This is a modern-English version of The problem of Cell 13, originally written by Futrelle, Jacques. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Transcriber's Notes:
1. Page scan source: The Internet Web Archive
https://books.google.com/books?id=MUtBAQAAMAAJ
(the New York Public Library)

Transcriber's Notes:
1. Page scan source: The Internet Web Archive
https://books.google.com/books?id=MUtBAQAAMAAJ
(the New York Public Library)






Look Out
"Look out for a shot," warned
The Thinking Machine sharply. p. 332

Look Out
"Watch out for a shot," warned
The Thinking Machine sharply. p. 332







THE PROBLEM OF CELL 13




By

JACQUES FUTRELLE

Author of "The Chase of the Golden Plate," "The Haunted Bell," etc.




NEW YORK
DODD, MEAD AND COMPANY
1917







Copyright, 1905-1906, by American-Journal-Examiner
(Copyright, 1907, by Dodd, Mead & Co.
Under the title of "The Thinking Machine")

By courtesy of William Randolph Hearst






To
those two persons who made The Thinking Machine possible

J. L. E.,

who opened the way, and

L. M. F.,

who guided, advised and encouraged the hand that labored,

these tales are gratefully dedicated
.






CONTENTS

The Issue of Cell 13.
The Red Thread.
The Lost Man
The Great Car Mystery
The Fiery Ghost
The Ralston Bank Heist
The Studio Mystery.




THE PROBLEM OF CELL 13



I.

Practically all those letters remaining in the alphabet after Augustus S. F. X. Van Dusen was named were afterward acquired by that gentleman in the course of a brilliant scientific career, and, being honorably acquired, were tacked on to the other end. His name, therefore, taken with all that belonged to it, was a wonderfully imposing structure. He was a Ph.D., an LL.D., an F.R.S., an M.D., and an M.D.S. He was also some other things--just what he himself couldn't say--through recognition of his ability by various foreign educational and scientific institutions.

Practically all the letters left in the alphabet after Augustus S. F. X. Van Dusen was named were later obtained by him during a remarkable scientific career. Since they were earned honorably, they were added to the end of his name. Thus, his name, along with all that it represented, was an incredibly impressive collection. He held a Ph.D., an LL.D., an F.R.S., an M.D., and an M.D.S. He also had some other titles—exactly what, he himself couldn’t specify—awarded to him by various foreign educational and scientific institutions.

In appearance he was no less striking than in nomenclature. He was slender with the droop of the student in his thin shoulders and the pallor of a close, sedentary life on his clean-shaven face. His eyes wore a perpetual, forbidding squint--the squint of a man who studies little things--and when they could be seen at all through his thick spectacles, were mere slits of watery blue. But above his eyes was his most striking feature. This was a tall, broad brow, almost abnormal in height and width, crowned by a heavy shock of bushy, yellow hair. All these things conspired to give him a peculiar, almost grotesque, personality.

In appearance, he was just as striking as his name suggested. He was slender, with the droop of a student in his thin shoulders and the pallor of a close, sedentary life on his clean-shaven face. His eyes had a constant, forbidding squint—the squint of someone who focuses on the small details—and when they could be seen at all through his thick glasses, they were just slits of watery blue. But above his eyes was his most noticeable feature: a tall, broad forehead, almost unusually high and wide, topped by a thick mass of bushy, yellow hair. All these traits combined to give him a unique, almost bizarre, personality.

Professor Van Dusen was remotely German. For generations his ancestors had been noted in the sciences; he was the logical result, the master mind. First and above all he was a logician. At least thirty-five years of the half-century or so of his existence had been devoted exclusively to proving that two and two always equal four, except in unusual cases, where they equal three or five, as the case may be. He stood broadly on the general proposition that all things that start must go somewhere, and was able to bring the concentrated mental force of his forefathers to bear on a given problem. Incidentally it may be remarked that Professor Van Dusen wore a No. 8 hat.

Professor Van Dusen had a strong German heritage. For generations, his family had been known for their contributions to science; he was the logical culmination of that legacy, a true mastermind. Above all, he was a logician. He had spent at least thirty-five years of his nearly fifty years of life proving that two plus two always equals four, except in rare situations where it equals three or five, depending on the context. He firmly believed that everything that starts must go somewhere, and he was able to apply the focused intellectual strength of his ancestors to any problem. By the way, it's worth mentioning that Professor Van Dusen wore a size 8 hat.

The world at large had heard vaguely of Professor Van Dusen as The Thinking Machine. It was a newspaper catch-phrase applied to him at the time of a remarkable exhibition at chess; he had demonstrated then that a stranger to the game might, by the force of inevitable logic, defeat a champion who had devoted a lifetime to its study. The Thinking Machine! Perhaps that more nearly described him than all his honorary initials, for he spent week after week, month after month, in the seclusion of his small laboratory from which had gone forth thoughts that staggered scientific associates and deeply stirred the world at large.

The world had vaguely heard of Professor Van Dusen as The Thinking Machine. This nickname came from a notable chess exhibition where he showed that someone unfamiliar with the game could, through sheer logic, beat a champion who had dedicated their entire life to it. The Thinking Machine! Maybe this title captured him better than any of his honorary titles, since he spent week after week, month after month, in the privacy of his small lab, from which ideas emerged that amazed his scientific peers and profoundly affected the world.

It was only occasionally that The Thinking Machine had visitors, and these were usually men who, themselves high in the sciences, dropped in to argue a point and perhaps convince themselves. Two of these men, Dr. Charles Ransome and Alfred Fielding, called one evening to discuss some theory which is not of consequence here.

It was only occasionally that The Thinking Machine had visitors, and these were usually men who, themselves prominent in the sciences, stopped by to debate a point and maybe convince themselves. Two of these men, Dr. Charles Ransome and Alfred Fielding, dropped in one evening to discuss some theory that isn't relevant here.

"Such a thing is impossible," declared Dr. Ransome emphatically, in the course of the conversation.

"That kind of thing is impossible," Dr. Ransome said emphatically during the conversation.

"Nothing is impossible," declared The Thinking Machine with equal emphasis. He always spoke petulantly. "The mind is master of all things. When science fully recognizes that fact a great advance will have been made."

"Nothing is impossible," declared The Thinking Machine emphatically. He always spoke irritably. "The mind controls everything. When science fully acknowledges that fact, it will have made significant progress."

"How about the airship?" asked Dr. Ransome.

"How's the airship doing?" asked Dr. Ransome.

"That's not impossible at all," asserted The Thinking Machine. "It will be invented some time. I'd do it myself, but I'm busy."

"That's totally possible," said The Thinking Machine. "It will be invented eventually. I'd do it myself, but I'm tied up."

Dr. Ransome laughed tolerantly.

Dr. Ransome chuckled understandingly.

"I've heard you say such things before," he said. "But they mean nothing. Mind may be master of matter, but it hasn't yet found a way to apply itself. There are some things that can't be thought out of existence, or rather which would not yield to any amount of thinking."

"I've heard you say that before," he said. "But it doesn't mean anything. The mind might be in charge of the body, but it hasn't figured out how to really use that power. Some things can't be thought away, or rather, they wouldn't change no matter how much you think about them."

"What, for instance?" demanded The Thinking Machine.

"What, for example?" asked The Thinking Machine.

Dr. Ransome was thoughtful for a moment as he smoked.

Dr. Ransome paused to think for a moment as he smoked.

"Well, say prison walls," he replied. "No man can _think_ himself out of a cell. If he could, there would be no prisoners."

"Well, think about prison walls," he replied. "No one can _imagine_ themselves out of a cell. If they could, there would be no prisoners."

"A man can so apply his brain and ingenuity that he can leave a cell, which is the same thing," snapped The Thinking Machine.

"A man can use his brain and creativity so effectively that he can escape a cell, which is basically the same thing," snapped The Thinking Machine.

Dr. Ransome was slightly amused.

Dr. Ransome was somewhat amused.

"Let's suppose a case," he said, after a moment. "Take a cell where prisoners under sentence of death are confined--men who are desperate and, maddened by fear, would take any chance to escape--suppose you were locked in such a cell. Could you escape?"

"Let's imagine a scenario," he said after a pause. "Consider a cell where prisoners on death row are kept—men who are desperate and consumed by fear, willing to take any risk to break free—let's say you were locked in such a cell. Could you get out?"

"Certainly," declared The Thinking Machine.

"Sure," said The Thinking Machine.

"Of course," said Mr. Fielding, who entered the conversation for the first time, "you might wreck the cell with an explosive--but inside, a prisoner, you couldn't have that."

"Sure," said Mr. Fielding, who joined the conversation for the first time, "you could blow up the cell with an explosive—but you couldn't do that with a prisoner inside."

"There would be nothing of that kind," said The Thinking Machine. "You might treat me precisely as you treated prisoners under sentence of death, and I would leave the cell."

"There won't be anything like that," said The Thinking Machine. "You could treat me exactly how you treated prisoners on death row, and I would still walk out of the cell."

"Not unless you entered it with tools prepared to get out," said Dr. Ransome.

"Not unless you came in with the right tools to get out," said Dr. Ransome.

The Thinking Machine was visibly annoyed and his blue eyes snapped.

The Thinking Machine looked clearly annoyed, and his blue eyes flashed.

"Lock me in any cell in any prison anywhere at any time, wearing only what is necessary, and I'll escape in a week," he declared, sharply.

"Lock me in any cell in any prison, anywhere, at any time, just in my basics, and I’ll break out in a week,” he stated firmly.

Dr. Ransome sat up straight in the chair, interested. Mr. Fielding lighted a new cigar.

Dr. Ransome sat up straight in the chair, intrigued. Mr. Fielding lit a new cigar.

"You mean you could actually _think_ yourself out?" asked Dr. Ransome.

"You mean you could actually _think_ your way out?" asked Dr. Ransome.

"I would get out," was the response.

"I would get out," was the response.

"Are you serious?"

"Are you for real?"

"Certainly I am serious."

"I'm definitely serious."

Dr. Ransome and Mr. Fielding were silent for a long time.

Dr. Ransome and Mr. Fielding stayed quiet for a long time.

"Would you be willing to try it?" asked Mr. Fielding, finally.

"Are you willing to give it a try?" Mr. Fielding asked at last.

"Certainly," said Professor Van Dusen, and there was a trace of irony in his voice. "I have done more asinine things than that to convince other men of less important truths."

"Sure," said Professor Van Dusen, with a hint of sarcasm in his voice. "I've done more foolish things than that to convince other people of less significant truths."

The tone was offensive and there was an undercurrent strongly resembling anger on both sides. Of course it was an absurd thing, but Professor Van Dusen reiterated his willingness to undertake the escape and it was decided upon.

The tone was offensive, and there was an unmistakable sense of anger from both sides. It was definitely absurd, but Professor Van Dusen insisted he was ready to make the escape happen, and it was agreed upon.

"To begin now," added Dr. Ransome.

"Let's get started now," Dr. Ransome added.

"I'd prefer that it begin to-morrow," said The Thinking Machine, "because----"

"I'd prefer that it start tomorrow," said The Thinking Machine, "because----"

"No, now," said Mr. Fielding, flatly. "You are arrested, figuratively, of course, without any warning locked in a cell with no chance to communicate with friends, and left there with identically the same care and attention that would be given to a man under sentence of death. Are you willing?"

"No, not now," Mr. Fielding said bluntly. "You’re being arrested, figuratively speaking, of course, without any warning—locked in a cell with no way to reach out to friends, and treated with the exact same care and attention that would be given to someone on death row. Are you willing?"

"All right, now, then," said The Thinking Machine, and he arose.

"Okay, then," said The Thinking Machine, and he stood up.

"Say, the death-cell in Chisholm Prison."

"Let's talk about the death row in Chisholm Prison."

"The death-cell in Chisholm Prison."

"The death row in Chisholm Prison."

"And what will you wear?"

"And what are you wearing?"

"As little as possible," said The Thinking Machine. "Shoes, stockings, trousers and a shirt."

"As little as possible," said The Thinking Machine. "Shoes, socks, pants, and a shirt."

"You will permit yourself to be searched, of course?"

"You will allow yourself to be searched, right?"

"I am to be treated precisely as all prisoners are treated," said The Thinking Machine. "No more attention and no less."

"I should be treated just like all other prisoners," said The Thinking Machine. "No more attention and no less."

There were some preliminaries to be arranged in the matter of obtaining permission for the test, but all three were influential men and everything was done satisfactorily by telephone, albeit the prison commissioners, to whom the experiment was explained on purely scientific grounds, were sadly bewildered. Professor Van Dusen would be the most distinguished prisoner they had ever entertained.

There were a few formalities to sort out for getting permission for the test, but all three were influential figures, and everything was handled smoothly over the phone. Although the prison commissioners, who were given a purely scientific explanation for the experiment, seemed quite confused. Professor Van Dusen would be the most remarkable prisoner they had ever hosted.

When The Thinking Machine had donned those things which he was to wear during his incarceration he called the little old woman who was his housekeeper, cook and maid servant all in one.

When The Thinking Machine had put on the things he was going to wear during his stay, he called the little old woman who was his housekeeper, cook, and maid all rolled into one.

"Martha," he said, "it is now twenty-seven minutes past nine o'clock. I am going away. One week from to-night, at half-past nine, these gentlemen and one, possibly two, others will take supper with me here. Remember Dr. Ransome is very fond of artichokes."

"Martha," he said, "it's now twenty-seven minutes past nine. I'm leaving. One week from tonight, at half-past nine, these gentlemen, and possibly one or two more, will have dinner with me here. Keep in mind that Dr. Ransome really likes artichokes."

The three men were driven to Chisholm Prison, where the Warden was awaiting them, having been informed of the matter by telephone. He understood merely that the eminent Professor Van Dusen was to be his prisoner, if he could keep him, for one week; that he had committed no crime, but that he was to be treated as all other prisoners were treated.

The three men were taken to Chisholm Prison, where the Warden was waiting for them, having received a phone call about the situation. He understood only that the distinguished Professor Van Dusen was going to be his prisoner, if he could hold onto him, for one week; that he hadn’t committed any crime, but that he was to be treated like all other prisoners.

"Search him," instructed Dr. Ransome.

"Search him," said Dr. Ransome.

The Thinking Machine was searched. Nothing was found on him; the pockets of the trousers were empty; the white, stiff-bosomed shirt had no pocket. The shoes and stockings were removed, examined, then replaced. As he watched all these preliminaries--the rigid search and noted the pitiful, childlike physical weakness of the man, the colorless face, and the thin, white hands--Dr. Ransome almost regretted his part in the affair.

The Thinking Machine was searched. Nothing was found on him; the pockets of his pants were empty; the stiff white shirt had no pocket. His shoes and socks were taken off, checked, and then put back on. As he observed all these initial procedures—the thorough search and noted the sad, childlike frailty of the man, the pale face, and the thin, white hands—Dr. Ransome almost felt sorry for his role in the situation.

"Are you sure you want to do this?" he asked.

"Are you certain you want to go through with this?" he asked.

"Would you be convinced if I did not?" inquired The Thinking Machine in turn.

"Would you believe me if I didn't?" The Thinking Machine asked in response.

"No."

"Nope."

"All right. I'll do it."

"Okay. I'll do it."

What sympathy Dr. Ransome had was dissipated by the tone. It nettled him, and he resolved to see the experiment to the end; it would be a stinging reproof to egotism.

What sympathy Dr. Ransome had was worn away by the tone. It irritated him, and he decided to see the experiment through to the end; it would be a sharp criticism of selfishness.

"It will be impossible for him to communicate with anyone outside?" he asked.

"It will be impossible for him to talk to anyone outside?" he asked.

"Absolutely impossible," replied the warden. "He will not be permitted writing materials of any sort."

"Absolutely impossible," replied the warden. "He won't be allowed any writing materials."

"And your jailers, would they deliver a message from him?"

"And your captors, would they pass on a message from him?"

"Not one word, directly or indirectly," said the warden. "You may rest assured of that. They will report anything he might say or turn over to me anything he might give them."

"Not a single word, directly or indirectly," said the warden. "You can be sure of that. They will report anything he says or hand over anything he gives them."

"That seems entirely satisfactory," said Mr. Fielding, who was frankly interested in the problem.

"That seems completely satisfactory," said Mr. Fielding, who was genuinely interested in the issue.

"Of course, in the event he fails," said Dr. Ransome, "and asks for his liberty, you understand you are to set him free?"

"Of course, if he fails," Dr. Ransome said, "and asks for his freedom, you know you're supposed to let him go?"

"I understand," replied the warden.

"I get it," replied the warden.

The Thinking Machine stood listening, but had nothing to say until this was all ended, then:

The Thinking Machine stood there listening, but didn’t have anything to say until it was all over, then:

"I should like to make three small requests. You may grant them or not, as you wish."

"I would like to make three small requests. You can choose to grant them or not, as you prefer."

"No special favors, now," warned Mr. Fielding.

"No special favors now," warned Mr. Fielding.

"I am asking none," was the stiff response. "I would like to have some tooth powder--buy it yourself to see that it is tooth powder--and I should like to have one five-dollar and two ten-dollar bills."

"I’m not asking anyone," was the rigid reply. "I’d like some tooth powder—get it yourself to make sure it’s actually tooth powder—and I’d also like one five-dollar bill and two ten-dollar bills."

Dr. Ransome, Mr. Fielding and the warden exchanged astonished glances. They were not surprised at the request for tooth powder, but were at the request for money.

Dr. Ransome, Mr. Fielding, and the warden exchanged shocked looks. They weren't surprised by the request for tooth powder, but they were taken aback by the request for money.

"Is there any man with whom our friend would come in contact that he could bribe with twenty-five dollars?" asked Dr. Ransome of the warden.

"Is there any guy our friend might meet that he could bribe with twenty-five dollars?" asked Dr. Ransome of the warden.

"Not for twenty-five hundred dollars," was the positive reply.

"Definitely not for twenty-five hundred dollars," was the firm response.

"Well, let him have them," said Mr. Fielding. "I think they are harmless enough."

"Sure, let him have them," said Mr. Fielding. "I think they're harmless enough."

"And what is the third request?" asked Dr. Ransome.

"And what’s the third request?" asked Dr. Ransome.

"I should like to have my shoes polished."

"I'd like to have my shoes polished."

Again the astonished glances were exchanged. This last request was the height of absurdity, so they agreed to it. These things all being attended to, The Thinking Machine was led back into the prison from which he had undertaken to escape.

Again, the surprised looks were shared. This last request was completely ridiculous, so they went along with it. With everything sorted out, The Thinking Machine was taken back into the prison from which he had tried to escape.

"Here is Cell 13," said the warden, stopping three doors down the steel corridor. "This is where we keep condemned murderers. No one can leave it without my permission; and no one in it can communicate with the outside. I'll stake my reputation on that. It's only three doors back of my office and I can readily hear any unusual noise."

"Here is Cell 13," the warden said, pausing three doors down the steel corridor. "This is where we keep condemned murderers. No one can leave without my permission, and no one inside can communicate with the outside. I’d bet my reputation on that. It's just three doors back from my office, and I can easily hear any unusual noise."

"Will this cell do, gentlemen?" asked The Thinking Machine. There was a touch of irony in his voice.

"Will this cell work, guys?" asked The Thinking Machine. There was a hint of irony in his voice.

"Admirably," was the reply.

"Great," was the reply.

The heavy steel door was thrown open, there was a great scurrying and scampering of tiny feet, and The Thinking Machine passed into the gloom of the cell. Then the door was closed and double locked by the warden.

The heavy steel door swung open, and there was a flurry of tiny feet scurrying about as The Thinking Machine entered the dim cell. Then the warden closed and double-locked the door.

"What is that noise in there?" asked Dr. Ransome, through the bars.

"What’s that noise in there?" asked Dr. Ransome, through the bars.

"Rats--dozens of them," replied The Thinking Machine, tersely.

"Rats—lots of them," replied The Thinking Machine, shortly.

The three men, with final goodnights, were turning away when The Thinking Machine called:

The three men were saying their last goodnights and starting to walk away when The Thinking Machine called out:

"What time is it exactly, warden?"

"What time is it right now, warden?"

"Eleven seventeen," replied the warden.

"11:17," replied the warden.

"Thanks. I will join you gentlemen in your office at half-past eight o'clock one week from to-night," said The Thinking Machine.

"Thanks. I'll meet you guys in your office at half-past eight next week," said The Thinking Machine.

"And if you do not?"

"And what if you don't?"

"There is no 'if' about it."

There's no doubt about it.



II.

Chisholm Prison was a great, spreading structure of granite, four stories in all, which stood in the center of acres of open space. It was surrounded by a wall of solid masonry eighteen feet high, and so smoothly finished inside and out as to offer no foothold to a climber, no matter how expert. Atop of this fence, as a further precaution, was a five-foot fence of steel rods, each terminating in a keen point. This fence in itself marked an absolute deadline between freedom and imprisonment, for, even if a man escaped from his cell, it would seem impossible for him to pass the wall.

Chisholm Prison was a massive granite building, four stories tall, located in the middle of a large open area. It was surrounded by an eighteen-foot high solid masonry wall, so smoothly finished on both sides that there was no way for a climber, no matter how skilled, to find a foothold. On top of this wall, as an additional security measure, was a five-foot tall fence made of steel rods, each ending in a sharp point. This fence clearly marked the line between freedom and captivity, because even if someone managed to escape from their cell, it would seem impossible for them to get past the wall.

The yard, which on all sides of the prison building was twenty-five feet wide, that being the distance from the building to the wall, was by day an exercise ground for those prisoners to whom was granted the boon of occasional semi-liberty. But that was not for those in Cell 13. At all times of the day there were armed guards in the yard, four of them, one patrolling each side of the prison building.

The yard, which was twenty-five feet wide all around the prison building—this being the distance from the building to the wall—served as an exercise area during the day for prisoners who were given the privilege of occasional semi-liberty. However, that was not the case for those in Cell 13. There were always four armed guards in the yard, one patrolling each side of the prison building.

By night the yard was almost as brilliantly lighted as by day. On each of the four sides was a great arc light which rose above the prison wall and gave to the guards a clear sight. The lights, too, brightly illuminated the spiked top of the wall. The wires which fed the arc lights ran up the side of the prison building on insulators and from the top story led out to the poles supporting the arc lights.

By night, the yard was almost as brightly lit as during the day. On each of the four sides, there was a large arc light rising above the prison wall, allowing the guards to see clearly. The lights also brightly lit up the spiked top of the wall. The wires that powered the arc lights ran up the side of the prison building on insulators and extended from the top floor to the poles supporting the arc lights.

All these things were seen and comprehended by The Thinking Machine, who was only enabled to see out his closely barred cell window by standing on his bed. This was on the morning following his incarceration. He gathered, too, that the river lay over there beyond the wall somewhere, because he heard faintly the pulsation of a motor boat and high up in the air saw a river bird. From that same direction came the shouts of boys at play and the occasional crack of a batted ball. He knew then that between the prison wall and the river was an open space, a playground.

All these things were noticed and understood by The Thinking Machine, who could only see out of his tightly barred cell window by standing on his bed. This was the morning after he was locked up. He also figured out that the river was down there beyond the wall somewhere because he faintly heard the sound of a motorboat and saw a river bird high up in the sky. From the same direction, he heard the shouts of boys playing and the occasional crack of a hit baseball. He realized then that there was an open space, a playground, between the prison wall and the river.

Chisholm Prison was regarded as absolutely safe. No man had ever escaped from it. The Thinking Machine, from his perch on the bed, seeing what he saw, could readily understand why. The walls of the cell, though built he judged twenty years before, were perfectly solid, and the window bars of new iron had not a shadow of rust on them. The window itself, even with the bars out, would be a difficult mode of egress because it was small.

Chisholm Prison was considered completely secure. No one had ever gotten away from it. From his spot on the bed, the Thinking Machine could easily see why. The walls of the cell, although built he guessed twenty years ago, were completely solid, and the window bars of new iron showed no signs of rust. The window itself, even without the bars, would be a tough way to escape because it was small.

Yet, seeing these things, The Thinking Machine was not discouraged. Instead, he thoughtfully squinted at the great arc light--there was bright sunlight now--and traced with his eyes the wire which led from it to the building. That electric wire, he reasoned, must come down the side of the building not a great distance from his cell. That might be worth knowing.

Yet, seeing all this, The Thinking Machine wasn't discouraged. Instead, he thoughtfully squinted at the bright arc light—there was now plenty of sunlight—and followed with his eyes the wire that led from it to the building. He reasoned that this electric wire must run down the side of the building not far from his cell. That could be valuable information.

Cell 13 was on the same floor with the offices of the prison--that is, not in the basement, nor yet upstairs. There were only four steps up to the office floor, therefore the level of the floor must be only three or four feet above the ground. He couldn't see the ground directly beneath his window, but he could see it further out toward the wall. It would be an easy drop from the window. Well and good.

Cell 13 was on the same floor as the prison offices—not in the basement and not upstairs. There were only four steps leading up to the office floor, so the floor level must be just three or four feet above the ground. He couldn't see the ground directly below his window, but he could see it farther out near the wall. It would be an easy drop from the window. That’s fine.

Then The Thinking Machine fell to remembering how he had come to the cell. First, there was the outside guard's booth, a part of the wall. There were two heavily barred gates there, both of steel. At this gate was one man always on guard. He admitted persons to the prison after much clanking of keys and locks, and let them out when ordered to do so. The warden's office was in the prison building, and in order to reach that official from the prison yard one had to pass a gate of solid steel with only a peep-hole in it. Then coming from that inner office to Cell 13, where he was now, one must pass a heavy wooden door and two steel doors into the corridors of the prison; and always there was the double-locked door of Cell 13 to reckon with.

Then The Thinking Machine started to remember how he had arrived at the cell. First, there was the outside guard booth, which was part of the wall. There were two heavy steel gates there. A guard was always stationed at this gate. He let people into the prison after a lot of clanking keys and locks and allowed them to leave when given the order. The warden's office was inside the prison building, and to reach that office from the prison yard, one had to go through a solid steel gate that only had a small peephole. Then, to get from that inner office to Cell 13, where he was now, one had to go through a heavy wooden door and two steel doors into the prison corridors; and there was always the double-locked door of Cell 13 to deal with.

There were then, The Thinking Machine recalled, seven doors to be overcome before one could pass from Cell 13 into the outer world, a free man. But against this was the fact that he was rarely interrupted. A jailer appeared at his cell door at six in the morning with a breakfast of prison fare; he would come again at noon, and again at six in the afternoon. At nine o'clock at night would come the inspection tour. That would be all.

There were seven doors to get through before someone could leave Cell 13 and enter the outside world as a free person, The Thinking Machine remembered. However, the good thing was that he was seldom interrupted. A guard showed up at his cell door at six in the morning with a typical prison breakfast; he would return at noon and again at six in the evening. At nine o'clock at night, there would be an inspection. That was all.

"It's admirably arranged, this prison system," was the mental tribute paid by The Thinking Machine. "I'll have to study it a little when I get out. I had no idea there was such great care exercised in the prisons."

"It's really well organized, this prison system," was the mental tribute paid by The Thinking Machine. "I’ll need to look into it a bit more once I get out. I had no idea there was such a high level of care in the prisons."

There was nothing, positively nothing, in his cell, except his iron bed, so firmly put together that no man could tear it to pieces save with sledges or a file. He had neither of these. There was not even a chair, or a small table, or a bit of tin or crockery. Nothing! The jailer stood by when he ate, then took away the wooden spoon and bowl which he had used.

There was absolutely nothing in his cell except for his iron bed, which was so sturdily built that no one could break it apart without heavy tools like sledges or a file. He had neither of those. There wasn't even a chair, a small table, or any tin or pottery. Nothing! The jailer stood by while he ate and then took away the wooden spoon and bowl he had used.

One by one these things sank into the brain of The Thinking Machine. When the last possibility had been considered he began an examination of his cell. From the roof, down the walls on all sides, he examined the stones and the cement between them. He stamped over the floor carefully time after time, but it was cement, perfectly solid. After the examination he sat on the edge of the iron bed and was lost in thought for a long time. For Professor Augustus S. F. X. Van Dusen, The Thinking Machine, had something to think about.

One by one, these ideas sank into The Thinking Machine's mind. Once he had considered every possibility, he started examining his cell. He looked closely at the stones and the cement between them on the walls and the ceiling. He carefully stamped on the floor repeatedly, but it was solid cement. After his inspection, he sat on the edge of the iron bed and was deep in thought for a long time. Professor Augustus S. F. X. Van Dusen, The Thinking Machine, had a lot on his mind.

He was disturbed by a rat, which ran across his foot, then scampered away into a dark corner of the cell, frightened at its own daring. After awhile The Thinking Machine, squinting steadily into the darkness of the corner where the rat had gone, was able to make out in the gloom many little beady eyes 'staring at him. He counted six pair, and there were perhaps others; he didn't see very well.

He was interrupted by a rat that ran over his foot, then quickly darted into a dark corner of the cell, startled by its own boldness. After a while, The Thinking Machine, squinting steadily into the darkness of the corner where the rat had vanished, was able to make out many little beady eyes staring back at him in the gloom. He counted six pairs, and there might have been more; he didn't see very clearly.

Then The Thinking Machine, from his seat on the bed, noticed for the first time the bottom of his cell door. There was an opening there of two inches between the steel bar and the floor. Still looking steadily at this opening, The Thinking Machine backed suddenly into the corner where he had seen the beady eyes. There was a great scampering of tiny feet, several squeaks of frightened rodents, and then silence.

Then The Thinking Machine, from his spot on the bed, noticed for the first time the bottom of his cell door. There was a two-inch gap between the steel bar and the floor. Still focusing on this gap, The Thinking Machine suddenly backed into the corner where he had seen the beady eyes. There was a rush of tiny feet, several squeaks from frightened rodents, and then silence.

None of the rats had gone out the door, yet there were none in the cell. Therefore there must be another way out of the cell, however small. The Thinking Machine, on hands and knees, started a search for this spot, feeling in the darkness with his long, slender fingers.

None of the rats had gone out the door, yet there were none in the cell. Therefore, there must be another way out of the cell, no matter how small. The Thinking Machine, on hands and knees, began searching for this spot, feeling in the darkness with his long, slender fingers.

At last his search was rewarded. He came upon a small opening in the floor, level with the cement. It was perfectly round and somewhat larger than a silver dollar. This was the way the rats had gone. He put his fingers deep into the opening; it seemed to be a disused drainage pipe and was dry and dusty.

At last, his search paid off. He found a small opening in the floor, even with the cement. It was perfectly round and a bit larger than a silver dollar. This was the path the rats had taken. He shoved his fingers deep into the opening; it felt like an unused drainage pipe and was dry and dusty.

Having satisfied himself on this point, he sat on the bed again for an hour, then made another inspection of his surroundings through the small cell window. One of the outside guards stood directly opposite, beside the wall, and happened to be looking at the window of Cell 13 when the head of The Thinking Machine appeared. But the scientist didn't notice the guard.

Having satisfied himself on this point, he sat on the bed again for an hour, then made another inspection of his surroundings through the small cell window. One of the outside guards stood directly opposite, beside the wall, and happened to be looking at the window of Cell 13 when the head of The Thinking Machine appeared. But the scientist didn't notice the guard.

Noon came and the jailer appeared with the prison dinner of repulsively plain food. At home The Thinking Machine merely ate to live; here he took what was offered without comment. Occasionally he spoke to the jailer who stood outside the door watching him.

Noon arrived, and the jailer brought in the prison meal of unappetizingly bland food. At home, The Thinking Machine just ate to survive; here, he accepted whatever was given without saying a word. Sometimes, he talked to the jailer who stood outside the door keeping an eye on him.

"Any improvements made here in the last few years?" he asked.

"Have there been any improvements made here in the past few years?" he asked.

"Nothing particularly," replied the jailer. "New wall was built four years ago."

"Nothing special," replied the jailer. "A new wall was built four years ago."

"Anything done to the prison proper?"

"Has anything been done to the actual prison?"

"Painted the woodwork outside, and I believe about seven years ago a new system of plumbing was put in."

"Painted the outdoor woodwork, and I think a new plumbing system was installed around seven years ago."

"Ah!" said the prisoner. "How far is the river over there?"

"Ah!" said the prisoner. "How far is the river over there?"

"About three hundred feet. The boys have a baseball ground between the wall and the river." The Thinking Machine had nothing further to say just then, but when the jailer was ready to go he asked for some water.

"About three hundred feet. The boys have a baseball field between the wall and the river." The Thinking Machine didn't say anything more at that moment, but when the jailer was about to leave, he asked for some water.

"I get very thirsty here," he explained. "Would it be possible for you to leave a little water in a bowl for me?"

"I get really thirsty here," he said. "Could you leave some water in a bowl for me?"

"I'll ask the warden," replied the jailer, and he went away.

"I'll check with the warden," said the jailer, and he walked away.

Half an hour later he returned with water in a small earthen bowl.

Half an hour later, he came back with water in a small clay bowl.

"The warden says you may keep this bowl," he informed the prisoner. "But you must show it to me when I ask for it. If it is broken, it will be the last."

"The warden says you can keep this bowl," he told the prisoner. "But you have to show it to me whenever I ask for it. If it’s broken, that’ll be the end of it."

"Thank you," said The Thinking Machine. "I shan't break it."

"Thank you," said The Thinking Machine. "I won't break it."

The jailer went on about his duties. For just the fraction of a second it seemed that The Thinking Machine wanted to ask a question, but he didn't.

The jailer continued with his responsibilities. For just a split second, it seemed like The Thinking Machine wanted to ask something, but he held back.

Two hours later this same jailer, in passing the door of Cell No. 13, heard a noise inside and stopped. The Thinking Machine was down on his hands and knees in a corner of the cell, and from that same corner came several frightened squeaks. The jailer looked on interestedly.

Two hours later, the same jailer, when walking by the door of Cell No. 13, heard a noise inside and stopped. The Thinking Machine was on his hands and knees in a corner of the cell, and from that same corner came several scared squeaks. The jailer watched with interest.

"Ah, I've got you," he heard the prisoner say. "Got what?" he asked, sharply.

"Ah, I’ve got you," he heard the prisoner say. "Got what?" he asked, sharply.

"One of these rats," was the reply. "See?" And between the scientist's long fingers the jailer saw a small gray rat struggling. The prisoner brought it over to the light and looked at it closely. "It's a water rat," he said.

"One of these rats," was the reply. "See?" And between the scientist's long fingers, the jailer saw a small gray rat struggling. The prisoner brought it over to the light and looked at it closely. "It's a water rat," he said.

"Ain't you got anything better to do than to catch rats?" asked the jailer.

"Aren't you going to do something more useful than catching rats?" asked the jailer.

"It's disgraceful that they should be here at all," was the irritated reply. "Take this one away and kill it. There are dozens more where it came from."

"It's shameful that they should even be here," was the annoyed response. "Remove this one and dispose of it. There are tons more where it came from."

The jailer took the wriggling, squirmy rodent and flung it down on the floor violently. It gave one squeak and lay still. Later he reported the incident to the warden, who only smiled.

The jailer grabbed the wriggling, squirming rodent and threw it down on the floor with force. It let out a single squeak and then lay still. Later, he told the warden about the incident, who just smiled.

Still later that afternoon the outside armed guard on Cell 13 side of the prison looked up again at the window and saw the prisoner looking out. He saw a hand raised to the barred window and then something white fluttered to the ground, directly under the window of Cell 13. It was a little roll of linen, evidently of white shirting material, and tied around it was a five-dollar bill. The guard looked up at the window again, but the face had disappeared.

Still later that afternoon, the outside armed guard on the Cell 13 side of the prison looked up at the window again and saw the prisoner looking out. He noticed a hand raised to the barred window, and then something white fluttered down to the ground, directly under the window of Cell 13. It was a small roll of linen, clearly made of white shirting material, and tied around it was a five-dollar bill. The guard looked up at the window again, but the face had vanished.

With a grim smile he took the little linen roll and the five-dollar bill to the warden's office. There together they deciphered something which was written on it with a queer sort of ink, frequently blurred. On the outside was this:

With a serious smile, he took the small linen roll and the five-dollar bill to the warden's office. There, they figured out what was written on it with a strange kind of ink that was often smudged. On the outside was this:

"Finder of this please deliver to Dr. Charles Ransome."

"Please deliver this to Dr. Charles Ransome."

"Ah," said the warden, with a chuckle. "Plan of escape number one has gone wrong." Then, as an afterthought: "But why did he address it to Dr. Ransome?"

"Ah," said the warden, chuckling. "Escape plan number one has failed." Then, as an afterthought, he added, "But why did he send it to Dr. Ransome?"

"And where did he get the pen and ink to write with?" asked the guard.

"And where did he get the pen and ink to write with?" the guard asked.

The warden looked at the guard and the guard looked at the warden. There was no apparent solution of that mystery. The warden studied the writing carefully, then shook his head.

The warden looked at the guard, and the guard looked at the warden. There was no obvious solution to that mystery. The warden examined the writing closely, then shook his head.

"Well, let's see what he was going to say to Dr. Ransome," he said at length, still puzzled, and he unrolled the inner piece of linen.

"Well, let's see what he was going to say to Dr. Ransome," he said after a moment, still confused, and he unfolded the inner piece of linen.

"Well, if that--what--what do you think of that?" he asked, dazed.

"Well, if that—what—what do you think about that?" he asked, stunned.

The guard took the bit of linen and read this:

The guard took the piece of linen and read this:

"_Epa cseot d'net niiy awe htto n'si sih. 'T'"_.

_Epa cseot d'net niiy awe htto n'si sih. 'T'_



III.

The warden spent an hour wondering what sort of a cipher it was, and half an hour wondering why his prisoner should attempt to communicate with Dr. Ransome, who was the cause of him being there. After this the warden devoted some thought to the question of where the prisoner got writing materials, and what sort of writing materials he had. With the idea of illuminating this point, he examined the linen again. It was a torn part of a white shirt and had ragged edges.

The warden spent an hour trying to figure out what kind of cipher it was, and another half hour questioning why his prisoner would try to communicate with Dr. Ransome, the very person responsible for his situation. After that, the warden considered where the prisoner had gotten writing materials and what kind they were. To shed some light on this issue, he looked at the linen again. It was a torn piece of a white shirt with frayed edges.

Now it was possible to account for the linen, but what the prisoner had used to write with was another matter. The warden knew it would have been impossible for him to have either pen or pencil, and, besides, neither pen nor pencil had been used in this writing. What, then? The warden decided to personally investigate. The Thinking Machine was his prisoner; he had orders to hold his prisoners; if this one sought to escape by sending cipher messages to persons outside, he would stop it, as he would have stopped it in the case of any other prisoner.

Now it was possible to account for the linen, but what the prisoner had used to write with was a different story. The warden knew it would have been impossible for him to have either a pen or a pencil, and besides, neither had been used in this writing. So, what was it? The warden decided to investigate personally. The Thinking Machine was his prisoner; he had orders to keep his prisoners secure; if this one tried to escape by sending coded messages to people outside, he would put a stop to it, just as he would with any other prisoner.

The warden went back to Cell 13 and found The Thinking Machine on his hands and knees on the floor, engaged in nothing more alarming than catching rats. The prisoner heard the warden's step and turned to him quickly.

The warden returned to Cell 13 and found The Thinking Machine on his hands and knees on the floor, doing nothing more concerning than catching rats. The prisoner heard the warden’s footsteps and quickly turned to him.

"It's disgraceful," he snapped, "these rats. There are scores of them."

"It's disgraceful," he said sharply, "these pests. There are tons of them."

"Other men have been able to stand them," said the warden. "Here is another shirt for you--let me have the one you have on."

"Other men have managed to deal with them," said the warden. "Here’s another shirt for you—hand me the one you're wearing."

"Why?" demanded The Thinking Machine, quickly. His tone was hardly natural, his manner suggested actual perturbation.

"Why?" asked The Thinking Machine, quickly. His tone was anything but natural, and his demeanor showed clear agitation.

"You have attempted to communicate with Dr. Ransome," said the warden severely. "As my prisoner, it is my duty to put a stop to it."

"You've tried to talk to Dr. Ransome," the warden said sternly. "As my prisoner, it’s my responsibility to put an end to that."

The Thinking Machine was silent for a moment.

The Thinking Machine was quiet for a moment.

"All right," he said, finally. "Do your duty."

"Okay," he said at last. "Do what you need to do."

The warden smiled grimly. The prisoner arose from the floor and removed the white shirt, putting on instead a striped convict shirt the warden had brought. The warden took the white shirt eagerly, and then and there compared the pieces of linen on which was written the cipher with certain torn places in the shirt. The Thinking Machine looked on curiously.

The warden smiled tightly. The prisoner got up from the floor and took off the white shirt, putting on a striped convict shirt that the warden had brought. The warden eagerly took the white shirt and immediately compared the fabric with the cipher to the torn spots on the shirt. The Thinking Machine watched with interest.

"The guard brought _you_ those, then?" he asked.

"The guard brought you those, then?" he asked.

"He certainly did," replied the warden triumphantly. "And that ends your first attempt to escape."

"He sure did," the warden said with a sense of triumph. "And that wraps up your first attempt to escape."

The Thinking Machine watched the warden as he, by comparison, established to his own satisfaction that only two pieces of linen had been torn from the white shirt.

The Thinking Machine observed the warden as he confidently determined that only two pieces of linen had been ripped from the white shirt.

"What did you write this with?" demanded the warden.

"What did you use to write this?" demanded the warden.

"I should think it a part of your duty to find out," said The Thinking Machine, irritably.

"I think it's your responsibility to figure it out," said The Thinking Machine, irritably.

The warden started to say some harsh things, then restrained himself and made a minute search of the cell and of the prisoner instead. He found absolutely nothing; not even a match or toothpick which might have been used for a pen. The same mystery surrounded the fluid with which the cipher had been written. Although the warden left Cell 13 visibly annoyed, he took the torn shirt in triumph.

The warden began to say some harsh things but held back and conducted a thorough search of the cell and the prisoner instead. He found absolutely nothing—not even a match or toothpick that could’ve been used as a pen. The same mystery surrounded the liquid used to write the cipher. Although the warden left Cell 13 clearly annoyed, he took the torn shirt with a sense of triumph.

"Well, writing notes on a shirt won't get him out, that's certain," he told himself with some complacency. He put the linen scraps into his desk to await developments. "If that man escapes from that cell I'll--hang it-I'll resign."

"Well, writing notes on a shirt won’t get him out, that’s for sure," he told himself with some satisfaction. He put the linen scraps in his desk to wait for what happened next. "If that guy escapes from that cell, I swear—I’ll resign."

On the third day of his incarceration The Thinking Machine openly attempted to bribe his way out. The jailer had brought his dinner and was leaning against the barred door, waiting, when The Thinking Machine began the conversation.

On the third day of his imprisonment, The Thinking Machine tried to bribe his way out. The jailer had brought his dinner and was leaning against the barred door, waiting, when The Thinking Machine started the conversation.

"The drainage pipes of the prison lead to the river, don't they?" he asked.

"The prison's drainage pipes go to the river, right?" he asked.

"Yes," said the jailer.

"Yeah," said the jailer.

"I suppose they are very small?"

"I guess they’re kind of small?"

"Too small to crawl through, if that's what you're thinking about," was the grinning response.

"Too small to crawl through, if that's what you're thinking," was the grinning response.

There was silence until The Thinking Machine finished his meal. Then:

There was silence until The Thinking Machine finished eating. Then:

"You know I'm not a criminal, don't you?"

"You know I'm not a criminal, right?"

"Yes."

Yes.

"And that I've a perfect right to be freed if I demand it?"

"And I have every right to be freed if I ask for it?"

"Yes."

Yes.

"Well, I came here believing that I could make my escape," said the prisoner, and his squint eyes studied the face of the jailer. "Would you consider a financial reward for aiding me to escape?"

"Well, I came here thinking that I could make my escape," said the prisoner, and his squinting eyes examined the face of the jailer. "Would you be open to a financial reward for helping me get away?"

The jailer, who happened to be an honest man, looked at the slender, weak figure of the prisoner, at the large head with its mass of yellow hair, and was almost sorry.

The jailer, who just so happened to be an honest man, looked at the frail, skinny figure of the prisoner, at the big head with its thick mass of yellow hair, and felt a twinge of pity.

"I guess prisons like these were not built for the likes of you to get out of," he said, at last.

"I guess prisons like this weren't made for people like you to escape from," he finally said.

"But would you consider a proposition to help me get out?" the prisoner insisted, almost beseechingly.

"But would you consider a proposal to help me get out?" the prisoner urged, almost pleading.

"No," said the jailer, shortly.

"No," said the jailer, curtly.

"Five hundred dollars," urged The Thinking Machine. "I am not a criminal."

"Five hundred dollars," insisted The Thinking Machine. "I'm not a criminal."

"No," said the jailer.

"No," said the guard.

"A thousand?"

"One thousand?"

"No," again said the jailer, and he started away hurriedly to escape further temptation. Then he turned back. "If you should give me ten thousand dollars I couldn't get you out. You'd have to pass through seven doors, and I only have the keys to two."

"No," the jailer said again, quickly turning away to avoid more temptation. Then he turned back. "Even if you offered me ten thousand dollars, I couldn't get you out. You'd have to get through seven doors, and I only have the keys for two."

Then he told the warden all about it.

Then he told the guard everything about it.

"Plan number two fails," said the warden, smiling grimly. "First a cipher, then bribery."

"Plan number two fails," the warden said with a grim smile. "First, a cipher, then bribery."

When the jailer was on his way to Cell 13 at six o'clock, again bearing food to The Thinking Machine, he paused, startled by the unmistakable scrape, scrape of steel against steel. It stopped at the sound of his steps, then craftily the jailer, who was beyond the prisoner's range of vision, resumed his tramping, the sound being apparently that of a man going away from Cell 13. As a matter of fact he was in the same spot.

When the jailer was heading to Cell 13 at six o'clock, once again carrying food to The Thinking Machine, he stopped, surprised by the unmistakable scrape, scrape of steel against steel. It stopped when he stepped forward, then cleverly the jailer, who was out of the prisoner’s sight, continued his pacing, making it sound like a man was walking away from Cell 13. In reality, he was still in the same place.

After a moment there came again the steady scrape, scrape, and the jailer crept cautiously on tiptoes to the door and peered between the bars. The Thinking Machine was standing on the iron bed working at the bars of the little window. He was using a file, judging from the backward and forward swing of his arms.

After a moment, the steady scrape, scrape returned, and the jailer quietly tiptoed to the door and looked through the bars. The Thinking Machine was standing on the iron bed, working on the bars of the small window. He was using a file, based on the back-and-forth motion of his arms.

Cautiously the jailer crept back to the office, summoned the warden in person, and they returned to Cell 13 on tiptoes. The steady scrape was still audible. The warden listened to satisfy himself and then suddenly appeared at the door.

Cautiously, the jailer made his way back to the office, called the warden in person, and together they tiptoed back to Cell 13. The steady scraping sound was still audible. The warden listened to confirm what he heard and then suddenly appeared at the door.

"Well?" he demanded, and there was a smile on his face.

"Well?" he asked, a smile on his face.

The Thinking Machine glanced back from his perch on the bed and leaped suddenly to the floor, making frantic efforts to hide something. The warden went in, with hand extended.

The Thinking Machine looked back from his spot on the bed and suddenly jumped to the floor, trying desperately to hide something. The warden entered, reaching out his hand.

"Give it up," he said.

"Give it up," he said.

"No," said the prisoner, sharply.

"No," the prisoner said sharply.

"Come, give it up," urged the warden. "I don't want to have to search you again."

"Come on, just hand it over," the warden insisted. "I don’t want to have to search you again."

"No," repeated the prisoner.

"No," the prisoner said again.

"What was it, a file?" asked the warden.

"What was it, a file?" the warden asked.

The Thinking Machine was silent and stood squinting at the warden with something very nearly approaching disappointment on his face--nearly, but not quite. The warden was almost sympathetic.

The Thinking Machine was quiet and stared at the warden with an expression that was close to disappointment—close, but not quite. The warden looked somewhat sympathetic.

"Plan number three fails, eh?" he asked, good-naturedly. "Too bad, isn't it?"

"Plan number three didn’t work out, huh?" he asked, with a friendly tone. "That’s a shame, isn’t it?"

The prisoner didn't say.

The inmate didn’t say.

"Search him," instructed the warden.

"Search him," said the warden.

The jailer searched the prisoner carefully. At last, artfully concealed in the waist band of the trousers, he found a piece of steel about two inches long, with one side curved like a half moon.

The jailer searched the prisoner thoroughly. Finally, skillfully hidden in the waistband of his pants, he discovered a piece of steel about two inches long, one side curved like a crescent moon.

"Ah," said the warden, as he received it from the jailer. "From your shoe heel," and he smiled pleasantly.

"Ah," said the warden, taking it from the jailer. "From your shoe heel," and he smiled warmly.

The jailer continued his search and on the other side of the trousers waist band found another piece of steel identical with the first. The edges showed where they had been worn against the bars of the window.

The jailer kept searching and on the other side of the pants waistband found another piece of steel just like the first one. The edges were worn down from rubbing against the bars of the window.

"You couldn't saw a way through those bars with these," said the warden.

"You couldn't get through those bars with these," said the warden.

"I could have," said The Thinking Machine firmly.

"I could have," The Thinking Machine said confidently.

"In six months, perhaps," said the warden, good-naturedly.

"In about six months, maybe," said the warden, with a friendly smile.

The warden shook his head slowly as he gazed into the slightly flushed face of his prisoner.

The warden slowly shook his head as he looked into the slightly flushed face of his prisoner.

"Ready to give it up?" he asked.

"Are you ready to give it up?" he asked.

"I haven't started yet," was the prompt reply.

"I haven't started yet," was the quick response.

Then came another exhaustive search of the cell. Carefully the two men went over it, finally turning out the bed and searching that. Nothing. The warden in person climbed upon the bed and examined the bars of the window where the prisoner had been sawing. When he looked he was amused.

Then another thorough search of the cell began. The two men carefully went through it, even turning over the bed to check. Nothing. The warden himself climbed onto the bed and inspected the window bars where the prisoner had been sawing. When he looked, he found it amusing.

"Just made it a little bright by hard rubbing," he said to the prisoner, who stood looking on with a somewhat crestfallen air. The warden grasped the iron bars in his strong hands and tried to shake them. They were immovable, set firmly in the solid granite. He examined each in turn and found them all satisfactory. Finally he climbed down from the bed.

"Just made it a bit brighter by rubbing it hard," he said to the prisoner, who stood watching with a slightly defeated expression. The warden grasped the iron bars in his strong hands and tried to shake them. They didn’t budge, solidly set in the granite. He checked each one and found them all to be in good shape. Finally, he climbed down from the bed.

"Give it up, professor," he advised.

"Give it up, professor," he said.

The Thinking Machine shook his head and the warden and jailer passed on again. As they disappeared down the corridor The Thinking Machine sat on the edge of the bed with his head in his hands.

The Thinking Machine shook his head, and the warden and jailer moved on again. As they faded away down the corridor, The Thinking Machine sat on the edge of the bed with his head in his hands.

"He's crazy to try to get out of that cell," commented the jailer.

"He's insane for trying to escape that cell," the jailer remarked.

"Of course he can't get out," said the warden. "But he's clever. I would like to know what he wrote that cipher with."

"Of course he can't get out," said the warden. "But he's smart. I wonder what he used to write that cipher."


* * * * *

Understood! Please provide the text you would like me to modernize.

It was four o'clock next morning when an awful, heart-racking shriek of terror resounded through the great prison. It came from a cell, somewhere about the center, and its tone told a tale of horror, agony, terrible fear. The warden heard and with three of his men rushed into the long corridor leading to Cell 13.

It was four o'clock the next morning when a terrifying, gut-wrenching scream echoed through the massive prison. It came from a cell near the center, and its sound conveyed a story of horror, pain, and intense fear. The warden heard it and, along with three of his men, hurried into the long corridor leading to Cell 13.


IV.

As they ran there came again that awful cry. It died away in a sort of wail. The white faces of prisoners appeared at cell doors upstairs and down, staring out wonderingly, frightened.

As they ran, that terrible cry rang out again. It faded into a kind of wail. The pale faces of prisoners appeared at the cell doors above and below, staring out in confusion and fear.

"It's that fool in Cell 13," grumbled the warden.

"It's that idiot in Cell 13," the warden complained.

He stopped and stared in as one of the jailers flashed a lantern. "That fool in Cell 13" lay comfortably on his cot, flat on his back with his mouth open, snoring. Even as they looked there came again the piercing cry, from somewhere above. The warden's face blanched a little as he started up the stairs. There on the top floor he found a man in Cell 43, directly above Cell 13, but two floors higher, cowering in a corner of his cell.

He halted and looked inside as one of the guards swung a lantern. "That idiot in Cell 13" was lounging on his cot, flat on his back with his mouth open, snoring. Just then, the sharp scream echoed from somewhere above. The warden's face paled slightly as he rushed up the stairs. On the top floor, he discovered a man in Cell 43, directly above Cell 13 but two floors up, huddled in a corner of his cell.

"What's the matter?" demanded the warden.

"What's wrong?" the warden asked.

"Thank God you've come," exclaimed the prisoner, and he cast himself against the bars of his cell.

"Thank God you're here," exclaimed the prisoner, throwing himself against the bars of his cell.

"What is it?" demanded the warden again.

"What is it?" the warden asked again.

He threw open the door and went in. The prisoner dropped on his knees and clasped the warden about the body. His face was white with terror, his eyes were widely distended, and he was shuddering. His hands, icy cold, clutched at the warden's.

He swung the door open and walked in. The prisoner fell to his knees and wrapped his arms around the warden. His face was pale with fear, his eyes wide open, and he was trembling. His hands, freezing cold, grasped the warden's.

"Take me out of this cell, please take me out," he pleaded.

"Please, get me out of this cell. I’m begging you," he pleaded.

"What's the matter with you, anyhow?" insisted the warden, impatiently.

"What's wrong with you, anyway?" the warden insisted, impatiently.

"I heard something--something," said the prisoner, and his eyes roved nervously around the cell.

"I heard something—something," said the prisoner, and his eyes darted nervously around the cell.

"What did you hear?"

"What did you listen to?"

"I--I can't tell you," stammered the prisoner. Then, in a sudden burst of terror: "Take me out of this cell--put me anywhere--but take me out of here."

"I—I can't tell you," stammered the prisoner. Then, in a sudden burst of terror: "Get me out of this cell—put me anywhere—but just get me out of here."

The warden and the three jailers exchanged glances.

The warden and the three guards exchanged looks.

"Who is this fellow? What's he accused of?" asked the warden.

"Who is this guy? What’s he accused of?" asked the warden.

"Joseph Ballard," said one of the jailers. "He's accused of throwing acid in a woman's face. She died from it."

"Joseph Ballard," said one of the jailers. "He's accused of throwing acid in a woman's face. She died from it."

"But they can't prove it," gasped the prisoner. "They can't prove it. Please put me in some other cell."

"But they can't prove it," the prisoner gasped. "They can't prove it. Please put me in a different cell."

He was still clinging to the warden, and that official threw his arms off roughly. Then for a time he stood looking at the cowering wretch, who seemed possessed of all the wild, unreasoning terror of a child.

He was still hanging onto the warden, and that official shoved him off harshly. Then for a moment, he stood there staring at the trembling wretch, who looked completely overwhelmed by a primal, irrational fear like that of a child.

"Look here, Ballard," said the warden, finally, "if you heard anything, I want to know what it was. Now tell me."

"Listen up, Ballard," the warden said at last, "if you heard anything, I need to know what it was. So go ahead and tell me."

"I can't, I can't," was the reply. He was sobbing. "Where did it come from?"

"I can't, I can't," was the response. He was crying. "Where did it come from?"

"I don't know. Everywhere--nowhere. I just heard it."

"I don't know. Everywhere—nowhere. I just heard it."

"What was it--a voice?"

"What was that--a voice?"

"Please don't make me answer," pleaded the prisoner.

"Please don’t make me answer," the prisoner pleaded.

"You must answer," said the warden, sharply.

"You need to answer," the warden said sharply.

"It was a voice--but--but it wasn't human," was the sobbing reply.

"It was a voice—but it wasn't human," came the tearful response.

"Voice, but not human?" repeated the warden, puzzled.

"Voice, but not human?" the warden repeated, confused.

"It sounded muffled and--and far away--and ghostly," explained the man.

"It sounded faint and distant—and eerie," the man explained.

"Did it come from inside or outside the prison?"

"Did it come from inside or outside the prison?"

"It didn't seem to come from anywhere--it was just here, here, everywhere. I heard it. I heard it."

"It didn’t seem to come from anywhere—it was just here, here, everywhere. I heard it. I heard it."

For an hour the warden tried to get the story, but Ballard had become suddenly obstinate and would say nothing--only pleaded to be placed in another cell, or to have one of the jailers remain near him until daylight. These requests were gruffly refused.

For an hour, the warden tried to get the story, but Ballard suddenly became stubborn and wouldn't say anything—he only asked to be moved to another cell or for one of the jailers to stay close to him until morning. These requests were bluntly denied.

"And see here," said the warden, in conclusion, "if there's any more of this screaming I'll put you in the padded cell."

"And listen," said the warden, wrapping up, "if there's any more of this screaming, I’ll throw you in the padded cell."

Then the warden went his way, a sadly puzzled man. Ballard sat at his cell door until daylight, his face, drawn and white with terror, pressed against the bars, and looked out into the prison with wide. staring eyes.

Then the warden left, looking sadly confused. Ballard sat at his cell door until morning, his face pale and drawn with fear, pressed against the bars, gazing out into the prison with wide, staring eyes.

That day, the fourth since the incarceration of The Thinking Machine, was enlivened considerably by the volunteer prisoner, who spent most of his time at the little window of his cell. He began proceedings by throwing another piece of linen down to the guard, who picked it up dutifully and took it to the warden. On it was written:

That day, the fourth since The Thinking Machine was locked up, was made a lot more interesting by the volunteer prisoner, who spent most of his time at the small window of his cell. He started things off by tossing another piece of linen down to the guard, who picked it up obediently and brought it to the warden. Written on it was:

"Only three days more."

"Just three days left."

The warden was in no way surprised at what he read; he understood that The Thinking Machine meant only three days more of his imprisonment, and he regarded the note as a boast. But how was the thing written? Where had The Thinking Machine found this new piece of linen? Where? How? He carefully examined the linen. It was white, of fine texture, shirting material. He took the shirt which he had taken and carefully fitted the two original pieces of the linen to the torn places. This third piece was entirely superfluous; it didn't fit anywhere, and yet it was unmistakably the same goods.

The warden was not at all surprised by what he read; he realized that The Thinking Machine was implying only three more days of his imprisonment and viewed the note as a brag. But how was it written? Where had The Thinking Machine found this new piece of fabric? Where? How? He carefully examined the fabric. It was white, made of fine-quality shirting material. He took the shirt he had previously secured and carefully matched the two original pieces of fabric to the torn areas. This third piece was completely unnecessary; it didn't fit anywhere, yet it was clearly the same material.

"And where--where does he get anything to write with?" demanded the warden of the world at large.

"And where—where does he get anything to write with?" demanded the warden of the world at large.

Still later on the fourth day The Thinking Machine, through the window of his cell, spoke to the armed guard outside.

Still later on the fourth day, The Thinking Machine spoke to the armed guard outside through the window of his cell.

"What day of the month is it?" he asked.

"What date is it?" he asked.

"The fifteenth," was the answer.

"On the fifteenth," was the answer.

The Thinking Machine made a mental Astronomical calculation and satisfied himself that the moon would not rise until after nine o'clock that night. Then he asked another question:

The Thinking Machine did a mental astronomical calculation and confirmed that the moon wouldn't rise until after nine o'clock that night. Then, he asked another question:

"Who attends to those arc lights?"

"Who takes care of those arc lights?"

"Man from the company."

"Guy from the company."

"You have no electricians in the building?"

"You don’t have any electricians in the building?"

"I should think you could save money if you had your own man."

"I think you could save money if you had your own person."

"None of my business," replied the guard.

"Not my problem," replied the guard.

The guard noticed The Thinking Machine at the cell window frequently during that day, but always the face seemed listless and there was a certain wistfulness in the squint eyes behind the glasses. After a while he accepted the presence of the leonine head as a matter of course. He had seen other prisoners do the same thing; it was the longing for the outside world.

The guard saw The Thinking Machine at the cell window often that day, but the face always looked dull, and there was a sense of longing in the squinting eyes behind the glasses. Eventually, he got used to seeing the lion-like head there. He had noticed other prisoners do the same; it was their desire for the outside world.

That afternoon, just before the day guard was relieved, the head appeared at the window again, and The Thinking Machine's hand held something out between the bars. It fluttered to the ground and the guard picked it up. It was a five-dollar bill.

That afternoon, just before the day guard was relieved, the head popped up at the window again, and The Thinking Machine handed something out between the bars. It fluttered to the ground, and the guard picked it up. It was a five-dollar bill.

"That's for you," called the prisoner.

"That's for you," the prisoner shouted.

As usual, the guard took it to the warden. That gentleman looked at it suspiciously; he looked at everything that came from Cell 13 with suspicion.

As always, the guard brought it to the warden. That man examined it with suspicion; he viewed everything that came from Cell 13 with distrust.

"He said it was for me," explained the guard.

"He said it was for me," the guard explained.

"It's a sort of a tip, I suppose," said the warden. "I see no particular reason why you shouldn't accept----"

"It's kind of a tip, I guess," said the warden. "I don't see any good reason why you shouldn't take it----"

Suddenly he stopped. He had remembered that The Thinking Machine had gone into Cell 13 with one five-dollar bill and two ten-dollar bills; twenty-five dollars in all. Now a five-dollar bill had been tied around the first pieces of linen that came from the cell. The warden still had it, and to convince himself he took it out and looked at it. It was five dollars; yet here was another five dollars, and The Thinking Machine had only had ten-dollar bills.

Suddenly he stopped. He remembered that The Thinking Machine had gone into Cell 13 with one five-dollar bill and two ten-dollar bills; twenty-five dollars total. Now a five-dollar bill had been tied around the first pieces of linen that came from the cell. The warden still had it, and to reassure himself, he took it out and looked at it. It was five dollars; yet there was another five dollars, and The Thinking Machine had only had ten-dollar bills.

"Perhaps somebody changed one of the bills for him," he thought at last, with a sigh of relief.

"Maybe someone swapped one of the bills for him," he thought at last, with a sigh of relief.

But then and there he made up his mind. He would search Cell 13 as a cell was never before searched in this world. When a man could write at will, and change money, and do other wholly inexplicable things, there was something radically wrong with his prison. He planned to enter the cell at night--three o'clock would be an excellent time. The Thinking Machine must do all the weird things he did sometime. Night seemed the most reasonable.

But right then and there, he made a decision. He would search Cell 13 like it had never been searched before in this world. When someone could write at will, change money, and do other completely inexplicable things, there was something seriously wrong with his prison. He planned to enter the cell at night—three o'clock would be a great time. The Thinking Machine must have done all the strange things he did at some point. Night felt like the most logical choice.

Thus it happened that the warden stealthily descended upon Cell 13 that night at three o'clock. He paused at the door and listened. There was no sound save the steady, regular breathing of the prisoner. The keys unfastened the double locks with scarcely a clank, and the warden entered, locking the door behind him. Suddenly he flashed his dark-lantern in the face of the recumbent figure.

Thus it happened that the warden quietly approached Cell 13 that night at three o'clock. He stopped at the door and listened. There was no sound except the steady, rhythmic breathing of the prisoner. The keys unlocked the double locks with hardly a sound, and the warden stepped inside, locking the door behind him. Suddenly, he shined his dark lantern in the face of the person lying down.

If the warden had planned to startle The Thinking Machine he was mistaken, for that individual merely opened his eyes quietly, reached for his glasses and inquired, in a most matter-of-fact tone:

If the warden had intended to surprise The Thinking Machine, he was wrong, because that person simply opened his eyes, grabbed his glasses, and asked in a completely blunt manner:

"Who is it?"

"Who is that?"

It would be useless to describe the search that the warden made. It was minute. Not one inch of the cell or the bed was overlooked. He found the round hole in the floor, and with a flash of inspiration thrust his thick fingers into it. After a moment of fumbling there he drew up something and looked at it in the light of his lantern.

It would be pointless to describe the thorough search the warden conducted. It was detailed. Not a single inch of the cell or the bed was missed. He discovered the round hole in the floor, and with a sudden idea, he shoved his thick fingers into it. After a moment of searching around, he pulled something out and examined it in the light of his lantern.

"Ugh!" he exclaimed.

"Ugh!" he said.

The thing he had taken out was a rat--a dead rat. His inspiration fled as a mist before the sun. But he continued the search. The Thinking Machine, without a word, arose and kicked the rat out of the cell into the corridor.

The thing he had taken out was a rat—a dead rat. His inspiration vanished like mist in the sun. But he kept searching. The Thinking Machine, without saying anything, got up and kicked the rat out of the cell into the hallway.

The warden climbed on the bed and tried the steel bars in the tiny window. They were perfectly rigid; every bar of the door was the same.

The warden climbed onto the bed and tested the steel bars in the small window. They were completely solid; every bar of the door was identical.

Then the warden searched the prisoner's clothing, beginning at the shoes. Nothing hidden in them! Then the trousers waist band. Still nothing! Then the pockets of the trousers. From one side he drew out some paper money and examined it.

Then the warden searched the prisoner's clothing, starting with the shoes. Nothing hidden there! Next, he checked the waistband of the trousers. Still nothing! Then he rifled through the pockets of the trousers. From one side, he pulled out some cash and looked it over.

"Five one-dollar bills," he gasped.

"Five one-dollar bills," he panted.

"That's right," said the prisoner.

"Exactly," said the prisoner.

"But the--you had two tens and a five--what the--how do you do it?"

"But you had two tens and a five—what—how do you do it?"

"That's my business," said The Thinking Machine.

"That's my concern," said The Thinking Machine.

"Did any of my men change this money for you--on your word of honor?"

"Did any of my guys exchange this money for you—on your honor?"

The Thinking Machine paused just a fraction of a second.

The Thinking Machine paused for just a split second.

"No," he said.

"No," he replied.

"Well, do you make it?" asked the warden. He was prepared to believe anything.

"Well, do you get it done?" asked the warden. He was ready to believe anything.

"That's my business," again said the prisoner.

"That's my business," the prisoner said again.

The warden glared at the eminent scientist fiercely. He felt--he knew--that this man was making a fool of him, yet he didn't know how. If he were a real prisoner he would get the truth--but, then, perhaps, those inexplicable things which had happened would not have been brought before him so sharply. Neither of the men spoke for a long time, then suddenly the warden turned fiercely and left the cell, slamming the door behind him. He didn't dare to speak, then.

The warden glared at the distinguished scientist intensely. He felt—he knew—that this man was mocking him, but he didn’t understand how. If he were a real prisoner, he would find out the truth—but maybe those strange things that had happened wouldn’t have been presented to him so clearly. Neither man spoke for a long time, then suddenly the warden turned angrily and left the cell, slamming the door behind him. He didn’t dare to speak then.

He glanced at the clock. It was ten minutes to four. He had hardly settled himself in bed when again came that heart-breaking shriek through the prison. With a few muttered words, which, while not elegant, were highly expressive, he relighted his lantern and rushed through the prison again to the cell on the upper floor.

He looked at the clock. It was ten minutes to four. He had barely gotten comfortable in bed when that heart-wrenching scream echoed through the prison again. With a few mumbled words that, though not polite, were very expressive, he lit his lantern again and hurried through the prison to the cell on the upper floor.

Again Ballard was crushing himself against the steel door, shrieking, shrieking at the top of his voice. He stopped only when the warden flashed his lamp in the cell.

Again, Ballard was pressing himself against the steel door, screaming, screaming at the top of his lungs. He only stopped when the warden shone his flashlight into the cell.

"Take me out, take me out," he screamed. "I did it, I did it, I killed her. Take it away."

"Get me out of here, get me out of here," he shouted. "I did it, I did it, I killed her. Get it away from me."

"Take what away?" asked the warden.

"Take what away?" asked the warden.

"I threw the acid in her face--I did it--I confess. Take me out of here."

"I threw acid in her face—I did it—I confess. Get me out of here."

Ballard's condition was pitiable; it was only an act of mercy to let him out into the corridor. There he crouched in a corner, like an animal at bay, and clasped his hands to his ears. It took half an hour to calm him sufficiently for him to speak. Then he told incoherently what had happened. On the night before at four o'clock he had heard a voice--a sepulchral voice, muffled and wailing in tone.

Ballard's condition was tragic; it was a merciful act just to let him out into the hallway. There, he huddled in a corner, like a cornered animal, covering his ears with his hands. It took half an hour to calm him down enough for him to talk. Then he spoke in a jumble about what had happened. The night before, at four o'clock, he had heard a voice—a deep, muffled, and mournful voice.

"What did it say?" asked the warden, curiously.

"What did it say?" asked the warden, intrigued.

"Acid--acid--acid!" gasped the prisoner. "It accused me. Acid! I threw the acid, and the woman died. Oh!" It was a long, shuddering wail of terror.

"Acid--acid--acid!" the prisoner gasped. "It blamed me. Acid! I threw the acid, and the woman died. Oh!" It was a long, shuddering wail of fear.

"Acid?" echoed the warden, puzzled. The case was beyond him.

"Acid?" repeated the warden, confused. This situation was beyond his understanding.

"Acid. That's all I heard--that one word, repeated several times. There were other things, too, but I didn't hear them."

"Acid. That's all I heard—that one word, repeated over and over. There were other things, too, but I didn’t catch them."

"That was last night, eh?" asked the warden. "What happened to-night--what frightened you just now?"

"That was last night, right?" asked the warden. "What happened tonight—what scared you just now?"

"It was the same thing," gasped the prisoner. "Acid--acid--acid!" He covered his face with his hands and sat shivering. "It was acid I used on her, but I didn't mean to kill her. I just heard the words. It was something accusing me--accusing me." He mumbled, and was silent.

"It was the same thing," the prisoner gasped. "Acid--acid--acid!" He covered his face with his hands and sat shivering. "It was acid I used on her, but I didn't mean to kill her. I just heard the words. It was something accusing me--accusing me." He mumbled and fell silent.

"Did you hear anything else?"

"Did you hear anything new?"

"Yes--but I couldn't understand--only a little bit--just a word or two."

"Yes—but I could barely understand—only a little bit—just a word or two."

"Well, what was it?"

"What was it?"

"I heard 'acid' three times, then I heard a long, moaning sound, then--then--I heard 'No. 8 hat.' I heard that twice."

"I heard 'acid' three times, then a long, moaning sound, then--then--I heard 'No. 8 hat.' I heard that twice."

"No. 8 hat," repeated the warden. "What the devil--No. 8 hat? Accusing voices of conscience have never talked about No. 8 hats, so far as I ever heard."

"No. 8 hat," repeated the warden. "What the hell -- No. 8 hat? Guilt-tripping voices in your head have never mentioned No. 8 hats, as far as I know."

"He's insane," said one of the jailers, with an air of finality.

"He's crazy," said one of the guards, with a definitive tone.

"I believe you," said the warden. "He must be. He probably heard something and got frightened. He's trembling now. No. 8 hat! What the----"

"I believe you," said the warden. "He must be. He probably heard something and got scared. He's shaking now. No. 8 hat! What the----"


V.

When the fifth day of The Thinking Machine's imprisonment rolled around the warden was wearing a hunted look. He was anxious for the end of the thing. He could not help but feel that his distinguished prisoner had been amusing himself. And if this were so, The Thinking Machine had lost none of his sense of humor. For on this fifth day he flung down another linen note to the outside guard, bearing the words: "Only two days more." Also he flung down half a dollar.

When the fifth day of The Thinking Machine's imprisonment came, the warden looked anxious. He was ready for it to be over. He couldn't shake the feeling that his notable prisoner had been entertaining himself. If that was the case, The Thinking Machine hadn't lost any of his sense of humor. On this fifth day, he tossed another linen note to the outside guard that read: "Only two days more." He also threw down half a dollar.

Now the warden knew--he _knew_--that the man in Cell 13 didn't have any half dollars--he _couldn't_ have any half dollars, no more than he could have pen and ink and linen, and yet he did have them. It was a condition, not a theory; that is one reason why the warden was wearing a hunted look.

Now the warden knew—he _knew_—that the man in Cell 13 didn’t have any half dollars—he _couldn’t_ have any half dollars, just like he couldn’t have pen and ink and nice paper, and yet he did have them. It was a fact, not a theory; that’s one reason why the warden looked so uneasy.

That ghastly, uncanny thing, too, about "Acid" and "No. 8 hat" clung to him tenaciously. They didn't mean anything, of course, merely the ravings of an insane murderer who had been driven by fear to confess his crime, still there were so many things that "didn't mean anything" happening in the prison now since The Thinking Machine was there.

That creepy, unsettling thing about "Acid" and "No. 8 hat" stuck to him firmly. They didn’t mean anything, of course; just the ramblings of a crazy murderer who had been scared into confessing his crime. Still, there were so many things that “didn’t mean anything” happening in the prison now that The Thinking Machine was there.

On the sixth day the warden received a postal stating that Dr. Ransome and Mr. Fielding would be at Chisholm Prison on the following evening, Thursday, and in the event Professor Van Dusen had not yet escaped--and they presumed he had not because they had not heard from him--they would meet him there.

On the sixth day, the warden got a letter saying that Dr. Ransome and Mr. Fielding would be at Chisholm Prison the following evening, Thursday. In case Professor Van Dusen hadn’t escaped yet—and they assumed he hadn’t because they hadn’t heard anything from him—they would meet him there.

"In the event he had not yet escaped!" The warden smiled grimly. Escaped!

"In case he hasn't escaped yet!" The warden smiled grimly. Escaped!

The Thinking Machine enlivened this day for the warden with three notes. They were on the usual linen and bore generally on the appointment at half-past eight o'clock Thursday night, which appointment the scientist had made at the time of his imprisonment.

The Thinking Machine brightened the day for the warden with three notes. They were on the usual linen and were mostly about the meeting scheduled for 8:30 PM on Thursday night, which the scientist had arranged when he was imprisoned.

On the afternoon of the seventh day the warden passed Cell 13 and glanced in. The Thinking Machine was lying on the iron bed, apparently sleeping lightly. The cell appeared precisely as it always did from a casual glance. The warden would swear that no man was going to leave it between that hour--it was then four o'clock--and half-past eight o'clock that evening.

On the afternoon of the seventh day, the warden walked past Cell 13 and took a quick look inside. The Thinking Machine was lying on the iron bed, seemingly in light sleep. The cell looked exactly the same as it always did at a casual glance. The warden was sure that no one was leaving it between that hour—it was four o'clock—and half-past eight that evening.

On his way back past the cell the warden heard the steady breathing again, and coming close to the door looked in. He wouldn't have done so if The Thinking Machine had been looking, but now--well, it was different.

On his way back past the cell, the warden heard the steady breathing again and looked in close to the door. He wouldn’t have done that if The Thinking Machine had been watching, but now—well, it was different.

A ray of light came through the high window and fell on the face of the sleeping man. It occurred to the warden for the first time that his prisoner appeared haggard and weary. Just then The Thinking Machine stirred slightly and the warden hurried on up the corridor guiltily. That evening after six o'clock he saw the jailer.

A beam of light streamed through the high window and landed on the face of the sleeping man. For the first time, the warden noticed that his prisoner looked worn out and tired. Just then, The Thinking Machine moved a bit, and the warden quickly walked down the corridor, feeling guilty. Later that evening, after six o'clock, he met with the jailer.

"Everything all right in Cell 13?" he asked. "Yes, sir," replied the jailer. "He didn't eat much, though."

"Is everything okay in Cell 13?" he asked. "Yes, sir," the jailer replied. "He didn't eat much, though."

It was with a feeling of having done his duty that the warden received Dr. Ransome and Mr. Fielding shortly after seven o'clock. He intended to show them the linen notes and lay before them the full story of his woes, which was a long one. But before this came to pass the guard from the river side of the prison yard entered the office.

It was with a sense of having fulfilled his responsibilities that the warden welcomed Dr. Ransome and Mr. Fielding shortly after seven o'clock. He planned to show them the linen notes and share the whole story of his troubles, which was quite lengthy. But before he could do that, the guard from the riverside of the prison yard came into the office.

"The arc light in my side of the yard won't light," he informed the warden.

"The arc light on my side of the yard won't turn on," he told the warden.

"Confound it, that man's a hoodoo," thundered the official. "Everything has happened since he's been here."

"Dammit, that guy is bad luck," shouted the official. "Everything has gone wrong since he arrived."

The guard went back to his post in the darkness, and the warden 'phoned to the electric light company.

The guard returned to his post in the dark, and the warden called the electric company.

"This is Chisholm Prison," he said through the 'phone. "Send three or four men down here quick, to fix an arc light."

"This is Chisholm Prison," he said on the phone. "Send three or four guys down here fast to fix an arc light."

The reply was evidently satisfactory, for the warden hung up the receiver and passed out into the yard. While Dr. Ransome and Mr. Fielding sat waiting the guard at the outer gate came in with a special delivery letter. Dr. Ransome happened to notice the address, and, when the guard went out, looked at the letter more closely.

The reply was clearly satisfactory, so the warden hung up the phone and stepped out into the yard. While Dr. Ransome and Mr. Fielding sat waiting, the guard at the outer gate came in with a special delivery letter. Dr. Ransome happened to notice the address, and when the guard left, he examined the letter more closely.

"By George!" he exclaimed.

"By gosh!" he exclaimed.

"What is it?" asked Mr. Fielding.

"What is it?" Mr. Fielding asked.

Silently the doctor offered the letter. Mr. Fielding examined it closely.

Silently, the doctor handed over the letter. Mr. Fielding looked it over carefully.

"Coincidence," he said. "It must be."

"Just a coincidence," he said. "It has to be."

It was nearly eight o'clock when the warden returned to his office. The electricians had arrived in a wagon, and were now at work. The warden pressed the buzz-button communicating with the man at the outer gate in the wall.

It was almost eight o'clock when the warden got back to his office. The electricians had shown up in a truck and were now busy at work. The warden pressed the buzzer that connected him to the guy at the outer gate in the wall.

"How many electricians came in?" he asked, over the short 'phone. "Four? Three workmen in jumpers and overalls and the manager? Frock coat and silk hat? All right. Be certain that only four go out. That's all."

"How many electricians came in?" he asked over the short phone. "Four? Three workers in sweaters and overalls and the manager? Suit and top hat? Okay. Make sure that only four leave. That's it."

He turned to Dr. Ransome and Mr. Fielding. "We have to be careful here--particularly," and there was broad sarcasm in his tone, "since we have scientists locked up."

He turned to Dr. Ransome and Mr. Fielding. "We need to be careful here—especially," and there was clear sarcasm in his tone, "since we have scientists locked up."

The warden picked up the special delivery letter carelessly, and then began to open it.

The warden picked up the special delivery letter absentmindedly and started to open it.

"When I read this I want to tell you gentlemen something about how---- Great Cæsar!" he ended, suddenly, as he glanced at the letter. He sat with mouth open, motionless, from astonishment.

"When I read this, I want to tell you guys something about how—Great Caesar!" he finished abruptly, glancing at the letter. He sat there, mouth agape, frozen in shock.

"What is it?" asked Mr. Fielding.

"What is it?" asked Mr. Fielding.

"A special delivery letter from Cell 13," gasped the warden. "An invitation to supper."

"A special delivery letter from Cell 13," the warden exclaimed, "an invitation to dinner."

"What?" and the two others arose, unanimously. The warden sat dazed, staring at the letter for a moment, then called sharply to a guard outside in the corridor.

"What?" the other two said in unison. The warden sat there, stunned, staring at the letter for a moment, then called out sharply to a guard in the corridor.

"Run down to Cell 13 and see if that man's in there."

"Run down to Cell 13 and check if that guy is in there."

The guard went as directed, while Dr. Ransome and Mr. Fielding examined the letter.

The guard went as instructed, while Dr. Ransome and Mr. Fielding looked over the letter.

"It's Van Dusen's handwriting; there's no question of that," said Dr. Ransome. "I've seen too much of it."

"It's definitely Van Dusen's handwriting," Dr. Ransome said. "I've seen it too many times."

Just then the buzz of the telephone from the outer gate sounded, and the warden, in a semi-trance, picked up the receiver.

Just then, the telephone buzzed from the outer gate, and the warden, in a daze, picked up the receiver.

"Hello! Two reporters, eh? Let 'em come in." He turned suddenly to the doctor and Mr. Fielding. "Why, the man _can't_ be out. He must be in his cell."

"Hello! Two reporters, huh? Let them in." He suddenly turned to the doctor and Mr. Fielding. "Well, the guy _can't_ be out. He must be in his cell."

Just at that moment the guard returned.

Just then, the guard came back.

"He's still in his cell, sir," he reported. "I saw him. He's lying down."

"He's still in his cell, sir," he reported. "I saw him. He's lying down."

"There, I told you so," said the warden, and he breathed freely again. "But how did he mail that letter?"

"There, I told you so," said the warden, and he breathed easily again. "But how did he send that letter?"

There was a rap on the steel door which led from the jail yard into the warden's office.

There was a knock on the steel door that connected the jail yard to the warden's office.

"It's the reporters," said the warden. "Let them in," he instructed the guard; then to the two other gentlemen: "Don't say anything about this before them, because I'd never hear the last of it."

"It's the reporters," said the warden. "Let them in," he told the guard; then to the two other men: "Don't mention this in front of them, or I'll never hear the end of it."

The door opened, and the two men from the front gate entered.

The door opened, and the two guys from the front gate walked in.

"Good-evening, gentlemen," said one. That was Hutchinson Hatch; the warden knew him well.

"Good evening, gentlemen," said one. That was Hutchinson Hatch; the warden knew him well.

"Well?" demanded the other, irritably. "I'm here."

"Well?" the other person snapped, annoyed. "I'm here."

That was The Thinking Machine.

That was The Thinking Machine.

He squinted belligerently at the warden, who sat with mouth agape. For the moment that official had nothing to say. Dr. Ransome and Mr. Fielding were amazed, but they didn't know what the warden knew. They were only amazed; he was paralyzed. Hutchinson Hatch, the reporter, took in the scene with greedy eyes.

He glared aggressively at the warden, who was sitting there with his mouth hanging open. For now, the warden had nothing to say. Dr. Ransome and Mr. Fielding were stunned, but they weren’t aware of what the warden knew. They were just amazed; he was frozen. Hutchinson Hatch, the reporter, observed the scene with eager eyes.

"How--how--how did you do it?" gasped the warden, finally.

"How—how—how did you do it?" the warden gasped, finally.

"Come back to the cell," said The Thinking Machine, in the irritated voice which his scientific associates knew so well.

"Come back to the cell," said The Thinking Machine, in the irritated tone that his scientific colleagues recognized all too well.

The warden, still in a condition bordering on trance, led the way.

The warden, still in a nearly dazed state, took the lead.

"Flash your light in there," directed The Thinking Machine.

"Shine your light in there," instructed The Thinking Machine.

The warden did so. There was nothing unusual in the appearance of the cell, and there--there on the bed lay the figure of The Thinking Machine. Certainly! There was the yellow hair! Again the warden looked at the man beside him and wondered at the strangeness of his own dreams.

The warden did that. There was nothing out of the ordinary about the cell, and there—there on the bed lay the figure of The Thinking Machine. For sure! There was the yellow hair! Once more, the warden glanced at the man beside him and marveled at the oddness of his own dreams.

With trembling hands he unlocked the cell door and The Thinking Machine passed inside.

With shaky hands, he unlocked the cell door, and The Thinking Machine walked in.

"See here," he said.

"Check this out," he said.

He kicked at the steel bars in the bottom of the cell door and three of them were pushed out of place. A fourth broke off and rolled away in the corridor.

He kicked the steel bars at the bottom of the cell door, and three of them got pushed out of place. A fourth one snapped off and rolled down the corridor.

"And here, too," directed the erstwhile prisoner as he stood on the bed to reach the small window. He swept his hand across the opening and every bar came out.

"And here, too," said the former prisoner as he stood on the bed to reach the small window. He waved his hand across the opening and every bar came out.

"What's this in the bed?" demanded the warden, who was slowly recovering.

"What's this in the bed?" demanded the warden, who was slowly recovering.

"A wig," was the reply. "Turn down the cover."

"A wig," was the response. "Pull back the cover."

The warden did so. Beneath it lay a large coil of strong rope, thirty feet or more, a dagger, three files, ten feet of electric wire, a thin, powerful pair of steel pliers, a small tack hammer with its handle, and--and a Derringer pistol.

The warden did that. Underneath it was a large coil of strong rope, over thirty feet long, a dagger, three files, ten feet of electrical wire, a thin, powerful pair of steel pliers, a small tack hammer with its handle, and--a Derringer pistol.

"How did you do it?" demanded the warden.

"How did you pull that off?" the warden asked.

"You gentlemen have an engagement to supper with me at half-past nine o'clock," said The Thinking Machine. "Come on, or we shall be late."

"You guys have dinner plans with me at 9:30," said The Thinking Machine. "Let's go, or we’ll be late."

"But how did you do it?" insisted the warden.

"But how did you manage it?" pressed the warden.

"Don't ever think you can hold any man who can use his brain," said The Thinking Machine. "Come on; we shall be late."

"Don't ever think you can control any man who knows how to think," said The Thinking Machine. "Let's go; we’re going to be late."


VI.

It was an impatient supper party in the rooms of Professor Van Dusen and a somewhat silent one. The guests were Dr. Ransome, Albert Fielding, the warden, and Hutchinson Hatch, reporter. The meal was served to the minute, in accordance with Professor Van Dusen's instructions of one week before; Dr. Ransome found the artichokes delicious. At last the supper was finished and The Thinking Machine turned full on Dr. Ransome and squinted at him fiercely.

It was a restless dinner party in Professor Van Dusen's place and a pretty quiet one. The guests included Dr. Ransome, Albert Fielding, the warden, and reporter Hutchinson Hatch. The meal was served right on time, following Professor Van Dusen's instructions from a week earlier; Dr. Ransome thought the artichokes were delicious. Finally, dinner was over, and The Thinking Machine focused intently on Dr. Ransome, glaring at him fiercely.

"Do you believe it now?" he demanded.

"Do you believe it now?" he asked.

"I do," replied Dr. Ransome.

"I do," said Dr. Ransome.

"Do you admit that it was a fair test?"

"Do you agree that it was a fair test?"

"I do."

"I do."

With the others, particularly the warden, he was waiting anxiously for the explanation.

With the others, especially the warden, he was anxiously waiting for an explanation.

"Suppose you tell us how----" began Mr. Fielding.

"Suppose you tell us how----" started Mr. Fielding.

"Yes, tell us how," said the warden.

"Yeah, tell us how," said the warden.

The Thinking Machine readjusted his glasses, took a couple of preparatory squints at his audience, and began the story. He told it from the beginning logically; and no man ever talked to more interested listeners.

The Thinking Machine adjusted his glasses, took a few quick looks at his audience, and started the story. He told it logically from the beginning, and no one ever spoke to listeners who were more engaged.

"My agreement was," he began, "to go into a cell, carrying nothing except what was necessary to wear, and to leave that cell within a week. I had never seen Chisholm Prison. When I went into the cell I asked for tooth powder, two ten and one five-dollar bills, and also to have my shoes blacked. Even if these requests had been refused it would not have mattered seriously. But you agreed to them.

"My agreement was," he started, "to go into a cell, carrying only what I needed to wear, and to leave that cell within a week. I had never seen Chisholm Prison. When I entered the cell, I asked for toothpaste, two ten-dollar bills, a five-dollar bill, and also to get my shoes shined. Even if these requests had been denied, it wouldn’t have been a big deal. But you agreed to them."

"I knew there would be nothing in the cell which you thought I might use to advantage. So when the warden locked the door on me I was apparently helpless, unless I could turn three seemingly innocent things to use. They were things which would have been permitted any prisoner under sentence of death, were they not, warden?"

"I knew there would be nothing in the cell that you thought I could use to my advantage. So when the warden locked the door on me, I seemed completely helpless, unless I could find a way to make use of three seemingly innocent items. They were things that would have been allowed for any prisoner on death row, right, warden?"

"Tooth powder and polished shoes, yes, but not money," replied the warden.

"Tooth powder and polished shoes, sure, but not cash," replied the warden.

"Anything is dangerous in the hands of a man who knows how to use it," went on The Thinking Machine. "I did nothing that first night but sleep and chase rats." He glared at the warden. "When the matter was broached I knew I could do nothing that night, so suggested next day. You gentlemen thought I wanted time to arrange an escape with outside assistance, but this was not true. I knew I could communicate with whom I pleased, when I pleased."

"Anything can be dangerous in the hands of someone who knows how to use it," The Thinking Machine continued. "I spent that first night just sleeping and chasing rats." He shot a harsh look at the warden. "When the topic came up, I realized I couldn't do anything that night, so I suggested the next day. You all thought I needed time to plan an escape with outside help, but that wasn’t true. I knew I could reach out to whoever I wanted, whenever I wanted."

The warden stared at him a moment, then went on smoking solemnly.

The warden looked at him for a moment, then continued smoking seriously.

"I was aroused next morning at six o'clock by the jailer with my breakfast," continued the scientist. "He told me dinner was at twelve and supper at six. Between these times, I gathered, I would be pretty much to myself. So immediately after breakfast I examined my outside surroundings from my cell window. One look told me it would be useless to try to scale the wall, even should I decide to leave my cell by the window, for my purpose was to leave not only the cell, but the prison. Of course, I could have gone over the wall, but it would have taken me longer to lay my plans that way. Therefore, for the moment, I dismissed all idea of that.

"I was woken up the next morning at six by the jailer with my breakfast," the scientist continued. "He told me lunch was at twelve and dinner at six. Between those times, I realized I would mostly be on my own. So, right after breakfast, I checked out my surroundings from the window of my cell. One glance made it clear that trying to climb the wall would be pointless, even if I decided to leave my cell through the window, because I wanted to escape not just the cell but the entire prison. Sure, I could have scaled the wall, but it would have taken me longer to come up with a plan that way. So, for the time being, I set aside that idea."

"From this first observation I knew the river was on that side of the prison, and that there was also a playground there. Subsequently these surmises were verified by a keeper. I knew then one important thing--that anyone might approach the prison wall from that side if necessary without attracting any particular attention. That was well to remember. I remembered it.

"From this first observation, I realized the river was on that side of the prison, and there was also a playground there. Later, a guard confirmed these thoughts. I then understood one important thing—that anyone could approach the prison wall from that side if needed without drawing noticeable attention. That was good to keep in mind. I remembered it."

"But the outside thing which most attracted my attention was the feed wire to the arc light which ran within a few feet--probably three or four--of my cell window. I knew that would be valuable in the event I found it necessary to cut off that arc light."

"But the thing outside that really caught my eye was the feed wire to the arc light that ran just a few feet—probably three or four—from my cell window. I knew it would be useful if I needed to shut off that arc light."

"Oh, you shut it off to-night, then?" asked the warden.

"Oh, you turned it off tonight, then?" asked the warden.

"Having learned all I could from that window," resumed The Thinking Machine, without heeding the interruption, "I considered the idea of escaping through the prison proper. I recalled just how I had come into the cell, which I knew would be the only way. Seven doors lay between me and the outside. So, also for the time being, I gave up the idea of escaping that way. And I couldn't go through the solid granite walls of the cell."

"After gathering everything I could from that window," The Thinking Machine continued, ignoring the interruption, "I thought about the possibility of escaping through the prison itself. I remembered how I had entered the cell, which I knew would be my only option. There were seven doors between me and the outside. So, for now, I decided to abandon that escape plan. Plus, I couldn't get through the solid granite walls of the cell."

The Thinking Machine paused for a moment and Dr. Ransome lighted a new cigar. For several minutes there was silence, then the scientific jail-breaker went on:

The Thinking Machine took a moment, and Dr. Ransome lit a new cigar. For a few minutes, there was silence, then the scientific jailbreaker continued:

"While I was thinking about these things a rat ran across my foot. It suggested a new line, of thought. There were at least half a dozen rats in the cell--I could see their beady eyes. Yet I had noticed none come under the cell door. I frightened them purposely and watched the cell door to see if they went out that way. They did not, but they were gone. Obviously they went another way. Another way meant another opening.

"While I was thinking about this, a rat ran across my foot. It sparked a new line of thought. There were at least half a dozen rats in the cell—I could see their beady eyes. Yet I hadn’t seen any come under the cell door. I scared them on purpose and watched the cell door to see if they left that way. They didn’t, but they were gone. Clearly, they took a different route. A different route meant another opening."

"I searched for this opening and found it. It was an old drain pipe, long unused and partly choked with dirt and dust. But this was the way the rats had come. They came from somewhere. Where? Drain pipes usually lead outside prison grounds. This one probably led to the river, or near it. The rats must therefore come from that direction. If they came a part of the way, I reasoned that they came all the way, because it was extremely unlikely that a solid iron or lead pipe would have any hole in it except at the exit.

"I looked for this opening and found it. It was an old drain pipe, long abandoned and partly clogged with dirt and dust. But this was how the rats had gotten in. They came from somewhere. Where? Drain pipes usually go outside the prison grounds. This one probably led to the river, or close to it. So the rats must have come from that direction. If they could travel part of the way, I figured they could travel the whole way, because it was highly unlikely that a solid iron or lead pipe would have any openings in it except at the end."

"When the jailer came with my luncheon he told me two important things, although he didn't know it. One was that a new system of plumbing had been put in the prison seven years before; another that the river was only three hundred feet away. Then I knew positively that the pipe was a part of an old system; I knew, too, that it slanted generally toward the river. But did the pipe end in the water or on land?

"When the jailer brought my lunch, he told me two important things, even though he didn’t realize it. One was that a new plumbing system had been installed in the prison seven years ago; the other was that the river was just three hundred feet away. At that moment, I was certain that the pipe belonged to an old system; I also understood that it was slanted generally toward the river. But did the pipe lead into the water or remain on land?"

"This was the next question to be decided. I decided it by catching several of the rats in the cell. My jailer was surprised to see me engaged in this work. I examined at least a dozen of them. They were perfectly dry; they had come through the pipe, and, most important of all, they were _not house rats, but field rats_. The other end of the pipe was on land, then, outside the prison walls. So far, so good.

"This was the next question to be answered. I figured it out by catching several of the rats in the cell. My jailer was shocked to see me doing this. I looked at at least a dozen of them. They were completely dry; they had come through the pipe, and, most importantly, they were _not house rats, but field rats_. That meant the other end of the pipe was on land, outside the prison walls. So far, so good."

"Then, I knew that if I worked freely from this point I must attract the warden's attention in another direction. You see, by telling the warden that I had come there to escape you made the test more severe, because I had to trick him by false scents."

"Then, I realized that if I wanted to operate freely from that moment on, I needed to divert the warden's attention elsewhere. You see, by telling the warden that I was there to escape, I made the challenge tougher, because I had to mislead him with false leads."

The warden looked up with a sad expression in his eyes.

The warden looked up with a sad look in his eyes.

"The first thing was to make him think I was trying to communicate with you, Dr. Ransome. So I wrote a note on a piece of linen I tore from my shirt, addressed it to Dr. Ransome, tied a five-dollar bill around it and threw it out the window. I knew the guard would take it to the warden, but I rather hoped the warden would send it as addressed. Have you that first linen note, warden?"

"The first thing I did was make him think I was trying to reach out to you, Dr. Ransome. So I wrote a note on a piece of linen I tore from my shirt, addressed it to Dr. Ransome, tied a five-dollar bill around it, and threw it out the window. I knew the guard would take it to the warden, but I was really hoping the warden would send it as directed. Do you have that first linen note, warden?"

The warden produced the cipher.

The warden revealed the cipher.

"What the deuce does it mean, anyhow?" he asked.

"What the heck does it mean, anyway?" he asked.

"Read it backward, beginning with the 'T' signature and disregard the division into words," instructed The Thinking Machine.

"Read it backward, starting with the 'T' signature and ignore the word breaks," instructed The Thinking Machine.

The warden did so.

The warden did it.

"T-h-i-s, this," he spelled, studied it a moment, then read it off, grinning:

"T-h-i-s, this," he spelled out, looked at it for a moment, then read it aloud, grinning:

"This is not the way I intend to escape."

"This isn’t how I plan to get away."

"Well, now what do you think o' that?" he demanded, still grinning.

"Well, what do you think of that?" he asked, still grinning.

"I knew that would attract your attention, just as it did," said The Thinking Machine, "and if you really found out what it was it would be a sort of gentle rebuke."

"I knew that would catch your interest, just like it did," said The Thinking Machine, "and if you actually figured out what it was, it would be a kind of subtle criticism."

"What did you write it with?" asked Dr. Ransome, after he had examined the linen and passed it to Mr. Fielding.

"What did you use to write it?" asked Dr. Ransome, after he had examined the linen and handed it to Mr. Fielding.

"This," said the erstwhile prisoner, and he extended his foot. On it was the shoe he had worn in prison, though the polish was gone--scraped off clean. "The shoe blacking, moistened with water, was my ink; the metal tip of the shoe lace made a fairly good pen."

"This," said the former prisoner, and he stretched out his foot. On it was the shoe he had worn in prison, though the polish was gone—scraped off completely. "The shoe polish, mixed with water, was my ink; the metal tip of the shoelace made a pretty good pen."

The warden looked up and suddenly burst into a laugh, half of relief, half of amusement.

The warden looked up and suddenly burst out laughing, a mix of relief and amusement.

"You're a wonder," he said, admiringly. "Go on."

"You're amazing," he said, with admiration. "Go ahead."

"That precipitated a search of my cell by the warden, as I had intended," continued The Thinking Machine. "I was anxious to get the warden into the habit of searching my cell, so that finally, constantly finding nothing, he would get disgusted and quit. This at last happened, practically."

"That led to the warden searching my cell, just as I planned," continued The Thinking Machine. "I wanted to get the warden used to searching my cell so that eventually, after constantly finding nothing, he would get fed up and stop. That finally happened, pretty much."

The warden blushed.

The warden turned red.

"He then took my white shirt away and gave me a prison shirt. He was satisfied that those two pieces of the shirt were all that was missing. But while he was searching my cell I had another piece of that same shirt, about nine inches square, rolled into a small ball in my mouth."

"He then took my white shirt and gave me a prison shirt. He was happy that those two pieces of the shirt were all that he needed. But while he was searching my cell, I had another piece of that same shirt, about nine inches square, rolled up into a small ball in my mouth."

"Nine inches of that shirt?" demanded the warden. "Where did it come from?"

"Nine inches of that shirt?" asked the warden. "Where did it come from?"

"The bosoms of all stiff white shirts are of triple thickness," was the explanation. "I tore out the inside thickness, leaving the bosom only two thicknesses. I knew you wouldn't see it. So much for that."

"The fronts of all stiff white shirts are three layers thick," was the explanation. "I ripped out the inner layer, leaving the front with just two layers. I knew you wouldn’t notice. That’s that."

There was a little pause, and the warden looked from one to another of the men with a sheepish grin.

There was a brief pause, and the warden glanced from one man to another with an awkward smile.

"Having disposed of the warden for the time being by giving him something else to think about, I took my first serious step toward freedom," said Professor Van Dusen. "I knew, within reason, that the pipe led somewhere to the playground outside; I knew a great many boys played there; I knew that rats came into my cell from out there. Could I communicate with some one outside with these things at hand?

"After distracting the warden for a bit by giving him something else to focus on, I took my first real step toward freedom," said Professor Van Dusen. "I reasonably figured that the pipe connected to the playground outside; I knew a lot of boys played there; I knew that rats came into my cell from that direction. Could I reach out to someone outside with these tools at my disposal?"

"First was necessary, I saw, a long and fairly reliable thread, so--but here," he pulled up his trousers legs and showed that the tops of both stockings, of fine, strong lisle, were gone. "I unraveled those--after I got them started it wasn't difficult--and I had easily a quarter of a mile of thread that I could depend on.

"First, I realized I needed a long and fairly reliable thread, so— but look here," he rolled up his pants legs and showed that the tops of both stockings, made of fine, strong lisle, were missing. "I unraveled those—once I got it going, it wasn't hard—and I ended up with about a quarter of a mile of thread that I could rely on."

"Then on half of my remaining linen I wrote, laboriously enough I assure you, a letter explaining my situation to this gentleman here," and he indicated Hutchinson Hatch. "I knew he would assist me--for the value of the newspaper story. I tied firmly to this linen letter a ten-dollar bill--there is no surer way of attracting the eye of anyone--and wrote on the linen: 'Finder of this deliver to Hutchinson Hatch, _Daily American_, who will give another ten dollars for the information.'

"Then, on half of my remaining linen, I wrote, quite painstakingly, a letter explaining my situation to this man here," and he pointed to Hutchinson Hatch. "I knew he would help me—just for the sake of the newspaper story. I securely tied a ten-dollar bill to this linen letter—there's no better way to grab anyone's attention—and wrote on the linen: 'Finder of this, please deliver to Hutchinson Hatch, _Daily American_, who will give another ten dollars for the information.'"

"The next thing was to get this note outside on that playground where a boy might find it. There were two ways, but I chose the best. I took one of the rats--I became adept in catching them--tied the linen and money firmly to one leg, fastened my lisle thread to another, and turned him loose in the drain pipe. I reasoned that the natural fright of the rodent would make him run until he was outside the pipe and then out on earth he would probably stop to gnaw off the linen and money.

The next step was to get this note out onto the playground where a kid might find it. There were two options, but I picked the best one. I caught one of the rats—I had gotten pretty good at catching them—tied the cloth and money securely to one leg, attached my thread to another, and set him free in the drainpipe. I figured the rat's instinctive fear would make him run until he got outside the pipe, and then once he was on solid ground, he would probably stop to chew off the cloth and money.

"From the moment the rat disappeared into that dusty pipe I became anxious. I was taking so many chances. The rat might gnaw the string, of which I held one end; other rats might gnaw it; the rat might run out of the pipe and leave the linen and money where they would never be found; a thousand other things might have happened. So began some nervous hours, but the fact that the rat ran on until only a few feet of the string remained in my cell made me think he was outside the pipe. I had carefully instructed Mr. Hatch what to do in case the note reached him. The question was: Would it reach him?

"From the moment the rat vanished into that dusty pipe, I started to feel anxious. I was taking so many risks. The rat could chew through the string I was holding onto; other rats might do the same; the rat could dash out of the pipe and leave the linen and money behind where no one would ever find them; a thousand other things could go wrong. Thus began some tense hours, but the fact that the rat continued to pull the string until only a few feet remained in my cell made me think he was outside the pipe. I had carefully told Mr. Hatch what to do in case the note got to him. The question was: Would it actually reach him?"

"This done, I could only wait and make other plans in case this one failed. I openly attempted to bribe my jailer, and learned from him that he held the keys to only two of seven doors between me and freedom. Then I did something else to make the warden nervous. I took the steel supports out of the heels of my shoes and made a pretense of sawing the bars of my cell window. The warden raised a pretty row about that. He developed, too, the habit of shaking the bars of my cell window to see if they were solid. They were--then."

"After doing that, I could only wait and come up with other plans in case this one didn’t work out. I openly tried to bribe my jailer and found out from him that he only held the keys to two out of seven doors between me and freedom. Then I did something else to make the warden anxious. I took the steel supports out of the heels of my shoes and pretended to saw at the bars of my cell window. The warden made a big fuss about that. He also started to shake the bars of my cell window to check if they were solid. They were—at that time."

Again the warden grinned. He had ceased being astonished.

Again, the warden smiled. He was no longer surprised.

"With this one plan I had done all I could and could only wait to see what happened," the scientist went on. "I couldn't know whether my note had been delivered or even found, or whether the mouse had gnawed it up. And I didn't dare to draw back through the pipe that one slender thread which connected me with the outside.

"With this one plan, I had done everything I could and could only wait to see what would happen," the scientist continued. "I had no idea if my note had been delivered or even found, or if the mouse had chewed it up. And I didn't want to pull back through the pipe that one thin thread that connected me to the outside."

"When I went to bed that night I didn't sleep, for fear there would come the slight signal twitch at the thread which was to tell me that Mr. Hatch had received the note. At half-past three o'clock, I judge, I felt this twitch, and no prisoner actually under sentence of death ever welcomed a thing more heartily."

"When I went to bed that night, I couldn't sleep, afraid I would feel the tiny signal twitch in the thread that would tell me Mr. Hatch had received the note. Around 3:30, I felt that twitch, and no one on death row has ever welcomed something more eagerly."

The Thinking Machine stopped and turned to the reporter.

The Thinking Machine stopped and faced the reporter.

"You'd better explain just what you did," he said.

"You should explain exactly what you did," he said.

"The linen note was brought to me by a small boy who had been playing baseball," said Mr. Hatch. "I immediately saw a big story in it, so I gave the boy another ten dollars, and got several spools of silk, some twine, and a roll of light, pliable wire. The professor's note suggested that I have the finder of the note show me just where it was picked up, and told me to make my search from there, beginning at two o'clock in the morning. If I found the other end of the thread I was to twitch it gently three times, then a fourth.

"The linen note was delivered to me by a young boy who had been playing baseball," Mr. Hatch said. "I instantly recognized the potential for a big story, so I gave the boy another ten dollars and got several spools of silk, some twine, and a roll of light, flexible wire. The professor's note suggested that I have the finder of the note show me exactly where it was picked up and advised me to start my search from there, beginning at two in the morning. If I found the other end of the thread, I was to pull it gently three times, then a fourth."

"I began the search with a small bulb electric light. It was an hour and twenty minutes before I found the end of the drain pipe, half hidden in weeds. The pipe was very large there, say twelve inches across. Then I found the end of the lisle thread, twitched it as directed and immediately I got an answering twitch.

"I started the search with a small electric bulb. It took me an hour and twenty minutes to find the end of the drain pipe, which was mostly hidden in weeds. The pipe was quite large there, about twelve inches wide. Then I found the end of the thread, tugged it as instructed, and immediately received a responding tug."

"Then I fastened the silk to this and Professor Van Dusen began to pull it into his cell. I nearly had heart disease for fear the string would break. To the end of the silk I fastened the twine, and when that had been pulled in I tied on the wire. Then that was drawn into the pipe and we had a substantial line, which rats couldn't gnaw, from the mouth of the drain into the cell."

"Then I attached the silk to this, and Professor Van Dusen started to pull it into his cell. I was almost having a panic attack, worried that the string would break. To the end of the silk, I attached the twine, and when that was pulled in, I tied on the wire. Then that was pulled into the pipe, and we had a strong line that rats couldn't chew through, running from the mouth of the drain into the cell."

The Thinking Machine raised his hand and Hatch stopped.

The Thinking Machine raised his hand, and Hatch paused.

"All this was done in absolute silence," said the scientist. "But when the wire reached my hand I could have shouted. Then we tried another experiment, which Mr. Hatch was prepared for. I tested the pipe as a speaking tube. Neither of us could hear very clearly, but I dared not speak loud for fear of attracting attention in the prison. At last I made him understand what I wanted immediately. He seemed to have great difficulty in understanding when I asked for nitric acid, and I repeated the word 'acid' several times.

"Everything was done in complete silence," the scientist said. "But when the wire touched my hand, I felt like shouting. Then we tried another experiment that Mr. Hatch was ready for. I tested the pipe as a talking tube. Neither of us could hear very well, but I didn’t want to speak too loudly for fear of drawing attention in the prison. Finally, I managed to make him understand what I wanted right away. He seemed to struggle a lot when I asked for nitric acid, and I had to repeat the word 'acid' several times."

"Then I heard a shriek from a cell above me. I knew instantly that some one had overheard, and when I heard you coming, Mr. Warden, I feigned sleep. If you had entered my cell at that moment that whole plan of escape would have ended there. But you passed on. That was the nearest I ever came to being caught.

"Then I heard a scream from a cell above me. I knew right away that someone had overheard, and when I heard you coming, Mr. Warden, I pretended to be asleep. If you had walked into my cell at that moment, the whole escape plan would have ended right there. But you moved on. That was the closest I ever got to being caught."

"Having established this improvised trolley it is easy to see how I got things in the cell and made them disappear at will. I merely dropped them back into the pipe. You, Mr. Warden, could not have reached the connecting wire with your fingers; they are too large. My fingers, you see, are longer and more slender. In addition I guarded the top of that pipe with a rat--you remember how."

"Once I set up this makeshift trolley, it’s clear how I got things into the cell and made them vanish whenever I wanted. I just dropped them back into the pipe. You, Mr. Warden, wouldn't have been able to reach the connecting wire with your fingers; they’re too big. My fingers, as you can see, are longer and slimmer. Plus, I kept a rat on top of that pipe for protection—you remember how."

"I remember," said the warden, with a grimace. "I thought that if any one were tempted to investigate that hole the rat would dampen his ardor. Mr. Hatch could not send me anything useful through the pipe until next night, although he did send me change for ten dollars as a test, so I proceeded with other parts of my plan. Then I evolved the method of escape, which I finally employed.

"I remember," said the warden, making a face. "I figured that if anyone felt like checking out that hole, the rat would kill their enthusiasm. Mr. Hatch couldn’t send me anything useful through the pipe until the next night, but he did send me change for ten dollars as a test, so I moved forward with other parts of my plan. Then I came up with the escape method that I ended up using."

"In order to carry this out successfully it was necessary for the guard in the yard to get accustomed to seeing me at the cell window. I arranged this by dropping linen notes to him, boastful in tone, to make the warden believe, if possible, one of his assistants was communicating with the outside for me. I would stand at my window for hours gazing out, so the guard could see, and occasionally I spoke to him. In that way I learned that the prison had no electricians of its own, but was dependent upon the lighting company if anything should go wrong.

To successfully pull this off, the guard in the yard needed to get used to seeing me at the cell window. I made this happen by dropping notes to him that sounded boastful, trying to convince the warden that one of his assistants was communicating with the outside on my behalf. I would stand at my window for hours looking out, so the guard could see me, and sometimes I talked to him. This way, I found out that the prison didn't have its own electricians and relied on the lighting company if anything went wrong.

"That cleared the way to freedom perfectly: Early in the evening of the last day of my imprisonment, when it was dark, I planned to cut the feed wire which was only a few feet from my window, reaching it with an acid-tipped wire I had. That would make that side of the prison perfectly dark while the electricians were searching for the break. That would also bring Mr. Hatch into the prison yard.

"That made escaping much easier: Early in the evening on the last day of my imprisonment, when it was dark, I planned to cut the feed wire that was just a few feet from my window, using an acid-tipped wire I had. That would create complete darkness on that side of the prison while the electricians looked for the break. It would also draw Mr. Hatch into the prison yard."

"There was only one more thing to do before I actually began the work of setting myself free. This was to arrange final details with Mr. Hatch through our speaking tube. I did this within half an hour after the warden left my cell on the fourth night of my imprisonment. Mr. Hatch again had serious difficulty in understanding me, and I repeated the word 'acid' to him several times, and later the words: 'Number eight hat'--that's my size--and these were the things which made a prisoner upstairs confess to murder, so one of the jailers told me next day. This prisoner heard our voices, confused of course, through the pipe, which also went to his cell. The cell directly over me was not occupied, hence no one else heard.

There was just one more thing to take care of before I could actually start the process of setting myself free. I needed to finalize details with Mr. Hatch via our speaking tube. I did this within half an hour after the warden left my cell on the fourth night of my imprisonment. Mr. Hatch once again struggled to understand me, and I repeatedly said the word “acid” to him, along with the phrase: “Number eight hat”—that’s my size—and these were the details that got a prisoner upstairs to confess to murder, according to one of the jailers who told me the next day. This prisoner heard our voices, of course confused, through the pipe, which also led to his cell. The cell directly above me was empty, so no one else heard us.

"Of course the actual work of cutting the steel bars out of the window and door was comparatively easy with nitric acid, which I got through the pipe in thin bottles, but it took time. Hour after hour on the fifth and sixth and seventh days the guard below was looking at me as I worked on the bars of the window with the acid on a piece of wire. I used the tooth powder to prevent the acid spreading. I looked away abstractedly as I worked and each minute the acid cut deeper into the metal. I noticed that the jailers always tried the door by shaking the upper part, never the lower bars, therefore I cut the lower bars, leaving them hanging in place by thin strips of metal. But that was a bit of dare-deviltry. I could not have gone that way so easily."

"Obviously, the actual work of cutting the steel bars from the window and door was relatively easy with nitric acid, which I got through the pipe in small bottles, but it took a lot of time. Hour after hour on the fifth, sixth, and seventh days, the guard below watched me as I worked on the bars of the window using acid on a piece of wire. I used the tooth powder to keep the acid from spreading. I glanced away absently as I worked, and with each passing minute, the acid ate deeper into the metal. I noticed that the jailers always tested the door by shaking the top part, never the lower bars, so I cut the lower bars, leaving them hanging in place by thin strips of metal. But that was a bit risky. I couldn't have gone that way so easily."

The Thinking Machine sat silent for several minutes.

The Thinking Machine sat quietly for several minutes.

"I think that makes everything clear," he went on. "Whatever points I have not explained were merely to confuse the warden and jailers. These things in my bed I brought in to please Mr. Hatch, who wanted to improve the story. Of course, the wig was necessary in my plan. The special delivery letter I wrote and directed in my cell with Mr. Hatch's fountain pen, then sent it out to him and he mailed it. That's all, I think."

"I think that clears everything up," he continued. "Any details I haven’t explained were just meant to confuse the warden and guards. The stuff in my bed was brought in to impress Mr. Hatch, who wanted to enhance the story. Obviously, the wig was crucial to my plan. I wrote the special delivery letter in my cell with Mr. Hatch's fountain pen and then gave it to him to mail. That’s all, I believe."

"But your actually leaving the prison grounds and then coming in through the outer gate to my office?" asked the warden.

"But you really left the prison grounds and then came in through the outer gate to my office?" asked the warden.

"Perfectly simple," said the scientist. "I cut the electric light wire with acid, as I said, when the current was off. Therefore when the current was turned on the arc didn't light. I knew it would take some time to find out what was the matter and make repairs. When the guard went to report to you the yard was dark. I crept out the window--it was a tight fit, too--replaced the bars by standing on a narrow ledge and remained in a shadow until the force of electricians arrived. Mr. Hatch was one of them.

"Simple as can be," said the scientist. "I used acid to cut the electric light wire, like I mentioned, when the power was off. So when the power was turned back on, the arc didn’t light up. I knew it would take a while to figure out what was wrong and make repairs. When the guard went to tell you, the yard was dark. I managed to squeeze out of the window—it was a tight fit—and replaced the bars by standing on a narrow ledge, staying in the shadows until the team of electricians showed up. Mr. Hatch was one of them."

"When I saw him I spoke and he handed me a cap, a jumper and overalls, which I put on within ten feet of you, Mr. Warden, while you were in the yard. Later Mr. Hatch called me, presumably as a workman, and together we went out the gate to get something out of the wagon. The gate guard let us pass out readily as two workmen who had just passed in. We changed our clothing and reappeared, asking to see you. We saw you. That's all."

"When I saw him, I spoke to him and he gave me a cap, a sweater, and overalls, which I put on just ten feet away from you, Mr. Warden, while you were in the yard. Later, Mr. Hatch called me, probably thinking I was a worker, and we both went out the gate to get something from the wagon. The gate guard let us pass without question, seeing us as two workers who had just come in. We changed our clothes and came back, asking to see you. We saw you. That’s it."

There was silence for several minutes. Dr. Ransome was first to speak.

There was silence for a few minutes. Dr. Ransome was the first to speak.

"Wonderful!" he exclaimed. "Perfectly amazing."

"Awesome!" he exclaimed. "Absolutely amazing."

"How did Mr. Hatch happen to come with the electricians?" asked Mr. Fielding.

"How did Mr. Hatch end up coming with the electricians?" asked Mr. Fielding.

"His father is manager of the company," replied The Thinking Machine.

"His dad is the manager of the company," replied The Thinking Machine.

"But what if there had been no Mr. Hatch outside to help?"

"But what if there hadn't been a Mr. Hatch outside to help?"

"Every prisoner has one friend outside who would help him escape if he could."

"Every inmate has a friend outside who would help him break free if they could."

"Suppose--just suppose--there had been no old plumbing system there?" asked the warden, curiously.

"Let's imagine—just imagine—if there hadn’t been that old plumbing system there?" the warden asked, intrigued.

"There were two other ways out," said The Thinking Machine, enigmatically.

"There were two other exits," said The Thinking Machine, mysteriously.

Ten minutes later the telephone bell rang. It was a request for the warden.

Ten minutes later, the phone rang. It was a call for the warden.

"Light all right, eh?" the warden asked, through the 'phone. "Good. Wire cut beside Cell 13? Yes, I know. One electrician too many? What's that? Two came out?"

"Everything okay with the lights?" the warden asked over the phone. "Good. There was a wire cut next to Cell 13? Yeah, I know. Too many electricians? What do you mean? Two showed up?"

The warden turned to the others with a puzzled expression.

The warden looked at the others with a confused expression.

"He only let in four electricians, he has let out two and says there are three left."

"He only let in four electricians, he has let out two, and he says there are three left."

"I was the odd one," said The Thinking Machine. "Oh," said the warden. "I see." Then through the 'phone "Let the fifth man go. He's all right."

"I was the odd one," said The Thinking Machine. "Oh," said the warden. "I get it." Then through the phone, "Let the fifth man go. He's good."





THE SCARLET THREAD



I.

The Thinking Machine--Professor Augustus S. F. X. Van Dusen, Ph.D., LL.D., F.R.S., M.D., etc., scientist and logician--listened intently and without comment to a weird, seemingly inexplicable story. Hutchinson Hatch, reporter, was telling it. The bowed figure of the savant lay at ease in a large chair. The enormous head with its bushy yellow hair was thrown back, the thin, white fingers were pressed tip to tip and the blue eyes, narrowed to mere slits, squinted aggressively upward. The scientist was in a receptive mood.

The Thinking Machine—Professor Augustus S. F. X. Van Dusen, Ph.D., LL.D., F.R.S., M.D., etc., scientist and logician—listened closely and without interruption to a strange, seemingly unexplainable story. Hutchinson Hatch, a reporter, was the one sharing it. The hunched figure of the expert was comfortably settled in a large chair. His enormous head, topped with bushy blond hair, was tilted back, his thin white fingers pressed together, and his blue eyes, narrowed to mere slits, squinted sharply upward. The scientist was open to what he was hearing.

"From the beginning, every fact you know," he had requested.

"From the start, every fact you know," he had asked.

"It's all out in the Back Bay," the reporter explained. "There is a big apartment house there, a fashionable establishment, in a side street, just off Commonwealth Avenue. It is five stories in all, and is cut up into small suites, of two and three rooms with bath. These suites are handsomely, even luxuriously furnished, and are occupied by people who can afford to pay big rents. Generally these are young unmarried men, although in several cases they are husband and wife. It is a house of every modern improvement, elevator service, hall boys, liveried door men, spacious corridors and all that. It has both the gas and electric systems of lighting. Tenants are at liberty to use either or both.

"It's all happening in the Back Bay," the reporter explained. "There’s a large apartment building there, a trendy spot, on a side street just off Commonwealth Avenue. It has five stories and is divided into small suites, with two or three rooms and a bathroom. These suites are elegantly furnished, even lavishly, and are occupied by those who can afford high rents. Usually, these are young single men, though in some cases, there are married couples. The building has all the modern amenities, including an elevator, hall staff, uniformed doormen, spacious hallways, and more. It features both gas and electric lighting systems, and tenants can choose to use either or both."

"A young broker, Weldon Henley, occupies one of the handsomest of these suites, being on the second floor, in front. He has met with considerable success in the Street. He is a bachelor and lives there alone. There is no personal servant. He dabbles in photography as a hobby, and is said to be remarkably expert.

A young broker, Weldon Henley, occupies one of the most attractive suites, located on the second floor, in front. He has experienced significant success on Wall Street. He is single and lives there by himself. There’s no personal servant. He enjoys photography as a hobby and is said to be quite skilled.

"Recently there was a report that he was to be married this Winter to a beautiful Virginia girl who has been visiting Boston from time to time, a Miss Lipscomb--Charlotte Lipscomb, of Richmond. Henley has never denied or affirmed this rumor, although he has been asked about it often. Miss Lipscomb is impossible of access even when she visits Boston. Now she is in Virginia, I understand, but will return to Boston later in the season."

"Recently, there was a report that he was going to get married this Winter to a beautiful girl from Virginia who has been visiting Boston occasionally, a Miss Lipscomb—Charlotte Lipscomb, from Richmond. Henley has neither confirmed nor denied this rumor, even though he has been asked about it a lot. Miss Lipscomb is hard to reach even when she's in Boston. I hear she's in Virginia now but will come back to Boston later in the season."

The reporter paused, lighted a cigarette and leaned forward in his chair, gazing steadily into the inscrutable eyes of the scientist.

The reporter paused, lit a cigarette, and leaned forward in his chair, staring intently into the enigmatic eyes of the scientist.

"When Henley took the suite he requested that all the electric lighting apparatus be removed from his apartments," he went on. "He had taken a long lease of the place, and this was done. Therefore he uses only gas for lighting purposes, and he usually keeps one of his gas jets burning low all night."

"When Henley moved into the suite, he asked for all the electric lighting to be taken out of his apartments," he continued. "He had signed a long lease for the place, and this was done. So, he only uses gas for lighting, and he usually keeps one of his gas jets dimmed all night."

"Bad, bad for his health," commented the scientist.

"Not good for his health at all," the scientist remarked.

"Now comes the mystery of the affair," the reporter went on. "It was five weeks or so ago Henley retired as usual--about midnight. He locked his door on the inside--he is positive of that--and awoke about four o'clock in the morning nearly asphyxiated by gas. He was barely able to get up and open the window to let in the fresh air. The gas jet he had left burning was out, and the suite was full of gas."

"Now we get to the mystery of the situation," the reporter continued. "About five weeks ago, Henley went to bed as usual—around midnight. He locked his door from the inside—he's sure of that—and woke up around four in the morning, nearly suffocated by gas. He could barely get up to open the window for some fresh air. The gas light he had left on was out, and the room was filled with gas."

"Accident, possibly," said The Thinking Machine. "A draught through the apartments; a slight diminution of gas pressure; a hundred possibilities."

"Could be an accident," said The Thinking Machine. "A draft through the rooms; a slight drop in gas pressure; a hundred different possibilities."

"So it was presumed," said the reporter. "Of course it would have been impossible for----"

"So it was assumed," said the reporter. "Of course it would have been impossible for----"

"Nothing is impossible," said the other, tartly. "Don't say that. It annoys me exceedingly."

"Nothing is impossible," said the other, sharply. "Don't say that. It really annoys me."

"Well, then, it seems highly improbable that the door had been opened or that anyone came into the room and did this deliberately," the newspaper man went on, with a slight smile. "So Henley said nothing about this; attributed it to accident. The next night he lighted his gas as usual, but he left it burning a little brighter. The same thing happened again."

"Well, it seems really unlikely that the door was opened or that someone came into the room and did this on purpose," the reporter continued, with a slight smile. "So Henley didn't say anything about it; he thought it was just an accident. The next night, he turned on his gas like usual, but he left it burning a bit brighter. The same thing happened again."

"Ah," and The Thinking Machine changed his position a little. "The second time."

"Ah," The Thinking Machine adjusted his position slightly. "The second time."

"And again he awoke just in time to save himself," said Hatch. "Still he attributed the affair to accident, and determined to avoid a recurrence of the affair by doing away with the gas at night. Then he got a small night lamp and used this for a week or more."

"And once more he woke up just in time to save himself," said Hatch. "Still, he chalked it up to coincidence and decided to prevent it from happening again by cutting out the gas at night. So, he got a small night lamp and used it for a week or more."

"Why does he have a light at all?" asked the scientist, testily.

"Why does he even have a light?" asked the scientist, irritated.

"I can hardly answer that," replied Hatch. "I may say, however, that he is of a very nervous temperament, and gets up frequently during the night. He reads occasionally when he can't sleep. In addition to that he has slept with a light going all his life; it's a habit."

"I can hardly answer that," Hatch replied. "But I can say that he has a very nervous temperament and wakes up often during the night. He sometimes reads when he can't sleep. Also, he's always slept with a light on; it's just a habit."

"Go on."

"Continue."

"One night he looked for the night lamp, but it had disappeared--at least he couldn't find it--so he lighted the gas again. The fact of the gas having twice before gone out had been dismissed as a serious possibility. Next morning at five o'clock a bell boy, passing through the hall, smelled gas and made a quick investigation. He decided it came from Henley's place, and rapped on the door. There was no answer. It ultimately developed that it was necessary to smash in the door. There on the bed they found Henley unconscious with the gas pouring into the room from the jet which he had left lighted. He was revived in the air, but for several hours was deathly sick."

One night, he searched for the night lamp, but it was gone— at least he couldn’t find it—so he turned the gas on again. The fact that the gas had gone out twice before wasn’t considered a serious issue. The next morning at five o'clock, a bellboy passing through the hall smelled gas and checked it out. He figured it was coming from Henley's room and knocked on the door. There was no response. Eventually, they had to break down the door. Inside, they found Henley unconscious on the bed, with gas filling the room from the burner he had left on. He was revived in the fresh air, but he was seriously sick for several hours.

"Why was the door smashed in?" asked The Thinking Machine. "Why not unlocked?"

"Why was the door smashed in?" asked The Thinking Machine. "Why not just unlocked?"

"It was done because Henley had firmly barred it," Hatch explained. "He had become suspicious, I suppose, and after the second time he always barred his door and fastened every window before he went to sleep. There may have been a fear that some one used a key to enter."

"It happened because Henley had locked it tight," Hatch explained. "I guess he got suspicious, and after the second time, he always locked his door and secured every window before going to sleep. He might have been worried that someone had a key to get in."

"Well?" asked the scientist. "After that?"

"Well?" the scientist asked. "What happened next?"

"Three weeks or so elapsed, bringing the affair down to this morning," Hatch went on. "Then the same thing happened a little differently. For instance, after the third time the gas went out Henley decided to find out for himself what caused it, and so expressed himself to a few friends who knew of the mystery. Then, night after night, he lighted the gas as usual and kept watch. It was never disturbed during all that time, burning steadily all night. What sleep he got was in daytime.

"About three weeks went by, leading us to this morning," Hatch continued. "Then the same thing happened, but with a twist. For example, after the gas went out for the third time, Henley decided to investigate the cause himself and shared his thoughts with a few friends who were aware of the mystery. So, night after night, he lit the gas like usual and kept an eye on it. It never went out during that time, burning steadily all night. He only got some sleep during the day."

"Last night Henley lay awake for a time; then, exhausted and tired, fell asleep. This morning early he awoke; the room was filled with gas again. In some way my city editor heard of it and asked me to look into the mystery."

"Last night, Henley lay awake for a while; then, worn out and fatigued, he finally fell asleep. Early this morning, he woke up; the room was filled with gas again. Somehow, my city editor found out about it and asked me to investigate the mystery."

That was all. The two men were silent for a long time, and finally The Thinking Machine turned to the reporter.

That was it. The two men were quiet for a long time, and finally, The Thinking Machine turned to the reporter.

"Does anyone else in the house keep gas going all night?" he asked.

"Does anyone else in the house leave the gas on all night?" he asked.

"I don't know," was the reply. "Most of them, I know, use electricity."

"I don't know," was the answer. "I know most of them use electricity."

"Nobody else has been overcome as he has been?"

"Has anyone else been overcome like he has?"

"No. Plumbers have minutely examined the lighting system all over the house and found nothing wrong."

"No. The plumbers have thoroughly checked the lighting system throughout the house and found nothing wrong."

"Does the gas in the house all come through the same meter?"

"Does all the gas in the house come through the same meter?"

"Yes, so the manager told me. This meter, a big one, is just off the engine room. I supposed it possible that some one shut it off there on these nights long enough to extinguish the lights all over the house, then turned it on again. That is, presuming that it was done purposely. Do you think it was an attempt to kill Henley?"

"Yeah, that's what the manager said. This meter, a big one, is just outside the engine room. I thought it was possible that someone turned it off for long enough on these nights to cut out the lights throughout the house, and then turned it back on. That is, assuming it was done on purpose. Do you think it was an attempt to kill Henley?"

"It might be," was the reply. "Find out for me just who in the house uses gas; also if anyone else leaves a light burning all night; also what opportunity anyone would have to get at the meter, and then something about Henley's love affair with Miss Lipscomb. Is there anyone else? If so, who? Where does he live? When you find out these things come back here."

"It could be," was the response. "Check for me who in the house uses gas; also if anyone else leaves a light on all night; and what chance anyone would have to access the meter. And then, find out about Henley's relationship with Miss Lipscomb. Is there anyone else involved? If yes, who? Where do they live? When you discover these details, come back here."


* * * * *

Understood. Please provide the text you would like me to modernize.

That afternoon at one o'clock Hatch returned to the apartments of The Thinking Machine, with excitement plainly apparent on his face.

That afternoon at one o'clock, Hatch returned to The Thinking Machine's apartment, clearly excited.

"Well?" asked the scientist.

"Well?" the scientist asked.

"A French girl, Louise Regnier, employed as a maid by Mrs. Standing in the house, was found dead in her room on the third floor to-day at noon," Hatch explained quickly. "It looks like suicide."

"A French girl, Louise Regnier, working as a maid for Mrs. Standing in the house, was discovered dead in her room on the third floor today at noon," Hatch said quickly. "It seems like suicide."

"How?" asked The Thinking Machine.

"How?" asked the Thinking Machine.

"The people who employed her--husband and wife--have been away for a couple of days," Hatch rushed on. "She was in the suite alone. This noon she had not appeared, there was an odor of gas and the door was broken in. Then she was found dead."

"The couple who hired her have been gone for a few days," Hatch continued anxiously. "She was alone in the suite. This afternoon, she hadn't come out, there was a smell of gas, and the door was broken in. Then they found her dead."

"With the gas turned on?"

"Is the gas on?"

"With the gas turned on. She was asphyxiated."

"With the gas on, she suffocated."

"Dear me, dear me," exclaimed the scientist. He arose and took up his hat. "Let's go see what this is all about."

"Goodness, goodness," the scientist exclaimed. He got up and grabbed his hat. "Let's go check out what this is all about."



II.

When Professor Van Dusen and Hatch arrived at the apartment house they had been preceded by the Medical Examiner and the police. Detective Mallory, whom both knew, was moving about in the apartment where the girl had been found dead. The body had been removed and a telegram sent to her employers in New York.

When Professor Van Dusen and Hatch got to the apartment building, they were already preceded by the Medical Examiner and the police. Detective Mallory, whom both of them knew, was going through the apartment where the girl had been found dead. The body had been taken away and a telegram had been sent to her employers in New York.

"Too late," said Mallory, as they entered.

"Too late," said Mallory as they walked in.

"What was it, Mr. Mallory?" asked the scientist.

"What was it, Mr. Mallory?" the scientist asked.

"Suicide," was the reply. "No question of it. It happened in this room," and he led the way into the third room of the suite. "The maid, Miss Regnier, occupied this, and was here alone last night. Mr. and Mrs. Standing, her employers, have gone to New York for a few days. She was left alone, and killed herself."

"Suicide," was the response. "No doubt about it. It occurred in this room," and he guided me into the third room of the suite. "The maid, Miss Regnier, stayed here and was alone last night. Mr. and Mrs. Standing, her employers, have traveled to New York for a few days. She was left alone, and she took her own life."

Without further questioning The Thinking Machine went over to the bed, from which the girl's body had been taken, and, stooping beside it, picked up a book. It was a novel by "The Duchess." He examined this critically, then, standing on a chair, he examined the gas jet. This done, he stepped down and went to the window of the little room. Finally The Thinking Machine turned to the detective.

Without asking any more questions, The Thinking Machine walked over to the bed, where the girl's body had been removed, and, bending down, picked up a book. It was a novel by "The Duchess." He looked at it critically, then climbed onto a chair to check the gas jet. After that, he got down and moved to the window of the small room. Finally, The Thinking Machine turned to the detective.

"Just how much was the gas turned on?" he asked.

"How much was the gas turned on?" he asked.

"Turned on full," was the reply.

"Turned on all the way," was the reply.

"Were both the doors of the room closed?"

"Were both doors of the room closed?"

"Both, yes."

"Both, yes."

"Any cotton, or cloth, or anything of the sort stuffed in the cracks of the window?"

"Do you have any cotton, cloth, or something like that stuffed in the cracks of the window?"

"No. It's a tight-fitting window, anyway. Are you trying to make a mystery out of this?"

"No. It's a snug window, anyway. Are you trying to make this into a mystery?"

"Cracks in the doors stuffed?" The Thinking Machine went on.

"Are there stuffed cracks in the doors?" The Thinking Machine continued.

"No." There was a smile about the detective's lips.

"No." A smile played at the corners of the detective's lips.

The Thinking Machine, on his knees, examined the bottom of one of the doors, that which led into the hall. The lock of this door had been broken when employees burst into the room. Having satisfied himself here and at the bottom of the other door, which connected with the bedroom adjoining, The Thinking Machine again climbed on a chair and examined the doors at the top.

The Thinking Machine, kneeling down, looked at the bottom of one of the doors that led into the hallway. The lock on this door had been damaged when the staff rushed into the room. After making sure everything looked okay here and at the bottom of the other door that connected to the nearby bedroom, The Thinking Machine got back up on a chair and checked the tops of the doors.

"Both transoms closed, I suppose?" he asked. "Yes," was the reply. "You can't make anything but suicide out of it," explained the detective. "The Medical Examiner has given that as his opinion--and everything I find indicates it."

"Both transoms closed, I guess?" he asked. "Yeah," was the reply. "You can only come to one conclusion: it’s suicide," the detective explained. "The Medical Examiner has stated that’s his opinion—and everything I find supports that."

"All right," broke in The Thinking Machine abruptly. "Don't let us keep you."

"Okay," interrupted The Thinking Machine suddenly. "Don't let us hold you up."

After awhile Detective Mallory went away. Hatch and the scientist went down to the office floor, where they saw the manager. He seemed to be greatly distressed, but was willing to do anything he could in the matter.

After a while, Detective Mallory left. Hatch and the scientist went down to the office floor, where they found the manager. He looked really upset, but was ready to do whatever he could to help.

"Is your night engineer perfectly trustworthy?" asked The Thinking Machine.

"Is your night engineer completely trustworthy?" asked The Thinking Machine.

"Perfectly," was the reply. "One of the best and most reliable men I ever met. Alert and wide-awake."

"Absolutely," was the response. "One of the best and most dependable guys I've ever met. Sharp and fully aware."

"Can I see him a moment? The night man, I mean?"

"Can I talk to him for a second? I mean the night guy?"

"Certainly," was the reply. "He's downstairs. He sleeps there. He's probably up by this time. He sleeps usually till one o'clock in the daytime, being up all night."

"Sure," was the response. "He's downstairs. He sleeps there. He's probably up by now. He usually sleeps until one o'clock in the afternoon, since he stays up all night."

"Do you supply gas for your tenants?"

"Do you provide gas for your renters?"

"Both gas and electricity are included in the rent of the suites. Tenants may use one or both."

"Both gas and electricity are included in the rent for the suites. Tenants can use either one or both."

"And the gas all comes through one meter?"

"And all the gas goes through one meter?"

"Yes, one meter. It's just off the engine room."

"Yeah, one meter. It's right next to the engine room."

"I suppose there's no way of telling just who in the house uses gas?"

"I guess there's no way to know who in the house uses gas?"

"No. Some do and some don't. I don't know."

"No. Some do, and some don't. I don't know."

This was what Hatch had told the scientist. Now together they went to the basement, and there met the night engineer, Charles Burlingame, a tall, powerful, clean-cut man, of alert manner and positive speech. He gazed with a little amusement at the slender, almost childish figure of The Thinking Machine and the grotesquely large head.

This is what Hatch had told the scientist. Now they went to the basement, where they met the night engineer, Charles Burlingame, a tall, strong, well-groomed man with an attentive demeanor and confident speech. He looked on with a bit of amusement at the slim, almost childlike figure of The Thinking Machine and its oddly oversized head.

"You are in the engine room or near it all night every night?" began The Thinking Machine.

"You've been in the engine room or close to it every night?" started The Thinking Machine.

"I haven't missed a night in four years," was the reply.

"I haven't missed a night in four years," was the response.

"Anybody ever come here to see you at night?"

"Has anyone ever come here to see you at night?"

"Never. It's against the rules."

"Never. It's against the rules."

"The manager or a hall boy?"

"Manager or bellhop?"

"Never."

"Not ever."

"In the last two months?" The Thinking Machine persisted.

"In the past two months?" The Thinking Machine continued.

"Not in the last two years," was the positive reply. "I go on duty every night at seven o'clock, and I am on duty until seven in the morning. I don't believe I've seen anybody in the basement here with me between those hours for a year at least."

"Not in the last two years," was the enthusiastic answer. "I start my shift every night at seven o'clock and I'm on duty until seven in the morning. I don't think I've seen anyone in the basement here with me during those hours for at least a year."

The Thinking Machine was squinting steadily into the eyes of the engineer, and for a time both were silent. Hatch moved about the scrupulously clean engine room and nodded to the day engineer, who sat leaning back against the wall. Directly in front of him was the steam gauge.

The Thinking Machine was intently staring into the eyes of the engineer, and for a moment, both were quiet. Hatch walked around the meticulously clean engine room and nodded to the day engineer, who was leaning back against the wall. Right in front of him was the steam gauge.

"Have you a fireman?" was The Thinking Machine's next question.

"Do you have a fireman?" was The Thinking Machine's next question.

"No. I fire myself," said the night man. "Here's the coal," and he indicated a bin within half a dozen feet of the mouth of the boiler.

"No. I quit," said the night guy. "Here's the coal," and he pointed to a bin just a few feet from the boiler.

"I don't suppose you ever had occasion to handle the gas meter?" insisted The Thinking Machine.

"I guess you never had the chance to deal with the gas meter?" insisted The Thinking Machine.

"Never touched it in my life," said the other. "I don't know anything about meters, anyway."

"Never touched it in my life," said the other. "I don't know anything about meters, anyway."

"And you never drop off to sleep at night for a few minutes when you get lonely? Doze, I mean?"

"And you never fall asleep for a few minutes at night when you're feeling lonely? I mean doze off?"

The engineer grinned good-naturedly.

The engineer grinned warmly.

"Never had any desire to, and besides I wouldn't have the chance," he explained. "There's a time check here,"--and he indicated it. "I have to punch that every half hour all night to prove that I have been awake."

"Never wanted to, and anyway I wouldn't get the chance," he said. "There's a time check here,"--and he pointed it out. "I have to punch that every half hour all night to show that I've been awake."

"Dear me, dear me," exclaimed The Thinking Machine, irritably. He went over and examined the time check--a revolving paper disk with hours marked on it, made to move by the action of a clock, the face of which showed in the middle.

"Goodness, goodness," The Thinking Machine said, annoyed. He walked over and looked at the time check—a rotating paper disk with hours marked on it, designed to move by the mechanism of a clock, which was displayed in the center.

"Besides there's the steam gauge to watch," went on the engineer. "No engineer would dare go to sleep. There might be an explosion."

"Besides, there's the steam gauge to keep an eye on," the engineer continued. "No engineer would risk falling asleep. There could be an explosion."

"Do you know Mr. Weldon Henley?" suddenly asked The Thinking Machine.

"Do you know Mr. Weldon Henley?" The Thinking Machine suddenly asked.

"Who?" asked Burlingame.

"Who?" Burlingame asked.

"Weldon Henley?"

"Weldon Henley?"

"No-o," was the slow response. "Never heard of him. Who is he?"

"Not really," was the slow reply. "I've never heard of him. Who is he?"

"One of the tenants, on the second floor, I think."

"One of the tenants, I believe, lives on the second floor."

"Lord, I don't know any of the tenants. What about him?"

"Lord, I don't know any of the tenants. What about him?"

"When does the inspector come here to read the meter?"

"When does the inspector come by to check the meter?"

"I never saw him. I presume in daytime, eh Bill?" and he turned to the day engineer.

"I never saw him. I guess during the day, right Bill?" he said, turning to the day engineer.

"Always in daytime--usually about noon," said Bill from his corner.

"Always during the day—usually around noon," Bill said from his corner.

"Any other entrance to the basement except this way--and you could see anyone coming here this way I suppose?"

"Is there any other way to get into the basement besides this? And I guess you can see anyone coming this way, right?"

"Sure I could see 'em. There's no other entrance to the cellar except the coal hole in the sidewalk in front."

"Of course I could see them. There's no other way into the cellar except for the coal hole in the sidewalk out front."

"Two big electric lights in front of the building, aren't there?"

"Are there two big electric lights in front of the building?"

"Yes. They go all night."

"Yep. They run all night."

A slightly puzzled expression crept into the eyes of The Thinking Machine. Hatch knew from the persistency of the questions that he was not satisfied; yet he was not able to fathom or to understand all the queries. In some way they had to do with the possibility of some one having access to the meter.

A slightly confused look appeared in The Thinking Machine's eyes. Hatch realized from the constant questioning that he wasn’t satisfied; however, he couldn’t fully grasp or comprehend all the inquiries. In some way, they related to the chance of someone being able to access the meter.

"Where do you usually sit at night here?" was the next question.

"Where do you usually sit at night?" was the next question.

"Over there where Bill's sitting. I always sit there."

"Over there where Bill's sitting. I always sit there."

The Thinking Machine crossed the room to Bill, a typical, grimy-handed man of his class.

The Thinking Machine walked across the room to Bill, a typical guy with dirty hands from his work.

"May I sit there a moment?" he asked.

"Can I sit there for a moment?" he asked.

Bill arose lazily, and The Thinking Machine sank down into the chair. From this point he could see plainly through the opening into the basement proper--there was no door--the gas meter of enormous proportions through which all the gas in the house passed. An electric light in the door made it bright as daylight. The Thinking Machine noted these things, arose, nodded his thanks to the two men and, still with the puzzled expression on his face, led the way upstairs. There the manager was still in his office.

Bill got up slowly, and The Thinking Machine settled into the chair. From this angle, he could clearly see through the opening into the basement—there was no door—the huge gas meter that supplied all the gas in the house. An electric light by the door made it as bright as day. The Thinking Machine took in these details, stood up, nodded his thanks to the two men, and, still looking puzzled, led the way upstairs. The manager was still in his office there.

"I presume you examine and know that the time check in the engineer's room is properly punched every half-hour during the night?" he asked.

"I assume you've checked and confirmed that the time clock in the engineer's room is punched every half-hour throughout the night?" he asked.

"Yes. I examine the dial every day--have them here, in fact, each with the date on it."

"Yes. I check the dial every day—I actually have them here, each with the date on it."

"May I see them?"

"Can I see them?"

Now the manager was puzzled. He produced the cards, one for each day, and for half an hour The Thinking Machine studied them minutely. At the end of that time, when he arose and Hatch looked at him inquiringly, he saw still the perplexed expression.

Now the manager was confused. He took out the cards, one for each day, and for half an hour The Thinking Machine examined them closely. When he finally stood up and Hatch looked at him expectantly, he still had a puzzled look on his face.

After urgent solicitation, the manager admitted them to the apartments of Weldon Henley. Mr. Henley himself had gone to his office in State Street. Here The Thinking Machine did several things which aroused the curiosity of the manager, one of which was to minutely study the gas jets. Then The Thinking Machine opened one of the front windows and glanced out into the street. Below fifteen feet was the sidewalk; above was the solid front of the building, broken only by a flagpole which, properly roped, extended from the hall window of the next floor above out over the sidewalk a distance of twelve feet or so.

After some urgent requests, the manager allowed them into Weldon Henley's apartments. Mr. Henley was at his office on State Street. Here, The Thinking Machine did several things that piqued the manager's interest, one of which was to closely examine the gas jets. Then, The Thinking Machine opened one of the front windows and looked out at the street. Fifteen feet below was the sidewalk; above was the sturdy front of the building, interrupted only by a flagpole that, properly secured, stretched from the hall window of the floor above out over the sidewalk for about twelve feet.

"Ever use that flagpole?" he asked the manager.

"Have you ever used that flagpole?" he asked the manager.

"Rarely," said the manager. "On holidays sometimes--Fourth of July and such times. We have a big flag for it."

"Not often," the manager said. "Only on holidays, like the Fourth of July and occasions like that. We have a big flag for those times."

From the apartments The Thinking Machine led the way to the hall, up the stairs and to the flagpole. Leaning out of this window, he looked down toward the window of the apartments he had just left. Then he inspected the rope of the flagpole, drawing it through his slender hands slowly and carefully. At last he picked off a slender thread of scarlet and examined it.

From the apartments, The Thinking Machine took the lead to the hall, up the stairs, and to the flagpole. Leaning out of this window, he looked down at the window of the apartments he had just left. Then he checked the rope of the flagpole, running it through his slender hands slowly and carefully. Finally, he pulled off a thin thread of scarlet and examined it.

"Ah," he exclaimed. Then to Hatch: "Let's go, Mr. Hatch. Thank you," this last to the manager, who had been a puzzled witness.

"Ah," he said. Then to Hatch: "Let's go, Mr. Hatch. Thank you," this last part directed at the manager, who had been a confused observer.

Once on the street, side by side with The Thinking Machine, Hatch was bursting with questions, but he didn't ask them. He knew it would be useless. At last The Thinking Machine broke the silence.

Once they were on the street, walking alongside The Thinking Machine, Hatch was filled with questions, but he didn’t ask any. He knew it would be pointless. Finally, The Thinking Machine spoke up and broke the silence.

"That girl, Miss Regnier, _was murdered_," he said suddenly, positively. "There have been four attempts to murder Henley."

"That girl, Miss Regnier, was murdered," he said suddenly, definitively. "There have been four attempts to kill Henley."

"How?" asked Hatch, startled.

"How?" Hatch asked, startled.

"By a scheme so simple that neither you nor I nor the police have ever heard of it being employed," was the astonishing reply. "_It is perfectly horrible in its simplicity_."

"By a plan so simple that neither you nor I nor the police have ever heard of it being used," was the shocking response. "_It is just awful in its simplicity_."

"What was it?" Hatch insisted, eagerly.

“What was it?” Hatch pressed, excitedly.

"It would be futile to discuss that now," was the rejoinder. "There has been murder. We know how. Now the question is--who? What person would have a motive to kill Henley?"

"It would be pointless to talk about that now," was the reply. "There has been a murder. We know how it happened. Now the question is—who? Who would have a reason to kill Henley?"



III.

There was a pause as they walked on.

There was a break in the conversation as they continued walking.

"Where are we going?" asked Hatch finally.

"Where are we headed?" Hatch finally asked.

"Come up to my place and let's consider this matter a bit further," replied The Thinking Machine.

"Come over to my place and let's think this through a bit more," replied The Thinking Machine.

Not another word was spoken by either until half an hour later, in the small laboratory. For a long time the scientist was thoughtful--deeply thoughtful. Once he took down a volume from a shelf and Hatch glanced at the title. It was "Gases: Their Properties." After awhile he returned this to the shelf and took down another, on which the reporter caught the title, "Anatomy."

Not another word was said by either of them until half an hour later, in the small lab. For a long time, the scientist was lost in thought—deeply lost in thought. He once pulled a book off the shelf, and Hatch noticed the title. It was "Gases: Their Properties." After a while, he put that back and took down another book, on which the reporter saw the title, "Anatomy."

"Now, Mr. Hatch," said The Thinking Machine in his perpetually crabbed voice, "we have a most remarkable riddle. It gains this remarkable aspect from its very simplicity. It is not, however, necessary to go into that now. I will make it clear to you when we know the motives.

"Now, Mr. Hatch," said The Thinking Machine in his constantly grumpy voice, "we have a truly amazing riddle. Its remarkable aspect comes from its sheer simplicity. However, it’s not necessary to get into that right now. I’ll explain it to you once we understand the motives."

"As a general rule, the greatest crimes never come to light because the greatest criminals, their perpetrators, are too clever to be caught. Here we have what I might call a great crime committed with a subtle simplicity that is wholly disarming, and a greater crime even than this was planned. This was to murder Weldon Henley. The first thing for you to do is to see Mr. Henley and warn him of his danger. Asphyxiation will not be attempted again, but there is a possibility of poison, a pistol shot, a knife, anything almost. As a matter of fact, he is in great peril.

"As a general rule, the biggest crimes often stay hidden because the smartest criminals know how to avoid getting caught. What we have here is a major crime committed with a subtlety that's completely disarming, and an even bigger crime was planned. This was to kill Weldon Henley. The first thing you need to do is see Mr. Henley and warn him about the danger he's in. They won't try asphyxiation again, but there's a chance of poison, a gunshot, a knife—anything, really. In fact, he's in serious danger."

"Superficially, the death of Miss Regnier, the maid, looks to be suicide. Instead it is the fruition of a plan which has been tried time and again against Henley. There is a possibility that Miss Regnier was not an intentional victim of the plot, but the fact remains that she was murdered. Why? Find the motive for the plot to murder Mr. Henley and you will know why."

"On the surface, it seems like Miss Regnier, the maid, died by suicide. However, this is actually the result of a plan that’s been attempted repeatedly against Henley. There’s a chance that Miss Regnier wasn’t the intended target of the scheme, but the reality is that she was murdered. Why? Uncover the motive behind the plot to kill Mr. Henley, and you’ll understand why."

The Thinking Machine reached over to the shelf, took a book, looked at it a moment, then went on:

The Thinking Machine reached for the shelf, grabbed a book, examined it for a moment, then continued:

"The first question to determine positively is: Who hated Weldon Henley sufficiently to desire his death? You say he is a successful man in the Street. Therefore there is a possibility that some enemy there is at the bottom of the affair, yet it seems hardly probable. If by his operations Mr. Henley ever happened to wreck another man's fortune find this man and find out all about him. He may be the man. There will be innumerable questions arising from this line of inquiry to a man of your resources. Leave none of them unanswered.

"The first question we need to answer is: Who hated Weldon Henley enough to want him dead? You say he’s a successful guy in the business world. So, there’s a chance that an enemy might be involved in this situation, but it doesn’t seem very likely. If Mr. Henley, through his work, ever ruined another man’s fortune, track that man down and learn everything you can about him. He could be the culprit. There will be countless questions that come up from this line of investigation for someone like you. Make sure none of them go unanswered."

"On the other hand there is Henley's love affair. Had he a rival who might desire his death? Had he any rival? If so, find out all about him. He may be the man who planned all this. Here, too, there will be questions arising which demand answers. Answer them--all of them--fully and clearly before you see me again.

"On the other hand, there's Henley's love life. Does he have a rival who might want him dead? Does he have any competitor at all? If he does, find out everything you can about him. He could be the one behind all this. There will also be questions that need to be answered. Answer them—all of them—completely and clearly before we meet again."

"Was Henley ever a party to a liaison of any kind? Find that out, too. A vengeful woman or a discarded sweetheart of a vengeful woman, you know, will go to any extreme. The rumor of his engagement to Miss--Miss----"

"Was Henley ever involved in any kind of relationship? Find that out, too. A scorned woman or an ex of a scorned woman will go to any lengths. The rumor about his engagement to Miss--Miss----"

"Miss Lipscomb," Hatch supplied.

"Ms. Lipscomb," Hatch supplied.

"The rumor of his engagement to Miss Lipscomb might have caused a woman whom he had once been interested in or who was once interested in him to attempt his life. The subtler murders--that is, the ones which are most attractive as problems--are nearly always the work of a cunning woman. I know nothing about women myself," he hastened to explain; "but Lombroso has taken that attitude. Therefore, see if there is a woman."

"The rumor about his engagement to Miss Lipscomb might have led a woman he was once interested in or who was once into him to try and kill him. The more subtle murders—the ones that are especially intriguing as puzzles—are almost always committed by a clever woman. I don’t know much about women myself," he quickly added; "but Lombroso has taken that stance. So, let’s see if there’s a woman involved."

Most of these points Hatch had previously seen--seen with the unerring eye of a clever newspaper reporter--yet there were several which had not occurred to him. He nodded his understanding.

Most of these points Hatch had noticed before—noticed with the sharp eye of a savvy newspaper reporter—yet there were a few that hadn’t crossed his mind. He nodded in understanding.

"Now the center of the affair, of course," The Thinking Machine continued, "is the apartment house where Henley lives. The person who attempted his life either lives there or has ready access to the place, and frequently spends the night there. This is a vital question for you to answer. I am leaving all this to you because you know better how to do these things than I do. That's all, I think. When these things are all learned come back to me."

"Now the main focus of this situation," The Thinking Machine continued, "is the apartment building where Henley lives. The person who tried to take his life either lives there or has easy access to that place and often stays overnight. This is a crucial question for you to figure out. I'm leaving this up to you because you understand how to handle these things better than I do. That’s all, I think. Once you find out all this information, come back to me."

The Thinking Machine arose as if the interview were at an end, and Hatch also arose, reluctantly. An idea was beginning to dawn in his mind.

The Thinking Machine stood up as if the interview was over, and Hatch also got up, albeit hesitantly. An idea was starting to form in his mind.

"Does it occur to you that there is any connection whatever between Henley and Miss Regnier?" he asked.

"Do you think there's any connection at all between Henley and Miss Regnier?" he asked.

"It is possible," was the reply. "I had thought of that. If there is a connection it is not apparent yet."

"It is possible," was the reply. "I had thought about that. If there is a connection, it's not clear yet."

"Then how--how was it she--she was killed, or killed herself, whichever may be true, and----"

"Then how—how did she—she die, or take her own life, whichever is the case, and----"

"The attempt to kill Henley killed her. That's all I can say now."

"The attempt to kill Henley ended up killing her. That’s all I can say right now."

"That all?" asked Hatch, after a pause.

"Is that it?" asked Hatch, after a pause.

"No. Warn Mr. Henley immediately that he is in grave danger. Remember the person who has planned this will probably go to any extreme. I don't know Mr. Henley, of course, but from the fact that he always had a light at night I gather that he is a timid sort of man--not necessarily a coward, but a man lacking in stamina--therefore, one who might better disappear for a week or so until the mystery is cleared up. Above all, impress upon him the importance of the warning."

"No. Inform Mr. Henley right away that he's in serious danger. Keep in mind that whoever is behind this could do anything. I don't know Mr. Henley personally, but since he always has a light on at night, I assume he's a pretty timid guy—not really a coward, but someone who lacks resilience—so he might be better off disappearing for a week or so until things get sorted out. Most importantly, make sure he understands how crucial this warning is."

The Thinking Machine opened his pocketbook and took from it the scarlet thread which he had picked from the rope of the flagpole.

The Thinking Machine opened his wallet and took out the red thread he had pulled from the flagpole rope.

"Here, I believe, is the real clew to the problem," he explained to Hatch. "What does it seem to be?"

"Here, I think, is the real clue to the problem," he explained to Hatch. "What does it look like?"

Hatch examined it closely.

Hatch looked at it closely.

"I should say a strand from a Turkish bath robe," was his final judgment.

"I'd call it a strand from a Turkish bathrobe," was his final judgment.

"Possibly. Ask some cloth expert what he makes of it, then if it sounds promising look into it. Find out if by any possibility it can be any part of any garment worn by any person in the apartment house."

"Maybe. Ask a fabric expert what they think of it, and if it sounds good, investigate further. Check if it could possibly be a part of any clothing worn by anyone in the apartment building."

"But it's so slight----" Hatch began.

"But it's so slight—" Hatch started.

"I know," the other interrupted, tartly. "It's slight, but I believe it is a part of the wearing apparel of the person, man or woman, who has four times attempted to kill Mr. Henley and who did kill the girl. Therefore, it is important."

"I know," the other cut in sharply. "It's small, but I think it's a piece of clothing belonging to the person, whether man or woman, who has tried to kill Mr. Henley four times and who did kill the girl. So, it matters."

Hatch looked at him quickly.

Hatch glanced at him quickly.

"Well, how--in what manner--did it come where you found it?"

"Well, how did it end up where you found it?"

"Simple enough," said the scientist. "It is a wonder that there were not more pieces of it--that's all."

"Simple enough," said the scientist. "It's amazing that there weren't more pieces of it—that's all."

Perplexed by his instructions, but confident of results, Hatch left The Thinking Machine. What possible connection could this tiny bit of scarlet thread, found on a flagpole, have with some one shutting off the gas in Henley's rooms? How did any one go into Henley's rooms to shut off the gas? How was it Miss Regnier was dead? What was the manner of her death?

Perplexed by his instructions but sure of a positive outcome, Hatch left The Thinking Machine. What connection could this small piece of red thread, found on a flagpole, have to someone turning off the gas in Henley's apartment? How did someone even get into Henley's place to turn off the gas? How did Miss Regnier end up dead? What caused her death?

A cloth expert in a great department store turned his knowledge on the tiny bit of scarlet for the illumination of Hatch, but he could go no further than to say that it seemed to be part of a Turkish bath robe.

A fabric expert in a big department store applied his knowledge to the small piece of red fabric for Hatch’s illumination, but he could only conclude that it appeared to be from a Turkish bathrobe.

"Man or woman's?" asked Hatch.

"Man or woman’s?" asked Hatch.

"The material from which bath robes are made is the same for both men and women," was the reply. "I can say nothing else. Of course there's not enough of it to even guess at the pattern of the robe."

"The material used for bathrobes is the same for both men and women," was the response. "I can't say anything more. Obviously, there's not enough of it to even guess the design of the robe."

Then Hatch went to the financial district and was ushered into the office of Weldon Henley, a slender, handsome man of thirty-two or three years, pallid of face and nervous in manner. He still showed the effect of the gas poisoning, and there was even a trace of a furtive fear--fear of something, he himself didn't know what--in his actions.

Then Hatch went to the financial district and was shown into the office of Weldon Henley, a tall, good-looking guy in his early thirties, pale-faced and anxious. He still exhibited the effects of the gas poisoning, and there was even a hint of a hidden fear—fear of something he couldn't identify—in his behavior.

Henley talked freely to the newspaper man of certain things, but of other things was resentfully reticent. He admitted his engagement to Miss Lipscomb, and finally even admitted that Miss Lipscomb's hand had been sought by another man, Regnault Cabell, formerly of Virginia.

Henley spoke openly to the journalist about some topics, but he was uncomfortably reserved about others. He confirmed his engagement to Miss Lipscomb, and eventually even acknowledged that another man, Regnault Cabell, who was formerly from Virginia, had also expressed interest in Miss Lipscomb.

"Could you give me his address?" asked Hatch.

"Can you tell me his address?" Hatch asked.

"He lives in the same apartment house with me--two floors above," was the reply.

"He lives in the same apartment building as me—two floors up," was the reply.

Hatch was startled; startled more than he would have cared to admit.

Hatch was shocked; more shocked than he would have liked to admit.

"Are you on friendly terms with him?" he asked.

"Are you friends with him?" he asked.

"Certainly," said Henley. "I won't say anything further about this matter. It would be unwise for obvious reasons."

"Of course," said Henley. "I won't say anything more about this. It wouldn't be smart for obvious reasons."

"I suppose you consider that this turning on of the gas was an attempt on your life?"

"I guess you think that turning on the gas was a way to try to kill you?"

"I can't suppose anything else."

"I can't imagine anything else."

Hatch studied the pallid face closely as he asked the next question.

Hatch examined the pale face closely as he asked the next question.

"Do you know Miss Regnier was found dead to-day?"

"Did you hear that Miss Regnier was found dead today?"

"Dead?" exclaimed the other, and he arose. "Who--what--who is she?"

"Dead?" said the other, getting up. "Who—what—who is she?"

It seemed a distinct effort for him to regain control of himself.

It felt like a real struggle for him to regain control over himself.

The reporter detailed then the circumstances of the finding of the girl's body, and the broker listened without comment. From that time forward all the reporter's questions were either parried or else met with a flat refusal to answer. Finally Hatch repeated to him the warning which he had from The Thinking Machine, and feeling that he had accomplished little, went away.

The reporter then explained how they discovered the girl's body, and the broker listened silently. After that, all the reporter's questions were dodged or outright refused. Eventually, Hatch relayed to him the warning he received from The Thinking Machine, and feeling like he hadn't achieved much, he left.

At eight o'clock that night--a night of complete darkness--Henley was found unconscious, lying in a little used walk in the Common. There was a bullet hole through his left shoulder, and he was bleeding profusely. He was removed to the hospital, where he regained consciousness for just a moment.

At eight o'clock that night—a pitch-black night—Henley was discovered unconscious, lying in an seldom-used path in the Common. There was a bullet wound in his left shoulder, and he was bleeding heavily. He was taken to the hospital, where he briefly regained consciousness.

"Who shot you?" he was asked.

"Who shot you?" he was asked.

"None of your business," he replied, and lapsed into unconsciousness.

"That's not your concern," he said, then lost consciousness.


IV.

Entirely unaware of this latest attempt on the life of the broker, Hutchinson Hatch steadily pursued his investigations. They finally led him to an intimate friend of Regnault Cabell. The young Southerner had apartments on the fourth floor of the big house off Commonwealth Avenue, directly over those Henley occupied, but two flights higher up. This friend was a figure in the social set of the Back Bay. He talked to Hatch freely of Cabell.

Completely unaware of the latest attempt on the broker's life, Hutchinson Hatch continued his investigations. They eventually took him to a close friend of Regnault Cabell. The young Southerner had an apartment on the fourth floor of a large building off Commonwealth Avenue, right above Henley’s, just two flights higher. This friend was part of the social scene in Back Bay and spoke to Hatch openly about Cabell.

"He's a good fellow," he explained, "one of the best I ever met, and comes of one of the best families Virginia ever had--a true F. F. V. He's pretty quick tempered and all that, but an excellent chap, and everywhere he has gone here he has made friends."

"He's a great guy," he said, "one of the best I've ever met, and he's from one of the finest families Virginia has ever had—a true F. F. V. He can be a bit hot-headed and all that, but he's an awesome person, and everywhere he's gone here, he's made friends."

"He used to be in love with Miss Lipscomb of Virginia, didn't he?" asked Hatch, casually.

"He used to be in love with Miss Lipscomb from Virginia, right?" Hatch asked casually.

"Used to be?" the other repeated with a laugh. "He is in love with her. But recently he understood that she was engaged to Weldon Henley, a broker--you may have heard of him?--and that, I suppose, has dampened his ardor considerably. As a matter of fact, Cabell took the thing to heart. He used to know Miss Lipscomb in Virginia--she comes from another famous family there--and he seemed to think he had a prior claim on her."

"Used to be?" the other laughed. "He's in love with her. But he recently realized that she's engaged to Weldon Henley, a broker—you might have heard of him?—and that's probably cooled his feelings quite a bit. Actually, Cabell took it hard. He used to know Miss Lipscomb in Virginia—she comes from another well-known family there—and he thought he had a prior claim on her."

Hatch heard all these things as any man might listen to gossip, but each additional fact was sinking into his mind, and each additional fact led his suspicions on deeper into the channel they had chosen.

Hatch listened to all this like anyone might listen to gossip, but every new piece of information was embedding itself in his mind, and each new fact pushed his suspicions even deeper into the path they had taken.

"Cabell is pretty well to do," his informant went on, "not rich as we count riches in the North, but pretty well to do, and I believe he came to Boston because Miss Lipscomb spent so much of her time here. She is a beautiful young woman of twenty-two and extremely popular in the social world everywhere, particularly in Boston. Then there was the additional fact that Henley was here."

"Cabell is doing pretty well," his informant continued, "not rich by Northern standards, but comfortable enough, and I think he came to Boston because Miss Lipscomb spends so much of her time here. She’s a beautiful young woman of twenty-two and really popular in social circles everywhere, especially in Boston. Plus, there’s the added fact that Henley is here."

"No chance at all for Cabell?" Hatch suggested.

"No chance at all for Cabell?" Hatch suggested.

"Not the slightest," was the reply. "Yet despite the heartbreak he had, he was the first to congratulate Henley on winning her love. And he meant it, too."

"Not at all," was the reply. "Yet despite the heartbreak he felt, he was the first to congratulate Henley on winning her love. And he really meant it, too."

"What's his attitude toward Henley now?" asked Hatch. His voice was calm, but there was an underlying tense note imperceptible to the other.

"What's his attitude toward Henley now?" Hatch asked. His voice was calm, but there was a subtle tension that the others couldn't detect.

"They meet and speak and move in the same set. There's no love lost on either side, I don't suppose, but there is no trace of any ill feeling."

"They meet, talk, and hang out in the same group. I don’t think there’s any love lost between them, but there’s also no sign of any bad feelings."

"Cabell doesn't happen to be a vindictive sort of man?"

"Cabell isn't the kind of guy who holds a grudge?"

"Vindictive?" and the other laughed. "No. He's like a big boy, forgiving, and all that; hot-tempered, though. I could imagine him in a fit of anger making a personal matter of it with Henley, but I don't think he ever did."

"Vindictive?" the other laughed. "No. He's like a big kid, forgiving and all that; hot-tempered though. I can see him getting really angry and making a personal issue out of it with Henley, but I don't think he ever actually did."

The mind of the newspaper man was rapidly focusing on one point; the rush of thoughts, questions and doubts silenced him for a moment. Then:

The newspaper guy's mind was quickly zeroing in on one idea; the flood of thoughts, questions, and uncertainties made him pause for a moment. Then:

"How long has Cabell been in Boston?"

"How long has Cabell been in Boston?"

"Seven or eight months--that is, he has had apartments here for that long--but he has made several visits South. I suppose it's South. He has a trick of dropping out of sight occasionally. I understand that he intends to go South for good very soon. If I'm not mistaken, he is trying now to rent his suite."

"Seven or eight months—that is, he has had apartments here for that long—but he has made several trips down South. I guess it's South. He has a habit of disappearing now and then. I hear that he plans to move South for good very soon. If I’m right, he’s currently trying to rent his suite."

Hatch looked suddenly at his informant; an idea of seeing Cabell and having a legitimate excuse for talking to him had occurred to him.

Hatch suddenly looked at his informant; the thought of meeting Cabell and having a valid reason to talk to him had crossed his mind.

"I'm looking for a suite," he volunteered at last. "I wonder if you would give me a card of introduction to him? We might get together on it."

"I'm looking for a suite," he finally said. "Could you give me a referral to him? We might be able to collaborate on it."

Thus it happened that half an hour later, about ten minutes past nine o'clock, Hatch was on his way to the big apartment house. In the office he saw the manager.

Thus it happened that half an hour later, around ten minutes past nine o'clock, Hatch was on his way to the large apartment building. In the office, he saw the manager.

"Heard the news?" asked the manager.

"Heard the news?" the manager asked.

"No," Hatch replied. "What is it?"

"No," Hatch replied. "What's going on?"

"Somebody's shot Mr. Henley as he was passing through the Common early to-night."

"Someone shot Mr. Henley while he was walking through the Common earlier tonight."

Hatch whistled his amazement.

Hatch whistled in amazement.

"Is he dead?"

"Is he dead?"

"No, but he is unconscious. The hospital doctors say it is a nasty wound, but not necessarily dangerous."

"No, but he’s unconscious. The hospital doctors say it’s a bad wound, but not necessarily life-threatening."

"Who shot him? Do they know?"

"Who shot him? Do they know?"

"He knows, but he won't say."

"He knows, but he won't share."

Amazed and alarmed by this latest development, an accurate fulfillment of The Thinking Machine's prophecy, Hatch stood thoughtful for a moment, then recovering his composure a little asked for Cabell.

Amazed and alarmed by this recent turn of events, which perfectly matched The Thinking Machine's prediction, Hatch paused to think for a moment, then, regaining some of his composure, asked for Cabell.

"I don't think there's much chance of seeing him," said the manager. "He's going away on the midnight train--going South, to Virginia."

"I don’t think there’s much chance of seeing him," said the manager. "He’s leaving on the midnight train—heading South, to Virginia."

"Going away to-night?" Hatch gasped.

"Are you leaving tonight?" Hatch gasped.

"Yes; it seems to have been rather a sudden determination. He was talking to me here half an hour or so ago, and said something about going away. While he was here the telephone boy told me that Henley had been shot; they had 'phoned from the hospital to inform us. Then Cabell seemed greatly agitated. He said he was going away to-night, if he could catch the midnight train, and now he's packing."

"Yeah, it looks like it was a pretty sudden decision. He was talking to me about half an hour ago and mentioned something about leaving. While he was here, the phone boy told me that Henley had been shot; they called from the hospital to let us know. Then Cabell got really upset. He said he was leaving tonight if he could catch the midnight train, and now he's packing."

"I suppose the shooting of Henley upset him considerably?" the reporter suggested.

"I guess the shooting of Henley really bothered him?" the reporter suggested.

"Yes, I guess it did," was the reply. "They moved in the same set and belonged to the same clubs."

"Yeah, I guess it did," was the response. "They were in the same circle and belonged to the same clubs."

The manager sent Hatch's card of introduction to Cabell's apartments. Hatch went up and was ushered into a suite identical with that of Henley's in every respect save in minor details of furnishings. Cabell stood in the middle of the floor, with his personal belongings scattered about the room; his valet, evidently a Frenchman, was busily engaged in packing.

The manager sent Hatch's introduction card to Cabell's apartment. Hatch went upstairs and was led into a suite that was exactly like Henley's, except for small differences in the furniture. Cabell was in the middle of the room, with his personal items spread out everywhere; his valet, clearly a Frenchman, was busy packing.

Cabell's greeting was perfunctorily cordial; he seemed agitated. His face was flushed and from time to time he ran his fingers through his long, brown hair. He stared at Hatch in a preoccupied fashion, then they fell into conversation about the rent of the apartments.

Cabell's greeting was casually friendly; he seemed restless. His face was red, and every now and then, he would run his fingers through his long, brown hair. He looked at Hatch with a distracted expression, and then they started talking about the rent for the apartments.

"I'll take almost anything reasonable," Cabell said hurriedly. "You see, I am going away to-night, rather more suddenly than I had intended, and I am anxious to get the lease off my hands. I pay two hundred dollars a month for these just as they are."

"I'll accept just about any reasonable offer," Cabell said quickly. "You see, I'm leaving tonight, a lot sooner than I planned, and I'm eager to hand off the lease. I'm paying two hundred dollars a month for these units as they are."

"May I look them over?" asked Hatch.

"Can I take a look at them?" asked Hatch.

He passed from the front room into the next. Here, on a bed, was piled a huge lot of clothing, and the valet, with deft fingers, was brushing and folding, preparatory to packing. Cabell was directly behind him.

He moved from the front room into the next one. There, on a bed, was a big pile of clothes, and the valet, with quick fingers, was brushing and folding them, getting ready to pack. Cabell was right behind him.

"Quite comfortable, you see," he explained. "There's room enough if you are alone. Are you?"

"Pretty comfortable, you know," he said. "There's plenty of space if you're by yourself. Are you?"

"Oh, yes," Hatch replied.

"Oh, definitely," Hatch replied.

"This other room here," Cabell explained, "is not in very tidy shape now. I have been out of the city for several weeks, and---- What's the matter?" he demanded suddenly.

"This other room here," Cabell said, "isn't very neat right now. I've been out of the city for several weeks, and---- What's wrong?" he asked abruptly.

Hatch had turned quickly at the words and stared at him, then recovered himself with a start.

Hatch quickly turned at the words and stared at him, then snapped back to reality.

"I beg your pardon," he stammered. "I rather thought I saw you in town here a week or so ago--of course I didn't know you--and I was wondering if I could have been mistaken."

"I’m sorry," he stammered. "I thought I saw you in town about a week ago—of course, I didn’t know you—and I was wondering if I could have made a mistake."

"Must have been," said the other easily. "During the time I was away a Miss----, a friend of my sister's, occupied the suite. I'm afraid some of her things are here. She hasn't sent for them as yet. She occupied this room, I think; when I came back a few days ago she took another place and all her things haven't been removed."

"Must have been," the other replied casually. "While I was away, a Miss----, a friend of my sister's, stayed in the suite. I'm afraid some of her stuff is still here. She hasn't come to get it yet. I believe she stayed in this room; when I got back a few days ago, she moved to another one, and not all of her things have been taken out."

"I see," remarked Hatch, casually. "I don't suppose there's any chance of her returning here unexpectedly if I should happen to take her apartments?"

"I get it," Hatch said lightly. "I don't think there's any chance of her showing up here out of the blue if I were to take her apartment?"

"Not the slightest. She knows I am back, and thinks I am to remain. She was to send for these things."

"Not at all. She knows I'm back and assumes I'm staying. She was supposed to send for these things."

Hatch gazed about the room ostentatiously. Across a trunk lay a Turkish bath robe with a scarlet stripe in it. He was anxious to get hold of it, to examine it closely. But he didn't dare to, then. Together they returned to the front room.

Hatch looked around the room in a dramatic way. On top of a trunk was a Turkish bathrobe with a red stripe. He was eager to grab it and take a closer look. But he didn’t feel he could do that at the moment. They both headed back to the front room.

"I rather like the place," he said, after a pause, "but the price is----"

"I really like the place," he said after a pause, "but the price is----"

"Just a moment," Cabell interrupted. "Jean, before you finish packing that suit case be sure to put my bath robe in it. It's in the far room."

"Just a second," Cabell interjected. "Jean, before you finish packing that suitcase, make sure to put my bathrobe in it. It's in the back room."

Then one question was settled for Hatch. After a moment the valet returned with the bath robe, which had been in the far room. It was Cabell's bath robe. As Jean passed the reporter an end of the robe caught on a corner of the trunk, and, stopping, the reporter unfastened it. A tiny strand of thread clung to the metal; Hatch detached it and stood idly twirling it in his fingers.

Then one question was settled for Hatch. After a moment, the valet came back with the bathrobe, which had been in the other room. It was Cabell's bathrobe. As Jean handed the reporter one end of the robe, it caught on a corner of the trunk. The reporter stopped and unfastened it. A tiny thread hung from the metal; Hatch pulled it off and stood idly twirling it between his fingers.

"As I was saying," he resumed, "I rather like the place, but the price is too much. Suppose you leave it in the hands of the manager of the house----"

"As I was saying," he continued, "I really like the place, but the price is too high. What if you let the manager of the house handle it----"

"I had intended doing that," the Southerner interrupted.

"I meant to do that," the Southerner interrupted.

"Well, I'll see him about it later," Hatch added.

"Well, I'll talk to him about it later," Hatch added.

With a cordial, albeit preoccupied, handshake, Cabell ushered him out. Hatch went down in the elevator with a feeling of elation; a feeling that he had accomplished something. The manager was waiting to get into the lift.

With a friendly, though distracted, handshake, Cabell showed him out. Hatch rode down in the elevator feeling exhilarated; like he had achieved something. The manager was waiting to get in the lift.

"Do you happen to remember the name of the young lady who occupied Mr. Cabell's suite while he was away?" he asked.

"Do you remember the name of the young woman who was in Mr. Cabell's suite while he was gone?" he asked.

"Miss Austin," said the manager, "but she's not young. She was about forty-five years old, I should judge."

"Miss Austin," the manager said, "but she's not young. I'd guess she's around forty-five."

"Did Mr. Cabell have his servant Jean with him?"

"Did Mr. Cabell have his servant Jean with him?"

"Oh, no," said the manager. "The valet gave up the suite to Miss Austin entirely, and until Mr. Cabell returned occupied a room in the quarters we have for our own employees."

"Oh, no," said the manager. "The valet gave the suite to Miss Austin completely, and until Mr. Cabell came back, he stayed in a room in the area we reserve for our employees."

"Was Miss Austin ailing any way?" asked Hatch. "I saw a large number of medicine bottles upstairs."

"Is Miss Austin unwell in any way?" asked Hatch. "I noticed a lot of medicine bottles upstairs."

"I don't know what was the matter with her," replied the manager, with a little puzzled frown. "She certainly was not a woman of sound mental balance--that is, she was eccentric, and all that. I think rather it was an act of charity for Mr. Cabell to let her have the suite in his absence. Certainly we didn't want her."

"I don’t know what was going on with her," the manager replied, looking a bit confused. "She definitely wasn’t a woman of stable mind—she was eccentric and all that. I think it was more of a charity move for Mr. Cabell to let her have the suite while he was away. We definitely didn’t want her."

Hatch passed out and burst in eagerly upon The Thinking Machine in his laboratory.

Hatch fainted and eagerly rushed into The Thinking Machine's lab.

"Here," he said, and triumphantly he extended the tiny scarlet strand which he had received from The Thinking Machine, and the other of the identical color which came from Cabell's bath robe. "Is that the same?"

"Here," he said, and proudly he held out the small red thread he got from The Thinking Machine, along with another of the same color from Cabell's bathrobe. "Is that the same?"

The Thinking Machine placed them under the microscope and examined them immediately. Later he submitted them to a chemical test.

The Thinking Machine put them under the microscope and checked them right away. Later, he ran a chemical test on them.

"_It is the same_," he said, finally.

"_It’s the same_," he said, finally.

"Then the mystery is solved," said Hatch, conclusively.

"Then the mystery is solved," Hatch said, decisively.


V.

The Thinking Machine stared steadily into the eager, exultant eyes of the newspaper man until Hatch at last began to fear that he had been precipitate. After awhile, under close scrutiny, the reporter began to feel convinced that he had made a mistake--he didn't quite see where, but it must be there, and the exultant manner passed. The voice of The Thinking Machine was like a cold shower.

The Thinking Machine looked intently into the eager, triumphant eyes of the reporter until Hatch finally started to worry that he had acted too quickly. After a while, under that intense gaze, the reporter began to feel sure that he had made a mistake—he couldn't pinpoint exactly where, but it had to be there, and his triumphant attitude faded. The voice of The Thinking Machine was like a cold shower.

"Remember, Mr. Hatch," he said, critically, "that unless every possible question has been considered one cannot boast of a solution. Is there any possible question lingering yet in your mind?"

"Remember, Mr. Hatch," he said, critically, "that unless every possible question has been considered, you can't claim you have a solution. Is there any question still on your mind?"

The reporter silently considered that for a moment, then:

The reporter thought about that quietly for a moment, then:

"Well, I have the main facts, anyway. There may be one or two minor questions left, but the principal ones are answered."

"Well, I have the main facts, anyway. There might be a couple of minor questions left, but the main ones are answered."

"Then tell me, to the minutest detail, what you have learned, what has happened."

"Then tell me every single detail of what you’ve learned and what has happened."

Professor Van Dusen sank back in his old, familiar pose in the large arm chair and Hatch related what he had learned and what he surmised. He related, too, the peculiar circumstances surrounding the wounding of Henley, and right on down to the beginning and end of the interview with Cabell in the latter's apartments. The Thinking Machine was silent for a time, then there came a host of questions.

Professor Van Dusen leaned back in his old, familiar way in the large armchair as Hatch shared what he had discovered and what he believed. He also explained the strange circumstances around Henley's injury, detailing the entire interview with Cabell in the latter's apartment. The Thinking Machine was quiet for a while, then a flurry of questions followed.

"Do you know where the woman--Miss Austin--is now?" was the first.

"Do you know where the woman—Miss Austin—is now?" was the first.

"No," Hatch had to admit.

"No," Hatch had to admit.

"Or her precise mental condition?"

"Or her exact mental state?"

"No."

"No."

"Or her exact relationship to Cabell?"

"Or what her exact relationship to Cabell is?"

"No."

"Nope."

"Do you know, then, what the valet, Jean, knows of the affair?"

"Do you know what the valet, Jean, knows about the situation?"

"No, not that," said the reporter, and his face flushed under the close questioning. "He was out of the suite every night."

"No, not that," said the reporter, his face getting red from the intense questioning. "He was out of the suite every night."

"Therefore might have been the very one who turned on the gas," the other put in testily.

"That might have been the person who turned on the gas," the other interjected irritably.

"So far as I can learn, nobody could have gone into that room and turned on the gas," said the reporter, somewhat aggressively. "Henley barred the doors and windows and kept watch, night after night."

"As far as I know, no one could have gotten into that room and turned on the gas," the reporter said, a bit aggressively. "Henley locked the doors and windows and kept watch night after night."

"Yet the moment he was exhausted and fell asleep the gas was turned on to kill him," said The Thinking Machine; "thus we see that _he was watched more closely than he watched_."

"Yet the moment he was worn out and fell asleep, the gas was turned on to kill him," said The Thinking Machine; "so we see that _he was watched more closely than he watched_."

"I see what you mean now," said Hatch, after a long pause.

"I get what you're saying now," Hatch said after a long pause.

"I should like to know what Henley and Cabell and the valet knew of the girl who was found dead," The Thinking Machine suggested. "Further, I should like to know if there was a good-sized mirror--not one set in a bureau or dresser--either in Henley's room or the apartments where the girl was found. Find out this for me and--never mind. I'll go with you."

"I'd like to know what Henley, Cabell, and the valet knew about the girl who was found dead," The Thinking Machine suggested. "Also, I want to know if there was a decent-sized mirror—not one in a dresser—either in Henley's room or in the places where the girl was found. Find this out for me and—never mind. I'll go with you."

The scientist left the room. When he returned he wore his coat and hat. Hatch arose mechanically to follow. For a block or more they walked along, neither speaking. The Thinking Machine was the first to break the silence:

The scientist left the room. When he came back, he was wearing his coat and hat. Hatch got up automatically to follow him. They walked for a block or so without saying a word. The Thinking Machine was the first to break the silence:

"You believe Cabell is the man who attempted to kill Henley?"

"You think Cabell is the guy who tried to kill Henley?"

"Frankly, yes," replied the newspaper man.

"Honestly, yes," said the journalist.

"Why?"

"Why?"

"Because he had the motive--disappointed love."

"Because he had the motive—broken-hearted love."

"How?"

"How?"

"I don't know," Hatch confessed. "The doors of the Henley suite were closed. I don't see how anybody passed them."

"I don't know," Hatch admitted. "The doors of the Henley suite were closed. I don't see how anyone got past them."

"And the girl? Who killed her? How? Why?"

"And the girl? Who murdered her? How? Why?"

Disconsolately Hatch shook his head as he walked on. The Thinking Machine interpreted his silence aright.

Hatch shook his head sadly as he walked on. The Thinking Machine understood his silence correctly.

"Don't jump at conclusions," he advised sharply. "You are confident Cabell was to blame for this--and he might have been, I don't know yet--but you can suggest nothing to show how he did it. I have told you before that imagination is half of logic."

"Don't jump to conclusions," he said firmly. "You think Cabell is at fault for this—and he might be, I’m not sure yet—but you have no evidence to show how he did it. I've told you before that imagination is a big part of logic."

At last the lights of the big apartment house where Henley lived came in sight. Hatch shrugged his shoulders. He had grave doubts--based on what he knew--whether The Thinking Machine would be able to see Cabell. It was nearly eleven o'clock and Cabell was to leave for the South at midnight.

At last, the lights of the large apartment building where Henley lived came into view. Hatch shrugged. He had serious doubts—based on what he knew—about whether The Thinking Machine would be able to meet with Cabell. It was almost eleven o'clock, and Cabell was set to leave for the South at midnight.

"Is Mr. Cabell here?" asked the scientist of the elevator boy.

"Is Mr. Cabell here?" the scientist asked the elevator attendant.

"Yes, just about to go, though. He won't see anyone."

"Yeah, I'm about to leave, though. He won't see anyone."

"Hand him this note," instructed The Thinking Machine, and he scribbled something on a piece of paper. "He'll see us."

"Give him this note," said The Thinking Machine, as he quickly wrote something on a piece of paper. "He'll meet us."

The boy took the paper and the elevator shot up to the fourth floor. After awhile he returned.

The boy grabbed the paper and the elevator zoomed up to the fourth floor. After a bit, he came back.

"He'll see you," he said.

"He'll see you," he said.

"Is he unpacking?"

"Is he unpacking yet?"

"After he read your note twice he told his valet to unpack," the boy replied.

"After he read your note twice, he told his assistant to unpack," the boy replied.

"Ah, I thought so," said The Thinking Machine.

"Ah, I knew it," said The Thinking Machine.

With Hatch, mystified and puzzled, following, The Thinking Machine entered the elevator to step out a second or so later on the fourth floor. As they left the car they saw the door of Cabell's apartment standing open; Cabell was in the door. Hatch traced a glimmer of anxiety in the eyes of the young man.

With Hatch, confused and intrigued, trailing behind, The Thinking Machine stepped into the elevator and emerged moments later on the fourth floor. As they exited the car, they noticed the door of Cabell's apartment standing open; Cabell was in the doorway. Hatch caught a flicker of worry in the young man's eyes.

"Professor Van Dusen?" Cabell inquired.

"Is this Professor Van Dusen?" Cabell asked.

"Yes," said the scientist. "It was of the utmost importance that I should see you, otherwise I should not have come at this time of night."

"Yeah," said the scientist. "It was really important for me to see you; otherwise, I wouldn't have come at this hour."

With a wave of his hand Cabell passed that detail. "I was anxious to get away at midnight," he explained, "but, of course, now I shan't go, in view of your note. I have ordered my valet to unpack my things, at least until to-morrow."

With a wave of his hand, Cabell dismissed that detail. "I wanted to leave at midnight," he explained, "but now I won’t be going, considering your note. I’ve instructed my valet to unpack my things, at least until tomorrow."

The reporter and the scientist passed into the luxuriously furnished apartments. Jean, the valet, was bending over a suit case as they entered, removing some things he had been carefully placing there. He didn't look back or pay the least attention to the visitors.

The reporter and the scientist walked into the elegantly decorated apartments. Jean, the valet, was leaning over a suitcase as they entered, taking out some items he had been carefully putting in. He didn't look back or acknowledge the visitors at all.

"This is your valet?" asked The Thinking Machine.

"This is your valet?" asked The Thinking Machine.

"Yes," said the young man.

"Yeah," said the young man.

"French, isn't he?"

"He's French, right?"

"Yes."

Yes.

"Speak English at all?"

"Do you speak English?"

"Very badly," said Cabell. "I use French when I talk to him."

"Not great," said Cabell. "I speak French when I talk to him."

"Does he know that you are accused of murder?" asked The Thinking Machine, in a quiet, conversational tone.

"Does he know that you're accused of murder?" asked The Thinking Machine, in a calm, friendly tone.

The effect of the remark on Cabell was startling. He staggered back a step or so as if he had been struck in the face, and a crimson flush overspread his brow. Jean, the valet, straightened up suddenly and looked around. There was a queer expression, too, in his eyes; an expression which Hatch could not fathom.

The comment hit Cabell like a punch. He stumbled back a step, as if he'd been slapped, and his face turned bright red. Jean, the valet, suddenly stood up straight and looked around. There was a strange look in his eyes, one that Hatch couldn't understand.

"Murder?" gasped Cabell, at last.

"Murder?" gasped Cabell, finally.

"Yes, he speaks English all right," remarked The Thinking Machine. "Now, Mr. Cabell, will you please tell me just who Miss Austin is, and where she is, and her mental condition? Believe me, it may save you a great deal of trouble. What I said in the note is not exaggerated."

"Yeah, he speaks English just fine," said The Thinking Machine. "So, Mr. Cabell, can you please tell me who Miss Austin is, where she is, and what her mental state is? Trust me, this could save you a lot of trouble. What I wrote in the note isn't an exaggeration."

The young man turned suddenly and began to pace back and forth across the room. After a few minutes he paused before The Thinking Machine, who stood impatiently waiting for an answer.

The young man turned suddenly and started pacing back and forth across the room. After a few minutes, he stopped in front of The Thinking Machine, who stood there impatiently waiting for an answer.

"I'll tell you, yes," said Cabell, firmly. "Miss Austin is a middle-aged woman whom my sister befriended several times--was, in fact, my sister's governess when she was a child. Of late years she has not been wholly right mentally, and has suffered a great deal of privation. I had about concluded arrangements to put her in a private sanitarium. I permitted her to remain in these rooms in my absence, South. I did not take Jean--he lived in the quarters of the other employees of the place, and gave the apartment entirely to Miss Austin. It was simply an act of charity."

"I'll tell you, yes," Cabell said firmly. "Miss Austin is a middle-aged woman who my sister befriended several times—she was actually my sister's governess when she was a child. In recent years, she hasn’t been completely mentally stable and has gone through a lot of hardship. I was just about to make arrangements to put her in a private sanitarium. I allowed her to stay in these rooms while I was away, South. I didn’t take Jean—he lived in the quarters with the other employees, and I gave the apartment entirely to Miss Austin. It was simply an act of charity."

"What was the cause of your sudden determination to go South to-night?" asked the scientist.

"What made you suddenly decide to head South tonight?" asked the scientist.

"I won't answer that question," was the sullen reply.

"I won't answer that question," was the moody reply.

There was a long, tense silence. Jean, the valet, came and went several times.

There was a long, tense silence. Jean, the valet, came and went several times.

"How long has Miss Austin known Mr. Henley?"

"How long has Miss Austin known Mr. Henley?"

"Presumably since she has been in these apartments," was the reply.

"Probably because she's been in these apartments," was the response.

"Are you sure _you_ are not Miss Austin?" demanded the scientist.

"Are you sure you’re not Miss Austin?" the scientist asked.

The question was almost staggering, not only to Cabell, but to Hatch. Suddenly, with flaming face, the young Southerner leaped forward as if to strike down The Thinking Machine.

The question was almost overwhelming, not just for Cabell but for Hatch as well. Suddenly, with a flushed face, the young Southerner jumped forward as if to attack The Thinking Machine.

"That won't do any good," said the scientist, coldly. "Are you sure you are not Miss Austin?" he repeated.

"That won't help at all," said the scientist,冷冷地说. "Are you certain you're not Miss Austin?" he asked again.

"Certainly I am not Miss Austin," responded Cabell, fiercely.

"Of course I’m not Miss Austin," Cabell replied angrily.

"Have you a mirror in these apartments about twelve inches by twelve inches?" asked The Thinking Machine, irrelevantly.

"Do you have a mirror in these apartments that's about twelve inches by twelve inches?" asked The Thinking Machine, unrelatedly.

"I--I don't know," stammered the young man. "I--have we, Jean?"

"I—I don't know," the young man stammered. "I—have we, Jean?"

"_Oui_," replied the valet.

"Yes," replied the valet.

"Yes," snapped The Thinking Machine. "Talk English, please. May I see it?"

"Yeah," snapped The Thinking Machine. "Speak English, please. Can I see it?"

The valet, without a word but with a sullen glance at the questioner, turned and left the room. He returned after a moment with the mirror. The Thinking Machine carefully examined the frame, top and bottom and on both sides. At last he looked up; again the valet was bending over a suit case.

The valet, silently throwing a grumpy look at the person who asked, turned and exited the room. He came back moments later with the mirror. The Thinking Machine meticulously inspected the frame, both top and bottom and on each side. Finally, he glanced up; once more, the valet was leaning over a suitcase.

"Do you use gas in these apartments?" the scientist asked suddenly.

"Do you use gas in these apartments?" the scientist suddenly asked.

"No," was the bewildered response. "What is all this, anyway?"

"No," was the confused reply. "What is all this, anyway?"

Without answering, The Thinking Machine drew a chair up under the chandelier where the gas and electric fixtures were and began to finger the gas tips. After awhile he climbed down and passed into the next room, with Hatch and Cabell, both hopelessly mystified, following. There the scientist went through the same process of fingering the gas jets. Finally, one of the gas tips came out in his hand.

Without saying a word, The Thinking Machine pulled up a chair beneath the chandelier where the gas and electric lights were and started to fiddle with the gas nozzles. After a while, he climbed down and walked into the next room, with Hatch and Cabell, both completely baffled, trailing behind. There, the scientist repeated the same process of touching the gas jets. Eventually, one of the gas nozzles came out in his hand.

"Ah," he exclaimed, suddenly, and Hatch knew the note of triumph in it. The jet from which the tip came was just on a level with his shoulder, set between a dressing table and a window. He leaned over and squinted at the gas pipe closely. Then he returned to the room where the valet was.

"Ah," he suddenly exclaimed, and Hatch recognized the triumph in his voice. The jet from which the tip came was just at shoulder level, situated between a dressing table and a window. He leaned over and squinted closely at the gas pipe. Then he went back to the room where the valet was.

"Now, Jean," he began, in an even, calm voice, "please tell me _if you did or did not kill Miss Regnier purposely?_"

"Now, Jean," he started, in a steady, calm voice, "please tell me if you intentionally killed Miss Regnier or not?"

"I don't know what you mean," said the servant sullenly, angrily, as he turned on the scientist.

"I don't know what you mean," the servant said sulkily, his anger evident as he glared at the scientist.

"You speak very good English now," was The Thinking Machine's terse comment. "Mr. Hatch, lock the door and use this 'phone to call the police."

"You speak really good English now," was The Thinking Machine's short comment. "Mr. Hatch, lock the door and use this phone to call the police."

Hatch turned to do as he was bid and saw a flash of steel in young Cabell's hand, which was drawn suddenly from a hip pocket. It was a revolver. The weapon glittered in the light, and Hatch flung himself forward. There was a sharp report, and a bullet was buried in the floor.

Hatch turned to do what he was told and saw a glint of metal in young Cabell's hand, which he quickly pulled from a hip pocket. It was a revolver. The gun shone in the light, and Hatch threw himself forward. There was a loud bang, and a bullet hit the floor.


VI.

Then came a fierce, hard fight for possession of the revolver. It ended with the weapon in Hatch's hand, and both he and Cabell blowing from the effort they had expended. Jean, the valet, had turned at the sound of the shot and started toward the door leading into the hall. The Thinking Machine had stepped in front of him, and now stood there with his back to the door. Physically he would have been a child in the hands of the valet, yet there was a look in his eyes which stopped him.

Then there was a brutal struggle for control of the revolver. It wrapped up with Hatch holding the weapon, both he and Cabell panting from the effort. Jean, the valet, had turned at the sound of the shot and began walking toward the door leading into the hall. The Thinking Machine stepped in front of him and stood there with his back to the door. Physically, he would have seemed like a child in the valet's grip, but the look in his eyes made Jean hesitate.

"Now, Mr. Hatch," said the scientist quietly, a touch of irony in his voice, "hand me the revolver, then 'phone for Detective Mallory to come here immediately. Tell him we have a murderer--and if he can't come at once get some other detective whom you know."

"Now, Mr. Hatch," the scientist said quietly, a hint of irony in his voice, "hand me the revolver, then call Detective Mallory to come here right away. Tell him we have a murderer—and if he can’t come right now, get another detective you know."

"Murderer!" gasped Cabell.

"Murderer!" gasped Cabell.

Uncontrollable rage was blazing in the eyes of the valet, and he made as if to throw The Thinking Machine aside, despite the revolver, when Hatch was at the telephone. As Jean started forward, however, Cabell stopped him with a quick, stern gesture. Suddenly the young Southerner turned on The Thinking Machine; but it was with a question.

Uncontrollable rage was blazing in the valet's eyes, and he moved as if to throw The Thinking Machine aside, despite the revolver, while Hatch was on the phone. As Jean started to step forward, however, Cabell stopped him with a quick, stern gesture. Suddenly, the young Southerner turned to The Thinking Machine, but he had a question.

"What does it all mean?" he asked, bewildered.

"What does it all mean?" he asked, confused.

"It means that that man there," and The Thinking Machine indicated the valet by a nod of his head, "is a murderer--that he killed Louise Regnier; that he shot Weldon Henley on Boston Common, and that, with the aid of Miss Regnier, he had four times previously attempted to kill Mr. Henley. Is he coming, Mr. Hatch?"

"It means that guy over there," and The Thinking Machine nodded toward the valet, "is a murderer—he killed Louise Regnier; he shot Weldon Henley on Boston Common, and with Miss Regnier's help, he had tried to kill Mr. Henley four times before. Is he coming, Mr. Hatch?"

"Yes," was the reply. "He says he'll be here directly."

"Yes," was the reply. "He says he'll be here soon."

"Do you deny it?" demanded The Thinking Machine of the valet.

"Do you deny it?" The Thinking Machine asked the valet.

"I've done nothing," said the valet sullenly. "I'm going out of here."

"I haven't done anything," the valet said gloomily. "I'm leaving this place."

Like an infuriated animal he rushed forward. Hatch and Cabell seized him and bore him to the floor. There, after a frantic struggle, he was bound and the other three men sat down to wait for Detective Mallory. Cabell sank back in his chair with a perplexed frown on his face. From time to time he glanced at Jean. The flush of anger which had been on the valet's face was gone now; instead there was the pallor of fear.

Like a raging animal, he charged ahead. Hatch and Cabell grabbed him and brought him down to the floor. After a desperate struggle, he was tied up, and the other three men sat down to wait for Detective Mallory. Cabell leaned back in his chair, looking confused. Every so often, he glanced at Jean. The anger that had been on the valet's face was gone now; instead, he looked pale with fear.

"Won't you tell us?" pleaded Cabell impatiently.

"Won't you tell us?" Cabell begged, feeling impatient.

"When Detective Mallory comes and takes his prisoner," said The Thinking Machine.

"When Detective Mallory arrives to take his prisoner," said The Thinking Machine.

Ten minutes later they heard a quick step in the hall outside and Hatch opened the door. Detective Mallory entered and looked from one to another inquiringly.

Ten minutes later, they heard quick footsteps in the hall outside, and Hatch opened the door. Detective Mallory walked in and looked from one to the other, curious.

"That's your prisoner, Mr. Mallory," said the scientist, coldly. "I charge him with the murder of Miss Regnier, whom you were so confident committed suicide; I charge him with five attempts on the life of Weldon Henley, four times by gas poisoning, in which Miss Regnier was his accomplice, and once by shooting. He is the man who shot Mr. Henley."

"That's your prisoner, Mr. Mallory," the scientist said coldly. "I accuse him of murdering Miss Regnier, whom you were so sure committed suicide; I charge him with five attempts on Weldon Henley's life, four by gas poisoning, with Miss Regnier as his accomplice, and once by shooting. He is the one who shot Mr. Henley."

The Thinking Machine arose and walked over to the prostrate man, handing the revolver to Hatch. He glared down at Jean fiercely.

The Thinking Machine got up and walked over to the man lying down, handing the revolver to Hatch. He glared down at Jean intensely.

"Will you tell how you did it or shall I?" he demanded.

"Are you going to tell me how you did it, or should I?" he insisted.

His answer was a sullen, defiant glare. He turned and picked up the square mirror which the valet had produced previously.

His reply was a moody, challenging stare. He turned and grabbed the square mirror that the valet had brought earlier.

"That's where the screw was, isn't it?" he asked, as he indicated a small hole in the frame of the mirror. Jean stared at it and his head sank forward hopelessly. "And this is the bath robe you wore, isn't it?" he demanded again, and from the suit case he pulled out the garment with the scarlet stripe.

"That's where the screw was, right?" he asked, pointing to a small hole in the mirror's frame. Jean stared at it, and his head dropped forward in despair. "And this is the bathrobe you wore, isn't it?" he asked again, pulling out the garment with the red stripe from the suitcase.

"I guess you got me all right," was the sullen reply.

"I guess you got me, for sure," was the moody reply.

"It might be better for you if you told the story then?" suggested The Thinking Machine.

"It might be easier for you to tell the story then?" suggested The Thinking Machine.

"You know so much about it, tell it yourself."

"You know a lot about it, so you tell it."

"Very well," was the calm rejoinder. "I will. If I make any mistake you will correct me."

"Sure," was the calm reply. "I will. If I make any mistakes, you can correct me."

For a long time no one spoke. The Thinking Machine had dropped back into a chair and was staring through his thick glasses at the ceiling; his finger tips were pressed tightly together. At last he began:

For a long time, no one said anything. The Thinking Machine had leaned back in a chair and was looking up at the ceiling through his thick glasses; his fingertips were pressed firmly together. Finally, he started talking:

"There are certain trivial gaps which only the imagination can supply until the matter is gone into more fully. I should have supplied these myself, but the arrest of this man, Jean, was precipitated by the attempted hurried departure of Mr. Cabell for the South to-night, and I did not have time to go into the case to the fullest extent.

"There are some minor gaps that only the imagination can fill until the matter is explored further. I would have filled these in myself, but the arrest of this man, Jean, was rushed because Mr. Cabell was trying to leave for the South tonight, and I didn't have time to investigate the case thoroughly."

"Thus, we begin with the fact that there were several clever attempts made to murder Mr. Henley. This was by putting out the gas which he habitually left burning in his room. It happened four times in all; thus proving that it was an attempt to kill him. If it had been only once it might have been accident, even twice it might have been accident, but the same accident does not happen four times at the same time of night.

"Therefore, we start with the reality that there were multiple clever attempts to kill Mr. Henley. This was done by turning off the gas he usually left on in his room. It happened four times in total, clearly showing it was an attempt to take his life. If it had only happened once, it could have been an accident; even twice could be seen as an accident, but the same accident doesn't occur four times at the same time of night."

"Mr. Henley finally grew to regard the strange extinguishing of the gas as an effort to kill him, and carefully locked and barred his door and windows each night. He believed that some one came into his apartments and put out the light, leaving the gas flow. This, of course, was not true. Yet the gas was put out. How? My first idea, a natural one, was that it was turned off for an instant at the meter, when the light would go out, then turned on again. This, I convinced myself, was not true. Therefore still the question--how?

Mr. Henley eventually started to see the strange way the gas went out as an attempt to kill him, so he took care to lock and secure his door and windows every night. He thought someone was coming into his apartment and turning off the light while leaving the gas flowing. Of course, that wasn’t true. Still, the gas went out. How? My first thought, a logical one, was that it was briefly turned off at the meter, causing the light to go out, then turned back on. I convinced myself that wasn’t the case. So, the question remained—how?

"It is a fact--I don't know how widely known it is--but it is a fact that every gas light in this house might be extinguished at the same time from this room without leaving it. How? Simply by removing the gas jet tip and blowing into the gas pipe. It would not leave a jet in the building burning. It is due to the fact that the lung power is greater than the pressure of the gas in the pipes, and forces it out.

"It’s true—I’m not sure how widely recognized this is—but it’s true that every gas light in this house can be turned off at once from this room without leaving. How? By taking off the gas jet tip and blowing into the gas pipe. It wouldn’t leave a single jet burning in the building. This is because the power of a person’s lungs is stronger than the pressure of the gas in the pipes, and it forces it out."

"Thus we have the method employed to extinguish the light in Mr. Henley's rooms, and all the barred and locked doors and windows would not stop it. At the same time it threatened the life of every other person in the house--that is, every other person who used gas. It was probably for this reason that the attempt was always made late at night, I should say three or four o'clock. That's when it was done, isn't it?" he asked suddenly of the valet.

"That’s how they managed to turn off the light in Mr. Henley's rooms, and no amount of barred and locked doors and windows could stop it. At the same time, it posed a danger to everyone else in the house—specifically, everyone who used gas. That’s probably why they always tried to do it late at night, around three or four o’clock. That’s when it happened, right?” he asked suddenly of the valet.

Staring at The Thinking Machine in open-mouthed astonishment the valet nodded his acquiescence before he was fully aware of it.

Staring at The Thinking Machine in shock, the valet nodded in agreement before he even realized it.

"Yes, that's right," The Thinking Machine resumed complacently. "This was easily found out--comparatively. The next question was how was a watch kept on Mr. Henley? It would have done no good to extinguish the gas before he was asleep, or, to have turned it on when he was not in his rooms. It might have led to a speedy discovery of just how the thing was done.

"Yes, that's right," The Thinking Machine continued calmly. "This was relatively easy to figure out. The next question was how someone was keeping track of Mr. Henley? It wouldn’t have helped to turn off the gas before he fell asleep, or to turn it on when he wasn't in his rooms. It could have quickly revealed how it was all done."

"There's a spring lock on the door of Mr. Henley's apartment. Therefore it would have been impossible for anyone to peep through the keyhole. There are no cracks through which one might see. How was this watch kept? How was the plotter to satisfy himself positively of the time when Mr. Henley was asleep? How was it the gas was put out at no time of the score or more nights Mr. Henley himself kept watch? Obviously he was watched through a window.

"There's a spring lock on Mr. Henley's apartment door. So, it would have been impossible for anyone to look through the keyhole. There are no gaps where someone could peek in. How was this surveillance maintained? How was the planner able to confirm when Mr. Henley was asleep? How was it that the gas was turned off during none of the twenty or so nights that Mr. Henley was keeping watch? Clearly, he was watched through a window."

"No one could climb out on the window ledge and look into Mr. Henley's apartments. No one could see into that apartment from the street--that is, could see whether Mr. Henley was asleep or even in bed. They could see the light. Watch was kept with the aid offered by the flagpole, supplemented with a mirror--this mirror. A screw was driven into the frame--it has been removed now--it was swung on the flagpole rope and pulled out to the end of the pole, facing the building. To a man standing in the hall window of the third floor it offered precisely the angle necessary to reflect the interior of Mr. Henley's suite, possibly even showed him in bed through a narrow opening in the curtain. There is no shade on the windows of that suite; heavy curtains instead. Is that right?"

"No one could climb out onto the window ledge to look into Mr. Henley's apartment. No one could see into that apartment from the street—that is, they couldn't tell if Mr. Henley was asleep or even in bed. They could see the light. A watch was kept using the flagpole, along with a mirror—this mirror. A screw was driven into the frame—it has been removed now—and it was hung on the flagpole rope and pulled out to the end of the pole, facing the building. For a man standing in the hall window on the third floor, it gave exactly the right angle to reflect the inside of Mr. Henley's suite, possibly even showing him in bed through a narrow gap in the curtain. There are no shades on the windows of that suite; just heavy curtains instead. Is that right?"

Again the prisoner was surprised into a mute acquiescence.

Again the prisoner was taken by surprise and nodded silently in agreement.

"I saw the possibility of these things, and I saw, too, that at three or four o'clock in the morning it would be perfectly possible for a person to move about the upper halls of this house without being seen. If he wore a heavy bath robe, with a hood, say, no one would recognize him even if he were seen, and besides the garb would not cause suspicion. This bath robe has a hood.

"I saw the potential for these things, and I realized that at three or four in the morning, it would be completely possible for someone to walk around the upper halls of this house without being noticed. If they wore a heavy bathrobe with a hood, for example, no one would identify them even if they were seen, and the outfit wouldn't raise any suspicion. This bathrobe has a hood."

"Now, in working the mirror back and forth on the flagpole at night a tiny scarlet thread was pulled out of the robe and clung to the rope. I found this thread; later Mr. Hatch found an identical thread in these apartments. Both came from that bath robe. Plain logic shows that the person who blew down the gas pipes worked the mirror trick; the person who worked the mirror trick left the thread; the thread comes back to the bath robe--that bath robe there," he pointed dramatically. "Thus the person who desired Henley's death was in these apartments, or had easy access to them."

"While moving the mirror back and forth on the flagpole at night, a small red thread got pulled out of the robe and stuck to the rope. I found this thread, and later Mr. Hatch found an identical one in these apartments. Both threads came from that bathrobe. It’s clear that the person who tampered with the gas pipes also did the mirror trick; the person who did the mirror trick left the thread; the thread connects back to the bathrobe— that bathrobe right there," he pointed dramatically. "So, the person who wanted Henley dead was either in these apartments or had easy access to them."

He paused a moment and there was a tense silence. A great light was coming to Hatch, slowly but surely. The brain that had followed all this was unlimited in possibilities.

He paused for a moment and there was a tense silence. A bright light was coming to Hatch, slowly but surely. The mind that had processed all this had limitless possibilities.

"Even before we traced the origin of the crime to this room," went on the scientist, quietly now, "attention had been attracted here, particularly to you, Mr. Cabell. It was through the love affair, of which Miss Lipscomb was the center. Mr. Hatch learned that you and Henley had been rivals for her hand. It was that, even before this scarlet thread was found, which indicated that you might have some knowledge of the affair, directly or indirectly.

"Even before we traced the crime back to this room," the scientist continued, speaking softly now, "we had noticed things here, especially regarding you, Mr. Cabell. It was linked to the love affair that centered around Miss Lipscomb. Mr. Hatch found out that you and Henley were both competing for her affection. It was that, even before this scarlet thread was discovered, that suggested you might have some insight into the situation, whether directly or indirectly."

"You are not a malicious or revengeful man, Mr. Cabell. But you are hot-tempered--extremely so. You demonstrated that just now, when, angry and not understanding, but feeling that your honor was at stake, you shot a hole in the floor."

"You’re not a mean or vengeful guy, Mr. Cabell. But you have a really short fuse—very much so. You just showed that when, out of anger and confusion, but feeling like your honor was on the line, you shot a hole in the floor."

"What?" asked Detective Mallory.

"What?" Detective Mallory asked.

"A little accident," explained The Thinking Machine quickly. "Not being a malicious or revengeful man, you are not the man to deliberately go ahead, and make elaborate plans for the murder of Henley. In a moment of passion you might have killed him--but never deliberately as the result of premeditation. Besides you were out of town. Who was then in these apartments? Who had access to these apartments? Who might have used your bath robe? Your valet, possibly Miss Austin. Which? Now, let's see how we reached this conclusion which led to the valet.

"A little accident," The Thinking Machine explained quickly. "Since you're not a malicious or vengeful person, you're not the type to intentionally plan Henley's murder. You might have killed him in a moment of passion, but never with premeditation. Besides, you were out of town. Who was in these apartments? Who had access to them? Who could have used your bathrobe? Your valet, or maybe Miss Austin. Which one? Now, let's go through how we came to the conclusion that it was the valet.

"Miss Regnier was found dead. It was not suicide. How did I know? Because she had been reading with the gas light at its full. If she had been reading by the gas light, how was it then that it went out and suffocated her before she could arise and shut it off? Obviously she must have fallen asleep over her book and left the light burning.

"Miss Regnier was found dead. It wasn't suicide. How did I know? Because she had been reading with the gas light turned all the way up. If she had been reading by the gas light, how could it have gone out and suffocated her before she could get up and turn it off? Clearly, she must have fallen asleep while reading and left the light on."

"If she was in this plot to kill Henley, why did she light the jet in her room? There might have been some slight defect in the electric bulb in her room which she had just discovered. Therefore she lighted the gas, intending to extinguish it--turn it off entirely--later. But she fell asleep. Therefore when the valet here blew into the pipe, intending to kill Mr. Henley, he unwittingly killed the woman he loved--Miss Regnier. It was perfectly possible, meanwhile, that she did not know of the attempt to be made that particular night, although she had participated in the others, knowing that Henley had night after night sat up to watch the light in his rooms.

"If she was part of the plan to kill Henley, why did she turn on the gas in her room? There could have been a small issue with the light bulb in her room that she had just noticed. So, she lit the gas, planning to turn it off later. But she fell asleep. So when the valet blew into the pipe, intending to kill Mr. Henley, he accidentally killed the woman he loved—Miss Regnier. It's entirely possible that she didn't know about the plan to carry out the attack that night, even though she had been involved in previous attempts, knowing that Henley had stayed up night after night to watch the light in his rooms."

"The facts, as I knew them, showed no connection between Miss Regnier and this man at that time--nor any connection between Miss Regnier and Henley. It might have been that the person who blew the gas out of the pipe from these rooms knew nothing whatever of Miss Regnier, just as he didn't know who else he might have killed in the building.

The facts, as I understood them, indicated no link between Miss Regnier and this man at that time—or any link between Miss Regnier and Henley. It's possible that the person who turned off the gas from these rooms had no idea who Miss Regnier was, just as he didn’t know who else he might have harmed in the building.

"But I had her death and the manner of it. I had eliminated you, Mr. Cabell. Therefore there remained Miss Austin and the valet. Miss Austin was eccentric--insane, if you will. Would she have any motive for killing Henley? I could imagine none. Love? Probably not. Money? They had nothing in common on that ground. What? Nothing that I could see. Therefore, for the moment, I passed Miss Austin by, after asking you, Mr. Cabell, if you were Miss Austin.

"But I had her death and how it happened. I had ruled you out, Mr. Cabell. So that left Miss Austin and the valet. Miss Austin was unusual—crazy, if you prefer. Did she have any reason to kill Henley? I couldn't think of one. Love? Probably not. Money? They had no connection there. What? Nothing that I could see. So, for now, I set Miss Austin aside after asking you, Mr. Cabell, if you were Miss Austin."

"What remained? The valet. Motive? Several possible ones, one or two probable. He is French, or says he is. Miss Regnier is French. Therefore I had arrived at the conclusion that they knew each other as people of the same nationality will in a house of this sort. And remember, I had passed by Mr. Cabell and Miss Austin, so the valet was the only one left; he could use the bath robe.

"What was left? The valet. Motive? Several possibilities, one or two likely. He claims to be French. Miss Regnier is French. So, I concluded that they probably knew each other, as people of the same nationality often do in this kind of situation. And remember, I had already brushed past Mr. Cabell and Miss Austin, so the valet was the only one left; he could have used the bathrobe."

"Well, the motive. Frankly that was the only difficult point in the entire problem--difficult because there were so many possibilities. And each possibility that suggested itself suggested also a woman. Jealousy? There must be a woman. Hate? Probably a woman. Attempted extortion? With the aid of a woman. No other motive which would lead to so elaborate a plot of murder would come forward. Who was the woman? Miss Regnier.

"Well, the motive. Honestly, that was the only tricky part of the whole issue—tricky because there were so many options. And every option that came to mind also pointed to a woman. Jealousy? There must be a woman involved. Hate? Most likely a woman. Attempted extortion? With the help of a woman. No other motive that would lead to such a complex murder plot emerged. Who was the woman? Miss Regnier."

"Did Miss Regnier know Henley? Mr. Hatch had reason to believe he knew her because of his actions when informed of her death. Knew her how? People of such relatively different planes of life can know each other--or do know each other--only on one plane. Henley is a typical young man, fast, I dare say, and liberal. Perhaps, then, there had been a liaison. When I saw this possibility I had my motives--all of them--jealousy, hate and possibly attempted extortion as well.

"Did Miss Regnier know Henley? Mr. Hatch thought he knew her based on how he reacted when he heard about her death. In what way did he know her? People from such different walks of life can only know each other on one level. Henley is a typical young man—fast, I’d say, and open-minded. So, maybe there was a connection between them. Once I considered this possibility, I had my reasons for it—all of them—jealousy, resentment, and maybe even an attempt at blackmail."

"What was more possible than Mr. Henley and Miss Regnier had been acquainted? All liaisons are secret ones. Suppose she had been cast off because of the engagement to a young woman of Henley's own level? Suppose she had confided in the valet here? Do you see? Motives enough for any crime, however diabolical. The attempts on Henley's life possibly followed an attempted extortion of money. The shot which wounded Henley was fired by this man, Jean. Why? Because the woman who had cause to hate Henley was dead. Then the man? He was alive and vindictive. Henley knew who shot him, and knew why, but he'll never say it publicly. He can't afford to. It would ruin him. I think probably that's all. Do you want to add anything?" he asked of the valet.

"What’s more likely than that Mr. Henley and Miss Regnier were involved? All relationships are secret. What if she was dumped because Henley got engaged to a woman of his own status? What if she had confided in the valet here? Do you see? Plenty of motives for any crime, no matter how evil. The attempts on Henley’s life could have followed an effort to extort money. The shot that injured Henley was fired by this man, Jean. Why? Because the woman who had a reason to hate Henley was dead. As for the man? He was alive and seeking revenge. Henley knew who shot him and why, but he’ll never say it out loud. He can’t risk it. It would ruin him. I think that’s probably it. Do you have anything to add?" he asked the valet.

"No," was the fierce reply. "I'm sorry I didn't kill him, that's all. It was all about as you said, though God knows how you found it out," he added, desperately.

"No," was the intense reply. "I regret not killing him, that's all. It was exactly as you said, though God knows how you figured it out," he added, in despair.

"Are you a Frenchman?"

"Are you French?"

"I was born in New York, but lived in France for eleven years. I first knew Louise there."

"I was born in New York, but I lived in France for eleven years. That's where I first met Louise."

Silence fell upon the little group. Then Hatch asked a question:

Silence settled over the small group. Then Hatch asked a question:

"You told me, Professor, that there would be no other attempt to kill Henley by extinguishing the gas. How did you know that?"

"You told me, Professor, that there wouldn’t be another attempt to kill Henley by turning off the gas. How did you know that?"

"Because one person--the wrong person--had been killed that way," was the reply. "For this reason it was hardly likely that another attempt of that sort would be made. You had no intention of killing Louise Regnier, had you, Jean?"

"Because one person—the wrong person—was killed like that," was the reply. "For this reason, it's unlikely that another attempt like that would be made. You didn’t plan on killing Louise Regnier, did you, Jean?"

"No, God help me, no."

"No, please, God, no."

"It was all done in these apartments," The Thinking Machine added, turning to Cabell, "at the gas jet from which I took the tip. It had been only loosely replaced and the metal was tarnished where the lips had dampened it."

"It all happened in these apartments," The Thinking Machine said, turning to Cabell, "at the gas jet where I got the lead. It had been put back carelessly and the metal was discolored where people had touched it."

"It must take great lung power to do a thing like that," remarked Detective Mallory.

"It must take a lot of lung power to do something like that," Detective Mallory remarked.

"You would be amazed to know how easily it is done," said the scientist. "Try it some time."

"You'd be surprised at how easily it's done," said the scientist. "Give it a try sometime."

The Thinking Machine arose and picked up his hat; Hatch did the same. Then the reporter turned to Cabell.

The Thinking Machine got up and grabbed his hat; Hatch did the same. Then the reporter turned to Cabell.

"Would you mind telling me why you were so anxious to get away to-night?" he asked.

"Can you tell me why you were so eager to leave tonight?" he asked.

"Well, no," Cabell explained, and there was a rush of red to his face. "It's because I received a telegram from Virginia--Miss Lipscomb, in fact. Some of Henley's past had come to her knowledge and the telegram told me that the engagement was broken. On top of this came the information that Henley had been shot and--I was considerably agitated."

"Well, no," Cabell explained, his face flushing red. "It's because I got a telegram from Virginia—Miss Lipscomb, actually. She had found out about some of Henley's past, and the telegram informed me that the engagement was off. On top of that, I learned that Henley had been shot and—I was quite upset."

The Thinking Machine and Hatch were walking along the street.

The Thinking Machine and Hatch were walking down the street.

"What did you write in the note you sent to Cabell that made him start to unpack?" asked the reporter, curiously.

"What did you write in the note you sent to Cabell that made him start unpacking?" the reporter asked, intrigued.

"There are some things that it wouldn't be well for everyone to know," was the enigmatic response. "Perhaps it would be just as well for you to overlook this little omission."

"There are some things that it wouldn't be good for everyone to know," was the mysterious reply. "Maybe it would be better for you to ignore this small omission."

"Of course, of course," replied the reporter, wonderingly.

"Sure, sure," replied the reporter, feeling amazed.





THE MAN WHO WAS LOST.



I.

Here are the facts in the case as they were known in the beginning to Professor Augustus S. F. X. Van Dusen, scientist and logician. After hearing a statement of the problem from the lips of its principal he declared it to be one of the most engaging that had ever come to his attention, and----

Here are the facts of the case as they were initially known to Professor Augustus S. F. X. Van Dusen, scientist and logician. After hearing the problem explained by the main person involved, he declared it to be one of the most interesting he had ever encountered, and----

But let me begin at the beginning:

But let me start from the start:


* * * * *

Understood. Please provide the text you'd like me to modernize.

The Thinking Machine was in the small laboratory of his modest apartments at two o'clock in the afternoon. Martha, the scientist's only servant, appeared at the door with a puzzled expression on her wrinkled face.

The Thinking Machine was in the small lab of his modest apartment at two o'clock in the afternoon. Martha, the scientist's only servant, showed up at the door with a confused look on her wrinkled face.

"A gentleman to see you, sir," she said.

"A man is here to see you, sir," she said.

"Name?" inquired The Thinking Machine, without turning.

"What's your name?" The Thinking Machine asked without turning around.

"He--he didn't give it, sir," she stammered.

"He—he didn’t give it, sir," she stammered.

"I have told you always, Martha, to ask names of callers."

"I’ve always told you, Martha, to ask for the names of callers."

"I did ask his name, sir, and--and he said he didn't know it."

"I asked him his name, sir, and he said he didn't know it."

The Thinking Machine was never surprised, yet now he turned on Martha in perplexity and squinted at her fiercely through his thick glasses.

The Thinking Machine was never caught off guard, but now he turned to Martha in confusion and glared at her intensely through his thick glasses.

"Don't know his own name?" he repeated. "Dear me! How careless! Show the gentleman into the reception room immediately."

"Doesn't know his own name?" he repeated. "Wow! How careless! Please show the gentleman into the reception room right away."

With no more introduction to the problem than this, therefore, The Thinking Machine passed into the other room. A stranger arose and came forward. He was tall, of apparently thirty-five years, clean-shaven and had the keen, alert face of a man of affairs. He would have been handsome had it not been for dark rings under the eyes and the unusual white of his face. He was immaculately dressed from top to toe; altogether a man who would attract attention.

With no further explanation of the issue, The Thinking Machine walked into the other room. A stranger stood up and approached. He was tall, around thirty-five years old, clean-shaven, and had the sharp, alert face of a businessman. He would have been attractive if it weren’t for the dark circles under his eyes and the unusual pallor of his face. He was dressed impeccably from head to toe; definitely a man who would draw attention.

For a moment he regarded the scientist curiously; perhaps there was a trace of well-bred astonishment in his manner. He gazed curiously at the enormous head, with its shock of yellow hair, and noted, too, the droop in the thin shoulders. Thus for a moment they stood, face to face, the tall stranger making The Thinking Machine dwarf-like by comparison.

For a moment, he looked at the scientist with curiosity; there might have been a hint of polite surprise in his demeanor. He stared intently at the large head, with its mess of yellow hair, and also noticed the sag in the slim shoulders. So, for a moment, they stood there, face to face, the tall stranger making The Thinking Machine seem small by comparison.

"Well?" asked the scientist.

"Well?" the scientist asked.

The stranger turned as if to pace back and forth across the room, then instead dropped into a chair which the scientist indicated.

The stranger turned as if to walk back and forth across the room, but instead sat down in a chair that the scientist pointed to.

"I have heard a great deal about you, Professor," he began, in a well-modulated voice, "and at last it occurred to me to come to you for advice. I am in a most remarkable position--and I'm not insane. Don't think that, please. But unless I see some way out of this amazing predicament I shall be. As it is now, my nerves have gone; I am not myself."

"I've heard a lot about you, Professor," he started, with a calm voice, "and I finally decided to come to you for advice. I'm in a really unusual situation—and I'm not crazy. Please don't think that. But if I don't find a way out of this incredible mess, I might lose it. Right now, my nerves are shot; I’m not myself."

"Your story? What is it? How can I help you?"

"What's your story? What is it? How can I assist you?"

"I am lost, hopelessly lost," the stranger resumed. "I know neither my home, my business, nor even my name. I know nothing whatever of myself or my life; what it was or what it might have been previous to four weeks ago. I am seeking light on my identity. Now, if there is any fee----"

"I’m completely lost, hopelessly lost," the stranger continued. "I don’t know where my home is, what my job is, or even what my name is. I don’t remember anything about myself or my life; what it used to be or what it could have been before four weeks ago. I’m trying to figure out who I am. Now, if there’s any fee----"

"Never mind that," the scientist put in, and he squinted steadily into the eyes of the visitor. "What _do_ you know? From the time you remember things tell me all of it."

"Don't worry about that," the scientist interjected, squinting directly into the visitor's eyes. "What do you know? From the time you started remembering things, tell me everything."

He sank back into his chair, squinting steadily upward. The stranger arose, paced back and forth across the room several times and then dropped into his chair again.

He leaned back in his chair, squinting up at the ceiling. The stranger got up, walked around the room a few times, and then fell back into his chair.

"It's perfectly incomprehensible," he said. "It's precisely as if I, full grown, had been born into a world of which I knew nothing except its language. The ordinary things, chairs, tables and such things, are perfectly familiar, but who I am, where I came from, why I came--of these I have no idea. I will tell you just as my impressions came to me when I awoke one morning, four weeks ago.

"It's completely baffling," he said. "It's like I, as an adult, woke up in a world where I know nothing except the language. The everyday things, like chairs and tables, are totally familiar, but I have no clue who I am, where I came from, or why I'm here. I'll share with you exactly what I felt when I woke up one morning, four weeks ago."

"It was eight or nine o'clock, I suppose. I was in a room. I knew instantly it was a hotel, but had not the faintest idea of how I got there, or of ever having seen the room before. I didn't even know my own clothing when I started to dress. I glanced out of my window; the scene was wholly strange to me.

"It was around eight or nine o'clock, I guess. I was in a room. I immediately knew it was a hotel, but I had no idea how I got there or if I had ever seen the room before. I didn’t even recognize my own clothes when I started to get dressed. I looked out of my window; the view was completely unfamiliar to me."

"For half an hour or so I remained in my room, dressing and wondering what it meant. Then, suddenly, in the midst of my other worries, it came home to me that I didn't know my own name, the place where I lived nor anything about myself. I didn't know what hotel I was in. In terror I looked into a mirror. The face reflected at me was not one I knew. It didn't seem to be the face of a stranger; it was merely not a face that I knew.

"For about half an hour, I stayed in my room, getting ready and trying to figure out what was going on. Then, suddenly, in the middle of my other concerns, it hit me that I didn’t know my own name, where I lived, or anything about myself. I had no idea what hotel I was in. In panic, I looked into a mirror. The face looking back at me wasn't one I recognized. It didn’t feel like the face of a stranger; it was just a face I didn’t know."

"The thing was unbelievable. Then I began a search of my clothing for some trace of my identity. I found nothing whatever that would enlighten me--not a scrap of paper of any kind, no personal or business card."

"The situation was unbelievable. Then I started looking through my clothes for any sign of my identity. I found absolutely nothing that could help me—no scraps of paper, no personal or business cards."

"Have a watch?" asked The Thinking Machine.

"Do you have a watch?" asked The Thinking Machine.

"Any money?"

"Got any cash?"

"Yes, money," said the stranger. "There was a bundle of more than ten thousand dollars in my pocket, in one-hundred-dollar bills. Whose it is or where it came from I don't know. I have been living on it since, and shall continue to do so, but I don't know if it is mine. I knew it was money when I saw it, but did not recollect ever having seen any previously."

"Yeah, money," the stranger said. "I had a bundle of over ten thousand dollars in my pocket, all in one-hundred-dollar bills. I have no idea whose it is or where it came from. I've been living off it since, and I plan to keep doing that, but I’m not sure if it actually belongs to me. I recognized it as money when I saw it, but I don't remember ever having seen it before."

"Any jewelry?"

"Any jewelry available?"

"These cuff buttons," and the stranger exhibited a pair which he drew from his pocket.

"These cuff buttons," the stranger said, showing a pair he took out of his pocket.

"Go on."

"Go ahead."

"I finally finished dressing and went down to the office. It was my purpose to find out the name of the hotel and who I was. I knew I could learn some of this from the hotel register without attracting any attention or making anyone think I was insane. I had noted the number of my room. It was twenty-seven.

"I finally finished getting dressed and went down to the office. I wanted to find out the name of the hotel and who I was. I knew I could learn some of this from the hotel register without drawing any attention or making anyone think I was crazy. I had memorized my room number. It was twenty-seven."

"I looked over the hotel register casually. I saw I was at the Hotel Yarmouth in Boston. I looked carefully down the pages until I came to the number of my room. Opposite this number was a name--John Doane, but where the name of the city should have been there was only a dash."

"I casually glanced over the hotel register. I noticed I was at the Hotel Yarmouth in Boston. I scanned the pages closely until I found my room number. Next to this number was a name—John Doane—but where the city name should have been, there was just a dash."

"You realize that it is perfectly possible that John Doane is your name?" asked The Thinking Machine.

"You get that it's totally possible your name is John Doane?" asked The Thinking Machine.

"Certainly," was the reply. "But I have no recollection of ever having heard it before. This register showed that I had arrived at the hotel the night before--or rather that John Doane had arrived and been assigned to Room 27, and I was the John Doane, presumably. From that moment to this the hotel people have known me as John Doane, as have other people whom I have met during the four weeks since I awoke."

"Sure," was the response. "But I don't remember ever hearing it before. This register indicated that I arrived at the hotel the night before—or rather that John Doane had arrived and been given Room 27, and I was that John Doane, I guess. Since then, the hotel staff has known me as John Doane, as have others I’ve met during the four weeks since I woke up."

"Did the handwriting recall nothing?"

"Did the handwriting jog any memories?"

"Nothing whatever."

"Nothing at all."

"Is it anything like the handwriting you write now?"

"Is it anything like the handwriting you use now?"

"Identical, so far as I can see."

"Exactly the same, as far as I can tell."

"Did you have any baggage or checks for baggage?"

"Do you have any luggage or checked bags?"

"No. All I had was the money and this clothing I stand in. Of course, since then I have bought necessities."

"No. All I had was the money and the clothes I’m wearing. Of course, I’ve bought the essentials since then."

Both were silent for a long time and finally the stranger--Doane--arose and began pacing nervously again.

Both were quiet for a long time, and eventually, the stranger—Doane—got up and started pacing nervously again.

"That a tailor-made suit?" asked the scientist.

"Is that a custom-made suit?" asked the scientist.

"Yes," said Doane, quickly. "I know what you mean. Tailor-made garments have linen strips sewed inside the pockets on which are the names of the manufacturers and the name of the man for whom the clothes were made, together with the date. I looked for those. They had been removed, cut out."

"Yeah," Doane replied quickly. "I get what you mean. Custom-made clothes have linen tags sewn inside the pockets that show the manufacturers' names and the name of the person the clothes were made for, along with the date. I looked for those. They had been taken out, cut out."

"Ah!" exclaimed The Thinking Machine suddenly. "No laundry marks on your linen either, I suppose?"

"Ah!" exclaimed The Thinking Machine suddenly. "I guess you don't have any laundry marks on your linen either?"

"No. It was all perfectly new."

"No. It was all completely new."

"Name of the maker on it?"

"What's the maker's name on it?"

"No. That had been cut out, too."

"No. That was removed as well."

Doane was pacing back and forth across the reception room; the scientist lay back in his chair.

Doane was pacing back and forth in the reception room; the scientist was reclining in his chair.

"Do you know the circumstances of your arrival at the hotel?" he asked at last.

"Do you know how you ended up at the hotel?" he finally asked.

"Yes. I asked, guardedly enough, you may be sure, hinting to the clerk that I had been drunk so as not to make him think I was insane. He said I came in about eleven o'clock at night, without any baggage, paid for my room with a one-hundred-dollar bill, which he changed, registered and went upstairs. I said nothing that he recalls beyond making a request for a room."

"Yeah. I asked cautiously, you can be sure, hinting to the clerk that I had been drinking so he wouldn't think I was crazy. He said I came in around eleven o'clock at night, without any luggage, paid for my room with a hundred-dollar bill, which he changed, registered, and went upstairs. He doesn't remember me saying anything else except asking for a room."

"The name Doane is not familiar to you?"

"The name Doane doesn't ring a bell for you?"

"No."

"Nope."

"You can't recall a wife or children?"

"You can't remember a wife or kids?"

"Do you speak any foreign language?"

"Do you speak any foreign languages?"

"Is your mind clear now? Do you remember things?"

"Is your mind clear now? Do you remember everything?"

"I remember perfectly every incident since I awoke in the hotel," said Doane. "I seem to remember with remarkable clearness, and somehow I attach the gravest importance to the most trivial incidents."

"I remember every single thing since I woke up in the hotel," Doane said. "I seem to recall everything in incredible detail, and for some reason, I think the smallest things are really important."

The Thinking Machine arose and motioned to Doane to sit down. He dropped back into a seat wearily. Then the scientist's long, slender fingers ran lightly, deftly through the abundant black hair of his visitor. Finally they passed down from the hair and along the firm jaws; thence they went to the arms, where they pressed upon good, substantial muscles. At last the hands, well shaped and white, were examined minutely. A magnifying glass was used to facilitate this examination. Finally The Thinking Machine stared into the quick-moving, nervous eyes of the stranger.

The Thinking Machine stood up and gestured for Doane to take a seat. He sank back into a chair, feeling exhausted. Then the scientist's long, slender fingers gently and skillfully moved through the visitor's thick black hair. Finally, they traveled down from the hair and along the strong jawline; next, they moved to the arms, pressing against solid, well-defined muscles. Eventually, the well-shaped, pale hands were scrutinized closely, aided by a magnifying glass. Finally, The Thinking Machine looked intently into the quick, restless eyes of the stranger.

"Any marks at all on your body?" he asked at last.

"Do you have any marks on your body?" he finally asked.

"No," Doane responded. "I had thought of that and sought for an hour for some sort of mark. There's nothing--nothing." The eyes glittered a little and finally, in a burst of nervousness, he struggled to his feet. "My God!" he exclaimed. "Is there nothing you can do? What is it all, anyway?"

"No," Doane replied. "I considered that and looked for an hour for some kind of sign. There's nothing—nothing." His eyes sparkled a bit, and finally, in a burst of anxiety, he pushed himself up to his feet. "My God!" he exclaimed. "Is there nothing you can do? What is all of this, anyway?"

"Seems to be a remarkable form of aphasia," replied The Thinking Machine. "That's not an uncommon disease among people whose minds and nerves are overwrought. You've simply lost yourself--lost your identity. If it is aphasia, you will recover in time. When, I don't know."

"Looks like a pretty unusual case of aphasia," said The Thinking Machine. "It's not an uncommon issue for people whose minds and nerves are stressed. You've just lost yourself—lost your identity. If it's indeed aphasia, you'll get better eventually. When, I can't say."

"And meantime?"

"And in the meantime?"

"Let me see the money you found."

"Show me the money you found."

With trembling hands Doane produced a large roll of bills, principally hundreds, many of them perfectly new. The Thinking Machine examined them minutely, and finally made some memoranda on a slip of paper. The money was then returned to Doane.

With shaking hands, Doane took out a large bundle of cash, mostly hundreds, many of which were brand new. The Thinking Machine looked them over closely and eventually wrote down some notes on a piece of paper. The money was then handed back to Doane.

"Now, what shall I do?" asked the latter.

"Now, what am I supposed to do?" asked the latter.

"Don't worry," advised the scientist. "I'll do what I can."

"Don't worry," the scientist said. "I'll do my best."

"And--tell me who and what I am?"

"And—can you tell me who I am and what I'm about?"

"Oh, I can find that out all right," remarked The Thinking Machine. "But there's a possibility that you wouldn't recall even if I told you all about yourself."

"Oh, I can figure that out for sure," said The Thinking Machine. "But there's a chance you still wouldn't remember even if I told you everything about yourself."



II.

When John Doane of Nowhere--to all practical purposes--left the home of The Thinking Machine he bore instructions of divers kinds. First he was to get a large map of the United States and study it closely, reading over and pronouncing aloud the name of every city, town and village he found. After an hour of this he was to take a city directory and read over the names, pronouncing them aloud as he did so. Then he was to make out a list of the various professions and higher commercial pursuits, and pronounce these. All these things were calculated, obviously, to arouse the sleeping brain. After Doane had gone The Thinking Machine called up Hutchinson Hatch, reporter, on the 'phone.

When John Doane from Nowhere—practically speaking—left the home of The Thinking Machine, he had various instructions. First, he was supposed to get a large map of the United States and study it closely, reading aloud and pronouncing the names of every city, town, and village he came across. After an hour of this, he was to take a city directory and read through the names, pronouncing them out loud as he did. Then he was to create a list of different professions and higher-level commercial careers, and pronounce those as well. All these tasks were clearly meant to stimulate his dormant brain. After Doane left, The Thinking Machine called Hutchinson Hatch, a reporter, on the phone.

"Come up immediately," he requested. "There's something that will interest you."

"Come up right now," he said. "There's something you’ll want to see."

"A mystery?" Hatch inquired, eagerly.

"A mystery?" Hatch asked eagerly.

"One of the most engaging problems that has ever come to my attention," replied the scientist.

"One of the most interesting problems I've ever come across," replied the scientist.

It was only a question of a few minutes before Hatch was ushered in. He was a living interrogation point, and repressed a rush of questions with a distinct effort. The Thinking Machine finally told what he knew.

It was just a matter of minutes before Hatch was brought in. He was a living point of interrogation and made a conscious effort to hold back a flood of questions. The Thinking Machine eventually revealed what he knew.

"Now it seems to be," said The Thinking Machine, and he emphasized the "seems," The man simply doesn't know himself. I examined him closely. I went over his head for a sign of a possible depression, or abnormality. It didn't appear. I examined his muscles. He has biceps of great power, is evidently now or has been athletic. His hands are white, well cared for and have no marks on them. They are not the hands of a man who has ever done physical work. The money in his pocket tends to confirm the fact that he is not of that sphere.

"Now it seems to be," said The Thinking Machine, emphasizing the "seems." The man just doesn't really know himself. I took a close look at him. I checked his head for any signs of depression or abnormalities. Nothing showed up. I examined his muscles. He has really powerful biceps, and he clearly is or has been athletic. His hands are white, well-groomed, and have no marks on them. They are not the hands of someone who has ever done physical labor. The money in his pocket supports the idea that he doesn't come from that background.

"Then what is he? Lawyer? Banker? Financier? What? He might be either, yet he impressed me as being rather of the business than the professional school. He has a good, square-cut jaw--the jaw of a fighting man--and his poise gives one the impression that whatever he has been doing he has been foremost in it. Being foremost in it, he would naturally drift to a city, a big city. He is typically a city man.

"Then what is he? A lawyer? A banker? A financier? What? He could be any of those, but he seems more like someone from the business side than the professional side. He has a strong, square jaw—the kind you'd expect from a fighter—and his confidence makes you feel like whatever he's done, he was always at the top of it. Being at the top, he would naturally end up in a big city. He’s definitely a city guy."

"Now, please, to aid me, communicate with your correspondents in the large cities and find if such a name as John Doane appears in any directory. Is he at home now? Has he a family? All about him."

"Now, please help me by reaching out to your contacts in the big cities and see if the name John Doane shows up in any directory. Is he home right now? Does he have a family? I need to know everything about him."

"Do you believe that John Doane is his name?" asked the reporter.

"Do you think his name is John Doane?" the reporter asked.

"No reason why it shouldn't be," said The Thinking Machine. "Yet it might not be."

"No reason it shouldn't be," said The Thinking Machine. "But it might not be."

"How about inquiries in this city?"

"How about questions in this city?"

"He can't well be a local man," was the reply. "He has been wandering about the streets for four weeks, and if he had lived here he would have met some one who knew him."

"He can't really be a local guy," was the reply. "He's been wandering around the streets for four weeks, and if he lived here, he would have run into someone who knew him."

"But the money?"

"But what about the money?"

"I'll probably be able to locate him through that," said The Thinking Machine. "The matter is not at all clear to me now, but it occurs to me that he is a man of consequence, and that it was possibly necessary for some one to get rid of him for a time."

"I should be able to find him through that," said The Thinking Machine. "I don't completely understand the situation right now, but I think he's an important person, and it seems like someone might have needed to get him out of the way for a while."

"Well, if it's plain aphasia, as you say," the reporter put in, "it seems rather difficult to imagine that the attack came at a moment when it was necessary to get rid of him."

"Well, if it's just plain aphasia, like you said," the reporter interjected, "it seems pretty hard to believe that the attack happened at a time when it was crucial to eliminate him."

"I say it _seems_ like aphasia," said the scientist, crustily. "There are known drugs which will produce the identical effect if properly administered."

"I say it _seems_ like aphasia," the scientist said gruffly. "There are well-known drugs that can create the same effect if given correctly."

"Oh," said Hatch. He was beginning to see.

"Oh," said Hatch. He was starting to understand.

"There is one drug particularly, made in India, and not unlike hasheesh. In a case of this kind anything is possible. To-morrow I shall ask you to take Mr. Doane down through the financial district, as an experiment. When you go there I want you particularly to get him to the sound of the 'ticker.' It will be an interesting experiment."

"There’s one drug in particular, made in India, that’s kind of similar to hashish. In a situation like this, anything can happen. Tomorrow, I’d like you to take Mr. Doane through the financial district as a test. When you’re there, I want you to make sure he hears the sound of the ‘ticker.’ It’ll be an interesting experiment."

The reporter went away and The Thinking Machine sent a telegram to the Blank National Bank of Butte, Montana:

The reporter left, and The Thinking Machine sent a telegram to the Blank National Bank in Butte, Montana:

"To whom did you issue hundred-dollar bills, series B, numbering 846380 to 846395 inclusive? Please answer."

"Who did you give the hundred-dollar bills, series B, numbered 846380 to 846395 inclusive? Please respond."

It was ten o'clock next day when Hatch called on The Thinking Machine. There he was introduced to John Doane, the man who was lost. The Thinking Machine was asking questions of Mr. Doane when Hatch was ushered in.

It was ten o'clock the next day when Hatch visited The Thinking Machine. There, he met John Doane, the man who was missing. The Thinking Machine was asking Mr. Doane questions when Hatch was brought in.

"Did the map recall nothing?"

"Did the map remember nothing?"

"Nothing."

"Nothing."

"Montana, Montana, Montana," the scientist repeated monotonously; "think of it. Butte, Montana."

"Montana, Montana, Montana," the scientist said monotonously; "think about it. Butte, Montana."

Doane shook his head hopelessly, sadly.

Doane shook his head, feeling hopeless and sad.

"Cowboy, cowboy. Did you ever see a cowboy?" Again the head shake.

"Cowboy, cowboy. Have you ever seen a cowboy?" Again, the head shakes.

"Coyote--something like a wolf--coyote. Don't you recall ever having seen one?"

"Coyote—like a wolf—coyote. Don't you remember ever seeing one?"

"I'm afraid it's hopeless," remarked the other.

"I'm afraid it's hopeless," said the other.

There was a note of more than ordinary irritation in The Thinking Machine's voice when he turned to Hatch.

There was a hint of irritation in The Thinking Machine's voice when he turned to Hatch.

"Mr. Hatch, will you walk through the financial district with Mr. Doane?" he asked. "Please go to the places I suggested."

"Mr. Hatch, will you walk through the financial district with Mr. Doane?" he asked. "Please go to the places I mentioned."

So it came to pass that the reporter and Doane went out together, walking through the crowded, hurrying, bustling financial district. The first place visited was a private room where market quotations were displayed on a blackboard. Mr. Doane was interested, but the scene seemed to suggest nothing.

So it happened that the reporter and Doane walked out together, making their way through the busy, fast-paced financial district. The first place they visited was a private room where market quotes were shown on a blackboard. Mr. Doane found it intriguing, but the whole scene felt meaningless.

He looked upon it all as any stranger might have done. After a time they passed out. Suddenly a man came running toward them--evidently a broker.

He looked at everything just like any outsider would. After a while, they left. Suddenly, a man came running toward them—clearly a broker.

"What's the matter?" asked another.

"What's up?" asked another.

"Montana copper's gone to smash," was the reply.

"Montana copper is ruined," was the reply.

"_Copper!_ _Copper!_" gasped Doane suddenly.

"__Copper!__ __Copper!__" gasped Doane suddenly.

Hatch looked around quickly at his companion. Doane's face was a study. On it was half realization and a deep perplexed wrinkle, a glimmer even of excitement.

Hatch glanced quickly at his companion. Doane's face was telling a story. It showed a mix of understanding and deep confusion, with even a hint of excitement.

"Copper!!" he repeated.

"Copper!" he repeated.

"Does the word mean anything to you?" asked Hatch quickly. "Copper--metal, you know."

"Does that word mean anything to you?" Hatch asked quickly. "Copper—it's a metal, you know."

"Copper, copper, copper," the other repeated. Then, as Hatch looked, the queer expression faded; there came again utter hopelessness.

"Copper, copper, copper," the other echoed. Then, as Hatch watched, the strange look disappeared; pure hopelessness returned.

There are many men with powerful names who operate in the Street--some of them in copper. Hatch led Doane straight to the office of one of these men and there introduced him to a partner in the business.

There are many guys with powerful names who work in the Street—some of them in finance. Hatch took Doane directly to the office of one of these guys and introduced him to a partner in the business.

"We want to talk about copper a little," Hatch explained, still eying his companion.

"We want to discuss copper for a bit," Hatch explained, still watching his companion.

"Do you want to buy or sell?" asked the broker.

"Are you looking to buy or sell?" asked the broker.

"Sell," said Doane suddenly. "Sell, sell, sell copper. That's it--copper."

"Sell," Doane exclaimed abruptly. "Sell, sell, sell copper. That's it—copper."

He turned to Hatch, stared at him dully a moment, a deathly pallor came over his face, then, with upraised hands, fell senseless.

He turned to Hatch, looked at him blankly for a moment, a ghostly pale expression spread across his face, and then, with his hands raised, collapsed unconscious.



III.

Still unconscious, the man of mystery was removed to the home of The Thinking Machine and there stretched out on a sofa. The Thinking Machine was bending over him, this time in his capacity of physician, making an examination. Hatch stood by, looking on curiously.

Still unconscious, the mysterious man was taken to the home of The Thinking Machine and laid out on a sofa. The Thinking Machine was leaning over him, this time acting as a doctor, conducting an examination. Hatch stood by, watching with curiosity.

"I never saw anything like it," Hatch remarked. "He just threw up his hands and collapsed. He hasn't been conscious since."

"I've never seen anything like it," Hatch said. "He just threw up his hands and fell over. He hasn't been awake since."

"It may be that when he comes to he will have recovered his memory, and in that event he will have absolutely no recollection whatever of you and me," explained The Thinking Machine.

"It might be that when he wakes up, he will have gotten his memory back, and if that's the case, he will have no memory of you and me at all," explained The Thinking Machine.

Doane moved a little at last, and under a stimulant the color began to creep back into his pallid face.

Doane finally stirred a bit, and with some encouragement, color started to return to his pale face.

"Just what was said, Mr. Hatch, before he collapsed?" asked the scientist.

"Exactly what did Mr. Hatch say before he collapsed?" asked the scientist.

Hatch explained, repeating the conversation as he remembered it.

Hatch explained, sharing the conversation as he recalled it.

"And he said 'sell,'" mused The Thinking Machine. "In other words, he thinks--or imagines he knows--that copper is to drop. I believe the first remark he heard was that copper had gone to smash--down, I presume that means?"

"And he said 'sell,'" thought The Thinking Machine. "In other words, he thinks—or believes he knows—that copper is going to drop. I assume the first thing he heard was that copper has plummeted—down, I guess that means?"

"Yes," the reporter replied.

"Yes," the reporter said.

Half an hour later John Doane sat up on the couch and looked about the room.

Half an hour later, John Doane sat up on the couch and looked around the room.

"Ah, Professor," he remarked. "I fainted, didn't I?"

"Ah, Professor," he said. "I passed out, didn't I?"

The Thinking Machine was disappointed because his patient had not recovered memory with consciousness. The remark showed that he was still in the same mental condition--the man who was lost.

The Thinking Machine was disappointed because his patient hadn't regained memory along with consciousness. This comment indicated that he was still in the same mental state—the man who was lost.

"Sell copper, sell, sell, sell," repeated The Thinking Machine, commandingly.

"Sell copper, sell, sell, sell," The Thinking Machine said firmly.

"Yes, yes, sell," was the reply.

"Yeah, yeah, go ahead and sell," was the reply.

The reflection of some great mental struggle was on Doane's face; he was seeking to recall something which persistently eluded him.

The look on Doane's face showed he was deep in thought; he was trying to remember something that kept slipping away from him.

"Copper, copper," the scientist repeated, and he exhibited a penny.

"Copper, copper," the scientist repeated, holding up a penny.

"Yes, copper," said Doane. "I know. A penny."

"Yeah, copper," Doane said. "I get it. A penny."

"Why did you say sell copper?"

"Why did you say to sell copper?"

"I don't know," was the weary reply. "It seemed to be an unconscious act entirely. I don't know."

"I don't know," was the tired response. "It felt like it was completely automatic. I really don't know."

He clasped and unclasped his hands nervously and sat for a long time dully staring at the floor. The fight for memory was a dramatic one.

He nervously clasped and unclasped his hands and sat for a long time, blankly staring at the floor. The struggle to remember was intense.

"It seemed to me," Doane explained after awhile, "that the word copper touched some responsive chord in my memory, then it was lost again. Some time in the past, I think, I must have had something to do with copper."

"It felt to me," Doane explained after a while, "that the word copper resonated with something in my memory, but then it slipped away. At some point in the past, I think I must have been involved with copper."

"Yes," said The Thinking Machine, and he rubbed his slender fingers briskly. "Now you are coming around again."

"Yes," said The Thinking Machine, rubbing his slim fingers together quickly. "Now you're starting to see things my way."

His remarks were interrupted by the appearance of Martha at the door with a telegram. The Thinking Machine opened it hastily. What he saw perplexed him again.

His comments were cut short when Martha appeared at the door with a telegram. The Thinking Machine opened it quickly. What he read confused him once more.

"Dear me! Most extraordinary!" he exclaimed. "What is it?" asked Hatch, curiously.

"Wow! This is amazing!" he exclaimed. "What is it?" Hatch asked, curious.

The scientist turned to Doane again.

The scientist turned to Doane once more.

"Do you happen to remember Preston Bell?" he demanded, emphasizing the name explosively.

"Do you remember Preston Bell?" he asked, stressing the name sharply.

"Preston Bell?" the other repeated, and again the mental struggle was apparent on his face. "Preston Bell!"

"Preston Bell?" the other person repeated, and once more, the mental struggle was clear on his face. "Preston Bell!"

"Cashier of the Blank National Bank of Butte, Montana?" urged the other, still in an emphatic tone. "Cashier Bell?"

"Cashier of the Blank National Bank of Butte, Montana?" the other pressed on, still in an emphatic tone. "Cashier Bell?"

He leaned forward eagerly and watched the face of his patient; Hatch unconsciously did the same. Once there was almost realization, and seeing it The Thinking Machine sought to bring back full memory.

He leaned forward excitedly and stared at his patient's face; Hatch unknowingly did the same. For a moment, there was almost recognition, and seeing this, The Thinking Machine tried to restore full memory.

"Bell, cashier, copper," he repeated, time after time.

"Bell, cashier, copper," he kept repeating over and over.

The flash of realization which had been on Doane's face passed, and there came infinite weariness--the weariness of one who is ill.

The spark of understanding that had been on Doane's face faded, and an overwhelming fatigue set in—the exhaustion of someone who is unwell.

"I don't remember," he said at last. "I'm very tired."

"I don't remember," he finally said. "I'm really tired."

"Stretch out there on the couch and go to sleep," advised The Thinking Machine, and he arose to arrange a pillow. "Sleep will do you more good than anything else right now. But before you lie down, let me have, please, a few of those hundred-dollar bills you found."

"Go ahead and stretch out on the couch and get some sleep," said The Thinking Machine as he got up to adjust a pillow. "Rest will do you more good than anything else at this moment. But before you lie down, could you please give me a few of those hundred-dollar bills you found?"

Doane extended the roll of money, and then slept like a child. It was uncanny to Hatch, who had been a deeply interested spectator.

Doane counted the money and then slept like a baby. It struck Hatch as strange, since he had been an intensely interested observer.

The Thinking Machine ran over the bills and finally selected fifteen of them--bills that were new and crisp. They were of an issue by the Blank National Bank of Butte, Montana. The Thinking Machine stared at the money closely, then handed it to Hatch.

The Thinking Machine went through the bills and finally picked out fifteen of them—new and crisp ones. They were from the Blank National Bank of Butte, Montana. The Thinking Machine examined the money closely and then handed it to Hatch.

"Does that look like counterfeit to you?" he asked.

"Does that look like a fake to you?" he asked.

"Counterfeit?" gasped Hatch. "Counterfeit?" he repeated. He took the bills and examined them. "So far as I can see they seem to be good," he went on, "though I have never had enough experience with one-hundred-dollar bills to qualify as an expert."

"Counterfeit?" Hatch gasped. "Counterfeit?" he repeated. He took the bills and examined them. "As far as I can tell, they seem legit," he continued, "though I’ve never had enough experience with one-hundred-dollar bills to consider myself an expert."

"Do you know an expert?"

"Do you know an expert?"

"Yes."

Yes.

"See him immediately. Take fifteen bills and ask him to pass on them, each and every one. Tell him you have reason--excellent reason--to believe that they are counterfeit. When he gives his opinion come back to me."

"See him right away. Take fifteen bills and ask him to check each one. Tell him you have good reason to believe they’re fake. When he gives his opinion, come back to me."

Hatch went away with the money in his pocket. Then The Thinking Machine wrote another telegram, addressed to President Bell, cashier of the Butte Bank. It was as follows:

Hatch left with the money in his pocket. Then The Thinking Machine wrote another telegram, addressed to President Bell, the cashier of the Butte Bank. It was as follows:


"Please send me full details of the manner in which money previously described was lost, with names of all persons who might have had any knowledge of the matter. Highly important to your bank and to justice. Will communicate in detail on receipt of your answer."

"Please send me complete details about how the money mentioned earlier was lost, including the names of everyone who might have any knowledge of the situation. This is very important for your bank and for justice. I will provide more information once I receive your response."


Then, while his visitor slept, The Thinking Machine quietly removed his shoes and examined them. He found, almost worn away, the name of the maker. This was subjected to close scrutiny under the magnifying glass, after which The Thinking Machine arose with a perceptible expression of relief on his face.

Then, while his visitor was sleeping, The Thinking Machine quietly took off his shoes and looked them over. He found the name of the maker, nearly worn away. He examined it closely under a magnifying glass, and afterward, The Thinking Machine stood up with a noticeable look of relief on his face.

"Why didn't I think of that before?" he demanded of himself.

"Why didn't I think of that earlier?" he questioned himself.

Then other telegrams went into the West. One was to a customs shoemaker in Denver, Colorado:

Then other telegrams went out to the West. One was to a customs shoemaker in Denver, Colorado:


"To what financier or banker have you sold within three months a pair of shoes, Senate brand, calfskin blucher, number eight, D last? Do you know John Doane?"

"Which financier or banker have you sold a pair of Senate brand calfskin blucher shoes, size eight, D last, to in the last three months? Do you know John Doane?"



A second telegram went to the Chief of Police of Denver. It was:

A second telegram was sent to the Chief of Police in Denver. It said:


"Please wire if any financier, banker or business man has been out of your city for five weeks or more, presumably on business trip. Do you know John Doane?"

"Please let me know if any financiers, bankers, or businesspeople have been away from your city for five weeks or more, likely on a business trip. Do you know John Doane?"


Then The Thinking Machine sat down to wait. At last the door bell rang and Hatch entered.

Then The Thinking Machine sat down to wait. Finally, the doorbell rang and Hatch came in.

"Well?" demanded the scientist, impatiently.

"Well?" the scientist demanded, impatiently.

"The expert declares those are not counterfeit," said Hatch.

"The expert says those aren't fake," Hatch said.

Now The Thinking Machine was surprised. It was shown clearly by the quick lifting of the eyebrows, by the sudden snap of his jaws, by a quick forward movement of the yellow head.

Now The Thinking Machine was surprised. It was clearly shown by the quick raising of his eyebrows, by the sudden snap of his jaws, and by a quick forward movement of the yellow head.

"Well, well, well!" he exclaimed at last. Then again: "Well, well!"

"Well, well, well!" he finally said. Then again: "Well, well!"

"What is it?"

"What's that?"

"See here," and The Thinking Machine took the hundred-dollar bills in his own hands. "These bills, perfectly new and crisp, were issued by the Blank National Bank of Butte, and the fact that they are in proper sequence would indicate that they were issued to one individual at the same time, probably recently. There can be no doubt of that. The numbers run from 846380 to 846395, all series B.

"Look here," The Thinking Machine said as he took the hundred-dollar bills in his own hands. "These bills, completely new and crisp, were issued by the Blank National Bank of Butte, and the fact that they are in proper sequence suggests they were issued to one person at the same time, probably recently. There's no doubt about it. The numbers range from 846380 to 846395, all series B."

"I see," said Hatch.

"I get it," said Hatch.

"Now read that," and the scientist extended to the reporter the telegram Martha had brought in just before Hatch had gone away. Hatch read this:

"Now read this," the scientist said, handing the reporter the telegram that Martha had delivered just before Hatch left. Hatch read it:


"Series B, hundred-dollar bills 846380 to 846395 issued by this bank are not in existence. Were destroyed by fire, together with twenty-seven others of the same series. Government has been asked to grant permission to reissue these numbers.

"Series B, hundred-dollar bills 846380 to 846395 issued by this bank do not exist. They were destroyed by fire, along with twenty-seven other bills from the same series. The government has been asked to allow the reissue of these numbers."


"Preston Bell, Cashier."

"Preston Bell, Cashier."


The reporter looked up with a question in his eyes.

The reporter looked up with a question in his eyes.

"It means," said The Thinking Machine, "that this man is either a thief or the victim of some sort of financial jugglery."

"It means," said The Thinking Machine, "that this man is either a thief or the victim of some kind of financial trickery."

"In that case is he what he pretends to be--a man who doesn't know himself?" asked the reporter.

"In that case, is he really what he seems to be—a man who doesn’t know himself?" asked the reporter.

"That remains to be seen."

"That's yet to be seen."


IV.

Event followed event with startling rapidity during the next few hours. First came a message from the Chief of Police of Denver. No capitalist or financier of consequence was out of Denver at the moment, so far as his men could ascertain. Longer search might be fruitful. He did not know John Doane. One John Doane in the directory was a teamster.

Event after event unfolded quickly over the next few hours. First, a message arrived from the Chief of Police in Denver. As far as his team could tell, no significant businessman or financier was currently outside of Denver. A longer search might yield results. He was not familiar with John Doane. There was one John Doane in the directory listed as a teamster.

Then from the Blank National Bank came another telegram signed "Preston Bell, Cashier," reciting the circumstances of the disappearance of the hundred-dollar bills. The Blank National Bank had moved into a new structure; within a week there had been a fire which destroyed it. Several packages of money, including one package of hundred-dollar bills, among them those specified by The Thinking Machine, had been burned. President Harrison of the bank immediately made affidavit to the Government that these bills were left in his office.

Then the Blank National Bank sent another telegram signed "Preston Bell, Cashier," detailing the circumstances of the missing hundred-dollar bills. The Blank National Bank had moved into a new building; within a week, there was a fire that destroyed it. Several money packages, including one containing the hundred-dollar bills mentioned by The Thinking Machine, were burned. President Harrison of the bank promptly made an affidavit to the Government stating that these bills were left in his office.

The Thinking Machine studied this telegram carefully and from time to time glanced at it while Hatch made his report. This was as to the work of the correspondents who had been seeking John Doane. They found many men of the name and reported at length on each. One by one The Thinking Machine heard the reports, then shook his head.

The Thinking Machine looked over the telegram closely and occasionally glanced at it while Hatch gave his report. This was about the work of the correspondents who had been looking for John Doane. They found several men with that name and provided detailed reports on each. One by one, The Thinking Machine listened to the reports, then shook his head.

Finally he reverted again to the telegram, and after consideration sent another--this time to the Chief of Police of Butte. In it he asked these questions:

Finally, he went back to the telegram and, after some thought, sent another one—this time to the Chief of Police of Butte. In it, he asked these questions:


"Has there ever been any financial trouble in Blank National Bank? Was there an embezzlement or shortage at any time? What is reputation of President Harrison? What is reputation of Cashier Bell? Do you know John Doane?"

"Has there ever been any financial issues at Blank National Bank? Was there ever an embezzlement or shortage? What’s President Harrison's reputation like? What about Cashier Bell’s reputation? Do you know John Doane?"


In due course of events the answer came. It was brief and to the point. It said:

In time, the answer arrived. It was short and straightforward. It read:


"Harrison recently embezzled $175,000 and disappeared. Bell's reputation excellent; now out of city. Don't know John Doane. If you have any trace of Harrison, wire quick."

"Harrison recently stole $175,000 and vanished. Bell's reputation is excellent; he’s now out of the city. I don't know John Doane. If you have any information about Harrison, please wire me quickly."


This answer came just after Doane awoke, apparently greatly refreshed, but himself again--that is, himself in so far as he was still lost. For an hour The Thinking Machine pounded him with questions--questions of all sorts, serious, religious and at times seemingly silly. They apparently aroused no trace of memory, save when the name Preston Bell was mentioned; then there was the strange, puzzled expression on Doane's face.

This answer came right after Doane woke up, looking noticeably refreshed, but still himself—that is, himself in the sense that he was still lost. For an hour, The Thinking Machine bombarded him with questions—questions of all kinds, serious, religious, and at times seemingly ridiculous. They didn’t seem to trigger any memories, except when the name Preston Bell was brought up; then, a strange, confused look crossed Doane's face.

"Harrison--do you know him?" asked the scientist. "President of the Blank National Bank of Butte?"

"Harrison—do you know him?" the scientist asked. "President of the Blank National Bank of Butte?"

There was only an uncomprehending stare for an answer. After a long time of this The Thinking Machine instructed Hatch and Doane to go for a walk. He had still a faint hope that some one might recognize Doane and speak to him. As they wandered aimlessly on two persons spoke to him. One was a man who nodded and passed on.

There was just a bewildered look as a response. After a long while, The Thinking Machine told Hatch and Doane to take a walk. He still held a glimmer of hope that someone might recognize Doane and talk to him. While they wandered without purpose, two people approached him. One was a man who nodded and moved on.

"Who was that?" asked Hatch quickly. "Do you remember ever having seen him before?"

"Who was that?" Hatch asked quickly. "Do you remember seeing him before?"

"Oh, yes," was the reply. "He stops at my hotel. He knows me as Doane."

"Oh, yes," came the reply. "He stays at my hotel. He knows me as Doane."

It was just a few minutes before six o'clock when, walking slowly, they passed a great office building. Coming toward them was a well-dressed, active man of thirty-five years or so. As he approached he removed a cigar from his lips.

It was just a few minutes before six o'clock when, walking slowly, they passed a large office building. Coming toward them was a well-dressed, energetic man around thirty-five years old. As he got closer, he took a cigar out of his mouth.

"Hello, Harry!" he exclaimed, and reached for Doane's hand.

"Hey, Harry!" he said, and reached for Doane's hand.

"Hello," said Doane, but there was no trace of recognition in his voice.

"Hey," Doane said, but there was no hint of recognition in his voice.

"How's Pittsburg?" asked the stranger.

"How's Pittsburgh?" asked the stranger.

"Oh, all right, I guess," said Doane, and there came new wrinkles of perplexity in his brow. "Allow me, Mr.--Mr.--really I have forgotten your name----"

"Oh, fine, I guess," said Doane, and new lines of confusion appeared on his forehead. "Let me introduce myself, Mr.--Mr.--I really can’t remember your name----"

"Manning," laughed the other.

"Manning," the other person laughed.

"Mr. Hatch, Mr. Manning."

"Mr. Hatch and Mr. Manning."

The reporter shook hands with Manning eagerly; he saw now a new line of possibilities suddenly revealed. Here was a man who knew Doane as Harry--and then Pittsburg, too.

The reporter eagerly shook hands with Manning; he now saw a new range of possibilities suddenly opened up. Here was a man who knew Doane as Harry—and then Pittsburg, too.

"Last time I saw you was in Pittsburg, wasn't it?" Manning rattled on, as he led the way into a nearby cafe. "By George, that was a stiff game that night! Remember that jack full I held? It cost me nineteen hundred dollars," he added, ruefully.

"Last time I saw you was in Pittsburgh, right?" Manning kept talking as he walked into a nearby cafe. "Man, that was a tough game that night! Remember that full house I had? It cost me nineteen hundred dollars," he said, with a hint of regret.

"Yes, I remember," said Doane, but Hatch knew that he did not. And meanwhile a thousand questions were surging through the reporter's brain.

"Yeah, I remember," said Doane, but Hatch knew he didn't. And meanwhile, a thousand questions were racing through the reporter's mind.

"Poker hands as expensive as that are liable to be long remembered," remarked Hatch, casually. "How long ago was that?"

"Poker hands that expensive are sure to be remembered for a long time," Hatch said casually. "How long ago was that?"

"Three years, wasn't it, Harry?" asked Manning.

"Hasn't it been three years, Harry?" Manning asked.

"All of that, I should say," was the reply.

"All of that, I should say," was the response.

"Twenty hours at the table," said Manning, and again he laughed cheerfully. "I was woozy when we finished."

"Twenty hours at the table," said Manning, and he laughed again happily. "I was dizzy when we were done."

Inside the café they sought out a table in a corner. No one else was near. When the waiter had gone, Hatch leaned over and looked Doane straight in the eyes.

Inside the café, they found a table in a corner. No one else was around. Once the waiter had left, Hatch leaned in and looked Doane directly in the eyes.

"Shall I ask some questions?" he inquired.

"Can I ask some questions?" he asked.

"Yes, yes," said the other eagerly.

"Yeah, yeah," said the other eagerly.

"What--what is it?" asked Manning.

"What is it?" asked Manning.

"It's a remarkably strange chain of circumstances," said Hatch, in explanation. "This man whom you call Harry, we know as John Doane. What is his real name? Harry what?"

"It's a really weird series of events," Hatch said, explaining. "This guy you call Harry, we know as John Doane. What's his real name? Harry what?"

Manning stared at the reporter for a moment in amazement, then gradually a smile came to his lips.

Manning stared at the reporter in disbelief for a moment, then a smile slowly appeared on his face.

"What are you trying to do?" he asked. "Is this a joke?"

"What are you trying to do?" he asked. "Is this a joke?"

"No, my God, man, can't you see?" exclaimed Doane, fiercely. "I'm ill, sick, something. I've lost my memory, all of my past. I don't remember anything about myself. What is my name?"

"No, my God, man, can't you see?" Doane exclaimed fiercely. "I'm sick, something's wrong. I've lost my memory, all of my past. I don't remember anything about myself. What is my name?"

"Well, by George!" exclaimed Manning. "By George I don't believe I know your full name. Harry--Harry--what?"

"Well, I'll be!" exclaimed Manning. "I'll be, I don't think I know your full name. Harry--Harry--what?"

He drew from his pocket several letters and half a dozen scraps of paper and ran over them. Then he looked carefully through a worn notebook.

He pulled several letters and a handful of scraps of paper from his pocket and quickly glanced over them. Then he carefully flipped through a well-used notebook.

"I don't know," he confessed. "I had your name and address in an old notebook, but I suppose I burned it. I remember, though, I met you in the Lincoln Club in Pittsburg three years ago. I called you Harry because everyone was calling everyone else by his first name. Your last name made no impression on me at all. By George!" he concluded, in a new burst of amazement.

"I don't know," he admitted. "I had your name and address jotted down in an old notebook, but I guess I ended up burning it. I do remember that I met you at the Lincoln Club in Pittsburgh three years ago. I called you Harry because that’s how everyone was addressing each other. Your last name didn’t stick with me at all. Wow!" he added, expressing his surprise.

"What were the circumstances, exactly?" asked Hatch.

"What happened?" asked Hatch.

"I'm a traveling man," Manning explained. "I go everywhere. A friend gave me a card to the Lincoln Club in Pittsburg and I went there. There were five or six of us playing poker, among them Mr.--Mr. Doane here. I sat at the same table with him for twenty hours or so, but I can't recall his last name to save me. It isn't Doane, I'm positive. I have an excellent memory for faces, and I know you're the man. Don't you remember me?"

"I'm a traveler," Manning explained. "I go everywhere. A friend gave me a card to the Lincoln Club in Pittsburgh, and I went there. There were five or six of us playing poker, including Mr.--Mr. Doane here. I sat at the same table with him for about twenty hours, but I can't remember his last name for the life of me. It isn't Doane, I'm sure of that. I have a great memory for faces, and I know you're the one. Don't you remember me?"

"I haven't the slightest recollection of ever having seen you before in my life," was Doane's slow reply. "I have no recollection of ever having been in Pittsburg--no recollection of anything."

"I don't remember ever seeing you before in my life," Doane replied slowly. "I have no memory of ever being in Pittsburgh—no memory of anything."

"Do you know if Mr. Doane is a resident of Pittsburg?" Hatch inquired. "Or was he there as a visitor, as you were?"

"Do you know if Mr. Doane lives in Pittsburgh?" Hatch asked. "Or was he just visiting like you were?"

"Couldn't tell you to save my life," replied Manning. "Lord, it's amazing, isn't it? You don't remember me? You called me Bill all evening."

"Couldn't tell you to save my life," Manning replied. "Wow, it's incredible, isn't it? You don't remember me? You called me Bill all evening."

The other man shook his head.

The other man shook his head.

"Well, say, is there anything I can do for you?"

"Well, is there anything I can do for you?"

"Nothing, thanks," said Doane. "Only tell me my name, and who I am."

"Nothing, thanks," Doane said. "Just tell me my name and who I am."

"Lord, I don't know."

"God, I don't know."

"What sort of a club is the Lincoln?" asked Hatch.

"What kind of club is the Lincoln?" asked Hatch.

"It's a sort of a millionaire's club," Manning explained. "Lots of iron men belong to it. I had considerable business with them--that's what took me to Pittsburg."

"It's kind of a millionaire's club," Manning explained. "A lot of tough, determined people are part of it. I had quite a bit of business with them—that's why I went to Pittsburgh."

"And you are absolutely positive this is the man you met there?"

"And you are completely sure this is the guy you met there?"

"Why, I _know_ it. I never forget faces; it's my business to remember them."

"Of course, I remember it. I never forget faces; it's my job to keep track of them."

"Did he say anything about a family?"

"Did he mention anything about a family?"

"Not that I recall. A man doesn't usually speak of his family at a poker table."

"Not that I remember. A guy doesn’t typically talk about his family at a poker table."

"Do you remember the exact date or the month?"

"Do you remember the specific date or the month?"

"I think it was in January or February possibly," was the reply. "It was bitterly cold and the snow was all smoked up. Yes, I'm positive it was in January, three years ago."

"I think it was around January or February," was the response. "It was freezing cold, and the snow was all messed up. Yeah, I'm sure it was in January, three years ago."

After awhile the men separated. Manning was stopping at the Hotel Teutonic and willingly gave his name and permanent address to Hatch, explaining at the same time that he would be in the city for several days and was perfectly willing to help in any way he could. He took also the address of The Thinking Machine.

After a while, the men went their separate ways. Manning was staying at the Hotel Teutonic and gladly shared his name and permanent address with Hatch, mentioning that he would be in the city for several days and was more than happy to help in any way he could. He also noted the address for The Thinking Machine.

From the café Hatch and Doane returned to the scientist. They found him with two telegrams spread out on a table before him. Briefly Hatch told the story of the meeting with Manning, while Doane sank down with his head in his hands. The Thinking Machine listened without comment.

From the café, Hatch and Doane went back to the scientist. They found him with two telegrams laid out on a table in front of him. Hatch briefly recounted the meeting with Manning, while Doane sat down with his head in his hands. The Thinking Machine listened without saying a word.

"Here," he said, at the conclusion of the recital, and he offered one of the telegrams to Hatch. "I got the name of a shoemaker from Mr. Doane's shoe and wired to him in Denver, asking if he had a record of the sale. This is the answer. Read it aloud."

"Here," he said at the end of the recital, handing one of the telegrams to Hatch. "I got the name of a shoemaker from Mr. Doane's shoe and messaged him in Denver to see if he had a record of the sale. This is the reply. Read it out loud."

Hatch did so.

Hatch did that.


"Shoes such as described made nine weeks ago for Preston Bell, cashier Blank National Bank of Butte. Don't know John Doane."

"Shoes like the ones described were made nine weeks ago for Preston Bell, the cashier at Blank National Bank of Butte. I don't know John Doane."



"Well--what----" Doane began, bewildered.

"Well—what—" Doane started, confused.

"_It means that you are Preston Bell_," said Hatch, emphatically.

"_It means that you are Preston Bell_," said Hatch, emphatically.

"No," said The Thinking Machine, quickly. "It means that there is only a strong probability of it."

"No," said The Thinking Machine, quickly. "It means that there’s just a strong chance of it."



* * * * *

Understood! Please provide the text you'd like me to modernize.

The door bell rang. After a moment Martha appeared.

The doorbell rang. After a moment, Martha showed up.

"A lady to see you, sir," she said.

"A woman is here to see you, sir," she said.

"Her name?"

"What's her name?"

"Mrs. John Doane."

"Mrs. John Doane."

"Gentlemen, kindly step into the next room," requested The Thinking Machine.

"Gentlemen, please step into the next room," said The Thinking Machine.

Together Hatch and Doane passed through the door. There was an expression of--of--no man may say what--on Doane's face as he went.

Together, Hatch and Doane walked through the door. Doane had an expression of—of—something no one can describe—as he moved on.

"Show her in here, Martha," instructed the scientist.

"Bring her in here, Martha," instructed the scientist.

There was a rustle of silk in the hall, the curtains on the door were pulled apart quickly and a richly gowned woman rushed into the room.

There was a rustle of silk in the hallway, the curtains on the door were pulled apart quickly, and a elegantly dressed woman rushed into the room.

"My husband? Is he here?" she demanded, breathlessly. "I went to the hotel; they said he came here for treatment. Please, please, is he here?"

"My husband? Is he here?" she asked, panting. "I went to the hotel; they said he came here for treatment. Please, please, is he here?"

"A moment, madam," said The Thinking Machine. He stepped to the door through which Hatch and Doane had gone, and said something. One of them appeared in the door. It was Hutchinson Hatch.

"A moment, ma'am," said The Thinking Machine. He walked over to the door that Hatch and Doane had gone through and said something. One of them came back into the doorway. It was Hutchinson Hatch.

"John, John, my darling husband," and the woman flung her arms about Hatch's neck. "Don't you know me?"

"John, John, my darling husband," the woman exclaimed as she wrapped her arms around Hatch's neck. "Don’t you recognize me?"

With blushing face Hatch looked over her shoulder into the eyes of The Thinking Machine, who stood briskly rubbing his hands. Never before in his long acquaintance with the scientist had Hatch seen him smile.

With a flushed face, Hatch glanced over her shoulder into the eyes of The Thinking Machine, who stood briskly rubbing his hands. Never before in his long acquaintance with the scientist had Hatch seen him smile.


V.

For a time there was silence, broken only by sobs, as the woman clung frantically to Hatch, with her face buried on his shoulder. Then:

For a while, there was silence, interrupted only by sobs, as the woman clutched desperately to Hatch, her face buried in his shoulder. Then:

"Don't you remember me?" she asked again and again. "Your wife? Don't you remember me?"

"Don't you remember me?" she kept asking. "Your wife? Don't you remember me?"

Hatch could still see the trace of a smile on the scientist's face, and said nothing.

Hatch could still see the hint of a smile on the scientist's face and said nothing.

"You are positive this gentleman is your husband?" inquired The Thinking Machine, finally.

"You're sure this guy is your husband?" The Thinking Machine finally asked.

"Oh, I know," the woman sobbed. "Oh, John, don't you remember me?" She drew away a little and looked deeply into the reporter's eyes. "Don't you remember me, John?"

"Oh, I know," the woman cried. "Oh, John, don't you remember me?" She pulled back slightly and gazed intently into the reporter's eyes. "Don't you remember me, John?"

"Can't say that I ever saw you before," said Hatch, truthfully enough. "I--I--fact is----"

"Can't say I've ever seen you before," Hatch said honestly. "I—I—well the fact is----"

"Mr. Doane's memory is wholly gone now," explained The Thinking Machine. "Meanwhile, perhaps you would tell me something about him. He is my patient. I am particularly interested."

"Mr. Doane's memory is completely gone now," said The Thinking Machine. "In the meantime, could you tell me something about him? He's my patient, and I'm particularly interested."

The voice was soothing; it had lost for the moment its perpetual irritation. The woman sat down beside Hatch. Her face, pretty enough in a bold sort of way, was turned to The Thinking Machine inquiringly. With one hand she stroked that of the reporter.

The voice was calming; for the moment, it had dropped its usual irritation. The woman sat down next to Hatch. Her face, attractive in a confident sort of way, was turned toward The Thinking Machine with curiosity. With one hand, she gently stroked the reporter's hand.

"Where are you from?" began the scientist. "I mean where is the home of John Doane?"

"Where are you from?" the scientist asked. "I mean, where is John Doane's home?"

"In Buffalo," she replied, glibly. "Didn't he even remember that?"

"In Buffalo," she replied casually. "Did he really not remember that?"

"And what's his business?"

"And what's he doing?"

"His health has been bad for some time and recently he gave up active business," said the woman. "Previously he was connected with a bank."

"His health has been poor for a while, and recently he stopped working,” said the woman. “He used to be associated with a bank."

"When did you see him last?"

"When was the last time you saw him?"

"Six weeks ago. He left the house one day and I have never heard from him since. I had Pinkerton men searching and at last they reported he was at the Yarmouth Hotel. I came on immediately. And now we shall go back to Buffalo." She turned to Hatch with a languishing glance. "Shall we not, dear?"

"Six weeks ago. He left the house one day and I haven't heard from him since. I had Pinkerton agents looking for him, and eventually, they reported he was at the Yarmouth Hotel. I came right away. Now we can go back to Buffalo." She turned to Hatch with a longing look. "Shall we, dear?"

"Whatever Professor Van Dusen thinks best," was the equivocal reply.

"Whatever Professor Van Dusen thinks is best," was the vague response.

Slowly the glimmer of amusement was passing out of the squint eyes of The Thinking Machine; as Hatch looked he saw a hardening of the lines of the mouth. There was an explosion coming. He knew it. Yet when the scientist spoke his voice was more velvety than ever.

Slowly, the spark of amusement faded from the squinting eyes of The Thinking Machine; as Hatch watched, he noticed the lines around the mouth tightening. An explosion was imminent. He sensed it. Yet when the scientist spoke, his voice was smoother than ever.

"Mrs. Doane, do you happen to be acquainted with a drug which produces temporary loss of memory?"

"Mrs. Doane, are you familiar with a drug that causes temporary memory loss?"

She stared at him, but did not lose her self-possession.

She looked at him, but stayed composed.

"No," she said finally. "Why?"

"No," she said at last. "Why?"

"You know, of course, that this man is _not_ your husband?"

"You know, of course, that this guy is _not_ your husband?"

This time the question had its effect. The woman arose suddenly, stared at the two men, and her face went white.

This time the question had an impact. The woman stood up suddenly, stared at the two men, and her face turned pale.

"Not?--not?--what do you mean?"

"Not? What do you mean?"

"I mean," and the voice reassumed its tone of irritation, "I mean that I shall send for the police and give you in their charge unless you tell me the truth about this affair. Is that perfectly clear to you?"

"I mean," the voice took on an irritated tone again, "I mean that I will call the police and hand you over to them unless you tell me the truth about this situation. Is that perfectly clear to you?"

The woman's lips were pressed tightly together. She saw that she had fallen into some sort of a trap; her gloved hands were clenched fiercely; the pallor faded and a flush of anger came.

The woman pressed her lips together tightly. She realized she had stumbled into a trap; her gloved hands were clenched in anger, her face turning pale before flushing with rage.

"Further, for fear you don't quite follow me even now," explained The Thinking Machine, "I will say that I know all about this copper deal of which this so-called John Doane was the victim. _I know his condition now_. If you tell the truth you may escape prison--if you don't, there is a long term, not only for you, but for your fellow-conspirators. Now will you talk?"

"Also, in case you're still not following me," The Thinking Machine explained, "I want you to know that I understand everything about this copper deal that this so-called John Doane got caught up in. _I know what his situation is right now_. If you tell the truth, you might be able to avoid prison—if you don’t, there’s a long sentence waiting for you and your accomplices. So, are you going to talk?"

"No," said the woman. She arose as if to go out.

“No,” said the woman. She stood up as if she was about to leave.

"Never mind that," said The Thinking Machine. "You had better stay where you are. You will be locked up at the proper moment. Mr. Hatch, please 'phone for Detective Mallory."

"Forget about that," said The Thinking Machine. "You should just stay where you are. You'll be locked up at the right time. Mr. Hatch, please call Detective Mallory."

Hatch arose and passed into the adjoining room. "You tricked me," the woman screamed suddenly, fiercely.

Hatch got up and walked into the next room. "You tricked me," the woman suddenly yelled, intensely.

"Yes," the other agreed, complacently. "Next time be sure you know your own husband. Meanwhile where is Harrison?"

"Yeah," the other person agreed, smugly. "Next time, make sure you know your own husband. By the way, where is Harrison?"

"Not another word," was the quick reply.

"Not another word," was the quick reply.

"Very well," said the scientist, calmly. "Detective Mallory will be here in a few minutes. Meanwhile I'll lock this door."

"Alright," said the scientist calmly. "Detective Mallory will be here in a few minutes. In the meantime, I’ll lock this door."

"You have no right----" the woman began.

"You have no right—" the woman started.

Without heeding the remark, The Thinking Machine passed into the adjoining room. There for half an hour he talked earnestly to Hatch and Doane. At the end of that time he sent a telegram to the manager of the Lincoln Club in Pittsburg, as follows:

Without paying attention to the comment, The Thinking Machine entered the adjoining room. There, he spoke seriously with Hatch and Doane for half an hour. After that, he sent a telegram to the manager of the Lincoln Club in Pittsburgh, which read as follows:


"Does your visitors' book show any man, registered there in the month of January three years ago, whose first name is Harry or Henry? If so, please wire name and description, also name of man whose guest he was."

"Does your visitor's book have any record of a man registered there in January three years ago with the first name Harry or Henry? If so, please send his name and a description, as well as the name of the man he was visiting."


This telegram was dispatched. A few minutes later the door bell rang and Detective Mallory entered.

This telegram was sent out. A few minutes later, the doorbell rang and Detective Mallory walked in.

"What is it?" he inquired.

"What is it?" he asked.

"A prisoner for you in the next room," was the reply. "A woman. I charge her with conspiracy to defraud a man who for the present we will call John Doane. That may or may not be his name."

"A prisoner for you in the next room," was the reply. "A woman. I'm charging her with conspiracy to defraud a man who we’ll temporarily call John Doane. That may or may not be his real name."

"What do you know about it?" asked the detective.

"What do you know about it?" the detective asked.

"A great deal now--more after awhile. I shall tell you then. Meanwhile take this woman. You gentlemen, I should suggest, might go out somewhere this evening. If you drop by afterwards there may be an answer to a few telegrams which will make this matter clear."

"A lot now—more later. I’ll explain then. In the meantime, take this woman. I suggest you gentlemen go out somewhere this evening. If you stop by afterward, there might be responses to a few telegrams that will clarify this situation."

Protestingly the mysterious woman was led away by Detective Mallory; and Doane and Hatch followed shortly after. The next act of The Thinking Machine was to write a telegram addressed to Mrs. Preston Bell, Butte, Montana. Here it is:

Protesting, the mysterious woman was taken away by Detective Mallory, and Doane and Hatch followed shortly after. The next move of The Thinking Machine was to write a telegram addressed to Mrs. Preston Bell, Butte, Montana. Here it is:


"Your husband suffering temporary mental trouble here. Can you come on immediately? Answer."

"Your husband is going through some temporary mental issues right now. Can you come right away? Please respond."


When the messenger boy came for the telegram he found a man on the stoop. The Thinking Machine received the telegram, and the man, who gave to Martha the name of Manning, was announced.

When the messenger boy showed up for the telegram, he saw a man on the stoop. The Thinking Machine took the telegram, and the man, who introduced himself to Martha as Manning, was announced.

"Manning, too," mused the scientist. "Show him in."

"Manning, too," the scientist thought. "Let him in."

"I don't know if you know why I am here," explained Manning.

"I’m not sure if you know why I’m here," Manning explained.

"Oh, yes," said the scientist. "You have remembered Doane's name. What is it, please?"

"Oh, yes," said the scientist. "You remembered Doane's name. What is it, please?"

Manning was too frankly surprised to answer and only stared at the scientist.

Manning was so surprised that he couldn't respond and just stared at the scientist.

"Yes, that's right," he said finally, and he smiled. "His name is Pillsbury. I recall it now."

"Yes, that's right," he said at last, smiling. "His name is Pillsbury. I remember it now."

"And what made you recall it?"

"And what made you remember it?"

"I noticed an advertisement in a magazine with the name in large letters. It instantly came to me that that was Doane's real name."

"I saw an ad in a magazine with the name in big letters. It suddenly hit me that this was Doane's real name."

"Thanks," remarked the scientist. "And the woman--who is she?"

"Thanks," said the scientist. "And who is the woman?"

"What woman?" asked Manning.

"What woman?" Manning asked.

"Never mind, then. I am deeply obliged for your information. I don't suppose you know anything else about it?"

"That's okay, then. I really appreciate the information you shared. I don't suppose you know anything more about it?"

"No," said Manning. He was a little bewildered, and after awhile went away.

"No," Manning said. He was a bit confused, and after a while, he walked away.

For an hour or more The Thinking Machine sat with finger tips pressed together staring at the ceiling. His meditations were interrupted by Martha.

For over an hour, The Thinking Machine sat with his fingertips pressed together, staring at the ceiling. His thoughts were interrupted by Martha.

"Another telegram, sir."

"Another message, sir."

The Thinking Machine took it eagerly. It was from the manager of the Lincoln Club in Pittsburg:

The Thinking Machine accepted it enthusiastically. It was from the manager of the Lincoln Club in Pittsburgh:


"Henry C. Carney, Harry Meltz, Henry Blake, Henry W. Tolman, Harry Pillsbury, Henry Calvert and Henry Louis Smith all visitors to dub in month you name. Which do you want to learn more about?"

"Henry C. Carney, Harry Meltz, Henry Blake, Henry W. Tolman, Harry Pillsbury, Henry Calvert, and Henry Louis Smith were all visitors during the month you choose. Which one do you want to learn more about?"



It took more than an hour for The Thinking Machine to establish long distance connection by 'phone with Pittsburg. When he had finished talking he seemed satisfied.

It took over an hour for The Thinking Machine to get a long-distance phone connection with Pittsburgh. After he finished talking, he appeared satisfied.

"Now," he mused. "The answer from Mrs. Preston."

"Now," he thought. "The response from Mrs. Preston."

It was nearly midnight when that came. Hatch and Doane had returned from a theater and were talking to the scientist when the telegram, was brought in.

It was almost midnight when it happened. Hatch and Doane had come back from a theater and were chatting with the scientist when the telegram was delivered.

"Anything important?" asked Doane, anxiously.

"Anything important?" Doane asked, anxious.

"Yes," said the scientist, and he slipped a finger beneath the flap of the envelope. "It's clear now. It was an engaging problem from first to last, and now----"

"Yeah," said the scientist, and he slipped a finger under the flap of the envelope. "It's obvious now. It was an interesting problem from start to finish, and now----"

He opened the telegram and glanced at it; then with bewilderment on his face and mouth slightly open he sank down at the table and leaned forward with his head on his arms. The message fluttered to the table and Hatch read this:

He opened the telegram and looked at it; then, with a confused expression and his mouth slightly open, he sank down at the table and leaned forward with his head on his arms. The message fell onto the table and Hatch read this:


"Man in Boston can't be my husband. He is now in Honolulu. I received cablegram from him to-day.

"Man in Boston can't be my husband. He is now in Honolulu. I received a cable from him today."

"Mrs. Preston Bell."

"Mrs. Preston Bell."



VI.

It was thirty-six hours later that the three men met again. The Thinking Machine had abruptly dismissed Hatch and Doane the last time. The reporter knew that something wholly unexpected had happened. He could only conjecture that this had to do with Preston Bell. When the three met again it was in Detective Mallory's office at police headquarters. The mysterious woman who had claimed Doane for her husband was present, as were Mallory, Hatch, Doane and The Thinking Machine.

It was thirty-six hours later that the three men met again. The Thinking Machine had suddenly dismissed Hatch and Doane the last time. The reporter sensed something completely unexpected had occurred. He could only guess that it was related to Preston Bell. When the three met again, it was in Detective Mallory's office at police headquarters. The mysterious woman who said Doane was her husband was there, along with Mallory, Hatch, Doane, and The Thinking Machine.

"Has this woman given any name?" was the scientist's first question.

"Has this woman been given a name?" was the scientist's first question.

"Mary Jones," replied the detective, with a grin.

"Mary Jones," replied the detective with a smile.

"And address?"

"And what’s the address?"

"No."

"No."

"Is her picture in the Rogues' Gallery?"

"Is her photo in the Rogues' Gallery?"

"No. I looked carefully."

"No. I checked thoroughly."

"Anybody called to ask about her?"

"Has anyone called to ask about her?"

"A man--yes. That is, he didn't ask about her--he merely asked some general questions, which now we believe were to find out about her."

"A man—yeah. I mean, he didn't ask about her directly—he just asked some general questions, which we now think were meant to find out more about her."

The Thinking Machine arose and walked over to the woman. She looked up at him defiantly.

The Thinking Machine got up and walked over to the woman. She looked up at him with defiance.

"There has been a mistake made, Mr. Mallory," said the scientist. "It's my fault entirely. Let this woman go. I am sorry to have done her so grave an injustice."

"There’s been a mistake, Mr. Mallory," said the scientist. "It’s completely my fault. Please let this woman go. I regret having done her such a serious injustice."

Instantly the woman was on her feet, her face radiant. A look of disgust crept into Mallory's face.

Instantly, the woman was on her feet, her face shining. A look of disgust crossed Mallory's face.

"I can't let her go now without arraignment," the detective growled. "It ain't regular."

"I can't let her go now without arraignment," the detective growled. "It's not normal."

"You must let her go, Mr. Mallory," commanded The Thinking Machine, and over the woman's shoulder the detective saw an astonishing thing. The Thinking Machine winked. It was a decided, long, pronounced wink.

"You have to let her go, Mr. Mallory," ordered The Thinking Machine, and over the woman's shoulder, the detective witnessed an astonishing sight. The Thinking Machine winked. It was a clear, long, exaggerated wink.

"Oh, all right," he said, "but it ain't regular at that."

"Oh, fine," he said, "but that's not normal."

The woman passed out of the room hurriedly, her silken skirts rustling loudly. She was free again. Immediately she disappeared The Thinking Machine's entire manner changed.

The woman rushed out of the room, her silk skirts swishing noisily. She was free again. In an instant, The Thinking Machine’s entire demeanor shifted.

"Put your best man to follow her," he directed rapidly. "Let him go to her home and arrest the man who is with her as her husband. Then bring them both back here, after searching their rooms for money."

"Have your best guy follow her," he instructed quickly. "Make sure he goes to her house and arrests the guy who's there with her, pretending to be her husband. Then bring them both back here after searching their rooms for cash."

"Why--what--what is all this?" demanded Mallory, amazed.

"Why—what—what's going on here?" asked Mallory, astonished.

"The man who inquired for her, who is with her, is wanted for a $175,000 embezzlement in Butte, Montana. Don't let your man lose sight of her."

"The guy who asked about her, who’s with her, is wanted for a $175,000 embezzlement in Butte, Montana. Make sure your guy keeps an eye on her."

The detective left the room hurriedly. Ten minutes later he returned to find The Thinking Machine leaning back in his chair with eyes upturned. Hatch and Doane were waiting, both impatiently.

The detective rushed out of the room. Ten minutes later, he came back to find The Thinking Machine reclining in his chair with his eyes closed. Hatch and Doane were there, both looking impatient.

"Now, Mr. Mallory," said the scientist, "I shall try to make this matter as clear to you as it is to me. By the time I finish I expect your man will be back here with this woman and the embezzler. His name is Harrison; I don't know hers. I can't believe she is Mrs. Harrison, yet he has, I suppose, a wife. But here's the story. It is the chaining together of fact after fact; a necessary logical sequence to a series of incidents, which are, separately, deeply puzzling."

"Now, Mr. Mallory," said the scientist, "I'll try to explain this to you as clearly as I understand it. By the time I'm done, I expect your guy will be back here with this woman and the embezzler. His name is Harrison; I don't know hers. I can't believe she's Mrs. Harrison, though I assume he has a wife. But here’s the story. It’s a chain of facts, each linked in a necessary logical order to a series of events that are, on their own, very confusing."

The detective lighted a cigar and the others disposed themselves comfortably to listen.

The detective lit a cigar, and the others settled in comfortably to listen.

"This gentleman came to me," began The Thinking Machine, "with a story of loss of memory. He told me that he knew neither his name, home, occupation, nor anything whatever about himself. At the moment it struck me as a case for a mental expert; still I was interested. It seemed to be a remarkable case of aphasia, and I so regarded it until he told me that he had $10,000 in bills, that he had no watch, that everything which might possibly be of value in establishing his identity had been removed from his clothing. This included even the names of the makers of his linen. That showed intent, deliberation.

"This man came to me," The Thinking Machine started, "with a story about his memory loss. He said he didn't know his name, where he lived, what he did for a living, or anything else about himself. At first, I thought it was a case for a mental health expert; still, I was intrigued. It seemed like a remarkable case of aphasia, and I considered it that way until he mentioned that he had $10,000 in cash, that he didn't own a watch, and that everything that could help identify him had been taken from his clothes. This even included the labels of his linen. That indicated intent and planning."

"Then I knew it could _not_ be aphasia. That disease strikes a man suddenly as he walks the street, as he sleeps, as he works, but never gives any desire to remove traces of one's identity. On the contrary, a man is still apparently sound mentally--he has merely forgotten something--and usually his first desire is to find out who he is. This gentleman had that desire, and in trying to find some clew he showed a mind capable of grasping at every possible opportunity. Nearly every question I asked had been anticipated. Thus I recognized that he must be a more than usually astute man.

"Then I realized it couldn't be aphasia. That condition hits someone suddenly while they're walking down the street, sleeping, or working, but it never makes someone want to erase their identity. On the contrary, a person still seems mentally sound—they just forget something—and usually their first urge is to figure out who they are. This gentleman had that urge, and in trying to find a clue, he demonstrated a mind that could grab onto every possible opportunity. Almost every question I asked had already been anticipated. So I recognized that he must be an unusually sharp man."

"But if not aphasia, what was it? What caused his condition? A drug? I remembered that there was such a drug in India, not unlike hasheesh. Therefore for the moment I assumed a drug. It gave me a working basis. Then what did I have? A man of striking mentality who was the victim of some sort of plot, who had been drugged until he lost himself, and in that way disposed of. The handwriting might be the same, for handwriting is rarely affected by a mental disorder; it is a physical function.

"But if it wasn't aphasia, what was it? What caused his condition? A drug? I remembered there was a similar drug in India, not unlike hashish. So for the time being, I assumed it was a drug. That gave me a starting point. So what did I have? A person with a remarkable mind who was the victim of some sort of scheme, who had been drugged to the point of losing himself, and in that way gotten rid of. The handwriting might be the same, since handwriting is usually not affected by mental illness; it's a physical function."

"So far, so good. I examined his head for a possible accident. Nothing. His hands were white and in no way calloused. Seeking to reconcile the fact that he had been a man of strong mentality, with all other things a financier or banker, occurred to me. The same things might have indicated a lawyer, but the poise of this man, his elaborate care in dress, all these things made me think him the financier rather than the lawyer.

"So far, so good. I checked his head for any signs of injury. Nothing. His hands were pale and definitely not calloused. I tried to reconcile the fact that he was a strong-minded man, with everything else suggesting he was a financier or banker. The same aspects could have pointed to him being a lawyer, but the way this man carried himself, along with his meticulous attention to his appearance, led me to believe he was more of a financier than a lawyer."

"Then I examined some money he had when he awoke. Fifteen or sixteen of the hundred-dollar bills were new and in sequence. They were issued by a national bank. To whom? The possibilities were that the bank would have a record. I wired, asking about this, and also asked Mr. Hatch to have his correspondents make inquiries in various cities for a John Doane. It was not impossible that John Doane was his name. Now I believe it will be safe for me to say that when he registered at the hotel he was drugged, his own name slipped his mind, and he signed John Doane--the first name that came to him. That is _not_ his name.

"Then I looked at some cash he had when he woke up. Fifteen or sixteen of the hundred-dollar bills were new and in order. They were issued by a national bank. To whom? The bank should have a record. I sent a wire asking about this, and also asked Mr. Hatch to have his contacts check in various cities for a John Doane. It's possible that John Doane was his name. Now, I believe it's safe to say that when he checked into the hotel he was drugged, his own name slipped his mind, and he signed John Doane—the first name that came to him. That is _not_ his name."

"While waiting an answer from the bank I tried to arouse his memory by referring to things in the West. It appeared possible that he might have brought the money from the West with him. Then, still with the idea that he was a financier, I sent him to the financial district. There was a result. The word 'copper' aroused him so that he fainted after shouting, 'Sell copper, sell, sell, sell.'

"While waiting for a response from the bank, I tried to jog his memory by mentioning things from the West. It seemed possible he might have brought the money from there. Still believing he was a financier, I sent him to the financial district. It paid off. The word 'copper' triggered a reaction, causing him to faint after shouting, 'Sell copper, sell, sell, sell.'"

"In a way my estimate of the man was confirmed. He was or had been in a copper deal, selling copper in the market, or planning to do so. I know nothing of the intricacies of the stock market. But there came instantly to me the thought that a man who would faint away in such a case must be vitally interested as well as ill. Thus I had a financier, in a copper deal, drugged as result of a conspiracy. Do you follow me, Mr. Mallory?"

"In a way, my impression of the man was validated. He was either involved in a copper deal, selling copper in the market, or planning to do so. I don't know much about the complexities of the stock market. But it immediately struck me that a guy who would pass out in such a situation must be deeply affected, as well as unwell. So, I was dealing with a financier involved in a copper deal who was drugged as part of a conspiracy. Are you with me, Mr. Mallory?"

"Sure," was the reply.

"Sure," was the response.

"At this point I received a telegram from the Butte bank telling me that the hundred-dollar bills I asked about had been burned. This telegram was signed 'Preston Bell, Cashier.' If that were true, the bills this man had were counterfeit. There were no ifs about that. I asked him if he knew Preston Bell. It was the only name of a person to arouse him in any way. A man knows his own name better than anything in the world. Therefore was it his? For a moment I presumed it was.

"At this point, I got a telegram from the Butte bank saying that the hundred-dollar bills I asked about had been burned. This telegram was signed 'Preston Bell, Cashier.' If that’s true, then the bills this guy had were fake. No question about it. I asked him if he knew Preston Bell. That was the only name that seemed to get to him at all. A person knows their own name better than anything else in the world. So was it his? For a moment, I thought it might be."

"Thus the case stood: Preston Bell, cashier of the Butte bank, had been drugged, was the victim of a conspiracy, which was probably a part of some great move in copper. But if this man were _Preston Bell_, how came the signature there? Part of the office regulation? It happens hundreds of times that a name is so used, particularly on telegrams.

"Here’s the situation: Preston Bell, the cashier of the Butte bank, had been drugged and was the target of a conspiracy, likely tied to some major scheme involving copper. But if this guy was _Preston Bell_, how did his signature end up there? Is it standard office protocol? It’s pretty common for a name to be used like that, especially on telegrams."

"Well, this man who was lost--Doane, or Preston Bell--went to sleep in my apartments. At that time I believed it fully possible that he was a counterfeiter, as the bills were supposedly burned, and sent Mr. Hatch to consult an expert. I also wired for details of the fire loss in Butte and names of persons who had any knowledge of the matter. This done, I removed and examined this gentleman's shoes for the name of the maker. I found it. The shoes were of fine quality, probably made to order for him.

"Well, the man who was lost—Doane, or Preston Bell—fell asleep in my apartment. At that time, I completely believed he might be a counterfeiter, since the bills were supposedly burned, so I sent Mr. Hatch to talk to an expert. I also texted for details about the fire loss in Butte and the names of anyone who knew anything about it. After that, I took off and checked this guy's shoes for the maker's name. I found it. The shoes were high quality, probably custom-made for him."

"Remember, at this time I believed this gentleman to be Preston Bell, for reasons I have stated. I wired to the maker or retailer to know if he had a record of a sale of the shoes, describing them in detail, to any financier or banker. I also wired to the Denver police to know if any financier or banker had been away from there for four or five weeks. Then came the somewhat startling information, through Mr. Hatch, that the hundred-dollar bills were genuine. That answer meant that Preston Bell--as I had begun to think of him--was either a thief or the victim of some sort of financial conspiracy."

"At that time, I thought this guy was Preston Bell, for the reasons I mentioned. I contacted the manufacturer or retailer to see if they had any record of selling the shoes, describing them in detail, to any financier or banker. I also reached out to the Denver police to find out if any financier or banker had been missing from there for four or five weeks. Then I received the surprising news from Mr. Hatch that the hundred-dollar bills were real. That meant that Preston Bell—how I had started to think of him—was either a thief or the target of some sort of financial scheme."

During the silence which followed every eye was turned on the man who was lost--Doane or Preston Bell. He sat staring straight ahead of him with hands nervously clenched. On his face was written the sign of a desperate mental struggle. He was still trying to recall the past.

During the silence that followed, everyone focused on the man who was missing—Doane or Preston Bell. He sat staring straight ahead with his hands clenched nervously. His face showed signs of a desperate mental struggle. He was still trying to remember the past.

"Then," The Thinking Machine resumed, "I heard from the Denver police. There was no leading financier or banker out of the city so far as they could learn hurriedly. It was not conclusive, but it aided me. Also I received another telegram from Butte, signed Preston Bell, telling me the circumstances of the supposed burning of the hundred-dollar bills. It did not show that they were burned at all; it was merely an assumption that they had been. They were last seen in President Harrison's office."

"Then," The Thinking Machine continued, "I got a message from the Denver police. There wasn’t any major financier or banker leaving the city as far as they could quickly find out. It wasn’t definitive, but it helped me. I also got another telegram from Butte, signed Preston Bell, explaining the situation around the alleged burning of the hundred-dollar bills. It didn’t prove that they were actually burned; it was just an assumption that they had been. They were last spotted in President Harrison's office."

"Harrison, Harrison, Harrison," repeated Doane.

"Harrison, Harrison, Harrison," Doane repeated.

"Vaguely I could see the possibility of something financially wrong in the bank. Possibly Harrison, even Mr. Bell here, knew of it. Banks do not apply for permission to reissue bills unless they are positive of the original loss. Yet here were the bills. Obviously some sort of jugglery. I wired to the police of Butte, asking some questions. The answer was that Harrison had embezzled $175,000 and had disappeared. Now I knew he had part of the missing, supposedly burned, bills with him. It was obvious. Was Bell also a thief?

"Vaguely, I could see that something was financially off at the bank. Maybe Harrison, or even Mr. Bell here, knew about it. Banks don’t ask for permission to reissue bills unless they’re sure about the original loss. Yet here were the bills. Clearly, something suspicious was going on. I sent a message to the police in Butte, asking some questions. They replied that Harrison had embezzled $175,000 and had vanished. Now I knew he had some of the missing, supposedly burned, bills with him. It was obvious. Was Bell also a thief?"

"The same telegram said that Mr. Bell's reputation was of the best, and he was out of the city. That confirmed my belief that it was an office rule to sign telegrams with the cashier's name, and further made me positive that this man was Preston Bell. The chain of circumstances was complete. It was two and two--inevitable result, four.

"The same telegram said that Mr. Bell had a great reputation and was out of town. That reinforced my belief that it was a company rule to sign telegrams with the cashier's name and made me sure that this man was Preston Bell. The chain of events was complete. It was like two plus two—an unavoidable conclusion, four."

"Now, what was the plot? Something to do with copper, and there was an embezzlement. Then, still seeking a man who knew Bell personally, I sent him out walking with Hatch. I had done so before. Suddenly another figure came into the mystery--a confusing one at the moment. This was a Mr. Manning, who knew Doane, or Bell, as Harry--something; met him in Pittsburg three years ago, in the Lincoln Club.

"Now, what was the plot? It had something to do with copper and embezzlement. Still looking for someone who knew Bell personally, I sent him out walking with Hatch, just like I had done before. Suddenly, another figure entered the mystery—a confusing one at that moment. This was Mr. Manning, who knew Doane, or Bell, as Harry—something; he met him in Pittsburgh three years ago at the Lincoln Club."

"It was just after Mr. Hatch told me of this man that I received a telegram from the shoemaker in Denver. It said that he had made a shoe such as I described within a few months for Preston Bell. I had asked if a sale had been made to a financier or banker; I got the name back by wire.

"It was right after Mr. Hatch told me about this guy that I got a telegram from the shoemaker in Denver. It said he had made a shoe like the one I described a few months ago for Preston Bell. I had asked if a sale had been made to a financier or banker, and I got the name back by wire."

"At this point a woman appeared to claim John Doane as her husband. With no definite purpose, save general precaution, I asked Mr. Hatch to see her first. She imagined he was Doane and embraced him, calling him John. Therefore she was a fraud. She did not know John Doane, or Preston Bell, by sight. Was she acting under the direction of some one else? If so, whose?"

"At this point, a woman showed up, claiming John Doane was her husband. With no clear intention other than being cautious, I asked Mr. Hatch to meet her first. She thought he was Doane and hugged him, calling him John. So, she was a fraud. She didn’t recognize John Doane or Preston Bell by sight. Was she being directed by someone else? If so, who?"

There was a pause as The Thinking Machine readjusted himself in the chair. After a time he went on:

There was a pause as The Thinking Machine got comfortable in the chair. After a moment, he continued:

"There are shades of emotion, intuition, call it what you will, so subtle that it is difficult to express them in words. As I had instinctively associated Harrison with Bell's present condition I instinctively associated this woman with Harrison. For not a word of the affair had appeared in a newspaper; only a very few persons knew of it. Was it possible that the stranger Manning was backing the woman in an effort to get the $10,000? That remained to be seen. I questioned the woman; she would say nothing. She is clever, but she blundered badly in claiming Mr. Hatch for a husband."

"There are shades of emotion, intuition, whatever you want to call it, so subtle that it's hard to put them into words. I instinctively linked Harrison to Bell's current situation, so I instinctively linked this woman to Harrison. Not a single word about the affair had shown up in the newspaper; only a handful of people knew about it. Was it possible that the stranger Manning was supporting the woman in an attempt to get the $10,000? That was yet to be determined. I questioned the woman; she wouldn't say anything. She's clever, but she made a big mistake by claiming Mr. Hatch as her husband."

The reporter blushed modestly.

The reporter blushed shyly.

"I asked her flatly about a drug. She was quite calm and her manner indicated that she knew nothing of it. Yet I presume she did. Then I sprung the bombshell, and she saw she had made a mistake. I gave her over to Detective Mallory and she was locked up. This done, I wired to the Lincoln Club in Pittsburg to find out about this mysterious 'Harry' who had come into the case. I was so confident then that I also wired to Mrs. Bell in Butte, presuming that there was a Mrs. Bell, asking about her husband.

"I asked her directly about a drug. She was pretty calm and seemed to know nothing about it. But I figured she did. Then I dropped the bombshell, and she realized she had messed up. I handed her over to Detective Mallory, and she was arrested. After that, I sent a message to the Lincoln Club in Pittsburgh to find out more about this mysterious 'Harry' who was involved. I was so sure of myself that I also reached out to Mrs. Bell in Butte, assuming there was a Mrs. Bell, to ask about her husband."

"Then Manning came to see me. I knew he came because he had remembered the name he knew you by," and The Thinking Machine turned to the central figure in this strange entanglement of identity, "although he seemed surprised when I told him as much. He knew you as Harry Pillsbury. I asked him who the woman was. His manner told me that he knew nothing whatever of her. Then it came back to her as an associate of Harrison, your enemy for some reason, and I could see it in no other light. It was her purpose to get hold of you and possibly keep you a prisoner, at least until some gigantic deal in which copper figured was disposed of. That was what I surmised.

Then Manning came to see me. I realized he came because he remembered the name you went by," and The Thinking Machine turned to the central figure in this strange mix-up of identities, "although he seemed surprised when I mentioned it. He knew you as Harry Pillsbury. I asked him who the woman was. His behavior made it clear that he didn’t know anything about her. Then it hit me that she was connected to Harrison, your enemy for some reason, and I could only see it that way. She aimed to capture you and possibly keep you locked up, at least until some massive deal involving copper was settled. That’s what I figured.

"Then another telegram came from the Lincoln Club in Pittsburg. The name of Harry Pillsbury appeared as a visitor in the book in January, three years ago. It was you--Manning is not the sort of man to be mistaken--and then there remained only one point to be solved as I then saw the case. That was an answer from Mrs. Preston Bell, if there was a Mrs. Bell. She would know where her husband was."

"Then another telegram arrived from the Lincoln Club in Pittsburgh. The name Harry Pillsbury showed up as a visitor in the log from January, three years ago. It was you—Manning isn't the kind of person to make such a mistake—and at that point, the only thing left to figure out, as I saw it, was whether there was a Mrs. Preston Bell. If there was, she would know where her husband was."

Again there was silence. A thousand things were running through Bell's mind. The story had been told so pointedly, and was so vitally a part of him, that semi-recollection was again on his face.

Again, there was silence. A thousand thoughts raced through Bell's mind. The story had been shared so directly, and was such an essential part of him, that a hint of remembrance was again visible on his face.

"That telegram said that Preston Bell was in Honolulu; that the wife had received a cable dispatch that day. Then, frankly, I was puzzled; so puzzled, in fact, that the entire fabric I had constructed seemed to melt away before my eyes. It took me hours to readjust it. I tried it all over in detail, and then the theory which would reconcile every fact in the case was evolved. That theory is right--as right as that two and two make four. It's logic."

"That telegram said Preston Bell was in Honolulu; his wife had received a cable that day. I was honestly confused; so confused, in fact, that the entire structure I had built seemed to dissolve before my eyes. It took me hours to piece it back together. I went through it all again in detail, and then the theory that would explain every fact in the case came to me. That theory is correct—just as correct as two plus two equals four. It's logic."

It was half an hour later when a detective entered and spoke to Detective Mallory aside.

It was thirty minutes later when a detective came in and spoke to Detective Mallory privately.

"Fine!" said Mallory. "Bring 'em in."

"Fine!" Mallory said. "Bring them in."

Then there reappeared the woman who had been a prisoner and a man of fifty years.

Then the woman who had been a prisoner and a man in his fifties appeared again.

"Harrison!" exclaimed Bell, suddenly. He staggered to his feet with outstretched hands. "Harrison! I know! I know!"

"Harrison!" Bell exclaimed suddenly. He staggered to his feet with his hands outstretched. "Harrison! I get it! I get it!"

"Good, good, very good," said The Thinking Machine.

"Good, good, very good," said The Thinking Machine.

Bell's nervously twitching hands were reaching for Harrison's throat when he was pushed aside by Detective Mallory. He stood pallid for a moment, then sank down on the floor in a heap. He was senseless. The Thinking Machine made a hurried examination.

Bell's hands were nervously twitching as he moved towards Harrison's throat when Detective Mallory pushed him aside. He stood there pale for a moment, then collapsed onto the floor in a heap. He was out cold. The Thinking Machine quickly took a look at him.

"Good!" he remarked again. "When he recovers he will remember everything except what has happened since he has been in Boston. Meanwhile, Mr. Harrison, we know all about the little affair of the drug, the battle for new copper workings in Honolulu, and your partner there has been arrested. Your drug didn't do its work well enough. Have you anything to add?"

"Great!" he said again. "When he gets better, he'll remember everything except what happened while he was in Boston. In the meantime, Mr. Harrison, we're aware of the situation with the drug, the fight for new copper operations in Honolulu, and your partner has been arrested. Your drug didn't quite do its job. Do you want to add anything?"

The prisoner was silent.

The inmate was silent.

"Did you search his rooms?" asked The Thinking Machine of the detective who had made the double arrest.

"Did you check his rooms?" asked The Thinking Machine of the detective who made the double arrest.

"Yes, and found this."

"Yes, and I found this."

It was a large roll of money. The Thinking Machine ran over it lightly--$70,000--scanning the numbers of the bills. At last he held forth half a dozen. They were among the twenty-seven reported to have been burned in the bank fire in Butte.

It was a big stack of cash. The Thinking Machine quickly glanced over it—$70,000—checking the bill numbers. Finally, he presented half a dozen. They were part of the twenty-seven said to have been destroyed in the bank fire in Butte.

Harrison and the woman were led away. Subsequently it developed that he had been systematically robbing the bank of which he was president for years; was responsible for the fire, at which time he had evidently expected to make a great haul; and that the woman was not his wife. Following his arrest this entire story came out; also the facts of the gigantic copper deal, in which he had rid himself of Bell, who was his partner, and had sent another man to Honolulu in Bell's name to buy up options on some valuable copper property there. This confederate in Honolulu had sent the cable dispatches to the wife in Butte. She accepted them without question.

Harrison and the woman were taken away. It later turned out that he had been stealing from the bank he was in charge of for years; he was also behind the fire, which he apparently thought would help him get away with a big score; and the woman wasn’t actually his wife. After his arrest, the whole story came to light, including the details of the massive copper deal, where he had gotten rid of Bell, his partner, and sent someone else to Honolulu in Bell's name to buy options on some valuable copper property there. This accomplice in Honolulu had sent the cable messages to the wife in Butte, and she accepted them without any doubt.

It was a day or so later that Hatch dropped in to see The Thinking Machine and asked a few questions.

It was about a day later that Hatch stopped by to see The Thinking Machine and asked a few questions.

"How did Bell happen to have that $10,000?"

"How did Bell end up with that $10,000?"

"It was given to him, probably, because it was safer to have him rambling about the country, not knowing who he was, than to kill him."

"It was probably given to him because it was safer to have him wandering around the country, not knowing who he was, than to kill him."

"And how did he happen to be here?"

"And how did he end up here?"

"That question may be answered at the trial."

"That question can be answered at the trial."

"And how did it come that Bell was once known as Harry Pillsbury?"

"And how did it happen that Bell was once known as Harry Pillsbury?"

"Bell is a director in United States Steel, I have since learned. There was a secret meeting of this board in Pittsburg three years ago. He went incog. to attend that meeting and was introduced at the Lincoln Club as Harry Pillsbury."

"Bell is a director at United States Steel, as I've since found out. Three years ago, there was a secret board meeting in Pittsburgh. He went incognito to attend that meeting and was introduced at the Lincoln Club as Harry Pillsbury."

"Oh!" exclaimed Hatch.

"Hatch exclaimed, 'Oh!'"





THE GREAT AUTO MYSTERY



I.

With a little laugh of sheer light-heartedness on her lips and a twinkle in her blue eyes, Marguerite Melrose bound on a grotesque automobile mask, and stuffed the last strand of her recalcitrant hair beneath her veil. The pretty face was hidden from mouth to brow; and her curls were ruthlessly imprisoned under a cap held in place by the tightly tied veil.

With a lighthearted laugh and a sparkle in her blue eyes, Marguerite Melrose put on a silly automobile mask and tucked the last stubborn strand of her hair under her veil. Her pretty face was covered from mouth to brow, and her curls were tightly secured under a cap that the veil kept in place.

"It's perfectly hideous, isn't it?" she demanded of her companions.

"It's completely awful, isn't it?" she asked her friends.

Jack Curtis laughed.

Jack Curtis laughed.

"Well," he remarked, quizzically, "it's just as well that we _know_ you are pretty."

"Well," he said, puzzled, "it's a good thing we _know_ you’re pretty."

"We could never discover it as you are now," added Charles Reid. "Can't see enough of your face to tell whether you are white or black."

"We could never figure it out like you can now," Charles Reid added. "I can't see enough of your face to tell if you're white or black."

The girl's red lips were pursed into a pout, which ungraciously hid her white teeth, as she considered the matter seriously.

The girl's red lips were stuck in a pout, which awkwardly concealed her white teeth, as she thought about the situation seriously.

"I think I'll take it off," she said at last.

"I think I'll take it off," she finally said.

"Don't," Curtis warned her. "On a good road The Green Dragon only hits the tall places."

"Don't," Curtis warned her. "On a smooth road, The Green Dragon only goes to the high spots."

"Tear your hair off," supplemented Reid. "When Jack lets her loose it's just a pszzzzt!--and wherever you're going you're there."

"Tear your hair out," added Reid. "When Jack sets her free, it's just a pszzzzt!--and wherever you're headed, you're already there."

"Not on a night as dark as this?" protested the girl, quickly.

"Not on a night this dark?" the girl protested quickly.

"I've got lights like twin locomotives," Curtis assured her, smilingly. "It's perfectly safe. Don't get nervous."

"I've got lights like two trains," Curtis assured her with a smile. "It’s totally safe. Don’t worry."

He tied on his own mask with its bleary goggles, while Reid did the same. The Green Dragon, a low, gasoline car of racing build, stood panting impatiently, awaiting them at a side door of the hotel. Curtis assisted Miss Melrose into the front seat and climbed in beside her, while Reid sat behind in the tonneau. There was a preparatory quiver, the car jerked a little and then began to move.

He put on his mask with its blurry goggles, while Reid did the same. The Green Dragon, a low, gas-powered racing car, was waiting impatiently for them at a side door of the hotel. Curtis helped Miss Melrose into the front seat and climbed in beside her, while Reid sat in the back. The car shuddered a bit, jerked slightly, and then started to move.

The three persons in it were Marguerite Melrose, an actress who had attracted attention in the West five years before by her great beauty and had afterwards, by her art, achieved a distinct place; Jack Curtis, a friend since childhood, when both lived in San Francisco and attended the same school, and Charles Reid, his chum, son of a mine owner at Denver.

The three people in it were Marguerite Melrose, an actress who had caught everyone's eye in the West five years earlier with her stunning beauty and later made a name for herself through her talent; Jack Curtis, a childhood friend from when they both lived in San Francisco and went to the same school; and Charles Reid, his buddy, the son of a mine owner in Denver.

The unexpected meeting of the three in Boston had been a source of mutual pleasure. It had been two years since they had seen one another in Denver, where Miss Melrose was playing. Now she was in Boston, pursuing certain vocal studies before returning West for her next season.

The unexpected meeting of the three in Boston had been a source of mutual pleasure. It had been two years since they had seen each other in Denver, where Miss Melrose was performing. Now she was in Boston, pursuing some vocal studies before heading back West for her next season.

Reid was in Boston to lay siege to the heart of a young woman of society, Miss Elizabeth Dow, whom he first met in San Francisco. She was only nineteen years old, but despite this he had begun a siege and his ardor had never cooled, even after Miss Dow returned East. In Boston, he had heard, she looked with favor upon another man, Morgan Mason, poor but of excellent family, and frantically Reid had rushed, like Lochinvar out of the West, to find the rumor true.

Reid was in Boston to pursue a young woman of society, Miss Elizabeth Dow, whom he first met in San Francisco. She was only nineteen, but despite that, he had started a pursuit and his passion had never faded, even after Miss Dow returned East. In Boston, he had heard she was interested in another man, Morgan Mason, who was poor but from a good family, and in a frenzy, Reid had rushed, like Lochinvar out of the West, to find out if the rumor was true.

Curtis was one who never had anything to do save seek excitement in a new and novel way. He had come East with Reid. They had been together constantly since their arrival in Boston. He was of a different type from Reid in that his wealth was distinctly a burden, a thing which left him with nothing to do, and opened illimitable possibilities of dissipation. The pace he led was one which caused other young men to pause and think.

Curtis was someone who never had anything to do except look for excitement in new and interesting ways. He had come East with Reid, and they had spent all their time together since they arrived in Boston. He was different from Reid in that his wealth felt like a burden, leaving him with nothing to occupy himself and opening up endless opportunities for indulgence. The lifestyle he led made other young men stop and think.

Warm-hearted and perfectly at home with both Curtis and Reid, Miss Melrose, the actress, frequently took occasion to scold them. It was charming to be scolded by Miss Melrose, so much so in fact that it was worth while sinning again. Since she had appeared on the horizon Curtis had devoted a great deal of time to her; Reid had his own difficulties trying to make Miss Dow change her mind.

Warm-hearted and completely comfortable with both Curtis and Reid, Miss Melrose, the actress, often took the opportunity to scold them. It was delightful to be scolded by Miss Melrose, so much so that it was worth misbehaving again. Ever since she had come into their lives, Curtis had dedicated a lot of time to her; Reid was dealing with his own challenges trying to persuade Miss Dow to change her mind.

The Green Dragon with its three passengers ran slowly down from the Hotel Yarmouth, where Miss Melrose was stopping, toward the Common, twisting and winding tortuously through the crowd of vehicles. It was half-past six o'clock in the evening.

The Green Dragon, carrying its three passengers, moved slowly away from the Hotel Yarmouth, where Miss Melrose was staying, towards the Common, weaving through the crowd of cars. It was half-past six in the evening.

"Cut across here to Commonwealth Avenue," Miss Melrose suggested. She remembered something and her bright blue eyes sparkled beneath the disfiguring mask. "I know a delightful old-fashioned inn out this way. It would be an ideal place to stop for supper. I was there once five years ago when I was in Boston."

"Let’s take a shortcut through Commonwealth Avenue," Miss Melrose suggested. She recalled something, and her bright blue eyes glimmered behind the disfiguring mask. "I know a charming old-fashioned inn around here. It would be the perfect spot to stop for dinner. I went there once five years ago when I was in Boston."

"How far?" asked Reid.

"How far?" Reid asked.

"Fifteen or twenty miles," was the reply.

"Fifteen or twenty miles," was the response.

"Right," said Curtis. "Here we go."

"Okay," said Curtis. "Let's do this."

Soon after they were skimming along Commonwealth Avenue, which at that time of day is practically given over to automobilists, past the Vendome, the Somerset and on over the flat, smooth road. It was perfectly light now, because the electric lights were about them; but there was no moon above, and once in the country it would be dark going.

Soon after they were cruising down Commonwealth Avenue, which at that time of day is mostly taken over by drivers, past the Vendome, the Somerset, and onto the flat, smooth road. It was fully lit now, thanks to the electric lights around them; but there was no moon in the sky, and once they got into the countryside, it would be dark.

Curtis was intent on his machine; Reid was thoughtful for a time, but after awhile leaned over and talked to Miss Melrose.

Curtis was focused on his machine; Reid was lost in thought for a moment, but after a while, he leaned over and talked to Miss Melrose.

"I heard something to-day that might interest you," he remarked.

"I heard something today that might interest you," he said.

"What is it?" she asked.

"What’s that?" she asked.

"Don MacLean is in Boston."

"Don MacLean is in Boston."

"I heard that," she replied, casually.

"I heard that," she said, casually.

"Who is he?" asked Curtis.

"Who is he?" Curtis asked.

"A man who is frantically in love with Marguerite," said Reid, with a smile.

"A guy who is madly in love with Marguerite," said Reid, with a smile.

"Charlie!" the girl reproved, and a flush crept into her face. "It was never anything very serious."

"Charlie!" the girl scolded, and a blush spread across her face. "It was never anything that serious."

Curtis looked at her curiously for a moment, then his eyes turned again to the road ahead.

Curtis glanced at her with curiosity for a moment, then his gaze returned to the road ahead.

"I don't suppose it's very serious if a man proposes to a girl seven times, is it?" Reid asked, banteringly.

"I don't think it's a big deal if a guy proposes to a girl seven times, right?" Reid asked playfully.

"Did he do that?" asked Curtis, quickly.

"Did he really do that?" asked Curtis, quickly.

"He merely made a fool of himself and me," replied the actress, with spirit, speaking to Curtis. "He was--in love with me, I suppose, but his family objected because I was on the stage and threatened to disinherit him, and all that sort of thing. So--it ended it. Not that I ever considered the matter seriously anyway," she added.

"He just made a fool of himself and me," replied the actress, with energy, talking to Curtis. "He was—in love with me, I guess, but his family was against it because I was an actress and threatened to cut him off, and all that kind of stuff. So—it ended there. Not that I ever took the whole thing seriously anyway," she added.

There was silence again as The Green Dragon plunged into the darkness of the country, the two brilliant lights ahead showing every dip and rise in the road. After awhile Curtis spoke again.

There was silence again as The Green Dragon drove into the darkness of the countryside, the two bright lights ahead illuminating every dip and rise in the road. After a while, Curtis spoke again.

"He's now in Boston?"

"Is he in Boston now?"

"Yes," said the girl. "At least, I've heard so," she added, quickly.

"Yeah," said the girl. "At least, that's what I've heard," she added quickly.

Then the conversation ran into other channels, and Curtis, busy with the great machine and the innumerable levers which made it do this or do that or do the other, dropped out of it. Reid and Miss Melrose talked on, but the whirr of the car as it gained speed made talking unsatisfactory and finally the girl gave herself up to the pure delight of high speed; a dangerous pleasure which sets the nerves atingle and makes one greedy for more.

Then the conversation shifted to other topics, and Curtis, focused on the huge machine and the countless levers that controlled it, tuned out. Reid and Miss Melrose continued chatting, but the roar of the car as it sped up made talking frustrating, and eventually, the girl surrendered to the sheer thrill of high speed; a risky pleasure that tingles the nerves and leaves you craving more.

"Do you smell gasoline?" Curtis asked suddenly, turning to the others.

"Do you guys smell gasoline?" Curtis asked suddenly, turning to the others.

"Believe I do," said Reid.

"I do believe," said Reid.

"Confound it! If I've sprung a leak in my tank it will be the deuce," Curtis growled amiably.

"Dang it! If I've got a leak in my tank, it'll be a real problem," Curtis grumbled good-naturedly.

"Do you think you've got enough to get to the inn?" asked Miss Melrose. "It can't be more than five or six miles now."

"Do you think you have enough to make it to the inn?" Miss Melrose asked. "It’s probably only about five or six miles from here."

"I'll run on until we stop," said Curtis. "We might be able to stir up some along here somewhere. I suppose they are prepared for autos."

"I'll keep going until we stop," Curtis said. "We might be able to find some around here. I guess they're ready for cars."

At last lights showed ahead, many lights glimmering through the trees.

At last, lights appeared in the distance, a lot of them sparkling through the trees.

"I suppose that's the inn now," said Curtis. "Is it?" he asked of the girl.

"I guess that's the inn now," Curtis said. "Is it?" he asked the girl.

"Really, I don't know, but I have an impression that it isn't. The one I mean seems farther out than this and it seems to me we passed one on the way. However, I don't remember very well."

"Honestly, I’m not sure, but I have a feeling that it’s not. The one I’m thinking of feels like it’s further out than this, and it seems like we passed one on the way. Still, I don't remember very clearly."

"We'll stop and get some gasoline, anyhow," said Curtis.

"We'll stop and get some gas, anyway," said Curtis.

Puffing and snorting odorously The Green Dragon came to a standstill in front of an old house which stood back twenty feet or more from the road. It was lighted up, and from inside they could hear the cheery rattle of dishes and see white-aproned waiters moving about. Above the door was a sign, "Monarch Inn."

Puffing and snorting heavily, the Green Dragon came to a stop in front of an old house that was set back at least twenty feet from the road. It was lit up, and from inside they could hear the cheerful clatter of dishes and see waiters in white aprons moving around. Above the door was a sign that read, "Monarch Inn."

"Is this the place?" asked Reid.

"Is this the place?" Reid asked.

"Oh, no," replied Miss Melrose. "The inn I spoke of was back from the road three or four hundred feet through a grove."

"Oh, no," replied Miss Melrose. "The inn I mentioned was set back from the road about three or four hundred feet through a grove."

Curtis leaped out, and evidently dropped something from his pocket as he did so, for he stopped and felt around for a moment. Then he examined his tank.

Curtis jumped out and clearly dropped something from his pocket as he did, because he paused to look around for a moment. Then he checked his tank.

"It's a leak," he said, in irritation. "I haven't more than half a gallon left. These people must have some gasoline. Wait a few minutes."

"It's a leak," he said, irritated. "I hardly have more than half a gallon left. These people have to have some gasoline. Just give it a few minutes."

Miss Melrose and Reid still sat in the car as he started away toward the house. Almost at the veranda he turned and called back:

Miss Melrose and Reid were still sitting in the car as he drove toward the house. Just before reaching the porch, he turned and called back:

"Charlie, I dropped something there when I jumped out. Get down and strike a match and see if you can find it. Don't go near that gasoline tank with the match."

"Charlie, I dropped something back there when I jumped out. Get down and light a match to see if you can find it. Just don't go near that gasoline tank with the match."

He disappeared inside the house. Reid climbed out and struck several matches. Finally he found what was lost and thrust it into an outside pocket. Miss Melrose was gazing away down the road at two brilliant lights coming toward them rapidly.

He disappeared into the house. Reid climbed out and struck several matches. Finally, he found what he was looking for and shoved it into an outside pocket. Miss Melrose was staring down the road at two bright lights approaching quickly.

"Rather chilly," Reid said, as he straightened up. "Want a cup of coffee or something?"

"Pretty cold," Reid said, as he stood up. "Want a cup of coffee or something?"

"Thanks, no," the girl replied.

"Thanks, but no," the girl replied.

"I think I'll run in and scare up some sort of a hot drink, if you'll excuse me?"

"I think I'll go and grab a hot drink, if that's okay with you?"

"Now, Charlie, don't," the girl asked, suddenly. "I don't like it."

"Please, Charlie, don't," the girl said abruptly. "I really don't like it."

"Oh, one won't hurt," he replied, lightly.

"Oh, one won’t hurt," he said casually.

"I shan't speak to you when you come out," she insisted, half banteringly.

"I won't talk to you when you come out," she insisted, half-joking.

"Oh, yes, you will." He laughed, and passed into the house.

"Oh, yes, you will." He laughed and went inside the house.

Miss Melrose tossed her pretty head impatiently and turned to watch the approaching lights. They were blinding as they drew nearer, clearly revealing her figure, in its tan auto coat, to the occupant of the other car. The newcomer stopped and then she heard whoever was in it--she couldn't see--speaking to her.

Miss Melrose impatiently tossed her pretty head and turned to watch the approaching lights. They were blinding as they got closer, clearly showing her figure in its tan auto coat to the person in the other car. The newcomer stopped, and then she heard whoever was inside speaking to her, though she couldn't see them.

"Would you mind turning your car a little so I can run in off the road?"

"Could you please turn your car a bit so I can run off the road?"

"I don't know how," she replied, helplessly.

"I don't know how," she said, feeling helpless.

There was a little pause. The occupant of the other car was leaning forward, looking at her closely.

There was a brief pause. The driver of the other car was leaning forward, studying her intently.

"Is that you, Marguerite?" he asked finally.

"Is that you, Marguerite?" he finally asked.

"Yes," she replied. "Who is that? Don?"

"Yeah," she said. "Who is that? Don?"

"Yes."

"Yeah."

A man's figure leaped out of the other machine and came toward her.

A man's figure jumped out of the other machine and walked toward her.


* * * * *

* * * * *

Curtis appeared beside The Green Dragon with a huge can of gasoline twenty minutes later. The two occupants of the car were clearly silhouetted against the sky, and Reid, leaning back in the tonneau, was smoking.

Curtis showed up next to The Green Dragon with a large can of gasoline twenty minutes later. The two people in the car were clearly outlined against the sky, and Reid, reclining in the back, was smoking.

"Find it?" he asked.

"Did you find it?" he asked.

"Yes," growled Curtis. And he began the work of repairing the leak and refilling his tank. It took only five minutes or so, and then he climbed up into the car.

"Yeah," Curtis grumbled. He started fixing the leak and refilling his tank. It only took about five minutes, and then he climbed back into the car.

"Cold, Marguerite?" he asked.

"Cold, Marguerite?" he asked.

"She won't speak," said Reid, leaning forward a little. "She's angry because I went inside to get a hot Scotch."

"She won't talk," Reid said, leaning in a bit. "She's upset because I went inside to grab a hot Scotch."

"Wish I had one myself," said Curtis.

"Wish I had one too," said Curtis.

"Let's wait till we get to the next place," Reid interposed. "A little supper and trimmings will put all of us in a better humor."

"Let's wait until we get to the next place," Reid suggested. "A little dinner and some extras will put all of us in a better mood."

Without answering, Curtis threw a lever, and the car pulled out. Two automobiles which had been standing when they arrived were still waiting for their owners. Annoyed at the delay, Curtis put on full speed. Finally Reid leaned forward and spoke to the girl.

Without answering, Curtis pulled a lever, and the car started to move. Two cars that had been parked when they arrived were still waiting for their owners. Frustrated by the hold-up, Curtis accelerated. Finally, Reid leaned forward and talked to the girl.

"In a good humor?" he asked.

"In a good mood?" he asked.

She gave no sign of having heard, and Reid placed his hand on her shoulder as he repeated the question. Still there was no answer.

She didn't show any indication that she had heard, and Reid put his hand on her shoulder as he asked the question again. Still, there was no response.

"Make her talk to you, Jack," he suggested to Curtis.

"Get her to talk to you, Jack," he suggested to Curtis.

"What's the matter, Marguerite?" asked Curtis, as he glanced around.

"What's wrong, Marguerite?" Curtis asked as he looked around.

Still there was no answer, and he slowed up the car a little. Then he took her arm and shook it gently. There was no response.

Still there was no answer, and he slowed down the car a bit. Then he took her arm and shook it gently. There was no response.

"What _is_ the matter with her?" he demanded. "Has she fainted?"

"What’s wrong with her?" he asked. "Did she pass out?"

Again he shook her, this time more vigorously than before.

Again he shook her, this time more forcefully than before.

"Marguerite," he called.

"Marguerite," he shouted.

Then his hand sought her face; it was deathly cold, clammy even about the chin. The upper part was still covered by the mask. For the third time he shook her, then, really frightened, apparently, he caught at her gloved wrist and brought the car to a standstill. There was no trace of a pulse; the wrist was cold as death.

Then his hand reached for her face; it was ice-cold, even clammy around the chin. The upper part was still covered by the mask. For the third time, he shook her, and then, clearly scared, he grabbed her gloved wrist and stopped the car. There was no sign of a pulse; the wrist was as cold as ice.

"She must be ill--very ill," he said in some agitation. "Is there a doctor near here?"

"She must be really sick—very sick," he said anxiously. "Is there a doctor nearby?"

Reid was leaning over the senseless body now, having raised up in the tonneau, and when he spoke there seemed to be fear in his tone.

Reid was leaning over the unconscious body now, having stood up in the truck bed, and when he spoke, there was a hint of fear in his voice.

"Better run on as fast as you can to the inn ahead," he instructed Curtis. "It's nearer than the one we just left. There may be a doctor there."

"Better hurry as fast as you can to the inn up ahead," he told Curtis. "It's closer than the one we just left. There might be a doctor there."

Curtis grabbed frantically at the lever and the car shot ahead suddenly through the dark. In three minutes the lights of the second inn were in sight. The two men leaped from the car simultaneously and raced for the house.

Curtis frantically grabbed the lever, and the car suddenly shot forward into the darkness. In three minutes, the lights of the second inn came into view. The two men jumped from the car at the same time and sprinted toward the house.

"A doctor, quick," Curtis breathlessly demanded of a waiter.

"A doctor, quick," Curtis breathlessly urged a waiter.

"Next door."

"Next door."

Without waiting for further instructions, Curtis and Reid ran to the auto, lifted the girl in their arms and took her to a house which stood just a few feet away. There, after much clamoring, they aroused some one. Was the doctor in? Yes. Would he hurry? Yes.

Without waiting for more instructions, Curtis and Reid rushed to the car, picked up the girl, and carried her to a house just a few feet away. There, after a lot of noise, they got someone's attention. Was the doctor there? Yes. Would he come quickly? Yes.

The door opened and the men laid the girl's body on a couch in the hall. Dr. Leonard appeared. He was an old fellow, grizzled, with keen, kindly eyes and rigid mouth.

The door swung open and the men placed the girl’s body on a couch in the hallway. Dr. Leonard showed up. He was an older man, gray-haired, with sharp, friendly eyes and a stiff mouth.

"What's the matter?" he asked.

"What's wrong?" he asked.

"Think she's dead," replied Curtis.

"Think she's gone," replied Curtis.

The doctor adjusted his glasses rather hurriedly.

The doctor quickly adjusted his glasses.

"Who is she?" he asked, as he bent over the still figure and fumbled about the throat and breast.

"Who is she?" he asked, leaning over the motionless figure and awkwardly touching her throat and chest.

"Miss Marguerite Melrose, an actress," explained Curtis, hurriedly.

"Miss Marguerite Melrose, an actress," Curtis explained quickly.

"What's the matter with her?" demanded Reid, fiercely.

"What's wrong with her?" Reid demanded angrily.

The doctor still bent over the figure. In the dim lamplight Curtis and Reid stood waiting anxiously, impatiently, with white faces. At last the doctor straightened up.

The doctor was still leaning over the figure. In the dim light from the lamp, Curtis and Reid stood waiting anxiously and impatiently, their faces pale. Finally, the doctor stood up.

"What is it?" demanded Curtis.

"What is it?" asked Curtis.

"She's dead," was the reply.

"She's gone," was the reply.

"Great God!" exclaimed Reid. "How?" Curtis seemed speechless.

"Wow!" exclaimed Reid. "How?" Curtis looked speechless.

"This," said the doctor, and he exhibited a long knife, damp with blood. "Stabbed through the heart."

"This," said the doctor, holding up a long knife, stained with blood. "Stabbed through the heart."

Curtis stared at him, at the knife, then at the inert figure, and lastly at the dead white of her face where it showed beneath the mask.

Curtis looked at him, at the knife, then at the lifeless figure, and finally at the pale white of her face that was visible beneath the mask.

"Look, Jack!" exclaimed Reid, suddenly. "The knife!"

"Look, Jack!" Reid suddenly exclaimed. "The knife!"

Curtis looked again, then sank down on the couch beside the body.

Curtis looked again, then sat down on the couch next to the body.

"Oh, my God! It's horrible!" he said.

"Oh my God! This is awful!" he said.



II.

To Hutchinson Hatch and half a dozen other reporters, Dr. Leonard, at his home late that night, told the story of the arrival of Jack Curtis and Charles Reid with the body of the girl, and the succeeding events so far as he knew them. The police and Medical Examiner Francis had preceded the newspaper men, and the body had been removed to a nearby village.

To Hutchinson Hatch and about six other reporters, Dr. Leonard, at his home late that night, recounted the arrival of Jack Curtis and Charles Reid with the girl's body, along with the events that followed as far as he was aware. The police and Medical Examiner Francis had arrived before the journalists, and the body had been taken to a nearby village.

"They came here in great excitement," Dr. Leonard explained. "They brought the body in with them, the man Curtis lifting her by the shoulders and the man Reid at the feet. They placed the body on this couch. I asked them who she was, and they told me she was Marguerite Melrose, an actress. That's all that was said of her identity.

"They arrived here full of excitement," Dr. Leonard explained. "They brought the body in with them, with Curtis lifting her by the shoulders and Reid at her feet. They laid the body on this couch. I asked them who she was, and they told me her name was Marguerite Melrose, an actress. That was all that was mentioned about her identity."

"Then I made an examination of the body, seeking a trace of life. There was none, although the body was not then entirely cold. In examining her heart my hand struck the knife which had killed her--a heavy weapon, evidently used for rough work, with a blade of six or seven inches. I drew the knife out. Of course, knowing that it had pierced her heart, any idea of doing anything to save her was beyond question.

"Then I examined the body, looking for any sign of life. There was none, although the body wasn't completely cold yet. While checking her heart, my hand hit the knife that had killed her—a heavy weapon, clearly used for tough jobs, with a blade around six or seven inches long. I pulled the knife out. Of course, knowing it had pierced her heart, any thought of saving her was out of the question."

"One of the men, Curtis, seemed greatly excited about this knife after Reid called his attention to it. Curtis took the knife out of my hand and examined it closely, then asked if he might keep it. I told him it would have to be turned over to the medical examiner. He argued about it, and finally, to settle the argument, I took it out of his hand. Reid explained to Curtis that it was necessary for me to keep the knife, and finally Curtis seemed to agree to it.

"One of the guys, Curtis, looked really excited about this knife after Reid pointed it out to him. Curtis took the knife from my hand and checked it out closely, then asked if he could keep it. I told him it had to be given to the medical examiner. He argued about it, and finally, to end the debate, I took it back from him. Reid explained to Curtis that I needed to keep the knife, and eventually, Curtis seemed to accept that."

"Then I suggested that the police be notified. I did this myself by telephone, the men remaining with me all the time. I asked if they could throw any light on the tragedy, but neither could. Curtis said he had been out searching for a man who had the keys to a shed where some gasoline was locked up, and it took fifteen or twenty minutes to find him. As soon as he got the gasoline he returned to the auto.

"Then I suggested that we call the police. I did it myself over the phone, and the men stayed with me the whole time. I asked if they could provide any information about the tragedy, but neither of them could. Curtis said he had been out looking for a guy who had the keys to a shed where some gasoline was locked up, and it took him about fifteen or twenty minutes to find him. As soon as he got the gasoline, he went back to the car."

"Reid and Miss Melrose were at this time in the auto, he said. What had happened while he had been away Curtis didn't know. Reid said he, too, had stepped out of the automobile, and after exchanging a few words with Miss Melrose went into the inn. There he remained fifteen minutes or so, because inside he saw a woman he knew and spoke to her. He declared that any one of three waiters could verify his statement that he was in the Monarch Inn.

"Reid and Miss Melrose were in the car at that time, he said. Curtis had no idea what had happened while he was gone. Reid stated that he had also gotten out of the car, and after chatting briefly with Miss Melrose, he went into the inn. He stayed there for about fifteen minutes because he saw a woman he knew and talked to her. He insisted that any of the three waiters could confirm he was in the Monarch Inn."

"After I had notified the police Curtis grew very uneasy in his actions--it didn't occur to me at the moment, but now I recall that it was so--and suggested to Reid that they go on to Boston and send out detectives--special Pinkerton men. I tried to dissuade them, but they went away. I couldn't stop them. They gave me their cards, however. They are at the Hotel Teutonic, and told me they could be seen there at any time. The medical examiner and the police came afterwards. I told them, and one of the detectives started immediately for Boston. They have probably told their story to him by this time."

"After I notified the police, Curtis became really restless in his actions—it didn't occur to me at the time, but I remember that now—and suggested to Reid that they go to Boston and hire detectives—special Pinkerton agents. I tried to talk them out of it, but they left anyway. I couldn’t stop them. They did give me their cards, though. They’re at the Hotel Teutonic, and they said I could find them there anytime. The medical examiner and the police came after that. I told them what happened, and one of the detectives immediately headed to Boston. They’ve probably filled him in on everything by now."

"What did the young woman look like?" asked Hatch.

"What did the young woman look like?" Hatch asked.

"Really, I couldn't say," said the doctor. "She wore an automobile mask which covered all her face except the chin, and there was a veil tied over her cap, concealing her hair. I didn't remove these; I left the body just as it was for the medical examiner."

"Honestly, I couldn't tell," said the doctor. "She had a mask on that covered her entire face except for her chin, and there was a veil tied over her cap, hiding her hair. I didn't take those off; I left the body exactly as it was for the medical examiner."

"How was she dressed?" Hatch went on.

"How was she dressed?" Hatch continued.

"She wore a long tan automobile dust coat of what seemed to be rich material, and beneath this a handsome--not a fancy--gown. I believe it was tailor-made. She was a woman of superb figure."

"She wore a long tan car coat made of what looked like high-quality fabric, and underneath, a beautiful—not over-the-top—dress. I think it was custom-made. She had a stunning figure."

That was all that could be learned from Dr. Leonard, and Hatch and the other men raced back to Boston. The next day the newspapers flamed with the mystery of the murder of Miss Melrose, a beautiful Western actress who was visiting Boston. Each newspaper watched the other greedily to see if there was a picture of Miss Melrose; neither had one.

That was all that could be learned from Dr. Leonard, and Hatch and the other men rushed back to Boston. The next day, the newspapers buzzed with the mystery of the murder of Miss Melrose, a gorgeous Western actress who was visiting Boston. Each newspaper eagerly checked to see if the other had a picture of Miss Melrose; neither did.

The newspapers also carried the stories of Jack Curtis and Charles Reid in connection with the murder. The stories were in substance just what Dr. Leonard had said, but were given in more detail. It was the general presumption, almost a foregone conclusion, that some one had killed Miss Melrose while the two men were away from the auto.

The newspapers also published the stories of Jack Curtis and Charles Reid related to the murder. The stories were basically what Dr. Leonard had mentioned, but with more detail. It was a common assumption, almost a given, that someone had killed Miss Melrose while the two men were away from the car.

Who was this some one? Man or woman? No one could answer. Reid's story of being inside the Monarch Inn, where he spoke to a lady he knew--but whose name he refused to give--was verified by Hatch's paper. Three waiters had seen him.

Who was this person? Man or woman? No one could say. Reid's account of being inside the Monarch Inn, where he talked to a woman he knew—but wouldn’t name—was confirmed by Hatch's paper. Three waiters had seen him.

The medical examiner had made only a brief statement, in which he had said, in answer to a question, that the person who killed Miss Melrose might have been either at her right, in the position Curtis would have occupied while driving the car, or might have leaned forward from behind and stabbed her. Thus it was not impossible that one of the men in the car with her had killed her, yet against this possibility was the fact that each of the men was one whom one could not readily associate with such a crime.

The medical examiner had only made a short statement, saying in response to a question that the person who killed Miss Melrose could have been either on her right, in the spot Curtis would have been in while driving the car, or might have leaned forward from behind and stabbed her. So, it wasn’t out of the question that one of the men in the car with her could have killed her, but the downside to that possibility was that each of the men was someone you wouldn’t easily link to such a crime.

The fact that the fatal blow was delivered from the right was proven, said the astute medical examiner, by the fact that the knife slanted as a knife could not have been slanted conveniently by a person on her other side--her left. There were many dark, underlying intimations behind what the medical man said; but he refused to say any more. Meanwhile the body remained in the village where it had been taken. Efforts to get a photograph were unavailing; pleas of newspaper artists for permission to sketch her fell upon deaf ears.

The medical examiner, sharp as ever, confirmed that the fatal blow came from the right side. He explained that the knife was angled in a way that wouldn’t have been possible if it had been wielded by someone on her left. His statement hinted at many troubling implications, but he declined to elaborate further. In the meantime, the body stayed in the village where it had been brought. Attempts to get a photograph were unsuccessful, and requests from newspaper artists to sketch her were ignored.

Curtis and Reid, after their first statements, remained in seclusion at the Teutonic. They were not arrested because this did not seem necessary. Both had offered to do anything in their power to solve the riddle, had even employed Pinkerton men who were now on the case; but they would say nothing nor see anyone except the police. The police encouraged them in this attitude, and hinted darkly and mysteriously at clews which "would lead to an arrest within twenty-four hours."

Curtis and Reid, after their initial statements, stayed hidden at the Teutonic. They weren’t arrested because it didn’t seem necessary. Both had offered to do everything they could to solve the mystery and had even hired Pinkerton agents who were now involved; however, they refused to speak to anyone except the police. The police supported this approach, alluding to clues that “would lead to an arrest within twenty-four hours.”

Hatch read these intimations and smiled grimly. Then he went out to try what a little patience and perseverance and human intelligence would do. He learned something of Reid's little romance in Boston. Yet not all of it. It was a fact, however, that Reid had called at the home of Miss Elizabeth Dow on Beacon Hill just after noon and inquired for her.

Hatch read these hints and smiled wryly. Then he went out to see what a bit of patience, perseverance, and human intelligence could achieve. He found out some details of Reid's little romance in Boston, though not everything. It was true, however, that Reid had visited Miss Elizabeth Dow's home on Beacon Hill shortly after noon and asked for her.

"She is not in," the maid had replied.

"She isn't in," the maid replied.

"I'll leave my card for her," said Reid.

"I'll leave my card for her," Reid said.

"I don't think she'll be back," the girl answered.

"I don't think she's coming back," the girl replied.

"Not be back?" Reid repeated. "Why?"

"Not coming back?" Reid repeated. "Why?"

"Haven't you seen the afternoon papers?" asked the girl. "They will explain. Mrs. Dow, her mother, told me not to talk to anyone."

"Haven't you seen the afternoon papers?" the girl asked. "They'll explain. Mrs. Dow, her mom, told me not to talk to anyone."

Reid left the house with a wrinkle in his brow and walked on toward the Common. There he halted a newsboy and bought an afternoon paper--many afternoon papers. The first pages were loaded with details of the murder of Miss Melrose, theories, conjectures, a thousand little things, with long dispatches of her history and her stage career from San Francisco.

Reid left the house with a furrowed brow and walked toward the Common. There, he stopped a newsboy and bought an afternoon paper—actually, several afternoon papers. The front pages were packed with details about the murder of Miss Melrose, theories, speculations, a ton of little things, along with lengthy reports about her life and her stage career from San Francisco.

Reid passed these over impatiently with a slight shiver and looked inside the paper. There he found the thing to which the maid had referred.

Reid handed these over impatiently, feeling a slight chill, and looked inside the paper. There, he found what the maid had mentioned.

"By George!" he exclaimed.

"By God!" he exclaimed.

It was a story of the elopement of Elizabeth Dow with Morgan Mason, Reid's rival. It seemed that Miss Dow and Mason met by appointment at the Monarch Inn and went from there in an automobile. The bride had written to her parents before she started, saying she preferred Mason despite his poverty. The family refused to talk of the matter. But there in facsimile was the marriage license.

It was a story about Elizabeth Dow running away with Morgan Mason, Reid's rival. It seemed that Miss Dow and Mason had arranged to meet at the Monarch Inn and left together in a car. The bride had written to her parents before she set off, saying she preferred Mason even though he was poor. The family refused to discuss the situation. But there, in a copy, was the marriage license.

Reid's face was a study as he walked back to the hotel. In a private room off the café he found Curtis, who had been drinking heavily, yet who, with the strange mood of some men, was not visibly intoxicated. Reid threw the paper down, open at the elopement announcement.

Reid's face was a sight to see as he walked back to the hotel. In a private room off the café, he found Curtis, who had been drinking a lot but, oddly enough, didn’t seem visibly drunk. Reid tossed the paper down, open to the elopement announcement.

"See that," he said shortly.

“Check that out,” he said shortly.

Curtis read it--or glanced at it--but did not make a remark until he came to the name, the Monarch Inn. Then he looked up.

Curtis read it—or quickly looked over it—but didn’t say anything until he got to the name, the Monarch Inn. Then he looked up.

"That's where the other thing happened, isn't it?" he asked, rather thickly.

"That's where the other thing happened, right?" he asked, somewhat awkwardly.

"Yes."

Yes.

Curtis rambled off into something else; studiously he avoided any reference to the tragedy, yet that was the one thing which was in his mind. It was in a futile effort to forget it that he was drinking now. He talked on as a drunken man will for a time, then turned suddenly to Reid.

Curtis drifted off into a different topic; he carefully steered clear of mentioning the tragedy, but that was the one thing on his mind. In a pointless attempt to forget it, he was drinking now. He chatted on like a drunk often does for a while, then suddenly turned to Reid.

"I loved her," he declared suddenly, passionately. "My God!"

"I loved her," he said suddenly, with intense emotion. "Oh my God!"

"Try not to think of it," Reid advised.

"Don't think about it," Reid advised.

"You'll never say anything about that other thing--the knife--will you?" pleaded Curtis.

"You won't say anything about the other thing—the knife—will you?" Curtis pleaded.

"Of course not," said Reid, impatiently. "They couldn't drag it out of me. But you're drinking too much--you want to quit it. First thing you know you'll be saying more than--get up and go out and take a walk."

"Of course not," Reid said, feeling frustrated. "They couldn’t get me to say anything. But you’re drinking too much—you need to stop. Before you know it, you’ll be doing more than just getting up and going out for a walk."

Curtis stared at Reid vacantly for a moment, as if not understanding, then arose. He had regained possession of himself to a certain extent. but his face was pale.

Curtis stared blankly at Reid for a moment, as if he didn’t understand, then got up. He had regained some control over himself, but his face was pale.

"I think I will go out," he said.

"I think I'm going to go out," he said.

After a time he passed through the café door into a side street and, refreshed a little by the cool air, started to walk along Tremont Street toward the shopping district. It was two o'clock in the afternoon and the streets were thronged.

After a while, he walked through the café door into a side street and, feeling a bit refreshed by the cool air, started walking along Tremont Street toward the shopping area. It was two o'clock in the afternoon, and the streets were crowded.

Half a dozen reporters were idling in the lobby of the hotel, waiting vainly for either Reid or Curtis. The newspapers were shouting for another story from the only two men who could know a great deal of the circumstances attending the tragedy. Reid, on his return, had marched boldly through the crowd of reporters, paying no attention to their questions. They had not seen Curtis.

Half a dozen reporters were hanging out in the hotel lobby, waiting fruitlessly for either Reid or Curtis. The newspapers were clamoring for another story from the only two men who could shed light on the details surrounding the tragedy. When Reid returned, he walked confidently through the crowd of reporters, ignoring their questions. They hadn't spotted Curtis.

As Curtis, now free of the reporters, crossed a side street off Tremont on his way toward the shopping district he met Hutchinson Hatch, who was bound for the hotel to see his man there. Hatch instantly recognized him and fell in behind, curious to see where he would go. At a favorable opportunity, safe beyond reach of the other men, he intended to ask a few questions.

As Curtis, now free from the reporters, crossed a side street off Tremont on his way to the shopping district, he ran into Hutchinson Hatch, who was heading to the hotel to meet his guy there. Hatch immediately recognized him and followed behind, eager to see where he would go. At a good moment, safely away from the other men, he planned to ask a few questions.

Curtis turned into Winter Street and strolled along through the crowd of women. Half way down Winter Street Hatch followed, and then for a moment he lost sight of him. He had gone into a store, he imagined. As he stood at a door waiting, Curtis came out, rushed through the crowd of women, slinging his arms like a madman, with frenzy in his face. He ran twenty steps, then stumbled and fell.

Curtis turned onto Winter Street and walked through the crowd of women. Halfway down Winter Street, Hatch was following, but then for a moment he lost sight of him. He figured Hatch had gone into a store. While he stood at the door waiting, Curtis came out, charging through the crowd of women, waving his arms wildly like a madman, with a frantic look on his face. He ran twenty steps, then tripped and fell.

Hatch immediately ran to his assistance, lifted him up and gazed into the staring, terror-stricken eyes and an ashen face.

Hatch quickly rushed to help him, lifted him up, and looked into his wide, terrified eyes and pale face.

"What is it?" asked Hatch, quickly.

"What is it?" Hatch asked quickly.

"I--I'm very ill. I--I think I need a doctor," gasped Curtis. "Take me somewhere, please."

"I—I’m really sick. I—I think I need a doctor," gasped Curtis. "Please take me somewhere."

He fell back limply, half fainting, into Hatch's arms. A cab came worming through the crowd; Hatch climbed into it, assisting Curtis, and gave some directions to the cabby.

He collapsed weakly, half-passed out, into Hatch's arms. A cab navigated its way through the crowd; Hatch got in, helping Curtis, and gave some directions to the driver.

"And hurry," he added. "This gentleman is ill."

"And hurry," he added. "This guy is sick."

The cabby applied the whip and drove out into Tremont, then over toward Park Street. Curtis aroused a little.

The cab driver cracked the whip and headed into Tremont, then made his way toward Park Street. Curtis stirred slightly.

"Where're we going?" he demanded.

"Where are we going?" he demanded.

"To a doctor," replied Hatch.

"To a doctor," Hatch replied.

Curtis sank back with eyes closed and his face white--so white that Hatch felt of the pulse to assure himself that the heart was still beating. After a few minutes the cab stopped and, still assisting Curtis, Hatch went to the door. An aged woman answered the bell.

Curtis leaned back with his eyes closed and his face pale—so pale that Hatch checked his pulse to make sure his heart was still beating. After a few minutes, the cab stopped and, still helping Curtis, Hatch moved to the door. An older woman answered the bell.

"Professor Van Dusen here?" asked the reporter. "Yes."

"Is Professor Van Dusen here?" the reporter asked. "Yes."

"Please tell him that Mr. Hatch is here with a gentleman who needs immediate attention," Hatch directed, hurriedly.

"Please let him know that Mr. Hatch is here with a man who needs immediate attention," Hatch instructed, quickly.

He knew his way here and, still supporting Curtis, walked in. The woman disappeared. Curtis sank down on a couch in the little reception room, looked at Hatch glassily for a moment, then without a sound dropped back on the couch unconscious.

He knew how to get here and, still helping Curtis, walked in. The woman vanished. Curtis slumped down on a couch in the small reception area, stared at Hatch blankly for a moment, then silently collapsed back onto the couch, unconscious.

After a moment the door opened and there came in Professor Augustus S. F. X. Van Dusen, The Thinking Machine. He squinted inquiringly at Hatch, and Hatch waved his head toward Curtis.

After a moment, the door opened and in walked Professor Augustus S. F. X. Van Dusen, The Thinking Machine. He squinted curiously at Hatch, and Hatch nodded his head toward Curtis.

"Dear me, dear me," exclaimed The Thinking Machine.

"Goodness, goodness," exclaimed The Thinking Machine.

He leaned over the prostrate figure a moment, then disappeared into another room, returning with a hypodermic. After a few anxious minutes Curtis sat up straight. He stared at the two men with unseeing eyes, and in them was unutterable terror.

He leaned over the collapsed figure for a moment, then went into another room and came back with a syringe. After a few tense minutes, Curtis sat up straight. He looked at the two men with vacant eyes, filled with unimaginable fear.

"_I saw her! I saw her!_" he screamed. "_There was a dagger in her heart. Marguerite!_"

"_I saw her! I saw her!_" he yelled. "_There was a dagger in her heart. Marguerite!_"

Again he fell back unconscious. The Thinking Machine squinted at Hatch.

Again he collapsed, losing consciousness. The Thinking Machine narrowed his eyes at Hatch.

"The man's got delirium tremens," he snapped impatiently.

"The guy's having delirium tremens," he said curtly.



III.

For fifteen minutes Hatch silently looked on as The Thinking Machine worked over the unconscious man. Once or twice Curtis moved uneasily and moaned slightly. Hatch had started to explain the situation to The Thinking Machine, but the irascible scientist glared at him and the reporter became silent. After ten or fifteen minutes The Thinking Machine turned to Hatch more genially.

For fifteen minutes, Hatch watched quietly as The Thinking Machine examined the unconscious man. A couple of times, Curtis shifted uncomfortably and groaned softly. Hatch had begun to explain the situation to The Thinking Machine, but the irritable scientist shot him a glare, causing the reporter to fall silent. After ten or fifteen minutes, The Thinking Machine turned to Hatch with a friendlier expression.

"He'll be all right in a little while now," he said. "What is it?"

"He'll be fine in a bit," he said. "What's going on?"

"Well, it's a murder," Hatch began. "Marguerite Melrose, an actress, was stabbed through the heart last night, and----"

"Well, it's a murder," Hatch started. "Marguerite Melrose, an actress, was stabbed in the heart last night, and----"

"Murder?" interrupted The Thinking Machine. "Might it not have been suicide?"

"Murder?" interrupted The Thinking Machine. "Could it not have been suicide?"

"Might have been; yes," said the reporter, after a moment's pause. "But it appears to be murder."

"Might have been; yeah," said the reporter, after a brief pause. "But it looks like murder."

"When you say it is murder," said The Thinking Machine, "you immediately give the impression that you were there and saw it. Go on."

"When you say it’s murder," said The Thinking Machine, "you immediately make it seem like you were there and witnessed it. Go ahead."

From the beginning, then, Hatch told the story as he knew it; of the stopping of The Green Dragon at the Monarch Inn, of the events there, of the whereabouts of Curtis and Reid at the time the girl received the knife thrust and of the confirmation of Reid's story. Then he detailed those incidents of the arrival of the men with the girl at Dr. Leonard's house, of what had transpired there, of the effort Curtis had made to get possession of the knife.

From the start, Hatch shared the story as he understood it: how The Green Dragon stopped at the Monarch Inn, what happened there, where Curtis and Reid were when the girl was stabbed, and how Reid's account was verified. Then he went into detail about the arrival of the men with the girl at Dr. Leonard's house, what occurred there, and the attempts Curtis made to take the knife.

With finger tips pressed together and squinting steadily upward, The Thinking Machine listened. At its end, which bore on the actions of Curtis just preceding his appearance in the room with them, The Thinking Machine arose and walked over to the couch where Curtis lay. He ran his slender fingers idly through the unconscious man's thick hair several times.

With his fingertips pressed together and squinting upwards, The Thinking Machine listened. After processing everything related to Curtis just before he entered the room, The Thinking Machine got up and walked over to the couch where Curtis was lying. He ran his slender fingers idly through the unconscious man's thick hair several times.

"Doesn't it strike you as perfectly possible, Mr. Hatch," he asked finally, "that Miss Melrose _did_ kill herself?"

"Don't you think it's totally possible, Mr. Hatch," he asked finally, "that Miss Melrose _did_ take her own life?"

"It may be perfectly possible, but it doesn't appear so," said Hatch. "There was no motive."

"It might be totally possible, but it doesn't seem that way," said Hatch. "There was no reason."

"And certainly you've shown no motive for anything else," said the other, crustily. "Still," he mused, "I really can't say anything until I talk to him."

"And you definitely haven't given any reason for anything else," the other person said gruffly. "But," he thought, "I really can't say anything until I speak with him."

He again turned to his patient, and as he looked saw the red blood surge back into the face.

He turned back to his patient, and as he looked, he saw the red blood rush back into the face.

"Ah, now we're all right," he announced.

"Ah, now we're good," he said.

Thus it happened, for after another ten minutes the patient sat up suddenly on the couch and looked at the two men before him, bewildered.

Thus it happened, for after another ten minutes the patient sat up suddenly on the couch and looked at the two men before him, confused.

"What's the matter?" he asked. The thickness was gone from his speech; he was himself again, although a little shaky.

"What's wrong?" he asked. The heaviness was gone from his voice; he was himself again, though a bit unsteady.

Briefly, Hatch explained to him what had happened, and he listened silently. Finally he turned to The Thinking Machine.

Briefly, Hatch told him what had happened, and he listened quietly. Finally, he turned to The Thinking Machine.

"And this gentleman?" he asked. He noted the queer appearance of the scientist, and stared into the squint eyes frankly.

"And this guy?" he asked. He noticed the strange look of the scientist and stared directly into the squinting eyes.

"Professor Van Dusen, a distinguished scientist and physician," Hatch introduced. "I brought you here. He has been working with you for an hour."

"Professor Van Dusen, a renowned scientist and doctor," Hatch said. "I brought you here. He has been working with you for an hour."

"And now, Mr. Curtis," said The Thinking Machine, "if you will tell us _all_ you know about the murder of Miss Melrose----"

"And now, Mr. Curtis," said The Thinking Machine, "if you could share everything you know about Miss Melrose's murder----"

Curtis paled suddenly.

Curtis suddenly turned pale.

"Why do you ask me?" he demanded.

"Why are you asking me?" he insisted.

"You said a great deal while you were unconscious," remarked The Thinking Machine, as he dreamily stared at the ceiling. "I know that worry over that and too much alcohol have put you in a condition bordering on nervous collapse. I think it would be better if you told it _all_."

"You said a lot while you were out cold," The Thinking Machine said, gazing dreamily at the ceiling. "I can see that your stress about that and too much alcohol have left you close to a nervous breakdown. I think it would be best if you shared everything."

Hatch instantly saw the trend of the scientist's remarks, and remained discreetly silent. Curtis stared at both for a moment, then paced nervously across the room. He did not know what he might have said, what chance word might have been dropped. Then, apparently, he made up his mind, for he stopped suddenly in front of The Thinking Machine.

Hatch immediately recognized the pattern in the scientist's comments and stayed quietly in the background. Curtis looked at both of them for a moment, then nervously started pacing around the room. He was unsure of what he might have said or what careless word might have slipped out. Then, seemingly deciding what to do, he abruptly stopped in front of The Thinking Machine.

"Do I look like a man who would commit murder?" he asked.

"Do I look like the kind of guy who would commit murder?" he asked.

"No, you do not," was the prompt response. His recital of the story was similar to that of Hatch, but the scientist listened carefully.

"No, you don't," was the quick reply. His telling of the story was like Hatch's, but the scientist paid close attention.

"Details! details!" he interrupted once.

"Details! Details!" he interrupted once.

The story was complete from the moment Curtis jumped out of the car until the return to the hotel of Curtis and Reid. There the narrator stopped.

The story wrapped up from the moment Curtis jumped out of the car until he and Reid returned to the hotel. That's where the narrator ended.

"Mr. Curtis, why did you try to induce Dr. Leonard to give up the knife to you?" asked The Thinking Machine, finally.

"Mr. Curtis, why did you try to get Dr. Leonard to hand over the knife to you?" asked The Thinking Machine, at last.

"Because--well, because----" He faltered, flushed and stopped.

"Because—well, because—" He hesitated, blushed, and fell silent.

"Because you were afraid it would bring the crime home to you?" asked the scientist.

"Are you worried it would link the crime back to you?" asked the scientist.

"I didn't know _what_ might happen," was the response.

"I didn't know what might happen," was the response.

"Is it your knife?"

"Is this your knife?"

Again the tell-tale flush overspread Curtis's face.

Again, a telltale flush covered Curtis's face.

"No," he said, flatly.

"No," he said, firmly.

"Is it Reid's knife?"

"Is that Reid's knife?"

"Oh, no," he said, quickly.

"Oh no," he said quickly.

"You were in love with Miss Melrose?"

"You were in love with Miss Melrose?"

"Yes," was the steady reply.

"Yes," was the calm reply.

"Had she ever refused to marry you?"

"Has she ever said no to marrying you?"

"I had never asked her."

"I never asked her."

"Why?"

"Why?"

"Is this a third degree?" demanded Curtis, angrily, and he arose. "Am I a prisoner?"

"Is this a third degree?" Curtis demanded angrily as he stood up. "Am I a prisoner?"

"Not at all," said The Thinking Machine, quietly. "You may be made a prisoner, though, on what you said while unconscious. I am merely trying to help you."

"Not at all," said The Thinking Machine softly. "You could be held captive based on what you said while you were out of it. I'm just trying to help you."

Curtis sank down in a chair with his head in his hands and remained motionless for several minutes. At last he looked up.

Curtis dropped into a chair with his head in his hands and stayed still for several minutes. Finally, he looked up.

"I'll answer your questions," he said.

"I'll answer your questions," he said.

"Why did you never ask Miss Melrose to marry you?"

"Why did you never ask Miss Melrose to marry you?"

"Because--well, because I understood another man, Donald MacLean, was in love with her, and she might have loved him. I understood she would have married him had it not been that by doing so she would have caused his disinheritance. MacLean is now in Boston."

"Because—well, because I realized another man, Donald MacLean, was in love with her, and she might have loved him back. I understood she would have married him if it hadn't meant he would lose his inheritance. MacLean is now in Boston."

"Ah!" exclaimed The Thinking Machine. "Your friend Reid didn't happen to be in love with her, too, did he?"

"Ah!" exclaimed The Thinking Machine. "Your friend Reid wasn't in love with her too, was he?"

"Oh, no," was the reply. "Reid came here hoping to win the love of Miss Dow, a society girl. I came with him."

"Oh, no," was the response. "Reid came here wanting to win the affection of Miss Dow, a socialite. I came along with him."

"Miss Dow?" asked Hatch, quickly. "The girl who eloped last night with Morgan Mason?"

"Miss Dow?" Hatch asked hurriedly. "The girl who ran away with Morgan Mason last night?"

"Yes," replied Curtis. "That elopement and this--crime have put Reid almost in as bad a condition as I am."

"Yeah," replied Curtis. "That elopement and this--crime have put Reid almost in as bad a spot as I am."

"What elopement?" asked The Thinking Machine.

"What elopement?" The Thinking Machine asked.

Hatch explained how Mason had procured a marriage license, how Miss Dow and Mason had met at the Monarch Inn--where Miss Melrose must have been killed according to all stories--how Miss Dow had written to her parents from there of the elopement and then of their disappearance. The Thinking Machine listened, but without apparent interest.

Hatch explained how Mason had gotten a marriage license, how Miss Dow and Mason met at the Monarch Inn—where Miss Melrose must have been killed according to all the stories—how Miss Dow had written to her parents from there about the elopement and then about their disappearance. The Thinking Machine listened, but seemed uninterested.

"Have you such a knife as was used to kill Miss Melrose?" he asked at the end.

"Do you have the type of knife that was used to kill Miss Melrose?" he asked at the end.

"No."

"Nope."

"Did you ever have such a knife?"

"Have you ever had a knife like that?"

"Well, once."

"Sure, once."

"Where did you carry it when it was not in your auto kit?"

"Where did you put it when it wasn't in your car kit?"

"In my lower coat pocket."

"In my inner coat pocket."

"By the way, what kind of looking woman was Miss Melrose?"

"By the way, what did Miss Melrose look like?"

"One of the most beautiful women I ever met," said Curtis, with a certain enthusiasm. "Of ordinary height, superb figure--a woman who would attract attention anywhere."

"One of the most beautiful women I’ve ever met," Curtis said, with a certain enthusiasm. "She’s of average height, has a fantastic figure—a woman who would turn heads anywhere."

"I believe she wore a veil and an automobile mask at the time she was killed?"

"I think she was wearing a veil and a car mask when she was killed?"

"Yes. They covered all her face except her chin."

"Yeah. They covered her entire face except for her chin."

"Could she, wearing an automobile mask, see either side of herself without turning?" asked The Thinking Machine, pointedly. "Had you intended to stab her, say while the car was in motion and had the knife in your hand, even in daylight, could she have seen it without turning her head? Or, if she had had the knife, could you have seen it?"

"Could she, wearing a car mask, see either side of herself without turning?" asked The Thinking Machine, sharply. "If you had planned to stab her, say while the car was moving and you had the knife in your hand, even in daylight, could she have seen it without turning her head? Or, if she had the knife, would you have been able to see it?"

Curtis shuddered a little.

Curtis shuddered slightly.

"No, I don't believe so."

"No, I don't think so."

"Was she blonde or brunette?"

"Was she blonde or brown-haired?"

"Blonde, with great clouds of golden hair," said Curtis, and again there was admiration in his tone.

"Blonde, with beautiful waves of golden hair," said Curtis, and once again, there was admiration in his voice.

"Golden hair?" Hatch repeated. "I understood Medical Examiner Francis to say she had dark hair?"

"Golden hair?" Hatch repeated. "I thought Medical Examiner Francis said she had dark hair?"

"No, golden hair," was the positive reply.

"No, golden hair," was the firm reply.

"Did you see the body, Mr. Hatch?" asked the scientist.

"Did you see the body, Mr. Hatch?" the scientist asked.

"No. None of us saw it. Dr. Francis makes that a rule."

"No. None of us saw it. Dr. Francis has a rule about that."

The Thinking Machine arose, excused himself and passed into another room. They heard the telephone bell ring and then some one closed the door connecting the two rooms. When the scientist returned he went straight to a point which Hatch had impatiently awaited.

The Thinking Machine got up, apologized, and moved into another room. They heard the phone ring, and then someone shut the door between the two rooms. When the scientist came back, he went directly to a point that Hatch had been eagerly waiting for.

"What happened to you this afternoon in Winter Street?"

"What happened to you this afternoon on Winter Street?"

Curtis had retained his composure well up to this point; now he became uneasy again. Quick pallor on his face was succeeded by a flush which crept up to the roots of his hair.

Curtis had kept his cool until now; but now he felt uneasy again. The quick paleness on his face was followed by a flush that crept up to the roots of his hair.

"I've been drinking too much," he said at last. "That and this thing have completely unnerved me. I am afraid I was not myself."

"I've been drinking too much," he finally said. "That, along with this situation, has completely thrown me off. I'm afraid I wasn't myself."

"What did you _think_ you saw?" insisted The Thinking Machine.

"What do you _think_ you saw?" insisted The Thinking Machine.

"I went into a store for something. I've forgotten what now. I know there was a great crowd of women--they were all about me. There I saw--" He stopped and was silent for a moment. "There I saw," he went on with an effort, "a woman--just a glimpse of her, over the heads of the others in the store--and----"

"I went into a store for something. I can't remember what it was now. I know there was a huge crowd of women all around me. There I saw—" He paused and was quiet for a moment. "There I saw," he continued with effort, "a woman—just a quick look at her, over the heads of the others in the store—and----"

"And what?" insisted The Thinking Machine. "At the moment I would have sworn it was Marguerite Melrose," was the reply.

"And what?" demanded The Thinking Machine. "Right now, I could have sworn it was Marguerite Melrose," came the response.

"Of course you know you were mistaken?"

"Of course you realize you were wrong?"

"I know it now," said Curtis. "It was a chance resemblance, but the effect on me was awful. I ran out of there shrieking--it seemed to me. Then I found myself here."

"I get it now," said Curtis. "It was just a random resemblance, but it hit me hard. I ran out of there screaming--or at least that's how it felt. Then I found myself here."

"And you don't know what you said or did from that time until the present?" asked the scientist, curiously.

"And you have no idea what you said or did from then until now?" the scientist asked, intrigued.

"No, except in a hazy sort of way."

"No, not really, but sort of."

After awhile Martha, the scientist's aged servant, appeared in the doorway.

After a while, Martha, the scientist's elderly servant, appeared in the doorway.

"Mr. Mallory and a gentleman, sir."

"Mr. Mallory and a gentleman, sir."

"Let them come in," said The Thinking Machine. "Mr. Curtis," and he turned to him gravely, "Mr. Reid is here. I sent for him as if at your request to ask him two questions. If he answers those questions, as I believe he will, I can demonstrate that you are not guilty of and have no connection with the murder of Miss Melrose. Let me ask these questions, without any hint or remark from you as to what the answer must be. Are you willing?"

"Let them in," said The Thinking Machine. "Mr. Curtis," he said seriously, "Mr. Reid is here. I called him in as if you requested, to ask him two questions. If he answers them, as I expect he will, I can show that you’re not guilty of and have no link to the murder of Miss Melrose. Let me ask these questions, without any suggestions or comments from you about what the answers should be. Are you okay with that?"

"I am," replied Curtis. His face was white, but his voice was firm.

"I am," Curtis replied. His face was pale, but his voice was steady.

Detective Mallory, whom Curtis didn't know, and Charles Reid entered the room. Both looked about curiously. Mallory nodded brusquely at Hatch. Reid looked at Curtis and Curtis looked away.

Detective Mallory, who Curtis didn’t know, and Charles Reid walked into the room. Both looked around with interest. Mallory gave a quick nod to Hatch. Reid glanced at Curtis, who looked away.

"Mr. Reid," said The Thinking Machine, without any preliminary, "Mr. Curtis tells me that the knife used to kill Miss Melrose was your property. Is that so?" he demanded quickly, as Curtis faced about wonderingly.

"Mr. Reid," said The Thinking Machine, getting straight to the point, "Mr. Curtis tells me that the knife used to kill Miss Melrose was yours. Is that true?" he asked quickly, as Curtis turned around in surprise.

"No," thundered Reid, fiercely. "Is it Mr. Curtis's knife?" asked The Thinking Machine.

"No," Reid shouted fiercely. "Is it Mr. Curtis's knife?" asked The Thinking Machine.

"Yes," flashed Reid. "It's a part of his auto kit."

"Yeah," Reid said quickly. "It's part of his car kit."

Curtis started to speak; The Thinking Machine waved his hand toward him. Detective Mallory caught the gesture and understood that Jack Curtis was his prisoner for murder.

Curtis began to speak; The Thinking Machine gestured for him to stop. Detective Mallory noticed the sign and realized that Jack Curtis was his suspect in the murder case.


IV.

Curtis was led away and locked up. He raved and bitterly denounced Reid for the information he had given, but he did not deny it. Indeed, after the first burst of fury he said nothing.

Curtis was taken away and locked up. He ranted and harshly criticized Reid for the information he had provided, but he didn’t deny it. In fact, after the initial outburst of anger, he fell silent.

Once he was under lock and key the police, led by Detective Mallory, searched his rooms at the Hotel Teutonic and there they found a handkerchief stained with blood. It was slight, still it was a stain. This was immediately placed in the hands of an expert, who pronounced it human blood. Then the case against Curtis seemed complete; it was his knife, he had been in love with Miss Melrose, therefore probably jealous of her, and here was the tell-tale bloodstain.

Once he was locked up, the police, led by Detective Mallory, searched his rooms at the Hotel Teutonic and found a handkerchief stained with blood. It was small, but it was still a stain. They quickly handed it over to an expert, who confirmed it was human blood. At that point, the case against Curtis seemed airtight; it was his knife, he had been in love with Miss Melrose, which likely made him jealous, and there was the incriminating bloodstain.

Meanwhile Reid was permitted to go his way. He seemed crushed by the rapid sequence of events, and read eagerly every line he could find in the public prints concerning both the murder and the elopement of Miss Dow. This latter affair, indeed, seemed to have greater sway over his mind than the murder, or that a lifetime friend was now held as the murderer.

Meanwhile, Reid was allowed to go on with his life. He appeared overwhelmed by the fast pace of events and eagerly read every article he could find in the newspapers about both the murder and Miss Dow's elopement. In fact, this latter situation seemed to occupy his thoughts even more than the murder or the fact that a lifelong friend was now accused of being the murderer.

Meanwhile The Thinking Machine had signified to Hatch his desire to visit the scene of the crime and see what might be done there. Late in the afternoon, therefore, they started, taking a train for a village nearest the Monarch Inn.

Meanwhile, The Thinking Machine had communicated to Hatch his wish to visit the crime scene and see what could be done there. So, late in the afternoon, they set off, taking a train to the village closest to the Monarch Inn.

"It's a most extraordinary case," The Thinking Machine said, "much more extraordinary than you can imagine."

"It's an incredibly unusual situation," The Thinking Machine said, "far more unusual than you can imagine."

"In what respect?" asked the reporter.

"In what way?" asked the reporter.

"In motive, in the actual manner of the girl meeting her death and in a dozen other details which I can't state now because I haven't all the facts."

"In terms of motive, in the way the girl met her death, and in a dozen other details that I can't share right now because I don't have all the facts."

"You don't doubt but what it was murder?"

"You don't doubt that it was murder, do you?"

"It doesn't necessarily follow," said The Thinking Machine, evasively. "Suppose we were seeking a motive for Miss Melrose's suicide, what would we have? We would have her love affair with this man MacLean whom she refused to marry because she knew he would be disinherited. Suppose she had not seen him for a couple of years--suppose she had made up her mind to give him up--that he had suddenly appeared when she sat alone in the automobile in front of the Monarch Inn--suppose, then, finding all her love reawakened, she had decided to end it all?"

"It doesn't necessarily follow," said The Thinking Machine, dodging the question. "If we were trying to find a reason for Miss Melrose's suicide, what would we discover? We would find out about her relationship with this guy MacLean, whom she didn't marry because she knew he'd be cut off from his inheritance. Now, what if she hadn't seen him in a couple of years—what if she had decided to move on—then he suddenly showed up while she was sitting alone in the car outside the Monarch Inn—what if, feeling all her feelings come rushing back, she decided to take her life?"

"But Curtis's knife and the blood on his handkerchief?"

"But what about Curtis's knife and the blood on his handkerchief?"

"Suppose, having made up her mind to kill herself, she had sought a weapon?" went on The Thinking Machine, as if there had been no interruption. "What is more natural than she should have sought something--the knife, say--in the tool bag or kit, which must have been near her? Suppose she stabbed herself while the men were away from the automobile, or even after they had started on again in the darkness?"

"Imagine if she had decided to take her own life and looked for a weapon?" continued The Thinking Machine, as if there had been no pause. "Isn’t it natural that she would have searched for something—like a knife—in the tool bag or kit that was probably close by? What if she stabbed herself while the men were away from the car, or even after they had taken off again into the darkness?"

Hatch looked a little crestfallen.

Hatch looked a bit down.

"You believe, then, that she did kill herself?" he asked.

"You think, then, that she did kill herself?" he asked.

"Certainly not," was the prompt response. "I don't believe Miss Melrose killed herself--but as yet I know nothing to the contrary. As for the blood on Curtis's handkerchief, remember he helped carry the body to Dr. Leonard; it might have come from that--it might have come from a slight spattering of blood."

"Definitely not," was the quick response. "I don't think Miss Melrose took her own life—but I don’t have any evidence to suggest otherwise. Regarding the blood on Curtis's handkerchief, keep in mind he assisted in carrying the body to Dr. Leonard; it could have come from that—it might have been from a small splatter of blood."

"But circumstances certainly implicate Curtis."

"But the situation definitely implicates Curtis."

"I wouldn't convict any man of any crime on any circumstantial evidence," was the response. "It's worthless unless a man is forced to confess."

"I wouldn't convict anyone of any crime based on circumstantial evidence," was the response. "It's meaningless unless a person is made to confess."

The reporter was puzzled, bewildered, and his face showed it. There were many things he did not understand, but the principal question in his mind took form:

The reporter was confused and it showed on his face. There were a lot of things he didn’t get, but the main question on his mind became clear:

"Why did you turn Curtis over to the police, then?"

"Why did you hand Curtis over to the police?"

"Because he is the man who owned the knife," was the reply. "I knew he was lying to me from the first about the knife. Men have been executed on less evidence than that."

"Because he’s the guy who owned the knife," was the response. "I could tell he was lying to me right from the start about the knife. People have been put to death on less proof than that."

The train stopped and they proceeded to the office of the medical examiner, where the body of the woman lay. Professor Van Dusen was readily permitted to see the body, even to offer his expert assistance in an autopsy which was then being performed; but the reporter was stopped at the door. After an hour The Thinking Machine came out.

The train stopped, and they headed to the medical examiner's office, where the woman's body was located. Professor Van Dusen was quickly allowed to see the body and even offered his expert help in an autopsy that was underway, but the reporter was blocked at the door. After an hour, The Thinking Machine came out.

"She was stabbed from the right," he said in answer to Hatch's inquiring look, "either by some one sitting at her right, by some one leaning over her right shoulder, or she might have done it herself."

"She was stabbed from the right," he replied to Hatch's questioning glance, "either by someone sitting to her right, by someone leaning over her right shoulder, or she might have done it herself."

Then they went on to Monarch Inn, five miles away. Here, after a comprehensive squint at the landscape, The Thinking Machine entered and for half an hour questioned three waiters there.

Then they went to Monarch Inn, five miles away. After taking a good look at the scenery, The Thinking Machine went inside and spent half an hour questioning three waiters there.

Did these waiters see Mr. Reid? Yes. They identified his published picture as a gentleman who had come in and taken a hot Scotch at the bar. Any one with him? No. Speak to anyone in the inn? Yes, a lady.

Did the waiters see Mr. Reid? Yes. They recognized his published photo as a man who had come in and had a hot Scotch at the bar. Was anyone with him? No. Did he talk to anyone in the inn? Yes, a lady.

"What did she look like?" asked The Thinking Machine.

"What did she look like?" The Thinking Machine asked.

"Couldn't say, sir," the waiter replied. "She came in an automobile and wore a mask, with a veil tied about her head and a long tan automobile coat."

"Can't say, sir," the waiter replied. "She arrived in a car and wore a mask, with a veil tied around her head and a long tan coat."

"With the mask on you couldn't see her face?"

"With the mask on, you couldn’t see her face?"

"Only her chin, sir."

"Just her chin, sir."

"No glimpse of her hair?"

"No sight of her hair?"

"No, sir. It was covered by the veil."

"No, sir. It was hidden by the veil."

Then The Thinking Machine turned loose a flood of questions. He learned that the woman had been waiting at the inn for nearly an hour when Reid entered; that she had come there alone and at her request had been shown into a private parlor--"to wait for a gentleman," she had told the waiter.

Then The Thinking Machine unleashed a torrent of questions. He discovered that the woman had been waiting at the inn for almost an hour when Reid arrived; that she had come there alone and at her request had been taken to a private parlor—"to wait for a gentleman," she had told the waiter.

She had opened the door when she heard Reid enter and had glanced out, but he had disappeared into the bar before she saw him. When he started away she looked out again. Then she saw him and he saw her. She seemed surprised and started to close the door, when he spoke to her. No one heard what was said, but he went in and the door was closed.

She had opened the door when she heard Reid come in and peeked outside, but he had already vanished into the bar before she saw him. When he moved away, she looked out again. Then she spotted him, and he noticed her. She looked surprised and began to close the door when he spoke to her. No one heard what they said, but he walked inside, and the door shut behind him.

No one knew just when either Reid or the woman left the inn. Some half an hour or so after Reid entered the room a waiter rapped on the door. There was no answer. He opened the door and went in, but there was no one there. It was presumed then that the gentleman she had been waiting for had appeared and they had gone out together. It was a fact that an automobile had come up meanwhile--in addition to that in which Curtis, Miss Melrose and Reid had come--and had gone away again.

No one knew exactly when Reid or the woman left the inn. About half an hour after Reid entered the room, a waiter knocked on the door. There was no response. He opened the door and went in, but there was no one there. It was assumed that the guy she had been waiting for showed up and they left together. It was a fact that another car had arrived in the meantime—besides the one Curtis, Miss Melrose, and Reid came in—and had driven away again.

When all this questioning had come to an end and these facts were in possession of The Thinking Machine, the reporter advanced a theory.

When all this questioning was over and The Thinking Machine had these facts, the reporter proposed a theory.

"That woman was unquestionably Miss Dow, who knew Reid and who eloped that night with Morgan Mason."

"That woman was definitely Miss Dow, who knew Reid and who ran off that night with Morgan Mason."

The Thinking Machine looked at him a moment without speaking, then led the way into the private room where the lady had been waiting. Hatch followed. They remained there five or ten minutes, then The Thinking Machine came out and started toward the front door, only eight or ten feet from this room. The road was twenty feet away.

The Thinking Machine looked at him for a moment without saying anything, then led the way into the private room where the woman had been waiting. Hatch followed. They stayed there for five or ten minutes, then The Thinking Machine came out and headed toward the front door, which was only eight or ten feet from this room. The road was twenty feet away.

"Let's go," he said, finally.

"Let's go," he finally said.

"Where?" asked Hatch.

"Where?" Hatch asked.

"Don't you see?" asked The Thinking Machine, irrelevantly, "that it would have been perfectly possible for Miss Melrose herself to have left the automobile and gone inside the inn for a few minutes?"

"Don't you see?" asked The Thinking Machine, somewhat off-topic, "that it would have been totally possible for Miss Melrose to have left the car and gone inside the inn for a few minutes?"

Following previously received directions The Thinking Machine now set out to find the man who had charge of the gasoline tank. They went away together and remained half an hour.

Following the earlier instructions, The Thinking Machine set out to find the person in charge of the gasoline tank. They left together and were gone for half an hour.

On the scientist's return to where Hatch had been waiting impatiently they climbed into the car which had brought them to the inn.

On the scientist's return to where Hatch had been waiting impatiently, they got into the car that had taken them to the inn.

"Two miles down this road, then the first road to your right until I tell you to stop," was the order to the chauffeur.

"Drive two miles down this road, then take the first right until I say to stop," was the instruction to the driver.

"Where are you going?" asked Hatch, curiously.

"Where are you headed?" Hatch asked, intrigued.

"Don't know yet," was the enigmatic reply.

"Not sure yet," was the mysterious response.

The car ran on through the night, with great, unblinking lights staring straight out ahead on a road as smooth as asphalt. The turn was made, then more slowly the car proceeded along the cross road. At the second house, dimly discernible through the night, The Thinking Machine gave the signal to stop.

The car drove on through the night, with bright, steady headlights shining straight ahead on a road as smooth as asphalt. The turn was made, and then the car moved more slowly along the crossroad. At the second house, faintly visible in the darkness, The Thinking Machine signaled to stop.

Hatch leaped out, and The Thinking Machine followed. Together they approached the house, a small cottage some distance back from the road. As they went up the path they came upon another automobile, but it had no lights and the engine was still.

Hatch jumped out, and The Thinking Machine followed. They walked towards the house, a small cottage set back from the road. As they made their way up the path, they noticed another car parked nearby, but it had no lights on and the engine was off.

Even in the darkness they could see that one of the forward wheels was gone, and the front of the car was demolished.

Even in the dark, they could see that one of the front wheels was missing, and the front of the car was wrecked.

"That fellow had a bad accident," Hatch remarked.

"That guy had a terrible accident," Hatch said.

An old woman and a boy appeared at the door in answer to their rap.

An old woman and a boy showed up at the door in response to their knock.

"I am looking for a gentleman who was injured last night in an automobile accident," said The Thinking Machine. "Is he still here?"

"I’m trying to find a man who got hurt last night in a car accident," said The Thinking Machine. "Is he still here?"

"Yes. Come in."

"Sure. Come on in."

They stepped inside as a man's voice called from another room:

They walked in as a man's voice came from another room:

"Who is it?"

"Who's there?"

"Two gentlemen to see the man who was hurt," the woman called.

"Two guys are here to see the man who got hurt," the woman called.

"Do you know his name?" asked The Thinking Machine.

"Do you know his name?" The Thinking Machine asked.

"No, sir," the woman replied. Then the man who had spoken appeared.

"No, sir," the woman replied. Then the man who had spoken showed up.

"Would it be possible for us to see the gentleman who was hurt?" asked The Thinking Machine.

"Can we see the guy who got hurt?" asked The Thinking Machine.

"Well, the doctor said we would have to keep folks away from him," was the reply. "Is there anything I could tell you?"

"Well, the doctor said we need to keep people away from him," was the response. "Is there anything I can tell you?"

"We would like to know who he is," said The Thinking Machine. "It may be that we can take him off your hands."

"We want to know who he is," said The Thinking Machine. "We might be able to help you out."

"I don't know his name," the man explained; "but here are the things we took off him. He was hurt on the head, and hasn't been able to speak since he was brought here."

"I don't know his name," the man explained, "but here are the things we took from him. He was injured on the head and hasn't been able to speak since he got here."

The Thinking Machine took a gold watch, a small notebook, two or three cards of various business concerns, two railroad tickets to New York and one thousand dollars in large bills. He merely glanced at the papers. No name appeared anywhere on them; the same with the railroad tickets. The business cards meant nothing at the moment. It was the gold watch on which the scientist concentrated his attention. He looked on both sides, then inside, carefully. Finally he handed it back.

The Thinking Machine picked up a gold watch, a small notebook, a couple of business cards, two train tickets to New York, and a thousand dollars in large bills. He just glanced at the papers. There were no names on them; the same went for the train tickets. The business cards didn’t mean anything right now. It was the gold watch that caught the scientist's focus. He examined it closely on both sides and then inside. Finally, he handed it back.

"What time did this gentleman come here?" he asked.

"What time did this guy arrive here?" he asked.

"We brought him in from the road about nine o'clock," was the reply. "We heard his automobile smash into something and found him there beside it a moment later. He was unconscious. His car had struck a stone on the curve and he was thrown out head first."

"We picked him up from the road around nine o'clock," was the response. "We heard his car crash into something and found him next to it moments later. He was unconscious. His car had hit a stone on the curve, and he was thrown out headfirst."

"And where is his wife?"

"And where's his wife?"

"His wife?" The man looked from The Thinking Machine to the woman. "His wife? We didn't see anybody else."

"His wife?" The man glanced from The Thinking Machine to the woman. "His wife? We didn't see anyone else."

"Nobody ran away from the machine as you went out?" insisted the scientist.

"Did anyone escape from the machine while you were leaving?" the scientist pressed.

"No, sir," was the positive reply.

"No, sir," was the firm response.

"And no woman has been here to inquire for him?"

"And no woman has come by to ask about him?"

"No, sir."

"Nope."

"Has anybody?"

"Has anyone?"

"No, sir."

"No way, sir."

"What direction was the car going when it struck?"

"What direction was the car heading when it hit?"

"I couldn't tell you, sir. It had turned entirely over and was in the middle of the road when we found it."

"I can’t tell you, sir. It was completely flipped over and in the middle of the road when we found it."

"What's the number of the car?"

"What's the license plate number of the car?"

"It didn't have any."

"It didn't have any."

"This gentleman has good medical attention, I suppose?"

"This guy gets good medical care, I assume?"

"Yes, sir. Dr. Leonard is attending him. He says his condition isn't dangerous, and meanwhile we're letting him stay here, because we suppose he'll make it all right with us when he gets well."

"Yes, sir. Dr. Leonard is taking care of him. He says his condition isn't serious, and for now, we're letting him stay here because we think he'll sort everything out with us once he gets better."

"Thank you--that's all," said The Thinking Machine. "Good-night."

"Thanks—that’s all," said The Thinking Machine. "Good night."

With Hatch he turned and left the house. "What is all this?" asked Hatch, bewildered. "That man is Morgan Mason," said The Thinking Machine.

With Hatch, he turned and left the house. "What's going on?" asked Hatch, confused. "That man is Morgan Mason," said The Thinking Machine.

"The man who eloped with Miss Dow?" asked Hatch, breathlessly.

"The guy who ran off with Miss Dow?" asked Hatch, breathlessly.

"Now, where is Miss Dow?" asked The Thinking Machine, in turn.

"Now, where is Miss Dow?" asked The Thinking Machine, in response.

"You mean----"

"You mean—"

The Thinking Machine waved his hand off into the vague night; it was a gesture which Hatch understood perfectly.

The Thinking Machine waved his hand into the dim night; it was a gesture that Hatch understood completely.


V.

Hutchinson Hatch was deeply thoughtful on the swift run back to the village. There he and The Thinking Machine took train to Boston. Hatch was turning over possibilities. Had Miss Dow eloped with some one besides Mason? There had been no other name mentioned. Was it possible that she killed Miss Melrose? Vaguely his mind clutched for a motive for this, yet none appeared, and he dismissed the idea with a laugh at its absurdity. Then, What? Where? How? Why?

Hutchinson Hatch was lost in thought on the quick trip back to the village. There, he and The Thinking Machine caught a train to Boston. Hatch was considering the possibilities. Had Miss Dow run away with someone other than Mason? No other names had come up. Could she have killed Miss Melrose? His mind vaguely searched for a motive, but nothing came to him, and he brushed the idea aside with a laugh at how ridiculous it seemed. Then came the questions: What? Where? How? Why?

"I suppose the story of an actress having been murdered in an automobile under mysterious circumstances would have been telegraphed all over the country, Mr. Hatch?" asked The Thinking Machine.

"I guess the story of an actress being murdered in a car under mysterious circumstances would have been reported all over the country, Mr. Hatch?" asked The Thinking Machine.

"Yes," said Hatch. "If you mean this story, there's not a city in the country that doesn't know of it by this time."

"Yes," said Hatch. "If you’re talking about this story, there isn't a city in the country that doesn't know about it by now."

"It's perfectly wonderful, the resources of the press," the scientist mused.

"It's absolutely amazing, the resources of the press," the scientist thought.

Hatch nodded his acquiescence. He had hoped for a moment that The Thinking Machine had asked the question as a preliminary to something else, but that was apparently all. After awhile the train jerked a little and The Thinking Machine spoke again.

Hatch nodded in agreement. He had briefly hoped that The Thinking Machine had asked the question as a lead-in to something more, but that seemed to be it. After a short while, the train jolted slightly, and The Thinking Machine spoke again.

"I think, Mr. Hatch, I wouldn't yet print anything about the disappearance of Miss Dow," he said. "It might be unwise at present. No one else will find it out, so----"

"I think, Mr. Hatch, I wouldn't publish anything about Miss Dow's disappearance yet," he said. "It might not be smart to do that right now. No one else will figure it out, so----"

"I understand," said Hatch. It was a command. "By the way," the other went on, "do you happen to remember the name of that Winter Street store that Curtis went in?"

"I get it," Hatch said. It was an order. "By the way," the other continued, "do you happen to recall the name of that Winter Street store that Curtis went into?"

"Yes," and he named it.

"Yes," and he called it.

It was nearly midnight when The Thinking Machine and Hatch reached Boston. The reporter was dismissed with a curt:

It was almost midnight when The Thinking Machine and Hatch arrived in Boston. The reporter was sent away with a sharp:

"Come up at noon to-morrow."

"Come by at noon tomorrow."

Hatch went his way. Next day at noon promptly he was waiting in the reception room of The Thinking Machine's home. The scientist was out--down in Winter Street, Martha explained--and Hatch waited impatiently for his return. He came in finally.

Hatch went on his way. The next day at noon, he was waiting in the reception room of The Thinking Machine's house. The scientist was out—down on Winter Street, Martha explained—and Hatch waited impatiently for him to come back. He finally walked in.

"Well?" inquired the reporter.

"Well?" asked the reporter.

"Impossible to say anything until day after to-morrow," said The Thinking Machine.

"Can't say anything until the day after tomorrow," said The Thinking Machine.

"And then?" asked Hatch.

"And then?" Hatch asked.

"The solution," replied the scientist positively. "Now I'm waiting for some one."

"The solution," the scientist said confidently. "Now I'm just waiting for someone."

"Miss Dow?"

"Ms. Dow?"

"Meanwhile you might see Reid and find out in some way if he ever happened to make a gift of any little thing, a thing that a woman would wear on the outside of her coat, for instance, to Miss Dow."

"Meanwhile, you might check with Reid to see if he ever gave Miss Dow any small gift, like something a woman would wear on the outside of her coat."

"Lord, I don't think _he'll_ say anything."

"Lord, I don't think he will say anything."

"Find out, too, when he intends to go back West."

"Also, find out when he plans to head back West."

It took Hatch three hours, and required a vast deal of patience and skill, to find out that on a recent birthday Miss Dow had received a present of a monogram belt buckle from Reid. That was all; and that was not what The Thinking Machine meant. Hatch had the word of Miss Dow's maid for it that while Miss Dow wore this belt at the time of her elopement, it was underneath the automobile coat.

It took Hatch three hours, and a lot of patience and skill, to discover that on a recent birthday, Miss Dow had received a monogram belt buckle from Reid. That was it; and that wasn't what The Thinking Machine was referring to. Hatch had the maid's word that while Miss Dow was wearing this belt during her elopement, it was hidden under her car coat.

"Have you heard anything more from Miss Dow?" asked Hatch.

"Have you heard anything else from Miss Dow?" asked Hatch.

"Yes," responded the maid. "Her father received a letter from her this morning. It was from Chicago, and said that she and her husband were on their way to San Francisco and that the family might not hear from them again until after the honeymoon."

"Yes," replied the maid. "Her father got a letter from her this morning. It was from Chicago and said that she and her husband were on their way to San Francisco, and that the family might not hear from them again until after the honeymoon."

"How? What?" gasped Hatch. His brain was in a muddle. "She in Chicago, _with--her husband?_"

"How? What?" Hatch gasped. His mind was a mess. "She's in Chicago, with her husband?"

"Yes, sir."

"Yes, sir."

"Is there any question about the letter being in her handwriting?"

"Is there any doubt that the letter is in her handwriting?"

"Not at all," replied the maid, positively. "It's perfectly natural," she concluded.

"Not at all," replied the maid confidently. "It's totally natural," she concluded.

"But----" Hatch began, then he stopped.

"But—" Hatch started, then he paused.

For one fleeting instant he was tempted to tell the maid that the man whom the family had supposed was Miss Dow's husband was lying unconscious at a farmhouse not a great way from the Monarch Inn, and that there was no trace of Miss Dow. Now this letter! His head whirled when he thought of it.

For a brief moment, he almost told the maid that the man the family believed was Miss Dow's husband was lying unconscious at a farmhouse not far from the Monarch Inn, and that there was no sign of Miss Dow. Now this letter! His mind spun when he thought about it.

"Is there any question but that Miss Dow did elope with Mr. Mason and not some other man?" he asked.

"Is there any doubt that Miss Dow ran away with Mr. Mason and not someone else?" he asked.

"It was Mr. Mason, all right," the girl responded. "I knew there was to be an elopement and helped arrange for Miss Dow to go," she added, confidentially. "It was Mr. Mason, I know."

"It was definitely Mr. Mason," the girl said. "I knew there was going to be an elopement and helped set it up for Miss Dow to leave," she added, in confidence. "It was Mr. Mason, I’m sure of it."

Then Hatch rushed away and telephoned to The Thinking Machine. He simply couldn't hold this latest development until he saw him again.

Then Hatch quickly left and called The Thinking Machine. He just couldn't wait to discuss this latest development until he saw him again.

"We've made a mistake," he bellowed through the 'phone.

"We messed up," he yelled through the phone.

"What's that?" demanded The Thinking Machine, aggressively.

"What's that?" The Thinking Machine asked, sounding aggressive.

"Miss Dow is in Chicago with her husband--family has received a letter from her--that man out there with the smashed head can't be Mason," the reporter explained hurriedly.

"Miss Dow is in Chicago with her husband—her family got a letter from her—that guy out there with the smashed head can't be Mason," the reporter said quickly.

"Dear me, dear me!" said The Thinking Machine over the wire. And again: "Dear me!"

"Goodness, goodness!" said The Thinking Machine over the wire. And again: "Goodness!"

"Her maid told me all about it," Hatch rushed on, "that is, all about her aiding Miss Dow to elope, and all that. Must be some mistake."

"Her maid filled me in on everything," Hatch continued eagerly, "that is, everything about her helping Miss Dow run away and all that. There must be some mistake."

"Dear me!" again came in the voice of The Thinking Machine. Then: "Is Miss Dow a blonde or brunette?"

"Goodness!" came The Thinking Machine's voice again. Then: "Is Miss Dow a blonde or a brunette?"

The irrelevancy of the question caused Hatch to smile in spite of himself.

The irrelevance of the question made Hatch smile despite himself.

"A brunette," he answered. "A pronounced brunette."

"A brunette," he replied. "A very noticeable brunette."

"Then," said The Thinking Machine, as if this were merely dependent upon or a part of the blonde or brunette proposition, "get immediately a picture of Mason somewhere--I suppose you can--go out and see that man with the smashed head and see if it is Mason. Let me know by 'phone."

"Then," said The Thinking Machine, as if this were just a detail related to whether she was blonde or brunette, "get a picture of Mason right away—I assume you can do that—go out and check on that guy with the smashed head and see if it’s Mason. Let me know by phone."

"All right," said Hatch, rather hopelessly. "But it is impossible----"

"Okay," Hatch said, feeling pretty hopeless. "But it’s impossible----"

"Don't say that," snapped The Thinking Machine. "Don't say that," he repeated, angrily. "It annoys me exceedingly."

"Don't say that," snapped The Thinking Machine. "Don't say that," he repeated, angrily. "It really annoys me."

It was nearly ten o'clock that night when Hatch again 'phoned to The Thinking Machine. He had found a photograph, he had seen the man with the smashed head. They were the same. He so informed The Thinking Machine.

It was almost ten o'clock that night when Hatch called The Thinking Machine again. He had found a photograph and seen the man with the crushed head. They were the same. He let The Thinking Machine know.

"Ah," said that individual, quietly. "Did you find out about any gift that Reid might have made to Miss Dow?" he asked.

"Ah," said that person quietly. "Did you find out about any gift that Reid might have given to Miss Dow?" he asked.

"Yes, a monogram belt buckle of gold," was the reply.

"Yeah, a gold monogram belt buckle," was the reply.

Hatch was over his head and knew it. He was finding out things and answering questions, which by the wildest stretch of his imagination, he could not bring to bear on the matter in hand--the mystery surrounding the murder of Marguerite Melrose, an actress.

Hatch was in way over his head and he realized it. He was uncovering information and addressing questions that, without any doubt, he could not apply to the situation at hand—the mystery surrounding the murder of Marguerite Melrose, an actress.

"Meet me at my place here at one o'clock day after to-morrow," instructed The Thinking Machine. "Publish as little as you can of this matter until you see me. It's extraordinary--perfectly extraordinary. Good-by."

"Meet me at my place here at one o'clock the day after tomorrow," said The Thinking Machine. "Keep this as quiet as possible until we talk. It's incredible—truly incredible. Goodbye."

That was all. Hatch groped hopelessly through the tangle, seeking one fact that he could grasp. Then it occurred to him that he had never ascertained when Reid intended to return West, and he went to the Hotel Teutonic for this purpose. The clerk informed him that Reid was to start in a couple of days. Reid had hardly left his room since Curtis was locked up.

That was it. Hatch searched desperately through the mess, trying to find one fact he could hold on to. Then it hit him that he had never figured out when Reid planned to head back West, so he went to the Hotel Teutonic to find out. The clerk told him that Reid was set to leave in a couple of days. Reid had barely left his room since Curtis got locked up.

Precisely at one o'clock on the second day following, as directed by The Thinking Machine, Hatch appeared and was ushered in. The Thinking Machine was bowed over a retort in his laboratory, and he looked up at the reporter with a question in his eyes.

Exactly at one o'clock on the second day after, as instructed by The Thinking Machine, Hatch showed up and was brought in. The Thinking Machine was leaning over a retort in his lab, and he looked up at the reporter with a questioning look.

"Oh, yes," he said, as if recollecting for the first time the purpose of the visit. "Oh, yes."

"Oh, right," he said, as if remembering for the first time why he was there. "Oh, right."

He led the way to the reception room and gave instructions to Martha to admit whoever inquired for him; then he sat down and leaned back in his chair. After a while the bell rang and two men were shown in. One was Charles Reid; the other a detective whom Hatch knew.

He walked ahead to the reception room and told Martha to let in anyone who asked for him; then he sat down and relaxed in his chair. After a bit, the bell rang, and two men came in. One was Charles Reid; the other was a detective that Hatch recognized.

"Ah, Mr. Reid," said The Thinking Machine. "I'm sorry to have troubled you, but there were some questions I wanted to ask before you went away. If you'll wait just a moment."

"Ah, Mr. Reid," said The Thinking Machine. "I’m sorry to bother you, but I had a few questions I wanted to ask before you leave. If you could just wait a moment."

Reid bowed and took a seat.

Reid bowed and took a seat.

"Is he under arrest?" Hatch inquired of the detective, aside.

"Is he under arrest?" Hatch asked the detective quietly.

"Oh, no," was the reply. "Oh, no. Detective Mallory told me to ask him to come up. I don't know what for."

"Oh, no," was the reply. "Oh, no. Detective Mallory told me to ask him to come upstairs. I have no idea why."

After a while the bell rang again. Then Hatch heard Detective Mallory's voice in the hall and the rustle of skirts; then the voice of another man. Mallory appeared at the door after a moment; behind him came two veiled women and a man who was a stranger to Hatch.

After a bit, the bell rang again. Then Hatch heard Detective Mallory's voice in the hallway, along with the sound of skirts rustling; then he heard another man’s voice. Mallory showed up at the door after a moment; behind him were two veiled women and a man that Hatch didn’t recognize.

"I'm going to make a request, Mr. Mallory," said The Thinking Machine. "I know it will be a cause of pleasure to Mr. Reid. It is that you release Mr. Curtis, who is charged with the murder of Miss Melrose."

"I'm going to ask you for something, Mr. Mallory," said The Thinking Machine. "I know it will please Mr. Reid. It's that you let Mr. Curtis go, who is accused of murdering Miss Melrose."

"Why?" demanded Mallory, quickly. Hatch and Reid stared at the scientist curiously.

"Why?" Mallory asked quickly. Hatch and Reid looked at the scientist with curiosity.

"This," said The Thinking Machine.

"This," said The Thinker.

The two women simultaneously removed their veils.

The two women took off their veils at the same time.

One was Miss Marguerite Melrose.

One was Miss Marguerite Melrose.


VI.

"Miss Melrose that was," explained The Thinking Machine, "now Mrs. Donald MacLean. This, gentlemen, is her husband. This other young woman is Miss Dow's maid. Together I believe we will be able to throw some light on the death of the young woman who was found in Mr. Curtis's automobile."

"That was Miss Melrose," The Thinking Machine explained, "now Mrs. Donald MacLean. This, gentlemen, is her husband. This other young woman is Miss Dow's maid. I believe that together we can shed some light on the death of the young woman who was found in Mr. Curtis's car."

Stupefied with amazement, Hatch stared at the woman whose reported murder had startled and puzzled the entire country. Reid had shown only slight emotion--an emotion of a kind hard to read. Finally he advanced to Miss Melrose, or Mrs. MacLean, with outstretched hand.

Stunned with disbelief, Hatch gazed at the woman whose reported murder had shocked and confused the whole nation. Reid had displayed only a hint of emotion—an emotion that was difficult to interpret. Finally, he stepped up to Miss Melrose, or Mrs. MacLean, with his hand extended.

"Marguerite," he said.

"Marguerite," he said.

The girl looked deeply into his eyes, then took the proffered hand.

The girl gazed intently into his eyes, then took the offered hand.

"And Jack Curtis?" she asked.

"And what about Jack Curtis?" she asked.

"If Detective Mallory will have him brought here we can immediately end his connection with this case so far as your murder is concerned," said The Thinking Machine.

"If Detective Mallory has him brought here, we can quickly terminate his involvement in this case regarding your murder," said The Thinking Machine.

"Who--who was murdered, then?" asked Hatch. "A little circumstantial development is necessary to show," replied The Thinking Machine.

"Who was murdered, then?" asked Hatch. "We need a little background to explain," replied The Thinking Machine.

Detective Mallory retired into another room and 'phoned to have Curtis brought up. On his assurance that there had been a mistake which he would explain later, Curtis set out from his cell with a detective and within a few minutes appeared in the room, wonderingly.

Detective Mallory went into another room and called to have Curtis brought up. After assuring them that there had been a mistake he would explain later, Curtis left his cell with a detective and showed up in the room a few minutes later, looking puzzled.

One look at Marguerite and he was beside her, gripping her hand. For a time he didn't speak; it was not necessary. Then the actress, with flushed face, indicated MacLean, who had stood quietly by, an interested but silent spectator.

One glance at Marguerite, and he was right next to her, holding her hand. For a while, he didn’t say anything; it wasn’t needed. Then the actress, her face flushed, pointed to MacLean, who had been standing quietly by, an interested but silent observer.

"My husband, Jack," she said.

"My husband Jack," she said.

Quick comprehension swept over Curtis and he looked from one to another. Then he approached MacLean with outstretched hand.

Quick understanding came to Curtis, and he looked from one person to another. Then he walked up to MacLean with his hand extended.

"I congratulate you," he said, with deep feeling. "Make her happy."

"I congratulate you," he said, sincerely. "Make her happy."

Reid had stood unobserved meanwhile. Hatch's glance traveled from one to another of the persons in the room. He was seeking to explain that expression on Reid's face, vainly thus far. There was a little pause as Reid and Curtis came face to face, but neither spoke.

Reid had stood unnoticed in the meantime. Hatch's gaze moved from one person to another in the room. He was trying to make sense of the expression on Reid's face, but so far, he had failed. There was a brief pause as Reid and Curtis faced each other, but neither spoke.

"Now, please, what does it all mean?" asked MacLean, who up to this time had been silent.

"Now, please, what does it all mean?" asked MacLean, who until now had been quiet.

"It's a strange study of the human brain," said The Thinking Machine, "and incidentally a little proof that circumstantial evidence is absolutely worthless. For instance, here it was proven that Miss Melrose was dead, that Mr. Curtis was jealous of her, that while drinking he had threatened her--this I learned at the Hotel Yarmouth, but now it is unimportant--that his knife killed her, and finally that there was blood on one of his handkerchiefs. This is the complete circumstantial chain; and Miss Melrose appears, alive.

"It's a strange study of the human brain," said The Thinking Machine, "and by the way, it shows that circumstantial evidence is absolutely useless. For example, it was shown that Miss Melrose was dead, that Mr. Curtis was jealous of her, that while drinking, he had threatened her—this I found out at the Hotel Yarmouth, but that's not important now—that his knife killed her, and finally that there was blood on one of his handkerchiefs. This is the complete circumstantial chain; and Miss Melrose appears, alive."

"Suppose we take the case from the point where I entered it. It will be interesting as showing the methods of a brain which reduces all things to tangible strands which may be woven into a whole, then fitting them together. My knowledge of the affair began when Mr. Curtis was brought to these apartments by Mr. Hatch. Mr. Curtis was ill. I gave him a stimulant; he aroused suddenly and shrieked: 'I saw her. There was a dagger in her heart. Marguerite!'

"Let’s start from the moment I got involved. It will be interesting to see how a mind connects everything into concrete pieces that can be woven together into a complete picture, and then fits them all together. I first learned about the situation when Mr. Curtis was brought to these apartments by Mr. Hatch. Mr. Curtis was sick. I gave him something to help him; he suddenly woke up and screamed: 'I saw her. There was a dagger in her heart. Marguerite!'"

"My first impression was that he was insane; my next that he had delirium tremens, because I saw he had been drinking heavily. Later I saw it was temporary mental collapse due to excessive drinking and a tremendous strain. Instantly I associated Marguerite with this--'a dagger in her heart.' Therefore, Marguerite dead or wounded. 'I saw her.' Dead or alive? These, then, were my first impressions.

"My first impression was that he was crazy; my next thought was that he had delirium tremens because I could see he had been drinking a lot. Later, I realized it was a temporary mental breakdown from too much alcohol and a lot of stress. Right away, I connected Marguerite to this—'a dagger in her heart.' So, Marguerite was either dead or hurt. 'I saw her.' Dead or alive? These were my initial thoughts."

"I asked Mr. Hatch what had happened. He told me Miss Melrose, an actress, had been murdered the night before. I suggested suicide, because suicide is always the first possibility in considering a case of violent death which is not obviously accidental. He insisted that he believed it was murder, and told me why. It was all he knew of the story.

"I asked Mr. Hatch what had happened. He told me that Miss Melrose, an actress, had been murdered the night before. I suggested it could be suicide, since suicide is always the first consideration when looking at a violent death that isn’t obviously an accident. He insisted he thought it was murder and explained why. That was all he knew about the situation."

"There was the stopping of The Green Dragon at the Monarch Inn for gasoline; the disappearance Of Mr. Curtis, as he told the police, to hunt for gasoline--partly proven by the fact that he brought it back; the statement of Mr. Reid to the police that he had gone into the inn for a hot Scotch, and confirmation of this. Above all, here was the opportunity for the crime--if it were committed by any person other than Curtis or Reid.

"There was a stop by The Green Dragon at the Monarch Inn for gas; Mr. Curtis's claim to the police that he had gone off to look for gas—partly backed up by the fact that he returned with it; Mr. Reid's account to the police that he went into the inn for a hot Scotch, which was confirmed. Most importantly, there was the opportunity for the crime—if it was committed by anyone other than Curtis or Reid."

"Then Mr. Hatch repeated to me the statement made to him by Dr. Leonard. The first thing that impressed me here was the fact that Curtis had, in taking the girl into the house, carried her by the shoulders. Instantly I saw, knowing that the girl had been stabbed through the heart, how it would be possible for blood to get on Mr. Curtis's hands, thence on his handkerchief or clothing. This was before I knew or considered his connection with the death at all.

"Then Mr. Hatch told me what Dr. Leonard had said to him. The first thing that struck me was that Curtis had carried the girl into the house by her shoulders. Right away, I realized that since the girl had been stabbed through the heart, it made sense how blood could have gotten on Mr. Curtis's hands, and then onto his handkerchief or clothes. This was before I knew or thought about his involvement in the death at all."

"Curtis told Dr. Leonard that the girl was Miss Melrose. The body wasn't yet cold, therefore death must have come just before it reached the doctor. Then the knife was discovered. Here was the first tangible working clew--a rough knife, with a blade six or seven inches long. Obviously not the sort of knife a woman would carry about with her. Therefore, where did it come from?

"Curtis told Dr. Leonard that the girl was Miss Melrose. The body wasn't cold yet, so death must have occurred just before it got to the doctor. Then the knife was found. This was the first real clue—a rough knife with a blade about six or seven inches long. Clearly not the kind of knife a woman would have on her. So, where did it come from?"

"Curtis tried to induce the doctor to let him have the knife; probably Curtis's knife, possibly Reid's. Why Curtis's? The nature of the knife, a blade six or seven inches long, indicated a knife used for heavy work, not for a penknife. Under ordinary circumstances such a knife would not have been carried by Reid; therefore it may have belonged to Curtis's auto kit. He might have carried it in his pocket.

"Curtis tried to convince the doctor to let him have the knife; probably Curtis's knife, possibly Reid's. Why Curtis's? The type of knife, with a blade six or seven inches long, suggested it was used for tough tasks, not for a penknife. Normally, Reid wouldn't have carried such a knife; it likely belonged to Curtis's car kit. He might have had it in his pocket."

"Thus, considering _that it was Miss Melrose who was dead_, we had these facts: Dead only a few minutes, possibly stabbed while the two men were away from the car; Curtis's knife used--not a knife from any other auto kit, mind you, _because Curtis recognized this knife_. Two and two make four, not sometimes, but all the time."

"Given that Miss Melrose was the one who died, we had these facts: she had been dead for only a few minutes, likely stabbed while the two men were away from the car; Curtis's knife was used—not a knife from any other car kit, mind you, because Curtis recognized this knife. Two plus two equals four, not sometimes, but all the time."

Every person in the room was leaning forward, eagerly listening; Reid's face was perfectly white. The Thinking Machine finally arose, walked over and ran his fingers through Reid's hair, then sat again squinting at the ceiling. He spoke as if to himself.

Every person in the room was leaning forward, eagerly listening; Reid's face was completely white. The Thinking Machine finally got up, walked over, and ran his fingers through Reid's hair, then sat down again, squinting at the ceiling. He spoke as if he were talking to himself.

"Then Mr. Hatch told me another important thing," he went on. "At the moment it appeared a coincidence, later it assumed its complete importance. This was that Dr. Leonard did not actually see the face of the 'girl--only the chin; that the hair was covered by a veil and the mask covered the remainder of the face. Here for the first time I saw that it was wholly possible that the woman _was not Miss Melrose at all_. I saw it as a possibility; not that I believed it. I had no reason to, then.

"Then Mr. Hatch told me something else important," he continued. "At first, it seemed like a coincidence, but later it became significant. He said that Dr. Leonard didn’t actually see the girl’s face—only her chin; her hair was covered by a veil, and a mask covered the rest of her face. For the first time, I realized that it was entirely possible that the woman wasn’t Miss Melrose at all. I considered it a possibility, but I didn’t believe it. I had no reason to, at that time."

"The dress of the young woman meant nothing; it was that of thousands of other young women who go automobiling--handsome tailor-made gown, tan dust coat. Then I tricked Mr. Curtis--I suppose it is only fair to use the proper word--into telling me his story by making him believe he made compromising admissions while unconscious. I had, I may say, too, examined his head minutely. I have always maintained that the head of a murderer will show a certain indentation. Mr. Curtis's head did not show this indentation, neither does Mr. Reid's.

The young woman's dress was unremarkable; it was like the outfits of countless other young women who go for car rides—stylish tailored dress, tan dust coat. Then I tricked Mr. Curtis—I guess it's fair to use that term—into sharing his story by making him think he had revealed incriminating details while he was out cold. I should mention, I had also closely examined his head. I've always believed that a murderer's head will have a specific indentation. Mr. Curtis's head didn’t have this indentation, nor does Mr. Reid's.

"Mr. Curtis told me the first thing to show that the knife which killed the girl--I still believed her Miss Melrose then--could have passed out of his hands. He said when he leaped from the automobile he thought he dropped something, searched for it a moment, failed to find it, then, being in a hurry, went on. He called back to Mr. Reid to search for what he had lost. That is when Mr. Curtis lost the knife; that is when it passed into the possession of Mr. Reid. He found it."

"Mr. Curtis told me the first thing to show that the knife that killed the girl—I still thought of her as Miss Melrose back then—could have slipped out of his hands. He said when he jumped out of the car, he thought he dropped something, looked for it for a moment, didn’t find it, and, being in a rush, just moved on. He called back to Mr. Reid to look for what he had lost. That’s when Mr. Curtis lost the knife; that’s when it ended up in Mr. Reid’s possession. He found it."

Every eye was turned on Reid. He sat as if fascinated, staring into the upward turned face of the scientist.

Every eye was on Reid. He sat as if mesmerized, gazing into the upward-turned face of the scientist.

"There we had a girl--presumably Miss Melrose--dead, by a knife owned by Mr. Curtis, last in the possession of Mr. Reid. Mr. Hatch had previously told me that the medical examiner said the wound which killed the girl came from her right, in a general direction. Therefore here was a possibility that Mr. Reid did it in the automobile--a possibility, I say.

"There we had a girl—probably Miss Melrose—dead from a knife that belonged to Mr. Curtis, last held by Mr. Reid. Mr. Hatch had previously told me that the medical examiner stated the wound that killed the girl came from her right, in a general direction. So there was a chance that Mr. Reid did it in the car—a possibility, I say."

"I asked Mr. Curtis why he tried to recover the knife from Dr. Leonard. He stammered and faltered, but really it was because, having recognized the knife, he was afraid the crime would come home to him. Mr. Curtis denied flatly that the knife was his, and in denying told me that it was. It was not Mr. Reid's I was assured. Mr. Curtis also told me of his love for Miss Melrose, but there was nothing there, as it appeared, strong enough to suggest a motive for murder. He mentioned you, Mr. MacLean, then.

"I asked Mr. Curtis why he tried to get the knife back from Dr. Leonard. He stumbled over his words, but the truth was that he recognized the knife and was afraid it would lead back to him. Mr. Curtis denied outright that the knife was his, but in doing so, he revealed that it actually was. I was assured it didn’t belong to Mr. Reid. Mr. Curtis also mentioned his feelings for Miss Melrose, but it didn’t seem like there was enough there to suggest a motive for murder. Then he brought you up, Mr. MacLean."

"Then Mr. Curtis named Miss Dow as one whose hand had been sought by Mr. Reid. Mr. Hatch told me this girl--Miss Dow--had eloped the night before with Morgan Mason from Monarch Inn--or, to be exact, that her family had received a letter from her stating that she was eloping; that Mason had taken out a marriage license. Remember this was the girl that Reid was in love with; it was singular that there should have been a Monarch Inn end to that elopement as well as to this tragedy.

"Then Mr. Curtis mentioned that Miss Dow was someone Mr. Reid had been interested in. Mr. Hatch told me that this girl—Miss Dow—had eloped the night before with Morgan Mason from Monarch Inn—or, to be specific, her family had received a letter from her saying she was eloping; that Mason had gotten a marriage license. Keep in mind this was the girl Reid loved; it was strange that both this elopement and the tragedy were connected to Monarch Inn."

"This meant nothing as bearing on the abstract problem before me until Mr. Curtis described Miss Melrose as having golden hair. With another minor scrap of information Mr. Hatch again opened up vast possibilities by stating that the medical examiner, a careful man, had said Miss Melrose had dark hair. I asked him if he had seen the body; he had not. But the medical examiner told him that. Instantly in my mind the question was aroused: Was it _Miss Melrose_ who was killed? This was merely a possibility; it still had no great weight with me.

"This didn't mean anything regarding the overall issue I was facing until Mr. Curtis mentioned that Miss Melrose had golden hair. With another small piece of information, Mr. Hatch expanded the possibilities again by saying that the medical examiner, a diligent person, had stated Miss Melrose had dark hair. I asked him if he had seen the body; he hadn't. But the medical examiner informed him of that. Immediately, the question popped into my mind: Was it _Miss Melrose_ who was killed? This was just a possibility; it still didn’t carry much significance for me."

"I asked Mr. Curtis as to the circumstances which caused his collapse in Winter Street. He explained it was because he had seen a woman whom he would have sworn was Miss Melrose if he had not known that she was dead. This, following the dark hair and blonde hair puzzle, instantly caused this point to stand forth sharply in my mind. Was Miss Melrose dead at all? I had good reason then to believe that she was _not_.

"I asked Mr. Curtis what happened that led to his collapse on Winter Street. He explained that it was because he had seen a woman he could have sworn was Miss Melrose if he hadn't known she was dead. This, combined with the confusion about the dark hair and blonde hair, immediately made this point stand out clearly in my mind. Was Miss Melrose really dead? I had strong reasons to believe that she was _not_.

"Previously, with the idea of fixing for all time the ownership of the knife--yet knowing in my own mind it was Mr. Curtis's--I had sent for Mr. Reid. I told him Mr. Curtis had said it was his knife. Mr. Reid fell into the trap and did the very thing I expected. He declared angrily the knife was Mr. Curtis's, thinking Curtis had tried to saddle the crime on him. Then I turned Mr. Curtis over to the police. When he was locked up I was reasonably certain that he did not commit any crime, because I had traced the knife from him to Mr. Reid."

"Earlier, with the intention of permanently establishing who owned the knife—while knowing in my heart it belonged to Mr. Curtis—I called Mr. Reid. I mentioned that Mr. Curtis claimed it was his knife. Mr. Reid fell right into my trap and did exactly what I anticipated. He angrily insisted the knife was Mr. Curtis's, believing that Curtis had tried to pin the crime on him. Then I handed Mr. Curtis over to the police. Once he was locked up, I felt fairly confident that he hadn’t committed any crime, since I had traced the knife from him to Mr. Reid."

There was a glitter in Reid's eyes now. It was not fear, only a nervous battle to restrain himself. The Thinking Machine went on:

There was a spark in Reid's eyes now. It wasn't fear, just a tense struggle to control himself. The Thinking Machine continued:

"I saw the body of the dead woman--indeed, assisted at her autopsy. She was a pronounced brunette--Miss Melrose was a blonde. The mistake in identity was not an impossible one in view of the fact that each wore a mask and had her hair tied up under a veil. That woman was stabbed from the right--still a possibility of suicide."

"I saw the body of the deceased woman--I even helped with her autopsy. She had dark brown hair--Miss Melrose was a blonde. The mix-up in identity wasn't too far-fetched considering that both wore masks and had their hair tied up under a veil. That woman was stabbed from the right--there's still a chance it could have been suicide."

"Who was the woman?" demanded Curtis. He seemed utterly unable to control himself longer.

"Who was the woman?" Curtis demanded. He seemed completely unable to control himself any longer.

"Miss Elizabeth Dow, who was supposed to have eloped with Morgan Mason," was the quiet reply.

"Miss Elizabeth Dow, who was rumored to have run away with Morgan Mason," was the calm response.

Instant amazement was reflected on every face save Reid's, and again every eye was turned to him. Miss Dow's maid burst into tears.

Instant amazement was visible on every face except Reid's, and once again, everyone's gaze shifted to him. Miss Dow's maid started crying.

"Mr. Reid knew who the woman was all the time," said The Thinking Machine. "Knowing then that Miss Dow was the dead woman--this belief being confirmed by a monogram gold belt buckle, 'E. D.,' on the body--I proceeded to find out all I could in this direction. The waiters had seen Mr. Reid in the inn; had seen him talking to a masked and veiled lady who had been waiting for nearly an hour; had seen him go into a room with her, but had not seen them leave the inn. Mr. Reid had recognized the lady--not she him. How? By a glimpse of the monogram belt buckle which he knew because he probably gave it to her."

"Mr. Reid already knew who the woman was," said The Thinking Machine. "Since I was sure that Miss Dow was the deceased—this was confirmed by a gold belt buckle with the monogram 'E. D.' found on the body—I started to gather as much information as I could in that direction. The waiters had seen Mr. Reid at the inn; they had seen him talking to a masked and veiled lady who had been waiting for almost an hour; they had seen him go into a room with her, but they hadn't seen them leave the inn. Mr. Reid had recognized the lady—she hadn’t recognized him. How? By catching a glimpse of the monogram belt buckle, which he likely gave to her."

"He did," interposed Hatch.

"He did," Hatch interjected.

"I did," said Reid, calmly. It was the first time he had spoken.

"I did," Reid said calmly. It was the first time he had spoken.

"Now, Mr. Reid went into the room and closed the door, carrying with him Mr. Curtis's knife," went on The Thinking Machine. "I can't tell you from _personal observation_ what happened in that room, but I know. Mr. Reid learned in some way that Miss Dow was going to elope; he learned that she had been waiting long past the time when Mason was due there; that she believed he had humiliated her by giving up the idea at the last minute. Being in a highly nervous condition, she lost faith in Mason and in herself, and perhaps mentioned suicide?"

"Now, Mr. Reid went into the room and closed the door, taking Mr. Curtis's knife with him," continued The Thinking Machine. "I can't tell you from personal observation what happened in that room, but I know. Mr. Reid found out somehow that Miss Dow was planning to elope; he learned that she had been waiting long after the time when Mason was supposed to arrive; she felt humiliated by his last-minute change of plans. In a highly nervous state, she lost faith in Mason and in herself, and she might have mentioned suicide?"

"She did," said Reid, calmly.

"She did," Reid said calmly.

"Go on, Mr. Reid," suggested The Thinking Machine.

"Go ahead, Mr. Reid," said The Thinking Machine.

"I believed, too, that Mason had changed his mind," the young man continued, with steady voice. "I pleaded with Miss Dow to give up the idea of eloping, because, remember, I loved her, too. She finally consented to go on with our party, as her automobile had gone. We came out of the inn together. When we reached the automobile--The Green Dragon, I mean--I saw Miss Melrose getting into Mr. MacLean's automobile, which had come up meanwhile. Instantly I saw, or imagined, the circumstances, and said nothing to Miss Dow about it, particularly as Mr. MacLean's car dashed away at full speed.

"I also thought that Mason had changed his mind," the young man continued, his voice steady. "I urged Miss Dow to give up the idea of running away, because, remember, I loved her too. Eventually, she agreed to join our group since her car was gone. We left the inn together. When we arrived at the car—the Green Dragon, that is—I saw Miss Melrose getting into Mr. MacLean's car, which had arrived in the meantime. Immediately, I understood—or thought I understood—the situation, and I didn’t say anything to Miss Dow about it, especially since Mr. MacLean's car sped away quickly."

"Now, in taking Miss Dow to The Green Dragon it had been my purpose to introduce her to Miss Melrose. She knew Mr. Curtis. When I saw Miss Melrose was gone I knew Curtis would wonder why. I couldn't explain, because every moment I was afraid Mason would appear to claim Miss Dow and I was anxious to get her as far away as possible. Therefore I requested her not to speak until we reached the next inn, and there I would explain to Curtis.

"Now, when I took Miss Dow to The Green Dragon, my plan was to introduce her to Miss Melrose. She was familiar with Mr. Curtis. When I noticed that Miss Melrose was gone, I realized Curtis would be confused about it. I couldn’t explain because I was constantly worried that Mason might show up to take Miss Dow, and I wanted to get her as far away as I could. So, I asked her to hold off on talking until we got to the next inn, where I would explain everything to Curtis."

"Somewhere between the Monarch Inn and the inn we had started for Miss Dow changed her mind; probably was overcome by the humiliation of her position, and she used the knife. She had seen me take the knife from my pocket and throw it into the tool kit on the floor beside her. It was comparatively a trifling matter for her to stoop and pick it up, almost from under her feet, and----"

"Somewhere between the Monarch Inn and the inn we were headed to, Miss Dow changed her mind; she probably got overwhelmed by the humiliation of her situation, and she used the knife. She had seen me take the knife from my pocket and toss it into the tool kit on the floor next to her. It was pretty easy for her to bend down and grab it, almost from under her feet, and----"

"Under all these circumstances, as stated by Mr. Reid," interrupted The Thinking Machine, "we understand why, after he found the girl dead, he didn't tell all the truth, even to Curtis. Any jury on earth would have convicted him of murder on circumstantial evidence. Then, when he saw Miss Dow dead, mistaken for Miss Melrose, he _could_ not correct the impression without giving himself away. He was forced to silence.

"Given all these circumstances, as Mr. Reid mentioned," interrupted The Thinking Machine, "it makes sense why, after he discovered the girl was dead, he didn't share the whole truth, even with Curtis. Any jury would have convicted him of murder based on circumstantial evidence. Then, when he saw Miss Dow dead, mistakenly thinking she was Miss Melrose, he couldn’t correct that misunderstanding without revealing his own guilt. He had no choice but to stay quiet."

"I realized these things--not in exact detail as Mr. Reid has told them, but in a general way--after my talk with the waiters. Then I set out to find out _why_ Mason had not appeared. It was possibly due to accident. On a chance entirely I asked the man in charge of the gasoline tank at the Monarch if he had heard of an accident nearby on the night of the tragedy. He had.

"I understood these things—not in the exact detail that Mr. Reid mentioned, but in a general sense—after my conversation with the waiters. Then I began to investigate why Mason hadn’t shown up. It might have been due to an accident. Just by chance, I asked the guy in charge of the gasoline tank at the Monarch if he had heard about any accidents nearby on the night of the tragedy. He had."

"With Mr. Hatch I found the injured man. A monogram, 'M.M.,' on his watch, told me it was Morgan Mason. Mr. Mason had a serious accident and still lies unconscious. He was going to meet Miss Dow when this happened. He had two railroad tickets to New York--for himself and bride--in his pocket."

"With Mr. Hatch, I found the injured man. A monogram, 'M.M.,' on his watch identified him as Morgan Mason. Mr. Mason had a serious accident and is still unconscious. He was on his way to meet Miss Dow when this happened. He had two train tickets to New York—for himself and his bride—in his pocket."

Reid still sat staring at The Thinking Machine, waiting. The others were awed into silence by the story of the tragedy.

Reid sat there, staring at The Thinking Machine, waiting. The others were so amazed by the tragic story that they could only remain silent.

"Having located both Mason and Miss Dow to my satisfaction, I then sought to find what had become of Miss Melrose. Mr. Reid could have told me this, but he wouldn't have, because it would have turned the light on the very thing which he was trying to keep hidden. With Miss Melrose alive, it was perfectly possible that Curtis _had_ seen her in the Winter Street store.

"After finding both Mason and Miss Dow, I then tried to find out what happened to Miss Melrose. Mr. Reid could have told me, but he wouldn’t, because it would expose exactly what he was trying to keep hidden. With Miss Melrose alive, it was entirely possible that Curtis had seen her in the Winter Street store."

"I asked Mr. Hatch if he remembered what store it was. He did. I also asked Mr. Hatch if such a story as the murder of Miss Melrose would be telegraphed all over the country. He said it would. It did not stand to reason that if Miss Melrose were in any city, or even on a train, she could have failed to hear of her own murder, which would instantly have called forth a denial.

"I asked Mr. Hatch if he remembered which store it was. He did. I also asked Mr. Hatch if a story like the murder of Miss Melrose would be reported all over the country. He said it would. It didn't make sense that if Miss Melrose were in any city, or even on a train, she wouldn't have heard about her own murder, which would have prompted an immediate denial."

"Therefore, where was she? On the water, out of reach of newspapers? I went to the store in Winter Street and asked if any purchases had been sent from there to any steamer about to sail on the day following the tragedy. There had been several purchases made by a woman who answered Miss Melrose's description as I had it, and these had been sent to a steamer which sailed for Halifax.

"Therefore, where was she? On the water, out of reach of newspapers? I went to the store on Winter Street and asked if any purchases had been sent from there to any steamer about to sail the day after the tragedy. There had been several purchases made by a woman who matched Miss Melrose's description as I remembered it, and these had been sent to a steamer that was heading to Halifax."

"Miss Melrose and Mr. MacLean, married then, were on that steamer. I wired to Halifax to ascertain if they were coming back immediately. They were. I waited for them. Otherwise, Mr. Hatch, I should have given you the solution of the mystery two days ago. As it was, I waited until Miss Melrose, or Mrs. MacLean, returned. I think that's all."

"Miss Melrose and Mr. MacLean, now married, were on that steamer. I sent a message to Halifax to find out if they were coming back right away. They were. I waited for them. Otherwise, Mr. Hatch, I would have given you the solution to the mystery two days ago. Instead, I waited until Miss Melrose, or Mrs. MacLean, returned. I think that’s everything."

"The letter from Miss Dow in Chicago?" Hatch reminded him.

"The letter from Miss Dow in Chicago?" Hatch reminded him.

"Oh, yes," said The Thinking Machine. "That was sent to a friend in her confidence, and mailed on a specified date. As a matter of fact, she and Mason were going to New York and thence to Europe. Of course, as matters happened, the two letters--the other being the one mailed from the Monarch Inn--were sent and could not be recalled."

"Oh, yes," said The Thinking Machine. "That was sent to a friend in her trust and mailed on a specific date. Actually, she and Mason were heading to New York and then to Europe. Of course, the way things turned out, the two letters—one being the one sent from the Monarch Inn—were delivered and couldn't be taken back."

* * * * *

Understood! Please provide the text you'd like me to modernize.

This strange story was one of the most astonishing news features the American newspapers ever handled. Charles Reid was arrested, established his story beyond question, and was released. His principal witnesses were Professor Augustus S. F. X. Van Dusen, Jack Curtis and Mrs. Donald MacLean.

This bizarre story was one of the most surprising news pieces ever covered by American newspapers. Charles Reid was arrested, proved his story without a doubt, and was released. His key witnesses were Professor Augustus S. F. X. Van Dusen, Jack Curtis, and Mrs. Donald MacLean.





THE FLAMING PHANTOM



I.

Hutchinson Hatch, reporter, stood beside the City Editor's desk, smoking and waiting patiently for that energetic gentleman to dispose of several matters in hand. City Editors always have several matters in hand, for the profession of keeping count of the pulse-beat of the world is a busy one. Finally this City Editor emerged from a mass of other things and picked up a sheet of paper on which he had scribbled some strange hieroglyphics, these representing his interpretation of the art of writing.

Hutchinson Hatch, a reporter, stood next to the City Editor's desk, smoking and patiently waiting for the busy man to finish up several tasks. City Editors always have multiple tasks going on because the job of monitoring the pulse of the world is a hectic one. Eventually, this City Editor broke away from his pile of work and picked up a piece of paper filled with his scribbles, which were his take on the craft of writing.

"Afraid of ghosts?" he asked.

"Scared of ghosts?" he asked.

"Don't know," Hatch replied, smiling a little. "I never happened to meet one."

"Don't know," Hatch said with a slight smile. "I've never run into one."

"Well, this looks like a good story," the City Editor explained. "It's a haunted house. Nobody can live in it; all sorts of strange happenings, demoniacal laughter, groans and things. House is owned by Ernest Weston, a broker. Better jump down and take a look at it. If it is promising, you might spend a night in it for a Sunday story. Not afraid, are you?"

"Well, this looks like an interesting story," the City Editor said. "It's a haunted house. No one can live there; all kinds of weird things happen, like eerie laughter, groans, and so on. The house belongs to Ernest Weston, a broker. You should head down and check it out. If it seems good, you might spend a night there for a Sunday story. You're not scared, are you?"

"I never heard of a ghost hurting anyone," Hatch replied, still smiling a little. "If this one hurts me it will make the story better."

"I've never heard of a ghost hurting anyone," Hatch replied, still smiling a bit. "If this one does hurt me, it will make the story even better."

Thus attention was attracted to the latest creepy mystery of a small town by the sea which in the past had not been wholly lacking in creepy mysteries.

Thus attention turned to the latest eerie mystery of a small town by the sea, which in the past hadn’t been entirely free of spooky mysteries.

Within two hours Hatch was there. He readily found the old Weston house, as it was known, a two-story, solidly built frame structure, which had stood for sixty or seventy years high upon a cliff overlooking the sea, in the center of a land plot of ten or twelve acres. From a distance it was imposing, but close inspection showed that, outwardly, at least, it was a ramshackle affair.

Within two hours, Hatch arrived. He easily located the old Weston house, a two-story, sturdy frame building that had been standing for sixty or seventy years high on a cliff overlooking the sea, in the middle of a ten or twelve-acre plot of land. From a distance, it looked impressive, but a closer look revealed that, at least on the outside, it was rundown.

Without having questioned anyone in the village, Hatch climbed the steep cliff road to the old house, expecting to find some one who might grant him permission to inspect it. But no one appeared; a settled melancholy and gloom seemed to overspread it; all the shutters were closed forbiddingly.

Without asking anyone in the village, Hatch climbed the steep road to the old house, anticipating finding someone who would let him take a look inside. But no one showed up; a deep sadness and gloom seemed to hang over it; all the shutters were closed defensively.

There was no answer to his vigorous knock on the front door, and he shook the shutters on a window without result. Then he passed around the house to the back. Here he found a door and dutifully hammered on it. Still no answer. He tried it, and passed in. He stood in the kitchen, damp, chilly and darkened by the closed shutters.

There was no response to his loud knock on the front door, and he rattled the shutters on a window with no luck. Then he walked around to the back of the house. Here he found a door and knocked on it insistently. Still no response. He tried the handle and went inside. He stood in the kitchen, damp, cold, and darkened by the closed shutters.

One glance about this room and he went on through a back hall to the dining-room, now deserted, but at one time a comfortable and handsomely furnished place. Its hardwood floor was covered with dust; the chill of disuse was all-pervading. There was no furniture, only the litter which accumulates of its own accord.

One look around this room and he moved through a back hall to the dining room, now empty, but once a cozy and nicely furnished space. Its hardwood floor was covered in dust; the coldness of neglect filled the air. There was no furniture, just the clutter that naturally builds up.

From this point, just inside the dining-room door, Hatch began a sort of study of the inside architecture of the place. To his left was a door, the butler's pantry. There was a passage through, down three steps into the kitchen he had just left.

From here, just inside the dining room door, Hatch started to take a look at the interior design of the place. To his left was a door leading to the butler's pantry. There was a pathway through that went down three steps into the kitchen he had just exited.

Straight before him, set in the wall, between two windows, was a large mirror, seven, possibly eight, feet tall and proportionately wide. A mirror of the same size was set in the wall at the end of the room to his left. From the dining-room he passed through a wide archway into the next room. This archway made the two rooms almost as one. This second, he presumed, had been a sort of living-room, but here, too, was nothing save accumulated litter, an old-fashioned fireplace and two long mirrors. As he entered, the fireplace was to his immediate left, one of the large mirrors was straight ahead of him and the other was to his right.

Right in front of him, set in the wall between two windows, was a large mirror, seven or maybe eight feet tall and proportionately wide. Another mirror of the same size was set in the wall at the end of the room on his left. He passed through a wide archway into the next room from the dining room. This archway made the two rooms feel almost like one. This second room, he assumed, had been a sort of living room, but it was filled with nothing but discarded items, an old-fashioned fireplace, and two long mirrors. As he walked in, the fireplace was immediately to his left, one of the large mirrors was straight ahead of him, and the other was on his right.

Next to the mirror in the end was a passageway of a little more than usual size which had once been closed with a sliding door. Hatch went through this into the reception-hall of the old house. Here, to his right, was the main hall, connected with the reception-hall by an archway, and through this archway he could see a wide, old-fashioned stairway leading up. To his left was a door, of ordinary size, closed. He tried it and it opened. He peered into a big room beyond. This room had been the library. It smelled of books and damp wood. There was nothing here--not even mirrors.

Next to the mirror at the end was a passageway a bit larger than usual that used to have a sliding door. Hatch walked through this into the reception hall of the old house. To his right was the main hall, which was connected to the reception hall by an archway, and through this archway, he could see a wide, old-fashioned staircase leading up. To his left was a regular-sized door that was closed. He tried it, and it opened. He looked into a large room beyond. This room used to be the library. It smelled like books and damp wood. There was nothing here—not even mirrors.

Beyond the main hall lay only two rooms, one a drawing-room of the generous proportions our old folks loved, with its gilt all tarnished and its fancy decorations covered with dust. Behind this, toward the back of the house, was a small parlor. There was nothing here to attract his attention, and he went upstairs. As he went he could see through the archway into the reception-hall as far as the library door, which he had left closed.

Beyond the main hall were just two rooms: one was a large drawing room that our grandparents loved, with its tarnished gold accents and fancy decorations covered in dust. Behind that, toward the back of the house, was a small parlor. There was nothing here to catch his interest, so he headed upstairs. As he walked, he could see through the archway into the reception hall all the way to the library door, which he had left closed.

Upstairs were four or five roomy suites. Here, too, in small rooms designed for dressing, he saw the owner's passion for mirrors again. As he passed through room after room he fixed the general arrangement of it all in his mind, and later on paper, to study it, so that, if necessary, he could leave any part of the house in the dark. He didn't know but what this might be necessary, hence his care--the same care he had evidenced downstairs.

Upstairs were four or five spacious suites. In small dressing rooms, he noticed the owner's love for mirrors once more. As he moved from room to room, he mentally noted the overall layout, and later recorded it on paper for further study, in case he needed to leave any part of the house unlit. He wasn't sure if this would be necessary, which is why he was being careful—just like he had been downstairs.

After another casual examination of the lower floor, Hatch went out the back way to the barn. This stood a couple of hundred feet back of the house and was of more recent construction. Above, reached by outside stairs, were apartments intended for the servants. Hatch looked over these rooms, but they, too, had the appearance of not having been occupied for several years. The lower part of the barn, he found, was arranged to house half a dozen horses and three or four traps.

After a quick look around the lower floor, Hatch headed out the back to the barn. It was a couple of hundred feet behind the house and was built more recently. Above it, accessed by outside stairs, were apartments meant for the staff. Hatch checked out these rooms, but they seemed like they hadn't been used in several years either. He discovered that the lower part of the barn was set up to accommodate a few horses and three or four carriages.

"Nothing here to frighten anybody," was his mental comment as he left the old place and started back toward the village. It was three o'clock in the afternoon. His purpose was to learn then all he could of the "ghost," and return that night for developments.

"Nothing here to scare anyone," was his thought as he left the old place and headed back to the village. It was three o'clock in the afternoon. His goal was to gather as much information as he could about the "ghost" and come back that night for updates.

He sought out the usual village bureau of information, the town constable, a grizzled old chap of sixty years, who realized his importance as the whole police department, and who had the gossip and information, more or less distorted, of several generations at his tongue's end.

He went to the usual village information center, the town constable, a weathered old guy in his sixties, who understood his role as the entire police force and had the gossip and stories, though often twisted, of several generations ready to share.

The old man talked for two hours--he was glad to talk--seemed to have been longing for just such a glorious opportunity as the reporter offered. Hatch sifted out what he wanted, those things which might be valuable in his story.

The old man chatted for two hours—he was happy to share—seemed to have been waiting for exactly this wonderful chance that the reporter provided. Hatch gathered what he needed, those bits that might be useful for his story.

It seemed, according to the constable, that the Weston house had not been occupied for five years, since the death of the father of Ernest Weston, present owner. Two weeks before the reporter's appearance there Ernest Weston had come down with a contractor and looked over the old place.

It seemed, according to the constable, that the Weston house hadn't been lived in for five years, since the death of Ernest Weston's father, the current owner. Two weeks before the reporter showed up, Ernest Weston had come down with a contractor to check out the old place.

"We understand here," said the constable, judicially, "that Mr. Weston is going to be married soon, and we kind of thought he was having the house made ready for his Summer home again."

"We understand here," said the constable, in a formal tone, "that Mr. Weston is getting married soon, and we thought he was preparing the house for his summer home again."

"Whom do you understand he is to marry?" asked Hatch, for this was news.

"Who do you think he is going to marry?" asked Hatch, since this was news.

"Miss Katherine Everard, daughter of Curtis Everard, a banker up in Boston," was the reply. "I know he used to go around with her before the old man died, and they say since she came out in Newport he has spent a lot of time with her."

"Miss Katherine Everard, daughter of Curtis Everard, a banker in Boston," was the reply. "I know he used to hang out with her before the old man passed away, and they say since she debuted in Newport, he's been spending a lot of time with her."

"Oh, I see," said Hatch. "They were to marry and come here?"

"Oh, I get it," Hatch said. "They were supposed to get married and come here?"

"That's right," said the constable. "But I don't know when, since this ghost story has come up."

"That's right," said the officer. "But I don't know when, since this ghost story has come up."

"Oh, yes, the ghost," remarked Hatch. "Well, hasn't the work of repairing begun?"

"Oh, yeah, the ghost," Hatch said. "So, hasn’t the repair work started yet?"

"No, not inside," was the reply. "There's been some work done on the grounds--in the daytime--but not much of that, and I kind of think it will be a long time before it's all done."

"No, not inside," was the reply. "They've done some work on the grounds—during the day—but not a lot, and I think it'll take a while before everything is finished."

"What is the spook story, anyway?"

"What is the ghost story, anyway?"

"Well," and the old constable rubbed his chin thoughtfully. "It seems sort of funny. A few days after Mr. Weston was down here a gang of laborers, mostly Italians, came down to work and decided to sleep in the house--sort of camp out--until they could repair a leak in the barn and move in there. They got here late in the afternoon and didn't do much that day but move into the house, all upstairs, and sort of settle down for the night. About one o'clock they heard some sort of noise downstairs, and finally all sorts of a racket and groans and yells, and they just naturally came down to see what it was.

"Well," the old constable said, rubbing his chin thoughtfully. "It's kind of strange. A few days after Mr. Weston was here, a group of laborers, mostly Italians, arrived to work and decided to sleep in the house—kind of camping out—until they could fix a leak in the barn and move in there. They got here late in the afternoon and didn’t do much that day except move into the house, all upstairs, and settle down for the night. Around one o'clock, they heard some kind of noise downstairs, and eventually, there was all kinds of racket, groans, and yells, so they naturally came down to check it out."

"Then they saw the ghost. It was in the reception-hall, some of 'em said, others said it was in the library, but anyhow it was there, and the whole gang left just as fast as they knew how. They slept on the ground that night. Next day they took out their things and went back to Boston. Since then nobody here has heard from 'em."

"Then they saw the ghost. It was in the reception hall, some of them said, others said it was in the library, but either way it was there, and the whole group left as quickly as they could. They slept on the ground that night. The next day they packed their things and headed back to Boston. Since then, nobody here has heard from them."

"What sort of a ghost was it?"

"What kind of ghost was it?"

"Oh, it was a man ghost, about nine feet high, and he was blazing from head to foot as if he was burning up," said the constable. "He had a long knife in his hand and waved it at 'em. They didn't stop to argue. They ran, and as they ran they heard the ghost a-laughing at them."

"Oh, it was a ghost of a man, about nine feet tall, and he was glowing from head to toe as if he was on fire," said the constable. "He had a long knife in his hand and waved it at them. They didn't stop to argue. They ran, and as they ran, they heard the ghost laughing at them."

"I should think he would have been amused," was Hatch's somewhat sarcastic comment. "Has anybody who lives in the village seen the ghost?"

"I think he would have found it funny," was Hatch's somewhat sarcastic remark. "Has anyone in the village seen the ghost?"

"No; we're willing to take their word for it, I suppose," was the grinning reply, "because there never was a ghost there before. I go up and look over the place every afternoon, but everything seems to be all right, and I haven't gone there at night. It's quite a way off my beat," he hastened to explain.

"No, I guess we're willing to take their word for it," he said with a grin, "because there’s never been a ghost there before. I check the place every afternoon, and everything seems fine. I haven't been there at night, though. It's a bit out of my usual route," he quickly added.

"A man ghost with a long knife," mused Hatch. "Blazing, seems to be burning up, eh? That sounds exciting. Now, a ghost who knows his business never appears except where there has been a murder. Was there ever a murder in that house?"

"A ghost of a man with a long knife," Hatch thought. "Fiery, looks like he's burning, right? That sounds thrilling. Now, a ghost that knows what it's doing only shows up where someone has been killed. Was there ever a murder in that house?"

"When I was a little chap I heard there was a murder or something there, but I suppose if I don't remember it nobody else here does," was the old man's reply. "It happened one Winter when the Westons weren't there. There was something, too, about jewelry and diamonds, but I don't remember just what it was."

"When I was a kid, I heard there was a murder or something like that, but I guess if I don't remember it, nobody else here does," the old man replied. "It happened one winter when the Westons weren't around. There was something about jewelry and diamonds, but I can't quite recall the details."

"Indeed?" asked the reporter.

"Really?" asked the reporter.

"Yes, something about somebody trying to steal a lot of jewelry--a hundred thousand dollars' worth. I know nobody ever paid much attention to it. I just heard about it when I was a boy, and that was at least fifty years ago."

"Yeah, there was something about someone trying to steal a bunch of jewelry--worth a hundred thousand dollars. I know no one really paid much attention to it. I just heard about it when I was a kid, and that was at least fifty years ago."

"I see," said the reporter.

"I see," said the reporter.


* * * * *

Understood! Please provide the text for me to modernize.

That night at nine o'clock, under cover of perfect blackness, Hatch climbed the cliff toward the Weston house. At one o'clock he came racing down the hill, with frequent glances over his shoulder. His face was pallid with a fear which he had never known before and his lips were ashen. Once in his room in the village hotel Hutchinson Hatch, the nerveless young man, lighted a lamp with trembling hands and sat with wide, staring eyes until the dawn broke through the east.

That night at nine o'clock, shrouded in complete darkness, Hatch climbed the cliff toward the Weston house. At one o'clock, he raced down the hill, glancing back frequently. His face was pale with a fear he had never experienced before, and his lips were ashen. Once in his room at the village hotel, Hutchinson Hatch, the anxious young man, lit a lamp with shaking hands and sat with wide, staring eyes until dawn broke in the east.

He had seen the flaming phantom.

He had seen the fiery ghost.


II.

It was ten o'clock that morning when Hutchinson Hatch called on Professor Augustus S. F. X. Van Dusen--The Thinking Machine. The reporter's face was still white, showing that he had slept little, if at all. The Thinking Machine squinted at him a moment through his thick glasses, then dropped into a chair.

It was ten o'clock that morning when Hutchinson Hatch visited Professor Augustus S. F. X. Van Dusen--The Thinking Machine. The reporter's face was still pale, indicating that he had hardly slept, if at all. The Thinking Machine glanced at him for a moment through his thick glasses, then sat down in a chair.

"Well?" he queried.

"Well?" he asked.

"I'm almost ashamed to come to you, Professor," Hatch confessed, after a minute, and there was a little embarrassed hesitation in his speech. "It's another mystery."

"I'm almost embarrassed to come to you, Professor," Hatch admitted after a moment, with a slight awkward pause in his words. "It's another mystery."

"Sit down and tell me about it."

"Have a seat and tell me all about it."

Hatch took a seat opposite the scientist.

Hatch sat down across from the scientist.

"I've been frightened," he said at last, with a sheepish grin; "horribly, awfully frightened. I came to you to know what frightened me."

"I've been scared," he said finally, with a sheepish grin; "really, really scared. I came to you to figure out what was making me scared."

"Dear me! Dear me!" exclaimed The Thinking Machine. "What is it?"

"Goodness! What’s going on?" exclaimed The Thinking Machine. "What happened?"

Then Hatch told him from the beginning the story of the haunted house as he knew it; how he had examined the house by daylight, just what he had found, the story of the old murder and the jewels, the fact that Ernest Weston was to be married. The scientist listened attentively.

Then Hatch told him the story of the haunted house from the beginning, as he understood it; how he had checked out the house during the day, exactly what he discovered, the tale of the old murder and the jewels, and the fact that Ernest Weston was about to get married. The scientist listened closely.

"It was nine o'clock that night when I went to the house the second time," said Hatch. "I went prepared for something, but not for what I saw."

"It was nine o'clock that night when I went to the house again," said Hatch. "I was ready for something, but not for what I found."

"Well, go on," said the other, irritably.

"Well, go ahead," said the other, annoyed.

"I went in while it was perfectly dark. I took a position on the stairs because I had been told the--the THING--had been seen from the stairs, and I thought that where it had been seen once it would be seen again. I had presumed it was some trick of a shadow, or moonlight, or something of the kind. So I sat waiting calmly. I am not a nervous man--that is, I never have been until now.

"I went in while it was completely dark. I took a position on the stairs because I had heard that the--the THING--had been seen from the stairs, and I thought that if it had been seen once, it could be seen again. I assumed it was just a trick of shadows, or moonlight, or something like that. So I sat there waiting calmly. I'm not a nervous person-- at least, I never have been until now."

"I took no light of any kind with me. It seemed an interminable time that I waited, staring into the reception-room in the general direction of the library. At last, as I gazed into the darkness, I heard a noise. It startled me a bit, but it didn't frighten me, for I put it down to a rat running across the floor.

"I didn't bring any light with me. I waited for what felt like forever, staring into the reception room, roughly towards the library. Finally, as I looked into the darkness, I heard a noise. It surprised me a little, but it didn't scare me, since I assumed it was just a rat running across the floor."

"But after awhile I heard the most awful cry a human being ever listened to. It was neither a moan nor a shriek--merely a--a cry. Then, as I steadied my nerves a little, a figure--a blazing, burning white figure--grew out of nothingness before my very eyes, in the reception-room. It actually grew and assembled as I looked at it."

"But after a while, I heard the most horrific sound a person could ever hear. It was neither a moan nor a scream—just a cry. Then, as I managed to steady my nerves a bit, a figure—a bright, burning white figure—formed out of nowhere right in front of me, in the reception room. It actually took shape as I watched."

He paused, and The Thinking Machine changed his position slightly.

He paused, and The Thinking Machine adjusted his position a bit.

"The figure was that of a man, apparently, I should say, eight feet high. Don't think I'm a fool--I'm not exaggerating. It was all in white and seemed to radiate a light, a ghostly, unearthly light, which, as I looked, grew brighter. I saw no face to the THING, but it had a head. Then I saw an arm raised and in the hand was a dagger, blazing as was the figure.

"The figure was that of a man, I’d say, about eight feet tall. Don’t think I’m crazy—I’m not making this up. It was completely white and seemed to give off a light, a ghostly, otherworldly light, which, as I watched, became brighter. I didn’t see a face on the THING, but it had a head. Then I noticed an arm raised, and in its hand was a dagger, shining just like the figure."

"By this time I was a coward, a cringing, frightened coward--frightened not at what I saw, but at the weirdness of it. And then, still as I looked, the--the THING--raised the other hand, and there, in the air before my eyes, wrote with his own finger--_on the very face of the air_, mind you--one word: 'Beware!'"

"By this time I was a coward, a cringing, frightened coward—frightened not by what I saw, but by its weirdness. And then, as I continued to watch, the— the THING—raised the other hand and there, in the air right in front of me, wrote with its own finger—_on the very face of the air_, just so you know—one word: 'Beware!'"

"Was it a man's or woman's writing?" asked The Thinking Machine.

"Was it written by a man or a woman?" asked The Thinking Machine.

The matter-of-fact tone recalled Hatch, who was again being carried away by fear, and he laughed vacantly.

The straightforward tone reminded Hatch, who was once again overwhelmed by fear, and he laughed blankly.

"I don't know," he said. "I don't know."

"I don't know," he said. "I just don't know."

"Go on."

"Please continue."

"I have never considered myself a coward, and certainly I am not a child to be frightened at a thing which my reason tells me is not possible, and, despite my fright, I compelled myself to action. If the THING were a man I was not afraid of it, dagger and all; if it were not, it could do me no injury.

"I’ve never thought of myself as a coward, and I’m definitely not a child to be scared by something that I know isn’t real. Even though I was frightened, I forced myself to take action. If the THING was a man, I wasn’t afraid of it, dagger and all; if it wasn’t, it couldn’t harm me."

"I leaped down the three steps to the bottom of the stairs, and while the THING stood there with upraised dagger, with one hand pointing at me, I rushed for it. I think I must have shouted, because I have a dim idea that I heard my own voice. But whether or not I did I----"

"I jumped down the three steps to the bottom of the stairs, and while the THING stood there with its raised dagger, pointing at me with one hand, I charged at it. I think I must have shouted, because I vaguely remember hearing my own voice. But whether I did or not, I----"

Again he paused. It was a distinct effort to pull himself together. He felt like a child; the cold, squint eyes of The Thinking Machine were turned on him disapprovingly.

Again he paused. It took real effort to get himself together. He felt like a kid; the cold, squinting eyes of The Thinking Machine were focused on him disapprovingly.

"Then--the THING disappeared just as it seemed I had my hands on it. I was expecting a dagger thrust. Before my eyes, while I was staring at it, I suddenly saw _only half of it_. Again I heard the cry, and the other half disappeared--my hands grasped empty air.

"Then—the THING vanished just as I thought I had it. I was bracing for a dagger strike. Right in front of me, while I was looking at it, I suddenly saw _only half of it_. Again I heard the scream, and the other half vanished—my hands grabbed nothing but empty air."

"Where the THING had been there was nothing. The impetus of my rush was such that I went right on past the spot where the THING had been, and found myself groping in the dark in a room which I didn't place for an instant. Now I know it was the library.

"Where the THING had been, there was nothing. I was moving so fast that I went right past where the THING had been and found myself stumbling around in the dark in a room I couldn't identify for a moment. Now I realize it was the library."

"By this time I was mad with terror. I smashed one of the windows and went through it. Then from there, until I reached my room, I didn't stop running. I couldn't. I wouldn't have gone back to the reception-room for all the millions in the world."

"At this point, I was completely freaked out. I broke one of the windows and climbed through it. Then, from that moment until I got to my room, I didn't stop running. I couldn't. I wouldn't have gone back to the reception room for all the money in the world."

The Thinking Machine twiddled his fingers idly; Hatch sat gazing at him with anxious, eager inquiry in his eyes.

The Thinking Machine twirled his fingers absentmindedly; Hatch sat watching him with anxious, eager questions in his eyes.

"So when you ran and the--the THING moved away or disappeared you found yourself in the library?" The Thinking Machine asked at last.

"So when you ran and the--the THING moved away or disappeared, you found yourself in the library?" the Thinking Machine finally asked.

"Yes."

Yes.

"Therefore you must have run from the reception-room through the door into the library?"

"So you must have run from the reception room through the door into the library?"

"Yes."

"Yep."

"You left that door closed that day?"

"You kept that door closed that day?"

"Yes."

"Yep."

Again there was a pause.

There was another pause.

"Smell anything?" asked The Thinking Machine.

"Do you smell anything?" asked The Thinking Machine.

"No."

"Nope."

"You figure that the THING, as you call it, must have been just about in the door?"

"You think that the THING, as you call it, must have been right at the door?"

"Yes."

"Yep."

"Too bad you didn't notice the handwriting--that is, whether it seemed to be a man's or a woman's."

"Too bad you didn't pay attention to the handwriting—that is, whether it looked like it was from a man or a woman."

"I think, under the circumstances, I would be excused for omitting that," was the reply.

"I think, given the situation, I’d be justified in leaving that out," was the response.

"You said you heard something that you thought must be a rat," went on The Thinking Machine. "What was this?"

"You mentioned that you heard something you thought was a rat," continued The Thinking Machine. "What was it?"

"I don't know."

"I have no idea."

"Any squeak about it?"

"Any news on it?"

"No, not that I noticed."

"No, I didn't notice that."

"Five years since the house was occupied," mused the scientist. "How far away is the water?"

"Five years since the house was lived in," the scientist thought. "How far away is the water?"

"The place overlooks the water, but it's a steep climb of three hundred yards from the water to the house."

"The place faces the water, but it's a steep climb of three hundred yards from the water to the house."

That seemed to satisfy The Thinking Machine as to what actually happened.

That appeared to satisfy The Thinking Machine regarding what actually took place.

"When you went over the house in daylight, did you notice if any of the mirrors were dusty?" he asked.

"When you checked the house during the day, did you see if any of the mirrors were dusty?" he asked.

"I should presume that all were," was the reply. "There's no reason why they should have been otherwise."

"I assume they all were," was the reply. "There's no reason they wouldn't be."

"But you didn't notice particularly that some were not dusty?" the scientist insisted.

"But you didn't really notice that some weren't dusty?" the scientist insisted.

"No. I merely noticed that they were there."

"No. I just noticed that they were there."

The Thinking Machine sat for a long time squinting at the ceiling, then asked, abruptly: "Have you seen Mr. Weston, the owner?"

The Thinking Machine sat for a while, squinting at the ceiling, then suddenly asked, "Have you seen Mr. Weston, the owner?"

"No."

"Nope."

"See him and find out what he has to say about the place, the murder, the jewels, and all that. It would be rather a queer state of affairs if, say, a fortune in jewels should be concealed somewhere about the place, wouldn't it?"

"Go talk to him and see what he has to say about the location, the murder, the jewels, and everything else. It would be a pretty strange situation if, for example, a fortune in jewels were hidden somewhere around the place, wouldn't it?"

"It would," said Hatch. "It would."

"It definitely would," said Hatch. "It definitely would."

"Who is Miss Katherine Everard?"

"Who's Miss Katherine Everard?"

"Daughter of a banker here, Curtis Everard. Was a reigning belle at Newport for two seasons. She is now in Europe, I think, buying a trousseau, possibly."

"Daughter of a banker here, Curtis Everard. She was a popular socialite at Newport for two seasons. I believe she is currently in Europe, possibly shopping for a trousseau."

"Find out all about her, and what Weston has to say, then come back here," said The Thinking Machine, as if in conclusion. "Oh, by the way," he added, "look up something of the family history of the Westons. How many heirs were there? Who are they? How much did each one get? All those things. That's all."

"Discover everything about her and what Weston has to say, then return here," said The Thinking Machine, as if wrapping things up. "Oh, and by the way," he added, "research the family history of the Westons. How many heirs were there? Who are they? How much did each one receive? All that stuff. That’s it."

Hatch went out, far more composed and quiet than when he entered, and began the work of finding out those things The Thinking Machine had asked for, confident now that there would be a solution of the mystery.

Hatch went out, much more composed and quiet than when he arrived, and started the task of uncovering the information The Thinking Machine had requested, now sure that a solution to the mystery was within reach.

That night the flaming phantom played new pranks. The town constable, backed by half a dozen villagers, descended upon the place at midnight, to be met in the yard by the apparition in person. Again the dagger was seen; again the ghostly laughter and the awful cry were heard.

That night, the fiery ghost pulled some new tricks. The town constable, supported by a few villagers, arrived at the place at midnight, only to be confronted in the yard by the apparition itself. Once more, the dagger was seen; once again, the eerie laughter and terrifying scream echoed in the air.

"Surrender or I'll shoot," shouted the constable, nervously.

"Surrender or I’ll shoot," shouted the officer, nervously.

A laugh was the answer, and the constable felt something warm spatter in his face. Others in the party felt it, too, and wiped their faces and hands. By the light of the feeble lanterns they carried they examined their handkerchiefs and hands. Then the party fled in awful disorder.

A laugh was the response, and the constable felt something warm splatter on his face. Others in the group felt it too and wiped their faces and hands. By the dim light of the lanterns they carried, they checked their handkerchiefs and hands. Then the group ran away in panic.

The warmth they had felt was the warmth of blood--red blood, freshly drawn.

The warmth they felt was the warmth of blood—red blood, freshly drawn.


III.

Hatch found Ernest Weston at luncheon with another gentleman at one o'clock that day. This other gentleman was introduced to Hatch as George Weston, a cousin. Hatch instantly remembered George Weston for certain eccentric exploits at Newport a season or so before; and also as one of the heirs of the original Weston estate.

Hatch found Ernest Weston having lunch with another guy at one o'clock that day. This guy was introduced to Hatch as George Weston, a cousin. Hatch immediately remembered George Weston for some quirky adventures at Newport a season or so earlier, and also as one of the heirs of the original Weston estate.

Hatch thought he remembered, too, that at the time Miss Everard had been so prominent socially at Newport George Weston had been her most ardent suitor. It was rumored that there would have been an engagement between them, but her father objected. Hatch looked at him curiously; his face was clearly a dissipated one, yet there was about him the unmistakable polish and gentility of the well-bred man of society.

Hatch thought he remembered that back then, Miss Everard had been such a social standout at Newport that George Weston was her most passionate admirer. People said they were on the verge of getting engaged, but her father was against it. Hatch studied him with interest; his face clearly showed signs of a hedonistic lifestyle, yet he still had the unmistakable charm and sophistication of a well-bred socialite.

Hatch knew Ernest Weston as Weston knew Hatch; they had met frequently in the ten years Hatch had been a newspaper reporter, and Weston had been courteous to him always. The reporter was in doubt as to whether to bring up the subject on which he had sought out Ernest Weston, but the broker brought it up himself, smilingly.

Hatch knew Ernest Weston just as Weston knew Hatch; they had met often during the ten years Hatch had worked as a newspaper reporter, and Weston had always been polite to him. The reporter hesitated about whether to mention the topic that had brought him to see Ernest Weston, but the broker brought it up himself with a smile.

"Well, what is it this time?" he asked, genially. "The ghost down on the South Shore, or my forthcoming marriage?"

"Well, what's going on this time?" he asked kindly. "Is it the ghost on the South Shore, or my upcoming wedding?"

"Both," replied Hatch.

"Both," Hatch replied.

Weston talked freely of his engagement to Miss Everard, which he said was to have been announced in another week, at which time she was due to return to America from Europe. The marriage was to be three or four months later, the exact date had not been set.

Weston openly discussed his engagement to Miss Everard, mentioning that it was set to be announced in another week when she was expected to return to America from Europe. The wedding was planned for three or four months later, but the exact date hadn't been determined yet.

"And I suppose the country place was being put in order as a Summer residence?" the reporter asked.

"And I guess the country house was being set up as a summer getaway?" the reporter asked.

"Yes. I had intended to make some repairs and changes there, and furnish it, but now I understand that a ghost has taken a hand in the matter and has delayed it. Have you heard much about this ghost story?" he asked, and there was a slight smile on his face.

"Yes. I planned to do some repairs and updates there and furnish it, but now I realize that a ghost has interfered and delayed everything. Have you heard much about this ghost story?" he asked, a slight smile on his face.

"I have seen the ghost," Hatch answered.

"I've seen the ghost," Hatch responded.

"You have?" demanded the broker.

"You have it?" demanded the broker.

George Weston echoed the words and leaned forward, with a new interest in his eyes, to listen. Hatch told them what had happened in the haunted house--all of it. They listened with the keenest interest, one as eager as the other.

George Weston repeated the words and leaned in, his eyes filled with new curiosity, to listen. Hatch shared everything that had happened in the haunted house—all of it. They listened with intense interest, each as eager as the other.

"By George!" exclaimed the broker, when Hatch had finished. "How do you account for it?"

"Wow!" the broker exclaimed when Hatch finished. "How do you explain that?"

"I don't," said Hatch, flatly. "I can offer no possible solution. I am not a child to be tricked by the ordinary illusion, nor am I of the temperament which imagines things, but I can offer no explanation of this."

"I don’t," Hatch replied bluntly. "I have no possible solution. I’m not a child to be fooled by a simple illusion, nor do I have the kind of mindset that imagines things, but I can’t explain this."

"It must be a trick of some sort," said George Weston.

"It has to be some kind of trick," said George Weston.

"I was positive of that," said Hatch, "but if it is a trick, it is the cleverest I ever saw."

"I was sure of that," said Hatch, "but if it's a trick, it's the smartest one I've ever seen."

The conversation drifted on to the old story of missing jewels and a tragedy in the house fifty years before. Now Hatch was asking questions by direction of The Thinking Machine; he himself hardly saw their purport, but he asked them.

The conversation moved on to the old tale of missing jewels and a tragedy in the house from fifty years ago. Now Hatch was asking questions at the request of The Thinking Machine; he barely understood their meaning, but he asked them anyway.

"Well, the full story of that affair, the tragedy there, would open up an old chapter in our family which is nothing to be ashamed of, of course," said the broker, frankly; "still it is something we have not paid much attention to for many years. Perhaps George here knows it better than I do. His mother, then a bride, heard the recital of the story from my grandmother."

"Well, the whole story of that situation, the tragedy there, would bring up an old chapter in our family that we’re not ashamed of, of course," said the broker openly; "but it's something we haven't really focused on in many years. Maybe George here knows it better than I do. His mother, when she was a newlywed, heard the story from my grandmother."

Ernest Weston and Hatch looked inquiringly at George Weston, who lighted a fresh cigarette and leaned over the table toward them. He was an excellent talker.

Ernest Weston and Hatch looked curiously at George Weston, who lit a new cigarette and leaned over the table toward them. He was a great conversationalist.

"I've heard my mother tell of it, but it was a long time ago," he began. "It seems, though, as I remember it, that my great-grandfather, who built the house, was a wealthy man, as fortunes went in those days, worth probably a million dollars.

"I've heard my mom talk about it, but it was a long time ago," he started. "It seems, though, as I recall, that my great-grandfather, who built the house, was a wealthy guy, as fortunes went back then, probably worth around a million dollars.

"A part of this fortune, say about one hundred thousand dollars, was in jewels, which had come with the family from England. Many of those pieces would be of far greater value now than they were then, because of their antiquity. It was only on state occasions, I might say, when these were worn, say, once a year.

A portion of this fortune, around one hundred thousand dollars, was in jewels that had been passed down with the family from England. Many of those pieces would be worth much more now than they were back then, because of their age. They were only worn on special occasions, maybe once a year.

"Between times the problem of keeping them safely was a difficult one, it appeared. This was before the time of safety deposit vaults. My grandfather conceived the idea of hiding the jewels in the old place down on the South Shore, instead of keeping them in the house he had in Boston. He took them there accordingly.

"At times, it seemed challenging to keep them safe. This was before safety deposit boxes existed. My grandfather came up with the idea of hiding the jewels in the old spot on the South Shore instead of leaving them at his house in Boston. So, he took them there."

"At this time one was compelled to travel down the South Shore, below Cohasset anyway, by stagecoach. My grandfather's family was then in the city, as it was Winter, so he made the trip alone. He planned to reach there at night, so as not to attract attention to himself, to hide the jewels about the house, and leave that same night for Boston again by a relay of horses he had arranged for. Just what happened after he left the stagecoach, below Cohasset, no one ever knew except by surmise."

"At this time, one had to travel down the South Shore, below Cohasset, by stagecoach. My grandfather's family was in the city since it was winter, so he made the trip alone. He planned to arrive at night to avoid drawing attention to himself, hide the jewels around the house, and leave that same night for Boston again using a relay of horses he had arranged. What happened after he got off the stagecoach, below Cohasset, remained a mystery to everyone except through speculation."

The speaker paused a moment and relighted his cigarette.

The speaker paused for a moment and lit his cigarette again.

"Next morning my great-grandfather was found unconscious and badly injured on the veranda of the house. His skull had been fractured. In the house a man was found dead. No one knew who he was; no one within a radius of many miles of the place had ever seen him.

"Next morning, my great-grandfather was found unconscious and badly injured on the porch of the house. His skull had been fractured. Inside the house, a man was found dead. No one knew who he was; no one within miles of the area had ever seen him."

"This led to all sorts of surmises, the most reasonable of which, and the one which the family has always accepted, being that my grandfather had gone to the house in the dark, had there met some one who was stopping there that night as a shelter from the intense cold, that this man learned of the jewels, that he had tried robbery and there was a fight.

"This led to all kinds of speculations, the most plausible of which, and the one that the family has always believed, is that my grandfather had gone to the house at night, met someone who was staying there for shelter from the freezing cold, that this man found out about the jewels, that he attempted to steal them, and there was a struggle."

"In this fight the stranger was killed inside the house, and my great-grandfather, injured, had tried to leave the house for aid. He collapsed on the veranda where he was found and died without having regained consciousness. That's all we know or can surmise reasonably about the matter."

"In this fight, the stranger was killed inside the house, and my great-grandfather, injured, had tried to leave the house for help. He collapsed on the porch, where he was found and died without regaining consciousness. That's everything we know or can reasonably guess about the situation."

"Were the jewels ever found?" asked the reporter.

"Were the jewels ever found?" the reporter asked.

"No. They were not on the dead man, nor were they in the possession of my grandfather."

"No. They weren't with the dead man, nor were they in my grandfather's possession."

"It is reasonable to suppose, then, that there was a third man and that he got away with the jewels?" asked Ernest Weston.

"It’s fair to assume, then, that there was a third guy and that he managed to escape with the jewels?" asked Ernest Weston.

"It seemed so, and for a long time this theory was accepted. I suppose it is now, but some doubt was cast on it by the fact that only two trails-of footsteps led to the house and none out. There was a heavy snow on the ground. If none led out it was obviously impossible that anyone came out."

"It seemed that way, and for a long time this theory was accepted. I suppose it still is, but some doubt arose because only two sets of footprints led to the house and none went out. There was thick snow on the ground. If none left, it was clearly impossible for anyone to have come out."

Again there was silence. Ernest Weston sipped his coffee slowly.

Again there was silence. Ernest Weston sipped his coffee slowly.

"It would seem from that," said Ernest Weston, at last, "that the jewels were hidden before the tragedy, and have never been found."

"It looks like," said Ernest Weston, finally, "that the jewels were hidden before the tragedy and have never been found."

George Weston smiled.

George Weston grinned.

"Off and on for twenty years the place was searched, according to my mother's story," he said. "Every inch of the cellar was dug up; every possible nook and corner was searched. Finally the entire matter passed out of the minds of those who knew of it, and I doubt if it has ever been referred to again until now."

"On and off for twenty years, people searched the place, according to my mom's story," he said. "Every inch of the cellar was dug up; every possible nook and cranny was checked. Eventually, everyone who knew about it completely forgot, and I doubt it has ever been mentioned again until now."

"A search even now would be almost worth while, wouldn't it?" asked the broker.

"A search right now would be pretty worthwhile, don't you think?" asked the broker.

George Weston laughed aloud.

George Weston laughed out loud.

"It might be," he said, "but I have some doubt. A thing that was searched for for twenty years would not be easily found."

"It could be," he said, "but I'm not so sure. Something that's been searched for twenty years wouldn't be easy to find."

So it seemed to strike the others after awhile and the matter was dropped.

So it seemed to hit the others after a while, and the issue was dropped.

"But this ghost thing," said the broker, at last. "I'm interested in that. Suppose we make up a ghost party and go down to-night. My contractor declares he can't get men to work there."

"But this ghost thing," said the broker, finally. "I'm curious about that. How about we organize a ghost party and head down there tonight? My contractor says he can't find anyone to work there."

"I would be glad to go," said George Weston, "but I'm running over to the Vandergrift ball in Providence to-night."

"I'd love to go," said George Weston, "but I'm heading over to the Vandergrift ball in Providence tonight."

"How about you, Hatch?" asked the broker.

"How about you, Hatch?" the broker asked.

"I'll go, yes," said Hatch, "as one of several," he added with a smile.

"I'll go, yes," said Hatch, "as one of many," he added with a smile.

"Well, then, suppose we say the constable and you and I?" asked the broker; "to-night?"

"Okay, so how about we say the constable, you, and I?" the broker asked. "Tonight?"

"All right."

"Okay."

After making arrangements to meet the broker later that afternoon he rushed away--away to The Thinking Machine. The scientist listened, then resumed some chemical test he was making.

After setting up a meeting with the broker for later that afternoon, he hurried off—off to The Thinking Machine. The scientist listened and then went back to the chemical test he was working on.

"Can't you go down with us to-night?" Hatch asked.

"Can’t you come down with us tonight?" Hatch asked.

"No," said the other. "I'm going to read a paper before a scientific society and prove that a chemist in Chicago is a fool. That will take me all evening."

"No," said the other. "I'm going to present a paper to a scientific society and show that a chemist in Chicago is an idiot. That will take me all evening."

"To-morrow night?" Hatch insisted.

"Tomorrow night?" Hatch insisted.

"No--the next night."

"No—the following night."

This would be on Friday night--just in time for the feature which had been planned for Sunday. Hatch was compelled to rest content with this, but he foresaw that he would have it all, with a solution. It never occurred to him that this problem, or, indeed, that any problem, was beyond the mental capacity of Professor Van Dusen.

This would be on Friday night—just in time for the feature planned for Sunday. Hatch had to be satisfied with this, but he anticipated that he would find a solution. It never crossed his mind that this problem, or any problem for that matter, was beyond the mental capacity of Professor Van Dusen.

Hatch and Ernest Weston took a night train that evening, and on their arrival in the village stirred up the town constable.

Hatch and Ernest Weston took a night train that evening, and when they arrived in the village, they woke up the town constable.

"Will you go with us?" was the question.

"Are you coming with us?" was the question.

"Both of you going?" was the counter-question.

"Are both of you going?" was the response.

"Yes."

"Yep."

"I'll go," said the constable promptly. "Ghost!" and he laughed scornfully. "I'll have him in the lockup by morning."

"I'll go," the constable said quickly. "Ghost!" He laughed mockingly. "I'll have him in the lockup by morning."

"No shooting, now," warned Weston. "There must be somebody back of this somewhere; we understand that, but there is no crime that we know of. The worst is possibly trespassing."

"No shooting for now," warned Weston. "There has to be someone behind this somewhere; we get that, but there’s no crime that we know of. The worst it could be is possibly trespassing."

"I'll get him all right," responded the constable, who still remembered the experience where blood--warm blood--had been thrown in his face. "And I'm not so sure there isn't a crime."

"I'll get him for sure," replied the constable, who still recalled the incident when warm blood had splattered on his face. "And I'm not convinced there isn't a crime."

That night about ten the three men went into the dark, forbidding house and took a station on the stairs where Hatch had sat when he saw the THING--whatever it was. There they waited. The constable moved nervously from time to time, but neither of the others paid any attention to him.

That night around ten, the three men entered the dark, intimidating house and positioned themselves on the stairs where Hatch had sat when he saw the THING—whatever it was. They waited there. The constable shifted restlessly from time to time, but neither of the others noticed him.

At last the--the THING appeared. There had been a preliminary sound as of something running across the floor, then suddenly a flaming figure of white seemed to grow into being in the reception-room. It was exactly as Hatch had described it to The Thinking Machine.

At last, the--the THING appeared. There had been a sound like something running across the floor, then suddenly a blazing white figure seemed to materialize in the reception room. It was exactly as Hatch had described it to The Thinking Machine.

Dazed, stupefied, the three men looked, looked as the figure raised a hand, pointing toward them, and wrote a word in the air--positively in the air. The finger merely waved, and there, floating before them were letters, flaming letters, in the utter darkness. This time the word was: "Death."

Dazed and bewildered, the three men stared as the figure raised a hand, pointing at them, and wrote a word in the air—actually in the air. The finger just waved, and there, floating before them, were letters, bright letters, in the total darkness. This time the word was: "Death."

Faintly, Hatch, fighting with a fear which again seized him, remembered that The Thinking Machine had asked him if the handwriting was that of a man or woman; now he tried to see. It was as if drawn on a blackboard, and there was a queer twist to the loop at the bottom. He sniffed to see if there was an odor of any sort. There was not.

Faintly, Hatch, grappling with a fear that had gripped him again, remembered that The Thinking Machine had asked him whether the handwriting was that of a man or a woman; now he tried to figure it out. It looked as if it was drawn on a blackboard, and there was a strange twist to the loop at the bottom. He sniffed to check for any odor. There was none.

Suddenly he felt some quick, vigorous action from the constable behind him. There was a roar and a flash in his ear; he knew the constable had fired at the THING. Then came the cry and laugh--almost a laugh of derision--he had heard them before. For one instant the figure lingered and then, before their eyes, faded again into utter blackness. Where it had been was nothing--nothing.

Suddenly, he felt quick, strong movement from the constable behind him. There was a loud bang and a flash next to his ear; he realized the constable had shot at the THING. Then came the cry and laugh—almost a mocking laugh—he had heard it before. For a brief moment, the figure stayed and then, right before their eyes, disappeared into complete darkness. Where it had been was empty—nothing.

_The constable's shot had had no effect_.

_The constable's shot had no impact._


IV.

Three deeply mystified men passed down the hill to the village from the old house. Ernest Weston, the owner, had not spoken since before the--the THING appeared there in the reception-room, or was it in the library? He was not certain--he couldn't have told. Suddenly he turned to the constable.

Three very confused men walked down the hill to the village from the old house. Ernest Weston, the owner, hadn’t said a word since before the— the THING showed up in the reception room, or was it in the library? He wasn’t sure—he couldn’t say. Suddenly, he turned to the constable.

"I told you not to shoot."

"I told you not to fire."

"That's all right," said the constable. "I was there in my official capacity, and I shoot when I want to."

"That's all good," said the officer. "I was there in my official role, and I fire when I choose to."

"But the shot did no harm," Hatch put in.

"But the shot didn't hurt at all," Hatch added.

"I would swear it went right through it, too," said the constable, boastfully. "I can shoot."

"I swear it went right through, too," the constable said proudly. "I can shoot."

Weston was arguing with himself. He was a cold-blooded man of business; his mind was not one to play him tricks. Yet now he felt benumbed; he could conceive no explanation of what he had seen. Again in his room in the little hotel, where they spent the remainder of the night, he stared blankly at the reporter.

Weston was arguing with himself. He was a ruthless businessman; his mind wasn't the type to deceive him. Yet now he felt numb; he couldn't come up with any explanation for what he'd seen. Back in his room at the small hotel, where they spent the rest of the night, he stared blankly at the reporter.

"Can you imagine any way it could be done?" Hatch shook his head.

"Can you think of any way it could be done?" Hatch shook his head.

"It isn't a spook, of course," the broker went on, with a nervous smile; "but--but I'm sorry I went. I don't think probably I shall have the work done there as I thought."

"It’s not a ghost, of course," the broker continued with a nervous smile; "but—I’m sorry I went. I don’t think I’ll get the work done there like I thought."

They slept only fitfully and took an early train back to Boston. As they were about to separate at the South Station, the broker had a last word.

They slept barely at all and caught an early train back to Boston. Just as they were about to part ways at South Station, the broker had one last thing to say.

"I'm going to solve that thing," he declared, determinedly. "I know one man at least who isn't afraid of it--or of anything else. I'm going to send him down to keep a lookout and take care of the place. His name is O'Heagan, and he's a fighting Irishman. If he and that--that--THING ever get mixed up together----"

"I'm going to figure that out," he said firmly. "I know at least one guy who isn't scared of it—or anything else. I'm going to send him down to keep watch and take care of the place. His name is O'Heagan, and he's a tough Irishman. If he and that— that—THING ever cross paths----"

Like a schoolboy with a hopeless problem, Hatch went straight to The Thinking Machine with the latest developments. The scientist paused just long enough in his work to hear it.

Like a schoolboy with a tough problem, Hatch went straight to The Thinking Machine with the latest updates. The scientist took a moment from his work to listen.

"Did you notice the handwriting?" he demanded.

"Did you notice the handwriting?" he asked.

"Yes," was the reply; "so far as I _could_ notice the style of a handwriting that floated in air."

"Yes," was the reply; "as far as I could notice, it was the style of a handwriting that floated in the air."

"Man's or woman's?"

"Men's or women's?"

Hatch was puzzled.

Hatch was confused.

"I couldn't judge," he said. "It seemed to be a bold style, whatever it was. I remember the capital D clearly."

"I couldn't really tell," he said. "It looked like a bold style, whatever it was. I remember the capital D clearly."

"Was it anything like the handwriting of the broker--what's-his-name?--Ernest Weston?"

"Was it anything like the handwriting of the broker—what's-his-name?—Ernest Weston?"

"I never saw his handwriting."

"I never saw his writing."

"Look at some of it, then, particularly the capital D's," instructed The Thinking Machine. Then, after a pause: "You say the figure is white and seems to be flaming?"

"Take a look at some of it, especially the capital D's," The Thinking Machine instructed. Then, after a pause: "You mentioned the figure is white and looks like it's on fire?"

"Yes."

Yes.

"Does it give out any light? That is, does it light up a room, for instance?"

"Does it give off any light? Like, does it brighten a room, for example?"

"I don't quite know what you mean."

"I’m not really sure what you mean."

"When you go into a room with a lamp," explained The Thinking Machine, "it lights the room. Does this thing do it? Can you see the floor or walls or anything by the light of the figure itself?"

"When you walk into a room with a lamp," The Thinking Machine explained, "it brightens the space. Does this thing do that? Can you see the floor or the walls or anything else by the light from the figure itself?"

"No," replied Hatch, positively.

"No," Hatch replied firmly.

"I'll go down with you to-morrow night," said the scientist, as if that were all.

"I'll go down with you tomorrow night," said the scientist, as if that were everything.

"Thanks," replied Hatch, and he went away.

"Thanks," Hatch said, then he walked away.

Next day about noon he called at Ernest Weston's office. The broker was in.

The next day around noon, he stopped by Ernest Weston's office. The broker was there.

"Did you send down your man O'Heagan?" he asked.

"Did you send your guy O'Heagan?" he asked.

"Yes," said the broker, and he was almost smiling.

"Yeah," said the broker, and he was nearly smiling.

"What happened?"

"What’s going on?"

"He's outside. I'll let him tell you."

"He's outside. I'll let him talk to you."

The broker went to the door and spoke to some one and O'Heagan entered. He was a big, blue-eyed Irishman, frankly freckled and red-headed--one of those men who look trouble in the face and are glad of it if the trouble can be reduced to a fighting basis. An everlasting smile was about his lips, only now it was a bit faded.

The broker went to the door and talked to someone, and O'Heagan walked in. He was a tall, blue-eyed Irishman, openly freckled and red-headed—one of those guys who stare trouble in the face and welcome it if it can lead to a good fight. He always seemed to have a smile on his lips, but this time it was a little worn.

"Tell Mr. Hatch what happened last night," requested the broker.

"Tell Mr. Hatch what happened last night," the broker asked.

O'Heagan told it. He, too, had sought to get hold of the flaming figure. As he ran for it, it disappeared, was obliterated, wiped out, gone, and he found himself groping in the darkness of the room beyond, the library. Like Hatch, he took the nearest way out, which happened to be through a window already smashed.

O'Heagan shared his experience. He had also tried to catch the blazing figure. As he sprinted toward it, it vanished, was erased, wiped out, gone, and he found himself feeling around in the dark of the room beyond, the library. Like Hatch, he took the quickest exit available, which was through a window that was already broken.

"Outside," he went on, "I began to think about it, and I saw there was nothing to be afraid of, but you couldn't have convinced me of that when I was inside. I took a lantern in one hand and a revolver in the other and went all over that house. There was nothing; if there had been we would have had it out right there. But there was nothing. So I started out to the barn, where I had put a cot in a room.

"Outside," he continued, "I started thinking about it, and I realized there was nothing to be afraid of, but you couldn't have convinced me of that when I was inside. I took a lantern in one hand and a revolver in the other and searched the whole house. There was nothing; if there had been, we would have dealt with it right then and there. But there was nothing. So I headed out to the barn, where I had set up a cot in a room.

"I went upstairs to this room--it was then about two o'clock--and went to sleep. It seemed to be an hour or so later when I awoke suddenly--I knew something was happening. And the Lord forgive me if I'm a liar, but there was a cat--a ghost cat in my room, racing around like mad. I just naturally got up to see what was the matter and rushed for the door. The cat beat me to it, and cut a flaming streak through the night.

"I went upstairs to this room—it was around two o'clock—and went to sleep. It felt like just an hour later when I woke up suddenly—I sensed something was happening. And I swear I'm not lying, but there was a cat—a ghost cat in my room, running around like crazy. I instinctively got up to see what was going on and rushed for the door. The cat got there first and took off into the night."

"The cat looked just like the thing inside the house--that is, it was a sort of shadowy, waving white light like it might be afire. I went back to bed in disgust, to sleep it off. You see, sir," he apologized to Weston, "that there hadn't been anything yet I could put my hands on."

"The cat looked just like what was inside the house—it was a sort of shadowy, flickering white light, almost like it was on fire. I went back to bed in disgust, trying to sleep it off. You see, sir," he apologized to Weston, "there hasn’t been anything yet that I could grab onto."

"Was that all?" asked Hatch, smilingly.

"Is that it?" asked Hatch with a smile.

"Just the beginning. Next morning when I awoke I was bound to my cot, hard and fast. My hands were tied and my feet were tied, and all I could do was lie there and yell. After awhile, it seemed years, I heard some one outside and shouted louder than ever. Then the constable come up and let me loose. I told him all about it--and then I came to Boston. And with your permission, Mr. Weston, I resign right now. I'm not afraid of anything I can fight, but when I can't get hold of it--well----"

"Just the beginning. The next morning when I woke up, I was tied to my bed, completely restrained. My hands were tied, my feet were tied, and all I could do was lie there and shout. After a while, which felt like years, I heard someone outside and yelled even louder. Then the constable came up and set me free. I told him everything that happened—and then I went to Boston. And with your permission, Mr. Weston, I'm resigning right now. I'm not scared of anything I can take on, but when I can't get a grip on it—well----"

Later Hatch joined The Thinking Machine. They caught a train for the little village by the sea. On the way The Thinking Machine asked a few questions, but most of the time he was silent, squinting out the window. Hatch respected his silence, and only answered questions.

Later, Hatch joined The Thinking Machine. They took a train to the small village by the sea. On the way, The Thinking Machine asked a few questions, but most of the time he was quiet, gazing out the window. Hatch respected his silence and only responded to questions.

"Did you see Ernest Weston's handwriting?" was the first of these.

"Did you see Ernest Weston's handwriting?" was the first of these.

"Yes."

Yes.

"The capital D's?"

"The capital D's?"

"They are not unlike the one the--the THING wrote, but they are not wholly like it," was the reply.

"They're somewhat similar to what the--the THING wrote, but they aren't exactly the same," was the reply.

"Do you know anyone in Providence who can get some information for you?" was the next query.

"Do you know anyone in Providence who can help you get some information?" was the next question.

"Yes."

"Yeah."

"Get him by long-distance 'phone when we get to this place and let me talk to him a moment."

"Call him on the phone when we get to this place and let me talk to him for a moment."

Half an hour later The Thinking Machine was talking over the long-distance 'phone to the Providence correspondent of Hatch's paper. What he said or what he learned there was not revealed to the wondering reporter, but he came out after several minutes, only to re-enter the booth and remain for another half an hour.

Half an hour later, The Thinking Machine was on the long-distance phone with the Providence correspondent of Hatch's paper. What he said or what he learned there wasn't shared with the curious reporter, but he came out after several minutes, only to go back into the booth and stay for another half an hour.

"Now," he said.

"Now," he said.

Together they went to the haunted house. At the entrance to the grounds something else occurred to The Thinking Machine.

Together they went to the haunted house. At the entrance to the grounds, something else occurred to The Thinking Machine.

"Run over to the 'phone and call Weston," he directed. "Ask him if he has a motor-boat or if his cousin has one. We might need one. Also find out what kind of a boat it is--electric or gasoline."

"Quick, go grab the phone and call Weston," he said. "Ask him if he has a motorboat or if his cousin does. We might need one. Also, find out what type of boat it is—electric or gas."

Hatch returned to the village and left the scientist alone, sitting on the veranda gazing out over the sea. When Hatch returned he was still in the same position.

Hatch came back to the village and left the scientist by himself, sitting on the porch, looking out at the sea. When Hatch came back, he was still in the same position.

"Well?" he asked.

"What's up?" he asked.

"Ernest Weston has no motor-boat," the reporter informed him. "George Weston has an electric, but we can't get it because it is away. Maybe I can get one somewhere else if you particularly want it."

"Ernest Weston doesn’t have a motorboat," the reporter told him. "George Weston has an electric one, but we can’t get it because it’s not here. I might be able to find another one somewhere else if you really want it."

"Never mind," said The Thinking Machine. He spoke as if he had entirely lost interest in the matter.

"Forget it," said The Thinking Machine. He sounded like he had completely lost interest in the issue.

Together they started around the house to the kitchen door.

Together they made their way around the house to the kitchen door.

"What's the next move?" asked Hatch.

"What's our next move?" asked Hatch.

"I'm going to find the jewels," was the startling reply.

"I'm going to find the jewels," was the surprising response.

"Find them?" Hatch repeated.

"Did you find them?" Hatch repeated.

"Certainly."

"Sure."

They entered the house through the kitchen and the scientist squinted this way and that, through the reception-room, the library, and finally the back hallway. Here a closed door in the flooring led to a cellar.

They walked into the house through the kitchen, and the scientist glanced around the reception room, the library, and finally the back hallway. There, a closed door in the floor led to a cellar.

In the cellar they found heaps of litter. It was damp and chilly and dark. The Thinking Machine stood in the center, or as near the center as he could stand, because the base of the chimney occupied this precise spot, and apparently did some mental calculation.

In the basement, they discovered piles of trash. It was wet, cold, and dark. The Thinking Machine stood in the middle, or as close to the middle as he could get, since the chimney base took up that exact spot, and he seemed to be doing some mental math.

From that point he started around the walls, solidly built of stone, stooping and running his fingers along the stones as he walked. He made the entire circuit as Hatch looked on. Then he made it again, but this time with his hands raised above his head, feeling the walls carefully as he went. He repeated this at the chimney, going carefully around the masonry, high and low.

From that moment, he began moving along the walls, which were solidly constructed of stone, bending down and running his fingers over the stones as he walked. He completed the full loop while Hatch watched. Then he did it again, but this time with his hands raised above his head, carefully feeling the walls as he went. He repeated this at the chimney, meticulously going around the masonry, both high and low.

"Dear me, dear me!" he exclaimed, petulantly. "You are taller than I am, Mr. Hatch. Please feel carefully around the top of this chimney base and see if the rocks are all solidly set."

"Goodness, goodness!" he said with annoyance. "You’re taller than I am, Mr. Hatch. Please check the top of this chimney base carefully and see if the rocks are all firmly in place."

Hatch then began a tour. At last one of the great stones which made this base trembled under his hand, "It's loose," he said.

Hatch then started a tour. Finally, one of the large stones that formed this base shook under his hand. "It's loose," he said.

"Take it out."

"Take it out."

It came out after a deal of tugging.

It came out after a lot of pulling.

"Put your hand in there and pull out what you find," was the next order. Hatch obeyed. He found a wooden box, about eight inches square, and handed it to The Thinking Machine.

"Put your hand in there and pull out whatever you find," was the next command. Hatch complied. He discovered a wooden box, roughly eight inches square, and passed it to The Thinking Machine.

"Ah!" exclaimed that gentleman.

"Ah!" exclaimed the gentleman.

A quick wrench caused the decaying wood to crumble. Tumbling out of the box were the jewels which had been lost for fifty years.

A quick twist made the rotting wood fall apart. The jewels that had been lost for fifty years tumbled out of the box.


V.

Excitement, long restrained, burst from Hatch in a laugh--almost hysterical. He stooped and gathered up the fallen jewelry and handed it to The Thinking Machine, who stared at him in mild surprise.

Excitement, long held back, burst from Hatch in a laugh—almost hysterical. He bent down and picked up the scattered jewelry and handed it to The Thinking Machine, who looked at him in mild surprise.

"What's the matter?" inquired the scientist.

"What's going on?" the scientist asked.

"Nothing," Hatch assured him, but again he laughed.

"Nothing," Hatch assured him, but he laughed again.

The heavy stone which had been pulled out of place was lifted up and forced back into position, and together they returned to the village, with the long-lost jewelry loose in their pockets.

The heavy stone that had been moved out of place was lifted and pushed back into position, and together they headed back to the village, with the long-lost jewelry rattling in their pockets.

"How did you do it?" asked Hatch.

"How did you pull that off?" asked Hatch.

"Two and two always make four," was the enigmatic reply. "It was merely a sum in addition." There was a pause as they walked on, then: "Don't say anything about finding this, or even hint at it in any way, until you have my permission to do so."

"Two plus two always equals four," was the mysterious answer. "It was just an addition problem." There was a pause as they continued walking, then: "Don't mention discovering this, or even hint at it in any way, until you have my permission to do so."

Hatch had no intention of doing so. In his mind's eye he saw a story, a great, vivid, startling story spread all over his newspaper about flaming phantoms and treasure trove--$100,000 in jewels. It staggered him. Of course he would say nothing about it--even hint at it, yet. But when he did say something about it----!

Hatch had no plans to do that. In his imagination, he envisioned a story, a fantastic, colorful, eye-catching story all over his newspaper about fiery ghosts and hidden treasure—$100,000 in jewels. It blew his mind. He wouldn't say anything about it—not even a hint, not yet. But when he finally does say something about it----!

In the village The Thinking Machine found the constable.

In the village, the Thinking Machine found the police officer.

"I understand some blood was thrown on you at the Weston place the other night?"

"I heard some blood got splattered on you at the Weston place the other night?"

"Yes. Blood--warm blood."

"Yes. Warm blood."

"You wiped it off with your handkerchief?"

"You cleaned it up with your handkerchief?"

"Yes."

Yes.

"Have you the handkerchief?"

"Do you have the handkerchief?"

"I suppose I might get it," was the doubtful reply. "It might have gone into the wash."

"I guess I might get it," was the uncertain response. "It could have gone into the wash."

"Astute person," remarked The Thinking Machine. "There might have been a crime and you throw away the one thing which would indicate it--the blood stains."

"Smart move," said The Thinking Machine. "There could have been a crime, and you just discarded the one piece of evidence that could show it—the blood stains."

The constable suddenly took notice.

The officer suddenly took notice.

"By ginger!" he said. "Wait here and I'll go see if I can find it."

"By golly!" he said. "Hold on here and I'll check if I can find it."

He disappeared and returned shortly with the handkerchief. There were half a dozen blood stains on it, now dark brown.

He disappeared and came back quickly with the handkerchief. There were about six blood stains on it, now a dark brown color.

The Thinking Machine dropped into the village drug store and had a short conversation with the owner, after which he disappeared into the compounding room at the back and remained for an hour or more--until darkness set in. Then he came out and joined Hatch, who, with the constable, had been waiting.

The Thinking Machine stopped by the village pharmacy and had a brief chat with the owner before heading into the back compounding room, where he stayed for an hour or so—until it got dark. Then he came out and joined Hatch, who had been waiting with the constable.

The reporter did not ask any questions, and The 'Thinking Machine volunteered no information.

The reporter didn't ask any questions, and The 'Thinking Machine didn't offer any information.

"Is it too late for anyone to get down from Boston to-night?" he asked the constable.

"Is it too late for anyone to get down to Boston tonight?" he asked the cop.

"No. He could take the eight o'clock train and be here about half-past nine."

"No. He can take the eight o'clock train and arrive around half-past nine."

"Mr. Hatch, will you wire to Mr. Weston--Ernest Weston--and ask him to come to-night, sure. Impress on him the fact that it is a matter of the greatest importance."

"Mr. Hatch, can you message Mr. Weston—Ernest Weston—and ask him to come tonight for sure? Make sure he understands that this is really important."

Instead of telegraphing, Hatch went to the telephone and spoke to Weston at his club. The trip would interfere with some other plans, the broker explained, but he would come. The Thinking Machine had meanwhile been conversing with the constable and had given some sort of instructions which evidently amazed that official exceedingly, for he kept repeating "By ginger!" with considerable fervor.

Instead of using the telegraph, Hatch went to the phone and talked to Weston at his club. The trip would interrupt some other plans, the broker explained, but he would come. Meanwhile, the Thinking Machine had been talking with the constable and had given some kind of instructions that clearly surprised the official a lot, as he kept saying "By golly!" with a lot of enthusiasm.

"And not one word or hint of it to anyone," said The Thinking Machine. "Least of all to the members of your family."

"And not a single word or hint of it to anyone," said The Thinking Machine. "Especially not to your family."

"By ginger!" was the response, and the constable went to supper.

"By gum!" was the response, and the cop went to dinner.

The Thinking Machine and Hatch had their supper thoughtfully that evening in the little village "hotel." Only once did Hatch break this silence.

The Thinking Machine and Hatch had their dinner quietly that evening in the small village "hotel." Only once did Hatch interrupt this silence.

"You told me to see Weston's handwriting," he said. "Of course you knew he was with the constable and myself when we saw the THING, therefore it would have been impossible----"

"You told me to look at Weston's handwriting," he said. "Of course you knew he was with the constable and me when we saw the THING, so it would have been impossible----"

"Nothing is impossible," broke in The Thinking Machine. "Don't say that, please."

"Nothing is impossible," interrupted The Thinking Machine. "Please don't say that."

"I mean that, as he was with us----"

"I mean that, as he was with us----"

"We'll end the ghost story to-night," interrupted the scientist.

"We'll finish the ghost story tonight," interrupted the scientist.

Ernest Weston arrived on the nine-thirty train and had a long, earnest conversation with The Thinking Machine, while Hatch was permitted to cool his toes in solitude. At last they joined the reporter.

Ernest Weston arrived on the 9:30 train and had a serious conversation with The Thinking Machine, while Hatch was left to cool his heels alone. Finally, they rejoined the reporter.

"Take a revolver by all means," instructed The Thinking Machine.

"Go ahead and take a revolver," instructed The Thinking Machine.

"Do you think that necessary?" asked Weston.

"Do you think that's necessary?" asked Weston.

"It is--absolutely," was the emphatic response.

"It definitely is," was the emphatic response.

Weston left them after awhile. Hatch wondered where he had gone, but no information was forthcoming. In a general sort of way he knew that The Thinking Machine was to go to the haunted house, but he didn't know then; he didn't even know if he was to accompany him.

Weston left them after a while. Hatch wondered where he had gone, but no one provided any information. In a vague way, he knew that The Thinking Machine was supposed to go to the haunted house, but he didn’t know that at the time; he didn’t even know if he was supposed to go along with him.

At last they started, The Thinking Machine swinging a hammer he had borrowed from his landlord. The night was perfectly black, even the road at their feet was invisible. They stumbled frequently as they walked on up the cliff toward the house, dimly standing out against the sky. They entered by way of the kitchen, passed through to the stairs in the main hall, and there Hatch indicated in the darkness the spot from which he had twice seen the flaming phantom.

At last they started, The Thinking Machine swinging a hammer he had borrowed from his landlord. The night was pitch black, even the road beneath their feet was invisible. They frequently stumbled as they walked up the cliff toward the house, which faintly stood out against the sky. They entered through the kitchen, passed through to the stairs in the main hall, and there Hatch pointed out in the darkness the spot from which he had seen the flaming phantom twice.

"You go in the drawing-room behind here," The Thinking Machine instructed. "Don't make any noise whatever."

"You go into the drawing room back here," The Thinking Machine instructed. "Don't make any noise at all."

For hours they waited, neither seeing the other. Hatch heard his heart thumping heavily; if only he could see the other man; with an effort he recovered from a rapidly growing nervousness and waited, waited. The Thinking Machine sat perfectly rigid on the stair, the hammer in his right hand, squinting steadily through the darkness.

For hours they waited, without seeing each other. Hatch heard his heart pounding; if only he could see the other guy. With some effort, he pushed through his escalating nervousness and continued to wait. The Thinking Machine sat completely still on the stairs, the hammer in his right hand, squinting intently into the darkness.

At last he heard a noise, a slight nothing; it might almost have been his imagination. It was as if something had glided across the floor, and he was more alert than ever. Then came the dread misty light in the reception-hall, or was it in the library? He could not say. But he looked, looked, with every sense alert.

At last, he heard a sound, something minor; it might just have been his imagination. It felt like something had silently moved across the floor, and he was more attentive than ever. Then came the terrifying, hazy light in the reception area, or was it the library? He couldn’t tell. But he looked, looked, with all his senses on high alert.

Gradually the light grew and spread, a misty whiteness which was unmistakably light, but which did not illuminate anything around it. The Thinking Machine saw it without the tremor of a nerve; saw the mistiness grow more marked in certain places, saw these lines gradually grow into the figure of a person, a person who was the center of a white light.

Slowly, the light expanded and spread, a hazy whiteness that was clearly light, but that didn’t brighten anything around it. The Thinking Machine observed it without flinching; it watched the haziness become more pronounced in certain areas, and saw these shapes slowly take the form of a person, a person who was at the center of a white light.

Then the mistiness fell away and The Thinking Machine saw the outline in bold relief. It was that of a tall figure, clothed in a robe, with head covered by a sort of hood, also luminous. As The Thinking Machine looked he saw an arm raised, and in the hand he saw a dagger. The attitude of the figure was distinctly a threat. And yet The Thinking Machine had not begun to grow nervous; he was only interested.

Then the mist lifted and The Thinking Machine saw the shape clearly. It was a tall figure in a robe, with a hood that glowed. As The Thinking Machine watched, he noticed an arm raised, holding a dagger. The figure's stance was clearly threatening. Still, The Thinking Machine didn't feel nervous; he was simply intrigued.

As he looked, the other hand of the apparition was raised and seemed to point directly at him. It moved through the air in bold sweeps, and The Thinking Machine saw the word "Death," written in air luminously, swimming before his eyes. Then he blinked incredulously. There came a wild, demoniacal shriek of laughter from somewhere. Slowly, slowly the scientist crept down the steps in his stocking feet, slick as the apparition itself, with the hammer still in his hand. He crept on, on toward the figure. Hatch, not knowing the movements of The Thinking Machine, stood waiting for something, he didn't know what. Then the thing he had been waiting for happened. There was a sudden loud clatter as of broken glass, the phantom and writing faded, crumbled up, disappeared, and somewhere in the old house there was the hurried sound of steps. At last the reporter heard his name called quietly. It was The Thinking Machine.

As he watched, the other hand of the ghost was raised and seemed to point right at him. It moved through the air in bold sweeps, and The Thinking Machine saw the word "Death" glowing, floating before his eyes. Then he blinked in disbelief. A wild, demonic laugh echoed from somewhere. Slowly, the scientist crept down the steps in his socks, as quiet as the apparition itself, still holding the hammer. He moved closer to the figure. Hatch, unaware of The Thinking Machine's actions, stood there waiting for something—he wasn't sure what. Then the moment he had been anticipating occurred. There was a sudden loud crash like shattered glass, the ghost and the writing faded, crumbled away, and somewhere in the old house, hurried footsteps were heard. Finally, the reporter heard his name called softly. It was The Thinking Machine.

"Mr. Hatch, come here."

"Mr. Hatch, come over here."

The reporter started, blundering through the darkness toward the point whence the voice had come. Some irresistible thing swept down upon him; a crashing blow descended on his head, vivid lights flashed before his eyes; he fell. After awhile, from a great distance, it seemed, he heard faintly a pistol shot.

The reporter moved awkwardly through the darkness toward the source of the voice. Suddenly, something overwhelming struck him; a heavy blow hit his head, bright lights flashed before his eyes, and he collapsed. After a while, from what felt like a long way off, he faintly heard a gunshot.


VI.

When Hatch fully recovered consciousness it was with the flickering light of a match in his eyes--a match in the hand of The Thinking Machine, who squinted anxiously at him as he grasped his left wrist. Hatch, instantly himself again, sat up suddenly.

When Hatch fully regained consciousness, he saw the flickering light of a match in front of him—a match held by The Thinking Machine, who was anxiously squinting at him while holding his left wrist. Hatch, instantly back to his normal self, sat up abruptly.

"What's the matter?" he demanded.

"What's wrong?" he demanded.

"How's your head?" came the answering question.

"How's your head?" was the response.

"Oh," and Hatch suddenly recalled those incidents which had immediately preceded the crash on his head. "Oh, it's all right, my head, I mean. What happened?"

"Oh," Hatch suddenly remembered the events that led up to the crash on his head. "Oh, it’s fine, my head, I mean. What happened?"

"Get up and come along," requested The Thinking Machine, tartly. "There's a man shot down here."

"Get up and come on," said The Thinking Machine, sharply. "There's a man who’s been shot down here."

Hatch arose and followed the slight figure of the scientist through the front door, and toward the water. A light glimmered down near the water and was dimly reflected; above, the clouds had cleared somewhat and the moon was struggling through.

Hatch got up and followed the slender figure of the scientist out the front door and toward the water. A faint light shone near the water and was barely reflected; above, the clouds had cleared a bit and the moon was trying to break through.

"What hit me, anyhow?" Hatch demanded, as they went. He rubbed his head ruefully.

"What just happened to me?" Hatch asked as they walked. He rubbed his head regretfully.

"The ghost," said the scientist. "I think probably he has a bullet in him now--the ghost."

"The ghost," the scientist said. "I think he probably has a bullet in him now—the ghost."

Then the figure of the town constable separated itself from the night and approached.

Then the town constable's figure emerged from the darkness and came closer.

"Who's that?"

"Who is that?"

"Professor Van Dusen and Mr. Hatch."

"Professor Van Dusen and Mr. Hatch."

"Mr. Weston got him all right," said the constable, and there was satisfaction in his tone. "He tried to come out the back way, but I had that fastened, as you told me, and he came through the front way. Mr. Weston tried to stop him, and he raised the knife to stick him; then Mr. Weston shot. It broke his arm, I think. Mr. Weston is down there with him now."

"Mr. Weston caught him for sure," said the constable, sounding pleased. "He tried to sneak out the back, but I had it locked up like you said, so he came out the front instead. Mr. Weston tried to stop him, and he lifted the knife to stab him; then Mr. Weston fired. I think it broke his arm. Mr. Weston is down there with him right now."

The Thinking Machine turned to the reporter.

The Thinking Machine faced the reporter.

"Wait here for me, with the constable," he directed. "If the man is hurt he needs attention. I happen to be a doctor; I can aid him. Don't come unless I call."

"Wait here with the officer," he said. "If the guy is hurt, he needs help. I’m a doctor; I can take care of him. Don't come unless I call for you."

For a long while the constable and the reporter waited. The constable talked, talked with all the bottled-up vigor of days. Hatch listened impatiently; he was eager to go down there where The Thinking Machine and Weston and the phantom were.

For a long time, the constable and the reporter waited. The constable chatted, releasing all the pent-up energy from days of waiting. Hatch listened with impatience; he was eager to head over to where The Thinking Machine, Weston, and the phantom were.

After half an hour the light disappeared, then he heard the swift, quick churning of waters, a sound as of a powerful motor-boat manoeuvering, and a long body shot out on the waters.

After half an hour, the light vanished, and then he heard the fast, rapid churn of the water, a sound like a powerful motorboat maneuvering, and a long shape shot out onto the water.

"All right down there?" Hatch called.

"Everything good down there?" Hatch called.

"All right," came the response.

"Okay," came the response.

There was again silence, then Ernest Weston and The Thinking Machine came up.

There was silence again, then Ernest Weston and The Thinking Machine arrived.

"Where is the other man?" asked Hatch. "The ghost--where is he?" echoed the constable. "He escaped in the motor-boat," replied Mr. Weston, easily.

"Where's the other guy?" asked Hatch. "The ghost—where is he?" echoed the constable. "He got away in the motorboat," Mr. Weston replied casually.

"Escaped?" exclaimed Hatch and the constable together.

"Escaped?" Hatch and the constable exclaimed in unison.

"Yes, escaped," repeated The Thinking Machine, irritably. "Mr. Hatch, let's go to the hotel."

"Yeah, escaped," The Thinking Machine said irritably. "Mr. Hatch, let's head to the hotel."

Struggling with a sense of keen disappointment, Hatch followed the other two men silently. The constable walked beside him, also silent. At last they reached the hotel and bade the constable, a sadly puzzled, bewildered and crestfallen man, goodnight.

Struggling with a deep sense of disappointment, Hatch followed the other two men silently. The constable walked next to him, also in silence. Finally, they arrived at the hotel and wished the constable, a sadly confused, bewildered, and downcast man, goodnight.

"By ginger!" he remarked, as he walked away into the dark.

"Wow!" he said, as he walked away into the dark.

Upstairs the three men sat, Hatch impatiently waiting to hear the story. Weston lighted a cigarette and lounged back; The Thinking Machine sat with finger tips pressed together, studying the ceiling.

Upstairs, the three men sat. Hatch was impatiently waiting to hear the story. Weston lit a cigarette and slouched back; The Thinking Machine sat with his fingertips pressed together, studying the ceiling.

"Mr. Weston, you understand, of course, that I came into this thing to aid Mr. Hatch?" he asked.

"Mr. Weston, you know, of course, that I got involved in this to help Mr. Hatch?" he asked.

"Certainly," was the response. "I will only ask a favor of him when you conclude."

"Sure," was the reply. "I’ll only ask him for a favor once you’re done."

The Thinking Machine changed his position slightly, readjusted his thick glasses for a long, comfortable squint, and told the story, from the beginning, as he always told a story. Here it is:

The Thinking Machine shifted his position a bit, adjusted his thick glasses for a long, comfortable squint, and began telling the story from the start, just like he always did. Here it is:

"Mr. Hatch came to me in a state of abject, cringing fear and told me of the mystery. It would be needless to go over his examination of the house, and all that. It is enough to say that he noted and told me of four large mirrors in the dining-room and living-room of the house; that he heard and brought to me the stories in detail of a tragedy in the old house and missing jewels, valued at a hundred thousand dollars, or more.

"Mr. Hatch came to me in a state of extreme fear and told me about the mystery. There’s no need to go over his inspection of the house or anything like that. It's enough to say that he mentioned four large mirrors in the dining room and living room of the house; that he heard and shared with me the detailed stories of a tragedy in the old house and missing jewels worth a hundred thousand dollars or more."

"He told me of his trip to the house that night, and of actually seeing the phantom. I have found in the past that Mr. Hatch is a cool, level-headed young man, not given to imagining things which are not there, and controls himself well. Therefore I knew that anything of charlatanism must be clever, exceedingly clever, to bring about such a condition of mind in him.

"He told me about his trip to the house that night and how he actually saw the ghost. I’ve noticed before that Mr. Hatch is a calm, rational young man who doesn’t just make things up and keeps his emotions in check. So, I knew that any kind of trickery would have to be really clever to create that kind of state of mind in him."

"Mr. Hatch saw, as others had seen, the figure of a phantom in the reception-room near the door of the library, or in the library near the door of the reception-room, he couldn't tell exactly. He knew it was near the door. Preceding the appearance of the figure he heard a slight noise which he attributed to a rat running across the floor. Yet the house had not been occupied for five years. Rodents rarely remain in a house--I may say never--for that long if it is uninhabited. Therefore what was this noise? A noise made by the apparition itself? How?

"Mr. Hatch saw, like others had, the figure of a ghost in the reception room by the door to the library, or in the library near the door to the reception room; he couldn't tell for sure. He knew it was by the door. Before the figure appeared, he heard a faint noise that he thought was a rat running across the floor. But the house hadn’t been lived in for five years. Rodents don’t usually stay in a house—I’d say they never do—if it’s empty for that long. So what was that noise? Was it made by the apparition itself? How?"

"Now, there is only one white light of the kind Mr. Hatch described known to science. It seems almost superfluous to name it. It is phosphorus, compounded with Fuller's earth and glycerine and one or two other chemicals, so it will not instantly flame as it does in the pure state when exposed to air. Phosphorus has a very pronounced odor if one is within, say, twenty feet of it. Did Mr. Hatch smell anything? No.

"Now, there is only one white light like the one Mr. Hatch described known to science. It feels almost unnecessary to name it. It's phosphorus, mixed with Fuller's earth and glycerine, along with one or two other chemicals, so it won’t catch fire instantly like it does in its pure form when exposed to air. Phosphorus has a strong smell if you’re within, say, twenty feet of it. Did Mr. Hatch smell anything? No."

"Now, here we have several facts, these being that the apparition in appearing made a slight noise; that phosphorus was the luminous quality; that Mr. Hatch did not smell phosphorus even when he ran through the spot where the phantom had appeared. Two and two make four; Mr. Hatch saw phosphorus, passed through the spot where he had seen it, but did not smell it, therefore it was not there. It was a reflection he saw--a reflection of phosphorus. So far, so good.

"Now, here are several facts: the apparition made a slight noise when it appeared; phosphorus was the source of the light; and Mr. Hatch didn’t smell phosphorus even when he ran through the area where the phantom had shown up. Two plus two equals four; Mr. Hatch saw phosphorus, went through the spot where he had seen it, but didn’t smell it, so it wasn’t there. He saw a reflection—a reflection of phosphorus. So far, so good."

"Mr. Hatch saw a finger lifted and write a luminous word in the air. Again he did not actually see this; he saw a reflection of it. This first impression of mine was substantiated by the fact that when he rushed for the phantom a part of it disappeared, first half of it, he said--then the other half. So his extended hands grasped only air.

"Mr. Hatch saw a finger raised and write a glowing word in the air. He didn't actually see it; he saw a reflection of it. My first impression was confirmed by the fact that when he lunged for the phantom, part of it disappeared, first half of it, he said—then the other half. So his outstretched hands grasped only air."

"Obviously those reflections had been made on something, probably a mirror as the most perfect ordinary reflecting surface. Yet he actually passed through the spot where he had seen the apparition and had not struck a mirror. He found himself in another room, the library, having gone through a door which, that afternoon, he had himself closed. He did not open it then.

"Clearly, those reflections had been cast on something, probably a mirror, which is the most common reflective surface. However, he actually walked through the place where he had seen the apparition and did not hit a mirror. He found himself in another room, the library, after going through a door that he had closed himself earlier that afternoon. He didn't open it then."

"Instantly a sliding mirror suggested itself to me to fit all these conditions. He saw the apparition in the door, then saw only half of it, then all of it disappeared. He passed through the spot where it had been. All of this would have happened easily if a large mirror, working as a sliding door, and hidden in the wall, were there. Is it clear?"

"Right away, a sliding mirror came to mind that would meet all these conditions. He saw the figure in the doorway, then only half of it, and then it completely vanished. He walked through the spot where it had been. All of this would have been simple if there had been a large mirror hidden in the wall, acting as a sliding door. Is that clear?"

"Perfectly," said Mr. Weston.

"Perfect," said Mr. Weston.

"Yes," said Hatch, eagerly. "Go on."

"Yeah," said Hatch, eager. "Keep going."

"This sliding mirror, too, might have made the noise which Mr. Hatch imagined was a rat. Mr. Hatch had previously told me of four large mirrors in the living- and dining-rooms. With these, from the position in which he said they were, I readily saw how the reflection could have been made.

"This sliding mirror might have made the noise that Mr. Hatch thought was a rat. He had already mentioned to me that there were four large mirrors in the living and dining rooms. Considering their location, as he described, I easily understood how the reflection could have been created."

"In a general sort of way, in my own mind, I had accounted for the phantom. Why was it there? This seemed a more difficult problem. It was possible that it had been put there for amusement, but I did not wholly accept this. Why? Partly because no one had ever heard of it until the Italian workmen went there. Why did it appear just at the moment they went to begin the work Mr. Weston had ordered? Was it the purpose to keep the workmen away?

"In a broad sense, I had come up with an explanation for the phantom in my mind. But why was it there? That seemed like a tougher question. It could be there just for fun, but I wasn't completely convinced. Why? Partly because no one had heard of it before the Italian workers arrived. Why did it show up just when they were starting the work Mr. Weston had ordered? Was it meant to scare the workers away?"

"These questions arose in my mind in order. Then, as Mr. Hatch had told me of a tragedy in the house and hidden jewels, I asked him to learn more of these. I called his attention to the fact that it would be a queer circumstance if these jewels were still somewhere in the old house. Suppose some one who knew of their existence were searching for them, believed he could find them, and wanted something which would effectually drive away any inquiring persons, tramps or villagers, who might appear there at night. A ghost? Perhaps.

"These questions popped into my head in order. Then, since Mr. Hatch had told me about a tragedy in the house and hidden jewels, I asked him to find out more about them. I pointed out that it would be strange if these jewels were still somewhere in the old house. Imagine if someone who knew they existed was searching for them, thought they could find them, and wanted something that would effectively scare off any curious people, like vagrants or locals, who might show up there at night. A ghost? Maybe."

"Suppose some one wanted to give the old house such a reputation that Mr. Weston would not care to undertake the work of repair and refurnishing. A ghost? Again perhaps. In a shallow mind this ghost might have been interpreted even as an effort to prevent the marriage of Miss Everard and Mr. Weston. Therefore Mr. Hatch was instructed to get all the facts possible about you, Mr. Weston, and members of your family. I reasoned that members of your own family would be more likely to know of the lost jewels than anyone else after a lapse of fifty years.

"Imagine someone wanted to give the old house a reputation that would make Mr. Weston hesitant to take on the repairs and furnishings. A ghost? Maybe so. In a narrow-minded view, this ghost could even be seen as a way to stop the marriage of Miss Everard and Mr. Weston. So Mr. Hatch was told to gather as much information as possible about you, Mr. Weston, and your family members. I figured that your own family would be more likely to know about the lost jewels than anyone else after fifty years."

"Well, what Mr. Hatch learned from you and your cousin, George Weston, instantly, in my mind, established a motive for the ghost. It was, as I had supposed possible, an effort to drive workmen away, perhaps only for a time, while a search was made for the jewels. The old tragedy in the house was a good pretext to hang a ghost on. A clever mind conceived it and a clever mind put it into operation.

"Well, what Mr. Hatch learned from you and your cousin, George Weston, immediately made me think of a motive for the ghost. It was, as I had suspected, an attempt to scare the workers away, maybe just temporarily, while they looked for the jewels. The old tragedy in the house was a convenient excuse to create a ghost. It was a smart idea, and someone clever put it into action."

"Now, what one person knew most about the jewels? Your cousin George, Mr. Weston. Had he recently acquired any new information as to these jewels? I didn't know. I thought it possible. Why? On his own statement that his mother, then a bride, got the story of the entire affair direct from his grandmother, who remembered more of it than anybody else--who might even have heard his grandfather say where he intended hiding the jewels."

"Now, who knew the most about the jewels? Your cousin George, Mr. Weston. Had he found out anything new about these jewels recently? I didn’t know. I thought it was possible. Why? Because he said his mother, when she was a bride, got the whole story straight from his grandmother, who remembered more about it than anyone else—she might have even heard his grandfather say where he planned to hide the jewels."

The Thinking Machine paused for a little while, shifted his position, then went on:

The Thinking Machine took a moment to pause, adjusted his position, and then continued:

"George Weston refused to go with you, Mr. Weston, and Mr. Hatch, to the ghost party, as you called it, because he said he was going to a ball in Providence that night. He did not go to Providence; I learned that from your correspondent there, Mr. Hatch; so George Weston might, possibly, have gone to the ghost party after all.

"George Weston turned down your invitation, Mr. Weston, and Mr. Hatch, to the ghost party, as you referred to it, because he said he was attending a ball in Providence that night. He didn’t actually go to Providence; I found that out from your contact there, Mr. Hatch; so George Weston could have, possibly, ended up at the ghost party after all."

"After I looked over the situation down there it occurred to me that the most feasible way for a person, who wished to avoid being seen in the village, as the perpetrator of the ghost did, was to go to and from the place at night in a motor-boat. He could easily run in the dark and land at the foot of the cliff, and no soul in the village would be any the wiser. Did George Weston have a motor-boat? Yes, an electric, which runs almost silently.

"After I checked out the situation down there, it struck me that the best way for someone who wanted to stay hidden in the village, just like the ghost did, was to travel to and from the spot at night in a motorboat. They could easily move in the dark and land at the base of the cliff, and no one in the village would be any the wiser. Did George Weston have a motorboat? Yes, an electric one, which runs almost silently."

"From this point the entire matter was comparatively simple. I _knew_--the pure logic of it told me--how the ghost was made to appear and disappear; one look at the house inside convinced me beyond all doubt. I knew the motive for the ghost--a search for the jewels. I knew, or thought I knew, the name of the man who was seeking the jewels; the man who had fullest knowledge and fullest opportunity, the man whose brain was clever enough to devise the scheme. Then, the next step to prove what I knew. The first thing to do was to find the jewels."

"From this point, everything became relatively straightforward. I _knew_—the logic was clear to me—how the ghost appeared and disappeared; one look inside the house convinced me without a doubt. I understood the motive behind the ghost—a search for the jewels. I thought I knew the name of the man looking for the jewels; he was the person with the most knowledge and the best opportunity, the one clever enough to come up with the plan. Next, I needed to prove what I knew. The first thing to do was to find the jewels."

"Find the jewels?" Weston repeated, with a slight smile.

"Find the jewels?" Weston repeated, smirking a little.

"Here they are," said The Thinking Machine, quietly.

"Here they are," said The Thinking Machine, softly.

And there, before the astonished eyes of the broker, he drew out the gems which had been lost for fifty years. Mr. Weston was not amazed; he was petrified with astonishment and sat staring at the glittering heap in silence. Finally he recovered his voice.

And there, in front of the shocked broker, he pulled out the gems that had been missing for fifty years. Mr. Weston wasn’t just amazed; he was completely speechless and sat there staring at the sparkling pile in silence. Eventually, he found his voice again.

"How did you do it?" he demanded. "Where?"

"How did you do it?" he asked. "Where?"

"I used my brain, that's all," was the reply. "I went into the old house seeking them where the owner, under all conditions, would have been most likely to hide them, and there I found them."

"I just used my brain, that's all," was the reply. "I went into the old house looking for them where the owner would have most likely hidden them, and that's where I found them."

"But--but----" stammered the broker.

"But—but—" stammered the broker.

"The man who hid these jewels hid them only temporarily, or at least that was his purpose," said The Thinking Machine, irritably. "Naturally he would not hide them in the woodwork of the house, because that might burn; he did not bury them in the cellar, because that has been carefully searched. Now, in that house there is nothing except woodwork and chimneys above the cellar. Yet he hid them in the house, proven by the fact that the man he killed was killed in the house, and that the outside ground, covered with snow, showed two sets of tracks into the house and none out. Therefore he did hide them in the cellar. Where? In the stonework. There was no other place.

"The guy who hid these jewels did it only as a temporary measure, or at least that was his plan," said The Thinking Machine, annoyed. "Of course, he wouldn’t hide them in the walls of the house, since that could catch fire; he didn’t bury them in the cellar either, because that area has been thoroughly checked. Now, in that house, there’s nothing except for the walls and the chimneys above the cellar. However, he did hide them in the house, as shown by the fact that the man he killed was murdered there, and the ground outside, covered in snow, revealed two sets of tracks leading into the house but none coming out. So, he must have hidden them in the cellar. Where? In the stonework. There was no other option."

"Naturally he would not hide them on a level with the eye, because the spot where he took out and replaced a stone would be apparent if a close search were made. He would, therefore, place them either above or below the eye level. He placed them above. A large loose stone in the chimney was taken out and there was the box with these things."

"Of course, he wouldn't hide them at eye level, since the place where he took out and put back a stone would be obvious if someone looked closely. So, he decided to put them either above or below eye level. He chose to place them above. He removed a big loose stone in the chimney, and there was the box with these things."

Mr. Weston stared at The Thinking Machine with a new wonder and admiration in his eyes.

Mr. Weston looked at The Thinking Machine with fresh wonder and admiration in his eyes.

"With the jewels found and disposed of, there remained only to prove the ghost theory by an actual test. I sent for you, Mr. Weston, because I thought possibly, as no actual crime had been committed, it would be better to leave the guilty man to you. When you came I went into the haunted house with a hammer--an ordinary hammer--and waited on the steps.

"With the jewels found and taken care of, all that was left was to test the ghost theory for real. I called you, Mr. Weston, because I thought it might be best to let you handle the guilty man since no real crime had been committed. When you arrived, I went into the haunted house with a regular hammer and waited on the steps."

"At last the ghost laughed and appeared. I crept down the steps where I was sitting in my stocking feet. I knew what it was. Just when I reached the luminous phantom I disposed of it for all time by smashing it with a hammer. It shattered a large sliding mirror which ran in the door inside the frame, as I had thought. The crash startled the man who operated the ghost from the top of a box, giving it the appearance of extreme height, and he started out through the kitchen, as he had entered. The constable had barred that door after the man entered; therefore the ghost turned and came toward the front door of the house. There he ran into and struck down Mr. Hatch, and ran out through the front door, which I afterwards found was not securely fastened. You know the rest of it; how you found the motor-boat and waited there for him; how he came there, and----"

"Finally, the ghost laughed and showed up. I crept down the steps while sitting in my socks. I knew what was happening. Just as I got to the glowing phantom, I dealt with it for good by smashing it with a hammer. It broke a large sliding mirror that was set in the door frame, just like I expected. The crash surprised the guy who was operating the ghost from the top of a box, making it look really tall, and he started leaving through the kitchen, just like he came in. The officer had blocked that door after the guy went in; so the ghost turned and headed toward the front door of the house. There, he collided with and knocked down Mr. Hatch and then ran out through the front door, which I later found was not locked properly. You know the rest: how you found the motorboat and waited there for him; how he showed up, and----"

"Tried to stab me," Weston supplied. "I had to shoot to save myself."

"Tried to stab me," Weston said. "I had to shoot to protect myself."

"Well, the wound is trivial," said The Thinking Machine. "His arm will heal up in a little while. I think then, perhaps, a little trip of four or five years in Europe, at your expense, in return for the jewels, might restore him to health."

"Well, the injury is minor," said The Thinking Machine. "His arm will heal in no time. I think maybe a little trip of four or five years in Europe, at your cost, in exchange for the jewels, might get him back to health."

"I was thinking of that myself," said the broker, quietly. "Of course, I couldn't prosecute."

"I was thinking about that too," said the broker quietly. "Of course, I couldn't take legal action."

"The ghost, then, was----?" Hatch began.

"The ghost, then, was----?" Hatch started.

"George Weston, my cousin," said the broker. "There are some things in this story which, I hope you may see fit to leave unsaid, if you can do so with justice to yourself."

"George Weston, my cousin," said the broker. "There are some things in this story that I hope you'll choose not to mention, if you can do that while being fair to yourself."

Hatch considered it.

Hatch thought about it.

"I think there are," he said, finally, and he turned to The Thinking Machine. "Just where was the man who operated the phantom?"

"I think there are," he said at last, turning to The Thinking Machine. "Just where was the person who controlled the phantom?"

"In the dining-room, beside the butler's pantry," was the reply. "With that pantry door closed he put on the robe already covered with phosphorus, and merely stepped out. The figure was reflected in the tall mirror directly in front, as you enter the dining-room from the back, from there reflected to the mirror on the opposite wall in the living-room, and thence reflected to the sliding mirror in the door which led from the reception-hall to the library. This is the one I smashed."

"In the dining room, next to the butler's pantry," was the reply. "With that pantry door closed, he put on the robe that was already covered in phosphorus and just stepped out. The figure was reflected in the tall mirror directly in front of you as you enter the dining room from the back, from there it was reflected to the mirror on the opposite wall in the living room, and then reflected to the sliding mirror in the door that led from the reception hall to the library. This is the one I smashed."

"And how was the writing done?"

"And how was the writing done?"

"Oh, that? Of course that was done by reversed writing on a piece of clear glass held before the apparition as he posed. This made it read straight to anyone who might see the last reflection in the reception-hall."

"Oh, that? Of course, that was done by writing backwards on a piece of clear glass held up in front of the ghost while he posed. This made it readable for anyone who might see the last reflection in the reception hall."

"And the blood thrown on the constable and the others when the ghost was in the yard?" Hatch went on.

"And the blood splattered on the cop and the others when the ghost was in the yard?" Hatch continued.

"Was from a dog. A test I made in the drug store showed that. It was a desperate effort to drive the villagers away and keep them away. The ghost cat and the tying of the watchman to his bed were easily done."

"Was from a dog. A test I did at the pharmacy confirmed that. It was a desperate attempt to scare the villagers off and keep them away. The ghost cat and tying up the watchman to his bed were simple enough."

All sat silent for a time. At length Mr. Weston arose, thanked the scientist for the recovery of the jewels, bade them all goodnight and was about to go out. Mechanically Hatch was following. At the door he turned back for the last question.

Everyone sat in silence for a while. Finally, Mr. Weston stood up, thanked the scientist for finding the jewels, wished them all goodnight, and was about to leave. Hatch followed him without thinking. At the door, he turned back for one last question.

"How was it that the shot the constable fired didn't break the mirror?"

"How did the shot fired by the constable not break the mirror?"

"Because he was nervous and the bullet struck the door beside the mirror," was the reply. "I dug it out with a knife. Good-night."

"Because he was nervous and the bullet hit the door next to the mirror," was the reply. "I dug it out with a knife. Good night."





THE RALSTON BANK BURGLARY



I.

With expert fingers Phillip Dunston, receiving teller, verified the last package of one-hundred-dollar bills he had made up--ten thousand dollars in all--and tossed it over on the pile beside him, while he checked off a memorandum. It was correct; there were eighteen packages of bills, containing $107,231. Then he took the bundles, one by one, and on each placed his initials, "P. D." This was a system of checking in the Ralston National Bank.

With skilled hands, Phillip Dunston, the teller, confirmed the last package of one-hundred-dollar bills he had prepared—ten thousand dollars in total—and tossed it onto the pile beside him while he checked off a note. It was accurate; there were eighteen packages of bills, totaling $107,231. Then he took each bundle, one by one, and put his initials, "P. D.," on each. This was the verification process at the Ralston National Bank.

It was care in such trivial details, perhaps, that had a great deal to do with the fact that the Ralston National had advanced from a small beginning to the first rank of those banks which were financial powers. President Quinton Fraser had inaugurated the system under which the Ralston National had so prospered, and now, despite his seventy-four years, he was still its active head. For fifty years he had been in its employ; for thirty-five years of that time he had been its president.

It was attention to these small details, perhaps, that contributed significantly to the fact that the Ralston National had progressed from a modest start to become one of the leading financial institutions. President Quinton Fraser had launched the system that led to the Ralston National's success, and now, despite being seventy-four, he was still its active leader. He had worked there for fifty years, serving as president for thirty-five of those years.

Publicly the aged banker was credited with the possession of a vast fortune, this public estimate being based on large sums he had given to charity. But as a matter of fact the private fortune of the old man, who had no one to share it save his wife, was not large; it was merely a comfortable living sum for an aged couple of simple tastes.

Publicly, the older banker was known to have a huge fortune, a reputation built on the substantial donations he had made to charity. However, in reality, the old man's private wealth, which he shared only with his wife, wasn't that significant; it was just enough for a comfortable lifestyle for an elderly couple with modest preferences.

Dunston gathered up the packages of money and took them into the cashier's private office, where he dumped them on the great flat-top desk at which that official, Randolph West, sat figuring. The cashier thrust the sheet of paper on which he had been working into his pocket and took the memorandum which Dunston offered.

Dunston collected the bundles of money and brought them into the cashier's private office, where he unloaded them on the large flat desk where Randolph West, the cashier, was busy calculating. The cashier shoved the sheet of paper he had been working on into his pocket and took the memo that Dunston handed him.

"All right?" he asked.

"Are you okay?" he asked.

"It tallies perfectly," Dunston replied.

"It adds up perfectly," Dunston replied.

"Thanks. You may go now."

"Thanks. You can go now."

It was an hour after closing time. Dunston was just pulling on his coat when he saw West come out of his private office with the money to put it away in the big steel safe which stood between depositors and thieves. The cashier paused a moment to allow the janitor, Harris, to sweep the space in front of the safe. It was the late afternoon scrubbing and sweeping.

It was an hour after closing time. Dunston was just putting on his coat when he saw West come out of his private office with the money to store it in the big steel safe that stood between depositors and thieves. The cashier paused for a moment to let the janitor, Harris, sweep the area in front of the safe. It was the late afternoon cleaning time.

"Hurry up," the cashier complained, impatiently. Harris hurried, and West placed the money in the safe. There were eighteen packages.

"Hurry up," the cashier complained, impatiently. Harris rushed, and West put the money in the safe. There were eighteen packages.

"All right, sir?" Dunston inquired.

"Are you okay, sir?" Dunston inquired.

"Yes."

"Yeah."

West was disposing of the last bundle when Miss Clarke--Louise Clarke--private secretary to President Fraser, came out of his office with a long envelope in her hand. Dunston glanced at her and she smiled at him.

West was getting rid of the last bundle when Miss Clarke—Louise Clarke—private secretary to President Fraser, walked out of his office holding a long envelope. Dunston looked at her, and she smiled back at him.

"Please, Mr. West," she said to the cashier, "Mr. Fraser told me before he went to put these papers in the safe. I had almost forgotten."

"Please, Mr. West," she said to the cashier, "Mr. Fraser told me before he went to put these papers in the safe. I almost forgot."

She glanced into the open safe and her pretty blue eyes opened wide. Mr. West took the envelope, stowed it away with the money without a word, the girl looking on interestedly, and then swung the heavy door closed. She turned away with a quick, reassuring smile at Dunston, and disappeared inside the private office.

She looked into the open safe, and her pretty blue eyes widened. Mr. West took the envelope, tucked it in with the money without saying a word, while the girl watched with interest, and then he slammed the heavy door shut. She turned away with a quick, reassuring smile at Dunston and went inside the private office.

West had shot the bolts of the safe into place and had taken hold of the combination dial to throw it on, when the street door opened and President Fraser entered hurriedly.

West had locked the safe and was about to turn the combination dial when the street door swung open and President Fraser rushed in.

"Just a moment, West," he called. "Did Miss Clarke give you an envelope to go in there?"

"Hold on a second, West," he said. "Did Miss Clarke give you an envelope to take in there?"

"Yes. I just put it in."

"Yeah. I just put it in."

"One moment," and the aged president came through a gate which Dunston held open and went to the safe. The cashier pulled the steel door open, unlocked the money compartment where the envelope had been placed, and the president took it out.

"One moment," and the old president walked through a gate that Dunston held open and went to the safe. The cashier pulled the steel door open, unlocked the cash compartment where the envelope had been stored, and the president took it out.

West turned and spoke to Dunston, leaving the president looking over the contents of the envelope. When the cashier turned back to the safe the president was just taking his hand away from his inside coat pocket.

West turned and spoke to Dunston, leaving the president examining the contents of the envelope. When the cashier turned back to the safe, the president was just pulling his hand away from his inside coat pocket.

"It's all right, West," he instructed. "Lock it up."

"It's okay, West," he said. "Lock it up."

Again the heavy door closed, the bolts were shot and the combination dial turned. President Fraser stood looking on curiously; it just happened that he had never witnessed this operation before.

Again the heavy door closed, the bolts were secured, and the combination dial was turned. President Fraser watched with curiosity; it just so happened that he had never seen this process before.

"How much have you got in there to-night?" he asked.

"How much do you have in there tonight?" he asked.

"One hundred and twenty-nine thousand," replied the cashier. "And all the securities, of course."

"One hundred twenty-nine thousand," the cashier replied. "And all the securities, of course."

"Hum," mused the president. "That would be a good haul for some one--if they could get it, eh, West?" and he chuckled dryly.

"Hum," pondered the president. "That would be quite a catch for someone—if they could get it, right, West?" and he laughed softly.

"Excellent," returned West, smilingly. "But they can't."

"Great," West said with a smile. "But they can’t."

Miss Clarke, dressed for the street, her handsome face almost concealed by a veil which was intended to protect her pink cheeks from boisterous winds, was standing in the door of the president's office.

Miss Clarke, dressed for the street, her beautiful face mostly hidden by a veil meant to shield her rosy cheeks from harsh winds, was standing in the doorway of the president's office.

"Oh, Miss Clarke, before you go, would you write just a short note for me?" asked the president.

"Oh, Miss Clarke, before you leave, could you write a quick note for me?" asked the president.

"Certainly," she responded, and she returned to the private office. Mr. Fraser followed her.

"Sure," she replied, and she went back to the private office. Mr. Fraser followed her.

West and Dunston stood outside the bank railing, Dunston waiting for Miss Clarke. Every evening he walked over to the subway with her. His opinion of her was an open secret. West was waiting for the janitor to finish sweeping.

West and Dunston stood by the bank railing, with Dunston waiting for Miss Clarke. Every evening, he walked to the subway with her. Everyone knew he had feelings for her. West was just waiting for the janitor to finish sweeping.

"Hurry up, Harris," he said again.

"Hurry up, Harris," he said once more.

"Yes, sir," came the reply, and the janitor applied the broom more vigorously. "Just a little bit more. I've finished inside."

"Sure thing," came the reply, and the janitor swept with more intensity. "Just a little bit more. I've wrapped up inside."

Dunston glanced through the railing. The floor was spick and span and the hardwood glistened cleanly. Various bits of paper came down the corridor before Harris's broom. The janitor swept it all up into a dustpan just as Miss Clarke came out of the president's room. With Dunston she walked up the street. As they were going they saw Cashier West come out the front door, with his handkerchief in his hand, and then walk away rapidly.

Dunston looked through the railing. The floor was spotless, and the hardwood shone brightly. Bits of paper swept down the corridor as Harris used his broom. The janitor collected everything into a dustpan just as Miss Clarke stepped out of the president's office. She and Dunston walked up the street together. As they walked, they saw Cashier West come out of the front door with a handkerchief in his hand, then quickly walk away.

"Mr. Fraser is doing some figuring," Miss Clarke explained to Dunston. "He said he might be there for another hour."

"Mr. Fraser is doing some calculations," Miss Clarke told Dunston. "He said he might be there for another hour."

"You are beautiful," replied Dunston, irrelevantly.

"You’re beautiful," Dunston replied, out of the blue.


* * * * *

Sure, I'm ready to assist! Please provide the short phrases you would like me to modernize.

These, then, were the happenings in detail in the Ralston National Bank from 4:15 o'clock on the afternoon of November 11. That night the bank was robbed. The great steel safe which was considered impregnable was blown and $129,000 was missing.

These were the detailed events at the Ralston National Bank starting at 4:15 PM on November 11. That night, the bank was robbed. The huge steel safe, thought to be unbreakable, was blown open and $129,000 was gone.

The night watchman of the bank, William Haney, was found senseless, bound and gagged, inside the bank. His revolver lay beside him with all the cartridges out. He had been beaten into insensibility; at the hospital it was stated that there was only a bare chance of his recovery.

The bank's night watchman, William Haney, was discovered unconscious, tied up and gagged, inside the bank. His revolver was next to him with all the rounds removed. He had been severely beaten; the hospital reported that there was only a slim chance of him recovering.

The locks, hinges and bolts of the steel safe had been smashed by some powerful explosive, possibly nitro-glycerine. The tiny dial of the time-lock showed that the explosion came at 2:39; the remainder of the lock was blown to pieces.

The locks, hinges, and bolts of the steel safe had been destroyed by a strong explosive, likely nitroglycerin. The small dial of the time-lock indicated that the explosion occurred at 2:39; the rest of the lock was shattered.

Thus was fixed definitely the moment at which the robbery occurred. It was shown that the policeman on the beat had been four blocks away. It was perfectly possible that no one heard the explosion, because the bank was situated in a part of the city wholly given over to business and deserted at night.

Thus, the exact moment when the robbery took place was established. It was revealed that the officer on duty was four blocks away. It was entirely possible that no one heard the explosion, as the bank was located in an area of the city completely dominated by businesses and empty at night.

The burglars had entered the building through a window of the cashier's private office, in the full glare of an electric light. The window sash here had been found unfastened and the protecting steel bars, outside from top to bottom, seemed to have been dragged from their sockets in the solid granite. The granite crumbled away, as if it had been chalk.

The burglars had broken into the building through a window in the cashier's private office, right under a bright electric light. The window was found unlocked, and the steel bars that were supposed to protect it had apparently been pulled out of their sockets in the solid granite. The granite crumbled away like it was chalk.

Only one possible clew was found. This was a white linen handkerchief, picked up in front of the blown safe. It must have been dropped there at the time of the burglary, because Dunston distinctly recalled it was not there before he left the bank. He would have noticed it while the janitor was sweeping.

Only one possible clue was found. This was a white linen handkerchief, picked up in front of the blown safe. It must have been dropped there at the time of the burglary because Dunston clearly remembered it wasn't there before he left the bank. He would have noticed it while the janitor was sweeping.

This handkerchief was the property of Cashier West. The cashier did not deny it, but could offer no explanation of how it came there. Miss Clarke and Dunston both said that they had seen him leave the bank with a handkerchief in his hand.

This handkerchief belonged to Cashier West. He didn’t deny it, but he couldn’t explain how it ended up there. Miss Clarke and Dunston both said they saw him leave the bank with a handkerchief in his hand.


II.

President Fraser reached the bank at ten o'clock and was informed of the robbery. He retired to his office, and there he sat, apparently stunned into inactivity by the blow, his head bowed on his arms. Miss Clarke, at her typewriter, frequently glanced at the aged figure with an expression of pity on her face. Her eyes seemed weary, too. Outside, through the closed door, they could hear the detectives.

President Fraser arrived at the bank at 10 o'clock and was told about the robbery. He went to his office, where he sat in shock, with his head down on his arms. Miss Clarke, at her typewriter, often looked over at the older man with a look of sympathy on her face. Her eyes also seemed tired. Outside, through the closed door, they could hear the detectives.

From time to time employees of the bank and detectives entered the office to ask questions. The banker answered as if dazed; then the board of directors met and voted to personally make good the loss sustained. There was no uneasiness among depositors, because they knew the resources of the bank were practically unlimited.

From time to time, bank employees and detectives came into the office to ask questions. The banker replied as if he were in a daze; then the board of directors gathered and decided to cover the loss themselves. There was no worry among depositors because they knew the bank's resources were nearly limitless.

Cashier West was not arrested. The directors wouldn't listen to such a thing; he had been cashier for eighteen years, and they trusted him implicitly. Yet he could offer no possible explanation of how his handkerchief had come there. He asserted stoutly that he had not been in the bank from the moment Miss Clarke and Dunston saw him leave it.

Cashier West was not arrested. The directors wouldn’t entertain the idea; he had been a cashier for eighteen years, and they trusted him completely. However, he couldn’t provide any explanation for how his handkerchief had ended up there. He confidently insisted that he hadn’t been in the bank since the moment Miss Clarke and Dunston saw him leave.

After investigation the police placed the burglary to the credit of certain expert cracksmen, identity unknown. A general alarm, which meant a rounding up of all suspicious persons, was sent out, and this drag-net was expected to bring important facts to light. Detective Mallory said so, and the bank officials placed great reliance on his word.

After the investigation, the police attributed the burglary to some skilled criminals, but their identities were unknown. A general alert went out, aiming to round up all suspicious individuals, and they hoped this would uncover important information. Detective Mallory believed this, and the bank officials had a lot of trust in his judgment.

Thus the situation at the luncheon hour. Then Miss Clarke, who, wholly unnoticed, had been waiting all morning at her typewriter, arose and went over to Fraser.

Thus the situation at lunchtime. Then Miss Clarke, who had been waiting all morning at her typewriter, unnoticed, stood up and walked over to Fraser.

"If you don't need me now," she said, "I'll run out to luncheon."

"If you don't need me right now," she said, "I'll go grab some lunch."

"Certainly, certainly," he responded, with a slight start. He had apparently forgotten her existence.

"Of course, of course," he replied, slightly taken aback. He had clearly forgotten she was there.

She stood silently looking at him for a moment.

She stood quietly, staring at him for a moment.

"I'm awfully sorry," she said, at last, and her lips trembled slightly.

"I'm really sorry," she said finally, and her lips quivered a bit.

"Thanks," said the banker, and he smiled faintly. "It's a shock, the worst I ever had."

"Thanks," said the banker, smiling weakly. "It's a surprise, the worst I've ever experienced."

Miss Clarke passed out with quiet tread, pausing for a moment in the outer office to stare curiously at the shattered steel safe. The banker arose with sudden determination and called to West, who entered immediately.

Miss Clarke walked out quietly, stopping for a moment in the outer office to curiously look at the broken steel safe. The banker stood up with sudden determination and called to West, who came in right away.

"I know a man who can throw some light on this thing," said Fraser, positively. "I think I'll ask him to come over and take a look. It might aid the police, anyway. You may know him? Professor Van Dusen."

"I know a guy who can shed some light on this," Fraser said confidently. "I think I'll invite him over to check it out. It might help the police, at least. You might know him? Professor Van Dusen."

"Never heard of him," said West, tersely, "but I'll welcome anybody who can solve it. My position is uncomfortable."

"Never heard of him," West said bluntly, "but I’ll welcome anyone who can figure it out. My situation is uneasy."

President Fraser called Professor Van Dusen--The Thinking Machine--and talked for a moment through the 'phone. Then he turned back to West.

President Fraser called Professor Van Dusen—The Thinking Machine—and spoke for a moment on the phone. Then he turned back to West.

"He'll come," he said, with an air of relief. "I was able to do him a favor once by putting an invention on the market."

"He'll come," he said, feeling relieved. "I once did him a favor by getting an invention out into the market."

Within an hour The Thinking Machine, accompanied by Hutchinson Hatch, reporter, appeared. President Fraser knew the scientist well, but on West the strange figure made a startling, almost uncanny, impression. Every known fact was placed before The Thinking Machine. He listened without comment, then arose and wandered aimlessly about the offices. The employees were amused by his manner; Hatch was a silent looker-on.

Within an hour, The Thinking Machine showed up with reporter Hutchinson Hatch. President Fraser was familiar with the scientist, but West found the unusual figure to be quite startling, almost eerie. Every known fact was presented to The Thinking Machine. He listened without saying a word, then got up and wandered aimlessly around the offices. The employees were entertained by his behavior; Hatch quietly observed.

"Where was the handkerchief found?" demanded The Thinking Machine, at last.

"Where was the handkerchief found?" asked The Thinking Machine, finally.

"Here," replied West, and he indicated the exact spot.

"Here," West said, pointing to the exact spot.

"Any draught through the office--ever?"

"Any drafts through the office?"

"None. We have a patent ventilating system which prevents that."

"None. We have a patented ventilation system that prevents that."

The Thinking Machine squinted for several minutes at the window which had been unfastened--the window in the cashier's private room--with the steel bars guarding it, now torn out of their sockets, and at the chalklike softness of the granite about the sockets. After awhile he turned to the president and cashier.

The Thinking Machine squinted for several minutes at the window that had been opened—the window in the cashier's private room—with the steel bars protecting it, now ripped out of their sockets, and at the chalky softness of the granite around the sockets. After a while, he turned to the president and the cashier.

"Where is the handkerchief?"

"Where's the handkerchief?"

"In my desk," Fraser replied. "The police thought it of no consequence, save, perhaps--perhaps----," and he looked at West.

"In my desk," Fraser responded. "The police thought it wasn't important, except, maybe--maybe----," and he glanced at West.

"Except that it might implicate me," said West, hotly.

"Except that it could get me in trouble," West said angrily.

"Tut, tut, tut," said Fraser, reprovingly. "No one thinks for a----"

"Tut, tut, tut," Fraser said, disapprovingly. "No one thinks for a----"

"Well, well, the handkerchief?" interrupted The Thinking Machine, in annoyance.

"Well, well, what about the handkerchief?" interrupted The Thinking Machine, annoyed.

"Come into my office," suggested the president.

"Come into my office," the president said.

The Thinking Machine started in, saw a woman--Miss Clarke, who had returned from luncheon--and stopped. There was one thing on earth he was afraid of--a woman.

The Thinking Machine began to move, noticed a woman—Miss Clarke, who had just come back from lunch—and halted. There was one thing in the world he was afraid of—women.

"Bring it out here," he requested.

"Bring it out here," he said.

President Fraser brought it and placed it in the slender hands of the scientist, who examined it closely by a window, turning it over and over. At last he sniffed at it. There was the faint, clinging odor of violet perfume. Then abruptly, irrelevantly, he turned to Fraser.

President Fraser brought it and handed it to the scientist, who looked it over carefully by the window, flipping it around. Finally, he took a sniff. There was a subtle, lingering scent of violet perfume. Then, out of nowhere, he turned to Fraser.

"How many women employed in the bank?" he asked.

"How many women work at the bank?" he asked.

"Three," was the reply; "Miss Clarke, who is my secretary, and two general stenographers in the outer office."

"Three," was the answer; "Miss Clarke, who is my secretary, and two general stenographers in the outer office."

"How many men?"

"How many guys?"

"Fourteen, including myself."

"Fourteen people, including me."

If the president and Cashier West had been surprised at the actions of The Thinking Machine up to this point, now they were amazed. He thrust the handkerchief at Hatch, took his own handkerchief, briskly scrubbed his hands with it, and also passed that to Hatch.

If the president and Cashier West had been shocked by The Thinking Machine's actions so far, now they were blown away. He held out the handkerchief to Hatch, took his own handkerchief, quickly wiped his hands with it, and then handed that to Hatch as well.

"Keep those," he commanded.

"Keep those," he ordered.

He sniffed at his hands, then walked into the outer office, straight toward the desk of one of the young women stenographers. He leaned over her, and asked one question:

He sniffed his hands, then walked into the outer office, heading straight for the desk of one of the young female stenographers. He leaned over her and asked one question:

"What system of shorthand do you write?"

"What shorthand system do you use?"

"Pitman," was the astonished reply.

"Pitman," was the shocked reply.

The scientist sniffed. Yes, it was unmistakably a sniff. He left her suddenly and went to the other stenographer. Precisely the same thing happened; standing close to her he asked one question, and at her answer sniffed. Miss Clarke passed through the outer office to mail a letter. She, too, had to answer the question as the scientist squinted into her eyes, and sniffed.

The scientist sniffed. Yeah, it was definitely a sniff. He suddenly left her and went to the other stenographer. Exactly the same thing happened; standing close to her, he asked one question, and at her answer, he sniffed. Miss Clarke walked through the outer office to mail a letter. She, too, had to respond to the question as the scientist squinted into her eyes and sniffed.

"Ah," he said, at her answer.

"Ah," he said, in response to her answer.

Then from one to another of the employees of the bank he went, asking each a few questions. By this time a murmur of amusement was running through the office. Finally The Thinking Machine approached the cage in which sat Dunston, the receiving teller. The young man was bent over his work, absorbed.

Then he moved from one bank employee to another, asking each a few questions. By this point, a murmur of amusement was spreading through the office. Finally, The Thinking Machine approached the cage where Dunston, the receiving teller, was seated. The young man was focused on his work, completely absorbed.

"How long have you been employed here?" asked the scientist, suddenly.

"How long have you worked here?" the scientist suddenly asked.

Dunston started and glanced around quickly.

Dunston jumped and quickly looked around.

"Five years," he responded.

"Five years," he said.

"It must be hot work," said The Thinking Machine. "You're perspiring."

"It must be tough work," said The Thinking Machine. "You're sweating."

"Am I?" inquired the young man, smilingly.

"Am I?" the young man asked with a smile.

He drew a crumpled handkerchief from his hip pocket, shook it out, and wiped his forehead.

He pulled a crumpled handkerchief from his hip pocket, shook it out, and wiped his forehead.

"Ah!" exclaimed The Thinking Machine, suddenly.

"Ah!" exclaimed The Thinking Machine, suddenly.

He had caught the faint, subtle perfume of violets--an odor identical with that on the handkerchief found in front of the safe.

He caught the faint, subtle scent of violets—an aroma identical to that on the handkerchief found in front of the safe.


III.

The Thinking Machine led the way back to the private office of the cashier, with President Fraser, Cashier West and Hatch following.

The Thinking Machine walked ahead to the cashier's private office, with President Fraser, Cashier West, and Hatch trailing behind.

"Is it possible for anyone to overhear us here?" he asked.

"Can anyone hear us here?" he asked.

"No," replied the president. "The directors meet here."

"No," replied the president. "The directors meet here."

"Could anyone outside hear that, for instance?" and with a sudden sweep of his hand he upset a heavy chair.

"Can anyone outside hear that, for example?" And with a quick motion of his hand, he knocked over a heavy chair.

"I don't know," was the astonished reply. "Why?"

"I don't know," was the surprised response. "Why?"

The Thinking Machine went quickly to the door, opened it softly and peered out. Then he closed the door again.

The Thinking Machine quickly went to the door, opened it quietly, and looked outside. Then he closed the door again.

"I suppose I may speak with absolute frankness?" he inquired.

"I guess I can speak honestly?" he asked.

"Certainly," responded the old banker, almost startled. "Certainly."

"Sure," replied the old banker, a bit taken aback. "Sure."

"You have presented an abstract problem," The Thinking Machine went on, "and I presume you want a solution of it, no matter where it hits?"

"You've brought up an abstract problem," The Thinking Machine continued, "and I assume you're looking for a solution, regardless of the consequences?"

"Certainly," the president again assured him, but his tone expressed a grave, haunting fear.

"Of course," the president reassured him again, but his tone revealed a serious, persistent fear.

"In that case," and The Thinking Machine turned to the reporter, "Mr. Hatch, I want you to ascertain several things for me. First, I want to know if Miss Clarke uses or has ever used violet perfume--if so, when she ceased using it."

"In that case," The Thinking Machine said to the reporter, "Mr. Hatch, I need you to find out a few things for me. First, I want to know if Miss Clarke uses or has ever used violet perfume—and if she has, when did she stop using it."

"Yes," said the reporter. The bank officials exchanged wondering looks.

"Yes," said the reporter. The bank officials exchanged curious glances.

"Also, Mr. Hatch," and the scientist squinted with his strange eyes straight into the face of the cashier, "go to the home of Mr. West, here, see for yourself his laundry mark, and ascertain beyond any question if he has ever, or any member of his family has ever, used violet perfume."

"Also, Mr. Hatch," the scientist said, narrowing his strange eyes as he looked directly at the cashier, "go to Mr. West's house, check out his laundry mark, and find out for sure if he or any of his family members has ever used violet perfume."

The cashier flushed suddenly.

The cashier turned red suddenly.

"I can answer that," he said, hotly. "No."

"I can answer that," he said, angrily. "No."

"I knew you would say that," said The Thinking Machine, curtly. "Please don't interrupt. Do as I say, Mr. Hatch."

"I knew you were going to say that," The Thinking Machine replied sharply. "Please don't interrupt. Just do as I say, Mr. Hatch."

Accustomed as he was to the peculiar methods of this man, Hatch saw faintly the purpose of the inquiries.

Accustomed as he was to this man's unusual methods, Hatch vaguely understood the purpose of the questions.

"And the receiving teller?" he asked.

"And what about the receiving teller?" he asked.

"I know about him," was the reply.

"I know him," was the reply.

Hatch left the room, closing the door behind him. He heard the bolt shot in the lock as he started away.

Hatch left the room, shutting the door behind him. He heard the bolt slide into the lock as he walked away.

"I think it only fair to say here, Professor Van Dusen," explained the president, "that we understand thoroughly that it would have been impossible for Mr. West to have had anything to do with or know----"

"I think it's only fair to say here, Professor Van Dusen," the president explained, "that we completely understand that it would have been impossible for Mr. West to have had anything to do with or know----"

"Nothing is impossible," interrupted The Thinking Machine.

"Nothing is impossible," The Thinking Machine interjected.

"But I won't----" began West, angrily.

"But I won't----" West started, angrily.

"Just a moment, please," said The Thinking Machine. "No one has accused you of anything. What I am doing may explain to your satisfaction just how your handkerchief came here and bring about the very thing I suppose you want--exoneration."

"Just a moment, please," said The Thinking Machine. "No one has accused you of anything. What I’m doing may explain to your satisfaction how your handkerchief got here and achieve what I assume you want—clearance."

The cashier sank back into a chair; President Fraser looked from one to the other. Where there had been worry on his face there was now only wonderment.

The cashier slumped into a chair; President Fraser glanced from one to the other. Where there had been concern on his face, there was now only amazement.

"Your handkerchief was found in this office, apparently having been dropped by the persons who blew the safe," and the long, slender fingers of The Thinking Machine were placed tip to tip as he talked. "It was not there the night before. The janitor who swept says so; Dunston, who happened to look, says so--; Miss Clarke and Dunston both say they saw you with a handkerchief as you left the bank. Therefore, that handkerchief reached that spot after you left and before the robbery was discovered."

"Your handkerchief was found in this office, apparently dropped by the people who broke into the safe," The Thinking Machine said, tapping his long, slender fingers together as he spoke. "It wasn’t there the night before. The janitor who cleaned says so; Dunston, who happened to check, says so—Miss Clarke and Dunston both say they saw you with a handkerchief when you left the bank. So, that handkerchief got there after you left and before the robbery was noticed."

The cashier nodded.

The cashier agreed.

"You say you don't use perfume; that no one in your family uses it. If Mr. Hatch verifies this, it will help to exonerate you. But some person who handled that handkerchief after it left your possession and before it appeared, here did use perfume. Now who was that person? Who would have had an opportunity?

"You say you don’t wear perfume and that no one in your family does. If Mr. Hatch confirms this, it will help clear your name. But someone who had that handkerchief after it left your hands and before it showed up here did use perfume. So, who was that person? Who would have had the chance?"

"We may safely dismiss the possibility that you lost the handkerchief, that it fell into the hands of burglars, that those burglars used perfume, that they brought it to your bank--your own bank, mind you!--and left it. The series of coincidences necessary to bring that about would not have occurred once in a million times."

"We can confidently rule out the chance that you lost the handkerchief, that it ended up with burglars, that those burglars used perfume, that they took it to your bank—your own bank, just to be clear!—and left it there. The number of coincidences needed for that to happen is something that would occur once in a million times."

The Thinking Machine sat silent for several minutes, squinting steadily at the ceiling.

The Thinking Machine sat quietly for several minutes, glaring intently at the ceiling.

"If it had been lost anywhere, in the laundry, say, the same rule of coincidence I have just applied would almost eliminate it. Therefore, because of an opportunity to get that handkerchief, we will assume--there is--there must be--some one employed in this bank who had some connection with or actually participated in the burglary."

"If it had been lost anywhere, like in the laundry, the same coincidence rule I just mentioned would almost rule it out. So, because there's a chance to get that handkerchief, we can assume—there is—there has to be—someone working at this bank who is somehow connected to or actually took part in the burglary."

The Thinking Machine spoke with perfect quiet, but the effect was electrical. The aged president staggered to his feet and stood staring at him dully; again the flush of crimson came into the face of the cashier.

The Thinking Machine spoke in total calm, but the impact was shocking. The old president got to his feet and stared at him blankly; once more, the cashier's face turned bright red.

"Some one," The Thinking Machine went on, evenly, "who either found the handkerchief and unwittingly lost it at the time of the burglary, or else stole it and deliberately left it. As I said, Mr. West seems eliminated. Had he been one of the robbers, he would not wittingly have left his handkerchief; we will still assume that he does not use perfume, therefore personally did not drop the handkerchief where it was found."

"Someone," The Thinking Machine continued calmly, "who either found the handkerchief and accidentally lost it during the burglary, or stole it and intentionally left it behind. As I mentioned, Mr. West seems to be out of the picture. If he had been one of the thieves, he wouldn’t have knowingly left his handkerchief; we can still assume that he doesn’t wear perfume, so he personally didn’t drop the handkerchief where it was found."

"Impossible! I can't believe it, and of my employees----" began Mr. Fraser.

"That's impossible! I can't believe it, and my employees----" started Mr. Fraser.

"Please don't keep saying things are impossible," snapped The Thinking Machine. "It irritates me exceedingly. It all comes to the one vital question: Who in the bank uses perfume?"

"Please stop saying things are impossible," snapped The Thinking Machine. "It really annoys me. It all comes down to one important question: Who in the bank wears perfume?"

"I don't know," said the two officials.

"I don't know," said the two officials.

"I do," said The Thinking Machine. "There are two--only two, Dunston, your receiving teller, and Miss Clarke."

"I do," said The Thinking Machine. "There are two—only two, Dunston, your teller, and Miss Clarke."

"But they----"

"But they—"

"Dunston uses a violet perfume not _like_ that on the handkerchief, but _identical_ with it," The Thinking Machine went on. "Miss Clarke uses a strong rose perfume."

"Dunston uses a violet perfume that’s not _like_ the one on the handkerchief, but _identical_ to it," The Thinking Machine continued. "Miss Clarke uses a strong rose perfume."

"But those two persons, above all others in the bank, I trust implicitly," said Mr. Fraser, earnestly. "And, besides, they wouldn't know how to blow a safe. The police tell me this was the work of experts."

"But those two people, more than anyone else in the bank, I trust completely," Mr. Fraser said earnestly. "And besides, they wouldn’t know how to crack a safe. The police have told me this was the work of professionals."

"Have you, Mr. Fraser, attempted to raise, or have you raised lately, any large sum of money?" asked the scientist, suddenly.

"Have you tried to raise, or have you raised recently, any large amount of money, Mr. Fraser?" the scientist asked suddenly.

"Well, yes," said the banker, "I have. For a week past I have tried to raise ninety thousand dollars on my personal account."

"Well, yes," said the banker, "I have. For the past week, I have tried to raise ninety thousand dollars from my personal account."

"And you, Mr. West?"

"And you, Mr. West?"

The face of the cashier flushed slightly--it might have been at the tone of the question--and there was the least pause.

The cashier's face turned slightly red—it could have been from the way the question was asked—and there was a brief pause.

"No," he answered finally.

"No," he replied finally.

"Very well," and the scientist arose, rubbing his hands; "now we'll search your employees."

"Alright," the scientist said as he stood up, rubbing his hands together; "now we'll look through your employees."

"What?" exclaimed both men. Then Mr. Fraser added: "That would be the height of absurdity; it would never do. Besides, any person who robbed the bank would not carry proofs of the robbery, or even any of the money about with them--to the bank, above all places."

"What?" both men exclaimed. Then Mr. Fraser added, "That would be completely ridiculous; it just wouldn't work. Plus, anyone who robbed the bank wouldn't take evidence of the crime, or even any of the money, to the bank of all places."

"The bank would be the safest place for it," retorted The Thinking Machine. "It is perfectly possible that a thief in your employ would carry some of the money; indeed, it is doubtful if he would dare do anything else with it. He could see you would have no possible reason for suspecting anyone here--unless it is Mr. West."

"The bank is the safest place for it," replied The Thinking Machine. "It’s entirely possible that a thief you hired would take some of the money; in fact, it’s unlikely he’d do anything else with it. He would know you have no reason to suspect anyone here—unless it’s Mr. West."

There was a pause. "I'll do the searching, except the three ladies, of course," he added, blushingly. "With them each combination of two can search the other one."

There was a pause. "I'll do the searching, except for the three ladies, of course," he said, blushing. "With them, each pair can search for the other."

Mr. Fraser and Mr. West conversed in low tones for several minutes.

Mr. Fraser and Mr. West talked quietly for several minutes.

"If the employees will consent I am willing," Mr. Fraser explained, at last; "although I see no use of it."

"If the employees agree, I'm on board," Mr. Fraser said finally; "even though I don't see the point."

"They will agree," said The Thinking Machine. "Please call them all into this office."

"They'll agree," said The Thinking Machine. "Please have everyone come into this office."

Among some confusion and wonderment the three women and fourteen men of the bank were gathered in the cashier's office, the outer doors being locked. The Thinking Machine addressed them with characteristic terseness.

Amid some confusion and curiosity, the three women and fourteen men from the bank were gathered in the cashier's office, with the outer doors locked. The Thinking Machine spoke to them in his usual abrupt manner.

"In the investigation of the burglary of last night," he explained, "it has been deemed necessary to search all employees of this bank." A murmur of surprise ran around the room. "Those who are innocent will agree readily, of course; will all agree?"

"In the investigation of last night’s burglary," he explained, "we need to search all employees of this bank." A murmur of surprise spread around the room. "Those who are innocent will agree easily, of course; will everyone agree?"

There were whispered consultations on all sides. Dunston flushed angrily; Miss Clarke, standing near Mr. Fraser, paled slightly. Dunston looked at her and then spoke.

There were quiet discussions all around. Dunston became visibly angry; Miss Clarke, standing next to Mr. Fraser, turned a bit pale. Dunston glanced at her and then spoke.

"And the ladies?" he asked.

"And what about the ladies?" he asked.

"They, too," explained the scientist. "They may search one another--in the other room, of course."

"They, too," the scientist explained. "They might look for each other—in the other room, of course."

"I for one will not submit to such a proceeding," Dunston declared, bluntly, "not because I fear it, but because it is an insult."

"I, for one, will not go along with this," Dunston stated flatly, "not because I’m afraid, but because it’s an insult."

Simultaneously it impressed itself on the bank officials and The Thinking Machine that the one person in the bank who used a perfume identical with that on the handkerchief was the first to object to a search. The cashier and president exchanged startled glances.

At the same time, it struck both the bank officials and The Thinking Machine that the only person in the bank who wore a perfume that matched the one on the handkerchief was the first to protest against a search. The cashier and president shared surprised looks.

"Nor will I," came in the voice of a woman.

"Neither will I," a woman said.

The Thinking Machine turned and glanced at her. It was Miss Willis, one of the outside stenographers; Miss Clarke and the other woman were pale, but neither had spoken.

The Thinking Machine turned and looked at her. It was Miss Willis, one of the outside stenographers; Miss Clarke and the other woman were pale, but neither had said anything.

"And the others?" asked The Thinking Machine.

"And what about the others?" asked The Thinking Machine.

Generally there was acquiescence, and as the men came forward the scientist searched them, perfunctorily, it seemed. Nothing! At last there remained three men, Dunston, West and Fraser. Dunston came forward, compelled to do so by the attitude of his fellows. The three women stood together. The Thinking Machine spoke to them as he searched Dunston.

Generally, everyone went along with it, and as the men stepped up, the scientist searched them, seemingly in a casual manner. Nothing! Finally, only three men were left: Dunston, West, and Fraser. Dunston moved forward, pushed to do so by the stance of his peers. The three women huddled together. The Thinking Machine addressed them as he searched Dunston.

"If the ladies will retire to the next room they may proceed with their search," he suggested. "If any money is found, bring it to me--nothing else."

"If the ladies would like to go to the next room, they can continue their search," he suggested. "If you find any money, bring it to me—nothing else."

"I will not, I will not, I will not," screamed Miss Willis, suddenly. "It's an outrage."

"I won’t, I won’t, I won’t," shouted Miss Willis, suddenly. "It's outrageous."

Miss Clarke, deathly white and half fainting, threw up her hands and sank without a sound into the arms of President Fraser. There she burst into tears.

Miss Clarke, pale and on the verge of fainting, raised her hands and collapsed silently into President Fraser's arms. There, she started to cry.

"It is an outrage," she sobbed. She clung to President Fraser, her arms flung upward and her face buried on his bosom. He was soothing her with fatherly words, and stroked her hair awkwardly. The Thinking Machine finished the search of Dunston. Nothing! Then Miss Clarke roused herself and dried her eyes.

"It’s just outrageous," she cried. She held onto President Fraser, her arms raised and her face buried in his chest. He comforted her with gentle words and awkwardly stroked her hair. The Thinking Machine completed the search for Dunston. Nothing! Then Miss Clarke gathered herself and wiped her eyes.

"Of course I will have to agree," she said, with a flash of anger in her eyes.

"Of course, I have to agree," she said, a spark of anger in her eyes.

Miss Willis was weeping, but, like Dunston, she was compelled to yield, and the three women went into an adjoining room. There was a tense silence until they reappeared. Each shook her head. The Thinking Machine nearly looked disappointed.

Miss Willis was crying, but, like Dunston, she had to give in, and the three women went into a nearby room. There was a heavy silence until they came back. Each one shook her head. The Thinking Machine almost looked let down.

"Dear me!" he exclaimed. "Now, Mr. Fraser." He started toward the president, then paused to pick up a scarf pin.

"Goodness!" he said. "Now, Mr. Fraser." He walked toward the president, then stopped to pick up a scarf pin.

"This is yours," he said. "I saw it fall," and he made as if to search the aged man.

"This is yours," he said. "I saw it fall," and he pretended to search the old man.

"Well, do you really think it necessary in my case?" asked the president, in consternation, as he drew back, nervously. "I--I am the president, you know."

"Well, do you really think that's necessary for me?" asked the president, disturbed, as he stepped back, nervously. "I—I am the president, you know."

"The others were searched in your presence, I will search you in their presence," said The Thinking Machine, tartly.

"The others were searched in front of you, so I’ll search you in front of them," said The Thinking Machine sharply.

"But--but----" the president stammered.

"But—but—" the president stuttered.

"Are you afraid?" the scientist demanded.

"Are you scared?" the scientist asked.

"Why, of course not," was the hurried answer; "but it seems so--so unusual."

"Of course not," was the quick reply; "but it feels so--so strange."

"I think it best," said The Thinking Machine, and before the banker could draw away his slender fingers were in the inside breast pocket, whence they instantly drew out a bundle of money--one hundred $100 bills--ten thousand dollars--with the initials of the receiving teller, "P. D."--"o.k.--R. W."

"I think it's best," said The Thinking Machine, and before the banker could pull away, his slender fingers reached into the inside breast pocket, pulling out a bundle of cash—one hundred $100 bills—totaling ten thousand dollars—with the initials of the receiving teller, "P. D."—"o.k.—R. W."

"Great God!" exclaimed Mr. Fraser, ashen white.

"Great God!" Mr. Fraser exclaimed, pale and shaken.

"Dear me, dear me!" said The Thinking Machine again. He sniffed curiously at the bundle of bank notes, as a hound might sniff at a trail.

"Wow, wow!" said The Thinking Machine again. He sniffed curiously at the pile of banknotes, just like a dog might sniff at a scent.


IV.

President Fraser was removed to his home in a dangerous condition. His advanced age did not withstand the shock. Now alternately he raved and muttered incoherently, and the old eyes were wide, staring fearfully always. There was a consultation between The Thinking Machine and West after the removal of President Fraser, and the result was another hurried meeting of the board of directors. At that meeting West was placed, temporarily, in command. The police, of course, had been informed of the matter, but no arrest was probable.

President Fraser was taken home in critical condition. His old age couldn’t handle the shock. He kept raving and muttering nonsensically, his eyes wide and staring in fear. After Fraser was moved, there was a meeting between The Thinking Machine and West, resulting in another urgent meeting of the board of directors. During that meeting, West was temporarily put in charge. The police had been notified, but an arrest was unlikely.

Immediately after The Thinking Machine left the bank Hatch appeared and inquired for him. From the bank he went to the home of the scientist. There Professor Van Dusen was bending over a retort, busy with some problem.

Immediately after The Thinking Machine left the bank, Hatch showed up and asked for him. From the bank, he went to the scientist's home. There, Professor Van Dusen was focused on a retort, working on some problem.

"Well?" he demanded, as he glanced up.

"Well?" he asked, glancing up.

"West told the truth," began Hatch. "Neither he nor any member of his family uses perfume; he has few outside acquaintances, is regular in his habits, but is a man of considerable wealth, it appears."

"West told the truth," Hatch started. "Neither he nor anyone in his family wears perfume; he has only a few friends outside of his family, follows a routine, but it seems he's quite wealthy."

"What is his salary at the bank?" asked The Thinking Machine.

"What’s his salary at the bank?" asked The Thinking Machine.

"Fifteen thousand a year," said the reporter. "But he must have a large fortune. He lives like a millionaire."

"Fifteen thousand a year," said the reporter. "But he must have a lot of money. He lives like a millionaire."

"He couldn't do that on fifteen thousand dollars a year," mused the scientist. "Did he inherit any money?"

"He couldn't manage that on fifteen thousand dollars a year," the scientist thought. "Did he inherit any money?"

"No," was the reply. "He started as a clerk in the bank and has made himself what he is."

"No," was the reply. "He started as a bank clerk and has built himself up to what he is now."

"That means speculation," said The Thinking Machine. "You can't save a fortune from a salary, even fifteen thousand dollars a year. Now, Mr. Hatch, find out for me all about his business connections. His source of income particularly I would like to know. Also whether or not he has recently sought to borrow or has received a large sum of money; if he got it and what he did with it. He says he has not sought such a sum. Perhaps he told the truth."

"That means speculation," said The Thinking Machine. "You can't save a fortune just from a salary, even if it's fifteen thousand dollars a year. Now, Mr. Hatch, find out everything you can about his business connections. I'm especially interested in his source of income. Also, check if he has recently tried to borrow or has received a large amount of money; if he got it and what he did with it. He claims he hasn’t tried to get such an amount. Maybe he's telling the truth."

"Yes, and about Miss Clarke----"

"Yes, and regarding Miss Clarke----"

"Yes; what about her?" asked The Thinking Machine.

"Yeah; what about her?" asked The Thinking Machine.

"She occupies a little room in a boarding-house for women in an excellent district," the reporter explained. "She has no friends who call there, at any rate. Occasionally, however, she goes out at night and remains late."

"She has a small room in a women's boarding house in a nice area," the reporter explained. "She doesn't have any friends who visit her there, at least. However, she does go out at night sometimes and stays out late."

"The perfume?" asked the scientist.

"Is that the perfume?" asked the scientist.

"She uses a perfume, the housekeeper tells me, but she doesn't recall just what kind it is--so many of the young women in the house use it. So I went to her room and looked. There was no perfume there. Her room was considerably disarranged, which seemed to astonish the housekeeper, who declared that she had carefully arranged it about nine o'clock. It was two when I was there."

"She wears a perfume, the housekeeper tells me, but she can't remember what kind it is—so many of the young women in the house use it. So I went to her room and checked. There was no perfume there. Her room was quite messy, which seemed to surprise the housekeeper, who said she had organized it carefully around nine o'clock. It was two when I was there."

"How was it disarranged?" asked the scientist.

"How was it messed up?" asked the scientist.

"The couch cover was jerked awry and the pillows tumbled down, for one thing," said the reporter. "I didn't notice any further."

"The couch cover was pulled out of place and the pillows fell down, for one thing," said the reporter. "I didn't see anything else."

The Thinking Machine relapsed into silence. "What happened at the bank?" inquired Hatch. Briefly the scientist related the facts leading up to the search, the search itself and its startling result. The reporter whistled.

The Thinking Machine fell silent. "What happened at the bank?" asked Hatch. The scientist quickly recounted the events leading to the search, the search itself, and its surprising outcome. The reporter whistled.

"Do you think Fraser had anything to do with it?"

"Do you think Fraser was involved in this?"

"Run out and find out those other things about West," said The Thinking Machine, evasively. "Come back here to-night. It doesn't matter what time."

"Go out and discover more about West," said The Thinking Machine, avoiding the question. "Come back here tonight. It doesn't matter what time."

"But who do you think committed the crime?" insisted the newspaper man.

"But who do you think did it?" the newspaper guy pressed.

"I may be able to tell you when you return."

"I might be able to let you know when you get back."

For the time being The Thinking Machine seemed to forget the bank robbery, being busy in his tiny laboratory. He was aroused from his labors by the ringing of the telephone bell.

For now, The Thinking Machine appeared to have put the bank robbery out of his mind, as he focused on his small laboratory. He was interrupted from his work by the ringing of the telephone.

"Hello," he called. "Yes, Van Dusen. No, I can't come down to the bank now. What is it? Oh, it has disappeared? When? Too bad! How's Mr. Fraser? Still unconscious? Too bad! I'll see you to-morrow."

"Hello," he called. "Yeah, it's Van Dusen. No, I can't come down to the bank right now. What's up? Oh, it’s gone? When did that happen? That's unfortunate! How's Mr. Fraser? Still unconscious? That’s too bad! I'll see you tomorrow."

The scientist was still engrossed in some delicate chemical work just after eight o'clock that evening when Martha, his housekeeper and maid of all work, entered.

The scientist was still absorbed in some delicate chemical work just after eight o'clock that evening when Martha, his housekeeper and all-around helper, walked in.

"Professor," she said, "there's a lady to see you."

"Professor," she said, "there's a woman here to see you."

"Name?" he asked, without turning.

"What's your name?" he asked, without turning.

"She didn't give it, sir."

"She didn't provide it, sir."

"There in a moment."

"Right there in a moment."

He finished the test he had under way, then left the little laboratory and went into the hall leading to the sitting-room, where unprivileged callers awaited his pleasure. He sniffed a little as he stepped into the hall. At the door of the sitting-room he paused and peered inside. A woman arose and came toward him. It was Miss Clarke.

He finished the test he was working on, then left the small lab and walked into the hallway leading to the living room, where uninvited guests were waiting for him. He took a quick sniff as he entered the hall. At the door of the living room, he stopped and looked inside. A woman stood up and walked towards him. It was Miss Clarke.

"Good-evening," he said. "I knew you'd come."

"Good evening," he said. "I knew you would show up."

Miss Clarke looked a little surprised, but made no comment.

Miss Clarke looked a bit surprised, but she didn't say anything.

"I came to give you some information," she said, and her voice was subdued. "I am heartbroken at the awful things which have come out concerning--concerning Mr. Fraser. I have been closely associated with him for several months, and I won't believe that he could have had anything to do with this affair, although I know positively that he was in need of a large sum of money--ninety thousand dollars--because his personal fortune was in danger. Some error in titles to an estate, he told me."

"I came to share some news," she said, her voice low. "I’m devastated by the terrible things that have come to light about Mr. Fraser. I've been closely involved with him for several months, and I refuse to believe he could have been involved in this situation, even though I know for sure that he needed a large sum of money—ninety thousand dollars—because his personal fortune was at risk. He mentioned that there was some issue with the titles to an estate."

"Yes, yes," said The Thinking Machine.

"Yeah, yeah," said The Thinking Machine.

"Whether he was able to raise this money I don't know," she went on. "I only hope he did without having to--to do that--to have any----"

"Whether he was able to raise this money, I don’t know," she continued. "I can only hope he did it without having to--to do that--to have any----"

"To rob his bank," said the scientist, tartly. "Miss Clarke, is young Dunston in love with you?"

"To rob his bank," the scientist said sharply. "Miss Clarke, is young Dunston in love with you?"

The girl's face changed color at the sudden question.

The girl turned pale at the sudden question.

"I don't see----" she began.

"I can't see----" she began.

"You may not see," said The Thinking Machine, "but I can have him arrested for robbery and convict him."

"You might not realize," said The Thinking Machine, "but I can have him arrested for theft and get him convicted."

The girl gazed at him with wide, terror-stricken eyes, and gasped.

The girl looked at him with wide, terrified eyes and gasped.

"No, no, no," she said, hurriedly. "He could have had nothing to do with that at all."

"No, no, no," she said quickly. "He couldn't have had anything to do with that at all."

"Is he in love with you?" again came the question.

"Is he in love with you?" the question came again.

There was a pause.

There was a break.

"I've had reason to believe so," she said, finally, "though----"

"I've had a reason to think that," she said at last, "but----"

"And you?"

"And you?"

The girl's face was flaming now, and, squinting into her eyes, the scientist read the answer.

The girl's face was bright red now, and, squinting into her eyes, the scientist understood the answer.

"I understand," he commented, tersely. "Are you going to be married?"

"I get it," he said curtly. "Are you going to get married?"

"I could--could never marry him," she gasped suddenly. "No, no," emphatically. "We are not, ever."

"I could--could never marry him," she said suddenly, breathing hard. "No, no," she insisted. "We are not, ever."

She slowly recovered from her confusion, while the scientist continued to squint at her curiously.

She gradually got over her confusion, while the scientist kept squinting at her with curiosity.

"I believe you said you had some information for me?" he asked.

"I think you mentioned you had some information for me?" he asked.

"Y--yes," she faltered. Then more calmly: "Yes. I came to tell you that the package of ten thousand dollars which you took from Mr. Fraser's pocket has again disappeared."

"Y-yes," she hesitated. Then more calmly: "Yes. I came to tell you that the package of ten thousand dollars you took from Mr. Fraser's pocket has disappeared again."

"Yes," said the other, without astonishment.

"Yeah," said the other, without any surprise.

"It was presumed at the bank that he had taken it home with him, having regained possession of it in some way, but a careful search has failed to reveal it."

"It was assumed at the bank that he had taken it home with him, having somehow gotten it back, but a thorough search hasn't been able to find it."

"Yes, and what else?"

"Yes, what else?"

The girl took a long breath and gazed steadily into the eyes of the scientist, with determination in her own.

The girl took a deep breath and looked directly into the scientist's eyes, determination shining in her own.

"I have come, too, to tell you," she said, "the name of the man who robbed the bank."

"I've come to tell you," she said, "the name of the guy who robbed the bank."


V.

If Miss Clarke had expected that The Thinking Machine would show either astonishment or enthusiasm, she must have been disappointed, for he neither altered his position nor looked at her. Instead, he was gazing thoughtfully away with lackluster eyes.

If Miss Clarke thought that The Thinking Machine would show any surprise or excitement, she must have been let down, because he neither moved nor glanced at her. Instead, he was staring off into space with dull eyes.

"Well?" he asked. "I suppose it's a story. Begin at the beginning."

"Well?" he asked. "I guess it’s a story. Start from the beginning."

With a certain well-bred air of timidity, the girl began the story; and occasionally as she talked there was a little tremor of the lips.

With a certain polished air of shyness, the girl started the story; and every now and then as she spoke, her lips would tremble slightly.

"I have been a stenographer and typewriter for seven years," she said, "and in that time I have held only four positions. The first was in a law office in New York, where I was left an orphan to earn my own living; the second was with a manufacturing concern, also in New York. I left there three years ago to accept the position of private secretary to William T. Rankin, president of the ---- National Bank, at Hartford, Connecticut. I came from there to Boston and later went to work at the Ralston Bank, as private secretary to Mr. Fraser. I left the bank in Hartford because of the failure of that concern, following a bank robbery."

"I've been a stenographer and typist for seven years," she said, "and during that time, I’ve only had four jobs. The first was in a law office in New York, where I became an orphan and had to support myself; the second was with a manufacturing company, also in New York. I left there three years ago to become the private secretary to William T. Rankin, president of the ---- National Bank in Hartford, Connecticut. I then moved to Boston and later worked at the Ralston Bank as Mr. Fraser's private secretary. I left the bank in Hartford due to its failure after a robbery."

The Thinking Machine glanced at her suddenly.

The Thinking Machine suddenly glanced at her.

"You may remember from the newspapers----" she began again.

"You might recall from the news—" she started again.

"I never read the newspapers," he said.

"I never read the news," he said.

"Well, anyway," and there was a shade of impatience at the interruption, "there was a bank burglary there similar to this. Only seventy thousand dollars was stolen, but it was a small institution and the theft precipitated a run which caused a collapse after I had been in that position for only six months."

"Well, anyway," there was a hint of impatience in the interruption, "there was a bank robbery there that was similar to this. Only seventy thousand dollars was stolen, but it was a small institution, and the theft triggered a run that led to a collapse after I had been in that position for just six months."

"How long have you been with the Ralston National?"

"How long have you been with Ralston National?"

"Nine months," was the reply.

"Nine months," was the response.

"Had you saved any money while working in your other positions?"

"Did you save any money while working at your other jobs?"

"Well, the salary was small--I couldn't have saved much."

"Well, the salary was low—I couldn't have saved much."

"How did you live those two years from the time you left the Hartford Bank until you accepted this position?"

"How did you spend those two years from when you left the Hartford Bank until you took this job?"

The girl stammered a little.

The girl stuttered a bit.

"I received assistance from friends," she said, finally.

"I got help from friends," she said, finally.

"Go on."

"Continue."

"That bank in Hartford," she continued, with a little gleam of resentment in her eyes, "had a safe similar to the one at the Ralston National, though not so large. It was blown in identically the same way as this one was blown."

"That bank in Hartford," she continued, with a slight glimmer of resentment in her eyes, "had a safe similar to the one at the Ralston National, but not as big. It was broken into just like this one was."

"Oh, I see," said the scientist. "Some one was arrested for this, and you want to give me the name of that man?"

"Oh, I get it," said the scientist. "Someone was arrested for this, and you want to tell me the name of that guy?"

"Yes," said the girl. "A professional burglar, William Dineen, was arrested for that robbery and confessed. Later he escaped. After his arrest he boasted of his ability to blow any style of safe. He used an invention of his own for the borings to place the charges. I noticed that safe and I noticed this one. There is a striking similarity in the two."

"Yes," said the girl. "A professional burglar, William Dineen, was arrested for that robbery and confessed. Later, he escaped. After his arrest, he bragged about being able to open any type of safe. He used his own invention to drill the holes for the explosives. I noticed that safe, and I noticed this one. There's a striking similarity between the two."

The Thinking Machine stared at her.

The Thinking Machine looked at her.

"Why do you tell me?" he asked. "Because I understood you were making the investigation for the bank," she responded, unhesitatingly, "and I dreaded the notoriety of telling the police."

"Why are you telling me?" he asked. "Because I thought you were doing the investigation for the bank," she replied, without hesitation, "and I was terrified of the attention from involving the police."

"If this William Dineen is at large you believe he did this?"

"If this William Dineen is out there, you think he did this?"

"I am almost positive."

"I'm pretty sure."

"Thank you," said The Thinking Machine.

"Thanks," said the Thinking Machine.

Miss Clarke went away, and late that night Hatch appeared. He looked weary and sank into a chair gratefully, but there was satisfaction in his eye. For an hour or more he talked. At last The Thinking Machine was satisfied, nearly.

Miss Clarke left, and later that night, Hatch showed up. He looked tired and gratefully collapsed into a chair, but there was a sense of satisfaction in his eyes. He talked for over an hour. Finally, The Thinking Machine was almost satisfied.

"One thing more," he said, in conclusion. "Notify the police to look out for William Dineen, professional bank burglar, and his pals, whose names you can get from the newspapers in connection with a bank robbery in Hartford. They are wanted in connection with this case."

"One more thing," he said, wrapping up. "Notify the police to be on the lookout for William Dineen, a professional bank robber, and his associates, whose names you can find in the newspapers related to a bank robbery in Hartford. They are wanted in this case."

The reporter nodded.

The reporter agreed.

"When Mr. Fraser recovers I intend to hold a little party here," the scientist continued. "It will be a surprise party."

"When Mr. Fraser recovers, I plan to throw a small party here," the scientist continued. "It will be a surprise party."

It was two days later, and the police were apparently seeking some tangible point from which they could proceed, when The Thinking Machine received word that there had been a change for the better in Mr. Fraser's condition. Immediately he sent for Detective Mallory, with whom he held a long conversation. The detective went away tugging at his heavy mustache and smiling. With three other men he disappeared from police haunts that afternoon on a special mission.

It was two days later, and the police were clearly looking for something concrete to act on when The Thinking Machine got news that Mr. Fraser's condition had improved. Right away, he called Detective Mallory, and they had a long talk. The detective left, tugging at his thick mustache and smiling. That afternoon, he vanished from the usual police spots with three other men on a special mission.

That night the little "party" was held in the apartments of The Thinking Machine. President Fraser was first to arrive. He was pale and weak, but there was a fever of impatience in his manner. Then came West, Dunston, Miss Clarke, Miss Willis and Charles Burton, a clerk whose engagement to the pretty Miss Willis had been recently announced.

That night, the small "party" took place in The Thinking Machine's rooms. President Fraser was the first to arrive. He looked pale and weak, but there was an impatient energy in his demeanor. Next came West, Dunston, Miss Clarke, Miss Willis, and Charles Burton, a clerk whose engagement to the lovely Miss Willis had just been announced.

The party gathered, each staring at the other curiously, with questions in their eyes, until The Thinking Machine entered, rubbing his fingers together briskly. Behind him came Hatch, bearing a shabby gripsack. The reporter's face showed excitement despite his rigid efforts to repress it. There were some preliminaries, and then the scientist began.

The group assembled, each person looking at one another with curiosity, their eyes filled with questions, until The Thinking Machine walked in, rubbing his fingers together energetically. Following him was Hatch, carrying a worn-out suitcase. The reporter's face lit up with excitement despite his attempts to hide it. After a few initial formalities, the scientist started speaking.

"To come to the matter quickly," he said, in preface, "we will take it for granted that no employee of the Ralston Bank is a professional burglar. But the person who was responsible for that burglary, who shared the money stolen, who planned it and actually assisted in its execution is in this room--now."

"To get to the point," he said as a preface, "let's assume that no employee of the Ralston Bank is a professional burglar. However, the person who was behind that burglary, who split the stolen money, who planned it, and who actually helped carry it out is in this room right now."

Instantly there was consternation, but it found no expression in words, only in the faces of those present.

Instantly, there was shock, but it was only shown on the faces of those present, not expressed in words.

"Further, I may inform you," went on the scientist, "that no one will be permitted to leave this room until I finish."

"Also, I should let you know," continued the scientist, "that no one is allowed to leave this room until I’m done."

"Permitted?" demanded Dunston. "We are not prisoners."

"Permitted?" Dunston demanded. "We're not prisoners."

"You will be if I give the word," was the response, and Dunston sat back, dazed. He glanced uneasily at the faces of the others; they glanced uneasily at him.

"You will be if I say so," was the reply, and Dunston leaned back, stunned. He looked nervously at the others' faces; they looked nervously at him.

"The actual facts in the robbery you know," went on The Thinking Machine. "You know that the safe was blown, that a large sum of money was stolen, that Mr. West's handkerchief was found near the safe. Now, I'll tell you what I have learned. We will begin with President Fraser.

"The facts about the robbery are clear," continued The Thinking Machine. "You know the safe was blown open, a large amount of money was taken, and Mr. West's handkerchief was found next to the safe. Now, let me share what I’ve discovered. We'll start with President Fraser."

"Against Mr. Fraser is more direct evidence than against anyone else, because in his pocket was found one of the stolen bundles of money, containing ten thousand dollars. Mr. Fraser needed ninety thousand dollars previous to the robbery."

"There's more direct evidence against Mr. Fraser than against anyone else because one of the stolen bundles of money, which contained ten thousand dollars, was found in his pocket. Mr. Fraser needed ninety thousand dollars before the robbery."

"But----" began the old man, with deathlike face.

"But----" began the old man, with a face as pale as death.

"Never mind," said the scientist. "Next, Miss Willis." Curious eyes were turned on her, and she, too, grew suddenly white. "Against her is less direct evidence than against anyone else. Miss Willis positively declined to permit a search of her person until she was compelled to do so by the fact that the other two permitted it. The fact that nothing was found has no bearing on the subject. She did refuse.

"Never mind," said the scientist. "Next, Miss Willis." Curious eyes turned toward her, and she also grew suddenly pale. "There’s less direct evidence against her than anyone else. Miss Willis firmly refused to allow a search of her person until she had no choice but to do so because the other two allowed it. The fact that nothing was found is irrelevant. She did refuse."

"Then Charles Burton," the inexorable voice went on, calmly; as if in mere discussion of a problem of mathematics. "Burton is engaged to Miss Willis. He is ambitious. He recently lost twenty thousand dollars in stock speculation--all he had. He needed more money in order to give this girl, who refused to be searched, a comfortable home.

"Then Charles Burton," the unyielding voice continued, calmly, as if just discussing a math problem. "Burton is engaged to Miss Willis. He has big ambitions. He recently lost twenty thousand dollars in stock trading—everything he had. He needed more money to provide for this girl, who wouldn't allow herself to be scrutinized, a comfortable home."

"Next Miss Clarke, secretary to Mr. Fraser. Originally she came under consideration through the fact that she used perfume, and that Mr. West's handkerchief carried a faint odor of perfume. Now it is a fact that for years Miss Clarke used violet perfume, then on the day following the robbery suddenly began to use strong rose perfume, which smothers a violet odor. Miss Clarke, you will remember, fainted at the time of the search. I may add that a short while ago she was employed in a bank which was robbed in the identical manner of this one."

"Next, we have Miss Clarke, Mr. Fraser's secretary. She came to attention because she used perfume, and Mr. West's handkerchief had a slight scent of perfume on it. It's noteworthy that for years, Miss Clarke used violet perfume, but the day after the robbery, she suddenly switched to a strong rose perfume, which completely masks the scent of violet. You may recall that Miss Clarke fainted during the search. Additionally, it’s worth mentioning that she was recently employed at a bank that was robbed in the exact same way as this one."

Miss Clarke sat apparently calm, and even faintly smiling, but her face was white. The Thinking Machine squinted at her a moment, then turned suddenly to Cashier West.

Miss Clarke sat seemingly calm, with a slight smile, but her face was pale. The Thinking Machine squinted at her for a moment, then abruptly turned to Cashier West.

"Here is the man," he said, "whose handkerchief was found, but he does not use perfume, has never used it. He is the man who would have had best opportunity to leave unfastened the window in his private office by which the thieves entered the bank; he is the man who would have had the best opportunity to apply a certain chemical solution to the granite sockets of the steel bars, weakening the granite so they could be pulled out; he is the man who misrepresented facts to me. He told me he did not have and had not tried to raise any especially large sum of money. Yet on the day following the robbery he deposited one hundred and twenty-five thousand dollars in cash in a bank in Chicago. The stolen sum was one hundred and twenty-nine thousand dollars. That man, there."

"Here’s the guy," he said, "whose handkerchief was found, but he doesn’t use perfume and never has. He’s the one who had the best chance to leave the window in his private office unlocked, through which the thieves entered the bank; he’s also the one who had the best opportunity to apply a certain chemical solution to the granite sockets of the steel bars, weakening the granite so they could be pulled out; he’s the one who lied to me. He told me he didn’t have and hadn’t tried to raise any particularly large amount of money. Yet the day after the robbery, he deposited one hundred and twenty-five thousand dollars in cash at a bank in Chicago. The stolen amount was one hundred and twenty-nine thousand dollars. That man over there."

All eyes were now turned on the cashier. He seemed choking, started to speak, then dropped back into his chair.

All eyes were now on the cashier. He looked like he was about to choke, started to speak, then sank back into his chair.

"And last, Dunston," resumed The Thinking Machine, and he pointed dramatically at the receiving teller. "He had equal opportunity with Mr. West to know of the amount of money in the bank; he refused first to be searched, and you witnessed his act a moment ago. To this man now there clings the identical odor of violet perfume which was on the handkerchief--not a perfume like it, but the identical odor."

"And last, Dunston," The Thinking Machine continued, pointing dramatically at the teller. "He had the same chance as Mr. West to know how much money was in the bank; he refused to be searched at first, and you saw what he did a moment ago. This man now has the exact same scent of violet perfume that was on the handkerchief—it's not just a similar perfume, but the exact scent."

There was silence, dumfounded silence, for a long time. No one dared to look at his neighbor now; the reporter felt the tension. At last The Thinking Machine spoke again.

There was silence, complete shock, for a long time. No one dared to look at their neighbor now; the reporter sensed the tension. Finally, The Thinking Machine spoke again.

"As I have said, the person who planned and participated in the burglary is now in this room. If that person will stand forth and confess it will mean a vast difference in the length of the term in prison."

"As I mentioned earlier, the person who planned and took part in the burglary is in this room right now. If that person steps forward and admits it, it will greatly affect how long they have to spend in prison."

Again silence. At last there came a knock at the door, and Martha thrust her head in.

Again silence. Finally, there was a knock at the door, and Martha poked her head in.

"Two gentlemen and four cops are here," she announced.

"Two guys and four cops are here," she said.

"There are the accomplices of the guilty person, the men who actually blew that safe," declared the scientist, dramatically. "Again, will the guilty person confess?"

"There are the accomplices of the guilty person, the men who actually blew that safe," the scientist declared dramatically. "So, will the guilty person confess?"

No one stirred.

No one moved.


VI.

There was tense silence for a moment. Dunston was the first to speak.

There was a tense silence for a moment. Dunston was the first to break it.

"This is all a bluff," he said. "I think, Mr. Fraser, there are some explanations and apologies due to all of us, particularly to Miss Clarke and Miss Willis," he added, as an afterthought. "It is humiliating, and no good has been done. I had intended asking Miss Clarke to be my wife, and now I assert my right to speak for her. I demand an apology."

"This is all a bluff," he said. "I believe, Mr. Fraser, that we owe some explanations and apologies to everyone, especially to Miss Clarke and Miss Willis," he added, as an afterthought. "It's humiliating, and nothing good has come of this. I had planned to ask Miss Clarke to marry me, and now I assert my right to speak on her behalf. I demand an apology."

Carried away by his own anger and by the pleading face of Miss Clarke and the pain there, the young man turned fiercely on The Thinking Machine. Bewilderment was on the faces of the two banking officials.

Carried away by his own anger and by Miss Clarke's pleading expression and the pain there, the young man lashed out at The Thinking Machine. Confusion was visible on the faces of the two banking officials.

"You feel that an explanation is due?" asked The Thinking Machine, meekly.

"You think an explanation is needed?" asked The Thinking Machine, quietly.

"Yes," thundered the young man.

"Yes," shouted the young man.

"You shall have it," was the quiet answer, and the stooped figure of the scientist moved across the room to the door. He said something to some one outside and returned.

"You will have it," was the calm reply, and the hunched figure of the scientist walked across the room to the door. He said something to someone outside and then came back.

"Again I'll give you a chance for a confession," he said. "It will shorten your prison term." He was speaking to no one in particular; yet to them all. "The two men who blew the safe are now about to enter this room. After they appear it will be too late."

"Once again, I’ll give you a chance to confess," he said. "It'll reduce your time in prison." He wasn't directing his words at anyone specific; yet, it was meant for all of them. "The two guys who broke into the safe are about to walk into this room. Once they show up, it’ll be too late."

Startled glances were exchanged, but no one stirred. Then came a knock at the door. Silently The Thinking Machine looked about with a question in his eyes. Still silence, and he threw open the door. Three policemen in uniform and Detective Mallory entered, bringing two prisoners.

Startled looks were exchanged, but no one moved. Then there was a knock at the door. Quietly, The Thinking Machine glanced around with a question in his eyes. Still no sound, so he swung the door open. Three uniformed policemen and Detective Mallory walked in, bringing two prisoners with them.

"These are the men who blew the safe," The Thinking Machine explained, indicating the prisoners. "Does anyone here recognize them?"

"These are the guys who blew the safe," The Thinking Machine said, pointing to the prisoners. "Does anyone here recognize them?"

Apparently no one did, for none spoke.

Apparently, no one did, because no one spoke.

"Do you recognize any person in this room?" he asked of the prisoners.

"Do you recognize anyone in this room?" he asked the prisoners.

One of them laughed shortly and said something aside to the other, who smiled. The Thinking Machine was nettled and when he spoke again there was a touch of sarcasm in his voice.

One of them chuckled briefly and whispered something to the other, who smiled. The Thinking Machine was annoyed, and when he spoke again, there was a hint of sarcasm in his voice.

"It may enlighten at least one of you in this room," he said, "to tell you that these two men are Frank Seranno and Gustave Meyer, Mr. Meyer being a pupil and former associate of the notorious bank burglar, William Dineen. You may lock them up now," he said to Detective Mallory. "They will confess later."

"It might clear things up for at least one person in this room," he said, "to let you know that these two men are Frank Seranno and Gustave Meyer, with Mr. Meyer being a student and former associate of the infamous bank robber, William Dineen. You can lock them up now," he told Detective Mallory. "They'll confess later."

"Confess!" exclaimed one of them. Both laughed.

"Confess!" one of them shouted. They both laughed.

The prisoners were led out and Detective Mallory returned to lave in the font of analytical wisdom, although he would not have expressed it in those words. Then The Thinking Machine began at the beginning and told his story.

The prisoners were taken out, and Detective Mallory returned to bask in the source of analytical insight, although he wouldn't have put it that way. Then The Thinking Machine started from the beginning and shared his story.

"I undertook to throw some light on this affair a few hours after its occurrence, at the request of President Fraser, who had once been able to do me a very great favor," he explained. "I went to the bank--you all saw me there--looked over the premises, saw how the thieves had entered the building, looked at the safe and at the spot where the handkerchief was found. To my mind it was demonstrated clearly that the handkerchief appeared there at the time of the burglary. I inquired if there was any draught through the office, seeking in that way to find if the handkerchief might have been lost at some other place in the bank, overlooked by the sweeper and blown to the spot where it was found. There was no draught.

"I took it upon myself to look into this situation a few hours after it happened, at the request of President Fraser, who had once done me a huge favor," he explained. "I went to the bank—you all saw me there—checked out the place, saw how the thieves got in, looked at the safe, and examined the spot where the handkerchief was found. To me, it was clear that the handkerchief ended up there during the burglary. I asked if there was any draft in the office, trying to determine if the handkerchief could have been misplaced somewhere else in the bank, missed by the janitor, and blown to where it was discovered. There was no draft."

"Next I asked for the handkerchief. Mr. Fraser asked me into his office to look at it. I saw a woman--Miss Clarke it was--in there and declined to go. Instead, I examined the handkerchief outside. I don't know that my purpose there can be made clear to you. It was a possibility that there would be perfume on the handkerchief, and the woman in the office might use perfume. I didn't want to confuse the odors. Miss Clarke was not in the bank when I arrived; she had gone to luncheon.

"Next, I asked for the handkerchief. Mr. Fraser invited me into his office to see it. I noticed a woman—Miss Clarke—was inside and chose not to go in. Instead, I looked at the handkerchief outside. I'm not sure if I can clarify my purpose there for you. There was a chance that the handkerchief could have perfume on it, and the woman in the office might wear perfume too. I didn’t want to mix up the smells. Miss Clarke wasn’t at the bank when I got there; she had gone to lunch."

"Instantly I got the handkerchief I noticed the odor of perfume--violet perfume. Perfume is used by a great many women, by very few men. I asked how many women were employed in the bank. There were three. I handed the scented handkerchief to Mr. Hatch, removed all odor of the clinging perfume from my hands with my own handkerchief and also handed that to Mr. Hatch, so as to completely rid myself of the odor.

"Right away, I noticed the smell of perfume on the handkerchief—violet perfume. A lot of women use perfume, but very few men do. I asked how many women worked at the bank. There were three. I gave the fragrant handkerchief to Mr. Hatch, wiped off all traces of the lingering perfume from my hands with my own handkerchief, and handed that to Mr. Hatch as well, to completely get rid of the scent."

"Then I started through the bank and spoke to every person in it, standing close to them so that I might catch the odor if they used it. Miss Clarke was the first person who I found used it--but the perfume she used was a strong rose odor. Then I went on until I came to Mr. Dunston. The identical odor of the handkerchief he revealed to me by drawing out his own handkerchief while I talked to him."

"Then I walked through the bank and talked to everyone there, getting close enough to see if I could catch the scent if they were using it. Miss Clarke was the first person I discovered who did use it—but the perfume she wore had a strong rose scent. I continued on until I reached Mr. Dunston. He showed me the exact scent of the handkerchief by pulling out his own handkerchief while we were talking."

Dunston looked a little startled, but said nothing; instead he glanced at Miss Clarke, who sat listening, interestedly. He could not read the expression on her face.

Dunston looked a bit taken aback, but said nothing; instead, he glanced at Miss Clarke, who was sitting there, listening with interest. He couldn't figure out the expression on her face.

"This much done," continued The Thinking Machine, "we retired to Cashier West's office. There I knew the burglars had entered; there I saw a powerful chemical solution had been applied to the granite around the sockets of the protecting steel bars to soften the stone. Its direct effect is to make it of chalklike consistency. I was also curious to know if any noise made in that room would attract attention in the outer office, so I upset a heavy chair, then looked outside. No one moved or looked back; therefore no one heard.

"This much done," continued The Thinking Machine, "we went to Cashier West's office. I knew the burglars had gotten in there; I saw that a strong chemical solution had been used on the granite around the sockets of the steel bars to soften the stone. Its immediate effect is to make it as soft as chalk. I was also curious to see if any noise from that room would attract attention in the outer office, so I knocked over a heavy chair, then looked outside. No one moved or looked back; so clearly, no one heard."

"Here I explained to President Fraser and to Mr. West why I connected some one in the bank with the burglary. It was because of the scent on the handkerchief. It would be tedious to repeat the detailed explanation I had to give them. I sent Mr. Hatch to find out, first, if Miss Clarke here had ever used violet perfume instead of rose; also to find out if any members of Mr. West's family used any perfume, particularly violet. I knew that Mr. Dunston used it.

"Here I explained to President Fraser and Mr. West why I linked someone at the bank to the burglary. It was because of the scent on the handkerchief. It would be boring to go over the detailed explanation I had to give them. I sent Mr. Hatch to find out, first, if Miss Clarke had ever used violet perfume instead of rose; and also to check if any members of Mr. West's family used any perfume, especially violet. I knew that Mr. Dunston used it."

"Then I asked Mr. Fraser if he had sought to raise any large sum of money. He told me the truth. But Mr. West did not tell me the truth in answer to a question along the same lines. Now I know why. It was because as cashier of the bank he was not supposed to operate in stocks, yet he has made a fortune at it. He didn't want Fraser to know this, and willfully misrepresented the facts.

"Then I asked Mr. Fraser if he had tried to raise any large amount of money. He told me the truth. But Mr. West didn’t tell me the truth when I asked him a similar question. Now I understand why. As the bank cashier, he wasn’t supposed to deal in stocks, yet he made a fortune doing it. He didn’t want Fraser to find out, so he intentionally misled me."

"Then came the search. I expected to find just what was found, money, but considerably more of it. Miss Willis objected, Mr. Dunston objected and Miss Clarke fainted in the arms of Mr. Fraser. I read the motives of each aright. Dunston objected because he is an egotistical young man and, being young, is foolish. He considered it an insult. Miss Willis objected also through a feeling of pride."

"Then the search began. I thought I would find just as much money as was discovered, but a lot more of it. Miss Willis was against it, Mr. Dunston was against it, and Miss Clarke fainted in Mr. Fraser's arms. I understood each of their motives clearly. Dunston opposed it because he’s an arrogant young man and, being young, he’s naïve. He saw it as an insult. Miss Willis was also opposed due to her sense of pride."

The Thinking Machine paused for a moment, locked his fingers behind his head and leaned far back in his chair.

The Thinking Machine took a moment, clasped his fingers behind his head, and leaned way back in his chair.

"Shall I tell what happened next?" he asked, "or will you tell it?"

"Should I share what happened next?" he asked, "or do you want to do it?"

Everyone in the room knew it was a question to the guilty person. Which? Whom? There came no answer, and after a moment The Thinking Machine resumed, quietly, very quietly.

Everyone in the room knew it was a question directed at the guilty person. Which one? Who? There was no answer, and after a moment, The Thinking Machine continued, calmly, very calmly.

"Miss Clarke fainted in Mr. Fraser's arms. While leaning against him, and while he stroked her hair and tried to soothe her, she took from the bosom of her loose shirtwaist a bundle of money, ten thousand dollars, and slipped it into the inside pocket of Mr. Fraser's coat."

"Miss Clarke fainted in Mr. Fraser's arms. While leaning against him, and as he stroked her hair and tried to comfort her, she took a bundle of money, ten thousand dollars, from the front of her loose blouse and slipped it into the inside pocket of Mr. Fraser's coat."

There was deathlike silence.

There was eerie silence.

"It's a lie!" screamed the girl, and she rose to her feet with anger-distorted face. "It's a lie!"

"It's a lie!" the girl screamed, standing up with her face twisted in anger. "It's a lie!"

Dunston arose suddenly and went to her. With his arm about her he turned defiantly to The Thinking Machine, who had not moved or altered his position in the slightest. Dunston said nothing, because there seemed to be nothing to say.

Dunston suddenly got up and went to her. With his arm around her, he turned defiantly to The Thinking Machine, who hadn't moved or changed his position at all. Dunston didn't say anything, because there didn't seem to be anything to say.

"Into the inside pocket of Mr. Fraser's coat," The Thinking Machine repeated. "When she removed her arms his scarf pin clung to the lace on one of her sleeves. That I saw. That pin could not have caught on her sleeve where it did if her hand had not been to the coat pocket. Having passed this sum of money--her pitiful share of the theft--she agreed to the search."

"Into the inside pocket of Mr. Fraser's coat," The Thinking Machine repeated. "When she took her arms away, his scarf pin got caught on the lace of one of her sleeves. I saw that. That pin couldn't have snagged on her sleeve where it did unless her hand had been in the coat pocket. After handing over this amount of money—her small part of the theft—she agreed to the search."

"It's a lie!" shrieked the girl again. And her every tone and every gesture said it was the truth. Dunston gazed into her eyes with horror in his own and his arm fell limply. Still he said nothing.

"It's a lie!" the girl screamed again. And every tone and gesture of hers made it clear she believed it was true. Dunston looked into her eyes in horror, his own filled with fear, and his arm dropped weakly. Still, he said nothing.

"Of course nothing was found," the quiet voice went on. "When I discovered the bank notes in Mr. Fraser's pocket I smelled of them--seeking the odor, this time not of violet perfume, but of rose perfume. I found it."

"Of course, nothing was found," the quiet voice continued. "When I discovered the banknotes in Mr. Fraser's pocket, I smelled them—looking for the scent, this time not of violet perfume, but of rose perfume. I found it."

Suddenly the girl whose face had shown only anger and defiance leaned over with her head in her hands and wept bitterly. It was a confession. Dunston stood beside her, helplessly; finally his hand was slowly extended and he stroked her hair.

Suddenly, the girl who had looked nothing but angry and defiant leaned over with her head in her hands and cried hard. It was a confession. Dunston stood next to her, feeling helpless; finally, he slowly reached out and stroked her hair.

"Go on, please," he said to Professor Van Dusen, meekly. His suffering was no less than hers.

"Go ahead, please," he said to Professor Van Dusen, quietly. His pain was just as great as hers.

"These facts were important, but not conclusive," said The Thinking Machine, "so next, with Mr. Hatch's aid here, I ascertained other things about Miss Clarke. I found out that when she went out to luncheon that day she purchased some powerful rose perfume; that, contrary to custom, she went home; that she used it liberally in her room; and that she destroyed a large bottle of violet perfume which you, Mr. Dunston, had given her. I ascertained also that her room was disarranged, particularly the couch. I assume from this that when she went to the office in the morning she did not have the money about her; that she left it hidden in the couch; that through fear of its discovery she rushed back home to get it; that she put it inside her shirtwaist, and there she had it when the search was made. Am I right, Miss Clarke?"

"These facts were important, but not definitive," said The Thinking Machine. "So next, with Mr. Hatch's help, I gathered more information about Miss Clarke. I found out that when she went out for lunch that day, she bought some strong rose perfume; that, unusually, she went home afterward; that she used it generously in her room; and that she disposed of a large bottle of violet perfume that you, Mr. Dunston, had given her. I also discovered that her room was messy, especially the couch. From this, I deduce that when she left for the office in the morning, she didn't have the money with her; she must have left it hidden in the couch; and out of fear of it being found, she hurried back home to retrieve it; that she tucked it inside her shirtwaist, and that’s where it was when the search took place. Am I correct, Miss Clarke?"

The girl nodded her head and looked up with piteous, tear-stained face.

The girl nodded and looked up with a sad, tear-streaked face.

"That night Miss Clarke called on me. She came ostensibly to tell me that the package of money, ten thousand dollars, had disappeared again. I knew that previously by telephone, and I knew, too, that she had that money then about her. She has it now. Will you give it up?"

"That night, Miss Clarke came to see me. She said she was there to inform me that the package of money, ten thousand dollars, had gone missing again. I already knew that from a phone call, and I also knew she had that money with her at the time. She still has it now. Will you give it up?"

Without a word the girl drew out the bundle of money, ten thousand dollars. Detective Mallory took it, held it, amazed for an instant, then passed it to The Thinking Machine, who sniffed at it.

Without saying a word, the girl pulled out the bundle of cash—ten thousand dollars. Detective Mallory took it, held it in surprise for a moment, then handed it to The Thinking Machine, who sniffed at it.

"An odor of strong rose perfume," he said. Then: "Miss Clarke also told me that she had worked in a bank which had been robbed under circumstances identical with this by one William Dineen, and expressed the belief that he had something to do with this. Mr. Hatch ascertained that two of Dineen's pals were living in Cambridge. He found their rooms and searched them, later giving the address to the police.

"There's a strong smell of rose perfume," he said. Then he added, "Miss Clarke also mentioned that she had worked at a bank that was robbed in exactly the same way by a guy named William Dineen, and she thinks he might be involved in this. Mr. Hatch found out that two of Dineen's buddies were living in Cambridge. He located their rooms and searched them, and then passed the address on to the police."

"Now, why did Miss Clarke tell me that? I considered it in all points. She told me either to aid honestly in the effort to catch the thief, or to divert suspicion in another direction. Knowing as much as I did then, I reasoned it was to divert suspicion from you, Mr. Dunston, and from herself possibly. Dineen is in prison, and was there three months before this robbery; I believed she knew that. His pals are the two men in the other room; they are the men who aided Dineen in the robbery of the Hartford bank, with Miss Clarke's assistance; they are the men who robbed the Ralston National with her assistance. She herself indicated her profit from the Hartford robbery to me by a remark she made indicating that she had not found it necessary to work for two years from the time she left the Hartford bank until she became Mr. Fraser's secretary."

"Now, why did Miss Clarke tell me that? I thought about it from every angle. She either wanted me to help genuinely in catching the thief or to deflect suspicion elsewhere. Given what I knew at the time, I figured it was to shift the focus away from you, Mr. Dunston, and possibly from herself too. Dineen is in prison and had been there for three months before this robbery; I believed she was aware of that. His accomplices are the two guys in the other room; they helped Dineen with the robbery of the Hartford bank, with Miss Clarke’s involvement; they also robbed the Ralston National with her help. She even hinted at her earnings from the Hartford robbery with a comment suggesting that she didn't have to work for two years after leaving the Hartford bank until she became Mr. Fraser's secretary."

There was a pause. Miss Clarke sat sobbing, while Dunston stood near her studying the toe of his shoe. After awhile the girl became more calm.

There was a pause. Miss Clarke sat crying, while Dunston stood nearby, looking at the toe of his shoe. After a while, the girl became calmer.

"Miss Clarke, would you like to explain anything?" asked The Thinking Machine. His voice was gentle, even deferential.

"Miss Clarke, would you like to explain anything?" asked The Thinking Machine. His voice was soft, almost respectful.

"Nothing," she said, "except admit it all--all. I have nothing to conceal. I went to the bank, as I went to the bank in Hartford, for the purpose of robbery, with the assistance of those men in the next room. We have worked together for years. I planned this robbery; I had the opportunity, and availed myself of it, to put a solution on the sockets of the steel bars of the window in Mr. West's room, which would gradually destroy the granite and make it possible to pull out the bars. This took weeks, but I could reach that room safely from Mr. Fraser's.

"Nothing," she said, "except to confess everything—all of it. I have nothing to hide. I went to the bank, just like I went to the bank in Hartford, with the intention of robbing it, with the help of those guys in the next room. We've been working together for years. I planned this robbery; I saw the chance and took it to apply a solution to the steel bars of the window in Mr. West's room, which would slowly weaken the granite and make it possible to remove the bars. This took weeks, but I could get to that room safely from Mr. Fraser's."

"I had the opportunity to leave the window unfastened and did so. I dressed in men's clothing and accompanied those two men to the bank. We crept in the window, after pulling the bars out. The men attacked the night watchman and bound him. The handkerchief of Mr. West's I happened to pick up in the office one afternoon a month ago and took it home. There it got the odor of perfume from being in a bureau with my things. On the night we went to the bank I needed something to put about my neck and used it. In the bank I dropped it. We had arranged all details at night, when I met them."

"I had the chance to leave the window unlocked, so I did. I put on men's clothes and went with those two guys to the bank. We climbed in through the window after pulling out the bars. The men attacked the night watchman and tied him up. I had picked up Mr. West's handkerchief in the office one afternoon a month ago and took it home. It smelled like perfume from being in a drawer with my stuff. That night when we went to the bank, I needed something to wear around my neck, so I used it. I dropped it in the bank. We had planned everything the night before when I met up with them."

She stopped and looked at Dunston, a long, lingering look, that sent the blood to his face. It was not an appeal; it was nothing save the woman love in her, mingled with desperation.

She stopped and looked at Dunston, a long, lingering gaze that made his face flush. It wasn't a request; it was nothing but the love of a woman in her, mixed with desperation.

"I intended to leave the bank in a little while," she went on. "Not immediately, because I was afraid that would attract attention, but after a few weeks. And then, too, I wanted to get forever out of sight of this man," and she indicated Dunston.

"I planned to leave the bank soon," she continued. "Not right away, since I thought that might draw attention, but after a few weeks. And also, I wanted to completely get out of this guy's sight," and she pointed to Dunston.

"Why?" he asked.

"Why?" he asked.

"Because I loved you as no woman ever loved a man before," she said, "and I was not worthy. There was another reason, too--I am married already. This man, Gustave Meyer, is my husband."

"Because I loved you like no woman has ever loved a man before," she said, "and I wasn't worthy. There was another reason, too—I’m already married. This man, Gustave Meyer, is my husband."

She paused and fumbled nervously at the veil fastening at her throat. Silence lay over the room; The Thinking Machine reached behind him and picked up the shabby-looking gripsack which had passed unnoticed.

She paused and nervously fidgeted with the veil fastening at her throat. Silence hung in the room; The Thinking Machine reached behind him and picked up the worn-looking bag that had gone unnoticed.

"Are there any more questions?" the girl asked, at last.

"Are there any more questions?" the girl finally asked.

"I think not," said The Thinking Machine.

"I don't think so," said The Thinking Machine.

"And, Mr. Dunston, you will give me credit for some good, won't you--some good in that I loved you?" she pleaded.

"And, Mr. Dunston, you'll give me some credit for the good, won't you—some good in that I loved you?" she pleaded.

"My God!" he exclaimed in a sudden burst of feeling.

"My God!" he exclaimed in a sudden rush of emotion.

"Look out!" shouted The Thinking Machine.

"Watch out!" shouted The Thinking Machine.

He had seen the girl's hand fly to her hat, saw it drawn suddenly away, saw something slender flash at her breast. But it was too late. She had driven a heavy hat pin straight through her breast, piercing the heart. She died in the arms of the man she loved, with his tears on her face.

He watched as the girl's hand shot up to her hat, then suddenly pulled away, and saw something slender flash at her chest. But it was too late. She had jabbed a heavy hat pin straight through her chest, piercing her heart. She died in the arms of the man she loved, with his tears on her face.

Detective Mallory appeared before the two prisoners in an adjoining room.

Detective Mallory stood before the two prisoners in a nearby room.

"Miss Clarke has confessed," he said.

"Miss Clarke has confessed," he said.

"Well, the little devil!" exclaimed Meyer. "I knew some day she would throw us. I'll kill her!"

"Well, that little brat!" shouted Meyer. "I knew she'd betray us eventually. I'm going to take her down!"

"It isn't necessary," remarked Mallory.

"It's not necessary," Mallory said.


* * * * *

Understood! Please provide the text you would like me to modernize.

In the room where the girl lay The Thinking Machine pushed with his foot the shabby-looking grip toward President Fraser and West.

In the room where the girl lay, The Thinking Machine kicked the shabby-looking suitcase toward President Fraser and West.

"There's the money," he said.

"Here's the money," he said.

"Where--how did you get it?"

"Where did you get it?"

"Ask Mr. Hatch."

"Ask Mr. Hatch."

"Professor Van Dusen told me to search the rooms of those men in there, find the shabbiest looking bag or receptacle that was securely locked, and bring it to him. I--I did so. I found it under the bed, but I didn't know what was in it until he opened it."

"Professor Van Dusen asked me to check the rooms of those guys in there, find the most worn-out looking bag or container that was locked up tight, and bring it to him. I--I did that. I found it under the bed, but I had no idea what was inside until he opened it."





THE MYSTERY OF A STUDIO


Where the light slants down softly into one corner of a noted art museum in Boston there hangs a large picture. Its title is "Fulfillment." Discriminating art critics have alternately raved at it and praised it; from the day it appeared there it has been a fruitful source of acrimonious discussion. As for the public, it accepts the picture as a startling, amazing thing of beauty, and there is always a crowd around it.

Where the light gently falls into a corner of a famous art museum in Boston, a large painting hangs there. It's called "Fulfillment." Discerning art critics have both lauded and criticized it; since the day it was displayed, it has sparked intense debates. As for the public, they see the painting as a striking, extraordinary work of beauty, and there's always a crowd gathered around it.

"Fulfillment" is typified by a woman. She stands boldly forth against a languorous background of deep tones. Flesh tints are daringly laid on the semi-nude figure, diaphanous draperies hide, yet, reveal, the exquisite lines of the body. Her arms are outstretched straight toward the spectator, the black hair ripples down over her shoulders, the red lips are slightly parted. The mysteries of complete achievement and perfect life lie in her eyes.

"Fulfillment" is represented by a woman. She stands confidently against a rich, moody background. Her skin tones are boldly applied to her partially nude figure, and sheer fabrics both conceal and reveal the graceful contours of her body. Her arms stretch straight out toward the viewer, her dark hair cascades over her shoulders, and her red lips are slightly parted. The secrets of total accomplishment and an ideal life are expressed in her eyes.

Into this picture the artist wove the spiritual and the worldly; here he placed on canvas an elusive portrayal of success in its fullest and widest meaning. One's first impression of the picture is that it is sensual; another glance shows the underlying typification of success, and love and life are there. One by one the qualities stand forth.

Into this scene, the artist blended the spiritual and the earthly; here he captured an ambiguous depiction of success in its broadest sense. At first glance, the image seems sensual; upon a second look, you see the deeper representation of success, where love and life are present. Each quality emerges clearly.

The artist was Constans St. George. After the first flurry of excitement which the picture caused there came a whirlwind of criticism. Then the artist, who had labored for months on the work which he had intended and which proved to be his masterpiece, collapsed. Some said it was overwork--they were partly right; others that it was grief at the attacks of critics who did not see beyond the surface of the painting. Perhaps they, too, were partly right.

The artist was Constans St. George. After the initial burst of excitement the painting created, a storm of criticism followed. Then the artist, who had worked for months on what he intended to be his masterpiece, collapsed. Some claimed it was due to overworking him—which they were partly correct about; others said it was because of the pain from the critics' attacks who didn’t look beyond the surface of the painting. Maybe they were also partially right.

However that may be, it is a fact that for several months after the picture was exhibited St. George was in a sanitarium. The physicians said it was nervous collapse--a total breaking-down, and there were fears for his sanity. At length there came an improvement in his condition, and he returned to the world. Since then he had lived quietly in his studio, one of many in a large office building. From time to time he had been approached with offers for the picture, but always he refused to sell. A New York millionaire made a flat proposition of fifty thousand dollars, which was as flatly refused.

However that may be, it’s a fact that for several months after the painting was shown, St. George was in a mental health facility. The doctors said it was a nervous breakdown—a complete collapse— and there were worries about his sanity. Eventually, he showed signs of improvement and returned to society. Since then, he had been living quietly in his studio, one of many in a large office building. Occasionally, he received offers to buy the painting, but he always refused to sell. A New York millionaire even made a straightforward offer of fifty thousand dollars, which he flatly turned down.

The artist loved the picture as a child of his own brain; every day he visited the museum where it was exhibited and stood looking at it with something almost like adoration in his eyes. Then he went away quietly, tugging at his straggling beard and with the dim blindness of tears in his eyes. He never spoke to anyone; and always avoided that moment when a crowd was about.

The artist cherished the painting like it was a child of his own imagination; every day he went to the museum where it was displayed and gazed at it with what felt like true admiration. Then he would quietly leave, pulling at his unruly beard and with tears blurring his vision. He never talked to anyone and always steered clear of crowded moments.

Whatever the verdict of the critics or of the public on "Fulfillment," it was an admitted fact that the artist had placed on canvas a representation of a wonderfully beautiful woman. Therefore, after awhile the question of who had been the model for "Fulfillment" was aroused. No one knew, apparently. Artists who knew St. George could give no idea--they only knew that the woman who had posed was not a professional model.

Whatever the critics or the public thought about "Fulfillment," it was clear that the artist had captured a stunningly beautiful woman on canvas. Eventually, people began to wonder who the model for "Fulfillment" was. Apparently, no one knew. Artists familiar with St. George had no insight—they only knew that the woman who posed was not a professional model.

This led to speculation, in which the names of some of the most beautiful women in the United States were mentioned. Then a romance was woven. This was that the artist was in love with the original and that his collapse was partly due to her refusal to wed him. This story, as it went, was elaborated until the artist was said to be pining away for love of one whom he had immortalized in oils.

This sparked speculation, mentioning some of the most beautiful women in the United States. Then a romance was created, suggesting that the artist was in love with the original and that his downfall was partly because she refused to marry him. This tale evolved until it was said that the artist was longing for the woman he had captured in paint.

As the story grew it gained credence, and a search was still made occasionally for the model. Half a dozen times Hutchinson Hatch, a newspaper reporter of more than usual astuteness, had been on the story without success; he had seen and studied the picture until every line of it was firmly in his mind. He had seen and talked to St. George twice. The artist would answer no questions as to the identity of the model.

As the story spread, it became more believable, and a search was still occasionally conducted for the model. Hutchinson Hatch, a newspaper reporter with a keen eye, had been on the case half a dozen times without any luck; he had looked at the picture so often that every detail was ingrained in his mind. He had met and spoken with St. George twice. The artist refused to answer any questions about the model's identity.

This, then, was the situation on the morning of Friday, November 27, when Hatch entered the reportorial rooms of his newspaper. At sight of him the City Editor removed his cigar, placed it carefully on the "official block" which adorned his flat-topped desk, and called to the reporter.

This was the situation on the morning of Friday, November 27, when Hatch walked into the newsroom of his newspaper. When he saw him, the City Editor took out his cigar, set it down carefully on the "official block" on his flat-topped desk, and called to the reporter.

"Girl reported missing," he said, brusquely. "Name is Grace Field, and she lived at No. 195 ---- Street, Dorchester. Employed in the photographic department of the Star, a big department store. Report of her disappearance made to the police early to-day by Ellen Stanford, her roommate, also employed at the Star. Jump out on it and get all you can. Here is the official police description."

"Girl reported missing," he said sharply. "Her name is Grace Field, and she lived at No. 195 ---- Street, Dorchester. She worked in the photography department of the Star, a large department store. Ellen Stanford, her roommate who also works at the Star, reported her disappearance to the police earlier today. Check it out and gather as much information as you can. Here’s the official police description."

Hatch took a slip of paper and read:

Hatch grabbed a piece of paper and read:

"Grace Field, twenty-one years, five feet seven inches tall, weight 151 pounds, profuse black hair, dark-brown eyes, superb figure, oval face, said to be beautiful."

"Grace Field, twenty-one years old, five feet seven inches tall, weighing 151 pounds, has thick black hair, dark brown eyes, an amazing figure, and an oval face, which people say is beautiful."

Then the description went into details of her dress add other things which the police note in their minute records for a search. Hatch absorbed all these things and left his office. He went first to the department store, where he was told Miss Stanford had not appeared that day, sending a note that she was ill.

Then the description went into details about her dress and other items that the police noted in their detailed records for a search. Hatch took in all this information and left his office. He first went to the department store, where he was informed that Miss Stanford hadn't shown up that day and had sent a note saying she was sick.

From the store Hatch went at once to the address given in Dorchester. Miss Stanford was in. Would she see a reporter? Yes. So Hatch was ushered into the modest little parlor of a boarding-house, and after awhile Miss Stanford entered. She was a petite blonde, with pink cheeks and blue eyes, now reddened by weeping.

From the store, Hatch immediately went to the address provided in Dorchester. Miss Stanford was available. Would she meet with a reporter? Yes. So, Hatch was shown into the small, simple parlor of a boarding house, and after a while, Miss Stanford came in. She was a petite blonde, with rosy cheeks and blue eyes, which were now swollen from crying.

Briefly Hatch explained the purpose of his visit--an effort to find Grace Field, and Miss Stanford eagerly and tearfully expressed herself as willing to tell him all she knew.

Briefly, Hatch explained why he was there—he was trying to find Grace Field, and Miss Stanford eagerly and tearfully said she was willing to share everything she knew.

"I have known Grace for five months," she explained; "that is, from the time she came to work at the Star. Her counter is next to mine. A friendship grew up between us, and we began rooming together. Each of us is alone in the East. She comes from the West, somewhere in Nevada, and I come from Quebec.

"I've known Grace for five months," she said; "that’s since she started working at the Star. Her counter is next to mine. A friendship developed between us, and we began sharing a room. Each of us is on our own in the East. She’s from the West, somewhere in Nevada, and I’m from Quebec."

"Grace has never said much about herself, but I know that she had been in Boston a year or so before I met her. She lived somewhere in Brookline, I believe, but it seems that she had some funds and did not go to work until she came to the Star. This is as I understand it.

"Grace has never shared much about herself, but I know she had been in Boston for about a year before I met her. I think she lived somewhere in Brookline, but it seems she had some money and didn’t start working until she joined the Star. That’s how I understand it."

"Three days ago, on Tuesday it was, there was a letter for Grace when we came in from work. It seemed to agitate her, although she said nothing to me about what was in it, and I did not ask. She did not sleep well that night, but next morning, when we started to work, she seemed all right. That is, she was all right until we got to the subway station, and then she told me to go on to the store, saying she would be there after awhile.

"Three days ago, on Tuesday, there was a letter for Grace when we got back from work. It seemed to upset her, even though she didn’t say anything about what was in it, and I didn’t ask. She didn't sleep well that night, but the next morning, when we headed to work, she seemed fine. I mean, she was fine until we got to the subway station, and then she told me to go on to the store, saying she would be there shortly."

"I left her, and at her request explained to the manager of our floor that she would be late. From that time to this no one has seen her or heard of her. I don't know where she could have gone," and the girl burst into tears. "I'm sure something dreadful has happened to her."

"I left her, and at her request, I told the manager on our floor that she would be late. Since then, no one has seen or heard from her. I have no idea where she could have gone," the girl said, breaking down in tears. "I'm sure something terrible has happened to her."

"Possibly an elopement?" Hatch suggested.

"Could be an elopement?" Hatch suggested.

"No," said the girl, quickly. "No. She was in love, but the man she was in love with has not heard of her either. I saw him the night after she disappeared. He called here and asked for her, and seemed surprised that she had not returned home, or had not been at work."

"No," the girl replied quickly. "No. She was in love, but the guy she loved hasn't heard from her either. I saw him the night after she went missing. He came here and asked for her, and seemed surprised that she hadn't come back home or been at work."

"What's his name?" asked Hatch.

"What's his name?" Hatch asked.

"He's a clerk in a bank," said Miss Stanford. "His name is Willis--Victor Willis. If she had eloped with him I would not have been surprised, but I am positive she did not, and if she did not, where is she?"

"He's a bank clerk," Miss Stanford said. "His name is Willis—Victor Willis. If she had run off with him, I wouldn't have been shocked, but I'm sure she didn't. And if she didn't, then where is she?"

"Were there any other admirers you know of?" Hatch asked.

"Were there any other fans you know of?" Hatch asked.

"No," said the girl, stoutly. "There may have been others who admired her, but none she cared for. She has told me too much--I--I know," she faltered.

"No," said the girl firmly. "There might have been others who admired her, but none she actually cared about. She's shared too much with me—I—I know," she hesitated.

"How long have you known Mr. Willis?" asked Hatch.

"How long have you known Mr. Willis?" Hatch asked.

The girl's face flamed scarlet instantly.

The girl's face turned bright red immediately.

"Only since I've known Grace," she replied. "She introduced us."

"Only since I met Grace," she replied. "She was the one who introduced us."

"Has Mr. Willis ever shown you any attention?"

"Has Mr. Willis ever paid you any attention?"

"Certainly not," Miss Stanford flashed, angrily. "All his attention was for Grace."

"Definitely not," Miss Stanford shot back, irritated. "All his focus was on Grace."

There was the least trace of bitterness in the tone, and Hatch imagined he read it aright. Willis was a man whom both perhaps loved; it might be in that event that Miss Stanford knew more than she had said of the whereabouts of Grace Field. The next step was to see Willis.

There was hardly any bitterness in the tone, and Hatch thought he understood it correctly. Willis was a man whom both of them perhaps cared for; it was possible that Miss Stanford knew more than she had revealed about Grace Field's location. The next step was to meet with Willis.

"I suppose you'll do everything possible to find Miss Field?" he asked.

"I guess you'll do whatever it takes to find Miss Field?" he asked.

"Certainly," said the girl.

"Of course," said the girl.

"Have you her photograph?"

"Do you have her photo?"

"I have one, yes, but I don't think--I don't believe Grace----"

"I have one, yes, but I don't think—I don't believe Grace----"

"Would like to have it published?" asked Hatch. "Possibly not, under ordinary circumstances--but now that she is missing it is the surest way of getting a trace of her. Will you give it to me?"

"Do you want to have it published?" Hatch asked. "Probably not, under normal circumstances—but now that she’s missing, it’s the best way to get any leads on her. Will you give it to me?"

Miss Stanford was silent for a time. Then apparently she made up her mind, for she arose.

Miss Stanford was quiet for a moment. Then it seemed she decided something, because she stood up.

"It might be well, too," Hatch suggested, "to see if you can find the letter you mentioned."

"It might be a good idea," Hatch suggested, "to see if you can find the letter you mentioned."

The girl nodded and went out. When she returned she had a photograph in her hand; a glimpse of it told Hatch it was a bust picture of a woman in evening dress. The girl was studying a scrap of paper.

The girl nodded and walked out. When she came back, she had a photograph in her hand; just a glance at it showed Hatch it was a portrait of a woman in an evening gown. The girl was looking at a piece of paper.

"What is it?" asked Hatch, quickly.

"What is it?" Hatch asked, quickly.

"I don't know," she responded. "I was searching for the letter when I remembered she frequently tore them up and dropped them into the waste-basket. It had been emptied every day, but I looked and found this clinging to the bottom, caught between the cane."

"I don’t know," she said. "I was looking for the letter when I remembered she often tore them up and tossed them into the trash. It got emptied every day, but I checked and found this stuck to the bottom, caught between the cane."

"May I see it?" asked the reporter.

"Can I take a look at it?" asked the reporter.

The girl handed it to him. It was evidently a piece of a letter torn from the outer edge just where the paper was folded to put it into the envelope. On it were these words and detached letters, written in a bold hand:

The girl gave it to him. It was clearly a piece of a letter ripped from the outer edge, right where the paper was folded to fit into the envelope. It had these words and loose letters written in bold handwriting:


sday
ill you
to the
ho

sday
you'll
to the
ho


Hatch's eyes opened wide.

Hatch's eyes widened.

"Do you know the handwriting?" he asked.

"Do you recognize the handwriting?" he asked.

The girl faltered an instant.

The girl hesitated for a moment.

"No," she answered, finally.

"No," she finally replied.

Hatch studied her face a moment with cold eyes, then turned the scrap of paper over. The other side was blank. Staring down at it he veiled a glitter of anxious interest.

Hatch examined her face for a moment with indifferent eyes, then flipped the piece of paper over. The other side was empty. Looking down at it, he masked a flicker of anxious curiosity.

"And the picture?" he asked, quietly.

"And the picture?" he asked softly.

The girl handed him the photograph. Hatch took it and as he looked it was with difficulty he restrained an exclamation of astonishment--triumphant astonishment. Finally, with his brain teeming with possibilities, he left the house, taking the photograph and the scrap of paper. Ten minutes later he was talking to his City Editor over the 'phone.

The girl gave him the photograph. Hatch took it, and as he looked at it, he had to hold back an exclamation of surprise—excited surprise. Finally, with his mind racing with possibilities, he left the house, taking the photograph and the scrap of paper with him. Ten minutes later, he was on the phone with his City Editor.

"It's a great story," he explained, briefly. "The missing girl is the mysterious model of St. George's picture, 'Fulfillment.'"

"It's a great story," he said quickly. "The missing girl is the mysterious model for St. George's painting, 'Fulfillment.'"

"Great," came the voice of the City Editor.

"Awesome," said the City Editor.


II.

Having laid his story before his City Editor, Hatch sat down to consider the fragmentary writing. Obviously "sday" represented a day of the week--either Tuesday, Wednesday, or Thursday, these being the only days where the letter "s" preceded the "day." This seemed to be a definite fact, but still it meant nothing. True, Miss Field had last been seen on Wednesday, but then?--nothing.

Having shared his story with the City Editor, Hatch sat down to reflect on the incomplete writing. Clearly, "sday" stood for a day of the week—either Tuesday, Wednesday, or Thursday, since those were the only days where "s" came before "day." While this seemed like a solid fact, it still didn’t add up to much. Yes, Miss Field had last been seen on Wednesday, but so what?—nothing.

To the next part of the fragment Hatch attached the greatest importance. It was the possibility of a threat,----"ill you." Did it mean "kill you" or "will you" or "till you" or--or what? There might be dozens of other words ending in "ill" which he did not recall at the moment. His imagination hammered the phrase into his brain as "kill you." The "to the"--the next words--were clear, but meant nothing at all. The last letters were distinctly "ho," possibly "hope."

To the next part of the fragment, Hatch placed the highest importance. It was the possibility of a threat,----"ill you." Did it mean "kill you," "will you," "till you," or something else? There could be dozens of other words ending in "ill" that he couldn’t remember at the moment. His imagination pounded the phrase into his mind as "kill you." The "to the"—the next words—were clear, but meant nothing at all. The last letters were definitely "ho," possibly "hope."

Then Hatch began real work on the story. First he saw the bank clerk, Victor Willis, who Miss Stanford had said loved Grace Field, and whom Hatch suspected Miss Stanford loved. He found Willis a grim, sullen-faced young man of twenty-eight years, who would say nothing.

Then Hatch started serious work on the story. First, he met with the bank clerk, Victor Willis, whom Miss Stanford had said was in love with Grace Field, and whom Hatch suspected Miss Stanford had feelings for as well. He found Willis to be a grim, sullen-faced young man of twenty-eight who wouldn’t say a word.

From that point Hatch worked vigorously for several hours. At the end of that time he had found out that on Wednesday, the day of Miss Field's disappearance, a veiled woman--probably Grace Field--had called at the bank and inquired for Willis. Later, Willis, urging necessity, had asked to be allowed the day off and left the bank. He did not appear again until next morning. His actions did not impress any of his associates with the idea that he was a bridegroom; in fact, Hatch himself had given up the idea that Miss Field had eloped. There seemed no reason for an elopement.

From that point on, Hatch worked hard for several hours. By the end of that time, he discovered that on Wednesday, the day Miss Field went missing, a veiled woman—likely Grace Field—had come to the bank and asked for Willis. Later, Willis, citing an urgent need, requested to take the day off and left the bank. He didn't come back until the next morning. His behavior didn't lead any of his colleagues to think he was a groom-to-be; in fact, Hatch himself had abandoned the idea that Miss Field had run away. There didn't seem to be any reason for her to elope.

When Hatch called at the studio, and home, of Constans St. George, to inform him of the disappearance of the model whose identity had been so long guarded, he was told that Mr. St. George was not in; that is, St. George refused to answer knocks at the door, and had not been seen for a day or so. He frequently disappeared this way, his informant said.

When Hatch showed up at Constans St. George’s studio and home to let him know about the missing model whose identity had been kept secret for so long, he was told that Mr. St. George wasn’t available; in fact, St. George was ignoring knocks at the door and hadn’t been seen for a day or two. His informant mentioned that he often vanished like this.

With these facts--and lack of facts--in his possession on Friday evening, Hatch called on Professor S. F. X. Van Dusen. The Thinking Machine received him as cordially as he ever received anybody.

With these facts—and the absence of facts—on Friday evening, Hatch visited Professor S. F. X. Van Dusen. The Thinking Machine welcomed him as warmly as he welcomed anyone.

"Well, what is it?" he asked.

"Well, what is it?" he asked.

"I don't believe this is really worth your while, Professor," Hatch said, finally. "It's just a case of a girl who disappeared. There are some things about it which are puzzling, but I'm afraid it's only an elopement."

"I don't think this is really worth your time, Professor," Hatch said at last. "It's just a case of a girl who went missing. There are a few things about it that are confusing, but I'm afraid it's just an elopement."

The Thinking Machine dragged up a footstool, planted his small feet on it comfortably and leaned back in his chair.

The Thinking Machine pulled up a footstool, rested his small feet on it comfortably, and leaned back in his chair.

"Go on," he directed.

"Go ahead," he said.

Then Hatch told the story, beginning at the time when the picture was placed in the art museum, and continuing up to the point where he had seen Willis after finding the photograph and the scrap of paper. He had always found that it saved time to begin at the beginning with The Thinking Machine; he did it now as a matter of course.

Then Hatch told the story, starting from when the picture was put in the art museum, and going up to when he saw Willis after finding the photograph and the scrap of paper. He always thought it was quicker to start from the beginning with The Thinking Machine; he did it now without a second thought.

"And the scrap of paper?" asked The Thinking Machine.

"And the piece of paper?" asked The Thinking Machine.

"I have it here," replied the reporter.

"I have it right here," replied the reporter.

For several minutes the scientist examined the fragment and then handed it back to the reporter.

For several minutes, the scientist looked closely at the fragment and then returned it to the reporter.

"If one could establish some clear connection between that and the disappearance of the girl it might be valuable," he said. "As it is now, it means nothing. Any number of letters might be thrown into the waste-basket in the room the two girls occupied, therefore dismiss this for the moment."

"If someone could found a clear link between that and the girl's disappearance, it could be important," he said. "As it stands, it means nothing. Any number of letters could have been tossed into the trash in the room that the two girls shared, so let's put this aside for now."

"But isn't it possible----" Hatch began.

"But isn't it possible—" Hatch began.

"Anything is possible, Mr. Hatch," retorted the other, belligerently. "You might take occasion to see the handwriting of St. George, the artist, and see if that is his--also look at Willis's. Even if it were Willis's, however, it may mean nothing in connection with this."

"Anything is possible, Mr. Hatch," the other replied, aggressively. "You should take a look at St. George's handwriting, the artist, and see if that's his—also check out Willis's. Even if it is Willis's, though, it might not mean anything related to this."

"But what could have happened to Miss Field?"

"But what could have happened to Miss Field?"

"Any one of fifty things," responded the other. "She might have fallen dead in the street and been removed to a hospital or undertaking establishment; she might have been arrested for shoplifting and given a wrong name; she might have gone mad and gone away; she might have eloped with another man; she might have committed suicide; she might have been murdered. The question is not what _could_ have happened, but what _did_ happen."

"Any one of fifty things," the other person replied. "She could have collapsed in the street and been taken to a hospital or funeral home; she might have been caught shoplifting and given a false name; she could have had a breakdown and left; she might have run away with another guy; she could have taken her own life; she might have been killed. The question isn't what _could_ have happened, but what _did_ happen."

"Yes, I thoroughly understand that," Hatch replied, with a slight smile. "But still I don't see----"

"Yeah, I get that," Hatch replied with a small smile. "But I'm still not seeing----"

"Probably you don't," snapped the other. "We'll take it for granted that she did none of these things, with the possible exception of eloping, killing herself, or was murdered. You are convinced that she did not elope. Yet you have only run down one possible end of this--that is, the possibility of her elopement with Willis. You don't believe she did elope with him. Well, why not with St. George?"

"Probably you don't," the other snapped. "Let's just assume she didn't do any of these things, except maybe eloping, committing suicide, or being murdered. You're convinced she didn't elope. But you've only explored one possible outcome—her eloping with Willis. You don't think she eloped with him. So, why not with St. George?"

"St. George?" gasped Hatch. "A great artist elope with a shop-girl?"

"St. George?" Hatch gasped. "A great artist running off with a shop girl?"

"She was his ideal in a picture which you say is one of the greatest in the world," replied the other, testily. "That being true, it is perfectly possible that she was his ideal for a wife, isn't it?"

"She was his ideal in a painting that you say is one of the greatest in the world," replied the other, irritated. "If that's true, it's entirely possible that she was his ideal for a wife, right?"

The matter had not occurred to Hatch in just that light. He nodded his head, with a feeling of having been weighed and found wanting.

The issue hadn't crossed Hatch's mind in that way before. He nodded, feeling like he had been judged and found lacking.

"Now, you say, too, that St. George has not been seen around his studio for a couple of days," said the scientist. "What is more possible than that they are together somewhere?"

"Now, you mention that St. George hasn’t been seen in his studio for a couple of days," said the scientist. "Isn’t it possible that they are together somewhere?"

"I see," said the reporter.

"I see," the reporter said.

"It was understood, too, as I understand it, that St. George was in love with her," went on The Thinking Machine. "So, I should imagine a solution of the mystery might be reached by taking St. George as the center of the affair. Suicide may be passed by for the moment, because she had no known motive for suicide--rather, if she loved Willis, she had every reason to live. Murder, too, may be passed for the moment--although there is a possibility that we might come back to that. Question St. George. He will listen if you make him, and then he must answer."

"It was also understood, as I see it, that St. George was in love with her," The Thinking Machine continued. "So, I think we could find a solution to the mystery by focusing on St. George as the key player in this situation. We can set aside the idea of suicide for now, since she had no obvious reason to take her own life—if she loved Willis, she had every reason to want to live. We can also put murder on hold for the moment—though we might come back to that possibility. Talk to St. George. He’ll listen if you make him, and then he has to respond."

"But his place is all closed up," said Hatch. "It is supposed he is half crazy."

"But his place is all shut up," Hatch said. "People say he's half crazy."

"Possibly he might be," said The Thinking Machine. "Or it is possible that he is keeping to his studio at work--or he might even be married to Miss Field and she might be there with him."

"Maybe he is," said The Thinking Machine. "Or it's possible he's just busy in his studio—he might even be married to Miss Field, and she could be there with him."

"Well, I see no way to ascertain definitely that he is there," said the reporter, and a puzzled wrinkle came into his face. "Of course I might remain on watch night and day to see if he comes out for food, or if anything to eat is sent in."

"Well, I don't see any way to definitely confirm that he's there," said the reporter, a puzzled look crossing his face. "I could stay on watch day and night to see if he comes out for food, or if anything gets delivered to him."

"That would take too long, and besides it might not happen at all," said The Thinking Machine. He arose and went into the adjoining room. He returned after a moment, and glanced at the clock on the mantel. "It is just nine o'clock now," he commented. "How long would it take you to get to the studio?"

"That would take too long, and it might not even happen," said The Thinking Machine. He got up and walked into the next room. He came back after a moment and looked at the clock on the mantel. "It's just nine o'clock now," he said. "How long will it take you to get to the studio?"

"Half an hour."

"30 minutes."

"Well, go there now," directed the scientist. "If Mr. St. George is in his studio he will come out of it to-night at thirty-two minutes past nine. He will be running, and may not wear either a hat or coat."

"Well, head there now," the scientist instructed. "If Mr. St. George is in his studio, he will come out tonight at thirty-two minutes past nine. He’ll be running and might not be wearing a hat or coat."

"What?" and Hatch grinned, a weak, puzzled grin.

"What?" Hatch grinned, a faint, confused smile.

"You wait where he can't see you when he comes out," the scientist went on. "When he goes he may leave the door open. If he does go on see if you find any trace of Miss Field, and then, on his return, meet him at the outer door, ask him what you please, and come to see me to-morrow morning. He will be out of his studio about twenty minutes."

"You should wait where he can't see you when he comes out," the scientist continued. "If he leaves the door open when he goes, try to find any sign of Miss Field. Then, when he comes back, meet him at the outer door, ask him anything you want, and come see me tomorrow morning. He'll be out of his studio for about twenty minutes."

Vaguely Hatch felt that the scientist was talking rot, but he had seen this strange mind bring so many odd things to pass that he could not doubt this, even if it were absurd on its face.

Vaguely, Hatch felt that the scientist was talking nonsense, but he had witnessed this peculiar mind make so many bizarre things happen that he couldn't dismiss it, even if it seemed ridiculous at first glance.

"At thirty-two minutes past nine to-night," said the reporter, and he glanced at his watch.

"At 9:32 tonight," said the reporter, glancing at his watch.

"Come to see me to-morrow after you see the handwriting of Willis and St. George," directed the scientist. "Then you may also tell me just what happens to-night."

"Come to see me tomorrow after you've looked at the handwriting of Willis and St. George," the scientist said. "Then you can also tell me exactly what happens tonight."


* * * * *

Understood! Please provide the text you would like me to modernize.

Hatch was feeling like a fool. He was waiting in a darkened corner, just a few feet from St. George's studio. It was precisely half-past nine o'clock. He had been there for seven minutes. What strange power was to bring St. George, who for two days had denied himself to everyone, out of that studio, if, indeed, he were there?

Hatch felt like an idiot. He was waiting in a shadowy corner, just a few feet from St. George's studio. It was exactly 9:30. He had been there for seven minutes. What strange force could possibly bring St. George, who had shut himself off from everyone for two days, out of that studio, if he was even in there?

For the twentieth time Hatch glanced at his watch, which he had set with the little clock in The Thinking Machine's home. Slowly the minute hand crept around, to 9:31, 9:31½, and he heard the door of the studio rattle. Then suddenly it was thrown open and St. George appeared.

For the twentieth time, Hatch checked his watch, which he had synchronized with the small clock in The Thinking Machine's home. The minute hand slowly moved to 9:31, 9:31½, and he heard the studio door rattle. Then, suddenly, it swung open and St. George stepped in.

Without a glance to right or left, hatless and coatless, he rushed out of the building. Hatch got only a glimpse of his face; his lips were pressed tightly together; there was a glint of madness in his eyes. He jerked at the door once, then ran through the hall and disappeared down the stairs leading to the street. The studio door stood open behind him.

Without looking to the right or left, without a hat or coat, he rushed out of the building. Hatch caught only a quick look at his face; his lips were tightly pressed together; there was a spark of madness in his eyes. He yanked at the door once, then ran through the hall and vanished down the stairs leading to the street. The studio door remained open behind him.


III.

When the clatter of the running footsteps had died away and Hatch heard the outer door slam, he entered the studio, closing the door behind him. It was close here, and there was a breath of Chinese incense which was almost stifling. One quick glance by the light of an incandescent told Hatch that he stood in the reception-room. Typically, from floor to ceiling, the place was the abode of an artist; there was a rich gradation of color and everywhere were scraps of art and half-finished studies.

When the sound of running footsteps faded and Hatch heard the outer door slam, he walked into the studio, shutting the door behind him. It was stuffy in here, and there was a hint of Chinese incense that was almost overwhelming. A quick look by the light of an incandescent bulb showed Hatch that he was in the reception room. From floor to ceiling, the space was filled with an artist's belongings; there was a rich mix of colors and everywhere there were bits of artwork and unfinished studies.

The reporter had given up the idea of solving the mystery of why St. George had so suddenly left his apartments; now he devoted himself to a quick, minute search of the place. He found nothing to interest him in the reception-room, and went on into the studio where the artist did his work.

The reporter had abandoned the idea of figuring out why St. George had suddenly left his apartment; now he focused on a quick, thorough search of the place. He found nothing intriguing in the reception room and moved on to the studio where the artist worked.

Hatch glanced around quickly, his eyes taking in all the details, then went to a little table which stood, half-covered with newspapers. He turned these over, then bent forward suddenly and picked up--a woman's glove. Beside it lay its mate. He stuffed them into his pocket.

Hatch looked around swiftly, capturing all the details, then approached a small table cluttered with newspapers. He flipped through them and then leaned down abruptly to pick up—a woman’s glove. Next to it was its pair. He stuffed them into his pocket.

Eagerly he sought now for anything that might come to hand. At last he reached another door, leading into the bedroom. Here on a large table was a chafing dish, many dishes which had not been washed, and all the other evidences of a careless man who did a great deal of his own cooking. There was a dresser here, too, a gorgeous, mahogany affair. Hatch didn't stop to admire this because his eye was attracted by a woman's veil which lay on it. He thrust it into his pocket.

Eagerly, he now looked for anything he could find. Finally, he came to another door that led into the bedroom. On a large table was a chafing dish, a pile of unwashed dishes, and all the other signs of a messy man who did most of his own cooking. There was a dresser as well, a stunning mahogany piece. Hatch didn't take the time to admire it because his attention was drawn to a woman's veil lying on it. He quickly shoved it into his pocket.

"Quite a haul I'm making," he mused, grimly.

"Quite a collection I'm building," he thought, grimly.

From this room a door, half open, led into a bathroom. Hatch merely glanced in, then looked at his watch. Fifteen minutes had elapsed. He must get out, and he started for the outer door. As he opened it quietly and stepped into the hall he heard the street door open one flight below, and started down the steps. There, half way, he met St. George.

From this room, a half-open door led to a bathroom. Hatch just glanced in, then checked his watch. Fifteen minutes had passed. He needed to get out, so he headed for the front door. As he quietly opened it and stepped into the hallway, he heard the street door open one flight below and began to descend the steps. There, halfway down, he ran into St. George.

"Mr. St. George?" he asked.

"Mr. St. George?" he inquired.

"No," was the reply.

"No," was the response.

Hatch knew his man perfectly, because he had seen him half a dozen times and had talked to him twice. The denial of identity therefore was futile.

Hatch knew his guy completely, since he had seen him about six times and had talked to him twice. So, the denial of identity was pointless.

"I came to tell you that Grace Field, the model for your 'Fulfillment,' has disappeared," Hatch went on, as the other glared at him.

"I came to let you know that Grace Field, the inspiration for your 'Fulfillment,' has gone missing," Hatch continued, as the others stared at him angrily.

"I don't care," snapped the other. He darted up the steps. Hatch listened until he heard the door of the studio close.

"I don't care," the other person snapped. He rushed up the steps. Hatch listened until he heard the studio door shut.

It was ten minutes to ten o'clock when Hatch left the building. Now he would see Miss Stanford and have her identify the gloves and the veil. He boarded a car and drew out and closely examined the gloves and veil. The gloves were tan, rather heavy, but small, and the veil was of some light, cobwebby material which he didn't know by name.

It was ten minutes to ten when Hatch left the building. Now he would meet Miss Stanford and have her identify the gloves and the veil. He got into a car and took out the gloves and veil to examine them closely. The gloves were a tan color, quite heavy but small, and the veil was made of some light, flimsy material that he didn’t recognize.

"If these are Grace Field's," the reporter argued, to himself, "it means something. If they are not, I'm simply a burglar."

"If these are from Grace Field," the reporter said to himself, "it means something. If they’re not, I’m just a thief."

There was a light in the Dorchester house where Miss Stanford lived, and the reporter rang the bell. A servant appeared.

There was a light on in the Dorchester house where Miss Stanford lived, and the reporter rang the bell. A servant answered the door.

"Would it be possible for me to see Miss Stanford for just a moment?" he asked.

"Could I please see Miss Stanford for a moment?" he asked.

"If she has not gone to bed."

"If she hasn't gone to bed."

He was ushered into the little parlor again. The servant disappeared, and after a moment Miss Stanford came in.

He was brought back into the small sitting room. The servant left, and after a moment, Miss Stanford walked in.

"I hated to trouble you so late," said the reporter, and she smiled at him frankly, "but I would like to ask if you have ever seen these?"

"I’m sorry to bother you at this late hour," the reporter said, smiling at him openly, "but I wanted to ask if you’ve ever seen these?"

He laid in her hands the gloves and the veil. Miss Stanford studied them carefully and her hands trembled.

He placed the gloves and the veil in her hands. Miss Stanford examined them closely, and her hands shook.

"The gloves, I know, are Grace's--the veil I am not so positive about," she replied.

"The gloves, I know, belong to Grace—the veil, I'm not so sure about," she said.

Hatch felt a great wave of exultation sweep over him, and it stopped his tongue for an instant.

Hatch felt a huge rush of excitement wash over him, and it left him momentarily speechless.

"Did you--did you find them in Mr. Willis's possession?" asked the girl.

"Did you—did you find them with Mr. Willis?" the girl asked.

"I am not at liberty to tell just where I found them," Hatch replied. "If they are Miss Field's--and you can swear to that, I suppose--it may mean that we have a clew."

"I can't say where I found them," Hatch said. "If they belong to Miss Field—and you can swear to that, I guess—it might mean we have a clue."

"Oh, I was afraid it would be this way," gasped the girl, and she sank down weeping on a couch.

"Oh, I was worried it would turn out like this," gasped the girl, and she collapsed in tears on a couch.

"Knew what would be which way?" asked Hatch, puzzled.

"Knew what would be which way?" Hatch asked, confused.

"I knew it! I knew it!" she sobbed. "Is there anything to connect Mr. Willis directly with the--_the murder?_"

"I knew it! I knew it!" she cried. "Is there anything that links Mr. Willis directly to the--_the murder?_"

The reporter started to say something, then paused. He wasn't quite sure of himself. He had uncovered something, he didn't know what yet.

The reporter began to speak, then hesitated. He wasn't entirely confident. He had discovered something, but he wasn't sure what it was yet.

"It would be better, Miss Stanford," he explained, gently, "if you would tell me all you know about this affair. The things which are now in my possession are fragmentary--if you could give me any new detail it would be only serving the ends of justice."

"It would be better, Miss Stanford," he said softly, "if you could tell me everything you know about this situation. The information I have right now is incomplete—if you could provide me with any new details, it would help serve justice."

For a little while the girl was silent, then she arose and faced him.

For a moment, the girl was quiet, then she stood up and faced him.

"Is Mr. Willis yet under arrest?" she asked, calmly now.

"Is Mr. Willis in custody yet?" she asked, now calmly.

"Not yet," said the reporter.

"Not yet," the reporter said.

"Then I will say nothing else," she declared, and her lips closed in a straight line.

"Then I won't say anything more," she stated, and her lips pressed into a straight line.

"What was the motive for murder?" Hatch insisted.

"What was the reason for the murder?" Hatch insisted.

"I will say nothing else," she replied, firmly. "And what makes you positive there was murder?"

"I won't say anything more," she answered, firmly. "And what makes you so sure there was murder?"

"Good-night. You need not come again, for I will not see you."

"Good night. You don’t have to come back, because I won’t be seeing you."

Miss Stanford turned and left the room. Hatch, sadly puzzled, bewildered, stood staring after her a moment, then went out, his brain alive with possibilities, with intangible ends which would not be connected. He was eager to lay the new facts before The Thinking Machine.

Miss Stanford turned and left the room. Hatch, feeling confused and troubled, stood there staring after her for a moment, then went out, his mind buzzing with possibilities and vague ideas that wouldn’t connect. He was eager to share the new facts with The Thinking Machine.

From Dorchester the reporter took a car for his home. In his room, with the tangible threads of the mystery spread out on a table, he thought and surmised far into the night, and when he finally replaced them all in his pocket and turned down the light it was with a hopeless shake of his head.

From Dorchester, the reporter took a ride home. In his room, with the concrete threads of the mystery laid out on a table, he pondered and speculated deep into the night. When he finally put everything back in his pocket and turned off the light, he did so with a defeated shake of his head.

On the following morning when Hatch arose he picked up a paper and went to breakfast. He spread the paper before him and there--the first thing he saw--was a huge headline, stating that a burglar had entered the room of Constans St. George and had tried to kill Mr. St. George. A shot had been fired at him and had passed through his left arm.

The next morning, when Hatch got up, he grabbed a newspaper and headed to breakfast. He laid the paper out in front of him and the very first thing he noticed was a big headline announcing that a burglar had broken into Constans St. George's room and had attempted to kill Mr. St. George. A shot had been fired at him and had gone through his left arm.

Mr. St. George had been asleep when the door of his apartments was burst in by the thief. The artist arose at the noise, and as he stepped into the reception-room had been shot. The wound was trivial. The burglar escaped; there was no clew.

Mr. St. George had been asleep when the thief burst into his apartment. The artist woke up to the noise, and as he stepped into the reception room, he was shot. The wound was minor. The burglar got away; there were no clues.


IV.

It was a long story of seemingly hopeless complications that Hatch told The Thinking Machine that morning. Nothing connected with anything, and yet here was a series of happenings, all apparently growing out of the disappearance of Miss Field, and which must have some relation one to the other. At the conclusion of the story, Hatch passed over the newspaper containing the account of the burglary in the studio. The artist had been removed to a hospital.

It was a complicated story that Hatch shared with The Thinking Machine that morning. Nothing seemed to connect with anything, yet there was a chain of events, all seemingly linked to the disappearance of Miss Field, and they must have some relationship to each other. At the end of the story, Hatch handed over the newspaper that had the report on the burglary in the studio. The artist had been taken to a hospital.

The Thinking Machine read the newspaper account and turned to the reporter with a question:

The Thinking Machine read the news article and asked the reporter a question:

"Did you see Willis's handwriting?"

"Did you see Willis’s penmanship?"

"Not yet," replied the reporter.

"Not yet," said the reporter.

"See it at once," instructed the other. "If possible, bring me a sample of it. Did you see St. George's handwriting?"

"Check it out right away," the other person said. "If you can, bring me a sample of it. Did you see St. George's handwriting?"

"No," the reporter confessed.

"No," the reporter admitted.

"See that and bring me a sample if you can. Find out first if Willis has a revolver now or has ever had. If so, see it and see if it is loaded or empty--its exact condition. Find out also if St. George has a revolver--and if he has one, get possession of it if it is in your power."

"Take a look at that and bring me a sample if you can. First, find out if Willis has a revolver now or has ever had one. If he does, check to see if it’s loaded or empty—its exact condition. Also, find out if St. George has a revolver, and if he does, try to get it if you can."

The scientist twisted the two gloves and the veil which Hatch had given to him in his fingers idly, then passed them to the reporter again.

The scientist casually twisted the two gloves and the veil that Hatch had given him in his fingers, then handed them back to the reporter.

Hatch arose and stood waiting, hat in hand.

Hatch got up and stood there waiting, holding his hat.

"Also find out," The Thinking Machine went on, "the exact condition of St. George--his mental condition particularly. Find out if Willis is at his office in the bank to-day, and, if possible, where and how he spent last night. That's all."

"Also find out," The Thinking Machine continued, "the exact status of St. George—especially his mental state. Check if Willis is at his office at the bank today, and if you can, find out where and how he spent last night. That's it."

"And Miss Stanford?" asked Hatch.

"And what about Miss Stanford?" asked Hatch.

"Never mind her," replied The Thinking Machine. "I may see her myself. These other things are of immediate consequence. The minute you satisfy yourself come back to me. Quickness on your part may prevent a tragedy."

"Don't worry about her," replied The Thinking Machine. "I might see her myself. These other matters are urgent. As soon as you figure things out, come back to me. Acting quickly on your part could prevent a tragedy."

The reporter went away hurriedly. At four o'clock that afternoon he returned. The Thinking Machine greeted him; he held a piece of letter-paper in his hand.

The reporter quickly left. He came back at four o'clock that afternoon. The Thinking Machine welcomed him; he had a piece of letter paper in his hand.

"Well?" he asked.

"Well?" he asked.

"The handwriting is Willis's," said Hatch, without hesitation. "I saw a sample--it is identical, and the paper on which he writes is identical."

"The handwriting is Willis's," Hatch said confidently. "I saw a sample—it's exactly the same, and the paper he writes on is the same too."

The scientist grunted.

The scientist sighed.

"I also saw some of St. George's writing," the reporter went on, as if he were reciting a lesson. "It is wholly dissimilar."

"I also saw some of St. George's writing," the reporter continued, as if he were reciting a lesson. "It's completely different."

The Thinking Machine nodded.

The Thinking Machine nodded.

"Willis has no revolver that anyone ever heard of," Hatch continued. "He was at dinner with several of his fellow employees last night, and left the restaurant at eight o'clock."

"Willis doesn’t have a revolver that anyone knows about," Hatch continued. "He had dinner with some of his coworkers last night and left the restaurant at eight o'clock."

"Been drinking?"

"Have you been drinking?"

"Might have had a few drinks," responded the reporter. "He is not a drinking man."

"Might have had a few drinks," the reporter replied. "He's not really a drinker."

"Has St. George a revolver?"

"Does St. George have a revolver?"

"I was unable to find that out or do anything except get a sample of his writing from another artist," the reporter explained. "He is in a hospital, raving crazy. It seems to be a return of the trouble he had once before, except it is worse. The wound itself is not bad."

"I couldn't find that out or do anything other than get a sample of his writing from another artist," the reporter said. "He's in a hospital, completely out of his mind. It looks like the problem he had before has come back, but this time it's worse. The wound itself isn't serious."

The scientist was studying the sheet of paper. "Have you that scrap?" he asked.

The scientist was examining the sheet of paper. "Do you have that scrap?" he asked.

Hatch produced it, and the scientist placed it on the sheet; Hatch could only conjecture that he was fitting it to something else already there. He was engaged in this work when Martha entered.

Hatch produced it, and the scientist put it on the sheet; Hatch could only guess that he was connecting it to something else that was already there. He was focused on this task when Martha walked in.

"The young lady who was here earlier to-day wants to see you again," she announced.

"The young woman who was here earlier today wants to see you again," she announced.

"Show her in," directed The Thinking Machine, without raising his eyes.

"Show her in," The Thinking Machine instructed, still not looking up.

Martha disappeared, and after a moment Miss Stanford entered. Hatch, himself unnoticed, stared at her curiously, and arose, as did the scientist. The girl's face was flushed a little, and there was an eager expression in her eyes.

Martha vanished, and after a moment, Miss Stanford walked in. Hatch, unnoticed himself, looked at her with curiosity and stood up, as did the scientist. The girl's face was slightly flushed, and there was an eager look in her eyes.

"I know he didn't do it," she began. "I've just gotten a letter from Springfield stating that he was there on the day Grace went away--and----"

"I know he didn't do it," she started. "I just received a letter from Springfield saying that he was there on the day Grace disappeared—and----"

"Know who didn't do what?" asked the scientist.

"Do you know who didn’t do what?" asked the scientist.

"That Mr. Willis didn't kill Grace," replied the girl, her enthusiasm suddenly checked. "See here."

"That Mr. Willis didn't kill Grace," the girl replied, her enthusiasm suddenly fading. "Listen to this."

The scientist read a letter which she offered, and the girl sank into a chair. Then for the first time she saw Hatch and her eyes expressed her surprise. She stared at him a moment, then nodded a greeting, after which she fell to watching The Thinking Machine.

The scientist read a letter that she handed over, and the girl sank into a chair. Then, for the first time, she saw Hatch, and her eyes showed her surprise. She stared at him for a moment, then nodded a greeting, after which she began watching The Thinking Machine.

"Miss Stanford," he said, at length, "you made several mistakes when you were here before in not telling me the truth--all of it. If you will tell me all you know of this case I may be able to see it more clearly."

"Miss Stanford," he said eventually, "you made several mistakes last time you were here by not telling me the whole truth. If you can share everything you know about this case, I might be able to understand it better."

The girl reddened and stammered a little, then her lips trembled.

The girl blushed and stumbled over her words a bit, then her lips quivered.

"Do you know--not conjecture, but know--whether or not Miss Field, or Grace, as you call her, was engaged to Willis?" the irritated voice asked.

"Do you know—like, for real, not just guessing—whether Miss Field, or Grace, as you call her, was engaged to Willis?" the annoyed voice asked.

"I--I know it, yes," she stammered.

"I—I know it, yes," she stammered.

"And you were in love with Mr. Willis--you _are_ in love with him?"

"And you love Mr. Willis—you _still_ love him?"

Again the tell-tale blush swept over her face. She glanced at Hatch; it was the nervousness of a girl who is driven to a confession of love.

Again, a tell-tale blush swept over her face. She glanced at Hatch; it was the nervousness of a girl who was pushed to confess her love.

"I regard Mr. Willis very highly," she said, finally, her voice low.

"I think very highly of Mr. Willis," she said finally, her voice quiet.

"Well," and the scientist arose and crossed to where the girl sat, "don't you see that a very grave charge might be brought home to you if you don't tell all of this? The girl has disappeared. There might be even a hint of murder in which your name would be mentioned. Don't you see?"

"Well," the scientist said, getting up and walking over to where the girl was sitting, "don't you realize that a serious accusation could be directed at you if you don't share everything? The girl is missing. There could even be suggestions of murder that could involve your name. Don’t you understand?"

There was a long pause, and the girl stared steadily into the squint eyes above her. Finally her eyes fell.

There was a long pause, and the girl stared steadily into the squinting eyes above her. Finally, her gaze dropped.

"I think I understand. Just what is it you want me to answer?"

"I think I get it. What do you want me to answer?"

"Did or did you not ever hear Mr. Willis threaten Miss Field?"

"Did you ever hear Mr. Willis threaten Miss Field or not?"

"I did once, yes."

"I did it once, yes."

"Did or did you not know that Miss Field was the original of the painting?"

"Did you or didn't you know that Miss Field was the model for the painting?"

"I did not."

"I didn't."

"It is a semi-nude picture, isn't it?"

"It's a semi-nude pic, right?"

Again there was a flush in the girl's face.

The girl blushed again.

"I have heard it was," she said. "I have never seen it. I suggested to Grace several times that we go to see it, but she never would. I understand why now."

"I've heard it was," she said. "I've never seen it. I suggested to Grace several times that we check it out, but she never wanted to. I get why now."

"Did Willis know she was the original of that painting? That is, knowing it yourself now, do you have any reason to suppose that he previously knew?"

"Did Willis know she was the inspiration for that painting? In other words, knowing this now, do you think he had any reason to believe that before?"

"I don't know," she said, frankly. "I know that there was something which was always causing friction between them--something they quarreled about. It might have been that. That was when I heard Mr. Willis threaten her--it was something about shooting her if she ever did something--I don't know what."

"I don't know," she said honestly. "I know there was always something causing tension between them—something they fought about. It could have been that. That’s when I heard Mr. Willis threaten her—it was something about shooting her if she ever did something—I’m not sure what."

"Miss Field knew him before you did, I think you said?"

"Miss Field knew him before you did, right?"

"She introduced me to him."

"She introduced me to him."

The Thinking Machine fingered the sheet of paper he held.

The Thinking Machine touched the sheet of paper he had.

"Did you know what those scraps of paper you brought me contained?"

"Did you know what those pieces of paper you gave me had on them?"

"Yes, in a way," said the girl.

"Yeah, kind of," said the girl.

"Why did you bring them, then?"

"Why did you bring them, then?"

"Because you told me you knew I had them, and I was afraid it might make more trouble for me and for Mr. Willis if I did not."

"Because you said you knew I had them, and I was worried it could cause more trouble for me and for Mr. Willis if I didn't."

The Thinking Machine passed the sheet to Hatch.

The Thinking Machine handed the sheet to Hatch.

"This will interest you, Mr. Hatch," he explained. "Those words and letters in parentheses are what I have supplied to complete the full text of the note, of which you had a mere scrap. You will notice how the scrap you had fitted into it."

"This will catch your attention, Mr. Hatch," he explained. "The words and letters in parentheses are what I added to complete the full text of the note, of which you only had a small piece. You’ll see how the piece you had fits into it."

The reporter read this:

The reporter read this:


"If you go to th(at stud)io Wednesday to see that artist, (I will k)ill you bec(ause I w)on't have it known to the world tha(t you a)re a model. I hope you will heed this warning.

"If you go to that studio on Wednesday to see that artist, I will kill you because I won't let it be known to the world that you are a model. I hope you will take this warning seriously."

"V. W."

"V. W."


The reporter stared at the patched-up letter, pasted together with infinite care, and then glanced at The Thinking Machine, who settled himself again comfortably in the chair.

The reporter looked at the repaired letter, glued together with great care, and then turned to The Thinking Machine, who got himself comfortable in the chair again.

"And now, Miss Stanford," asked the scientist, in a most matter-of-fact tone, "where is the body of Miss Field?"

"And now, Miss Stanford," the scientist asked in a very straightforward tone, "where is Miss Field's body?"


V.

The blunt question aroused the girl, and she arose suddenly, staring at The Thinking Machine. He did not move. She stood as if transfixed, and Hatch saw her bosom rise and fall rapidly with the emotion she was seeking to repress.

The straightforward question startled the girl, and she quickly got up, staring at The Thinking Machine. He stayed still. She stood there as if frozen, and Hatch noticed her chest rising and falling quickly with the emotions she was trying to hold back.

"Well?" asked The Thinking Machine.

"Well?" asked The Thinking Machine.

"I don't know," flamed Miss Stanford, suddenly, almost fiercely. "I don't even know she is dead. I know that Mr. Willis did not kill her, because, as that letter I gave you shows, he was in Springfield. I won't be tricked into saying anything further."

"I don't know," Miss Stanford exclaimed suddenly, almost angrily. "I don't even know if she's dead. I know that Mr. Willis didn't kill her because, as that letter I gave you shows, he was in Springfield. I won't be fooled into saying anything more."

The outburst had no appreciable effect on The Thinking Machine beyond causing him to raise his eyebrows slightly as he looked at the defiant little figure.

The outburst didn't really affect The Thinking Machine, other than causing him to raise his eyebrows a bit as he looked at the defiant little figure.

"When did you last see Mr. Willis have a revolver?"

"When did you last see Mr. Willis with a revolver?"

"I know nothing of any revolver. I know only that Victor Willis is innocent as you are, and that I love him. Whatever has become of Grace Field I don't know."

"I don’t know anything about any revolver. All I know is that Victor Willis is innocent, just like you are, and that I love him. I have no idea what happened to Grace Field."

Tears leaped suddenly to her eyes, and, turning, she left the room. After a moment they heard the outer door slam as she passed out. Hatch turned to the scientist with a question in his eyes.

Tears suddenly filled her eyes, and, turning, she left the room. A moment later, they heard the outer door slam as she went out. Hatch turned to the scientist with a question in his eyes.

"Did you smell anything like chloroform or ether when you were in St. George's apartments?" asked The Thinking Machine as he arose.

"Did you smell anything like chloroform or ether when you were in St. George's apartment?" asked The Thinking Machine as he stood up.

"No," said Hatch. "I only noticed that the place seemed close, and there was an odor of Chinese incense--joss sticks--which was almost stifling."

"No," Hatch said. "I just noticed that the place felt cramped, and there was a smell of Chinese incense—joss sticks—that was almost overwhelming."

The Thinking Machine looked at the reporter quickly, but said nothing. Instead, he passed out of the room, to return a few minutes later with his hat and coat on.

The Thinking Machine glanced at the reporter quickly but didn’t say anything. Instead, he left the room and came back a few minutes later wearing his hat and coat.

"Where are we going?" asked Hatch.

"Where are we headed?" asked Hatch.

"To St. George's studio," was the answer.

"To St. George's studio," was the answer.

Just then the telephone bell in the next room rang. The scientist answered it in person.

Just then, the phone in the next room rang. The scientist answered it himself.

"Your City Editor," he called to Hatch.

"Hey, City Editor," he called to Hatch.

Hatch went to the 'phone and remained there several minutes. When he came back there was a new excitement in his face.

Hatch went to the phone and stayed there for several minutes. When he returned, there was a fresh excitement on his face.

"What is it?" asked the scientist.

"What is it?" asked the scientist.

"Another queer thing my City Editor told me," Hatch responded. "Constans St. George, raving mad, has escaped from the hospital and disappeared."

"Another strange thing my City Editor told me," Hatch replied. "Constans St. George, completely insane, has broken out of the hospital and gone missing."

"Dear me, dear me!" exclaimed the scientist, quickly. It was as near surprise as he ever showed. "Then there is danger."

"Goodness, goodness!" the scientist exclaimed quickly. It was about as close to surprise as he ever got. "So there is danger."

With quick steps he went to the telephone and called up Police Headquarters.

He hurried to the phone and called Police Headquarters.

"Detective Mallory," Hatch heard him ask for. "Yes. This is Professor Van Dusen. Please meet me immediately here at my house. Be here in ten minutes? Good. I'll wait. It's a matter of great importance. Good-by."

"Detective Mallory," Hatch heard him request. "Yes. This is Professor Van Dusen. Please come to my house right away. Can you make it in ten minutes? Great. I'll be waiting. It's really important. Goodbye."

Then impatiently The Thinking Machine moved about, waiting. The reporter, whose acquaintance with the logician was an extended one, had never seen him in just such a state. It started when he heard St. George had escaped.

Then, impatiently, The Thinking Machine moved around, waiting. The reporter, who had known the logician for a long time, had never seen him like this. It began when he heard that St. George had escaped.

At last they left the house and stood waiting on the steps until Detective Mallory appeared in a cab. Into that Hatch and The Thinking Machine climbed, after the latter had given some direction, and the cabby drove rapidly away. It was all a mystery to Hatch, and he was rather glad of it when Detective Mallory asked what it meant.

At last, they left the house and stood waiting on the steps until Detective Mallory arrived in a cab. Hatch and The Thinking Machine got in after the latter gave some directions, and the cab driver sped off. It was all a mystery to Hatch, and he felt somewhat relieved when Detective Mallory asked what it meant.

"Means that there is danger of a tragedy," said The Thinking Machine, crustily. "We may be in time to avert it. There is just a chance. If I'd only known this an hour ago--even half an hour ago--it might have been stopped."

"That means there's a risk of a tragedy," The Thinking Machine said sharply. "We might still be able to prevent it. There's a slight chance. If I had only known this an hour ago—even half an hour ago—it could have been avoided."

The Thinking Machine was the first man out of the cab when it stopped, and Hatch and the detective followed quickly.

The Thinking Machine was the first one out of the cab when it stopped, and Hatch and the detective followed closely behind.

"Is Mr. St. George in his apartments?" asked the scientist of the elevator boy.

"Is Mr. St. George in his apartment?" the scientist asked the elevator attendant.

"No, sir," said the boy. "He's in hospital, shot."

"No, sir," the boy said. "He's in the hospital, shot."

"Is there a key to his place? Quick."

"Is there a key to his place? Hurry up."

"I think so, sir, but I can't give it to you."

"I think so, sir, but I can't hand it over to you."

"Here, give it to me, then!" exclaimed the detective. He flashed a badge in the boy's eyes, and the youth immediately lost a deal of his coolness.

"Here, give it to me, then!" the detective shouted. He flashed his badge in the boy's face, and the kid instantly lost a lot of his composure.

"Gee, a detective! Yes, sir."

"Wow, a detective! Yes, sir."

"How many rooms has Mr. St. George?" asked the scientist.

"How many rooms does Mr. St. George have?" asked the scientist.

"Three and a bath," the boy responded.

"Three and a bath," the boy replied.

Two minutes later the three men stood in the reception-room of the apartments. There came to them from somewhere inside a deadly, stifling odor of chloroform. After one glance around The Thinking Machine rushed into the next room, the studio.

Two minutes later, the three men stood in the reception area of the apartments. A heavy, suffocating smell of chloroform wafted in from somewhere inside. After a quick glance around, The Thinking Machine dashed into the next room, the studio.

"Dear me, dear me!" he exclaimed.

"Wow, wow!" he exclaimed.

There on the floor lay huddled the figure of a man. Blood had run from several wounds on his head. The Thinking Machine stooped a moment, and his slender fingers fumbled over the heart.

There on the floor lay the figure of a man, huddled up. Blood had pooled from several wounds on his head. The Thinking Machine crouched down for a moment, and his slim fingers fumbled over the heart.

"Unconscious, that's all," he said, and he raised the man up.

"Just unconscious, that's all," he said, lifting the man up.

"Victor Willis!" exclaimed Hatch.

"Victor Willis!" Hatch exclaimed.

"Victor Willis!" repeated The Thinking Machine, as if puzzled. "Are you sure?"

"Victor Willis!" repeated The Thinking Machine, sounding puzzled. "Are you sure?"

"Certain," said Hatch, positively. "It's the bank clerk."

"Definitely," said Hatch, confidently. "It's the bank clerk."

"Then we are too late," declared the scientist.

"Then we are too late," the scientist declared.

He arose and looked about the room. A door to his right attracted his attention. He jerked it open and peered in. It was a clothes press. Another small door on the other side of the room was also thrown open. Here was a kitchenette, with a great quantity of canned stuffs.

He got up and glanced around the room. A door to his right caught his eye. He yanked it open and looked inside. It was a closet. Another small door on the opposite side of the room was also swung open. This revealed a kitchenette, filled with a large amount of canned goods.

The Thinking Machine went on into the little bedroom which Hatch had searched. He flung open the bathroom and peered in, only to shut it immediately. Then he tried the handle of another door, a closet. It was fastened.

The Thinking Machine walked into the small bedroom that Hatch had searched. He opened the bathroom door and looked inside, but quickly closed it again. Then he tried the handle of another door, the closet. It was locked.

"Ah!" he exclaimed.

"Wow!" he exclaimed.

Then on his hands and knees he sniffed at the crack between the door and the flooring. Suddenly, as if satisfied, he arose and stepped away from the door.

Then he got down on his hands and knees and sniffed at the gap between the door and the floor. Suddenly, as if he were satisfied, he stood up and stepped away from the door.

"Smash that door in," he directed.

"Kick that door down," he instructed.

Detective Mallory looked at him stupefied. There was a similar expression on Hatch's face.

Detective Mallory looked at him in shock. Hatch had a similar look on his face.

"'What's--what's in there?" the detective asked. "Smash it," said the other, tartly. "Smash it, or God knows what you'll find in there."

"'What's—what's inside?" the detective asked. "Smash it," the other replied sharply. "Smash it, or who knows what you'll discover in there."

The detective, a powerful man, and Hatch threw their weight against the door; it stood rigid. They pulled at the handle; it refused to yield.

The detective, a strong man, and Hatch pushed against the door; it wouldn't budge. They tugged at the handle; it wouldn’t give.

"Lend me your revolver?" asked The Thinking Machine.

"Can I borrow your revolver?" asked The Thinking Machine.

The weapon was in his hand almost before the detective was aware of it, and, placing the barrel to the keyhole, The Thinking Machine pulled the trigger. There was a resonant report, the lock was smashed and the detective put out his hand to open the door.

The weapon was in his hand almost before the detective realized it, and, putting the barrel to the keyhole, The Thinking Machine pulled the trigger. There was a loud bang, the lock was destroyed, and the detective reached out to open the door.

"Look out for a shot," warned The Thinking Machine, sharply.

"Watch out for a shot," warned The Thinking Machine, sharply.


VI.

The Thinking Machine drew Detective Mallory and Hatch to one side, out of immediate range of any person who might rush out, then pulled the closet door open. A cloud of suffocating fumes--the sweet, sickening odor of chloroform--gushed out, but there was no sound from inside. The detective looked at The Thinking Machine inquiringly.

The Thinking Machine pulled Detective Mallory and Hatch to the side, away from anyone who might come rushing out, then opened the closet door. A cloud of suffocating fumes—the sweet, sickening smell of chloroform—rushed out, but there was no noise from inside. The detective glanced at The Thinking Machine with a questioning look.

Carefully, almost gingerly, the scientist peered around the edge of the door. What he saw did not startle him, because it was what he expected. It was Constans St. George lying prone on the floor as if dead, with a blood-spattered revolver clasped loosely in one hand; the other hand grasped the throat of a woman, a woman of superb physical beauty, who also lay with face upturned, staring glassily.

Carefully, almost hesitantly, the scientist looked around the edge of the door. What he saw didn’t shock him, because it was exactly what he had anticipated. It was Constans St. George lying flat on the floor as if he were dead, with a blood-splattered revolver loosely held in one hand; his other hand clutched the throat of a woman, a woman of stunning beauty, who also lay there with her face turned up, staring blankly.

"Open the windows--all of them, then help me," commanded the scientist.

"Open the windows—every single one of them—and then help me," the scientist commanded.

As Detective Mallory and Hatch turned to obey the instructions, The Thinking Machine took the revolver from the inert fingers of the artist. Then Hatch and Mallory returned and together they lifted the unconscious forms toward a window.

As Detective Mallory and Hatch turned to follow the instructions, The Thinking Machine took the revolver from the lifeless fingers of the artist. Then Hatch and Mallory came back and together they lifted the unconscious bodies toward a window.

"It's Grace Field," said the reporter.

"It's Grace Field," the reporter said.

In silence for half an hour the scientist labored over the unconscious forms of his three patients. The detective and reporter stood by, doing only what they were told to do. The wind, cold and stinging, came pouring through the windows, and it was only a few minutes until the chloroform odor was dissipated. The first of the three unconscious ones to show any sign of returning comprehension was Victor Willis, whose presence at all in the apartments furnished one of the mysteries which Hatch could not fathom.

In silence for half an hour, the scientist worked over the unconscious bodies of his three patients. The detective and reporter stood by, only doing what they were instructed. The cold, sharp wind blew through the windows, and it wasn’t long before the smell of chloroform faded away. The first of the three to show any signs of coming back around was Victor Willis, whose presence in the apartment was one of the mysteries that Hatch couldn’t understand.

It was evident that his condition was primarily due to the wounds on his head--two of which bled profusely. The chloroform had merely served to further deaden his mentality. The wounds were made with the butt of the revolver, evidently in the hands of the artist. Willis's eyes opened finally and he stared at the faces bending over him with uncomprehending eyes.

It was clear that his condition was mainly caused by the wounds on his head—two of them were bleeding heavily. The chloroform had only dulled his mind even more. The injuries were inflicted with the butt of the revolver, clearly wielded by the artist. Eventually, Willis's eyes opened, and he looked up at the faces leaning over him with confusion.

"What happened?" he asked.

"What happened?" he asked.

"You're all right now," was the scientist's assuring answer. "This man is your prisoner, Detective Mallory, for breaking and entering and for the attempted murder of Mr. St. George."

"You're all good now," the scientist reassured. "This man is your prisoner, Detective Mallory, for breaking and entering and for trying to kill Mr. St. George."

Detective Mallory was delighted. Here was something he could readily understand; a human being given over to his care; a tangible thing to put handcuffs on and hold. He immediately proceeded to put the handcuffs on.

Detective Mallory was thrilled. Here was something he could easily grasp; a person placed in his custody; something real to put handcuffs on and secure. He quickly went ahead and put the handcuffs on.

"Any need of an ambulance?" he asked.

"Do you need an ambulance?" he asked.

"No," replied The Thinking Machine. "He'll be all right in half an hour."

"No," replied The Thinking Machine. "He'll be fine in half an hour."

Gradually as reason came back Willis remembered. He turned his head at last and saw the inert bodies of St. George and Grace Field, the girl whom he had loved.

Slowly, as his mind started to clear, Willis remembered. He finally turned his head and saw the lifeless bodies of St. George and Grace Field, the girl he had loved.

"She was here, then!" he exclaimed suddenly, violently. "I knew it. Is she dead?"

"She was here, then!" he shouted suddenly, angrily. "I knew it. Is she dead?"

"Shut up that young fool's mouth, Mr. Mallory," commanded the scientist, sharply. "Take him in the other room or send him away."

"Shut that young fool up, Mr. Mallory," the scientist commanded sharply. "Take him to another room or send him away."

Obediently Mallory did as directed; there was that in the voice of this cold, calm being, The Thinking Machine, which compelled obedience. Mallory never questioned motives or orders.

Obediently, Mallory followed the instructions; there was something in the voice of this cold, calm figure, The Thinking Machine, that demanded compliance. Mallory never questioned motives or orders.

Willis was able to walk to the other room with help. Miss Field and St. George lay side by side in the cold wind from the open window. The Thinking Machine had forced a little whiskey down their throats, and after a time St. George opened his eyes.

Willis was able to walk to the other room with assistance. Miss Field and St. George lay next to each other in the chilly breeze from the open window. The Thinking Machine had poured a bit of whiskey down their throats, and after a while, St. George opened his eyes.

The artist was instantly alert and tried to rise. He was weak, however, and even a strength given to him by the madness which blazed in his eyes did not avail. At last he lay raving, cursing, shrieking. The Thinking Machine regarded him closely.

The artist was immediately aware and attempted to get up. However, he was weak, and even the strength fueled by the madness that burned in his eyes didn’t help. Eventually, he lay there yelling, cursing, and screaming. The Thinking Machine watched him intently.

"Hopeless," he said, at last.

"Hopeless," he finally said.

Again for many minutes the scientist worked with the girl. Finally he asked that an ambulance be sent for. The detective called up the City Hospital on the telephone in the apartments and made the request. The Thinking Machine stared alternately at the girl and at the artist.

Again for several minutes, the scientist worked with the girl. Finally, he requested that an ambulance be sent for. The detective called the City Hospital from the apartment and made the request. The Thinking Machine looked back and forth between the girl and the artist.

"Hopeless," he said again. "St. George, I mean."

"Hopeless," he repeated. "St. George, I mean."

"Will the girl recover?" asked Hatch.

"Will the girl be okay?" asked Hatch.

"I don't know," was the frank reply. "She's been partly stupefied for days--ever since she disappeared, as a matter of fact. If her physical condition was as good as her appearance indicates she may recover. Now the hospital is the best place for her."

"I don't know," was the honest response. "She's been mostly out of it for days—ever since she went missing, actually. If her physical health is as good as she looks, she might pull through. Right now, the hospital is the best place for her."

It was only a few minutes before two ambulances came and the three persons were taken away; Willis a prisoner, and a sullen, defiant prisoner, who refused to speak or answer questions; St. George raving hideously and cursing frightfully; the woman, beautiful as a marble statue, and colorless as death.

It was just a few minutes before two ambulances arrived and the three individuals were taken away; Willis, a prisoner, was sullen and defiant, refusing to speak or answer any questions; St. George was yelling wildly and cursing loudly; the woman was beautiful like a marble statue, yet colorless like death.

When they had all gone, The Thinking Machine went back into the bedroom and examined more carefully the little closet in which he had found the artist and Grace Field. It was practically a padded cell, relatively six feet each way. Heavy cushions of felt two or three inches thick covered the interior of the little room closely. In the top of it there was a small aperture, which had permitted some of the fumes of the chloroform to escape. The place was saturated with the poison.

When everyone had left, The Thinking Machine went back into the bedroom and examined the little closet where he had found the artist and Grace Field more closely. It was almost like a padded cell, roughly six feet in each direction. The interior of the small room was covered with heavy felt cushions that were two or three inches thick. At the top, there was a small opening that allowed some of the chloroform fumes to escape. The space was soaked with the poison.

"Let's go," he said, finally.

"Let’s go," he said at last.

Detective Mallory and Hatch followed him out and a few minutes later sat opposite him in his little laboratory. Hatch had told a story over the telephone that made his City Editor rejoice madly; it was news, great, big, vital news.

Detective Mallory and Hatch followed him out, and a few minutes later, they sat across from him in his small lab. Hatch had shared a story over the phone that made his City Editor incredibly happy; it was news—big, important news.

"Now, Mr. Hatch, I suppose you want some details," said The Thinking Machine, as he relapsed into his accustomed attitude. "And you, too, Mr. Mallory, since you are holding Willis a prisoner on my say-so. Would you like to know why?"

"Now, Mr. Hatch, I guess you want some details," said The Thinking Machine, as he settled back into his usual position. "And you, too, Mr. Mallory, since you’re keeping Willis locked up based on my word. Do you want to know why?"

"Sure," said the detective.

"Sure," replied the detective.

"Let's go back a little--begin at the beginning, where Mr. Hatch called on me," said The Thinking Machine. "I can make the matter clearer that way. And I believe the cause of justice, Mr. Mallory, requires absolute accuracy and clarity in all things, does it not?"

"Let’s rewind a bit—start from the beginning, when Mr. Hatch came to see me," said The Thinking Machine. "I can clarify the situation that way. And I believe the pursuit of justice, Mr. Mallory, demands total accuracy and clarity in everything, right?"

"Sure," said the detective again.

"Sure," the detective said again.

"Well, Mr. Hatch told me at some length of the preliminaries of this case," explained The Thinking Machine. "He told me the history of the picture; the mystery as to the identity of the model; her great beauty; how he found her to be Grace Field, a shop-girl. He also told me of the mental condition of the artist, St. George, and repeated the rumor as he knew it about the artist being heartbroken because the girl--his model--would not marry him.

"Well, Mr. Hatch gave me a detailed rundown on the background of this case," The Thinking Machine explained. "He shared the story of the painting, the mystery of the model's identity, her incredible beauty, and how he discovered she was Grace Field, a shop girl. He also mentioned the artist's, St. George's, mental state and recounted the rumor he heard about the artist being heartbroken because the girl—his model—refused to marry him."

"All this brought the artist into the matter of the girl's disappearance. She represented to him, physically, the highest ideal of which he could conceive--hope, success, life itself. Therefore it was not astonishing that he should fall in love with her; and it is not difficult to imagine that the girl did not fall in love with him. She is a beautiful woman, but not necessarily a woman of mentality; he is a great artist, eccentric, childish even in certain things. They were two natures totally opposed.

All of this led the artist to think about the girl's disappearance. She embodied, for him, the ultimate ideal he could imagine—hope, success, life itself. So, it wasn’t surprising that he fell in love with her; and it’s not hard to picture that the girl didn’t fall for him. She is beautiful, but not necessarily deep; he is a brilliant artist, eccentric, even childish in some ways. They were two completely opposite personalities.

"These things I could see instantly. Mr. Hatch showed me the photograph and also the scrap of paper. At the time the scrap of paper meant nothing. As I pointed out, it might have no bearing at all, yet it made it necessary for me to know whose handwriting it was. If Willis's, it still might mean nothing; if St. George's, a great deal, because it showed a direct thread to him. There was reason to believe that any friendship between them had ended when the picture was exhibited.

"These things I could see right away. Mr. Hatch showed me the photograph and the piece of paper. At that moment, the piece of paper seemed meaningless. As I mentioned, it might not matter at all, but I needed to find out whose handwriting it was. If it was Willis's, it could still mean nothing; if it was St. George's, it could mean a lot, because it created a direct connection to him. There was reason to think that any friendship between them ended when the picture was shown."

"It was necessary, therefore, even that early in the work of reducing the mystery to logic to center it about St. George. This I explained to Mr. Hatch and pointed out the fact that the girl and the artist might have eloped--were possibly together somewhere. First it was necessary to get to the artist; Mr. Hatch had not been able to do so.

"It was essential, therefore, even early in the process of making sense of the mystery, to focus it around St. George. I explained this to Mr. Hatch and noted that the girl and the artist might have run away together—were possibly together somewhere. First, we needed to reach the artist; Mr. Hatch hadn't been able to do that."

"A childishly simple trick, which seemed to amaze Mr. Hatch considerably, brought the artist out of his rooms after he had been there closely for two days. I told Mr. Hatch that the artist would leave his rooms, if he were there, one night at 9:32, and told him to wait in the hall, then if he left the door open to enter the apartments and search for some trace of the girl. Mr. St. George did leave his apartments at the time I mentioned, and----"

"A surprisingly simple trick, which really amazed Mr. Hatch, got the artist to come out of his rooms after he had been there for two straight days. I told Mr. Hatch that the artist would leave his rooms one night at 9:32 and asked him to wait in the hall. Then, if the door was left open, he could go into the apartments and look for any signs of the girl. Mr. St. George did leave his apartments at the time I mentioned, and----"

"But why, how?" asked Hatch.

"But why? How?" asked Hatch.

"There was one thing in the world that St. George loved with all his heart," explained the scientist. "That was his picture. Every act of his life has demonstrated that. I looked at a telephone book; I found he had a 'phone. If he were in his rooms, locked in, it was a bit of common sense that his telephone was the best means of reaching him. He answered the 'phone; I told him, just at 9:30, that the Art Museum was on fire and his picture in danger.

"There was one thing in the world that St. George loved with all his heart," the scientist explained. "That was his painting. Every action in his life has proven that. I checked a phone book and found he had a phone. If he was in his apartment, locked inside, it was only logical that his phone was the best way to get in touch with him. He answered the call, and I told him, right at 9:30, that the Art Museum was on fire and his painting was in jeopardy."

"St. George left his apartments to go and see, just as I knew he would, hatless and coatless, and leaving the door open. Mr. Hatch went inside and found two gloves and a veil, all belonging to Miss Field. Miss Stanford identified them and asked if he had gotten them from Willis, and if Willis had been arrested. Why did she ask these questions? Obviously because she knew, or thought she knew, that Willis had some connection with the affair.

St. George left his apartment to go see, just as I expected, without a hat and coat, leaving the door open. Mr. Hatch went inside and found two gloves and a veil, all belonging to Miss Field. Miss Stanford recognized them and asked if he had gotten them from Willis and if Willis had been arrested. Why did she ask these questions? Clearly because she either knew or suspected that Willis had some connection to the situation.

"Mr. Hatch detailed all his discoveries and the conversation with Miss Stanford to me on the day after I 'phoned to St. George, who, of course, had found no fire. It showed that Miss Stanford suspected Willis, whom she loved, of the murder of Miss Field. Why? Because she had heard him threaten. He's a hare-brained young fool, anyway. What motive? Jealousy. Jealousy of what? He knew in some way that she had posed for a semi-nude picture, and that the man who painted it loved her. There is your jealousy. It explains Willis's every act."

"Mr. Hatch shared all his findings and the conversation with Miss Stanford with me the day after I called St. George, who of course found no fire. It revealed that Miss Stanford suspected Willis, the guy she loved, of murdering Miss Field. Why? Because she heard him make threats. He's just a reckless young idiot. What motive does he have? Jealousy. Jealousy over what? He somehow knew that she had modeled for a semi-nude painting and that the artist who created it loved her. That’s where the jealousy comes in. It explains every action of Willis."

The Thinking Machine paused a moment, then went on:

The Thinking Machine paused for a moment, then continued:

"This conversation with Mr. Hatch made me believe Miss Stanford knew more than she was willing to tell. In what way? By a letter? Possibly. She had given Mr. Hatch a scrap of a letter; perhaps she had found another letter, or more of this one. I sent her a note, telling her I knew she had these scraps of letters, and she promptly brought them to me. She had found them after Mr. Hatch saw her first somewhere in the house--in a bureau drawer she said, I think.

"This conversation with Mr. Hatch made me think that Miss Stanford knew more than she was letting on. How so? Maybe through a letter? It’s possible. She had given Mr. Hatch a piece of a letter; perhaps she had come across another letter or more of that one. I sent her a note saying that I knew she had these pieces of letters, and she quickly brought them to me. She mentioned that she found them after Mr. Hatch first saw her somewhere in the house—in a bureau drawer, I believe."

"Meanwhile, Mr. Hatch had called my attention to the burglary of St. George's apartments. One reading of that convinced me that it was Willis who did this. Why? Because burglars don't burst in doors when they think anyone is inside; they pick the lock. Knowing, too, Willis's insane jealousy, I figured that he would be the type of man who would go there to kill St. George if he could, particularly if he thought the girl was there.

"Meanwhile, Mr. Hatch had pointed out the burglary of St. George's apartment. After reading about it, I was convinced that Willis was responsible. Why? Because burglars don’t just kick in doors when they think someone is inside; they pick the lock. Knowing Willis's crazy jealousy, I figured he’d be the kind of guy who would go there to kill St. George if he could, especially if he thought the girl was there."

"Thus it happened that I was not the only one to think that St. George knew where the girl was. Willis, the one most interested, thought she was there. I questioned Miss Stanford mercilessly, trying to get more facts about the young man from her which would bear on this, trying to trick her into some statement, but she was loyal to the last.

"That's how it turned out that I wasn’t the only one who believed St. George knew where the girl was. Willis, who was the most invested in the situation, thought she was there. I grilled Miss Stanford relentlessly, trying to gather more information about the young man that could relate to this, attempting to trip her up into saying something, but she stayed loyal until the end."

"All these things indicated several things. First, that Willis didn't actually know where the girl was, as he would have known had he killed her; second, that if she had disappeared with a man, it was St. George, as there was no other apparent possibility; third, that St. George would be with her or near her, even if he had killed her; fourth, the pistol shot through the arm had brought on again a mental condition which threatened his entire future, and now as it happens has blighted it.

"All these things pointed to several conclusions. First, Willis didn't actually know where the girl was; if he had killed her, he would have known. Second, if she had run off with a man, it had to be St. George, since there was no other obvious possibility. Third, St. George would be with her or close by, even if he had killed her. Fourth, the gunshot wound in his arm had triggered a mental condition that jeopardized his entire future, and now, as it turns out, it has ruined it."

"Thus, Miss Field and St. George were together. She loved Willis devotedly, therefore she was with St. George against her will, or she was dead. Where? In his rooms? Possibly. I determined to search there. I had just reached this determination when I heard St. George, violently insane, had escaped from the hospital. He had only one purpose then--to get to the woman. Then she was in danger.

"So, Miss Field and St. George were together. She loved Willis deeply, so being with St. George felt like a burden to her, or she might as well have been dead. Where? In his apartment? Maybe. I decided to look there. I had just made up my mind when I heard that St. George, completely unstable, had broken out of the hospital. He had only one goal then—to find the woman. That meant she was in danger."

"I reasoned along these lines, rushed to the artist's apartments, found Willis there wounded. He had evidently been there searching when St. George returned, and St. George had attacked him, as a madman will, and with the greater strength of a madman. Then I knew the madman's first step. It would be the end of everything for him; therefore the death of the girl and his own. How? By poison preferably, because he would not shoot her--he loved beauty too much. Where? Possibly in the place where she had been all along, the closet, carefully padded and prepared to withstand noises. It is really a padded cell. I have an idea that the artist, sometimes overcome by his insane fits, and knowing when they would come, prepared this closet and used it himself occasionally. Here the girl could have been kept and her shrieks would never have been heard. You know the rest."

"I thought about it, hurried to the artist's apartment, and found Willis there injured. He had clearly been searching the place when St. George came back, and St. George attacked him like a madman, using the raw power of insanity. At that moment, I understood the madman's first move. It would mean the end of everything for him; thus, the girl’s death and his as well. How? Probably with poison, since he wouldn’t shoot her—he loved beauty too much. Where? Most likely in the closet where she had been the whole time, soundproofed and set up to muffle noises. It’s really a padded cell. I suspect the artist sometimes, overtaken by his fits of madness and knowing when they would strike, prepared this closet and used it himself from time to time. The girl could have been kept there, and her screams would never have been heard. You know the rest."

The Thinking Machine stopped and arose, as if to end the matter. The others arose, too.

The Thinking Machine paused and stood up, as if to wrap things up. The others stood up as well.

"I took you, Mr. Mallory, because you were a detective, and I knew I could force a way into the apartments which I imagined would be locked. I think that's all."

"I chose you, Mr. Mallory, because you were a detective, and I knew I could find a way into the apartments that I figured would be locked. I think that's everything."

"But how did the girl get there?" asked Hatch.

"But how did the girl end up there?" asked Hatch.

"St. George evidently asked her to come, possibly to pose again. It was a gratification to the girl to do this--a little touch of vanity caused her to pose in the first place. It was this vanity that Willis was fighting so hard, and which led to his threats and his efforts to kill St. George. Of course the artist was insane when she came; his frantic love for her led him to make her a prisoner and hold her against her will. You saw how well he did it."

"St. George clearly asked her to come, probably to pose again. It gave the girl a thrill to do this—a bit of vanity made her want to pose in the first place. It was this vanity that Willis was struggling so intensely against, which drove his threats and his attempts to kill St. George. Obviously, the artist was out of his mind when she showed up; his desperate love for her made him imprison her and keep her against her will. You saw how effectively he did it."

There was an awed pause. Hatch was rubbing the nap of his hat against his sleeve, thoughtfully. Detective Mallory had nothing to say; it was all said. Both turned as if to go, but the reporter had two more questions.

There was a stunned silence. Hatch was rubbing the fabric of his hat against his sleeve, lost in thought. Detective Mallory had nothing to add; everything had been said. Both turned as if to leave, but the reporter had two more questions.

"I suppose St. George's case is hopeless?"

"I guess St. George's situation is hopeless?"

"Absolutely. It will end in a few months with his death."

"Definitely. It will wrap up in a few months with his death."

"And Miss Field?"

"And what about Miss Field?"

"If she is not dead by this time she will recover. Wait a minute." He went into the next room and they heard the telephone bell jingle. After a time he came out. "She will recover," he said. "Good-afternoon."

"If she isn't dead by now, she'll be okay. Just a minute." He went into the next room, and they heard the phone ring. After a while, he came back out. "She'll be fine," he said. "Good afternoon."

Wonderingly, Hutchinson Hatch, reporter, and Detective Mallory passed down the street together.

Wondering, reporter Hutchinson Hatch and Detective Mallory walked down the street together.





THE END







        
        
    
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