This is a modern-English version of Journal 01, 1837-1846: The Writings of Henry David Thoreau, Volume 07 (of 20), originally written by Thoreau, Henry David. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Transcriber's Note:

Note from the Transcriber:

Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected.

Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected.

The following alternate spellings were noted, but retained:

The following alternate spellings were noted, but kept:

  • contemporaries and cotemporaries
  • Bramins and Brahmins
  • Shakspeare and Shakespeare
  • Sanskrit and Sanscrit
  • Catskills and Caatskills

THE WRITINGS OF
HENRY DAVID THOREAU
IN TWENTY VOLUMES
VOLUME VII

THE WORKS OF
H.D. Thoreau
In 20 volumes
VOLUME 7

MANUSCRIPT EDITION
LIMITED TO SIX HUNDRED COPIES
NUMBER ——

MANUSCRIPT EDITION
LIMITED TO SIX HUNDRED COPIES
NUMBER ——

White Violets (page 304)

White Violets (page 304)

View from Annursnack Hill

View from Annursnack Hill

THE WRITINGS OF

HENRY DAVID THOREAU

THE WRITINGS OF

HENRY DAVID THOREAU

JOURNAL

EDITED BY BRADFORD TORREY

Edited by Bradford Torrey

I
1837-1846

I 1837-1846

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BOSTON AND NEW YORK
HOUGHTON MIFFLIN AND COMPANY
MDCCCCVI

BOSTON AND NEW YORK
HOUGHTON MIFFLIN AND COMPANY
1906

COPYRIGHT 1906 BY HOUGHTON, MIFFLIN & CO.

COPYRIGHT 1906 BY HOUGHTON, MIFFLIN & CO.

All rights reserved

All rights reserved.

PUBLISHERS' NOTE

Aside from the use Thoreau himself made of his Journal in writing his more formal works, the first extensive publication of the Journal material began in 1881 with "Early Spring in Massachusetts." This volume consisted of extracts covering the month of March and parts of February and April, arranged according to the days of the month, the entries for the successive years following one another under each day. It was edited by Thoreau's friend Mr. H. G. O. Blake, to whom the Journal was bequeathed by Miss Sophia Thoreau, who died in 1876. It was succeeded in 1884 by a volume entitled "Summer," which in reality covered only the early summer, and that, in turn, by "Winter" in 1887 and "Autumn" in 1892, all made by Mr. Blake on the same principle. These volumes, from the first to the last, were received with delight by the ever-increasing body of Thoreau's admirers, but they have served to whet rather than satisfy the appetite of readers, and it has long been evident that they ought not to stand alone as representing this important phase of Thoreau's activity. The publishers therefore gladly seized the opportunity afforded, when the Journal, on the death of Mr. Blake, passed into the hands of Mr. E. H. Russell of Worcester, who was desirous of giving it to the public in its entirety, and they at once made arrangements with him to bring it out in extenso as soon as the long labor of copying and comparing the manuscripts could be completed. As editor the publishers have been so fortunate as to secure Mr. Bradford Torrey, who is eminently qualified to consider Thoreau both as a writer and as an observer of nature.

Aside from how Thoreau used his Journal to write his more formal works, the first major publication of Journal material started in 1881 with "Early Spring in Massachusetts." This volume included extracts from March and parts of February and April, organized by the days of the month, with entries for successive years listed under each day. It was edited by Thoreau's friend Mr. H. G. O. Blake, to whom the Journal was left by Miss Sophia Thoreau, who passed away in 1876. This was followed in 1884 by a volume called "Summer," which only covered the early summer, and then by "Winter" in 1887 and "Autumn" in 1892, all edited by Mr. Blake in the same manner. From the first volume to the last, these books were enthusiastically received by Thoreau's growing fan base, but they sparked more interest than they satisfied, making it clear for a long time that they shouldn't be the only representation of this important aspect of Thoreau's work. Therefore, when Mr. Blake died and the Journal was transferred to Mr. E. H. Russell of Worcester, who wanted to publish it in full, the publishers quickly seized the opportunity and arranged with him to release it completely as soon as the lengthy process of copying and comparing the manuscripts was finished. The publishers were fortunate to secure Mr. Bradford Torrey as editor, as he is exceptionally qualified to evaluate Thoreau both as a writer and as a nature observer.

EDITOR'S PREFACE

Concerning this first practically complete printing of Thoreau's Journal it seems proper to make the following explanations, in addition to those contained in the Publishers' Note:—

Concerning this first nearly complete printing of Thoreau's Journal, it seems appropriate to include the following explanations, in addition to those found in the Publishers' Note:—

1. It has been found necessary, if the Journal was to be of comfortable use by ordinary readers, to punctuate it throughout. Otherwise each reader would have been compelled to do the work for himself. A literal reproduction, like the literal reproduction of Milton's minor poems, for example, may some day be of interest to antiquaries and special students; but such an edition could never be adapted, more than the literal reproduction of Milton's manuscripts, to the needs of those who read for pleasure and general profit.

1. It has been found essential, if the Journal is to be easily used by regular readers, to punctuate it throughout. Otherwise, each reader would have had to do that work themselves. A literal reproduction, like the exact reproduction of Milton's minor poems, for instance, may someday be interesting to historians and specialized scholars; but such an edition could never cater, just like the exact reproduction of Milton's manuscripts, to the needs of those who read for enjoyment and general benefit.

2. Certain things have been omitted; i. e., incomplete sentences, where parts of pages have been torn out by the writer; long quotations, especially from Latin authors, entered without comment, as in a commonplace-book; Maine woods matter—"Chesuncook" and "The Allegash and East Branch"—already printed in extenso in the volume entitled "The Maine Woods;" a few long lists of plants, etc., recapitulating matter contained in the preceding pages; the word ultimo, or ult., which in hundreds of instances is written where the context makes it plain that instant was the word intended; a proper name here and there, out of regard for the feelings of possible relatives or descendants of the persons mentioned; guesses at the identification of particular plants,—willows, goldenrods, and the like,—often accompanied by tediously minute technical descriptions, the whole evidently meant as mere memoranda for the writer's possible future guidance, and believed to be of no interest now, even to the botanical reader.

2. Certain things have been left out; i. e., incomplete sentences, where parts of pages have been torn out by the writer; long quotes, especially from Latin authors, included without comment, like in a commonplace book; Maine woods content—"Chesuncook" and "The Allegash and East Branch"—already published in extenso in the book titled "The Maine Woods;" a few lengthy lists of plants, etc., summarizing information already covered in the previous pages; the word ultimo, or ult., which in hundreds of cases is written where the context clearly indicates that instant was the intended word; a proper name here and there, out of respect for the feelings of any potential relatives or descendants of the individuals mentioned; attempts to identify specific plants—willows, goldenrods, and so on—often accompanied by overly detailed technical descriptions, all clearly intended as mere notes for the writer's possible future reference, and considered to be of no interest now, even to a botanical reader.

3. In the case of passages which Thoreau had revised, mostly in pencil, the editor has commonly printed the original form when the amended one has been followed in already printed volumes. In other cases the amended version has been given. Corrections of error have always been allowed to stand, except that, where it is plain that the correction must have been made at a date later than that of the original entry, the correction has been printed as a footnote, without brackets.

3. For passages that Thoreau edited, mostly in pencil, the editor usually prints the original wording when the updated one has already appeared in previous editions. In other instances, the revised version is provided. Corrections of mistakes have consistently been kept, except when it’s clear that the correction was made after the original entry, in which case the correction is shown as a footnote, without brackets.

4. The footnotes of the editor are always in brackets.

4. The editor's footnotes are always in brackets.

5. Where parts of the Journal have been printed in the author's books, the editor and his associate, as far as their knowledge has gone, have indicated the fact, citing first the present and then the Riverside edition,—thus: "Week, p. 305; Riv. 379." References to "Channing" are to "Thoreau, the Poet-Naturalist," by William Ellery Channing, new edition, edited by Mr. F. B. Sanborn. References to "Sanborn" are to "Henry D. Thoreau," by F. B. Sanborn, in the American Men of Letters.

5. Where sections of the Journal have been printed in the author's books, the editor and his assistant have noted this, as far as they know, citing first the current edition and then the Riverside edition, like this: "Week, p. 305; Riv. 379." References to "Channing" refer to "Thoreau, the Poet-Naturalist," by William Ellery Channing, new edition, edited by Mr. F. B. Sanborn. References to "Sanborn" refer to "Henry D. Thoreau," by F. B. Sanborn, in the American Men of Letters.

6. The earlier manuscript volumes of the Journal, as we now have them, are evidently not the originals, but are made up of selections from volumes that appear to have been destroyed by the author.

6. The earlier manuscript volumes of the Journal, as we have them now, are clearly not the originals, but are compiled from selections of volumes that seem to have been destroyed by the author.

It remains only to add the editor's very hearty acknowledgements to his associate, Mr. Francis H. Allen, who has overseen and verified the copying of the manuscript, an onerous task, and in every way, by counsel and labor, has facilitated, not to say made possible, the completion of the work. ix

It’s important to express the editor's sincere thanks to his colleague, Mr. Francis H. Allen, who has managed and checked the copying of the manuscript. This was a challenging job and, through his advice and hard work, he has greatly helped make the completion of this project possible. ix

CONTENTS

INTRODUCTION xix
CHAPTER I. 1837 (Æt. 20)

Opening of the Journal—Quotations from Goethe—Ducks at Goose Pond—The Arrowhead—With and Against the Stream—Discipline—Sunrise—Harmony—The World from a Hilltop—Hoar Frost—Measure—Thorns—Jack Frost—Druids—Immortality Post—The Saxons—Crystals—Revolutions—Heroes—The Interesting Facts in History.
3
CHAPTER II. 1838 (Æt. 20-21)

The Saxons—Hoar Frost—Zeno, the Stoic—Small Talk—Old Books—Greece—Goethe—Homer—A Sunday Scene—What to Do—Composition—Scraps from a Lecture on Society—The Indian Axe—Friendship—Conversation—The Bluebirds—Journey to Maine—May Morning—Walden—Cliffs—Heroism—Divine Service—The Sabbath Bell—Holy War—The Loss of a Tooth—Deformity—Crickets—Sphere Music—Alma Natura—Compensation—My Boots—Speculation—Byron—Fair Haven—Scraps from an Essay on Sound and Silence—Anacreon's Ode to the Cicada—Anacreontics.
25
CHAPTER III. 1839 (Æt. 21-22)

The Thaw—The Dream Valley—Love—The Evening Wind—The Peal of the Bells—The Shrike—Morning—The Teamster—Fat Pine for Spearing—Terra Firma in Society—The Kingdoms of the Earth—The Form of Strength—My Attic—Sympathy—Annursnack—The Assabet—The Breeze's Invitation—The Week on the Concord and Merrimack—The Walk to the White Mountains—The Wise Rest—Æschylus—Growth—Despondency—Linnæus—Bravery—Noon—Scraps xi from a Chapter on Bravery—Friendship—Crickets.
71
CHAPTER IV. 1840 (Æt. 22-23)

The Fisher's Son—Friends—Poetry—A Tame Life—Æschylus—Truth—Duty—Beauty lives by Rhymes—Fishes—Muskrats—The Freshet—Important Events—Ornithology—Inward Poverty—Wild Ducks—The World as a Theatre for Action—Rain—Farewell, Etiquette!—War—The Beginning of the Voyage on the Concord and Merrimack—The Boat—End of the Journal of 546 Pages—Reflections—A Sonnet to Profane Swearing—Down the Concord—The Landscape through a Tumbler—Likeness and Difference—A Drum in the Night—The Inspired Body—Dullness—The Yankee Answer—Greek Philosophers—Rhythm and Harmony—Evening—Paradox—Sailing—A Stately March—Effort the Prerogative of Virtue—The True Poem—Sunrise—A Muster—The Great Ball—Fishing and Sporting—The Golden Mean—Grecian History—The Eye—True Art—Necessity—Dress—Bravery.
110
CHAPTER V. 1841 (Æt. 23-24)

Routine—Stillness—Seriousness cutting Capers—Wealth is Power—A Dream—Suspicion—Resistance—Rough Usage—Trust in God—Journalizing—The Snow on the Pitch Pines—A Team coming out of the Woods—The Tracks of a Fox—Chasing a Fox—End of the Journal of 396 Pages—Repetition—Weight—Sincerity—The Etiquette of Keeping One's Seat—The Human Voice—Swiss Singers—Costume—The Value of the Recess in a Public Entertainment—Assisting Nature—Prophecy—The Geniality of Cold—Recognition of Greatness—Victory and Defeat—The Lover's Court—The Measure of Time—My Journal—The Industriousness of Vice—Overpraising—Silence—True Modesty—The Helper and the Helped—A Poor Farm—Bronchitis—A Good Book—The Leisure of Society and Nature—The Grandeur of the Storm—Music—Friends—The xii Care of the Body—The Best Medicine—Life—Diversion and Amusement—Composition—The Sound of a Horn—Boarding—Thoroughfares of Vice—Reproof—An Interpretation of Emerson's "Sphinx"—Homeliness in Books—Aubrey—The Loneliness of our Life—Seriousness—Magnanimity—Moral Reflections in a Work on Agriculture—Tea-Kettle and Cow-Bell—Plowing—Eclipsing Napoleon's Career—The True Reformer—Seeing—Friendship's Steadfastness—The Gods side with no Man—A Profane Expression—The Silence of the Woods—The Civilization of the Woods—The Oppression of the House—Shoulders—Approaching a Great Nature—The Use of a Cane—Wachusett—Navigation—The Pine—Westward Ho!—The Echo of the Sabbath Bell heard in the Woods—Books—The Laws of Menu—A Vermonter—The Moon through a Telescope—Immemorial Custom—An Unchangeable Morning Light—The Book of the Hindoos—History and Biography—The Form of a Mountain—Art and Nature—The Strains of a Flute—Earnestness—Afternoon—Various Sounds of the Crickets—The Work of Genius—The Idea of Man in the Hindoo Scripture—The Hindoo's Conception of Creation—Taste and Poetry—The Austerity of the Hindoos—The Only Obligation—Seines in the River—Moonlight the Best Restorer of Antiquity—A Poem to be called "Concord"—A Boat floating amid Reflections—Poetry—Directions for setting out Peach Trees and Grape-Vines—Experience at the Harvard Library—The English Poets—Saxon Poetry—Character—The Inward Morning—Music and Character—The Form of the Wind—Ancient Scotch Poetry—My Redeeming Qualities—The Smoke from an Invisible Farmhouse—Latent Eloquence—Ghosts—Sacred Forests—Thoughts of a Life at Walden—The Rich Man—The Trade of Life—True Greatness—Chaucer—Snowflakes—Books of Natural History.
173
CHAPTER VI. 1842 (Æt. 24-25)

Good Courage—The Church the Hospital for Men's Souls—Chaucer—Popped Corn—The Literary Style of the Laboring xiii Man—Sir Walter Raleigh—Calmness—The Perfume of the Earth—Unhealthiness of Morality—Music from a Music-Box—Raleigh's Faults—Man's Puny Fences—The Death of Friends—Chaucer the Poet of Gardens—Character and Genius—The History of Music—Chaucer's Way of Speaking of God—My Life—Dying a Transient Phenomenon—The Memory of Departed Friends—The Game of Love—A New Day—The Eye—Originality of Nature—Raleigh—The Most Attractive Sentences—Law and the Right—An Old Schoolmate—Carlyle's Writing—The Tracks of the Indian—The Stars and Man—Friendship—The Roominess of Nature—The Exuberance of Plain Speech—Action and Reflection—Common Sense in Very Old Books—Thoughts like Mountains—Insufficiency of Wisdom without Love—I am Time and the World—My Errand to Mankind—Two Little Hawks and a Great One—Flow in Books—Nature's Leniency toward the Vicious—Intercourse—A Fish Hawk—Poetry—Lydgate's "Story of Thebes"—Humor—Man's Destiny—The Economy of Nature.
308
CHAPTER VII. 1845-1846 (Æt. 27-29)

The Beginning of the Life at Walden—A House in the Catskills—The Vital Facts of Life—Relics of the Indians—Auxiliaries and Enemies of the Bean-Field—Therien, the Canadian Woodchopper—A Visit from Railroad Men—Life of Primitive Man—Wild Mice—The Written and the Spoken Language—The Interest and Importance of the Classics—The Fragrance of an Apple—The Race of Man—The Mansions of the Air—Echo—"The Crescent and the Cross"—Carnac—The Heroic Books—Screech Owls—Bullfrogs—Nature and Art—Childhood Memories of Walden Pond—Truth—John Field, a Shiftless Irishman, and his Family—A Hard and Emphatic Life—Language—Plastering the House—Primitive Houses—The Cost of a House—The Romans and Nature—Jehovah and Jupiter—Some Greek Myths—Difficulty of Getting a Living and Keeping out of Debt—The Fox as an Imperfect Man—Reading suggested by Hallam's History of Literature—The Necessaries of Life—A xiv Dog Lost—Therien and the Chickadees—The Evening Robin—The Earth as a Garden—A Flock of Geese.
361
CHAPTER VIII. 1845-1847 (Æt. 27-30)

The Hero—At Midnight's Hour—Wordsworth—Dying Young—The Present Time—Exaggeration—Carlyle's Discovery that he was not a Jackass—Longevity—Life and Death of Hugh Quoil, a Waterloo Soldier—Quoil's Deserted House—Old Clothes—Former Inhabitants of the Walden Woods—The Loon on Walden Pond—Ducks and Geese—The Pack of Hounds—An Unsuccessful Village—Concord Games—Animal Neighbors—Carlyle's Use of the Printer's Art—Northern Slavery—Brister and Zilpha—Making Bread—Emerson and Alcott—A Rabbit—A Town Officer.
403
CHAPTER IX. 1837-1847 (Æt. 20-30)

Friends—The Loading and Launching of the Boat—Gracefulness—On the Merrimack—The Era of the Indian—Fate of the Indian—Criticism's Apology—Life—Suspicion—The Purple Finch—Gower's Poetry—Light—Indian Implements—Success in Proportion to Average Ability—Kindness—Fog—The Attitude of Quarles and his Contemporaries towards Nature—The Mystery of Life—Three-o'clock-in-the-Morning Courage—A Recent Book—Museums—Some Old English Poets—Our Kindred—Friendship—Skating after a Fox—To a Marsh Hawk in the Spring—The Gardener—A Fisherman's Account at the Store—Finny Contemporaries—Marlowe—Thaw—Modern Nymphs—Living by Self-Defense—The Survival of the Birds—The Slaughter-House—The Tragedy of the Muskrat—Carlyle not to be Studied—The Subject of the Lecture—The Character of our Life—The Sovereignty of the Mind—Coöperation.
438 xvi

ILLUSTRATIONS

WHITE VIOLETS, Carbon photograph (page 304) Frontispiece
VIEW FROM ANNURSNACK HILL Colored plate Colored plate
HENRY DAVID THOREAU IN 1854, FROM THE ROWSE CRAYON IN THE CONCORD PUBLIC LIBRARY 1
FROST CRYSTALS AT THE MOUTH OF A HOLE IN A BANK 22
VIEW FROM ANNURSNACK HILL 84
TREES REFLECTED IN THE RIVER 140
WINTER LANDSCAPE FROM FAIRHAVEN HILL 296 xviii

INTRODUCTION

Thoreau was a man of his own kind. Many things may be said of him, favorable and unfavorable, but this must surely be said first,—that, taken for all in all, he was like nobody else. Taken for all in all, be it remarked. Other men have despised common sense; other men have chosen to be poor, and, as between physical comfort and better things, have made light of physical comfort; other men, whether to their credit or discredit, have held and expressed a contemptuous opinion of their neighbors and all their neighbors' doings; others, a smaller number, believing in an absolute goodness and in a wisdom transcending human knowledge, have distrusted the world as evil, accounting its influence degrading, its prudence no better than cowardice, its wisdom a kind of folly, its morality a compromise, its religion a bargain, its possessions a defilement and a hindrance, and so judging of the world, have striven at all cost to live above it and apart. And some, no doubt, have loved Nature as a mistress, fleeing to her from less congenial company, and devoting a lifetime to the observation and enjoyment of her ways. In no one of these particulars was the hermit of Walden without forerunners; but taken for all that he was, poet, idealist, stoic, cynic, naturalist, spiritualist, lover of purity, seeker of perfection, panegyrist of friendship and dweller in a hermitage, freethinker and saint, where shall we look to find his fellow? It seems but the plainest statement of xix fact to say that, as there was none before him, so there is scanty prospect of any to come after him.

Thoreau was truly one of a kind. Many things can be said about him, both good and bad, but one thing stands out above all—he was unlike anyone else. Just to emphasize that point. Other people have disregarded common sense; others have chosen to live simply and have downplayed the importance of physical comfort in favor of higher ideals; some, for better or worse, have looked down on their neighbors and everything they do; a smaller group, believing in absolute goodness and a wisdom beyond human understanding, has viewed the world as corrupt, considering its effects degrading, its caution mere cowardice, its wisdom a form of foolishness, its morality a compromise, its religion a transaction, and its possessions a contamination and a barrier. Judging the world this way, they have tried, against all odds, to live above and apart from it. And surely, some have adored nature like a lover, escaping to her from unsatisfying company and dedicating their lives to observing and enjoying her beauty. In none of these aspects was the hermit of Walden without predecessors; however, considering all that he was—a poet, idealist, stoic, cynic, naturalist, spiritualist, lover of purity, seeker of perfection, admirer of friendship, dweller in solitude, freethinker, and saint—where can we find someone like him? It seems quite clear to say that, like there was none before him, there is little chance of finding anyone like him in the future.

His profession was literature; as to that there is no sign that he was ever in doubt; and he understood from the first that for a writing man nothing could take the place of practice, partly because that is the one means of acquiring ease of expression, and partly because a man often has no suspicion of his own thoughts until his pen discovers them; and almost from the first—a friend (Emerson or another) having given him the hint—he had come to feel that no practice is better or readier than the keeping of a journal, a daily record of things thought, seen, and felt. Such a record he began soon after leaving college, and (being one of a thousand in this respect as in others) he continued it to the end. By good fortune he left it behind him, and, to complete the good fortune, it is at last printed, no longer in selections, but as a whole; and if a man is curious to know what such an original, plain-spoken, perfection-seeking, convention-despising, dogma-disbelieving, wisdom-loving, sham-hating, Nature-worshipping, poverty-proud genius was in the habit of confiding to so patient a listener at the close of the day, he has only to read the book.

His profession was literature; there’s no sign that he ever doubted that. He understood right from the start that for someone who writes, nothing can replace practice. That’s partly because it’s the best way to gain ease of expression, and partly because a person often doesn’t realize their own thoughts until they’re captured on paper. Almost immediately—after a suggestion from a friend (Emerson or someone else)—he realized that the best way to practice is by keeping a journal, a daily record of things he thought about, saw, and felt. He started this practice soon after leaving college and, like many others, he continued it until the end. Fortunately, he left it behind him, and even better, it’s finally published, not just in selections but as a complete work. If someone is curious to know what such an original, straightforward, perfection-seeking, convention-disdaining, dogma-doubting, wisdom-loving, sham-hating, nature-worshipping, poverty-proud genius shared with such a patient listener at the end of each day, they only need to read the book.

The man himself is there. Something of him, indeed, is to be discovered, one half imagines, in the outward aspect of the thirty-nine manuscript volumes: ordinary "blank-books" of the sort furnished by country shopkeepers fifty or sixty years ago, larger or smaller as might happen, and of varying shapes (a customer seeking such wares must not be too particular; one remembers Thoreau's complaint that the universal preoccupation xx with questions of money rendered it difficult for him to find a blank-book that was not ruled for dollars and cents), still neatly packed in the strong wooden box which their owner, a workman needing not to be ashamed, made with his own hands on purpose to hold them.

The man himself is present. There's something about him, I imagine, that's reflected in the appearance of the thirty-nine manuscript volumes: ordinary "blank books" from country shopkeepers fifty or sixty years ago, various in size and shape (a customer looking for such items can't be too picky; it reminds me of Thoreau's complaint that the constant focus on money made it hard for him to find a blank book that wasn't lined for dollars and cents), all neatly stored in the sturdy wooden box that their owner, a hard worker who had no need to be ashamed, crafted himself specifically to hold them.

A pretty full result of a short life they seem to be, as one takes up volume after volume (the largest are found to contain about a hundred thousand words) and turns the leaves: the handwriting strong and rapid, leaning well forward in its haste, none too legible, slow reading at the best, with here and there a word that is almost past making out; the orthography that of a naturally good speller setting down his thoughts at full speed and leaving his mistakes behind him; and the punctuation, to call it such, no better than a makeshift,—after the model of Sterne's, if one chooses to say so: a spattering of dashes, and little else.[1]

A pretty complete outcome of a short life they seem to be, as one picks up volume after volume (the largest ones are found to have about a hundred thousand words) and flips through the pages: the handwriting is strong and quick, leaning forward in its rush, not very easy to read, slow reading at best, with a few words that are nearly impossible to decipher; the spelling reflects a naturally good speller jotting down his thoughts at full speed and leaving mistakes behind; and the punctuation, if you can call it that, is no better than a makeshift—following Sterne's style, if you want to put it that way: a sprinkle of dashes, and not much else.[1]

As for the matter, it is more carefully considered, less strictly improvised, than is customary with diarists. It is evident, in fact, from references here and there, that many of the entries were copied from an earlier pencilled draft, made presumably in the field, "with the eye on the xxi object," while the work as a whole has been more or less carefully revised, with erasures, emendations, and suggested alternative readings.

As for this issue, it's been thought through more thoroughly and less spontaneously than what’s typical for journal writers. It's clear, from various hints throughout, that many of the entries were taken from an earlier rough draft, likely written out in the field, "with the focus on the xxi subject," while the entire piece has been carefully revised, including cross-outs, corrections, and proposed alternative versions.

As we have said, if a man wishes to know Thoreau as he was, let him read the book. One thing he may be sure of: he will find himself in clean, self-respecting company, with no call to blush, as if he were playing the eavesdropper. Of confessions, indeed, in the spicy sense of the word, Thoreau had none to make. He was no Montaigne, no Rousseau, no Samuel Pepys. How should he be? He was a Puritan of Massachusetts, though he kept no Sabbath, was seen in no church,—being very different from Mr. Pepys in more ways than one,—and esteemed the Hebrew scriptures as a good book like any other. Once, indeed, when he was thirty-four years old, he went to a "party." For anything we know, that (with a little sowing of wild oats in the matter of smoking dried lily-stems when a boy) was as near as he ever came to dissipation. And he did not like it. "It is a bad place to go to," he says,—"thirty or forty persons, mostly young women, in a small room, warm and noisy." One of the young women was reputed to be "pretty-looking;" but he scarcely looked at her, though he was "introduced," and he could not hear what she said, because there was "such a clacking." "I could imagine better places for conversation," he goes on, "where there should be a certain degree of silence surrounding you, and less than forty talking at once. Why, this afternoon, even, I did better. There was old Mr. Joseph Hosmer and I ate our luncheon of cracker and cheese together in the woods. I heard all he said, though xxii it was not much, to be sure, and he could hear me. And then he talked out of such a glorious repose, taking a leisurely bite at the cracker and cheese between his words; and so some of him was communicated to me, and some of me to him, I trust."

As we mentioned, if someone wants to understand Thoreau as he truly was, they should read the book. One thing they can be sure of: they'll find themselves in honest, respectable company, with no reason to feel embarrassed, like an eavesdropper. Thoreau had no confessions to make in the scandalous sense of the term. He wasn't a Montaigne, a Rousseau, or a Samuel Pepys. How could he be? He was a Puritan from Massachusetts, though he didn’t observe the Sabbath or attend church—being very different from Mr. Pepys in more ways than one—and he regarded the Hebrew scriptures as just another good book. Once, when he was thirty-four, he went to a "party." For all we know, that (along with a bit of youthful mischief involving smoking dried lily stems) was as close as he ever came to indulgence. And he didn't enjoy it. "It's a bad place to be," he remarked—"thirty or forty people, mostly young women, in a small, warm, noisy room." One of the young women was thought to be "pretty," but he hardly paid attention to her, even though he was "introduced," and he couldn't hear what she said because there was "so much clatter." "I could think of better places for conversation," he continued, "where there would be a certain level of silence around you, and fewer than forty people talking at once. Why, even this afternoon, I had a better time. Old Mr. Joseph Hosmer and I shared our lunch of crackers and cheese in the woods. I heard everything he said, though it wasn't much, and he could hear me. He spoke from such a wonderful calm, enjoying a leisurely bite of cracker and cheese between his words; and I hope some of him reached me, and some of me reached him."

He entertains a shrewd suspicion that assemblies of this kind are got up with a view to matrimonial alliances among the young people! For his part, at all events, he doesn't understand "the use of going to see people whom yet you never see, and who never see you." Some of his friends make a singular blunder. They go out of their way to talk to pretty young women as such. Their prettiness may be a reason for looking at them, so much he will concede,—for the sake of the antithesis, if for nothing else,—but why is it any reason for talking to them? For himself, though he may be "lacking a sense in this respect," he derives "no pleasure from talking with a young woman half an hour simply because she has regular features."

He has a sharp suspicion that gatherings like this are organized for the purpose of matchmaking among the young people! As for him, he just doesn’t get "the point of visiting people you never actually see, and who don’t see you either." Some of his friends make a strange mistake. They go out of their way to talk to pretty young women just because they’re attractive. He can admit that their beauty might be a reason to look at them—even if it’s just for the contrast—but why should that be a reason to strike up a conversation? Personally, although he might be "lacking a sense in this area," he gets "no enjoyment from chatting with a young woman for half an hour just because she has pretty features."

How crabbed is divine philosophy! After this we are not surprised when he concludes by saying: "The society of young women is the most unprofitable I have ever tried." No, no; he was nothing like Mr. Samuel Pepys.

How limited is divine philosophy! After this, we're not shocked when he wraps up by saying, "The company of young women is the least rewarding I've ever experienced." No, no; he was nothing like Mr. Samuel Pepys.

The sect of young women, we may add, need not feel deeply affronted by this ungallant mention. It is perhaps the only one of its kind in the journal (by its nature restricted to matters interesting to the author), while there are multitudes of passages to prove that Thoreau's aversion to the society of older people taken as they run, men and women alike, was hardly less pronounced. In xxiii truth (and it is nothing of necessity against him), he was not made for "parties," nor for clubs, nor even for general companionship. "I am all without and in sight," said Montaigne, "born for society and friendship." So was not Thoreau. He was all within, born for contemplation and solitude. And what we are born for, that let us be,—and so the will of God be done. Such, for good or ill, was Thoreau's philosophy. "We are constantly invited to be what we are," he said. It is one of his memorable sentences; an admirable summary of Emerson's essay on Self-Reliance.

The group of young women, we should mention, need not take offense at this rude reference. It's possibly the only one like it in the journal (which is naturally focused on the author's interests), while there are many excerpts showing that Thoreau's dislike for the company of older people, both men and women, was just as strong. In xxiii fact (and this doesn't necessarily reflect poorly on him), he wasn't made for "parties," clubs, or even general socializing. "I am all without and in sight," Montaigne said, "born for society and friendship." Thoreau was not that way. He was all introspection, meant for contemplation and solitude. And what we are meant to be, let us be—may God's will be done. Such was Thoreau's philosophy, for better or worse. "We are constantly invited to be what we are," he stated. This is one of his notable quotes; an excellent summary of Emerson's essay on Self-Reliance.

His fellow mortals, as a rule, did not recommend themselves to him. His thoughts were none the better for their company, as they almost always were for the company of the pine tree and the meadow. Inspiration, a refreshing of the spiritual faculties, as indispensable to him as daily bread, that his fellow mortals did not furnish him. For this state of things he sometimes (once or twice at least) mildly reproaches himself. It may be that he is to blame for so commonly skipping humanity and its affairs; he will seek to amend the fault, he promises. But even at such a moment of exceptional humility, his pen, reversing Balaam's rôle, runs into left-handed compliments that are worse, if anything, than the original offense. Hear him: "I will not avoid to go by where those men are repairing the stone bridge. I will see if I cannot see poetry in that, if that will not yield me a reflection. It is narrow to be confined to woods and fields and grand aspects of nature only.... Why not see men standing in the sun and casting a shadow, even as trees?... I will try to enjoy them as animals, at least." xxiv

His fellow humans usually didn't appeal to him. His thoughts were much better when he was around the pine tree and the meadow. Inspiration, a lift for his spirit that he needed as much as daily bread, was something his fellow humans never provided. Sometimes (at least once or twice) he lightly criticizes himself for this situation. Maybe he’s at fault for often ignoring humanity and its issues; he promises to try to fix this. But even at that rare moment of humility, his pen, flipping Balaam's role, ends up writing backhanded compliments that are, if anything, worse than the original offense. Listen to him: "I won’t avoid passing by where those guys are fixing the stone bridge. I’ll see if I can find poetry in that, if it can give me a reflection. It’s narrow-minded to limit myself to just woods and fields and the grand sights of nature.... Why not appreciate men standing in the sun and casting a shadow, just like trees?... I’ll try to enjoy them as if they were animals, at least." xxiv

This is in 1851. A year afterward we find him concerned with the same theme, but in a less hesitating mood. Now he is on his high horse, with apologies to nobody. "It appears to me," he begins, "that to one standing on the heights of philosophy mankind and the works of man will have sunk out of sight altogether." Man, in his opinion, is "too much insisted upon. The poet says, 'The proper study of mankind is man.' I say, Study to forget all that. Take wider views of the universe.... What is the village, city, state, nation, aye, the civilized world, that it should concern a man so much? The thought of them affects me, in my wisest hours, as when I pass a woodchuck's hole."

This is in 1851. A year later, we see him focused on the same theme, but with more confidence. Now he’s on his high horse, not apologizing to anyone. "It seems to me," he starts, "that for someone standing on the heights of philosophy, humanity and human creations will have completely faded from view." In his view, man is "overemphasized. The poet says, 'The proper study of mankind is man.' I say, try to forget all that. Look at the bigger picture of the universe.... What do the village, city, state, or nation really matter to a person? The thought of them affects me, in my wisest moments, like when I walk past a woodchuck's hole."

A high horse, indeed! But his comparison is really by no means so disparaging as it sounds; for Thoreau took a deep and lasting interest in woodchucks. At one time and another he wrote many good pages about them; for their reappearance in the spring he watched as for the return of a friend, and once, at least, he devoted an hour to digging out a burrow and recording with painstaking minuteness the course and length of its ramifications. A novelist, describing his heroine's boudoir, could hardly have been more strict with himself. In fact, to have said that one of Thoreau's human neighbors was as interesting to him as a woodchuck would have been to pay that neighbor a rather handsome compliment. None of the brute animals, so called,—we have it on his own authority,—ever vexed his ears with pomposity or nonsense.

A high horse, for sure! But his comparison isn't as insulting as it seems; Thoreau actually had a deep and lasting interest in woodchucks. Over time, he wrote several compelling pages about them; he watched for their return in spring as eagerly as one would for a friend's visit, and at least once, he spent an hour digging out a burrow and meticulously documented the path and length of its tunnels. A novelist describing his heroine's dressing room couldn't have been more detail-oriented. In fact, saying that one of Thoreau's human neighbors was as interesting to him as a woodchuck would have been quite a compliment to that neighbor. None of the so-called brute animals—according to him—ever bothered him with their arrogance or nonsense.

But we have interrupted his discourse midway. "I do not value any view of the universe into which man and xxv the institutions of man enter very largely," he continues.... "Man is a past phenomenon to philosophy." Then he descends a little to particulars. "Some rarely go outdoors, most are always at home at night,"—Concord people being uncommonly well brought up, it would appear,—"very few indeed have stayed out all night once in their lives; fewer still have gone behind the world of humanity and seen its institutions like toadstools by the wayside."

But we’ve interrupted his speech halfway through. "I don't appreciate any perspective on the universe that includes humans and xxv human institutions too much,” he continues.... “Humans are just a fleeting aspect of philosophy.” Then he shifts to specifics. “Some rarely go outside, most are usually at home at night,”—Concord folks seem to be extraordinarily well-raised, it seems,—“very few have actually stayed out all night even once in their lives; and even fewer have looked beyond the human experience and seen its institutions like mushrooms by the roadside.”

And then, having, with this good bit of philosophical "tall talk," brushed aside humanity as a very little thing, he proceeds to chronicle the really essential facts of the day: that he landed that afternoon on Tall's Island, and to his disappointment found the weather not cold or windy enough for the meadow to make "its most serious impression;" also, that the staddles from which the hay had been removed were found to stand a foot or two above the water; besides which, he saw cranberries on the bottom (although he forgot to mention them in their proper place), and noticed that the steam of the engine looked very white that morning against the hillside.

And then, after some philosophical "talking big," he brushed aside humanity as something insignificant, and moved on to share the important details of the day: that he arrived that afternoon on Tall's Island, and to his disappointment found the weather wasn't cold or windy enough for the meadow to really make an impression; also, that the staddles from which the hay had been taken were found to be a foot or two above the water; in addition, he saw cranberries on the bottom (even though he forgot to mention them in the right place), and noticed that the steam from the engine looked very white that morning against the hillside.

All which setting of ordinary valuations topsy-turvy, the lords of creation below the beasts that perish, may lead an innocent reader to exclaim with one of old, "Lord, what is man, that thou art mindful of him? and the son of man, that thou visitest him?"

All this crazy shifting of usual values, with humans lower than the animals that die, might make an innocent reader exclaim like someone from the past, "Lord, what is man that you care about him? And the son of man, that you pay attention to him?"

Nevertheless, we must not treat the matter too lightly, easily as it lends itself to persiflage. Even in this extreme instance it is not to be assumed that Thoreau was talking for the sake of talking, or merely keeping his hand in with his favorite rhetorical weapon, a paradox. That xxvi desiderated "serious impression," at all events, was no laughing matter; rather it was to have been the chief event of the day; of more account to Thoreau than dinner and supper both were likely to be to his farmer neighbor. As for the woodchuck, its comparative rank in the scale of animal existence, be it higher or lower, is nothing to the purpose. For Thoreau it was simple truth that, on some days, and in some states of mind, he found the society of such a cave-dweller more acceptable, or less unacceptable, than that of any number of his highly civilized townsmen. Nor is the statement one to be nervously concerned about. Any inveterate stroller, the most matter-of-fact man alive (though matter-of-fact men are not apt to be strollers), might say the same, in all soberness, with no thought of writing himself down a misanthrope, or of setting himself up as a philosopher.

Nevertheless, we shouldn't take this matter too lightly, as it can easily become a joke. Even in this extreme case, we can't assume that Thoreau was just talking for the sake of it, or merely using his favorite rhetorical tool, which is a paradox. Thatxxvidesired "serious impression" was no laughing matter; it was meant to be the main event of the day, more important to Thoreau than dinner and supper would have been to his farmer neighbor. As for the woodchuck, its status in the animal kingdom, whether higher or lower, doesn't really matter. For Thoreau, the simple truth was that, on some days and in certain states of mind, he found the company of such a cave-dweller more enjoyable, or at least less bothersome, than the company of his highly civilized neighbors. This statement shouldn't cause any anxiety. Any dedicated walker, even the most practical person alive (although practical people usually aren't walkers), might say the same, sincerely and without intending to label themselves a misanthrope or present themselves as a philosopher.

For one thing, the woodchuck is sure to be less intrusive, less distracting, than the ordinary human specimen; he fits in better with solitude and the solitary feeling. He is never in the way. Moreover, you can say to a woodchuck anything that comes into your head, without fear of giving offense; a less important consideration than the other, no doubt, woodchucks as a class not being remarkably conversable, but still worthy of mention. For, naturally enough, an outspoken freethinker like Thoreau found the greater number of men not so very different from "ministers," of whom he said, in a tone of innocent surprise, that they "could not bear all kinds of opinions,"—"as if any sincere thought were not the best sort of truth!" xxvii

For one thing, the woodchuck is definitely less intrusive, less distracting, than your average person; he blends in better with solitude and that solitary vibe. He never gets in the way. Plus, you can say anything that pops into your mind to a woodchuck without worrying about offending him; while this might be less significant than the first point—since woodchucks aren’t exactly chatty—it's still worth mentioning. Naturally, an outspoken free thinker like Thoreau found that most men were not so different from "ministers," whom he regarded, with a tone of innocent surprise, as those who "could not bear all kinds of opinions"—"as if any sincere thought were not the best kind of truth!" xxvii

He walked one afternoon with Alcott, and spent an agreeable hour, though for the most part he preferred having the woods and fields to himself. Alcott was an ineffectual genius, he remarks, "forever feeling about vainly in his speech, and touching nothing" (one thinks of Arnold's characterization of Shelley as a "beautiful and ineffectual angel, beating in the void his luminous wings in vain," which, in its turn, may call to mind Lowell's comparison of Shelley's genius to a St. Elmo's fire, "playing in ineffectual flame about the points of his thought"), but after all, he was good company; not quite so good as none, of course, but on the whole, as men go, rather better than most. At least, he would listen to what you had to offer. He was open-minded; he wasn't shut up in a creed; an honest man's thought would not shock him. You could talk to him without running up against "some institution." In a word,—though Thoreau doesn't say it,—he was something like a woodchuck.

He walked one afternoon with Alcott and spent a pleasant hour, although he usually preferred to have the woods and fields to himself. Alcott was an ineffective genius; he comments, "always fumbling in his speech, and touching nothing" (one thinks of Arnold's description of Shelley as a "beautiful and ineffective angel, flapping his luminous wings in vain in the void," which may remind one of Lowell's comparison of Shelley's genius to St. Elmo's fire, "playing in ineffective flames around the tips of his thoughts"), but still, he was good company; not quite as good as being alone, of course, but generally, better than most men. At least, he would listen to what you had to say. He was open-minded; he didn’t adhere to any strict beliefs; an honest man's thoughts wouldn't shock him. You could talk to him without running into "some institution." In short—though Thoreau doesn't say it—he was somewhat like a woodchuck.

With all his passion for "that glorious society called solitude," and with all his feeling that mankind, as a "past phenomenon," thought far too highly of itself, it is abundantly in evidence that Thoreau, in his own time and on his own terms, was capable of a really human delight in familiar intercourse with his fellows. Channing, who should have known, speaks, a little vaguely, to be sure, of his "fine social qualities." "Always a genial and hospitable entertainer," he calls him. And Mr. Ricketson, who also should have known, assures us that "no man could hold a finer relationship with his family than he." But of this aspect of his character, xxviii it must be acknowledged, there is comparatively little in the journal. What is very constant and emphatic there—emphatic sometimes to the point of painfulness—is the hermit's hunger and thirst after friendship; a friendship the sweets of which, so far as appears, he was very sparingly to enjoy. For if he was at home in the family group and in huckleberry excursions with children, if he relished to the full a talk with a stray fisherman, a racy-tongued woodchopper, or a good Indian, something very different seems to have been habitual with him when it came to intercourse with equals and friends.

With all his passion for "that glorious society called solitude," and his belief that humanity, as a "past phenomenon," overrated itself, it's clear that Thoreau, in his own time and in his own way, could genuinely enjoy the company of others. Channing, who should know, somewhat vaguely refers to his "fine social qualities." He describes him as "always a friendly and welcoming host." And Mr. Ricketson, who also should be familiar with him, assures us that "no man could have a better relationship with his family than he did." However, regarding this side of his character, xxviii it must be noted that there is relatively little in the journal. What stands out strongly and often, sometimes painfully so, is the hermit's deep longing for friendship; a friendship he seems to have enjoyed only sparingly. While he thrived in family gatherings and enjoyed huckleberry picking with children, as well as conversations with a passing fisherman, a colorful woodcutter, or a good-natured Native American, something quite different appears to have been the norm for him when it came to interacting with peers and friends.

Here, even more than elsewhere, he was an uncompromising idealist. His craving was for a friendship more than human, friendship such as it was beyond any one about him to furnish, if it was not, as may fairly be suspected, beyond his own capacity to receive. In respect to outward things, his wealth, he truly said, was to want little. In respect to friendship, his poverty was to want the unattainable. It might have been retorted upon him in his own words, that he was like a man who should complain of hard times because he could not afford to buy himself a crown. But the retort would perhaps have been rather smart than fair. He, at least, would never have acquiesced in it. He confided to his journal again and again that he asked nothing of his friends but honesty, sincerity, a grain of real appreciation, "an opportunity once in a year to speak the truth;" but in the end it came always to this, that he insisted upon perfection, and, not finding it, went on his way hungry. Probably it is true—one seems to divine a reason for it—that xxix idealists, claimers of the absolute, have commonly found their fellow men a disappointment.

Here, more than anywhere else, he was a staunch idealist. He longed for a friendship that was more than human, a connection that no one around him could provide, if it wasn't, as one might reasonably suspect, beyond his own ability to accept. In terms of material wealth, he honestly said he needed little. But in terms of friendship, his poverty was in yearning for the unattainable. Someone could have snapped back at him using his own words, saying he was like a man complaining about hard times because he couldn't buy a crown. But that comeback would have been more clever than fair. He, at least, would never have agreed with it. He repeatedly expressed in his journal that he wanted nothing from his friends but honesty, sincerity, a bit of real appreciation, "a chance once a year to speak the truth;" yet in the end, it always came back to the fact that he demanded perfection, and not finding it, he continued on feeling unfulfilled. It might be true—one can sense a reason for it—that idealists, those who seek the absolute, often find their fellow humans to be disappointing.

In Thoreau's case it was his best friends who most severely tried his patience. They invite him to see them, he complains, and then "do not show themselves." He "pines and starves near them." All is useless. They treat him so that he "feels a thousand miles off." "I leave my friends early. I go away to cherish my idea of friendship." Surely there is no sentence in all Thoreau's books that is more thoroughly characteristic than that. And how neatly it is turned! Listen also to this, which is equally bitter, and almost equally perfect in the phrasing: "No fields are so barren to me as the men of whom I expect everything, but get nothing. In their neighborhood I experience a painful yearning for society."

In Thoreau's case, it was his closest friends who really tested his patience. They invite him over, he grumbles, and then "don’t show up." He "wanes and suffers nearby." Everything feels pointless. They treat him in a way that makes him "feel a thousand miles away." "I leave my friends early. I go away to hold onto my idea of friendship." There’s likely no sentence in all of Thoreau's writings that captures this sentiment better. And it’s expressed so well! Also listen to this, which is just as bitter and nearly perfect in its wording: "No fields are as empty to me as the people from whom I expect everything but receive nothing. Around them, I feel a painful longing for connection."

It is all a mystery to him. "How happens it," he exclaims, "that I find myself making such an enormous demand on men, and so constantly disappointed? Are my friends aware how disappointed I am? Is it all my fault? Am I incapable of expansion and generosity? I shall accuse myself of anything else sooner." And again he goes away sorrowful, consoling himself, as best he can, with his own paradox,—

It’s all a mystery to him. “How is it,” he exclaims, “that I put such a huge demand on people, and I’m always let down? Do my friends know how disappointed I am? Is it all my fault? Am I incapable of being open and generous? I’d blame myself for anything else first.” And once again, he walks away feeling sad, trying to comfort himself as best he can with his own paradox,—

"I might have loved him, had I loved him less."

"I might have loved him if I had loved him a little less."

Strange that he should have suffered in this way, many will think, with Emerson himself for a friend and neighbor! Well, the two men were friends, but neither was in this relation quite impeccable (which is as much as to say that both were human), and to judge by such hints as are gatherable on either side, their case was not xxx entirely unlike that of Bridget Elia and her cousin,—"generally in harmony, with occasional bickerings, as it should be among near relations;" though "bickerings" is no doubt an undignified term for use in this connection. It is interesting, some may deem it amusing, to put side by side the statements of the two men upon this very point; Emerson's communicated to the public shortly after his friend's death, Thoreau's intrusted nine years before to the privacy of his journal.

Strange that he would have gone through this, many might think, with Emerson as his friend and neighbor! Well, the two men were friends, but neither was flawless in that relationship (which means they were both human), and judging by the hints we can gather from either side, their situation was not xxx entirely different from that of Bridget Elia and her cousin—"generally in harmony, with occasional arguments, as it should be among close relatives;" though "arguments" is probably not the best term to use here. Some might find it interesting, even amusing, to compare the statements of the two men on this very issue; Emerson's was shared with the public shortly after his friend's death, while Thoreau's was kept private in his journal nine years earlier.

Emerson's speech is the more guarded, as, for more reasons than one, it might have been expected to be. His friend, he confesses, "was somewhat military in his nature ... always manly and able, but rarely tender, as if he did not feel himself except in opposition. He wanted a fallacy to expose, a blunder to pillory, I may say required a little sense of victory, a roll of the drum, to call his powers into full exercise.... It seemed as if his first instinct on hearing a proposition was to controvert it, so impatient was he of the limitations of our daily thought. This habit, of course, is a little chilling to the social affections; and though the companion would in the end acquit him of any malice or untruth, yet it mars conversation. Hence no equal companion stood in affectionate relations with one so pure and guileless."

Emerson's speech is more cautious, as there are several reasons for this. He admits that his friend "had a somewhat military nature... always manly and capable, but rarely tender, as if he only felt himself in opposition. He needed a fallacy to expose, a mistake to criticize; in a way, he required a bit of victory, a drumroll, to fully activate his abilities.... It seemed like his first instinct upon hearing a statement was to argue against it, so impatient was he with the limitations of everyday thought. This tendency, of course, can be a bit distancing for social connections; and although a friend would ultimately clear him of any malice or falsehood, it does spoil conversation. Thus, no equal friend could maintain affectionate relations with someone so pure and honest."

Thoreau's entry is dated May 24, 1853. "Talked, or tried to talk, with R. W. E. Lost my time, nay, almost my identity. He, assuming a false opposition where there was no difference of opinion, talked to the wind, told me what I knew, and I lost my time trying to imagine myself somebody else to oppose him."

Thoreau's entry is dated May 24, 1853. "I talked, or tried to talk, with R. W. E. I wasted my time, and almost lost my sense of self. He created a false disagreement where there was none, talked to the wind, told me things I already knew, and I wasted my time trying to pretend to be someone else to challenge him."

It is the very same picture, drawn by another pencil, xxxi with a different placing of the shadows; and since the two sketches were made so many years apart and yet seem to be descriptive of the same thing, it is perhaps fair to conclude that this particular interview, which appears to have degenerated into something like a dispute about nothing (a very frequent subject of disputes, by the way), was not exceptional, but rather typical. Without doubt this was one of the occasions when Thoreau felt himself treated as if he were "a thousand miles off," and went home early to "cherish his idea of friendship." Let us hope that he lost nothing else along with his time and identity.

It’s the same scene, drawn with a different pencil, xxxi with the shadows placed differently; and since the two sketches were created many years apart yet seem to capture the same moment, it’s probably fair to say that this specific encounter, which seems to have turned into a pointless argument (a common topic for arguments, by the way), was not unusual, but rather typical. Without a doubt, this was one of those times when Thoreau felt like he was “a thousand miles away” and went home early to “nurture his idea of friendship.” Let’s hope he didn’t lose anything else along with his time and sense of self.

But here, again, we are in danger of an unseasonable lightness. Friendship, according to Thoreau's apprehension of it, was a thing infinitely sacred. A friend might move him to petulance, as the best of friends sometimes will; but friendship, the ideal state shown to him in dreams, for speech concerning that there was nowhere in English, nor anywhere else, a word sufficiently noble and unsoiled. And even his friends he loved, although, tongue-tied New-Englander that he was, he could never tell them so. He loved them best (and this, likewise, was no singularity) when they were farthest away. In company, even in their company, he could never utter his truest thought. So it is with us all. It was a greater than Thoreau who said, "We descend to meet;" and a greater still, perhaps (and he also a Concord man), who confessed at fifty odd: "I doubt whether I have ever really talked with half a dozen persons in my life."

But here, again, we run the risk of being overly casual. Friendship, according to Thoreau's understanding of it, was something incredibly sacred. A friend might make him irritable, as even the best of friends sometimes do; but friendship, the perfect state he envisioned in dreams, lacked a word in English or anywhere else that was noble and pure enough to describe it. He loved even his friends, although, being the reserved New-Englander he was, he could never express that to them. He loved them most when they were farthest away (and this was not unusual). In their presence, even when with them, he could never share his deepest thoughts. It's the same for all of us. It was a greater thinker than Thoreau who said, "We come down to meet;" and perhaps an even greater one (also from Concord) who admitted at about fifty: "I doubt whether I've ever really talked with half a dozen people in my life."

As for Thoreau, he knew at times, and owned as much xxxii to himself, that his absorption in nature tended to unfit him for human society. But so it was; he loved to be alone. And in this respect he had no thought of change,—no thought nor wish. Whatever happened, he would still belong to no club but the true "country club," which dined "at the sign of the Shrub Oak." The fields and the woods, the old road, the river, and the pond, these were his real neighbors. Year in and year out, how near they were to him!—a nearness unspeakable; till sometimes it seemed as if their being and his were not two, but one and the same. With them was no frivolity, no vulgarity, no changeableness, no prejudice. With them he had no misunderstandings, no meaningless disputes, no disappointments. They knew him, and were known of him. In their society he felt himself renewed. There he lived, and loved his life. There, if anywhere, the Spirit of the Lord came upon him. Hear him, on a cool morning in August, with the wind in the branches and the crickets in the grass, and think of him, if you can, as a being too cold for friendship!

As for Thoreau, he occasionally recognized, and admitted to himself, that his deep connection to nature made him less suited for human interaction. But that was how it was; he preferred his solitude. In this regard, he had no desire to change—no thoughts or wishes. No matter what, he would only belong to the true "country club," dining "at the sign of the Shrub Oak." The fields, the woods, the old road, the river, and the pond—these were his real neighbors. Year after year, they were so close to him!—a closeness he couldn't put into words; sometimes it felt like their existence and his were not two, but one. With them, there was no silliness, no crudeness, no unpredictability, no bias. With them, he faced no misunderstandings, no pointless arguments, no letdowns. They knew him, and he knew them. In their company, he felt revitalized. There he lived, and he cherished his life. There, if anywhere, the Spirit of the Lord filled him. Picture him on a cool August morning, with the wind rustling the branches and the crickets chirping in the grass, and try to imagine him as someone too distant for friendship!

"My heart leaps out of my mouth at the sound of the wind in the woods. I, whose life was but yesterday so desultory and shallow, suddenly recover my spirits, my spirituality, through my hearing.... Ah! if I could so live that there should be no desultory moments ... I would walk, I would sit and sleep, with natural piety. What if I could pray aloud, or to myself, as I went along by the brookside, a cheerful prayer, like the birds! For joy I could embrace the earth. I shall delight to be buried in it. And then, to think of those I love among men, who will know that I love them, though I tell them xxxiii not.... I thank you, God. I do not deserve anything; I am unworthy of the least regard; and yet the world is gilded for my delight, and holidays are prepared for me, and my path is strewn with flowers.... O keep my senses pure!"

"My heart races at the sound of the wind in the woods. I, whose life was just yesterday so aimless and shallow, suddenly lift my spirits, my sense of purpose, through my hearing.... Ah! If only I could live in such a way that there are no aimless moments... I would walk, sit, and sleep with a natural sense of reverence. What if I could pray out loud, or silently, as I walked along the brook, a joyful prayer like the birds! Out of joy, I could embrace the earth. I would love to be buried in it. And then, to think of those I care about among people, who will know that I love them, even if I don’t tell them xxxiii.... Thank you, God. I don’t deserve anything; I am unworthy of even the slightest attention; yet the world is adorned for my enjoyment, and celebrations are set for me, and my path is lined with flowers.... O keep my senses pure!"

Highly characteristic is that concluding ejaculation. For Thoreau the five senses were not organs or means of sensuous gratification, but the five gateways of the soul. He would have them open and undefiled. Upon that point no man was ever more insistent. Above all, no sense must be pampered; else it would lose its native freshness and delicacy, and so its diviner use. That way lay perdition. When a woman came to Concord to lecture, and Thoreau carried her manuscript to the hall for her, wrapped in its owner's handkerchief, he complained twenty-four hours afterward that his pocket "still exhaled cologne." Faint, elusive outdoor odors were not only a continual delight to him, but a positive means of grace.

Highly characteristic is that final remark. For Thoreau, the five senses weren't just tools for pleasure but the five doors to the soul. He wanted them to be open and pure. On this point, no one was ever more adamant. Above all, no sense should be indulged; otherwise, it would lose its natural freshness and subtlety, and with it, its higher purpose. That path led to ruin. When a woman came to Concord to give a lecture, and Thoreau carried her manuscript to the hall for her, wrapped in her handkerchief, he complained twenty-four hours later that his pocket "still smelled like cologne." Faint, elusive outdoor scents were not just constantly enjoyable for him, but also a true source of grace.

So, too, he would rather not see any of the scenic wonders of the world. Only let his sense of beauty remain uncorrupted, and he could trust his Musketaquid meadows, and the low hills round about, to feed and satisfy him forever.

So, he would also prefer not to see any of the amazing sights of the world. As long as his appreciation for beauty stays pure, he can count on the Musketaquid meadows and the nearby low hills to nourish and fulfill him endlessly.

Because of his jealousy in this regard, partly,—and partly from ignorance, it may be, just as some of his respectable village acquaintances would have found the Iliad, of which he talked so much, duller than death in comparison with the works of Mr. Sylvanus Cobb,—he often spoke in slighting terms of operas and all the more elaborate forms of music. The ear, he thought, if it xxxiv were kept innocent, would find satisfaction in the very simplest of musical sounds. For himself, there was no language extravagant enough to express his rapturous delight in them. Now "all the romance of his youthfulest moment" came flooding back upon him, and anon he was carried away till he "looked under the lids of Time,"—all by the humming of telegraph-wires or, at night especially, by the distant baying of a hound.

Because of his jealousy in this area, partly—and partly due to ignorance, just like some of his respectable village friends would have found the Iliad, which he talked about a lot, more boring than death compared to the works of Mr. Sylvanus Cobb—he often spoke disparagingly about operas and other more complex forms of music. He believed that if the ear were kept innocent, it would find pleasure in the simplest musical sounds. For him, there was no expression extravagant enough to convey his overwhelming joy in them. Now "all the romance of his youth" came flooding back to him, and soon he was swept away until he "looked under the lids of Time,"—all because of the humming of telegraph wires or, especially at night, the distant howling of a hound.

To the modern "musical person" certain of his confessions under this head are of a character to excite mirth. He is "much indebted," for instance, to a neighbor "who will now and then, in the intervals of his work, draw forth a few strains from his accordion." The neighbor is only a learner, but, says Thoreau, "I find when his strains cease that I have been elevated." His daily philosophy is all of a piece, one perceives: plain fare, plain clothes, plain company, a hut in the woods, an old book,—and for inspiration the notes of a neighbor's accordion.

To today's "musical person," some of his admissions about this are pretty funny. He is "very grateful," for example, to a neighbor "who every now and then, during breaks from his work, plays a few tunes on his accordion." The neighbor is just a beginner, but, as Thoreau says, "I notice when his music stops that I feel uplifted." His daily approach to life is consistent, as you can see: simple food, simple clothes, simple friends, a cabin in the woods, an old book—and for inspiration, the sounds of a neighbor’s accordion.

More than once, too, he acknowledges his obligation to that famous rural entertainer and civilizer, the hand-organ. "All Vienna" could not do more for him, he ventures to think. "It is perhaps the best instrumental music that we have," he observes; which can hardly have been true, even in Concord, one prefers to believe, while admitting the possibility. If it is heard far enough away, he goes on, so that the creaking of the machinery is lost, "it serves the grandest use for me,—it deepens my existence."

More than once, he recognizes his debt to that well-known rural performer and socializer, the hand-organ. "No one in Vienna could do more for him," he dares to say. "It's probably the best instrumental music we have," he notes, which is hard to believe, even in Concord, but one must admit it's possible. He continues, if you hear it from far enough away, where you can't hear the grinding of the machine, "it serves the greatest purpose for me—it enriches my life."

We smile, of course, as in duty bound, at so artless an avowal; but, having smiled, we are bound also to render xxxv our opinion that the most blasé concert-goer, if he be a man of native sensibility, will readily enough discern what Thoreau has in mind, and with equal readiness will concede to it a measure of reasonableness; for he will have the witness in himself that the effect of music upon the soul depends as much upon the temper of the soul as upon the perfection of the instrument. One day a simple air, simply sung or played, will land him in heaven; and another day the best efforts of the full symphony orchestra will leave him in the mire. And after all, it is possibly better, albeit in "poorer taste," to be transported by the wheezing of an accordion than to be bored by finer music. As for Thoreau, he studied to be a master of the art of living; and in the practice of that art, as of any other, it is the glory of the artist to achieve extraordinary results by ordinary means. To have one's existence deepened—there cannot be many things more desirable than that; and as between our unsophisticated recluse and the average "musical person" aforesaid, the case is perhaps not so one-sided as at first sight it looks; or, if it be, the odds are possibly not always on the side of what seems the greater opportunity.

We smile, of course, as we feel obligated to, at such a straightforward admission; but after smiling, we also feel the need to express our opinion that even the most jaded concert-goer, if he has any sensitivity, will easily recognize what Thoreau means and will readily acknowledge its reasonableness. He will have the evidence in himself that the impact of music on the soul depends as much on the soul's mood as on the quality of the instrument. One day, a simple melody, sung or played plainly, can lift him to heaven; while another day, the finest efforts of a full symphony orchestra might leave him feeling stuck. Ultimately, it might even be better, though "less refined," to be moved by the sound of an accordion than to be bored by more impressive music. As for Thoreau, he aimed to master the art of living; and in practicing that art, like any other, it's the artist's achievement to create extraordinary experiences using everyday means. Having one's life enriched—there aren't many things more desirable than that; and when comparing our unpretentious recluse with the average "musical person" mentioned earlier, the situation may not be as one-sided as it initially appears; or if it is, the advantage might not always lie with what seems to offer a greater opportunity.

His life, the quality of his life, that for Thoreau was the paramount concern. To the furthering of that end all things must be held subservient. Nature, man, books, music, all for him had the same use. This one thing he did,—he cultivated himself. If any, because of his so doing, accused him of selfishness, preaching to him of philanthropy, almsgiving, and what not, his answer was already in his mouth. Mankind, he was prepared to maintain, was very well off without such helps, which xxxvi oftener than not did as much harm as good (though the concrete case at his elbow—half-clad Johnny Riordan, a fugitive slave, an Irishman who wished to bring his family over—appealed to him as quickly as to most, one is glad to notice); and, however that might be, the world needed a thousand times more than any so-called charity the sight of a man here and there living for higher ends than the world itself knows of. His own course, at any rate, was clear before him: "What I am, I am, and say not. Being is the great explainer."

His life, the quality of his life, was Thoreau's main concern. To achieve that, everything else had to be secondary. Nature, people, books, music — all had the same purpose for him. He focused on self-improvement. If anyone accused him of being selfish for this, lecturing him about charity, donations, and so on, he was ready with a response. He believed that humanity was just fine without such assistance, which often caused more harm than good (though he was quick to empathize with the concrete case at hand—half-clad Johnny Riordan, a runaway slave, an Irishman wanting to reunite with his family). Additionally, the world needed far more than any so-called charity; it needed to see men living for higher purposes that society often overlooks. His own path was clear: "What I am, I am, and I don’t need to explain. Being is the great explainer."

His life, his own life, that he must live; and he must be in earnest about it. He was no indifferent, no little-carer, no skeptic, as if truth and a lie were but varying shades of the same color, and virtue, according to the old phrase, "a mean between vices." You would never catch him sighing, "Oh, well!" or "Who knows?" Qualifications, reconciliations, rapprochements, the two sides of the shield, and all that,—these were considerations not in his line. Before everything else he was a believer,—an idealist, that is,—the last person in the world to put up with half-truths or half-way measures. If "existing things" were thus and so, that was no reason why, with the sect of the Sadducees, he should make the best of them. What if there were no best of them? What if they were all bad? And anyhow, why not begin new? It was conceivable, was it not, that a man should set his own example, and follow his own copy. General opinion,—what was that? Was a thing better established because ten thousand fools believed it? Did folly become wisdom by being raised to a higher power? And antiquity, tradition,—what were they? Could a blind xxxvii man of fifteen centuries ago see farther than a blind man of the present time? And if the blind led the blind, then or now, would not both fall into the ditch?

His life, his own life, that he must live; and he must be serious about it. He wasn’t indifferent, nor did he care little, nor was he a skeptic, as if truth and lies were just different shades of the same color, and virtue, according to the old saying, "a mean between vices." You would never catch him sighing, "Oh, well!" or "Who knows?" Qualifications, reconciliations, rapprochements, the two sides of the shield, and all that—these were not his concerns. Above all, he was a believer—an idealist, really—the last person to tolerate half-truths or halfway measures. If "existing things" were this way or that, that didn’t mean he should just accept them, like the Sadducees did. What if there were no good options? What if they were all bad? And anyway, why not start fresh? It was possible, wasn’t it, for someone to set their own example and follow their own path. General opinion—what was that? Was something more valid just because ten thousand fools believed it? Did foolishness become wisdom when it was amplified? And history, tradition—what were they? Could a blind man from fifteen centuries ago see further than a blind man today? And if the blind led the blind, then or now, wouldn’t they both fall into a ditch?

Yes, he was undoubtedly peculiar. As to that there could never be anything but agreement among practical people. In a world where shiftiness and hesitation are the rule, nothing looks so eccentric as a straight course. It must be acknowledged, too, that a man whose goodness has a strong infusion of the bitter, and whose opinions turn out of the way for nobody, is not apt to be the most comfortable kind of neighbor. We were not greatly surprised, lately, to hear an excellent lady remark of Thoreau that, from all she had read about him, she thought he must have been "a very disagreeable gentleman." It could hardly be said of him, as Mr. Birrell says of Matthew Arnold, who was himself a pretty serious person, and, after a way of his own, a preacher of righteousness, that he "conspired and contrived to make things pleasant."

Yes, he was definitely strange. Practical people could only agree on that. In a world where uncertainty and indecision are the norm, nothing seems more unusual than someone staying true to their path. It must also be recognized that a man whose kindness has a strong dose of bitterness, and whose opinions don't bend for anyone, isn't likely to be the most easygoing neighbor. Recently, we weren't too surprised to hear a lovely woman say about Thoreau that, based on everything she had read about him, she thought he must have been "a very unpleasant man." It couldn't quite be said of him, as Mr. Birrell says of Matthew Arnold, who was himself quite a serious person and, in his own way, a preacher of righteousness, that he "managed to make things enjoyable."

Being a consistent idealist, he was of course an extremist, falling in that respect little behind the man out of Nazareth, whose hard sayings, by all accounts, were sometimes less acceptable than they might have been, and of whom Thoreau asserted, in his emphatic way, that if his words were really read from any pulpit in the land, "there would not be left one stone of that meeting-house upon another." Thoreau worshipped purity, and the every-day ethical standards of the street were to him an abomination. "There are certain current expressions and blasphemous moods of viewing things," he declares, "as when we say 'he is doing a good business,' xxxviii more profane than cursing and swearing. There is death and sin in such words. Let not the children hear them." That innocent-sounding phrase about "a good business"—as if a business might be taken for granted as good because it brought in money—was as abhorrent to him as the outrageous worldly philosophy of an old castaway like Major Pendennis is to the ordinarily sensitive reader.

Being a consistent idealist, he was clearly an extremist, not far behind the man from Nazareth, whose tough teachings, by all accounts, were sometimes less acceptable than they could have been. Thoreau emphasized that if his words were actually read from any pulpit across the country, "there would not be left one stone of that meeting-house upon another." Thoreau valued purity, and the everyday ethical standards of society were to him revolting. "There are certain current expressions and blasphemous mindsets," he states, "like when we say 'he is doing a good business,' xxxviii which are more profane than cursing and swearing. There is death and sin in such words. Let not the children hear them." That seemingly innocent phrase about "a good business"—as if a business could be assumed to be good just because it was profitable—was as repugnant to him as the outrageous worldly philosophy of an old has-been like Major Pendennis is to the generally sensitive reader.

He was constitutionally earnest. There are pages of the journal, indeed, which make one feel that perhaps he was in danger of being too much so for his own profit. Possibly it is not quite wholesome, possibly, if one dares to say it, it begets a something like priggishness, for the soul to be keyed up continually to so strenuous a pitch. In Thoreau's case, at all events, one is glad for every sign of a slackening of the tension. "Set the red hen to-day;" "Got green grapes to stew;" "Painted the bottom of my boat;" trivialities like these, too far apart (one is tempted to colloquialize, and call them "precious few," finding them so infrequent and so welcome), strike the reader with a sudden sensation of relief, as if he had been wading to the chin, and all at once his feet had touched a shallow.

He was naturally serious. There are parts of the journal that make you feel he might be too serious for his own good. It might not be entirely healthy; it might, if one dares to say it, create something like self-righteousness when the soul is always pushed to such a high level. In Thoreau's case, at least, one appreciates every sign of him easing up. "Set the red hen today;" "Got green grapes to stew;" "Painted the bottom of my boat;" these little things, which appear too rarely (one feels tempted to call them "precious few," considering how infrequent and welcome they are), give the reader a sudden sense of relief, as if he had been wading to his chin and suddenly found his feet touching shallow ground.

So, too, one is thankful to come upon a really amusing dissertation about the tying of shoe-strings, or rather about their too easy untying; a matter with which, it appears, Thoreau had for years experienced "a great deal of trouble." His walking companion (Channing, presumably) and himself had often compared notes about it, concluding after experiments that the duration of a shoe-tie might be made to serve as a reasonably xxxix accurate unit of measure, as accurate, say, as a stadium or a league. Channing, indeed, would sometimes go without shoe-strings, rather than be plagued so incessantly by their dissolute behavior. Finally Thoreau, being then thirty-six years old, and always exceptionally clever with his hands, set his wits seriously at work upon knots, and by a stroke of good fortune (or a stroke of genius) hit upon one which answered his end; only to be told, on communicating his discovery to a third party, that he had all his life been tying "granny knots," never having learned, at school or elsewhere, the secret of a square one! It might be well, he concludes, if all children were "taught the accomplishment." Verily, as Hosea Biglow did not say, they didn't know everything down in Concord.

So, too, it’s refreshing to come across a genuinely funny essay about tying shoelaces, or more accurately, how easily they come undone; an issue that Thoreau apparently struggled with for years. He often discussed this with his walking buddy (presumably Channing), and they concluded that the length of a tied shoelace could serve as a pretty accurate unit of measure, just like a stadium or a league. In fact, Channing sometimes opted to go without shoelaces altogether to avoid the constant annoyance of them coming undone. Eventually, Thoreau, who was thirty-six at the time and quite skilled with his hands, started seriously experimenting with different knots, and by a lucky (or genius) moment, he discovered one that worked for him; only to find out later, when he shared his discovery with someone else, that he had been tying "granny knots" all his life, never learning the secret of a square knot in school or anywhere else! He suggests that it might be beneficial if all kids were "taught the skill." Indeed, as Hosea Biglow didn’t say, they didn’t know everything down in Concord.

More refreshing still are entries describing hours of serene communion with nature, hours in which, as in an instance already cited, the Spirit of the Lord blessed him, and he forgot even to be good. These entries, likewise, are less numerous than could be wished, though perhaps as frequent as could fairly be expected; since ecstasies, like feasts, must in the nature of things be somewhat broadly spaced; and it is interesting, not to say surprising, to see how frankly he looks upon them afterward as subjects on which to try his pen. In these "seasons when our genius reigns we may be powerless for expression," he remarks; but in calmer hours, when talent is again active, "the memory of those rarer moods comes to color our picture, and is the permanent paint-pot, as it were, into which we dip our brush." But, in truth, the whole journal, some volumes of which are carefully indexed [xl] in his own hand, is quite undisguisedly a collection of thoughts, feelings, and observations, out of which copy is to be extracted. In it, he says, "I wish to set down such choice experiences that my own writings may inspire me, and at last I may make wholes of parts.... Each thought that is welcomed and recorded is a nest-egg by the side of which more will be laid."

Even more refreshing are the entries that describe hours of peaceful connection with nature, moments in which, as mentioned before, the Spirit of the Lord blessed him, and he even forgot to do good. These entries are, unfortunately, less frequent than one might hope, but perhaps as common as could realistically be expected; since moments of ecstasy, like celebrations, naturally need to be somewhat spaced out. It’s interesting, if not surprising, to see how openly he reflects on them later as topics to write about. During these "times when our creativity flourishes, we may find ourselves unable to express it," he notes; but during calmer periods, when his talent is active again, "the memory of those rare moods colors our work, acting like a permanent paint palette into which we dip our brush." In truth, the entire journal, some volumes of which are carefully indexed [xl] in his own handwriting, is clearly a collection of thoughts, feelings, and observations meant for future writing. He states, "I want to record such valuable experiences that my own writings can inspire me, so I can eventually create a whole from various parts.... Each thought that is welcomed and recorded is like a nest-egg, from which more will come."

A born writer, he is "greedy of occasions to express" himself. He counts it "wise to write on many subjects, that so he may find the right and inspiring one." "There are innumerable avenues to a perception of the truth," he tells himself. "Improve the suggestion of each object, however humble, however slight and transient the provocation. What else is there to be improved?"

A natural writer, he is "eager for opportunities to express" himself. He considers it "smart to write about various topics, so he can discover the right and inspiring one." "There are countless paths to understanding the truth," he reminds himself. "Enhance the idea of each object, no matter how humble, no matter how small and fleeting the inspiration. What else is there to improve?"

The literary diarist, like the husbandman, knows not which shall prosper. Morning and evening, he can only sow the seed. So it was with Thoreau. "A strange and unaccountable thing," he pronounces his journal. "It will allow nothing to be predicated of it; its good is not good, nor its bad bad. If I make a huge effort to expose my innermost and richest wares to light, my counter seems cluttered with the meanest homemade stuffs; but after months or years I may discover the wealth of India, and whatever rarity is brought overland from Cathay, in that confused heap, and what seemed a festoon of dried apple or pumpkin will prove a string of Brazilian diamonds, or pearls from Coromandel."

The literary diarist, like a farmer, doesn't know which of his efforts will thrive. Morning and night, he can only plant the seeds. Thoreau felt the same way. "A strange and unexplainable thing," he calls his journal. "It won't allow anything to be assumed about it; its good isn't really good, nor its bad really bad. If I go all out to reveal my deepest and most valuable thoughts, my collection looks cluttered with the most basic homemade items; but after months or years, I might find treasures from India and rare goods brought from faraway lands among that messy pile. What seemed like just a bunch of dried apples or pumpkins could turn out to be a string of Brazilian diamonds or pearls from Coromandel."

Well, we make sure that whoever tumbles the heap over now, more than forty years after the last object was laid upon it, will be rewarded with many and many a jewel. Here, for his encouragement, are half a dozen [xli] out of the goodly number that one customer has lately turned up, in a hasty rummaging of the counter:—

Well, we guarantee that whoever digs through the pile now, over forty years after the last item was placed on it, will be rewarded with plenty of jewels. Here, to motivate him, are half a dozen [xli] from the sizable amount that one customer recently discovered while quickly searching through the counter:—

"When a dog runs at you, whistle for him."

"When a dog runs towards you, whistle for him."

"We must be at the helm at least once a day; we must feel the tiller rope in our hands, and know that if we sail, we steer."

"We need to take charge at least once a day; we should feel the control in our hands and understand that if we set sail, we’re the ones steering."

"In composition I miss the hue of the mind."

"In writing, I miss the color of thought."

"After the era of youth is past, the knowledge of ourselves is an alloy that spoils our satisfactions."

"After we leave our youth behind, knowing ourselves becomes a blend that taints our happiness."

"How vain it is to sit down to write when you have not stood up to live."

"How pointless it is to sit down to write when you haven't stood up to truly live."

"Silence is of various depths and fertility, like soil."

"Silence comes in different depths and richness, just like soil."

"Praise should be spoken as simply and naturally as a flower emits its fragrance."

"Compliments should come out as effortlessly and naturally as a flower releases its scent."

Here, again, is a mere nothing, a momentary impression caught, in ball-players' language, on the fly; nothing like a pearl from Coromandel, if you will, but at the worst a toothsome bite out of a wild New England apple. It is winter. "I saw a team come out of a path in the woods," says Thoreau, "as though it had never gone in, but belonged there, and only came out like Elisha's bears." There will be few country-bred Yankee boys, we imagine, who will not remember to have experienced something precisely like that, under precisely the same circumstances, though it never occurred to them to put the feeling into words, much less to preserve it in a drop of ink. That is one of the good things that a writer does for us. And our country-bred boy, if we mistake not, is likely to consider this one careless sentence of Thoreau, which adds not a cent's worth to the sum of what is called human knowledge, as of [xlii] more value than any dozen pages of his painstaking botanical records.

Here’s another simple moment, a brief impression captured, in sports terms, on the spot; nothing like a pearl from Coromandel, but at the very least a tasty bite of a wild New England apple. It’s winter. “I saw a team come out of a path in the woods,” Thoreau says, “as if it had never gone in, but belonged there, and just came out like Elisha's bears.” We think there are probably few country-bred Yankee boys who won’t remember feeling something exactly like that, under exactly the same circumstances, even if it never occurred to them to express it in words, much less preserve it with ink. That’s one of the great things a writer does for us. And our country-bred boy, if we’re not mistaken, is likely to regard this one casual sentence from Thoreau, which adds nothing to what’s known as human knowledge, as more valuable than any dozen pages of his detailed botanical notes.

Thoreau the naturalist appears in the journal, not as a master, but as a learner. It could hardly be otherwise, of course, a journal being what it is. There we see him conning by himself his daily lesson, correcting yesterday by to-day, and to-day by to-morrow, progressing, like every scholar, over the stepping-stones of his own mistakes. Of the branches he pursued, as far as the present writer can presume to judge, he was strongest in botany; certainly it was to plants that he most persistently devoted himself; but even there he had as many uncertainties as discoveries to set down; and he set them down with unflagging zeal and unrestrained particularity. The daily account is running over with question-marks. His patience was admirable; the more so as he worked entirely by himself, with few of the helps that in this better-furnished time almost belie the old proverb, and make even the beginner's path a kind of royal road to learning. The day of "How-to-Know" handbooks had not yet dawned.

Thoreau the naturalist shows up in the journal, not as a master, but as a learner. It could hardly be any different, of course, since a journal is what it is. There we see him going over his daily lesson, correcting yesterday with today, and today with tomorrow, moving forward, like every student, over the stepping stones of his own mistakes. Of the subjects he explored, as far as I can judge, he was strongest in botany; it was definitely to plants that he devoted himself the most; but even there, he recorded just as many uncertainties as discoveries, and he noted them down with unwavering enthusiasm and detailed precision. The daily accounts are filled with question marks. His patience was admirable; especially since he worked entirely alone, without many of the tools that in this better-equipped time almost contradict the old saying, making even a beginner's path a sort of shortcut to learning. The age of "How-to-Know" handbooks had not yet arrived.

Of his bird-studies it would be interesting, if there were room, to speak at greater length. Here, even more than in botany, if that were possible, he suffered for lack of assistance, and even in his later entries leaves the present-day reader wondering how so eager a scholar could have spent so many years in learning so comparatively little. The mystery is partly cleared, however, when it is found that until 1854—say for more than a dozen years—he studied without a glass. He does not buy things, he explains, with characteristic self-satisfaction, [xliii] till long after he begins to want them, so that when he does get them he is "prepared to make a perfect use of them." It was wasteful economy. He might as well have botanized without a pocket-lens.

Of his bird studies, it would be interesting, if there were space, to discuss more in detail. Here, even more than in botany, if that were possible, he struggled due to a lack of help, and even in his later writings, the modern reader is left wondering how such an eager scholar managed to spend so many years learning so relatively little. However, the mystery is partly resolved when we find out that until 1854—more than a dozen years—he studied without a telescope. He explains with characteristic self-satisfaction that he doesn’t buy things until long after he starts wanting them, so when he finally gets them, he is “ready to make perfect use of them.” It was a wasteful way to save money. He might as well have studied botany without a pocket lens.

But glass or no glass, how could an ornithological observer, whose power—so Emerson said—"seemed to indicate additional senses," be in the field daily for ten or fifteen years before setting eyes upon his first rose-breasted grosbeak?—which memorable event happened to Thoreau on the 13th of June, 1853! How could a man who had made it his business for at least a dozen years to "name all the birds without a gun," stand for a long time within a few feet of a large bird, so busy that it could not be scared far away, and then go home uncertain whether he had been looking at a woodcock or a snipe? How could he, when thirty-five years old, see a flock of sparrows, and hear them sing, and not be sure whether or not they were chipping sparrows? And how could a man so strong in times and seasons, always marking dates with an almanac's exactness, how could he, so late as '52, inquire concerning the downy woodpecker, one of the more familiar and constant of year-round birds, "Do we see him in the winter?" and again, a year later, be found asking whether he, the same downy woodpecker, is not the first of our woodland birds to arrive in the spring? At thirty-six he is amazed to the extent of double exclamation points by the sight of a flicker so early as March 29.

But whether there was glass or not, how could a birdwatcher, whose abilities—according to Emerson—"seemed to indicate additional senses," be out in the field every day for ten or fifteen years before spotting his first rose-breasted grosbeak? This memorable event happened to Thoreau on June 13, 1853! How could a man who spent at least a dozen years trying to "name all the birds without a gun" stand just a few feet away from a large bird that was so absorbed it wouldn't fly away, and then go home unsure whether he had seen a woodcock or a snipe? How could he, at thirty-five years old, observe a flock of sparrows, hear them sing, and still be uncertain if they were chipping sparrows? And how could a man who was so precise with dates and seasons, always marking them with the accuracy of an almanac, still, as late as 1852, ask about the downy woodpecker, one of the more familiar year-round birds, "Do we see him in the winter?" and a year later, wonder if this same downy woodpecker isn't the first woodland bird to arrive in spring? At thirty-six, he couldn’t believe his eyes when he saw a flicker as early as March 29!

It fills one with astonishment to hear him (May 4, 1853) describing what he takes to be an indigo-bird after this fashion: "Dark throat and light beneath, and white [xliv] spot on wings," with hoarse, rapid notes, a kind of twee, twee, twee, not musical. The stranger may have been—most likely it was—a black-throated blue warbler; which is as much like an indigo-bird as a bluebird is like a blue jay,—or a yellow apple like an orange. And the indigo-bird, it should be said, is a common New-Englander, such as one of our modern schoolboy bird-gazers would have no difficulty in getting into his "list" any summer day in Concord; while the warbler in question, though nothing but a migrant, and somewhat seclusive in its habits, is so regular in its passage and so unmistakably marked (no bird more so), that it seems marvellous how Thoreau, prowling about everywhere with his eyes open, should year after year have missed it.

It’s astonishing to hear him (May 4, 1853) describe what he believes to be an indigo-bird like this: "Dark throat and light underneath, with a white [xliv] spot on the wings," with hoarse, rapid notes, a sort of twee, twee, twee, not musical. The bird he saw may have been—a black-throated blue warbler; which is as similar to an indigo-bird as a bluebird is to a blue jay—or a yellow apple is to an orange. It should be noted that the indigo-bird is common in New England, and modern schoolboy birdwatchers wouldn’t have any trouble spotting it on any summer day in Concord; while the warbler in question, though just a migrant and somewhat secretive, is so consistent in its migration patterns and so distinctively marked (no bird is more so) that it’s surprising how Thoreau, wandering all around with his eyes open, managed to miss it year after year.

The truth appears to be that even of the commoner sorts of birds that breed in eastern Massachusetts or migrate through it, Thoreau—during the greater part of his life, at least—knew by sight and name only a small proportion, wonderful as his knowledge seemed to those who, like Emerson, knew practically nothing.[2]

The reality is that even among the regular types of birds that breed or migrate through eastern Massachusetts, Thoreau—at least for most of his life—only recognized a small percentage by sight and name, impressive as his knowledge may have appeared to people like Emerson, who knew practically nothing. [2]

Not that the journal is likely to prove less interesting to bird-loving readers on this account. On the contrary, it may rather be more so, as showing them the means and methods of an ornithological amateur fifty years [xlv] ago, and, especially, as providing for them a desirable store of ornithological nuts to crack on winter evenings. Some such reader, by a careful collation of the data which the publication of the journal as a whole puts at his disposal, will perhaps succeed in settling the identity of the famous "night-warbler;" a bird which some, we believe, have suspected to be nothing rarer than the almost superabundant oven-bird, but which, so far as we ourselves know, may have been almost any one (or any two or three) of our smaller common birds that are given to occasional ecstatic song-flights.[3] Whatever it was, it was of use to Thoreau for the quickening of his imagination, and for literary purposes; and Emerson was well advised in warning him to beware of booking it, lest life henceforth should have so much the less to show him.

Not that the journal is likely to be any less interesting to bird-loving readers for this reason. On the contrary, it might actually be more appealing, as it reveals the means and methods of an amateur ornithologist from fifty years ago, and, especially, as it offers a desirable collection of ornithological insights to ponder during winter evenings. Some reader, through careful examination of the data provided by the entire journal, might succeed in figuring out the identity of the famous "night-warbler;" a bird that some believe might actually just be the quite common oven-bird, but which, as far as we know, could have been any one (or a couple) of our smaller, familiar birds that occasionally take to ecstatic song-flights. Whatever it was, it sparked Thoreau’s imagination and served his literary purposes; and Emerson was right to caution him against trying to capture it, lest life thereafter offer him less to discover.

It must be said, however, that Thoreau stood in slight need of such a caution. He cherished for himself a pretty favorable opinion of a certain kind and measure of ignorance. With regard to some of his ornithological mysteries, for example,—the night-warbler, the seringo-bird (which with something like certainty we may conjecture to have been the savanna sparrow), and others,—he flatters himself that his good genius had withheld their names from him that he might the better learn their character,—whatever such an expression may be supposed to mean.

It should be noted, though, that Thoreau didn't really need such a warning. He had a pretty good opinion of a specific kind of ignorance. For instance, when it came to some of his bird-watching puzzles—the night-warbler, the seringo-bird (which we can reasonably guess was the savanna sparrow), and others—he convinced himself that his good luck had kept their names from him so he could better understand their nature, whatever that might actually mean.

He maintained stoutly, from beginning to end, that [xlvi] he was not of the ordinary school of naturalists, but "a mystic, a transcendentalist, and a natural philosopher in one;" though he believed himself, in his own words, "by constitution as good an observer as most." He will not be one of those who seek facts as facts, studying nature as a dead language. He studies her for purposes of his own, in search of the "raw material of tropes and figures." "I pray for such experience as will make nature significant," he declares; and then, with the same penful of ink, he asks: "Is that the swamp gooseberry of Gray now just beginning to blossom at Saw-Mill Brook? It has a divided style and stamens, etc., as yet not longer than the calyx, though my slip has no thorns nor prickles," and so on, and so on. Pages on pages of the journal are choke-full, literally, of this kind of botanical interrogation, till the unsympathetic reader will be in danger of surmising that the mystical searcher after tropes and symbols is sometimes not so utterly unlike the student of the dead language of fact. But then, it is one of the virtues of a journal that it is not a work of art, that it has no form, no fashion (and so does not go out of fashion), and is always at liberty to contradict itself. As Thoreau said, he tumbled his goods upon the counter; no single customer is bound to be pleased with them all; different men, different tastes; let each select from the pile the things that suit his fancy.

He firmly asserted, from start to finish, that [xlvi] he wasn’t just an ordinary naturalist but "a mystic, a transcendentalist, and a natural philosopher all in one;" although he thought of himself, in his own words, "by nature as good an observer as most." He wouldn’t be one of those who just seek facts for their own sake, studying nature like a dead language. He explores it for his own reasons, looking for the "raw material of tropes and figures." "I hope for experiences that will make nature meaningful," he declares; and then, with the same pen full of ink, he asks: "Is that the swamp gooseberry of Gray now just starting to bloom at Saw-Mill Brook? It has a divided style and stamens, etc., that are not longer than the calyx yet, though my specimen has no thorns or prickles," and so on, and so on. Pages and pages of the journal are packed, literally, with this kind of botanical questioning, until an unsympathetic reader might suspect that the mystical seeker of tropes and symbols isn’t so completely different from the student of the dead language of fact. But then, one of the great things about a journal is that it isn’t a work of art, it has no specific form or style (and thus doesn’t go out of style), and it can contradict itself whenever it wants. As Thoreau said, he dumped his things on the counter; not every customer is going to like everything; different people, different tastes; let each person pick from the pile what they want.

For our own part, we acknowledge,—and the shrewd reader may already have remarked the fact,—we have not been disinclined to choose here and there a bit of some less rare and costly stuff. The man is so sternly virtuous, so inexorably in earnest, so heart-set upon perfection, [xlvii] that we almost like him best when for a moment he betrays something that suggests a touch of human frailty. We prick up our ears when he speaks of a woman he once in a while goes to see, who tells him to his face that she thinks him self-conceited. Now, then, we whisper to ourselves, how will this man who despises flattery, and, boasting himself a "commoner," professes that for him "there is something devilish in manners,"—how will this candor-loving, truth-speaking, truth-appreciating man enjoy the rebuke of so unmannered a mentor? And we smile and say Aha! when he adds that the lady wonders why he does not visit her oftener.

For our part, we acknowledge—and the sharp reader may have already noticed this—we haven't been averse to picking out a few pieces of less rare and expensive material. This man is so strictly virtuous, so relentlessly serious, so dedicated to perfection, [xlvii] that we almost like him more when he reveals a hint of human weakness. We perk up when he talks about a woman he occasionally visits, who tells him outright that she thinks he's self-centered. Now, we think to ourselves, how will this man, who looks down on flattery and calls himself a "commoner," and claims that for him "there is something devilish in manners," react to the criticism from such an unrefined mentor? And we smile and say Aha! when he adds that the lady wonders why he doesn't visit her more often.

We smile, too, when he brags, in early February, that he has not yet put on his winter clothing, amusing himself the while over the muffs and furs of his less hardy neighbors, his own "simple diet" making him so tough in the fibre that he "flourishes like a tree;" and then, a week later, writes with unbroken equanimity that he is down with bronchitis, contenting himself to spend his days cuddled in a warm corner by the stove.

We also smile when he boasts, in early February, that he hasn't put on his winter clothes yet, finding humor in the muffs and furs of his less resilient neighbors. His "simple diet" makes him so tough that he "thrives like a tree." Then, just a week later, he casually writes that he has bronchitis, content to spend his days cozy in a warm spot by the stove.

Trifles of this kind encourage a pleasant feeling of brotherly relationship. He is one of us, after all, with like passions. But of course we really like him best when he is at his best,—as in some outpouring of his love for things natural and wild. Let us have one more such quotation: "Now I yearn for one of those old, meandering, dry, uninhabited roads, which lead away from towns, which lead us away from temptation, which conduct us to the outside of earth, over its uppermost crust; where you may forget in what country you are travelling; where your head is more in heaven than your feet are on [xlviii] earth; where you can pace when your breast is full, and cherish your moodiness.... There I can walk and recover the lost child that I am without any ringing of a bell."

Trifles like this create a nice feeling of close connection. He’s one of us, after all, sharing similar passions. But we really appreciate him the most when he’s at his peak—like when he expresses his love for nature and the wild. Let’s have one more quote: "Now I crave one of those old, winding, dry, deserted roads that take us away from towns, pulling us away from temptation, leading us to the edges of the earth, across its top layer; where you can forget which country you’re traveling through; where your head is more in the clouds than your feet are on the ground; where you can stroll when your heart is full and embrace your solitude.... There I can walk and find the lost child that I am without any ringing of a bell."

For real warmth, when once the fire burns, who can exceed our stoic?

For true warmth, once the fire is lit, who can surpass our stoic?

We like, also, his bits of prettiness, things in which he is second to nobody, though prettiness, again, is not supposed to be the stoic's "note;" and they are all the prettier, as well as ten times more welcome, because he has the grace—and the sound literary sense—to drop them here and there, as it were casually, upon a ground of simple, unaffected prose. Here, now, is a sentence that by itself is worth a deal of ornithology: "The song sparrow is heard in fields and pastures, setting the midsummer day to music,—as if it were the music of a mossy rail or fence-post." Of dragon-flies he says: "How lavishly they are painted! How cheap was the paint! How free was the fancy of their Creator!" In early June, when woods are putting forth leaves, "the summer is pitching its tent." He finds the dainty fringed polygala (whose ordinary color is a lovely rose-purple) sporting white blossoms, and remarks: "Thus many flowers have their nun sisters, dressed in white." Soaring hawks are "kites without strings;" and when he and his companion are travelling across country, keeping out of the sight of houses, yet compelled to traverse here and there a farmer's field, they "shut every window with an apple tree."

We also appreciate his charming touches, things where he stands out completely, even though charm isn't really the stoic's focus; and they are even more beautiful, and much more welcome, because he has the skill—and the strong literary sense—to drop them in here and there, almost casually, against a backdrop of straightforward, down-to-earth prose. Here’s a sentence that's worth a lot in the study of birds: "The song sparrow is heard in fields and pastures, filling the midsummer day with music—as if it were the tune of a mossy rail or fence post." About dragonflies he says: "How vividly they are colored! How inexpensive was the paint! How free was their Creator's imagination!" In early June, when the trees are budding, "summer is pitching its tent." He finds the delicate fringed polygala (which is usually a beautiful rose-purple) showing off white blossoms and notes: "So many flowers have their nun sisters, dressed in white." Soaring hawks are "kites without strings;" and when he and his friend are traveling cross-country, avoiding houses, yet needing to pass through a farmer's field here and there, they "shut every window with an apple tree."

Gems like these one need not be a connoisseur to appreciate, and they are common upon his counter. It [xlix] was a good name that Channing gave him: "The Poet-Naturalist."

Gems like these are easy to appreciate, and they're often found on his counter. It [xlix] was a great name that Channing gave him: "The Poet-Naturalist."

But there are better things than flowers and jewels to be found in Thoreau's stock. There are cordials and tonics there, to brace a man when he is weary; eye-washes, to cleanse his vision till he sees the heights above him and repents the lowness of his aims and the vulgarity of his satisfactions; blisters and irritant plasters in large variety and of warranted strength; but little or nothing, so far as the present customer has noticed, in the line of anodynes and sleeping-powders. There we may buy moral wisdom, which is not only the "foundation and source of good writing," as one of the ancients said, but of the arts in general, especially the art of life. If the world is too much with us, if wealth attracts and the "rust of copper" has begun to eat into the soul, if we are in danger of selling our years for things that perish with the using, here we may find correctives, and go away thankful, rejoicing henceforth to be rich in a better coinage than any that bears the world's stamp. The very exaggerations of the master—if we call them such—may do us good like a medicine; for there are diseased conditions which yield to nothing so quickly as to a shock.

But there are better things than flowers and jewels to be found in Thoreau's collection. There are drinks and remedies that can uplift a person when they're tired; eye-washes to clear their vision until they see the heights above them and regret the smallness of their goals and the triviality of their pleasures; a wide range of blisters and irritant plasters with guaranteed effectiveness; but little or nothing, as far as this customer has noticed, in terms of painkillers and sleeping pills. Here, we can acquire moral wisdom, which is not only the "foundation and source of good writing," as one of the ancients put it, but also the foundation of the arts in general, especially the art of living. If the world is overwhelming, if wealth draws us in and the "rust of copper" begins to eat away at our souls, if we risk trading our years for things that fade away with use, we can find remedies here and leave feeling grateful, happy to be rich in a better currency than anything stamped by the world's standards. The very exaggerations of the master—if we can call them that—might help us like a medicine; because there are unhealthy conditions that respond best to a sudden shock.

As for Thoreau himself, life might have been smoother for him had he been less exacting in his idealism, more tolerant of imperfection in others and in himself; had he taken his studies, and even his spiritual aspirations, a grain or two less seriously. A bit of boyish play now and then, the bow quite unbent, or a dose of novel-reading of the love-making, humanizing (Trollopean) sort, could [l] one imagine it, with a more temperate cherishing of his moodiness, might have done him no harm. It would have been for his comfort, so much may confidently be said, whether for his happiness is another question, had he been one of those gentler humorists who can sometimes see themselves, as all humorists have the gift of seeing other people, funny side out. But then, had these things been so, had his natural scope been wider, his genius, so to say, more tropical, richer, freer, more expansive, more various and flexible, more like the spreading banyan and less like the soaring, sky-pointing spruce,—why, then he would no longer have been Thoreau; for better or worse, his speech would have lost its distinctive tang; and in the long run the world, which likes a touch of bitter and a touch of sour, would almost certainly have found the man himself less interesting, and his books less rememberable. And made as he was, "born to his own affairs," what else could he do but stick to himself? "We are constantly invited to be what we are," he said. The words might fittingly have been cut upon his gravestone.

Thoreau's life might have been easier if he had been less demanding in his ideals and more accepting of flaws in himself and others. If he had approached his studies and spiritual goals with a lighter touch, perhaps a little playful spirit once in a while, or enjoyed some novels with romantic and relatable themes, it’s easy to imagine that a more balanced appreciation of his moods could have benefited him. It would have certainly been comforting for him, although whether it would have made him happier is another story. If he had been one of those gentler humorists who can find the funny side of themselves, just as they can with others, things might have been different. But if that had been the case, if his natural range had been broader, if his genius had been richer and more adaptable, more like a wide-spreading banyan tree rather than a tall, straight spruce, he wouldn’t have been Thoreau anymore. For better or worse, his unique voice would have lost its edge, and over time, the world—which enjoys a bit of bitterness and sourness—might have found him less intriguing and his writings less memorable. Given who he was, "born to his own affairs," what else could he do but remain true to himself? "We are constantly invited to be what we are," he said. Those words could have been perfectly inscribed on his gravestone.

B. T. [li]

B.T. [li]

HENRY D. THOREAU

GLEANINGS
OR WHAT TIME
HAS NOT REAPED
OF MY
JOURNAL

[The small manuscript volume bearing on its first fly-leaf the legend printed on the preceding page is evidently a transcript of unused passages in the early journals, and this is also the case with several succeeding small volumes. See note on page 342. The following mottoes occupy the next three pages of the book.]

[The small manuscript volume has a label on its first flyleaf that is clearly a copy of unused sections from the early journals, and this applies to several subsequent small volumes as well. See note on page 342. The following quotes are found on the next three pages of the book.]

"By all means use sometimes to be alone.

"Definitely take some time to be alone sometimes."

Salute thyself: see what thy soul doth wear.

Salute yourself: see what your soul is wearing.

Dare to look in thy chest; for 'tis thine own:

Dare to look in your chest; for it's yours:

And tumble up and down what thou find'st there.

And roll around with whatever you find there.

Who cannot rest till he good fellows find,

Who can't relax until he finds good friends,

He breaks up house, turns out of doors his mind."

He leaves the house, taking his thoughts outside.

Herbert, The Church Porch.

Herbert, The Church Porch.

"Friends and companions, get you gone!

"Friends and companions, go now!"

'Tis my desire to be alone;

'Tis my desire to be alone;

Ne'er well, but when my thoughts and I

Ne'er well, but when my thoughts and I

Do domineer in privacy."

Don’t dominate in private.

Burton, Anatomy of Melancholy.

Burton, Anatomy of Melancholy.

"Two Paradises are in one,

"Two paradises in one,"

To live in Paradise alone."

Living in Paradise alone.

Marvell, The Garden.

Marvell, The Garden.

Henry David Thoreau in 1854, from the Rowse Crayon in the Concord Public Library

Henry David Thoreau in 1854, from the Rowse Crayon in the Concord Public Library

3

THE JOURNAL OF HENRY DAVID THOREAU

THE JOURNAL OF HENRY DAVID THOREAU

I
1837
(ÆT. 20)

Oct 22. "What are you doing now?" he asked. "Do you keep a journal?" So I make my first entry to-day.

Oct 22. "What are you up to now?" he asked. "Do you keep a journal?" So I’m making my first entry today.

SOLITUDE

Aloneness

To be alone I find it necessary to escape the present,—I avoid myself. How could I be alone in the Roman emperor's chamber of mirrors? I seek a garret. The spiders must not be disturbed, nor the floor swept, nor the lumber arranged.

To be alone, I feel I need to escape the present—I'm trying to avoid myself. How could I find solitude in the Roman emperor's room filled with mirrors? I seek a tiny attic. The spiders shouldn't be disturbed, the floor shouldn't be swept, and the clutter shouldn't be organized.

The Germans say, "Es ist alles wahr wodurch du besser wirst."

The Germans say, "Everything that helps you improve is true.."

THE MOULD OUR DEEDS LEAVE

THE IMPACT OUR ACTIONS HAVE

Oct. 24. Every part of nature teaches that the passing away of one life is the making room for another. The oak dies down to the ground, leaving within its rind a rich virgin mould, which will impart a vigorous life to an infant forest. The pine leaves a sandy and sterile soil, the harder woods a strong and fruitful mould.

Oct. 24. Every part of nature shows that when one life ends, it creates space for another. The oak falls to the ground, leaving behind a rich, fertile soil that will nurture a young forest. The pine leaves behind a sandy and barren ground, while the stronger trees provide a robust and fruitful soil.

So this constant abrasion and decay makes the soil of my future growth. As I live now so shall I reap. If 4 I grow pines and birches, my virgin mould will not sustain the oak; but pines and birches, or, perchance, weeds and brambles, will constitute my second growth.[4]

So this ongoing wear and tear shapes the soil for my future growth. As I live now, that's what I will harvest. If 4 I plant pines and birches, my untouched soil won't support the oak; instead, pines and birches, or maybe even weeds and brambles, will make up my second growth.[4]

SPRING

SPRING

Oct 25. She appears, and we are once more children; we commence again our course with the new year. Let the maiden no more return, and men will become poets for very grief. No sooner has winter left us time to regret her smiles, than we yield to the advances of poetic frenzy. "The flowers look kindly at us from the beds with their child eyes, and in the horizon the snow of the far mountains dissolves into light vapor."—Goethe, Torquato Tasso.

Oct 25. She shows up, and we’re kids again; we start over with the new year. If the girl doesn’t come back, men will turn into poets out of pure sadness. As soon as winter leaves us with only memories of her smiles, we give in to the urges of poetic madness. "The flowers watch us with their innocent eyes from the beds, and in the distance, the snow on the mountains fades into light mist."—Goethe, Torquato Tasso.

THE POET

THE POET

"He seems to avoid—even to flee from us,—

"He seems to avoid—even to run away from us,—

To seek something which we know not,

To look for something we don't know,

And perhaps he himself after all knows not."—Ibid.

And maybe he himself doesn't know after all."—Ibid.

Oct 26.

Oct 26.

"His eye hardly rests upon the earth;

"His eye barely focuses on the ground;

His ear hears the one-clang of nature;

His ear hears the single sound of nature;

What history records,—what life gives,—

What history records, what life offers,

Directly and gladly his genius takes it up:

Directly and gladly, his talent embraces it:

His mind collects the widely dispersed,

His mind gathers the widely scattered,

And his feeling animates the inanimate.

And his emotions bring the lifeless to life.

Often he ennobles what appeared to us common,

Often he elevates what seemed ordinary to us,

And the prized is as nothing to him.

And the prize means nothing to him.

In his own magic circle wanders 5

In his own magical realm, he roams 5

The wonderful man, and draws us

The amazing man, and attracts us

With him to wander, and take part in it:

With him to explore and be a part of it:

He seems to draw near to us, and remains afar from us:

He seems to get closer to us, yet stays distant from us:

He seems to be looking at us, and spirits, forsooth,

He seems to be looking at us, and seriously,

Appear to him strangely in our places."—Ibid.

Appear to him strangely in our places."—Ibid.

HOW MAN GROWS

HOW A MAN GROWS

"A noble man has not to thank a private circle for his culture. Fatherland and world must work upon him. Fame and infamy must he learn to endure. He will be constrained to know himself and others. Solitude shall no more lull him with her flattery. The foe will not, the friend dares not, spare him. Then, striving, the youth puts forth his strength, feels what he is, and feels himself soon a man."

"A noble person doesn’t need to rely on a small group for their culture. Their homeland and the world should shape them. They must be able to handle both praise and criticism. They’ll be forced to understand themselves and others. Solitude won’t deceive them with its false comforts anymore. The enemy won’t hold back, and the friend won’t hesitate to challenge them. In this struggle, the young person finds their strength, realizes who they are, and soon feels truly like an adult."

"A talent is builded in solitude,

"A talent is built in solitude,

A character in the stream of the world."

A character in the flow of the world.

"He only fears man who knows him not, and he who avoids him will soonest misapprehend him."—Ibid.

"He only fears a person who doesn't know them, and the one who avoids them will misunderstand them the quickest."—Ibid.

ARIOSTO

ARIOSTO

"As nature decks her inward rich breast in a green variegated dress, so clothes he all that can make men honorable in the blooming garb of the fable.... The well of superfluity bubbles near, and lets us see variegated wonder-fishes. The air is filled with rare birds, the meads and copses with strange herds, wit lurks half concealed in the verdure, and wisdom from time to time lets sound from a golden cloud sustained words, while 6 frenzy wildly seems to sweep the well-toned lute, yet holds itself measured in perfect time."

"As nature adorns her rich interior with a colorful green dress, he dresses everything that can make men honorable in the vibrant outfits of the fable.... The well of excess bubbles nearby, revealing colorful wonder-fish. The air is filled with rare birds, the meadows and thickets with unusual herds, wit is hidden just beneath the greenery, and wisdom occasionally expresses itself from a golden cloud with profound words, while 6 frenzy seems to wildly sweep the well-tuned lute, yet remains perfectly measured in time."

BEAUTY

Beauty

"That beauty is transitory which alone you seem to honor."—Goethe, Torquato Tasso.

"That beauty is temporary which only you seem to value."—Goethe, Torquato Tasso.

THE FOG

THE FOG

Oct. 27. The prospect is limited to Nobscot and Annursnack. The trees stand with boughs downcast like pilgrims beaten by a storm, and the whole landscape wears a sombre aspect.

Oct. 27. The view is restricted to Nobscot and Annursnack. The trees are bent over like pilgrims battered by a storm, and the entire landscape has a gloomy appearance.

So when thick vapors cloud the soul, it strives in vain to escape from its humble working-day valley, and pierce the dense fog which shuts out from view the blue peaks in its horizon, but must be content to scan its near and homely hills.

So when heavy fogs cloud the spirit, it struggles in vain to break free from its ordinary daily life and reach the clear blue peaks in the distance, but it has to settle for looking at the familiar hills nearby.

DUCKS AT GOOSE POND

Ducks at Goose Pond

Oct 29. Two ducks, of the summer or wood species, which were merrily dabbling in their favorite basin, struck up a retreat on my approach, and seemed disposed to take French leave, paddling off with swan-like majesty. They are first-rate swimmers, beating me at a round pace, and—what was to me a new trait in the duck character—dove every minute or two and swam several feet under water, in order to escape our attention. Just before immersion they seemed to give each other a significant nod, and then, as if by a common understanding, 'twas heels up and head down in the shaking of a duck's wing. When they reappeared, it was amusing 7 to observe with what a self-satisfied, darn-it-how-he-nicks-'em air they paddled off to repeat the experiment.

Oct 29. Two ducks, probably summer or wood species, were happily dabbling in their favorite spot when they took off at my approach, appearing to make a quick getaway, paddling away with graceful elegance. They were excellent swimmers, leaving me behind in their wake, and—something new I noticed in their behavior—dived every minute or so and swam several feet underwater to avoid being noticed. Right before diving, they seemed to exchange a meaningful nod, and then, as if they had a plan, it was tails up and heads down as they flapped their wings. When they resurfaced, it was funny to see the self-satisfied, "look how clever I am" attitude they had as they paddled off to try it again. 7

THE ARROWHEAD

The Arrowhead

A curious incident happened some four or six weeks ago which I think it worth the while to record. John and I had been searching for Indian relics, and been successful enough to find two arrowheads and a pestle, when, of a Sunday evening, with our heads full of the past and its remains, we strolled to the mouth of Swamp Bridge Brook. As we neared the brow of the hill forming the bank of the river, inspired by my theme, I broke forth into an extravagant eulogy on those savage times, using most violent gesticulations by way of illustration. "There on Nawshawtuct," said I, "was their lodge, the rendezvous of the tribe, and yonder, on Clamshell Hill, their feasting ground. This was, no doubt, a favorite haunt; here on this brow was an eligible lookout post. How often have they stood on this very spot, at this very hour, when the sun was sinking behind yonder woods and gilding with his last rays the waters of the Musketaquid, and pondered the day's success and the morrow's prospects, or communed with the spirit of their fathers gone before them to the land of shades!

A curious incident happened about four to six weeks ago that I think is worth mentioning. John and I had been searching for Indian relics and were lucky enough to find two arrowheads and a pestle when, one Sunday evening, filled with thoughts of the past and its remnants, we strolled to the mouth of Swamp Bridge Brook. As we approached the top of the hill that borders the river, inspired by my topic, I launched into an enthusiastic praise of those ancient times, using exaggerated gestures for emphasis. "Over there on Nawshawtuct," I said, "was their lodge, the meeting place of the tribe, and over there, on Clamshell Hill, their feasting ground. This was undoubtedly a favorite spot; here on this ridge was a perfect lookout. How many times have they stood right here, at this very time, when the sun was setting behind those woods, casting its last rays on the waters of the Musketaquid, reflecting on the day's successes and the prospects of tomorrow, or connecting with the spirits of their ancestors who had gone to the land of shadows!

"Here," I exclaimed, "stood Tahatawan; and there" (to complete the period) "is Tahatawan's arrowhead."

"Here," I said, "is where Tahatawan stood; and there" (to finish the sentence) "is Tahatawan's arrowhead."

We instantly proceeded to sit down on the spot I had pointed to, and I, to carry out the joke, to lay bare an ordinary stone which my whim had selected, when lo! the first I laid hands on, the grubbing stone that was to 8 be, proved a most perfect arrowhead, as sharp as if just from the hands of the Indian fabricator!!!

We quickly sat down at the spot I indicated, and I, to go along with the joke, picked up a regular stone that caught my fancy. To my surprise, the first one I grabbed, the digging stone that was supposed to be, turned out to be a perfect arrowhead, sharp as if it had just been made by an Indian craftsman!!!

SUNRISE

Sunrise

Oct. 30. First we have the gray twilight of the poets, with dark and barry clouds diverging to the zenith. Then glows the intruding cloud in the east, as if it bore a precious jewel in its bosom; a deep round gulf of golden gray indenting its upper edge, while slender rules of fleecy vapor, radiating from the common centre, like light-armed troops, fall regularly into their places.

Oct. 30. First, we have the gray twilight of the poets, with dark, heavy clouds stretching up to the sky. Then, a bright cloud in the east appears, as if it's holding a precious jewel inside; a deep, round area of golden gray dips into its upper edge, while thin strands of soft vapor radiate from the center, like lightly armed soldiers falling into formation.

SAILING WITH AND AGAINST THE STREAM

SAILING WITH AND AGAINST THE STREAM

Nov. 3. If one would reflect, let him embark on some placid stream, and float with the current. He cannot resist the Muse. As we ascend the stream, plying the paddle with might and main, snatched and impetuous thoughts course through the brain. We dream of conflict, power, and grandeur. But turn the prow down stream, and rock, tree, kine, knoll, assuming new and varying positions, as wind and water shift the scene, favor the liquid lapse of thought, far-reaching and sublime, but ever calm and gently undulating.

Nov. 3. If you take a moment to think, find a peaceful stream and let it carry you along. You can’t escape inspiration. As we paddle upstream with all our strength, intense and sudden thoughts rush through our minds. We envision battles, power, and greatness. But if you turn the boat downstream, the rocks, trees, cows, and hills change their positions as the wind and water alter the view, encouraging a smooth flow of thought—expansive and profound, yet always calm and gently rolling.

TRUTH

TRUTH

Nov. 5. Truth strikes us from behind, and in the dark, as well as from before and in broad daylight.

Nov. 5. Truth hits us unexpectedly, whether from behind and in the dark, or from the front and in broad daylight.

STILL STREAMS RUN DEEPEST

Still waters run deepest.

Nov. 9. It is the rill whose "silver sands and pebbles sing eternal ditties with the spring." The early frosts bridge its narrow channel, and its querulous note 9 is hushed. Only the flickering sunlight on its sandy bottom attracts the beholder. But there are souls whose depths are never fathomed,—on whose bottom the sun never shines. We get a distant view from the precipitous banks, but never a draught from their mid-channels. Only a sunken rock or fallen oak can provoke a murmur, and their surface is a stranger to the icy fetters which bind fast a thousand contributory rills.[5]

Nov. 9. It’s the small stream whose "silver sands and pebbles sing eternal songs with the spring." The early frosts cover its narrow channel, and its complaining sound is quieted. Only the flickering sunlight on its sandy bottom catches the eye. But there are souls whose depths are never understood—where the sun never shines. We get a distant view from the steep banks, but we can never drink from their main flows. Only a sunken rock or a fallen tree can stir a response, and their surface is unknown to the icy chains that tightly grip a thousand smaller streams. [5]

DISCIPLINE

SELF-CONTROL

Nov. 12. I yet lack discernment to distinguish the whole lesson of to-day; but it is not lost,—it will come to me at last. My desire is to know what I have lived, that I may know how to live henceforth.

Nov. 12. I still don't fully understand everything I learned today, but it's not wasted—I'll figure it out eventually. I want to know what I've lived through so that I can learn how to live from now on.

SIN DESTROYS THE PERCEPTION OF THE BEAUTIFUL

SIN DESTROYS THE PERCEPTION OF BEAUTY

Nov. 13. This shall be the test of innocence—if I can hear a taunt, and look out on this friendly moon, pacing the heavens in queen-like majesty, with the accustomed yearning.

Nov. 13. This will be the test of my innocence—if I can hear an insult, and gaze at this welcoming moon, gliding through the sky with regal elegance, while feeling the familiar longing.

TRUTH

TRUTH

Truth is ever returning into herself. I glimpse one feature to-day, another to-morrow; and the next day they are blended.

Truth is always coming back to itself. Today I see one aspect, tomorrow another; and the day after, they’re mixed together.

GOETHE

GOETHE

Nov. 15. "And now that it is evening, a few clouds in the mild atmosphere rest upon the mountains, more stand still than move in the heavens, and immediately after sunset the chirping of crickets begins to increase; then feels one once more at home in the world, and not 10 as an alien,—an exile. I am contented as though I had been born and brought up here, and now returned from a Greenland or whaling voyage. Even the dust of my Fatherland, as it is whirled about the wagon, which for so long a time I had not seen, is welcome. The clock-and-bell jingling of the crickets is very agreeable, penetrating, and not without a meaning. Pleasant is it when roguish boys whistle in emulation of a field of such songstresses. One imagines that they really enhance each other. The evening is perfectly mild as the day. Should an inhabitant of the south, coming from the south, hear of my rapture, he would deem me very childish. Alas! what I here express have I long felt under an unpropitious heaven. And now this joy is to me an exception, which I am henceforth to enjoy,—a necessity of my nature."—Italiänische Reise.[6]

Nov. 15. "Now that it's evening, a few clouds in the mild air are resting on the mountains, more still than moving in the sky, and right after sunset the chirping of crickets starts to get louder; it makes you feel at home in the world again, not like an outsider—an exile. I'm as happy as if I were born and raised here, just returned from a trip to Greenland or a whaling voyage. Even the dust of my homeland, swirling around the wagon that I haven't seen in so long, is welcome. The clock-like sound of the crickets is very pleasant, sharp, and meaningful. It's enjoyable when mischievous boys whistle along with the chorus of these singers. You'd think they really complement each other. The evening is perfectly mild, just like the day. If a southerner, coming from the south, heard about my joy, they would think I'm being childish. Alas! What I'm expressing now is something I've felt for a long time under an unfavorable sky. And now this joy is an exception that I’m meant to enjoy going forward—a necessity of my nature."—Italiänische Reise.[6]

PONKAWTASSETT

Ponkawtasset

Nov. 16. There goes the river, or rather is, "in serpent error wandering," the jugular vein of Musketaquid. Who knows how much of the proverbial moderation of the inhabitants was caught from its dull circulation?

Nov. 16. There goes the river, or rather it is "wandering in serpent error," the lifeblood of Musketaquid. Who knows how much of the famous moderation of the locals was influenced by its slow flow?

The snow gives the landscape a washing-day appearance,—here a streak of white, there a streak of dark; it is spread like a napkin over the hills and meadows. This must be a rare drying day, to judge from the vapor that floats over the vast clothes-yard.

The snow makes the landscape look like laundry day—there's a patch of white here, a patch of dark there; it’s spread like a tablecloth over the hills and fields. This must be a rare drying day, judging by the mist that hangs over the big yard.

A hundred guns are firing and a flag flying in the village in celebration of the whig victory. Now a short dull report,—the mere disk of a sound, shorn of its 11 beams,—and then a puff of smoke rises in the horizon to join its misty relatives in the skies.

A hundred guns are firing and a flag is flying in the village to celebrate the Whig victory. Now a brief, dull noise—just the flat sound of it, stripped of its 11 impact— and then a puff of smoke rises on the horizon to join its misty companions in the sky.

GOETHE

GOETHE

He gives such a glowing description of the old tower, that they who had been born and brought up in the neighborhood must needs look over their shoulders, "that they might behold with their eyes, what I had praised to their ears, ... and I added nothing, not even the ivy which for centuries had decorated the walls."—Italiänische Reise.[7]

He gives such a glowing description of the old tower that those who grew up in the area couldn’t help but look over their shoulders, "so they could see with their own eyes what I had praised to their ears, ... and I didn’t add anything, not even the ivy that has decorated the walls for centuries."—Italiänische Reise.[7]

SUNRISE

Sunrise

Nov. 17. Now the king of day plays at bo-peep round the world's corner, and every cottage window smiles a golden smile,—a very picture of glee. I see the water glistening in the eye. The smothered breathings of awakening day strike the ear with an undulating motion; over hill and dale, pasture and woodland, come they to me, and I am at home in the world.

Nov. 17. Now the sun plays peekaboo around the corner of the world, and every cottage window has a golden glow—a perfect picture of happiness. I see the water sparkling like an eye. The soft sounds of the waking day reach my ears with a gentle rhythm; they come to me over hills and valleys, fields and forests, and I feel at home in the world.

THE SKY

THE SKY

If there is nothing new on earth, still there is something new in the heavens. We have always a resource in the skies. They are constantly turning a new page to view. The wind sets the types in this blue ground, and the inquiring may always read a new truth.[8]

If there's nothing new on earth, there's always something fresh in the skies. We always have a resource above us. They are constantly flipping to a new page for us to see. The wind rearranges the elements in this blue expanse, and those who seek can always discover a new truth.[8]

VIRGIL

VIRGIL

Nov. 18. "Pulsae referunt ad sidera valles"[9] is such 12 a line as would save an epic; and how finely he concludes his "agrestem musam," now that Silenus has done, and the stars have heard his story,—

Nov. 18. "The valleys tell of the stars" [9] is a line that could save an epic; and how beautifully he wraps up his "rural muse," now that Silenus has finished, and the stars have listened to his tale,—

"Cogere donec oves stabulis, numerumque referre

"Gather the sheep into the pens and count them."

Jussit, et invito processit Vesper Olympo."

The evening descended, even against the will of the sky.."

HARMONY

HARMONY

Nature makes no noise. The howling storm, the rustling leaf, the pattering rain are no disturbance, there is an essential and unexplored harmony in them. Why is it that thought flows with so deep and sparkling a current when the sound of distant music strikes the ear? When I would muse I complain not of a rattling tune on the piano—a Battle of Prague even—if it be harmony, but an irregular, discordant drumming is intolerable.

Nature is silent. The howling storm, the rustling leaves, and the pattering rain aren’t disturbances; there’s a fundamental and unexplored harmony in them. Why does thought flow with such a deep and vibrant current when the sound of distant music reaches the ear? When I reflect, I don’t mind a rattling tune on the piano—even a Battle of Prague—if it’s harmonious, but an irregular, discordant drumming is unbearable.

SHADOWS

SHADOWS

When a shadow flits across the landscape of the soul, where is the substance? Has it always its origin in sin? and is that sin in me?

When a shadow darts across the landscape of the soul, where is the substance? Does it always come from sin? And is that sin within me?

VIRGIL

VIRGIL

Nov. 20. I would read Virgil, if only that I might be reminded of the identity of human nature in all ages. I take satisfaction in "jam laeto turgent in palmite gemmae," or "Strata jacent passim sua quaeque sub arbore poma." It was the same world, and the same men inhabited it.[10]

Nov. 20. I would read Virgil just to be reminded of the essence of human nature across all time. I find pleasure in "The joyful buds are swelling on the vine.," or "The fruits of each tree grow abundantly all around.." It's the same world, and the same people lived in it.[10]

NAWSHAWTUCT

NAWSHAWTUCT

Nov. 21. One must needs climb a hill to know what a world he inhabits. In the midst of this Indian summer 13 I am perched on the topmost rock of Nawshawtuct, a velvet wind blowing from the southwest. I seem to feel the atoms as they strike my cheek. Hills, mountains, steeples stand out in bold relief in the horizon, while I am resting on the rounded boss of an enormous shield, the river like a vein of silver encircling its edge, and thence the shield gradually rises to its rim, the horizon. Not a cloud is to be seen, but villages, villas, forests, mountains, one above another, till they are swallowed up in the heavens.[11] The atmosphere is such that, as I look abroad upon the length and breadth of the land, it recedes from my eye, and I seem to be looking for the threads of the velvet.

Nov. 21. You have to climb a hill to understand the world you live in. In the middle of this Indian summer 13 I’m sitting on the highest rock of Nawshawtuct, with a soft breeze blowing in from the southwest. I can almost feel the atoms hitting my cheek. Hills, mountains, and steeples stand out sharply against the horizon, as I rest on the rounded top of a giant shield, with the river flowing like a silver thread around its edge, and from there, the shield gradually rises to the horizon. There isn’t a cloud in sight, only villages, houses, forests, and mountains, stacked one on top of another until they disappear into the sky.[11] The atmosphere is such that, as I look over the expanse of the land, it seems to pull away from my view, and I feel like I’m searching for the threads of the velvet.

Thus I admire the grandeur of my emerald carriage, with its border of blue, in which I am rolling through space.

Thus, I admire the magnificence of my green carriage, with its blue trim, as I roll through space.

THOUGHTS

Thoughts

Nov. 26. I look around for thoughts when I am overflowing myself. While I live on, thought is still in embryo,—it stirs not within me. Anon it begins to assume shape and comeliness, and I deliver it, and clothe it in its garment of language. But alas! how often when thoughts choke me do I resort to a spat on the back, or swallow a crust, or do anything but expectorate them!

Nov. 26. I search for thoughts when I'm feeling overwhelmed. While I'm alive, my thoughts are still in their early stages—they don’t move within me. Soon they start to take form and become appealing, and I express them, dressing them in words. But sadly, how often when my thoughts are overwhelming do I end up giving myself a pat on the back, munching on some bread, or doing anything except letting them out!

HOAR FROST AND GREEN RIVER

Frost and Green River

Nov. 28. Every tree, fence, and spire of grass that could raise its head above the snow was this morning covered with a dense hoar frost. The trees looked like airy creatures of darkness caught napping. On this side 14 they were huddled together, their gray hairs streaming, in a secluded valley which the sun had not yet penetrated, and on that they went hurrying off in Indian file by hedgerows and watercourses, while the shrubs and grasses, like elves and fairies of the night, sought to hide their diminished heads in the snow.

Nov. 28. Every tree, fence, and blade of grass that could poke above the snow was covered in thick frost this morning. The trees looked like ghostly creatures of darkness caught sleeping. On this side 14 they were gathered closely together, their gray branches hanging down, in a hidden valley that the sun hadn’t reached yet, and on the other side they hurried off in a line by hedgerows and streams, while the bushes and grasses, like night elves and fairies, tried to hide their drooping heads in the snow.

The branches and taller grasses were covered with a wonderful ice-foliage, answering leaf for leaf to their summer dress. The centre, diverging, and even more minute fibres were perfectly distinct and the edges regularly indented.

The branches and taller grasses were coated with a beautiful layer of ice, matching leaf for leaf their summer appearance. The center, diverging, and even finer fibers were clearly visible, and the edges were evenly indented.

These leaves were on the side of the twig or stubble opposite to the sun (when it was not bent toward the east), meeting it for the most part at right angles, and there were others standing out at all possible angles upon these, and upon one another.

These leaves were on the side of the twig or stubble facing away from the sun (when it wasn't leaning toward the east), mostly meeting it at right angles, and there were others sticking out at all possible angles on these, and on each other.

It struck me that these ghost leaves and the green ones whose forms they assume were the creatures of the same law. It could not be in obedience to two several laws that the vegetable juices swelled gradually into the perfect leaf on the one hand, and the crystalline particles trooped to their standard in the same admirable order on the other.

It occurred to me that these ghost leaves and the green ones they resemble were governed by the same principle. It couldn't be that the plant juices expanded into the perfect leaf on one side while the crystalline particles gathered in the same impressive order on the other side due to two different laws.

The river, viewed from the bank above, appeared of a yellowish-green color, but on a nearer approach this phenomenon vanished; and yet the landscape was covered with snow.[12]

The river, seen from the bank above, looked yellowish-green, but when you got closer, that effect disappeared; still, the landscape was blanketed in snow.[12]

ICE-HARP

Ice Harp

Dec. 5. My friend tells me he has discovered a new note in nature, which he calls the Ice-Harp. Chancing 15 to throw a handful of pebbles upon the pond where there was an air chamber under the ice, it discoursed a pleasant music to him.

Dec. 5. My friend says he has found a new sound in nature, which he calls the Ice-Harp. When he happened to toss a handful of pebbles onto the pond where there was an air pocket beneath the ice, it produced a lovely melody for him.

Herein resides a tenth muse, and as he was the man to discover it probably the extra melody is in him.

Here lies a new muse, and since he's the one who discovered it, he probably carries the extra melody within him.

GOETHE

GOETHE

Dec. 8. He is generally satisfied with giving an exact description of objects as they appear to him, and his genius is exhibited in the points he seizes upon and illustrates. His description of Venice and her environs as seen from the Marcusthurm is that of an unconcerned spectator, whose object is faithfully to describe what he sees, and that, too, for the most part, in the order in which he saw it. It is this trait which is chiefly to be prized in the book; even the reflections of the author do not interfere with his descriptions.

Dec. 8. He is usually pleased with providing a precise description of things as they look to him, and his talent shows in the details he highlights and explains. His depiction of Venice and its surroundings as viewed from the Marcusthurm is that of a detached observer, whose goal is to accurately describe what he sees, mostly in the same sequence that he experienced it. This characteristic is what should be highly valued in the book; even the author's thoughts do not disrupt his descriptions.

It would thus be possible for inferior minds to produce invaluable books.[13]

It could therefore be possible for less capable thinkers to create invaluable books.[13]

MEASURE

MEASURE

Dec. 10. Not the carpenter alone carries his rule in his pocket. Space is quite subdued to us. The meanest peasant finds in a hair of his head, or the white crescent upon his nail, the unit of measure for the distance of the fixed stars. His middle finger measures how many digits into space; he extends a few times his thumb and finger, and the continent is spanned; he stretches out his arms, and the sea is fathomed.

Dec. 10. It’s not just carpenters who have a measuring tool in their pocket. We’ve really tamed space. Even the simplest peasant can use a strand of hair or the white crescent on their nail as a way to measure the distance to the fixed stars. Their middle finger measures how many digits go into space; they stretch their thumb and finger a few times, and they can cover the continent; they spread their arms, and they can measure the sea fathomed.

THOUGHT

THOUGHTS

Dec. 12. There are times when thought elbows her 16 way through the underwood of words to the clear blue beyond;

Dec. 12. There are moments when thought pushes through the dense brush of words to reach the clear blue sky beyond;

"O'er bog, or steep, through strait, rough, dense, or rare,

"O'er bog, or steep, through strait, rough, dense, or rare,

With head, hands, wings, or feet, pursues her way,

With head, hands, wings, or feet, pursues her way,

And swims, or sinks, or wades, or creeps, or flies;..."

And swims, or sinks, or wades, or creeps, or flies;...

but let her don her cumbersome working-day garment, and each sparkling dewdrop will seem a "slough of despond."

but let her put on her heavy work clothes, and each sparkling dewdrop will feel like a "slough of despond."

PECULIARITY

UNIQUE TRAIT

When we speak of a peculiarity in a man or a nation, we think to describe only one part, a mere mathematical point; but it is not so. It pervades all. Some parts may be further removed than others from this centre, but not a particle so remote as not to be either shined on or shaded by it.

When we talk about a unique quality in a person or a country, we usually think we're just describing one aspect, like a passing detail. But it doesn't work that way. That uniqueness influences everything. Some aspects might be more distant from the core than others, but nothing is so far away that it isn't affected or influenced by it.

THORNS

Thorns

No faculty in man was created with a useless or sinister intent; in no respect can he be wholly bad, but the worst passions have their root in the best,—as anger, for instance, may be only a perverted sense of wrong which yet retains some traces of its origin.[14] So a spine is proved to be only an abortive branch, "which, notwithstanding, even as a spine, bears leaves, and, in Euphorbia heptagona, sometimes flowers and fruit."

No part of a person was created for a pointless or evil purpose; in no way can anyone be completely bad, but the worst feelings often come from the best ones—as anger, for example, can just be a twisted sense of injustice that still keeps some signs of where it came from.[14] Similarly, a spine is shown to be just a failed branch, "which, nonetheless, even as a spine, produces leaves, and, in Euphorbia heptagona, sometimes flowers and fruit."

JACK FROST

Jack Frost

Dec. 15. As further confirmation of the fact that vegetation is a kind of crystallization, I observe that upon 17 the edge of the melting frost on the windows, Jack is playing singular freaks,—now bundling together his needle-shaped leaves so as to resemble fields waving with grain, or shocks of wheat rising here and there from the stubble. On one side the vegetation of the torrid zone is presented you,—high-towering palms, and widespread banyans, such as we see in pictures of Oriental scenery; on the other are arctic pines, stiff-frozen, with branches downcast, like the arms of tender men in frosty weather.[15] In some instances the panes are covered with little feathery flocks, where the particles radiate from a common centre, the number of radii varying from three to seven or eight. The crystalline particles are partial to the creases and flaws in the glass, and, when these extend from sash to sash, form complete hedgerows, or miniature watercourses, where dense masses of crystal foliage "high over-arched imbower."

Dec. 15. As further confirmation that plants are a type of crystallization, I notice that on 17 the edge of the melting frost on the windows, Jack is doing some unusual things—now bundling together his needle-shaped leaves to look like fields waving with grain or stacks of wheat popping up here and there from the stubble. On one side, you see vegetation from the tropical zone—tall palms and wide banyan trees, like those in pictures of Oriental landscapes; on the other side, there are arctic pines, stiff and frozen, with branches hanging down like the arms of delicate men in cold weather. [15] Sometimes the panes are covered with tiny feathery clusters, where the particles radiate from a common center, with the number of rays varying from three to seven or eight. The crystalline particles like to settle in the creases and imperfections in the glass, and when these stretch from sash to sash, they create complete hedgerows or miniature watercourses, where thick masses of crystal foliage "high over-arched imbower."

FROZEN MIST

Frosted fog

Dec. 16. The woods were this morning covered with thin bars of vapor,—the evaporation of the leaves according to Sprengel,—which seemed to have been suddenly stiffened by the cold. In some places it was spread out like gauze over the tops of the trees, forming extended lawns, where elves and fairies held high tournament;

Dec. 16. This morning, the woods were covered with thin strips of mist—the leaves evaporating, as Sprengel explained—which seemed to have suddenly frozen in the cold. In some areas, it stretched out like gauze over the tops of the trees, creating expansive lawns where elves and fairies held grand tournaments;

"before each van

"before each vehicle"

Prick forth the aery knights, and couch their spears,

Prick forth the airy knights, and lower their spears,

Till thickest legions close."[16] 18

Till the thickest legions close."__A_TAG_PLACEHOLDER_0__ 18

The east was glowing with a narrow but ill-defined crescent of light, the blue of the zenith mingling in all possible proportions with the salmon-color of the horizon. And now the neighboring hilltops telegraph to us poor crawlers of the plain the Monarch's golden ensign in the east, and anon his "long levelled rules" fall sector-wise, and humblest cottage windows greet their lord.

The east was glowing with a narrow but indistinct crescent of light, the blue of the sky blending in every possible way with the salmon color of the horizon. Now, the nearby hilltops signal to us, the lowly dwellers of the plain, the Monarch's golden flag in the east, and soon his "long leveled rules" spread out, and the humblest cottage windows welcome their lord.

FACTS

FACTS

How indispensable to a correct study of Nature is a perception of her true meaning. The fact will one day flower out into a truth. The season will mature and fructify what the understanding had cultivated. Mere accumulators of facts—collectors of materials for the master-workmen—are like those plants growing in dark forests, which "put forth only leaves instead of blossoms."

How essential to a proper understanding of Nature is the recognition of her true meaning. This fact will eventually evolve into a truth. The time will come when what the mind has nurtured will come to fruition. Simply gathering facts—collecting materials for the skilled craftsmen—are like those plants growing in dark forests that "produce only leaves instead of flowers."

DRUIDS

DRUIDS

Dec. 17. In all ages and nations we observe a leaning towards a right state of things. This may especially be seen in the history of the priest, whose life approaches most nearly to that of the ideal man. The Druids paid no taxes, and "were allowed exemption from warfare and all other things." The clergy are even now a privileged class.

Dec. 17. Throughout history and across different cultures, we notice a tendency to seek a better state of affairs. This is particularly evident in the history of priests, whose lives come closest to that of the ideal person. The Druids didn't pay taxes and "were granted exemption from warfare and other obligations." Even today, the clergy are considered a privileged class.

In the last stage of civilization Poetry, Religion, and Philosophy will be one; and this truth is glimpsed in the first. The druidical order was divided into Druids, Bards, and Ouates. "The Bards were the poets and musicians, of whom some were satirists, and some encomiasts. The Ouates sacrificed, divined, and contemplated 19 the nature of things. The Druids cultivated physiology and moral philosophy; or, as Diodorus says, were their philosophers and theologians."

In the final stage of civilization, Poetry, Religion, and Philosophy will merge into one, a truth reflected in the first. The druid order was split into Druids, Bards, and Ouates. "The Bards were the poets and musicians, some of whom were satirists, while others were praise-givers. The Ouates performed sacrifices, practiced divination, and contemplated the nature of things. The Druids delved into physiology and moral philosophy; or, as Diodorus puts it, they were the philosophers and theologians."

GOETHE

GOETHE

Dec. 18. He required that his heroine, Iphigenia, should say nothing which might not be uttered by the holy Agathe, whose picture he contemplated.

Dec. 18. He insisted that his heroine, Iphigenia, should not say anything that couldn't be spoken by the holy Agathe, whose picture he was gazing at.

IMMORTALITY POST

IMMORTALITY POST

The nations assert an immortality post as well as ante. The Athenians wore a golden grasshopper as an emblem that they sprang from the earth, and the Arcadians pretended that they were προσέληνοι, or before the moon.

The nations claim both a future and a past immortality. The Athenians wore a golden grasshopper as a symbol of their origin from the earth, while the Arcadians claimed to be "προσέληνοι," or before the moon.

The Platos do not seem to have considered this back-reaching tendency of the human mind.

The Platos don't seem to have acknowledged this tendency of the human mind to look back.

THE PRIDE OF ANCESTRY

The Pride of Heritage

Men are pleased to be called the sons of their fathers,—so little truth suffices them,—and whoever addresses them by this or a similar title is termed a poet. The orator appeals to the sons of Greece, of Britannia, of France, or of Poland; and our fathers' homely name acquires some interest from the fact that Sakai-suna means sons-of-the-Sakai.[17]

Men enjoy being called their father's sons—so little truth is enough for them—and anyone who refers to them by this or a similar title is considered a poet. The speaker appeals to the sons of Greece, Britain, France, or Poland; and our fathers' simple name gains some significance from the fact that Sakai-suna means sons-of-the-Sakai.[17]

HELL

HELL

Dec. 19. Hell itself may be contained within the compass of a spark. 20

Dec. 19. Hell itself can be contained within a single spark. 20

SAXONS

Saxons

The fact seems at first an anomalous one that the less a people have to contend for the more tenacious they are of their rights. The Saxons of Ditmarsia contended for a principle, not for their sterile sands and uncultivated marshes.

At first, it seems strange that the less people have to fight for, the more they hold onto their rights. The Saxons of Ditmarsia fought for a principle, not for their barren sands and unproductive marshes.

We are on the whole the same Saxons that our fathers were, when it was said of them, "They are emulous in hospitality, because to plunder and to lavish is the glory of an Holsatian; not to be versed in the science of depredation is, in his opinion, to be stupid and base."

We are basically the same Saxons that our ancestors were when it was said about them, "They are eager in hospitality because to plunder and to spend generously is the pride of a Holsatian; to not be skilled in the art of stealing is, in their view, to be foolish and lowly."

The French are the same Franks of whom it is written, "Francis familiare est ridendo fidem frangere;" "Gens Francorum infidelis est. Si perjeret Francus quid novi faciet, qui perjuriam ipsam sermonis genus putat esse non criminis."

The French are the same Franks mentioned in the writing, "Francis is known for breaking the trust through laughter.;" "The people of the Franks are unfaithful. If a Frank breaks an oath, what new act will he commit, who thinks that breaking an oath is simply a form of speech and not a crime?."

CRYSTALS

CRYSTALS

I observed this morning that the ice at Swamp Bridge was checkered with a kind of mosaic-work of white creases or channels; and when I examined the under side, I found it to be covered with a mass of crystallizations from three to five inches deep, standing, or rather depending, at right angles to the true ice, which was about an eighth of an inch thick. There was a yet older ice six or eight inches below this. The crystals were for the most part triangular prisms with the lower end open, though, in some cases, they had run into each other so as to form four or five sided prisms. When the ice was laid upon its smooth side, they resembled the 21 roofs and steeples of a Gothic city, or the vessels of a crowded haven under a press of canvas.

I noticed this morning that the ice at Swamp Bridge was patterned with a kind of mosaic of white lines and channels; and when I looked underneath, I found it covered with a layer of crystals about three to five inches deep, standing, or rather hanging, at right angles to the actual ice, which was about an eighth of an inch thick. There was older ice six or eight inches below that. Most of the crystals were triangular prisms with the bottom open, although in some cases, they had merged together to form four or five-sided prisms. When the ice was laid on its flat side, they looked like the roofs and steeples of a Gothic city, or the ships in a busy harbor filled with sails.

I noticed also that where the ice in the road had melted and left the mud bare, the latter, as if crystallized, discovered countless rectilinear fissures, an inch or more in length—a continuation, as it were, of the checkered ice.[18]

I also saw that where the ice on the road had melted and exposed the mud, the mud, almost like it was crystallized, showed countless straight cracks, an inch or longer—a continuation, in a way, of the checkered ice.[18]

Dec. 22. About a year ago, having set aside a bowl which had contained some rhubarb grated in water, without wiping it, I was astonished to find, a few days afterward, that the rhubarb had crystallized, covering the bottom of the bowl with perfect cubes, of the color and consistency of glue, and a tenth of an inch in diameter.

Dec. 22. About a year ago, I left a bowl that had held some rhubarb soaked in water without cleaning it. A few days later, I was amazed to discover that the rhubarb had crystallized, forming perfect little cubes at the bottom of the bowl, similar in color and texture to glue, each about a tenth of an inch across.

CRYSTALS

CRYSTALS

Dec. 23. Crossed the river to-day on the ice. Though the weather is raw and wintry and the ground covered with snow, I noticed a solitary robin, who looked as if he needed to have his services to the Babes in the Woods speedily requited.

Dec. 23. Crossed the river today on the ice. Even though the weather is chilly and wintry and the ground is covered with snow, I saw a lone robin that seemed like he needed his help for the Babes in the Woods to be rewarded quickly.

In the side of the high bank by the Leaning Hemlocks, there were some curious crystallizations. Wherever the water, or other causes, had formed a hole in the bank, its throat and outer edge, like the entrance to a citadel of the olden time, bristled with a glistening ice armor. In one place you might see minute ostrich feathers, which seemed the waving plumes of the warriors filing into the fortress, in another the glancing fan-shaped banners of the Lilliputian host, and in another 22 the needle-shaped particles, collected into bundles resembling the plumes of the pine, might pass for a phalanx of spears.[19] The whole hill was like an immense quartz rock, with minute crystals sparkling from innumerable crannies. I tried to fancy that there was a disposition in these crystallizations to take the forms of the contiguous foliage.

On the side of the high bank by the Leaning Hemlocks, there were some fascinating crystal formations. Wherever the water or other factors had created a hole in the bank, its mouth and outer edge, like the entrance to an ancient fortress, were covered in shiny ice. In one spot, you could see tiny ostrich feathers that looked like the waving plumes of warriors entering the stronghold; in another, the glimmering, fan-shaped banners of a tiny army; and in yet another, the needle-like crystals gathered in bundles that resembled the plumes of a pine tree, which could pass for a group of spears. The entire hill looked like a massive quartz rock, with tiny crystals sparkling from countless crevices. I tried to imagine that these crystal formations had a tendency to mimic the shapes of the nearby foliage.

REVOLUTIONS

Revolutions

Dec. 27. Revolutions are never sudden. Not one man, nor many men, in a few years or generations, suffice to regulate events and dispose mankind for the revolutionary movement. The hero is but the crowning stone of the pyramid,—the keystone of the arch. Who was Romulus or Remus, Hengist or Horsa, that we should attribute to them Rome or England? They are famous or infamous because the progress of events has chosen to make them its stepping-stones. But we would know where the avalanche commenced, or the hollow in the rock whence springs the Amazon. The most important is apt to be some silent and unobtrusive fact in history. In 449 three Saxon cyules arrived on the British coast,—"Three scipen gode comen mid than flode, three hundred cnihten."[20] The pirate of the British coast was no more the founder of a state than the scourge of the German shore.

Dec. 27. Revolutions never happen overnight. No single person, or even a group of people, can control events or prepare society for a revolutionary change in just a few years or generations. The hero is just the finishing touch of the pyramid—the keystone of the arch. Who were Romulus or Remus, Hengist or Horsa, that we should credit them with the creation of Rome or England? They are known, whether for good or bad, because the unfolding events chose to use them as stepping stones. But we want to know where the landslide started, or the hollow in the rock where the Amazon River begins. The most significant factors are often some quiet and unassuming moments in history. In 449, three Saxon ships arrived on the British coast—“Three scipen gode comen mid than flode, three hundred cnihten.”[20] The pirate raiding the British coast was no more the founder of a nation than the scourge of the German coast.

HEROES

HEROES

The real heroes of minstrelsy have been ideal, even when the names of actual heroes have been perpetuated. 23 The real Arthur, who "not only excelled the experienced past, but also the possible future," of whom it was affirmed for many centuries that he was not dead, but "had withdrawn from the world into some magical region; from which at a future crisis he was to reappear, and lead the Cymri in triumph through the island," whose character and actions were the theme of the bards of Bretagne and the foundation of their interminable romances, was only an ideal impersonation.

The true heroes of minstrelsy have always been idealized, even when the names of real heroes have been remembered. 23 The real Arthur, who "not only surpassed the experienced past but also the potential future," was believed for many centuries not to be dead but to have "withdrawn from the world into some magical place; from which he would return in a future crisis and lead the Cymri to triumph across the island." His character and deeds inspired the bards of Bretagne and formed the basis of their endless romances; he was merely an ideal representation.

Frost Crystals

Frost Crystals

Men claim for the ideal an actual existence also, but do not often expand the actual into the ideal. "If you do not believe me, go into Bretagne, and mention in the streets or villages, that Arthur is really dead like other men; you will not escape with impunity; you will be either hooted with the curses of your hearers, or stoned to death."

Men say that the ideal also has a real existence, but they don’t often extend what’s real into the realm of the ideal. "If you don’t believe me, just go to Brittany and bring up in the streets or villages that Arthur is really dead like everyone else; you won’t get away unscathed; you’ll either be met with angry shouts or get stoned to death."

HOMESICKNESS

Homesickness

The most remarkable instance of homesickness is that of the colony of Franks transplanted by the Romans from the German Ocean to the Euxine, who at length resolving to a man to abandon the country, seized the vessels which carried them out, and reached at last their native shores, after innumerable difficulties and dangers upon the Mediterranean and Atlantic.

The most notable example of homesickness is that of the Franks who were moved by the Romans from the North Sea to the Black Sea. Eventually, they all decided to leave the new land behind, seized the ships that were supposed to take them away, and finally returned to their homeland after facing countless challenges and dangers on the Mediterranean and Atlantic.

THE INTERESTING FACTS IN HISTORY

Hilarious History Facts

How cheering is it, after toiling through the darker pages of history,—the heartless and fluctuating crust of human rest and unrest,—to alight on the solid earth where the sun shines, or rest in the checkered 24 shade. The fact that Edwin of Northumbria "caused stakes to be fixed in the highways where he had seen a clear spring," and that "brazen dishes were chained to them, to refresh the weary sojourner, whose fatigues Edwin had himself experienced," is worth all Arthur's twelve battles.[21] The sun again shines along the highway, the landscape presents us sunny glades and occasional cultivated patches as well as dark primeval forests, and it is merry England after all.

How uplifting it is, after working through the darker parts of history—the heartless and ever-changing surface of human calm and turmoil—to find ourselves on solid ground where the sun shines, or to relax in the dappled shade. The fact that Edwin of Northumbria "had stakes placed in the roads where he saw a clear spring," and that "brass dishes were chained to them, to refresh the weary traveler, whose struggles Edwin had personally faced," is worth more than all of Arthur's twelve battles. The sun shines again along the road, the landscape offers us sunny clearings and occasional cultivated fields as well as dark ancient forests, and it is, after all, merry England.

Dec. 31. As the least drop of wine tinges the whole goblet, so the least particle of truth colors our whole life. It is never isolated, or simply added as treasure to our stock. When any real progress is made, we unlearn and learn anew what we thought we knew before. We go picking up from year to year and laying side by side the disjecta membra of truth, as he who picked up one by one a row of a hundred stones, and returned with each separately to his basket. 25

Dec. 31. Just like the smallest drop of wine affects the entire goblet, even the tiniest bit of truth influences our whole life. It’s never just a separate addition to what we already have. When we make real progress, we unlearn and relearn what we thought we already knew. We collect bits of truth year after year, laying them side by side, like someone picking up a row of a hundred stones, returning with each one to their basket. 25

II
1838
(ÆT. 20-21)

HEAVEN ON EARTH

Paradise on Earth

Jan. 6. As a child looks forward to the coming of the summer, so could we contemplate with quiet joy the circle of the seasons returning without fail eternally. As the spring came round during so many years of the gods, we could go out to admire and adorn anew our Eden, and yet never tire.

Jan. 6. Just as a child eagerly awaits the arrival of summer, we could look forward to the seasons returning, always without fail. As spring rolled around year after year, we would go out to appreciate and refresh our Eden, and we never grew tired of it.

SAXONS

Saxons

Jan. 15. After all that has been said in praise of the Saxon race, we must allow that our blue-eyed and fair-haired ancestors were originally an ungodly and reckless crew.

Jan. 15. Despite all the praise given to the Saxon race, we have to admit that our blue-eyed and fair-haired ancestors were originally a wild and godless bunch.

WE MAKE OUR OWN FORTUNE

We create our own luck.

Jan. 16. Man is like a cork which no tempest can sink, but it will float securely to its haven at last. The world is never the less beautiful though viewed through a chink or knot-hole.

Jan. 16. A person is like a cork that no storm can drown; it will safely float to its destination eventually. The world is still beautiful, even if it's seen through a crack or a knot hole.

Jan. 21. Man is the artificer of his own happiness. Let him beware how he complains of the disposition of circumstances, for it is his own disposition he blames. If this is sour, or that rough, or the other steep, let him think if it be not his work. If his look curdles all hearts, 26 let him not complain of a sour reception; if he hobble in his gait, let him not grumble at the roughness of the way; if he is weak in the knees, let him not call the hill steep. This was the pith of the inscription on the wall of the Swedish inn: "You will find at Trolhate excellent bread, meat, and wine, provided you bring them with you!"[22]

Jan. 21. A person creates their own happiness. They should be careful about complaining about their circumstances, because it's really their own mindset they’re criticizing. If something is unpleasant, tough, or challenging, they should consider if they played a part in creating it. If their expression turns others away, 26 they shouldn’t be surprised by a cold reception; if they struggle to walk, they shouldn’t whine about a bumpy road; if their legs feel weak, they shouldn’t blame the hill for being steep. This was the essence of the sign at the Swedish inn: "You will find at Trolhate excellent bread, meat, and wine, provided you bring them with you!"[22]

HOAR FROST

Hoarfrost

Every leaf and twig was this morning covered with a sparkling ice armor; even the grasses in exposed fields were hung with innumerable diamond pendants, which jingled merrily when brushed by the foot of the traveller. It was literally the wreck of jewels and the crash of gems. It was as though some superincumbent stratum of the earth had been removed in the night, exposing to light a bed of untarnished crystals. The scene changed at every step, or as the head was inclined to the right or the left. There were the opal and sapphire and emerald and jasper and beryl and topaz and ruby.[23]

Every leaf and twig was covered this morning with a shimmering layer of ice; even the grasses in open fields were adorned with countless diamond-like drops that jingled happily when touched by a passerby’s foot. It was like a wreck of jewels and a crash of gems. It seemed as if some heavy layer of the earth had been removed overnight, revealing a bed of pristine crystals. The scene changed with every step, or as the head turned to the right or left. There were opals, sapphires, emeralds, jaspers, beryls, topazes, and rubies.[23]

Such is beauty ever,—neither here nor there, now nor then,—neither in Rome nor in Athens, but wherever there is a soul to admire. If I seek her elsewhere because I do not find her at home, my search will prove a fruitless one.

Such is beauty always—neither here nor there, now nor then—neither in Rome nor in Athens, but wherever there's a soul to appreciate it. If I search for her elsewhere because I can’t find her at home, my quest will end up being pointless.

ZENO

Zeno

Feb. 7. Zeno, the Stoic, stood in precisely the same relation to the world that I do now. He is, forsooth, bred a merchant—as how many still!—and can trade and barter, and perchance higgle, and moreover he can 27 be shipwrecked and cast ashore at the Piræus, like one of your Johns or Thomases.

Feb. 7. Zeno, the Stoic, was in exactly the same position in the world that I am now. He was, indeed, raised as a merchant—just like many still are!—and he could trade and barter, and maybe even haggle, and besides that, he could 27 be shipwrecked and washed up at the Piraeus, just like any ordinary person.

He strolls into a shop and is charmed by a book by Xenophon—and straightway he becomes a philosopher. The sun of a new life's day rises to him,—serene and unclouded,—which looks over στοά. And still the fleshly Zeno sails on, shipwrecked, buffeted, tempest-tossed; but the true Zeno sails ever a placid sea. Play high, play low,—rain, sleet, or snow,—it's all the same with the Stoic. "Propriety and decorum" were his Palinurus,—not the base progeny of fashion, but the suggestions of an experienced taste.

He walks into a store and is captivated by a book by Xenophon—and immediately he becomes a philosopher. The sun of a new life rises for him—calm and clear—casting its light over portico. Meanwhile, the earthly Zeno continues to navigate through storms, facing shipwrecks and turmoil; but the true Zeno sails on a peaceful sea. Play loud, play soft—rain, sleet, or snow—it doesn’t matter to the Stoic. "Propriety and decorum" were his guiding principles—not the shallow trends of fashion, but the insights of an experienced taste.

When evening comes he sits down unwearied to the review of his day,—what's done that's to be undone,—what not done at all still to be done. Himself Truth's unconcerned helpmate. Another system of book-keeping this than that the Cyprian trader to Phœnicia practiced!

When evening arrives, he sits down, feeling unexhausted, to reflect on his day—what he has done that needs to be undone, and what he hasn't done yet that still needs to be done. He is Truth's indifferent companion. This is a different kind of accounting than what the merchant from Cyprus practiced in Phoenicia!

This was he who said to a certain garrulous young man, "On this account have we two ears and but one mouth, that we may hear more, and speak less."

This was the one who said to a talkative young man, "That’s why we have two ears and only one mouth, so we can listen more and talk less."

That he had talked concerned not our philosopher, but his audience; and herein we may see how it is more noble to hear than to speak. The wisest may apologize that he only said so to hear himself talk, for if he heard not, as well for him had he never spoken. What is all this gabble to the gabbler? Only the silent reap the profit of it.

That he had talked didn't matter to our philosopher, but to his audience; and in this, we can see how it’s more noble to listen than to speak. The wisest might admit that he only talked to hear himself speak, because if he didn’t listen, he might as well have never said anything. What does all this chatter mean to the one doing the talking? Only the quiet ones benefit from it.

SOCIETY

SOCIETY

Feb. 9. It is wholesome advice,—"to be a man amongst folks." Go into society if you will, or if you are unwilling, and take a human interest in its affairs. 28 If you mistake these Messieurs and Mesdames for so many men and women, it is but erring on the safe side,—or, rather, it is their error and not yours. Armed with a manly sincerity, you shall not be trifled with, but drive this business of life. It matters not how many men are to be addressed,—rebuked,—provided one man rebuke them.

Feb. 9. It's good advice—"to be a person among others." Step into society if you want, or even if you don’t, and take an interest in what's happening around you. 28 If you mistake these gentlemen and ladies for real men and women, that's just a safe mistake—or, more accurately, it's their mistake, not yours. With genuine sincerity, you won’t be disrespected, but instead you'll take charge of this journey called life. It doesn't matter how many people need to be addressed or corrected—as long as one person speaks up.

SMALL TALK

Chit-chat

To manage the small talk of a party is to make an effort to do what was at first done, admirably because naturally, at your fireside.

To handle the small talk at a party is to try to recreate what was originally done, wonderfully and effortlessly, at your home.

INFLUENCE

IMPACT

Feb. 13. It is hard to subject ourselves to an influence. It must steal upon us when we expect it not, and its work be all done ere we are aware of it. If we make advances, it is shy; if, when we feel its presence, we presume to pry into its free-masonry, it vanishes and leaves us alone in our folly,—brimful but stagnant,—a full channel, it may be, but no inclination.

Feb. 13. It's tough to let ourselves be influenced. It has to sneak up on us when we least expect it, and by the time we notice, its job is already done. If we try to engage, it pulls back; and if we dare to uncover its secrets when we sense it around, it disappears, leaving us alone in our foolishness—full of potential but stagnant—a complete channel, perhaps, but with no drive.

FEAR

FEAR

All fear of the world or consequences is swallowed up in a manly anxiety to do Truth justice.

All fear of the world or its consequences is overshadowed by a strong urgency to uphold the truth.

OLD BOOKS

OLD BOOKS

Feb. 15. The true student will cleave ever to the good, recognizing no Past, no Present; but wherever he emerges from the bosom of time, his course is not with the sun,—eastward or westward,—but ever towards the seashore. Day and night pursues he his 29 devious way, lingering by how many a Pierian spring, how many an Academus grove, how many a sculptured portico!—all which—spring, grove, and portico—lie not so wide but he may take them conveniently in his way.

Feb. 15. The true student will always stick to what’s good, disregarding the Past and Present; wherever he comes from in time, his journey isn’t about choosing east or west, but always heading towards the seashore. Day and night, he pursues his winding path, stopping by countless inspiring springs, beautiful groves, and artistically designed porticoes!—all of which are close enough for him to conveniently visit along the way.

GREECE

Greece

Feb. 16. In imagination I hie me to Greece as to enchanted ground. No storms vex her coasts, no clouds encircle her Helicon or Olympus, no tempests sweep the peaceful Tempe or ruffle the bosom of the placid Ægean; but always the beams of the summer's sun gleam along the entablature of the Acropolis, or are reflected through the mellow atmosphere from a thousand consecrated groves and fountains; always her sea-girt isles are dallying with their zephyr guests, and the low of kine is heard along the meads, and the landscape sleeps—valley and hill and woodland—a dreamy sleep. Each of her sons created a new heaven and a new earth for Greece.

Feb. 16. In my imagination, I rush to Greece as if it's a magical place. No storms trouble her shores, no clouds surround her Helicon or Olympus, no storms disturb the peaceful Tempe or ripple the surface of the calm Aegean; instead, the rays of the summer sun always shine on the Acropolis or reflect through the warm atmosphere from countless sacred groves and fountains; her sea-surrounded islands are always playing with gentle breezes, and the lowing of cows can be heard across the meadows, while the landscape—valley, hill, and woodland—is in a dreamy slumber. Each of her people created a new heaven and a new earth for Greece.

SUNDAY

SUNDAY

Feb. 18. Rightly named Suna-day, or day of the sun. One is satisfied in some angle by wood-house and garden fence to bask in his beams—to exist barely—the livelong day.

Feb. 18. Properly called Suna-day, or the day of the sun. One feels content in some corner by the woodshed and garden fence, soaking up its rays—just to get by—throughout the entire day.

SPRING

SPRING

I had not been out long to-day when it seemed that a new Spring was already born,—not quite weaned, it is true, but verily entered upon existence. Nature struck up "the same old song in the grass," despite eighteen inches of snow, and I contrived to smuggle away a grin of satisfaction by a smothered "Pshaw! and is that all?" 30

I hadn't been out for long today when it felt like a new Spring had already arrived—still a bit inexperienced, but definitely here. Nature started up "the same old song in the grass," despite the eighteen inches of snow, and I managed to hide a grin of satisfaction by quietly saying, "Pshaw! Is that all?" 30

Feb. 19.

Feb 19.

Each summer sound

Every summer's sound

Is a summer round.[24]

Is it a summer round? __A_TAG_PLACEHOLDER_0__

GOETHE

GOETHE

Feb. 27. He jogs along at a snail's pace, but ever mindful that the earth is beneath and the heavens above him. His Italy is not merely the fatherland of lazzaroni and maccaroni but a solid turf-clad soil, daily illumined by a genial sun and nightly gleaming in the still moonshine,—to say nothing of the frequent showers which are so faithfully recorded. That sail to Palermo was literally a plowing through of the waves from Naples to Trinacria,—the sky overhead, and the sea with its isles on either hand.

Feb. 27. He jogs along slowly, but always aware that the earth is beneath him and the sky above. His Italy isn’t just the homeland of the common people and pasta; it’s a solid, grass-covered land, brightened each day by a warm sun and shimmering at night under the calm moonlight—not to mention the frequent rain that's always noted. That trip to Palermo was truly a struggle against the waves from Naples to Sicily, with the sky overhead and islands on either side of the sea.

His hearty good-will to all men is most amiable; not one cross word has he spoken, but on one occasion, the post boy snivelling, "Signore, perdonate! quésta è la mia patria," he confesses, "to me poor northerner came something tear-like into the eyes."[25]

His genuine goodwill towards everyone is really charming; he hasn’t said a single harsh word, but there was one time when the postboy, sniffling, said, "Sir, forgive me! This is my homeland.," and he admits, "as a poor northerner, it brought a tear to my eye."[25]

SPRING

SPRING

March 1. March fans it, April christens it, and May puts on its jacket and trousers. It never grows up, but Alexandrian-like "drags its slow length along," ever springing, bud following close upon leaf, and when winter comes it is not annihilated, but creeps on mole-like under the snow, showing its face nevertheless occasionally by fuming springs and watercourses.

March 1. March warms it up, April names it, and May dresses it in a jacket and pants. It never fully matures, but like an Alexandrian, it “drags its slow length along,” always springing forward, with buds appearing right after leaves. And when winter hits, it isn’t destroyed, but quietly moves along like a mole under the snow, occasionally showing itself through bubbling springs and flowing water.

So let it be with man,—let his manhood be a more 31 advanced and still advancing youth, bud following hard upon leaf. By the side of the ripening corn let's have a second or third crop of peas and turnips, decking the fields in a new green. So amid clumps of sere herd's-grass sometimes flower the violet and buttercup spring-born.

So it is with man—let his adulthood be a more advanced and still developing youth, budding right after the leaves. Next to the ripening corn, let’s have a second or third crop of peas and turnips, adding a fresh green to the fields. So, among patches of dried grass, you can sometimes find the violet and buttercup that bloom in spring.

HOMER

HOMER

March 3. Three thousand years and the world so little changed! The Iliad seems like a natural sound which has reverberated to our days. Whatever in it is still freshest in the memories of men was most childlike in the poet. It is the problem of old age,—a second childhood exhibited in the life of the world. Phœbus Apollo went like night,—ὁ δ' ἤιε νυκτὶ ἐοικώς. This either refers to the gross atmosphere of the plague darkening the sun, or to the crescent of night rising solemn and stately in the east while the sun is setting in the west.

March 3. Three thousand years and the world is still so little changed! The Iliad feels like a natural sound that has echoed through time to our days. Whatever in it still resonates most clearly in people's memories was the most innocent in the poet. It reflects the dilemma of old age—a second childhood visible in the life of the world. Phœbus Apollo moved like night,—He went away at night.. This either refers to the heavy atmosphere of the plague darkening the sun, or to the crescent of night rising solemnly in the east while the sun sets in the west.

Then Agamemnon darkly lowers on Calchas, prophet of evil,—ὄσσε δέ οἱ πυρὶ λαμπετόωντε ἐΐκτην,—such a fire-eyed Agamemnon as you may see at town meetings and elections, as well here as in Troy neighborhood.

Then Agamemnon grimly looks at Calchas, the prophet of doom,—His eyes shone like fire.,—a fiery-eyed Agamemnon like you might see at town meetings and elections, both here and in the Troy area.

A SUNDAY SCENE

A Sunday Vibe

March 4. Here at my elbow sit five notable, or at least noteworthy, representatives of this nineteenth century,—of the gender feminine. One a sedate, indefatigable knitter, not spinster, of the old school, who had the supreme felicity to be born in days that tried men's souls, who can, and not unfrequently does, say with Nestor, another of the old school: "But you are younger than I. For time was when I conversed with greater 32 men than you. For not at any time have I seen such men, nor shall see them, as Perithous, and Dryas, and ποιμένα λαῶν," or, in one word, sole "shepherd of the people," Washington.

March 4. Here beside me are five remarkable, or at least notable, representatives of the nineteenth century—of the female gender. One is a calm, tireless knitter, not a spinster, from the old days, who had the incredible fortune to be born in times that tested men's spirits, and who can, and often does, say like Nestor, another relic of the past: "But you are younger than I. There was a time when I spoke with greater 32 men than you. I have never encountered such men, nor will I again, as Perithous, and Dryas, and shepherd of the people," or, in one word, the one and only "shepherd of the people," Washington.

And when Apollo has now six times rolled westward, or seemed to roll, and now for the seventh time shows his face in the east, eyes well-nigh glazed, long glassed, which have fluctuated only between lamb's wool and worsted, explore ceaseless some good sermon book. For six days shalt thou labor and do all thy knitting, but on the seventh, forsooth, thy reading.[26]

And when Apollo has now rolled westward six times, or seemed to, and now for the seventh time shows his face in the east, his eyes almost glazed and long gazing, which have only fluctuated between soft wool and tough fabric, endlessly search for a good sermon book. For six days you shall work and do all your knitting, but on the seventh day, truly, you shall read.[26]

Opposite, across this stone hearth, sits one of no school, but rather one who schools, a spinster who spins not, with elbow resting on the book of books, but with eyes turned towards the vain trumpery of that shelf,—trumpery of sere leaves, blossoms, and waxwork, built on sand, that presumes to look quite as gay, smell quite as earthy, as though this were not by good rights the sun's day. I marked how she spurned that innocent every-day book, "Germany by De Staël," as though a viper had stung her;—better to rest the elbow on The Book than the eye on such a page. Poor book! this is thy last chance.

Across the stone hearth sits someone with no formal education, but who teaches others—a single woman who doesn’t spin, resting her elbow on the ultimate book, but with her gaze directed at the meaningless clutter on that shelf—clutter of dried leaves, flowers, and fake decorations, built on shaky foundations, pretending to be just as colorful and earthy as if it were truly a sunny day. I watched as she recoiled from that ordinary book, "Germany by De Staël," as if it had bitten her; it’s better to lean on The Book than to look at such a page. Poor book! This is your final opportunity.

Happy I who can bask in this warm spring sun which illumines all creatures, as well when they rest as when they toil, not without a feeling of gratitude! whose life is as blameless—how blameworthy soever it be—on the Lord's Mona-day as on his Suna-day![27]

Happy am I to enjoy this warm spring sun that brightens all creatures, whether they are resting or working, and I can't help but feel grateful! My life is as innocent—no matter how guilty it may be—on the Lord's Monday as it is on his Sunday![27]

Thus much at least a man may do: he may not impose on his fellows,—perhaps not on himself. Thus 33 much let a man do: confidently and heartily live up to his thought; for its error, if there be any, will soonest appear in practice, and if there be none, so much he may reckon as actual progress in the way of living.

Thus much at least a person can do: they shouldn't deceive others—or maybe even themselves. Thus 33 much should a person do: confidently and genuinely live according to their beliefs; because any mistakes, if there are any, will quickly show up in action, and if there aren’t any, they can count that as real progress in how to live.

HOMER

HOMER

The poet does not leap, even in imagination, from Asia to Greece through mid-air, neglectful of the fair sea and still fairer land beneath him, but jogs on humanly observant over the intervening segment of a sphere,—

The poet doesn't jump, even in imagination, from Asia to Greece through the air, ignoring the beautiful sea and even more beautiful land below him, but walks thoughtfully and attentively over the connecting part of the earth,—

ἐπειὴ μάλα πολλὰ μεταξύ

ἐπειὴ μάλα πολλὰ μεταξύ

Οὔρεά τε σκιόεντα, θάλασσά τε ἠχήεσσα,—

Dark mountains and crashing waves, —

for there are very many

because there are a lot

Shady mountains, and resounding seas between.[28]

Shady mountains and echoing seas in between.[28]

March 5. How often, when Achilles like one διάνδιχα μερμήριξεν whether to retaliate or suppress his wrath, has his good Genius, like Pallas Athene, gliding down from heaven, θυμῷ φιλέουσά τε, κηδομένη τε, stood behind him, and whispered peace in his ear![29]

March 5. How often, like Achilles, when torn between avenging or controlling his anger, has his good spirit, like Pallas Athene, coming down from the heavens, stood behind him and whispered peace in his ear![29]

Men may dispute about the fact whether a goddess did actually come down from heaven, calling it a poet's fancy, but was it not, considering the stuff that gods are made of, a very truth?

Men might argue about whether a goddess really came down from heaven, calling it just a poet's imagination, but wasn't it, given what gods are made of, a very real truth?

THE AGE OF HONEY

THE HONEY ERA

"And to them rose up the sweet-worded Nestor, the shrill orator of the Pylians,

"And then the smooth-talking Nestor, the persuasive speaker of the Pylians, stood up to address them,

And words sweeter than honey flowed from his tongue."[30] 34

And words sweeter than honey flowed from his lips."[30] 34

E'en in old Homer's day was honey sweet,—not yet is sour,—tickling the palate of the blind old man, forsooth, with fresher sweet; then, as now, whene'er from leaky jar or drivelling lips it daubed the festive board, proving a baneful lure to swarms of parasites, Homer's cotemporaries, but alas! like Phthian hero, vulnerable in heel.

Even in old Homer's day, honey was sweet—not sour yet—delighting the palate of the blind old man, indeed, with a fresher sweetness; then, just like now, whenever it dripped from a leaky jar or spilled from shaky lips onto the festive table, it proved to be a tempting trap for swarms of parasites, Homer's contemporaries, but unfortunately! like the hero from Phthia, vulnerable in the heel.

WHAT TO DO

WHAT TO DO

But what does all this scribbling amount to? What is now scribbled in the heat of the moment one can contemplate with somewhat of satisfaction, but alas! to-morrow—aye, to-night—it is stale, flat, and unprofitable,—in fine, is not, only its shell remains, like some red parboiled lobster-shell which, kicked aside never so often, still stares at you in the path.

But what does all this scribbling really mean? What feels satisfying when written in the heat of the moment can quickly become stale, dull, and useless—tonight, even! In the end, only its shell remains, like a red lobster shell that, no matter how often it's kicked aside, still stares at you from the ground.

What may a man do and not be ashamed of it? He may not do nothing surely, for straightway he is dubbed Dolittle—aye! christens himself first—and reasonably, for he was first to duck. But let him do something, is he the less a Dolittle? Is it actually something done, or not rather something undone; or, if done, is it not badly done, or at most well done comparatively?

What can a man do without feeling ashamed? He definitely can’t do nothing, because right away he gets labeled as Dolittle—yeah! He even gives himself that name first—and it makes sense, since he was the first to back down. But if he does something, does that make him any less of a Dolittle? Is it really something that’s been accomplished, or is it more about what hasn't been done; or, if it is done, is it not done poorly, or at best done well in comparison?

Such is man,—toiling, heaving, struggling ant-like to shoulder some stray unappropriated crumb and deposit it in his granary; then runs out, complacent, gazes heavenward, earthward (for even pismires can look down), heaven and earth meanwhile looking downward, upward; there seen of men, world-seen, deed-delivered, vanishes into all-grasping night. And is he doomed ever to run the same course? Can he not, wriggling, screwing, self-exhorting, self-constraining, 35 wriggle or screw out something that shall live,—respected, intact, intangible, not to be sneezed at?[31]

Such is humanity—working, struggling like ants to carry away a stray crumb and store it away; then he steps back, satisfied, looking up to the sky and down to the ground (since even tiny creatures can look downward), while the sky and the earth look back at him. There, visible to others, recognized in the world, he disappears into the all-consuming darkness. Is he doomed to keep running in circles? Can he not, twisting, turning, encouraging himself, holding himself back, 35 twist or turn out something that will last—respected, whole, untouchable, something to be valued? [31]

March 6. How can a man sit down and quietly pare his nails, while the earth goes gyrating ahead amid such a din of sphere music, whirling him along about her axis some twenty-four thousand miles between sun and sun, but mainly in a circle some two millions of miles actual progress? And then such a hurly-burly on the surface—wind always blowing—now a zephyr, now a hurricane—tides never idle, ever fluctuating—no rest for Niagara, but perpetual ran-tan on those limestone rocks—and then that summer simmering which our ears are used to, which would otherwise be christened confusion worse confounded, but is now ironically called "silence audible," and above all the incessant tinkering named "hum of industry," the hurrying to and fro and confused jabbering of men. Can man do less than get up and shake himself?

March 6. How can someone just sit down and calmly trim their nails while the earth spins around in a cacophony of cosmic sounds, hauling him along about her axis over twenty-four thousand miles between one sun and the next, but mainly moving in a path of around two million miles actual progress? And then there’s all that chaos on the surface—always wind blowing—sometimes a gentle breeze, sometimes a hurricane—tides constantly in motion, never resting—Niagara always flowing, endlessly crashing on those limestone rocks—and then that summer heat that our ears are used to, which would otherwise be labeled as total chaos, but is ironically called "audible silence," and on top of that, the nonstop noise we refer to as the "hum of industry," with people rushing back and forth and chattering in confusion. How can anyone do anything less than get up and shake it all off?

COMPOSITION

CREATION

March 7. We should not endeavor coolly to analyze our thoughts, but, keeping the pen even and parallel with the current, make an accurate transcript of them. Impulse is, after all, the best linguist, and for his logic, if not conformable to Aristotle, it cannot fail to be most convincing. The nearer we approach to a complete but simple transcript of our thought the more tolerable will be the piece, for we can endure to consider ourselves in a state of passivity or in involuntary action, but rarely our efforts, and least of all our rare efforts. 36

March 7. We shouldn't try to coolly analyze our thoughts, but instead, while keeping the pen steady and aligned with the flow, create an accurate record of them. Impulse is, after all, the best communicator, and its logic, even if it doesn’t align with Aristotle, is bound to be highly persuasive. The closer we get to a complete yet straightforward record of our thoughts, the more acceptable the piece will be, since we can tolerate seeing ourselves in a state of passivity or involuntary action, but we rarely can with our own efforts, especially our rare efforts. 36

SCRAPS FROM A LECTURE ON "SOCIETY" WRITTEN MARCH 14TH, 1838, DELIVERED BEFORE OUR LYCEUM, APRIL 11TH

SCRAPS FROM A LECTURE ON "SOCIETY" WRITTEN MARCH 14, 1838, DELIVERED BEFORE OUR LYCEUM, APRIL 11

Every proverb in the newspapers originally stood for a truth. Thus the proverb that man was made for society, so long as it was not allowed to conflict with another important truth, deceived no one; but, now that the same words have come to stand for another thing, it may be for a lie, we are obliged, in order to preserve its significance, to write it anew, so that properly it will read, Society was made for man.

Every proverb in the newspapers used to represent a truth. So, the saying that man was made for society, as long as it didn’t clash with another important truth, didn’t fool anyone; but now that the same phrase has come to mean something different, and it might even be a lie, we are forced, to keep its meaning intact, to rewrite it so that it properly reads, Society was made for man.

Man is not at once born into society,—hardly into the world. The world that he is hides for a time the world that he inhabits.

Man isn't immediately born into society—barely into the world. The world he is born into temporarily conceals the world he lives in.

That which properly constitutes the life of every man is a profound secret. Yet this is what every one would give most to know, but is himself most backward to impart.

That which truly makes up a person's life is a deep mystery. Still, this is what everyone would give anything to uncover, yet is the thing they are least willing to share.

Hardly a rood of land but can show its fresh wound or indelible scar, in proof that earlier or later man has been there.

Hardly a patch of land that can't show its fresh wound or permanent scar, proving that at some point, people have been there.

The mass never comes up to the standard of its best member, but on the contrary degrades itself to a level with the lowest. As the reformers say, it is a levelling down, not up. Hence the mass is only another name for the mob. The inhabitants of the earth assembled in one place would constitute the greatest mob. The mob is spoken of as an insane and blinded animal; 37 magistrates say it must be humored; they apprehend it may incline this way or that, as villagers dread an inundation, not knowing whose land may be flooded, nor how many bridges carried away.

The crowd never rises to the level of its best member; instead, it lowers itself to match the worst. As reformers put it, it’s a leveling down, not up. So, the crowd is just another word for the mob. If everyone on Earth gathered in one place, it would create the biggest mob. The mob is often described as a crazed and blind beast; 37 officials say it needs to be handled carefully because they worry it could go this way or that, much like villagers fear a flood, unsure whose land might be submerged or how many bridges might be lost.

One goes to a cattle-show expecting to find many men and women assembled, and beholds only working oxen and neat cattle. He goes to a commencement thinking that there at least he may find the men of the country; but such, if there were any, are completely merged in the day, and have become so many walking commencements, so that he is fain to take himself out of sight and hearing of the orator, lest he lose his own identity in the nonentities around him.

One goes to a cattle show expecting to see a lot of men and women gathered, but only sees working oxen and tidy cattle. He goes to a graduation ceremony thinking he might at least find the country's men; but if there are any, they’re completely lost in the event, turning into just more walking graduates, so he feels compelled to remove himself from sight and sound of the speaker, lest he lose his own identity amid the nobodies around him.

But you are getting all the while further and further from true society. Your silence was an approach to it, but your conversation is only a refuge from the encounter of men; as though men were to be satisfied with a meeting of heels, and not heads.

But you are continuously moving further away from real society. Your silence was a way to get closer to it, but your conversation is just an escape from interacting with others; as if people were meant to settle for just a meeting of heels instead of a meeting of minds.

Nor is it better with private assemblies, or meetings together, with a sociable design, of acquaintances so called,—that is to say of men and women who are familiar with the lineaments of each other's countenances, who eat, drink, sleep, and transact the business of living within the circuit of a mile.

Nor is it any better with private gatherings or meetups meant for socializing, with friends as they’re called—that is, men and women who know each other's faces well, who eat, drink, sleep, and go about their daily lives within a mile of one another.

With a beating heart he fares him forth, by the light of the stars, to this meeting of gods. But the illusion speedily vanishes; what at first seemed to him nectar and ambrosia, is discovered to be plain bohea and short gingerbread. 38

With a pounding heart, he heads out under the stars to this meeting of gods. But the illusion quickly fades; what initially seemed like nectar and ambrosia turns out to be ordinary tea and stale gingerbread. 38

Then with what speed does he throw off his strait-jacket of a godship, and play the one-eared, two-mouthed mortal, thus proving his title to the epithet applied to him of old by Homer of μέροψ ἄνθρωπος, or that possesses an articulating voice. But unfortunately we have as yet invented no rule by which the stranger may know when he has culminated. We read that among the Finlanders when one "has succeeded in rendering himself agreeable, it is a custom at an assemblage for all the women present to give him on the back a sudden slap, when it is least expected; and the compliment is in proportion to the weight of the blow."

Then with what speed does he shake off his divine status and act like an ordinary person with one ear and two mouths, proving his title to the nickname given to him long ago by Homer of modern person, or one who can speak. But sadly, we haven't yet created a rule that tells a stranger when they've reached their peak. We read that among the Finns, when someone "has succeeded in making themselves likable, it's a custom at a gathering for all the women present to unexpectedly slap him on the back, and the compliment is proportional to the weight of the hit."

It is provoking, when one sits waiting the assembling together of his neighbors around his hearth, to behold merely their clay houses, for the most part newly shingled and clapboarded, and not unfrequently with a fresh coat of paint, trundled to his door. He has but to knock slightly at the outer gate of one of these shingle palaces, to be assured that the master or mistress is not at home.

It’s frustrating when you're waiting for your neighbors to gather around your fire, only to see their mostly newly sided and freshly painted houses roll up to your door. All you have to do is knock gently on the outer gate of one of these shingle homes to find out that the owner isn't home.

After all, the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.

After all, the battlefield has many advantages over the living room. There’s no space for pretension or unnecessary formality, no handshakes or nose rubbing that make you doubt someone's sincerity, just genuine and tough physical engagement. It shows one of the true aspects of humanity, while the other is just a facade.

The utmost nearness to which men approach each other amounts barely to a mechanical contact. As 39 when you rub two stones together, though they emit an audible sound, yet do they not actually touch each other.

The closest people get to each other is really just a mechanical connection. As 39 when you rub two stones together, they make a sound, but they don't actually touch.

In obedience to an instinct of their nature men have pitched their cabins and planted corn and potatoes within speaking distance of one another, and so formed towns and villages, but they have not associated, they have only assembled, and society has signified only a convention of men.

In following a natural instinct, people have built their homes and planted corn and potatoes close enough to talk to each other, creating towns and villages. However, they haven't truly associated with one another; they’ve only come together, and society has merely represented a convention of individuals.

When I think of a playhouse, it is as if we had not time to appreciate the follies of the day in detail as they occur, and so devoted an hour of our evening to laughing or crying at them in the lump. Despairing of a more perfect intercourse, or perhaps never dreaming that such is desirable, or at least possible, we are contented to act our part in what deserves to be called the great farce, not drama, of life, like pitiful and mercenary stock actors whose business it is to keep up the semblance of a stage.

When I think of a playhouse, it feels like we didn't have enough time to appreciate the day's ridiculous moments in detail as they happened, so we dedicated an hour of our evening to either laugh or cry about them all at once. Giving up on a better connection, or maybe not even imagining that it's something we should want or that it's possible, we settle for playing our roles in what can truly be called the great farce, not drama, of life, like sad and greedy stage actors whose job it is to maintain the appearance of a performance.

Our least deed, like the young of the land crab, wends its way to the sea of cause and effect as soon as born, and makes a drop there to eternity.

Our smallest actions, like the young land crab, head toward the sea of cause and effect as soon as they're born, and leave a mark that lasts forever.

Let ours be like the meeting of two planets, not hastening to confound their jarring spheres, but drawn together by the influence of a subtile attraction, soon to roll diverse in their respective orbits, from this their perigee, or point of nearest approach. 40

Let our connection be like the encounter of two planets, not rushing to clash with their conflicting paths, but brought together by a subtle attraction, soon to drift apart into their own orbits, away from this closest point of approach. 40

If thy neighbor hail thee to inquire how goes the world, feel thyself put to thy trumps to return a true and explicit answer. Plant the feet firmly, and, will he nill he, dole out to him with strict and conscientious impartiality his modicum of a response.

If your neighbor asks you how things are going, be prepared to give a truthful and clear answer. Stand your ground, and whether he likes it or not, give him a fair and honest response.

Let not society be the element in which you swim, or are tossed about at the mercy of the waves, but be rather a strip of firm land running out into the sea, whose base is daily washed by the tide, but whose summit only the spring tide can reach.

Don't let society be the water you swim in, or the waves that toss you around. Instead, be like a solid piece of land sticking out into the sea, its base washed daily by the tide, but only the spring tide can reach its highest point.

But after all, such a morsel of society as this will not satisfy a man. But like those women of Malamocco and Pelestrina, who when their husbands are fishing at sea, repair to the shore and sing their shrill songs at evening, till they hear the voices of their husbands in reply borne to them over the water, so go we about indefatigably, chanting our stanza of the lay, and awaiting the response of a kindred soul out of the distance.

But after all, a little slice of society like this won't satisfy a person. But like the women of Malamocco and Pelestrina, who, when their husbands are out fishing at sea, head to the shore and sing their high-pitched songs in the evening until they hear their husbands’ voices echoing back across the water, we go on tirelessly, singing our verses and waiting for the reply of a like-minded soul from afar.

THE INDIAN AXE

THE INDIAN AXE

April 1. The Indian must have possessed no small share of vital energy to have rubbed industriously stone upon stone for long months till at length he had rubbed out an axe or pestle,—as though he had said in the face of the constant flux of things, I at least will live an enduring life.

April 1. The Native American must have had a considerable amount of energy to have diligently worn down stone upon stone for many months until he finally shaped an axe or pestle,—as if he were asserting in the midst of constant change, I will create something that lasts.

FRIENDSHIP

Friendship

April 8.

April 8.

I think awhile of Love, and, while I think,

I think for a bit about love, and, while I’m thinking,

Love is to me a world, 41

Love is a universe to me, 41

Sole meat and sweetest drink,

Main protein and sweetest beverage,

And close connecting link

And close connection link

'Tween heaven and earth.

Between heaven and earth.

I only know it is, not how or why,

I only know that it is, not how or why,

My greatest happiness;

My greatest joy;

However hard I try,

No matter how hard I try,

Not if I were to die,

Not if I were to die,

Can I explain.

Can I explain this?

I fain would ask my friend how it can be,

I would gladly ask my friend how it can be,

But, when the time arrives,

But, when the time comes,

Then Love is more lovely

Then Love is lovelier

Than anything to me,

More than anything to me,

And so I'm dumb.

So I'm stupid.

For, if the truth were known, Love cannot speak,

For, if the truth were known, Love can't speak,

But only thinks and does;

But only thinks and acts;

Though surely out 't will leak

Though it will definitely leak

Without the help of Greek,

Without Greek's assistance,

Or any tongue.

Or any language.

A man may love the truth and practice it,

A man can love the truth and live by it,

Beauty he may admire,

He may admire beauty,

And goodness not omit,

And definitely not omit,

As much as may befit

As much as is appropriate

To reverence.

To respect.

But only when these three together meet,

But only when these three come together,

As they always incline,

As they always lean,

And make one soul the seat 42

And make one soul the center 42

And favorite retreat

And favorite getaway

Of loveliness;

Of beauty;

When under kindred shape, like loves and hates

When in a familiar form, like love and hate

And a kindred nature,

And a similar nature,

Proclaim us to be mates,

Call us friends,

Exposed to equal fates

Facing the same outcomes

Eternally;

Forever;

And each may other help, and service do,

And each can help and serve one another,

Drawing Love's bands more tight,

Tightening Love's bonds,

Service he ne'er shall rue

Service he will never regret

While one and one make two,

While one plus one equals two,

And two are one;

And two are one;

In such case only doth man fully prove,

In that case, a person truly proves,

Fully as man can do,

As much as a man can.

What power there is in Love

What power there is in love

His inmost soul to move

To touch his deepest soul

Resistlessly.

Unresistably.


Two sturdy oaks I mean, which side by side

Two strong oaks, I mean, standing side by side

Withstand the winter's storm,

Weather the winter storm,

And, spite of wind and tide,

And, despite the wind and tide,

Grow up the meadow's pride,

Nurture the meadow's pride,

For both are strong.

For both are powerful.

Above they barely touch, but, undermined

Above they barely touch, but, weakened

Down to their deepest source,

To their deepest source,

Admiring you shall find 43

Admiring you will find 43

Their roots are intertwined

Their roots are connected

Insep'rably.

Inseparably.

CONVERSATION

Chat

April 15. Thomas Fuller relates that "in Merionethshire, in Wales, there are high mountains, whose hanging tops come so close together that shepherds on the tops of several hills may audibly talk together, yet will it be a day's journey for their bodies to meet, so vast is the hollowness of the valleys betwixt them." As much may be said in a moral sense of our intercourse in the plains, for, though we may audibly converse together, yet is there so vast a gulf of hollowness between that we are actually many days' journey from a veritable communication.

April 15. Thomas Fuller notes that "in Merionethshire, Wales, there are high mountains whose peaks are so close together that shepherds on the tops of different hills can talk to each other, but it would still take a full day's journey for them to meet in person, because of the vastness of the valleys between them." The same can be said about our interactions in the plains; although we can communicate clearly, there is such a huge gap of emptiness between us that we are truly many days' journey away from real connection.

STEAMSHIPS

Boats

April 24. Men have been contriving new means and modes of motion. Steamships have been westering during these late days and nights on the Atlantic waves,—the fuglers of a new evolution to this generation. Meanwhile plants spring silently by the brooksides, and the grim woods wave indifferent; the earth emits no howl, pot on fire simmers and seethes, and men go about their business.

April 24. People have been creating new ways to move. Steamships have been traveling westward across the Atlantic waves these past days and nights, marking the beginning of a new era for this generation. Meanwhile, plants quietly grow by the streams, and the dense forests sway without concern; the earth makes no sound, pots on the stove simmer and bubble, and people carry on with their daily activities.

THE BLUEBIRDS

THE BLUEBIRDS

April 26.

April 26.

In the midst of the poplar that stands by our door

In the middle of the poplar tree that stands by our door

We planted a bluebird box,

We set up a bluebird box,

And we hoped before the summer was o'er

And we hoped before summer was over

A transient pair to coax. 44

A temporary duo to persuade. 44

One warm summer's day the bluebirds came

One warm summer day, the bluebirds arrived.

And lighted on our tree,

And landed on our tree,

But at first the wand'rers were not so tame

But at first the wanderers weren't so tame

But they were afraid of me.

But they were scared of me.

They seemed to come from the distant south,

They appeared to come from the far south,

Just over the Walden wood,

Just beyond the Walden woods,

And they skimmed it along with open mouth

And they skimmed it with their mouths wide open.

Close by where the bellows stood.

Close to where the bellows were located.

Warbling they swept round the distant cliff,

Warbling, they flew around the far-off cliff,

And they warbled it over the lea,

And they sang it over the meadow,

And over the blacksmith's shop in a jiff

And over the blacksmith's shop in a flash

Did they come warbling to me.

Did they come singing to me?

They came and sat on the box's top

They came and sat on top of the box.

Without looking into the hole,

Without peeking into the hole,

And only from this side to that did they hop,

And they only jumped from this side to that.

As 'twere a common well-pole.

As if it were a common well pole.

Methinks I had never seen them before,

I think I’ve never seen them before,

Nor indeed had they seen me,

Nor indeed had they seen me,

Till I chanced to stand by our back door,

Till I happened to stand by our back door,

And they came to the poplar tree.

And they arrived at the poplar tree.

In course of time they built their nest

In time, they built their nest.

And reared a happy brood,

And raised a happy family,

And every morn they piped their best

And every morning they played their best

As they flew away to the wood.

As they flew off to the woods.

Thus wore the summer hours away

Thus passed the summer days.

To the bluebirds and to me, 45

To the bluebirds and to me, 45

And every hour was a summer's day,

And each hour felt like a summer day,

So pleasantly lived we.

We lived happily.

They were a world within themselves,

They were a world of their own,

And I a world in me,

And I have a world inside me,

Up in the tree—the little elves—

Up in the tree—the little elves—

With their callow family.

With their immature family.

One morn the wind blowed cold and strong,

One morning, the wind blew cold and strong,

And the leaves went whirling away;

And the leaves swirled away;

The birds prepared for their journey long

The birds got ready for their journey long

That raw and gusty day.

That wild and windy day.

Boreas came blust'ring down from the north,

Boreas came rushing down from the north,

And ruffled their azure smocks,

And messed up their blue shirts,

So they launched them forth, though somewhat loth,

So they sent them off, even though they were a bit reluctant,

By way of the old Cliff rocks.

By the old cliffs.

Meanwhile the earth jogged steadily on

Meanwhile, the earth kept moving steadily on.

In her mantle of purest white,

In her coat of the brightest white,

And anon another spring was born

And soon another spring came

When winter was vanished quite.

When winter completely disappeared.

And I wandered forth o'er the steamy earth,

And I walked across the misty ground,

And gazed at the mellow sky,

And looked at the soft sky,

But never before from the hour of my birth

But never before from the moment I was born

Had I wandered so thoughtfully.

Had I wandered so thoughtfully?

For never before was the earth so still,

For never before was the earth so still,

And never so mild was the sky,

And the sky has never been so calm,

The river, the fields, the woods, and the hill

The river, the fields, the woods, and the hill

Seemed to heave an audible sigh. 46

Seemed to let out a noticeable sigh. 46

I felt that the heavens were all around,

I felt like the sky was everywhere,

And the earth was all below,

And the ground was all beneath,

As when in the ears there rushes a sound

As when a sound rushes into the ears

Which thrills you from top to toe.

Which excites you from head to toe.

I dreamed that I was a waking thought,

I dreamed that I was a conscious thought,

A something I hardly knew,

A thing I barely knew,

Not a solid piece, nor an empty nought,

Not a solid thing, nor a complete void,

But a drop of morning dew.

But a drop of morning dew.

'Twas the world and I at a game of bo-peep,

'Twas the world and I playing a game of peek-a-boo,

As a man would dodge his shadow,

As a guy wouldAvoiding his shadow,

An idea becalmed in eternity's deep,

An idea stuck in the endless depths of time,

'Tween Lima and Segraddo.

Between Lima and Segraddo.

Anon a faintly warbled note

Just a softly sung note

From out the azure deep

From the blue depths

Into my ears did gently float

Into my ears did gently float

As is the approach of sleep.

As is the way of sleep.

It thrilled but startled not my soul;

It excited me but didn't shock my soul;

Across my mind strange mem'ries gleamed,

Across my mind, strange memories shone,

As often distant scenes unroll

As often distant scenes unfold

When we have lately dreamed.

When we've recently dreamed.

The bluebird had come from the distant South

The bluebird had come from the far South

To his box in the poplar tree,

To his spot in the poplar tree,

And he opened wide his slender mouth

And he opened his slim mouth wide

On purpose to sing to me.

On purpose to sing to me.

JOURNEY TO MAINE

Trip to Maine

May 3-4. Boston to Portland.

May 3-4. Boston to Portland.

What, indeed, is this earth to us of New England 47 but a field for Yankee speculation? The Nantucket whaler goes a-fishing round it, and so knows it,—what it is, how long, how broad, and that no tortoise sustains it. He who has visited the confines of his real estate, looking out on all sides into space, will feel a new inducement to be the lord of creation.

What is this earth to us in New England 47 but a place for Yankee investments? The Nantucket whaler fishes around it, so he understands it—what it is, how long it is, how wide it is, and that no tortoise supports it. Someone who has explored the edges of their property, looking out into the open space, will feel a fresh urge to be the master of creation.

We must all pay a small tribute to Neptune; the chief engineer must once have been seasick.

We all need to give a nod to Neptune; the lead engineer must have definitely experienced seasickness at some point.

Midnight—head over the boat's side—between sleeping and waking—with glimpses of one or more lights in the vicinity of Cape Ann. Bright moonlight—the effect heightened by seasickness. Beyond that light yonder have my lines hitherto been cast, but now I know that there lies not the whole world, for I can say it is there and not here.

Midnight—leaning over the side of the boat—caught between sleeping and waking—with flashes of one or more lights near Cape Ann. Bright moonlight—the feeling intensified by seasickness. Beyond that light over there, my lines have previously been cast, but now I realize that the entire world doesn’t just lie there, because I can say it’s there and not here.

May 4. Portland. There is a proper and only right way to enter a city, as well as to make advances to a strange person; neither will allow of the least forwardness nor bustle. A sensitive person can hardly elbow his way boldly, laughing and talking, into a strange town, without experiencing some twinges of conscience, as when he has treated a stranger with too much familiarity.

May 4. Portland. There’s a right way to enter a city, just like there’s a proper way to approach someone you don’t know; neither should involve being pushy or overly eager. A considerate person can’t just barge in, laughing and chatting, into an unfamiliar place without feeling a bit uneasy, just like when they’ve been too familiar with a stranger.

May 5. Portland to Bath via Brunswick; Bath to Brunswick.

May 5. Portland to Bath through Brunswick; Bath to Brunswick.

Each one's world is but a clearing in the forest, so much open and inclosed ground. When the mail coach rumbles into one of these, the villagers gaze after you with a compassionate look, as much as to say: "Where have you been all this time, that you make your début in the world at this late hour? Nevertheless, here we 48 are; come and study us, that you may learn men and manners."

Each person's world is just a clearing in the forest, a mix of open and enclosed space. When the mail coach rolls into one of these areas, the villagers watch you with a sympathetic look, as if to say: "Where have you been all this time that you’re just now stepping into the world? Still, here we are; come and observe us, so you can learn about people and their ways." 48

May 6. Brunswick to Augusta via Gardiner and Hallowell.

May 6. Brunswick to Augusta through Gardiner and Hallowell.

May 7. We occasionally meet an individual of a character and disposition so entirely the reverse of our own that we wonder if he can indeed be another man like ourselves. We doubt if we ever could draw any nearer to him, and understand him. Such was the old English gentleman whom I met with to-day in H. Though I peered in at his eyes I could not discern myself reflected therein. The chief wonder was how we could ever arrive at so fair-seeming an intercourse upon so small ground of sympathy. He walked and fluttered like a strange bird at my side, prying into and making a handle of the least circumstance. The bustle and rapidity of our communication were astonishing; we skated in our conversation. All at once he would stop short in the path, and, in an abstracted air, query whether the steamboat had reached Bath or Portland, addressing me from time to time as his familiar genius, who could understand what was passing in his mind without the necessity of uninterrupted oral communication.

May 7. Sometimes we come across someone whose personality and outlook are so completely different from our own that we question whether they can really be another person like us. We wonder if we could ever get closer to understanding them. That was the case with the old English gentleman I met today in H. Even though I looked into his eyes, I couldn’t see myself reflected there. The most surprising thing was how we managed to have such a pleasant interaction despite having so little in common. He walked and moved around like a peculiar bird beside me, picking apart and making a big deal out of the smallest details. The speed and energy of our conversation were surprising; it felt like we were gliding through our dialogue. Suddenly, he would stop in the middle of the path and, deep in thought, ask whether the steamboat had arrived in Bath or Portland, sometimes addressing me as his familiar spirit, who could understand his thoughts without the need for continuous conversation.

May 8. Augusta to Bangor via China.

May 8. Augusta to Bangor through China.

May 10. Bangor to Oldtown.

May 10. Bangor to Old Town.

The railroad from Bangor to Oldtown is civilization shooting off in a tangent into the forest. I had much conversation with an old Indian at the latter place, who sat dreaming upon a scow at the waterside and striking his deer-skin moccasins against the planks, while his 49 arms hung listlessly by his side. He was the most communicative man I had met. Talked of hunting and fishing, old times and new times. Pointing up the Penobscot, he observed, "Two or three mile up the river one beautiful country!" and then, as if he would come as far to meet me as I had gone to meet him, he exclaimed, "Ugh! one very hard time!" But he had mistaken his man.

The railroad from Bangor to Oldtown is civilization branching off into the forest. I had a long conversation with an old Indian at the latter place, who was sitting in a boat by the water, daydreaming and tapping his deer-skin moccasins against the planks, while his arms hung loosely by his side. He was the most talkative person I had encountered. He spoke about hunting and fishing, the past and the present. Pointing up the Penobscot, he remarked, "Two or three miles up the river, it's a beautiful area!" and then, as if he wanted to meet me halfway, he exclaimed, "Ugh! what a tough time!" But he had misunderstood his audience.

May 11. Bangor to Belfast via Saturday Cove.

May 11. Bangor to Belfast through Saturday Cove.

May 12. Belfast.

May 12. Belfast.

May 13. To Castine by sailboat "Cinderilla [sic]."

May 13. To Castine by sailboat "Cinderilla [sic]."

May 14. Castine to Belfast by packet, Captain Skinner. Found the Poems of Burns and an odd volume of the "Spectator" in the cabin.

May 14. Castine to Belfast by packet, Captain Skinner. I found the Poems of Burns and a random volume of the "Spectator" in the cabin.

May 15. Belfast to Bath via Thomaston.

May 15. Belfast to Bath via Thomaston.

May 16. To Portland.

May 16. Heading to Portland.

May 17. To Boston and Concord.

May 17. To Boston and Concord.

MAY MORNING

May Morning

May 21.

May 21.

The school-boy loitered on his way to school,

The schoolboy hung around on his way to school,

Scorning to live so rare a day by rule.

Scorning to live such a rare day by following rules.

So mild the air a pleasure 'twas to breathe,

So mild was the air, it was a pleasure to breathe,

For what seems heaven above was earth beneath.

For what looks like heaven above was just earth below.

Soured neighbors chatted by the garden pale,

Sour neighbors gossip by the garden fence,

Nor quarrelled who should drive the needed nail;

Nor did they argue over who would drive the necessary nail;

The most unsocial made new friends that day,

The most antisocial person made new friends that day,

As when the sun shines husbandmen make hay.

As when the sun shines, farmers make hay.

How long I slept I know not, but at last

How long I slept, I don't know, but finally

I felt my consciousness returning fast, 50

I felt my awareness coming back quickly, 50

For Zephyr rustled past with leafy tread,

For Zephyr rustled by with a leafy step,

And heedlessly with one heel grazed my head.

And mindlessly brushed my head with one heel.

My eyelids opened on a field of blue,

My eyelids opened to a blue sky,

For close above a nodding violet grew;

For just above, a nodding violet grew;

A part of heaven it seemed, which one could scent,

A part of heaven it felt like, something you could smell,

Its blue commingling with the firmament.

Its blue merging with the sky.

WALDEN

Wilderness

June 3.

June 3rd.

True, our converse a stranger is to speech;

True, our conversation with a stranger is limited.

Only the practiced ear can catch the surging words

Only a trained ear can pick up on the rising words

That break and die upon thy pebbled lips.

That break and die on your pebbled lips.

Thy flow of thought is noiseless as the lapse of thy own waters,

Your flow of thought is quiet like the movement of your own waters,

Wafted as is the morning mist up from thy surface,

Wafted like the morning mist rising from your surface,

So that the passive Soul doth breathe it in,

So the passive soul breathes it in,

And is infected with the truth thou wouldst express.

And is filled with the truth you want to express.

E'en the remotest stars have come in troops

Even the farthest stars have gathered together

And stooped low to catch the benediction

And bent down to receive the blessing

Of thy countenance. Oft as the day came round,

Of your face. Often as the day came around,

Impartial has the sun exhibited himself

Impartial has the sun shown himself.

Before thy narrow skylight; nor has the moon

Before your narrow skylight; nor has the moon

For cycles failed to roll this way

For bicycles didn't go this way

As oft as elsewhither, and tell thee of the night.

As often as elsewhere, and I’ll tell you about the night.

No cloud so rare but hitherward it stalked,

No cloud so rare but it came this way.

And in thy face looked doubly beautiful.

And in your face, you looked even more beautiful.

O! tell me what the winds have writ for the last thousand years

O! tell me what the winds have written for the last thousand years

On the blue vault that spans thy flood,

On the blue sky that stretches over your water,

Or sun transferred and delicately reprinted 51

Or sun transferred and delicately reprinted 51

For thy own private reading. Somewhat

For your own private reading. Somewhat

Within these latter days I've read,

Within these recent days, I've read,

But surely there was much that would have thrilled the Soul,

But there was definitely a lot that would have excited the Soul,

Which human eye saw not.

Which human eye hasn't seen.

I would give much to read that first bright page,

I would give anything to read that first bright page,

Wet from a virgin press, when Eurus, Boreas,

Wet from a virgin press, when Eurus, Boreas,

And the host of airy quill-drivers

And the group of writers with their pens

First dipped their pens in mist.

First dipped their pens in mist.

June 14.

June 14.

Truth, Goodness, Beauty,—those celestial thrins,[32]

Truth, Goodness, Beauty—those celestial themes, __A_TAG_PLACEHOLDER_0__

Continually are born; e'en now the Universe,

Continually new ones are born; even now the Universe,

With thousand throats, and eke with greener smiles,

With a thousand voices, and also with friendlier smiles,

Its joy confesses at their recent birth.

Its joy reveals itself at their recent birth.

Strange that so many fickle gods, as fickle as the weather,

Strange that so many unreliable gods, as changeable as the weather,

Throughout Dame Nature's provinces should always pull together.

Throughout Dame Nature's regions, we should always work together.

June 16.

June 16th.

In the busy streets, domains of trade,

In the crowded streets, centers of commerce,

Man is a surly porter, or a vain and hectoring bully,

Man is a grumpy doorman or a arrogant and bossy bully,

Who can claim no nearer kindredship with me

Who can claim a closer relationship with me

Than brotherhood by law.

Than brotherhood by law.

CLIFFS

CLIFFS

July 8.

July 8.

The loudest sound that burdens here the breeze

The loudest noise that weighs down the breeze here

Is the wood's whisper; 'tis, when we choose to list,

Is the wood's whisper; it is, when we choose to listen,

Audible sound, and when we list not, 52

Audible sound, and when we do not listen, 52

It is calm profound. Tongues were provided

It is deeply calm. Voices were given.

But to vex the ear with superficial thoughts.

But to annoy the ear with shallow thoughts.

When deeper thoughts upswell, the jarring discord

When deeper thoughts bubble up, the jarring discord

Of harsh speech is hushed, and senses seem

Of harsh speech is hushed, and senses seem

As little as may be to share the ecstasy.

As little as there may be to share the excitement.

HEROISM

Bravery

July 13. What a hero one can be without moving a finger! The world is not a field worthy of us, nor can we be satisfied with the plains of Troy. A glorious strife seems waging within us, yet so noiselessly that we but just catch the sound of the clarion ringing of victory, borne to us on the breeze. There are in each the seeds of a heroic ardor, which need only to be stirred in with the soil where they lie, by an inspired voice or pen, to bear fruit of a divine flavor.[33]

July 13. What a hero you can be without lifting a finger! The world isn’t a place that deserves us, nor can we be satisfied with the fields of Troy. A glorious conflict seems to be happening within us, yet so quietly that we can barely hear the sound of victory's trumpet, carried to us on the wind. Each of us has the seeds of heroic passion inside, waiting to be stirred into the soil where they lie, by an inspiring voice or writer, to bring forth something truly extraordinary.[33]

SUSPICION

SUSPECT

July 15. What though friends misinterpret your conduct, if it is right in sight of God and Nature. The wrong, if there be any, pertains only to the wrongdoer, nor is the integrity of your relations to the universe affected, but you may gather encouragement from their mistrust. If the friend withhold his favor, yet does greater float gratuitous on the zephyr.

July 15. Even if friends misunderstand your actions, it doesn’t matter if they're right in the eyes of God and Nature. Any wrongdoing, if there is any, is solely the responsibility of the wrongdoer, and your connection to the universe remains intact. You can actually find strength in their doubt. If a friend holds back their support, you can still rise above it and thrive in the breeze.

TRUTH

TRUTH

Aug. 4. Whatever of past or present wisdom has published itself to the world, is palpable falsehood till it come and utter itself by my side. 53

Aug. 4. Any wisdom from the past or present that has been shared with the world is clear nonsense until it comes and speaks next to me. 53

SPHERE MUSIC

SPHERE Music

Aug. 5. Some sounds seem to reverberate along the plain, and then settle to earth again like dust; such are Noise, Discord, Jargon. But such only as spring heavenward, and I may catch from steeples and hilltops in their upward course, which are the more refined parts of the former, are the true sphere music,—pure, unmixed music,—in which no wail mingles.

Aug. 5. Some sounds echo across the plain and then land back on the ground like dust; these include Noise, Discord, and Jargon. However, those that rise up toward the heavens, which I can hear from church steeples and hilltops as they ascend, represent the more refined aspects of those sounds—this is the true music of the spheres—pure, untainted music—where no cries are intermingled.

DIVINE SERVICE IN THE ACADEMY HALL

DIVINE SERVICE IN THE ACADEMY HALL

In dark places and dungeons these words might perhaps strike root and grow, but utter them in the daylight and their dusky hues are apparent. From this window I can compare the written with the preached word: within is weeping, and wailing, and gnashing of teeth; without, grain fields and grasshoppers, which give those the lie direct.

In dark places and dungeons, these words might take root and flourish, but say them in the daylight, and their dark shades become clear. From this window, I can compare the written word to the spoken word: inside there’s crying, and mourning, and teeth-gnashing; outside, there are grain fields and grasshoppers, which directly contradict that.

THE TIME OF THE UNIVERSE

THE AGE OF THE UNIVERSE

Aug. 10. Nor can all the vanities that so vex the world alter one whit the measure that night has chosen, but ever it must be short particular metre. The human soul is a silent harp in God's quire, whose strings need only to be swept by the divine breath to chime in with the harmonies of creation. Every pulse-beat is in exact time with the cricket's chant, and the tickings of the death-watch in the wall. Alternate with these if you can.[34]

Aug. 10. Nor can all the distractions that bother the world change even a bit the rhythm that night has selected; it will always be a short, specific meter. The human soul is like a silent harp in God's choir, and its strings only need to be touched by the divine breath to resonate with the harmonies of creation. Every heartbeat matches perfectly with the cricket's song and the ticking of the death-watch in the wall. Try to keep up with these if you can. [34]

CONSCIOUSNESS

Awareness

Aug. 13. If with closed ears and eyes I consult consciousness 54 for a moment, immediately are all walls and barriers dissipated, earth rolls from under me, and I float, by the impetus derived from the earth and the system, a subjective, heavily laden thought, in the midst of an unknown and infinite sea, or else heave and swell like a vast ocean of thought, without rock or headland, where are all riddles solved, all straight lines making there their two ends to meet, eternity and space gambolling familiarly through my depths. I am from the beginning, knowing no end, no aim. No sun illumines me, for I dissolve all lesser lights in my own intenser and steadier light. I am a restful kernel in the magazine of the universe.

Aug. 13. If I close my ears and eyes and turn inward for a moment, all walls and barriers disappear, the ground slips away beneath me, and I drift, propelled by the earth and the system; I become a heavily burdened thought floating in an unknown, infinite sea, or rising and falling like a vast ocean of thought, with no rocks or shores, where all mysteries are resolved, all straight lines coming together at both ends, as eternity and space play freely within me. I exist from the beginning, knowing no end or purpose. No sun shines on me, as I absorb all lesser lights in my own brighter and steadier glow. I am a tranquil core in the universe's vast storehouse.

RESOURCE

RESOURCE

Men are constantly dinging in my ears their fair theories and plausible solutions of the universe, but ever there is no help, and I return again to my shoreless, islandless ocean, and fathom unceasingly for a bottom that will hold an anchor, that it may not drag.

Men are always buzzing in my ears with their reasonable theories and convincing solutions about the universe, yet there’s never any real help, and I find myself back in my endless, islandless ocean, endlessly searching for a bottom that can hold an anchor, so it won't drift away.

SABBATH BELL

Sabbath bell

Aug. 19. The sound of the sabbath bell, whose farthest waves are at this instant breaking on these cliffs, does not awaken pleasing associations alone. Its muse is wonderfully condescending and philanthropic. One involuntarily leans on his staff to humor the unusually meditative mood. It is as the sound of many catechisms and religious books twanging a canting peal round the world, and seems to issue from some Egyptian temple, and echo along the shore of the Nile, right opposite to 55 Pharaoh's palace and Moses in the bulrushes, startling a multitude of storks and alligators basking in the sun. Not so these larks and pewees of Musketaquid. One is sick at heart of this pagoda worship. It is like the beating of gongs in a Hindoo subterranean temple.[35]

Aug. 19. The sound of the church bell, whose farthest echoes are currently hitting these cliffs, doesn’t just bring pleasant memories. Its inspiration is surprisingly generous and compassionate. One can't help but lean on their staff to match the unusually reflective mood. It’s like the sound of countless catechisms and religious texts ringing out around the world, seeming to come from some Egyptian temple, echoing along the Nile right across from 55 Pharaoh's palace and Moses in the reeds, startling a bunch of storks and alligators soaking up the sun. Not like these larks and pewees of Musketaquid. One feels disheartened by this pagoda worship. It’s like the drumming of gongs in a Hindu temple underground.[35]

HOLY WAR

Holy War

Aug. 21. Passion and appetite are always an unholy land in which one may wage most holy war. Let him steadfastly follow the banner of his faith till it is planted on the enemy's citadel. Nor shall he lack fields to display his valor in, nor straits worthy of him. For when he has blown his blast, and smote those within reach, invisible enemies will not cease to torment him, who yet may be starved out in the garrisons where they lie.

Aug. 21. Passion and desire are always a chaotic battleground where one can fight the most honorable battle. Let him firmly carry the flag of his beliefs until it is raised at the enemy's stronghold. He won’t run out of places to show his courage, nor challenges worthy of him. For when he makes his charge and strikes those within range, unseen foes won’t stop tormenting him, yet he can still outlast them in the strongholds where they hide.

SCRIPTURE

SCRIPTURE

Aug. 22. How thrilling a noble sentiment in the oldest books,—in Homer, the Zendavesta, or Confucius! It is a strain of music wafted down to us on the breeze of time, through the aisles of innumerable ages. By its very nobleness it is made near and audible to us.

Aug. 22. How exciting a noble feeling in the oldest texts—in Homer, the Zendavesta, or Confucius! It’s like a melody carried to us on the winds of time, through countless ages. Its inherent nobility makes it close and clear to us.

EVENING SOUNDS

Evening ambiance

Aug. 26. How strangely sounds of revelry strike the ear from over cultivated fields by the woodside, while the sun is declining in the west. It is a world we had not known before. We listen and are capable of no mean act or thought. We tread on Olympus and participate in the councils of the gods. 56

Aug. 26. How weirdly the sounds of celebration reach us from the over-farmed fields by the edge of the woods as the sun sets in the west. It’s a world we’ve never experienced before. We listen, unable to manage anything but awe. We stand on Olympus and take part in the discussions of the gods. 56

HOMER

Homer

It does one's heart good if Homer but say the sun sets,—or, "As when beautiful stars accompany the bright moon through the serene heavens; and the woody hills and cliffs are discerned through the mild light, and each star is visible, and the shepherd rejoices in his heart."[36]

It warms the heart when Homer simply says the sun sets— or, "Like when beautiful stars accompany the bright moon through the clear sky; and the wooded hills and cliffs are seen in the soft light, and each star is visible, and the shepherd feels joy in his heart."[36]

THE LOSS OF A TOOTH

LOST A TOOTH

Aug. 27. Verily I am the creature of circumstances. Here I have swallowed an indispensable tooth, and so am no whole man, but a lame and halting piece of manhood. I am conscious of no gap in my soul, but it would seem that, now the entrance to the oracle has been enlarged, the more rare and commonplace the responses that issue from it. I have felt cheap, and hardly dared hold up my head among men, ever since this accident happened. Nothing can I do as well and freely as before; nothing do I undertake but I am hindered and balked by this circumstance. What a great matter a little spark kindleth! I believe if I were called at this moment to rush into the thickest of the fight, I should halt for lack of so insignificant a piece of armor as a tooth. Virtue and Truth go undefended, and Falsehood and Affectation are thrown in my teeth,—though I am toothless. One does not need that the earth quake for the sake of excitement, when so slight a crack proves such an impassable moat. But let the lame man shake his leg, and match himself with the fleetest in the race. So shall he do what is in him to do. But let him who has lost a tooth open his mouth wide and gabble, lisp, and sputter never so resolutely. 57

Aug. 27. Truly, I am a product of my circumstances. I've lost an essential tooth, and now I'm not a complete man but a limping version of one. I don’t feel any emptiness in my soul, but it seems that with the entrance to the oracle widened, the responses coming from it have become more ordinary and mundane. Ever since this accident, I’ve felt less-than and hardly dared to hold my head up among others. Nothing I do feels as easy or free as it once did; I’m constantly held back by this situation. It's amazing how a tiny spark can cause such a big problem! I believe if I were called right now to jump into the thick of battle, I would hesitate over such a small piece of gear as a tooth. Virtue and Truth stand unprotected, while I’m confronted with falsehoods and pretenses—even though I lack a tooth. One doesn’t need an earthquake for excitement when even a small crack can become an insurmountable barrier. But let the lame man shake his leg and match himself against the fastest in a race. He will do what he can. But let the one who has lost a tooth open his mouth wide and chatter, stutter, and stumble no matter how determined he is. 57

DEFORMITY

Disability

Aug. 29. Here at the top of Nawshawtuct, this mild August afternoon, I can discern no deformed thing. The prophane hay-makers in yonder meadow are yet the hay-makers of poetry,—forsooth Faustus and Amyntas. Yonder schoolhouse of brick, than which, near at hand, nothing can be more mote-like to my eye, serves even to heighten the picturesqueness of the scene. Barns and outbuildings, which in the nearness mar by their presence the loveliness of nature, are not only endurable, but, observed where they lie by some waving field of grain or patch of woodland, prove a very cynosure to the pensive eye. Let man after infinite hammering and din of crows uprear a deformity in the plain, yet will Nature have her revenge on the hilltop. Retire a stone's throw and she will have changed his base metal into gold.

Aug. 29. Here at the top of Nawshawtuct, on this mild August afternoon, I can’t see anything deformed. The unrefined hay-makers in that meadow are still the hay-makers of poetry—truly, Faustus and Amyntas. That brick schoolhouse, which up close looks like nothing more than a tiny speck to me, actually enhances the charm of the scene. Barns and outbuildings, which nearby disrupt the beauty of nature, are not just bearable but, when seen against a waving field of grain or a patch of woods, become a true focal point for the thoughtful observer. Though man may create an eyesore on the plain after endless toil and the noise of crows, Nature will take her revenge on the hilltop. Step back a little and she will turn his base metal into gold.

CRICKETS

CRICKETS

The crackling flight of grasshoppers is a luxury; and pleasant is it when summer has once more followed in the steps of winter to hear scald cricket piping a Nibelungenlied in the grass. It is the most infinite of singers. Wiselier had the Greeks chosen a golden cricket, and let the grasshopper eat grass. One opens both his ears to the invisible, incessant quire, and doubts if it be not earth herself chanting for all time.

The crackling sound of grasshoppers is a treat; and it's nice when summer returns after winter to hear a sharp cricket singing a Nibelungenlied in the grass. It’s the ultimate singer. The Greeks were smarter to pick a golden cricket and let the grasshopper munch on grass. One opens both ears to the unseen, endless choir and wonders if it isn’t the earth itself singing throughout eternity.

GENII

GENII

In the vulgar daylight of our self-conceit, good genii are still overlooking and conducting us; as the stars look down on us by day as by night—and we observe them not. 58

In the harsh light of our arrogance, good spirits are still watching over and guiding us, just like the stars watch over us both day and night—even if we don’t notice them. 58

SPHERE MUSIC

SPHERE MUSIC

Sept. 2. The cocks chant a strain of which we never tire. Some there are who find pleasure in the melody of birds and chirping of crickets,—aye, even the peeping of frogs. Such faint sounds as these are for the most part heard above the weeping and wailing and gnashing of teeth which so unhallow the Sabbath among us. The moan the earth makes is after all a very faint sound, infinitely inferior in volume to its creakings of joy and gleeful murmurs; so that we may expect the next balloonist will rise above the utmost range of discordant sounds into the region of pure melody. Never so loud was the wail but it seemed to taper off into a piercing melody and note of joy, which lingered not amid the clods of the valley.

Sept. 2. The roosters sing a tune that never gets old for us. Some people enjoy the music of birds and the chirping of crickets—even the croaking of frogs. These soft sounds are mostly heard above the crying, wailing, and grinding of teeth that often disrupt the Sabbath for us. The earth’s moans are really just faint sounds, far weaker than its joyful creaks and cheerful whispers; so we can expect that the next skydiver will soar above all the jarring noises into a place of pure melody. No matter how loud the cries got, they always seemed to fade into a sharp melody and a note of joy that didn’t stay among the dirt of the valley.

CREEDS

Beliefs

Sept. 3. The only faith that men recognize is a creed. But the true creed which we unconsciously live by, and which rather adopts us than we it, is quite different from the written or preached one. Men anxiously hold fast to their creed, as to a straw, thinking this does them good service because their sheet anchor does not drag.[37]

Sept. 3. The only belief that people accept is a doctrine. But the real belief that we unconsciously follow, and which seems to choose us rather than the other way around, is completely different from what’s written or preached. People desperately cling to their beliefs like it's a lifeline, thinking it helps them because their main anchor doesn't pull them down. [37]

RIVERS

Rivers

Sept. 5. For the first time it occurred to me this afternoon what a piece of wonder a river is,—a huge volume of matter ceaselessly rolling through the fields and meadows of this substantial earth, making haste from the high places, by stable dwellings of men and Egyptian Pyramids, to its restless reservoir. One would think 59 that, by a very natural impulse, the dwellers upon the headwaters of the Mississippi and Amazon would follow in the trail of their waters to see the end of the matter.[38]

Sept. 5. This afternoon, it struck me for the first time just how amazing a river is—a massive flow of water constantly moving through the fields and meadows of this solid earth, rushing down from the heights, past the homes of people and the Egyptian Pyramids, to its ever-changing reservoir. One would think that, as a natural instinct, the people living at the start of the Mississippi and Amazon would want to follow their rivers to see where it all ends.

HOMER

Homer

Sept. 7. When Homer's messengers repair to the tent of Achilles, we do not have to wonder how they get there, but step by step accompany them along the shore of the resounding sea.[39]

Sept. 7. When Homer's messengers arrive at Achilles’ tent, we don’t need to question how they got there; instead, we follow them closely along the shore of the crashing sea.[39]

FLOW OF SPIRITS IN YOUTH

Vibe of Youthful Spirits

Sept. 15. How unaccountable the flow of spirits in youth. You may throw sticks and dirt into the current, and it will only rise the higher. Dam it up you may, but dry it up you may not, for you cannot reach its source. If you stop up this avenue or that, anon it will come gurgling out where you least expected and wash away all fixtures. Youth grasps at happiness as an inalienable right. The tear does no sooner gush than glisten. Who shall say when the tear that sprung of sorrow first sparkled with joy?

Sept. 15. How unpredictable the flow of emotions in youth. You can throw sticks and dirt into the stream, and it will only rise higher. You can try to block it, but you can’t dry it up, because you can't reach its source. If you stop this path or that one, soon enough it will bubble up where you least expect it and wash away everything in its way. Youth clings to happiness as if it's a given. The tear falls and shines almost instantly. Who can say when the tear born of sorrow first sparkled with joy?

ALMA NATURA

ALMA NATURE

Sept. 20. It is a luxury to muse by a wall-side in the sunshine of a September afternoon,—to cuddle down under a gray stone, and hearken to the siren song of the cricket. Day and night seem henceforth but accidents, and the time is always a still eventide, and as the close of a happy day. Parched fields and mulleins gilded with the slanting rays are my diet. I know of no word so fit to express this disposition of Nature as Alma Natura. 60

Sept. 20. It’s a real treat to sit by a wall in the sunshine on a September afternoon—to nestle under a gray stone and listen to the soothing song of the cricket. Day and night feel like mere details, and it’s always a peaceful evening, like the end of a wonderful day. Dry fields and mullein plants glowing in the slanting sunlight are all I need. I can’t think of a better way to describe this state of Nature than Alma Natura. 60

COMPENSATION

PAYMENT

Sept. 23. If we will be quiet and ready enough, we shall find compensation in every disappointment. If a shower drives us for shelter to the maple grove or the trailing branches of the pine, yet in their recesses with microscopic eye we discover some new wonder in the bark, or the leaves, or the fungi at our feet. We are interested by some new resource of insect economy, or the chickadee is more than usually familiar. We can study Nature's nooks and corners then.[40]

Sept. 23. If we stay calm and open-minded, we’ll find something rewarding in every disappointment. If a rainstorm forces us to seek shelter in the maple grove or under the drooping branches of the pine, we can still discover new wonders in the bark, the leaves, or the fungi at our feet if we look closely. We might be intrigued by some new aspect of insect behavior, or the chickadee might be unusually friendly. We have the chance to explore Nature's hidden spots then.[40]

MY BOOTS

MY BOOTS

Oct. 16.

Oct 16.

Anon with gaping fearlessness they quaff

Anon, with wide-eyed fearlessness, they drink.

The dewy nectar with a natural thirst,

The fresh nectar with a natural thirst,

Or wet their leathern lungs where cranberries lurk,

Or wet their leather lungs where cranberries hide,

With sweeter wine than Chian, Lesbian, or Falernian far.

With sweeter wine than Chian, Lesbian, or Falernian by far.

Theirs was the inward lustre that bespeaks

Theirs was the inner glow that reveals

An open sole—unknowing to exclude

An open sole—unaware to exclude

The cheerful day—a worthier glory far

The happy day—a much better glory

Than that which gilds the outmost rind with darkness visible—

Than that which covers the outer layer with visible darkness—

Virtues that fast abide through lapse of years,

Virtues that endure over the years,

Rather rubbed in than off.

Better to rub it in.

HOMER

Homer

Oct. 21. Hector hurrying from rank to rank is likened to the moon wading in majesty from cloud to cloud. We are reminded of the hour of the day by the fact that the woodcutter spreads now his morning meal in the 61 recesses of the mountains, having already laid his axe at the root of many lofty trees.[41]

Oct. 21. Hector rushes from one group to another, like the moon gracefully moving through clouds. The time of day is indicated by the woodcutter, who is now setting out his breakfast in the 61 valleys of the mountains, having already chopped down the base of several tall trees.[41]

Oct. 23. Nestor's simple repast after the rescue of Machaon is a fit subject for poetry. The woodcutter may sit down to his cold victuals, the hero to soldier's fare, and the wild Arab to his dried dates and figs, without offense; but not so a modern gentleman to his dinner.

Oct. 23. Nestor's modest meal after saving Machaon is perfect for poetry. A woodcutter can enjoy his cold food, a hero can have a soldier's meal, and a wild Arab can snack on dried dates and figs without any issues; but that's not the case for a modern gentleman at dinner.

Oct. 24. It matters not whether these strains originate there in the grass or float thitherward like atoms of light from the minstrel days of Greece.

Oct. 24. It doesn't matter whether these sounds come from the grass or drift over like particles of light from the musical days of Greece.

"The snowflakes fall thick and fast on a winter's day. The winds are lulled, and the snow falls incessant, covering the tops of the mountains, and the hills, and the plains where the lotus tree grows, and the cultivated fields. And they are falling by the inlets and shores of the foaming sea, but are silently dissolved by the waves."[42]

"The snowflakes fall heavily and quickly on a winter day. The winds have calmed, and the snow continues to fall, covering the mountain tops, hills, and plains where the lotus tree grows, as well as the cultivated fields. They also fall near the inlets and shores of the churning sea, but are silently washed away by the waves."[42]

SPECULATION

GUESSWORK

Dec. 7. We may believe it, but never do we live a quiet, free life, such as Adam's, but are enveloped in an invisible network of speculations. Our progress is only from one such speculation to another, and only at rare intervals do we perceive that it is no progress. Could we for a moment drop this by-play, and simply wonder, without reference or inference! 62

Dec. 7. We might think so, but we never really live a calm, free life like Adam did; instead, we are caught up in an unseen web of thoughts and ideas. Our progress is just moving from one idea to another, and only occasionally do we realize that it’s not real progress. If only we could pause this side drama for a moment and just wonder, without any references or conclusions! 62

BYRON

BYRON

Dec. 8. Nothing in nature is sneaking or chapfallen, as somewhat maltreated and slighted, but each is satisfied with its being, and so is as lavender and balm. If skunk-cabbage is offensive to the nostrils of men, still has it not drooped in consequence, but trustfully unfolded its leaf of two hands' breadth. What was it to Lord Byron whether England owned or disowned him, whether he smelled sour and was skunk-cabbage to the English nostril or violet-like, the pride of the land and ornament of every lady's boudoir? Let not the oyster grieve that he has lost the race; he has gained as an oyster.

Dec. 8. Nothing in nature feels sneaky or downtrodden, as if somewhat mistreated or overlooked; instead, everything is content with its existence, just like lavender and balm. Even if skunk cabbage offends people's noses, it doesn't droop because of that; it proudly opens its leaf, two hands wide. What did it matter to Lord Byron whether England accepted or rejected him, whether he was a sour smell, like skunk cabbage to the English nose, or if he was as celebrated as a violet, the pride of the country and a decoration in every lady's room? Let not the oyster worry about losing the race; he has succeeded in being an oyster.

FAIR HAVEN

Fair Haven

Dec. 15. [43]

Dec. 15. __A_TAG_PLACEHOLDER_0__

When winter fringes every bough

When winter edges every branch

With his fantastic wreath,

With his awesome wreath,

And puts the seal of silence now

And places the seal of silence now

Upon the leaves beneath;

On the leaves below;

When every stream in its penthouse

When every stream in its high-rise

Goes gurgling on its way,

Goes bubbling on its way,

And in his gallery the mouse

And in his gallery, the mouse

Nibbleth the meadow hay;

Nibble the meadow hay;

Methinks the summer still is nigh,

Methinks the summer is still near,

And lurketh there below,

And lurking down there,

As that same meadow mouse doth lie

As that same meadow mouse lies

Snug underneath the snow. 63

Cozy under the snow. 63

And if perchance the chickadee

And if by chance the chickadee

Lisp a faint note anon,

Lisp a faint note soon,

The snow is summer's canopy,

The snow is summer's blanket,

Which she herself put on.

Which she put on herself.

Rare blossoms deck the cheerful trees,

Rare blossoms adorn the cheerful trees,

And dazzling fruits depend,

And bright fruits depend,

The north wind sighs a summer breeze,

The north wind breathes a summer breeze,

The nipping frosts to fend,

The biting frosts to fend,

Bringing glad tidings unto me,

Bringing good news to me,

While that I stand all ear,

As I stand here listening,

Of a serene eternity,

Of a peaceful eternity,

That need not winter fear.

No need to fear winter.

Out on the silent pond straightway

Out on the quiet pond right away

The restless ice doth crack,

The restless ice is cracking,

And pond sprites merry gambols play

And pond sprites play joyfully.

Amid the deaf'ning rack.

Amid the deafening noise.

Eager I press me to the vale

Eager, I push myself to the valley

As I had heard brave news,

As I had heard exciting news,

How nature held high festival,

How nature celebrated in style,

Which it were hard to lose.

Which would be hard to lose.

I crack me with my neighbor ice,

I laugh with my neighbor on the ice,

And sympathizing quake,

And empathetic tremor,

As each new rent darts in a trice

As each new rent quickly appears

Across the gladsome lake.

Across the cheerful lake.

One with the cricket in the ground,

One with the cricket in the ground,

And fuel on the hearth, 64

And fuel in the fireplace, 64

Resounds the rare domestic sound

Echoes the unique home sound

Along the forest path.

On the forest trail.

Fair Haven is my huge tea-urn

Fair Haven is my big tea urn.

That seethes and sings to me,

That bubbles and sings to me,

And eke the crackling fagots burn,—

And also the crackling firewood burns,—

A homebred minstrelsy.

A homegrown music scene.

SOME SCRAPS FROM AN ESSAY ON "SOUND AND SILENCE" WRITTEN IN THE LATTER HALF OF THIS MONTH,—DECEMBER, 1838[44]

SOME SCRAPS FROM AN ESSAY ON "SOUND AND SILENCE" WRITTEN IN THE LATTER HALF OF THIS MONTH,—DECEMBER, 1838[44]

As the truest society approaches always nearer to solitude, so the most excellent speech finally falls into silence. We go about to find Solitude and Silence, as though they dwelt only in distant glens and the depths of the forest, venturing out from these fastnesses at midnight. Silence was, say we, before ever the world was, as if creation had displaced her, and were not her visible framework and foil. It is only favorite dells that she deigns to frequent, and we dream not that she is then imported into them when we wend thither, as Selden's butcher busied himself with looking after his knife, when he had it in his mouth. For where man is, there is Silence.

As the truest society gets closer to solitude, the best speech eventually turns into silence. We seek out Solitude and Silence as if they only exist in far-off valleys and deep within the woods, only coming out from these hidden places at midnight. Silence was, we say, long before the world existed, as if creation had pushed her aside, rather than being her visible frame and contrast. She only chooses to visit favored spots, and we don’t realize that she is brought into them when we go there, just like Selden's butcher was preoccupied with his knife while it was in his mouth. For wherever people are, there is Silence.

Silence is the communing of a conscious soul with itself. If the soul attend for a moment to its own infinity, then and there is silence. She is audible to all men, at all times, in all places, and if we will we may always hearken to her admonitions. 65

Silence is the connection of a conscious soul with itself. When the soul focuses for a moment on its own infinity, that’s when silence happens. It can be heard by everyone, everywhere, at any time, and if we choose, we can always listen to its guidance. 65

Silence is ever less strange than noise, lurking amid the boughs of the hemlock or pine just in proportion as we find ourselves there. The nuthatch, tapping the upright trunks by our side, is only a partial spokesman for the solemn stillness.

Silence is always less strange than noise, hiding among the branches of the hemlock or pine just as much as we are present there. The nuthatch, pecking at the upright trunks next to us, is just a partial representative of the deep stillness.

She is always at hand with her wisdom, by roadsides and street corners; lurking in belfries, the cannon's mouth, and the wake of the earthquake; gathering up and fondling their puny din in her ample bosom.

She is always ready with her wisdom, by the roadside and on street corners; hiding in bell towers, the cannon's mouth, and the aftermath of the earthquake; collecting and cherishing their tiny noise in her large embrace.

Those divine sounds which are uttered to our inward ear—which are breathed in with the zephyr or reflected from the lake—come to us noiselessly, bathing the temples of the soul, as we stand motionless amid the rocks.

Those heavenly sounds that reach our inner ear—carried in by the gentle breeze or echoed back from the lake—come to us silently, enveloping the temples of our soul as we stand still among the rocks.

The halloo is the creature of walls and mason work; the whisper is fittest in the depths of the wood, or by the shore of the lake; but silence is best adapted to the acoustics of space.

The shout belongs to places with walls and construction; the whisper is best suited for the depths of the forest or by the edge of the lake; but silence works best in open spaces.

All sounds are her servants and purveyors, proclaiming not only that their mistress is, but is a rare mistress, and earnestly to be sought after. Behind the most distinct and significant hovers always a more significant silence which floats it. The thunder is only our signal gun, that we may know what communion awaits us. Not its dull sound, but the infinite expansion of our being which ensues, we praise and unanimously name sublime. 66

All sounds serve her and announce not just her existence, but that she’s a rare treasure worth pursuing. Behind every clear and important sound, there’s always a deeper silence that supports it. The thunder is just our signal, letting us know what connection is coming our way. It’s not the loud noise itself that we celebrate, but the endless expansion of our being that follows, which we all agree is sublime. 66

All sound is nearly akin to Silence; it is a bubble on her surface which straightway bursts, an emblem of the strength and prolificness of the undercurrent. It is a faint utterance of Silence, and then only agreeable to our auditory nerves when it contrasts itself with the former. In proportion as it does this, and is a heightener and intensifier of the Silence, it is harmony and purest melody.

All sound is almost like Silence; it's a bubble on her surface that quickly bursts, a sign of the strength and richness of the undercurrent. It’s a faint expression of Silence, and it only sounds pleasant to our ears when it contrasts with what came before. The more it does this and enhances the Silence, the more it becomes harmony and pure melody.

Every melodious sound is the ally of Silence,—a help and not a hindrance to abstraction.

Every melodious sound is a friend of Silence—a support, not an obstacle to focus.

Certain sounds more than others have found favor with the poets only as foils to silence.

Certain sounds, more than others, have been favored by poets mainly as contrasts to silence.

ANACREON'S ODE TO THE CICADA[45]

Anacreon's Ode to the Cicada __A_TAG_PLACEHOLDER_0__

We pronounce thee happy, cicada,

We declare you happy, cicada,

For on the tops of the trees,

For on top of the trees,

Sipping a little dew,

Sipping some dew,

Like any king thou singest,

Like any king, you sing,

For thine are they all,

For yours are they all,

Whatever thou seest in the fields,

Whatever you see in the fields,

And whatever the woods bear.

And whatever the forest provides.

Thou art the friend of the husbandmen,

You are the friend of the farmers,

In no respect injuring any one;

Not harming anyone;

And thou art honored among men,

And you are respected among people,

Sweet prophet of summer.

Summer's sweet prophet.

The Muses love thee,

The Muses adore you,

And Phœbus himself loves thee,

And Apollo himself loves you,

And has given thee a shrill song; 67

And has given you a high-pitched song; 67

Age does not wrack thee,

Age does not affect you,

Thou skillful, earth-born, song-loving,

You skillful, earth-born, music-loving,

Unsuffering, bloodless one;

Unsuffering, bloodless being;

Almost thou art like the gods.

Almost you are like the gods.

Silence is the universal refuge, the sequel of all dry discourses and all foolish acts, as balm to our every chagrin, as welcome after satiety as [after] disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure he may have made in the foreground, remains ever our inviolable asylum.

Silence is the universal escape, the result of all pointless talks and foolish actions, like a remedy for our every disappointment, as comforting after excess as it is after failure; that backdrop which a painter cannot smear, whether they are a master or a beginner, and which, no matter how clumsily they’ve painted the main subject, always remains our untouchable refuge.

With what equanimity does the silent consider how his world goes, settles the awards of virtue and justice, is slandered and buffeted never so much and views it all as a phenomenon. He is one with Truth, Goodness, Beauty. No indignity can assail him, no personality disturb him.

With what calmness does the silent person observe how his world functions, determines what is virtuous and just, faces slander and hardship, and sees it all as just a phenomenon. He is aligned with Truth, Goodness, and Beauty. No indignity can affect him, and no personality can unsettle him.

The orator puts off his individuality, and is then most eloquent when most silent. He listens while he speaks, and is a hearer along with his audience.

The speaker sets aside their individuality and is most eloquent when they are mostly quiet. They listen while they talk, experiencing the moment alongside their audience.

Who has not hearkened to her infinite din? She is Truth's speaking trumpet, which every man carries slung over his shoulder, and when he will may apply to his ear. She is the sole oracle, the true Delphi and Dodona, which kings and courtiers would do well to consult, nor will they be balked by an ambiguous answer. Through her have all revelations been made. Just as 68 far as men have consulted her oracle, they have obtained a clear insight, and their age been marked for an enlightened one. But as often as they have gone gadding abroad to a strange Delphi and her mad priestess, they have been benighted, and their age Dark or Leaden.—These are garrulous and noisy eras, which no longer yield any sound; but the Grecian, or silent and melodious, Era is ever sounding on the ears of men.

Who hasn’t listened to her endless noise? She is Truth's loudspeaker, which everyone carries slung over their shoulder and can apply to their ear whenever they want. She is the only oracle, the true Delphi and Dodona, which kings and courtiers should consult, and they won’t be disappointed by vague answers. Through her, all revelations have been made. As far as people have sought her guidance, they've gained clear understanding, and their era has been marked as enlightened. But each time they've wandered off to a foreign Delphi with its crazy priestess, they’ve been left in the dark, and their time has been one of darkness or heaviness. These are talkative and noisy times that no longer produce any meaningful sound; but the Grecian, or silent and harmonious, Era continues to resonate in the ears of humanity.

A good book is the plectrum with which our silent lyres are struck. In all epics, when, after breathless attention, we come to the significant words "He said," then especially our inmost man is addressed. We not unfrequently refer the interest which belongs to our own unwritten sequel to the written and comparatively lifeless page. Of all valuable books this same sequel makes an indispensable part. It is the author's aim to say once and emphatically, "He said." This is the most the bookmaker can attain to. If he make his volume a foil whereon the waves of silence may break, it is well. It is not so much the sighing of the blast as that pause, as Gray expresses it, "when the gust is recollecting itself," that thrills us, and is infinitely grander than the importunate howlings of the storm.

A good book is the pick that strikes our silent strings. In every epic, when we come to the important words "He said," we feel deeply touched. Often, we link the excitement of our own unwritten story to the written and relatively lifeless page. This unwritten sequel is an essential part of all valuable books. The author aims to state clearly and forcefully, "He said." This is the highest goal a writer can achieve. If he creates a work that allows the waves of silence to crash against it, that’s great. It’s not so much the noise of the wind but that moment, as Gray puts it, "when the gust is recollecting itself," that moves us, and it’s far more magnificent than the relentless howls of the storm.

At evening Silence sends many emissaries to me, some navigating the subsiding waves which the village murmur has agitated.

At night, Silence sends many messengers to me, some making their way through the calming waves stirred up by the village's whispers.

It were vain for me to interpret the Silence. She cannot be done into English. For six thousand years have 69 men translated her, with what fidelity belonged to each; still is she little better than a sealed book. A man may run on confidently for a time, thinking he has her under his thumb, and shall one day exhaust her, but he too must at last be silent, and men remark only how brave a beginning he made; for, when he at length dives into her, so vast is the disproportion of the told to the untold that the former will seem but the bubble on the surface where he disappeared.

It would be pointless for me to try to interpret the Silence. It can't be captured in English. For six thousand years, men have attempted to translate it, each with their own level of accuracy; still, it remains more of a sealed book. A person might feel confident for a while, thinking they have it all figured out and will one day fully understand it, but eventually, they too must be quiet, and all people will remember is how bravely they started; when they finally dive into it, the gap between what has been said and what remains unsaid is so enormous that the former will just seem like a bubble on the surface from which they disappeared.

Nevertheless will we go on, like those Chinese cliff swallows, feathering our nests with the froth, so they may one day be bread of life to such as dwell by the seashore.

Nevertheless, we will continue, like those Chinese cliff swallows, lining our nests with the foam, so they may one day be sustenance for those who live by the shore.

ANACREONTICS

ANACREONTIC POEMS

Dec. 23.

Dec 23.

RETURN OF SPRING[46]

RETURN OF SPRING __A_TAG_PLACEHOLDER_0__

Behold, how, spring appearing,

Look, spring is here,

The Graces send forth roses;

The Graces send out roses;

Behold, how the wave of the sea

Behold, how the wave of the sea

Is made smooth by the calm;

Is made smooth by the calm;

Behold, how the duck dives;

Check out how the duck dives;

Behold, how the crane travels;

Check out how the crane moves;

And Titan shines constantly bright.

And Titan shines brightly all the time.

The shadows of the clouds are moving;

The shadows of the clouds are shifting;

The works of man shine;

Human accomplishments shine;

The earth puts forth fruits;

The earth produces fruits;

The fruit of the olive puts forth.

The olive tree bears fruit.

The cup of Bacchus is crowned. 70

The cup of Bacchus is topped off. 70

Along the leaves, along the branches,

Along the leaves, along the branches,

The fruit, bending them down, flourishes.

The fruit, weighing them down, thrives.

CUPID WOUNDED[47]

CUPID IN PAIN __A_TAG_PLACEHOLDER_0__

Love once among roses

Love once among roses

A sleeping bee

A sleeping bee

Did not see, but was stung;

Didn’t see it, but got stung;

And, being wounded in the finger

And, getting a cut on my finger

Of his hand, cried for pain.

Of his hand, cried out in pain.

Running as well as flying

Running and flying

To the beautiful Venus,

To the stunning Venus,

I am killed, mother, said he,

"I'm dead, Mom," he said.

I am killed, and I die.

I am killed, and I die.

A little serpent has stung me,

A small snake has bitten me,

Winged, which they call

Winged, as they refer to

A bee,—the husbandmen.

A bee—farmers.

And she said, If the sting

And she said, If the sting

Of a bee afflicts you,

If a bee bothers you,

How, think you, are they afflicted,

How do you think they are suffering,

Love, whom you smite?

Love, who do you hurt?

[Dated only 1838.] Sometimes I hear the veery's silver clarion, or the brazen note of the impatient jay, or in secluded woods the chickadee doles out her scanty notes, which sing the praise of heroes, and set forth the loveliness of virtue evermore.—Phe-be.[48] 71

[Dated only 1838.] Sometimes I hear the veery's clear call, or the bold cry of the restless jay, or in quiet woods the chickadee shares her limited notes, singing the praises of heroes and highlighting the beauty of virtue forever.—Phe-be.[48] 71

III
1839
(ÆT. 21-22)

THE THAW[49]

THE THAW__A_TAG_PLACEHOLDER_0__

Jan. 11.

Jan. 11

I saw the civil sun drying earth's tears,

I saw the sun drying the earth's tears,

Her tears of joy, that only faster flowed.

Her tears of joy just flowed faster.

Fain would I stretch me by the highway-side,

Fain would I stretch out by the side of the road,

To thaw and trickle with the melting snow,

To melt and flow with the snow as it melts,

That, mingled soul and body with the tide,

That, combined soul and body with the tide,

I too may through the pores of nature flow.

I might also flow through the pores of nature.

But I, alas, nor trickle can nor fume,

But I, unfortunately, can neither cry nor complain,

One jot to forward the great work of Time,

One small step to advance the important work of Time,

'Tis mine to hearken while these ply the loom,

'Tis mine to listen while these work the loom,

So shall my silence with their music chime.

So my silence will harmonize with their music.

THE DREAM VALLEY

Dream Valley

Jan. 20. The prospect of our river valley from Tahatawan Cliff appeared to me again in my dreams.

Jan. 20. The view of our river valley from Tahatawan Cliff came to me again in my dreams.

Last night, as I lay gazing with shut eyes

Last night, as I lay there with my eyes closed,

Into the golden land of dreams,

Into the golden land of dreams,

I thought I gazed adown a quiet reach

I thought I looked down a calm stretch

Of land and water prospect,

Of land and water outlook,

Whose low beach 72

Whose quiet beach 72

Was peopled with the now subsiding hum

Was filled with the fading buzz

Of happy industry, whose work is done.

Of joyful work, whose tasks are complete.

And as I turned me on my pillow o'er,

And as I turned over on my pillow,

I heard the lapse of waves upon the shore,

I heard the waves crashing on the shore,

Distinct as it had been at broad noonday,

Distinct as it had been at midday,

And I were wandering at Rockaway.

And I was wandering at Rockaway.

LOVE

Love

We two that planets erst had been

We two who once were planets

Are now a double star,

Are now a binary star,

And in the heavens may be seen,

And in the sky, you can see,

Where that we fixèd are.

Where we are located.

Yet, whirled with subtle power along,

Yet, spun with subtle power along,

Into new space we enter,

Entering new space,

And evermore with spheral song

And always with cosmic song

Revolve about one centre.

Revolve around one center.

Feb. 3.

Feb. 3.

The deeds of king and meanest hedger

The actions of the king and the simplest farmer

Stand side by side in heaven's ledger.

Stand next to each other in heaven's record.


'Twill soon appear if we but look

'Twill soon appear if we just look

At evening into earth's day-book,

At night in the world’s diary,

Which way the great account doth stand

Which way the great account stands

Between the heavens and the land.

Between the sky and the ground.

THE EVENING WIND

THE NIGHT BREEZE

The eastern mail comes lumbering in,

The eastern mail comes rolling in,

With outmost waves of Europe's din; 73

With the loudest noise of Europe around; 73

The western sighs adown the slope,

The western breeze breathes down the hill,

Or 'mid the rustling leaves doth grope,

Or 'mid the rustling leaves does reach,

Laden with news from Californ',

Loaded with news from California,

Whate'er transpired hath since morn,

Whatever happened since morning,

How wags the world by brier and brake,

How does the world move through thorns and brambles,

From hence to Athabasca lake.[50]

From here to Athabasca Lake. __A_TAG_PLACEHOLDER_0__

POETIZING

Writing poetry

Feb. 8. When the poetic frenzy seizes us, we run and scratch with our pen, delighting, like the cock, in the dust we make, but do not detect where the jewel lies, which perhaps we have in the meantime cast to a distance, or quite covered up again.[51]

Feb. 8. When inspiration hits us, we rush to scribble with our pen, enjoying the chaos we create, like a rooster in the dust, but we often miss where the true treasure is, which we might have accidentally pushed away or completely buried again.[51]

Feb. 9. It takes a man to make a room silent.

Feb. 9. It takes a man to make a room quiet.

THE PEAL OF THE BELLS[52]

THE SOUND OF THE BELLS __A_TAG_PLACEHOLDER_0__

Feb. 10.

Feb 10.

When the world grows old by the chimney-side,

When the world gets old by the fireplace,

Then forth to the youngling rocks I glide,

Then I glide toward the young rocks,

Where over the water, and over the land,

Where above the water and across the land,

The bells are booming on either hand.

The bells are ringing loudly on both sides.

Now up they go ding, then down again dong,

Now up they go ding, then down again dong,

And awhile they swing to the same old song,

And for a while, they sway to the same familiar tune,

And the metal goes round at a single bound,

And the metal spins around in one swift motion,

A-lulling the fields with its measured sound,

A soothing the fields with its steady sound,

Till the tired tongue falls with a lengthened boom

Till the tired tongue drops with a long sound

As solemn and loud as the crack of doom. 74

As serious and loud as the sound of judgment day. 74

Then changed is their measure to tone upon tone,

Then their measure changed to tone upon tone,

And seldom it is that one sound comes alone,

And it rarely happens that a sound comes by itself,

For they ring out their peals in a mingled throng,

For they echo their sounds in a mixed crowd,

And the breezes waft the loud ding-dong along.

And the breezes carry the loud ding-dong along.

When the echo has reached me in this lone vale,

When the echo reaches me in this lonely valley,

I am straightway a hero in coat of mail,

I’m immediately a hero in shining armor,

I tug at my belt and I march on my post,

I adjust my belt and continue on my watch,

And feel myself more than a match for a host.

And I feel like I'm more than capable of handling a crowd.

I am on the alert for some wonderful Thing

I am on the lookout for something amazing.

Which somewhere 's a-taking place;

Which somewhere is taking place;

'Tis perchance the salute which our planet doth ring

'Tis perhaps the greeting that our planet sends

When it meeteth another in space.

When it meets another in space.

THE SHRIKE

The Shrike

Feb. 25.

Feb 25.

Hark! hark! from out the thickest fog

Hark! Hark! From out of the thickest fog

Warbles with might and main

Sings with all its strength

The fearless shrike, as all agog

The fearless shrike, full of excitement

To find in fog his gain.

To find his advantage in the fog.

His steady sails he never furls

His steady sails never come down.

At any time o' year,

Any time of year,

And, perched now on Winter's curls,

And now, resting on Winter's waves,

He whistles in his ear.[53]

He whistles in his ear. __A_TAG_PLACEHOLDER_0__

THE POET

THE POET

March 3. He must be something more than natural,—even supernatural. Nature will not speak through but along with him. His voice will not proceed from her 75 midst, but, breathing on her, will make her the expression of his thought. He then poetizes when he takes a fact out of nature into spirit. He speaks without reference to time or place. His thought is one world, hers another. He is another Nature,—Nature's brother. Kindly offices do they perform for one another. Each publishes the other's truth.

March 3. He must be something beyond natural—perhaps even supernatural. Nature won't just speak through him but alongside him. His voice won’t come from her center, but by influencing her, she becomes the expression of his thoughts. He creates poetry when he transforms a fact from nature into something spiritual. He communicates without being tied to time or place. His thoughts represent one world, while hers represent another. He is another version of Nature—Nature's sibling. They both support and enhance one another. Each reveals the truth of the other.

MORNING

Mornings

April 4. The atmosphere of morning gives a healthy hue to our prospects. Disease is a sluggard that overtakes, never encounters, us. We have the start each day, and may fairly distance him before the dew is off; but if we recline in the bowers of noon, he will come up with us after all. The morning dew breeds no cold. We enjoy a diurnal reprieve in the beginning of each day's creation. In the morning we do not believe in expediency; we will start afresh, and have no patching, no temporary fixtures. The afternoon man has an interest in the past; his eye is divided, and he sees indifferently well either way.

April 4. The morning vibe gives a fresh outlook on our future. Illness is a lazy thing that catches up to us, but never really confronts us. Each day, we have the chance to get ahead of it before the dew dries up; but if we lounge around in the midday heat, it will catch up to us eventually. The morning dew doesn’t bring any chill. We get a daily break at the start of each day’s renewal. In the morning, we don’t believe in shortcuts; we want to start fresh, with no quick fixes or temporary solutions. The afternoon person is tied to the past; their focus is split, and they see things with indifference either way.

DRIFTING

FLOATING

Drifting in a sultry day on the sluggish waters of the pond, I almost cease to live and begin to be. A boatman stretched on the deck of his craft and dallying with the noon would be as apt an emblem of eternity for me as the serpent with his tail in his mouth. I am never so prone to lose my identity. I am dissolved in the haze.

Drifting on a hot day on the slow waters of the pond, I almost stop living and start becoming. A boatman lounging on the deck of his boat and playing with the noon seems just as fitting a symbol of eternity to me as the serpent with its tail in its mouth. I’ve never been so likely to lose my identity. I’m melted into the haze.

DISAPPOINTMENT

DISAPPOINTMENT

April 7. Sunday. The tediousness and detail of execution never occur to the genius projecting; it always 76 antedates the completion of its work. It condescends to give time a few hours to do its bidding in.

April 7. Sunday. The boring details of execution never cross the mind of the creative genius; it always 76 exists before the work is finished. It allows time a few hours to carry out its orders.

RESOLVE

Resolve

Most have sufficient contempt for what is mean to resolve that they will abstain from it, and a few virtue enough to abide by their resolution, but not often does one attain to such lofty contempt as to require no resolution to be made.

Most people have enough disdain for what is petty to avoid it, and a few have enough virtue to stick to their resolutions, but rarely does someone reach such a high level of disdain that they don’t even need to make a resolution.

THE TEAMSTER

THE TRUCK DRIVER

April 8. There goes a six-horse team, and a man by its side. He has rolled out of his cradle into a Tom-and-Jerry, and goes about his business while Nature goes about hers, without standing agape at his condition. As though sixty years were not enough for these things! What have death, and the cholera, and the immortal destiny of man, to do with the shipping interests? There is an unexplained bravery in this. What with bare astonishment one would think that man had his hands full for so short a term. But this is no drawback on the lace-working and cap-making interests. Some attain to such a degree of sang-froid and nonchalance as to be weavers of toilet cushions and manufacturers of pinheads, without once flinching or the slightest affection of the nerves, for the period of a natural life.[54]

April 8. There goes a team of six horses with a man beside them. He’s rolled out of his cradle into a chaotic life and goes about his business while nature carries on without being shocked by his situation. As if sixty years weren’t enough for these matters! What do death, cholera, and the eternal fate of humanity have to do with shipping interests? There’s a strange kind of bravery in this. One might think that with sheer astonishment, humanity has its hands full for such a brief period. But this doesn’t interfere with the lace-making and cap-making industries. Some people become so calm and indifferent that they weave cushion covers and make pinheads without flinching or even the slightest sign of nerves throughout their natural lives.[54]

FAT PINE FOR SPEARING

Fat pine for spear fishing

April 9. Fat roots of pine lying in rich veins as of gold or silver, even in old pastures where you would least expect it, make you realize that you live in the 77 youth of the world, and you begin to know the wealth of the planet. Human nature is still in its prime, then. Bring axe, pickaxe, and shovel, and tap the earth here where there is most sap. The marrowy store gleams like some vigorous sinew, and you feel a new suppleness in your own limbs. These are the traits that conciliate man's moroseness, and make him civil to his fellows; every such pine root is a pledge of suavity. If he can discover absolute barrenness in any direction there will be some excuse for peevishness.

April 9. Thick roots of pine lying in rich veins like gold or silver, even in old pastures where you'd least expect it, make you realize that you live in the 77 youth of the world, and you start to understand the planet's wealth. Human nature is still in its prime, then. Bring an axe, pickaxe, and shovel, and dig into the earth here where there’s the most sap. The rich store shines like strong muscle, and you feel a new flexibility in your own limbs. These are the qualities that soften man's grumpiness and make him kinder to others; every pine root is a promise of smoothness. If he finds complete barrenness in any direction, there will be some reason for irritation.

SOCIETY

SOCIETY

April 14. There is a terra firma in society as well as in geography, some whose ports you may make by dead reckoning in all weather. All the rest are but floating and fabulous Atlantides which sometimes skirt the western horizon of our intercourse. They impose only on seasick mariners who have put into some Canary Island on the frontiers of society.

April 14. There is a solid ground in society just like there is in geography, some places you can navigate to reliably regardless of the weather. The rest are just mythical lands that occasionally appear on the western edge of our interactions. They only deceive those who feel lost and disoriented, like sailors who have docked at some Canary Island on the fringes of society.

CIRCUMSTANCES

SITUATION

April 24. Why should we concern ourselves with what has happened to us, and the unaccountable fickleness of events, and not rather [with] how we have happened to the universe, and it has demeaned itself in consequence? Let us record in each case the judgment we have awarded to circumstances.

April 24. Why should we worry about what’s happened to us and the unpredictable ups and downs of life, rather than focus on how we've impacted the universe and how it has reacted in return? Let's keep track of the decisions we've made based on our circumstances.

ACQUAINTANCE

Familiarity

Cheap persons will stand upon ceremony, because there is no other ground; but to the great of the 78 earth we need no introduction, nor do they need any to us.

Cheap people will insist on formality because they have no other basis; however, for the important people of the 78 world, we don’t need an introduction, nor do they need one from us.

THE KINGDOMS OF THE EARTH

THE WORLD'S KINGDOMS

April 25. If we see the reality in things, of what moment is the superficial and apparent? Take the earth and all the interests it has known,—what are they beside one deep surmise that pierces and scatters them? The independent beggar disposes of all with one hearty, significant curse by the roadside. 'Tis true they are not worth a "tinker's damn."

April 25. If we really look at the reality of things, what do the surface appearances matter? Consider the earth and all the interests it has experienced—what do they mean next to one profound insight that cuts through and disburses them? The self-reliant beggar dismisses everything with one powerful, meaningful curse by the roadside. It’s true they aren’t worth a "tinker's damn."

PICTURE

IMAGE

April 30. Of some illuminated pictures which I saw last evening, one representing the plain of Babylon, with only a heap of brick-dust in the centre, and an uninterrupted horizon bounding the desert, struck me most. I would see painted a boundless expanse of desert, prairie, or sea, without other object than the horizon. The heavens and the earth,—the first and last painting,—where is the artist who shall undertake it?

April 30. Among the illuminated pictures I saw last night, one depicting the plain of Babylon, with just a pile of brick dust in the center and a clear horizon surrounding the desert, caught my attention the most. I long to see a vast scene of desert, prairie, or sea, with nothing but the horizon as the focus. The sky and the earth—the first and last artworks—where is the artist who will take on this task?

May 11. The farmer keeps pace with his crops and the revolutions of the seasons, but the merchant with the fluctuations of trade. Observe how differently they walk in the streets.

May 11. The farmer moves in sync with his crops and the changing seasons, while the merchant keeps up with the ups and downs of trade. Notice how differently they walk in the streets.

VICE AND VIRTUE

Vice and Virtue

May 16. Virtue is the very heart and lungs of vice: it cannot stand up but it lean on virtue.

May 16. Virtue is the core of vice; it can't stand on its own but relies on virtue.

Who has not admired the twelve labors? And yet nobody thinks if Hercules had sufficient motive for 79 racking his bones to that degree. Men are not so much virtuous as patrons of virtue, and every one knows that it is easier to deal with the real possessor of a thing than the temporary guardian of it.

Who hasn't admired the twelve labors? Yet no one considers whether Hercules had enough motivation for pushing himself to such extremes. People are not so much virtuous as supporters of virtue, and everyone knows that it's easier to deal with the true owner of something than with its temporary custodian.

THE FORM OF STRENGTH

THE POWER OF STRENGTH

May 17. We say justly that the weak person is flat; for, like all flat substances, he does not stand in the direction of his strength, that is on his edge, but affords a convenient surface to put upon. He slides all the way through life. Most things are strong in one direction,—a straw longitudinally, a board in the direction of its edge, a knee transversely to its grain,—but the brave man is a perfect sphere, which cannot fall on its flat side, and is equally strong every way. The coward is wretchedly spheroidal at best, too much educated or drawn out on one side commonly and depressed on the other; or he may be likened to a hollow sphere, whose disposition of matter is best when the greatest bulk is intended.[55]

May 17. We can rightly say that a weak person is flat; like all flat objects, they don’t stand strong on their edge, but rather provide a convenient surface to lean on. They slide through life. Most things are strong in one direction—a straw when held lengthwise, a board on its edge, a knee across its grain—but a brave person is a perfect sphere, which can’t fall on its flat side and is strong in all directions. The coward is usually just a sad excuse for a sphere, either over-educated or too stretched out on one side and lacking on the other; or they might be compared to a hollow sphere, which is best when it has the greatest volume in mind.[55]

SELF-CULTURE

Personal development

May 21. Who knows how incessant a surveillance a strong man may maintain over himself,—how far subject passion and appetite to reason, and lead the life his imagination paints? Well has the poet said,—

May 21. Who knows how constant a watch a strong person can keep over themselves—how much they can control their emotions and desires with logic, and live the life their imagination creates? The poet has said it well—

"By manly mind

"By a strong mind"

Not e'en in sleep is will resigned."

Not even in sleep is will surrendered.

By a strong effort may he not command even his brute body in unconscious moments? 80

By making a strong effort, can he not even control his own body in moments of unconsciousness? 80

MY ATTIC

MY ATTIC

June 4. I sit here this fourth of June, looking out on men and nature from this that I call my perspective window, through which all things are seen in their true relations. This is my upper empire, bounded by four walls, viz., three of boards yellow-washed, facing the north, west, and south, respectively, and the fourth of plaster, likewise yellow-washed, fronting the sunrise,—to say nothing of the purlieus and outlying provinces, unexplored as yet but by rats.

June 4. Here I am on this fourth of June, looking out at people and nature from what I call my perspective window, through which everything is seen in its true relationships. This is my little kingdom, surrounded by four walls: three made of yellow-painted boards facing north, west, and south, and the fourth a yellow-painted plaster wall facing the sunrise—not to mention the nearby areas and outlying spots, untouched so far except by rats.

The words of some men are thrown forcibly against you and adhere like burs.

The words of some men are forcefully thrown at you and stick like burrs.

RENCOUNTER

Reunion

June 22. Saturday. I have within the last few days come into contact with a pure, uncompromising spirit, that is somewhere wandering in the atmosphere, but settles not positively anywhere. Some persons carry about them the air and conviction of virtue, though they themselves are unconscious of it, and are even backward to appreciate it in others. Such it is impossible not to love; still is their loveliness, as it were, independent of them, so that you seem not to lose it when they are absent, for when they are near it is like an invisible presence which attends you.

June 22. Saturday. In the last few days, I've encountered a pure, unwavering spirit that seems to drift around, but never really settles anywhere. Some people have an aura and a conviction of goodness about them, even if they're unaware of it and hesitant to see it in others. It's impossible not to love them; their charm seems to exist independently of them, so you don't feel like you lose it when they're gone. When they're near, it feels like an invisible presence is with you.

That virtue we appreciate is as much ours as another's. We see so much only as we possess.

That virtue we admire is as much ours as it is someone else's. We only see as much as we own.

SYMPATHY[56]

SYMPATHY __A_TAG_PLACEHOLDER_0__

June 24.

June 24.

Lately, alas, I knew a gentle boy,

Lately, unfortunately, I met a kind boy,

Whose features all were cast in Virtue's mould, 81

Whose features were all shaped by the ideals of virtue, 81

As one she had designed for Beauty's toy,

As one she had created for Beauty's plaything,

But after manned him for her own stronghold.

But after she equipped him for her own stronghold.

On every side he open was as day,

On every side, he was as open as the day.

That you might see no lack of strength within,

That you might see all the strength within,

For walls and ports do only serve alway

For walls and gates always serve only

For a pretense to feebleness and sin.

For an excuse for weakness and wrongdoing.

Say not that Cæsar was victorious,

Say not that Caesar was victorious,

With toil and strife who stormed the House of Fame;

With hard work and struggle who attacked the House of Fame;

In other sense this youth was glorious,

In another way, this young person was amazing,

Himself a kingdom wheresoe'er he came.

Himself a kingdom wherever he went.

No strength went out to get him victory,

No power was used to bring him victory,

When all was income of its own accord;

When everything was just coming in on its own;

For where he went none other was to see,

For where he went, no one else was able to see,

But all were parcel of their noble lord.

But all were part of their noble lord.

He forayed like the subtle haze of summer,

He moved like the soft haze of summer,

That stilly shows fresh landscapes to our eyes,

That still shows fresh landscapes to our eyes,

And revolutions works without a murmur,

And revolutions happen quietly,

Or rustling of a leaf beneath the skies.

Or the rustling of a leaf under the sky.

So was I taken unawares by this,

So I was caught off guard by this,

I quite forgot my homage to confess;

I completely forgot to pay my respects;

Yet now am forced to know, though hard it is,

Yet now I have to know, even though it's tough,

I might have loved him, had I loved him less.

I could have loved him if I had loved him less.

Each moment, as we nearer drew to each,

Each moment, as we got closer to each other,

A stern respect withheld us farther yet,

A strict respect held us back even more,

So that we seemed beyond each other's reach,

So it felt like we were out of each other's reach,

And less acquainted than when first we met. 82

And less familiar than when we first met. 82

We two were one while we did sympathize,

We were one when we felt the same way,

So could we not the simplest bargain drive;

So couldn't we strike the simplest deal?

And what avails it now that we are wise,

And what good is it now that we are wise,

If absence doth this doubleness contrive?

If absence creates this double meaning?

Eternity may not the chance repeat,

Eternity might not get a second chance,

But I must tread my single way alone,

But I have to walk my own path alone,

In sad remembrance that we once did meet,

In sad memory of our past meeting,

And know that bliss irrevocably gone.

And know that happiness is permanently lost.

The spheres henceforth my elegy shall sing,

The spheres will now be the focus of my elegy,

For elegy has other subject none;

For an elegy has no other subject;

Each strain of music in my ears shall ring

Each type of music in my ears will play

Knell of departure from that other one.

Knell of departure from that other one.

Make haste and celebrate my tragedy;

Make sure to hurry up and celebrate my misfortune;

With fitting strain resound, ye woods and fields;

With appropriate intensity echo, you woods and fields;

Sorrow is dearer in such case to me

Sorrow means more to me in this situation.

Than all the joys other occasion yields.

Than all the joys that other occasions bring.

Is't then too late the damage to repair?

Is it then too late to fix the damage?

Distance, forsooth, from my weak grasp hath reft

Distance, indeed, has taken away from my weak grasp

The empty husk, and clutched the useless tare,

The empty shell, and held the worthless scrap,

But in my hands the wheat and kernel left.

But in my hands, only the wheat and kernel remained.

If I but love that virtue which he is,

If I just love the virtue that he is,

Though it be scented in the morning air,

Though it smells fresh in the morning air,

Still shall we be truest acquaintances,

Still, we will be the closest of friends,

Nor mortals know a sympathy more rare.

Nor do mortals know a sympathy more rare.

THE "BOOK OF GEMS"

THE "BOOK OF GEMS"

July 4.

July 4th.

With cunning plates the polished leaves were decked,

With clever designs, the shiny leaves were decorated,

Each one a window to the poet's world, 83

Each one a glimpse into the poet's world, 83

So rich a prospect that you might suspect

So rich a view that you might think

In that small space all paradise unfurled.

In that small space, all of paradise opened up.

It was a right delightful road to go,

It was a really pleasant road to travel.

Marching through pastures of such fair herbage,

Marching through fields of such lush grass,

O'er hill and dale it led, and to and fro,

O'er hill and dale it led, and to and fro,

From bard to bard, making an easy stage;

From one bard to another, creating a simple stage;

Where ever and anon I slaked my thirst

Wherever and whenever I quenched my thirst

Like a tired traveller at some poet's well,

Like a weary traveler at a poet's well,

Which from the teeming ground did bubbling burst,

Which from the crowded earth did bubble up,

And tinkling thence adown the page it fell.

And it tinkled down the page from there.

Still through the leaves its music you might hear,

Still through the leaves, you might hear its music,

Till other springs fell faintly on the ear.

Till other springs softly sounded in the background.

ANNURSNACK

ANNURSNACK

July 11. At length we leave the river and take to the road which leads to the hilltop, if by any means we may spy out what manner of earth we inhabit. East, west, north, and south, it is farm and parish, this world of ours. One may see how at convenient, eternal intervals men have settled themselves, without thought for the universe. How little matters it all they have built and delved there in the valley! It is after all but a feature in the landscape. Still the vast impulse of nature breathes over all. The eternal winds sweep across the interval to-day, bringing mist and haze to shut out their works. Still the crow caws from Nawshawtuct to Annursnack, as no feeble tradesman nor smith may do. And in all swamps the hum of mosquitoes drowns this modern hum of industry. 84

July 11. Finally, we leave the river and take the road that leads to the hilltop, hoping to see what kind of world we live in. East, west, north, and south, it’s all farms and neighborhoods in our little universe. You can see how, at consistent and unchanging moments, people have settled down, without regard for the bigger picture. All the things they’ve built and dug up in the valley really don’t mean much at all! They’re just a part of the scenery. Yet, the immense force of nature is felt everywhere. The eternal winds blow across the space today, bringing fog and haze to cover up their work. Still, the crow caws from Nawshawtuct to Annursnack, a sound that no weak merchant or blacksmith can replicate. And in all the wetlands, the buzz of mosquitoes drowns out this modern sound of industry. 84

View from Annursnack Hill

View from Annursnack Hill

EVERY MAN IS A ROMAN FORUM

EVERY MAN IS A ROMAN FORUM

All things are up and down, east and west, to me. In me is the forum out of which go the Appian and Sacred ways, and a thousand beside, to the ends of the world. If I forget my centralness, and say a bean winds with or against the sun, and not right or left, it will not be true south of the equator.

All things are up and down, east and west, to me. Inside me is the hub from which the Appian and Sacred paths, along with a thousand others, stretch out to the ends of the earth. If I lose sight of my center and claim that a bean grows with or against the sun, rather than right or left, it won’t be truly south of the equator.

THE ASSABET

THE ASSABET

July 18.

July 18th.

Up this pleasant stream let's row

Up this nice stream, let’s row.

For the livelong summer's day,

For the whole summer day,

Sprinkling foam where'er we go

Sprinkling foam wherever we go

In wreaths as white as driven snow.

In wreaths as white as freshly fallen snow.

Ply the oars! away! away![57]

Row the boat! away! away! __A_TAG_PLACEHOLDER_0__

Now we glide along the shore,

Now we smoothly move along the shore,

Chucking lilies as we go,

Throwing lilies as we go,

While the yellow-sanded floor

While the sandy yellow floor

Doggedly resists the oar,

Stubbornly resists the oar,

Like some turtle dull and slow.

Like a turtle, dull and slow.

Now we stem the middle tide,

Now we hold back the rising tide,

Plowing through the deepest soil;

Tilling the deepest soil;

Ridges pile on either side,

Ridges stack on either side,

While we through the furrow glide,

While we glide through the furrow,

Reaping bubbles for our toil.

Harvesting rewards for our efforts.

Dew before and drought behind,

Dew before and drought after,

Onward all doth seem to fly;

Onward it all seems to fly;

Naught contents the eager mind,

Nothing satisfies the eager mind,

Only rapids now are kind,

Only the rapids are kind now,

Forward are the earth and sky. 85

Forward are the earth and sky. 85

Sudden music strikes the ear,

Sudden music hits the ear,

Leaking out from yonder bank,

Leaking out from that bank,

Fit such voyagers to cheer.

Make those travelers feel uplifted.

Sure there must be Naiads here,

Surely there must be naiads here,

Who have kindly played this prank.

Who have kindly played this prank.

There I know the cunning pack

There I know the clever group

Where yon self-sufficient rill

Where that self-sufficient stream

All its telltale hath kept back,

All its signs have been hidden,

Through the meadows held its clack,

It echoed through the meadows.

And now bubbleth its fill.

And now bubbles to its fill.

Silent flows the parent stream,

The parent stream flows silently,

And if rocks do lie below

And if there are rocks lying below

Smothers with her waves the din,

Smothers the noise with her waves,

As it were a youthful sin,

As if it were a youthful mistake,

Just as still and just as slow.

Just as calm and just as unhurried.

But this gleeful little rill,

But this cheerful little stream,

Purling round its storied pebble,

Purling around its storied pebble,

Tinkles to the selfsame tune

Tinkles to the same tune

From December until June,

From December to June,

Nor doth any drought enfeeble.

Nor does any drought weaken.

See the sun behind the willows,

See the sun behind the willows,

Rising through the golden haze,

Rising through the golden fog,

How he gleams along the billows,

How he shines along the waves,

Their white crests the easy pillows

Their white crests are the soft pillows.

Of his dew-besprinkled rays.

Of his dew-sprinkled rays.

Forward press we to the dawning,

Forward press we to the dawning,

For Aurora leads the way, 86

For Aurora shows the way, 86

Sultry noon and twilight scorning;

Hot noon and twilight sneering;

In each dewdrop of the morning

In every dewdrop of the morning

Lies the promise of a day.

Lies the promise of a day.

Rivers from the sun do flow,

Rivers flow from the sun,

Springing with the dewy morn;

Springing with the fresh morning;

Voyageurs 'gainst time do row,

Travelers row against time,

Idle noon nor sunset know,

Idle noon or sunset know,

Ever even with the dawn.[58]

Always with the dawn.__A_TAG_PLACEHOLDER_0__

Since that first "Away! away!"

Since that first "Go away! go away!"

Many a lengthy league we've rowed,

We've rowed many long leagues,

Still the sparrow on the spray

Still the sparrow on the spray

Hastes to usher in the day

Eager to greet the day

With her simple stanza'd ode.[59]

With her simple stanza poem.__A_TAG_PLACEHOLDER_0__

THE BREEZE'S INVITATION

THE BREEZE'S INVITATION

July 20.

July 20.

Come let's roam the breezy pastures,

Come, let's wander through the breezy fields,

Where the freest zephyrs blow,

Where the freest breezes blow,

Batten on the oak tree's rustle,

Batten on the rustle of the oak tree,

And the pleasant insect bustle,

And the cheerful insect activity,

Dripping with the streamlet's flow.

Dripping with the stream's flow.

What if I no wings do wear,

What if I don't have wings to wear,

Thro' this solid-seeming air

Through this solid-seeming air

I can skim like any swallow;

I can skim like any swallow;

Whoso dareth let her follow,

Whoever dares, let her follow,

And we'll be a jovial pair.

And we'll be a cheerful couple.

Like two careless swifts let's sail,

Like two carefree swifts, let’s fly,

Zephyrus shall think for me; 87

Zephyrus will think for me; 87

Over hill and over dale,

Over mountains and through valleys,

Riding on the easy gale,

Sailing on the gentle breeze,

We will scan the earth and sea.

We will scan the land and ocean.

Yonder see that willow tree

Check out that willow tree.

Winnowing the buxom air;

Winnowing the curvy air;

You a gnat and I a bee,

You a gnat and I a bee,

With our merry minstrelsy

With our joyful music

We will make a concert there.

We will put on a concert there.

One green leaf shall be our screen,

One green leaf will be our cover,

Till the sun doth go to bed,

Till the sun goes to sleep,

I the king and you the queen

I’m the king and you’re the queen.

Of that peaceful little green,

Of that calm little green,

Without any subject's aid.

Without any subject's help.

To our music Time will linger,

To our music, time will hang around,

And earth open wide her ear,

And the earth opened wide her ears,

Nor shall any need to tarry

Nor shall anyone need to wait.

To immortal verse to marry

To eternal verse to marry

Such sweet music as he'll hear.

Such sweet music as he'll hear.

July 24.

July 24th.

Nature doth have her dawn each day,

Nature has her dawn each day,

But mine are far between;

But mine are rare;

Content, I cry, for, sooth to say,

Content, I cry, for, to be honest,

Mine brightest are, I ween.

My brightest are, I guess.

For when my sun doth deign to rise,

For when my sun decides to rise,

Though it be her noontide,

Though it’s her noontide,

Her fairest field in shadow lies,

Her most beautiful field is in the shadow,

Nor can my light abide. 88

Nor can my light stay. 88

Sometimes I bask me in her day,

Sometimes I indulge in her day,

Conversing with my mate;

Chatting with my friend;

But if we interchange one ray,

But if we swap one ray,

Forthwith her heats abate.

Immediately her passions cool.

Through his discourse I climb and see,

Through his talk, I rise and see,

As from some eastern hill,

From an eastern hill,

A brighter morrow rise to me

A brighter tomorrow rise to me

Than lieth in her skill.

Than lies in her skill.

As't were two summer days in one,

As if there were two summer days in one,

Two Sundays come together,

Two Sundays meet,

Our rays united make one sun,

Our rays combined create one sun,

With fairest summer weather.[60]

With the best summer weather.__A_TAG_PLACEHOLDER_0__

July 25. There is no remedy for love but to love more.

July 25. The only cure for love is to love even more.

Aug. 31. Made seven miles, and moored our boat on the west side of a little rising ground which in the spring forms an island in the river, the sun going down on one hand, and our eminence contributing its shadow to the night on the other.[61] In the twilight so elastic is the air that the sky seems to tinkle [sic] over farmhouse and wood. Scrambling up the bank of our terra incognita we fall on huckleberries, which have slowly ripened here, husbanding the juices which the months have distilled, for our peculiar use this night.[62] If they had been rank poison, the entire simplicity and confidence with which we plucked them would have 89 insured their wholesomeness. The devout attitude of the hour asked a blessing on that repast. It was fit for the setting sun to rest on.

Aug. 31. We traveled seven miles and anchored our boat on the west side of a small rise that becomes an island in the river during the spring, with the sun setting on one side and our elevated spot casting its shadow into the night on the other.[61] In the twilight, the air feels so light that the sky seems to shimmer [sic] above the farmhouse and woods. Climbing up the bank of our terra incognita, we found huckleberries, which have gradually ripened here, preserving the juices that the months have gathered, just for us tonight.[62] If they had been deadly poison, the utter simplicity and confidence with which we picked them would have 89 guaranteed their safety. The sacred vibe of the hour called for a blessing on that meal. It was perfect for the setting sun to rest upon.

From our tent here on the hillside, through that isosceles door, I see our lonely mast on the shore, it may be as an eternity fixture, to be seen in landscapes henceforth, or as the most temporary standstill of time, the boat just come to anchor, and the mast still rocking to find its balance.[63]

From our tent on this hillside, through that triangular door, I see our lonely mast on the shore. It might be an eternal fixture, visible in the landscapes from now on, or just a brief pause in time, with the boat recently anchored and the mast swaying to find its balance.[63]

No human life is in night,—the woods, the boat, the shore,—yet is it lifelike.[64] The warm pulse of a young life beats steadily underneath all. This slight wind is where one artery approaches the surface and is skin deep.

No human life is in the night—the woods, the boat, the shore—yet it feels alive. The warm pulse of youth beats steadily beneath it all. This gentle breeze is where one artery comes close to the surface, just beneath the skin.

While I write here, I hear the foxes trotting about me over the dead leaves, and now gently over the grass, as if not to disturb the dew which is falling. Why should we not cultivate neighborly relations with the foxes? As if to improve upon our seeming advances, comes one to greet us nosewise under our tent-curtain. Nor do we rudely repulse him. Is man powder and the fox flint and steel? Has not the time come when men and foxes shall lie down together?

While I write here, I hear the foxes moving around me over the dead leaves, and now softly across the grass, as if trying not to disturb the falling dew. Why shouldn't we build friendly relations with the foxes? Just to show our goodwill, one comes to greet us nose-first under the tent curtain. We don’t push him away rudely. Is man just gunpowder and the fox just flint and steel? Hasn’t the time come for men and foxes to coexist peacefully?

Hist! there, the musquash by the boat is taking toll of potatoes and melons. Is not this the age of a community of goods? His presumption kindles in me 90 a brotherly feeling. Nevertheless. I get up to reconnoitre, and tread stealthily along the shore to make acquaintance with him. But on the riverside I can see only the stars reflected in the water, and now, by some ripple ruffling the disk of a star, I discover him.

Hist! there, the muskrat by the boat is snatching some potatoes and melons. Isn't this the age of shared resources? His boldness sparks in me a sense of camaraderie. Nevertheless, I get up to scout around and quietly walk along the shore to introduce myself. But by the riverbank, I can only see the stars reflecting in the water, and now, as a ripple disturbs the surface of a star, I spot him.

In the silence of the night the sound of a distant alarm bell is borne to these woods. Even now men have fires and extinguish them, and, with distant horizon blazings and barking of dogs, enact the manifold drama of life.[65]

In the stillness of the night, the sound of a distant alarm bell carries through these woods. Even now, people have fires and put them out, and with the distant horizon glowing and dogs barking, they play out the many scenes of life.[65]

We begin to have an interest in sun, moon, and stars. What time riseth Orion? Which side the pole gropeth the bear? East, West, North, and South,—where are they? What clock shall tell the hours for us?—Billerica, midnight.

We start to become interested in the sun, moon, and stars. What time does Orion rise? Which way is the North Star? East, West, North, and South—where are they? What clock will tell us the time?—Billerica, midnight.

Sept. 1. Sunday. Under an oak on the bank of the canal in Chelmsford.

Sept. 1. Sunday. Beneath an oak tree by the canal in Chelmsford.

From Ball's Hill to Billerica meeting-house the river is a noble stream of water, flowing between gentle hills and occasional cliffs, and well wooded all the way. It can hardly be said to flow at all, but rests in the lap of the hills like a quiet lake. The boatmen call it a dead stream. For many long reaches you can see nothing to indicate that men inhabit its banks.[66] Nature seems to hold a sabbath herself to-day,—a still warm sun on river and wood, and not breeze enough to ruffle the water. Cattle stand up to their bellies in the river, and you think Rembrandt should be here. 91

From Ball's Hill to the Billerica meeting-house, the river is a beautiful stream, flowing between gentle hills and occasional cliffs, and is well-wooded all along the way. It barely seems to flow at all; instead, it rests in the embrace of the hills like a calm lake. The boatmen refer to it as a dead stream. For many long stretches, there’s nothing to suggest that people live along its banks.[66] Nature appears to be taking a day off today—a warm sun shining on the river and the woods, with barely a breeze to disturb the water. Cattle wade in up to their bellies, making you think Rembrandt should be here. 91

Camped under some oaks in Tyngsboro, on the east bank of the Merrimack, just below the ferry.[67]

Camped under some oak trees in Tyngsboro, on the east bank of the Merrimack, just below the ferry.[67]

Sept. 2. Camped in Merrimack, on the west bank, by a deep ravine.[68]

Sept. 2. Set up camp in Merrimack, on the west side, next to a deep ravine.[68]

Sept. 3. In Bedford, on the west bank, opposite a large rock, above Coos Falls.[69]

Sept. 3. In Bedford, on the west bank, across from a large rock, above Coos Falls.[69]

Sept. 4. Wednesday. Hooksett, east bank, two or three miles below the village, opposite Mr. Mitchel's.[70]

Sept. 4. Wednesday. Hooksett, east bank, two or three miles below the village, across from Mr. Mitchel's.[70]

Sept. 5. Walked to Concord [N. H.], 10 miles.[71]

Sept. 5. Walked to Concord, NH, 10 miles.[71]

Sept. 6. By stage to Plymouth, 40 miles, and on foot to Tilton's inn, Thornton. The scenery commences on Sanbornton Square, whence the White Mountains are first visible. In Campton it is decidedly mountainous.

Sept. 6. Took a stagecoach to Plymouth, 40 miles, and then walked to Tilton's inn, Thornton. The scenery starts at Sanbornton Square, where the White Mountains first come into view. In Campton, it definitely feels mountainous.

Sept. 7. Walked from Thornton through Peeling[72] and Lincoln to Franconia. In Lincoln visited Stone Flume and Basin, and in Franconia the Notch, and saw the Old Man of the Mountain.

Sept. 7. Walked from Thornton through Peeling[72] and Lincoln to Franconia. In Lincoln, I visited Stone Flume and Basin, and in Franconia, I saw the Notch and the Old Man of the Mountain.

Sept. 8. Walked from Franconia to Thomas J. Crawford's.

Sept. 8. Walked from Franconia to Thomas J. Crawford's.

Sept. 9. At Crawford's.

Sept. 9. At Crawford's.

Sept. 10. Ascended the mountain and rode to Conway.

Sept. 10. Climbed the mountain and traveled to Conway.

Sept. 11. Rode to Concord.

Sept. 11. Drove to Concord.

Sept. 12. Rode to Hooksett and rowed to Bedford, N. H., or rather to the northern part of Merrimack, near the ferry, by a large island, near which we camped.[73] 92

Sept. 12. Ridden to Hooksett and paddled to Bedford, N.H., or more specifically to the northern area of Merrimack, close to the ferry, by a big island, where we set up camp.[73] 92

Sept 13. Rowed and sailed to Concord, about 50 miles.[74]

Sept 13. Rowed and sailed to Concord, about 50 miles.[74]

THE WISE REST

THE SMART REST

Sept 17. Nature never makes haste; her systems revolve at an even pace. The bud swells imperceptibly, without hurry or confusion, as though the short spring days were an eternity.[75] All her operations seem separately, for the time, the single object for which all things tarry. Why, then, should man hasten as if anything less than eternity were allotted for the least deed? Let him consume never so many æons, so that he go about the meanest task well, though it be but the paring of his nails.[76] If the setting sun seems to hurry him to improve the day while it lasts, the chant of the crickets fails not to reassure him, even-measured as of old, teaching him to take his own time henceforth forever. The wise man is restful, never restless or impatient. He each moment abides there where he is, as some walkers actually rest the whole body at each step, while others never relax the muscles of the leg till the accumulated fatigue obliges them to stop short.

Sept 17. Nature never rushes; her systems work at a steady pace. The bud grows slowly and steadily, without any hurry or confusion, as if the brief spring days lasted forever.[75] All her actions seem to focus on a single purpose for the time being, as if everything is paused for that. So, why should humans hurry as if anything less than eternity is available for even the smallest task? Let them take as many ages as they need to do even the simplest job well, like trimming their nails.[76] If the setting sun seems to urge them to make the most of the day while it lasts, the comforting sound of crickets reminds them to take their time, just like before, teaching them to proceed at their own pace from now on. The wise person is calm, never restless or impatient. They fully exist in each moment, like those who actually rest their entire body with each step, while others never relax their leg muscles until fatigue forces them to stop.

As the wise is not anxious that time wait for him, neither does he wait for it.

As the wise person isn’t worried about time waiting for them, they don’t wait for it either.

Oct 22. Nature will bear the closest inspection. She invites us to lay our eye level with her smallest leaf, and take an insect view of its plain.[77] 93

Oct 22. Nature can withstand the closest examination. She invites us to bring our gaze down to her tiniest leaf and see it from an insect's perspective.[77] 93

ÆSCHYLUS

Aeschylus

Nov. 5. There was one man lived his own healthy Attic life in those days. The words that have come down to us evidence that their speaker was a seer in his day and generation. At this day they owe nothing to their dramatic form, nothing to stage machinery, and the fact that they were spoken under these or those circumstances. All display of art for the gratification of a factitious taste is silently passed by to come at the least particle of absolute and genuine thought they contain. The reader will be disappointed, however, who looks for traits of a rare wisdom or eloquence, and will have to solace himself, for the most part, with the poet's humanity and what it was in him to say. He will discover that, like every genius, he was a solitary liver and worker in his day.

Nov. 5. There was a man living his own healthy Attic life back then. The words that have been passed down to us show that their speaker was a visionary for his time. Today, they don’t rely on their dramatic form, stage effects, or the context in which they were delivered. Any display of art for the sake of pleasing a false taste is quietly ignored to get to the smallest piece of genuine thought they hold. However, readers will be disappointed if they seek traits of exceptional wisdom or eloquence; they will mostly have to find comfort in the poet's humanity and what he was able to express. They will realize that, like every genius, he lived and worked in solitude during his time.

We are accustomed to say that the common sense of this age belonged to the seer of the last,—as if time gave him any vantage ground. But not so: I see not but Genius must ever take an equal start, and all the generations of men are virtually at a standstill for it to come and consider of them. Common sense is not so familiar with any truth but Genius will represent it in a strange light to it. Let the seer bring down his broad eye to the most stale and trivial fact, and he will make you believe it a new planet in the sky.

We often say that the common sense of this age belonged to the visionary of the last one—as if time gave him any advantage. But that's not the case: I believe Genius always starts from the same point, and all generations of people essentially wait for it to come and reflect on them. Common sense isn't so familiar with any truth that Genius won't present it in a fresh way. Let the visionary examine the most mundane and trivial fact, and they will make you see it as a new planet in the sky.

As to criticism, man has never to make allowance to man; there is naught to excuse, naught to bear in mind.

As for criticism, people never have to give anyone a break; there’s nothing to excuse, nothing to remember.

All the past is here present to be tried; let it approve itself if it can. 94

All of the past is here now to be examined; let it prove itself if it can. 94

GROWTH

GROWTH

We are not apt to remember that we grow. It is curious to reflect how the maiden waiteth patiently, confiding as the unripe houstonia of the meadow, for the slow moving years to work their will with her,—perfect and ripen her,—like it to be fanned by the wind, watered by the rain, and receive her education at the hands of nature.

We often forget that we are growing. It's interesting to think about how a young girl waits patiently, trusting like the unripe houstonia in the meadow, for the slow passage of time to shape her—perfect and mature her—just as she wants to be gently blown by the wind, watered by the rain, and taught by nature.

These young buds of manhood in the streets are like buttercups in the meadows,—surrendered to nature as they.

These young guys in the streets are like buttercups in the fields—completely at the mercy of nature, just like them.

Nov. 7. I was not aware till to-day of a rising and risen generation. Children appear to me as raw as the fresh fungi on a fence rail. By what degrees of consanguinity is this succulent and rank-growing slip of manhood related to me? What is it but another herb, ranging all the kingdoms of nature, drawing in sustenance by a thousand roots and fibres from all soils.

Nov. 7. I didn’t realize until today that a new generation is coming up. Children seem to me as fresh and unformed as mushrooms on a fence rail. How is this vibrant and rapidly growing young man connected to me? Isn’t he just another plant, spreading across all parts of nature, drawing nourishment through countless roots and fibers from various soils?

LACONICISM

Conciseness

Nov. 8. Prometheus' answer to Io's question, who has bound him to the rock, is a good instance:—

Nov. 8. Prometheus' response to Io's question about who has chained him to the rock is a great example:—

Βούλουμα μὲν τὸ δῖον, Ἡφαίστου δὲ χείρ.
(The will indeed of Zeus, of Vulcan the hand.)

The plan of Zeus and the work of Vulcan.

Also:—

Also:—

Πταίσας δὲ τῷδε πρὸς κακῷ, μαθήσεται,

Having stumbled into evil like this, he will learn,

Ὅσον τό, τ᾽ ἄρχειν καὶ τὸ δουλούειν δίχα.

Ruling and being enslaved are not the same thing.

Such naked speech is the standing aside of words to make room for thoughts. 95

Such direct speech is stepping back from words to make space for ideas. 95

REGRET

Regret

Nov. 13. Make the most of your regrets; never smother your sorrow, but tend and cherish it till it come to have a separate and integral interest. To regret deeply is to live afresh. By so doing you will be astonished to find yourself restored once more to all your emoluments.

Nov. 13. Embrace your regrets; don’t bury your sadness, but nurture and treasure it until it becomes something meaningful on its own. To regret deeply is to experience life again. In doing so, you’ll be surprised to find yourself returned to all your rewards.

DESPONDENCY

Feeling down

Nov. 14. There is nowhere any apology for despondency. Always there is life which, rightly lived, implies a divine satisfaction. I am soothed by the rain-drops on the door-sill; every globule that pitches thus confidently from the eaves to the ground is my life insurance. Disease and a rain-drop cannot coexist. The east wind is not itself consumptive, but has enjoyed a rare health from of old. If a fork or brand stand erect, good is portended by it. They are the warrant of universal innocence.

Nov. 14. There’s no reason to apologize for feeling down. Life, when lived well, brings a sense of divine satisfaction. The sound of raindrops on the doorstep calms me; each drop that confidently falls from the roof to the ground feels like a guarantee for my life. Illness and raindrops can’t exist together. The east wind isn’t sickly; it has been healthy for a long time. If a fork or branch is standing upright, it’s a sign of good things to come. They are a testament to the world's innocence.

FAREWELL

Goodbye

Nov. 19.

Nov. 19.

Light-hearted, thoughtless, shall I take my way,

Light-hearted and carefree, should I continue on my path,

When I to thee this being have resigned,

When I have given over this being to you,

Well knowing where, upon a future day,

Well aware of where, on a future day,

With us'rer's craft more than myself to find.

With our craft more than I can discover.

LINNÆUS

LINNAEUS

Nov. 22. Linnæus, setting out for Lapland, surveys his "comb" and "spare shirt," "leather breeches," and "gauze cap to keep off gnats," with as much complacency as Buonaparte would a park of artillery to be used in the Russian Campaign. His eye is to take in 96 fish, flower, and bird, quadruped and biped. The quiet bravery of the man is admirable. These facts have even a novel interest.[78]

Nov. 22. Linnæus, preparing for his trip to Lapland, looks over his "comb" and "spare shirt," "leather pants," and "gauze cap to keep the bugs away," with as much satisfaction as Bonaparte would have while inspecting a fleet of cannons for the Russian Campaign. He is ready to observe 96 fish, flowers, birds, mammals, and humans. The man's quiet courage is impressive. These details have a novel interest. [78]

Nov. 29. Many brave men have there been, thank Fortune, but I shall never grow brave by comparison. When I remember myself I shall forget them.

Nov. 29. There have been many brave men, thankfully, but I’ll never feel brave in comparison. When I think of myself, I’ll forget about them.

BRAVERY

Courage

Dec. 2. A rare landscape immediately suggests a suitable inhabitant, whose breath shall be its wind, whose moods its seasons, and to whom it will always be fair. To be chafed and worried, and not as serene as Nature, does not become one whose nature is as steadfast as she. We do all stand in the front ranks of the battle every moment of our lives; where there is a brave man there is the thickest of the fight, there the post of honor. Not he who procures a substitute to go to Florida is exempt from service; he gathers his laurels in another field. Waterloo is not the only battle-ground: as many and fatal guns are pointed at my breast now as are contained in the English arsenals.

Dec. 2. A unique landscape instantly suggests the perfect resident, whose breath will be its wind, whose emotions will define its seasons, and to whom it will always seem beautiful. To be troubled and anxious, and not as calm as Nature, doesn't suit someone whose essence is as strong as hers. We all stand at the front lines of battle every moment of our lives; where there is a courageous person, that's where the fiercest fighting is happening, that's where the honor is. The one who finds a substitute to go to Florida isn't free from service; he earns his honors in a different arena. Waterloo isn’t the only battlefield: just as many deadly weapons are aimed at my heart right now as those found in the English arsenals.

NOON

NOON

[Undated.][79]

[No date.]__A_TAG_PLACEHOLDER_0__

Straightway dissolved,

Instantly dissolved,

Like to the morning mists—or rather like the subtler mists of noon— 97

Like the morning fog—or more like the finer fog of noon— 97

Stretched I far up the neighboring mountain's sides,

Stretched, I climbed high up the nearby mountain's slopes,

Adown the valleys, through the nether air,

Adown the valleys, through the lower air,

Bathing, with fond expansiveness of soul,

Bathing, with a generous sense of spirit,

The tiniest blade as the sublimest cloud.

The smallest blade as the greatest cloud.

What time the bittern, solitary bird,

What time the bittern, a lone bird,

Hides now her head amid the whispering fern,

Hides her head now among the whispering fern,

And not a paddock vexes all the shore,

And not a single field troubles the entire shore,

Nor feather ruffles the incumbent air,

Nor does a feather disturb the still air,

Save where the wagtail interrupts the noon.

Save where the wagtail breaks the noon.

FROM A CHAPTER ON BRAVERY.—Script

FROM A CHAPTER ON BRAVERY.—Script

Dec. Bravery deals not so much in resolute action, as in healthy and assured rest. Its palmy state is a staying at home, and compelling alliance in all directions.[80]

Dec. Bravery isn't just about taking bold action, but also about finding a calm and confident rest. Its ideal state is being at home and forming strong connections in every direction.[80]

The brave man never heareth the din of war; he is trustful and unsuspecting, so observant of the least trait of good or beautiful that, if you turn toward him the dark side of anything, he will still see only the bright.

The brave man never hears the noise of war; he is trusting and unsuspecting, so attentive to even the smallest sign of good or beauty that, if you show him the dark side of anything, he will still only see the bright side.

One moment of serene and confident life is more glorious than a whole campaign of daring. We should be ready for all issues, not daring to die but daring to live. To the brave even danger is an ally.

One moment of calm and confident living is more glorious than an entire campaign of boldness. We should be prepared for whatever comes our way, not daring to die but daring to live. For the brave, even danger is a friend.

In their unconscious daily life all are braver than they know. Man slumbers and wakes in his twilight with the confidence of noonday; he is not palsied nor struck 98 dumb by the inexplicable riddle of the universe. A mere surveyor's report or clause in a preëmption bill contains matter of quite extraneous interest, of a subdued but confident tone, evincing such a steadiness in the writer as would have done wonders at Bunker's Hill or Marathon. Where there is the collected eye, there will not fail the effective hand; χεὶρ δ᾽ ὁρᾷ τὸ δράσιμον.

In their everyday life, people are braver than they realize. A person sleeps and wakes up in their routine with the same confidence as in the middle of the day; they are neither paralyzed nor left speechless by the puzzling mystery of the universe. Even a simple surveyor's report or a clause in a preemption bill holds content of significant interest, with a subtle yet assured tone, showing such composure in the writer that could have made a difference at Bunker's Hill or Marathon. Where there's a focused vision, there will also be an effective effort; Hand sees the action.

Science is always brave, for to know is to know good; doubt and danger quail before her eye. What the coward overlooks in his hurry, she calmly scrutinizes, breaking ground like a pioneer for the array of arts in her train. Cowardice is unscientific, for there cannot be a science of ignorance. There may be a science of war, for that advances, but a retreat is rarely well conducted; if it is, then is it an orderly advance in the face of circumstances.[81]

Science is always bold, because knowledge is power; doubt and danger shrink away from her gaze. What the coward rushes past, she carefully examines, paving the way like a pioneer for the many fields that follow her. Cowardice isn’t scientific, since there can’t be a science of ignorance. There might be a science of war, because that progresses, but a retreat is seldom managed well; if it is, then it turns into an organized advance in response to the situation. [81]

If his fortune deserts him, the brave man in pity still abides by her. Samuel Johnson and his friend Savage, compelled by poverty to pass the night in the streets, resolve that they will stand by their country.

If his luck runs out, the brave man still stays loyal to her out of compassion. Samuel Johnson and his friend Savage, forced by poverty to spend the night on the streets, decide they will support their country.

The state of complete manhood is virtue, and virtue and bravery are one. This truth has long been in the languages. All the relations of the subject are hinted at in the derivation and analogies of the Latin words vir and virtus, and the Greek ἀγαθός and ἄριστος. Language in its settled form is the record of men's second thoughts, a more faithful utterance than they can momentarily 99 give. What men say is so sifted and obliged to approve itself as answering to a common want, that nothing absolutely frivolous obtains currency in the language. The analogies of words are never whimsical and meaningless, but stand for real likenesses. Only the ethics of mankind, and not of any particular man, give point and vigor to our speech.

The state of being a complete man is virtue, and virtue and bravery are intertwined. This truth has been evident for a long time. The connections surrounding the topic are reflected in the origins and similarities of the Latin words vir and virtus, and the Greek words good and best. Language as it exists now is the record of people's deeper thoughts, expressing more accurately than what they can immediately convey. What people say is carefully filtered and has to resonate with a common need, meaning nothing truly frivolous becomes accepted in language. The similarities of words are never random or meaningless, but represent genuine similarities. It is only the ethics of humanity, not that of any individual, that give depth and strength to our speech.

The coward was born one day too late, for he has never overtaken the present hour. He is the younger son of creation, who now waiteth till the elder decease.[82] He does not dwell on the earth as though he had a deed of the land in his pocket,—not as another lump of nature, as imperturbable an occupant as the stones in the field. He has only rented a few acres of time and space, and thinks that every accident portends the expiration of his lease. He is a non-proprietor, a serf, in his moral economy nomadic, having no fixed abode. When danger appears, he goes abroad and clings to straws.

The coward was born one day too late, because he has never caught up with the present moment. He is the younger child of creation, waiting for the older one to pass away.[82] He doesn't live on earth as if he owns the land,—not like another part of nature, as unchanging as the stones in the field. He has merely borrowed a little bit of time and space, and he thinks that every little misfortune signals the end of his time here. He is not an owner, a serf in his moral life, wandering without a permanent home. When danger arises, he goes out and clings to anything that offers support.

Bravery and Cowardice are kindred correlatives with Knowledge and Ignorance, Light and Darkness, Good and Evil.

Bravery and cowardice are closely related to knowledge and ignorance, light and darkness, good and evil.

If you let a single ray of light through the shutter, it will go on diffusing itself without limit till it enlighten the world, but the shadow that was never so wide at first as rapidly contracts till it comes to naught. The shadow of the moon when it passes nearest the sun is lost in 100 space ere it can reach our earth to eclipse it. Always the system shines with uninterrupted light, for, as the sun is so much larger than any planet, no shadow can travel far into space. We may bask always in the light of the system, always may step back out of the shade. No man's shadow is as large as his body, if the rays make a right angle with the reflecting surface. Let our lives be passed under the equator, with the sun in the meridian.

If you let a single ray of light through the shutter, it will continue to spread without limit until it lights up the world, but the shadow, which was never very wide at first, quickly shrinks away until it's gone. The shadow of the moon, when it comes closest to the sun, gets lost in 100 space before it can reach our earth to cause an eclipse. The system always shines with continuous light because the sun is so much bigger than any planet that no shadow can extend far into space. We can always enjoy the light of the system, and we can always move out of the shade. No man's shadow is ever larger than his body if the rays hit the reflecting surface at a right angle. Let's live our lives under the equator, with the sun at its highest point.

There is no ill which may not be dissipated like the dark, if you let in a stronger light upon it. Overcome evil with good. Practice no such narrow economy as they whose bravery amounts to no more light than a farthing candle, before which most objects cast a shadow wider than themselves.[83]

There’s no problem that can’t be cleared away like darkness if you bring in a brighter light. Conquer evil with good. Don’t be so miserly like those whose courage is only as bright as a penny candle, in front of which most things create a shadow larger than themselves.[83]

It was a conceit of Plutarch, accounting for the preferences given to signs observed on the left hand, that men may have thought "things terrestrial and mortal directly over against heavenly and divine things, and do conjecture that the things which to us are on the left hand, the gods send down from their right hand."[84] If we are not blind, we shall see how a right hand is stretched over all, as well the unlucky as lucky, and that the ordering soul is only right-handed, distributing with one palm all our fates.[85]

It was an idea of Plutarch, explaining why signs seen on the left were favored, that people might have believed "earthly and mortal things are directly opposite heavenly and divine things, and they think that what appears to us on the left is sent down by the gods from their right."[84] If we aren't blind, we'll notice how a right hand extends over everything, both the unlucky and the lucky, and that the ordering spirit is only right-handed, distributing all our fates with one hand.[85]

Men have made war from a deeper instinct than peace. War is but the compelling of peace.[86] 101

Men have waged war from a deeper instinct than for peace. War is just the forceful enforcement of peace.[86] 101

When the world is declared under martial law, every Esau retakes his birthright, and what there is in him does not fail to appear. He wipes off all old scores and commences a new account. The world is interested to know how any soul will demean itself in so novel a position. But when war too, like commerce and husbandry, gets to be a routine, and men go about it as indented apprentices, the hero degenerates into a marine, and the standing army into a standing jest.

When the world is put under martial law, everyone reclaims their birthright, and what’s inside them doesn’t stay hidden. They clear all past grievances and start fresh. People are curious to see how anyone will act in such a new situation. However, when war, just like business and farming, becomes routine, and people treat it like a job, the hero turns into just a soldier, and the standing army becomes a running joke.

No pains are spared to do honor to the brave soldier. All guilds and corporations are taxed to provide him with fit harness and equipment. His coat must be red as the sunset, or blue as the heavens. Gold or silver, pinchbeck or copper, solid or superficial, mark him for fortune's favorite. The skill of a city enchases and tempers his sword-blade; the Tyrian dye confounds him with emperors and kings. Wherever he goes, music precedes and prepares the way for him. His life is a holiday, and the contagion of his example unhinges the universe. The world puts by work and comes out to stare. He is the one only man. He recognizes no time-honored casts and conventions, no fixtures but transfixtures, no governments at length settled on a permanent basis. One tap of the drum sets the political and moral harmonies all ajar. His ethics may well bear comparison with the priest's. He may rally, charge, retreat in an orderly manner, but never flee nor flinch.[87] 102

No effort is spared to honor the brave soldier. All groups and organizations are called upon to provide him with proper gear and equipment. His uniform must be as red as sunset or as blue as the sky. Gold or silver, costume jewelry or copper, real or fake, all mark him as fortune’s favorite. The expertise of a city sharpens and enhances his sword; the rich dye distinguishes him among emperors and kings. Wherever he goes, music leads the way. His life is a celebration, and his example disrupts the ordinary. The world puts away work and comes out to watch. He is the one and only man. He doesn’t recognize traditional classes and conventions, no fixed roles but changing ones, no governments that are permanently established. A single beat of the drum throws the political and moral order into chaos. His morals could easily stand alongside the priest’s. He can rally, charge, and retreat in an orderly fashion, but he never runs away or backs down.[87] 102

Each more melodious note I hear

Each more melodic note I hear

Brings sad reproach to me,

Brings me sad reproach,

That I alone afford the ear,

That I alone have your attention,

Who would the music be.[88]

Who would be the artist? __A_TAG_PLACEHOLDER_0__

The brave man is the sole patron of music;[89] he recognizes it for his mother-tongue,—a more mellifluous and articulate language than words, in comparison with which speech is recent and temporary. It is his voice. His language must have the same majestic movement and cadence that philosophy assigns to the heavenly bodies. The steady flux of his thought constitutes time in music. The universe falls in and keeps pace with it, which before proceeded singly and discordant. Hence are poetry and song. When Bravery first grew afraid and went to war, it took music along with it. The soul delighted still to hear the echo of its own voice. Especially the soldier insists on agreement and harmony always. Indeed, it is that friendship there is in war that makes it chivalrous and heroic. It was the dim sentiment of a noble friendship for the purest soul the world has seen, that gave to Europe a crusading era.[90]

The brave man is the only true supporter of music;[89] he understands it as his native language—a more beautiful and expressive form of communication than words, which seem recent and temporary in comparison. It is his voice. His language should have the same grand rhythm and flow that philosophy attributes to the stars. The steady stream of his thoughts creates time in music. The universe aligns with it, which before moved individually and out of sync. This is how poetry and song are born. When Bravery first felt fear and went to war, it brought music along. The soul still enjoyed hearing the echo of its essence. In fact, the soldier demands harmony and agreement at all times. It is that camaraderie found in war that makes it noble and heroic. It was the deep feeling of a noble friendship for the purest soul the world has ever known that gave birth to an era of crusades in Europe.[90]

The day of tilts and tournaments has gone by, but no herald summons us to the tournament of love. 103

The era of jousts and competitions is over, but no messenger calls us to the contest of love. 103

The brave warrior must have harmony if not melody at any sacrifice. Consider what shifts he makes. There are the bagpipe, the gong, the trumpet, the drum,—either the primitive central African or Indian, or the brass European. Ever since Jericho fell down before a blast of rams' horns, the martial and musical have gone hand in hand. If the soldier marches to the sack of a town, he must be preceded by drum and trumpet, which shall as it were identify his cause with the accordant universe. All woods and walls echo back his own spirit, and the hostile territory is then preoccupied for him. He is no longer insulated, but infinitely related and familiar. The roll-call musters for him all the forces of nature.[91]

The brave warrior needs harmony, if not melody, at any cost. Think about the changes he makes. There are the bagpipes, the gong, the trumpet, the drum—whether it’s the primitive styles from central Africa or India, or the brass instruments of Europe. Ever since Jericho crumbled at the sound of rams' horns, martial and musical elements have gone together. When a soldier is marching to besiege a town, he must be accompanied by drums and trumpets, which connect his cause to the harmonious universe. All the woods and walls reflect his spirit back to him, and the enemy territory becomes familiar and less isolated. He is no longer alone but deeply connected to everything around him. The roll-call gathers all the forces of nature for him.[91]

All sounds, and more than all, silence, do fife and drum for us.[92] The least creaking doth whet all our senses and emit a tremulous light, like the aurora borealis, over things. As polishing expresses the vein in marble and the grain in wood, so music brings out what of heroic lurks anywhere.[93]

All sounds, and even more so, silence, play a fife and drum for us.[92] Even the slightest creak sharpens all our senses and casts a flickering light, like the northern lights, over everything. Just as polishing reveals the patterns in marble and the texture in wood, music uncovers the heroic elements hidden within.[93]

To the sensitive soul, the universe has its own fixed measure, which is its measure also, and, as a regular pulse is inseparable from a healthy body, so is its healthiness dependent on the regularity of its rhythm. In all sounds the soul recognizes its own rhythm, and seeks to express its sympathy by a correspondent movement of the limbs. When the body marches to the 104 measure of the soul, then is true courage and invincible strength.[94]

To the sensitive person, the universe has its own constant measure, which is also its measure, and just as a regular heartbeat is essential for a healthy body, its health relies on the consistency of its rhythm. In all sounds, the soul detects its own rhythm and tries to express its connection through a corresponding movement of the limbs. When the body moves to the 104 measure of the soul, that's when true courage and unbeatable strength emerge.[94]

The coward would reduce this thrilling sphere music to a universal wail, this melodious chant to a nasal cant. He thinks to conciliate all hostile influences by compelling his neighborhood into a partial concord with himself, but his music is no better than a jingle which is akin to a jar,—jars regularly recurring.[95]

The coward turns this exciting sphere of music into a universal cry, transforming this beautiful melody into a whiny chant. He believes he can appease all opposing forces by forcing his surroundings to harmonize partially with him, but his music is nothing more than a jingle that resembles a noise—jars happening over and over. [95]

He blows a feeble blast of slender melody, because nature can have no more sympathy with such a soul than it has of cheerful melody in itself. Hence hears he no accordant note in the universe, and is a coward, or consciously outcast and deserted man. But the brave man, without drum or trumpet, compels concord everywhere by the universality and tunefulness of his soul.[96]

He plays a weak, thin melody because nature can't resonate with a soul like his any more than it can find joy in its own melodies. As a result, he hears no harmony in the universe and feels like a coward or an aware outcast, abandoned by all. But the brave person, without any drums or trumpets, creates harmony everywhere through the depth and beauty of their soul.[96]

"Take a metallic plate," says Coleridge, "and strew sand on it; sound a harmonic chord over the sand, and the grains will whirl about in circles, and other geometrical figures, all, as it were, depending on some point 105 relatively at rest. Sound a discord, and every grain will whisk about without any order at all, in no figures, and with no points of rest." The brave man is such a point of relative rest, over which the soul sounds ever a harmonic chord.

"Take a metal plate," says Coleridge, "and sprinkle sand on it; play a harmonic chord over the sand, and the grains will swirl around in circles and other geometric shapes, all seemingly based on some point 105 that stays relatively still. Play a discordant sound, and every grain will scatter in complete chaos, in no shapes, and with no points of rest." The brave person is like that point of relative stillness, over which the soul always resonates with a harmonic chord.

Music is either a sedative or a tonic to the soul.[97] I read that "Plato thinks the gods never gave men music, the science of melody and harmony, for mere delectation or to tickle the ear; but that the discordant parts of the circulations and beauteous fabric of the soul, and that of it that roves about the body, and many times, for want of tune and air, breaks forth into many extravagances and excesses, might be sweetly recalled and artfully wound up to their former consent and agreement."[98]

Music is either a relaxant or an energizer for the soul.[97] I read that "Plato believes the gods didn't give humans music, the art of melody and harmony, just for enjoyment or to please the ear; but to bring harmony to the discordant parts of the circulatory system and the beautiful structure of the soul, and that part of it that moves about the body, which often, due to a lack of rhythm and melody, bursts out into various extremes and excesses, could be sweetly brought back and skillfully restored to its original agreement and harmony."[98]

By dint of wind and stringed instruments the coward endeavors to put the best face on the matter,—whistles to keep his courage up.

By means of wind and stringed instruments, the coward tries to make the best of the situation—whistling to boost his confidence.

There are some brave traits related by Plutarch; e. g.: "Homer acquaints us how Ajax, being to engage in a single combat with Hector, bade the Grecians pray to the gods for him; and while they were at their devotions, he was putting on his armor."

There are some brave traits shared by Plutarch; e. g.: "Homer tells us how Ajax, when he was about to fight Hector one-on-one, asked the Greeks to pray to the gods for him; and while they were praying, he was putting on his armor."

On another occasion, a storm arises, "which as soon as the pilot sees, he falls to his prayers, and invokes 106 his tutelar dæmons, but neglects not in the meantime to hold to the rudder and let down the main yard."

On another occasion, a storm comes up, "which as soon as the pilot sees, he starts praying and calls on his guardian spirits, but in the meantime, he doesn’t forget to hold onto the rudder and lower the main sail."

"Homer directs his husbandman, before he either plow or sow, to pray to the terrestrial Jove and the venerable Ceres, but with his hand upon the plow-tail."

"Homer instructs his farmer, before he plows or sows, to pray to the earthly Jove and the revered Ceres, but with his hand on the plow's tail."

Ἀρχὴ γὰρ ὄντως τοῦ νικᾷν τὸ θαῤῥεῖν. (Verily, to be brave is the beginning of victory.)

Being brave is really the first step to winning.

The Romans "made Fortune surname to Fortitude," for fortitude is that alchemy that turns all things to good fortune. The man of fortitude, whom the Latins called fortis, is no other than that lucky person whom fors favors, or vir summae fortis. If we will, every bark may "carry Cæsar and Cæsar's fortune." The brave man stays at home. For an impenetrable shield, stand inside yourself; he was an arrant coward who first made shields of brass. For armor of proof, mea virtute me involvo (I wrap myself in my virtue);

The Romans "made Fortune synonymous with Fortitude," because fortitude is the magic that turns everything into good luck. A person of fortitude, whom the Latins called fortis, is no one other than that fortunate individual favored by forwards, or man of great strength. If we want to, any ship can "carry Cæsar and Cæsar's fortune." The brave person stays at home. For an impenetrable shield, look within yourself; it was a total coward who first made shields of brass. For protective armor, I wrap myself in virtue. (I wrap myself in my virtue);

"Tumble me down, and I will sit

"Tumble me down, and I will sit

Upon my ruins, smiling yet."[99]

"Smiling despite my ruins." __A_TAG_PLACEHOLDER_0__

The bravest deed, which for the most part is left quite out of history, which alone wants the staleness of a deed done and the uncertainty of a deed doing, is the life of a great man. To perform exploits is to be temporarily bold, as becomes a courage that ebbs and flows, the soul quite vanquished by its own deed subsiding into indifference and cowardice; but the exploit of a brave life consists in its momentary completeness.[100] 107

The bravest act, often overlooked in history, is the life of a great person. Taking action shows temporary bravery, which comes and goes, often leaving the spirit defeated and drifting into indifference and fear; however, the true feat of a courageous life lies in its fleeting wholeness.[100] 107

FRIENDSHIP [101]

FRIENDSHIP __A_TAG_PLACEHOLDER_0__

Fall of 1839. Then first I conceive of a true friendship, when some rare specimen of manhood presents itself. It seems the mission of such to commend virtue to mankind, not by any imperfect preaching of her word, but by their own carriage and conduct. We may then worship moral beauty without the formality of a religion.

Fall of 1839. That's when I first understand what real friendship is, when a remarkable person shows up. It seems that people like this are meant to inspire goodness in others, not just by imperfectly preaching about it, but through their own behavior and actions. We can then appreciate moral beauty without needing the structure of a religion.

They are some fresher wind that blows, some new fragrance that breathes. They make the landscape and the sky for us.

They bring a new breeze and a fresh scent. They shape the landscape and the sky for us.

The rules of other intercourse are all inapplicable to this.

The rules for other interactions don't apply here.

We are one virtue, one truth, one beauty. All nature is our satellite, whose light is dull and reflected. She is subaltern to us,—an episode to our poem; but we are primary, and radiate light and heat to the system.

We are one virtue, one truth, one beauty. All of nature is our satellite, whose light is dim and reflected. It is secondary to us—just a chapter in our story; we are primary and give off light and heat to the whole system.

I am only introduced once again to myself.

I am only reintroduced to myself.

Conversation, contact, familiarity are the steps to it and instruments of it, but it is most perfect when these are done, and distance and time oppose no barrier.

Conversation, connection, and familiarity are the steps and tools to achieving it, but it is most perfect when these things happen, and distance and time pose no barriers.

I need not ask any man to be my friend, more than the sun the earth to be attracted by him. It is not his to give, nor mine to receive. I cannot pardon my enemy; let him pardon himself. 108

I don’t need to ask anyone to be my friend, just like the sun doesn’t need to ask the earth to be drawn to it. It’s not his to give, and it’s not mine to take. I can’t forgive my enemy; he has to forgive himself. 108

Commonly we degrade Love and Friendship by presenting them under the aspect of a trivial dualism.

Commonly, we diminish Love and Friendship by presenting them as just a simple duality.

What matter a few words more or less with my friend,—with all mankind;—they will still be my friends in spite of themselves. Let them stand aloof if they can! As though the most formidable distance could rob me of any real sympathy or advantage! No, when such interests are at stake, time, and distance, and difference fall into their own places.

What difference does a few words more or less make with my friend—or with all of humanity? They will still be my friends despite themselves. Let them keep their distance if they want! As if the biggest gap could take away my genuine sympathy or benefit! No, when important things are at stake, time, distance, and differences just take care of themselves.

But alas! to be actually separated from that parcel of heaven we call our friend, with the suspicion that we shall no more meet in nature, is source enough for all the elegies that ever were written. But the true remedy will be to recover our friend again piecemeal, wherever we can find a feature, as Æetes gathered up the members of his son, which Medea had strewn in her path.

But unfortunately, being really separated from that piece of heaven we call our friend, with the fear that we might never see each other again, is enough to inspire all the heartfelt poems ever written. The real solution will be to piece our friend back together, finding a bit of them wherever we can, like Æetes gathered the parts of his son that Medea had scattered in her way.

The more complete our sympathy, the more our senses are struck dumb, and we are repressed by a delicate respect, so that to indifferent eyes we are least his friend, because no vulgar symbols pass between us. On after thought, perhaps, we come to fear that we have been the losers by such seeming indifference, but in truth that which withholds us is the bond between us.

The more fully we empathize, the more our senses are silenced, and we hold back out of a deep respect, making us appear less like friends to those who don’t care, because no common symbols communicate our connection. Later on, we might worry that we’ve missed out because of this apparent indifference, but in reality, what holds us back is the bond we share.

My friend will be as much better than myself as my aspiration is above my performance. 109

My friend will be much better than me as my hopes are higher than my abilities. 109

This is most serene autumn weather. The chirp of crickets may be heard at noon over all the land. As in summer they are heard only at nightfall, so now by their incessant chirp they usher in the evening of the year.[102] The lively decay of autumn promises as infinite duration and freshness as the green leaves of spring. 110

This is the calmest autumn weather. You can hear the chirping of crickets at noon all over the land. While in summer they’re only heard at night, now their constant chirping announces the evening of the year. [102] The vibrant decline of autumn offers as much endlessness and freshness as the green leaves of spring. 110

IV
1840
(ÆT. 22-23)

THE FISHER'S SON[103]

THE FISHER'S SON __A_TAG_PLACEHOLDER_0__

Jan. 10.

Jan 10.

I know the world where land and water meet,

I know the place where land and water meet,

By yonder hill abutting on the main;

By that hill next to the main road;

One while I hear the waves incessant beat,

One while I hear the waves' constant crash,

Then, turning round, survey the land again.

Then, turning around, survey the land again.

Within a humble cot that looks to sea,

Within a simple cottage that faces the ocean,

Daily I breathe this curious warm life;

Daily, I live this strange, warm life;

Beneath a friendly haven's sheltering lee

Beneath the protective shade of a friendly shelter

My noiseless day with myst'ry still is rife.

My quiet day is still filled with mystery.

'Tis here, they say, my simple life began;

'Tis here, they say, my simple life began;

And easy credit to the tale I lend,

And I easily contribute to the story,

For well I know 'tis here I am a man.

For I know that here I am a man.

But who will simply tell me of the end?

But who will just tell me what happens at the end?

These eyes, fresh opened, spied the far-off Sea,

These eyes, newly opened, saw the distant Sea,

Which like a silent godfather did stand,

Which stood like a silent godfather,

Nor uttered one explaining word to me,

Nor said a single word to explain anything to me,

But introduced straight Godmother Land.

But introduced straight to Godmother Land.

And yonder still stretches that silent main,

And over there still stretches that quiet ocean,

With many glancing ships besprinkled o'er; 111

With many passing ships scattered around; 111

And earnest still I gaze and gaze again

And seriously, I keep looking and looking again

Upon the selfsame waves and friendly shore,

Upon the same waves and welcoming shore,

Till like a watery humor on the eye

Till like a watery fluid in the eye

It still appears whichever way I turn,

It still shows up no matter which way I turn,

Its silent waste and mute o'erarching sky

Its quiet emptiness and silent, overarching sky

With close-shut eyes I clearly still discern.

With my eyes closed, I can still see clearly.

And yet with lingering doubt I haste each morn

And yet with lingering doubt, I rush each morning.

To see if ocean still my gaze will greet,

To see if the ocean will still greet my gaze,

And with each day once more to life am born,

And with each day, I am born again into life,

And tread once more the earth with infant feet.

And walk the earth again with baby steps.


My years are like a stroll upon the beach,

My years are like a walk on the beach,

As near the ocean's edge as I can go;

As close to the ocean's edge as I can get;

My tardy steps its waves do oft o'erreach,

My slow steps often go beyond its waves,

Sometimes I stay to let them overflow.

Sometimes I stick around to let them spill over.

Infinite work my hands find there to do,

Infinite work my hands find there to do,

Gathering the relics which the waves upcast;

Gathering the relics that the waves washed up;

Each storm doth scour the deep for something new,

Each storm searches the deep for something new,

And every time the strangest is the last.

And every time, the weirdest is the last.

My sole employment 'tis, and scrupulous care,

My only job is this, and I'm very careful,

To place my gains beyond the reach of tides,

To keep my gains safe from the tides,

Each smoother pebble, and each shell more rare,

Each smoother pebble and each rarer shell,

Which ocean kindly to my hand confides.

Which ocean gently trusts my hand.

I have no fellow-laborer on the shore;

I have no one working alongside me on the shore;

They scorn the strand who sail upon the sea;

They mock the people who sail on the sea;

Sometimes I think the ocean they've sailed o'er

Sometimes I think about the ocean they've crossed

Is deeper known upon the strand to me. 112

Is better known to me on the shore. 112

The middle sea can show no crimson dulse,

The middle sea can show no crimson dulse,

Its deeper waves cast up no pearls to view,

Its deeper waves reveal no pearls to see,

Along the shore my hand is on its pulse,

Along the shore, I can feel its heartbeat in my hand,

Whose feeble beat is elsewhere felt by few.

Whose weak pulse is only felt by a handful of people elsewhere.

My neighbors come sometimes with lumb'ring carts.

My neighbors sometimes come with heavy carts.

As it would seem my pleasant toil to share,

As it seems like a joy for me to share,

But straightway take their loads to distant marts,

But immediately take their loads to far-off markets,

For only weeds and ballast are their care.

For all they care about are weeds and ballast.


'Tis by some strange coincidence, if I

'Tis by some strange coincidence, if I

Make common cause with ocean when he storms,

Make common cause with the ocean when it storms,

Who can so well support a separate sky,

Who can support a separate sky so well,

And people it with multitude of forms.

And fill it with a variety of forms.

Oft in the stillness of the night I hear

Oft in the stillness of the night I hear

Some restless bird presage the coming din,

Some restless bird signals the approaching noise,

And distant murmurs faintly strike my ear

And distant whispers softly reach my ears

From some bold bluff projecting far within.

From a steep cliff extending far out.

My stillest depths straightway do inly heave

My deepest feelings immediately stir within.

More genially than rests the summer's calm;

More pleasantly than the summer's calm rests;

The howling winds through my soul's cordage grieve,

The howling winds through my soul’s connections mourn,

Till every shelf and ledge gives the alarm.

Till every shelf and ledge sounds the alarm.

Far from the shore the swelling billows rise,

Far from the shore, the rising waves swell,

And gathering strength come rolling to the land,

And gathering strength come rolling to the land,

And, as each wave retires, and murmur dies,

And, as each wave pulls back, and the sound fades,

I straight pursue upon the streaming sand,

I head straight across the flowing sand,

Till the returning surge with gathered strength

Till the returning wave builds strength

Compels once more the backward way to take, 113

Compels once again to go the old route, 113

And, creeping up the beach a cable's length,

And, crawling up the beach the length of a cable,

In many a thirsty hollow leaves a lake.

In many a dry valley, there's a lake.

Oft as some ruling star my tide has swelled

Oftentimes, a ruling star has influenced my fate.

The sea can scarcely brag more wrecks than I;

The sea can hardly claim more shipwrecks than I do;

Ere other influence my waves has quelled,

Ere other influence my waves has quelled,

The stanchest bark that floats is high and dry.

The sturdiest ship that sails is safe and sound.

Jan. 19.

Jan 19.

By a strong liking we prevail

By a strong liking, we succeed.

Against the stoutest fort;

Against the strongest fort;

At length the fiercest heart will quail,

At last, even the toughest heart will falter,

And our alliance court.

And our alliance tribunal.

FRIENDS

Pals

Jan. 26. They are like air bubbles on water, hastening to flow together.

Jan. 26. They are like air bubbles on water, quickly coming together.

History tells of Orestes and Pylades, Damon and Pythias, but why should not we put to shame those old reserved worthies by a community of such?

History speaks of Orestes and Pylades, Damon and Pythias, but why shouldn't we outshine those old reserved heroes with a community like this?

Constantly, as it were through a remote skylight, I have glimpses of a serene friendship-land, and know the better why brooks murmur and violets grow.

Constantly, as if through a distant skylight, I catch glimpses of a peaceful land of friendship, and I understand better why streams babble and violets bloom.

This conjunction of souls, like waves which meet and break, subsides also backward over things, and gives all a fresh aspect.

This coming together of souls, like waves that meet and crash, also recedes, changing everything and giving it all a new look.

I would live henceforth with some gentle soul such a life as may be conceived, double for variety, single for harmony,—two, only that we might admire at our oneness,—one, 114 because indivisible. Such community to be a pledge of holy living. How could aught unworthy be admitted into our society? To listen with one ear to each summer sound, to behold with one eye each summer scene, our visual rays so to meet and mingle with the object as to be one bent and doubled; with two tongues to be wearied, and thought to spring ceaselessly from a double fountain.

I would from now on live with a kind-hearted person, enjoying a life that's both varied and harmonious—two of us, just so we could appreciate our unity—one, because we are indivisible. This partnership would be a commitment to living a good life. How could anything unworthy be part of our relationship? To listen with one ear to all the summer sounds, to see with one eye every summer scene, our perspectives blending with the experience to create a shared vision; with two voices, we would express ourselves, and our thoughts would flow endlessly from a shared source.

POETRY

POETRY

Jan. No definition of poetry is adequate unless it be poetry itself. The most accurate analysis by the rarest wisdom is yet insufficient, and the poet will instantly prove it false by setting aside its requisitions.[104] It is indeed all that we do not know.

Jan. No definition of poetry is complete unless it is poetry itself. Even the most precise analysis by the greatest insight falls short, and the poet will quickly show its flaws by ignoring its demands.[104] It truly represents everything we do not understand.

The poet does not need to see how meadows are something else than earth, grass, and water, but how they are thus much. He does not need discover that potato blows are as beautiful as violets, as the farmer thinks, but only how good potato blows are.

The poet doesn’t have to see that meadows are more than just earth, grass, and water, but how they are, in fact, all of that. He doesn’t need to find out that potato flowers are as beautiful as violets, as the farmer believes, but just how good potato flowers really are.

The poem is drawn out from under the feet of the poet, his whole weight has rested on this ground.

The poem is pulled up from beneath the poet's feet, his entire weight has been grounded here.

It has a logic more severe than the logician's.

It has a logic that's more rigorous than the logician's.

You might as well think to go in pursuit of the rainbow, and embrace it on the next hill, as to embrace the whole of poetry even in thought. The best book is 115 only an advertisement of it, such as is sometimes sewed in with its cover.[105]

You might as well try to chase after the rainbow and catch it on the next hill as to fully grasp all of poetry, even just in thought. The best book is just a teaser for it, like one of those ads that’s sometimes stitched into the cover.

Its eccentric and unexplored orbit embraces the system.

Its unusual and uncharted orbit surrounds the system.

Jan. 27. What a tame life we are living! How little heroic it is! Let us devise never so perfect a system of living, and straightway the soul leaves it to shuffle along its own way alone. It is easy enough to establish a durable and harmonious routine; immediately all parts of nature consent to it.[106] The sun-dial still points to the noon mark, and the sun rises and sets for it. The neighbors are never fatally obstinate when such a scheme is to be instituted; but forthwith all lend a hand, and ring the bell, and bring fuel and lights, and put by work and don their best garments, with an earnest conformity which matches the operations of nature. There is always a present and extant life which all combine to uphold, though its insufficiency is manifest enough.[107] Still the sing-song goes on.

Jan. 27. What a dull life we're living! How unheroic it is! We can create a perfect system for living, but right away the soul breaks free and goes its own way. It's pretty easy to set up a lasting and harmonious routine; immediately, nature goes along with it. The sundial still shows noon, and the sun rises and sets accordingly. The neighbors aren’t stubborn when such a plan is put in place; they all pitch in, ring the bell, bring fuel and lights, set aside work, and put on their best clothes, conforming earnestly just like nature does. There's always a lively atmosphere that everyone works together to maintain, even though its shortcomings are clear. Still, the cheerful routine continues.

Jan. 29. A friend in history looks like some premature soul. The nearest approach to a community of love in these days is like the distant breaking of waves on the seashore. An ocean there must be, for it washes our beach.

Jan. 29. A friend in history feels like some early spirit. The closest thing to a community of love these days is like the far-off sound of waves crashing on the shore. There must be an ocean out there, because it shapes our beach.

This alone do all men sail for, trade for, plow for, preach for, fight for. 116

This is what everyone sails for, trades for, farms for, preaches for, and fights for. 116

ÆSCHYLUS

Aeschylus

The Greeks, as the Southerns generally, expressed themselves with more facility than we in distinct and lively images, and as to the grace and completeness with which they treated the subjects suited to their genius they must be allowed to retain their ancient supremacy. But a rugged and uncouth array of thought, though never so modern, may rout them at any moment. It remains for other than Greeks to write the literature of the next century.

The Greeks, like many Southerners, communicated more easily than we do, using vibrant and clear imagery. They definitely deserve to keep their historic dominance when it comes to the elegance and thoroughness with which they tackled topics that matched their talents. However, even the most modern, rough-edged ideas can challenge their legacy at any time. The literature of the next century is likely to be written by those other than the Greeks.

Æschylus had a clear eye for the commonest things. His genius was only an enlarged common sense. He adverts with chaste severity to all natural facts. His sublimity is Greek sincerity and simpleness, naked wonder which mythology had not helped to explain.

Æschylus had a sharp eye for everyday things. His genius was just an expanded version of common sense. He speaks with pure seriousness about all natural facts. His greatness is rooted in Greek honesty and simplicity, a raw wonder that mythology hadn't yet helped to clarify.

Tydeus' shield had for device

Tydeus' shield featured a design

"An artificial heaven blazing with stars;

"An artificial sky bright with stars;

A bright full moon in the midst of the shield,

A bright full moon in the center of the shield,

Eldest of stars, eye of night, is prominent."

Eldest of stars, eye of night, stands out.

The Greeks were stern but simple children in their literature. We have gained nothing by the few ages which we have the start of them. This universal wondering at those old men is as if a matured grown person should discover that the aspirations of his youth argued a diviner life than the contented wisdom of his manhood.

The Greeks were serious yet straightforward in their literature. We haven’t really gained anything from the brief periods we have records of them. This widespread admiration for those ancient figures is similar to an adult realizing that the dreams of their youth hinted at a more inspired life than the comfortable wisdom of their adulthood.

He is competent to express any of the common manly feelings. If his hero is to make a boast, it does not lack fullness, it is as boastful as could be desired; he has a flexible mouth, and can fill it readily with strong, round 117 words, so that you will say the man's speech wants nothing, he has left nothing unsaid, but he has actually wiped his lips of it.

He is capable of expressing any typical masculine feelings. When his hero needs to brag, it is as full and boastful as you could want; he has a flexible mouth and can easily fill it with strong, round 117 words, so you’ll feel that the man’s speech is complete, leaving nothing unsaid, but he has actually wiped his lips clean of it.

Whatever the common eye sees at all and expresses as best it may, he sees uncommonly and describes with rare completeness. The multitude that thronged the theatre could no doubt go along with him to the end. The Greeks had no transcendent geniuses like Milton and Shakespeare, whose merit only posterity could fully appreciate.

Whatever the average person sees and expresses as best they can, he sees in a unique way and describes with exceptional detail. The crowd that filled the theater could surely understand him all the way through. The Greeks didn’t have extraordinary geniuses like Milton and Shakespeare, whose greatness only future generations could truly recognize.

The social condition of genius is the same in all ages. Æschylus was undoubtedly alone and without sympathy in his simple reverence for the mystery of the universe.

The social condition of genius is the same in all ages. Æschylus was definitely alone and lacked understanding in his straightforward respect for the mystery of the universe.

Feb. 10. CRITICISM ON AULUS PERSIUS FLACCUS[108]

Feb. 10. CRITICISM ON AULUS PERSIUS FLACCUS[108]

Feb. 11. "Truth," says Lord Bacon, "may perhaps come to the price of a pearl, that sheweth best by day; but it will not rise to the price of a diamond or carbuncle, which sheweth best in varied lights." Like the pearl, truth shines with a steady but pale light which invites to introspection; it is intrinsically bright, not accidentally as the diamond. We seem to behold its rear always, as though it were not coming toward us but retiring from us. Its light is not reflected this way, but we see the sombre and wrong side of its rays. As the dust in his beams makes known that the sun shines. 118

Feb. 11. "Truth," says Lord Bacon, "might be valued like a pearl, shining best in daylight; but it will never reach the value of a diamond or a ruby, which shine brightest in different lights." Like the pearl, truth radiates a steady but soft light that encourages reflection; it is inherently luminous, not just by chance like the diamond. It feels like we’re always seeing its backside, as if it’s not approaching us but moving away instead. Its light doesn’t reflect this way; instead, we see the dark and flawed side of its rays. Just like the dust in its beams reveals that the sun is shining. 118

Falsehoods that glare and dazzle are sloped toward us, reflecting full in our faces even the light of the sun. Wait till sunset, or go round them, and the falsity will be apparent.

Falsehoods that are bright and eye-catching are aimed at us, reflecting the sunlight right back into our faces. Wait until sunset, or walk around them, and the truth will become clear.

It is never enough that our life is an easy one. We must live on the stretch; not be satisfied with a tame and undisturbed round of weeks and days, but retire to our rest like soldiers on the eve of a battle, looking forward with ardor to the strenuous sortie of the morrow.[109] "Sit not down in the popular seats and common level of virtues, but endeavor to make them heroical. Offer not only peace offerings but holocausts unto God." To the brave soldier the rust and leisure of peace are harder than the fatigues of war. As our bodies court physical encounters, and languish in the mild and even climate of the tropics, so our souls thrive best on unrest and discontent.[110]

It's never enough for our lives to be easy. We need to live on the edge; we shouldn’t be satisfied with a dull and uneventful routine of weeks and days. Instead, we should rest like soldiers on the night before a battle, eagerly anticipating the challenging day ahead. "Don't just settle for common virtues; strive to make them extraordinary. Offer not just peace offerings but complete sacrifices to God." For the brave soldier, the inactivity and comfort of peace are tougher than the struggles of war. Just as our bodies seek physical challenges and fade in the calm and gentle climate of the tropics, our souls flourish best in turmoil and discontent.

He enjoys true leisure who has time to improve his soul's estate.

He truly enjoys leisure who has time to better his soul.

Feb. 12. Opposition is often so strong a likeness as to remind us of the difference.

Feb. 12. Opposition is often such a strong resemblance that it helps us recognize the difference.

Truth has properly no opponent, for nothing gets so far up on the other side as to be opposite. She looks broadcast over the field and sees no opponent.

Truth really has no enemy, because nothing gets far enough on the other side to be considered opposing. It looks out over the landscape and sees no rival.

The ring-leader of the mob will soonest be admitted into the councils of state. 119

The leader of the group will be welcomed into the state's decision-making soonest. 119

Knavery is more foolish than folly, for that, half knowing its own foolishness, it still persists. The knave has reduced folly to a system, is the prudent, common-sense fool. The witling has the simplicity and directness of genius, is the inspired fool. His incomprehensible ravings become the creed of the dishonest of a succeeding era.

Knavery is dumber than stupidity because it knows it's being foolish but continues anyway. The knave has turned foolishness into a method, being the sensible, common-sense idiot. The simpleton has the straightforwardness and clarity of genius, being the inspired fool. His nonsensical rants become the beliefs of the dishonest in the next age.

Feb. 13. An act of integrity is to an act of duty what the French verb être is to devoir. Duty is ce que devrait être.

Feb. 13. An act of integrity is to an act of duty what the French verb be is to assignment. Duty is what it should be.

Duty belongs to the understanding, but genius is not dutiful, the highest talent is dutiful. Goodness results from the wisest use of talent.

Duty is linked to understanding, but genius is not bound by duty; true talent is. Goodness comes from the best use of talent.

The perfect man has both genius and talent. The one is his head, the other his foot; by one he is, by the other he lives.

The perfect man has both genius and talent. One is his mind, the other his foundation; through one he exists, through the other he thrives.

The unconsciousness of man is the consciousness of God, the end of the world.[111]

The unconsciousness of humanity is the consciousness of God, the end of the world.[111]

The very thrills of genius are disorganizing. The body is never quite acclimated to its atmosphere, but how often succumbs and goes into a decline!

The exciting highs of genius can be chaotic. The body never fully adjusts to its environment, but how often it gives in and starts to falter!

Feb. 14. Beauty lives by rhymes. Double a deformity is a beauty. Draw this blunt quill over the paper, and fold it once transversely to the line, pressing it suddenly before the ink dries, and a delicately shaded and regular figure is the result, which art cannot surpass.[112] 120

Feb. 14. Beauty exists through rhymes. A flaw multiplied becomes beauty. Run this dull pen across the page, then fold it once across the line, pressing it quickly before the ink dries, and you’ll get a beautifully shaded and uniform shape that art cannot improve on.[112] 120

A very meagre natural history suffices to make me a child. Only their names and genealogy make me love fishes. I would know even the number of their fin-rays, and how many scales compose the lateral line. I fancy I am amphibious and swim in all the brooks and pools in the neighborhood, with the perch and bream, or doze under the pads of our river amid the winding aisles and corridors formed by their stems, with the stately pickerel. I am the wiser in respect to all knowledges, and the better qualified for all fortunes, for knowing that there is a minnow in the brook. Methinks I have need even of his sympathy, and to be his fellow in a degree. I do like him sometimes when he balances himself for an hour over the yellow floor of his basin.[113]

A very basic understanding of nature is enough to make me feel like a child. It's just their names and family trees that make me love fish. I could even count the rays in their fins and how many scales make up the lateral line. I imagine I’m part amphibian, swimming in all the nearby streams and ponds with the perch and bream, or lounging under the lily pads in our river’s winding paths formed by their stems, alongside the graceful pickerel. I know more about everything and am better prepared for life, just by knowing there’s a minnow in the brook. I think I even need his companionship and to share a connection with him. I sometimes find myself liking him when he balances for an hour over the yellow bottom of his basin.[113]

Feb. 15. The good seem to inhale a more generous atmosphere and be bathed in a more precious light than other men. Accordingly Virgil describes the sedes beatas thus:—

Feb. 15. The good appear to breathe in a more abundant environment and are surrounded by a more radiant light than others. For this reason, Virgil describes the blessed seats in this way:—

"Largior hic campos aether et lumine vestit

"Here, the broad fields are adorned with air and light."

Purpureo: Solemque suum, sua sidera nôrunt."[114]

Purpureo: They know their sun and their stars.."[114]

Feb. 16. Divination is prospective memory.

Feb. 16. Divination is future memory.

There is a kindred principle at the bottom of all affinities. The magnet cultivates a steady friendship with the pole, all bodies with all others. The friendliness of nature is that goddess Ceres who presides over every sowing and harvest, and we bless the same in sun and 121 rain. The seed in the ground tarries for a season with its genial friends there; all the earths and grasses and minerals are its hosts, who entertain it hospitably, and plenteous crops and teeming wagons are the result.

There’s a basic principle behind all connections. The magnet forms a strong bond with the pole, and all things connect with each other. The friendliness of nature is like the goddess Ceres, who oversees every planting and harvest, and we celebrate that in sun and rain. The seed in the ground waits for a while with its friendly companions; all the earth, grasses, and minerals are its hosts, who welcome it with generosity, leading to abundant crops and full wagons.

Feb. 18. All romance is grounded on friendship. What is this rural, this pastoral, this poetical life but its invention? Does not the moon shine for Endymion? Smooth pastures and mild airs are for some Corydon and Phyllis. Paradise belongs to Adam and Eve. Plato's republic is governed by Platonic love.

Feb. 18. All romance is based on friendship. What is this rural, pastoral, poetic life if not a creation of our imagination? Doesn’t the moon shine for Endymion? Gentle pastures and soft breezes are meant for some Corydon and Phyllis. Paradise is for Adam and Eve. Plato's ideal society is led by Platonic love.

Feb. 20. The coward's hope is suspicion, the hero's doubt a sort of hope. The gods neither hope nor doubt.

Feb. 20. A coward's hope is rooted in suspicion, while a hero's doubt carries a type of hope. The gods don’t experience either hope or doubt.

Feb. 22. The river is unusually high, owing to the melting of the snow. Men go in boats over their gardens and potato-fields, and all the children of the village are on tiptoe to see whose fence will be carried away next. Great numbers of muskrats, which have been driven out of their holes by the water, are killed by the sportsmen.

Feb. 22. The river is unusually high because of the melting snow. People are using boats to navigate over their gardens and potato fields, and all the village kids are on tiptoe to see whose fence will be swept away next. Many muskrats, forced out of their burrows by the rising water, are being hunted by the sportsmen.

They are to us instead of the beaver. The wind from over the meadows is laden with a strong scent of musk, and by its racy freshness advertises us of an unexplored wildness. Those backwoods are not far off. I am affected by the sight of their cabins of mud and grass, raised four or five feet, along the river, as when I read of the Pyramids, or the barrows of Asia.[115]

They represent to us what beavers do. The wind blowing over the meadows carries a strong musk scent, and its lively freshness reminds us of untamed wilderness. Those woods aren't too far away. I'm struck by the sight of their mud and grass cabins, raised four or five feet along the river, just like when I read about the Pyramids or the burial mounds of Asia.[115]

People step brisker in the street for this unusual 122 movement of the waters. You seem to hear the roar of a waterfall and the din of factories where the river breaks over the road.

People walk faster in the street because of this unusual 122 movement of the waters. You can almost hear the roar of a waterfall and the noise of factories where the river flows over the road.

Who would have thought that a few feet might not have been spared from the trunks of most trees? Such as grow in the meadows, and are now surrounded by that depth of water, have a dwarfish appearance. No matter whether they are longer or shorter, they are now equally out of proportion.

Who would have thought that just a few feet might not be spared from the trunks of most trees? Those that grow in the meadows and are now surrounded by such deep water look stunted. It doesn't matter if they are taller or shorter; they all seem out of proportion now.

THE FRESHET

THE FRESHET

Feb. 24.

Feb. 24.

A stir is on the Worcester hills,

A stir is on the Worcester hills,

And Nobscot too the valley fills;

And Nobscot also fills the valley;

Where scarce you'd fill an acorn cup

Where you could barely fill an acorn cup

In summer when the sun was up,

In summer when the sun was out,

No more you'll find a cup at all,

No more will you find a cup at all,

But in its place a waterfall.

But instead, there’s a waterfall.

O that the moon were in conjunction

O that the moon were aligned

To the dry land's extremest unction,

To the farthest reaches of dry land,

Till every dike and pier were flooded,

Till every dike and pier was flooded,

And all the land with islands studded,

And all the land scattered with islands,

For once to teach all human kind,

To teach everyone this time,

Both those that plow and those that grind,

Both those who plow and those who grind,

There is no fixture in the land,

There is no fixture in the land,

But all unstable is as sand.

But everything unstable is like sand.

The river swelleth more and more,

The river swells more and more,

Like some sweet influence stealing o'er

Like a gentle charm spreading over

The passive town; and for a while

The quiet town; and for a while

Each tussock makes a tiny isle, 123

Each clump creates a small island, 123

Where, on some friendly Ararat,

Where, on a friendly Ararat,

Resteth the weary water-rat.

Rest the tired water-rat.

No ripple shows Musketaquid,

No ripples on Musketaquid,

Her very current e'en is hid,

Her very current evening is hidden,

As deepest souls do calmest rest

As the deepest souls find their calmest peace.

When thoughts are swelling in the breast;

When thoughts are building up inside;

And she, that in the summer's drought

And she, who in the summer's dry spell

Doth make a rippling and a rout,

Does make a ripple and a noise,

Sleeps from Nawshawtuct to the Cliff,

Sleeps from Nawshawtuct to the Cliff,

Unruffled by a single skiff;

Unbothered by a small boat;

So like a deep and placid mind

So, like a calm and serene mind

Whose currents underneath it wind,

Whose currents twist beneath it,

For by a thousand distant hills

For by a thousand faraway hills

The louder roar a thousand rills,

The louder roar of a thousand streams,

And many a spring which now is dumb,

And many a spring that is now silent,

And many a stream with smothered hum,

And many a stream with muffled sound,

Doth faster well and swifter glide,

Glide faster and quicker,

Though buried deep beneath the tide.

Though buried deep beneath the tide.

Our village shows a rural Venice,

Our village resembles a rural Venice,

Its broad lagunes where yonder fen is,

Its wide lagoons where that marsh is,

Far lovelier than the Bay of Naples

Far more beautiful than the Bay of Naples

Yon placid cove amid the maples,

Yon placid cove amid the maples,

And in my neighbor's field of corn

And in my neighbor's cornfield

I recognize the Golden Horn.

I recognize the Golden Horn.

Here Nature taught from year to year,

Here Nature taught from year to year,

When only red men came to hear,

When only Native Americans came to listen,

Methinks 'twas in this school of art

Methinks it was in this art school

Venice and Naples learned their part, 124

Venice and Naples played their roles, 124

But still their mistress, to my mind,

But still their mistress, in my opinion,

Her young disciples leaves behind.[116]

Her young followers leave behind.__A_TAG_PLACEHOLDER_0__

Feb. 26. The most important events make no stir on their first taking place, nor indeed in their effects directly. They seem hedged about by secrecy. It is concussion, or the rushing together of air to fill a vacuum, which makes a noise. The great events to which all things consent, and for which they have prepared the way, produce no explosion, for they are gradual, and create no vacuum which requires to be suddenly filled; as a birth takes place in silence, and is whispered about the neighborhood, but an assassination, which is at war with the constitution of things, creates a tumult immediately.

Feb. 26. The most significant events often go unnoticed when they first happen, and even their immediate effects are subtle. They seem surrounded by secrecy. It’s the shock or the rush of air filling a void that makes a noise. The major events that everything aligns with, and for which they have been preparing, don't create a loud impact; they unfold gradually and don't leave a void that needs to be filled quickly. Just like a birth happens quietly and is shared in whispers around the neighborhood, an assassination, being against the natural order of things, creates an immediate uproar.

Corn grows in the night.[117]

Corn grows at night. __A_TAG_PLACEHOLDER_0__

Feb. 27. Some geniuses seem to hover in the horizon, like heat lightning, which is not accompanied with fertilizing rain to us, but we are obliged to rest contented with the belief that it is purifying the air somewhere. Others make known their presence by their effects, like that vivid lightning which is accompanied by copious rain and thunder and, though it clears our atmosphere, sometimes destroys our lives. Others still impart a steady and harmless light at once to large tracts, as the aurora borealis; and this phenomenon is hardest to be accounted for, some thinking it to be a reflection of the polar splendor, others a subtle fluid which pervades all 125 things and tends always to the zenith. All are agreed that these are equally electrical phenomena, as some clever persons have shown by drawing a spark with their knuckles. Modern philosophy thinks it has drawn down lightning from the clouds.

Feb. 27. Some geniuses seem to linger on the horizon, like heat lightning, which doesn’t bring us the fertile rain we need, but we settle for believing it’s cleansing the air somewhere. Others announce their presence through their effects, like that bright lightning that comes with heavy rain and thunder; while it clears the atmosphere, it can sometimes endanger our lives. Still others provide a steady and harmless light across wide areas, like the northern lights. This phenomenon is the most challenging to explain, with some suggesting it's a reflection of polar beauty and others thinking it's a subtle energy that fills everything and always seeks the sky. Everyone agrees these are all electrical phenomena, as some smart people have demonstrated by drawing a spark with their knuckles. Modern philosophy believes it has captured lightning from the clouds.

Feb. 28. On the death of a friend, we should consider that the fates through confidence have devolved on us the task of a double living, that we have henceforth to fulfill the promise of our friend's life also, in our own, to the world.

Feb. 28. When a friend passes away, we need to realize that fate has entrusted us with the responsibility of living a double life, meaning we have to carry on the promise of our friend's life in our own, for the sake of the world.

Feb. 29. A friend advises by his whole behavior,[118] and never condescends to particulars; another chides away a fault, he loves it away. While he sees the other's error, he is silently conscious of it, and only the more loves truth himself, and assists his friend in loving it, till the fault is expelled and gently extinguished.

Feb. 29. A friend shows his support through his entire attitude, [118] and never gets into the details; another one encourages you to let go of a flaw by simply caring for you. While he notices the other's mistake, he is quietly aware of it, and that just makes him appreciate truth more himself, helping his friend to appreciate it too, until the flaw is removed and gently resolved.

March 2. Love is the burden of all Nature's odes. The song of the birds is an epithalamium, a hymeneal. The marriage of the flowers spots the meadows and fringes the hedges with pearls and diamonds. In the deep water, in the high air, in woods and pastures, and the bowels of the earth, this is the employment and condition of all things.

March 2. Love is the theme of all of nature's songs. The birds' singing is a wedding song, a celebration of marriage. The blooming flowers decorate the fields and line the edges with pearls and diamonds. In deep waters, high skies, woods, pastures, and the depths of the earth, this is the role and state of everything.

March 4. I learned to-day that my ornithology had done me no service. The birds I heard, which fortunately did not come within the scope of my science, 126 sung as freshly as if it had been the first morning of creation, and had for background to their song an untrodden wilderness, stretching through many a Carolina and Mexico of the soul.[119]

March 4. I found out today that my knowledge of birds hadn't helped me at all. The birds I heard, which thankfully were beyond my expertise, 126 sang as energetically as if it were the first morning of creation, with an untouched wilderness as the backdrop to their song, extending through many corners of the soul, from Carolina to Mexico.[119]

March 6. There is no delay in answering great questions; for them all things have an answer ready. The Pythian priestess gave her answers instantly, and ofttimes before the questions were fairly propounded. Great topics do not wait for past or future to be determined, but the state of the crops or Brighton market no bird concerns itself about.

March 6. There's no delay in answering big questions; everything has a ready answer for them. The Pythian priestess responded instantly, often before the questions were even fully asked. Major topics don't hang around waiting for the past or future to be figured out, but things like crop conditions or the Brighton market aren’t of concern to any bird.

March 8. The wind shifts from northeast and east to northwest and south, and every icicle which has tinkled on the meadow grass so long trickles down its stem and seeks its water level unerringly with a million comrades. In the ponds the ice cracks with a busy and inspiriting din and down the larger streams is whirled, grating hoarsely and crashing its way along, which was so lately a firm field for the woodman's team and the fox, sometimes with the tracks of the skaters still fresh upon it, and the holes cut for pickerel. Town committees inspect the bridges and causeways, as if by mere eye-force to intercede with the ice and save the treasury.

March 8. The wind changes from northeast and east to northwest and south, and every icicle that has been tinkling on the meadow grass for so long starts to drip down its stem and find its water level effortlessly with a million others. In the ponds, the ice cracks with a lively and uplifting noise, and down the larger streams, it rolls, grinding noisily and crashing its way along, which was just a stable field for the woodman’s team and the fox, sometimes still marked with fresh tracks of skaters and the holes cut for pickerel. Town committees check the bridges and causeways, as if just by looking, they can negotiate with the ice and protect the town’s funds.

In the brooks the slight grating sound of small cakes of ice, floating with various speed, is full of content and promise, and where the water gurgles under a natural bridge, you may hear these hasty rafts hold conversation 127 in an undertone. Every rill is a channel for the juices of the meadow.[120] Last year's grasses and flower-stalks have been steeped in rain and snow, and now the brooks flow with meadow tea,—thoroughwort, mint, flagroot, and pennyroyal, all at one draught.

In the streams, you can hear the gentle sound of small chunks of ice floating at different speeds, full of life and potential. Where the water flows beneath a natural bridge, you might catch these quick little rafts having a quiet chat. Every small stream carries the essence of the meadow. Last year's grasses and flower stems soaked up rain and snow, and now the streams are flowing with a blend of meadow tea—thoroughwort, mint, flagroot, and pennyroyal, all in one sip.

In the ponds the sun makes incroachments around the edges first, as ice melts in a kettle on the fire, darting his rays through this crevice, and preparing the deep water to act simultaneously on the under side.

In the ponds, the sun first invades the edges as the ice melts in a kettle over the fire, sending its rays through this gap and getting the deeper water ready to react at the same time.

Two years and twenty now have flown;

Two years and twenty have passed now;

Their meanness time away has flung;

Their harshness has been cast aside.

These limbs to man's estate have grown,

These limbs have developed into a part of being human,

But cannot claim a manly tongue.

But cannot claim a masculine voice.

Amidst such boundless wealth without

Amidst such vast wealth without

I only still am poor within;

I’m still just as poor inside;

The birds have sung their summer out,

The birds have sung away their summer,

But still my spring does not begin.

But still my spring hasn't started.

In vain I see the morning rise,

In vain I watch the morning come up,

In vain observe the western blaze,

In vain watch the western glow,

Who idly look to other skies,

Who lazily gaze at other skies,

Expecting life by other ways.

Expecting life in other ways.

The sparrow sings at earliest dawn,

The sparrow sings at the break of day,

Building her nest without delay;

Building her nest ASAP;

All things are ripe to hear her song,

All things are ready to hear her song,

And now arrives the perfect day. 128

And now, the perfect day has arrived. 128

Shall I then wait the autumn wind,

Shall I then wait for the autumn wind,

Compelled to seek a milder ray,

Compelled to seek a gentler light,

And leave no empty nest behind,

And don’t leave any empty nest behind,

No wood still echoing to my lay?[121]

No woods echoing to my song?[121]

March 16. The cabins of the settlers are the points whence radiate these rays of green and yellow and russet over the landscape; out of these go the axes and spades with which the landscape is painted. How much is the Indian summer and the budding of spring related to the cottage? Have not the flight of the crow and the gyrations of the hawk a reference to that roof?

March 16. The settlers' cabins are the places from which these beams of green, yellow, and brown spread across the landscape; from these cabins come the axes and shovels that shape the land. How much do Indian summer and the beginning of spring connect to the cottage? Don't the crow's flight and the hawk's movements relate back to that roof?

The ducks alight at this season on the windward side of the river, in the smooth water, and swim about by twos and threes, pluming themselves and diving to peck at the root of the lily and the cranberries which the frost has not loosened. It is impossible to approach them within gunshot when they are accompanied by the gull, which rises sooner and makes them restless. They fly to windward first, in order to get under weigh, and are more easily reached by the shot if approached on that side. When preparing to fly, they swim about with their heads erect, and then, gliding along a few feet with their bodies just touching the surface, rise heavily with much splashing and fly low at first, if not suddenly aroused, but otherwise rise directly to survey the danger. The cunning sportsman is not in haste to desert 129 his position, but waits to ascertain if, having got themselves into flying trim, they will not return over the ground in their course to a new resting-place.

The ducks come down this season on the windward side of the river, where the water is calm, and swim around in pairs and small groups, preening themselves and diving to nibble at the lily roots and the cranberries that the frost hasn't dislodged. It's impossible to get close enough to shoot them when they're around the gulls, which take off first and make the ducks restless. They fly into the wind to get airborne and can be shot more easily when approached from that side. Before taking off, they swim with their heads held high, then glide a short distance over the surface before they lift off with a big splash and initially fly low unless they're startled, in which case they rise straight up to check for danger. The clever hunter doesn’t rush to leave his spot but waits to see if, once they're ready to fly, they’ll circle back to the same area on their way to a new resting place.

March 20. In society all the inspiration of my lonely hours seems to flow back on me, and then first have expression.

March 20. In society, all the inspiration from my lonely hours seems to come back to me, and that's when it finally finds expression.

Love never degrades its votaries, but lifts them up to higher walks of being. They over-look one another. All other charities are swallowed up in this; it is gift and reward both.

Love never brings down its followers, but raises them up to greater levels of existence. They overlook each other. All other acts of kindness are encompassed in this; it is both a gift and a reward.

We will have no vulgar Cupid for a go-between, to make us the playthings of each other, but rather cultivate an irreconcilable hatred instead of this.

We won't let a cheesy Cupid act as a middleman, turning us into each other's playthings; instead, we'll foster an unyielding hatred in its place.

March 21. The world is a fit theatre to-day in which any part may be acted. There is this moment proposed to me every kind of life that men lead anywhere, or that imagination can paint. By another spring I may be a mail-carrier in Peru, or a South African planter, or a Siberian exile, or a Greenland whaler, or a settler on the Columbia River, or a Canton merchant, or a soldier in Florida, or a mackerel-fisher off Cape Sable, or a Robinson Crusoe in the Pacific, or a silent navigator of any sea. So wide is the choice of parts, what a pity if the part of Hamlet be left out!

March 21. Today, the world is like a stage where any role can be played. At this moment, I'm faced with every kind of life that people live anywhere, or that imagination can dream up. By next spring, I could be a mail carrier in Peru, a South African farmer, a Siberian exile, a Greenland whaler, a settler on the Columbia River, a merchant from Canton, a soldier in Florida, a mackerel fisherman off Cape Sable, a modern-day Robinson Crusoe in the Pacific, or a quiet navigator of any ocean. With such a wide range of options, how unfortunate it would be if the role of Hamlet were overlooked!

I am freer than any planet; no complaint reaches round the world. I can move away from public opinion, from government, from religion, from education, from society. Shall I be reckoned a ratable poll in the county of Middlesex, or be rated at one spear under the palm 130 trees of Guinea? Shall I raise corn and potatoes in Massachusetts, or figs and olives in Asia Minor? sit out the day in my office in State Street, or ride it out on the steppes of Tartary? For my Brobdingnag I may sail to Patagonia; for my Lilliput, to Lapland. In Arabia and Persia, my day's adventures may surpass the Arabian Nights' Entertainments. I may be a logger on the head waters of the Penobscot, to be recorded in fable hereafter as an amphibious river-god, by as sounding a name as Triton or Proteus; carry furs from Nootka to China, and so be more renowned than Jason and his golden fleece; or go on a South Sea exploring expedition, to be hereafter recounted along with the periplus of Hanno. I may repeat the adventures of Marco Polo or Mandeville.

I am freer than any planet; no complaints reach around the world. I can distance myself from public opinion, from government, from religion, from education, from society. Am I just another statistic in Middlesex County, or valued as one spear under the palm 130 trees of Guinea? Should I grow corn and potatoes in Massachusetts, or figs and olives in Asia Minor? Spend my day in my office on State Street, or ride it out on the steppes of Tartary? For my Brobdingnag I can sail to Patagonia; for my Lilliput, to Lapland. In Arabia and Persia, my daily adventures could top the Arabian Nights' Entertainments. I could be a logger in the upper waters of the Penobscot, who will be remembered in fables later as an amphibious river-god, with a name as famous as Triton or Proteus; transport furs from Nootka to China, and become more famous than Jason and his golden fleece; or embark on a South Sea exploring expedition, which will be recounted alongside the periplus of Hanno. I might retell the adventures of Marco Polo or Mandeville.

These are but few of my chances, and how many more things may I do with which there are none to be compared!

These are just a few of my opportunities, and I wonder how many more things I can do that are even better!

Thank Fortune, we are not rooted to the soil, and here is not all the world. The buckeye does not grow in New England; the mockingbird is rarely heard here. Why not keep pace with the day, and not allow of a sunset nor fall behind the summer and the migration of birds? Shall we not compete with the buffalo, who keeps pace with the seasons, cropping the pastures of the Colorado till a greener and sweeter grass awaits him by the Yellowstone? The wild goose is more a cosmopolite than we; he breaks his fast in Canada, takes a luncheon in the Susquehanna, and plumes himself for the night in a Louisiana bayou. The pigeon 131 carries an acorn in his crop from the King of Holland's to Mason and Dixon's line. Yet we think if rail fences are pulled down and stone walls set up on our farms, bounds are henceforth set to our lives and our fates decided. If you are chosen town clerk, forsooth, you can't go to Tierra del Fuego this summer.[122]

Thank goodness, we’re not stuck in one place, and the world is much bigger than just here. The buckeye tree doesn’t grow in New England, and you hardly hear the mockingbird around. So, why not keep up with the times and embrace the changes of the day instead of clinging to sunsets or lagging behind summer and the migrating birds? Shouldn’t we keep pace with the buffalo that follows the seasons, grazing the fields of Colorado until he finds fresh and tastier grass waiting for him by the Yellowstone? The wild goose is more of a global traveler than we are; he starts his day in Canada, snacks in the Susquehanna, and settles down for the night in a Louisiana bayou. The pigeon 131 carries an acorn in his throat from the King of Holland's lands to Mason and Dixon's line. Yet, we believe that if we take down rail fences and put up stone walls on our farms, we’re suddenly limited in our lives and our destinies are set. If you’re chosen as town clerk, well, you can’t go to Tierra del Fuego this summer.[122]

But what of all this? A man may gather his limbs snugly within the shell of a mammoth squash, with his back to the northeastern boundary, and not be unusually straitened after all. Our limbs, indeed, have room enough, but it is our souls that rust in a corner. Let us migrate interiorly without intermission, and pitch our tent each day nearer the western horizon. The really fertile soils and luxuriant prairies lie on this side the Alleghanies. There has been no Hanno of the affections. Their domain is untravelled ground, to the Mogul's dominions.

But what does all this mean? A man can comfortably nestle his body inside a massive squash, with his back to the northeast, and still not feel too cramped. Sure, our bodies have plenty of space, but it’s our souls that gather dust in a corner. Let’s keep moving inward without stopping, and set up our camp a little closer to the western horizon each day. The truly rich soils and lush prairies are on this side of the Alleghenies. There hasn’t been a true explorer of the heart. Their territory remains uncharted, like the lands of the Mogul.

March 22. While I bask in the sun on the shores of Walden Pond, by this heat and this rustle I am absolved from all obligation to the past. The council of nations may reconsider their votes; the grating of a pebble annuls them.[123]

March 22. As I soak up the sun on the shores of Walden Pond, this warmth and the sound of rustling leaves free me from any obligation to the past. The council of nations may change their decisions; the sound of a pebble shifting cancels them out.[123]

March 27. How many are now standing on the European coast whom another spring will find located on the Red River, or Wisconsin! To-day we live an antediluvian life on our quiet homesteads, and to-morrow are transported to the turmoil and bustle of a crusading era. 132

March 27. How many people are currently on the European coast who will find themselves next spring on the Red River or in Wisconsin! Today we live a simple life on our peaceful homesteads, and tomorrow we get swept away into the chaos and excitement of a crusading era. 132

Think how finite after all the known world is. Money coined at Philadelphia is a legal tender over how much of it! You may carry ship biscuit, beef, and pork quite round to the place you set out from. England sends her felons to the other side for safe keeping and convenience.

Think about how limited the known world really is. Money minted in Philadelphia is recognized as legal tender over such a small area! You could transport ship biscuits, beef, and pork all the way back to where you started. England sends its criminals to the other side for safekeeping and convenience.

March 30. Pray, what things interest me at present? A long, soaking rain, the drops trickling down the stubble, while I lay drenched on a last year's bed of wild oats, by the side of some bare hill, ruminating. These things are of moment. To watch this crystal globe just sent from heaven to associate with me. While these clouds and this sombre drizzling weather shut all in, we two draw nearer and know one another. The gathering in of the clouds with the last rush and dying breath of the wind, and then the regular dripping of twigs and leaves the country o'er, the impression of inward comfort and sociableness, the drenched stubble and trees that drop beads on you as you pass, their dim outline seen through the rain on all sides drooping in sympathy with yourself. These are my undisputed territory. This is Nature's English comfort. The birds draw closer and are more familiar under the thick foliage, composing new strains on their roosts against the sunshine.

March 30. So, what interests me right now? A long, soaking rain, the drops trickling down the stubble, while I lie drenched on last year's bed of wild oats, by the side of a bare hill, lost in thought. These things matter. To watch this crystal globe just sent from heaven to be with me. While these clouds and this gloomy, drizzly weather enclose everything, we two grow closer and get to know each other. The clouds gather with the final rush and dying breath of the wind, and then the steady dripping of twigs and leaves all over the countryside, creates an impression of inner comfort and connection; the soaked stubble and trees that drop beads on you as you walk by, their faint outline seen through the rain on all sides, sagging in sympathy with you. This is my undisputed territory. This is Nature's English comfort. The birds come closer and feel more at home under the thick foliage, composing new songs on their perches against the sunshine.

April 4. We look to windward for fair weather.

April 4. We look to the wind for good weather.

April 8. How shall I help myself? By withdrawing into the garret, and associating with spiders and mice, 133 determining to meet myself face to face sooner or later. Completely silent and attentive I will be this hour, and the next, and forever. The most positive life that history notices has been a constant retiring out of life, a wiping one's hands of it, seeing how mean it is, and having nothing to do with it.

April 8. How can I help myself? By retreating to the attic and hanging out with spiders and mice, 133 planning to confront myself face to face eventually. I will be completely silent and attentive this hour, and the next, and forever. The most significant lives recorded in history have involved a continual withdrawal from life, a distancing from it, recognizing how insignificant it is, and choosing to have nothing to do with it.

April 9. I read in Cudworth how "Origen determines that the stars do not make but signify; and that the heavens are a kind of divine volume, in whose characters they that are skilled may read or spell out human events." Nothing can be truer, and yet astrology is possible. Men seem to be just on the point of discerning a truth when the imposition is greatest.

April 9. I read in Cudworth how "Origen states that the stars do not influence but indicate; and that the heavens are a sort of divine book, in which those who are knowledgeable can read or decipher human events." Nothing could be truer, and yet astrology exists. People seem to be on the verge of recognizing a truth when the deception is at its peak.

April 17. Farewell, etiquette! My neighbor inhabits a hollow sycamore, and I a beech tree. What then becomes of morning calls with cards, and deference paid to door-knockers and front entries, and presiding at one's own table?

April 17. Goodbye, etiquette! My neighbor lives in a hollow sycamore, and I live in a beech tree. So what happens to morning visits with cards, and respect shown to door knockers and front entrances, and hosting at your own table?

April 19. The infinite bustle of Nature of a summer's noon, or her infinite silence of a summer's night, gives utterance to no dogma. They do not say to us even with a seer's assurance, that this or that law is immutable and so ever and only can the universe exist. But they are the indifferent occasion for all things and the annulment of all laws.

April 19. The endless activity of nature on a summer afternoon, or its complete stillness on a summer night, doesn't promote any particular belief. They don't assure us with a seer's certainty that this or that law is unchangeable and that the universe can only exist in that way. Instead, they serve as the neutral backdrop for everything and the cancellation of all laws.

April 20. The universe will not wait to be explained. Whoever seriously attempts a theory of it is already 134 behind his age. His yea has reserved no nay for the morrow.

April 20. The universe won't wait for us to figure it out. Anyone who seriously tries to come up with a theory about it is already 134 behind the times. Their yes has left no room for a no for tomorrow.

The wisest solution is no better than dissolution. Already the seer whispers his convictions to bare walls; no audience in the land can attend to them.

The smartest solution is no better than falling apart. The seer whispers his beliefs to empty walls; no one in the land can hear them.

An early morning walk is a blessing for the whole day. To my neighbors who have risen in mist and rain I tell of a clear sunrise and the singing of birds as some traditionary mythus. I look back to those fresh but now remote hours as to the old dawn of time, when a solid and blooming health reigned and every deed was simple and heroic.

An early morning walk is a gift for the entire day. To my neighbors who have woken up in the fog and rain, I share stories of a bright sunrise and the sound of birds singing, almost like a traditional myth. I reflect on those fresh but now distant hours like they’re from the ancient dawn of time, when good health thrived and every action felt straightforward and heroic.

April 22. Thales was the first of the Greeks who taught that souls are immortal, and it takes equal wisdom to discern this old fact to-day. What the first philosopher taught, the last will have to repeat. The world makes no progress.

April 22. Thales was the first of the Greeks to teach that souls are immortal, and it still takes the same level of wisdom to recognize this timeless truth today. What the first philosopher taught, the last will need to restate. The world makes no progress.

I cannot turn on my heel in a carpeted room. What a gap in the morning is a breakfast! A supper supersedes the sunset.

I can’t pivot in a carpeted room. What a difference a breakfast makes in the morning! Dinner takes over the sunset.

Methinks I hear the ranz des vaches and shall soon be tempted to desert.

Methinks I hear the ranz des vaches and will soon be tempted to leave.

Will not one thick garment suffice for three thin ones? Then I shall be less compound, and can lay my hand on myself in the dark.

Will one thick piece of clothing not be enough for three thin ones? Then I’ll be simpler and can find myself in the dark.

May 14. A kind act or gift lays us under obligation not so much to the giver as to Truth and Love. We 135 must then be truer and kinder ourselves. Just in proportion to our sense of the kindness, and pleasure at it, is the debt paid. What is it to be grateful but to be gratified,—to be pleased? The nobly poor will dissolve all obligations by nobly accepting a kindness.

May 14. A kind act or gift puts us in debt not so much to the giver as to Truth and Love. We 135 must then strive to be truer and kinder ourselves. Our gratitude is directly proportional to how we feel about the kindness and our pleasure in receiving it; that is how we pay off our debt. What does it mean to be grateful if not to be gratified—to feel pleased? Those who are nobly poor can completely dissolve any obligation by graciously accepting a kindness.

If we are not sensible of kindness, then indeed we incur a debt. Not to be pleased by generous deeds at any time, though done to another, but to sit crabbedly silent in a corner, what is it but a voluntary imprisonment for debt? It is to see the world through a grating. Not to let the light of virtuous actions shine on us at all times, through every crevice, is to live in a dungeon.

If we don’t acknowledge kindness, then we really owe something. Not being pleased by generous acts, even when they’re for someone else, and just sitting grumpily in a corner is like choosing to lock ourselves up in a debtors' prison. It’s like looking at the world through bars. Not allowing the light of good actions to touch us at all times, through every opening, is like living in a dungeon.

War is the sympathy of concussion. We would fain rub one against another. Its rub may be friction merely, but it would rather be titillation. We discover in the quietest scenes how faithfully war has copied the moods of peace. Men do not peep into heaven but they see embattled hosts there. Milton's heaven was a camp. When the sun bursts through the morning fog I seem to hear the din of war louder than when his chariot thundered on the plains of Troy. Every man is a warrior when he aspires. He marches on his post. The soldier is the practical idealist; he has no sympathy with matter, he revels in the annihilation of it. So do we all at times. When a freshet destroys the works of man, or a fire consumes them, or a Lisbon earthquake shakes them down, our sympathy with persons is swallowed up in a wider sympathy with the universe. A crash is apt to grate agreeably on our ears. 136

War is the sharp echo of impact. We often want to collide with one another. This collision might just be tension, but it’s more likely to be excitement. We realize in the calmest moments how closely war mirrors the feelings of peace. People don’t look to heaven for answers; instead, they see armies battling there. Milton's vision of heaven resembled a military camp. When the sun breaks through the morning mist, I can almost hear the sounds of war louder than when his chariot roared across the plains of Troy. Every man is a fighter when he has aspirations. He stands ready at his post. The soldier is the practical idealist; he doesn’t connect with the physical world, but instead finds joy in its destruction. We all feel this way sometimes. When a flood wipes out human creations, or a fire engulfs them, or an earthquake levels them, our concern for individuals gets overshadowed by a greater empathy for the universe. A crash can often be strangely satisfying to our ears. 136

Let not the faithful sorrow that he has no ear for the more fickle harmonies of creation, if he is awake to the slower measure of virtue and truth. If his pulse does not beat in unison with the musician's quips and turns, it accords with the pulse-beat of the ages.[124]

Let the faithful not be sad that he doesn't appreciate the changing melodies of creation if he's attuned to the steady rhythm of virtue and truth. If his heart doesn't sync with the musician's clever tricks and shifts, it aligns with the heartbeat of the ages.[124]

June 11. We had appointed Saturday, August 31st, 1839, for the commencement of our White Mountain expedition. We awake to a warm, drizzling rain which threatens delay to our plans, but at length the leaves and grass are dried, and it comes out a mild afternoon, of such a sober serenity and freshness that Nature herself seems maturing some greater scheme of her own. All things wear the aspect of a fertile idleness. It is the eventide of the soul. After this long dripping and oozing from every pore Nature begins to respire again more healthily than ever. So with a vigorous shove we launch our boat from the bank, while the flags and bulrushes curtsy a God-speed, and drop silently down the stream.[125] As if we had launched our bark in the sluggish current of our thoughts, and were bound nowhither.

June 11. We had planned to start our White Mountain trip on Saturday, August 31, 1839. We woke up to a warm, drizzling rain that threatened to delay our plans, but eventually, the leaves and grass dried and the afternoon turned mild, bringing a serene freshness that felt like Nature was preparing for something greater. Everything seemed to be in a fruitful pause. It felt like the evening of the soul. After this long period of dripping and seeping from every pore, Nature began to breathe again more healthily than ever. So, with a strong push, we launched our boat from the bank, while the flags and bulrushes waved us off, quietly drifting down the stream.[125] As if we had set our vessel afloat in the sluggish current of our thoughts, with no particular destination in mind.

Gradually the village murmur subsides, as when one falls into a placid dream and on its Lethe tide is floated from the past into the future, or as silently as fresh thoughts awaken us to new morning or evening light.[126]

Slowly the village chatter fades away, like when someone drifts into a peaceful dream and, on its gentle waves, is carried from the past into the future, or as quietly as new thoughts lift us into the fresh light of morning or evening.[126]

Our boat[127] was built like a fisherman's dory, with 137 thole-pins for four oars. Below it was green with a border of blue, as if out of courtesy [to] the green sea and the blue heavens. It was well calculated for service, but of consequence difficult to be dragged over shoal places or carried round falls.

Our boat[127] was designed like a fisherman's dory, with 137 thole-pins for four oars. The bottom was green with a blue border, as if to show respect to the green sea and the blue sky. It was well made for use, but it was quite challenging to pull over shallow areas or carry around obstacles.

A boat should have a sort of life and independence of its own. It is a sort of amphibious animal, a creature of two elements, a fish to swim and a bird to fly, related by one half of its structure to some swift and shapely fish and by the other to some strong-winged and graceful bird. The fins of the fish will tell where to set the oars, and the tail give some hint for the form and position of the rudder. And so may we learn where there should be the greatest breadth of beam and depth in the hold. The bird will show how to rig and trim the sails, and what form to give to the prow, that it may balance the boat and divide the air and water best.

A boat should have its own kind of life and independence. It's like an amphibious creature, a being of two worlds—part fish to swim and part bird to fly. One half of its structure relates to a swift, sleek fish, while the other half connects to a strong-winged, graceful bird. The fish's fins will guide where to place the oars, and the tail offers hints on the shape and position of the rudder. This helps us determine where the boat should be widest and deepest in the hold. The bird illustrates how to set up and adjust the sails and what shape the bow should have to balance the boat and effectively cut through the air and water.

The boat took to the water; from of old there had been a tacit league struck between these two, and now it gladly availed itself of the old law that the heavier shall float the lighter.

The boat hit the water; for a long time, there had been an unspoken agreement between these two, and now it happily made use of the old rule that the heavier will lift the lighter.

Two masts we had provided, one to serve for a tent-pole at night, and likewise other slender poles, that we might exchange the tedium of rowing for poling in shallow reaches. At night we lay on a buffalo-skin under a tent of drilled cotton eight feet high and as many in diameter, which effectually defended from dampness, so short a step is it from tiled roofs to drilled cotton, from carpeted floors to a buffalo-skin.[128] 138

We had two masts, one to use as a tent pole at night, along with some other thin poles so we could swap the monotony of rowing for poling in shallow waters. At night, we slept on a buffalo hide under a tent made of drilled cotton that was eight feet tall and just as wide, which kept us dry since it’s a small leap from tiled roofs to drilled cotton and from carpeted floors to a buffalo hide.[128] 138

There were a few berries left still on the hills, hanging with brave content by the slenderest threads.[129]

There were a few berries still on the hills, hanging with proud content by the thinnest threads.[129]

As the night stole over, such a freshness stole across the meadow that every blade of cut-grass seemed to teem with life.[130]

As night fell, a refreshing coolness spread across the meadow, making every blade of cut grass seem full of life.[130]

We stole noiselessly down the stream, occasionally driving a pickerel from the covert of the pads, or a bream from her nest, and the small green bittern would now and then sail away on sluggish wings from some recess of the shore.[131] With its patient study by rocks and sandy capes, has it wrested the whole of her secret from Nature yet? It has looked out from its dull eye for so long, standing on one leg, on moon and stars sparkling through silence and dark, and now what a rich experience is its! What says it of stagnant pools, and reeds, and damp night fogs? It would be worth while to look in the eye which has been open and seeing at such hours and in such solitudes. When I behold that dull yellowish green, I wonder if my own soul is not a bright, invisible green. I would fain lay my eye side by side with its and learn of it.[132]

We quietly glided down the stream, occasionally startling a pickerel from its hiding place among the pads, or a bream from her nest, and now and then a small green bittern would lift off on sluggish wings from some hidden spot along the shore.[131] Has it uncovered all of Nature's secrets with its patient watch by the rocks and sandy shores? It has been peering out with its dull eye for so long, standing on one leg, under the moon and stars sparkling in the stillness and darkness, and now what a rich experience it has! What does it think of stagnant pools, reeds, and damp night fogs? It would be worth it to look into the eyes that have been open and observing at such hours and in such isolation. When I see that dull yellowish green, I wonder if my own soul isn't a bright, invisible green. I would love to position my eye next to its and learn from it.[132]

End of my Journal of 546 pages.[133] 139

End of my Journal of 546 pages.[133] 139

June 14.

June 14.

Λόγος τοῦ ἔργου ἄνευ ὕλης.Aristotle's definition of art.[134]

Reason for work without substance.Aristotle's definition of art.[134]

Ὅ χρή σε νοεῖν νόου ἄνθει.Chaldaic Oracles.

You might grasp what you're thinking.Chaldaic Oracles.

Ἐγώ εἰμι πᾶν τὸ γεγονὸν, καὶ ὂν, καὶ ἐσόμενον, καὶ τὸν ἐμὸν πέπλον οὐδείς πω θνητὸς ἀπεκάλυψεν.Inscription upon the temple at Sais.

I am everything that has happened, is happening, and will happen, and no human has ever revealed my secret.Inscription upon the temple at Sais.

Plotinus aimed at ἐπαφήν, and παρουσίαν ἐπιστήμης κρείττονα, and τὸ ἑαυτὸν κέντρον τῷ οἷον πάντων κέντρῳ συνάπτειν.

Plotinus aimed at ἐπαφήν, and In the presence of greater knowledge, connect your own center to the center of everything.

Μέλλει τὸ Θεῖον δ' ἐστὶ τοιοῦτον φύσει.Euripides in Orestes.

The Divine is like this.Euripides in Orestes.

"The right Reason is in part divine, in part human; the second can be expressed, but no language can translate the first."—Empedocles.

"The right reason is partly divine and partly human; the second can be expressed, but no language can translate the first."—Empedocles.

"In glory and in joy,

"In glory and joy,"

Behind his plough, upon the mountain-side!"[135]

Behind his plow, on the mountain side!"[135]

I seemed to see the woods wave on a hundred mountains, as I read these lines, and the distant rustling of their leaves reached my ear.

I could almost see the trees swaying across a hundred mountains as I read these lines, and I could hear the distant rustling of their leaves.

June 15. I stood by the river to-day considering the forms of the elms reflected in the water. For every oak 140 and birch, too, growing on the hilltop, as well as for elms and willows, there is a graceful ethereal tree making down from the roots, as it were the original idea of the tree, and sometimes Nature in high tides brings her mirror to its foot and makes it visible.[136] Anxious Nature sometimes reflects from pools and puddles the objects which our grovelling senses may fail to see relieved against the sky with the pure ether for background.

June 15. I stood by the river today, watching the shapes of the elms reflected in the water. For every oak and birch growing on the hilltop, as well as the elms and willows, there's a graceful, ethereal version of the tree reaching down from the roots, as if it’s the original idea of the tree. Sometimes Nature, during high tides, brings her mirror to its base and makes it visible. Anxious Nature sometimes reflects from pools and puddles the things that our limited senses might fail to see, set against the sky with the clear atmosphere as a background.[136]

It would be well if we saw ourselves as in perspective always, impressed with distinct outline on the sky, side by side with the shrubs on the river's brim. So let our life stand to heaven as some fair, sunlit tree against the western horizon, and by sunrise be planted on some eastern hill to glisten in the first rays of the dawn.

It would be great if we always saw ourselves in perspective, clearly outlined against the sky, next to the bushes by the riverbank. Let our lives stand towards heaven like a beautiful, sunlit tree against the western horizon, and by sunrise be set on some eastern hill to shine in the first light of dawn.

Why always insist that men incline to the moral side of their being? Our life is not all moral. Surely, its actual phenomena deserve to be studied impartially. The science of Human Nature has never been attempted, as the science of Nature has. The dry light has never shone on it. Neither physics nor metaphysics have touched it.

Why do we always insist that men lean toward the moral side of their nature? Our lives aren't entirely about morality. The actual events and experiences of life deserve to be looked at objectively. The study of Human Nature has never been approached the same way as the study of Nature. The objective analysis has never focused on it. Neither physics nor metaphysics have addressed it.

We have not yet met with a sonnet, genial and affectionate, to prophane swearing, breaking on the still night air, perhaps, like the hoarse croak of some bird. Noxious weeds and stagnant waters have their lovers, and the utterer of oaths must have honeyed lips, and be another Attic bee after a fashion, for only prevalent and essential harmony and beauty can employ the laws of sound and of light. 141

We haven't encountered a sonnet that's warm and loving, to disrespectfully swear, breaking the quiet night air, maybe like the rough croak of some bird. Unpleasant weeds and still waters have their admirers, and someone who swears must have sweet lips, and be like another Attic bee in a way, because only the most common and essential harmony and beauty can use the laws of sound and light. 141

Trees Reflected in the River

Trees Reflecting in the River

June 16. The river down which we glided for that long afternoon was like a clear drop of dew with the heavens and the landscape reflected in it. And as evening drew on, faint purple clouds began to be reflected in its water, and the cow-bells tinkled louder and more incessantly on the banks, and like shy water-rats we stole along near the shore, looking out for a place to pitch our camp.[137]

June 16. The river we floated down that long afternoon looked like a clear drop of dew, with the sky and the landscape mirrored in it. As evening approached, soft purple clouds started to reflect in the water, and the cowbells rang louder and more continuously from the banks. Like timid water rats, we quietly moved along the shore, searching for a spot to set up our camp.[137]

It seems insensibly to grow lighter as night shuts in; the furthest hamlet begins to be revealed, which before lurked in the shade of the noon.[138] It twinkles now through the trees like some fair evening star darting its ray across valley and wood.

It seems to gradually get lighter as night falls; the farthest village starts to become visible, which was hidden in the noon's shade. [138] It now sparkles through the trees like a beautiful evening star casting its light across the valley and forest.

Would it not be a luxury to stand up to one's chin in some retired swamp for a whole summer's day, scenting the sweet-fern and bilberry blows, and lulled by the minstrelsy of gnats and mosquitoes? A day passed in the society of those Greek sages, such as described in the "Banquet" of Xenophon, would not be comparable with the dry wit of decayed cranberry vines, and the fresh Attic salt of the moss beds. Say twelve hours of genial and familiar converse with the leopard frog. The sun to rise behind alder and dogwood, and climb buoyantly to his meridian of three hands' breadth, and finally sink to rest behind some bold western hummock. To hear the evening chant of the mosquito from a thousand green chapels, and the bittern begin to boom from his concealed fort like a sunset gun! Surely, one may as profitably be soaked in the juices of a marsh for 142 one day, as pick his way dry-shod over sand. Cold and damp,—are they not as rich experience as warmth and dryness?[139]

Wouldn't it be a luxury to stand knee-deep in a secluded swamp for an entire summer day, breathing in the scent of sweet-fern and blueberry bushes, and being lulled by the music of gnats and mosquitoes? A day spent with Greek philosophers, like those described in Xenophon's "Banquet," wouldn't compare to the dry humor of faded cranberry vines and the fresh scent of moss beds. Imagine twelve hours of friendly conversation with a leopard frog. The sun rising behind alder and dogwood, climbing happily to its peak, and then finally setting behind some bold western hill. Hearing the evening chorus of mosquitoes from a thousand green spots, and the bittern starting to boom from its hidden spot like a sunset signal! Surely, it’s just as worthwhile to soak in the essence of a marsh for 142 one day, as it is to navigate dry land over sand. Cold and damp—aren't they just as valuable as warmth and dryness?[139]

So is not shade as good as sunshine, night as day? Why be eagles and thrushes always, and owls and whip-poor-wills never?

So isn't shade just as good as sunshine, and night as day? Why be eagles and thrushes all the time, while owls and whip-poor-wills never?

I am pleased to see the landscape through the bottom of a tumbler, it is clothed in such a mild, quiet light, and the barns and fences checker and partition it with new regularity. These rough and uneven fields stretch away with lawn-like smoothness to the horizon. The clouds are finely distinct and picturesque, the light-blue sky contrasting with their feathery whiteness. They are fit drapery to hang over Persia.[140] The smith's shop, resting in such a Grecian light, is worthy to stand beside the Parthenon. The potato and grain fields are such gardens as he imagines who has schemes of ornamental husbandry.

I’m happy to see the landscape through the bottom of a glass; it’s wrapped in a soft, gentle light, and the barns and fences create a neat pattern across it. These rough, uneven fields stretch out like a smooth lawn to the horizon. The clouds are beautifully defined and picturesque, with the light blue sky contrasting against their fluffy whiteness. They would be perfect drapes over Persia.[140] The blacksmith's shop, bathed in such a Greek light, deserves to stand beside the Parthenon. The potato and grain fields look like the gardens imagined by someone dreaming of beautiful farming.

If I were to write of the dignity of the farmer's life, I would behold his farms and crops through a tumbler. All the occupations of men are ennobled so.

If I were to write about the dignity of a farmer's life, I would look at his fields and harvests through a glass. All jobs people do are made noble this way.

Our eyes, too, are convex lenses, but we do not learn with the eyes; they introduce us, and we learn after by converse with things.

Our eyes are also curved lenses, but we don’t learn through our eyes; they show us things, and we learn later by interacting with them.

June 17. Our lives will not attain to be spherical by lying on one or the other side forever; but only by resigning ourselves to the law of gravity in us, will our axis become coincident with the celestial axis, and [only]143 by revolving incessantly through all circles, shall we acquire a perfect sphericity.[141]

June 17. Our lives won't become well-rounded by staying stuck on one side forever; only by accepting the gravity within us can our axis align with the celestial axis, and [only]143 by constantly revolving through all circles will we achieve a perfect roundness.[141]

Men are inclined to lay the chief stress on likeness and not on difference. We seek to know how a thing is related to us, and not if it is strange. We call those bodies warm whose temperature is many degrees below our own, and never those cold which are warmer than we. There are many degrees of warmth below blood heat, but none of cold above it.[142]

Men tend to focus more on similarities than differences. We want to understand how something relates to us rather than if it's unusual. We describe substances as warm if their temperature is several degrees lower than ours, and we never refer to things as cold if they are warmer than we are. There are many levels of warmth that are lower than body temperature, but none that are above it.[142]

Even the motto "Business before friends" admits of a high interpretation. No interval of time can avail to defer friendship. The concerns of time must be attended to in time. I need not make haste to explore the whole secret of a star; if it were vanished quite out of the firmament, so that no telescope could longer discover it, I should not despair of knowing it entirely one day.

Even the saying "Business before friends" can be understood in a deeper way. No amount of time can put friendship on hold. The matters of time need to be dealt with when they're due. I don't need to rush to uncover the entire mystery of a star; even if it completely disappears from the sky and no telescope can find it anymore, I wouldn't lose hope of fully understanding it one day.

We meet our friend with a certain awe, as if he had just lighted on the earth, and yet as if we had some title to be acquainted with him by our old familiarity with sun and moon.

We meet our friend with a sense of wonder, as if he just arrived on earth, yet also as if we have some right to know him because of our long familiarity with the sun and moon.

June 18. I should be pleased to meet man in the woods. I wish he were to be encountered like wild caribous and moose.

June 18. I would be happy to meet a person in the woods. I wish they could be found like wild caribou and moose.

I am startled when I consider how little I am actually concerned about the things I write in my journal.

I am surprised when I think about how little I really care about the things I write in my journal.

144 Think of the Universal History, and then tell me,—when did burdock and plantain sprout first?[143]

144 Consider Universal History, and now tell me—when did burdock and plantain first appear?[143]

A fair land, indeed, do books spread open to us, from the Genesis down; but alas! men do not take them up kindly into their own being, and breathe into them a fresh beauty, knowing that the grimmest of them belongs to such warm sunshine and still moonlight as the present.

A beautiful world, indeed, do books reveal to us, from the Genesis onward; but unfortunately, people don’t embrace them into their lives and infuse them with new beauty, even though the darkest stories are connected to the warm sunshine and calm moonlight of today.

Of what consequence whether I stand on London bridge for the next century, or look into the depths of this bubbling spring which I have laid open with my hoe?

Of what difference does it make if I stay on London Bridge for the next hundred years, or gaze into the depths of this bubbling spring that I've uncovered with my hoe?

June 19. The other day I rowed in my boat a free, even lovely young lady, and, as I plied the oars, she sat in the stern, and there was nothing but she between me and the sky.[144] So might all our lives be picturesque if they were free enough, but mean relations and prejudices intervene to shut out the sky, and we never see a man as simple and distinct as the man-weathercock on a steeple.

June 19. The other day, I took a beautiful young woman out in my boat, and while I rowed, she sat in the back, with nothing but her between me and the sky. [144] Our lives could be just as beautiful if they were free enough, but our petty relationships and biases get in the way and block out the sky, preventing us from seeing people as clear and straightforward as the weather vane on a steeple.

The faint bugle notes which I hear in the west seem to flash on the horizon like heat lightning.[145] Cows low in the street more friendly than ever, and the note of the whip-poor-will, borne over the fields, is the voice with which the woods and moonlight woo me.

The soft sound of a bugle I hear in the west flashes on the horizon like heat lightning. [145] Cows moo in the street, more friendly than ever, and the call of the whip-poor-will, carried over the fields, is the voice with which the woods and moonlight invite me.

I shall not soon forget the sounds which lulled me when falling asleep on the banks of the Merrimack. 145 Far into night I hear some tyro beating a drum incessantly with a view to some country muster, and am thrilled by an infinite sweetness as of a music which the breeze drew from the sinews of war. I think of the line,—

I won't soon forget the sounds that lulled me to sleep on the banks of the Merrimack. 145 Late into the night, I can hear some beginner beating a drum over and over, likely getting ready for some local muster, and I'm filled with a deep sweetness, like a music that the breeze pulled from the very essence of war. I think of the line,—

"When the drum beat at dead of night."

"When the drum beat in the dead of night."

How I wish it would wake the whole world to march to its melody, but still it drums on alone in the silence and the dark. Cease not, thou drummer of the night, thou too shalt have thy reward. The stars and the firmament hear thee, and their aisles shall echo thy beat till its call is answered, and the forces are mustered. The universe is attentive as a little child to thy sound, and trembles as if each stroke bounded against an elastic vibrating firmament. I should be contented if the night never ended, for in the darkness heroism will not be deferred, and I see fields where no hero has couched his lance.[146]

How I wish it would wake the whole world to march to its melody, but it still drums on alone in the silence and the dark. Don't stop, you drummer of the night; you too will get your reward. The stars and the sky hear you, and their paths will echo your beat until it's answered, and the forces gather. The universe listens like a little child to your sound and trembles as if each stroke bounced against a stretched vibrating sky. I would be happy if the night never ended, because in the darkness, heroism won't be put off, and I see fields where no hero has rested his lance.[146]

June 20. Perfect sincerity and transparency make a great part of beauty, as in dewdrops, lakes, and diamonds. A spring is a cynosure in the fields. All Muscovy glitters in the minute particles of mica on its bottom, and the ripples cast their shadows flickeringly on the white sand, as the clouds which flit across the landscape.

June 20. Complete honesty and openness are a big part of beauty, just like in dewdrops, lakes, and diamonds. A spring stands out in the fields. All of Muscovy sparkles with tiny mica particles on its bottom, and the ripples create dancing shadows on the white sand, much like the clouds that drift across the landscape.

Something like the woodland sounds will be heard to echo through the leaves of a good book. Sometimes I hear the fresh emphatic note of the oven-bird, and am 146 tempted to turn many pages; sometimes the hurried chuckling sound of the squirrel when he dives into the wall.

Something like the sounds of the woods can be heard echoing through the pages of a really good book. Sometimes I hear the clear, strong call of the oven-bird, and I'm tempted to flip through many pages; sometimes I hear the quick chattering of a squirrel as it dives into its burrow.

If we only see clearly enough how mean our lives are, they will be splendid enough. Let us remember not to strive upwards too long, but sometimes drop plumb down the other way, and wallow in meanness. From the deepest pit we may see the stars, if not the sun. Let us have presence of mind enough to sink when we can't swim. At any rate, a carcass had better lie on the bottom than float an offense to all nostrils. It will not be falling, for we shall ride wide of the earth's gravity as a star, and always be drawn upward still,—semper cadendo nunquam cadit,—and so, by yielding to universal gravity, at length become fixed stars.

If we just realize how tough our lives really are, they can actually be quite amazing. Let's not forget to stop trying to climb higher all the time; sometimes, we need to drop down and embrace the struggle. From the lowest point, we might still catch a glimpse of the stars, if not the sun. We should have the presence of mind to sink when we can't keep swimming. After all, a dead body is better off resting at the bottom than floating around as an offense to everyone. We won’t be falling, because we'll glide through the earth's gravity like a star, always being pulled upwards—always falling never falls—and by submitting to universal gravity, we can eventually become fixed stars.

Praise begins when things are seen partially. We begin to praise when we begin to see that a thing needs our assistance.

Praise starts when we see things only in part. We begin to praise when we realize that something needs our help.

When the heavens are obscured to us, and nothing noble or heroic appears, but we are oppressed by imperfection and shortcoming on all hands, we are apt to suck our thumbs and decry our fates. As if nothing were to be done in cloudy weather, or, if heaven were not accessible by the upper road, men would not find out a lower. Sometimes I feel so cheap that I am inspired, and could write a poem about it,—but straightway I cannot, for I am no longer mean. Let me know that I am ailing, and I am well. We should not always 147 beat off the impression of trivialness, but make haste to welcome and cherish it. Water the weed till it blossoms; with cultivation it will bear fruit. There are two ways to victory,—to strive bravely, or to yield. How much pain the last will save we have not yet learned.

When the skies are unclear and nothing inspiring or heroic shows up, and instead we’re weighed down by flaws and shortcomings all around us, we tend to sulk and complain about our fate. As if nothing can be achieved in gloomy weather, or that if we can’t reach the heavens by the usual path, we won’t be able to discover an alternative route. Sometimes I feel so low that it sparks creativity in me, and I think I could write a poem about it—but then I realize I’m feeling too good to do so. If I know that I’m struggling, then I’m actually doing fine. We shouldn’t always dismiss feelings of insignificance, but instead quickly embrace and appreciate them. Nurture the weeds until they bloom; with care, they’ll yield fruit. There are two paths to success—either to fight fiercely or to give in. We still haven't figured out how much pain the latter will spare us.

June 21. I shall not soon forget my first night in a tent,—how the distant barking of dogs for so many still hours revealed to me the riches of the night. Who would not be a dog and bay the moon?[147]

June 21. I won’t soon forget my first night in a tent—how the distant barking of dogs during those still hours opened my eyes to the wonders of the night. Who wouldn’t want to be a dog and howl at the moon?[147]

I never feel that I am inspired unless my body is also. It too spurns a tame and commonplace life. They are fatally mistaken who think, while they strive with their minds, that they may suffer their bodies to stagnate in luxury or sloth. The body is the first proselyte the Soul makes. Our life is but the Soul made known by its fruits, the body. The whole duty of man may be expressed in one line,—Make to yourself a perfect body.

I never feel truly inspired unless my body is too. It also rejects a dull and ordinary life. Those who think they can stimulate their minds while allowing their bodies to sink into comfort or laziness are gravely mistaken. The body is the first follower the Soul wins over. Our life is just the Soul revealed through its results, the body. The entire purpose of being human can be summed up in one line: Create a perfect body for yourself.

June 22. What a man knows, that he does.

June 22. A man does what he knows.

It is odd that people will wonder how Shakespeare could write as he did without knowing Latin, or Greek, or geography, as if these were of more consequence than to know how to whistle. They are not backward to recognize Genius,—how it dispenses with those furtherances which others require, leaps where they 148 crawl,—and yet they never cease to marvel that so it was,—that it was Genius, and helped itself.

It’s strange that people question how Shakespeare could write like he did without knowing Latin, Greek, or geography, as if those things matter more than knowing how to whistle. They’re quick to recognize Genius—how it operates without the support others need, jumping where they crawl—and yet they never stop marveling that it happened that way—that it was Genius, and it managed on its own.

Nothing can shock a truly brave man but dullness. One can tolerate many things. What mean these sly, suspicious looks, as if you were an odd fish, a piece of crockery-ware to be tenderly handled? Surely people forget how many rebuffs every man has experienced in his day,—perhaps has fallen into a horsepond, eaten freshwater clams, or worn one shirt for a week without washing. Cannot a man be as calmly tolerant as a potato field in the sun, whose equanimity is not disturbed by Scotch thistles over the wall, but there it smiles and waxes till the harvest, let thistles mount never so high? You cannot receive a shock, unless you have an electric affinity for that which shocks you. Have no affinity for what is shocking.[148]

Nothing can really shock a truly brave person except boredom. You can put up with many things. What do those sly, suspicious looks mean, as if you were some odd creature, like fragile porcelain that needs to be carefully handled? People seem to forget how many rejections everyone has faced in their lives—maybe they've fallen into a muddy puddle, eaten freshwater clams, or gone a week wearing the same shirt without washing it. Can’t a person be as calmly accepting as a potato field under the sun, whose peace isn’t disturbed by thistles on the other side of the wall, but instead stands smiling and thriving until harvest time, no matter how high those thistles grow? You can’t be shocked unless you have an attraction to what shocks you. So, avoid having any connection to what’s shocking. [148]

Do not present a gleaming edge to ward off harm, for that will oftenest attract the lightning, but rather be the all-pervading ether which the lightning does not strike but purify. Then will the rudeness or profanity of your companion be like a flash across the face of your sky, lighting up and revealing its serene depths.[149] Earth cannot shock the heavens; but its dull vapor and foul smoke make a bright cloud spot in the ether, and anon the sun, like a cunning artificer, will cut and paint it, and set it for a jewel in the breast of the sky.[150] 149

Don't show a sharp edge to fend off danger, because that will usually attract the lightning; instead, be the all-encompassing ether that lightning doesn’t strike but purifies. Then, the rudeness or profanity of your companion will be like a flash across your sky, illuminating and revealing its peaceful depths.[149] Earth can't shock the heavens; but its dull vapor and foul smoke create a bright patch in the ether, and soon the sun, like a clever craftsman, will cut and paint it, setting it as a gem in the heart of the sky.[150] 149

When we are shocked at vice we express a lingering sympathy with it. Dry rot, rust, and mildew shock no man, for none is subject to them.

When we are appalled by wrongdoing, we show a lingering connection to it. Dry rot, rust, and mildew don't shock anyone, because no one is affected by them.

June 23. We Yankees are not so far from right, who answer one question by asking another. Yes and No are lies. A true answer will not aim to establish anything, but rather to set all well afloat. All answers are in the future, and day answereth to day. Do we think we can anticipate them?

June 23. We Yankees aren’t that far off when we answer one question with another. Yes and No are both misleading. A genuine answer doesn’t try to prove anything; it just aims to keep everything in motion. All answers lie ahead of us, and one day leads to the next. Do we really believe we can predict them?

In Latin, to respond is to pledge one's self before the gods to do faithfully and honorably, as a man should, in any case. This is good.

In Latin, to respond is to commit oneself before the gods to act faithfully and honorably, as one should in any situation. This is good.

Music soothes the din of philosophy and lightens incessantly over the heads of sages.[151]

Music calms the noise of philosophy and constantly uplifts the minds of wise thinkers.[151]

How can the language of the poet be more expressive than nature? He is content that what he has already read in simple characters, or indifferently in all, be translated into the same again.

How can a poet's words be more expressive than nature itself? He is satisfied that what he has already read in plain text, or indifferently by everyone, is translated back into the same.

He is the true artist whose life is his material; every stroke of the chisel must enter his own flesh and bone and not grate dully on marble.[152]

He is the real artist whose life is his material; every stroke of the chisel must dig into his own flesh and bone and not dullly scrape against marble.[152]

The Springs.—What is any man's discourse to me if I am not sensible of something in it as steady and cheery as the creak of the crickets? In it the woods must be relieved against the sky. Men tire me when I am not 150 constantly greeted and cheered in their discourse, as it were by the flux of sparkling streams.

The Springs.—What does any man's conversation mean to me if I don't feel something in it as steady and uplifting as the sound of crickets? It has to show the woods against the sky. People wear me out when I'm not 150 constantly welcomed and uplifted in their talk, as if by the flow of sparkling streams.

I cannot see the bottom of the sky, because I cannot see to the bottom of myself. It is the symbol of my own infinity. My eye penetrates as far into the ether as that depth is inward from which my contemporary thought springs.

I can't see the bottom of the sky because I can't see the bottom of myself. It symbolizes my own infinity. My perspective reaches as far into the atmosphere as the depth that my current thoughts come from.

Not by constraint or severity shall you have access to true wisdom, but by abandonment, and childlike mirthfulness. If you would know aught, be gay before it.

Not through force or harshness will you gain true wisdom, but through letting go and a childlike joy. If you want to learn anything, approach it with a cheerful spirit.

June 24. When I read Cudworth I find I can tolerate all,—atomists, pneumatologists, atheists, and theists,—Plato, Aristotle, Leucippus, Democritus, and Pythagoras. It is the attitude of these men, more than any communication, which charms me. It is so rare to find a man musing. But between them and their commentators there is an endless dispute. But if it come to that, that you compare notes, then you are all wrong. As it is, each takes me up into the serene heavens, and paints earth and sky. Any sincere thought is irresistible; it lifts us to the zenith, whither the smallest bubble rises as surely as the largest.

June 24. When I read Cudworth, I find I can accept everyone—atomists, pneumatologists, atheists, and theists—Plato, Aristotle, Leucippus, Democritus, and Pythagoras. It's their attitude, more than anything they say, that captivates me. It's so rare to find someone deep in thought. But between them and their commentators, there's never-ending debate. However, if it comes down to comparing notes, then you're all mistaken. As it stands, each one of them elevates me into the calm heavens, painting earth and sky. Any genuine thought is compelling; it lifts us to the peak, where even the tiniest bubble rises just as surely as the largest.

Dr. Cudworth does not consider that the belief in a deity is as great a heresy as exists. Epicurus held that the gods were "of human form, yet were so thin and subtile, as that, comparatively with our terrestrial bodies, they might be called incorporeal; they having not so much carnem as quasi-carnem, nor sanguinem as quasi-sanguinem, a certain kind of aerial or ethereal 151 flesh and blood." This, which Cudworth pronounces "romantical," is plainly as good doctrine as his own. As if any sincere thought were not the best sort of truth!

Dr. Cudworth doesn’t think that believing in a deity is the greatest heresy that exists. Epicurus believed that the gods were "human-like, but so thin and subtle that, compared to our earthly bodies, they could be called incorporeal; they have not so much carnem as quasi-carnem, nor sanguinem as quasi-sanguinem, a certain kind of airy or ethereal flesh and blood." This, which Cudworth calls "romantic," is clearly as valid a doctrine as his own. As if any genuine thought weren’t the best kind of truth!

There is no doubt but the highest morality in the books is rhymed or measured,—is, in form as well as substance, poetry. Such is the scripture of all nations. If I were to compile a volume to contain the condensed wisdom of mankind, I should quote no rhythmless line.[153]

There’s no doubt that the highest morality in literature is expressed in rhyme or meter—it's, in both form and content, poetry. This is the scripture of all cultures. If I were to put together a collection of the distilled wisdom of humanity, I wouldn’t include any lines that lack rhythm. [153]

Not all the wit of a college can avail to make one harmonious line. It never happens. It may get so as to jingle, but a jingle is akin to a jar,—jars regularly recurring.[154]

Not all the cleverness from a college can create a single smooth line. It never works. It might sound like it rhymes, but a rhyme is similar to a clash—clashes happen regularly. [154]

So delicious is plain speech to my ears, as if I were to be more delighted by the whistling of the shot than frightened by the flying of the splinters, I am content, I fear, to be quite battered down and made a ruin of. I outgeneral myself when I direct the enemy to my vulnerable points.

So pleasing is straightforward talk to me, as if I’d be more thrilled by the sound of the bullet than scared by the flying debris, I worry that I'm okay with being completely crushed and turned into a wreck. I outsmart myself when I lead the enemy to my weak spots.

The loftiest utterance of Love is, perhaps, sublimely satirical. Sympathy with what is sound makes sport of what is unsound.

The highest expression of Love is, maybe, highly sarcastic. Compassion for what is healthy mocks what is unhealthy.

Cliffs. Evening.—Though the sun set a quarter of an hour ago, his rays are still visible, darting half-way to the zenith. That glowing morrow in the west flashes on me like a faint presentiment of morning when I am 152 falling asleep. A dull mist comes rolling from the west, as if it were the dust which day has raised. A column of smoke is rising from the woods yonder, to uphold heaven's roof till the light comes again. The landscape, by its patient resting there, teaches me that all good remains with him that waiteth, and that I shall sooner overtake the dawn by remaining here, than by hurrying over the hills of the west.

Cliffs. Evening.—Even though the sun set about fifteen minutes ago, its rays are still visible, reaching halfway to the sky. That glowing light in the west feels like a faint hint of morning as I drift off to sleep. A thick mist rolls in from the west, as if it's the dust stirred up by the day. A column of smoke rises from the woods over there, holding up the sky until the light returns. The landscape, patiently resting there, reminds me that all good things come to those who wait, and that I’ll catch the dawn faster by staying here than by rushing over the hills to the west.

Morning and evening are as like as brother and sister. The sparrow and thrush sing and the frogs peep for both.

Morning and evening are as similar as siblings. The sparrow and thrush sing, and the frogs croak for both.

The woods breathe louder and louder behind me. With what hurry-skurry night takes place! The wagon rattling over yonder bridge is the messenger which day sends back to night; but the dispatches are sealed. In its rattle the village seems to say, This one sound, and I have done.

The woods are getting louder behind me. What a chaotic night it is! The wagon rattling over that bridge is the message that day sends back to night; but the messages are sealed. In its rattle, the village seems to say, This one sound, and I'm done.

Red, then, is Day's color; at least it is the color of his heel. He is 'stepping westward.' We only notice him when he comes and when he goes.

Red, then, is Day's color; at least it's the color of his heel. He is 'stepping westward.' We only notice him when he arrives and when he leaves.

With noble perseverance the dog bays the stars yonder. I too, like thee, walk alone in this strange, familiar night, my voice, like thine, beating against its friendly concave; and barking I hear only my own voice. 10 o'clock.

With noble determination, the dog howls at the stars up there. I, too, like you, walk alone in this strange yet familiar night, my voice, like yours, echoing against its welcoming curve; and while barking, I only hear my own voice. 10 o'clock.

June 25. Let me see no other conflict but with prosperity. If my path run on before me level and smooth, it is all a mirage; in reality it is steep and arduous as a chamois pass. I will not let the years roll over me like a Juggernaut car. 153

June 25. I don’t want any struggle except for success. If my journey ahead looks flat and easy, it’s all an illusion; in truth, it’s as steep and challenging as a mountain pass. I refuse to let the years pass me by like a massive, unstoppable force. 153

We will warm us at each other's fire. Friendship is not such a cold refining process as a double sieve, but a glowing furnace in which all impurities are consumed.

We will warm ourselves by each other's fire. Friendship isn't a cold, complicated process like a double sieve, but rather a blazing furnace where all impurities are burned away.

Men have learned to touch before they scrutinize,—to shake hands, and not to stare.

Men have learned to connect before they examine— to shake hands and not to gawk.

June 26. The best poetry has never been written, for when it might have been, the poet forgot it, and when it was too late remembered it; or when it might have been, the poet remembered it, and when it was too late forgot it.

June 26. The best poetry has never been written because when it could have been, the poet forgot it, and when it was too late, they remembered it; or when it could have been, the poet remembered it, and when it was too late, they forgot it.

The highest condition of art is artlessness.

The best form of art is simplicity.

Truth is always paradoxical.

Truth is always contradictory.

He will get to the goal first who stands stillest.

He who remains the most still will reach the goal first.

There is one let better than any help, and that is,—Let-alone.

There is one thing that's better than any help, and that is,—Leave it alone.

By sufferance you may escape suffering.

By enduring it, you might avoid pain.

He who resists not at all will never surrender.

The person who doesn't resist at all will never give up.

When a dog runs at you, whistle for him.

When a dog runs up to you, whistle for him.

Say, Not so, and you will outcircle the philosophers.

Say no, and you'll surpass the philosophers.

Stand outside the wall, and no harm can reach you.

Stand outside the wall, and nothing can harm you.

The danger is that you be walled in with it.

The risk is that you'll be trapped by it.

June 27. I am living this 27th of June, 1840, a dull, cloudy day and no sun shining. The clink of the smith's hammer sounds feebly over the roofs, and the wind is sighing gently, as if dreaming of cheerfuller days. The farmer is plowing in yonder field, craftsmen are busy in the shops, the trader stands behind the counter, and all works go steadily forward. But I will have nothing to do; I will tell fortune that I play no game with her, 154 and she may reach me in my Asia of serenity and indolence if she can.

June 27. Here I am on this 27th of June, 1840, on a dull, overcast day with no sun in sight. The faint sounds of the blacksmith’s hammer echo weakly over the rooftops, and the wind sighs gently, as if longing for brighter days. The farmer is plowing in the field over there, workers are busy in their shops, the merchant stands behind the counter, and everything continues to move steadily along. But I don't want to engage; I will let fate know that I’m not playing her game, 154 and she can find me in my peaceful, lazy world if she can.

For an impenetrable shield, stand inside yourself.[155]

For an unbreakable barrier, look within yourself.[155]

He was no artist, but an artisan, who first made shields of brass.[156]

He wasn't an artist, but a craftsman, who first made brass shields. [156]

Unless we meet religiously, we prophane one another. What was the consecrated ground round the temple, we have used as no better than a domestic court.

Unless we meet regularly, we disrespect each other. What was the sacred ground around the temple, we have treated as nothing more than a family courtroom.

Our friend's is as holy a shrine as any God's, to be approached with sacred love and awe. Veneration is the measure of Love. Our friend answers ambiguously, and sometimes before the question is propounded, like the oracle of Delphi. He forbears to ask explanation, but doubts and surmises darkly with full faith, as we silently ponder our fates.

Our friend's space is as sacred as any holy place and should be approached with love and respect. How much we honor him reflects our love. Our friend responds in vague ways, sometimes even before we've asked a question, like the oracle of Delphi. He doesn’t ask for clarification but instead holds onto doubts and guesses quietly, while we think about our futures.

In no presence are we so susceptible to shame. Our hour is a sabbath, our abode a temple, our gifts peace offerings, our conversation a communion, our silence a prayer. In prophanity we are absent, in holiness near, in sin estranged, in innocence reconciled.

In no situation are we as vulnerable to shame. Our time together is a sacred pause, our home a sanctuary, our contributions gifts of peace, our conversations a shared bond, our silence an act of prayer. In moments of disrespect, we are distant; in moments of holiness, we are close; in sin, we feel isolated; in innocence, we find unity.

June 28. The prophane never hear music; the holy ever hear it. It is God's voice, the divine breath audible. Where it is heard, there is a sabbath. It is omnipotent; all things obey it as they obey virtue. It is the herald of virtue.[157] It passes by sorrow, for grief hangs its harp on the willows. 155

June 28. The unholy never hear music; the holy always do. It’s God’s voice, the divine breath that can be heard. Where it’s heard, there is a sense of peace. It’s all-powerful; everything obeys it just like they obey what’s right. It announces what’s good. It overlooks sorrow, because grief hangs its harp on the willows. 155

June 29. Of all phenomena, my own race are the most mysterious and undiscoverable. For how many years have I striven to meet one, even on common manly ground, and have not succeeded!

June 29. Of all phenomena, my own people are the most mysterious and hard to understand. For how many years have I tried to connect with one, even on basic human terms, and have not succeeded!

June 30. I sailed from Fair Haven last evening as gently and steadily as the clouds sail through the atmosphere. The wind came blowing blithely from the southwest fields, and stepped into the folds of our sail like a winged horse, pulling with a strong and steady impulse. The sail bends gently to the breeze, as swells some generous impulse of the heart, and anon flutters and flaps with a kind of human suspense. I could watch the motions of a sail forever, they are so rich and full of meaning. I watch the play of its pulse, as if it were my own blood beating there. The varying temperature of distant atmospheres is graduated on its scale. It is a free, buoyant creature, the bauble of the heavens and the earth. A gay pastime the air plays with it. If it swells and tugs, it is because the sun lays his windy finger on it. The breeze it plays with has been outdoors so long. So thin is it, and yet so full of life; so noiseless when it labors hardest, so noisy and impatient when least serviceable.[158] So am I blown on by God's breath, so flutter and flap, and fill gently out with the breeze.

June 30. I left Fair Haven last night, moving as smoothly and steadily as the clouds drift through the sky. The wind was blowing cheerfully from the southwest fields, filling our sail like a winged horse, pulling with a strong and steady force. The sail bends gently to the breeze, just like a swell of emotion from the heart, and at times flutters and flaps with a sense of human anticipation. I could watch the movement of a sail forever; it’s so rich and full of meaning. I observe the rhythm of its pulse, as if it were my own blood beating within it. The different temperatures of distant air are mirrored on its surface. It’s a free, buoyant creation, a playful interaction between heaven and earth. The air dances with it joyfully. If it puffs up and pulls, it’s because the sun touches it with its windy hand. The breeze it dances with has been outside for a long time. It’s so light yet so full of life; so silent when it’s working hardest, yet so loud and restless when it’s least effective. [158] Just like that, I’m carried forward by God’s breath, fluttering and filling with the breeze.

In this fresh evening each blade and leaf looks as if it had been dipped in an icy liquid greenness. Let eyes that ache come here and look,—the sight will be a sovereign eyewater,—or else wait and bathe them in the dark. 156

In this cool evening, every blade and leaf looks like it’s been dipped in a fresh, icy green. If your eyes are tired, come here and look—the view will be a true relief—or just wait and rest them in the dark. 156

We go forth into the fields, and there the wind blows freshly onward, and still on, and we must make new efforts not to be left behind. What does the dogged wind intend, that, like a willful cur, it will not let me turn aside to rest or content? Must it always reprove and provoke me, and never welcome me as an equal?

We step out into the fields, where the wind blows fresh and strong, urging us to keep going, and we have to make new efforts not to fall behind. What does this persistent wind want, that, like a stubborn dog, it won’t let me pause or feel at ease? Must it always criticize and challenge me, and never treat me as an equal?

The truth shall prevail and falsehood discover itself, as long as the wind blows on the hills.

The truth will triumph and lies will reveal themselves, as long as the wind blows over the hills.

A man's life should be a stately march to a sweet but unheard music, and when to his fellows it shall seem irregular and inharmonious, he will only be stepping to a livelier measure, or his nicer ear hurry him into a thousand symphonies and concordant variations. There will be no halt ever, but at most a marching on his post, or such a pause as is richer than any sound, when the melody runs into such depth and wildness as to be no longer heard, but implicitly consented to with the whole life and being. He will take a false step never, even in the most arduous times, for then the music will not fail to swell into greater sweetness and volume, and itself rule the movement it inspired.[159]

A man's life should be a grand march to a beautiful but silent music, and when it appears to others as chaotic and dissonant, he’s just dancing to a more lively beat, or his keen ear might lead him into countless harmonies and variations. There will never be a complete stop, just a pause at his post, or a moment that’s richer than any sound when the melody dives into such depth and wildness that it can no longer be heard, but it is fully embraced by his entire life and being. He will never take a wrong step, even during tough times, because then the music will certainly swell into greater sweetness and volume, guiding the movement it inspired.[159]

I have a deep sympathy with war, it so apes the gait and bearing of the soul.

I have a strong sympathy for war; it imitates the way the soul moves and presents itself.

Value and effort are as much coincident as weight and a tendency to fall. In a very wide but true sense, effort is the deed itself, and it is only when these sensible stuffs intervene, that our attention is distracted from 157 the deed to the accident. It is never the deed men praise, but some marble or canvas which are only a staging to the real work.[160]

Value and effort go hand in hand, just like weight and the tendency to fall. In a broader but accurate sense, effort is the action itself, and it’s only when these tangible things come into play that our focus shifts from the action to the circumstance. People never really praise the action itself, but instead some stone or artwork that serve merely as a backdrop to the true creation.

July 1. To be a man is to do a man's work; always our resource is to endeavor. We may well say, Success to our endeavors. Effort is the prerogative of virtue.[161]

July 1. Being a man means doing a man’s work; our best resource is to keep trying. We can confidently say, Cheers to our efforts. Hard work is the right of those with virtue.[161]

The true laborer is recompensed by his labor, not by his employer. Industry is its own wages. Let us not suffer our hands to lose one jot of their handiness by looking behind to a mean recompense, knowing that our true endeavor cannot be thwarted, nor we be cheated of our earnings unless by not earning them.[162]

The real worker is rewarded by their work, not by their boss. Hard work is its own pay. Let’s not let our skills fade by focusing on a small reward, knowing that our true efforts can’t be stopped, and we can’t be cheated out of our earnings unless we don’t earn them.[162]

The true poem is not that which the public read. There is always a poem not printed on paper, coincident with the production of this, which is stereotyped in the poet's life, is what he has become through his work. Some symbol of value may shape itself to the senses in wood, or marble, or verse, but this is fluctuating as the laborer's hire, which may or may not be withheld. His very material is not material but supernatural. Perhaps the hugest and most effective deed may have no sensible result at all on earth, but paint itself in the heavens in new stars and constellations. Its very material lies out of nature. When, in rare moments, we strive wholly with one consent, which we call a yearning, we may not hope that our work will stand in any artist's gallery.[163] 158 Let not the artist expect that his true work will stand in any prince's gallery.

The real poem isn’t what people read. There’s always a poem that isn’t printed, existing alongside this one, which is marked by the poet’s life and what they’ve become through their craft. Some symbol of value might take shape in wood, marble, or verse, but it’s as unpredictable as a worker's pay, which could be given or withheld. The very material isn't just physical; it’s something beyond the natural. Maybe the greatest and most impactful act won’t have any visible result on earth but will manifest in the sky as new stars and constellations. Its essence goes beyond nature. In those rare moments when we all come together with a shared desire, which we call yearning, we can’t expect our work to be in any artist’s gallery. [163] 158 An artist shouldn’t expect their true work to hang in any prince’s gallery.

July 2. I am not taken up, like Moses, upon a mountain to learn the law, but lifted up in my seat here, in the warm sunshine and genial light.

July 2. I’m not being taken up a mountain like Moses to learn the law, but I’m sitting here, enjoying the warm sunshine and pleasant light.

They who are ready to go are already invited.

Those who are ready to go are already invited.

Neither men nor things have any true mode of invitation but to be inviting.

Neither men nor things have any real way to invite others except by being inviting.

Can that be a task which all things abet, and to postpone which is to strive against nature?[164]

Can that be a task that everything supports, and to delay it is to go against nature?[164]

July 3. When Alexander appears, the Hercynian and Dodonean woods seem to wave a welcome to him.

July 3. When Alexander shows up, the Hercynian and Dodonean forests seem to greet him with a wave.

Do not thoughts and men's lives enrich the earth and change the aspect of things as much as a new growth of wood?

Do not people's thoughts and lives enhance the earth and change how things look as much as a new growth of trees?

What are Godfrey and Gonsalvo unless we breathe a life into them, and reënact their exploits as a prelude to our own? The past is only so heroic as we see it; it is the canvas on which our conception of heroism is painted, the dim prospectus of our future field. We are dreaming of what we are to do.[165]

What are Godfrey and Gonsalvo if we don't bring them to life and act out their adventures as a warm-up for our own? The past is only as heroic as we perceive it; it's the background on which our idea of heroism is created, the vague outline of our future possibilities. We are imagining what we will achieve.[165]

The last sunrise I witnessed seemed to outshine the 159 splendor of all preceding ones, and I was convinced that it behooved man to dawn as freshly, and with equal promise and steadiness advance into the career of life, with as lofty and serene a countenance to move onward through his midday to a yet fairer and more promising setting. Has the day grown old when it sets? and shall man wear out sooner than the sun? In the crimson colors of the west I discern the budding hues of dawn. To my western brother it is rising pure and bright as it did to me, but the evening exhibits in the still rear of day the beauty which through morning and noon escaped me.[166] When we are oppressed by the heat and turmoil of the noon, let us remember that the sun which scorches us with brazen beams is gilding the hills of morning and awaking the woodland quires for other men.

The last sunrise I saw seemed to outshine all the ones before it, and I felt that it was important for people to start each day fresh and move steadily through life, facing the world with hope and calm as they make their way toward a brighter and more promising end. Does the day become old as it sets? And will people wear out faster than the sun? In the red hues of the west, I can see the colors of dawn emerging. For my brother in the west, it rises clear and bright just as it did for me, but the evening shows a beauty that I missed in the morning and afternoon. When we feel overwhelmed by the heat and chaos of midday, let’s remember that the sun that beats down on us is shining on the morning hills and waking up the forests for others.

We will have a dawn, and noon, and serene sunset in ourselves.

We will have a dawn, a noon, and a calm sunset within ourselves.

What we call the gross atmosphere of evening is the accumulated deed of the day, which absorbs the rays of beauty, and shows more richly than the naked promise of the dawn. By earnest toil in the heat of the noon, let us get ready a rich western blaze against the evening of our lives.[167]

What we refer to as the overall vibe of the evening is the sum of what we've done during the day, which takes in the light of beauty and reveals more deeply than the bare promise of the morning. Through hard work in the heat of the day, let’s prepare an impressive sunset for the evening of our lives.[167]

Low-thoughted, plodding men have come and camped in my neighbor's field to-night, with camp music and bustle. Their bugle instantly finds a sounding board in the heavens, though mean lips blow it. The sky is delighted with strains which the connoisseur 160 rejects. It seems to say, Now is this my own earth.[168]

Low-minded, dull men have come and set up camp in my neighbor's field tonight, making music and a fuss. Their bugle immediately finds an echo in the sky, even though it's played by unskilled lips. The heavens are happy with melodies that a music expert would dismiss. It seems to say, Is this really my own world?

In music are the centripetal and centrifugal forces. The universe needed only to hear a divine harmony that every star might fall into its proper place and assume a true sphericity.[169]

In music, there are both centripetal and centrifugal forces. The universe just needed to listen to a divine harmony so that every star could fall into its rightful spot and take on a true spherical shape.[169]

July 4. 4 o'clock, a. m. The Townsend Light Infantry encamped last night in my neighbor's inclosure.

July 4. 4 o'clock, a.m. The Townsend Light Infantry set up camp last night in my neighbor's yard.

The night still breathes slumberously over field and wood, when a few soldiers gather about one tent in the twilight, and their band plays an old Scotch air, with bugle and drum and fife attempered to the season. It seems like the morning hymn of creation. The first sounds of the awakening camp, mingled with the chastened strains which so sweetly salute the dawn, impress me as the morning prayer of an army.[170]

The night still breathes sleepily over the fields and woods when a few soldiers gather around a tent in the twilight, and their band plays an old Scots tune, with bugle, drum, and fife suited to the moment. It feels like the morning hymn of creation. The first sounds of the waking camp, mixed with the gentle melodies that greet the dawn, strike me as the morning prayer of an army.[170]

And now the morning gun fires. The soldier awakening to creation and awakening it. I am sure none are cowards now. These strains are the roving dreams which steal from tent to tent, and break forth into distinct melody. They are the soldier's morning thought. Each man awakes himself with lofty emotions, and would do some heroic deed. You need preach no homily to him; he is the stuff they are made of. 161

And now the morning cannon goes off. The soldier wakes up to a new day and brings it to life. I’m certain there are no cowards left now. These sounds are the wandering dreams that move from tent to tent, bursting into recognizable tunes. They represent the soldier's morning thoughts. Each man rouses himself with high aspirations and wants to accomplish something heroic. There’s no need to give him a lecture; he’s made of that spirit. 161

The whole course of our lives should be analogous to one day of the soldier's. His Genius seems to whisper in his ear what demeanor is befitting, and in his bravery and his march he yields a blind and partial obedience.

The entire course of our lives should be similar to a soldier's day. His inner voice seems to guide him on how to behave, and in his courage and his steps, he follows an instinctive and selective obedience.

The fresher breeze which accompanies the dawn rustles the oaks and birches, and the earth respires calmly with the creaking of crickets. Some hazel leaf stirs gently, as if anxious not to awake the day too abruptly, while the time is hastening to the distinct line between darkness and light. And soldiers issue from their dewy tents, and as if in answer to expectant nature, sing a sweet and far-echoing hymn.

The refreshing breeze that comes with dawn rustles the oaks and birches, and the earth breathes easily with the chirping of crickets. A hazel leaf stirs softly, as if worried about waking the day too suddenly, while time rushes toward the clear divide between darkness and light. Soldiers emerge from their dewy tents, and as if responding to the eager nature around them, sing a sweet and resonant hymn.

We may well neglect many things, provided we overlook them.

We can easily ignore many things if we just don't pay attention to them.

When to-day I saw the "Great Ball" rolled majestically along, it seemed a shame that man could not move like it. All dignity and grandeur has something of the undulatoriness of the sphere. It is the secret of majesty in the rolling gait of the elephant, and of all grace in action and in art. The line of beauty is a curve. Each man seems striving to imitate its gait, and keep pace with it, but it moves on regardless and conquers the multitude with its majesty. What shame that our lives, which should be the source of planetary motion and sanction the order of the spheres, are full of abruptness and angularity, so as not to roll, nor move majestically.[171] 162

When I saw the "Great Ball" rolling majestically today, it felt like a shame that humans can’t move like that. All dignity and grandeur have something of that smooth, rolling quality of the sphere. It's the secret behind the majesty in an elephant’s graceful walk and all beauty in motion and art. The line of beauty is a curve. Every person seems to be trying to mimic its movement and keep up, but it just rolls on, completely unbothered, capturing the crowd with its grandeur. What a pity that our lives, which should embody planetary motion and uphold the order of the spheres, are filled with sharpness and rigidity, preventing us from rolling or moving majestically.[171] 162

July 5. Go where we will, we discover infinite change in particulars only, not in generals.

July 5. No matter where we go, we find endless changes in specifics, but not in the big picture.

You cannot rob a man of anything which he will miss.

You can't take anything from a person that they will notice is gone.

July 6. All this worldly wisdom was once the unamiable heresy of some wise man.[172]

July 6. All this worldly wisdom was once the disagreeable belief of some wise person.[172]

I observe a truly wise practice on every hand, in education, in religion, and the morals of society,—enough embodied wisdom to have set up many an ancient philosopher.[173]

I see genuine wisdom all around, in education, in religion, and in society’s morals—plenty of wisdom that could have inspired many ancient philosophers.[173]

This society, if it were a person to be met face to face, would not only be tolerated but courted, with its so impressive experience and admirable acquaintance with things.

This society, if it were a person to meet in person, would not just be accepted but actively sought after, with its impressive knowledge and admirable familiarity with the world.

Consider society at any epoch, and who does not see that heresy has already prevailed in it?[174]

Consider society at any time, and who doesn't see that heresy has already prevailed in it?[174]

Have no mean hours, but be grateful for every hour, and accept what it brings. The reality will make any sincere record respectable. No day will have been wholly misspent, if one sincere, thoughtful page has been written. 163

Don't waste any hours; be thankful for every moment and accept what comes your way. The truth will make any honest record worthy. No day will be completely wasted if you’ve written at least one sincere, thoughtful page. 163

Let the daily tide leave some deposit on these pages, as it leaves sand and shells on the shore. So much increase of terra firma. This may be a calendar of the ebbs and flows of the soul; and on these sheets as a beach, the waves may cast up pearls and seaweed.

Let the daily tide leave some marks on these pages, just like it leaves sand and shells on the beach. So much growth of solid ground. This might be a record of the highs and lows of the soul; and on these sheets, like a beach, the waves may wash up pearls and seaweed.

July 7. I have experienced such simple joy in the trivial matters of fishing and sporting, formerly, as might inspire the muse of Homer and Shakespeare. And now, when I turn over the pages and ponder the plates of the "Angler's Souvenir," I exclaim with the poet,—

July 7. I've found such genuine happiness in the simple pleasures of fishing and sports that could inspire the muses of Homer and Shakespeare. And now, as I flip through the pages and think about the illustrations in the "Angler's Souvenir," I declare with the poet,—

"Can such things be,

"Can these things happen,"

And overcome us like a summer's cloud?"[175]

And will it overwhelm us like a summer cloud?[175]

When I hear a sudden burst from a horn, I am startled, as if one had provoked such wildness as he could not rule nor tame. He dares to wake the echoes which he cannot put to rest.[176]

When I hear a sudden blast from a horn, I'm shocked, as if someone has stirred up a wildness that can't be controlled or tamed. He dares to wake the echoes that he can't put back to sleep.[176]

July 8. Doubt and falsehood are yet good preachers. They affirm roundly, while they deny partially.

July 8. Doubt and deception are still effective speakers. They assert boldly, while they deny in part.

I am pleased to learn that Thales was up and stirring by night not unfrequently, as his astronomical discoveries prove.

I’m glad to hear that Thales was often awake and active at night, as his astronomical discoveries show.

It was a saying of Solon that "it is necessary to observe a medium in all things."

It was said by Solon that "we need to find a balance in everything."

The golden mean, in ethics as in physics, is the centre of the system, and that about which all revolve; and 164 though, to a distant and plodding planet, it is the uttermost extreme, yet, when that planet's year is complete, it will be found central.[177] They who are alarmed lest virtue run into extreme good, have not yet wholly embraced her, but described only a slight arc about her, and from so small a curvature you can calculate no centre whatever; but their mean is no better than meanness, nor their medium than mediocrity.

The golden mean, in ethics just like in physics, is the center of the system, the point around which everything revolves; and 164 even though it might seem like the farthest extreme to a distant and slow-moving planet, once that planet completes its year, it will be seen as central.[177] Those who worry that virtue might lead to extreme goodness haven’t fully embraced it yet; they’ve only traced a small path around it, and from such a tiny curve, you can’t find a true center at all. Their mean is no better than just being mediocre, and their medium is no better than mediocrity.

The brave man, while he observes strictly this golden mean, seems to run through all extremes with impunity; like the sun, which now appears in the zenith, now in the horizon, and again is faintly reflected from the moon's disk, and has the credit of describing an entire great circle, crossing the equinoctial and solstitial colures, without detriment to his steadfastness or mediocrity.[178]

The courageous person, while adhering closely to this golden balance, seems to navigate all extremes effortlessly; like the sun, which shines directly overhead, then hovers on the horizon, and again is softly echoed by the moon's surface. It earns the reputation of moving through a complete great circle, crossing both the equinox and solstice lines, without losing its steadiness or balance.[178]

Every planet asserts its own to be the centre of the system.

Every planet claims to be the center of the system.

Only meanness is mediocre, moderate; but the true medium is not contained within any bounds, but is as wide as the ends it connects.

Only meanness is average, moderate; but the true medium has no limits, and is as broad as the extremes it links.

When Solon endeavored to prove that Salamis had formerly belonged to the Athenians and not to the Megarians, he caused the tombs to be opened, and showed that the inhabitants of Salamis turned the faces of their dead to the same side with the Athenians, but the Megarians to the opposite side.[179] 165

When Solon tried to prove that Salamis used to belong to the Athenians instead of the Megarians, he had the tombs opened and showed that the people of Salamis buried their dead facing the same direction as the Athenians, while the Megarians faced theirs in the opposite direction.[179] 165

So does each part bear witness to all, and the history of all the past may be read in a single grain of its ashes.

So does every part reflect the whole, and the entire history of the past can be seen in a single grain of its ashes.

July 9. In most men's religion the ligature which should be its muscle and sinew is rather like that thread which the accomplices of Cylon held in their hands, when they went abroad from the temple of Minerva, the other end being attached to the statue of the goddess. But frequently, as in their case, the thread breaks, being stretched, and they are left without an asylum.[180]

July 9. In many people's faith, the core that should give it strength and substance is more like the thread that Cylon's accomplices held when they left the temple of Minerva, with the other end tied to the statue of the goddess. But often, as happened to them, the thread snaps under pressure, leaving them without a safe place to turn. [180]

The value of many traits in Grecian history depends not so much on their importance as history, as [on] the readiness with which they accept a wide interpretation, and illustrate the poetry and ethics of mankind. When they announce no particular truth, they are yet central to all truth. They are like those examples by which we improve, but of which we never formally extract the moral. Even the isolated and unexplained facts are like the ruins of the temples which in imagination we restore, and ascribe to some Phidias, or other master.

The value of many traits in Greek history isn't just about their historical significance, but also about how easily they can be interpreted in various ways, reflecting human poetry and ethics. Even when they don’t convey a specific truth, they are still central to all truths. They’re similar to examples that help us improve, even if we never directly state the lessons learned from them. Even the isolated and unexplained facts resemble the ruins of temples that we can envision restoring and attribute to a master like Phidias or another artist.

The Greeks were boys in the sunshine, the Romans were men in the field, the Persians women in the house, the Egyptians old men in the dark.

The Greeks were kids in the sunshine, the Romans were men in the field, the Persians were women at home, and the Egyptians were old men in the shadows.

He who receives an injury is an accomplice of the wrong-doer.

The person who suffers an injury is complicit with the wrongdoer.

July 10. To myself I am as pliant as osier, and my 166 courses seem not so easy to be calculated as Encke's comet; but I am powerless to bend the character of another; he is like iron in my hands. I could tame a hyena more easily than my friend. I contemplate him as a granite boulder. He is material which no tool of mine will work. A naked savage will fell an oak with a firebrand, and wear a hatchet out of the rock, but I cannot hew the smallest chip out of my fellow. There is a character in every one which no art can reach to beautify or deform.[181]

July 10. To myself, I’m as flexible as a willow, and my 166 thoughts seem just as hard to predict as Encke’s comet; however, I can't change someone else's character; it's like trying to mold iron in my hands. I could train a hyena more easily than I can my friend. I see him as a solid rock. He’s material that no tool I have can shape. A primitive person can fell an oak with a fire and sharpen a rock into a hatchet, but I can't chip away even a small fragment of my friend. There’s a part of everyone that no skill can enhance or alter. [181]

Nothing was ever so unfamiliar and startling to me as my own thoughts.

Nothing was ever as unfamiliar and shocking to me as my own thoughts.

We know men through their eyes. You might say that the eye was always original and unlike another. It is the feature of the individual, and not of the family,—in twins still different. All a man's privacy is in his eye, and its expression he cannot alter more than he can alter his character. So long as we look a man in the eye, it seems to rule the other features, and make them, too, original. When I have mistaken one person for another, observing only his form, and carriage, and inferior features, the unlikeness seemed of the least consequence; but when I caught his eye, and my doubts were removed, it seemed to pervade every feature.

We understand people through their eyes. You could say that each eye is unique and different from another. It's a personal trait, not something shared with the family—twins still have their differences. A person's innermost self is captured in their eye, and its expression is something they can't change any more than their character. As long as we look someone in the eye, it seems to dominate their other features and make them unique as well. When I've confused one person for another by only noticing their shape, posture, and less distinctive features, the differences didn't seem important. But when I looked into their eyes and my uncertainty faded, it felt like that gaze influenced every single feature.

The eye revolves on an independent pivot which we can no more control than our own will. Its axle is the axle of the soul, as the axis of the earth is coincident with the axis of the heavens. 167

The eye moves on its own axis, something we can't control any more than we can control our own will. Its center is the center of the soul, just as the Earth's axis lines up with the axis of the heavens. 167

July 11. The true art is not merely a sublime consolation and holiday labor which the gods have given to sickly mortals, to be wrought at in parlors, and not in stithies amid soot and smoke, but such a masterpiece as you may imagine a dweller on the table-lands of Central Asia might produce, with threescore and ten years for canvas, and the faculties of a man for tools,—a human life, wherein you might hope to discover more than the freshness of Guido's Aurora, or the mild light of Titian's landscapes; not a bald imitation or rival of Nature, but the restored original of which she is the reflection. For such a work as this, whole galleries of Greece and Italy are a mere mixing of colors and preparatory quarrying of marble.[182]

July 11. True art isn’t just a beautiful comfort and pastime that the gods have given to fragile humans, meant to be created in living rooms and not in workshops filled with dust and smoke. It’s more like a masterpiece that you might think a person living on the plateaus of Central Asia could create, using seventy years as their canvas and a human life as their tools—where you could hope to find more than just the vibrancy of Guido's Aurora or the gentle light of Titian's landscapes; it’s not a simple copy or competitor of Nature, but the restored original of which she is merely a reflection. For a work like this, entire galleries of Greece and Italy are just a mix of colors and preliminary carving of marble.[182]

Not how is the idea expressed in stone or on canvas, is the question, but how far it has obtained form and expression in the life of the artist.

Not how the idea is expressed in stone or on canvas, is the question, but how much it has taken form and expression in the life of the artist.

There is much covert truth in the old mythology which makes Vulcan a brawny and deformed smith, who sweat more than the other gods. His stithy was not like a modern studio.

There is a lot of hidden truth in the old myths that portray Vulcan as a strong and misshapen blacksmith, who sweated more than the other gods. His forge was not like a modern workshop.

Let us not wait any longer, but step down from the mountains on to the plain of earth. Let our delay be like the sun's, when he lingers on the dividing line of day and night a brief space when the world is grateful for his light. We will make such haste as the morning and such delay as the evening.[183]

Let’s not wait any longer; let’s come down from the mountains to the flatlands. Let our pause be like the sun’s, as it hangs briefly at the boundary between day and night, when the world appreciates its light. We’ll move as quickly as the morning and as slowly as the evening.[183]

It concerns us rather to be something here present than to leave something behind us.[184] 168

It matters more to us to be something in the present than to leave something behind. [184] 168

It is the man determines what is said, not the words. If a mean person uses a wise maxim, I bethink me how it can be interpreted so as to commend itself to his meanness; but if a wise man makes a commonplace remark, I consider what wider construction it will admit. When Pittacus says, "It is necessary to accommodate one's self to the time and take advantage of the occasion," I assent. He might have considered that to accommodate one's self to all times, and take advantage of all occasions, was really to be independent, and make our own opportunity.

It’s the person who defines what’s said, not just the words themselves. If a mean person quotes a wise saying, I think about how it can be twisted to justify his meanness. But if a wise person makes a simple remark, I ponder what broader meaning it could have. When Pittacus says, “You need to adapt to the times and seize the moment,” I agree. He could have thought that adapting to all times and seizing all moments is actually about being independent and creating our own opportunities.

July 12. What first suggested that necessity was grim, and made fate so fatal? The strongest is always the least violent. Necessity is a sort of Eastern cushion on which I recline. I contemplate its mild, inflexible countenance, as the haze in October days. When I am vexed I only ask to be left alone with it. Leave me to my fate. It is the bosom of time and the lap of eternity; since to be necessary is to be needful, it is only another name for inflexibility of good. How I welcome my grim fellow and aspire to be such a necessity as he! He is so flexible, and yields to me as the air to my body! I leap and dance in his midst, and play with his beard till he smiles. I greet thee, my elder brother, who with thy touch ennoblest all things. Must it be so, then is it good. Thou commendest even petty ills by thy countenance.

July 12. What initially made necessity seem harsh, and fate so dire? The strongest is always the least forceful. Necessity is like an Eastern cushion I relax upon. I look at its gentle, unchanging face, just like the haze on October days. When I'm annoyed, all I ask is to be left alone with it. Leave me to my destiny. It is the embrace of time and the arms of eternity; since being necessary means being essential, it's just another way to describe the unyielding nature of good. How I welcome my stern companion and aim to be as necessary as he is! He is so adaptable, yielding to me like the air around my body! I jump and dance among him, playing with his beard until he smiles. I greet you, my older brother, who with your touch elevates everything. If it must be this way, then it is good. You even make small troubles seem better with your presence.

Over Greece hangs the divine necessity, ever a mellower heaven of itself, whose light too gilds the Acropolis and a thousand fanes and groves.[185] 169

Over Greece hangs a divine necessity, constantly becoming a softer heaven of its own, its light also illuminating the Acropolis and countless temples and groves.[185] 169

Pittacus said there was no better course than to endeavor to do well what you are doing at any moment.

Pittacus said there's no better way than to try your best at whatever you're doing in the moment.

Go where he will, the wise man is proprietor of all things. Everything bears a similar inscription, if we could but read it, to that on the vase found in the stomach of a fish in old times,—"To the most wise."

Go wherever he goes, the wise person owns everything. Everything has a similar label, if we could only understand it, like the one on the vase discovered in the stomach of a fish long ago—"To the most wise."

When his impious fellow-passengers invoked the gods in a storm, Bias cried, "Hist! hist! lest the gods perceive that you are here, for we should all be lost."

When his disrespectful fellow passengers called on the gods during a storm, Bias shouted, "Hey! Hey! Don't let the gods see you here, or we will all be doomed."

A wise man will always have his duds picked up, and be ready for whatever may happen, as the prudent merchant, notwithstanding the lavish display of his wares, will yet have them packed or easy to be removed in emergencies. In this sense there is something sluttish in all finery. When I see a fine lady or gentleman dressed to the top of the fashion, I wonder what they would do if an earthquake should happen, or a fire suddenly break out, for they seem to have counted only on fair weather, and that things will go on smoothly and without jostling. Those curls and jewels, so nicely adjusted, expect an unusual deference from the elements.

A wise person will always have their things ready to go and be prepared for anything that comes their way. Just like a careful merchant who, despite the fancy display of his goods, will still have them packed and easy to take away in case of emergencies. In this way, there's something careless about all that showiness. When I see a well-dressed lady or gentleman in the latest fashion, I can't help but wonder what they would do if an earthquake struck or a fire broke out suddenly, as they seem to have only planned for good times, expecting everything to run smoothly without any interruptions. Those perfectly styled curls and jewels seem to anticipate a special consideration from fate.

Our dress should be such as will hang conveniently about us, and fit equally well in good and in bad fortune; such as will approve itself of the right fashion and fabric, whether for the cotillion or the earthquake. In the sack of Priene, when the inhabitants with much hurry and bustle were carrying their effects to a place 170 of safety, some one asked Bias, who remained tranquil amid the confusion, why he was not thinking how he should save something, as the others were. "I do so," said Bias, "for I carry all my effects with me."

Our clothing should be comfortable and fit well in both good times and bad; it should be stylish and made of the right material, whether for a party or an emergency. During the sack of Priene, when the residents were frantically moving their belongings to a safe place 170, someone asked Bias, who was calm amidst the chaos, why he wasn’t focusing on saving anything like the others. "I am," Bias replied, "because I carry all my belongings with me."

July 14. Our discourse should be ex tempore, but not pro tempore.

July 14. Our conversation should be spontaneous, but not temporary.

July 16. We are as much refreshed by sounds as by sights, or scents, or flavors,—as the barking of a dog heard in the woods at midnight, or the tinklings which attend the dawn.

July 16. We feel just as renewed by sounds as we do by sights, smells, or tastes—like the barking of a dog echoing in the woods at midnight, or the gentle chimes that greet the dawn.

As I picked blackberries this morning, by starlight, the distant yelping of a dog fell on my inward ear, as the cool breeze on my cheek.

As I was picking blackberries this morning by starlight, I heard the distant yelping of a dog in my mind, just like the cool breeze on my cheek.

July 19. These two days that I have not written in my Journal, set down in the calendar as the 17th and 18th of July, have been really an æon in which a Syrian empire might rise and fall. How many Persias have been lost and won in the interim? Night is spangled with fresh stars.

July 19. The last two days that I haven't written in my Journal, marked on the calendar as the 17th and 18th of July, feel like a long time, like an era in which an empire in Syria could rise and fall. How many Persias have been gained and lost in that time? The night is filled with new stars.

July 26. When I consider how, after sunset, the stars come out gradually in troops from behind the hills and woods, I confess that I could not have contrived a more curious and inspiring night.

July 26. When I think about how, after sunset, the stars gradually appear in groups from behind the hills and trees, I admit that I couldn't have imagined a more fascinating and inspiring night.

July 27. Some men, like some buildings, are bulky but not great. The Pyramids any traveller may measure with his line, but the dimensions of the Parthenon 171 in feet and inches will seem to dangle from its entablature like an elastic drapery.[186]

July 27. Some men, like some buildings, are massive but not impressive. Any traveler can measure the Pyramids, but the dimensions of the Parthenon 171 in feet and inches will seem to hang from its structure like flexible fabric.[186]

Much credit is due to a brave man's eye. It is the focus in which all rays are collected. It sees from within, or from the centre, just as we scan the whole concave of the heavens at a glance, but can compass only one side of the pebble at our feet.[187]

Much credit goes to the eye of a brave man. It's the focal point where all rays come together. It sees from the inside, or the center, just like we can take in the entire curve of the sky at once, but can only grasp one side of the pebble at our feet.[187]

The grandeur of these stupendous masses of clouds, tossed into such irregular greatness across the sky, seems thrown away on the meanness of my employment. The drapery seems altogether too rich for such poor acting.[188]

The majesty of these huge clouds, scattered in such uneven splendor across the sky, feels wasted on the triviality of my job. The fabric seems far too lavish for such mediocre performance.[188]

In vain the sun challenges man to equal greatness in his career. We look in vain over earth for a Roman greatness to answer the eternal provocation.[189]

In vain the sun challenges humans to achieve equal greatness in their lives. We search hopelessly across the earth for a Roman greatness that can meet the eternal challenge. [189]

We look up to the gilded battlements of the eternal city, and are contented to be suburban dwellers outside the walls.[190]

We gaze at the golden rooftops of the timeless city and are happy to be suburban residents outside the walls.[190]

By the last breath of the May air I inhale I am reminded that the ages never got so far down as this before. The wood thrush is a more modern philosopher than Plato and Aristotle. They are now a dogma, but he preaches the doctrine of this hour. 172

By the last breath of the May air I take in, I'm reminded that the ages have never reached this point before. The wood thrush is a more contemporary philosopher than Plato and Aristotle. They’ve become dogma, but he speaks the truth of this moment. 172

This systole-diastole of the heart, the circulation of the blood from the centre to the extremities, the chylification which is constantly going on in our bodies are a sort of military evolution, a struggle to outgeneral the decay of time by the skillfulest tactics.

This heartbeat cycle, the flow of blood from the center to the outer parts of the body, and the constant process of digestion happening within us are like a military operation, a battle to outsmart the decay of time using the best strategies.

When bravery is worsted, it joins the peace society.

When courage is defeated, it settles for a peaceful life.

A word is wiser than any man, than any series of words. In its present received sense it may be false, but in its inner sense by descent and analogy it approves itself. Language is the most perfect work of art in the world. The chisel of a thousand years retouches it.

A word is smarter than any person or any group of words. In its current understanding, it might be incorrect, but in its deeper meaning through history and comparison, it proves itself. Language is the most perfect form of art in the world. The craftsmanship of a thousand years refines it.

Nature refuses to sympathize with our sorrow. She seems not to have provided for, but by a thousand contrivances against it. She has bevelled the margins of the eyelids that the tears may not overflow on the cheek.[191]

Nature doesn't seem to care about our sadness. It feels like she's not made things easier for us, but instead has created countless ways to keep our pain in check. She's shaped our eyelids so that tears won't spill over onto our cheeks.[191]

We can conceive of a Bravery so wide that nothing can meet to befall it, so omnipresent that nothing can lie in wait for it, so permanent that no obstinacy can reduce it. The stars are its silent sentries by night, and the sun its pioneer by day. From its abundant cheerfulness spring flowers and the rainbow, and its infinite humor and wantonness produce corn and vines.[192] 173

We can imagine a kind of bravery so vast that nothing can challenge it, so everywhere present that nothing can ambush it, so lasting that no stubbornness can diminish it. The stars are its quiet guardians at night, and the sun its guide by day. From its overflowing joy bloom flowers and create rainbows, and its endless playfulness produces crops and vines.[192] 173

V
1841
(ÆT. 23-24)

Jan. 23. A day is lapsing. I hear cockerels crowing in the yard, and see them stalking among the chips in the sun. I hear busy feet on the floors, and the whole house jars with industry. Surely the day is well spent, and the time is full to overflowing. Mankind is as busy as the flowers in summer, which make haste to unfold themselves in the forenoon, and close their petals in the afternoon.

Jan. 23. The day is coming to an end. I hear roosters crowing in the yard and see them moving around among the chips in the sun. I can hear people bustling around on the floors, and the whole house is buzzing with activity. Clearly, the day has been productive, and the time feels abundant. People are as busy as flowers in summer, which quickly bloom in the morning and close their petals by the afternoon.

The momentous topics of human life are always of secondary importance to the business in hand, just as carpenters discuss politics between the strokes of the hammer while they are shingling a roof.[193]

The big issues of human life are always less important than the task at hand, just like carpenters chat about politics in between hammer strikes while they’re shingling a roof.[193]

The squeaking of the pump sounds as necessary as the music of the spheres.

The squeaking of the pump is just as essential as the music of the spheres.

The solidity and apparent necessity of this routine insensibly recommend it to me. It is like a cane or a cushion for the infirm, and in view of it all are infirm. If there were but one erect and solid-standing tree in the woods, all creatures would go to rub against it and make sure of their footing. Routine is a ground to stand on, a wall to retreat to; we cannot draw on our boots without bracing ourselves against it.[194] It is the fence over which neighbors lean when they talk. All this 174 cockcrowing, and hawing and geeing, and business in the streets, is like the spring-board on which tumblers perform and develop their elasticity. Our health requires that we should recline on it from time to time. When we are in it, the hand stands still on the face of the clock, and we grow like corn in the genial dankness and silence of the night.[195] Our weakness wants it, but our strength uses it. Good for the body is the work of the body, good for the soul the work of the soul, and good for either the work of the other. Let them not call hard names, nor know a divided interest.

The stability and obvious need for this routine gradually make it appealing to me. It's like a cane or a cushion for the weak, and in light of this, we are all somewhat weak. If there were just one strong, upright tree in the forest, all creatures would come to rub against it to secure their footing. Routine is a solid ground to stand on, a wall to back up against; we can’t put on our boots without leaning against it. [194] It’s like the fence that neighbors lean on when they chat. All this 174 crowing of roosters, and chatting, and activities in the streets is like the springboard for acrobats to enhance their agility. Our well-being requires that we rest on it every so often. When we’re in it, the hands on the clock seem to stand still, and we grow like corn in the nurturing moisture and quiet of the night. [195] Our weakness craves it, but our strength utilizes it. What benefits the body is the work of the body; what nurtures the soul is the work of the soul, and either benefits from the work of the other. Let’s not label things harshly, nor let our interests conflict.

When I detect a beauty in any of the recesses of nature, I am reminded, by the serene and retired spirit in which it requires to be contemplated, of the inexpressible privacy of a life,—how silent and unambitious it is. The beauty there is in mosses will have to be considered from the holiest, quietest nook.[196]

When I notice beauty in any hidden part of nature, I'm reminded by the calm and private way it needs to be observed of the indescribable privacy of life—how quiet and unpretentious it is. The beauty found in mosses has to be appreciated from the most sacred, peaceful spot.[196]

The gods delight in stillness; they say, 'St—'st. My truest, serenest moments are too still for emotion; they have woollen feet. In all our lives we live under the hill, and if we are not gone we live there still.

The gods enjoy quiet; they say, 'Be still.' My most genuine, peaceful moments are too quiet for feelings; they feel heavy like wool. In all our lives, we live beneath the hill, and if we aren't gone, we still reside there.

Jan. 24. Sunday. I almost shrink from the arduousness of meeting men erectly day by day.

Jan. 24. Sunday. I almost dread the challenge of facing people upright every day.

Be resolutely and faithfully what you are; be humbly what you aspire to be. Be sure you give men the best of your wares, though they be poor enough, and the gods will help you to lay up a better store for the future. 175 Man's noblest gift to man is his sincerity, for it embraces his integrity also. Let him not dole out of himself anxiously, to suit their weaker or stronger stomachs, but make a clean gift of himself, and empty his coffers at once. I would be in society as in the landscape; in the presence of nature there is no reserve, nor effrontery.

Be true to who you are, and stay grounded in who you want to become. Make sure to offer people the best of what you have, even if it’s not much, and the universe will support you in building a better future. 175 The most valuable thing you can give to others is your honesty, as it also reflects your integrity. Don’t try to hold back or adjust yourself to fit what others can handle, but instead give yourself fully and freely. I want to be in society just like I am in nature; there’s no pretense or arrogance in the presence of the natural world.

Coleridge says of the "ideas spoken out everywhere in the Old and New Testament," that they "resemble the fixed stars, which appear of the same size to the naked as to the armed eye; the magnitude of which the telescope may rather seem to diminish than to increase."

Coleridge says of the "ideas expressed throughout the Old and New Testament" that they "are like the fixed stars, which look the same size to both the naked eye and the equipped eye; the size of which the telescope might seem to make smaller rather than larger."

It is more proper for a spiritual fact to have suggested an analogous natural one, than for the natural fact to have preceded the spiritual in our minds.

It makes more sense for a spiritual truth to suggest a similar natural one, rather than for the natural truth to come before the spiritual in our thinking.

By spells seriousness will be forced to cut capers, and drink a deep and refreshing draught of silliness; to turn this sedate day of Lucifer's and Apollo's, into an all fools' day for Harlequin and Cornwallis. The sun does not grudge his rays to either, but they are alike patronized by the gods. Like overtasked schoolboys, all my members and nerves and sinews petition Thought for a recess, and my very thigh-bones itch to slip away from under me, and run and join the mêlée. I exult in stark inanity, leering on nature and the soul. We think the gods reveal themselves only to sedate and musing gentlemen. But not so; the buffoon in the midst of his antics catches unobserved glimpses, which he treasures for the lonely hour. When I have been playing tomfool, 176 I have been driven to exchange the old for a more liberal and catholic philosophy.

By magic, seriousness will have to do crazy things and take a deep, refreshing drink of silliness, transforming this calm day of Lucifer’s and Apollo’s into an all-fools’ day for Harlequin and Cornwallis. The sun doesn’t hold back its rays from either, as they are both equally favored by the gods. Like overworked schoolboys, all my limbs, nerves, and muscles are pleading with Thought for a break, and my very thigh bones are itching to break free and join the chaos. I revel in complete absurdity, grinning at nature and the soul. We believe that the gods only reveal themselves to serious and contemplative men. But that's not true; the clown in the midst of his antics catches unnoticed glimpses, which he cherishes for the lonely hour. When I've been acting like a fool, 176 I've been compelled to swap the old for a more open-minded and inclusive philosophy.

Jan. 25. Monday. To-day I feel the migratory instinct strong in me, and all my members and humors anticipate the breaking up of winter. If I yielded to this impulse, it would surely guide me to summer haunts. This indefinite restlessness and fluttering on the perch do, no doubt, prophesy the final migration of souls out of nature to a serene summer, in long harrows and waving lines[197] in the spring weather, over what fair uplands and fertile Elysian meadows winging their way at evening and seeking a resting-place with loud cackling and uproar!

Jan. 25. Monday. Today, I feel a strong urge to move, and every part of me senses that winter is coming to an end. If I gave in to this feeling, it would definitely lead me to summer destinations. This restless energy and fluttering around indicate, without a doubt, the final journey of souls from nature to a peaceful summer, moving in long lines and gentle sweeps over what beautiful hills and lush Elysian fields, gliding through the evening and looking for a place to land with loud chatter and commotion!

Wealth, no less than knowledge, is power. Among the Bedouins the richest man is the sheik, among savages he who has most iron and wampum is chief, and in England and America he is the merchant prince.

Wealth, just like knowledge, is power. Among the Bedouins, the richest person is the sheik; among tribes, the one with the most iron and wampum is the chief, and in England and America, it's the merchant prince.

We should strengthen, and beautify, and industriously mould our bodies to be fit companions of the soul,—assist them to grow up like trees, and be agreeable and wholesome objects in nature. I think if I had had the disposal of this soul of man, I should have bestowed it sooner on some antelope of the plains than upon this sickly and sluggish body.

We should strengthen, beautify, and actively shape our bodies to be good partners for the soul—help them grow like trees, becoming pleasant and healthy parts of nature. I believe if I had control over the soul of man, I would have given it to some antelope on the plains rather than to this weak and sluggish body.

Jan. 26. Tuesday. I have as much property as I can command and use. If by a fault in my character I do 177 not derive my just revenues, there is virtually a mortgage on my inheritance. A man's wealth is never entered in the registrar's office. Wealth does not come in along the great thoroughfares, it does not float on the Erie or Pennsylvania canal, but is imported by a solitary track without bustle or competition, from a brave industry to a quiet mind.

Jan. 26. Tuesday. I have as much property as I can manage and use. If my character has flaws that prevent me from getting my fair share of income, it's like there's a mortgage on my inheritance. A person's wealth is never officially recorded. It doesn’t flow through the main streets, nor does it travel on the Erie or Pennsylvania canal, but arrives quietly along a solitary path, free from noise or competition, born from hard work and a calm mind.

I had a dream last night which had reference to an act in my life in which I had been most disinterested and true to my highest instinct but completely failed in realizing my hopes; and now, after so many months, in the stillness of sleep, complete justice was rendered me. It was a divine remuneration. In my waking hours I could not have conceived of such retribution; the presumption of desert would have damned the whole. But now I was permitted to be not so much a subject as a partner to that retribution. It was the award of divine justice, which will at length be and is even now accomplished.[198]

I had a dream last night that related to a part of my life where I was completely selfless and stayed true to my best instincts but completely failed to achieve my hopes. Now, after so many months, in the quiet of sleep, I received complete justice. It felt like a divine reward. In my waking hours, I could never have imagined such a form of retribution; the thought of deserving it would have ruined everything. But now, I was allowed to be not just a recipient but a partner in that retribution. It was the outcome of divine justice, which will eventually happen and is already taking place. [198]

Good writing as well as good acting will be obedience to conscience. There must not be a particle of will or whim mixed with it. If we can listen, we shall hear. By reverently listening to the inner voice, we may reinstate ourselves on the pinnacle of humanity.

Good writing, just like good acting, comes from listening to your conscience. There can't be any personal desires or whims involved. If we truly listen, we'll be able to hear. By respectfully attuning ourselves to that inner voice, we can elevate ourselves to the highest point of what it means to be human.

Jan. 27. Wednesday. In the compensation of the dream, there was no implied loss to any, but immeasurable advantage to all.[199] 178

Jan. 27. Wednesday. In the reward of the dream, there was no hidden loss for anyone, but immense benefit for everyone.[199] 178

The punishment of sin is not positive, as is the reward of virtue.

The consequences of sin aren't positive, like the rewards for virtue.

For a flower, I like the name pansy, or pensée, best of any.

For a flower, I like the name pansy, or pensée, the most of all.

Jan. 28. No innocence can quite stand up under suspicion, if it is conscious of being suspected. In the company of one who puts a wrong construction upon your actions, they are apt really to deserve a mean construction. While in that society I can never retrieve myself. Attribute to me a great motive, and I shall not fail to have one; but a mean one, and the fountain of virtue will be poisoned by the suspicion. Show men unlimited faith as the coin with which you will deal with them, and they will invariably exhibit the best wares they have. I would meet men as the friends of all their virtue, and the foes of all their vice, for no man is the partner of his guilt. If you suspect me you will never see me, but all our intercourse will be the politest leave-taking; I shall constantly defer and apologize, and postpone myself in your presence. The self-defender is accursed in the sight of gods and men; he is a superfluous knight, who serves no lady in the land. He will find in the end that he has been fighting windmills, and battered his mace to no purpose. The injured man with querulous tone resisting his fate is like a tree struck by lightning, which rustles its sere leaves the winter through, not having vigor enough [to] cast them off.

Jan. 28. No innocence can truly withstand suspicion if it knows it's being suspected. When you’re around someone who misinterprets your actions, those actions are likely to seem worse than they really are. In that situation, I can never redeem myself. If you assume I have noble intentions, I’ll certainly have them. But if you think lowly of me, it will poison my well of virtue with suspicion. Treat people with unwavering trust, and they will usually show you their best side. I want to engage with people as if I’m a friend to all their good traits and an enemy to all their bad ones because no one wants to share in their guilt. If you doubt me, you won’t really see me; our interactions will just be polite farewells. I’ll constantly defer, apologize, and put myself aside in your presence. The self-defender is cursed in the eyes of both gods and humans; he’s a pointless knight fighting for no one. In the end, he’ll realize he’s been battling windmills, wasting his energy. The injured person who complains about his fate is like a tree struck by lightning, rustling its dry leaves all winter without the strength to let them fall.

As for apologies, I must be off with the dew and the 179 frost, and leave mankind to repair the damage with their gauze screens and straw.

As for apologies, I have to leave with the dew and the 179 frost, and let people fix the damage with their mesh screens and straw.

Resistance is a very wholesome and delicious morsel at times. When Venus advanced against the Greeks with resistless valor, it was by far the most natural attitude into which the poet could throw his hero to make him resist heroically. To a devil one might yield gracefully, but a god would be a worthy foe, and would pardon the affront.

Resistance is often a satisfying and enjoyable challenge. When Venus faced off against the Greeks with unstoppable courage, it was the most fitting position for the poet to put his hero in to make him fight back courageously. One might give in to a devil smoothly, but a god would be a worthy opponent and might forgive the insult.

It would be worth while, once for all, fairly and cleanly to tell how we are to be used, as vendors of lucifer matches send directions in the envelope, both how light may be readily procured and no accident happen to the user.

It would be worthwhile, once and for all, to clearly explain how we should be used, just like vendors of matches include instructions in the package, detailing both how to easily light them and how to avoid any accidents while using them.

Let your mood determine the form of salutation, and approach the creature with a natural nonchalance, as though he were anything but what he is, and you were anything but what you are,—as though he were he, and you were you; in short, as though he were so insignificant that it did not signify, and so important that it did not import. Depend upon it, the timber is well seasoned and tough, and will bear rough usage; and if it should crack, there is plenty more where it came from. I am no piece of china-ware that cannot be jostled against my neighbor, without danger of rupture from the collision, and must needs ring a scrannel strain to the end of my days when once I am cracked; but rather one of the old-fashioned wooden trenchers, which one 180 while stands at the head of the table, and at another is a milking-stool, and at another a seat for children, and finally goes down to its grave not unadorned with honorable scars, and does not die till it is worn out. Use me, for I am useful in my way. I stand as one of many petitioners, from toadstool and henbane up to dahlia and violet, supplicating to be put to my use, if by any means ye may find me serviceable; whether for a medicated drink or bath, as balm and lavender; or for fragrance, as verbena and geranium; or for sight, as cactus; or for thoughts, as pansy.[200]

Let your mood decide how you greet someone, and approach the person with a laid-back ease, as if they were anything but who they are, and you were anything but who you are—like they were just them, and you were just you; in short, as if they were so unimportant it didn’t matter, yet so significant it couldn’t be ignored. Trust me, the material is strong and durable, and can handle rough treatment; and if it happens to break, there’s plenty more where that came from. I’m not some fragile porcelain that can’t be bumped against my neighbor without risking a break and must continue making a strained sound for the rest of my life once I’m chipped; rather, I’m like those old wooden plates that one moment serve as the head of the table, the next as a milking stool, then as a seat for kids, and finally go to their end, not without their fair share of battle scars, and don’t stop until they're completely worn out. Use me, because I’m useful in my own way. I stand among many others, from mushrooms to henbane, right up to dahlias and violets, asking to be put to good use, if you can find me helpful; whether for a healing drink or bath, like balm and lavender; or for scent, like verbena and geranium; or for sight, like cactus; or for thoughts, like pansies.

Jan. 29. There is something proudly thrilling in the thought that this obedience to conscience and trust in God, which is so solemnly preached in extremities and arduous circumstances, is only to retreat to one's self, and rely on our own strength. In trivial circumstances I find myself sufficient to myself, and in the most momentous I have no ally but myself, and must silently put by their harm by my own strength, as I did the former. As my own hand bent aside the willow in my path, so must my single arm put to flight the devil and his angels. God is not our ally when we shrink, and neuter when we are bold. If by trusting in God you lose any particle of your vigor, trust in Him no longer. When you trust, do not lay aside your armor, but put it on and buckle it tighter. If by reliance on the gods I have disbanded one of my forces, then was it poor policy. I had better have retained the most inexperienced tyro who had straggled into the camp, and let go 181 the heavenly alliance. I cannot afford to relax discipline because God is on my side, for He is on the side of discipline. And if the gods were only the heavens I fought under, I would not care if they stormed or were calm. I do not want a countenance, but a help. And there is more of God and divine help in a man's little finger than in idle prayer and trust.

Jan. 29. There’s something proudly exhilarating in the idea that this commitment to conscience and faith in God, which is preached during tough times and challenges, ultimately leads one to turn inward and rely on our own strength. In minor situations, I find I can rely on myself, and in the most significant moments, my only ally is myself. I must quietly overcome their harm through my own strength, just as I did with the small issues. Just as my own hand pushed aside the willow blocking my path, my own strength must drive away the devil and his angels. God isn't on our side when we hold back, and He doesn't act when we're courageous. If trusting God makes you lose any bit of your strength, then stop trusting Him. When you trust, don't take off your armor; instead, put it on and tighten it. If by relying on the gods I've weakened one of my forces, then that was a bad decision. I would have been better off keeping the most inexperienced recruit who accidentally wandered into the camp and letting go of the heavenly alliance. I can’t afford to loosen my discipline just because God is with me; He stands with discipline. And if the gods are only the heavens I fight under, I wouldn't worry if they were stormy or calm. I don't seek a presence; I need help. There’s more of God and divine assistance in a man's little finger than in useless prayer and blind trust.

The best and bravest deed is that which the whole man—heart, lungs, hands, fingers, and toes—at any time prompts. Each hanger-on in the purlieus of the camp, must strike his standard at the signal from the Prætorian tent, and fall into the line of march; but if a single sutler delay to make up his pack, then suspect the fates and consult the omens again. This is the meaning of integrity; this is to be an integer, and not a fraction. Be even for all virtuous ends, but odd for all vice. Be a perfect power, so that any of your roots multiplied into itself may give the whole again.

The best and bravest action is the one that comes from your whole being—heart, lungs, hands, fingers, and toes—at any moment. Everyone hanging around the camp needs to raise their standard when the signal comes from the Prætorian tent and fall into line. But if even one supplier takes too long to pack up, then be wary of fate and check the omens again. This is the essence of integrity; this is being complete, not a fraction. Be even in all virtuous pursuits, but odd in all vice. Be a perfect power, so that any of your roots multiplied by themselves will give you the whole again.

Beauty is compared, not measured, for it is the creature of proportions, not of size. Size must be subdued to it. It is hard for a tall or a short person to be beautiful.

Beauty is compared, not measured, because it depends on proportions, not size. Size must be secondary to it. It's challenging for someone who is tall or short to be considered beautiful.

To graft the Persian lilac on the ash, is as if you were to splice the thigh-bones of the Venus de Medici.

To graft the Persian lilac onto the ash tree is like trying to splice the thigh bones of the Venus de Medici.

Friends will have to be introduced each time they meet. They will be eternally strange to one another, and when they have mutually appropriated their value for the last hour, they will go and gather a new measure 182 of strangeness for the next. They are like two boughs crossed in the wood, which play backwards and forwards upon one another in the wind, and only wear into each other, but never the sap of the one flows into the pores of the other, for then the wind would no more draw from them those strains which enchanted the wood. They are not two united, but rather one divided.

Friends will need to be introduced every time they meet. They will always seem strange to each other, and after they’ve shared their thoughts and experiences for the last hour, they'll go and find a new source of strangeness for the next encounter. They’re like two branches crossed in the woods, swaying back and forth against each other in the wind, wearing each other down but never allowing the essence of one to flow into the other, because then the wind wouldn’t be able to draw those enchanting sounds from them. They are not united as one, but instead, they are one that is divided.

Of all strange and unaccountable things this journalizing is the strangest. It will allow nothing to be predicated of it; its good is not good, nor its bad bad. If I make a huge effort to expose my innermost and richest wares to light, my counter seems cluttered with the meanest homemade stuffs; but after months or years I may discover the wealth of India, and whatever rarity is brought overland from Cathay, in that confused heap, and what perhaps seemed a festoon of dried apple or pumpkin will prove a string of Brazilian diamonds, or pearls from Coromandel.

Of all the strange and inexplicable things, keeping this journal is the strangest. It doesn’t allow anything to be defined about it; its good isn’t really good, nor is its bad truly bad. If I put in a lot of effort to show my deepest and most valuable thoughts, my display ends up looking cluttered with the simplest homemade items; but after months or years, I might uncover treasures from India and whatever rare finds come overland from China, in that messy collection, and what once seemed like a bunch of dried apples or pumpkins could turn out to be a string of Brazilian diamonds or pearls from Coromandel.

Men lie behind the barrier of a relation as effectually concealed as the landscape by a mist; and when at length some unforeseen accident throws me into a new attitude to them, I am astounded, as if for the first time I saw the sun on the hillside. They lie out before me like a new order of things. As, when the master meets his pupil as a man, then first do we stand under the same heavens, and master and pupil alike go down the resistless ocean stream together.

Men hide behind the barrier of a relationship just as effectively as the landscape is hidden by a fog; and when an unexpected event finally changes my perspective on them, I’m surprised, as if I’m seeing the sun on the hillside for the first time. They appear before me like a new way of understanding things. Just as when a teacher meets their student as equals, we finally stand under the same sky, and both the teacher and the student move together in the unstoppable current of life.

Jan. 30. Saturday. Far over the fields, between the 183 tops of yonder wood, I see a slight cloud not larger than the vapor from a kettle, drifting by its own inward purpose in a direction contrary to the planet. As it flits across the dells and defiles of the tree-tops, now seen, then lost beyond a pine, I am curious to know wherein its will resides, for to my eye it has no heart, nor lungs, nor brain, nor any interior and private chamber which it may inhabit.

Jan. 30. Saturday. Far across the fields, between the 183 tops of those trees, I see a small cloud not bigger than the steam from a kettle, drifting on its own purpose in a direction opposite to the planet. As it moves across the valleys and gaps of the treetops, now visible, then disappearing behind a pine, I wonder where its motivation comes from, because to me it doesn’t seem to have a heart, lungs, brain, or any kind of inner space that it might occupy.

Its motion reminds me of those lines of Milton:—

Its movement makes me think of those lines by Milton:—

"As when far off at sea a fleet descried

"As when far off at sea a fleet spotted

Hangs in the clouds, by equinoctial winds

Hangs in the clouds, by equinoctial winds

Close sailing from Bengala, or the isles

Close sailing from Bengal, or the islands

Of Ternate and Tidore, whence merchants bring

Of Ternate and Tidore, where merchants bring

Their spicy drugs; they on the trading flood,

Their spicy drugs; they're on the trading flood,

Ply stemming nightly toward the pole."

Head north every night.

The snow collects upon the plumes of the pitch pine in the form of a pineapple, which if you divide in the middle will expose three red kernels like the tamarind-stone. So does winter with his mock harvest jeer at the sincerity of summer. The tropical fruits, which will not bear the rawness of our summer, are imitated in a thousand fantastic shapes by the whimsical genius of winter.

The snow gathers on the branches of the pitch pine, looking like a pineapple, and if you cut it in half, you’ll find three red seeds like a tamarind stone. This is how winter, with its fake harvest, mocks the honesty of summer. The tropical fruits, which can't withstand the harshness of our summer, are replicated in a thousand creative forms by winter’s playful imagination.

In winter the warmth comes directly from the sun, and is not radiated from the earth. In summer I forget to bless the sun for his heat; but when I feel his beams on my back as I thread some snowy dale, I am grateful as for a special kindness which would not be weary of well doing but had pursued me even into that by-place. 184

In winter, the warmth comes straight from the sun and isn’t reflected from the earth. In summer, I often forget to appreciate the sun for its heat; but when I feel its rays on my back while walking through a snowy valley, I’m truly thankful as if it’s a special kindness that hasn’t gotten tired of being generous and has followed me even into that remote place. 184

When the wind blows, the fine snow comes filtering down through all the aisles of the wood in a golden cloud.

When the wind blows, the delicate snow filters down through all the paths of the forest like a golden cloud.

The trees covered with snow admit a very plain and clean light, but not brilliant, as if through windows of ground glass; a sort of white darkness it is, all of the sun's splendor that can be retained.

The snow-covered trees let in a soft, clean light, but it’s not bright, like the light filtering through frosted glass windows; it’s a kind of white darkness, capturing all the sun’s beauty that it can hold.

The fashions of the wood are more fluctuating than those of Paris; snow, rime, ice, green and dry leaves incessantly make new patterns. There are all the shapes and hues of the kaleidoscope and the designs and ciphers of books of heraldry in the outlines of the trees. Every time I see a nodding pine-top, it seems as if a new fashion of wearing plumes had come into vogue.

The styles of the forest change more than those in Paris; snow, frost, ice, green and brown leaves constantly create new patterns. There are all the shapes and colors of a kaleidoscope and the designs and symbols of heraldry in the outlines of the trees. Every time I see a swaying pine top, it feels like a new trend in wearing feathers has come into style.

I saw a team come out of a path in the woods, as though it had never gone in, but belonged there, and only came out like Elisha's bears. It was wholly of the village, and not at all of the wood.

I saw a group of people emerge from a path in the woods, as if they had never entered, but naturally belonged there, and just came out like Elisha's bears. They were completely from the village, and not at all from the forest.

These particles of snow which the early wind shakes down are what is stirring, or the morning news of the wood. Sometimes it is blown up above the trees, like the sand of the desert.

These snowflakes that the early wind shakes down are what's moving, or the morning updates from the woods. Sometimes they get blown high above the trees, like sand in the desert.

You glance up these paths, closely imbowered by bent trees, as through the side aisles of a cathedral, and expect to hear a choir chanting from their depths. You are never so far in them as they are far before you. 185 Their secret is where you are not and where your feet can never carry you.

You look down these paths, shaded by bent trees, like the side aisles of a cathedral, and you expect to hear a choir singing from deep within. You are never as far into them as they are ahead of you. 185 Their secret lies where you aren’t and where your feet can never take you.

I tread in the tracks of the fox which has gone before me by some hours, or which perhaps I have started, with such a tiptoe of expectation as if I were on the trail of the Spirit itself which resides in these woods, and expected soon to catch it in its lair.[201]

I walk in the footsteps of the fox that passed through here hours ago, or maybe it's me who set it off, moving with a quiet excitement as if I’m following the Spirit that lives in these woods, and I expect to find it in its hiding spot soon.[201]

The snow falls on no two trees alike, but the forms it assumes are as various as those of the twigs and leaves which receive it. They are, as it were, predetermined by the genius of the tree. So one divine spirit descends alike on all, but bears a peculiar fruit in each. The divinity subsides on all men, as the snowflakes settle on the fields and ledges and takes the form of the various clefts and surfaces on which it lodges.

The snow falls differently on every tree, and the shapes it takes are as unique as the twigs and leaves that catch it. They are, in a way, shaped by the tree's essence. Just like one divine spirit touches everyone, but produces a distinct outcome for each. The divine presence rests on all people, just like the snowflakes settle on the ground and ledges, taking on the shapes of the different nooks and surfaces where they land.

Here is the distinct trail of a fox stretching [a] quarter of a mile across the pond. Now I am curious to know what has determined its graceful curvatures, its greater or less spaces and distinctness, and how surely they were coincident with the fluctuations of some mind, why they now lead me two steps to the right, and then three to the left. If these things are not to be called up and accounted for in the Lamb's Book of Life, I shall set them down for careless accountants. Here was one expression of the divine mind this morning. The pond was his journal, and last night's snow made a tabula rasa for him. I know which way a mind wended this 186 morning, what horizon it faced, by the setting of these tracks; whether it moved slowly or rapidly, by the greater or less intervals and distinctness, for the swiftest step leaves yet a lasting trace.[202]

Here is the distinct trail of a fox stretching a quarter of a mile across the pond. Now I’m curious to know what shaped its graceful curves, its varying spaces and clarity, and how closely they aligned with the thoughts of some mind, why they now lead me two steps to the right, and then three to the left. If these things aren’t documented in the Lamb's Book of Life, I’ll have to consider them as unfinished notes. Here was one expression of the divine mind this morning. The pond was its journal, and last night’s snow created a blank slate for it. I can tell which way a mind wandered this morning, what horizon it faced, based on these tracks; whether it moved slowly or quickly, by the greater or lesser gaps and clarity, because even the fastest step leaves a lasting mark.

Sometimes I come out suddenly upon a high plain, which seems to be the upper level and true surface of the earth, and by its very baldness aspires and lies up nearer to the stars,—a place where a decalogue might be let down or a saint translated.

Sometimes I suddenly find myself on a high plain, which feels like the true surface of the earth. Its starkness makes it seem closer to the stars—a spot where a set of commandments could be revealed or a saint could ascend.

I take a horse and oxen, standing among the wood-piles in the forest, for one of them, and when at length the horse pricks his ears, and I give him another name, where's the difference? I am startled by the possibility of such errors, and the indifference with [which] they are allowed to occur.

I take a horse and oxen, standing among the wood piles in the forest, for one of them, and when the horse finally perks up his ears, and I give him a different name, what's the difference? I'm shocked by the possibility of such mistakes and the indifference with which they happen.

Fair Haven Pond is scored with the trails of foxes, and you may see where they have gambolled and gone through a hundred evolutions, which testify to a singular listlessness and leisure in nature.

Fair Haven Pond is marked with the trails of foxes, and you can see where they have played around and gone through countless twists and turns, which show a unique laziness and relaxation in nature.

Suddenly, looking down the river, I saw a fox some sixty rods off, making across to the hills on my left. As the snow lay five inches deep, he made but slow progress, but it was no impediment to me. So, yielding to the instinct of the chase, I tossed my head aloft and bounded away, snuffing the air like a fox-hound, and spurning the world and the Humane Society at each bound. It seemed the woods rang with the hunter's 187 horn, and Diana and all the satyrs joined in the chase and cheered me on. Olympian and Elean youths were waving palms on the hills. In the meanwhile I gained rapidly on the fox; but he showed a remarkable presence of mind, for, instead of keeping up the face of the hill, which was steep and unwooded in that part, he kept along the slope in the direction of the forest, though he lost ground by it. Notwithstanding his fright, he took no step which was not beautiful. The course on his part was a series of most graceful curves. It was a sort of leopard canter, I should say, as if he were nowise impeded by the snow, but were husbanding his strength all the while. When he doubled I wheeled and cut him off, bounding with fresh vigor, and Antæus-like, recovering my strength each time I touched the snow. Having got near enough for a fair view, just as he was slipping into the wood, I gracefully yielded him the palm. He ran as though there were not a bone in his back, occasionally dropping his muzzle to the snow for a rod or two, and then tossing his head aloft when satisfied of his course. When he came to a declivity he put his fore feet together and slid down it like a cat. He trod so softly that you could not have heard it from any nearness, and yet with such expression that it would not have been quite inaudible at any distance. So, hoping this experience would prove a useful lesson to him, I returned to the village by the highway of the river.[203]

Suddenly, as I looked down the river, I spotted a fox about sixty rods away, heading towards the hills on my left. Since the snow was five inches deep, he was moving slowly, but that didn’t slow me down at all. So, giving in to my instinct to chase, I lifted my head high and took off, sniffing the air like a foxhound, leaving the world and the Humane Society behind with every leap. It felt like the woods echoed with the hunter’s horn, and Diana along with all the satyrs joined the chase, cheering me on. Young Olympians and Elean youths waved palms from the hills. Meanwhile, I quickly closed the distance on the fox; he displayed remarkable composure, though. Instead of charging up the steep, bare hill, he chose to run along the slope towards the forest, even though it meant losing some ground. Despite his fear, every move he made was graceful. His path was a series of beautiful curves, almost like a leopard's canter, as if the snow didn’t bother him at all and he was conserving his energy the whole time. When he turned, I pivoted to cut him off, bounding forward with renewed energy, and like Antaeus, I felt stronger each time my feet touched the snow. When I got close enough for a good look, just as he was disappearing into the woods, I gracefully allowed him to take the lead. He ran as if he didn't have any bones in his back, occasionally dropping his muzzle to the snow for a short while and then lifting his head when he was sure of his path. When he reached a slope, he brought his front feet together and slid down like a cat. He moved so quietly that you could hardly hear him even from up close, yet with such grace that he wouldn’t have been completely inaudible from any distance. So, hoping this experience would teach him something, I made my way back to the village along the riverbank.

There is all the romance of my youthfulest moment in music. Heaven lies about us, as in our infancy. There 188 is nothing so wild and extravagant that it does not make true. It makes a dream my only real experience, and prompts faith to such elasticity that only the incredible can satisfy it. It tells me again to trust the remotest and finest, as the divinest, instinct. All that I have imagined of heroism, it reminds and reassures me of. It is a life unlived, a life beyond life, where at length my years will pass. I look under the lids of Time.

There’s all the romance of my youngest moments in music. Heaven surrounds us, just like it did in our childhood. There 188 is nothing too wild or extravagant that it doesn’t become real. It turns a dream into my only true experience and encourages a faith that’s so flexible that only the unbelievable can satisfy it. It reminds me to trust the farthest and finest instincts as if they were divine. It reassures me of all I’ve imagined about heroism. It represents a life not lived, a life beyond existence, where my years will eventually pass. I look beneath the surface of Time.

Jan. 31. Sunday. At each step man measures himself against the system. If he cannot actually belay the sun and make it fast to this planet, yet the British man alone spins a yarn in one year which will reach fifty-one times the distance from the earth to the sun. So, having his cable ready twisted and coiled, the fixed stars are virtually within his grasp. He carries his lasso coiled at his saddle bow, but is never forced to cast it.

Jan. 31. Sunday. At every step, a person measures themselves against the system. While they may not be able to actually hold the sun and anchor it to this planet, a British individual alone can craft a story in one year that stretches fifty-one times the distance from the Earth to the sun. So, with their rope ready, twisted, and coiled, the stars are practically within reach. They carry their lasso coiled at the front of their saddle but are never compelled to throw it.

All things are subdued to me by virtue of that coiled lasso I carry, and I lead them without the trouble of a cast. It is the rope that lies coiled on the deck, which moors my ship, and I have never to bend a cable.

All things are under my control thanks to the coiled lasso I have, and I guide them effortlessly. It’s the rope that’s coiled on the deck, which secures my ship, and I never have to use a cable.

In God's hall hang cables of infinite length, and in His entries stand bars of infinite strength; but those cables were never bent, nor those bars ever poised, for all things have been subdued to the divinity from the first, and these are the seals of His power.

In God's hall hang cables of endless length, and in His entries stand bars of limitless strength; but those cables have never been bent, nor those bars ever positioned, for everything has been submitted to the divine from the beginning, and these are the marks of His power.

The guilty never escape, for a steed stands ever ready saddled and bridled at God's door, and the sinner surrenders at last.

The guilty never get away, because a horse is always saddled and waiting at God's door, and the sinner eventually gives in.

End of my Journal of 396 pages. 189

End of my Journal of 396 pages. 189

Feb. 2. Tuesday. It is easy to repeat, but hard to originate. Nature is readily made to repeat herself in a thousand forms, and in the daguerreotype her own light is amanuensis, and the picture too has more than a surface significance,—a depth equal to the prospect,—so that the microscope may be applied to the one as the spy-glass to the other. Thus we may easily multiply the forms of the outward; but to give the within outwardness, that is not easy.

Feb. 2. Tuesday. It’s easy to copy, but hard to create something new. Nature can easily repeat herself in countless ways, and in a photograph, her own light acts as a messenger, plus the image carries more meaning than what’s on the surface—it has a depth that matches what we see. Just like we can use a microscope for one and a telescope for the other. So, while we can easily increase the outward appearances, making the inner qualities visible is a challenge.

That an impression may be taken, perfect stillness, though but for an instant, is necessary. There is something analogous in the birth of all rhymes.

That a perfect impression can be made in complete stillness, even if just for a moment, is essential. There’s something similar in the creation of all rhymes.

Our sympathy is a gift whose value we can never know, nor when we impart it. The instant of communion is when, for the least point of time, we cease to oscillate, and coincide in rest by as fine a point as a star pierces the firmament.

Our sympathy is a gift whose value we can never fully understand, nor know when we share it.

The stars are the mountain peaks of celestial countries.

The stars are the mountain tops of cosmic lands.

A child asked its father what became of the old moon, and he said it was cut up into stars.

A child asked their dad what happened to the old moon, and he said it was turned into stars.

There is always a single ear in the audience, to which we address ourselves.

There’s always one person in the audience that we focus on.

How much does it concern you, the good opinion of your friend? Therein is the measure of fame. For the herd of men multiplied many times will never come up to the value of one friend. In this society there is no 190 fame but love; for as our name may be on the lips of men, so are we in each other's hearts. There is no ambition but virtue; for why should we go round about, who may go direct?

How much do you care about your friend's opinion? That's the real measure of fame. A crowd of people multiplied many times will never equal the worth of one true friend. In this society, there is no fame without love; just as our names may be on people's lips, we exist in each other's hearts. There's no ambition except for virtue; why go the long way around when you can go straight?

All those contingencies which the philanthropist, statesman, and housekeeper write so many books to meet are simply and quietly settled in the intercourse of friends.

All the different situations that philanthropists, politicians, and homemakers write so many books about are simply and easily resolved in the interactions among friends.

For our aspirations there is no expression as yet, but if we obey steadily, by another year we shall have learned the language of last year's aspirations.

For our dreams, there’s no way to express them yet, but if we keep at it, by next year we’ll have figured out the language of last year’s dreams.

When I read the other day the weight of some of the generals of the Revolution, it seemed no unimportant fact in their biography. It is at least one other means of comparing ourselves with them. Tell me how much Milton or Shakespeare weighed, and I will get weighed myself, that I may know better what they are to me.

When I read the other day about the weight of some of the generals of the Revolution, it felt like an interesting detail in their biographies. It's just another way to compare ourselves to them. If you tell me how much Milton or Shakespeare weighed, I'll weigh myself too, so I can understand better what they mean to me.

Weight has something very imposing in it, for we cannot get rid of it. Once in the scales we must weigh. And are we not always in the scales, and weighing just our due, though we kick the beam, and do all we can to heavy or lighten ourselves?

Weight has a certain heaviness to it because we can't escape it. Once we're on the scale, we have to weigh ourselves. Aren't we always on the scale, measuring what we deserve, even if we try to tip the balance or do everything we can to make ourselves feel lighter or heavier?

Feb. 3. Wednesday. The present seems never to get its due; it is the least obvious,—neither before, nor behind, but within us. All the past plays into this moment, and we are what we are. My aspiration is one thing, my reflection another, but, over all, myself and condition is and does. To men and nature I am each 191 moment a finished tool,—a spade, a barrow, or a pickaxe. This immense promise is no efficient quality. For all practical purposes I am done.

Feb. 3. Wednesday. The present never seems to get its proper recognition; it’s the least noticeable—neither in the past nor the future, but inside us. Everything from the past contributes to this moment, and we are shaped by it. My hopes are one thing, my thoughts another, but, overall, who I am and my situation is what matters. To people and nature, I am each 191 moment a completed tool—a shovel, a wheelbarrow, or a pick. This great potential isn't really an effective quality. For all practical purposes, I’m finished.

When we do a service to our neighbor, we serve our next neighbor.

When we help our neighbor, we're helping the people closest to us.

We are constantly invited to be what we are; as to something worthy and noble. I never waited but for myself to come round; none ever detained me, but I lagged or tagged after myself.

We’re always encouraged to be true to ourselves, as if we’re something valuable and admirable. I never waited for anyone else; I just needed to catch up to myself. No one held me back, I just dragged along behind my own self.

It steads us to be as true to children and boors as to God himself. It is the only attitude which will suit all occasions; it only will make the earth yield her increase, and by it do we effectually expostulate with the wind. If I run against a post, this is the remedy. I would meet the morning and evening on very sincere ground. When the sun introduces me to a new day, I silently say to myself, "Let us be faithful all round; we will do justice and receive it." Something like this is the secret charm of Nature's demeanor toward us, strict conscientiousness [?] and disregard of us when we have ceased to have regard for ourselves. So she can never offend us. How true she is!—and never swerves. In her most genial moment her laws are as steadfastly and relentlessly fulfilled—though the decalogue is rhymed and set to sweetest music—as in her sternest.

It’s essential to be as genuine with kids and simple people as we are with God himself. This is the only approach that fits every situation; it’s the only way to make the earth produce abundantly, and this is how we effectively communicate with nature. If I bump into a post, this is the solution. I want to greet both morning and evening on very honest terms. When the sun brings me a new day, I quietly remind myself, “Let’s be true and fair; we will give justice and receive it.” This is somewhat like the secret charm of nature’s behavior toward us: strict conscientiousness and indifference when we stop taking care of ourselves. So she can never offend us. How faithful she is!—and never wavers. Even in her most pleasant moments, her laws are just as firmly and unyieldingly enforced—though the commandments may be expressed in beautiful rhythms and melodies—as in her harshest moments.

Any exhibition of affection—as an inadvertent word, or act, or look—seems premature, as if the time 192 were not ripe for it; like the buds which the warm days near the end of winter cause to push out and unfold before the frosts are yet gone.

Any display of affection—whether it’s an accidental word, action, or glance—feels too soon, as if the moment isn’t right for it; like the buds that the warm days at the end of winter cause to begin to bloom before the frosts have completely disappeared. 192

My life must seem as if it were passing at a higher level than that which I occupy. It must possess a dignity which will not allow me to be familiar.

My life must seem like it's happening at a higher level than where I am. It must have a dignity that prevents me from being too casual.

The unpretending truth of a simile implies sometimes such distinctness in the conception as only experience could have supplied. Homer could not improve the simile of a soldier who was careful enough to tell the truth. If he knows what it was, he will know what it was like.

The straightforward truth of a simile often requires a level of clarity in understanding that only personal experience can provide. Homer couldn't enhance the simile of a soldier who was honest enough to speak the truth. If he understands what it was, he will know what it felt like.

As the ancient Britons were exhibited in Rome in their native costume, and the Dacian came to display his swordsmanship in the arena, so Tyrolese peasants have come farther yet, even from the neighborhood of Rome to Concord, for our entertainment this night.

As the ancient Britons were shown in Rome in their traditional outfits, and the Dacian came to showcase his sword skills in the arena, so Tyrolean peasants have traveled even farther, all the way from near Rome to Concord, just to entertain us tonight.

Feb. 4. Thursday. When you are once comfortably seated at a public meeting, there is something unmanly in the sitting on tiptoe and qui vive attitude,—the involuntarily rising into your throat, as if gravity had ceased to operate,—when a lady approaches, with quite godlike presumption, to elicit the miracle of a seat where none is.

Feb. 4. Thursday. Once you're comfortably settled at a public meeting, there's something unmanly about sitting on the edge of your seat and being on high alert, almost like you're about to leap out of your chair as if gravity has abandoned you—especially when a lady comes over, with a sort of godlike confidence, trying to work the miracle of finding a seat where there isn't one.

Music will make the most nervous chord vibrate healthily. 193

Music will make even the most anxious chord resonate positively. 193

Such a state of unrest becomes only a fluttered virtue. When once I have learned my place in the sphere, I will fill it once for all, rather like a fixed star than a planet. I will rest as the mountains do, so that your ladies might as well walk into the midst of the Tyrol, and look for Nature to spread them a green lawn for their disport in the midst of those solemn fastnesses, as that I should fly out of my orbit at their approach and go about eccentric, like a comet, to endanger other systems. No, be true to your instincts, and sit; wait till you can be genuinely polite, if it be till doomsday, and not lose your chance everlastingly by a cowardly yielding to young etiquette. By your look say unto them, The lines have fallen to me in pleasant places, and I will fill that station God has assigned me. As well Miss Cassiopeia up there might ask the brazen-fronted Taurus to draw in his horns, that she might shine in his stead. No, no! not till my cycle is completed.

Such a state of unrest is just a fleeting virtue. Once I know my place in this world, I’ll embrace it permanently, more like a fixed star than a planet. I will stand firm like the mountains, so your ladies might just as well walk into the heart of the Tyrol and expect Nature to lay out a green lawn for their enjoyment among those solemn heights, as I would fly out of my orbit at their approach and act erratically, like a comet, putting other systems at risk. No, trust your instincts and be patient; wait until you can be genuinely polite, even if it takes forever, and don’t lose your chance forever by cowardly giving in to youthful etiquette. With your demeanor, tell them, “The lines have fallen to me in pleasant places, and I will fulfill the role God has given me.” Just like Miss Cassiopeia up there shouldn’t ask the bold Taurus to retract his horns so she can shine in his place. No, no! Not until my cycle is complete.

How is it that motion will always find space to move in, and rest a seat? Men hate antagonism, and the weaker will always yield to the stronger. If a stranger enter with sufficient determination into a crowded assembly, as if commissioned by the gods to find a seat there, as the falling stone by a divine impulse seeks a resting-place, each one will rise without thinking to offer his place. Now we have only to be commissioned to sit, and depend upon it the gods will not balk their own work. Ye came one day too late, as did the poet after the world had been divided, and so returned to dwell with the god that sent him. When presumptuous womanhood demands to surrender my position, I bide 194 my time,—though it be with misgiving,—and yield to no mortal shove, but expect a divine impulse. Produce your warrant, and I will retire; for not now can I give you a clear seat, but must leave part of my manhood behind and wander a diminished man, who at length will not have length and breadth enough to fill any seat at all. It was very kind in the gods who gave us a now condition, or condition of rest, in which we might unhurriedly deliberate before taking a step. When I give up my now and here without having secured my then and there, I am the prodigal son of a kind father and deserve no better than the husks which the swine eat, nor that the fatted calf be killed for me.

How is it that movement will always find space to fit into and a place to rest? People dislike conflict, and the weaker will always give way to the stronger. If a stranger enters a crowded room with enough determination, as if sent by the gods to claim a seat, everyone will instinctively get up to offer their spot, just like a falling stone seeks a resting place through divine impulse. Now we just need to be given permission to sit, and trust me, the gods won’t hinder their own plan. You came a day too late, like the poet who returned to the god that sent him after the world had been divided. When an overconfident woman demands my seat, I bide my time—though I do so with unease—and refuse to budge under any pressure, but wait for a divine nudge. Show me your proof, and I’ll step aside; because right now I can’t give you a clear seat, but would have to leave part of my dignity behind and wander as a diminished man, who ultimately won’t have enough presence to fill any seat at all. It was very generous of the gods to grant us a present state, or a state of rest, where we can thoughtfully reflect before taking action. When I give up my now and here without securing my then and there, I become the prodigal son of a kind father and deserve nothing better than the husks that the pigs eat, nor that the fatted calf be killed for me.

Rest forever. When instinct comes to the rescue of your politeness, it will seat you securely still, though it be to hang by a rail or poise yourself on a stick. To do otherwise is to be polite only as the soldier who runs away when the enemy demands his post. Politeness is rather when the generals interchange civilities before the fight, not when one returns a sword after the victory.

Rest forever. When instinct kicks in to help your politeness, it will keep you steady, even if it means hanging on to a rail or balancing on a stick. To do anything else is to be polite like a soldier who abandons his post when the enemy approaches. True politeness is when the generals exchange pleasantries before the battle, not when one hands back a sword after winning.

Not only in his cunning hand and brain, but when he speaks, too, does man assert his superiority. He conquers the spaces with his voice, as well as the lion. The voice of a strong man modulated to the cadence of some tune is more imposing than any natural sound. The keeper's is the most commanding, and is heard over all the din of the menagerie. A strong, musical voice imposes a new order and harmony upon nature; from it as a centre the law is promulgated to the universe. What it lacks in volume and loudness may 195 always be made up in musical expression and distinctness. The brute growls to secure obedience; he threatens. The man speaks as though obedience were already secured.

Not only in his clever hands and mind, but also when he speaks, does man show his superiority. He conquers space with his voice just as he does the lion. The voice of a strong man, tuned to the rhythm of a melody, is more powerful than any natural sound. The keeper has the most commanding voice, which can be heard above all the noise of the menagerie. A strong, melodic voice creates a new order and harmony in nature; from it, a law is established for the universe. What it may lack in volume and loudness can always be compensated for with musical expression and clarity. The beast growls to demand obedience; it threatens. The man speaks as though obedience is already guaranteed.

Brave speaking is the most entire and richest sacrifice to the gods.

Brave speaking is the most complete and valuable offering to the gods.

Feb. 5. Friday. Only on rare occasions am I reminded that man too has a voice, as well as birds and quadrupeds, which breaks on the stillness of nature with its peculiar accent. The least sound pervades and subdues all space to it as long as it fills my ear. Contrasted single with the silence, it is as wide as it. Music is the crystallization of sound. There is something in the effect of a harmonious voice upon the disposition of its neighborhood analogous to the law of crystals; it centralizes itself and sounds like the published law of things. If the law of the universe were to be audibly promulgated, no mortal lawgiver would suspect it, for it would be a finer melody than his ears ever attended to. It would be sphere music.[204]

Feb. 5. Friday. I’m only rarely reminded that humans, like birds and animals, have their own voices that break the stillness of nature with their unique sounds. The slightest noise seems to fill the entire space as long as it’s in my ears. When set against silence, it feels as expansive as it is. Music is the essence of sound. There’s something about how a harmonious voice affects its surroundings that’s similar to how crystals form; it gathers itself and resonates like a law made known. If the laws of the universe were to be heard, no human lawmaker would recognize it, because it would be a melody far more refined than anything they’ve ever listened to. It would be the music of the spheres.[204]

When by tutoring their voices singers enhance one another's performance, the harmony is more complete and essential than is heard. The quire is one family held together by a very close bond. Hence the romance we associate with Gypsies and circus companies and strolling musicians. The idea of brotherhood is so strong in them. Their society is ideal for that one end. 196

When singers help each other improve their voices through tutoring, their performance becomes more complete and vital than what is actually heard. The choir is like one family, tightly connected by a strong bond. This is why we think of romance when we think of Gypsies, circus companies, and traveling musicians. The concept of brotherhood is incredibly strong among them. Their community is perfect for fostering that unity. 196

There is something in this brotherhood—this feeling of kind, or kindness—which insensibly elevates the subjects of it in our eyes. However poor or mean, they have something which counterbalances our contempt. This is that in the strolling pauper family which does not court our charity but can even bless and smile on us and make the kindness reciprocal. It sanctifies the place and the hour.

There’s something about this brotherhood—this sense of connection or kindness—that lifts the people involved in our eyes. No matter how poor or humble they are, there’s something that balances out our disdain. It’s what you see in the wandering homeless families who don’t beg for our charity but can actually bless us and smile, making kindness mutual. It makes the time and place feel special.

These Rainers, if they are not brothers and sisters, must be uncles and cousins at least. These Swiss who have come to sing to us, we have no doubt are the flower of the Tyrol.[205] Such is the instinctive kindness with which the foreigner is always received, that he is ever presumed to be the fairest and noblest of his race. The traveller finds that it is not easy to move away from his friends, after all, but all people whom he visits are anxious to supply the place to him of his parents and brothers and sisters. To these Swiss I find that I have attributed all Tell's patriotism and the devotion of Arnold Winkelried and whatever goodness or greatness belongs to the nation.

These Rainers, if they aren't siblings, must at least be uncles or cousins. We have no doubt that these Swiss who have come to sing for us are the best of the Tyrol. Such is the natural kindness with which foreigners are always welcomed, that they're often assumed to be the finest and noblest of their kind. Travelers discover that it's not easy to part from their friends, after all, but everyone they meet is eager to fill the role of their parents and siblings. I realize that I've attributed all of Tell's patriotism, the dedication of Arnold Winkelried, and whatever goodness or greatness exists in the nation to these Swiss.

All costume off a man, when not simply doffed, is grotesque. There must be a heart inside it. When these Swiss appear before me in gaiters and high-crowned hats with feathers, I am disposed to laugh, but soon I see that their serious eye becomes these and they it. It is the sincere life passed within it which consecrates the costume of any people. A sufficiently sober eye will 197 retrieve itself and subordinate any grotesqueness. Let Harlequin be taken with a fit of the colic in the midst of his buffoonery, and his trappings and finery will serve that mood too and with their drooping sympathy enhance the sincerity of his misfortune. When the soldier is hit by a cannon-ball, rags are as becoming as purple.[206] So soon as a man engages to eat, drink, sleep, walk, and sit, and meet all the contingencies of life therein, his costume is hallowed and a theme for poetry, whether it be a bear's skin or ermine, a beaver hat or a Turkish turban. He will not wear anything because it is blue, or black, or round, or square, but from a necessity which cannot be superseded.

All the clothes a man wears, when not simply taken off, look silly. There needs to be a heart inside them. When these Swiss guys show up in gaiters and tall hats with feathers, I want to laugh, but I quickly realize their serious gaze suits the outfits, and vice versa. It's the genuine life lived within that gives meaning to the costume of any culture. A sufficiently serious expression can recover itself and tone down any absurdity. If Harlequin suddenly gets a stomach cramp in the middle of his antics, his flashy clothes will match that mood too and their drooping sympathy will highlight the sincerity of his misfortune. When a soldier gets hit by a cannonball, rags look just as good as royal purple. As soon as a man decides to eat, drink, sleep, walk, sit, and face all the ups and downs of life in those clothes, his outfit becomes sacred and a subject for poetry, whether it’s made of bear skin or ermine, a beaver hat or a Turkish turban. He won't wear anything just because it's blue, black, round, or square, but out of a necessity that can't be ignored.

I look into the face and manners for something familiar and homely even, to be assured that the costume of the foreigner is not whimsical or finical.

I search the person's face and behavior for something familiar and comforting, to be sure that the foreigner's outfit isn't strange or overly fancy.

In all emergencies there is always one step which you may take on firm ground where gravity will assure you footing. So you hold a draft on Fate payable at sight.

In every emergency, there's always one move you can make with confidence, where you can rely on solid ground to keep you steady. So you have a check on Fate that's due immediately.

Feb. 6. Saturday. One may discover a new side to his most intimate friend when for the first time he hears him speak in public. He will be stranger to him as he is more familiar to the audience. The longest intimacy could not foretell how he would behave then. When I observe my friend's conduct toward others, then chiefly I learn the traits in his character, and in each case I am unprepared for the issue.

Feb. 6. Saturday. You can discover a new side to your closest friend when you hear him speak in public for the first time. He may seem like a stranger to you, even though he’s more comfortable with the audience. No amount of intimacy can predict how he will act in that moment. When I watch how my friend interacts with others, that’s when I really learn about his character, and I’m always caught off guard by the outcome.

When one gets up to address briefly a strange audience, 198 in that little he may have opportunity to say he will not quite do himself injustice. For he will instantly and instinctively average himself to his audience, and while he is true to his own character still, he will in a few moments make that impression which a series of months and years would but expand. Before he answers, his thought like lightning runs round the whole compass of his experiences, and he is scrupulous to speak from that which he is and with a more entire truthfulness than usual. How little do we know each other then! Who can tell how his friend would behave on any occasion?

When you get up to briefly address a unfamiliar audience, 198 you might find that you don't do yourself an injustice. You'll quickly and instinctively adjust yourself to fit the audience, and while staying true to who you are, you'll make an impression in just a few moments that would take months or years to develop otherwise. Before you respond, your thoughts race through all your experiences, and you’ll carefully choose to speak from your true self with more honesty than usual. How little do we really know about each other! Who can say how a friend might act in any situation?

As for those Swiss, I think of the fields their hands have plowed and reaped, and respect their costume as the memorial or rather cotemporary and witness of this. What is there in a toga but a Roman? What but a Quaker in a broad-brimmed hat? He who describes the dress of a Janizary going to war does me a similar service as when he paints the scenery of the battle-field. It helps make his exploit picturesque.

As for those Swiss, I think about the fields they've plowed and harvested, and I respect their clothing as a reminder or rather contemporary proof of this. What is there in a toga except a Roman? What but a Quaker in a broad-brimmed hat? Someone who describes the outfit of a Janizary heading to war does me the same favor as when they illustrate the battlefield. It adds to the visual appeal of their deeds.

Costume is not determined by whim, not even the tattooing and paint of the savage. Sun, wind, rain, and the form of our bodies shape our hats and coats for us, more even than taste. Good taste secures the utmost gratification without sacrificing any conveniences. If all nations derived their fashions from Paris or London, the world would seem like a Vanity Fair or all fools' day, and the Tartar and Bedouin ride in it like jesters in a circus, and the Pawnee and Esquimau hunt in masquerade. What I am must make you forget what I 199 wear. The fashionable world is content to be eclipsed by its dress, and never will bear the contrast. Only industry will reform their dress. They are idle,—exostrious, building without.

Costume isn't just a matter of personal choice—not even the tattoos and paint of indigenous people. Sun, wind, rain, and our body shapes influence our hats and coats more than personal taste does. Good taste allows for maximum enjoyment without giving up any comfort. If all cultures copied their fashion from Paris or London, the world would look like a carnival, and people from places like Tartary and Bedouin countries would appear as jesters in a circus, while Pawnees and Eskimos would hunt in disguise. What I am should make you overlook what I 199 wear. The fashionable crowd is okay with being overshadowed by their clothing and won’t accept any comparison. Only hard work will change their style. They are lazy—exostrious, building on the outside.

The value of the recess in any public entertainment consists in the opportunity for self-recovery which it offers. We who have been swayed as one heart, expanding and contracting with the common pulse, find ourselves in the interim, and set us up again, and feel our own hearts beating in our breasts. We are always a little astonished to see a man walking across the room, through an attentive audience, with any degree of self-possession. He makes himself strange to us. He is a little stubborn withal, and seems to say, "I am self-sustained and independent as well as the performer, and am not to be swallowed up in the common enthusiasm. No, no, there are two of us, and John's as good as Thomas." In the recess the audience is cut up into a hundred little coteries, and as soon as each individual life has recovered its tone and the purposes of health have been answered, it is time for the performances to commence again.

The value of the break in any public event lies in the chance it gives us to regroup. We who have been connected as one, moving in sync with the collective energy, take a moment to center ourselves again and feel our own hearts beating. We're often a bit surprised to see someone walking across the room amid an engaged audience, appearing completely composed. They seem out of place to us. They come off as somewhat defiant, as if to say, "I can stand on my own as much as the performer, and I won’t just get lost in the shared excitement. No, no, there are two of us here, and I'm just as important as the performer." During the break, the audience splits into dozens of small groups, and as soon as each person has regained their composure and met their need for refreshment, it's time for the show to start again.

In a public performer, the simplest actions, which at other times are left to unconscious nature, as the ascending a few steps in front of an audience, acquire a fatal importance and become arduous deeds.

In a public performer, even the simplest actions, which at other times happen naturally, like walking up a few steps in front of an audience, gain a significant weight and become challenging tasks.

When I select one here and another there, and strive to join sundered thoughts, I make but a partial heap 200 after all. Nature strews her nuts and flowers broadcast, and never collects them into heaps. A man does not tell us all he has thought upon truth or beauty at a sitting, but, from his last thought on the subject, wanders through a varied scenery of upland, meadow, and woodland to his next. Sometimes a single and casual thought rises naturally and inevitably with a queenly majesty and escort, like the stars in the east. Fate has surely enshrined it in this hour and circumstances for some purpose. What she has joined together, let not man put asunder. Shall I transplant the primrose by the river's brim, to set it beside its sister on the mountain? This was the soil it grew in, this the hour it bloomed in. If sun, wind, and rain came here to cherish and expand it, shall not we come here to pluck it? Shall we require it to grow in a conservatory for our convenience?

When I pick one idea here and another there and try to connect separated thoughts, I end up with only a partial collection 200 after all. Nature spreads her nuts and flowers everywhere, and never gathers them into piles. A person doesn't share everything they've thought about truth or beauty at once, but rather, from their last thought, they move through a varied landscape of hills, fields, and forests to their next idea. Sometimes a single, random thought rises up naturally and inevitably with a regal presence, like stars appearing in the east. Fate has surely destined it for this moment and context for a reason. What she's brought together, let no man separate. Should I move the primrose by the riverbank to place it next to its sister on the mountain? This was the soil it thrived in, this was the moment it blossomed. If sun, wind, and rain came here to nurture and develop it, shouldn't we come here to pick it? Should we expect it to grow in a greenhouse for our convenience?

I feel slightly complimented when Nature condescends to make use of me without my knowledge, as when I help scatter her seeds in my walk, or carry burs and cockles on my clothes from field to field.[207] I feel as though I had done something for the commonweal, and were entitled to board and lodging. I take such airs upon me as the boy who holds a horse for the circus company, whom all the spectators envy.

I feel a bit flattered when Nature deigns to use me without me knowing, like when I help spread her seeds on my walk or carry burs and cockles on my clothes from field to field.[207] I feel like I’ve contributed to the common good and deserve some food and a place to stay. I act a bit proud, like the kid who holds a horse for the circus, who everyone in the audience envies.

"Lu ral lu ral lu" may be more impressively sung than very respectable wisdom talked. It is well-timed, as wisdom is not always. 201

"Lu ral lu ral lu" can be sung with more flair than the most respectable wisdom can be spoken. It's perfectly timed, since wisdom isn't always. 201

All things prophesy but the prophet. In augury and divination nature is put to the torture. In Ben Jonson's tragedy of "Catiline," Lentulus makes answer to Catiline, who has bribed the augurs to say that he is that third Cornelius who is to be king of Rome, "All prophecies, you know, suffer the torture." He who inspects the entrails is always bribed, but they are unbribable. He who seeks to know the future by unlawful means has unavoidably subjected the oracle to the torture of private and partial interests. The oracles of God serve the public interest without fee. To the just and benevolent mind nature declares, as the sun lights the world.

All things predict except for the prophet. In divination and fortune-telling, nature is put through a hard test. In Ben Jonson's tragedy "Catiline," Lentulus responds to Catiline, who has bribed the augurs to claim he is the third Cornelius destined to be king of Rome, saying, "All prophecies, you know, are tortured." The one who examines the entrails is always bribed, but the entrails themselves can't be. Those who try to predict the future through dishonest means have inevitably forced the oracle into the torment of private and partial interests. The oracles of God serve the public good without charge. To a just and kind-hearted mind, nature declares itself, just like the sun brightens the world.

Feb. 7. Sunday. Without greatcoat or drawers I have advanced thus far into the snow-banks of the winter, without thought and with impunity.[208] When I meet my neighbors in muffs and furs and tippets, they look as if they had retreated into the interior fastnesses from some foe invisible to me. They remind me that this is the season of winter, in which it becomes a man to be cold. For feeling, I am a piece of clean wood of this shape, which will do service till it rots, and though the cold has its physical effect on me, it is a kindly one, for it "finds its acquaintance there." My diet is so little stimulating, and my body in consequence so little heated, as to excite no antagonism in nature, but flourishes like a tree, which finds even the winter genial to its expansion and the secretion of sap. May not the body defend itself against cold by its very nakedness, and its elements be so simple and single that they cannot congeal? Frost 202 does not affect one but several. My body now affords no more pasture for cold than a leafless twig.[209] I call it a protestant warmth. My limbs do not tire as formerly, but I use myself as any other piece of nature, and from mere indifference and thoughtlessness may break the timber.

Feb. 7. Sunday. Without my coat or long underwear, I've made it this far into the winter snow, mindlessly and without any consequences. When I see my neighbors bundled up in their furs and scarves, they seem like they've come from some hidden place to escape an unseen enemy. They remind me that it’s winter, a time when it’s expected to feel cold. Emotionally, I’m like a piece of clean wood, useful until it decays, and even though the cold affects me physically, it does so in a gentle way, like it "makes itself known." My diet is so simple, and my body is consequently so cool, that it doesn't provoke any resistance from nature, but instead thrives like a tree that even enjoys winter for its growth and the production of sap. Could it be that the body can protect itself from the cold just by being so bare, with its elements so straightforward that they can't freeze? Frost affects many at once, not just one. My body now provides no more sustenance for the cold than a leafless twig does. I refer to it as a protestant warmth. My limbs don’t tire like they used to; I treat myself like any other part of nature, and in my indifference and thoughtlessness, I might just snap like timber.

It is the vice of the last season which compels us to arm ourselves for the next. If man always conformed to Nature, he would not have to defend himself against her, but find her his constant nurse and friend, as do plants and quadrupeds.

It’s the flaw of the last season that pushes us to prepare for the next. If humans always lived in harmony with Nature, they wouldn’t need to protect themselves from her but would instead see her as their constant caregiver and ally, just like plants and animals do.

In the sunshine and the crowing of cocks I feel an illimitable holiness, which makes me bless God and myself. The warm sun casts his incessant gift at my feet as I walk along, unfolding his yellow worlds. Yonder sexton with a few cheap sounds makes me richer than these who mind his summons. The true gift is as wide as my gratitude, and as frequent, and the donor is as grateful as the recipient. There would be a New Year's gift indeed, if we would bestow on each other our sincerity. We should communicate our wealth, and not purchase that which does not belong to us for a sign. Why give each other a sign to keep? If we gave the thing itself, there would be no need of a sign.

In the sunshine and with the sound of roosters crowing, I feel an endless sense of holiness that makes me grateful to God and to myself. The warm sun constantly showers me with gifts as I walk, revealing its bright beauty. That sexton over there, with a few simple sounds, enriches me more than those who heed his call. The real gift is as expansive as my gratitude, and as frequent, and the giver feels just as thankful as the receiver. It would truly be a New Year's gift if we shared our sincerity with one another. We should share our wealth, not buy things that don’t belong to us as mere tokens. Why give each other something to hold onto? If we offered the real thing, there would be no need for a token.

I am not sure I should find out a really great person soon. He would be simple Thomas or Oliver for some centuries first. The lesser eminences would hide 203 the higher, and I should at last reach his top by a gentle acclivity. I felt it would be necessary to remain some weeks at the Notch to be impressed by the grandeur of the scenery. We do not expect that Alexander will conquer Asia the first time we are introduced to him. A great man accepts the occasion the fates offer him. Let us not be disappointed. We stand at first upon the pampas which surround him. It is these mountains round about which make the valleys here below. He is not a dead level, so many feet above low-water mark. Greatness is in the ascent. But there is no accounting for the little men.

I’m not sure I’ll find a truly great person anytime soon. He’d probably just be regular Thomas or Oliver for the first few centuries. The lesser figures would overshadow the greater ones, and I’d eventually reach the peak through a gentle climb. I thought it would be important to stay at the Notch for a few weeks to really appreciate the grandeur of the scenery. We don’t expect Alexander to conquer Asia the first time we meet him. A great person takes advantage of the opportunities fate gives them. Let’s not be let down. We start out on the plains surrounding him. It’s these mountains that shape the valleys below. He’s not just a flat expanse, a certain height above sea level. Greatness lies in the climb. But you can’t explain the little guys.

"They must sweat no less

"They must sweat at least"

To fit their properties, than t' express their parts."

To match their qualities, rather than to show their roles.

Or the line before this:—

Or the line before this:—

"Would you have

Would you have

Such an Herculean actor in the scene,

Such a Herculean actor in the scene,

And not his hydra?"—Jonson.

And not his hydra?"—Jonson.

The eaves are running on the south side of the house; the titmouse lisps in the poplar; the bells are ringing for church; while the sun presides over all and makes his simple warmth more obvious than all else.[210] What shall I do with this hour, so like time and yet so fit for eternity? Where in me are these russet patches of ground, and scattered logs and chips in the yard? I do not feel cluttered. I have some notion what the John's-wort and life-everlasting may be thinking about when the sun shines on me as on them and turns my prompt thought into just such a seething shimmer. I lie out indistinct 204 as a heath at noonday. I am evaporating and ascending into the sun.

The eaves are running along the south side of the house; the titmouse chirps in the poplar; the church bells are ringing; while the sun shines over everything, making its simple warmth more noticeable than anything else.[210] What should I do with this hour, so much like time yet so suitable for eternity? Where in me are these russet patches of ground, and scattered logs and chips in the yard? I don’t feel cluttered. I have some idea of what the St. John's-wort and life-everlasting might be thinking about when the sun shines on me like it does on them, turning my quick thoughts into a similar shimmering glow. I lie out vaguely 204 like a heath at noon. I am evaporating and rising into the sun.

Nothing stands in the way to success, but to failure. To victory is all the way up hill; to defeat the simplest wight that weighs may soon slide down. Cowards would not have victory but the fruits of victory; but she it is that sweetens all the spoil. Thus, by a just fate, the booty cannot fall to him who did not win it. There is victory in every effort. In the least swing of the arm, in indignant thought, in stern content, we conquer our foes.

Nothing stands in the way of success except for failure. The path to victory is all uphill; defeat can be as easy as a light weight sliding down. Cowards don’t seek true victory but only the rewards that come with it; yet it's victory that ultimately makes everything worthwhile. Therefore, by a fair fate, the spoils cannot go to someone who didn’t earn them. There is a kind of victory in every effort. In the smallest swing of the arm, in frustrated thought, in resolute acceptance, we overcome our enemies.

Great thoughts make great men. Without these no heraldry nor blood will avail.

Great ideas create great people. Without them, neither titles nor lineage will matter.

The blood circulates to the feet and hands, but the thought never descends from the head.

The blood flows to the feet and hands, but the thought never leaves the head.

The most I can do for my friend is simply to be his friend. I have no wealth to bestow on him. If he knows that I am happy in loving him, he will want no other reward. Is not Friendship divine in this?

The most I can do for my friend is just to be his friend. I don't have any wealth to give him. If he knows that I'm happy loving him, he won't want any other reward. Isn't friendship amazing in this way?

I have myself to respect, but to myself I am not amiable; but my friend is my amiableness personified.

I have to respect myself, but I'm not that nice to myself; however, my friend embodies all the qualities I wish I had.

And yet we walk the stage indifferent actors, not thinking what a sublime drama we might enact if we would be joint workers and a mutual material. Why go to the woods to cut timber to display our art upon, when here are men as trees walking? The world has never learned what men can build each other up to be, when both master and pupil work in love. 205

And yet we walk through life like indifferent actors, not realizing what an amazing performance we could create if we worked together and supported each other. Why go to the woods to cut timber for our art when there are people, like trees, all around us? The world has never understood what we can help each other become when both teacher and student work in harmony. 205

He that comes as a stranger to my house will have to stay as a stranger. He has made his own reception. But persevering love was never yet refused.

He who comes as a stranger to my home will remain a stranger. He has created his own welcome. But persistent love has never been turned away.

"The vicious count their years, virtuous their acts."

"The wicked count their years, the good count their actions."

Jonson.

Jonson.

The former consider the length of their service, the latter its quality.

The first group thinks about how long they’ve served, while the second group focuses on the quality of that service.

Wait not till I invite thee, but observe

Wait not until I invite you, but pay attention

I'm glad to see thee when thou com'st.[211]

I'm glad to see you when you come.[211]

The most ardent lover holds yet a private court, and his love can never be so strong or ethereal that there will not be danger that judgment may be rendered against the beloved.

The most passionate lover still has a private realm, and their love can never be so powerful or transcendent that there isn’t a risk of being judged negatively by the one they adore.

I would have men make a greater use of me.[212] Now I must belittle myself to have dealings with them. My friend will show such a noble confidence that I shall aspire to the society of his good opinion. Never presume men less that you may make them more. So far as we respond to our ideal estimate of each other do we have profitable intercourse.

I would like men to make a greater use of me.[212] Now I have to underestimate myself to interact with them. My friend will show such admirable confidence that I will want to be in the company of his good opinion. Never think of men as less than you so you can elevate them. The more we align with our ideal views of each other, the more valuable our interactions will be.

A brave man always knows the way, no matter how intricate the roads.

A brave person always knows the way, no matter how complicated the paths are.

Feb. 8. All we have experienced is so much gone within us, and there lies. It is the company we keep. One day, 206 in health or sickness, it will come out and be remembered. Neither body nor soul forgets anything. The twig always remembers the wind that shook it, and the stone the cuff it received. Ask the old tree and the sand.

Feb. 8. Everything we've gone through is deeply embedded within us, and it stays there. It's about the company we keep. One day, 206 in health or sickness, it will emerge and be recalled. Neither our body nor our soul forgets anything. The twig always remembers the wind that shook it, and the stone the blow it took. Just ask the old tree and the sand.

To be of most service to my brother I must meet him on the most equal and even ground, the platform on which our lives are passing. But how often does politeness permit this?

To be the most helpful to my brother, I need to connect with him on the same level, on the platform where our lives are unfolding. But how often does politeness allow for this?

I seek a man who will appeal to me when I am in fault. We will treat as gods settling the affairs of men. In his intercourse I shall be always a god to-day, who was a man yesterday. He will never confound me with my guilt, but let me be immaculate and hold up my skirts. Differences he will make haste to clear up, but leave agreements unsettled the while.

I’m looking for a man who can influence me when I’m wrong. We’ll act like gods managing the lives of humans. In our interactions, I will always feel like a goddess today, even though I was just a woman yesterday. He won’t ever judge me for my mistakes, but will let me be pure and keep my dignity. He will quickly resolve our differences, but leave our agreements unresolved in the meantime.

As time is measured by the lapse of ideas, we may grow of our own force, as the mussel adds new circles to its shell. My thoughts secrete the lime. We may grow old with the vigor of youth. Are we not always in youth so long as we face heaven? We may always live in the morning of our days. To him who seeks early, the sun never gets over the edge of the hill, but his rays fall slanting forever. His wise sayings are like the chopping of wood and crowing of cocks in the dawn.

As time is measured by the flow of ideas, we can grow through our own strength, just like a mussel adds new rings to its shell. My thoughts create the lime. We can age with the energy of youth. Aren't we always young as long as we look toward the sky? We can continue to live in the morning of our days. For someone who seeks early, the sun never fully rises over the hill; its rays always come in at an angle. His wise words are like the sound of chopping wood and roosters crowing at dawn.

My Journal is that of me which would else spill over and run to waste, gleanings from the field which in action I reap. I must not live for it, but in it for the gods. 207 They are my correspondent, to whom daily I send off this sheet postpaid. I am clerk in their counting-room, and at evening transfer the account from day-book to ledger. It is as a leaf which hangs over my head in the path. I bend the twig and write my prayers on it; then letting it go, the bough springs up and shows the scrawl to heaven. As if it were not kept shut in my desk, but were as public a leaf as any in nature. It is papyrus by the riverside; it is vellum in the pastures; it is parchment on the hills. I find it everywhere as free as the leaves which troop along the lanes in autumn. The crow, the goose, the eagle carry my quill, and the wind blows the leaves as far as I go. Or, if my imagination does not soar, but gropes in slime and mud, then I write with a reed.

My journal is my way of capturing thoughts that would otherwise spill out and go to waste, like the harvest I gather in action. I shouldn't just live for it, but for the gods within it. 207 They are my audience, to whom I send off this page daily. I'm their clerk, transferring the day's entries from the daybook to the ledger in the evening. It's like a leaf hanging over my head on my path. I bend the twig and write my prayers on it; then I let it go, and the branch bounces back, showing my scrawl to the heavens. It's not hidden in my desk, but as public as any leaf in nature. It's papyrus by the riverside; it's vellum in the meadows; it's parchment on the hills. I find it everywhere, as free as the leaves that line the paths in autumn. The crow, the goose, the eagle carry my pen, and the wind spreads my words as far as I travel. Or, if my imagination doesn't soar and gets stuck in the muck, then I write with a reed.

It is always a chance scrawl, and commemorates some accident,—as great as earthquake or eclipse. Like the sere leaves in yonder vase, these have been gathered far and wide. Upland and lowland, forest and field have been ransacked.

It’s always a chance note, marking some random event—something as big as an earthquake or an eclipse. Like the dry leaves in that vase over there, these have been collected from all over. We've searched the highlands and lowlands, the woods and the fields.

In our holiest moment our devil with a leer stands close at hand. He is a very busy devil. It gains vice some respect, I must confess, thus to be reminded how indefatigable it is. It has at least the merit of industriousness. When I go forth with zeal to some good work, my devil is sure to get his robe tucked up the first and arrives there as soon as I, with a look of sincere earnestness which puts to shame my best intent. He is as forward as I to a good work, and as disinterested. He has a winning way of recommending himself by making 208 himself useful. How readily he comes into my best project, and does his work with a quiet and steady cheerfulness which even virtue may take pattern from.

In our most sacred moment, our devil with a smirk is right beside us. He’s a very busy devil. I have to admit, it makes vice seem somewhat respectable, reminding us how relentless it is. At least it has the quality of being hardworking. When I enthusiastically set out to do something good, my devil is sure to roll up his sleeves first and gets there as quickly as I do, with an expression of genuine seriousness that puts my best intentions to shame. He’s just as eager as I am to do good work, and just as self-serving. He has a charming way of making himself useful. How easily he weasels into my best plans and carries them out with a calm and steady cheerfulness that even virtue might take note of.

I never was so rapid in my virtue but my vice kept up with me. It always came in by a hand, and never panting, but with a curried coolness halted, as if halting were the beginning not the end of the course. It only runs the swifter because it has no rider. It never was behind me but when I turned to look and so fell behind myself. I never did a charitable thing but there he stood, scarce in the rear, with hat in hand, partner on the same errand, ready to share the smile of gratitude. Though I shut the door never so quick and tell it to stay at home like a good dog, it will out with me, for I shut in my own legs so, and it escapes in the meanwhile and is ready to back and reinforce me in most virtuous deeds. And if I turn and say, "Get thee behind me," he then indeed turns too and takes the lead, though he seems to retire with a pensive and compassionate look, as much as to say, "Ye know not what ye do."

I was never so quick to be virtuous that my vices didn’t keep up with me. They always arrived casually, never rushing, pausing as if to say that stopping was just the start, not the finish. They only move faster because they have no one holding them back. They were never behind me unless I turned to check, and in doing so, I fell behind myself. I never did a good deed without them standing close by, barely behind me, hat in hand, ready to share in the gratitude. Even when I try to shut the door quickly and tell it to stay put like a good dog, it escapes with me because I trap my own legs, and in the meantime, it slips out and is prepared to support me in my most virtuous actions. And if I turn and say, "Stay behind me," it does indeed turn and takes the lead, even though it appears to step back with a thoughtful and sympathetic expression, as if to say, "You don’t realize what you’re doing."

Just as active as I become to virtue, just so active is my remaining vice. Every time we teach our virtue a new nobleness, we teach our vice a new cunning. When we sharpen the blade it will stab better as well as whittle. The scythe that cuts will cut our legs. We are double-edged blades, and every time we whet our virtue the return stroke straps our vice. And when we cut a clear descending blow, our vice on t'other edge rips up the work. Where is the skillful swordsman that can draw his blade straight back out of the wound?[213] 209

Just as much as I focus on being virtuous, my underlying vice is just as active. Every time we improve our virtue, we also teach our vice to be more clever. When we sharpen a blade, it can stab better along with carving. The scythe that slices can just as easily cut our legs. We are like double-edged blades; every time we hone our virtue, the backlash sharpens our vice. And when we make a decisive cut, our vice on the other edge messes up the work. Where is the skilled swordsman who can pull his blade straight out of the wound?[213] 209

Every man proposes fairly, and does not willfully take the devil for his guide; as our shadows never fall between us and the sun. Go towards the sun and your shadow will fall behind you.

Every person makes a sincere proposal and doesn't purposely choose the devil as their guide; just as our shadows never stand between us and the sun. Move toward the sun and your shadow will fall behind you.

Feb. 9. Tuesday.

Feb 9. Tuesday.

"Cato. Good Marcus Tullius (which is more than great),

"Cato. Good Marcus Tullius (which is more than great),"

Thou hadst thy education with the gods."

You had your education with the gods.

Jonson.

Jonson.

Better be defamed than overpraised. Thou canst then justly praise thyself. What notoriety art thou that can be defamed? Who can be praised for what they are not deserve rather to be damned for what they are. It is hard to wear a dress that is too long and loose without stumbling.

Better to be criticized than overly praised. You can then justifiably appreciate yourself. What kind of fame are you that can be criticized? Who can be praised for what they aren't, but rather deserves to be condemned for who they truly are? It's tough to wear a dress that is too long and baggy without tripping.

"Whoe'er is raised,

"Whoever is raised,"

For wealth he has not, he is tax'd, not prais'd,"

For he has no wealth; he's taxed, not praised.

says Jonson. If you mind the flatterer, you rob yourself and still cheat him. The fates never exaggerate; men pass for what they are. The state never fails to get a revenue out of you without a direct tax. Flattery would lay a direct tax. What I am praised for what I am not I put to the account of the gods. It needs a skillful eye to distinguish between their coin and my own. But however there can be no loss either way, for what meed I have earned is equally theirs. Let neither fame nor infamy hit you, but the one go as far beyond as the other falls behind. Let the one glance past you to the gods, and the other wallow where it was engendered. The home thrusts are at helmets upon blocks, and my worst foes but stab an armor through. 210

says Jonson. If you listen to the flatterer, you rob yourself and still deceive him. The fates never exaggerate; people are known for what they truly are. The state never fails to get something out of you without a direct tax. Flattery would impose a direct tax. What I am praised for that I am not, I attribute to the gods. It takes a keen eye to tell their coin from my own. But in any case, there’s no loss either way, since whatever reward I deserve is also theirs. Let neither fame nor infamy affect you, but let one surpass the other just as much as the other falls short. Let the one gaze up at the gods, and let the other remain where it was born. The attacks I face are just strikes against helmets on stands, and my worst enemies can only pierce my armor. 210

My life at this moment is like a summer morning when birds are singing. Yet that is false, for nature's is an idle pleasure in comparison: my hour has a more solid serenity. I have been breaking silence these twenty-three years and have hardly made a rent in it. Silence has no end; speech is but the beginning of it. My friend thinks I keep silence, who am only choked with letting it out so fast. Does he forget that new mines of secrecy are constantly opening in me?

My life right now is like a summer morning when the birds are singing. But that's not entirely true, because nature's joy is a shallow pleasure compared to mine: my moment has a deeper peace. I've been trying to break the silence for twenty-three years and have barely made a dent in it. Silence doesn't end; talking is just the start of it. My friend thinks I choose silence, but I'm just struggling to express it all at once. Does he forget that new layers of secrets are always being uncovered within me?

If any scorn your love, let them see plainly that you serve not them but another. If these bars are up, go your way to other of God's pastures, and browse there the while. When your host shuts his door on you he incloses you in the dwelling of nature. He thrusts you over the threshold of the world. My foes restore me to my friends.

If anyone disrespects your love, make it clear that you’re not doing it for them but for someone else. If these barriers are up, move on to other opportunities that God has provided and take the time to enjoy them. When your host closes the door on you, they’re actually enclosing you in the beauty of nature. They push you beyond the limits of their world. My enemies bring me back to my friends.

I might say friendship had no ears as love has no eyes, for no word is evidence in its court. The least act fulfills more than all words profess. The most gracious speech is but partial kindness, but the least genuine deed takes the whole man. If we had waited till doomsday it could never have been uttered.

I might say friendship is deaf like love is blind, because no words prove anything in its court. A small action says more than all the words spoken. The kindest speech is just a fraction of real kindness, but even the smallest true action involves the whole person. If we had waited until the end of the world, it could never have been said.

Feb. 10. Wednesday. That was fine praise which Ben Jonson gave to Thomas, Lord Chancellor:—

Feb. 10. Wednesday. That was high praise that Ben Jonson gave to Thomas, Lord Chancellor:—

"Whilst thou art certain to thy words, once gone,

"While you are sure about your words, once gone,

As is thy conscience, which is always one."

As is your conscience, which is always one.

Words do not lose their truth by time or misinterpretation, but stand unscathed longer than he who spoke them. 211

Words don't lose their truth over time or through misunderstanding, but remain intact longer than the person who spoke them. 211

Let our words be such as we may unblushingly behold sculptured in granite on the walls to the least syllable. Our thoughts and actions may be very private for a long time, for they demand a more catholic publicity to be displayed in than the world can afford. Our best deeds shun the narrow walks of men, and are not ambitious of the faint light the world can shed on them, but delight to unfold themselves in that public ground between God and conscience.

Let our words be something we can proudly see carved in stone on the walls, right down to the smallest syllable. Our thoughts and actions can be very private for a while because they need a wider audience than what the world can offer. Our best deeds avoid the crowded paths of people and aren't looking for the dim recognition the world might give them, but instead, they thrive in that open space between God and our conscience.

Truth has for audience and spectator all the world. Within, where I resolve and deal with principles, there is more space and room than anywhere without, where my hands execute. Men should hear of your virtue only as they hear the creaking of the earth's axle and the music of the spheres. It will fall into the course of nature and be effectually concealed by publicness.

Truth has an audience that includes everyone in the world. Inside, where I contemplate and engage with principles, there's more space and opportunity than anywhere outside, where I take action. People should hear about your virtue only as they notice the creaking of the earth's axis and the music of the cosmos. It will naturally blend into the course of nature and be effectively hidden by its public nature.

I asked a man to-day if he would rent me some land, and he said he had four acres as good soil "as any outdoors." It was a true poet's account of it. He and I, and all the world, went outdoors to breathe the free air and stretch ourselves. For the world is but outdoors,—and we duck behind a panel.

I asked a guy today if he would rent me some land, and he said he had four acres of soil "as good as any out there." It was a real poet's description. He, I, and everyone else went outside to enjoy the fresh air and stretch our legs. Because the world is really just outdoors—yet we hide behind a wall.

Feb. 11. True help, for the most part, implies a greatness in him who is to be helped as well as in the helper. It takes a god to be helped even. A great person, though unconsciously, will constantly give you great opportunities to serve him, but a mean one will quite preclude all active benevolence. It needs but simply and greatly to want it for once, that all true men may contend who 212 shall be foremost to render aid. My neighbor's state must pray to heaven so devoutly yet disinterestedly as he never prayed in words, before my ears can hear. It must ask divinely. But men so cobble and botch their request, that you must stoop as low as they to give them aid. Their meanness would drag down your deed to be a compromise with conscience, and not leave it to be done on the high table-land of the benevolent soul. They would have you doff your bright and knightly armor and drudge for them,—serve them and not God. But if I am to serve them I must not serve the devil.

Feb. 11. True help usually requires greatness in both the person receiving help and the helper. It takes someone exceptional to be in need of help at all. A remarkable person, even without realizing it, will continuously provide you with opportunities to assist them, while a petty person will prevent any genuine goodwill. It only takes a single, sincere request for all good people to step forward to offer support. My neighbor must ask for help from above with a level of sincerity and selflessness he's never expressed in words before I can truly hear him. His plea must be divine. Yet, people often make such a mess of their requests that you have to lower yourself to their level to help them. Their pettiness would turn your good deed into a compromise with your conscience, instead of letting it be an act of pure generosity. They want you to take off your shining armor and toil for them—serve them instead of serving God. But if I'm to help them, I can't be serving the devil.

What is called charity is no charity, but the interference of a third person. Shall I interfere with fate? Shall I defraud man of the opportunities which God gave him, and so take away his life? Beggars and silent poor cry—how often!—"Get between me and my god." I will not stay to cobble and patch God's rents, but do clean, new work when he has given me my hands full. This almshouse charity is like putting new wine into old bottles, when so many tuns in God's cellars stand empty. We go about mending the times, when we should be building the eternity.

What people call charity isn’t really charity; it’s the interference of someone else. Should I get in the way of fate? Should I deny someone the chances that God gave them and take away their life? The beggars and the silent poor often cry, "Get between me and my god." I won’t waste my time trying to fix God’s problems, but instead I’ll do fresh, meaningful work when I have the ability to do so. This charity from almshouses is like putting new wine into old bottles when so many casks in God’s cellars are empty. We focus on fixing the present when we should be building for eternity.

I must serve a strong master, not a weak one. Help implies a sympathy of energy and effort, else no alleviation will avail.

I need to serve a strong leader, not a weak one. Help requires a shared level of energy and effort; otherwise, no relief will be effective.

Feb. 12. Friday. Those great men who are unknown to their own generation are already famous in the society of the great who have gone before them. All worldly fame but subsides from their high estimate beyond the 213 stars. We may still keep pace with those who have gone out of nature, for we run on as smooth ground as they.

Feb. 12. Friday. Those incredible individuals who are not recognized in their own time are already celebrated among the greats who came before them. All worldly fame eventually fades compared to their lofty assessment beyond the 213 stars. We can still keep up with those who have passed away, as we move on as smoothly as they did.

The early and the latter saints are separated by no eternal interval.

The early and later saints are not separated by any eternal gap.

The child may soon stand face to face with the best father.

The child may soon stand face to face with the greatest father.

Feb. 13. By the truthfulness of our story to-day we help explain ourselves for all our life henceforth. How we hamper and belay ourselves by the least exaggeration! The truth is God's concern; He will sustain it; but who can afford to maintain a lie? We have taken away one of the Pillars of Hercules, and must support the world on our shoulders, who might have walked freely upon it.

Feb. 13. The truthfulness of our story today helps us explain ourselves for the rest of our lives. How we hold ourselves back with even the smallest exaggeration! The truth is something God cares about; He will uphold it, but who can afford to support a lie? We've removed one of the Pillars of Hercules and must now carry the world on our shoulders when we could have walked freely on it.

My neighbor says that his hill-farm is poor stuff and "only fit to hold the world together."[214] He deserves that God should give him better for so brave a treating of his gifts, instead of humbly putting up therewith. It is a sort of stay, or gore, or gusset, and he will not be blinded by modesty or gratitude, but sees it for what it is; knowing his neighbor's fertile land, he calls his by its right name. But perhaps my farmer forgets that his lean soil has sharpened his wits. This is a crop it was good for. And beside, you see the heavens at a lesser angle from the hill than from the vale.

My neighbor says that his hill-farm is not much and "only fit to hold the world together."[214] He deserves that God should reward him better for so boldly acknowledging his gifts instead of just accepting them. It's like a support or patch, and he won't let modesty or gratitude blind him, but sees it for what it is; knowing his neighbor's fertile land, he calls his land by its true name. But maybe my farmer forgets that his poor soil has sharpened his mind. This is a benefit it was good for. And besides, you see the sky at a different angle from the hill than from the valley.

We have nothing to fear from our foes; God keeps a standing army for that service; but we have no ally 214 against our friends, those ruthless vandals whose kind intent is a subtler poison than the Colchian, a more fatal shaft than the Lydian.[215]

We have nothing to worry about from our enemies; God has a constant force for that purpose; but we have no defense against our friends, those heartless raiders whose friendly intentions are a more insidious poison than the Colchian, a deadlier arrow than the Lydian.

Feb. 14. Sunday. I am confined to the house by bronchitis, and so seek to content myself with that quiet and serene life there is in a warm corner by the fireside, and see the sky through the chimney-top. Sickness should not be allowed to extend further than the body. We need only to retreat further within us to preserve uninterrupted the continuity of serene hours to the end of our lives.

Feb. 14. Sunday. I'm stuck at home with bronchitis, so I'm trying to find contentment in the peaceful and calm life I can have in a warm spot by the fireplace, watching the sky through the chimney. Illness shouldn't affect more than just the body. We just need to look inward to keep those peaceful moments going for the rest of our lives.

As soon as I find my chest is not of tempered steel, and heart of adamant, I bid good-by to these and look out a new nature. I will be liable to no accidents.

As soon as I realize my chest isn't made of tempered steel, and my heart isn't unbreakable, I say goodbye to all that and seek out a new way of being. I won't be vulnerable to any accidents.

I shall never be poor while I can command a still hour in which to take leave of my sin.

I’ll never be poor as long as I have a quiet moment to let go of my sin.

The jingling team which is creaking past reminds me of that verse in the Bible which speaks of God being heard in the bells of the horses.

The jingling team clattering by reminds me of that verse in the Bible that talks about hearing God in the bells of the horses.

Feb. 15. There is elevation in every hour. No part of the earth is so low and withdrawn that the heavens cannot be seen from it, but every part supports the sky. We have only to stand on the eminence of the hour, and look out thence into the empyrean, allowing no pinnacle above us, to command an uninterrupted horizon. The moments will lie outspread around us like a blue expanse 215 of mountain and valley, while we stand on the summit of our hour as if we had descended on eagle's wings. For the eagle has stooped to his perch on the highest cliff and has never climbed the rock; he stands by his wings more than by his feet. We shall not want a foothold, but wings will sprout from our shoulders, and we shall walk securely, self-sustained.

Feb. 15. There is growth in every hour. No part of the earth is so low and hidden that the sky can't be seen from it; every spot holds up the heavens. We just need to stand on the peak of the moment and look out into the sky, letting nothing rise above us to block our view. The moments will stretch out around us like a blue landscape of mountains and valleys, while we stand at the top of our hour as if we've come down on eagle's wings. The eagle has settled on his perch high on the cliff and hasn’t climbed the rock; he relies more on his wings than on his feet. We won’t need a firm ground to stand on because wings will grow from our shoulders, allowing us to move confidently, self-sustained.

For how slight an accident shall two noble souls wait to bring them together!

For how small of an accident will two noble souls wait to bring them together!

Feb. 17. Our work should be fitted to and lead on the time, as bud, flower, and fruit lead the circle of the seasons.

Feb. 17. Our work should align with and advance with the times, just like buds, flowers, and fruit mark the progression of the seasons.

The mechanic works no longer than his labor will pay for lights, fuel, and shop rent. Would it not be well for us to consider if our deed will warrant the expense of nature? Will it maintain the sun's light?

The mechanic works no longer than his pay covers for lights, fuel, and shop rent. Shouldn't we think about whether our actions justify the cost of nature? Will it keep the sun shining?

Our actions do not use time independently, as the bud does. They should constitute its lapse. It is their room. But they shuffle after and serve the hour.

Our actions don’t use time on their own like a bud does. Instead, they should mark its passing. They occupy its space. But they follow along and serve the moment.

Feb. 18. Thursday. I do not judge men by anything they can do. Their greatest deed is the impression they make on me. Some serene, inactive men can do everything. Talent only indicates a depth of character in some direction. We do not acquire the ability to do new deeds, but a new capacity for all deeds. My recent growth does not appear in any visible new talent, but 216 its deed will enter into my gaze when I look into the sky, or vacancy. It will help me to consider ferns and everlasting. Man is like a tree which is limited to no age, but grows as long as it has its root in the ground. We have only to live in the alburnum and not in the old wood. The gnarled stump has as tender a bud as the sapling.

Feb. 18. Thursday. I don’t judge people by what they can do. Their greatest achievement is the impression they leave on me. Some calm, passive individuals can do everything. Talent just shows a depth of character in certain areas. We don’t gain the ability to perform new actions; we gain a new capacity for all actions. My recent development doesn’t show in any obvious new talent, but 216 its effect will be clear when I look up at the sky or into emptiness. It will help me appreciate ferns and immortelles. A person is like a tree that isn't limited by age but continues to grow as long as it has roots in the ground. We only need to exist in the outer layer, not the old wood. The twisted stump has as tender a bud as the young sapling.

Sometimes I find that I have frequented a higher society during sleep, and my thoughts and actions proceed on a higher level in the morning.

Sometimes I realize that I've been part of a higher society while I was asleep, and my thoughts and actions elevate to a higher level in the morning.

A man is the hydrostatic paradox, the counterpoise of the system. You have studied flowers and birds cheaply enough, but you must lay yourself out to buy him.

A man is the hydrostatic paradox, the balance of the system. You've studied flowers and birds at a low cost, but you'll need to invest effort to truly understand him.

Feb. 19. A truly good book attracts very little favor to itself. It is so true that it teaches me better than to read it. I must soon lay it down and commence living on its hint. I do not see how any can be written more, but this is the last effusion of genius. When I read an indifferent book, it seems the best thing I can do, but the inspiring volume hardly leaves me leisure to finish its latter pages. It is slipping out of my fingers while I read. It creates no atmosphere in which it may be perused, but one in which its teachings may be practiced. It confers on me such wealth that I lay it down with the least regret. What I began by reading I must finish by acting. So I cannot stay to hear a good sermon and applaud at the conclusion, but shall be half-way to Thermopylæ before that. 217

Feb. 19. A truly great book doesn’t seek a lot of praise for itself. In fact, it teaches me more through my experience than through just reading it. I have to put it down and start applying its insights to my life. I can’t imagine how there could be more like it; this feels like the final burst of creativity. When I read a mediocre book, I think it’s the best I can do, but an inspiring book barely gives me time to finish the last pages. It slips from my hands while I’m reading. It doesn’t create a space for passive reading, but one where I can put its lessons into practice. It gives me such richness that I can set it aside with minimal regret. What I start by reading, I must finish by taking action. So I can’t just sit and listen to a good sermon and clap at the end; I’ll be halfway to Thermopylæ by then. 217

When any joke or hoax traverses the Union in the newspapers it apprises me of a fact which no geography or guide-book contains, of a certain leisure and nonchalance pervading society. It is a piece of information from over the Alleghanies, which I know how to prize, though I did not expect it. And it is just so in Nature. I sometimes observe in her a strange trifling, almost listlessness, which conducts to beauty and grace,—the fantastic and whimsical forms of snow and ice, the unaccountable freaks which the tracks of rabbits exhibit. I know now why all those busy speculators do not die of fever and ague.

Whenever a joke or prank spreads across the country in the newspapers, it reminds me of a fact that no geography book or travel guide mentions: there's a certain leisure and laid-back attitude in society. It's like getting a tip from across the Alleghenies that I truly value, even though I didn't see it coming. Nature is just like that too. Sometimes, I notice in her a peculiar playfulness, almost a lack of urgency, which leads to beauty and grace—the whimsical shapes of snow and ice, the strange patterns left by rabbit tracks. I now understand why all those busy speculators don’t drop dead from fever and chills.

Coleridge observed the "landscapes made by damp on a whitewashed wall," and so have I.

Coleridge noticed the "landscapes created by moisture on a whitewashed wall," and I have too.

We seem but to linger in manhood to tell the dreams of our childhood, and they vanish out of memory ere we learn the language.[216]

We seem to just hang around in adulthood to share the dreams of our childhood, and they disappear from our memories before we even learn how to express them. [216]

It is the unexplored grandeur of the storm which keeps up the spirits of the traveller.[217] When I contemplate a hard and bare life in the woods, I find my last consolation in its untrivialness. Shipwreck is less distressing because the breakers do not trifle with us. We are resigned as long as we recognize the sober and solemn mystery of nature. The dripping mariner finds consolation and sympathy in the infinite sublimity of the storm. It is a moral force as well as he. With courage he can lay down his life on the strand, for it never 218 turned a deaf ear to him, nor has he ever exhausted its sympathy.

It’s the untamed beauty of the storm that lifts the spirits of the traveler. [217] When I think about a tough and simple life in the woods, I find my final comfort in its significance. A shipwreck is less upsetting because the waves don’t mess around with us. We accept our fate as long as we acknowledge the serious and deep mystery of nature. The drenched sailor finds solace and understanding in the overwhelming power of the storm. It’s a moral force just like him. With bravery, he can lay down his life on the shore, for it has never ignored him, nor has he ever worn out its compassion. 218

In the love of narrow souls I make many short voyages, but in vain; I find no sea-room. But in great souls I sail before the wind without a watch, and never reach the shore.

In the love of small-minded people I take many short trips, but it's useless; I find no space to breathe. But with generous souls I sail freely before the wind without a care, and never make it to the shore.

You demand that I be less your friend that you may know it.

You want me to be less of a friend so that you can recognize it.

Nothing will reconcile friends but love. They make a fatal mistake when they go about like foes to explain and treat with one another. It is a mutual mistake. None are so unmanageable.

Nothing will reconcile friends except love. They make a critical mistake when they act like enemies to explain things and negotiate with each other. It's a shared mistake. No one is more unmanageable.

Feb. 20. Saturday. I suspect the moral discrimination of the oldest and best authors. I doubt if Milton distinguished greatly between his Satan and his Raphael. In Homer and Æschylus and Dante I miss a nice discrimination of the important shades of character.

Feb. 20. Saturday. I have doubts about the moral judgment of the oldest and best authors. I question whether Milton really made a significant distinction between his Satan and his Raphael. In Homer, Æschylus, and Dante, I feel there's a lack of subtle differentiation in the important shades of character.

When I am going out for an evening I arrange the fire in my stove so that I do not fail to find a good one when I return, though it would have engaged my frequent attention present. So that, when I know I am to be at home, I sometimes make believe that I may go out, to save trouble. And this is the art of living, too,—to leave our life in a condition to go alone, and not to require a constant supervision. We will then sit down serenely to live, as by the side of a stove. 219

When I’m heading out for the evening, I make sure to arrange the fire in my stove so that it’s ready when I get back, even if it means I have to keep checking on it beforehand. So, when I know I’ll be home, I sometimes pretend that I might go out to avoid hassle. This is part of the art of living—as it involves leaving our lives in a state where they can run smoothly without constant oversight. Then we can sit back and enjoy life, just like sitting next to a warm stove. 219

When I sit in earnest, nothing must stand, all must be sedentary with me.

When I sit down seriously, nothing should be moving; everything must be still with me.

I hear the faint sound of a viol and voices from the neighboring cottage, and think to myself, "I will believe the Muse only for evermore." It assures me that no gleam which comes over the serene soul is deceptive. It warns me of a reality and substance, of which the best that I see is but the phantom and shadow. O music, thou tellest me of things of which memory takes no heed; thy strains are whispered aside from memory's ear.

I hear the soft sound of a viola and voices from the nearby cottage, and I think to myself, "I will trust the Muse forever." It tells me that no glimpse that lights up the calm soul is misleading. It cautions me about a reality and substance, of which the best I see is just an illusion and a shadow. Oh music, you speak to me of things that memory ignores; your melodies are whispered away from memory's ear.

This is the noblest plain of earth, over which these sounds are borne, the plain of Troy or Eleusis.

This is the most noble plain on earth, over which these sounds are carried, the plain of Troy or Eleusis.

Thou openest all my senses to catch thy least hint, and givest me no thought. It would be good to sit at my door of summer evenings forever and hear thy strains. Thou makest me to toy with speech, or walk content without it, not regretting its absence. I am pleased to think how ignorant and shiftless the wisest are. My imperfect sympathies with my friend are cheerful, glimmering light in the valley.

You open all my senses to catch your slightest hint, and you give me no thoughts. It would be great to sit at my door on summer evenings forever and hear your tunes. You make me play with words or walk happily without them, not missing their absence. I’m glad to think about how clueless and aimless even the wisest are. My imperfect connection with my friend is a cheerful, shining light in the valley.

Feb. 21. Sunday. It is hard to preserve equanimity and greatness on that debatable ground between love and esteem. There is nothing so stable and unfluctuating as love. The waves beat steadfast on its shore forever, and its tide has no ebb. It is a resource in all extremities, and a refuge even from itself. And yet love will not be leaned on. 220

Feb. 21. Sunday. It's challenging to maintain calm and dignity on that tricky line between love and respect. Love is the most stable and unwavering force. The waves crash steadily on its shore forever, and its tide never recedes. It’s a source of strength in tough times and a safe haven even from its own intensity. Yet, love can't be relied upon completely. 220

Feb. 22. Love is the tenderest mood of that which is tough—and the toughest mood of that which is tender. It may be roughly handled as the nettle, or gently as the violet. It has its holidays, but is not made for them.

Feb. 22. Love is the softest side of something that's strong—and the strongest side of something that's soft. It can be treated harshly like a nettle, or gently like a violet. It has its special moments, but it's not really meant for just those.

The whole of the day should not be daytime, nor of the night night-time, but some portion be rescued from time to oversee time in. All our hours must not be current; all our time must not lapse. There must be one hour at least which the day did not bring forth,—of ancient parentage and long-established nobility,—which will be a serene and lofty platform overlooking the rest. We should make our notch every day on our characters, as Robinson Crusoe on his stick. We must be at the helm at least once a day; we must feel the tiller-rope in our hands, and know that if we sail, we steer.

The whole day shouldn't just be daytime, nor should the night be only night-time; we need to set aside some time to reflect on our lives. Not every hour should just pass by; not all our moments should fade away. There should be at least one hour that the day doesn't dictate—one with a rich history and dignity—that serves as a calm and high vantage point over everything else. We should mark our progress each day, like Robinson Crusoe marking his stick. We need to take control at least once a day; we have to grip the steering rope and know that if we move forward, we're the ones steering the ship.

Friends will be much apart; they will respect more each other's privacy than their communion, for therein is the fulfillment of our high aims and the conclusion of our arguments. That we know and would associate with not only has high intents, but goes on high errands, and has much private business. The hours he devotes to me were snatched from higher society. He is hardly a gift level to me, but I have to reach up to take it. My imagination always assigns him a nobler employment in my absence than ever I find him engaged in.[218]

Friends will spend a lot of time apart; they'll value each other's privacy more than their time together, because that's where we fulfill our goals and wrap up our discussions. Knowing someone and wanting to connect with them means they not only have great intentions but also important responsibilities and private matters to handle. The time he spends with me is taken away from more important social circles. He’s not really on my level, but I have to strive to reach him. My imagination always pictures him doing something more impressive when I’m not around than what I actually find him doing. [218]

We have to go into retirement religiously, and enhance 221 our meeting by rarity and a degree of unfamiliarity. Would you know why I see thee so seldom, my friend? In solitude I have been making up a packet for thee.

We need to approach retirement seriously and make our meetings special by keeping them rare and a bit unfamiliar. Do you know why I see you so rarely, my friend? In my solitude, I've been putting together a package for you.

The actions which grow out of some common but natural relations affect me strangely, as sometimes the behavior of a mother to her children. So quiet and noiseless an action often moves me more than many sounding exploits.

The actions that come from common but natural relationships affect me in an odd way, like sometimes how a mother interacts with her children. A quiet and subtle action can often touch me more than many loud adventures.

Feb. 23. Tuesday. Let all our stores and munitions be provided for the lone state.

Feb. 23. Tuesday. Let all our supplies and weapons be ready for the isolated state.

The care of the body is the highest exercise of prudence. If I have brought this weakness on my lungs, I will consider calmly and disinterestedly how the thing came about, that I may find out the truth and render justice. Then, after patience, I shall be a wiser man than before.

The care of the body is the most important exercise of common sense. If I have caused this weakness in my lungs, I will look at how it happened in a calm and unbiased way so that I can discover the truth and make it right. Then, after being patient, I will be a wiser person than I was before.

Let us apply all our wit to the repair of our bodies, as we would mend a harrow, for the body will be dealt plainly and implicitly with. We want no moonshine nor surmises about it. This matter of health and sickness has no fatality in it, but is a subject for the merest prudence. If I know not what ails me, I may resort to amulets and charms and, moonstruck, die of dysentery.

Let’s use all our cleverness to fix our bodies, just like we would repair a plow, because the body should be treated straightforwardly and directly. We don’t need any nonsense or guesses about it. Health and sickness aren’t determined by fate; they’re purely a matter of common sense. If I don’t know what’s wrong with me, I might end up relying on lucky charms and, in a daze, die from something like dysentery.

We do wrong to slight our sickness and feel so ready to desert our posts when we are harassed. So much the more should we rise above our condition, and make 222 the most of it, for the fruit of disease may be as good as that of health.[219]

We do ourselves a disservice by underestimating our illness and being so quick to abandon our responsibilities when we’re struggling. Instead, we should strive to elevate our situation and make the most of it, because the outcomes of being sick can be just as valuable as those of being healthy.

There is a subtle elixir in society which makes it a fountain of health to the sick. We want no consolation which is not the overflow of our friend's health. We will have no condolence who are not dolent ourselves. We would have our friend come and respire healthily before us, with the fragrance of many meadows and heaths in his breath, and we will inhabit his body while our own recruits.

There’s a subtle source in society that serves as a healing fountain for the sick. We seek no comfort that doesn’t come from the overflow of our friend’s well-being. We don’t want sympathy unless we’re feeling down ourselves. We want our friend to come and breathe healthily in our presence, bringing the scent of many fields and heathlands with them, and we will draw strength from their vitality while we recover.

Nothing is so good medicine in sickness as to witness some nobleness in another which will advertise us of health. In sickness it is our faith that ails, and noble deeds reassure us.

Nothing is better medicine in sickness than witnessing some nobleness in another that reminds us of health. In sickness, it's our faith that suffers, and noble deeds provide us with reassurance.

That anybody has thought of you on some indifferent occasion frequently implies more good will than you had reason to expect. You have henceforth a higher motive for conduct. We do not know how many amiable thoughts are current.

That anyone has thought of you at some random time often shows more goodwill than you might have anticipated. From now on, you have a better reason to act. We have no idea how many kind thoughts are out there.

Feb. 26. Friday. My prickles or smoothness are as much a quality of your hand as of myself. I cannot tell you what I am, more than a ray of the summer's sun. What I am I am, and say not. Being is the great explainer. In the attempt to explain, shall I plane away all the spines, till it is no thistle, but a cornstalk? 223

Feb. 26. Friday. My roughness or smoothness is just as much a trait of your touch as it is of me. I can’t really describe what I am, more than a ray of summer sunlight. I am what I am, and that’s all there is to say. Being is the ultimate explanation. In trying to explain, will I wear away all the sharp edges, until I’m no longer a thistle, but a cornstalk? 223

If my world is not sufficient without thee, my friend, I will wait till it is and then call thee. You shall come to a palace, not to an almshouse.

If my world isn't enough without you, my friend, I'll wait until it is and then call you. You will come to a palace, not to a charity house.

My homeliest thought, like the diamond brought from farthest within the mine, will shine with the purest lustre.

My simplest thought, like the diamond pulled from deep within the mine, will shine with the brightest brilliance.

Though I write every day, yet when I say a good thing it seems as if I wrote but rarely.

Though I write every day, when I do say something good, it feels like I hardly ever write at all.

To be great, we do as if we would be tall merely, be longer than we are broad, stretch ourselves and stand on tiptoe. But greatness is well proportioned, unstrained, and stands on the soles of the feet.

To be great, we act like we just want to be tall, trying to be longer than we are wide, stretching ourselves and standing on our tiptoes. But true greatness is well balanced, effortless, and stands firmly on the ground.

How many are waiting for health and warm weather! But they wait for none.

How many are waiting for good health and warm weather! But they wait for neither.

In composition I miss the hue of the mind. As if we could be satisfied with the dews of the morning and evening without their colors, or the heavens without their azure.[220]

In writing, I miss the colors of thought. It’s as if we could be okay with the morning and evening mists without their shades, or the sky without its blue.[220]

This good book helps the sun shine in my chamber. The rays fall on its page as if to explain and illustrate it.[221]

This great book brings sunshine into my room. The rays fall on its pages as if trying to explain and illustrate it.[221]

I who have been sick hear cattle low in the street, with such a healthy ear as prophesies my cure. These sounds lay a finger on my pulse to some purpose. A 224 fragrance comes in at all my senses which proclaims that I am still of Nature the child. The threshing in yonder barn and the tinkling of the anvil come from the same side of Styx with me. If I were a physician I would try my patients thus. I would wheel them to a window and let Nature feel their pulse. It will soon appear if their sensuous existence is sound. These sounds are but the throbbing of some pulse in me.[222]

I, who have been sick, hear cattle mooing in the street, with such a healthy ear that it seems to predict my recovery. These sounds touch my pulse with purpose. A224 fragrance fills all my senses, proclaiming that I am still a child of Nature. The threshing in that barn and the ringing of the anvil come from the same side of the Styx as I do. If I were a doctor, I would check my patients this way. I would wheel them to a window and let Nature check their pulse. It will soon become clear if their physical existence is healthy. These sounds are just the beating of some pulse within me.[222]

Nature seems to have given me these hours to pry into her private drawers. I watch the shadow of the insensible perspiration rising from my coat or hand on the wall. I go and feel my pulse in all the recesses of the house and see if I am of force to carry a homely life and comfort into them.

Nature seems to have given me this time to explore her hidden secrets. I watch the shadow of the unnoticed sweat rising from my coat or hand on the wall. I go and check my pulse in every corner of the house to see if I have the strength to bring a simple, comfortable life into them.

Feb. 27. Saturday. Life looks as fair at this moment as a summer's sea, or a blond dress in a saffron light, with its sun and grass and walled towns so bright and chaste, as fair as my own virtue which would adventure therein. Like a Persian city or hanging gardens in the distance, so washed in light, so untried, only to be thridded by clean thoughts. All its flags are flowing, and tassels streaming, and drapery flapping, like some gay pavilion. The heavens hang over it like some low screen, and seem to undulate in the breeze.

Feb. 27. Saturday. Life feels as beautiful right now as a summer sea or a light-colored dress glowing in saffron light, with its bright sun, grass, and walled towns, all pure and stunning, as pure as my own virtue that wants to take a chance in this world. Like a Persian city or the hanging gardens far away, washed in light, untouched, only to be navigated by clear thoughts. All its flags are waving, and tassels are streaming, and fabric is fluttering, like a colorful tent. The sky hangs above it like a low screen and seems to sway in the breeze.

Through this pure, unwiped hour, as through a crystal glass, I look out upon the future, as a smooth lawn for my virtue to disport in. It shows from afar as unrepulsive as the sunshine upon walls and cities, over 225 which the passing life moves as gently as a shadow. I see the course of my life, like some retired road, wind on without obstruction into a country maze.[223]

Through this clear, untouched hour, as if looking through a crystal glass, I gaze into the future, like a smooth lawn for my virtues to play in. It appears from a distance as welcoming as the sunlight on walls and cities, over 225 which life flows by as softly as a shadow. I see the path of my life, like a quiet road, winding on without obstacles into a country maze.[223]

I am attired for the future so, as the sun setting presumes all men at leisure and in contemplative mood,—and am thankful that it is thus presented blank and indistinct. It still o'ertops my hope. My future deeds bestir themselves within me and move grandly towards a consummation, as ships go down the Thames. A steady onward motion I feel in me, as still as that, or like some vast, snowy cloud, whose shadow first is seen across the fields. It is the material of all things loose and set afloat that makes my sea.

I’m dressed for the future, as the setting sun makes everyone feel relaxed and thoughtful—and I’m grateful that it’s presented so vague and unclear. It still exceeds my hopes. My future actions stir within me and are moving grandly towards a conclusion, like ships sailing down the Thames. I feel a steady forward motion within me, as calm as that, or like a giant, fluffy cloud, whose shadow is first seen drifting across the fields. It’s the stuff of everything unanchored and floating that creates my sea.

These various words are not without various meanings. The combined voice of the race makes nicer distinctions than any individual. There are the words "diversion" and "amusement." It takes more to amuse than to divert. We must be surrendered to our amusements, but only turned aside to our diversions. We have no will in the former, but oversee the latter. We are oftenest diverted in the street, but amused in our chambers. We are diverted from our engagements, but amused when we are listless. We may be diverted from an amusement, and amused by a diversion. It often happens that a diversion becomes our amusement, and our amusement our employment.

These different words come with different meanings. The collective voice of our culture makes clearer distinctions than any one person can. There are the words "diversion" and "amusement." It takes more to truly amuse than just to divert. We fully engage with our amusements, while we merely take a break with our diversions. We have no control over the former, but we manage the latter. We're most often distracted on the street, but we find amusement in our rooms. We might be sidetracked from our plans, but amused when we're not doing much. It can happen that a diversion turns into our amusement, and our amusement becomes our job.

Feb. 28. Nothing goes by luck in composition. It allows of no tricks. The best you can write will be the 226 best you are. Every sentence is the result of a long probation. The author's character is read from title-page to end. Of this he never corrects the proofs. We read it as the essential character of a handwriting without regard to the flourishes. And so of the rest of our actions; it runs as straight as a ruled line through them all, no matter how many curvets about it. Our whole life is taxed for the least thing well done; it is its net result. How we eat, drink, sleep, and use our desultory hours, now in these indifferent days, with no eye to observe and no occasion [to] excite us, determines our authority and capacity for the time to come.

Feb. 28. Nothing in writing happens by chance. It doesn't allow for shortcuts. The best you can write reflects the best of who you are. Every sentence comes from a long process of refinement. The author's true character is visible from the title page to the end. They never correct the proofs. We perceive it like the essential nature of handwriting, regardless of the flourishes. And this applies to all our actions; it runs as straight as a ruled line through everything we do, no matter how many twists and turns there are. Our entire lives are weighed for the smallest things done well; that's the ultimate result. How we eat, drink, sleep, and spend our leisure time in these indifferent days, without anyone watching and without any motivation, shapes our authority and potential for the future.

March 3. I hear a man blowing a horn this still evening, and it sounds like the plaint of nature in these times. In this, which I refer to some man, there is something greater than any man. It is as if the earth spoke. It adds a great remoteness to the horizon, and its very distance is grand, as when one draws back the head to speak. That which I now hear in the west seems like an invitation to the east. It runs round the earth as a whisper gallery. It is the spirit of the West calling to the spirit of the East, or else it is the rattling of some team lagging in Day's train. Coming to me through the darkness and silence, all things great seem transpiring there. It is friendly as a distant hermit's taper. When it is trilled, or undulates, the heavens are crumpled into time, and successive waves flow across them.

March 3. I can hear a man playing a horn on this quiet evening, and it feels like the cry of nature in these times. In this, which I attribute to some man, there's something bigger than any individual. It's as if the earth is speaking. It adds a sense of vastness to the horizon, and its very distance feels impressive, like when you lean back to speak. What I hear in the west seems like an invitation to the east. It travels around the world like a whisper. It’s the spirit of the West calling out to the spirit of the East, or maybe it's just the sound of a team lagging behind in Day's procession. Coming to me through the darkness and silence, everything great seems to be happening there. It feels as warm as a distant hermit's candle. When it trills or sways, the heavens fold into time, and waves flow across them.

It is a strangely healthy sound for these disjointed times. It is a rare soundness when cow-bells and horns are heard from over the fields. And now I see the beauty 227 and full meaning of that word "sound." Nature always possesses a certain sonorousness, as in the hum of insects, the booming of ice, the crowing of cocks in the morning, and the barking of dogs in the night, which indicates her sound state.[224] God's voice is but a clear bell sound. I drink in a wonderful health, a cordial, in sound. The effect of the slightest tinkling in the horizon measures my own soundness. I thank God for sound; it always mounts, and makes me mount. I think I will not trouble myself for any wealth, when I can be so cheaply enriched. Here I contemplate to drudge that I may own a farm—and may have such a limitless estate for the listening. All good things are cheap: all bad are very dear.

It’s a strangely healthy sound for these disconnected times. It’s a rare clarity when cowbells and horns echo across the fields. And now I see the beauty and full meaning of the word "sound." Nature always has a certain resonance, like the buzzing of insects, the cracking of ice, the crowing of roosters in the morning, and the barking of dogs at night, which shows her healthy state. God’s voice is just a clear bell sound. I absorb a wonderful health, a refreshment, in sound. The slightest tinkling in the distance reflects my own well-being. I thank God for sound; it always lifts me, and helps me rise. I think I won’t worry about wealth when I can feel so richly fulfilled for so little. Here I plan to work hard so I can own a farm—and enjoy such a vast estate for listening. All good things are inexpensive: all bad things are very costly.

As for these communities, I think I had rather keep bachelor's hall in hell than go to board in heaven. Do you think your virtue will be boarded with you? It will never live on the interest of your money, depend upon it. The boarder has no home. In heaven I hope to bake my own bread and clean my own linen. The tomb is the only boarding-house in which a hundred are served at once. In the catacomb we may dwell together and prop one another without loss.

As for these communities, I'd rather stay single in hell than share a room in heaven. Do you really think your good character will travel with you? It won't thrive on your wealth, trust me. A boarder doesn't have a home. In heaven, I want to bake my own bread and wash my own clothes. The grave is the only boarding house that serves a hundred at a time. In the catacomb, we can live together and support each other without harm.

March 4. Ben Jonson says in his epigrams,—

March 4. Ben Jonson says in his poems,—

"He makes himself a thorough-fare of Vice."

"He makes himself a pathway of Vice."

This is true, for by vice the substance of a man is not changed, but all his pores, and cavities, and avenues are 228 prophaned by being made the thoroughfares of vice. He is the highway of his vice. The searching devil courses through and through him. His flesh and blood and bones are cheapened. He is all trivial, a place where three highways of sin meet. So is another the thoroughfare of virtue, and virtue circulates through all his aisles like a wind, and he is hallowed.

This is true, because a person's essence isn't changed by wrongdoing, but all their pores, cavities, and pathways are corrupted as they become routes for vice. They become the highway of their vice. The relentless devil moves in and out of them. Their flesh, blood, and bones lose value. They become trivial, a point where three highways of sin intersect. In contrast, another person becomes a route for virtue, and virtue flows through all their passages like a breeze, and they are sanctified.

We reprove each other unconsciously by our own behavior. Our very carriage and demeanor in the streets should be a reprimand that will go to the conscience of every beholder. An infusion of love from a great soul gives a color to our faults, which will discover them, as lunar caustic detects impurities in water.

We unintentionally criticize each other through our behavior. The way we carry ourselves and act in public should serve as a reminder that resonates with the conscience of anyone who sees us. A touch of love from a truly wise person highlights our flaws, revealing them just like a chemical test shows impurities in water.

The best will not seem to go contrary to others, but, as if they could afford to travel the same way, they go a parallel but higher course, a sort of upper road. Jonson says,—

The best won’t appear to go against others, but, as if they can afford to take the same path, they follow a parallel but elevated route, a kind of upper road. Jonson says,—

"That to the vulgar canst thyself apply,

"That you can apply to the common people,"

Treading a better path not contrary."

Treading a better path that isn’t contrary.

Their way is a mountain slope, a river valley's course, a tide which mingles a myriad lesser currents.

Their path is a sloping mountainside, the route of a river valley, a tide that blends countless smaller streams.

March 5. Friday. How can our love increase, unless our loveliness increase also? We must securely love each other as we love God, with no more danger that our love be unrequited or ill-bestowed. There is that in my friend before which I must first decay and prove untrue. Love is the least moral and the most. Are the best good in their love? or the worst, bad? 229

March 5. Friday. How can our love grow if we don’t also become more loving? We need to love each other as strongly as we love God, without the risk of our love being unreturned or wasted. There’s something in my friend that I must first let go of and prove it’s not real. Love is both the least moral and the most moral. Are the best people good in their love? Or are the worst people bad? 229

March 6. An honest misunderstanding is often the ground of future intercourse.

March 6. A genuine misunderstanding is often the basis for future interaction.

"THE SPHINX"[225]

"THE SPHINX" __A_TAG_PLACEHOLDER_0__

March 7, 8, 9, 10. The Sphinx is man's insatiable and questioning spirit, which still, as of old, stands by the roadside in us and proposes the riddle of life to every passer. The ancients represented this by a monster who was a riddle of herself, having a body composed of various creatures, as if to hint that she had no individual existence, but was nearly allied to and brooded over all. They made her devour those who were unable to explain her enigmas, as we are devoured by doubt, and struggle towards the light, as if to be assured of our lives. For we live by confidence, and our bravery is in some moment when we are certain to that degree that our certainty cannot be increased; as, when a ray bursts through a gap in a cloud, it darts as far, and reaches the earth as surely, as the whole sun would have done.

March 7, 8, 9, 10. The Sphinx symbolizes humanity's endless curiosity and questioning nature, which still stands within us, presenting the mysteries of life to everyone who passes by. The ancients depicted this as a creature that was a riddle in itself, made up of different beings, suggesting that it lacked a singular existence and was closely connected to everything around it. They made her consume those who couldn't solve her puzzles, just as we are consumed by uncertainty, struggling to find clarity in order to affirm our lives. We thrive on confidence, and our courage peaks when we reach a point of certainty that feels unshakeable; like when a ray of light breaks through a gap in the clouds, it shines just as brightly and reaches the ground as surely as if the entire sun had emerged.

1. In the first four lines is described the mood in which the Sphinx bestirs herself in us. We must look on the world with a drowsy and half-shut eye, that it may not be too much in our eye, and rather stand aloof from than within it. When we are awake to the real world, we are asleep to the actual. The sinful drowse to eternity, the virtuous to time. Menu says that the "supreme omnipresent intelligence" is "a spirit which can only be conceived by a mind slumbering." Wisdom 230 and holiness always slumber; they are never active in the ways of the world. As in our night-dreams we are nearest to awakening, so in our day-dreams we are nearest to a supernatural awakening, and the plain and flat satisfactoriness of life becomes so significant as to be questioned.

1. In the first four lines, the mood of the Sphinx is described as it stirs within us. We should view the world with a sleepy and partially closed eye, so it doesn't overwhelm us, and instead keep a distance rather than get too immersed in it. When we are alert to the real world, we are actually asleep to the truth. The sinful drift toward eternity, and the virtuous focus on the present. Menu states that the "supreme omnipresent intelligence" is "a spirit that can only be understood by a mind slumbering." Wisdom 230 and holiness are always in a state of rest; they never engage actively with the world's affairs. Just as we are closest to waking in our night-dreams, we are also closest to a supernatural awakening in our day-dreams, and the ordinary and mundane satisfaction of life becomes so profound that it invites questioning.

The Sphinx hints that in the ages her secret is kept, but in the annihilation of ages alone is it revealed. So far from solving the problem of life, Time only serves to propose and keep it in. Time waits but for its solution to become eternity. Its lapse is measured by the successive failures to answer the incessant question, and the generations of men are the unskillful passengers devoured.

The Sphinx suggests that her secret is preserved through the ages, but it's only revealed through the end of time. Rather than solving the mystery of life, Time simply presents and maintains it. Time only waits for the solution to turn into eternity. Its passage is marked by ongoing failures to answer the persistent question, and the generations of people are the clumsy travelers consumed by it.

2. She hints generally at man's mystery. He knows only that he is, not what, nor whence. Not only is he curiously and wonderfully wrought, but with Dædalian intricacy. He is lost in himself as a labyrinth and has no clue to get out by. If he could get out of his humanity, he would have got out of nature. "Dædalian" expresses both the skill and the inscrutable design of the builder.

2. She generally hints at the mystery of man. He only knows that he exists, not what he is or where he comes from. Not only is he intricately and wonderfully made, but with a complexity that resembles a labyrinth. He is lost within himself and has no way to escape. If he could escape his humanity, he would also escape nature. "Dædalian" reflects both the skill and the mysterious design of the creator.

The insolubleness of the riddle is only more forcibly expressed by the lines,—

The unsolvability of the riddle is only more strongly expressed by the lines,—

"Out of sleeping a waking,

"Awakening from sleep,"

Out of waking a sleep."

Out of waking from sleep.

They express the complete uncertainty and renunciation of knowledge of the propounder.

They show the total uncertainty and rejection of any knowledge from the person putting it forward.

3, 4, 5, 6. In these verses is described the integrity of all animate and inanimate things but man,—how each is a problem of itself and not the solution of one 231 and presides over and uses the mystery of the universe as unhesitatingly as if it were the partner of God; how, by a sort of essential and practical faith, each understands all, for to see that we understand is to know that we misunderstand. Each natural object is an end to itself. A brave, undoubting life do they all live, and are content to be a part of the mystery which is God, and throw the responsibility on man of explaining them and himself too.

3, 4, 5, 6. These verses describe the integrity of all living and non-living things except for humans—how each is a problem in itself and not a solution to one 231 and interacts with the mystery of the universe as confidently as if it were a partner of God; how, through a sort of essential and practical faith, each understands everything, because recognizing our understanding means acknowledging our misunderstandings. Each natural object exists for its own sake. They all live bravely and without doubt, content to be part of the mystery that is God, leaving it up to humanity to explain them and themselves too.

3. The outlines of the trees are as correct as if ruled by God on the sky. The motions of quadrupeds and birds Nature never thinks to mend, but they are a last copy and the flourishes of His hand.

3. The shapes of the trees are as precise as if God himself had drawn them in the sky. The movements of animals and birds are something Nature doesn’t bother to change; they are the final version and the elegant touches of His hand.

4. The waves lapse with such a melody on the shore as shows that they have long been at one with Nature. Theirs is as perfect play as if the heavens and earth were not. They meet with a sweet difference and independently, as old playfellows. Nothing do they lack more than the world. The ripple is proud to be a ripple and balances the sea. The atoms, which are in such a continual flux, notwithstanding their minuteness, have a certain essential valor and independence. They have the integrity of worlds, and attract and repel firmly as such. The least has more manhood than Democritus.

4. The waves crash on the shore in a way that shows they have been in harmony with Nature for a long time. Their movement is as playful as if the heavens and earth didn't exist. They interact with a gentle difference, like old friends. The only thing they truly lack is the world. The ripple takes pride in being a ripple and balances the sea. The tiny particles, constantly changing despite their small size, possess a fundamental courage and independence. They have the integrity of entire worlds, firmly attracting and repelling each other. Even the smallest has more strength than Democritus.

5. So also in Nature the perfection of the whole is the perfection of the parts, and what is itself perfect serves to adorn and set off all the rest. Her distinctions are but reliefs. Night veileth the morning for the morning's sake, and the vapor adds a new attraction to the hill. Nature looks like a conspiracy for the advantage 232 of all her parts; when one feature shines, all the rest seem suborned to heighten its charm. In her circle each gladly gives precedence to the other. Day gladly alternates with night. Behind these the vapor atones to the hill for its interference, and this harmonious scene is the effect of that at-one-ment.

5. In Nature, the perfection of the whole reflects the perfection of its parts, and what is perfect enhances and highlights everything else. Her differences are just contrasts. Night covers the morning for the morning's benefit, and the mist adds a new appeal to the hill. Nature appears to be a collaboration for the benefit of all its parts; when one aspect shines, everything else seems to work together to boost its beauty. In her circle, each element willingly prioritizes the others. Day happily alternates with night. In the background, the mist compensates the hill for its disruption, and this harmonious scene is the result of that unity.

6. In a sense the babe takes its departure from Nature as the grown man his departure out of her, and so during its nonage is at one with her, and as a part of herself. It is indeed the very flower and blossom of Nature.

6. In a way, the baby separates from Nature just like the grown man does, and during its early years, it is connected to her and is a part of her. It is truly the very flower and blossom of Nature.

"Shines the peace of all being

"Shines the peace of all being

Without cloud, in its eyes;

Without clouds, in its eyes;

And the sum of the world

And the total of the world

In soft miniature lies."[226]

In soft mini lies."__A_TAG_PLACEHOLDER_0__

To the charming consistency of the palm and thrush, this universal and serene beauty is added, as all the leaves of the tree flower in the blossom.

To the lovely consistency of the palm and thrush, this universal and calm beauty is enhanced as all the leaves of the tree bloom in the flowers.

7. But alas, the fruit to be matured in these petals is fated to break the stem which holds it to universal consistency. It passes through Nature to manhood, and becomes unnatural, without being as yet quite supernatural. Man's most approved life is but conformity, not a simple and independent consistency, which would make all things conform to it. His actions do not adorn Nature nor one another, nor does she exist in harmony but in contrast with them. She is not their willing scenery. We conceive that if a true action were to be performed it would be assisted by Nature, and perhaps be fondled and reflected many times as the rainbow. The sun is a true light for the trees in a picture, but not 233 for the actions of men. They will not bear so strong a light as the stubble; the universe has little sympathy with them, and sooner or later they rebound hollowly on the memory. The April shower should be as reviving to our life as to the garden and the grove, and the scenery in which we live reflect our own beauty, as the dewdrop the flower. It is the actual man, not the actual Nature, that hurts the romance of the landscape. "He poisons the ground." The haymakers must be lost in the grass of the meadow. They may be Faustus and Amyntas here, but near at hand they are Reuben and Jonas. The woodcutter must not be better than the wood, lest he be worse. Neither will bear to be considered as a distinct feature. Man's works must lie in the bosom of Nature, cottages be buried in trees, or under vines and moss, like rocks, that they may not outrage the landscape. The hunter must be dressed in Lincoln green, with a plume of eagle's feathers, to imbosom him in Nature. So the skillful painter secures the distinctness of the whole by the indistinctness of the parts. We can endure best to consider our repose and silence. Only when the city, the hamlet, or the cottage is viewed from a distance does man's life seem in harmony with the universe; but seen closely his actions have no eagle's feathers or Lincoln green to redeem them. The sunlight on cities at a distance is a deceptive beauty, but foretells the final harmony of man with Nature.

7. But sadly, the fruit that grows from these petals is destined to break the stem connecting it to universal harmony. It goes through Nature into adulthood, becoming unnatural, yet not quite supernatural. The best life for a man is merely about fitting in, not a simple and independent consistency that would make everything conform to it. His actions don’t enhance Nature or each other, and Nature itself exists not in harmony with them but in contrast. She is not their willing backdrop. We believe that if a true action were performed, it would be supported by Nature and perhaps embraced and mirrored many times like a rainbow. The sun is a genuine light for trees in a painting but not for the actions of men. They won’t withstand as strong a light as the stubble; the universe has little sympathy for them, and sooner or later their actions just echo empty in memory. The April rain should revive our lives just like it does for gardens and groves, and the scenery we live in should reflect our beauty, like a dewdrop reflects a flower. It is the real man, not actual Nature, that ruins the romantic view of the landscape. "He poisons the ground." The haymakers should be lost in the grass of the meadow. They could be Faustus and Amyntas here, but nearby they turn into Reuben and Jonas. The woodcutter shouldn’t be better than the wood, or else he risks being worse. Neither should be considered as a separate feature. Man's work should be integrated into Nature, with cottages hidden among trees or under vines and moss, like rocks, so they don’t disrupt the landscape. The hunter must wear Lincoln green, adorned with eagle's feathers, to blend into Nature. Just like a skilled painter maintains the clarity of the whole by keeping the details blurry. We find it easiest to think of our peace and quiet. Only when we view the city, the village, or the cottage from a distance does man’s life look harmonious with the universe; but up close, his actions have no eagle's feathers or Lincoln green to redeem them. The sunlight on distant cities create a deceptive beauty yet hints at the ultimate harmony between man and Nature.

Man as he is, is not the subject of any art, strictly speaking. The naturalist pursues his study with love, but the moralist persecutes his with hate. In man is the material of a picture, with a design partly sketched, 234 but Nature is such a picture drawn and colored. He is a studio, Nature a gallery. If men were not idealists, no sonnets to beautiful persons nor eulogies on worthy ones would ever be written. We wait for the preacher to express such love for his congregation as the botanist for his herbarium.

Man, as he is, isn't really the focus of any art, to be precise. The naturalist studies him with passion, while the moralist critiques him with disdain. In man lies the raw material for a painting, with a design only partly outlined, 234 but Nature provides a complete picture, beautifully created. He is a studio, while Nature is a gallery. If people weren't idealists, no one would ever write sonnets about beautiful individuals or tributes to admirable ones. We expect the preacher to show that kind of love for his congregation, just like the botanist does for his collection of plants.

8. Man, however, detects something in the lingering ineradicable sympathy of Nature which seems to side with him against the stern decrees of the soul. Her essential friendliness is only the more apparent to his waywardness, for disease and sorrow are but a rupture with her. In proportion as he renounces his will, she repairs his hurts, and, if she burns, does oftener warm, if she freezes, oftener refreshes. This is the motherliness which the poet personifies, and the Sphinx, or wisely inquiring man, makes express a real concern for him. Nature shows us a stern kindness, and only we are unkind. She endures long with us, and though the severity of her law is unrelaxed, yet its evenness and impartiality look relenting, and almost sympathize with our fault.

8. However, humans notice something in the lasting, unshakeable kindness of Nature that seems to support them against the harsh demands of the soul. Her fundamental friendliness becomes even more obvious in response to their rebelliousness, since illness and sorrow are merely a break with her. The more he lets go of his will, the more she heals his wounds, and when she burns, she often warms instead, and when she freezes, she often refreshes. This is the nurturing aspect that the poet brings to life, and the Sphinx, or the wise seeker, expresses a genuine concern for him. Nature shows us a tough love, and only we are unkind. She patiently endures our presence, and while the strictness of her laws remains unwavering, their consistency and fairness seem to soften and almost empathize with our faults.

9, 10, 11, 12, 13, 14. But to the poet there are no riddles. They are "pleasant songs" to him; his faith solves the enigmas which recurring wisdom does not fail to repeat. Poetry is the only solution time can offer. But the poet is soonest a pilgrim from his own faith. Our brave moments may still be distinguished from our wise. Though the problem is always solved for the soul, still does it remain to be solved by the intellect. Almost faith puts the question, for only in her light can it be answered. However true the answer, it does not prevent 235 the question; for the best answer is but plausible, and man can only tell his relation to truth, but render no account of truth to herself.

9, 10, 11, 12, 13, 14. But to the poet, there are no mysteries. They are "pleasant songs" to him; his belief solves the puzzles that recurring wisdom doesn’t hesitate to repeat. Poetry is the only answer that time can provide. But the poet quickly becomes a wanderer from his own belief. Our brave moments can still be separated from our wise ones. Though the soul's problem is always resolved, the intellect still needs to solve it. Almost belief raises the question, for only in its light can it be answered. No matter how true the answer is, it doesn’t stop 235 the question; because the best answer is merely plausible, and man can only convey his connection to truth, but cannot account for truth itself.

9. Believe, and ask not, says the poet.

9. Trust, and don't question, says the poet.

"Deep love lieth under

"Deep love lies beneath"

These pictures of time;

These snapshots of time;

They fade in the light of

They fade in the light of

Their meaning sublime."

Their meaning is profound."

Nothing is plain but love.

Nothing is simple but love.

10, 11, 12, 13. Man comes short, because he seeks perfection. He adorns no world, while he is seeking to adorn a better. His best actions have no reference to their actual scenery. For when our actions become of that worth that they might confer a grace on Nature, they pass out of her into a higher arena, where they are still mean and awkward. So that the world beholds only the rear of great deeds, and mistakes them often for inconsistencies, not knowing with what higher they consist. Nature is beautiful as in repose, not promising a higher beauty to-morrow. Her actions are level to one another, and so are never unfit or inconsistent. Shame and remorse, which are so unsightly to her, have a prospective beauty and fitness which redeem them. We would have our lover to be nobler than we, and do not fear to sacrifice our love to his greater nobleness. Better the disagreement of noble lovers than the agreement of base ones. In friendship each will be nobler than the other, and so avoid the cheapness of a level and idle harmony. Love will have its chromatic strains,—discordant yearnings for higher chords,—as well as symphonies. Let us expect no finite satisfaction. 236

10, 11, 12, 13. Man falls short because he seeks perfection. He doesn’t enhance any world while trying to improve on one. His best actions don’t connect to their real surroundings. When our actions are valuable enough to bring grace to Nature, they step beyond her into a higher realm, where they still appear ordinary and clumsy. So, the world sees only the back of great deeds and often misinterprets them as inconsistencies, not realizing what greater purpose they serve. Nature is beautiful in its stillness, not promising a greater beauty tomorrow. Her actions are consistent with one another, so they’re never unsuitable or contradictory. Shame and remorse, which are unattractive to her, have a potential beauty and appropriateness that redeem them. We want our partner to be nobler than we are and don’t hesitate to sacrifice our love for their greater nobility. It’s better for noble lovers to disagree than for base lovers to agree. In friendship, each will be greater than the other, avoiding the triviality of a flat and lazy harmony. Love will have its colorful variations—discordant longings for higher notes—as well as harmonies. Let’s not expect any finite satisfaction. 236

13. Who looks in the sun will see no light else; but also he will see no shadow. Our life revolves unceasingly, but the centre is ever the same, and the wise will regard only the seasons of the soul.

13. Those who stare directly at the sun won’t see any other light; but they also won’t see any shadows. Our lives keep moving without pause, but the center remains constant, and the wise will only pay attention to the changes within the soul.

14. The poet concludes with the same trust he began with, and jeers at the blindness which could inquire. But our sphinx is so wise as to put no riddle that can be answered. It is a great presumption to answer conclusively a question which any sincerity has put. The wise answer no questions,—nor do they ask them. She silences his jeers with the conviction that she is the eye-beam of his eye. Our proper eye never quails before an answer. To rest in a reply, as a response of the oracle, that is error; but to suspect time's reply, because we would not degrade one of God's meanings to be intelligible to us, that is wisdom. We shall never arrive at his meaning, but it will ceaselessly arrive to us. The truth we seek with ardor and devotion will not reward us with a cheap acquisition. We run unhesitatingly in our career, not fearing to pass any goal of truth in our haste. We career toward her eternally. A truth rested in stands for all the vice of an age, and revolution comes kindly to restore health.

14. The poet wraps up with the same trust he started with and mocks the ignorance that could question. But our sphinx is smart enough not to pose a riddle that can be solved. It's a big assumption to definitively answer a question that any sincerity has raised. The wise don’t answer questions—or ask them, either. She quiets his mockery with the conviction that she is the light in his eyes. Our true vision never shrinks away from an answer. To settle for a response as if it were an oracle’s prophecy is misleading; but to doubt time's answer, because we wouldn’t want to lower one of God’s meanings to make sense to us, is wisdom. We’ll never fully grasp his meaning, but it will constantly reach us. The truth we pursue passionately will not reward us with an easy payoff. We run forward in our journey, unafraid to rush past any truth in our way. We’re eternally chasing her. A truth taken for granted represents all the flaws of an era, and change comes gently to restore balance.

16. The cunning Sphinx, who had been hushed into stony silence and repose in us, arouses herself and detects a mystery in all things,—in infancy, the moon, fire, flowers, sea, mountain,—and,

16. The clever Sphinx, who had been quiet and still within us, awakens and senses a mystery in everything—in childhood, the moon, fire, flowers, the sea, mountains—and,

(17) in the spirit of the old fable, declares proudly,—

(17) in the spirit of the old fable, declares proudly,—

"Who telleth one of my meanings

"Who tells one of my meanings

Is master of all I am."

Is the master of all I am."

237

When some Œdipus has solved one of her enigmas, she will go dash her head against a rock.

When someone like Oedipus has figured out one of her riddles, she will go and smash her head against a rock.

You may find this as enigmatical as the Sphinx's riddle. Indeed, I doubt if she could solve it herself.

You might find this as puzzling as the Sphinx's riddle. Honestly, I doubt she could figure it out herself.

March 11. Thursday. Every man understands why a fool sings.

March 11. Thursday. Every guy knows why a fool sings.

March 13. Saturday. There is a sort of homely truth and naturalness in some books, which is very rare to find, and yet looks quite cheap. There may be nothing lofty in the sentiment, or polished in the expression, but it is careless, countrified talk. The scholar rarely writes as well as the farmer talks. Homeliness is a great merit in a book; it is next to beauty and a high art. Some have this merit only. A few homely expressions redeem them. Rusticity is pastoral, but affectation merely civil. The scholar does not make his most familiar experience come gracefully to the aid of his expression, and hence, though he live in it, his books contain no tolerable pictures of the country and simple life. Very few men can speak of Nature with any truth. They confer no favor; they do not speak a good word for her. Most cry better than they speak. You can get more nature out of them by pinching than by addressing them. It is naturalness, and not simply good nature, that interests. I like better the surliness with which the woodchopper speaks of his woods, handling them as indifferently as his axe, than the mealy-mouthed enthusiasm of the lover of nature. Better that the primrose by the river's brim be a yellow primrose 238 and nothing more, than the victim of his bouquet or herbarium, to shine with the flickering dull light of his imagination, and not the golden gleam of a star.

March 13. Saturday. There’s an honesty and simplicity in some books that’s really rare and often feels cheap. There might not be anything grand about the feelings or refined about the words, but it’s casual, down-to-earth language. Scholars rarely express themselves as well as farmers speak. Simplicity is a huge plus in a book; it’s almost as valuable as beauty and high art. Some books only have this quality. A few plain phrases save them. Rustic language feels natural, while pretentiousness feels forced. Scholars don’t seem to translate their everyday experiences into their writing effectively, so even though they live in the countryside, their books lack decent portrayals of rural and simple life. Very few people can discuss Nature truthfully. They don’t do her any favors; they can’t say anything nice about her. Most express themselves better through their cries than through conversation. You can evoke more honesty from them by applying pressure than by simply talking to them. It’s naturalness, not just friendliness, that captures interest. I prefer the gruff way a woodcutter talks about his woods, treating them as casually as his axe, over the overly sentimental enthusiasm of nature lovers. It’s better for the primrose by the riverbank to just be a yellow primrose 238 and nothing more than to be the subject of his bouquet or herbarium, glowing with the dull flicker of his imagination instead of the bright shine of a star.

Aubrey relates of Thomas Fuller that his was "a very working head, in so much, that walking and meditating before dinner, he would eat up a penny loaf, not knowing that he did it. His natural memory was very great, to which he added the art of memory. He would repeat to you forwards and backwards all the signs from Ludgate to Charing-cross." These are very good and wholesome facts to know of a man, as copious as some modern volumes.

Aubrey tells us about Thomas Fuller that he had "a very active mind, so much so that while walking and thinking before lunch, he would eat a penny loaf without even realizing it. His natural memory was impressive, and he enhanced it with techniques of memorization. He could recite all the signs from Ludgate to Charing Cross both forwards and backwards." These are excellent and valuable qualities to know about a person, as detailed as some modern books.

He also says of Mr. John Hales, that, "he loved Canarie" and was buried "under an altar monument of black marble ... with a too long epitaph;" of Edmund Halley, that he "at sixteen could make a dial, and then he said he thought himself a brave fellow;" of William Holder, who wrote a book upon his curing one Popham, who was deaf and dumb, "He was beholding to no author; did only consult with nature." For the most part an author but consults with all who have written before upon any subject, and his book is but the advice of so many. But a true book will never have been forestalled, but the topic itself will be new, and, by consulting with nature, it will consult not only with those who have gone before, but with those who may come after. There is always room and occasion enough for a true book on any subject, as there is room for more light the brightest day, and more rays will not interfere with the first.[227] 239

He also mentions Mr. John Hales, saying that "he loved Canarie" and was buried "under a black marble altar monument ... with a bit too long of an epitaph"; about Edmund Halley, that "at sixteen, he could make a sundial, and he thought he was pretty impressive"; and about William Holder, who wrote a book about curing one Popham, who was deaf and mute, "He was not reliant on any author; he only consulted with nature." Most authors refer to the writings of others on any topic, and their books are simply a collection of those opinions. However, a genuine book will always present something original, and by consulting nature, it engages not only with past thinkers but also with future ones. There's always space and need for an authentic book on any topic, just like there's always space for more light on the brightest day, and more rays won’t clash with the first. [227] 239

How alone must our life be lived! We dwell on the seashore, and none between us and the sea. Men are my merry companions, my fellow-pilgrims, who beguile the way but leave me at the first turn in the road, for none are travelling one road so far as myself.

How alone must our lives be! We live by the shore, with nothing between us and the sea. People are my cheerful companions, my fellow travelers, who lighten the journey but leave me at the first bend in the road, because no one is on the same path as me.

Each one marches in the van. The weakest child is exposed to the fates henceforth as barely as its parents. Parents and relations but entertain the youth; they cannot stand between him and his destiny. This is the one bare side of every man. There is no fence; it is clear before him to the bounds of space.

Each person moves at the front. The most vulnerable child faces their fate just like their parents did. Family and loved ones can only support the young; they can't shield them from what lies ahead. This is the one undeniable truth about every person. There are no barriers; everything is laid out before them as far as they can see.

What is fame to a living man? If he live aright, the sound of no man's voice will resound through the aisles of his secluded life. His life is a hallowed silence, a fane. The loudest sounds have to thank my little ear that they are heard.

What is fame to a living person? If they live well, the sound of no one's voice will echo through the halls of their private life. Their life is a sacred silence, a sanctuary. The loudest sounds owe their acknowledgment to my small ear.

March 15. When I have access to a man's barrel of sermons, which were written from week to week, as his life lapsed, though I now know him to live cheerfully and bravely enough, still I cannot conceive what interval there was for laughter and smiles in the midst of so much sadness. Almost in proportion to the sincerity and earnestness of the life will be the sadness of the record. When I reflect that twice a week for so many years he pondered and preached such a sermon, I think he must have been a splenetic and melancholy man, and wonder if his food digested well. It seems as if the fruit of virtue was never a careless happiness.

March 15. When I have access to a man's collection of sermons, which he wrote week after week as his life went on, even though I now know he lives cheerfully and courageously enough, I still can’t figure out how he found time for laughter and smiles amid so much sadness. The more sincere and earnest the life, the greater the sadness in the record seems to be. When I think that he pondered and preached such sermons twice a week for so many years, I wonder if he must have been a gloomy and melancholic man, and I question whether his food digested well. It feels like the reward of virtue was never a carefree happiness.

A great cheerfulness have all great wits possessed, 240 almost a prophane levity to such as understood them not, but their religion had the broader basis in proportion as it was less prominent. The religion I love is very laic. The clergy are as diseased, and as much possessed with a devil, as the reformers. They make their topic as offensive as the politician, for our religion is as unpublic and incommunicable as our poetical vein, and to be approached with as much love and tenderness.

A great cheerfulness has always been part of brilliant minds, 240 almost a disrespectful lightness to those who didn’t understand them, but their beliefs had a stronger foundation the less obvious they were. The religion I cherish is very secular. The clergy are just as troubled, and just as devilish, as the reformers. They make their subject as off-putting as politicians do, because our faith is as private and unshareable as our poetic inspiration, and should be approached with as much love and tenderness.

March 17. Wednesday. The stars go up and down before my only eye. Seasons come round to me alone. I cannot lean so hard on any arm as on a sunbeam. So solid men are not to my sincerity as is the shimmer of the fields.

March 17. Wednesday. The stars rise and fall before my one eye. Seasons come around just for me. I can’t rely on any support like I do on a sunbeam. Real men don't feel as genuine to me as the shimmer of the fields.

March 19. Friday. No true and brave person will be content to live on such a footing with his fellow and himself as the laws of every household now require. The house is the very haunt and lair of our vice. I am impatient to withdraw myself from under its roof as an unclean spot. There is no circulation there; it is full of stagnant and mephitic vapors.

March 19. Friday. No genuinely brave person will be satisfied living under the conditions that every household now demands. The home is the very place where our vices thrive. I can’t wait to escape from beneath its roof like it's a filthy stain. There's no fresh air there; it's filled with stagnant and toxic fumes.

March 20. Even the wisest and best are apt to use their lives as the occasion to do something else in than to live greatly. But we should hang as fondly over this work as the finishing and embellishment of a poem.

March 20. Even the wisest and best people often end up using their lives for something other than living fully. But we should cherish this work just as much as we would the finishing touches and enhancements of a poem.

It is a great relief when for a few moments in the day we can retire to our chamber and be completely true to 241 ourselves. It leavens the rest of our hours. In that moment I will be nakedly as vicious as I am; this false life of mine shall have a being at length.

It’s such a relief when we can take a few moments during the day to retreat to our room and be completely honest with ourselves. It lightens the rest of our day. In that moment, I’ll be openly as cruel as I am; this false life of mine will finally exist.

March 21. Sunday. To be associated with others by my friend's generosity when he bestows a gift is an additional favor to be grateful for.

March 21. Sunday. It's a privilege to be connected to others through my friend's kindness when he gives a gift; that's another reason to be thankful.

March 27. Saturday. Magnanimity, though it look expensive for a short course, is always economy in the long run. Be generous in your poverty, if you would be rich. To make up a great action there are no subordinate mean ones. We can never afford to postpone a true life to-day to any future and anticipated nobleness. We think if by tight economy we can manage to arrive at independence, then indeed we will begin to be generous without stay. We sacrifice all nobleness to a little present meanness. If a man charges you eight hundred pay him eight hundred and fifty, and it will leave a clean edge to the sum. It will be like nature, overflowing and rounded like the bank of a river, not close and precise like a drain or ditch.

March 27. Saturday. Being generous may seem costly in the short term, but it's always a smart choice in the long run. Be kind in your struggles if you want to achieve wealth. When it comes to doing great things, there are no small or insignificant actions. We can never afford to put off truly living today for some imagined greatness in the future. We think that if we can scrape by and achieve independence through tight budgets, then we can start being generous without hesitation. We give up all nobility for a bit of present-day meanness. If someone charges you eight hundred, pay him eight hundred and fifty; it will leave a nice round number. It will be like nature—overflowing and smooth like the bank of a river, not confined and exact like a drain or ditch.

It is always a short step to peace—of mind.

It’s always a quick leap to peace of mind.

Under this line there is or has been life; as, when I see the mole's raised gallery in the meadow, I know that he has passed underneath.

Under this line, there is or has been life; when I see the mole's raised tunnel in the meadow, I know that it has passed beneath.

I must not lose any of my freedom by being a farmer and landholder. Most who enter on any profession 242 are doomed men. The world might as well sing a dirge over them forthwith. The farmer's muscles are rigid. He can do one thing long, not many well. His pace seems determined henceforth; he never quickens it. A very rigid Nemesis is his fate. When the right wind blows or a star calls, I can leave this arable and grass ground, without making a will or settling my estate. I would buy a farm as freely as a silken streamer. Let me not think my front windows must face east henceforth because a particular hill slopes that way. My life must undulate still. I will not feel that my wings are clipped when once I have settled on ground which the law calls my own, but find new pinions grown to the old, and talaria to my feet beside.

I can't let being a farmer and landowner take away any of my freedom. Most people who start a profession are pretty much done for. The world might as well mourn them right away. The farmer's body is stiff. He can do one thing for a long time, but not many things well. His pace is set now; he never speeds up. A very strict fate awaits him. When the right opportunity comes or a guiding star appears, I want to leave this farmland without making a will or tying up my affairs. I'd buy a farm just as easily as I’d buy a piece of silk. I refuse to think my front windows must face east forever just because a specific hill curves that way. My life needs to flow and change. I won’t feel like my wings are clipped just because I’ve settled on land considered mine by law; instead, I’ll find new wings grow alongside the old ones, and I’ll have winged sandals for my feet too.

March 30. Tuesday. I find my life growing slovenly when it does not exercise a constant supervision over itself. Its duds accumulate. Next to having lived a day well is a clear and calm overlooking of all our days.

March 30. Tuesday. I see my life becoming messy when I don’t keep a steady watch on it. Things pile up. Right after having a good day is the peace of looking back at all our days clearly and calmly.

FRIENDSHIP

Friendship

Now we are partners in such legal trade,

Now we are partners in this legal business,

We'll look to the beginnings, not the ends,

We'll focus on the beginnings, not the ends,

Nor to pay-day, knowing true wealth is made

Nor to pay-day, knowing true wealth is made

For current stock and not for dividends.

For current stock, not for dividends.

I am amused when I read how Ben Jonson engaged that the ridiculous masks with which the royal family and nobility were to be entertained should be "grounded upon antiquity and solid learning."[228] 243

I find it funny when I read about how Ben Jonson insisted that the ridiculous masks meant to entertain the royal family and nobility should be "based on old traditions and real knowledge."[228] 243

April 1. ON THE SUN COMING OUT IN THE AFTERNOON

April 1. WHEN THE SUN SHOWS UP IN THE AFTERNOON

Methinks all things have travelled since you shined,

I think everything has changed since you appeared,

But only Time, and clouds, Time's team, have moved;

But only Time, and clouds, which are Time's companions, have shifted;

Again foul weather shall not change my mind,

Again, bad weather won't change my mind,

But in the shade I will believe what in the sun I loved.

But in the shade, I will believe what I loved in the sun.

In reading a work on agriculture, I skip the author's moral reflections, and the words "Providence" and "He" scattered along the page, to come at the profitable level of what he has to say. There is no science in men's religion; it does not teach me so much as the report of the committee on swine. My author shows he has dealt in corn and turnips and can worship God with the hoe and spade, but spare me his morality.[229]

In reading a book about agriculture, I skip over the author's moral reflections and the terms "Providence" and "He" scattered throughout, to get to the useful information he provides. There's no science in people's religion; it doesn't inform me as much as the report from the committee on pigs. My author demonstrates that he works with corn and turnips and can worship God while using a hoe and spade, but I’d rather not hear about his morality.[229]

April 3. Friends will not only live in harmony, but in melody.[230]

April 3. Friends will not only coexist peacefully, but also in harmony.[230]

April 4. Sunday. The rattling of the tea-kettle below stairs reminds me of the cow-bells I used to hear when berrying in the Great Fields many years ago, sounding distant and deep amid the birches. That cheap piece of tinkling brass which the farmer hangs about his cow's neck has been more to me than the tons of metal which are swung in the belfry.

April 4. Sunday. The clattering of the tea kettle downstairs reminds me of the cowbells I used to hear when picking berries in the Great Fields many years ago, echoing softly among the birches. That cheap, jingling brass bell the farmer hangs around his cow's neck has meant more to me than all the heavy metal that swings in the belfry.

They who prepare my evening meal below

They who make my dinner downstairs

Carelessly hit the kettle as they go,

Carelessly bump the kettle as they pass by,

With tongs or shovel,

Using tongs or a shovel,

And, ringing round and round, 244

And, ringing around and around, 244

Out of this hovel

Out of this dump

It makes an Eastern temple by the sound.

It creates an Eastern temple through the sound.

At first I thought a cow-bell, right at hand

At first, I thought there was a cowbell nearby.

'Mid birches, sounded o'er the open land,

'In the midst of birches, echoed across the open land,

Where I plucked flowers

Where I picked flowers

Many years ago,

A long time ago,

Speeding midsummer hours

Fast summer days

With such secure delight they hardly seemed to flow.

With such secure pleasure, they barely seemed to flow.

April 5. This long series of desultory mornings does not tarnish the brightness of the prospective days. Surely faith is not dead. Wood, water, earth, air are essentially what they were; only society has degenerated. This lament for a golden age is only a lament for golden men.

April 5. This long stretch of aimless mornings doesn’t dull the promise of the days ahead. Surely, faith isn’t gone. Wood, water, earth, and air are still what they’ve always been; it’s just society that has degraded. This nostalgia for a golden age is really just a longing for great individuals.

I only ask a clean seat. I will build my lodge on the southern slope of some hill, and take there the life the gods send me. Will it not be employment enough to accept gratefully all that is yielded me between sun and sun?[231] Even the fox digs his own burrow. If my jacket and trousers, my boots and shoes, are fit to worship God in, they will do. Won't they, Deacon Spaulding?[232]

I just ask for a clean spot to sit. I’ll set up my place on the south side of a hill and live off whatever the gods provide. Isn’t it enough work to appreciate everything that comes my way from sunrise to sunset?[231] Even the fox makes his own den. If my jacket and pants, my boots and shoes, are good enough to worship God in, that’s all I need. Right, Deacon Spaulding?[232]

April 7. Wednesday. My life will wait for nobody, but is being matured still irresistibly while I go about the streets and chaffer with this man and that to secure it a living. It will cut its own channel, like the mountain stream, which by the longest ridges and by level 245 prairies is not kept from the sea finally. So flows a man's life, and will reach the sea water, if not by an earthy channel, yet in dew and rain, overleaping all barriers, with rainbows to announce its victory. It can wind as cunningly and unerringly as water that seeks its level; and shall I complain if the gods make it meander? This staying to buy me a farm is as if the Mississippi should stop to chaffer with a clamshell.

April 7. Wednesday. My life won't wait for anyone, but it's still maturing irresistibly while I walk the streets and bargain with this person and that to secure a living. It will carve its own path, like a mountain stream that, despite the longest ridges and flat prairies, eventually reaches the sea. So flows a man's life and will reach the ocean, if not through a physical channel, then in dew and rain, overcoming all obstacles, with rainbows to celebrate its victory. It can twist and turn as cleverly and directly as water seeking its level; so should I complain if the gods make it meander? Taking time to buy a farm is like the Mississippi stopping to haggle over a clamshell.

What have I to do with plows? I cut another furrow than you see. Where the off ox treads, there is it not, it is farther off; where the nigh ox walks, it will not be, it is nigher still. If corn fails, my crop fails not. What of drought? What of rain? Is not my sand well clayed, my peat well sanded? Is it not underdrained and watered?[233]

What do I care about plows? I’m making a different kind of furrow than you can see. Where the far ox steps, it’s not there; it’s further away. Where the near ox walks, it’s not there either; it’s even closer. If corn fails, my crop won’t fail. What about drought? What about rain? Isn’t my sand properly mixed with clay? Isn’t my peat well mixed with sand? Isn't it properly drained and watered?[233]

My ground is high,

My ground is elevated,

But 'tis not dry,

But it's not dry,

What you call dew

What you call morning moisture

Comes filtering through;

Filters through;

Though in the sky,

Though in the air,

It still is nigh;

It’s almost here;

Its soil is blue

Its soil is blue.

And virgin too.

And also a virgin.


If from your price ye will not swerve,

If you won't budge from your price,

Why, then I'll think the gods reserve

Why, then I’ll think the gods save

A greater bargain there above,

A better deal up there,

Out of their sup'rabundant love 246

Out of their overflowing love 246

Have meantime better for me cared,

Have meanwhile cared better for me,

And so will get my stock prepared,

And so I'll get my supplies ready,

Plows of new pattern, hoes the same,

Plows of a new design, hoes the same,

Designed a different soil to tame,

Designed a different soil to cultivate,

And sow my seed broadcast in air,

And scatter my seed in the air,

Certain to reap my harvest there.

Certain to harvest my rewards there.

April 8. Friends are the ancient and honorable of the earth. The oldest men did not begin friendship. It is older than Hindostan and the Chinese Empire. How long has it been cultivated, and is still the staple article! It is a divine league struck forever. Warm, serene days only bring it out to the surface. There is a friendliness between the sun and the earth in pleasant weather; the gray content of the land is its color.

April 8. Friends are the timeless and respected part of life. The oldest people didn’t start friendship; it’s been around longer than India and the Chinese Empire. How long has it been nurtured, and it’s still essential! It’s a divine bond that lasts forever. Warm, calm days only bring it to the forefront. There’s a connection between the sun and the earth in nice weather; the gray content of the land is its hue.

You can tell what another's suspicions are by what you feel forced to become. You will wear a new character, like a strange habit, in their presence.

You can gauge someone else's suspicions by how you feel you have to change. You’ll adopt a new persona, like an odd behavior, when you're around them.

April 9. Friday. It would not be hard for some quiet brave man to leap into the saddle to-day and eclipse Napoleon's career by a grander,—show men at length the meaning of war. One reproaches himself with supineness, that he too has sat quiet in his chamber, and not treated the world to the sound of the trumpet; that the indignation which has so long rankled in his breast does not take to horse and to the field. The bravest warrior will have to fight his battles in his dreams, and no earthly war note can arouse him. There are who would not run with Leonidas. Only the third-rate Napoleons 247 and Alexanders does history tell of. The brave man does not mind the call of the trumpet nor hear the idle clashing of swords without, for the infinite din within. War is but a training, compared with the active service of his peace. Is he not at war? Does he not resist the ocean swell within him, and walk as gently as the summer's sea? Would you have him parade in uniform, and manœuvre men, whose equanimity is his uniform and who is himself manœuvred?

April 9. Friday. It wouldn’t be too difficult for some quiet, brave person to jump on a horse today and outshine Napoleon’s achievements with something greater—finally showing people what war really means. One might feel guilty for being inactive, for sitting quietly in his room, and not giving the world the sound of a trumpet; for the anger that has built up inside him not taking to the battlefield. The bravest warrior will have to fight his battles in his dreams, and no earthly call to arms can wake him. There are those who wouldn’t stand alongside Leonidas. History only remembers the second-rate Napoleons and Alexanders. The true brave person doesn’t care about the call of the trumpet or hear the meaningless clashing of swords outside, due to the overwhelming noise within. War is just a training ground compared to the active service of his peace. Is he not at war? Does he not fight against the tidal wave of emotions inside him and move as gently as the summer sea? Would you want him to march in uniform and command men, whose calmness is his uniform and who himself is being commanded?

The times have no heart. The true reform can be undertaken any morning before unbarring our doors. It calls no convention. I can do two thirds the reform of the world myself. When two neighbors begin to eat corn bread, who before ate wheat, then the gods smile from ear to ear, for it is very pleasant to them. When an individual takes a sincere step, then all the gods attend, and his single deed is sweet.[234]

The times are heartless. Real change can start any morning, even before we open our doors. It doesn’t require a meeting. I can handle most of the world's reform on my own. When two neighbors switch from eating wheat bread to corn bread, the gods smile, because that makes them happy. When someone makes a genuine effort, all the gods take notice, and that person's action is meaningful. [234]

April 10. Saturday. I don't know but we should make life all too tame if we had our own way, and should miss these impulses in a happier time.

April 10. Saturday. I don't know, but life would be way too boring if we got our way all the time, and we would miss these spontaneous moments in a happier time.

How much virtue there is in simply seeing! We may almost say that the hero has striven in vain for his pre-eminency, if the student oversees him. The woman who sits in the house and sees is a match for a stirring captain. Those still, piercing eyes, as faithfully exercised on their talent, will keep her even with Alexander or Shakespeare. They may go to Asia with parade, or to 248 fairyland, but not beyond her ray. We are as much as we see. Faith is sight and knowledge. The hands only serve the eyes. The farthest blue streak in the horizon I can see, I may reach before many sunsets. What I saw alters not; in my night, when I wander, it is still steadfast as the star which the sailor steers by.

How much value there is in simply seeing! We could almost say that the hero has strived in vain for his greatness if the student is watching him. The woman who sits at home and sees is just as powerful as a dynamic leader. Those still, piercing eyes, honed in their skill, will keep her on par with Alexander or Shakespeare. They might journey to Asia in grandeur, or to 248 a magical realm, but not beyond her gaze. We are as much as we perceive. Faith is vision and understanding. The hands only serve the eyes. The farthest blue streak on the horizon I can see, I may reach before many sunsets. What I saw remains unchanged; in my night, when I wander, it is still as constant as the star that guides the sailor.

Whoever has had one thought quite lonely, and could contentedly digest that in solitude, knowing that none could accept it, may rise to the height of humanity, and overlook all living men as from a pinnacle.

Whoever has had a solitary thought and could comfortably process it alone, aware that no one else would embrace it, can elevate themselves to the height of humanity and see all living people as if from a peak.

Speech never made man master of men, but the eloquently refraining from it.

Speech never made a person the master of others, but rather the skillful choice to hold it back did.

April 11. Sunday. A greater baldness my life seeks, as the crest of some bare hill, which towns and cities do not afford. I want a directer relation with the sun.

April 11. Sunday. My life is looking for a deeper emptiness, like the top of a naked hill, something that towns and cities can't provide. I want a closer connection with the sun.

FRIENDSHIP'S STEADFASTNESS

The strength of friendship

True friendship is so firm a league

True friendship is such a strong bond

That's maintenance falls into the even tenor

That's maintenance falls into the steady rhythm.

Of our lives, and is no tie,

Of our lives, and is no bond,

But the continuance of our life's thread.

But the continuation of our life's thread.

If I would safely keep this new-got pelf,

If I wanted to safely hold on to this newfound wealth,

I have no care henceforth but watch myself,

I have no concern from now on except for watching myself,

For lo! it goes untended from my sight,

For look! it goes unattended from my view,

Waxes and wanes secure with the safe star of night.

Waxes and wanes are steady under the safe star of night.

See with what liberal step it makes its way,

See how freely it moves forward,

As we could well afford to let it stray 249

As we could easily allow it to wander 249

Throughout the universe, with the sun and moon,

Throughout the universe, with the sun and moon,

Which would dissolve allegiance as soon.

Which would break allegiance just as quickly.

Shall I concern myself for fickleness,

Should I worry about unpredictability,

And undertake to make my friends more sure,

And make my friends feel more confident,

When the great gods out of sheer kindliness,

When the great gods, out of pure kindness,

Gave me this office for a sinecure?

Gave me this office for an easy job?


Death cannot come too soon

Death can't come soon enough

Where it can come at all,

Where it can come at all,

But always is too late

But it’s always too late

Unless the fates it call.

Unless fate calls for it.

April 15. Thursday. The gods are of no sect; they side with no man. When I imagine that Nature inclined rather to some few earnest and faithful souls, and specially existed for them, I go to see an obscure individual who lives under the hill, letting both gods and men alone, and find that strawberries and tomatoes grow for him too in his garden there, and the sun lodges kindly under his hillside, and am compelled to acknowledge the unbribable charity of the gods.

April 15. Thursday. The gods don’t belong to any group; they take no sides. When I think about how Nature seems to favor a few dedicated and sincere people, existing primarily for them, I visit a quiet person who lives on the hill, avoiding both gods and humans, and I see that strawberries and tomatoes thrive in his garden too, and the sun shines warmly on his hillside. This makes me realize the unbiased generosity of the gods.

Any simple, unquestioned mode of life is alluring to men. The man who picks peas steadily for a living is more than respectable. He is to be envied by his neighbors.

Any straightforward, unquestioned way of living is appealing to people. The man who consistently picks peas for a living is more than just respectable. He is envied by his neighbors.

April 16. I have been inspecting my neighbors' farms to-day and chaffering with the landholders, and I must confess I am startled to find everywhere the old system 250 of things so grim and assured. Wherever I go the farms are run out, and there they lie, and the youth must buy old land and bring it to. Everywhere the relentless opponents of reform are a few old maids and bachelors, who sit round the kitchen fire, listening to the singing of the tea-kettle and munching cheese-rinds.[235]

April 16. Today, I visited my neighbors' farms and talked with the landowners, and I have to say I'm surprised to find the same old system in place everywhere, so grim and certain. No matter where I go, the farms are drained, just sitting there, and the young people have to buy up old land and try to revive it. The main opponents of change are just a few old maids and bachelors, gathering around the kitchen fire, listening to the tea kettle whistle and nibbling on cheese rinds.[235]

April 18. Sunday. We need pine for no office for the sake of a certain culture, for all valuable experience lies in the way of a man's duty. My necessities of late have compelled me to study Nature as she is related to the farmer,—as she simply satisfies a want of the body. Some interests have got a footing on the earth which I have not made sufficient allowance for. That which built these barns and cleared the land thus had some valor.[236]

April 18. Sunday. We don't need pine for any office for the sake of a certain culture, since all valuable experience comes from a person's duty. Recently, my needs have pushed me to study Nature as it relates to farming—how it merely fulfills physical needs. Some interests have taken root on the earth that I haven't given enough credit to. Whatever built these barns and cleared this land must have had some courage. [236]

We take little steps, and venture small stakes, as if our actions were very fatal and irretrievable. There is no swing to our deeds. But our life is only a retired valley where we rest on our packs awhile. Between us and our end there is room for any delay. It is not a short and easy southern way, but we must go over snow-capped mountains to reach the sun.

We take small steps and risk little, as if our actions were incredibly serious and irreversible. There’s no boldness in what we do. But our life is just a quiet valley where we pause and catch our breath for a bit. There’s plenty of time between us and our end. It’s not a quick and easy path; instead, we have to cross snow-covered mountains to get to the light.

April 20. You can't beat down your virtue; so much goodness it must have.

April 20. You can't undermine your integrity; it must have a lot of goodness.

When a room is furnished, comfort is not furnished.

When a room is decorated, it doesn't mean it's comfortable.

Great thoughts hallow any labor. To-day I earned 251 seventy-five cents heaving manure out of a pen, and made a good bargain of it. If the ditcher muses the while how he may live uprightly, the ditching spade and turf knife may be engraved on the coat-of-arms of his posterity.

Great ideas can elevate any task. Today I earned 251 seventy-five cents for moving manure out of a pen, and I considered it a fair deal. If the person digging reflects on how to live honorably while working, the tools of their trade, like the digging spade and turf knife, might as well be engraved on the coat-of-arms of their descendants.

There are certain current expressions and blasphemous moods of viewing things, as when we say "he is doing a good business," more prophane than cursing and swearing. There is death and sin in such words. Let not the children hear them.

There are certain modern phrases and disrespectful ways of looking at things, like when we say "he is doing a good business," which are more offensive than cursing. There is death and wrongdoing in such words. Let’s not let the children hear them.

April 22. Thursday. There are two classes of authors: the one write the history of their times, the other their biography.

April 22. Thursday. There are two types of authors: those who write the history of their times and those who write their own biography.

April 23. Friday. Any greatness is not to be mistaken. Who shall cavil at it? It stands once for all on a level with the heroes of history. It is not to be patronized. It goes alone.

April 23. Friday. No one should misinterpret greatness. Who would argue against it? It stands proudly alongside the heroes of history. It shouldn't be looked down upon. It stands on its own.

When I hear music, I flutter, and am the scene of life, as a fleet of merchantmen when the wind rises.

When I hear music, I feel alive and part of the moment, like a group of ships rushing forward when the wind picks up.

April 24. Music is the sound of the circulation in nature's veins. It is the flux which melts nature. Men dance to it, glasses ring and vibrate, and the fields seem to undulate. The healthy ear always hears it, nearer or more remote.

April 24. Music is the rhythm of life flowing through nature. It’s the energy that transforms the world around us. People dance to it, glasses chime and resonate, and the fields appear to sway. A healthy ear can always hear it, whether it’s close by or far away.

It has been a cloudy, drizzling day, with occasional 252 brightenings in the mist, when the trill of the tree sparrow seemed to be ushering in sunny hours.[237]

It’s been a cloudy, rainy day, with occasional 252 breaks in the mist, when the song of the tree sparrow felt like it was bringing in sunny hours.[237]

April 25. A momentous silence reigns always in the woods, and their meaning seems just ripening into expression. But alas! they make no haste. The rush sparrow,[238] Nature's minstrel of serene hours, sings of an immense leisure and duration.

April 25. A profound silence always fills the woods, and their meaning seems to be on the verge of being expressed. But unfortunately, they take their time. The rush sparrow, [238] Nature's musician of peaceful moments, sings of endless leisure and time.

When I hear a robin sing at sunset, I cannot help contrasting the equanimity of Nature with the bustle and impatience of man. We return from the lyceum and caucus with such stir and excitement, as if a crisis were at hand; but no natural scene or sound sympathizes with us, for Nature is always silent and unpretending as at the break of day. She but rubs her eyelids.

When I hear a robin sing at sunset, I can't help but compare the calmness of nature with the hustle and impatience of people. We come back from the lectures and meetings full of energy and excitement, as if a crisis is looming; but no natural scene or sound reflects our mood, because nature remains quiet and unassuming just like it does at dawn. It simply blinks awake.

I am struck with the pleasing friendships and unanimities of nature in the woods, as when the moss on the trees takes the form of their leaves.

I am amazed by the beautiful friendships and harmony of nature in the woods, like when the moss on the trees mimics the shape of their leaves.

There is all of civilized life in the woods. Their wildest scenes have an air of domesticity and homeliness, and when the flicker's cackle is heard in the clearings, the musing hunter is reminded that civilization has imported nothing into them.[239] The ball-room is represented 253 by the catkins of the alder at this season, which hang gracefully like a lady's ear-drops.

There’s a whole world of civilized life in the woods. Even their wildest scenes feel warm and inviting, and when the flicker’s call echoes in the clearings, the thoughtful hunter is reminded that civilization hasn’t brought anything into these places.[239] The ballroom is represented 253 by the catkins of the alder this season, which hang down gracefully like a lady's earrings.

All the discoveries of science are equally true in their deepest recesses; nature there, too, obeys the same laws. Fair weather and foul concern the little red bug upon a pine stump; for him the wind goes round the right way and the sun breaks through the clouds.[240]

All scientific discoveries are equally valid in their most profound aspects; nature also follows the same rules there. Good and bad weather affect the little red bug on a pine stump; for him, the wind blows the right direction and the sun shines through the clouds.[240]

April 26. Monday. At R. W. E.'s.

April 26. Monday. At R. W. E.'s.

The charm of the Indian to me is that he stands free and unconstrained in Nature, is her inhabitant and not her guest, and wears her easily and gracefully. But the civilized man has the habits of the house. His house is a prison, in which he finds himself oppressed and confined, not sheltered and protected. He walks as if he sustained the roof; he carries his arms as if the walls would fall in and crush him, and his feet remember the cellar beneath. His muscles are never relaxed. It is rare that he overcomes the house, and learns to sit at home in it, and roof and floor and walls support themselves, as the sky and trees and earth.

The appeal of the Indian to me is that he is free and unrestrained in Nature; he is its resident, not just a visitor, and he blends with it effortlessly and gracefully. In contrast, the civilized man has the habits of someone living indoors. His home feels like a prison, where he feels oppressed and trapped, rather than sheltered and secure. He walks as if he has to hold up the roof; he carries himself as if the walls might collapse and crush him, and he is always aware of the basement below. His muscles are never at ease. It’s uncommon for him to rise above the confines of his home and learn to relax within it, allowing the roof, floor, and walls to support themselves, just like the sky, trees, and ground.

It is a great art to saunter.

It’s a real skill to stroll.

April 27. It is only by a sort of voluntary blindness, and omitting to see, that we know ourselves, as when we see stars with the side of the eye. The nearest approach to discovering what we are is in dreams. It is as hard to see one's self as to look backwards without turning round. And foolish are they that look in glasses with that intent. 254

April 27. We only understand ourselves through a kind of self-imposed blindness, choosing not to see, much like how we can glimpse stars out of the corner of our eye. The closest we get to understanding who we are is in our dreams. It's just as difficult to see ourselves as it is to look back without turning around. And it's foolish to gaze into mirrors with that purpose in mind. 254

The porters have a hard time, but not so hard as he that carries his own shoulders. That beats the Smyrna Turks. Some men's broad shoulders are load enough. Even a light frame can stand under a great burden, if it does not have to support itself. Virtue is buoyant and elastic; it stands without effort and does not feel gravity; but sin plods and shuffles. Newton needed not to wait for an apple to fall to discover the attraction of gravitation; it was implied in the fall of man.

The porters have a tough job, but it’s not as tough as the guy who has to carry his own weight. That puts the Smyrna Turks to shame. Some men have broad shoulders that are heavy enough to bear. Even a lighter person can handle a big burden as long as they don’t have to support themselves. Virtue is uplifting and flexible; it stands effortlessly and doesn’t feel heavy; but sin drags and stumbles. Newton didn’t need to wait for an apple to drop to figure out gravity; it was already clear from the fall of man.

April 28. Wednesday. We falsely attribute to men a determined character; putting together all their yesterdays and averaging them, we presume we know them. Pity the man who has a character to support. It is worse than a large family. He is silent poor indeed. But in fact character is never explored, nor does it get developed in time, but eternity is its development, time its envelope. In view of this distinction, a sort of divine politeness and heavenly good breeding suggests itself, to address always the enveloped character of a man. I approach a great nature with infinite expectation and uncertainty, not knowing what I may meet. It lies as broad and unexplored before me as a scraggy hillside or pasture. I may hear a fox bark, or a partridge drum, or some bird new to these localities may fly up. It lies out there as old, and yet as new. The aspect of the woods varies every day, what with their growth and the changes of the seasons and the influence of the elements, so that the eye of the forester never twice rests upon the same prospect. Much more does a character show newly and variedly, if directly seen. It is the highest 255 compliment to suppose that in the intervals of conversation your companion has expanded and grown. It may be a deference which he will not understand, but the nature which underlies him will understand it, and your influence will be shed as finely on him as the dust in the sun settles on our clothes. By such politeness we may educate one another to some purpose. So have I felt myself educated sometimes; I am expanded and enlarged.

April 28. Wednesday. We mistakenly think we understand someone's character; by looking at their past and averaging it out, we assume we know them. Feel sorry for the person who has to maintain a certain image. It's worse than having a big family. They are truly poor in spirit. But in reality, a person's character is never fully discovered, nor does it develop within a limited timeframe; instead, eternity is where it truly evolves, and time is just its packaging. Considering this difference, a kind of divine politeness and noble behavior suggests that we should always address the deeper character of a person. I approach a great soul with endless hope and uncertainty, not knowing what I might encounter. It spreads out before me, just as open and unexplored as a rough hillside or a pasture. I might hear a fox bark, or a partridge drum, or I may see a bird unfamiliar to this area take flight. It is both old and yet always new. The woods change every day, with their growth, the seasons, and the elements’ effects, so that a forester never sees the same view twice. Likewise, a character reveals itself in fresh and diverse ways when seen directly. It’s the highest compliment to believe that in the gaps of conversation, your companion has expanded and grown. It may be a courtesy that they don’t fully grasp, but their underlying nature will appreciate it, and your influence will settle on them as gently as dust catching the sunlight on our clothes. Through such kindness, we can educate each other with purpose. I have sometimes felt that I’ve been educated too; I feel expanded and enriched.

April 29. Birds and quadrupeds pass freely through nature, without prop or stilt. But man very naturally carries a stick in his hand, seeking to ally himself by many points to nature, as a warrior stands by his horse's side with his hand on his mane. We walk the gracefuler for a cane, as the juggler uses a leaded pole to balance him when he dances on a slack wire.

April 29. Birds and four-legged animals move freely through nature, without any support or assistance. But humans naturally carry a stick in their hands, trying to connect with nature, much like a warrior stands beside his horse with his hand on its mane. We walk more gracefully with a cane, just as a juggler uses a weighted pole to balance himself while dancing on a tightrope.

Better a monosyllabic life than a ragged and muttered one; let its report be short and round like a rifle, so that it may hear its own echo in the surrounding silence.

Better a simple life than a rough and rushed one; let its story be brief and clear like a gunshot, so it can hear its own echo in the quiet around it.

April 30. Where shall we look for standard English but to the words of any man who has a depth of feeling in him? Not in any smooth and leisurely essay. From the gentlemanly windows of the country-seat no sincere eyes are directed upon nature, but from the peasant's horn windows a true glance and greeting occasionally. "For summer being ended, all things," said the Pilgrim, "stood in appearance with a weather-beaten face, 256 and the whole country full of woods and thickets represented a wild and savage hue." Compare this with the agricultural report.

April 30. Where should we search for standard English if not in the words of someone who truly feels? Not in any polished and leisurely essay. From the elegant windows of the country house, no genuine eyes focus on nature, but from the peasant's small windows, a truthful look and greeting come occasionally. "With summer over, everything," said the Pilgrim, "looked weathered and worn, 256 and the entire countryside, filled with woods and bushes, had a wild and untamed color." Compare this with the agricultural report.

May 1. Saturday. Life in gardens and parlors is unpalatable to me. It wants rudeness and necessity to give it relish. I would at least strike my spade into the earth with as good will as the woodpecker his bill into a tree.[241]

May 1. Saturday. Life in gardens and living rooms just doesn't appeal to me. It needs some roughness and necessity to make it enjoyable. I want to dig into the earth with as much enthusiasm as a woodpecker pecks at a tree.[241]

WACHUSETT[242]

Wachusett__A_TAG_PLACEHOLDER_0__

May 2.

May 2.

Especial I remember thee,

I especially remember you,

Wachusett, who like me

Wachusett, who’s like me

Standest alone without society.

Stand alone without society.

Thy far blue eye,

Your far blue eye,

A remnant of the sky,

A piece of the sky,

Seen through the clearing or the gorge,

Seen through the opening or the ravine,

Or from the windows of the forge,

Or from the windows of the workshop,

Doth leaven all it passes by.

Leavens everything it touches.

Nothing is true

Nothing is real

But stands 'tween me and you,

But stands between me and you,

Thou western pioneer,

You western pioneer,

Who know'st not shame nor fear,

Who knows no shame or fear,

By venturous spirit driven

By adventurous spirit driven

Under the eaves of heaven;

Under the sky;

And canst expand thee there,

And can you expand there,

And breathe enough of air? 257

And breathe enough air? 257

Upholding heaven, holding down earth,

Upholding heaven, grounding earth,

Thy pastime from thy birth,

Your pastime since your birth,

Not steadied by the one, nor leaning on the other;

Not supported by one, nor relying on the other;

May I approve myself thy worthy brother!

May I introduce myself as your worthy brother!

May 3. Monday. We are all pilots of the most intricate Bahama channels. Beauty may be the sky overhead, but Duty is the water underneath. When I see a man with serene countenance in the sunshine of summer, drinking in peace in the garden or parlor, it looks like a great inward leisure that he enjoys; but in reality he sails on no summer's sea, but this steady sailing comes of a heavy hand on the tiller. We do not attend to larks and bluebirds so leisurely but that conscience is as erect as the attitude of the listener. The man of principle gets never a holiday. Our true character silently underlies all our words and actions, as the granite underlies the other strata. Its steady pulse does not cease for any deed of ours, as the sap is still ascending in the stalk of the fairest flower.

May 3. Monday. We are all navigators of the complex Bahama channels. Beauty might be the sky above, but Duty is the water below. When I see someone with a calm demeanor in the summer sun, peacefully relaxing in the garden or living room, it seems like they enjoy a great inner tranquility; but in reality, they’re not sailing across a summer sea—this steady navigation comes from a strong hand on the helm. We don’t listen to the larks and bluebirds so casually that our conscience isn't just as upright as the listener’s posture. The principled person never gets a day off. Our true character quietly underpins all our words and actions, just like granite supports the other layers below. Its steady pulse doesn’t stop for any of our actions, much like the sap still rises in the stem of the most beautiful flower.

May 6. Thursday. The fickle person is he that does not know what is true or right absolutely,—who has not an ancient wisdom for a lifetime, but a new prudence for every hour. We must sail by a sort of dead reckoning on this course of life, not speak any vessel nor spy any headland, but, in spite of all phenomena, come steadily to port at last. In general we must have a catholic and universal wisdom, wiser than any particular, and be prudent enough to defer to it always. We are literally wiser than we know. Men do not fail 258 for want of knowledge, but for want of prudence to give wisdom the preference.[243] These low weathercocks on barns and fences show not which way the general and steady current of the wind sets,—which brings fair weather or foul,—but the vane on the steeple, high up in another stratum of atmosphere, tells that. What we need to know in any case is very simple.[244] I shall not mistake the direction of my life; if I but know the high land and the main,—on this side the Cordilleras, on that the Pacific,—I shall know how to run. If a ridge intervene, I have but to seek, or make, a gap to the sea.

May 6. Thursday. A fickle person is someone who doesn’t truly know what is right or true—someone who has no timeless wisdom for a lifetime, but only a new sense of caution every hour. We must navigate this course of life using a kind of rough estimation, without seeing any ships or landmarks, but still, despite everything, we need to reach our destination in the end. Generally, we need to have a broad and universal wisdom, one that’s smarter than any specific knowledge, and be wise enough to always prioritize it. We are literally smarter than we realize. People don’t fail because they lack knowledge, but because they lack the judgment to prioritize wisdom. These cheap weather vanes on barns and fences don’t show the general and steady direction of the wind—which brings good or bad weather—but the vane on the steeple, high up in a different layer of the atmosphere, does. What we need to understand in any situation is really simple. I won’t lose my way in life; if I know the high ground and the ocean—this side is the mountains, and that side is the Pacific—I will know how to navigate. If a ridge gets in the way, I just need to find or create an opening to the sea.

May 9. Sunday. The pine stands in the woods like an Indian,—untamed, with a fantastic wildness about it, even in the clearings. If an Indian warrior were well painted, with pines in the background, he would seem to blend with the trees, and make a harmonious expression. The pitch pines are the ghosts of Philip and Massasoit. The white pine has the smoother features of the squaw.

May 9. Sunday. The pine stands in the woods like an Indigenous person—untamed, with a fantastic wildness about it, even in the clearings. If an Indigenous warrior were well painted, with pines in the background, he would seem to blend with the trees, creating a harmonious scene. The pitch pines are the spirits of Philip and Massasoit. The white pine has the softer features of the woman.

The poet speaks only those thoughts that come unbidden, like the wind that stirs the trees, and men cannot help but listen. He is not listened to, but heard. The weathercock might as well dally with the wind as a man pretend to resist eloquence. The breath that inspires the poet has traversed a whole Campagna, and this new climate here indicates that other latitudes are chilled or heated.

The poet expresses thoughts that come naturally, like the wind rustling through the trees, and everyone has to pay attention. He isn’t just listened to; he’s genuinely heard. The weather vane might as well play around with the wind as a person pretend to resist powerful speech. The breath that inspires the poet has traveled across a whole Campagna, and this new atmosphere here shows that other places are either cold or warm.

Speak to men as to gods and you will not be insincere. 259

Talk to people as if they were gods and you won't be fake. 259

WESTWARD, HO!

Westward, let’s go!

The needles of the pine

The pine needles

All to the west incline.[245]

All to the west slant.__A_TAG_PLACEHOLDER_0__

THE ECHO OF THE SABBATH BELL HEARD IN THE WOODS[246]

THE SOUND OF THE SABBATH BELL HEARD IN THE WOODS[246]

Dong, sounds the brass in the east,

Dong, the brass rings out in the east,

As if for a civic feast,

As if for a community celebration,

But I like that sound the best

But I like that sound the most.

Out of the fluttering west.

From the fluttering west.

The steeple rings a knell,

The steeple tolls a bell,

But the fairies' silvery bell

But the fairies' silver bell

Is the voice of that gentle folk,

Is that person's gentle voice,

Or else the horizon that spoke.

Or else the horizon that spoke.

Its metal is not of brass,

Its metal isn't brass,

But air, and water, and glass,

But air, water, and glass,

And under a cloud it is swung,

And it's hanging under a cloud,

And by the wind is rung,

And the wind is howling,

With a slim silver tongue.

With a slick silver tongue.

When the steeple tolls the noon,

When the church bell chimes at noon,

It soundeth not so soon,

It doesn't sound that soon,

Yet it rings an earlier hour,

Yet it chimes an earlier time,

And the sun has not reached its tower.

And the sun hasn't hit its tower yet.

May 10. Monday. A good warning to the restless 260 tourists of these days is contained in the last verses of Claudian's "Old Man of Verona."

May 10. Monday. A useful reminder for the restless 260 tourists of today can be found in the last lines of Claudian's "Old Man of Verona."

"Erret, et extremos alter scrutetur Iberos.

"Erret, and let someone else investigate the far-off Iberians."

Plus habet hic vitae, plus habet ille viae."[247]

The longer this person lives, the more that person travels.."[247]

May 23. Sunday. Barn.—The distant woods are but the tassels of my eye.

May 23. Sunday. Barn.—The distant woods are just a blur in my vision.

Books are to be attended to as new sounds merely. Most would be put to a sore trial if the reader should assume the attitude of a listener. They are but a new note in the forest. To our lonely, sober thought the earth is a wild unexplored. Wildness as of the jay and muskrat reigns over the great part of nature. The oven-bird and plover are heard in the horizon. Here is a new book of heroes, come to me like the note of the chewink from over the fen, only over a deeper and wider fen. The pines are unrelenting sifters of thought; nothing petty leaks through them. Let me put my ear close, and hear the sough of this book, that I may know if any inspiration yet haunts it. There is always a later edition of every book than the printer wots of, no matter how recently it was published. All nature is a new impression every instant.

Books should be treated like new sounds. Most people would struggle if the reader acted like a listener. They’re just a new note in the forest. To our solitary, serious thoughts, the world feels like an untamed wilderness. Wildness, like that of the jay and muskrat, dominates much of nature. The oven-bird and plover can be heard in the distance. Here’s a new book of heroes, arriving like the call of the chewink from across the marsh, but from an even deeper and wider marsh. The pines are relentless filters of thought; nothing trivial can pass through them. Let me lean in close and listen to the sound of this book to see if any inspiration still lingers within it. There’s always a later edition of every book than what the printer is aware of, no matter how recently it was released. All of nature is a fresh impression at every moment.

The aspects of the most simple object are as various as the aspects of the most compound. Observe the same sheet of water from different eminences. When I have travelled a few miles I do not recognize the profile of the hills of my native village.

The features of the simplest object are as diverse as those of the most complex one. Look at the same sheet of water from different heights. After traveling a few miles, I don't recognize the outline of the hills from my hometown.

May 27. Thursday. I sit in my boat on Walden, playing the flute this evening, and see the perch, which I 261 seem to have charmed, hovering around me, and the moon travelling over the bottom, which is strewn with the wrecks of the forest, and feel that nothing but the wildest imagination can conceive of the manner of life we are living. Nature is a wizard. The Concord nights are stranger than the Arabian nights.

May 27. Thursday. I’m sitting in my boat on Walden, playing the flute this evening, and I see the perch, which I 261 seem to have enchanted, swimming around me, and the moon moving over the bottom, which is scattered with the remnants of the forest, and I realize that only the wildest imagination can grasp the kind of life we’re living. Nature is like magic. The nights in Concord are more bizarre than the Arabian nights.

We not only want elbow-room, but eye-room in this gray air which shrouds all the fields. Sometimes my eyes see over the county road by daylight to the tops of yonder birches on the hill, as at others by moonlight.

We not only want space to move around, but also space to see in this gray atmosphere that covers all the fields. Sometimes my eyes can see over the county road during the day to the tops of those birches on the hill, just like they can at night by moonlight.

Heaven lies above, because the air is deep.

Heaven is above because the sky is vast.

In all my life hitherto I have left nothing behind.

In all my life so far, I have left nothing behind.

May 31. Monday. That title, "The Laws of Menu[248] with the Gloss of Culluca," comes to me with such a volume of sound as if it had swept unobstructed over the plains of Hindostan; and when my eye rests on yonder birches, or the sun in the water, or the shadows of the trees, it seems to signify the laws of them all. They are the laws of you and me, a fragrance wafted down from those old times, and no more to be refuted than the wind.

May 31. Monday. That title, "The Laws of Menu[248] with the Gloss of Culluca," resonates with me as if it had traveled freely across the plains of India; and when I look at those birches, or the sun reflecting on the water, or the shadows cast by the trees, it feels like it encompasses the rules governing them all. They represent the laws of you and me, a scent carried from those ancient times, undeniable like the wind.

When my imagination travels eastward and backward to those remote years of the gods, I seem to draw near to the habitation of the morning, and the dawn at length has a place. I remember the book as an hour before sunrise.

When I let my imagination wander eastward and back to those distant years of the gods, I feel like I'm getting closer to the home of the morning, and finally, dawn finds its place. I recall the book like an hour before sunrise.

We are height and depth both, a calm sea at the foot of a promontory. Do we not overlook our own depths? 262

We are both high and low, like a calm sea at the base of a cliff. Don't we ignore our own depths? 262

June 1. To have seen a man out of the East or West is sufficient to establish their reality and locality. I have seen a Mr. Wattles to-day, from Vermont, and now know where that is and that it is; a reformer, with two soldier's eyes and shoulders, who began to belabor the world at ten years, a ragged mountain boy, as fifer of a company, with set purpose to remould it from those first years.

June 1. Just seeing a person from the East or West is enough to confirm their existence and where they’re from. I met a Mr. Wattles today, from Vermont, and now I know what that is and that it really exists; he's a reformer, with sharp eyes and strong shoulders, who started taking on the world at ten years old, a scrappy mountain boy, serving as the fifer of a company, determined to reshape it from those early years.

The great person never wants an opportunity to be great, but makes occasion for all about him.

The truly great person doesn't wait for a chance to be great; instead, they create opportunities for those around them.

June 2. Wednesday. I am brought into the near neighborhood and am become a silent observer of the moon's paces to-night, by means of a glass, while the frogs are peeping all around me on the earth, and the sound of the accordion seems to come from some bright saloon yonder. I am sure the moon floats in a human atmosphere. It is but a distant scene of the world's drama. It is a wide theatre the gods have given us, and our actions must befit it. More sea and land, mountain and valley, here is,—a further West, a freshness and wildness in reserve when all the land shall be cleared.

June 2. Wednesday. I find myself in the nearby area, quietly observing the moon's movements tonight through a telescope, while frogs croak all around me on the ground, and the sound of an accordion seems to drift from some lively bar over there. I’m convinced the moon exists in a human atmosphere. It’s just a distant scene in the drama of the world. This is a vast stage the gods have given us, and our actions should match it. There’s more sea and land, mountains and valleys here—a further West, with a sense of freshness and wildness saved up for when the land is fully cleared.

I see three little lakes between the hills near its edge, reflecting the sun's rays. The light glimmers as on the water in a tumbler. So far off do the laws of reflection hold. I seem to see the ribs of the creature. This is the aspect of their day, its outside,—their heaven above their heads, towards which they breathe their prayers. So much is between me and them. It is noon there, perchance, and ships are at anchor in the havens or 263 sailing on the seas, and there is a din in the streets, and in this light or that shade some leisurely soul contemplates.

I can see three small lakes between the hills at the edge, reflecting the sun's rays. The light sparkles like on the water in a glass. The principles of reflection are still valid here. I feel like I can see the bones of the creature. This is their snapshot of the day, its surface— their sky above, towards which they send their prayers. There’s so much between me and them. It’s noon there, maybe, and ships are anchored in the ports or sailing on the ocean, and there’s noise in the streets, while in this light or that shadow, some person takes their time to reflect.

But now dor-bugs fly over its disk and bring me back to earth and night.

But now beetles fly over its surface and bring me back to the ground and night.

June 7. Monday. The inhabitants of those Eastern plains seem to possess a natural and hereditary right to be conservative and magnify forms and traditions. "Immemorial custom is transcendent law," says Menu. That is, it was the custom of gods before men used it. The fault of our New England custom is that it is memorial. What is morality but immemorial custom? It is not manner but character, and the conservative conscience sustains it.[249]

June 7. Monday. The people living in those Eastern plains seem to have a natural and inherited right to be traditional and emphasize customs and traditions. "Long-standing custom is the highest law," says Menu. Basically, it was the practice of the gods before it was adopted by humans. The problem with our New England practices is that they are just remembered. What is morality but a long-standing custom? It’s not about manners but about character, and a conservative conscience upholds it.[249]

We are accustomed to exaggerate the immobility and stagnation of those eras, as of the waters which levelled the steppes; but those slow revolving "years of the gods" were as rapid to all the needs of virtue as these bustling and hasty seasons. Man stands to revere, he kneels to pray. Methinks history will have to be tried by new tests to show what centuries were rapid and what slow. Corn grows in the night.[250] Will this bustling era detain the future reader longer? Will the earth seem to have conversed more with the heavens during these times? Who is writing better Vedas? How science and art spread and flourished, how trivial conveniences were multiplied, that which is the gossip of the world is not recorded in them; and if they are left out of our scripture, too, what will remain? 264

We tend to exaggerate the stillness and stagnation of those times, just like the waters that flattened the plains; but those slowly turning "years of the gods" were as quick to meet the needs of goodness as these busy and rushed periods are. People stand to honor, they kneel to pray. I believe history will need to be measured by new standards to reveal which centuries were fast and which were slow. Corn grows in the night. <[250]> Will this fast-paced era keep future readers engaged longer? Will it seem like the earth has had more conversations with the heavens during these times? Who is writing better texts? How science and art expanded and thrived, how small conveniences increased—the things people talk about aren't recorded in them; and if they're missing from our history too, what will be left? 264

Since the Battle of Bunker Hill we think the world has not been at a standstill.

Since the Battle of Bunker Hill, we believe the world has not come to a halt.

When I remember the treachery of memory and the manifold accidents to which tradition is liable, how soon the vista of the past closes behind,—as near as night's crescent to the setting day,—and the dazzling brightness of noon is reduced to the faint glimmer of the evening star, I feel as if it were by a rare indulgence of the fates that any traces of the past are left us,—that my ears which do not hear across the interval over which a crow caws should chance to hear this far-travelled sound. With how little coöperation of the societies, after all, is the past remembered!

When I think about how unreliable memory can be and all the ways tradition can change, I realize how quickly the view of the past disappears behind us—like a crescent moon fading after sunset—and how the bright light of noon dims to just the faint glow of the evening star. It feels like a rare gift from fate that any remnants of the past remain for us—that my ears, which can't hear a crow's call from so far away, somehow manage to catch this distant sound. In the end, it takes so little from society for the past to be remembered!

I know of no book which comes to us with grander pretensions than the "Laws of Menu;" and this immense presumption is so impersonal and sincere that it is never offensive or ridiculous. Observe the modes in which modern literature is advertised, and then consider this Hindoo prospectus. Think what a reading public it addresses, what criticism it expects. What wonder if the times were not ripe for it?[251]

I don’t know of any book that presents itself with more ambition than the "Laws of Menu," and this huge confidence is so unbiased and genuine that it’s never annoying or absurd. Look at how modern literature is marketed, and then think about this Hindu prospectus. Consider the audience it targets and the kind of critique it anticipates. Is it any surprise that the time wasn’t right for it?[251]

June 8. Having but one chair, I am obliged to receive my visitors standing, and, now I think of it, those old sages and heroes must always have met erectly.

June 8. With only one chair, I have to greet my visitors while standing, and now that I think about it, those old wise men and heroes must have always met upright.

July 10 to 12. This town, too, lies out under the sky, a port of entry and departure for souls to and from heaven.[252] 265

July 10 to 12. This town, too, is out in the open air, a place where souls arrive and leave on their way to and from heaven.[252] 265

A slight sound at evening lifts me up by the ears, and makes life seem inexpressibly serene and grand. It may be in Uranus, or it may be in the shutter. It is the original sound of which all literature is but the echo. It makes all fear superfluous. Bravery comes from further than the sources of fear.

A soft sound in the evening grabs my attention and makes life feel incredibly peaceful and magnificent. It could be coming from Uranus, or it might be from the window. It’s the primal sound that all literature merely echoes. It renders all fear pointless. True bravery comes from a deeper place than where fear originates.

Aug. 1. Sunday. I never met a man who cast a free and healthy glance over life, but the best live in a sort of Sabbath light, a Jewish gloom. The best thought is not only without sombreness, but even without morality. The universe lies outspread in floods of white light to it. The moral aspect of nature is a jaundice reflected from man. To the innocent there are no cherubim nor angels. Occasionally we rise above the necessity of virtue into an unchangeable morning light, in which we have not to choose in a dilemma between right and wrong, but simply to live right on and breathe the circumambient air.[253] There is no name for this life unless it be the very vitality of vita. Silent is the preacher about this, and silent must ever be, for he who knows it will not preach.

Aug. 1. Sunday. I've never met a guy who looked at life with a free and healthy perspective, but the best ones seem to live in a kind of restful light, a Jewish kind of melancholy. The best thoughts aren’t just free from gloom; they even go beyond moral concerns. The universe stretches out in bright white light for them. The moral side of nature is just a distortion reflecting humanity. To the innocent, there are no cherubs or angels. Sometimes we rise above the need for virtue into a constant morning light, where we don’t have to make tough choices between right and wrong, but simply live and breathe in the surrounding atmosphere.[253] There's no name for this way of living other than the very essence of vita. The preacher is quiet about this, and always will be, because those who understand it don’t preach.

Aug. 4. Wednesday. My pen is a lever which, in proportion as the near end stirs me further within, the further end reaches to a greater depth in the reader.

Aug. 4. Wednesday. My pen is a lever that, as the end I'm holding moves me more inside, the other end reaches deeper into the reader.

Nawshawtuct.—Far in the east I read Nature's Corn Law Rhymes. Here, in sight of Wachusett and these rivers and woods, my mind goes singing to itself of other themes than taxation. The rush sparrow sings 266 still unintelligible, as from beyond a depth in me which I have not fathomed, where my future lies folded up. I hear several faint notes, quite outside me, which populate the waste.

Nawshawtuct.—Far to the east, I read Nature's Corn Law Rhymes. Here, with Wachusett and these rivers and woods in view, my mind can’t help but drift to thoughts beyond just taxes. The rush sparrow sings 266 still unclear, as if from a depth within me that I haven’t explored, where my future is tucked away. I catch several faint notes, completely outside of me, that fill the emptiness.

This is such fresh and flowing weather, as if the waves of the morning had subsided over the day.

This is such fresh and breezy weather, like the morning waves have eased into the day.

Aug. 6. If I am well, then I see well. The bulletins of health are twirled along my visual rays, like pasteboards on a kite string.

Aug. 6. If I'm feeling good, then I see things clearly. The health updates float along my line of sight, like cards on a kite string.

I cannot read a sentence in the book of the Hindoos without being elevated as upon the table-land of the Ghauts. It has such a rhythm as the winds of the desert, such a tide as the Ganges, and seems as superior to criticism as the Himmaleh Mounts. Even at this late hour, unworn by time, with a native and inherent dignity it wears the English dress as indifferently as the Sanscrit. The great tone of the book is of such fibre and such severe tension that no time nor accident can relax it.[254] The great thought is never found in a mean dress, but is of virtue to ennoble any language. Let it issue from the lips of the Wolofs, or from the forum of Rome, the nine Muses will seem to have been purveyors for it. Its education is always liberal; it has all the graces of oratory and of poetry. The lofty tone which is its indispensable breath is grace to the eye and music to the ear. It can endow a college.[255]

I can't read a sentence in the book of the Hindoos without feeling uplifted, like I'm on the plateau of the Ghauts. It has a rhythm like the winds of the desert, a flow like the Ganges, and seems as beyond criticism as the Himalayas. Even at this late hour, still untouched by time, it wears the English language as effortlessly as it does Sanskrit. The book's great tone is so strong and taut that neither time nor chance can diminish it.[254] The profound thoughts it contains are never cloaked in anything trivial; they have the power to elevate any language. Whether coming from the mouths of the Wolofs or the forums of Rome, it feels as if the nine Muses have been its sponsors. Its education is always broad-minded; it has all the charms of oratory and poetry. The elevated tone, which is essential to its essence, is pleasing to the eye and music to the ear. It has the power to uplift an entire college.[255]

So supremely religious a book imposes with authority on the latest age. The very simplicity of style of the 267 ancient lawgiver, implying all in the omission of all, proves an habitual elevation of thought, which the multiplied glosses of later days strive in vain to slope up to. The whole book by noble gestures and inclinations seems to render words unnecessary. The abbreviated sentence points to the thing for explanation. As the sublimest thought is most faithfully printed in the face, and needs the fewest interpreting words. The page nods toward the fact and is silent.

So incredibly religious a book carries a strong influence on the current era. The sheer simplicity of style from the 267 ancient lawgiver, which conveys everything by leaving so much unsaid, reflects a consistent elevation of thought that the many interpretations from later times struggle to match. The entire book, through its noble gestures and inclinations, seems to make words unnecessary. The concise sentences point directly to what needs explaining. Just as the deepest thoughts are most clearly reflected in a person's expression and require the fewest words to interpret. The page gestures toward the truth and remains quiet.

As I walk across the yard from the barn to the house through the fog, with a lamp in my hand, I am reminded of the Merrimack nights, and seem to see the sod between tent-ropes. The trees, seen dimly through the mist, suggest things which do not at all belong to the past, but are peculiar to my fresh New England life. It is as novel as green peas. The dew hangs everywhere upon the grass, and I breathe the rich, damp air in slices.

As I walk across the yard from the barn to the house through the fog, holding a lamp, I can’t help but think of the nights in Merrimack and the ground between the tent ropes. The trees, barely visible through the mist, bring to mind things that don’t belong to the past but are unique to my new life in New England. It feels as fresh as green peas. Dew clings to the grass everywhere, and I breathe in the rich, damp air in deep gulps.

Aug. 7. Saturday. The impression which those sublime sentences made on me last night has awakened me before any cockcrowing. Their influence lingers around me like a fragrance, or as the fog hangs over the earth late into the day.

Aug. 7. Saturday. The impact those beautiful sentences had on me last night has caused me to wake up before any roosters. Their effect stays with me like a scent, or like the fog that lingers over the ground late into the day.

The very locusts and crickets of a summer day are but later or older glosses on the Dherma Sástra of the Hindoos, a continuation of the sacred code.[256]

The locusts and crickets on a summer day are just later or older interpretations of the Dherma Sástra of the Hindus, a continuation of the sacred code.[256]

Aug. 9. It is vain to try to write unless you feel strong in the knees. 268

Aug. 9. It's pointless to try to write unless you feel steady on your feet. 268

Any book of great authority and genius seems to our imagination to permeate and pervade all space. Its spirit, like a more subtle ether, sweeps along with the prevailing winds of the country. Its influence conveys a new gloss to the meadows and the depths of the wood, and bathes the huckleberries on the hills, as sometimes a new influence in the sky washes in waves over the fields and seems to break on some invisible beach in the air. All things confirm it. It spends the mornings and the evenings.[257]

Any book of great authority and genius seems to fill every corner of our imagination. Its spirit, like a fine ether, flows along with the prevailing winds of the country. Its influence adds a fresh shine to the meadows and the depths of the woods, and washes over the huckleberries on the hills, just like a new influence in the sky rolls in waves over the fields and seems to crash on some invisible shore in the air. Everything affirms it. It occupies the mornings and the evenings.[257]

Everywhere the speech of Menu demands the widest apprehension and proceeds from the loftiest plateau of the soul. It is spoken unbendingly to its own level, and does not imply any contemporaneous speaker.

Everywhere the speech of Menu calls for the greatest understanding and comes from the highest point of the soul. It is delivered firmly at its own level and does not suggest any current speaker.

I read history as little critically as I consider the landscape, and am more interested in the atmospheric tints and various lights and shades which the intervening spaces create than in its groundwork and composition. It is the morning now turned evening and seen in the west,—the same sun, but a new light and atmosphere. Its beauty is like the sunset; not a fresco painting on a wall, flat and bounded, but atmospheric and roving, or free. But, in reality, history fluctuates as the face of the landscape from morning to evening. What is of moment in it is its hue and color. Time hides no treasures; we want not its then, but its now. We do not complain that the mountains in the horizon are blue and indistinct; they are the more like the heavens. 269

I read history as casually as I look at the landscape, and I'm more interested in the atmospheric colors and the different lights and shadows that the spaces between create than in its foundations and structure. It's morning now turned to evening and seen in the west—the same sun, but a new light and atmosphere. Its beauty is like a sunset; not a flat mural on a wall, but atmospheric and wandering, or free. However, in reality, history changes like the landscape from morning to evening. What matters most is its tone and color. Time doesn’t conceal any treasures; we don’t care about its then, but its now. We don’t complain that the mountains on the horizon are blue and blurry; they look even more like the sky. 269

Of what moment are facts that can be lost,—which need to be commemorated? The monument of death will outlast the memory of the dead. The Pyramids do not tell the tale confided to them. The living fact commemorates itself. Why look in the dark for light? Look in the light rather. Strictly speaking, the Societies have not recovered one fact from oblivion, but they themselves are instead of the fact that is lost. The researcher is more memorable than the researched. The crowd stood admiring the mist and the dim outline of the trees seen through it, and when one of their number advanced to explore the phenomenon, with fresh admiration all eyes were turned on his dimly retreating figure. Critical acumen is exerted in vain to uncover the past; the past cannot be presented; we cannot know what we are not. But one veil hangs over past, present, and future, and it is the province of the historian to find out, not what was, but what is. Where a battle has been fought, you will find nothing but the bones of men and beasts; where a battle is being fought, there are hearts beating. We will sit on a mound and muse, and not try to make these skeletons stand on their legs again. Does Nature remember, think you, that they were men, or not rather that they are bones?

What significance do facts have if they can be forgotten and need to be remembered? The monument of death will outlast the memory of those who died. The Pyramids don’t share the stories entrusted to them. The living fact takes care of its own remembrance. Why search in the dark for light? Look in the light instead. To be precise, the Societies haven't reclaimed any fact from oblivion; they themselves are what replaces the lost fact. The researcher is more memorable than the subject of research. The crowd admired the mist and the faint outline of the trees seen through it, and when one of them moved forward to investigate the phenomenon, everyone turned their gaze with renewed admiration to his fading figure. Critical insight is fruitless in trying to reveal the past; the past cannot be presented; we cannot know what we are not. But a single veil covers the past, present, and future, and it's the historian's job to discover not what was, but what is. Where a battle has taken place, you will find nothing but the bones of men and animals; where a battle is happening, there are hearts beating. We will sit on a mound and reflect, not attempt to make these skeletons stand up again. Do you think Nature remembers that they were men, or rather that they are bones?

Ancient history has an air of antiquity. It should be more modern. It is written as if the spectator should be thinking of the back side of the picture on the wall, as if the author expected the dead would be his readers, and wished to detail to them their own experience. Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works 270 behind, as they are battered down by the incroachments of time; but while they loiter, they and their works both fall a prey to the enemy.

Ancient history feels outdated. It should be more current. It reads as if the reader should be thinking about the back of a picture hanging on the wall, as if the author expected the dead to be his audience and wanted to recount their experiences to them. People seem eager to make a careful escape through the centuries, sincerely trying to rebuild what’s been lost, 270 while time keeps eroding it; but as they hesitate, both they and their work end up being vulnerable to the enemy.

Biography is liable to the same objection; it should be autobiography. Let us not leave ourselves empty that, so vexing our bowels, we may go abroad and be somebody else to explain him. If I am not I, who will be? As if it were to dispense justice to all. But the time has not come for that.[258]

Biography faces the same criticism; it should really be autobiography. Let’s not pretend to be someone else just to explain who we are. If I’m not myself, then who will be? As if it were meant to serve justice for everyone. But that time hasn’t arrived yet.[258]

Aug. 12. We take pleasure in beholding the form of a mountain in the horizon, as if by retiring to this distance we had then first conquered it by our vision, and were made privy to the design of the architect; so when we behold the shadow of our earth on the moon's disk. When we climb a mountain and observe the lesser irregularities, we do not give credit to the comprehensive and general intelligence which shaped them; but when we see the outline in the horizon, we confess that the hand which moulded those opposite slopes, making one balance the other, worked round a deep centre, and was privy to the plan of the universe. The smallest of nature's works fits the farthest and widest view, as if it had been referred in its bearings to every point in space.[259] It harmonizes with the horizon line and the orbits of the planets.

Aug. 12. We enjoy seeing the shape of a mountain on the horizon, as if by stepping back, we have just conquered it with our sight and gained insight into the architect's design; similarly, when we observe the Earth's shadow on the moon's surface. When we climb a mountain and notice the smaller irregularities, we don’t acknowledge the overall intelligence that shaped them; but when we see the outline on the horizon, we admit that the hand that formed those opposite slopes, creating a balance between them, worked from a profound center and understood the universe's plan. Even the smallest works of nature connect to the farthest and broadest view, as if their significance relates to every point in space. It aligns with the horizon line and the orbits of the planets.

Aug. 13. Friday. I have been in the swamp by Charles Miles's this afternoon, and found it so bosky and sylvan that Art would never have freedom or courage 271 to imitate it. It can never match the luxury and superfluity of Nature. In Art all is seen; she cannot afford concealed wealth, and in consequence is niggardly; but Nature, even when she is scant and thin outwardly, contents us still by the assurance of a certain generosity at the roots. Surely no stinted hand has been at work here for these centuries to produce these particular tints this summer. The double spruce attracts me here, which I had hardly noticed in the gardens, and now I understand why men try to make them grow about their houses.[260]

Aug. 13. Friday. I spent the afternoon in the swamp by Charles Miles's, and it was so lush and forested that Art would never have the freedom or courage to replicate it. It can never match the richness and abundance of Nature. In Art, everything is visible; it can’t hide its wealth, and as a result, it feels stingy. But Nature, even when it appears sparse and bare on the surface, still satisfies us with the promise of true generosity beneath. Clearly, no restrictive hand has been at work here for centuries to create these specific colors this summer. The double spruce catches my eye here, which I hardly noticed in the gardens, and now I see why people try to grow them around their homes.[260]

Nature has her luxurious and florid style as well as Art. Having a pilgrim's cup to make, she gives to the whole—stem, bowl, handle, and nose—some fantastic shape, as if it were to be the car of a fabulous marine deity,—a Nereus or Triton. She is mythical and mystical always, and spends her whole genius upon the least work.[261]

Nature has her own rich and vibrant style, just like Art. When creating a pilgrim's cup, she shapes the entire piece—stem, bowl, handle, and spout—into something fantastic, almost as if it's meant to be the vessel of a legendary sea god, like Nereus or Triton. She is always mythical and mystical, pouring her creativity into even the smallest details. [261]

Aug. 16. There is a double virtue in the sound that can wake an echo, as in the lowing of the cows this morning. Far out in the horizon that sound travels quite round the town, and invades each recess of the wood, advancing at a grand pace and with a sounding Eastern pomp.

Aug. 16. There’s something special about a sound that can create an echo, like the cows mooing this morning. That sound carries far across the horizon, circling the town and reaching every corner of the woods, moving forward with a grand rhythm and a striking presence.

Aug. 18. I sailed on the North River last night with 272 my flute, and my music was a tinkling stream which meandered with the river, and fell from note to note as a brook from rock to rock. I did not hear the strains after they had issued from the flute, but before they were breathed into it, for the original strain precedes the sound by as much as the echo follows after, and the rest is the perquisite of the rocks and trees and beasts.[262] Unpremeditated music is the true gauge which measures the current of our thoughts, the very undertow of our life's stream.

Aug. 18. Last night, I sailed on the North River with my flute, and my music flowed like a gentle stream, winding along with the river and moving from note to note like a brook hopping from rock to rock. I didn’t hear the notes after they came out of the flute, but before they were breathed into it, because the original melody comes before the sound just like the echo comes after, and everything else belongs to the rocks, trees, and animals. Unplanned music is the true measure of our thoughts, the real undercurrent of our life's journey.

Of all the duties of life it is hardest to be in earnest; it implies a good deal both before and behind. I sit here in the barn this flowing afternoon weather, while the school bell is ringing in the village, and find that all the things immediate to be done are very trivial. I could postpone them to hear this locust sing. The cockerels crow and the hens cluck in the yard as if time were dog-cheap. It seems something worth detaining time,—the laying of an egg. Cannot man do something to comfort the gods, and not let the world prove such a piddling concern? No doubt they would be glad to sell their shares at a large discount by this time. Eastern Railroad stock promises a better dividend. 273

Of all the responsibilities in life, being serious is the toughest; it demands a lot both in preparation and afterthought. I’m sitting here in the barn on this beautiful afternoon while the school bell rings in the village, and I realize that everything I need to do right now feels pretty insignificant. I could easily put those things off to listen to this locust sing. The roosters are crowing and the hens are clucking in the yard as if time is incredibly cheap. It seems like something worth pausing for— the laying of an egg. Can’t people do something to please the gods, rather than letting the world become such a minor issue? They’d probably be happy to sell their shares at a huge discount by now. Eastern Railroad stock seems to promise a better return. 273

The best poets, after all, exhibit only a tame and civil side of nature. They have not seen the west side of any mountain.

The best poets, after all, only show a gentle and polished side of nature. They haven't experienced the wild side of any mountain.

Day and night, mountain and wood, are visible from the wilderness as well as the village. They have their primeval aspects, sterner, savager than any poet has sung. It is only the white man's poetry. We want the Indian's report. Wordsworth is too tame for the Chippeway.[263]

Day and night, mountains and forests can be seen from both the wilderness and the village. They have their ancient qualities, harsher and wilder than any poet has described. It's just the white man's poetry. We want the Indian's perspective. Wordsworth is too mild for the Chippewa. [263]

The landscape contains a thousand dials which indicate the natural divisions of time; the shadows of a thousand styles point to the hour. The afternoon is now far advanced, and a fresh and leisurely wind is blowing on the river, causing long reaches of serene ripples. It has done its stent, and seems not to flow but lie at its length reflecting the light. The haze over the woods seems like the breath of all nature, rising from a myriad pores into the attenuated atmosphere.[264] It is sun smoke, the woof he has woven, his day's toil displayed.[265]

The landscape has a thousand dials showing the natural divisions of time; the shadows of a thousand styles point to the hour. The afternoon is well advanced, and a cool, gentle breeze is blowing over the river, creating long stretches of calm ripples. It has done its job and seems to lie still, reflecting the light. The haze over the woods looks like the breath of all nature, rising from countless pores into the thin atmosphere.[264] It's sun smoke, the fabric he has woven, his day's work on display.[265]

If I were awaked from a deep sleep, I should know which side the meridian the sun might be by the chirping of the crickets. Night has already insidiously set her foot in the valley in many places, where the shadows of the shrubs and fences begin to darken the landscape. There is a deeper shading in the colors of the afternoon landscape. Perhaps the forenoon is brighter than the afternoon, not only because of the greater transparency of the atmosphere then, but because we naturally look most into the west,—as we look forward into the day,—and so in the forenoon see the sunny side of things, but in the afternoon the shadow of every tree.

If I were to be woken from a deep sleep, I would know which way the sun was by the chirping of the crickets. Night has already quietly crept into the valley in many spots, where the shadows of the bushes and fences start to darken the scene. There’s a richer shade to the colors of the afternoon landscape. Maybe the morning is brighter than the afternoon, not just because the air is clearer then, but because we tend to look more toward the west—as we look ahead in the day—so in the morning we see the sunny side of everything, but in the afternoon we see the shadows of every tree.

What a drama of light and shadow from morning to night! Soon as the sun is over the meridian, in deep 274 ravines under the east side of the cliffs night forwardly plants her foot, and, as day retreats, steps into his trenches, till at length she sits in his citadel. For long time she skulks behind the needles of the pine, before she dares draw out her forces into the plain. Sun, moon, wind, and stars are the allies of one side or the other.[266]

What a drama of light and shadow from morning to night! As soon as the sun passes its highest point, in the deep ravines on the east side of the cliffs, night boldly plants its foot, and as day pulls back, it retreats into its trenches, until eventually it settles in its stronghold. For a long time, night hides behind the pine needles, before it feels ready to bring its forces into the open. The sun, moon, wind, and stars are allies for one side or the other.

How much will some officious men give to preserve an old book, of which perchance only a single [copy] exists, while a wise God is already giving, and will still give, infinitely more to get it destroyed!

How much will some overzealous people pay to keep an old book, of which there might only be one copy, while a wise God is already giving, and will continue to give, so much more to have it destroyed!

Aug. 20. Friday. It seems as if no cock lived so far in the horizon but a faint vibration reached me here, spread the wider over earth as the more distant.

Aug. 20. Friday. It feels like there’s no rooster anywhere on the horizon, but a faint sound reached me here, spreading further out over the earth as it becomes more distant.

In the morning the crickets snore, in the afternoon they chirp, at midnight they dream.

In the morning, the crickets snore; in the afternoon, they chirp; at midnight, they dream.

Aug. 24. Let us wander where we will, the universe is built round about us, and we are central still. By reason of this, if we look into the heavens, they are concave, and if we were to look into a gulf as bottomless, it would be concave also. The sky is curved downward to the earth in the horizon, because I stand in the plain. I draw down its skirts. The stars so low there seem loth to go away from me, but by a circuitous path to be remembering and returning to me.[267]

Aug. 24. Let us explore wherever we choose, the universe surrounds us, and we remain at the center. Because of this, when we gaze at the heavens, they appear concave, and if we were to look into a bottomless pit, it would look concave too. The sky curves downward toward the earth at the horizon, since I’m standing in the plain. I pull down its edges. The stars, being so low, seem reluctant to leave me, as if they take a winding path to remember and come back to me.[267]

Aug. 28. Saturday. A great poet will write for his peers alone, and indite no line to an inferior. He will 275 remember only that he saw truth and beauty from his position, and calmly expect the time when a vision as broad shall overlook the same field as freely.[268]

Aug. 28. Saturday. A great poet writes only for their peers and won’t write a single line for anyone less. They will 275 remember just that they perceived truth and beauty from their perspective and confidently anticipate the time when someone with a similarly broad vision will overlook the same field just as freely.[268]

Johnson can no more criticise Milton than the naked eye can criticise Herschel's map of the sun.

Johnson can no more criticize Milton than the naked eye can criticize Herschel's map of the sun.

The art which only gilds the surface and demands merely a superficial polish, without reaching to the core, is but varnish and filigree. But the work of genius is rough-hewn from the first, because it anticipates the lapse of time and has an ingrained polish, which still appears when fragments are broken off, an essential quality of its substance. Its beauty is its strength. It breaks with a lustre, and splits in cubes and diamonds. Like the diamond, it has only to be cut to be polished, and its surface is a window to its interior splendors.

The art that only covers the surface and requires just a little shine, without getting to the deeper meaning, is nothing more than varnish and decoration. But true genius is rough from the start because it understands how time will wear it away and has a natural shine that remains even when pieces are chipped off, a fundamental aspect of its essence. Its beauty is its strength. It shines when it breaks and splits into cubes and diamonds. Like a diamond, it just needs to be cut to be polished, and its surface acts as a window to its inner brilliance.

True verses are not counted on the poet's fingers, but on his heart-strings.

True verses aren't tallied on the poet's fingers, but on his heartstrings.

My life hath been the poem I would have writ,

My life has been the poem I would have written,

But I could not both live and live to utter it.[269]

But I couldn’t both live and speak it out loud.[269]

In the Hindoo scripture the idea of man is quite illimitable and sublime. There is nowhere a loftier conception of his destiny. He is at length lost in Brahma himself, "the divine male." Indeed, the distinction of races in this life is only the commencement of a series of degrees which ends in Brahma.

In Hindu scripture, the idea of humanity is boundless and profound. There isn’t a higher vision of our purpose. Ultimately, we are merged into Brahma himself, “the divine male.” In fact, the differences among races in this life are just the beginning of a series of levels that culminate in Brahma.

The veneration in which the Vedas are held is itself 276 a remarkable fact. Their code embraced the whole moral life of the Hindoo, and in such a case there is no other truth than sincerity. Truth is such by reference to the heart of man within, not to any standard without. There is no creed so false but faith can make it true.

The respect given to the Vedas is quite extraordinary. Their teachings cover every aspect of a person's moral life as a Hindu, and in this situation, there’s no truth other than sincerity. Truth is determined by what's in a person's heart, not by any external standard. There’s no belief so misguided that faith cannot validate it.

In inquiring into the origin and genuineness of this scripture it is impossible to tell when the divine agency in its composition ceased, and the human began. "From fire, from air, and from the sun" was it "milked out."

In exploring the origin and authenticity of this scripture, it's impossible to determine when the divine influence in its creation ended and human involvement began. "From fire, from air, and from the sun" was it "milked out."

There is no grander conception of creation anywhere. It is peaceful as a dream,[270] and so is the annihilation of the world. It is such a beginning and ending as the morning and evening, for they had learned that God's methods are not violent. It was such an awakening as might have been heralded by the faint dreaming chirp of the crickets before the dawn.

There’s no bigger idea of creation anywhere. It’s as peaceful as a dream, [270] and so is the end of the world. It’s a beginning and an ending like morning and evening, for they’ve realized that God’s ways aren’t harsh. It was an awakening that could have been announced by the soft, dreamy chirp of crickets before dawn.

The very indistinctness of its theogony implies a sublime truth. It does not allow the reader to rest in any supreme first cause, but directly hints of a supremer still which created the last. The creator is still behind, increate.[271] The divinity is so fleeting that its attributes are never expressed.

The vague nature of its creation story suggests a profound truth. It prevents the reader from settling on any ultimate first cause and instead suggests an even higher power that brought about the last. The creator remains behind, uncreated.[271] The divine presence is so ephemeral that its qualities are never truly defined.

Aug. 30. What is a day, if the day's work be not done? What are the divisions of time to them who have nothing to do? What is the present or the future to him who has no occasion for them, who does not create them by his industry? 277

Aug. 30. What is a day if you haven't accomplished anything? What do the divisions of time mean to someone with nothing to do? What are the present or the future for someone who doesn't need them and doesn't make them important through hard work? 277

It is now easy to apply to this ancient scripture such a catholic criticism as it will become the part of some future age to apply to the Christian,—wherein the design and idea which underlies it is considered, and not the narrow and partial fulfillment.

It is now easy to apply a broad critique to this ancient scripture, similar to what some future era will apply to Christianity—where the underlying design and idea are considered, rather than just the limited and specific fulfillment.

These verses are so eminently textual, that it seems as if those old sages had concentrated all their wisdom in little fascicles, of which future times were to be the commentary; as the light of this lower world is only the dissipated rays of the sun and stars.[272] They seem to have been uttered with a sober morning prescience, in the dawn of time.[273] There is a sort of holding back, or withdrawal of the full meaning, that the ages may follow after and explore the whole. The sentence opens unexpensively and almost unmeaningly, as the petals of a flower.[274]

These verses are so rich in meaning that it feels like those ancient wise ones packed all their knowledge into small bundles, leaving future generations to interpret them; just like the light we see around us is merely the scattered rays of the sun and stars.[272] They seem to have been spoken with a clear foresight at the beginning of time.[273] There's a sense of holding back or keeping the full meaning hidden, so that later generations can explore it fully. The statement starts off simply and even somewhat blandly, like the petals of a flower.[274]

To our nearsightedness this mere outward life seems a constituent part of us, and we do not realize that as our soul expands it will cast off the shell of routine and convention, which afterward will only be an object for the cabinets of the curious. But of this people the temples are now crumbled away, and we are introduced to the very hearth of Hindoo life and to the primeval conventicle where how to eat and to drink and to sleep were the questions to be decided.[275]

To our limited perspective, this simple, visible life feels like a fundamental part of who we are, and we fail to see that as our spirit grows, it will shed the constraints of routine and convention, which will eventually become relics for the inquisitive. But for this group, the temples have now fallen apart, and we are brought face-to-face with the very core of Hindu life and to the ancient gathering where the basics of eating, drinking, and sleeping were the matters at hand.[275]

The simple life herein described confers on us a degree of freedom even in the perusal. We throw down 278 our packs and go on our way unencumbered. Wants so easily and gracefully satisfied that they seem like a more refined pleasure and repleteness.[276]

The simple life described here gives us a sense of freedom, even while we read about it. We drop our bags and continue on our journey without any burdens. Our needs are met so effortlessly and elegantly that they feel like a more sophisticated pleasure and fulfillment.

Sept. 1. Wednesday. When I observe the effeminate taste of some of my contemporaries in this matter of poetry, and how hardly they bear with certain incongruities, I think if this age were consulted it would not choose granite to be the backbone of the world, but Bristol spar or Brazilian diamonds. But the verses which have consulted the refinements even of a golden age will be found weak and nerveless for an iron one. The poet is always such a Cincinnatus in literature as with republican simplicity to raise all to the chiefest honors of the state.

Sept. 1. Wednesday. When I see the overly delicate tastes of some people my age in poetry, and how they can’t handle certain contradictions, I think if this era had a say, it wouldn't choose granite to be the foundation of the world, but rather Bristol spar or Brazilian diamonds. However, verses that have been polished even by the refinements of a golden age will seem weak and feeble for an iron one. The poet is always like a Cincinnatus in literature, simply lifting everything to the highest honors of the state.

Each generation thinks to inhabit only a west end of the world, and have intercourse with a refined and civilized Nature, not conceiving of her broad equality and republicanism. They think her aristocratic and exclusive because their own estates are narrow. But the sun indifferently selects his rhymes, and with a liberal taste weaves into his verse the planet and the stubble.[277]

Each generation believes it only lives in a part of the world and interacts with a sophisticated and civilized Nature, failing to recognize her vast equality and democratic essence. They see her as elitist and exclusive because their own land is limited. Yet the sun freely chooses its subjects, and with an open-minded style, includes both the planet and the harvest in its poetry.[277]

Let us know and conform only to the fashions of eternity.

Let us know and follow only the trends of forever.

The very austerity of these Hindoos is tempting to the devotional as a more refined and nobler luxury.[278] They seem to have indulged themselves with a certain moderation and temperance in the severities which their 279 code requires, as divine exercises not to be excessively used as yet. One may discover the root of a Hindoo religion in his own private history, when, in the silent intervals of the day or the night, he does sometimes inflict on himself like austerities with a stern satisfaction.

The strictness of these Hindus is appealing to those who are devoted, almost like a more refined and noble luxury.[278] They seem to practice a certain moderation and self-control in the harshness that their 279 code demands, viewing these as divine practices that shouldn't be overdone. One can find the roots of Hindu spirituality in their personal experiences, when, during the quiet moments of day or night, they occasionally impose similar strictness on themselves with a sense of stern satisfaction.

The "Laws of Menu" are a manual of private devotion, so private and domestic and yet so public and universal a word as is not spoken in the parlor or pulpit in these days.[279] It is so impersonal that it exercises our sincerity more than any other. It goes with us into the yard and into the chamber, and is yet later spoken than the advice of our mother and sisters.[280]

The "Laws of Menu" are a guide for personal devotion, so personal and homey yet so public and universal that it's not mentioned in living rooms or churches these days.[279] It's so neutral that it challenges our honesty more than anything else. It follows us into the yard and into our rooms, and is still shared more openly than the advice from our mothers and sisters.[280]

Sept. 2. Thursday. There is but one obligation, and that is the obligation to obey the highest dictate. None can lay me under another which will supersede this. The gods have given me these years without any incumbrance; society has no mortgage on them. If any man assist me in the way of the world, let him derive satisfaction from the deed itself, for I think I never shall have dissolved my prior obligations to God. Kindness repaid is thereby annulled. I would let his deed lie as fair and generous as it was intended. The truly beneficent never relapses into a creditor; his great kindness is still extended to me and is never done. Of those noble deeds which have me for their object I am only the most fortunate spectator, and would rather be the abettor of their nobleness than stay their tide with the obstructions of impatient gratitude. As true as action and reaction are equal, that nobleness which was as wide as the 280 universe will rebound not on him the individual, but on the world. If any have been kind to me, what more do they want? I cannot make them richer than they are. If they have not been kind, they cannot take from me the privilege which they have not improved. My obligations will be my lightest load, for that gratitude which is of kindred stuff in me, expanding every pore, will easily sustain the pressure. We walk the freest through the air we breathe.

Sept. 2. Thursday. There’s only one obligation, and that’s the obligation to follow the highest calling. No one can impose another obligation on me that would take precedence over this. The universe has given me these years free of burdens; society has no claim on them. If someone helps me in navigating the world, they should find satisfaction in the act itself, because I believe I will never fully repay my obligations to God. Kindness given back cancels itself out. I’d rather let their good deed remain as fair and generous as it was meant to be. Truly generous people never become creditors; their great kindness continues to extend to me, and it never runs out. Of those noble acts that aim at me, I’m simply the luckiest bystander, and I’d prefer to support their greatness rather than hinder it with impatient gratitude. Just as action and reaction are equal, that vast nobility will not bounce back to the individual but will serve the whole world. If someone has been kind to me, what more could they want? I can’t make them richer than they already are. If they haven't been kind, they can't take away the privilege they never used. My obligations will be my lightest burden, as that gratitude, which is part of me and fills every pore, will easily bear the weight. We walk the freest through the air we breathe.

The sublime sentences of Menu carry us back to a time when purification and sacrifice and self-devotion had a place in the faith of men, and were not as now a superstition. They contain a subtle and refined philosophy also, such as in these times is not accompanied with so lofty and pure a devotion.

The beautiful words of Menu take us back to a time when purification, sacrifice, and self-devotion mattered in people's beliefs, rather than being viewed as mere superstitions like they are now. They also embody a delicate and sophisticated philosophy that today is not matched by such high and pure devotion.

I saw a green meadow in the midst of the woods to-day which looked as if Dame Nature had set her foot there, and it had bloomed in consequence. It was the print of her moccasin.

I saw a green meadow in the middle of the woods today that looked like Mother Nature had stepped there, and it had bloomed as a result. It was the mark of her moccasin.

Sometimes my thought rustles in midsummer as if ripe for the fall.[281] I anticipate the russet hues and the dry scent of autumn, as the feverish man dreams of balm and sage.

Sometimes my thoughts stir in the middle of summer as if they're ready for fall.[281] I look forward to the reddish colors and the dry smell of autumn, just like someone who's feverish dreams of relief and comfort.

I was informed to-day that no Hindoo tyranny presided at the framing of the world,—that I am a freeman of the universe, and not sentenced to any caste.[282] 281

I was informed today that no Hindu oppression was involved in the creation of the world—that I am a free person in the universe and not bound to any caste.[282] 281

When I write verses I serve my thoughts as I do tumblers; I rap them to see if they will ring.

When I write poetry, I treat my ideas like glasses; I tap them to see if they resonate.

Sept. 3. Friday. Next to Nature, it seems as if man's actions were the most natural, they so gently accord with her. The small seines of flax or hemp stretched across the shallow and transparent parts of the river are no more intrusion than the cobweb in the sun. It is very slight and refined outrage at most. I stay my boat in mid-current and look down in the running water to see the civil meshes of his nets, and wonder how the blustering people of the town could have done this elvish work. The twine looks like a new river-weed and is to the river like a beautiful memento of man, man's presence in nature discovered as silently and delicately as Robinson discovered that there [were] savages on his island by a footprint in the sand.[283]

Sept. 3. Friday. Next to Nature, it seems like human actions are the most natural, so harmoniously do they fit with her. The small nets of flax or hemp stretched across the shallow, clear parts of the river are no more intrusive than a spiderweb in the sunlight. It's hardly even a minor offense. I pause my boat in the middle of the current and look down at the flowing water to see the elegant patterns of his nets, and I wonder how the loud townspeople could have created such delicate work. The twine looks like new river weeds and serves the river as a lovely reminder of mankind, a subtle acknowledgment of human presence in nature, just as Robinson discovered the existence of savages on his island by finding a footprint in the sand.[283]

Moonlight is the best restorer of antiquity. The houses in the village have a classical elegance as of the best days of Greece, and this half-finished church reminds me of the Parthenon, or whatever is most famous and excellent in art.[284] So serene it stands, reflecting the moon, and intercepting the stars with its rafters, as if it were refreshed by the dews of the night equally with me. By day Mr. Hosmer, but by night Vitruvius rather. If it were always to stand in this mild and sombre light it would be finished already. It is in progress by day but completed by night, and already its 282 designer is an old master. The projecting rafter so carelessly left on the tower, holding its single way through the sky, is quite architectural, and in the unnecessary length of the joists and flooring of the staging around the walls there is an artistic superfluity and grace. In these fantastic lines described upon the sky there is no trifling or conceit. Indeed, the staging for the most part is the only genuine native architecture and deserves to stand longer than the building it surrounds. In this obscurity there are no fresh colors to offend, and the light and shade of evening adorn the new equally with the old.

Moonlight is the best way to restore the past. The houses in the village have a classic elegance reminiscent of the golden days of Greece, and this half-finished church makes me think of the Parthenon or anything else that is famous and brilliant in art.[284] It stands so peacefully, reflecting the moon and catching the stars with its beams, as if it is rejuvenated by the night’s dew just like I am. By day it’s Mr. Hosmer, but by night it transforms into Vitruvius. If it could always be bathed in this gentle and muted light, it would already be complete. It's a work in progress by day but finished by night, and its designer is already considered an old master. The overhanging rafter left casually on the tower, making its way into the sky, is quite architectural, and in the excessive length of the joists and flooring of the staging around the walls, there’s an artistic surplus and elegance. In these whimsical lines drawn against the sky, there’s no triviality or pretense. In fact, the staging is mostly the only genuine local architecture and deserves to remain longer than the building it encircles. In this dimness, there are no bright colors to clash, and the light and shadows of evening enhance both the new and the old equally.

Sept. 4. Saturday. I think I could write a poem to be called "Concord." For argument I should have the River, the Woods, the Ponds, the Hills, the Fields, the Swamps and Meadows, the Streets and Buildings, and the Villagers. Then Morning, Noon, and Evening, Spring, Summer, Autumn, and Winter, Night, Indian Summer, and the Mountains in the Horizon.

Sept. 4. Saturday. I think I could write a poem called "Concord." For the argument, I'd include the River, the Woods, the Ponds, the Hills, the Fields, the Swamps and Meadows, the Streets and Buildings, and the Villagers. Then Morning, Noon, and Evening, Spring, Summer, Autumn, and Winter, Night, Indian Summer, and the Mountains on the Horizon.

A book should be so true as to be intimate and familiar to all men, as the sun to their faces,—such a word as is occasionally uttered to a companion in the woods in summer, and both are silent.

A book should be so genuine that it feels personal and relatable to everyone, like the sun on their faces—like a word spoken quietly to a friend in the woods during summer, with both of them in silence.

As I pass along the streets of the village on the day of our annual fair, when the leaves strew the ground, I see how the trees keep just such a holiday all the year. The lively spirits of their sap mount higher than any plowboy's let loose that day. A walk in the autumn woods, when, with serene courage, they are preparing for their 283 winter campaign, if you have an ear for the rustling of their camp or an eye for the glancing of their armor, is more inspiring than the Greek or Peninsular war.[285] Any grandeur may find society as great as itself in the forest.

As I walk through the village streets on the day of our annual fair, with leaves scattered on the ground, I notice how the trees seem to celebrate this holiday all year round. The energy of their sap rises higher than any plowboy's excitement on this day. A stroll through the autumn woods, where they confidently prepare for their winter challenge, can be more uplifting than any Greek or Peninsular war, if you can listen to the rustling of their camps or catch a glimpse of their shimmering armor. In the forest, any grandeur can find companionship as great as itself.

Pond Hill.—I see yonder some men in a boat, which floats buoyantly amid the reflections of the trees, like a feather poised in mid-air, or a leaf wafted gently from its twig to the water without turning over. They seem very delicately to have availed themselves of the natural laws, and their floating there looks like a beautiful and successful experiment in philosophy. It reminds me how much more refined and noble the life of man might be made, how its whole economy might be as beautiful as a Tuscan villa,[286]—a new and more catholic art, the art of life, which should have its impassioned devotees and make the schools of Greece and Rome to be deserted.

Pond Hill.—I see over there some guys in a boat, floating gracefully among the reflections of the trees, like a feather hanging in the air or a leaf gently drifting from its twig to the water without flipping over. They seem to have skillfully used the natural laws, and their floating there looks like a beautiful and successful experiment in philosophy. It reminds me of how much more refined and noble human life could be, how its whole way of life could be as beautiful as a Tuscan villa,[286]—a new and broader art, the art of living, which should have its passionate followers and make the schools of Greece and Rome seem deserted.

Sept. 5. Saturday. Barn.

Sept. 5. Saturday. Barn.

Greater is the depth of sadness

Greater is the depth of sadness

Than is any height of gladness.

Than is any height of gladness.

I cannot read much of the best poetry in prose or verse without feeling that it is a partial and exaggerated plaint, rarely a carol as free as Nature's. That content which the sun shines for between morning and evening is unsung. The Muse solaces herself; she is not delighted but consoled.[287] But there are times when we feel a vigor in our limbs, and our thoughts are like a 284 flowing morning light, and the stream of our life without reflection shows long reaches of serene ripples. And if we were to sing at such an hour, there would be no catastrophe contemplated in our verse, no tragic element in it,[288] nor yet a comic. For the life of the gods is not in any sense dramatic, nor can be the subject of the drama; it is epic without beginning or end, an eternal interlude without plot,—not subordinate one part to another, but supreme as a whole, at once leaf and flower and fruit. At present the highest strain is Hebraic. The church bell is the tone of all religious thought, the most musical that men consent to sing. In the youth of poetry, men love to praise the lark and the morning, but they soon forsake the dews and skies for the nightingale and evening shades. Without instituting a wider comparison I might say that in Homer there is more of the innocence and serenity of youth than in the more modern and moral poets. The Iliad is not Sabbath but morning reading, and men cling to this old song, because they have still moments of unbaptized and uncommitted life which give them an appetite for more. There is no cant in him, as there is no religion. We read him with a rare sense of freedom and irresponsibleness, as though we trod on native ground, and were autochthones of the soil.[289]

I can’t read much of the best poetry, whether it's in prose or verse, without feeling that it’s a one-sided and exaggerated complaint, rarely as joyful as Nature’s own songs. The content that the sun shines on from morning to evening goes unsung. The Muse finds comfort; she is not thrilled but reassured. But there are moments when we feel a vitality in our bodies, and our thoughts are like flowing morning light, and the course of our life, without reflection, reveals long stretches of calm ripples. If we were to sing at such a time, there would be no disaster imagined in our verse, no tragic element in it, nor a comedic one either. The life of the gods isn’t in any sense dramatic, nor can it be the subject of a drama; it is epic without a beginning or an end, an eternal interlude without a plot—not one part subordinate to another but supreme as a whole, both leaf and flower and fruit. Right now, the highest tone is Hebraic. The church bell is the sound of all religious thought, the most musical that people agree to sing. In the early days of poetry, people love to praise the lark and the morning, but they soon abandon the dew and skies for the nightingale and evening shadows. Without making a broader comparison, I could say that in Homer, there’s more innocence and calm of youth than in more modern and moral poets. The Iliad is not for the Sabbath but for morning reading, and people hold onto this old song because they still have moments of unbaptized and uncommitted life that makes them crave more. There’s no pretense in him, just as there is no religion. We read him with a rare sense of freedom and lack of responsibility, as if we’re walking on native ground, as if we’re natives of the soil.

Through the fogs of this distant vale we look back and upward to the source of song, whose crystal stream still ripples and gleams in the clear atmosphere of the mountain's side. 285

Through the mists of this far-off valley, we look back and up to the source of the melody, whose clear stream still flows and sparkles in the fresh air by the mountain. 285

Some hours seem not to be occasion for anything, unless for great resolves to draw breath and repose in, so religiously do we postpone all action therein. We do not straight go about to execute our thrilling purpose, but shut our doors behind us, and saunter with prepared mind, as if the half were already done.[290]

Some hours feel like they don't offer any opportunity for action, except for making strong decisions to take a breath and relax, as we carefully avoid doing anything during those times. We don't immediately jump into taking exciting actions but instead close our doors and stroll around with a focused mindset, as if we've already completed half the work.[290]

Sometimes a day serves only to hold time together.[291]

Sometimes a day is just there to hold time together.[291]

Sept. 12. Sunday.

Sept. 12, Sunday.

Where I have been

Where I've been

There was none seen.

None were seen.

Sept. 14. No bravery is to be named with that which can face its own deeds.

Sept. 14. No courage can compare to that which can confront its own actions.

In religion there is no society.

In religion, there is no community.

Do not dissect a man till he is dead.

Do not cut open a man until he's dead.

Love does not analyze its object.

Love doesn't analyze what it loves.

We do not know the number of muscles in a caterpillar dead; much less the faculties of a man living.

We don't know how many muscles a dead caterpillar has; even less do we understand the abilities of a living person.

You must believe that I know before you can tell me.

You have to believe that I know before you can tell me.

To the highest communication I can make no reply; I lend only a silent ear. 286

To the greatest communication, I have no response; I only offer a silent ear. 286

Sept. 18. Saturday. Barn.—It is a great event, the hearing of a bell ring in one of the neighboring towns, particularly in the night. It excites in me an unusual hilarity, and I feel that I am in season wholly and enjoy a prime and leisure hour.

Sept. 18. Saturday. Barn.—Hearing a bell ring in one of the nearby towns, especially at night, is a significant event. It brings me an unexpected joy, and I feel completely in sync with the moment, enjoying a perfect and leisurely hour.

Sept. 20. Monday. Visited Sampson Wilder of Boston. His method of setting out peach trees is as follows:—

Sept. 20. Monday. Visited Sampson Wilder of Boston. His way of planting peach trees is as follows:—

Dig a hole six feet square and two deep, and remove the earth; cover the bottom to the depth of six inches with lime and ashes in equal proportions, and upon this spread another layer of equal thickness, of horn parings, tips of horns, bones, and the like, then fill up with a compost of sod and strong animal manure, say four bushels of hog manure to a cartload of sod. Cover the tree—which should be budded at two years old—but slightly, and at the end of two years dig a trench round it three feet from the tree and six inches deep, and fill it with lime and ashes.

Dig a hole that's six feet wide and two feet deep, and take out the dirt; cover the bottom with six inches of a mix of lime and ashes in equal parts. On top of that, spread another layer that’s also six inches thick, made up of horn scraps, tips of horns, bones, and similar materials. Then fill it up with a mix of sod and strong animal manure, using about four bushels of pig manure for every cartload of sod. Cover the tree—which should be grafted at two years old—just a little bit, and after two years, dig a trench around it three feet away from the tree and six inches deep, then fill it with lime and ashes.

For grapes:—

For grapes:—

Let your trench be twelve feet wide and four deep, cover the bottom with paving-stones six inches, then old bricks with mortar attached or loose six inches more, then beef-bones, horns, etc., six more (Captain Bobadil), then a compost similar to the preceding. Set your roots one foot from the north side, the trench running east and west, and bury eight feet of the vine crosswise the trench, not more than eight inches below the surface. Cut it down for three or four years, that root may accumulate, and then train it from the sun up an inclined plane. 287

Make your trench twelve feet wide and four feet deep. Cover the bottom with six inches of paving stones, then add old bricks with mortar, whether attached or loose, for another six inches. Next, place beef bones, horns, and similar materials for another six inches (Captain Bobadil), followed by a compost that’s similar to the previous layer. Position your roots one foot from the north side, with the trench running east to west, and bury eight feet of the vine crosswise in the trench, no more than eight inches below the surface. Trim it back for three or four years to let the root grow, and then train it toward the sun up an inclined plane. 287

Sept. 28. Tuesday. I anticipate the coming in of spring as a child does the approach of some pomp through a gate of the city.

Sept. 28. Tuesday. I look forward to spring's arrival like a kid anticipating a grand parade through the city gate.

Sept. 30.

Sep 30.

Better wait

Better to wait

Than be too late.[292]

Better late than never.__A_TAG_PLACEHOLDER_0__

Nov. 29. Cambridge.—One must fight his way, after a fashion, even in the most civil and polite society. The most truly kind and gracious have to be won by a sort of valor, for the seeds of suspicion seem to lurk in every spadeful of earth, as well as those of confidence. The president and librarian turn the cold shoulder to your application, though they are known for benevolent persons. They wonder if you can be anything but a thief, contemplating frauds on the library. It is the instinctive and salutary principle of self-defense; that which makes the cat show her talons when you take her by the paw.[293]

Nov. 29. Cambridge.—One has to fight their way, in a sense, even in the politest of societies. Even the kindest and most gracious need to be approached with a certain bravery, because seeds of suspicion seem to hide in every bit of ground, along with seeds of trust. The president and librarian may ignore your application, even though they are known to be generous people. They wonder if you might just be a thief, plotting to commit fraud against the library. This is an instinctive and protective principle; it’s what makes a cat show its claws when you grab its paw.[293]

Certainly that valor which can open the hearts of men is superior to that which can only open the gates of cities.[294]

Certainly, the courage that can touch people's hearts is greater than the courage that can only break down the walls of cities.[294]

You must always let people see that they serve themselves 288 more than you,—not by your ingratitude, but by sympathy and congratulation.

You should always let people know that they benefit more from serving themselves than from serving you—not through your lack of appreciation, but through your support and praise. 288

The twenty-first volume of Chalmers's English Poets contains Hoole's and Mickle's Translations. In the shape of a note to the Seventh Book of the Lusiad, Mickle has written a long "Inquiry into the Religious Tenets and Philosophy of the Bramins."

The twenty-first volume of Chalmers's English Poets contains Hoole's and Mickle's translations. Included as a note to the Seventh Book of the Lusiad, Mickle has written a lengthy "Inquiry into the Religious Beliefs and Philosophy of the Bramins."

Nov. 30. Tuesday. Cambridge.—When looking over the dry and dusty volumes of the English poets, I cannot believe that those fresh and fair creations I had imagined are contained in them. English poetry from Gower down, collected into one alcove, and so from the library window compared with the commonest nature, seems very mean. Poetry cannot breathe in the scholar's atmosphere. The Aubreys and Hickeses, with all their learning, prophane it yet indirectly by their zeal. You need not envy his feelings who for the first time has cornered up poetry in an alcove. I can hardly be serious with myself when I remember that I have come to Cambridge after poetry; and while I am running over the catalogue and collating and selecting, I think if it would not be a shorter way to a complete volume to step at once into the field or wood, with a very low reverence to students and librarians. Milton did not foresee what company he was to fall into.[295] On running over the titles of these books, looking from time to time at their first pages or farther, I am oppressed by an inevitable sadness. One must have come into a 289 library by an oriel window, as softly and undisturbed as the light which falls on the books through a stained window, and not by the librarian's door, else all his dreams will vanish. Can the Valhalla be warmed by steam and go by clock and bell?

Nov. 30. Tuesday. Cambridge.—As I sift through the dry and dusty collections of English poets, I can't believe that the vibrant and beautiful creations I imagined are actually in these books. English poetry, from Gower onward, piled up in one corner, looks quite dull compared to the simplest aspects of nature when viewed from the library window. Poetry can't thrive in the scholarly environment. The Aubreys and Hickeses, despite their extensive knowledge, taint it indirectly with their eagerness. You shouldn't envy someone who has managed to confine poetry to a corner. I struggle to stay serious with myself, recalling that I've come to Cambridge in search of poetry; while I browse through the catalog, collating and selecting, I wonder if it might be quicker to head straight into the fields or woods, with a humble nod to students and librarians. Milton had no idea what kind of company he would end up with.[295] As I scan the titles of these books, occasionally peeking at their first pages or deeper, a heavy sadness weighs on me. One should enter a library through a bay window, as quietly and gently as the light that spills onto the books from a stained glass window, rather than through the librarian's door, or else all his dreams will fade. Can Valhalla be warmed by steam and operated by clock and bell?

Good poetry seems so simple and natural a thing that when we meet it we wonder that all men are not always poets. Poetry is nothing but healthy speech. Though the speech of the poet goes to the heart of things, yet he is that one especially who speaks civilly to Nature as a second person and in some sense is the patron of the world. Though more than any he stands in the midst of Nature, yet more than any he can stand aloof from her. The best lines, perhaps, only suggest to me that that man simply saw or heard or felt what seems the commonest fact in my experience.

Good poetry feels so simple and natural that when we come across it, we wonder why everyone isn’t a poet. Poetry is just healthy communication. Although a poet’s words get to the heart of things, he is the one who speaks respectfully to Nature as if it were a second person and, in some ways, is its advocate. Even though he is deeply connected to Nature, he can also distance himself from it more than anyone else. The best lines may only imply that the poet simply saw, heard, or felt what seems like the most ordinary truth in my experience.

One will know how to appreciate Chaucer best who has come down to him the natural way through the very meagre pastures of Saxon and ante-Chaucerian poetry. So human and wise he seems after such diet that we are as liable to misjudge him so as usually.[296]

One will appreciate Chaucer best if they have naturally progressed through the sparse fields of Saxon and pre-Chaucerian poetry. After such a background, he appears so human and wise that we’re just as likely to misjudge him as we usually do.[296]

The Saxon poetry extant seems of a more serious and philosophical cast than the very earliest that can be called English. It has more thought, but less music. It translates Boëthius, it paraphrases the Hebrew Bible, it solemnly sings of war, of life and death, and chronicles events. The earliest English poetry is tinctured with romance through the influence of the Normans, as the Saxon was not. The ballad and metrical romance 290 belong to this period. Those old singers were for the most part imitators or translators.[297] Or will it not appear, when viewed at a sufficient distance, that our brave new poets are also secondary as they, and refer the eye that reads them and their poetry, too, back and backward without end?

The existing Saxon poetry feels more serious and philosophical compared to the earliest works that can be called English. It has deeper ideas but less musicality. It translates Boethius, paraphrases the Hebrew Bible, solemnly sings of war, life and death, and recounts events. The earliest English poetry was influenced by the Normans, giving it a romantic tint that Saxon poetry lacks. The ballad and metrical romance 290 belong to this period. Most of those old singers were imitators or translators. [297] Or does it not seem, when looked at from a distance, that our bold new poets are also secondhand like they were, leading readers of their poetry back and back without end?

Nothing is so attractive and unceasingly curious as character. There is no plant that needs such tender treatment, there is none that will endure so rough. It is the violet and the oak. It is the thing we mean, let us say what we will. We mean our own character, or we mean yours. It is divine and related to the heavens, as the earth is by the flashes of the Aurora. It has no acquaintance nor companion. It goes silent and unobserved longer than any planet in space, but when at length it does show itself, it seems like the flowering of all the world, and its before unseen orbit is lit up like the trail of a meteor. I hear no good news ever but some trait of a noble character. It reproaches me plaintively. I am mean in contrast, but again am thrilled and elevated that I can see my own meanness, and again still, that my own aspiration is realized in that other. You reach me, my friend, not by your kind or wise words to me here or there; but as you retreat, perhaps after years of vain familiarity, some gesture or unconscious action in the distance speaks to me with more emphasis than all those years. I am not concerned to know what eighth planet is wandering in space up there, or when Venus or Orion rises, 291 but if, in any cot to east or west and set behind the woods, there is any planetary character illuminating the earth.

Nothing is more appealing and endlessly intriguing than character. No plant requires such gentle care, and none can withstand such harsh treatment. It’s like the violet and the oak. It’s what we refer to, no matter how we phrase it. We’re talking about our own character, or yours. It’s divine and linked to the heavens, much like the earth is illuminated by the flashes of the Aurora. It has no friends or companions. It remains silent and unnoticed longer than any planet in space, but when it finally reveals itself, it seems like the blooming of the entire world, and its previously unseen path lights up like a meteor's trail. I never hear good news without some trait of admirable character. It makes me feel small in comparison, yet it also excites and uplifts me because I can see my own shortcomings, and more so, that my own aspirations are fulfilled in that other person. You connect with me, my friend, not through your kind or wise words here or there; but as you step back, perhaps after years of unproductive familiarity, some gesture or unconscious act from a distance speaks to me more powerfully than all those years combined. I’m not really interested in knowing what the eighth planet is doing up there in space, or when Venus or Orion rises, 291 but whether there is any planetary character shining down on the earth in some cottage to the east or west, hidden behind the woods.

Packed in my mind lie all the clothes

Packed in my mind are all the clothes

Which outward nature wears,

Which outward appearance shows,

For, as its hourly fashions change,

For, as its hourly trends change,

It all things else repairs.

It repairs all other things.

My eyes look inward, not without,

My eyes look within, not outward,

And I but hear myself,

And I only hear myself,

And this new wealth which I have got

And this new wealth that I've acquired

Is part of my own pelf.

Is part of my own wealth.

For while I look for change abroad,

For while I seek change outside,

I can no difference find,

I can't find any difference.

Till some new ray of peace uncalled

Till some new ray of peace unexpectedly

Lumines my inmost mind,

Light up my deepest thoughts,

As, when the sun streams through the wood,

As the sun shines through the forest,

Upon a winter's morn,

On a winter morning,

Where'er his silent beams may stray

Wherever his quiet beams may wander

The murky night is gone.

The dark night is gone.

How could the patient pine have known

How could the patient pine have known

The morning breeze would come,

The morning breeze would arrive,

Or simple flowers anticipate

Or simple flowers wait

The insect's noonday hum,

The insect's midday buzz,

Till that new light with morning cheer

Till that new light with morning cheer

From far streamed through the aisles, 292

From afar, it flowed through the aisles, 292

And nimbly told the forest trees

And quickly told the forest trees

For many stretching miles?[298]

For many miles? __A_TAG_PLACEHOLDER_0__

[Dec.] 12. Sunday. All music is only a sweet striving to express character. Now that lately I have heard of some traits in the character of a fair and earnest maiden whom I had only known superficially, but who has gone hence to make herself more known by distance, they sound like strains of a wild harp music. They make all persons and places who had thus forgotten her to seem late and behindhand. Every maiden conceals a fairer flower and more luscious fruit than any calyx in the field, and if she go with averted face, confiding in her own purity and high resolves, she will make the heavens retrospective, and all nature will humbly confess its queen.[299]

[Dec.] 12. Sunday. All music is just a beautiful attempt to express personality. Recently, I've learned about some qualities of a kind and sincere young woman whom I only knew on the surface, but who's now gone to make herself better known from afar. These qualities resonate like the notes of wild harp music. They make everyone and everything that had forgotten her seem outdated and slow to realize her value. Every young woman hides a more beautiful flower and sweeter fruit than anything found in the field, and when she walks away with her head held high, trusting in her own purity and strong convictions, she makes the heavens look back, and all of nature will humbly recognize her as its queen.[299]

There is apology enough for all the deficiency and shortcoming in the world in the patient waiting of any bud of character to unfold itself.

There's plenty of reason to forgive all the flaws and shortcomings in the world in the patient waiting for any bud of character to bloom.

Only character can command our reverent love. It is all mysteries in itself.

Only character can earn our deep admiration. It holds all mysteries within itself.

What is it gilds the trees and clouds

What is it that coats the trees and clouds in gold?

And paints the heavens so gay,

And colors the sky so bright,

But yonder fast-abiding light

But that enduring light

With its unchanging ray? 293

With its constant light? 293

I've felt within my inmost soul

I've felt deep within my soul

Such cheerful morning news,

Such great morning news,

In the horizon of my mind

In the back of my mind

I've seen such morning hues,

I've seen such morning colors,

As in the twilight of the dawn,

As in the early light of dawn,

When the first birds awake,

When the first birds chirp,

Is heard within some silent wood

Is heard in a quiet forest

Where they the small twigs break;

Where the small sticks break;

Or in the eastern skies is seen

Or in the eastern skies, it can be seen

Before the sun appears,

Before sunrise,

Foretelling of the summer heats

Prediction of summer heat

Which far away he bears.

Where he goes far away.

P. M. Walden.—I seem to discern the very form of the wind when, blowing over the hills, it falls in broad flakes upon the surface of the pond, this subtle element obeying the same law with the least subtle. As it falls it spreads itself like a mass of lead dropped upon an anvil. I cannot help being encouraged by this blithe activity in the elements in these degenerate days of men. Who hears the rippling of the rivers will not utterly despair of anything. The wind in the wood yonder sounds like an incessant waterfall, the water dashing and roaring among rocks.

P. M. Walden.—I can almost see the shape of the wind as it blows over the hills and lands in wide flakes on the pond's surface, this delicate force following the same rules as the heavier ones. When it falls, it spreads out like a heavy mass dropped onto an anvil. I can't help but feel uplifted by this lively movement in the elements during these troubled times for humanity. Anyone who hears the rivers ripple won’t completely lose hope. The wind in the woods over there sounds like a never-ending waterfall, with water crashing and roaring among the rocks.

[Dec.] 13. Monday. We constantly anticipate repose. Yet it surely can only be the repose that is in entire and healthy activity. It must be a repose without rust. What is leisure but opportunity for more complete and 294 entire action? Our energies pine for exercise. That time we spend in our duties is so much leisure, so that there is no man but has sufficient of it.

[Dec.] 13. Monday. We always look forward to rest. But it really can only be the kind of rest that comes from being fully and healthily active. It should be a rest that doesn't let us become dull. What is leisure if not a chance for more complete and 294 total action? Our energies crave movement. The time we spend on our responsibilities is actually a form of leisure, so everyone has enough of it.

I make my own time, I make my own terms. I cannot see how God or Nature can ever get the start of me.

I set my own schedule and my own rules. I can't understand how God or Nature could ever get ahead of me.

This ancient Scotch poetry, at which its contemporaries so marvelled, sounds like the uncertain lisping of a child. When man's speech flows freest it but stutters and stammers. There is never a free and clear deliverance; but, read now when the illusion of smooth verse is destroyed by the antique spelling, the sense is seen to stammer and stumble all the plainer. To how few thoughts do all these sincere efforts give utterance! An hour's conversation with these men would have done more. I am astonished to find how meagre that diet is which has fed so many men. The music of sound, which is all-sufficient at first, is speedily lost, and then the fame of the poet must rest on the music of the sense. A great philosophical and moral poet would give permanence to the language by making the best sound convey the best sense.

This old Scotch poetry, which amazed its contemporaries, feels like the unsure mumbling of a child. Even when a person speaks most freely, their words still hesitates and falters. There’s never a clear and smooth expression; but when you read it now, with the old spelling breaking the illusion of flowing verse, the meaning is even more likely to stumble and trip up. How few ideas do all these honest efforts actually express! An hour’s chat with these men would have been more effective. I’m shocked to realize how little substance there is in what has inspired so many. The beauty of the sound captivates at first but quickly fades, and then the poet’s reputation relies on the clarity of their ideas. A truly great philosophical and moral poet would make the language last by ensuring that the best sounds convey the best meanings.

[Dec.] 14. Tuesday. To hear the sunset described by the old Scotch poet Douglas, as I have seen it, repays me for many weary pages of antiquated Scotch. Nothing so restores and humanizes antiquity and makes it blithe as the discovery of some natural sympathy between it and the present. Why is it that there is something melancholy in antiquity? We forget that it had any other future than our present. As if it were not as 295 near to the future as ourselves! No, thank heavens, these ranks of men to right and left, posterity and ancestry, are not to be thridded by any earnest mortal. The heavens stood over the heads of our ancestors as near as to us. Any living word in their books abolishes the difference of time. It need only be considered from the present standpoint.

[Dec.] 14. Tuesday. Hearing the sunset described by the old Scottish poet Douglas, as I’ve experienced it, makes up for many tedious pages of outdated Scottish. Nothing restores and humanizes the past and makes it cheerful like discovering some natural connection between it and today. Why does antiquity feel so melancholic? We forget that it had any other future besides our present. As if it weren’t as 295 close to the future as we are! No, thank goodness, these groups of men to our right and left, posterity and ancestry, cannot be traversed by any earnest person. The heavens hovered over the heads of our ancestors just as close as they do to us. Any living word in their books eliminates the difference of time. It just needs to be viewed from the present perspective.

[Dec.] 15. Wednesday. A mild summer sun shines over forest and lake. The earth looks as fair this morning as the Valhalla of the gods. Indeed our spirits never go beyond nature. In the woods there is an inexpressible happiness. Their mirth is but just repressed. In winter, when there is but one green leaf for many rods, what warm content is in them! They are not rude, but tender, even in the severest cold. Their nakedness is their defense. All their sounds and sights are elixir to my spirit. They possess a divine health. God is not more well. Every sound is inspiriting and fraught with the same mysterious assurance, from the creaking of the boughs in January to the soft sough of the wind in July.

[Dec.] 15. Wednesday. A gentle summer sun shines over the forest and lake. The earth looks as beautiful this morning as the Valhalla of the gods. Truly, our spirits are always in tune with nature. In the woods, there is an indescribable happiness. Their joy is only slightly held back. In winter, when there's just one green leaf for many yards, what warmth they bring! They’re not harsh, but gentle, even in the harshest cold. Their bare branches are their protection. All their sounds and sights are a tonic for my soul. They embody a divine vitality. God is not healthier. Every sound is uplifting and filled with that same mysterious reassurance, from the creaking of the branches in January to the soft whisper of the wind in July.

How much of my well-being, think you, depends on the condition of my lungs and stomach,—such cheap pieces of Nature as they, which, indeed, she is every day reproducing with prodigality. Is the arrow indeed fatal which rankles in the breast of the bird on the bough, in whose eye all this fair landscape is reflected, and whose voice still echoes through the wood?

How much of my well-being, do you think, relies on the state of my lungs and stomach—such simple parts of nature that she produces so abundantly every day? Is the arrow truly deadly that pierces the breast of the bird on the branch, in whose eye this beautiful landscape is mirrored, and whose song still resonates through the woods?

The trees have come down to the bank to see the river go by. This old, familiar river is renewed each instant; 296 only the channel is the same.[300] The water which so calmly reflects the fleeting clouds and the primeval trees I have never seen before. It may have washed some distant shore, or framed a glacier or iceberg at the north, when I last stood here. Seen through a mild atmosphere, the works of the husbandman, his plowing and reaping, have a beauty to the beholder which the laborer never sees.[301]

The trees have come down to the riverbank to watch the water flow by. This old, familiar river is refreshed every moment; 296 only the riverbed remains the same.[300] The water, which quietly reflects the passing clouds and ancient trees, feels new to me. It might have touched a distant shore or framed a glacier or iceberg up north when I last stood here. Seen in a gentle atmosphere, the farmer's work—plowing and harvesting—has a beauty that the laborer never notices.[301]

I seem to see somewhat more of my own kith and kin in the lichens on the rocks than in any books. It does seem as if mine were a peculiarly wild nature, which so yearns toward all wildness. I know of no redeeming qualities in me but a sincere love for some things, and when I am reproved I have to fall back on to this ground.[302] This is my argument in reserve for all cases. My love is invulnerable. Meet me on that ground, and you will find me strong. When I am condemned, and condemn myself utterly, I think straightway, "But I rely on my love for some things." Therein I am whole and entire. Therein I am God-propped.

I feel like I see more of my own family in the lichens on the rocks than in any books. It really seems like I have a particularly wild nature that craves wildness. I don't think I have any redeeming qualities except a genuine love for certain things, and when I'm criticized, I have to lean on that. This is my backup argument for all situations. My love is unbreakable. If you meet me on that ground, you'll find me strong. When I'm judged, and I judge myself harshly, I immediately think, "But I rely on my love for certain things." That's where I feel whole and complete. That's what keeps me grounded.

When I see the smoke curling up through the woods from some farmhouse invisible, it is more suggestive of the poetry of rural and domestic life than a nearer inspection can be. Up goes the smoke as quietly as the dew exhales in vapor from these pine leaves and oaks; as busy, disposing itself in circles and in wreaths, as the housewife on the hearth below. It is cotemporary with a piece of human biography, and waves as a feather in some man's cap. Under that rod of sky there is some 297 plot a-brewing, some ingenuity has planted itself, and we shall see what it will do. It tattles of more things than the boiling of the pot. It is but one of man's breaths. All that is interesting in history or fiction is transpiring beneath that cloud. The subject of all life and death, of happiness and grief, goes thereunder.

When I notice the smoke curling up through the woods from a hidden farmhouse, it conveys more about the beauty of rural and home life than a closer look could reveal. The smoke rises as quietly as the dew evaporates from these pine needles and oaks; it busily forms circles and swirls, just like the housewife working at the hearth below. It exists alongside a part of someone's life story and flutters like a feather in a man's cap. Beneath that stretch of sky, there’s some plot developing, an idea taking root, and we’ll see what comes of it. It hints at more than just what’s cooking in a pot. It’s just one of man's breaths. Everything fascinating in history or fiction is happening beneath that cloud. The essence of life and death, of joy and sorrow, unfolds there.

Winter Landscape from Fair Haven Hill

Winter Landscape from Fair Haven Hill

When the traveller in the forest, attaining to some eminence, descries a column of smoke in the distance, it is a very gentle hint to him of the presence of man. It seems as if it would establish friendly relations between them without more ado.[303]

When a traveler in the forest reaches a high point and sees a column of smoke in the distance, it serves as a subtle reminder of human presence. It feels as though it could create a friendly connection between them without any further effort.[303]

[Dec.] 18. Saturday. Some men make their due impression upon their generation, because a petty occasion is enough to call forth all their energies; but are there not others who would rise to much higher levels, whom the world has never provoked to make the effort? I believe there are men now living who have never opened their mouths in a public assembly, in whom nevertheless there is such a well of eloquence that the appetite of any age could never exhaust it; who pine for an occasion worthy of them, and will pine till they are dead; who can admire, as well as the rest, at the flowing speech of the orator, but do yet miss the thunder and lightning and visible sympathy of the elements which would garnish their own utterance.

[Dec.] 18. Saturday. Some men make their mark on their time because even a small opportunity can inspire them to give it their all; but aren’t there others who could achieve much greater things if the world had ever pushed them to try? I believe there are men alive today who have never spoken in a public gathering, yet within them is a deep well of eloquence that any age could never deplete; they long for a chance that truly fits them, and will long for it until they die; they can appreciate, just like everyone else, the smooth words of the speaker, but they still lack the thunder and lightning and visible passion that would enhance their own expression.

If in any strait I see a man fluttered and his ballast gone, then I lose all hope of him, he is undone; but if he reposes still, though he do nothing else worthy of him, if he is still a man in reserve, then is there everything 298 to hope of him. The age may well go pine itself that it cannot put to use this gift of the gods. He lives on, still unconcerned, not needing to be used. The greatest occasion will be the slowest to come.

If I see a man in a tough spot, struggling and losing his grip, I completely lose hope for him; he's finished. But if he remains calm, even if he's not doing anything impressive, if he still has potential, then there's still plenty to hope for. 298 It’s a shame that the world can’t figure out how to use this gift from the gods. He goes on, relaxed and not needing to prove himself. The biggest opportunities usually take the longest to arrive.

Sometimes a particular body of men do unconsciously assert that their will is fate, that the right is decided by their fiat without appeal, and when this is the case they can never be mistaken; as when one man is quite silenced by the thrilling eloquence of another, and submits to be neglected as to his fate, because such is not the willful vote of the assembly, but their instinctive decision.

Sometimes a specific group of people unconsciously claims that their will is destiny, that what is right is determined by their decree with no chance for debate, and when this happens, they can never be wrong; like when one person is completely silenced by the powerful speech of another and accepts being overlooked regarding their fate, because it's not the deliberate choice of the group, but rather their instinctive judgment.

Dec. 23. Thursday. Concord.—The best man's spirit makes a fearful sprite to haunt his tomb. The ghost of a priest is no better than that of a highwayman. It is pleasant to hear of one who has blest whole regions after his death by having frequented them while alive, who has prophaned or tabooed no place by being buried in it.[304] It adds not a little to the fame of Little John that his grave was long "celebrous for the yielding of excellent whetstones."[305]

Dec. 23. Thursday. Concord.—The best man's spirit creates a terrifying ghost that haunts his grave. The ghost of a priest is just as unremarkable as that of a robber. It's nice to hear about someone who has blessed entire areas after their death simply because they visited them while alive, who has neither cursed nor desecrated any place by being buried there.[304] It adds to the legend of Little John that his grave was long known for producing excellent whetstones.[305]

A forest is in all mythologies a sacred place, as the oaks among the Druids and the grove of Egeria; and even in more familiar and common life a celebrated wood is spoken of with respect, as "Barnsdale Wood" 299 and "Sherwood." Had Robin Hood no Sherwood to resort [to], it would be difficult to invest his story with the charms it has got. It is always the tale that is untold, the deeds done and the life lived in the unexplored secrecy of the wood, that charm us and make us children again,—to read his ballads, and hear of the greenwood tree.

A forest is considered a sacred place in all mythologies, just like the oaks among the Druids and the grove of Egeria; even in our everyday lives, a well-known wood is talked about with reverence, like "Barnsdale Wood" and "Sherwood." If Robin Hood didn't have Sherwood to escape to, it would be hard to give his story the magic it has. It's always the untold story, the actions taken and the life lived in the unexplored mystery of the woods, that captivates us and makes us feel like children again—to read his ballads and hear about the greenwood tree. 299

Dec. 24. Friday. I want to go soon and live away by the pond, where I shall hear only the wind whispering among the reeds. It will be success if I shall have left myself behind. But my friends ask what I will do when I get there. Will it not be employment enough to watch the progress of the seasons?[306]

Dec. 24. Friday. I want to go soon and live by the pond, where I’ll only hear the wind rustling through the reeds. It’ll be a success if I can leave my old self behind. But my friends ask what I’ll do when I get there. Isn’t it enough to just watch the changes in the seasons?[306]

Dec. 25. Saturday. It does seem as if Nature did for a long time gently overlook the prophanity of man. The wood still kindly echoes the strokes of the axe, and when the strokes are few and seldom, they add a new charm to a walk. All the elements strive to naturalize the sound.[307]

Dec. 25. Saturday. It really feels like Nature has, for a long time, gently ignored the disrespectful behavior of humans. The forest still warmly resonates with the sound of the axe, and when those sounds are rare and infrequent, they bring a fresh appeal to a stroll. All the elements work to naturalize the sound.[307]

Such is our sympathy with the seasons that we experience the same degree of heat in the winter as in the summer.

Such is our connection with the seasons that we feel the same level of warmth in winter as we do in summer.

It is not a true apology for any coarseness to say that it is natural. The grim woods can afford to be very delicate and perfect in the details.

It’s not really an apology for any rudeness to say that it’s just human nature. The dark woods can still be incredibly delicate and perfect in the details.

I don't want to feel as if my life were a sojourn any longer. That philosophy cannot be true which so paints it. It is time now that I begin to live. 300

I don't want to feel like my life is just a temporary journey anymore. That way of thinking can't be right. It's time for me to start really living. 300

Dec. 26. Sunday. He is the rich man and enjoys the fruits of riches, who, summer and winter forever, can find delight in the contemplation of his soul. I could look as unweariedly up to that cope as into the heavens of a summer day or a winter night. When I hear this bell ring, I am carried back to years and Sabbaths when I was newer and more innocent, I fear, than now, and it seems to me as if there were a world within a world. Sin, I am sure, is not in overt acts or, indeed, in acts of any kind, but is in proportion to the time which has come behind us and displaced eternity,—that degree to which our elements are mixed with the elements of the world. The whole duty of life is contained in the question how to respire and aspire both at once.

Dec. 26. Sunday. He is the wealthy person who truly enjoys the benefits of wealth, someone who can find joy in reflecting on his soul, no matter the season. I can gaze at that sky as endlessly as I can at the heavens on a summer day or a winter night. When I hear this bell ring, I’m transported back to years and Sundays when I was, I fear, more innocent than I am now, and it feels like there’s a world within a world. Sin, I believe, isn't just about obvious actions or even actions of any kind, but is based on how much time has passed and how it has pushed eternity aside—how much our essence is intertwined with the world's essence. The entire purpose of life revolves around the question of how to breathe in and strive for more at the same time.

Dec. 29. Wednesday. One does not soon learn the trade of life. That one may work out a true life requires more art and delicate skill than any other work. There is need of the nice fingers of the girl as well as the tough hand of the farmer. The daily work is too often toughening the pericarp of the heart as well as the hand. Great familiarity with the world must be nicely managed, lest it win away and bereave us of some susceptibility. Experience bereaves us of our innocence; wisdom bereaves us of our ignorance. Let us walk in the world without learning its ways. Whole weeks or months of my summer life slide away in thin volumes like mist or smoke, till at length some warm morning, perchance, I see a sheet of mist blown down the brook to the swamp, its shadow flitting across the fields, which have caught a new significance from that accident; and as that 301 vapor is raised above the earth, so shall the next weeks be elevated above the plane of the actual;[308] or when the setting sun slants across the pastures, and the cows low to my inward ear and only enhance the stillness, and the eve is as the dawn, a beginning hour and not a final one, as if it would never have done, with its clear western amber inciting men to lives of as limpid purity. Then do other parts of my day's work shine than I had thought at noon, for I discover the real purport of my toil, as, when the husbandman has reached the end of the furrow and looks back, he can best tell where the pressed earth shines most.[309]

Dec. 29. Wednesday. You don’t quickly figure out the tricks of living. To truly create a meaningful life takes more skill and finesse than any other job. You need the delicate touch of a young woman as well as the strong hands of a farmer. Daily life often hardens not just our hands but also the heart. To know the world really well requires careful handling, or else it may strip away some of our sensitivity. Experience takes away our innocence; wisdom takes away our ignorance. Let’s move through life without adopting its ways. Weeks or months of my summer fade away like thin clouds or smoke, until one warm morning I notice a patch of mist being carried down the stream to the swamp, its shadow gliding over the fields, which suddenly take on new meaning because of that moment; and just as that vapor rises from the ground, so will the coming weeks rise above the ordinary; or when the setting sun casts its glow over the meadows, and the cows moo softly in my mind, only deepening the quietness, and the evening feels as fresh as the dawn, a time of beginnings rather than endings, as if it would never stop, with its clear amber light encouraging people to live with such purity. Then, other aspects of my day’s work shine brighter than I realized at noon, because I discover the true purpose of my labor, just like a farmer who, after finishing a row, can best see where the soil glistens the most. [309]

All true greatness runs as level a course, and is as unaspiring, as the plow in the furrow. It wears the homeliest dress and speaks the homeliest language. Its theme is gossamer and dew lines, johnswort and loosestrife, for it has never stirred from its repose and is most ignorant of foreign parts. Heaven is the inmost place. The good have not to travel far. What cheer may we not derive from the thought that our courses do not diverge, and we wend not asunder, but as the web of destiny is woven it [is] fulled, and we are cast more and more into the centre! And our fates even are social.[310] There is no wisdom which can take [the] place of humanity, and I find that in old Chaucer that love rings longest which rhymes best with some saw of Milton's or Edmunds's. I wish I could be as still as God is. I can recall to my mind the stillest summer hour, 302 in which the grasshopper sings over the mulleins, and there is a valor in that time the memory of which is armor that can laugh at any blow of fortune. A man should go out [of] nature with the chirp of the cricket or the trill of the veery ringing in his ear. These earthly sounds should only die away for a season, as the strains of the harp rise and swell. Death is that expressive pause in the music of the blast.[311] I would be as clean as ye, O woods. I shall not rest till I be as innocent as you. I know that I shall sooner or later attain to an unspotted innocence, for when I consider that state even now I am thrilled.

All true greatness follows a steady path and is as humble as a plow in a field. It wears simple clothes and speaks in everyday language. Its themes are delicate and ordinary things, like morning dew and wildflowers, because it’s never left its peaceful spot and knows little of the outside world. Heaven is found deep within. The good don’t have to travel far. What joy can we gain from knowing that our paths don’t split, and we don’t drift apart, but as the threads of fate are woven, we are drawn more and more into the center! Our destinies are intertwined. There’s no wisdom better than humanity, and I find, like old Chaucer, that love lasts longest when it resonates with some saying from Milton or Edmund. I wish I could be as serene as God. I can remember the quietest summer moment, 302 when the grasshopper sings over the mulleins, and there’s a courage in that time whose memory serves as armor against any misfortune. A person should step out of nature with the chirping of crickets or the trill of the veery in their ears. These earthly sounds should only fade for a while, like the music of a harp rising and falling. Death is that significant pause in the symphony of life. [311] I want to be as pure as you, O woods. I won’t rest until I am as innocent as you are. I know that I will eventually achieve this flawless innocence, because just thinking about it now excites me.

If we were wise enough, we should see to what virtue we were indebted for any happier moment we might have, nor doubt we had earned this at some time.

If we were smart enough, we would recognize which virtue we owe for any happier moment we experience, and we shouldn’t doubt that we earned it at some point.

These motions everywhere in nature must surely [be] the circulations of God. The flowing sail, the running stream, the waving tree, the roving wind,—whence else their infinite health and freedom?[312] I can see nothing so proper and holy as unrelaxed play and frolic in this bower God has built for us. The suspicion of sin never comes to this thought. Oh, if men felt this they would never build temples even of marble or diamond, but it would be sacrilege and prophane, but disport them forever in this paradise.

These movements happening all around us in nature must surely be the circulations of God. The flowing sail, the rushing stream, the swaying tree, the drifting wind—where else could their endless health and freedom come from?[312] I can’t see anything as fitting and sacred as uninterrupted play and fun in this garden God has created for us. The thought of sin doesn’t even enter this idea. Oh, if people truly understood this, they would never construct temples, even if they were made of marble or diamond, because that would be a desecration and disrespectful; instead, they would play here in this paradise forever.

In the coldest day it melts somewhere.

In the coldest day, it melts somewhere.

It seems as if only one trait, one little incident in human biography, need to be said or written in some era, that all readers may go mad after it, and the man who did the miracle is made a demigod henceforth. 303 What we all do, not one can tell; and when some lucky speaker utters a truth of our experience and not of our speculation, we think he must have had the nine Muses and the three Graces to help him. I can at length stretch me when I come to Chaucer's breadth; and I think, "Well, I could be that man's acquaintance,"[313] for he walked in that low and retired way that I do, and was not too good to live. I am grieved when they hint of any unmanly submissions he may have made, for that subtracts from his breadth and humanity.

It seems that all it takes is one trait, one small event in someone’s life, for everyone to go crazy about it, and the person who achieved this becomes a demigod from that point on. 303 No one can explain what we all do; when some fortunate speaker shares a truth from our experience rather than from mere speculation, we think they must have had the nine Muses and the three Graces helping them. I can finally relax when I reach Chaucer's level; and I think, "Well, I could be that man's friend,"[313] because he lived in that humble and low-key way that I do, and wasn't too superior to just exist. It bothers me when they suggest any unmanly compromises he may have made, because that takes away from his depth and humanity.

Dec. 30. Thursday. I admire Chaucer for a sturdy English wit. The easy height he speaks from in his Prologue to the Canterbury Tales is as good as anything in it,—as if he were indeed better than any of the company there assembled.[314]

Dec. 30. Thursday. I admire Chaucer for his strong English humor. The effortless elevation he writes from in his Prologue to the Canterbury Tales is just as impressive as anything in it—it's as if he truly stands out above everyone else in that gathering. [314]

The poet does not have to go out of himself and cease to tattle of his domestic affairs, to win our confidence, but is so broad that we see no limits to his sympathy.

The poet doesn't need to step outside himself or stop sharing his personal life to gain our trust; instead, he is so open that we see no boundaries to his understanding.

Great delicacy and gentleness of character is constantly displayed in Chaucer's verse. The simplest and humblest words come readily to his lips. The natural innocence of the man appears in the simple and pure spirit in which "The Prioresses Tale" is conceived, in which the child sings O alma redemptoris mater, and in the account of the departure of Custance with her child upon the sea, in "The Man of Lawes Tale."[315] The whole story of Chanticleer and Dame Partlet in "The Nonnes Preestes Tale" is genuine humanity. I know 304 nothing better in its kind. The poets seem to be only more frank and plain-spoken than other men. Their verse is but confessions. They always confide in the reader, and speak privily with him, keeping nothing back.[316]

Chaucer's poetry constantly showcases his delicate and gentle character. He effortlessly uses the simplest and most humble words. His natural innocence shines through in the straightforward and pure spirit of "The Prioress's Tale," where the child sings O Mother of Redeeming Soul, and in the story of Custance leaving with her child at sea in "The Man of Law's Tale."[315] The entire tale of Chanticleer and Dame Partlet in "The Nun's Priest's Tale" reflects genuine humanity. I can't think of anything better in its category. Poets seem to be more candid and straightforward than others. Their verses are just confessions. They always open up to the reader and share intimately, holding nothing back.[316]

I know of no safe rule by which to judge of the purity of a former age but that I see that the impure of the present age are not apt to rise to noble sentiments when they speak or write, and suspect, therefore, that there may be more truth than is allowed in the apology that such was the manner of the age.[317]

I don't know of any reliable way to judge the purity of the past, except to observe that the impure people of today don’t tend to express noble feelings when they speak or write. Because of this, I suspect there might be more truth in the excuse that this was just how things were back then. [317]

Within the circuit of this plodding life,

Within the routine of this slow-paced life,

There are moments of an azure hue

There are moments of a blue color.

And as unspotted fair as is the violet

And as pure and beautiful as the violet

Or anemone, when the spring strews them

Or anemone, when spring scatters them

By some south woodside; which make untrue

By some south woodside; which make untrue

The best philosophy which has so poor an aim

The best philosophy that has such a low aim

But to console man for his grievance here.

But to comfort man for his complaint here.

I have remembered when the winter came,

I remember when winter came,

High in my chamber in the frosty nights,

High in my room on the chilly nights,

How in the summer past some

How in the past summer some

Unrecorded beam slanted across

Unrecorded beam angled across

Some upland pasture where the Johnswort grew,

Some highland pasture where the Johnswort grew,

Or heard, amidst the verdure of my mind, the bee's
long-smothered hum,

Or heard, among the greenery of my mind, the bee's
long-silenced buzz,

So by the cheap economy of God made rich to go upon
my wintry work again.

So through God's simple generosity, I was able to get back to my winter work.

In the still, cheerful cold of winter nights,

In the quiet, bright chill of winter nights,

When, in the cold light of the moon, 305

When, in the bright light of the moon, 305

On every twig and rail and jutting spout

On every branch, railing, and protruding spout

The icy spears are doubling their length

The icy spikes are getting twice as long.

Against the glancing arrows of the sun,

Against the rays of the sun,

And the shrunk wheels creak along the way,

And the worn-out wheels squeak as they move along the path,

Some summer accident long past

An old summer accident

Of lakelet gleaming in the July beams,

Of the small lake shining in the July sunlight,

Or hum of bee under the blue flag,

Or the hum of a bee under the blue flag,

Loitering in the meads, or busy rill

Loitering in the meadows, or by the busy stream

which now stands dumb and still,

which now stands silent and motionless,

its own memorial, purling at its play along the slopes,

its own memorial, flowing playfully along the slopes,

and through the meadows next, till that its sound was

and through the meadows next, until its sound was

quenched in the staid current of its parent stream.

quenched in the calm flow of its main river.

In memory is the more reality. I have seen how the furrows shone but late upturned, and where the fieldfare followed in the rear, when all the fields stood bound and hoar beneath a thick integument of snow.[318]

In memory, there is more reality. I've watched how the furrows glimmered after being turned late, and where the fieldfare trailed behind, while all the fields lay frozen and covered beneath a heavy blanket of snow.[318]

When the snow is falling thick and fast, the flakes nearest you seem to be driving straight to the ground, while the more distant seem to float in the air in a quivering bank, like feathers, or like birds at play, and not as if sent on any errand. So, at a little distance, all the works of Nature proceed with sport and frolic. They are more in the eye and less in the deed.

When the snow is falling heavily, the flakes closest to you look like they're heading straight for the ground, while the ones farther away appear to be hovering in the air, dancing around like feathers or playful birds, rather than having any specific purpose. So, from a bit of a distance, all of Nature's creations seem to be having fun and playing around. They are more about what you see than what they're actually doing.

Dec. 31. Friday. Books of natural history make the most cheerful winter reading. I read in Audubon with a thrill of delight, when the snow covers the ground, of the magnolia, and the Florida keys, and their warm sea breezes; of the fence-rail, and the cotton-tree, and 306 the migrations of the rice-bird; or of the breaking up of winter in Labrador. I seem to hear the melting of the snow on the forks of the Missouri as I read. I imbibe some portion of health from these reminiscences of luxuriant nature.

Dec. 31. Friday. Natural history books make for the most enjoyable winter reading. I find myself thrilled with joy as I read Audubon, imagining the snow-covered ground, the magnolia trees, the Florida keys, and their warm sea breezes; the fence-rail, the cotton-tree, and 306 the migrations of the rice-bird; or the end of winter in Labrador. I can almost hear the snow melting along the forks of the Missouri as I read. These memories of lush nature seem to give me a boost of health.

There is a singular health for me in those words Labrador and East Main which no desponding creed recognizes. How much more than federal are these States! If there were no other vicissitudes but the seasons, with their attendant and consequent changes, our interest would never flag. Much more is a-doing than Congress wots of in the winter season. What journal do the persimmon and buckeye keep, or the sharp-shinned hawk? What is transpiring from summer to winter in the Carolinas, and the Great Pine Forest, and the Valley of the Mohawk? The merely political aspect of the land is never very cheering. Men are degraded when considered as the members of a political organization. As a nation the people never utter one great and healthy word. From this side all nations present only the symptoms of disease. I see but Bunker's Hill and Sing Sing, the District of Columbia and Sullivan's Island, with a few avenues connecting them. But paltry are all these beside one blast of the east or south wind which blows over them all.

There’s a unique sense of health for me in those words, Labrador and East Main, that no gloomy belief acknowledges. These States are so much more than just a federal entity! Even if the only changes we experienced were the seasons and their accompanying shifts, our interest would never fade. There’s a lot more happening than Congress knows about during the winter months. What do the persimmon and buckeye witness, or the sharp-shinned hawk? What unfolds from summer to winter in the Carolinas, the Great Pine Forest, and the Valley of the Mohawk? The purely political view of the land is rarely uplifting. People lose their dignity when seen only as parts of a political structure. As a nation, people never express one meaningful and uplifting idea. From this perspective, all nations only show signs of illness. I only see Bunker's Hill and Sing Sing, the District of Columbia and Sullivan's Island, with just a few paths connecting them. But all of this is insignificant compared to one gust of the east or south wind that sweeps over them all.

In society you will not find health, but in nature. You must converse much with the field and woods, if you would imbibe such health into your mind and spirit as you covet for your body. Society is always diseased, and the best is the sickest. There is no scent in it so wholesome as that of the pines, nor any fragrance so 307 penetrating and restorative as that of everlasting in high pastures. Without that our feet at least stood in the midst of nature, all our faces would be pale and livid.

In society, you won’t find true health; it exists in nature. You need to spend a lot of time in the fields and woods if you want to soak up the kind of health for your mind and spirit that you desire for your body. Society is always struggling with sickness, and its best members are often the sickest. There is no scent as refreshing as that of the pines, nor any fragrance as deeply healing as that of wildflowers in high meadows. Without at least being grounded in nature, all our faces would be pale and lifeless.

I should like to keep some book of natural history always by me as a sort of elixir, the reading of which would restore the tone of my system and secure me true and cheerful views of life. For to the sick, nature is sick, but to the well, a fountain of health. To the soul that contemplates some trait of natural beauty no harm nor disappointment can come. The doctrines of despair, of spiritual or political servitude, no priestcraft nor tyranny, was ever [sic] taught by such as drank in the harmony of nature.[319] 308

I would like to always have a book on natural history with me, like a kind of elixir, so that reading it would restore my spirits and give me a positive perspective on life. For those who are unwell, nature seems unwell, but for the healthy, it is a source of wellness. To a soul that appreciates the beauty of nature, nothing harmful or disappointing can happen. The ideas of despair, of spiritual or political oppression, were never taught by those who embrace the harmony of nature.[319]308

VI
1842
(ÆT. 24-25)

Jan. 1. Virtue is the deed of the bravest. It is that art which demands the greatest confidence and fearlessness. Only some hardy soul ventures upon it. Virtue is a bravery so hardy that it deals in what it has no experience in. The virtuous soul possesses a fortitude and hardihood which not the grenadier nor pioneer can match. It never shrunk. It goes singing to its work. Effort is its relaxation. The rude pioneer work of this world has been done by the most devoted worshippers of beauty.[320] Their resolution has possessed a keener edge than the soldier's. In winter is their campaign; they never go into quarters. They are elastic under the heaviest burden, under the extremest physical suffering.

Jan. 1. Virtue is the action of the bravest. It's an art that requires the greatest confidence and fearlessness. Only a strong individual dares to embrace it. Virtue is a bravery so strong that it engages in things it has no prior experience with. The virtuous person has a resilience and boldness that no soldier or trailblazer can match. It never backs down. It approaches its work with a song in its heart. Effort is its form of relaxation. The tough work of this world has been accomplished by the most dedicated lovers of beauty.[320] Their determination has a sharper edge than that of any soldier. Their battle is in winter; they never take a break. They remain strong under the heaviest loads and extreme physical pain.

Methinks good courage will not flag here on the Atlantic border as long as we are outflanked by the Fur Countries. There is enough in that sound to cheer one under any circumstances. The spruce, the hemlock, and the pine will not countenance despair. Methinks some creeds in vestries and churches do forget the hunter wrapped in furs by the Great Slave Lake, or how the Esquimaux sledges are drawn by dogs, and in the twilight of the northern night the hunter does not give over to follow the seal and walrus over the 309 ice. These men are sick and of diseased imaginations who would toll the world's knell so soon. Cannot these sedentary sects do better than prepare the shrouds and write the epitaphs of those other busy living men? The practical faith of men belies the preacher's consolation. This is the creed of the hypochondriac.[321]

I believe good courage won't fade here on the Atlantic border as long as we’re overshadowed by the Fur Countries. There’s enough in that sound to uplift anyone in any situation. The spruce, hemlock, and pine won’t accept despair. I think some beliefs in vestries and churches forget about the hunter wrapped in furs by the Great Slave Lake, or how the Inuit sleds are pulled by dogs, and in the twilight of the northern night, the hunter doesn’t stop chasing the seal and walrus across the 309 ice. Those who would toll the world's end so soon are sick and have distorted minds. Can’t these settled groups do better than prepare shrouds and write the epitaphs for other busy living people? The practical faith of men contradicts the preacher’s comfort. This is the belief of the hypochondriac.[321]

There is no infidelity so great as that which prays, and keeps the Sabbath, and founds churches. The sealer of the South Pacific preaches a truer doctrine. The church is the hospital for men's souls, but the reflection that he may one day occupy a ward in it should not discourage the cheerful labors of the able-bodied man. Let him remember the sick in their extremities, but not look thither as to his goal.[322]

There’s no betrayal as significant as the kind that prays, observes the Sabbath, and builds churches. The preacher of the South Pacific teaches a more honest message. The church serves as a hospital for people’s souls, but the thought that he might one day be a patient there shouldn’t dampen the positive efforts of a healthy person. He should keep in mind those who are suffering in their hardest times, but not see that as his final destination.[322]

Jan. 2. Sunday. The ringing of the church bell is a much more melodious sound than any that is heard within the church. All great values are thus public, and undulate like sound through the atmosphere. Wealth cannot purchase any great private solace or convenience. Riches are only the means of sociality. I will depend on the extravagance of my neighbors for my luxuries, for they will take care to pamper me if I will be overfed. The poor man who sacrificed nothing for the gratification seems to derive a safer and more natural enjoyment from his neighbor's extravagance than he does himself. It is a new natural product, from the contemplation of which he derives new vigor and solace as from a natural phenomenon. 310

Jan. 2. Sunday. The sound of the church bell is much more beautiful than anything you hear inside the church. All important values are shared and resonate through the air like sound. Wealth can't buy any real personal comfort or convenience. Money is just a way to foster social connections. I’ll rely on my neighbors’ extravagance for my luxuries, since they will make sure to spoil me if I indulge. The poor man who gives up nothing for pleasure seems to find a greater and more genuine enjoyment from his neighbor's extravagance than from his own. It's like a new natural experience, from which he gains fresh energy and comfort, just like he would from a natural event. 310

In moments of quiet and leisure my thoughts are more apt to revert to some natural than any human relation.

In quiet moments and during my free time, I'm more likely to think about a natural connection than any human relationship.

Chaucer's sincere sorrow in his latter days for the grossness of his earlier works, and that he "cannot recall and annul" what he had "written of the base and filthy love of men towards women; but alas they are now continued from man to man," says he, "and I cannot do what I desire," is all very creditable to his character.

Chaucer's genuine regret in his later years for the crudeness of his earlier works, and that he "cannot take back and erase" what he had "written about the low and filthy love of men for women; but sadly, it continues from one man to another," he says, "and I cannot achieve what I wish," speaks well of his character.

Chaucer is the make-weight of his century,—a worthy representative of England while Petrarch and Boccaccio lived in Italy, and Tell and Tamerlane in Switzerland and Asia, and Bruce and Rienzi in Europe, and Wickliffe and Gower in his own land. Edward III and John of Gaunt and the Black Prince complete the company. The fame of Roger Bacon came down from the preceding century, and Dante, though just departed, still exerted the influence of a living presence.[323]

Chaucer is the hallmark of his time—a true representative of England while Petrarch and Boccaccio lived in Italy, and Tell and Tamerlane were in Switzerland and Asia, and Bruce and Rienzi roamed Europe, with Wickliffe and Gower in his own country. Edward III, John of Gaunt, and the Black Prince round out the group. The fame of Roger Bacon carried over from the previous century, and Dante, although recently gone, still had the impact of a living presence.[323]

With all his grossness he is not undistinguished for the tenderness and delicacy of his muse. A simple pathos and feminine gentleness is peculiar to him which not even Wordsworth can match.[324] And then his best passages of length are marked by a happy and healthy wit which is rather rare in the poetry of any nation. On the whole, he impresses me as greater than his reputation, and not a little like Homer and Shakespeare, for he would have held up his head in their company. Among the earliest English poets he is their landlord and host, and has the authority of such. We read him with affection 311 and without criticism, for he pleads no cause, but speaks for us, his readers, always. He has that greatness of trust and reliance which compels popularity. He is for a whole country and country [sic] to know and to be proud of. The affectionate mention which succeeding early poets make of him, coupling him with Homer and Virgil, is also to be taken into the account in estimating his character. King James and Dunbar of Scotland speak with more love and reverence of him than any cotemporary poet of his predecessors of the last century. That childlike relation, indeed, does not seem to exist now which was then.[325]

Despite his roughness, he is not lacking in the tenderness and delicacy of his poetry. He has a simple emotional depth and a feminine gentleness that even Wordsworth can't match.[324] His best longer passages are filled with a delightful and healthy wit, which is quite rare in poetry from any country. Overall, he seems greater than his reputation suggests, and he resembles Homer and Shakespeare in that he would have confidently held his own among them. Among the earliest English poets, he is their landlord and host, with the authority that comes with it. We read him fondly and without critique, as he doesn't advocate for any agenda but instead speaks for us, his readers, always. He has a profound sense of trust and reliability that earns him widespread popularity. He represents a whole nation, and the nation should recognize and take pride in him. The warm references that later poets make to him, pairing him with Homer and Virgil, should also be considered when assessing his character. King James and Dunbar of Scotland speak of him with more affection and respect than any contemporary poet of the previous century. That childlike relationship he had with his audience seems to be absent now.[325]

Jan. 3. Monday. It is pleasant when one can relieve the grossness of the kitchen and the table by the simple beauty of his repast, so that there may be anything in it to attract the eye of the artist even. I have been popping corn to-night, which is only a more rapid blossoming of the seed under a greater than July heat. The popped corn is a perfect winter flower, hinting of anemones and houstonias. For this little grace man has, mixed in with the vulgarness of his repast, he may well thank his stars. The law by which flowers unfold their petals seems only to have operated more suddenly under the intense heat. It looks like a sympathy in this seed of the corn with its sisters of the vegetable kingdom, as if by preference it assumed the flower form rather than the crystalline. Here has bloomed for my repast such a delicate blossom as will soon spring by the wall-sides. And this is as it should be. Why should not Nature revel sometimes, and 312 genially relax and make herself familiar at my board? I would have my house a bower fit to entertain her. It is a feast of such innocence as might have snowed down. By my warm hearth sprang these cerealious blossoms; here was the bank where they grew.

Jan. 3. Monday. It’s nice when you can brighten up the heaviness of the kitchen and the dining table with the simple beauty of your meal, enough to catch even an artist's eye. Tonight, I made popcorn, which is just a quicker way for the seeds to blossom under heat stronger than in July. The popped corn is like a perfect winter flower, reminiscent of anemones and houstonias. For this little touch of beauty among the ordinary food, one can feel grateful. The way flowers unfold their petals seems to have worked faster under this intense heat. It feels like this corn seed is in tune with its plant relatives, as if it chose to bloom as a flower rather than take on a crystal form. Here has bloomed a lovely creation for my meal, something that will soon appear by the walls outside. And this is how it should be. Why shouldn’t Nature indulge sometimes, relax a bit, and feel at home at my table? I want my house to be a lovely place that's fit to welcome her. It’s a feast of such purity as if it could have fallen from the sky. By my warm hearth, these cereal blooms sprang up; here was the place where they flourished.

Methinks some such visible token of approval would always accompany the simple and healthy repast. There would be such a smiling and blessing upon it. Our appetite should always be so related to our taste, and the board we spread for its gratification be an epitome of the universal table which Nature sets by hill and wood and stream for her dumb pensioners.[326]

I think some kind of visible sign of approval should always come with the simple and healthy meal. There would be a smile and blessing on it. Our appetite should always connect with our taste, and the table we set for our enjoyment should represent the universal table that Nature provides by the hills, woods, and streams for her silent supporters.[326]

Jan. 5. Wednesday. I find that whatever hindrances may occur I write just about the same amount of truth in my Journal; for the record is more concentrated, and usually it is some very real and earnest life, after all, that interrupts. All flourishes are omitted. If I saw wood from morning to night, though I grieve that I could not observe the train of my thoughts during that time, yet, in the evening, the few scrannel lines which describe my day's occupations will make the creaking of the saw more musical than my freest fancies could have been. I find incessant labor with the hands, which engrosses the attention also, the best method to remove palaver out of one's style. One will not dance at his work who has wood to cut and cord before the night falls in the short days of winter; but every stroke will be husbanded, and ring soberly through the wood; and so will his lines ring and tell on the ear, when at evening he settles the 313 accounts of the day. I have often been astonished at the force and precision of style to which busy laboring men, unpracticed in writing, easily attain when they are required to make the effort. It seems as if their sincerity and plainness were the main thing to be taught in schools,—and yet not in the schools, but in the fields, in actual service, I should say. The scholar not unfrequently envies the propriety and emphasis with which the farmer calls to his team, and confesses that if that lingo were written it would surpass his labored sentences.

Jan. 5. Wednesday. I find that regardless of any obstacles that come up, I write about the same amount of truth in my Journal; the record is more focused, and it’s often some very real and meaningful life that interrupts. All embellishments are left out. Even if I spend all day working with wood and regret not being able to track my thoughts during that time, by evening, the few brief lines that capture my day's activities will sound more harmonious than my wildest thoughts could have. I find that constant manual labor, which demands full attention, is the best way to eliminate unnecessary words from one’s writing. One won’t be daydreaming while working hard to cut and stack wood before night falls during the short winter days; every stroke will be intentional and resonate clearly through the wood; likewise, his words will carry weight and be clear when he reviews the day’s events in the evening. I have often been amazed at the clarity and precision of expression that hardworking, untrained writers achieve when they need to put in the effort. It seems like their honesty and straightforwardness are the main lessons that should be taught in schools—but not in classrooms; rather, in the fields, through real-life experience, I'd say. Scholars often envy the proper tone and emphasis the farmer uses when calling to his team, recognizing that if that language were written down, it would outshine their carefully crafted sentences.

Who is not tired of the weak and flowing periods of the politician and scholar, and resorts not even to the Farmer's Almanac, to read the simple account of the month's labor, to restore his tone again? I want to see a sentence run clear through to the end, as deep and fertile as a well-drawn furrow which shows that the plow was pressed down to the beam. If our scholars would lead more earnest lives, we should not witness those lame conclusions to their ill-sown discourses, but their sentences would pass over the ground like loaded rollers, and not mere hollow and wooden ones, to press in the seed and make it germinate.

Who isn’t tired of the weak and rambling speeches of politicians and academics, and doesn’t even turn to the Farmer's Almanac to read the straightforward account of the month’s work to regain their energy? I want to see a sentence flow clearly to the end, as deep and rich as a well-turned furrow that shows the plow was pushed down to the beam. If our scholars lived more genuine lives, we wouldn’t see those weak conclusions from their poorly crafted arguments; instead, their sentences would move across the ground like heavy rollers, not just empty and lifeless ones, to press in the seed and help it grow.

A well-built sentence, in the rapidity and force with which it works, may be compared to a modern corn-planter, which furrows out, drops the seed, and covers it up at one movement.[327]

A well-constructed sentence, in the speed and impact it delivers, can be likened to a contemporary corn planter, which efficiently creates a furrow, drops in the seed, and covers it all in one smooth motion.[327]

The scholar requires hard labor as an impetus to his pen. He will learn to grasp it as firmly and wield it as gracefully and effectually as an axe or a sword. When 314 I consider the labored periods of some gentleman scholar, who perchance in feet and inches comes up to the standard of his race, and is nowise deficient in girth, I am amazed at the immense sacrifice of thews and sinews. What! these proportions and these bones, and this their work! How these hands hewed this fragile matter, mere filagree or embroidery fit for ladies' fingers! Can this be a stalwart man's work, who has marrow in his backbone and a tendon Achilles in his heel? They who set up Stonehenge did somewhat,—much in comparison,—if it were only their strength was once fairly laid out, and they stretched themselves.[328]

The scholar needs hard work to inspire his writing. He will learn to grip it firmly and use it skillfully and effectively, just like an axe or a sword. When 314 I think about the struggled efforts of some learned man, who possibly measures up to his peers in height and is certainly not lacking in build, I am struck by the tremendous sacrifice of muscle and strength. What! with these proportions and these bones, and this work they created! How did these hands shape such delicate things, mere lace or embroidery suitable for a lady's fingers! Can this truly be the work of a strong man, one who has strength in his backbone and a tendon like Achilles in his heel? Those who built Stonehenge accomplished something significant, if only because their strength was fully expended, and they pushed themselves to their limits.[328]

I discover in Raleigh's verses the vices of the courtier. They are not equally sustained, as if his noble genius were warped by the frivolous society of the court. He was capable of rising to a remarkable elevation. His poetry has for the most part a heroic tone and vigor as of a knight errant. But again there seems to have been somewhat unkindly in his education, and as if he had by no means grown up to be the man he promised. He was apparently too genial and loyal a soul, or rather he was incapable of resisting temptations from that quarter. If to his genius and culture he could have added the temperament of Fox or Cromwell, the world would have had cause longer to remember him. He was the pattern of nobility. One would have said it was by some lucky fate that he and Shakespeare flourished at the same time in England, and yet what do we know of their acquaintanceship? 315

I see in Raleigh's poems the flaws of a courtier. They're not totally consistent, as if his noble talent was twisted by the shallow company of the court. He had the potential to reach great heights. His poetry mostly has a heroic tone and energy like that of a knight-errant. Yet, there seems to have been something unfortunate in his upbringing, as if he hadn’t lived up to the man he could have been. He appeared to be too kind-hearted and loyal, or maybe he just couldn't resist the temptations from that world. If he could have combined his talent and education with the determination of Fox or Cromwell, people would have remembered him for much longer. He was a true example of nobility. One could say it was a stroke of luck that he and Shakespeare thrived at the same time in England, but what do we actually know about their connection? 315

Jan. 7. Friday. I am singularly refreshed in winter when I hear tell of service-berries, pokeweed, juniper. Is not heaven made up of these cheap summer glories?[329]

Jan. 7. Friday. I feel especially revitalized in winter when I hear about service berries, pokeweed, and juniper. Aren't these simple summer beauties what heaven is made of? [329]

The great God is very calm withal. How superfluous is any excitement in his creatures! He listens equally to the prayers of the believer and the unbeliever. The moods of man should unfold and alternate as gradually and placidly as those of nature. The sun shines for aye! The sudden revolutions of these times and this generation have acquired a very exaggerated importance. They do not interest me much, for they are not in harmony with the longer periods of nature. The present, in any aspect in which it can be presented to the smallest audience, is always mean. God does not sympathize with the popular movements.

The great God is very calm. Any excitement in his creations is unnecessary! He listens to the prayers of both believers and non-believers. Human emotions should change and flow as smoothly and peacefully as those in nature. The sun shines forever! The sudden changes of our times and generation have gained an exaggerated significance. They don’t interest me much, as they don't resonate with the longer cycles of nature. The present, in any way it can be shown to even the smallest audience, is always ordinary. God does not get involved with popular movements.

Jan. 8. Saturday. When, as now, in January a south wind melts the snow, and the bare ground appears, covered with sere grass and occasionally wilted green leaves which seem in doubt whether to let go their greenness quite or absorb new juices against the coming year,—in such a season a perfume seems to exhale from the earth itself and the south wind melts my integuments also. Then is she my mother earth. I derive a real vigor from the scent of the gale wafted over the naked ground, as from strong meats, and realize again how man is the pensioner of Nature. We are always conciliated and cheered when we are fed by [such] an influence, and our needs are felt to be part of the domestic economy of Nature. 316

Jan. 8. Saturday. When, like now in January, a south wind melts the snow and the bare ground appears, covered with dried grass and occasionally wilted green leaves that seem unsure whether to let go of their green or soak up new nutrients for the coming year—in such a season, a fragrance seems to rise from the earth itself, and the south wind invigorates me too. At that moment, she is my mother earth. I draw real energy from the scent of the breeze over the bare ground, like from hearty meals, and I realize again how much we rely on Nature. We always feel comforted and uplifted when we’re nurtured by such influences, and our needs seem to be part of the natural order of things. 316

What offends me most in my compositions is the moral element in them. The repentant say never a brave word. Their resolves should be mumbled in silence. Strictly speaking, morality is not healthy. Those undeserved joys which come uncalled and make us more pleased than grateful are they that sing.

What bothers me the most in my work is the moral aspect of it. The people who regret never say anything brave. Their promises should be whispered quietly. To be honest, morality isn’t really good for you. Those unearned joys that arrive unexpectedly and make us feel more happy than thankful are the ones that truly resonate.

One music seems to differ from another chiefly in its more perfect time, to use this word in a true sense. In the steadiness and equanimity of music lies its divinity. It is the only assured tone.[330] When men attain to speak with as settled a faith and as firm assurance, their voices will sing and their feet march as do the feet of the soldier. The very dogs howl if time is disregarded. Because of the perfect time of this music-box—its harmony with itself—is its greater dignity and stateliness. This music is more nobly related for its more exact measure. So simple a difference as this more even pace raises it to the higher dignity.

One piece of music seems to differ from another mainly in its more precise timing, if we use the term correctly. The steadiness and calmness of music is what gives it its divine quality. It is the only reliable tone. When people manage to speak with the same firm faith and confidence, their voices will resonate and their steps will march just like those of a soldier. Even dogs howl when the rhythm is neglected. The perfect timing of this music box—its harmony with itself—gives it greater dignity and grandeur. This music is more nobly connected due to its more accurate measure. Such a simple difference as this steadier pace elevates it to a higher level of dignity.

Man's progress through nature should have an accompaniment of music. It relieves the scenery, which is seen through it as a subtler element, like a very clear morning air in autumn. Music wafts me through the clear, sultry valleys, with only a slight gray vapor against the hills.

Man's journey through nature should have a soundtrack. It enhances the landscape, which is experienced through it as a more refined element, similar to the crisp autumn morning air. Music carries me through the clear, warm valleys, with just a hint of gray mist against the hills.

Of what manner of stuff is the web of time wove, when these consecutive sounds called a strain of music can be wafted down through the centuries from Homer to me, and Homer have been conversant with that same unfathomable mystery and charm which so newly 317 tingles my ears?[331] These single strains, these melodious cadences which plainly proceed out of a very deep meaning and a sustained soul, are the interjections of God. They are perhaps the expression of the perfect knowledge which the righteous at length attain to. Am I so like thee, my brother, that the cadence of two notes affects us alike? Shall I not some time have an opportunity to thank him who made music? I feel a sad cheer when I hear these lofty strains,[332] because there must be something in me as lofty that hears. But ah, I hear them but rarely! Does it not rather hear me? If my blood were clogged in my veins, I am sure it would run more freely. God must be very rich, who, for the turning of a pivot, can pour out such melody on me. It is a little prophet; it tells me the secrets of futurity. Where are its secrets wound up but in this box?[333] So much hope had slumbered. There are in music such strains as far surpass any faith in the loftiness of man's destiny.[334] He must be very sad before he can comprehend them. The clear, liquid notes from the morning fields beyond seem to come through a vale of sadness to man, which gives all music a plaintive air. It hath caught a higher pace than any virtue I know. It is the arch-reformer. It hastens the sun to his setting. It invites him to his rising. It is the sweetest reproach, a measured satire. 318 I know there is a people somewhere [where] this heroism has place. Or else things are to be learned which it will be sweet to learn.[335] This cannot be all rumor. When I hear this, I think of that everlasting and stable something which is not sound, but to be a thrilling reality, and can consent to go about the meanest work for as many years of time as it pleases even the Hindoo penance, for a year of the gods were as nothing to that which shall come after. What, then, can I do to hasten that other time, or that space where there shall be no time, and these things be a more living part of my life,—where there will be no discords in my life?

What is time made of, when these continuous sounds called music can be carried down through the centuries from Homer to me, and Homer experienced that same deep mystery and charm that resonates in my ears today? These individual melodies, these beautiful rhythms that clearly come from profound meaning and a sustained spirit, are like cries from God. They might express the perfect understanding that the righteous eventually achieve. Am I so much like you, my brother, that the sound of two notes affects us in the same way? Will I ever have the chance to thank the one who created music? I feel a bittersweet happiness when I hear these grand melodies because there must be something in me as elevated that listens. But alas, I hear them only rarely! Does it not, in fact, listen to me? If my blood were sluggish in my veins, I’m sure it would flow more freely. God must be incredibly rich, who, with the turn of a key, can shower such melody upon me. It is a small prophet; it reveals the secrets of what lies ahead. Where are its secrets stored if not in this box? So much hope has lain dormant. In music, there are strains that far exceed any belief in the greatness of human destiny. One must be very sad to truly understand them. The clear, flowing notes from the morning fields seem to come through a valley of sorrow to humanity, which gives all music a mournful quality. It has captured a greater rhythm than any virtue I know. It is the ultimate reformer. It hastens the sun to set and beckons it to rise. It is the sweetest accusation, a measured satire. I know there’s a place somewhere where this heroism exists. Or else there are truths to be learned that will be delightful to discover. This can't just be a rumor. When I hear this, I think of that everlasting and stable something which is not sound, but a thrilling reality, and can agree to engage in the simplest tasks for as many years as suits even the most strict penance, for a year of the gods is nothing compared to what comes afterward. So, what can I do to speed up that future time or that space where there will be no time, and these things become a more vital part of my life—where there will be no disharmony in my existence?

Jan. 9. Sunday. One cannot too soon forget his errors and misdemeanors; for [to] dwell long upon them is to add to the offense, and repentance and sorrow can only be displaced by somewhat better, and which is as free and original as if they had not been. Not to grieve long for any action, but to go immediately and do freshly and otherwise, subtracts so much from the wrong. Else we may make the delay of repentance the punishment of the sin. But a great nature will not consider its sins as its own, but be more absorbed in the prospect of that valor and virtue for the future which is more properly it, than in those improper actions which, by being sins, discover themselves to be not it.

Jan. 9. Sunday. You shouldn't hold onto your mistakes for too long; lingering on them just makes things worse, and true remorse can only be replaced by something better that feels genuine and fresh. Instead of dwelling on any wrongdoing, it’s better to move on quickly and do something new and different, which helps lessen the impact of the mistake. Otherwise, we risk turning the delay in our regret into a punishment for our actions. But a strong character won't dwell on past sins; it will focus more on the courage and virtues it can bring to the future, which truly reflect who it is, rather than on those improper actions that, by being sins, show they don't define it.

Sir W. Raleigh's faults are those of a courtier and a soldier. In his counsels and aphorisms we see not 319 unfrequently the haste and rashness of a boy. His philosophy was not wide nor deep, but continually giving way to the generosity of his nature. What he touches he adorns by his greater humanity and native nobleness, but he touches not the true nor original. He thus embellishes the old, but does not unfold the new. He seems to have been fitted by his genius for short flights of impulsive poetry, but not for the sustained loftiness of Shakespeare or Milton. He was not wise nor a seer in any sense, but rather one of nature's nobility; the most generous nature which can be spared to linger in the purlieus of the court.

Sir W. Raleigh's shortcomings are typical of a courtier and a soldier. In his advice and sayings, we often see the impulsiveness and recklessness of a youth. His philosophy wasn't broad or profound, as it constantly gave way to the kindness of his character. Whatever he engages with, he enhances with his greater humanity and natural nobility, but he doesn't truly engage with the genuine or original. He embellishes the old but doesn't reveal the new. He seems suited by his talent for brief bursts of passionate poetry, but not for the sustained greatness of Shakespeare or Milton. He wasn't wise or a visionary in any way, but rather a member of nature's nobility; the most generous spirit that could linger around the edges of the court.

His was a singularly perverted genius, with such an inclination to originality and freedom, and yet who never steered his own course. Of so fair and susceptible a nature, rather than broad or deep, that he delayed to slake his thirst at the nearest and even more turbid wells of truth and beauty. Whose homage to the least fair or noble left no space for homage to the all fair. The misfortune of his circumstances, or rather of the man, appears in the fact that he was the author of "Maxims of State" and "The Cabinet Council" and "The Soul's Errand."

His was a uniquely twisted genius, with a strong desire for originality and freedom, yet he never charted his own path. With such a delicate and impressionable nature, rather than being broad or deep, he hesitated to satisfy his thirst at the closest and even murkier sources of truth and beauty. His admiration for the least fair or noble left no room for appreciation of the genuinely beautiful. The tragedy of his situation, or rather of the person himself, is evident in the fact that he wrote "Maxims of State," "The Cabinet Council," and "The Soul's Errand."

Feb. 19. Saturday. I never yet saw two men sufficiently great to meet as two. In proportion as they are great the differences are fatal, because they are felt not to be partial but total. Frankness to him who is unlike me will lead to the utter denial of him. I begin to see how that the preparation for all issues is to do virtuously. When two approach to meet, they incur no petty dangers, 320 but they run terrible risks. Between the sincere there will be no civilities. No greatness seems prepared for the little decorum, even savage unmannerliness, it meets from equal greatness.

Feb. 19. Saturday. I’ve never seen two men great enough to truly meet as equals. The greater they are, the more their differences can be destructive, because they’re not seen as minor but total. Being open with someone who isn’t like me can completely reject them. I’m starting to understand that the key to any encounter is to act virtuously. When two people come together, they don’t face trivial dangers, 320 but rather they take on serious risks. Among the sincere, there won’t be any pleasantries. No greatness seems ready for the small niceties, or even the raw rudeness, it encounters from equally great individuals.

Feb. 20. Sunday. "Examine animal forms geometrically, from man, who represents the perpendicular, to the reptile which forms the horizontal line, and then applying to those forms the rules of the exact sciences, which God himself cannot change, we shall see that visible nature contains them all; that the combinations of the seven primitive forms are entirely exhausted, and that, therefore, they can represent all possible varieties of morality."—From "The True Messiah; or the Old and New Testaments, examined according to the Principles of the Language of Nature. By G. Segger," translated from French by Grater.

Feb. 20. Sunday. "Look at animal forms in geometric terms, starting with humans, who symbolize the vertical line, and going to reptiles, which represent the horizontal line. If we apply the principles of the exact sciences—rules that even God cannot change—we will see that visible nature includes them all; that the combinations of the seven basic forms have been fully explored, and therefore, they can represent all possible moral variations."—From "The True Messiah; or the Old and New Testaments, examined according to the Principles of the Language of Nature. By G. Segger," translated from French by Grater.

I am amused to see from my window here how busily man has divided and staked off his domain. God must smile at his puny fences running hither and thither everywhere over the land.

I find it amusing to look out my window and see how busy people are dividing and claiming their territory. God must be smiling at their tiny fences scattered all over the land.

My path hitherto has been like a road through a diversified country, now climbing high mountains, then descending into the lowest vales. From the summits I saw the heavens; from the vales I looked up to the heights again. In prosperity I remember God, or memory is one with consciousness; in adversity I remember my own elevations, and only hope to see God again. 321

My journey so far has been like a road through varied landscapes, sometimes climbing high mountains and other times descending into deep valleys. From the peaks, I glimpsed the heavens; from the valleys, I looked up at the heights once more. In good times, I remember God, or my thoughts align with my awareness; in tough times, I recall my own achievements and only hope to encounter God again. 321

It is vain to talk. What do you want? To bandy words, or deliver some grains of truth which stir within you? Will you make a pleasant rumbling sound after feasting, for digestion's sake, or such music as the birds in springtime?

It’s pointless to talk. What do you want? To exchange words, or share some truths that are stirring inside you? Will you make a nice rumbling sound after eating, for digestion's sake, or some music like the birds in spring?

The death of friends should inspire us as much as their lives. If they are great and rich enough, they will leave consolation to the mourners before the expenses of their funerals.[336] It will not be hard to part with any worth, because it is worthy. How can any good depart? It does not go and come, but we. Shall we wait for it? Is it slower than we?

The death of friends should inspire us as much as their lives. If they are amazing and impactful enough, they will provide comfort to the mourners even before the costs of their funerals. [336] It won't be difficult to let go of anything valuable, because it is valuable. How can any good truly leave? It doesn't go and return; we do. Should we wait for it? Is it slower than we are?

Feb. 21. I must confess there is nothing so strange to me as my own body. I love any other piece of nature, almost, better.

Feb. 21. I have to admit that nothing feels as strange to me as my own body. I almost love any other part of nature more.

I was always conscious of sounds in nature which my ears could never hear,—that I caught but the prelude to a strain. She always retreats as I advance. Away behind and behind is she and her meaning. Will not this faith and expectation make to itself ears at length? I never saw to the end, nor heard to the end; but the best part was unseen and unheard.

I was always aware of sounds in nature that my ears could never pick up—that I only caught the intro of a melody. She always pulls back as I move forward. She stays far behind, along with her meaning. Will this faith and anticipation eventually create its own ears? I never saw or heard everything to the end; but the best part was the unseen and unheard.

I am like a feather floating in the atmosphere; on every side is depth unfathomable.

I feel like a feather drifting in the air; all around me is endless depth.

I feel as if years had been crowded into the last month,[337] and yet the regularity of what we call time has been so far preserved as that I[338] ... will be 322 welcome in the present. I have lived ill for the most part because too near myself. I have tripped myself up, so that there was no progress for my own narrowness. I cannot walk conveniently and pleasantly but when I hold myself far off in the horizon. And the soul dilutes the body and makes it passable. My soul and body have tottered along together of late, tripping and hindering one another like unpracticed Siamese twins. They two should walk as one, that no obstacle may be nearer than the firmament.

I feel like years have been crammed into the last month, and yet the regularity of what we call time has held up enough that I will be welcome in the present. I haven't lived well for the most part because I've been too focused on myself. I've managed to trip myself up, so there's been no progress because of my own narrow mindset. I can't walk comfortably and happily unless I see myself in the distance. And the soul lightens the body and makes it more bearable. My soul and body have been struggling along together lately, tripping over each other like uncoordinated Siamese twins. They should move as one so that no obstacle is closer than the sky.

There must be some narrowness in the soul that compels one to have secrets.

There has to be a certain tightness in the soul that drives someone to keep secrets.

Feb. 23. Wednesday. Every poet's muse is circumscribed in her wanderings, and may be well said to haunt some favorite spring or mountain. Chaucer seems to have been the poet of gardens. He has hardly left a poem in which some retired and luxurious retreat of the kind is not described, to which he gains access by some secret port, and there, by some fount or grove, is found his hero and the scene of his tale. It seems as if, by letting his imagination riot in the matchless beauty of an ideal garden, he thus fed [sic] his fancy on to the invention of a tale which would fit the scene. The muse of the most universal poet retires into some familiar nook, whence it spies out the land as the eagle from his eyrie, for he who sees so far over plain and forest is perched in a narrow cleft of the crag. Such pure childlike love of Nature is nowhere to be matched.[339] And it is 323 not strange that the poetry of so rude an age should contain such polished praise of Nature; for the charms of Nature are not enhanced by civilization, as society is, but she possesses a permanent refinement, which at last subdues and educates men.

Feb. 23. Wednesday. Every poet's inspiration has its limits and often revolves around a favorite spring or mountain. Chaucer seems to be the poet of gardens. He barely writes a poem without describing some secluded and lush retreat, which he enters through a hidden path, where his hero and the setting for his story can be found by a fountain or grove. It’s like he allows his imagination to flourish in the unmatched beauty of an ideal garden, feeding his creativity to craft a tale that fits the scene. The muse of the most universal poet finds a cozy spot to survey the landscape, much like an eagle from its perch, because he who sees far across the fields and forests is situated in a narrow crack of the cliff. Such pure, childlike love for Nature is unmatched. [339] And it’s not surprising that the poetry from such a rough age holds such refined admiration for Nature; the beauty of Nature doesn’t get better with civilization, as society does, but instead possesses a lasting elegance that eventually tames and cultivates people.

The reader has great confidence in Chaucer. He tells no lies. You read his story with a smile, as if it were the circumlocution of a child, and yet you find that he has spoke with more directness and economy of words than a sage. He is never heartless. So new was all his theme in those days, that [he] had not to invent, but only to tell.[340]

The reader has great confidence in Chaucer. He tells no lies. You read his story with a smile, as if it were the ramblings of a child, and yet you find that he has spoken with more straightforwardness and economy of words than a wise person. He is never insensitive. His themes were so fresh back then that he didn't have to invent them, but only to share them.[340]

The language of poetry is infantile. It cannot talk.

The language of poetry is childlike. It can't express itself.

It is the charm and greatness of all society, from friendship to the drawing-room, that it takes place on a level slightly higher than the actual characters of the parties would warrant;[341] it is an expression of faith. True politeness is only hope and trust in men. It never addresses a fallen or falling man, but salutes a rising generation. It does not flatter, but only congratulates. The rays of light come to us in such a curve that every fellow in the street appears higher than he really is. It is the innate civility of nature.[342]

It’s the charm and greatness of society, from friendship to the living room, that it operates on a level slightly above what the actual characters of the people involved would suggest;[341] it’s a sign of faith. True politeness is just hope and trust in people. It never addresses someone who's fallen or is falling, but acknowledges a rising generation. It doesn’t flatter, but simply congratulates. The rays of light reach us in such a way that everyone in the street seems better than they really are. It’s the natural kindness of life.[342]

I am glad that it was so because it could be.

I’m glad it turned out that way because it could have.

March 1. Whatever I learn from any circumstances, that especially I needed to know. Events come out of 324 God, and our characters determine them and constrain fate, as much as they determine the words and tone of a friend to us. Hence are they always acceptable as experience, and we do not see how we could have done without them.

March 1. Whatever I learn from any situation, that is what I really needed to know. Events come from 324 God, and our personalities shape them and influence fate, just as they shape the words and tone of a friend towards us. That's why they are always valuable as experiences, and we can't imagine how we could have done without them.

March 2. The greatest impression of character is made by that person who consents to have no character. He who sympathizes with and runs through the whole circle of attributes cannot afford to be an individual. Most men stand pledged to themselves, so that their narrow and confined virtue has no suppleness. They are like children who cannot walk in bad company and learn the lesson which even it teaches, without their guardians, for fear of contamination. He is a fortunate man who gets through the world without being burthened by a name and reputation, for they are at any rate but his past history and no prophecy, and as such concern him no more than another. Character is Genius settled. It can maintain itself against the world, and if it relapses it repents. It is as a dog set to watch the property of Genius. Genius, strictly speaking, is not responsible, for it is not moral.

March 2. The strongest impression of character comes from someone who is willing to have no fixed character. A person who connects with and embodies a wide range of traits can't truly be an individual. Most people are committed to their own principles, which makes their limited and rigid morality inflexible. They're like kids who can't navigate bad influences on their own and can't learn even the lessons that come from them without their guardians, fearing that they'll be tainted. A lucky person is one who moves through life without being weighed down by a name and reputation, as these are simply reflections of their past and hold no predictions for the future, impacting them no more than anyone else. Character is Genius established. It can stand its ground against the world, and if it falters, it can feel remorse. It acts like a dog guarding Genius's assets. Genius, in the strictest sense, carries no responsibility because it isn't moral.

March 8. I live in the perpetual verdure of the globe. I die in the annual decay of nature.

March 8. I thrive in the constant greenery of the world. I fade with the yearly decline of nature.

We can understand the phenomenon of death in the animal better if we first consider it in the order next below us, the vegetable.

We can better understand the phenomenon of death in animals if we first consider it in the next category below us, plants.

The death of the flea and the elephant are but phenomena of the life of nature. 325

The death of the flea and the elephant are just examples of the natural cycle of life. 325

Most lecturers preface their discourses on music with a history of music, but as well introduce an essay on virtue with a history of virtue.[343] As if the possible combinations of sound, the last wind that sighed, or melody that waked the wood, had any history other than a perceptive ear might hear in the least and latest sound of nature! A history of music would be like the history of the future; for so little past is it, and capable of record, that it is but the hint of a prophecy. It is the history of gravitation. It has no history more than God. It circulates and resounds forever, and only flows like the sea or air. There might be a history of men or of hearing, but not of the unheard. Why, if I should sit down to write its story, the west wind would rise to refute me. Properly speaking, there can be no history but natural history, for there is no past in the soul but in nature. So that the history of anything is only the true account of it, which will be always the same. I might as well write the history of my aspirations. Does not the last and highest contain them all? Do the lives of the great composers contain the facts which interested them? What is this music? Why, thinner and more evanescent than ether; subtler than sound, for it is only a disposition of sound. It is to sound what color is to matter. It is the color of a flame, or of the rainbow, or of water. Only one sense has known it. The least profitable, the least tangible fact, which cannot be 326 bought or cultivated but by virtuous methods, and yet our ears ring with it like shells left on the shore.

Most lecturers start their talks on music with a history of music, just as they begin an essay on virtue with a history of virtue.[343] As if the possible combinations of sound, the last breeze that sighed, or the melody that stirred the woods, had any history other than what a keen ear might catch in the smallest and newest sound of nature! A history of music would be like the history of the future; it's so brief and recordable that it's just a hint of a prophecy. It's the history of gravitation. It doesn't have a history like God. It circulates and echoes forever, flowing like the sea or air. There might be a history of people or of hearing, but not of what hasn’t been heard. Why, if I were to sit down to write its story, the west wind would rise up to challenge me. To be precise, there can be no history except natural history, for the soul has no past except in nature. So, the history of anything is only the true account of it, which will always remain the same. I might as well write the history of my aspirations. Doesn't the latest and greatest encompass them all? Do the lives of the great composers contain the facts that mattered to them? What is this music? It's thinner and more fleeting than ether; subtler than sound since it’s just an arrangement of sound. It’s to sound what color is to matter. It’s the color of a flame, or of a rainbow, or of water. Only one sense has recognized it. The least profitable, the least tangible fact, which cannot be 326 purchased or developed except through virtuous means, and yet our ears echo with it like shells left on the shore.

March 11. Friday. Chaucer's familiar, but innocent, way of speaking of God is of a piece with his character. He comes readily to his thoughts without any false reverence. If Nature is our mother, is not God much more? God should come into our thoughts with no more parade than the zephyr into our ears. Only strangers approach him with ceremony. How rarely in our English tongue do we find expressed any affection for God! No sentiment is so rare as love of God,—universal love. Herbert is almost the only exception. "Ah, my dear God," etc. Chaucer's was a remarkably affectionate genius. There is less love and simple trust in Shakespeare. When he sees a beautiful person or object, he almost takes a pride in the "maistry" of his God.[344] The Protestant Church seems to have nothing to supply the place of the Saints of the Catholic calendar, who were at least channels for the affections. Its God has perhaps too many of the attributes of a Scandinavian deity.

March 11. Friday. Chaucer's familiar yet innocent way of talking about God reflects his character. He naturally brings God to mind without any false reverence. If Nature is our mother, isn't God even more so? God should enter our thoughts as effortlessly as a gentle breeze in our ears. Only those unfamiliar with Him approach with formality. It’s so rare to find expressions of affection for God in our English language! Love for God—universal love—is almost nonexistent. Herbert is nearly the only exception. "Ah, my dear God," etc. Chaucer had a wonderfully affectionate spirit. There's less love and simple trust in Shakespeare. When he sees something beautiful, he almost takes pride in the "maistry" of his God.[344] The Protestant Church seems to lack a substitute for the Saints of the Catholic calendar, who at least served as channels for affection. Its God perhaps has too many traits of a Scandinavian deity.

We can only live healthily the life the gods assign us. I must receive my life as passively as the willow leaf that flutters over the brook. I must not be for myself, but God's work, and that is always good. I will wait the breezes patiently, and grow as Nature shall determine. My fate cannot but be grand so. We may live the life of a plant or an animal, without living an animal life. This constant and universal content of the 327 animal comes of resting quietly in God's palm. I feel as if [I] could at any time resign my life and the responsibility of living into God's hands, and become as innocent, free from care, as a plant or stone.

We can only live the healthy life that the gods give us. I have to accept my life as passively as a willow leaf that dances above the stream. I shouldn’t live for myself, but for God’s purpose, which is always good. I will patiently wait for the breezes and grow as nature decides. My fate can only be great this way. We can live like a plant or an animal, without living an animal's life. This constant and universal peace of the animal comes from resting quietly in God’s hands. I feel like I could at any moment let go of my life and the burden of living into God’s care, becoming as innocent and carefree as a plant or a stone.

My life, my life! why will you linger? Are the years short and the months of no account? How often has long delay quenched my aspirations! Can God afford that I should forget him? Is he so indifferent to my career? Can heaven be postponed with no more ado? Why were my ears given to hear those everlasting strains which haunt my life, and yet to be prophaned much more by these perpetual dull sounds?

My life, my life! why are you dragging on? Are the years short and the months meaningless? How often has waiting killed my dreams! Can God really let me forget him? Is he that indifferent to my path? Can heaven be put off with no further delay? Why was I given ears to hear those endless melodies that follow me, only to be disturbed even more by these constant boring sounds?

Our doubts are so musical that they persuade themselves.

Our doubts are so convincing that they end up convincing themselves.

Why, God, did you include me in your great scheme? Will you not make me a partner at last? Did it need there should be a conscious material?

Why, God, did you include me in your grand plan? Will you finally make me a partner? Did it have to involve a conscious material?

My friend, my friend, I'd speak so frank to thee that thou wouldst pray me to keep back some part, for fear I robbed myself. To address thee delights me, there is such cleanness in the delivery. I am delivered of my tale, which, told to strangers, still would linger on my lips as if untold, or doubtful how it ran.

My friend, my friend, I’d speak so honestly to you that you’d probably ask me to hold back some of it, fearing I’d be left with nothing. Talking to you brings me joy; there’s such clarity in how I express myself. I’ve shared my story, which, if told to strangers, would still stay on my lips as if it were untold or uncertain about how it went.

March 12. Consider what a difference there is between living and dying. To die is not to begin to die, and continue; it is not a state of continuance, but of transientness; but to live is a condition of continuance, and does not mean to be born merely. There is no 328 continuance of death. It is a transient phenomenon. Nature presents nothing in a state of death.

March 12. Think about the difference between living and dying. To die isn't just to start dying and then keep going; it’s not a state of being that lasts, but rather something temporary. Living, on the other hand, is a condition that lasts and isn't just about being born. There is no 328 ongoing state of death. It's a temporary occurrence. Nature doesn’t show us anything in a state of death.

March 13. Sunday. The sad memory of departed friends is soon incrusted over with sublime and pleasing thoughts, as their monuments are overgrown with moss.[345] Nature doth thus kindly heal every wound. By the mediation of a thousand little mosses and fungi, the most unsightly objects become radiant of beauty. There seem to be two sides to this world, presented us at different times, as we see things in growth or dissolution, in life or death. For seen with the eye of a poet, as God sees them, all are alive and beautiful; but seen with the historical eye, or the eye of the memory, they are dead and offensive. If we see Nature as pausing, immediately all mortifies and decays; but seen as progressing, she is beautiful.

March 13. Sunday. The sad memories of friends we've lost are soon covered up by uplifting and comforting thoughts, just like monuments that get covered in moss. [345] Nature kindly heals every wound this way. Through a thousand little mosses and fungi, even the most unattractive things can turn into something beautiful. It seems like there are two sides to this world, showing us different perspectives at different times, whether we're witnessing growth or decay, life or death. When viewed through the eyes of a poet, as God sees them, everything is alive and beautiful; but through the lens of history or memory, they appear dead and unpleasant. If we look at Nature as if it's standing still, everything seems to die and decay; but when we see it as progressing, it becomes beautiful.

I am startled that God can make me so rich even with my own cheap stores. It needs but a few wisps of straw in the sun, or some small word dropped, or that has long lain silent in some book. When heaven begins and the dead arise, no trumpet is blown; perhaps the south wind will blow. What if you or I be dead! God is alive still.

I’m surprised that God can make me so wealthy even with my own simple resources. It just takes a few strands of straw in the sunlight, or a small word spoken, or one that has been quiet in some book for a long time. When heaven starts and the dead come back to life, no trumpet will sound; maybe the south wind will blow. What if you or I are dead! God is still alive.

March 14. Chaucer's genius does not soar like Milton's, but is genial and familiar. It is only a greater portion of humanity, with all its weakness. It is not heroic, as Raleigh, or pious, as Herbert, or philosophical, 329 as Shakespeare, but the child of the English nation, but that child that is "father of the man." His genius is only for the most part an exceeding naturalness. It is perfect sincerity, though with the behavior of a child rather than of a man.[346] He can complain, as in the "Testament of Love," but yet so truly and unfeignedly that his complaint does not fail to interest. All England has his case at heart.

March 14. Chaucer's talent doesn't soar like Milton's, but it's warm and approachable. It's just a broader slice of humanity, complete with all its flaws. It's not heroic, like Raleigh, or devout, like Herbert, or philosophical, like Shakespeare, but it reflects the spirit of the English people, that part of them that is "the child who becomes the man." His talent mostly embodies a remarkable naturalness. It's genuine sincerity, though more childlike in nature than manly. He can express grievances, as seen in the "Testament of Love," but he does so so honestly and genuinely that his complaints remain engaging. All of England feels for his situation.

He shows great tenderness and delicacy, but not the heroic sentiment. His genius was feminine, not masculine,—not but such is rarest to find in woman (though the appreciation of it is not),—but less manly than the manliest.[347]

He displays a lot of sensitivity and finesse, but not the traditional heroic sentiment. His genius is more feminine than masculine—not that it's rare to find in women (though the appreciation of it is),—but it's less masculine than the most masculine figures. [347]

It is not easy to find one brave enough to play the game of love quite alone with you, but they must get some third person, or world, to countenance them. They thrust others between. Love is so delicate and fastidious that I see not how [it] can ever begin. Do you expect me to love with you, unless you make my love secondary to nothing else? Your words come tainted, if the thought of the world darted between thee and the thought of me. You are not venturous enough for love. It goes alone unscared through wildernesses.

It’s not easy to find someone brave enough to play the game of love just with you; they always need a third person or the outside world to support them. They bring others into the mix. Love is so fragile and picky that I can’t see how it can ever get started. Do you expect me to love you unless you make my love the most important thing? Your words feel tainted if the thought of the world comes between you and me. You’re not daring enough for love. It goes alone and fearlessly through the wild.

As soon as I see people loving what they see merely, and not their own high hopes that they form of others, I pity, and do not want their love. Such love delays me. Did I ask thee to love me who hate myself? No! Love that I love, and I will love thee that lovest it. 330

As soon as I see people loving what they see just for what it is, and not their own unrealistic expectations of others, I feel sorry for them and don’t want their love. That kind of love holds me back. Did I ask you to love me when I can’t even love myself? No! Love what I love, and I will love you for loving it. 330

The love is faint-hearted and short-lived that is contented with the past history of its object. It does not prepare the soil to bear new crops lustier than the old.

The love that only clings to the past is weak and short-lived. It doesn't nurture the ground to grow new, stronger feelings than the old ones.

"I would I had leisure for these things," sighs the world. "When I have done my quilting and baking, then I will not be backward."

"I wish I had time for these things," sighs the world. "Once I've finished my quilting and baking, then I won't hesitate."

Love never stands still, nor does its object. It is the revolving sun and the swelling bud. If I know what I love, it is because I remember it.

Love is always changing, just like what it loves. It’s like the sun that keeps moving and the flower that keeps blooming. If I know what I love, it’s because I remember it.

Life is grand, and so are its environments of Past and Future. Would the face of nature be so serene and beautiful if man's destiny were not equally so? What am I good for now, who am still marching after high things, but to hear and tell the news, to bring wood and water, and count how many eggs the hens lay? In the meanwhile, I expect my life will begin. I will not aspire longer. I will see what it is I would be after. I will be unanimous.

Life is amazing, and so are its settings of the Past and Future. Would nature's beauty be so peaceful and lovely if humanity's fate wasn't just as grand? What purpose do I serve now, still striving for lofty goals, other than sharing stories, gathering wood and water, and counting how many eggs the hens lay? In the meantime, I hope my life will truly start soon. I won’t aim for anything higher anymore. I’ll figure out what it is I genuinely want. I’ll be in agreement with myself.

March 15. Tuesday. It is a new day; the sun shines. The poor have come out to employ themselves in the sunshine, the old and feeble to scent the air once more. I hear the bluebird and the song sparrow and the robin, and the note of the lark leaks up through the meadows, as if its bill had been thawed by the warm sun.

March 15. Tuesday. It’s a new day; the sun is shining. The less fortunate have come out to enjoy the sunlight, and the elderly and frail are breathing in the fresh air once again. I hear the bluebird, the song sparrow, and the robin, and the lark’s song rises from the meadows, as if its beak had been softened by the warm sun.

As I am going to the woods I think to take some small book in my pocket whose author has been there already, whose pages will be as good as my thoughts, and will eke them out or show me human life still gleaming in the horizon when the woods have shut out the town. But I 331 can find none. None will sail as far forward into the bay of nature as my thought. They stay at home. I would go home. When I get to the wood their thin leaves rustle in my fingers. They are bare and obvious, and there is no halo or haze about them. Nature lies far and fair behind them all.[348] I should like to meet the great and serene sentence, which does not reveal itself,—only that it is great,—which I may never with my utmost intelligence pierce through and beyond (more than the earth itself), which no intelligence can understand. There should be a kind of life and palpitation to it; under its rind a kind of blood should circulate forever, communicating freshness to its countenance.[349]

As I head into the woods, I think about bringing a small book by an author who's been there before—someone whose pages are as valuable as my own thoughts, and that can either enhance them or show me glimpses of human life still shining on the horizon when the woods close off the city. But I can’t find one. None will venture as deep into the bay of nature as my thoughts do. They stay behind. I wish to go home. When I reach the woods, their delicate leaves rustle in my fingers. They’re bare and clear, without any glow or mist around them. Nature lies far and beautiful beyond them all. I long to encounter that great and calm statement, which doesn’t fully reveal itself—only that it is profound—something that I may never fully comprehend, even with all my intelligence (more than the earth itself), and which no type of intelligence can grasp. It should have a kind of life and vitality; beneath its surface, there should be a flow of energy circulating forever, bringing freshness to its appearance.

Cold Spring.—I hear nothing but a phœbe, and the wind, and the rattling of a chaise in the wood. For a few years I stay here, not knowing, taking my own life by degrees, and then I go. I hear a spring bubbling near, where I drank out of a can in my earliest youth. The birds, the squirrels, the alders, the pines, they seem serene and in their places. I wonder if my life looks as serene to them too. Does no creature, then, see with the eyes of its own narrow destiny, but with God's? When God made man, he reserved some parts and some rights to himself. The eye has many qualities which belong to God more than man. It is his lightning which flashes in it. When I look into my companion's eye, I think it is God's private mine. It is a noble feature; it cannot be degraded; for God can look on all things undefiled. 332

Cold Spring.—All I hear is a phoebe, the wind, and the clattering of a carriage in the woods. I stay here for a few years, unaware, gradually losing myself, and then I leave. I can hear a spring bubbling nearby, where I drank from a can in my earliest years. The birds, the squirrels, the alders, the pines—they all seem calm and settled. I wonder if my life appears as peaceful to them. Does no creature see through the lens of its own limited path, but instead through God's? When God created man, he kept some aspects and rights for himself. The eye has many qualities that belong to God more than to man. It's his lightning that flashes within it. When I look into my companion's eye, I feel like it's God's private treasure. It’s a remarkable feature; it can’t be tainted because God can look upon all things without blemish. 332

Pond.—Nature is constantly original and inventing new patterns, like a mechanic in his shop. When the overhanging pine drops into the water, by the action of the sun, and the wind rubbing it on the shore, its boughs are worn white and smooth and assume fantastic forms, as if turned by a lathe.[350] All things, indeed, are subjected to a rotary motion, either gradual and partial or rapid and complete, from the planet and system to the simplest shellfish and pebbles on the beach; as if all beauty resulted from an object turning on its own axis, or others turning about it. It establishes a new centre in the universe. As all curves have reference to their centres or foci, so all beauty of character has reference to the soul, and is a graceful gesture of recognition or waving of the body toward it.

Pond.—Nature is always original and creating new patterns, like a mechanic in his workshop. When the overhanging pine tree drops into the water, due to the sun's action and the wind rubbing it against the shore, its branches become white and smooth and take on unusual shapes, as if shaped by a lathe.[350] Everything, in fact, is subjected to a spinning motion, whether gradual and partial or quick and complete, from planets and systems down to the simplest shellfish and pebbles on the beach; as if all beauty comes from an object rotating on its own axis, or from others rotating around it. It creates a new center in the universe. Just as all curves relate to their centers or focal points, so all beauty of character relates to the soul, and is a graceful gesture of acknowledgment or a wave from the body toward it.

The great and solitary heart will love alone, without the knowledge of its object. It cannot have society in its love. It will expend its love as the cloud drops rain upon the fields over which [it] floats.

The great and solitary heart will love on its own, without knowing its object. It can't share its love with anyone else. It will pour out its love like a cloud releases rain over the fields beneath it.

The only way to speak the truth is to speak lovingly; only the lover's words are heard. The intellect should never speak; it is not a natural sound. How trivial the best actions are! I am led about from sunrise to sunset by an ignoble routine, and yet can find no better road. I must make a part of the planet. I must obey the law of nature.

The only way to communicate the truth is to do it with love; only the words of someone who loves are truly heard. The mind shouldn’t be the one speaking; that’s not a natural sound. How insignificant even the best actions can seem! I’m pulled along from dawn to dusk by an unworthy routine, and still, I can’t find a better way. I need to be a part of this planet. I have to follow the laws of nature.

March 16. Wednesday. Raleigh's Maxims are not true and impartial, but yet are expressed with a certain magnanimity, 333 which was natural to the man, as if this selfish policy could easily afford to give place in him to a more human and generous. He gives such advice that we have more faith in his conduct than his principles.

March 16. Wednesday. Raleigh's maxims aren't completely true or fair, but they show a kind of generosity that feels natural to him, as if his selfish strategies could comfortably make room for something more humane and generous. He offers advice that makes us trust his actions more than his beliefs.

He seems to have carried the courtier's life to the highest pitch of magnanimity and grace it was capable of. He is liberal and generous as a prince,—that is, within bounds; brave, chivalrous, heroic, as the knight in armor and not as a defenseless man. His was not the heroism of Luther, but of Bayard. There was more of grace than of truth in it. He had more taste than character. There may be something petty in a refined taste; it easily degenerates into effeminacy; it does not consider the broadest use. It is not content with simple good and bad, and so is fastidious and curious, or nice only.

He seems to have taken the courtier's lifestyle to the highest level of generosity and elegance it could achieve. He is as giving and open-handed as a prince—within reason; brave, noble, and heroic, like a knight in shining armor, rather than a defenseless man. His brand of heroism wasn’t like Luther’s, but more like Bayard’s. There was more elegance than substance in his character. He had more style than integrity. There can be something trivial in having refined taste; it can easily turn into weakness; it doesn’t account for practicality. It isn’t satisfied with simply good or bad, and thus becomes fussy and particular, or merely delicate.

The most attractive sentences are not perhaps the wisest, but the surest and soundest. He who uttered them had a right to speak. He did not stand on a rolling stone, but was well assured of his footing, and naturally breathed them without effort. They were spoken in the nick of time. With rare fullness were they spoken, as a flower expands in the field; and if you dispute their doctrine, you will say, "But there is truth in their assurance." Raleigh's are of this nature, spoken with entire satisfaction and heartiness. They are not philosophy, but poetry.

The most compelling sentences might not be the smartest, but they are the most certain and solid. The person who said them had the right to speak. He didn’t stand on shaky ground but was completely confident in his stance and expressed them effortlessly. They were said at just the right moment. They were delivered with a rare fullness, like a flower blooming in a field; and if you challenge their message, you'll admit, "But there’s truth in their confidence." Raleigh's words are like this, spoken with full satisfaction and enthusiasm. They’re not philosophy, but poetry.

With him it was always well done and nobly said.

With him, it was always executed well and expressed nobly.

That is very true which Raleigh says about the equal necessity of war and law,—that "the necessity of war, 334 which among human actions is most lawless, hath some kind of affinity and near resemblance with the necessity of law;" for both equally rest on force as their basis, and war is only the resource of law, either on a smaller or larger scale,—its authority asserted. In war, in some sense, lies the very genius of law. It is law creative and active; it is the first principle of the law. What is human warfare but just this,—an effort to make the laws of God and nature take sides with one party. Men make an arbitrary code, and, because it is not right, they try to make it prevail by might. The moral law does not want any champion. Its asserters do not go to war. It was never infringed with impunity. It is inconsistent to decry war and maintain law, for if there were no need of war there would be no need of law.

What Raleigh says about the equal necessity of war and law is very true — that "the necessity of war, 334 which among human actions is the most lawless, has some kind of connection and close resemblance to the necessity of law;" because both are fundamentally based on force, and war is simply the extension of law, whether on a smaller or larger scale — its authority being claimed. War, in a sense, embodies the very essence of law. It is law that is innovative and active; it is the foundational principle of law. What is human warfare but an attempt to align the laws of God and nature with one side? People create a made-up system of rules, and because it isn't just, they try to enforce it through power. The moral law doesn’t require a defender. Its advocates don’t go to war. It has never been violated without consequence. It’s contradictory to criticize war and support law because if there were no need for war, there would be no need for law.

I must confess I see no resource but to conclude that conscience was not given us to no purpose, or for a hindrance, but that, however flattering order and expediency may look, it is but the repose of a lethargy; and we will choose rather to be awake, though it be stormy, and maintain ourselves on this earth and in this life as we may, without signing our death-warrant in the outset. What does the law protect? My rights? or any rights? My right, or the right? If I avail myself of it, it may help my sin; it cannot help my virtue. Let us see if we cannot stay here, where God has put us, on his own conditions. Does not his law reach to the earth? While the law holds fast the thief and murderer for my protection (I should say its own), it lets itself go loose. Expediencies differ. They may clash. English law may go to war with American 335 law, that is English interest with American interest, but what is expedient for the whole world will be absolute right, and synonymous with the law of God. So the law is only partial right. It is selfish, and consults for the interest of the few.[351]

I have to admit that I can only conclude that conscience wasn’t given to us for no reason or as an obstacle, but that, no matter how appealing order and practicality may seem, it’s just the calm of a slumber. We would rather be awake, even if it’s stormy, and navigate our lives on this earth as best we can, without signing our death warrant from the start. What does the law protect? My rights? Or any rights? My right, or the right? If I use it, it might support my wrongdoing; it can’t support my virtue. Let’s see if we can stay here, where God has placed us, on his own terms. Doesn’t his law extend to the earth? While the law holds the thief and the murderer for my protection (I should say its own), it becomes lax itself. Practicalities vary. They might conflict. English law might clash with American law, which is English interest versus American interest, but what is beneficial for the whole world will be complete right and the same as the law of God. So the law is just a partial right. It’s selfish and looks out for the interests of a few.

Somehow, strangely, the vice of men gets well represented and protected, but their virtue has none to plead its cause, nor any charter of immunities and rights. The Magna Charta is not chartered rights, but chartered wrongs.

Somehow, oddly, men's vices are well represented and protected, but their virtues have no one to argue their case or any rights to defend them. The Magna Carta isn’t about rights; it’s about acknowledged wrongs.

March 17. Thursday. I have been making pencils all day, and then at evening walked to see an old schoolmate who is going to help make the Welland Canal navigable for ships round Niagara. He cannot see any such motives and modes of living as I; professes not to look beyond the securing of certain "creature comforts." And so we go silently different ways, with all serenity, I in the still moonlight through the village this fair evening to write these thoughts in my journal, and he, forsooth, to mature his schemes to ends as good, maybe, but different. So are we two made, while the same stars shine quietly over us. If I or he be wrong, Nature yet consents placidly. She bites her lip and smiles to see how her children will agree. So does the Welland Canal get built, and other conveniences, while I live. Well and good, I must confess. Fast sailing ships are hence not detained.

March 17. Thursday. I’ve been making pencils all day, and then this evening I walked to see an old schoolmate who is going to help make the Welland Canal navigable for ships around Niagara. He doesn’t see the same motivations or ways of living that I do; he claims he only cares about securing certain "creature comforts." So we part ways quietly but without any hard feelings. I stroll through the village in the calm moonlight on this lovely evening to write my thoughts in my journal, while he, of course, focuses on developing his plans, which may be just as valid but are different. That’s just how we are, even as the same stars shine down on us. Whether I'm right or he's wrong, Nature still looks on serenely. She just shakes her head and smiles at how her children find common ground. This is how the Welland Canal gets built, along with other conveniences, while I live my life. Well and good, I must admit. Fast sailing ships aren't held up because of it.

What means this changing sky, that now I freeze and contract and go within myself to warm me, and now I 336 say it is a south wind, and go all soft and warm along the way? I sometimes wonder if I do not breathe the south wind.

What does this changing sky mean, that one moment I'm freezing and curling up inside myself to get warm, and the next I’m saying it’s a warm southern breeze and feel all soft and cozy along the way? I sometimes wonder if I'm not breathing in that southern wind.

March 18. Friday. Whatever book or sentence will bear to be read twice, we may be sure was thought twice. I say this thinking of Carlyle, who writes pictures or first impressions merely, which consequently will only bear a first reading. As if any transient, any new, mood of the best man deserved to detain the world long. I should call Carlyle's writing essentially dramatic, excellent acting, entertaining especially to those who see rather than those who hear, not to be repeated more than a joke. If he did not think who made the joke, how shall we think who hear it? He never consults the oracle, but thinks to utter oracles himself. There is nothing in his books for which he is not, and does not feel, responsible. He does not retire behind the truth he utters, but stands in the foreground. I wish he would just think, and tell me what he thinks, appear to me in the attitude of a man with his ear inclined, who comes as silently and meekly as the morning star, which is unconscious of the dawn it heralds, leading the way up the steep as though alone and unobserved in its observing, without looking behind. He is essentially a humorist. But humors will not feed a man; they are the least satisfactory morsel to the healthy appetite. They circulate; I want rather to meet that about which they circulate. The heart is not a humor, nor do they go to the heart, as the blood does.[352] 337

March 18. Friday. Any book or sentence that can be read twice has definitely been considered more than once. I think of Carlyle, who writes more like he’s sharing snapshots or first thoughts, which means they probably only resonate after the first read. As if any fleeting or new mood from even the best person is worthy of lingering in the world for long. I would say Carlyle's writing is primarily dramatic, great acting that’s especially entertaining for those who see things instead of just hearing them; it shouldn’t be repeated more than a joke. If he doesn't consider who made the joke, why should we think about it when we hear it? He never seeks wisdom from others but seems to think he's capable of delivering wisdom himself. There’s nothing in his books that he isn’t, or doesn’t feel, accountable for. He doesn’t hide behind the truths he shares, but stands front and center. I wish he would just reflect and share his thoughts, appearing to me like a man with his ear tuned in, arriving as quietly and humbly as the morning star, which doesn’t realize the dawn it announces, making its way up the slope as if alone and unnoticed in its observation, without looking back. He is fundamentally a humorist. But humor alone won’t sustain a person; it’s the least satisfying bite for a healthy appetite. They circulate; what I really want is to encounter the core of what they surround. The heart isn’t a joke, nor do jokes reach the heart, like blood does.[352] 337

March 19. Saturday. When I walk in the fields of Concord and meditate on the destiny of this prosperous slip of the Saxon family, the unexhausted energies of this new country, I forget that this which is now Concord was once Musketaquid, and that the American race has had its destiny also. Everywhere in the fields, in the corn and grain land, the earth is strewn with the relics of a race which has vanished as completely as if trodden in with the earth. I find it good to remember the eternity behind me as well as the eternity before. Wherever I go, I tread in the tracks of the Indian. I pick up the bolt which he has but just dropped at my feet. And if I consider destiny I am on his trail. I scatter his hearthstones with my feet, and pick out of the embers of his fire the simple but enduring implements of the wigwam and the chase. In planting my corn in the same furrow which yielded its increase to his support so long, I displace some memorial of him.

March 19. Saturday. When I walk through the fields of Concord and reflect on the fate of this thriving branch of the Saxon family, and the endless energies of this new country, I forget that what is now Concord was once Musketaquid, and that the American race has its own fate as well. Everywhere in the fields, in the corn and grain fields, the earth is scattered with the remnants of a race that has disappeared as completely as if it had been buried in the ground. I find it valuable to remember the eternity behind me just as much as the eternity ahead. Wherever I go, I walk in the footsteps of the Indian. I pick up the bolt he has just dropped at my feet. And if I think about fate, I’m following his path. I scatter his hearthstones with my feet and pull from the ashes of his fire the simple yet lasting tools of the wigwam and the hunt. In planting my corn in the same furrow that provided for him for so long, I disturb some reminder of him.

I have been walking this afternoon over a pleasant field planted with winter rye, near the house, where this strange people once had their dwelling-place. Another species of mortal men, but little less wild to me than the musquash they hunted. Strange spirits, dæmons, whose eyes could never meet mine; with another nature and another fate than mine. The crows flew over the edge of the woods, and, wheeling over my head, seemed to rebuke, as dark-winged spirits more akin to the Indian than I. Perhaps only the present disguise of the Indian. If the new has a meaning, so has the old.[353]

I’ve been walking this afternoon through a nice field of winter rye, close to the house where these strange people used to live. They felt like a different kind of humans, almost as wild to me as the muskrats they hunted. Strange spirits, demons, whose eyes could never meet mine; they had a different nature and a different destiny than I do. Crows flew over the edge of the woods, circling above me, seeming to criticize, like dark-winged spirits more similar to the Indian than I am. Maybe it’s just the current disguise of the Indian. If the new has a meaning, then so does the old.[353]

Nature has her russet hues as well as green. Indeed, 338 our eye splits on every object, and we can as well take one path as the other. If I consider its history, it is old; if its destiny, it is new. I may see a part of an object, or the whole. I will not be imposed on and think Nature is old because the season is advanced. I will study the botany of the mosses and fungi on the decayed [wood], and remember that decayed wood is not old, but has just begun to be what it is. I need not think of the pine almond[354] or the acorn and sapling when I meet the fallen pine or oak, more than of the generations of pines and oaks which have fed the young tree. The new blade of the corn, the third leaf of the melon, these are not green but gray with time, but sere in respect of time.

Nature has her rusty colors as well as green. Indeed, 338 our eyes focus on every object, and we can choose one path just as easily as the other. If I look at its history, it’s old; if I consider its future, it’s new. I can see a part of an object or the whole thing. I won’t be fooled into thinking Nature is old just because the season has progressed. I will explore the botany of the mosses and fungi on the decayed [wood], and remember that decayed wood isn't old; it has just started to become what it is. I don't need to think about the pine nut[354] or the acorn and sapling when I encounter the fallen pine or oak, any more than I need to consider the generations of pines and oaks that have nourished the young tree. The new blade of corn, the third leaf of the melon, these aren't just green but have become gray with time, yet are withered in relation to time.

The pines and the crows are not changed, but instead that Philip and Paugus stand on the plain, here are Webster and Crockett. Instead of the council-house is the legislature. What a new aspect have new eyes given to the land! Where is this country but in the hearts of its inhabitants? Why, there is only so much of Indian America left as there is of the American Indian in the character of this generation.

The pines and the crows are still the same, but instead of Philip and Paugus standing on the plain, it's now Webster and Crockett. The council house has been replaced by the legislature. What a fresh perspective new eyes have brought to this land! Where is this country if not in the hearts of its people? There's only as much of Indian America left as there is of the American Indian in the character of this generation.

A blithe west wind is blowing over all. In the fine flowing haze, men at a distance seem shadowy and gigantic, as ill-defined and great as men should always be. I do not know if yonder be a man or a ghost.

A cheerful west wind is blowing over everything. In the soft, flowing haze, people in the distance look shadowy and enormous, as vague and impressive as people always should be. I can't tell if that's a man or a ghost over there.

What a consolation are the stars to man!—so high and out of his reach, as is his own destiny. I do not know 339 but my life is fated to be thus low and grovelling always. I cannot discover its use even to myself. But it is permitted to see those stars in the sky equally useless, yet highest of all and deserving of a fair destiny. My fate is in some sense linked with that of the stars, and if they are to persevere to a great end, shall I die who could conjecture it? It surely is some encouragement to know that the stars are my fellow-creatures, for I do not suspect but they are reserved for a high destiny. Has not he who discovers and names a planet in the heavens as long a year as it? I do not fear that any misadventure will befall them. Shall I not be content to disappear with the missing stars? Do I mourn their fate?

What a comfort the stars are to us humans!—so distant and out of our reach, just like our own fate. I don't know why, but it seems my life is stuck in this low, miserable state forever. I can’t even figure out its purpose for me. But it’s nice to see those stars in the sky, equally pointless, yet the highest of all and deserving of something better. My fate is somehow connected to the stars, and if they’re meant to come to something great, who am I to say that I won’t? It’s definitely uplifting to know that the stars are like my fellow beings, and I have no doubt they’re destined for greatness. Doesn’t the person who discovers and names a planet in the sky get to experience time as long as it does? I’m not worried that anything bad will happen to them. Shouldn't I be okay with fading away alongside the missing stars? Do I really lament their fate?

Man's moral nature is a riddle which only eternity can solve.

Man's moral nature is a puzzle that only eternity can figure out.

I see laws which never fail, of whose failure I never conceived. Indeed I cannot detect failure anywhere but in my fear. I do not fear that right is not right, that good is not good, but only the annihilation of the present existence. But only that can make me incapable of fear. My fears are as good prophets as my hopes.

I see laws that never fail, and I never imagined they could. In fact, I can't find failure anywhere except in my own fear. I don't fear that what's right isn't right or that what's good isn't good, but only the total destruction of my current existence. But that alone can make me fearless. My fears are just as reliable as my hopes.

March 20. Sunday. My friend is cold and reserved because his love for me is waxing and not waning. These are the early processes; the particles are just beginning to shoot in crystals. If the mountains came to me, I should no longer go to the mountains. So soon as that consummation takes place which I wish, it will be past. Shall I not have a friend in reserve? Heaven is to come. I hope this is not it. 340

March 20. Sunday. My friend is distant and aloof because his love for me is growing stronger, not fading. These are the early stages; the particles are just starting to form crystals. If the mountains came to me, I wouldn't need to go to the mountains anymore. Once that outcome happens, which I desire, it will be over. Shouldn’t I keep a friend in reserve? Something better is coming. I hope this isn’t it. 340

Words should pass between friends as the lightning passes from cloud to cloud. I don't know how much I assist in the economy of nature when I declare a fact. Is it not an important part in the history of the flower that I tell my friend where I found it? We do [not] wish friends to feed and clothe our bodies,—neighbors are kind enough for that,—but to do the like offices to ourselves.[355] We wish to spread and publish ourselves, as the sun spreads its rays; and we toss the new thought to the friend, and thus it is dispersed. Friends are those twain who feel their interests to be one. Each knows that the other might as well have said what he said. All beauty, all music, all delight springs from apparent dualism but real unity. My friend is my real brother. I see his nature groping yonder like my own. Does there go one whom I know? then I go there.

Words should flow between friends like lightning jumping from cloud to cloud. I’m not sure how much I contribute to nature's balance when I share a fact. Isn't it crucial to the story of a flower when I tell my friend where I found it? We don't want friends just to feed and clothe our bodies—neighbors are good for that—but to do the same for our spirits. We want to share and express ourselves, like the sun spreads its rays; we toss new ideas to our friends, and that’s how they spread. Friends are those two who feel their interests are the same. Each knows the other could just as easily have said what he said. All beauty, all music, all joy comes from the appearance of separation but the reality of unity. My friend is my true brother. I see his essence reaching out just like my own. If I see someone I know, then I go there.

The field where friends have met is consecrated forever. Man seeks friendship out of the desire to realize a home here. As the Indian thinks he receives into himself the courage and strength of his conquered enemy, so we add to ourselves all the character and heart of our friends. He is my creation. I can do what I will with him. There is no possibility of being thwarted; the friend is like wax in the rays that fall from our own hearts.

The place where friends have gathered is sacred forever. People seek friendship out of a desire to create a home here. Just as an Indian believes he absorbs the courage and strength of his defeated enemy, we take on the character and spirit of our friends. They are my creation. I can shape them as I wish. There’s no chance of being held back; a friend is like wax warmed by the light that comes from our own hearts.

The friend does not take my word for anything, but he takes me. He trusts me as I trust myself. We only need be as true to others as we are to ourselves, that there may be ground enough for friendship. In the beginnings of friendship,—for it does not grow,—we realize such love and justice as are attributed to God. 341

The friend doesn't believe everything I say, but he believes in me. He trusts me just like I trust myself. We just need to be as honest with others as we are with ourselves, so there's enough foundation for friendship. In the early stages of friendship—because it doesn't just happen naturally—we experience a love and fairness that people often associate with God. 341

Very few are they from whom we derive any information. The most only announce and tell tales, but the friend in-forms.

Very few people give us any information. Most just share stories and gossip, but a true friend in-forms.

What is all nature and human life at this moment, what the scenery and vicinity of a human soul, but the song of an early sparrow from yonder fences, and the cackling hens in the barn? So for one while my destiny loiters within ear-shot of these sounds. The great busy Dame Nature is concerned to know how many eggs her hens lay. The Soul, the proprietor of the world, has an interest in the stacking of hay, the foddering of cattle, and the draining of peat meadows. Away in Scythia, away in India, they make butter and cheese for its larder.[356] I wish that in some page of the Testament there were something like Charlemagne's egg account. Was not Christ interested in the setting hens of Palestine?

What is all of nature and human life at this moment, what is the scenery and surroundings of a human soul, but the song of an early sparrow from those fences over there, and the clucking hens in the barn? For a while, my destiny hangs out, within earshot of these sounds. The great, busy Mother Nature wants to know how many eggs her hens lay. The Soul, the owner of the world, cares about stacking hay, feeding cattle, and draining peat meadows. Far away in Scythia, far away in India, they make butter and cheese for its pantry. I wish there were something like Charlemagne's egg account in some page of the Testament. Wasn't Christ interested in the laying hens of Palestine?

Nature is very ample and roomy. She has left us plenty of space to move in. As far as I can see from this window, how little life in the landscape! The few birds that flit past do not crowd; they do not fill the valley. The traveller on the highway has no fellow-traveller for miles before or behind him. Nature was generous and not niggardly, certainly.

Nature is vast and spacious. She has given us plenty of room to move around. From what I can see from this window, there’s very little life in the landscape! The few birds that fly by don’t crowd together; they don’t fill the valley. The traveler on the highway has no one else around for miles in front or behind. Nature was generous and definitely not stingy.

How simple is the natural connection of events. We complain greatly of the want of flow and sequence in books, but if the journalist only move himself from Boston to New York, and speak as before, there is link enough. And so there would be, if he were as careless of connection and order when he stayed at home, and 342 let the incessant progress which his life makes be the apology for abruptness. Do I not travel as far away from my old resorts, though I stay here at home, as though I were on board the steamboat? Is not my life riveted together? Has not it sequence? Do not my breathings follow each other naturally?

How straightforward is the natural flow of events. We often complain about the lack of coherence and order in books, but if a journalist simply travels from Boston to New York and speaks as he usually does, that’s enough of a connection. And it would be the same if he were just as indifferent about continuity and organization while staying at home, allowing the constant evolution of his life to justify any abruptness. Am I not exploring new places even though I’m at home, just as if I were on a steamboat? Isn’t my life interconnected? Doesn’t it have a sequence? Don’t my breathing patterns follow each other naturally?

March 21.[357] Who is old enough to have learned from experience?

March 21.[357] Who is old enough to have learned from experience?

March 22. Tuesday. Nothing can be more useful to a man than a determination not to be hurried.

March 22. Tuesday. Nothing is more valuable to a person than the resolve to not be rushed.

I have not succeeded if I have an antagonist who fails. It must be humanity's success.

I haven't succeeded if my opponent fails. It has to be a success for all humanity.

I cannot think nor utter my thought unless I have infinite room. The cope of heaven is not too high, the sea is not too deep, for him who would unfold a great thought. It must feed me and warm and clothe me. It must be an entertainment to which my whole nature is invited. I must know that the gods are to be my fellow-guests.

I can't think or express my thoughts unless I have plenty of space. The sky isn't too high, and the ocean isn't too deep for someone wanting to share a big idea. It needs to nourish me and keep me warm and dressed. It should be an experience that involves my entire being. I need to feel that the gods will be my companions.

We cannot well do without our sins; they are the highway of our virtue.

We can't really do without our sins; they're the path to our virtues.

March 23. Wednesday. Plain speech is always a desideratum. Men write in a florid style only because they 343 would match the simple beauties of the plainest speech. They prefer to be misunderstood, rather than come short of its exuberance. Hussein Effendi praises the epistolary style of Ibrahim Pasha to the French traveller Botta, because of "the difficulty of understanding it: there was, he said, but one person at Jidda who was capable of understanding and explaining the Pasha's correspondence." A plain sentence, where every word is rooted in the soil, is indeed flowery and verdurous. It has the beauty and variety of mosaic with the strength and compactness of masonry. All fullness looks like exuberance. We are not rich without superfluous wealth; but the imitator only copies the superfluity. If the words were sufficiently simple and answering to the thing to be expressed, our sentences would be as blooming as wreaths of evergreen and flowers.[358] You cannot fill a wine-glass quite to the brim without heaping it. Simplicity is exuberant.

March 23. Wednesday. Direct language is always a necessity. People write in an elaborate style only because they 343 want to compare to the simple beauty of the most straightforward speech. They’d rather be misunderstood than lack its vibrancy. Hussein Effendi praises the letter-writing style of Ibrahim Pasha to the French traveler Botta because of "the difficulty of understanding it: there was, he said, only one person in Jidda who could understand and explain the Pasha's correspondence." A simple sentence, where each word is grounded, is truly lush and green. It possesses the beauty and variety of a mosaic with the strength and solidity of brickwork. All fullness appears to be exuberant. We aren’t wealthy without excess; but the imitator merely replicates that excess. If the words were simple enough and appropriate to what needs to be expressed, our sentences would blossom like wreaths of evergreen and flowers. [358] You can’t fill a wine glass all the way to the top without spilling it. Simplicity is vibrant.

When I look back eastward over the world, it seems to be all in repose. Arabia, Persia, Hindostan are the land of contemplation. Those Eastern nations have perfected the luxury of idleness. Mount Sabér, according to the French traveller and naturalist Botta, is celebrated for producing the Kát tree. "The soft tops of the twigs and tender leaves are eaten," says his reviewer, "and produce an agreeable soothing excitement, restoring from fatigue, banishing sleep, and disposing to the enjoyment of conversation." What could be more dignified than to browse the tree-tops with the camelopard? Who would not be a rabbit or partridge sometimes, 344 to chew mallows and pick the apple tree buds? It is not hard to discover an instinct for the opium and betel and tobacco chewers.[359]

When I look back east over the world, it seems to be completely at rest. Arabia, Persia, and Hindostan are lands of reflection. Those Eastern countries have mastered the art of relaxation. Mount Sabér, according to the French traveler and naturalist Botta, is known for producing the Kát tree. "The soft tips of the branches and tender leaves are eaten," says his reviewer, "and create a pleasant, calming effect, relieving fatigue, warding off sleep, and encouraging enjoyable conversation." What could be more dignified than browsing the treetops with a giraffe? Who wouldn't want to be a rabbit or a partridge sometimes, to munch on mallows and nibble on apple tree buds? It's easy to see the appeal for those who enjoy opium, betel, and tobacco.

After all, I believe it is the style of thought entirely, and not the style of expression, which makes the difference in books. For if I find any thought worth extracting, I do not wish to alter the language. Then the author seems to have had all the graces of eloquence and poetry given him.

After all, I believe it’s the style of thinking, not the way of expressing it, that makes the difference in books. Because if I find any thought worth sharing, I don’t want to change the wording. Then the author seems to possess all the elegance of eloquence and poetry.

I am pleased to discover myself as much a pensioner in Nature as moles and titmice. In some very direct and simple uses to which man puts Nature he stands in this relation to her. Oriental life does not want this grandeur. It is in Sadi and the Arabian Nights and the Fables of Pilpay. In the New England noontide I have discovered more materials of Oriental history than the Sanskrit contains or Sir W. Jones has unlocked. I see why it is necessary there should be such history at all. Was not Asia mapped in my brain before it was in any geography? In my brain is the Sanskrit which contains the history of the primitive times. The Vedas and their Angas are not so ancient as my serenest contemplations.[360] My mind contemplates them, as Brahma his scribe.

I’m happy to find that I’m just as much a part of Nature as moles and chickadees. In some very straightforward and simple ways, humans interact with Nature in this way. Eastern life doesn’t seek this kind of grandeur. It’s found in Sadi and the Arabian Nights and the Fables of Pilpay. In the midday sun of New England, I’ve uncovered more about Eastern history than what’s in Sanskrit or what Sir W. Jones has revealed. I understand why such history is necessary at all. Wasn’t Asia already mapped in my mind before it appeared in any geography book? In my mind is the Sanskrit that contains the story of ancient times. The Vedas and their branches aren't as old as my calmest reflections. My mind considers them, just like Brahma with his scribe.

I occasionally find myself to be nothing at all, because the gods give me nothing to do. I cannot brag; I can only congratulate my masters.

I sometimes feel like I’m not doing anything at all because the gods don’t give me tasks. I can’t brag; I can only praise my masters.

In idleness I am of no thickness, I am thinnest wafer. I never compass my own ends. God schemes for me. 345

In idleness, I am nothing but a thin wafer. I never achieve my own goals. God plans for me. 345

We have our times of action and our times of reflection. The one mood caters for the other. Now I am Alexander, and then I am Homer. One while my hand is impatient to handle an axe or hoe, and at another to [sic] pen. I am sure I write the tougher truth for these calluses on my palms. They give firmness to the sentence. The sentences of a laboring man are like hardened thongs, or the sinews of the deer, or the roots of the pine.[361]

We have our moments of action and our moments of reflection. One mood supports the other. Sometimes I'm Alexander, and other times I'm Homer. At one moment, my hands are eager to grab an axe or a hoe, and at another, a pen. I'm sure that these calluses on my palms help me write tougher truths. They add strength to my sentences. The sentences of a working person are like tough straps, or the sinews of a deer, or the roots of a pine. [361]

March 24. Thursday. Those authors are successful who do not write down to others, but make their own taste and judgment their audience. By some strange infatuation we forget that we do not approve what yet we recommend to others. It is enough if I please myself with writing; I am then sure of an audience.

March 24. Thursday. Successful authors are those who don’t talk down to others but instead trust their own taste and judgment as the audience. In a strange way, we often forget that what we don’t approve of, we still suggest to others. It’s enough for me to enjoy writing; that way, I can be sure there's an audience.

If hoarded treasures can make me rich, have I not the wealth of the planet in my mines and at the bottom of the sea?

If hidden treasures can make me wealthy, don't I hold the riches of the earth in my mines and at the ocean floor?

It is always singular to meet common sense in very old books, as the Veeshnoo Sarma,—as if they could have dispensed with the experience of later times.[362] We had not given space enough to their antiquity for the accumulation of wisdom. We meet even a trivial wisdom in them, as if truth were already hackneyed. The present is always younger than antiquity. A playful wisdom, which has eyes behind as well as before and oversees itself. This pledge of sanity cannot be spared 346 in a book, that it sometimes reflect upon itself, that it pleasantly behold itself, that it hold the scales over itself.[363] The wise can afford to doubt in his wisest moment. The easiness of doubt is the ground of his assurance. Faith keeps many doubts in her pay. If I could not doubt, I should not believe.

It’s always surprising to find common sense in really old books, like those by Veeshnoo Sarma—as if they could have done without the insights gained over time. We haven’t given enough time for their ancient wisdom to build up. Even the simplest wisdom in these texts feels overused, as if the truth is already familiar. The present always seems younger than the past. There’s a playful wisdom that can see both behind and ahead and manages its own perspective. A book needs to sometimes reflect on itself, to take a good look at its own thoughts, and to weigh its own ideas. The wise person can afford to doubt, even at their smartest moments. The ease of doubt is what provides their confidence. Faith holds many doubts close. If I couldn’t doubt, I wouldn’t be able to believe.

It is seen in this old scripture how wisdom is older than the talent of composition. It is a simple and not a compound rock. The story is as slender as the thread on which pearls are strung; it is a spiral line, growing more and more perplexed till it winds itself up and dies like the silkworm in its cocoon. It is an interminable labyrinth. It seems as if the old philosopher could not talk without moving, and each motion were made the apology or occasion for a sentence, but, this being found inconvenient, the fictitious progress of the tale was invented. The story which winds between and around these sentences, these barrows in the desert, these oases, is as indistinct as a camel track between Mourzuk and Darfur, between the Pyramids and the Nile, from Gaza to Jaffa.[364]

It’s clear in this old scripture that wisdom is older than the skill of writing. It’s a simple and not a complicated rock. The story is as delicate as the thread that holds pearls; it’s a winding path, becoming more and more confusing until it wraps itself up and ends like a silkworm in its cocoon. It’s an unending maze. It seems like the old philosopher couldn't speak without moving, and every movement served as a reason or excuse for a sentence, but since this was found to be impractical, the imaginary progression of the story was created. The story that twists between and around these sentences, these mounds in the desert, these oases, is as unclear as a camel track between Mourzuk and Darfur, between the Pyramids and the Nile, from Gaza to Jaffa.[364]

The great thoughts of a wise man seem to the vulgar who do not generalize to stand far apart like isolated mounts; but science knows that the mountains which rise so solitary in our midst are parts of a great mountain-chain, dividing the earth, and the eye that looks into the horizon toward the blue Sierra melting away in the distance may detect their flow of thought. These sentences which take up your common life so easily are not seen to run into ridges, because they are the table-land on 347 which the spectator stands.[365] I do not require that the mountain-peaks be chained together, but by the common basis on which they stand, nor that the path of the muleteer be kept open at so much pains, when they may be bridged by the Milky Way. That they stand frowning upon one another, or mutually reflecting the sun's rays, is proof enough of their common basis.

The profound ideas of a wise person might seem to those who don’t think broadly like isolated mountains; however, science understands that these solitary peaks are part of a vast mountain range that shapes the earth. The eye that gazes at the horizon toward the distant blue Sierra might catch a glimpse of their interconnected thoughts. These ideas, which easily integrate into your everyday life, are not recognized as part of larger ridges because they are the flatland on 347 where the observer stands.[365] I don’t need the mountain peaks to be physically connected, just sharing the same foundation they stand on, nor do I require that the muleteer's path be maintained with so much effort, when it can be crossed by the Milky Way. Their appearance of looming over each other or reflecting the sun’s rays shows enough proof of their shared base.

The book should be found where the sentence is, and its connection be as inartificial. It is the inspiration of a day and not of a moment. The links should be gold also. Better that the good be not united than that a bad man be admitted into their society. When men can select they will. If there be any stone in the quarry better than the rest, they will forsake the rest because of it. Only the good will be quarried.

The book should be located where the sentence is, and its connection should be straightforward. It’s the inspiration of a day, not just a moment. The links should be valuable too. It's better for the good to remain separate than to allow a bad person into their group. When people have the choice, they will choose. If there's any stone in the quarry better than the others, they will leave the rest behind for it. Only the good will be selected.

In these fables the story goes unregarded, while the reader leaps from sentence to sentence, as the traveller leaps from stone to stone while the water rushes unheeded between them.[366]

In these fables, the story is overlooked, while the reader jumps from sentence to sentence, just like a traveler hops from stone to stone while the water rushes by unnoticed between them.[366]

March 25. Friday. Great persons are not soon learned, not even their outlines, but they change like the mountains in the horizon as we ride along.

March 25. Friday. Great people are not easily understood, not even their basic traits, but they change like the mountains on the horizon as we travel.

A man's life should be as fresh as a river. It should be the same channel, but a new water every instant.[367] Some men have no inclination; they have no rapids nor cascades, but marshes, and alligators, and miasma instead.[368] 348

A man's life should be as fresh as a river. It should follow the same path, but flow with new water every moment. Some men lack motivation; they have no swift currents or waterfalls, just swamps, alligators, and stagnant air instead. 348

How insufficient is all wisdom without love! There may be courtesy, there may be good will, there may be even temper, there may be wit, and talent, and sparkling conversation,—and yet the soul pine for life. Just so sacred and rich as my life is to myself will it be to another. Ignorance and bungling with love are better than wisdom and skill without. Our life without love is like coke and ashes,—like the cocoanut in which the milk is dried up. I want to see the sweet sap of living wood in it. Men may be pure as alabaster and Parian marble, elegant as a Tuscan villa, sublime as Terni, but if they are not in society as retiring and inexperienced as children, we shall go join Alaric and the Goths and Vandals. There is no milk mixed with the wine at the entertainment.[369]

How lacking is all wisdom without love! There can be politeness, goodwill, calmness, cleverness, talent, and engaging conversation, yet the soul can still long for life. Just as precious and fulfilling as my life is to me, it will be to someone else. Being ignorant and clumsy with love is better than being wise and skilled without it. Our life without love is like coal and ashes, like a coconut with the milk dried up. I want to see the vibrant sap of living wood in it. People can be as pure as alabaster and Parian marble, elegant as a Tuscan villa, or magnificent as Terni, but if they are not in society behaving as shy and inexperienced as children, we might as well join Alaric and the Goths and Vandals. There is no milk mixed with the wine at the gathering.[369]

Enthusiasm which is the formless material of thought. Comparatively speaking, I care not for the man or his designs who would make the highest use of me short of an all-adventuring friendship. I wish by the behavior of my friend toward me to be led to have such regard for myself as for a box of precious ointment. I shall not be so cheap to myself if I see that another values me.

Enthusiasm is the raw material of thought. Compared to that, I don’t care about the person or their plans who would use me for their own benefit without wanting a fully adventurous friendship. I want my friend’s attitude toward me to inspire me to value myself like a jar of precious ointment. I won’t see myself as less valuable if I notice that someone else appreciates me.

We talk much about education, and yet none will assume the office of an educator. I never gave any one the whole advantage of myself. I never afforded him the culture of my love. How can I talk of charity, who at last withhold the kindness which alone makes charity desirable? The poor want nothing less than me myself, and I shirk charity by giving rags and meat. 349

We talk a lot about education, but no one wants to take on the role of a teacher. I’ve never fully shared myself with anyone. I haven’t given anyone the benefit of my love. How can I discuss charity when I ultimately hold back the kindness that makes charity truly meaningful? The poor need nothing less than me, and I avoid charity by giving away scraps and food. 349

Very dangerous is the talent of composition, the striking out the heart of life at a blow, as the Indian takes off a scalp. I feel as if my life had grown more outward since I could express it.[370]

Very dangerous is the talent of writing, capturing the essence of life in a single stroke, like an Indian taking a scalp. I feel like my life has become more external since I've been able to express it.[370]

What can I give or what deny to another but myself?

What can I offer or refuse to someone else but myself?

The stars are God's dreams, thoughts remembered in the silence of his night.

The stars are God's dreams, thoughts remembered in the silence of His night.

In company, that person who alone can understand you you cannot get out of your mind.

In a group, the one person who truly understands you is the one you can't stop thinking about.

The artist must work with indifferency. Too great interest vitiates his work.

The artist must work with detachment. Excessive interest compromises his work.

March 26. Saturday. The wise will not be imposed on by wisdom. You can tell, but what do you know?

March 26. Saturday. The wise won't be fooled by wisdom. You can explain it, but what do you really understand?

I thank God that the cheapness which appears in time and the world, the trivialness of the whole scheme of things, is in my own cheap and trivial moment. I am time and the world. I assert no independence. In me are summer and winter, village life and commercial routine, pestilence and famine and refreshing breezes, joy and sadness, life and death. How near is yesterday! How far to-morrow! I have seen nails which were driven before I was born. Why do they look old and rusty? Why does not God make some mistake to show to us that time is a delusion? Why did I invent time but to destroy it?

I thank God that the cheapness we see in time and the world, the triviality of the whole situation, is reflected in my own cheap and trivial moment. I am time and the world. I don't claim any independence. In me are summer and winter, village life and commercial routine, disease and famine and refreshing breezes, joy and sadness, life and death. How close yesterday feels! How far away tomorrow seems! I've seen nails driven in before I was born. Why do they look old and rusty? Why doesn't God make some mistake to show us that time is an illusion? Why did I invent time if not to destroy it?

Did you ever remember the moment when you were not mean?

Did you ever think back to the time when you weren't unkind?

Is it not a satire to say that life is organic? 350

Isn't it ironic to say that life is organic? 350

Where is my heart gone? They say men cannot part with it and live.

Where has my heart gone? They say men can't live after losing it.

Are setting hens troubled with ennui? Nature is very kind; does she let them reflect? These long March days, setting on and on in the crevice of a hayloft, with no active employment![371] Do setting hens sleep?

Are hens just sitting there feeling bored? Nature is really generous; does she allow them to think? These long March days, just sitting in the corner of a hayloft, with nothing to do![371] Do sitting hens even sleep?

A book should be a vein of gold ore, as the sentence is a diamond found in the sand, or a pearl fished out of the sea.

A book should be a vein of gold, just as a sentence is a diamond discovered in the sand or a pearl pulled from the sea.

He who does not borrow trouble does not lend it.

He who doesn’t create problems doesn’t pass them on.

I must confess I have felt mean enough when asked how I was to act on society, what errand I had to mankind. Undoubtedly I did not feel mean without a reason, and yet my loitering is not without defense. I would fain communicate the wealth of my life to men, would really give them what is most precious in my gift. I would secrete pearls with the shellfish and lay up honey with the bees for them. I will sift the sunbeams for the public good. I know no riches I would keep back. I have no private good, unless it be my peculiar ability to serve the public. This is the only individual property. Each one may thus be innocently rich. I inclose and foster the pearl till it is grown. I wish to communicate those parts of my life which I would gladly live again myself.

I have to admit I've felt pretty low when people ask how I'm contributing to society or what my purpose is for humanity. I definitely didn’t feel low for no reason, but I also think my hesitation has its justification. I genuinely want to share the richness of my life with others and give them what’s most valuable to me. I would gather pearls with the shellfish and collect honey with the bees for them. I’ll gather sunlight for the benefit of everyone. There’s no wealth I would hold back. I don’t have any personal gain, except for my unique ability to help others. That’s my only personal asset. In this way, everyone can be innocently rich. I nurture and develop the pearl until it’s ready. I want to share those parts of my life that I would happily experience again myself.

It is hard to be a good citizen of the world in any great sense; but if we do render no interest or increase to mankind out of that talent God gave us, we can at 351 least preserve the principle unimpaired. One would like to be making large dividends to society out [of] that deposited capital in us, but he does well for the most part if he proves a secure investment only, without adding to the stock.

It’s tough to be a good global citizen in any significant way; but if we don’t contribute anything meaningful to humanity from the talents God gave us, we can at least keep the principle intact. It would be nice to make big contributions to society from the resources we have, but most people do well if they are just a reliable investment without taking away from what’s already there.

In such a letter as I like there will be the most naked and direct speech, the least circumlocution.

In a letter that I appreciate, there will be the most straightforward and direct language, with the least amount of unnecessary detail.

March 27. Sunday. The eye must be firmly anchored to this earth which beholds birches and pines waving in the breeze in a certain fight, a serene rippling light.

March 27. Sunday. The eye should be firmly focused on this earth that sees birches and pines swaying in the breeze in a specific glow, a calm shimmering light.

Cliffs.—Two little hawks have just come out to play, like butterflies rising one above the other in endless alternation far below me. They swoop from side to side in the broad basin of the tree-tops, with wider and wider surges, as if swung by an invisible pendulum. They stoop down on this side and scale up on that.

Cliffs.—Two small hawks have just come out to play, like butterflies floating above each other in endless rotation far below me. They glide from side to side in the wide expanse of the treetops, with wider and wider movements, as if being swung by an invisible pendulum. They dive down on one side and rise up on the other.

Suddenly I look up and see a new bird, probably an eagle, quite above me, laboring with the wind not more than forty rods off. It was the largest bird of the falcon kind I ever saw. I was never so impressed by any flight. She sailed the air, and fell back from time to time like a ship on her beam ends, holding her talons up as if ready for the arrows. I never allowed before for the grotesque attitudes of our national bird.[372]

Suddenly, I look up and see a new bird, probably an eagle, soaring high above me, battling the wind not more than forty rods away. It was the biggest falcon I’ve ever seen. I’ve never been so captivated by any bird in flight. She glided through the air and occasionally tipped like a ship losing its balance, holding her talons up as if ready to catch something. I had never considered the strange poses of our national bird before. [372]

The eagle must have an educated eye.

The eagle must have a trained eye.

See what a life the gods have given us, set round with pain and pleasure. It is too strange for sorrow; it is too 352 strange for joy. One while it looks as shallow, though as intricate, as a Cretan labyrinth, and again it is a pathless depth. I ask for bread incessantly,—that my life sustain me, as much as meat my body. No man knoweth in what hour his life may come. Say not that Nature is trivial, for to-morrow she will be radiant with beauty. I am as old—as old as the Alleghanies. I was going to say Wachusett, but it excites a youthful feeling, as I were but too happy to be so young.

Look at the life the gods have given us, filled with both pain and pleasure. It’s too odd for sorrow; it’s too odd for joy. Sometimes it seems as simple, yet as complex, as a Cretan labyrinth, and other times it feels like a bottomless abyss. I keep asking for bread—so that my life can support me, just as food supports my body. No one knows when their life will end. Don’t say that Nature is trivial; tomorrow she will shine with beauty. I am as old—as old as the Alleghanies. I was going to say Wachusett, but that stirs a youthful feeling in me, as if I were too eager to be that young.

March 28. Monday. How often must one feel, as he looks back on his past life, that he has gained a talent but lost a character! My life has got down into my fingers. My inspiration at length is only so much breath as I can breathe.

March 28. Monday. How often does one think, while reflecting on his past life, that he has acquired skills but lost his integrity! My life has settled into my hands. My inspiration has finally become just the breath I can take.

Society affects to estimate men by their talents, but really feels and knows them by their characters. What a man does, compared with what he is, is but a small part. To require that our friend possess a certain skill is not to be satisfied till he is something less than our friend.

Society pretends to judge people by their skills, but actually understands and values them based on their character. What a person does is only a small part of who they are. Expecting our friend to have a specific ability means we're not truly satisfied until he becomes something other than our friend.

Friendship should be a great promise, a perennial springtime.

Friendship should be a wonderful promise, a constant renewal of spring.

I can conceive how the life of the gods may be dull and tame, if it is not disappointed and insatiate.

I can imagine how the life of the gods might be boring and restrained, if it isn't filled with disappointment and endless desires.

One may well feel chagrined when he finds he can do nearly all he can conceive.

One might feel disappointed when they realize they can do almost everything they can imagine.

Some books ripple on like a stream, and we feel that the author is in the full tide of discourse. Plato and Jamblichus and Pythagoras and Bacon halt beside 353 them. Long, stringy, slimy thoughts which flow or run together. They read as if written for military men or men of business, there is such a dispatch in them, and a double-quick time, a Saratoga march with beat of drum. But the grave thinkers and philosophers seem not to have got their swaddling-clothes off; they are slower than a Roman army on its march, the rear encampment to-night where the van camped last night. The wise Jamblichus eddies and gleams like a watery slough.

Some books flow like a stream, and we get the sense that the author is fully engaged in the conversation. Plato, Jamblichus, Pythagoras, and Bacon pause alongside them. They have long, tangled, muddled ideas that seem to blend together. They read as if they were written for soldiers or businesspeople, there’s such urgency and a fast pace, like a quick march with the sound of drums. But the serious thinkers and philosophers seem not to have shed their baby blankets; they move slower than a Roman army on the move, with the rear camp setting up where the front camp was just last night. The wise Jamblichus swirls and sparkles like a murky swamp.

But the reviewer seizes the pen and shouts, "Forward! Alamo and Fanning!" and after rolls the tide of war. Immediately the author discovers himself launched, and if the slope was easy and the grease good, does not go to the bottom.

But the reviewer grabs the pen and yells, "Let’s go! Alamo and Fanning!" and then the tide of war starts rolling in. Right away, the author realizes he’s been thrown into the mix, and if the path is smooth and the support is strong, he won’t sink.

They flow as glibly as mill-streams sucking under a race-way. The flow is ofttimes in the poor reader who makes such haste over their pages, as to the traveller the walls and fences seem to travel. But the most rapid trot is no flow after all.[373]

They move as smoothly as a stream running under a dam. The movement often happens to the poor reader who rushes through the pages, just like how a traveler perceives walls and fences as moving. But even the fastest pace isn't really a flow after all.[373]

If I cannot chop wood in the yard, can I not chop wood in my journal? Can I not give vent to that appetite so? I wish to relieve myself of superfluous energy. How poor is the life of the best and wisest! The petty side will appear at last. Understand once how the best in society live,—with what routine, with what tedium and insipidity, with what grimness and defiance, with what chuckling over an exaggeration of the sunshine. Altogether, are not the actions of your great man poor, even pitiful and ludicrous? 354

If I can't chop wood in the yard, can I chop wood in my journal instead? Can't I express that desire in this way? I want to let go of all this extra energy. How dull is the life of the best and smartest! Eventually, the trivial side will show itself. Just think about how the best in society live—what a routine, what boredom and blandness, what seriousness and resistance, and how they laugh at exaggerating the brightness of the sun. Aren't the actions of these great individuals pathetic, even ridiculous? 354

I am astonished, I must confess, that man looks so respectable in nature, considering the littlenesses Socrates must descend to in the twenty-four hours, that he yet wears a serene countenance and even adorns nature.

I’m amazed, I have to admit, that a person appears so respectable in nature, considering the small things Socrates has to deal with throughout the day, yet he still maintains a calm demeanor and even enhances nature.

March 29. Tuesday.

March 29, Tuesday.

March 30. Wednesday. Though Nature's laws are more immutable than any despot's, yet to our daily life they rarely seem rigid, but we relax with license in summer weather. We are not often nor harshly reminded of the things we may not do. I am often astonished to see how long, and with what manifold infringements of the natural laws, some men I meet in the highway maintain life. She does not deny them quarter; they do not die without priest. All the while she rejoices, for if they are not one part of her they are another. I am convinced that consistency is the secret of health. How many a poor man, striving to live a pure life, pines and dies after a life of sickness, and his successors doubt if Nature is not pitiless; while the confirmed and consistent sot, who is content with his rank life like mushrooms, a mass of corruption, still dozes comfortably under a hedge. He has made his peace with himself; there is no strife. Nature is really very kind and liberal to all persons of vicious habits. They take great licenses with her. She does not exhaust them with many excesses.[374]

March 30. Wednesday. Although the laws of nature are more unchangeable than any dictator's, they rarely feel strict in our everyday lives, especially when summer comes around. We aren't often or harshly reminded of what we shouldn't do. I'm often amazed at how long some people I see on the road can keep going, despite breaking so many natural laws. Nature doesn't hold back from them; they don't pass away without a priest. All the while, she takes joy in it, because whether they are part of her or not, they still belong to her in some way. I believe that consistency is the key to health. How many poor souls, trying to lead a pure life, suffer and die after enduring sickness, while their descendants wonder if nature is truly heartless? Meanwhile, the habitual drinker, who settles into his lowly existence like mushrooms, a mass of decay, continues to doze peacefully under a hedge. He's made peace with himself; there's no conflict. Nature is, in fact, very kind and generous to all those with bad habits. They take great liberties with her, and she doesn't wear them out with many excesses.[374]

How hard it is to be greatly related to mankind! They are only my uncles and aunts and cousins. I hear 355 of some persons greatly related, but only he is so who has all mankind for his friend. Our intercourse with the best grows soon shallow and trivial. They no longer inspire us. After enthusiasm comes insipidity and blankness. The sap of all noble schemes drieth up, and the schemers return again and again in despair to "common sense and labor." If I could help infuse some life and heart into society, should I not do a service? Why will not the gods mix a little of the wine of nobleness with the air we drink? Let virtue have some firm foothold in the earth. Where does she dwell? Who are the salt of the earth? May not Love have some resting-place on the earth as sure [as] the sunshine on the rock? The crystals imbedded in the cliff sparkle and gleam from afar, as if they did certainly enrich our planet; but where does any virtue permanently sparkle and gleam? She was sent forth over the waste too soon, before the earth was prepared for her.

How difficult it is to feel deeply connected to humanity! They are just my uncles, aunts, and cousins. I hear about some people who are truly connected, but the only one who really is, is the one who counts all of humanity as friends. Our interactions with the best among us quickly become shallow and trivial. They no longer inspire us. After enthusiasm, we are left with dullness and emptiness. The energy for all noble ideas dries up, and the dreamers return over and over in frustration to "common sense and hard work." If I could help bring some life and passion into society, wouldn’t that be a worthwhile contribution? Why won't the gods mix a little of the wine of greatness with the air we breathe? Let virtue have some solid ground to stand on. Where does she exist? Who are the ones who really make the world better? Can Love not find a place to settle on earth as certain as the sunshine on the rocks? The crystals embedded in the cliff sparkle and shine from a distance, as if they truly enrich our planet; but where does any true virtue shine and glimmer permanently? She was sent out into the wilderness too soon, before the world was ready for her.

Rightfully we are to each other the gate of heaven and redeemers from sin, but now we overlook these lowly and narrow ways. We will go over the bald mountain-tops without going through the valleys.

Rightly, we are each other's gateway to heaven and saviors from sin, but now we ignore these humble and narrow paths. We will climb the bare mountain tops without traversing the valleys.

Men do not after all meet on the ground of their real acquaintance and actual understanding of one another, but degrade themselves immediately into the puppets of convention. They do as if, in given circumstances, they had agreed to know each other only so well. They rarely get to that [point] that they inform one another gratuitously, and use each other like the sea and woods for what is new and inspiring there. 356

Men don’t really connect based on true familiarity and understanding of each other; instead, they quickly turn into mere puppets of social norms. They act as if, under certain circumstances, they’ve agreed to know one another only to a limited extent. They seldom reach the point where they share openly and use each other like the ocean and forests for inspiration and fresh ideas. 356

The best intercourse and communion they have is in silence above and behind their speech. We should be very simple to rely on words. As it is, what we knew before always interprets a man's words. I cannot easily remember what any man has said, but how can I forget what he is to me? We know each other better than we are aware; we are admitted to startling privacies with every person we meet, and in some emergency we shall find how well we knew him. To my solitary and distant thought my neighbor is shorn of his halo, and is seen as privately and barely as a star through a glass.

The most meaningful connections we have happen in the silence that exists above and behind our words. We should be quite naive to depend only on language. As it is, our prior understanding always shapes how we interpret someone’s words. I can’t easily recall what anyone has said, but how could I forget what they mean to me? We understand each other better than we realize; we share surprising intimacies with everyone we encounter, and in a moment of crisis, we’ll discover just how well we understood them. In my solitary and distant thoughts, my neighbor loses his ideal image and appears as simply and faintly as a star seen through a lens.

March 31. Thursday. I cannot forget the majesty of that bird at the Cliff. It was no sloop or smaller craft hove in sight, but a ship of the line, worthy to struggle with the elements. It was a great presence, as of the master of river and forest. His eye would not have quailed before the owner of the soil; none could challenge his rights. And then his retreat, sailing so steadily away, was a kind of advance. How is it that man always feels like an interloper in nature, as if he had intruded on the domains of bird and beast?[375]

March 31. Thursday. I can’t forget the majesty of that bird at the Cliff. It wasn't a small boat or anything like that, but a powerful ship, ready to take on the elements. It had a strong presence, like the master of the river and forest. Its gaze wouldn’t have faltered before the landowner; no one could question its rights. And then its departure, gliding away so smoothly, felt like a kind of progress. Why does man always feel like an intruder in nature, as if he’s trespassing on the territories of birds and animals?[375]

The really efficient laborer will be found not to crowd his day with work, but will saunter to his task surrounded by a wide halo of ease and leisure. There will be a wide margin for relaxation to his day. He is only earnest to secure the kernels of time, and does not exaggerate the value of the husk. Why should the hen set all day? She can lay but one egg, and besides she will 357 not have picked up materials for a new one. Those who work much do not work hard.[376]

The really efficient worker isn’t someone who fills their day with nonstop tasks; instead, they approach their work with a sense of ease and leisure. Their day includes plenty of time for relaxation. They focus on making the most of their time and don’t overvalue minor distractions. Why should a hen sit all day? She can only lay one egg, and if she spends all her time sitting, she won’t have gathered what she needs for another one. People who do a lot of work don’t necessarily work hard.

Nothing is so rare as sense. Very uncommon sense is poetry, and has a heroic or sweet music. But in verse, for the most part, the music now runs before and then behind the sense, but is never coincident with it. Given the metre, and one will make music while another makes sense. But good verse, like a good soldier, will make its own music, and it will march to the same with one consent. In most verse there is no inherent music. The man should not march, but walk like a citizen. It is not time of war but peace. Boys study the metres to write Latin verses, but it does not help them to write English.

Nothing is as rare as common sense. True common sense is like poetry and has a heroic or beautiful sound. But in most poems, the rhythm often comes before or after the meaning, but never aligns with it. Given the meter, one person might create a melody while another conveys meaning. But good poetry, like a good soldier, creates its own music and moves in harmony with it. In most poetry, there's no inherent musicality. People should walk like citizens, not march. This isn’t a time for war but for peace. Boys study the meters to write Latin poetry, but it doesn’t help them write in English.

Lydgate's "Story of Thebes," intended for a Canterbury Tale, is a specimen of most unprogressive, unmusical verse. Each line rings the knell of its brother, as if it were introduced but to dispose of him. No mortal man could have breathed to that cadence without long intervals of relaxation; the repetition would have been fatal to the lungs. No doubt there was much healthy exercise taken in the meanwhile. He should forget his rhyme and tell his story, or forget his story and breathe himself.

Lydgate's "Story of Thebes," meant to be part of a Canterbury Tale, is an example of very dull, unmusical verse. Each line sounds like a death knell for the next, as if it exists only to get rid of it. No human could keep up that rhythm without taking long breaks; the repetition would be exhausting. No doubt there was a lot of healthy exercise happening in between. He should either forget his rhyme and just tell his story, or forget his story and catch his breath.

In Shakespeare and elsewhere the climax may be somewhere along the line, which runs as varied and meandering as a country road, but in Lydgate it is nowhere but in the rhyme. The couplets slope headlong to their confluence. 358

In Shakespeare and other works, the climax might appear at various points along a path that twists and turns like a rural road, but in Lydgate's writing, it's only found in the rhyme. The couplets rush together to meet at the end. 358

April 2. Saturday.[377] The Prologue to the Canterbury Tales is full of good sense and humanity, but is not transcendent poetry. It is so good that it seems like faultfinding to esteem it second to any other. For picturesque description of persons it is without a parallel. It did not need inspiration, but a cheerful and easy wit. It is essentially humorous, as no inspired poetry is. Genius is so serious as to be grave and sublime rather. Humor takes a narrower vision—however broad and genial it may be—than enthusiasm. Humor delays and looks back.[378]

April 2. Saturday.[377] The Prologue to the Canterbury Tales is filled with good sense and compassion, but it isn't elevated poetry. It's so well done that it feels like nitpicking to rank it below anything else. For vivid descriptions of characters, it has no equal. It didn’t require grand inspiration, just a lighthearted and witty approach. It’s essentially humorous, which is something inspired poetry isn’t. Genius tends to be serious, often leaning towards the grave and sublime. Humor has a narrower focus—no matter how broad and friendly it might be—compared to enthusiasm. Humor pauses and reflects.[378]

April 3. Sunday. I can remember when I was more enriched by a few cheap rays of light falling on the pond-side than by this broad sunny day. Riches have wings, indeed. The weight of present woe will express the sweetness of past experience. When sorrow comes, how easy it is to remember pleasure! When, in winter, the bees cannot make new honey, they consume the old.

April 3. Sunday. I remember when a few beams of sunlight hitting the pond meant more to me than this bright sunny day. Wealth does have a way of disappearing. The heaviness of current sadness makes the joy of past moments even sweeter. When sorrow strikes, it’s so easy to recall happiness! In winter, when bees can’t create new honey, they rely on the old.

Experience is in the fingers and head. The heart is inexperienced.

Experience is in the hands and mind. The heart is inexperienced.

Sorrow singeth the sweetest strain: "The Daughters of Zion," "The Last Sigh of the Moor."

Sorrow sings the sweetest song: "The Daughters of Zion," "The Last Sigh of the Moor."

Joy is the nectar of flowers, sorrow the honey of bees.

Joy is the sweet essence of flowers, while sorrow is the honey created by bees.

I thank God for sorrow. It is hard to be abused. Is not He kind still, who lets this south wind blow, this warm sun shine on me? 359

I thank God for my pain. It’s tough to be mistreated. But isn't He still kind, allowing this warm south wind to blow and this bright sun to shine on me? 359

I have just heard the flicker among the oaks on the hillside ushering in a new dynasty. It is the age and youth of time. Why did Nature set this lure for sickly mortals? Eternity could not begin with more security and momentousness than the spring. The summer's eternity is reëstablished by this note.[379] All sights and sounds are seen and heard both in time and eternity. And when the eternity of any sight or sound strikes the eye or ear, they are intoxicated with delight.

I just heard the flicker among the oaks on the hillside announcing a new era. It’s the dawn of time and youth. Why did Nature create this temptation for fragile humans? Eternity couldn’t start with more certainty and significance than spring. The summer’s eternity is reaffirmed by this sound.[379] All sights and sounds can be experienced both in time and eternity. And when the eternity of any sight or sound reaches our eyes or ears, we’re overwhelmed with joy.

Sometimes, as through a dim haze, we see objects in their eternal relations; and they stand like Stonehenge and the Pyramids, and we wonder who set them up and what for.

Sometimes, as if through a foggy veil, we see objects in their timeless connections; they stand like Stonehenge and the Pyramids, and we wonder who created them and why.

The destiny of the soul can never be studied by the reason, for its modes are not ecstatic. In the wisest calculation or demonstration I but play a game with myself. I am not to be taken captive by myself.

The fate of the soul can't be understood through reason, because its ways aren't ecstatic. In the most calculated or demonstrated analysis, I’m just playing a game with myself. I shouldn't be trapped by myself.

I cannot convince myself. God must convince. I can calculate a problem in arithmetic, but not any morality.

I can't persuade myself. God has to do that. I can solve a math problem, but I can't figure out any moral dilemma.

Virtue is incalculable, as it is inestimable. Well, man's destiny is but virtue, or manhood. It is wholly moral, to be learned only by the life of the soul. God cannot calculate it. He has no moral philosophy, no ethics. The reason, before it can be applied to such a subject, will have to fetter and restrict it. How can he, step by step, perform that long journey who has not conceived whither he is bound? How can he expect to perform an arduous journey without interruption who has no passport to the end? 360

Virtue is priceless, just like it can't be valued. Well, a person's purpose is all about virtue or being a man. It's entirely moral, something that can only be understood through the life of the soul. God can't put a price on it. He doesn’t have a system of morals or ethics. Before anything can be applied to such a topic, reason will have to limit and constrain it. How can someone, step by step, take that long journey without knowing where they're headed? How can they expect to make a challenging journey without a ticket to the destination? 360

On one side of man is the actual, and on the other the ideal. The former is the province of the reason; it is even a divine light when directed upon it, but it cannot reach forward into the ideal without blindness. The moon was made to rule by night, but the sun to rule by day. Reason will be but a pale cloud, like the moon, when one ray of divine light comes to illumine the soul.

On one side of a person is the real, and on the other, the ideal. The real belongs to reason; it's even a divine light when it's focused on it, but it can't reach into the ideal without losing its way. The moon was meant to shine at night, while the sun was made to shine during the day. Reason will be just a faint cloud, like the moon, when a single ray of divine light comes to light up the soul.

How rich and lavish must be the system which can afford to let so many moons burn all the day as well as the night, though no man stands in need of their light! There is none of that kind of economy in Nature that husbands its stock, but she supplies inexhaustible means to the most frugal methods. The poor may learn of her frugality, and the rich generosity. Having carefully determined the extent of her charity, she establishes it forever; her almsgiving is an annuity. She supplies to the bee only so much wax as is necessary for its cell, so that no poverty could stint it more; but the little economist which fed the Evangelist in the desert still keeps in advance of the immigrant, and fills the cavities of the forest for his repast. 361

How rich and extravagant must be the system that can allow so many moons to shine both day and night, even when no one needs their light! Nature doesn't practice that kind of economy that hoards its resources; instead, it provides endless means for even the most economical methods. The poor can learn from her efficiency, and the rich can learn generosity. After assessing her resources, she sets her charity in stone; her donations are like an annuity. She provides the bee with just enough wax for its cell, ensuring that no poverty could limit it further; yet the little provider that nourished the Evangelist in the desert continues to outpace the newcomer, filling the forest's gaps for his meals. 361

VII
1845-1846
(ÆT. 27-29)

July 5. Saturday. Walden.—Yesterday I came here to live. My house makes me think of some mountain houses I have seen, which seemed to have a fresher auroral atmosphere about them, as I fancy of the halls of Olympus. I lodged at the house of a saw-miller last summer, on the Caatskill Mountains, high up as Pine Orchard, in the blueberry and raspberry region, where the quiet and cleanliness and coolness seemed to be all one,—which had their ambrosial character. He was the miller of the Kaaterskill Falls. They were a clean and wholesome family, inside and out, like their house. The latter was not plastered, only lathed, and the inner doors were not hung. The house seemed high-placed, airy, and perfumed, fit to entertain a travelling god. It was so high, indeed, that all the music, the broken strains, the waifs and accompaniments of tunes, that swept over the ridge of the Caatskills, passed through its aisles. Could not man be man in such an abode? And would he ever find out this grovelling life?[380] It was the very light and atmosphere in which the works of Grecian art were composed, and in which they rest. They have appropriated to themselves a loftier hall than mortals ever occupy, at least on a level with the mountain-brows 362 of the world. There was wanting a little of the glare of the lower vales, and in its place a pure twilight as became the precincts of heaven. Yet so equable and calm was the season there that you could not tell whether it was morning or noon or evening. Always there was the sound of the morning cricket.

July 5. Saturday. Walden.—Yesterday, I moved here to live. My house reminds me of some mountain cabins I've seen, which seemed to have a fresher, heavenly vibe, like the halls of Olympus. Last summer, I stayed at the home of a sawmill operator in the Catskill Mountains, high up in Pine Orchard, in the blueberry and raspberry region, where the quiet, cleanliness, and coolness felt perfectly intertwined, giving it an almost divine quality. He was the miller at Kaaterskill Falls. They were a tidy and healthy family, inside and out, just like their house. The house was not plastered, just lathed, and the inner doors were not hung. It felt elevated, airy, and fragrant, ready to host a wandering god. It was so high that all the sounds—from the music, the broken melodies, the little fragments of tunes—flowed over the ridge of the Catskills and echoed through its halls. Could a person not be fully alive in such a place? Wouldn’t they ever discover the drudgery of ordinary life?[380] This was the very light and atmosphere in which the works of Greek art were created and in which they still exist. They have claimed a grander space than mortals ever inhabit, at least one on par with the mountain slopes 362 of the world. There was just a bit less of the harshness of the lower valleys, replaced instead by a pure twilight more fitting for the realm of heaven. Yet the atmosphere was so even and calm that you could hardly tell whether it was morning, noon, or evening. The sound of the morning cricket was always present.

July 6. I wish to meet the facts of life—the vital facts, which are the phenomena or actuality the gods meant to show us—face to face, and so I came down here. Life! who knows what it is, what it does? If I am not quite right here, I am less wrong than before; and now let us see what they will have. The preacher, instead of vexing the ears of drowsy farmers on their day of rest, at the end of the week,—for Sunday always seemed to me like a fit conclusion of an ill-spent week and not the fresh and brave beginning of a new one,—with this one other draggletail and postponed affair of a sermon, from thirdly to fifteenthly, should teach them with a thundering voice pause and simplicity. "Stop! Avast! Why so fast?"[381] In all studies we go not forward but rather backward with redoubled pauses. We always study antiques with silence and reflection. Even time has a depth, and below its surface the waves do not lapse and roar. I wonder men can be so frivolous almost as to attend to the gross form of negro slavery, there are so many keen and subtle masters who subject us both. Self-emancipation in the West Indies of a man's thinking and imagining provinces, which should be more than his island territory,—one emancipated heart 363 and intellect! It would knock off the fetters from a million slaves.

July 6. I want to confront the realities of life—the essential truths that the gods intended to reveal to us—head-on, and so I came down here. Life! Who really knows what it is or what it does? If I’m not completely right here, I’m definitely less wrong than before; now let’s see what they will have. The preacher, instead of annoying the ears of sleepy farmers on their day of rest at the end of the week—because Sunday has always felt to me like a fitting conclusion to a poorly spent week rather than the fresh and bold start of a new one—should use this one last tedious topic of a sermon, from thirdly to fifteenthly, to teach them with a powerful voice about pause and simplicity. “Stop! Hold on! Why the rush?”
In all our studies, we don’t move forward but rather backward with increased pauses. We always study antiques in silence and contemplation. Even time has a depth, and beneath its surface, the waves don’t just break and crash. I wonder how people can be so trivial as to focus on the harsh reality of slavery; there are so many sharp and subtle forces that control us too. True self-liberation in the West Indies is about freeing a person’s thoughts and imagination, which should matter more than just their land—one liberated heart and mind! It could take the chains off a million slaves.

July 7. I am glad to remember to-night, as I sit by my door, that I too am at least a remote descendant of that heroic race of men of whom there is tradition. I too sit here on the shore of my Ithaca, a fellow-wanderer and survivor of Ulysses. How symbolical, significant of I know not what, the pitch pine stands here before my door! Unlike any glyph I have seen sculptured or painted yet, one of Nature's later designs, yet perfect as her Grecian art. There it is, a done tree. Who can mend it? And now where is the generation of heroes whose lives are to pass amid these our northern pines, whose exploits shall appear to posterity pictured amid these strong and shaggy forms? Shall there be only arrows and bows to go with these pines on some pipe-stone quarry at length? There is something more respectable than railroads in these simple relics of the Indian race. What hieroglyphs shall we add to the pipe-stone quarry?

July 7. I'm glad to remember tonight, as I sit by my door, that I too am at least a distant descendant of that heroic group of men that we hear stories about. I sit here on the shore of my Ithaca, a fellow wanderer and survivor of Ulysses. How symbolic and meaningful, though I’m not sure why, the pitch pine stands here before my door! Unlike any symbol I’ve seen carved or painted, it's one of Nature's later creations, yet perfect like ancient Greek art. There it is, a finished tree. Who can fix it? And now, where is the generation of heroes whose lives will unfold among these northern pines, whose exploits will be remembered by future generations, depicted among these strong and shaggy forms? Will there just be arrows and bows associated with these pines at some pipe-stone quarry eventually? There’s something more admirable than railroads in these simple remnants of the Native American race. What symbols should we add to the pipe-stone quarry?

If we can forget, we have done somewhat; if we can remember, we have done somewhat. Let us remember this.

If we can forget, we've accomplished something; if we can remember, we've accomplished something. Let's keep this in mind.

The Great Spirit makes indifferent all times and places. The place where he is seen is always the same, and indescribably pleasant to all our senses. We had allowed only neighboring and transient circumstances to make our occasions. They were, in fact, the causes of our distractions. But nearest to all things is that power 364 which fashions their being. Next to us the grandest laws are being enacted and administered. Next to us is not the workman whom we have hired, but ever the workman whose work we are. He is at work, not in my backyard, but inconceivably nearer than that. We are the subjects of an experiment how singular! Can we not dispense with the society of our gossips a little while under these circumstances?

The Great Spirit makes all times and places feel the same. The spot where He is seen is always constant and incredibly pleasant to all our senses. We’ve let only nearby and fleeting circumstances shape our experiences. They were, in fact, what distracted us. But closest to everything is that power 364 that creates their existence. Right beside us, the greatest laws are being made and enforced. Right next to us isn’t just the worker we’ve hired, but always the worker whose work we are. He’s working, not just in my backyard, but unimaginably closer than that. We are part of a truly unique experiment! Can we not take a break from the company of our gossips for a little while under these circumstances?

My auxiliaries are the dews and rains,—to water this dry soil,—and genial fatness in the soil itself, which for the most part is lean and effete. My enemies are worms, cool days, and most of all woodchucks. They have nibbled for me an eighth of an acre clean. I plant in faith, and they reap. This is the tax I pay for ousting johnswort and the rest. But soon the surviving beans will be too tough for woodchucks, and then they will go forward to meet new foes.[382]

My helpers are the dew and rain—to hydrate this dry ground—and the rich nutrients in the soil itself, which is mostly poor and exhausted. My enemies are worms, chilly days, and especially woodchucks. They've completely chewed through an eighth of an acre for me. I plant in hope, and they take what's mine. This is the price I pay for getting rid of johnswort and the rest. But soon the remaining beans will be too tough for woodchucks, and then they'll have to face new challenges.[382]

July 14. What sweet and tender, the most innocent and divinely encouraging society there is in every natural object, and so in universal nature, even for the poor misanthrope and most melancholy man! There can be no really black melan-choly to him who lives in the midst of nature and has still his senses. There never was yet such a storm but it was Æolian music to the innocent ear. Nothing can compel to a vulgar sadness a simple and brave man. While I enjoy the sweet friendship of the seasons I trust that nothing can make life a burden to me. This rain which is now watering my 365 beans and keeping me in the house waters me too. I needed it as much. And what if most are not hoed! Those who send the rain, whom I chiefly respect, will pardon me.[383]

July 14. There’s something sweet and gentle about nature; it’s the most innocent and uplifting company, even for the most reclusive and melancholic person! There’s no real deep sadness for anyone who lives surrounded by nature and still has their senses intact. There’s never been a storm that didn’t sound like beautiful music to an innocent ear. A simple and brave person isn’t easily dragged into ordinary sadness. As long as I enjoy the friendly embrace of the seasons, I believe nothing can weigh me down in life. This rain that’s nourishing my 365 beans and keeping me indoors is nourishing me too. I needed it just as much. And so what if some of them aren’t tended to? Those who bring the rain, whom I truly respect, will forgive me.[383]

Sometimes, when I compare myself with other men, methinks I am favored by the gods. They seem to whisper joy to me beyond my deserts, and that I do have a solid warrant and surety at their hands, which my fellows do not. I do not flatter myself, but if it were possible they flatter me. I am especially guided and guarded.[384]

Sometimes, when I compare myself to other men, I feel like the gods have smiled upon me. They seem to whisper joy into my life that I don’t necessarily deserve, and it feels like I have a solid support and assurance from them that my peers lack. I don’t want to deceive myself, but if it were possible, they deceive me. I am particularly guided and protected. [384]

What was seen true once, and sanctioned by the flash of Jove, will always be true, and nothing can hinder it. I have the warrant that no fair dream I have had need fail of its fulfillment.

What was once seen as true and approved by the light of Jove will always be true, and nothing can stop it. I am assured that no beautiful dream I've had will fail to come true.

Here I know I am in good company; here is the world, its centre and metropolis, and all the palms of Asia and the laurels of Greece and the firs of the Arctic Zone incline thither. Here I can read Homer, if I would have books, as well as in Ionia, and not wish myself in Boston, or New York, or London, or Rome, or Greece. In such place as this he wrote or sang. Who should come to my lodge just now but a true Homeric boor, one of those Paphlagonian men? Alek Therien, he called himself; a Canadian now, a woodchopper, a post-maker; makes fifty posts—holes them, i. e.—in a day; and who made his last supper on a woodchuck which his dog caught. And he too has heard of Homer, and if it were not for books, would not know what to do rainy days. Some priest once, who could read glibly 366 from the Greek itself, taught him reading in a measure—his verse, at least, in his turn—away by the Trois Rivières, at Nicolet. And now I must read to him, while he holds the book, Achilles' reproof of Patroclus on his sad countenance.

Here, I know I’m in good company; this is the world, its center and hub, and all the palms of Asia, the laurels of Greece, and the firs from the Arctic lean this way. Here, I can read Homer just as well as in Ionia, and I don’t wish I were in Boston, New York, London, Rome, or Greece. It’s in places like this that he wrote or sang. Who should show up at my lodge right now but a true Homeric character, one of those Paphlagonian types? Alek Therien, he called himself; a Canadian now, a woodchopper, a post-maker; he makes fifty posts—drills the holes in them—in a day. He had his last meal from a woodchuck his dog caught. And he has heard of Homer, and if it weren’t for books, he wouldn’t know what to do on rainy days. Some priest once, who could read fluently from the Greek itself, taught him how to read a little—at least his verse—in Nicolet by Trois Rivières. And now I have to read to him while he holds the book, with Achilles’ scolding of Patroclus reflected on his somber face.

"Why are you in tears, Patroclus, like a young child (girl)?" etc., etc.

"Why are you crying, Patroclus, like a little kid?" etc., etc.

"Or have you only heard some news from Phthia?

"Or have you just heard some news from Phthia?"

They say that Menœtius lives yet, son of Actor,

They say that Menœtius is still alive, son of Actor,

And Peleus lives, son of Æacus, among the Myrmidons,

And Peleus lives, son of Æacus, among the Myrmidons,

Both of whom having died, we should greatly grieve."

Both of them having died, we should feel deep sorrow.

He has a neat[385] bundle of white oak bark under his arm for a sick man, gathered this Sunday morning. "I suppose there's no harm in going after such a thing to-day."[386] The simple man. May the gods send him many woodchucks.

He has a tidy [385] bundle of white oak bark under his arm for a sick man, collected this Sunday morning. "I guess there's no harm in going after something like this today." [386] The simple man. May the gods bless him with plenty of woodchucks.

And earlier to-day came five Lestrigones, railroad men who take care of the road, some of them at least. They still represent the bodies of men, transmitting arms and legs and bowels downward from those remote days to more remote. They have some got a rude wisdom withal, thanks to their dear experience. And one with them, a handsome younger man, a sailor-like, Greek-like man, says: "Sir, I like your notions. I think I shall live so myself. Only I should like a wilder country, where there is more game. I have been among the Indians near Appalachicola. I have lived with them. I like your kind of life. Good day. I wish you success and happiness." 367

And earlier today, five Lestrigones came by, railroad workers who maintain the track, at least some of them do. They still represent the physical bodies of men, passing down their arms and legs and innards from those ancient times to even older ones. They possess a rough kind of wisdom, thanks to their valuable experiences. One of them, a handsome younger guy, who looks like a sailor or a Greek, says: "Sir, I like your ideas. I think I’ll live that way too. I just want to be in a wilder place where there’s more game. I've been with the Indians near Appalachicola. I’ve lived among them. I like your style of life. Have a good day. I wish you success and happiness." 367

Therien said this morning (July 16th, Wednesday), "If those beans were mine, I shouldn't like to hoe them till the dew was off." He was going to his woodchopping. "Ah!" said I, "that is one of the notions the farmers have got, but I don't believe it." "How thick the pigeons are!" said he. "If working every day were not my trade, I could get all the meat I should want by hunting,—pigeons, woodchucks, rabbits, partridges,—by George! I could get all I should want for a week in one day."[387]

Therien said this morning (July 16th, Wednesday), "If those beans were mine, I wouldn’t want to hoe them until the dew was gone." He was on his way to chop wood. "Ah!" I said, "that's just one of those ideas farmers have, but I don't buy it." "The pigeons are so plentiful!" he said. "If working every day wasn’t my job, I could easily get all the meat I wanted by hunting—pigeons, woodchucks, rabbits, partridges—by George! I could get enough for a week in just one day."[387]

I imagine it to be some advantage to live a primitive and frontier life, though in the midst of an outward civilization. Of course all the improvements of the ages do not carry a man backward nor forward in relation to the great facts of his existence.[388]

I think there are benefits to living a simple and adventurous life, even when surrounded by modern society. All the advancements of the times don't really change one's fundamental experiences in life.[388]

Our furniture should be as simple as the Arab's or the Indian's.[389] At first the thoughtful, wondering man plucked in haste the fruits which the boughs extended to him, and found in the sticks and stones around him his implements ready to crack the nut, to wound the beast, and build his house with. And he still remembered that he was a sojourner in nature. When he was refreshed with food and sleep he contemplated his journey again. He dwelt in a tent in this world. He was either threading the valleys, or crossing the plains, or climbing the mountain-tops.[390]

Our furniture should be as simple as that of the Arab or the Indian.[389] At first, the thoughtful, curious person quickly grabbed the fruits that the branches offered him, discovering that the sticks and stones around were perfect tools to crack nuts, hunt animals, and build his shelter. He always kept in mind that he was a traveler in nature. After he refueled with food and rest, he reflected on his journey once more. He lived in a tent in this world, either wandering through valleys, crossing plains, or climbing mountain peaks.[390]

Now the best works of art serve comparatively but 368 to dissipate the mind, for they themselves represent transitionary and paroxysmal, not free and absolute, thoughts.

Now the best works of art actually do little more than 368 cloud the mind, because they embody fleeting and intense, not free and absolute, thoughts.

Men have become the tools of their tools. The man who independently plucked the fruits when he was hungry is become a farmer.[391]

Men have become the tools of their tools. The person who once independently picked fruit when they were hungry has become a farmer.[391]

There are scores of pitch pines in my field, from one to three inches in diameter, girdled by the mice last winter. A Norwegian winter it was for them, for the snow lay long and deep, and they had to mix much pine meal with their usual diet. Yet these trees have not many of them died, even in midsummer, and laid bare for a foot, but have grown a foot. They seem to do all their gnawing beneath the snow. There is not much danger of the mouse tribe becoming extinct in hard winters, for their granary is a cheap and extensive one.[392]

There are lots of pitch pines in my field, ranging from one to three inches in diameter, that were chewed by the mice last winter. It was a harsh winter for them, with snow that lingered for a long time, forcing them to mix a lot of pine meal into their usual diet. Yet, many of these trees have survived even in midsummer, after being stripped for a foot, and have actually grown a foot. It looks like they do most of their gnawing when covered by snow. There’s not much risk of the mouse population dying off in tough winters since they have a cheap and ample supply of food. [392]

Here is one has had her nest under my house, and came when I took my luncheon to pick the crumbs at my feet. It had never seen the race of man before, and so the sooner became familiar. It ran over my shoes and up my pantaloons inside, clinging to my flesh with its sharp claws. It would run up the side of the room by short impulses like a squirrel, which [it] resembles, coming between the house mouse and the former. Its belly is a little reddish, and its ears a little longer. At length, as I leaned my elbow on the bench, it ran over my arm and round the paper which contained my dinner. And when I held it a piece of cheese, it came and 369 nibbled between my fingers, and then cleaned its face and paws like a fly.[393]

Here is one that has made a nest under my house and came to pick up crumbs at my feet when I had my lunch. It had never seen a human before, so it quickly became familiar. It ran over my shoes and up my pants, clinging to my skin with its sharp claws. It would scurry up the wall in quick bursts like a squirrel, resembling both a house mouse and a squirrel. Its belly is slightly reddish, and its ears are a bit longer. Eventually, as I leaned my elbow on the bench, it ran over my arm and around the paper holding my lunch. When I offered it a piece of cheese, it came and nibbled between my fingers, then cleaned its face and paws like a fly. 369 [393]

There is a memorable interval between the written and the spoken language, the language read and the language heard. The one is transient, a sound, a tongue, a dialect, and all men learn it of their mothers. It is loquacious, fragmentary,—raw material. The other is a reserved, select, matured expression, a deliberate word addressed to the ear of nations and generations. The one is natural and convenient, the other divine and instructive. The clouds flit here below, genial, refreshing with their showers and gratifying with their tints,—alternate sun and shade, a grosser heaven adapted to our trivial wants; but above them repose the blue firmament and the stars. The stars are written words and stereotyped on the blue parchment of the skies; the fickle clouds that hide them from our view, which we on this side need, though heaven does not, these are our daily colloquies, our vaporous, garrulous breath.

There’s a significant difference between written and spoken language, between what we read and what we hear. One is fleeting, just sounds, spoken words, a dialect, and everyone learns that from their mothers. It’s chatty and incomplete—just raw material. The other is a refined, chosen, polished way of expressing ideas, a thoughtful message meant for the ears of nations and generations. One is natural and easy, while the other is profound and enlightening. The clouds drift below, pleasant and refreshing with their rain and colors—mixes of sun and shade, a coarser sky that meets our everyday needs; yet above them lies the blue sky and the stars. The stars are like written words, imprinted on the blue canvas of the sky; the ever-changing clouds that obscure them from our sight—clouds we need on this side, though heaven does not—represent our daily conversations, our misty, talkative breath.

Books must be read as deliberately and reservedly as they were written. The herd of men, the generations who speak the Greek and Latin, are not entitled by the accident of birth to read the works of genius, whose mother tongue speaks everywhere, and is learned by every child who hears. The army of the Greeks and Latins are not coæternary, though contemporary, with Homer and Plato, Virgil and Cicero. In the transition ages, nations who loudest spoke the Greek and Latin tongues, whose mother's milk they were, learned not 370 their nobler dialects, but a base and vulgar speech. The men of the Middle Ages who spoke so glibly the language of the Roman and, in the Eastern Empire, of the Athenian mob, prized only a cheap contemporary learning. The classics of both languages were virtually lost and forgotten. When, after the several nations of Europe had acquired in some degree rude and original languages of their own, sufficient for the arts of life and conversation, then the few scholars beheld with advantage from this more distant standpoint the treasures of antiquity, and a new Latin age commenced, the era of reading. Those works of genius were then first classical. All those millions who had spoken Latin and Greek had not read Latin and Greek. The time had at length arrived for the written word, the scripture, to be heard. What the multitude could not hear, after the lapse of centuries a few scholars read. This is the matured thought which was not spoken in the market-place, unless it be in a market-place where the free genius of mankind resorts to-day. There is something very choice and select in a written word. No wonder Alexander carried his Homer in a precious casket on his expeditions. A word which may be translated into every dialect, and suggests a truth to every mind, is the most perfect work of human art; and as it may be breathed and taken on our lips, and, as it were, become the product of our physical organs, as its sense is of our intellectual, it is the nearest to life itself.[394] It is the simplest and purest channel by which a revelation may be transmitted from age to age. How it subsists itself whole and undiminished till the 371 intelligent reader is born to decipher it! There are the tracks of Zoroaster, of Confucius and Moses, indelible in the sands of the remotest times.

Books should be read as carefully and thoughtfully as they were written. Just because generations of people have spoken Greek and Latin doesn’t mean they have the right to read the works of genius, whose original language is understood everywhere and learned by every child who hears it. The Greeks and Latins aren’t the same as those who lived alongside Homer, Plato, Virgil, and Cicero. During transitional times, nations that loudly used Greek and Latin as their native languages learned a lower-class and common speech rather than the nobler dialects. The people of the Middle Ages, who fluently spoke the language of the Romans and, in the Eastern Empire, the Athenian crowds, valued only basic contemporary knowledge. The classics of both languages were mostly lost and forgotten. When various nations of Europe started developing their own rough, original languages, good enough for daily life and conversation, a few scholars were able to appreciate the treasures of the past from this more distant perspective, marking the beginning of a new Latin age, the era of reading. Those works of genius became truly classical for the first time. Not everyone who spoke Latin and Greek had actually read them. Eventually, the time came for the written word, the scripture, to be acknowledged. What the masses couldn’t hear, a few scholars read after centuries had passed. This is the matured thought that was rarely expressed in the marketplace, unless in a place where the free spirit of humanity gathers today. There is something very special and refined about a written word. It’s no surprise that Alexander carried his Homer in a precious box on his campaigns. A word that can be translated into every tongue and conveys a truth to every mind is the pinnacle of human art; it can be spoken, becoming a product of our physical abilities, just as its meaning is rooted in our intellect, making it closest to life itself. It serves as the simplest and purest means of passing down a revelation through generations. How it remains intact and unchanged until an intelligent reader is born to interpret it! There are traces of Zoroaster, Confucius, and Moses, lasting imprints in the sands of the earliest times.

There are no monuments of antiquity comparable to the classics for interest and importance. It does not need that the scholar should be an antiquarian, for these works of art have such an immortality as the works of nature, and are modern at the same time that they are ancient, like the sun and stars, and occupy by right no small share of the present. This palpable beauty is the treasured wealth of the world and the proper inheritance of each generation. Books, the oldest and the best, stand rightfully on the shelves of every cottage. They have not to plead their cause, but they enlighten their readers and it is gained. When the illiterate and scornful rustic earns his imagined leisure and wealth, he turns inevitably at last—he or his children—to these still higher and yet inaccessible circles; and even when his descendant has attained to move in the highest rank of the wise men of his own age and country, he will still be sensible only of the imperfection of his culture and the vanity and inefficiency of his intellectual wealth, if his genius will not permit him to listen with somewhat of the equanimity of an equal to the fames of godlike men, which yet, as it were, form an invisible upper class in every society.[395]

There are no ancient monuments that compare to the classics in terms of interest and significance. A scholar doesn’t need to be an expert in antiquities, as these works of art have an immortality similar to nature's creations; they are modern even as they are ancient, like the sun and stars, and rightly hold a significant place in the present. This obvious beauty is the cherished treasure of the world and the rightful legacy of every generation. Books, the oldest and the finest, deserve a spot on the shelves of every home. They don’t need to justify their value; they illuminate their readers, and knowledge is gained. When an uneducated and dismissive peasant earns his imagined leisure and wealth, he inevitably turns—whether he or his children—to these higher yet unattainable realms; and even when his descendant reaches the elite circles of the wise in his own time and place, he will still feel the shortcomings of his education and the futility of his intellectual riches. If his talent allows him, he may listen with some composure to the praises of godlike individuals, who, in a sense, create an invisible upper class within every society.[395]

I have carried an apple in my pocket to-night—a sopsivine, they call it—till, now that I take my handkerchief 372 out, it has got so fine a fragrance that it really seems like a friendly trick of some pleasant dæmon to entertain me with.[396] It is redolent of sweet-scented orchards, of innocent, teeming harvests. I realize the existence of a goddess Pomona, and that the gods have really intended that men should feed divinely, like themselves, on their own nectar and ambrosia. They have so painted this fruit, and freighted it with such a fragrance, that it satisfies much more than an animal appetite. Grapes, peaches, berries, nuts, etc., are likewise provided for those who will sit at their sideboard. I have felt, when partaking of this inspiring diet, that my appetite was an indifferent consideration; that eating became a sacrament, a method of communion, an ecstatic exercise, a mingling of bloods, and [a] sitting at the communion table of the world; and so have not only quenched my thirst at the spring but the health of the universe.

I carried an apple in my pocket tonight—a sopsivine, as they call it—until now, when I take out my handkerchief, it has developed such a wonderful fragrance that it feels like a friendly trick from some nice spirit to entertain me. It smells like sweet orchards and bountiful harvests. I realize there's a goddess named Pomona and that the gods really intended for humans to eat divinely, just like them, enjoying their own nectar and ambrosia. They’ve made this fruit so beautiful and infused it with such a fragrance that it satisfies more than just a basic hunger. Grapes, peaches, berries, nuts, and so on are also provided for those who will sit at their table. When I indulge in this amazing food, I feel that my hunger is not the main thing; eating transforms into a sacrament, a way to connect, an ecstatic experience, a blending of our lives, and a gathering at the world’s communal table. So, I’ve not only quenched my thirst from the spring but also embraced the health of the universe.

The indecent haste and grossness with which our food is swallowed have cast a disgrace on the very act of eating itself. But I do believe that, if this process were rightly conducted, its aspect and effects would be wholly changed, and we should receive our daily life and health, Antæus-like, with an ecstatic delight, and, with upright front, an innocent and graceful behavior, take our strength from day to day. This fragrance of the apple in my pocket has, I confess, deterred me from eating of it. I am more effectually fed by it another way.

The rushed and careless way we eat has tarnished the act of dining itself. However, I believe that if we approached this process properly, its nature and outcomes would be completely transformed. We would embrace our daily nourishment and health like Antaeus, experiencing pure joy, and with our heads held high, we would behave innocently and gracefully, drawing our strength day by day. This scent of the apple in my pocket has, I admit, kept me from eating it. I feel more nourished by it in a different way.

It is, indeed, the common notion that this fragrance 373 is the only food of the gods, and inasmuch as we are partially divine we are compelled to respect it.

It is, after all, a common belief that this scent 373 is the only nourishment for the gods, and since we are partly divine, we feel a need to honor it.

Tell me, ye wise ones, if ye can,

Tell me, you wise people, if you can,

Whither and whence the race of man.

Whither and whence the race of man.

For I have seen his slender clan

For I have seen his skinny family

Clinging to hoar hills with their feet,

Clinging to icy hills with their feet,

Threading the forest for their meat.

Threading through the forest for their meat.

Moss and lichens, bark and grain

Moss and lichens, bark and wood grain

They rake together with might and main,

They gather together with all their strength,

And they digest them with anxiety and pain.

And they take in those feelings with anxiety and pain.

I meet them in their rags and unwashed hair,

I come across them in their torn clothes and unwashed hair,

Instructed to eke out their scanty fare—

Instructed to stretch their meager food—

Brave race—with a yet humbler prayer.

Brave race—with a still humbler prayer.

Beggars they are, aye, on the largest scale.

Beggars they are, yes, on the largest scale.

They beg their daily bread at heaven's door,

They ask for their daily bread at heaven's door,

And if their this year's crop alone should fail,

And if this year's crop alone should fail,

They neither bread nor begging would know more.

They wouldn't know more about bread or begging.

They are the titmen of their race,

They are the top men of their kind,

And hug the vales with mincing pace

And embrace the valleys with a careful walk

Like Troglodytes, and fight with cranes.

Like cavemen, and fight with cranes.

We walk 'mid great relations' feet.

We walk among the feet of great people.

What they let fall alone we eat.

What they drop, we munch.

We are only able

We can only

To catch the fragments from their table.

To gather the pieces from their table.

These elder brothers of our race,

These older brothers of our species,

By us unseen, with larger pace

By us unseen, moving at a faster pace

Walk o'er our heads, and live our lives,

Walk over our heads and live our lives,

Embody our desires and dreams,

Embrace our desires and dreams,

Anticipate our hoped-for gleams.

Look forward to our hoped-for gleams.

We grub the earth for our food. 374

We dig into the ground for our food. 374

We know not what is good.

We don't know what is good.

Where does the fragrance of our orchards go,

Where does the scent of our orchards go,

Our vineyards, while we toil below?

Our vineyards, while we work below?

A finer race and finer fed

A better breed and better nourished

Feast and revel above our head.

Feast and celebrate above our heads.

The tints and fragrance of the flowers and fruits

The colors and scents of the flowers and fruits

Are but the crumbs from off their table,

Are just the crumbs from their table,

While we consume the pulp and roots.

While we eat the flesh and roots.

Sometimes we do assert our kin,

Sometimes we do assert our family,

And stand a moment where once they have been.

And pause for a moment where they used to be.

We hear their sounds and see their sights,

We hear their sounds and see their sights,

And we experience their delights.

And we enjoy their delights.

But for the moment that we stand

But for the moment that we stand

Astonished on the Olympian land,

Amazed on the Olympian land,

We do discern no traveller's face,

We can't make out any traveler's face,

No elder brother of our race,

No older brother of our kind,

To lead us to the monarch's court

To take us to the king's court

And represent our case;

And represent our situation;

But straightway we must journey back,

But right away we have to head back,

Retracing slow the arduous track,

Retracing the long, difficult path,

Without the privilege to tell,

Without the privilege to speak,

Even, the sight we know so well.[397]

Even the sight we know so well.[397]

In my father's house are many mansions.

In my father's house, there are many rooms.

Who ever explored the mansions of the air? Who knows who his neighbors are? We seem to lead our human lives amid a concentric system of worlds, of realm on realm, close bordering on each other, where dwell the unknown and the imagined races, as various in degree as our own thoughts are,—a system of invisible 375 partitions more infinite in number and more inconceivable in intricacy than the starry one which science has penetrated.

Who has ever explored the vast spaces of the sky? Who knows who lives next door? It feels like we live our human lives in a layered system of worlds, each realm close to the others, home to unknown and imagined beings, as diverse as our own thoughts—an invisible network of partitions that are more numerous and more complex than the starry one that science has managed to explore. 375

When I play my flute to-night, earnest as if to leap the bounds [of] the narrow fold where human life is penned, and range the surrounding plain, I hear echo from a neighboring wood, a stolen pleasure, occasionally not rightfully heard, much more for other ears than ours, for 'tis the reverse of sound. It is not our own melody that comes back to us, but an amended strain. And I would only hear myself as I would hear my echo, corrected and repronounced for me. It is as when my friend reads my verse.

When I play my flute tonight, as if trying to break free from the confines of the narrow space where human life is trapped, and explore the open field around me, I hear an echo from a nearby wood, a stolen delight, often not meant for our ears, but more for someone else’s. It’s the opposite of sound. It’s not our own music that returns to us, but a revised version. I want to hear myself like I would hear my echo, edited and reinterpreted for me. It's like when my friend reads my poetry.

The borders of our plot are set with flowers, whose seeds were blown from more Elysian fields adjacent. They are the pot-herbs of the gods, which our laborious feet have never reached, and fairer fruits and unaccustomed fragrance betray another realm's vicinity. There, too, is Echo found, with which we play at evening. There is the abutment of the rainbow's arch.[398]

The edges of our land are lined with flowers whose seeds blew in from nearby paradise-like fields. They’re the herbs of the gods, which our tired feet have never touched, and the beautiful fruits and unfamiliar scents hint at the closeness of another world. That’s where we find Echo, with whom we play in the evening. There’s also the support of the rainbow's arch.[398]

Aug. 6. Walden.—I have just been reading a book called "The Crescent and the Cross,"[399] till now I am somewhat ashamed of myself. Am I sick, or idle, that I can sacrifice my energy, America, and to-day to this man's ill-remembered and indolent story? Carnac and Luxor are but names, and still more desert sand and at length a wave of the great ocean itself are needed to wash away the filth that attaches to their grandeur. 376 Carnac! Carnac! this is Carnac for me, and I behold the columns of a larger and a purer temple.[400] May our childish and fickle aspirations be divine, while we descend to this mean intercourse. Our reading should be heroic, in an unknown tongue, a dialect always but imperfectly learned, through which we stammer line by line, catching but a glimmering of the sense, and still afterward admiring its unexhausted hieroglyphics, its untranslated columns. Here grow around me nameless trees and shrubs, each morning freshly sculptured, rising new stories day by day, instead of hideous ruins,—their myriad-handed worker uncompelled as uncompelling. This is my Carnac; that its unmeasured dome. The measuring art man has invented flourishes and dies upon this temple's floor, nor ever dreams to reach that ceiling's height. Carnac and Luxor crumble underneath. Their shadowy roofs let in the light once more reflected from the ceiling of the sky.

Aug. 6. Walden.—I’ve just been reading a book called "The Crescent and the Cross,"[399] and now I feel a bit embarrassed about it. Am I sick or just lazy that I’ve wasted my energy, America, and today on this man’s forgettable and lazy story? Carnac and Luxor are just names, and even more desert sand and eventually a wave from the great ocean itself are needed to wash away the dirt that clings to their splendor. 376 Carnac! Carnac! this is what Carnac means to me, and I see the columns of a larger and purer temple.[400] May our childish and fickle dreams be divine while we engage in this petty interaction. Our reading should be heroic, in a language we don’t fully understand, a dialect we can only imperfectly grasp, through which we stammer line by line, catching only a glimpse of the meaning, yet still admiring its endless symbols and untranslated columns. Here, around me, grow nameless trees and shrubs, freshly sculpted every morning, bringing new stories each day instead of ugly ruins—each shaped by a myriad-handed creator who is neither forced nor coercive. This is my Carnac; that unmeasured dome. The art of measurement that man has created flourishes and fades on this temple's floor, never dreaming it could reach the height of that ceiling. Carnac and Luxor decay beneath us. Their shadowy roofs allow the light to pour in once more, reflecting from the ceiling of the sky.

Behold these flowers! Let us be up with Time, not dreaming of three thousand years ago. Erect ourselves and let those columns lie, not stoop to raise a foil against the sky. Where is the spirit of that time but in this present day, this present line? Three thousand years ago are not agone; they are still lingering here this summer morn.

Check out these flowers! Let's be in the moment, not stuck thinking about three thousand years ago. Let's stand tall and let those columns stay down; there's no need to bow down just to make a point against the sky. Where is the spirit of that time except in today, in this very moment? Three thousand years ago aren't gone; they're still hanging around this summer morning.

And Memnon's mother sprightly greets us now;

And Memnon's mother cheerfully greets us now;

Wears still her youthful blushes on her brow.

Wears her youthful blush on her face.

And Carnac's columns, why stand they on the plain?

And why do Carnac's columns stand on the plain?

T' enjoy our opportunities they would fain remain. 377

To enjoy our opportunities, they would gladly stay. 377

This is my Carnac, whose unmeasured dome

This is my Carnac, whose vast dome

Shelters the measuring art and measurer's home,

Shelters the measuring craft and the home of the measurer,

Whose propylæum is the system high [?]

Whose entrance is the system high [?]

And sculptured façade the visible sky.

And sculpted facade the visible sky.

Where there is memory which compelleth Time, the Muses' mother, and the Muses nine, there are all ages, past and future time,—unwearied memory that does not forget the actions of the past, that does not forego to stamp them freshly, that Old Mortality, industrious to retouch the monuments of time, in the world's cemetery throughout every clime.[401]

Where there is memory that drives Time, the mother of the Muses, and the nine Muses themselves, there are all ages—both past and future. It's an unending memory that doesn't forget past actions, that freshens them up, like Old Mortality, tirelessly working to restore the monuments of time in the world's cemetery across every land. [401]

The student may read Homer or Æschylus in the original Greek; for to do so implies to emulate their heroes,—the consecration of morning hours to their pages.

The student can read Homer or Æschylus in the original Greek because doing so means aspiring to be like their heroes—dedicating the morning hours to their works.

The heroic books, though printed in the character of our mother tongue, are always written in a foreign language, dead to idle and degenerate times, and we must laboriously seek the meaning of each word and line, conjecturing a larger sense than the text renders us, at last, out of our own valor and generosity.[402]

The heroic books, while printed in our native language, are always written in a foreign language, irrelevant to lazy and decadent times. We have to painstakingly decipher the meaning of each word and line, often guessing at a deeper significance than what the text shows us, ultimately drawing from our own courage and generosity.[402]

A man must find his own occasion in himself. The natural day is very calm, and will hardly reprove our indolence. If there is no elevation in our spirits, the pond will not seem elevated like a mountain tarn, but a low pool, a silent muddy water, a place for fishermen.

A man has to discover his own purpose within himself. The natural day is quite peaceful and barely criticizes our laziness. If our spirits aren’t lifted, the pond won’t look as majestic as a mountain lake; instead, it will appear as a low, still pool, a quiet, muddy spot, just a place for fishermen.

I sit here at my window like a priest of Isis, and observe 378 the phenomena of three thousand years ago, yet unimpaired. The tantivy of wild pigeons, an ancient race of birds, gives a voice to the air, flying by twos and threes athwart my view or perching restless on the white pine boughs occasionally; a fish hawk dimples the glassy surface of the pond and brings up a fish; and for the last half-hour I have heard the rattle of railroad cars conveying travellers from Boston to the country.[403]

I sit here at my window like a priest of Isis, watching the events of three thousand years ago, yet unchanged. The flutter of wild pigeons, an ancient species, fills the air as they fly in pairs or threes across my sight, or occasionally rest on the white pine branches; a fish hawk ripples the smooth surface of the pond and catches a fish; and for the past half-hour, I've been hearing the clattering of train cars transporting people from Boston to the countryside.

After the evening train has gone by and left the world to silence and to me, the whip-poor-will chants her vespers for half an hour. And when all is still at night, the owls take up the strain, like mourning women their ancient ululu. Their most dismal scream is truly Ben-Jonsonian. Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty,—but the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. And yet I love to hear their wailing, their doleful responses, trilled along the woodside, reminding me sometimes of music and singing birds, as if it were the dark and tearful side of music, the regrets and sighs, that would fain be sung. The spirits, the low spirits and melancholy forebodings, of fallen spirits who once in human shape night-walked the earth and did the deeds of darkness, now expiating with their wailing hymns, threnodiai, their sins in the very scenery of their transgressions. They give me a new sense of the vastness and mystery of that nature which is the common dwelling of us both. 379 "Oh-o-o-o-o that I never had been bor-or-or-or-orn!" sighs one on this side of the pond, and circles in the restlessness of despair to some new perch in the gray oaks. Then, "That I never had been bor-or-or-or-orn!" echoes one on the further side, with a tremulous sincerity, and "Bor-or-or-or-orn" comes faintly from far in the Lincoln woods.[404]

After the evening train has passed and left the world in silence with me, the whip-poor-will sings her evening song for half an hour. And when everything is quiet at night, the owls join in, like mourning women with their ancient calls. Their most mournful cry is truly Ben-Jonsonian. Wise midnight hags! It’s not the straightforward tu-whit tu-who of poets, but, seriously, a very solemn graveyard tune—echoing the shared comforts of lovers contemplating the pain and joys of transcendent love in hellish groves. And yet, I love to hear their wailing, their sorrowful answers, ringing through the woods, sometimes reminding me of music and singing birds, as if it were the dark and tearful side of music, the regrets and sighs that yearn to be sung. The spirits, the low spirits and gloomy premonitions, of fallen souls who once walked the earth in human form and did dark deeds, now atoning with their mournful hymns, threnodies, for their sins in the very places of their wrongdoings. They give me a new appreciation for the vastness and mystery of that nature which we both share. 379 "Oh-o-o-o-o that I never had been bor-or-or-or-orn!" sighs one on this side of the pond, circling in the restlessness of despair to find a new perch in the gray oaks. Then, "That I never had been bor-or-or-or-orn!" echoes one on the other side, with a shaky sincerity, and "Bor-or-or-or-orn" comes softly from far in the Lincoln woods.[404]

And then the frogs, bullfrogs; they are the more sturdy spirits of ancient wine-bibbers and wassailers, still unrepentant, trying to sing a catch in their Stygian lakes. They would fain keep up the hilarious good fellowship and all the rules of their old round tables, but they have waxed hoarse and solemnly grave and serious their voices, mocking at mirth, and their wine has lost its flavor and is only liquor to distend their paunches, and never comes sweet intoxication to drown the memory of the past, but mere saturation and water-logged dullness and distension. Still the most aldermanic, with his chin upon a pad, which answers for a napkin to his drooling chaps, under the eastern shore quaffs a deep draught of the once scorned water, and passes round the cup with the ejaculation tr-r-r-r-r-oonk, tr-r-r-r-r-oonk, tr-r-r-r-oonk! and straightway comes over the water from some distant cove the selfsame password, where the next in seniority and girth has gulped down to his mark; and when the strain has made the circuit of the shores, then ejaculates the master of ceremonies with satisfaction tr-r-r-r-oonk! and each in turn repeats the sound, down to the least distended, leakiest, flabbiest 380 paunched, that there be no mistake; and the bowl goes round again, until the sun dispels the morning mist, and only the patriarch is not under the pond, but vainly bellowing troonk from time to time, pausing for a reply.[405]

And then the frogs, bullfrogs; they are the more sturdy spirits of ancient party-goers and revelers, still unrepentant, trying to sing a tune in their dark lakes. They want to maintain the cheerful camaraderie and all the traditions of their old gatherings, but they have grown hoarse and become solemnly grave and serious. Their voices mock joy, and their wine has lost its flavor; it's just alcohol to bloat their bellies, never bringing the sweet intoxication to drown the memory of the past, but instead mere saturation and water-logged dullness. Still, the most rotund, with his chin resting on a pad that serves as a napkin for his drooling lips, by the eastern shore takes a big gulp of the once-scorned water, and passes around the cup with the sound tr-r-r-r-r-oonk, tr-r-r-r-r-oonk, tr-r-r-r-oonk! and immediately comes from some distant cove the same call-and-response, as the next biggest and heaviest has gulped to his limit; and when the sound has gone around the shores, the master of ceremonies exclaims with satisfaction tr-r-r-r-oonk! and each takes a turn repeating the sound, down to the least bloated, leakiest, flabbiest 380 paunch, to make sure there are no mistakes; and the bowl goes around again, until the sun burns off the morning mist, and only the oldest isn't under the pond, but is vainly croaking troonk now and then, waiting for a response.[405]

All nature is classic and akin to art. The sumach and pine and hickory which surround my house remind me of the most graceful sculpture. Sometimes their tops, or a single limb or leaf, seems to have grown to a distinct expression as if it were a symbol for me to interpret. Poetry, painting, and sculpture claim at once and associate with themselves those perfect specimens of the art of nature,—leaves, vines, acorns, pine cones, etc. The critic must at last stand as mute though contented before a true poem as before an acorn or a vine leaf. The perfect work of art is received again into the bosom of nature whence its material proceeded, and that criticism which can only detect its unnaturalness has no longer any office to fulfill. The choicest maxims that have come down to us are more beautiful or integrally wise than they are wise to our understandings. This wisdom which we are inclined to pluck from their stalk is the point only of a single association. Every natural form—palm leaves and acorns, oak leaves and sumach and dodder—are [sic] untranslatable aphorisms.

All of nature is timeless and similar to art. The sumac, pine, and hickory trees around my house remind me of beautifully crafted sculptures. Sometimes their tops, or even just a single branch or leaf, seem to express something unique, as if they're symbols for me to interpret. Poetry, painting, and sculpture all connect with those perfect examples of nature’s art—leaves, vines, acorns, pine cones, and so on. Ultimately, a critic can only stand silently, yet satisfied, in front of a genuine poem just like they would before an acorn or a vine leaf. The finest artwork returns to the embrace of nature from which its materials came, and those critiques that only point out its lack of naturalness have nothing more to contribute. The most treasured maxims that have come down to us are often more beautiful or profoundly wise than we fully understand. The wisdom we tend to extract from them only represents a single connection. Every natural form—palm leaves, acorns, oak leaves, sumac, and dodder—are untranslatable aphorisms.

Twenty-three years since, when I was five years old, I was brought from Boston to this pond, away in the country,—which was then but another name for the extended world for me,—one of the most ancient scenes 381 stamped on the tablets of my memory, the oriental Asiatic valley of my world, whence so many races and inventions have gone forth in recent times. That woodland vision for a long time made the drapery of my dreams. That sweet solitude my spirit seemed so early to require that I might have room to entertain my thronging guests, and that speaking silence that my ears might distinguish the significant sounds. Somehow or other it at once gave the preference to this recess among the pines, where almost sunshine and shadow were the only inhabitants that varied the scene, over that tumultuous and varied city, as if it had found its proper nursery.

Twenty-three years ago, when I was five, I was taken from Boston to this pond out in the country—which at that time felt like the entire world to me. It’s one of the oldest places etched in my memory, like an eastern valley that has given rise to so many cultures and innovations in recent years. That vision of the woods shaped my dreams for a long time. That peaceful solitude seemed essential to my spirit from an early age, providing space for my many thoughts and allowing me to hear the meaningful sounds around me. Somehow, it chose this quiet spot among the pines, where sunlight and shade were the only things changing the view, over that chaotic and diverse city, as if it had found its true home.

Well, now, to-night my flute awakes the echoes over this very water, but one generation of pines has fallen, and with their stumps I have cooked my supper, and a lusty growth of oaks and pines is rising all around its brim and preparing its wilder aspect for new infant eyes. Almost the same johnswort springs from the same perennial root in this pasture. Even I have at length helped to clothe that fabulous landscape of my imagination, and one result of my presence and influence is seen in these bean leaves and corn blades and potato vines.[406]

Well, tonight my flute is bringing the echoes back over this very water, but one generation of pines has fallen, and I’ve used their stumps to cook my dinner. A strong growth of oaks and pines is rising all around the edge, creating a wilder look for new little eyes. Almost the same johnswort is sprouting from the same perennial root in this pasture. Even I have finally contributed to dressing that amazing landscape from my imagination, and one result of my presence and influence can be seen in these bean leaves, corn blades, and potato vines.[406]

As difficult to preserve is the tenderness of your nature as the bloom upon a peach.

As hard to maintain is the gentleness of your character as the blossom on a peach.

Most men are so taken up with the cares and rude practice of life that its finer fruits cannot be plucked by them. Literally, the laboring man has not leisure for 382 a strict and lofty integrity day by day; he cannot afford to sustain the fairest and noblest relations. His labor will depreciate in the market.

Most men are so caught up in the struggles and harsh realities of life that they can't enjoy its finer rewards. Honestly, a working man doesn't have the time for a strict and noble integrity every day; he can't maintain the best and highest relationships. His work will lose value in the marketplace.

How can he remember well his ignorance who has so often to use his knowledge.

How can he truly remember his ignorance when he frequently has to rely on his knowledge?

Aug. 15. The sounds heard at this hour, 8.30, are the distant rumbling of wagons over bridges,—a sound farthest heard of any human at night,—the baying of dogs, the lowing of cattle in distant yards.[407]

Aug. 15. The sounds at this time, 8:30, include the distant rumble of wagons crossing bridges—a sound that carries the farthest of any human noise at night—the barking of dogs and the mooing of cattle in far-off yards.[407]

What if we were to obey these fine dictates, these divine suggestions, which are addressed to the mind and not to the body, which are certainly true,—not to eat meat, not to buy, or sell, or barter, etc., etc., etc.?

What if we followed these great guidelines, these divine ideas, which are aimed at the mind and not the body, which are definitely true—like not eating meat, not buying, selling, or trading, etc., etc., etc.?

I will not plant beans another summer, but sincerity, truth, simplicity, faith, trust, innocence, and see if they will not grow in this soil with such manure as I have, and sustain me.[408] When a man meets a man, it should not be some uncertain appearance and falsehood, but the personification of great qualities. Here comes truth, perchance, personified, along the road.[409] Let me see how Truth behaves. I have not seen enough of her. He shall utter no foreign word, no doubtful sentence, and I shall not make haste to part with him.

I won't plant beans this summer, but instead, I'll sow sincerity, truth, simplicity, faith, trust, and innocence, and see if they can thrive in this soil with the resources I have, and support me.[408] When one person meets another, it shouldn't be filled with uncertainty and deception, but should embody great qualities. Here comes truth, perhaps, personified, down the road.[409] I want to see how Truth acts. I haven’t seen enough of her. He won't speak any foreign words or uncertain sentences, and I won't rush to say goodbye.

I would not forget that I deal with infinite and divine qualities in my fellow. All men, indeed, are divine in their core of light, but that is indistinct and distant to me, like the stars of the least magnitude, or the galaxy 383 itself, but my kindred planets show their round disks and even their attendant moons to my eye.

I won't forget that I'm engaging with infinite and divine qualities in my fellow human beings. Every person, at their core, is divine and filled with light, but that core feels vague and far away to me, like the faintest stars or the galaxy itself, 383 but my close companions are more visible, showing their round shapes and even their accompanying moons to my sight.

Even the tired laborers I meet on the road, I really meet as travelling gods, but it is as yet, and must be for a long season, without speech.

Even the exhausted workers I encounter on the road, I truly see as traveling gods, but for now, and for a long time to come, it will be without words.

Aug. 23. Saturday. I set out this afternoon to go a-fishing for pickerel to eke out my scanty fare of vegetables. From Walden I went through the woods to Fair Haven, but by the way the rain came on again, and my fates compelled me to stand a half-hour under a pine, piling boughs over my head, and wearing my pocket handkerchief for an umbrella; and when at length I had made one cast over the pickerel-weed, the thunder gan romblen in the heven with that grisly steven that Chaucer tells of.[410] (The gods must be proud, with such forked flashes and such artillery to rout a poor unarmed fisherman.) I made haste to the nearest hut for a shelter. This stood a half a mile off the road, and so much the nearer to the pond. There dwelt a shiftless Irishman, John Field, and his wife, and many children, from the broad-faced boy that ran by his father's side to escape the rain to the wrinkled and sibyl-like, crone-like infant, not knowing whether to take the part of age or infancy, that sat upon its father's knee as in the palaces of nobles, and looked out from its home in the midst of wet and hunger inquisitively upon the stranger, with the privilege of infancy; the young creature not knowing but it might be the last of a line of kings instead of John Field's poor starveling brat, or, I should rather say, still 384 knowing that it was the last of a noble line and the hope and cynosure of the world. An honest, hard-working, but shiftless man plainly was John Field; and his wife, she too was brave to cook so many succeeding dinners in the recesses of that lofty stove; with round, greasy face and bare breast, still thinking to improve her condition one day; with the never absent mop in hand, and yet no effects of it visible anywhere. The chickens, like members of the family, stalked about the room, too much humanized to roast well. They stood and looked in my eye or pecked at my shoe. He told me his story, how hard he worked bogging for a neighbor, at ten dollars an acre and the use of the land with manure for one year, and the little broad-faced son worked cheerfully at his father's side the while, not knowing, alas! how poor a bargain he had made. Living, John Field, alas! without arithmetic; failing to live.

Aug. 23. Saturday. I headed out this afternoon to go fishing for pickerel to supplement my meager supply of vegetables. From Walden, I walked through the woods to Fair Haven, but along the way, it started to rain again, and fate forced me to stand for half an hour under a pine tree, piling branches over my head and using my pocket handkerchief as an umbrella; and when I finally made one cast over the pickerel-weed, the thunder began rumbling in the sky with that terrifying sound Chaucer described. (The gods must be pleased with such forked flashes and heavy artillery to scare a poor, unarmed fisherman.) I hurried to the nearest hut for shelter. It was half a mile off the road, but much closer to the pond. There lived a shiftless Irishman, John Field, along with his wife and many children, from the broad-faced boy who ran alongside his father to escape the rain to the wrinkled, ancient-looking infant who sat on its father's knee, not quite fitting into the roles of age or infancy. This baby curiously watched the stranger from their home amid the wet and hunger, innocently thinking it might be the last of a line of kings instead of just John Field's starving child, or rather, still knowing it was the last of a noble line and the hope of the world. John Field was a hard-working but aimless man, and his wife was also brave enough to cook so many meals in that towering stove; with a round, greasy face and bare breast, she still hoped to improve her situation one day, always holding a mop, yet showing no signs of having cleaned anything. The chickens roamed around the room like family members, too accustomed to being around people to roast well. They stared at me or pecked at my shoe. He shared his story about how hard he worked bogging for a neighbor, earning ten dollars an acre and getting to use the land with manure for a year, while his little broad-faced son cheerfully worked beside him, not realizing what a bad deal he was making. Living, John Field was, unfortunately! without a sense of arithmetic; failing to make a living.

"Do you ever fish?" said I. "Oh yes, I catch a mess when I am lying by; good perch I catch." "What's your bait?" "I catch shiners with fishworms, and bait the perch with them." "You'd better go now, John," said his wife, with glistening, hopeful face. But poor John Field disturbed but a couple of fins, while I was catching a fair string, and he said it was his luck; and when he changed seats luck changed seats too. Thinking to live by some derivative old-country mode in this primitive new country, e. g. to catch perch with shiners.[411]

"Do you ever go fishing?" I asked. "Oh yeah, I catch quite a few when I'm just hanging out; I get some nice perch." "What do you use for bait?" "I catch shiners with worms and use them to catch the perch." "You should go now, John," his wife said with a bright, hopeful expression. But poor John Field only stirred up a couple of fins while I was reeling in a good catch, and he said it was just bad luck for him. When he switched spots, his luck seemed to switch too. He was thinking of relying on some old-country methods to survive in this rough new place, like catching perch with shiners.

I find an instinct in me conducting to a mystic spiritual life, and also another to a primitive savage life. 385

I feel a drive within me leading towards a mystical spiritual life, and another pull towards a primitive, savage existence. 385

Toward evening, as the world waxes darker, I am permitted to see the woodchuck stealing across my path, and tempted to seize and devour it. The wildest, most desolate scenes are strangely familiar to me.[412]

Toward evening, as the world gets darker, I can see the woodchuck crossing my path, and I’m tempted to grab it and eat it. The wildest, most desolate scenes feel oddly familiar to me.[412]

Why not live a hard and emphatic life, not to be avoided, full of adventures and work, learn much in it, travel much, though it be only in these woods? I sometimes walk across a field with unexpected expansion and long-missed content, as if there were a field worthy of me. The usual daily boundaries of life are dispersed, and I see in what field I stand.

Why not live a tough and meaningful life, one that isn’t to be shied away from, filled with adventures and hard work, learning a lot from it, traveling a lot, even if it’s just through these woods? Sometimes I walk across a field and feel an unexpected sense of freedom and long-awaited happiness, as if the field truly belongs to me. The usual limits of everyday life dissolve, and I realize where I truly stand.

When on my way this afternoon, Shall I go down this long hill in the rain to fish in the pond? I ask myself. And I say to myself: Yes, roam far, grasp life and conquer it, learn much and live. Your fetters are knocked off; you are really free. Stay till late in the night; be unwise and daring. See many men far and near, in their fields and cottages before the sun sets, though as if many more were to be seen. And yet each rencontre shall be so satisfactory and simple that no other shall seem possible. Do not repose every night as villagers do. The noble life is continuous and unintermitting. At least, live with a longer radius. Men come home at night only from the next field or street, where their household echoes haunt, and their life pines and is sickly because it breathes its own breath. Their shadows morning and evening reach farther than their daily steps. But come home from far, from ventures and perils, from enterprise and discovery and crusading, with faith 386 and experience and character.[413] Do not rest much. Dismiss prudence, fear, conformity. Remember only what is promised. Make the day light you, and the night hold a candle, though you be falling from heaven to earth "from morn to dewy eve a summer's day."

As I walk this afternoon, should I head down this long hill in the rain to fish in the pond? I ask myself. And I tell myself: Yes, explore far, embrace life and take it on, learn a lot and truly live. Your chains are broken; you are really free. Stay out late; be bold and adventurous. See many people near and far, in their fields and homes before sunset, as if there were even more to see. Yet every encounter will be so fulfilling and straightforward that none other will seem possible. Don’t rest every night like the villagers do. The noble life is ongoing and relentless. At the very least, live with a wider perspective. People come home at night only from the next field or street, where their household echoes linger, and their lives wither because they’re only living their own lives. Their shadows, morning and evening, stretch further than their daily paths. But come home from far away, from adventures and risks, from endeavors and discoveries and quests, with faith 386 and experience and character.[413] Don't rest too much. Set aside caution, fear, and conformity. Focus only on what is promised. Let the day guide you, and let the night light your way, even if you're falling from heaven to earth "from morn to dewy eve a summer's day."

For Vulcan's fall occupied a day, but our highest aspirations and performances fill but the interstices of time.

For Vulcan's fall took a day, but our greatest ambitions and achievements only fill the gaps in time.

Are we not reminded in our better moments that we have been needlessly husbanding somewhat, perchance our little God-derived capital, or title to capital, guarding it by methods we know? But the most diffuse prodigality a better wisdom teaches,—that we hold nothing. We are not what we were. By usurers' craft, by Jewish methods, we strive to retain and increase the divinity in us, when infinitely the greater part of divinity is out of us.

Are we not reminded in our better moments that we have been needlessly holding on to, perhaps, our small amount of God-given resources or rights to resources, protecting it through the ways we know? But better wisdom teaches us the most widespread generosity—that we hold nothing. We are not who we used to be. Through the tricks of lenders and usurers, we try to keep and grow the divine within us, when in reality, the much larger part of the divine is outside of us.

Most men have forgotten that it was ever morning; but a few serene memories, healthy and wakeful natures, there are who assure us that the sun rose clear, heralded by the singing of birds,—this very day's sun, which rose before Memnon was ready to greet it.

Most men have forgotten that it was ever morning; but a few calm memories, healthy and alert people, assure us that the sun rose bright, announced by the singing of birds—this very day’s sun, which rose before Memnon was ready to greet it.

In all the dissertations on language, men forget the language that is, that is really universal, the inexpressible meaning that is in all things and everywhere, with which the morning and evening teem. As if language were especially of the tongue of course. With a more 387 copious learning or understanding of what is published, the present languages, and all that they express, will be forgotten.

In all the discussions about language, people overlook the true universal language—the inexpressible meaning that exists in everything and everywhere, which fills the morning and evening. It's as if language is only about spoken words. With a deeper grasp of what’s out there in publications, the current languages and everything they convey will be forgotten. 387

The rays which streamed through the crevices will be no more remembered when the shadow is wholly removed.

The rays that came through the cracks will be forgotten once the shadow is completely gone.

Left house on account of plastering, Wednesday, November 12th, at night; returned Saturday, December 6th.[414]

Left the house for plastering on Wednesday, November 12th, at night; returned Saturday, December 6th.[414]

Though the race is not so degenerated but a man might possibly live in a cave to-day and keep himself warm by furs, yet, as caves and wild beasts are not plenty enough to accommodate all at the present day, it were certainly better to accept the advantages which the invention and industry of mankind offer. In thickly settled civilized communities, boards and shingles, lime and brick, are cheaper and more easily come by than suitable caves, or the whole logs, or bark in sufficient quantity, or even well-tempered clay or flat stones.[415] A tolerable house for a rude and hardy race that lived much out of doors was once made here without any of these last materials. According to the testimony of the first settlers of Boston, an Indian wigwam was as comfortable in winter as an English house with all its wainscotting, and they had advanced so far as to regulate the effect of the wind by a mat suspended over the hole 388 in the roof, which was moved by a string. Such a lodge was, in the first instance, constructed in a day or two and taken down and put up again in a few hours, and every family had one.[416]

Though people today aren't so far gone that someone couldn't live in a cave and stay warm with furs, since there aren't enough caves and wild animals to house everyone nowadays, it's definitely better to take advantage of what human invention and industry offers. In densely populated civilized areas, boards and shingles, lime and brick are cheaper and easier to find than suitable caves, whole logs, or bark in sufficient quantities, or even well-tempered clay or flat stones. A decent house for a tough and resilient group that spent a lot of time outdoors was once built here without any of these last materials. According to the first settlers of Boston, an Indian wigwam was just as comfortable in winter as an English house complete with all its woodwork, and they had even figured out how to control the wind's effects with a mat hung over the hole in the roof, which could be adjusted with a string. Such a lodge could initially be put together in a day or two and taken down and rebuilt in just a few hours, and every family had one.

Thus, to try our civilization by a fair test, in the ruder states of society every family owns a shelter as good as the best, and sufficient for its ruder and simpler wants; but in modern civilized society, though the birds of the air have their nests, and woodchucks and foxes their holes, though each one is commonly the owner of his coat and hat though never so poor, yet not more than one man in a thousand owns a shelter, but the nine hundred and ninety-nine pay an annual tax for this outside garment of all, indispensable summer and winter, which would buy a village of Indian wigwams and contributes to keep them poor as long as they live. But, answers one, by simply paying this annual tax the poorest man secures an abode which is a palace compared to the Indian's. An annual rent of from twenty to sixty or seventy dollars entitles him to the benefit of all the improvements of centuries,—Rumford fireplace, back plastering, Venetian blinds, copper pump, spring lock, etc., etc.[417] But while civilization has been improving our houses, she has not equally improved the men who should occupy them. She has created palaces, but it was not so easy to create noblemen and kings. The mason who finishes the cornice of the palace returns at night, perchance, to a hut no better than a 389 wigwam.[418] If she claims to have made a real advance in the welfare of man, she must show how she has produced better dwellings without making them more costly. And the cost of a thing, it will be remembered, is the amount of life it requires to be exchanged for it, immediately or in the long run. An average house costs perhaps from one thousand to fifteen hundred dollars, and to earn this sum will require from fifteen to twenty years of the day laborer's life, even if he is not incumbered with a family; so that he must spend more than half his life before a wigwam can be earned; and if we suppose he pays a rent instead, this is but a doubtful choice of evils. Would the savage have been wise to exchange his wigwam for a palace on these terms?[419]

Thus, to fairly evaluate our civilization, in the more primitive stages of society, every family has a shelter as good as the best one, adequate for their basic needs. However, in modern civilized society, even though birds have their nests and woodchucks and foxes have their burrows, and every person typically owns their coat and hat, no more than one in a thousand actually owns a shelter. The other nine hundred ninety-nine pay an annual tax for this essential covering needed year-round, which could buy a village of Indian wigwams and keeps them poor throughout their lives. But, someone might argue, by simply paying this annual tax, the poorest person secures a home that is like a palace compared to an Indian's. An annual rent of twenty to seventy dollars gives him access to the benefits of centuries of improvements—like Rumford fireplaces, back plastering, Venetian blinds, copper pumps, spring locks, etc. But while civilization has improved our houses, it hasn't equally enhanced the people who live in them. It has built palaces, but creating noblemen and kings has proved to be more difficult. The mason who finishes the palace's cornice might return home at night to a hut that is just as basic as a wigwam. If civilization claims to have genuinely progressed in human welfare, it must show how it has produced better homes without making them pricier. And remember, the cost of something is the amount of life exchanged for it, whether immediately or in the long run. An average house costs around one thousand to fifteen hundred dollars, and earning this amount would take about fifteen to twenty years of a day laborer's life, even without a family. Thus, he must spend more than half his life to earn a wigwam; and if he pays rent instead, it’s a questionable choice of evils. Would the savage have been wise to trade his wigwam for a palace on these terms?

When I consider my neighbors, the farmers of Concord, for instance, who are at least as well off as the other classes, what are they about? For the most part I find that they have been toiling ten, twenty, or thirty years to pay for their farms, and we may set down one half of that toil to the cost of their houses; and commonly they have not yet paid for them.[420] This is the reason they are poor; and for similar reasons we are all poor in respect to a thousand savage comforts, though surrounded by luxuries.[421]

When I think about my neighbors, the farmers of Concord, for example, who are at least as well off as other classes, what are they doing? Mostly, I find that they’ve been working hard for ten, twenty, or thirty years to pay off their farms, and we can attribute half of that effort to the cost of their houses; and usually, they still haven’t paid them off. This is why they are poor; and for similar reasons, we are all lacking when it comes to a thousand primitive comforts, even though we’re surrounded by luxuries.

But most men do not know what a house is, and the mass are actually poor all their days because they think they must have such an one as their neighbor's. As if one were to wear any sort of coat the tailor might cut 390 out for him, or, gradually leaving off palm-leaf hat and cap of woodchuck-skin, should complain of hard times because he could not buy him a crown![422]

But most men don’t really understand what a home is, and many stay poor throughout their lives because they believe they need to have a house just like their neighbor's. It's like someone wearing any old coat that the tailor makes for them, or gradually ditching their palm-leaf hat and wooden cap, then whining about tough times because they can’t afford a crown!390[422]

It reflects no little dignity on Nature, the fact that the Romans once inhabited her,—that from this same unaltered hill, forsooth, the Roman once looked out upon the sea, as from a signal station. The vestiges of military roads, of houses and tessellated courts and baths,—Nature need not be ashamed of these relics of her children. The hero's cairn,—one doubts at length whether his relations or Nature herself raised the hill. The whole earth is but a hero's cairn. How often are the Romans flattered by the historian and antiquary! Their vessels penetrated into this frith and up that river of some remote isle. Their military monuments still remain on the hills and under the sod of the valleys. The oft-repeated Roman story is written in still legible characters in every quarter of the old world, and but to-day a new coin is dug up whose inscription repeats and confirms their fame. Some "Judæa Capta," with a woman mourning under a palm tree, with silent argument and demonstration puts at rest whole pages of history.[423]

It shows a lot of dignity for Nature that the Romans once lived here—that from this same unchanged hill, the Roman once looked out at the sea, like from a lookout point. The traces of military roads, houses, mosaics, and baths—Nature has no reason to be ashamed of these remnants of her children. The hero's burial mound—one starts to wonder whether his relatives or Nature herself created the hill. The entire earth is just a hero's burial mound. How often are the Romans praised by historians and archaeologists! Their ships sailed into this bay and up that river of some distant island. Their military monuments still stand on the hills and beneath the soil of the valleys. The frequently retold Roman tale is written in still-readable letters across every part of the old world, and just today a new coin was found whose inscription reiterates and affirms their legacy. Some "Judea Captured," with a woman grieving under a palm tree, quietly confirms entire chapters of history.[423]

The Earth

The planet

Which seems so barren once gave birth

Which seems so empty once gave birth

To heroes, who o'erran her plains,

To the heroes who took over her lands,

Who plowed her seas and reaped her grains.

Who navigated her waters and gathered her crops.

Some make the mythology of the Greeks to have 391 been borrowed from that of the Hebrews, which however is not to be proved by analogies,—the story of Jupiter dethroning his father Saturn, for instance, from the conduct of Cham towards his father Noah, and the division of the world among the three brothers. But the Hebrew fable will not bear to be compared with the Grecian. The latter is infinitely more sublime and divine. The one is a history of mortals, the other a history of gods and heroes, therefore not so ancient. The one god of the Hebrews is not so much of a gentleman, not so gracious and divine, not so flexible and catholic, does not exert so intimate an influence on nature as many a one of the Greeks. He is not less human, though more absolute and unapproachable. The Grecian were youthful and living gods, but still of godlike or divine race, and had the virtues of gods. The Hebrew had not all of the divinity that is in man, no real love for man, but an inflexible justice. The attribute of the one god has been infinite power, not grace, not humanity, nor love even,—wholly masculine, with no sister Juno, no Apollo, no Venus in him. I might say that the one god was not yet apotheosized, not yet become the current material of poetry.[424]

Some people argue that Greek mythology was borrowed from Hebrew mythology, but that's not something that can be proven through comparisons. For example, the story of Jupiter overthrowing his father Saturn isn't directly related to Cham's treatment of his father Noah, nor to the division of the world among the three brothers. However, the Hebrew myths can't really stand up to the Greek ones. The Greek stories are much more elevated and divine. One tells of mortals while the other tells of gods and heroes, which makes the Greek stories feel less ancient. The single god of the Hebrews isn’t as much of a gentleman, not as gracious or divine, not as adaptable or encompassing, and doesn't have as close a relationship with nature as many Greek gods do. While he is very human, he is also more absolute and less approachable. The Greek gods are youthful and vibrant, yet of a divine lineage, possessing the qualities of gods. In contrast, the Hebrew god lacks some of the divinity found in humanity, showing no real love for mankind, only strict justice. The characteristic of the one god has been infinite power—lacking grace, humanity, or love—entirely masculine, with no sister Juno, no Apollo, no Venus. One could say that the one god hasn't yet been deified or turned into the typical subject of poetry.

The wisdom of some of those Greek fables is remarkable. The god Apollo (Wisdom, Wit, Poetry) condemned to serve, keep the sheep of King Admetus. So is poetry allied to the state.

The wisdom of some of those Greek fables is impressive. The god Apollo (Wisdom, Wit, Poetry) was forced to serve and tend the sheep of King Admetus. So, poetry is tied to the state.

To Æacus, Minos, Rhadamanthus, judges in hell, 392 only naked men came to be judged. As Alexander Ross comments, "In this world we must not look for Justice; when we are stript of all, then shall we have it. For here something will be found about us that shall corrupt the Judge." When the island of Ægina was depopulated by sickness at the instance of Æacus, Jupiter turned the ants into men, i. e. made men of the inhabitants who lived meanly like ants.[425]

To Æacus, Minos, and Rhadamanthus, the judges in hell, 392 only naked men were brought for judgment. As Alexander Ross notes, "In this world, we shouldn't expect Justice; when we are stripped of everything, then we will find it. Because here, something about us will always corrupt the Judge." When the island of Ægina was wiped out by disease at the request of Æacus, Jupiter transformed the ants into men, i. e. created men from the inhabitants who lived like ants. [425]

The hidden significance of these fables which has been detected, the ethics running parallel to the poetry and history, is not so remarkable as the readiness with which they may be made to express any truth. They are the skeletons of still older and more universal truths than any whose flesh and blood they are for the time made to wear. It is like striving to make the sun and the wind and the sea signify. What signifies it?[426]

The hidden meaning of these fables, which has been uncovered, along with the morals that align with the poetry and history, is not as surprising as how easily they can be twisted to convey any truth. They are the bare bones of even older and more universal truths than those they temporarily embody. It's like trying to assign meaning to the sun, the wind, and the sea. What does it matter?[426]

Piety, that carries its father on its shoulders.[427]

Piety, that carries its father on its shoulders.[427]

Music was of three kinds,—mournful, martial, and effeminate,—Lydian, Doric, and Phrygian. Its inventors Amphion, Thamyris, and Marsyas. Amphion was bred by shepherds. He caused the stones to follow him and built the walls of Thebes by his music. All orderly and harmonious or beautiful structures may be said to be raised to a slow music.

Music came in three types: sad, warlike, and delicate—Lydian, Doric, and Phrygian. Its creators were Amphion, Thamyris, and Marsyas. Amphion was raised by shepherds. He made the stones follow him and constructed the walls of Thebes with his music. All orderly, harmonious, or beautiful structures can be said to be built to a slow rhythm.

Harmony was begotten of Mars and Venus. 393

Harmony was created by Mars and Venus. 393

Antæus was the son of Neptune and the Earth. All physical bulk and strength is of the earth and mortal. When it loses this point d'appui it is weakness; it cannot soar. And so, vice versa, you can interpret this fable to the credit of the earth.

Antaeus was the son of Neptune and the Earth. All physical size and strength come from the earth and are mortal. When it loses this support point, it becomes weak; it can't rise. So, vice versa, you can see this fable as a testament to the earth's power.

They all provoked or challenged the gods,—Amphion, Apollo and Diana, and was killed by them; Thamyris, the Muses, who conquered him in music, took away his eyesight and melodious voice, and broke his lyre. Marsyas took up the flute which Minerva threw away, challenged Apollo, was flayed alive by him, and his death mourned by Fauns, Satyrs, and Dryads, whose tears produced the river which bears his name.

They all provoked or challenged the gods—Amphion, Apollo, and Diana—and were killed by them; Thamyris, who was beaten by the Muses in music, lost his eyesight and beautiful voice and had his lyre destroyed. Marsyas picked up the flute that Minerva discarded, challenged Apollo, and was flayed alive by him, with his death mourned by Fauns, Satyrs, and Dryads, whose tears formed the river that carries his name.

The fable which is truly and naturally composed, so as to please the imagination of a child, harmonious though strange like a wild-flower, is to the wise man an apothegm and admits his wisest interpretation.

The fable that is genuinely and naturally created to capture a child's imagination, beautiful yet unusual like a wildflower, serves as a saying to the wise man and allows for his deepest interpretation.

When we read that Bacchus made the Tyrrhenian mariners mad, so that they leaped into the sea, mistaking it for "a meadow full of flowers," and so became dolphins, we are not concerned about the historical truth of this, but rather a higher, poetical truth. We seem to hear the music of a thought, and care not if our intellect be not gratified.[428]

When we read that Bacchus drove the Tyrrhenian sailors crazy, causing them to jump into the sea, thinking it was "a meadow full of flowers," and then they turned into dolphins, we're not worried about whether this really happened. Instead, we’re focused on a deeper, poetic truth. It feels like we can hear the music of an idea, and we don’t mind if our reasoning isn’t satisfied. [428]

The mythologies, those vestiges of ancient poems, the world's inheritance, still reflecting some of their original hues, like the fragments of clouds tinted by the 394 departed sun, the wreck of poems, a retrospect as [of] the loftiest fames,—what survives of oldest fame,—some fragment will still float into the latest summer day and ally this hour to the morning of creation. These are the materials and hints for a history of the rise and progress of the race. How from the condition of ants it arrived at the condition of men, how arts were invented gradually,—let a thousand surmises shed some light on this story. We will not be confined by historical, even geological, periods, which would allow us to doubt of a progress in human events. If we rise above this wisdom for the day, we shall expect that this morning of the race, in which they have been supplied with the simplest necessaries,—with corn and wine and honey and oil and fire and articulate speech and agricultural and other arts,—reared up by degrees from the condition of ants to men, will be succeeded by a day of equally progressive splendor; that, in the lapse of the divine periods, other divine agents and godlike men will assist to elevate the race as much above its present condition.

The mythologies, those remnants of ancient poems, the world's legacy, still showing some of their original colors, like bits of clouds colored by the fading sun, are the remnants of poems, reflecting on the greatest achievements—what remains of ancient glory—some fragment will still drift into the latest summer day and connect this moment to the dawn of creation. These are the materials and clues for a history of the rise and progress of humanity. How from the state of ants it evolved into the state of men, how arts were gradually invented—let a thousand speculation shed some light on this narrative. We will not be limited by historical or even geological periods, which might lead us to doubt the progress of human events. If we rise above the wisdom of the day, we should expect that this morning of humanity, in which they have been given the simplest necessities—with grain, wine, honey, oil, fire, articulate speech, and various arts—gradually evolving from the state of ants to men, will be followed by a day of equally progressive brilliance; that, over the course of divine ages, other divine forces and godlike individuals will help uplift humanity even further beyond its current state.

Aristæus "found out honey and oil." "He obtained of Jupiter and Neptune, that the pestilential heat of the dog-days, wherein was great mortality, should be mitigated with wind."[429]

Aristæus "discovered honey and oil." "He got permission from Jupiter and Neptune to lessen the deadly heat of the dog days, during which there was a lot of death, with some wind."[429]

Dec. 12. Friday. The pond skimmed over on the night of this day, excepting a strip from the bar to the northwest shore. Flint's Pond has been frozen for some time.[430] 395

Dec. 12. Friday. The pond froze over on the night of this day, except for a strip from the bar to the northwest shore. Flint's Pond has been frozen for a while.[430] 395

Dec. 16, 17, 18, 19, 20. Pond quite free from ice, not yet having been frozen quite over.

Dec. 16, 17, 18, 19, 20. Pond completely clear of ice, still not fully frozen over.

Dec. 23. Tuesday. The pond froze over last night entirely for the first time, yet so as not to be safe to walk upon.[431]

Dec. 23. Tuesday. The pond completely froze over last night for the first time, but it’s still not safe to walk on. [431]

I wish to say something to-night not of and concerning the Chinese and Sandwich-Islanders, but to and concerning you who hear me, who are said to live in New England; something about your condition, especially your outward condition or circumstances in this world, in this town; what it is, whether it is necessarily as bad as it is, whether it can't be improved as well as not.[432]

I want to talk tonight not about the Chinese or Sandwich Islanders, but directly to you who are listening, who supposedly live in New England; something about your situation, especially your external circumstances in this world, in this town; what they are, whether they really have to be as bad as they are, and whether they can be improved as well as not.[432]

It is generally admitted that some of you are poor, find it hard to get a living, haven't always something in your pockets, haven't paid for all the dinners you've actually eaten, or all your coats and shoes, some of which are already worn out. All this is very well known to all by hearsay and by experience. It is very evident what a mean and sneaking life you live, always in the hampers, always on the limits, trying to get into business and trying to get out of debt, a very ancient slough, called by the Latins aes alienum, another's brass,—some of their coins being made of brass,—and still so many living and dying and buried to-day by another's brass; always promising to pay, promising to pay, with interest, to-morrow perhaps, and die to-day, insolvent; seeking to curry favor, to get custom, lying, flattering, 396 voting, contracting yourselves into a nutshell of civility or dilating into a world of thin and vaporous generosity, that you may persuade your neighbor to let you make his [shoes, or his hat, or his coat, or his carriage, etc.].[433]

It’s widely acknowledged that some of you are struggling financially, find it tough to make ends meet, often don’t have cash on hand, haven’t paid for all the meals you’ve actually eaten, or for all your worn-out coats and shoes. This is well-known through both rumor and experience. It’s clear what a lowly and sneaky life you lead, always in debt, always on the edge, trying to get into business and trying to escape debt, an ancient quagmire referred to by the Romans as aes alienum, literally "another's brass"—since some of their coins were made of brass—and so many are living, dying, and being buried today still weighed down by someone else's money; always promising to pay, promising to pay with interest, maybe tomorrow, while dying today, broke; trying to win favor, to get business, lying, flattering, 396 contracting yourselves into a tiny shell of politeness or expanding into a world of hollow and fleeting generosity, all to persuade your neighbor to let you make his [shoes, or his hat, or his coat, or his carriage, etc.].[433]

There is a civilization going on among brutes as well as men. Foxes are forest dogs. I hear one barking raggedly, wildly, demoniacally in the darkness to-night, seeking expression, laboring with some anxiety, striving to be a dog outright that he may carelessly run in the street, struggling for light. He is but a faint man, before pygmies; an imperfect, burrowing man. He has come up near to my window, attracted by the light, and barked a vulpine curse at me, then retreated.[434]

There’s a civilization happening among animals just like with people. Foxes are like wild dogs. I can hear one barking harshly, frantically, almost like a demon tonight, trying to express itself, struggling with some anxiety, trying to fully become a dog so it can freely roam the street, fighting for a glimpse of light. It’s just a faint version of a man, among smaller beings; an imperfect, digging man. It’s come close to my window, drawn by the light, barked a fox-like curse at me, and then backed away.

Reading suggested by Hallam's History of Literature.

Reading suggested by Hallam's History of Literature.

1. "Abelard and Heloise."

"Abelard and Heloise."

2. Look at Luigi Pulci. His "Morgante Maggiore," published in 1481, "was to the poetical romances of chivalry what Don Quixote was to their brethren in prose."

2. Look at Luigi Pulci. His "Morgante Maggiore," published in 1481, "was to the poetic romances of chivalry what Don Quixote was to their counterparts in prose."

3. Leonardo da Vinci. The most remarkable of his writings still in manuscript. For his universality of genius, "the first name of the fifteenth century."

3. Leonardo da Vinci. The most remarkable of his writings still exist in manuscript form. For his incredible versatility and brilliance, he is known as "the foremost name of the fifteenth century."

4. Read Boiardo's "Orlando Innamorato," published between 1491 and 1500, for its influence on Ariosto and its intrinsic merits. Its sounding names repeated by Milton in "Paradise Regained." 397

4. Read Boiardo's "Orlando Innamorato," published between 1491 and 1500, for its impact on Ariosto and its inherent qualities. Its striking names are echoed by Milton in "Paradise Regained." 397

Landor's works are:—

Landor's works include:—

A small volume of poems, 1793, out of print.

A small collection of poems, 1793, no longer available.

Poems of "Gebir," "Chrysaor," the "Phoceans," etc. The "Gebir" eulogized by Southey and Coleridge.

Poems of "Gebir," "Chrysaor," the "Phoceans," etc. The "Gebir" praised by Southey and Coleridge.

Wrote verses in Italian and Latin.

Wrote poetry in Italian and Latin.

The dramas "Andrea of Hungary," "Giovanna of Naples," and "Fra Rupert."

The dramas "Andrea of Hungary," "Giovanna of Naples," and "Fra Rupert."

"Pericles and Aspasia."

"Pericles and Aspasia."

"Poems from the Arabic and Persian," 1800, pretending to be translations.

"Poems from the Arabic and Persian," 1800, claiming to be translations.

"A Satire upon Satirists, and Admonition to Detractors," printed 1836, not published.

"A Satire upon Satirists, and Admonition to Detractors," printed 1836, not published.

Letters called "High and Low Life in Italy."

Letters called "High and Low Life in Italy."

"Imaginary Conversations."

"Fictional Chats."

"Pentameron and Pentalogia."

"Pentameron and Pentalogia."

"Examination of William Shakspeare before Sir Thomas Lucy, Knt., touching Deer-stealing."

"Examination of William Shakespeare before Sir Thomas Lucy, Knight, regarding deer poaching."

Vide again Richard's sail in "Richard First and the Abbot."[435]

See again Richard's sail in "Richard First and the Abbot."[435]

Phocion's remarks in conclusion of "Eschines and Phocion."

Phocion's comments at the end of "Eschines and Phocion."

"Demosthenes and Eubulides."

"Demosthenes and Eubulides."

In Milton and Marvel, speaking of the Greek poets, he says, "There is a sort of refreshing odor flying off it perpetually; not enough to oppress or to satiate; nothing is beaten or bruised; nothing smells of the stalk; the flower itself is half-concealed by the Genius of it hovering round."

In Milton and Marvel, talking about the Greek poets, he says, "There's a kind of refreshing scent coming off it all the time; not too much to overwhelm or to satisfy; nothing is crushed or damaged; nothing smells like the stem; the flower itself is partially hidden by the spirit of it floating around."

Pericles and Sophocles. 398

Pericles and Sophocles. 398

Marcus Tullius Cicero and his brother Quintus. In this a sentence on Sleep and Death.

Marcus Tullius Cicero and his brother Quintus. In this, a sentence on Sleep and Death.

Johnson and Tooke, for a criticism on words.

Johnson and Tooke, for a critique on language.

It is worth the while to have lived a primitive wilderness life at some time, to know what are, after all, the necessaries of life and what methods society has taken to supply them. I have looked over the old day-books of the merchants with the same view,—to see what it was shopmen bought. They are the grossest groceries.[436] Salt is perhaps the most important article in such a list, and most commonly bought at the stores, of articles commonly thought to be necessaries,—salt, sugar, molasses, cloth, etc.,—by the farmer. You will see why stores or shops exist, not to furnish tea and coffee, but salt, etc. Here's the rub, then.

It's definitely valuable to have experienced a simple, rugged life at some point, just to understand what life's essentials really are and how society has worked to provide them. I've gone through old ledgers from merchants for the same reason— to see what items shopkeepers sold. They're mostly basic groceries. Salt is probably the most crucial item on that list and is often bought at stores among other commonly considered necessities—salt, sugar, molasses, cloth, and so on—by farmers. This shows why shops exist; they’re not just to provide things like tea and coffee, but essentials like salt. And therein lies the issue.

I see how I could supply myself with every other article which I need, without using the shops, and to obtain this might be the fit occasion for a visit to the seashore. Yet even salt cannot strictly speaking be called a necessary of human life, since many tribes do not use it.

I can see how I could get everything else I need without going to stores, and this might be a good reason for a trip to the beach. However, even salt can't really be considered essential for human life, since many cultures don't use it.

"Have you seen my hound, sir? I want to know!—what! a lawyer's office? law books?—if you've seen anything of a hound about here. Why, what do you do here?" "I live here. No, I haven't." "Haven't you heard one in the woods anywhere?" "Oh, yes, I heard one this evening." "What do you do here?" "But he was some way off." "Which side did he seem to be?" 399 "Well, I should think he [was] the other side of the pond." "This is a large dog; makes a large track. He's been out hunting from Lexington for a week. How long have you lived here?" "Oh, about a year." "Somebody said there was a man up here had a camp in the woods somewhere, and he'd got him." "Well, I don't know of anybody. There's Britton's camp over on the other road. It may be there." "Isn't there anybody in these woods?" "Yes, they are chopping right up here behind me." "How far is it?" "Only a few steps. Hark a moment. There, don't you hear the sound of their axes?"[437]

"Have you seen my dog, sir? I really want to know!—what! a lawyer's office? law books?—if you've seen any sign of a dog around here. Why, what do you do here?" "I live here. No, I haven't." "Haven't you heard one in the woods anywhere?" "Oh, yes, I heard one this evening." "What do you do here?" "But he was some way off." "Which direction did he seem to be?" 399 "Well, I’d guess he [was] the other side of the pond." "This is a big dog; he makes a big track. He's been out hunting from Lexington for a week. How long have you lived here?" "Oh, about a year." "Somebody said there was a man up here who had a camp in the woods somewhere, and he'd caught him." "Well, I don't know of anybody. There's Britton's camp over on the other road. It might be there." "Isn't there anyone in these woods?" "Yes, they're chopping right up here behind me." "How far is it?" "Only a few steps. Listen for a moment. There, don’t you hear the sound of their axes?" [437]

Therien, the woodchopper, was here yesterday, and while I was cutting wood, some chickadees hopped near pecking the bark and chips and the potato-skins I had thrown out. "What do you call them," he asked. I told him.

Therien, the woodcutter, was here yesterday, and while I was chopping wood, some chickadees hopped nearby, pecking at the bark, chips, and the potato skins I had tossed out. "What do you call them?" he asked. I told him.

"What do you call them," asked I. "Mezezence[?]," I think he said. "When I eat my dinner in the woods," said he, "sitting very still, having kindled a fire to warm my coffee, they come and light on my arm and peck at the potato in my fingers. I like to have the little fellers about me."[438] Just then one flew up from the snow and perched on the wood I was holding in my arms, and pecked it, and looked me familiarly in the face. Chicadee-dee-dee-dee-dee, while others were whistling phebe,—phe-bee,—in the woods behind the house.[439] 400

"What do you call them?" I asked. "Mezezence," I think he replied. "When I eat my dinner in the woods," he said, "sitting very still, having started a fire to warm my coffee, they come and land on my arm and peck at the potato in my fingers. I enjoy having those little guys around me." Just then, one flew up from the snow and settled on the wood I was holding in my arms, pecked it, and looked up at me in a friendly way. Chicadee-dee-dee-dee-dee, while others were whistling phebe—phe-bee—in the woods behind the house. 400

March 26, 1846. The change from foul weather to fair, from dark, sluggish hours to serene, elastic ones, is a memorable crisis which all things proclaim. The change from foulness to serenity is instantaneous. Suddenly an influx of light, though it was late, filled my room. I looked out and saw that the pond was already calm and full of hope as on a summer evening, though the ice was dissolved but yesterday. There seemed to be some intelligence in the pond which responded to the unseen serenity in a distant horizon. I heard a robin in the distance,—the first I had heard this spring,—repeating the assurance. The green pitch [pine] suddenly looked brighter and more erect, as if now entirely washed and cleansed by the rain. I knew it would not rain any more. A serene summer-evening sky seemed darkly reflected in the pond, though the clear sky was nowhere visible overhead. It was no longer the end of a season, but the beginning. The pines and shrub oaks, which had before drooped and cowered the winter through with myself, now recovered their several characters and in the landscape revived the expression of an immortal beauty. Trees seemed all at once to be fitly grouped, to sustain new relations to men and to one another. There was somewhat cosmical in the arrangement of nature. O the evening robin, at the close of a New England day! If I could ever find the twig he sits upon! Where does the minstrel really roost? We perceive it is not the bird of the ornithologist that is heard,—the Turdus migratorius.

March 26, 1846. The shift from bad weather to good, from gloomy, sluggish hours to bright, lively ones, is a remarkable moment that everything announces. The change from gloom to tranquility is instant. Suddenly, a rush of light, even though it was late, filled my room. I looked outside and saw that the pond was already calm and hopeful like a summer evening, even though the ice had just melted yesterday. It felt like the pond had some awareness responding to the unseen calm of the distant horizon. I heard a robin in the distance—the first I had heard this spring—confirming the promise. The green pine trees suddenly appeared brighter and more upright, as if thoroughly washed clean by the rain. I knew it wouldn’t rain anymore. A peaceful summer-evening sky seemed to be darkly reflected in the pond, even though the clear sky was nowhere to be seen above. It was no longer the end of a season, but the beginning. The pines and scrub oaks, which had drooped and shrunk throughout the winter like I had, now regained their individuality and brought back an expression of eternal beauty to the landscape. The trees suddenly seemed to be well-arranged, forming new connections with people and with each other. There was something cosmic about the way nature was arranged. Oh, the evening robin at the close of a New England day! If only I could ever find the branch he’s perched on! Where does the singer really nest? We realize it’s not the bird that ornithologists study—the Turdus migratorius.

The signs of fair weather are seen in the bosom of ponds before they are recognized in the heavens. It 401 is easy to tell by looking at any twig of the forest whether its winter is past or not.[440]

The signs of good weather can be spotted in the calm of ponds before they're noticed in the sky. It 401 is clear just by looking at any twig in the forest whether winter has come to an end or not.[440]

We forget how the sun looks on our fields, as on the forests and the prairies, as they reflect or absorb his rays. It matters not whether we stand in Italy or on the prairies of the West, in the eye of the sun the earth is all equally cultivated like a garden, and yields to the wave of an irresistible civilization.

We forget how the sun looks on our fields, just like it does on the forests and prairies, as they either reflect or absorb its rays. It doesn't matter if we're in Italy or on the prairies of the West, under the sun's gaze, the earth is all equally cultivated like a garden and responds to the wave of an unstoppable civilization.

This broad field, which I have looked on so long, looks not to me as the farmer, looks away from me to the sun, and attends to the harmony of nature. These beans have results which are not harvested in the autumn of the year. They do not mind, if I harvest them, who waters and makes them grow? Our grain-fields make part of a beautiful picture which the sun beholds in his daily course, and it matters little comparatively whether they fill the barns of the husbandman. The true husbandman will cease from anxiety and labor with every day, and relinquish all claim to the produce of his fields.[441]

This wide-open field that I've been watching for so long doesn't seem to care about me like a farmer does. It looks up towards the sun and pays attention to the beauty of nature. These beans yield results that aren't gathered in the fall. They don't care who harvests them or who waters them and helps them grow. Our grain fields are part of a beautiful scene that the sun sees on its daily journey, and it doesn’t really matter whether they fill the farmer’s barns. The true farmer will let go of worry and hard work with each passing day and give up all claims to the produce of his fields.[441]

The avaricious man would fain plant by himself.

The greedy man would rather plant by himself.

A flock of geese has just got in late, now in the dark flying low over the pond. They came on, indulging at last like weary travellers in complaint and consolation, or like some creaking evening mail late lumbering in with regular anserine clangor. I stood at my door and could hear their wings when they suddenly spied my light and, ceasing their noise, wheeled to the east and apparently settled in the pond.[442] 402

A flock of geese just arrived late, now flying low over the pond in the dark. They came in, finally letting out their complaints and comforts like tired travelers, or like some creaking evening mail truck arriving late with its usual honking. I stood at my door and could hear their wings when they suddenly noticed my light and, stopping their noise, turned east and seemed to settle in the pond.[442] 402

March 27. This morning I saw the geese from the door through the mist sailing about in the middle of the pond, but when I went to the shore they rose and circled round like ducks over my head, so that I counted them,—twenty-nine. I after saw thirteen ducks.[443] 403

March 27. This morning I saw the geese from the door through the mist floating in the middle of the pond, but when I approached the shore, they flew up and circled around like ducks above my head, and I counted them—twenty-nine. Later, I saw thirteen ducks.[443] 403

VIII
1845-1847
(ÆT. 27-30)

[The small and much mutilated journal which begins here appears to belong to the Walden period (1845-47), but the entries are undated.]

[The small and heavily damaged journal that starts here seems to be from the Walden period (1845-47), but the entries don’t have dates.]

THE HERO[444]

THE HERO__A_TAG_PLACEHOLDER_0__

What doth he ask?

What does he ask?

Some worthy task,

Some important task,

Never to run

Never run

Till that be done,

Until that's done,

That never done

That's never done.

Under the sun.

Under the sun.

Here to begin

Ready to start

All things to win

Everything to gain

By his endeavor

Through his efforts

Forever and ever.

Forever.

Happy and well

Happy and healthy

On this ground to dwell,

To live in this place,

This soil subdue,

This soil is subdued,

Plant, and renew.

Plant and refresh.

By might and main

With all one's might

Health and strength gain,

Get fit and strong,

So to give nerve 404

So to inspire courage 404

To his slenderness;

To his slimness;

Yet some mighty pain

Yet some great pain

He would sustain,

He would endure,

So to preserve

So to maintain

His tenderness.

His caring nature.

Not be deceived,

Don't be fooled,

Of suff'ring bereaved,

Of grieving loss,

Not lose his life

Not lose his life

By living too well,

By living excessively,

Nor escape strife

Nor avoid conflict

In his lonely cell,

In his isolated cell,

And so find out heaven

Discover heaven

By not knowing hell.

By being unaware of hell.

Strength like the rock

Strength like a rock

To withstand any shock,

To handle any impact,

Yet some Aaron's rod,

Yet some of Aaron's rod,

Some smiting by God,

Some divine retribution,

Occasion to gain

Opportunity to gain

To shed human tears

To cry

And to entertain

And to entertain ourselves

Still demonic fears.

Still demonic fears.

Not once for all, forever, blest,

Not just once and for all, forever, blessed,

Still to be cheered out of the west;

Still to be cheered out of the west;

Not from his heart to banish all sighs;

Not from his heart to get rid of all sighs;

Still be encouraged by the sunrise;

Still be encouraged by the sunrise;

Forever to love and to love and to love,

Forever to love and to love and to love,

Within him, around him, beneath him, above.

Within him, around him, beneath him, above.

To love is to know, is to feel, is to be;

To love is to understand, to feel, to exist;

At once 'tis his birth and his destiny.

At once, it's both his birth and his destiny.

Having sold all,

Sold everything,

Something would get, 405

Something would get, 405

Furnish his stall

Equip his stall

With better yet,—

With something better yet,—

For earthly pleasures

For earthly delights

Celestial pains,

Celestial aches,

Heavenly losses

Heavenly losses

For earthly gains.

For material gains.

Still to begin—unheard-of sin

Still to begin—unimaginable sin

A fallen angel—a risen man

A fallen angel—a redeemed man

Never returns to where he began.

Never goes back to where he started.

Some childlike labor

Some child labor

Here to perform,

Here to entertain,

Some baby-house

Some playhouse

To keep out the storm,

To weather the storm,

And make the sun laugh

And make the sun smile

While he doth warm,

While he warms,

And the moon cry

And the moon cries

To think of her youth,

To remember her youth,

The months gone by,

The months that have passed,

And wintering truth.

And wintering truth.

How long to morning?

Time until morning?

Can any tell?

Can anyone tell?

How long since the warning

How long since the alert?

On our ears fell?

Did we hear that?

The bridegroom cometh

The groom is coming

Know we not well?

Don't we know well?

Are we not ready,

Are we not ready?

Our packet made,

Our packet is ready,

Our hearts steady,

Our hearts are steady,

Last words said?

Final words spoken?

Must we still eat 406

Must we still eat 406

The bread we have spurned?

The bread we rejected?

Must we rekindle

Must we reignite

The faggots we've burned?

The sticks we've burned?

Must we go out

Do we have to go out?

By the poor man's gate?

At the poor man's gate?

Die by degrees,

Die slowly,

Not by new fate?

Not by a new fate?

Is there no road

Is there no way

This way, my friend?

This way, buddy?

Is there no road

Is there no path?

Without any end?

Without an ending?

Have you not seen

Haven't you seen

In ancient times

In the past

Pilgrims go by here

Pilgrims pass through here

Toward other climes,

To other places,

With shining faces

With glowing faces

Youthful and strong

Young and strong

Mounting this hill

Climbing this hill

With speech and with song?

With words and music?

Oh, my good sir,

Oh, my good man,

I know not the ways;

I don’t know the ways;

Little my knowledge,

Little did I know,

Though many my days.

Though many of my days.

When I have slumbered,

When I've slept,

I have heard sounds

I've heard sounds

As travellers passing

As travelers passing

Over my grounds.

On my property.

'Twas a sweet music

It was sweet music

Wafted them by;

Sent them away;

I could not tell

I couldn't tell

If far off or nigh. 407

If far away or close. 407

Unless I dreamed it,

Unless I imagined it,

This was of yore,

This was in the past,

But I never told it

But I never said it

To mortal before;

To mortals before;

Never remembered

Never forgotten

But in my dreams

But in my dreams

What to me waking

What does waking mean to me

A miracle seems.

A miracle appears.

If you will give of your pulse or your grain,

If you will share your energy or your resources,

We will rekindle those flames again.

We will light those flames again.

Here will we tarry, still without doubt,

Here we will stay, still without a doubt,

Till a miracle putteth that fire out.

Till a miracle puts that fire out.


At midnight's hour I raised my head.

At midnight, I lifted my head.

The owls were seeking for their bread;

The owls were searching for their food;

The foxes barked, impatient still

The foxes barked, still impatient

At their wan [?] fate they bear so ill.

At their final fate, they handle it so poorly.

I thought me of eternities delayed

I thought of endless delays.

And of commands but half obeyed.

And of commands only partially followed.

The night wind rustled through the glade,

The night wind rustled through the clearing,

As if a force of men there staid;

As if a group of men were standing there;

The word was whispered through the ranks,

The word was quietly passed around among the group,

And every hero seized his lance.

And every hero grabbed his spear.

The word was whispered through the ranks,

The word was quietly shared among the group,

Advance!

Go ahead!

To live to a good old age such as the ancients reached, serene and contented, dignifying the life of man, leading a simple, epic country life in these days of confusion and turmoil,—that is what Wordsworth has done. 408 Retaining the tastes and the innocence of his youth. There is more wonderful talent, but nothing so cheering and world-famous as this.

To live to a good old age like those ancient people did, calm and satisfied, honoring human life by enjoying a simple, epic country lifestyle in these chaotic times—that’s what Wordsworth has achieved. 408 He has kept the interests and innocence of his youth. There may be more incredible talents, but nothing as uplifting and renowned as this.

The life of man would seem to be going all to wrack and pieces, and no instance of permanence and the ancient natural health, notwithstanding Burns, and Coleridge, and Carlyle. It will not do for men to die young; the greatest genius does not die young. Whom the gods love most do indeed die young, but not till their life is matured, and their years are like those of the oak, for they are the products half of nature and half of God. What should nature do without old men, not children but men?

The life of man seems to be falling apart, with nothing solid or natural remaining, despite the works of Burns, Coleridge, and Carlyle. It’s not right for people to die young; the greatest genius doesn’t die young. Those whom the gods cherish do die young, but only after their lives have reached full maturity, and their years are as sturdy as an oak because they are shaped by both nature and God. What would nature do without old men, not children but men?

The life of men, not to become a mockery and a jest, should last a respectable term of years. We cannot spare the age of those old Greek Philosophers. They live long who do not live for a near end, who still forever look to the immeasurable future for their manhood.

The life of men, to avoid becoming a joke, should last a decent number of years. We can't overlook the age of those ancient Greek philosophers. They live long who don’t focus on a quick ending, who always look to the endless future for their purpose.

All dramas have but one scene. There is but one stage for the peasant and for the actor, and both on the farm and in the theatre the curtain rises to reveal the same majestic scenery. The globe of earth is poised in space for his stage under the foundations of the theatre, and the cope of heaven, out of reach of the scene-shifter, overarches it. It is always to be remembered by the critic that all actions are to be regarded at last as performed from a distance upon some rood of earth and amid the operations of nature.

All dramas have just one scene. There’s only one stage for the farmer and for the actor, and both on the farm and in the theater, the curtain goes up to show the same grand backdrop. The globe of earth hangs in space as his stage beneath the foundations of the theater, and the sky, beyond the reach of the stagehand, arches over it. Critics should always remember that all actions are ultimately seen from a distance on some patch of earth and amidst the workings of nature.

Rabelais, too, inhabited the soil of France in sunshine and shade in those years; and his life was no "farce" after all. 409

Rabelais also lived in France during both the good times and the bad times in those years; and his life was not a "farce" after all. 409

I seek the present time,

I'm looking for the present.

No other clime,

No other climate,

Life in to-day,—

Life today,—

Not to sail another way,—

Not to go a different way,—

To Paris or to Rome,

To Paris or Rome,

Or farther still from home.

Or even further from home.

That man, whoe'er he is,

That man, whoever he is,

Lives but a moral death

Lives a moral death

Whose life is not coeval

Whose life isn't concurrent

With his breath.

With his breath.

My feet forever stand

My feet will always stand

On Concord fields,

On Concord's fields,

And I must live the life

And I have to live my life

Which their soil yields.

Which their soil produces.

What are deeds done

What are actions taken

Away from home?

Out of town?

What the best essay

What's the best essay?

On the Ruins of Rome?

In the Ruins of Rome?

The love of the new,

The love for the new,

The unfathomed blue,

The deep blue,

The wind in the wood,

The wind in the woods,

All future good,

All future blessings,

The sunlit tree,

The sunlit tree,

The small chickadee,

The little chickadee,

The dusty highways,

The dusty roads,

What Scripture says,

What the Bible says,

This pleasant weather,

This nice weather,

And all else together,

And everything else together,

The river's meander,

The river's twist,

All things, in short,

In summary,

Forbid me to wander 410

Don't let me wander 410

In deed or in thought.

In action or in thought.

In cold or in drouth,

In cold or in drought,

Not seek the sunny South,

Don’t seek the sunny South,

But make my whole tour

But complete my entire tour

In the sunny present hour.

In the bright present moment.

For here if thou fail,

If you fail here,

Where can'st thou prevail?

Where can you succeed?

If you love not

If you don't love

Your own land most,

Your own land mostly,

You'll find nothing lovely

You'll find nothing beautiful

On a distant coast.

On a remote coast.

If you love not

If you don't love

The latest sunset,

The recent sunset,

What is there in pictures

What's in the pictures?

Or old gems set?

Or old jewelry set?

If no man should travel

If no one should travel

Till he had the means,

Until he had the means,

There'd be little travelling

There wouldn't be much traveling

For kings or for queens.

For kings or queens.

The means, what are they?

What are the means?

They are the wherewithal

They have the resources

Great expenses to pay,

High costs to cover,

Life got, and some to spare,

Life got, and some to spare,

Great works on hand,

Great tasks at hand,

And freedom from care,

And freedom from worry,

Plenty of time well spent

A lot of time well spent

To use,

To utilize,

Clothes paid for and no rent

Clothes are paid for and there's no rent.

In your shoes,

If I were you,

Something to eat 411

Food to eat 411

And something to burn,

And something to set on fire,

And above all no need to return.

And above all, there's no need to come back.

Then they who come back,

Then those who return,

Say, have they not failed,

Have they not failed,

Wherever they've ridden,

Wherever they've traveled,

Or steamed it, or sailed?

Or steamed it, or sailed?

All your grass hay'd,

All your grass is hayed,

All your debts paid,

All your bills settled,

All your wills made;

All your wills created;

Then you might as well have stay'd,

Then you might as well have stayed,

For are you not dead,

For aren’t you dead,

Only not buried?

Just not buried?

The way unto "to-day,"

The way to "today,"

The railroad to "here,"

The train to "here,"

They never'll grade that way

They won't grade that way

Nor shorten it, I fear.

Nor shorten it, I fear.

There are plenty of depots

There are many depots.

All the world o'er,

All over the world,

But not a single station

But not a single station.

At a man's door.

At a guy's door.

If he would get near

If he got close

To the secret of things,

To the truth of things,

He'll not have to hear

He won't have to hear

When the engine bell rings.

When the engine bell rings.

Exaggeration! was ever any virtue attributed to a man without exaggeration? was ever any vice, without infinite exaggeration? Do we not exaggerate ourselves to ourselves, or do we often recognize ourselves for the 412 actual men we are? The lightning is an exaggeration of light. We live by exaggeration. Exaggerated history is poetry, and is truth referred to a new standard. To a small man every greater one is an exaggeration. No truth was ever expressed but with this sort of emphasis, so that for the time there was no other truth. The value of what is really valuable can never be exaggerated. You must speak loud to those who are hard of hearing; so you acquire a habit of speaking loud to those who are not. In order to appreciate any, even the humblest, man, you must not only understand, but you must first love him; and there never was such an exaggerator as love. Who are we? Are we not all of us great men? And yet what [are] we actually? Nothing, certainly, to speak of. By an immense exaggeration we appreciate our Greek poetry and philosophy, Egyptian ruins, our Shakespeares and Miltons, our liberty and Christianity. We give importance to this hour over all other hours. We do not live by justice, but [by grace.][445]

Exaggeration! Has any virtue ever been attributed to a person without exaggeration? Has any vice existed without endless exaggeration? Do we not exaggerate ourselves to ourselves, or do we often see ourselves as the actual people we are? The lightning is an exaggeration of light. We live by exaggeration. Exaggerated history is poetry, and it's truth seen from a new perspective. To a small person, every greater person is an exaggeration. No truth has ever been expressed without this kind of emphasis, so in that moment, there was no other truth. The value of what is truly valuable can never be exaggerated. You have to speak loudly to those who are hard of hearing; thus, you develop a habit of speaking loudly to those who are not. To appreciate any person, even the humblest one, you must not only understand them, but you must first love them; and there has never been a better exaggerator than love. Who are we? Aren't we all great individuals? Yet what are we really? Nothing, certainly, to write home about. Through immense exaggeration, we value our Greek poetry and philosophy, Egyptian ruins, our Shakespeares and Miltons, our freedom, and our Christianity. We give importance to this hour above all other hours. We do not live by justice, but by grace.

Love never perjures itself, nor is it mistaken.

Love never lies, and it’s never wrong.

He is not the great writer, who is afraid to let the world know that he ever committed an impropriety. Does it not know that all men are mortal?

He isn't a great writer if he's afraid to let the world know that he ever did something wrong. Doesn't he realize that all people are mortal?

Carlyle told R. W. E. that he first discovered that he was not a jackass on reading "Tristram Shandy" and Rousseau's "Confessions," especially the last. His first essay is an article in Fraser's Magazine on two boys quarrelling. 413

Carlyle told R. W. E. that he first realized he wasn't an idiot after reading "Tristram Shandy" and Rousseau's "Confessions," particularly the latter. His first essay is an article in Fraser's Magazine about two boys fighting. 413

Youth wants something to look up to, to look forward to; as the little boy who inquired of me the other day, "How long do those old-agers live?" and expressed the intention of compassing two hundred summers at least. The old man who cobbles shoes without glasses at a hundred, and cuts a handsome swath at a hundred and five, is indispensable to give dignity and respectability to our life.

Youth needs something to aspire to, something to look forward to; like the little boy who asked me the other day, "How long do those old folks live?" and mentioned wanting to experience at least two hundred summers. The old man who makes shoes without glasses at a hundred, and still looks good doing it at a hundred and five, is essential to give dignity and respect to our lives.

From all points of the compass, from the earth beneath and the heavens above, have come these inspirations and been entered duly in the order of their arrival in the journal. Thereafter, when the time arrived, they were winnowed into lectures, and again, in due time, from lectures into essays. And at last they stand, like the cubes of Pythagoras, firmly on either basis; like statues on their pedestals, but the statues rarely take hold of hands. There is only such connection and series as is attainable in the galleries. And this affects their immediate practical and popular influence.

From every direction, from the ground below and the sky above, these ideas have come and have been recorded in the order they arrived in the journal. Later, when the time was right, they were sorted into lectures, and eventually, from lectures into essays. Now they stand, like Pythagorean cubes, solidly on either side; like statues on their pedestals, but the statues hardly ever connect. There’s only the kind of connection and sequence that can be found in galleries. This impacts their immediate practical and popular influence.

Carlyle, we should say, more conspicuously than any other, though with little enough expressed or even conscious sympathy, represents the Reformer class. In him the universal plaint is most settled and serious. Until the thousand named and nameless grievances are righted, there will be no repose for him in the lap of Nature or the seclusion of science and literature. And all the more for not being the visible acknowledged leader of any class.[446] 414

Carlyle stands out more than anyone else, even if he doesn’t openly feel or realize it, as a representative of the Reformer class. In him, the deep and serious universal complaint is most apparent. Until all the many grievances, both known and unknown, are addressed, he won’t find peace in nature or in the solitude of science and literature. This is especially true since he isn’t the recognized leader of any group. [446] 414

All places, all positions—all things in short—are a medium happy or unhappy. Every realm has its centre, and the nearer to that the better while you are in it. Even health is only the happiest of all mediums. There may be excess, or there may be deficiency; in either case there is disease. A man must only be virtuous enough.

All places, all roles—basically everything—are either a happy or unhappy medium. Every area has its center, and the closer you are to that center, the better it is while you're there. Even good health is just the happiest of all mediums. There can be too much or too little; in either case, that leads to illness. A person just needs to be virtuous enough.

I had one neighbor within half a mile for a short time when I first went to the woods, Hugh Quoil, an Irishman who had been a soldier at Waterloo, Colonel Quoil, as he was called,—I believe that he had killed a colonel and ridden off his horse,—who lived from hand—sometimes to mouth,—though it was commonly a glass of rum that the hand carried. He and his wife awaited their fate together in an old ruin in Walden woods. What life he got—or what means of death—he got by ditching.

I had one neighbor within half a mile for a short time when I first moved to the woods, Hugh Quoil, an Irishman who had fought at Waterloo, Colonel Quoil, as he was known. I believe he had killed a colonel and stolen his horse. He lived day-to-day—sometimes barely getting by—though more often than not it was a glass of rum in hand. He and his wife faced their fate together in an old ruin in Walden woods. The life he managed to scrape together—or the means to die—he earned by ditching.

I never was much acquainted with Hugh Quoil, though sometimes I met him in the path, and now do believe that a solid shank-bone, and skull which no longer aches, lie somewhere, and can still be produced, which once with garment of flesh and broadcloth were called and hired to do work as Hugh Quoil. He was a man of manners and gentlemanlike, as one who had seen the world, and was capable of more civil speech than you could well attend to. At a distance he had seemingly a ruddy face as of biting January, but nearer at hand it was bright carmine. It would have burnt your finger to touch his cheek. He wore a straight-bodied snuff-colored coat which had long been familiar with him, and carried a turf-knife in his hand—instead 415 of a sword. He had fought on the English side before, but he fought on the Napoleon side now. Napoleon went to St. Helena; Hugh Quoil came to Walden Pond. I heard that he used to tell travellers who inquired about myself that —— and Thoreau owned the farm together, but Thoreau lived on the place and carried it on.[447]

I never knew Hugh Quoil very well, although I sometimes ran into him on the path. I now believe that somewhere lie a solid shank bone and a skull that no longer hurts, which once were covered in flesh and dressed in broadcloth, known as Hugh Quoil. He was a man of good manners and appeared as though he had traveled the world, capable of more polite conversation than you could easily keep up with. From a distance, his face looked ruddy like a cold January day, but up close, it was a bright red. It would have burned your finger to touch his cheek. He wore a straight-bodied, snuff-colored coat that he had long been wearing, and he carried a turf knife in his hand instead of a sword. He had previously fought on the English side, but now he fought for Napoleon. When Napoleon went to St. Helena, Hugh Quoil came to Walden Pond. I heard he used to tell travelers who asked about me that — and Thoreau co-owned the farm, but Thoreau lived on the place and managed it.[447]

He was thirstier than I, and drank more, probably, but not out of the pond. That was never the lower for him. Perhaps I ate more than he. The last time I met him, the only time I spoke with him, was at the foot of the hill on the highway as I was crossing to the spring one summer afternoon, the pond water being too warm for me. I was crossing the road with a pail in my hand, when Quoil came down the hill, wearing his snuff-colored coat, as if it were winter, and shaking with delirium-tremens. I hailed him and told him that my errand was to get water at a spring close by, only at the foot of the hill over the fence. He answered, with stuttering and parched lips, bloodshot eye, and staggering gesture, he'd like to see it. "Follow me there, then." But I had got my pail full and back before he scaled the fence. And he, drawing his coat about him, to warm him, or to cool him, answered in delirium-tremens, hydrophobia dialect, which is not easy to be written here, he'd heard of it, but had never seen it; and so shivered his way along to town,—to liquor and to oblivion.

He was thirstier than I was and probably drank more, but not from the pond. That never bothered him. Maybe I ate more than he did. The last time I saw him, which was the only time I talked to him, was at the bottom of the hill on the highway as I was heading to the spring one summer afternoon because the pond water was too warm for me. I was crossing the road with a bucket in my hand when Quoil came down the hill, wearing his brown coat as if it were winter, shaking with shakes from withdrawal. I called out to him and told him I was getting water from a spring nearby, just at the bottom of the hill over the fence. He replied, with slurred speech and dry lips, bloodshot eyes, and a staggered movement, that he would like to see it. "Follow me there, then." But I filled my bucket and returned before he even climbed the fence. He wrapped his coat around himself, either to warm up or cool off, and replied in a shaky, incoherent way, hard to put into words, that he had heard of it but had never seen it; and then he shivered his way into town—for more liquor and forgetfulness.

On Sundays, brother Irishmen and others, who had gone far astray from steady habits and the village, crossed my bean-field with empty jugs toward Quoil's. 416 But what for? Did they sell rum there? I asked. "Respectable people they," "Know no harm of them," "Never heard that they drank too much," was the answer of all wayfarers. They went by sober, stealthy, silent, skulking (no harm to get elm bark Sundays); returned loquacious, sociable, having long intended to call on you.

On Sundays, Irish brothers and others, who had wandered far from their good habits and the village, crossed my bean field with empty jugs on their way to Quoil's. 416 But why? Did they sell rum there? I asked. "They’re respectable people," "We’ve never seen them cause any trouble," "I’ve never heard that they drink too much," was the response from all the travelers. They passed by sober, sneaky, silent, tiptoeing (no harm in gathering elm bark on Sundays); but they returned chatty, friendly, claiming they always meant to drop by.

At length one afternoon Hugh Quoil, feeling better, perchance, with snuff-colored coat, as usual, paced solitary and soldier-like, thinking [of] Waterloo, along the woodland road to the foot of the hill by the spring; and there the Fates met him, and threw him down in his snuff-colored coat on the gravel, and got ready to cut his thread; but not till travellers passed, who would raise him up, get him perpendicular, then settle, settle quick; but legs, what are they? "Lay me down," says Hugh hoarsely. "House locked up—key—in pocket—wife in town." And the Fates cut, and there he lay by the wayside, five feet ten, and looking taller than in life.

At last one afternoon, Hugh Quoil, feeling a bit better, in his usual snuff-colored coat, walked alone and with military precision, thinking about Waterloo, along the forest path to the bottom of the hill by the spring; and there the Fates confronted him, knocked him down in his snuff-colored coat onto the gravel, and got ready to end his life; but not before some travelers passed by, who would pick him up, set him upright, then settle things quickly; but legs, what are they? "Lay me down," Hugh rasped. "House locked up—key—in pocket—wife in town." And the Fates cut, and there he lay by the roadside, five feet ten, and looking taller than he did in life.

He has gone away; his house here "all tore to pieces." What kind of fighting or ditching work he finds to do now, how it fares with him, whether his thirst is quenched, whether there is still some semblance of that carmine cheek, struggles still with some liquid demon—perchance on more equal terms—till he swallow him completely, I cannot by any means learn. What his salutation is now, what his January-morning face, what he thinks of Waterloo, what start he has gained or lost, what work still for the ditcher and forester and soldier now, there is no evidence. He was here, the likes of him, 417 for a season, standing light in his shoes like a faded gentleman, with gesture almost learned in drawing-rooms; wore clothes, hat, shoes, cut ditches, felled wood, did farm work for various people, kindled fires, worked enough, ate enough, drank too much. He was one of those unnamed, countless sects of philosophers who founded no school.

He’s gone; his house here is “all torn apart.” I have no idea what kind of fighting or odd jobs he’s doing now, how he’s doing, if he’s satisfied, if he still has that rosy cheek, or if he still grapples with some kind of alcohol demon—maybe on better terms now—until he completely swallows it. I can’t find out what he says now, what his January morning face looks like, what he thinks about Waterloo, what progress he’s made or lost, or what work is left for the ditch-digger, the forester, or the soldier. He was here, like so many others, 417 for a season, light on his feet like a faded gentleman, with gestures almost learned in fancy rooms; he wore clothes, a hat, shoes, dug ditches, cut wood, did farm work for various people, started fires, worked enough, ate enough, and drank too much. He was one of those countless, unnamed groups of philosophers who didn’t start a school.

Now that he was gone, and his wife was gone too,—for she could not support the solitude,—before it was too late and the house was torn down, I went over to make a call. Now that Irishmen with jugs avoided the old house, I visited it,—an "unlucky castle now," said they. There lay his old clothes curled up by habit, as if it were himself, upon his raised plank bed. His pipe lay broken on the hearth; and scattered about were soiled cards—king of diamonds, hearts, spades—on the floor. One black chicken, which they could not catch, still went to roost in the next apartment, stepping silent over the floor, frightened by the sound of its own wings, black as night and as silent, too, not even croaking; awaiting Reynard, its god actually dead. There was the dim outline of a garden which had been planted, but had never received its first hoeing, now overrun with weeds, with burs and cockles, which stick to your clothes; as if in the spring he had contemplated a harvest of corn and beans before that strange trembling of the limbs overtook him. Skin of woodchuck fresh-stretched, never to be cured, met once in bean-field by the Waterloo man with uplifted hoe; no cap, no mittens wanted. Pipe on hearth no more to be lighted, best buried with him.[448] 418

Now that he was gone, and his wife was gone too—she couldn't handle the loneliness—before it was too late and the house was demolished, I went over to pay a visit. Since the Irishmen with their jugs were avoiding the old place, I decided to check it out—“an unlucky castle now,” they said. His old clothes were curled up by habit on his raised plank bed, as if they were him. His broken pipe lay on the hearth, and there were soiled playing cards—king of diamonds, hearts, spades—scattered on the floor. One black chicken, which they couldn't catch, still roosted in the next room, silently crossing the floor, scared by the sound of its own wings, black as night and just as quiet, not even making a sound; waiting for Reynard, its god now truly gone. There was a dim outline of a garden that had been planted but never properly tended, now overrun with weeds, burs, and cockles that cling to your clothes; as if he had imagined a harvest of corn and beans that spring before that strange shaking of his limbs took hold. A woodchuck's skin, freshly stretched but never cured, once met in the bean field by the Waterloo man with his hoe raised; no cap, no mittens needed. The pipe on the hearth would never be lit again, best buried with him.[448] 418

No thirst for glory, only for strong drink.

No desire for fame, just for a good drink.

Only the convalescent are conscious of the health of nature.

Only those recovering are aware of the health of nature.

In case of an embargo there will be found to be old clothes enough in everybody's garret to last till the millennium. We are fond of news, novelties, new things. The bank-bill that is torn in two will pass if you save the pieces, if you have only got the essential piece with the signatures. Lowell and Manchester and Fall River think you will let go their broadcloth currency when it is torn; but hold on, have an eye to the signature about the back of it, and endorse the man's name from whom you received it, and they will be the first to fail and find nothing at all in their garrets. Every day our garments become more assimilated to the man that wears them, more near and dear to us, and not finally to be laid aside but with such delay and medical appliance and solemnity as our other mortal coil.[449] We know, after all, but few men, a great many coats and breeches. Dress a scarecrow with your last shift, you standing shiftless by, who would not soonest address the scarecrow and salute it?[450]

In case of an embargo, you’d find enough old clothes in everyone’s attic to last until the end of time. We love news, new things, and the latest trends. A torn banknote can still be used if you keep the pieces, especially if you have the essential part with the signatures. Places like Lowell, Manchester, and Fall River think you'll discard their fancy currency just because it’s torn; but remember to check the signature on the back, and endorse the name of the person you got it from, and they’ll be the first to fail and find nothing at all in their attics. Every day, our clothes become more like us, growing closer and more precious, and they won’t be discarded lightly, but with the same care and gravity as anything else we hold dear. We truly know very few men, but a lot of coats and pants. If you dressed a scarecrow with your last shirt while you stand there doing nothing, who wouldn’t rather talk to the scarecrow and greet it?

King James loved his old shoes best. Who does not? Indeed these new clothes are often won and worn only after a most painful birth. At first movable prisons, oyster-shells which the tide only raises, opens, and shuts, washing in what scanty nutriment may be afloat. How many men walk over the limits, carrying their 419 limits with them? In the stocks they stand, not without gaze of multitudes, only without rotten eggs, in torturing boots, the last wedge but one driven. Why should we be startled at death? Life is constant putting off of the mortal coil,—coat, cuticle, flesh and bones, all old clothes.

King James preferred his old shoes. Who doesn’t? These new clothes are often acquired and worn only after a painful experience. At first, they're like movable prisons—shells that the tide raises, opens, and shuts, bringing in whatever little nourishment is available. How many people push the limits, carrying their limits with them? They stand in stocks, not without the gaze of many, just without any rotten eggs, stuck in torturous boots, with the last wedge but one driven in. Why should we be surprised by death? Life is just a constant shedding of the mortal coil—coat, skin, flesh, and bones, all old clothes.

Not till the prisoner has got some rents in his prison walls, possibility of egress without lock and key some day,—result of steel watch-spring rubbing on iron grate, or whatever friction and wear and tear,—will he rest contented in his prison.

Not until the prisoner has created some gaps in his prison walls, a chance to escape without needing a lock and key someday—thanks to a steel watch spring rubbing against an iron grate, or some other kind of friction and wear—will he feel at peace in his confinement.

Clothes brought in sewing, a kind of work you may call endless.[451]

Clothes made through sewing, a type of work you could describe as never-ending.[451]

A man who has at length found out something important to do will not have to get a new suit to do it in. For him the old will do, lying dusty in the garret for an indefinite period. Old shoes will serve a hero longer than they have served his valet. Bare feet are the oldest of shoes, and he can make them do. Only they who go to legislature and soirées,—they must have new coats, coats to turn as often as the man turns in them. Who ever saw his old shoes, his old coat, actually worn out, returned to their original elements, so that it was not [a] deed [of] charity to bestow them on some poorer boy, and by him to be bestowed on some poorer still, or shall we say on some richer who can do with less?[452]

A man who finally discovers something meaningful to do won’t need to buy a new suit for it. The old one will work just fine, collecting dust in the attic for who knows how long. Old shoes can serve a hero longer than they’ve served his butler. Bare feet are the simplest shoes, and he can manage with them. Only those who go to legislatures and parties need new coats—coats that need to be replaced as often as the man changes them. Who has ever seen their old shoes or old coat completely worn out, returned to nothing, so that it wasn't an act of charity to give them to some less fortunate boy, who in turn gives them to someone even less fortunate, or should we say to someone richer who needs less?[452]

Over eastward of my bean-field lived Cato Ingraham, slave, born slave, perhaps, of Duncan Ingraham, Esquire, gentleman, of Concord village, who built him a house 420 and gave him permission to live in Walden Woods, for which no doubt he was thanked; and then, on the northeast corner, Zilpha, colored woman of fame; and down the road, on the right hand, Brister, colored man, on Brister's Hill, where grow still those little wild apples he tended, now large trees, but still wild and ciderish to my taste; and farther still you come to Breed's location, and again on the left, by well and roadside, Nutting lived. Farther up the road, at the pond's end, Wyman, the potter, who furnished his townsmen with earthenware,—the squatter.[453]

Over to the east of my bean field lived Cato Ingraham, a born slave, possibly the property of Duncan Ingraham, Esquire, from Concord village, who built him a house 420 and allowed him to live in Walden Woods, for which he was probably grateful; then, at the northeast corner, there was Zilpha, a well-known Black woman; and further down the road, on the right side, lived Brister, a Black man, on Brister's Hill, where those small wild apples he tended still grow—now large trees, but still wild and cider-like to me; and even further, you reach Breed's place, and again on the left, by the well and roadside, Nutting lived. Further up the road, at the end of the pond, was Wyman, the potter, who supplied his neighbors with pottery—the squatter.[453]

Now only a dent in the earth marks the site of most of these human dwellings; sometimes the well-dent where a spring oozed, now dry and tearless grass, or covered deep,—not to be discovered till late days by accident,—with a flat stone under the sod. These dents, like deserted fox-burrows, old holes, where once was the stir and bustle of human life overhead, and man's destiny, "fate, free-will, foreknowledge absolute," were all by turns discussed.

Now there's just a dent in the ground where most of these homes used to be; sometimes it's the slight depression where a spring used to flow, now just dry, emotionless grass, or covered up deep—only to be found later by chance—with a flat stone buried beneath the soil. These marks, like abandoned fox dens, are old hollows where once there was the energy and activity of human life above, and discussions about man's fate, "destiny, free will, absolute foreknowledge," were held.

Still grows the vivacious lilac for a generation after the last vestige else is gone, unfolding still its early sweet-scented blossoms in the spring, to be plucked only by the musing traveller; planted, tended, weeded [?], watered by children's hands in front-yard plot,—now by wall-side in retired pasture, or giving place to a new rising forest. The last of that stirp, sole survivor of that family. Little did the dark children think that that weak slip with its two eyes which they watered would root itself so, and outlive them, and house in the rear that shaded 421 it, and grown man's garden and field, and tell their story to the retired wanderer a half-century after they were no more,—blossoming as fair, smelling as sweet, as in that first spring. Its still cheerful, tender, civil lilac colors.[454]

Still growing is the lively lilac, long after everything else has disappeared, still blooming its sweet-scented flowers in the spring, picked only by the thoughtful traveler; planted, cared for, and watered by children's hands in the front yard—now by the wall in a quiet pasture, or making way for a new forest. The last of that lineage, the only survivor of that family. Little did the dark-skinned children know that this fragile sprout with its two buds they watered would take root like this, outlive them, and thrive in the garden behind it, sharing the tale with passing wanderers half a century after they were gone—blooming just as beautifully, smelling just as sweet as in that first spring. Its cheerful and delicate lilac colors.

The woodland road, though once more dark and shut in by the forest, resounded with the laugh and gossip of inhabitants, and was notched and dotted here and there with their little dwellings. Though now but a humble rapid passage to neighboring villages or for the woodman's team, it once delayed the traveller longer, and was a lesser village in itself.[455]

The forest road, while once again dark and surrounded by trees, echoed with the laughter and chatter of the locals and was marked here and there by their small homes. Although it now serves mainly as a quick route to nearby villages or for the woodcutter's team, it used to slow down travelers and was a small village in its own right.[455]

You still hear from time to time the whinnering of the raccoon, still living as of old in hollow trees, washing its food before it eats it. The red fox barks at night. The loon comes in the fall to sail and bathe in the pond, making the woods ring with its wild laughter in the early morning, at rumor of whose arrival all Concord sportsmen are on the alert, in gigs, on foot, two by two, three [by three], with patent rifles, patches, conical balls, spy-glass or open hole over the barrel. They seem already to hear the loon laugh; come rustling through the woods like October leaves, these on this side, those on that, for the poor loon cannot be omnipresent; if he dive here, must come up somewhere. The October wind rises, rustling the leaves, ruffling the pond water, so that no loon can be seen rippling the surface. Our sportsmen scour, sweep the pond with spy-glass in vain, making the woods ring with rude [?] charges of powder, for the 422 loon went off in that morning rain with one loud, long, hearty laugh, and our sportsmen must beat a retreat to town and stable and daily routine, shop work, unfinished jobs again.[456]

You still occasionally hear the whining of the raccoon, still living as it always has in hollow trees, washing its food before eating. The red fox barks at night. The loon arrives in the fall to glide and bathe in the pond, filling the woods with its wild laughter in the early morning. At the news of its arrival, all Concord sportsmen are on high alert, in boats, on foot, in pairs and threes, with their fancy rifles, patches, conical bullets, and binoculars. They already seem to hear the loon laugh; they move through the woods like October leaves, some on this side, others on that, because the poor loon can’t be everywhere at once; if it dives here, it has to come up somewhere else. The October wind rises, rustling the leaves and rippling the pond water, making it impossible to see any loons disturbing the surface. Our sportsmen scour the pond with binoculars in vain, making the woods echo with loud gunfire, because the loon took off in that morning rain with one loud, long, hearty laugh, and our sportsmen must retreat to town and their usual routines, shop work, and unfinished tasks again.

Or in the gray dawn the sleeper hears the long ducking gun explode over toward Goose Pond, and, hastening to the door, sees the remnant of a flock, black duck or teal, go whistling by with outstretched neck, with broken ranks, but in ranger order. And the silent hunter emerges into the carriage road with ruffled feathers at his belt, from the dark pond-side where he has lain in his bower since the stars went out.

Or in the gray dawn, the sleeper hears the distant sound of a shotgun blast over by Goose Pond and, rushing to the door, sees the remains of a flock—black ducks or teal—whizzing past with stretched necks, scattered yet in organized formation. The silent hunter steps out onto the carriage road with ruffled feathers hanging from his belt, emerging from the dark edge of the pond where he has been lying in wait since the stars faded away.

And for a week you hear the circling clamor, clangor, of some solitary goose through the fog, seeking its mate, peopling the woods with a larger life than they can hold.[457]

And for a week you hear the constant noise, clatter, of some lone goose through the fog, looking for its mate, filling the woods with a bigger presence than they can contain.[457]

For hours in fall days you shall watch the ducks cunningly tack and veer and hold the middle of the pond, far from the sportsman on the shore,—tricks they have learned and practiced in far Canada lakes or in Louisiana bayous.[458]

For hours on autumn days, you can watch the ducks skillfully maneuver and stay in the center of the pond, far from the hunter on the shore—moves they've learned and practiced in lakes of Canada or in Louisiana swamps.[458]

The waves rise and dash, taking sides with all waterfowl.[459]

The waves crash and roll, teaming up with all the waterfowl.[459]

Then in dark winter mornings, in short winter afternoons, the pack of hounds, threading all woods with hounding cry and yelp, unable to resist the instinct of 423 the chase, and note of hunting-horn at intervals, showing that man too is in the rear. And the woods ring again, and yet no fox bursts forth on to the open level of the pond, and no following pack after their Actæon.[460]

Then on dark winter mornings and short winter afternoons, the pack of hounds, threading through all the woods with their cries and yelps, can't help but give in to their instinct to chase, with the sound of the hunting horn every so often indicating that the hunter is not far behind. The woods echo with their noise, yet no fox steps out onto the flat surface of the pond, and no pack follows their Actæon.

But this small village, germ of something more, why did it fail while Concord grows apace? No natural advantages, no water privilege, only the deep Walden Pond and cool Brister's Spring,—privileges to drink long, healthy, pure draughts, alas, all unimproved by those men but to dilute their glass. Might not the basket-making, stable-broom, mat-making, corn-parching, potters' business have thrived here, making the wilderness to blossom as the rose? Now, all too late for commerce, this waste, depopulated district has its railroad too. And transmitted the names of unborn Bristers, Catos, Hildas,[461] Zilphas to a remote and grateful posterity.

But this small village, the starting point of something bigger, why did it fail while Concord keeps growing? No natural advantages, no water access, just the deep Walden Pond and the cool Brister's Spring—resources to enjoy long, healthy, pure drinks, yet sadly, all wasted by those men who only diluted their drinks. Couldn’t the basket-making, broom-making, mat-making, popcorn-making, and pottery businesses have thrived here, making the wilderness bloom? Now, it's too late for business; this empty, depopulated area has its railroad too. And it has passed down the names of future Bristers, Catos, Hildas, Zilphas to a distant and thankful future generation.

Again Nature will try, with me for a first settler, and my house raised last spring to be the oldest in the settlement.

Again, Nature will have another go, with me as the first settler, and my house built last spring will be the oldest in the settlement.

The sterile soil would have been proof against any lowland degeneracy.[462]

The sterile soil would have resisted any lowland decline.[462]

Farmers far and near call it the paradise of beans.

Farmers from near and far refer to it as the bean paradise.

And here, too, on winter days, while yet is cold January, and snow and ice lie thick, comes the prudent, foreseeing landlord or housekeeper (anticipating thirst) from the village, to get ice to cool his summer drink,—a 424 grateful beverage if he should live, if time should endure so long. How few so wise, so industrious, to lay up treasures which neither rust nor melt, "to cool their summer drink" one day!

And here, too, on winter days, while it's still cold in January, and snow and ice are everywhere, comes the careful, forward-thinking landlord or housekeeper (thinking ahead to thirst) from the village to gather ice to chill their summer drink—a 424 refreshing beverage if they live long enough, if time lasts that long. How few are so wise and hardworking to save up treasures that won’t rust or melt, "to cool their summer drink" one day!

And cut off the solid pond, the element and air of fishes, held fast with chain and stake like corded wood, all through favoring, willing, kind, permitting winter air to wintery cellar, to underlie the summer there. And cut and saw the cream of the pond, unroof the house of fishes.[463]

And cut off the solid pond, the element and air of fishes, held tight with chain and stake like stacked wood, all through the favoring, willing, kind, and permitting winter air to wintery cellar, to support the summer there. And cut and saw the cream of the pond, unroof the house of fishes.[463]

And in early mornings come men with fishing-reels and slender lunch, men of real faith, and let down their fine lines and live minnows through the snowy field to hook the pickerel and perch.[464]

And in the early mornings, men show up with fishing rods and light lunches, men of genuine faith, and lower their delicate lines and live minnows through the snowy ground to catch the pickerel and perch.[464]

With buried well-stones, and strawberries, raspberries, thimble-berries growing on the sunny sward there; some pitchy pine or gnarled oak in the chimney-nook, or the sweet-scented black birch where the doorstone was.[465]

With buried stones, and strawberries, raspberries, thimbleberries growing on the sunny grass; some rough pine or twisted oak in the corner of the chimney, or the sweet-smelling black birch by the doorstep. [465]

Breed's,—history must not yet tell the tragedies enacted there. Let time intervene to assuage and lend an azure atmospheric tint to them.[466]

Breed's—history shouldn’t reveal the tragedies that took place there just yet. Let's give it some time to soften the memories and add a touch of calmness to them.[466]

There is something pathetic in the sedentary life of men who have travelled. They must naturally die when they leave the road. 425

There’s something sad about the lives of people who have traveled but now live a quiet, still life. They seem to fade away when they stop being on the move. 425

What seems so fair and poetic in antiquity—almost fabulous—is realized, too, in Concord life. As poets and historians brought their work to the Grecian games, and genius wrestled there as well as strength of body, so have we seen works of kindred genius read at our Concord games, by their author, in their own Concord amphitheatre. It is virtually repeated by all ages and nations.[467]

What seems so beautiful and poetic in ancient times—almost magical—can also be found in life in Concord. Just as poets and historians showcased their work at the Greek games, where creativity competed alongside physical strength, we have witnessed similar displays of talent at our Concord events, with their creators presenting their own works in the Concord amphitheater. This kind of appreciation has been echoed throughout history and across cultures. [467]

Moles nesting in your cellar and nibbling every third potato.[468] A whole rabbit-warren only separated from you by the flooring. To be saluted when you stir in the dawn by the hasty departure of Monsieur,—thump, thump, thump, striking his head against the floor-timbers.[469] Squirrels and field mice that hold to a community of property in your stock of chestnuts.

Moles living in your basement and munching on every third potato. [468] A whole rabbit warren just beneath your floors. You’re greeted at dawn by the quick escape of Monsieur—thump, thump, thump, as he bangs his head against the floor beams.[469] Squirrels and field mice that share ownership of your stash of chestnuts.

The blue jays suffered few chestnuts to reach the ground, resorting to your single tree in flocks in the early morning, and picking them out of the burs at a great advantage.

The blue jays let very few chestnuts hit the ground, flocking to your single tree in the early morning and skillfully snatching them out of the burs.

The crop of blackberries small; berries not yet grown. Ground-nuts not dug.

The blackberry crop is small; the berries haven't fully developed yet. Groundnuts haven't been harvested.

One wonders how so much, after all, was expressed in the old way, so much here depends upon the emphasis, tone, pronunciation, style, and spirit of the reading. No writer uses so profusely all the aids to intelligibility which the printer's art affords. You wonder 426 how others had contrived to write so many pages without emphatic, italicized words, they are so expressive, so natural and indispensable, here. As if none had ever used the demonstrative pronoun demonstratively. In another's sentences the thought, though immortal, is, as it were, embalmed and does not strike you, but here it is so freshly living, not purified by the ordeal of death, that it stirs in the very extremities, the smallest particles and pronouns are all alive with it.—You must not say it, but it. It is not simple it, your it or mine, but it. His books are solid, workmanlike, like all that England does. They tell of endless labor done, well done, and all the rubbish swept away, like this bright cutlery which glitters in the windows, while the coke and ashes, turnings, filings, borings, dust lie far away at Birmingham, unheard of. The words did not come at the command of grammar but of a tyrannous, inexorable meaning; not like the standing soldiers, by vote of Parliament, but any able-bodied countryman pressed into the service. It is no China war, but a revolution. This style is worth attending to as one of the most important features of the man that we at this distance know.[470]

One wonders how so much was expressed in the old way; so much here relies on the emphasis, tone, pronunciation, style, and spirit of the reading. No writer uses all the techniques for clarity that printing allows as freely as this one. You wonder how others managed to write so many pages without using bold or italicized words since they are so expressive, natural, and essential here. It's as if no one had ever used the demonstrative pronoun in a demonstrative way. In someone else's sentences, the thought, while immortal, is like being embalmed and doesn't really impact you, but here it feels alive, not cleansed by death's ordeal, stirring even the tiniest parts; the smallest words and pronouns are all infused with it.—You must not say it, but it. It's not just any simple it, your it or mine, but it. His books are solid and well-crafted, like everything that comes from England. They tell of endless work done, well done, with all the clutter swept away, like this shiny cutlery that sparkles in the windows, while the coke and ashes, scraps, filings, shavings, and dust lie far away in Birmingham, unnoticed. The words don’t come at the direction of grammar but from a relentless, overpowering meaning; not like the standing soldiers, elected by Parliament, but any strong local man pressed into service. This isn’t a war over China, but a revolution. This style deserves attention as one of the key features of the man we know from this distance.

What are the men of New England about? I have travelled some in New England, especially in Concord, and I found that no enterprise was on foot which it would not disgrace a man to take part in. They seemed to be employed everywhere in shops and offices and fields. They seemed, like the Brahmins of the East, to 427 be doing penance in a thousand curious, unheard-of ways, their endurance surpassing anything I had ever seen or heard of,—Simeon Stylites, Brahmins looking in the face of the sun, standing on one leg, dwelling at the roots of trees, nothing to it; any of the twelve labors of Hercules to be matched,—the Nemean lion, Lernæan hydra, Œnœan stag, Erymanthian boar, Augean stables, Stymphalian birds, Cretan bull, Diomedes' mares, Amazonian girdle, monster Geryon, Hesperian apples, three-headed Cerberus, nothing at all in comparison, being only twelve and having an end. For I could never see that these men ever slew or captured any of their monsters, or finished any of their labors. They have no "friend Iolaus to burn, with a hot iron, the root" of the hydra's head; for as soon as one head is crushed, two spring up.[471]

What are the men of New England doing? I’ve traveled a bit in New England, especially in Concord, and I found that there wasn’t any project that wouldn’t be embarrassing for a man to join. They seemed to be busy everywhere—in shops, offices, and fields. They were like the Brahmins of the East, 427 doing penance in countless strange and unheard-of ways, their endurance surpassing anything I had ever seen or heard before—Simeon Stylites, Brahmins staring at the sun, standing on one leg, living at the bases of trees; none of it compares. Any of the twelve labors of Hercules pales in comparison—the Nemean lion, Lernæan hydra, Œnœan stag, Erymanthian boar, Augean stables, Stymphalian birds, Cretan bull, Diomedes' mares, Amazonian belt, monster Geryon, Hesperian apples, three-headed Cerberus—none of it is a big deal, since there were only twelve and they all had an end. Because I could never see that these men ever defeated or captured any of their monsters or completed any of their tasks. They don’t have “friend Iolaus” to burn, with a hot iron, the root of the hydra's head; because as soon as one head is crushed, two more appear.[471]

Men labor under a mistake; they are laying up treasures which moth and rust will corrupt and thieves break through and steal. Northern Slavery, or the slavery which includes the Southern, Eastern, Western, and all others.[472]

Men are making a mistake; they're accumulating riches that moths and rust can destroy, and thieves can break in and steal. Northern slavery, or the slavery that includes the Southern, Eastern, Western, and all others.[472]

It is hard to have a Southern overseer; it is worse to have a Northern one; but worst of all when you are yourself the slave-driver. Look at the lonely teamster on the highway, wending to market by day or night; is he a son of the morning, with somewhat of divinity in him, fearless because immortal, going to receive his birthright, greeting the sun as his fellow, bounding with youthful, gigantic strength over his mother earth? See 428 how he cowers and sneaks, how vaguely, indefinitely all the day he fears, not being immortal, not divine, the slave and prisoner of his own opinion of himself, fame which he has earned by his own deeds. Public opinion is a weak tyrant compared with private opinion. What I think of myself, that determines my fate.[473]

It’s tough to have a Southern overseer; it’s even worse to have a Northern one; but the worst situation is when you’re the one driving the people. Look at the lonely truck driver on the road, heading to the market day or night; is he a bright spirit, with a bit of divinity in him, fearless because he feels immortal, going to claim what’s rightfully his, greeting the sun as an equal, bounding with youthful, colossal strength over the land? See 428 how he shrinks back and tiptoes, how all day he fears vaguely and indefinitely, not being immortal, not divine, the slave and prisoner of his own self-image, a reputation he earned through his actions. Public opinion is a weak tyrant compared to private opinion. What I believe about myself is what shapes my destiny.[473]

I see young men, my equals, who have inherited from their spiritual father a soul,—broad, fertile, uncultivated,—from their earthly father a farm,—with cattle and barns and farming tools, the implements of the picklock and the counterfeiter. Better if they had been born in the open pasture and suckled by a wolf, or perhaps cradled in a manger, that they might have seen with clear eye what was the field they were called to labor in. The young man has got to live a man's life, then, in this world, pushing all these things before him, and get on as well as he can. How many a poor immortal soul I have met, well-nigh crushed and smothered, creeping slowly down the road of life, pushing before it a barn seventy-five by forty feet and one hundred acres of land,—tillage, pasture, wood-lot! This dull, opaque garment of the flesh is load enough for the strongest spirit, but with such an earthly garment superadded the spiritual life is soon plowed into the soil for compost. It's a fool's life, as they will all find when they get to the end of it. The man that goes on accumulating property when the bare necessaries of life are cared for is a fool and knows better.[474]

I see young men, my peers, who have inherited a soul from their spiritual father—wide, fertile, and unrefined—and a farm from their earthly father—with livestock, barns, and farming tools, along with the tools of a thief and a scam artist. They would have been better off born in the wild and raised by a wolf or maybe cradled in a manger, so they could have clearly seen the field they were meant to work in. The young man must live a life like an adult in this world, dragging all these burdens along with him, and do his best to manage. How many poor immortal souls have I encountered, nearly crushed and suffocated, slowly making their way through life while dragging a barn that’s seventy-five by forty feet and a hundred acres of land—crops, pastures, and forests! This dull, heavy body is a big enough burden for the strongest spirit, but with such an earthly load on top, the spiritual life quickly gets buried in the dirt for fertilizer. It’s a foolish life, as they will all realize when they reach the end of it. The person who keeps accumulating property after their basic needs are met is a fool and knows better.

There is a stronger desire to be respectable to one's neighbors than to one's self. 429

There is a greater urge to be respectable to one's neighbors than to oneself. 429

However, such distinctions as poet, philosopher, literary man, etc., do not much assist our final estimate. We do not lay much stress on them; "a man's a man for a' that." Any writer who interests us much is all and more than these.

However, labels like poet, philosopher, or writer don’t really help us make a final judgment. We don’t put much weight on them; “a man’s a man for a’ that.” Any writer who truly engages us is all that and even more.

It is not simple dictionary it.[475]

It is not simply a dictionary it.[475]

Talent at making books solid, workmanlike, graceful, which may be read.[476]

Talent for creating books that are reliable, functional, and elegant, which can be enjoyed. [476]

Some idyllic chapter or chapters are needed.

Some perfect chapter or chapters are needed.

In the French Revolution are Mirabeau, king of men; Danton, Titan of the Revolution; Camille Desmoulins, poetic editor; Roland, heroic woman; Dumouriez, first efficient general: on the other side, Marat, friend of the people; Robespierre; Tinville, infernal judge; St. Just; etc., etc.

In the French Revolution, there’s Mirabeau, the leader of men; Danton, the powerhouse of the Revolution; Camille Desmoulins, the creative editor; Roland, the heroic woman; Dumouriez, the first effective general; on the other side, Marat, the people's friend; Robespierre; Tinville, the ruthless judge; St. Just; and so on.

Nutting and Le Gros by the wall-side. The Stratten house and barn where the orchard covered all the slope of Brister's Hill,—now killed out by the pines.

Nutting and Le Gros by the wall. The Stratten house and barn where the orchard used to cover all of Brister's Hill—now taken over by the pines.

Brister Freeman, a handy negro, slave once of Squire Cummings (?), and Fenda, his hospitable, pleasant wife, large, round, black, who told fortunes, blacker than all the children of night, such a dusky orb as had never risen on Concord before.

Brister Freeman, a skilled Black man, once a slave of Squire Cummings (?), and Fenda, his welcoming and cheerful wife, big, round, and dark-skinned, who read fortunes, darker than all the children of the night, a shadowy figure like none that had ever appeared in Concord before.

Zilpha's little house where "she was spinning linen," making the Walden woods ring with her shrill singing,—a loud, shrill, remarkable voice,—when once she 430 was away to town, set on fire by English soldiers on parole, in the last war, and cat and dog and hens all burned up. Boiling her witch's dinner, and heard muttering to herself over the gurgling pot by silent traveller, "Ye are all bones, bones."

Zilpha's small house, where "she was spinning linen," filled the Walden woods with her high-pitched singing—a loud, striking voice—when, one time she 430 went to town, was burned down by English soldiers on parole during the last war, and the cat, dog, and hens all perished in the fire. While boiling her magical dinner, she was heard mumbling to herself over the bubbling pot by a silent traveler, "You are all bones, bones."

And Cato, the Guinea negro,—his house and little patch among the walnuts,—who let the trees grow up till he should be old, and Richardson got them.

And Cato, the guy from Guinea—his house and small plot among the walnut trees—who let the trees grow until he got old, and Richardson took them.

Where Breed's house stood tradition says a tavern once stood, the well the same, and all a swamp between the woods and town, and road made on logs.[477]

Where Breed's house is said to be, tradition claims a tavern once stood there, with the well remaining the same, and a swamp sitting between the woods and the town, with a road made from logs.[477]

Bread I made pretty well for awhile, while I remembered the rules; for I studied this out methodically, going clear back to the primitive days and first invention of the unleavened kind, and coming gradually down through that lucky accidental souring of the dough which taught men the leavening process, and all the various fermentations thereafter, till you get to "good, sweet, wholesome bread," the staff of life. I went on very well, mixing rye and flour and Indian and potato with success, till one morning I had forgotten the rules, and thereafter scalded the yeast,—killed it out,—and so, after the lapse of a month, was glad after all to learn that such palatable staff of life could be made out of the dead and scalt creature and risings that lay flat.

Bread I was making pretty well for a while, as long as I remembered the rules; I figured this out systematically, tracing back to the early days and the first creation of unleavened bread, and gradually moving through that fortunate accident of dough going sour that taught people about the leavening process, along with all the different fermentations that followed, until you reach "good, sweet, wholesome bread," the basic food of life. I was doing well, mixing rye, flour, cornmeal, and potatoes successfully, until one morning I forgot the rules and accidentally scalded the yeast—killed it off—and so, after a month had passed, I was surprised to discover that you could actually make such tasty basic food from the dead and scorched mixture and flat rises.

I have hardly met with the housewife who has gone so far with this mystery. For all the farmers' wives pause at yeast. Given this and they can make bread. 431 It is the axiom of the argument. What it is, where it came from, in what era bestowed on man, is wrapped in mystery. It is preserved religiously, like the vestal fire, and its virtue is not yet run out. Some precious bottleful, first brought over in the Mayflower, did the business for America, and its influence is still rising, swelling, spreading like Atlantic billows over the land,—the soul of bread, the spiritus, occupying its cellular tissue.[478]

I’ve hardly met a housewife who has explored this mystery as much. All the farmers' wives hesitate at yeast. If they can get past that, they can make bread. 431 That’s the main point of the discussion. What it is, where it came from, and in what era it was given to humanity is still a mystery. It’s kept with great care, like the sacred fire, and its power hasn’t faded yet. Some precious bottle of it, brought over on the Mayflower, was essential for America, and its influence is still growing, expanding, and spreading like Atlantic waves across the country— the essence of bread, the spirit, filling its cellular structure. [478]

The way to compare men is to compare their respective ideals. The actual man is too complex to deal with.

The best way to compare people is by looking at their individual ideals. The real person is too complicated to handle.

Carlyle is an earnest, honest, heroic worker as literary man and sympathizing brother of his race.

Carlyle is a sincere, honest, and heroic contributor as a writer and a compassionate brother to his people.

Idealize a man, and your notion takes distinctness at once.

Idealize a man, and your idea becomes clear right away.

Carlyle's talent is perhaps quite equal to his genius.[479]

Carlyle's talent is maybe just as good as his genius.[479]

Striving [?] to live in reality,—not a general critic, philosopher, or poet.

Striving to live in reality—not as a general critic, philosopher, or poet.

Wordsworth, with very feeble talent, has not so great and admirable as unquestionable and persevering genius.

Wordsworth, though not very talented, has a genius that is undeniable and consistent, even if it's not as great or admirable.

Heroism, heroism is his word,—his thing.

Heroism, heroism is his word—his thing.

He would realize a brave and adequate human life, and die hopefully at last.

He would live a courageous and fulfilling life, and ultimately die with hope.

Emerson again is a critic, poet, philosopher, with talent not so conspicuous, not so adequate to his task; but his field is still higher, his task more arduous. Lives 432 a far more intense life; seeks to realize a divine life; his affections and intellect equally developed. Has advanced farther, and a new heaven opens to him. Love and Friendship, Religion, Poetry, the Holy are familiar to him. The life of an Artist; more variegated, more observing, finer perception; not so robust, elastic; practical enough in his own field; faithful, a judge of men. There is no such general critic of men and things, no such trustworthy and faithful man. More of the divine realized in him than in any. A poetic critic, reserving the unqualified nouns for the gods.

Emerson is again a critic, poet, and philosopher, with talent that isn't as obvious or fully suited to his work; but his area is even higher, and his task is more challenging. He lives a much more intense life; he seeks to achieve a divine existence; his emotions and intellect are equally developed. He has progressed further, and a new heaven opens up for him. Love and friendship, religion, poetry, and the sacred are all familiar to him. The life of an artist is more varied, more observant, with a keener perception; it's not as robust or adaptable but practical enough in its own domain; he's loyal and a good judge of character. There is no other critic of people and things quite like him, no one as trustworthy and dependable. There's more of the divine realized in him than in anyone else. A poetic critic, he saves the absolute nouns for the gods.

Alcott is a geometer, a visionary, the Laplace of ethics, more intellect, less of the affections, sight beyond talents, a substratum of practical skill and knowledge unquestionable, but overlaid and concealed by a faith in the unseen and impracticable. Seeks to realize an entire life; a catholic observer; habitually takes in the farthest star and nebula into his scheme. Will be the last man to be disappointed as the ages revolve. His attitude is one of greater faith and expectation than that of any man I know; with little to show; with undue share, for a philosopher, of the weaknesses of humanity. The most hospitable intellect, embracing high and low. For children how much that means, for the insane and vagabond, for the poet and scholar![480]

Alcott is a thinker, a visionary, the Laplace of ethics, more focused on intellect and less on emotions, with insight that goes beyond just talent. He has a solid base of practical skills and knowledge that is undeniable, but it’s often hidden under a belief in the unseen and the impractical. He aims to embody a complete life; he observes everything. He regularly considers the furthest star and nebula in his viewpoint. He will be the last person to feel let down as the years go by. His outlook is filled with more faith and expectation than anyone I know, despite having little to show for it; he carries more than his fair share, for a philosopher, of human weaknesses. His mind is incredibly open, welcoming both the high and the low. For children, this means so much, as well as for the insane and the wanderer, the poet, and the scholar![480]

Emerson has special talents unequalled. The divine in man has had no more easy, methodically distinct expression. His personal influence upon young persons 433 greater than any man's. In his world every man would be a poet, Love would reign, Beauty would take place, Man and Nature would harmonize.

Emerson has unique talents that are unmatched. The divine aspect of humanity has never been expressed so clearly and methodically. His personal impact on young people is greater than that of any other man. In his vision, every person would be a poet, love would prevail, beauty would be celebrated, and humanity and nature would be in harmony.

When Alcott's day comes, laws unsuspected by most will take effect,[481] the system will crystallize according to them, all seals and falsehood will slough off, everything will be in its place.

When Alcott's time arrives, laws that most people have no idea about will come into play, [481] the system will shape itself around them, all deceit and falsehood will shed away, and everything will be where it belongs.

Feb. 22 [no year]. Jean Lapin sat at my door to-day, three paces from me, at first trembling with fear, yet unwilling to move; a poor, wee thing, lean and bony, with ragged ears and sharp nose, scant tail and slender paws. It looked as if nature no longer contained the breed of nobler bloods, the earth stood on its last legs. Is nature, too, unsound at last? I took two steps, and lo, away he scud with elastic spring over the snowy crust into the bushes, a free creature of the forest, still wild and fleet; and such then was his nature, and his motion asserted its vigor and dignity. Its large eye looked at first young and diseased, almost dropsical, unhealthy. But it bound[ed] free, the venison, straightening its body and its limbs into graceful length, and soon put the forest between me and itself.[482]

Feb. 22 [no year]. Today, Jean Lapin sat at my door, just a few steps away, trembling with fear but not willing to move. It was a small, thin creature, lean and bony, with ragged ears and a sharp nose, a short tail and slender paws. It seemed like nature had run out of noble breeds, as though the earth was barely holding on. Is nature finally falling apart? I took a couple of steps, and suddenly it sprang away over the snowy ground and into the bushes, a free creature of the forest, still wild and quick. That was its nature, and its movement showed its energy and grace. At first, its large eye looked young but sickly, almost swollen and unhealthy. But then it bounded freely, straightening its body and limbs into graceful lines, quickly disappearing into the forest.[482]

Emerson does not consider things in respect to their essential utility, but an important partial and relative one, as works of art perhaps. His probes pass one side of their centre of gravity. His exaggeration is of a part, not of the whole. 434

Emerson doesn't think about things in terms of their basic usefulness, but rather in a significant partial and relative way, like works of art maybe. His examinations go to one side of their center of gravity. His exaggeration focuses on a part, not the entire picture. 434

How many an afternoon has been stolen from more profitable, if not more attractive, industry,—afternoons when a good run of custom might have been expected on the main street, such as tempt the ladies out a-shopping,—spent, I say, by me away in the meadows, in the well-nigh hopeless attempt to set the river on fire or be set on fire by it, with such tinder as I had, with such flint as I was. Trying at least to make it flow with milk and honey, as I had heard of, or liquid gold, and drown myself without getting wet,—a laudable enterprise, though I have not much to show for it.

How many afternoons have been wasted on less profitable, if not less appealing, activities—afternoons when a nice crowd could have been expected on the main street, which would have tempted the ladies to go shopping—spent, I say, by me in the fields, in the nearly hopeless effort to set the river on fire or to be set on fire by it, with whatever kindling I had, with whatever spark I was. Trying at least to make it flow with milk and honey, as I had heard, or liquid gold, and drown myself without getting wet—a noble pursuit, even though I don’t have much to show for it.

So many autumn days spent outside the town, trying to hear what was in the wind, to hear it and carry it express. I well-nigh sunk all my capital in it, and lost my own breath into the bargain, by running in the face of it. Depend upon it, if it had concerned either of the parties, it would have appeared in the yeoman's gazette, the Freeman, with other earliest intelligence.

So many autumn days spent outside the town, trying to hear what was in the wind, to understand it and share it. I nearly invested all my money in it and lost my own breath in the process by running straight into it. Believe me, if it had mattered to either side, it would have shown up in the local paper, the Freeman, along with other breaking news.

For many years I was self-appointed inspector of snow-storms and rain-storms, and did my duty faithfully, though I never received one cent for it.

For many years, I took it upon myself to be the inspector of snowstorms and rainstorms, and I did my job faithfully, even though I never received a dime for it.

Surveyor, if not of higher ways, then of forest paths and all across-lot routes, keeping many open ravines bridged and passable at all seasons, where the public heel had testified to the importance of the same, all not only without charge, but even at considerable risk and inconvenience. Many a mower would have forborne to complain had he been aware of the invisible public good that was in jeopardy.

Surveyor, if not of major highways, then of forest trails and all the cross-lot paths, maintaining several open ravines bridgeable and usable in all seasons, where the public foot traffic showed the importance of those routes, all done not only for free but also at significant risk and inconvenience. Many a mower would have refrained from complaining had he known about the unseen public benefit that was at stake.

So I went on, I may say without boasting, I trust, faithfully minding my business without a partner, till 435 it became more and more evident that my townsmen would not, after all, admit me into the list of town officers, nor make the place a sinecure with moderate allowance.

So I continued on, and I hope I'm not bragging, I really was focused on my work without any help, until 435 it became clearer that my neighbors wouldn't let me join the list of town officials or offer me a comfortable position with a decent pay.

I have looked after the wild stock of the town, which pastures in common, and every one knows that these cattle give you a good deal of trouble in the way of leaping fences. I have counted and registered all the eggs I could find at least, and have had an eye to all nooks and corners of the farm, though I didn't always know whether Jonas or Solomon worked in a particular field to-day; that was none of my business. I only knew him for one of the men, and trusted that he was as well employed as I was. I had to make my daily entries in the general farm book, and my duties may sometimes have made me a little stubborn and unyielding.

I’ve taken care of the town’s livestock that graze together, and everyone knows these animals can be quite a nuisance when it comes to jumping fences. I’ve counted and recorded all the eggs I could find, and I’ve kept an eye on all the nooks and crannies of the farm, even though I didn’t always know if Jonas or Solomon was working in a specific field that day; that wasn’t my concern. I only recognized him as one of the workers and hoped that he was as busy as I was. I had to make my daily entries in the main farm ledger, and my responsibilities may have sometimes made me a bit stubborn and inflexible.

Many a day spent on the hilltops waiting for the sky to fall, that I might catch something, though I never caught much, only a little, manna-wise, that would dissolve again in the sun.

Many days were spent on the hilltops waiting for the sky to fall, hoping to catch something, even though I never caught much, just a little, like manna, that would dissolve again in the sun.

My accounts, indeed, which I can swear to have been faithfully kept, I have never got audited, still less accepted, still less paid and settled. However, I haven't set my heart upon that.

My records, which I can honestly say have been kept accurately, have never been audited, let alone accepted or paid and settled. However, I haven't really focused on that.

I have watered the red huckleberry and the sand cherry and the hoopwood [?] tree, and the cornel and spoonhunt and yellow violet, which might have withered else in dry seasons. The white grape.

I have watered the red huckleberry, the sand cherry, the hoopwood tree, the cornel, the spoonhunt, and the yellow violet, which might have withered in dry seasons. The white grape.

To find the bottom of Walden Pond, and what inlet and outlet it might have. 436

To discover the depth of Walden Pond and what inlets and outlets it may have. 436

I found at length that, as they were not likely to offer me any office in the court-house, any curacy or living anywhere else, I must shift for myself, I must furnish myself with the necessaries of life.

I eventually realized that, since they probably wouldn’t offer me a position at the courthouse or any church role elsewhere, I had to take care of myself and provide for my own basic needs.

Now watching from the observatory of the Cliffs or Annursnack to telegraph any new arrival, to see if Wachusett, Watatic, or Monadnock had got any nearer. Climbing trees for the same purpose. I have been reporter for many years to one of the journals of no very wide circulation, and, as is too common, got only my pains for my labor. Literary contracts are little binding.[483]

Now watching from the observatory of the Cliffs or Annursnack to alert anyone about new arrivals, to see if Wachusett, Watatic, or Monadnock had gotten any closer. Climbing trees for the same reason. I have been a reporter for many years for one of the journals with not very wide circulation, and, as is too common, received only my effort for my work. Literary contracts are barely binding.

The unlimited anxiety, strain, and care of some persons is one very incurable form of disease. Simple arithmetic might have corrected it; for the life of every man has, after all, an epic integrity, and Nature adapts herself to our weaknesses and deficiencies as well as talents.

The endless anxiety, pressure, and worry of some people is a deeply ingrained form of illness. Basic math could have fixed it; because every person's life has, ultimately, a grand wholeness, and Nature adjusts to our flaws and shortcomings just as much as to our strengths.

No doubt it is indispensable that we should do our work between sun and sun, but only a wise man will know what that is. And yet how much work will be left undone, put off to the next day, and yet the system goes on!

No doubt it's essential that we do our work from sunrise to sunset, but only a wise person will understand what that means. And still, so much work will be left unfinished, postponed to the next day, and yet everything keeps moving forward!

We presume commonly to take care of ourselves, and trust as little as possible. Vigilant more or less all our days, we say our prayers at night and commit ourselves to uncertainties, as if in our very days and most vigilant moments the great part were not a necessary trust still.[484] How serenity, anxiety, confidence, fear paint the heavens for us. 437

We usually think we can take care of ourselves and try to trust as little as possible. We stay alert almost every day, saying our prayers at night and leaving ourselves to uncertainties, as if during our most watchful moments, we didn’t need to trust at all. How serenity, anxiety, confidence, and fear shape our view of the world. 437

All the laws of nature will bend and adapt themselves to the least motion of man.

All the laws of nature will bend and adjust to even the smallest action of a person.

All change is a miracle to contemplate, but it is a miracle which is taking place unobserved every instant; when all is ready it takes place, and only a miracle could stay it.

All change is a miracle to think about, but it's a miracle that happens unnoticed every moment; when everything is set, it happens, and only a miracle could stop it.

We [are] compelled to live so thoroughly and sincerely, reflecting on our steps, reverencing our life, that we never make allowance for the possible changes.

We are driven to live deeply and honestly, thinking carefully about our actions, appreciating our lives, so we never consider the potential for change.

We may waive just so much care of ourselves as we devote of care elsewhere.[485] 438

We can let go of taking care of ourselves to the extent that we focus our care on others.[485] 438

IX
1837-1847
(ÆT. 20-30)

[This chapter consists of paragraphs (chiefly undated) taken from a large commonplace-book containing transcripts from earlier journals. Thoreau drew largely from this book in writing the "Week," and to a less extent in writing "Walden." Passages used in these volumes (as far as noted), and those duplicating earlier journal entries already printed in the preceding pages, have been omitted. All the matter in the book appears to have been written before 1847.]

[This chapter includes paragraphs (mostly undated) taken from a large collection of notes featuring excerpts from earlier journals. Thoreau relied heavily on this collection while writing "A Week," and to a lesser extent for "Walden." Any passages used in these books (as noted) and those that duplicate earlier journal entries already printed in the preceding pages have been removed. All the content in the book seems to have been written before 1847.]

I was born upon thy bank, river,

I was born on your bank, river,

My blood flows in thy stream,

My blood flows in your stream,

And thou meanderest forever

And you wander forever

At the bottom of my dream.

At the bottom of my dream.

This great but silent traveller which had been so long moving past my door at three miles an hour,—might I not trust myself under its escort?

This great but silent traveler that had been passing my door at three miles an hour for so long—could I not rely on it to guide me?

In friendship we worship moral beauty without the formality of religion.

In friendship, we celebrate moral beauty without the formalities of religion.

Consider how much the sun and the summer, the buds of spring and the sered leaves of autumn, are related 439 to the cabins of the settlers which we discover on the shore,—how all the rays which paint the landscape radiate from them. The flight of the crow and the gyrations of the hawk have reference to their roofs.

Think about how much the sun and summer, the buds of spring, and the dry leaves of autumn are connected to the cabins of the settlers we find along the shore—how all the rays that brighten the landscape come from them. The flight of the crow and the movements of the hawk have to do with their roofs. 439

Friends do not interchange their common wealth, but each puts his finger into the private coffer of the other. They will be most familiar, they will be most unfamiliar, for they will be so one and single that common themes will not have to be bandied between them, but in silence they will digest them as one mind; but they will at the same time be so two and double that each will be to the other as admirable and as inaccessible as a star. He will view him as it were through "optic glass,"—"at evening from the top of Fesolé." And after the longest earthly period, he will still be in apogee to him.

Friends don’t share their wealth, but each dips into the other’s private stash. They’ll be extremely close, yet also distant, because they’ll be so united that they won’t need to discuss common topics; instead, they’ll understand them together in silence as if they were one mind. At the same time, they’ll be so separate that each will seem as admirable and unattainable to the other as a star. One will see the other as if looking through a telescope—"in the evening from the top of Fesolé." Even after the longest time, he will still feel distant from him.

It [the boat] had been loaded at the door the evening before, half a mile from the river, and provided with wheels against emergencies, but, with the bulky cargo which we stevedores had stowed in it, it proved but an indifferent land carriage. For water and water-casks there was a plentiful supply of muskmelons from our patch, which had just begun to be ripe, and chests and spare spars and sails and tent and guns and munitions for the galleon. And as we pushed it through the meadows to the river's bank, we stepped as lightly about it as if a portion of our own bulk and burden was stored in its hold. We were amazed to find ourselves outside still, with scarcely independent force enough to push or pull effectually. 440

It [the boat] had been loaded at the door the evening before, half a mile from the river, and had wheels for emergencies. However, with the heavy cargo we stevedores had packed into it, it turned out to be a poor choice for land transport. We had a good supply of water and water barrels, muskmelons from our patch that had just started to ripen, plus chests, spare masts, sails, a tent, guns, and ammunition for the galleon. As we pushed it through the meadows to the riverbank, we moved as carefully around it as if part of our own weight and load was packed inside. We were surprised to find ourselves outside, barely able to push or pull effectively. 440

The robin is seen flying directly and high in the air at this season, especially over rivers, where in the morning they are constantly passing and repassing in company with the blackbird.

The robin can be seen flying straight and high in the air during this season, especially over rivers, where in the morning they are always going back and forth alongside the blackbird.

I have never insisted enough on the nakedness and simplicity of friendship, the result of all emotions, their subsidence, a fruit of the temperate zone. The friend is an unrelated man, solitary and of distinct outline.

I have never emphasized enough the bare essence and simplicity of friendship, which comes from all emotions subsiding, a product of a moderate environment. A friend is someone who isn't related to you, someone solitary and clearly defined.

Must not our whole lives go unexplained, without regard to us, notwithstanding a few flourishes of ours, which themselves need explanation?

Mustn't our entire lives remain a mystery, with no consideration for us, despite a few of our own embellishments that also require explanation?

Yet a friend does not afford us cheap contrasts or encounters. He forbears to ask explanations, but doubts and surmises with full faith, as we silently ponder our fates. He is vested with full powers, plenipotentiary, all in all.

Yet a friend doesn't give us easy comparisons or meetings. He refrains from asking for explanations but doubts and speculates with complete trust, as we quietly consider our destinies. He is given full authority, fully empowered, everything in one.

"Plato gives science sublime counsels, directs her toward the regions of the ideal; Aristotle gives her positive and severe laws, and directs her toward a practical end."—Degerando.

"Plato offers science inspiring guidance, steering it towards the realms of the ideal; Aristotle provides it with strict and concrete rules, directing it towards a practical purpose."—Degenerating.

All day the dark blue outline of Crotched mountain in Goffstown skirted the horizon. We took pleasure in beholding its outline, because at this distance our vision could so easily grasp the design of the founder. It was a pretty victory to conquer the distance and dimensions so easily with our eyes, which it would take our feet so long to traverse. 441

All day, the dark blue silhouette of Crotched Mountain in Goffstown lined the horizon. We enjoyed looking at its shape because, from this distance, our eyes could easily understand the design of its creator. It felt like a nice win to conquer the distance and scale so effortlessly with our sight, something that would take our feet much longer to cover. 441

Notwithstanding the unexplained mystery of nature, man still pursues his studies with confidence, ever ready to grasp the secret, as if the truth were only contained, not withheld; as one of the three circles on the cocoanut is always so soft that it may be pierced with a thorn, and the traveller is grateful for the thick shell which held the liquor so faithfully.

Despite the unexplained mystery of nature, people still confidently pursue their studies, always ready to uncover the secret, as if the truth is merely hidden, not denied. Just like one of the three circles on a coconut is always soft enough to be pierced with a thorn, and the traveler is thankful for the thick shell that held the liquid so reliably.

Gracefulness is undulatory like these waves, and perhaps the sailor acquires a superior suppleness and grace through the planks of his ship from the element on which he lives.

Gracefulness is like these waves, and maybe the sailor gains a unique flexibility and elegance from the deck of his ship, influenced by the water he navigates.

The song sparrow, whose voice is one of the first heard in the spring, sings occasionally throughout the season, from a greater depth in the summer, as it were behind the notes of other birds.

The song sparrow, whose voice is one of the first heard in spring, sings from time to time throughout the season, with a deeper sound in the summer, almost as if it's blending in with the notes of other birds.

As the temperature and density of the atmosphere, so the aspects of our life vary.

As the temperature and density of the atmosphere change, so do the aspects of our lives.

In this bright and chaste light the world seemed like a pavilion made for holidays and washed in light. The ocean was a summer's lake, and the land a smooth lawn for disport, while in the horizon the sunshine seemed to fall on walled towns and villas, and the course of our lives was seen winding on like a country road over the plain.[486]

In this bright and pure light, the world looked like a festive pavilion bathed in brightness. The ocean appeared like a summer lake, and the land was a smooth lawn for recreation. On the horizon, sunlight seemed to shine down on walled towns and villas, while the path of our lives stretched out like a country road across the plain.[486]

When we looked out from under our tent, the trees were seen dimly through the mist, and a cool dew hung 442 upon the grass, and in the damp air we seemed to inhale a solid fragrance.

When we looked out from under our tent, we could see the trees faintly through the mist, and a cool dew rested on the grass, and in the damp air, it felt like we were breathing in a rich scent. 442

Communicating with the villas and hills and forests on either hand, by the glances we sent them, or the echoes we awakened. We glanced up many a pleasant ravine with its farmhouse in the distance, where some contributory stream came in; again the site of a sawmill and a few forsaken eel-pots were all that greeted us.[487]

Communicating with the villas, hills, and forests on both sides through the glances we exchanged and the echoes we stirred up. We looked up many a charming ravine with its farmhouse in the distance, where another stream flowed in; again, the location of a sawmill and a few abandoned eel-pots were all that welcomed us.[487]

While we sail here we can remember unreservedly those friends who dwell far away on the banks and by the sources of this very river, and people this world for us, without any harsh and unfriendly interruptions.

While we sail here, we can wholeheartedly remember those friends who live far away on the banks and by the sources of this very river, filling our world with their presence, without any harsh or unfriendly interruptions.

At noon his horn[488] is heard echoing from shore to shore to give notice of his approach to the farmer's wife with whom he is to take his dinner, frequently in such retired scenes that only muskrats and kingfishers seem to hear.

At noon, his horn[488] echoes from shore to shore, letting the farmer's wife know he's on his way for dinner, often in such secluded spots that only muskrats and kingfishers seem to notice.

If ever our idea of a friend is realized it will be in some broad and generous natural person, as frank as the daylight, in whose presence our behavior will be as simple and unconstrained as the wanderer amid the recesses of these hills.

If our concept of a friend ever comes to life, it will be in someone open and kindhearted, as honest as the morning light, where our actions will be as easy and carefree as a traveler exploring the hidden spots of these hills.

I who sail now in a boat, have I not sailed in a thought? Vide Chaucer. 443

I who now sail in a boat, have I not sailed in a thought? See Chaucer. 443

The hardest material obeys the same law with the most fluid. Trees are but rivers of sap and woody fibre flowing from the atmosphere and emptying into the earth by their trunks, as their roots flow upward to the surface. And in the heavens there are rivers of stars and milky ways. There are rivers of rock on the surface and rivers of ore in the bowels of the earth. And thoughts flow and circulate, and seasons lapse as tributaries of the current year.

The toughest material follows the same rules as the most flowing substance. Trees are just rivers of sap and wood fibers moving from the air and sinking into the ground through their trunks, while their roots stretch up to the surface. In the sky, there are rivers of stars and galaxies. There are rivers of rock on the surface and rivers of minerals deep within the earth. And thoughts flow and circulate, with seasons passing by as tributaries of the current year.

Consider the phenomena of morn, or eve, and you will say that Nature has perfected herself by an eternity of practice,—evening stealing over the fields, the stars coming to bathe in retired waters, the shadows of the trees creeping farther and farther into the meadows, and a myriad phenomena beside.

Think about the moments of morning or evening, and you'll see that Nature has perfected herself through endless practice—nightfall gently covering the fields, the stars coming to reflect in quiet waters, the shadows of the trees stretching further into the meadows, and countless other wonders.

Occasionally we had to muster all our energy to get round a point where the river broke rippling over rocks and the maples trailed their branches in the stream.

Occasionally, we had to gather all our energy to navigate around a spot where the river was bubbling over rocks and the maples hung their branches in the water.

The future reader of history will associate this generation with the red man in his thoughts, and give it credit for some sympathy with that race. Our history will have some copper tints and reflections, at least, and be read as through an Indian-summer haze; but such were not our associations. But the Indian is absolutely forgotten but by some persevering poets.

The future reader of history will link this generation with the Native American in their thoughts and acknowledge some empathy for that group. Our history will have some hints of copper and will be viewed through an Indian summer haze; however, that’s not how we felt. The Native American is mostly forgotten except by a few dedicated poets.

The white man has commenced a new era. What do our anniversaries commemorate but white men's exploits? For Indian deeds there must be an Indian memory; 444 the white man will remember his own only. We have forgotten their hostility as well as friendship. Who can realize that, within the memory of this generation, the remnant of an ancient and dusky race of mortals called the Stockbridge Indians, within the limits of this very State, furnished a company for the war, on condition only that they should not be expected to fight white man's fashion, or to train, but Indian fashion. And occasionally their wigwams are seen on the banks of this very stream still, solitary and inobvious, like the cabins of the muskrats in the meadows.

The white man has started a new era. What do our anniversaries celebrate if not the achievements of white men? For Indian actions, there must be an Indian memory; 444 the white man will only remember his own. We’ve forgotten both their hostility and friendship. Who can realize that, within the memory of this generation, the remnants of an ancient and dark-skinned people called the Stockbridge Indians, right here in this very State, provided a company for the war, only on the condition that they wouldn’t be expected to fight in the white man’s way, but in their own? And sometimes, their wigwams can still be seen along the banks of this very stream, solitary and unnoticed, like the muskrat dens in the meadows.

They seem like a race who have exhausted the secrets of nature, tanned with age, while this young and still fair Saxon slip, on whom the sun has not long shone, is but commencing its career.

They seem like a group that has uncovered all of nature's secrets, weathered with age, while this young and still fair Saxon newcomer, on whom the sun has only recently shone, is just starting its journey.

Their memory is in harmony with the russet hue of the fall of the year.[489]

Their memory aligns perfectly with the reddish-brown color of autumn. [489]

For the Indian there is no safety but in the plow. If he would not be pushed into the Pacific, he must seize hold of a plow-tail and let go his bow and arrow, his fish-spear and rifle. This the only Christianity that will save him.[490]

For the Indian, there’s no safety except in farming. If he doesn’t want to be pushed into the Pacific, he needs to grab a plow and give up his bow and arrow, his fish spear, and his rifle. This is the only kind of Christianity that will save him.[490]

His fate says sternly to him, "Forsake the hunter's life and enter into the agricultural, the second, state of man. Root yourselves a little deeper in the soil, if you would continue to be the occupants of the country." 445 But I confess I have no little sympathy with the Indians and hunter men. They seem to me a distinct and equally respectable people, born to wander and to hunt, and not to be inoculated with the twilight civilization of the white man.

His fate sternly tells him, "Leave the hunter's life and embrace agriculture, the second phase of humanity. Ground yourselves a little deeper in the soil if you want to keep living in this land." 445 But I admit I have a lot of sympathy for the Indians and the hunters. They seem to me a unique and equally respectable group, meant to roam and hunt, not to be influenced by the fading civilization of white people.

Father Le Jeune, a French missionary, affirmed "that the Indians were superior in intellect to the French peasantry of that time," and advised "that laborers should be sent from France in order to work for the Indians."

Father Le Jeune, a French missionary, affirmed "that the Indians were smarter than the French peasantry of that time," and advised "that laborers should be sent from France to work for the Indians."

The Indian population within the present boundaries of New Hampshire, Massachusetts, Rhode Island, and Connecticut has been estimated not to have exceeded 40,000 "before the epidemic disease which preceded the landing of the Pilgrims," and it was far more dense here than elsewhere; yet they had no more land than they wanted. The present white population is more than 1,500,000 and two thirds of the land is unimproved.

The Native American population in what is now New Hampshire, Massachusetts, Rhode Island, and Connecticut was estimated to be no more than 40,000 "before the epidemic disease that struck before the Pilgrims arrived," and it was much denser here than in other places; however, they had all the land they needed. The current white population exceeds 1,500,000, and two-thirds of the land remains undeveloped.

The Indian, perchance, has not made up his mind to some things which the white man has consented to; he has not, in all respects, stooped so low; and hence, though he too loves food and warmth, he draws his tattered blanket about him and follows his fathers, rather than barter his birthright. He dies, and no doubt his Genius judges well for him. But he is not worsted in the fight; he is not destroyed. He only migrates beyond the Pacific to more spacious and happier hunting-grounds.

The Indian probably hasn’t settled on some things that the white man has accepted; he hasn’t, in every way, lowered himself as much; and so, even though he also loves food and warmth, he wraps his worn-out blanket around himself and follows his ancestors, rather than trade away his birthright. He dies, and no doubt his spirit judges him well. But he isn’t defeated in the struggle; he isn’t destroyed. He simply moves beyond the Pacific to larger and happier lands.

A race of hunters can never withstand the inroads of a race of husbandmen. The latter burrow in the 446 night into their country and undermine them; and [even] if the hunter is brave enough to resist, his game is timid and has already fled. The rifle alone would never exterminate it, but the plow is a more fatal weapon; it wins the country inch by inch and holds all it gets.

A group of hunters can never hold off the advances of a group of farmers. The farmers dig into their territory at night and undermine them; and even if the hunter is brave enough to fight back, his game is skittish and has already escaped. A rifle alone would never wipe them out, but the plow is a much deadlier tool; it takes the land bit by bit and keeps everything it claims.

What detained the Cherokees so long was the 2923 plows which that people possessed; and if they had grasped their handles more firmly, they would never have been driven beyond the Mississippi. No sense of justice will ever restrain the farmer from plowing up the land which is only hunted over by his neighbors. No hunting-field was ever well fenced and surveyed and its bounds accurately marked, unless it were an English park. It is a property not held by the hunter so much as by the game which roams it, and was never well secured by warranty deeds. The farmer in his treaties says only, or means only, "So far will I plow this summer," for he has not seed corn enough to plant more; but every summer the seed is grown which plants a new strip of the forest.

What held the Cherokees back for so long were the 2,923 plows that they owned; if they had taken stronger control of them, they would never have been pushed beyond the Mississippi. No sense of fairness will ever stop a farmer from plowing land that is simply used for hunting by his neighbors. No hunting area was ever properly fenced, surveyed, and marked out, unless it was an English park. It's not the hunter who really owns the property, but rather the game that roams it, and it was never securely held by legal deeds. When the farmer makes treaties, he says only, or means only, "This is as far as I'll plow this summer," because he doesn't have enough seed corn to plant more; but every summer, new seeds are grown that plant another strip of the forest.

The African will survive, for he is docile, and is patiently learning his trade and dancing at his labor; but the Indian does not often dance, unless it be the war dance.

The African will survive because he is gentle and is patiently learning his trade while enjoying his work; but the Indian doesn't usually dance, unless it's the war dance.

In whatever moment we awake to life, as now I this evening, after walking along the bank and hearing the same evening sounds that were heard of yore, it seems to have slumbered just below the surface, as in the spring the new verdure which covers the fields has never retreated far from the winter. 447

In whatever moment we wake up to life, like I am this evening, after walking along the bank and hearing the same evening sounds that were heard long ago, it feels like it has been resting just below the surface, just like in the spring when the new greenery covering the fields never really left far behind the winter. 447

All actions and objects and events lose their distinct importance in this hour, in the brightness of the vision, as, when sometimes the pure light that attends the setting sun falls on the trees and houses, the light itself is the phenomenon, and no single object is so distinct to our admiration as the light itself.

All actions, objects, and events lose their distinct significance in this moment, in the glow of the vision, just like when the clear light of a setting sun shines on the trees and houses; the light itself becomes the main focus, and no single object stands out for our admiration like the light does.

If criticism is liable to abuse, it has yet a great and humane apology. When my sentiments aspire to be universal, then my neighbor has an equal interest to see that the expression be just, with myself.

If criticism can be misused, it still has a strong and compassionate justification. When my feelings aim to be universal, then my neighbor has just as much of an interest in ensuring that the expression is fair, just like I do.

My friends, why should we live?

My friends, why should we even be alive?

Life is an idle war, a toilsome peace;

Life is a lazy battle, a tiring calm;

To-day I would not give

Today I would not give

One small consent for its securest ease.

One small agreement for its utmost comfort.

Shall we outwear the year

Shall we outlast the year

In our pavilions on its dusty plain,

In our tents on its dusty ground,

And yet no signal hear

And yet no signal heard

To strike our tents and take the road again?

To pack up our tents and hit the road again?

Or else drag up the slope

Or else pull up the hill

The heavy ordnance of religion's train?

The heavy artillery of religion's journey?

Useless, but in the hope

Pointless, but with hope

Some far remote and heavenward hill to gain.

Some distant and lofty hill to reach.

The tortoises rapidly dropped into the water, as our boat ruffled the surface amid the willows. We glided along through the transparent water, breaking the reflections of the trees. 448

The tortoises quickly dove into the water as our boat disturbed the surface among the willows. We smoothly moved through the clear water, disrupting the reflections of the trees. 448

Not only are we late to find our friends, but mankind are late, and there is no record of a great success in history.

Not only are we late to meet our friends, but humanity is also late, and there’s no record of a significant success in history.

My friend is not chiefly wise or beautiful or noble. At least it is not for me to know it. He has no visible form nor appreciable character. I can never praise him nor esteem him praiseworthy, for I should sunder him from myself and put a bar between us. Let him not think he can please me by any behavior or even treat me well enough. When he treats, I retreat.[491]

My friend isn't mainly wise or beautiful or noble. At least, I can't really know that. He has no clear form or noticeable character. I can never praise him or see him as worthy of praise, because that would create a separation between us. He shouldn't think he can win me over with any actions or even by treating me well. When he tries to treat me well, I pull back. [491]

I know of no rule which holds so true as that we are always paid for our suspicion by finding what we suspect. There can be no fairer recompense than this. Our suspicions exercise a demoniacal power over the subject of them. By some obscure law of influence, when we are perhaps unconsciously the subject of another's suspicion, we feel a strong impulse, even when it is contrary to our nature, to do that which he expects but reprobates.

I don’t know of any rule that’s more reliable than this: we always get what we expect when we have suspicions. There’s no better reward than that. Our suspicions have a strange hold over the person they’re directed at. By some unknown law of influence, when we unknowingly become the target of someone else's suspicion, we feel a strong urge—sometimes against our true nature—to do what they expect but disapprove of.

No man seems to be aware that his influence is the result of his entire character, both that which is subject and that which is superior to his understanding, and what he really means or intends it is not in his power to explain or offer an apology for.

No one seems to realize that their influence comes from their whole character, including the parts that are beyond their understanding. What they truly mean or intend is something they can't fully explain or apologize for.

No man was ever party to a secure and settled friendship. It is no more a constant phenomenon than 449 meteors and lightning. It is a war of positions, of silent tactics.

No one has ever experienced a truly secure and stable friendship. It's as fleeting as meteors and lightning. It's a battle of stances, of unspoken strategies.


I mark the summer's swift decline;

I note the quick fading of summer;

The springing sward its grave-clothes weaves.[492]

The spring grass weaves its burial shrouds.[492]

Oh, could I catch the sounds remote!

Oh, could I catch the distant sounds!

Could I but tell to human ear

Could I just tell it to a human ear

The strains which on the breezes float

The melodies that drift on the breeze

And sing the requiem of the dying year!

And sing the farewell song for the dying year!

Sept. 29, 1842. To-day the lark sings again down in the meadow, and the robin peeps, and the bluebirds, old and young, have revisited their box, as if they would fain repeat the summer without the intervention of winter, if Nature would let them.

Sept. 29, 1842. Today the lark is singing again in the meadow, the robin is chirping, and the bluebirds, both old and young, have come back to their nest, as if they want to relive the summer without the interruption of winter, if Nature would allow it.

Beauty is a finer utility whose end we do not see.

Beauty is a higher form of usefulness whose purpose we don’t fully understand.

Oct. 7, 1842. A little girl has just brought me a purple finch or American linnet. These birds are now moving south. It reminds me of the pine and spruce, and the juniper and cedar on whose berries it feeds. It has the crimson hues of the October evenings, and its plumage still shines as if it had caught and preserved some of their tints (beams?). We know it chiefly as a traveller. It reminds me of many things I had forgotten. Many a serene evening lies snugly packed under its wing. 450

Oct. 7, 1842. A little girl just brought me a purple finch or American linnet. These birds are currently migrating south. It makes me think of the pine and spruce, along with the juniper and cedar trees whose berries it feeds on. It has the deep red colors of October evenings, and its feathers still sparkle as if they’ve captured and held onto some of those shades. We mainly know it as a traveler. It reminds me of many things I had forgotten. Many calm evenings are tucked away under its wing. 450

Gower writes like a man of common sense and good parts who has undertaken with steady, rather than high, purpose to do narrative with rhyme. With little or no invention, following in the track of the old fablers, he employs his leisure and his pen-craft to entertain his readers and speak a good word for the right. He has no fire, or rather blaze, though occasionally some brand's end peeps out from the ashes, especially if you approach the heap in a dark day, and if you extend your hands over it you experience a slight warmth there more than elsewhere. In fair weather you may see a slight smoke go up here and there. He narrates what Chaucer sometimes sings. He tells his story with a fair understanding of the original, and sometimes it gains a little in blunt plainness and in point in his hands. Unlike the early Saxon and later English, his poetry is but a plainer and directer speech than other men's prose. He might have been a teamster and written his rhymes on his wagon-seat as he went to mill with a load of plaster.

Gower writes like a sensible guy with talent who has taken on the steady, rather than lofty, goal of telling stories in rhyme. With little creativity and following in the footsteps of traditional fables, he uses his free time and writing skills to entertain his readers and advocate for what's right. He doesn’t have much passion, or rather, excitement, though occasionally a spark can be seen flickering from the ashes, especially on a dark day; if you get close, you can feel a bit more warmth there than in other places. On sunny days, you might notice a little bit of smoke rising here and there. He narrates what Chaucer sometimes sings. He tells his story with a solid understanding of the original, and sometimes it becomes a bit more straightforward and pointed in his writing. Unlike the early Saxon and later English, his poetry is just clearer and more direct than other people’s prose. He could have been a laborer, writing his rhymes while sitting on his wagon as he drove to the mill with a load of plaster.

The banks by retired roadsides are covered with asters, hazels, brakes, and huckleberry bushes, emitting a dry, ripe scent.[493]

The banks by old, unused roads are covered with asters, hazels, ferns, and huckleberry bushes, giving off a dry, sweet smell.[493]

Facts must be learned directly and personally, but principles may be deduced from information. The collector of facts possesses a perfect physical organization, the philosopher a perfect intellectual one. One 451 can walk, the other sit; one acts, the other thinks. But the poet in some degree does both, and uses and generalizes the results of both; he generalizes the widest deductions of philosophy.[494]

Facts must be learned directly and personally, but principles can be figured out from information. The person who collects facts has a strong physical presence, while the philosopher has a strong intellectual one. One can walk, the other sits; one takes action, the other thinks. But the poet does a bit of both, using and combining the outcomes of each; he generalizes the broadest conclusions of philosophy.

Oct. 21, 1842. The atmosphere is so dry and transparent and, as it were, inflammable at this season that a candle in the grass shines white and dazzling, and purer and brighter the farther off it is. Its heat seems to have been extracted and only its harmless refulgent light left. It is a star dropped down. The ancients were more than poetically true when they called fire Vulcan's flower. Light is somewhat almost moral. The most intense—as the fixed stars and our own sun—has an unquestionable preëminence among the elements. At a certain stage in the generation of all life, no doubt, light as well as heat is developed. It guides to the first rudiments of life. There is a vitality in heat and light.

Oct. 21, 1842. The air is so dry and clear at this time of year that a candle in the grass shines bright and dazzling, looking purer and brighter the farther away it is. Its warmth seems to have been drained, leaving only its harmless, brilliant light. It’s like a star that has fallen to the ground. The ancients were more than just poetically accurate when they called fire Vulcan's flower. Light holds a kind of moral significance. The most intense light—like the fixed stars and our own sun—clearly stands out among the elements. At a certain point in the emergence of all life, it's evident that both light and heat are produced. They lead to the beginnings of life. There is an energy in heat and light.

Men who are felt rather than understood are being most rapidly developed. They stand many deep.

Men who are sensed rather than comprehended are being developed the fastest. They are many layers deep.

In many parts the Merrimack is as wild and natural as ever, and the shore and surrounding scenery exhibit only the revolutions of nature. The pine stands up erect on its brink, and the alders and willows fringe its edge; only the beaver and the red man have departed.

In many areas, the Merrimack is just as wild and natural as ever, and the shore and surrounding scenery show only the changes of nature. The pine trees stand tall at the water's edge, and the alders and willows line its banks; only the beavers and Native Americans have left.

My friend knows me face to face, but many only 452 venture to meet me under the shield of another's authority, backed by an invisible corps du réserve of wise friends and relations. To such I say, "Farewell, we cannot dwell alone in the world."

My friend knows me personally, but many only 452 dare to approach me under someone else's protection, supported by a hidden group of wise friends and relatives. To them, I say, "Goodbye, we can't live in isolation in this world."

Sometimes, by a pleasing, sad wisdom, we find ourselves carried beyond all counsel and sympathy. Our friends' words do not reach us.

Sometimes, through a bittersweet wisdom, we find ourselves carried beyond all advice and understanding. Our friends' words no longer reach us.

The truly noble and settled character of a man is not put forward, as the king or conqueror does not march foremost in a procession.

The truly noble and steady character of a man isn’t showcased, just like a king or conqueror doesn’t lead the parade.

Among others I have picked up a curious spherical stone, probably an implement of war, like a small paving-stone about the size of a goose egg, with a groove worn quite round it, by which it was probably fastened to a thong or a withe and answered to strike a severe blow like a shotted colt. I have since seen larger ones of the same description.

Among other things, I've found a strange round stone, likely a weapon, similar to a small paving stone about the size of a goose egg, with a groove worn all the way around it. This groove was probably used to attach it to a thong or cord, allowing it to deliver a strong hit like a weighted club. I've since come across larger ones of the same kind.

These arrowheads are of every color and of various forms and materials, though commonly made of a stone which has a conchoidal fracture. Many small ones are found, of white quartz, which are mere equilateral triangles, with one side slightly convex. These were probably small shot for birds and squirrels. The chips which were made in their manufacture are also found in large numbers wherever a lodge stood for any length of time. And these slivers are the surest indication of Indian ground, since the geologists tell us that this stone is not to be found in this vicinity. 453

These arrowheads come in all colors and different shapes and materials, but they are usually made from a type of stone that breaks in a conchoidal pattern. Many small ones are made of white quartz and are just simple equilateral triangles, with one side slightly curved. These were likely used as small projectiles for hunting birds and squirrels. The chips created during their making can also be found in large quantities wherever a campsite existed for a while. These fragments are the best evidence of Native American presence, as geologists have noted that this type of stone isn’t found in this area. 453

The spear-heads are of the same form and material only larger.

The spearheads are the same shape and made of the same material, just larger.

Some are found as perfect and sharp as ever, for time has not the effect of blunting them, but when they break they have a ragged and cutting edge. Yet they are so brittle that they can hardly be carried in the pocket without being broken.

Some are just as perfect and sharp as ever because time doesn't dull them, but when they break, they have a jagged and sharp edge. Yet, they are so fragile that they can hardly be carried in a pocket without breaking.

It is a matter of wonder how the Indians made even those rude implements without iron or steel tools to work with. It is doubtful whether one of our mechanics, with all the aids of Yankee ingenuity, could soon learn to copy one of the thousands under our feet. It is well known the art of making flints with a cold chisel, as practiced in Austria, requires long practice and knack in the operator, but the arrowhead is of much more irregular form, and, like the flint, such is the nature of the stone, must be struck out by a succession of skillful blows.

It’s amazing how the Native Americans crafted those basic tools without any iron or steel to help them. It’s questionable whether any of our mechanics, with all the benefits of American ingenuity, could quickly learn to recreate one of the thousands lying beneath us. It’s well known that making flints with a cold chisel, as done in Austria, requires extensive practice and skill, but the arrowhead is much more irregular in shape and, like the flint, due to the nature of the stone, has to be shaped by a series of skillful strikes.

An Indian to whom I once exhibited some, but to whom they were objects of as much curiosity as [to] myself, suggested that, as white men have but one blacksmith, so Indians had one arrowhead-maker for many families. But there are the marks of too many forges—unless they were like travelling cobblers—to allow of this.

An Indian I once showed some things to, who found them as interesting as I did, suggested that just like white men have one blacksmith, Indians have one arrowhead-maker for multiple families. However, there are too many signs of forges—unless they were like traveling cobblers—to support this idea.

I have seen some arrowheads from the South Seas which were precisely similar to those from here, so necessary, so little whimsical is this little tool.

I have seen some arrowheads from the South Seas that were exactly like the ones from here, so essential, so not at all fanciful is this small tool.

So has the steel hatchet its prototype in the stone one of the Indian, as the stone hatchet in the necessities of man. 454

So the steel axe has its origin in the stone one used by the Indian, just as the stone axe is a response to human needs. 454

Venerable are these ancient arts, whose early history is lost in that of the race itself.

Venerable are these ancient arts, whose early history is lost in that of the race itself.

Here, too, is the pestle and mortar,—ancient forms and symbols older than the plow or the spade.

Here, too, is the pestle and mortar—ancient tools and symbols that are older than the plow or the shovel.

The invention of that plow which now turns them up to the surface marks the era of their burial. An era which can never have its history, which is older than history itself. These are relics of an era older than modern civilization, compared with which Greece and Rome and Egypt are modern. And still the savage retreats and the white man advances.

The invention of that plow which now brings them to the surface marks the time of their burial. A time that can never have its history, which is older than history itself. These are remnants of a time older than modern civilization, compared to which Greece, Rome, and Egypt are modern. And still, the savage retreats while the white man moves forward.

I have the following account of some relics in my possession which were brought from Taunton [?] in Bristol County. A field which had been planted with corn for many years. The sod being broken, the wind began to blow away the soil and then the sand, for several years, until at length it was blown away to the depth of several feet, where it ceased, and the ground appeared strewed with the remains of an Indian village, with regular circles of stones which formed the foundation of their wigwams, and numerous implements beside.

I have the following account of some relics I have that were brought from Taunton [?] in Bristol County. A field that had been planted with corn for many years. As the ground was disturbed, the wind started to blow the soil away, along with the sand, for several years, until eventually it was eroded to a depth of several feet, where it stopped, and the ground was found scattered with the remains of an Indian village, featuring regular circles of stones that formed the foundations of their wigwams, along with numerous tools nearby.

Commonly we use life sparingly, we husband it as if it were scarce, and admit the right of prudence; but occasionally we see how ample and inexhaustible is the stock from which we so scantily draw, and learn that we need not be prudent, that we may be prodigal, and all expenses will be met.

Typically, we use life sparingly, treating it as if it were limited, and we recognize the need for caution; however, sometimes we realize just how abundant and limitless the resources are that we draw from, and we learn that we don’t have to be careful, that we can be extravagant, and all costs will be covered.

Am I not as far from those scenes, though I have wandered a different route, as my companion who has 455 finished the voyage of life? Am I not most dead who have not life to die, and cast off my sere leaves?

Am I really that far from those moments, even though I've taken a different path, compared to my friend who has 455 completed the journey of life? Am I not the most dead of all, since I don't even have life to lose, and have shed my withered leaves?

It seemed the only right way to enter this country, borne on the bosom of the flood which receives the tribute of its innumerable vales. The river was the only key adequate to unlock its maze. We beheld the hills and valleys, the lakes and streams, in their natural order and position.

It felt like the only proper way to enter this country was on the flowing river that welcomes all the many valleys. The river was the only way to navigate its complicated landscape. We saw the hills and valleys, the lakes and streams, all in their natural arrangement and position.

A state should be a complete epitome of the earth, a natural principality, and by the gradations of its surface and soil conduct the traveller to its principal marts. Nature is stronger than law, and the sure but slow influence of wind and water will balk the efforts of restricting legislatures. Man cannot set up bounds with safety but where the revolutions of nature will confirm and strengthen, not obliterate, them.

A state should be a perfect reflection of the earth, a natural authority, and through the variations in its land and soil, guide travelers to its main markets. Nature is more powerful than laws, and the steady but gradual impact of wind and water will undermine the efforts of limiting legislatures. People can only establish boundaries safely where the natural changes will support and reinforce them, not erase them.

Every man's success is in proportion to his average ability. The meadow flowers spring and bloom where the waters annually deposit their slime, not where they reach in some freshet only. We seem to do ourselves little credit in our own eyes for our performance, which all know must ever fall short of our aspiration and promise, which only we can know entirely; as a stick will avail to reach further than it will strike effectually, since its greatest momentum is a little short of its extreme end. But we do not disappoint our neighbors. A man is not his hope nor his despair, nor his past deed.[495] 456

Every person's success is linked to their average ability. The meadow flowers grow and thrive where the waters regularly leave their nutrients, not where they might wash in briefly. We tend to undervalue our own accomplishments, knowing that they will always fall short of our hopes and potential, which only we can fully understand; just like a stick can reach further than it can hit effectively, since its greatest force falls slightly short of its tip. But we don’t let down those around us. A person is not defined by their hopes or their failures, nor by their past actions.[495]456

But it is in the order of destiny that whatever is remote shall be near. Whatever the eyes see, the hands shall touch. The sentinels upon the turret and at the window and on the wall behold successively the approaching traveller whom the host will soon welcome in the hall.

But it is the way of fate that whatever is distant will become close. Whatever the eyes see, the hands will touch. The watchmen on the tower, at the window, and on the wall see one after another the arriving traveler whom the host will soon greet in the hall.

It is not to be forgotten that the poet is innocent; but he is young, he is not yet a parent or a brother to his race. There are a thousand degrees of grace and beauty before absolute humanity and disinterestedness.

It shouldn't be overlooked that the poet is innocent; he's young, and he hasn't yet become a parent or a brother to his people. There are countless levels of grace and beauty before reaching true humanity and selflessness.

The meanest man can easily test the noblest. Is he embraced? Does he find him a brother?

The meanest person can easily challenge the noblest. Is he welcomed? Does he see him as a brother?

I am sometimes made aware of a kindness which may have long since been shown, which surely memory cannot retain, which reflects its light long after its heat. I realize, my friend, that there have been times when thy thoughts of me have been of such lofty kindness that they passed over me like the winds of heaven unnoticed, so pure that they presented no object to my eyes, so generous and universal that I did not detect them. Thou hast loved me for what I was not, but for what I aspired to be. We shudder to think of the kindness of our friend which has fallen on us cold, though in some true but tardy hour we have awakened. There has just reached me the kindness of some acts, not to be forgotten, not to be remembered. I wipe off these scores at midnight, at rare intervals, in moments of insight and gratitude. 457

I sometimes become aware of a kindness that may have happened long ago, one that memory surely can't hold onto, which shines its light long after its warmth is gone. I realize, my friend, that there have been times when your thoughts of me have been so incredibly kind that they passed over me like the winds of heaven, unnoticed, so pure that they didn't present a shape to my eyes, so generous and universal that I didn't recognize them. You loved me for who I wasn't, but for who I wanted to be. We cringe at the thought of the kindness from our friend that has reached us cold, even though we may wake up to it in a true but belated moment. I've recently felt the kindness of some actions, which are unforgettable, though not to be recollected. I brush these memories aside at midnight, at rare moments, during times of reflection and appreciation. 457

Far o'er the bow,

Way over the bow,

Amid the drowsy noon,

In the sleepy afternoon,

Souhegan, creeping slow,

Souhegan, moving slowly,

Appeareth soon.[496]

Appears soon.__A_TAG_PLACEHOLDER_0__

Methinks that by a strict behavior

Methinks that by a strict behavior

I could elicit back the brightest star

I could bring back the brightest star.

That hides behind a cloud.

That’s hiding behind a cloud.

I have rolled near some other spirit's path,

I have crossed paths with another spirit,

And with a pleased anxiety have felt

And with a happy nervousness have felt

Its purer influence on my opaque mass,

Its clearer influence on my unclear mass,

But always was I doomed to learn, alas!

But I was always destined to learn, unfortunately!

I had scarce changèd its sidereal time.

I had barely changed its star time.

Gray sedulously cultivated poetry, but the plant would not thrive. His life seems to have needed some more sincere and ruder experience.

Gray diligently pursued poetry, but it just wouldn’t flourish. His life appears to have needed some more genuine and raw experiences.

Occasionally we rowed near enough to a cottage to see the sunflowers before the door, and the seed-vessels of the poppy, like small goblets filled with the waters of Lethe, but without disturbing the sluggish household.

Occasionally, we paddled close enough to a cottage to see the sunflowers by the door and the poppy seed pods, like small goblets filled with the waters of Lethe, but without bothering the slow-moving household.

Driving the small sandpiper before us.

Driving the small sandpiper in front of us.

FOG[497]

FOG __A_TAG_PLACEHOLDER_0__

Thou drifting meadow of the air,

Thou drifting meadow of the air,

Where bloom the daisied banks and violets, 458

Where the banks are covered in daisies and violets, 458

And in whose fenny labyrinths

And in whose marshy mazes

The bittern booms and curlew peeps,

The bittern calls and the curlew chirps,

The heron wades and boding rain-crow clucks;

The heron wades and the rain crow clucks;

Low-anchored cloud,

Low-hanging cloud,

Newfoundland air,

Newfoundland air,

Fountain-head and source of rivers,

Source of rivers,

Ocean branch that flowest to the sun,

Ocean branch that flows to the sun,

Diluvian spirit, or Deucalion shroud,

Diluvian spirit, or Deucalion cloak,

Dew-cloth, dream drapery,

Dew cloth, dream fabric,

And napkin spread by fays,

And napkin spread by fairies,

Spirit of lakes and seas and rivers,

Spirit of lakes, seas, and rivers,

Sea-fowl that with the east wind

Sea-fowl that with the east wind

Seek'st the shore, groping thy way inland,

Seek the shore, feeling your way inland,

By whichever name I please to call thee,

By whatever name I choose to call you,

Bear only perfumes and the scent

Bear only perfumes and the scent

Of healing herbs to just men's fields.

Of healing herbs to righteous people's fields.

I am amused with the manner in which Quarles and his contemporary poets speak of Nature,—with a sort of gallantry, as a knight of his lady,—not as lovers, but as having a thorough respect for her and some title to her acquaintance. They speak manfully, and their lips are not closed by affection.

I find it amusing how Quarles and his fellow poets talk about Nature—with a kind of chivalry, like a knight addressing his lady—not as lovers, but with genuine respect and a sense of familiarity. They speak boldly, and their words aren’t held back by romance.

"The pale-faced lady of the black-eyed night."

"The pale-faced woman of the dark-eyed night."

Nature seems to have held her court then, and all authors were her gentlemen and esquires and had ready an abundance of courtly expressions.

Nature seems to have been in charge back then, and all the writers were her knights and squires, equipped with plenty of refined language.

Quarles is never weak or shallow, though coarse and untasteful. He presses able-bodied and strong-backed words into his service, which have a certain rustic fragrance and force, as if now first devoted to literature 459 after having served sincere and stern uses. He has the pronunciation of a poet though he stutters. He certainly speaks the English tongue with a right manly accent. To be sure his poems have the[498] musty odor of a confessional.

Quarles is never weak or superficial, though he's rough and lacking in taste. He uses strong, down-to-earth words that have a certain rustic charm and vigor, almost as if they’ve just been introduced to literature after serving honest, serious purposes. 459 He has the cadence of a poet, even though he stutters. He definitely speaks English with a strong, masculine accent. Of course, his poems have the [498] musty scent of a confessional.

How little curious is man,

How little curious are people,

Who hath not searched his mystery a span,

Who hasn't explored his mystery for a moment,

But dreams of mines of treasure

But dreams of treasure caves

Which he neglects to measure,

Which he fails to measure,

For threescore years and ten

For seventy years

Walks to and fro amid his fellow men

Walks back and forth among his peers.

O'er this small tract of continental land,

O'er this small tract of continental land,

His fancy bearing no divining wand.

His fancy bearing no magic wand.

Our uninquiring corpses lie more low

Our indifferent bodies lie low

Than our life's curiosity doth go;

Than our life's curiosity does go;

Our most ambitious steps climb not so high

Our most ambitious steps don't reach that high.

As in their hourly sport the sparrows fly.

As the sparrows fly in their daily play.

Yonder cloud's blown farther in a day

Yonder cloud's moved further in a day

Than our most vagrant feet may ever stray.

Than our most wandering feet may ever stray.

Surely, O Lord, he hath not greatly erred

Surely, O Lord, he has not made a big mistake.

Who hath so little from his birthplace stirred.

Who has been so far removed from their hometown?

He wanders through this low and shallow world,

He meanders through this flat and shallow world,

Scarcely his bolder thoughts and hopes unfurled,

Scarcely had his bolder thoughts and hopes unfolded,

Through this low wallèd world, which his huge sin

Through this low-walled world, which his huge sin

Hath hardly room to rest and harbor in.

Has hardly any room to rest and stay in.

Bearing his head just o'er some fallow ground,

Bearing his head just over some fallow ground,

Some cowslip'd meadows where the bitterns sound,

Some cowslip-covered meadows where the bitterns call,

He wanders round until his end draws nigh, 460

He wanders around until his end is near, 460

And then lays down his aged head to die.

And then he lays down his old head to die.

And this is life! this is that famous strife!

And this is life! This is that well-known struggle!

His head doth court a fathom from the land,

His head is about a yard above the ground,

Six feet from where his grovelling feet do stand.

Six feet from where his crawling feet are standing.

What is called talking is a remarkable though I believe universal phenomenon of human society. The most constant phenomenon when men or women come together is talking. A chemist might try this experiment in his laboratory with certainty, and set down the fact in his journal. This characteristic of the race may be considered as established. No doubt every one can call to mind numerous conclusive instances. Some nations, it is true, are said to articulate more distinctly than others; yet the rule holds with those who have the fewest letters in their alphabet. Men cannot stay long together without talking, according to the rules of polite society. (As all men have two ears and but one tongue, they must spend the extra and unavoidable hours of silence in listening to the whisperings of genius, and this fact it is that makes silence always respectable in my eyes.) Not that they have anything to communicate, or do anything quite natural or important to be done so, but by common consent they fall to using the invention of speech, and make a conversation, good or bad. They say things, first this one and then that. They express their "opinions," as they are called.

What we call talking is an amazing, though I think universal, aspect of human society. The most consistent thing when people come together is talking. A chemist could test this in a lab with certainty and record it in a journal. This trait of our species can be considered established. Surely everyone can think of plenty of clear examples. Some countries, it's true, are said to articulate more clearly than others; yet the rule holds even for those with the fewest letters in their alphabet. People can’t stay together for long without talking, according to the norms of polite society. (Since everyone has two ears and only one tongue, they have to spend the extra unavoidable time in silence listening to the whispers of genius, and this is what makes silence always respectable in my eyes.) It's not that they have anything specific to share or anything particularly significant to do; rather, by mutual agreement, they start using the gift of speech and engage in conversation, whether good or bad. They say things, one after the other. They express their "opinions," as we call them.

By a well-directed silence I have sometimes seen threatening and troublesome people routed. You sit musing as if you were in broad nature again. They cannot stand it. Their position becomes more and 461 more uncomfortable every moment. So much humanity over against one without any disguise,—not even the disguise of speech! They cannot stand it nor sit against it.

By a well-placed silence, I've sometimes seen threatening and bothersome people back down. You sit there lost in thought as if you were out in nature. They can't handle it. Their position becomes more and more uncomfortable with each passing moment. So much humanity facing someone without any masks—not even the mask of speech! They can't deal with it, nor can they endure it.

Not only must men talk, but for the most part must talk about talk,—even about books, or dead and buried talk. Sometimes my friend expects a few periods from me. Is he exorbitant? He thinks it is my turn now. Sometimes my companion thinks he has said a good thing, but I don't see the difference. He looks just as he did before. Well, it is no loss. I suppose he has plenty more.

Not only do guys have to talk, but usually they just talk about talking—even about books or conversations that are long gone. Sometimes my friend expects me to add a few points. Is that asking too much? He thinks it’s my turn now. Sometimes my buddy thinks he’s said something clever, but I don’t notice any change. He looks exactly the same as before. Well, it’s no big deal. I guess he has plenty more ideas.

Then I have seen very near and intimate, very old friends introduced by very old strangers, with liberty given to talk. The stranger, who knows only the countersign, says, "Jonas—Eldred," giving those names which will make a title good in a court of law. (It may be presumed that God does not know the Christian names of men.) Then Jonas, like a ready soldier, makes a remark,—a benediction on the weather it may be,—and Eldred swiftly responds, and unburdens his breast, and so the action begins. They bless God and nature many times gratuitously, and part mutually well pleased, leaving their cards. They did not happen to be present at each other's christening.

Then I’ve seen very close, longtime friends being introduced by complete strangers, with the freedom to chat. The stranger, who only knows the code, says, "Jonas—Eldred," using those names that would hold up in court. (It’s safe to assume that God doesn’t know people’s first names.) Then Jonas, like a good soldier, makes a comment—maybe a compliment about the weather—and Eldred quickly replies, sharing his thoughts, and the conversation kicks off. They thank God and nature many times just for the sake of it, and part ways feeling happy, leaving their business cards. They just weren’t there for each other’s baptisms.

Sometimes I have listened so attentively and with so much interest to the whole expression of a man that I did not hear one word he was saying, and saying too with the more vivacity observing my attention.

Sometimes I've listened so intently and with such interest to a man's whole expression that I didn't catch a single word he was saying, especially since he was speaking with even more energy, noticing my attention.

But a man may be an object of interest to me though his tongue is pulled out by the roots. 462

But a man may still be interesting to me even if his tongue has been ripped out. 462

Men sometimes do as if they could eject themselves like bits of pack-thread from the end of the tongue.

Men sometimes act like they can spit themselves out like strands of thread from the tip of their tongue.

Scholars have for the most part a diseased way of looking at the world. They mean by it a few cities and unfortunate assemblies of men and women, who might all be concealed in the grass of the prairies. They describe this world as old or new, healthy or diseased, according to the state of their libraries,—a little dust more or less on their shelves. When I go abroad from under this shingle or slate roof, I find several things which they have not considered. Their conclusions seem imperfect.

Scholars generally have a flawed perspective on the world. They view it as just a few cities and unfortunate groups of people, who could all be hidden away in the grasslands. They label this world as old or new, healthy or unhealthy, depending on the state of their libraries—a little more or less dust on their shelves. When I step outside from under this roof, I discover many things they haven't thought about. Their conclusions seem lacking.

As with two eyes we see and with two ears we hear, with the like advantage is man added to man. Making no complaint, offering no encouragement, one human being is made aware of the neighboring and contemporaneous existence of another. Such is the tenderness of friendship. We never recognize each other as finite and imperfect beings, but with a smile and as strangers. My intercourse with men is governed by the same laws with my intercourse with nature.

As we see with two eyes and hear with two ears, we gain the same benefit from connecting with one another. Without complaining or asking for help, one person becomes aware of the nearby and simultaneous existence of another. This is the beauty of friendship. We never see each other as limited and flawed, but simply smile and greet each other as strangers. My interactions with people follow the same rules as my interactions with nature.

Buonaparte said that the three-o'clock-in-the-morning courage was the rarest, but I cannot agree with him.[499] Fear does not awake so early. Few men are so degenerate as to balk nature by not beginning the day well.

Buonaparte said that the courage you have at three o'clock in the morning is the rarest, but I can't agree with him.[499] Fear doesn't rise that early. Very few people are so corrupted that they start the day off badly.

I hold in my hands a recent volume of essays and 463 poems, in its outward aspect like the thousands which the press sends forth, and, if the gods permitted their own inspiration to be breathed in vain, this might be forgotten in the mass, but the accents of truth are as sure to be heard on earth as in heaven. The more I read it the more I am impressed by its sincerity, its depth and grandeur. It already seems ancient and has lost the traces of its modern birth. It is an evidence of many virtues in the writer. More serenely and humbly confident, this man has listened to the inspiration which all may hear, and with greater fidelity reported it. It is therefore a true prophecy, and shall at length come to pass. It has the grandeur of the Greek tragedy, or rather its Hebrew original, yet it is not necessarily referred to any form of faith. The slumbering, heavy depth of its sentences is perhaps without recent parallel. It lies like the sward in its native pasture, where its roots are never disturbed, and not spread over a sandy embankment.

I have a recent collection of essays and 463 poems in my hands, looking just like the thousands that get published. If the gods allowed their own inspiration to go unheard, this might get lost in the crowd, but the echoes of truth will always be heard on earth as clearly as in heaven. The more I read it, the more I'm struck by its sincerity, depth, and greatness. It already feels timeless and has shed any signs of its modern origins. It showcases many virtues in the writer. Calmly and humbly confident, this person has listened to the inspiration that anyone can access, and has reported it with greater fidelity. Therefore, it is a genuine prophecy, and it will eventually come to fruition. It possesses the grandeur of Greek tragedy, or rather its Hebrew roots, yet it doesn't have to be tied to any particular faith. The deep, weighty quality of its sentences is perhaps unmatched in recent times. It rests like grass in its home field, where its roots are never disturbed, rather than being spread over a sandy bank.

On fields o'er which the reaper's hand has passed,

On fields where the reaper's hand has gone,

Lit by the harvest moon and autumn sun,

Lit by the harvest moon and autumn sun,

My thoughts like stubble floating in the wind

My thoughts are like bits of grass blowing in the wind.

And of such fineness as October airs,

And of such delicacy as October breezes,

There, after harvest, could I glean my life,

There, after the harvest, could I gather my life,

A richer harvest reaping without toil,

A more rewarding harvest collected effortlessly,

And weaving gorgeous fancies at my will,

And creating beautiful dreams whenever I want,

In subtler webs than finest summer haze.

In delicate layers finer than the lightest summer mist.

In October the air is really the fine element the poets describe.[500] The fields emit a dry and temperate 464 odor. There is something in the refined and elastic air which reminds us of a work of art. It is like a verse of Anacreon or a tragedy of Æschylus.

In October, the air is truly the beautiful element that poets talk about.[500] The fields release a dry and pleasant scent. There’s something in the fresh and light air that makes us think of a piece of art. It’s like a line from Anacreon or a tragedy by Æschylus.

All parts of nature belong to one head, as the curls of a maiden's hair. How beautifully flow the seasons as one year, and all streams as one ocean!

All parts of nature come together as one, like the strands of a young woman's hair. How beautifully the seasons flow together as one year, and all rivers merge into one ocean!

I hate museums; there is nothing so weighs upon my spirits. They are the catacombs of nature. One green bud of spring, one willow catkin, one faint trill from a migrating sparrow would set the world on its legs again. The life that is in a single green weed is of more worth than all this death. They are dead nature collected by dead men. I know not whether I muse most at the bodies stuffed with cotton and sawdust or those stuffed with bowels and fleshy fibre outside the cases.

I hate museums; they really bring me down. They’re like the tombs of nature. Just one green bud of spring, one willow catkin, or even a faint song from a migrating sparrow could uplift the world once more. The life in a single green weed is worth more than all this lifeless stuff. They are just dead nature gathered by dead people. I can’t decide if I’m more disturbed by the bodies filled with cotton and sawdust or those filled with actual organs and flesh outside the display cases.

Where is the proper herbarium, the true cabinet of shells, and museum of skeletons, but in the meadow where the flower bloomed, by the seaside where the tide cast up the fish, and on the hills and in the valleys where the beast laid down its life and the skeleton of the traveller reposes on the grass? What right have mortals to parade these things on their legs again, with their wires, and, when heaven has decreed that they shall return to dust again, to return them to sawdust? Would you have a dried specimen of a world, or a pickled one?

Where's the real herbarium, the genuine shell collection, and the skeleton museum? It's in the meadow where the flowers bloom, by the seaside where the tides wash up fish, and on the hills and in the valleys where animals gave their lives and the skeleton of the traveler rests on the grass. What right do humans have to showcase these things on their legs again, with their wires, and when fate has decided they should return to dust, to turn them into sawdust instead? Would you prefer a dried specimen of a world, or a pickled one?

Embalming is a sin against heaven and earth,—against heaven, who has recalled the soul and set free the servile elements, and against the earth, which is 465 thus robbed of her dust. I have had my right-perceiving senses so disturbed in these haunts as to mistake a veritable living man for a stuffed specimen, and surveyed him with dumb wonder as the strangest of the whole collection. For the strangest is that which, being in many particulars most like, is in some essential particular most unlike.

Embalming is a sin against heaven and earth—against heaven, which has called back the soul and released the earthly elements, and against the earth, which is 465 robbed of her dust. I've had my senses so thrown off in these places that I mistook a real living person for a stuffed specimen, looking at them in silent amazement as the weirdest of the entire collection. Because the weirdest is that which, while being similar in many ways, is in some crucial way completely different.

It is one great and rare merit in the old English tragedy that it says something. The words slide away very fast, but toward some conclusion. It has to do with things, and the reader feels as if he were advancing. It does not make much odds what message the author has to deliver at this distance of time, since no message can startle us, but how he delivers it,—that it be done in a downright and manly way. They come to the point and do not waste the time.

It’s a significant and rare strength in old English tragedy that it actually conveys a message. The words move quickly, but they lead to a conclusion. It deals with real issues, and the reader feels like they’re making progress. It doesn’t really matter what the message is after all this time, since nothing can shock us, but the way it’s delivered matters—it should be straightforward and sincere. They get to the point without wasting any time.

They say that Carew was a laborious writer, but his poems do not show it. They are finished, but do not show the marks of the chisel. Drummond was indeed a quiddler, with little fire or fibre, and rather a taste for poetry than a taste of it.

They say Carew was a hard-working writer, but his poems don’t reflect that. They are polished but don’t show the signs of effort. Drummond was definitely a nitpicker, lacking passion or substance, and had more of an appreciation for poetry than a true understanding of it.

After all, we draw on very gradually in English literature to Shakespeare, through Peele and Marlowe, to say nothing of Raleigh and Spenser and Sidney. We hear the same great tone already sounding to which Shakespeare added a serener wisdom and clearer expression. Its chief characteristics of reality and unaffected manliness are there. The more we read of the 466 literature of those times, the more does acquaintance divest the genius of Shakespeare of the in some measure false mystery which has thickened around it, and leave it shrouded in the grander mystery of daylight. His critics have for the most part made their [sic] contemporaries less that they might make Shakespeare more.

After all, we gradually trace the roots of English literature back to Shakespeare, through Peele and Marlowe, not to mention Raleigh, Spenser, and Sidney. We can hear the same great tone already emerging, which Shakespeare enhanced with a wiser perspective and clearer expression. Its main characteristics of reality and genuine manliness are present. The more we read the 466 literature from those times, the more familiar we become, stripping away the somewhat false mystery that has surrounded Shakespeare's genius, leaving it cloaked in the larger mystery of daylight. Most of his critics have diminished their [sic] contemporaries to elevate Shakespeare.

The distinguished men of those times had a great flow of spirits, a cheerful and elastic wit far removed from the solemn wisdom of later days. What another thing was fame and a name then than now! This is seen in the familiar manner in which they were spoken of by each other and the nation at large,—Kit Marlowe, and George (Peele), and Will Shakespeare, and Ben Jonson,—great fellows,—chaps.

The notable men of that era had a vibrant spirit and a light-hearted, quick wit that was very different from the serious wisdom of later times. Fame and reputation meant something quite different back then compared to now! This is reflected in the casual way they referred to one another and how the public talked about them—Kit Marlowe, George (Peele), Will Shakespeare, and Ben Jonson—great guys,—dudes.

We pass through all degrees of life from the least organic to the most complex. Sometimes we are mere pudding-stone and scoriæ.

We go through all stages of life from the simplest forms to the most complex. Sometimes we are just a mix of sand and ash.

The present is the instant work and near process of living, and will be found in the last analysis to be nothing more nor less than digestion. Sometimes, it is true, it is indigestion.

The present is the immediate act of living, and ultimately, it can be seen as nothing more or less than digestion. Sometimes, it is true, it can be indigestion.

Daniel deserves praise for his moderation, and sometimes has risen into poetry before you know it. Strong sense appears in his epistles, but you have to remember too often in what age he wrote, and yet that Shakespeare was his contemporary. His style is without the tricks of the trade and really in advance of his 467 age. We can well believe that he was a retired scholar, who would keep himself shut up in his house two whole months together.

Daniel deserves praise for his restraint, and sometimes he unexpectedly creates poetry. There’s a strong sense in his letters, but you have to keep in mind the era he wrote in, even though Shakespeare was his contemporary. His style doesn't rely on gimmicks and is truly ahead of his time. We can easily believe that he was a reclusive scholar who would isolate himself in his house for two whole months at a time.

Donne was not a poet, but a man of strong sense, a sturdy English thinker, full of conceits and whimsicalities, hammering away at his subject, be it eulogy or epitaph, sonnet or satire, with the patience of a day laborer, without taste but with an occasional fine distinction or poetic phrase. He was rather Doctor Donne, than the poet Donne. His letters are perhaps best.

Donne wasn't just a poet; he was a man of strong common sense, a solid English thinker, full of clever ideas and quirks. He tackled his topics, whether they were praises or tributes, sonnets or satires, with the patience of a day laborer—lacking taste but occasionally hitting on something uniquely insightful or poetically expressed. He was more Doctor Donne than poet Donne. His letters are probably the best examples of his work.

Lovelace is what his name expresses,—of slight material to make a poet's fame. His goings and comings are of no great account. His taste is not so much love of excellence as fear of failure, though in one instance he has written fearlessly and memorably.

Lovelace is exactly what his name suggests—he's not someone who's destined for poetic greatness. His movements don't really matter. His taste isn't about a love for quality but more about a fear of not succeeding, though he did write boldly and memorably on one occasion.

How wholesome are the natural laws to contemplate, as gravity, heat, light, moisture, dryness. Only let us not interfere. Let the soul withdraw into the chambers of the heart, let the mind reside steadily in the labyrinth of the brain, and not interfere with hands or feet more than with other parts of nature.

How refreshing it is to think about the natural laws, like gravity, heat, light, moisture, and dryness. We just need to stay out of the way. Let the soul retreat into the chambers of the heart, let the mind stay focused in the maze of the brain, and not get involved with hands or feet any more than with the rest of nature.

Thomson was a true lover of nature and seems to have needed only a deeper human experience to have taken a more vigorous and lofty flight. He is deservedly popular, and has found a place on many shelves and in many cottages. There are great merits in "The Seasons"—and the almanac. In "Autumn:"— 468

Thomson was a true nature lover and seems to have needed just a richer human experience to soar even higher. He's well-liked and has earned a spot on many bookshelves and in numerous homes. "The Seasons" and the almanac have great qualities. In "Autumn:"— 468

"Attemper'd suns arise,

"Balanced suns rise,"


... while broad and brown, below,

... while wide and brown, below,

Extensive harvests hang the heavy head.

Extensive harvests weigh down the heavy head.

Rich, silent, deep, they stand."

"Rich, quiet, deep, they stand."

The moon in "Autumn:"—

The moon in "Autumn:"—

"Her spotted disk,

"Her spotted disc,"

Where mountains rise, umbrageous dales descend,

Where mountains rise, shady valleys drop,


... gives all his blaze again,

... gives all his energy again,

Void of its flame, and sheds a softer day.

Void of its flame, it gives off a gentler light.

Now through the passing cloud she seems to stoop,

Now, through the passing cloud, she appears to bend.

Now up the pure cerulean rides sublime.

Now up the clear blue sky rides beautifully.


The whole air whitens with a boundless tide

The entire atmosphere brightens with an endless flow

Of silver radiance, trembling round the world."

Of silver light, shimmering across the globe.

My friend, thou art not of some other race and family of men;—thou art flesh of my flesh, bone of my bone. Has not nature associated us in many ways?[501] Water from the same fountain, lime from the same quarry, grain from the same field compose our bodies. And perchance our elements but reassert their ancient kindredship. Is it of no significance that I have so long partaken of the same loaf with thee, have breathed the same air summer and winter, have felt the same heat and cold, the same fruits of summer have been pleased to refresh us both, and thou hast never had a thought of different fibre from my own?[502]

My friend, you are not from some other race or family; you are flesh of my flesh, bone of my bone. Hasn't nature connected us in many ways?[501] Water from the same source, lime from the same quarry, grain from the same field make up our bodies. And maybe our basic elements just reaffirm their ancient kinship. Is it not significant that I have shared the same bread with you for so long, have breathed the same air in summer and winter, have felt the same warmth and cold, and that the same summer fruits have happily refreshed us both, and you have never thought of yourself as different from me?[502]

Our kindred, of one blood with us. With the favor and not the displeasure of the gods, we have partaken the same bread. 469

Our relatives, sharing the same blood as us. With the favor and not the displeasure of the gods, we have shared the same bread. 469

It is hard to know rocks. They are crude and inaccessible to our nature. We have not enough of the stony element in us.

It’s difficult to understand rocks. They are rough and distant from our nature. We don’t have enough of that stony element within us.

It is hard to know men by rumor only. But to stand near somewhat living and conscious. Who would not sail through mutiny and storm farther than Columbus, to reach the fabulous retreating shores of some continent man?

It’s difficult to understand people based on rumors alone. But to be close to something real and aware. Who wouldn’t navigate through rebellion and chaos further than Columbus, to reach the legendary, ever-elusive shores of some continent of mankind?

My friend can only be in any measure my foe, because he is fundamentally my friend; for everything is after all more nearly what it should rightfully be, than that which it is simply by failing to be the other.

My friend can only be somewhat my enemy because he is essentially my friend; after all, everything is more aligned with what it should be than whatever it is just by not being the other.

It [friendship] cannot be the subject of reconciliation or the theme of conversation ever between friends. The true friend must in some sense disregard all professions of friendship and forget them.

It [friendship] can't be a topic for reconciliation or something to talk about between friends. A true friend must, in a way, ignore all declarations of friendship and let them go.

It is as far from pity as from contempt. I should hesitate even to call it the highest sympathy, since the word is of suspicious origin and suggests suffering rather than joy. It was established before religion, for men are not friends in religion, but over and through it; and it records no apostasy or repentance, but there is a certain divine and innocent and perennial health about it.

It is as far from pity as it is from contempt. I would even hesitate to call it the highest form of sympathy, since the term has a questionable origin and implies suffering rather than joy. It existed before religion, because people are not friends in religion, but rather in spite of it. It doesn’t note any abandonment or regret, but there’s a certain divine, innocent, and enduring vitality to it.

Its charity is generosity, its virtue nobleness, its religion trust. We come nearer to friendship with flowers and inanimate objects than with merely affectionate 470 and loving men. It is not for the friend to be just even,—at least he is not to be lost in this attribute,—but to be only a large and free existence, representative of humanity, its general court. Admirable to us as the heavenly bodies, but like them affording rather a summer heat and daylight,—the light and fire of sunshine and stars,—rather than the intense heats and splendors which our weakness and appetite require.

Its kindness is generosity, its virtue is nobility, and its faith is trust. We connect more with flowers and inanimate objects than with just affectionate and loving people. A friend doesn’t need to be just; at least, that shouldn’t be their only focus. They should instead be a vast and free presence, embodying humanity, its universal court. They are admirable to us like celestial bodies, but like them, they provide more of a gentle warmth and daylight—the light and fire of sunshine and stars—rather than the intense heat and brilliance that our fragility and desires demand.

Yesterday I skated after a fox over the ice. Occasionally he sat on his haunches and barked at me like a young wolf. It made me think of the bear and her cubs mentioned by Captain Parry, I think. All brutes seem to have a genius for mystery, an Oriental aptitude for symbols and the language of signs; and this is the origin of Pilpay and Æsop. The fox manifested an almost human suspicion of mystery in my actions. While I skated directly after him, he cantered at the top of his speed; but when I stood still, though his fear was not abated, some strange but inflexible law of his nature caused him to stop also, and sit again on his haunches. While I still stood motionless, he would go slowly a rod to one side, then sit and bark, then a rod to the other side, and sit and bark again, but did not retreat, as if spellbound. When, however, I commenced the pursuit again, he found himself released from his durance.

Yesterday, I chased a fox across the ice. Occasionally, he stopped to sit back on his haunches and barked at me like a young wolf. It reminded me of the bear and her cubs mentioned by Captain Parry, I think. All animals seem to have a knack for mystery, an Eastern talent for symbols and the language of signs; and this is where Pilpay and Aesop come from. The fox showed an almost human suspicion of the mystery in my actions. When I skated right after him, he ran at full speed; but when I stood still, despite still being scared, some strange but unyielding law of his nature made him stop too and sit back down. While I remained motionless, he would slowly move a rod to one side, then sit and bark, then a rod to the other side, and sit and bark again, but he didn't back away, almost as if he were spellbound. However, when I started chasing him again, he felt freed from his hold.

Plainly the fox belongs to a different order of things from that which reigns in the village. Our courts, though they offer a bounty for his hide, and our pulpits, though they draw many a moral from his cunning, are in few senses contemporary with his free forest life. 471

Clearly, the fox is part of a different world than the one in the village. Our courts, even if they reward his skin, and our churches, even if they teach lessons from his cleverness, aren’t really in sync with his wild life in the forest. 471

To the poet considered as an artist, his words must be as the relation of his oldest and finest memory, and wisdom derived from the remotest experience.

To the poet viewed as an artist, his words should relate to his oldest and most cherished memories, alongside wisdom gained from the farthest experiences.

I have thought, when walking in the woods through a certain retired dell, bordered with shrub oaks and pines, far from the village and affording a glimpse only through an opening of the mountains in the horizon, how my life might pass there, simple and true and natural, and how many things would be impossible to be done there. How many books I might not read!

I have thought, while walking in the woods through a certain quiet valley, lined with scrub oaks and pines, far from the village and only able to catch a glimpse of the mountains on the horizon, how my life could unfold there, uncomplicated, genuine, and natural, and how many things would be impossible to do there. How many books I wouldn’t read!

Why avoid my friends and live among strangers? Why not reside in my native country?

Why should I stay away from my friends and live among strangers? Why not live in my home country?

Many a book is written which does not necessarily suggest or imply the phenomenon or object to explain which it professes to have been written.

Many books are written that don’t necessarily suggest or imply the phenomenon or object they claim to explain.

Every child should be encouraged to study not man's system of nature but nature's.

Every child should be encouraged to study not humans' system of nature but nature's.

Giles Fletcher knew how to write, and has left English verses behind. He is the most valuable imitator of the Spenserian stanza, and adds a moral tone of his own.

Giles Fletcher knew how to write and has left behind English verses. He is the most skilled imitator of the Spenserian stanza and adds his own moral tone.

TO A MARSH HAWK IN SPRING

TO A MARSH HAWK IN SPRING

There is health in thy gray wing,

There is health in your gray wing,

Health of nature's furnishing.

Well-being of nature's resources.

Say, thou modern-winged antique,

Say, you modern-winged antique,

Was thy mistress ever sick? 472

Was your mistress ever sick? 472

In each heaving of thy wing

In every flap of your wing

Thou dost health and leisure bring,

You provide wellness and relaxation,

Thou dost waive disease and pain

You let go of illness and suffering.

And resume new life again.

And start a new life again.

Man walks in nature still alone,

Man walks in nature still alone,

And knows no one,

And knows no one.

Discovers no lineament nor feature

Finds no shape or detail

Of any creature.

Of any being.

Though all the firmament

Though all the sky

Is o'er me bent,

Is hovering over me,

Yet still I miss the grace

Yet I still miss the grace

Of an intelligent and kindred face.

Of a smart and relatable face.

I still must seek the friend

I still need to look for the friend.

Who does with nature blend.

Who blends with nature.

Who is the person in her mask,

Who is the person behind her mask,

He is the friend I ask;

He is the friend I turn to;

Who is the expression of her meaning,

Who represents her meaning?

Who is the uprightness of her leaning,

Who is the integrity of her support,

Who is the grown child of her weaning.

Who is the adult child of her weaning?

We twain would walk together

We would walk together

Through every weather,

In any weather,

And see this aged Nature

And see this old Nature

Go with a bending stature.

Walk with a bent posture.

The centre of this world,

The center of this world,

The face of Nature, 473

The face of Nature, 473

The site of human life,

The place of human life,

Some sure foundation

Some solid foundation

And nucleus of a nation,

And the heart of a nation,

At least, a private station.

At least, a private station.

It is the saddest thought of all, that what we are to others, that we are much more to ourselves,—avaricious, mean, irascible, affected,—we are the victims of these faults. If our pride offends our humble neighbor, much more does it offend ourselves, though our lives are never so private and solitary.

It’s the saddest realization of all that how we appear to others is just a fraction of what we are to ourselves—greedy, petty, short-tempered, pretentious—we are the victims of these flaws. If our pride offends our humble neighbor, it offends us even more, even if our lives are never truly private or solitary.

If the Indian is somewhat of a stranger in nature, the gardener is too much a familiar. There is something vulgar and foul in the latter's closeness to his mistress, something noble and cleanly in the former's distance. Yet the hunter seems to have a property in the moon which even the farmer has not. Ah! the poet knows uses of plants which are not easily reported, though he cultivates no parterre. See how the sun smiles on him while he walks in the gardener's aisles, rather than on the gardener.

If the Native American feels somewhat disconnected from nature, the gardener is overly familiar with it. There’s something crude and unpleasant about the gardener's closeness to his plants, while there’s something admirable and pure about the Native American’s distance. However, the hunter seems to have a unique connection to the moon that even the farmer lacks. Ah! The poet understands the purposes of plants that aren’t easily explained, even though he doesn't tend a garden. Look how the sun shines down on him as he strolls through the gardener's rows, rather than on the gardener himself.

Not only has the foreground of a picture its glass of transparent crystal spread over it, but the picture itself is a glass or transparent medium to a remoter background. We demand only of all pictures that they be perspicuous, that the laws of perspective have been truly observed. It is not the fringed foreground of the desert nor the intermediate oases that detain the eye and the imagination, but the infinite, level, and roomy horizon, where the sky meets the sand, and heavens and 474 earth, the ideal and actual, are coincident, the background into which leads the path of the pilgrim.

Not only does the foreground of a picture have a layer of clear glass over it, but the picture itself serves as a transparent medium leading to a more distant background. We require all pictures to be clear, ensuring the rules of perspective are accurately followed. It’s not the fringed foreground of the desert or the scattered oases that capture the eye and imagination; rather, it's the vast, flat horizon where the sky meets the sand, where heaven and earth, the ideal and the real, come together, guiding the pilgrim's path into the background.

All things are in revolution; it is the one law of nature by which order is preserved, and time itself lapses and is measured. Yet some things men will do from age to age, and some things they will not do.

All things are constantly changing; it's the one law of nature that keeps order and measures time. Yet, there are some things people will do from generation to generation, and some things they will not do.

"Fisherman's Acct. for 1805[503] Began March 25
cts.
Dd Mr. Saml Potter 2 qts W I 3/ 1 lb sugar 10d $0.64
One Cod line 5/ 84
April 8 Qt W I 1/6 & 1 lb Sugar 10d & Brown Mug 48
9 Qt N E rum 1/ 10th Do. of Do 1/ 33
13 Qt N E rum & 1 lb Sugar 15th 2 Qts N E rum 2/ 62
17 Qt W I 1/6 Do N E 1/ lb Sugar 9d & Qt N E Rum 71
22 Qt N E rum 1/ lb sugar 9d & Qt N E rum 1/ 44½
23 Qt N E rum 1/ Do of Do & sugar 5d 39
24 Qt N E rum 1/ lb sugar 9d 28½
29 Qt N E rum 1/ & lb sugar 9d—30th Rum 1/ 44½
May first Qt rum ½ lb Sugar 1/5d 22
Qt N E rum 1/ & ½ lb Loaf Sugar 9d 29
4 Qt rum 1/ Sugar 5d 22
6 Qt N E rum 1/ & lb good sugar 11d 31
7 Qt N E rum 1/8th Qt N E rum 1/ & ½ lb Sugar 5d 40
11 Qt N E rum 11d lb Sugar 10d 29
15 Qt rum & lb Sugar 1/9 & Qt N E rum 44
16 To a Line for the Sceene 3/ 0.50
20 To Qt N E rum 11d lb Sugar 10d 0.29
21 To Qt N E rum 11d & lb Sugar 10d 0.29
27 To Qt W I 1/6 & lb Sugar 10d 0.39
June 5th 1805     Settled this acct by Recev.g Cash in Full $8.82½

How many young finny contemporaries of various character and destiny, form and habits, we have even 475 in this water! And it will not be forgotten by some memory that we were contemporaries. It is of some import. We shall be some time friends, I trust, and know each other better. Distrust is too prevalent now. We are so much alike! have so many faculties in common! I have not yet met with the philosopher who could, in a quite conclusive, undoubtful way, show me the, and, if not the, then how any, difference between man and a fish. We are so much alike! How much could a really tolerant, patient, humane, and truly great and natural man make of them, if he should try? For they are to be understood, surely, as all things else, by no other method than that of sympathy. It is easy to say what they are not to us, i. e., what we are not to them; but what we might and ought to be is another affair.

How many young fish of different characters and fates, shapes and habits, we have right here in this water! And it won't be forgotten by some that we were contemporaries. That matters. I hope we will be friends for a while and get to know each other better. Distrust is too common these days. We are so similar! We have so many abilities in common! I haven't yet met a philosopher who could clearly and definitively show me the difference between a person and a fish. We are so alike! How much could a truly tolerant, patient, compassionate, and genuinely great person learn from them if they tried? Because they, like everything else, can only be understood through sympathy. It's easy to say what they are not to us, i.e., what we are not to them; but what we could and should be is something else entirely.

In the tributaries the brook minnow and the trout. Even in the rills emptying into the river, over which you stride at a step, you may see small trout not so large as your finger glide past or hide under the bank.

In the streams, you’ll find the brook minnow and the trout. Even in the small channels that flow into the river, where you can cross in a single step, you might spot tiny trout, no bigger than your finger, gliding by or hiding under the bank.

The character of this [the horned pout], as indeed of all fishes, depends directly upon that of the water it inhabits, those taken in clear and sandy water being of brighter hue and cleaner and of firmer and sweeter flesh. It makes a peculiar squeaking noise when drawn out, which has given it the name of the minister or preacher.

The nature of this [the horned pout], like all fish, is directly influenced by the quality of the water it lives in. Fish caught in clear, sandy water are more colorful, cleaner, and have firmer, sweeter flesh. It makes a distinct squeaking sound when pulled out, which is why it's been nicknamed the minister or preacher.

The bream is the familiar and homely sparrow, which makes her nest everywhere, and is early and late. 476

The bream is the everyday and friendly sparrow, which builds her nest all over the place and is around early and late. 476

The pickerel is the hawk, a fish of prey, hovering over the finny broods.

The pickerel is like a hawk, a predatory fish, hovering over the groups of smaller fish.

The pout is the owl, which steals so noiselessly about at evening with its clumsy body.

The owl is the one that quietly moves around in the evening with its awkward body.

The shiner is the summer yellowbird, or goldfinch, of the river.

The shiner is the summer yellowbird, or goldfinch, of the river.

The sucker is the sluggish bittern, or stake-driver.

The sucker is the slow-moving bittern, or stake-driver.

The minnow is the hummingbird.

The minnow is the hummingbird.

The trout is the partridge woodpecker.

The trout is the partridge woodpecker.

The perch is the robin.[504]

The perch is the robin. __A_TAG_PLACEHOLDER_0__

We read Marlowe as so much poetical pabulum. It is food for poets, water from the Castalian Spring, some of the atmosphere of Parnassus, raw and crude indeed, and at times breezy, but pure and bracing. Few have so rich a phrase! He had drunk deep of the Pierian Spring, though not deep enough, and had that fine madness, as Drayton says,

We see Marlowe as a lot of poetic nourishment. It's food for poets, fresh water from the Castalian Spring, a taste of the atmosphere of Parnassus—raw and unrefined at times, but still pure and invigorating. Few have such a rich way with words! He drank deeply from the Pierian Spring, though perhaps not deeply enough, and had that brilliant madness, as Drayton puts it,

"Which justly should possess a poet's brain."

"Which rightfully should have a poet's mind."

We read his "Dr. Faustus," "Dido, Queen of Carthage," and "Hero and Leander," especially the last, without being wearied. He had many of the qualities of a great poet, and was in some degree worthy to precede Shakespeare. But he seems to have run to waste for want of seclusion and solitude, as if mere pause and deliberation would have added a new element of greatness to his poetry. In his unquestionably fine, heroic tone it would seem as if he had the rarest part of genius, and education could have added the rest. The "Hero 477 and Leander" tells better for his character than the anecdotes which survive.

We read his "Dr. Faustus," "Dido, Queen of Carthage," and "Hero and Leander," especially the last, without getting tired. He had many traits of a great poet and was somewhat deserving to precede Shakespeare. However, it seems he wasted his potential due to a lack of seclusion and solitude, as if just taking a break and reflecting could have brought a new level of greatness to his poetry. In his undeniably fine, heroic tone, it appears he had a unique spark of genius, and an education could have added the rest. The "Hero 477 and Leander" reflects better on his character than the surviving anecdotes.

I fain would stretch me by the highway-side,

I would gladly stretch out by the side of the road,

To thaw and trickle with the melting snow,

To melt and flow with the melting snow,

That mingled soul and body with the tide

That blended soul and body with the current.

I too might through the pores of Nature flow,[505]

I might also flow through the pores of Nature, [505]

Might help to forward the new spring along,

Might help to push the new spring along,

If it were mine to choose my toil or day,

If I could choose my work or my day,

Scouring the roads with yonder sluice-way throng,

Scouring the roads with that nearby crowd,

And so work out my tax on Her highway.

And so figure out my tax on Her highway.


Yet let us thank the purblind race

Yet let's thank the blind race

Who still have thought it good

Who still thinks it’s great?

With lasting stone to mark the place

With permanent stone to mark the spot

Where braver men have stood.

Where bolder people have stood.

In Concord, town of quiet name

In Concord, a town with a peaceful name

And quiet fame as well, ...

And silent fame too, ...


I've seen ye, sisters, on the mountain-side,

I've seen you, sisters, on the mountainside,

When your green mantles fluttered in the wind;

When your green cloaks fluttered in the wind;

I've seen your footprints on the lake's smooth shore,

I've seen your footprints on the lake's calm shore,

Lesser than man's, a more ethereal trace;

Lesser than man's, a more ethereal trace;

I have heard of ye as some far-famed race,

I have heard of you as a well-known people,

Daughters of gods, whom I should one day meet,

Daughters of gods, whom I hope to meet one day,

Or mothers, I might say, of all our race.

Or mothers, I might say, of all our people.

I reverence your natures, so like mine

I respect your nature, which is so much like mine.

Yet strangely different, like but still unlike.

Yet strangely different, like but still not quite the same.

Thou only stranger that hast crossed my path, 478

Thou only stranger that has crossed my path, 478

Accept my hospitality; let me hear

Accept my invitation; let me hear

The message which thou bring'st.

The message you bring.

Made different from me,

Made differently from me,

Perchance thou'rt made to be

Maybe you’re meant to be

The creature of a different destiny.

The creature of a different fate.

I know not who ye are that meekly stand

I don’t know who you are, standing there so quietly.

Thus side by side with man in every land.

Thus side by side with people in every country.

When did ye form alliance with our race,

When did you form an alliance with our people,

Ye children of the moon, who in mild nights

Ye children of the moon, who in mild nights

Vaulted upon the hills and sought this earth?

Vaulted on the hills and sought this earth?

Reveal that which I fear ye cannot tell,

Reveal what I fear you can't say,

Wherein ye are not I, wherein ye dwell

Where I am not, where you live

Where I can never come.

Where I can never go.

What boots it that I do regard ye so?

What good does it do that I pay you so much attention?

Does it make suns to shine or crops to grow?

Does it make the sun shine or the crops grow?

What boots [it] that I never should forget

What good is it that I should never forget

That I have sisters sitting for me yet?

That I have sisters waiting for me still?

And what are sisters?

And what are sisters, anyway?

The robust man, who can so stoutly strive,

The strong man, who can fight so fiercely,

In this bleak world is hardly kept alive.

In this grim world, survival is barely maintained.

And who is it protects ye, smooths your way?

And who is it that protects you, smooths your path?

We can afford to lend a willing ear occasionally to those earnest reformers of the age. Let us treat them hospitably. Shall we be charitable only to the poor? What though they are fanatics? Their errors are likely to be generous errors, and these may be they who will put to rest the American Church and the American government, and awaken better ones in their stead.

We can afford to listen occasionally to the dedicated reformers of our time. Let’s welcome them warmly. Should we only be generous to the poor? Even if they are passionate about their beliefs, their mistakes might come from a place of good intentions, and these might be the very people who help to improve the American Church and the American government, bringing about better ones in their place.

Let us not meanly seek to maintain our delicate lives in chambers or in legislative halls by a timid watchfulness 479 of the rude mobs that threaten to pull down our baby-houses. Let us not think to raise a revenue which shall maintain our domestic quiet by an impost on the liberty of speech. Let us not think to live by the principle of self-defense. Have we survived our accidents hitherto, think you, by virtue of our good swords,—that three-foot lath that dangles by your side, or those brazen-mouthed pieces under the burying hill which the trainers keep to hurrah with in the April and July mornings? Do our protectors burrow under the burying-ground hill, on the edge of the bean-field which you all know, gorging themselves once a year with powder and smoke, and kept bright and in condition by a chafing of oiled rags and rotten stone? Have we resigned the protection of our hearts and civil liberties to that feathered race of wading birds and marching men who drill but once a month?—and I mean no reproach to our Concord train-bands, who certainly make a handsome appearance—and dance well. Do we enjoy the sweets of domestic life undisturbed, because the naughty boys are all shut up in that whitewashed "stone-yard," as it is called, and see the Concord meadows only through a grating.

Let’s not foolishly try to keep our fragile lives safe in rooms or in government buildings by watching nervously for the wild crowds that might tear down what we’ve built. Let’s not think we can ensure our peace at home by taxing free speech. Let’s not believe we can live by just defending ourselves. Have we gotten through our struggles so far, you think, just because we have our good swords—that little stick hanging at your side or those noisy guns buried under the hill that the militia uses for show in the spring and summer? Do our protectors hide under that burial hill, by the bean field you all know, indulging once a year in gunpowder and noise, kept shiny and ready with a rub from oily rags and old stones? Have we given up the protection of our hearts and freedoms to that flock of wading birds and soldiers who only train once a month?—and I don’t mean to insult our Concord militia, who certainly look good and know how to dance. Do we enjoy our peaceful lives because the troublemakers are all locked up in that whitewashed “stone yard,” as it’s called, only seeing the Concord meadows through bars?

No, let us live amid the free play of the elements. Let the dogs bark, let the cocks crow, and the sun shine, and the winds blow!

No, let's live in the open flow of nature. Let the dogs bark, let the roosters crow, and the sun shine, and the winds blow!

Ye do commend me to all virtue ever,

You always praise me for being virtuous,

And simple truth, the law by which we live.

And the simple truth is the law by which we live.

Methinks that I can trust your clearer sense

I think I can trust your clearer judgment.

And your immediate knowledge of the truth.

And your immediate understanding of the truth.

I would obey your influence, one with fate. 480

I would follow your influence, one with destiny. 480

There is a true march to the sentence, as if a man or a body of men were actually making progress there step by step, and these are not the mere disjecta membra, the dispersed and mutilated members though it were of heroes, which can no longer walk and join themselves to their comrades. They are not perfect nor liberated pieces of art for the galleries, yet they stand on the natural and broad pedestal of the living rock, but have a principle of life and growth in them still, as has that human nature from which they spring.[506]

There’s a real progression to the sentence, as if a person or a group of people is actually making their way forward step by step, and these aren’t just the scattered remains, the broken and separated parts of heroes, which can no longer walk and reunite with their comrades. They aren't perfect or finished pieces of art for the galleries, but they rest on the natural and broad base of living rock, and they still have a principle of life and growth in them, just like the human nature from which they come. [506]

It is a marvel how the birds contrive to survive in this world. These tender sparrows that flit from bush to bush this evening, though it is so late, do not seem improvident, [but appear] to have found a roost for the night. They must succeed by weakness and reliance, for they are not bold and enterprising, as their mode of life would seem to require, but very weak and tender creatures. I have seen a little chipping sparrow, come too early in the spring, shivering on an apple twig, drawing in its head and striving to warm it in its muffled feathers; and it had no voice to intercede with nature, but peeped as helpless as an infant, and was ready to yield up its spirit and die without any effort. And yet this was no new spring in the revolution of the seasons.

It’s amazing how birds manage to survive in this world. These gentle sparrows that are moving from bush to bush this evening, even though it’s so late, don’t seem careless but appear to have found a place to rest for the night. They must rely on their fragility, as they aren’t bold or adventurous like you might expect from their way of life; they’re actually quite delicate. I’ve seen a little chipping sparrow come out too early in the spring, shivering on an apple branch, tucking in its head and trying to warm itself in its fluffy feathers; it had no voice to plead with nature, merely peeping helplessly like a baby, ready to give up and die without even trying. Yet, this was not a new spring in the cycle of the seasons.

Our offense is rank, it smells to heaven. In the midst of our village, as in most villages, there is a slaughterhouse, and throughout the summer months, day and 481 night, to the distance of half a mile, which embraces the greater part of the village, the air [is] filled with such scents as we instinctively avoid in a woodland walk; and doubtless, if our senses were once purified and educated by a simpler and truer life, we should not consent to live in such a neighborhood.

Our waste is terrible, it stinks to high heaven. In the center of our village, like in most villages, there’s a slaughterhouse, and all summer long, day and 481 night, for about half a mile around, which covers most of the village, the air is filled with smells we naturally avoid on a walk in the woods; and surely, if our senses were once cleaned and refined by a simpler and more genuine life, we wouldn’t agree to live in such a place.

George Melvin, our Concord trapper, told me that in going to the spring near his house, where he kept his minnows for bait, he found that they were all gone, and immediately suspected that a mink had got them; so he removed the snow all around and laid open the trail of a mink underneath, which he traced to his hole, where were the fragments of his booty. There he set his trap, and baited it with fresh minnows. Going again soon to the spot, he found one of the mink's fore legs in the trap gnawed off near the body, and, having set it again, he caught the mink with his three legs, the fourth having only a short bare bone sticking out.

George Melvin, our Concord trapper, told me that when he went to the spring near his house, where he kept his minnows for bait, he found they were all gone. He immediately suspected a mink had gotten to them, so he cleared the snow around the area and uncovered the mink's trail beneath, which he followed back to its den, where he found remnants of his catch. He set his trap there and baited it with fresh minnows. When he returned to the spot soon after, he discovered that one of the mink's front legs had been gnawed off near the body in the trap. After resetting it, he managed to catch the mink, which was now missing three legs, with only a short bare bone sticking out where the fourth leg used to be.

When I expressed some surprise at this, and said that I heard of such things but did not know whether to believe them, and was now glad to have the story confirmed, said he: "Oh, the muskrats are the greatest fellows to gnaw their legs off. Why I caught one once that had just gnawed his third leg off, this being the third time he had been trapped; and he lay dead by the trap, for he couldn't run on one leg." Such tragedies are enacted even in this sphere and along our peaceful streams, and dignify at least the hunter's trade. Only courage does anywhere prolong life, whether of man or beast. 482

When I expressed some surprise at this and said that I had heard of such things but didn't know whether to believe them, and was now glad to have the story confirmed, he replied, "Oh, muskrats are the most determined creatures when it comes to gnawing off their legs. I once caught one that had just chewed off its third leg, having been trapped for the third time; it lay dead next to the trap because it couldn't run on one leg." Such tragedies happen even in this peaceful realm and along our calm streams, adding a level of dignity to the hunter's profession. Only courage can extend life, whether for humans or animals. 482

When they are caught by the leg and cannot get into the water to drown themselves, they very frequently gnaw the limb off. They are commonly caught under water or close to the edge, and dive immediately with the trap and go to gnawing and are quackled and drowned in a moment, though under other circumstances they will live several minutes under water. They prefer to gnaw off a fore leg to a hind leg, and do not gnaw off their tails. He says the wharf rats are very common on the river and will swim and cross it like a muskrat, and will gnaw their legs and even their tails off in the trap.

When they get caught by the leg and can't get into the water to drown themselves, they often chew off their limb. They usually get trapped underwater or near the edge, dive right away with the trap, and start gnawing, getting caught and drowning almost instantly, although under normal circumstances they can hold their breath for several minutes. They prefer to chew off a front leg rather than a back leg, and they don’t chew off their tails. He mentions that wharf rats are pretty common in the river and will swim across it like a muskrat, and they will chew off their legs and even their tails when trapped.

These would be times that tried men's souls, if men had souls to be tried; aye, and the souls of brutes, for they must have souls as well as teeth. Even the water-rats lead sleepless nights and live Achillean lives. There are the strong will and the endeavor. Man, even the hunter, naturally has sympathy with every brave effort, even in his game, to maintain that life it enjoys. The hunter regards with awe his game, and it becomes at last his medicine.[507]

These would be times that tested people's spirits, if people had spirits to be tested; yes, and the spirits of animals, since they must have spirits as well as teeth. Even the water rats have sleepless nights and live heroic lives. There are strength and determination. Humans, even hunters, naturally feel empathy for every brave attempt, even in their prey, to uphold the life it enjoys. The hunter looks at his prey with respect, and it ultimately becomes his remedy.[507]

Of Cadew or Case worms there are the Ruff-coats or Cockspurs, whose cases are rough and made of various materials, and the Piper Cadis or Straw-worm, made of reed or rush, and straight and smooth.

Of Cadew or Case worms, there are the Ruff-coats or Cockspurs, whose cases are rough and made of different materials, and the Piper Cadis or Straw-worm, made of reed or rush, and straight and smooth.

Carlyle's works are not to be studied,—hardly re-read. Their first impression is the truest and the deepest. There is no reprint. If you look again, you will be disappointed 483 and find nothing answering to the mood they have excited. They are true natural products in this respect. All things are but once, and never repeated. The first faint blushes of the morning gilding the mountain-tops, with the pale phosphorus and saffron-colored clouds,—they verily transport us to the morning of creation; but what avails it to travel eastward, or look again there an hour hence. We should be as far in the day ourselves, mounting toward our meridian. There is no double entendre for the alert reader; in fact the work was designed for such complete success that it serves but for a single occasion. It is the luxury of wealth and art when for every deed its own instrument is manufactured. The knife which sliced the bread of Jove ceased to be a knife when that service was rendered.

Carlyle's works aren't meant to be studied—hardly even re-read. Their initial impact is the most genuine and profound. There’s no reprint. If you look again, you’re likely to feel let down and find nothing that matches the emotions they stirred in you. They are true natural creations in this way. All things happen just once and are never repeated. The first soft glow of dawn lighting up the mountain tops, with the faint phosphorescence and saffron-colored clouds—these truly take us back to the morning of creation; but what good does it do to head east or look again there an hour later? We’d be further along in the day ourselves, approaching noon. There’s no double meaning for the attentive reader; in fact, the work was intended for such complete success that it only suits a single occasion. It’s the luxury of wealth and art when every task has its own tool made for it. The knife that cut the bread of Jove stopped being a knife once that job was done.

For every inferior, earthly pleasure we forego, a superior, celestial one is substituted.

For every lesser, earthly pleasure we give up, a greater, heavenly one takes its place.

To purify our lives requires simply to weed out what is foul and noxious and the sound and innocent is supplied, as nature purifies the blood if we will but reject impurities.

To purify our lives, we just need to get rid of what is harmful and toxic, and the healthy and innocent will come naturally, just like nature cleanses the blood if we choose to eliminate impurities.

Nature and human life are as various to our several experiences as our constitutions are various. Who shall say what prospect life offers to another? Could a greater miracle take place than if we should look through each other's eyes for an instant? We should live in all the ages of the world in an hour,—aye, in all the worlds of the ages. What I have read of rhapsodists, of the primitive poets, Argonautic expeditions, the life of demigods and heroes, Eleusinian mysteries, etc., suggests 484 nothing so ineffably grand and informing as this would be.

Nature and human life are as diverse as our different experiences and personalities. Who can say what life looks like for someone else? Could there be a greater miracle than if we could see through each other’s eyes for just a moment? We would experience all the ages of the world in an hour—yes, in all the worlds of those ages. What I’ve read about rhapsodists, the early poets, Argonauts, the lives of demigods and heroes, the Eleusinian mysteries, etc., suggests 484 nothing as profoundly beautiful and enlightening as this would be.

The phœbe came into my house to find a place for its nest, flying through the windows.

The phoebe came into my house looking for a place to build its nest, flying through the windows.

It was a bright thought, that of man's to have bells; no doubt the birds hear them with pleasure.

It was a clever idea for humans to have bells; there's no doubt the birds enjoy hearing them.

To compete with the squirrels in the chestnut harvest, picking ofttimes the nuts that bear the mark of their teeth.

To compete with the squirrels during the chestnut harvest, often picking the nuts that show their bite marks.

I require of any lecturer that he will read me a more or less simple and sincere account of his own life, of what he has done and thought,—not so much what he has read or heard of other men's lives and actions, but some such account as he would send to his kindred from a distant land,—and if he has lived sincerely, it must have been in a distant land to me,—describing even his outward circumstances and what adventures he has had, as well as his thoughts and feelings about them. He who gives us only the results of other men's lives, though with brilliant temporary success, we may in some measure justly accuse of having defrauded us of our time. We want him to give us that which was most precious to him,—not his life's blood but even that for which his life's blood circulated, what he has got by living. If anything ever yielded him pure pleasure or instruction, let him communicate it. Let the money-getter tell us how much he loves wealth, and what means he takes 485 to accumulate it. He must describe those facts which he knows and loves better than anybody else. He must not write on foreign missions. The mechanic will naturally lecture about his trade, the farmer about his farm, and every man about that which he, compared with other men, knows best. Yet incredible mistakes are made. I have heard an owl lecture with perverse show of learning upon the solar microscope, and chanticleer upon nebulous stars, when both ought to have been sound asleep, the one in a hollow tree, the other on his roost.

I expect any lecturer to share a simple and honest account of their own life—what they've done and thought—not just what they’ve read or heard about other people's lives and actions. I want something like a letter they’d write to their family from far away, and if they’ve lived authentically, it’s definitely been in a distant place for me. They should describe their outward circumstances and the adventures they’ve had, along with their thoughts and feelings about those experiences. If someone only gives us the results of other people's lives, even if they’re impressively successful, we can justly feel like they’ve wasted our time. We want them to share what was most valuable to them—not just their blood, but also what made their life’s blood flow, what they’ve gained from living. If anything ever brought them true joy or insight, they should share that with us. If a money-maker loves wealth, they should explain how much they desire it and what strategies they use to accumulate it. They need to talk about the things they know and care about more than anyone else. They shouldn't write about things outside their expertise. A mechanic will naturally discuss their trade, a farmer about their farm, and every person will talk about what they know best compared to others. Yet, amazing mistakes happen. I've heard an owl lecture, pretending to know about the solar microscope, and a rooster talk about nebulous stars, when both should have been sound asleep—one in a hollow tree, the other on his perch.

After I lectured here before, this winter, I heard that some of my townsmen had expected of me some account of my life at the pond. This I will endeavor to give to-night.

After I spoke here before this winter, I heard that some people in my town were hoping to hear about my life at the pond. I will do my best to share that with you tonight.

I know a robust and hearty mother who thinks that her son, who died abroad, came to his end by living too low, as she had since learned that he drank only water. Men are not inclined to leave off hanging men to-day, though they will be to-morrow. I heard of a family in Concord this winter which would have starved, if it had not been for potatoes—and tea and coffee.

I know a strong and determined mother who believes that her son, who died overseas, met his fate because he lived too simply, since she later found out that he only drank water. People today aren’t eager to stop executing others, but they might be tomorrow. I heard about a family in Concord this winter that would have gone hungry if it hadn’t been for potatoes—and tea and coffee.

It has not been my design to live cheaply, but only to live as I could, not devoting much time to getting a living. I made the most of what means were already got.

It hasn't been my goal to live frugally, but just to live the way I can, without spending too much time on making a living. I maximized the resources I already had.

To determine the character of our life and how adequate it is to its occasion, just try it by any test, as for instance that this same sun is seen in Europe and in 486 America at the same time, that these same stars are visible in twenty-four hours to two thirds the inhabitants of the globe, and who knows how many and various inhabitants of the universe. What farmer in his field lives according even to this somewhat trivial material fact.

To evaluate the quality of our lives and how well they match our circumstances, just test it in any way. For example, consider that the same sun shines over both Europe and 486 America at the same time, and those same stars can be seen by two-thirds of the world's population within twenty-four hours, not to mention the countless beings across the universe. What farmer in the field actually lives in tune with this somewhat trivial material reality?

I just looked up at a fine twinkling star and thought that a voyager whom I know, now many days' sail from this coast, might possibly be looking up at that same star with me. The stars are the apexes of what triangles! There is always the possibility—the possibility, I say—of being all, or remaining a particle, in the universe.

I just looked up at a bright twinkling star and thought that a traveler I know, many days' sail from this shore, might also be gazing at that same star with me. The stars are the peaks of some incredible triangles! There’s always the possibility—the possibility, I say—of being everything, or just staying a tiny part, in the universe.

In these days and in this country, a few implements, as the axe, shovel, etc., and, to the studious, light and stationery and access to a few books, will rank next to necessaries, but can all be obtained at a very trifling cost. Under the head of clothing is to be ranked bedding, or night-clothes.

In today's world and in this country, a few tools, like an axe and a shovel, along with basic supplies like light, stationery, and access to a few books, are almost as important as necessities and can all be acquired for very little money. When it comes to clothing, bedding, or sleepwear should also be included.

We are very anxious to keep the animal heat in us. What pains we take with our beds! robbing the nests of birds and their breasts, this shelter within a shelter, as the mole has a bed of leaves and grass at the end of its burrow.

We really want to keep the warmth inside us. Look at the effort we put into our beds! We take from the nests of birds and their feathers, creating this shelter within a shelter, just like the mole has a bed of leaves and grass at the end of its burrow.

In the summer I caught fish occasionally in the pond, but since September have not missed them.

In the summer, I occasionally caught fish in the pond, but since September, I haven't missed them.

In a man or his work, over all special excellence or failure, prevails the general authority or value. 487

In a person or their work, the overall worth or impact outweighs any specific strengths or weaknesses. 487

Almost any man knows how to earn money, but not one in a million knows how to spend it. If he had known so much as this, he would never have earned it.

Almost any guy knows how to make money, but hardly anyone knows how to spend it. If he had understood even this much, he would never have made it.

All matter, indeed, is capable of entertaining thought.

All matter can think.

The complete subjugation of the body to the mind prophesies the sovereignty of the latter over the whole of nature. The instincts are to a certain extent a sort of independent nobility, of equal date with the mind, or crown,—ancient dukes and princes of the regal blood. They are perhaps the mind of our ancestors subsided in us, the experience of the race.

The total control of the body by the mind predicts the dominance of the mind over all of nature. Our instincts are somewhat like an independent nobility, equal in age to the mind, or the crown—ancient dukes and princes from royal lineage. They might be the essence of our ancestors that lives on within us, embodying the experiences of our species.

A small sum would really do much good, if the donor spent himself with it and did not merely relinquish it to some distant society whose managers do the good or the evil with it. How much might be done for this town with a hundred dollars! I could provide a select course of lectures for the summer or winter with that sum, which would be an incalculable benefit to every inhabitant. With a thousand dollars I could purchase for this town a more complete and select library than exists in the State out of Cambridge and Boston, perhaps a more available one than any. Men sit palsied and helpless by the side of their buried treasures.[508]

A small donation could really make a big difference if the giver truly engaged with it instead of just handing it over to some far-off organization that decides how to use it. Imagine what could be achieved in this town with a hundred dollars! I could set up a series of high-quality lectures for the summer or winter with that amount, which would be an incredible benefit to every resident. With a thousand dollars, I could buy this town a more comprehensive and high-quality library than any outside of Cambridge and Boston, maybe even one that's more accessible. People are sitting idly by, missing out on the treasures right at their fingertips. [508]

After all those who do most good with money, do it with the least, because they can do better than to acquire it.

After all, those who do the most good with money often have the least because they know how to make a bigger impact without focusing on just making more of it.

March 13, 1846. The song sparrow and blackbird 488 heard to-day. The snow going off. The ice in the pond one foot thick.

March 13, 1846. I heard the song sparrow and blackbird today. The snow is melting. The ice in the pond is one foot thick. 488

Men talk much of coöperation nowadays, of working together to some worthy end; but what little coöperation there is, is as if it were not, being a simple result of which the means are hidden, a harmony inaudible to men. If a man has faith, he will coöperate with equal faith everywhere. If he has not faith he will continue to live like the rest of the world, whatever company he is joined to. To coöperate thoroughly implies to get your living together. I heard it proposed lately that two young men should travel together over the world, the one earning his means as he went, the other carrying a bill of exchange in his pocket. It was easy to see that they could not long be companions, or coöperate, since one would not operate at all. They would part company at the first and most interesting crisis in their adventures.

Men talk a lot about cooperation these days, about working together toward a meaningful goal; but the little cooperation there actually is seems almost nonexistent, like a result whose means are hidden, a harmony that people can’t hear. If someone has faith, they will cooperate with that same faith no matter where they are. If they lack faith, they will just live like everyone else, no matter who they’re with. True cooperation means making a living together. I recently heard a suggestion that two young men should travel the world together, with one earning his way as they go and the other carrying a promissory note in his pocket. It was clear that they wouldn't be able to stay together for long or truly cooperate, since one wouldn’t be contributing at all. They would likely go their separate ways at the first and most interesting challenge during their adventures.

END OF VOLUME I

END OF VOLUME 1

The Riverside Press
H. O. HOUGHTON AND COMPANY
CAMBRIDGE
MASSACHUSETTS

The Riverside Press
H. O. HOUGHTON AND COMPANY
CAMBRIDGE
MASSACHUSETTS

FOOTNOTES

[1] In many cases the punctuation seems to be absolutely without significance; as if the writer had simply fallen into the habit of dropping dashes in an absent-minded way as he passed along. The following examples (the longest an extreme case) will show what is meant:—

[1] In many cases, the punctuation seems completely meaningless; as if the writer had unconsciously developed the habit of casually dropping dashes as he went along. The following examples (with the longest being an extreme case) will illustrate this point:—

"I heard from time to time—a new note."

"I heard a new note from time to time."

"The Equisetum sylvaticum—there is now of a reddish cast."

The Equisetum sylvaticum—it's now showing a reddish tint.

"It is very difficult—to find a suitable place to camp near the road—affording—water—a good—prospect and retirement."

"It’s really hard to find a good spot to camp near the road that has water, a nice view, and some privacy."

"Another alighted near—by—and a third a little further off."

"Another landed nearby—and a third a bit further away."

[2] Under date of June 9, 1854, we find him writing: "I should like to know the birds of the woods better. What birds inhabit our woods? I hear their various notes ringing through them. What musicians compose our woodland quire? They must be forever strange and interesting to me." Even the glass that he finally bought was not an opera-glass, but a "spy-glass" (monocular) so called, and must have been of comparatively little help in the identification of woodland species.

[2] On June 9, 1854, he wrote: "I want to know the birds in the woods better. What birds live in our woods? I hear their different songs echoing through them. What musicians make up our woodland choir? They must always be strange and fascinating to me." Even the glass he eventually bought wasn't an opera glass, but a "spy glass" (monocular), which probably wasn’t very helpful in identifying woodland species.

[3] Once he saw it (August 3, 1858), and then it proved to be a Maryland yellow-throat. At other times it was almost certainly an oven-bird.

[3] Once he saw it (August 3, 1858), and it turned out to be a Maryland yellow-throat. At other times, it was almost definitely an oven-bird.

[4] [Week, p. 375; Riv. 464.]

[4] [Week, p. 375; Riv. 464.]

[5] [Week, p. 314; Riv. 390.]

[5] [Week, p. 314; Riv. 390.]

[6] [Week, p. 352; Riv. 435, 436.]

[6] [Week, p. 352; Riv. 435, 436.]

[7] [Week, p. 348; Riv. 430.]

[7] [Week, p. 348; Riv. 430.]

[8] [Week, p. 383; Riv. 473.]

[8] [Week, p. 383; Riv. 473.]

[9] [Week, p. 417; Riv. 515.]

[9] [Week, p. 417; Riv. 515.]

[10] [Week, p. 93; Riv. 116. Excursions, p. 138; Riv. 169.]

[10] [Week, p. 93; Riv. 116. Excursions, p. 138; Riv. 169.]

[11] [Week, p. 373; Riv. 461.]

[11] [Week, p. 373; Riv. 461.]

[12] [Excursions, pp. 126, 127; Riv. 155, 156.]

[12] [Excursions, pp. 126, 127; Riv. 155, 156.]

[13] [Week, pp. 347, 348; Riv. 429, 430.]

[13] [Week, pp. 347, 348; Riv. 429, 430.]

[14] [Later.] We must consider war and slavery, with many other institutions and even the best existing governments, notwithstanding their apparent advantages, as the abortive rudiments of nobler institutions such as distinguish man in his savage and half-civilized state.

[14] [Later.] We need to think about war and slavery, along with many other systems, even the best governments we have, despite their clear benefits, as the failed beginnings of better systems that define humanity in its wild and partially civilized state.

[15] [Excursions, pp. 127, 128; Riv. 157.]

[15] [Excursions, pp. 127, 128; Riv. 157.]

[16] [Week, p. 186; Riv. 231. The Service, Boston, 1902, p. 21]

[16] [Week, p. 186; Riv. 231. The Service, Boston, 1902, p. 21]

[17] [A fanciful derivation of the word "Saxons"?]

[17] [A whimsical origin of the word "Saxons"?]

[18] [Excursions, p. 128; Riv. 158.]

[18] [Excursions, p. 128; Riv. 158.]

[19] [Excursions, p. 128; Riv. 157, 158.]

[19] [Excursions, p. 128; Riv. 157, 158.]

[20] [Familiar Letters, Sept. 8, 1841.]

[20] [Familiar Letters, Sept. 8, 1841.]

[21] [Week, p. 163; Riv. 203.]

[21] [Week, p. 163; Riv. 203.]

[22] [Excursions, p. 141; Riv. 173.]

[22] [Trips, p. 141; Riv. 173.]

[23] [Excursions, p. 127; Riv. 156.]

[23] [Excursions, p. 127; Riv. 156.]

[24] [Excursions, p. 112; Riv. 138.]

[24] [Trips, p. 112; Riv. 138.]

[25] [Week, pp. 347, 348; Riv. 429-431.]

[25] [Week, pp. 347, 348; Riv. 429-431.]

[26] [Week, p. 66; Riv. 82, 83.]

[26] [Week, p. 66; Riv. 82, 83.]

[27] [Week, p. 66; Riv. 83.]

[27] [Week, p. 66; Riv. 83.]

[28] [Week, p. 96; Riv. 119, 120.]

[28] [Week, p. 96; Riv. 119, 120.]

[29] [Week, p. 65; Riv. 81.]

[29] [Week, p. 65; Riv. 81.]

[30] [Week, p. 96; Riv. 120.]

[30] [Week, p. 96; Riv. 120.]

[31] ["Carlyleish" is written in the margin against this passage.]

[31] ["Carlyleish" is written in the margin next to this passage.]

[32] [The word seems to be a new one, but its meaning is clear.]

[32] [The word may seem new, but its meaning is clear.]

[33] [Week, p. 129; Riv. 161.]

[33] [Week, p. 129; Riv. 161.]

[34] [Excursions, p. 108; Riv. 133.]

[34] [Excursions, p. 108; Riv. 133.]

[35] [Week, p. 78; Riv. 97.]

[35] [Week, p. 78; Riv. 97.]

[36] [Week, pp. 94, 95; Riv. 117, 119.]

[36] [Week, pp. 94, 95; Riv. 117, 119.]

[37] [Week, p. 79; Riv. 98, 99. The Service, p. 4.]

[37] [Week, p. 79; Riv. 98, 99. The Service, p. 4.]

[38] [Week, pp. 9-11; Riv. 11, 13.]

[38] [Week, pp. 9-11; Riv. 11, 13.]

[39] [Week, p. 96; Riv. 120.]

[39] [Week, p. 96; Riv. 120.]

[40] [Week, p. 319; Riv. 395.]

[40] [Week, p. 319; Riv. 395.]

[41] [See Week, p. 95 (Riv. 118), where the passages referred to appear in translation.]

[41] [See Week, p. 95 (Riv. 118), where the referenced passages are available in translation.]

[42] [Excursions, pp. 181, 182; Riv. 221, 222.]

[42] [Excursions, pp. 181, 182; Riv. 221, 222.]

[43] [All but the last stanza, somewhat revised and without title, appears in Excursions, pp. 176, 177; Riv. 215, 216.]

[43] [All but the last stanza, slightly revised and without a title, appears in Excursions, pp. 176, 177; Riv. 215, 216.]

[44] [Cf. Week, pp. 417-420; Riv. 515-518.]

[44] [See Week, pp. 417-420; Riv. 515-518.]

[45] [Excursions, p. 108; Riv. 133. "Drinking" for "Sipping" in l. 3 is the only change.]

[45] [Excursions, p. 108; Riv. 133. "Drinking" for "Sipping" in l. 3 is the only change.]

[46] [Excursions, pp. 109, 110; Riv. 135.]

[46] [Excursions, pp. 109, 110; Riv. 135.]

[47] [Week, p. 244; Riv. 302. Lines 2 and 3 are altered.]

[47] [Week, p. 244; Riv. 302. Lines 2 and 3 are changed.]

[48] [Excursions, p. 112; Riv. 138.]

[48] [Trips, p. 112; Riv. 138.]

[49] [Excursions, and Poems, pp. 120 and 409; Excursions, Riv. 147.]

[49] [Excursions, and Poems, pp. 120 and 409; Excursions, Riv. 147.]

[50] [Week, p. 180; Riv. 224.]

[50] [Week, p. 180; Riv. 224.]

[51] [Week, pp. 364, 365; Riv. 451, 452.]

[51] [Week, pp. 364, 365; Riv. 451, 452.]

[52] [This poem will be found in Excursions, and Poems, p. 417, under the title "Ding Dong," somewhat revised and without the last stanza.]

[52] [This poem can be found in Excursions, and Poems, p. 417, titled "Ding Dong," slightly updated and without the last stanza.]

[53] [Excursions, p. 109; Riv. 134.]

[53] [Trips, p. 109; Riv. 134.]

[54] [Walden, p. 8; Riv. 14, 15.]

[54] [Walden, p. 8; Riv. 14, 15.]

[55] [Cape Cod, and Miscellanies, p. 278; Misc., Riv. 36, 37. The Service, pp. 5, 6.]

[55] [Cape Cod, and Miscellanies, p. 278; Misc., Riv. 36, 37. The Service, pp. 5, 6.]

[56] [Week, pp. 276, 277; Riv. 343, 344.]

[56] [Week, pp. 276, 277; Riv. 343, 344.]

[57] [Week, p. 188; Riv. 234.]

[57] [Week, p. 188; Riv. 234.]

[58] [Week, p. 188; Riv. 234.]

[58] [Week, p. 188; Riv. 234.]

[59] [Week, p. 200; Riv. 248.]

[59] [Week, p. 200; Riv. 248.]

[60] [Week, pp. 302, 303; Riv. 375, 376.]

[60] [Week, pp. 302, 303; Riv. 375, 376.]

[61] [Week, p. 38; Riv. 47.]

[61] [Week, p. 38; Riv. 47.]

[62] [Week, p. 38; Riv. 47.]

[62] [Week, p. 38; Riv. 47.]

[63] [Week, p. 39; Riv. 48.]

[63] [Week, p. 39; Riv. 48.]

[64] [Week, p. 39; Riv. 48, 49.]

[64] [Week, p. 39; Riv. 48, 49.]

[65] [Week, p. 39; Riv. 49.]

[65] [Week, p. 39; Riv. 49.]

[66] [Week, p. 43; Riv. 54.]

[66] [Week, p. 43; Riv. 54.]

[67] [Week, p. 118; Riv. 147.]

[67] [Week, p. 118; Riv. 147.]

[68] [Week, p. 179; Riv. 222.]

[68] [Week, p. 179; Riv. 222.]

[69] [Week, p. 248; Riv. 307.]

[69] [Week, p. 248; Riv. 307.]

[70] [Week, p. 309; Riv. 383.]

[70] [Week, p. 309; Riv. 383.]

[71] [See Week, pp. 318-322; Riv. 394-399.]

[71] [See Week, pp. 318-322; Riv. 394-399.]

[72] [The original name of Woodstock, N. H.]

[72] [The original name of Woodstock, NH.]

[73] [See Week, pp. 335-353; Riv. 414-437.]

[73] [See Week, pp. 335-353; Riv. 414-437.]

[74] [See Week, pp. 356-420; Riv. 442-518.]

[74] [See Week, pp. 356-420; Riv. 442-518.]

[75] [Week, pp. 110, 111; Riv. 137.]

[75] [Week, pp. 110, 111; Riv. 137.]

[76] [Week, p. 110; Riv. 137.]

[76] [Week, p. 110; Riv. 137.]

[77] [Excursions, p. 107; Riv. 132.]

[77] [Excursions, p. 107; Riv. 132.]

[78] [Excursions, p. 107; Riv. 131, 132.]

[78] [Excursions, p. 107; Riv. 131, 132.]

[79] [This comes at the end of the first book of Journal transcripts (1837-39) and follows immediately a bit of verse dated Oct. 16, 1838, which has been included in its proper chronological place.]

[79] [This is at the end of the first book of journal transcripts (1837-39) and comes right after a piece of verse dated October 16, 1838, which has been placed in the correct chronological order.]

[80] [Cape Cod, and Miscellanies, p. 277: Misc., Riv. 35. The Service, p. 1.]

[80] [Cape Cod, and Miscellanies, p. 277: Misc., Riv. 35. The Service, p. 1.]

[81] [Excursions, p. 107; Riv. 132.]

[81] [Trips, p. 107; Riv. 132.]

[82] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 35. The Service, p. 1.]

[82] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 35. The Service, p. 1.]

[83] [Week, p. 376; Riv. 465. The Service, pp. 8, 9.]

[83] [Week, p. 376; Riv. 465. The Service, pp. 8, 9.]

[84] [Plutarch's Morals, "Roman Questions," lxviii.]

[84] [Plutarch's Morals, "Roman Questions," 68.]

[85] [The Service, p. 9.]

[85] [The Service, p. 9.]

[86] [The Service, p. 12.]

[86] [The Service, p. 12.]

[87] [A pencil interlineation in this paragraph is as follows:] The soldier is the degenerate hero, as the priest is the degenerate saint; and the soldier and the priest are related as the hero and [the] saint. The one's virtue is bravery, the other's bravery virtue. Mankind still pay to the soldier the honors due only to the hero. They delight to do him honor. He is adorned with silver and gold and the colors of the rainbow, invested with outward splendor; music is for him especially, and his life is a holiday.

[87] [A pencil interlineation in this paragraph is as follows:] The soldier is the fallen hero, just as the priest is the fallen saint; and the soldier and the priest are connected like the hero and the saint. One's virtue is bravery, while the other's bravery is a form of virtue. Society still gives the soldier the respect that should only be reserved for heroes. They take pleasure in honoring him. He is decorated with silver and gold and bright colors, surrounded by outward grandeur; music is especially for him, and his life feels like a celebration.

[88] [The Service, p. 11.]

[88] [The Service, p. 11.]

[89] [Week, p. 183; Riv. 228.]

[89] [Week, p. 183; Riv. 228.]

[90] [The Service, p. 11.]

[90] [The Service, p. 11.]

[91] [The Service, p. 12.]

[91] [The Service, p. 12.]

[92] [Week, p. 183; Riv. 228.]

[92] [Week, p. 183; Riv. 228.]

[93] [Week, p. 183; Riv. 227. The Service, p. 13.]

[93] [Week, p. 183; Riv. 227. The Service, p. 13.]

[94] [Week, p. 183; Riv. 228. The Service, p. 14.]

[94] [Week, p. 183; Riv. 228. The Service, p. 14.]

[95] [The Service, p. 14. See also p. 151 of this volume.]

[95] [The Service, p. 14. See also p. 151 of this volume.]

[96] [The Service, p. 15.] [In pencil on a fly-leaf of the Journal:] The coward substitutes for this thrilling sphere music a universal wail, for this melodious chant a nasal cant, and but whistles to keep his courage up. He blows a feeble blast of slender melody and can compel his neighborhood only into a partial concord with himself, because nature has but little sympathy with such a soul. Hence he hears no accordant note in the universe, and is a coward, or consciously outcast and deserted man. But the brave man, without drum or trumpet, compels concord everywhere by the universality and tunefulness of his soul.

[96] [The Service, p. 15.] [In pencil on a fly-leaf of the Journal:] The coward replaces the thrilling music of this experience with a universal cry, swapping out the beautiful melody for a nasal tone, and only manages to whistle to boost his courage. He plays a weak tune that can only partially resonate with those around him because nature offers little support to such a spirit. As a result, he hears no harmonious sounds in the universe and remains a coward, or he’s fully aware of being an outcast and abandoned. In contrast, the brave person, without the need for drums or trumpets, creates harmony everywhere through the universality and melody of their soul.

[97] [The Service, p. 13.]

[97] [The Service, p. 13.]

[98] [Week, pp. 183, 184; Riv. 228. The Service, p. 13. The quotation is from Plutarch's Morals, "Of Superstition."]

[98] [Week, pp. 183, 184; Riv. 228. The Service, p. 13. The quote is from Plutarch's Morals, "On Superstition."]

[99] [The Service, pp. 7, 8. See p. 154 of this volume.]

[99] [The Service, pp. 7, 8. See p. 154 of this volume.]

[100] [The Service, pp. 23, 24.]

[100] [The Service, pp. 23, 24.]

[101] [Cf. Week, pp. 274-307; Riv. 341-381.]

[101] [See Week, pp. 274-307; Riv. 341-381.]

[102] [Excursions, p. 108; Riv. 133.]

[102] [Trips, p. 108; Riv. 133.]

[103] [Stanzas 8, 10, 11, 12, with revision, Week, p. 255; Riv. 317. Stanzas 2-5, 9, 13, Familiar Letters, Introduction.]

[103] [Stanzas 8, 10, 11, 12, revised, Week, p. 255; Riv. 317. Stanzas 2-5, 9, 13, Familiar Letters, Introduction.]

[104] [Week, p. 93; Riv. 116.]

[104] [Week, p. 93; Riv. 116.]

[105] [Week, p. 93; Riv. 116.]

[105] [Week, p. 93; Riv. 116.]

[106] [Week, p. 132; Riv. 164.]

[106] [Week, p. 132; Riv. 164.]

[107] [Week, p. 132; Riv. 165.]

[107] [Week, p. 132; Riv. 165.]

[108] [The criticism was not transcribed here. The title was inserted doubtless as a memorandum and to record the date of its composition. See Week, p. 327; Riv. 405.]

[108] [The criticism wasn't written down here. The title was likely added as a note and to mark the date it was created. See Week, p. 327; Riv. 405.]

[109] [Cape Cod, and Miscellanies, p. 279; Misc., Riv. 37.]

[109] [Cape Cod, and Miscellanies, p. 279; Misc., Riv. 37.]

[110] [The Service, p. 20.]

[110] [The Service, p. 20.]

[111] [Week, p. 351; Riv. 434.]

[111] [Week, p. 351; Riv. 434.]

[112] [Week, p. 351; Riv. 434. A sheet with specimens of this familiar school-boy amusement is slipped into one of the manuscript Journal volumes.]

[112] [Week, p. 351; Riv. 434. A sheet with examples of this well-known schoolboy pastime is tucked into one of the manuscript Journal volumes.]

[113] [Excursions, p. 118; Riv. 146.]

[113] [Excursions, p. 118; Riv. 146.]

[114] [Week, p. 406; Riv. 501.]

[114] [Week, p. 406; Riv. 501.]

[115] [Excursions, p. 114; Riv. 141.]

[115] [Excursions, p. 114; Riv. 141.]

[116] [Excursions, pp. 120, 121; Riv. 148, 149.]

[116] [Excursions, pp. 120, 121; Riv. 148, 149.]

[117] [See pp. 174 and 263.]

[117] [See __A_TAG_PLACEHOLDER_1__ and __A_TAG_PLACEHOLDER_2__.]

[118] [Week, p. 300; Riv. 373.]

[118] [Week, p. 300; Rev. 373.]

[119] [Excursions, p. 114; Riv. 140.]

[119] [Trips, p. 114; Riv. 140.]

[120] [Excursions, pp. 119, 120; Riv. 147, 148.]

[120] [Excursions, pp. 119, 120; Riv. 147, 148.]

[121] [Stanzas 3, 2, and 5, in this order, with slight alterations, are printed in Week, p. 366 (Riv. 453), under the title of "The Poet's Delay."]

[121] [Stanzas 3, 2, and 5, in this order, with slight changes, are printed in Week, p. 366 (Riv. 453), under the title of "The Poet's Delay."]

[122] [Walden, p. 352; Riv. 493.]

[122] [Walden, p. 352; Riv. 493.]

[123] [Week, p. 383; Riv. 474.]

[123] [Week, p. 383; Riv. 474.]

[124] [The Service, p. 15.]

[124] [The Service, p. 15.]

[125] [Week, p. 12; Riv. 15.]

[125] [Week, p. 12; Riv. 15.]

[126] [Week, p. 17; Riv. 21.]

[126] [Week, p. 17; Riv. 21.]

[127] [T. finally sold this boat to Hawthorne, who changed the name from Musketaquid to Pond-Lily; and later it passed into Channing's hands. See Hawthorne's American Note-Books, Riv. pp. 318-321, and Channing, p. 13.]

[127] [T. finally sold this boat to Hawthorne, who renamed it from Musketaquid to Pond-Lily; and later it came into Channing's possession. See Hawthorne's American Note-Books, Riv. pp. 318-321, and Channing, p. 13.]

[128] [Week, pp. 12, 13; Riv. 15-17.]

[128] [Week, pp. 12, 13; Riv. 15-17.]

[129] [Week, p. 19; Riv. 24.]

[129] [Week, p. 19; Riv. 24.]

[130] [Week, p. 37; Riv. 47.]

[130] [Week, p. 37; Rev. 47.]

[131] [Week, p. 17; Riv. 21.]

[131] [Week, p. 17; Riv. 21.]

[132] [Week, p. 250; Riv. 310, 311.]

[132] [Week, p. 250; Riv. 310, 311.]

[133] [This was Thoreau's first journal, from which he made the transcripts which are now the only representatives of his early diarizing. See p. 188, where Journal of 396 pages ends.]

[133] [This was Thoreau's first journal, from which he created the transcripts that are now the only records of his early journaling. See p. 188, where the Journal of 396 pages concludes.]

[134] [Week, p. 386; Riv. 476.]

[134] [Week, p. 386; Riv. 476.]

[135] [Wordsworth, incorrectly quoted. The line reads,—

[135] [Wordsworth, incorrectly quoted. The line reads,—

"Following his plough, along the mountain-side."]

"Following his plow, along the mountainside."

[136] [Week, pp. 44, 45; Riv. 56.]

[136] [Week, pp. 44, 45; Riv. 56.]

[137] [Week, pp. 37, 38; Riv. 47.]

[137] [Week, pp. 37, 38; Riv. 47.]

[138] [Week, p. 38; Riv. 47, 48.]

[138] [Week, p. 38; Riv. 47, 48.]

[139] [Week, pp. 319, 320; Riv. 395, 396.]

[139] [Week, pp. 319, 320; Riv. 395, 396.]

[140] [Week, p. 45; Riv. 56, 57.]

[140] [Week, p. 45; Riv. 56, 57.]

[141] [The Service, p. 6.]

[141] [The Service, p. 6.]

[142] [Week, p. 280; Riv. 347.]

[142] [Week, p. 280; Riv. 347.]

[143] [Week, p. 163; Riv. 203.]

[143] [Week, p. 163; Riv. 203.]

[144] [Week, p. 45; Riv. 57.]

[144] [Week, p. 45; Riv. 57.]

[145] [The Service, p. 14.]

[145] [The Service, p. 14.]

[146] [Week, p. 181; Riv. 224, 225.]

[146] [Week, p. 181; Riv. 224, 225.]

[147] [Week, pp. 39, 40; Riv. 49, 50.]

[147] [Week, pp. 39, 40; Riv. 49, 50.]

[148] [Week, p. 304; Riv. 378.]

[148] [Week, p. 304; Riv. 378.]

[149] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 35.]

[149] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 35.]

[150] [The Service, p. 2.]

[150] [The Service, p. 2.]

[151] [The Service, p. 13.]

[151] [The Service, p. 13.]

[152] [The Service, p. 24.]

[152] [The Service, p. 24.]

[153] [Week, pp. 93, 94; Riv. 116, 117.]

[153] [Week, pp. 93, 94; Riv. 116, 117.]

[154] [See p. 104.]

[154] [See __A_TAG_PLACEHOLDER_1__.]

[155] [See p. 106.]

[155] [See __A_TAG_PLACEHOLDER_1__.]

[156] [See p. 106.]

[156] [See __A_TAG_PLACEHOLDER_1__.]

[157] [The Service, p. 12.]

[157] [The Service, p. 12.]

[158] [Week, pp. 384, 385; Riv. 475.]

[158] [Week, pp. 384, 385; Riv. 475.]

[159] [The Service, pp. 15, 16.]

[159] [The Service, pp. 15, 16.]

[160] [The Service, p. 23.]

[160] [The Service, p. 23.]

[161] [The Service, p. 23.]

[161] [The Service, p. 23.]

[162] [The Service, p. 23.]

[162] [The Service, p. 23.]

[163] [The Service, p. 23.]

[163] [The Service, p. 23.]

[164] [The Service, p. 23.]

[164] [The Service, p. 23.]

[165] [The Service, pp. 25, 26.]

[165] [The Service, pp. 25, 26.]

[166] [The Service, pp. 21, 22.]

[166] [The Service, pp. 21, 22.]

[167] [The Service, p. 22.]

[167] [The Service, p. 22.]

[168] [The Service, p. 14.]

[168] [The Service, p. 14.]

[169] [The Service, p. 12.]

[169] [The Service, p. 12.]

[170] I have heard a strain of music issuing from a soldiers' camp in the dawn, which sounded like the morning hymn of creation. The birches rustling in the breeze and the slumberous breathing of the crickets seemed to hush their murmuring to attend to it. [Written in pencil on a fly-leaf of the Journal.]

[170] I’ve heard a piece of music coming from a soldiers' camp at dawn, and it felt like the morning hymn of creation. The birches swaying in the breeze and the soft breathing of the crickets seemed to quiet down to listen to it. [Written in pencil on a fly-leaf of the Journal.]

[171] [The Service, p. 7. Mr. Sanborn, in a note to this passage, says, "The allusion here is to the extraordinary sight of the gravest citizens of Concord, in that summer [1840], ... turning out to roll a huge ball, emblematic of the popular movement against President Van Buren, from the battle-ground of Concord to that of Bunker Hill, singing as they rolled:—

[171] [The Service, p. 7. Mr. Sanborn, in a note to this passage, says, "This refers to the remarkable event where the serious citizens of Concord, during that summer [1840], gathered to roll a large ball, symbolizing the public uprising against President Van Buren, from the battlefield of Concord to Bunker Hill, singing as they went:—

'It is the Ball a-rolling on
For Tippecanoe and Tyler too.'"]

'It’s the ball rolling
For Tippecanoe and Tyler too.'

[172] [Week, p. 129; Riv. 161.]

[172] [Week, p. 129; Riv. 161.]

[173] [Week, p. 129; Riv. 160, 161.]

[173] [Week, p. 129; Riv. 160, 161.]

[174] [Week, p. 129; Riv. 161.]

[174] [Week, p. 129; Riv. 161.]

[175] [Excursions, p. 119; Riv. 146.]

[175] [Excursions, p. 119; Riv. 146.]

[176] [The Service, p. 13.]

[176] [The Service, p. 13.]

[177] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 36.]

[177] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 36.]

[178] [The Service, pp. 3, 4.]

[178] [The Service, pp. 3, 4.]

[179] [Week, p. 265; Riv. 329.]

[179] [Week, p. 265; Riv. 329.]

[180] [Week, p. 79; Riv. 99. The Service, p. 5.]

[180] [Week, p. 79; Riv. 99. The Service, p. 5.]

[181] [Week, p. 301; Riv. 374.]

[181] [Week, p. 301; Rev. 374.]

[182] [The Service, p. 24.]

[182] [The Service, p. 24.]

[183] [The Service, p. 26.]

[183] [The Service, p. 26.]

[184] [The Service, p. 23.]

[184] [The Service, p. 23.]

[185] [The Service, p. 10.]

[185] [The Service, p. 10.]

[186] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 36. The Service, p. 3.]

[186] [Cape Cod, and Miscellanies, p. 277; Misc., Riv. 36. The Service, p. 3.]

[187] [The Service, p. 3.]

[187] [The Service, p. 3.]

[188] [Week, p. 407; Riv. 502. The Service, p. 17.]

[188] [Week, p. 407; Riv. 502. The Service, p. 17.]

[189] [The Service, p. 17.]

[189] [The Service, p. 17.]

[190] [Week, p. 407; Riv. 502. The Service, p. 17.]

[190] [Week, p. 407; Riv. 502. The Service, p. 17.]

[191] [The Service, p. 9.]

[191] [The Service, p. 9.]

[192] [The last two sentences appear also in pencil on a fly-leaf, preceded by, "It sleeps securely within its camp, not even dreaming of a foe."]

[192] [The last two sentences are also written in pencil on a fly-leaf, starting with, "It rests safely in its camp, not even imagining an enemy."]

[193] [Week, p. 230; Riv. 285.]

[193] [Week, p. 230; Riv. 285.]

[194] [Week, p. 229; Riv. 284, 285.]

[194] [Week, p. 229; Riv. 284, 285.]

[195] [Week, p. 229; Riv. 285. See also p. 124 of this volume.]

[195] [Week, p. 229; Riv. 285. See also p. 124 of this volume.]

[196] [Excursions, p. 106; Riv. 131.]

[196] [Excursions, p. 106; Rev. 131.]

[197] [See Excursions, p. 110; Riv. 135.]

[197] [See Excursions, p. 110; Riv. 135.]

[198] [Week, p. 315; Riv. 390, 391. See also below.]

[198] [Week, p. 315; Riv. 390, 391. See also below.]

[199] [See above.]

[199] [See above.]

[200] [Week, p. 304; Riv. 377, 378. See also p. 205.]

[200] [Week, p. 304; Riv. 377, 378. See also p. 205.]

[201] Excursions, p. 117; Riv. 144.

[201] Excursions, p. 117; Riv. 144.

[202] [Excursions, p. 117; Riv. 144.]

[202] [Trips, p. 117; Riv. 144.]

[203] [Excursions, pp. 117, 118; Riv. 144, 145.]

[203] [Excursions, pp. 117, 118; Riv. 144, 145.]

[204] [Week, p. 184; Riv. 228.]

[204] [Week, p. 184; Rev. 228.]

[205] [See Emerson's Journal (1841), quoted in E. W. Emerson's Emerson in Concord, p. 99.]

[205] [See Emerson's Journal (1841), quoted in E. W. Emerson's Emerson in Concord, p. 99.]

[206] [Walden, p. 28; Riv. 43.]

[206] [Walden, p. 28; Riv. 43.]

[207] [Week, p. 415; Riv. 512.]

[207] [Week, p. 415; Riv. 512.]

[208] [See p. 214,—bronchitis!]

[208] [See __A_TAG_PLACEHOLDER_1__,—bronchitis!]

[209] [Excursions, p. 167; Riv. 203, 204.]

[209] [Excursions, p. 167; Riv. 203, 204.]

[210] [Excursions, p. 173; Riv. 211.]

[210] [Trips, p. 173; Riv. 211.]

[211] [Week, p. 289; Riv. 359.]

[211] [Week, p. 289; Riv. 359.]

[212] [See p. 180.]

[212] [See __A_TAG_PLACEHOLDER_1__.]

[213] [Week, p. 236; Riv. 293.]

[213] [Week, p. 236; Rev. 293.]

[214] [Week, p. 50; Riv. 63.]

[214] [Week, p. 50; Riv. 63.]

[215] [Week, p. 305; Riv. 379.]

[215] [Week, p. 305; Riv. 379.]

[216] [Week, p. 406; Riv. 501.]

[216] [Week, p. 406; Riv. 501.]

[217] [Excursions, p. 182; Riv. 222.]

[217] [Excursions, p. 182; Riv. 222.]

[218] [Week, p. 288; Riv. 358.]

[218] [Week, p. 288; Riv. 358.]

[219] [See his sister's account of his last sickness in Sanborn's Thoreau, pp. 310-313.]

[219] [Check out his sister's description of his final illness in Sanborn's Thoreau, pp. 310-313.]

[220] [Week, p. 106; Riv. 132.]

[220] [Week, p. 106; Riv. 132.]

[221] [Week, p. 157; Riv. 195.]

[221] [Week, p. 157; Riv. 195.]

[222] [Excursions, p. 182; Riv. 223.]

[222] [Excursions, p. 182; Riv. 223.]

[223] [See Week, p. 45; Riv. 57.]

[223] [See Week, p. 45; Riv. 57.]

[224] [Week, p. 40; Riv. 50.]

[224] [Week, p. 40; Rev. 50.]

[225] [An interpretation of Emerson's poem. The numbers refer to the stanzas.]

[225] [A take on Emerson's poem. The numbers refer to the stanzas.]

[226] [The italics are Thoreau's.]

[226] [The italics are Thoreau's.]

[227] [Week, pp. 111, 112; Riv. 138-140.]

[227] [Week, pp. 111, 112; Riv. 138-140.]

[228] [Week, p. 108; Riv. 134.]

[228] [Week, p. 108; Riv. 134.]

[229] [Week, p. 79; Riv. 98.]

[229] [Week, p. 79; Riv. 98.]

[230] [Week, p. 283; Riv. 351.]

[230] [Week, p. 283; Riv. 351.]

[231] [See p. 299.]

[231] [See __A_TAG_PLACEHOLDER_1__.]

[232] [Walden, p. 25; Riv. 39.]

[232] [*Walden*, p. 25; Riv. 39.]

[233] [Week, p. 54; Riv. 67, 68.]

[233] [Week, p. 54; Riv. 67, 68.]

[234] [See Week, p. 131; Riv. 163.]

[234] [See Week, p. 131; Rev. 163.]

[235] [Week, p. 131; Riv. 163.]

[235] [Week, p. 131; Riv. 163.]

[236] [Week, p. 129; Riv. 161.]

[236] [Week, p. 129; Riv. 161.]

[237] [Week, pp. 318, 319; Riv. 395. Tree sparrow = chipping sparrow? The "hair-bird" of Week, p. 317 (Riv. 393), is called tree sparrow in the commonplace-book referred to on p. 438.]

[237] [Week, pp. 318, 319; Riv. 395. Is the tree sparrow the same as the chipping sparrow? The "hair-bird" mentioned in Week, p. 317 (Riv. 393), is identified as the tree sparrow in the commonplace book referenced on p. 438.]

[238] [Field sparrow, Nuttall's Fringilla juncorum. Nuttall gives both field sparrow and rush sparrow as its vernacular names.]

[238] [Field sparrow, Nuttall's Fringilla juncorum. Nuttall lists both field sparrow and rush sparrow as its common names.]

[239] [Week, p. 336; Riv. 416.]

[239] [Week, p. 336; Riv. 416.]

[240] [Week, p. 336; Riv. 416.]

[240] [Week, p. 336; Riv. 416.]

[241] [Week, p. 54; Riv. 67.]

[241] [Week, p. 54; Riv. 67.]

[242] [In Excursions, p. 135 (Riv. 165), these lines are printed as part of a poem beginning, "With frontier strength ye stand your ground." The poem appears also, in extended form, in Week, pp. 170-173; Riv. 212-215.]

[242] [In Excursions, p. 135 (Riv. 165), these lines are printed as part of a poem starting with, "With frontier strength you stand your ground." The poem also appears, in extended form, in Week, pp. 170-173; Riv. 212-215.]

[243] [Week, p. 132; Riv. 164.]

[243] [Week, p. 132; Riv. 164.]

[244] [Week, p. 132; Riv. 164.]

[244] [Week, p. 132; Riv. 164.]

[245] [Excursions, p. 133; Riv. 163.]

[245] [Trips, p. 133; Riv. 163.]

[246] [This poem appears in Week, p. 50 (Riv. 62), with some variations and without title.]

[246] [This poem appears in Week, p. 50 (Riv. 62), with some variations and without a title.]

[247] [Walden, p. 354; Riv. 496.]

[247] [Walden, p. 354; Riv. 496.]

[248] [See Week, p. 154; Riv. 192.]

[248] [See Week, p. 154; Riv. 192.]

[249] [Week, p. 140; Riv. 174, 175.]

[249] [Week, p. 140; Riv. 174, 175.]

[250] [See pp. 124 and 174.]

[250] [See __A_TAG_PLACEHOLDER_1__ and __A_TAG_PLACEHOLDER_2__.]

[251] [Week, p. 155; Riv. 193.]

[251] [Week, p. 155; Riv. 193.]

[252] [Week, p. 12; Riv. 15.]

[252] [Week, p. 12; Riv. 15.]

[253] [Week, p. 394; Riv. 486.]

[253] [Week, p. 394; Riv. 486.]

[254] [Week, p. 155; Riv. 193.]

[254] [Week, p. 155; Riv. 193.]

[255] [Week, p. 109; Riv. 136.]

[255] [Week, p. 109; Riv. 136.]

[256] [Week, p. 157; Riv. 195, 196.]

[256] [Week, p. 157; Riv. 195, 196.]

[257] [Week, p. 157; Riv. 195.]

[257] [Week, p. 157; Riv. 195.]

[258] [Week, pp. 161-163; Riv. 200-204.]

[258] [Week, pp. 161-163; Riv. 200-204.]

[259] [Excursions, p. 148; Riv. 181.]

[259] [Excursions, p. 148; Rev. 181.]

[260] [Week, p. 339; Riv. 419. The "double spruce" is now generally known as the black spruce. Thoreau makes it "single spruce" (i. e., white spruce) in the book, but the tree he was familiar with was the black. He confused these two species for a time, but eventually discovered his error.]

[260] [Week, p. 339; Riv. 419. The "double spruce" is now commonly referred to as the black spruce. Thoreau calls it "single spruce" (i. e., white spruce) in the book, but the tree he actually knew was the black. He mixed up these two species for a while, but eventually realized his mistake.]

[261] [Excursions, pp. 125, 126; Riv. 154, 155.]

[261] [Excursions, pp. 125, 126; Riv. 154, 155.]

[262] [Week, p. 363; Riv. 449.]

[262] [Week, p. 363; Riv. 449.]

[263] [Week, p. 56; Riv. 70.]

[263] [Week, p. 56; Riv. 70.]

[264] [Week, p. 341; Riv. 422.]

[264] [Week, p. 341; Rev. 422.]

[265] [Week, p. 229; Riv. 284.]

[265] [Week, p. 229; Rev. 284.]

[266] [Week, p. 341; Riv. 421, 422.]

[266] [Week, p. 341; Riv. 421, 422.]

[267] [Week, p. 353; Riv. 436, 437.]

[267] [Week, p. 353; Riv. 436, 437.]

[268] [Week, p. 363; Riv. 450.]

[268] [Week, p. 363; Riv. 450.]

[269] [Week, p. 365; Riv. 453.]

[269] [Week, p. 365; Riv. 453.]

[270] [Week, p. 159; Riv. 198.]

[270] [Week, p. 159; Riv. 198.]

[271] [Week, p. 159; Riv. 199.]

[271] [Week, p. 159; Riv. 199.]

[272] [Week, p. 155; Riv. 194.]

[272] [Week, p. 155; Riv. 194.]

[273] [Week, p. 155; Riv. 193.]

[273] [Week, p. 155; Riv. 193.]

[274] [Week, p. 155; Riv. 194.]

[274] [Week, p. 155; Riv. 194.]

[275] [Week, p. 156; Riv. 195.]

[275] [Week, p. 156; Riv. 195.]

[276] [Week, p. 159; Riv. 198.]

[276] [Week, p. 159; Riv. 198.]

[277] [Week, p. 402; Riv. 496.]

[277] [Week, p. 402; Riv. 496.]

[278] [Week, p. 159; Riv. 198.]

[278] [Week, p. 159; Riv. 198.]

[279] [Week, p. 156; Riv. 194.]

[279] [Week, p. 156; Riv. 194.]

[280] [Week, p. 156; Riv. 195.]

[280] [Week, p. 156; Riv. 195.]

[281] [Week, p. 358; Riv. 443.]

[281] [Week, p. 358; Riv. 443.]

[282] [Week, p. 155; Riv. 193.]

[282] [Week, p. 155; Riv. 193.]

[283] [Excursions, p. 119; Riv. 146, 147.]

[283] [Excursions, p. 119; Riv. 146, 147.]

[284] [Excursions, pp. 331, 332; Riv. 408.]

[284] [Excursions, pp. 331, 332; Riv. 408.]

[285] [Week, p. 358; Riv. 443.]

[285] [Week, p. 358; Riv. 443.]

[286] [Week, p. 48; Riv. 60.]

[286] [Week, p. 48; Riv. 60.]

[287] [Week, p. 393; Riv. 486.]

[287] [Week, p. 393; Riv. 486.]

[288] [Week, pp. 393, 394; Riv. 486.]

[288] [Week, pp. 393, 394; Riv. 486.]

[289] [Week, p. 394; Riv. 486.]

[289] [Week, p. 394; Riv. 486.]

[290] [Week, p. 111; Riv. 138.]

[290] [Week, p. 111; Riv. 138.]

[291] [See p. 213 for the possible origin of this figure.]

[291] [See p. 213 for where this figure might have come from.]

[292] [On the back lining-page of the manuscript Journal volume which ends with this date are the following sentences in pencil:

[292] [On the back lining page of the manuscript Journal volume which ends with this date are the following sentences in pencil:

There is another young day let loose to roam the earth.

There’s another young day set free to explore the world.

Happiness is very unprofitable stock.

Happiness is a bad investment.

The love which is preached nowadays is an ocean of new milk for a man to swim in. I hear no surf nor surge, but the winds coo over it.]

The love that's talked about today is like a sea of fresh milk for a person to swim in. I don't hear any waves or crashes, just the gentle sounds of the wind above it.

[293] [See Week, pp. xx, xxi; Misc., Riv. 8, 9 (Emerson's Biographical Sketch of Thoreau).]

[293] [See Week, pp. xx, xxi; Misc., Riv. 8, 9 (Emerson's Biographical Sketch of Thoreau).]

[294] [Week, p. 291; Riv. 361.]

[294] [Week, p. 291; Riv. 361.]

[295] [Week, p. 363; Riv. 450.]

[295] [Week, p. 363; Riv. 450.]

[296] [Week, p. 395; Riv. 488.]

[296] [Week, p. 395; Riv. 488.]

[297] [Week, p. 395; Riv. 488.]

[297] [Week, p. 395; Rev. 488.]

[298] [This poem, with the four additional stanzas of the next date, appears in the Week, pp. 313, 314 (Riv. 388, 389) under the title of "The Inward Morning." The second stanza is there omitted and there are other alterations.]

[298] [This poem, along with the four additional stanzas from the next date, appears in the Week, pp. 313, 314 (Riv. 388, 389) under the title "The Inward Morning." The second stanza is missing there, and there are other changes.]

[299] [Familiar Letters, Sept., 1852.]

[299] [Familiar Letters, Sept. 1852.]

[300] [See p. 347.]

[300] [See __A_TAG_PLACEHOLDER_1__.]

[301] [Week, p. 373; Riv. 461.]

[301] [Week, p. 373; Riv. 461.]

[302] [Week, p. 54; Riv. 67.]

[302] [Week, p. 54; Riv. 67.]

[303] [Excursions, p. 174; Riv. 212.]

[303] [Excursions, p. 174; Riv. 212.]

[304] [Written in pencil on a fly-leaf of the Journal:] A man might well pray that he may not taboo or curse any portion of nature by being buried in it.

[304] [Written in pencil on a fly-leaf of the Journal:] A man might as well hope that he doesn’t restrict or damn any part of nature by being buried in it.

[305] [Channing, p. 241.]

[305] [Channing, p. 241.]

[306] [See p. 244.]

[306] [See __A_TAG_PLACEHOLDER_1__.]

[307] [Excursions, p. 173; Riv. 212.]

[307] [Excursions, p. 173; Riv. 212.]

[308] [Week, p. 314; Riv. 389.]

[308] [Week, p. 314; Riv. 389.]

[309] [Week, p. 133; Riv. 166.]

[309] [Week, p. 133; Riv. 166.]

[310] [Week, p. 280; Riv. 347.]

[310] [Week, p. 280; Rev. 347.]

[311] [Week, p. 314; Riv. 390.]

[311] [Week, p. 314; Riv. 390.]

[312] [Week, p. 384; Riv. 474.]

[312] [Week, p. 384; Riv. 474.]

[313] [Week, p. 396; Riv. 489.]

[313] [Week, p. 396; Rev. 489.]

[314] [Week, p. 397; Riv. 490.]

[314] [Week, p. 397; Riv. 490.]

[315] [Week, p. 398; Riv. 491.]

[315] [Week, p. 398; Riv. 491.]

[316] [Week, p. 397; Riv. 490.]

[316] [Week, p. 397; Riv. 490.]

[317] [Week, p. 398; Riv. 491, 492.]

[317] [Week, p. 398; Riv. 491, 492.]

[318] [Excursions, pp. 103, 104; Riv. 127, 128.]

[318] [Excursions, pp. 103, 104; Riv. 127, 128.]

[319] [Excursions, pp. 103-105; Riv. 127-129.]

[319] [Excursions, pp. 103-105; Riv. 127-129.]

[320] [Week, p. 362; Riv. 449.]

[320] [Week, p. 362; Riv. 449.]

[321] [Excursions, p. 105; Riv. 129, 130.]

[321] [Excursions, p. 105; Riv. 129, 130.]

[322] [Week, pp. 77, 78; Riv. 96, 97.]

[322] [Week, pp. 77, 78; Riv. 96, 97.]

[323] [Week, p. 396; Riv. 489.]

[323] [Week, p. 396; Riv. 489.]

[324] [Week, p. 398; Riv. 492.]

[324] [Week, p. 398; Riv. 492.]

[325] [Week, p. 396; Riv. 489, 490.]

[325] [Week, p. 396; Riv. 489, 490.]

[326] [Week, pp. 237, 238; Riv. 294, 295.]

[326] [Week, pp. 237, 238; Riv. 294, 295.]

[327] [Week, pp. 108-110; Riv. 134-136.]

[327] [Week, pp. 108-110; Riv. 134-136.]

[328] [Week, p. 110; Riv. 136, 137.]

[328] [Week, p. 110; Riv. 136, 137.]

[329] [Excursions, p. 104; Riv. 128.]

[329] [Excursions, p. 104; Riv. 128.]

[330] [Week, p. 184; Riv. 228.]

[330] [Week, p. 184; Riv. 228.]

[331] [Week, p. 182; Riv. 226.]

[331] [Week, p. 182; Riv. 226.]

[332] [Week, p. 183; Riv. 227.]

[332] [Week, p. 183; Rev. 227.]

[333] [It was about a year after the date of this entry that Richard F. Fuller made Thoreau a present of a music-box (see Familiar Letters, March 2, 1842, and Jan. 16 and 24, 1843), which a few months later, on departing for Staten Island, he lent to Hawthorne (American Note-Books, Riv. pp. 333, 338).]

[333] [About a year after this entry, Richard F. Fuller gave Thoreau a music box (see Familiar Letters, March 2, 1842, and Jan. 16 and 24, 1843). A few months later, when he was leaving for Staten Island, he lent it to Hawthorne (American Note-Books, Riv. pp. 333, 338).]

[334] [Week, p. 184; Riv. 228.]

[334] [Week, p. 184; Rev. 228.]

[335] [Week, p. 184; Riv. 228.]

[335] [Week, p. 184; Riv. 228.]

[336] [Week, p. 303; Riv. 377.]

[336] [Week, p. 303; Riv. 377.]

[337] [Thoreau's brother John died Jan. 11, 1842.]

[337] [Thoreau's brother John passed away on January 11, 1842.]

[338] [Two lines missing from the manuscript here.]

[338] [Two lines missing from the manuscript here.]

[339] [Week, p. 398; Riv. 492.]

[339] [Week, p. 398; Rev. 492.]

[340] [Week, p. 397; Riv. 490.]

[340] [Week, p. 397; Riv. 490.]

[341] [Week, p. 288; Riv. 357.]

[341] [Week, p. 288; Riv. 357.]

[342] [Week, p. 288; Riv. 358.]

[342] [Week, p. 288; Riv. 358.]

[343] [At the head of this paragraph appears the following in pencil: What has music to do with the lives of the Great Composers? It is the great composer who is not yet dead whose life should be written. Shall we presume to write such a history as the former while the winds blow?]

[343] [At the beginning of this paragraph, it says in pencil: What does music have to do with the lives of the Great Composers? It is the great composer who is still alive whose life should be documented. Should we attempt to write a history like the previous one while the winds continue to blow?]

[344] [Week, pp. 398, 399; Riv. 492.]

[344] [Week, pp. 398, 399; Riv. 492.]

[345] [Week, p. 303; Riv. 377.]

[345] [Week, p. 303; Riv. 377.]

[346] [Week, pp. 397, 398; Riv. 491.]

[346] [Week, pp. 397, 398; Riv. 491.]

[347] [Week, pp. 397, 398; Riv. 491, 492.]

[347] [Week, pp. 397, 398; Riv. 491, 492.]

[348] [Week, p. 156; Riv. 195.]

[348] [Week, p. 156; Riv. 195.]

[349] [Week, p. 157; Riv. 196.]

[349] [Week, p. 157; Riv. 196.]

[350] [Week, pp. 339, 340; Riv. 420.]

[350] [Week, pp. 339, 340; Riv. 420.]

[351] [Week, p. 138; Riv. 172, 173.]

[351] [Week, p. 138; Riv. 172, 173.]

[352] [Cape Cod, and Miscellanies, p. 336; Misc., Riv. 106, 107.]

[352] [Cape Cod, and Miscellanies, p. 336; Misc., Riv. 106, 107.]

[353] [See __A_TAG_PLACEHOLDER_1__.]

[354] [See Journal, vol. ii, p. 128.]

[354] [See Journal, vol. 2, p. 128.]

[355] [Week, p. 283; Riv. 351.]

[355] [Week, p. 283; Riv. 351.]

[356] [Week, pp. 130, 131; Riv. 163.]

[356] [Week, pp. 130, 131; Riv. 163.]

[357] Set the red hen, Sunday, March 21st [=20th]. [This memorandum is written in the margin. It is pretty good proof that by now we have come to the original Journal. Just where the transcripts end, however, it seems to be impossible to determine.]

[357] Set the red hen, Sunday, March 21st [=20th]. [This note is written in the margin. It’s pretty solid evidence that we have now reached the original Journal. However, it seems impossible to figure out exactly where the transcripts end.]

[358] [Week, p. 107; Riv. 133.]

[358] [Week, p. 107; Riv. 133.]

[359] [Week, p. 130; Riv. 162.]

[359] [Week, p. 130; Riv. 162.]

[360] [Week, p. 160; Riv. 199.]

[360] [Week, p. 160; Riv. 199.]

[361] [Week, p. 109; Riv. 135, 136.]

[361] [Week, p. 109; Riv. 135, 136.]

[362] [Week, p. 153; Riv. 191.]

[362] [Week, p. 153; Riv. 191.]

[363] [Week, p. 153; Riv. 191.]

[363] [Week, p. 153; Riv. 191.]

[364] [Week, p. 153; Riv. 191.]

[364] [Week, p. 153; Riv. 191.]

[365] [Week, p. 105; Riv. 130.]

[365] [Week, p. 105; Riv. 130.]

[366] [Week, p. 153; Riv. 191.]

[366] [Week, p. 153; Riv. 191.]

[367] [See __A_TAG_PLACEHOLDER_1__.]

[368] [Week, p. 137; Riv. 170.]

[368] [Week, p. 137; Riv. 170.]

[369] [Week, p. 301; Riv. 374, 375.]

[369] [Week, p. 301; Riv. 374, 375.]

[370] [Week, p. 351; Riv. 434.]

[370] [Week, p. 351; Rev. 434.]

[371] [Week, p. 130; Riv. 163.]

[371] [Week, p. 130; Riv. 163.]

[372] [In Excursions, p. 110 (Riv. 136), what appears to be the same bird is described, and is called the fish hawk.]

[372] [In Excursions, p. 110 (Riv. 136), it seems the same bird is described and referred to as the fish hawk.]

[373] [Week, pp. 105, 106; Riv. 131, 132.]

[373] [Week, pp. 105, 106; Riv. 131, 132.]

[374] [Week, pp. 34, 35; Riv. 42, 43.]

[374] [Week, pp. 34, 35; Riv. 42, 43.]

[375] [Excursions, p. 110; Riv. 136.]

[375] [Excursions, p. 110; Riv. 136.]

[376] [Week, p. 110; Riv. 137.]

[376] [Week, p. 110; Riv. 137.]

[377] [On the margin of this page appears the memorandum: "Set the gray hen April 1st."]

[377] [On the edge of this page is a note: "Put the gray hen to nest on April 1st."]

[378] [Week, p. 397; Riv. 490, 491.]

[378] [Week, p. 397; Riv. 490, 491.]

[379] [Excursions, p. 111; Riv. 137.]

[379] [Excursions, p. 111; Riv. 137.]

[380] [Walden, p. 94; Riv. 134.]

[380] [Walden, p. 94; Riv. 134.]

[381] [Walden, p. 106; Riv. 150.]

[381] [Walden, p. 106; Riv. 150.]

[382] [Walden, pp. 171, 172; Riv. 242.]

[382] [Walden, pp. 171, 172; Riv. 242.]

[383] [Walden, p. 145; Riv. 205.]

[383] [Walden, p. 145; Riv. 205.]

[384] [Walden, pp. 145, 146; Riv. 206.]

[384] [Walden, pp. 145, 146; Riv. 206.]

[385] [Plainly "neat" in Journal, though Walden has "great."]

[385] [Clearly "neat" in the Journal, although Walden uses "great."]

[386] [Walden, pp. 159, 160; Riv. 224, 225.]

[386] [Walden, pp. 159, 160; Riv. 224, 225.]

[387] [Walden, p. 161; Riv. 227.]

[387] [Walden, p. 161; Riv. 227.]

[388] [Walden, pp. 12, 13; Riv. 21.]

[388] [Walden, pp. 12, 13; Riv. 21.]

[389] [Walden, p. 39; Riv. 59.]

[389] [Walden, p. 39; Riv. 59.]

[390] [Walden, p. 41; Riv. 61.]

[390] [Walden, p. 41; Riv. 61.]

[391] [Walden, p. 41; Riv. 61.]

[391] [Walden, p. 41; Riv. 61.]

[392] [Walden, p. 309; Riv. 433.]

[392] [Walden, p. 309; Riv. 433.]

[393] [Walden, p. 250; Riv. 351.]

[393] [Walden, p. 250; Riv. 351.]

[394] [Walden, pp. 112-114; Riv. 159-161.]

[394] [Walden, pp. 112-114; Riv. 159-161.]

[395] [Walden, p. 114; Riv. 162.]

[395] [Walden, p. 114; Riv. 162.]

[396] [See Excursions, p. 295; Riv. 362.]

[396] [See Excursions, p. 295; Riv. 362.]

[397] [Eight lines, somewhat altered, Week, pp. 407, 408; Riv. 503.]

[397] [Eight lines, somewhat altered, Week, pp. 407, 408; Riv. 503.]

[398] [Week, p. 407; Riv. 503.]

[398] [Week, p. 407; Riv. 503.]

[399] [By Eliot Warburton, London, 1844, and New York, 1845.]

[399] [By Eliot Warburton, London, 1844, and New York, 1845.]

[400] [Week, pp. 266, 267; Riv. 331.]

[400] [Week, pp. 266, 267; Riv. 331.]

[401] [Week, pp. 266, 267; Riv. 330-332.]

[401] [Week, pp. 266, 267; Riv. 330-332.]

[402] [Walden, p. 111; Riv. 157, 158.]

[402] [Walden, p. 111; Riv. 157, 158.]

[403] [Walden, p. 127; Riv. 179, 180.]

[403] [Walden, p. 127; Riv. 179, 180.]

[404] [Walden, pp. 137, 138; Riv. 194-196.]

[404] [Walden, pp. 137, 138; Riv. 194-196.]

[405] [Walden, pp. 139, 140; Riv. 197, 198.]

[405] [Walden, pp. 139, 140; Riv. 197, 198.]

[406] [Walden, p. 242, where he makes his age four instead of five at the time of this early visit.]

[406] [Walden, p. 242, where he says he was four instead of five during this early visit.]

[407] [Walden, p. 139; Riv. 197.]

[407] [Walden, p. 139; Riv. 197.]

[408] [Walden, p. 181; Riv. 255.]

[408] [Walden, p. 181; Riv. 255.]

[409] [Walden, p. 182; Riv. 256.]

[409] [Walden, p. 182; Riv. 256.]

[410] [The Legend of Good Women, ll. 1218, 1219.]

[410] [The Legend of Good Women, ll. 1218, 1219.]

[411] [Walden, pp. 225-227, 229, 231; Riv. 317-320, 322, 325, 326.]

[411] [Walden, pp. 225-227, 229, 231; Riv. 317-320, 322, 325, 326.]

[412] [Walden, p. 232; Riv. 327.]

[412] [Walden, p. 232; Riv. 327.]

[413] [Walden, pp. 230, 231; Riv. 323-325.]

[413] [Walden, pp. 230, 231; Riv. 323-325.]

[414] [See Walden, pp. 271, 272; Riv. 380, 381.]

[414] [See Walden, pp. 271, 272; Riv. 380, 381.]

[415] [Walden, p. 44; Riv. 65, 66.]

[415] [Walden, p. 44; Riv. 65, 66.]

[416] [Walden, pp. 32, 33; Riv. 48, 49.]

[416] [Walden, pp. 32, 33; Riv. 48, 49.]

[417] [Walden, pp. 33, 34; Riv. 50, 51.]

[417] [Walden, pp. 33, 34; Riv. 50, 51.]

[418] [Walden, pp. 37, 38; Riv. 56.]

[418] [Walden, pp. 37, 38; Riv. 56.]

[419] [Walden, p. 34; Riv. 51, 52.]

[419] [Walden, p. 34; Riv. 51, 52.]

[420] [Walden, p. 35; Riv. 53.]

[420] [Walden, p. 35; Riv. 53.]

[421] [Walden, p. 36; Riv. 55.]

[421] [Walden, p. 36; Riv. 55.]

[422] [Walden, p. 39; Riv. 58.]

[422] [Walden, p. 39; Riv. 58.]

[423] [Week, p. 264; Riv. 328.]

[423] [Week, p. 264; Riv. 328.]

[424] [Week, p. 65; Riv. 81.]

[424] [Week, p. 65; Riv. 81.]

[425] [Week, p. 58; Riv. 72.]

[425] [Week, p. 58; Riv. 72.]

[426] [Week, p. 61; Riv. 76.]

[426] [Week, p. 61; Riv. 76.]

[427] [Week, p. 136; Riv. 169.]

[427] [Week, p. 136; Rev. 169.]

[428] [Week, p. 58; Riv. 72, 73.]

[428] [Week, p. 58; Riv. 72, 73.]

[429] [Week, p. 57; Riv. 72.]

[429] [Week, p. 57; Riv. 72.]

[430] [Walden, p. 275; Riv. 386.]

[430] [Walden, p. 275; Riv. 386.]

[431] [Walden, p. 275; Riv. 386.]

[431] [Walden, p. 275; Riv. 386.]

[432] [Walden, p. 4; Riv. 9.]

[432] [Walden, p. 4; Riv. 9.]

[433] [Walden, p. 7; Riv. 12, 13.]

[433] [Walden, p. 7; Riv. 12, 13.]

[434] [Walden, p. 301; Riv. 422.]

[434] [Walden, p. 301; Riv. 422.]

[435] [See Journal, vol. vii, Feb. 1, 1855.]

[435] [See Journal, vol. 7, Feb. 1, 1855.]

[436] [Walden, pp. 12, 13; Riv. 21.]

[436] [Walden, pp. 12, 13; Riv. 21.]

[437] [Walden, p. 306; Riv. 429.]

[437] [Walden, p. 306; Riv. 429.]

[438] [Walden, p. 162; Riv. 228.]

[438] [Walden, p. 162; Riv. 228.]

[439] [Walden, p. 304; Riv. 426.]

[439] [Walden, p. 304; Riv. 426.]

[440] [Walden, pp. 344, 345; Riv. 481, 482.]

[440] [Walden, pp. 344, 345; Riv. 481, 482.]

[441] [Walden, pp. 183, 184; Riv. 258, 259.]

[441] [Walden, pp. 183, 184; Riv. 258, 259.]

[442] [Walden, p. 345; Riv. 482.]

[442] [Walden, p. 345; Riv. 482.]

[443] [Walden, p. 345; Riv. 482, 483.]

[443] [Walden, p. 345; Riv. 482, 483.]

[444] [Twenty-six lines of this, somewhat revised, appear under the title of "Pilgrims" in Excursions, and Poems, p. 413.]

[444] [Twenty-six lines of this, somewhat revised, appear under the title of "Pilgrims" in Excursions, and Poems, p. 413.]

[445] [Cape Cod, and Miscellanies, pp. 352, 353; Misc., Riv. 127, 128.]

[445] [Cape Cod, and Miscellanies, pp. 352, 353; Misc., Riv. 127, 128.]

[446] [Cape Cod, and Miscellanies, p. 344; Misc., Riv. 116, 117.]

[446] [Cape Cod, and Miscellanies, p. 344; Misc., Riv. 116, 117.]

[447] [Walden, pp. 288, 289; Riv. 405.]

[447] [Walden, pp. 288, 289; Riv. 405.]

[448] [Walden, p. 289; Riv. 405, 406.]

[448] [Walden, p. 289; Riv. 405, 406.]

[449] [Walden, pp. 24, 26; Riv. 36, 40.]

[449] [Walden, pp. 24, 26; Riv. 36, 40.]

[450] [Walden, p. 24; Riv. 37.]

[450] [Walden, p. 24; Riv. 37.]

[451] [Walden, p. 25; Riv. 38.]

[451] [Walden, p. 25; Riv. 38.]

[452] [Walden, p. 25; Riv. 38, 39.]

[452] [Walden, p. 25; Riv. 38, 39.]

[453] [Walden, pp. 283, 284, 287, 288; Riv. 397-400, 404.]

[453] [Walden, pp. 283, 284, 287, 288; Riv. 397-400, 404.]

[454] [Walden, pp. 289-291; Riv. 406-408.]

[454] [Walden, pp. 289-291; Riv. 406-408.]

[455] [Walden, pp. 282, 283; Riv. 396, 397.]

[455] [Walden, pp. 282, 283; Riv. 396, 397.]

[456] [Walden, pp. 258, 259; Riv. 363, 364.]

[456] [Walden, pp. 258, 259; Riv. 363, 364.]

[457] [Walden, p. 345; Riv. 483.]

[457] [Walden, p. 345; Riv. 483.]

[458] [Walden, p. 262; Riv. 368.]

[458] [Walden, p. 262; Riv. 368.]

[459] [Walden, p. 259; Riv. 364.]

[459] [Walden, p. 259; Riv. 364.]

[460] [Walden, p. 305; Riv. 428.]

[460] [Walden, p. 305; Riv. 428.]

[461] ["Hilda" was originally written where "Nutting" appears on p. 420.]

[461] ["Hilda" was originally written where "Nutting" is on p. 420.]

[462] [Walden, p. 292; Riv. 408, 409.]

[462] [Walden, p. 292; Riv. 408, 409.]

[463] [Walden, pp. 323, 324; Riv. 452, 453.]

[463] [Walden, pp. 323, 324; Riv. 452, 453.]

[464] [Walden, p. 313; Riv. 438.]

[464] [Walden, p. 313; Riv. 438.]

[465] [Walden, pp. 289, 290; Riv. 406, 407.]

[465] [Walden, pp. 289, 290; Riv. 406, 407.]

[466] [Walden, p. 285; Riv. 400.]

[466] [Walden, p. 285; Riv. 400.]

[467] [See Week, p. 102; Riv. 127.]

[467] [See Week, p. 102; Riv. 127.]

[468] [Walden, p. 280; Riv. 392, 393.]

[468] [Walden, p. 280; Riv. 392, 393.]

[469] [Walden, p. 309; Riv. 434.]

[469] [Walden, p. 309; Riv. 434.]

[470] [Cape Cod, and Miscellanies, pp. 325-327; Misc., Riv. 93-95 ("Thomas Carlyle and his Works").]

[470] [Cape Cod, and Miscellanies, pp. 325-327; Misc., Riv. 93-95 ("Thomas Carlyle and his Works").]

[471] [Walden, pp. 4, 5; Riv. 9, 10.]

[471] [Walden, pp. 4, 5; Riv. 9, 10.]

[472] [Walden, pp. 6, 8; Riv. 11, 14.]

[472] [Walden, pp. 6, 8; Riv. 11, 14.]

[473] [Walden, p. 8; Riv. 14, 15.]

[473] [Walden, p. 8; Riv. 14, 15.]

[474] [Walden, pp. 5, 6; Riv. 10, 11.]

[474] [Walden, pp. 5, 6; Riv. 10, 11.]

[475] [Cape Cod, and Miscellanies, p. 327; Misc., Riv. 95 ("Thomas Carlyle and his Works").]

[475] [Cape Cod, and Miscellanies, p. 327; Misc., Riv. 95 ("Thomas Carlyle and his Works").]

[476] [Cape Cod, and Miscellanies, p. 325; Misc., Riv. 93 ("Thomas Carlyle and his Works").]

[476] [Cape Cod, and Miscellanies, p. 325; Misc., Riv. 93 ("Thomas Carlyle and his Works").]

[477] [Walden, pp. 283-285, 287, 288; Riv. 397-400, 404.]

[477] [Walden, pp. 283-285, 287, 288; Riv. 397-400, 404.]

[478] [Walden, pp. 68, 69; Riv. 99, 100.]

[478] [Walden, pp. 68, 69; Riv. 99, 100.]

[479] [Cape Cod, and Miscellanies, p. 348; Misc., Riv. 121 ("Thomas Carlyle and his Works").]

[479] [Cape Cod, and Miscellanies, p. 348; Misc., Riv. 121 ("Thomas Carlyle and his Works").]

[480] [Walden, p. 296; Riv. 415, 416.]

[480] [Walden, p. 296; Riv. 415, 416.]

[481] [Walden, p. 296; Riv. 415.]

[481] [Walden, p. 296; Riv. 415.]

[482] [Walden, p. 310; Riv. 434, 435.]

[482] [Walden, p. 310; Riv. 434, 435.]

[483] [Walden, pp. 19-21; Riv. 30-33.]

[483] [Walden, pp. 19-21; Riv. 30-33.]

[484] [Walden, p. 12; Riv. 19, 20.]

[484] [Walden, p. 12; Riv. 19, 20.]

[485] [Walden, p. 12; Riv. 20.]

[485] [Walden, p. 12; Riv. 20.]

[486] [Week, p. 45; Riv. 57.]

[486] [Week, p. 45; Riv. 57.]

[487] [This follows matter used on p. 81 of Week (Riv. 101).]

[487] [This follows content from p. 81 of Week (Riv. 101).]

[488] [The boatman's. See Week, p. 222; Riv. 276.]

[488] [The boatman's. See Week, p. 222; Riv. 276.]

[489] [See p. 337.]

[489] [See __A_TAG_PLACEHOLDER_1__.]

[490] [This and the succeeding paragraphs on the Indian were written in pencil on loose sheets of paper and slipped between the pages of the Journal.]

[490] [This and the following paragraphs about the Indian were written in pencil on loose sheets of paper and tucked between the pages of the Journal.]

[491] [See Week, pp. 286, 287; Riv. 356.]

[491] [See Week, pp. 286, 287; Riv. 356.]

[492] Vide the Fall of the Leaf poem. [This note is written in pencil between this line and the following stanza. The poem referred to is reprinted (without these lines) in Excursions, and Poems, p. 407.]

[492] See the Fall of the Leaf poem. [This note is written in pencil between this line and the following stanza. The poem mentioned is reprinted (without these lines) in Excursions, and Poems, p. 407.]

[493] [This refers to the middle of September and follows matter used in Week, on p. 357 (Riv. 443).]

[493] [This refers to mid-September and follows content used in Week, on p. 357 (Riv. 443).]

[494] [Week, p. 387; Riv. 478.]

[494] [Week, p. 387; Riv. 478.]

[495] [Week, p. 133; Riv. 166.]

[495] [Week, p. 133; Riv. 166.]

[496] [The first four lines of a poem the rest of which appears on pp. 234, 235 of Week (Riv. 290, 291).]

[496] [The first four lines of a poem the rest of which appears on pp. 234, 235 of Week (Riv. 290, 291).]

[497] [This poem appears, slightly abridged and altered, in Week, p. 201 (Riv. 249).]

[497] [This poem is featured, somewhat shortened and changed, in Week, p. 201 (Riv. 249).]

[498] [There is a blank space here before "musty," as if Thoreau had sought another adjective to go with it.]

[498] [There is a blank space here before "musty," as if Thoreau had sought another adjective to go with it.]

[499] [See Excursions, p. 208; Riv. 255.]

[499] [See Excursions, p. 208; Riv. 255.]

[500] [Week, p. 377; Riv. 465.]

[500] [Week, p. 377; Riv. 465.]

[501] [Week, p. 302; Riv. 375.]

[501] [Week, p. 302; Riv. 375.]

[502] [Week, p. 302; Riv. 375.]

[502] [Week, p. 302; Riv. 375.]

[503] [See Week, pp. 33, 34; Riv. 41, 42.]

[503] [See Week, pp. 33, 34; Riv. 41, 42.]

[504] [This appears in pencil on a loose sheet of paper inclosed between the pages of the Journal.]

[504] [This is written in pencil on a loose sheet of paper included between the pages of the Journal.]

[505] [Excursions, and Poems, p. 409. See also p. 71.]

[505] [Excursions, and Poems, p. 409. See also p. 71.]

[506] [Here follows matter printed on pp. 105, 106 of Week (Riv. 130-132).]

[506] [Here follows content printed on pp. 105, 106 of Week (Riv. 130-132).]

[507] [See Journal, vol. vi, Feb. 5, 1854.]

[507] [See Journal, vol. vi, Feb. 5, 1854.]

[508] [See Walden, pp. 120, 121; Riv. 171, 172.]

[508] [See Walden, pp. 120, 121; Riv. 171, 172.]




        
        
    
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