, and with Cleopatra he was able to discuss the situation in all its aspects. The Queen was striving by every means to retain her throne, and she was quite capable of paying Octavian back in his own coin, deceiving him and leading him to suppose that she would trust herself to his mercy. She showed great attention to Thyrsus, giving him lengthy audiences, and treating him with considerable honour; and Antony, not being admitted to their secret discussions, grew daily more angry and suspicious. It is not likely that Cleopatra consented to the proposed assassination of her husband, but the situation was such that she could have had no great objection to the thought of his suicide, and I dare say she discussed quite frankly with Thyrsus the means of reminding him of his honourable obligations. It is said by Dion Cassius that Octavian actually conveyed messages of an amorous nature to Cleopatra, but this is probably incorrect, though Thyrsus may well have hinted that his master’s heart had been touched by the brave manner in which she had faced her misfortunes, and that he was eager to win her regard. Possibly a rumour of the nature of their conferences reached Antony, or maybe his jealousy was aroused by the freedman’s confidential attitude to the Queen; for371 he became even more suspicious than he had been before, and he appears to have conducted himself as though his mind were in a condition of extreme exasperation. Suddenly he caused Thyrsus to be seized by some of his men, and soundly thrashed, after which he sent him back to Octavian with a letter explaining his action. “The man’s inquisitive, impertinent ways provoked me,” he wrote, “and in my circumstances I cannot be expected to be very patient. But if it offend you, you have got my freedman, Hipparchus, with you: hang him up and whip him to make us even.” Hipparchus had probably deserted from Antony to Octavian, and the whipping of Thyrsus and the suggested retaliation constituted a piece of grim humour which seems to have appealed at once to Cleopatra’s instincts. The audacity of the action was of the kind which most delighted her; and she immediately began to pay more respect to her husband, who, she thus found, was still capable of asserting himself in a kingly manner. Plutarch tells us that to clear herself of his suspicions, which were quite unfounded, she now paid him more attention and humoured him in every way; and it seems that her change of attitude put new courage into his heart, substituting a brave bearing for that dejection of carriage which had lately been so noticeable. She seemed anxious to prove to him that she would not play him false, and to make her attitude clear to Octavian. When the anniversary of her birthday had occurred in the previous winter she had celebrated it very quietly; but Antony’s birthday, which fell at about this time of year, she celebrated in the most elaborate manner, giving great presents to all those who had enjoyed her hospitality. It was as though she372 desired all men to know that so long as Antony played the man, and entered into this last fight with that spirit of adventure which always marked her own actions, she would stand by him to the last; but that if he lacked the spirit to make a bid for success, then she could but wish him well out of her way. The thrashing of Thyrsus proved to be the occasion of a temporary reconciliation between the Queen and her husband,135 and for a time Antony acted with something of his old energy and courage.

The freedman Thyrsus was a skilled and understanding individual, and he was able to discuss the situation with Cleopatra from all angles. The Queen was doing everything she could to hold onto her throne, and she was fully capable of turning the tables on Octavian, deceiving him into thinking she would trust him. She paid a lot of attention to Thyrsus, giving him long meetings and treating him with considerable respect; meanwhile, Antony, who wasn't included in their private discussions, grew increasingly angry and suspicious. It's unlikely that Cleopatra agreed to the proposed assassination of her husband, but given the circumstances, she probably wouldn't have minded if he ended up taking his own life, and I wouldn't be surprised if she spoke openly with Thyrsus about how to remind him of his responsibilities. Dion Cassius claims that Octavian actually sent romantic messages to Cleopatra, but that's probably not true. However, Thyrsus might have hinted that his master was touched by how bravely she handled her misfortunes and that he wanted to earn her favor. It's possible that news of their private talks reached Antony, or maybe his jealousy was sparked by Thyrsus's close relationship with the Queen. As a result, he became even more suspicious than before and seemed to act as if he were extremely frustrated. Suddenly, he had Thyrsus captured by some of his men and beaten up, and then he sent him back to Octavian with a letter explaining what happened. "This man's curious and rude behavior irritated me," he wrote, "and given my situation, I can’t be expected to be very patient. But if this bothers you, you have my freedman, Hipparchus, with you: hang him up and whip him to make it even." Hipparchus had likely defected from Antony to Octavian, and Thyrsus's beating, along with the suggestion of retaliation, showcased a dark humor that seemed to resonate with Cleopatra's instincts. The boldness of the act was exactly what she appreciated; immediately, she began to show more respect for her husband, discovering that he was still capable of asserting himself like a king. Plutarch tells us that to dispel Antony's baseless suspicions, she now paid him more attention and catered to him in every way; it seems her change of approach reinvigorated him, replacing the sadness that had been so apparent with a more courageous demeanor. She wanted to demonstrate to him that she wouldn't betray him and to clarify her stance to Octavian. When her birthday came around the previous winter, she had celebrated it very quietly; however, she marked Antony's birthday, which was around this time of year, with great fanfare, giving lavish gifts to everyone who had been her guest. It was as if she wanted everyone to know that as long as Antony was brave and took this last fight with the adventurous spirit that characterized her own actions, she would support him until the end; but if he lacked the will to strive for success, then she would simply wish him well and move on. The beating of Thyrsus turned out to be the catalyst for a temporary reconciliation between the Queen and her husband, and for a while, Antony acted with some of his former energy and courage.

Hearing that the army under Cornelius Gallus was marching through Cyrenaica, the modern Tripoli, towards the western frontier of Egypt, he hastened with a few ships to Parætonium in order to secure the defence of that place. But on landing and approaching the walls of the fortress and calling upon the commander to come out to him, his voice was drowned by a blare of trumpets from within. A few minutes later the garrison made a sortie, chased him and his men back to the harbour, set fire to some of his ships, and drove him with considerable loss from their shores. On returning to Alexandria he heard that Octavian was approaching Pelusium, the corresponding fortress on the eastern frontier of Egypt, which was under the command of a certain officer named Seleucus; and shortly after this, towards the middle of July, the news arrived that that stronghold had surrendered.

Hearing that the army led by Cornelius Gallus was marching through Cyrenaica, modern-day Tripoli, toward the western border of Egypt, he quickly took a few ships to Parætonium to ensure the defense of that location. However, when he landed and approached the fortress walls, calling for the commander to come out, his voice was drowned out by the sound of trumpets from inside. A few minutes later, the garrison launched an attack, forcing him and his men back to the harbor, setting fire to some of his ships, and causing significant losses as they drove him from their shores. Upon returning to Alexandria, he learned that Octavian was nearing Pelusium, the equivalent fortress on the eastern border of Egypt, which was under an officer named Seleucus. Shortly after this, around mid-July, news came that the stronghold had surrendered.

Thereupon Antony, whose nerves were in a very highly-strung condition, furiously accused Cleopatra of having betrayed him by arranging secretly with Seleucus to hand over the fortress to Octavian in the hope of placating the approaching enemy. Cleopatra denied373 the accusation, and, to prove the truth of her words, she caused the wife and children of Seleucus to be arrested and handed over to her husband, that he might put them to death if it were shown that she had had any secret correspondence with the traitor,136 a fact which seems to prove her innocence conclusively.

Then Antony, whose nerves were extremely frayed, angrily accused Cleopatra of betraying him by secretly teaming up with Seleucus to hand over the fortress to Octavian in hopes of calming the advancing enemy. Cleopatra denied the accusation, and to prove her honesty, she had Seleucus's wife and children arrested and brought to Antony, so he could have them killed if it was shown that she had any secret dealings with the traitor, a situation that seems to prove her innocence beyond doubt.373

Antony’s suspicions, however, unnerved him once more, and drove the flickering courage from his heart. Dispirited and agitated, he sent Euphronius to Octavian a second time, accompanied on this occasion by the young Antyllus, and provided with a large sum of money with which he hoped to placate his enemy. Octavian took the money but would not listen to the pleading of Antyllus on behalf of his father. The embassy must have been most distasteful to Cleopatra, who could not easily understand how a man could fall so low as to attempt to buy off his enemy with gold—and gold, let it be remembered, belonging to his wife. Her surprise and pain, however, must have been greatly increased when she discovered that Antony had next sent in chains to Octavian a certain ex-senator, named Turullius, who had been one of the murderers of Julius Cæsar, and was, in fact, the last survivor of all the assassins, each one of the others having met his death as though by the hand of a vengeful Providence. Turullius had now come into Antony’s power, and, since Cleopatra’s son was Julius Cæsar’s heir, the man ought to have been handed over to the Queen for punishment. Instead, however, Antony had sent him on to his enemy in a manner which could only suggest that he admitted Octavian’s right to act374 as the Dictator’s representative. Octavian at once put Turullius to death, thereby performing the last necessary act of vengeance in behalf of the murdered Cæsar; but to Antony he did not so much as send an acknowledgment of the prisoner’s reception. Receiving no assurance of mercy, Antony appears for a time to have thought of flying to Spain or to some other country where he could hide, or could carry on a guerilla warfare, until some change in the politics of Rome should enable him to reappear. His nobler nature, however, at length asserted itself, owing to the example set by Cleopatra, who was determined now to defend her capital; and once more he pulled himself together, as though to stand by the Queen’s side until the end. Their position, though bad, was not desperate. Alexandria was a strongly fortified city. The four Roman legions which had been left in Egypt during the war in Greece were still in the city; the Macedonian household troops were also stationed there; and no doubt a considerable body of Egyptian soldiers were garrisoned within the walls; while in the harbour lay the fleet which had retired from Actium, together with numerous other ships of war. Thus a formidable force was in readiness to defend the metropolis, and these men were so highly paid with the never-ending wealth of the Egyptian treasury that they were in much happier condition than were the legionaries of Octavian, whose wages were months overdue.

Antony’s doubts, however, began to unsettle him again and drained the courage from his heart. Feeling disheartened and anxious, he sent Euphronius to Octavian for a second time, this time accompanied by the young Antyllus and armed with a large sum of money in hopes of appeasing his enemy. Octavian accepted the money but refused to listen to Antyllus's pleas on behalf of his father. This must have been extremely distasteful to Cleopatra, who could hardly understand how a man could sink so low as to try to bribe his enemy with gold—and gold that rightfully belonged to his wife. Her shock and pain likely intensified when she learned that Antony had also sent a former senator, named Turullius—who had been one of Julius Caesar's assassins and was the last surviving assassin—in chains to Octavian. Turullius had fallen into Antony’s hands, and since Cleopatra’s son was Julius Caesar’s heir, he should have been handed over to the Queen for punishment. Instead, Antony sent him to his enemy, which could only imply that he accepted Octavian's authority as the representative of the Dictator. Octavian immediately executed Turullius, completing the final act of revenge for the murdered Caesar; however, he didn’t even acknowledge the receipt of the prisoner to Antony. Without any assurance of mercy, Antony seemed to consider fleeing to Spain or some other country where he could hide or wage guerrilla warfare until the political situation in Rome changed enough for him to return. Ultimately, his nobler instincts took over, inspired by Cleopatra’s determination to defend her capital; he gathered himself once more, ready to stand by the Queen until the end. Although their situation was dire, it wasn’t hopeless. Alexandria was a well-fortified city. The four Roman legions that had been stationed in Egypt during the war in Greece were still there; the Macedonian household troops were also present; and undoubtedly a significant number of Egyptian soldiers were stationed within the city walls, while the harbor was occupied by the fleet that had retreated from Actium, along with many other warships. Thus, a strong force was prepared to defend the city, and these troops were well-compensated with the immense wealth of the Egyptian treasury, putting them in a much better position than Octavian’s legionaries, who had been waiting for their pay for months.

Cleopatra, nevertheless, did not expect to come through the ordeal alive; and although Octavian continued to send her assurances of his goodwill, the price which he asked for her safety was invariably the head of Antony, and this she was not prepared to pay. I do not think that the Queen’s temptation in this regard has been properly375 observed. Dion Cassius emphatically states that Octavian promised her that if she would kill Antony he would grant her both personal safety and the full maintenance of her undiminished authority; and Plutarch, with equal clearness, says that Octavian told her that there was no reasonable favour which she might not expect from him if only she would put Antony to death, or even expel him from his safe refuge in Egypt. Antony had proved himself a broken reed; he had acted in a most cowardly manner; he was generally drunk and always unreliable; and he appeared to be of no further use to her or to her cause. Yet, although his removal meant immunity to herself, she was too loyal, too proud, to sanction his assassination; and her action practically amounted to this, that she defied Octavian, telling him that if he wanted her drunken husband’s useless head he must break down the walls of her city and hunt for it.

Cleopatra, however, didn’t expect to survive the ordeal; and even though Octavian kept sending her reassurances of his goodwill, the cost he demanded for her safety was always Antony’s head, and she wasn’t willing to pay that price. I don’t think the Queen’s temptation in this regard has been properly375 acknowledged. Dion Cassius clearly states that Octavian promised her that if she killed Antony, he would ensure her personal safety and maintain her full authority; and Plutarch equally emphasizes that Octavian told her that there was no favor she couldn't expect from him if she would just eliminate Antony, or at least drive him out of his safe haven in Egypt. Antony had proven to be a broken ally; he had acted cowardly; he was frequently drunk and always unreliable; and he seemed to be of no further help to her or her cause. Yet, even though getting rid of him would guarantee her safety, she was too loyal and too proud to agree to his assassination; her action essentially communicated that she defied Octavian, saying that if he wanted her drunken husband’s useless head, he would have to break down the walls of her city and seek it out himself.

In accordance with the custom of the age the Queen had built herself, during recent years, a tomb and mortuary temple wherein her body should rest after death and her spirit should receive the usual sacrifices and priestly ministrations. This mausoleum, according to Plutarch, was surrounded by other buildings, apparently prepared for the royal family and for members of the court. They were not set up within the precincts of the Sema, or royal necropolis, which stood at the side of the Street of Canopus, but were erected beside the temple of Isis-Aphrodite, a building rising at the edge of the sea on the eastern side of the Lochias Promontory. I gather from the remarks of Plutarch that the Queen’s tomb actually formed part of the temple buildings; and, if this be so, Cleopatra must have had it in376 mind to be laid to rest within the precincts of the sanctuary of the goddess with whom she was identified. Thus, after her death, the worshippers in the temple of Isis would make their supplications, as it were, to her own spirit, and her mortal remains would become holy relics of their patron goddess.137 The mausoleum was remarkable for its height and for the beauty of its workmanship. It was probably constructed of valuable marbles, and appears to have consisted of several chambers. On the ground floor I should imagine that a pillared hall, entered through a double door of decorated cedar-wood, led to an inner shrine wherein the sarcophagus stood ready to receive the Queen’s body; and that from this hall a flight of stone stairs ascended to the upper chambers, whose flooring was formed of the great blocks of granite which constituted the roofing of the hall below. There was, perhaps, a third storey, the chambers of which, like those on the floor below, were intended to be used by the mortuary priests for the preparation of the incense, the offerings, and the vestments employed in their ceremonies. The large open casements in the walls of these upper chambers must have overlooked the sea on the one side and the courts of the Temple of Isis on the other; but, as was usual in Egyptianised buildings, there were no windows of any size in the lower hall and sanctuary, the light being admitted through the doorway and through small apertures close to the ceiling. The heat of these July days did not penetrate to any uncomfortable degree into this stone-built mausoleum, and the cool sea-wind must have blown continuously377 through the upper rooms, while the brilliant sunlight outside was here subdued and softened in its reflection upon the marble walls. The rhythmic beat of the breakers upon the stone embankment below the eastern windows, and the shrill cries of the gulls, echoed through the rooms; while from the western side the chanting of the priests in the adjoining temple, and the more distant hubbub of the town, intruded into the cool recesses of these wind-swept chambers like the sounds of a forsaken world.

According to the customs of the time, the Queen had built herself a tomb and mortuary temple in recent years, where her body would rest after death and her spirit would receive the usual sacrifices and priestly services. This mausoleum, as noted by Plutarch, was surrounded by other buildings, seemingly prepared for the royal family and court members. These structures were not located within the precincts of the Sema, or royal necropolis, which was next to the Street of Canopus, but were built beside the temple of Isis-Aphrodite—a building that rose at the edge of the sea on the eastern side of the Lochias Promontory. From what Plutarch mentions, it seems the Queen’s tomb was actually part of the temple complex; if that's the case, Cleopatra must have intended to be laid to rest within the sanctuary of the goddess she was associated with. Therefore, after her death, the worshippers in the temple of Isis would direct their supplications to her spirit, and her physical remains would become holy relics of their patron goddess. The mausoleum was remarkable for its height and beautiful craftsmanship. It was likely constructed from valuable marbles and appeared to consist of several chambers. On the ground floor, I imagine there was a pillared hall, accessed through a double door made of decorated cedar wood, leading to an inner shrine where the sarcophagus was ready to receive the Queen’s body; from this hall, a stone staircase would lead up to the upper chambers, whose floors were made of the large granite blocks that formed the roof of the hall below. There may have been a third story, with chambers like those below, intended for the mortuary priests to prepare incense, offerings, and the vestments used in their ceremonies. The large open casements in the walls of these upper chambers must have overlooked the sea on one side and the courts of the Temple of Isis on the other; however, as was common in Egyptian-style buildings, there were no large windows in the lower hall and sanctuary, with light coming in through the doorway and small openings near the ceiling. The heat of these July days didn’t reach an uncomfortable level in this stone mausoleum, and the cool sea breeze likely blew continuously through the upper rooms, while the bright sunlight outside was softened and mellowed in its reflection on the marble walls. The rhythmic sound of the waves crashing against the stone embankment below the eastern windows and the sharp cries of the gulls echoed through the rooms; meanwhile, from the western side, the chants of the priests in the nearby temple and the distant noise of the town seeped into the cool calm of these wind-swept chambers like echoes from a forsaken world.

Glyptothek, Munich.]
[Photograph by Bruckmann.

OCTAVIAN

OCTAVIAN

Here Cleopatra decided to take up her residence so soon as Octavian should lay successful siege to the walls of the city. She had determined that in the event of defeat she would destroy herself; and, with this prospect in view, she now caused her treasures of gold, silver, ebony, ivory, and cinnamon, and her jewellery of pearls, emeralds, and precious stones, to be carried into the mausoleum, where they were laid upon a pyre of faggots and tow erected on the stone floor of one of the upper rooms. If it should be necessary for her to put an end to her miseries, she had decided to set the fangs of the deadly asp into her flesh, and, with her last efforts, to fire the tow, thus consuming her body and her wealth in a single conflagration. Meanwhile, however, she remained in the Palace, and busied herself in the preparations of the defence of the city.

Here Cleopatra decided to settle down as soon as Octavian successfully laid siege to the city walls. She had resolved that if she were defeated, she would take her own life; with this in mind, she had her treasures of gold, silver, ebony, ivory, and cinnamon, along with her jewelry of pearls, emeralds, and other precious stones, moved into the mausoleum, where they were placed on a pyre of kindling and tow set up on the stone floor of one of the upper rooms. If it became necessary for her to end her miseries, she intended to use the bite of a deadly asp to do so and, with her last strength, ignite the tow, thus incinerating her body and her wealth in a single blaze. In the meantime, however, she stayed in the Palace and focused on preparing the city's defenses.

In the last days of July Octavian’s forces arrived before the walls, and took up their quarters in and around the Hippodromos, which stood upon rocky ground to the east of the city. Faced with the crisis, Antony once more showed the flickering remnants of his former courage. Gathering his troops together he made a bold sortie from the city, and attacking Octavian’s cavalry, routed them378 with great slaughter and chased them back to their camp. He then returned to the Palace, where, meeting Cleopatra while still he was clad in his dusty and blood-stained armour, he threw his arms about her small form and kissed her in the sight of all men. He then commended to her especial favour one of his officers who had greatly distinguished himself in the fight; and the Queen at once presented the man with a magnificent helmet and breastplate of gold. That very night this officer donned his golden armour and fled to the camp of Octavian.

In the last days of July, Octavian’s forces arrived at the city walls and set up their camp in and around the Hippodrome, which was located on rocky ground to the east of the city. Facing this crisis, Antony once again showed the last flickers of his former courage. Gathering his troops, he made a daring attack from the city, charging at Octavian’s cavalry, defeating them with heavy losses, and sending them back to their camp. He then returned to the Palace, where he encountered Cleopatra still wearing his dusty and blood-stained armor. He embraced her petite figure and kissed her in front of everyone. He then asked her to take special care of one of his officers who had distinguished himself in battle; the Queen immediately gave the man a magnificent helmet and breastplate made of gold. That very night, this officer donned his golden armor and deserted to Octavian’s camp.

Upon the next morning Antony, with somewhat boyish effrontery, sent a messenger to Octavian challenging him to single combat, as he had done before the battle of Actium; but to this his enemy replied with the scathing remark that “he might find several other ways of ending his life.” He thereupon decided to bring matters to a conclusion by a pitched battle on land and sea, rather than await the issue of a protracted siege; and, Cleopatra having agreed to this plan, orders were given for a general engagement upon August 1st. On the night before this date Antony, whose courage did not now fail him, bade the servants help him liberally at supper and not to be sparing with the wine, for that on the morrow they might be serving a new master, while he himself, the incarnation of Bacchus, the god of wine and festivity, lay dead upon the battlefield. At this his friends who were around him began to weep, but Antony hastily explained to them that he did not in the least expect to die, but hoped rather to lead them to glorious victory.

The next morning, Antony, with a bit of youthful boldness, sent a messenger to Octavian, challenging him to a duel, just like he had before the battle of Actium. Octavian shot back with a cutting reply, saying “he might find several other ways of ending his life.” Antony then decided it was better to settle things with a full-scale battle on land and sea instead of waiting out a long siege. Cleopatra agreed, and orders were issued for a major engagement on August 1st. The night before, Antony, whose courage was unwavering, asked his servants to serve a generous supper and not hold back on the wine, saying that by tomorrow they might be serving a new master, while he himself, the embodiment of Bacchus, the god of wine and festivity, could be dead on the battlefield. This made his friends around him start to weep, but Antony quickly reassured them that he didn’t expect to die at all; instead, he aimed to lead them to a glorious victory.

Late that night, when complete stillness had fallen upon the star-lit city, and the sea-wind had dropped, giving place to the hot silence of the summer darkness, on a sudden was heard the distant sound of pipes and379 cymbals, and of voices singing a rollicking tune. Nearer they came, and presently the pattering of dancing feet could be heard, while the shouts and cries of a multitude were blended with the wild music of a bacchanal song. The tumultuous procession, as Plutarch described it, seemed to take its course right through the middle of the city towards the Gate of Canopus; and there the commotion was most loudly heard. Then, suddenly, the sounds passed out, and were heard no more. But all those who had listened in the darkness to the wild music were assured that they had heard the passage of Bacchus as he and his ghostly attendants marched away from the army of his fallen incarnation, and joined that of the victorious Octavian.138

Late that night, when complete quiet had settled over the starry city and the sea breeze had calmed, giving way to the hot stillness of summer darkness, the distant sound of pipes and cymbals, along with voices singing a lively tune, suddenly echoed through the air. They drew closer, and soon the sound of dancing feet could be heard, mixed with the shouts and cheers of a crowd joining in the wild music of a drunken song. The chaotic procession, as Plutarch described it, seemed to move right through the center of the city toward the Gate of Canopus; that was where the noise was loudest. Then, all of a sudden, the sounds faded away and disappeared. But everyone who had listened in the darkness to the wild music felt certain that they had witnessed the passage of Bacchus as he and his ghostly followers left behind the army of his fallen self and joined forces with the triumphant Octavian.

The next morning, as soon as it was light, Antony marched his troops out of the eastern gates of the city, and formed them up on rising ground between the walls and the Hippodromos, a short distance back from the sea. From this position he watched his fleet sail out from the Great Harbour and make towards Octavian’s ships, which were arrayed near the shore, two or three miles east of the city; but, to his dismay, the Alexandrian vessels made no attempt to deliver an attack upon the enemy as he had ordered them to do. Instead, they saluted Octavian’s fleet with their oars, and, on receiving a similar salutation in response, joined up with the enemy, all sailing thereupon towards the Great Harbour. Meanwhile, from his elevated position Antony saw the whole of his cavalry suddenly gallop over to Octavian’s lines, and he thus found himself left only with his infantry, who, of course, were no match for the enemy. It was380 useless to struggle further, and, giving up all hope, he fled back into the city, crying out that Cleopatra had betrayed him. As he rushed into the Palace, followed by his distracted officers, smiting his brow and calling down curses on the woman who, he declared, had delivered him into the hands of enemies made for her sake, the Queen fled before him from her apartments, as though she feared that in his fury and despair he might cut her down with his sword. Alone with her two waiting-women, Iras and Charmion, she ran as fast as she could through the empty halls and corridors of the Palace, and at length, crossing the deserted courtyard, she reached the mausoleum adjoining the temple of Isis. The officials, servants, and guards, it would seem, had all fled at the moment when the cry had arisen that the fleet and the cavalry had deserted; and there were probably but a few scared priests in the vicinity of the temple, who could hardly have recognised the Queen as she panted to the open door of the tomb, deserted by the usual custodians. The three women rushed into the dimly-lighted hall, bolting and barring the door behind them, and no doubt barricading it with benches, offering-tables, and other pieces of sacerdotal furniture. They then made their way to the habitable rooms on the upper floor, where they must have flung themselves down upon the rich couches in a sort of delirium of horror and excitement, Cleopatra herself preparing for immediate suicide. From the window they must have seen some of Antony’s staff hastening towards them, for presently they were able to send a message to tell him that the Queen was on the point of killing herself. After a short time, however, when the tumult in her brain had somewhat subsided, Cleopatra made up her381 mind to wait awhile before taking the final step, so that she might ascertain Octavian’s attitude towards her; and, having determined upon this course of action, she seems to have composed herself as best she could, while through the eastern windows, her eyes staring over the summer sea, she watched the Egyptian ships and those of the enemy rowing side by side into the Great Harbour.

The next morning, as soon as it got light, Antony marched his troops out of the eastern gates of the city and set them up on rising ground between the walls and the Hippodrome, a short distance back from the sea. From this position, he watched his fleet sail out from the Great Harbour and head towards Octavian’s ships, which were lined up near the shore, two or three miles east of the city. To his dismay, the Alexandrian vessels made no attempt to attack the enemy as he had ordered. Instead, they greeted Octavian’s fleet with their oars, and after receiving a similar greeting in return, they joined up with the enemy, all sailing towards the Great Harbour. Meanwhile, from his elevated position, Antony saw all his cavalry suddenly gallop over to Octavian’s lines, leaving him with only his infantry, who were clearly no match for the enemy. It was useless to struggle further, and, losing all hope, he fled back into the city, shouting that Cleopatra had betrayed him. As he rushed into the Palace, followed by his frantic officers—hitting his forehead and cursing the woman who, he claimed, had delivered him into the hands of his enemies for her own sake—the Queen fled from her rooms, fearing that in his rage and despair he might strike her down with his sword. Alone with her two attendants, Iras and Charmion, she ran as fast as she could through the empty halls and corridors of the Palace, eventually crossing the deserted courtyard to reach the mausoleum next to the temple of Isis. It seemed that all the officials, servants, and guards had fled the moment the alarm went up that the fleet and cavalry had deserted; probably only a few frightened priests remained near the temple, who could hardly recognize the Queen as she hurried to the open door of the tomb, which was empty of the usual custodians. The three women rushed into the dimly lit hall, bolting and barricading the door behind them with benches, offering tables, and other pieces of sacred furniture. They then made their way to the living quarters on the upper floor, where they likely collapsed onto the luxurious couches in a kind of delirium filled with horror and excitement, with Cleopatra preparing for immediate suicide. From the window, they must have seen some of Antony’s staff rushing towards them, because soon they were able to send a message to tell him that the Queen was about to kill herself. After a short time, however, when the chaos in her mind had calmed down a bit, Cleopatra decided to wait before taking the final step, so she could find out Octavian’s attitude towards her. Having chosen this course of action, she seemed to compose herself as best she could while staring through the eastern windows, watching the Egyptian ships and those of the enemy rowing side by side into the Great Harbour.

There is no reason to suppose that Cleopatra had betrayed her husband, or that she was in any way a party to the desertions which had just taken place. The sudden collapse of their resistance, while yet it was but mid-morning, must have come to her as a staggering shock; and Antony’s accusations were doubtless felt to be only in keeping with the erratic behaviour which had characterised his last years. On the previous day Antony had offered a large sum of money to every one of Octavian’s legionaries who should desert; and it is more than likely that Octavian had made a similar offer to the Egyptian sailors and soldiers. Only a year previously these sailors had fraternised with the Romans of the Antonian party in the Gulf of Ambracia, and the latter, having deserted to Octavian after the battle of Actium, were now present in large numbers amongst the opposing fleet. The Egyptians were thus called upon to fight with their friends whose hospitality they had often accepted, and whose fighting qualities, now that they were combined with Octavian’s victorious forces, they had every reason to appreciate. Their desertion, therefore, needed no suggestion on the part of Cleopatra: it was almost inevitable.

There’s no reason to think that Cleopatra betrayed her husband or that she played any part in the recent desertions. The sudden collapse of their resistance, especially so early in the day, must have hit her like a shock; and Antony’s accusations likely seemed consistent with the unpredictable behavior he had shown in his last years. Just the day before, Antony had offered a large sum of money to every one of Octavian’s soldiers who deserted, and it’s very likely that Octavian made a similar offer to the Egyptian sailors and soldiers. Just a year earlier, these sailors had mingled with the Romans from Antony’s side in the Gulf of Ambracia, and those who had switched sides to Octavian after the battle of Actium were now among the opposing fleet in significant numbers. The Egyptians were thus expected to fight alongside their friends, whose hospitality they had frequently enjoyed, and whose fighting skills, especially now that they were allied with Octavian’s victorious forces, they had plenty of reasons to respect. Their desertion, therefore, needed no prompting from Cleopatra: it was almost unavoidable.

Antony, however, was far too distracted and overwrought to guard his tongue, and he seems to have paced his apartments in the Palace in a condition382 bordering upon madness, cursing Cleopatra and her country, and calling down imprecations upon all who had deserted him. Presently those of his staff who had followed the Queen to her mausoleum brought him the news that she had killed herself, for so they had interpreted her message; and instantly Antony’s fury seems to have left him, the shock having caused a collapse of his energy. At first he was probably dazed by the tidings; but when their full significance had penetrated to his bewildered brain there was no place left for anger or suspicion. “Now Antony,” he cried, “why delay longer? Fate has taken away the only thing for which you could say you still wanted to live.” And with these words he rushed into his bedchamber, eagerly tearing off his armour, and calling upon his slave Eros to assist him. Then, as he bared the upper part of his body, he was heard to talk aloud to the Queen, whom he believed to be dead. “Cleopatra,” he said, “I am not sad to be parted from you now, for I shall soon be with you; but it troubles me that so great a general should have been found to have slower courage than a woman.” Not long previously he had made Eros solemnly promise to kill him when he should order him to do so; and now, turning to him, he gave him that order, reminding him of his oath. Eros drew his sword, as though he intended to do as he was bid, but suddenly turning round, he drove the blade into his own breast, and fell dying upon the floor. Thereupon Antony bent down over him and cried to him as he lost consciousness, “Well done, Eros! Well done!” Then, picking up the sword, he added, “You have shown your master how to do what you had not the heart to do yourself;” and so saying,383 he drove the sword upwards into his breast from below the ribs, and fell back upon his bed.

Antony, however, was way too distracted and overwhelmed to watch what he said, and he seems to have paced his rooms in the Palace in a state382 close to madness, cursing Cleopatra and her country, and cursing everyone who had abandoned him. Soon, those of his staff who had followed the Queen to her mausoleum brought him the news that she had taken her own life, or at least that’s how they interpreted her message; and immediately Antony’s rage seemed to fade, the shock draining his energy. At first, he was probably stunned by the news; but when the full meaning hit his confused mind, there was no room left for anger or distrust. “Now Antony,” he shouted, “why wait any longer? Fate has taken away the only thing you could say you still wanted to live for.” With that, he rushed into his bedroom, eagerly tearing off his armor, calling for his slave Eros to help him. Then, as he bared his upper body, he was heard speaking to the Queen, whom he believed to be dead. “Cleopatra,” he said, “I’m not sad to be apart from you now, because I’ll soon be with you; but it bothers me that such a great general has been found to have less courage than a woman.” Not long before, he had made Eros promise to kill him when he gave the command; and now, turning to him, he issued that order, reminding him of his oath. Eros drew his sword, as if he planned to follow through, but suddenly he turned and plunged the blade into his own chest, falling dead on the floor. Antony then bent over him and cried out as Eros lost consciousness, “Well done, Eros! Well done!” Then, picking up the sword, he added, “You’ve shown your master how to do what you didn’t have the courage to do yourself;” and with that,383 he thrust the sword upward into his breast from beneath his ribs, and fell back onto his bed.

The wound, however, was not immediately mortal, and presently, the flow of blood having ceased, he recovered consciousness. Some of the Egyptian servants had gathered around him, and now he implored them to put him out of his pain. But when they realised that he was not dead they rushed from the room, leaving him groaning and writhing where he lay. Some of them must have carried the news to the Queen as she sat at the window of the mausoleum, for, a few moments later, a certain Diomedes, one of her secretaries, came to Antony telling him that she had not yet killed herself, and that she desired his body to be brought to her. Thereupon Antony eagerly gave orders to the servants to carry him to her, and they, lifting him in their arms, placed him upon an improvised stretcher and hurried with him to the mausoleum. A crowd seems now to have collected around the door of the building, and when the Queen saw the group of men bringing her husband to her, she must have feared lest some of them, seeking a reward, would seize her as soon as they had entered her stronghold and carry her alive to Octavian. Perhaps, also, it was a difficult matter to shoot back the bolts of the door which in her excitement she had managed to drive deep into their sockets. She, therefore, was unable to admit Antony into the mausoleum; and there he lay below her window, groaning and entreating her to let him die in her arms. In the words of Plutarch, Cleopatra thereupon “let down ropes and cords to which Antony was fastened; and she and her two women, the only persons she had allowed to enter the mausoleum, drew384 him up. Those who were present say that nothing was ever more sad than this spectacle, to see Antony, covered all over with blood and just expiring, thus drawn up, still holding up his hands to her, and raising up his body with the little force he had left. And, indeed, it was no easy task for the women; for Cleopatra, with all her strength clinging to the rope and straining at it with her head bent towards the ground, with difficulty pulled him up, while those below encouraged her with their cries and joined in all her efforts and anxiety.” The window must have been a considerable distance from the ground, and I do not think that the three women could ever have succeeded in raising Antony’s great weight so far had not those below fetched ladders, I suppose, and helped to lift him up to her, thereafter, no doubt, watching the terrible scene from the head of these ladders outside the window.

The wound, however, wasn't immediately fatal, and soon, after the bleeding stopped, he regained consciousness. Some Egyptian servants had gathered around him, and he begged them to help relieve his pain. But when they realized he was still alive, they rushed out of the room, leaving him groaning and writhing on the floor. Some of them must have gone to tell the Queen, who was sitting at the window of the mausoleum, because a few moments later, a certain Diomedes, one of her secretaries, came to Antony and informed him that she hadn’t killed herself yet and wanted his body brought to her. So, Antony eagerly ordered the servants to carry him to her, and they lifted him in their arms, placed him on a makeshift stretcher, and hurried to the mausoleum. A crowd seemed to have gathered around the door of the building, and when the Queen saw the group of men bringing her husband to her, she must have feared that some of them, seeking a reward, might capture her once they entered her stronghold and take her away alive to Octavian. Perhaps it was also tricky to shoot the bolts of the door, which, in her excitement, she had driven deep into their sockets. Therefore, she couldn't let Antony into the mausoleum; and there he lay below her window, groaning and begging her to let him die in her arms. In the words of Plutarch, Cleopatra then “let down ropes and cords to which Antony was fastened; and she and her two women, the only people she had allowed to enter the mausoleum, pulled him up. Those who were present said that nothing was ever sadder than this scene: to see Antony, covered in blood and on the verge of death, being drawn up, still holding his hands out to her and lifting his body with the little strength he had left. Indeed, it wasn’t an easy task for the women; Cleopatra, using all her strength, clung to the rope, straining with her head bent toward the ground, as she struggled to pull him up, while those below shouted encouragement and joined in her efforts and anxiety.” The window must have been quite high from the ground, and I don't think the three women could have succeeded in lifting Antony’s great weight so high if those below hadn't brought ladders, I suppose, and helped to lift him up to her, likely watching the heartbreaking scene from the top of those ladders outside the window.

Dragging him through the window the women carried him to the bed, upon which he probably swooned away after the agonies of the ascent. Cleopatra was distracted by the pitiful sight, and fell into uncontrolled weeping. Beating her breast and tearing her clothes, she made some attempts, at the same time, to stanch the scarlet stream which flowed from his wound; and soon her face and neck were smeared with his blood. Flinging herself down by his side she called him her lord, her husband, and her emperor. All her pity and much of her old love for him was aroused by his terrible sufferings, and so intent was she upon his pain that her own desperate situation was entirely forgotten. At last Antony came to his senses, and called for wine to drink; after which, having revived somewhat, he attempted to soothe the Queen’s wild lamentations, telling her to make her terms385 with Octavian, so far as might honourably be done, and advising her to trust only a certain Proculeius amongst all the friends of the conqueror. With his last breath, he begged her, says Plutarch, “not to pity him in this last turn of fate, but rather to rejoice for him in remembrance of his past happiness, who had been of all men the most illustrious and powerful, and in the end had fallen not ignobly, a Roman by a Roman vanquished.” With these words he lay back upon the bed, and soon had breathed his last in the arms of the woman whose interests he had so poorly served, and whom now he left to face alone the last great struggle for her throne and for the welfare of her son.

Dragging him through the window, the women brought him to the bed, where he likely fainted after the agonies of the climb. Cleopatra was overwhelmed by the tragic sight and fell into uncontrollable tears. She beat her chest and tore her clothes, trying to stop the flow of blood from his wound; soon her face and neck were covered in his blood. Throwing herself down beside him, she called him her lord, her husband, and her emperor. All her compassion and a lot of her old love for him stirred at his terrible suffering, and she was so focused on his pain that she completely forgot her own desperate situation. Finally, Antony regained consciousness and asked for some wine to drink; after which, feeling a bit revived, he tried to calm the Queen’s wild lamentations, telling her to negotiate with Octavian as honorably as possible, and advising her to trust only a certain Proculeius among all the conqueror’s friends. With his final breath, he begged her, says Plutarch, “not to pity him in this last turn of fate, but rather to rejoice for him in remembrance of his past happiness, who had been of all men the most illustrious and powerful, and in the end had fallen not ignobly, a Roman by a Roman vanquished.” With these words, he lay back on the bed and soon breathed his last in the arms of the woman whose interests he had so poorly served, leaving her to face alone the final great struggle for her throne and for the welfare of her son.


CHAPTER XX.
THE DEATH OF CLEOPATRA AND THE TRIUMPH OF OCTAVIAN.

Cleopatra’s situation was at this moment terrible in the extreme. The blood-stained body of her husband lay stretched upon the bed, covered by her torn garments which she had thrown over it. Charmion and Iras, her two waiting-women, were probably huddled in the corner of the room, beating their breasts and wailing as was the Greek habit at such a time. Below the open window a few Romans and Egyptians appear to have gathered in the sun-baked courtyard; and, I think, the ladders still rested against the wall where they had been placed by those who had helped to raise Antony up to the Queen. It must now have been early afternoon, and the sunlight of the August day, no doubt, beat into the room, lighting the disarranged furniture and revealing the wet blood-stains upon the tumbled carpets over which the dying man’s heavy body had been dragged. From the one side the surge of the sea penetrated into the chamber; from the other the shouts of Octavian’s soldiers and the clattering of their arms came to Cleopatra’s ears, telling her of the enemy’s arrival in the Palace. She might expect at any moment to be asked to surrender, and more than probably an attempt would be made to capture her by means of an entry387 through the window. She had determined, however, never to be made prisoner in this manner, and she had, no doubt, given it to be clearly understood that any effort to seize her would be her signal for firing the funeral pyre which had been erected in the adjoining room and destroying herself upon it. To be made a captive probably meant her degradation at Octavian’s Triumph and the loss of her throne; but to surrender by mutual arrangement might assure her personal safety and the continuity of her dynasty. With this in view, it seems likely that she now armed her two women to resist any assault upon the windows, and told them to warn all who attempted to climb the ladders that she, with her priceless jewellery and treasures, would be engulfed in the flames before ever they had reached to the level of her place of refuge.

Cleopatra’s situation was extremely dire at that moment. The blood-stained body of her husband lay stretched out on the bed, covered by her torn clothes that she had draped over it. Charmion and Iras, her two attendants, were probably huddled in the corner of the room, beating their chests and wailing as was customary in Greece during such times. Below the open window, a few Romans and Egyptians seemed to have gathered in the sun-baked courtyard; and, I think, the ladders were still resting against the wall where they had been placed by those who helped bring Antony up to the Queen. It must have been early afternoon, and the sunlight of the August day, no doubt, poured into the room, illuminating the disarranged furniture and revealing the wet blood stains on the tumbled carpets over which the dying man’s heavy body had been dragged. From one side, the sounds of the sea entered the chamber; from the other came the shouts of Octavian’s soldiers and the clattering of their weapons, reaching Cleopatra’s ears and signaling the enemy’s arrival at the palace. She could expect to be asked to surrender at any moment, and it was highly likely that an attempt would be made to capture her through an entry387 via the window. Nonetheless, she had resolved to never be taken prisoner in this way, and she had undoubtedly made it clear that any effort to seize her would trigger her to set fire to the funeral pyre that had been built in the adjoining room and destroy herself on it. To be captured would likely mean her humiliation at Octavian’s Triumph and the loss of her throne; but surrendering voluntarily might guarantee her personal safety and the continuation of her dynasty. With this in mind, it seems likely that she now armed her two attendants to resist any assault on the windows and instructed them to warn anyone attempting to climb the ladders that she, along with her priceless jewelry and treasures, would be consumed in flames before they could reach her place of refuge.

Antony had been dead but a few minutes when Proculeius, of whom he had spoken to Cleopatra just before he expired, arrived upon the scene, demanding, in the name of Octavian, an audience with the Queen. He knocked upon the barred door of the main entrance to the mausoleum, calling upon Cleopatra to admit him, and the sound must have echoed through the hall below and come to her ears, where she listened at the top of the stairs, like some ominous summons from the powers of the Underworld; but, fearing that she might be taken prisoner, she did not dare open to him, even if she could have shot back the heavy bolts, and she must have paced to and fro beside her husband’s corpse in an agony of indecision. At last, however, she ran down the marble staircase to the dimly-lighted hall below, and, standing beside the barricade which she had constructed against the inner side of the door, called out to Proculeius by388 name. He answered her from the outside, and in this manner they held a short parley with one another, she offering to surrender if she could receive Octavian’s word that her Kingdom of Egypt would be given to her son Cæsarion, and Proculeius replying only with the assurance that Octavian was to be trusted to act with clemency towards her. This was not satisfactory to her, and presently the Roman officer returned to his master, leaving Cleopatra undisturbed until late in the afternoon. He described the Queen’s situation to Octavian, and pointed out to him that it would probably not be difficult to effect an entrance to the mausoleum by means of the ladders, and that, with speed and a little manœuvring, Cleopatra could be seized before she had time to fire the pyre. Thereupon Octavian sent him with Cornelius Gallus,139 who had now reached Alexandria, to attempt her capture, and the latter went straight to the door of the mausoleum, knocking upon it to summon the Queen. Cleopatra at once went down the stairs and entered into conversation with Cornelius Gallus through the closed door; and it would seem that her two women, perhaps eager to hear what was said, left their post at the window of the upper room and stood upon the steps behind her. As soon as the Queen was heard to be talking and reiterating her conditions of surrender, Proculeius ran round to the other side of the building, and, adjusting the ladders, climbed rapidly up to the window, followed by two other Roman officers. Entering the disordered room, he ran past the dead body of Antony and hurried down the stairs, at the bottom of which he encountered Charmion and Iras, while beyond them in the dim light of the hall he saw Cleopatra389 standing at the shut door, her back turned to him. One of the women uttered a cry, when she saw Proculeius, and called out to her mistress: “Unhappy Cleopatra, you are taken prisoner!” At this the Queen sprang round, and, seeing the Roman officer, snatched a dagger from its sheath at her waist and raised it for the stroke which should terminate the horror of her life. Proculeius, however, was too quick for her. He sprang at her with a force which must have hurled her back against the door, and, seizing her wrist, shook the dagger from her small hand. Then, holding her two arms at her side, he caused his men to shake her dress and to search her for hidden weapons or poison. “For shame, Cleopatra,” he said to her, scolding her for attempting to take her life; “you wrong yourself and Octavian very much in trying to rob him of so good an opportunity of showing his clemency, and you would make the world believe that the most humane of generals was a faithless and implacable enemy.” He then seems to have ordered his officers to remove the barriers and to open the door of the mausoleum, whereupon Cornelius Gallus and his men were able to assist him to guard the Queen and her two women. Shortly after this, Octavian’s freedman, Epaphroditus, arrived with orders to treat Cleopatra with all possible gentleness and civility, but to take the strictest precautions to prevent her injuring herself; and, acting on these instructions, the Roman officers seem to have lodged the Queen under guard in one of the upper rooms of the mausoleum, after having made a thorough search for hidden weapons or poisons.

Antony had been dead for just a few minutes when Proculeius, whom he had mentioned to Cleopatra right before he passed away, arrived at the scene, asking for an audience with the Queen on Octavian's behalf. He knocked on the barred door of the main entrance to the mausoleum, calling out for Cleopatra to let him in. The sound must have echoed through the hall below, reaching her ears as she listened at the top of the stairs, like a foreboding call from the Underworld. However, fearing capture, she did not dare to open the door, even if she could have managed to slide back the heavy bolts. She must have paced anxiously beside her husband’s corpse, tormented by indecision. Finally, she ran down the marble staircase to the dimly lit hall below and, standing next to the barricade she had built against the inner side of the door, called out to Proculeius by name. He responded from outside, and they had a brief conversation, with her offering to surrender if she could get Octavian’s promise that her Kingdom of Egypt would be granted to her son Cæsarion. Proculeius only assured her that Octavian would act with mercy. This did not satisfy her, and shortly after, the Roman officer returned to his master, leaving Cleopatra alone until late in the afternoon. He described her situation to Octavian, suggesting it wouldn't be too difficult to enter the mausoleum using ladders, and that with some speed and maneuvering, they could seize Cleopatra before she could set fire to the pyre. Octavian then sent him with Cornelius Gallus, who had just arrived in Alexandria, to attempt her capture. Cornelius went straight to the mausoleum door, knocking to summon the Queen. Cleopatra immediately went down the stairs to talk with him through the closed door, and it seems her two attendants, curious to hear the conversation, left their post at the window of the upper room and stood on the steps behind her. As soon as the Queen began reiterating her conditions for surrender, Proculeius ran around to the other side of the building, set up the ladders, and quickly climbed up to the window, followed by two other Roman officers. Entering the disordered room, he hurried past Antony’s dead body and rushed down the stairs, where he encountered Charmion and Iras. Beyond them, in the dim light of the hall, he spotted Cleopatra standing at the shut door, her back to him. One of the women cried out upon seeing Proculeius and shouted to her mistress, "Unlucky Cleopatra, you’re captured!" The Queen turned around, and upon seeing the Roman officer, grabbed a dagger from her waist and raised it to end her suffering. However, Proculeius was too quick. He lunged at her with enough force to push her back against the door, grabbing her wrist and shaking the dagger from her small hand. Then, holding her arms at her sides, he instructed his men to shake her dress and search her for hidden weapons or poison. "Shame on you, Cleopatra," he scolded, reprimanding her for trying to take her own life. "You do yourself and Octavian a great disservice by trying to deny him such a good opportunity to show his mercy, and you’d make the world believe that the most humane general was a treacherous and ruthless enemy." He then seemed to order his officers to remove the barricades and open the mausoleum door, allowing Cornelius Gallus and his men to help secure the Queen and her two women. Shortly after, Octavian’s freedman, Epaphroditus, arrived with instructions to treat Cleopatra with utmost kindness and respect while taking strict precautions to prevent her from harming herself. Following these orders, the Roman officers seemingly placed the Queen under guard in one of the upper rooms of the mausoleum after thoroughly searching for hidden weapons or poisons.

Just before sunset Octavian made his formal entry into Alexandria. He wished to impress the people of the city390 with the fact of his benevolent and peace-loving nature, and therefore he made a certain Alexandrian philosopher named Areius, for whom he had a liking, ride with him in his chariot. As the triumphal procession passed along the beautiful Street of Canopus, Octavian was seen by the agitated citizens to be holding the philosopher’s hand and talking to him in the most gentle manner. Stories soon went the rounds that when the conqueror had received the news of Antony’s death he had shed tears of sorrow, and had read over to his staff some of his enemy’s furious letters to him and his own moderate replies, thus showing how the quarrel had been forced upon him. Orders now seem to have been issued forbidding all outrage or looting; and presently the frightened Alexandrians ventured from their hiding-places, most of the local magnates being ordered to gather themselves together in the Gymnasium. Here, in the twilight, Octavian rose to address them; and as he did so, they all prostrated themselves upon the ground before him in abject humiliation. Commanding them to rise, he told them that he freely acquitted them of all blame: firstly, in memory of the great Alexander who had founded their city; secondly, for the sake of the city itself which was so large and beautiful; thirdly, in honour of their god Serapis;140 and lastly, to gratify his dear friend Areius, at whose request he was about to spare many lives.

Just before sunset, Octavian made his official entry into Alexandria. He wanted to impress the city's people with his kind and peace-loving nature, so he invited a certain Alexandrian philosopher named Areius, whom he liked, to ride with him in his chariot. As the triumphal procession moved along the beautiful Street of Canopus, the anxious citizens saw Octavian holding the philosopher’s hand and talking to him in the gentlest way. Stories quickly spread that when the conqueror heard about Antony's death, he shed tears of sorrow and read some of his enemy’s angry letters to his staff along with his own calm replies, showing how the conflict was thrust upon him. It seemed orders had been given to prevent any violence or looting, and soon the scared Alexandrians came out of their hiding spots, with most of the local leaders being told to gather together in the Gymnasium. Here, in the fading light, Octavian stood to address them, and as he began, they all fell to the ground before him in utter humiliation. When he commanded them to stand up, he told them that he completely forgave them: first, in honor of the great Alexander who had founded their city; second, for the sake of the city itself, which was so large and beautiful; third, in honor of their god Serapis; and lastly, to please his dear friend Areius, at whose request he was about to spare many lives.

Having thus calmed the citizens, who now must have hailed him as a kind of deliverer and saviour, he retired to his quarters, whence, in his sardonic manner, he appears to have issued orders for the immediate slaughter391 of those members of the court of Cleopatra and Antony for whom Areius had not any particular liking. The unfortunate Antyllus, Antony’s son, having been betrayed to Octavian by his faithless tutor Theodorus, was at once put to death in the temple erected by Cleopatra to Julius Cæsar, whither he had fled. As the executioner cut off the boy’s head, Theodorus contrived to steal a valuable jewel which hung round his neck; but the theft was discovered, and he was carried before Octavian, who ordered him to be crucified forthwith. A strict guard was set over the two children of Cleopatra, Ptolemy and Cleopatra Selene,141 who were still in Alexandria; and Octavian seems to have given Cleopatra to understand that if she attempted to kill herself he would put these two children to death. Thus he was able to assure himself that she would refrain from taking her life, for, as Plutarch says, “before such engines her purpose (to destroy herself) shook and gave way.”

Having calmed the citizens, who must have seen him as a kind of deliverer and savior, he went back to his quarters, from where, in his sarcastic way, he seems to have given orders for the immediate execution of those members of Cleopatra and Antony's court whom Areius didn't particularly like. The unfortunate Antyllus, Antony's son, was betrayed to Octavian by his unfaithful tutor Theodorus and was immediately killed in the temple that Cleopatra built for Julius Caesar, where he had fled. As the executioner beheaded the boy, Theodorus managed to steal a valuable jewel hanging around his neck, but the theft was discovered, and he was brought before Octavian, who ordered him to be crucified right away. A strict guard was placed over Cleopatra's two children, Ptolemy and Cleopatra Selene, who were still in Alexandria, and it seems Octavian let Cleopatra know that if she tried to kill herself, he would have these two children executed. This way, he ensured that she wouldn’t attempt suicide, for, as Plutarch states, “before such engines her purpose (to destroy herself) shook and gave way.”

Antony’s body was now, I suppose, prepared for burial. Though mummification was still often practised in Alexandria by Greeks and Egyptians, I do not think that any elaborate attempt was made to embalm the corpse, and it was probably ready for the funeral rites within a few days. Out of respect to the dead general a number of Roman officers and foreign potentates who were with Octavian’s army begged to be allowed to perform these rites at their own expense; but in deference to Cleopatra’s wishes the body was left in the Queen’s hands, and instructions were issued that her orders were to be obeyed in regard to the funeral. Thus Antony was buried, with every mark of royal splendour and pomp,392 in a tomb which had probably long been prepared for him, not far from his wife’s mausoleum. Cleopatra followed him to his grave, a tragic, piteous little figure, surrounded by a group of her lamenting ladies; and, while the priests burnt their incense and uttered their droning chants, the Queen’s fragile hands ruthlessly beat her breasts as she called upon the dead man by his name. In these last terrible hours only the happier character of her relationship with Antony was remembered, and the recollection of her many disagreements with him were banished from her mind by the piteous scenes of his death, and by the thought of his last tender words to her as he lay groaning upon her bed. In her extreme loneliness she must have now desired his buoyant company of earlier years with an intensity which she could hardly have felt during his lifetime; and it must have been difficult indeed for her to refrain from putting an end to her miserable life upon the grave of her dead lover. Yet Octavian’s threat in regard to her children held her hand; and, moreover, even in her utter distress, she had not yet abandoned her hope of saving Egypt from the clutch of Rome. Her own dominion, she knew, was over, and the best fate which she herself could hope for was that of an unmolested exile; yet Octavian’s attitude to her indicated in every way that he would be willing to leave the throne to her descendants. She did not know how falsely he was acting towards her, how he was making every effort to encourage hope in her heart in order that he might bring her alive to Rome to be exhibited in chains to the jeering populace. She did not understand that his messages of encouragement, and even of affection, to her were written with sardonic cunning, that his cheerful assurances in regard to her children were393 made at a time when he was probably actually sending messages post-haste to Berenice to attempt to recall Cæsarion in order to put him to death. She did not understand Octavian’s character: perhaps she had never even seen him; and she hoped somehow to make a last appeal to him. She had played her wonderful game for the amalgamation of Egypt and Rome into one vast kingdom, ruled by her descendants and those of the great Julius Cæsar, and she had lost. But there was yet hope that out of the general wreck she might save the one asset with which she had started her operations—the independent throne of Egypt; and to accomplish this she must live on for a while longer, and must face with bravery the nightmare of her existence.

Antony’s body was now, I assume, prepared for burial. Although mummification was still often practiced in Alexandria by Greeks and Egyptians, I doubt any significant effort was made to embalm the corpse, and it was likely ready for the funeral within a few days. Out of respect for the fallen general, several Roman officers and foreign leaders who were with Octavian’s army requested to perform these rites at their own expense; but out of respect for Cleopatra’s wishes, the body was entrusted to the Queen, and orders were given that her instructions regarding the funeral were to be followed. As a result, Antony was buried with all the signs of royal glory and pomp,392 in a tomb that had likely been prepared for him long in advance, not far from his wife’s mausoleum. Cleopatra followed him to his grave, a tragic, sorrowful figure, surrounded by a group of her grieving ladies; and, while the priests burned their incense and chanted their somber hymns, the Queen’s delicate hands relentlessly struck her breasts as she called out the name of the dead man. In those final heartbreaking moments, only the happier aspects of her relationship with Antony came to mind, and the memories of their many disagreements were pushed aside by the sorrowful scenes of his death and by the recollection of his last affectionate words to her as he lay moaning on her bed. In her profound loneliness, she must have wished for his lively company from earlier years with a longing that she could hardly have felt during his life; and it must have been incredibly hard for her to resist the urge to end her miserable life at the grave of her beloved. Yet Octavian’s threats regarding her children kept her from doing so; and, in her deep distress, she hadn’t given up hope of saving Egypt from Roman control. She recognized that her own rule was finished, and the best fate she could hope for was to live as an unbothered exile; still, Octavian’s attitude towards her suggested that he might be willing to leave the throne to her children. Little did she know how deceitful he was being towards her, how he was doing everything possible to nurture hope in her heart so he could bring her to Rome alive to be displayed in chains before the mocking crowd. She didn’t realize that his messages of encouragement, and even affection, were written with cunning intent, that his cheerful reassurances regarding her children came at a time when he was likely dispatching messages to Berenice to try and recall Cæsarion to have him killed. She didn’t comprehend Octavian’s character: perhaps she had never even met him; and she hoped somehow to make one last appeal to him. She had played her remarkable game to merge Egypt and Rome into one vast kingdom, ruled by her descendants and those of the great Julius Cæsar, and she had lost. But there was still hope that from the general destruction, she might save the one asset with which she had begun her efforts—the independent throne of Egypt; and to achieve this, she knew she had to endure a little longer and face the nightmare of her existence with courage.

Coming back, after the funeral, to her rooms in the mausoleum, wherein she had now decided to take up her residence, she fell into a high fever; and there upon her bed she lay in delirium for several days. She suffered, moreover, very considerable pain, due to the inflammation and ulceration caused by the blows which she had rained upon her delicate body in the abandonment of her despair. Over and over again she was heard to utter in her delirium the desolate cry, “I will not be exhibited in his Triumph,” and in her distress she begged repeatedly to be allowed to die. At one time she refused all food, and begged her doctor, a certain Olympus, to help her to pass quietly out of the world.142 Octavian, however, hearing of her increasing weakness, warned her once more that unless she made an effort to live he would not be lenient to her children; whereupon, as though galvanised into life by this pressure upon394 her maternal instincts, she made the necessary struggle to recover, obediently swallowing the medicine and stimulants which were given to her.

Coming back after the funeral to her rooms in the mausoleum, where she had now decided to live, she fell into a high fever; and there on her bed she lay in delirium for several days. She also experienced significant pain, due to the inflammation and ulceration caused by the blows she had inflicted on her delicate body in her despair. Over and over again, she was heard to cry in her delirium, “I will not be displayed in his Triumph,” and in her distress, she repeatedly begged to be allowed to die. At one point, she refused all food and asked her doctor, a man named Olympus, to help her quietly leave the world.142 Octavian, however, upon hearing of her increasing weakness, warned her once again that unless she made an effort to live, he would not be kind to her children; whereupon, as if jolted into action by this threat to her maternal instincts, she struggled to recover, obediently taking the medicine and stimulants given to her.

Thus the hot August days passed by, and at length the Queen, now fragile and haggard, was able to move about once more. Her age at this time was thirty-eight years, and she must have lost that freshness of youth which had been her notable quality; but her brilliant eyes had now perhaps gained in wonder by the pallor of her face, and the careless arrangement of her dark hair must have enhanced her tragic beauty. The seductive tones of her voice could not have been diminished, and that peculiar quality of elusiveness may well have been accentuated by her illness and by the nervous strain through which she had passed. Indeed, her personal charm was still so great that a certain Cornelius Dolabella, one of the Roman officers whose duty it was to keep watch over her, speedily became her devoted servant, and was induced to promise that he would report to her any plans in regard to her welfare which Octavian should disclose.

Thus the hot August days went by, and eventually the Queen, now frail and worn out, was able to move around again. At this time, she was thirty-eight years old and must have lost the youthful freshness that was her defining trait; however, her bright eyes may have gained a sense of wonder from the paleness of her face, and the casual way her dark hair was styled may have added to her tragic beauty. The alluring quality of her voice likely remained untouched, and her illness, along with the nervous stress she'd endured, might have even highlighted her elusive charm. Indeed, her personal allure was so strong that a certain Cornelius Dolabella, one of the Roman officers assigned to watch over her, quickly became her loyal servant and agreed to report any plans regarding her well-being that Octavian might reveal.

On August 28th, as she lay upon a small pallet-bed in the upper room, gazing in utter desolation, as I imagine, over the blue waters of the Mediterranean, her women ran in to her to tell her that Octavian had come to pay his respects to her. He had not yet visited her, for he had very correctly avoided her previous to and during Antony’s funeral; and since that time she had been too ill to receive him. Now, however, she was convalescent, and the conqueror had arrived unexpectedly to congratulate her, as etiquette demanded, upon her recovery. He walked into the room before the Queen had time to prepare herself; and Plutarch describes how, “on his entering, she sprang from her bed, having nothing on395 but the one garment next her body, and flung herself at his feet, her hair and face looking wild and disfigured, her voice trembling, and her eyes sunken and dark. The marks of the blows which she had rained upon herself were visible about her breast, and altogether her whole person seemed to be no less afflicted than was her spirit. But for all this, her old charm and the boldness of her youthful beauty had not wholly left her, and, in spite of her present condition, still shone out from within and allowed itself to appear in all the expressions of her face.”

On August 28th, as she lay on a small pallet bed in the upper room, gazing in utter despair, I imagine, over the blue waters of the Mediterranean, her women rushed in to tell her that Octavian had come to pay his respects. He hadn't visited her before, correctly staying away prior to and during Antony’s funeral, and since then she had been too ill to see him. Now, however, she was recovering, and the conqueror had arrived unexpectedly to congratulate her, as was customary, on her recovery. He entered the room before the Queen had a chance to prepare herself; and Plutarch describes how, “upon his entering, she sprang from her bed, wearing nothing but the garment next to her body, and threw herself at his feet, her hair and face looking wild and disheveled, her voice trembling, and her eyes sunken and dark. The marks of the blows she had inflicted on herself were visible on her chest, and overall, she seemed just as afflicted as her spirit. But despite all this, her old charm and the boldness of her youthful beauty hadn’t completely faded, and, in spite of her current condition, they still shone through in all the expressions of her face.”

The picture of the distraught little Queen, her dark hair tumbled over her face, her loose garment slipping from her white shoulders, as she crouches at the feet of this cold, unhealthy-looking man, who stands somewhat awkwardly before her, is one which must distress the mind of the historian who has watched the course of Cleopatra’s warfare against the representative of Rome. Yet in this scene we are able to discern her but stripped of the regal and formal accessories which have often caused her to appear more imposing and awe-inspiring than actually her character justified. She was essentially a woman, and now, in her condition of physical weakness, she acted precisely as any other overwrought member of her sex might have behaved under similar circumstances. Her wonderful pluck had almost deserted her, and her persistence of purpose was lost in the wreck of all her hopes. We have often heard her described as a calculating woman, who lived her life in studied and callous voluptuousness, and who died in unbending dignity; but, as I have tried to indicate in this volume, the Queen’s nature was essentially feminine—highly-strung, and liable to rapid changes from joy to despair. Keen,396 independent, and fearless though she was, she was never a completely self-reliant woman, and in circumstances such as those which are now being recorded we obtain a view of her character, which shows her to have been capable of needing desperately the help and sympathy of others.

The image of the distraught young Queen, her dark hair falling over her face, her loose clothing slipping off her pale shoulders as she crouches at the feet of this cold, unhealthy-looking man standing awkwardly in front of her, is one that must trouble any historian who has followed Cleopatra’s battles against Rome. Yet in this moment, we see her stripped of the royal and formal trappings that often made her seem more imposing and awe-inspiring than her character really warranted. At her core, she was just a woman, and now, in her state of physical weakness, she reacted just like any other overwhelmed woman might under similar circumstances. Her incredible courage had almost abandoned her, and her determination was lost in the ruins of all her dreams. We have often heard her described as a calculating woman, who lived her life in deliberate and cold sensuality, and who died with unwavering dignity; however, as I have tried to show in this book, the Queen’s nature was fundamentally feminine—highly sensitive and prone to rapid shifts from joy to despair. Sharp, independent, and fearless as she was, she was never entirely self-sufficient, and in situations like the ones we’re discussing, we get a glimpse of her character that reveals she was capable of desperately needing the help and compassion of others.

Octavian raised her to her feet, and, assisting her once more on to her bed, sat himself down beside her. At first she talked to him in a rambling manner, justifying her past movements, and attributing certain actions, such, I suppose, as her hiding in the mausoleum, to her fear of Antony; but when Octavian pointed out to her the discrepancies in her statements she made no longer any attempt to excuse her conduct, begging him only not to take her throne from her son, and telling him that she was willing enough to live if only he would insure the safety of her country and dynasty, and would be merciful to her children. Then, rising from the bed, she brought to Octavian a number of letters written to her by Julius Cæsar, and also one or two portraits of him painted for her during his lifetime. “You know,” she said,143 “how much I was with your father,144 and you are aware that it was he who placed the crown of Egypt upon my head; but, so that you may know something of our private affairs, please read these letters. They are all written to me with his own hand.”

Octavian helped her up to her feet and, once again assisting her onto her bed, sat down next to her. At first, she spoke to him in a rambling way, trying to justify her past actions and explaining some things, like hiding in the mausoleum, as being afraid of Antony. But when Octavian pointed out the inconsistencies in her stories, she stopped trying to justify her behavior and only begged him not to take the throne away from her son. She told him she was willing to live if he could ensure the safety of her country and her dynasty and would be kind to her children. Then, getting up from the bed, she brought Octavian several letters written to her by Julius Caesar, along with a couple of portraits of him that were painted for her while he was alive. “You know,” she said, 143 “how much time I spent with your father,144 and you know it was he who placed the crown of Egypt on my head; but, just so you can understand something of our personal matters, please read these letters. They are all written to me in his own handwriting.”

Octavian must have turned the letters over with some curiosity, but he does not seem to have shown a desire to read them; and, seeing this, Cleopatra cried: “Of what use are all these letters to me? Yet I seem to see397 him living again in them.” The thought of her old lover and friend, and the memories recalled by the letters and portraits before her seem to have unnerved her; and, being in so overwrought and weak a condition, she now broke down completely. Between her sobs she was heard to exclaim, “Oh, I wish to God you were still alive,” as though referring to Julius Cæsar.

Octavian must have flipped through the letters with some curiosity, but he didn't seem interested in reading them. Seeing this, Cleopatra exclaimed, “What good are all these letters to me? Yet I feel like I see397 him alive again in them.” The memories of her old lover and friend, triggered by the letters and portraits in front of her, seemed to shake her; and in such an emotional and fragile state, she completely broke down. Between her sobs, she was heard saying, “Oh, I wish to God you were still alive,” as if she were talking about Julius Cæsar.

Octavian appears to have consoled her as best he could; and at length she seems to have agreed that, in return for his clemency, she would place herself entirely in his hands, and would hand over to him without reserve all her property. One of her stewards, named Seleucus, happened to be awaiting her orders in the mausoleum at the time, and, sending for him, she told him to hand over to Octavian the list which they together had lately made of her jewellery and valuables, and which now lay with her other papers in the room. Seleucus seems to have read the document to Octavian; but, wishing to ingratiate himself with his new master, and thinking that loyalty to Cleopatra no longer paid, he volunteered the information that various articles were omitted from the list, and that the Queen was purposely secreting these for her own advantage. At this Cleopatra sprang from her bed, and, dashing at the astonished steward, seized him by the hair, shook him to and fro, and furiously slapped his face. So outraged and overwrought was she that she might well have done the man some serious injury had not Octavian, who could not refrain from laughing, withheld her and led her back to her seat. “Really it is very hard,” she exclaimed to her visitor, “when you do me the honour to come to see me in this condition I am in, that I should be accused by one of my own servants of setting aside some women’s trinkets—398not so as to adorn my unhappy self, you may be sure, but so that I might have some little presents by me to give to your sister Octavia and your wife Livia, that by their intercession I might hope to find you to some extent disposed to mercy.”

Octavian seems to have comforted her as best as he could; eventually, she appears to have agreed that, in exchange for his kindness, she would fully submit to him and turn over all her possessions without hesitation. One of her stewards, named Seleucus, happened to be waiting for her instructions in the mausoleum at that moment, and when she called for him, she instructed him to give Octavian the list they had recently created together of her jewellery and valuables, which was now among her other papers in the room. Seleucus appears to have read the document to Octavian, but wanting to win favor with his new master and believing that loyalty to Cleopatra was no longer beneficial, he volunteered to say that several items were missing from the list and that the Queen was purposefully hiding them for her own benefit. At this, Cleopatra jumped out of her bed, rushed at the stunned steward, grabbed him by the hair, shook him around, and angrily slapped his face. She was so furious and distressed that she could have seriously harmed him if Octavian, who couldn’t help but laugh, hadn’t intervened and gently led her back to her seat. “It’s really quite unfair,” she exclaimed to her visitor, “that when you do me the honor of visiting me in this state I’m in, I should be accused by one of my own servants of holding back some trivial jewelry—398not to embellish my miserable self, you can be sure, but so that I might have some small gifts to offer your sister Octavia and your wife Livia, hoping that through their influence, I could find you somewhat inclined to show mercy.”

Cæsar was delighted to hear her talk in this manner, for it seemed to indicate that she was desirous of continuing to live; and he was most anxious that she should do so, partly, as I have said, that he might have the satisfaction of parading her in chains through the streets of Rome, and partly, perhaps, in order to show, thereafter, his clemency and his respect to the late Dictator’s memory by refraining from putting her to death. He therefore told her that she might dispose of these articles of jewellery as she liked; and, promising that his usage of her would be merciful beyond her expectation, he brought his visit to a close, well satisfied that he had won her confidence, and that he had entirely deceived her. In this, however, he was mistaken, and he was himself deceived by her.

Cæsar was pleased to hear her speak like this, as it seemed to show that she wanted to continue living; and he was very eager for her to do so, partly because, as I mentioned, it would give him the satisfaction of displaying her in chains through the streets of Rome, and partly, perhaps, to demonstrate his mercy and respect for the late Dictator’s memory by sparing her life. He told her that she could do whatever she wanted with her jewelry; and, promising that he would treat her more kindly than she expected, he ended his visit, feeling confident that he had gained her trust and completely fooled her. In this, however, he was mistaken, and he was actually deceived by her.

Cleopatra had observed from his words and manner that he wished to exhibit her in Rome, and that he had little intention of allowing her son Cæsarion to reign in her place, but purposed to seize Egypt on behalf of Rome. Far from reassuring her, the interview had left her with the certainty that the doom of the dynasty was sealed; and already she saw clearly that there was nothing left for which to live. Presently a messenger from Cornelius Dolabella came to her, and broke the secret news to her that Octavian, finding her now recovered from her illness, had decided to ship her off to Rome with her two children in three days’ time or less. It is possible, also, that Dolabella was already able to399 tell her that there was no hope for her son Cæsarion, for that Octavian had decided to kill him so soon as he could lay hands on him, realising, at the instance of his Alexandrian friend Areius, that it was unwise to leave at large one who claimed to be the rightful successor of the great Dictator.

Cleopatra had noticed from his words and behavior that he wanted to showcase her in Rome, and he had no intention of letting her son Cæsarion take her place; instead, he aimed to take control of Egypt for Rome. Rather than feeling reassured, the meeting left her certain that her family's fate was sealed; she could already see that there was nothing left for her to live for. Soon, a messenger from Cornelius Dolabella arrived and delivered the unsettling news that Octavian, having seen that she had recovered from her illness, planned to send her and her two children to Rome in three days or less. Dolabella might have also been able to tell her that there was no chance for her son Cæsarion because Octavian had decided to have him killed as soon as he could get his hands on him, understanding, through his Alexandrian friend Areius, that it would be unwise to leave free someone who claimed to be the legitimate successor of the great Dictator.

On hearing this news the Queen determined to kill herself at once, for her despair was such that the fact of existence had become intolerable to her. In her mind she must have pictured Octavian’s Triumph in Rome, in which she and her children would figure as the chief exhibits. She would be led in chains up to the Capitol, even as she had watched her sister Arsinoe paraded in the Triumph of Julius Cæsar; and she could hear in imagination the jeers and groans of the townspeople, who would not fail to remind her of her former boast that she would one day sit in royal judgment where then she would be standing in abject humiliation. The thought, which of itself was more than she could bear, was coupled with the certainty that, were she to prolong her life, she would have to suffer also the shock of her beloved son’s cruel murder, for already his death seemed inevitable.

Upon hearing this news, the Queen decided to end her life immediately, as her despair made the idea of continuing to exist unbearable. She must have envisioned Octavian’s Triumph in Rome, where she and her children would be the main attractions. She would be led in chains to the Capitol, just like when she watched her sister Arsinoe being paraded during Julius Caesar's Triumph; she could almost hear the mockery and jeers from the townspeople, who would surely remind her of her past claim that she would one day sit in royal judgment, only to now stand in total humiliation. This thought alone was more than she could bear, especially knowing that if she continued to live, she would also have to endure the terrible shock of her beloved son’s brutal murder, which already felt unavoidable.

Having therefore made up her mind, she sent a message to Octavian asking his permission for her to visit Antony’s tomb, in order to make the usual oblations to his spirit. This was granted to her, and upon the next morning, August 29th, she was carried in her litter to the grave, accompanied by her women. Arriving at the spot she threw herself upon the gravestone, embracing it in a very passion of woe. “Oh, dearest Antony,” she cried, the tears streaming down her face, “it is not long since with these hands I buried you. Then they were free;400 now I am a captive; and I pay these last duties to you with a guard upon me, for fear that my natural griefs and sorrows should impair my servile body and make it less fit to be exhibited in their Triumph over you. Expect no further offerings or libations from me, Antony; these are the last honours that Cleopatra will be able to pay to your memory, for she is to be hurried far away from you. Nothing could part us while we lived, but death seems to threaten to divide us. You, a Roman born, have found a grave in Egypt. I, an Egyptian, am to seek that favour, and none but that, in your country. But if the gods below, with whom you now are dwelling, can or will do anything for me, since those above have betrayed us, do not allow your living wife to be abandoned, let me not be led in Triumph to your shame; but hide me, hide me: bury me here with you. For amongst all my bitter misfortunes nothing has been so terrible as this brief time that I have lived away from you.”145

Having made up her mind, she sent a message to Octavian asking for permission to visit Antony’s tomb to make the usual offerings to his spirit. He granted her request, and the next morning, August 29th, she was carried in her litter to the grave, accompanied by her women. When she arrived, she threw herself onto the gravestone, embracing it in deep sorrow. “Oh, dearest Antony,” she cried, tears streaming down her face, “it hasn’t been long since I buried you with these hands. Back then they were free; now I am a captive. I pay these last respects to you under guard, afraid that my grief and sorrow will weaken my enslaved body, making it less fit to be displayed in their Triumph over you. Expect no more offerings or libations from me, Antony; these are the last honors that Cleopatra can give to your memory, for I am to be taken far away from you. Nothing could separate us while we lived, but death seems to threaten to divide us now. You, a Roman, have found a grave in Egypt. I, an Egyptian, will seek only that favor in your country. But if the gods below, where you now dwell, can or will do anything for me since those above have betrayed us, do not let your living wife be abandoned. Don’t let me be led in Triumph to your shame; hide me, hide me: bury me here with you. Among all my bitter misfortunes, nothing has been as terrible as this brief time I’ve spent away from you.”145

For some moments she lay upon the tombstone passionately kissing it, her past quarrels with the dead man all forgotten in her desire for his companionship now in her loneliness, and only her earlier love for him being remembered in the tumult of her mind. Then, rising and placing some wreaths of flowers upon the grave, she entered her litter and was carried back to the mausoleum.

For a while, she lay on the tombstone, passionately kissing it, her past arguments with the dead man completely forgotten in her longing for his company now that she was alone, and only her earlier love for him remembered in the chaos of her thoughts. Then, standing up and placing some flower wreaths on the grave, she got into her litter and was carried back to the mausoleum.

Vatican.]
[Photograph by Anderson.

THE NILE.

The Nile.

AN EXAMPLE OF ALEXANDRIAN ART.

AN EXAMPLE OF ALEXANDRIAN ART.

As soon as she had arrived she ordered her bath to be prepared, and having been washed and scented, her hair being carefully plaited around her head, she lay down upon a couch and partook of a sumptuous meal.401 After this she wrote a short letter to Octavian, asking that she might be buried in the same tomb with Antony; and, this being despatched, she ordered everybody to leave the mausoleum with the exception of Charmion and Iras, as though she did not wish to be disturbed in her afternoon’s siesta. The doors were then closed, and the sentries mounted guard on the outside in the usual manner.

As soon as she arrived, she had her bath prepared, and after being washed and scented, with her hair carefully styled around her head, she lay down on a couch and enjoyed a lavish meal.401 After that, she wrote a brief letter to Octavian, requesting to be buried in the same tomb as Antony; once that was sent, she instructed everyone to leave the mausoleum except for Charmion and Iras, as if she didn’t want to be disturbed during her afternoon nap. The doors were then closed, and the guards took their positions outside as usual.

When Octavian read the letter which Cleopatra’s messenger had brought him, he realised at once what had happened, and hastened to the mausoleum. Changing his mind, however, he sent some of his officers in his place, who, on their arrival, found the sentries apprehensive of nothing. Bursting open the door they ran up the stairs to the upper chamber, and immediately their worst fears were realised. Cleopatra, already dead, lay stretched upon her bed of gold, arrayed in her Grecian robes of state, and decked with all her regal jewels, the royal diadem of the Ptolemies encircling her brow. Upon the floor at her feet Iras was just breathing her last; and Charmion, scarce able to stand, was tottering at the bedside, trying to adjust the Queen’s crown.

When Octavian read the letter that Cleopatra’s messenger had brought him, he immediately understood what had happened and hurried to the mausoleum. However, he changed his mind and sent some of his officers in his place. When they arrived, they found the guards not worried at all. They burst open the door and ran up the stairs to the upper chamber, where their worst fears came true. Cleopatra, already dead, lay stretched out on her golden bed, dressed in her Grecian robes of state, and adorned with all her royal jewels, with the Ptolemaic diadem circling her brow. On the floor at her feet, Iras was just drawing her last breath; and Charmion, barely able to stand, was swaying at the bedside, trying to adjust the Queen’s crown.

One of the Roman officers exclaimed angrily: “Charmion, was this well done of your lady?” Charmion, supporting herself beside the royal couch, turned her ashen face towards the speaker. “Very well done,” she gasped, “and as befitted the descendant of so many Kings”; and with these words she fell dead beside the Queen.

One of the Roman officers shouted angrily, “Charmion, was this appropriate for your lady?” Charmion, leaning against the royal couch, turned her pale face towards him. “Very appropriate,” she gasped, “and fitting for someone descended from so many Kings”; and with that, she collapsed and died beside the Queen.

The Roman officers, having despatched messengers to inform Octavian of the tragedy, seem to have instituted an immediate inquiry as to the means by which the402 deaths had taken place.146 At first the sentries could offer no information, but at length the fact was elicited that a peasant carrying a basket of figs had been allowed to enter the mausoleum, as it was understood that the fruit was for the Queen’s meal. The soldiers declared that they had lifted the leaves with which the fruit was covered and had remarked on the fineness of the figs, whereupon the peasant had laughed and had invited them to take some, which they had refused to do. It was perhaps known that Cleopatra had expressed a preference for death by the bite of an asp,147 and it was therefore thought that perhaps one of these small snakes had been brought to her concealed under the figs. A search was made for the snake, and one of the soldiers stated that he thought he saw a snake-track leading from the mausoleum over the sand towards the sea. An attendant who had admitted the peasant seems now to have reported that when Cleopatra saw the figs she exclaimed, “So here it is!” a piece of evidence which gave some colour to the theory. Others suggested that the asp had been kept at hand for some days in a vase, and that the Queen had, at the end, teased it until she had made it strike at her. An examination of the body showed nothing except two very slight marks upon the arm, which might possibly have been caused by the bite of a snake. On the other hand, it was suggested that the Queen might have carried some form of poison in a hollow hair-comb or other similar article; and this theory must have received some support from the fact that there were the three deaths to account for.

The Roman officers, having sent messengers to inform Octavian of the tragedy, seem to have quickly started an investigation into how the402 deaths occurred. At first, the sentries couldn't provide any information, but eventually, it was discovered that a peasant carrying a basket of figs had been allowed into the mausoleum because it was assumed the fruit was for the Queen's meal. The soldiers said they had lifted the leaves covering the fruit and noticed how fine the figs were, prompting the peasant to laugh and invite them to take some, which they declined. It was possibly known that Cleopatra had expressed a desire to die by the bite of an asp, and this led to the speculation that perhaps one of these small snakes had been hidden under the figs. A search for the snake was conducted, and one of the soldiers reported seeing a snake track in the sand leading from the mausoleum to the sea. An attendant who let the peasant in reportedly stated that when Cleopatra saw the figs, she exclaimed, “So here it is!” which added some weight to the theory. Others proposed that the asp had been kept nearby for several days in a vase and that the Queen had, in the end, provoked it until it bit her. An examination of the body revealed only two very faint marks on the arm, which could have been from a snake bite. Conversely, it was suggested that the Queen might have carried some kind of poison in a hollow hair comb or similar object; this theory likely gained traction due to the need to account for three deaths.

403 Presently Octavian seems to have arrived, and he at once sent for snake-doctors, Psylli, to suck the poison from the wound; but they came too late to save her. Though Octavian expressed his great disappointment at her death, he could not refrain from showing his admiration for the manner in which it had occurred. Personally, he appears to have favoured the theory that her end was caused by the bite of the asp, and afterwards in his Triumph he caused a figure of Cleopatra to be exhibited with a snake about her arm. Though it is thus quite impossible to state with certainty how it occurred, there is no reason to contradict the now generally accepted story of the introduction of the asp in the basket of figs. I have no doubt that the Queen had other poisons in her possession, which were perhaps used by her two faithful women; and it is to be understood that the strategy of the figs, if employed at all, was resorted to only in order that she herself might die by the means which her earlier experiments had commended to her.

403 At this point, Octavian seems to have arrived, and he immediately called for snake doctors, Psylli, to extract the poison from the wound; however, they arrived too late to save her. Although Octavian expressed his great disappointment at her death, he couldn't help but show his admiration for how it had happened. Personally, he seems to have favored the idea that her demise was due to the bite of the asp, and later, during his Triumph, he had a figure of Cleopatra displayed with a snake around her arm. While it’s impossible to state with certainty how it all happened, there's no reason to dispute the now widely accepted story of the asp being introduced in the basket of figs. I have no doubt that the Queen had other poisons in her possession, which might have been used by her two loyal attendants; and it's understood that the strategy of the figs, if it was used at all, was only employed so she could die by the means that her earlier experiments had led her to prefer.

Octavian now gave orders that the Queen should be buried with full honours beside Antony, where she had wished to lie. He had sent messengers, it would seem, to Berenice to attempt to stop the departure of Cæsarion for India, having heard, no doubt, that the young man had decided to remain in that town until the last possible moment. His tutor, Rhodon, counselled him to trust himself to Octavian; and, acting upon this advice, they returned to Alexandria, where they seem to have arrived very shortly after Cleopatra’s death. Octavian immediately ordered Cæsarion to be executed, his excuse being that it was dangerous for two Cæsars to be in the world together; and thus died the last of the Ptolemaic404 Pharaohs of Egypt, the son and only real heir of the great Julius Cæsar. The two other children who remained in the Palace, Ptolemy and Cleopatra Selene, were shipped off to Rome as soon as possible, and messengers seem to have been despatched to Media to take possession of Alexander Helios who had probably been sent thither, as we have already seen.

Octavian ordered that the Queen be buried with full honors next to Antony, where she had wanted to be laid to rest. It seems he sent messengers to Berenice to try to stop Cæsarion from leaving for India, having heard that the young man had chosen to stay in that town until the last possible moment. His tutor, Rhodon, advised him to trust Octavian; following this advice, they returned to Alexandria, arriving shortly after Cleopatra’s death. Octavian immediately ordered Cæsarion’s execution, justifying it by claiming that it was dangerous for two Cæsars to exist in the world at the same time; thus, the last of the Ptolemaic404 Pharaohs of Egypt, the son and only legitimate heir of the great Julius Cæsar, was killed. The other two children who remained in the Palace, Ptolemy and Cleopatra Selene, were sent to Rome as quickly as possible, and messengers were dispatched to Media to take possession of Alexander Helios, who had probably been sent there, as we've already noted.

In my opinion, Octavian now decided to take over Egypt as a kind of personal possession. He did not wish to cause a revolution in the country by proclaiming it a Roman province; and he seems to have appreciated the ceaseless efforts of Cleopatra and her subjects to prevent the absorption of the kingdom in this manner. He therefore decided upon a novel course of action. While not allowing himself to be crowned as actual King of Egypt, he assumed that office by tacit agreement with the Egyptian priesthood. He seems to have claimed, in fact, to be heir to the throne of the Ptolemies. Julius Cæsar had been recognised as Cleopatra’s husband in Egypt, and he, Octavian, was Cæsar’s adopted son and heir. After the elimination of Cleopatra’s three surviving children he was, therefore, the rightful claimant to the Egyptian throne. The Egyptians at once accepted him as their sovereign, and upon the walls of their temples we constantly find his name inscribed in hieroglyphics as “King of Upper and Lower Egypt, Son of the Sun, Cæsar, living for ever, beloved of Ptah and Isis.” He is also called by the title Autocrator, which he took over from Antony, and which, in the Egyptian inscriptions, was recognised as a kind of hereditary royal name, being written within the Pharaonic cartouche.148 His descendants,405 the Emperors of Rome, were thus successively Kings of Egypt, as though heads of the reigning dynasty; and each Emperor as he ascended the Roman throne was hailed as Monarch of Egypt, and was called in all Egyptian inscriptions “Pharaoh” and “Son of the Sun.” The Egyptians, therefore, with the acquiescence of Octavian, came to regard themselves not as vassals of Rome, but as subjects of their own King, who happened at the same time to be Emperor of Rome; and thus the great Egypto-Roman Empire for which Cleopatra had struggled actually came into existence. All Emperors of Rome came to be recognised in Egypt not as sovereigns of a foreign empire of which Egypt was a part, but as actual Pharaohs of Egyptian dominions of which Rome was a part.

In my view, Octavian decided to take control of Egypt as a sort of personal possession. He didn't want to spark a revolution by declaring it a Roman province, and he seemed to understand the constant efforts of Cleopatra and her people to keep the kingdom from being absorbed this way. So, he chose a different approach. Instead of being officially crowned as the King of Egypt, he took on that role by silent agreement with the Egyptian priesthood. It seems he claimed to be the heir to the Ptolemaic throne. Julius Caesar had been recognized as Cleopatra's husband in Egypt, and Octavian, being Caesar's adopted son and heir, felt justified. After Cleopatra's three surviving children were gone, he was the rightful contender for the Egyptian throne. The Egyptians immediately accepted him as their ruler, and his name was regularly inscribed in hieroglyphics on their temple walls as “King of Upper and Lower Egypt, Son of the Sun, Caesar, living forever, beloved of Ptah and Isis.” He was also referred to as Autocrator, a title he inherited from Antony, which was viewed in Egyptian inscriptions as a sort of hereditary royal name, written within the Pharaonic cartouche.148 His descendants,405 the Emperors of Rome, thus became successive Kings of Egypt, as if they were heads of the reigning dynasty; each Emperor was hailed as Monarch of Egypt upon ascending the Roman throne and referred to in all Egyptian inscriptions as “Pharaoh” and “Son of the Sun.” Therefore, with Octavian's consent, the Egyptians came to see themselves not as subjects of Rome, but as subjects of their own King, who was also the Emperor of Rome; and thus the great Egypto-Roman Empire for which Cleopatra had fought actually came into being. All Emperors of Rome were recognized in Egypt not as rulers of a foreign empire of which Egypt was a part, but as actual Pharaohs of Egyptian territories of which Rome was a part.

The ancient dynasties had passed away, the Amenophis and Thutmosis family, the house of Rameses, the line of Psammetichus, and many another had disappeared. And now, in like manner, the house of the Ptolemies had fallen, and the throne of Egypt was occupied by the dynasty of the Cæsars. This dynasty, as it were, supplied Rome with her monarchs; and the fact that Octavian was hailed by Egyptians as King of Egypt long before he was recognised by Romans as Emperor of Rome, gave the latter throne a kind of Pharaonic origin in the eyes of the vain Egyptians. It has usually been supposed that Egypt became a Roman province; but it was never declared to be such. Octavian arranged that it should be governed by a praefectus, who was to act in the manner of a viceroy,149 and he retained the greater part of the Ptolemaic revenues as his personal property.406 While later in Rome he pretended that Cleopatra’s kingdom had been annexed, in Egypt it was distinctly understood that the country was still a monarchy.

The ancient dynasties had faded away— the Amenophis and Thutmosis families, the house of Rameses, the line of Psammetichus, and many others had disappeared. Now, similarly, the house of the Ptolemies had fallen, and the throne of Egypt was held by the dynasty of the Caesars. This dynasty, in a sense, provided Rome with its rulers; and the fact that the Egyptians welcomed Octavian as King of Egypt long before he was recognized by the Romans as Emperor of Rome gave that throne a sort of Pharaonic legacy in the eyes of the prideful Egyptians. It's often assumed that Egypt became a Roman province, but it was never officially designated as such. Octavian arranged for it to be governed by a praefectus, who acted like a viceroy, and he kept most of the Ptolemaic revenues as his personal assets.406 While later in Rome he claimed that Cleopatra’s kingdom had been annexed, in Egypt, it was clearly understood that the country was still a monarchy.

He treated the Queen’s memory with respect, since he was carrying on her line; and he would not allow her statues to be overthrown.150 All her splendid treasures, however, and the gold and silver plate and ornaments were melted down and converted into money with which to pay the Roman soldiers. The royal lands were seized, the palaces largely stripped of their wealth; and when at last Octavian returned to Rome in the spring of B.C. 29, he had become a fabulously rich man.

He honored the Queen’s memory because he was continuing her legacy, and he wouldn’t let her statues be taken down. All her magnificent treasures, along with the gold and silver dishes and decorations, were melted down and turned into cash to pay the Roman soldiers. The royal lands were taken, and the palaces were mostly emptied of their riches. When Octavian finally returned to Rome in the spring of B.C. 29, he had become incredibly wealthy.

On August 13th, 14th, and 15th of the same year three great Triumphs were celebrated, the first day being devoted to the European conquests, the second to Actium, and the third to the Egyptian victory. A statue of Cleopatra, the asp clinging to her arm, was dragged through the streets of the capital, and the Queen’s twin children, Alexander Helios and Cleopatra Selene, were made to walk in captivity in the procession. Images representing Nilus and Egypt were carried along, and an enormous quantity of interesting loot was heaped up on the triumphal cars. The poet Propertius tells us how in fancy he saw “the necks of kings bound with golden chains, and the fleet of Actium sailing up the Via Sacra.” All men became unbalanced by enthusiasm, and stories derogatory to Cleopatra were spread on all sides. Horace, in a wonderful ode, expressed the public sentiments, and denounced the unfortunate Queen as an enemy of Rome. Honours were heaped upon Octavian;407 and soon afterwards he was given the title of Augustus, and was named Divi filius, as being heir of Divus Julius. He took great delight in lauding the memory of the great Dictator, who was now accepted as one of the gods of the Roman world; and it is a significant fact that he revived and reorganised the Lupercalia, as though he were in some manner honouring Cæsar thereby.151

On August 13th, 14th, and 15th of that year, three major Triumphs took place. The first day was dedicated to European conquests, the second to Actium, and the third to the victory in Egypt. A statue of Cleopatra, with an asp wrapped around her arm, was paraded through the streets of the capital, and the Queen's twin children, Alexander Helios and Cleopatra Selene, were made to walk in chains during the procession. Images representing the Nile and Egypt were carried along, and a massive amount of valuable loot was piled up on the triumphal cars. The poet Propertius described how he imagined seeing "kings' necks bound with golden chains, and the fleet of Actium sailing up the Via Sacra." Everyone became overwhelmed with excitement, and negative stories about Cleopatra spread widely. Horace expressed public opinion in a powerful ode, labeling the unfortunate Queen as an enemy of Rome. Octavian received numerous honors;407 and shortly after, he was given the title of Augustus and called Divi filius, as the heir of Divus Julius. He took great pleasure in celebrating the memory of the great Dictator, who was now revered as a god in the Roman world. Notably, he revived and reorganized the Lupercalia, as if he were honoring Caesar in some way.151

Meanwhile the three children of Cleopatra and Antony found a generous refuge in the house of Octavia, Antony’s discarded wife. With admirable tact Octavian seems to have insisted upon this solution of the difficulty as to what to do with them. Their execution would have been deeply resented by the Egyptians, and, since Octavian was now posing as the legal heir to the throne of Egypt, the dynastic successor of Cleopatra, and not a foreign usurper, it was well that his own sister should look after these members of the royal family. Octavia, always meek and dutiful, accepted the arrangement nobly, and was probably unvaryingly kind to these children of her faithless husband, whom she brought up with her two daughters, Antonia Major and Minor, and Julius Antonius, the second son of Antony and Fulvia, and brother of the murdered Antyllus. When the little Cleopatra Selene grew up she was married to Juba, the King of Numidia, a learned and scholarly monarch, who was later made King of Mauretania. The son of this marriage was named Ptolemy, and succeeded his father about A.D. 19. He was murdered by Caligula, who, by the strange workings of Fate, was also a descendant of Antony. We do not know what became of Alexander Helios and his brother Ptolemy. Tacitus tells us152 that408 Antonius Felix, Procurator of Judæa under the Emperor Nero, married (as his second wife) Drusilla, a granddaughter of Cleopatra and Antony, who was probably another of the Mauretanian family. Octavia died in B.C. 11. Antony’s son, Julius Antonius, in B.C. 2, was put to death for his immoral relations with Octavian’s own daughter Julia, she herself being banished to the barren island of Pandateria. Octavian himself, covered with honours and full of years, died in A.D. 14, being succeeded upon the thrones of Egypt and of Rome by Tiberius, his son.

Meanwhile, Cleopatra and Antony's three children found a generous home with Octavia, Antony’s discarded wife. Octavian, with impressive sensitivity, seems to have pushed for this solution on what to do with them. Executing them would have been greatly opposed by the Egyptians, and since Octavian was now presenting himself as the rightful heir to Cleopatra’s throne and not as a foreign usurper, it was wise for his sister to care for these royal family members. Octavia, always gentle and obedient, accepted this arrangement graciously and was likely consistently kind to the children of her unfaithful husband, raising them alongside her two daughters, Antonia Major and Minor, and Julius Antonius, the second son of Antony and Fulvia, and brother of the murdered Antyllus. When the young Cleopatra Selene grew up, she married Juba, the King of Numidia, a learned ruler who was later made King of Mauretania. Their son was named Ptolemy and succeeded his father around AD 19. He was murdered by Caligula, who, ironically, was also a descendant of Antony. We don't know what happened to Alexander Helios and his brother Ptolemy. Tacitus tells us152 that408 Antonius Felix, Procurator of Judæa under Emperor Nero, married Drusilla, a granddaughter of Cleopatra and Antony, who was likely another member of the Mauretanian family. Octavia died in BCE 11. Antony’s son, Julius Antonius, was executed in BCE 2 for his immoral relationship with Octavian’s own daughter Julia, who was herself banished to the desolate island of Pandateria. Octavian, honored and aged, died in CE 14, and was succeeded in Egypt and Rome by his son Tiberius.

During the latter part of the reign of Octavian, or Augustus, as one must call him, the influence of Alexandria upon the life of Rome began to be felt in an astonishing degree; and so greatly did Egyptian thought alter the conditions in the capital that it might well be fancied that the spirit of the dead Cleopatra was presiding over that throne which she had striven to ascend. Ferrero goes so far as to suggest that the main ideas of splendid monarchic government and sumptuous Oriental refinement which now developed in Rome were due to the direct influence of Alexandria, and perhaps to the fact that the new emperors were primarily Kings of Egypt. Alexandrian artists and artisans swarmed over the sea to Italy, and the hundreds of Romans who had snatched estates for themselves in Egypt travelled frequently to that country on business, and unconsciously familiarised themselves with its arts and crafts. Alexandrian sculpture and painting was seen in every villa, and the poetry and literature of the Alexandrian school were read by all fashionable persons. Every Roman wanted to employ Alexandrians to decorate his house,409 everybody studied the manners and refinements of the Græco-Egyptians. The old austerity went to pieces before the buoyancy of Cleopatra’s subjects, just as the aloofness of London has disappeared under the Continental invasion of the last few years.

During the latter part of Octavian’s reign, or Augustus as we now refer to him, the influence of Alexandria on Rome became incredibly pronounced; so much so that it seemed like the spirit of the deceased Cleopatra was overseeing the throne she once sought to claim. Ferrero even suggests that the grand ideals of royal governance and lavish Oriental elegance that emerged in Rome were largely a result of Alexandria’s influence, as well as the fact that the new emperors were essentially Kings of Egypt. Alexandrian artists and craftsmen flooded to Italy, and the many Romans who had grabbed land for themselves in Egypt frequently traveled there for business, unknowingly familiarizing themselves with its art and craftsmanship. Alexandrian sculpture and painting adorned every villa, and the poetry and literature from the Alexandrian school were popular among fashionable people. Every Roman aimed to hire Alexandrians to decorate their homes, and everyone adopted the customs and sophistication of the Græco-Egyptians. The old seriousness crumbled under the vibrant influence of Cleopatra’s followers, much like how the coldness of London has lessened in the face of the recent Continental influx.

Thus it may be said that the Egypto-Roman Empire of Cleopatra’s dreams came to be founded in actual fact, with this difference, that its monarchs were sprung from the line of Octavian, Cæsar’s nephew, and not from that of Cæsarion, Cæsar’s son. But while Egypt and Alexandria thus played such an important part in the creation of the Roman monarchy, the memory of Cleopatra, from whose brain and whose influence the new life had proceeded, was yearly more painfully vilified. She came to be the enemy of this Orientalised Rome, which still thought itself Occidental; and her struggle with Octavian was remembered as the evil crisis through which the party of the Cæsars had passed. Abuse was heaped upon her, and stories were invented in regard to her licentious habits. It is upon this insecure basis that the world’s estimate of the character of Cleopatra is founded; and it is necessary for every student of these times at the outset of his studies to rid his mind of the impression which he will have obtained from these polluted sources. Having shut out from his memory the stinging words of Propertius and the fierce lines of Horace, written in the excess of his joy at the close of the period of warfare which had endangered his little country estate, the reader will be in a position to judge whether the interpretation of Cleopatra’s character and actions, which I have laid before him, is to be considered as unduly lenient, and whether I have made unfair use of410 the merciful prerogative of the historian, in behalf of an often lonely and sorely tried woman, who fought all her life for the fulfilment of a patriotic and splendid ambition, and who died in a manner “befitting the descendant of so many kings.”

So, it can be said that the Egypto-Roman Empire of Cleopatra's dreams was actually established, but with a key difference: its rulers came from Octavian's line, Caesar's nephew, not from Caesarion, Caesar's son. While Egypt and Alexandria played such a significant role in creating the Roman monarchy, Cleopatra's memory—who was the mastermind behind this new life—was increasingly tarnished each year. She became seen as the enemy of this Eastern-influenced Rome, which still considered itself Western; and her conflict with Octavian was remembered as the dark turning point for the Caesar faction. She was subjected to abuse, and stories were made up about her supposed scandalous behavior. This shaky foundation forms the world's view of Cleopatra's character, and anyone studying this era must first clear their mind of the impressions shaped by these tainted sources. After setting aside the harsh words of Propertius and the fierce lines of Horace, written in the joyous aftermath of the wars that had threatened his small estate, the reader will be better positioned to decide if my interpretation of Cleopatra's character and actions is overly forgiving, and whether I have misused the historian's privilege to advocate for a woman who often stood alone and faced immense challenges, who fought throughout her life for a proud and noble ambition, and who died in a way “befitting the descendant of so many kings.”

THE END.

THE END.

PRINTED BY WILLIAM BLACKWOOD AND SONS.

PRINTED BY WILLIAM BLACKWOOD AND SONS.


GENEALOGY OF THE PTOLEMIES.

                                   LAGOS.
                                     |
                                     +--------+
                                              |
          FIRST HUSBAND. = BERENICE I., = PTOLEMY I.,
                         | grandniece   |  Soter I.,
                         | of Antipater | a General of
                         | of Macedon.  | Alexander the
                         |          | Great, afterwards
                         |          | King of Egypt.
                         |          |
        +----------------+      +-------+-----+
        |                       |             |
      MAGAS, = APAMA       ARSINOE II., = PTOLEMY II.,   =  ARSINOE I.,
       King  |   of        second wife    Philadelphus,  |  first wife,
        of   | Syria.      and sister,    King of Egypt. |  daughter of
     Cyrene. |             first                         |  Lysimachos,
             |             married to                    |  King of
             |             Lysimachos,                   |  Thrace.
             |             King of Thrace.               |
             |                                           |
             +---------------+             +-------------+
                             |             |
                    BERENICE II. = PTOLEMY III.,
                                     | Euergetes I.,
                                     | King of Egypt.
                                     |
                           +---------+-------+-------------------+
                           |                 |                   |
ANTIOCHOS              PTOLEMY IV.,  =  ARSINOE III.           MAGAS.
the Great,              Philopator,  |
 King of              King of Egypt. |
 Syria.                              |
   |                                 |
   +-----+             +-------------+
         |             |
    CLEOPATRA I. = PTOLEMY V.,
                 | Epiphanes,
                 | King of Egypt.
                 |
           +-----+------------------+----------------+--------+
           |                        |                |        |
       PTOLEMY VI.,             PTOLEMY VII.  = CLEOPATRA II. |
         Eupator,                Philometor,  |               |
      King of Egypt.           King of Egypt. |               |
                                              |               |
                                              |               |
        +----------------------------+--------+               |
        |                            |                        |
    PTOLEMY VIII.,            CLEOPATRA III. = PTOLEMY IX.,   |
    Neos Philopator,                         | Euergetes II., |
    King of Egypt.                           | King of Egypt. |
                                             |                |
           +----------------+----------------+-----+          |
           |                |                  |          |
N.N. = PTOLEMY X.,   = CLEOPATRA IV.            SELENE.       |
       Soter II.,    |                                        |
      King of Egypt. |                                        |
                     |                                        |
      +------------+-+----------------+--------+              |
      |            |                  |        |              |
CLEOPATRA V. = PTOLEMY XIII.,  = N.N. |  BERENICE III. = PTOLEMY XI.,
             |  Neos Dionysos, |      |                | Alexander I.,
             |    “Auletes.”   |      |                | King of Egypt.
             |                  |      |                |
             |                   |   PTOLEMY,            |
             |                   |   King of             |
             |                   |   Cyprus.             |
             |                       PTOLEMY XII.,
             |                            Alexander II.,
             |                            King of Egypt.
     +-------+-------+         +-------+
     |               |                 |
CLEOPATRA VI.   BERENICE IV.,          |
                married Archelaus,     |
                High Priest of         |
                Komana.                |
                                       |
    +-----------+-------+--------------+----------+
    |           |       |                         |
PTOLEMY XV.,    |  ARSINOE IV.    JULIUS = CLEOPATRA VII. = MARCUS
King of Egypt.  |                 CÆSAR. |                | ANTONIUS.
                                            |                |
            PTOLEMY XIV.,                |                |
            King of Egypt.               |                |
                                      CÆSARION,            |
                                   Ptolemy XVI.,          |
                                   King of Egypt.         |
                                                           |
       +-----------------------+--------------------+-----+
       |                       |                    |
ALEXANDER HELIOS,         CLEOPATRA = JUBA,      PTOLEMY.
married Iotapa                       | King of
    of Media.                       | Mauretania.
                                    |
                        +-----------+-------+
                        |                  ?|
                    PTOLEMY,            DRUSILLA. = ANTONIUS FELIX,
                    King of                       |  Procurator of
                  Mauretania.                     |     Judæa.
                                                  |

FOOTNOTES

1 Dickens.

__A_TAG_PLACEHOLDER_0__ Dickens.

2 Sergeant.

__A_TAG_PLACEHOLDER_0__ Sgt.

3 The Egyptian reliefs upon the walls of Dendereh temple and elsewhere show conventional representations of the Queen which are not to be regarded as real portraits. The so-called head of the Queen in the Alexandria Museum probably does not represent her at all, as most archæologists will readily admit.

3 The Egyptian reliefs on the walls of the Dendereh temple and other places show traditional images of the Queen that should not be seen as actual portraits. The so-called head of the Queen in the Alexandria Museum likely doesn’t depict her at all, as most archaeologists will readily agree.

4 This island has now become part of the mainland.

4 This island has now merged with the mainland.

5 For a restoration of the lighthouse, see the work of H. Thiersch.

5 For information on restoring the lighthouse, check out the work by H. Thiersch.

6 Josephus.

__A_TAG_PLACEHOLDER_0__ Josephus.

7 The first Ptolemy brought the body of Alexander to Alexandria, and deposited it, so it is said, in a golden sarcophagus; but this was believed to have been stolen, and the alabaster one substituted.

7 The first Ptolemy brought Alexander's body to Alexandria and reportedly placed it in a golden sarcophagus; however, it was thought to have been stolen and replaced with an alabaster one.

8 Surely not 200 feet, as is sometimes said.

8 Surely not 200 feet, as is sometimes claimed.

9 Some years later, after it had been popularised by Augustus.

9 Some years later, after it became popular thanks to Augustus.

10 Plutarch: Cæsar.

__A_TAG_PLACEHOLDER_0__ Plutarch: Caesar.

11 Bell. Civ. III. 47.

__A_TAG_PLACEHOLDER_0__ Bell. Civ. III. 47.

12 Susemihl. Geschichte der griechischen Litteratur in der Alexandrinerzeit.

12 Susemihl. History of Greek Literature in the Hellenistic Period.

13 In hieroglyphs the name reads Kleopadra. It is a Greek name, meaning “Glory of her Race.”

13 In hieroglyphs, the name is written as Kleopadra. It’s a Greek name that means “Glory of her Race.”

14 Representations of Cleopatra or other sovereigns of the dynasty dressed in Egyptian costume are probably simply traditional.

14 Representations of Cleopatra or other rulers of the dynasty wearing Egyptian costume are likely just traditional.

15 Mommsen.

__A_TAG_PLACEHOLDER_0__ Mommsen.

16 Or do I wrong the hero of Utica?

16 Or am I misjudging the hero of Utica?

17 Porphyry says he died in the eighth year of Cleopatra’s reign, and Josephus states that he was fifteen years of age at his death. This would make him about seven years old at Cleopatra’s accession, which seems probable enough.

17 Porphyry says he died in the eighth year of Cleopatra’s reign, and Josephus states that he was fifteen years old when he died. This would make him around seven years old when Cleopatra came to power, which seems likely enough.

18 He had been Consul with Julius Cæsar in 59.

18 He had served as Consul alongside Julius Caesar in 59.

19 The end of September, owing to irregularities in the calendar, of which we shall presently hear more, corresponded to the middle of July.

19 At the end of September, because of some inconsistencies in the calendar, which we will discuss shortly, it actually fell around the middle of July.

20 According to Plutarch and others; but the incident is not mentioned in Cæsar’s memoirs.

20 According to Plutarch and others; however, the event is not mentioned in Cæsar’s memoirs.

21 I do not know any record of what became of the 2000 men of Pompey’s bodyguard. They probably fled back to Europe on the death of their commanding officer.

21 I don't know what happened to the 2000 men in Pompey's bodyguard. They likely ran back to Europe after their leader died.

22 As Consul he would have been entitled to twelve lictors, as Dictator to twenty-four; but we are not told which number he employed on this occasion.

22 As Consul, he would have been entitled to twelve lictors, and as Dictator to twenty-four; however, we aren't informed about which number he used this time.

23 I quote the telling phrase used by Warde Fowler in his ‘Social Life at Rome.’

23 I quote the significant phrase used by Warde Fowler in his ‘Social Life at Rome.’

24 In interpreting the situation thus, I am aware that I place myself at variance with the accepted view which attributes to Cæsar an eagerness to return quickly to Rome.

24 In seeing it this way, I realize that I am disagreeing with the common belief that Cæsar was eager to get back to Rome quickly.

25 It is not certain whether the 2000 horse are to be included or not in the total of 20,000.

25 It’s uncertain whether the 2000 horses are included in the total of 20,000.

26 In spite of the statement to the contrary in De Bello Alexandrino.

26 Despite the contrary statement in De Bello Alexandrino.

27 So the early writers state.

__A_TAG_PLACEHOLDER_0__ that's what the early writers claim.

28 Page 235.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

29 It is usually stated that Cæsar remained in Egypt chiefly because he was in need of money, as is suggested by Dion, xlii. 9 and 34; Oros, vi. 15, 29, and Plutarch, 48. But the small sum which he took from the Egyptians is against this theory.

29 It’s often said that Caesar stayed in Egypt mainly because he needed money, as indicated by Dion, xlii. 9 and 34; Oros, vi. 15, 29, and Plutarch, 48. However, the small amount he took from the Egyptians contradicts this theory.

30 In ancient Egypt the princes and princesses often had male “nurses,” the title being an exceedingly honourable one. The Egyptian phrase sometimes reads “great nurse and nourisher,” and M. Lefebvre tells me that in a Fayoum inscription the tutor of Ptolemy Alexander is called τροφεὺς καὶ τιθηνὸς Ἀλεξάνδρου.

30 In ancient Egypt, princes and princesses often had male “nurses,” a title that was very prestigious. The Egyptian phrase sometimes translates to “great nurse and nourisher,” and M. Lefebvre informs me that in a Fayoum inscription, the tutor of Ptolemy Alexander is referred to as Alexander's caregiver and nurse.

31 Plutarch.

__A_TAG_PLACEHOLDER_0__ Plutarch.

32 See p. 31.

__A_TAG_PLACEHOLDER_0__ Check p. __A_TAG_PLACEHOLDER_1__.

33 Note also (p. 112) Cæsar’s departure with his army from the besieged Palace.

33 Note also (p. 112) Caesar’s departure with his army from the besieged Palace.

34 This was actually some time in January.

34 This was actually sometime in January.

35 Just as the British Army of Occupation now in Egypt was originally stationed there to support the Khedive upon his throne and to keep order.

35 Just like the British Army of Occupation currently in Egypt was originally placed there to support the Khedive on his throne and maintain order.

36 Corresponding to the actual season of February.

36 Corresponding to the current season of February.

37 Pliny, vi. 26.

__A_TAG_PLACEHOLDER_0__ Pliny, Book 6, Chapter 26.

38 Pliny, vi. 26.

__A_TAG_PLACEHOLDER_0__ Pliny, vi. 26.

39 Page 57.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

40 It has generally been stated that Cæsar left Egypt before the birth of Cæsarion, an opinion which, in view of the fact that Appian says he remained nine months in Egypt, has always seemed to me improbable; for it is surely more than a coincidence that he delayed his departure from Egypt until the very month in which Cleopatra’s and his child was to be expected to arrive, he having met her in the previous October. Plutarch’s statement may be interpreted as meaning that Cæsar departed to Syria after the birth of his son. I think that Cicero’s remark, in a letter dated in June B.C. 47, that there was a serious hindrance to Cæsar’s departure from Alexandria, refers to the event for which he was waiting. Those who suggest that Cæsar did not remain in Egypt so long are obliged to deny that the authors are correct in stating that he went up the Nile; and they have to disregard the positive statement of Appian that the Dictator’s visit lasted nine months. Moreover, the date of the celebration of Cæsarion’s seventeenth birthday (as recorded on p. 361) is a further indication that he was born no later than the beginning of July.

40 It’s commonly said that Caesar left Egypt before Cæsarion was born, but considering that Appian mentions he stayed in Egypt for nine months, I’ve always found this unlikely. It seems more than just a coincidence that he postponed his departure until the very month Cleopatra and he were expecting a child, after meeting her the previous October. Plutarch’s comment might suggest that Caesar left for Syria after his son was born. I believe Cicero’s note in a letter from June B.C. 47, indicating a significant delay for Caesar’s departure from Alexandria, refers to the birth he was anticipating. Those who argue that Caesar didn’t stay in Egypt that long have to dispute the authors who claim he traveled up the Nile and ignore Appian’s clear statement that the Dictator’s stay was nine months. Additionally, the date of Cæsarion’s seventeenth birthday celebration (as noted on p. 361) further suggests he was born no later than early July.

41 It has generally been thought that this was simply a pleasure cruise up the Nile; but the number of ships (given by Appian) indicates that many troops were employed, and the troops are referred to by Suetonius also.

41 It has generally been believed that this was just a leisure trip up the Nile; however, the number of ships (as noted by Appian) suggests that many soldiers were involved, and Suetonius mentions these troops as well.

42 The thalamegos described by Athenæus was not that used on this occasion, but the description will serve to give an idea of its luxury.

42 The thalamegos mentioned by Athenæus wasn’t the one used here, but his description gives a good sense of its luxury.

43 Athenæus, v. 37. The number of banks of oars and the measurements, as given by him, are probably exaggerated.

43 Athenæus, v. 37. The number of rowers and the measurements he provided are likely overstated.

44 It was presented to the British Government, and now stands on the Thames Embankment in London. It is known as “Cleopatra’s Needle.”

44 It was given to the British Government, and now stands on the Thames Embankment in London. It’s called “Cleopatra’s Needle.”

45 Cicero, A. xi. 17. 13.

__A_TAG_PLACEHOLDER_0__ Cicero, A. 11. 17. 13.

46 He could have performed the journey in five days or less with a favourable wind.

46 He could have made the trip in five days or less with a good wind.

47 Notably Dr Mahaffy.

__A_TAG_PLACEHOLDER_0__  Notably Dr. Mahaffy.

48 Judging by the remark of the commentator on Lucan, ‘Pharsalia,’ x. 521.

48 Judging by the comment made by the commentator on Lucan, ‘Pharsalia,’ x. 521.

49 A coin inscribed with the words Ægypto capta was struck after his return to Rome (Goltzius: de re Numm.)

49 A coin featuring the words Ægypto capta was minted after his return to Rome (Goltzius: de re Numm.)

50 Houssaye, ‘Aspasie, Cleopatre, Theodora,’ p. 91, for example, says that society was shocked at a Roman being in love with an Egyptian; and Sergeant, ‘Cleopatra of Egypt,’ writes: “It was as an Egyptian that Cleopatra offended the Romans.”

50 Houssaye, ‘Aspasie, Cleopatre, Theodora,’ p. 91, for example, says that society was shocked at a Roman being in love with an Egyptian; and Sergeant, ‘Cleopatra of Egypt,’ writes: “It was as an Egyptian that Cleopatra offended the Romans.”

51 Horace’s Ode was written after the engineered talk of the “eastern peril” had done its work—i.e., after Actium.

51 Horace’s Ode was written after the manufactured discussions about the “eastern threat” had taken effect—i.e., after Actium.

52 Ad Atticum, xv. 15.

__A_TAG_PLACEHOLDER_0__ Ad Atticum, xv. 15.

53 I think this fact may be regarded as an argument in favour of the opinion that Cleopatra had been in Rome already several weeks.

53 I believe this fact can be seen as supporting the idea that Cleopatra had already been in Rome for several weeks.

54 Venus and Isis were identified in Rome also.

54 Venus and Isis were recognized in Rome as well.

55 As, for example, when the actor Diphilus alluded to Pompey in the words “Nostra miseria tu es—Magnus” (Cicero, Ad Att. ii. 19).

55 As, for example, when the actor Diphilus referred to Pompey with the words “You are our misery—Great One” (Cicero, Ad Att. ii. 19).

56 I use the words of Oman.

56 I use the words of Oman.

57 Pliny (vi. 26) says that some £400,000 in money was conveyed to India each year in exchange for goods which were sold for one hundred times that amount.

57 Pliny (vi. 26) states that around £400,000 in cash was sent to India every year in return for goods that were sold for a hundred times that amount.

58 Horace, Od. 1, 2.

__A_TAG_PLACEHOLDER_0__ Horace, Odes 1.2.

59 Ferrero writes: “The Queen of Egypt plays a strange and significant part in the tragedy of the Roman Republic.... She desired to become Cæsar’s wife, and she hoped to awaken in him the passion for kingship.” But this is a passing comment.

59 Ferrero writes: “The Queen of Egypt plays a strange and significant role in the tragedy of the Roman Republic.... She wanted to be Cæsar’s wife, and she hoped to ignite his passion for kingship.” But this is a brief comment.

60 No Englishman is troubled by the knowledge that the mother of his king is a Dane, and no Spaniard is worried by the thought that his sovereign has married an Englishwoman. The kinship between Roman and Greek was as close as these.

60 No Englishman is bothered by the fact that the mother of his king is a Dane, and no Spaniard is concerned that his ruler has married an Englishwoman. The connection between Romans and Greeks was just as strong.

61 Porphyry, writing several generations later, states that he died by Cleopatra’s treachery; but he is evidently simply quoting Josephus. Porphyry says that he died in the eighth year of Cleopatra’s reign and the fourth year of his own reign. This is confirmed by an inscription which I observed in Prof. Petrie’s collection and published in ‘Receuil de Traveaux’. This records an event which took place “In the ninth year of the reign of Cleopatra ... [a lacuna] ... Cæsarion.” The lacuna probably reads, “... and in the first (or second) year of the reign of ...” This inscription shows that in the Queen’s ninth year Cæsarion was already her consort, which confirms Porphyry’s statement.

61 Porphyry, writing many generations later, claims that he died due to Cleopatra’s betrayal; but he is clearly just quoting Josephus. Porphyry mentions that he died in the eighth year of Cleopatra’s reign and the fourth year of his own reign. This is backed up by an inscription I saw in Prof. Petrie’s collection and published in ‘Receuil de Traveaux’. This inscription records an event that occurred “In the ninth year of the reign of Cleopatra ... [a gap] ... Cæsarion.” The gap likely reads, “... and in the first (or second) year of the reign of ...” This inscription indicates that in the Queen’s ninth year, Cæsarion was already her consort, which supports Porphyry’s claim.

62 Kaiser, Czar, &c.

__A_TAG_PLACEHOLDER_0__ Kaiser, Czar, etc.

63 Cymbeline.

__A_TAG_PLACEHOLDER_0__ Cymbeline.

64 Both Hammonios and Sarapion are common Egyptian names.

64 Both Hammonios and Sarapion are popular Egyptian names.

65 This may mean that Cleopatra had gone to some other part of Rome either permanently or temporarily.

65 This could mean that Cleopatra had moved to another part of Rome, either for good or just for a while.

66 Suetonius: Cæsar, 76.

__A_TAG_PLACEHOLDER_0__ Suetonius: Caesar, 76.

67 The action februare means “to purify,” here used probably to signify the magical expurgation of the person struck and the banishing of the evil influences which prevented fertility.

67 The action februare means “to purify,” likely referring to the magical cleansing of the person affected and the removal of the negative influences that hindered fertility.

68 Compare also the whip carried by a Sixth Dynasty noble named Ipe, Cairo Museum, No. 61, which seems more than a simple fly-flap.

68 Compare also the whip held by a Sixth Dynasty noble named Ipe, Cairo Museum, No. 61, which appears to be more than just a simple fly swatter.

69 The Egyptian word is mes.

__A_TAG_PLACEHOLDER_0__ The Egyptian term is mes.

70 Plutarch: Brutus.

__A_TAG_PLACEHOLDER_0__ Plutarch: Brutus.

71 According to Suetonius, the Queen had now been sent back to Egypt, but a letter from Cicero, written in the following month, shows that she was in Rome until then.

71 According to Suetonius, the Queen had been sent back to Egypt, but a letter from Cicero, written the following month, shows that she was still in Rome at that time.

72 The site is near the present Campo dei Fiori.

72 The location is close to today's Campo dei Fiori.

73 Plutarch: Cæsar.

__A_TAG_PLACEHOLDER_0__ Plutarch: Caesar.

74 Page 162.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

75 Appian.

__A_TAG_PLACEHOLDER_0__ Appian.

76 Some authors state that he cried “Et tu, Brute”; others that the words “my son” were added; while yet others do not record any words at all.

76 Some authors say that he cried “Et tu, Brute”; others claim that he added the words “my son”; while still others don’t mention any words at all.

77 Ferrero has shown that March 19th was a day of feriae publicae, when the funeral could not take place. It could not well have been postponed later than the next day after this.

77 Ferrero has shown that March 19th was a public holiday, when the funeral could not happen. It couldn’t have been postponed much later than the next day.

78 Page 170.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

79 Which, as will be seen, he ultimately attempted to do.

79 Which, as you will see, he eventually tried to do.

80 See page 235, where I suggest that Serapion had possibly decided to throw in his lot with Arsinoe, who perhaps claimed the kingdom of Cyprus, and to assist the party of Brutus and Cassius against that of Antony which Cleopatra would probably support.

80 See page 235, where I suggest that Serapion might have chosen to ally himself with Arsinoe, who might have claimed the kingdom of Cyprus, and to support Brutus and Cassius against Antony, whom Cleopatra would likely back.

81 Found at Tor Sapienza, outside the Porta Maggiore. The best gold and silver coins of Antony, issued by Cnæus Domitius Ahenobarbus, correspond with the bust in all essentials.

81 Found at Tor Sapienza, outside the Porta Maggiore. The best gold and silver coins of Antony, issued by Cnæus Domitius Ahenobarbus, match the bust in every detail.

82 It is satisfactory to read that Lucilius remained his devoted friend until the end.

82 It’s good to read that Lucilius stayed his loyal friend until the end.

83 St Paul was also trained in this school.

83 St. Paul was also educated in this school.

84 The elephant’s head I describe from that seen upon the Queen’s vessel shown upon the coins.

84 The elephant’s head I’m talking about is from what you see on the Queen’s ship shown on the coins.

85 The recipe for the preparation of incense of about this period is inscribed upon a wall of the temple of Philæ, and shows a vast number of ingredients.

85 The recipe for making incense from around this time is carved on a wall of the temple of Philæ, and it lists a wide variety of ingredients.

86 Plutarch: Antony.

__A_TAG_PLACEHOLDER_0__ Plutarch: Antony.

87 Hor. 1. ii. Sat. 3.

__A_TAG_PLACEHOLDER_0__ Hor. 1. ii. Sat. 3.

88 Josephus says Ephesus, Appian Miletus.

88 Josephus mentions Ephesus, and Appian talks about Miletus.

89 Page 275.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

90 Ferrero.

__A_TAG_PLACEHOLDER_0__ Ferrero.

91 Marquardt: Privatleben, p. 409.

__A_TAG_PLACEHOLDER_0__ Marquardt: Personal Life, p. 409.

92 Page 59.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

93 Prof. Ferrero and others have already pointed this out.

93 Prof. Ferrero and others have already mentioned this.

94 Page 160.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

95 See pp. 196, 197, 291, 305.

__A_TAG_PLACEHOLDER_0__ See pages __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__.

96 The suggestion that an actual marriage took place was first made by Letronne, was confirmed by Kromayer, and was accepted by Ferrero.

96 The idea that a real marriage happened was first proposed by Letronne, confirmed by Kromayer, and accepted by Ferrero.

97 Page 298.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

98 Brocardus: Descriptio Terræ Sanctæ, xiii.

98 Brocardus: Description of the Holy Land, xiii.

99 Page 275.

__A_TAG_PLACEHOLDER_0__ Page __A_TAG_PLACEHOLDER_1__.

100 Fulvia, it will be remembered (page 255), employed 3000 cavalry as a bodyguard under similar circumstances.

100 Fulvia, as you may recall (page 255), used 3000 cavalry as a bodyguard in similar situations.

101 This passage is sometimes quoted to show that no definite marriage had taken place at Antioch; but it only indicates that the marriage to Cleopatra was not accepted as legal in Rome.

101 This passage is sometimes cited to suggest that no formal marriage occurred in Antioch; however, it simply indicates that the marriage to Cleopatra was not recognized as legal in Rome.

102 For the governing of his Eastern Empire Antony found it convenient to make his headquarters at Alexandria during the winter and Syria during the summer, and his movements to and fro were not due to pressing circumstances. The whole Court moved with him, just as, for example, at the present day the Viceregal Court of India moves from Calcutta to Simla. Thutmosis III. and other great Pharaohs of Egypt had gone over to Syria in the summer in this manner.

102 For managing his Eastern Empire, Antony found it easier to set up his main base in Alexandria in the winter and in Syria in the summer, and his travels back and forth weren’t really because of any urgent issues. The entire Court traveled with him, similar to how the Viceregal Court of India moves from Calcutta to Simla today. Thutmosis III and other notable Pharaohs of Egypt had done the same by heading to Syria in the summer.

103 Velleius Paterculus.

__A_TAG_PLACEHOLDER_0__ Velleius Paterculus.

104 I here adopt the statement of Dion, and not that of Plutarch.

104 I agree with Dion's statement, not Plutarch's.

105 Page 286.

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106 I suppose the “purple stone” referred to by Lucan was the famous imperial porphyry from the quarries of Gebel Dukhan, though I am not certain that the stone was used as early as this. Cf. my expedition to these quarries described in my ‘Travels in the Upper Egyptian Deserts.’

106 I guess the “purple stone” that Lucan mentioned was the well-known imperial porphyry from the quarries of Gebel Dukhan, although I'm not sure if the stone was used back then. See my journey to these quarries, which I talk about in my 'Travels in the Upper Egyptian Deserts.'

107 Even Athenæus refers to Antony as being married to Cleopatra; and the reader must remember that, not the fact of the marriage, but only the date at which it occurred, is at all open to question. I do not think this is generally recognised.

107 Even Athenæus mentions that Antony was married to Cleopatra; and the reader should keep in mind that it’s not the marriage itself that's in question, but rather the date it took place. I don’t believe this is widely acknowledged.

108 Ferrero thinks he went direct to Ephesus, but Bouché-Leclercq and others are of opinion that he went first to Alexandria, and with this I agree.

108 Ferrero believes he went straight to Ephesus, but Bouché-Leclercq and others think he first went to Alexandria, and I agree with this.

109 Page 262.

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110 Page 162.

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111 Plutarch.

__A_TAG_PLACEHOLDER_0__ Plutarch.

112 Page 296.

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113 Propertius. Canopus was an Egyptian port with a reputation much like that once held by the modern Port Said. Anubis was the Egyptian jackal-god, connected with the ritual of the dead.

113 Propertius. Canopus was an Egyptian port known for its reputation similar to that of today's Port Said. Anubis was the Egyptian jackal god, associated with the rituals of the dead.

114 An earlier eunuch of the same name, it will be remembered, played an important part in Cleopatra’s youth.

114 An earlier eunuch with the same name, you may recall, played a significant role in Cleopatra’s early years.

115 The numbers given by the early authors are very contradictory, but Plutarch states that Octavian reported the capture of three hundred ships.

115 The figures provided by early writers are quite inconsistent, but Plutarch mentions that Octavian claimed to have captured three hundred ships.

116 Not upon the sixty Egyptian ships, as Plutarch states: that is an evident mistake, as the proportion of numbers per ship will at once show.

116 Not on the sixty Egyptian ships, as Plutarch claims: that's a clear mistake, as the ratio of numbers per ship immediately reveals.

117 The fact that Dellius knew something of the plans for the battle fixes the date of his desertion to this period, as Ferrero has pointed out.

117 The fact that Dellius knew some details about the battle plans dates his desertion to this time, as Ferrero has noted.

118 Dion Cassius states (though he afterwards contradicts himself by speaking of the Queen’s panic) that Antony had agreed to fly to Egypt with Cleopatra, and this view is upheld by Ferrero, Bouché-Leclercq, and others; but I do not consider it probable. One can understand Antony flying after the departing Queen in the agony and excitement of the moment; but it is difficult to believe that such a movement was the outcome of a carefully considered plan of action, for all are agreed that previous to the battle of Actium his chances of success had been very fair. If the two had arranged to retire to Egypt together, why was Cleopatra’s treasure, but not his own, shipped; and why did they refuse to speak to one another for three whole days? Ferrero thinks that he had arranged amicably with Cleopatra to retire to Egypt with her, and that the naval battle had not gone much against him; but surely it is difficult to suppose that he would deliberately desert his huge army and his undefeated navy for strategic reasons.

118 Dion Cassius mentions (though he later contradicts himself by talking about the Queen's panic) that Antony had agreed to flee to Egypt with Cleopatra, and this idea is supported by Ferrero, Bouché-Leclercq, and others; however, I don't think it's likely. It's understandable that Antony would chase after the departing Queen in the heat of the moment; but it's hard to believe that such a move was part of a well-thought-out plan, since everyone agrees his chances of success before the battle of Actium were quite good. If they had planned to escape to Egypt together, why was Cleopatra's treasure shipped but not his own, and why did they avoid speaking to each other for three whole days? Ferrero believes that he had amicably arranged to leave for Egypt with Cleopatra and that the naval battle hadn't gone too poorly for him; but it's certainly hard to believe that he would intentionally abandon his large army and his undefeated navy for strategic reasons.

119 Scholz: Reise zwischen Alex. und Parætonium.

119 Scholz: Journey between Alexandria and Parætonium.

120 Pliny, Epist. iii. 16.

__A_TAG_PLACEHOLDER_0__ Pliny, Letters iii. 16.

121 In a very similar manner Herod, who had taken the part of Antony and who now feared that Octavian would dethrone him in favour of the earlier sovereign, Hyrcanus, put that claimant to death, so that Octavian, as Josephus indicates, should not find it easy to fill Herod’s place.

121 In a similar way, Herod, who had supported Antony and now feared that Octavian would replace him with the former ruler, Hyrcanus, had that claimant killed, so that Octavian, as Josephus points out, would not easily be able to take Herod’s position.

122 I found the remains of this fortress on an island behind the Governorat at Suez.

122 I found the remnants of this fortress on an island behind the Governorat in Suez.

123 Page 116.

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124 Plutarch definitely states this, and I here use the fact as one of the main arguments in my suppositions in regard to Cleopatra’s plans.

124 Plutarch clearly states this, and I am using this fact as one of the main points in my theories about Cleopatra’s plans.

125 I do not think it could have been begun to be built at this time, although Plutarch says so: it would have taken many months to complete. It was more probably already in existence.

125 I don't think it could have started being built at this time, even though Plutarch says otherwise: it would have taken several months to finish. It was more likely already there.

126 Page 272.

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127 Page 130.

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128 Page 147.

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129 I do not think that the celebrations of this anniversary which now took place could possibly have occurred later than the middle of April, and therefore Cæsarion could not have been born later than the beginning of July, an argument which bears on the length of Julius Cæsar’s stay in Egypt, discussed on page 128. It seems always to have been thought that the holding of the anniversary this year was anti-dated for political reasons, but it will be seen that the actual date was adhered to.

129 I don't think that the celebrations for this anniversary could have happened any later than mid-April, so Cæsarion couldn't have been born later than early July. This point is related to how long Julius Cæsar stayed in Egypt, which is discussed on page 128. It's often believed that the anniversary was celebrated earlier this year for political reasons, but it's clear that the actual date was maintained.

130 Page 246.

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131 I fancy that the word asp is used in error, for I should think it much more probable that the deadly little horned viper was meant.

131 I believe that the word "asp" is a mistake, because I think it's much more likely that the lethal little horned viper was intended.

132 In view of the activities of the Arabs of Petra, it is unlikely that she sent him by the sea route from Suez, which was little used by the merchants.

132 Considering the actions of the Arabs of Petra, it seems unlikely that she sent him via the sea route from Suez, which was rarely used by traders.

133 Page 118.

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134 When dying she is said to have regretted that she did not seek safety in flight.

134 When she was dying, it is said that she regretted not escaping.

135 This seems clearly indicated by Plutarch.

135 This is clearly stated by Plutarch.

136 Dion Cassius suggests that Cleopatra did attempt to play into Octavian’s hands, but the accusation is quite unfounded, and is an obvious one to make against the hated enemy.

136 Dion Cassius suggests that Cleopatra tried to manipulate Octavian, but this accusation is baseless and just an easy attack on someone viewed as a hated enemy.

137 This fact, the significance of which has been overlooked, is an interesting indication of Cleopatra’s definite claim to be a manifestation of Venus-Aphrodite-Isis. See pp. 121, 144, 228.

137 This fact, which has been largely ignored, is a fascinating indicator of Cleopatra’s clear assertion of being a representation of Venus-Aphrodite-Isis. See pp. 121, 144, 228.

138 The sounds perhaps came from Octavian’s outposts, which were just outside the Gate of Canopus.

138 The sounds probably came from Octavian’s outposts, located just outside the Gate of Canopus.

139 Page 366.

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140 Plutarch does not give Serapis as one of the reasons of Octavian’s clemency, but Dion says this was so.

140 Plutarch doesn’t list Serapis as one of the reasons for Octavian’s mercy, but Dion claims that it was.

141 Page 355.

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142 Plutarch tells us that this doctor wrote a full account of these last scenes, from which he evidently quotes.

142 Plutarch tells us that this doctor wrote a detailed account of these final events, from which he clearly quotes.

143 Dion Cassius.

__A_TAG_PLACEHOLDER_0__ Dion Cassius.

144 Octavian now always spoke of the Dictator as his father, and he called himself “Cæsar.”

144 Octavian now always referred to the Dictator as his father, and he called himself “Cæsar.”

145 Plutarch. It is very probable that Cleopatra’s doctor, Olympus, was by her side, and afterwards wrote these words down in the diary which we know Plutarch used.

145 Plutarch. It’s highly likely that Cleopatra’s doctor, Olympus, was with her and later recorded these words in the diary that we know Plutarch used.

146 The following evidence as to the manner of the Queen’s death is given by Plutarch, and it is clear that it was the result of an investigation such as I have described.

146 The evidence regarding the Queen's death is provided by Plutarch, and it's clear that it resulted from an investigation like the one I've described.

147 Page 365.

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148 In hieroglyphs this reads Aut’k’r’d’r K’s’r’s.

__A_TAG_PLACEHOLDER_0__ In hieroglyphs, this reads Aut’k’r’d’r K’s’r’s.

149 Strabo, xvii. i. 14; Tacitus, Hist. i. 11.

149 Strabo, xvii. i. 14; Tacitus, Hist. i. 11.

150 This was said to have been due to a bribe received from one of Cleopatra’s friends, but it was more probably political.

150 This was said to be because of a bribe from one of Cleopatra’s friends, but it was more likely political.

151 Page 174.

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152 Tacitus, Hist., v. 9.

__A_TAG_PLACEHOLDER_0__ Tacitus, History, Book 5, Chapter 9.

Transcriber’s Notes

Punctuation, hyphenation, and spelling were made consistent when a predominant preference was found in this book; otherwise they were not changed.

Punctuation, hyphenation, and spelling were made consistent when a clear preference was found in this book; otherwise, they were left unchanged.

Simple typographical errors were corrected; occasional unbalanced quotation marks retained.

Simple typos were fixed; some uneven quotation marks were kept.

Ambiguous hyphens at the ends of lines were retained.

Ambiguous hyphens at the ends of lines were kept.

Page 8: The quotation beginning with “had an irrestible charm” had no closing quotation mark. Transcriber added one after “her voice when she spoke.” It may belong earlier, after “certain piquancy.”

Page 8: The quote starting with “had an irresistible charm” didn’t have a closing quotation mark. The transcriber added one after “her voice when she spoke.” It might actually belong earlier, after “certain piquancy.”

In the Genealogy Chart, “CLEOPATRA VII.” was printed in all-caps boldface. Other all-caps names originally were printed in small-caps.

In the Genealogy Chart, “CLEOPATRA VII.” was printed in bold, all caps. Other names that were also in all caps were initially printed in small caps.

Footnote 129, originally footnote 3 on page 361: “anti-dated” was printed that way.

Footnote 129, originally footnote 3 on page 361: “anti-dated” was printed like that.


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