This is a modern-English version of The Secret Rose, originally written by Yeats, W. B. (William Butler).
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and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
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THE SECRET ROSE
By W.B. Yeats
As for living, our servants will do that for us.—Villiers de L'Isle Adam.
As for living, our staff will take care of that for us.—Villiers de L'Isle Adam.
Helen, when she looked in her mirror, seeing the withered wrinkles made in her face by old age, wept, and wondered why she had twice been carried away.—Leonardo da Vinci.
Helen, when she looked in her mirror and saw the withered wrinkles of old age on her face, cried and wondered why she had been taken away twice. –Leonardo da Vinci.
My dear A.E.—I dedicate this book to you because, whether you think it well or ill written, you will sympathize with the sorrows and the ecstasies of its personages, perhaps even more than I do myself. Although I wrote these stories at different times and in different manners, and without any definite plan, they have but one subject, the war of spiritual with natural order; and how can I dedicate such a book to anyone but to you, the one poet of modern Ireland who has moulded a spiritual ecstasy into verse? My friends in Ireland sometimes ask me when I am going to write a really national poem or romance, and by a national poem or romance I understand them to mean a poem or romance founded upon some famous moment of Irish history, and built up out of the thoughts and feelings which move the greater number of patriotic Irishmen. I on the other hand believe that poetry and romance cannot be made by the most conscientious study of famous moments and of the thoughts and feelings of others, but only by looking into that little, infinite, faltering, eternal flame that we call ourselves. If a writer wishes to interest a certain people among whom he has grown up, or fancies he has a duty towards them, he may choose for the symbols of his art their legends, their history, their beliefs, their opinions, because he has a right to choose among things less than himself, but he cannot choose among the substances of art. So far, however, as this book is visionary it is Irish for Ireland, which is still predominantly Celtic, has preserved with some less excellent things a gift of vision, which has died out among more hurried and more successful nations: no shining candelabra have prevented us from looking into the darkness, and when one looks into the darkness there is always something there.
My dear A.E.—I dedicate this book to you because, whether you think it’s well or poorly written, you will connect with the sorrows and joys of its characters, maybe even more than I do. Although I wrote these stories at different times and in different styles, and without any specific plan, they all focus on one theme: the conflict between the spiritual and the natural order. How could I dedicate such a book to anyone but you, the one poet of modern Ireland who has turned spiritual ecstasy into verse? My friends in Ireland sometimes ask me when I will write a truly national poem or romance, and by that, I believe they mean a poem or romance based on some significant moment in Irish history, drawing from the thoughts and feelings that resonate with most patriotic Irish people. I, however, believe that poetry and romance can't be created just by meticulously studying famous moments and the feelings of others, but only by looking into that small, infinite, flickering, eternal flame we call ourselves. If a writer wants to engage a particular audience they grew up with, or feels a responsibility to them, they might choose symbols from their legends, history, beliefs, and opinions because they have every right to choose from things less than themselves, but they cannot choose the essence of art. As far as this book is visionary, it is Irish for Ireland, which is still mostly Celtic and has maintained, along with some less admirable qualities, a gift of vision that has faded away among more hurried and successful nations: no gleaming candelabra have kept us from peering into the darkness, and when you look into the darkness, there’s always something there.
W.B. YEATS.
CONTENTS
TABLE OF CONTENTS
TO THE SECRET ROSE
Far off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee at the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids heavy with the sleep Men have named beauty. Your great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the Pierced Hands and Rood of Elder rise In druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew, By a grey shore where the wind never blew, And lost the world and Emir for a kiss; And him who drove the gods out of their liss And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods; And him who sold tillage and house and goods, And sought through lands and islands numberless years Until he found with laughter and with tears A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I too await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far off, most secret, and inviolate Rose?
Far away, most secret, and untouched Rose, Wrap me up in my time of need; where those Who sought you at the Holy Sepulchre, Or in the wine barrel, exist beyond the chaos And turmoil of broken dreams; and deep Among pale eyelids weighed down with the sleep People have called beauty. Your vast leaves envelop The ancient beards, the helmets of ruby and gold Of the crowned Magi; and the king whose eyes Saw the Pierced Hands and the Cross of Elder rise In druid mist and dim the torches; Until futile madness stirred and he died; and him Who encountered Fand walking among glowing dew, By a grey shore where the wind never blew, And lost the world and his lord for a kiss; And him who drove the gods out of their refuge And until a hundred mornings had bloomed red Feasted, and wept for the mounds of his dead; And the proud dreaming king who cast away the crown And sorrow, and calling bard and jester Lived among wine-stained wanderers in deep woods; And him who sold his farm and home and possessions, And searched through countless lands and islands for years Until he found, with laughter and tears, A woman of such incredible beauty That men threshed grain at midnight for a lock, A little stolen lock. I too await The time of your great wind of love and hate. When will the stars be scattered across the sky, Like sparks flying out of a forge, and die? Surely your time has come, your great wind blows, Far away, most secret, and untouched Rose?
THE CRUCIFIXION OF THE OUTCAST.
A man, with thin brown hair and a pale face, half ran, half walked, along the road that wound from the south to the town of Sligo. Many called him Cumhal, the son of Cormac, and many called him the Swift, Wild Horse; and he was a gleeman, and he wore a short parti-coloured doublet, and had pointed shoes, and a bulging wallet. Also he was of the blood of the Ernaans, and his birth-place was the Field of Gold; but his eating and sleeping places where the four provinces of Eri, and his abiding place was not upon the ridge of the earth. His eyes strayed from the Abbey tower of the White Friars and the town battlements to a row of crosses which stood out against the sky upon a hill a little to the eastward of the town, and he clenched his fist, and shook it at the crosses. He knew they were not empty, for the birds were fluttering about them; and he thought how, as like as not, just such another vagabond as himself was hanged on one of them; and he muttered: 'If it were hanging or bowstringing, or stoning or beheading, it would be bad enough. But to have the birds pecking your eyes and the wolves eating your feet! I would that the red wind of the Druids had withered in his cradle the soldier of Dathi, who brought the tree of death out of barbarous lands, or that the lightning, when it smote Dathi at the foot of the mountain, had smitten him also, or that his grave had been dug by the green-haired and green-toothed merrows deep at the roots of the deep sea.'
A man with thin brown hair and a pale face half-ran, half-walked along the road that wound from the south to the town of Sligo. Many called him Cumhal, son of Cormac, and others called him the Swift, Wild Horse; he was a gleeman, wearing a short, multi-colored doublet, pointed shoes, and carrying a bulging wallet. He was also of the blood of the Ernaans, born in the Field of Gold, but he ate and slept across the four provinces of Eri, and his home wasn't on the ridge of the earth. His eyes wandered from the Abbey tower of the White Friars and the town walls to a row of crosses standing out against the sky on a hill a little east of the town. He clenched his fist and shook it at the crosses. He knew they weren't empty, as birds were fluttering around them, and he thought how, just like him, another vagabond might have been hanged on one of them; and he muttered, "Whether it's hanging, strangling, stoning, or beheading, it would be bad enough. But to have the birds pecking your eyes and the wolves gnawing at your feet! I wish the red wind of the Druids had withered the soldier of Dathi in his cradle, the one who brought the tree of death from barbarous lands, or that the lightning that struck Dathi at the foot of the mountain had hit him too, or that his grave had been dug by the green-haired, green-toothed merrows deep at the roots of the sea."
While he spoke, he shivered from head to foot, and the sweat came out upon his face, and he knew not why, for he had looked upon many crosses. He passed over two hills and under the battlemented gate, and then round by a left-hand way to the door of the Abbey. It was studded with great nails, and when he knocked at it, he roused the lay brother who was the porter, and of him he asked a place in the guest-house. Then the lay brother took a glowing turf on a shovel, and led the way to a big and naked outhouse strewn with very dirty rushes; and lighted a rush-candle fixed between two of the stones of the wall, and set the glowing turf upon the hearth and gave him two unlighted sods and a wisp of straw, and showed him a blanket hanging from a nail, and a shelf with a loaf of bread and a jug of water, and a tub in a far corner. Then the lay brother left him and went back to his place by the door. And Cumhal the son of Cormac began to blow upon the glowing turf that he might light the two sods and the wisp of straw; but the sods and the straw would not light, for they were damp. So he took off his pointed shoes, and drew the tub out of the corner with the thought of washing the dust of the highway from his feet; but the water was so dirty that he could not see the bottom. He was very hungry, for he had not eaten all that day; so he did not waste much anger upon the tub, but took up the black loaf, and bit into it, and then spat out the bite, for the bread was hard and mouldy. Still he did not give way to his anger, for he had not drunken these many hours; having a hope of heath beer or wine at his day's end, he had left the brooks untasted, to make his supper the more delightful. Now he put the jug to his lips, but he flung it from him straightway, for the water was bitter and ill-smelling. Then he gave the jug a kick, so that it broke against the opposite wall, and he took down the blanket to wrap it about him for the night. But no sooner did he touch it than it was alive with skipping fleas. At this, beside himself with anger, he rushed to the door of the guest-house, but the lay brother, being well accustomed to such outcries, had locked it on the outside; so he emptied the tub and began to beat the door with it, till the lay brother came to the door and asked what ailed him, and why he woke him out of sleep. 'What ails me!' shouted Cumhal, 'are not the sods as wet as the sands of the Three Rosses? and are not the fleas in the blanket as many as the waves of the sea and as lively? and is not the bread as hard as the heart of a lay brother who has forgotten God? and is not the water in the jug as bitter and as ill-smelling as his soul? and is not the foot-water the colour that shall be upon him when he has been charred in the Undying Fires?' The lay brother saw that the lock was fast, and went back to his niche, for he was too sleepy to talk with comfort. And Cumhal went on beating at the door, and presently he heard the lay brother's foot once more, and cried out at him, 'O cowardly and tyrannous race of friars, persecutors of the bard and the gleeman, haters of life and joy! O race that does not draw the sword and tell the truth! O race that melts the bones of the people with cowardice and with deceit!'
While he talked, he shivered all over, sweat pouring down his face, not knowing why, since he had seen many crosses. He crossed two hills and went under the fortified gate, then took a left to the Abbey door. It was covered in big nails, and when he knocked, he woke the lay brother who acted as the porter, asking for a spot in the guest house. The lay brother picked up a glowing piece of turf on a shovel and led him to a large, bare outbuilding scattered with filthy rushes. He lit a rush candle fixed between two stones of the wall, placed the glowing turf on the hearth, and handed him two unlit sods and a bunch of straw. He pointed out a blanket hanging from a nail, a shelf with a loaf of bread and a jug of water, and a tub in a corner. Then the lay brother left and went back to his spot by the door. Cumhal, son of Cormac, started blowing on the glowing turf to light the sods and straw, but they wouldn't catch because they were damp. He took off his pointed shoes and dragged the tub out of the corner, planning to wash the dust off his feet, but the water was so dirty he couldn't see the bottom. He was very hungry, having not eaten all day, so he didn't get too angry about the tub; instead, he picked up the black loaf, took a bite, and immediately spat it out because the bread was hard and moldy. Still, he held back his anger since he hadn't had a drink for hours, hoping for some health beer or wine by day's end and leaving the brooks untested to make his supper more enjoyable. He raised the jug to his lips but tossed it away right after because the water was bitter and smelled bad. He kicked the jug, breaking it against the wall, then grabbed the blanket to wrap around himself for the night, but as soon as he touched it, he found it crawling with fleas. Furious, he rushed to the guest house door, but the lay brother, used to such outbursts, had locked it from the outside. So Cumhal dumped the tub and began banging the door with it until the lay brother came and asked what was wrong, wanting to know why he had been woken from sleep. ‘What’s wrong with me!’ shouted Cumhal, ‘aren't the sods as wet as the sands of the Three Rosses? Aren't the fleas in the blanket as numerous as the waves of the sea and just as lively? Isn’t the bread as hard as a lay brother’s heart who has forgotten God? Isn’t the water in the jug as bitter and smelly as his soul? And isn’t the foot water the color he’ll turn when he’s charred in the Undying Fires?’ The lay brother saw the lock was secure and returned to his spot, too sleepy to respond comfortably. Cumhal continued banging on the door and soon heard the lay brother’s footsteps again, yelling at him, ‘Oh cowardly, tyrannical race of friars, persecutors of bards and gleemen, haters of life and joy! Oh race that won’t draw the sword and speak the truth! Oh race that crushes people's bones with cowardice and deceit!’
'Gleeman,' said the lay brother, 'I also make rhymes; I make many while I sit in my niche by the door, and I sorrow to hear the bards railing upon the friars. Brother, I would sleep, and therefore I make known to you that it is the head of the monastery, our gracious abbot, who orders all things concerning the lodging of travellers.'
'Gleeman,' said the lay brother, 'I also write rhymes; I create many while I sit in my spot by the door, and I feel sad to hear the bards criticizing the friars. Brother, I would like to rest, so I want to let you know that it's the head of the monastery, our kind abbot, who decides everything about the accommodations for travelers.'
'You may sleep,' said Cumhal, 'I will sing a bard's curse on the abbot. 'And he set the tub upside down under the window, and stood upon it, and began to sing in a very loud voice. The singing awoke the abbot, so that he sat up in bed and blew a silver whistle until the lay brother came to him. 'I cannot get a wink of sleep with that noise,' said the abbot. 'What is happening?'
'You can sleep,' said Cumhal, 'I'll place a bard's curse on the abbot. 'And he flipped the tub over under the window, stood on it, and started singing loudly. The singing woke the abbot, causing him to sit up in bed and blow a silver whistle until the lay brother came to him. 'I can't get a moment of sleep with that racket,' said the abbot. 'What’s going on?'
'It is a gleeman,' said the lay brother, 'who complains of the sods, of the bread, of the water in the jug, of the foot-water, and of the blanket. And now he is singing a bard's curse upon you, O brother abbot, and upon your father and your mother, and your grandfather and your grandmother, and upon all your relations.'
'It's a minstrel,' said the lay brother, 'who's complaining about the dirt, the bread, the water in the jug, the footbath, and the blanket. And now he's singing a bard's curse on you, O brother abbot, and on your father and mother, and your grandparents, and on all your relatives.'
'Is he cursing in rhyme?'
'Is he cursing in verse?'
'He is cursing in rhyme, and with two assonances in every line of his curse.'
'He is cursing in rhyme, with two assonances in every line of his curse.'
The abbot pulled his night-cap off and crumpled it in his hands, and the circular brown patch of hair in the middle of his bald head looked like an island in the midst of a pond, for in Connaught they had not yet abandoned the ancient tonsure for the style then coming into use. 'If we do not somewhat,' he said, 'he will teach his curses to the children in the street, and the girls spinning at the doors, and to the robbers upon Ben Bulben.'
The abbot took off his nightcap and crumpled it in his hands, and the round brown patch of hair in the center of his bald head resembled an island in a pond, because in Connaught they hadn’t yet switched from the old tonsure to the new style that was becoming popular. "If we don’t do something," he said, "he’ll teach his curses to the kids in the street, the girls spinning at the doors, and the thieves on Ben Bulben."
'Shall I go, then,' said the other, 'and give him dry sods, a fresh loaf, clean water in a jug, clean foot-water, and a new blanket, and make him swear by the blessed Saint Benignus, and by the sun and moon, that no bond be lacking, not to tell his rhymes to the children in the street, and the girls spinning at the doors, and the robbers upon Ben Bulben?'
'Should I go, then,' said the other, 'and give him dry grass, a fresh loaf, clean water in a jug, clean water for washing his feet, and a new blanket, and make him swear by the blessed Saint Benignus, and by the sun and moon, that he won't leave anything out, and that he won't share his rhymes with the kids in the street, the girls spinning at the doors, and the thieves on Ben Bulben?'
'Neither our Blessed Patron nor the sun and moon would avail at all,' said the abbot; 'for to-morrow or the next day the mood to curse would come upon him, or a pride in those rhymes would move him, and he would teach his lines to the children, and the girls, and the robbers. Or else he would tell another of his craft how he fared in the guest-house, and he in his turn would begin to curse, and my name would wither. For learn there is no steadfastness of purpose upon the roads, but only under roofs and between four walls. Therefore I bid you go and awaken Brother Kevin, Brother Dove, Brother Little Wolf, Brother Bald Patrick, Brother Bald Brandon, Brother James and Brother Peter. And they shall take the man, and bind him with ropes, and dip him in the river that he shall cease to sing. And in the morning, lest this but make him curse the louder, we will crucify him.'
'Neither our Blessed Patron nor the sun and moon will help at all,' said the abbot. 'Because tomorrow or the next day, the urge to curse will hit him, or his pride in those rhymes will take over, and he'll start teaching his lines to the kids, the girls, and the robbers. Or, he might tell another craftsman about his experience in the guest-house, and that guy will start cursing too, and my name will fade away. So you should know that there’s no consistency on the roads, only under roofs and within four walls. Therefore, I'm asking you to go and wake up Brother Kevin, Brother Dove, Brother Little Wolf, Brother Bald Patrick, Brother Bald Brandon, Brother James, and Brother Peter. They will take the man, tie him up with ropes, and dunk him in the river so he'll stop singing. And in the morning, to make sure he doesn’t just curse louder, we will crucify him.'
'The crosses are all full,' said the lay brother.
'All the crosses are full,' said the lay brother.
'Then we must make another cross. If we do not make an end of him another will, for who can eat and sleep in peace while men like him are going about the world? Ill should we stand before blessed Saint Benignus, and sour would be his face when he comes to judge us at the Last Day, were we to spare an enemy of his when we had him under our thumb! Brother, the bards and the gleemen are an evil race, ever cursing and ever stirring up the people, and immoral and immoderate in all things, and heathen in their hearts, always longing after the Son of Lir, and Aengus, and Bridget, and the Dagda, and Dana the Mother, and all the false gods of the old days; always making poems in praise of those kings and queens of the demons, Finvaragh, whose home is under Cruachmaa, and Red Aodh of Cnocna-Sidhe, and Cleena of the Wave, and Aoibhell of the Grey Rock, and him they call Donn of the Vats of the Sea; and railing against God and Christ and the blessed Saints.' While he was speaking he crossed himself, and when he had finished he drew the nightcap over his ears, to shut out the noise, and closed his eyes, and composed himself to sleep.
'Then we need to make another cross. If we don’t put an end to him, someone else will, because who can eat and sleep peacefully while people like him are roaming the world? We wouldn’t want to stand before blessed Saint Benignus, and he would have a sour face when he judges us on the Last Day if we spared an enemy when we had him in our grasp! Brother, the bards and the gleemen are a wicked bunch, always cursing and stirring up the crowd, excessive and immoral in everything, and heathen at heart, always longing for the Son of Lir, Aengus, Bridget, the Dagda, Dana the Mother, and all the false gods of the old days; constantly composing poems praising those kings and queens of the demons, Finvaragh, who lives under Cruachmaa, Red Aodh of Cnocna-Sidhe, Cleena of the Wave, Aoibhell of the Grey Rock, and the one they call Donn of the Vats of the Sea; and insulting God, Christ, and the blessed Saints.' While he spoke, he crossed himself, and when he finished, he pulled the nightcap over his ears to block out the noise, closed his eyes, and settled in to sleep.
The lay brother found Brother Kevin, Brother Dove, Brother Little Wolf, Brother Bald Patrick, Brother Bald Brandon, Brother James and Brother Peter sitting up in bed, and he made them get up. Then they bound Cumhal, and they dragged him to the river, and they dipped him in it at the place which was afterwards called Buckley's Ford.
The lay brother found Brother Kevin, Brother Dove, Brother Little Wolf, Brother Bald Patrick, Brother Bald Brandon, Brother James, and Brother Peter sitting up in bed, and he made them get up. Then they tied up Cumhal and dragged him to the river, where they dunked him at the spot that would later be called Buckley's Ford.
'Gleeman,' said the lay brother, as they led him back to the guest-house, 'why do you ever use the wit which God has given you to make blasphemous and immoral tales and verses? For such is the way of your craft. I have, indeed, many such tales and verses well nigh by rote, and so I know that I speak true! And why do you praise with rhyme those demons, Finvaragh, Red Aodh, Cleena, Aoibhell and Donn? I, too, am a man of great wit and learning, but I ever glorify our gracious abbot, and Benignus our Patron, and the princes of the province. My soul is decent and orderly, but yours is like the wind among the salley gardens. I said what I could for you, being also a man of many thoughts, but who could help such a one as you?'
'Gleeman,' said the lay brother as they took him back to the guest-house, 'why do you use the talent God has given you to create blasphemous and immoral stories and verses? That's what your craft is all about. I know many such tales and verses almost by heart, so I know I'm speaking the truth! And why do you praise those demons, Finvaragh, Red Aodh, Cleena, Aoibhell, and Donn in your rhymes? I'm also a person of great wit and knowledge, but I always honor our gracious abbot, Benignus our Patron, and the leaders of the province. My soul is orderly and proper, but yours is like the wind blowing through the willow gardens. I said what I could for you, since I'm also a thinker, but who can help someone like you?'
'Friend,' answered the gleeman, 'my soul is indeed like the wind, and it blows me to and fro, and up and down, and puts many things into my mind and out of my mind, and therefore am I called the Swift, Wild Horse.' And he spoke no more that night, for his teeth were chattering with the cold.
"Friend," replied the musician, "my soul is truly like the wind; it moves me this way and that, up and down, bringing many thoughts to my mind and then taking them away again. That’s why I’m known as the Swift, Wild Horse." And he said no more that night because he was shivering from the cold.
The abbot and the friars came to him in the morning, and bade him get ready to be crucified, and led him out of the guest-house. And while he still stood upon the step a flock of great grass-barnacles passed high above him with clanking cries. He lifted his arms to them and said, 'O great grass-barnacles, tarry a little, and mayhap my soul will travel with you to the waste places of the shore and to the ungovernable sea!' At the gate a crowd of beggars gathered about them, being come there to beg from any traveller or pilgrim who might have spent the night in the guest-house. The abbot and the friars led the gleeman to a place in the woods at some distance, where many straight young trees were growing, and they made him cut one down and fashion it to the right length, while the beggars stood round them in a ring, talking and gesticulating. The abbot then bade him cut off another and shorter piece of wood, and nail it upon the first. So there was his cross for him; and they put it upon his shoulder, for his crucifixion was to be on the top of the hill where the others were. A half-mile on the way he asked them to stop and see him juggle for them; for he knew, he said, all the tricks of Aengus the Subtle-hearted. The old friars were for pressing on, but the young friars would see him: so he did many wonders for them, even to the drawing of live frogs out of his ears. But after a while they turned on him, and said his tricks were dull and a shade unholy, and set the cross on his shoulders again. Another half-mile on the way, and he asked them to stop and hear him jest for them, for he knew, he said, all the jests of Conan the Bald, upon whose back a sheep's wool grew. And the young friars, when they had heard his merry tales, again bade him take up his cross, for it ill became them to listen to such follies. Another half-mile on the way, he asked them to stop and hear him sing the story of White-breasted Deirdre, and how she endured many sorrows, and how the sons of Usna died to serve her. And the young friars were mad to hear him, but when he had ended they grew angry, and beat him for waking forgotten longings in their hearts. So they set the cross upon his back and hurried him to the hill.
The abbot and the friars came to him in the morning and told him to get ready to be crucified, leading him out of the guest house. While he stood on the steps, a flock of large grass-barnacles flew overhead making clanking noises. He raised his arms to them and said, "O great grass-barnacles, wait a moment, and maybe my soul will travel with you to the desolate shores and the wild sea!" At the gate, a crowd of beggars gathered around them, having come to ask for help from any travelers or pilgrims who might have spent the night in the guest house. The abbot and the friars led the entertainer to a spot in the woods some distance away, where many tall young trees were growing. They made him cut one down and shape it to the right length while the beggars stood in a circle around them, chatting and gesturing. The abbot then instructed him to cut off another shorter piece of wood and nail it onto the first one. So there was his cross; they placed it on his shoulder, as his crucifixion was to be on the top of the hill where the others were. After walking half a mile, he asked them to stop and watch him perform tricks, claiming he knew all the tricks of Aengus the Subtle-hearted. The older friars wanted to keep going, but the younger friars insisted on watching him, so he entertained them with many wonders, even pulling live frogs from his ears. But after a while, they turned on him and said his tricks were boring and somewhat inappropriate, and they set the cross back on his shoulders. After another half-mile, he asked them to stop and let him tell jokes, claiming he knew all the jokes of Conan the Bald, whose back grew sheep's wool. The young friars, after hearing his funny stories, again told him to take up his cross, as it was unbecoming for them to listen to such nonsense. After yet another half-mile, he asked them to stop and hear him sing the tale of White-breasted Deirdre, how she endured many sorrows, and how the sons of Usna died for her. The young friars were eager to hear him, but once he finished, they became angry and beat him for stirring up forgotten longings in their hearts. So, they put the cross on his back and hurried him to the hill.
When he was come to the top, they took the cross from him, and began to dig a hole to stand it in, while the beggars gathered round, and talked among themselves. 'I ask a favour before I die,' says Cumhal.
When he reached the top, they took the cross from him and started digging a hole to plant it in, while the beggars gathered around and chatted amongst themselves. 'I have one request before I die,' says Cumhal.
'We will grant you no more delays,' says the abbot.
'We won't give you any more extensions,' says the abbot.
'I ask no more delays, for I have drawn the sword, and told the truth, and lived my vision, and am content.'
'I ask for no more delays, because I have drawn the sword, spoken the truth, lived my vision, and I'm satisfied.'
'Would you, then, confess?'
'Will you confess, then?'
'By sun and moon, not I; I ask but to be let eat the food I carry in my wallet. I carry food in my wallet whenever I go upon a journey, but I do not taste of it unless I am well-nigh starved. I have not eaten now these two days.'
'By sun and moon, not me; I just want to be allowed to eat the food I have in my wallet. I keep food in my wallet whenever I travel, but I only eat it when I'm almost starving. I haven't eaten for the last two days.'
'You may eat, then,' says the abbot, and he turned to help the friars dig the hole.
'You can eat now,' says the abbot, and he turned to help the friars dig the hole.
The gleeman took a loaf and some strips of cold fried bacon out of his wallet and laid them upon the ground. 'I will give a tithe to the poor,' says he, and he cut a tenth part from the loaf and the bacon. 'Who among you is the poorest?' And thereupon was a great clamour, for the beggars began the history of their sorrows and their poverty, and their yellow faces swayed like Gara Lough when the floods have filled it with water from the bogs.
The storyteller pulled out a loaf of bread and some cold strips of bacon from his bag and placed them on the ground. "I will give a tenth to the poor," he said, cutting off a portion from both the bread and the bacon. "Who among you is the most in need?" This sparked a loud outcry as the beggars began sharing their stories of hardship and poverty, their haggard faces swaying like the surface of Gara Lough when it's filled with water from the bogs.
He listened for a little, and, says he, 'I am myself the poorest, for I have travelled the bare road, and by the edges of the sea; and the tattered doublet of particoloured cloth upon my back and the torn pointed shoes upon my feet have ever irked me, because of the towered city full of noble raiment which was in my heart. And I have been the more alone upon the roads and by the sea because I heard in my heart the rustling of the rose-bordered dress of her who is more subtle than Aengus, the Subtle-hearted, and more full of the beauty of laughter than Conan the Bald, and more full of the wisdom of tears than White-breasted Deirdre, and more lovely than a bursting dawn to them that are lost in the darkness. Therefore, I award the tithe to myself; but yet, because I am done with all things, I give it unto you.'
He listened for a bit and then said, "I am the poorest of all, for I have traveled the desolate roads and walked by the seaside; the tattered multicolored coat on my back and the torn pointed shoes on my feet have always bothered me, because in my heart I long for the grand city filled with fine clothing. I have felt even more alone on the roads and by the sea because I hear in my heart the whisper of the rose-edged dress of the one who is more clever than Aengus, the Subtle-hearted, more beautiful in her laughter than Conan the Bald, wiser in her tears than White-breasted Deirdre, and more radiant than a breaking dawn to those lost in darkness. So, I claim the first share for myself; but since I am done with everything, I give it to you."
So he flung the bread and the strips of bacon among the beggars, and they fought with many cries until the last scrap was eaten. But meanwhile the friars nailed the gleeman to his cross, and set it upright in the hole, and shovelled the earth in at the foot, and trampled it level and hard. So then they went away, but the beggars stared on, sitting round the cross. But when the sun was sinking, they also got up to go, for the air was getting chilly. And as soon as they had gone a little way, the wolves, who had been showing themselves on the edge of a neighbouring coppice, came nearer, and the birds wheeled closer and closer. 'Stay, outcasts, yet a little while,' the crucified one called in a weak voice to the beggars, 'and keep the beasts and the birds from me.' But the beggars were angry because he had called them outcasts, so they threw stones and mud at him, and went their way. Then the wolves gathered at the foot of the cross, and the birds flew lower and lower. And presently the birds lighted all at once upon his head and arms and shoulders, and began to peck at him, and the wolves began to eat his feet. 'Outcasts,' he moaned, 'have you also turned against the outcast?'
So he tossed the bread and strips of bacon among the beggars, and they scrambled for it with loud cries until the last piece was gone. Meanwhile, the friars nailed the gleeman to his cross, raised it upright in the hole, shoveled dirt in at the base, and stamped it down until it was level and firm. After that, they walked away, while the beggars continued to stare, sitting around the cross. But as the sun began to set, they got up to leave since the air was getting chilly. As soon as they were a little way off, the wolves, which had been lurking at the edge of a nearby thicket, moved closer, and the birds circled in tighter. "Stay, outcasts, just a little longer," the crucified man called weakly to the beggars, "and keep the beasts and the birds away from me." But the beggars were upset that he had called them outcasts, so they threw stones and mud at him and walked away. Then the wolves gathered at the foot of the cross, and the birds flew lower and lower. Soon the birds all landed at once on his head, arms, and shoulders, starting to peck at him, while the wolves began to gnaw at his feet. "Outcasts," he groaned, "have you also turned against the outcast?"
OUT OF THE ROSE.
One winter evening an old knight in rusted chain-armour rode slowly along the woody southern slope of Ben Bulben, watching the sun go down in crimson clouds over the sea. His horse was tired, as after a long journey, and he had upon his helmet the crest of no neighbouring lord or king, but a small rose made of rubies that glimmered every moment to a deeper crimson. His white hair fell in thin curls upon his shoulders, and its disorder added to the melancholy of his face, which was the face of one of those who have come but seldom into the world, and always for its trouble, the dreamers who must do what they dream, the doers who must dream what they do.
One winter evening, an old knight in rusty chainmail rode slowly along the wooded southern slope of Ben Bulben, watching the sun set in crimson clouds over the sea. His horse was exhausted from a long journey, and he wore a helmet without the crest of any nearby lord or king, just a small rose made of rubies that shimmered with a deeper crimson every moment. His white hair fell in thin curls around his shoulders, and its disarray added to the sadness of his face, which looked like that of someone who rarely enters the world, and always finds it troubling—dreamers who must make their dreams a reality, and doers who must dream about their actions.
After gazing a while towards the sun, he let the reins fall upon the neck of his horse, and, stretching out both arms towards the west, he said, 'O Divine Rose of Intellectual Flame, let the gates of thy peace be opened to me at last!' And suddenly a loud squealing began in the woods some hundreds of yards further up the mountain side. He stopped his horse to listen, and heard behind him a sound of feet and of voices. 'They are beating them to make them go into the narrow path by the gorge,' said someone, and in another moment a dozen peasants armed with short spears had come up with the knight, and stood a little apart from him, their blue caps in their hands. Where do you go with the spears?' he asked; and one who seemed the leader answered: 'A troop of wood-thieves came down from the hills a while ago and carried off the pigs belonging to an old man who lives by Glen Car Lough, and we turned out to go after them. Now that we know they are four times more than we are, we follow to find the way they have taken; and will presently tell our story to De Courcey, and if he will not help us, to Fitzgerald; for De Courcey and Fitzgerald have lately made a peace, and we do not know to whom we belong.'
After looking at the sun for a while, he let the reins drop onto his horse's neck. Stretching out both arms to the west, he said, 'O Divine Rose of Intellectual Flame, please open the gates of your peace to me at last!' Suddenly, a loud squealing started in the woods a few hundred yards up the mountainside. He stopped his horse to listen and heard footsteps and voices behind him. 'They’re trying to drive them into the narrow path by the gorge,' someone said, and in a moment, a dozen peasants armed with short spears approached the knight, standing a little apart from him, their blue caps in hand. 'Where are you going with those spears?' he asked, and one who appeared to be the leader replied, 'A gang of wood-thieves came down from the hills a while ago and stole some pigs from an old man who lives by Glen Car Lough, so we set out to chase them. Now that we see they outnumber us four to one, we’re following to find out which way they went; soon we’ll tell our story to De Courcey, and if he won’t help us, we’ll go to Fitzgerald. De Courcey and Fitzgerald recently made a peace, and we're not sure who we’re aligned with now.'
'But by that time,' said the knight, 'the pigs will have been eaten.'
'But by that time,' said the knight, 'the pigs will have been eaten.'
'A dozen men cannot do more, and it was not reasonable that the whole valley should turn out and risk their lives for two, or for two dozen pigs.'
'A dozen men can't do any more, and it isn't fair for the entire valley to come out and put their lives at risk for two or for two dozen pigs.'
'Can you tell me,' said the knight, 'if the old man to whom the pigs belong is pious and true of heart?'
"Can you tell me," said the knight, "if the old man who owns the pigs is religious and genuine?"
'He is as true as another and more pious than any, for he says a prayer to a saint every morning before his breakfast.'
'He is just as honest as anyone else and more devoted than most, because he prays to a saint every morning before having his breakfast.'
'Then it were well to fight in his cause,' said the knight, 'and if you will fight against the wood-thieves I will take the main brunt of the battle, and you know well that a man in armour is worth many like these wood-thieves, clad in wool and leather.'
'Then it would be good to fight for his cause,' said the knight, 'and if you will fight against the wood-thieves, I will take the main force of the battle, and you know well that a man in armor is worth many of these wood-thieves, dressed in wool and leather.'
And the leader turned to his fellows and asked if they would take the chance; but they seemed anxious to get back to their cabins.
And the leader turned to his companions and asked if they would take the chance; but they appeared eager to return to their cabins.
'Are the wood-thieves treacherous and impious?'
'Are the wood-thieves deceitful and disrespectful?'
'They are treacherous in all their dealings,' said a peasant, 'and no man has known them to pray.'
'They are deceitful in everything they do,' said a peasant, 'and no one has seen them pray.'
'Then,' said the knight, 'I will give five crowns for the head of every wood-thief killed by us in the fighting'; and he bid the leader show the way, and they all went on together. After a time they came to where a beaten track wound into the woods, and, taking this, they doubled back upon their previous course, and began to ascend the wooded slope of the mountains. In a little while the path grew very straight and steep, and the knight was forced to dismount and leave his horse tied to a tree-stem. They knew they were on the right track: for they could see the marks of pointed shoes in the soft clay and mingled with them the cloven footprints of the pigs. Presently the path became still more abrupt, and they knew by the ending of the cloven foot-prints that the thieves were carrying the pigs. Now and then a long mark in the clay showed that a pig had slipped down, and been dragged along for a little way. They had journeyed thus for about twenty minutes, when a confused sound of voices told them that they were coming up with the thieves. And then the voices ceased, and they understood that they had been overheard in their turn. They pressed on rapidly and cautiously, and in about five minutes one of them caught sight of a leather jerkin half hidden by a hazel-bush. An arrow struck the knight's chain-armour, but glanced off harmlessly, and then a flight of arrows swept by them with the buzzing sound of great bees. They ran and climbed, and climbed and ran towards the thieves, who were now all visible standing up among the bushes with their still quivering bows in their hands: for they had only their spears and they must at once come hand to hand. The knight was in the front and smote down first one and then another of the wood-thieves. The peasants shouted, and, pressing on, drove the wood-thieves before them until they came out on the flat top of the mountain, and there they saw the two pigs quietly grubbing in the short grass, so they ran about them in a circle, and began to move back again towards the narrow path: the old knight coming now the last of all, and striking down thief after thief. The peasants had got no very serious hurts among them, for he had drawn the brunt of the battle upon himself, as could well be seen from the bloody rents in his armour; and when they came to the entrance of the narrow path he bade them drive the pigs down into the valley, while he stood there to guard the way behind them. So in a moment he was alone, and, being weak with loss of blood, might have been ended there and then by the wood-thieves he had beaten off, had fear not made them begone out of sight in a great hurry.
'Sure,' said the knight, 'I'll offer five crowns for the head of every wood-thief we take down in the fight.' He then told the leader to lead the way, and they all proceeded together. After a while, they reached a worn path that curled into the woods, and by following this, they turned back on their previous route, beginning to climb the forested slope of the mountains. Soon, the path became very straight and steep, forcing the knight to dismount and tie his horse to a tree. They knew they were on the right track because they could see the prints of pointed shoes in the soft clay, mixed with the cloven tracks of pigs. Soon, the path grew even steeper, and they noticed the cloven footprints ended, indicating that the thieves were hauling the pigs. Occasionally, they spotted a long mark in the clay showing that a pig had slipped and been dragged a bit. After about twenty minutes of this, they heard a mixed sound of voices indicating they were getting close to the thieves. Then the voices abruptly stopped, and they realized they had been detected. They hurried on, moving quickly but quietly, and in about five minutes, one of them spotted a leather jerkin partly hidden by a hazel bush. An arrow hit the knight's chain mail but bounced off harmlessly, and then a flurry of arrows whizzed past them, sounding like buzzing bees. They ran and climbed, pushing toward the thieves, who were now all visible among the bushes, holding their still quivering bows: they only had spears now and would have to fight up close. The knight led the charge and struck down one wood-thief after another. The peasants cheered as they pressed forward, driving the wood-thieves back until they reached the flat summit of the mountain, where they spotted two pigs happily rooting in the short grass. They circled around the pigs and started heading back towards the narrow path, with the old knight bringing up the rear, taking down thief after thief. The peasants had sustained few injuries since he bore most of the fight, as evidenced by the bloody tears in his armor. When they reached the narrow path's entrance, he instructed them to drive the pigs down into the valley while he held the way behind them. Soon, he found himself alone, and being weak from blood loss, he could have been done in by the wood-thieves he had just fought off, but fear made them flee quickly out of sight.
An hour passed, and they did not return; and now the knight could stand on guard no longer, but had to lie down upon the grass. A half-hour more went by, and then a young lad with what appeared to be a number of cock's feathers stuck round his hat, came out of the path behind him, and began to move about among the dead thieves, cutting their heads off, Then he laid the heads in a heap before the knight, and said: 'O great knight, I have been bid come and ask you for the crowns you promised for the heads: five crowns a head. They bid me tell you that they have prayed to God and His Mother to give you a long life, but that they are poor peasants, and that they would have the money before you die. They told me this over and over for fear I might forget it, and promised to beat me if I did.'
An hour went by, and they still hadn’t returned; now the knight could no longer stand guard and had to lie down on the grass. Half an hour later, a young boy with what looked like a bunch of rooster feathers around his hat came out of the path behind him and began to move among the dead thieves, cutting off their heads. Then he stacked the heads up in front of the knight and said, “O great knight, I’ve been sent to ask you for the crowns you promised for the heads: five crowns for each head. They asked me to tell you that they have prayed to God and His Mother for your long life, but they are poor peasants and would like the money before you die. They reminded me of this over and over, just in case I might forget, and they promised to beat me if I did.”
The knight raised himself upon his elbow, and opening a bag that hung to his belt, counted out the five crowns for each head. There were thirty heads in all.
The knight propped himself up on his elbow and opened a bag hanging from his belt, counting out five crowns for each head. There were a total of thirty heads.
'O great knight,' said the lad, 'they have also bid me take all care of you, and light a fire, and put this ointment upon your wounds.' And he gathered sticks and leaves together, and, flashing his flint and steel under a mass of dry leaves, had made a very good blaze. Then, drawing of the coat of mail, he began to anoint the wounds: but he did it clumsily, like one who does by rote what he had been told. The knight motioned him to stop, and said: 'You seem a good lad.'
'O great knight,' said the boy, 'they also told me to take care of you, light a fire, and put this ointment on your wounds.' He gathered sticks and leaves together, and, striking his flint and steel underneath a pile of dry leaves, managed to create a nice fire. Then, removing the coat of mail, he started to apply the ointment to the wounds, but he did it awkwardly, like someone following instructions he barely understood. The knight gestured for him to stop and said, 'You seem like a good kid.'
'I would ask something of you for myself.'
'I would like to ask you for something for myself.'
'There are still a few crowns,' said the knight; 'shall I give them to you?'
'There are still a few crowns,' said the knight; 'should I give them to you?'
'O no,' said the lad. 'They would be no good to me. There is only one thing that I care about doing, and I have no need of money to do it. I go from village to village and from hill to hill, and whenever I come across a good cock I steal him and take him into the woods, and I keep him there under a basket until I get another good cock, and then I set them to fight. The people say I am an innocent, and do not do me any harm, and never ask me to do any work but go a message now and then. It is because I am an innocent that they send me to get the crowns: anyone else would steal them; and they dare not come back themselves, for now that you are not with them they are afraid of the wood-thieves. Did you ever hear how, when the wood-thieves are christened, the wolves are made their god-fathers, and their right arms are not christened at all?'
"Oh no," said the boy. "They wouldn't do me any good. There's only one thing I'm really into, and I don’t need money for it. I travel from village to village and from hill to hill, and whenever I find a good rooster, I steal it and take it to the woods. I keep it under a basket until I find another good rooster, and then I set them to fight. People think I'm harmless, so they leave me alone and only ask me to run messages once in a while. They trust me to collect the crowns because I'm seen as innocent; anyone else would just steal them. They can't go back themselves since they're scared of the wood-thieves now that you're not with them. Did you ever hear that when the wood-thieves get baptized, the wolves are their godfathers, and they don't even baptize their right arms?"
'If you will not take these crowns, my good lad, I have nothing for you, I fear, unless you would have that old coat of mail which I shall soon need no more.'
'If you won’t take these crowns, my good lad, I’m afraid I have nothing for you, unless you’d like that old suit of armor that I won’t need anymore.'
'There was something I wanted: yes, I remember now,' said the lad. 'I want you to tell me why you fought like the champions and giants in the stories and for so little a thing. Are you indeed a man like us? Are you not rather an old wizard who lives among these hills, and will not a wind arise presently and crumble you into dust?'
'There was something I wanted: yeah, I remember now,' said the kid. 'I want you to tell me why you fought like the champions and giants in the stories and for such a small thing. Are you really a man like us? Aren't you more like an old wizard who lives in these hills, and isn't a wind going to come up soon and turn you to dust?'
'I will tell you of myself,' replied the knight, 'for now that I am the last of the fellowship, 'I may tell all and witness for God. Look at the Rose of Rubies on my helmet, and see the symbol of my life and of my hope.' And then he told the lad this story, but with always more frequent pauses; and, while he told it, the Rose shone a deep blood-colour in the firelight, and the lad stuck the cock's feathers in the earth in front of him, and moved them about as though he made them actors in the play.
"I'll share my story," the knight replied, "since I'm the last of the fellowship, I can speak freely and bear witness for God. Look at the Rose of Rubies on my helmet; it's a symbol of my life and my hope." Then he told the boy his story, though he made more and more pauses as he went on. While he spoke, the Rose glowed a deep red in the firelight, and the boy stuck the cock's feathers in the ground in front of him, moving them around as if he were directing the play.
'I live in a land far from this, and was one of the Knights of St. John,' said the old man; 'but I was one of those in the Order who always longed for more arduous labours in the service of the Most High. At last there came to us a knight of Palestine, to whom the truth of truths had been revealed by God Himself. He had seen a great Rose of Fire, and a Voice out of the Rose had told him how men would turn from the light of their own hearts, and bow down before outer order and outer fixity, and that then the light would cease, and none escape the curse except the foolish good man who could not, and the passionate wicked man who would not, think. Already, the Voice told him, the wayward light of the heart was shining out upon the world to keep it alive, with a less clear lustre, and that, as it paled, a strange infection was touching the stars and the hills and the grass and the trees with corruption, and that none of those who had seen clearly the truth and the ancient way could enter into the Kingdom of God, which is in the Heart of the Rose, if they stayed on willingly in the corrupted world; and so they must prove their anger against the Powers of Corruption by dying in the service of the Rose of God. While the Knight of Palestine was telling us these things we seemed to see in a vision a crimson Rose spreading itself about him, so that he seemed to speak out of its heart, and the air was filled with fragrance. By this we knew that it was the very Voice of God which spoke to us by the knight, and we gathered about him and bade him direct us in all things, and teach us how to obey the Voice. So he bound us with an oath, and gave us signs and words whereby we might know each other even after many years, and he appointed places of meeting, and he sent us out in troops into the world to seek good causes, and die in doing battle for them. At first we thought to die more readily by fasting to death in honour of some saint; but this he told us was evil, for we did it for the sake of death, and thus took out of the hands of God the choice of the time and manner of our death, and by so doing made His power the less. We must choose our service for its excellence, and for this alone, and leave it to God to reward us at His own time and in His own manner. And after this he compelled us to eat always two at a table to watch each other lest we fasted unduly, for some among us said that if one fasted for a love of the holiness of saints and then died, the death would be acceptable. And the years passed, and one by one my fellows died in the Holy Land, or in warring upon the evil princes of the earth, or in clearing the roads of robbers; and among them died the knight of Palestine, and at last I was alone. I fought in every cause where the few contended against the many, and my hair grew white, and a terrible fear lest I had fallen under the displeasure of God came upon me. But, hearing at last how this western isle was fuller of wars and rapine than any other land, I came hither, and I have found the thing I sought, and, behold! I am filled with a great joy.'
'I live in a distant land and was one of the Knights of St. John,' said the old man. 'But I was one of those in the Order who always desired more challenging tasks in the service of the Most High. Eventually, a knight from Palestine arrived among us, and to him, the ultimate truth had been revealed by God Himself. He had witnessed a great Rose of Fire, and a Voice from the Rose informed him how people would turn away from the light of their own hearts and bow down to external order and rigidity. It was revealed that then the light would fade, and none would escape the curse, except for the foolish good man who could not think and the passionate wicked man who would not think. The Voice told him that already the wandering light of the heart was shining upon the world, keeping it alive, albeit with a dimmer glow, and that as it diminished, a strange corruption was affecting the stars, the hills, the grass, and the trees, and that none who had clearly seen the truth and the ancient path could enter into the Kingdom of God, which lies in the Heart of the Rose, if they chose to stay willingly in the corrupted world. Therefore, they must express their anger against the Powers of Corruption by dying in the service of the Rose of God. While the Knight of Palestine shared these revelations, we seemed to see in a vision a crimson Rose spreading around him, making it appear as though he spoke from its heart, and the air was filled with fragrance. Through this, we understood that it was the very Voice of God speaking to us through the knight, and we gathered around him, asking him to guide us in all things and teach us how to follow the Voice. He bound us with an oath, provided us with signs and words to recognize each other even after many years, appointed meeting places, and sent us out in groups into the world to look for noble causes and to fight for them, even at the cost of our lives. Initially, we thought it would be easier to die by fasting in honor of some saint; however, he told us this was wrong because we were doing it for the sake of death itself, thus removing from God the choice of how and when we would die, which diminished His power. We must choose our service for its own merit and for that reason alone, leaving it to God to reward us in His own time and way. After this, he insisted we always eat in pairs to watch over each other to prevent undue fasting, as some among us believed that fasting out of love for the holiness of saints would make our death acceptable. Years went by, and one by one my companions perished in the Holy Land, or while battling the evil princes of the earth, or while clearing the roads of robbers; among them was the knight from Palestine, and eventually, I found myself alone. I fought for every cause where the few stood against the many, my hair turned white, and a terrible fear came over me, worrying that I had fallen out of favor with God. But hearing at last that this western isle was filled with wars and plundering more than any other land, I came here, and I have found what I sought, and behold! I am filled with great joy.'
Thereat he began to sing in Latin, and, while he sang, his voice grew fainter and fainter. Then his eyes closed, and his lips fell apart, and the lad knew he was dead. 'He has told me a good tale,' he said, 'for there was fighting in it, but I did not understand much of it, and it is hard to remember so long a story.'
There, he started to sing in Latin, and as he sang, his voice got softer and softer. Then his eyes shut, and his lips parted, and the boy realized he was dead. "He shared a good story with me," he said, "because it had fighting in it, but I didn’t understand much of it, and it’s hard to remember such a long story."
And, taking the knight's sword, he began to dig a grave in the soft clay. He dug hard, and a faint light of dawn had touched his hair and he had almost done his work when a cock crowed in the valley below. 'Ah,' he said, 'I must have that bird'; and he ran down the narrow path to the valley.
And, taking the knight's sword, he started to dig a grave in the soft clay. He worked hard, and a faint light of dawn had touched his hair, and he was almost finished with his task when a rooster crowed in the valley below. 'Ah,' he said, 'I need to get that bird'; and he ran down the narrow path to the valley.
THE WISDOM OF THE KING.
The High-Queen of the Island of Woods had died in childbirth, and her child was put to nurse with a woman who lived in a hut of mud and wicker, within the border of the wood. One night the woman sat rocking the cradle, and pondering over the beauty of the child, and praying that the gods might grant him wisdom equal to his beauty. There came a knock at the door, and she got up, not a little wondering, for the nearest neighbours were in the dun of the High-King a mile away; and the night was now late. 'Who is knocking?' she cried, and a thin voice answered, 'Open! for I am a crone of the grey hawk, and I come from the darkness of the great wood.' In terror she drew back the bolt, and a grey-clad woman, of a great age, and of a height more than human, came in and stood by the head of the cradle. The nurse shrank back against the wall, unable to take her eyes from the woman, for she saw by the gleaming of the firelight that the feathers of the grey hawk were upon her head instead of hair. But the child slept, and the fire danced, for the one was too ignorant and the other too full of gaiety to know what a dreadful being stood there. 'Open!' cried another voice, 'for I am a crone of the grey hawk, and I watch over his nest in the darkness of the great wood.' The nurse opened the door again, though her fingers could scarce hold the bolts for trembling, and another grey woman, not less old than the other, and with like feathers instead of hair, came in and stood by the first. In a little, came a third grey woman, and after her a fourth, and then another and another and another, until the hut was full of their immense bodies. They stood a long time in perfect silence and stillness, for they were of those whom the dropping of the sand has never troubled, but at last one muttered in a low thin voice: 'Sisters, I knew him far away by the redness of his heart under his silver skin'; and then another spoke: 'Sisters, I knew him because his heart fluttered like a bird under a net of silver cords '; and then another took up the word: 'Sisters, I knew him because his heart sang like a bird that is happy in a silver cage.' And after that they sang together, those who were nearest rocking the cradle with long wrinkled fingers; and their voices were now tender and caressing, now like the wind blowing in the great wood, and this was their song:
The High-Queen of the Island of Woods had died during childbirth, and her child was cared for by a woman living in a mud-and-wicker hut on the edge of the woods. One night, as the woman rocked the cradle and marveled at the child's beauty, she prayed for the gods to grant him wisdom to match it. Suddenly, there was a knock at the door. Curious, she got up, as the nearest neighbors were a mile away at the High-King's dun, and it was late. “Who’s knocking?” she called out, and a thin voice replied, “Open! I am a crone of the grey hawk, and I come from the darkness of the great wood.” Fearfully, she unlatched the door, and a grey-clad woman, extremely old and taller than normal, entered and stood by the cradle. The nurse pressed against the wall, unable to look away from this woman, who, in the firelight, had grey hawk feathers instead of hair. The child slept on, and the fire flickered, as both were too innocent and carefree to recognize the dreadful presence before them. “Open!” called another voice, “for I am a crone of the grey hawk, and I watch over his nest in the darkness of the great wood.” The nurse, trembling so much that she could barely manage the bolts, opened the door again, and another grey woman, just as old and feathered, stepped inside to stand next to the first. Soon a third grey woman arrived, then a fourth, and then more and more, until the hut was filled with their enormous figures. They stood silently for a long time, untouched by the passing of time, until finally one murmured in a thin voice, “Sisters, I recognized him from far away by the warmth of his heart beneath his silver skin.” Then another said, “Sisters, I knew him because his heart fluttered like a bird caught in a net of silver threads.” A third chimed in, “Sisters, I recognized him because his heart sang like a happy bird in a silver cage.” After that, they began to sing together, those closest rocking the cradle with long, wrinkled fingers; their voices alternating between gentle and soothing, and then like the wind weaving through the great wood, and this was their song:
Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till Time gutter away.
Out of sight is out of mind: For a long time, men and women, Stubborn in spirit and carefree in attitude, Have taken away our bread, Taken away our altar stone; Only hail, rain, and thunder remain, And red hearts turn to grey, Until time fades away.
When the song had died out, the crone who had first spoken, said: 'We have nothing more to do but to mix a drop of our blood into his blood.' And she scratched her arm with the sharp point of a spindle, which she had made the nurse bring to her, and let a drop of blood, grey as the mist, fall upon the lips of the child; and passed out into the darkness. Then the others passed out in silence one by one; and all the while the child had not opened his pink eyelids or the fire ceased to dance, for the one was too ignorant and the other too full of gaiety to know what great beings had bent over the cradle.
When the song had faded away, the old woman who had spoken first said, "We have nothing left to do but mix a drop of our blood with his." She scratched her arm with the sharp tip of a spindle that she had asked the nurse to bring her, letting a drop of blood, grey like the mist, fall onto the child’s lips, and then she stepped into the darkness. The others followed her out silently, one by one; all the while, the child didn’t open his pink eyelids, nor did the fire stop dancing, because he was too unaware, and the fire was too joyful, to realize what magnificent beings had leaned over his cradle.
When the crones were gone, the nurse came to her courage again, and hurried to the dun of the High-King, and cried out in the midst of the assembly hall that the Sidhe, whether for good or evil she knew not, had bent over the child that night; and the king and his poets and men of law, and his huntsmen, and his cooks, and his chief warriors went with her to the hut and gathered about the cradle, and were as noisy as magpies, and the child sat up and looked at them.
When the old women left, the nurse found her courage again and rushed to the High-King's fortress. She shouted in the middle of the gathering hall that the Sidhe, whether for good or bad she wasn't sure, had hovered over the child that night. The king, along with his poets, legal advisors, huntsmen, cooks, and top warriors, followed her to the hut and crowded around the cradle, making as much noise as magpies, while the child sat up and stared at them.
Two years passed over, and the king died fighting against the Fer Bolg; and the poets and the men of law ruled in the name of the child, but looked to see him become the master himself before long, for no one had seen so wise a child, and tales of his endless questions about the household of the gods and the making of the world went hither and thither among the wicker houses of the poor. Everything had been well but for a miracle that began to trouble all men; and all women, who, indeed, talked of it without ceasing. The feathers of the grey hawk had begun to grow in the child's hair, and though, his nurse cut them continually, in but a little while they would be more numerous than ever. This had not been a matter of great moment, for miracles were a little thing in those days, but for an ancient law of Eri that none who had any blemish of body could sit upon the throne; and as a grey hawk was a wild thing of the air which had never sat at the board, or listened to the songs of the poets in the light of the fire, it was not possible to think of one in whose hair its feathers grew as other than marred and blasted; nor could the people separate from their admiration of the wisdom that grew in him a horror as at one of unhuman blood. Yet all were resolved that he should reign, for they had suffered much from foolish kings and their own disorders, and moreover they desired to watch out the spectacle of his days; and no one had any other fear but that his great wisdom might bid him obey the law, and call some other, who had but a common mind, to reign in his stead.
Two years went by, and the king died fighting against the Fer Bolg; the poets and legal experts ruled in the name of the child but looked forward to him becoming the master himself soon, as no one had seen such a wise child. Stories of his endless questions about the household of the gods and the creation of the world spread through the simple homes of the poor. Everything was going well except for a troubling miracle that began to disturb everyone, especially the women, who talked about it endlessly. The feathers of the grey hawk had started to grow in the child's hair, and although his nurse cut them regularly, they quickly grew back even more plentiful than before. This wasn’t considered a big deal at first since miracles weren’t uncommon back then, but there was an ancient law in Eri that stated no one with a physical blemish could sit on the throne. Since a grey hawk was a wild creature that had never been part of human gatherings or listened to poets around the fire, it was hard to view a child with its feathers in his hair as anything but blemished and cursed. Yet, the people couldn't separate their admiration for his wisdom from their fear of something unnatural. Regardless, everyone was determined that he should reign because they had suffered greatly under foolish kings and their own chaos, and they were eager to witness the events of his reign. The only real worry anyone had was that his great wisdom might compel him to follow the law and appoint someone with an ordinary mind to rule in his place.
When the child was seven years old the poets and the men of law were called together by the chief poet, and all these matters weighed and considered. The child had already seen that those about him had hair only, and, though they had told him that they too had had feathers but had lost them because of a sin committed by their forefathers, they knew that he would learn the truth when he began to wander into the country round about. After much consideration they decreed a new law commanding every one upon pain of death to mingle artificially the feathers of the grey hawk into his hair; and they sent men with nets and slings and bows into the countries round about to gather a sufficiency of feathers. They decreed also that any who told the truth to the child should be flung from a cliff into the sea.
When the child turned seven, the chief poet gathered the poets and lawyers to discuss important matters. The child had already noticed that the people around him only had hair, and even though they claimed they once had feathers that were lost due to a sin by their ancestors, they knew he would discover the truth as he began to explore the surrounding countryside. After careful thought, they established a new law that mandated everyone, under penalty of death, to artificially blend the feathers of the gray hawk into their hair. They sent people out with nets, slings, and bows to collect enough feathers. They also declared that anyone who told the child the truth would be thrown off a cliff into the sea.
The years passed, and the child grew from childhood into boyhood and from boyhood into manhood, and from being curious about all things he became busy with strange and subtle thoughts which came to him in dreams, and with distinctions between things long held the same and with the resemblance of things long held different. Multitudes came from other lands to see him and to ask his counsel, but there were guards set at the frontiers, who compelled all that came to wear the feathers of the grey hawk in their hair. While they listened to him his words seemed to make all darkness light and filled their hearts like music; but, alas, when they returned to their own lands his words seemed far off, and what they could remember too strange and subtle to help them to live out their hasty days. A number indeed did live differently afterwards, but their new life was less excellent than the old: some among them had long served a good cause, but when they heard him praise it and their labour, they returned to their own lands to find what they had loved less lovable and their arm lighter in the battle, for he had taught them how little a hair divides the false and true; others, again, who had served no cause, but wrought in peace the welfare of their own households, when he had expounded the meaning of their purpose, found their bones softer and their will less ready for toil, for he had shown them greater purposes; and numbers of the young, when they had heard him upon all these things, remembered certain words that became like a fire in their hearts, and made all kindly joys and traffic between man and man as nothing, and went different ways, but all into vague regret.
The years went by, and the child grew from childhood into boyhood and then into manhood. He shifted from being curious about everything to being preoccupied with complex and subtle thoughts that came to him in dreams. He started to notice differences between things he had always seen as the same and similarities between things he had thought were different. Many people traveled from other lands to see him and seek his advice, but there were guards at the borders who made everyone wear the feathers of the grey hawk in their hair. When they listened to him, his words seemed to turn all darkness into light and filled their hearts like music. Unfortunately, when they returned to their own countries, his words felt distant, and what they could remember seemed too strange and complex to help them navigate their busy lives. Some did choose to live differently afterward, but their new lives were not as fulfilling as before. Some among them had devoted themselves to a good cause, but after hearing him praise it and their efforts, they returned home to find what they once loved no longer appealing and their resolve weaker in battle, as he had shown them how thin the line is between falsehood and truth. Others, who had not served a cause but worked peacefully for their families, found their spirits dulled and less willing to strive, as he had revealed to them bigger purposes. Many of the young people, after hearing him speak on these topics, remembered certain words that felt like a fire in their hearts, making all the simple joys and connections between people seem insignificant, leading them down different paths, but all into a sense of vague regret.
When any asked him concerning the common things of life; disputes about the mear of a territory, or about the straying of cattle, or about the penalty of blood; he would turn to those nearest him for advice; but this was held to be from courtesy, for none knew that these matters were hidden from him by thoughts and dreams that filled his mind like the marching and counter-marching of armies. Far less could any know that his heart wandered lost amid throngs of overcoming thoughts and dreams, shuddering at its own consuming solitude.
When anyone asked him about everyday matters like arguments over land boundaries, wandering livestock, or blood feuds, he would turn to those around him for advice. This was seen as polite behavior, as no one realized that these issues were overshadowed by the thoughts and dreams racing through his mind like armies in motion. Even less could anyone know that his heart was adrift among countless overwhelming thoughts and dreams, trembling from its own unbearable solitude.
Among those who came to look at him and to listen to him was the daughter of a little king who lived a great way off; and when he saw her he loved, for she was beautiful, with a strange and pale beauty unlike the women of his land; but Dana, the great mother, had decreed her a heart that was but as the heart of others, and when she considered the mystery of the hawk feathers she was troubled with a great horror. He called her to him when the assembly was over and told her of her beauty, and praised her simply and frankly as though she were a fable of the bards; and he asked her humbly to give him her love, for he was only subtle in his dreams. Overwhelmed with his greatness, she half consented, and yet half refused, for she longed to marry some warrior who could carry her over a mountain in his arms. Day by day the king gave her gifts; cups with ears of gold and findrinny wrought by the craftsmen of distant lands; cloth from over sea, which, though woven with curious figures, seemed to her less beautiful than the bright cloth of her own country; and still she was ever between a smile and a frown; between yielding and withholding. He laid down his wisdom at her feet, and told how the heroes when they die return to the world and begin their labour anew; how the kind and mirthful Men of Dea drove out the huge and gloomy and misshapen People from Under the Sea; and a multitude of things that even the Sidhe have forgotten, either because they happened so long ago or because they have not time to think of them; and still she half refused, and still he hoped, because he could not believe that a beauty so much like wisdom could hide a common heart.
Among those who came to see him and listen to him was the daughter of a small king who lived far away; and when he saw her, he fell in love because she was beautiful, with a strange and pale beauty that was unlike the women from his land. But Dana, the great mother, had given her a heart that was just like everyone else's, and when she thought about the mystery of the hawk feathers, she felt a deep horror. He called her to him after the gathering was over and told her how beautiful she was, praising her simply and honestly as if she were a story from the bards; and he humbly asked her to give him her love, as he was only subtle in his dreams. Overwhelmed by his greatness, she partially agreed but also partially refused, because she longed to marry a warrior who could carry her over a mountain in his arms. Day by day, the king gave her gifts—goblets with golden handles and beautiful things crafted by artisans from distant lands; cloth from overseas, which, although woven with intricate designs, seemed to her less lovely than the bright fabric from her own country; and still, she was always caught between a smile and a frown, between giving in and holding back. He laid his wisdom at her feet, explaining how heroes, when they die, return to the world to begin their work anew; how the kind and cheerful Men of Dea drove out the huge, gloomy, and deformed People from Under the Sea; and a multitude of things that even the Sidhe have forgotten, either because they happened so long ago or because they don’t have time to think about them; and still, she partially refused, and still, he hoped, because he couldn't believe that a beauty so similar to wisdom could conceal an ordinary heart.
There was a tall young man in the dun who had yellow hair, and was skilled in wrestling and in the training of horses; and one day when the king walked in the orchard, which was between the foss and the forest, he heard his voice among the salley bushes which hid the waters of the foss. 'My blossom,' it said, 'I hate them for making you weave these dingy feathers into your beautiful hair, and all that the bird of prey upon the throne may sleep easy o' nights'; and then the low, musical voice he loved answered: 'My hair is not beautiful like yours; and now that I have plucked the feathers out of your hair I will put my hands through it, thus, and thus, and thus; for it casts no shadow of terror and darkness upon my heart.' Then the king remembered many things that he had forgotten without understanding them, doubtful words of his poets and his men of law, doubts that he had reasoned away, his own continual solitude; and he called to the lovers in a trembling voice. They came from among the salley bushes and threw themselves at his feet and prayed for pardon, and he stooped down and plucked the feathers out of the hair of the woman and then turned away towards the dun without a word. He strode into the hall of assembly, and having gathered his poets and his men of law about him, stood upon the dais and spoke in a loud, clear voice: 'Men of law, why did you make me sin against the laws of Eri? Men of verse, why did you make me sin against the secrecy of wisdom, for law was made by man for the welfare of man, but wisdom the gods have made, and no man shall live by its light, for it and the hail and the rain and the thunder follow a way that is deadly to mortal things? Men of law and men of verse, live according to your kind, and call Eocha of the Hasty Mind to reign over you, for I set out to find my kindred.' He then came down among them, and drew out of the hair of first one and then another the feathers of the grey hawk, and, having scattered them over the rushes upon the floor, passed out, and none dared to follow him, for his eyes gleamed like the eyes of the birds of prey; and no man saw him again or heard his voice. Some believed that he found his eternal abode among the demons, and some that he dwelt henceforth with the dark and dreadful goddesses, who sit all night about the pools in the forest watching the constellations rising and setting in those desolate mirrors.
There was a tall young man at the fort who had blonde hair and was skilled in wrestling and horse training. One day, while the king was walking in the orchard between the moat and the forest, he heard the young man's voice among the willow bushes that concealed the waters of the moat. "My flower," it said, "I hate them for making you weave these dull feathers into your beautiful hair, just so the predator on the throne can sleep peacefully at night." Then the soft, melodic voice he loved responded, "My hair isn't beautiful like yours; and now that I've removed the feathers from your hair, I will run my hands through it like this, and this, and this; for it casts no shadow of fear and darkness upon my heart." The king then remembered many things he had forgotten without really understanding them—uncertain words from his poets and lawyers, doubts he had reasoned away, his constant loneliness; and he called out to the lovers in a trembling voice. They emerged from the willow bushes, fell at his feet, and begged for forgiveness. He bent down, removed the feathers from the woman's hair, and then walked away toward the fort without saying a word. He entered the assembly hall, gathered his poets and lawyers around him, stood on the dais, and spoke in a loud, clear voice: "Men of law, why did you make me go against the laws of Eri? Poets, why did you lead me to betray the secrecy of wisdom? Law was created by man for the good of man, but wisdom was made by the gods, and no one shall live by its light, for it, along with hail, rain, and thunder, follows a path that is deadly to mortal things. Men of law and poets, live according to your kind, and call Eocha the Hasty Mind to rule over you, for I set out to find my kin." He then came down among them, pulled the feathers of the grey hawk from each one, scattered them over the rushes on the floor, and walked out. No one dared to follow him, for his eyes shone like those of predatory birds; and no one saw him again or heard his voice. Some believed he found his eternal home among demons, while others thought he lived from then on with the dark and fearsome goddesses, who sit all night around pools in the forest, watching the stars rise and set in those desolate mirrors.
THE HEART OF THE SPRING.
A very old man, whose face was almost as fleshless as the foot of a bird, sat meditating upon the rocky shore of the flat and hazel-covered isle which fills the widest part of the Lough Gill. A russet-faced boy of seventeen years sat by his side, watching the swallows dipping for flies in the still water. The old man was dressed in threadbare blue velvet, and the boy wore a frieze coat and a blue cap, and had about his neck a rosary of blue beads. Behind the two, and half hidden by trees, was a little monastery. It had been burned down a long while before by sacrilegious men of the Queen's party, but had been roofed anew with rushes by the boy, that the old man might find shelter in his last days. He had not set his spade, however, into the garden about it, and the lilies and the roses of the monks had spread out until their confused luxuriancy met and mingled with the narrowing circle of the fern. Beyond the lilies and the roses the ferns were so deep that a child walking among them would be hidden from sight, even though he stood upon his toes; and beyond the fern rose many hazels and small oak trees.
An elderly man, whose face was nearly as gaunt as a bird's foot, sat contemplating on the rocky shore of the flat, hazel-covered island that spans the widest part of Lough Gill. A seventeen-year-old boy with a ruddy complexion sat next to him, observing the swallows swooping for flies in the calm water. The old man wore tattered blue velvet, while the boy had on a frieze coat and a blue cap, with a necklace of blue beads around his neck. Behind them, partly obscured by trees, was a small monastery. It had been destroyed long ago by the Queen's party's sacrilegious men, but the boy had re-roofed it with rushes to provide shelter for the old man in his final days. However, he hadn't tended to the garden surrounding it, and the monks' lilies and roses had spread so much that their tangled growth blended with the encroaching ferns. Beyond the lilies and roses, the ferns were so thick that a child walking through them would be completely hidden from view, even if he stood on his toes; beyond the ferns, many hazels and small oak trees stood tall.
'Master,' said the boy, 'this long fasting, and the labour of beckoning after nightfall with your rod of quicken wood to the beings who dwell in the waters and among the hazels and oak-trees, is too much for your strength. Rest from all this labour for a little, for your hand seemed more heavy upon my shoulder and your feet less steady under you to-day than I have known them. Men say that you are older than the eagles, and yet you will not seek the rest that belongs to age.' He spoke in an eager, impulsive way, as though his heart were in the words and thoughts of the moment; and the old man answered slowly and deliberately, as though his heart were in distant days and distant deeds.
'Master,' the boy said, 'this long fasting and the effort you put into calling out at night with your wand to the creatures living in the waters and among the hazels and oak trees is too much for you. Take a break from all this work for a bit, because your hand feels heavier on my shoulder, and your feet seem less steady today than I’ve noticed before. People say you’re older than the eagles, yet you refuse to take the rest that comes with age.' He spoke passionately, as if his heart was fully invested in his words and thoughts at that moment; the old man replied slowly and thoughtfully, as if his heart was caught up in far-off days and past deeds.
'I will tell you why I have not been able to rest,' he said. 'It is right that you should know, for you have served me faithfully these five years and more, and even with affection, taking away thereby a little of the doom of loneliness which always falls upon the wise. Now, too, that the end of my labour and the triumph of my hopes is at hand, it is the more needful for you to have this knowledge.'
'I’ll explain why I haven't been able to rest,' he said. 'You deserve to know, since you've served me faithfully for over five years, with genuine care, easing some of the heavy loneliness that often weighs on the wise. Now, as my work comes to an end and my hopes are about to be realized, it's even more important for you to understand this.'
'Master, do not think that I would question you. It is for me to keep the fire alight, and the thatch close against the rain, and strong, lest the wind blow it among the trees; and it is for me to take the heavy books from the shelves, and to lift from its corner the great painted roll with the names of the Sidhe, and to possess the while an incurious and reverent heart, for right well I know that God has made out of His abundance a separate wisdom for everything which lives, and to do these things is my wisdom.'
'Master, please don’t think I would ever question you. My role is to keep the fire burning, ensure the thatch stays secure against the rain, and make sure it’s strong enough to withstand the wind’s force among the trees. It’s also my job to take the heavy books down from the shelves and lift the large painted scroll with the names of the Sidhe from its corner. I must do all this with a heart that is both humble and respectful, because I know very well that God, in His abundance, has created a unique wisdom for everything that exists, and fulfilling these tasks is my wisdom.'
'You are afraid,' said the old man, and his eyes shone with a momentary anger.
'You're scared,' said the old man, and his eyes glinted with a brief flash of anger.
'Sometimes at night,' said the boy, 'when you are reading, with the rod of quicken wood in your hand, I look out of the door and see, now a great grey man driving swine among the hazels, and now many little people in red caps who come out of the lake driving little white cows before them. I do not fear these little people so much as the grey man; for, when they come near the house, they milk the cows, and they drink the frothing milk, and begin to dance; and I know there is good in the heart that loves dancing; but I fear them for all that. And I fear the tall white-armed ladies who come out of the air, and move slowly hither and thither, crowning themselves with the roses or with the lilies, and shaking about their living hair, which moves, for so I have heard them tell each other, with the motion of their thoughts, now spreading out and now gathering close to their heads. They have mild, beautiful faces, but, Aengus, son of Forbis, I fear all these beings, I fear the people of Sidhe, and I fear the art which draws them about us.'
"Sometimes at night," the boy said, "when you’re reading with the rod made of quicken wood in your hand, I look out the door and see, first a big grey man herding pigs among the hazels, and then a bunch of little people in red caps who come out of the lake driving little white cows along with them. I’m not as afraid of these little people as I am of the grey man; when they come close to the house, they milk the cows, drink the frothy milk, and start dancing; and I know there’s goodness in those who love to dance; but I still fear them. And I’m afraid of the tall ladies with white arms who come down from the air, moving slowly here and there, crowning themselves with roses or lilies, and tossing their living hair around, which, as I’ve heard them say to each other, flows with the movement of their thoughts, sometimes spreading out and sometimes gathering close to their heads. They have gentle, beautiful faces, but, Aengus, son of Forbis, I fear all these beings, I fear the people of Sidhe, and I fear the magic that draws them to us."
'Why,' said the old man, 'do you fear the ancient gods who made the spears of your father's fathers to be stout in battle, and the little people who came at night from the depth of the lakes and sang among the crickets upon their hearths? And in our evil day they still watch over the loveliness of the earth. But I must tell you why I have fasted and laboured when others would sink into the sleep of age, for without your help once more I shall have fasted and laboured to no good end. When you have done for me this last thing, you may go and build your cottage and till your fields, and take some girl to wife, and forget the ancient gods. I have saved all the gold and silver pieces that were given to me by earls and knights and squires for keeping them from the evil eye and from the love-weaving enchantments of witches, and by earls' and knights' and squires' ladies for keeping the people of the Sidhe from making the udders of their cattle fall dry, and taking the butter from their churns. I have saved it all for the day when my work should be at an end, and now that the end is at hand you shall not lack for gold and silver pieces enough to make strong the roof-tree of your cottage and to keep cellar and larder full. I have sought through all my life to find the secret of life. I was not happy in my youth, for I knew that it would pass; and I was not happy in my manhood, for I knew that age was coming; and so I gave myself, in youth and manhood and age, to the search for the Great Secret. I longed for a life whose abundance would fill centuries, I scorned the life of fourscore winters. I would be—nay, I will be!—like the Ancient Gods of the land. I read in my youth, in a Hebrew manuscript I found in a Spanish monastery, that there is a moment after the Sun has entered the Ram and before he has passed the Lion, which trembles with the Song of the Immortal Powers, and that whosoever finds this moment and listens to the Song shall become like the Immortal Powers themselves; I came back to Ireland and asked the fairy men, and the cow-doctors, if they knew when this moment was; but though all had heard of it, there was none could find the moment upon the hour-glass. So I gave myself to magic, and spent my life in fasting and in labour that I might bring the Gods and the Fairies to my side; and now at last one of the Fairies has told me that the moment is at hand. One, who wore a red cap and whose lips were white with the froth of the new milk, whispered it into my ear. Tomorrow, a little before the close of the first hour after dawn, I shall find the moment, and then I will go away to a southern land and build myself a palace of white marble amid orange trees, and gather the brave and the beautiful about me, and enter into the eternal kingdom of my youth. But, that I may hear the whole Song, I was told by the little fellow with the froth of the new milk on his lips, that you must bring great masses of green boughs and pile them about the door and the window of my room; and you must put fresh green rushes upon the floor, and cover the table and the rushes with the roses and the lilies of the monks. You must do this to-night, and in the morning at the end of the first hour after dawn, you must come and find me.'
'Why,' said the old man, 'are you afraid of the ancient gods who forged the weapons of your ancestors to be fierce in battle, and the little people who came at night from the depths of the lakes and sang among the crickets by their fires? Even in our troubled times, they still protect the beauty of the earth. But I need to explain why I have fasted and worked while others have settled into the sleep of old age, because without your help once more, my fasting and labor will be for nothing. Once you have done this final task for me, you can go and build your home, tend to your fields, marry some girl, and forget the ancient gods. I have saved all the gold and silver pieces given to me by earls, knights, and squires for keeping them safe from the evil eye and the love-inducing spells of witches, and by ladies of earls, knights, and squires for preventing the folk of the Sidhe from causing their cattle to dry up and snatching the butter from their churns. I saved it all for the day when my work would be complete, and now that the end is near, there will be no shortage of gold and silver pieces to strengthen the roof of your home and keep your cellar and pantry stocked. I have spent my entire life searching for the secret of life. I was not happy in my youth, knowing it would fade; I was not happy in my adulthood, aware that old age was approaching; so I devoted myself, in youth, adulthood, and age, to the quest for the Great Secret. I yearned for a life rich enough to span centuries, looking down on a life of only eighty winters. I want to be—no, I will be!—like the Ancient Gods of this land. During my youth, I read in a Hebrew manuscript I found in a Spanish monastery that there is a moment after the Sun has entered the sign of Aries and before it exits the sign of Leo, which vibrates with the Song of the Immortal Powers, and that whoever finds this moment and listens to the Song will become like the Immortal Powers themselves; I returned to Ireland and asked the fairy folk and the cow-doctors if they knew when this moment was; but while everyone had heard of it, none could pinpoint the moment on the hourglass. So I dedicated myself to magic, spending my life fasting and toiling to bring the Gods and Fairies to my side; and now, at last, one of the Fairies has revealed to me that the moment is near. One, wearing a red cap and whose lips were white with frothy new milk, whispered it in my ear. Tomorrow, just before the end of the first hour after dawn, I will discover the moment, and then I will depart for a southern land to build myself a white marble palace among orange trees, surrounding myself with the brave and beautiful, and enter the eternal kingdom of my youth. But, to hear the entire Song, the little one with the frothy lips told me that you must gather large bundles of green branches and stack them around the door and window of my room; you must lay fresh green rushes on the floor and decorate the table and the rushes with roses and lilies from the monks. You must do this tonight, and in the morning at the end of the first hour after dawn, you must come and find me.'
'Will you be quite young then?' said the boy.
'Will you be really young then?' said the boy.
'I will be as young then as you are, but now I am still old and tired, and you must help me to my chair and to my books.'
'I will be just as young then as you are now, but right now I'm still old and tired, and you need to help me to my chair and to my books.'
When the boy had left Aengus son of Forbis in his room, and had lighted the lamp which, by some contrivance of the wizard's, gave forth a sweet odour as of strange flowers, he went into the wood and began cutting green boughs from the hazels, and great bundles of rushes from the western border of the isle, where the small rocks gave place to gently sloping sand and clay. It was nightfall before he had cut enough for his purpose, and well-nigh midnight before he had carried the last bundle to its place, and gone back for the roses and the lilies. It was one of those warm, beautiful nights when everything seems carved of precious stones. Sleuth Wood away to the south looked as though cut out of green beryl, and the waters that mirrored them shone like pale opal. The roses he was gathering were like glowing rubies, and the lilies had the dull lustre of pearl. Everything had taken upon itself the look of something imperishable, except a glow-worm, whose faint flame burnt on steadily among the shadows, moving slowly hither and thither, the only thing that seemed alive, the only thing that seemed perishable as mortal hope. The boy gathered a great armful of roses and lilies, and thrusting the glow-worm among their pearl and ruby, carried them into the room, where the old man sat in a half-slumber. He laid armful after armful upon the floor and above the table, and then, gently closing the door, threw himself upon his bed of rushes, to dream of a peaceful manhood with his chosen wife at his side, and the laughter of children in his ears. At dawn he rose, and went down to the edge of the lake, taking the hour-glass with him. He put some bread and a flask of wine in the boat, that his master might not lack food at the outset of his journey, and then sat down to wait until the hour from dawn had gone by. Gradually the birds began to sing, and when the last grains of sand were falling, everything suddenly seemed to overflow with their music. It was the most beautiful and living moment of the year; one could listen to the spring's heart beating in it. He got up and went to find his master. The green boughs filled the door, and he had to make a way through them. When he entered the room the sunlight was falling in flickering circles on floor and walls and table, and everything was full of soft green shadows. But the old man sat clasping a mass of roses and lilies in his arms, and with his head sunk upon his breast. On the table, at his left hand, was a leathern wallet full of gold and silver pieces, as for a journey, and at his right hand was a long staff. The boy touched him and he did not move. He lifted the hands but they were quite cold, and they fell heavily.
When the boy left Aengus, son of Forbis, in his room and lit the lamp that the wizard had created, giving off a sweet smell like unusual flowers, he went into the woods and started cutting green branches from the hazel trees and bundles of rushes from the western edge of the island, where small rocks transitioned to gently sloping sand and clay. It was nighttime by the time he’d gathered enough for his purpose, and nearly midnight when he carried the last bundle to its place before going back for the roses and lilies. It was one of those warm, beautiful nights when everything looked like it was made of precious stones. Sleuth Wood to the south appeared to be cut from green beryl, and the waters reflecting them shone like pale opal. The roses he was picking looked like glowing rubies, and the lilies had the dull sheen of pearls. Everything seemed to take on an eternal look, except for a glow-worm, whose faint light pulsed steadily in the shadows, moving slowly here and there—the only thing that looked alive, the only thing that seemed as fleeting as human hope. The boy gathered a large armful of roses and lilies, placing the glow-worm among the pearls and rubies, and carried them into the room where the old man sat in a half-sleep. He laid down armful after armful on the floor and above the table, then gently closed the door and threw himself onto his bed of rushes, dreaming of a peaceful adulthood with his chosen wife by his side and the laughter of children around him. At dawn, he got up and went to the edge of the lake, taking the hourglass with him. He placed some bread and a flask of wine in the boat so his master would have food at the start of his journey, then sat down to wait until the hour from dawn had passed. Gradually, the birds began to sing, and when the last grains of sand were falling, everything suddenly seemed to burst with their music. It was the most beautiful and vibrant moment of the year; you could feel spring's heartbeat in it. He got up to find his master. The green branches filled the doorway, and he had to push through them. When he entered the room, sunlight fell in flickering circles on the floor, walls, and table, and everything was filled with soft green shadows. But the old man sat holding a bunch of roses and lilies in his arms, his head bowed to his chest. On the table to his left was a leather wallet full of gold and silver coins, as if for a journey, and to his right was a long staff. The boy touched him, but he didn’t move. He lifted the old man’s hands, but they were completely cold, and they fell heavily.
'It were better for him,' said the lad, 'to have told his beads and said his prayers like another, and not to have spent his days in seeking amongst the Immortal Powers what he could have found in his own deeds and days had he willed. Ah, yes, it were better to have said his prayers and kissed his beads!' He looked at the threadbare blue velvet, and he saw it was covered with the pollen of the flowers, and while he was looking at it a thrush, who had alighted among the boughs that were piled against the window, began to sing.
"It would have been better for him," said the boy, "to have said his prayers and counted his beads like everyone else, instead of spending his days trying to find answers among the Immortal Powers that he could have discovered through his own actions and choices if he had wanted to. Oh yes, it would have been better to have prayed and kissed his beads!" He looked at the worn blue velvet and noticed it was covered with flower pollen, and as he was looking at it, a thrush that had landed on the branches piled against the window began to sing.
THE CURSE OF THE FIRES AND OF THE SHADOWS.
One summer night, when there was peace, a score of Puritan troopers under the pious Sir Frederick Hamilton, broke through the door of the Abbey of the White Friars which stood over the Gara Lough at Sligo. As the door fell with a crash they saw a little knot of friars, gathered about the altar, their white habits glimmering in the steady light of the holy candles. All the monks were kneeling except the abbot, who stood upon the altar steps with a great brazen crucifix in his hand. 'Shoot them!' cried Sir Frederick Hamilton, but none stirred, for all were new converts, and feared the crucifix and the holy candles. The white lights from the altar threw the shadows of the troopers up on to roof and wall. As the troopers moved about, the shadows began a fantastic dance among the corbels and the memorial tablets. For a little while all was silent, and then five troopers who were the body-guard of Sir Frederick Hamilton lifted their muskets, and shot down five of the friars. The noise and the smoke drove away the mystery of the pale altar lights, and the other troopers took courage and began to strike. In a moment the friars lay about the altar steps, their white habits stained with blood. 'Set fire to the house!' cried Sir Frederick Hamilton, and at his word one went out, and came in again carrying a heap of dry straw, and piled it against the western wall, and, having done this, fell back, for the fear of the crucifix and of the holy candles was still in his heart. Seeing this, the five troopers who were Sir Frederick Hamilton's body-guard darted forward, and taking each a holy candle set the straw in a blaze. The red tongues of fire rushed up and flickered from corbel to corbel and from tablet to tablet, and crept along the floor, setting in a blaze the seats and benches. The dance of the shadows passed away, and the dance of the fires began. The troopers fell back towards the door in the southern wall, and watched those yellow dancers springing hither and thither.
One summer night, when there was calm, a group of Puritan soldiers led by the devout Sir Frederick Hamilton broke down the door of the Abbey of the White Friars, which overlooked Gara Lough in Sligo. As the door crashed to the ground, they spotted a small group of friars gathered around the altar, their white robes glowing in the steady light of the holy candles. All the monks knelt except for the abbot, who stood on the altar steps holding a large brass crucifix. "Shoot them!" shouted Sir Frederick Hamilton, but no one moved, as they were all new converts, terrified of the crucifix and the holy candles. The white lights from the altar cast the soldiers' shadows onto the ceiling and walls. As the soldiers shifted, the shadows began to dance wildly among the corbels and memorial tablets. For a moment, everything was silent, and then five soldiers from Sir Frederick Hamilton’s bodyguard raised their muskets and shot down five of the friars. The noise and smoke dispelled the mystery of the pale altar lights, and the other soldiers gained their courage and began to strike. In an instant, the friars lay around the altar steps, their white garments stained with blood. "Set fire to the house!" commanded Sir Frederick Hamilton, and at his command, one soldier rushed out, returning with a pile of dry straw, which he stacked against the western wall. Once he finished, he stepped back, still afraid of the crucifix and the holy candles. Seeing this, the five bodyguard soldiers rushed forward, each grabbing a holy candle to ignite the straw. The flames leaped up, flickering from corbel to corbel and from tablet to tablet, spreading across the floor and igniting the seats and benches. The shadows' dance faded, giving way to the flames' performance. The soldiers retreated towards the door in the southern wall, watching the yellow flames leap and swirl.
For a time the altar stood safe and apart in the midst of its white light; the eyes of the troopers turned upon it. The abbot whom they had thought dead had risen to his feet and now stood before it with the crucifix lifted in both hands high above his head. Suddenly he cried with a loud voice, 'Woe unto all who smite those who dwell within the Light of the Lord, for they shall wander among the ungovernable shadows, and follow the ungovernable fires!' And having so cried he fell on his face dead, and the brazen crucifix rolled down the steps of the altar. The smoke had now grown very thick, so that it drove the troopers out into the open air. Before them were burning houses. Behind them shone the painted windows of the Abbey filled with saints and martyrs, awakened, as from a sacred trance, into an angry and animated life. The eyes of the troopers were dazzled, and for a while could see nothing but the flaming faces of saints and martyrs. Presently, however, they saw a man covered with dust who came running towards them. 'Two messengers,' he cried, 'have been sent by the defeated Irish to raise against you the whole country about Manor Hamilton, and if you do not stop them you will be overpowered in the woods before you reach home again! They ride north-east between Ben Bulben and Cashel-na-Gael.'
For a while, the altar stood safe and separate in its white light; the soldiers' eyes were fixed on it. The abbot they thought was dead had risen to his feet and now stood before it, holding the crucifix high above his head with both hands. Suddenly, he shouted in a loud voice, "Woe to all who harm those who dwell in the Light of the Lord, for they will wander among the wild shadows and follow the uncontrollable fires!" After saying this, he fell face down and died, and the bronze crucifix rolled down the steps of the altar. The smoke had become very thick, forcing the soldiers out into the open air. In front of them were burning houses. Behind them, the stained-glass windows of the Abbey glowed with images of saints and martyrs, awakened as if from a sacred trance, now filled with anger and life. The soldiers’ eyes were dazzled, and for a moment, they could see nothing but the blazing faces of saints and martyrs. Soon, however, they spotted a dusty man running toward them. "Two messengers," he shouted, "have been sent by the defeated Irish to rally the entire region around Manor Hamilton against you, and if you don’t stop them, you will be overwhelmed in the woods before you can get home! They’re riding northeast between Ben Bulben and Cashel-na-Gael."
Sir Frederick Hamilton called to him the five troopers who had first fired upon the monks and said, 'Mount quickly, and ride through the woods towards the mountain, and get before these men, and kill them.'
Sir Frederick Hamilton called over the five troopers who had first shot at the monks and said, 'Hurry up and ride through the woods toward the mountain, get ahead of these men, and take them out.'
In a moment the troopers were gone, and before many moments they had splashed across the river at what is now called Buckley's Ford, and plunged into the woods. They followed a beaten track that wound along the northern bank of the river. The boughs of the birch and quicken trees mingled above, and hid the cloudy moonlight, leaving the pathway in almost complete darkness. They rode at a rapid trot, now chatting together, now watching some stray weasel or rabbit scuttling away in the darkness. Gradually, as the gloom and silence of the woods oppressed them, they drew closer together, and began to talk rapidly; they were old comrades and knew each other's lives. One was married, and told how glad his wife would be to see him return safe from this harebrained expedition against the White Friars, and to hear how fortune had made amends for rashness. The oldest of the five, whose wife was dead, spoke of a flagon of wine which awaited him upon an upper shelf; while a third, who was the youngest, had a sweetheart watching for his return, and he rode a little way before the others, not talking at all. Suddenly the young man stopped, and they saw that his horse was trembling. 'I saw something,' he said, 'and yet I do not know but it may have been one of the shadows. It looked like a great worm with a silver crown upon his head.' One of the five put his hand up to his forehead as if about to cross himself, but remembering that he had changed his religion he put it down, and said: 'I am certain it was but a shadow, for there are a great many about us, and of very strange kinds.' Then they rode on in silence. It had been raining in the earlier part of the day, and the drops fell from the branches, wetting their hair and their shoulders. In a little they began to talk again. They had been in many battles against many a rebel together, and now told each other over again the story of their wounds, and so awakened in their hearts the strongest of all fellowships, the fellowship of the sword, and half forgot the terrible solitude of the woods.
In no time, the troopers had vanished, and shortly after, they splashed across the river at what’s now called Buckley’s Ford and plunged into the woods. They followed a worn path that stretched along the northern bank of the river. The branches of the birch and quicken trees intertwined above, blocking out the cloudy moonlight, leaving the path nearly in total darkness. They rode at a brisk trot, sometimes chatting, other times watching as a stray weasel or rabbit darted away into the shadows. Gradually, as the gloom and silence of the woods weighed on them, they huddled closer together and started talking quickly; they were old friends and knew each other’s lives well. One was married and shared how happy his wife would be to see him return safely from this reckless mission against the White Friars, and to hear how fortune had rewarded their boldness. The oldest of the five, whose wife had passed away, mentioned a jug of wine waiting for him on a high shelf; while a third, the youngest, had a girlfriend waiting for him, and he rode a bit ahead of the others, not saying a word. Suddenly, the young man stopped, and they noticed his horse trembling. “I thought I saw something,” he said, “though it might just have been one of the shadows. It looked like a big worm with a silver crown on its head.” One of the five raised his hand to his forehead as if to bless himself, but remembering he had changed his faith, he lowered it and said, “I’m sure it was just a shadow; there are plenty around us, and of very odd types.” Then they rode on in silence. It had rained earlier in the day, and drops fell from the branches, dampening their hair and shoulders. After a bit, they began talking again. They had fought in many battles against various rebels together, and now they recounted their stories of wounds, rekindling the strongest bond of all, the brotherhood forged in combat, and half-forgotten the eerie solitude of the woods.
Suddenly the first two horses neighed, and then stood still, and would go no further. Before them was a glint of water, and they knew by the rushing sound that it was a river. They dismounted, and after much tugging and coaxing brought the horses to the river-side. In the midst of the water stood a tall old woman with grey hair flowing over a grey dress. She stood up to her knees in the water, and stooped from time to time as though washing. Presently they could see that she was washing something that half floated. The moon cast a flickering light upon it, and they saw that it was the dead body of a man, and, while they were looking at it, an eddy of the river turned the face towards them, and each of the five troopers recognised at the same moment his own face. While they stood dumb and motionless with horror, the woman began to speak, saying slowly and loudly: 'Did you see my son? He has a crown of silver on his head, and there are rubies in the crown.' Then the oldest of the troopers, he who had been most often wounded, drew his sword and cried: 'I have fought for the truth of my God, and need not fear the shadows of Satan,' and with that rushed into the water. In a moment he returned. The woman had vanished, and though he had thrust his sword into air and water he had found nothing.
Suddenly, the first two horses neighed, then stopped, refusing to go any further. In front of them was a glimmer of water, and they could tell from the rushing sound that it was a river. They got off their horses, and after a lot of pulling and coaxing, managed to lead the horses to the riverbank. In the middle of the water stood a tall old woman with grey hair cascading over a grey dress. She was knee-deep in the water, bending down periodically as if she was washing something. Soon, they saw that she was cleaning something that was half-floating. The moonlight flickered on it, revealing it to be the lifeless body of a man. As they stared, a swirl of the river turned the man's face toward them, and all five troopers recognized their own faces at the same moment. While they stood there, frozen in horror, the woman began to speak, saying slowly and clearly, "Did you see my son? He has a crown of silver on his head, and there are rubies in the crown." Then the oldest of the troopers, the one who had been wounded the most, drew his sword and shouted, "I have fought for the truth of my God and have no fear of the shadows of Satan," and with that, he charged into the water. In an instant, he returned. The woman had disappeared, and although he had thrust his sword into both air and water, he found nothing.
The five troopers remounted, and set their horses at the ford, but all to no purpose. They tried again and again, and went plunging hither and thither, the horses foaming and rearing. 'Let us,' said the old trooper, 'ride back a little into the wood, and strike the river higher up.' They rode in under the boughs, the ground-ivy crackling under the hoofs, and the branches striking against their steel caps. After about twenty minutes' riding they came out again upon the river, and after another ten minutes found a place where it was possible to cross without sinking below the stirrups. The wood upon the other side was very thin, and broke the moonlight into long streams. The wind had arisen, and had begun to drive the clouds rapidly across the face of the moon, so that thin streams of light seemed to be dancing a grotesque dance among the scattered bushes and small fir-trees. The tops of the trees began also to moan, and the sound of it was like the voice of the dead in the wind; and the troopers remembered the belief that tells how the dead in purgatory are spitted upon the points of the trees and upon the points of the rocks. They turned a little to the south, in the hope that they might strike the beaten path again, but they could find no trace of it.
The five troopers got back on their horses and made their way to the ford, but it was all in vain. They kept trying, plunging back and forth, with their horses foaming and rearing. "Let's ride back into the woods a bit and cross the river further up," said the old trooper. They rode under the branches, hearing the ground-ivy crackle under their horses' hooves and the twigs scraping against their steel helmets. After about twenty minutes, they emerged back by the river and, after another ten minutes, discovered a spot where they could cross without sinking below the stirrups. The trees on the other side were sparse, letting the moonlight stream through in long beams. The wind had picked up, quickly pushing clouds across the moon, making the light seem to dance a strange jig among the scattered bushes and small fir trees. The tops of the trees began to moan, and the sound echoed like the voices of the dead in the wind; the troopers recalled the belief that the souls in purgatory are impaled on the tips of trees and rocks. They turned slightly south, hoping to find the worn path again, but they couldn’t see any sign of it.
Meanwhile, the moaning grew louder and louder, and the dance of the white moon-fires more and more rapid. Gradually they began to be aware of a sound of distant music. It was the sound of a bagpipe, and they rode towards it with great joy. It came from the bottom of a deep, cup-like hollow. In the midst of the hollow was an old man with a red cap and withered face. He sat beside a fire of sticks, and had a burning torch thrust into the earth at his feet, and played an old bagpipe furiously. His red hair dripped over his face like the iron rust upon a rock. 'Did you see my wife?' he cried, looking up a moment; 'she was washing! she was washing!' 'I am afraid of him,' said the young trooper, 'I fear he is one of the Sidhe.' 'No,' said the old trooper, 'he is a man, for I can see the sun-freckles upon his face. We will compel him to be our guide'; and at that he drew his sword, and the others did the same. They stood in a ring round the piper, and pointed their swords at him, and the old trooper then told him that they must kill two rebels, who had taken the road between Ben Bulben and the great mountain spur that is called Cashel-na-Gael, and that he must get up before one of them and be their guide, for they had lost their way. The piper turned, and pointed to a neighbouring tree, and they saw an old white horse ready bitted, bridled, and saddled. He slung the pipe across his back, and, taking the torch in his hand, got upon the horse, and started off before them, as hard as he could go.
Meanwhile, the moaning grew louder and louder, and the dance of the white moon-fires became faster and faster. Gradually, they started to hear the sound of distant music. It was the sound of a bagpipe, and they rode towards it with great joy. It came from the bottom of a deep, bowl-shaped hollow. In the midst of the hollow was an old man with a red cap and a weathered face. He sat beside a fire made of sticks, with a burning torch stuck into the ground at his feet, playing an old bagpipe fiercely. His red hair hung over his face like rust on a rock. "Did you see my wife?" he shouted, looking up for a moment; "she was washing! she was washing!" "I'm afraid of him," said the young soldier, "I think he’s one of the Sidhe." "No," replied the old soldier, "he's a man, for I can see the sun-freckles on his face. We will make him our guide"; and with that, he drew his sword, and the others did the same. They formed a circle around the piper, pointing their swords at him, and the old soldier told him that they needed to kill two rebels who had taken the road between Ben Bulben and the great mountain spur called Cashel-na-Gael, and that he must stand before one of them and lead the way, as they had lost their path. The piper turned and pointed to a nearby tree, and they saw an old white horse ready with a bit, bridle, and saddle. He slung the pipe over his back, took the torch in his hand, climbed onto the horse, and started off ahead of them as quickly as he could.
The wood grew thinner and thinner, and the ground began to slope up toward the mountain. The moon had already set, and the little white flames of the stars had come out everywhere. The ground sloped more and more until at last they rode far above the woods upon the wide top of the mountain. The woods lay spread out mile after mile below, and away to the south shot up the red glare of the burning town. But before and above them were the little white flames. The guide drew rein suddenly, and pointing upwards with the hand that did not hold the torch, shrieked out, 'Look; look at the holy candles!' and then plunged forward at a gallop, waving the torch hither and thither. 'Do you hear the hoofs of the messengers?' cried the guide. 'Quick, quick! or they will be gone out of your hands!' and he laughed as with delight of the chase. The troopers thought they could hear far off, and as if below them, rattle of hoofs; but now the ground began to slope more and more, and the speed grew more headlong moment by moment. They tried to pull up, but in vain, for the horses seemed to have gone mad. The guide had thrown the reins on to the neck of the old white horse, and was waving his arms and singing a wild Gaelic song. Suddenly they saw the thin gleam of a river, at an immense distance below, and knew that they were upon the brink of the abyss that is now called Lug-na-Gael, or in English the Stranger's Leap. The six horses sprang forward, and five screams went up into the air, a moment later five men and horses fell with a dull crash upon the green slopes at the foot of the rocks.
The trees got thinner and thinner, and the ground started to rise toward the mountain. The moon had already set, and the little white stars were shining everywhere. The ground sloped more and more until they were riding high above the woods on the wide summit of the mountain. The woods stretched out for miles below, and to the south, the red glow of the burning town was visible. But above them were the little white stars. The guide suddenly stopped and pointed up with the hand that wasn't holding the torch, shouting, 'Look; look at the holy candles!' and then took off at a gallop, waving the torch back and forth. ‘Do you hear the hoofbeats of the messengers?’ the guide shouted. ‘Quick, quick! or they'll slip away from you!’ and he laughed with excitement. The troopers thought they could hear hoofbeats far off, as if from below them, but now the ground started to slope even more, and their speed increased rapidly. They tried to pull back, but it was useless, as the horses seemed to have lost their minds. The guide had thrown the reins onto the neck of the old white horse and was waving his arms, singing a wild Gaelic song. Suddenly, they saw the faint shimmer of a river far below and realized they were at the edge of the abyss now known as Lug-na-Gael, or in English, the Stranger's Leap. The six horses lunged forward, and five screams filled the air; a moment later, five men and horses crashed onto the green slopes at the base of the rocks.
THE OLD MEN OF THE TWILIGHT.
At the place, close to the Dead Man's Point, at the Rosses, where the disused pilot-house looks out to sea through two round windows like eyes, a mud cottage stood in the last century. It also was a watchhouse, for a certain old Michael Bruen, who had been a smuggler in his day, and was still the father and grandfather of smugglers, lived there, and when, after nightfall, a tall schooner crept over the bay from Roughley, it was his business to hang a horn lanthorn in the southern window, that the news might travel to Dorren's Island, and from thence, by another horn lanthorn, to the village of the Rosses. But for this glimmering of messages, he had little communion with mankind, for he was very old, and had no thought for anything but for the making of his soul, at the foot of the Spanish crucifix of carved oak that hung by his chimney, or bent double over the rosary of stone beads brought to him a cargo of silks and laces out of France. One night he had watched hour after hour, because a gentle and favourable wind was blowing, and La Mere de Misericorde was much overdue; and he was about to lie down upon his heap of straw, seeing that the dawn was whitening the east, and that the schooner would not dare to round Roughley and come to an anchor after daybreak; when he saw a long line of herons flying slowly from Dorren's Island and towards the pools which lie, half choked with reeds, behind what is called the Second Rosses. He had never before seen herons flying over the sea, for they are shore-keeping birds, and partly because this had startled him out of his drowsiness, and more because the long delay of the schooner kept his cupboard empty, he took down his rusty shot-gun, of which the barrel was tied on with a piece of string, and followed them towards the pools.
At the spot near Dead Man's Point, at the Rosses, where the old pilot house looks out at the ocean through two round windows like eyes, there stood a mud cottage in the last century. It was also a watchhouse for an old guy named Michael Bruen, who used to be a smuggler and was still the father and grandfather of smugglers. When, after dark, a tall schooner came over the bay from Roughley, it was his job to hang a horn lantern in the southern window so the news could get to Dorren's Island, and then from there, another horn lantern would send the word to the village of the Rosses. Aside from this flickering communication, he had little interaction with people because he was very old and only cared about saving his soul, kneeling by the Spanish crucifix made of carved oak that hung by his chimney, or stooped over the stone bead rosary he got from a shipment of silks and laces from France. One night, he watched for hours since a gentle and favorable wind was blowing, and La Mere de Misericorde was long overdue. Just as he was about to lie down on his pile of straw, seeing that dawn was breaking in the east and knowing the schooner wouldn’t dare come close to Roughley and anchor after daybreak, he noticed a long line of herons flying slowly from Dorren's Island towards the pools, which are half choked with reeds behind what’s called the Second Rosses. He had never seen herons flying over the sea before, as they are birds that stay by the shore. This partially startled him out of his drowsiness, and more so because the schooner’s long delay had left his cupboard empty, he grabbed his rusty shotgun, which had its barrel tied on with string, and followed them towards the pools.
When he came close enough to hear the sighing of the rushes in the outermost pool, the morning was grey over the world, so that the tall rushes, the still waters, the vague clouds, the thin mists lying among the sand-heaps, seemed carved out of an enormous pearl. In a little he came upon the herons, of whom there were a great number, standing with lifted legs in the shallow water; and crouching down behind a bank of rushes, looked to the priming of his gun, and bent for a moment over his rosary to murmur: 'Patron Patrick, let me shoot a heron; made into a pie it will support me for nearly four days, for I no longer eat as in my youth. If you keep me from missing I will say a rosary to you every night until the pie is eaten.' Then he lay down, and, resting his gun upon a large stone, turned towards a heron which stood upon a bank of smooth grass over a little stream that flowed into the pool; for he feared to take the rheumatism by wading, as he would have to do if he shot one of those which stood in the water. But when he looked along the barrel the heron was gone, and, to his wonder and terror, a man of infinitely great age and infirmity stood in its place. He lowered the gun, and the heron stood there with bent head and motionless feathers, as though it had slept from the beginning of the world. He raised the gun, and no sooner did he look along the iron than that enemy of all enchantment brought the old man again before him, only to vanish when he lowered the gun for the second time. He laid the gun down, and crossed himself three times, and said a Paternoster and an Ave Maria, and muttered half aloud: 'Some enemy of God and of my patron is standing upon the smooth place and fishing in the blessed water,' and then aimed very carefully and slowly. He fired, and when the smoke had gone saw an old man, huddled upon the grass and a long line of herons flying with clamour towards the sea. He went round a bend of the pool, and coming to the little stream looked down on a figure wrapped in faded clothes of black and green of an ancient pattern and spotted with blood. He shook his head at the sight of so great a wickedness. Suddenly the clothes moved and an arm was stretched upwards towards the rosary which hung about his neck, and long wasted fingers almost touched the cross. He started back, crying: 'Wizard, I will let no wicked thing touch my blessed beads'; and the sense of a The Old great danger just escaped made him tremble.
When he got close enough to hear the rushes rustling in the outermost pool, the morning was grey everywhere, making the tall rushes, the still waters, the vague clouds, and the thin mists lying among the sand heaps look like they were carved from a massive pearl. Soon, he spotted a lot of herons standing in the shallow water with their legs raised; crouching down behind a bank of rushes, he checked his gun and bent over his rosary for a moment to whisper: 'Saint Patrick, let me shoot a heron; made into a pie, it will keep me fed for nearly four days since I don’t eat like I used to. If you help me not miss, I’ll say a rosary for you every night until the pie is finished.' Then he lay down, resting his gun on a large stone, and turned toward a heron standing on a patch of smooth grass over a small stream flowing into the pool; he was afraid of catching rheumatism if he waded in to shoot one of those in the water. But when he looked down the barrel, the heron was gone, and to his amazement and fear, a very old and frail man stood in its place. He lowered the gun, and the heron was back, head bent and feathers still, as if it had been asleep since the dawn of time. He raised the gun again, but as soon as he looked through the sight, that source of all enchantment showed him the old man once more, only to disappear when he lowered the gun a second time. He set the gun down, crossed himself three times, said a Paternoster and an Ave Maria, and muttered half to himself, 'Some enemy of God and my patron is standing there on the smooth ground, fishing in the blessed water,' and then aimed very carefully and slowly. He fired, and when the smoke cleared, he saw an old man hunched on the grass and a long line of herons flying noisily toward the sea. He went around a bend in the pool, and when he reached the stream, he looked down at a figure wrapped in faded black and green clothes of an old pattern, stained with blood. He shook his head at the sight of such evil. Suddenly, the clothes moved, and an arm reached up towards the rosary hanging around his neck, with long, wasted fingers almost touching the cross. He jumped back, shouting, 'Wizard, I won’t let anything wicked touch my blessed beads'; and the sense of a great danger just avoided sent a shiver through him.
'If you listen to me,' replied a voice so faint that it was like a sigh, 'you will know that I am not a wizard, and you will let me kiss the cross before I die.'
'If you listen to me,' replied a voice so faint it was like a sigh, 'you'll understand that I'm not a wizard, and you'll let me kiss the cross before I die.'
'I will listen to you,' he answered, 'but I will not let you touch my blessed beads,' and sitting on the grass a little way from the dying man, he reloaded his gun and laid it across his knees and composed himself to listen.
"I'll listen to you," he replied, "but I won't let you touch my blessed beads." He sat on the grass a bit away from the dying man, reloaded his gun, laid it across his knees, and prepared himself to listen.
'I know not how many generations ago we, who are now herons, were the men of learning of the King Leaghaire; we neither hunted, nor went to battle, nor listened to the Druids preaching, and even love, if it came to us at all, was but a passing fire. The Druids and the poets told us, many and many a time, of a new Druid Patrick; and most among them were fierce against him, while a few thought his doctrine merely the doctrine of the gods set out in new symbols, and were for giving him welcome; but we yawned in the midst of their tale. At last they came crying that he was coming to the king's house, and fell to their dispute, but we would listen to neither party, for we were busy with a dispute about the merits of the Great and of the Little Metre; nor were we disturbed when they passed our door with sticks of enchantment under their arms, travelling towards the forest to contend against his coming, nor when they returned after nightfall with torn robes and despairing cries; for the click of our knives writing our thoughts in Ogham filled us with peace and our dispute filled us with joy; nor even when in the morning crowds passed us to hear the strange Druid preaching the commandments of his god. The crowds passed, and one, who had laid down his knife to yawn and stretch himself, heard a voice speaking far off, and knew that the Druid Patrick was preaching within the king's house; but our hearts were deaf, and we carved and disputed and read, and laughed a thin laughter together. In a little we heard many feet coming towards the house, and presently two tall figures stood in the door, the one in white, the other in a crimson robe; like a great lily and a heavy poppy; and we knew the Druid Patrick and our King Leaghaire. We laid down the slender knives and bowed before the king, but when the black and green robes had ceased to rustle, it was not the loud rough voice of King Leaghaire that spoke to us, but a strange voice in which there was a rapture as of one speaking from behind a battlement of Druid flame: "I preached the commandments of the Maker of the world," it said; "within the king's house and from the centre of the earth to the windows of Heaven there was a great silence, so that the eagle floated with unmoving wings in the white air, and the fish with unmoving fins in the dim water, while the linnets and the wrens and the sparrows stilled there ever-trembling tongues in the heavy boughs, and the clouds were like white marble, and the rivers became their motionless mirrors, and the shrimps in the far-off sea-pools were still enduring eternity in patience, although it was hard." And as he named these things, it was like a king numbering his people. "But your slender knives went click, click! upon the oaken staves, and, all else being silent, the sound shook the angels with anger. O, little roots, nipped by the winter, who do not awake although the summer pass above you with innumerable feet. O, men who have no part in love, who have no part in song, who have no part in wisdom, but dwell with the shadows of memory where the feet of angels cannot touch you as they pass over your heads, where the hair of demons cannot sweep about you as they pass under your feet, I lay upon you a curse, and change you to an example for ever and ever; you shall become grey herons and stand pondering in grey pools and flit over the world in that hour when it is most full of sighs, having forgotten the flame of the stars and not yet found the flame of the sun; and you shall preach to the other herons until they also are like you, and are an example for ever and ever; and your deaths shall come to you by chance and unforeseen, that no fire of certainty may visit your hearts."'
'I don’t know how many generations ago we, who are now herons, were the learned men of King Leaghaire; we neither hunted, nor fought in battles, nor listened to the Druids preach, and even love, if it ever came to us, was just a fleeting spark. The Druids and the poets told us, time and again, about a new Druid named Patrick; most of them were fiercely against him, while a few thought his teachings were just the teachings of the gods expressed in new symbols and were open to welcoming him, but we found their story dull. Eventually, they came rushing in, saying that he was coming to the king's house, and began to argue, but we didn’t listen to either side since we were preoccupied with a debate about the merits of the Great and the Little Metre; we weren’t even bothered when they passed our door with their enchanted staffs, heading towards the forest to oppose his arrival, nor when they returned at nightfall with torn robes and cries of despair; for the sound of our knives carving our thoughts in Ogham filled us with peace and our debate brought us joy; not even when in the morning crowds walked by us to hear the strange Druid preaching his god’s commandments. The crowds passed, and one, who had set down his knife to yawn and stretch, heard a voice far off and realized that Druid Patrick was preaching inside the king's house; but our hearts were deaf, and we continued to carve and argue and read, laughing together with weak laughter. Soon, we heard many footsteps approaching the house, and then two tall figures stood in the doorway, one in white and the other in crimson; like a big lily and a heavy poppy; and we recognized Druid Patrick and our King Leaghaire. We put down our slender knives and bowed to the king, but when the black and green robes were no longer rustling, it wasn’t the loud rough voice of King Leaghaire speaking to us, but a strange voice full of rapture, as if it was coming from behind a barrier of Druid flame: "I preached the commandments of the Creator of the world," it said; "inside the king's house and from the center of the earth to the windows of Heaven there was a great silence, so the eagle floated with still wings in the white air, and the fish with still fins in the dim water, while the linnets, wrens, and sparrows stilled their ever-trembling tongues in the heavy branches, and the clouds resembled white marble, and the rivers became their motionless mirrors, and the shrimps in the distant sea-pools endured an eternity in patience, even though it was difficult." And as he named these things, it felt like a king counting his people. "But your slender knives went click, click! upon the oaken staves, and, with everything else silent, the sound filled the angels with anger. O, little roots, nipped by winter, who remain asleep even as summer passes above you with countless feet. O, men who have no part in love, no part in song, no part in wisdom, but dwell with the shadows of memory where the feet of angels cannot reach you as they pass overhead, where the hair of demons cannot brush against you as they move beneath your feet, I place a curse upon you and change you into a lesson for all time; you shall become grey herons and stand pondering in grey pools and flit over the world in that hour filled with sighs, having forgotten the flame of the stars and not yet found the flame of the sun; and you shall preach to the other herons until they too become like you, and serve as a lesson forever; and your deaths shall come to you by chance and unforeseen, so that no fire of certainty may touch your hearts."'
The voice of the old man of learning became still, but the voteen bent over his gun with his eyes upon the ground, trying in vain to understand something of this tale; and he had so bent, it may be for a long time, had not a tug at his rosary made him start out of his dream. The old man of learning had crawled along the grass, and was now trying to draw the cross down low enough for his lips to reach it.
The old scholar's voice fell silent, but the young man hunched over his gun, staring at the ground, struggling to make sense of the story. He could have stayed like that for quite a while if it weren't for a tug on his rosary that snapped him out of his reverie. The old scholar had crawled through the grass and was now trying to bring the cross low enough for his lips to touch it.
'You must not touch my blessed beads, cried the voteen, and struck the long withered fingers with the barrel of his gun. He need not have trembled, for the old man fell back upon the grass with a sigh and was still. He bent down and began to consider the black and green clothes, for his fear had begun to pass away when he came to understand that he had something the man of learning wanted and pleaded for, and now that the blessed beads were safe, his fear had nearly all gone; and surely, he thought, if that big cloak, and that little tight-fitting cloak under it, were warm and without holes, Saint Patrick would take the enchantment out of them and leave them fit for human use. But the black and green clothes fell away wherever his fingers touched them, and while this was a new wonder, a slight wind blew over the pool and crumbled the old man of learning and all his ancient gear into a little heap of dust, and then made the little heap less and less until there was nothing but the smooth green grass.
"You can't touch my blessed beads!" the voteen shouted, striking the long, withered fingers with the barrel of his gun. He didn't need to be afraid, for the old man fell back onto the grass with a sigh and became still. He knelt down and started to think about the black and green clothes, his fear fading as he realized he had something the scholar wanted and was begging for. Now that the blessed beads were safe, his fear was nearly gone; and surely, he thought, if that big cloak and the little, tight-fitting one beneath it were warm and hole-free, Saint Patrick would remove the enchantment from them and make them ready for human use. But the black and green clothes crumbled away wherever his fingers touched them, and while this was a new wonder, a slight wind blew over the pool, turning the old man of learning and all his ancient gear into a small heap of dust, which gradually disappeared until there was nothing left but the smooth green grass.
WHERE THERE IS NOTHING, THERE IS GOD.
The little wicker houses at Tullagh, where the Brothers were accustomed to pray, or bend over many handicrafts, when twilight had driven them from the fields, were empty, for the hardness of the winter had brought the brotherhood together in the little wooden house under the shadow of the wooden chapel; and Abbot Malathgeneus, Brother Dove, Brother Bald Fox, Brother Peter, Brother Patrick, Brother Bittern, Brother Fair-Brows, and many too young to have won names in the great battle, sat about the fire with ruddy faces, one mending lines to lay in the river for eels, one fashioning a snare for birds, one mending the broken handle of a spade, one writing in a large book, and one shaping a jewelled box to hold the book; and among the rushes at their feet lay the scholars, who would one day be Brothers, and whose school-house it was, and for the succour of whose tender years the great fire was supposed to leap and flicker. One of these, a child of eight or nine years, called Olioll, lay upon his back looking up through the hole in the roof, through which the smoke went, and watching the stars appearing and disappearing in the smoke with mild eyes, like the eyes of a beast of the field. He turned presently to the Brother who wrote in the big book, and whose duty was to teach the children, and said, 'Brother Dove, to what are the stars fastened?' The Brother, rejoicing to see so much curiosity in the stupidest of his scholars, laid down the pen and said, 'There are nine crystalline spheres, and on the first the Moon is fastened, on the second the planet Mercury, on the third the planet Venus, on the fourth the Sun, on the fifth the planet Mars, on the sixth the planet Jupiter, on the seventh the planet Saturn; these are the wandering stars; and on the eighth are fastened the fixed stars; but the ninth sphere is a sphere of the substance on which the breath of God moved in the beginning.'
The little wicker houses at Tullagh, where the Brothers used to pray or work on various crafts when the twilight drove them from the fields, were empty. The harsh winter had brought the brotherhood together in the small wooden house beneath the wooden chapel; and Abbot Malathgeneus, Brother Dove, Brother Bald Fox, Brother Peter, Brother Patrick, Brother Bittern, Brother Fair-Brows, and many who were too young to have earned names in the great battle sat around the fire with warm faces. One was mending lines to set in the river for eels, another was making a snare for birds, one was fixing the broken handle of a spade, another was writing in a large book, and one was crafting a jeweled box to hold the book. Among the rushes at their feet lay the scholars, who would one day become Brothers, and in whose schoolhouse they were gathered, and for the support of whose young lives the great fire was meant to jump and flicker. One of them, a child of eight or nine named Olioll, lay on his back looking up through the hole in the roof where the smoke escaped, watching the stars appear and disappear in the smoke with gentle eyes, like those of a field animal. He soon turned to the Brother who was writing in the big book and whose job it was to teach the children, and asked, "Brother Dove, what are the stars attached to?" The Brother, pleased to see such curiosity in even the dullest of his students, put down his pen and replied, "There are nine crystalline spheres. The Moon is fixed to the first, Mercury to the second, Venus to the third, the Sun to the fourth, Mars to the fifth, Jupiter to the sixth, Saturn to the seventh; these are the wandering stars. The eighth holds the fixed stars, while the ninth sphere is made of the substance over which the breath of God moved in the beginning."
'What is beyond that?' said the child. 'There is nothing beyond that; there is God.'
'What's out there?' asked the child. 'There's nothing beyond that; there's God.'
And then the child's eyes strayed to the jewelled box, where one great ruby was gleaming in the light of the fire, and he said, 'Why has Brother Peter put a great ruby on the side of the box?'
And then the child's eyes wandered to the jeweled box, where a large ruby was shining in the firelight, and he asked, 'Why did Brother Peter put a big ruby on the side of the box?'
'The ruby is a symbol of the love of God.'
'The ruby represents the love of God.'
'Why is the ruby a symbol of the love of God?'
'Why is the ruby a symbol of God's love?'
'Because it is red, like fire, and fire burns up everything, and where there is nothing, there is God.'
'Because it’s red, like fire, and fire consumes everything, and where there’s nothing, there’s God.'
The child sank into silence, but presently sat up and said, 'There is somebody outside.'
The child fell silent but soon sat up and said, 'There's someone outside.'
'No,' replied the Brother. 'It is only the wolves; I have heard them moving about in the snow for some time. They are growing very wild, now that the winter drives them from the mountains. They broke into a fold last night and carried off many sheep, and if we are not careful they will devour everything.'
'No,' replied the Brother. 'It's just the wolves; I've heard them moving around in the snow for a while now. They’re getting really aggressive, especially since the winter is pushing them down from the mountains. They broke into a pen last night and took away a lot of sheep, and if we're not careful, they'll eat everything.'
'No, it is the footstep of a man, for it is heavy; but I can hear the footsteps of the wolves also.'
'No, it's the heavy footsteps of a man; but I can also hear the footsteps of the wolves.'
He had no sooner done speaking than somebody rapped three times, but with no great loudness.
He had just finished speaking when someone knocked three times, but it wasn't very loud.
'I will go and open, for he must be very cold.'
'I will go and open the door, because he must be really cold.'
'Do not open, for it may be a man-wolf, and he may devour us all.'
'Don't open it; it could be a werewolf, and he might eat us all.'
But the boy had already drawn back the heavy wooden bolt, and all the faces, most of them a little pale, turned towards the slowly-opening door.
But the boy had already pulled back the heavy wooden bolt, and all the faces, most of them a bit pale, turned towards the slowly opening door.
'He has beads and a cross, he cannot be a man-wolf,' said the child, as a man with the snow heavy on his long, ragged beard, and on the matted hair, that fell over his shoulders and nearly to his waist, and dropping from the tattered cloak that but half-covered his withered brown body, came in and looked from face to face with mild, ecstatic eyes. Standing some way from the fire, and with eyes that had rested at last upon the Abbot Malathgeneus, he cried out, 'O blessed abbot, let me come to the fire and warm myself and dry the snow from my beard and my hair and my cloak; that I may not die of the cold of the mountains, and anger the Lord with a wilful martyrdom.'
'He has beads and a cross, he can't be a werewolf,' said the child, as a man with snow piled on his long, ragged beard and on the tangled hair that fell over his shoulders and nearly to his waist, and dropping from the tattered cloak that barely covered his withered brown body, came in and looked from face to face with gentle, ecstatic eyes. Standing some distance from the fire, and with eyes that finally rested on Abbot Malathgeneus, he cried out, 'O blessed abbot, let me come to the fire and warm myself and dry the snow from my beard, my hair, and my cloak; so that I may not die from the cold of the mountains and anger the Lord with a foolish martyrdom.'
'Come to the fire,' said the abbot, 'and warm yourself, and eat the food the boy Olioll will bring you. It is sad indeed that any for whom Christ has died should be as poor as you.'
'Come to the fire,' said the abbot, 'and warm yourself, and eat the food the boy Olioll will bring you. It's truly sad that anyone for whom Christ has died should be as poor as you.'
The man sat over the fire, and Olioll took away his now dripping cloak and laid meat and bread and wine before him; but he would eat only of the bread, and he put away the wine, asking for water. When his beard and hair had begun to dry a little and his limbs had ceased to shiver with the cold, he spoke again.
The man sat by the fire, and Olioll took his now dripping cloak and laid out meat, bread, and wine in front of him; but he only wanted the bread, and he set the wine aside, asking for water instead. Once his beard and hair had dried a bit and his body had stopped shaking from the cold, he spoke again.
'O blessed abbot, have pity on the poor, have pity on a beggar who has trodden the bare world this many a year, and give me some labour to do, the hardest there is, for I am the poorest of God's poor.'
'O blessed abbot, please have mercy on the poor, have mercy on a beggar who has traveled this bare world for many years, and give me some work to do, the hardest there is, because I am the poorest of God's poor.'
Then the Brothers discussed together what work they could put him to, and at first to little purpose, for there was no labour that had not found its labourer in that busy community; but at last one remembered that Brother Bald Fox, whose business it was to turn the great quern in the quern-house, for he was too stupid for anything else, was getting old for so heavy a labour; and so the beggar was put to the quern from the morrow.
Then the Brothers talked about what tasks they could assign him, but at first it was mostly pointless because there was already someone for every job in that bustling community. Finally, one of them recalled that Brother Bald Fox, who was responsible for turning the large millstone in the millhouse—since he wasn’t suited for anything else—was getting too old for such a demanding job. So, the beggar was assigned to the mill starting the next day.
The cold passed away, and the spring grew to summer, and the quern was never idle, nor was it turned with grudging labour, for when any passed the beggar was heard singing as he drove the handle round. The last gloom, too, had passed from that happy community, for Olioll, who had always been stupid and unteachable, grew clever, and this was the more miraculous because it had come of a sudden. One day he had been even duller than usual, and was beaten and told to know his lesson better on the morrow or be sent into a lower class among little boys who would make a joke of him. He had gone out in tears, and when he came the next day, although his stupidity, born of a mind that would listen to every wandering sound and brood upon every wandering light, had so long been the byword of the school, he knew his lesson so well that he passed to the head of the class, and from that day was the best of scholars. At first Brother Dove thought this was an answer to his own prayers to the Virgin, and took it for a great proof of the love she bore him; but when many far more fervid prayers had failed to add a single wheatsheaf to the harvest, he began to think that the child was trafficking with bards, or druids, or witches, and resolved to follow and watch. He had told his thought to the abbot, who bid him come to him the moment he hit the truth; and the next day, which was a Sunday, he stood in the path when the abbot and the Brothers were coming from vespers, with their white habits upon them, and took the abbot by the habit and said, 'The beggar is of the greatest of saints and of the workers of miracle. I followed Olioll but now, and by his slow steps and his bent head I saw that the weariness of his stupidity was over him, and when he came to the little wood by the quern-house I knew by the path broken in the under-wood and by the footmarks in the muddy places that he had gone that way many times. I hid behind a bush where the path doubled upon itself at a sloping place, and understood by the tears in his eyes that his stupidity was too old and his wisdom too new to save him from terror of the rod. When he was in the quern-house I went to the window and looked in, and the birds came down and perched upon my head and my shoulders, for they are not timid in that holy place; and a wolf passed by, his right side shaking my habit, his left the leaves of a bush. Olioll opened his book and turned to the page I had told him to learn, and began to cry, and the beggar sat beside him and comforted him until he fell asleep. When his sleep was of the deepest the beggar knelt down and prayed aloud, and said, "O Thou Who dwellest beyond the stars, show forth Thy power as at the beginning, and let knowledge sent from Thee awaken in his mind, wherein is nothing from the world, that the nine orders of angels may glorify Thy name;" and then a light broke out of the air and wrapped Aodh, and I smelt the breath of roses. I stirred a little in my wonder, and the beggar turned and saw me, and, bending low, said, "O Brother Dove, if I have done wrong, forgive me, and I will do penance. It was my pity moved me;" but I was afraid and I ran away, and did not stop running until I came here.' Then all the Brothers began talking together, one saying it was such and such a saint, and one that it was not he but another; and one that it was none of these, for they were still in their brotherhoods, but that it was such and such a one; and the talk was as near to quarreling as might be in that gentle community, for each would claim so great a saint for his native province. At last the abbot said, 'He is none that you have named, for at Easter I had greeting from all, and each was in his brotherhood; but he is Aengus the Lover of God, and the first of those who have gone to live in the wild places and among the wild beasts. Ten years ago he felt the burden of many labours in a brotherhood under the Hill of Patrick and went into the forest that he might labour only with song to the Lord; but the fame of his holiness brought many thousands to his cell, so that a little pride clung to a soul from which all else had been driven. Nine years ago he dressed himself in rags, and from that day none has seen him, unless, indeed, it be true that he has been seen living among the wolves on the mountains and eating the grass of the fields. Let us go to him and bow down before him; for at last, after long seeking, he has found the nothing that is God; and bid him lead us in the pathway he has trodden.'
The cold went away, and spring turned into summer. The mill was always busy, and it wasn't operated grudgingly, because when anyone passed by, they could hear the beggar singing as he turned the handle. The last bit of gloom had also lifted from that happy community, because Olioll, who had always been dim-witted and unteachable, suddenly became clever. This was remarkable because it happened all at once. One day, he had been even duller than usual, and he was chastised and told to learn his lesson better for the next day, or he would be sent down to a lower class with little boys who would make fun of him. He left in tears, and when he returned the next day, even though his long-standing stupidity, which came from a mind that would get distracted by every wandering sound and lose itself in every flickering light, had been the talk of the school, he knew his lesson so well that he moved to the head of the class and became the best student from that day on. At first, Brother Dove thought this was an answer to his own prayers to the Virgin, and he took it as a sign of her love for him; but when many more fervent prayers had failed to add a single sheaf of wheat to the harvest, he began to suspect that the child was dabbling with bards, druids, or witches, and he decided to follow and observe him. He shared his thoughts with the abbot, who told him to come to him as soon as he discovered the truth; and the next day, which was a Sunday, he stood along the path as the abbot and the Brothers were returning from vespers, wearing their white habits. He grabbed the abbot's habit and said, "The beggar is one of the greatest saints and a miracle worker. I just followed Olioll, and by his slow steps and downcast head, I could see that he was weighed down by his former stupidity. When he reached the little wood by the mill house, I could tell from the path worn in the underbrush and the footprints in the mud that he had passed that way many times. I hid behind a bush where the path curved downhill and realized from the tears in his eyes that his old stupidity felt too heavy and his newfound wisdom was too recent to shield him from the fear of punishment. When he entered the mill house, I went to the window and looked in, and the birds flew down and landed on my head and shoulders, for they are not afraid in that sacred place; and a wolf brushed past, shaking my habit on one side and the leaves of a bush on the other. Olioll opened his book to the page I had told him to learn, and he started to cry, and the beggar sat next to him and comforted him until he fell asleep. When he was deep in sleep, the beggar knelt down and prayed out loud, saying, "O You Who dwell beyond the stars, show Your power as You did at the beginning and let knowledge sent from You awaken in his mind, which contains nothing from the world, that the nine orders of angels may glorify Your name;" and then a light broke through the air and surrounded Aodh, and I could smell roses. I stirred a bit in my amazement, and the beggar turned, saw me, and, leaning low, said, "O Brother Dove, if I have done wrong, forgive me, and I will take penance. It was my compassion that moved me;" but I was frightened and ran away, not stopping until I reached here.' Then all the Brothers began to discuss it, with one claiming it was this saint, another insisting it was a different one; and one stating that it was none of them, for they were still in their brotherhoods, but rather it was such and such a person; and the conversation escalated toward what could almost be classified as arguing in that gentle community, as each wanted to claim such a great saint as their own. Finally, the abbot said, 'He is not any of those you have named, for at Easter I received greetings from all, and each of them was in his brotherhood; but he is Aengus the Lover of God, the first of those who have chosen to live in the wild and among the wild animals. Ten years ago, he felt the weight of many labors in a brotherhood under the Hill of Patrick and withdrew into the forest to dedicate himself solely to singing for the Lord; but the fame of his holiness attracted many thousands to his cell, causing a bit of pride to cling to a soul that had been purged of all else. Nine years ago, he donned rags, and since then, no one has seen him, unless it's true that he has been spotted living among the wolves in the mountains and eating grass from the fields. Let’s go to him and bow down before him; for at long last, after much searching, he has found the nothing that is God; and let us ask him to guide us along the path he has walked.'
They passed in their white habits along the beaten path in the wood, the acolytes swinging their censers before them, and the abbot, with his crozier studded with precious stones, in the midst of the incense; and came before the quern-house and knelt down and began to pray, awaiting the moment when the child would wake, and the Saint cease from his watch and come to look at the sun going down into the unknown darkness, as his way was.
They walked in their white robes along the worn path in the woods, the acolytes swinging their censers in front of them, and the abbot, with his staff adorned with precious stones, surrounded by the incense; they arrived at the millhouse, knelt down, and started to pray, waiting for the moment when the child would wake up, and the Saint would finish his watch and come to watch the sun set into the unknown darkness, as he usually did.
OF COSTELLO THE PROUD, OF OONA THE DAUGHTER OF DERMOTT, AND OF THE BITTER TONGUE.
Costello had come up from the fields and lay upon the ground before the door of his square tower, resting his head upon his hands and looking at the sunset, and considering the chances of the weather. Though the customs of Elizabeth and James, now going out of fashion in England, had begun to prevail among the gentry, he still wore the great cloak of the native Irish; and the sensitive outlines of his face and the greatness of his indolent body had a commingling of pride and strength which belonged to a simpler age. His eyes wandered from the sunset to where the long white road lost itself over the south-western horizon and to a horseman who toiled slowly up the hill. A few more minutes and the horseman was near enough for his little and shapeless body, his long Irish cloak, and the dilapidated bagpipes hanging from his shoulders, and the rough-haired garron under him, to be seen distinctly in the grey dusk. So soon as he had come within earshot, he began crying: 'Is it sleeping you are, Tumaus Costello, when better men break their hearts on the great white roads? Get up out of that, proud Tumaus, for I have news! Get up out of that, you great omadhaun! Shake yourself out of the earth, you great weed of a man!'
Costello had come up from the fields and lay on the ground before the door of his square tower, resting his head on his hands and watching the sunset while thinking about the weather. Even though the trends of Elizabeth and James were fading in England, he still wore the big cloak of the native Irish. The delicate features of his face and the size of his lazy body combined a sense of pride and strength that belonged to a simpler time. His gaze shifted from the sunset to the long white road that disappeared over the southwestern horizon, and to a horseman who slowly climbed the hill. A few more minutes passed, and the horseman was close enough to be seen clearly in the gray dusk with his small, misshapen body, long Irish cloak, and the worn bagpipes hanging from his shoulders, along with the rough-haired pony underneath him. As soon as he was within earshot, he shouted: "Are you sleeping, Tumaus Costello, while better men break their hearts on the great white roads? Get up, proud Tumaus, because I have news! Get up, you big fool! Shake yourself out of the earth, you big weed of a man!"
Costello had risen to his feet, and as the piper came up to him seized him by the neck of his jacket, and lifting him out of his saddle threw him on to the ground.
Costello had stood up, and as the piper approached him, he grabbed him by the collar of his jacket and, lifting him off his saddle, tossed him to the ground.
'Let me alone, let me alone,' said the other, but Costello still shook him.
'Leave me alone, leave me alone,' said the other, but Costello kept shaking him.
'I have news from Dermott's daughter, Winny,' The great fingers were loosened, and the piper rose gasping.
'I have news from Dermott's daughter, Winny,' The big fingers relaxed, and the piper stood up, gasping for breath.
'Why did you not tell me,' said Costello, that you came from her? You might have railed your fill.'
'Why didn't you tell me,' said Costello, 'that you were coming from her? You could have vented all you wanted.'
'I have come from her, but I will not speak unless I am paid for my shaking.'
'I came from her, but I won’t say anything unless I get paid for my shaking.'
Costello fumbled at the bag in which he carried his money, and it was some time before it would open, for the hand that had overcome many men shook with fear and hope. 'Here is all the money in my bag,' he said, dropping a stream of French and Spanish money into the hand of the piper, who bit the coins before he would answer.
Costello struggled to open the bag where he kept his money, taking quite a while because the hand that had defeated many men trembled with fear and hope. "Here’s all the money in my bag," he said, letting a mix of French and Spanish coins spill into the piper's hand, who bit the coins before responding.
'That is right, that is a fair price, but I will not speak till I have good protection, for if the Dermotts lay their hands upon me in any boreen after sundown, or in Cool-a-vin by day, I will be left to rot among the nettles of a ditch, or hung on the great sycamore, where they hung the horse-thieves last Beltaine four years.' And while he spoke he tied the reins of his garron to a bar of rusty iron that was mortared into the wall.
'That's right, that's a fair price, but I won’t say anything until I have proper protection. Because if the Dermotts get their hands on me in any narrow lane after dark, or in Cool-a-vin during the day, I’ll end up rotting among the nettles in a ditch, or hanging from the big sycamore where they hung the horse thieves last Beltane four years ago.' And as he spoke, he tied the reins of his donkey to a rusty iron bar that was set into the wall.
'I will make you my piper and my bodyservant,' said Costello, 'and no man dare lay hands upon the man, or the goat, or the horse, or the dog that is Tumaus Costello's.'
'I will make you my piper and my servant,' said Costello, 'and no one will dare to touch the man, the goat, the horse, or the dog that belongs to Tumaus Costello.'
'And I will only tell my message,' said the other, flinging the saddle on the ground, 'in the corner of the chimney with a noggin in my hand, and a jug of the Brew of the Little Pot beside me, for though I am ragged and empty, my forbears were well clothed and full until their house was burnt and their cattle harried seven centuries ago by the Dillons, whom I shall yet see on the hob of hell, and they screeching'; and while he spoke the little eyes gleamed and the thin hands clenched.
'I'm only going to share my message,' said the other, throwing the saddle down on the ground, 'in the corner by the fireplace with a drink in my hand and a jug of the Brew of the Little Pot beside me. Even though I'm ragged and empty, my ancestors were well-dressed and well-fed until their house was burned down and their cattle were taken seven centuries ago by the Dillons, whom I will one day see in hell, screaming.' As he spoke, his small eyes shone and his thin hands tightened into fists.
Costello led him into the great rush-strewn hall, where were none of the comforts which had begun to grow common among the gentry, but a feudal gauntness and bareness, and pointed to the bench in the great chimney; and when he had sat down, filled up a horn noggin and set it on the bench beside him, and set a great black jack of leather beside the noggin, and lit a torch that slanted out from a ring in the wall, his hands trembling the while; and then turned towards him and said: 'Will Dermott's daughter come to me, Duallach, son of Daly?'
Costello guided him into the large, cluttered hall, which lacked the comforts that had become common among the upper class, instead featuring a stark and bare atmosphere. He pointed to the bench near the large fireplace. After he sat down, he filled a horn mug and placed it on the bench beside him, then set a big black leather jug next to the mug. He lit a torch that angled out from a ring on the wall, his hands shaking the whole time. He then turned to him and asked, "Will Dermott's daughter come to me, Duallach, son of Daly?"
'Dermott's daughter will not come to you, for her father has set women to watch her, but she bid me tell you that this day sennight will be the eve of St. John and the night of her betrothal to Namara of the Lake, and she would have you there that, when they bid her drink to him she loves best, as the way is, she may drink to you, Tumaus Costello, and let all know where her heart is, and how little of gladness is in her marriage; and I myself bid you go with good men about you, for I saw the horse-thieves with my own eyes, and they dancing the "Blue Pigeon" in the air.' And then he held the now empty noggin towards Costello, his hand closing round it like the claw of a bird, and cried: 'Fill my noggin again, for I would the day had come when all the water in the world is to shrink into a periwinkle-shell, that I might drink nothing but Poteen.'
'Dermott's daughter won't come to see you because her father has hired women to keep an eye on her, but she asked me to tell you that a week from today will be the eve of St. John and her engagement night to Namara of the Lake. She wants you there so that when they ask her to drink to the one she loves most, as is the tradition, she can toast to you, Tumaus Costello, and let everyone know where her heart truly lies and how unhappy she is about her marriage. And I advise you to go with good men around you, because I saw the horse thieves with my own eyes, and they were dancing the "Blue Pigeon" in the air.' Then he held the now empty mug towards Costello, his hand clutching it like a bird's claw, and shouted: 'Fill my mug again, for I wish the day would come when all the water in the world shrinks into a periwinkle shell so I could drink nothing but Poteen.'
Finding that Costello made no reply, but sat in a dream, he burst out: 'Fill my noggin, I tell you, for no Costello is so great in the world that he should not wait upon a Daly, even though the Daly travel the road with his pipes and the Costello have a bare hill, an empty house, a horse, a herd of goats, and a handful of cows.' 'Praise the Dalys if you will,' said Costello as he filled the noggin, 'for you have brought me a kind word from my love.'
Finding that Costello didn’t respond but sat lost in thought, he exclaimed: 'Fill my mug, I tell you, for no Costello is so great in the world that he shouldn’t serve a Daly, even if the Daly walks the path with his pipes while the Costello has a bare hill, an empty house, a horse, a herd of goats, and a few cows.' 'Praise the Dalys if you want,' said Costello as he filled the mug, 'for you’ve brought me a kind word from my love.'
For the next few days Duallach went hither and thither trying to raise a bodyguard, and every man he met had some story of Costello, how he killed the wrestler when but a boy by so straining at the belt that went about them both that he broke the big wrestler's back; how when somewhat older he dragged fierce horses through a ford in the Unchion for a wager; how when he came to manhood he broke the steel horseshoe in Mayo; how he drove many men before him through Rushy Meadow at Drum-an-air because of a malevolent song they had about his poverty; and of many another deed of his strength and pride; but he could find none who would trust themselves with any so passionate and poor in a quarrel with careful and wealthy persons like Dermott of the Sheep and Namara of the Lake.
For the next few days, Duallach went around trying to find a bodyguard, and every guy he met had a story about Costello. They talked about how he had killed a wrestler when he was just a boy by straining so hard at the belt that went around them both that he broke the big wrestler's back; how, when he was a bit older, he dragged fierce horses through a ford in the Unchion for a bet; how he had broken a steel horseshoe in Mayo when he reached adulthood; how he drove many men before him through Rushy Meadow at Drum-an-air because of a mean song they sang about his poverty; and many other tales of his strength and pride. But he couldn't find anyone willing to team up with someone so passionate and poor in a fight against careful and wealthy people like Dermott of the Sheep and Namara of the Lake.
Then Costello went out himself, and after listening to many excuses and in many places, brought in a big half-witted fellow, who followed him like a dog, a farm-labourer who worshipped him for his strength, a fat farmer whose forefathers had served his family, and a couple of lads who looked after his goats and cows; and marshalled them before the fire in the empty hall. They had brought with them their stout cudgels, and Costello gave them an old pistol apiece, and kept them all night drinking Spanish ale and shooting at a white turnip which he pinned against the wall with a skewer. Duallach of the pipes sat on the bench in the chimney playing 'The Green Bunch of Rushes', 'The Unchion Stream,' and 'The Princes of Breffeny' on his old pipes, and railing now at the appearance of the shooters, now at their clumsy shooting, and now at Costello because he had no better servants. The labourer, the half-witted fellow, the farmer and the lads were all well accustomed to Duallach's railing, for it was as inseparable from wake or wedding as the squealing of his pipes, but they wondered at the forbearance of Costello, who seldom came either to wake or wedding, and if he had would scarce have been patient with a scolding piper.
Then Costello went out himself, and after listening to a lot of excuses in various places, he brought in a big, simple-minded guy who followed him like a dog, a farm laborer who admired him for his strength, a hefty farmer whose ancestors had served Costello's family, and a couple of guys who took care of his goats and cows; and he gathered them around the fire in the empty hall. They had brought their sturdy clubs, and Costello gave each of them an old pistol, keeping them up all night drinking Spanish ale and shooting at a white turnip that he pinned to the wall with a skewer. Duallach played on the bench by the chimney, performing 'The Green Bunch of Rushes', 'The Unchion Stream,' and 'The Princes of Breffeny' on his old pipes, complaining about the appearance of the shooters, their awkward aim, and about Costello for not having better helpers. The laborer, the simple-minded guy, the farmer, and the lads were all used to Duallach's complaints, as they were as common at a wake or wedding as the sound of his pipes, but they were surprised at Costello's patience, as he rarely attended either wakes or weddings and if he had, he probably wouldn't have tolerated a nagging piper.
On the next evening they set out for Cool-a-vin, Costello riding a tolerable horse and carrying a sword, the others upon rough-haired garrons, and with their stout cudgels under their arms. As they rode over the bogs and in the boreens among the hills they could see fire answering fire from hill to hill, from horizon to horizon, and everywhere groups who danced in the red light on the turf, celebrating the bridal of life and fire. When they came to Dermott's house they saw before the door an unusually large group of the very poor, dancing about a fire, in the midst of which was a blazing cartwheel, that circular dance which is so ancient that the gods, long dwindled to be but fairies, dance no other in their secret places. From the door and through the long loop-holes on either side came the pale light of candles and the sound of many feet dancing a dance of Elizabeth and James.
On the next evening, they set out for Cool-a-vin, with Costello riding a decent horse and carrying a sword, while the others were on sturdy ponies, each with a thick club under their arms. As they rode over the bogs and through the narrow paths among the hills, they could see fires lighting up the night from hill to hill, stretching from horizon to horizon, and everywhere groups were dancing in the red glow on the grass, celebrating the union of life and fire. When they arrived at Dermott's house, they noticed an unusually large crowd of the very poor, dancing around a fire, in the middle of which was a burning cartwheel — a circular dance so ancient that even the long-forgotten gods, now mere fairies, still perform it in their hidden places. From the doorway and through the long narrow openings on either side, the pale light of candles shone, accompanied by the sound of many feet dancing to the tunes of Elizabeth and James.
They tied their horses to bushes, for the number so tied already showed that the stables were full, and shoved their way through a crowd of peasants who stood about the door, and went into the great hall where the dance was. The labourer, the half-witted fellow, the farmer and the two lads mixed with a group of servants who were looking on from an alcove, and Duallach sat with the pipers on their bench, but Costello made his way through the dancers to where Dermott of the Sheep stood with Namara of the Lake pouring Poteen out of a porcelain jug into horn noggins with silver rims.
They tied their horses to bushes since the visible horses already indicated the stables were full and pushed their way through a crowd of peasants loitering by the door, entering the great hall where the dance was happening. The laborer, the slow-witted guy, the farmer, and the two boys mingled with a group of servants watching from a corner, while Duallach sat with the pipers on their bench. Costello made his way through the dancers to where Dermott of the Sheep stood with Namara of the Lake, pouring Poteen from a porcelain jug into horn mugs with silver rims.
'Tumaus Costello,' said the old man, 'you have done a good deed to forget what has been, and to fling away enmity and come to the betrothal of my daughter to Namara of the Lake.'
'Tumaus Costello,' said the old man, 'you've done well to let go of the past, put aside any grudges, and come to my daughter's engagement to Namara of the Lake.'
'I come,' answered Costello, 'because when in the time of Costello De Angalo my forbears overcame your forbears and afterwards made peace, a compact was made that a Costello might go with his body-servants and his piper to every feast given by a Dermott for ever, and a Dermott with his body-servants and his piper to every feast given by a Costello for ever.'
'I’m here,' Costello replied, 'because back when Costello De Angalo was around, my ancestors defeated yours and later made peace. They agreed that a Costello could attend every feast hosted by a Dermott along with his servants and piper forever, and a Dermott could attend every feast hosted by a Costello forever with his servants and piper.'
'If you come with evil thoughts and armed men,' said the son of Dermott flushing,' no matter how strong your hands to wrestle and to swing the sword, it shall go badly with you, for some of my wife's clan have come out of Mayo, and my three brothers and their servants have come down from the Ox Mountains'; and while he spoke he kept his hand inside his coat as though upon the handle of a weapon.
'If you show up with bad intentions and armed men,' said Dermott's son, blushing, 'it doesn’t matter how strong you are at fighting or swinging a sword, things won't end well for you. Some of my wife's clan have come down from Mayo, and my three brothers and their servants are here from the Ox Mountains.' As he spoke, he kept his hand inside his coat, as if holding onto a weapon.
'No,' answered Costello, 'I but come to dance a farewell dance with your daughter.'
'No,' Costello replied, 'I’ve only come to share a farewell dance with your daughter.'
Dermott drew his hand out of his coat and went over to a tall pale girl who was now standing but a little way off with her mild eyes fixed upon the ground.
Dermott pulled his hand out of his coat and walked over to a tall, pale girl who was now standing a short distance away, her gentle eyes focused on the ground.
'Costello has come to dance a farewell dance, for he knows that you will never see one another again.'
'Costello has come to do a farewell dance, because he knows you will never see each other again.'
The girl lifted her eyes and gazed at Costello, and in her gaze was that trust of the humble in the proud, the gentle in the violent, which has been the tragedy of woman from the beginning. Costello led her among the dancers, and they were soon drawn into the rhythm of the Pavane, that stately dance which, with the Saraband, the Gallead, and the Morrice dances, had driven out, among all but the most Irish of the gentry, the quicker rhythms of the verse-interwoven, pantomimic dances of earlier days; and while they danced there came over them the unutterable melancholy, the weariness with the world, the poignant and bitter pity for one another, the vague anger against common hopes and fears, which is the exultation of love. And when a dance ended and the pipers laid down their pipes and lifted their horn noggins, they stood a little from the others waiting pensively and silently for the dance to begin again and the fire in their hearts to leap up and to wrap them anew; and so they danced and danced Pavane and Saraband and Gallead and Morrice through the night long, and many stood still to watch them, and the peasants came about the door and peered in, as though they understood that they would gather their children's children about them long hence, and tell how they had seen Costello dance with Dermott's daughter Oona, and become by the telling themselves a portion of ancient romance; but through all the dancing and piping Namara of the Lake went hither and thither talking loudly and making foolish jokes that all might seem well with him, and old Dermott of the Sheep grew redder and redder, and looked oftener and oftener at the doorway to see if the candles there grew yellow in the dawn.
The girl lifted her gaze and looked at Costello, and in her eyes was that trust of the humble in the proud, the gentle in the violent, which has been the tragedy of women since the beginning. Costello led her among the dancers, and they quickly got caught up in the rhythm of the Pavane, that graceful dance which, along with the Saraband, the Gallead, and the Morrice dances, had replaced, for all but the most Irish of the gentry, the faster rhythms of the verse-interwoven, pantomime dances of earlier days; and while they danced, a deep melancholy washed over them, a weariness with the world, a poignant and bitter pity for one another, and a vague anger against common hopes and fears, which is the ecstasy of love. And when a dance ended and the pipers set down their pipes and lifted their mugs, they stepped a little away from the others, waiting pensively and silently for the dance to start again and the fire in their hearts to ignite once more; and so they danced and danced Pavane and Saraband and Gallead and Morrice all through the night, with many standing still to watch, and the peasants gathered by the door, peering in as if they understood that one day they would tell their children’s children how they had seen Costello dance with Dermott's daughter Oona, and by sharing the story, they would become part of an ancient romance themselves; but through all the dancing and music, Namara of the Lake moved about loudly, making silly jokes to appear fine, while old Dermott of the Sheep grew redder and redder, glancing more and more toward the doorway to see if the candles there were turning yellow with the dawn.
At last he saw that the moment to end had come, and, in a pause after a dance, cried out from where the horn noggins stood that his daughter would now drink the cup of betrothal; then Oona came over to where he was, and the guests stood round in a half-circle, Costello close to the wall to the right, and the piper, the labourer, the farmer, the half-witted man and the two farm lads close behind him. The old man took out of a niche in the wall the silver cup from which her mother and her mother's mother had drunk the toasts of their betrothals, and poured Poteen out of a porcelain jug and handed the cup to his daughter with the customary words, 'Drink to him whom you love the best.'
At last, he realized the time to conclude had arrived, and during a pause after a dance, he called out from where the horn noggins were that his daughter would now drink from the cup of betrothal. Oona then came over to him, while the guests formed a half-circle around them. Costello stood close to the wall on the right, with the piper, the laborer, the farmer, the simple-minded man, and two farm lads right behind him. The old man retrieved a silver cup from a nook in the wall, the same cup from which her mother and grandmother had sipped during their betrothal toasts. He poured Poteen from a porcelain jug and presented the cup to his daughter with the traditional words, "Drink to the one you love the most."
She held the cup to her lips for a moment, and then said in a clear soft voice: 'I drink to my true love, Tumaus Costello.'
She lifted the cup to her lips for a moment, and then said in a clear, gentle voice: 'I drink to my true love, Tumaus Costello.'
And then the cup rolled over and over on the ground, ringing like a bell, for the old man had struck her in the face and the cup had fallen, and there was a deep silence.
And then the cup tumbled repeatedly on the ground, ringing like a bell, for the old man had hit her in the face and the cup had dropped, and there was a profound silence.
There were many of Namara's people among the servants now come out of the alcove, and one of them, a story-teller and poet, a last remnant of the bardic order, who had a chair and a platter in Namara's kitchen, drew a French knife out of his girdle and made as though he would strike at Costello, but in a moment a blow had hurled him to the ground, his shoulder sending the cup rolling and ringing again. The click of steel had followed quickly, had not there come a muttering and shouting from the peasants about the door and from those crowding up behind them; and all knew that these were no children of Queen's Irish or friendly Namaras and Dermotts, but of the wild Irish about Lough Gara and Lough Cara, who rowed their skin coracles, and had masses of hair over their eyes, and left the right arms of their children unchristened that they might give the stouter blows, and swore only by St. Atty and sun and moon, and worshipped beauty and strength more than St. Atty or sun and moon.
There were many of Namara's people among the servants who had just come out of the alcove, and one of them, a storyteller and poet, a final remnant of the bardic tradition, who had a chair and a plate in Namara's kitchen, pulled a French knife from his belt and pretended to attack Costello. But in an instant, a blow had knocked him to the ground, his shoulder causing the cup to roll and clink once more. The sound of steel came quickly, but was interrupted by muttering and shouting from the peasants near the door and from those pressing in behind them. Everyone knew these were not the children of Queen's Irish or friendly Namaras and Dermotts, but the wild Irish from around Lough Gara and Lough Cara, who paddled their skin boats, had hair cascading over their eyes, left their children's right arms unbaptized so they could strike harder, and swore only by St. Atty and the sun and moon, putting more value on beauty and strength than on St. Atty or the sun and moon.
Costello's hand had rested upon the handle of his sword and his knuckles had grown white, but now he drew it away, and, followed by those who were with him, strode towards the door, the dancers giving way before him, the most angrily and slowly, and with glances at the muttering and shouting peasants, but some gladly and quickly, because the glory of his fame was over him. He passed through the fierce and friendly peasant faces, and came where his good horse and the rough-haired garrons were tied to bushes; and mounted and bade his ungainly bodyguard mount also and ride into the narrow boreen. When they had gone a little way, Duallach, who rode last, turned towards the house where a little group of Dermotts and Namaras stood next to a more numerous group of countrymen, and cried: 'Dermott, you deserve to be as you are this hour, a lantern without a candle, a purse without a penny, a sheep without wool, for your hand was ever niggardly to piper and fiddler and story-teller and to poor travelling people.' He had not done before the three old Dermotts from the Ox Mountains had run towards their horses, and old Dermott himself had caught the bridle of a garron of the Namaras and was calling to the others to follow him; and many blows and many deaths had been had not the countrymen caught up still glowing sticks from the ashes of the fires and hurled them among the horses with loud cries, making all plunge and rear, and some break from those who held them, the whites of their eyes gleaming in the dawn.
Costello’s hand rested on the handle of his sword, his knuckles turning white, but now he pulled it away and, followed by his companions, marched toward the door. The dancers parted for him—some moved angrily and slowly, casting glances at the murmuring and shouting peasants, while others stepped aside eagerly and quickly, drawn by the aura of his fame. He navigated through the fierce yet friendly faces of the peasants and reached where his good horse and the rough-haired garrons were tethered to bushes. He mounted and signaled his awkward bodyguard to get on their horses too and ride into the narrow boreen. After they had gone a little way, Duallach, who rode at the back, called out to a small group of Dermotts and Namaras standing near a larger group of locals: “Dermott, you deserve to be just as you are at this moment—a lantern without a candle, a purse without a penny, a sheep without wool, for you've always been stingy with the piper, the fiddler, the storyteller, and to the poor travelers.” He hadn’t finished speaking when the three old Dermotts from the Ox Mountains rushed toward their horses. Old Dermott himself grabbed the bridle of one of the Namaras' garrons and yelled for the others to follow him. There would have been many blows and deaths if the countrymen hadn’t quickly grabbed still-glowing sticks from the ashes of the fires and hurled them among the horses with loud shouts, causing all the animals to plunge and rear, some breaking free from their handlers, the whites of their eyes shining in the dawn.
For the next few weeks Costello had no lack of news of Oona, for now a woman selling eggs or fowls, and now a man or a woman on pilgrimage to the Well of the Rocks, would tell him how his love had fallen ill the day after St. John's Eve, and how she was a little better or a little worse, as it might be; and though he looked to his horses and his cows and goats as usual, the common and uncomely, the dust upon the roads, the songs of men returning from fairs and wakes, men playing cards in the corners of fields on Sundays and Saints' Days, the rumours of battles and changes in the great world, the deliberate purposes of those about him, troubled him with an inexplicable trouble; and the country people still remember how when night had fallen he would bid Duallach of the Pipes tell, to the chirping of the crickets, 'The Son of Apple,' 'The Beauty of the World,' 'The King of Ireland's Son,' or some other of those traditional tales which were as much a piper's business as 'The Green Bunch of Rushes,' 'The Unchion Stream,' or 'The Chiefs of Breffeny'; and while the boundless and phantasmal world of the legends was a-building, would abandon himself to the dreams of his sorrow.
For the next few weeks, Costello received plenty of news about Oona, who was now a woman selling eggs or chickens, and now a man or a woman on a pilgrimage to the Well of the Rocks. They would tell him how his love had fallen ill the day after St. John's Eve, and how she was either a little better or a little worse, depending on the day. And although he tended to his horses, cows, and goats as usual, the ordinary and unappealing, the dust on the roads, the songs of men coming back from fairs and wakes, men playing cards in the corners of fields on Sundays and Saints' Days, the rumors of battles and changes in the world beyond, the carefully planned actions of those around him troubled him with an unfathomable distress. The local people still remember how, when night fell, he would ask Duallach the Piper to play, accompanying the chirping of crickets, 'The Son of Apple,' 'The Beauty of the World,' 'The King of Ireland's Son,' or some other traditional tales that were as much a piper's duty as 'The Green Bunch of Rushes,' 'The Unchion Stream,' or 'The Chiefs of Breffeny.' While the vast and fantastical world of those legends came to life, he would lose himself in the dreams of his sorrow.
Duallach would often pause to tell how some clan of the wild Irish had descended from an incomparable King of the Blue Belt, or Warrior of the Ozier Wattle, or to tell with many curses how all the strangers and most of the Queen's Irish were the seed of the misshapen and horned People from Under the Sea or of the servile and creeping Ferbolg; but Costello cared only for the love sorrows, and no matter whither the stories wandered, whether to the Isle of the Red Lough, where the blessed are, or to the malign country of the Hag of the East, Oona alone endured their shadowy hardships; for it was she and no king's daughter of old who was hidden in the steel tower under the water with the folds of the Worm of Nine Eyes round and about her prison; and it was she who won by seven years of service the right to deliver from hell all she could carry, and carried away multitudes clinging with worn fingers to the hem of her dress; and it was she who endured dumbness for a year because of the little thorn of enchantment the fairies had thrust into her tongue; and it was a lock of her hair, coiled in a little carved box, which gave so great a light that men threshed by it from sundown to sunrise, and awoke so great a wonder that kings spent years in wandering or fell before unknown armies in seeking to discover her hiding-place; for there was no beauty in the world but hers, no tragedy in the world but hers: and when at last the voice of the piper, grown gentle with the wisdom of old romance, was silent, and his rheumatic steps had toiled upstairs and to bed, and Costello had dipped his fingers into the little delf font of holy water and begun to pray to Mary of the Seven Sorrows, the blue eyes and star-covered dress of the painting in the chapel faded from his imagination, and the brown eyes and homespun dress of Dermott's daughter Winny came in their stead; for there was no tenderness in the passion who keep their hearts pure for love or for hatred as other men for God, for Mary and for the Saints, and who, when the hour of their visitation arrives, come to the Divine Essence by the bitter tumult, the Garden of Gethsemane, and the desolate Rood ordained for immortal passions in mortal hearts.
Duallach would often pause to explain how some clan of the wild Irish had descended from an unmatched King of the Blue Belt, or Warrior of the Ozier Wattle, or to curse about how all the outsiders and most of the Queen's Irish were the descendants of the misshapen and horned People from Under the Sea or the submissive and creeping Ferbolg; but Costello only cared about the love stories, and no matter where the tales went, whether to the Isle of the Red Lough, where the blessed reside, or to the evil land of the Hag of the East, Oona alone bore the burdens of their shadowy hardships; for it was she, not any king's daughter of old, who was hidden in the steel tower beneath the water, wrapped in the coils of the Worm of Nine Eyes around her prison; and it was she who earned the right through seven years of service to rescue from hell all she could carry, taking away countless souls clinging with worn fingers to the hem of her dress; and it was she who endured muteness for a year because of the tiny thorn of enchantment the fairies had pushed into her tongue; and it was a lock of her hair, coiled in a little carved box, that shone so brightly that men worked by it from sunset to sunrise, and created such awe that kings spent years wandering or fell before unknown armies trying to find her hiding place; for there was no beauty in the world but hers, no tragedy in the world but hers: and when finally the voice of the piper, softened by the wisdom of old tales, fell silent, and his aching steps had trudged upstairs and to bed, and Costello had dipped his fingers into the small delft font of holy water and began to pray to Mary of the Seven Sorrows, the blue eyes and starry dress of the painting in the chapel faded from his mind, and the brown eyes and homespun dress of Dermott's daughter Winny took their place; for there was no tenderness in the passion that keeps their hearts pure for love or for hatred as others do for God, for Mary and for the Saints, and who, when the time of their visitation comes, reach the Divine Essence through the bitter chaos, the Garden of Gethsemane, and the desolate Cross designed for immortal passions in mortal hearts.
One day a serving-man rode up to Costello, who was helping his two lads to reap a meadow, and gave him a letter, and rode away without a word; and the letter contained these words in English: 'Tumaus Costello, my daughter is very ill. The wise woman from Knock-na-Sidhe has seen her, and says she will die unless you come to her. I therefore bid you come to her whose peace you stole by treachery.-DERMOTT, THE SON OF DERMOTT.'
One day, a servant rode up to Costello, who was helping his two sons reap a meadow, handed him a letter, and rode off without saying a word. The letter contained these words in English: 'Tumaus Costello, my daughter is very sick. The wise woman from Knock-na-Sidhe has seen her and says she will die unless you come to her. Therefore, I ask you to come to her whose peace you took by deceit. -DERMOTT, THE SON OF DERMOTT.'
Costello threw down his scythe, and sent one of the lads for Duallach, who had become woven into his mind with Oona, and himself saddled his great horse and Duallach's garron.
Costello dropped his scythe and sent one of the guys to get Duallach, who had become connected in his mind with Oona. He then saddled his big horse and Duallach's garron.
When they came to Dermott's house it was late afternoon, and Lough Gara lay down below them, blue, mirror-like, and deserted; and though they had seen, when at a distance, dark figures moving about the door, the house appeared not less deserted than the Lough. The door stood half open, and Costello knocked upon it again and again, so that a number of lake gulls flew up out of the grass and circled screaming over his head, but there was no answer.
When they arrived at Dermott's house, it was late afternoon, and Lough Gara stretched out below them, blue, reflective, and empty; even though they had noticed dark figures moving around the door from a distance, the house seemed just as abandoned as the lake. The door was half open, and Costello knocked on it repeatedly, causing several lake gulls to rise from the grass and circle above him, screeching, but there was no response.
'There is no one here,' said Duallach, 'for Dermott of the Sheep is too proud to welcome Costello the Proud,' and he threw the door open, and they saw a ragged, dirty, very old woman, who sat upon the floor leaning against the wall. Costello knew that it was Bridget Delaney, a deaf and dumb beggar; and she, when she saw him, stood up and made a sign to him to follow, and led him and his companion up a stair and down a long corridor to a closed door. She pushed the door open and went a little way off and sat down as before; Duallach sat upon the ground also, but close to the door, and Costello went and gazed upon Winny sleeping upon a bed. He sat upon a chair beside her and waited, and a long time passed and still she slept on, and then Duallach motioned to him through the door to wake her, but he hushed his very breath, that she might sleep on, for his heart was full of that ungovernable pity which makes the fading heart of the lover a shadow of the divine heart. Presently he turned to Duallach and said: 'It is not right that I stay here where there are none of her kindred, for the common people are always ready to blame the beautiful.' And then they went down and stood at the door of the house and waited, but the evening wore on and no one came.
"There’s no one here," said Duallach, "because Dermott of the Sheep is too proud to welcome Costello the Proud." He flung the door open, revealing a ragged, dirty, very old woman sitting on the floor against the wall. Costello recognized her as Bridget Delaney, a deaf and mute beggar; when she saw him, she stood up and gestured for him to follow. She led him and his companion up a staircase and down a long hallway to a closed door. She pushed the door open and moved a little way off to sit down as before. Duallach sat on the ground close to the door, while Costello approached and looked at Winny, who was sleeping on a bed. He took a seat beside her and waited. A long time passed, and she still slept on. Then Duallach signaled for him to wake her, but he held his breath, wanting her to continue sleeping, feeling a deep, uncontrollable pity that made the heart of a lover feel like a shadow of the divine. After a moment, he turned to Duallach and said, "It's not right for me to stay here without any of her family around, because the common people are always quick to judge the beautiful." Then they went downstairs and stood at the door of the house, waiting, but the evening dragged on, and no one came.
'It was a foolish man that called you Proud Costello,' Duallach cried at last; 'had he seen you waiting and waiting where they left none but a beggar to welcome you, it is Humble Costello he would have called you.'
'It was a foolish guy who called you Proud Costello,' Duallach exclaimed at last; 'if he had seen you waiting and waiting where they left only a beggar to greet you, he would have called you Humble Costello.'
Then Costello mounted and Duallach mounted, but when they had ridden a little way Costello tightened the reins and made his horse stand still. Many minutes passed, and then Duallach cried: 'It is no wonder that you fear to offend Dermott of the Sheep, for he has many brothers and friends, and though he is old, he is a strong man and ready with his hands, and he is of the Queen's Irish, and the enemies of the Gael are upon his side.'
Then Costello got on his horse, and Duallach did the same, but after riding for a bit, Costello pulled back on the reins and made his horse stop. Many minutes went by, and then Duallach said, "It's no surprise you’re afraid to upset Dermott of the Sheep, because he has lots of brothers and friends. Even though he’s older, he’s a strong guy and quick with his fists, plus he’s part of the Queen's Irish, and the enemies of the Gael are on his side."
And Costello answered flushing and looking towards the house: 'I swear by the Mother of God that I will never return there again if they do not send after me before I pass the ford in the Brown River,' and he rode on, but so very slowly that the sun went down and the bats began to fly over the bogs. When he came to the river he lingered awhile upon the bank among the flowers of the flag, but presently rode out into the middle and stopped his horse in a foaming shallow. Duallach, however, crossed over and waited on a further bank above a deeper place. After a good while Duallach cried out again, and this time very bitterly: 'It was a fool who begot you and a fool who bore you, and they are fools of all fools who say you come of an old and noble stock, for you come of whey-faced beggars who travelled from door to door, bowing to gentles and to serving-men.
And Costello replied, blushing and looking towards the house, “I swear by the Mother of God that I will never go back there again unless they send for me before I cross the ford in the Brown River.” Then he rode on, but very slowly, so much so that the sun set and the bats started flying over the bogs. When he reached the river, he paused for a moment on the bank among the flag flowers, but eventually rode out into the middle and stopped his horse in the bubbling shallow. Duallach, however, crossed over and waited on the opposite bank above a deeper part. After a while, Duallach shouted out again, this time very bitterly: “A fool fathered you, and a fool gave birth to you, and they’re all fools who claim you come from an old and noble lineage, because you come from pale-faced beggars who wandered from door to door, bowing to nobles and servants alike.”
With bent head, Costello rode through the river and stood beside him, and would have spoken had not hoofs clattered on the further bank and a horseman splashed towards them. It was a serving-man of Dermott's, and he said, speaking breathlessly like one who had ridden hard: 'Tumaus Costello, I come to bid you again to Dermott's house. When you had gone, his daughter Winny awoke and called your name, for you had been in her dreams. Bridget Delaney the Dummy saw her lips move and the trouble upon her, and came where we were hiding in the wood above the house and took Dermott of the Sheep by the coat and brought him to his daughter. He saw the trouble upon her, and bid me ride his own horse to bring you the quicker.'
With his head down, Costello rode through the river and stopped next to him, and he would have spoken if not for the sound of hooves clattering on the other bank as a horseman splashed toward them. It was one of Dermott's servants, and he said, speaking quickly as if he had ridden hard: 'Tumaus Costello, I’m here to invite you again to Dermott's house. After you left, his daughter Winny woke up and called your name because you appeared in her dreams. Bridget Delaney, the Dummy, saw her lips moving and the distress on her face, so she came to where we were hiding in the woods above the house and pulled Dermott of the Sheep by the coat and brought him to his daughter. He noticed her distress and told me to ride his own horse to bring you back faster.'
Then Costello turned towards the piper Duallach Daly, and taking him about the waist lifted him out of the saddle and hurled him against a grey rock that rose up out of the river, so that he fell lifeless into the deep place, and the waters swept over the tongue which God had made bitter, that there might be a story in men's ears in after time. Then plunging his spurs into the horse, he rode away furiously toward the north-west, along the edge of the river, and did not pause until he came to another and smoother ford, and saw the rising moon mirrored in the water. He paused for a moment irresolute, and then rode into the ford and on over the Ox Mountains, and down towards the sea; his eyes almost continually resting upon the moon which glimmered in the dimness like a great white rose hung on the lattice of some boundless and phantasmal world. But now his horse, long dark with sweat and breathing hard, for he kept spurring it to an extreme speed, fell heavily, hurling him into the grass at the roadside. He tried to make it stand up, and failing in this, went on alone towards the moonlight; and came to the sea and saw a schooner lying there at anchor. Now that he could go no further because of the sea, he found that he was very tired and the night very cold, and went into a shebeen close to the shore and threw himself down upon a bench. The room was full of Spanish and Irish sailors who had just smuggled a cargo of wine and ale, and were waiting a favourable wind to set out again. A Spaniard offered him a drink in bad Gaelic. He drank it greedily and began talking wildly and rapidly.
Then Costello turned to the piper Duallach Daly, grabbed him around the waist, lifted him out of the saddle, and slammed him against a gray rock that jutted out of the river, causing him to fall lifeless into the deep water. The current covered the tongue that God had made bitter, ensuring there would be a story for people to tell later. Then, digging his spurs into the horse, he rode away furiously toward the northwest along the riverbank, not stopping until he reached another smoother crossing and saw the rising moon reflected in the water. He hesitated for a moment, then rode into the crossing and over the Ox Mountains, heading toward the sea; his gaze almost constantly fixed on the moon that shone in the darkness like a giant white rose hanging on the frame of some vast and surreal world. But now his horse, drenched in sweat and panting hard from his relentless urging for more speed, collapsed, throwing him into the grass by the roadside. He tried to help it back to its feet, and when that didn’t work, he continued on alone toward the moonlight and eventually reached the sea, spotting a schooner anchored nearby. Feeling exhausted and sensing the chill of the night now that he could go no further because of the water, he entered a shebeen near the shore and flung himself onto a bench. The room was packed with Spanish and Irish sailors who had just smuggled a load of wine and ale and were waiting for a favorable wind to set sail again. A Spaniard offered him a drink in broken Gaelic. He downed it greedily and started talking wildly and rapidly.
For some three weeks the wind blew inshore or with too great violence, and the sailors stayed drinking and talking and playing cards, and Costello stayed with them, sleeping upon a bench in the shebeen, and drinking and talking and playing more than any. He soon lost what little money he had, and then his horse, which some one had brought from the mountain boreen, to a Spaniard, who sold it to a farmer from the mountains, and then his long cloak and his spurs and his boots of soft leather. At last a gentle wind blew towards Spain, and the crew rowed out to their schooner, singing Gaelic and Spanish songs, and lifted the anchor, and in a little while the white sails had dropped under the horizon. Then Costello turned homeward, his life gaping before him, and walked all day, coming in the early evening to the road that went from near Lough Gara to the southern edge of Lough Cay. Here he overtook a great crowd of peasants and farmers, who were walking very slowly after two priests and a group of well-dressed persons, certain of whom were carrying a coffin. He stopped an old man and asked whose burying it was and whose people they were, and the old man answered: 'It is the burying of Oona, Dermott's daughter, and we are the Namaras and the Dermotts and their following, and you are Tumaus Costello who murdered her.'
For about three weeks, the wind blew inland or way too strong, and the sailors just kept drinking, chatting, and playing cards. Costello joined them, sleeping on a bench in the bar and drinking and talking even more than anyone else. He quickly lost all his money, then his horse, which someone had brought from the mountain path to a Spaniard, who sold it to a farmer from the mountains, and then his long cloak, spurs, and soft leather boots. Finally, a light wind blew toward Spain, and the crew rowed out to their schooner, singing Gaelic and Spanish songs, lifted the anchor, and soon the white sails disappeared over the horizon. Costello then turned to head home, with his life ahead of him, and walked all day, arriving in the early evening at the road that led from near Lough Gara to the southern edge of Lough Cay. There, he caught up with a large group of peasants and farmers walking slowly behind two priests and a group of well-dressed people, some of whom were carrying a coffin. He stopped an old man and asked whose funeral it was and who the mourners were, and the old man replied: 'It's the funeral of Oona, Dermott's daughter, and we are the Namaras and the Dermotts and their followers, and you are Tumaus Costello who killed her.'
Costello went on towards the head of the procession, passing men who looked at him with fierce eyes and only vaguely understanding what he had heard, for now that he had lost the understanding that belongs to good health, it seemed impossible that a gentleness and a beauty which had been so long the world's heart could pass away. Presently he stopped and asked again whose burying it was, and a man answered: 'We are carrying Dermott's daughter Winny whom you murdered, to be buried in the island of the Holy Trinity,' and the man stooped and picked up a stone and cast it at Costello, striking him on the cheek and making the blood flow out over his face. Costello went on scarcely feeling the blow, and coming to those about the coffin, shouldered his way into the midst of them, and laying his hand upon the coffin, asked in a loud voice: 'Who is in this coffin?'
Costello made his way to the front of the procession, passing men who stared at him with intense eyes, only partially grasping what he had heard. Now that he had lost the clarity that comes with good health, it felt impossible that a kindness and beauty that had long been at the heart of the world could just vanish. Eventually, he stopped and asked again whose funeral it was, and a man replied, "We're carrying Dermott's daughter Winny, whom you killed, to be buried on Holy Trinity Island." The man bent down, picked up a stone, and threw it at Costello, hitting him on the cheek and causing blood to run down his face. Costello continued on, hardly feeling the impact, and when he reached those gathered around the coffin, he pushed his way into their midst and, resting his hand on the coffin, asked loudly, "Who is in this coffin?"
The three Old Dermotts from the Ox Mountains caught up stones and bid those about them do the same; and he was driven from the road, covered with wounds, and but for the priests would surely have been killed.
The three Old Dermotts from the Ox Mountains gathered stones and urged those around them to do the same; and he was pushed off the road, covered in wounds, and if it weren't for the priests, he would definitely have been killed.
When the procession had passed on, Costello began to follow again, and saw from a distance the coffin laid upon a large boat, and those about it get into other boats, and the boats move slowly over the water to Insula Trinitatis; and after a time he saw the boats return and their passengers mingle with the crowd upon the bank, and all disperse by many roads and boreens. It seemed to him that Winny was somewhere on the island smiling gently as of old, and when all had gone he swam in the way the boats had been rowed and found the new-made grave beside the ruined Abbey of the Holy Trinity, and threw himself upon it, calling to Oona to come to him. Above him the square ivy leaves trembled, and all about him white moths moved over white flowers, and sweet odours drifted through the dim air.
When the procession moved on, Costello started to follow again and saw from a distance the coffin placed on a large boat. People around it got into other boats, and those boats slowly floated over the water to Insula Trinitatis. After a while, he watched the boats return, their passengers mixing with the crowd on the bank, and everyone scattered down various paths and narrow lanes. He felt that Winny was somewhere on the island, smiling softly like she used to, and when everyone had left, he swam the same route the boats had taken and found the newly dug grave next to the ruined Abbey of the Holy Trinity. He threw himself onto it, calling for Oona to come to him. Above him, the square ivy leaves trembled, and all around him, white moths flitted over white flowers, with sweet scents drifting through the dim air.
He lay there all that night and through the day after, from time to time calling her to come to him, but when the third night came he had forgotten, worn out with hunger and sorrow, that her body lay in the earth beneath; but only knew she was somewhere near and would not come to him.
He lay there all night and through the next day, occasionally calling for her to come to him, but by the third night, he had forgotten, exhausted from hunger and grief, that her body was buried in the ground beneath him; he only knew she was somewhere nearby and wouldn’t come to him.
Just before dawn, the hour when the peasants hear his ghostly voice crying out, his pride awoke and he called loudly: 'Winny, daughter of Dermott of the Sheep, if you do not come to me I will go and never return to the island of the Holy Trinity,' and before his voice had died away a cold and whirling wind had swept over the island and he saw many figures rushing past, women of the Sidhe with crowns of silver and dim floating drapery; and then Oona, but no longer smiling gently, for she passed him swiftly and angrily, and as she passed struck him upon the face crying: 'Then go and never return.'
Just before dawn, the time when the villagers hear his ghostly voice calling out, his pride stirred and he shouted: 'Winny, daughter of Dermott of the Sheep, if you don’t come to me, I will leave and never come back to the island of the Holy Trinity.' Before his voice faded away, a cold, swirling wind swept over the island, and he saw many figures rushing by, women of the Sidhe with silver crowns and flowing, dim garments; and then there was Oona, but she wasn’t smiling gently anymore. She passed by him quickly and angrily, and as she did, she slapped him across the face, shouting: 'Then go and never return.'
He would have followed, and was calling out her name, when the whole glimmering company rose up into the air, and, rushing together in the shape of a great silvery rose, faded into the ashen dawn.
He would have followed and was shouting her name when the entire shimmering group lifted into the air and, rushing together in the shape of a large silvery rose, disappeared into the gray dawn.
Costello got up from the grave, understanding nothing but that he had made his beloved angry and that she wished him to go, and wading out into the lake, began to swim. He swam on and on, but his limbs were too weary to keep him afloat, and her anger was heavy about him, and when he had gone a little way he sank without a struggle, like a man passing into sleep and dreams.
Costello rose from the grave, knowing only that he had upset his beloved and that she wanted him to leave. He waded into the lake and started to swim. He swam on and on, but his limbs were too tired to keep him afloat, and her anger weighed heavily on him. After a short distance, he sank without a fight, like someone drifting into sleep and dreams.
The next day a poor fisherman found him among the reeds upon the lake shore, lying upon the white lake sand with his arms flung out as though he lay upon a rood, and carried him to his own house. And the very poor lamented over him and sang the keen, and when the time had come, laid him in the Abbey on Insula Trinitatis with only the ruined altar between him and Dermott's daughter, and planted above them two ash-trees that in after days wove their branches together and mingled their trembling leaves.
The next day, a poor fisherman found him among the reeds by the lake shore, lying on the white sand with his arms spread out as if he were on a cross, and took him to his own home. The very poor mourned for him and sang a lament, and when the time came, laid him in the Abbey on Insula Trinitatis with just the ruined altar between him and Dermott's daughter, and planted two ash trees above them that later grew together, intertwining their branches and mingling their trembling leaves.
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