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University of Texas Bulletin

No. 2326: July 8, 1923

SELECTIONS FROM THE WRITINGS OF KIERKEGAARD

Translated by L. M. HOLLANDER

Adjunct Professor of Germanic Languages

Comparative Literature Series No. 3
Published by The University of Texas, Austin

The benefits of education and of
useful knowledge, generally diffused
through a community, are essential
to the preservation of a free government.

The benefits of education and hands-on knowledge, commonly recognized
through a community, are essential
for preserving a free government.

Sam Houston

Sam Houston

Cultivated mind is the guardian
genius of democracy.... It is the
only dictator that freemen acknowledge
and the only security that free-men
desire.

A refined mind is the guardian.
of true democracy.... It's the
the only authority that free people agree to accept
and the only protection that free people
want.

Mirabeau B. Lamar

Mirabeau B. Lamar

To my Father-in-Law
The Reverend George Fisher,
A Christian

To my Father-in-Law
The Reverend George Fisher,
A Christian


TABLE OF CONTENTS

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INTRODUCTION I

Creditable as have been the contributions of Scandinavia to the cultural life of the race in well-nigh all fields of human endeavor, it has produced but one thinker of the first magnitude, the Dane, Sören Å. Kierkegaard[1]. The fact that he is virtually unknown to us is ascribable, on the one hand to the inaccessibility of his works, both as to language and form; on the other, to the regrettable insularity of English thought.

Creditable as the contributions of Scandinavia have been to the cultural life of humanity in nearly all areas of human endeavor, it has produced only one thinker of the highest caliber, the Dane, Sören Å. Kierkegaard[1]. The reason he is mostly unknown to us is partly due to the difficulty of accessing his works, both in terms of language and style; and partly due to the unfortunate insularity of English thought.

It is the purpose of this book to remedy the defect in a measure, and by a selection from his most representative works to provide a stimulus for a more detailed study of his writings; for the present times, ruled by material considerations, wholly led by socializing, and misled by national, ideals are precisely the most opportune to introduce the bitter but wholesome antidote of individual responsibility, which is his message. In particular, students of Northern literature cannot afford to know no more than the name of one who exerted a potent and energizing influence on an important epoch of Scandinavian thought. To mention only one instance, the greatest ethical poem of our age, "Brand"—notwithstanding Ibsen's curt statement that he "had read little of Kierkegaard and understood less"—undeniably owes its fundamental thought to him, whether directly or indirectly.

The purpose of this book is to address a gap and to offer a selection of his most significant works to encourage a deeper exploration of his writings. Given that our current times are dominated by material concerns, heavily influenced by social movements, and misled by nationalistic ideals, it’s the perfect moment to introduce the harsh but necessary concept of individual responsibility, which is his key message. In particular, anyone studying Northern literature cannot afford to only know the name of someone who had a powerful and energizing impact on a significant period of Scandinavian thought. For example, the greatest ethical poem of our time, "Brand"—even though Ibsen bluntly claimed he "had read little of Kierkegaard and understood less"—clearly derives its core idea from him, whether directly or indirectly.

Of very few authors can it be said with the same literalness as, of Kierkegaard that their life is their works: as if to furnish living proof of his untiring insistance on inwardness, his life, like that of so many other spiritual educators of the race, is notably poor in incidents; but his life of inward experiences is all the richer—witness the "literature within a literature" that came to be within a few years and that gave to Danish letters a score of immortal works.

Of very few authors can we say, as we can of Kierkegaard, that their life is their work: as if to serve as living proof of his relentless focus on inwardness, his life, like that of many other spiritual teachers, is notably uneventful; but his inner experiences are all the richer—just look at the "literature within a literature" that emerged in just a few years and provided Danish literature with a number of timeless works.

Kierkegaard's physical heredity must be pronounced unfortunate. Being the child of old parents—his father was fifty-seven, his mother forty-five years at his birth (May 5, 1813), he had a weak physique and a feeble constitution. Still worse, he inherited from his father a burden of melancholy which he took a sad pride in masking under a show of sprightliness. His father, Michael Pedersen Kierkegaard, had begun life as a poor cotter's boy in West Jutland, where he was set to tend the sheep on the wild moorlands. One day, we are told, oppressed by loneliness and cold, he ascended a hill and in a passionate rage cursed God who had given him this miserable existence—the memory of which "sin against the Holy Ghost" he was not able to shake off to the end of his long life[2]. When seventeen years old, the gifted lad was sent to his uncle in Copenhagen, who was a well-to-do dealer in woolens and groceries. Kierkegaard quickly established himself in the trade and amassed a considerable fortune. This enabled him to withdraw from active life when only forty, and to devote himself to philosophic studies, the leisure for which life had till then denied him. More especially he seems to have studied the works of the rationalistic philosopher Wolff. After the early death of his first wife who left him no issue, he married a former servant in his household, also of Jutish stock, who bore him seven children. Of these only two survived him, the oldest son—later bishop—Peder Christian, and the youngest son, Sören Åbye.

Kierkegaard's physical heredity can certainly be considered unfortunate. Being born to older parents—his father was fifty-seven and his mother forty-five at his birth on May 5, 1813—he had a fragile physique and a weak constitution. Even worse, he inherited a burden of melancholy from his father, which he sadly took pride in hiding behind a façade of cheerfulness. His father, Michael Pedersen Kierkegaard, started life as a poor farmer's boy in West Jutland, where he had to tend sheep on the desolate moors. One day, we are told, feeling overwhelmed by loneliness and cold, he climbed a hill and, in a fit of rage, cursed God for giving him such a miserable life—the memory of which "sin against the Holy Ghost" haunted him for the rest of his long days[2]. At seventeen, the talented young man was sent to live with his uncle in Copenhagen, who was a successful dealer in wool and groceries. Kierkegaard quickly made a name for himself in the business and accumulated a considerable fortune. This allowed him to retire from active life at just forty and dedicate himself to philosophical studies, which life had previously denied him the time for. He particularly focused on the works of the rationalist philosopher Wolff. After the early death of his first wife, who left him no children, he married a former servant in his household, also from Jutland, and they had seven children together. Only two of them survived him: the eldest son—who later became a bishop—Peder Christian, and the youngest son, Sören Åbye.

Nowhere does Kierkegaard speak of his mother, a woman of simple mind and cheerful disposition; but he speaks all the more often of his father, for whom he ever expressed the greatest love and admiration and who, no doubt, devoted himself largely to the education of his sons, particularly to that of his latest born. Him he was to mould in his own image. A pietistic, gloomy spirit of religiosity pervaded the household in which the severe father was undisputed master, and absolute obedience the watchword. Little Sören, as he himself tells us, heard more of the Crucified and the martyrs than of the Christ-child and good angels. Like John Stuart Mill, whose early education bears a remarkable resemblance to his, he "never had the joy to be a child." Although less systematically held down to his studies, in which religion was the be-all and end-all (instead of being banished, as was the case with Mill), he was granted but a minimum of out-door play and exercise. And, instead of strengthening the feeble body, his father threw the whole weight of his melancholy on the boy.

Nowhere does Kierkegaard mention his mother, a woman with a simple mind and a cheerful attitude; instead, he frequently talks about his father, for whom he always showed great love and admiration, and who, without a doubt, dedicated himself largely to educating his sons, especially his youngest. He was meant to shape him in his own image. A pietistic, gloomy sense of religion filled the household, where the strict father was the unquestioned authority, and absolute obedience was the rule. Little Sören, as he recounts, learned more about the Crucified and martyrs than about the Christ child and good angels. Like John Stuart Mill, whose early education closely resembles his, he "never had the joy of being a child." Although he wasn't as strictly focused on his studies, where religion was everything (unlike with Mill, where it was excluded), he had very little outdoor play and exercise. Instead of helping to strengthen his weak body, his father placed the full burden of his own melancholy on the boy.

Nor was his home training, formidably abstract, counterbalanced by a normal, healthy school-life. Naturally introspective and shy, both on account of a slight deformity of his body and on account of the old-fashioned clothes his father made him wear, he had no boy friends; and when cuffed by his more robust contemporaries, he could defend himself only with his biting sarcasm. Notwithstanding his early maturity he does not seem to have impressed either his schoolmates or his teachers by any gifts much above the ordinary. The school he attended was one of those semi-public schools which by strict discipline and consistent methods laid a solid foundation of humanities and mathematics for those who were to enter upon a professional career. The natural sciences played noddle whatever.

His home life, which was quite abstract, didn’t balance out with a normal, healthy school experience. Naturally introspective and shy, due to a slight physical deformity and the old-fashioned clothes his father insisted he wear, he had no friends. When bullied by his stronger classmates, he could only defend himself with sharp sarcasm. Despite his early maturity, he didn’t seem to impress his classmates or teachers with any skills that were significantly above average. The school he attended was one of those semi-public institutions that, through strict discipline and consistent methods, provided a solid foundation in the humanities and mathematics for students preparing for professional careers. The natural sciences didn’t really matter at all.

Obedient to the wishes of his father, Sören chose the study of theology, as had his eldest brother; but, once relieved from the grind of school at the age of seventeen, he rejoiced in the full liberty of university life, indulging himself to his heart's content in all the refined intellectual and æsthetic enjoyments the gay capital of Copenhagen offered. He declares himself in later years to be "one who is penitent" for having in his youth plunged into all kinds of excesses; but we feel reasonably sure that he committed no excesses worse than "high living." He was frequently seen at the opera and the theatre, spent money freely in restaurants and confectionary shops, bought many and expensive books, dressed well, and indulged in such extravagances as driving in a carriage and pair, alone, for days through the fields and forests of the lovely island of Zealand. In fact, he contracted considerable debts, so that his disappointed father decided to put him on an allowance of 500 rixdollars yearly—rather a handsome sum, a hundred years ago.

Obeying his father's wishes, Sören decided to study theology, just like his older brother did. But once he finished school at seventeen, he embraced the freedom of university life, enjoying all the intellectual and artistic pleasures that the vibrant city of Copenhagen had to offer. In later years, he described himself as "one who is penitent" for diving into all sorts of excesses in his youth. However, it seems likely that his excesses were not worse than "high living." He was often spotted at the opera and theatre, spent freely at restaurants and sweet shops, purchased many expensive books, dressed well, and indulged in luxuries like taking carriage rides through the beautiful fields and forests of Zealand for days on end. In fact, he racked up significant debts, prompting his disappointed father to place him on an annual allowance of 500 rixdollars—a quite generous amount a hundred years ago.

Naturally, little direct progress was made in his studies. But while to all appearances aimlessly dissipating his energies, he showed a pronounced love for philosophy and kindred disciplines. He lost no opportunity then offered at the University of Copenhagen to train his mind along these lines. He heard the sturdily independent Sibbern's lectures on æsthetics and enjoyed a "privatissimum" on the main issues of Schleiermacher's Dogmatics with his later enemy, the theologian Martensen, author of the celebrated "Christian Dogmatics."

Naturally, he didn’t make much progress in his studies. But while it seemed like he was just wasting his time, he had a strong passion for philosophy and related subjects. He took every chance he got at the University of Copenhagen to develop his mind in these areas. He attended the independent Sibbern's lectures on aesthetics and participated in a private session on the key issues of Schleiermacher's Dogmatics with his future rival, the theologian Martensen, who wrote the famous "Christian Dogmatics."

But there was no steadiness in him. Periods of indifference to these studies alternated with feverish activity, and doubts of the truth of Christianity, with bursts of devotion. However, the Hebraically stern cast of mind of the externally gay student soon wearied of this rudderless existence. He sighs for an "Archimedean" point of support for his conduct of life. We find the following entry in his diary, which prophetically foreshadows some of the fundamental ideas of his later career: "...what I really need is to arrive at a clear comprehension of what I am to do, not of what I am to grasp with my understanding, except insofar as this understanding is necessary for every action. The point is, to comprehend what I am called to do, to see what the Godhead really means that I shall do, to find a truth which is truth for me, to find the idea for which I am willing to live and to die..."

But he wasn't very steady. Times of indifference to his studies alternated with intense bursts of activity, and moments of uncertainty about Christianity came with waves of devotion. However, the strict mindset of the outwardly cheerful student quickly grew tired of this aimless existence. He longs for a solid foundation for how to live his life. We find this entry in his diary, which predicts some of the key ideas of his future: "...what I really need is to have a clear understanding of what I am meant to do, not just what I should understand, except where that understanding is necessary for any action. The goal is to understand what I am called to do, to see what the divine truly means I should do, to find a truth that resonates with me, to discover the idea for which I am willing to live and die..."

This Archimedean point was soon to be furnished him. There came a succession of blows, culminating in the death of his father, whose silent disapprobation had long been weighing heavily on the conscience of the wayward son. Even more awful, perhaps, was a revelation made by the dying father to his sons, very likely touching that very "sin against the Holy Ghost" which he had committed in his boyhood and the consequence of which he now was to lay on them as a curse, instead of his blessing. Kierkegaard calls it "the great earthquake, the terrible upheaval, which suddenly forced on me a new and infallible interpretation of all phenomena." He began to suspect that he had been chosen by Providence for an extraordinary purpose; and with his abiding filial piety he interprets his father's death; as the last of many sacrifices he made for him; "for he died, not away from me, but for me, so that there might yet, perchance, become something of me." Crushed by this thought, and through the "new interpretation" despairing of happiness in this life, he clings to the thought of his unusual intellectual powers as his only consolation and a means by which his salvation might be accomplished. He quickly absolved his examination for ordination (ten years after matriculation) and determined on his magisterial dissertation[3].

This pivotal moment was soon to come for him. A series of blows hit, ending with the death of his father, whose silent disapproval had long weighed heavily on the conscience of the rebellious son. Even more horrifying, perhaps, was a revelation made by the dying father to his sons, likely regarding that very "sin against the Holy Spirit" he had committed in his youth, the consequences of which he was now passing on to them as a curse, instead of a blessing. Kierkegaard describes it as "the great earthquake, the terrible upheaval, which suddenly forced on me a new and infallible interpretation of all phenomena." He began to suspect that Providence had chosen him for an extraordinary purpose; and with deep filial devotion, he interprets his father's death as the last of many sacrifices made for him; "for he died, not away from me, but for me, so that there might yet, perchance, become something of me." Overwhelmed by this thought and through the "new interpretation," despairing of happiness in this life, he holds onto the idea of his unique intellectual abilities as his only source of comfort and a potential way to achieve salvation. He quickly completed his examination for ordination (ten years after starting university) and decided on his master's thesis[3].

Already some years before he had made a not very successful debut in the world of letters with a pamphlet whose queer title "From the MSS. of One Still Living" reveals Kierkegaard's inborn love of mystification and innuendo. Like a Puck of philosophy, with somewhat awkward bounds and a callow manner, he had there teased the worthies of his times; and, in particular, taken a good fall out of Hans Christian Andersen, the poet of the Fairy Tales, who had aroused his indignation by describing in somewhat lachrymose fashion the struggles of genius to come into its own. Kierkegaard himself was soon to show the truth of his own dictum that "genius does not whine but like a thunderstorm goes straight counter to the wind."

A few years earlier, he had made a not-so-successful debut in the literary world with a pamphlet titled "From the MSS. of One Still Living," which showcases Kierkegaard's natural inclination for mystery and suggestive hints. Like a whimsical figure from philosophy, with somewhat awkward movements and a naive demeanor, he had poked fun at the prominent figures of his time; specifically, he had taken a jab at Hans Christian Andersen, the Fairy Tale poet, who had stirred his anger by overly sentimentalizing the struggles of genius to be recognized. Kierkegaard was soon to prove the validity of his own saying that "genius doesn’t complain but, like a thunderstorm, goes directly against the wind."

While casting about for a subject worthy of a more sustained effort—he marks out for study the legends of Faust, of the Wandering Jew, of Don Juan, as representatives of certain basic views of life; the Conception of Satire among the Ancients, etc., etc.,—he at last becomes aware of his affinity with Socrates, in whom he found that rare harmony between theory and the conduct of life which he hoped to attain himself.

While searching for a topic that deserved more in-depth exploration—he identifies the legends of Faust, the Wandering Jew, and Don Juan as examples of certain fundamental perspectives on life; the idea of Satire among the Ancients, and so on—he eventually realizes his connection to Socrates, in whom he discovered that unique balance between theory and living that he aspired to achieve himself.

Though not by Kierkegaard himself counted among the works bearing on the "Indirect Communication"—presently to be explained—his magisterial dissertation, entitled "The Conception of Irony, with Constant Reference to Socrates," a book of 300 pages, is of crucial importance. It shows that, helped by the sage who would not directly help any one, he had found the master key: his own interpretation of life. Indeed, all the following literary output may be regarded as the consistent development of the simple directing thoughts of his firstling work. And we must devote what may seem a disproportionate amount of space to the explanation of these thoughts if we would enter into the world of his mind.

Although Kierkegaard himself doesn’t categorize this work under "Indirect Communication"—which will be explained shortly—his impressive dissertation, titled "The Conception of Irony, with Constant Reference to Socrates," a 300-page book, is extremely important. It demonstrates that, with the help of the philosopher who refused to give direct assistance, he discovered the master key: his own perspective on life. In fact, all his subsequent writing can be seen as a consistent development of the straightforward guiding ideas from his initial work. We must spend what might seem like an excessive amount of space explaining these ideas if we want to understand his way of thinking.

Not only did Kierkegaard feel kinship with Socrates. It did not escape him that there was an ominous similarity between Socrates' times and his own—between the period of flourishing Attica, eminent in the arts and in philosophy, when a little familiarity with the shallow phrases of the Sophists enabled one to have an opinion about everything on earth and in heaven, and his own Copenhagen in the thirties of the last century, when Johan Ludvig Heiberg had popularized Hegelian philosophy with such astonishing success that the very cobblers were using the Hegelian terminology, with "Thesis, Antithesis, and Synthesis," and one could get instructions from one's barber, while being shaved, how to "harmonize the ideal with reality, and our wishes with what we have attained." Every difficulty could be "mediated," according to this recipe. And just as the great questioner of Athens gave pause to his more naïve contemporaries by his "know thyself," so Kierkegaard insisted that he must rouse his contemporaries from their philosophic complacency and unwarranted optimism, and move, them to realize that the spiritual life has both mountain and valley, that it is no flat plain easy to travel. He intended to show difficulties where the road had been supposedly smoothed for them.

Not only did Kierkegaard feel a connection with Socrates, but he also noticed a troubling similarity between Socrates' time and his own—between the golden age of Attica, known for its achievements in art and philosophy, where having a basic understanding of the Sophists' superficial ideas allowed people to form opinions about everything, and his own Copenhagen in the 1830s, when Johan Ludvig Heiberg had made Hegelian philosophy so popular that even shoemakers were using Hegelian terms like "Thesis, Antithesis, and Synthesis." One could even get advice from their barber about how to "bring together the ideal with reality and our desires with what we've actually achieved" while getting a shave. According to this approach, every challenge could be "mediated." Just as the great questioner from Athens made his less skeptical peers think with his "know thyself," Kierkegaard sought to awaken his own contemporaries from their philosophical complacency and misplaced optimism. He wanted to encourage them to recognize that spiritual life includes both high and low moments; it is not a flat, easy path. He aimed to highlight difficulties where the journey had been falsely presented as smooth.

Central, both in the theory and in the practice of Socrates (according to Kierkegaard), is his irony. The ancient sage would stop old and young and quizz them skilfully on what they regarded as common and universally established propositions, until his interlocutor became confused by some consequence or contradiction arising unexpectedly, and until he who had been sure of his knowledge was made to confess his ignorance, or even to become distrustful of the possibility of knowledge. Destroying supposedly positive values, this method would seem to lead to a negative result only.

Central to both the theory and practice of Socrates (according to Kierkegaard) is his irony. The ancient thinker would approach both young and old, skillfully questioning them about what they considered common and universally accepted beliefs, until they became confused by an unexpected consequence or contradiction. This would leave those who were once confident in their knowledge admitting their ignorance or even doubting the possibility of knowing anything at all. While this method seems to dismantle supposedly positive values, it appears to result solely in negativity.

Kierkegaard makes less (and rather too little) of the positive side of Socrates' method, his maieutic, or midwifery, by which we are led inductively from trivial instances to a new definition of a conception, a method which will fit all cases. Guided by a lofty personality, this Socratic irony becomes, in Kierkegaard's definition, merely "the negative liberation of subjectivity"; that is, not the family, nor society, nor the state, nor any rules superimposed from outside, but one's innermost self (or subjectivity) is to be the determining factor in one's life. And understood thus, irony as a negative element borders on the ethical conception of life.

Kierkegaard pays little attention to the positive aspect of Socrates' method, his maieutic, or midwifery, which guides us inductively from simple examples to a new definition of a concept that applies to all cases. Led by an inspiring personality, this Socratic irony, in Kierkegaard's view, becomes just "the negative liberation of subjectivity"; meaning that it's not about family, society, the state, or external rules, but rather that our innermost self (or subjectivity) should be the deciding factor in our lives. Understood this way, irony as a negative element comes close to the ethical understanding of life.

Romantic irony, on the other hand, laying main stress on subjective liberty, represents the æsthetic conduct of life. It was, we remember, the great demand of the Romantic period that one live poetically. That is, after having reduced all reality to possibilities, all existence to fragments, we are to choose ad libitum one such possible existence, to consider that one's proper sphere, and for the rest to look ironically on all other reality as philistine. Undeniably, this license, through the infinitude of possibilities open to him, gives the ironist an enthusiastic sense of irresponsible freedom in which he "disports himself as does Leviathan in the deep." Again, the "æsthetical individual" is ill at ease in the world into which he is born. His typical ailment is a Byronesque Weltschmerz. He would fain mould the elements of existence to suit himself; that, is, "compose" not only himself but also his surroundings. But without fixed task and purpose, life will soon lose all continuity ("except that of boredom") and fall apart into disconnected moods and impulses. Hence, while supposing himself a superman, free, and his own master, the æsthetic individual is, in reality, a slave to the merest accidents. He is not self-directed, self-propelled; but—drifts.

Romantic irony, on the other hand, focuses mainly on personal freedom and represents the aesthetic way of living. We recall that a key demand of the Romantic period was to live poetically. After reducing all reality to possibilities and breaking existence into fragments, we are meant to choose one of these possible existences at will, consider it our true domain, and look at all other realities with irony, seeing them as mundane. This freedom, with endless possibilities available, gives the ironist an exhilarating sense of carefree liberty, allowing him to "play around like Leviathan in the deep." Additionally, the "aesthetic individual" feels uncomfortable in the world he was born into. His typical condition is a Byronic sense of world-weariness. He longs to shape the elements of existence to fit his desires; that is, to "compose" not just himself but also his environment. However, without a fixed goal or purpose, life quickly loses all coherence (except for feelings of boredom) and breaks down into random moods and impulses. Thus, while he may see himself as a superman, free and in control, the aesthetic individual is, in reality, a slave to mere chance. He is not self-directed or self-motivated, but instead—drifts.

Over against this attitude Kierkegaard now sets the ethical, Christian life, one with a definite purpose and goal beyond itself. "It is one thing to compose one's own life, another, to let one's life be composed. The Christian lets his life be composed; and insofar a simple Christian lives far more poetically than many a genius." It would hardly be possible to characterize the contents of Kierkegaard's first great book, Enten-Eller "Either-Or," more inclusively and tersely.

Opposite this attitude, Kierkegaard presents the ethical, Christian life, which has a clear purpose and goal beyond itself. "It’s one thing to shape your own life, and another to let your life be shaped. The Christian lets their life be shaped; and in that sense, a simple Christian lives much more poetically than many so-called geniuses." It would be difficult to describe the contents of Kierkegaard's first major book, Enten-Eller "Either-Or," more completely and concisely.

Very well, then, the Christian life, with its clear directive, is superior to the æsthetic existence. But how is this: are we not all Christians in Christendom, children of Christians, baptized and confirmed according to the regulations of the Church? And are we not all to be saved according to the promise of Our Lord who died for us? At a very early time Kierkegaard, himself desperately struggling to maintain his Christian faith against doubts, had his eyes opened to this enormous delusion of modern times and was preparing to battle against it. The great idea and task for which he was to live and to die—here it was: humanity is in apparent possession of the divine truth, but utterly perverts it and, to cap injury with insult, protects and intrenches the deception behind state sanction and institutions. More appalling evil confronted not even the early protagonists of Christianity against heathendom. How was he, single-handed, magnificently gifted though he was, to cleanse the temple and restore its pristine simplicity?

Very well, then, the Christian life, with its clear guidance, is superior to the aesthetic existence. But how is this: aren’t we all Christians in Christendom, children of Christians, baptized and confirmed according to the Church's rules? And aren’t we all meant to be saved based on the promise of Our Lord who died for us? Early on, Kierkegaard, who was struggling to hold onto his Christian faith amidst doubts, became aware of this huge delusion of modern times and was gearing up to fight against it. The big idea and mission for which he would live and die—here it was: humanity seems to possess divine truth but completely distorts it and, to add insult to injury, protects and entrenches the deception through government approval and institutions. No more shocking evil ever faced even the earliest followers of Christianity against paganism. How could he, all alone, no matter how brilliantly gifted, cleanse the temple and restore its original simplicity?

Clearly, the old mistake must not be repeated, to try to influence and reform the masses by a vulgar and futile "revival," preaching to them directly and gaining disciples innumerable. It would only lead again, to the abomination of a lip service. But a ferment must be introduced which—he hoped—would gradually restore Christianity to its former vigor; at least in individuals. So far as the form of his own works is concerned he was thus bound to use the "indirect method" of Socrates whom he regards as his teacher. In conscious opposition to the Sophists who sold their boasted wisdom for money, Socrates not only made no charges for his instruction but even warned people of his ignorance, insisting that, like a midwife, he only helped people to give birth to their own thoughts. And owing to his irony Socrates' relation to his disciples was not in any positive sense a personal one. Least of all did he wish to found a new "school" or erect a philosophic "system."

Clearly, the old mistake shouldn’t be repeated: trying to influence and reform the masses with a cheap and pointless "revival," preaching directly to them and gaining countless followers. This would only lead back to the shame of lip service. Instead, a spark must be introduced that—he hoped—would slowly bring Christianity back to its former strength; at least in individuals. Regarding the format of his own works, he was committed to using the "indirect method" of Socrates, whom he considers his teacher. In conscious opposition to the Sophists, who sold their so-called wisdom for money, Socrates not only charged nothing for his teachings but also admitted his own ignorance, insisting that, like a midwife, he only helped people give birth to their own ideas. Because of his irony, Socrates' relationship with his students was not a personal one in any positive sense. Above all, he didn’t want to start a new "school" or create a philosophical "system."

Kierkegaard, with Christianity as his goal, adopted the same tactics. By an attractive æsthetic beginning people were to be "lured" into envisaging the difficulties to be unfolded presently, to think for themselves, to form their own conclusions, whether for or against. The individual was to be appealed to, first and last—the individual, no matter how humble, who would take the trouble to follow him and be his reader, "my only reader, the single individual. So the religious author must make it his first business to put himself in touch with men. That is to say, he must begin æsthetically. The more brilliant his performance, the better." And then, when he has got them to follow him "he must produce the religious categories so that these same men with all the impetus of their devotion to æsthetic things are suddenly brought up sharp against the religious aspect." The writer's own personality was to be entirely eliminated by a system of pseudonyms; for the effect of his teaching was not to be jeopardized by a distracting knowledge of his personality. Accordingly, in conscious imitation of Socrates, Kierkegaard at first kept up a semblance of his previous student life, posing as a frivolous idler on the streets of Copenhagen, a witty dog incapable of prolonged serious activity; thus anxiously guarding the secret of his feverish activity during the lonely hours of the night.

Kierkegaard, aiming for Christianity, used similar strategies. He intended to "lure" people in with an engaging aesthetic starting point, prompting them to consider the challenges that would soon unfold, think for themselves, and draw their own conclusions, whether positive or negative. The focus was to be on the individual, especially those willing to engage with him and become his reader—“my only reader, the single individual.” Thus, the religious author needed to prioritize connecting with people. This meant starting aesthetically; the more impressive his work, the better. Once he gained their attention, he needed to present religious ideas that would suddenly confront these same individuals, who were passionately drawn to aesthetic matters, with the religious perspective. The author's personal identity was to be completely concealed through the use of pseudonyms, as the impact of his teachings should not be compromised by awareness of his personality. In deliberate imitation of Socrates, Kierkegaard initially maintained the appearance of his former student life, pretending to be a lighthearted slacker wandering the streets of Copenhagen, a clever guy incapable of sustained serious effort; all the while carefully hiding the secret of his intense nocturnal productivity.

His campaign of the "indirect communication" was thus fully determined upon; but there was still lacking the impetus of an elemental passion to start it and give it driving force and conquering persistence. This also was to be furnished him.

His plan for "indirect communication" was set; however, he still needed the push of a powerful passion to kickstart it and provide the drive and determination needed for success. This too was to be given to him.

Shortly before his father's death he had made the acquaintance of Regine Olson, a beautiful young girl of good family. There followed one of the saddest imaginable engagements. The melancholy, and essentially lonely, thinker may not at first have entertained the thought of a lasting attachment; for had he not, on the one hand, given up all hope of worldly happiness, and on the other, begun to think of himself as a chosen tool of heaven not to be bound by the ordinary ties of human affection? But the natural desire to be as happy as others and to live man's common lot, for a moment hushed all anxious scruples. And the love of the brilliant and promising young man with the deep, sad eyes and the flashing wit was ardently returned by her.

Shortly before his father passed away, he met Regine Olson, a beautiful young woman from a good family. This led to one of the saddest engagements imaginable. The thoughtful and essentially lonely thinker may not have initially considered a lasting commitment; after all, he had given up on any hope of worldly happiness and had started to see himself as a chosen instrument of heaven, not meant to be tied down by ordinary human connections. However, the natural desire to be as happy as others and to experience life's common joys temporarily silenced his worries. The love from the brilliant and promising young man, with his deep, sad eyes and quick wit, was passionately reciprocated by her.

Difficulties arose very soon. It was not so much the extreme youth and immaturity of the girl—she was barely sixteen—as against his tremendous mental development, or even her "total lack of religious pre-suppositions"; for that might not itself have precluded a happy union. Vastly more ominous was his own unconquerable and overwhelming melancholy. She could not break it. And struggle as he might, he could not banish it. And, he reasoned, even if he were successful in concealing it from her, the very concealment were a deceit. Neither would he burden her with his melancholy by revealing it to her. Besides, some mysterious ailment which, with Paul, he terms the "thorn in his flesh," tormented him. The fact that he consulted a physician makes it likely that it was bodily, and perhaps sexual. On the other hand, the manner of Kierkegaard's multitudinous references to woman removes the suspicion of any abnormality. The impression remains that at the bottom of his trouble there lay his melancholy, aggravated admittedly by an "insane education," and coupled with an exaggerated sense of a misspent youth. That nothing else prevented the union is clear from his own repeated later remarks that, with more faith, he would have married her.

Difficulties came up very quickly. It wasn’t just her extreme youth and immaturity—she was barely sixteen—compared to his enormous mental development or even her "total lack of religious pre-suppositions"; those might not have stopped a happy union. What was much more concerning was his own unshakeable and overwhelming sadness. She couldn’t break through it. And no matter how hard he tried, he couldn’t get rid of it. He thought that even if he managed to hide it from her, that concealment would be a form of deceit. He also didn’t want to burden her with his sadness by telling her about it. Plus, a mysterious issue that he referred to as the "thorn in his flesh," which could have been physical or possibly sexual, tormented him. The fact that he consulted a doctor suggests it was a physical issue, but Kierkegaard's many references to women seem to rule out anything abnormal. The impression remains that at the core of his problem was his sadness, which was made worse by what he called an "insane education," combined with an exaggerated sense of having wasted his youth. It’s clear that nothing else stopped the union, as he often remarked later that, with more faith, he would have married her.

Though to the end of his life he never ceased to love her, he feels that they must part. But she clings to him with a rather maudlin devotion, which, to be sure, only increased his determination. He finally hit on the desperate device of pretending frivolous indifference to her affections, and acted this sad comedy with all the dialectic subtleness of his genius, until she eventually released him. Then, after braving for a while the philistine indignation of public opinion and the disapproval of his friends, in order to confirm her in her bad opinion of him, he fled to Berlin with shattered nerves and a bleeding heart.

Though he loved her until the end of his life, he knew they had to part. She held onto him with a somewhat overly sentimental devotion, which only strengthened his resolve. He eventually came up with the desperate plan of pretending to be casually indifferent to her feelings and played this heartbreaking role with all the cleverness he could muster, until she finally let him go. After facing the disdain of public opinion and disappointment from his friends, he wanted to prove her negative view of him right and then left for Berlin with a heavy heart and frayed nerves.

He had deprived himself of what was dearest to him in life. For all that, he knew that the foundations of his character remained unshaken. The voluntary renunciation of a worldly happiness which was his for the taking intensifies his idea of being one of the "few in each generation selected to be a sacrifice." Thereafter, "his thought is all to him," and all his gifts are devoted to the service of God.

He had given up what was most precious to him in life. Still, he was aware that the core of his character was intact. His choice to willingly forgo a worldly happiness that was available to him deepened his belief that he was one of the "few in each generation chosen to be a sacrifice." After that, "his thoughts are everything to him," and all his talents are dedicated to serving God.

During the first half of the nineteenth century, more than at any other time, Denmark was an intellectual dependency of Germany. It was but natural that Kierkegaard, in search for the ultimate verities, should resort to Berlin where Schelling was just then beginning his famous course of lectures. In many respects it may be held deplorable that, at a still formative stage, Kierkegaard should have remained in the prosaic capital of Prussia and have been influenced by bloodless abstractions; instead of journeying to France, or still better, to England whose empiricism would, no doubt, have been an excellent corrective of his excessive tendency to speculation. In fact he was quickly disappointed with Schelling and after four months returned to his beloved Copenhagen (which he was not to leave thereafter except for short periods), with his mind still busy on the problems which were peculiarly his own. The tremendous impulse given by his unfortunate engagement was sufficient to stimulate his sensitive mind to a productivity without equal in Danish literature, to create a "literature within a literature." The fearful inner collision of motives had lit an inner conflagration which did not die down for years. "My becoming an author is due chiefly to her, my melancholy, and my money."

During the first half of the nineteenth century, more than ever before, Denmark was intellectually dependent on Germany. It made sense that Kierkegaard, in his quest for ultimate truths, would go to Berlin where Schelling was starting his famous lecture series. In many ways, it’s unfortunate that, at such a formative time, Kierkegaard stayed in the mundane capital of Prussia and was influenced by lifeless abstractions instead of traveling to France, or better yet, to England, where empiricism would have been a great counterbalance to his strong tendency for speculation. In fact, he quickly became disappointed with Schelling and after four months returned to his beloved Copenhagen (which he wouldn’t leave again except for short periods), still grappling with the unique problems he faced. The intense emotions from his unfortunate engagement sparked an unmatched productivity in Danish literature, creating a "literature within a literature." The deep inner conflict of motives ignited a fire within him that wouldn’t cool for years. "My becoming an author is mainly because of her, my melancholy, and my money."

About a year afterwards (1843) there appeared his first great work, "Either-Or," which at once established his fame. As in the case of most of his works it will be impossible to give here more than the barest outline of its plan and contents. In substance, it is a grand debate between the æsthetic and the ethic views of life. In his dissertation Kierkegaard had already characterized the æsthetic point of view. Now, in a brilliant series of articles, he proceeds' to exemplify it with exuberant detail.

About a year later (1843), his first major work, "Either-Or," was published, and it immediately made him famous. As with most of his works, it’s impossible to provide more than a basic outline of its structure and themes here. Essentially, it presents a significant debate between the aesthetic and ethical views of life. In his dissertation, Kierkegaard had already defined the aesthetic perspective. Now, in a series of impressive articles, he goes on to illustrate it in great detail.

The fundamental chord of the first part is struck in the Diapsalmata aphorisms which, like so many flashes of a lantern, illuminate the æsthetic life, its pleasures and its despair. The æsthetic individual—this is brought out in the article entitled "The Art of Rotation"—wishes to be the exception in human society, shirking its common, humble duties and claiming special privileges. He has no fixed principle except that he means not to be bound to anything or anybody. He has but one desire which is, to enjoy the sweets of life—whether its purely sensual pleasures or the more refined Epicureanism of the finer things in life and art, and the ironic enjoyment of one's own superiority over the rest of humanity; and he has no fear except that he may succumb to boredom.

The main idea of the first part is expressed in the Diapsalmata aphorisms which, like flashes from a lantern, light up the aesthetic life, highlighting both its joys and its sorrows. The aesthetic individual—this is explained in the article "The Art of Rotation"—wants to be an exception in society, avoiding its ordinary, mundane responsibilities and seeking special privileges. He has no set principles other than his determination not to be tied down to anything or anyone. His only desire is to savor life's pleasures—whether that means indulging in sensual experiences or enjoying the more refined elements of life and art, along with the ironic thrill of feeling superior to others; and his only fear is that he might fall into boredom.

As a comment on this text there follow a number of essays in "experimental psychology," supposed to be the fruit of the æsthete's (A's) leisure. In them the æsthetic life is exhibited in its various manifestations, in "terms of existence," especially as to its "erotic stages," from the indefinite longings of the Page to the fully conscious "sensual genius" of Don Juan—the examples are taken from Mozart's opera of this name, which was Kierkegaard's favorite—until the whole culminates in the famous "Diary of the Seducer," containing elements of the author's own engagement, poetically disguised—a seducer, by the way, of an infinitely reflective kind.

As a comment on this text, there are several essays on "experimental psychology" that are supposedly the result of the aesthete's (A's) free time. In these essays, the aesthetic life is showcased in its different forms, particularly regarding its "erotic stages," ranging from the vague desires of the Page to the fully aware "sensual genius" of Don Juan—the examples are drawn from Mozart's opera by the same name, which was Kierkegaard's favorite—culminating in the famous "Diary of the Seducer," which includes aspects of the author's own engagement, poetically hidden—a seducer, by the way, of an infinitely reflective nature.

Following this climax of unrestrained æstheticism we hear in the second part the stern demands of the ethical life. Its spokesman, Judge William, rises in defense of the social institutes, and of marriage in particular, against the slurs cast on them by his young friend A. He makes it clear that the only possible outcome of the æsthetic life, with its aimlessness, its superciliousness, its vague possibilities, is a feeling of vanity and vexation of spirit, and a hatred of life itself: despair. One floundering in this inevitable slough of despond, who earnestly wishes to escape from it and to save himself from the ultimate destruction of his personality, must choose and determine to rise into the ethical sphere. That is, he must elect a definite calling, no matter how humdrum, marry, if possible, and thus subject himself to the "general law." In a word, instead of a world of vague possibilities, however attractive, he must choose the definite circumscription of the individual who is a member of society. Only thus will he obtain a balance in his life between the demands of his personality on the one hand, and of the demands of society on him. When thus reconciled to his environment—his "lot"—all the pleasures of the æsthetic sphere which he resigned will be his again in rich measure, but in a transfigured sense.

After this peak of unrestrained aesthetics, we hear in the second part the strict demands of ethical living. Judge William stands up to defend social institutions, particularly marriage, against the criticisms made by his young friend A. He makes it clear that the only possible result of living an aesthetic life, filled with aimlessness, arrogance, and vague potential, is a sense of vanity and frustration, leading to a hatred of life itself: despair. Anyone stuck in this inevitable pit of despair who genuinely wants to escape and avoid the total destruction of their identity must choose and commit to entering the ethical realm. This means they must select a specific vocation, no matter how mundane, get married if possible, and therefore submit to the "general law." In short, instead of a world full of vague possibilities, no matter how alluring, they must choose the clear limits of being an individual who belongs to society. Only then will they achieve a balance in their life between their personal demands and those imposed by society. Once they accept their surroundings—what they have been given—all the pleasures of the aesthetic realm that they gave up will return to them abundantly, but with a renewed perspective.

Though nobly eloquent in places, and instinct with warm feeling, this panegyric on marriage and the fixed duties of life is somewhat unconvincing, and its style undeniably tame and unctious—at least when contrasted with the Satanic verve of most of A's papers. The fact is that Kierkegaard, when considering the ethical sphere, in order to carry out his plan of contrasting it with the æsthetic sphere, was already envisaging the higher sphere of religion, to which the ethical sphere is but a transition, and which is the only true alternative to the æsthetic life. At the very end of the book Kierkegaard, flying his true colors, places a sermon as an "ultimatum," purporting to have been written by a pastor on the Jutish Heath. Its text is that "as against God we are always in the wrong," and the tenor of it, "only that truth which edifies is truth for you." It is not that you must choose either the æsthetic or the ethical view of life; but that neither the one nor the other is the full truth—God alone is the truth which must be grasped with all inwardness. But since we recognize our imperfections, or sins, the more keenly, as we are developed more highly, our typical relation to God must be that of repentance; and by repentance as by a step we may rise into the higher sphere of religion—as will be seen, a purely Christian thought.

Although it is eloquent in parts and filled with heartfelt emotions, this praise of marriage and the fixed duties of life is somewhat unconvincing, and its style is definitely bland and overly sentimental—especially when compared to the intense energy of most of A's writings. The truth is that Kierkegaard, while contemplating the ethical sphere to carry out his plan of contrasting it with the aesthetic sphere, was already anticipating the higher realm of religion, to which the ethical sphere is merely a step, and which is the only real alternative to the aesthetic life. At the very end of the book, Kierkegaard, showing his true colors, includes a sermon as an "ultimatum," supposedly written by a pastor on the Jutish Heath. The sermon states that "against God, we are always in the wrong," and its message is, "only that truth which builds you up is the truth for you." It’s not that you have to choose between the aesthetic or the ethical perspective on life; rather, neither one offers the complete truth—only God is the truth that needs to be understood deeply. However, as we become more aware of our flaws or sins, our typical relationship with God should be one of repentance; and through repentance, as a step, we can ascend into the higher realm of religion—which is, as will be shown, a purely Christian idea.

A work of such powerful originality, imposing by its very size, and published at the anonymous author's own expense, could not but create a stir among the small Danish reading public. And notwithstanding Kierkegaard's consistent efforts to conceal his authorship in the interest of his "indirect communication," it could not long remain a secret. The book was much, and perplexedly, discussed, though no one was able to fathom the author's real aim, most readers being attracted by piquant subjects such as the "Diary of the Seducer," and regarding the latter half as a feeble afterthought. As he said himself: "With my left hand I held out to the world 'Either-Or,' with my right, 'Two Edifying Discourses'; but they all—or practically all—seized with their right hands what I held in my left."

A work of such striking originality, impressive due to its size, and published at the anonymous author's own expense, was bound to make waves among the small Danish reading community. Despite Kierkegaard's persistent attempts to hide his authorship for the sake of his "indirect communication," it didn't stay a secret for long. The book sparked a lot of discussion, albeit confused, but no one could truly understand the author's real intention. Most readers were drawn in by intriguing topics like the "Diary of the Seducer" and saw the latter half as a weak afterthought. As he himself noted: "With my left hand, I offered the world 'Either-Or,' and with my right, 'Two Edifying Discourses'; but they all—or nearly all—grabbed what I held in my left."

These "Two Edifying Discourses[4]"—for thus he preferred to call them, rather than sermons, because he claimed no authority to preach—as well as all the many later ones, were published over his own name, addressed to Den Enkelte "The Single Individual whom with joy and gratitude he calls his reader," and were dedicated to the memory of his father. They belong among the noblest books of edification, of which the North has not a few.

These "Two Edifying Discourses[4]"—as he preferred to refer to them instead of sermons, since he felt he had no authority to preach—along with many others that came later, were published under his own name, addressed to Den Enkelte "The Single Individual whom he joyfully and gratefully calls his reader," and were dedicated to his father's memory. They are some of the most admirable books of enlightenment, of which the North has many.

During the following three years (1843-5) Kierkegaard, once roused to productivity, though undoubtedly kept at his task by the exertion of marvelous will-power, wrote in quick succession some of his most notable works—so original in form, in thought, in content that it is a well-nigh hopeless task to analyze them to any satisfaction. All we can do here is to note the development in them of the one grand theme which is fundamental to all his literary activity: how to become a Christian.

During the next three years (1843-5), Kierkegaard, after being motivated to be productive and clearly driven by incredible willpower, quickly wrote some of his most significant works in succession—so original in structure, ideas, and content that analyzing them to any satisfactory level is nearly impossible. All we can do here is point out the evolution of the single grand theme that is central to all his writing: how to become a Christian.

If the second part of "Either-Or" was devoted to an explanation of the nature of the ethical, as against the æsthetic, conduct of life, inevitably the next task was, first, to define the nature of the religious life, as against the merely ethical life; then, to show how the religious sphere may be attained. This is done in the brilliant twin books Frygt og Baeven "Fear and Trembling" and Gjentagelsen "Repetition." Both were published over pseudonyms.

If the second part of "Either-Or" focused on explaining the nature of ethical living compared to aesthetic living, the next step was to define what the religious life is, in contrast to a purely ethical life, and then to demonstrate how one can reach the religious realm. This is accomplished in the outstanding twin books Frygt og Baeven "Fear and Trembling" and Gjentagelsen "Repetition." Both were published under pseudonyms.

"Fear and Trembling" bears as its subtitle "Dialectic Lyrics." Indeed, nowhere perhaps is Kierkegaard's strange union of dialectic subtlety and intense lyrical power and passion so strikingly in evidence as in this panegyric on Abraham, the father of faith. To Kierkegaard he is the shining exemplar of the religious life; and his greatest act of faith, his obedience to God's command to slay Isaac. Nothing can surpass the eloquence with which he depicts the agony of the father, his struggle between the ethical, or general, law which, saith "thou shalt no kill"! and God's specific command. In the end, Abraham by a grand resolve transgresses the law; and lo! because he has faith, against certainty, that he will keep Isaac, and does not merely resign him, as many a tragic hero would have done, he receives all again, in a new and higher sphere. In other words, Abraham chooses to be "the exception" and set aside the general law, as well as does the æsthetic individual; but, note well: "in fear and trembling," and at the express command of God! He is a "knight of faith." But because this direct relation to the divinity necessarily can be certain only to Abraham's self, his action is altogether incomprehensible to others. Reason recoils before the absolute paradox of the individual who chooses to rise superior to the general law.

"Fear and Trembling" has the subtitle "Dialectic Lyrics." There's probably no better example of Kierkegaard's unique blend of dialectical nuance and intense lyrical passion than in this homage to Abraham, the father of faith. To Kierkegaard, Abraham is the shining model of religious life, and his greatest act of faith is his obedience to God's command to sacrifice Isaac. The way Kierkegaard illustrates the father's agony as he wrestles between the ethical law, which states "thou shalt not kill," and God's specific command is truly powerful. In the end, Abraham makes a bold choice to defy the law; and because he has faith, despite uncertainty, that he will keep Isaac, and does not simply resign himself as many tragic heroes might, he receives everything back in a new and greater realm. In other words, Abraham chooses to be "the exception" and set aside general law, just like the aesthetic individual does; but keep in mind: "in fear and trembling," and at God's explicit command! He is a "knight of faith." However, since this direct relationship with the divine can only be certain to Abraham himself, his actions are completely incomprehensible to others. Reason is baffled by the absolute paradox of an individual who chooses to transcend the general law.

The rise into the religious sphere is always likely to be the outcome of some severe inner conflict engendering infinite passion. In the splendidly written Gjentagelse "Repetition" we are shown ad oculos an abortive transition into the religious sphere, with a corresponding relapse into the æsthetic sphere. Kierkegaard's own love-story is again drawn upon: the "Young Person" ardently loves the woman; but discovers to his consternation that she is in reality but a burden to him since, instead of having an actual, living relation to her, he merely "remembers" her when she is present. In the ensuing collision of motives his æsthetically cool friend Constantin Constantius advises him to act as one unworthy of her—as did Kierkegaard—and to forget her. But instead of following this advice, and lacking a deeper religious background, he flees the town and subsequently transmutes his trials into poetry—that is, relapses into the æsthetic sphere: rather than, like Job, whom he apostrophises passionately, "receiving all again" (having all "repeated") in a higher sphere. This idea of the resumption of a lower stage into a higher one is one of Kierkegaard's most original and fertile thoughts. It is illustrated here with an amazing wealth of instances.

The journey into the religious realm often stems from deep inner conflict that creates intense passion. In the beautifully written Gjentagelse "Repetition," we see ad oculos a failed attempt to enter the religious sphere, leading to a fallback into the aesthetic realm. Kierkegaard's own love story is referenced again: the "Young Person" passionately loves a woman but realizes, to his dismay, that she is actually a burden to him because, instead of having a genuine, living connection with her, he merely "remembers" her when she is around. In the resulting clash of motives, his emotionally detached friend Constantin Constantius advises him to behave unworthily towards her—just as Kierkegaard did—and to forget her. However, instead of taking this advice and lacking a deeper religious foundation, he leaves the town and turns his struggles into poetry—that is, he slips back into the aesthetic realm instead of, like Job, to whom he passionately addresses, "receiving all again" (having all "repeated") in a higher realm. This concept of moving from a lower stage to a higher one is one of Kierkegaard's most unique and fruitful ideas. It's illustrated here with an impressive range of examples.

So far, it had been a question of religious feeling in general—how it may arise, and what its nature is. In the pivotal work Philosophiske Smuler "Philosophic Trifles"—note the irony—Kierkegaard throws the searching rays of his penetrating intellect on the grand problem of revealed religion: can one's eternal salvation be based on an historical event? This is the great stumbling block to the understanding.

So far, the discussion has been about religious feelings in general—how they come about and what they actually are. In his key work Philosophiske Smuler "Philosophic Trifles"—notice the irony—Kierkegaard sheds light with his sharp intellect on the significant issue of revealed religion: can someone’s eternal salvation rely on a historical event? This is the major hurdle to understanding.

Hegel's philosophic optimism maintained that the difficulties of Christianity had been completely "reconciled" or "mediated" in the supposedly higher synthesis of philosophy, by which process religion had been reduced to terms which might be grasped by the intellect. Kierkegaard, fully voicing the claim both of the intellect and of religion, erects the barrier of the paradox, impassable except by the act of faith. As will be seen, this is Tertullian's Credo quia absurdum.[5]

Hegel's philosophical optimism argued that the challenges of Christianity had been completely "reconciled" or "mediated" in what he saw as a higher synthesis of philosophy, which reduced religion to concepts that could be understood by the intellect. Kierkegaard, fully expressing the demands of both intellect and faith, establishes the barrier of the paradox, which can only be crossed through an act of faith. As will be demonstrated, this echoes Tertullian's Credo quia absurdum.[5]

In the briefest possible outline his argument is as follows: Socrates had taught that in reality every one had the truth in him and needed but to be reminded of it by the teacher who thus is necessary only in helping the disciple to discover it himself. That is the indirect communication of the truth. But now suppose that the truth is not innate in man, suppose he has merely the ability to grasp it when presented to him. And suppose the teacher to be of absolute, infinite importance—the Godhead himself, directly communicating with man, revealing the truth in the shape of man; in fact, as the lowliest of men, yet insisting on implicit belief in Him! This, according to Kierkegaard, constitutes the paradox of faith par excellence. But this paradox, he shows, existed for the generation contemporaneous with Christ in the same manner as it does for those living now. To think that faith was an easier matter for those who saw the Lord and walked in His blessed company is but a sentimental, and fatal, delusion. On the other hand, to found one's faith on the glorious results, now evident, of Christ's appearance in the world is sheer thoughtlessness and blasphemy. With ineluctable cogency it follows that "there can be no disciple at second hand." Now, as well as "1800 years ago," whether in Heathendom or in Christendom, faith is born of the same conditions: the resolute acceptance by the individual of the absolute paradox.

In the simplest terms, his argument is as follows: Socrates taught that everyone has the truth inside them and just needs a teacher to remind them of it, making the teacher necessary only for helping the student to discover the truth themselves. This is the indirect communication of truth. But now, let’s consider that truth isn’t something inherent in people; maybe they just have the ability to understand it when it’s presented to them. And what if the teacher is of utmost importance—the Divine itself, communicating directly with humanity, revealing truth in the form of a human; indeed, as the humblest of men, yet demanding complete faith in Him! According to Kierkegaard, this creates the ultimate paradox of faith. Moreover, he argues that this paradox existed for people living at the same time as Christ just as it does for those living today. To believe that faith was easier for those who saw the Lord and walked with Him is a sentimental and dangerous illusion. Conversely, founding one's faith on the remarkable outcomes of Christ's presence in the world is thoughtless and blasphemous. It follows inevitably that "there can be no disciple at second hand." Now, just as it was "1800 years ago," in both paganism and Christianity, faith arises from the same conditions: the individual's resolute acceptance of the absolute paradox.

In previous works Kierkegaard had already intimated that what furnished man the impetus to rise into the highest sphere and to assail passionately and incessantly the barrier of the paradox, or else caused him to lapse into "demonic despair," was the consciousness of sin. In the book Begrebet Angest "The Concept of Sin," he now attempts with an infinite and laborious subtlety to explain the nature of sin. Its origin is found in the "sympathetic antipathy" of Dread—that force which at one and the same time attracts and repels from the suspected danger of a fall and is present even in the state of innocence, in children. It finally results in a kind of "dizziness" which is fatal. Yet, so Kierkegaard contends, the "fall" of man is, in every single instance, due to a definite act of the will, a "leap"—which seems a patent contradiction.

In earlier works, Kierkegaard suggested that what drives a person to reach the highest level and to passionately and continuously confront the barrier of paradox, or leads them to descend into "demonic despair," is the awareness of sin. In the book Begrebet Angest "The Concept of Sin," he now tries with great and careful detail to explain what sin is. Its source lies in the "sympathetic antipathy" of Dread—this force that both attracts and repels in response to the perceived threat of falling, which even exists in the innocence of children. Ultimately, it leads to a kind of "dizziness" that can be fatal. However, according to Kierkegaard, the "fall" of humanity is, in every case, due to a specific act of the will, a "leap"—which seems to be a clear contradiction.

To the modern reader, this is the least palatable of Kierkegaard's works, conceived as it is with a sovereign and almost medieval disregard of the predisposing undeniable factors of environment and heredity (which, to be sure, poorly fit his notion of the absolute responsibility of the individual). Its somberness is redeemed, to a certain degree, by a series of marvelous observations, drawn from history and literature, on the various phases and manifestations of Dread in human life.

To today’s reader, this is the least appealing of Kierkegaard's works, created with a commanding and almost medieval indifference to the undeniable influences of environment and heredity (which, of course, don't align well with his idea of the absolute responsibility of the individual). Its gloominess is somewhat balanced by a collection of brilliant insights, taken from history and literature, on the different stages and expressions of Dread in human life.

On the same day as the book just discussed there appeared, as a "counter-irritant," the hilariously exuberant Forord "Forewords," a collection of some eight playful but vicious attacks, in the form of prefaces, on various foolish manifestations of Hegelianism in Denmark. They are aimed chiefly at the high-priest of the "system," the poet Johan Ludvig Heiberg who, as the arbiter elegantiarum of the times had presumed to review, with a plentiful lack of insight, Kierkegaard's activity. But some of the most telling shots are fired at a number of the individualist Kierkegaard's pet aversions.

On the same day the previously mentioned book was released, a hilariously energetic piece titled Forord "Forewords" came out as a "counter-irritant." It’s a collection of about eight playful yet harsh critiques, presented as prefaces, targeting various foolish aspects of Hegelianism in Denmark. The main target is the high priest of the "system," the poet Johan Ludvig Heiberg, who, as the arbiter elegantiarum of the time, mistakenly reviewed Kierkegaard's work with a significant lack of understanding. However, some of the most impactful critiques are directed at several of the individualist Kierkegaard's favorite hatreds.

His next great work, Stadier paa Livets Vei "Stages on Life's Road," forms a sort of resume of the results so far gained. The three "spheres" are more clearly elaborated.

His next great work, Stadier paa Livets Vei "Stages on Life's Road," serves as a summary of the outcomes achieved so far. The three "spheres" are explained in more detail.

The æsthetic sphere is represented existentially by the incomparable In Vino Veritas, generally called "The Banquet," from a purely literary point of view the most perfect of Kierkegaard's works, which, if written in one of the great languages of Europe, would have procured him world fame. Composed in direct emulation of Plato's immortal Symposion, it bears comparison with it as well as any modern composition can.[6] Indeed, it excels Plato's work in subtlety, richness, and refined humor. To be sure, Kierkegaard has charged his creation with such romantic super-abundance of delicate observations and rococo ornament that the whole comes dangerously near being improbable; whereas the older work stands solidly in reality.

The aesthetic sphere is represented in a unique way by the incomparable In Vino Veritas, commonly known as "The Banquet," which is considered the most polished of Kierkegaard's works from a literary perspective. Had it been written in one of Europe's major languages, it would have earned him global recognition. Created as a direct homage to Plato's timeless Symposium, it can be compared to it just like any modern piece can.[6] In fact, it surpasses Plato's work in subtlety, depth, and sophisticated humor. However, Kierkegaard has infused his work with such an abundance of delicate insights and ornate details that it almost feels implausible; in contrast, the older work firmly roots itself in reality.

It is with definite purpose that the theme of the speeches of the five participants in the banquet is love, i.e., the relation of the two sexes in love; for it is there the main battle between the æsthetic and the ethical view of life must be fought out. Accordingly, Judge William, to whom the last idyllic pages of "The Banquet" again introduce us, in the second part breaks another shaft in defense of marriage, which in the ethical view of life is the typical realization of the "general law." Love exists also for the ethical individual. In fact, love and no other consideration whatsoever can justify marriage. But whereas to the æsthetic individual love is merely eroticism, viz., a passing self-indulgence without any obligation, the ethical individual attaches to himself the woman of his choice by an act of volition, for better or for worse, and by his marriage vow incurs an obligation to society. Marriage is thus a synthesis of love and duty. A pity only that Kierkegaard's astonishingly low evaluation of woman utterly mars what would otherwise be a classic defense of marriage.

The theme of the speeches by the five participants at the banquet is clearly focused on love, specifically the relationship between the sexes in love; this is where the main conflict between the aesthetic and ethical views of life needs to be addressed. Therefore, Judge William, whom we meet again in the last idyllic pages of "The Banquet," in the second part makes another argument in favor of marriage, which represents the "general law" in the ethical view of life. Love is also important for the ethical individual. In fact, love is the only thing that can justify marriage. However, while the aesthetic individual views love as merely eroticism—essentially a fleeting self-indulgence without any obligation—the ethical individual commits to the woman of his choice through a conscious decision, for better or for worse, and by taking his marriage vows, he incurs a duty to society. Marriage, therefore, is a combination of love and responsibility. It’s unfortunate that Kierkegaard's surprisingly low opinion of women significantly undermines what could have been a classic defense of marriage.

The religious sphere is shown forth in the third part, Skyldig—Ikke-Skyldig "Guilty—Not-Guilty," with the apt subtitle "A History of Woe." Working over, for the third time, and in the most intense fashion, his own unsuccessful attempt to "realize the general law," i.e., by marrying, he here presents in the form of a diary the essential facts of his own engagement, but in darker colors than in "Repetition." It is broken because of religious incompatibility and the lover's unconquerable melancholy; and by his voluntary renunciation, coupled with acute suffering through his sense of guilt for his act, he is driven up to an approximation of the religious sphere. Not unjustly, Kierkegaard himself regarded this as the richest of his works.

The religious aspect is highlighted in the third part, Skyldig—Ikke-Skyldig "Guilty—Not-Guilty," with the fitting subtitle "A History of Woe." Revisiting, for the third time, and in the most intense way, his own unsuccessful effort to "realize the general law," meaning through marriage, he presents the key details of his own engagement in the form of a diary, but with a darker tone than in "Repetition." It ends due to religious differences and the lover's deep sadness; his voluntary choice to end it, along with the profound pain from his guilt over his decision, brings him closer to the religious sphere. Not without reason, Kierkegaard himself saw this as the most significant of his works.

One may say that "Guilty—Not-Guilty" corresponds to Kierkegaard's own development at this stage. Christianity is still above him. How may it be attained? This is the grand theme of the huge book whimsically named "Final Unscientific Postscript to the Philosophical Trifles," Afsluttende Uvidenskabelig Efterskrift (1846): "How shall I become a Christian, I, Johannes Climacus, born in this city, thirty years of age, and not in any way different from the ordinary run of men"?

One could say that "Guilty—Not-Guilty" represents Kierkegaard's own growth at this point. Christianity still feels out of reach for him. How can he achieve it? This is the main theme of the large book humorously titled "Final Unscientific Postscript to the Philosophical Trifles," Afsluttende Uvidenskabelig Efterskrift (1846): "How can I become a Christian, I, Johannes Climacus, born in this city, thirty years old, and in no way different from the average person"?

Following up the results gained in the "Trifles," the subjectivity of faith is established once for all: it is not to be attained by swearing to any set of dogmas, not even Scripture; for who will vouch for its being an absolutely reliable and inspired account of Christ? Besides, as Lessing had demonstrated conclusively: historic facts never can become the proof of eternal verities. Nor can the existence of the Church through the ages furnish any guarantee for faith—straight counter to the opinion, held by Kierkegaard's famous contemporary Grundtvig—any more than can mere contemporaneousness establish a guarantee for those living at the beginning. To sum up: "One who has an objective Christianity and nothing else, he is eo ipso a heathen." For the same reason, "philosophic speculation" is not the proper approach, since it seeks to understand Christianity objectively, as an historic phenomenon—which rules it out from the start.

Following up on the results from "Trifles," the subjective nature of faith is established once and for all: it can't be achieved by just adhering to any set of beliefs, not even Scripture; because who can guarantee that it's an absolutely reliable and inspired account of Christ? Furthermore, as Lessing clearly demonstrated: historical facts can never serve as proof of eternal truths. Similarly, the existence of the Church throughout history cannot provide any assurance for faith—this goes against the view held by Kierkegaard's well-known contemporary Grundtvig—just as mere contemporaneity can't guarantee faith for those living at the beginning. In short: "Anyone who has only an objective Christianity is, by that very fact, a heathen." For the same reasons, "philosophical speculation" isn't the right approach, as it tries to understand Christianity objectively, as a historical phenomenon—which disqualifies it from the outset.

It is only by a decisive "leap," from objective thinking into subjective faith, with the consciousness of sin as the driving power, that the individual may realize (we would say, attain) Christianity. Nor is it gained once for all, but must ever be maintained by passionately assailing the paradox of faith, which is, that one's eternal salvation is based on an historic fact. The main thing always is the "how," not the "what." Kierkegaard goes so far as to say that he who with fervency and inwardness prays to some false god is to be preferred to him who worships the true god, but without the passion of devotion.

It’s only through a bold "leap" from objective thinking to subjective faith, driven by an awareness of sin, that a person can truly grasp (we would say, achieve) Christianity. And it’s not just a one-time thing; it has to be continually upheld by vigorously challenging the paradox of faith, which is that one’s eternal salvation depends on a historical event. The key focus is always on the "how," not the "what." Kierkegaard even argues that someone who passionately and sincerely prays to a false god is preferable to someone who worships the true god but lacks that fervent devotion.

In order to prevent any misunderstanding about the manner of presentation in this remarkable book, it will be well to add Kierkegaard's own remark after reading a conscientious German review of his "Trifles": "Although the account given is correct, every one who reads it will obtain an altogether incorrect impression of the book; because the account the critic gives is in the ex cathedra style (docerende), which will produce on the reader the impression that the book is written in a like manner. But this is in my eyes the worst misconception possible." And as to its peculiar conversational, entertaining manner which in the most leisurely, legère fashion and in an all but dogmatic style treats of the profoundest problems, it is well to recall the similarly popular manner of Pascal in his Lettres Provinciales. Like him—and his grand prototype Socrates—Kierkegaard has the singular faculty of attacking the most abstruse matters with a chattiness bordering on frivolity, yet without ever losing dignity.

To avoid any confusion about how this remarkable book is presented, it’s important to mention Kierkegaard's own comment after reading a thoughtful German review of his "Trifles": "Although the summary is accurate, anyone who reads it will get a completely misleading impression of the book; because the way the critic describes it is in the ex cathedra style (docerende), which will lead the reader to think the book is written in a similar way. To me, this is the worst misunderstanding possible." Regarding its unique, conversational, and entertaining style, which casually and almost dogmatically addresses profound issues, it’s worth recalling the similarly accessible style of Pascal in his Lettres Provinciales. Like him—and his great predecessor Socrates—Kierkegaard has the rare ability to tackle the most complex topics with a casualness that flirts with frivolity, yet he never loses his dignity.

For four and a half years Kierkegaard had now, notwithstanding his feeble health, toiled feverishly and, as he himself states, without even a single day's remission. And "the honorarium had been rather Socratic": all of his books had been brought out at his own expense, and their sale had been, of course, small. (Of the "Final Postscript," e.g., which had cost him between 500 and 600 rixdollars, only 60 copies were sold). Hardly any one had understood what the purpose of this "literature" was. He himself had done, with the utmost exertion and to the best of his ability, what he set out to do: to show his times, which had assumed that being a Christian is an easy enough matter, how unspeakably difficult a matter it really is and what terribly severe demands it makes on natural man. He now longed for rest and seriously entertained the plan of bringing his literary career to a close and spending the remainder of his days as a pastor of some quiet country parish, there to convert his philosophy into terms of practical existence. But this was not to be. An incident which would seem ridiculously small to a more robust nature sufficed to inflict on Kierkegaard's sensitive mind the keenest tortures and thus to sting him into a renewed and more passionate literary activity.

For four and a half years, Kierkegaard had been working tirelessly despite his poor health, as he himself noted, without even a single day off. And "the pay had been quite Socratic": all his books had been published at his own expense, and their sales were, of course, minimal. (For example, the "Final Postscript," which cost him between 500 and 600 rixdollars, sold only 60 copies). Hardly anyone understood what the purpose of this "literature" was. He had done everything in his power, with maximum effort, to achieve his goal: to show his contemporaries, who believed that being a Christian was easy, how incredibly challenging it really is and what severe demands it places on a person's natural existence. He now yearned for rest and seriously thought about ending his literary career to spend his remaining days as a pastor in a quiet country parish, where he could translate his philosophy into practical living. But that wasn’t meant to happen. An event that would seem trivial to a stronger person inflicted the deepest anguish on Kierkegaard's sensitive mind and spurred him into a renewed and more passionate writing phase.

As it happened, the comic paper Korsaren "The Corsair" was then at the heyday of its career. The first really democratic periodical in Denmark, it stood above party lines and through its malicious, brilliant satire and amusing caricatures of prominent personalities was hated, feared, and enjoyed by everybody. Its editor, the Jewish author Meir Goldschmidt, was a warm and outspoken admirer of the philosopher. Kierkegaard, on the other hand, had long regarded the Press with suspicion. He loathed it because it gave expression to, and thus subtly flattered, the multitude, "the public," "the mob"—as against the individual, and because it worked with the terrible weapon of anonymity; but held it especially dangerous by reason of its enormous circulation and daily repetition of mischievous falsehoods. So it seemed to him who ever doubted the ability of the "people" to think for themselves. In a word, the Press is to him "the evil principle in the modern world." Needless to say, the tactics of "The Corsair," in particular, infuriated him.

As it turned out, the comic paper Korsaren, "The Corsair," was at the peak of its popularity. It was the first truly democratic publication in Denmark, rising above party lines and being both hated and loved by everyone through its sharp, brilliant satire and funny caricatures of well-known figures. Its editor, the Jewish author Meir Goldschmidt, was a passionate and vocal admirer of the philosopher. In contrast, Kierkegaard had long viewed the press with suspicion. He despised it because it catered to, and thus flattering, the masses—"the public," "the mob"—at the expense of the individual. He also saw it as dangerous due to its vast circulation and constant repetition of harmful falsehoods. To him, it was a clear sign that he doubted the "people's" ability to think for themselves. In short, he saw the press as "the evil principle in the modern world." Unsurprisingly, the tactics of "The Corsair," in particular, drove him mad.

In a Christmas annual (1845) there had appeared a blundering review, by one of the collaborators on "The Corsair," of his "Stages on Life's Road." Seizing the opportunity offered, Kierkegaard wrote a caustic rejoinder, adding the challenge: "Would that I now soon appear in 'The Corsair.' It is really hard on a poor author to be singled out in Danish literature by remaining the only one who is not abused in it." We know now that Goldschmidt did his best in a private interview to ward off a feud, but when rebuffed he turned the batteries of his ridicule on the personality of his erstwhile idol. And for the better part of a year the Copenhagen public was kept laughing and grinning about the unequal trouser legs, the spindle shanks, the inseparable umbrella, the dialectic propensities, of "Either-Or," as Kierkegaard came to be called by the populace; for, owing to his peripatetic habits—acquired in connection with the Indirect Communication—he had long been a familiar figure on the streets of the capital. While trying to maintain an air of indifference, he suffered the tortures of the damned. In his Journal (several hundred of whose pages are given over to reflections on this experience) we find exclamations such as this one: "What is it to be roasted alive at a slow fire, or to be broken on the wheel or, as they do in warm climates, to be smeared with honey and put at the mercy of the insects—what is that in comparison with this torture: to be grinned to death!"

In a Christmas annual (1845), a clumsy review appeared, written by one of the contributors to "The Corsair," about his book "Stages on Life's Road." Taking the chance, Kierkegaard wrote a sharp response, adding the challenge: "I wish I would soon be featured in 'The Corsair.' It's really tough for a poor author to be the only one not criticized in the Danish literature." We now know that Goldschmidt tried his best in a private meeting to prevent a conflict, but when he was rejected, he turned his ridicule on the personality of his former idol. For most of a year, the people of Copenhagen laughed about the uneven trouser legs, the skinny legs, the ever-present umbrella, and the dialectical tendencies of "Either-Or," as Kierkegaard came to be known by the public; due to his wandering habits—developed through the Indirect Communication—he had long been a well-known figure on the city streets. While trying to appear indifferent, he experienced intense suffering. In his Journal (which includes several hundred pages reflecting on this experience), we find exclamations like this one: "What does it mean to be roasted alive over a slow fire, or to be broken on the wheel or, like they do in warm climates, to be covered in honey and left at the mercy of insects—what is that compared to this torture: to be grinned to death!"

There could be no thought now of retiring to a peaceful charge in the country. That would have been fleeing from persecution. Besides, unbeknown perhaps to himself, his pugnacity was aroused. While under the influence of the "Corsair Feud" (as it is known in Danish literature) he completes the booklet "A Literary Review." This was originally intended as a purely æsthetic evaluation and appreciation of the (then anonymous) author[7] of the Hverdagshistorier "Commonplace Stories" that are praised by him for their thoughtful bodying forth of a consistent view of life which—however different from his own—yet commanded his respect. He now appended a series of bitter reflections on the Present Times, paying his respects to the Press, which he calls incomparably the worst offender in furnishing people with cheap irony, in forcibly levelling out and reducing to mediocrity all those who strive to rise above it intellectually—words applicable, alas! no less to our own times. To him, however, who in a religious sense has become the captain of his soul, the becoming a butt of the Press is but a true test. Looking up, Kierkegaard sees in his own fate the usual reward accorded by mankind to the courageous souls who dare to fight for the truth, for the ideal—for Christianity, against the "masses." In a modern way, through ridicule, he was undergoing the martyrdom which the blood witnesses of old had undergone for the sake of their faith. Their task it had been to preach the Gospel among the heathen. His, he reasoned, was in nowise easier: to make clear to uncomprehending millions of so-called Christians that they were not Christians at all, that they did not even know what Christianity is: suffering and persecution, as he now recognizes, being inseparable from the truly Christian life.

There was no way now to retreat to a peaceful life in the countryside. That would be running away from persecution. Besides, perhaps without even realizing it, his combative spirit was stirred. While caught up in the "Corsair Feud" (as it's called in Danish literature), he completed the booklet "A Literary Review." This was originally meant to be a purely aesthetic evaluation and appreciation of the then-anonymous author[7] of the Hverdagshistorier "Commonplace Stories," which he praised for their thoughtful depiction of a consistent view of life that—though different from his own—still earned his respect. He then added a series of bitter reflections on the present times, taking a jab at the Press, which he called the worst offender for providing people with cheap irony, forcing everyone who tries to rise intellectually to be brought down to mediocrity—words that unfortunately resonate just as much today. However, for him, who has become the captain of his soul in a religious sense, being a target of the Press was simply a true test. Looking at his own fate, Kierkegaard sees the usual reward that society gives to brave souls who dare to fight for the truth, for the ideal—for Christianity, against the "masses." In a modern sense, through ridicule, he was enduring a martyrdom similar to what the ancient witnesses suffered for their faith. Their mission had been to preach the Gospel among the heathens. His, he concluded, was not any easier: to clarify to countless uncomprehending so-called Christians that they were not Christians at all, and that they didn't even know what Christianity really is: that suffering and persecution, as he now recognizes, are inseparable from a truly Christian life.

First, then, the road had to be cleared, emphatically, for the truth that Christianity and "the public" are opposite terms. The collection of "Edifying Discourses in Diverse Spirits" is thus a religious parallel to the polemic in his "Review." The first part of these meditations has for its text: "The purity of the heart consists in willing one thing"—and this one thing is necessarily the good, the ideal; but only he who lives his life as the individual can possibly will the good—else it is lived in duplicity, for the world will share his aspirations, he will bid for the rewards which the bowing before the crowd can give him. In the second part, entitled "What we may learn from the Lilies of the Field and the Birds of the Air"—one of Kierkegaard's favorite texts—the greatest danger to the ethic-religious life is shown to be the uneasiness about our material welfare which insidiously haunts our thought-life, and, notwithstanding our best endeavors, renders us essentially slaves to "the crowd"; whereas it is given to man, created in the image of God, to be as self-contained, unafraid, hopeful as are (symbolically) the lily and the bird. The startlingly new development attained through his recent experiences is most evident in the third part, "The Gospel of Sufferings," in which absolute stress is laid on the imitation of Christ in the strictest sense. Only the "individual" can compass this: the narrow way to salvation must be traveled alone; and will lead to salvation only if the world is, literally, overcome in persecution and tribulation. And, on the other hand, to be happy in this world is equivalent to forfeiting salvation. Thus briefly outlined, the contents of this book would seem to be sheer monkish asceticism; but no synopsis, however full, can hope to give an idea of its lyrical pathos, its wealth of tender reflections, the great love tempering the stern severity of its teaching.

First, the path needed to be cleared for the truth that Christianity and "the public" are opposing concepts. The collection of "Edifying Discourses in Diverse Spirits" serves as a religious counterpart to the argument in his "Review." The first part of these reflections is based on the idea: "The purity of the heart consists in wanting one thing"—and that one thing must be good, the ideal; but only someone who lives authentically can truly desire the good—otherwise, life is lived in two-facedness, because the world will share his ambitions, and he'll seek the rewards that come from bowing to the crowd. In the second part, called "What we can learn from the Lilies of the Field and the Birds of the Air"—one of Kierkegaard's favorite ideas—the biggest threat to the ethical-religious life is shown to be the anxiety about our material wellbeing that secretly affects our thoughts, making us essentially slaves to "the crowd," despite our best efforts; meanwhile, it is meant for humans, created in God's image, to be as self-sufficient, fearless, and hopeful as the lily and the bird are (symbolically). The remarkably new insight from his recent experiences is most clear in the third part, "The Gospel of Sufferings," which emphasizes the imitation of Christ in the most rigorous sense. Only the "individual" can fulfill this: the narrow road to salvation must be walked alone and will lead to salvation only if the world is, literally, overcome through persecution and hardship. On the flip side, being happy in this world means giving up salvation. While this summary might make the book seem purely about monk-like asceticism, no overview, no matter how extensive, can truly convey its lyrical depth, its abundance of gentle reflections, and the profound love that tempers the strictness of its teachings.

With wonderful beauty "The Deeds of Love" (Kjerlighedens Gjerninger) (1847) are exalted as the Christian's help and salvation against the tribulations of the world—love, not indeed of the human kind, but of man through God. "You are not concerned at all with what others do to you, but only with what you do to others; and also, with how you react to what others do to you—you are concerned, essentially, only with yourself, before God."

With amazing beauty, "The Deeds of Love" (Kjerlighedens Gjerninger) (1847) is celebrated as a Christian's support and salvation against the struggles of the world—love, not of human origin, but the love of man through God. "You shouldn't worry at all about what others do to you, but only about what you do to others; and also, about how you respond to what others do to you—you should be concerned, essentially, only with yourself, before God."

In rapid succession there follow "Christian Discourses"; "The Lily of the Field and the Bird of the Air"; "Sickness Unto Death" (with the sub-title "A Christian Psychological Exposition"); "Two Religious Treatises"; "The High Priest, the Publican, the Sinner"; "Three Discourses on the Occasion of Communion on Friday."

In quick order, we have "Christian Discourses"; "The Lily of the Field and the Bird of the Air"; "Sickness Unto Death" (with the subtitle "A Christian Psychological Exposition"); "Two Religious Treatises"; "The High Priest, the Publican, the Sinner"; and "Three Discourses on the Occasion of Communion on Friday."

In the course of these reflections it had become increasingly clear to Kierkegaard that the self-constituted representative of Christ—the Church or, to mention only the organization he was intimately acquainted with, the Danish State Church—had succeeded in becoming a purely worldly organization whose representatives, far from striving to follow Christ, had made life quite comfortable for themselves; retort to which was presently made that by thus stressing "contemporaneousness" with its aspects of suffering and persecution, Kierkegaard had both exceeded the accepted teaching of the Church and staked the attainment of Christianity so high as to drive all existing forms of it ad absurdum.

In the course of these reflections, it became increasingly clear to Kierkegaard that the self-appointed representative of Christ—the Church, or specifically the Danish State Church with which he was closely familiar—had turned into a purely worldly organization. Its leaders, far from trying to follow Christ, had made their own lives quite comfortable. In response, it was argued that by emphasizing "being current" with its elements of suffering and persecution, Kierkegaard had gone beyond the accepted teachings of the Church and raised the standards of Christianity so high that it rendered all existing forms of it absurd.

In his lndövelse i Christendom "Preparation for a Christian Life" and the somber Til Selvprövelse "For a Self-Examination" Kierkegaard returns to the attack with a powerful re-examination of the whole question as to how far modern Christianity corresponds to that of the Founder. Simply, but with grandiose power, he works out in concrete instances the conception of "contemporaneousness" gained in the "Final Postscript"; at the same time demonstrating to all who have eyes to see, the axiomatic connection between the doctrine of Propitiation and Christ's life in debasement; that Christianity consists in absolutely dying to the world; and that the Christianity which does not live up to this is but a travesty on Christianity. We may think what we please about this counsel of perfection, and judge what we may about the rather arbitrary choice of Scripture passages on which Kierkegaard builds: no serious reader, no sincere Christian can escape the searching of heart sure to follow this tremendous arraignment of humanity false to its divine leader. There is nothing more impressive in all modern literature than the gallery of "opinions" voiced by those arrayed against Christ when on earth—and now—as to what constitutes the "offense."

In his lndövelse i Christendom "Preparation for a Christian Life" and the somber Til Selvprövelse "For a Self-Examination," Kierkegaard takes a bold approach by deeply re-examining how modern Christianity aligns with that of its Founder. He explores the idea of "contemporaneousness," as discussed in the "Final Postscript," through concrete examples, while showing everyone who is willing to see the fundamental link between the doctrine of Propitiation and Christ's life of humility. He asserts that true Christianity means completely dying to the world, and that any form of Christianity that fails to embody this is merely a distortion of the faith. Regardless of our opinions on this high standard or the somewhat selective choice of Scripture that Kierkegaard uses for his arguments, no thoughtful reader or genuine Christian can avoid the introspection prompted by this powerful critique of humanity's failure to follow its divine leader. There’s nothing more striking in modern literature than the range of "opinions" expressed by those who opposed Christ during his time on earth—and still today—about what constitutes the "offense."

Kierkegaard had hesitated a long time before publishing the "Preparation for a Christian Life." Authority-loving as he was, he shrank from antagonizing the Church, as it was bound to do; and more especially, from giving offense to its primate, the venerable Bishop Mynster who had been his father's friend and spiritual adviser, to whom he had himself always looked up with admiring reverence, and whose sermons he had been in the habit of reading at all times. Also, to be sure, he was restrained by the thought, that by publishing his book he would render Christianity well-night unattainable to the weak and the simple and the afflicted who certainly were in need of the consolations of Christianity without any additional sufferings interposed—and surely no reader of his devotional works can be in doubt that he was the most tender-hearted of men. In earlier, stronger times, he imagines, he would have been made a martyr for his opinions; but was he entitled to become a blood-witness—he who realized more keenly than any one that he himself was not a Christian in the strictest sense? In his "Two Religious Treatises" he debates the question: "Is it permissible for a man to let himself be killed for the truth?"; which is answered in the negative in "About the Difference between a Genius and an Apostle"—which consists in the Apostle's speaking with authority. However, should not the truth be the most important consideration? His journal during that time offers abundant proof of the absolute earnestness with which he struggled over the question.

Kierkegaard took a long time to decide whether to publish "Preparation for a Christian Life." Being someone who respected authority, he was hesitant to upset the Church, which was bound to happen, especially to avoid offending its leader, the esteemed Bishop Mynster, who had been his father's friend and spiritual mentor. Kierkegaard had always admired him and frequently read his sermons. Additionally, he worried that by publishing his book, he would make Christianity almost unreachable for those who were weak, simple, or suffering, who certainly needed the comfort of Christianity without facing more hardships. And any reader of his spiritual works would know he was a deeply compassionate person. He believed that in a stronger time, he might have been a martyr for his beliefs; but did he really have the right to become a martyr for the truth, considering he realized more than anyone that he wasn't a Christian in the strictest sense? In his "Two Religious Treatises," he explores the question: "Is it acceptable for a person to let themselves be killed for the truth?" which he answers negatively in "About the Difference between a Genius and an Apostle," emphasizing that an Apostle speaks with authority. But shouldn't truth be the most important thing? His journal from that time clearly shows how seriously he grappled with these issues.

When Kierkegaard finally published "The Preparation for a Christian Life," the bishop was, indeed, incensed; but he did nothing. Nor did any one else venture forth. Still worse affront! Kierkegaard had said his last word, had stated his ultimatum—and it was received with indifference, it seemed. Nevertheless he decided to wait and see what effect his books would have for he hesitated to draw the last conclusions and mortally wound the old man tottering on the brink of his grave by thus attacking the Church. There followed a three years' period of silence on the part of Kierkegaard—again certainly a proof of his utter sincerity. It must be remembered, in this connection, that the very last thing Kierkegaard desired was an external reorganization, a "reform," of the Church—indeed, he firmly refused to be identified with any movement of secession, differing in this respect vitally from his contemporaries Vinet and Grundtvig who otherwise had so much in common with him. His only wish was to infuse life and inwardness into the existing forms. And far from being inferior to them in this he was here at one with the Founder and the Early Church in that he states the aim of the Christian Life to be, not to transform the existing social order, but to transcend it. For the very same reason, coupled to be sure with a pronounced aristocratic individualism, he is utterly and unreasonably indifferent, and even antagonistic, to the great social movements of his time, to the political upheavals of 1848, to the revolutionary advances of science.

When Kierkegaard finally published "The Preparation for a Christian Life," the bishop was really angry; but he did nothing. No one else dared to step forward either. What a bigger insult! Kierkegaard had made his final statement, had laid down his position—and it seemed to be met with indifference. Still, he chose to wait and see what impact his books would have because he hesitated to draw final conclusions and severely hurt the old man who was on the verge of death by attacking the Church. This led to a three-year period of silence from Kierkegaard—again, certainly a testament to his complete sincerity. It should be noted here that the last thing Kierkegaard wanted was an external reorganization, a "reform," of the Church—indeed, he firmly refused to be associated with any movement of secession, which was a significant difference from his contemporaries Vinet and Grundtvig, who otherwise shared much in common with him. His only desire was to infuse vitality and depth into the existing forms. And far from being less capable than them in this regard, he was aligned with the Founder and the Early Church in asserting that the purpose of the Christian Life is not to transform the current social order, but to rise above it. For the same reason, combined with a strong aristocratic individualism, he is completely and unreasonably indifferent, even hostile, to the major social movements of his time, to the political upheavals of 1848, and to the revolutionary advancements in science.

As Kierkegaard now considered his career virtually concluded, he wrote (1851) a brief account "About my Activity as an Author" in which he furnishes his readers a key to its unfolding—from an æsthetic view to the religious view—which he considers his own education by Providence; and indicates it to be his special task to call attention, without authority, to the religious, the Christian life. His "Viewpoint for my Activity as an Author," published by his brother only long after his death, likewise defines the purpose of the whole "authorship," besides containing important biographical material.

As Kierkegaard looked back on his career, which he saw as nearly finished, he wrote a short piece in 1851 titled "About My Activity as an Author." In it, he provides his readers with insight into how his work developed—from an aesthetic perspective to a religious one—which he views as his personal education by Providence. He emphasizes that it is his unique mission to highlight, without claiming authority, the importance of the religious and Christian life. His "Viewpoint for My Activity as an Author," published by his brother long after his death, also outlines the purpose of his entire body of work and includes significant biographical details.

At length (January, 1854) Mynster died. Even then Kierkegaard, though still on his guard, might not have felt called upon to have recourse to stronger measures if it had not been for an unfortunate sentence in the funeral sermon preached by the now famous Martensen—generally pointed out as the successor to the primacy—with whom Kierkegaard had already broken a lance or two. Martensen had declared Mynster to have been "one of the holy chain of witnesses for the truth (sandhedsvidner) which extends through the centuries down from the time of the Apostles." This is the provocation for which Kierkegaard had waited. "Bishop Mynster a witness for the truth"! he bursts out, "You who read this, you know well what in a Christian sense is a witness for the truth. Still, let me remind you that to be one, it is absolutely essential to suffer for the teaching of Christianity"; whereas "the truth is that Mynster was wordily-wise to a degree—was weak, pleasure-loving, and great only as a declaimer." But once more—striking proof of his circumspection and single-mindedness—he kept this harsh letter in his desk for nine months, lest its publication should interfere in the least with Martensen's appointment, or seem the outcome of personal resentment.

Eventually (January 1854) Mynster died. Even then, Kierkegaard, while still cautious, might not have felt the need to take stronger actions if it hadn’t been for an unfortunate statement in the funeral sermon delivered by the now-famous Martensen—generally recognized as the successor to the primacy—with whom Kierkegaard had already clashed a few times. Martensen declared Mynster to be “one of the holy chain of witnesses for the truth (sandhedsvidner) that stretches through the centuries from the time of the Apostles.” This was the provocation Kierkegaard had been waiting for. “Bishop Mynster a witness for the truth!” he exclaimed, “You who are reading this, you know well what it means to be a witness for the truth in a Christian sense. Still, let me remind you that to be one, it is absolutely essential to suffer for the teaching of Christianity”; while “the truth is that Mynster was worldly-wise to such a degree—was weak, pleasure-seeking, and only great as a declaimer.” But once again—striking proof of his caution and determination—he kept this harsh letter in his desk for nine months, to avoid any interference with Martensen's appointment or the appearance of personal grudges.

Martensen's reply, which forcefully enough brings out all that could be said for a milder interpretation of the Christian categories and for his predecessor, was not as respectful to the sensitive author as it ought to have been. In a number of newspaper letters of increasing violence and acerbity Kierkegaard now tried to force his obstinately silent opponent to his knees; but in vain. Filled with holy wrath at what he conceived to be a conspiracy by silence, and evasions to bring to naught the whole infinitely important matter for which he had striven, Kierkegaard finally turned agitator. He addressed himself directly to the people with the celebrated pamphlet series Öieblikket "The Present Moment" in which he opens an absolutely withering fire of invective on anything and everything connected with "the existing order" in Christendom—an agitation the like of which for revolutionary vehemence has rarely, if ever, been seen. All rites of the Church—marriage, baptism, confirmation, communion, burial—and most of all the clergy, high and low, draw the fiery bolts of his wrath and a perfect hail of fierce, cruel invective. The dominant note, though varied infinitely, is ever the same: "Whoever you may be, and whatever the life you live, my friend: by omitting to attend the public divine service—if indeed it be your habit to attend it—by omitting, to attend public divine service as now constituted (claiming as it does to represent the Christianity of the New Testament) you will escape at least one, and a great, sin in not attempting to fool God by calling that the Christianity of the New Testament which is not the Christianity of the New Testament." And he does not hesitate to use strong, even coarse, language; he even courts the reproach of blasphemy in order to render ridiculous in "Official Christianity" what to most may seem inherently, though mistakenly, a matter of highest reverence.

Martensen's reply clearly highlighted all the arguments for a softer interpretation of Christian beliefs and defended his predecessor, but it wasn't as respectful to the sensitive author as it should have been. In a series of increasingly aggressive newspaper letters, Kierkegaard attempted to force his stubbornly silent opponent into submission, but to no avail. Fueled by righteous anger at what he saw as a conspiracy of silence and evasions undermining the immensely important issues he had been fighting for, Kierkegaard eventually became an activist. He directly addressed the public with his well-known pamphlet series "Öieblikket" ("The Present Moment"), where he unleashed a relentless barrage of criticism aimed at anything linked to "the existing order" in Christianity—an outburst of revolutionary fervor that is rarely, if ever, seen. He unleashed his fury on all church practices—marriage, baptism, confirmation, communion, burial—and primarily targeted the clergy, both high and low, with a relentless storm of harsh, biting criticism. The main message, though expressed in countless ways, remained consistent: "No matter who you are or how you live, my friend: by choosing not to attend public worship—if you even usually do attend—by skipping public worship as it currently exists (which claims to represent the New Testament Christianity), you at least avoid one significant sin by not trying to deceive God into thinking that this is the Christianity of the New Testament when it absolutely is not." He didn't shy away from using strong, even crude, language; he even welcomed the accusation of blasphemy to ridicule in "Official Christianity" what many might mistakenly view as an issue of utmost reverence.

The swiftness and mercilessness of his attack seem to have left his contemporaries without a weapon: all they could do was to shrug their shoulders about the "fanatic," or to duck and wait dumbly until the storm had passed.

The speed and brutality of his attack appeared to leave his peers defenseless: all they could do was shrug their shoulders at the "fanatic," or duck and wait silently until the storm had passed.

Nor did it last long. On the second of October, 1855, Kierkegaard fell unconscious in the street. He was brought to the hospital where he died on the eleventh of November, aged 42. The immense exertions of the last months had shattered his frail body. And strange: the last of his money had been used up. He had said what he thought Providence had to communicate through him. His strength was gone. His death at this moment would put the crown on his work. As he said on his death-bed: "The bomb explodes, and the conflagration will follow."

Nor did it last long. On October 2, 1855, Kierkegaard collapsed in the street. He was taken to the hospital, where he died on November 11, at the age of 42. The intense efforts of the previous months had drained his fragile body. And strangely, he had run out of money. He had expressed what he believed Providence wanted to convey through him. His strength was depleted. His death at this time would complete his life's work. As he said on his deathbed: "The bomb explodes, and the fire will follow."

In appraising Kierkegaard's life and works it will be found true, as Hotfding says, that he can mean much even to those who do not subscribe to the beliefs so unquestioningly entertained by him. And however much they may regret that he poured his noble wine into the old bottles, they cannot fail to recognize the yeoman's service he did, both for sincere Christians in compelling them to rehearse inwardly what ever tends to become a matter of form: what it means to be a Christian; and for others, in deepening their sense of individual responsibility. In fact, every one who has once come under his influence and has wrestled with this mighty spirit will bear away some blessing. In a time when, as in our own, the crowd, society, the millions, the nation, had depressed the individual to an insignificant atom—and what is worse, in the individual's own estimation; when shallow altruistic, socializing effort thought naively that the millenium was at hand, he drove the truth home that, on the contrary, the individual is the measure of all things; that we do not live en masse; that both the terrible responsibility and the great satisfactions of life inhere in the individual. Again, more forcibly than any one else in modern times, certainly more cogently than Pascal, he demonstrated that the possibility of proof in religion is an illusion; that doubt cannot be combatted by reason, that it ever will be credo quia impossibile. In religion, he showed the utter incompatibility of the æsthetic and the religious life; and in Christianity, he re-stated and re-pointed the principle of ideal perfection by his unremitting insistence on contemporaneousness with Christ. It is another matter whether by so doing Kierkegaard was about to pull the pillars from underneath the great edifice of Christianity which housed both him and his enemies: seeing that he himself finally doubted whether it had ever existed apart from the Founder and, possibly, the Apostles.

In reviewing Kierkegaard's life and works, it's clear, as Hotfding points out, that he can resonate meaningfully even with those who don’t share his fiercely held beliefs. Although some may lament that he tried to fit his profound ideas into outdated frameworks, they can’t ignore the significant contributions he made. He pushed sincere Christians to deeply reflect on what it truly means to be one, while also encouraging others to recognize their own individual responsibilities. Anyone who has engaged with him and grappled with his powerful thoughts will take away some sort of blessing. In a time like ours, when the collective—society, the masses, the nation—has reduced the individual to a mere speck, and even worse, has led the individual to think of themselves that way; when superficial social efforts mistakenly believed that the ideal world was close, he emphasized that the individual is what truly matters; we don’t live as a mass; both the heavy burden and the immense joys of life rest on the individual. Moreover, he forcefully argued, more effectively than anyone else in modern times, certainly more compellingly than Pascal, that the idea of proof in religion is a mirage; that doubt can’t be tackled with reason, and that it will always be credo quia impossibile. He highlighted the complete mismatch between the aesthetic and religious life, and in Christianity, he redefined the idea of ideal perfection by consistently stressing the importance of being in sync with Christ. It's a separate question whether in doing this, Kierkegaard was undermining the very foundations of Christianity that supported both him and his adversaries, considering he ultimately questioned whether it ever existed independently of the Founder and maybe the Apostles.

Kierkegaard is not easy reading. One's first impression of crabbedness, whimsicality, abstruseness will, however, soon give way to admiration of the marvelous instrument of precision language has become in his hands. To be sure, he did not write for people who are in a hurry, nor for dullards. His closely reasoned paragraphs and, at times huge, though rhetorically faultless, periods require concentrated attention, his involutions and repetitions, handled with such incomparable virtuosity, demand an everlasting readiness of comprehension on the part of the reader. On the other hand his philosophic work is delightfully "Socratic," unconventional, and altogether "un-textbook-like." Kierkegaard himself wished that his devotional works should be read aloud. And, from a purely æsthetic point of view, it ought to be a delight for any orator to practice on the wonderful periods of e. g., "The Preparation," or of, say, the parable of the coach-horses in "Acts of the Apostles." They alone would be sufficient to place Kierkegaard in the front rank of prose writers of the nineteenth century where, both by the power of his utterance and the originality of his thought, he rightfully belongs.

Kierkegaard isn’t easy to read. At first, it may seem complicated, quirky, or obscure, but that impression quickly shifts to admiration for how effectively he uses precise language. He definitely didn’t write for those in a rush or for the uninterested. His carefully structured paragraphs and sometimes lengthy, yet rhetorically flawless, sentences require focused attention, and his complex ideas and repetitions, handled with incredible skill, demand a constant readiness to understand from the reader. On the flip side, his philosophical work is refreshingly "Socratic," unconventional, and definitely not like a typical textbook. Kierkegaard himself wanted his devotional pieces to be read out loud. From an aesthetic viewpoint, any speaker would find it a pleasure to practice with the remarkable sentences in "The Preparation," or the parable of the coach-horses in "Acts of the Apostles." Those alone could earn him a spot among the top prose writers of the nineteenth century, where, through both the strength of his expression and the originality of his ideas, he truly belongs.

In laying before an English speaking public selections from Kierkegaard's works, the translator has endeavored to give an adequate idea of the various aspects of his highly disparate works. For this purpose he has chosen a few large pieces, rather than given tidbits. He hopes to be pardoned for not having a slavish regard for Kierkegaard's very inconsequential paragraphing[8] and for breaking, with no detriment, he believes, to the thought, some excessively long paragraphs into smaller units; which will prove more restful to the eye and more encouraging to the reader. As to occasional omissions—always indicated by dots—the possessor of the complete works will readily identify them. In consonance with Kierkegaard's views on "contemporaneousness," no capitals are used in "The Preparation" when referring to Christ by pronouns.

In presenting selections from Kierkegaard's works to an English-speaking audience, the translator has aimed to convey the various aspects of his diverse writings. To achieve this, he has selected a few substantial pieces instead of offering short excerpts. He hopes readers will understand his decision to not strictly adhere to Kierkegaard's somewhat trivial paragraphing[8] and to break up some excessively long paragraphs into shorter sections, which he believes will be more visually comfortable and encouraging for readers. As for the occasional omissions—marked by dots—those familiar with the complete works will easily recognize them. In line with Kierkegaard's views on "contemporaneousness," no capital letters are used in "The Preparation" when Christ is referred to by pronouns.

When Kierkegaard died, his influence, like that of Socrates, was just beginning to make itself felt. The complete translation into German of all his works[9] and of many into other languages; the magnificent new edition of his works[10] and of his extraordinarily voluminous diaries,[11] now nearing completion; and the steadily increasing number of books, pamphlets, and articles from the most diverse quarters testify to his reaching a growing number of individuals. Below is given a list of the more important books and articles on Kierkegaard. It does not aim at completeness.

When Kierkegaard died, his influence, much like Socrates's, was just starting to be felt. The complete translation of all his works into German[9] and many into other languages, along with the impressive new edition of his works[10] and his incredibly extensive diaries,[11] which are now almost finished, along with the steadily increasing number of books, pamphlets, and articles from a wide range of sources, show his influence is spreading to a larger audience of individuals. Below is a list of some of the more significant books and articles about Kierkegaard. It isn’t intended to be a complete list.

Bärthold, A. S. K., Eine Verfassetexistenz eigner Art. Halberstadt, 1873.

Bärthold, A. S. K., A Unique Writer's Existence. Halberstadt, 1873.

Same: Noten zu S. K.'s Lebensgeschichte. Halle, 1876.

Same: Notes on S. K.'s Life Story. Halle, 1876.

Same: Die Bedeutung der aesthetischen Schriften S. K.'s. Halle, 1879.

Same: The significance of the aesthetic writings of S. K. Halle, 1879.

Barfod, H. P. (Introduction to the first edition of the Diary.) Copenhagen, 1869.

Barfod, H. P. (Introduction to the first edition of the Diary.) Copenhagen, 1869.

Bohlin, Th. S. K.'s Etiska Åskadning. Uppsala, 1918.

Bohlin, Th. S. K.'s Ethical Perspective. Uppsala, 1918.

Brandes, G. S. K., En kritisk Fremstilling i Grundrids. Copenhagen, 1877.

Brandes, G. S. K., A Critical Presentation in Outline. Copenhagen, 1877.

Same: German ed. Leipzig, 1879.

Same: German edition, Leipzig, 1879.

Deleuran, V. Esquisse d'une étude sur S. K. Thèse, University of Paris, 1897.

Deleuran, V. Outline of a Study on S. K. Thesis, University of Paris, 1897.

Höffding, H. S. K. Copenhagen, 1892.

Höffding, H. S. K. Copenhagen, 1892.

Same: German edition (2nd). Stuttgart, 1902.

Same: German edition (2nd). Stuttgart, 1902.

Hoffmann, R. K. und die religiöse Gewissheit. Göttingen, 1910.

Hoffmann, R. K. and Religious Certainty. Göttingen, 1910.

Jensen, Ch. S. K.'s religiöse Udvikling. Aarhus, 1898.

Jensen, Ch. S. K.'s Religious Development. Aarhus, 1898.

Monrad, O. P. S. K. Sein Leben und seine Werke. Jena, 1909.

Monrad, O. P. S. K. His Life and His Works. Jena, 1909.

Münch, Ph. Haupt und Grundgedanken der Philosophie S. K.'s. Leipzig, 1902.

Münch, Ph. Main Ideas and Thoughts of Philosophy S. K.'s. Leipzig, 1902.

Rosenberg, P. A. S. K., hans Liv, hans Personlighed og hans Forfatterskab. Copenhagen, 1898.

Rosenberg, P. A. S. K., his life, his personality, and his writing. Copenhagen, 1898.

Rudin, W. S. K.'s Person och Författerskap. Förste Afdelningen. Stockholm, 1880.

Rudin, W. S. K.'s Person and Authorship. First Section. Stockholm, 1880.

Schrempf, Ch. S. K.'s Stellung zu Bibel und Dogma. Zeitschrift für Theologie und Kirche, 1891, p. 179.

Schrempf, Ch. S. K.'s Position on the Bible and Dogma. Journal for Theology and Church, 1891, p. 179.

Same: S. K. Ein unfreier Pionier der Freiheit. (With a foreword by Höffding) Frankfurt, 1909.

Same: S. K. An Unfree Pioneer of Freedom. (With a foreword by Höffding) Frankfurt, 1909.

Swenson, D. The Anti-Intellectualism of K. Philosophic Review, 1916, p. 567.

Swenson, D. The Anti-Intellectualism of K. Philosophic Review, 1916, p. 567.

To my friends and colleagues, Percy M. Dawson and Howard M. Jones, I wish also in this place to express my thanks for help and criticism "in divers spirits."

To my friends and colleagues, Percy M. Dawson and Howard M. Jones, I also want to take this opportunity to thank you for your assistance and feedback "in various ways."


[1]Pronounced Kerkegor.

__A_TAG_PLACEHOLDER_0__Pronounced Kierkegaard.

[2]An interesting parallel is the story of Peter Williams, as told by George Borrow, Lavengro, chap. 75 ff.

[2]An interesting parallel is the story of Peter Williams, as described by George Borrow in Lavengro, chap. 75 ff.

[3]Corresponding, approximately, to our doctoral thesis.

[3]Roughly equivalent to our doctoral thesis.

[4]Not "Discourses for Edification," cf. the Foreword to Atten Opbyggelige Taler, S. V. vol. IV.

[4]Not "Discourses for Edification," see the Foreword to Atten Opbyggelige Taler, S. V. vol. IV.

[5]De Carne Christi, chap. V, as my friend, Professor A. E. Haydon, kindly points out.

[5]De Carne Christi, chap. V, as my friend, Professor A. E. Haydon, kindly points out.

[6]Cf. Brandes, S. K. p. 157.

[6]Compare. Brandes, S. K. p. 157.

[7]Mrs. Thomasine Gyllembourg-Ehrensvärd.

__A_TAG_PLACEHOLDER_0__Mrs. Thomasine Gyllembourg-Ehrensvärd.

[8]With signal exception of "The Present Moment."

[8]With the exception of "The Present Moment."

[9]In process of publication. Jena.

__A_TAG_PLACEHOLDER_0__In the process of publishing. Jena.

[10]Samlede Værker. Copenhagen, 1901-1906 (14 vols). In the notes abbreviated S. V. Still another edition is preparing.

[10]Collected Works. Copenhagen, 1901-1906 (14 vols). In the notes abbreviated C.W. Another edition is in the works.

[11]Copenhagen, 1909 ff.

__A_TAG_PLACEHOLDER_0__Copenhagen, 1909 onward


DIAPSALMATA[1]

What is a poet? An unhappy man who conceals profound anguish in his heart, but whose lips are so fashioned that when sighs and groans pass over them they sound like beautiful music. His fate resembles that of the unhappy men who were slowly roasted by a gentle fire in the tyrant Phalaris' bull—their shrieks could not reach his ear to terrify him, to him they sounded like sweet music. And people flock about the poet and say to him: do sing again; which means, would that new sufferings tormented your soul, and: would that your lips stayed fashioned as before, for your cries would only terrify us, but your music is delightful. And the critics join them, saying: well done, thus must it be according to the laws of æsthetics. Why, to be sure, a critic resembles a poet as one pea another, the only difference being that he has no anguish in his heart and no music on his lips. Behold, therefore would I rather be a swineherd on Amager,[2] and be understood by the swine than a poet, and misunderstood by men.

What is a poet? An unhappy person who hides deep pain in their heart, but whose lips are shaped in such a way that when sighs and groans escape them, they sound like beautiful music. Their fate is like that of the men who were slowly roasted by a gentle fire in the tyrant Phalaris' bull—their screams never reached his ears to scare him; to him, they sounded like sweet music. People gather around the poet and say to him: sing again; which really means, I wish new suffering would torment your soul, and: may your lips stay as they are, because your cries would only scare us, but your music is delightful. And critics chime in, saying: well done, this is how it should be according to the rules of aesthetics. Indeed, a critic is like a poet, like one pea is to another, the only difference being that the critic has no pain in their heart and no music on their lips. So, I'd rather be a swineherd on Amager,[2] and be understood by the pigs than be a poet and misunderstood by people.

In addition to my numerous other acquaintances I have still one more intimate friend—my melancholy. In the midst of pleasure, in the midst of work, he beckons to me, calls me aside, even though I remain present bodily. My melancholy is the most faithful sweetheart I have had—no wonder that I return the love!

In addition to my many other friends, I have one more close companion—my sadness. Even when I'm having fun or busy with work, it calls to me, drawing me away, even if I’m still there physically. My sadness is the most loyal partner I've ever had—it's no surprise that I reciprocate that love!

Of all ridiculous things the most ridiculous seems to me, to be busy—to be a man who is brisk about his food and his work. Therefore, whenever I see a fly settling, in the decisive moment, on the nose of such a person of affairs; or if he is spattered with mud from a carriage which drives past him in still greater haste; or the drawbridge opens up before him; or a tile falls down and knocks him dead, then I laugh heartily. And who, indeed, could help laughing? What, I wonder, do these busy folks get done? Are they not to be classed with the woman who in her confusion about the house being on fire carried out the fire-tongs? What things of greater account, do you suppose, will they rescue from life's great conflagration?

Of all the ridiculous things, the most ridiculous to me is being busy—being a person who's always rushing about their food and work. So, whenever I see a fly landing at the critical moment on the nose of such a busy person; or if they're splashed with mud from a carriage speeding by; or the drawbridge lifts in front of them; or a tile falls and knocks them out, I can't help but laugh. And who wouldn't find it funny? What, I wonder, do these busy people actually accomplish? Aren't they just like the woman who, in her panic about the house being on fire, only managed to carry out the fire-tongs? What more significant things do you think they'll save from life's big disaster?

Let others complain that the times are wicked. I complain that they are paltry; for they are without passion. The thoughts of men are thin and frail like lace, and they themselves are feeble like girl lace-makers. The thoughts of their hearts are too puny to be sinful. For a worm it might conceivably be regarded a sin to harbor thoughts such as theirs, not for a man who is formed in the image of God. Their lusts are staid and sluggish, their passions sleepy; they do their duty, these sordid minds, but permit themselves, as did the Jews, to trim the coins just the least little bit, thinking that if our Lord keep tab of them ever so carefully one might yet safely venture to fool him a bit. Fye upon them! It is therefore my soul ever returns to the Old Testament and to Shakespeare. There at least one feels that one is dealing with men and women; there one hates and loves, there one murders one's enemy and curses his issue through all generations—there one sins.

Let others complain that the times are bad. I complain that they are weak; they lack passion. People's thoughts are thin and delicate like lace, and they themselves are weak like girl lace-makers. The thoughts of their hearts are too small to be sinful. For a worm, it might be seen as a sin to hold thoughts like theirs, but not for a man made in the image of God. Their desires are reserved and slow, their passions drowsy; they do their duty, these shabby minds, but allow themselves, like the Jews, to slightly trim the coins, thinking that if our Lord keeps track of them so carefully, one might still get away with fooling Him a bit. Shame on them! That is why my soul always returns to the Old Testament and Shakespeare. At least there, one feels they are dealing with real men and women; there one hates and loves, there one murders one's enemy and curses his descendants for generations—there one sins.

Just as, according to the legend,[3] Parmeniscus in the Trophonian cave lost his ability to laugh, but recovered it again on the island of Delos at the sight of a shapeless block which was exhibited as the image of the goddess Leto: likewise did it happen to me. When I was very young I forgot in the Trophonian cave how to laugh; but when I grew older and opened my eyes and contemplated the real world, I had to laugh, and have not ceased laughing, ever since. I beheld that the meaning of life was to make a living; its goal, to become Chief Justice; that the delights of love consisted in marrying a woman with ample means; that it was the blessedness of friendship to help one another in financial difficulties; that wisdom was what most people supposed it to be; that it showed enthusiasm to make a speech, and courage, to risk being fined 10 dollars; that it was cordiality to say "may it agree with you" after a repast; that it showed piety to partake of the communion once a year. I saw that and laughed.

Just like the legend says,[3] Parmeniscus lost his ability to laugh in the Trophonian cave, but found it again on the island of Delos when he saw a featureless block that represented the goddess Leto; that's what happened to me too. When I was young, I forgot how to laugh in the Trophonian cave; but as I got older and looked at the real world, I couldn't help but laugh, and I've been laughing ever since. I realized that the meaning of life was to earn a living; its goal was to become Chief Justice; that the joys of love were about marrying someone with money; that true friendship was helping each other out with financial issues; that wisdom was what most people believed it to be; that being enthusiastic meant giving a speech, and having guts meant risking a $10 fine; that being friendly was saying "hope it was good for you" after a meal; and that being religious meant taking communion once a year. I saw all this and laughed.

A strange thing happened to me in my dream. I was rapt into the Seventh Heaven. There sat all the gods assembled. As a special dispensation I was granted the favor to have one wish. "Do you wish for youth," said Mercury, "or for beauty, or power, or a long life; or do you wish for the most beautiful woman, or any other of the many fine things we have in our treasure trove? Choose, but only one thing!" For a moment I was at a loss. Then I addressed the gods in this wise: "Most honorable contemporaries, I choose one thing—that I may always have the laughs on my side." Not one god made answer, but all began to laugh. From this I concluded that my wish had been granted and thought that the gods knew how to express themselves with good taste; for it would surely have been inappropriate to answer gravely: your wish has been granted.

A strange thing happened to me in my dream. I was taken up to the Seventh Heaven. There sat all the gods gathered together. As a special favor, I was allowed to make one wish. "Do you wish for youth," said Mercury, "or beauty, or power, or a long life; or do you want the most beautiful woman, or any of the other amazing things we have in our treasure chest? Choose, but you can only have one thing!" For a moment I didn't know what to say. Then I spoke to the gods like this: "Most honorable contemporaries, I choose one thing—that I may always have laughter on my side." Not one god replied, but they all started to laugh. From this, I concluded that my wish had been granted and thought that the gods knew how to express themselves tastefully; it certainly would have been awkward to respond seriously: your wish has been granted.


[1]Interlude (of aphorisms). Selection.

__A_TAG_PLACEHOLDER_0__Interlude (of aphorisms). Selection.

[2]A flat island south of the capital, called the "Kitchen Garden of Copenhagen."

[2]A flat island south of the capital, known as the "Kitchen Garden of Copenhagen."

[3]Told by Athenaios.

__A_TAG_PLACEHOLDER_0__Told by Athenaios.


IN VINO VERITAS (THE BANQUET)

It was on one of the last days in July, at ten o'clock in the evening, when the participants in that banquet assembled together. Date and year I have forgotten; indeed, this would be interesting only to one's memory of details, and not to one's recollection of the contents of what experience. The "spirit of the occasion" and whatever impressions are recorded in one's mind under that heading, concerns only one's recollections; and just as generous wine gains in flavor by passing the Equator, because of the evaporation of its watery particles, likewise does recollection gain by getting rid of the watery particles of memory; and yet recollection becomes as little a mere figment of the imagination by this process as does the generous wine.

It was on one of the last days of July, at ten o'clock in the evening, when the guests at that banquet gathered together. I’ve forgotten the date and year; honestly, that would only matter for remembering details, not for recalling the essence of the experience. The "spirit of the occasion" and any impressions we hold under that label concern only our memories; just as fine wine improves in flavor when it crosses the Equator due to the evaporation of some of its water, our recollections also benefit from filtering out the less important details of memory. Yet, just like the fine wine, our memories don't simply become fabrications of our imagination through this process.

The participants were five in number: John, with the epithet of the Seducer, Victor Eremita, Constantin Constantius, and yet two others whose names I have not exactly forgotten—which would be a matter of small importance—but whose names I did not learn. It was as if these two had no proper names, for they were constantly addressed by some epithet. The one was called the Young Person. Nor was he more than twenty and some years, of slender and delicate build, and of a very dark complexion. His face was thoughtful; but more pleasing even was its lovable and engaging expression which betokened a purity of soul harmonizing perfectly with the soft charm, almost feminine, and the transparency of his whole presence. This external beauty of appearance was lost sight of, however, in one's next impression of him; or, one kept it only in mind whilst regarding a youth nurtured or—to use a still tenderer expression—petted into being, by thought, and nourished by the contents of his own soul—a youth who as yet had had nothing to do with the world, had been neither aroused and fired, nor disquieted and disturbed. Like a sleep-walker he bore the law of his actions within himself, and the amiable, kindly expression of his countenance concerned no one, but only mirrored the disposition of his soul.

The participants were five in total: John, known as the Seducer, Victor Eremita, Constantin Constantius, and two others whose names I can't quite remember—which isn’t really that important—but whose names I never did find out. It was as if these two didn't have real names, as they were always referred to by some nickname. One was called the Young Person. He was no older than just over twenty, with a slim and delicate build, and a very dark complexion. His face was thoughtful; but even more appealing was his charming and lovable expression that showed a pure soul perfectly matched with the soft, almost feminine charm, and the transparency of his entire presence. However, this external beauty faded in comparison with the next impression he left; or, you could only hold onto it while seeing a young man who was raised—or to use a more tender term—coddled into existence, by thought, and nourished by the depths of his own soul—a youth who had yet to engage with the world, who had neither been stirred up and ignited, nor troubled and unsettled. Like a sleepwalker, he carried the weight of his actions inside himself, and the gentle, friendly look on his face was directed at no one in particular, instead reflecting the state of his soul.

The other person they called the Dressmaker, and that was his occupation. Of him it was impossible to get a consistent impression. He was dressed according to the very latest fashion, with his hair curled and perfumed, fragrant with eau-de-cologne. One moment his carriage did not lack self-possession, whereas in the next it assumed a certain dancing, festive air, a certain hovering motion, which, however, was kept in rather definite bounds by the robustness of his figure. Even when he was most malicious in his speech his voice ever had a touch of the smoothtonguedness of the shop, the suaveness of the dealer in fancy-goods, which evidently was utterly disgusting to himself and only satisfied his spirit of defiance. As I think of him now I understand him better, to be sure, than when I first saw him step out of his carriage and I involuntarily laughed. At the same time there is some contradiction left still. He had transformed or bewitched himself, had by the magic of his own will assumed the appearance of one almost half-witted, but had not thereby entirely satisfied himself; and this is why his reflectiveness now and then peered forth from beneath his disguise.

The other person was called the Dressmaker, which was his job. It was hard to get a clear impression of him. He was dressed in the latest fashion, with his hair styled and scented, smelling of cologne. One moment he seemed composed, and the next he had a lively, festive vibe, a kind of fluttering energy that was still kept in check by his strong build. Even when he spoke maliciously, his voice had a hint of a smooth salesperson's tone, the charm of a seller of fine goods, which he found utterly repulsive but which also satisfied his rebellious spirit. As I think of him now, I understand him better than when I first saw him step out of his carriage, when I couldn't help but laugh. Yet, there's still some contradiction. He had transformed or enchanted himself, using his will to appear almost dim-witted, but that didn’t fully satisfy him; that’s why his moments of reflection occasionally broke through his disguise.

As I think of it now it seems rather absurd that five such persons should get a banquet arranged. Nor would anything have come of it, I suppose, if Constantin had not been one of us. In a retired room of a confectioner's shop where they met at times, the matter had been broached once before, but had been dropped immediately when the question arose as to who was to head the undertaking. The Young Person was declared unfit for that task, the Dressmaker affirmed himself to be too busy. Victor Eremita did not beg to be excused because "he had married a wife or bought a yoke of oxen which he needed to prove";[1] but, he said, even if he should make an exception, for once, and come to the banquet, yet he would decline the courtesy offered him to preside at it, and he therewith "entered protest at the proper time.[2]" This, John considered a work spoken in due season; because, as he saw it, there was but one person able to prepare a banquet, and that was the possessor of the wishing-table which set itself with delectable things whenever he said to it "Cover thyself!" He averred that to enjoy the charms of a young girl in haste was not always the wisest course; but as to a banquet, he would not wait for it, and generally was tired of it a long while before it came off. However, if the plan was to be carried into effect he would make one condition, which was, that the banquet should be so arranged as to be served in one course. And that all were agreed on. Also, that the settings for it were to be made altogether new, and that afterwards they were to be destroyed entirely; ay, before rising from table one was to hear the preparation for their destruction. Nothing was to remain; "not even so much," said the Dressmaker, "as there is left of a dress after it has been made over into a hat." "Nothing," said John, "because nothing is more unpleasant than a sentimental scene, and nothing more disgusting than the knowledge that somewhere or other there is an external setting which in a direct and impertinent fashion pretends to be a reality."

As I think about it now, it seems pretty ridiculous that five people would plan a banquet together. Nothing would have happened, I guess, if Constantin hadn’t been one of us. In a quiet room of a bakery where they occasionally gathered, the idea had come up before but was quickly dropped when it was time to decide who would take charge. The Young Person was deemed unsuitable for that role, and the Dressmaker insisted he was too busy. Victor Eremita didn’t excuse himself by saying he “had married a wife or bought a yoke of oxen which he needed to prove,” but he also said that even if he made an exception and attended the banquet, he would decline the offer to lead it, and he was making his objections known in a timely manner. John thought this was a well-timed remark because, in his view, there was only one person who could pull off a banquet, and that was the owner of the wishing-table that set itself with delicious treats whenever he commanded it to “Cover thyself!” He argued that rushing to enjoy the company of a young woman wasn’t always the best choice, but with respect to a banquet, he wouldn’t wait for it, and he usually grew tired of it long before it actually happened. However, if the plan was to go ahead, he had one condition: the banquet should be served in one course. Everyone agreed to that. They also decided that the table settings should be completely new and then destroyed afterward; in fact, before standing up from the table, everyone should hear the preparations for their destruction. Nothing was to remain; “not even so much,” said the Dressmaker, “as what’s left of a dress after it’s been turned into a hat.” “Nothing,” said John, “because nothing is more unpleasant than a sentimental scene, and nothing is more disgusting than knowing there’s some external decoration that is obviously pretending to be real.”

When the conversation had thus became animated, Victor Eremita suddenly arose, struck an attitude on the floor, beckoned with his hand in the fashion of one commanding and, holding his arm extended as one lifting a goblet, he said, with the gesture of one waving a welcome: "With this cup whose fragrance already intoxicates my senses, whose cool fire already inflames my blood, I greet you, beloved fellow-banqueters, and bid you welcome; being entirely assured that each one of you is sufficiently satisfied by our merely speaking about the banquet; for our Lord satisfied the stomach before satisfying the eye, but the imagination acts in the reverse fashion." Thereupon he inserted his hand in his pocket, took from it a cigar-case, struck a match, and began to smoke. When Constantin Constantius protested against this sovereign free way of transforming the banquet planned into an illusory fragment of life, Victor declared that he did not believe for one moment that such a banquet could be got up and that, in any case, it had been a mistake to let it become the subject of discussion in advance. "Whatever is to be good must come at once; for 'at once' is the divinest of all categories and deserves to be honored as in the language of the Romans: ex templo,[3] because it is the starting point for all that is divine in life, and so much so that what is not done at once is of evil." However, he remarked, he did not care to argue this point. In case the others wished to speak and act differently he would not say a word, but if they wished him to explain the sense of his remarks more fully he must have leave to make a speech, because he did not consider it all desirable to provoke a discussion on the subject.

When the conversation got lively, Victor Eremita suddenly stood up, struck a pose on the floor, gestured with his hand as if commanding attention, and, with his arm raised like someone lifting a goblet, said, with a welcoming gesture: "With this cup, whose scent is already intoxicating my senses and whose cool fire is igniting my blood, I greet you, dear fellow diners, and welcome you; I’m completely sure that each of you is more than satisfied just by talking about the banquet; for our Lord satisfies hunger before appealing to the eye, but the imagination works the other way around." Then he reached into his pocket, took out a cigar case, lit a match, and began to smoke. When Constantin Constantius objected to this bold way of turning the planned banquet into a mere illusion of life, Victor insisted that he didn’t think for a second that such a banquet could actually happen, and in any case, it was a mistake to discuss it beforehand. "Anything worthwhile should come immediately; for 'immediately' is the highest of all concepts and deserves to be revered, as the Romans would say: ex templo,[3] because it is the starting point of all that is divine in life, so much so that anything not done right away is evil." However, he noted that he didn’t want to debate this point. If the others wanted to speak and act differently, he wouldn’t say a word, but if they wanted him to explain his comments further, he would need permission to give a speech, as he didn’t think it was right to provoke a discussion on the topic.

Permission was given him; and as the others called on him to do so at once, he spoke as follows: "A banquet is in itself a difficult matter, because even if it be arranged with ever so much taste and talent there is something else essential to its success, to wit, good luck. And by this I mean not such matters as most likely would give concern to an anxious hostess, but something different, a something which no one can make absolutely sure of: a fortunate harmonizing of the spirit and the minutiæ of the banquet, that fine ethereal vibration of chords, that soul-stirring music which cannot be ordered in advance from the town-musicians. Look you, therefore is it a hazardous thing to undertake, because if things do go wrong, perhaps from the very start, one may suffer such a depression and loss of spirits that recovery from it might involve a very long time.

He was given permission, and since the others urged him to speak right away, he said: "Throwing a banquet is inherently tricky because even if it's planned with great taste and skill, there's one more thing that's crucial for its success: luck. And I'm not talking about the kinds of issues that would typically worry a stressed hostess, but something different—an unpredictable element that no one can guarantee. It's about finding that perfect balance between the vibe and the details of the event, that delicate harmony that creates an uplifting atmosphere, which you can’t just schedule with the local musicians. So, it's really a risky endeavor because if things start to go wrong, it can lead to such disappointment and a drop in morale that it might take a long time to bounce back from it."

"Sheer habit and thoughtlessness are father and godfather to most banquets, and it is only due to the lack of critical sense among people that one fails to notice the utter absence of any idea in them. In the first place, women ought never to be present at a banquet. Women may be used to advantage only in the Greek style, as a chorus of dancers. As it is the main thing at a banquet that there be eating and drinking, woman ought not to be present; for she cannot do justice to what is offered; or, if she can, it is most unbeautiful. Whenever a woman is present the matter of eating and drinking ought to be reduced to the very slightest proportions. At most, it ought to be no more than some trifling feminine occupation, to have something to busy one's hands with. Especially in the country a little repast of this kind—which, by the way, should be put at other times than the principal meals—may be extremely delightful; and if so, always owing to the presence of the other sex. To do like the English, who let the fair sex retire as soon as the real drinking is to start, is to fall between two stools, for every plan ought to be a whole, and the very manner with which I take a seat at the table and seize hold of knife and fork bears a definite relation to this whole. In the same sense a political banquet presents an unbeautiful ambiguity inasmuch as one does not[4] want to cut down to a very minimum the essentials of a banquet, and yet does not wish to have the speeches thought of as having been made over the cups.

"Most banquets are created out of sheer habit and thoughtlessness, and it's mainly because people lack critical thinking that they don't notice there's usually no real idea behind them. First of all, women shouldn't be present at a banquet. They can only be beneficial in a Greek-style setting, like a chorus of dancers. Since the main focus of a banquet is eating and drinking, women shouldn't be there; they can't fully appreciate what's being served, and if they can, it often doesn’t look great. Whenever a woman is present, eating and drinking should be minimized to something trivial, just a little activity to keep their hands busy. Especially in the countryside, a light meal like this—ideally served at times other than main meals—can be really enjoyable, and that's largely because of the presence of men. Following the English practice of having women leave as soon as the serious drinking starts is misguided; every plan should be cohesive, and even how I sit at the table and grab my knife and fork relates to that whole. Similarly, a political banquet presents a confusing situation because one doesn’t want to reduce the essentials of a banquet to a minimum, yet doesn't want the speeches to seem like they were made over drinks."

"So far, we are agreed, I suppose; and our number—in case anything should come of the banquet—is correctly chosen, according to that beautiful rule: neither more than the Muses nor fewer than the Graces. Now I demand the greatest superabundance of everything thinkable. That is, even though everything be not actually there, yet the possibility of having it must be at one's immediate beck and call, aye, hover temptingly over the table, more seductive even than the actual sight of it. I beg to be excused, however, from banqueting on sulphur-matches or on a piece of sugar which all are to suck in turn. My demands for such a banquet will, on the contrary, be difficult to satisfy; for the feast itself must be calculated to arouse and incite that unmentionable longing which each worthy participant is to bring with him. I require that the earth's fertility be at our service, as though everything sprouted forth at the very moment the desire for it was born. I desire a more luxurious abundance of wine than when Mephistopheles needed but to drill holes into the table to obtain it. I demand an illumination more splendid than have the gnomes when they lift up the mountain on pillars and dance in a sea of blazing light. I demand what most excites the senses, I demand their gratification by deliciously sweet perfumes, more superb than any in the Arabian Nights. I demand a coolness which voluptuously provokes desire and breathes relaxation on desire satisfied. I demand a fountain's unceasing enlivenment. If Mæcenas could not sleep without hearing the splashing of a fountain, I cannot eat without it. Do not misunderstand me, I can eat stockfish without it, but I cannot eat at a banquet without it; I can drink water without it, but I cannot drink wine at a banquet without it. I demand a host of servants, chosen and comely, as if I sate at table with the gods; I demand that there shall be music at the feast, both strong and subdued; and I demand that it shall be an accompaniment to my thoughts; and what concerns you, my friends, my demands regarding you are altogether incredible. Do you see, by reason of all these demands—which are as many reasons against it—I hold a banquet to be a pium desideratum,[5] and am so far from desiring a repetition of it that I presume it is not feasible even a first time."

"So far, we’re on the same page, I suppose; and our number—in case anything comes of the banquet—is just right, following that beautiful rule: neither more than the Muses nor fewer than the Graces. Now I ask for an overwhelming abundance of everything imaginable. That is, even if everything isn’t actually there, the possibility of having it must be readily accessible, hovering temptingly over the table, even more enticing than actually seeing it. I must decline, however, to feast on sulfur matches or on a piece of sugar that everyone takes turns sucking on. My requests for this banquet will, on the other hand, be hard to fulfill; because the feast itself must be designed to spark and ignite that indescribable longing each worthy guest is expected to bring with them. I require that the earth's bounty be at our disposal, as if everything sprang forth the moment the desire for it arose. I want a richer abundance of wine than when Mephistopheles just had to drill holes in the table to get it. I demand a lighting more splendid than the gnomes have when they lift the mountain on pillars and dance in a sea of blazing light. I demand what most excites the senses, I seek their gratification through deliciously sweet perfumes that are more exquisite than anything out of the Arabian Nights. I want a coolness that seductively teases desire and breathes relaxation into fulfilled cravings. I demand a fountain’s continual refreshment. If Mæcenas couldn’t sleep without hearing the splash of a fountain, I can’t eat without it. Don’t get me wrong, I can eat stockfish without it, but I can’t eat at a banquet without it; I can drink water without it, but I can’t enjoy wine at a banquet without it. I demand a throng of chosen and lovely servants, as if I were dining with the gods; I demand that there be music at the feast, both lively and soft; and I require that it accompany my thoughts; and as for you, my friends, my requests regarding you are truly extravagant. You see, because of all these demands—which are countless reasons against it—I consider a banquet to be a pium desideratum,[5] and I’m so far from wanting a repeat that I doubt it’s even possible the first time."

The only one who had not actually participated in this conversation, nor in the frustration of the banquet, was Constantin. Without him, nothing would have been done save the talking. He had come to a different conclusion and was of the opinion that the idea might well be realized, if one but carried the matter with a high hand.

The only one who hadn’t actually been part of this conversation, or the frustration of the banquet, was Constantin. Without him, nothing would have happened except for the talking. He had come to a different conclusion and believed that the idea could actually be achieved, as long as someone approached it assertively.

Then some time passed, and both the banquet and the discussion about it were forgotten, when suddenly, one day, the participants received a card of invitation from Constantius for a banquet the very same evening. The motto of the party had been given by him as: In Vino Veritas, because there was to be speaking, to be sure, and not only conversation; but the speeches were not to be made except in vino, and no truth was to be uttered there excepting that which is in vino—when the wine is a defense of the truth and the truth a defense of the wine.

Then some time went by, and both the banquet and the talk about it were forgotten, when suddenly, one day, the attendees got an invitation card from Constantius for a banquet that very evening. He had chosen the motto for the party as: In Vino Veritas, because there was going to be speaking, not just casual conversation; but the speeches were only to happen in vino, and no truth was to be shared there except what is in vino—when the wine supports the truth and the truth supports the wine.

The place had been chosen in the woods, some ten miles distant from Copenhagen. The hall in which they were to feast had been newly decorated and in every way made unrecognizable; a smaller room, separated from the hall by a corridor, was arranged for an orchestra. Shutters and curtains were let down before all windows, which were left open. The arrangement that the participants were to drive to the banquet in the evening hour was to intimate to them—and that was Constantin's idea—what was to follow. Even if one knows that one is driving to a banquet, and the imagination therefore indulges for a moment in thoughts of luxury, yet the impression of the natural surroundings is too powerful to be resisted. That this might possibly not be the case was the only contingency he apprehended; for just as there is no power like the imagination to render beautiful all it touches, neither is there any power which can to such a degree disturb all—misfortune conspiring—if confronted with reality. But driving on a summer evening does not lure the imagination to luxurious thoughts, but rather to the opposite. Even if one does not see it or hear it, the imagination will unconsciously create a picture of the longing for home which one is apt to feel in the evening hours—one sees the reapers, man and maid, returning from their work in the fields, one hears the hurried rattling of the hay wagon, one interprets even the far-away lowing from the meadows as a longing. Thus does a summer evening suggest idyllic thoughts, soothing even a restless mind with its assuagement, inducing even the soaring imagination to abide on earth with an indwelling yearning for home as the place from whence it came, and thus teaching the insatiable mind to be satisfied with little, by rendering one content; for in the evening hour time stands still and eternity lingers.

The spot was picked out in the woods, about ten miles from Copenhagen. The hall where they were going to dine had been newly decorated and made completely unrecognizable; a smaller room, separated from the hall by a corridor, was set up for an orchestra. Shutters and curtains were drawn over all the windows, which were left open. The plan for the guests to drive to the banquet in the evening was meant to hint at what would come next—and that was Constantin's idea. Even if you know you’re heading to a feast, and your imagination briefly drifts towards thoughts of luxury, the impact of the natural surroundings is too strong to ignore. The only possibility he worried about was that this might not hold true; just as imagination has the power to beautify everything it touches, it can also be deeply disturbed by reality, especially when misfortune comes into play. However, driving on a summer evening doesn’t inspire thoughts of luxury; it does the opposite. Even if you don’t see or hear it, your imagination will subconsciously evoke a longing for home that often arises in the evening—imagining the laborers returning from the fields, hearing the hurry of a hay wagon, interpreting the distant lowing from the meadows as a desire for home. A summer evening fosters peaceful thoughts, calming even a restless mind, encouraging even the wildest imagination to stay grounded with a deep yearning for home, teaching the insatiable mind to be content with little, because in the evening, time seems to pause and eternity hangs in the air.

Thus they arrived in the evening hour: those invited; for Constantin had come out somewhat earlier. Victor Eremita who resided in the country not far away came on horseback, the others in a carriage. And just as they had discharged it, a light open vehicle rolled in through the gate carrying a merry company of four journeymen who were entertained to be ready at the decisive moment to function as a corps of destruction: just as firemen are stationed in a theatre, for the opposite reason at once to extinguish a fire.

Thus they arrived in the evening: those invited; for Constantin had come out a little earlier. Victor Eremita, who lived not far away in the countryside, rode in on horseback, while the others arrived in a carriage. Just as they unloaded, a light open vehicle rolled in through the gate carrying a cheerful group of four workers who were there to be ready at the critical moment to act as a force of destruction: just like firefighters are stationed in a theater to put out a fire.

So long as one is a child one possesses sufficient imagination to maintain one's soul at the very top-notch of expectation—for a whole hour in the dark room, if need be; but when one has grown older one's imagination may easily cause one to tire of the Christmas tree before seeing it.

As long as you're a child, you have enough imagination to keep your excitement at its highest—like for a whole hour in a dark room, if necessary. But as you get older, your imagination might make you lose interest in the Christmas tree even before you see it.

The folding doors were opened. The effect of the radiant illumination, the coolness wafting toward them, the beguiling fragrance of sweet perfumes, the excellent taste of the arrangements, for a moment overwhelmed the feelings of those entering; and when, at the same time, strains from the ballet of "Don Juan" sounded from the orchestra, their persons seemed transfigured and, as if out of reverence for an unseen spirit about them, they stopped short for a moment like men who have been roused by admiration and who have risen to admire.

The folding doors swung open. The bright light, the refreshing breeze flowing toward them, the enchanting scent of sweet perfumes, the exquisite taste of the decorations—all of it momentarily overwhelmed those entering; and when the music from the ballet of "Don Juan" played from the orchestra, they appeared transformed, pausing for a moment like people struck by admiration who have risen to take it all in.

Whoever knows that happy moment, whoever has appreciated its delight, and has not also felt the apprehension lest suddenly something might happen, some trifle perhaps, which yet might be sufficient to disturb all! Whoever has held the lamp of Aladdin in his hand and has not also felt the swooning of pleasure, because one needs but to wish? Whoever has held what is inviting in his hand and has not also learned to keep his wrist limber to let go at once, if need be?

Whoever knows that joyful moment, whoever has enjoyed its pleasure, and hasn't also felt the fear that something might suddenly happen, something small perhaps, that could disrupt everything! Whoever has held Aladdin's lamp in their hand and hasn't also felt the rush of excitement, knowing that all it takes is a wish? Whoever has held something tempting in their hand and hasn't also learned to keep their wrist flexible enough to let go immediately, if necessary?

Thus they stood side by side. Only Victor stood alone, absorbed in thought; a shudder seemed to pass through his soul, he almost trembled; he collected himself and saluted the omen with these words: "Ye mysterious, festive, and seductive strains which drew me out of the cloistered seclusion of a quiet youth and beguiled me with a longing as mighty as a recollection, and terrible, as though Elvira had not even been seduced but had only desired to be! Immortal Mozart, thou to whom I owe all; but no! as yet I do not owe thee all. But when I shall have become an old man—if ever I do become an old man; or when I shall have become ten years older—if ever I do; or when I am become old—if ever I shall become old; or when I shall die—for that, indeed, I know I shall: then shall I say: immortal Mozart, thou to whom I owe all—and then I shall let my admiration, which is my soul's first and only admiration, burst forth in all its might and let it make away with me, as it often has been on the point of doing. Then have I set my house in order,[6] then have I remembered my beloved one, then have I confessed my love, then have I fully established that I owe thee all, then am I occupied no longer with thee, with the world, but only with the grave thought of death."

Thus they stood side by side. Only Victor stood alone, lost in thought; a shiver seemed to run through his soul, and he almost trembled; he composed himself and acknowledged the omen with these words: "You mysterious, festive, and alluring melodies that pulled me out of the sheltered silence of a calm youth and filled me with a yearning as powerful as a memory, and terrible, as if Elvira had not just been seduced but had merely wished to be! Immortal Mozart, to whom I owe everything; but no! I don’t owe you everything yet. However, when I become an old man—if I ever do; or when I am ten years older—if I ever am; or when I grow old—if I ever grow old; or when I die—because I know I will: then I will say: immortal Mozart, to whom I owe everything—and then I will let my admiration, which is my soul's first and only admiration, burst forth in all its strength and allow it to take over me, as it has often been on the brink of doing. Then I will have set my house in order,[6] then I will have remembered my beloved one, then I will have confessed my love, then I will have fully acknowledged that I owe you everything, then I will no longer be concerned with you, or the world, but only with the solemn thought of death."

Now there came from the orchestra that invitation in which joy triumphs most exultantly, and heaven-storming soars aloft above Elvira's sorrowful thanks; and gracefully apostrophizing, John repeated: "Viva la liberta"—"et veritas," said the Young Person; "but above all, in vino," Constantin interrupted them, seating himself at the table and inviting the others to do likewise.

Now the orchestra played that invitation filled with joy, soaring high above Elvira's grateful but sad words. With elegance, John echoed, "Viva la liberta," to which the Young Person replied, "et veritas," but Constantin interrupted them, saying, "but above all, in vino," as he took a seat at the table and encouraged the others to join him.

How easy to prepare a banquet; yet Constantin declared that he never would risk preparing another. How easy to admire; yet Victor declared that he never again would lend words to his admiration; for to suffer a discomfiture is more dreadful than to become an invalid in war! How easy to express a desire, if one has the magic lamp; yet that is at times more terrible than to perish of want!

How easy it is to throw a party; yet Constantin said he would never risk throwing another. How easy it is to admire; yet Victor stated he would never again express his admiration, because experiencing defeat is worse than becoming injured in battle! How easy it is to express a wish if you have the magic lamp; yet sometimes that is more terrifying than dying from lack!

They were seated. In the same moment the little company were launched into the very middle of the infinite sea of enjoyment—as if with one single bound. Each one had addressed all his thoughts and all his desires to the banquet, had prepared his soul for the enjoyment which was offered to overflowing and in which their souls overflowed. The experienced driver is known by his ability to start the snorting team with a single bound and to hold them well abreast; the well-trained steed is known by his lifting himself in one absolutely decisive leap: even if one or the other of the guests perhaps fell short in some particular, certainly Constantin was a good host.

They were seated. In that moment, the small group was thrown right into the heart of endless enjoyment—as if by a single leap. Each person focused all their thoughts and desires on the feast, preparing themselves for the overflowing pleasure that awaited them. A skilled driver is recognized by their ability to launch the eager horses with one swift motion and keep them moving smoothly together; a well-trained horse is known for its powerful and decisive leap. Even if some guests might have missed the mark in some way, there was no doubt that Constantin was a great host.

Thus they banqueted. Soon, conversation had woven its beautiful wreaths about the banqueters, so that they sat garlanded. Now, it was enamored of the food, now of the wine, and now again of itself; now, it seemed to develop into significance, and then again it was altogether slight. Soon, fancy unfolded itself—the splendid one which blows but once, the tender one which straightway closes its petals; now, there came an exclamation from one of the banqueters: "These truffles are superb," and now, an order of the host: "This Chateau Margaux!" Now, the music was drowned in the noise, now it was heard again. Sometimes the servants stood still as if in pausa, in that decisive moment when a new dish was being brought out, or a new wine was ordered and mentioned by name, sometimes they were all a bustle. Sometimes there was a silence for a moment, and then the re-animating spirit of the music went forth over the guests. Now, one with some bold thought would take the lead in the conversation and the others followed after, almost forgetting to eat, and the music would sound after them as it sounds after the jubilant shouts of a host storming on; now, only the clinking of glasses and the clattering of plates was heard and the feasting proceeded in silence, accompanied only by the music that joyously advanced and again stimulated conversation. Thus they banqueted.

So they feasted. Soon, conversation wrapped itself around the guests like a beautiful garland, making them feel adorned. At times, they were captivated by the food, then the wine, and then by themselves; at one moment it seemed deep and significant, and the next, completely trivial. Before long, imagination blossomed—like the stunning flower that blooms only once, and the delicate one that quickly closes its petals. Then, one guest exclaimed, “These truffles are amazing,” followed by the host's order: “This Chateau Margaux!” The music would sometimes fade into the background noise, then come back into focus. Occasionally, the servers would pause as if in pausa, during that critical moment when a new dish was presented, or a new wine was ordered and named, while at other times they were bustling about. There were moments of silence, only to be filled with the revitalizing spirit of the music as it washed over the guests. Someone with a bold idea would lead the conversation, and the others would follow, almost forgetting to eat, with the music trailing behind them like the joyful cheers of a host charging ahead; then, only the clinking of glasses and the clattering of plates could be heard as the feasting continued in silence, accompanied solely by the lively music that stirred conversation once again. So they feasted.

How poor is language in comparison with that symphony of sounds unmeaning, yet how significant, whether of a battle or of a banquet, which even scenic representation cannot imitate and for which language has but a few words! How rich is language in the expression of the world of ideas, and how poor, when it is to describe reality!

How lacking is language compared to that symphony of sounds, meaningless yet so impactful, whether from a battle or a feast, which even visual representation can't replicate and for which language has only a few words! How vibrant is language in expressing ideas, but how inadequate it is when it comes to describing reality!

Only once did Constantin abandon his omnipresence in which one actually lost sight of his presence. At the very beginning he got them to sing one of the old drinking songs, "by way of calling to mind that jolly time when men and women feasted together," as he said—a proposal which had the positively burlesque effect he had perhaps calculated it should have. It almost gained the upper hand when the Dressmaker wanted them to sing the ditty: "When I shall mount the bridal bed, hoiho!" After a couple of courses had been served Constantin proposed that the banquet should conclude with each one's making a speech, but that precautions should be taken against the speakers' divagating too much. He was for making two conditions, viz., there were to be no speeches until after the meal; and no one was to speak before having drunk sufficiently to feel the power of the wine—else he was to be in that condition in which one says much which under other circumstances one would leave unsaid—without necessarily having the connection of speech and thought constantly interrupted by hiccoughs.[7] Before speaking, then, each one was to declare solemnly that he was in that condition. No definite quantity of wine was to be required, capacities differed so widely. Against this proposal, John entered protest. He could never become intoxicated, he averred, and when he had come to a certain point he grew the soberer the more he drank. Victor Eremita was of the opinion that any such preparatory premeditations to insure one's becoming drunk would precisely militate against one's becoming so. If one desired to become intoxicated the deliberate wish was only a hindrance. Then there ensued some discussion about the divers influences of wine on consciousness, and especially about the fact that, in the case of a reflective temperament, an excess of wine may manifest itself, not in any particular impetus but, on the contrary, in a noticeably cool self-possession. As to the contents of the speeches, Constantin proposed that they should deal with love, that is, the relation between man and woman. No love stories were to be told though they might furnish the text of one's remarks.

Only once did Constantin drop his ever-present demeanor to the point that people almost forgot he was there. At the beginning, he got everyone to sing an old drinking song, “to remind us of those fun times when men and women feasted together,” as he put it—a suggestion that had the amusing effect he likely intended. It nearly took over when the Dressmaker suggested they sing the line: “When I shall mount the bridal bed, hoiho!” After a few courses, Constantin suggested that the banquet should end with everyone giving a speech, but with a few rules to keep them from wandering too far off topic. He proposed two conditions: no speeches until after the meal, and no one was to speak before they had drunk enough to feel the effects of the wine—otherwise, they might end up saying things they wouldn’t normally say, without the connection between thought and speech being interrupted by hiccups. Before speaking, each person would have to declare solemnly that they were in that state. No specific amount of wine would be required, since everyone had different capacities. John protested this idea, claiming he could never get drunk; he insisted that the more he drank, the soberer he became. Victor Eremita argued that any such premeditated attempt to get drunk would actually work against it. If someone wanted to get intoxicated, wanting to do so deliberately was just a hindrance. This led to a discussion about the various effects of wine on consciousness, especially the fact that, for someone with a reflective temperament, too much wine might not lead to any particular excitement but, rather, a noticeable calmness. As for the content of the speeches, Constantin suggested they focus on love, specifically the relationship between men and women. No love stories were to be told, although they could serve as the basis for one’s remarks.

The conditions were accepted. All reasonable and just demands a host may make on his guests were fulfilled: they ate and drank, and "drank and were filled with drink," as the Bible has it;[8] that is, they drank stoutly.

The conditions were accepted. All reasonable and fair requests a host can make of his guests were met: they ate and drank, and "drank and were filled with drink," as the Bible puts it;[8] meaning they drank heartily.

The desert was served. Even if Victor had not, as yet, had his desire gratified to hear the splashing of a fountain—which, for that matter, he had luckily forgotten since that former conversation—now champagne flowed profusely. The clock struck twelve. Thereupon Constantin commanded silence, saluted the Young Person with a goblet and the words quod felix sit faustumque[9] and bade him to speak first.

The desert was served. Even though Victor still hadn’t had his wish fulfilled to hear the sound of a fountain—which, by the way, he had fortunately forgotten since that earlier conversation—champagne was now flowing freely. The clock struck twelve. Then Constantin commanded silence, raised his goblet to the Young Person, and said quod felix sit faustumque[9] and asked him to speak first.

(The Young Person's Speech)

The Young Person arose and declared that he felt the power of the wine, which was indeed apparent to some degree; for the blood pulsed strongly in his temples, and his appearance was not as beautiful as before the meal. He spoke as follows:

The Young Person stood up and said he could feel the effects of the wine, which was somewhat obvious; the blood was pounding in his temples, and he didn’t look as good as he had before the meal. He said:

If there be truth in the words of the poets, dear fellow-banqueters, then unrequited love is, indeed, the greatest of sorrows. Should you require any proof of this you need but listen to the speech of lovers. They say that it is death, certain death; and the first time they believe it—for the space of two weeks. The next time they say that it is death; and finally they will die sometime—as the result of unrequited love. For that love has killed them, about that there can obtain no doubt. And as to love's having to take hold three times to make away with them, that is not different from the dentist's having to pull three times before he is able to budge that firmly rooted molar. But, if unrequited love thus means certain death, how happy am I who have never loved and, I hope, will only achieve dying some time, and not from unrequited love! But just this may be the greatest misfortune, for all I know, and how unfortunate must I then be!

If what the poets say is true, dear fellow diners, then unrequited love is truly the greatest sorrow. If you need proof of this, just listen to what lovers say. They claim it’s death, real death; and the first time they really believe it—for about two weeks. The next time they say it’s death; and eventually, they will die sometime—as a result of unrequited love. That love has killed them, there’s no doubt about it. And the fact that it takes love to hit them three times to finish them off is not different from a dentist having to pull three times before he can get that stubborn molar to budge. But if unrequited love really means certain death, how lucky am I to have never loved and, I hope, will only die someday, and not from unrequited love! But this might just be the greatest misfortune, for all I know, and how unfortunate must I then be!

The essence of love probably (for I speak as does a blind man about colors), probably lies in its bliss; which is, in other words, that the cessation of love brings death to the lover. This I comprehend very well as in the nature of a hypothesis correlating life and death. But, if love is to be merely by way of hypothesis, why, then lovers lay themselves open to ridicule through their actually falling in love. If, however, love is something real, why, then reality must bear out what lovers say about it. But did one in real life ever hear of, or observe, such things having taken place, even if there is hearsay to that effect? Here I perceive already one of the contradictions in which love involves a person; for whether this is different for those initiated, that I have no means of knowing; but love certainly does seem to involve people in the most curious contradictions.

The essence of love likely lies in its joy; in other words, the end of love feels like death to the lover. I understand this well as a hypothesis connecting life and death. But if love is just a hypothesis, then lovers open themselves up to ridicule by actually falling in love. However, if love is something real, then reality should support what lovers say about it. But has anyone in real life ever heard of or seen such things happen, even if there are rumors? Here, I already see one of the contradictions that come with love; whether this is different for those who have experienced it, I can’t say, but love certainly seems to involve people in the most curious contradictions.

There is no other relation between human beings which makes such demands on one's ideality as does love, and yet love is never seen to have it. For this reason alone I would be afraid of love; for I fear that it might have the power to make me too talk vaguely about a bliss which I did not feel and a sorrow I did not have. I say this here since I am bidden to speak on love, though unacquainted with it—I say this in surroundings which appeal to me like a Greek symposion; for I should otherwise not care to speak on this subject as I do not wish to disturb any one's happiness but, rather, am content with my own thoughts. Who knows but these thoughts are sheer imbecilities and vain imaginings—perhaps my ignorance is explicable from the fact that I never have learned, nor have wished to learn, from any one, how one comes to love; or from the fact that I have never yet challenged a woman with a glance—which is supposed to be smart—but have always lowered my eyes, unwilling to yield to an impression before having fully made sure about the nature of the power into whose sphere I am venturing.

There’s no other relationship between people that demands as much of our ideals as love does, and yet love never seems to truly meet those expectations. For this reason alone, I’m afraid of love; I worry that it might lead me to talk vaguely about a joy I don’t feel and a sadness I don’t have. I mention this here because I’ve been asked to speak about love, even though I don’t really know it—I say this in an environment that feels like a Greek symposium to me; otherwise, I wouldn’t want to discuss it since I don’t want to disrupt anyone’s happiness but am instead content with my own thoughts. Who knows, maybe these thoughts are just foolishness and daydreams—perhaps my ignorance comes from the fact that I’ve never learned, nor wanted to learn, from anyone how one comes to love; or from the fact that I’ve never dared to challenge a woman with a look—which is supposed to be clever—but have always kept my gaze down, not wanting to give in to an impression before I fully understand the nature of the force I’m stepping into.

At this point he was interrupted by Constantin who expostulated with him because, by his very confession of never having been in love, he had debarred himself from speaking. The Young Person declared that at any other time he would gladly obey an injunction to that effect as he had often enough experienced how tiresome it was to have to make a speech; but that in this case he would insist upon his right. Precisely the fact that one had had no love affair, he said, also constituted an affair of love; and he who could assert this of himself was entitled to speak about Eros just because his thoughts were bound to take issue with the whole sex and not with individuals. He was granted permission to speak and continued.

At this point, Constantin interrupted him, objecting that by admitting he had never been in love, he had disqualified himself from speaking. The Young Person replied that under normal circumstances, he would happily follow such a rule, as he often found giving speeches to be quite tedious; however, in this case, he insisted on his right to speak. He argued that the very fact of not having had a love affair also counted as a kind of love affair, and anyone who could claim this about themselves was entitled to talk about Eros precisely because their thoughts engaged with the broader concepts of sexuality rather than just individuals. He was given permission to speak and carried on.

Inasmuch as my right to speak has been challenged, this may serve to exempt me from your laughter; for I know well that, just as among rustics he is not considered a man who does not call a tobacco pipe his own, likewise among men-folks he is not considered a real man who is not experienced in love. If any one feels like laughing, let him laugh—my thought is, and remains, the essential consideration for me. Or is love, perchance, privileged to be the only event which is to be considered after, rather than before, it happens? If that be the case, what then if I, having fallen in love, should later on think that it was too late to think about it? Look you, this is the reason why I choose to think about love before it happens. To be sure, lovers also maintain that they gave the matter thought, but such is not the case. They assume it to be essential in man to fall in love; but this surely does not mean thinking about love but, rather, assuming it, in order to make sure of getting one's self a sweetheart.

As my right to speak has been questioned, this might protect me from your laughter; for I know well that, just as among country folks, a man isn't considered a man unless he owns a tobacco pipe, similarly among men, a real man isn’t seen as a real man unless he’s experienced in love. If anyone feels like laughing, let them laugh—what matters to me is my perspective, and that will always be my main focus. Or is love, perhaps, the only thing we’re supposed to think about after it happens, rather than before? If that’s the case, then what if I, having fallen in love, later realize I waited too long to think about it? This is why I prefer to think about love before it comes along. Sure, lovers claim they've thought it through, but that's not really true. They believe it’s natural for a man to fall in love; but that doesn’t mean they’re actually contemplating love—it's more about assuming it, just to ensure they can snag a partner.

In fact, whenever my reflection endeavors to pin down love, naught but contradiction seems to remain. At times, it is true, I feel as if something had escaped me, but I cannot tell what it is, whereas my reflection is able at once to point out the contradictions in what does occur. Very well, then, in my opinion love is the greatest self-contradiction imaginable, and comical at the same time. Indeed, the one corresponds to the other. The comical is always seen to occur in the category of contradictions—which truth I cannot take the time to demonstrate now; but what I shall demonstrate now is that love is comical. By love I mean the relation between man and woman. I am not thinking of Eros in the Greek sense which has been extolled so beautifully by Plato who, by the way, is so far from considering the love of woman that he mentions it only in passing, holding it to be inferior to the love of youths.[10] I say, love is comical to a third person—more I say not. Whether it is for this reason that lovers always hate a third person I do not know; but I do know that reflection is always in such a relation the third person, and for this reason I cannot love without at the same time having a third person present in the shape of my reflection.

In fact, whenever I try to understand love, all I find is contradiction. There are moments when I feel like I've lost something, but I can't figure out what it is, while I can easily identify the contradictions in what actually happens. So, I think love is the biggest self-contradiction imaginable and at the same time, it's funny. The two go hand in hand. Humor always emerges from contradiction—a truth I can't take the time to explain right now; but what I will explain now is that love is funny. By love, I mean the relationship between a man and a woman. I'm not talking about Eros in the Greek sense that Plato beautifully praised, who, by the way, barely acknowledges the love of women, considering it inferior to the love of young men.[10] I say love is funny to an outsider—nothing more. Whether it's because of this that lovers tend to dislike outsiders, I don't know; but what I do know is that reflection is always that outsider, and for that reason, I can't love without also having a third person present in the form of my own reflection.

This surely cannot seem strange to any one, every one having doubted everything, whereas I am uttering my doubts only with reference to love. And yet I do think it strange that people have doubted everything and have again reached certainty, without as much as dropping a word concerning the difficulties which have held my thought captive—so much so that I have, now and then, longed to be freed of them—freed by the aid of one, note well, who was aware of these difficulties, and not of one who in his sleep had a notion to doubt, and to have doubted, everything, and again in his sleep had the notion that he is explaining, and has explained, all.[11]

This shouldn’t seem strange to anyone since everyone has doubted everything, while I'm only expressing my doubts about love. Still, I find it odd that people have questioned everything and then reached certainty without addressing the challenges that have trapped my thoughts—so much so that I have occasionally wished to be freed from them—freed by someone, mind you, who understands these difficulties, not someone who just idly doubted everything in their sleep and then thought they had figured it all out while still dreaming.[11]

Let me then have your attention, dear fellow banqueters, and if you yourselves be lovers do not therefore interrupt me, nor try to silence me because you do not wish to hear the explanation. Rather turn away and listen with averted faces to what I have to say, and what I insist upon saying, having once begun.

Let me have your attention, dear fellow diners, and if you are lovers, please don’t interrupt me or try to hush me just because you don’t want to hear my explanation. Instead, turn away and listen with your backs to me to what I need to say, and what I’m determined to say now that I've started.

In the first place I consider it comical that every one loves, and every one wishes to love, without any one ever being able to tell one what is the nature of the lovable or that which is the real object of love. As to the word "to love" I shall not discuss it since it means nothing definite; but as soon as the matter is broached at all we are met by the question as to what it is one loves. No other answer is ever vouchsafed us on that point other than that one loves what is lovable. For if one should make answer, with Plato,[12] that one is to love what is good, one has in taking this single step exceeded the bounds of the erotic.

First of all, I find it funny that everyone loves, and everyone wants to love, yet no one can really explain what makes something lovable or what the true object of love is. As for the term "to love," I won't get into it because it doesn't have a clear meaning; however, as soon as the topic comes up, we run into the question of what exactly it is that we love. The only answer we ever get is that we love what is lovable. If someone says, like Plato,[12] that we should love what is good, that single step takes us beyond the limits of the erotic.

The answer may be offered, perhaps, that one is to love what is beautiful. But if I then should ask whether to love means to love a beautiful landscape or a beautiful painting it would be immediately perceived that the erotic is not, as it were, comprised in the more general term of the love of things beautiful, but is something entirely of its own kind. Were a lover—just to give an example—to speak as follows, in order to express adequately how much love there dwelled in him: "I love beautiful landscapes, and my Lalage, and the beautiful dancer, and a beautiful horse—in short, I love all that is beautiful," his Lalage would not be satisfied with his encomium, however well satisfied she might be with him in all other respects, and even if she be beautiful; and now suppose Lalage is not beautiful and he yet loved her!

The answer might be that one should love what is beautiful. But if I were to ask whether loving means appreciating a beautiful landscape or a beautiful painting, it would quickly become clear that erotic love isn’t included in the broader idea of loving beautiful things; it’s something entirely different. For instance, if a lover were to say, "I love beautiful landscapes, my Lalage, the beautiful dancer, and a beautiful horse—in short, I love everything beautiful," Lalage wouldn’t feel satisfied by his praises, regardless of how much she appreciated him in other ways, even if she is beautiful. And what if Lalage isn’t beautiful, yet he still loves her?

Again, if I should refer the erotic element to the bisection of which Aristophanes tells us[13] when he says that the gods severed man into two parts as one cuts flounders, and that these parts thus separated sought one another, then I again encounter a difficulty I cannot get over, which is, in how far I may base my reasoning on Aristophanes who in his speech—just because there is no reason for the thought to stop at this point—goes further in his thought and thinks that the gods might take it into their heads to divide man into three parts, for the sake of still better fun. For the sake of still better fun; for is it not true, as I said, that love renders a person ridiculous, if not in the eyes of others then certainly in the eyes of the gods?

Again, if I refer to the erotic element regarding the division that Aristophanes talks about[13] when he says that the gods split humans in half like cutting flounders, and that these separated halves looked for each other, I face another challenge I can't overcome: how much can I rely on Aristophanes? In his speech—since there's no reason to stop there—he continues his idea and suggests that the gods might also decide to split humans into three parts for even more amusement. For even more amusement; isn't it true, as I mentioned, that love makes a person look foolish, if not in the eyes of others, then definitely in the eyes of the gods?

Now, let me assume that the erotic element resides essentially in the relation between man and woman—what is to be inferred from that? If the lover should say to his Lalage: I love you because you are a woman; I might as well love any other woman, as for instance, ugly Zoë: then beautiful Lalage would feel insulted.

Now, let’s assume that the sexual element mainly exists in the relationship between a man and a woman—what can we take from that? If the lover were to say to his Lalage: I love you because you are a woman; I could just as easily love any other woman, like ugly Zoë: then beautiful Lalage would feel insulted.

In what, then, consists the lovable? This is my question; but unfortunately, no one has been able to tell me. The individual lover always believes that, as far as he is concerned, he knows. Still he cannot make himself understood by any other lover; and he who listens to the speech of a number of lovers will learn that no two of them ever agree, even though they all talk about the same thing. Disregarding those altogether silly explanations which leave one as wise as before, that is, end by asserting that it is really the pretty feet of the beloved damsel, or the admired mustachios of the swain, which are the objects of love—disregarding these, one will find mentioned, even in the declamations of lovers in the higher style, first a number of details and, finally, the declaration: all her lovable ways; and when they have reached the climax: that inexplicable something I do not know how to explain. And this speech is meant to please especially beautiful Lalage. Me it does not please, for I don't understand a word of it and find, rather, that it contains a double contradiction—first, that it ends with the inexplicable, second, that it ends with the inexplicable; for he who intends to end with the inexplicable had best begin with the inexplicable and then say no more, lest he lay himself open to suspicion. If he begin with the inexplicable, saying no more, then this does not prove his helplessness, for it is, anyway, an explanation in a negative sense; but if he does begin with something else and lands in the inexplicable, then this does certainly prove his helplessness.

What, then, is loveable? That’s my question; but sadly, no one can give me an answer. Each lover thinks they know what it means for them personally. However, they can't communicate this clearly to any other lover; and when you listen to a bunch of lovers talking, you'll find that no two of them agree, even though they’re all discussing the same thing. Setting aside the completely ridiculous explanations that leave you just as confused as before—like the silly idea that it's really the pretty feet of the beloved or the admired mustache of the suitor that sparks love—if we ignore those, you'll see that even in the lofty declarations of lovers, they often list various details and finally end up with the phrase: all her lovable traits; and when they reach the peak, they bring up that mysterious something that I can’t quite explain. This speech is intended to charm the particularly beautiful Lalage. It doesn’t charm me, because I don’t understand a word of it and instead find that it contains a double contradiction—first, it ends with the inexplicable, and second, it also ends with the inexplicable. If someone plans to conclude with the inexplicable, they should begin with it and then say nothing more, to avoid raising doubts. If they start with the inexplicable and leave it at that, it’s not a sign of weakness, as it’s still an explanation in a negative sense. But if they start with something else and end up in the inexplicable, that definitely shows their helplessness.

So then we see: to love corresponds to the lovable; and the lovable is the inexplicable. Well, that is at least something; but comprehensible it is not, as little as the inexplicable way in which love seizes on its prey. Who, indeed, would not be alarmed if people about one, time and again, dropped down dead, all of a sudden, or had convulsions, without any one being able to account for it? But precisely in this fashion does love invade life, only with the difference that one is not alarmed thereby, since the lovers themselves regard it as their greatest happiness, but that one, on the contrary, is tempted to laugh; for the comical and the tragical elements ever correspond to one another. Today, one may converse with a person and can fairly well make him out—tomorrow, he speaks in tongues and with strange gestures: he is in love.

So, we see that love is connected to what is lovable, and the lovable is often beyond explanation. Well, that’s something, but it’s not really understandable, just like the mysterious way love captures its target. Who wouldn’t be startled if people around them suddenly collapsed or had seizures, and no one could explain it? Yet, love breaks into our lives in this exact way, except we’re not alarmed by it. Instead, lovers see it as their greatest joy, which can even be amusing since the funny and tragic aspects always play off each other. Today, you can talk to someone and get a pretty good sense of them—tomorrow, they're speaking in strange phrases and making odd gestures: they’re in love.

Now, if to love meant to fall in love with the first person that came along, it would be easy to understand that one could give no special reasons for it; but since to love means to fall in love with one, one single person in all the world, it would seem as if such an extraordinary process of singling out ought to be due to such an extensive chain of reasoning that one might have to beg to be excused from hearing it—not so much because it did not explain anything as because it might be too lengthy to listen to. But no, the lovers are not able to explain anything at all. He has seen hundreds upon hundreds of women; he is, perhaps, advanced in years and has all along felt nothing—and all at once he sees her, her the Only one, Catherine. Is this not comical? Is it not comical that the relation which is to explain and beautify all life, love, is not like the mustard seed from which there grows a great tree,[14] but being still smaller is, at bottom, nothing at all; for not a single antecedent criterion can be mentioned, as e.g., that the phenomenon occurred at a certain age, nor a single reason as to why he should select her, her alone in all the world—and that by no means in the same sense as when "Adam chose Eve, because there was none other.[15]"

Now, if loving someone just meant falling for the first person that showed up, it would be easy to see why there wouldn't be any specific reasons for it. But since loving someone means choosing one special person out of everyone in the world, it seems like such an impressive process of selection should come with an elaborate explanation that might make you want to tune out—not because it wouldn't make sense, but because it might take too long to hear. Yet, lovers can’t actually explain anything at all. He’s seen hundreds of women; maybe he’s older and hasn't felt anything until suddenly he sees her, the Only one, Catherine. Isn’t that funny? Isn’t it funny that the thing meant to explain and enhance life, love, isn’t like the mustard seed that grows into a great tree,[14] but instead, being even smaller, is basically nothing at all? There’s not a single prior reason you can point to, like that it happened at a certain age, or any justification for why he’d choose her, her alone in the world—and not in the same way that "Adam chose Eve, because there was no one else.[15]"

Or is not the explanation which the lovers vouchsafe just as comical; or, does it not, rather, emphasize the comical aspect of love? They say that love renders one blind, and by this fact they undertake to explain the phenomenon. Now, if a person who was going into a dark room to fetch something should answer, on my advising him to take a light along, that it was only a trifling matter he wanted and so he would not bother to take a light along—ah! then I would understand him excellently well. If, on the other hand, this same person should take me aside and, with an air of mystery, confide to me that the thing he was about to fetch was of the very greatest importance and that it was for this reason that he was able to do it in the dark—ah! then I wonder if my weak mortal brain could follow the soaring flight of his speech. Even if I should refrain from laughing, in order not to offend him, I should hardly be able to restrain my mirth as soon as he had turned his back. But at love nobody laughs; for I am quite prepared to be embarrassed like the Jew who, after ending his story, asks: Is there no one who will laugh?[16] And yet I did not miss the point, as did the Jew, and as to my laughter I am far from wanting to insult any one. Quite on the contrary, I scorn those fools who imagine that their love has such good reasons that they can afford to laugh at other lovers; for since love is altogether inexplicable, one lover is as ridiculous as the other. Quite as foolish and haughty I consider it also when a man proudly looks about him in the circle of girls to find who may be worthy of him, or when a girl proudly tosses her head to select or reject; because such persons are simply basing their thoughts on an unexplained assumption. No. What busies my thought is love as such, and it is love which seems ridiculous to me; and therefore I fear it, lest I become ridiculous in my own eyes, or ridiculous in the eyes of the gods who have fashioned man thus. In other words, if love is ridiculous it is equally ridiculous, whether now my sweetheart be a princess or a servant girl; for the lovable, as we have seen, is the inexplicable.

Or isn't the explanation that lovers give just as funny? Or does it actually highlight the funny side of love? They say that love makes you blind, and with that, they try to explain the phenomenon. Now, if someone was going into a dark room to grab something and, when I suggested he take a light, he said it was only a small thing he needed, so he wouldn't bother with a light—ah! then I would totally get him. But if this same person pulled me aside and, with a mysterious air, confessed that what he was about to get was incredibly important and that was why he could do it in the dark—ah! I wonder if my feeble mind could keep up with his lofty reasoning. Even if I held back my laughter to avoid offending him, I would hardly be able to stop myself as soon as he turned his back. But with love, no one laughs; I’m ready to feel embarrassed like the Jew who, after telling his story, asks: Is there no one who will laugh?[16] Yet I did catch the point, unlike the Jew, and when it comes to laughing, I certainly don’t want to insult anyone. On the contrary, I look down on those fools who think their love is so justified that they can laugh at other lovers; because love is completely inexplicable, and one lover is just as ridiculous as another. I also find it just as foolish and arrogant when a man proudly looks around the circle of girls to see who might be worthy of him, or when a girl proudly tosses her head to pick or reject; because those people are just relying on an unfounded assumption. No. What occupies my mind is love itself, and it is love that seems ridiculous to me; and that’s why I fear it, lest I become ridiculous in my own eyes or in the eyes of the gods who have created man this way. In other words, if love is ridiculous, it’s equally ridiculous, whether my sweetheart is a princess or a servant girl; because, as we have seen, what is lovable is the inexplicable.

Look you, therefore do I fear love, and find precisely in this a new proof of love's being comical; for my fear is so curiously tragic that it throws light on the comical nature of love. When people wreck a building a sign is hung up to warn people, and I shall take care to stand from under; when a bar has been freshly painted a stone is laid in the road to apprise people of the fact; when a driver is in danger of running a man over he will shout "look out"; when there have been cases of cholera in a house a soldier is set as guard; and so forth. What I mean is that if there is some danger, one may be warned and will successfully escape it by heeding the warning. Now, fearing to be rendered ridiculous by love, I certainly regard it as dangerous; so what shall I do to escape it? In other words, what shall I do to escape the danger of some woman falling in love with me? I am far from entertaining the thought of being an Adonis every girl is bound to fall in love with (relata refero,[17] for what this means I do not understand)—goodness no! But since I do not know what the lovable is I cannot, by any manners of means, know how to escape this danger. Since, for that matter, the very opposite of beauty may constitute the lovable; and, finally, since the inexplicable also is the lovable, I am forsooth in the same situation as the man Jean Paul speaks of somewhere who, standing on one foot, reads a sign saying, "fox-traps here," and now does not dare, either to lift his foot or to set it down.

Look, that's why I fear love, and in this, I find a new proof of love's ridiculousness; my fear is so oddly tragic that it highlights the funny side of love. When a building is about to collapse, a warning sign is put up to keep people away, and I plan to stay safe. When a bar has just been painted, a stone is placed on the ground to inform people of it; when a driver is at risk of hitting someone, they'll shout "watch out"; if there have been cholera cases in a house, a soldier stands guard; and so on. What I'm saying is that if there's danger, you can be warned and can avoid it by paying attention. Now, since I fear being made a fool by love, I definitely see it as a danger. So, what should I do to avoid it? In other words, how can I escape the risk of some woman falling for me? I certainly don't think I'm some kind of Adonis that every girl will inevitably fall for—goodness no! However, since I don’t know what is considered lovable, I can't possibly know how to avoid this danger. Since, in fact, the very opposite of beauty might be lovable, and since the inexplicable can also be lovable, I'm in the same situation as the man Jean Paul talks about somewhere, who, standing on one foot, reads a sign saying, "fox-traps here," and now doesn't dare to either lift his foot or set it down.

No, love any one I will not, before I have fathomed what love is; but this I cannot, but have, rather, come to the conclusion that it is comical. Hence I will not love—but alas! I have not thereby avoided the danger, for, since I do not know what the lovable is and how it seizes me, or how it seizes a woman with reference to me, I cannot make sure whether I have avoided the danger. This is tragical and, in a certain sense, even profoundly tragical, even if no one is concerned about it, or if no one is concerned about the bitter contradiction for one who thinks—that a something exists which everywhere exercises its power and yet is not to be definitely conceived by thought and which, perhaps, may attack from the rear him who in vain seeks to conceive it. But as to the tragic side of the matter it has its deep reason in the comic aspects just pointed out. Possibly, every other person will turn all this upside down and not find that to be comical which I do, but rather that which I conceive to be tragical; but this too proves that I am right to a certain extent. And that for which, if so happens, I become either a tragic or comic victim is plain enough, viz., my desire to reflect about all I do, and not imagine I am reflecting about life by dismissing its every important circumstance with an "I don't care, either way."

No, I won't love anyone until I understand what love really is; but I've come to the conclusion that it's actually funny. So, I won’t love—but unfortunately, that hasn’t kept me out of trouble. Since I don't know what I find lovable or how it affects me, or how it affects a woman in relation to me, I can’t be sure I’ve avoided the risk. This is tragic, and in a way, profoundly tragic, even if no one cares about it, or if no one cares about the bitter contradiction for someone who thinks—that something exists which holds power everywhere but can’t be fully understood, and might even sneak up on someone who futilely tries to grasp it. The tragic aspect is deeply rooted in the funny points I just mentioned. Maybe everyone else will see this differently and won’t find it funny like I do, but instead see what I find tragic; yet this also shows that I am somewhat right. And the reason I might end up as either a tragic or comedic victim is clear: it’s my desire to think critically about everything I do, rather than just brushing off life’s important circumstances with an "I don't care, either way."

Man has both a soul and a body. About this the wisest and best of the race are agreed. Now, in case one assumes the essence of love to lie in the relation between man and woman, the comic aspect will show again in the face-about which is seen when the highest spiritual values express themselves in the most sensual terms. I am now referring to all those extraordinary and mystic signals of love—in short, to all the free-masonry which forms a continuation of the above-mentioned inexplicable something. The contradiction in which love here involves a person lies in the fact that the symbolic signs mean nothing at all or—which amounts to the same—that no one is able to explain what they do signify. Two loving souls vow that they will love each the other in all eternity; thereupon they embrace, and with a kiss they seal this eternal pact. Now I ask any thinking person whether he would have hit upon that! And thus there is constant shifting from the one to the other extreme in love. The most spiritual is expressed by its very opposite, and the sensual is to signify the most spiritual.—Let me assume I am in love. In that case I would conceive it to be of the utmost importance to me that the one I love belonged to me for all time. This I comprehend; for I am now, really, speaking only of Greek eroticism which has to do with loving beautiful souls. Now when the person I love had vowed to return my love I would believe her or, in as far as there remained any doubt in me, try to combat my doubt. But what happens actually? For if I were in love I would, probably, behave like all the others, that is, seek to obtain still some other assurance than merely to believe her I love; which, though, is plainly the only assurance to be had.

Man has both a soul and a body. The wisest and best among us agree on this. Now, if one assumes that the essence of love lies in the relationship between a man and a woman, the humorous side becomes apparent through the contradictions that arise when the highest spiritual values are expressed in the most sensual ways. I'm talking about all those amazing and mystical signs of love—essentially, all the secret codes that continue from that previously mentioned inexplicable something. The contradiction that love creates in a person is that the symbolic signs mean nothing at all or, equivalently, that no one can explain what they actually signify. Two loving souls promise to love each other for all eternity; then they embrace and seal this eternal pact with a kiss. Now I ask anyone thinking about this, would they have thought of that? And so, there's a constant swing from one extreme to another in love. The most spiritual is expressed through its very opposite, and the sensual signifies the most spiritual. Let's say I’m in love. In that case, I would think it's incredibly important that the person I love is mine forever. I get that; I’m really talking about Greek eroticism, which involves loving beautiful souls. Now, when the person I love promises to love me back, I would believe her or, if I had any doubts, I would try to fight them off. But what really happens? If I were in love, I would probably act like everyone else and seek some other assurance beyond just believing that she loves me; which, however, is clearly the only assurance available.

When Cockatoo[18] all at once begins to plume himself like a duck which is gorged with food, and then emits the word "Marian," everybody will laugh, and so will I. I suppose the spectator finds it comical that Cockatoo, who doesn't love Marian at all, should be on such intimate terms with her. But suppose, now, that Cockatoo does love Marian. Would that be comical still? To me it would; and the comical would seem to me to lie in love's having become capable of being expressed in such fashion. Whether now this has been the custom since the beginning of the world makes no difference whatsoever, for the comical has the prescriptive right from all eternity to be present in contradictions—and here is a contradiction. There is really nothing comical in the antics of a manikin since we see some one pulling the strings. But to be a manikin at the beck of something inexplicable is indeed comical, for the contradiction lies in our not seeing any sensible reason why one should have to twitch now this leg and now that. Hence, if I cannot explain what I am doing, I do not care to do it; and if I cannot understand the power into whose sphere I am venturing, I do not care to surrender myself to that power. And if love is so mysterious a law which binds together the extremest contradictions, then who will guarantee that I might not, one day, become altogether confused? Still, that does not concern me so much.

When Cockatoo[18] suddenly starts to fluff himself up like a stuffed duck and then says the word "Marian," everyone will laugh, and I will too. I guess the audience finds it funny that Cockatoo, who doesn’t actually love Marian, is acting so familiar with her. But what if Cockatoo does love Marian? Would that still be funny? To me, it would be; the humor seems to stem from love being expressed in such a strange way. Whether this has been the norm since forever doesn’t matter at all, because comedy has the eternal right to exist in contradictions—and this is one. There’s really nothing funny about the actions of a puppet when we can see someone pulling the strings. But being a puppet under the influence of something we can’t explain is genuinely amusing, since the contradiction lies in not understanding why one would have to move this leg or that one. So, if I can’t explain what I’m doing, I have no interest in doing it; and if I can’t grasp the force that I’m stepping into, I have no desire to submit to that force. And if love is such a mysterious force that connects the most extreme contradictions, then who can say that I won’t eventually become completely confused? Still, that doesn’t bother me too much.

Again, I have heard that some lovers consider the behavior of other lovers ridiculous. I cannot conceive how this ridicule is justified, for if this law of love be a natural law, then all lovers are subject to it; but if it be the law of their own choice, then those laughing lovers ought to be able to explain all about love; which, however, they are unable to do. But in this respect I understand this matter better as it seems a convention for one lover to laugh at the other because he always finds the other lover ridiculous, but not himself. If it be ridiculous to kiss an ugly girl, it is also ridiculous to kiss a pretty one; and the notion that doing this in some particular way should entitle one to cast ridicule on another who does it differently, is but presumptuousness and a conspiracy which does not, for all that, exempt such a snob from laying himself open to the ridicule which invariably results from the fact that no one is able to explain what this act of kissing signifies, whereas it is to signify all—to signify, indeed, that the lovers desire to belong to each other in all eternity; aye, what is still more amusing, to render them certain that they will. Now, if a man should suddenly lay his head on one side, or shake it, or kick out with his leg and, upon my asking him why he did this, should answer "To be sure I don't know, myself, I just happened to do so, next time I may do something different, for I did it unconsciously"—ah, then I would understand him quite well. But if he said, as the lovers say about their antics, that all bliss lay therein, how could I help finding it ridiculous—just as I thought that other man's motions ridiculous, to be sure in a different sense, until he restrained my laughter by declaring that they did not signify anything. For by doing so he removed the contradiction which is the basic cause of the comical. It is not at all comical that the insignificant is declared to signify nothing, but it is very much so if it be asserted to signify all.

Once again, I've heard that some people in love think the behaviors of other lovers are laughable. I can't understand how this ridicule makes sense, because if the rules of love are natural, then all lovers have to follow them. But if it's a choice, then those who laugh should be able to explain everything about love, which they clearly can't. From what I see, it seems like it's a trend for one lover to mock the other, always finding the other ridiculous while ignoring their own behavior. If it's silly to kiss an unattractive person, then it's also silly to kiss an attractive one; and the idea that kissing in a specific way gives someone the right to mock another who does it differently is just arrogance. This attitude doesn’t prevent that person from being ridiculed themselves, especially since no one can really define what a kiss means—though it should mean everything, indicating that the lovers want to belong to each other forever; what's even funnier is that it convinces them that they will. Now, if a guy suddenly tilted his head, shook it, or kicked out his leg, and when I asked why he did that, he replied, "I have no idea; I just did it. Next time, I might do something different because I didn't intend to do it,"—well, then I would get him completely. But if he claimed, like lovers do about their antics, that true happiness lies in that, I'd have to find it ridiculous—just as I thought that other guy's movements were silly, though for different reasons, until he stopped my laughter by saying those movements didn't mean anything. By doing that, he cleared up the contradiction that creates humor. It's not funny when something trivial is said to mean nothing, but it is very funny when it's claimed to mean everything.

As regards involuntary actions, the contradiction arises at the very outset because involuntary actions are not looked for in a free rational being. Thus if one supposed that the Pope had a coughing spell the very moment he was to place the crown on Napoleon's head; or that bride and groom in the most solemn moment of the wedding ceremony should fall to sneezing—these would be examples of the comical. That is, the more a given action accentuates the free rational being, the more comical are involuntary actions. This holds true also in respect of the erotic gesticulations, where the comical element appears a second time, owing to the circumstance that the lovers attempt to explain away the contradiction by attributing to their gesticulations an absolute value. As is well known, children have a keen sense of the ridiculous—witness children's testimony which can always be relied on in this regard. Now as a rule children will laugh at lovers, and if one makes them tell what they have seen, surely no one can help laughing. This is, perhaps, due to the fact that children omit the point. Very strange! When the Jew omitted the point no one cared to laugh. Here, on the contrary, every one laughs because the point is omitted; since, however, no one can explain what the point is—why, then there is no point at all.

When it comes to involuntary actions, the contradiction shows up right from the start because we don't expect these from a free rational being. For example, if the Pope happened to cough just as he was about to crown Napoleon, or if the bride and groom suddenly sneezed during the most serious moment of their wedding ceremony—these would be funny scenarios. Essentially, the more an action highlights the free will of a rational being, the funnier involuntary actions become. This is also true with romantic gestures, where the humor arises again because the lovers try to justify their actions as having significant meaning. It's well known that children have a sharp sense of the ridiculous—just look at their consistently honest comments about it. Usually, children will laugh at couples in love, and if you ask them to share what they've seen, it’s hard not to laugh. This might be because kids skip the serious part. It's quite odd! When someone didn’t take the serious part seriously, like the Jew, no one found it funny. But here, everyone laughs precisely because the serious part is missing; yet, since no one can explain what the serious part actually is—therefore, there isn’t one at all.

So the lovers explain nothing; and those who praise love explain nothing but are merely intent on—as one is bidden in the Royal Laws of Denmark—on saying anent it all which may be pleasant and of good report. But a man who thinks, desires to have his logical categories in good order; and he who thinks about love wishes to be sure about his categories also in this matter. The fact is, though, that people do not think about love, and a "pastoral science" is still lacking; for even if a poet in a pastoral poem makes an attempt to show how love is born, everything is smuggled in again by help of another person who teaches the lovers how to love!

So the lovers don’t explain anything; and those who celebrate love don’t really explain anything either but are just focused on—as one is told in the Royal Laws of Denmark—saying only what sounds nice and positive. But a person who thinks wants to have their ideas organized properly; and someone who thinks about love wants to be clear about their ideas in this area too. The truth is, though, that people don’t really think about love, and there’s still no "science of love" because even if a poet in a pastoral poem tries to show how love begins, it’s all brought back in through another person who teaches the lovers how to love!

As we saw, the comical element in love arose from the face-about whereby the highest quality of one sphere does not find expression in that sphere but in the exactly opposite quality of another sphere. It is comical that the soaring flight of love—the desire to belong to each other for all time—lands ever, like Saft,[19] in the pantry; but still more comical is it that this conclusion is said to constitute love's highest expression.

As we saw, the humorous aspect of love comes from the fact that the best qualities in one area often get expressed in the exact opposite qualities of another area. It's funny that the elevated nature of love—the wish to be connected forever—ends up, like Saft,[19] in the pantry; but it's even funnier that this ending is said to represent love’s ultimate expression.

Wherever there is a contradiction, there the comical element is present also. I am ever following that track. If it be disconcerting to you, dear fellow banqueters, to follow me in what I shall have to say now, then follow me with averted countenances. I myself am speaking as if with veiled eyes; for as I see only the mystery in these matters, why, I cannot see, or I see nothing.

Wherever there's a contradiction, the funny side is also there. I'm always pursuing that idea. If it’s uncomfortable for you, dear fellow guests, to listen to what I’m about to say, then feel free to turn away. I’m speaking as if I have my eyes closed; because when it comes to these topics, all I see is the mystery, so I can’t see anything clearly.

What is a consequence? If it cannot, in some way or other, be brought under the same head as its antecedent—why, then it would be ridiculous if it posed as a consequence. To illustrate: if a man who wanted to take a bath jumped into the tank and, coming to the surface again somewhat confused, groped for the rope to hold on to, but caught the douche-line by mistake, and a shower now descended on him with sufficient motivation and for excellent good reason—why, then the consequence would be entirely in order. The ridiculous here consisted in his seizing the wrong rope; but there is nothing ridiculous in the shower descending when one pulls the proper rope. Rather, it would be ridiculous if it did not come; as for example, just to show the correctness of my contention about contradictions, if a man nerved himself with bold resolution in order to withstand the shock and, in the enthusiasm of his decision, with a stout heart pulled the line—and the shower did not come.

What is a consequence? If it can’t be connected in some way to what came before it, then it would be silly to claim it as a consequence. For example: if a man wanting to take a bath jumps into a tank and, when he surfaces feeling a bit dazed, reaches for the rope to hold onto but accidentally grabs the shower line instead, and a shower comes down on him for a perfectly good reason—then that consequence makes sense. The ridiculous part here is him grabbing the wrong rope; but there’s nothing ridiculous about the shower coming down when he pulls the right rope. In fact, it would be absurd if it didn’t happen. To illustrate my point about contradictions, if a man steels himself with determination to brace for the impact and, in the excitement of his decision, confidently pulls the line—and the shower doesn’t come.

Let us see now how it is with regard to love. The lovers wish to belong to each other for all time, and this they express, curiously, by embracing each other with all the intensity of the moment; and all the bliss of love is said to reside therein. But all desire is egotistic. Now, to be sure, the lover's desire is not egotistic in respect of the one he loves, but the desire of both in conjunction is absolutely egotistic in so far as they in their union and love represent a new ego. And yet they are deceived; for in the same moment the race triumphs over the individual, the race is victorious, and the individuals are debased to do its bidding.

Let's take a look at love. Lovers want to belong to each other forever, and they show this by holding each other tightly in the heat of the moment, believing that's where all the joy of love lies. However, all desire is self-centered. While a lover's desire isn't self-centered in relation to the person they love, the combined desire of both creates a new self-centeredness in their union. Yet, they are mistaken; in that same moment, the collective triumphs over the individual, the collective wins, and the individuals are reduced to serve it.

Now this I find more ridiculous than what Aristophanes thought so ridiculous. The ridiculous aspect of his theory of bi-section lies in the inherent contradiction (which the ancient author does not sufficiently emphasize, however). In considering a person one naturally supposes him to be an entity, and so one does believe till it becomes apparent that, under the obsession of love, he is but a half which runs about looking for its complement. There is nothing ridiculous in half an apple. The comical would appear if a whole apple turned out to be only half an apple. In the first case there exists no contradiction, but certainly in the latter. If one actually based one's reasoning on the figure of speech that woman is but half a person she would not be ridiculous at all in her love. Man, however, who has been enjoying civic rights as a whole person, will certainly appear ridiculous when he takes to running about (and looking for his other half);[20] for he betrays thereby that he is but half a person. In fact, the more one thinks about the matter the more ridiculous it seems; because if man really be a whole, why, then he will not become a whole in love, but he and woman would make up one and a half. No wonder, then, that the gods laugh, and particularly at man.

Now I find this even more ridiculous than what Aristophanes thought was ridiculous. The absurdity of his bi-section theory lies in the inherent contradiction (which the ancient author doesn't highlight enough, though). When thinking about a person, we naturally assume they are a complete being, and we believe this until it becomes clear that, under the influence of love, they are just a half looking for their other half. There’s nothing ridiculous about half an apple. The funny part would be if a whole apple turned out to be just half an apple. In the first case, there’s no contradiction, but certainly in the latter there is. If one actually reasoned that a woman is just half a person, she wouldn't seem ridiculous at all in her love. A man, however, who has enjoyed full rights as a complete person, will definitely look silly if he starts running around looking for his other half; [20] because that just shows he’s only half a person. In fact, the more you think about it, the sillier it becomes; because if a man is truly whole, then he wouldn't complete himself in love, but he and a woman would make one and a half. No wonder the gods laugh, especially at men.

But let me return to my consequence. When the lovers have found each other, one should certainly believe that they formed a whole, and in this should lie the proof of their assertion that they wished to live for each other for all time. But lo! instead of living for each other they begin to live for the race, and this they do not even suspect.

But let me get back to my point. When the lovers find each other, you’d think they’ve become a complete unit, and this should be the evidence of their claim that they want to live for one another forever. But look! Instead of living for each other, they start living for society, and they don’t even realize it.

What is a consequence? If, as I observed, one cannot detect in it the cause out of which it proceeded, the consequence is merely ridiculous, and he becomes a laughing stock to whom this happens. Now, the fact that the separated halves have found each other ought to be a complete satisfaction and rest for them; and yet the consequence is a new existence. That having found each other should mean a new existence for the lovers, is comprehensible enough; but not, that a new existence for a third being should take its inception from this fact. And yet the resulting consequence is greater than that of which it is the consequence, whereas such an end as the lovers' finding each other ought to be infallible evidence of no other, subsequent, consequence being thinkable.

What is a consequence? If, as I noted, you can't see the cause from which it came, then the consequence is just silly, and the person it happens to becomes a joke. Now, the fact that the separated halves have found each other should be a complete source of satisfaction and peace for them; however, the result is a new existence. It's understandable that finding each other should lead to a new existence for the lovers, but it’s puzzling that a new existence for a third being should come from this fact. Yet the outcome is more significant than the event it stems from, even though the lovers finding each other should clearly indicate that no further consequences are possible.

Does the satisfaction of any other desire show an analogy to this consequence? Quite on the contrary, the satisfaction of desire is in every other case evinced by a period of rest; and even if a tristitia[21] does supervene—indicating, by the way, that every satisfaction of an appetite is comical—this tristitia is a straightforward consequence, though no tristitia so eloquently attests a preceding comical element as does that following love. It is quite another matter with an enormous consequence such as we are dealing with, a consequence of which no one knows whence it comes, nor whether it will come; whereas, if it does come, it comes as a consequence.

Does satisfying any other desire resemble this outcome? On the contrary, satisfying desires typically leads to a period of rest. Even if a feeling of sadness does set in—by the way, highlighting that every desire’s satisfaction is somewhat humorous—this sadness is a clear outcome, though no sadness illustrates a preceding humorous element quite like the one that follows love. It’s a different story with a huge outcome like the one we're discussing, an outcome no one knows where it originates from, nor whether it will even happen; but if it does occur, it does so as a result.

Who is able to grasp this? And yet that which for the initiates of love constitutes the greatest pleasure is also the most important thing for them—so important that they even adopt new names, derived from the consequence thereof which thus, curiously enough, assumes retroactive force. The lover is now called father, his sweetheart, mother; and these names seem to them the most beautiful. And yet there is a being to whom these names are even more beautiful; for what is as beautiful as filial piety? To me it seems the most beautiful of all sentiments; and fortunately I can appreciate the thought underlying it. We are taught that it is seeming in a son to love his father. This I comprehend, I cannot even suspect that there is any contradiction possible here, and I acknowledge infinite satisfaction in being held by the loving bonds of filial piety. I believe it is the greatest debt of all to owe another being one's life. I believe that this debt cannot ever be wiped out, or even fathomed by any calculation, and for this reason I agree with Cicero when he asserts that the son is always in the wrong as against his father; and it is precisely filial piety which teaches me to believe this, teaches me not even to penetrate the hidden, but rather to remain hidden in the father. Quite true, I am glad to be another person's greatest debtor; but as to the opposite, viz., before deciding to make another person my greatest debtor, I want to arrive at greater clarity. For to my conception there is a world of difference between being some person's debtor, and making some person one's debtor to such an extent that he will never be able to clear himself.

Who can really understand this? Yet, what brings the greatest joy to those who are in love is also the most essential thing for them—so important that they even take on new names, derived from its consequences, which interestingly take on a retroactive significance. The lover becomes a father, his beloved turns into a mother; these names feel like the most beautiful to them. However, there is a being for whom these names are even more beautiful; for what surpasses the beauty of filial love? To me, it seems like the most beautiful sentiment of all, and thankfully, I can appreciate the thought behind it. We are taught that it is natural for a son to love his father. I understand this, and I can't imagine any contradiction here, and I find immense satisfaction in the loving ties of filial duty. I believe it is the greatest obligation to owe another being your life. I think this obligation can never be erased or even truly measured, which is why I agree with Cicero when he says that a son is always in debt to his father; and it's exactly this filial love that leads me to believe this, teaching me not to seek the hidden things, but rather to remain connected to the father. It's true, I'm happy to be someone else's greatest debtor; but as for the opposite—deciding to make another person my greatest debtor—I want to be clearer about that. To my mind, there's a world of difference between being someone’s debtor and putting someone in such debt that they'll never be able to repay it.

What filial piety forbids the son to consider, love bids the father to consider. And here contradiction sets in again. If the son has an immortal soul like his father, what does it mean, then, to be a father? For must I not smile at myself when thinking of myself as a father—whereas the son is most deeply moved when he reflects on the relation he bears to his father? Very well do I understand Plato when he says that an animal will give birth to an animal of the same species, a plant, to a plant of the same species, and thus also man to man.[22] But this explains nothing, does not satisfy one's thought, and arouses but a dim feeling; for an immortal soul cannot be born. Whenever, then, a father considers his son in the light of his son's immortality—which is, indeed, the essential consideration[23]—he will probably smile at himself, for he cannot, by any means, grasp in their entirety all the beautiful and noble thoughts which his son with filial piety entertains about him. If, on the other hand, he considers his son from the point of view of his animal nature he must smile again, because the conception of fatherhood is too exalted an expression for it.

What filial piety prevents the son from considering, love encourages the father to think about. Here’s where the contradiction arises again. If the son has an immortal soul just like his father, what does it really mean to be a father? Shouldn't I find it amusing to think of myself as a father, while the son feels deeply touched reflecting on his relationship with his father? I fully understand Plato when he says that an animal gives birth to another animal of the same species, a plant produces a plant of the same kind, and so too does man generate man.[22] But this doesn't clarify anything, doesn't satisfy our reasoning, and only brings up a vague feeling; because an immortal soul cannot be born. So, whenever a father thinks about his son in light of his son's immortality—which is indeed the core consideration[23]—he will likely find himself smiling, because he cannot fully comprehend all the beautiful and noble thoughts his son holds about him with filial piety. Conversely, if he views his son through the lens of his animal nature, he will smile again, as the notion of fatherhood is too grand a concept for that.

Finally, if it were thinkable that a father influenced his son in such fashion that his own nature was a condition from which the son's nature could not free itself, then the contradiction would arise in another direction; for in this case nothing more terrible is thinkable than being a father. There is no comparison between killing a person and giving him life—the former decides his fate only in time, the other for all eternity. So there is a contradiction again, and one both to laugh and to weep about. Is paternity then an illusion—even if not in the same sense as is implied in Magdelone's speech to Jeronymus[24]—or is it the most terrible thought imaginable? Is it the greatest benefit conferred on one, or is it the sweetest gratification of one's desire—is it something which just happens, or is it the greatest task of life?

Finally, if we could think that a father could influence his son in such a way that the son's nature was trapped by the father's, then a contradiction would arise in a different way; because in this case, there's nothing more dreadful than being a father. There’s no comparison between taking someone’s life and bringing someone into the world—the first only affects their fate temporarily, while the second determines it for all time. So, there’s another contradiction, one that makes you want to both laugh and cry. Is being a father an illusion—even if not in the same way Magdelone implied in her speech to Jeronymus[24]—or is it the most horrifying thought possible? Is it the greatest gift someone can receive, or is it just the sweetest fulfillment of a desire? Is it something that merely happens, or is it the most significant challenge of life?

Look you, for this reason have I forsworn all love, for my thought is to me the most essential consideration. So even if love be the most exquisite joy, I renounce it, without wishing either to offend or to envy any one; and even if love be the condition for conferring the greatest benefit imaginable I deny myself the opportunity therefor—but my thought I have not prostituted. By no means do I lack an eye for what is beautiful, by no means does my heart remain unmoved when I read the songs of the poets, by no means is my soul without sadness when it yields to the beautiful conception of love; but I do not wish to become unfaithful to my thought. And of what avail were it to be, for there is no happiness possible for me except my thought have free sway. If it had not, I would in desperation yearn for my thought, which I may not desert to cleave to a wife, for it is my immortal part and, hence, of more importance than a wife. Well do I comprehend that if any thing is sacred it is love; that if faithlessness in any relation is base, it is doubly so in love; that if any deceit is detestable, it is tenfold more detestable in love. But my soul is innocent of blame. I have never looked at any woman to desire her, neither have I fluttered about aimlessly before blindly plunging, or lapsing, into the most decisive of all relations. If I knew what the lovable were I would know with certainty whether I had offended by tempting any one; but since I do not know, I am certain only of never having had the conscious desire to do so.

Listen, for this reason I have sworn off all love, because my thoughts are the most important thing to me. So even if love is the greatest joy, I choose to give it up, without wanting to offend or envy anyone; and even if love could bring the greatest benefits imaginable, I deny myself that chance—but I have not compromised my thoughts. I definitely notice what is beautiful, and my heart isn't unaffected when I read the poets' songs, nor is my soul free from sadness when it surrenders to the beautiful idea of love; but I don't want to betray my thoughts. And what's the point of it all, since I can only find happiness if my thoughts are free to roam. If they weren't, I would desperately long for them, which I can't abandon to commit to a wife, because they are my everlasting essence and, therefore, more important than a spouse. I fully understand that if anything is sacred, it is love; that betrayal in any relationship is low, but it is especially so in love; that if any deceit is loathsome, it is ten times more hideous in love. But my soul is innocent of guilt. I have never looked at any woman with desire, nor have I wandered aimlessly before rushing into, or falling into, the most significant of all relationships. If I knew what was lovable, I would know for sure if I had tempted anyone; but since I don't know, I am only certain that I have never had the conscious desire to do so.

Supposing I should yield to love and be made to laugh; or supposing I should be cast down by terror, since I cannot find the narrow path which lovers travel as easily as if it were the broad highway, undisturbed by any doubts, which they surely have bestowed thought on (seeing our times have, indeed, reflected about all[25] and consequently will comprehend me when I assert that to act unreflectingly is nonsense, as one ought to have gone through all possible reflections before acting)—supposing, I say, I should yield to love! Would I not insult past redress my beloved one if I laughed; or irrevocably plunge her into despair if I were overwhelmed by terror? For I understand well enough that a woman cannot be expected to have thought as profoundly about these matters; and a woman who found love comical (as but gods and men can, for which reason woman is a temptation luring them to become ridiculous) would both betray a suspicious amount of previous experience and understand me least. But a woman who comprehended the terror of love would have lost her loveliness and still fail to understand me—she would be annihilated; which is in nowise my case, so long as my thought saves me.

Suppose I gave in to love and ended up laughing; or suppose I got overwhelmed by fear since I can't find the narrow path that lovers seem to navigate easily as if it's a wide road, without any doubts, which they surely have thought about (since our times have really considered everything[25] and so will understand me when I say that acting without thinking is nonsense, as one should have thought through all possibilities before taking action)—supposing, I say, I gave in to love! Wouldn't I deeply offend my beloved if I laughed, or would I not send her into despair if I were consumed by fear? I realize that a woman can't be expected to have thought as deeply about these things; and a woman who found love funny (as only gods and men can, which is why women are a temptation that makes them look ridiculous) would show a suspicious amount of past experience and understand me the least. But a woman who understood the fear of love would have lost her beauty and still fail to grasp my feelings—she would be utterly destroyed; which is definitely not the case for me, as long as my thoughts keep me safe.

Is there no one ready to laugh? When I began by wanting to speak about the comical element in love you perhaps expected to be made to laugh, for it is easy to make you laugh, and I myself am a friend of laughter; and still you did not laugh, I believe. The effect of my speech was a different one, and yet precisely this proves that I have spoken about the comical. If there be no one who laughs at my speech—well, then laugh a little at me, dear fellow-banqueters, and I shall not wonder; for I do not understand what I have occasionally heard you say about love. Very probably, though, you are among the initiated as I am not.

Is there no one ready to laugh? When I started talking about the funny side of love, you probably expected to laugh, since it’s easy to get you to chuckle, and I’m a fan of laughter myself. Yet, I believe you didn’t laugh. The impact of my speech was different, and that alone shows I’ve addressed the funny side of things. If no one is laughing at what I’ve said—well, then go ahead and laugh at me a bit, dear friends at this banquet, and I won’t be surprised; I just don’t understand some of the things I’ve heard you say about love. Most likely, though, you’re in the know, while I am not.

Thereupon the Young Person seated himself. He had become more beautiful, almost, than before the meal. Now he sat quietly, looking down before him, unconcerned about the others. John the Seducer desired at once to urge some objections against the Young Person's speech but was interrupted by Constantin who warned against discussions and ruled that on this occasion only speeches were in order. John said if that was the case, he would stipulate that he should be allowed to be the last speaker. This again gave rise to a discussion as to the order in which they were to speak, which Constantin closed by offering to speak forthwith, against their recognizing his authority to appoint the speakers in their turn.

The Young Person then took a seat. He had become even more attractive, almost more so than before the meal. Now he sat quietly, looking downward, indifferent to the others. John the Seducer immediately wanted to raise some objections to the Young Person's speech but was interrupted by Constantin, who cautioned against discussions and insisted that today only speeches were allowed. John said that if that was the case, he wanted to be the last to speak. This led to another discussion about the speaking order, which Constantin wrapped up by offering to speak right away, on the condition that they acknowledged his authority to decide the order of speakers.

(Constantin's Speech)

Constantin spoke as follows:

Constantin said the following:

There is a time to keep silence, and a time to speak,[26] and now it seems to be the time to speak briefly, for our young friend has spoken much and very strangely. His vis comica[27] has made us struggle ancipiti proelio[28] because his speech was full of doubts, as he himself is, sitting there now—a perplexed man who knows not whether to laugh, or weep, or fall in love. In fact, had I had foreknowledge of his speech, such as he demands one should have of love, I should have forbidden him to speak; but now it is too late. I shall bid you then, dear bellow-banqueters, "gladsome and merry to be," and even if I cannot enforce this I shall ask you to forget each speech so soon as it is made and to wash it down with a single draught.

There’s a time to be silent and a time to speak,[26] and now seems to be the time for a brief word, since our young friend has talked a lot and in a very odd way. His vis comica[27] has made us struggle ancipiti proelio[28] because his words were filled with uncertainties, just like he is, sitting there now—a confused man who doesn’t know whether to laugh, cry, or fall in love. Honestly, if I had known what he was going to say, like he thinks one should know about love, I would have told him to keep quiet; but now it’s too late. So I’ll encourage you, dear fellow drinkers, to be “happy and cheerful,” and even if I can’t make you do this, I’ll ask you to forget each speech as soon as it’s made and wash it down in one go.

And now as to woman, about whom I shall speak. I too have pondered about her, and I have finally discovered the category to which she belongs. I too have sought, but I have found, too, and I have made a matchless discovery which I shall now communicate to you. Woman is understood correctly only when placed in the category of "the joke."

And now let's talk about women. I've also thought about them, and I've finally figured out where they fit in. I've been searching, but I've found something unique that I want to share with you. Women can only be truly understood when we think of them as part of "the joke."

It is man's function to be absolute, to act in an absolute fashion, or to give expression to the absolute. Woman's sphere lies in her relativity.[29] Between beings so radically different, no true reciprocal relation can exist. Precisely in this incommensurability lies the joke. And with woman the joke was born into the world. It is to be understood, however, that man must know how to stick to his role of being absolute; for else nothing is seen—that is to say, something exceedingly common is seen, viz., that man and woman fit each other, he as a half man and she as a half man.

It is a man's role to be absolute, to act decisively, or to embody the absolute. A woman's realm is in her relativity.[29] Between such fundamentally different beings, no true mutual relationship can exist. It's precisely in this lack of common ground that the humor lies. And with women, that humor came into the world. However, it's important for men to stay committed to their role as the absolute; otherwise, nothing significant is recognized—that is to say, something very ordinary is recognized, namely that men and women seem to fit together, him as a half-man and her as a half-woman.

The joke is not an æsthetic, but an abortive ethical, category. Its effect on thought is about the same as the impression we receive if a man were solemnly to begin making a speech, recite a comma or two with his pronouncement, then say "hm!"—"dash"—and then stop. Thus with woman. One tries to cover her with the ethical category, one thinks of human nature, one opens one's eyes, one fastens one's glances on the most excellent maiden in question, an effort is made to redeem the claims of the ethical demand; and then one grows ill at ease and says to one's self: ah, this is undoubtedly a joke! The joke lies, indeed, in applying that category to her and measuring her by it, because it would be idle to expect serious results from her; but just that is the joke. Because if one could demand it of her it would not be a joke at all. A mighty poor joke indeed it would be, to place her under the air-pump and draw the air out of her—indeed it were a shame; but to blow her up to supernatural size and let her imagine herself to have attained all the ideality which a little maiden of sixteen imagines she has, that is the beginning of the game and, indeed, the beginning of a highly entertaining performance. No youth has half so much imaginary ideality as a young girl, but: "We shall soon be even" as says the tailor in the proverb; for her ideality is but an illusion.

The joke isn’t just a style but a failed ethical concept. Its impact on thinking is similar to the impression we’d get if someone seriously started making a speech, paused to recite a couple of commas in their statement, then said "hm!"—"dash"—and just stopped. The same applies to women. We try to wrap them in ethical labels, we consider human nature, we focus on the most outstanding girl in question, and make an effort to uphold the ethical expectations; then we feel uneasy and think: ah, this is definitely a joke! The humor really lies in trying to apply that label to her and measuring her against it because it’s pointless to expect serious outcomes from her; but that’s precisely the joke. Because if we could actually expect it from her, it wouldn’t be funny at all. It would be a pretty terrible joke to place her under a vacuum and suck the air out of her—indeed, it would be shameful; but to inflate her to a larger-than-life size and let her believe she has achieved all the ideals that a sweet sixteen has in her mind, that’s just the start of the game and genuinely the beginning of a very entertaining show. No young man imagines idealism quite like a young girl, but: "We shall soon be even," as the tailor says in the proverb; because her idealism is just an illusion.

If one fails to consider woman from this point of view she may cause irreparable harm; but through my conception of her she becomes harmless and amusing. For a man there is nothing more shocking than to catch himself twaddling. It destroys all true ideality; for one may repent of having been a rascal, and one may feel sorry for not having meant a word of what one said; but to have talked nonsense, sheer nonsense, to have meant all one said and behold! it was all nonsense—that is too disgusting for repentance incarnate to put up with. But this is not the case with woman. She has a prescriptive right to transfigure herself—in less than 24 hours—in the most innocent and pardonable nonsense; for far is it from her ingenuous soul to wish to deceive one! Indeed, she meant all she said, and now she says the precise opposite, but with the same amiable frankness, for now she is willing to stake everything on what she said last. Now in case a man in all seriousness surrenders to love he may be called fortunate indeed if he succeeds in obtaining an insurance—if, indeed, he is able to obtain it anywhere; for so inflammable a material as woman is most likely to arouse the suspicions of an insurance agent. Just consider for a moment what he has done in thus identifying himself with her! If, some fine New Year's night she goes off like some fireworks he will promptly follow suit; and even if this should not happen he will have many a close call. And what may he not lose! He may lose his all; for there is but one absolute antithesis to the absolute, and that is nonsense. Therefore, let him not seek refuge in some society for morally tainted individuals, for he is not morally tainted—far from it; only, he has been reduced in absurdum and beatified in nonsense; that is, has been made a fool of.

If you don’t consider women this way, she can cause serious damage; but in my view, she becomes harmless and entertaining. For a man, nothing is more shocking than realizing he’s been talking nonsense. It destroys all true ideals; a man might regret being a jerk or feel bad about lying, but to have talked complete nonsense, to have actually meant what he said, only to find out it was all nonsense—that’s too much for even the most contrite person to handle. But this doesn’t apply to women. She has the right to change her mind—within 24 hours—about the most innocent and excusable nonsense; her genuine nature doesn’t aim to deceive anyone! She truly meant everything she said, and now she’s saying the exact opposite, but with the same friendly honesty, ready to gamble everything on what she just said. If a man seriously surrenders to love, he’s lucky if he can get some sort of assurance—if he can even find it at all; because such a volatile being as a woman will definitely raise an insurance agent’s suspicions. Just think about what he’s done by tying himself to her! If, on some beautiful New Year’s Eve, she explodes like fireworks, he'll end up in the same situation; and even if that doesn’t happen, he’ll have plenty of near-misses. And what could he lose! He could lose everything; because there’s only one opposite to the absolute, and that’s nonsense. So, he shouldn’t look for safety in a group for morally questionable individuals, because he isn’t morally flawed—far from it; instead, he has been made a fool because of absurdity and has been honored in nonsense.

This will never happen among men. If a man should sputter off in this fashion I would scorn him. If he should fool me by his cleverness I need but apply the ethical category to him, and the danger is trifling. If things go too far I shall put a bullet through his brain; but to challenge a woman—what is that, if you please? Who does not see that it is a joke, just as when Xerxes had the sea whipped? When Othello murders Desdemona, granting she really had been guilty, he has gained nothing, for he has been duped, and a dupe he remains; for even by his murdering her he only makes a concession with regard to a consequence which originally made him ridiculous; whereas Elvira[30] may be an altogether pathetic figure when arming herself with a dagger to obtain revenge. The fact that Shakespeare has conceived Othello as a tragic figure (even disregarding the calamity that Desdemona is innocent) is to be explained and, indeed, to perfect satisfaction, by the hero being a colored person. For a colored person, dear fellow-banqueters, who cannot be assumed to represent spiritual qualities—a colored person, I say, who therefore becomes green in his face when his ire is aroused (which is a physiological fact), a colored man may, indeed, become tragic if he is deceived by a woman; just as a woman has all the pathos of tragedy on her side when she is betrayed by a man. A man who flies into a rage may perhaps become tragic; but a man of whom one may expect a developed mentality, he will either not become jealous, or he will become ridiculous if he does; and most of all when he comes running with a dagger in his hand.

This will never happen among men. If a man were to act like that, I would look down on him. If he tricked me with his cleverness, I just have to apply some ethical judgment, and the risk is minimal. If things escalate too much, I would shoot him; but to challenge a woman—what is that about, really? Who doesn’t see it’s just a joke, like when Xerxes whipped the sea? When Othello kills Desdemona, assuming she actually was guilty, he gains nothing because he has been fooled, and he remains a fool; by murdering her, he’s just conceding to a consequence that originally embarrassed him. Meanwhile, Elvira[30] could become a truly tragic figure when she picks up a dagger for revenge. The fact that Shakespeare portrays Othello as a tragic figure (even ignoring that Desdemona is innocent) can be explained, quite satisfactorily, by the hero being a person of color. A person of color, my fellow diners, who cannot be assumed to represent spiritual qualities—such a person, I say, who turns green in the face when angered (which is a physiological fact), can indeed become tragic if he is deceived by a woman; just as a woman embodies all the pathos of tragedy when she is betrayed by a man. A man who flies into a rage might become tragic; but a man expected to have developed thinking will either not get jealous, or he will look foolish if he does; especially when he comes running with a dagger in his hand.

A pity that Shakespeare has not presented us with a comedy of this description in which the claim raised by a woman's infidelity is turned down by irony; for not every one who is able to see the comical element in this situation is able also to develop the thought and give it dramatic embodiment. Let one but imagine Socrates surprising Xanthippe in the act—for it would be un-Socratic even to think of Socrates being particularly concerned about his wife's fidelity, or still worse, spying on her—imagine it, and I believe that the fine smile which transformed the ugliest man in Athens into the handsomest, would for the first time have turned into a roar of laughter. It is incomprehensible why Aristophanes, who so frequently made Socrates the butt of his ridicule, neglected to have him run on the stage shouting: "Where is she, where is she, so that I may kill her, i.e., my unfaithful Xanthippe." For really it does not matter greatly whether or no Socrates was made a cuckold, and all that Xanthippe may do in this regard is wasted labor, like snapping one's fingers in one's pocket; for Socrates remains the same intellectual hero, even with a horn on his forehead. But if he had in fact become jealous and had wanted to kill Xanthippe—alas! then would Xanthippe have exerted a power over him such as the entire Greek nation and his sentence of death could not—to make him ridiculous.

It's a shame that Shakespeare never gave us a comedy like this, where a woman's infidelity is dismissed with irony. Not everyone who sees the humor in this situation can actually explore the idea and bring it to life on stage. Just picture Socrates catching Xanthippe in the act—because it would be very un-Socratic for him to worry about his wife's fidelity, let alone spy on her—imagine it, and I think that the charming smile that turned the ugliest man in Athens into the most handsome would instead turn into a burst of laughter. It's baffling why Aristophanes, who often made Socrates the target of his jokes, didn’t have him run on stage shouting: "Where is she, where is she, so that I can kill her, my unfaithful Xanthippe." Because honestly, it doesn’t really matter if Socrates was made a cuckold; whatever Xanthippe does in that respect is pointless, like snapping your fingers in your pocket. Socrates remains the same intellectual hero, even with a horn on his forehead. But if he actually got jealous and wanted to kill Xanthippe—oh how she would have held power over him like nothing else could, not even the entire Greek nation or his death sentence—to make him look ridiculous.

A cuckold is comical, then, with respect to his wife; but he may be regarded as becoming tragical with respect to other men. In this fact we may find an explanation of the Spanish conception of honor. But the tragic element resides chiefly in his not being able to obtain redress, and the anguish of his suffering consists really in its being devoid of meaning—which is terrible enough. To shoot the woman, to challenge her, to despise her, all this would only serve to render the poor man still more ridiculous; for woman is the weaker sex. This consideration enters in everywhere and confuses all. If she performs a great deed she is admired more than man, because it is more than was expected of her. If she is betrayed, all the pathos is on her side; but if a man is deceived one has scant sympathy and little patience while he is present—and laughs at him when his back is turned.

A cuckold is funny when it comes to his wife, but he can seem tragic in the eyes of other men. This helps explain the Spanish view of honor. The tragic aspect mainly comes from his inability to seek justice, and his suffering is particularly painful because it feels pointless—which is truly awful. Shooting the woman, challenging her, or looking down on her would only make the poor man even more pathetic; after all, women are considered the weaker sex. This idea is pervasive and complicates everything. If she achieves something significant, she’s praised more than a man because it's beyond what was expected of her. If she gets cheated on, all the sympathy goes to her; but if a man is betrayed, people have little patience and scant sympathy while he’s around—and they laugh at him when he’s not.

Look you, therefore is it advisable betimes to consider woman as a joke. The entertainment she affords is simply incomparable. Let one consider her a fixed quantity, and one's self a relative one; let one by no means contradict her, for that would simply be helping her; let one never doubt what she says but, rather, believe her every word; let one gallivant about her, with eyes rendered unsteady by unspeakable admiration and blissful intoxication, and with the mincing steps of a worshipper; let one languishingly fall on one's knees, then lift up one's eyes up to her languishingly and heave a breath again; let one do all she bids one, like an obedient slave. And now comes the cream of the joke. We need no proof that woman can speak, i.e., use words. Unfortunately, however, she does not possess sufficient reflection for making sure against her in the long run—which is, at most, eight days—contradicting herself; unless indeed man, by contradicting her, exerts a regulative influence. So the consequence is that within a short time confusion will reign supreme. If one had not done what she told one to, the confusion would pass unnoticed; for she forgets again as quickly as she talks. But since her admirer has done all, and has been at her beck and call in every instance, the confusion is only too glaring.

Look, it’s wise to think of women as a bit of a joke. The entertainment they provide is truly unmatched. If you see them as a constant and yourself as a variable, don’t contradict them at all; that would just help them. Don’t ever doubt what they say; instead, believe every word. Spend time around them, with your eyes dazed from admiration and blissful excitement, moving like a worshiper. Sink to your knees, look up at them with longing, and take a deep breath. Do everything they ask like a loyal servant. And here’s the punchline: we don’t need to prove that women can talk, meaning they can use words. But sadly, they don’t have enough self-reflection to avoid contradicting themselves in the long run—which usually lasts about eight days—unless a man contradicts them, which gives them some structure. So, pretty soon, chaos will reign. If you hadn’t followed their instructions, the chaos would go unnoticed since they forget things as quickly as they speak. But since their admirer has done everything they asked and has been completely at their service, the confusion is painfully obvious.

The more gifted the woman, the more amusing the situation. For the more gifted she is, the more imagination she will possess. Now, the more imagination she possesses, the greater airs she will give herself and the greater the confusion which is bound to become evident in the next instant. In life, such entertainment is rarely had, because this blind obedience to a woman's whims occurs but seldom. And if it does, in some languishing swain, most likely he is not qualified to see the fun. The fact is, the ideality a little maiden assumes in moments when her imagination is at work is encountered nowhere else, whether in gods or man; but it is all the more entertaining to believe her and to add fuel to the fire.

The more talented the woman, the funnier the situation becomes. The more talent she has, the more imagination she will display. And with more imagination comes greater pretentiousness and a confusion that's sure to show up quickly. In real life, you don’t often get this kind of entertainment, as blind obedience to a woman's whims is a rare occurrence. Even when it does happen, usually in some lovesick guy, he’s probably not able to appreciate the humor. The truth is, the ideal image a young woman creates when her imagination runs wild isn't found anywhere else, whether among gods or humans; but it’s all the more entertaining to believe her and fuel the situation even further.

As I remarked, the fun is simply incomparable—indeed, I know it for a fact, because I have at times not been able to sleep at night with the mere thought of what new confusions I should live to see, through the agency of my sweetheart and my humble zeal to please her. Indeed, no one who gambles in a lottery will meet with more remarkable combinations than he who has a passion for this game. For this is sure, that every woman without exception possesses the same qualifications for being resolved and transfigured in nonsense with a gracefulness, a nonchalance, an assurance such as befits the weaker sex.

As I said, the fun is just unbeatable—trust me, I know this for sure, because there have been times when I couldn't sleep at night just thinking about the new craziness I would experience, all thanks to my sweetheart and my eagerness to make her happy. Honestly, no one who plays the lottery will encounter more surprising combinations than someone who's passionate about this game. It’s a fact that every woman, without exception, has the same ability to get wrapped up in nonsense with a style, an ease, and a confidence that suits the fairer sex.

Being a right-minded lover one naturally discovers every possible charm in one's beloved. Now, when discovering genius in the above sense, one ought not to let it remain a mere possibility but ought, rather, to develop it into virtuosity. I do not need to be more specific, and more cannot be said in a general way, yet every one will understand me. Just as one may find entertainment in balancing a cane on one's nose, in swinging a tumbler in a circle without spilling a drop, in dancing between eggs, and in other games as amusing and profitable, likewise, and not otherwise, in living with his beloved the lover will have a source of incomparable entertainment and food for most interesting study. In matters pertaining to love let one have absolute belief, not only in her protestations of fidelity—one soon tires of that game—but in all those explosions of inviolable Romanticism by which she would probably perish if one did not contrive a safety-valve through which the sighs and the smoke, and "the aria of Romanticism[31]" may escape and make her worshipper happy. Let one compare her admiringly to Juliet, the difference being only that no person ever as much as thought of touching a hair on her Romeo's head. With regard to intellectual matters, let one hold her capable of all and, if one has been lucky enough to find the right woman, in a trice one will have a cantankerous authoress, whilst wonderingly shading one's eyes with one's hand and duly admiring what the little black hen may yield besides.[32] It is altogether incomprehensible why Socrates did not choose this course of action instead of bickering with Xanthippe—oh, well! to be sure he wished to acquire practice, like the riding master who, even though he has the best trained horse, yet knows how to tease him in such fashion that there is good reason for breaking him in again.[33]

Being a thoughtful lover, you naturally discover every charm in your partner. When you recognize their genius, you shouldn't just leave it as a possibility—develop it into real talent. I don’t need to elaborate; everyone will get what I mean. Just like finding joy in balancing a cane on your nose, swinging a glass in a circle without spilling, dancing between eggs, and enjoying other fun and beneficial games, being with your beloved provides endless entertainment and a fascinating opportunity for discovery. In matters of love, have complete faith, not just in her promises of loyalty—eventually, that becomes tiresome—but in all those bursts of unbreakable Romanticism that she might collapse under if you don't create an outlet for her sighs and dreams, making her devoted admirer happy. Compare her admiringly to Juliet, with the only difference being that no one ever dared touch a single hair on her Romeo's head. Regarding her intellect, believe she can achieve anything, and if you've been fortunate enough to find the right woman, you'll quickly have a feisty writer while you shade your eyes with your hand, marveling at what surprises may come.[32] It's completely baffling why Socrates didn't choose this path instead of arguing with Xanthippe—well, he probably just wanted to practice, like a riding instructor who, even with the best-trained horse, plays around just enough to have a reason to train him again.[33]

Let me be a little more concrete, in order to illustrate a particular and highly interesting phenomenon. A great deal has been said about feminine fidelity, but rarely with any discretion.[34] From a purely æsthetic point of view this fidelity is to be regarded as a piece of poetic fiction which steps on the stage to find her lover—a fiction which sits by the spinning wheel and waits for her lover to come; but when she has found him, or he has come, why, then æsthetics is at a loss. Her infidelity, on the other hand, as contrasted with her previous fidelity, is to be judged chiefly with regard to its ethical import, when jealousy will appear as a tragic passion. There are three possibilities, so the case is favorable for woman; for there are two cases of fidelity, as against one of infidelity. Inconceivably great is her fidelity when she is not altogether sure of her cavalier; and ever so inconceivably great is it when he repels her fidelity. The third case would be her infidelity. Now granted one has sufficient intellect and objectivity to make reflections, one will find sufficient justification, in what has been said, for my category of "the joke." Our young friend whose beginning in a manner deceived me seemed to be on the point of entering into this matter, but backed out again, dismayed at the difficulty. And yet the explanation is not difficult, providing one really sets about it seriously, to make unrequited love and death correspond to one another, and providing one is serious enough to stick to his thought—and so much seriousness one ought to have—for the sake of the joke.

Let me be a bit more specific to illustrate a particular and fascinating phenomenon. A lot has been said about feminine loyalty, but rarely with any subtlety.[34] From a purely aesthetic perspective, this loyalty can be seen as a piece of poetic fiction that takes the stage to find her lover—a story where she sits at the spinning wheel waiting for him to arrive; but once they are together, aesthetics seems puzzled. Her disloyalty, in contrast to her earlier loyalty, should mainly be considered in terms of its ethical implications, where jealousy emerges as a tragic emotion. There are three scenarios, which works in a woman's favor; there are two cases of loyalty compared to one of disloyalty. Her loyalty is incredibly profound when she isn't completely sure about her partner; and it's even more profound when he rejects her loyalty. The third case would be her infidelity. Now, if one has enough intelligence and objectivity to reflect on this, there’s enough justification in what has been said for my category of "the joke." Our young friend, whose initial approach misled me, seemed ready to dive into this discussion but pulled back, intimidated by the complexity. Yet, the explanation isn't hard if one genuinely approaches it seriously, linking unrequited love and death, and if one is disciplined enough to stay focused on this idea—and such seriousness is essential—for the sake of the joke.

Of course this phrase of unrequited love being death originated either with a woman or a womanish male. Its origin is easily made out, seeing that it is one of those categorical outbursts which, spoken with great bravado, on the spur of the moment, may count on a great and immediate applause; for although this business is said to be a matter of life and death, yet the phrase is meant for immediate consumption—like cream-puffs. Although referring to daily experience it is by no means binding on him who is to die, but only obliges the listener to rush post-haste to the assistance of the dying lover. If a man should take to using such phrases it would not be amusing at all, for he would be too despicable to laugh at. Woman, however, possesses genius, is lovable in the measure she possesses it, and is amusing at all times. Well, then, the languishing lady dies of love—why certainly, for did she not say so herself? In this matter she is pathetic, for woman has enough courage to say what no man would have the courage to do—so then she dies! In saying so I have measured her by ethical standards. Do ye likewise, dear fellow-banqueters, and understand your Aristotle aright, now! He observes very correctly that woman cannot be used in tragedy.[35] And very certainly, her proper sphere is the pathetic and serious divertissement, the half-hour face, not the five-act drama. So then she dies. But should she for that reason not be able to love again? Why not?—that is, if it be possible to restore her to life. Now, having been restored to life, she is of course a new being—another person, that is, and begins afresh and falls in love for the first time: nothing remarkable in that! Ah, death, great is thy power; not the most violent emetic and not the most powerful laxative could ever have the same purging effect!

Of course, this saying about unrequited love being like death probably came from a woman or a somewhat effeminate man. It's easy to trace its origins, as it's one of those dramatic statements that, said with a lot of confidence and in the heat of the moment, expect immediate applause; even though it's said to be a matter of life and death, it’s really just meant for instant consumption—like cream puffs. While it touches on everyday experiences, it doesn’t actually bind the one who is “dying”; it only pressures the listeners to hurry and help the lovesick person. If a man were to use such expressions, it wouldn’t be funny at all, as he would just seem pathetic. Women, however, have the spark of genius, are charming to the extent that they possess it, and are always entertaining. So, the love-stricken woman dies of love—of course she does, she said so herself! In this, she is tragic, for a woman has the courage to express emotions that no man would dare to voice—so she dies! In saying this, I have judged her by ethical standards. You should do the same, dear dinner companions, and understand Aristotle correctly now! He rightly notes that women don’t fit into tragedies. And indeed, her rightful place is in the realm of pathos and serious entertainment, the brief dramatic moment, not in a full five-act play. So, she dies. But just because of that, can’t she love again? Why not?—that is, if there’s a chance to bring her back to life. Once she’s brought back, she is, of course, a new person and starts over, falling in love for the first time: nothing extraordinary about that! Ah, death, your power is immense; no harsh medicine or strongest laxative could ever have the same cleansing effect!

The resulting confusion is capital, if one but is attentive and does not forget. A dead man is one of the most amusing characters to be met with in life. Strange that more use is not made of him on the stage, for in life he is seen, now and then. When you come to think of it, even one who has only been seemingly dead is a comical figure; but one who was really dead certainly contributes to our entertainment all one can reasonably expect of a man. All depends on whether one is attentive. I myself had my attention called to it, one day, as I was walking with one of my acquaintances. A couple passed us. I judged from the expression on his face that he knew them and asked whether that was the case. "Why, yes," he answered, "I know them very well, and especially the lady, for she is my departed one."—"What departed one?" I asked.—"Why, my departed first love," he answered. "Indeed, this is a strange affair. She said: I shall die. And that very same moment she departed, naturally enough, by death—else one might have insured her beforehand in the widow's insurance. Too late! Dead she was and dead she remained; and now I wander about, as says the poet, vainly seeking the grave of my lady-love that I may shed my tears thereon." Thus this broken-hearted man who remained alone in the world, though it consoled him to find her pretty far along with some other man.

The resulting confusion is significant, if one is paying attention and doesn’t forget. A dead person is one of the most entertaining characters to encounter in life. It's surprising that they’re not used more often on stage, since they do appear, occasionally, in real life. When you think about it, even someone who seems to be dead is a funny sight; but someone who is genuinely dead definitely adds to our entertainment—more than you’d expect from a person. It all hinges on whether one is observant. I had my attention drawn to this one day while I was walking with a friend. A couple walked past us. I could tell by the look on his face that he recognized them, so I asked if that was the case. "Yes,” he replied, “I know them very well, especially the woman, because she is my deceased one."—"What deceased one?" I asked.—"My deceased first love," he responded. "It's quite strange. She said, 'I will die.' And at that very moment, she did, by dying—otherwise, one could have gotten her a widow's insurance policy beforehand. Too late! She was dead and stayed that way; and now I roam about, as the poet says, uselessly searching for the grave of my lady-love so I can cry there." So this heartbroken man, left alone in the world, found some solace in noticing her with another man.

It is a good thing for the girls, thought I, that they don't have to be buried, every time they die; for if parents have hitherto considered a boy-child to be the more expensive, the girls might become even more so!

It's a good thing for the girls, I thought, that they don't have to be buried every time they die; because if parents have seen a baby boy as the more costly one until now, the girls might end up being even more expensive!

A simple case of infidelity is not as amusing, by far. I mean, if a girl should fall in love with some one else and should say to her lover: "I cannot help it, save me from myself!" But to die from sorrow because she cannot endure being separated from her lover by his journey to the West Indies, to have put up with his departure, however,—and then, at his return, be not only not dead, but attached to some one else for all time—that certainly is a strange fate for a lover to undergo. No wonder, then, that the heart-broken man at times consoled himself with the burthen of an old song which runs: "Hurrah for you and me, I say, we never shall forget that day!"

A simple case of cheating is nowhere near as entertaining. I mean, if a girl falls in love with someone else and tells her partner: "I can't help it, save me from myself!" But to be heartbroken over the fact that she can't stand being apart from her lover while he travels to the West Indies, to endure his departure, and then, upon his return, to not only be alive but also committed to someone else forever—that’s definitely a strange fate for a lover. No wonder the heartbroken guy sometimes found comfort in an old song that goes: "Hurrah for you and me, I say, we’ll never forget that day!"

Now forgive me, dear fellow-banqueters, if I have spoken at too great length; and empty a glass to love and to woman. Beautiful she is and lovely, if she be considered æsthetically. That is undeniable. But, as has often been said, and as I shall say also: one ought not to remain standing here, but should go on.[36] Consider her, then, ethically and you will hardly have begun to do so before the humor of it will become apparent. Even Plato and Aristotle assume that woman is an imperfect form, an irrational quantity, that is, one which might some time, in a better world, be transformed into a man. In this life one must take her as she is. And what this is becomes apparent very soon; for she will not be content with the æsthetic sphere, but goes on, she wants to become emancipated, and she has the courage to say so. Let her wish be fulfilled and the amusement will be simply incomparable.

Now forgive me, dear fellow diners, if I’ve gone on too long; let’s raise a glass to love and women. She is beautiful and lovely, if you look at her from an aesthetic perspective. That’s undeniable. But, as has often been said—and I will say it too—you shouldn’t just stand here, you should move on.[36] Consider her, then, ethically, and you’ll quickly see the humor in it. Even Plato and Aristotle believed that women are an imperfect form, an irrational quantity, one that might someday, in a better world, transform into a man. In this life, you have to accept her as she is. And what that is becomes clear very quickly; she won’t be satisfied with just the aesthetic realm; she wants to be free, and she boldly expresses that. Let her wish come true, and the fun will be completely unmatched.

When Constantin had finished speaking he forthwith ruled Victor Eremita to begin. He spoke as follows:

When Constantin finished talking, he immediately called on Victor Eremita to start. He said:

(Victor Eremita's Speech)

As will be remembered, Plato offers thanks to the gods for four things. In the fourth place he is grateful for having been permitted to be a contemporary of Socrates. For the three other boons mentioned by him,[37] an earlier Greek philosopher[38] had already thanked the gods, and so I conclude that they are worthy our gratitude. But alas!—even if I wanted to express my gratitude like these Greeks I would not be able to do so for what was denied me. Let me then collect my soul in gratitude for the one good which was conferred on me also—that I was made a man and not a woman.

As we know, Plato thanks the gods for four things. Fourth, he is grateful for the chance to be a contemporary of Socrates. For the other three blessings he mentioned, an earlier Greek philosopher had already thanked the gods, and I conclude they deserve our gratitude. But, unfortunately!—even if I wanted to express my thanks like those Greeks, I couldn't for what was denied to me. So, let me gather my thoughts in gratitude for the one good thing I also received—that I was made a man and not a woman.

To be a woman is something so curious, so heterogeneous and composite that no predicate will fully express these qualities; and if I should use many predicates they would contradict one another in such fashion that only a woman would be able to tolerate the result and, what is worse, feel happy about it. The fact that she really signifies less than man—that is not her misfortune, and still less so if she got to know it, for it might be borne with fortitude. No, her misfortune consists in her life's having become devoid of fixed meaning through a romantic conception of things, by virtue of which, now she signifies all, and now, nothing at all; without ever finding out what she really does signify—and even that is not her misfortune but, rather, the fact that, being a woman, she never will be able to find out. As for myself, if I were a woman, I should prefer to be one in the Orient and as a slave; for to be a slave, neither more nor less, is at any rate something, in comparison with being, now heyday, now nothing.

Being a woman is something so complex, so varied and mixed that no single label can capture all these qualities; and if I were to use many labels, they would contradict each other in a way that only a woman could accept and, even worse, feel good about it. The fact that she is often seen as less than a man—that isn't her misfortune, especially if she comes to realize it, because she might be able to handle it with strength. No, her misfortune lies in her life becoming meaningless due to a romanticized view of things, where at one moment she represents everything, and at another, nothing at all; without ever discovering what she truly represents—and even that isn't her misfortune but rather the reality that, being a woman, she will never find out. As for me, if I were a woman, I would choose to be one in the East and as a slave; because being a slave, whether good or bad, is at least something, compared to being sometimes important and sometimes nothing.

Even if a woman's life did not contain such contrasts, the distinction she enjoys, and which is rightly assumed to be hers as a woman—a distinction she does not share with man—would by itself point to the meaninglessness of her life. The distinction I refer to is that of gallantry. To be gallant to woman is becoming in men. Now gallantry consists very simply in conceiving in fantastic categories that person to whom one is gallant. To be gallant to a man is, therefore, an insult, for he begs to be excused from the application of fantastic categories to him. For the fair sex, however, gallantry signifies a tribute, a distinction, which is essentially its privilege. Ah me, if only a single cavalier were gallant to them the case would not be so serious. But far from it! At bottom every man is gallant, he is unconsciously so. This signifies, therefore, that it is life itself which has bestowed this perquisite on the fair sex. Woman on her part unconsciously accepts it. Here we have the same trouble again; for if only a single woman did so, another explanation would be necessary. This is life's characteristic irony.

Even if a woman's life didn't have such extremes, the special treatment she receives, which is rightly seen as hers as a woman—a treatment she doesn't share with men—would by itself highlight the emptiness of her life. The special treatment I’m talking about is gallantry. Being gallant to a woman is what makes men admirable. Now, gallantry simply means viewing the person you’re being gallant to in a fantastical way. So, being gallant to a man is an insult, because he prefers not to be seen in that fanciful light. For women, though, gallantry means respect, a distinction that is fundamentally their privilege. Oh, if only one single gentleman were gallant towards them, it wouldn’t be so serious. But that’s far from the truth! Deep down, every man is gallant; he is unconsciously so. This means that it is life itself that has given this benefit to women. Women, in turn, accept it without realizing it. Here we encounter the same issue again; if even one woman did this consciously, we would need another explanation. This is life’s ironic twist.

Now if gallantry contained the truth it ought to be reciprocal, i.e., gallantry would be the accepted quotation for the stated difference between beauty on the one hand, and power, astuteness, and strength, on the other. But this is not the case, gallantry is essentially woman's due; and the fact that she unconsciously accepts it may be explained through the solicitude of nature for the weak and those treated in a step-motherly fashion by her, who feel more than recompensed by an illusion. But precisely this illusion is her misfortune. It is not seldom the case that nature comes to the assistance of an afflicted creature by consoling him with the notion that he is the most beautiful. If that is so, why, then we may say that nature made good the deficiency since now the creature is endowed with even more than could be reasonably demanded. But to be beautiful only in one's imagination, and not to be overcome, indeed, by sadness, but to be fooled into an illusion—why, that is still worse mockery. Now, as to being afflicted, woman certainly is far from having been treated in a step-motherly fashion by nature; still she is so in another sense inasmuch as she never can free herself from the illusion with which life has consoled her.

Now, if gallantry truly held any merit, it should be mutual; in other words, gallantry would represent the accepted response to the differences between beauty on one side and power, cleverness, and strength on the other. But that's not the case—gallantry is essentially women's right; the fact that she unconsciously accepts it can be explained by nature's care for the vulnerable and those treated poorly, who feel more than compensated by an illusion. However, this very illusion is her misfortune. It's not uncommon for nature to help an afflicted being by comforting them with the idea that they are the most beautiful. If that's the case, then we can say that nature has rectified the deficiency since now the being is endowed with even more than could be reasonably expected. But to be beautiful only in one's imagination, to be misled into an illusion rather than genuinely overcome by sadness—well, that’s an even greater mockery. As for being afflicted, women certainly haven't been treated poorly by nature; still, in a different sense, they are, as they can never truly escape the illusion that life has offered them for comfort.

Gathering together one's impressions of a woman's existence, in order to point out its essential features, one is struck by the fact that every woman's life gives one an entirely fantastic impression. In a far more decisive sense than man she may be said to have turning points in her career; for her turning points turn everything upside down. In one of Tieck's[39] Romantic dramas there occurs a person who, having once been king of Mesopotamia, now is a green-grocer in Copenhagen. Exactly as fantastic is every feminine existence. If the girl's name is Juliana, her life is as follows: erstwhile empress in the wide domains of love, and titular queen of all the exaggerations of tomfoolery; now, Mrs. Peterson, corner Bath Street.

Gathering together our impressions of a woman's life to highlight its key features, it's clear that every woman's story gives off an entirely fantastical vibe. In a much more significant way than men, women experience turning points in their lives that flip everything upside down. In one of Tieck's[39] Romantic dramas, there's a character who, after being the king of Mesopotamia, is now a green grocer in Copenhagen. Every woman’s life is just as surreal. If a girl's name is Juliana, her life goes like this: once an empress in the vast realms of love, and a so-called queen of all the absurdities; now, she’s Mrs. Peterson on the corner of Bath Street.

When a child, a girl is less highly esteemed than a boy. When a little older, one does not know exactly what to make of her. At last she enters that decisive period in which she holds absolute sway. Worshipfully man approaches her as a suitor. Worshipfully, for so does every suitor, it is not the scheme of a crafty deceiver. Even the executioner, when laying down his fasces to go a-wooing, even he bends his knee, although he is willing to offer himself up, within a short time, to domestic executions which he finds so natural that he is far from seeking any excuse for them in the fact that public executions have grown so few. The cultured person behaves in the very same manner. He kneels, he worships, he conceives his lady-love in the most fantastic categories; and then he very quickly forgets his kneeling position—in fact, he knew, full well the while he knelt that it was fantastic to do so.

When a girl is a child, she’s not valued as highly as a boy. As she gets a bit older, people aren’t quite sure what to think of her. Eventually, she reaches that pivotal stage where she has complete control. Suitors approach her with reverence. They do so respectfully, as every suitor does; it’s not some cunning trick. Even the executioner, putting aside his fasces to pursue love, kneels down, even though he’s ready to commit to domestic tasks that involve executions he finds completely normal, so much so that he doesn’t even try to justify them with the fact that public executions are rare now. The educated person acts in the same way. He kneels, he reveres, he imagines his beloved in the most extravagant ways; and then, he quickly forgets that he was ever kneeling—in fact, he was fully aware the whole time that it was ridiculous to do so.

If I were a woman I would prefer to be sold by my father to the highest bidder, as is the custom in the Orient; for there is at least some sense in such a deal. What misfortune to have been born a woman! Yet her misfortune really consists in her not being able to comprehend it, being a woman. If she does complain, she complains rather about her Oriental, than her Occidental, status. But if I were a woman I would first of all refuse to be wooed, and resign myself to belong to the weaker sex, if such is the case, and be careful—which is most important if one is proud—of not going beyond the truth. However, that is of but little concern to her. Juliana is in the seventh heaven, and Mrs. Peterson submits to her fate.

If I were a woman, I would rather be sold by my father to the highest bidder, like they do in the East; at least there’s some logic to that arrangement. What a misfortune it is to be born a woman! Yet her misfortune really lies in her inability to understand it, simply because she is a woman. If she does complain, it's more about her Eastern status than her Western one. But if I were a woman, I would first refuse to be pursued and accept my role as the weaker sex, if that’s how it is, and be careful—which is crucial if you’re proud—not to stray from the truth. However, that doesn’t seem to concern her much. Juliana is on cloud nine, and Mrs. Peterson has accepted her fate.

Let me, then, thank the gods that I was born a man and not a woman. And still, how much do I forego! For is not all poetry, from the drinking song to the tragedy, a deification of woman? All the worse for her and for him who admires her; for if he does not look out he will, all of a sudden, have to pull a long face. The beautiful, the excellent, all of man's achievement, owes its origin to woman, for she inspires him. Woman is, indeed, the inspiring element in life. How many a love-lorn shepherd has played on this theme, and how many a shepherdess has listened to it! Verily, my soul is without envy and feels only gratitude to the gods; for I would rather be a man, though in humble station, but really so, than be a woman and an indeterminate quantity, rendered happy by a delusion—I would rather be a concrete thing, with a small but definite meaning, than an abstraction which is to mean all.

Let me thank the gods that I was born a man and not a woman. Still, how much am I giving up! Isn’t all poetry, from drinking songs to tragedies, a celebration of women? It’s unfortunate for her and for the man who admires her; because if he’s not careful, he might suddenly find himself unhappy. The beautiful, the excellent, all of man's achievements, come from women, as they inspire him. Women are, indeed, the inspiring force in life. How many love-sick shepherds have played on this theme, and how many shepherdesses have listened! Truly, my soul feels no envy and is only grateful to the gods; for I would rather be a man, even in a humble position, and genuinely so, than be a woman and an undefined concept, made happy by an illusion—I would prefer to be something real, with a small but clear purpose, than an abstraction meant to represent everything.

As I have said, it is through woman that ideality is born into the world and—what were man without her! There is many a man who has become a genius through a woman, many a one a hero, many a one a poet, many a one even a saint; but he did not become a genius through the woman he married, for through her he only became a privy councillor; he did not become a hero through the woman he married, for through her he only became a general; he did not become a poet through the woman he married, for through her he only became a father; he did not become a saint through the woman he married, for he did not marry, and would have married but one—the one whom he did not marry; just as the others became a genius, became a hero, became a poet through the help of the woman they did not marry. If woman's ideality were in itself inspiring, why, then the inspiring woman would be the one to whom a man is united for life. But life tells a different story. It is only by a negative relation to her that man is rendered productive in his ideal endeavors. In this sense she is inspiring; but to say that she is inspiring, without qualifying one's statement, is to be guilty of a paralogism[40] which one must be a woman to overlook. Or has any one ever heard of any man having become a poet through his wife? So long as man does not possess her she inspires him. It is this truth which gives rise to the illusions entertained in poetry and by women. The fact that he does not possess her signifies, either, that he is still fighting for her—thus has woman inspired many a one and rendered him a knight; but has any one ever heard of any man having been rendered a knight valiant through his wife? Or, the fact that he does not possess her signifies that he cannot obtain her by any manner of means—thus has woman inspired many a one and roused his ideality; that is, if there is anything in him worth while. But a wife, who has things ever so much worth while for her husband, will hardly arouse any ideal strivings in him. Or, again, the fact that he does not possess her signifies that he is pursuing an ideal. Perchance he loves many, but loving many is also a kind of unrequited love; and yet the ideality of his soul is to be seen in this striving and yearning, and not in the small bits of lovableness which make up the sum total of the contributions of all those he loves.

As I’ve said, it’s through women that ideality comes into the world—and what would a man be without her? Many men have become geniuses because of a woman, many have become heroes, many have become poets, and even some have become saints; but he didn’t become a genius through the woman he married, because with her, he only became a privy councillor; he didn’t become a hero through the woman he married, since with her, he only became a general; he didn’t become a poet through the woman he married, for through her, he only became a father; he didn’t become a saint through the woman he married, because he didn’t marry, and would have only married one—the one he didn’t marry; just as others became geniuses, became heroes, became poets with the support of the women they didn’t marry. If a woman's ideality were truly inspiring, then the woman a man is with for life would be the inspiring one. But life tells a different story. It's only through a negative relationship with her that a man becomes productive in his ideal pursuits. In that sense, she is inspiring; but saying she is inspiring without clarification is to fall into a logical fallacy that only a woman would overlook. Has anyone ever heard of a man becoming a poet through his wife? As long as a man doesn’t have her, she inspires him. This truth leads to the illusions found in poetry and among women. The fact that he does not possess her means he is still fighting for her—thus, many have been inspired by women and transformed into knights; but has anyone ever heard of a man being made a valiant knight through his wife? Or, if he can’t have her no matter what, many have been inspired by women and stirred to ideality; that is, if there’s anything worthwhile in him. But a wife, no matter how much she has to offer her husband, will hardly ignite any ideal aspirations in him. Or, the fact that he doesn’t have her means he’s chasing an ideal. He might love many, but loving many is also a form of unrequited love; and yet, the ideality of his soul is reflected in his striving and yearning, not in the little bits of lovableness that add up from all the people he loves.

The highest ideality a woman can arouse in a man consists, in fact, in the awakening within him of the consciousness of immortality. The point of this proof lies in what one might call the necessity of a reply. Just as one may remark about some play that it cannot end without this or that person getting in his say, likewise (says ideality) our existence cannot be all over with death: I demand a reply! This proof is frequently furnished, in a positive fashion, in the public advertiser. I hold that to be entirely proper, for if proof is to be made in the public advertiser it must be made in a positive fashion. Thus: Mrs. Petersen, we learn, has lived a number of years, until in the night of the 24th it pleased Providence, etc. . This produces in Mr. Petersen an attack of reminiscences from his courting days or, to express it quite plainly, nothing but seeing her again will ever console him. For this blissful meeting he prepares himself, in the meanwhile, by taking unto himself another wife; for, to be sure, this marriage is by no means as poetic as the first—still it is a good imitation. This is the proof positive. Mr. Petersen is not satisfied with demanding a reply, no, he wants a meeting again in the hereafter.

The highest ideal a woman can inspire in a man is, in fact, to awaken in him a sense of immortality. The core of this argument lies in what could be called the need for a response. Just as one might say that a play can't end without a certain character having their moment, similarly (says ideality) our existence can't just finish with death: I demand a response! This proof is often provided, in a straightforward way, in public announcements. I believe this is entirely appropriate, because if proof is to be presented in public announcements, it should be done straightforwardly. So: Mrs. Petersen has lived for many years until one night on the 24th, it pleased Providence, etc. This leads Mr. Petersen to reminisce about his courting days, or to put it plainly, nothing but seeing her again will ever bring him comfort. In preparation for this joyful reunion, he in the meantime takes another wife; this marriage isn’t nearly as romantic as the first, but it serves as a decent substitute. This is the clear evidence. Mr. Petersen isn’t just content with demanding a response, no, he seeks a reunion in the afterlife.

As is well known, a base metal will often show the gleam of precious metal. This is the brief silver-gleam. With respect to the base metal this is a tragic moment, for it must once for all resign itself to being a base metal. Not so with Mr. Petersen. The possession of ideality is by rights inherent in every person—and now, if I laugh at Mr. Petersen it is not because he, being in reality of base metal, had but a single silver-gleam; but, rather, because just this silver-gleam betrays his having become a base metal. Thus does the philistine look most ridiculous when, arrayed in ideality, he affords fitting occasion to say, with Holberg: "What! does that cow wear a fine dress, too?[41]"

As everyone knows, a base metal can sometimes shine like a precious metal. This is the fleeting silver shine. For the base metal, this is a sad moment, as it must accept its identity as a base metal once and for all. But not so for Mr. Petersen. The ability to aspire to something greater is something everyone inherently possesses—and now, if I find Mr. Petersen amusing, it’s not just because he, being fundamentally a base metal, has only a brief silver shine; rather, it’s that this very silver shine reveals he has become a base metal. The philistine looks most foolish when dressed in ideality, presenting the perfect opportunity to say, with Holberg: "What! Does that cow wear a fine dress, too?[41]"

The case is this: whenever a woman arouses ideality in man, and thereby the consciousness of immortality, she always does so negatively. He who really became a genius, a hero, a poet, a saint through woman, he has by that very fact seized on the essence of immortality. Now if the inspiring element were positively present in woman, why, then a man's wife, and only his wife, ought to awaken in him the consciousness of immortality. But the reverse holds true. That is, if she is really to awaken ideality in her husband she must die. Mr. Petersen, to be sure, is not affected, for all that. But if woman, by her death, does awaken man's ideality, then is she indeed the cause of all the great things poetry attributes to her; but note well: that which she did in a positive fashion for him in no wise roused his ideality. In fact, her significance in this regard becomes the more doubtful the longer she lives, because she will at length really begin to wish to signify something positive. However, the more positive the proof the less it proves; for then Mr. Petersen's longing will be for some past common experiences whose content was, to all intents and purposes, exhausted when they were had. Most positive of all the proof becomes if the object of his longing concerns their marital spooning—that time when they visited the Deer Park together! In the same way one might suddenly feel a longing for the old pair of slippers one used to be so comfortable in; but that proof is not exactly a proof for the immortality of the soul. On the other hand, the more negative the proof, the better it is; for the negative is higher than the positive, inasmuch as it concerns our immortality, and is thus the only positive value.

The situation is this: whenever a woman inspires idealism in a man, and with it the awareness of immortality, she does it in a negative way. The man who truly becomes a genius, a hero, a poet, or a saint through a woman has, by that very fact, tapped into the essence of immortality. Now, if the source of inspiration were truly present in the woman, then a man's wife, and only his wife, should awaken in him the consciousness of immortality. But the opposite is true. Specifically, if she is genuinely to inspire idealism in her husband, she must die. Mr. Petersen, of course, remains unaffected by this. But if a woman’s death does spark a man’s idealism, then she is indeed the reason for all the great things poetry attributes to her; but take note: what she did positively does not ignite his idealism. In fact, her significance in this respect becomes increasingly questionable the longer she lives, as she will eventually start wanting to mean something positive. However, the more positive the proof, the less it really proves; because then Mr. Petersen will long for past shared experiences whose essence was pretty much depleted when they happened. The most positive proof of all might be when he thinks of their cozy moments together—like when they went to Deer Park! Similarly, one could suddenly yearn for those old slippers that used to be so comforting; but that proof doesn’t really demonstrate the immortality of the soul. Conversely, the more negative the proof, the better it is; for the negative is greater than the positive, as it pertains to our immortality, and is thus the only true value.

Woman's main significance lies in her negative contribution, whereas her positive contributions are as nothing in comparison but, on the contrary, pernicious. It is this truth which life keeps from her, consoling her with an illusion which surpasses all that might arise in any man's brain, and with parental care ordering life in such fashion that both language and everything else confirm her in her illusion. For even if she be conceived as the very opposite of inspiring, and rather as the well-spring of all corruption; whether now we imagine that with her, sin came into the world, or that it is her infidelity which ruined all—our conception of her is always gallant. That is, when hearing such opinions one might readily assume that woman were really able to become infinitely more culpable than man, which would, indeed, amount to an immense acknowledgment of her powers. Alas, alas! the case is entirely different. There is a secret reading of this text which woman cannot comprehend; for, the very next moment, all life owns to the same conception as the state, which makes man responsible for his wife. One condemns her as man never is condemned (for only a real sentence is passed on him, and there the matter ends), not with her receiving a milder sentence; for in that case not all of her life would be an illusion, but with the case against her being dismissed and the public, i.e., life, having to defray the costs. One moment, woman is supposed to be possessed of all possible wiles, the next moment, one laughs at him whom she deceived, which surely is a contradiction. Even such a case as that of Potiphar's wife does not preclude the possibility of her having really been seduced. Thus has woman an enormous possibility, such as no man has—an enormous possibility; but her reality is in proportion. And most terrible of all is the magic of illusion in which she feels herself happy.

The main importance of a woman lies in her negative impact, while her positive contributions are practically insignificant by comparison and, on the contrary, can even be harmful. This truth is hidden from her by life, which comforts her with an illusion that far exceeds anything that might exist in a man's mind, and with a nurturing approach that organizes life in a way that reinforces her beliefs through language and everything else. Even if she's seen as the exact opposite of inspiring, and instead viewed as the source of all corruption—whether we think of her as the one through whom sin entered the world or as the cause of all ruin due to her infidelity—our perception of her remains heroic. When we hear such views, one might easily conclude that a woman could be far more at fault than a man, which would actually imply a significant recognition of her power. Sadly, though, the reality is quite the opposite. There exists a hidden interpretation of this narrative that a woman cannot grasp; because, in the next breath, all of life adheres to the same view as the state, which holds the man accountable for his wife's actions. She is judged in ways that a man is never judged (as he receives a true sentence and that is where it ends), and she doesn’t get a milder punishment; instead, if it were the case, not all her life would be an illusion, but the charges against her would just be dropped and society would bear the consequences. One moment, women are thought to possess all possible tricks and schemes, and the next, there’s laughter at the expense of the man she deceived, which is certainly contradictory. Even a case like Potiphar's wife doesn’t rule out the possibility that she might actually have been seduced. Thus, a woman has an enormous potential that no man has—immense possibility; but her reality is proportionate to that. And the most frightening aspect is the magic of the illusion in which she finds her happiness.

Let Plato then thank the gods for having been born a contemporary of Socrates: I envy him; let him offer thanks for being a Greek: I envy him; but when he is grateful for having been born a man and not a woman I join him with all my heart. If I had been born a woman and could under stand what now I can understand—it were terrible! But if I had been born a woman and therefore could not understand it—that were still more terrible!

Let Plato thank the gods for being born at the same time as Socrates: I envy him; let him be grateful for being Greek: I envy him; but when he is thankful for being born a man instead of a woman, I fully agree with him. If I had been born a woman and could understand what I can now—it would be awful! But if I had been born a woman and therefore couldn't understand it—that would be even worse!

But if the case is as I stated it, then it follows that one had better refrain from any positive relation with woman. Wherever she is concerned one has to reckon with that inevitable hiatus which renders her happy as she does not detect the illusion, but which would be a man's undoing if he detected it.

But if the situation is as I’ve described, then it’s best to avoid any serious relationship with a woman. Whenever she's involved, you have to deal with that unavoidable gap that makes her happy because she doesn’t see the illusion, but would destroy a man if he did.

I thank the gods, then, that I was born a man and not a woman; and I thank them, furthermore, that no woman by some life-long attachment holds me in duty bound to be constantly reflecting that it ought not to have been.

I’m grateful to the gods that I was born a man and not a woman; and I’m also thankful that no woman is tied to me by some lifelong obligation, making me constantly think that it shouldn’t have been that way.

Indeed, what a passing strange device is marriage! And what makes it all the stranger is the suggestion that it is to be a step taken without thought. And yet no step is more decisive, for nothing in life is as inexorable and masterful as the marriage tie. And now so important a step as marriage ought, so we are told, to be taken without reflection! Yet marriage is not something simple but something immensely complex and indeterminate. Just as the meat of the turtle smacks of all kinds of meat, so likewise does marriage have a taste of all manner of things; and just as the turtle is a sluggish animal, likewise is marriage a sluggish thing. Falling in love is, at least, a simple thing, but marriage—! Is it something heathen or something Christian, something spiritual or something profane, or something civil, or something of all things? Is it an expression of an inexplicable love, the elective affinity of souls in delicate accord with one another; or is it a duty, or a partnership, or a mere convenience, or the custom of certain countries—or is it a duty, or a partnership, or a mere convenience, or the custom of certain countries—or is it a little of all these? Is one to order the music for it from the town musician or the organist, or is one to have a little from both? Is it the minister or the police sergeant who is to make the speech and enroll the names in the book of life—or in the town register? Does marriage blow a tune on a comb, or does it listen to the whisperings "like to those of the fairies from the grottoes of a summer night"?[42]

Sure, here’s the modernized text: What a strange thing marriage is! What makes it even stranger is the idea that it’s a decision that can be made without thinking. Yet no decision is more crucial, as nothing in life is as unavoidable and powerful as the bond of marriage. And now, we’re told that such an important decision as marriage should be taken without careful consideration! But marriage isn’t simple; it’s incredibly complex and uncertain. Just like turtle meat tastes like all kinds of meat, marriage has a flavor of many things; and just as a turtle moves slowly, marriage can be slow too. Falling in love is, at least, straightforward, but marriage—! Is it something pagan or something Christian, something spiritual or something worldly, or something civic, or a mix of all those things? Is it a sign of a deep love, a chosen connection of souls that resonate with each other; or is it a duty, a partnership, or just a convenience, or a tradition in some places—or a little bit of everything? Should one hire the town musician or the organist for the music, or a bit from both? Is it the minister or the police officer who gives the speech and records the names in the book of life—or in the town registry? Does marriage play a tune on a comb, or does it listen to whispers "like those of fairies from the grottoes on a summer night"?[42]

And now every Darby imagines he performed such a potpourri, such incomparably complex music, in getting married—and imagines that he is still performing it while living a married life! My dear fellow-banqueters, ought we not, in default of a wedding present and congratulations, give each of the conjugal partners a demerit for repeated inattentiveness? It is taxing enough to express a single idea in one's life; but to think something so complicated as marriage and, consequently, bring it under one head; to think something so complicated and yet to do justice to each and every element in it, and have everything present at the same time—verily, he is a great man who can accomplish all this! And still every Benedict accomplishes it—so he does, no doubt; for does he not say that he does it unconsciously? But if this is to be done unconsciously it must be through some higher form of unconsciousness permeating all one's reflective powers. But not a word is said about this! And to ask any married man about it means just wasting one's time.

And now every Darby thinks he created such a mix, such incredibly complex music, when he got married—and believes he’s still making that music while living the married life! My dear fellow diners, should we not, in place of a wedding gift and congratulations, give each of the married partners a demerit for their ongoing inattentiveness? It’s tough enough to express a single idea in life; but to conceive something as complicated as marriage and, accordingly, bring it all together; to understand something so complex and still do justice to each part of it while keeping everything in mind at once—truly, he is a remarkable person who can pull this off! And yet every man who marries manages to do it—there’s no doubt about that; for doesn’t he claim he does it without thinking? But if this is going to happen unconsciously, it must be due to some higher level of unconsciousness affecting all of one's thinking abilities. However, not a word is mentioned about this! And asking any married man about it is just a waste of time.

He who has once committed a piece of folly will constantly be pursued by its consequences. In the case of marriage the folly consists in one's having gotten into a mess, and the punishment, in recognizing, when it is too late, what one has done. So you will find that the married man, now, becomes chesty, with a bit of pathos, thinking he has done something remarkable in having entered wedlock; now, puts his tail between his legs in dejection; then again, praises marriage in sheer self-defense. But as to a thought-unit which might serve to hold together the disjecta membra[43] of the most heterogeneous conceptions of life contained in marriage—for that we shall wait in vain.

Once someone makes a foolish mistake, they’ll always face the consequences. In marriage, that foolishness comes from getting tangled up in a difficult situation, and the punishment is realizing, too late, what you've done. You’ll see that a married man initially feels proud, thinking he’s accomplished something great by getting married; then he feels down and defeated; and afterward, he defends marriage as a way to cope. But as for a single idea that could unite the jumbled parts of the many different views on life that marriage brings—you’ll be waiting a long time for that.

Therefore, to be a mere Benedict is humbug, and to be a seducer is humbug, and to wish to experiment with woman for the sake of "the joke" is also humbug. In fact, the two last mentioned methods will be seen to involve concessions to woman on the part of man quite as large as those found in marriage. The seducer wishes to rise in his own estimation by deceiving her; but this very fact that he deceives and wishes to deceive—that he cares to deceive, is also a demonstration of his dependence on woman. And the same holds true of him who wishes to experiment with her.

So, being just a passive observer is nonsense, being a seducer is nonsense, and wanting to toy with women just for "fun" is also nonsense. In fact, the last two methods require men to make compromises with women that are just as significant as those seen in marriage. The seducer wants to elevate his own status by tricking her; but the very act of deceiving and wanting to deceive—his need to deceive—shows that he is actually dependent on women. The same applies to someone who wants to experiment with her.

If I were to imagine any possible relation with woman it would be one so saturated with reflection that it would, for that very reason, no longer be any relation with her at all. To be an excellent husband and yet on the sly seduce every girl; to seem a seducer and yet harbor within one all the ardor of romanticism—there would be something to that, for the concession in the first instance were then annihilated in the second. Certain it is that man finds his true ideality only in such a reduplication. All merely unconscious existence must be obliterated, and its obliteration ever cunningly guarded by some sham expression. Such a reduplication is incomprehensible to woman, for it removes from her the possibility of expressing man's true nature in one term. If it were, possible for woman to exist in such a reduplication, no erotic relation with her were thinkable. But, her nature being such as we all know it to be, any disturbance of the erotic relation is brought about by man's true nature which ever consists precisely in the annihilation of that in which she has her being.

If I were to imagine any possible relationship with a woman, it would be one so filled with reflection that, for that very reason, it wouldn’t really be a relationship with her at all. To be a great husband while secretly seducing every girl; to appear as a seducer yet hold within oneself all the passion of romanticism—there would be something to that, as the compromise in the first instance would then be erased in the second. It's certain that a man finds his true ideal only in such a doubling. All purely unconscious existence must be eliminated, and its elimination always cleverly protected by some false expression. Such a doubling is incomprehensible to a woman because it takes away her possibility of expressing a man's true nature in one term. If it were possible for a woman to exist in such a doubling, no erotic relationship with her would be conceivable. But, given her nature as we all know it to be, any disruption of the erotic relationship is caused by man’s true nature, which consists precisely in the destruction of that which gives her existence.

Am I then preaching the monastic life and rightly called Eremita? By no means. You may as well eliminate the cloister, for after all it is only a direct expression of spirituality and as such but a vain endeavor to express it in direct terms. It makes small difference whether you use gold, or silver, or paper money; but he who does not spend a farthing but is counterfeit, he will comprehend me. He to whom every direct expression is but a fraud, he and he only, is safeguarded better than if he lived in a cloister-cell—he will be a hermit even if he travelled in an omnibus day and night.

Am I really promoting the monastic life and justly called Eremita? Not at all. You might as well get rid of the cloister since it's just a straightforward reflection of spirituality, and trying to express it that way is a pointless effort. It doesn't really matter if you use gold, silver, or paper money; but the person who doesn't spend a single penny while being fake will understand my point. For someone who sees every direct expression as a deception, they are actually in a better position than if they lived in a cloistered cell—they will be a hermit even if they ride on a bus day and night.

Scarcely had Victor finished when the Dressmaker jumped to his feet and threw over a bottle of wine standing before him; then he spoke as follows:

Scarcely had Victor finished when the Dressmaker jumped up and knocked over a bottle of wine in front of him; then he said:

(The Dressmaker's Speech)

Well spoken, dear fellow-banqueters, well spoken! The longer I hear you speak the more I grow convinced that you are fellow-conspirators—I greet you as such, I understand you as such; for fellow-conspirators one can make out from afar. And yet, what know you? What does your bit of theory to which you wish to give the appearance of experience, your bit of experience which you make over into a theory—what does it amount to? For every now and then you believe her a moment and—are caught in a moment! No, I know woman—from her weak side, that is to say, I know her. I shrink from no means to make sure about what I have learned; for I am a madman, and a madman one must be to understand her, and if one has not been one before, one will become a madman, once one understands her. The robber has his hiding place by the noisy high-road, and the ant-lion his funnel in the loose sand, and the pirate his haunts by the roaring sea: likewise have I may fashion-shop in the very midst of the teeming streets, seductive, irresistible to woman as is the Venusberg to men. There, in a fashion-shop, one learns to know woman, in a practical way and without any theoretical ado.

Well said, my fellow diners, well said! The more I listen to you, the more I’m convinced that you're in this together—I acknowledge you as such, I understand you as such; because you can spot fellow conspirators from a distance. But tell me, what do you really know? What does your little theory, which you try to pass off as experience, or your little experience that you turn into a theory—what does it really mean? Because every so often you believe her for a moment and—get caught off guard! No, I know women—from their vulnerable side, that is to say, I truly know them. I won’t shy away from any means to confirm what I’ve learned; because I’m a madman, and you have to be a bit crazy to understand her, and if you weren't mad before, you will become one once you do. The thief hides by the busy main road, the ant-lion has its funnel in the loose sand, and the pirate has his lairs by the crashing sea: similarly, I have my place in the middle of the bustling streets, as alluring and irresistible to women as the Venusberg is to men. There, in a fashion shop, you learn to understand women in a practical way, without any theoretical nonsense.

Now, if fashion meant nothing than that woman in the heat of her desire threw off all her clothing—why, then it would stand for something. But this is not the case, fashion is not plain sensuality, not tolerated debauchery, but an illicit trade in indecency authorized as proper. And, just as in heathen Prussia the marriageable girl wore a bell whose ringing served as a signal to the men, likewise is a woman's existence in fashion a continual bell-ringing, not for debauchees but for lickerish voluptuaries. People hold Fortune to be a woman—ah, yes it is, to be sure, fickle; still, it is fickle in something, as it may also give much; and insofar it is not a woman. No; but fashion is a woman, for fashion is fickleness in nonsense, and is consistent only in its becoming ever more crazy.

Now, if fashion meant that a woman, caught up in desire, simply removed all her clothes—then it would actually mean something. But that's not how it is; fashion isn't just raw sensuality or accepted indulgence; it's a questionable game of indecency disguised as something respectable. Just like in ancient Prussia, where a girl ready for marriage wore a bell that rang to attract men, a woman's involvement in fashion is like a constant ringing of a bell—not for the debauched but for the greedy and self-indulgent. People say Fortune is a woman—sure, it is, but it's fickle in a way that sometimes brings rewards; in that sense, it's not truly feminine. No; fashion is a woman because fashion embodies fickleness in absurdity and is only consistent in becoming ever more outrageous.

One hour in my shop is worth more than days and years without, if it really be one's desire to learn to know woman; in my shop, for it is the only one in the capital, there is no thought of competition. Who, forsooth, would dare to enter into competition with one who has entirely devoted himself, and is still devoting himself, as high-priest in this idol worship? No, there is not a distinguished assemblage which does not mention my name first and last; and there is not a middle-class gathering where my name, whenever mentioned, does not inspire sacred awe, like that of the king; and there is no dress so idiotic but is accompanied by whispers of admiration when its owner proceeds down the hall—provided it bears my name; and there is not the lady of gentle birth who dares pass my shop by, nor the girl of humble origin but passes it sighing and thinking: if only I could afford it! Well, neither was she deceived. I deceive no one; I furnish the finest goods and the most costly, and at the lowest price, indeed, I sell below cost. The fact is, I do not wish to make a profit. On the contrary, every year I sacrifice large sums. And yet do I mean to win, I mean to, I shall spend my last farthing in order to corrupt, in order to bribe, the tools of fashion so that I may win the game. To me it is a delight beyond compare to unroll the most precious stuffs, to cut them out, to clip pieces from genuine Brussels-lace, in order to make a fool's costume—I sell to the lowest prices, genuine goods and in style.

An hour in my shop is worth more than days and years spent elsewhere if you really want to understand women; my shop is the only one in the city, and there's no competition here. Who would be bold enough to compete with someone who has fully dedicated himself, and continues to dedicate himself, as the high priest of this worship? No distinguished gathering takes place without mentioning my name; and there isn’t a middle-class event where my name, whenever brought up, doesn’t evoke a sense of reverence, like that of a king. No outfit, no matter how ridiculous, fails to get whispered admiration as the wearer walks down the hall—provided it has my name on it; and no lady of noble birth dares to walk past my shop, nor does any girl from humble beginnings pass it by without sighing and wishing, "If only I could afford it!" Well, neither is she misled. I deceive no one; I offer the finest and most expensive goods at the lowest prices, in fact, I sell below cost. The truth is, I don’t aim to make a profit. On the contrary, I sacrifice significant amounts every year. Yet I plan to succeed; I will spend my last penny to influence and bribe the tools of fashion so I can win the game. For me, it’s an unmatched joy to unveil the most luxurious fabrics, to cut them out, to snip pieces from authentic Brussels lace to make a fool's costume—I offer genuine goods in style at the lowest prices.

You believe, perhaps, that woman wants to be dressed fashionably only at certain times? No such thing, she wants to be so all the time and that is her only thought. For a woman does have a mind, only it is employed about as well as is the Prodigal Son's substance; and woman does possess the power of reflection in an incredibly high degree, for there is nothing so holy but she will in no time discover it to be reconcilable with her finery—and the chiefest expression of finery is fashion. What wonder if she does discover it to be reconcilable; for is not fashion holy to her? And there is nothing so insignificant but she certainly will know how to make it count in her finery—and the most fatuous expression of finery is fashion. And there is nothing, nothing in all her attire, not the least ribbon, of whose relation to fashion she has not a definite conception and concerning which she is not immediately aware whether the lady who just passed by noticed it; because, for whose benefit does she dress, if not for other ladies!

You might think that a woman only wants to dress stylishly at certain times? That's not true; she wants to be fashionable all the time, and that's her main concern. Women do have a mind, but it's often used about as wisely as the Prodigal Son's money. Women also have a strong ability to reflect, because there’s nothing so sacred that she won’t quickly find a way to make it fit with her style—and the highest form of style is fashion. It's no surprise that she can see that connection, because isn’t fashion sacred to her? There's nothing so trivial that she won’t know how to incorporate it into her look—and the most ridiculous form of style is fashion. There’s absolutely nothing in her outfit, not even the tiniest ribbon, that she doesn’t have a clear idea about its relation to fashion and whether the lady who just walked by noticed it; because, who is she dressing for if not for other women!

Even in my shop where she comes to be fitted out à la mode, even there she is in fashion. Just as there is a special bathing costume and a special riding habit, likewise there is a particular kind of dress which it is the fashion to wear to the dressmaker's shop. That costume is not insouciant in the same sense as is the negligée a lady is pleased to be surprised in, earlier in the forenoon, where the point is her belonging to the fair sex and the coquetry lies in her letting herself be surprised. The dressmaker costume, on the other hand, is calculated to be nonchalant and a bit careless without her being embarrassed thereby; because a dressmaker stands in a different relation to her from a cavalier. The coquetry here consists in thus showing herself to a man who, by reason of his station, does not presume to ask for the lady's womanly recognition, but must be content with the perquisites which fall abundantly to his share, without her ever thinking of it; or without it even so much as entering her mind to play the lady before a dressmaker. The point is, therefore, that her being of the opposite sex is, in a certain sense, left out of consideration, and her coquetry invalidated, by the superciliousness of the noble lady who would smile if any one alluded to any relation existing between her and her dressmaker. When visited in her negligée she conceals herself, thus displaying her charms by this very concealment. In my shop she exposes her charms with the utmost nonchalance, for he is only a dressmaker—and she is a woman. Now, her shawl slips down and bares some part of her body, and if I did not know what that means, and what she expects, my reputation would be gone to the winds. Now, she draws herself up, a priori fashion, now she gesticulates a posteriori; now, she sways to and fro in her hips; now, she looks at herself in the mirror and sees my admiring phiz behind her in the glass; now, she minces her words; now, she trips along with short steps; now, she hovers; now, she draws her foot after her in a slovenly fashion; now, she lets herself sink softly into an arm-chair, whilst I with humble demeanor offer her a flask of smelling salts and with my adoration assuage her agitation; now, she strikes after me playfully; now, she drops her handkerchief and, without as much as a single motion, lets her relaxed arm remain in its pendent position, whilst I bend down low to pick it up and return it to her, receiving a little patronizing nod as a reward. These are the ways of a lady of fashion when in my shop. Whether Diogenes[44] made any impression on the woman who was praying in a somewhat unbecoming posture, when he asked her whether she did not believe the gods could see her from behind—that I do not know; but this I do know, that if I should say to her ladyship kneeling down in church: "The folds of your gown do not fall according to fashion," she would be more alarmed than if she had given offense to the gods. Woe to the outcast, the male Cinderella, who has not comprehended this! Pro dii immortales,[45] what, pray, is a woman who is not in fashion; per deos obsecro,[46] and what when she is in fashion!

Even in my shop where she comes to get fitted à la mode, she's still fashionable. Just as there’s a specific swimsuit and a particular riding outfit, there’s also a certain type of dress that’s in style for visiting the dressmaker. That outfit isn’t insouciant in the same way as the negligée a lady likes to be caught in earlier in the morning, where the focus is on her femininity and the flirtation lies in her allowing herself to be surprised. The dressmaker outfit, on the other hand, is meant to seem relaxed and a bit careless without her feeling awkward about it; because a dressmaker has a different relationship to her than a gentleman. The flirtation here is in showing herself to a man who, due to his position, doesn’t presume to seek the lady's feminine acknowledgment but must be content with the benefits that naturally come his way, without her ever considering it; or without it even entering her thoughts to act like a lady in front of a dressmaker. Therefore, her being the opposite sex is, in a way, overlooked, and her flirtation invalidated by the arrogance of the noble lady who would smile if anyone suggested a connection between her and her dressmaker. When she's visited in her negligée, she hides herself, displaying her charms by this very concealment. In my shop, she reveals her charms with complete nonchalance, because he’s just a dressmaker—and she’s a woman. Now, her shawl slips and shows part of her body, and if I didn’t understand what that means and what she expects, my reputation would be ruined. Now, she straightens up, a priori style, now she gestures a posteriori; now she sways her hips; now she checks herself out in the mirror and notices my admiring face behind her in the glass; now she chooses her words carefully; now she walks with short steps; now she glides; now she drags her foot lazily; now she sinks softly into an armchair while I, with a humble demeanor, offer her a bottle of smelling salts and, with my admiration, try to calm her nerves; now she playfully swats at me; now she drops her handkerchief and, without making a single movement, lets her relaxed arm hang down while I bend low to pick it up and give it back to her, receiving a little condescending nod in return. These are the antics of a fashionable lady when she’s in my shop. Whether Diogenes[44] made any impression on the woman who was praying in a somewhat unladylike position when he asked her if she didn’t think the gods could see her from behind—that I do not know; but I do know that if I should say to her ladyship kneeling in church: "The folds of your gown aren’t falling in style," she would be more upset than if she had offended the gods. Woe to the outcast, the male Cinderella, who fails to grasp this! Pro dii immortales,[45] what, I ask, is a woman who isn't fashionable; per deos obsecro,[46] and what happens when she is fashionable!

Whether all this is true? Well, make trial of it: let the swain, when his beloved one sinks rapturously on his breast, whispering unintelligibly: "thine forever," and hides her head on his bosom—let him but say to, her: "My sweet Kitty, your coiffure is not at all in fashion."—Possibly, men don't give thought to this; but he who knows it, and has the reputation of knowing it, he is the most dangerous man in the kingdom. What blissful hours the lover passes with his sweetheart before marriage I do not know; but of the blissful hours she spends in my shop he hasn't the slightest inkling, either. Without my special license and sanction a marriage is null and void, anyway—or else an entirely plebeian affair. Let it be the very moment when they are to meet before the altar, let her step forward with the very best conscience in the world that everything was bought in my shop and tried on there—and now, if I were to rush up and exclaim: "But mercy! gracious lady, your myrtle wreath is all awry"—why, the whole ceremony might be postponed, for aught I know. But men do not suspect these things, one must be a dressmaker to know.

Is all of this true? Well, put it to the test: let the guy, when his beloved rests happily on his chest, whispering indistinctly, “yours forever,” and burying her head against him—let him say to her, “My dear Kitty, your hairstyle is totally outdated.” It’s possible that men don’t think about this; but the one who knows it and is known for knowing it is the most dangerous man around. I don't really know how blissful the hours are that a lover spends with his sweetheart before marriage; but he has no idea about the delightful hours she spends in my shop. Without my explicit approval, a marriage is invalid, anyway—or else completely ordinary. Even if it's the very moment they're supposed to meet at the altar, and she steps forward with a clear conscience, believing everything was bought and tried on in my shop—and now, if I were to rush in and say, “Oh my, gracious lady, your myrtle wreath is all crooked”—the whole ceremony could be postponed, for all I know. But men don’t suspect these things; you have to be a dressmaker to understand.

So immense is the power of reflection needed to fathom a woman's thought that only a man who dedicates himself wholly to the task will succeed, and even then only if gifted to start with. Happy therefore the man who does not associate with any woman, for she is not his, anyway, even if she be no other man's; for she is possessed by that phantom born of the unnatural intercourse of woman's reflection with itself, fashion. Do you see, for this reason should woman always swear by fashion—then were there some force in her oath; for after all, fashion is the thing she is always thinking of, the only thing she can think together with, and into, everything. For instance, the glad message has gone forth from my shop to all fashionable ladies that fashion decrees the use of a particular kind of head-dress to be worn in church, and that this head-dress, again, must be somewhat different for High Mass and for the afternoon service. Now when the bells are ringing the carriage stops in front of my door. Her ladyship descends (for also this has been decreed, that no one can adjust that head-dress save I, the fashion-dealer), I rush out, making low bows, and lead her into my cabinet. And whilst she languishingly reposes I put everything in order. Now she is ready and has looked at herself in the mirror; quick as any messenger of the gods I hasten in advance, open the door of my cabinet with a bow, then hasten to the door of my shop and lay my arm on my breast, like some oriental slave; but, encouraged by a gracious courtesy, I even dare to throw her an adoring and admiring kiss—now she is seated in her carriage—oh dear! she left her hymn book behind. I hasten out again and hand it to her through the carriage window, I permit myself once more to remind her to hold her head a trifle more to the right, and herself to arrange things, should her head-dress become a bit disordered when descending. She drives away and is edified.

The power of reflection required to understand a woman’s thoughts is so immense that only a man who completely commits to this effort will succeed, and even then, only if he has a certain talent to begin with. Therefore, a man is fortunate if he doesn’t engage with any woman, for she doesn’t belong to him anyway, even if she isn’t with any other man; she is bound by that elusive force born from the unnatural blending of a woman’s thoughts with itself—fashion. You see, for this reason, a woman should always swear by fashion—then there would be some substance to her oath; after all, fashion is what she constantly thinks about, the only thing she can think about in relation to everything else. For example, the exciting news has gone out from my shop to all fashionable ladies that fashion dictates a specific type of headpiece to be worn in church, and that this headpiece must vary slightly for High Mass and for the afternoon service. When the bells ring, the carriage stops in front of my door. Her ladyship steps out (for it is also declared that no one can adjust that headpiece except me, the fashion dealer), I rush out, bowing deeply, and lead her into my fitting room. While she reclines languidly, I put everything in order. Once she’s ready and has admired herself in the mirror, like a swift messenger of the gods, I hurry ahead, open the door to my fitting room with a bow, then rush to the door of my shop, placing my arm on my chest like an oriental servant; still, encouraged by her kindness, I even dare to blow her an admiring kiss—now she is settled in her carriage—oh no! She forgot her hymn book. I quickly go back out and hand it to her through the carriage window, and I take the liberty to remind her to tilt her head slightly to the right and arrange her headpiece if it gets a little messy while getting in. She drives away, feeling pleased.

You believe, perhaps, that it is only great ladies who worship fashion, but far from it! Look at my sempstresses for whose dress I spare no expense, so that the dogmas of fashion may be proclaimed most emphatically from my shop. They form a chorus of half-witted creatures, and I myself lead them on as high-priest, as a shining example, squandering all, solely in order to make all womankind ridiculous. For when a seducer makes the boast that every woman's virtue has its price, I do not believe him; but I do believe that every woman at an early time will be crazed by the maddening and defiling introspection taught her by fashion, which will corrupt her more thoroughly than being seduced. I have made trial more than once. If not able to corrupt her myself I set on her a few of fashion's slaves of her own station; for just as one may train rats to bite rats, likewise is the crazed woman's sting like that of the tarantula. And most especially dangerous is it when some man lends his help.

You might think that only sophisticated women are obsessed with fashion, but that’s not true at all! Look at my seamstresses, for whom I spend lavishly to ensure that the latest trends are represented loud and clear from my shop. They are like a chorus of clueless individuals, and I lead them as a high-priest, being a shining example, wasting everything just to make all women look foolish. When a seducer claims that every woman's virtue has its price, I don't buy it; but I do believe that every woman will eventually be driven mad by the destructive self-reflection that fashion forces upon her, which can corrupt her even more than seduction itself. I've tested this more than once. If I can't corrupt her myself, I send in a few fellow fashion addicts from her social circle; just like you can get rats to bite each other, the sting of a crazed woman is as venomous as a tarantula’s. It’s especially dangerous when a man gets involved.

Whether I serve the Devil or God I do not know; but I am right, I shall be right, I will be, so long as I possess a single farthing, I will be until the blood spurts out of my fingers. The physiologist pictures the shape of woman to show the dreadful effects of wearing a corset, and beside it he draws a picture of her normal figure. That is all entirely correct, but only one of the drawings has the validity of truth: they all wear corsets. Describe, therefore, the miserable, stunted perversity of the fashion-mad woman, describe the insidious introspection devouring her, and then describe the womanly modesty which least of all knows about itself—do so and you have judged woman, have in very truth passed terrible sentence on her. If ever I discover such a girl who is contented and demure and not yet corrupted by indecent intercourse with women—she shall fall nevertheless. I shall catch her in my toils, already she stands at the sacrificial altar, that is to say, in my shop. With the most scornful glance a haughty nonchalance can assume I measure her appearance, she perishes with fright; a peal of laughter from the adjoining room where sit my trained accomplices annihilates her. And afterwards, when I have gotten her rigged up à la mode and she looks crazier than a lunatic, as crazy as one who would not be accepted even in a lunatic asylum, then she leaves me in a state of bliss—no man, not even a god, were able to inspire fear in her; for is she not dressed in fashion?

Whether I serve the Devil or God, I really can’t tell; but I know I'm right, I will be right, as long as I have even a penny to my name. I’ll keep being right until blood flows from my fingers. The scientist illustrates what a woman looks like to show the awful effects of wearing a corset, and next to it, he draws her normal figure. That's all completely accurate, but only one of those drawings represents the truth: they all wear corsets. So, describe the sad, stunted oddity of the fashion-obsessed woman, explain the sneaky self-examination that eats away at her, and then portray the feminine modesty that is least aware of itself—if you do this, you'll have judged women and truly passed a harsh sentence on them. If I ever come across a girl who is content, demure, and hasn't been corrupted by inappropriate relationships with women—she will still fall. I'll trap her; she’s already standing at the sacrificial altar, which is my shop. With the most disdainful look a proud nonchalance can muster, I assess her appearance, and she melts with dread; a burst of laughter from the next room where my accomplices are sitting crushes her spirit. And later, when I have her dressed in the latest style and she looks crazier than a lunatic, as crazy as someone who wouldn’t even be accepted in a mental hospital, she leaves me utterly delighted—no man, not even a god, could scare her; after all, isn’t she dressed in fashion?

Do you comprehend me now, do you comprehend why I call you fellow-conspirators, even though in a distant way? Do you now comprehend my conception of woman? Everything in life is a matter of fashion, the fear of God is a matter of fashion, and so are love, and crinolines, and a ring through the nose. To the utmost of my ability will I therefore come to the support of the exalted genius who wishes to laugh at the most ridiculous of all animals. If woman has reduced everything to a matter of fashion, then will I, with the help of fashion, prostitute her, as she deserves to be; I have no peace, I the dressmaker, my soul rages when I think of my task—she will yet be made to wear a ring through her nose. Seek therefore no sweetheart, abandon love as you would the most dangerous neighborhood; for the one whom you love would also be made to go with a ring through her nose.

Do you understand me now? Do you see why I call you fellow conspirators, even if it's in a distant way? Do you understand my view of women? Everything in life is about trends; the fear of God, love, crinolines, and even a ring through the nose are all trends. I will do my best to support the brilliant genius who wants to laugh at the most ridiculous of creatures. If women have turned everything into a trend, then I will, using trends, bring her down to where she deserves to be. I find no peace; as a dressmaker, my soul is in turmoil when I think about my work—she will eventually be made to wear a ring through her nose. So, seek no partner, and abandon love as if it were the most dangerous place; for the one you love would also end up wearing a ring through her nose.

Thereupon John, called the Seducer, spoke as follows:

Thereafter, John, known as the Seducer, said the following:

(The Speech of John the Seducer)

My dear boon companions, is Satan plaguing you? For, indeed, you speak like so many hired mourners, your eyes are red with tears and not with wine. You almost move me to tears also, for an unhappy lover does have a miserable time of it in life. Hinc illae lacrimae.[47] I, however, am a happy lover, and my only wish is to remain so. Very possibly, that is one of the concessions to woman which Victor is so afraid of. Why not? Let it be a concession! Loosening the lead foil of this bottle of champagne also is a concession; letting its foaming contents flow into my glass also is a concession; and so is raising it to my lips—now I drain it—concedo.[48] Now, however, it is empty, hence I need no more concessions. Just the same with girls. If some unhappy lover has bought his kiss too dearly, this proves to me only that he does not know, either how to take what is coming to him or how to do it. I never pay too much for this sort of thing—that is a matter for the girls to decide. What this signifies? To me it signifies the most beautiful, the most delicious, and well-nigh the most persuasive, argumentum ad hominem; but since every woman, at least once in her life, possesses this argumentative freshness I do not see any reason why I should not let myself be persuaded. Our young friend wishes to make this experience in his thought. Why not buy a cream puff and be content with looking at it? I mean to enjoy. No mere talk for me! Just as an old song has it about a kiss: es ist kaum zu sehn, es ist nur für Lippen, die genau sich verstehn[49]—understand each other so exactly that any reflection about the matter is but an impertinence and a folly. He who is twenty and does not grasp the existence of the categorical imperative "enjoy thyself"—he is a fool; and he who does not seize the opportunity is and remains a Christianfelder.[50]

My dear friends, is Satan bothering you? Because honestly, you sound like a bunch of hired mourners, your eyes red from tears instead of wine. You nearly bring me to tears too, because a heartbroken lover really struggles in life. Hinc illae lacrimae.[47] I, on the other hand, am a happy lover, and all I want is to stay that way. Perhaps that's one of the things Victor is so scared of. Why not? Let it be a thing! Uncapping this bottle of champagne is also a concession; letting the bubbly fizz into my glass is a concession; and so is drinking it—now it's all gone—concedo.[48] Now it's empty, so I don't need any more concessions. It's the same with girls. If some unlucky lover has paid too much for a kiss, it just shows me that he doesn't know how to handle what comes his way or how to get it. I never overpay for this stuff—that’s a decision for the girls to make. What does this mean? To me, it means the most beautiful, delicious, and almost irresistible argumentum ad hominem; but since every woman has this kind of appeal at least once in her life, I don't see why I shouldn't be convinced. Our young friend wants to think about this experience. Why not buy a cream puff and just admire it? I mean to enjoy it. No more just talking for me! Just like an old song says about a kiss: es ist kaum zu sehn, es ist nur für Lippen, die genau sich verstehn[49]—understand each other so well that thinking about it is just rude and silly. Anyone who’s twenty and doesn’t get the moral imperative "enjoy yourself"—well, they're a fool; and anyone who doesn’t seize the chance is and will remain a Christianfelder.[50]

However, you all are unhappy lovers, and that is why you are not satisfied with woman as she is. The gods forbid! As she is she pleases me, just as she is. Even Constantin's category of "the joke" seems to contain a secret desire. I, on the other hand, I am gallant. And why not? Gallantry costs nothing and gives one all and is the condition for all erotic pleasure. Gallantly is the Masonic language of the senses and of voluptuousness, between man and woman. It is a natural language, as love's language in general is. It consists not of sounds but of desires disguised and of ever changing wishes. That an unhappy lover may be ungallant enough to wish to convert his deficit into a draught payable in immortality—that I understand well enough. That is to say, I for my part do not understand it; for to me a woman has sufficient intrinsic value. I assure every woman of this, it is the truth; and at the same time it is certain that I am the only one who is not deceived by this truth. As to whether a despoiled woman is worth less than man—about that I find no information in my price list. I do not pick flowers already broken, I leave them to the married men to use for Shrove-tide decoration. Whether e. g. Edward wishes to consider the matter again, and again fall in love with Cordelia,[51] or simply repeat the affair in his reflection—that is his own business. Why should I concern myself with other peoples' affairs! I explained to her at an earlier time what I thought of her; and, in truth, she convinced me, convinced me to my absolute satisfaction, that my gallantry was well applied.

However, you all are unhappy lovers, and that’s why you aren’t satisfied with women as they are. God forbid! As they are, they please me, just as they are. Even Constantin’s category of “the joke” seems to hide a secret desire. I, on the other hand, am gallant. And why not? Gallantry costs nothing and gives you everything; it’s essential for all erotic pleasure. Gallantry is the shared language of the senses and sensuality between a man and a woman. It’s a natural language, just like the language of love in general. It consists not of sounds but of disguised desires and ever-changing wishes. An unhappy lover may be ungallant enough to want to turn his shortcomings into a claim for immortality—I understand that well enough. That is to say, I don’t really understand it; to me, a woman has enough intrinsic value. I assure every woman of this; it’s the truth. And at the same time, it’s clear that I’m the only one who isn’t deceived by this truth. As for whether a woman who has been wronged is worth less than a man—well, I find no information about that in my price list. I don’t pick already broken flowers; I leave them for married men to use for Shrove-tide decorations. Whether, for example, Edward wants to reconsider the matter and fall in love with Cordelia again, or just reflect on the affair—that’s his business. Why should I concern myself with other people’s affairs? I told her earlier what I thought of her; and honestly, she convinced me, convinced me absolutely, that my gallantry was well placed.

Concedo. Concessi.[52] If I should meet with another Cordelia, why then I shall enact a comedy "Ring number 2.[53]" But you are unhappy lovers and have conspired together, and are worse deceived than the girls, notwithstanding that you are richly endowed by nature. But decision—the decision of desire, is the most essential thing in life. Our young friend will always remain an onlooker. Victor is an unpractical enthusiast. Constantin has acquired his good sense at too great a cost; and the fashion dealer is a madman. Stuff and nonsense! With all four of you busy about one girl, nothing would come of it.

I admit it. I’ve given in.[52] If I happen to meet another Cordelia, then I’ll put on a comedy "Ring number 2.[53]" But you are unhappy lovers who have teamed up, and you’re more misled than the girls, despite being naturally gifted. But making a choice—the choice of desire—is the most important thing in life. Our young friend will always be a bystander. Victor is an impractical dreamer. Constantin has learned his good sense at too high a price; and the fashion dealer is just crazy. What nonsense! With all four of you focused on one girl, nothing will come of it.

Let one have enthusiasm enough to idealize, taste enough to join in the clinking of glasses at the festive board of enjoyment, sense enough to break off—to break off absolutely, as does Death, madness enough to wish to enjoy all over again—if you have all that you will be the favorite of gods and girls.

Have enough enthusiasm to dream big, enough taste to clink glasses at the celebration, enough common sense to know when to step back—just like Death does, and a little madness to want to experience it all again. If you have all of that, you'll be the darling of gods and girls.

But of what avail to speak here? I do not intend to make proselytes. Neither is this the place for that. To be sure I love wine, to be sure I love the abundance of a banquet—all that is good; but let a girl be my company, and then I shall be eloquent. Let then Constantin have my thanks for the banquet, and the wine, and the excellent appointments—the speeches, however, were but indifferent. But in order that things shall have a better ending I shall now pronounce a eulogy on woman.

But what's the point of talking here? I'm not trying to convert anyone. This definitely isn't the right place for that. I love wine, and I certainly enjoy a good feast—all that is great; but when there's a girl with me, that's when I'll really speak up. So, thanks to Constantin for the feast, the wine, and the lovely arrangements—the speeches, though, weren't very impressive. But to ensure a better conclusion, I will now give a tribute to women.

Just as he who is to speak in praise of the divinity must be inspired by the divinity to speak worthily, and must therefore be taught by the divinity as to what he shall say, likewise he who would speak of women. For woman, even less than the divinity, is a mere figment of man's brain, a day-dream, or a notion that occurs to one and which one may argue about pro et contra. Nay, one learns from woman alone what to say of her. And the more teachers one has had, the better. The first time one is a disciple, the next time one is already over the chief difficulties, just as one learns in formal and learned disputations how to use the last opponent's compliments against a new opponent. Nevertheless nothing is lost. For as little as a kiss is a mere sample of good things, and as little as an embrace is an exertion, just as little is this experience exhaustive. In fact it is essentially different from the mathematical proof of a theorem, which remains ever the same, even though other letters be substituted. This method is one befitting mathematics and ghosts, but not love and women, because each is a new proof, corroborating the truth of the theorem in a different manner. It is my joy that, far from being less perfect than man, the female sex is, on the contrary, the more perfect. I shall, however, clothe my speech in a myth; and I shall exult, on woman's account whom you have so unjustly maligned, if my speech pronounce judgment on your souls, if the enjoyment of her beckon you only to flee you, as did the fruits from Tantalus; because you have fled, and thereby insulted, woman. Only thus, forsooth, may she be insulted, even though she scorn it, and though punishment instantly falls on him who had the audacity. I, however, insult no one. That is but the notion of married men, and a slander; whereas, in reality, I respect her more highly than does the man she is married to.

Just like someone who needs to praise a higher power must be inspired by that higher power to speak properly and needs guidance on what to say, so too does someone who wants to talk about women. For women, even more than the divine, are just a product of a man's imagination, a daydream, or an idea someone can argue about from different sides. In truth, one learns from women themselves what to say about them. The more experiences one has, the better. The first time you're learning, the next time you're already past the main challenges, just like how in formal debates you learn to use the last opponent’s compliments against the new one. Still, nothing is wasted. Just as a kiss is just a taste of greater pleasures, and an embrace is just a physical act, this experience is not all-encompassing either. In fact, it's fundamentally different from a mathematical proof of a theorem, which stays constant even when you change the letters. This approach works for math and the abstract, but not for love and women, because each interaction is a new proof, confirming the truth in a unique way. It brings me joy that, instead of being less perfect than men, women are actually more perfect. However, I will frame my arguments in a myth; I will celebrate on behalf of women, whom you've unfairly criticized, if my words pass judgment on your souls, if the allure of women leads you only to run away as Tantalus did from his fruit; because by fleeing, you insult women. This is the only way she can be insulted, even if she doesn’t care, and even though punishment quickly comes to the one who dares. Yet, I don’t insult anyone. That’s just how married men think, and it’s slander; in reality, I hold women in higher regard than their husbands do.

Originally there was but one sex, so the Greeks relate, and that was man's. Splendidly endowed he was, so he did honor to the gods—so splendidly endowed that the same happened to them as sometimes happens to a poet who has expended all his energy on a poetic invention: they grew jealous of man. Ay, what is worse, they feared that he would not willingly bow under their yoke; they feared, though with small reason, that he might cause their very heaven to totter. Thus they had raised up a power they scarcely held themselves able to curb. Then there was anxiety and alarm in the council of the gods. Much had they lavished in their generosity on the creation of man; but all must be risked now, for reason of bitter necessity; for all was at stake—so the gods believed—and recalled he could not be, as a poet may recall his invention. And by force he could not be subdued, or else the gods themselves could have done so; but precisely of that they despaired. He would have to be caught and subdued, then, by a power weaker than his own and yet stronger—one strong enough to compel him. What a marvelous power this would have to be! However, necessity teaches even the gods to surpass themselves in inventiveness. They sought and they found. That power was woman, the marvel of creation, even in the eyes of the gods a greater marvel than man—a discovery which the gods in their naïveté could not help but applaud themselves for. What more can be said in her praise than that she was able to accomplish what even the gods did not believe themselves able to do; and what more can be said in her praise than that she did accomplish it! But how marvelous a creation must be hers to have accomplished it.

Originally, there was just one sex, according to the Greeks, and that was male. He was incredibly gifted, enough to honor the gods—so gifted that, similar to a poet who has poured all his energy into a creation, they became jealous of him. Worse still, they worried he wouldn't willingly submit to their power; they feared, though unfairly, that he might shake their very heaven. They had created a force they barely felt able to control. This caused anxiety and panic among the gods. They had invested so much in creating man; now everything was at risk due to this bitter necessity, as they believed they couldn’t just recall him like a poet could a poem. He couldn’t be defeated by force, or else the gods themselves would have done it; but it was this very thought that left them desperate. He would need to be captured and subdued by a power weaker than his own yet still strong enough to command him. What an extraordinary power that would have to be! Yet, necessity even teaches the gods to be more inventive. They searched and they found. That power was woman, the wonder of creation, even greater in the eyes of the gods than man—a discovery that the gods, in their innocence, couldn’t help but commend themselves for. What more can be said in her honor than that she achieved what even the gods thought impossible; and what more can be said in her honor than that she actually did it! Just how incredible must her creation be to have achieved such a feat.

It was a ruse of the gods. Cunningly the enchantress was fashioned, for no sooner had she bewitched man than she changed and caught him in all the circumstantialities of existence. It was that the gods had desired. But what, pray, can be more delicious, or more entrancing and bewitching, than what the gods themselves contrived, when battling for their supremacy, as the only means of luring man? And most assuredly it is so, for woman is the only, and the most seductive, power in heaven and on earth. When compared with her in this sense man will indeed be found to be exceedingly imperfect.

It was a trick of the gods. The enchantress was cleverly created; as soon as she captivated man, she changed and ensnared him in all the complexities of life. It was what the gods wanted. But really, what could be more delightful, more enchanting and mesmerizing, than what the gods themselves devised when competing for their dominance as the only way to entice man? Without a doubt, it is true, for woman is the sole and most alluring force in both heaven and earth. When measured against her in this way, man is found to be incredibly imperfect.

And the stratagem of the gods was crowned with success; but not always. There have existed at all times some men—a few—who have detected the deception. They perceive well enough woman's loveliness—more keenly, indeed than the others—but they also suspect the real state of affairs. I call them erotic natures and count myself among them. Men call them seducers, woman has no name for them—such persons are to her unnameable. These erotic natures are the truly fortunate ones. They live more luxuriously than do the very gods, for they regale themselves with food more delectable than ambrosia, and they drink what is more delicious than nectar; they eat the most seductive invention of the gods' most ingenious thought, they are ever eating dainties set for a bait—ah, incomparable delight, ah, blissful fare—they are ever eating but the dainties set for a bait; and they are never caught. All other men greedily seize and devour it, like bumpkins eating their cabbage, and are caught. Only the erotic nature fully appreciates the dainties set out for bait—he prizes them infinitely. Woman divines this, and for that reason there is a secret understanding between him and her. But he knows also that she is a bait, and that secret he keeps to himself.

And the plan of the gods succeeded, but not always. Throughout history, there have been a few men who have uncovered the trickery. They see a woman's beauty more clearly than others, but they also suspect the truth. I refer to them as erotic natures and consider myself one of them. Men call them seducers; women have no label for them—such people are beyond naming for her. These erotic natures are the truly lucky ones. They live more lavishly than the gods, enjoying food that is tastier than ambrosia and drinks that are more delightful than nectar; they indulge in the most tempting creations of the gods' cleverest designs, always savoring delicacies set as bait—oh, what unmatched pleasure, oh, blissful feast—they continually enjoy the delicacies set as bait, yet they are never trapped. All other men grab and consume it greedily, like simpletons devouring cabbage, and get caught. Only the erotic nature truly values the delicacies offered as bait—he treasures them immensely. Women sense this, and for that reason, there is an unspoken understanding between him and her. But he also knows that she is bait, and that secret he keeps to himself.

That nothing more marvelous, nothing more delicious, nothing more seductive, than woman can be devised, for that vouch the gods and their pressing need which heightened their powers of invention; for that vouches also the fact that they risked all, and in shaping her moved heaven and earth.

That nothing more amazing, nothing more delightful, nothing more alluring than a woman can be created, for that the gods can attest to and their strong desire which boosted their creativity; for that also proves the fact that they risked everything, and in creating her, they moved heaven and earth.

I now forsake the myth. The conception "man" corresponds to his "idea." I can therefore, if necessary, think of an individual man as existing. The idea of woman, on the other hand, is so general that no one single woman is able to express it completely. She is not contemporaneous with man (and hence of less noble origin), but a later creation, though more perfect than he. Whether now the gods took some part from him whilst he slept, from fear of waking him by taking too much; or whether they bisected him and made woman out of the one half—at any rate it was man who was partitioned. Hence she is the equal of man only after this partition. She is a delusion and a snarer, but is so only afterwards, and for him who is deluded. She is finiteness incarnate; but in her first stage she is finiteness raised to the highest degree in the deceptive infinitude of all divine and human illusions. Now, the deception does not exist—one instant longer, and one is deceived.

I now abandon the myth. The concept of "man" aligns with his "idea." Therefore, I can think of an individual man as existing, if needed. However, the idea of woman is so broad that no single woman can fully represent it. She does not exist at the same time as man (and is thus of lesser origin) but is a later creation, though more perfect than he is. Whether the gods took some part from him while he was asleep, fearing that taking too much would wake him, or whether they split him in half and made woman from one half—regardless, it was man who was divided. Therefore, she is equal to man only after this division. She is an illusion and a trap, but only afterwards, and for him who is deceived. She is finiteness made flesh; yet in her initial form, she embodies finiteness elevated to the highest degree within the deceptive infinity of all divine and human illusions. Now, the deception doesn’t endure—one moment longer, and one is deceived.

She is finiteness, and as such she is a collective: one woman represents all women. Only the erotic nature comprehends this and therefore knows how to love many without ever being deceived, sipping the while all the delights the cunning gods were able to prepare. For this reason, as I said, woman cannot be fully expressed by one formula, but is, rather, an infinitude of finalities. He who wishes to think her "idea" will have the same experience as he who gazes on a sea of nebulous shapes which ever form anew, or as he who is dazed by looking over the waves whose foamy crests ever mock one's vision; for her "idea" is but the workshop of possibilities. And to the erotic nature these possibilities are the everlasting reason for his worship.

She represents finiteness, and in that way, she embodies a collective: one woman symbolizes all women. Only the erotic nature understands this and therefore knows how to love many without being misled, enjoying all the pleasures that the clever gods have prepared. For this reason, as I mentioned, a woman can’t be fully captured by a single formula; rather, she is an endless array of possibilities. Anyone who tries to define her "idea" will have the same experience as someone staring at a sea of shifting shapes that continuously reform, or as someone who becomes dizzy looking at waves whose foamy tops perpetually tease one's sight; for her "idea" is simply a place for possibilities. And for the erotic nature, these possibilities are the eternal reason for his devotion.

So the gods created her delicate and ethereal as if out of the mists of the summer night, yet goodly like ripe fruit; light like a bird, though the repository of what attracts all the world—light because the play of the forces is harmoniously balanced in the invisible center of a negative relation;[54] slender in growth, with definite lines, yet her body sinuous with beautiful curves; perfect, yet ever appearing as if completed but now; cool, delicious, and refreshing like new-fallen snow, yet blushing in coy transparency; happy like some pleasantry which makes one forget all one's sorrow; soothing as being the end of desire, and satisfying in herself being the stimulus of desire. And the gods had calculated that man, when first beholding her, would be amazed, as one who sees himself, though familiar with that sight—would stand in amaze as one who sees himself in the splendor of perfection—would stand in amaze as one who beholds what he did never dream he would, yet beholds what, it would seem, ought to have occurred to him before—sees what is essential to life and yet gazes on it as being the very mystery of existence. It is precisely tins contradiction in his admiration which nurses desire to life, while this same admiration urges him ever nearer, so that he cannot desist from gazing, cannot desist from believing himself familiar with the sight, without really daring to approach, even though he cannot desist from desiring.

So the gods created her delicate and ethereal, almost as if she emerged from the mists of a summer night, yet beautiful like ripe fruit; light like a bird, but holding everything that attracts the world—light because the balance of forces is harmoniously centered in an unseen negative relationship; slender in form, with clear lines, yet her body is sinuous with lovely curves; perfect, yet always appearing as if just completed; cool, delicious, and refreshing like new-fallen snow, yet blushing with a shy transparency; happy like a little joke that makes one forget all their sorrows; soothing as the end of desire, and fulfilling in herself as the spark of desire. The gods figured that when a man first sees her, he would be amazed, like someone catching a glimpse of himself, familiar yet entirely in awe—he would stand astounded, as if seeing himself in a dazzling perfection—would be in wonder at what he never dreamed he would see, yet it seems like something he should have recognized before—experiences what is essential to life yet gazes at it as if it's the very mystery of existence. It’s this contradiction in his admiration that fuels desire to life, while this same admiration pulls him ever closer, so that he cannot stop gazing, cannot stop believing he knows this sight, without truly daring to approach, even though he cannot help but desire.

When the gods had thus planned her form they were seized with fear lest they might not have the wherewithal to give it existence; but what they feared even more was herself. For they dared not let her know how beautiful she was, apprehensive of having some one in the secret who might spoil their ruse. Then was the crowning touch given to their wondrous creation: they made her faultless; but they concealed all this from her in the nescience of her innocence, and concealed it doubly from her in the impenetrable mystery of her modesty. Now she was perfect, and victory certain. Inviting she had been before, but now doubly so through her shyness, and beseeching through her shrinking, and irresistible through herself offering resistance. The gods were jubilant. And no allurement has ever been devised in the world so great as is woman, and no allurement is as compelling as is innocence, and no temptation is as ensnaring as is modesty, and no deception is as matchless as is woman. She knows of nothing, still her modesty is instinctive divination. She is distinct from man, and the separating wall of modesty parting them is more decisive than Aladdin's sword separating him from Gulnare;[55] and yet, when like Pyramis he puts his head to this dividing wall of modesty, the erotic nature will perceive all pleasures of desire divined within as from afar.

When the gods had planned her appearance, they were struck with fear that they might not be able to give her life; but what worried them more was her. They didn’t want her to realize how beautiful she was, afraid that someone might spoil their secret. So, they added the final touch to their incredible creation: they made her perfect; yet, they kept this hidden from her in the ignorance of her innocence, and even more so in the deep mystery of her modesty. Now she was flawless, and victory was assured. She had been attractive before, but now her shyness made her even more so, and her sense of modesty made her both appealing and irresistibly alluring. The gods were thrilled. No temptation has ever been created in the world as strong as that of a woman, and no allure is as powerful as innocence, nor is any seduction as enchanting as modesty, nor any deception as unbeatable as a woman. She knows nothing, yet her modesty is an instinctive understanding. She is different from man, and the barrier of modesty separating them is stronger than Aladdin's sword that kept him apart from Gulnare;[55] and yet, when he, like Pyramis, leans against this wall of modesty, the nature of desire can sense all the pleasures of longing within, even from a distance.

Thus does woman tempt. Men are wont to set forth the most precious things they possess as a delectation for the gods, nothing less will do. Thus is woman a show-bread, the gods knew of naught comparable to her. She exists, she is present, she is with us, close by; and yet she is removed from us to an infinite distance when concealed in her modesty—until she herself betrays her hiding place, she knows not how: it is not she herself, it is life which informs on her. Roguish she is like a child who in playing peeps forth from his hiding place, yet her roguishness is inexplicable, for she does not know of it herself, she is ever mysterious—mysterious when she casts down her eyes, mysterious when she sends forth the messengers of her glance which no thought, let alone any word, is able to follow. And yet is the eye the "interpreter" of the soul! What, then, is the explanation of this mystery if the interpreter too is unintelligible? Calm she is like the hushed stillness of eventide, when not a leaf stirs; calm like a consciousness as yet unaware of aught. Her heart-beats are as regular as if life were not present; and yet the erotic nature, listening with his stethoscopically practiced ear, detects the dithyrambic pulsing of desire sounding along unbeknown. Careless she is like the blowing of the wind, content like the profound ocean, and yet full of longing like a thing biding its explanation. My friends! My mind is softened, indescribably softened. I comprehend that also my life expresses an idea, even if you do not comprehend me. I too have discovered the secret of existence; I too serve a divine idea—and, assuredly, I do not serve it for nothing. If woman is a ruse of the gods, this means that she is to be seduced; and if woman is not an "idea," the true inference is that the erotic nature wishes to love as many of them as possible.

Thus, woman entices. Men tend to offer their most treasured possessions as a treat for the gods; nothing less will satisfy. Woman is like a showbread; the gods knew of nothing comparable to her. She exists, she is present, she is here with us, close by; yet she feels infinitely distant when she hides behind her modesty—until she accidentally reveals her hiding place, without knowing how. It’s not her doing; it’s life that gives her away. She’s playful like a child who peeks out from a hiding spot, but her playfulness is hard to explain, as she is unaware of it; she remains always a mystery—mysterious when she lowers her gaze, mysterious when she sends forth glances that no thought or word can fully capture. And yet the eye is the "interpreter" of the soul! What, then, explains this mystery if the interpreter is also unintelligible? She is calm like the quiet of evening when not a leaf stirs; calm like a consciousness that is still unaware of anything. Her heartbeat is as steady as if life weren't present; yet, the erotic nature, listening with a trained ear, can sense the rhythmic pulse of desire hidden within. She is carefree like the wind, content like the deep ocean, yet filled with longing like something waiting to be understood. My friends! My heart is softened, indescribably softened. I realize that my life also expresses an idea, even if you don’t understand me. I too have discovered the secret of existence; I too serve a divine idea—and surely, I do not serve it for nothing. If woman is a ruse of the gods, it means she is meant to be seduced; and if woman is not an "idea," the true implication is that the erotic nature wants to love as many of them as he can.

What luxury it is to relish the ruse without being duped, only the erotic nature comprehends. And how blissful it is to be seduced, woman alone knows. I know that from woman, even though I never yet allowed any one of them time to explain it to me, but re-asserted my independence, serving the idea by a break as sudden as that caused by death; for a bride and a break are to one another like female and male.[56] Only woman is aware of this, and she is aware of it together with her seducer. No married man will ever grasp this. Nor does she ever speak with him about it. She resigns herself to her fate, she knows that it must be so and that she can be seduced only once. For this reason she never really bears malice against the man who seduced her. That is to say, if he really did seduce her and thus expressed the idea. Broken marriage vows and that kind of thing is, of course, nonsense and no seduction. Indeed, it is by no means so great a misfortune for a woman to be seduced. In fact, it is a piece of good fortune for her. An excellently seduced girl may make an excellent wife. If I myself were not fit to be a seducer—however deeply I feel my inferior qualifications in this respect—if I chose to be a married man, I should always choose a girl already seduced, so that I would not have to begin my marriage by seducing my wife. Marriage, to be sure, also expresses an idea; but in relation to the idea of marriage that quality is altogether immaterial which is the absolutely essential condition for my idea. Therefore, a marriage ought never to be planned to begin as though it were the beginning of a story of seduction. So much is sure: there is a seducer for every woman. Happy is she whose good fortune it is to meet just him.

What a luxury it is to enjoy the deception without being fooled; only the erotic nature understands this. And how blissful it is to be seduced; only a woman truly knows. I understand this from women, even though I’ve never let any of them take the time to explain it to me, instead reaffirming my independence, ending things as abruptly as death itself. A bride and a breakup are just like female and male. Only women know this, and they recognize it alongside their seducer. No married man will ever comprehend this, nor does she talk about it with him. She resigns herself to her fate, understanding that it must be this way and that she can only be seduced once. For this reason, she doesn’t really hold a grudge against the man who seduced her—assuming he truly did seduce her and thus conveyed the idea. Broken marriage vows and such are, of course, nonsense and not real seduction. In truth, it’s not such a disaster for a woman to be seduced; rather, it’s a stroke of good luck for her. A well-seduced girl can make an excellent wife. If I were not suited to be a seducer—though I clearly feel my shortcomings in that area—if I chose to be married, I would always pick a girl who had already been seduced, so I wouldn’t have to start my marriage by seducing my wife. Marriage, of course, also embodies an idea; however, in relation to the idea of marriage, that quality, which is essential for my idea, is completely irrelevant. Therefore, a marriage should never be initiated as if it’s the beginning of a seduction story. One thing is certain: there is a seducer for every woman. Lucky is she who finds him.

Through marriage, on the other hand, the gods win their victory. In it the once seduced maiden walks through life by the side of her husband, looking back at times, full of longing, resigned to her fate, until she reaches the goal of life. She dies; but not in the same sense as man dies. She is volatilized and resolved into that mysterious primal element of which the gods formed her—she disappears like a dream, like an impermanent shape whose hour is past. For what is woman but a dream, and the highest reality withal! Thus does the erotic nature comprehend her, leading her, and being led by her in the moment of seduction, beyond time—where she has her true existence, being an illusion. Through her husband, on the other hand, she becomes a creature of this world, and he through her.

Through marriage, however, the gods achieve their victory. In this union, the once-seduced maiden walks through life alongside her husband, occasionally looking back with longing and acceptance of her fate, until she reaches life's end. She dies, but not in the same way that a man does. She is transformed and returns to that mysterious primal element from which the gods created her—she vanishes like a dream, like a fleeting form whose time has come to an end. For what is a woman but a dream, and at the same time, the greatest reality! This is how her erotic nature encompasses her, guiding her while being guided by her in the moment of seduction, existing beyond time—where she truly exists, being an illusion. Through her husband, however, she becomes a creature of this world, and he becomes one through her.

Marvelous nature! If I did not admire thee, a woman would teach me; for truly she is the venerabile of life. Splendidly didst thou fashion her, but more splendidly still in that thou never didst fashion one woman like another. In man, the essential is the essential, and insofar always alike; but in woman the adventitious is the essential, and is thus an inexhaustible source of differences. Brief is her splendor; but quickly the pain is forgotten, too, when the same splendor is proffered me anew. It is true, I too am aware of the unbeautiful which may appear in her thereafter; but she is not thus with her seducer.

Wonderful nature! If I didn't admire you, a woman would teach me; because truly she is the essence of life. You created her beautifully, but even more wonderfully in that you never created two women the same. In men, the essential is always the same; but in women, the unique is essential, making for an endless variety of differences. Her beauty is fleeting; but the pain is soon forgotten when the same beauty is offered to me again. It's true, I also see the flaws that might later appear in her; but she doesn't see them with her seducer.

They rose from the table. It needed but a hint from Constantin, for the participants understood each other with military precision whenever there was a question of face or turn about. With his invisible baton of command, elastic like a divining rod in his hand, Constantin once more touched them in order to call forth in them a fleeting reminiscence of the banquet and the spirit of enjoyment which had prevailed before but was now, in some measure, submerged through the intellectual effort of the speeches—in order that the note of glad festivity which had disappeared might, by way of resonance, return once more among the guests in a brief moment of recollection. He saluted with his full glass as a signal of parting, emptying it, and then flinging it against the door in the rear wall. The others followed his example, consummating this symbolic action with all the solemnity of adepts. Justice was thus done the pleasure of stopping short—that royal pleasure which, though briefer, yet is more liberating than any other pleasure. With a libation this pleasure ought to be entered upon, with the libation of flinging one's glass into destruction and oblivion, and tearing one's self passionately away from every memory, as if it were a danger to one's life: this libation is to the gods of the nether world. One breaks off, and strength is needed to do that, greater strength than to sever a knot by a sword-blow; for the difficulty of the knot tends to arouse one's passion, but the passion required for breaking off must be of one's own making. In a superficial sense the result is, of course, the same; but from an artistic point of view there is a world of difference between something ceasing or simply coming to an end, and it being broken off by one's own free will—whether it is a mere occurrence or a passionate decision; whether it is all over, like a school song, because there is no more to it, or whether it is terminated by the Cæsarian operation of one's own pleasure; whether it is a triviality every one has experienced, or the secret which escapes most.

They got up from the table. A simple nod from Constantin was all it took, as everyone picked up on each other’s cues with military precision whenever it came to the events happening around them. With an invisible conductor's baton, flexible like a divining rod in his hand, Constantin once again prompted them to recall the fleeting memories of the banquet and the joyful atmosphere that had been present earlier but now was somewhat subdued by the intellectual effort of the speeches. His goal was to reignite the note of festive joy that had faded, even if just for a moment, in a quick recollection among the guests. He raised his full glass as a signal to wrap things up, drinking it all and then throwing it against the door in the back wall. The others followed suit, completing this symbolic gesture with the seriousness of seasoned veterans. They honored the pleasure of stopping short—this royal joy that, though brief, is more liberating than any other joy. This pleasure should begin with a libation—by flinging one’s glass into ruins and letting go of all memories, as if they were a threat to one's life: this libation is for the gods of the underworld. To break away takes strength, more than what’s needed to cut a knot with a sword; because the difficulty of the knot can ignite one’s passion, but the passion required to truly let go must come from within. On the surface, the outcome seems the same; yet from an artistic perspective, there’s a huge difference between something just stopping or ending, and choosing to break it off willingly—whether it’s a simple event or a passionate decision; whether it’s over, like a school song, simply because there’s nothing left to say, or whether it’s ended through one’s own deliberate pleasure; whether it’s a common experience or a revelation that most miss.

Constantin's flinging his beaker against the door was intended merely as a symbolic rite; nevertheless, his so doing was, in a way, a decisive act; for when the last glass was shattered the door opened, and just as he who presumptuously knocked at Death's door and, on its opening, beheld the powers of annihilation, so the banqueters beheld the corps of destruction ready to demolish everything—a memento which in an instant put them to flight from that place, while at the very same moment the entire surroundings had been reduced to the semblance of ruin.

Constantin threw his beaker against the door as a symbolic gesture; however, it turned out to be a significant act. When the last glass shattered, the door opened, revealing the forces of destruction, much like someone who boldly knocks on Death's door only to face annihilation. The guests saw the impending doom ready to wipe everything out—a reminder that instantly sent them fleeing from the scene, while at that same moment, the entire environment looked like a wreck.

A carriage stood ready at the door. At Constantin's invitation they seated themselves in it and drove away in good spirits; for that tableau of destruction which they left behind had given their souls fresh elasticity. After having covered a distance of several miles a halt was made. Here Constantin took his leave as host, informing them that five carriages were at their disposal—each one was free to suit his own pleasure and drive wherever he wanted, whether alone or in company with whomsoever he pleased. Thus a rocket, propelled by the force of the powder, ascends at a single shot, remains collected for an instant, in order then to spread out to all the winds.

A carriage was ready at the door. At Constantin's invitation, they got in and drove away in high spirits because the scene of destruction they left behind had given them a boost of energy. After traveling a few miles, they stopped. Here, Constantin said goodbye as the host, letting them know that there were five carriages available to them—each could choose to go wherever they wanted, either alone or with whoever they liked. Just like a rocket, shot up by gunpowder, rises in a single burst, pauses for a moment, and then spreads out to the winds.

While the horses were being hitched to the carriages the nocturnal banqueters strolled a little way down the road. The fresh air of the morning purified their hot blood with its coolness, and they gave themselves up to it entirely. Their forms, and the groups in which they ranged themselves, made a fantastic impression on me. For when the morning sun shines on field and meadow, and on every creature which in the night found rest and strength to rise up jubilating with the sun—in this there is only a pleasing, mutual understanding; but a nightly company, viewed by the morning light and in smiling surroundings, makes a downright uncanny impression. It makes one think of spooks which have been surprised by daylight, of subterranean spirits which are unable to regain the crevice through which they may vanish, because it is visible only in the dark; of unhappy creatures in whom the difference between day and night has become obliterated through the monotony of their sufferings.

While the horses were being hitched to the carriages, the late-night revelers strolled a little way down the road. The morning's fresh air cooled their heated blood, and they fully embraced it. Their shapes and the groups they formed left a striking impression on me. When the morning sun shines on fields and meadows, and on every creature that found rest during the night and rises joyfully with the sun, there is a lovely, shared understanding. But a nighttime gathering, seen in the morning light and surrounded by brightness, creates a truly eerie impression. It evokes thoughts of spirits caught off guard by daylight, of underground beings unable to find the hidden passage they can only access in the dark, and of unfortunate souls for whom the line between day and night has blurred due to the endlessness of their suffering.

A foot path led them through a small patch of field toward a garden surrounded by a hedge, from behind whose concealment a modest summer-cottage peeped forth. At the end of the garden, toward the field, there was an arbor formed by trees. Becoming aware of people being in the arbor, they all grew curious, and with the spying glances of men bent on observation, the besiegers closed in about that pleasant place of concealment, hiding themselves, and as eager as emissaries of the police about to take some one by surprise. Like emissaries of the police—well, to be sure, their appearance made the misunderstanding possible that it was they whom the minions of the law might be looking for. Each one had occupied a point of vantage for peeping in, when Victor drew back a step and said to his neighbor, "Why, dear me, if that is not Judge William and his wife!"

A footpath led them through a small patch of field toward a garden surrounded by a hedge, behind which a modest summer cottage peeked out. At the end of the garden, facing the field, there was a trellis made of trees. Noticing people in the trellis, they all became curious, and with the cautious glances of those intent on observing, the onlookers gathered around that cozy spot, hiding themselves, as eager as police officers ready to catch someone off guard. Like police officers—certainly, their appearance could lead to the misunderstanding that they were the ones being sought by the law. Each one had taken a position to get a better view when Victor stepped back and said to his neighbor, "Well, would you look at that, if that isn’t Judge William and his wife!"

They were surprised—not the two whom the foliage concealed and who were all too deeply concerned with their domestic enjoyment to be observers. They felt themselves too secure to believe themselves an object of any one's observation excepting the morning sun's which took pleasure in looking in to them, whilst a gentle zephyr moved the boughs above them, and the repose-fulness of the countryside, as well as all things around them girded the little arbor about with peace. The happy married couple was not surprised and noticed nothing. That they were a married couple was clear enough; one could perceive that at a glance—alas! if one is something of an observer one's self. Even if nothing in the wide world, nothing, whether overtly or covertly, if nothing, I say, threatens to interfere with the happiness of lovers, yet they are not thus secure when sitting together. They are in a state of bliss; and yet it is as if there were some power bent on separating them, so firmly they clasp one another; and yet it is as if there were some enemy present against whom they must defend themselves; and yet it is as if they could never become sufficiently reassured. Not thus married people, and not thus that married couple in the arbor. How long they had been married, however, that was not to be determined with certainty. To be sure, the wife's activity at the tea-table revealed a sureness of hand born of practice, but at the same time such almost childlike interest in her occupation as if she were a newly married woman and in that middle condition when she is not, as yet, sure whether marriage is fun or earnest, whether being a housewife is a calling, or a game, or a pastime. Perhaps she had been married for some longer time but did not generally preside at the tea-table, or perhaps did so only out here in the country, or did it perhaps only that morning which, possibly, had a special significance for them. Who could tell? All calculation is frustrated to a certain degree by the fact that every personality exhibits some originality which keeps time from leaving its marks. When the sun shines in all his summer glory one thinks straightway that there must be some festal occasion at hand—that it cannot be so for every-day use, or that it is the first time, or at least one of the first times; for surely, one thinks, it cannot be repeated for any length of time. Thus would think he who saw it but once, or saw it for the first time; and I saw the wife of the justice for the first time. He who sees the object in question every day may think differently; provided he sees the same thing. But let the judge decide about that!

They were surprised—not the two hidden by the foliage, who were too wrapped up in their private enjoyment to notice anything. They felt so safe that they didn’t believe anyone could be watching them, except for the morning sun, which took pleasure in peeking at them while a gentle breeze swayed the branches above. The tranquility of the countryside, along with everything around them, surrounded the little arbor with peace. The happy couple didn’t feel surprised and noticed nothing. It was obvious they were married; anyone who observed closely could see that—if one had a bit of a watchful eye. Even if nothing in the world, nothing at all, openly or secretly threatened the happiness of lovers, they still wouldn’t feel completely secure sitting together. They were in a blissful state, yet it seemed like there was some force trying to pull them apart, so tightly they held each other; it felt like an enemy was lurking, against whom they must defend themselves; and still, they could never become fully reassured. But not married people like that—certainly not this married couple in the arbor. How long they had been married, however, was hard to say. Of course, the wife’s deftness at the tea table showed a practiced hand, but she also had an almost childlike enthusiasm for what she was doing, as if she were a newlywed unsure whether marriage is fun or serious, whether being a housewife is a job, a game, or just a pastime. Maybe she had been married for a while but didn’t usually run the tea table, or perhaps she only did it here in the countryside, or maybe just that morning, which could have been special for them. Who could tell? All calculations are somewhat disrupted by the fact that every person has a uniqueness that prevents time from marking them. When the sun shines in full summer glory, one immediately thinks there must be some festive occasion—it couldn’t possibly be for everyday use, or it must be the first time, or at least one of the first times; surely it couldn’t be repeated often. This is how someone would think if they saw it just once or for the first time; and I saw the judge's wife for the first time. Someone who sees that scene every day might think differently—provided they see the same thing. But let the judge decide on that!

As I remarked, our amiable housewife was occupied. She poured boiling water into the cups, probably to warm them, emptied them again, set a cup on a platter, poured the tea and served it with sugar and cream—now all was ready; was it fun or earnest? In case a person did not relish tea at other times—he should have sat in the judge's place; for just then that drink seemed most inviting to me, only the inviting air of the lovely woman herself seemed to me more inviting.

As I mentioned, our friendly housewife was busy. She poured boiling water into the cups, probably to warm them, then emptied them again, set a cup on a platter, poured the tea, and served it with sugar and cream—now everything was ready; was it just for fun or serious? If someone didn't enjoy tea at other times—they should have been in the judge's seat; because at that moment, the drink looked especially tempting to me, but the warm presence of the lovely woman herself seemed even more appealing.

It appeared that she had not had time to speak until then. Now she broke the silence and said, while serving him his tea: "Quick, now, dear, and drink while it is hot, the morning air is quite cool, anyway; and surely the least I can do for you is to be a little careful of you. The least?" the judge answered laconically. "Yes, or the most, or the only thing." The judge looked at her inquiringly, and whilst he was helping himself she continued: "You interrupted me yesterday when I wished to broach the subject, but I have thought about it again; many times I have thought about it, and now particularly, you know yourself in reference to whom: it is certainly true that if you hadn't married, you would have been far more successful in your career." With his cup still on the platter the judge sipped a first mouthful with visible enjoyment, thoroughly refreshed; or was it perchance the joy over his lovely wife; I for my part believe it was the latter. She, however, seemed only to be glad that it tasted so good to him. Then he put down his cup on the table at his side, took out a cigar, and said: "May I light it at your chafing-dish"? "Certainly," she said, and handed him a live coal on a tea-spoon. He lit his cigar and put his arm about her waist whilst she leaned against his shoulder. He turned his head the other way to blow out the smoke, and then he let his eyes rest on her with a devotion such as only a glance can reveal; yet he smiled, but this glad smile had in it a dash of sad irony. Finally he said: "Do you really believe so, my girl? What do you mean?" she answered. He was silent again, his smile gained the upper hand, but his voice remained quite serious, nevertheless. "Then I pardon you your previous folly, seeing that you yourself have forgotten it so quickly; thou speakest as one of the foolish women speaketh[57]—what great career should I have had?" His wife seemed embarrassed for a moment by this return, but collected her wits quickly and now explained her meaning with womanly eloquence. The judge looked down before him, without interrupting her; but as she continued he began to drum on the table with the fingers of his right hand, at the same time humming a tune. The words of the song were audible for a moment, just as the pattern of a texture now becomes visible, now disappears again; and then again they were heard no longer as he hummed the tune of the song: "The goodman he went to the forest, to cut the wands so white." After this melodramatic performance, consisting in the justice's wife explaining herself whilst he hummed his tune, the dialogue set in again. "I am thinking," he remarked, "I am thinking you are ignorant of the fact that the Danish Law permits a man to castigate his wife[58]—a pity only that the law does not indicate on which occasions it is permitted." His wife smiled at his threat and continued: "Now why can I never get you to be serious when I touch on this matter? You do not understand me: believe me, I mean it sincerely, it seems to me a very beautiful thought. Of course, if you weren't my husband I would not dare to entertain it; but now I have done so, for your sake and for my sake; and now be nice and serious, for my sake, and answer me frankly." "No, you can't get me to be serious, and a serious answer you won't get; I must either laugh at you, or make you forget it, as before, or beat you; or else you must stop talking about it, or I shall have to make you keep silent about it some other way. You see, it is a joke, and that is why there are so many ways out." He arose, pressed a kiss on her brow, laid her arm in his, and then disappeared in a leafy walk which led from the arbor.

It seemed she hadn’t found the time to speak until now. Breaking the silence while pouring him tea, she said, “Hurry and drink while it’s hot; the morning air is pretty cool anyway. And really, the least I can do is take care of you.” “The least?” the judge replied dryly. “Yes, or the most, or the only thing.” The judge looked at her curiously, and as he served himself, she continued, “You interrupted me yesterday when I wanted to bring this up, but I’ve thought about it a lot since then, especially regarding someone you know: it’s true that if you hadn’t married, you would have had a much more successful career.” With his cup still on the plate, the judge took a sip and visibly enjoyed it, feeling refreshed; or maybe it was because of his lovely wife—personally, I think it was the latter. She, however, was just happy that he liked the taste. He then set his cup down, took out a cigar, and asked, “Can I light this at your chafing dish?” “Of course,” she replied, handing him a live coal on a teaspoon. He lit his cigar and put his arm around her waist while she leaned against him. He turned his head to the side to blow the smoke away, resting his eyes on her with a level of devotion that only a glance can show; he smiled, but there was a hint of sad irony in that joyful smile. Finally, he asked, “Do you really believe that, my girl? What do you mean?” she replied. He fell silent again, his smile becoming more prominent, yet his voice stayed quite serious. “Then I forgive you your former silliness since you’ve forgotten it so quickly; you talk like one of those foolish women—what grand career would I have had?” His wife seemed a bit flustered by his comeback but quickly gathered her thoughts and explained her point with feminine eloquence. The judge looked down, not interrupting her; but as she went on, he started drumming his fingers on the table while humming a tune. The lyrics of the song were briefly audible, like a pattern appearing and disappearing, and then they faded away again as he hummed, “The goodman went to the forest to cut the white wands.” After this melodramatic display, where the judge’s wife spoke while he hummed, they returned to dialogue. “I’m thinking,” he remarked, “I think you don’t realize that Danish law allows a man to chastise his wife—a shame it doesn’t specify when it’s permitted.” His wife smiled at his threat and continued, “Why can’t I ever get you to take this seriously when I bring it up? You don’t understand me: believe me, I’m sincere; it seems like a really beautiful thought. Of course, if you weren’t my husband, I wouldn’t dare think this way; but now I have, for both of our sakes; so please, be nice and serious for once, and answer me honestly.” “No, you can’t get me to be serious, and you won’t get a serious answer; I can either laugh at you, make you forget it like before, or hit you; or you can stop talking about it, or I’ll have to find another way to silence you. You see, it’s a joke, and that’s why there are so many ways out of it.” He stood up, kissed her forehead, linked her arm in his, and then walked away down a leafy path leading from the arbor.

The arbor was empty; there was nothing else to do, so the hostile corps of occupation withdrew without making any gains. Still, the others were content with uttering some malicious remarks. The company returned but missed Victor. He had rounded the corner and, in walking along the garden, had come up to the country home. The doors of a garden-room facing the lawn were open, and likewise a window. Very probably he had seen something which attracted his attention. He leapt into the window, and leapt out again just as the party were approaching, for they had been looking for him. Triumphantly he held up some papers in his hand and exclaimed: "One of the judge's manuscripts![59] Seeing that I edited his other works it is no more than my duty that I should edit this one too." He put it into his pocket; or, rather, he was about to do so; for as he was bending his arm and already had his hand with the manuscript half-way down in his pocket I managed to steal it from him.

The arbor was empty; there was nothing else to do, so the opposing forces pulled back without making any progress. Still, the others were satisfied with making some nasty comments. The group returned but noticed Victor was missing. He had turned the corner and, while walking through the garden, arrived at the country house. The doors of a garden room facing the lawn were open, and so was a window. He probably saw something that caught his eye. He jumped into the window and leaped out again just as the group was getting closer, as they had been searching for him. Holding up some papers triumphantly, he exclaimed, "One of the judge's manuscripts![59] Since I edited his other works, it's only right that I edit this one too." He was about to put it in his pocket; as he bent his arm and his hand was halfway down to his pocket with the manuscript, I managed to snatch it from him.

But who, then, am I? Let no one ask! If it hasn't occurred to you before to ask about it I am over the difficulty; for now the worst is behind me. For that matter, I am not worth asking about, for I am the least of all things, people would put me in utter confusion by asking about me. I am pure existence, and therefore smaller, almost, than nothing. I am "pure existence" which is present everywhere but still is never noticed; for I am ever vanishing. I am like the line above which stands the summa summarum—who cares about the line? By my own strength I can accomplish nothing, for even the idea to steal the manuscript from Victor was not my own idea; for this very idea which, as a thief would say, induced me to "borrow" the manuscript, was borrowed from him. And now, when editing this manuscript, I am, again, nothing at all; for it rightly belongs to the judge. And as editor, I am in my nothingness only a kind of nemesis on Victor, who imagined that he had the prescriptive right to do so.

But who am I, really? Let’s not even go there! If you never thought to ask, then I’m off the hook; the hardest part is already behind me. Honestly, I'm not worth the inquiry because I’m the least significant of all things. People would just confuse me even more by asking about me. I am pure existence, which makes me feel almost smaller than nothing. I embody "pure existence" that’s everywhere yet goes unnoticed; I’m constantly fading away. I’m like the line above which summarizes everything—who cares about the line? On my own, I can’t achieve anything; even the thought of stealing the manuscript from Victor wasn’t my own idea. The very thought that, as a thief might say, led me to "borrow" the manuscript was his idea. And now, while editing this manuscript, I’m once again nothing at all; it rightfully belongs to the judge. As an editor, I’m merely a kind of nemesis to Victor, who mistakenly thought he had the right to do this.


[1]Cf. Luke XIV, 19-20.

[1]See. Luke XIV, 19-20.

[2]Words used in the banns.

Words used in the announcement.

[3]Which in Latin means both "from the temple" and "at once."

[3]Which in Latin means both "from the temple" and "at once."

[4]The omission of the negative particle in the original is no doubt unintentional.

[4]The absence of the negative particle in the original is likely unintentional.

[5]Pious wish.

__A_TAG_PLACEHOLDER_0__Good intentions.

[6]Kings 20, 1; Isaiah 38, 1.

[6]Kings 20, 1; Isaiah 38, 1.

[7]An allusion to the plight of Aristophanes in Plato's Symposion.

[7]A reference to the struggles of Aristophanes in Plato's Symposium.

[8]Haggai 1, 6 (inexact).

Haggai 1:6 (approximate).

[9]May it be fortunate and favorable.

[9]Wishing it to be lucky and beneficial.

[10]Symposion, ch. 9.

[10]Symposium, ch. 9.

[11]This ironic sally refers, not to Descartes' principle of skepsis, but to the numerous Danish followers of Hegel and his "method"; cf. Fear and Trembling.

[11]This ironic remark is not about Descartes' idea of skepticism, but about the many Danish supporters of Hegel and his "method"; cf. Fear and Trembling.

[12]Symposion, ch. 24.

[12]Symposion, ch. 24.

[13]Ibid., ch. 15-16.

[13]Same source, ch. 15-16.

[14]Cf. Matthew 13, 31 etc.

[14]See Matthew 13, 31 etc.

[15]A quotation from Musæus, Volksmärchen der Deutschen, III, 219.

[15]A quote from Musæus, Volksmärchen der Deutschen, III, 219.

[16]The reference is to a situation in Richard Cumberland's (1732-1811) play of "The Jew," known to Copenhagen playgoers in an adaptation.

[16]The reference is to a situation in Richard Cumberland's (1732-1811) play "The Jew," which Copenhagen audiences know through an adaptation.

[17]I relate what I have been told.

[17]I'm sharing what I've been told.

[18]A character in the Danish playwright Overskou's vaudeville of "Capriciosa" (Comedies III, 184).

[18]A character in the Danish playwright Overskou's vaudeville "Capriciosa" (Comedies III, 184).

[19]The glutton in Oehlenschlœger's vaudeville of "Sovedrikken."

[19]The glutton in Oehlenschläger's play "Sovedrikken."

[20]Supplied by the translator to complete the sense.

[20]Provided by the translator for clarity.

[21]Dejection. Cf. the maxim: omne animal post coïtun triste.

[21]Feeling down. See the saying: every animal is sad after mating.

[22]This statement is to be found, rather, in Aristotle's Ethics II, 6.

[22]This statement can be found in Aristotle's Ethics II, 6.

[23]There is a pun here in the original.

[23]There’s a play on words here in the original.

[24]In Holberg's comedy of "Erasmus Montanus," III, 6.

[24]In Holberg's comedy "Erasmus Montanus," III, 6.

[25]Cf. "The Banquet."

[25]See also "The Banquet."

[26]Eccles, 3, 7.

__A_TAG_PLACEHOLDER_0__Ecclesiastes 3:7.

[27]Comical power.

Funny power.

[28]In uncertain battle.

In a doubtful battle.

[29]According to the development of these terms in Kierkegaard's previous works, the "absolute" belongs to the ethic, the "relative" to the æsthetic sphere.

[29]Based on how these concepts have evolved in Kierkegaard's earlier writings, the "absolute" is associated with ethics, while the "relative" pertains to the aesthetic realm.

[30]Heroine of Mozart's "Don Juan."

Heroine of Mozart's "Don Giovanni."

[31]Quotation from Wessel's famous comedy of "Love without Stockings," III, 3.

[31]Quotation from Wessel's famous comedy "Love without Stockings," Act III, Scene 3.

[32]Viz besides the eggs she duly furnishes; Holberg, "The Busy-body," II, 1.

[32]For example, in addition to the eggs she provides; Holberg, "The Busy-body," II, 1.

[33]This figure is said by Diogenes Lærtios II, 37 to have been used by Socrates himself about his relation to Xanthippe.

[33]Diogenes Lærtios II, 37 claims that Socrates himself used this figure to describe his relationship with Xanthippe.

[34]The following sentences are not as clear in meaning as is otherwise the case in Kierkegaard.

[34]The following sentences are not as clear in meaning as they usually are in Kierkegaard.

[35]Poetics, chap. 15.

__A_TAG_PLACEHOLDER_0__Poetics, chapter 15.

[36]Cf. "The Banquet"

[36]See. "The Banquet"

[37]They are, that he had been created a man and not an animal, a man and not a woman, a Greek and not a Barbarian (Lactantius, Instit. Ill, 19, 17).

[37]They are, that he was created as a man and not an animal, as a man and not a woman, as a Greek and not a Barbarian (Lactantius, Instit. Ill, 19, 17).

[38]Thales of Miletos (Diogenes Lærtios I, 33).

[38]Thales of Miletus (Diogenes Laertius I, 33).

[39]German poet of the Romantic School (1773-1853).

[39]German poet of the Romantic era (1773-1853).

[40]Reasoning against the rules of logic.

[40]Reasoning against the rules of logic.

[41]"The Lying-in Room", II, 2.

__A_TAG_PLACEHOLDER_0__"The Lying-in Room", II, 2.

[42]A quotation from Oehlenschläager's "Aladdin."

A quote from Oehlenschläager's "Aladdin."

[43]Scattered members.

Scattered members.

[44]See Diogenes Lærtios, VI, 37.

__A_TAG_PLACEHOLDER_0__See Diogenes Laertius, VI, 37.

[45]By the immortal gods.

By the everlasting gods.

[46]I adjure you by the gods.

[46]I urge you by the gods.

[47]Therefore those tears.

__A_TAG_PLACEHOLDER_0__So those tears.

[48]I concede.

I give in.

[49]It can hardly be seen, it is but for lips which understand each ether exactly.

[49]It’s almost invisible; it’s only for those who truly understand each subtle nuance.

[50]Christiansfeld, a town in South Jutland, was the seat of a colony of Herrhutian Pietists.

[50]Christiansfeld, a town in South Jutland, was home to a colony of Herrnhut Pietists.

[51]The reference is to the "Diary of the Seducer" (in "Either-Or," part I). Edward is the scorned lover of Cordelia who is seduced by John.

[51]This refers to the "Diary of the Seducer" (in "Either-Or," part I). Edward is the rejected lover of Cordelia, who gets seduced by John.

[52]I concede. I have conceded.

I admit it. I've admitted.

[53]Reference to a comedy by Farquhar, which enjoyed a moderate popularity in Copenhagen.

[53]Mention of a comedy by Farquhar that had a fair amount of popularity in Copenhagen.

[54]i.e., evidently, she docs not exist because of herself; hence she is in a "negative" relation to herself. The center of this relation is "what attracts all the world."

[54]i.e., clearly, she doesn't exist on her own; therefore, she is in a "negative" relationship with herself. The focal point of this relationship is "what draws everyone in."

[55]In Oehlenschläger's "Aladdin."

In Oehlenschläger's "Aladdin."

[56]In the Danish, a pun on the homonyms en brud and et brud.

[56]In Danish, a play on the homonyms en brud and et brud.

[57]Job 2, 10.

__A_TAG_PLACEHOLDER_0__Job 2:10.

[58]According to the Jutland Laws (A. D. 1241) a man is permitted to punish his wife, when she has misbehaved, with stick and with rod, but not with weapon. In the Danish Law (1683) this right is restricted to children and servants. S. V.

[58]According to the Jutland Laws (A.D. 1241), a man is allowed to discipline his wife with a stick or a rod if she misbehaves, but he cannot use a weapon. In the Danish Law (1683), this right is limited to children and servants. S. V.

[59]Containing the second part of "Stages on Life's Road," entitled "Reflections on Marriage in Refutation of Objections."

[59]This is the second part of "Stages on Life's Road," titled "Thoughts on Marriage Addressing Common Objections."


FEAR AND TREMBLING

INTRODUCTION II

Not only in the world of commerce but also in the world of ideas our age has arranged a regular clearance-sale. Everything may be had at such absurdly low prices that very soon the question will arise whether any one cares to bid. Every waiter with a speculative turn who carefully marks the significant progress of modern philosophy, every lecturer in philosophy, every tutor, student, every sticker-and-quitter of philosophy—they are not content with doubting everything, but "go right on." It might, possibly, be ill-timed and inopportune to ask them whither they are bound; but it is no doubt polite and modest to take it for granted that they have doubted everything—else it were a curious statement for them to make, that they were proceeding onward. So they have, all of them, completed that preliminary operation and, it would seem, with such ease that they do not think it necessary to waste a word about how they did it. The fact is, not even he who looked anxiously and with a troubled spirit for some little point of information, ever found one, nor any instruction, nor even any little dietetic prescription, as to how one is to accomplish this enormous task. "But did not Descartes proceed in this fashion?" Descartes, indeed! that venerable, humble, honest thinker whose writings surely no one can read without deep emotion—Descartes did what he said, and said what he did. Alas, alas! that is a mighty rare thing in our times! But Descartes, as he says frequently enough, never uttered doubts concerning his faith....

Not only in the business world but also in the realm of ideas, our time has set up a major clearance sale. Everything is available at such ridiculously low prices that soon the question will come up whether anyone even cares to participate. Every waiter with an interest in modern philosophy, every philosophy lecturer, every tutor, student, and philosophy enthusiast—they’re not satisfied with just questioning everything, but they "keep going." It might be poorly timed and inappropriate to ask them where they’re heading; however, it’s probably polite and humble to assume they’ve already questioned everything—otherwise, it would be strange for them to claim they’re moving forward. So, they’ve all completed that initial step, and apparently, with such ease that they don’t feel the need to explain how they did it. The truth is, not even someone who looked hard and anxiously for a small piece of information ever found one, nor any guidance, nor even a simple rule about how to tackle this massive undertaking. "But didn’t Descartes do it this way?" Yes, Descartes! That esteemed, humble, honest thinker whose work no one can read without deep feelings—Descartes did what he claimed and claimed what he did. Unfortunately, that’s a rare occurrence in our times! But Descartes, as he often states, never expressed doubts about his faith....

In our times, as was remarked, no one is content with faith, but "goes right on." The question as to whither they are proceeding may be a silly question; whereas it is a sign of urbanity and culture to assume that every one has faith, to begin with, for else it were a curious statement for them to make, that they are proceeding further. In the olden days it was different. Then, faith was a task for a whole life-time because it was held that proficiency in faith was not to be won within a few days or weeks. Hence, when the tried patriarch felt his end approaching, after having fought his battles and preserved his faith, he was still young enough at heart not to have forgotten the fear and trembling which disciplined his youth and which the mature man has under control, but which no one entirely outgrows—except insofar as he succeeds in "going on" as early as possible. The goal which those venerable men reached at last—at that spot every one starts, in our times, in order to "proceed further."...

In our times, as has been said, no one is satisfied with faith, but just “keeps moving on.” Asking where they’re headed might seem like a silly question; still, it reflects sophistication and culture to assume that everyone has faith to begin with. Otherwise, it would be odd for them to claim they are moving forward. In the past, things were different. Back then, faith was a lifelong endeavor because it was believed that mastering faith couldn't be achieved in just a few days or weeks. So, when the seasoned patriarch sensed his end approaching, after fighting his battles and maintaining his faith, he still had the spirit of youth, remembering the fear and trembling that shaped his younger years and which a mature man can manage, but no one completely outgrows—except to the extent that they succeed in “moving on” as soon as possible. The goal those wise men eventually reached is where everyone starts in our times in order to “move further.”

PREPARATION

There lived a man who, when a child, had heard the beautiful Bible story of how God tempted Abraham and how he stood the test, how he maintained his faith and, against his expectations, received his son back again. As this man grew older he read this same story with ever greater admiration; for now life had separated what had been united in the reverent simplicity of the child. And the older he grew, the more frequently his thoughts reverted to that story. His enthusiasm waxed stronger and stronger, and yet the story grew less and less clear to him. Finally he forgot everything else in thinking about it, and his soul contained but one wish, which was, to behold Abraham: and but one longing, which was, to have been witness to that event. His desire was, not to see the beautiful lands of the Orient, and not the splendor of the Promised Land, and not the reverent couple whose old age the Lord had blessed with children, and not the venerable figure of the aged patriarch, and not the god-given vigorous youth of Isaac—it would have been the same to him if the event had come to pass on some barren heath. But his wish was, to have been with Abraham on the three days' journey, when he rode with sorrow before him and with Isaac at his side. His wish was, to have been present at the moment when Abraham lifted up his eyes and saw Mount Moriah afar off; to have been present at the moment when he left his asses behind and wended his way up to the mountain alone with Isaac. For the mind of this man was busy, not with the delicate conceits of the imagination, but rather with his shuddering thought.

There was a man who, as a child, heard the beautiful Bible story about how God tested Abraham and how he passed the test, maintaining his faith and, unexpectedly, getting his son back. As he grew older, he read this same story with even more admiration; for now life had separated what had once been simply understood by a child. The older he got, the more often his thoughts returned to that story. His enthusiasm grew stronger and stronger, yet the story became less and less clear to him. Eventually, he forgot everything else while thinking about it, and his soul had just one wish: to see Abraham. His only longing was to have witnessed that event. He didn't care to see the beautiful lands of the East, the splendor of the Promised Land, the blessed couple enjoying their old age with children, the wise old patriarch, or the vigorous youth of Isaac—it wouldn't have made a difference to him if the event had taken place on some barren stretch of land. His wish was to have journeyed with Abraham during those three days, feeling the sorrow before him with Isaac by his side. He wished to be present when Abraham lifted his eyes and saw Mount Moriah in the distance; to be there when he left his donkeys behind and walked up the mountain alone with Isaac. Because this man's thoughts were focused not on fanciful imagination but on his deep, trembling contemplation.

The man we speak of was no thinker, he felt no desire to go beyond his faith: it seemed to him the most glorious fate to be remembered as the Father of Faith, and a most enviable lot to be possessed of that faith, even if no one knew it.

The man we’re talking about wasn’t much of a thinker; he had no interest in going beyond his faith. It seemed to him the most glorious outcome to be remembered as the Father of Faith, and he thought it was a really enviable position to have that faith, even if nobody else knew about it.

The man we speak of was no learned exegetist, he did not even understand Hebrew—who knows but a knowledge of Hebrew might have helped him to understand readily both the story and Abraham.

The man we're talking about wasn’t a knowledgeable interpreter; he didn’t even understand Hebrew—who knows, maybe knowing Hebrew could have helped him easily grasp both the story and Abraham.

I

And God tempted Abraham and said unto him: take Isaac, thine only son, whom thou lovest and go to the land Moriah and sacrifice him there on a mountain which I shall show thee.[1]

And God tested Abraham and said to him: take Isaac, your only son, whom you love, and go to the land of Moriah and sacrifice him there on a mountain that I will show you.[1]

It was in the early morning, Abraham arose betimes and had his asses saddled. He departed from his tent, and Isaac with him; but Sarah looked out of the window after them until they were out of sight. Silently they rode for three days; but on the fourth morning Abraham said not a word but lifted up his eyes and beheld Mount Moriah in the distance. He left his servants behind and, leading Isaac by the hand, he approached the mountain. But Abraham said to himself: "I shall surely conceal from Isaac whither he is going." He stood still, he laid his hand on Isaac's head to bless him, and Isaac bowed down to receive his blessing. And Abraham's aspect was fatherly, his glance was mild, his speech admonishing. But Isaac understood him not, his soul would not rise to him; he embraced Abraham's knees, he besought him at his feet, he begged for his young life, for his beautiful hopes, he recalled the joy in Abraham's house when he was born, he reminded him of the sorrow and the loneliness that would be after him. Then did Abraham raise up the youth and lead him by his hand, and his words were full of consolation and admonishment. But Isaac understood him not. He ascended Mount Moriah, but Isaac understood him not. Then Abraham averted his face for a moment; but when Isaac looked again, his father's countenance was changed, his glance wild, his aspect terrible, he seized Isaac and threw him to the ground and said: "Thou foolish lad, believest thou I am thy father? An idol-worshipper am I. Believest thou it is God's command? Nay, but my pleasure." Then Isaac trembled and cried out in his fear: "God in heaven, have pity on me, God of Abraham, show mercy to me, I have no father on earth, be thou then my father!" But Abraham said softly to himself: "Father in heaven, I thank thee. Better is it that he believes me inhuman than that he should lose his faith in thee."

It was early morning when Abraham got up and had his donkeys saddled. He left his tent, with Isaac by his side; but Sarah watched from the window until they were out of sight. They rode silently for three days, but on the fourth morning, Abraham didn't say a word. He lifted his eyes and saw Mount Moriah in the distance. He left his servants behind and, taking Isaac by the hand, he walked toward the mountain. Abraham thought to himself, "I will definitely keep from Isaac where we are going." He stopped, placed his hand on Isaac's head to bless him, and Isaac bent down to receive the blessing. Abraham's face looked fatherly, his gaze was gentle, and his words were filled with guidance. But Isaac didn’t understand; he couldn't connect with him. He hugged Abraham's knees and begged at his feet, pleading for his young life, his bright future, reminding him of the joy in Abraham's home when he was born, and the sorrow and loneliness that would follow him. Then Abraham lifted the young man and led him by the hand, filling his words with comfort and counsel. But again, Isaac did not understand. They climbed Mount Moriah, but Isaac still didn't grasp it. Abraham turned his face away for a moment, but when Isaac looked again, his father's expression had changed—his gaze was wild, his face terrifying. He grabbed Isaac and threw him to the ground, saying: "You foolish boy, do you think I am your father? I am an idol-worshipper. Do you think this is God's command? No, it's my desire." Isaac trembled and cried out in fear: "God in heaven, have mercy on me, God of Abraham, please show me compassion, I have no father on earth, so you be my father!" But Abraham softly spoke to himself: "Father in heaven, I thank you. It's better that he thinks I'm cruel than that he loses his faith in you."

When the child is to be weaned, his mother blackens her breast; for it were a pity if her breast should look sweet to him when he is not to have it. Then the child believes that her breast has changed; but his mother is ever the same, her glance is full of love and as tender as ever. Happy he who needed not worse means to wean his child!

When it's time to wean the child, the mother darkens her breast; it would be a shame for her breast to look inviting when he can't have it anymore. The child thinks her breast has changed, but his mother remains the same, her gaze full of love and just as gentle as always. Blessed is the parent who doesn’t need to resort to harsher methods to wean their child!

II

It was in the early morning. Abraham arose betimes and embraced Sarah, the bride of his old age. And Sarah kissed Isaac who had taken the shame from her—Isaac, her pride, her hope for all coming generations. Then the twain rode silently along their way, and Abraham's glance was fastened on the ground before him; until on the fourth day, when he lifted up his eyes and beheld Mount Moriah in the distance; but then his eyes again sought the ground. Without a word he put the fagots in order and bound Isaac, and without a word he unsheathed his knife. Then he beheld the ram God had chosen, and sacrificed him, and wended his way home.... From that day on Abraham, grew old. He could not forget that God had required this of him. Isaac flourished as before; but Abraham's eye was darkened, he saw happiness no more.

It was early morning. Abraham got up early and hugged Sarah, the wife of his old age. Sarah then kissed Isaac, who had taken away her shame—Isaac, her pride, her hope for future generations. Then the two rode silently along their way, and Abraham's gaze was fixed on the ground in front of him; until on the fourth day, when he looked up and saw Mount Moriah in the distance; but then his gaze returned to the ground. Without saying a word, he arranged the wood and tied up Isaac, and without a word, he drew his knife. Then he saw the ram God had chosen, sacrificed it, and made his way home... From that day on, Abraham grew old. He could not forget that God had asked this of him. Isaac thrived as before; but Abraham's eyes were clouded, and he no longer saw happiness.

When the child has grown and is to be weaned, his mother will in maidenly fashion conceal her breast. Then the child has a mother no longer. Happy the child who lost not his mother in any other sense!

When the child has grown and is ready to be weaned, his mother will discreetly cover her breast. At that point, the child no longer has a mother. How fortunate is the child who hasn't lost his mother in any other way!

III

It was in the early morning. Abraham arose betimes; he kissed Sarah, the young mother, and Sarah kissed Isaac, her joy, her delight for all times. And Abraham rode on his way, lost in thought—he was thinking of Hagar and her son whom he had driven out into the wilderness. He ascended Mount Moriah and he drew the knife.

It was early morning. Abraham got up early; he kissed Sarah, the young mother, and Sarah kissed Isaac, her joy, her delight forever. And Abraham rode on, deep in thought—he was thinking of Hagar and her son whom he had sent away into the wilderness. He climbed Mount Moriah and took out the knife.

It was a calm evening when Abraham rode out alone, and he rode to Mount Moriah. There he cast himself down on his face and prayed to God to forgive him his sin in that he had been about to sacrifice his son Isaac, and in that the father had forgotten his duty toward his son. And yet oftener he rode on his lonely way, but he found no rest. He could not grasp that it was a sin that he had wanted to sacrifice to God his most precious possession, him for whom he would most gladly have died many times. But, if it was a sin, if he had not loved Isaac thus, then could he not grasp the possibility that he could be forgiven: for what sin more terrible?

It was a peaceful evening when Abraham rode out alone to Mount Moriah. There, he fell on his face and prayed to God to forgive him for his sin of almost sacrificing his son Isaac, forgetting his duty as a father. Yet, even after that, he continued on his lonely journey, but he found no peace. He couldn’t understand how wanting to sacrifice his most treasured possession, the one he would gladly die for over and over, could be a sin. But if it was a sin, and if he hadn’t loved Isaac in that way, then he couldn’t fathom the possibility of forgiveness, because what greater sin could there be?

When the child is to be weaned, the mother is not without sorrow that she and her child are to be separated more and more, that the child who had first lain under her heart, and afterwards at any rate rested at her breast, is to be so near to her no more. So they sorrow together for that brief while. Happy he who kept his child so near to him and needed not to sorrow more!

When it’s time to wean the child, the mother feels sadness knowing that she and her child will be separated more and more. The child who once lived under her heart and later rested at her breast will no longer be so close to her. So, they both feel this sorrow together for that short time. Blessed is the one who kept their child close and didn’t have to feel this sadness!

IV

It was in the early morning. All was ready for the journey in the house of Abraham. He bade farewell to Sarah; and Eliezer, his faithful servant, accompanied him along the way for a little while. They rode together in peace, Abraham and Isaac, until they came to Mount Moriah. And Abraham prepared everything for the sacrifice, calmly and mildly; but when his father turned aside in order to unsheathe his knife, Isaac saw that Abraham's left hand was knit in despair and that a trembling shook his frame—but Abraham drew forth the knife.

It was early morning. Everything was set for the journey at Abraham's house. He said goodbye to Sarah, and Eliezer, his loyal servant, accompanied him for a short distance. Abraham and Isaac traveled together peacefully until they reached Mount Moriah. Abraham calmly and gently prepared everything for the sacrifice; however, when he turned away to pull out his knife, Isaac noticed that Abraham's left hand was clenched in despair and that his body was trembling—but Abraham pulled out the knife.

Then they returned home again, and Sarah hastened to meet them; but Isaac had lost his faith. No one in all the world ever said a word about this, nor did Isaac speak to any man concerning what he had seen, and Abraham suspected not that any one had seen it.

Then they went back home, and Sarah rushed to greet them; but Isaac had lost his faith. No one in the entire world mentioned it, nor did Isaac talk to anyone about what he had witnessed, and Abraham had no idea that anyone had seen it.

When the child is to be weaned, his mother has the stronger food ready lest the child perish. Happy he who has in readiness this stronger food!

When it's time to wean the child, the mother has the nutritious food prepared so that the child doesn't suffer. Lucky is the one who has this nutritious food ready!

Thus, and in many similar ways, thought the man whom I have mentioned about this event. And every time he returned, after a pilgrimage to Mount Moriah, he sank down in weariness, folding his hands and saying: "No one, in truth, was great as was Abraham, and who can understand him?"

Thus, in many similar ways, thought the man I mentioned about this event. And every time he returned from a pilgrimage to Mount Moriah, he would collapse in exhaustion, folding his hands and saying: "No one, truly, was as great as Abraham, and who can really understand him?"

A PANEGYRIC ON ABRAHAM

If a consciousness of the eternal were not implanted in man; if the basis of all that exists were but a confusedly fermenting element which, convulsed by obscure passions, produced all, both the great and the insignificant; if under everything there lay a bottomless void never to be filled—what else were life but despair? If it were thus, and if there were no sacred bonds between man and man; if one generation arose after another, as in the forest the leaves of one season succeed the leaves of another, or like the songs of birds which are taken up one after another; if the generations of man passed through the world like a ship passing through the sea and the wind over the desert—a fruitless and a vain thing; if eternal oblivion were ever greedily watching for its prey and there existed no power strong enough to wrest it from its clutches—how empty were life then, and how dismal! And therefore it is not thus; but, just as God created man and woman, he likewise called into being the hero and the poet or orator. The latter cannot perform the deeds of the hero—he can only admire and love him and rejoice in him. And yet he also is happy and not less so; for the hero is, as it were, his better self with which he has fallen in love, and he is glad he is not himself the hero, so that his love can express itself in admiration.

If people didn't have a sense of the eternal planted within them; if everything that exists was just a jumbled mix that, stirred by hidden passions, created everything from the grand to the trivial; if beneath it all there was an endless void that could never be filled—what would life be other than despair? If it were like that, and if there were no sacred connections between people; if one generation came and went like leaves changing in the forest, or like birds taking turns to sing; if humanity passed through the world like a ship moving through the sea and the wind across the desert—a pointless and futile existence; if eternal oblivion was constantly lurking, ready to claim us, and there was no power strong enough to pull us away from it—how hollow and bleak life would be! But that’s not how it is; just as God created man and woman, He also brought forth the hero and the poet or orator. The poet cannot achieve the feats of the hero—he can only admire, love, and take joy in him. Yet, he is happy too, perhaps even just as happy; for the hero represents a better version of himself that he has fallen in love with, and he is glad he isn’t the hero, allowing his love to be expressed in admiration.

The poet is the genius of memory, and does nothing but recall what has been done, can do nothing but admire what has been done. He adds nothing of his own, but he is jealous of what has been entrusted to him. He obeys the choice of his own heart; but once he has found what he has been seeking, he visits every man's door with his song and with his speech, so that all may admire the hero as he does, and be proud of the hero as he is. This is his achievement, his humble work, this is his faithful service in the house of the hero. If thus, faithful to his love, he battles day and night against the guile of oblivion which wishes to lure the hero from him, then has he accomplished his task, then is he gathered to his hero who loves him as faithfully; for the poet is at it were the hero's better self, unsubstantial, to be sure, like a mere memory, but also transfigured as is a memory. Therefore shall no one be forgotten who has done great deeds; and even if there be delay, even if the cloud of misunderstanding obscure the hero from our vision, still his lover will come some time; and the more time has passed, the more faithfully will he cleave to him.

The poet is a master of memory, only able to recall what has happened and admire what’s been accomplished. He adds nothing of his own but feels possessive of what’s been given to him. He follows the desires of his heart; once he finds what he’s been looking for, he shares his song and words with everyone, so that all can admire the hero as he does and take pride in the hero as he does. This is his achievement, his humble work, his faithful service in the hero's realm. If he remains true to his love, fighting day and night against the trickery of forgetting that tries to take the hero away from him, then he has done his job, and he will be united with his hero who loves him just as faithfully; for the poet is, in a sense, the hero's better self—intangible, like a memory, yet transformed like a memory. Therefore, no one who has done great deeds will be forgotten; and even if there’s a delay, even if clouds of misunderstanding obscure the hero from our sight, his admirer will eventually come; and the longer it takes, the more devoted he will be.

No, no one shall be forgotten who was great in this world. But each hero was great in his own way, and each one was eminent in proportion to the great things he loved. For he who loved himself became great through himself, and he who loved others became great through his devotion, but he who loved God became greater than all of these. Everyone of them shall be remembered, but each one became great in proportion to his trust. One became great by hoping for the possible; another, by hoping for the eternal; but he who hoped for the impossible, he became greater than all of these. Every one shall be remembered; but each one was great in proportion to the power with which he strove. For he who strove with the world became great by overcoming himself; but he who strove with God, he became the greatest of them all. Thus there have been struggles in the world, man against man, one against a thousand; but he who struggled with God, he became greatest of them all. Thus there was fighting on this earth, and there was he who conquered everything by his strength, and there was he who conquered God by his weakness. There was he who, trusting in himself, gained all; and there was he who, trusting in his strength sacrificed everything; but he who believed in God was greater than all of these. There was he who was great through his strength, and he who was great through his wisdom, and he who was great through his hopes, and he who was great through his love; but Abraham was greater than all of these—great through the strength whose power is weakness, great through the wisdom whose secret is folly, great through the hope whose expression is madness, great through the love which is hatred of one's self.

No, no one who was great in this world will be forgotten. Each hero was great in their own way, and each was significant based on the great things they loved. Those who loved themselves became great through their own efforts, while those who loved others became great through their devotion; but those who loved God became greater than all of them. Each one will be remembered, but each became great in relation to their trust. One became great by hoping for what was possible; another, by hoping for the eternal; but the one who hoped for the impossible became greater than all of these. Everyone will be remembered; but each was great in proportion to the power they fought with. The one who struggled against the world became great by overcoming themselves; but the one who struggled with God became the greatest of them all. Thus, there have been battles in this world, person against person, one against thousands; but the one who battled with God became the greatest of all. There was fighting on this earth, and there were those who conquered everything by their strength, and those who conquered God with their weakness. There was the one who, trusting in themselves, gained everything; and there was the one who, trusting in their strength, sacrificed everything; but the one who believed in God was greater than all of these. There was the one who was great through their strength, and the one who was great through their wisdom, and the one who was great through their hopes, and the one who was great through their love; but Abraham was greater than all of these—great through the strength that is found in weakness, great through the wisdom that holds folly as its secret, great through the hope that appears as madness, and great through the love that means hating oneself.

Through the urging of his faith Abraham left the land of his forefathers and became a stranger in the land of promise. Ke left one thing behind and took one thing along: he left his worldly wisdom behind and took with him faith. For else he would not have left the land of his fathers, but would have thought it an unreasonable demand. Through his faith he came to be a stranger in the land of promise, where there was nothing to remind him of all that had been dear to him, but where everything by its newness tempted his soul to longing. And yet was he God's chosen, he in whom the Lord was well pleased! Indeed, had he been one cast off, one thrust out of God's mercy, then might he have comprehended it; but now it seemed like a mockery of him and of his faith. There have been others who lived in exile from the fatherland which they loved. They are not forgotten, nor is the song of lament forgotten in which they mournfully sought and found what they had lost. Of Abraham there exists no song of lamentation. It is human to complain, it is human to weep with the weeping; but it is greater to believe, and more blessed to consider him who has faith.

Through the encouragement of his faith, Abraham left his family's land and became a stranger in the promised land. He left one thing behind and took one thing with him: he left behind his worldly wisdom and took faith with him. Otherwise, he wouldn’t have left his homeland, thinking it was an unreasonable demand. Because of his faith, he became a stranger in the promised land, where nothing reminded him of everything he cherished, but where everything's newness tempted his soul with longing. And yet, he was God's chosen one, someone the Lord was pleased with! If he had been cast off, abandoned by God's mercy, then maybe he would have understood that; but now it seemed like mockery of him and his faith. There have been others who lived in exile from the homeland they loved. They are not forgotten, nor is the mournful song in which they sadly sought and found what they lost. But there is no lamentation for Abraham. It’s human to complain and to weep with those who weep; but it’s greater to believe, and more blessed to honor those who have faith.

Through his faith Abraham received the promise that in his seed were to be blessed all races of mankind. Time passed, there was still the possibility of it, and Abraham had faith. Another man there was who also lived in hopes. Time passed, the evening of his life was approaching; neither was he paltry enough to have forgotten his hopes: neither shall he be forgotten by us! Then he sorrowed, and his sorrow did not deceive him, as life had done, but gave him all it could; for in the sweetness of sorrow he became possessed of his disappointed hopes. It is human to sorrow, it is human to sorrow with the sorrowing; but it is greater to have faith, and more blessed to consider him who has faith.

Through his faith, Abraham received the promise that all nations would be blessed through his descendants. Time went by, and the possibility remained, and Abraham kept his faith. There was another man who also held onto hope. As time passed and the evening of his life drew near, he was not so small-minded as to forget his hopes: he won’t be forgotten by us either! Then he mourned, and his sorrow didn’t betray him, like life had, but instead gave him everything it could; for in the depth of his sorrow, he came to fully feel his unfulfilled hopes. It’s human to grieve, and it’s human to empathize with those who grieve; but it’s greater to have faith, and more blessed to recognize those who do.

No song of lamentation has come down to us from Abraham. He did not sadly count the days as time passed; he did not look at Sarah with suspicious eyes, whether she was becoming old; he did not stop the sun's course lest Sarah should grow old and his hope with her; he did not lull her with his songs of lamentation. Abraham grew old, and Sarah became a laughing-stock to the people; and yet was he God's chosen, and heir to the promise that in his seed were to be blessed all races of mankind. Were it, then, not better if he had not been God's chosen? For what is it to be God's chosen? Is it to have denied to one in one's youth all the wishes of youth in order to have them fulfilled after great labor in old age?

No song of sorrow has come down to us from Abraham. He didn’t sadly count the days as time went by; he didn’t look at Sarah with suspicious eyes to see if she was aging; he didn’t stop the sun's course to prevent Sarah from growing old and his hopes from fading with her; he didn’t comfort her with his songs of sorrow. Abraham grew old, and Sarah became a joke to the people; yet he was God’s chosen one and heir to the promise that through his descendants all nations of the earth would be blessed. Would it have been better if he hadn’t been chosen by God? What does it even mean to be God’s chosen? Is it to have denied oneself all the desires of youth only to see them fulfilled after great struggle in old age?

But Abraham had faith and steadfastly lived in hope. Had Abraham been less firm in his trust, then would he have given up that hope. He would have said to God: "So it is, perchance, not Thy will, after all, that this shall come to pass. I shall surrender my hope. It was my only one, it was my bliss. I am sincere, I conceal no secret grudge for that Thou didst deny it to me." He would not have remained forgotten, his example would have saved many a one; but he would not have become the Father of Faith. For it is great to surrender one's hope, but greater still to abide by it steadfastly after having surrendered it; for it is great to seize hold of the eternal hope, but greater still to abide steadfastly by one's worldly hopes after having surrendered them.

But Abraham had faith and held on to hope without wavering. If Abraham had been less certain in his trust, he would have given up that hope. He might have said to God: "Maybe it's not Your will for this to happen after all. I will let go of my hope. It was my only one, my joy. I am honest; I hold no secret resentment for You denying it to me." He wouldn’t have remained forgotten; his example would have inspired many others, but he wouldn't have become the Father of Faith. It's significant to give up one's hope, but even more significant to stay committed to it after having let it go; it's important to hold on to eternal hope, but even more important to stay resolute in one's earthly hopes after releasing them.

Then came the fulness of time. If Abraham had not had faith, then Sarah would probably have died of sorrow, and Abraham, dulled by his grief, would not have understood the fulfillment, but would have smiled about it as a dream of his youth. But Abraham had faith, and therefore he remained young; for he who always hopes for the best, him life will deceive, and he will grow old; and he who is always prepared for the worst, he will soon age; but he who has faith, he will preserve eternal youth. Praise, therefore, be to this story! For Sarah, though advanced in age, was young enough to wish for the pleasures of a mother, and Abraham, though grey of hair, was young enough to wish to become a father. In a superficial sense it may be considered miraculous that what they wished for came to pass, but in a deeper sense the miracle of faith is to be seen in Abraham's and Sarah's being young enough to wish, and their faith having preserved their wish and therewith their youth. The promise he had received was fulfilled, and he accepted it in faith, and it came to pass according to the promise and his faith; whereas Moses smote the rock with his staff but believed not.

Then the time came to pass. If Abraham hadn't had faith, Sarah would likely have died from sorrow, and Abraham, overwhelmed by his grief, wouldn't have recognized the fulfillment; he would have simply viewed it as a dream from his youth. But Abraham had faith, so he remained young; for those who always expect the best, life will deceive them, and they will grow old; and those who are always prepared for the worst will age quickly; but those who have faith will keep their eternal youth. So, let us praise this story! For Sarah, even though she was older, was young enough to desire the joys of motherhood, and Abraham, although his hair was grey, was young enough to want to be a father. On the surface, it might seem miraculous that their wishes came true, but on a deeper level, the miracle of faith is evident in how Abraham and Sarah were young enough to wish, and their faith preserved that wish along with their youth. The promise he received was fulfilled, and he accepted it with faith, and it happened just as promised, through his faith; while Moses struck the rock with his staff but did not believe.

There was joy in Abraham's house when Sarah celebrated the day of her Golden Wedding.

There was joy in Abraham's home when Sarah celebrated her Golden Wedding anniversary.

But it was not to remain thus; for once more was Abraham to be tempted. He had struggled with that cunning power to which nothing is impossible, with that ever watchful enemy who never sleeps, with that old man who outlives all—he had struggled with Time and had preserved his faith. And now all the terror of that fight was concentrated in one moment. "And God tempted Abraham, saying to him: take now thine only son Isaac, whom thou lovest, and get thee into the land of Moriah; and offer him there for a burnt offering upon one of the mountains which I will tell thee off.[2]"

But it wasn't going to stay that way; Abraham was about to face another test. He had battled against that clever force to which nothing is impossible, that ever-watching enemy who never rests, that old adversary who outlasts everyone—he had fought against Time and had kept his faith. And now, all the fear of that struggle was focused in a single moment. "And God tested Abraham, saying to him: take now your only son Isaac, whom you love, and go to the land of Moriah; and sacrifice him there as a burnt offering on one of the mountains that I will tell you about.[2]"

All was lost, then, and more terribly than if a son had never been given him! The Lord had only mocked Abraham, then! Miraculously he had realized the unreasonable hopes of Abraham; and now he wished to take away what he had given. A foolish hope it had been, but Abraham had not laughed when the promise had been made him. Now all was lost—the trusting hope of seventy years, the brief joy at the fulfillment of his hopes. Who, then, is he that snatches away the old man's staff, who that demands that he himself shall break it in two? Who is he that renders disconsolate the grey hair of old age, who is he that demands that he himself shall do it? Is there no pity for the venerable old man, and none for the innocent child? And yet was Abraham God's chosen one, and yet was it the Lord that tempted him. And now all was to be lost! The glorious remembrance of him by a whole race, the promise of Abraham's seed—all that was but a whim, a passing fancy of the Lord, which Abraham was now to destroy forever! That glorious treasure, as old as the faith in Abraham's heart, and many, many years older than Isaac, the fruit of Abraham's life, sanctified by prayers, matured in struggles—the blessing on the lips of Abraham: this fruit was now to be plucked before the appointed time, and to remain without significance; for of what significance were it if Isaac was to be sacrificed? That sad and yet blessed hour when Abraham was to take leave from all that was dear to him, the hour when he would once more lift up his venerable head, when his face would shine like the countenance of the Lord, the hour when he would collect his whole soul for a blessing strong enough to render Isaac blessed all the days of his life—that hour was not to come! He was to say farewell to Isaac, to be sure, but in such wise that he himself was to remain behind; death was to part them, but in such wise that Isaac was to die. The old man was not in happiness to lay his hand on Isaac's head when the hour of death came, but, tired of life, to lay violent hands on Isaac. And it was God who tempted him. Woe, woe to the messenger who would have come before Abraham with such a command! Who would have dared to be the messenger of such dread tidings? But it was God that tempted Abraham.

Everything was lost, and it felt worse than if he had never had a son! The Lord had only teased Abraham! Miraculously, he had fulfilled Abraham’s unreasonable hopes, and now he wanted to take back what he had given. It had been a foolish hope, but Abraham hadn’t laughed when the promise was made. Now everything was gone—the trusting hope of seventy years and the brief joy of seeing his hopes realized. Who is the one that takes away the old man's support, and who demands that he break it in two? Who is the one that brings sorrow to the grey hair of old age, and who insists that he himself do it? Is there no compassion for the aged man and none for the innocent child? Yet Abraham was chosen by God, and it was the Lord who tested him. And now all was to be lost! The glorious memory of him by an entire race, the promise of Abraham's descendants—all of that was just a whim, a fleeting fancy of the Lord, which Abraham was now to ruin forever! That glorious treasure, as old as the faith in Abraham’s heart, and many years older than Isaac, the result of Abraham’s life, shaped by prayers, matured in struggles—the blessing on Abraham's lips: this was now to be taken away before its time, leaving it meaningless; for what significance would it have if Isaac was to be sacrificed? That sad yet blessed moment when Abraham was to say goodbye to everything dear to him, the moment he would once again lift his venerable head, when his face would shine like the Lord's, the moment he would gather his entire soul for a blessing powerful enough to make Isaac blessed for all his days—that moment was not to come! He was to say farewell to Isaac, yes, but in such a way that he himself would remain behind; death would separate them, but in such a way that Isaac would be the one to die. The old man was not to happily place his hand on Isaac's head when the moment of death arrived, but, weary of life, was to harm Isaac. And it was God who tested him. Woe, woe to the messenger who would dare to approach Abraham with such a command! Who would have the courage to deliver such terrifying news? But it was God who tested Abraham.

But Abraham had faith, and had faith for this life. Indeed, had his faith been but concerning the life to come, then might he more easily have cast away all, in order to hasten out of this world which was not his....

But Abraham had faith, and he had faith for this life. In fact, if his faith had only been about the life to come, he could have more easily let go of everything to leave this world that was not his....

But Abraham had faith and doubted not, but trusted that the improbable would come to pass. If Abraham had doubted, then would he have undertaken something else, something great and noble; for what could Abraham have undertaken but was great and noble! He would have proceeded to Mount Moriah, he would have cloven the wood, and fired it, and unsheathed his knife—he would have cried out to God: "Despise not this sacrifice; it is not, indeed, the best I have; for what is an old man against a child foretold of God; but it is the best I can give thee. Let Isaac never know that he must find consolation in his youth." He would have plunged the steel in his own breast. And he would have been admired throughout the world, and his name would not have been forgotten; but it is one thing to be admired and another, to be a lode-star which guides one troubled in mind.

But Abraham had faith and didn’t doubt; he trusted that the unlikely would happen. If Abraham had doubted, he would have pursued something else, something great and noble; for everything Abraham undertook was great and noble! He would have gone to Mount Moriah, chopped the wood, started the fire, and pulled out his knife—he would have cried out to God: "Don’t disregard this sacrifice; it’s not, after all, the best I have; for what is an old man compared to a child promised by God; but it’s the best I can give you. Let Isaac never find out that he must seek comfort in his youth." He would have plunged the steel into his own heart. And he would have been admired all over the world, and his name would not have been forgotten; but it’s one thing to be admired and another to be a guiding star for those troubled in spirit.

But Abraham had faith. He prayed not for mercy and that he might prevail upon the Lord: it was only when just retribution was to be visited upon Sodom and Gomorrha that Abraham ventured to beseech Him for mercy.

But Abraham had faith. He didn't pray for mercy or to persuade the Lord; it was only when just punishment was about to be delivered to Sodom and Gomorrah that Abraham dared to ask Him for mercy.

We read in Scripture: "And God did tempt Abraham, and said unto him, Abraham: and he said, Behold here I am.[3]" You, whom I am now addressing did you do likewise? When you saw the dire dispensations of Providence approach threateningly, did you not then say to the mountains, Fall on me; and to the hills, Cover me?[4] Or, if you were stronger in faith, did not your step linger along the way, longing for the old accustomed paths, as it were? And when the voice called you, did you answer, then, or not at all, and if you did, perchance in a low voice, or whispering? Not thus Abraham, but gladly and cheerfully and trustingly, and with a resonant voice he made answer: "Here am I." And we read further: "And Abraham rose up early in the morning.[5]" He made haste as though for some joyous occasion, and early in the morning he was in the appointed place, on Mount Moriah. He said nothing to Sarah, nothing to Eliezer, his steward; for who would have understood him? Did not his temptation by its very nature demand of him the vow of silence? "He laid the wood in order, and bound Isaac his son, and laid him on the altar upon the wood. And Abraham stretched forth his hand, and took the knife to slay his son.[6]" My listener! Many a father there has been who thought that with his child he lost the dearest of all there was in the world for him; yet assuredly no child ever was in that sense a pledge of God as was Isaac to Abraham. Many a father there has been who lost his child; but then it was God, the unchangeable and inscrutable will of the Almighty and His hand which took it. Not thus with Abraham. For him was reserved a more severe trial, and Isaac's fate was put into Abraham's hand together with the knife. And there he stood, the old man, with his only hope! Yet did he not doubt, nor look anxiously to the left or right, nor challenge Heaven with his prayers. He knew it was God the Almighty who now put him to the test; he knew it was the greatest sacrifice which could be demanded of him; but he knew also that no sacrifice was too great which God demanded—and he drew forth his knife.

We read in Scripture: "And God tested Abraham, and said to him, Abraham: and he replied, Here I am.[3]" You, whom I’m speaking to, did you respond the same way? When you saw the terrible challenges from Providence coming your way, did you not then say to the mountains, Fall on me; and to the hills, Cover me?[4] Or, if your faith was stronger, did your pace slow down as you longed for your familiar paths? And when the voice called you, did you answer then, or not at all, and if you did, perhaps in a quiet voice or a whisper? Not like Abraham, who answered gladly, cheerfully, trustingly, and with a strong voice: "Here am I." And we read further: "And Abraham rose up early in the morning.[5]" He hurried as if for a joyful occasion, and early in the morning he was at the designated place on Mount Moriah. He said nothing to Sarah, nothing to Eliezer, his servant; who would have understood him? Didn’t his test of faith require a vow of silence? "He arranged the wood, bound Isaac his son, and laid him on the altar on the wood. And Abraham reached out his hand and took the knife to sacrifice his son.[6]" My listener! Many fathers have felt they lost the dearest thing in the world with their child; yet surely no child was ever a pledge from God quite like Isaac was to Abraham. Many fathers have lost their child; but it was the unchangeable and inscrutable will of the Almighty that took them. Not so with Abraham. He faced a harsher trial, with Isaac's fate resting in his hands along with the knife. And there he stood, the old man, with his only hope! Yet he did not doubt, nor look anxiously left or right, nor challenge Heaven with his prayers. He knew it was God Almighty who was testing him; he recognized it was the greatest sacrifice that could be asked of him; but he also understood that no sacrifice was too great for God—and he drew forth his knife.

Who strengthened Abraham's arm, who supported his right arm that it drooped not powerless? For he who contemplates this scene is unnerved. Who strengthened Abraham's soul so that his eyes grew not too dim to see either Isaac or the ram? For he who contemplates this scene will be struck with blindness. And yet, it is rare enough that one is unnerved or is struck with blindness, and still more rare that one narrates worthily what there did take place between father and son. To be sure, we know well enough—it was but a trial!

Who gave strength to Abraham's arm, who kept his right arm from drooping in weakness? The person who thinks about this moment is unsettled. Who strengthened Abraham's spirit so that his eyes didn’t grow too dim to see either Isaac or the ram? Whoever ponders this scene will be overwhelmed. And yet, it's quite uncommon for someone to feel unsettled or to be overwhelmed, and even more rare for someone to describe meaningfully what happened between father and son. Of course, we all know well enough—it was just a test!

If Abraham had doubted, when standing on Mount Moriah; if he had looked about him in perplexity; if he had accidentally discovered the ram before drawing his knife; if God had permitted him to sacrifice it instead of Isaac—then would he have returned home, and all would have been as before, he would have had Sarah and would have kept Isaac; and yet how different all would have been! For then had his return been a flight, his salvation an accident, his reward disgrace; his future, perchance, perdition. Then would he have borne witness neither to his faith nor to God's mercy, but would have witnessed only to the terror of going to Mount Moriah. Then Abraham would not have been forgotten, nor either Mount Moriah. It would be mentioned, then, not as is Mount Ararat on which the Ark landed, but as a sign of terror, because it was there Abraham doubted.

If Abraham had doubted while standing on Mount Moriah; if he had looked around in confusion; if he had happened to find the ram before lifting his knife; if God had allowed him to sacrifice it instead of Isaac—then he would have returned home, and everything would have gone back to how it was before; he would have had Sarah and kept Isaac; and yet everything would have been so different! For then his return would have been an escape, his salvation a coincidence, his reward a shame; his future, perhaps, destruction. Then he would have not testified to his faith or God's mercy, but would have only shown the fear of going to Mount Moriah. Then Abraham wouldn't have been forgotten, nor would Mount Moriah. It would be remembered, not like Mount Ararat where the Ark landed, but as a sign of fear, because it was where Abraham doubted.

Venerable patriarch Abraham! When you returned home from Mount Moriah you required no encomiums to console you for what you had lost; for, indeed, you did win all and still kept Isaac, as we all know. And the Lord did no more take him from your side, but you sate gladly at table with him in your tent as in the life to come you will, for all times. Venerable patriarch Abraham! Thousands of years have passed since those times, but still you need no late-born lover to snatch your memory from the power of oblivion, for every language remembers you—and yet do you reward your lover more gloriously than any one, rendering him blessed in your bosom, and taking heart and eyes captive by the marvel of your deed. Venerable patriarch Abraham! Second father of the race! You who first perceived and bore witness to that unbounded passion which has but scorn for the terrible fight with the raging elements and the strength of brute creation, in order to struggle with God; you who first felt that sublimest of all passions, you who found the holy, pure, humble expression for the divine madness which was a marvel to the heathen—forgive him who would speak in your praise, in case he did it not fittingly. He spoke humbly, as if it concerned the desire of his heart; he spoke briefly, as is seemly; but he will never forget that you required a hundred years to obtain a son of your old age, against all expections; that you had to draw the knife before being permitted to keep Isaac; he will never forget that in a hundred and thirty years you never got farther than to faith.

Venerable patriarch Abraham! When you came home from Mount Moriah, you didn’t need any praises to comfort you for what you had lost; for, indeed, you gained everything and still kept Isaac, as we all know. And the Lord didn’t take him away from you anymore, but you happily sat at the table with him in your tent, just as you will in the afterlife, forever. Venerable patriarch Abraham! Thousands of years have gone by since those days, but you still don’t need any later admirer to rescue your memory from being forgotten, for every language remembers you—and yet you reward your admirer more gloriously than anyone else, blessing him in your embrace and capturing hearts and eyes with the wonder of your deed. Venerable patriarch Abraham! Second father of the race! You who first recognized and testified to that boundless passion which disregards the fierce struggle with the raging elements and the might of brute nature, in order to wrestle with God; you who first experienced that highest of all passions, you who found the holy, pure, humble expression for the divine madness that amazed the heathens— forgive him who attempts to speak your praises, in case he doesn’t do it justice. He spoke humbly, as if it were the desire of his heart; he spoke briefly, as is proper; but he will never forget that you took a hundred years to have a son in your old age, against all odds; that you had to raise the knife before you were allowed to keep Isaac; he will never forget that in your hundred and thirty years, you never got beyond faith.

PRELIMINARY EXPECTORATION

An old saying, derived from the world of experience, has it that "he who will not work shall not eat.[7]" But, strange to say, this does not hold true in the world where it is thought applicable; for in the world of matter the law of imperfection prevails, and we see, again and again, that he also who will not work has bread to eat—indeed, that he who sleeps has a greater abundance of it than he who works. In the world of matter everything belongs to whosoever happens to possess it; it is thrall to the law of indifference, and he who happens to possess the Ring also has the Spirit of the Ring at his beck and call, whether now he be Noureddin or Aladdin,[8] and he who controls the treasures of this world, controls them, howsoever he managed to do so. It is different in the world of spirit. There, an eternal and divine order obtains, there the rain does not fall on the just and the unjust alike, nor does the sun shine on the good and the evil alike;[9] but there the saying does hold true that he who will not work shall not eat, and only he who was troubled shall find rest, and only he who descends into the nether world shall rescue his beloved, and only he who unsheathes his knife shall be given Isaac again. There, he who will not work shall not eat, but shall be deceived, as the gods deceived Orpheus with an immaterial figure instead of his beloved Euridice,[10] deceived him because he was love-sick and not courageous, deceived him because he was a player on the cithara rather than a man. There, it avails not to have an Abraham for one's father,[11] or to have seventeen ancestors. But in that world the saying about Israel's maidens will hold true of him who will not work: he shall bring forth wind;[12] but he who will work shall give birth to his own father.

An old saying, based on experience, goes, "he who doesn’t work shall not eat.[7]" But oddly enough, this isn’t true in the world where it’s thought to apply; in the material world, imperfection rules, and we see time and time again that those who don’t work still have food to eat—in fact, those who sleep have more of it than those who toil. In the material world, everything belongs to whoever has it; it’s subjected to the law of indifference, and whoever has the Ring also commands the Spirit of the Ring, whether they’re Noureddin or Aladdin,[8] and whoever controls the treasures of this world does so, regardless of how they acquired them. It’s different in the spiritual realm. There, an eternal and divine order prevails; rain doesn’t fall on both the just and the unjust, nor does the sun shine on the good and the evil alike;[9] but in that realm, the saying holds true that he who doesn’t work shall not eat, and only those who are troubled shall find peace, and only those who go down into the underworld shall save their loved ones, and only those who draw their knife shall get Isaac back. In that realm, he who doesn’t work shall not eat, but will be deceived, as the gods deceived Orpheus with an intangible figure instead of his beloved Euridice,[10] deceived because he was lovesick and not brave, deceived because he was a musician rather than a man. There, it doesn’t matter if you have an Abraham for a father,[11] or even seventeen ancestors. But in that world, the saying about Israel's maidens will be true for one who doesn’t work: he shall bring forth wind;[12] but he who does work shall give birth to his own father.

There is a kind of learning which would presumptuously introduce into the world of spirit the same law of indifference under which the world of matter groans. It is thought that to know about great men and great deeds is quite sufficient, and that other exertion is not necessary. And therefore this learning shall not eat, but shall perish of hunger while seeing all things transformed into gold by its touch. And what, forsooth, does this learning really know? There were many thousands of contemporaries, and countless men in after times, who knew all about the triumphs of Miltiades; but there was only one whom they rendered sleepless.[13] There have existed countless generations that knew by heart, word for word, the story of Abraham; but how many has it rendered sleepless?

There’s a type of learning that arrogantly brings the same indifference to the world of spirit that the world of matter suffers under. It’s a belief that just knowing about great people and great achievements is enough, and that no further effort is needed. As a result, this kind of learning won’t feed itself and will starve while watching everything turn to gold with its touch. And what does this learning really understand? There were thousands of people who knew about the victories of Miltiades, but only one was kept awake by them.[13] There have been countless generations that knew the story of Abraham word for word; but how many have been kept awake by it?

Now the story of Abraham has the remarkable property of always being glorious, in however limited a sense it is understood; still, here also the point is whether one means to labor and exert one's half. Now people do not care to labor and exert themselves, but wish nevertheless to understand the story. They extol Abraham, but how? By expressing the matter in the most general terms and saying: "the great thing about him was that he loved God so ardently that he was willing to sacrifice to Him his most precious possession." That is very true; but "the most precious possession" is an indefinite expression. As one's thoughts, and one's mouth, run on one assumes, in a very easy fashion, the identity of Isaac and "the most precious possession"—and meanwhile he who is meditating may smoke his pipe, and his audience comfortably stretch out their legs. If the rich youth whom Christ met on his way[14] had sold all his possessions and given all to the poor, we would extol him as we extol all which is great—aye, would not understand even him without labor; and yet would he never have become an Abraham, notwithstanding his sacrificing the most precious possessions he had. That which people generally forget in the story of Abraham is his fear and anxiety; for as regards money, one is not ethically responsible for it, whereas for his son a father has the highest and most sacred responsibility. However, fear is a dreadful thing for timorous spirits, so they omit it. And yet they wish to speak of Abraham.

Now the story of Abraham has the amazing quality of always being impressive, no matter how limited the understanding may be; still, the question is whether one is willing to work hard and put in the effort. Nowadays, people don’t want to put in that effort but still want to grasp the story. They praise Abraham, but how? By talking about it in very general terms and saying, “the remarkable thing about him was that he loved God so deeply that he was ready to sacrifice his most cherished possession.” That’s true; but “the most cherished possession” is a vague term. As people think and speak, it’s easy to assume that Isaac is synonymous with "the most cherished possession"—meanwhile, those contemplating it might be smoking a pipe, and their audience might be relaxing with their legs stretched out. If the rich young man whom Christ encountered had sold all his possessions and given everything to the poor, we would praise him as we do all great things—yet we wouldn’t even fully understand him without effort; still, he wouldn’t have become an Abraham, despite sacrificing his most cherished possessions. What people often overlook in the story of Abraham is his fear and anxiety; when it comes to money, one isn’t ethically accountable for it, but a father has the highest and most sacred responsibility for his son. However, fear can be a terrifying thing for those who are timid, so they ignore it. Yet they still want to talk about Abraham.

So they keep on speaking, and in the course of their speech the two terms Isaac and "the most precious thing" are used alternately, and everything is in the best order. But now suppose that among the audience there was a man who suffered with sleeplessness—and then the most terrible and profound, the most tragic, and at the same time the most comic, misunderstanding is within the range of possibility. That is, suppose this man goes home and wishes to do as did Abraham; for his son is his most precious possession. If a certain preacher learned of this he would, perhaps, go to him, he would gather up all his spiritual dignity and exclaim: "Thou abominable creature, thou scum of humanity, what devil possessed thee to wish to murder thy son?" And this preacher, who had not felt any particular warmth, nor perspired while speaking about Abraham, this preacher would be astonished himself at the earnest wrath with which he poured forth his thunders against that poor wretch; indeed, he would rejoice over himself, for never had he spoken with such power and unction, and he would have said to his wife: "I am an orator, the only thing I have lacked so far was the occasion. Last Sunday, when speaking about Abraham, I did not feel thrilled in the least."

So they keep talking, and during their conversation, the two terms Isaac and "the most precious thing" are used interchangeably, and everything seems fine. But imagine if there was someone in the audience who was struggling with insomnia—and then the most terrible, deep, tragic, and at the same time, the most comical misunderstanding could happen. This person goes home and decides to act like Abraham because his son is his most treasured possession. If a certain preacher found out about this, he might go to him, gather all his spiritual authority, and shout, "You miserable wretch, you scum of humanity, what devil made you want to kill your son?" And this preacher, who hadn’t felt particularly passionate or warmed up while talking about Abraham, would be shocked by the intense anger he unleashed against that poor guy; in fact, he would take pride in himself, thinking he's never spoken with such power and emotion. He would tell his wife, "I’m a great speaker; the only thing I’ve been missing is the right occasion. Last Sunday, when I was talking about Abraham, I didn’t feel inspired at all."

Now, if this same orator had just a bit of sense to spare, I believe he would lose it if the sinner would reply, in a quiet and dignified manner: "Why, it was on this very same matter you preached, last Sunday!" But however could the preacher have entertained such thoughts? Still, such was the case, and the preacher's mistake was merely not knowing what he was talking about. Ah, would that some poet might see his way clear to prefer such a situation to the stuff and nonsense of which novels and comedies are full! For the comic and the tragic here run parallel to infinity. The sermon probably was ridiculous enough in itself, but it became infinitely ridiculous through the very natural consequence it had. Or, suppose now the sinner was converted by this lecture without daring to raise any objection, and this zealous divine now went home elated, glad in the consciousness of being effective, not only in the pulpit, but chiefly, and with irresistible power, as a spiritual guide, inspiring his congregation on Sunday, whilst on Monday he would place himself like a cherub with flaming sword before the man who by his actions tried to give the lie to the old saying that "the course of the world follows not the priest's word."

Now, if this same speaker had even a little common sense, I think he would lose it if the sinner replied calmly and with dignity: "Well, you preached about this very issue last Sunday!" But how could the preacher even think such thoughts? Still, it was the case, and the preacher's mistake was simply not knowing what he was talking about. Ah, I wish some poet would prefer such a situation to the nonsense that fills novels and comedies! Here, the comic and the tragic run parallel to infinity. The sermon was probably ridiculous on its own, but it became infinitely more ridiculous because of its natural consequences. Or, let's say the sinner was converted by this lecture without daring to voice any objection, and this eager preacher went home feeling triumphant, pleased that he was making an impact not just in the pulpit but also, and with undeniable strength, as a spiritual guide, inspiring his congregation on Sunday, while on Monday he would stand like an angel with a flaming sword before the man who, through his actions, tried to prove the old saying wrong that "the course of the world does not follow the priest's word."

If, on the other hand, the sinner were not convinced of his error his position would become tragic. He would probably be executed, or else sent to the lunatic asylum—at any rate, he would become a sufferer in this world; but in another sense I should think that Abraham rendered him happy; for he who labors, he shall not perish.

If, on the other hand, the sinner wasn't aware of his mistake, his situation would be tragic. He'd likely be executed or sent to a mental health facility—regardless, he would become a sufferer in this world; but in a different way, I believe Abraham made him happy; for those who work hard will not be lost.

Now how shall we explain the contradiction contained in that sermon? Is it due to Abraham's having the reputation of being a great man—so that whatever he does is great, but if another should undertake to do the same it is a sin, a heinous sin? If this be the case I prefer not to participate in such thoughtless laudations. If faith cannot make it a sacred thing to wish to sacrifice one's son, then let the same judgment be visited on Abraham as on any other man. And if we perchance lack the courage to drive our thoughts to the logical conclusion and to say that Abraham was a murderer, then it were better to acquire that courage, rather than to waste one's time on undeserved encomiums. The fact is, the ethical expression for what Abraham did is that he wanted to murder Isaac; the religious, that he wanted to sacrifice him. But precisely in this contradiction is contained the fear which may well rob one of one's sleep. And yet Abraham were not Abraham without this fear. Or, again, supposing Abraham did not do what is attributed to him, if his action was an entirely different one, based on conditions of those times, then let us forget him; for what is the use of calling to mind that past which can no longer become a present reality?—Or, the speaker had perhaps forgotten the essential fact that Isaac was the son. For if faith is eliminated, having been reduced to a mere nothing, then only the brutal fact remains that Abraham wanted to murder Isaac—which is easy for everybody to imitate who has not the faith—the faith, that is, which renders it most difficult for him....

Now, how do we explain the contradiction in that sermon? Is it because Abraham is seen as a great man—so that anything he does is considered great, but if someone else did the same thing it would be a sin, a terrible sin? If that's the case, I’d rather not be part of such unthinking praise. If faith cannot make it a sacred act to want to sacrifice one’s son, then the same judgment should fall on Abraham as it would on anyone else. And if we perhaps lack the courage to think things through and say that Abraham was a murderer, then it’s better to find that courage than to waste time on undeserved praise. The truth is, ethically speaking, what Abraham did was that he intended to kill Isaac; religiously speaking, he wanted to sacrifice him. But within this contradiction lies a fear that could easily keep someone awake at night. Yet, Abraham wouldn’t be Abraham without that fear. Or, if we assume Abraham didn’t do what’s said about him, if his actions were entirely different based on the times he lived in, then let’s forget him; what’s the point of remembering a past that can no longer become a present reality? Or maybe the speaker forgot the crucial fact that Isaac was the son. Because if faith is removed, reduced to nothing, then what remains is the brutal truth that Abraham wanted to murder Isaac—which is something anyone without faith can imitate—the faith that makes it incredibly difficult for him...

Love has its priests in the poets, and one hears at times a poet's voice which worthily extols it. But not a word does one hear of faith. Who is there to speak in honor of that passion? Philosophy "goes right on." Theology sits at the window with a painted visage and sues for philosophy's favor, offering it her charms. It is said to be difficult to understand the philosophy of Hegel; but to understand Abraham, why, that is an easy matter! To proceed further than Hegel is a wonderful feat, but to proceed further than Abraham, why, nothing is easier! Personally, I have devoted a considerable amount of time to a study of Hegelian philosophy and believe I understand it fairly well; in fact, I am rash enough to say that when, notwithstanding an effort, I am not able to understand him in some passages, it is because he is not entirely clear about the matter himself. All this intellectual effort I perform easily and naturally, and it does not cause my head to ache. On the other hand, whenever I attempt to think about Abraham I am, as it were, overwhelmed. At every moment I am aware of the enormous paradox which forms the content of Abraham's life, at every moment I am repulsed, and my thought, notwithstanding its passionate attempts, cannot penetrate into it, cannot forge on the breadth of a hair. I strain every muscle in order to envisage the problem—and become a paralytic in the same moment.

Love has its champions in poets, and sometimes you hear a poet's voice that truly celebrates it. But you never hear anyone mention faith. Who’s there to honor that passion? Philosophy keeps moving forward. Theology watches from a distance with a fake smile, trying to win philosophy over with its allure. They say Hegel's philosophy is tough to grasp; but understanding Abraham? That’s a piece of cake! Going beyond Hegel is quite an accomplishment, but going beyond Abraham? That’s so much easier! Personally, I’ve spent a lot of time studying Hegel’s philosophy and I think I get it pretty well; in fact, I’m bold enough to say that when I struggle with certain passages, it’s because he isn’t entirely clear either. I manage all this intellectual work easily and without any stress. However, whenever I try to think about Abraham, I feel completely overwhelmed. I’m constantly aware of the huge paradox that defines Abraham’s life; I feel pushed away, and no matter how hard I try, my thoughts can’t break through, not even by the smallest amount. I push myself to understand the problem—and end up feeling completely paralyzed.

I am by no means unacquainted with what has been admired as great and noble, my soul feels kinship with it, being satisfied, in all humility, that it was also my cause the hero espoused; and when contemplating his deed I say to myself: "jam tua causa agitur.[15]" I am able to identify myself with the hero; but I cannot do so with Abraham, for whenever I have reached his height I fall down again, since he confronts me as the paradox. It is by no means my intention to maintain that faith is something inferior, but, on the contrary, that it is the highest of all things; also that it is dishonest in philosophy to offer something else instead, and to pour scorn on faith; but it ought to understand its own nature in order to know what it can offer. It should take away nothing; least of all, fool people out of something as if it were of no value. I am not unacquainted with the sufferings and dangers of life, but I do not fear them, and cheerfully go forth to meet them.... But my courage is not, for all that, the courage of faith, and is as nothing compared with it. I cannot carry out the movement of faith: I cannot close my eyes and confidently plunge into the absurd—it is impossible for me; but neither do I boast of it....

I’m definitely familiar with what’s considered great and noble; my soul connects with it, and I humbly accept that it was also for this cause that the hero fought. When I think about his actions, I tell myself: "jam tua causa agitur.[15]" I can see myself in the hero, but I can’t relate to Abraham. Whenever I reach his level, I fall back down again because he presents me with a paradox. I don’t mean to say that faith is inferior; on the contrary, I believe it’s the highest of all things. It’s also dishonest in philosophy to replace faith with something else and to mock it; instead, it should understand its own nature to see what it can truly offer. It shouldn’t take anything away; least of all, mislead people into thinking it’s worthless. I know about the hardships and dangers of life, but I don’t fear them and face them with optimism. However, that doesn’t mean my bravery matches the courage of faith; it pales in comparison. I can’t embrace the movement of faith; I can’t close my eyes and dive confidently into the absurd—it’s impossible for me; but I don’t brag about it either.

Now I wonder if every one of my contemporaries is really able to perform the movements of faith. Unless I am much mistaken they are, rather, inclined to be proud of making what they perhaps think me unable to do, viz., the imperfect movement. It is repugnant to my soul to do what is so often done, to speak inhumanly about great deeds, as if a few thousands of years were an immense space of time. I prefer to speak about them in a human way and as though they had been done but yesterday, to let the great deed itself be the distance which either inspires or condemns me. Now if I, in the capacity of tragic hero—for a higher flight I am unable to take—if I had been summoned to such an extraordinary royal progress as was the one to Mount Moriah, I know very well what I would have done. I would not have been craven enough to remain at home; neither would I have dawdled on the way; nor would I have forgot my knife—just to draw out the end a bit. But I am rather sure that I would have been promptly on the spot, with every thing in order—in fact, would probably have been there before the appointed time, so as to have the business soon over with. But I know also what I would have done besides. In the moment I mounted my horse I would have said to myself: "Now all is lost, God demands Isaac, I shall sacrifice him, and with him all my joy—but for all that, God is love and will remain so for me; for in this world God and I cannot speak together, we have no language in common."

Now I wonder if all my contemporaries are truly capable of showing faith. Unless I'm mistaken, they seem proud of doing what they might think I can’t do, which is the imperfect expression of faith. It deeply bothers me to see people talk about great deeds in a way that's almost inhuman, as if a few thousand years were an enormous stretch of time. I’d rather talk about them in a relatable way, as if they happened just yesterday, allowing the greatness of the act itself to either inspire or condemn me. If I were in the role of a tragic hero—since I can’t aspire to anything higher—and if I had been called to that extraordinary royal journey to Mount Moriah, I know exactly what I would have done. I wouldn’t have been cowardly enough to stay home; I wouldn’t have wasted time on the way; nor would I have forgotten my knife—just to prolong things a bit. I’m fairly certain I would’ve arrived right on time, everything sorted out—in fact, I might have even gotten there early to get it over with quickly. But I also know what else I would have thought. The moment I got on my horse, I would have told myself: "Now everything is lost, God is asking for Isaac, I will sacrifice him, and with him all my joy—but even so, God is love and will always be so for me; in this world, God and I don’t have a shared language."

Possibly, one or the other of my contemporaries will be stupid enough, and jealous enough of great deeds, to wish to persuade himself and me that if I had acted thus I should have done something even greater than what Abraham did; for my sublime resignation was (he thinks) by far more ideal and poetic than Abraham's literal-minded action. And yet this is absolutely not so, for my sublime resignation was only a substitute for faith. I could not have made more than the infinite movement (of resignation) to find myself and again repose in myself. Nor would I have loved Isaac as Abraham loved him. The fact that I was resolute enough to resign is sufficient to prove my courage in a human sense, and the fact that I loved him with my whole heart is the very presupposition without which my action would be a crime; but still I did not love as did Abraham, for else I would have hesitated even in the last minute, without, for that matter, arriving too late on Mount Moriah. Also, I would have spoiled the whole business by my behavior; for if I had had Isaac restored to me I would have been embarrassed. That which was an easy matter for Abraham would have been difficult for me, I mean, to rejoice again in Isaac; for he who with all the energy of his soul proprio motu et propriis auspiciis[16] has made the infinite movement of resignation and can do no more, he will retain possession of Isaac only in his sorrow.

Possibly, one or two of my peers will be foolish enough and jealous enough of great achievements to try to convince themselves and me that if I had acted that way, I would have accomplished something even greater than what Abraham did; because my noble resignation is (or so they think) far more ideal and poetic than Abraham's straightforward action. Yet this is absolutely not true, because my noble resignation was just a substitute for faith. I could not have achieved more than the endless act of resigning to find myself and find peace within myself again. Nor would I have loved Isaac the way Abraham loved him. The fact that I was resolute enough to resign proves my courage in a human sense, and the fact that I loved him with all my heart is the very foundation on which my actions would avoid being a crime; but still, I did not love like Abraham did, otherwise I would have hesitated even at the last minute, and I wouldn’t have arrived too late at Mount Moriah. Also, I would have ruined the whole thing with my behavior; because if I had gotten Isaac back, I would have felt awkward. What was easy for Abraham would have been hard for me, that is, to find joy again in Isaac; because he who, with all the energy of his soul, proprio motu et propriis auspiciis[16] has made the endless act of resignation and can do nothing more will only hold onto Isaac in his sorrow.

But what did Abraham? He arrived neither too early nor too late. He mounted his ass and rode slowly on his way. And all the while he had faith, believing that God would not demand Isaac of him, though ready all the while to sacrifice him, should it be demanded of him. He believed this on the strength of the absurd; for there was no question of human calculation any longer. And the absurdity consisted in God's, who yet made this demand of him, recalling his demand the very next moment. Abraham ascended the mountain and whilst the knife already gleamed in his hand he believed—that God would not demand Isaac of him. He was, to be sure, surprised at the outcome; but by a double movement he had returned at his first state of mind and therefore received Isaac back more gladly than the first time....

But what did Abraham do? He arrived neither too early nor too late. He got on his donkey and rode slowly on his way. All the while, he had faith, believing that God would not ask for Isaac, though he was ready to sacrifice him if it was required. He believed this based on the absurd; there was no longer any room for human reasoning. The absurdity lay in God's demand, which He recalled at the very next moment. Abraham climbed the mountain, and as the knife sparkled in his hand, he believed that God would not ask for Isaac. Of course, he was surprised by the outcome; but through a double movement, he returned to his original mindset and received Isaac back more joyfully than the first time...

On this height, then, stands Abraham. The last stage he loses sight of is that of infinite resignation. He does really proceed further, he arrives at faith. For all these caricatures of faith, wretched lukewarm sloth, which thinks: "Oh, there is no hurry, it is not necessary to worry before the time comes"; and miserable hopefulness, which says: "One cannot know what will happen, there might perhaps—," all these caricatures belong to the sordid view of life and have already fallen under the infinite scorn of infinite resignation.

On this height, then, stands Abraham. The last stage he loses sight of is that of total acceptance. He actually goes beyond that and reaches faith. For all these distorted views of faith, the pathetic indifference that thinks, “Oh, there’s no rush, no need to worry until it’s time”; and the miserable optimism that says, “You can’t know what will happen; maybe—,” all these distortions belong to a grim perspective on life and have already come under the infinite disdain of total acceptance.

Abraham, I am not able to understand; and in a certain sense I can learn nothing from him without being struck with wonder. They who flatter themselves that by merely considering the outcome of Abraham's story they will necessarily arrive at faith, only deceive themselves and wish to cheat God out of the first movement of faith—it were tantamount to deriving worldly wisdom from the paradox. But who knows, one or the other of them may succeed in doing this; for our times are not satisfied with faith, and not even with the miracle of changing water into wine—they "go right on" changing wine into water.

Abraham, I can’t really understand, and in a way, I can’t learn anything from him without being amazed. Those who think that by just looking at the outcome of Abraham’s story they will automatically gain faith are only fooling themselves and trying to trick God out of the initial spark of faith—it’s like trying to get worldly wisdom from a paradox. But who knows, maybe one of them will manage to do it; because nowadays, people aren’t satisfied with faith, and not even with the miracle of turning water into wine—they just keep on turning wine back into water.

Is it not preferable to remain satisfied with faith, and is it not outrageous that every one wishes to "go right on"? If people in our times decline to be satisfied with love, as is proclaimed from various sides, where will we finally land? In worldly shrewdness, in mean calculation, in paltriness and baseness, in all that which renders man's divine origin doubtful. Were it not better to stand fast in the faith, and better that he that standeth take heed lest he fall;[17] for the movement of faith must ever be made by virtue of the absurd, but, note well, in such wise that one does not lose the things of this world but wholly and entirely regains them.

Isn’t it better to be content with faith, and isn’t it ridiculous that everyone wants to keep pushing forward? If people today refuse to be satisfied with love, as many claim, where will we end up? In worldly cleverness, in petty calculations, in triviality and selfishness, in everything that makes us doubt our divine origin. Wouldn’t it be wiser to hold firm in our faith, and better for those who stand to be careful not to fall;[17] because the movement of faith must always be fueled by the absurd, but remember, in such a way that we don’t lose the things of this world but fully and completely regain them.

As far as I am concerned, I am able to describe most excellently the movements of faith; but I cannot make them myself. When a person wishes to learn how to swim he has himself suspended in a swimming-belt and then goes through the motions; but that does not mean that he can swim. In the same fashion I too can go through the motions of faith; but when I am thrown into the water I swim; to be sure (for I am not a wader in the shallows), but I go through a different set of movements, to-wit, those of infinity; whereas faith does the opposite, to-wit, makes the movements to regain the finite after having made those of infinite resignation. Blessed is he who can make these movements, for he performs a marvelous feat, and I shall never weary of admiring him, whether now it be Abraham himself or the slave in Abraham's house, whether it be a professor of philosophy or a poor servant-girl: it is all the same to me, for I have regard only to the movements. But these movements I watch closely, and I will not be deceived, whether by myself or by any one else. The knights of infinite resignation are easily recognized, for their gait is dancing and bold. But they who possess the jewel of faith frequently deceive one because their bearing is curiously like that of a class of people heartily despised by infinite resignation as well as by faith—the philistines.

As far as I'm concerned, I can describe the movements of faith really well; but I can't actually perform them myself. When someone wants to learn how to swim, they put on a life jacket and practice the motions; but that doesn't mean they can actually swim. In the same way, I can go through the motions of faith; but when I'm thrown into deep water, I swim—no doubt about that (since I don't just tread water in the shallows)—but I use a different set of movements, those of infinity. Faith, on the other hand, works to regain the finite after having gone through the motions of infinite resignation. Blessed is the person who can make these movements, for they achieve something remarkable, and I will never stop admiring them, whether it's Abraham himself or a servant in Abraham's household, a philosophy professor or a poor maid—it's all the same to me, as I focus only on the movements. But I pay close attention to these movements, and I won't be fooled, whether by myself or anyone else. The knights of infinite resignation are easy to spot because they move with a dancing, confident stride. But those who possess the treasure of faith often mislead others because their demeanor is oddly similar to that of a group of people who are looked down upon by both infinite resignation and faith—the philistines.

Let me admit frankly that I have not in my experience encountered any certain specimen of this type; but I do not refuse to admit that as far as I know, every other person may be such a specimen. At the same time I will say that I have searched vainly for years. It is the custom of scientists to travel around the globe to see rivers and mountains, new stars, gay-colored birds, misshapen fish, ridiculous races of men. They abandon themselves to a bovine stupor which gapes at existence and believe they have seen something worth while. All this does not interest me; but if I knew where there lived such a knight of faith I would journey to him on foot, for that marvel occupies my thoughts exclusively. Not a moment would I leave him out of sight, but would watch how he makes the movements, and I would consider myself provided for life, and would divide my time between watching him and myself practicing the movements, and would thus use all my time in admiring him.

Let me be honest: I haven’t personally encountered any clear example of this type, but I can’t deny that everyone else might be one. At the same time, I have searched unsuccessfully for years. Scientists often travel the world to see rivers, mountains, new stars, colorful birds, strange fish, and odd human races. They get lost in a dull fascination with existence and think they’ve discovered something significant. None of that interests me; if I knew where such a knight of faith lived, I would walk to him, because that wonder occupies my mind completely. I wouldn’t take my eyes off him for a second; I would observe how he moves, believing I’d found my purpose in life. I would split my time between watching him and practicing the movements myself, devoting all my time to admiring him.

As I said, I have not met with such a one; but I can easily imagine him. Here he is. I make his acquaintance and am introduced to him. The first moment I lay my eyes on him I push him back, leaping back myself, I hold up my hands in amazement and say to myself: "Good Lord! that person? Is it really he—why, he looks like a parish-beadle!" But it is really he. I become more closely acquainted with him, watching his every movement to see whether some trifling incongruous movement of his has escaped me, some trace, perchance, of a signaling from the infinite, a glance, a look, a gesture, a melancholy air, or a smile, which might betray the presence of infinite resignation contrasting with the finite.

As I mentioned, I haven't met anyone like that; but I can easily picture him. Here he is. I’m introduced to him. The moment I lay my eyes on him, I instinctively step back, jumping away and holding up my hands in disbelief, thinking to myself: “Good grief! That person? Is it really him—he looks just like a church caretaker!” But it really is him. I get to know him better, observing every move he makes to see if I missed some small, odd gesture of his, some sign, perhaps, of something deeper, a look, a glance, a gesture, a sad demeanor, or a smile that might reveal the presence of deep acceptance contrasting with the everyday.

But no! I examine his figure from top to toe to discover whether there be anywhere a chink through which the infinite might be seen to peer forth. But no! he is of a piece, all through. And how about his footing? Vigorous, altogether that of finiteness, no citizen dressed in his very best, prepared to spend his Sunday afternoon in the park, treads the ground more firmly. He belongs altogether to this world, no philistine more so. There is no trace of the somewhat exclusive and haughty demeanor which marks off the knight of infinite resignation. He takes pleasure in all things, is interested in everything, and perseveres in whatever he does with the zest characteristic of persons wholly given to worldly things. He attends to his business, and when one sees him one might think he was a clerk who had lost his soul in doing double bookkeeping, he is so exact. He takes a day off on Sundays. He goes to church. But no hint of anything supernatural or any other sign of the incommensurable betrays him, and if one did not know him it would be impossible to distinguish him in the congregation, for his brisk and manly singing proves only that he has a pair of good lungs.

But no! I look him over from head to toe to see if there’s any way the infinite might peek through. But no! He’s completely solid all the way through. And how about his stance? Strong, definitely that of someone finite; no one dressed in their finest, ready to enjoy a Sunday afternoon in the park, stands more firmly. He fully belongs to this world, no common person more so. There’s no sign of the somewhat elitist and arrogant attitude that characterizes the knight of infinite resignation. He enjoys everything, is curious about all things, and tackles whatever he does with the enthusiasm typical of those completely absorbed in worldly matters. He focuses on his work, and when you see him, you might think he’s a clerk who’s lost his soul in double-entry bookkeeping; he’s so meticulous. He takes Sundays off. He goes to church. But there’s no hint of anything supernatural or any sign of the extraordinary about him, and if one didn’t know him, it would be impossible to pick him out in the congregation, as his cheerful and robust singing only shows that he has good lungs.

In the afternoon he walks out to the forest. He takes delight in all he sees, in the crowds of men and women, the new omnibuses, the Sound—if one met him on the promenade one might think he was some shopkeeper who was having a good time, so simple is his joy; for he is not a poet, and in vain have I tried to lure him into betraying some sign of the poet's detachment. Toward evening he walks home again, with a gait as steady as that of a mail-carrier. On his way he happens to wonder whether his wife will have some little special warm dish ready for him, when he comes home—as she surely has—as, for instance, a roasted lamb's head garnished with greens. And if he met one minded like him he is very likely to continue talking about this dish with him till they reach the East Gate, and to talk about it with a zest befitting a chef. As it happens, he has not four shillings to spare, and yet he firmly believes that his wife surely has that dish ready for him. If she has, it would be an enviable sight for distinguished people, and an inspiring one for common folks, to see him eat, for he has an appetite greater than Esau's. His wife has not prepared it—strange, he remains altogether the same.

In the afternoon, he strolls out to the forest. He enjoys everything he sees: the crowds of men and women, the new buses, the view—if you ran into him on the promenade, you might think he was just a shopkeeper having a good time, his joy so simple; because he’s not a poet, and despite my attempts to get him to show some hint of a poet’s detachment, I’ve had no luck. Toward evening, he walks home again, with a stride as steady as a mail carrier’s. On his way, he wonders if his wife will have something special and warm ready for him when he gets home—as she surely does—like a roasted lamb's head with greens. If he encounters someone with a similar mindset, he’ll probably keep chatting about this dish all the way to the East Gate, discussing it with the enthusiasm of a chef. As it turns out, he doesn’t have four shillings to spare, yet he is convinced that his wife has that dish prepared for him. If she does, it would be a sight to envy for the distinguished and an inspiration for the everyday people to see him eat, as his appetite is greater than Esau's. His wife hasn’t made it—strangely, he remains completely unchanged.

Again, on his way he passes a building lot and there meets another man. They fall to talking, and in a trice he erects a building, freely disposing of everything necessary. And the stranger will leave him with the impression that he has been talking with a capitalist—the fact being that the knight of my admiration is busy with the thought that if it really came to the point he would unquestionably have the means wherewithal at his disposal.

Again, on his way, he passes a construction site and meets another guy. They start chatting, and in no time, he builds something, easily managing everything he needs. The stranger gives him the impression that he’s been talking to a wealthy investor—the truth is, the knight I admire is just thinking that if it really came down to it, he would definitely have the resources he needs.

Now he is lying on his elbows in the window and looking over the square on which he lives. All that happens there, if it be only a rat creeping into a gutter-hole, or children playing together—everything engages his attention, and yet his mind is at rest as though it were the mind of a girl of sixteen. He smokes his pipe in the evening, and to look at him you would swear it was the green-grocer from across the street who is lounging at the window in the evening twilight. Thus he shows as much unconcern as any worthless happy-go-lucky fellow; and yet, every moment he lives he purchases his leisure at the highest price, for he makes not the least movement except by virtue of the absurd; and yet, yet—indeed, I might become furious with anger, if for no other reason than that of envy—and yet, this man has performed, and is performing every moment, the movement of infinity... He has resigned everything absolutely, and then again seized hold of it all on the strength of the absurd...

Now he’s lying on his elbows in the window, looking out over the square where he lives. Everything that happens there, whether it’s a rat sneaking into a gutter or kids playing together—captures his attention, and yet his mind is at ease, like that of a sixteen-year-old girl. He smokes his pipe in the evening, and if you saw him, you’d think he was the grocer from across the street just lounging at the window in the evening twilight. He shows as much indifference as any carefree, good-for-nothing guy; and yet, every moment he experiences, he buys his leisure at the highest cost, making no movement except through the absurd; and still—honestly, I could get furious with jealousy, if for no other reason—and yet, this man has performed and continues to perform, every moment, the movement of infinity... He has given up everything completely, and then again grasped it all through the absurd...

But this miracle may so easily deceive one that it will be best if I describe the movements in a given case which may illustrate their aspect in contact with reality; and that is the important point. Suppose, then, a young swain falls in love with a princess, and all his life is bound up in this love. But circumstances are such that it is out of the question to think of marrying her, an impossibility to translate his dreams into reality. The slaves of paltriness, the frogs in the sloughs of life, they will shout, of course: "Such a love is folly, the rich brewer's widow is quite as good and solid a match." Let them but croak. The knight of infinite resignation does not follow their advice, he does not surrender his love, not for all the riches in the world. He is no fool, he first makes sure that this love really is the contents of his life, for his soul is too sound and too proud to waste itself on a mere intoxication. He is no coward, he is not afraid to let his love insinuate itself into his most secret and most remote thoughts, to let it wind itself in innumerable coils about every fiber of his consciousness—if he is disappointed in his love he will never be able to extricate himself again. He feels a delicious pleasure in letting love thrill his every nerve, and yet his soul is solemn as is that of him who has drained a cup of poison and who now feels the virus mingle with every drop of his blood, poised in that moment between life and death.

But this miracle can easily mislead someone, so I think it’s best to describe the actions in a particular scenario that might show how they relate to reality; that’s the crucial point. Imagine a young man falls in love with a princess, and his entire life revolves around this love. But the situation is such that marrying her is completely out of the question, and he can't turn his dreams into reality. The naysayers, the small-minded individuals stuck in the muck of life, will surely shout, “Such a love is foolish, the wealthy brewer's widow is just as good a match.” Let them complain. The knight of infinite resignation doesn’t take their advice; he refuses to give up on his love, not for all the riches in the world. He’s no fool; he first ensures that this love truly is the core of his existence, for his soul is too strong and too proud to squander itself on mere excitement. He’s no coward; he isn’t afraid to let his love seep into his most private and distant thoughts, to allow it to wrap itself around every fiber of his being—if he gets let down in his love, he won't be able to free himself again. He feels a wonderful pleasure in letting love electrify his every nerve, and yet his soul is serious, like someone who has just downed a cup of poison and now feels the toxin course through every drop of his blood, balanced in that moment between life and death.

Having thus imbibed love, and being wholly absorbed in it, he does not lack the courage to try and dare all. He surveys the whole situation, he calls together his swift thoughts which like tame pigeons obey his every beck, he gives the signal, and they dart in all directions. But when they return, every one bearing a message of sorrow, and explain to him that it is impossible, then he becomes silent, he dismisses them, he remains alone; and then he makes the movement. Now if what I say here is to have any significance, it is of prime importance that the movement be made in a normal fashion. The knight of resignation is supposed to have sufficient energy to concentrate the entire contents of his life and the realization of existing conditions into one single wish. But if one lacks this concentration, this devotion to a single thought; if his soul from the very beginning is scattered on a number of objects, he will never be able to make the movement—he will be as worldly-wise in the conduct of his life as the financier who invests his capital in a number of securities to win on the one if he should lose on the other; that is, he is no knight. Furthermore, the knight is supposed to possess sufficient energy to concentrate all his thought into a single act of consciousness. If he lacks this concentration he will only run errands in life and will never be able to assume the attitude of infinite resignation; for the very minute he approaches it he will suddenly discover that he forgot something so that he must remain behind. The next minute, thinks he, it will be attainable again, and so it is; but such inhibitions will never allow him to make the movement but will, rather, tend to let him sink ever deeper into the mire.

Having embraced love and being completely consumed by it, he has the courage to attempt anything. He evaluates the entire situation, gathers his quick thoughts which, like trained pigeons, respond to his every call, gives the signal, and they fly off in all directions. But when they come back, each carrying a message of sadness and telling him it’s impossible, he falls silent, dismisses them, and is left alone; then he makes the move. Now, if what I’m saying here is to matter, it’s crucial that the move is made in a normal way. The knight of resignation is expected to have enough energy to focus the entire essence of his life and the awareness of current conditions into one single desire. But if he lacks this focus, this commitment to a single thought; if his soul is scattered among various things from the start, he will never be able to make the move—he will be as worldly-wise in the way he lives as a financier who splits his investments among several securities to gain on one if he loses on another; in other words, he isn’t a knight. Additionally, the knight should have enough energy to channel all his thoughts into one clear act of awareness. Without this focus, he will just be running errands in life and will never be able to adopt the attitude of complete resignation; because the moment he gets close to it, he will suddenly realize that he forgot something and has to stay behind. The next minute, he thinks, it will be attainable again, and it is; but such distractions will prevent him from making the move and will instead pull him deeper into the mess.

Our knight, then, performs the movement—which movement? Is he intent on forgetting the whole affair, which, too, would presuppose much concentration? No, for the knight does not contradict himself, and it is a contradiction to forget the main contents of one's life and still remain the same person. And he has no desire to become another person; neither does he consider such a desire to smack of greatness. Only lower natures forget themselves and become something different. Thus the butterfly has forgotten that it once was a caterpillar—who knows but it may forget altogether that it once was a butterfly, and turn into a fish! Deeper natures never forget themselves and never change their essential qualities. So the knight remembers all; but precisely this remembrance is painful. Nevertheless, in his infinite resignation he has become reconciled with existence. His love for the princess has become for him the expression of an eternal love, has assumed a religious character, has been transfigured into a love for the eternal being which, to be sure, denied him the fulfillment of his love, yet reconciled him again by presenting him with the abiding consciousness of his love's being preserved in an everlasting form of which no reality can rob him....

Our knight, then, makes a move—which move? Is he trying to forget the entire situation, which would require a lot of focus? No, because the knight doesn't contradict himself, and it contradicts one's nature to forget the key aspects of one's life and still be the same person. He has no wish to become someone else; nor does he see such a desire as something noble. Only lesser beings forget themselves and become something new. Just like a butterfly that has forgotten it was once a caterpillar—who's to say it won't forget that it was once a butterfly and turn into a fish! Deeper beings never lose sight of themselves and never change their essential nature. So the knight remembers everything; but this memory is painful. Yet, through his endless acceptance, he has made peace with existence. His love for the princess has turned into a symbol of eternal love, taken on a spiritual quality, and transformed into a love for the eternal being, which, while denying him the fulfillment of his love, has reconciled him by giving him the lasting awareness that his love is preserved in an everlasting form that no reality can take away from him....

Now, he is no longer interested in what the princess may do, and precisely this proves that he has made the movement of infinite resignation correctly. In fact, this is a good criterion for detecting whether a person's movement is sincere or just make-believe. Take a person who believes that he too has resigned, but lo! time passed, the princess did something on her part, for example, married a prince, and then his soul lost the elasticity of its resignation. This ought to show him that he did not make the movement correctly, for he who has resigned absolutely is sufficient unto himself. The knight does not cancel his resignation, but preserves his love as fresh and young as it was at the first moment, he never lets go of it just because his resignation is absolute. Whatever the princess does, cannot disturb him, for it is only the lower natures who have the law for their actions in some other person, i.e. have the premises of their actions outside of themselves....

Now, he isn’t interested anymore in what the princess might do, and this shows that he has genuinely moved into a state of complete resignation. In fact, this is a good way to tell if someone's resignation is real or just pretend. Consider someone who thinks they have resigned, but then time goes by, the princess does something like marrying a prince, and suddenly their soul loses the resilience of that resignation. This should make them realize that their resignation wasn’t genuine because someone who has truly resigned is self-sufficient. The knight doesn’t revoke his resignation; he keeps his love fresh and youthful just like it was in the beginning. He never lets go of it just because his resignation is absolute. No matter what the princess does, it doesn’t affect him, because only those with weaker natures base their actions on someone else, meaning they derive their motivations externally.

Infinite resignation is the last stage which goes before faith, so that every one who has not made the movement of infinite resignation cannot have faith; for only through absolute resignation do I become conscious of my eternal worth, and only then can there arise the problem of again grasping hold of this world by virtue of faith.

Infinite resignation is the final step that comes before faith, so anyone who hasn't gone through the process of infinite resignation can't have faith; because only through complete resignation do I become aware of my eternal value, and only then does the challenge of reconnecting with this world through faith emerge.

We will now suppose the knight of faith in the same case. He does precisely as the other knight, he absolutely resigns the love which is the contents of his life, he is reconciled to the pain; but then the miraculous happens, he makes one more movement, strange beyond comparison, saying: "And still I believe that I shall marry her—marry her by virtue of the absurd, by virtue of the act that to God nothing is impossible." Now the absurd is not one of the categories which belong to the understanding proper. It is not identical with the improbable, the unforeseen, the unexpected. The very moment our knight resigned himself he made sure of the absolute impossibility, in any human sense, of his love. This was the result reached by his reflections, and he had sufficient energy to make them. In a transcendent sense, however, by his very resignation, the attainment of his end is not impossible; but this very act of again taking possession of his love is at the same time a relinquishment of it. Nevertheless this kind of possession is by no means an absurdity to the intellect; for the intellect all the while continues to be right, as it is aware that in the world of finalities, in which reason rules, his love was and is, an impossibility. The knight of faith realizes this fully as well. Hence the only thing which can save him is recourse to the absurd, and this recourse he has through his faith. That is, he clearly recognizes the impossibility, and in the same moment he believes the absurd; for if he imagined he had faith, without at the same time recognizing, with all the passion his soul is capable of, that his love is impossible, he would be merely deceiving himself, and his testimony would be of no value, since he had not arrived even at the stage of absolute resignation....

We will now consider the knight of faith in the same situation. He does exactly what the other knight does; he completely gives up the love that is the essence of his life and accepts the pain. However, something miraculous happens—he takes one more step, a move that is incredibly unusual, saying, "And yet I believe that I will marry her—marry her by the power of the absurd, by the belief that for God nothing is impossible." The absurd isn't one of the categories that belong to rational understanding. It’s not the same as the unlikely, the unforeseen, or the unexpected. The moment our knight resigns himself, he acknowledges the absolute impossibility, in any human sense, of his love. This is the conclusion he reaches through his reflections, and he has enough strength to make them. In a transcendent sense, however, by resigning, achieving his goal is not impossible; yet this act of reclaiming his love also means letting it go. Still, this type of possession is by no means absurd to the intellect; because, to the intellect, it recognizes that in the realm of ultimate goals, where reason prevails, his love was and is an impossibility. The knight of faith understands this fully as well. Therefore, the only thing that can save him is turning to the absurd, which he does through his faith. That is, he clearly sees the impossibility, and at the same time, he believes in the absurd; for if he believed he had faith without also acknowledging, with all the passion in his soul, that his love is impossible, he would simply be fooling himself, and his testimony would have no value since he wouldn’t have even reached the point of absolute resignation....

This last movement, the paradoxical movement of faith, I cannot make, whether or no it be my duty, although I desire nothing more ardently than to be able to make it. It must be left to a person's discretion whether he cares to make this confession; and at any rate, it is a matter between him and the Eternal Being, who is the object of his faith, whether an amicable adjustment can be affected. But what every person can do is to make the movement of absolute resignation, and I for my part would not hesitate to declare him a coward who imagines he cannot perform it. It is a different matter with faith. But what no person has a right to, is to delude others into the belief that faith is something of no great significance, or that it is an easy matter, whereas it is the greatest and most difficult of all things.

This last movement, the paradoxical act of faith, is something I can't accomplish, whether or not it's my duty, even though I want nothing more than to be able to do it. It’s up to each individual to decide if they want to make this confession; ultimately, it’s a private matter between them and the Eternal Being, who is the focus of their faith, whether a friendly resolution can be achieved. However, what everyone can do is make the move of complete resignation, and I would not hesitate to call someone a coward who thinks they can't do it. Faith is a different issue. But what no one has the right to do is to mislead others into thinking that faith is unimportant or that it's an easy task when it is, in fact, the most significant and challenging of all things.

But the story of Abraham is generally interpreted in a different way. God's mercy is praised which restored Isaac to him—it was but a trial! A trial. This word may mean much or little, and yet the whole of it passes off as quickly as the story is told: one mounts a winged horse, in the same instant one arrives on Mount Moriah, and presto one sees the ram. It is not remembered that Abraham only rode on an ass which travels but slowly, that it was a three days' journey for him, and that he required some additional time to collect the firewood, to bind Isaac, and to whet his knife.

But the story of Abraham is usually understood in a different way. God's mercy is celebrated for bringing Isaac back to him—it was just a test! A test. This word can mean a lot or very little, yet the entire experience passes by as quickly as the story is told: one jumps on a winged horse, and in an instant, one arrives at Mount Moriah, and presto, one sees the ram. It’s forgotten that Abraham only rode a donkey, which moves slowly, that it took him three days to get there, and that he needed some extra time to gather firewood, tie up Isaac, and sharpen his knife.

And yet one extols Abraham. He who is to preach the sermon may sleep comfortably until a quarter of an hour before he is to preach it, and the listener may comfortably sleep during the sermon, for everything is made easy enough, without much exertion either to preacher or listener. But now suppose a man was present who suffered with sleeplessness and who went home and sat in a corner and reflected as follows: "The whole lasted but a minute, you need only wait a little while, and then the ram will be shown and the trial will be over." Now if the preacher should find him in this frame of mind, I believe he would confront him in all his dignity and say to him: "Wretch that thou art, to let thy soul lapse into such folly; miracles do not happen, all life is a trial." And as he proceeded he would grow more and more passionate, and would become ever more satisfied with himself; and whereas he had not noticed any congestion in his head whilst preaching about Abraham, he now feels the veins on his forehead swell. Yet who knows but he would stand aghast if the sinner should answer him in a quiet and dignified manner that it was precisely this about which he preached the Sunday before.

And yet people praise Abraham. The person getting ready to give the sermon can sleep soundly right up until fifteen minutes before it starts, and the audience can doze off during the sermon because it’s all made easy enough without much effort from either the preacher or the listeners. But imagine a man who can’t sleep, goes home, and sits in a corner thinking, “This will only take a minute; just wait a little longer, and then the ram will be revealed, and the trial will be done.” If the preacher finds him in this mindset, I believe he would confront him with all his authority and say, “How dare you let your soul sink into such foolishness; miracles don’t happen; life itself is a trial.” As he continues, he would become more and more passionate and feel increasingly proud of himself; while he hadn’t felt any pressure in his head while preaching about Abraham, he now feels the veins on his forehead throb. Yet who knows, he might be stunned if the sinner calmly and respectfully reminded him that he preached exactly about this the Sunday before.

Let us then either waive the whole story of Abraham, or else learn to stand in awe of the enormous paradox which constitutes his significance for us, so that we may learn to understand that our age, like every age, may rejoice if it has faith. If the story of Abraham is not a mere nothing, an illusion, or if it is just used for show and as a pastime, the mistake cannot by any means be in the sinner's wishing to do likewise; but it is necessary to find out how great was the deed which Abraham performed, in order that the man may judge for himself whether he has the courage and the mission to do likewise. The comical contradiction in the procedure of the preacher was his reduction of the story of Abraham to insignificance whereas he rebuked the other man for doing the very same thing.

Let’s either skip the whole story of Abraham or learn to appreciate the huge paradox that makes him significant for us, so we can understand that our time, like any other, can celebrate if it has faith. If the story of Abraham isn’t just meaningless or an illusion, or if it's not just for show and entertainment, then it’s not a mistake for a sinner to want to do the same; however, it’s important to find out how great the act of Abraham was, so each person can decide for themselves whether they have the courage and purpose to do the same. The ironic contradiction in the preacher’s approach was that he trivialized the story of Abraham while reprimanding another person for doing exactly that.

But should we then cease to speak about Abraham? I certainly think not. But if I were to speak about him I would first of all describe the terrors of his trial. To that end leech-like I would suck all the suffering and distress out of the anguish of a father, in order to be able to describe what Abraham suffered whilst yet preserving his faith. I would remind the hearer that the journey lasted three days and a goodly part of the fourth—in fact, these three and a half days ought to become infinitely longer than the few thousand years which separate me from Abraham. I would remind him, as I think right, that every person is still permitted to turn about-before trying his strength on this formidable task; in fact, that he may return every instant in repentance. Provided this is done, I fear for nothing. Nor do I fear to awaken great desire among people to attempt to emulate Abraham. But to get out a cheap edition of Abraham and yet forbid every one to do as he did, that I call ridiculous.[18]

But should we stop talking about Abraham? I definitely don’t think so. If I were to discuss him, I would first talk about the intense challenges he faced. To do that, I would extract all the pain and distress from the heartbreak of a father, so I could describe what Abraham went through while still keeping his faith. I would remind everyone that the journey took three days and a good part of the fourth—in fact, those three and a half days should feel much longer than the few thousand years separating me from Abraham. I would remind him, as I think is right, that anyone is still allowed to turn back—before testing their strength with this daunting task; in fact, anyone can repent and return at any moment. As long as this is done, I’m not afraid of anything. Nor am I afraid to inspire a great desire in people to try to follow Abraham’s example. But putting out a watered-down version of Abraham and then telling everyone they can’t do what he did—that’s just ridiculous.[18]


[1]Freely afetr Genesis 22.

__A_TAG_PLACEHOLDER_0__Freely after Genesis 22.

[2]Genesis 20, 11 f.

__A_TAG_PLACEHOLDER_0__Genesis 20, 11 ff.

[3]Genesis 22, 1.

__A_TAG_PLACEHOLDER_0__Genesis 22:1.

[4]Luke 23, 30.

__A_TAG_PLACEHOLDER_0__Luke 23:30.

[5]Genesis 22, 3.

__A_TAG_PLACEHOLDER_0__Genesis 22:3.

[6]Genesis 22, 9.

__A_TAG_PLACEHOLDER_0__Genesis 22:9.

[7]Cf. Thessalonians 3, 10.

[7]Compare. Thessalonians 3, 10.

[8]In Aladdin, Oehlenschläger's famous dramatic poem, Aladdin, "the cheerful son of nature," is contrasted with Noureddin, representing the gloom of doubt and night.

[8]In Aladdin, Oehlenschläger's well-known dramatic poem, Aladdin, "the cheerful son of nature," is compared with Noureddin, who symbolizes the darkness of doubt and night.

[9]Matthew 5, 45.

__A_TAG_PLACEHOLDER_0__Matthew 5:45.

[10]Cf. not the legend but Plato's Symposion.

[10]See. not the legend but Plato's Symposium.

[11]Matthew 3, 9.

Matthew 3:9.

[12]Isaiah 26, 18.

__A_TAG_PLACEHOLDER_0__Isaiah 26, 18.

[13]Themistocles, that is; see Plutarch, Lives.

[13]Themistocles, that is; see Plutarch, Lives.

[14]Matthew 19, 16f.

__A_TAG_PLACEHOLDER_0__Matthew 19, 16ff.

[15]Your cause, too, is at stake.

[15]Your interests are also on the line.

[16]By his own impulse and on his own responsibility.

[16]On his own initiative and under his own accountability.

[17]Cf. I Cor. 10, 12.

[17]See. I Cor. 10, 12.

[18]The above, with the omissions indicated, constitutes about one-third of "Fear and Trembling."

[18]The above, with the noted omissions, makes up roughly one-third of "Fear and Trembling."


PREPARATION FOR A CHRISTIAN LIFE

I[1]

"COME HITHER UNTO ME, ALL YE THAT LABOR AND ARE HEAVY LADEN, AND I WILL GIVE YOU REST." (MATTHEW 11, 28.)

"Come to me, all you who are tired and carrying heavy burdens, and I will give you rest." (Matthew 11, 28.)

THE INVITATION

"Come hither!"—It is not at all strange if he who is in danger and needs help—speedy, immediate help, perhaps—it is not strange if he cries out: "come hither"! Nor it is strange that a quack cries his wares: "come hither, I cure all maladies"; alas, for in the case of the quack it is only too true that it is the physician who has need of the sick. "Come hither all ye who at extortionate prices can pay for the cure—or at any rate for the medicine; here is physic for everybody—who can pay; come hither!"

"Come here!"—It's not surprising if someone in danger and in urgent need of help shouts: "Come here!" It's also not unusual for a fraud to hawk their goods: "Come here, I can cure anything"; sadly, in the case of the fraud, it’s quite true that it's the doctor who needs the patients. "Come here all of you who can afford the overpriced treatment—or at least the medicine; here’s a remedy for everyone—who can pay; come here!"

In all other cases, however, it is generally true that he who can help must be sought; and, when found, may be difficult of access; and, if access is had, his help may have to be implored a long time; and when his help has been implored a long time, he may be moved only with difficulty, that is, he sets a high price on his services; and sometimes, precisely when he refuses payment or generously asks for none, it is only an expression of how infinitely high he values his services. On the other hand, he[2] who sacrificed himself, he sacrifices himself, here too; it is indeed he who seeks those in need of help, is himself the one who goes about and calls, almost imploringly: "come hither!" He, the only one who can help, and help with what alone is indispensable, and can save from the one truly mortal disease, he does not wait for people to come to him, but comes himself, without having been called; for it is he who calls out to them, it is he who holds out help—and what help! Indeed, that simple sage of antiquity[3] was as infinitely right as the majority who do the opposite are wrong, in setting no great price, whether on himself or his instruction; even if he thus in a certain sense proudly expressed the utter difference in kind between payment and his services. But he was not so solicitous as to beg any one to come to him, notwithstanding—or shall I say because?—he was not altogether sure what his help signified; for the more sure one is that his help is the only one obtainable, the more reason has he, in a human sense, to ask a great price for it; and the less sure one is, the more reason has he to offer freely the possible help he has, in order to do at least something for others. But he who calls himself the Savior, and knows that he is, he calls out solicitously: "come hither unto me!"

In all other situations, it’s usually true that if someone can help, they need to be sought out; and when you find them, they might be hard to reach; and even if you do get in touch, you might have to beg for their help for a long time; and once you’ve pleaded with them for a while, they might still be hard to convince, meaning they value their services highly; and sometimes, just when they refuse payment or generously ask for none, it’s only a sign of how incredibly valuable they consider their help. On the other hand, the one who sacrifices himself does just that; it’s really he who looks for those in need of help, who goes around and calls out, almost begging: "come here!" He, the only one capable of truly helping, who offers what is absolutely essential and can save from the one real deadly illness, doesn’t wait for people to come to him, but instead goes to them, without waiting for an invitation; for it’s he who calls out to them, it’s he who offers help—and what help it is! Indeed, that simple wise man from ancient times was completely right, as the majority who do the opposite are wrong, for not placing a high value on himself or his teachings; even if in a way he proudly showed the fundamental difference between payment and his help. But he wasn’t so desperate as to beg anyone to come to him, despite—or should I say because?—he wasn’t entirely sure what his help really meant; for the more certain someone is that their help is the only one available, the more justification they have, in a human sense, to demand a high price for it; and the less certain one is, the more reason they have to offer whatever help they can freely, in order to do at least something for others. But he who calls himself the Savior, and knows that he is, he calls out urgently: "come to me!"

"Come hither all ye!"—Strange! For if he who, when it comes to the point, perhaps cannot help a single one—if such a one should boastfully invite everybody, that would not seem so very strange, man's nature being such as it is. But if a man is absolutely sure of being able to help, and at the same time willing to help, willing to devote his all in doing so, and with all sacrifices, then he generally makes at least one reservation; which is, to make a choice among those he means to help. That is, however willing one may be, still it is not everybody one cares to help; one does not care to sacrifice one's self to that extent. But he, the only one who can really help, and really help everybody—the only one, therefore, who really can invite everybody—he makes no conditions whatever; but utters the invitation which, from the beginning of the world, seems to have been reserved for him: "Come hither all ye!" Ah, human self-sacrifice, even when thou art most beautiful and noble, when we admire thee most: this is a sacrifice still greater, which is, to sacrifice every provision for one's own self, so that in one's willingness to help there is not even the least partiality. Ah, the love that sets no price on one's self, that makes one forget altogether that he is the helper, and makes one altogether blind as to who it is one helps, but infinitely careful only that he be a sufferer, whatever else he may be; and thus willing unconditionally to help everybody—different, alas! in this from everybody!

"Come here, everyone!" — It's odd! If someone, when it comes down to it, might not be able to help even one person—if that person were to confidently invite everyone, it wouldn’t seem too strange, considering human nature. But if someone is completely sure that they can help and is also willing to help, fully committed to doing so despite any sacrifices, they usually make at least one condition; that is, they choose who they want to help. No matter how willing someone may be, they don't want to help everyone; they aren't ready to sacrifice themselves to that extent. But that person, the only one who can truly help and genuinely assist everyone—the only one who can truly invite all—puts no conditions at all; instead, they declare the invitation that seems to have been meant for them since the beginning of time: "Come here, everyone!" Ah, human self-sacrifice, even at its most beautiful and admirable, when we admire you the most: there exists an even greater sacrifice, which is to give up all concerns for oneself, so that in the desire to help, there is not even a hint of favoritism. Ah, the love that puts no value on oneself, that makes one completely forget they are the helper, and makes one blind to who they are helping, only being infinitely careful that the person is a sufferer, whatever else they might be; and thus willing to help everyone unconditionally—different, alas! from everyone!

"Come hither unto me!" Strange! For human compassion also, and willingly, does something for them that labor and are heavy laden; one feeds the hungry, clothes the naked, makes charitable gifts, builds charitable institutions, and if the compassion be heartfelt, perhaps even visits those that labor and are heavy laden. But to invite them to come to one, that will never do, because then all one's household and manner of living would have to be changed. For a man cannot himself live in abundance, or at any rate in well-being and happiness, and at the same time dwell in one and the same house together with, and in daily intercourse with, the poor and miserable, with them that labor and are heavy laden! In order to be able to invite them in such wise, a man must himself live altogether in the same way, as poor as the poorest, as lowly as the lowliest, familiar with the sorrows and sufferings of life, and altogether belonging to the same station as they whom he invites, that is, they who labor and are heavy laden. If he wishes to invite a sufferer, he must either change his own condition to be like that of the sufferer, or else change that of the sufferer to be like his own; for if this is not done the difference will stand out only the more by contrast. And if you wish to invite all those who suffer—for you may make an exception with one of them and change his condition—it can be done only in one way, which is, to change your condition so as to live as they do; provided your life be not already lived thus, as was the case with Him who said: "Come hither unto me, all ye that labor and are heavy laden!" Thus said he; and they who lived with him saw him, and behold! there was not even the least thing in his manner of life to contradict it. With the silent and truthful eloquence of actual performance his life expresses—even though he had never in his life said these words—his life expresses: "Come hither, unto me, all ye that labor and are heavy laden"! He abides by his word, or he himself is the word; he is what he says, and also in this sense he is the Word.[4]

"Come over here to me!" It's strange! Because human compassion does something for those who are struggling and burdened; people feed the hungry, clothe the naked, make charitable donations, build charitable institutions, and if the compassion is genuine, they might even visit those who are laboring and weighed down by their troubles. But inviting them to come to you? That’s a different story. Doing so would mean you’d have to change your entire household and way of living. A person can't live in abundance or, at the very least, in comfort and happiness, while also living under the same roof and interacting daily with those who are poor and suffering, those who are laboring and heavy laden! To genuinely invite them in that way, someone must share their life experience, be as poor as the poorest, as humble as the humblest, familiar with life’s struggles and openly belonging to the same social class as those they invite, meaning, those who labor and are heavy laden. If you want to invite someone who’s suffering, you either have to change your own situation to match theirs or change theirs to be like yours; if you don’t do either, the differences will just stand out more. And if you wish to invite all those who suffer—because you might make an exception for one of them and change their situation—it can only be done in one way: by changing your situation so you live like they do; assuming your life isn’t already like that, which was the case with Him who said: "Come over here to me, all you who are laboring and burdened!" He said this, and those who lived with him saw that, in fact, there was nothing in his way of living that contradicted it. Through the quiet and truthful impact of his actions, his life expresses—even if he had never said these words—his life communicates: "Come over here to me, all you who are laboring and burdened"! He stands by his words, or he is the message; he embodies what he speaks, and in that sense, he is the Word.[4]

"All ye that labor and are heavy laden." Strange! His only concern is lest there be a single one who labors and is heavy laden who does not hear this invitation. Neither does he fear that too many will come. Ah, heart-room makes house-room; but where wilt thou find heart-room, if not in his heart? He leaves it to each one how to understand his invitation: he has a clear conscience about it, for he has invited all those that labor and are heavy laden.

"All of you who work hard and feel overwhelmed." It's odd! His only worry is that there might be even one person who works hard and feels overwhelmed who doesn't hear this invitation. He isn't concerned about too many people showing up. Ah, there's always space in the heart; but where will you find that space if not in his heart? He allows each person to interpret his invitation in their own way: he feels at ease about it, because he has invited everyone who works hard and feels overwhelmed.

But what means it, then, to labor and be heavy laden? Why does he not offer a clearer explanation so that one may know exactly whom he means, and why is he so chary of his words? Ah, thou narrow-minded one, he is so chary of his words, lest he be narrow-minded; and thou narrow-hearted one, he is so chary of his words lest he be narrow-hearted. For such is his love—and love has regard to all—as to prevent any one from troubling and searching his heart whether he too be among those invited. And he who would insist on a more definite explanation, is he not likely to be some self-loving person who is calculating whether this explanation does not particularly fit himself; one who does not consider that the more of such exact explanations are offered, the more certainly some few would be left in doubt as to whether they were invited? Ah man, why does thine eye see only thyself, why is it evil because he is good?[5] The invitation to all men opens the arms of him who invites, and thus he stands of aspect everlasting; but no sooner is a closer explanation attempted which might help one or the other to another kind of certainty, than his aspect would be transformed and, as it were, a shadow of change would pass over his countenance.

But what does it mean to work hard and feel burdened? Why doesn’t he give a clearer explanation so we can know exactly who he’s talking about, and why is he so careful with his words? Ah, you narrow-minded person, he’s careful with his words because he doesn’t want to be narrow-minded; and you narrow-hearted person, he’s careful with his words because he doesn’t want to be narrow-hearted. His love— which considers everyone— is meant to prevent anyone from worrying and searching his heart to see if they’re among those invited. And the one who demands a more specific explanation, aren’t they likely just a self-centered person trying to see if it includes them? They fail to realize that the more precise explanations given, the more likely some would be left unsure about their invitation. Ah man, why do you see only yourself, why does it bother you that he is good? The invitation to everyone opens the arms of the one who invites, and he remains unchanging; but as soon as a closer explanation is attempted to offer someone a different kind of assurance, his presence would shift, almost like a shadow of change passing over his face.

"I will give you rest." Strange! For then the words "come hither unto me" must be understood to mean: stay with me, I am rest; or, it is rest to remain with me. It is not, then, as in other cases where he who helps and says "come hither" must afterwards say: "now depart again," explaining to each one where the help he needs is to be found, where the healing herb grows which will cure him, or where the quiet spot is found where he may rest from labor, or where the happier continent exists where one is not heavy laden. But no, he who opens his arms, inviting every one—ah, if all, all they that labor and are heavy laden came to him, he would fold them all to his heart, saying: "stay with me now; for to stay with me is rest." The helper himself is the help. Ah, strange, he who invites everybody and wishes to help everybody, his manner of treating the sick is as if calculated for every sick man, and as if every sick man who comes to him were his only patient. For otherwise a physician divides his time among many patients who, however great their number, still are far, far from being all mankind. He will prescribe the medicine, he will say what is to be done, and how it is to be used, and then he will go—to some other patient; or, in case the patient should visit him, he will let him depart. The physician cannot remain sitting all day with one patient, and still less can he have all his patients about him in his home, and yet sit all day with one patient without neglecting the others. For this reason the helper and his help are not one and the same thing. The help which the physician prescribes is kept with him by the patient all day so that he may constantly use it, whilst the physician visits him now and again; or he visits the physician now and again. But if the helper is also the help, why, then he will stay with the sick man all day, or the sick man with him—ah, strange that it is just this helper who invites all men!

"I will give you rest." Strange! So the words "come to me" must mean: stay with me, I am rest; or, it is peaceful to remain with me. It’s not like other cases where someone who offers help and says "come here" must later say: "now go away," explaining to each person where they can find the help they need, where the healing remedy grows that will cure them, or where the quiet place is where they can relax from their labor, or where the happier place exists where one isn’t burdened. But no, the one who opens his arms, inviting everyone—ah, if all those who are weary and burdened came to him, he would embrace them all, saying: "stay with me now; for to stay with me is rest." The helper himself is the help. Ah, it’s odd; he who invites everyone and wishes to help everyone treats each sick person as if they were his only patient. Because otherwise, a doctor divides his time among many patients, who, no matter how many there are, are still far from being all of humanity. He will prescribe the medicine, tell them what to do, and how to use it, and then he will move on—to another patient; or, if the patient comes to him, he will let them leave. The doctor can’t spend all day sitting with one patient, and even less can he have all his patients around him in his home and still spend all day with one patient without neglecting the others. For this reason, the helper and his help are not the same thing. The help that the doctor prescribes is kept by the patient all day for constant use, while the doctor visits them now and then; or they visit the doctor occasionally. But if the helper is also the help, then he will stay with the sick person all day, or the sick person will stay with him—ah, strange that it is this very helper who invites all people!

II

COME HITHER ALL YE THAT LABOR AND ARE HEAVY LADEN, AND I WILL GIVE YOU REST.

COME HERE ALL YOU WHO ARE WORKING HARD AND FEEL OVERWHELMED, AND I WILL GIVE YOU REST.

What enormous multiplicity, what an almost boundless diversity, of people invited; for a man, a lowly man, may, indeed, try to enumerate only a few of these diversities—but he who invites must invite all men, even if every one specially and individually.

What an incredible variety and nearly limitless diversity of people are invited; for a man, an ordinary man, may indeed try to list just a few of these differences—but he who invites must invite everyone, as if each one were special and individual.

The invitation goes forth, then—along the highways and the byways, and along the loneliest paths; aye, goes forth where there is a path so lonely that one man only, and no one else, knows of it, and goes forth where there is but one track, the track of the wretched one who fled along that path with his misery, that and no other track; goes forth even where there is no path to show how one may return: even there the invitation penetrates and by itself easily and surely finds its way back—most easily, indeed, when it brings the fugitive along to him that issued the invitation. Come hither, come hither all ye, also thou, and thou, and thou, too, thou loneliest of all fugitives!

The invitation is extended, then—along the highways and the backroads, and along the most isolated paths; yes, it reaches even places so remote that only one person knows of them, and it goes to where there's just one trail, the path of the unhappy soul who ran away while burdened by his pain, that and no other trail; it even reaches spots where there is no path indicating a way back: even there the invitation finds its way effortlessly and surely—most easily, in fact, when it brings the runaway to the one who issued the invitation. Come here, come here everyone, you too, and you, and you, oh you, the most lonely of all fugitives!

Thus the invitation goes forth and remains standing, wheresoever there is a parting of the ways, in order to call out. Ah, just as the trumpet call of the soldiers is directed to the four quarters of the globe, likewise does this invitation sound wherever there is a meeting of roads; with no uncertain sound—for who would then come?—but with the certitude of eternity.

Thus the invitation is extended and stays open, wherever there’s a crossroads, to reach out. Just as the trumpet call of soldiers is aimed at the four corners of the world, this invitation resonates wherever paths intersect; with a clear message—who would come otherwise?—but with the certainty of eternity.

It stands by the parting of the ways where worldly and earthly sufferings have set down their crosses, and calls out: Come hither, all ye poor and wretched ones, ye who in poverty must slave in order to assure yourselves, not of a care-free, but of a toilsome, future; ah, bitter contradiction, to have to slave for—assuring one's self of that under which one groans, of that which one flees! Ye despised and overlooked ones, about whose existence no one, aye, no one is concerned, not so much even as about some domestic animal which is of greater value! Ye sick, and halt, and blind, and deaf, and crippled, come hither!—Ye bed-ridden, aye, come hither, ye too; for the invitation makes bold to invite even the bed-ridden—to come! Ye lepers; for the invitation breaks down all differences in order to unite all, it wishes to make good the hardship caused by the difference in men, the difference which seats one as a ruler over millions, in possession of all gifts of fortune, and drives another one out into the wilderness—and why? (ah, the cruelty of it!) because (ah, the cruel human inference!) because he is wretched, indescribably wretched. Why then? Because he stands in need of help, or at any rate, of compassion. And why, then? Because human compassion is a wretched thing which is cruel when there is the greatest need of being compassionate, and compassionate only when, at bottom, it is not true compassion! Ye sick of heart, ye who only through your anguish learned to know that a man's heart and an animal's heart are two different things, and what it means to be sick at heart—what it means when the physician may be right in declaring one sound of heart and yet heart-sick; ye whom faithlessness deceived and whom human sympathy—for the sympathy of man is rarely late in coming—whom human sympathy made a target for mockery; all ye wronged and aggrieved and ill-used; all ye noble ones who, as any and everybody will be able to tell you, deservedly reap the reward of ingratitude (for why were ye simple enough to be noble, why foolish enough to be kindly, and disinterested, and faithful)—all ye victims of cunning, of deceit, of backbiting, of envy, whom baseness chose as its victim and cowardice left in the lurch, whether now ye be sacrificed in remote and lonely places, after having crept away in order to die, or whether ye be trampled underfoot in the thronging crowds where no one asks what rights ye have, and no one, what wrongs ye suffer, and no one, where ye smart or how ye smart, whilst the crowd with brute force tramples you into the dust—come ye hither!

It stands at the crossroads where worldly and earthly suffering has laid down its burdens and calls out: Come here, all you poor and miserable ones, you who, in your poverty, have to work hard just to secure not a carefree future, but a grueling one; oh, the bitter irony of having to toil for—securing that which causes you pain, that which you wish to escape! You who are despised and ignored, whose existence no one cares about, not even as much as they care for a house pet that holds more value! You who are sick, lame, blind, deaf, and disabled, come here!—You who are bed-ridden, yes, come too; for this invitation boldly calls even those who are bedridden to come! You lepers; for this invitation breaks down all barriers to unite everyone, aiming to heal the suffering caused by the differences among people, differences that elevate some as rulers over millions, possessing all of life’s blessings, while casting others into the wilderness—and why? (oh, the cruelty of this!) because (oh, the human cruelty!) because he is wretched, utterly wretched. Why then? Because he is in need of help, or at the very least, of compassion. And why is that? Because human compassion is a poor thing, often cruel when it should be the most compassionate, and only sincere when it doesn’t have to be genuine! You who are heartbroken, you who through your pain learned that a human heart and an animal’s heart are not the same, and what it truly means to be emotionally wounded—what it signifies when a doctor may call you healthy of heart and yet you feel heart-sick; you whom betrayal has deceived and whom human sympathy—because human sympathy rarely arrives late—has turned into a subject of ridicule; all you wronged, hurt, and mistreated; all you noble ones who, as anyone could tell you, justly reap the reward of ingratitude (for why were you naïve enough to be noble, why foolish enough to be kind, selfless, and loyal)—all you who are victims of trickery, deceit, gossip, and envy, who have been chosen by cowardice and abandoned when you needed help, whether you now suffer in isolation after sneaking away to die, or whether you are stomped on in the crowded streets where no one cares about your rights, where no one cares about the wrongs you endure, and no one cares where you’re hurting or how you’re hurting, as the crowd with brute force tramples you into the dust—come here!

The invitation stands at the parting of the ways, where death parts death and life. Come hither all ye that sorrow and ye that vainly labor! For indeed there is rest in the grave; but to sit by a grave, or to stand by a grave, or to visit a grave, all that is far from lying in the grave; and to read to one's self again and again one's own words which one knows by heart, the epitaph which one devised one's self and understands best, namely, who it is that lies buried here, all that is not the same as to lie buried one's self. In the grave there Is rest, but by the grave there is no rest; for it is said: so far and no farther, and so you may as well go home again. But however often, whether in your thoughts or in fact, you return to that grave—you will never get any farther, you will not get away from the spot, and this is very trying and is by no means rest. Come ye hither, therefore: here is the way by which one may go farther, here is rest by the grave, rest from the sorrow over loss, or rest in the sorrow of loss—through him who everlastingly re-unites those that are parted, and more firmly than nature unites parents with their children, and children with their parents—for, alas! they were parted; and more closely than the minister unites husband and wife—for, alas! their separation did come to pass; and more indissolubly than the bond of friendship unites friend with friend—for, alas! it was broken. Separation penetrated everywhere and brought with it sorrow and unrest; but here is rest!—Come hither also ye who had your abodes assigned to you among the graves, ye who are considered dead to human society, but neither missed nor mourned—not buried and yet dead; that is, belonging neither to life nor to death; ye, alas! to whom human society cruelly closed its doors and for whom no grave has as yet opened itself in pity—come hither, ye also, here is rest, and here is life!

The invitation is at the crossroads where death separates life from death. Come here all of you who grieve and those who toil in vain! For there is indeed rest in the grave; but to sit by a grave, stand by a grave, or visit a grave, none of that is the same as being buried in it; and to read your own words again and again, the epitaph you created yourself and understand best, identifying who lies buried here, is not the same as lying buried yourself. In the grave, there is rest, but by the grave, there is no rest; for it is said: this far and no further, and so you might as well go home. However often, whether in your thoughts or in reality, you return to that grave—you will never move beyond it, you won't escape the spot, and that is very frustrating and certainly not restful. Therefore, come here: this is the way to go further, here is rest by the grave, rest from the sorrow of loss, or rest in the sorrow of loss—through him who eternally reunites those who are separated, and more firmly than nature connects parents with their children, and children with their parents—for, sadly, they were parted; and more closely than a minister bonds husband and wife—for, sadly, their separation occurred; and more unbreakably than friendship unites friends—for, sadly, that bond was broken. Separation has infiltrated everywhere and brought along sorrow and unrest; but here is rest!—Come here also you who have been assigned to live among the graves, you who are considered dead to society, but neither missed nor mourned—not buried and yet dead; that is, belonging to neither life nor death; you, alas! to whom society has cruelly shut its doors and for whom no grave has yet opened in pity—come here, you too, here is rest, and here is life!

The invitation stands at the parting of the ways, where the road of sin turns away from the inclosure of innocence—ah, come hither, ye are so close to him; but a single step in the opposite direction, and ye are infinitely far from him. Very possibly ye do not yet stand in need of rest, nor grasp fully what that means; but still follow the invitation, so that he who invites may save you from a predicament out of which it is so difficult and dangerous to be saved; and so that, being saved, ye may stay with him who is the Savior of all, likewise of innocence. For even if it were possible that innocence be found somewhere, and altogether pure: why should not innocence also need a savior to keep it safe from evil?—The invitation stands at the parting of the ways, where the road of sin turns away to enter more deeply into sin. Come hither all ye who have strayed and have been lost, whatever may have been your error and sin: whether one more pardonable in the sight of man and nevertheless perhaps more frightful, or one more terrible in the sight of man and yet, perchance, more pardonable; whether it be one which became known here on earth or one which, though hidden, yet is known in heaven—and even if ye found pardon here on earth without finding rest in your souls, or found no pardon because ye did not seek it, or because ye sought it in vain: ah, return and come hither, here is rest!

The invitation is at a crossroads, where the path of sin veers away from the safe haven of innocence—oh, come here, you're so close to him; but just one step in the wrong direction, and you'll be infinitely distant from him. You might not feel the need for rest yet or fully understand what that means; but still accept the invitation, so that he who invites can rescue you from a situation that is so hard and dangerous to escape; and so that, once you're saved, you can stay with him who is the Savior of all, including innocence. Because even if innocence could be found somewhere, entirely pure: why shouldn't it also need a savior to protect it from evil?—The invitation is at the crossroads, where the path of sin turns deeper into sin. Come here all you who have wandered and feel lost, no matter what your mistakes and sins have been: whether one that seems more forgivable to people yet may be more frightening, or one that appears worse to others but might actually be more forgivable; whether it's one known on earth or one that's hidden but known in heaven—and even if you've found forgiveness here on earth without finding peace in your souls, or if you didn’t find forgiveness because you didn’t look for it, or because your search was in vain: oh, return and come here, find your rest!

The invitation stands at the parting of the ways, where the road of sin turns away for the last time and to the eye is lost in perdition. Ah, return, return, and come hither! Do not shrink from the difficulties of the retreat, however great; do not fear the irksome way of conversion, however laboriously it may lead to salvation; whereas sin with winged speed and growing pace leads forward or—downward, so easily, so indescribably easy—as easily, in fact, as when a horse, altogether freed from having to pull, cannot even with all his might stop the vehicle which pushes him into the abyss. Do not despair over each relapse which the God of patience has patience enough to pardon, and which a sinner should surely have patience enough to humble himself under. Nay, fear nothing and despair not: he that sayeth "come hither," he is with you on the way, from him come help and pardon on that way of conversion which leads to him; and with him is rest.

The invitation is at the crossroads, where the path of sin turns away for the last time and disappears into destruction. Ah, return, return, and come here! Don't shy away from the challenges of turning back, no matter how hard they are; don’t be afraid of the tough path of change, even if it takes effort to reach salvation. Sin, however, moves swiftly and easily forward or—downward, so effortlessly, so incredibly easy—as easily as a horse, completely free from pulling, can’t even with all its strength stop the cart that pushes it toward the abyss. Don’t lose hope over each fall that the God of patience can forgive, and that a sinner should certainly be humble enough to endure. No, fear nothing and don't despair: the one who says "come here," he is with you on the journey, from him comes help and forgiveness on the path of change that leads to him; and with him is peace.

Come hither all, all ye—with him is rest; and he will raise no difficulties, he does but one thing: he opens his arms. He will not first ask you, you sufferer—as righteous men, alas, are accustomed to, even when willing to help—"Are you not perhaps yourself the cause of your misfortune, have you nothing with which to reproach yourself?" It is so easy to fall into this very human error, and from appearances to judge a man's success or failure: for instance, if a man is a cripple, or deformed, or has an unprepossessing appearance, to infer that therefore he is a bad man; or, when a man is unfortunate enough to suffer reverses so as to be ruined or so as to go down in the world, to infer that therefore he is a vicious man. Ah, and this is such an exquisitely cruel pleasure, this being conscious of one's own righteousness as against the sufferer—explaining his afflictions as God's punishment, so that one does not even—dare to help him; or asking him that question which condemns him and flatters our own righteousness, before helping him. But he will not ask you thus, will not in such cruel fashion be your benefactor. And if you are yourself conscious of your sin he will not ask about it, will not break still further the bent reed, but raise you up, if you will but join him. He will not point you out by way of contrast, and place you outside of himself, so that your sin will stand out as still more terrible, but he will grant you a hiding place within him; and hidden within him your sins will be hidden. For he is the friend of sinners. Let him but behold a sinner, and he not only stands still, opening his arms and saying "come hither," nay, but he stands—and waits, as did the father of the prodigal son; or he does not merely remain standing and waiting, but goes out to search, as the shepherd went forth to search for the strayed sheep, or as the woman went to search for the lost piece of silver. He goes—nay, he has gone, but an infinitely longer way than any shepherd or any woman, for did he not go the infinitely long way from being God to becoming man, which he did to seek sinners?

Come here, everyone—find rest with him; he won’t give you any hard time, he only does one thing: he opens his arms. He won’t first ask you, you who are suffering—like righteous people often do, even when they want to help—“Aren’t you maybe the cause of your misfortune? Don’t you have anything to blame yourself for?” It’s so easy to make this human mistake and judge someone’s success or failure by appearances: for example, if someone is disabled, or deformed, or doesn’t look appealing, we might assume they’re a bad person; or if someone faces setbacks that lead to their downfall or a decline in life, we might conclude they’re immoral. Ah, what a disturbingly enjoyable feeling it is to feel righteous compared to the sufferer—explaining their struggles as divine punishment, so that we don’t even dare to help them; or asking them that question that condemns them while flattering our own sense of righteousness before helping. But he won’t ask you that way, he won’t be cruel in his kindness. And if you’re aware of your own sins, he won’t inquire about them, won’t break the already bent reed further, but will lift you up if you simply choose to join him. He won’t make you a point of comparison to highlight your sins, but will give you a hiding place in him; and hidden in him, your sins will be hidden. For he is the friend of sinners. As soon as he sees a sinner, he doesn’t just stand still with open arms saying “come here,” no, he stands—and waits, just like the father of the prodigal son; or he doesn’t just wait, but goes out to search, like the shepherd searching for the lost sheep, or like the woman searching for the lost coin. He goes—no, he has gone, but a much longer distance than any shepherd or woman ever would, because he traveled the infinite distance from being God to becoming man, just to seek out sinners.

III

COME HITHER UNTO ME ALL YE THAT LABOR AND ARE HEAVY LADEN, AND I WILL GIVE YOU REST.

COME TO ME ALL YOU WHO ARE WEARY AND BURDENED, AND I WILL GIVE YOU REST.

"Come hither!" For he supposes that they that labor and are heavy laden feel their burden and their labor, and that they stand there now, perplexed and sighing—one casting about with his eyes to discover whether there is help in sight anywhere; another with his eyes fixed on the ground, because he can see no consolation; and a third with his eyes staring heavenward, as though help was bound to come from heaven—but all seeking. Therefore he sayeth: "come hither!" But he invites not him who has ceased to seek and to sorrow.—"Come hither!" For he who invites knows that it is a mark of true suffering, if one walks alone and broods in silent disconsolateness, without courage to confide in any one, and with even less self-confidence to dare to hope for help. Alas, not only he whom we read about was possessed of a dumb devil.[6] No suffering which does not first of all render the sufferer dumb is of much significance, no more than the love which does not render one silent; for those sufferers who run on about their afflictions neither labor nor are heavy laden. Behold, therefore the inviter will not wait till they that labor and are heavy laden come to him, but calls them lovingly; for all his willingness to help might, perhaps, be of no avail if he did not say these words and thereby take the first step; for in the call of these words: "come hither unto me!" he comes himself to them. Ah, human compassion—sometimes, perhaps, it is indeed praiseworthy self-restraint, sometimes, perhaps, even true compassion, which may cause you to refrain from questioning him whom you suppose to be brooding over a hidden affliction; but also, how often indeed is this compassion but worldly wisdom which does not care to know too much! Ah, human'compassion—how often was it not pure curiosity, and not compassion, which prompted you to venture into the secret of one afflicted; and how burdensome it was—almost like a punishment of your curiosity—when he accepted your invitation and came to you! But he who sayeth these redeeming words "Come hither!" he is not deceiving himself in saying these words, nor will he deceive you when you come to him in order to find rest by throwing your burden on him. He follows the promptings of his heart in saying these words, and his heart follows his words; if you then follow these words, they will follow you back again to his heart. This follows as a matter of course—ah, will you not follow the invitation?—"Come hither!" For he supposes that they that labor and are heavy laden are so worn out and overtaxed, and so near swooning that they have forgotten, as though in a stupor, that there is such a thing as consolation. Alas, or he knows for sure that there is no consolation and no help unless it is sought from him; and therefore must he call out to them "Come hither!"

"Come here!" For he believes that those who are struggling and burdened feel their weight and their efforts, and that they stand there now, confused and sighing—one looking around to see if there's any help in sight; another staring at the ground because he finds no comfort; and a third gazing upward, as if help must come from above—but all are searching. Therefore he says: "Come here!" But he does not invite those who have stopped seeking and feeling sorrow. "Come here!" For the one who invites understands that true suffering is shown when someone walks alone and broods in silent despair, without the courage to confide in anyone, and even less confidence to dare to hope for help. Sadly, not only the man we read about was tormented by an unspoken pain. No suffering that doesn’t leave the sufferer speechless carries much weight, just as love that doesn’t leave one silent is insignificant; those who constantly talk about their troubles neither struggle nor feel overwhelmed. Behold, therefore, the inviter will not wait for those who are burdened to approach him but calls them kindly; for all his willingness to help might not mean much if he didn't say these words and take the first step; for in the invitation of these words: "Come here to me!" he himself reaches out to them. Ah, human compassion—sometimes, perhaps, it is indeed admirable restraint, and at other times, it may even be true compassion, that makes you hesitate to ask someone you think is harboring a hidden pain; but also, how often is this compassion simply worldly wisdom that prefers not to know too much! Ah, human compassion—how often was it not mere curiosity, rather than true compassion, that led you to delve into the secret of someone in distress; and how heavy it was—almost like a punishment for your curiosity—when he accepted your invitation and came to you! But he who speaks those redeeming words "Come here!" does not fool himself in saying them, nor will he mislead you when you come to him to find peace by laying your burdens down. He is guided by his heart in saying these words, and his heart aligns with his words; if you then follow these words, they will return to his heart. This is inevitable—ah, will you not accept the invitation?—"Come here!" For he believes that those who are struggling and burdened are so exhausted and overwhelmed, and so close to fainting that they have forgotten, as if in a daze, that comfort exists. Alas, or he knows for certain that there is no comfort and no assistance unless it is sought from him; and therefore he must call out to them, "Come here!"

"Come hither!" For is it not so that every society has some symbol or token which is worn by those who belong to it? When a young girl is adorned in a certain manner one knows that she is going to the dance: Come hither all ye that labor and are heavy laden—come hither! You need not carry an external and visible badge; come but with your head anointed and your face washed, if only you labor in your heart and are heavy laden.

"Come here!" Isn't it true that every society has some symbol or token worn by its members? When a young girl is dressed in a certain way, it's clear she's heading to a dance: Come here all of you who are struggling and feeling overwhelmed—come here! You don’t need to wear any visible badge; just come with your head held high and your face clean, as long as you’re carrying the weight in your heart.

"Come hither!" Ah, do not stand still and consider; nay, consider, consider that with every moment you stand still after having heard the invitation you will hear the call more faintly and thus withdraw from it, even though you are standing still.—"Come hither!" Ah, however weary and faint you be from work, or from the long, long and yet hitherto fruitless search for help and salvation, and even though you may feel as if you could not take one more step, and not wait one more moment, without dropping to the ground: ah, but this one step and here is rest!—"Come hither!" But if, alas, there be one who is so wretched that he cannot come?—Ah, a sigh is sufficient; your mere sighing or him is also to come hither.

"Come here!" Please, don't just stand there and think about it; no, think about this: with every moment you hesitate after hearing the invitation, you'll hear the call more faintly and start to drift away from it, even though you're standing still. —"Come here!" No matter how tired and worn out you are from work, or from the long, endless, and so far fruitless search for help and salvation, and even if you feel like you can't take another step or wait another moment without collapsing: just this one step, and here's your rest! —"Come here!" But if, unfortunately, someone is so miserable that they can't come? —Ah, even a sigh is enough; your simple sighing is also a way of coming here.

THE PAUSE

COME HITHER UNTO ME ALL YE THAT LABOR AND ARE HEAVY LADEN, AND I SHALL GIVE YOU REST.

COME TO ME, ALL YOU WHO ARE WEARY AND BURDENED, AND I WILL GIVE YOU REST.

Pause now! But what is there to give pause? That which in the same instant makes all undergo an absolute change—so that, instead of seeing an immense throng ofthem that labor and are heavy laden following the invitation, you will in the end behold the very opposite, that is, an immense throng of men who flee back shudderingly, scrambling to get away, trampling all down before them; so that, if one were to infer the sense of what had been said from the result it produced, one would have to infer that the words had been "procul o procul este profani," rather than "come hither"—that gives pause which is infinitely more important and infinitely more decisive: THE PERSON OF HIM WHO INVITES. Not in the sense that he is not the man to do what he has said, or not God, to keep what he has promised; no, in a very different sense.

Pause now! But what is there to stop for? What causes an immediate, complete change—so that instead of seeing a huge crowd of people who are struggling and burdened responding to the invitation, you will ultimately see the exact opposite: a massive crowd of men who are fleeing in terror, desperately trying to escape, trampling everything in their path; so that if one were to figure out the meaning of what was said based on the outcome it produced, one would have to conclude that the words had been "procul o procul este profani" rather than "come here"—what gives pause is something much more significant and much more definitive: THE PERSON WHO IS INVITING. Not in the way that he isn't capable of doing what he said, or isn't God, to fulfill what he promised; no, in a very different way.

Pause is given by the fact that he who invites is, and insists on being, the definite historic person he was 1800 years ago, and that he as this definite person, and living under the conditions then obtaining, spoke these words of invitation.—He is not, and does not wish to be, one about whom one may simply know something from history (i.e. world history, history proper, as against Sacred History); for from history one cannot "learn" anything about him, the simple reason being that nothing can be "known" about him.—He does not wish to be judged in a human way, from the results of his life; that is, he is and wishes to be, a rock of offense and the object of faith. To judge him after the consequences of his life is a blasphemy, for being God, his life, and the very fact that he was then living and really did live, is infinitely more important than all the consequences of it in history.

Pause is created by the fact that the one who invites is, and insists on being, the specific historical figure he was 1800 years ago, and that he, as this specific person who lived under those conditions, spoke these words of invitation. He doesn’t want to be someone you can just know about based on history (i.e., world history, proper history, as opposed to Sacred History); because from history, you can’t “learn” anything about him—the simple reason being that nothing can be “known” about him. He doesn’t want to be judged in a human way, based on the results of his life; that is, he is and wants to be a stumbling block and an object of faith. Judging him based on the consequences of his life is blasphemy because, as God, his life and the very fact that he lived then and actually did live is infinitely more significant than all the outcomes of it in history.

A. Who spoke these words of invitation?

He that invites. Who is he? Jesus Christ. Which Jesus Christ? He that sits in glory on the right side of his Father? No. From his seat of glory he spoke not a single word. Therefore it is Jesus Christ in his lowliness, and in the condition of lowliness, who spoke these words.

He who invites. Who is he? Jesus Christ. Which Jesus Christ? Is it the one who sits in glory at his Father’s right hand? No. From his glorious seat, he didn’t say a single word. So it’s Jesus Christ in his humility, and in a state of humility, who spoke these words.

Is then Jesus Christ not the same? Yes, verily, he is today, and was yesterday, and 1800 years ago, the same who abased himself, assuming the form of a servant—the Jesus Christ who spake these words of invitation. It is also he who hath said that he would return again in glory. In his return in glory he is, again, the same Jesus Christ; but this has not yet come to pass.

Is Jesus Christ not the same? Yes, truly, he is the same today, yesterday, and 1800 years ago—the one who humbled himself, taking the form of a servant—the Jesus Christ who spoke these words of invitation. He is also the one who said that he would return again in glory. In his return in glory, he will still be the same Jesus Christ; however, this has not happened yet.

Is he then not in glory now? Assuredly, that the Christian believes. But it was in his lowly condition that he spoke these words; he did not speak them from his glory. And about his return in glory nothing can be known, for this can in the strictest sense be a matter of belief only. But a believer one cannot become except by having gone to him in his lowly condition—to him, the rock of offense and the object of faith. In other shape he does not exist, for only thus did he exist. That he will return in glory is indeed expected, but can be expected and believed only by him who believes, and has believed, in him as he was here on earth.

Is he not in glory now? Absolutely, that's what Christians believe. But it was in his humble state that he said these words; he didn't say them from his glory. And we can't know anything about his return in glory, as this can only truly be a matter of belief. You can’t become a believer without first coming to him in his humble state—he is the rock of offense and the focus of faith. He doesn’t exist in any other way because this is the only way he existed. The expectation of his return in glory is real, but it can only be expected and believed by those who already believe in him as he was during his time on earth.

Jesus Christ is, then, the same; yet lived he 1800 years ago in debasement, and is transfigured only at his return. As yet he has not returned; therefore he is still the one in lowly guise about whom we believe that he will return in glory. Whatever he said and taught, every word he spoke, becomes eo ipso untrue if we give it the appearance of having been spoken by Christ in his glory. Nay, he is silent. It is the lowly Christ who speaks. The space of time between (i.e. between his debasement and his return in glory) which is at present about 1800 years, and will possibly become many times 1800—this space of time, or else what this space of time tries to make of Christ, the worldly information about him furnished by world history or church history, as to who Christ was, as to who it was who really spoke these words—all this does not concern us, is neither here nor there, but only serves to corrupt our conception of him, arid thereby renders untrue these words of invitation.

Jesus Christ is still the same; however, he lived 1800 years ago in humility and will only be transformed at his return. Since he hasn’t returned yet, he still presents himself in a humble form, and we believe he will come back in glory. Anything he said or taught, every word he spoke, becomes simply untrue if we present it as though it were spoken by Christ in his glory. In fact, he is silent. It is the humble Christ who speaks. The time that has passed (i.e., between his humility and his glorious return) is currently about 1800 years, and it may very well become many times that. This passage of time, or what this time tries to make of Christ—the worldly information about him provided by history or church records regarding who Christ was and who truly spoke these words—doesn’t concern us at all; it’s irrelevant and only serves to distort our understanding of him, ultimately making these words of invitation untrue.

It is untruthful of me to impute to a person words which he never used. But it is likewise untruthful, and the words he used likewise become untruthful, or it becomes untrue that he used them, if I assign to him a nature essentially unlike the one he had when he did use them. Essentially unlike; for an untruth concerning this or the other trifling circumstance will not make it untrue that "he" said them. And therefore, if it please God to walk on earth in such strict incognito as only one all-powerful can assume, in guise impenetrable to all men; if it please him—and why he does it, for what purpose, that he knows best himself; but whatever the reason and the purpose, it is certain that the incognito is of essential significance—I say, if it please God to walk on earth in the guise of a servant and, to judge from his appearance, exactly like any other man; if it please him to teach men in this guise—if, now, any one repeats his very words, but gives the saying the appearance that it was God that spoke these words: then it is untruthful; for it is untrue that h e said these words.

It’s dishonest of me to attribute words to someone that he never actually said. But it’s also dishonest, and the words he did say become dishonest too, or it becomes false that he said them, if I assign him a nature that is completely different from the one he had when he said them. Completely different; because a lie about some minor detail won’t change the fact that “he” said them. And so, if it pleases God to walk on earth in such strict anonymity that only someone all-powerful can manage, in a form that is impenetrable to all men; if it pleases Him—and the reasons for it are known best to Him; but whatever the reason and purpose, it is clear that the anonymity is of vital importance—I say, if it pleases God to walk on earth in the form of a servant, appearing just like any other man; if it pleases Him to teach people in this form—if now, anyone repeats His exact words but presents them in a way that suggests it was God who spoke these words: then it is dishonest; because it is untrue that He said those words.

B. Can one from history[7] learn to know anything about Christ?

No. And why not? Because one cannot "know" anything at all about "Christ"; for he is the paradox, the object of faith, and exists only for faith. But all historic information is communication of "knowledge." Therefore one cannot learn anything about Christ from history. For whether now one learn little or much about him, it will not represent what he was in reality. Hence one learns something else about him than what is strictly true, and therefore learns nothing about him, or gets to know something wrong about him; that is, one is deceived. History makes Christ look different from what he looked in truth, and thus one learns much from history about—Christ? No, not about Christ; because about him nothing can be "known," he can only be believed.

No. And why not? Because you can't truly "know" anything about "Christ"; he is a paradox, an object of faith, and exists only through belief. But all historical information is a form of "knowledge." So you can't learn anything about Christ from history. Whether you learn a little or a lot about him, it won't reflect who he really was. In that way, you learn something different from what is strictly true, and therefore learn nothing about him, or come to believe something incorrect about him; essentially, you are misled. History portrays Christ differently from how he actually was, and so you learn a lot from history about—Christ? No, not about Christ; because nothing can be "known" about him, he can only be believed.

C. Can one prove from history that Christ was God?

Let me first ask another question: is any more absurd contradiction thinkable than wishing to prove (no matter, for the present, whether one wishes to do so from history, or from whatever else in the wide world one wishes to prove it) that a certain person is God? To maintain that a certain person is God—that is, professes to be God—is indeed a stumbling block in the purest sense. But what is the nature of a stumbling block? It is an assertion which is at variance with all (human) reason. Now think of proving that! But to prove something is to render it reasonable and real. Is it possible, then, to render reasonable and real what is at variance with all reason? Scarcely; unless one wishes to contradict one's self. One can prove only that it is at variance with all reason. The proofs for the divinity of Christ given in Scripture, such as the miracles and his resurrection from the grave exist, too, only for faith; that is, they are no "proofs," for they are not meant to prove that all this agrees with reason but, on the contrary, are meant to prove that it is at variance with reason and therefore a matter of faith.

Let me first ask another question: is there any more absurd contradiction than trying to prove (for now, it doesn't matter if it's based on history or anything else in the wide world) that a certain person is God? To claim that someone is God—that is, claims to be God—is truly a stumbling block in the purest sense. But what is a stumbling block? It's a statement that goes against all (human) reason. Now, think about trying to prove that! To prove something means to make it reasonable and real. Is it possible to make something reasonable and real that contradicts all reason? Hardly; unless one wants to contradict themselves. One can only prove that it goes against all reason. The proofs for the divinity of Christ mentioned in Scripture, such as the miracles and his resurrection from the dead, also exist solely for faith; that is, they are not "proofs," because they aren't meant to show that all of this aligns with reason but, on the contrary, are meant to show that it contradicts reason and is therefore a matter of faith.

First, then, let us take up the proofs from history. "Is it not 1800 years ago now that Christ lived, is not his name proclaimed and reverenced throughout the world, has not his teaching (Christianity) changed the aspect of the world, having victoriously affected all affairs: has then history not sufficiently, or more than sufficiently, made good its claim as to who he was, and that he was—God?" No, indeed, history has by no means sufficiently, or more than sufficiently, made good its claim, and in fact history cannot accomplish this in all eternity. However, as to the first part of the statement, it is true enough that his name is proclaimed throughout the world—as to whether it is reverenced, that I do not presume to decide. Also, it is true enough that Christianity has transformed the aspect of the world, having victoriously affected all affairs, so victoriously indeed, that everybody now claims to be a Christian.

First, let's examine the evidence from history. "Isn't it 1800 years ago that Christ lived? Isn't his name celebrated and respected all over the world? Hasn't his teaching (Christianity) changed the face of the world, successfully influencing all matters? Has history not sufficiently, or even more than sufficiently, proven who he was, and that he was—God?" No, history has definitely not proven this adequately, and in fact, history can never achieve this completely. However, it's true that his name is proclaimed around the globe; as for whether it is respected, I won't make a judgment on that. It's also true that Christianity has changed the world significantly, influencing everything so much that now everyone claims to be a Christian.

But what does this prove? It proves, at most, that Jesus Christ was a great man, the greatest, perhaps, who ever lived. But that he was God—stop now, that conclusion shall with God's help fall to the ground.

But what does this prove? It proves, at most, that Jesus Christ was a great man, probably the greatest who ever lived. But that he was God—let's pause, that conclusion shall, with God's help, be dismissed.

Now, if one intends to introduce this conclusion by assuming that Jesus Christ was a man, and then considers the 1800 years of history (i.e. the consequences of his life), one may indeed conclude with a constantly rising superlative: he was great, greater, the greatest, extraordinarily and astonishingly the greatest man who ever lived. If one begins, on the other hand, with the assumption (of faith) that he was God, one has by so doing stricken out and car celled the 1800 years as not making the slightest difference, one way or the other, because the certainty of faith is on an infinitely higher plane. And one course or the other one must take; but we shall arrive at sensible conclusions only if we take the latter.

Now, if someone wants to introduce this conclusion by assuming that Jesus Christ was just a man, and then reflects on the 1800 years of history (i.e., the impact of his life), one could indeed conclude with an ever-increasing superlative: he was great, greater, the greatest, extraordinarily and astonishingly the greatest man who ever lived. On the other hand, if one starts with the assumption (of faith) that he was God, then by doing so, they have dismissed those 1800 years as irrelevant, because the certainty of faith exists on a much higher level. One must choose one path or the other; however, we will reach reasonable conclusions only if we choose the latter.

If one takes the former course one will find it impossible—unless by committing the logical error of passing over into a different category—one will find it impossible in the conclusion suddenly to arrive at the new category "God"; that is, one cannot make the consequence, or consequences, of—a man's life suddenly prove at a certain point in the argument that this man was God. If such a procedure were correct one ought to be able to answer satisfactorily a question like this: what must the consequence be, how great the effects, how many centuries must elapse, in order to infer from the consequences of a man's life—for such was the assumption—that he was God; or whether it is really the case that in the year 300 Christ had not yet been entirely proved to be God, though certainly the most extraordinarily, astonishingly, greatest man who had ever lived, but that a few more centuries would be necessary to prove that he was God. In that case we would be obliged to infer that people in the fourth century did not look upon Christ as God, and still less they who lived in the first century; whereas the certainty that he was God would grow with every century. Also, that in our century this certainty would be greater than it had ever been, a certainty in comparison with which the first centuries hardly so much as glimpsed his divinity. You may answer this question or not, it does not matter.

If you take the first approach, you'll find it impossible—unless you make the logical mistake of switching to a different category—to suddenly conclude that the new category is "God." In other words, you can't just take the consequences of a man's life and suddenly prove at a certain point in the argument that this man was God. If that were correct, you'd be able to answer a question like this satisfactorily: what must the consequences be, how significant the effects, how many centuries should pass, in order to infer from a man's life—assuming that's the basis—that he was God? Or is it really the case that in the year 300, Christ had not yet been completely established as God, even though he was certainly the most extraordinary, astonishingly great man who ever lived, but that a few more centuries would be needed to prove his divinity? In that scenario, we would have to conclude that people in the fourth century did not view Christ as God, and even less so those who lived in the first century; while the certainty of his divinity would increase with each century. Additionally, that in our century, this certainty would be greater than ever before, a certainty compared to which the first centuries barely recognized his divinity. You can choose to answer this question or not; it doesn't really matter.

In general, is it at all possible by the consideration of the gradually unfolding consequences of something to arrive at a conclusion different in quality from what we started with? Is it not sheer insanity (providing man is sane) to let one's judgment become so altogether confused as to land in the wrong category? And if one begins with such a mistake, then how will one be able, at any subsequent point, to infer from the consequences of something, that one has to deal with an altogether different, in fact, infinitely different, category? A foot-print certainly is the consequence of some creature having made it. Now I may mistake the track for that of, let us say, a bird; whereas by nearer inspection, and by following it for some distance, I may make sure that it was made by some other animal. Very good; but there was no infinite difference in quality between my first assumption and my later conclusion. But can I, on further consideration and following the track still further, arrive at the conclusion: therefore it was a spirit—a spirit that leaves no tracks? Precisely the same holds true of the argument that from the consequences of a human life—for that was the assumption—we may infer that therefore it was God.

In general, is it even possible to reach a conclusion that’s fundamentally different from what we started with by considering the gradually unfolding results of something? Isn’t it completely irrational (assuming a person is sane) to let one's judgment get so twisted that it ends up in the wrong category? And if someone starts with such a mistake, how can they later infer from the results that they’re dealing with a completely different, in fact, infinitely different, category? A footprint is definitely a result of some creature having made it. I might initially think the track belongs to a bird, but upon closer inspection and following it for a while, I might realize it was made by another animal. That’s fine; however, there’s no infinite difference in quality between my first guess and my later conclusion. But can I, with further thought and by tracking it even longer, conclude: therefore it was a spirit—a spirit that leaves no tracks? The same logic applies to the argument that from the results of a human life—since that was the assumption—we can infer that it was God.

Is God then so like man, is there so little difference between the two that, while in possession of my right senses, I may begin with the assumption that Christ was human? And, for that matter, has not Christ himself affirmed that he was God? On the other hand, if God and man resemble each other so closely, and are related to each other to such a degree—that is, essentially belong to the same category of beings, then the conclusion "therefore he was God" is nevertheless just humbug, because if that is all there is to being God, then God does not exist at all. But if God does exist and, therefore, belongs to a category infinitely different from man, why, then neither I nor any one else can start with the assumption that Christ was human and end with the conclusion that therefore he was God. Any one with a bit of logical sense will easily recognize that the whole question about the consequences of Christ's life on earth is incommensurable with the decision that he is God. In fact, this decision is to be made on an altogether different plane: man must decide for himself whether he will believe Christ to be what he himself affirmed he was, that is, God, or whether he will not believe so.

Is God really that similar to man, with so little difference between the two that, while I’m in my right mind, I can start by assuming that Christ was human? And besides, hasn’t Christ himself claimed to be God? On the flip side, if God and man are so alike and connected—that is, essentially belong to the same category of beings—then the conclusion “therefore he was God” is just nonsense, because if that’s all there is to being God, then God doesn’t exist at all. But if God does exist and belongs to a category that is infinitely different from man, then neither I nor anyone else can start with the assumption that Christ was human and end up concluding that he was God. Anyone with a bit of logical thinking can easily see that the entire question about the implications of Christ’s life on earth is incomparable to the conclusion that he is God. In fact, this conclusion has to be made on an entirely different level: a person must decide for themselves whether they will believe Christ is who he claimed to be, that is, God, or whether they will choose not to believe that.

What has been said—mind you, providing one will take the time to understand it—is sufficient to make a logical mind stop drawing any inferences from the consequences of Christ's life: that therefore he was God. But faith in its own right protests against every attempt to approach Jesus Christ by the help of historical information about the consequences of his life. Faith contends that this whole attempt is—blasphemous. Faith contends that the only proof left unimpaired by unbelief when it did away with all the other proofs of the truth of Christianity, the proof which—indeed, this is complicated business—I say, which unbelief invented in order to prove the truth of Christianity—the proof about which so excessively much ado has been made in Christendom, the proof of 1800 years: as to this, faith contends that it is—blasphemy.

What’s been said—if you take the time to really understand it—is enough to make a logical person stop inferring from the consequences of Christ's life that he was God. But faith, on its own, pushes back against any attempt to reach Jesus Christ through historical information about what happened because of his life. Faith argues that this whole effort is—blasphemous. Faith insists that the only proof left untouched by disbelief after it eliminated all other evidence for the truth of Christianity, the proof which—believe me, this is a complicated issue—I say, which disbelief created to validate the truth of Christianity—the proof that has been debated endlessly in Christendom, the proof of 1800 years: regarding this, faith claims that it is—blasphemy.

With regard to a man it is true that the consequences of his life are more important than his life. If one, then, in order to find out who Christ was, and in order to find out by some inference, considers the consequences of his life: why, then one changes him into a man by this very act—a man who, like other men, is to pass his examination in history, and history is in this case as mediocre an examiner as any half-baked teacher in Latin.

When it comes to a man, it’s true that the outcomes of his life matter more than his life itself. If someone wants to discover who Christ was and learns from the effects of his life, they end up reducing him to just a man—one who, like everyone else, has to be judged by history, and history is about as unremarkable a judge as any mediocre Latin teacher.

But strange! By the help of history, that is, by considering the consequences of his life, one wishes to arrive at the conclusion that therefore, therefore he was God; and faith makes the exactly opposite contention that he who even begins with this syllogism is guilty of blasphemy. Nor does the blasphemy consist in assuming hypothetically that Christ was a man. No, the blasphemy consists in the thought which lies at the bottom of the whole business, the thought without which one would never start it, and of whose validity one is fully and firmly assured that it will hold also with regard to Christ—the thought that the consequences of his life are more important than his life; in other words, that he is a man. The hypothesis is: let us assume that Christ was a man; but at the bottom of this hypothesis, which is not blasphemy as yet, there lies the assumption that, the consequences of a man's life being more important than his life, this will hold true also of Christ. Unless this is assumed one must admit that one's whole argument is absurd, must admit it before beginning—so why begin at all? But once it is assumed, and the argument is started, we have the blasphemy. And the more one becomes absorbed in the consequences of Christ's life, with the aim of being able to make sure whether or no he was God, the more blasphemous is one's conduct; and it remains blasphemous so long as this consideration is persisted in.

But it's strange! By looking at history, that is, by thinking about the impact of his life, one might conclude that he was God; yet faith argues the exact opposite, claiming that anyone who starts with this reasoning is committing blasphemy. The blasphemy isn’t in the idea that Christ was a man. No, the blasphemy lies in the belief underlying the entire argument, the belief that without it, one would never even pose the question, and one is completely confident that it applies to Christ too—that the impact of a man's life is more significant than his life itself; in other words, that he is a man. The hypothesis is: let’s consider that Christ was a man; but underlying this hypothesis, which isn’t blasphemy yet, is the assumption that if the significance of a man's life is greater than his actual life, this must also be true for Christ. Unless this assumption is made, one has to acknowledge that the entire argument is ridiculous, realizing this before even starting—so why bother starting at all? But once this assumption is in place, and the argument begins, we encounter blasphemy. The more one becomes engrossed in the consequences of Christ's life, trying to determine if he was God, the more blasphemous one’s actions become; and it remains blasphemous as long as this line of thought continues.

Curious coincidence: one tries to make it appear that, providing one but thoroughly considers the consequences of Christ's life, this "therefore" will surely be arrived at—and faith condemns the very beginning of this attempt as blasphemy, and hence the continuance in it as a worse blasphemy.

Curious coincidence: one tries to make it seem that if you really think about the consequences of Christ's life, this "therefore" will definitely be reached—and faith views the very start of this effort as blasphemy, and therefore continuing in it as an even greater blasphemy.

"History," says faith, "has nothing to do with Christ." With regard to him we have only Sacred History (which is different in kind from general history), Sacred History which tells of his life and career when in debasement, and tells also that he affirmed himself to be God. He is the paradox which history never will be able to digest or convert into a general syllogism. He is in his debasement the same as he is in his exaltation—but the 1800 years, or let it be 18,000 years, have nothing whatsoever to do with this. The brilliant consequences in the history of the world which are sufficient, almost, to convince even a professor of history that he was God, these brilliant consequences surely do not represent his return in glory! Forsooth, in that case it were imagined rather meanly! The same thing over again: Christ is thought to be a man whose return in glory can be, and can become, nothing else than the consequences of his life in history—whereas Christ's return in glory is something absolutely different and a matter of faith. He abased himself and was swathed in rags—he will return in glory; but the brilliant consequences in history, especially when examined a little more closely, are too shabby a glory—at any rate a glory of an altogether incongruous nature, of which faith therefore never speaks, when speaking about his glory. History is a very respectable science indeed, only it must not become so conceited as to take upon itself what the Father will do, and clothe Christ in his glory, dressing him up with the brilliant garments of the consequences of his life, as if that constituted his return. That he was God in his debasement and that he will return in glory, all this is far beyond the comprehension of history; nor can all this be got from history, excepting by an incomparable lack of logic, and however incomparable one's view of history may be otherwise.

"History," faith says, "has nothing to do with Christ." When it comes to him, we only have Sacred History (which is different from general history), Sacred History that tells of his life and struggles, and also reveals that he claimed to be God. He is the paradox that history will never be able to fully understand or condense into a neat conclusion. In his humility, he is the same as he is in his glory—but the 1800 years, or even 18,000 years, have nothing to do with this. The remarkable outcomes in world history that could almost convince even a history professor that he was God, surely don’t account for his return in glory! In that case, it would be a rather trivial interpretation! Once again, Christ is seen as a man whose glorious return can only be the result of his life in history—while Christ's return in glory is completely different and relies on faith. He humbled himself and wore rags—he will return in glory; but the impressive outcomes in history, especially when looked at more closely, are too meager a glory—indeed, a glory that feels entirely disconnected from the true essence of what faith discusses regarding his glory. History is a very respected field of study, but it should not become so arrogant as to assume the role of the Father in determining what he will do and drape Christ in his glory, dressing him up in the splendid outcomes of his life, as if that was his return. That he was God in his humility and that he will return in glory is beyond the grasp of history; none of this can be derived from history, except through a glaring lack of logic, no matter how remarkable one's perspective on history might be otherwise.

How strange, then, that one ever wished to use history in order to prove Christ divine.

How strange, then, that anyone would want to use history to prove that Christ is divine.

D. Are the consequences of Christ's life more important than his life?

No, by no means, but rather the opposite; for else Christ were but a man.

No, not at all, but quite the opposite; otherwise, Christ would just be a man.

There is really nothing remarkable in a man having lived. There have certainly lived millions upon millions of men. If the fact is remarkable, there must have been something remarkable in a man's life. In other words, there is nothing remarkable in his having lived, but his life was remarkable for this or that. The remarkable thing may, among other matters, also be what he accomplished; that is, the consequences of his life.

There’s really nothing special about a man just having lived. Millions and millions of men have lived. If living is special, then there must have been something noteworthy in a man’s life. In other words, it’s not the fact that he lived that’s notable, but rather something exceptional about his life. What’s remarkable might also include what he achieved; that is, the impact of his life.

But that God lived here on earth in human form, that is infinitely remarkable. No matter if his life had had no consequences at all—it remains equally remarkable, infinitely remarkable, infinitely more remarkable than all possible consequences. Just try to introduce that which is remarkable as something secondary and you will straightway see the absurdity of doing so: now, if you please, whatever remarkable is there in God's life having had remarkable consequences? To speak in this fashion is merely twaddling.

But the fact that God lived here on earth in human form is truly extraordinary. Even if his life hadn’t had any consequences at all, it’s still incredibly remarkable—infinitely more remarkable than any possible consequences. Just try to treat what’s remarkable as secondary, and you’ll immediately see how ridiculous that is: really, what’s so significant about the fact that God’s life had remarkable outcomes? Speaking this way is simply nonsense.

No, that God lived here on earth, that is what is infinitely remarkable, that which is remarkable in itself. Assuming that Christ's life had had no consequences whatsoever—if any one then undertook to say that therefore his life was not remarkable it would be blasphemy. For it would be remarkable all the same; and if a secondary remarkable characteristic had to be introduced it would consist in the remarkable fact that his life had no consequences. But if one should say that Christ's life was remarkable because of its consequences, then this again were a blasphemy; for it is his life which in itself is the remarkable thing.

No, the fact that God lived here on earth is what’s truly incredible, and remarkable on its own. Even if Christ's life had no impact whatsoever—if someone claimed that meant his life wasn’t remarkable, it would be offensive. It would still be remarkable, and if we were to introduce another remarkable aspect, it would be the fact that his life had no consequences. But if someone said Christ's life was remarkable just because of its consequences, that would also be offensive; it’s his life itself that is the remarkable part.

There is nothing very remarkable in a man's having lived, but it is infinitely remarkable that God has lived. God alone can lay so much emphasis on himself that the fact of his having lived becomes infinitely more important than all the consequences which may flow therefrom and which then become a matter of history.

There’s nothing especially noteworthy about a man having lived, but it's incredibly remarkable that God has lived. Only God can put so much emphasis on Himself that the fact of His existence becomes infinitely more significant than all the resulting consequences, which then become a part of history.

E. A comparison between Christ and a man who in his life endured the same treatment by his times as Christ endured.

Let us imagine a man, one of the exalted spirits, one who was wronged by his times, but whom history later reinstated in his rights by proving by the consequences of his life who he was. I do not deny, by the way, that all this business of proving from the consequences is a course well suited to "a world which ever wishes to be deceived." For he who was contemporary with him and did not understand who he was, he really only imagines that he understands when he has got to know it by help of the consequences of the noble one's life. Still, I do not wish to insist on this point, for with regard to a man it certainly holds true that the consequences of his life are more important than the fact of his having lived.

Let’s picture a man, one of those great spirits, someone who was wronged by his time, but whom history later restored by showing the impact of his life. I don’t deny that this idea of proving a person's worth through the results of their life fits well in “a world that always wants to be deceived.” After all, those who lived during his time and didn’t really get who he was only think they understand him after seeing the outcomes of the noble person’s life. Still, I don’t want to dwell too much on this point, because when it comes to a person, it’s true that the effects of their life matter more than just the fact that they lived.

Let us imagine one of these exalted spirits. He lives among his contemporaries without being understood, his significance is not recognized—he is misunderstood, and then mocked, persecuted, and finally put to death like a common evil-doer. But the consequences of his life make it plain who he was; history which keeps a record of these consequences re-instates him in his rightful position, and now he is named in one century after another as the great and the noble spirit, and the circumstances of his debasement are almost completely forgotten. It was blindness on the part of his contemporaries which prevented them from comprehending his true nature, and wickedness which made them mock him and deride him, and finally put him to death. But be no more concerned about this; for only after his death did he really become what he was, through the consequences of his life which, after all, are by far more important than his life.

Let’s picture one of these elevated souls. He exists among his peers without being understood; his importance isn’t recognized—he is misjudged, ridiculed, persecuted, and ultimately killed like an ordinary criminal. Yet the impact of his life reveals who he truly was; history, which records these outcomes, restores him to his rightful place, and now he is celebrated in one century after another as a great and noble spirit, while the details of his downfall are nearly forgotten. It was the ignorance of his contemporaries that prevented them from seeing his true essence, and it was malice that led them to mock, deride, and ultimately execute him. But there's no need to dwell on that; it’s only after his death that he truly became who he was, through the impact of his life, which, in the end, is far more significant than his actual existence.

Now is it not possible that the same holds true with regard to Christ? It was blindness and wickedness on the part of those times[8]—but be no more concerned about this, history has now re-instated him, from history we know now who Jesus Christ was, and thus justice is done him.

Now, isn't it possible that the same is true for Christ? It was ignorance and wrongdoing during those times[8]—but don't worry about that anymore; history has now restored him, and from history, we now know who Jesus Christ was, and in that way, he has received justice.

Ah, wicked thoughtlessness which thus interprets Sacred History like profane history, which makes Christ a man! But can one, then, learn anything from history about Jesus? (cf. B) No, nothing. Jesus Christ is the object of faith—one either believes in him or is offended by him; for "to know" means precisely that such knowledge does not pertain to him. History can therefore, to be sure, give one knowledge in abundance; but "knowledge" annihilates Jesus Christ.

Ah, the thoughtlessness that interprets Sacred History like ordinary history, reducing Christ to just a man! But can we really learn anything about Jesus from history? No, nothing at all. Jesus Christ is the object of faith—one either believes in him or is put off by him; because to "know" him in that sense means that such knowledge doesn't apply to him. History can provide plenty of information, but that "knowledge" destroys the essence of Jesus Christ.

Again—ah, the impious thoughtlessness!—for one to presume to say about Christ's abasement: "Let us be concerned no more about his abasement." Surely, Christ's abasement was not something which merely happened to him—even if it was the sin of that generation to crucify him; was surely not something that simply happened to him and, perhaps, would not have happened to him in better times. Christ himself wished to be abased and lowly. His abasement (that is, his walking on earth in humble guise, though being God) is therefore a condition of his own making, something he wished to be knotted together, a dialectic knot which no one shall presume to untie, and which no one will untie, for that matter, until he himself shall untie it when returning in his glory.

Again—ah, the shameless thoughtlessness!—for someone to assume they can say about Christ's humility: "Let’s stop worrying about his humiliation." Surely, Christ's humility wasn't just something that happened to him—even if it was that generation's sin to crucify him; it wasn't merely something that took place in some better time. Christ himself chose to be humble and lowly. His humility (that is, his living on earth in a modest form, despite being God) is therefore a condition he created himself, something he intended to be woven together, a complex tie that no one should dare to unravel, and which no one will untie, for that matter, until he himself does when he returns in glory.

His case is, therefore, not the same as that of a man who, through the injustice inflicted on him by his times, was not allowed to be himself or to be valued at his worth, while history revealed who he was; for Christ himself wished to be abased—it is precisely this condition which he desired. Therefore, let history not trouble itself to do him justice, and let us not in impious thoughtlessness presumptuously imagine that we as a matter of course know who he was. For that no one knows; and he who believes it must become contemporaneous with him in his abasement. When God chooses to let himself be born in lowliness, when he who holds all possibilities in his hand assumes the form of a humble servant, when he fares about defenseless, letting people do with him what they list: he surely knows what he does and why he does it; for it is at all events he who has power over men, and not men who have power over him—so let not history be so impertinent as to wish to reveal who he was.

His situation is, therefore, not like that of a man who, due to the injustice of his time, was denied the chance to be himself or to be recognized for his true value, while history slowly uncovers who he really was; because Christ himself chose to be humbled—it is exactly this state that he wanted. So, let history not concern itself with doing him justice, and let us not, in careless thoughtlessness, arrogantly assume that we naturally understand who he was. Because no one truly knows; and whoever thinks they do must share in his humility. When God decides to be born in a lowly state, when he who has all possibilities in his grasp takes on the role of a humble servant, when he moves about defenseless, allowing people to treat him as they please: he surely knows what he’s doing and why he does it; because it is, after all, he who has power over people, not the other way around—so let history not be so presumptuous as to try to define who he was.

Lastly—ah the blasphemy!—if one should presume to say that the percussion which Christ suffered expresses something accidental! If a man is persecuted by his generation it does not follow that he has the right to say that this would happen to him in every age. Insofar there is reason in what posterity says about letting bygones be bygones. But it is different with Christ! It is not he who by letting himself be born, and by appearing in Palestine, is being examined by history; but it is he who examines, his life is the examination, not only of that generation, but of mankind. Woe unto the generation that would presumptuously dare to say: "let bygones be bygones, and forget what he suffered, for history has now revealed who he was and has done justice by him."

Lastly—oh the audacity!—if anyone were to claim that the suffering Christ endured is something trivial! Just because someone is persecuted by their era doesn’t mean they can say this would apply to them in any period. That’s why there’s some truth in what future generations say about moving on from the past. But Christ is different! It's not him being scrutinized by history for being born and appearing in Palestine; it’s he who examines us—his life is the test, not just for his time, but for all humanity. Woe to the generation that would arrogantly say: "let's move on and forget what he suffered, because history has now shown who he truly was and has done right by him."

If one assumes that history is really able to do this, then the abasement of Christ bears an accidental relation to him; that is to say, he thereby is made a man, an extraordinary man to whom this happened through the wickedness of that generation—a fate which he was far from wishing to suffer, for he would gladly (as is human) have become a great man; whereas Christ voluntarily chose to be the lowly one and, although it was his purpose to save the world, wished also to give expression to what the "truth" suffered then, and must suffer in every generation. But if this is his strongest desire, and if he will show himself in his glory only at his return, and if he has not returned as yet; and if no generation may be without repentance, but on the contrary every generation must consider itself a partner in the guilt of that generation: then woe to him who presumes to deprive him of his lowliness, or to cause what he suffered to be forgotten, and to clothe him in the fabled human glory of the historic consequences of his life, which is neither here nor there.

If we assume that history can really do this, then Christ's humiliation is only accidentally related to him; in other words, he becomes a man, an extraordinary man, because of the wickedness of that generation—a fate he certainly didn’t want to endure, as he would have preferred to become a great man; however, Christ willingly chose to be humble and, while his goal was to save the world, he also wanted to express what the "truth" endured then, and continues to endure in every generation. But if this is his deepest desire, and if he will only reveal himself in his glory upon his return, which has not yet happened; and if no generation can escape the need for repentance, but rather every generation must see itself as sharing in the guilt of that time: then woe to anyone who dares to strip him of his humility, or to make what he suffered a thing of the past, and to adorn him with the mythical human glory from the historical outcomes of his life, which is irrelevant.

F. The Misfortune of Christendom

But precisely this is the misfortune, and has been the misfortune, in Christendom that Christ is neither the one nor the other—neither the one he was when living on earth, nor he who will return in glory, but rather one about whom we have learned to know something in an inadmissible way from history—that he was somebody or other of great account. In an inadmissible and unlawful way we have learned to know him; whereas to believe in him is the only permissible mode of approach. Men have mutually confirmed one another in the opinion that the sum total of information about him is available if they but consider the result of his life and the following 1800 years, i.e. the consequences. Gradually, as this became accepted as the truth, all pith and strength was distilled out of Christianity; the paradox was relaxed, one became a Christian without noticing it, without noticing in the least the possibility of being offended by him. One took over Christ's teachings, turned them inside out and smoothed them down—he himself guaranteeing them, of course, the man whose life had had such immense consequences in history! All became plain as day—very naturally, since Christianity in this fashion became heathendom.

But this is exactly the problem, and has been the problem in Christianity: Christ is neither the person he was while living on earth nor the one who will come back in glory, but rather someone we’ve learned about in an unacceptable way from history—that he was someone of great significance. In an unacceptable and improper way, we’ve come to know him; whereas believing in him is the only valid way to approach him. People have reinforced each other’s belief that all the information about him can be found by simply looking at the results of his life and the consequences of the last 1800 years. Gradually, as this became accepted as the truth, all the essence and strength of Christianity was drained away; the paradox faded, and one became a Christian without even realizing it, without any awareness of the possibility of being offended by him. People adopted Christ's teachings, twisted them around, and smoothed them out—he himself, of course, guaranteeing them, the man whose life had such huge consequences in history! Everything became clear as day—very naturally, since Christianity turned into paganism in this way.

There is in Christendom an incessant twaddling on Sundays about the glorious and invaluable truths of Christianity, its mild consolation. But it is indeed evident that Christ lived 1800 years ago; for the rock of offense and object of faith has become a most charming fairy-story character, a kind of divine good old man.[9] People have not the remotest idea of what it means to be offended by him, and still less, what it means to worship. The qualities for which Christ is magnified are precisely those which would have most enraged one, if one had been contemporaneous with him; whereas now one feels altogether secure, placing implicit confidence in the result and, relying altogether on the verdict of history that he was the great man, concludes therefore that it is correct to do so. That is to say, it is the correct, arid the noble, and the exalted, and the true, thing—if it is he who does it; which is to say, again, that one does not in any deeper sense take the pains to understand what it is he does, and that one tries even less, to the best of one's ability and with the help of God, to be like him in acting rightly and nobly, and in an exalted manner, and truthfully. For, not really fathoming it in any deeper sense, one may, in the exigency of a contemporaneous situation, judge him in exactly the opposite way. One is satisfied with admiring and extolling and is, perhaps, as was said of a translator who rendered his original word for word and therefore without making sense, "too conscientious,"—one is, perhaps, also too cowardly and too weak to wish to understand his real meaning.

In Christianity, there's a never-ending chatter on Sundays about the wonderful and priceless truths of Christianity, its gentle comfort. But it's clear that Christ lived 1800 years ago; the source of offense and object of faith has turned into a very appealing fairy-tale figure, a sort of divine old man. People don't have the slightest idea of what it means to be offended by him, and even less of what it means to worship. The qualities that people celebrate about Christ are exactly what would have angered someone if they had lived during his time; now, though, people feel completely safe putting their full trust in the outcome and relying entirely on history's approval that he was a great man, leading them to believe it's right to do so. In other words, it's the right, dry, noble, exalted, and true thing—if he is the one doing it; which means, once again, that people don’t make the effort to truly understand what he did, nor do they try, to the best of their ability and with God's help, to be like him in acting justly, nobly, in a noble manner, and truthfully. Because they don’t really grasp it on a deeper level, they might, in the pressure of the present moment, judge him in exactly the opposite way. They’re content with admiring and praising him and might, much like a translator who translates word for word without making sense, be "too conscientious"—perhaps they are also too cowardly and weak to seek to understand his true meaning.

Christendom has done away with Christianity, without being aware of it. Therefore, if anything is to be done about it, the attempt must be made to re-introduce Christianity.

Christendom has removed Christianity without even realizing it. So, if anything is going to change, we need to try to bring Christianity back.

II

He who invites is, then, Jesus Christ in his abasement, it is he who spoke these words of invitation. It is not from his glory that they are spoken. If that were the case, then Christianity were heathendom and the name of Christ taken in vain, and for this reason it cannot be so. But if it were the case that he who is enthroned in glory had said these words: Come hither—as though it were so altogether easy a matter to be clasped in the arms of glory—well, what wonder, then, if crowds of men ran to him! But they who thus throng to him merely go on a wild goose chase, imagining they know who Christ is. But that no one knows; and in order to believe in him one has to begin with his abasement.

The one who invites is, then, Jesus Christ in his humility; it is he who spoke these words of invitation. They are not spoken from a place of glory. If that were the case, then Christianity would be meaningless, and the name of Christ would be misused, which is why it can’t be like that. But if it were true that he who is exalted in glory had said these words: "Come here"—as if it were so easy to be embraced by glory—then it’s no surprise that crowds of people would rush to him! Yet those who flock to him are just chasing something unattainable, thinking they understand who Christ really is. But no one truly knows; to believe in him, one has to start with his humility.

He who invites and speaks these words, that is, he whose words they are—whereas the same words if spoken by some one else are, as we have seen, an historic falsification—he is the same lowly Jesus Christ, the humble man, born of a despised maiden, whose father is a carpenter, related to other simple folk of the very lowest class, the lowly man who at the same time (which, to be sure, is like oil poured on the fire) affirms himself to be God.

He who invites and says these words, meaning he whose words they are—unlike the same words if someone else says them, which, as we've seen, would be a historical distortion—he is the same humble Jesus Christ, the modest man born of a disrespected young woman, whose father is a carpenter, connected to other ordinary people of the lowest class, the humble man who at the same time (which, of course, is like adding fuel to the fire) claims to be God.

It is the lowly Jesus Christ who spoke these words. And no word of Christ, not a single one, have you permission to appropriate to yourself, you have not the least share in him, are not in any way of his company, if you have not become his contemporary in lowliness in such fashion that you have become aware, precisely like his contemporaries, of his warning: "Blessed is he whosoever shall not be offended in me.[10]" You have no right to accept Christ's words, and then lie him away; you have no right to accept Christ's words, and then in a fantastic manner, and with the aid of history, utterly change the nature of Christ; for the chatter of history about him is literally not worth a fig.

It is the humble Jesus Christ who said these words. And not a single word of Christ can you claim for yourself; you have no connection to him, you're not part of his circle, unless you've become his equal in humility, just like his contemporaries realized his warning: "Blessed is he who is not offended by me.[10]" You have no right to accept Christ's words and then dismiss him; you have no right to accept Christ's words and then, in an exaggerated way and with the help of history, completely change the essence of Christ, because the historical gossip about him isn’t worth anything.

It is Jesus Christ in his lowliness who is the speaker. It is historically true that h e said these words; but so soon as one makes a change in his historic status, it is false to say that these words were spoken by him.

It is Jesus Christ in his humility who is the speaker. It is historically accurate that he said these words; however, once you alter his historical status, it becomes untrue to claim that these words were spoken by him.

This poor and lowly man, then, with twelve poor fellows as his disciples, all from the lowest class of society, for some time an object of curiosity, but later on in company only with sinners, publicans, lepers, and madmen; for one risked honor, life, and property, or at any rate (and that we know for sure) exclusion from the synagogue, by even letting one's self be helped by him—come hither now, all ye that labor and are heavy laden! Ah, my friend, even if you were deaf and blind and lame and leprous, if you, which has never been seen or heard before, united all human miseries in your misery—and if he wished to help you by a miracle: it is possible that (as is human) you would fear more than all your sufferings the punishment which was set on accepting aid from him, the punishment of being cast out from the society of other men, of being ridiculed and mocked, day after day, and perhaps of losing your life. It is human (and it is characteristic of being human) were you to think as follows: "no, thank you, in that case I prefer to remain deaf and blind and lame and leprous, rather than accept aid under such conditions."

This poor and humble man, along with twelve other struggling souls as his followers, all from the lowest social class, was initially a source of curiosity but later found himself surrounded only by sinners, tax collectors, outcasts, and the insane. One risked their reputation, safety, and possessions—or at the very least (and we know for sure) being shunned by the synagogue—just by accepting help from him. “Come to me, all you who are weary and burdened!” Ah, my friend, even if you were deaf, blind, disabled, or suffering from leprosy—if, which has never been witnessed before, you combined all human suffering into your own misery—and if he wanted to assist you with a miracle: it's possible that (because it's human nature) you would be more afraid of the consequences of accepting his help than of your own pain. The consequences of being rejected by society, of facing mockery and ridicule day after day, and perhaps even losing your life. It’s human (and it's part of being human) to think like this: "No, thank you. In that case, I’d rather stay deaf, blind, disabled, and leprous than accept help under those conditions."

"Come hither, come hither, all, ye that labor and are heavy laden, ah, come hither," lo! he invites you and opens his arms. Ah, when a gentlemanly man clad in a silken gown says this in a pleasant, harmonious voice so that the words pleasantly resound in the handsome vaulted church, a man in silk who radiates honor and respect on all who listen to him; ah, when a king in purple and velvet says this, with the Christmas tree in the background on which are hanging all the splendid gifts he intends to distribute, why, then of course there is some meaning in these words! But whatever meaning you may attach to them, so much is sure that it is not Christianity, but the exact opposite, something as diametrically opposed to Christianity as may well be; for remember who it is that invites!

"Come here, come here, all of you who are working hard and feeling weighed down, oh, come here," look! He invites you and opens his arms. Oh, when a gentleman dressed in a silk robe says this in a pleasant, melodic voice so that the words echo beautifully in the lovely vaulted church, a man in silk who radiates honor and respect for all who listen to him; oh, when a king in purple and velvet says this, with the Christmas tree in the background adorned with all the amazing gifts he plans to hand out, then of course there is some significance to these words! But whatever meaning you attach to them, one thing is certain: it is not Christianity, but something completely opposite, something as far removed from Christianity as possible; for remember who it is that invites!

And now judge for yourself—for that you have a right to do; whereas men really do not have a right to do what is so often done, viz. to deceive themselves. That a man of such appearance, a man whose company every one shuns who has the least bit of sense in his head, or the least bit to lose in the world, that he—well, this is the absurdest and maddest thing of all, one hardly knows whether to laugh or to weep about it—that he—indeed, that is the very last word one would expect to issue from his mouth; for if he had said: "Come hither and help me," or: "Leave me alone," or: "Spare me," or proudly: "I despise you all," we could understand that perfectly—but that such a man says: "Come hither to me!" why, I declare, that looks inviting indeed! And still further: "All ye that labor and are heavy laden"—as though such folk were not burdened enough with troubles, as though they now, to cap all, should be exposed to the consequences of associating with him. And then, finally: "I shall give you rest." What's that?—he help them? Ah, I am sure even the most good-natured joker who was contemporary with him would have to say: "Surely, that was the thing he should have undertaken last of all—to wish to help others, being in that condition himself! Why, it is about the same as if a beggar were to inform the police that he had been robbed. For it is a contradiction that one who has nothing, and has had nothing, informs us that he has been robbed; and likewise, to wish to help others when one's self needs help most." Indeed it is, humanly speaking, the most harebrained contradiction, that he who literally "hath not where to lay his head," that he about whom it was spoken truly, in a human sense, "Behold the man!"—that he should say: "Come hither unto me all ye that suffer—I shall help!"

And now, judge for yourself—because you have the right to do so; while people often don't have the right to deceive themselves. That a man like this, someone whose company everyone with even a little bit of sense or something to lose avoids, that he—well, it's the craziest thing of all; you hardly know whether to laugh or cry about it—that he—now, that's the last thing you'd expect him to say; if he had said: "Come here and help me," or: "Leave me alone," or: "Spare me," or even proudly: "I despise you all," that would make complete sense—but that such a man says: "Come to me!" well, that sounds pretty inviting! And then there's more: "All you who are weary and burdened"—as if those people weren't already loaded with troubles, as if now, to top it all off, they should face the consequences of being with him. And finally: "I will give you rest." What does that mean? He'll help them? Ah, I’m sure even the most easygoing joker of his time would have to say: "Surely, that's the last thing he should be trying to do—help others when he needs help the most! It's about the same as if a beggar told the police he had been robbed. It just doesn’t make sense that someone who has nothing, and has never had anything, claims he’s been robbed; and likewise, to want to help others when you need help yourself." Indeed, it is, from a human perspective, the craziest contradiction, that he who literally "has nowhere to lay his head," the one about whom it was said truly, in a human way, "Behold the man!"—that he would say: "Come to me, all you who are suffering—I will help!"

Now examine yourself—for that you have a right to do. You have a right to examine yourself, but you really do not have a right to let yourself without self-examination be deluded by "the others" into the belief, or to delude yourself into the belief, that you are a Christian—therefore examine yourself: supposing you were contemporary with him! True enough he—alas! he affirmed himself to be God! But many another madman has made that claim—and his times gave it as their opinion that he uttered blasphemy. Why, was not that precisely the reason why a punishment was threatened for allowing one's self to be aided by him? It was the godly care for their souls entertained by the existing order and by public opinion, lest any one should be led astray: it was this godly care that led them to persecute him in this fashion. Therefore, before any one resolves to be helped by him, let him consider that he must not only expect the antagonism of men, but—consider it well!—even if you could bear the consequences of that step—but consider well, that the punishment meted out by men is supposed to be God's punishment of him, "the blasphemer"—of him who invites!

Now take a moment to look at yourself—for you have every right to do so. You have the right to reflect on your own beliefs, but you shouldn't let yourself be fooled by "the others" into thinking, or fool yourself into thinking, that you are a Christian—so take a good look at yourself: imagine if you were living at the same time as him! It’s true, he—sadly—claimed to be God! But many other disturbed individuals have made that claim too, and people back then believed he was speaking blasphemy. Wasn’t that exactly why they threatened punishment for those who accepted his help? It was all about the supposed concern for their souls from the established order and societal views, worried that someone might be led astray: this so-called care is what drove them to persecute him like that. So, before anyone decides to seek his help, they should be aware that they must not only expect the backlash from people, but—think carefully!—even if you can handle the consequences of that choice—understand that the punishment imposed by humans is thought to be God's punishment on him, "the blasphemer"—the one who invites!

Come hither now all ye that labor and are heavy laden!

Come here now all you who work hard and are burdened!

How now? Surely this is nothing to run after—some little pause is given, which is most fittingly used to go around about by way of another street. And even if you should not thus sneak out in some way—always providing you feel yourself to be contemporary with him—or sneak into being some kind of Christian by belonging to Christendom: yet there will be a tremendous pause given, the pause which is the very condition that faith may arise: you are given pause by the possibility of being offended in him.

How's it going? This really isn’t worth chasing after—there's a little break here, which is best used to take a different route. And even if you don’t try to slip away in some way—assuming you feel like you belong with him—or try to be a Christian just by being part of Christendom: there will still be a significant pause, the kind that creates the opportunity for faith to grow: you are paused by the chance of being offended by him.

But in order to make it entirely clear, and bring it home to our minds, that the pause is given by him who invites, that it is he who gives us pause and renders it by no means an easy, but a peculiarly difficult, matter to follow his invitation, because one has no right to accept it without accepting also him who invites—in order to make this entirely clear I shall briefly review his life under two aspects which, to be sure, show some difference though both essentially pertain to his abasement. For it is always an abasement for God to become man, even if he were to be an emperor of emperors; and therefore he is not essentially more abased because he is a poor, lowly man, mocked, and as Scripture adds,[11] spat upon.

But to make it perfectly clear and drive the point home, the pause comes from the one who invites us; it’s he who gives us pause, making it not an easy choice but a particularly challenging one to accept his invitation because you cannot accept it without accepting him as well. To clarify this, I will briefly outline his life from two perspectives that, while different, both fundamentally relate to his humiliation. For it is always a humiliation for God to become man, even if he were an emperor of emperors; thus, he is not fundamentally more humiliated because he is a poor, lowly man who is mocked and, as Scripture points out, [11] spat upon.

THE FIRST PHASE OF HIS LIFE

And now let us speak about him in a homely fashion, just as his contemporaries spoke about him, and as one speaks about some contemporary—let him be a man of the same kind as we are, whom one meets on the street in passing, of whom one knows where he lives and in what story, what his business is, who his parents are, his family, how he looks and how he dresses, with whom he associates, "and there is nothing extraordinary about him, he looks as men generally look"; in short, let us speak of him as one speaks of some contemporary about whom one does not make a great ado; for in living life together with these thousands upon thousands of real people there is no room for a fine distinction like this: "Possibly, this man will be remembered in centuries to come," and "at the same time he is really only a clerk in some shop who is no whit better than his fellows." Therefore, let us speak about him as contemporaries speak about some contemporary. I know very well what I am doing; and I want you to believe that the canting and indolent world-historic habit we have of always reverently speaking about Christ (since one has learned all about it from history, and has heard so much about his having been something very extraordinary, indeed, or something of that kind)—that reverent habit, I assure you, is not worth a row of pins but is, rather, sheer thoughtlessness, hypocrisy, and as such blasphemy; for it is blasphemy to reverence thoughtlessly him whom one is either to believe in or to be offended in.

And now let’s talk about him in a casual way, just like his peers did, as you would about someone you know today—someone who is just like us, whom you pass on the street, whose address you know and what floor he lives on, what he does for a living, who his parents are, his family, what he looks like and how he dresses, who he hangs out with. "There’s nothing special about him; he looks like any other guy." In short, let's discuss him the way people discuss someone they don't make a big deal about; because in living among thousands of real people, there’s no room for the fine distinction of "Maybe this guy will be remembered for centuries" and "at the same time, he’s really just a clerk in some shop, no better than anyone else." So, let’s talk about him as contemporaries talk about each other. I know exactly what I'm doing; and I want you to understand that the overly respectful and lazy way we always talk about Christ (since we’ve learned so much from history and heard that he was something extraordinary or whatever)—that respectful habit, I assure you, isn’t worth anything and is, in fact, thoughtlessness and hypocrisy, and as such, blasphemy; because it’s blasphemy to reverently regard someone thoughtlessly whom one should either believe in or be offended by.

It is the lowly Jesus Christ, a humble man, born of a maiden of low degree, whose father is a carpenter. To be sure, his appearance is made under conditions which are bound to attract attention to him. The small nation among whom he appears, God's Chosen People as they call themselves, live in anticipation of a Messiah who is to bring a golden period to land and people. You must grant that the form in which he appears is as different as possible from what most people would have expected. On the other hand, his appearance corresponds more to the ancient prophecies with which the people are thought to have been familiar. Thus he presents himself. A predecessor has called attention to him, and he himself fastens attention very decidedly on himself by signs and wonders which are noised abroad in all the land—and he is the hero of the hour, surrounded by unnumbered multitudes of people wheresoever he fares. The sensation aroused by him is enormous, every one's eyes are fastened on him, every one who can go about, aye even those who can only crawl, must see the wonder—and every one must have some opinion about him, so that the purveyors of ready-made opinions are put to it because the demand is so furious and the contradictions so confusing. And yet he, the worker of miracles, ever remains the humble man who literally hath not where to lay his head.

It is the lowly Jesus Christ, a humble man, born to a young woman of modest background, whose father is a carpenter. His arrival certainly draws attention. The small nation where he appears, God's Chosen People as they call themselves, are eagerly waiting for a Messiah who will bring a golden age to their land and their people. You have to admit that his appearance is as different as possible from what most people would expect. However, his arrival aligns more closely with the ancient prophecies that the people are thought to know. Thus he presents himself. A forerunner has pointed him out, and he himself draws attention quite decisively with signs and wonders that spread throughout the land—he becomes the hero of the moment, surrounded by countless crowds wherever he goes. The excitement he generates is immense, everyone's eyes are on him, anyone who can move, even those who can only crawl, must witness the miracle—and everyone has to have some opinion about him, which puts the providers of ready-made opinions in a tough spot because the demand is so intense and the contradictions so bewildering. And yet, despite being a miracle worker, he remains the humble man who literally has nowhere to lay his head.

And let us not forget: signs and wonders as contemporary events have a markedly greater elasticity in repelling or attracting than the tame stories generally re-hashed by the priests, or the still tamer stories about signs and wonders that happened—1800 years ago! Signs and wonders as contemporary events are something plaguy and importunate, something which in a highly embarrassing manner almost compels one to have an opinion, something which, if one does not happen to be disposed to believe, may exasperate one excessively by thus forcing one to be contemporaneous with it. Indeed, it renders existence too complicated, and the more so, the more thoughtful, developed, and cultured one is. It is a peculiarly ticklish matter, this having to assume that a man who is contemporaneous with one really performs signs and wonders; but when he is at some distance from one, when the consequences of his life stimulate the imagination a bit, then it is not so hard to imagine, in a fashion, that one believes it.

And let's not forget: signs and wonders happening right now have a much greater ability to either draw people in or push them away than the boring stories usually recycled by the priests, or the even more boring tales about signs and wonders from—1800 years ago! Current signs and wonders are annoying and persistent, almost forcing you to take a stance, and if you're not inclined to believe, they can be incredibly frustrating for insisting you engage with them. In fact, it complicates life, especially for those who are more thoughtful, developed, and cultured. It's a tricky situation, having to accept that someone living in your time might actually perform signs and wonders; but when they’re far removed from you, and the impact of their life sparks your imagination a bit, it becomes easier to entertain the idea of believing in it.

As I said, then, the people are carried away with him; they follow him jubilantly, and see signs and wonders, both those which he performs and those which he does not perform, and they are glad in their hope that the golden age will begin, once he is king. But the crowd rarely have a clear reason for their opinions, they think one thing today and another tomorrow. Therefore the wise and the critical will not at once participate. Let us see now what the wise and the critical must think, so soon as the first impression of astonishment and surprise has subsided.

As I mentioned, the people are totally swept up by him; they follow him joyfully and witness signs and wonders, both those he does and those he doesn’t, and they feel hopeful that the golden age will begin once he’s king. But the crowd rarely has a solid reason for their beliefs; they think one thing today and something completely different tomorrow. That’s why the wise and the discerning won’t jump on board right away. Let’s look now at what the wise and the discerning must consider once the initial shock and surprise fade away.

The shrewd and critical man would probably say: "Even assuming that this person is what he claims to be, that is, something extraordinary—for as to his affirming himself to be God I can, of course, not consider that as anything but an exaggeration for which I willingly make allowances, and pardon him, if I really considered him to be something extraordinary; for I am not a pedant—assuming then, which I hesitate to do, for it is a matter on which I shall at any rate suspend my judgment—assuming then that he is really performing miracles: is it not an inexplicable mystery that this person can be so foolish, so weak-minded, so altogether devoid of worldly wisdom, so feeble, or so good-naturedly vain, or whatever else you please to call it—that he behaves in this fashion and almost forces his benefactions on men? Instead of proudly and commandingly keeping people away from himself at a distance marked by their profoundest submission, whenever he does allow himself to be seen, at rare occasions: instead of doing so, think of his being accessible to every one, or rather himself going to every one, of having intercourse with everybody, almost as if being the extraordinary person consisted in his being everybody's servant,[12] as if the extraordinary person he claims to be were marked by his being concerned only lest men should fail to be benefited by him—in short as if being an extraordinary person consisted in being the most solicitous of all persons. The whole business is inexplicable to me—what he wants, what his purpose is, what end he has in mind, what he expects to accomplish; in a word, what the meaning of it all is. He who by so many a wise saying reveals so profound an insight into the human heart, he must certainly know what I, using but half of my wits, can predict for him, viz. that in such fashion one gets nowhere in the world—unless, indeed, despising prudence, one consistently, aims to make a fool of one's self or, perchance, goes so far in sincerity as to prefer being put to death; but anyone, one desiring that must certainly be crazy. Having such profound knowledge of the human heart he certainly ought to know that the thing to do is to deceive people and then to give one's deception the appearance of being a benefaction conferred on the whole race. By doing so one reaps all advantages, even the one whose enjoyment is the sweetest of all, which is, to be called by one's contemporaries a benefactor of the human race—for, once in your grave, you may snap your fingers at what posterity may have to say about you. But to surrender one's self altogether, as he does, and not to think the least of one's self—in fact, almost to beg people to accept these benefactions: no, I would not dream of joining his company. And, of course, neither does he invite me; for, indeed, he invites only them that labor and are heavy laden."

The clever and analytical person might say: "Even if we accept that this person is who they claim to be, something extraordinary—for claiming to be God is clearly an exaggeration that I can overlook if I consider them to be remarkable; I’m not a pedant—let's assume, though I’m hesitant, as I plan to withhold judgment on this matter—let's assume they are truly performing miracles: isn't it a puzzling mystery that this person can be so naive, so simple-minded, so lacking in worldly wisdom, so weak or so naively vain, or whatever you want to call it, that they act this way and almost impose their goodwill on others? Instead of proudly keeping people at a distance, making them submit deeply whenever he does allow himself to be seen: instead of that, consider how he is accessible to everyone, or rather, he goes to everyone, engaging with everyone, almost as if being extraordinary means being everyone's servant,[12] as if the extraordinary person he claims to be is all about making sure people benefit from him—in short, as if being extraordinary means being the most concerned person of all. The whole situation is baffling to me—what he wants, what his purpose is, what his end goal might be, what he hopes to achieve; in other words, what it all means. Someone who, through so many wise sayings, shows such deep understanding of the human heart must surely realize that I, using just a fraction of my wits, can predict for him that this approach won't get him anywhere in life—unless, of course, he aims to make a fool of himself without regard for wisdom or actually prefers to be put to death; but anyone desiring that must be insane. With such deep knowledge of the human heart, he should know that the game is to deceive people and make that deception look like a gift to all mankind. That way, one can enjoy every benefit, especially the sweetest one, which is being called a benefactor by one's peers—because once you're in the grave, you can ignore what future generations think of you. But to completely surrender oneself, as he does, and not regard oneself at all—in fact, nearly begging people to accept these gifts: no, I would never consider joining him. And, of course, he doesn't invite me; he only invites those who are struggling and burdened."

Or he would reason as follows: "His life is simply a fantastic dream. In fact, that is the mildest expression one can use about it; for, when judging him in this fashion, one is good-natured enough to forget altogether the evidence of sheer madness in his claim to be God. This is wildly fantastical. One may possibly live a few years of one's youth in such fashion. But he is now past thirty years. And he is literally nothing. Still further, in a very short time he will necessarily lose all the respect and reputation he has gained among the people, the only thing, you may say, he has gained for himself. One who wishes to keep in the good graces of the people—the riskiest chance imaginable, I will admit—he must act differently. Not many months will pass before the crowd will grow tired of one who is so altogether at their service. He will be regarded as a ruined person, a kind of outcast, who ought to be glad to end his days in a corner, the world forgetting, by the world forgot; providing he does not, by continuing his previous behavior, prefer to maintain his present attitude and be fantastic enough to wish to be put to death, which is the unavoidable consequence of persevering in that course. What has he done for his future? Nothing. Has he any assured position? No. What expectations has he? None. Even this trifling matter: what will he do to pass the time when he grows older, the long winter nights, what will he do to make them pass—why, he cannot even play cards! He is now enjoying a bit of popular favor—in truth, of all movable property the most movable—which in a trice may turn into an enormous popular hatred of him.—Join his company? No, thank you, I am still, thank God, in my right mind."

Or he would think like this: "His life is just a wild dream. Honestly, that's putting it lightly; when you look at him this way, you're being nice enough to ignore the clear madness in his claim to be God. It's completely ridiculous. Sure, you might live a few years of your youth that way. But he's over thirty now. And he's literally nothing. Moreover, in no time he’ll lose all the respect and reputation he's earned from the people, which you could say is the only thing he has really gained for himself. Anyone who wants to stay in the good graces of the people—the most risky move you can make, I’ll admit—needs to act differently. It won't be long before the crowd gets bored of someone who is completely at their service. He'll be seen as a failure, a kind of outcast, who should be grateful to fade away in a corner, forgotten by the world; unless, by keeping up his old behavior, he actually chooses to stick with his current mindset and be foolish enough to want to be executed, which is the inevitable result of going down that path. What has he done for his future? Nothing. Does he have a secure position? No. What hopes does he have? None. Even about this trivial matter: what will he do to pass the time when he gets older? The long winter nights—how will he get through them? He can't even play cards! Right now, he has a little bit of popularity—in fact, of all things, it's the most fleeting— which can quickly turn into a huge wave of hatred against him. —Join his company? No, thanks, I'm still, thank God, in my right mind."

Or he may reason as follows: "That there is something extraordinary about this person—even if one reserves the right, both one's own and that of common sense, to refrain from venturing any opinion as to his claim of being God—about that there is really little doubt. Rather, one might be indignant at Providence's having entrusted such a person with these powers—a person who does the very opposite of what he himself bids us do: that we shall not cast our pearls before the swine; for which reason he will, as he himself predicts, come to grief by their turning about and trampling him under their feet. One may always expect this of swine; but, on the other hand, one would not expect that he who had himself called attention to this likelihood, himself would do precisely[13] what he knows one should not do. If only there were some means of cleverly stealing his wisdom—for I shall gladly leave him in undisputed possession of that very peculiar thought of his that he is God—if one could but rob his wisdom without, at the same time, becoming his disciple! If one could only steal up to him at night and lure it from him; for I am more than equal to editing and publishing it, and better than he, if you please. I undertake to astonish the whole world by getting something altogether different out of it; for I clearly see there is something wondrously profound in what he says, and the misfortune is only that he is the man he is. But perhaps, who knows, perhaps it is feasible, anyway, to fool him out of it. Perhaps in that respect too he is good-natured and simple enough to communicate it quite freely to me. It is not impossible; for it seems to me that the wisdom he unquestionably possesses, evidently has been entrusted to a fool, seeing there is so much contradiction in his life.—But as to joining his company and becoming his disciple—no, indeed, that would be the same as becoming'a fool oneself." Or he might reason as follows: "If this person does indeed mean to further what is good and true (I do not venture to decide this), he is helpful at least, in this respect, to youths and inexperienced people. For they will be benefited, in this serious life of ours, by learning, the sooner the better, and very thoroughly—he opens the eyes even of the blindest to this—that all this pretense of wishing to live only for goodness and truth contains a considerable admixture of the ridiculous. He proves how right the poets of our times are when they let truth and goodness be represented by some half-witted fellow, one who is so stupid that you can knock down a wall with him. The idea of exerting one's self, as this man does, of renouncing everything but pains and trouble, to be at beck and call all day long, more eager than the busiest family physician—and pray why? Because he makes a living by it? No, not in the very least; it has never occurred to him, as far as I can see, to want something in return. Does he earn any money by it? No, not a red cent—he has not a red cent to his name, and if he did he would forthwith give it away. Does he, then, aspire to a position of honor and dignity in the state? On the contrary, he loathes all worldly honor. And he who, as I said, condemns all worldly honor, and practices the art of living on nothing; he who, if any one, seems best fitted to pass his life in a most comfortable dolce far niente—which is not such a bad thing—: he lives under a greater strain than any government official who is rewarded by honor and dignity, lives under a greater strain than any business man who earns money like sand. Why does he exert himself thus, or (why this question about a matter not open to question?) why should any one exert himself thus—in order to attain to the happiness of being ridiculed, mocked, and so forth? To be sure, a peculiar kind of pleasure! That one should push one's way through a crowd to reach the spot where money, honor, and glory are distributed—why, that is perfectly understandable; but to push forward to be whipped: how exalted, how Christian, how stupid!"

Or he might think like this: "There’s definitely something unusual about this person—even if I choose to withhold my opinion about his claim to be God—there’s really no doubt about that. Instead, one might feel outraged that fate gave such powers to someone who does the exact opposite of what he tells us to do: that we shouldn’t cast our pearls before swine; for this reason, he will, as he predicts, end up getting trampled by them. One can always expect this from swine; however, it’s surprising that someone who warns about this very possibility would actually do what he knows shouldn’t be done. If only there were a clever way to steal his wisdom—because I’d gladly let him keep his unique belief that he is God—if only I could take his wisdom without becoming his follower! If I could sneak up to him at night and draw it out of him; because I am more than capable of editing and publishing it, and do it better than he does, if you ask me. I’m prepared to astonish the world by presenting something completely different from it; because I can see that there’s something incredibly profound in what he says, and the unfortunate part is that he is who he is. But maybe, who knows, it might actually be possible to trick him into sharing it. Perhaps in that regard, he is kind-hearted and simple enough to just give it to me. It’s not impossible; it seems to me that the wisdom he obviously has has been entrusted to a fool, given the contradictions in his life. But as for joining his circle and becoming his disciple—no way, that would be like becoming a fool myself." Or he might think: "If this person truly aims to promote what is good and true (I cannot decide this), at least he’s beneficial in a way to young people and those inexperienced. They will gain from learning, sooner rather than later, and thoroughly—he even opens the eyes of the blindest to notice that all the pretense of wanting to live only for goodness and truth is filled with absurdity. He affirms how right today’s poets are when they depict truth and goodness as some clueless idiot, one so dense you could knock down a wall with him. The idea of exerting oneself, as this man does, renouncing everything but hardship, being at everyone’s beck and call all day—why? Because he’s making a living from it? Not at all; as far as I can see, he’s never thought of wanting anything in return. Does he earn money from it? No, not a dime—he doesn’t have a dime to his name, and if he did, he’d immediately give it away. Does he seek a position of honor and respect in society? On the contrary, he despises all worldly honor. And he who, as I said, condemns all worldly honor and lives off nothing; he who seems best equipped to spend his life in the luxurious ease of doing nothing—which isn’t so bad—lives under more stress than any government official who gets rewarded with honor and dignity, or any businessman who makes money like it’s sand. Why does he push himself so much, or (why even ask a question that seems obvious?) why should anyone strain themselves like this—to achieve the joy of being ridiculed, mocked, and so on? Indeed, what a strange kind of pleasure! To push through a crowd to get to where money, honor, and glory are handed out—sure, that makes sense; but to push forward just to get whipped: how noble, how Christian, how foolish!"

Or he will reason as follows: "One hears so many rash opinions about this person from people who understand nothing—and worship him; and so many severe condemnations of him by those who, perhaps, misunderstand him after all. As for me, I am not going to allow myself to be accused of venturing a hasty opinion. I shall keep entirely cool and calm; in fact, which counts for still more, I am conscious of being as reasonable and moderate with him as is possible. Grant now—which, to be sure. I do only to a certain extent—grant even that one's reason is impressed by this person. What, then, is my opinion about him? My opinion is, that for the present, I can form no opinion about him. I do not mean about his claim of being God; for about that I can never in all eternity have an opinion. No, I mean about him as a man. Only by the consequences of his life shall we be able to decide whether he was an extraordinary person or whether, deceived by his imagination, he applied too high a standard, not only to himself, but also to humanity in general. More I cannot do for him, try as I may—if he were my only friend, my own child, I could not judge him more leniently, nor differently, either. It follows from this, to be sure, that in all probability, and for good reasons, I shall not ever be able to have any opinion about him. For in order to be able to form an opinion I must first see the consequences of his life, including his very last moments; that is, he must be dead. Then, and perhaps not even then, may I form an opinion of him. And even granting this, it is not really an opinion about him, for he is then no more. No more is needed to say why it is impossible for me to join him while he is living. The authority he is said to show in his teaching can have no decisive influence in my case; for it is surely easy to see that his thought moves in a circle. He quotes as authority that which he is to prove, which in its turn can be proved only by the consequences of his life; provided, of course, it is not connected with that fixed idea of his about being God, because if it is therefore he has this authority (because he is God) the answer must be: yes—if! So much, however, I may admit, that if I could imagine myself self living in some later age, and if the consequences of his life as shown in history had made it plain that he was the extraordinary person he in a former age claimed to be, then it might very well be—in fact, I might come very near, becoming his disciple."

Or he might think like this: "I hear so many reckless opinions about this person from people who know nothing and idolize him, and so many harsh judgments from those who probably misunderstand him after all. As for me, I’m not going to let myself be accused of rushing to conclusions. I will stay completely calm; in fact, what matters even more is that I’m aware I’m being as reasonable and fair with him as possible. Now, let's assume—though only to a certain extent—that my reason is influenced by this person. So, what do I think about him? My belief is that for now, I can’t form an opinion about him. I’m not talking about his claim of being God; I can never, for all eternity, have an opinion on that. No, I mean about him as a human being. Only by looking at the outcomes of his life will we be able to determine if he was truly exceptional or if, misled by his imagination, he set an unrealistically high standard for himself and for humanity in general. I can’t do any more for him, no matter how hard I try—if he were my only friend or my own child, I wouldn’t be able to judge him more kindly or differently. This implies that, very likely, and for good reasons, I’ll never be able to form an opinion about him. To form an opinion, I must first observe the results of his life, including his final moments; that is, he has to be dead. Only then, and maybe not even then, can I evaluate him. And even if I do, it’s not really an opinion about him because he won’t exist anymore. This explains why it’s impossible for me to align myself with him while he’s still alive. The authority he supposedly exhibits in his teachings won’t have a decisive impact on me; it’s clear that his reasoning goes in circles. He cites as authority what he needs to prove, which can only be validated by the consequences of his life; unless, of course, it’s wrapped up in his fixed idea of being God, because if that’s the case, then his authority (because he is God) would be: yes—if! That said, I can admit that if I could envision myself living in a future time, and if the outcomes of his life, as shown in history, made it evident that he was the extraordinary person he claimed to be in a past age, then it’s entirely possible—I could very well become his disciple."

An ecclesiastic would reason as follows: "For an impostor and demagogue he has, to say the truth, a remarkable air of honesty about him; for which reason he cannot be so absolutely dangerous, either, even though the situation looks dangerous enough while the squall is at its height, and even though the situation looks dangerous enough with his enormous popularity—until the squall has passed over and the people—yes, precisely the people—overthrow him again. The honest thing about him is his claim to be the Messiah when he resembles him so little as he does. That is honest, just as if some one in preparing bogus paper-money made the bills so poorly that every one who knows the least about it cannot fail to detect the fraud.—True enough, we all look forward to a Messiah, but surely no one with any sense expects God himself to come, and every religious person shudders at the blasphemous attitude of this person. We look forward to a Messiah, we are all agreed on that. But the governance of the world does not go forward tumultuously, by leaps and bounds; the development of the world, as is indicated by the very fact that it is a development, proceeds by evolution, not by revolution. The true Messiah will therefore look quite different, and will arrive as the most glorious flower, and the highest development, of that which already exists. Thus will the true Messiah come, and he will proceed in an entirely different fashion: he will recognize the existing order as the basis of things, he will summon all the clergy to council and present to them the results accomplished by him, as well as his credentials—and then, if he obtain the majority of the votes when the ballot is cast, he will be received and saluted as the extraordinary person, as the one he is: the Messiah.[14]

An ecclesiastic might think something like this: "Honestly, for a fraud and a populist, he definitely has a strong vibe of honesty about him; that’s why he can’t be all that dangerous, even if the situation seems pretty risky right now while the turmoil is at its peak, and even though his massive popularity makes it look dangerous—until the storm blows over and the people—yes, exactly the people—bring him down again. What’s honest about him is his claim to be the Messiah when he doesn’t really resemble one at all. That’s honest, just like if someone was trying to make fake money but did such a bad job that anyone with a hint of knowledge would spot the scam immediately. Sure, we all look forward to a Messiah, but I doubt anyone sensible thinks that God himself will actually show up, and every religious person feels disgusted by the blasphemous attitude of this guy. We’re all waiting for a Messiah, no argument there. But the way the world is governed doesn’t happen suddenly or chaotically; the progress of the world, as it is called development, happens through evolution, not revolution. The real Messiah will therefore be quite different and will appear as the most beautiful bloom and the greatest achievement of what already exists. That’s how the true Messiah will come, and he’ll do it in a completely different way: he’ll acknowledge the current order as the foundation of everything, he’ll call all the clergy together for a meeting and show them the results he’s achieved, along with his proof—and then, if he gets the majority of votes in the ballot, he’ll be welcomed and celebrated as the extraordinary person he is: the Messiah.[14]

"However, there is a duplicity in this man's behavior; he assumes too much the role of judge. It seems as if he wished to be, at one and the same time, both the judge who passes sentence on the existing order of things, and the Messiah. If he does not wish to play the role of the judge, then why his absolute isolation, his keeping at a distance from all which has to do with the existing order of things? And if he does not wish to be the judge, then why his fantastic flight from reality to join the ignorant crowd, then why with the haughtiness of a revolutionary does he despise all the intelligence and efficiency to be found in the existing order of things? And why does he begin afresh altogether, and absolutely from the bottom up, by the help of—fishermen and artisans? May not the fact that he is an illegitimate child fitly characterize his entire relation to the existing order of things? On the other hand, if he wishes to be only the Messiah, why then his warning about putting a piece of new cloth unto an old garment.[15] For these words are precisely the watchwords of every revolution since they are expressive of a person's discontent with the existing order and of his wish to destroy it. That is, these words reveal his desire to remove existing conditions, rather than to build on them and better them, if one is a reformer, or to develop them to their highest possibility, if one is indeed the Messiah. This is duplicity. In fact, it is not feasible to be both judge and Messiah. Such duplicity will surely result in his downfall.[16] The climax in the life of a judge is his death by violence, and so the poet pictures it correctly; but the climax in the life of the Messiah cannot possibly be his death. Or else, by that very fact, he would not be the Messiah, that is, he whom the existing order expects in order to deify him. This duplicity has not as yet been recognized by the people, who see in him their Messiah; but the existing order of things cannot by any manner of means recognize him as such. The people, the idle and loafing crowd, can do so only because they represent nothing less than the existing order of things. But as soon as the duplicity becomes evident to them, his doom is sealed. Why, in this respect his predecessor was a far more definitely marked personality, for he was but one thing, the judge. But what confusion and thoughtlessness, to wish to be both, and what still worse confusion, to acknowledge his predecessor as the judge—that is, in other words, precisely to make the existing order of things receptive and ripe for the Messiah who is to come after the judge, and yet not wish to associate himself with the existing order of things!"

"However, there's a contradiction in this man's behavior; he takes on the role of a judge too often. It seems like he wants to be both the judge who critiques the current state of things and the Messiah. If he doesn’t want to act as a judge, then why is he completely isolated and keeping his distance from everything related to the current order? And if he doesn’t want to be a judge, why does he escape reality to join the uninformed masses, and with such a revolutionary arrogance, why does he look down on all the intelligence and efficiency present in the current order? Why is he trying to start over from scratch with the help of—fishermen and artisans? Could the fact that he is an illegitimate child aptly capture his entire relationship with the current order? On the other hand, if he only wants to be the Messiah, then why does he warn against putting a piece of new cloth onto an old garment. [15] These words are the rallying cries of every revolution, reflecting a person's dissatisfaction with the current order and their desire to destroy it. This means that these words show his intention to eliminate existing conditions rather than to improve or develop them, as a reformer would, or to reach their highest potential, as the true Messiah would. This is duplicity. In reality, it's not possible to be both judge and Messiah. Such duplicity will surely lead to his downfall.[16] The peak moment in a judge's life is a violent death, which the poet accurately depicts; however, the climax of a Messiah’s life can’t possibly be death. Otherwise, he would not truly be the Messiah—the one the current order expects to idolize. This contradiction has not yet been recognized by the people, who see him as their Messiah; but the current order cannot possibly recognize him that way. The people, the idle and aimless crowd, can only see him this way because they embody the current order. But once this duplicity becomes clear to them, his fate is sealed. In this regard, his predecessor was a much clearer character, as he was simply the judge. What confusion and thoughtlessness to want to be both, and what even worse confusion to recognize his predecessor as the judge—that is, to make the current order ready for the coming Messiah after the judge, and yet still not want to associate with the current order!"

And the philosopher would reason as follows: "Such dreadful or, rather, insane vanity, that a single individual claims to be God, is a thing hitherto unheard of. Never before have we been witness to such an excess of pure subjectivity and sheer negation. He has no doctrines, no system of philosophy, he knows really nothing, he simply keeps on repeating, and making variations on, some unconnected aphoristic sentences, some few maxims, and a couple of parables by which he dazzles the crowd for whom he also performs signs and wonders; so that they, instead of learning something, or being improved, come to believe in one who in a most brazen way constantly forces his subjective views on us. There is nothing objective or positive whatever in him and in what he says. Indeed, from a philosophical point of view, he does not need to fear destruction for he has perished already, since it is inherent in the nature of subjectivity to perish. One may in all fairness admit that his subjectivity is remarkable and that, be it as it may with the other miracles, he constantly repeats his miracle with the five small loaves,[17] viz., by means of a few lyric utterances and some aphorisms he rouses the whole country. But even if one were inclined to overlook his insane notion of affirming himself to be God, it is an incomprehensible mistake, which, to be sure, demonstrates a lack of philosophic training, to believe that God could reveal himself in the form of an individual. The race, the universal, the total, is God; but the race surely is not an individual! Generally speaking, that is the impudent assumption of subjectivity, which claims that the individual is something extraordinary. But sheer insanity is shown in the claim of an individual to be God. Because if the insane thing were possible, viz. that an individual might be God, why, then this individual would have to be worshipped, and a more beastly philosophic stupidity is not conceivable."

And the philosopher would reason like this: "It's such insane vanity that a single person claims to be God; it's something we've never seen before. We've never witnessed such an extreme level of pure subjectivity and outright denial. He has no teachings, no philosophical system; he really doesn’t know much at all. He just keeps repeating and twisting some random aphorisms, a few sayings, and a couple of parables to wow the crowd he performs for, doing tricks and wonders; so instead of learning something or bettering themselves, they end up believing in someone who shamelessly pushes his personal views on us. There's nothing objective or positive about him or what he says. In fact, from a philosophical standpoint, he doesn't have to worry about being destroyed because he has already vanished, since it's in the nature of subjectivity to fade away. It’s fair to admit that his subjectivity is remarkable and, despite the other miracles, he keeps on doing the miracle with the five small loaves,[17] meaning that with just a few lyrical phrases and some aphorisms, he stirs the entire country. But even if someone were inclined to overlook his insane idea of claiming to be God, it's a complete misunderstanding—one that clearly shows a lack of philosophical training—to think that God could reveal himself as an individual. The race, the universal, the totality, is God; but surely, the race is not just an individual! In general, this is the audacious assumption of subjectivity that claims the individual is something extraordinary. But sheer insanity is shown in the claim of an individual to be God. Because if this insane idea were possible, that an individual could be God, then this individual would have to be worshipped, and a more foolish philosophical stupidity is unimaginable."

The astute statesman would reason as follows: "That at present this person wields great power is undeniable—entirely disregarding, of course, this notion of his that he is God. Foibles like these, being idiosyncrasies, do not count against a man and concern no one, least of all a statesman. A statesman is concerned only with what power a man wields; and that he does wield great power cannot, as I have remarked, be denied. But what he intends to do, what his aim is, I cannot make out at all. If this be calculation it must be of an entirely new and peculiar order, not so altogether unlike what is otherwise called madness. He possesses points of considerable strength; but he seems to defeat, rather than to use, it; he expends it without himself getting any returns. I consider him a phenomenon with which—as ought to be one's rule with all phenomena—a wise man should not have anything to do, since it is impossible to calculate him or the catastrophe threatening his life. It is possible that he will be made king. It is possible, I say; but it is not impossible, or rather, it is just as possible, that he may end on the gallows. He lacks earnestness in all his endeavors. With all his enormous stretch of wings he only hovers and gets nowhere. He does not seem to have any definite plan of procedure, but just hovers. Is it for his nationality he is fighting, or does he aim at a communistic revolution? Does he wish to establish a republic or a kingdom? With which party does he affiliate himself to combat which party, or does he wish to fight all parties?

The sharp statesman would think: "It's clear that this person has a lot of power—ignoring, of course, his belief that he is God. Quirks like these are just personal traits and don't really affect anyone, especially a statesman. A statesman only cares about what power a person holds; and it can't be denied that he holds significant power. But what he plans to do, what his goals are, I can't figure out at all. If this is strategy, it must be something entirely new and strange, not too far off from what some would call madness. He has considerable strengths, but he seems to waste rather than utilize them; he spends his power without gaining anything in return. I see him as a phenomenon that, as should be the case with all such occurrences, a wise person should steer clear of, since it's impossible to predict him or the disaster looming over his life. It's possible he will become king. I say it's possible; but it's just as likely that he could end up on the gallows. He lacks seriousness in all his efforts. With all his vast potential, he just hovers and goes nowhere. He doesn't seem to have any clear plan; he just floats around. Is he fighting for his nationality, or does he want a communist revolution? Does he want to set up a republic or a monarchy? Which party does he align with to oppose which party, or is he looking to fight against all parties?"

"I have anything to do with him?—No, that would be the very last thing to enter my mind. In fact, I take all possible precautions to avoid him. I keep quiet, undertake nothing, act as if I did not exist; for one cannot even calculate how he might interfere with one's undertakings, be they ever so unimportant, or at any rate, how one might become involved in the vortex of his activities. Dangerous, in a certain sense enormously dangerous, is this man. But I calculate that I may ensnare him precisely by doing nothing. For overthrown he must be. And this is done most; safely by letting him do it himself, by letting him stumble over himself. I have, at least at this moment, not sufficient power to bring about his fall; in fact, I know no one who has. To undertake the least thing against him now, means to be crushed one's self. No, my plan is constantly to exert only negative resistance to him, that is, to do nothing, and he will probably involve himself in the enormous consequences he draws after him, till in the end he will tread on his own train, as it were, and thus fall."

"Do I have anything to do with him?—No, that’s the last thing I would consider. In fact, I take every possible precaution to avoid him. I stay quiet, do nothing, act like I don't exist; because you can’t even predict how he might interfere with your plans, no matter how trivial, or how you could get caught up in his chaos. This man is dangerous, incredibly dangerous in a certain way. But I believe I can catch him by doing nothing. He must be brought down. And the safest way to do this is by letting him take himself down, by allowing him to trip over his own actions. Right now, I don't have enough power to make him fall; honestly, I don't know anyone who does. To even try to do something against him now is to risk being crushed myself. No, my strategy is to continually offer only passive resistance to him—meaning, do nothing, and he’ll likely entangle himself in the massive fallout he creates, until eventually, he trips over his own mistakes and falls."

And the steady citizen would reason as follows (which would then become the opinion of his family): "Now, let us be human, everything is good when done in moderation, too little and too much spoil everything, and as a French saying has it which I once heard a traveling salesman use: every power which exceeds itself comes to a fall—and as to this person, his fall is certainly sure enough. I have earnestly spoken to my son and warned and admonished him not to drift into evil ways and join that person. And why? Because all people are running after him. That is to say, what sort of people? Idlers and loafers, street-walkers and tramps, who run after everything. But mightily few of the men who have house and property, and nobody who is wise and respected, none after whom I set my clock, neither councillor Johnson, nor senator Anderson, nor the wealthy broker Nelson—oh no! they know what's what. And as to the ministry who ought to know most about such matters—ah, they will have none of him. What was it pastor Green said in the club the other evening? 'That man will yet come to a terrible end,' he said. And Green, he can do more than preach, you oughtn't to hear him Sundays in church so much as Mondays in the club—I just wished I had half his knowledge of affairs! He said quite correctly, and as if spoken out of my own heart: 'Only idlers and loafers are running after that man.' And why do they run after him? Because he performs some miracles. But who is sure they are miracles, or that he can confer the same power on his disciples? And, in any case, a miracle is something mightily uncertain, whereas the certain is the certain. Every serious father who has grown-up children must be truly alarmed lest his sons be seduced and join that man together with the desperate characters who follow him—desperate characters who have nothing to lose. And even these, how does he help them? Why, one must be mad to wish to be helped in this fashion. Even the poorest beggar is brought to a worse estate than his former one, is brought to a pass he could have escaped by remaining what he was, that is, a beggar and no more."

And the practical citizen would think like this (and this would become his family's opinion): "Let's be reasonable—everything is good in moderation; too little or too much ruins everything. There's a French saying I once heard a traveling salesman share: any power that goes too far will eventually fall—and as for this person, his downfall is definitely coming. I've talked seriously to my son, warning and advising him not to get involved with that person. And why? Because so many people are chasing after him. And what kind of people are these? Lazy folks, drifters, streetwalkers and bums, who follow anything and everything. But very few of the men who own homes and properties, and nobody who's wise and respected—none of the ones I look up to, not councilman Johnson, nor senator Anderson, nor wealthy broker Nelson—oh no! They know better. And the ministry, who should know the most about this—ah, they want nothing to do with him. What did Pastor Green say at the club the other evening? 'That man is bound to meet a terrible end,' he said. And Green, he can do more than just preach; you should hear him on Mondays at the club, not just Sundays in church—I wish I had even half his understanding of things! He stated it perfectly, almost like it came straight from my heart: 'Only the idle and aimless are following that man.' And why do they follow him? Because he works some so-called miracles. But who can really say they're miracles, or that he can give the same powers to his followers? In any case, a miracle is highly uncertain, while what’s certain is what’s true. Every concerned father with grown-up children must genuinely worry that his sons will be lured into joining that man along with the desperate people who follow him—desperate individuals who have nothing to lose. And even those, how does he really help them? It’s madness to wish for help that way. Even the poorest beggar ends up worse off than before, reaching a point he could have avoided by just staying a beggar and nothing more."

And the mocker, not the one hated on account of his malice, but the one who is admired for his wit and liked for his good nature, he would reason as follows: "It is, after all, a rich idea which is going to prove useful to all of us, that an individual who is in no wise different from us claims to be God. If that is not being a benefactor of the race then I don't know what charity and beneficence are. If we assume that the characteristic of being God—well, who in all the world would have hit on that idea? How true that such an idea could not have entered into the heart of man[18]—but if we assume that it consists in looking in no wise different from the rest of us, and in nothing else: why, then we are all gods. Q. E. D. Three cheers for him, the inventor of a discovery so extraordinarily important for mankind! Tomorrow I, the undersigned, shall proclaim that I am God, and the discoverer at least will not be able to contradict me without contradicting himself. At night all cats are gray; and if to be God consists in looking like the rest of us, absolutely and altogether like the rest of mankind: why, then it is night and we all are..., or what is it I wanted to say: we all are God, every one of us, and no one has a right to say he isn't as well off as his neighbor. This is the most ridiculous situation imaginable, the contradiction here being the greatest imaginable, and a contradiction always making for a comical effect. But this is in no wise my discovery, but solely that of the discoverer: this idea that a man of exactly the same appearance as the rest of us, only not half so well dressed as the average man, that is, a poorly dressed person who, rather than being God, seems to invite the attention of the society for the relief of the poor—that he is God! I am only sorry for the director of the charitable society that he will not get a raise from this general advancement of the human race but that he will, rather, lose his job on account of this, etc."

And the mocker, not the one hated for being malicious, but the one admired for his wit and liked for his good nature, would think something like this: "It’s actually a pretty rich idea that's going to benefit all of us—that someone who’s no different from us claims to be God. If that isn’t being a benefactor to humanity, then I don't know what charity and kindness are. If we accept that the trait of being God—well, who would have come up with that idea? It’s true that such a thought could never have entered a human heart[18]—but if we consider that being God just means looking exactly like the rest of us, then we’re all gods. There’s your proof. Cheers to him, the inventor of a discovery so incredibly important for mankind! Tomorrow, I, the undersigned, will proclaim that I am God, and at least the discoverer won’t be able to deny me without contradicting himself. At night, all cats are gray; and if being God means looking just like everyone else, totally and completely like everyone, then it’s night and we all are... or what was I trying to say: we all are God, every single one of us, and no one has the right to claim they’re worse off than their neighbor. This is the most ridiculous situation imaginable, with the contradiction here being the greatest possible, and contradictions always create a funny effect. But this certainly isn’t my discovery; it’s the discoverer’s: the idea that a man who looks exactly like all of us, just not as well-dressed as the average person—a poorly dressed individual who seems to attract the attention of society for helping the poor—he is God! I just feel bad for the director of the charity, who won't get a promotion from this overall advancement of the human race and will actually lose his job because of it, etc."

Ah, my friend, I know well what I am doing, I know my responsibility, and my soul is altogether assured of the correctness of my procedure. Now then, imagine yourself a contemporary of him who invites. Imagine yourself to be a sufferer, but consider well to what you expose yourself in becoming his disciple and following him. You expose yourself to losing practically everything in the eyes of all wise and sensible and respected men. He who invites demands of you that you surrender all, give up everything; but the common sense of your own times and of your contemporaries will not give you up, but will judge that to join him is madness. And mockery will descend cruelly upon you; for while it will almost spare him, out of compassion, you will be thought madder than a march-hare for becoming his disciple. People will say: "That h e is a wrong-headed enthusiast, that can't be helped. Well and good; but to become—in all seriousness—his disciple, that is the greatest piece of madness imaginable. There surely is but one possibility of being madder than a madman, which is the higher madness of joining a madman in all seriousness and regarding him as a sage."

Ah, my friend, I know exactly what I'm doing, I'm aware of my responsibilities, and my heart is completely confident in the rightness of my actions. Now, picture yourself as a contemporary of the one who extends the invitation. Imagine that you are someone who suffers, but think carefully about what you’re risking by becoming his disciple and following him. You risk losing nearly everything in the eyes of all wise, sensible, and respected people. The one who invites you requires that you give up everything; however, the common sense of your time and peers will not support you, but will instead view joining him as insanity. Mockery will come down hard on you; because while he might be spared some of it out of pity, you’ll be seen as crazier than a lunatic for choosing to be his disciple. People will say: "He’s just a misguided enthusiast, that’s to be expected. Fine; but to seriously become his disciple? That’s the most insane thing imaginable. There’s really only one way to be crazier than a madman, which is the higher madness of seriously joining a madman and seeing him as a sage."

Do not say that the whole presentation above is exaggerated. Ah, you know (but, possibly, have not fully realized it) that among all the respectable men, among all the enlightened and sensible men, there was but one—though it is easily possible that one or the other of them, impelled by curiosity, entered into conversation with him—that there was but one among them who sought him in all seriousness.[19] And he came to him—in the night! And as you know, in the night one walks on forbidden paths, one chooses the night to go to places of which one does not like to be known as a frequenter. Consider the opinion of the inviter implied in this—it was a disgrace to visit him, something no man of honor could afford to do, as little as to pay a nightly visit to—but no, I do not care to say in so many words what would follow this "as little as."

Don't say that the whole presentation above is exaggerated. Ah, you know (though you might not have fully realized it) that among all the respectable, enlightened, and sensible men, there was only one—though it's possible that one or two of them, driven by curiosity, engaged him in conversation—that there was only one among them who seriously sought him out.[19] And he came to him—in the night! And as you know, at night, people walk on forbidden paths; they choose the night to visit places they wouldn't want to be known for frequenting. Think about what the inviter implies by this—visiting him was a disgrace, something no honorable man could afford to do, just as little as paying a nighttime visit to—but no, I don't want to spell out what would follow that "just as little as."

Come hither to me now all ye that labor and are heavy laden, and I will give you rest.

Come to me now, all of you who are struggling and burdened, and I will give you rest.

THE SECOND PHASE OF HIS LIFE

His end was what all the wise and the sensible, the statesmen and the citizens and the mockers, etc., predicted it would be. And as was later spoken to him, in a moment when, it would seem, the most hardened ought to have been moved to sympathy, and the very stones to tears: "He saved others; let him save himself,[20]" and as it has been repeated thousands upon thousands of times, by thousands upon thousands: "What was it he spoke of before, saying his hour was not yet come[21]—is it come now, perchance?"—It has been repeated, alas, the while the single individual, the believer, shudders whenever considering—while yet unable to refrain from gazing into the depth of what to men is a meaningless absurdity—shudders when considering that God in human guise, that his divine teaching, that these signs and wonders which might have made a very Sodom and Gomorrha reform its ways, in reality produced the exact opposite, and caused the teacher to be shunned, hated, despised.

His end was exactly what all the wise and practical people, the politicians, the citizens, and the skeptics predicted it would be. And as was later said to him, in a moment that should have moved even the toughest hearts to sympathy, and made the very stones weep: "He saved others; let him save himself,[20]" and as it has been repeated thousands upon thousands of times, by thousands upon thousands: "What was it he said before, claiming his hour had not yet come[21]—has it come now, perhaps?"—It has been repeated, sadly, while the individual believer shudders at the thought—yet is unable to stop peering into the depths of what seems like a meaningless absurdity—shuddering at the realization that God in human form, that his divine teachings, that these signs and wonders which could have inspired even a Sodom and Gomorrah to change their ways, actually produced the exact opposite, leading to the teacher being shunned, hated, and despised.

Who he is, one can recognize more easily now when the powerful ones and the respected ones, and all the precautionary measures of those upholding the existing order, have corrected any wrong conception one might have entertained about him at first—now when the people have lost their patience to wait for a Messiah, seeing that his life, instead of rising in dignity, lapsed into ever greater degradation. Who, pray, does not recognize that a man is judged according to the society in which he moves—and now, think of his society! Indeed, his society one might well designate as equivalent to being expelled from "human society"; for his society are the lowest classes of the people, with sinners and publicans among them, people whom everybody with the slightest self-respect shuns for the sake of his good name and reputation—and a good name and reputation surely are about the least one can wish to preserve. In his company there are, furthermore, lepers whom every one flees, madmen who can only inspire terror, invalids and wretches—squalor and misery. Who, then, is this person that, though followed by such a company, still is the object of the persecution of the mighty ones? He is one despised as a seducer of men, an impostor, a blasphemer! And if any one enjoying a good reputation refrains from expressing contempt of him, it is really only a kind of compassion; for to fear him is, to be sure, something different.

Who he is can be recognized more easily now that the powerful and respected, along with all the precautions from those maintaining the status quo, have corrected any misconceptions about him that one might have had at first—now that people have run out of patience waiting for a Messiah, seeing his life fall deeper into degradation rather than rising in dignity. Who doesn’t see that a man is judged by the society he belongs to—and now, think about his society! Truly, one might say his society is like being cast out from "human society"; because his companions are the lowest of the low, including sinners and tax collectors—people whom anyone with even a little self-respect avoids to protect their name and reputation—and having a good name and reputation is surely among the least one can hope to maintain. He also associates with lepers whom everyone shuns, madmen who inspire only fear, and the sick and destitute—filth and despair. So, who is this person that, despite being surrounded by such a crowd, is still the target of the powerful’s persecution? He is someone regarded as a seducer of men, a fraud, a blasphemer! And if someone with a good reputation avoids showing disdain for him, it's really just a form of pity; fearing him is definitely something else.

Such, then, is his appearance; for take care not to be influenced by anything that you may have learned after the event—as, how his exalted spirit, with an almost divine majesty, never was so markedly manifest as just them. Ah, my friend, if you were the contemporary of one who is not only himself "excluded from the synagogue" but, as you will remember, whose very help meant being "excluded from the synagogue"—I say, if you were the contemporary of an outcast, who in every respect answers to that term, (for everything has two sides): then you will scarcely be the man to explain all this in terms directly contrary to appearances;[22] or, which is the same thing, you will not be the "single individual" which, as you well know, no one wants to be, and to be which is regarded as a ridiculous oddity, perhaps even as a crime.

Such is his appearance; just be careful not to let anything you learned later influence your view—like how his elevated spirit, with an almost divine majesty, was never more obvious than during those moments. Ah, my friend, if you lived at the same time as someone who is not only "excluded from the synagogue" but, as you might recall, whose very assistance meant being "excluded from the synagogue"—I mean, if you were the contemporary of an outcast, who perfectly fits that description, (since everything has two sides): then you would hardly be the person to explain all this in ways that directly contradict appearances;[22] or, which is the same thing, you would not be the "single individual" which, as you know, no one wants to be, and being that is seen as a ridiculous oddity, perhaps even a crime.

And now—for they are his society chiefly—as to his apostles! What absurdity; though not—what new absurdity, for it is quite in keeping with the rest—his apostles are some fishermen, ignorant people who but the other day followed their trade. And tomorrow, to pile one absurdity on the other, they are to go out into the wide world and transform its aspect. And it is he who claims to be God, and these are his duly appointed apostles! Now, is he to make his apostles respected, or are perhaps the apostles to make him respected? Is he, the inviter, is he an absurd dreamer? Indeed, his procession would make it seem so; no poet could have hit on a better idea. A teacher, a sage, or whatever you please to call him, a kind of stranded genius, who affirms himself to be God—surrounded by a jubilant mob, himself accompanied by some publicans, criminals, and lepers; nearest to him a chosen few, his apostles. And these judges so excellently competent as to what truth is, these fishermen, tailors, and shoe-makers, they do not only admire him, their teacher and master, whose every word is wisdom and truth: they do not only see what no one else can see, his exaltedness and holiness, nay, but they see God in him and worship him. Certainly, no poet could invent a better situation, and it is doubtful if the poet would not forget the additional item that this same person is feared by the mighty ones and that they are scheming to destroy him. His death alone can reassure and satisfy them. They have set an ignominious punishment on joining his company, on merely accepting aid from him; and yet they do not feel secure, and cannot feel altogether reassured that the whole thing is mere wrong-headed enthusiasm and absurdity. Thus the mighty ones. The populace who had Idolized him, the populace have pretty nearly given him up, only in moments does their old conception of him blaze forth again. In all his existence there is not a shred the most envious of the envious might envy him to have. Nor do the mighty ones envy his life. They demand his death for safety's sake, so that they may have peace again, when all has returned to the accustomed ways, peace having been made still more secure by the warning example of his death.

And now—because they are mainly his friends—let's talk about his apostles! What a joke; though not—what a new joke, since it fits perfectly with everything else—his apostles are just some fishermen, simple folks who just yesterday were doing their jobs. And tomorrow, to add to the absurdity, they’re supposed to go out into the world and change everything. And he says he’s God, and these are his officially appointed apostles! So, is he supposed to make his apostles respected, or are the apostles meant to make him respected? Is he, the one who's inviting everyone, just a foolish dreamer? Honestly, his whole setup would make it seem like that; no poet could come up with a better idea. A teacher, a wise man, or whatever you want to call him, a kind of misplaced genius, who claims to be God—surrounded by a joyful crowd, alongside some tax collectors, criminals, and lepers; closest to him are his chosen few, his apostles. And these judges, who are supposedly so good at recognizing the truth, these fishermen, tailors, and shoemakers, don’t just admire him, their teacher and master, whose every word is full of wisdom and truth: they not only see what nobody else can see, his greatness and holiness, but they also see God in him and worship him. Truly, no poet could create a better scenario, and it’s questionable whether a poet would forget to mention that this same person is feared by the powerful, who are plotting to take him down. Only his death will make them feel safe and satisfied. They’ve made it shameful to be associated with him, just for accepting help from him; yet they still don’t feel secure, and can’t shake the sense that this whole thing is just misguided enthusiasm and ridiculousness. So the powerful ones. The people who once idolized him have pretty much given up on him, only rarely does their old perception of him flare up again. Throughout his entire life, there’s nothing that even the most envious person could possibly envy him for. Neither do the powerful envy his life. They want him dead for their own safety, so they can go back to their normal lives, with peace made even more secure by the cautionary tale of his death.

These are the two phases of his life. It began with the people's idolizing him, whereas all who were identified with the existing order of things, all who had power and influence, vengefully, but in a cowardly and hidden manner, laid their snares for him—in which he was caught, then? Yes, but he perceived it well. Finally the people discover that they had been deceived in him, that the fulfillment he would bring them answered least of all to their expectations of wonders and mountains of gold. So the people deserted him and the mighty ones drew the snare about him—in which he was caught, then? Yes, but he perceived it well. The mighty ones drew the snare together about him—and thereupon the people, who then saw themselves completely deceived, turned against him in hatred and rage.

These are the two phases of his life. It started with people idolizing him, while those who were aligned with the established order—those with power and influence—sneakily and resentfully set traps for him. Did he get caught in them? Yes, but he was aware of it. Eventually, the people realized they had been misled, and the fulfillment he promised didn’t live up to their expectations of miracles and vast riches. So, they abandoned him, and the powerful tightened their traps around him. Did he get caught in them? Yes, but he was aware of it. The powerful closed in on him, and then the people, who felt completely betrayed, turned against him with hatred and rage.

And—to include that too—compassion would say; or, among the compassionate ones—for compassion is sociable, and likes to assemble together, and you will find spitefulness and envy keeping company with whining soft-headedness: since, as a heathen philosopher observed long ago, no one is so ready to sympathize as an envious person—among the compassionate ones the verdict would be: it is really too bad that this good-hearted fellow is to come to such an end. For he was really a good sort of fellow. Granting it was an exaggeration to claim to be God, he really was good to the poor and the needy, even if in an odd manner, by becoming one of them and going about in the company of beggars. But there is something touching in it all, and one can't help but feel sorry for the poor fellow who is to suffer such a miserable death. For you may say what you will, and condemn him as strongly as you will, I cannot help feeling pity for him. I am not so heard-hearted as not to feel compassion.

And—to include that too—compassion would say; or, among the compassionate ones—for compassion is social, and likes to come together, and you’ll find spitefulness and envy hanging out with whining softness: since, as a philosopher observed long ago, no one is quicker to sympathize than an envious person—among the compassionate ones, the consensus would be: it’s really too bad that this good-hearted guy is going to meet such an end. Because he really was a decent guy. Admittedly, it was an exaggeration to claim to be God, but he was genuinely kind to the poor and needy, even if in a strange way, by becoming one of them and hanging out with beggars. But there’s something touching about it all, and you can’t help but feel sorry for the poor guy who is going to suffer such a miserable death. Because you can say what you want, and condemn him as much as you like, I can’t help but feel pity for him. I’m not so heartless that I can’t feel compassion.

We have arrived at the last phase, not of Sacred History, as handed down by the apostles and disciples who believed in Christ, but of profane history, its counterpart.

We have reached the final phase, not of Sacred History, as passed down by the apostles and disciples who believed in Christ, but of secular history, its counterpart.

Come hither now, all ye that labor and are heavy laden; that is, if you feel the need, even if you are of all sufferers the most miserable—if you feel the need of being helped in this fashion, that is, to fall into still greater suffering, then come hither, he will help you.

Come here now, all of you who work hard and feel weighed down; that is, if you feel the need, even if you are the most miserable of all—if you need help in this way, which means to face even more suffering, then come here, he will help you.

III

THE INVITATION AND THE INVITER

Let us forget for a little while what, in the strictest sense, constitutes the "offense"; which is, that the inviter claims to be God. Let us assume that he did not claim to be more than a man, and let us then consider the inviter and his invitation.

Let’s put aside for a moment what, technically speaking, makes this an "offense"; which is that the inviter claims to be God. Let’s assume he didn’t claim to be anything more than just a man, and then let’s think about the inviter and his invitation.

The invitation is surely inviting enough. How, then, shall one explain the bad relation which did exist, this terribly wrong relation, that no one, or practically no one, accepted the invitation; that, on the contrary, all, or practically all—alas! and was it not precisely all who were invited?—that practically all were at one in offering resistance to the inviter, in wishing to put him to death, and in setting a punishment on accepting aid from him? Should one not expect that after an invitation such as he issued all, all who suffered, would come crowding to him, and that all they who were not suffering would crowd to him, touched by the thought of such compassion and mercy, and that thus the whole race would be at one in admiring and extolling the inviter? How is the opposite to be explained? For that this was the outcome is certain enough; and the fact that it all happened in those remote times is surely no proof that the generation then living was worse than other generations! How could any one be so thoughtless as to believe that? For whoever gives any thought to the matter will easily see that it happened in that generation only because they chanced to be contemporaneous with him. How then explain that it happened—that all came to that terribly wrong end, so opposite to what ought to have been expected?

The invitation is definitely appealing enough. So how do we explain the bad relationship that existed, this terribly wrong relationship, where no one, or almost no one, accepted the invitation? On the contrary, almost everyone—alas! wasn't it everyone who was invited?—was united in resisting the inviter, wanting to put him to death, and punishing those who accepted his help. Shouldn't we expect that after such an invitation was issued, everyone who suffered would come flocking to him, and even those who weren’t suffering would be drawn to him, moved by such compassion and mercy? Shouldn’t the entire race be united in admiring and praising the inviter? How do we explain the opposite? It’s clear that this was the outcome, and the fact that it all happened in those distant times doesn’t prove that the people then were worse than any other generation! How could anyone be so careless as to think that? Anyone who thinks about it will realize that it happened in that generation simply because they were living at the same time as him. So how do we explain that it all ended so wrongly, so contrary to what should have been expected?

Well, in the first place, if the inviter had looked the figure which purely human compassion would have him be; and, in the second place, if he had entertained the purely human conception of what constitutes man's misery—why, then it would probably not have happened.

Well, first of all, if the person inviting had considered the image that genuine human compassion would suggest; and, secondly, if he had thought about the purely human idea of what makes a person suffer—then this probably wouldn’t have happened.

In the first place: According to this human conception of him he should have been a most generous and sympathetic person, and at the same time possessed of all qualifications requisite for being able to help in all troubles of this world, ennobling the help thus extended by a profound and heartfelt human compassion. Withal (so they would imagine him) he should also have been a man of some distinction and not without a certain amount of human self-assertion—the consequence of which would be, however, that he would neither have been able, in his compassion, to reach down to all sufferers, nor yet to have comprehended fully what constitutes the misery of man and of mankind.

First of all: According to this human understanding of him, he should have been a very generous and caring person, while also having all the qualities needed to help with the world's troubles, elevating that help with deep and genuine human compassion. Additionally (as they would picture him), he should have been a man of some distinction and not without a degree of self-confidence—which would mean, however, that he wouldn’t have been able, in his compassion, to truly connect with all those who suffer, nor fully grasp what defines human misery and the struggles of humanity.

But divine compassion, the infinite unconcern which takes thought only of those that suffer, and not in the least of one's self, and which with absolute unconcern takes thought of all that suffer: that will always seem to men only a kind of madness, and they will ever be puzzled whether to laugh or to weep about it. Even if nothing else had militated against the inviter, this alone would have been sufficient to make his lot hard in the world.

But divine compassion, the endless indifference that only cares about those who are suffering, not at all about oneself, and which unconditionally considers everyone who suffers: that will always seem to people like a form of madness, and they will always be confused about whether to laugh or cry about it. Even if nothing else had gone against the inviter, this alone would have been enough to make his situation difficult in the world.

Let a man but try a little while to practice divine compassion, that is, to be somewhat unconcerned in his compassion, and you will at once perceive what the opinion of mankind would be. For example: let one who could occupy some higher rank in society, let him not (preserving all the while the distinction of his position) lavishly give to the poor, and philanthropically (i.e. in a superior fashion) visit the poor and the sick and the wretched—no, let him give up altogether the distinction of his position and in all earnest choose the company of the poor and the lowly, let him live altogether with the people, with workmen, hodmen, mortar-mixers, and the like! Ah, in a quiet moment, when not actually beholding him, most of us will be moved to tears by the mere thought of it; but no sooner would they see him in this company—him who might have attained to honor and dignity in the world—see him walking along in such goodly company, with a bricklayer's apprentice on his right side and a cobbler's boy on his left, but—well, what then? First they would devise a thousand explanations to explain that it is because of queer notions, or obstinacy, or pride, or vanity that he chooses this mode of life. And even if they would refrain from attributing to him these evil motives they will never be reconciled with the sight of him—in this company. The noblest person in the world will be tempted to laugh, the moment he sees it.

Let a man try for just a bit to practice true compassion, meaning to be somewhat detached in his sympathy, and you’ll quickly see what people think. For instance, let someone who could have a higher status in society continue to hold onto that distinction but generously give to the poor and selflessly visit those who are suffering—no, let him completely set aside his status and genuinely choose to be with the poor and humble. Let him live entirely among the working class, with laborers, bricklayers, and mortar-mixers! Ah, in a quiet moment, when he's not in front of us, most of us would be moved to tears just thinking about it; but the moment they see him with those people—someone who could have had honor and respect in the world—walking along with a bricklayer’s apprentice on one side and a cobbler’s kid on the other, what then? First, they would come up with a thousand reasons to say it’s due to some strange beliefs, stubbornness, pride, or vanity that he lives this way. And even if they stopped attributing those bad motives to him, they would never accept seeing him in that company. The most honorable person would be tempted to laugh at the sight of it.

And if all the clergymen in the world, whether in velvet or in silk or in broadcloth or in satin, contradicted me I would say: "You lie, you only deceive people with your Sunday sermons. Because it will always be possible for a contemporary to say about one so compassionate (who, it is to be kept in mind, is our contemporary): I believe he is actuated by vanity, and that is why I laugh and mock at him; but if he were truly compassionate, or had I been contemporary with him, the noble one—why then!" And now, as to those exalted ones "who were not understood by men"—to speak in the fashion of the usual run of sermons—why, sure enough, they are dead. In this fashion these people succeed in playing hide and seek. You simply assume that every contemporary who ventures out so far is actuated only by vanity; and as to the departed, you assume that they are dead and that they, therefore, were among the glorious ones.

And if all the clergymen in the world, whether in velvet or silk or broadcloth or satin, contradicted me, I would say: "You're lying; you're just deceiving people with your Sunday sermons. Because there's always going to be someone who can say about a person as compassionate as him (and let’s remember, he’s one of us): I think he’s driven by vanity, and that’s why I laugh at him; but if he were truly compassionate, or if I had lived in his time, the noble one—then it would be different!" And now, about those exalted individuals "who were not understood by people"—to put it in the typical sermon style—well, they’re definitely dead. In this way, these people manage to play hide and seek. You just assume that every contemporary who steps out so boldly is motivated only by vanity; and as for those who have passed on, you assume they're dead and, as a result, they were among the glorious ones.

It must be remembered, to be sure, that every person wishes to maintain his own level in life, and this fixed point, this steady endeavor, is one of the causes which limit human compassion to a certain sphere. The cheese-monger will think that to live like the inmate of a poorhouse is going too far in expressing one's sympathy; for the sympathy of the cheese-monger is biased in one regard which is, his regard of the opinion of other cheese-mongers and of the saloon-keepers. His compassion is therefore not without its limitations. And thus with every class—and the journalists, living as they do on the pennies of the poor, under the pretense of asserting and defending their rights, they would be the first to heap ridicule on this unlimited compassion.

It's important to remember that everyone wants to maintain their own status in life, and this fixed point, this consistent effort, is one reason why human compassion is limited to a certain extent. The cheese seller will feel that living like someone from a poorhouse goes too far in showing sympathy; their compassion is influenced by what other cheese sellers and bar owners think. So, their compassion has its limits. This applies to every class—journalists, who thrive on the small change from the poor while pretending to stand up for their rights, would be the first to mock this boundless compassion.

To identify one's self wholly and literally with him who is most miserable (and this, only this, is divine compassion), that is to men the "too much" by which one is moved to tears, in a quiet Sunday hour, and about which one unconsciously bursts into laughter when one sees it in reality. The fact is, it is too exalted a sight for daily use; one must have it at some distance to be able to support it. Men are not so familiar with exalted virtue to believe it at once. The contradiction seen here is, therefore, that this exalted virtue manifests itself in—reality, in daily life, quite literally the daily life. When the poet or the orator illustrates this exalted virtue, that is, pictures it in a poetical distance from real life, men are moved; but to see this exalted virtue in reality, the reality of daily life, here in Copenhagen, on the Market Square, in the midst of busy every-day life—! And when the poet or the orator does touch people it is only for a short time, and just so long are men able to believe, almost, in this exalted virtue. But to see it in real life every day—! To be sure, there is an enormous contradiction in the statement that the most exalted of all has become the most every-day occurrence!

To completely and literally identify oneself with the person who is the most miserable (and this, only this, is true compassion), that is what makes people feel "too much," bringing them to tears during a quiet Sunday moment and causing them to laugh when they see it in reality. The truth is, it’s such an elevated sight that it can’t be part of everyday life; you need some distance to truly handle it. People aren't so familiar with high virtue that they can accept it right away. The contradiction here is that this high virtue does show up— in reality, in daily life, literally in daily life. When poets or speakers portray this high virtue, showing it at a poetic distance from real life, people are moved; but to witness this high virtue in reality, here in Copenhagen, in the Market Square, amidst the hustle and bustle of daily life—! And when poets or speakers do touch people, it’s only for a brief moment, and people can almost believe in this high virtue for just that long. But to see it in real life every day—! Indeed, there’s an enormous contradiction in saying that the highest of all has become the most ordinary occurrence!

Insofar, then, it was certain in advance what would be the inviter's fate, even if nothing else had contributed to his doom. The absolute,[23] or all which makes for an absolute standard, becomes by that very fact the victim. For men are willing enough to practice sympathy and self-denial, are willing enough to strive for wisdom, etc.; but they wish themselves to determine the standard and to have that read: "to a certain degree." They do not wish to do away with all these splendid virtues. On the contrary, they want—at a bargain and in all comfort—to have the appearance and the name of practicing them. Truly divine compassion is therefore necessarily the victim so soon as it shows itself in this world. It descends on earth out of compassion for mankind, and yet it is mankind who trample upon it. And whilst it is wandering about among them, scarcely even the sufferer dares to flee to it, for fear of mankind. The fact is, it is most important for the world to keep up the appearance of being compassionate; but this it made out by divine compassion to be a falsehood—and therefore: away with divine compassion!

So, it was already clear what would happen to the inviter, even if nothing else sealed his fate. The absolute, or anything that creates an absolute standard, becomes the victim just by existing. People are more than willing to show sympathy and self-denial; they strive for wisdom, etc. But they want to set the standard themselves and have it say, "up to a certain point." They don't want to eliminate these admirable virtues. On the contrary, they want to have the appearance and label of practicing them, without much effort. True divine compassion inevitably suffers as soon as it manifests in this world. It comes to Earth out of compassion for humanity, yet it's humanity that tramples on it. While it wanders among them, even those who are suffering hesitate to reach out to it for fear of judgment from others. Essentially, it's crucial for the world to maintain the facade of being compassionate; however, through divine compassion, this facade is revealed as a falsehood—and so, divine compassion is pushed aside.

But now the inviter represented precisely this divine compassion—and therefore he was sacrificed, and therefore even those that suffered fled from him; for they comprehended (and, humanly speaking, very exactly), what is true of most human infirmities, that one is better off to remain what one is than to be helped by him.

But now the inviter embodied this divine compassion—and because of that, he was sacrificed, and even those who were suffering distanced themselves from him; they understood (and, from a human perspective, very clearly) what is true of most human weaknesses: that it's often better to stay as you are than to be helped by him.

In the second place: the inviter likewise had an other, and altogether different, conception than the purely human one as to what constitutes man's misery. And in this sense only he was intent on helping; for he had with him neither money, nor medicine, nor anything else of this kind.

In the second place: the inviter also had a completely different idea about what really makes people miserable. And in this sense, he was truly focused on helping; because he didn't have any money, medicine, or anything like that with him.

Indeed, the inviter's appearance is so altogether different from what human compassion wold imagine it that he is a downright offense to men. In a purely human sense there is something positively cruel—something outrageous, something so exasperating as to make one wish to kill that person—in the fact of his inviting to him the poor and the sick and the suffering, and then not being able to do anything for them, except to promise them remission of their sins. "Let us be human, man is no spirit. And when a person is about to die of starvation and you say to him: I promise you the gracious remission of your sins—that is revolting cruelty. In fact it is ridiculous, though too serious a matter to laugh about."

Indeed, the inviter's appearance is so completely different from what we would expect human compassion to be that he feels like an outright offense to people. In purely human terms, there’s something harsh—something outrageous, something so frustrating that it makes you want to harm that person—in the way he invites the poor, the sick, and the suffering to him, only to offer them nothing but the promise of forgiveness for their sins. "Let’s be human; people aren’t spirits. And when someone is about to die from starvation, and you say to them: I promise you the kind forgiveness of your sins—that's just appallingly cruel. It’s honestly ridiculous, even though it’s too serious to laugh about."

Well (for in quoting these sentiments I wish merely to let offended man discover the contradiction and exaggerate it—it is not I who wish to exaggerate), well then, the real intention of the inviter was to point out that sin is the destruction of mankind. Behold now, that makes room, as the invitation also made room, almost as if he had said procul, o procul este profani, or as if, even though he had not said it, a voice had been heard which thus interpreted the "come hither" of the invitation. There surely are not many sufferers who will follow the invitation. And even if there were one who, although aware that from this inviter no actual wordily help was to be expected, nevertheless had sought refuge with him, touched by his compassion: now even he will flee from him. For is it not almost a bit of sharp practice to profess to be here out of compassion, and then to speak about sin?

Well, I only want to highlight the contradiction and exaggerate it for those who feel offended—it’s not my intention to overstate. So, the real purpose of the inviter was to show that sin destroys humanity. Look, this leaves room, just like the invitation did, as if he had said procul, o procul este profani, or as if, even without saying it, a voice had been heard interpreting the "come hither" of the invitation. There surely aren't many who are suffering that will accept the invitation. And even if there were someone who, although knowing that they wouldn’t get any real help from this inviter, still sought solace from him, touched by his compassion, even they would run away. Isn’t it a bit unfair to claim to be here out of compassion and then talk about sin?

Indeed, it is a piece of cunning, unless you are altogether certain that you are a sinner. If it is tooth-ache which bothers you, or if your house is burned to the ground, but if it has escaped you that you are a sinner—why, then it was cunning on his part. It is a bit of sharp practice of him to assert: "I heal all manner of disease," in order to say, when one approaches him: "the fact is, I recognize only one disease, which is sin—of that I shall cure all them 'that labor and are heavy laden,' all them that labor to work themselves free of the power of sin, that labor to resist the evil, and to vanquish their weakness, but succeed only in being laden." Of this malady he cures "all" persons; even if there were but a single one who turned to him because of this malady: he heals all persons. But to come to him on account of any other disease, and only because of that, is about as useful as to look up an eye-doctor when you have fractured your leg.

Sure, here's the modernized text: It’s definitely a clever strategy, unless you’re completely sure that you’re a sinner. If you’re dealing with a toothache or if your house has burned down, but you haven't realized that you're a sinner—well, then it was clever of him. It's a bit underhanded for him to claim, "I heal all kinds of diseases," only to then say, when someone comes to him: "Actually, I only recognize one disease, which is sin. I'm here to cure all those who are 'laboring and are heavy laden,' all those who are trying to break free from the grip of sin, who are fighting against evil and trying to overcome their weaknesses but just end up feeling burdened." He cures "everyone" with this problem; even if only one person came to him for this issue, he would heal all. But coming to him for any other illness, solely for that reason, is about as helpful as going to an eye doctor when you've broken your leg.

CHRISTIANITY AS THE ABSOLUTE; CONTEMPORANEOUSNESS WITH CHRIST

With its invitation to all "that labor and are heavy laden" Christianity has entered the world, not—as the clergy whimperingly and falsely introduce it—as a shining paragon of mild grounds of consolation; but as the absolute. God wills it so because of His love, but it is God who wills it, and He wills it as He wills it. He does not choose to have His nature changed by man and become a nice, that is to say, humane, God; but He chooses to change the nature of man because of His love for them. Neither does He care to hear any human impertinence concerning the why and wherefore of Christianity, and why it entered the world: it is, and is to be, the absolute. Therefore all the relative explanations which may have been ventured as to its why and wherefore are entirely beside the point. Possibly, these explanations were suggested by a kind of human compassion which believes it necessary to haggle a bit—God very likely does not know the nature of man very well, His demands are a bit exorbitant, and therefore the clergymen must haggle and beat Him down a bit.[24] Maybe the clergy hit upon that idea in order to stand well with men and reap some advantage from preaching the gospel; for if its demands are reduced to the purely human, to the demands which arise in man's heart, why, then men will of course think well of it, and of course also of the amiable preacher who knows how to make Christianity so mild—if the Apostles had been able to do that the world would have esteemed them highly also in their time. However, all this is the absolute. But what is it good for, then—is it not a downright torment? Why, yes, you may say so: from the standpoint of the relative, the absolute is the greatest torment. In his dull, languid, sluggish moments, when man is dominated by his sensual nature, Christianity is an absurdity to him since it is not commensurable with any definite "wherefore?" But of what use is it, then? Answer: peace! it is the absolute. And thus it must be represented; that is, in a fashion which makes it appear as an absurdity to the sensual nature of man. And therefore is it, ah, so true and, in still another sense, so true when the worldly-wise man who is contemporaneous with Christ condemns him with the words: "he is literally nothing"—quite true, for he is the absolute. And, being absolute, Christianity has come in the world, not as a consolation in the human sense: in fact, quite on the contrary, it is ever reminding one how the Christian must suffer in order to become, or to remain, a Christian—sufferings which he may, if you please, escape by not electing to be a Christian.

With its invitation to all "who are weary and burdened," Christianity has come into the world, not as the clergy falsely and pathetically portray it—as a shining example of gentle comfort—but as the absolute. God wills it this way because of His love, but it is God who decides, and He has His reasons for doing so. He does not want to change His nature to become a nice, human-like God; instead, He chooses to transform human nature because of His love for humanity. He is not interested in hearing any human pretentiousness about the reasons and explanations for Christianity’s existence: it is here, and it is meant to be the absolute. Therefore, all the relative reasons that have been offered regarding why it exists are completely beside the point. Perhaps these explanations come from a kind of human compassion that thinks it’s necessary to negotiate a bit—suggesting that God doesn’t really understand human nature well, His demands are a bit too much, and therefore the clergy must negotiate and tone it down a bit. Maybe the clergy came up with this idea to win favor with people and gain something from preaching the gospel; because if its demands are simplified to just human concerns, then people will naturally think well of it, and of the kind-hearted preacher who knows how to present Christianity in a gentle light—if the Apostles had been able to do that, they would have been highly regarded in their own time as well. However, all of this is about the absolute. But what good is it, then—doesn’t it just bring torment? Yes, you could say that: from the perspective of the relative, the absolute is the greatest torment. In moments when a person feels dull, sluggish, and overwhelmed by their desires, Christianity seems ridiculous since it doesn’t fit any specific "why?" But what use is it, then? The answer is: peace! It is the absolute. And it must be presented that way; meaning it will appear as an absurdity to our sensual side. And that makes it so true, in another sense, when the worldly-wise person contemporary with Christ condemns Him with the words: "he is literally nothing"—this statement is actually accurate, because He is the absolute. And, being absolute, Christianity has entered the world not as a comfort in the human sense: in fact, quite the opposite, it constantly reminds one how a Christian must suffer to become or remain a Christian—sufferings that one could, if they choose, avoid by deciding not to be a Christian.

There is, indeed, an unbridgeable gulf fixed between God and man. It therefore became plain to those contemporary with Christ that the process of becoming a Christian (that is, being changed into the likeness of God) is, in a human sense, a greater torment and wretchedness and pain than the greatest conceivable human suffering, and moreover a crime in the eyes of one's contemporaries. And thus will it always be; that is, if becoming a Christian in reality means becoming contemporaneous with Christ. And if becoming a Christian does not have that meaning, then all your chatter about becoming a Christian is a vanity, a delusion and a snare, and likewise a blasphemy and a sin against the Holy Ghost.

There is, without a doubt, a huge gap between God and humanity. It became clear to those living during Christ’s time that the journey to becoming a Christian (meaning being transformed into the likeness of God) is, from a human perspective, a deeper suffering and misery than even the worst human pain, and it’s also seen as a wrongdoing by peers. This will always be the case; that is, if becoming a Christian truly means aligning oneself with Christ. If that’s not what it means, then all your talk about becoming a Christian is just empty words, a delusion, and a trap, as well as a blasphemy and a sin against the Holy Spirit.

For with regard to the absolute there is but one time, viz. the present. He who is not contemporaneous with the absolute, for him it does not exist at all. And since Christ is the absolute, it is evident that in respect of him there is but one situation: contemporaneousness. The three, or seven, or fifteen, or seventeen, or eighteen hundred years which have elapsed since his death do not make the least difference, one way or the other. They neither change him nor reveal, either, who he was; for his real nature is revealed only to faith.

For the absolute, there’s only one time, which is the present. If someone isn’t living at the same time as the absolute, it doesn’t exist for them at all. Since Christ is the absolute, it’s clear that there is only one relationship: being contemporaneous. The three, seven, fifteen, seventeen, or eighteen hundred years that have passed since his death don’t change anything. They don’t alter who he is or show who he was; his true nature is only revealed through faith.

Christ, let me say so with the utmost seriousness, is not an actor; neither is he a merely historical personage since, being the paradox, he is an extremely unhistorical personage. But precisely this is the difference between poetry and reality: contemporaneousness.[25] The difference between poetry and history is no doubt this, that history is what has really happened, and poetry, what is possible, the action which is supposed to have taken place, the life which has taken form in the poet's imagination. But that which really happened (the past) is not necessarily reality, except in a certain sense, viz., in contrast with poetry. There is still lacking in it the criterion of truth (as inwardness) and of all religion, there is still lacking the criterion: the truth FOR YOU. That which is past is not a reality—for me, but only my time is. That which you are contemporaneous with, that is reality—for you. Thus every person has the choice to be contemporaneous with the age in which he is living—and also with one other period, with that of Christ's life here on earth; for Christ's life on earth, or Sacred History, stands by itself, outside of history.

Christ, let me be completely clear, is not an actor; he’s not just a historical figure either, because, being the paradox that he is, he’s actually very unhistorical. This highlights the difference between poetry and reality: contemporariness.[25] The difference between poetry and history is that history is what really happened, while poetry represents what is possible, the events that are imagined by the poet. However, what actually happened (the past) isn’t necessarily reality, except in a certain sense, which is in contrast to poetry. The past lacks the criterion of truth (as inner conviction) and of all religion; it lacks the standard: the truth FOR YOU. What is past isn’t a reality—for me; only my time is. What you are living through now is reality—for you. Therefore, every person can choose to be contemporary with the age they are living in—and also with another period, specifically the time of Christ’s life here on earth; because Christ’s earthly life, or Sacred History, exists separately, outside of history.

History you may read and hear about as a matter of the past. Within its realm you can, if you so care, judge actions by their results. But in Christ's life here on earth there is nothing past. It did not wait for the assistance of any subsequent results in its own time, 1800 years ago; neither does it now. Historic Christianity is sheer moonshine and un-Christian muddle-headedness. For those true Christians who in every generation live a life contemporaneous with that of Christ have nothing whatsoever to do with Christians of the preceding generation, but all the more with their contemporary, Christ. His life here on earth attends every generation, and every generation severally, as Sacred History; his life on earth is eternal contemporaneousness. For this reason all learned lecturing about Christianity, which has its haunt and hiding-place in the assumption that Christianity is something which belongs to the past and to the 1800 years of history, this lecturing is the most un-Christian of heresies, as every one would readily recognize if he but tried to imagine the generation contemporaneous with Christ as—lecturing! No, we must ever keep in mind that every generation (of the faithful) is contemporaneous with him.

History is something you can read and hear about from the past. Within its context, you can judge actions based on their outcomes if you choose to. But when it comes to Christ's life here on earth, nothing is in the past. It didn't rely on any future results back then, 1800 years ago, and it still doesn’t now. Historic Christianity is just nonsense and confusion. For true Christians who live in every generation, their lives are happening at the same time as Christ's; they are connected more to Christ than to Christians from previous generations. His life on earth impacts each generation as Sacred History; his existence is eternally present. This is why all the learned lectures about Christianity that stem from the belief that Christianity is just a part of history from 1800 years ago are the most un-Christian of heresies. Anyone would see this easily if they tried to imagine the generation alive with Christ giving lectures! No, we must always remember that every generation of the faithful is living at the same time as him.

If you cannot master yourself so as to make yourself contemporaneous with him and thus become a Christian; or if he cannot, as your contemporary, draw you to himself, then you will never be a Christian. You may, if you please, honor, praise, thank, and with all worldly goods reward, him who deludes you into thinking that you are a Christian; nevertheless—he deceives you. You may count yourself happy that you were not contemporaneous with one who dared to assert this; or you may be exasperated to madness by the torment, like that of the "gadfly,[26]" of being contemporaneous with one who says this to your face: in the first case you are deceived, whereas in the second you have at least had a chance to hear the truth.

If you can't get yourself to be on the same level as him and become a Christian, or if he can't, as your peer, draw you to him, then you'll never be a Christian. You might choose to honor, praise, thank, and reward with all your worldly goods the one who tricks you into believing you're a Christian; still—he's deceiving you. You could feel grateful that you weren't alive at the same time as someone who dared to say this; or you might be driven to madness by the torment, like that of the "gadfly,[26]," of being around someone who speaks this to you directly: in the first case, you are deceived, while in the second, at least you had the opportunity to hear the truth.

If you cannot bear this contemporaneousness, and not bear to see this sight in reality—if you cannot prevail upon yourself to go out into the street—and behold! it is God in that loathsome procession; and if you cannot bear to think that this will be your condition also if you kneel and worship him: then you are not essentially a Christian. In that case, what you will have to do is to admit the fact unconditionally to yourself, so that you may, above all, preserve humility, and fear and trembling, when contemplating what it means really to be a Christian. For that way you must proceed, in order to learn and to practice how to flee to grace, so that you will not seek it in vain; but do not, for God's sake, go to any one to be "consoled." For to be sure it is written: "blessed are the eyes which see the things that ye see,[27]" which word the priests have on the tips of their tongues—curiously enough; at times, perhaps, even to defend a worldly finery which, if contemporary with Christ, would be rather incongruous—as if these words had not been said solely about those contemporaries of his who believed. If his exaltation had been evident to the eyes so that every one without any trouble could have beheld it, why then it would be incorrect to say that Christ abased himself and assumed the guise of a servant, and it would be superfluous to warn against being offended in him; for why in the world should one take offense in an exalted one arrayed in glory? And how in the world will you explain it that Christ fared so ill and that everybody failed to rush up admiringly to behold what was so plain? Ah no, "he hath no form nor comeliness; and when we shall see him, there is no beauty that we should desire him" (Isaiah 53, 2[28]); and there was to all appearances nothing remarkable about him who in lowly guise, and by performing signs and wonders, constantly presented the possibility of offense, who claimed to be God—in lowly guise; which therefore expresses: in the first place, what God means by compassion, and by one's self needing to be humble and poor if one wishes to be compassionate; and in the second place, what God means by the misery of mankind. Which, again, in both instances is extremely different from what men mean by these things and which every generation, to the end of time, has to learn over again from the beginning, and beginning in every respect at the same point where those who were contemporary with Christ had to start; that is, to practice these things as contemporaries of Christ. Human impatience and unruliness is, of course, of no avail whatsoever. No man will be able to tell you in how far you may succeed in becoming essentially a Christian. But neither will anxiety and fear and despair help one. Sincerity toward God is the first and the last condition, sincerity in confessing to one's self just where one stands, sincerity before God in ever aiming at one's task. However slowly one may proceed, and if it be but crawling—one is, at any rate, in the right position and is not misled and deceived by the trick of changing the nature of Christ who, instead of being God, is thereby made to represent that sentimental compassion which is man's own invention; by which men instead of being lifted up to heaven by Christianity, are delayed on their way and remain human and no more.

If you can't handle the current situation and can't stand to see this in real life—if you can't convince yourself to step outside and see that it's God in that terrible procession; and if you can't accept that this could also be your fate if you kneel and worship Him: then you're not truly a Christian. In that case, you need to acknowledge this fact to yourself, so you can maintain humility, fear, and trembling when considering what it really means to be a Christian. This is how you should proceed to learn and practice how to seek grace so you won't seek in vain; but for God's sake, don't turn to anyone for "comfort." Because it's clearly written: "blessed are the eyes that see the things that you see," which the priests often mention—curiously enough, sometimes even to justify a worldly fancy that, if present during Christ's time, would seem quite out of place—as if these words were only meant for those contemporaries who had faith. If Christ's glory had been obvious to everyone, why would it be incorrect to say that He humbled Himself and took on the form of a servant? It would be unnecessary to warn against taking offense at Him; after all, why would anyone be offended by someone in glory? And how do you explain that Christ was treated so poorly, with no one rushing to admire what was so clear? Ah no, "he has no form or beauty; and when we see him, there is no attractiveness to desire him" (Isaiah 53:2); and there was, to all appearances, nothing special about Him, who, in a humble way, performed signs and wonders, constantly presenting opportunities for offense, claiming to be God—in humble form; which shows, first, what God means by compassion, and how humility and poverty are necessary for true compassion; and second, what God means by human suffering. This, in both cases, is very different from what people think, and every generation must learn this anew from the start, beginning exactly where those who lived during Christ's time had to begin: practicing these values as contemporaries of Christ. Human impatience and stubbornness won't help at all. No one can tell you how far you might go in becoming truly a Christian. But anxiety, fear, and despair won't help either. Sincerity toward God is the first and last requirement, sincerity in acknowledging where you stand, sincerity before God as you strive toward your goal. No matter how slowly you move, even if only crawling, you're still in the right place and not misled by the misleading idea that Christ, instead of being God, represents a sentimental compassion of human invention; by which people, instead of being uplifted by Christianity, are hindered on their journey and remain merely human and nothing more.

THE MORAL

"And what, then, does all this signify?" It signifies that every one, in silent inwardness before God, is to feel humility before what it means to be in the strictest sense a Christian; is to confess sincerely before God what his position is, so that he may worthily partake of the grace which is offered to every one who is not perfect, that is, to every one. And it means no more than that. For the rest let him attend to his work and find joy in it, let him love his wife, rejoicing in her, let him raise his children to be a joy to him, and let him love his fellow-men and enjoy life. God will surely let him know if more is demanded of him, and will also help him to accomplish it; for in the terrifying language of the law this sounds so terrible because it would seem as if man by his own strength were to hold fast to Christ, whereas in the language of love it is Christ that holds fast to him. As was said, then, God will surely let him know if more is demanded of him. But what is demanded of every one is that he humble himself in the presence of God under the demands of ideality. And therefore these demands should be heard, and heard again and again in all their absoluteness. To be a Christian has become a matter of no importance whatever—a mummery, something one is anyway, or something one acquires more readily than a trick. In very truth, it is high time that the demands of ideality were heard.

"And what does all this mean?" It means that everyone, in quiet reflection before God, should feel humility about what it truly means to be a Christian. Each person must sincerely confess their situation to God so they may truly embrace the grace offered to those who aren't perfect, which is everyone. That's all it means. Beyond that, they should focus on their work and find joy in it, love their spouse and take delight in them, raise their children to be a source of happiness, and love their fellow humans while enjoying life. God will definitely let them know if more is expected of them and will help them achieve it. The harsh language of the law sounds frightening because it seems like people must rely on their own strength to hold on to Christ, but in the language of love, it's Christ who holds on to them. As mentioned, God will surely make it clear if more is required. What is expected of everyone is to humble themselves before God in light of the ideals set before them. Therefore, these ideals need to be acknowledged, repeated, and taken seriously. Being a Christian has become insignificant—a mere act, something one is by default, or something easily acquired. Truly, it's about time the ideals were recognized again.

"But if being a Christian is something so terrifying and awesome, how in all the world can a man get it into his head to wish to accept Christianity?" Very simply and, if you so wish, quite according to Luther: only the consciousness of sin, if I may express myself so, can force one—from the other side, grace exerts the attraction—can force one into this terror. And in the same instant the Christian ideal is transformed, and is sheer mildness, grace, love, and pity. Looking at it any other way, however, Christianity is, and shall ever be, the greatest absurdity, or else the greatest terror. Approach is had only through the consciousness of sin, and to desire to enter by any other way amounts to a crime of lèse-majesté against Christianity.

"But if being a Christian is something so terrifying and incredible, how on earth can someone want to accept Christianity?" Very simply, and if you like, quite in line with Luther: only the awareness of sin, if I may put it that way, can compel one—from the other side, grace offers the allure—can compel one into this fear. And in that moment, the Christian ideal transforms, becoming pure gentleness, grace, love, and compassion. However, looking at it from any other perspective, Christianity is, and will always be, the greatest absurdity, or perhaps the greatest terror. The only way in is through the awareness of sin, and wanting to enter by any other means is akin to committing an act against the dignity of Christianity.

But sin, or the fact that you and I, individually, are sinners, has at present either been done away with, or else the demands have been lowered in an unjustifiable manner, both in life—the domestic, the civic, as well as the ecclesiastic—and in science which has invented the new doctrine of sin in general. As an equivalent, one has hit upon the device of helping men into Christianity, and keeping them in it, by the aid of a knowledge of world-historic events, of that mild teaching, the exalted and profound spirit of it, about Christ as a friend, etc., etc.—all of which Luther would have called stuff and nonsense and which is really blasphemy, aiming as it does at fraternizing impudently with God and with Christ.

But sin, or the fact that you and I are individually sinners, has either been eliminated or the standards have been unfairly lowered, both in our lives—the personal, civic, and religious spheres—and in science, which has created a new understanding of sin in general. As a substitute, people have come up with the idea of helping individuals embrace Christianity and stay in it by sharing knowledge of significant historical events, along with a gentle teaching and the noble, deep spirit of Christ as a friend, and so on—all of which Luther would have dismissed as nonsense and is actually blasphemy, as it seeks to shamelessly buddy up to God and Christ.

Only the consciousness of being a sinner can inspire one with absolute respect for Christianity. And just because Christianity demands absolute respect it must and shall, to any other way of looking at it, seem absurdity or terror; just because only thereby can the qualitative and absolute emphasis fall on the fact that it is only the consciousness of being a sinner which will procure entrance into it, and at the same time give the vision which, being absolute respect, enables one to see the mildness and love and compassion of Christianity.

Only the awareness of being a sinner can inspire true respect for Christianity. And because Christianity requires this deep respect, it may seem absurd or frightening to those who view it differently; only this way can the focus be placed on the fact that it is this awareness of sin that allows one to enter it, and at the same time offers the perspective that, through this deep respect, lets one see the kindness, love, and compassion of Christianity.

The poor in spirit who acknowledge themselves to be sinners, they do not need to know the least thing about the difficulties which appear when one is neither simple nor humble-minded. But when this humble consciousness of one's self, i. e., the individual's, being a sinner is lacking—aye, even though one possessed all human ingenuity and wisdom, and had all accomplishments possible to man: it will profit him little. Christianity will in the same degree rise terrifying before him and transform itself into absurdity or terror; until he learns, either to renounce it, or else, by the help of what is nothing less than scientific propædeutics, apologetics, etc., that is, through the torments of a contrite heart, to enter into Christianity by the narrow path, through the consciousness of sin.

The humble who recognize their sins don't need to understand the challenges that arise when someone lacks simplicity or humility. However, when this humble awareness of oneself as a sinner is missing—even if a person possesses all human cleverness, wisdom, and skills—it won't benefit them much. Christianity will seem intimidating and may turn into something absurd or frightening until they either choose to reject it or, through what can only be termed scientific preparation, apologetics, etc., meaning through the struggles of a remorseful heart, find their way into Christianity by the narrow path of recognizing their sins.


[1]First Part; comprising about one-fourth of the whole book.

[1]First Part; making up roughly a quarter of the entire book.

[2]I. e. Christ; cf. Introduction p. 41 for the use of small letters.

[2]i.e. Christ; see Introduction p. 41 for the use of lowercase letters.

[3]Socrates.

__A_TAG_PLACEHOLDER_0__Socrates.

[4]John I, 1.

John I, 1.

[5]Matthew 20, 15.

__A_TAG_PLACEHOLDER_0__Matthew 20:15.

[6]Luke 11, 14.

__A_TAG_PLACEHOLDER_0__Luke 11:14.

[7]Kierkegaard's note: by history we mean here profane history, world history, history as such, as against Sacred History.

[7]Kierkegaard's note: by history we mean here secular history, global history, history in general, as opposed to Sacred History.

[8]Cf. the claim of the Pharisees, Matth. 23, 30: "If we had been in the days of our fathers, we would not have been partakers with them in the blood of the prophets."

[8]See. the claim of the Pharisees, Matt. 23:30: "If we had lived during our ancestors' time, we wouldn't have taken part in the bloodshed of the prophets."

[9]One is here irresistibly reminded of passages in Ibsen's "Brand," e. g., Brand's conversation with Einar, in Act I. Cf. also "The invitation and the inviter" and Introduction.

[9]One can't help but think of parts in Ibsen's "Brand," such as Brand's talk with Einar in Act I. See also "The invitation and the inviter" and Introduction.

[10]Matthew 11, 6.

__A_TAG_PLACEHOLDER_0__Matthew 11:6.

[11]Luke 18, 32.

__A_TAG_PLACEHOLDER_0__Luke 18, 32.

[12]Matthew 20, 27f.

__A_TAG_PLACEHOLDER_0__Matthew 20, 27-28.

[13]The original here does not agree with the sense of the passage.

[13]The original text here doesn't match the meaning of the passage.

[14]Björnson's play of "Beyond Human Power," Part I, Act 2, reads like an elaboration of these views.

[14]Björnson's play "Beyond Human Power," Part I, Act 2, feels like a deeper exploration of these ideas.

[15]Matthew 9, 16.

__A_TAG_PLACEHOLDER_0__Matthew 9:16.

[16]The following passage is capable of different interpretations in the original..

[16]The following passage can be interpreted in various ways in the original.

[17]Matthew 14, 17.

__A_TAG_PLACEHOLDER_0__Matthew 14, 17.

[18]Cf. 1 Cor. 2, 9.

[18]See 1 Cor. 2:9.

[19]John 3, 1f.

__A_TAG_PLACEHOLDER_0__John 3, 1ff.

[20]Luke 23, 35.

__A_TAG_PLACEHOLDER_0__Luke 23:35.

[21]John 2, 4, etc.

__A_TAG_PLACEHOLDER_0__John 2, 4, etc.

[22]The passage is not quite clear. Probably, you will not be the man to explain this phenomenon in the very opposite terms, viz., as the divinity himself.

[22]The passage isn't very clear. You're probably not the person to explain this phenomenon in completely different terms, like calling it divine.

[23]Here, the unreserved identification with human suffering above referred to.

[23]Here, the complete identification with human suffering mentioned earlier.

[24]Cf. Footnote 8, in "The Misfortune of Christendom."

[24]See. Footnote 8, in "The Misfortune of Christendom."

[25]As my friend, H. M. Jones, points out, the following passage is essentially Aristotelian: "The true difference is that one (history) relates what has happened, the other (poetry) what may happen"; "Poetics," Chap. IX.

[25]As my friend, H. M. Jones, points out, the following passage is essentially Aristotelian: "The true difference is that one (history) tells what has happened, while the other (poetry) tells what could happen"; "Poetics," Chap. IX.

[26]Cf. Plato's "Apologia" where Socrates is made to say of himself that he is inflicted on the Athenians like a gadfly on a horse, in order to keep them awake.

[26]See. Plato's "Apology" where Socrates says about himself that he is like a gadfly to the Athenians, keeping them alert.

[27]Luke 10, 23.

__A_TAG_PLACEHOLDER_0__Luke 10:23.

[28]Kierkegaard's own note.

__A_TAG_PLACEHOLDER_0__Kierkegaard's personal note.


THE PRESENT MOMENT[1]

BY WAY OF INTRODUCTION

(No. I, 1)

Plato says somewhere in his "Republic" that things will go well only when those men shall govern the state who do not desire to govern. The idea is probably that, assuming the necessary capability, a man's reluctance to govern affords a good guarantee that he will govern well and efficiently; whereas a man desirous of governing may very easily either abuse his power and become a tyrant, or by his desire to govern be brought into an unforeseen situation of dependence on the people he is to rule, so that his government really becomes an illusion.

Plato mentions in his "Republic" that the state will thrive only when those who govern do not actually want to govern. The idea is likely that, if someone has the necessary skills, their hesitance to take on the role ensures they will lead effectively and responsibly. In contrast, someone eager to rule might easily misuse their power and turn into a tyrant, or their desire to govern could lead them into an unexpected dependency on the people they are supposed to lead, making their governance more of an illusion.

This observation applies also to other relations where much depends on taking things seriously: assuming there is ability in a man, it is best that he show reluctance to meddle with them. To be sure, as the proverb has it: "where there is a will there is a way"; but true seriousness appears only when a man fully equal to his task is forced, against his will, to undertake it—against his will, but fully equal to the task.

This observation also applies to other situations where it’s important to take things seriously: if a person has the ability, it’s often better for them to hesitate before getting involved. Sure, as the saying goes, "where there’s a will there’s a way"; but true seriousness shows up only when a person who is fully capable of handling the task is pushed, against their desire, to take it on—against their will, but fully capable of handling it.

In this sense I may say of myself that I bear a correct relation to the task in hand: to work in the present moment; for God knows that nothing is more distasteful to me.

In this sense, I can say that I have the right attitude toward the task at hand: to focus on the present moment, because honestly, nothing is more unpleasant to me.

Authorship—well, I confess that I find it pleasant; and I may as well admit that I have dearly loved to write—in the manner, to be sure, which suits me. And what I have loved to do is precisely the opposite of working in the present moment. What I have loved is precisely remoteness from the present moment—that remoteness in which, like a lover, I may dwell on my thoughts and, like an artist in love with his instrument, entertain myself with language and lure from it the expressions demanded by my thoughts—ah blissful entertainment! In an eternity I should not weary of this occupation.

Authorship—honestly, I have to say that I enjoy it; and I might as well admit that I've really loved writing—in a way that feels right to me. And what I've loved to do is completely the opposite of being in the moment. What I've loved is being away from the present moment— that distance where, like a lover, I can immerse myself in my thoughts and, like an artist who adores his craft, play with language and draw out the words my thoughts require—ah, such joyful entertainment! I could do this forever without getting tired of it.

To contend with men—well, I do like it in a certain sense; for I have by nature a temperament so polemic that I feel in my element only when surrounded by men's mediocrity and meanness. But only on one condition, viz., that I be permitted to scorn them in silence and to satisfy the master passion of my soul: scorn—opportunity for which my career as an author has often enough given me.

To deal with men—sure, I enjoy it to some extent; I naturally have a temperament that's so argumentative that I feel most at home among their mediocrity and pettiness. But there's one condition: I want to be allowed to quietly look down on them and fulfill my deepest passion, which is to scorn them—something my career as a writer has given me plenty of chances to do.

I am therefore a man of whom it may be said truthfully that he is not in the least desirous to work in the present moment—very probably I have been called to do so for that very reason.

I’m someone who can honestly say that I really don't want to work right now—it's likely I’ve been called to it for that exact reason.

Now that I am to work in the present moment I must, alas! say farewell to thee, beloved remoteness, where there was no necessity to hurry, but always plenty of time, where I could wait for hours and days and weeks for the proper expression to occur to me; whereas now I must break with all such regards of tender love.[2] And now that I am to work in the present moment I find that there will be not a few persons whom I must oblige by paying my respects to all the insignificant things which mediocrity with great self-importance will lecture about; to all the nonsense which mediocre people, by interpreting into my words their own mediocrity, will find in all I shall write; and to all the lies and calumnies to which a man is exposed against whom those two great powers in society: envy and stupidity, must of necessity conspire.

Now that I have to focus on the present, I must sadly say goodbye to you, my beloved solitude, where there was no rush and always enough time to wait for the right words to come to me. Now, I have to let go of such gentle affection. [2] And now that I have to work in the present, I realize that there are many people I need to appease by acknowledging all the trivial things that mediocrity will preach about with great self-importance; to all the nonsense that mediocre people will find in what I write by projecting their own mediocrity onto my words; and to all the lies and slanders that a man faces when those two powerful forces in society—envy and ignorance—inevitably come together.

Why, then, do I wish to work in the present moment? Because I should forever repent of not having done so, and forever repent of having been discouraged by the consideration that the generation now living would find a representation of the essential truths of Christianity interesting and curious reading, at most; having accomplished which they will calmly remain where they are; that is, in the illusion that they are Christians and that the clergy's toying with Christianity really is Christianity.

Why, then, do I want to work in the present moment? Because I would always regret not doing so, and always regret being discouraged by the thought that the current generation would view a presentation of the fundamental truths of Christianity as just interesting and curious reading; having done that, they would comfortably stay where they are, in the delusion that they are Christians and that the clergy's tinkering with Christianity is genuinely Christianity.

A PANEGYRIC ON THE HUMAN RACE OR PROOF THAT THE NEW TESTAMENT IS NO LONGER TRUE.

(No. II, 5)

In the New Testament the Savior of the World, our Lord Jesus Christ, represents the matter in this way: "Strait is the gate, and narrow is the way, which leadeth unto life, and few there be that find it.[3]"

In the New Testament, the Savior of the World, our Lord Jesus Christ, explains it this way: "The gate is narrow and the path is tight that leads to life, and only a few people find it.[3]"

—Now, however, just to confine ourselves to Denmark, the way is as broad as a road can possibly be; in fact, the broadest in Denmark, for it is the road we all travel. At the same time it is in all respects a comfortable way, and the gate as wide as it is possible for a gate to be; for certainly a gate cannot be wider than to let all men pass through en masse:

—Now, however, just focusing on Denmark, the path is as wide as a road can be; in fact, it's the widest in Denmark, since it's the road we all use. At the same time, it’s a really comfortable path, and the gate is as wide as a gate can get; after all, a gate can't be wider than to allow everyone to pass through en masse:

Therefore, the New Testament is no longer true.

Therefore, the New Testament is not true anymore.

All credit is due to the human race! For thou, oh Savior of the World, thou didst entertain too low an estimate of the human race, so that thou didst not foresee the exalted plan which, in its perfectibility, it may reach by steadily continued endeavor!

All credit goes to humanity! For you, oh Savior of the World, you underestimated the human race, so you didn't see the great potential that, with consistent effort, it may achieve in its perfection!

To such an extent, then, is the New Testament no longer true: the way is the broadest possible, the gate the widest possible, and we are all Christians. In fact, I may venture still further—I am enthusiastic about it, for you see I am writing a panegyric on the human race—I venture to assert that the average Jew living among us is, to a certain degree, a Christian just as well as we others: to such an extent are we all Christians, and to such an extent is the New Testament no longer true.

To such an extent, then, the New Testament is no longer true: the path is as broad as it can be, the gate is as wide as it can be, and we are all Christians. In fact, I dare to go even further—I’m really excited about this, because I’m writing a tribute to humanity—I dare to say that the average Jew living among us is, to some degree, a Christian just like the rest of us: we are all Christians to such an extent, and the New Testament is no longer true to such an extent.

And, since the point is to find out all which may be adduced to extol the human race, one ought—while having a care not to mention anything which is not true—one ought to watch that nothing, nothing escape one which in this connection may serve as a proof or even as a suggestion. So I venture still further—without wishing to be too positive, as I lack definite information on this subject and would like, therefore, to refer the matter to specialists in this line to decide—: whether there are not present among our domestic animals, or at any rate the nobler ones, such as the horse, the dog and the cow, indications of a Christian spirit. It is not improbable. Consider what it means to live in a Christian state, among a Christian people, where everything is Christian and everybody is a Christian and where one, turn where one may, sees nothing but Christians and Christianity, truth and martyrs for the truth—it is not at all unlikely that this exerts an influence on the nobler domestic animals and thereby again—which is ever of the utmost importance, according to the opinion both of veterinarians and of clergymen—an influence on their progeny. We have all read of Jacob's ruse, how in order to obtain spotted lambs he put party-colored twigs into the watering troughs, so that the ewes saw nothing but mottled things and then brought forth spotted lambs. Hence it is not improbable—although I do not wish to be positive, since I do not belong to the profession, but would rather have this passed on by a committee composed of both clergymen and veterinarians—I say, it is not improbable that the result will finally be that the domestic animals living in a Christian nation will produce a Christian progeny. The thought almost takes away my breath. To be sure, in that case the New Testament will to the greatest possible extent have ceased to be true.

And, since the goal is to discover everything that can be said to praise humanity, one should—while making sure not to mention anything that isn't true—keep an eye out for anything, anything at all, that might serve as proof or even as a hint in this context. So, I’ll go even further—without wanting to be too certain, as I don’t have concrete information on this topic and would prefer to leave it to experts in the field to decide—on whether there might be signs of a Christian spirit among our domesticated animals, at least the more noble ones, like horses, dogs, and cows. It's not impossible. Think about what it means to live in a Christian society, surrounded by Christian people, where everything is Christian and everyone is a Christian. In such an environment, wherever you look, you see nothing but Christians and Christianity, truth and martyrs for the truth—it seems quite likely that this has an effect on the nobler domesticated animals and consequently—something that veterinarians and clergy both emphasize as very important—an effect on their offspring. We’ve all read about Jacob's trick, how he got spotted lambs by putting striped sticks in the watering troughs so that the ewes saw only mottled things and then gave birth to spotted lambs. So, it’s not unlikely—though I don’t want to assert this definitively since I’m not part of the profession, but would rather have this assessed by a committee of both clergy and veterinarians—I say, it’s not unlikely that the end result will be that domesticated animals living in a Christian nation will produce Christian offspring. The thought nearly takes my breath away. Of course, if that were the case, the New Testament would have, to the greatest extent possible, ceased to be true.

Ah, Thou Savior of the World, when Thou saidst with great concern: "When the Son of man cometh, shall He find Faith on the earth?[4]"—and when Thou didst bow Thy head in death, then didst Thou least of all think that Thy expectations were to be exceeded to such a degree, and that the human race would in such a pretty and touching way render the New Testament no longer true, and Thy significance almost doubtful; for such nice creatures certainly also needed a Savior![5]

Ah, Savior of the World, when you said with great concern: "When the Son of Man comes, will he find faith on the earth?"[4]—and when you bowed your head in death, you least expected that your hopes would be surpassed to such an extent and that humanity would, in such a lovely and touching way, make the New Testament seem no longer true and your significance almost questionable; for such lovely beings definitely also needed a Savior![5]

IF WE ARE REALLY CHRISTIANS—THEN WHAT IS GOD?

(No. II, 8)

If it is not so—that all we mean by being "Christians" is a delusion—that all this machinery, with a State Church and thousands of spiritual-worldly councillors of chancery, etc., is a stupendous delusion which will not be of the least help to us in the life everlasting but, on the contrary, will be turned into an accusation against us—if this is not so; for if it is, then let us, for the sake of life everlasting, get rid of it, the sooner the better—

If it’s not true that being "Christians" is just a delusion—that all this structure, with a State Church and countless spiritual and worldly advisors, is an enormous misconception that won’t help us in eternal life but will instead become a point of blame against us—if that’s not the case; because if it is, then for the sake of eternal life, let’s get rid of it as soon as possible—

If it is not so, and if what we understand by being a Christian really is to be a Christian: then what is God in Heaven?

If that's not the case, and if what we mean by being a Christian really is to be a Christian, then what is God in Heaven?

He is the most ridiculous being that ever existed, His Word is the most ridiculous book which has ever appeared; for to move heaven and earth, as He does in his Word, and to threaten with hell and everlasting damnation—in order to obtain as His result what we understand by being Christians (and our assumption was that we are true Christians)—well, now, has anything so ridiculous ever been seen before? Imagine that a fellow with a loaded pistol in his hand held up a person and said to him, "I shall shoot you"; or imagine, what is still more terrible, that he said, "I shall seize you and torture you to death in the most horrible manner, if"—now watch, here's the point—"if you do not render your life here on earth as profitable and as enjoyable as you can": would not that be utterly ridiculous? For to obtain that effect it certainly is not necessary to threaten one with a loaded pistol and the most painful torture; in fact, it is possible that neither the loaded pistol nor the most painful torture would be able to deter him from making his life as comfortable as he can. And the same is true when, by fear of eternal punishment (terrible threat!), and by hope of eternal salvation, He wishes to bring about—well, to make us what we are (for what we call Christian is, as we have seen, really being Christian), to make us—well, to make us what we are; that is, make men live as they please; for to abstain from committing crimes is nothing but common prudence!

He is the most ridiculous being that has ever existed. His Word is the most ridiculous book that has ever come out; because to move heaven and earth, as He does in His Word, and to threaten with hell and everlasting damnation—in order to achieve what we understand as being Christians (and we assumed we are true Christians)—well, has anything so ridiculous ever been seen before? Imagine a guy with a loaded gun pointing it at someone and saying, "I’m going to shoot you"; or even worse, imagine he says, "I’m going to take you and torture you to death in the most horrible way, if"—now pay attention, here’s the point—"if you don’t make your life here on earth as profitable and enjoyable as you can": wouldn’t that be completely ridiculous? To achieve that effect, it certainly isn’t necessary to threaten someone with a loaded gun and the most painful torture; in fact, it’s possible that neither the loaded gun nor the most painful torture would be able to stop him from making his life as comfortable as possible. The same is true when, through fear of eternal punishment (a terrible threat!), and by hope of eternal salvation, He wants to make us—well, to make us what we are (because what we call Christian is, as we’ve seen, really being Christian), to make us—well, to make us what we are; that is, to make people live however they want; because to refrain from committing crimes is nothing but common sense!

The most terrible blasphemy is the one of which "Christianity" is guilty, which is, to transform the God of the Spirit into—a ridiculous piece of nonsense. And the stupidest kind of worship, more stupid than any idolatry ever was among the heathen, and more stupid than to worship as a god some stone, or an ox, or an insect—more stupid than anything, is to adore as god—a fool!

The worst blasphemy comes from "Christianity," which is turning the God of the Spirit into something completely absurd. And the most foolish form of worship, more foolish than any idolatry seen among pagans, and more foolish than worshipping a stone, an ox, or an insect—more foolish than anything else—is to worship a fool as if they were God!

DIAGNOSIS

(No. IV, 1)

I

Every physician will admit that by the correct diagnosis of a malady more than half the fight against it is won; also, that if a correct diagnosis has not been made, all skill and all care and attention will be of little avail.

Every doctor will agree that getting the right diagnosis for a disease wins more than half the battle against it; also, that if the diagnosis isn't correct, all the skill, care, and attention won't really make a difference.

The same is true with regard to religion.

The same applies to religion.

We are agreed to let stand the claim that in "Christendom" we are Christians, every one of us; and then we have laid and, perhaps, will lay, emphasis now on this, now on that, side of the teachings of the Scriptures.

We agree to uphold the idea that in "Christendom," we are all Christians; and we may focus on this aspect or that aspect of the teachings of the Scriptures at different times.

But the truth is: we are not only not Christians—no, we are not even the heathen to whom Christianity may be taught without misgivings, and what is worse, we are prevented through a delusion, an enormous delusion (viz. "Christendom," the Christian state, a Christian country, a Christian world) from becoming Christians.

But the truth is: we're not just not Christians—no, we're not even the nonbelievers to whom Christianity can be taught without worries, and what's worse, we're held back by a delusion, a huge delusion (namely "Christendom," the Christian state, a Christian country, a Christian world) from becoming Christians.

And then the suggestion is made to one to continue untouched and unchanged this delusion and, rather, to furnish a new presentation of the teachings of Christ.[6]

And then someone suggests that one should keep this delusion intact and unchanged, and instead, provide a new way to present the teachings of Christ.[6]

This has been suggested; and, in a certain sense, it is altogether fitting. Just because one lives in a delusion (not to speak even of being interested in keeping up the delusion), one is bound to desire that which will feed the malady—a common enough observation this—the sick man desiring precisely those things which feed his malady.

This has been suggested; and, in a way, it makes total sense. Since someone lives in a delusion (not to mention the fact that they may be interested in maintaining that delusion), they will naturally want what supports their condition—it's a common enough observation that the sick person seeks out the very things that worsen their illness.

II

Imagine a hospital. The patients are dying off like so many flies. The methods are changed, now this way, now that: of no avail! What may be the cause? The cause lies in the building—the whole building is tainted. The patients are put down as having died, the one of this, the other of that, disease, but strictly speaking this is not true; for they all died from the taint which is in the building.

Imagine a hospital. The patients are dying like flies. The methods keep changing, one way then another: but nothing works! What could be the cause? The cause lies in the building—the entire place is contaminated. The patients are listed as having died from this or that disease, but technically that's not accurate; they all died from the contamination in the building.

The same is true in religion. That religious conditions are wretched, and that people in respect of their religion are in a wretched condition, nothing is more certain. So one ventures the opinion that if we could but have a new hymn-book; and another, if we could but have a new service-book; and a third, if we could but have a musical service, etc., etc.—that then matters would mend.

The same goes for religion. It’s clear that religious conditions are terrible, and that people are in a bad place when it comes to their beliefs. So, some suggest that if we only had a new hymn book; others believe that if we just had a new service book; and yet another thinks if we could just have a musical service, etc., etc.—then things would improve.

In vain; for the fault lies in the edifice. The whole ramshackle pile of a State Church which has not been aired, spiritually speaking, in times out of mind—the air in it has developed a taint. And therefore religious life has become diseased or has died out; alas, for precisely that which the worldly mind regards as health is, in a Christian sense, disease—just as, vice versa, that which is healthy in a Christian sense, is regarded as diseased from a worldly point of view.

In vain; the problem is with the structure itself. The entire rundown State Church has not been spiritually refreshed for ages—the atmosphere inside has become stale. As a result, religious life has either become unhealthy or has faded away; sadly, what the secular mind sees as healthy is, in a Christian sense, actually unhealthy—just as, on the flip side, what is considered healthy from a Christian perspective is viewed as sickly by the secular world.

Then let the ramshackle pile collapse, get it out of the way, close all these shops and booths which are the only ones which are excepted from the strict Sunday regulations, forbid this official double-dealing, put them out of commission, and provide for them, for all these quacks:—even though it is true that the royally attested physician is the acceptable one, and he who is not so attested is a quack: in Christianity it is just the reverse; that is, the royally attested teacher is the quack, is a quack by the very fact that he is royally attested—and let us worship God again in simplicity, instead of making a fool of him in splendid edifices; let us be in earnest again and stop playing; for a Christianity preached by royal officials who are payed and insured by the state and who use the police against the others, such a Christianity bears about the same relation to the Christianity of the New Testament as swimming with the help of a cork-belt or a bladder does to swimming alone—it is mere play.

Then let the old, dilapidated structure fall apart, clear it away, shut down all these shops and stalls, which are the only ones that are exempt from strict Sunday rules, put an end to this official hypocrisy, get them out of here, and take care of all these frauds:—even if it's true that the officially recognized doctor is the accepted one, and those who aren't recognized are frauds: in Christianity, it's the opposite; that is, the officially recognized teacher is the fraud, solely because he is officially recognized—and let's worship God again in simplicity, instead of making a mockery of Him with grand buildings; let's be sincere again and stop pretending; because a Christianity preached by royal officials who are paid and backed by the state, and who use the police against others, has about as much to do with the Christianity of the New Testament as swimming with a life jacket does with swimming unaided—it's just a game.

Yes, let that come about. What Christianity needs is not the stifling protection of the state—ah no, it needs fresh air, it needs persecution and—the protection of God. The state does only mischief in averting persecution and surely is not the medium through which God's protection can be conducted. Whatever you do, save Christianity from the state, for with its protection it overlies Christianity like a fat woman overlying her child with her carcass, beside teaching Christianity the most abominable bad habits—as, e.g., to use the police force and to call that Christianity.

Yes, let that happen. What Christianity needs is not the suffocating support of the government—oh no, it needs fresh air, it needs persecution and—the protection of God. The government only causes trouble by preventing persecution and is definitely not the way through which God's protection can be delivered. Whatever you do, keep Christianity away from the government, because with its support, it smothers Christianity like a heavy woman crushing her child with her body, while also teaching Christianity the most horrible bad habits—like, for example, using the police force and calling that Christianity.

III

A person is growing thinner every day and is wasting away. What may the trouble be? For surely he is not suffering want! "No, sure enough," says the doctor, "that is not the trouble. The trouble is precisely with his eating, with his eating in season and out of season, with his eating without being hungry, with his using stimulants to produce an appetite, and in this manner ruining his digestion, so that he is wasting away as if he suffered want."

A person is getting thinner every day and is withering away. What could be the problem? Surely, he isn't lacking for food! "No, that's not it," says the doctor, "the issue is with his eating habits—eating when it's not mealtime, eating even when he's not hungry, using stimulants to boost his appetite, and as a result, he is ruining his digestion, which is why he is losing weight as if he were starving."

The same is true in religion. The worst of all is to satisfy a craving which has not as yet made its appearance, to anticipate it, or—worse still—by the help of stimulants to produce something which looks like a craving, which then is promptly satisfied. Ah, the shame of it! And yet this is exactly what is being done in religion where people are in very truth fooled out of the real meaning of life and helped to waste their lives. That is in very truth, the effect of this whole machinery of a state church and a thousand royal officials who, under the pretense of being spiritual guides for the people, trick them out of the highest thing in life, which is, the solicitude about one's self, and the need which would surely of itself find a teacher or minister after its own mind; whereas now the need—and it is just the growth of this sense, of a need which gives life its highest significance—whereas now this need does not arise at all, but on the contrary is forestalled by being satisfied long before it can arise. And this is the way, they claim, this is the way to continue the work which the Savior of Mankind did begin—stunting the human race as they do. And why is this so? Because there happen to be a thousand and one royal officials who have to support their families by furnishing what is called—spiritual guidance for men's souls!

The same applies to religion. The worst thing is to satisfy a desire that hasn't even emerged yet, to anticipate it, or—worse—to induce something that resembles a desire with stimulants, which is then quickly satisfied. Oh, the shame of it! Yet this is exactly what's happening in religion, where people are truly misled out of the genuine meaning of life and end up wasting their lives. This is genuinely the result of the whole system of a state church and countless royal officials who, pretending to be spiritual guides for the people, deceive them out of the most important thing in life, which is the concern for oneself, and the need that would naturally seek out a teacher or minister that resonates with it; instead, this need—and it is the very growth of this sense of need that gives life its deepest significance—now does not even emerge, but is instead preemptively satisfied long before it can arise. And they claim this is the way to continue the work that the Savior of Mankind started—stunting humanity as they do. Why is that? Because there are a thousand and one royal officials who need to provide for their families by offering what is called—spiritual guidance for people's souls!

THE CHRISTIANITY OF THE NEW TESTAMENT; THE CHRISITANITY OF "CHRISTENDOM."

(No. V, 4)

The intention of Christianity was: to change everything.

The purpose of Christianity was to transform everything.

The result, the Christianity of "Christendom" is: everything, literally everything, remained as it had been, with just the difference that to everything was affixed the attribute "Christian"—and for the rest (strike up, fiddlers!) we live in Heathendom—so merrily, so merrily the dance goes around; or, rather, we live in a Heathendom made more refined by the help of Life Everlasting and by help of the thought that, after all, it is all Christian!

The outcome, the Christianity of "Christendom," is this: everything, truly everything, stayed the same, with the only change being that everything was labeled "Christian"—and for the rest (let's get started, musicians!) we live in a pagan world—so joyfully, so joyfully the dance continues; or rather, we live in a more refined paganism aided by the idea of Eternal Life and the notion that, after all, it is all Christian!

Try it, point to what you will, and you shall see that I am right in my assertion.

Try it, point to whatever you want, and you'll see that I'm right about what I said.

If what Christianity demanded was chastity, then away with brothels! But the change is that the brothels have remained just as they did in Heathendom, and the proportion of prostitutes remained the same, too; to be sure, they became "Christian" brothels! A brothel-keeper is a "Christian" brothel-keeper, he is a Christian as well as we others. Exclude him from church membership? "Why, for goodness sake," the clergyman will say, "what would things come to if we excluded a single paying member?" The brothel-keeper dies and gets a funeral oration with a panegyric in proportion to the amount he pays. And after having earned his money in a manner which, from a Christian point of view, is as filthy and base as can be (for, from a Christian point of view it would be more honorable if he had stolen it) the clergyman returns home. He is in a hurry, for he is to go to church in order to deliver an oration or, as Bishop Martensen would say, "bear witness."

If Christianity required chastity, then let's get rid of brothels! But the reality is that brothels have stayed the same as they were in pagan times, and the number of prostitutes hasn't changed either; in fact, they've just become "Christian" brothels! A brothel owner is a "Christian" brothel owner, he’s a Christian just like the rest of us. Should we kick him out of the church? "Why on earth," the clergyman would say, "what would happen if we excluded even one paying member?" The brothel owner passes away and gets a funeral speech that matches how much he contributed. And after making his money in a way that, from a Christian perspective, is as dirty and disgraceful as it gets (because, honestly, it would be seen as more respectable if he had stolen it), the clergyman rushes home. He’s in a hurry because he needs to go to church to give a speech or, as Bishop Martensen would put it, "bear witness."

But if Christianity demanded honesty and uprightness, and doing away with this swindle, the change which really came about was this: the swindling has remained just as in Heathendom, "every one (every Christian) is a thief in his own line"; only, the swindling has taken, on the predicate "Christian." So we now have "Christian" swindling—and the "clergyman" bestows his blessing on this Christian community, this Christian state, in which one cheats just as one did in Heathendom, at the same time that one pays the "clergyman," that is, the biggest swindler of them all, and thus cheats one's self into Christianity.

But if Christianity called for honesty and integrity, and getting rid of this deception, the real change that happened was this: the dishonesty has stayed the same as in pagan times, "everyone (every Christian) is a thief in their own way"; only now, the dishonesty is labeled "Christian." So we now have "Christian" dishonesty—and the "clergyman" blesses this Christian community, this Christian state, where people cheat just like they did in paganism, while at the same time paying the "clergyman," who is the biggest deceiver of them all, and thereby fooling themselves into Christianity.

And if Christianity demanded seriousness in life and doing away with the praise and approbation of vanity—why, everything has remained as before, with just this difference that it has assumed the predicate "Christian." Thus the trumpery business with decorations, titles, and rank, etc. has become Christian—and the clergyman (that most indecent of all indecencies, that most ridiculous of all ridiculous hodgepodges), he is as pleased as Punch to be decorated himself—with the "cross." The cross? Why, certainly; for in the Christianity of "Christendom" has not the cross become something like a child's hobby-horse and tin-trumpet?

And if Christianity required a serious approach to life and getting rid of the praise and approval based on vanity—well, everything has stayed the same, with just this change that it’s now labeled "Christian." So, the silly preoccupation with decorations, titles, and status has taken on a Christian angle—and the clergyman (the most indecent of all indecencies, the most absurd mix of everything), he’s thrilled to be decorated himself—with the "cross." The cross? Of course; in the Christianity of "Christendom," hasn’t the cross become something like a child's toy and a tin trumpet?

And so with everything. There is implanted in man no stronger instinct, after that of self-preservation, than the instinct of reproduction; for which reason Christianity seeks to reduce its strength, teaching that it is better not to marry; "but if they cannot contain, let them marry; for it is better to marry than to burn." But in Christendom the propagation of the race has become the serious business of life and of Christianity; and the clergyman—that quint-essence of nonsense done up in long clothes—the clergyman, the teacher of Christianity, of the Christianity of the New Testament, has his income adjusted to the fact that the human race is active in propagating the race, and gets a little something for each child!

And so it goes with everything. There's no stronger instinct in humans, after the instinct for self-preservation, than the instinct for reproduction. That's why Christianity aims to lessen its intensity, teaching that it's better not to marry; "but if they can't control themselves, let them marry; for it's better to marry than to burn." However, in Christian societies, having children has become a central aspect of life and of Christianity. The clergyman—essentially nonsense dressed up in formal clothes—the clergyman, the teacher of Christianity, of the Christianity of the New Testament, has his salary tied to the fact that humans are active in having children, and he gets a little something for each child!

As I said, look about you and you will find that everything is as I told you: the change from Heathendom consists in everything remaining unchanged but having assumed the predicate "Christian."

As I mentioned, look around you and you will see that everything is just as I said: the shift from paganism means that everything stays the same, but now it's labeled "Christian."

MODERN RELIGIOUS GUARANTEES

(No. V, 8)

In times long, long past people looked at matters in this fashion: it was demanded of him who would be a teacher of Christianity that his life should be a guarantee for the teachings he proclaimed.

In ancient times, people viewed things this way: those who wanted to be teachers of Christianity were expected to have their lives reflect the teachings they shared.

This idea was abandoned long ago, the world having become wiser and more serious. It has learned to set little store by these illiberal and sickly notions of personal responsibility, having learned to look for purely objective ends. The demand is made now of the teacher that his life should guarantee that what he has to say is entertaining and dramatic stuff, amusing, and purely objective.

This idea was given up a long time ago as the world has become wiser and more serious. It has learned to value little the narrow-minded and unhealthy ideas about personal responsibility, focusing instead on purely objective goals. Now, there's an expectation that teachers should ensure their lives prove that what they have to say is entertaining, dramatic, amusing, and purely objective.

Some examples. Suppose you wanted to speak about Christianity, that is, the Christianity of the New Testament which expresses preference for the single state—and suppose you yourself are unmarried: why, my dear man! you ought not to speak on this subject, because your congregation might think that you meant what you said and become disquieted, or it might feel insulted that you thus, very improperly, mixed in your own affairs. No, dear sir, it will take a little longer before you are entitled to speak seriously on this matter so as really to satisfy the congregation. Wait till you have buried your first wife and are well along with your second wife: then it will be time for you to stand before your congregation to preach and "bear witness" that Christianity prefers the single state—then you will satisfy them altogether; for your life will furnish the guarantee that it is all tomfoolery and great fun, or that what you say is—interesting. Indeed, how interesting! For just as, to make it interesting, the husband must be unfaithful to his wife and the wife to her husband, likewise truth becomes interesting, intensely interesting, only when one lets one's self be carried away by one's feelings, be fascinated by them—but of course does the precise opposite and thus in an underhand manner is re-assured in persisting in one's ways.

Some examples. Imagine you want to talk about Christianity, specifically the kind in the New Testament that favors being single—and let’s say you’re unmarried yourself: well, my friend! You shouldn't address this topic, because your audience might think you mean what you’re saying, leading to discomfort, or they could feel offended that you’re mixing in your own personal situation. No, my dear sir, you need to wait a bit longer before you can genuinely discuss this issue in a way that will truly satisfy the congregation. Wait until you've buried your first wife and are well into your second marriage: then it’ll be the right time for you to stand in front of your congregation to preach and “bear witness” that Christianity favors single life—then you’ll really satisfy them; because your life will provide the assurance that it’s all nonsense and great fun, or what you’re saying is—interesting. Indeed, how fascinating! Just as to make things interesting, the husband must be unfaithful to his wife and the wife to her husband, likewise, truth only becomes truly interesting when one gets swept away by one’s emotions, captivated by them—but of course does the exact opposite, and thus cleverly continues to justify their actions.

Do you wish to speak about Christianity's teaching contempt for titles and decorations and all the follies of fame—and should you happen to be neither a person of rank nor anything of the kind: Why, my dear sir! You ought not to undertake to speak on this subject. Why, your congregation might think you were in earnest, or feel insulted by such a lack of tact in forcing your personality on their notice. No, indeed, you ought to wait till you have a lot of decorations, the more the merrier; you ought to wait till you drag along with a rigmarole of titles, so many that you hardly know yourself what you are called: then is your time come to stand before your congregation to preach and "bear witness"—and you will undoubtedly satisfy them; for your life will then furnish the guarantee that it is but a dramatic divertissement, an interesting forenoon entertainment.

Do you want to talk about how Christianity teaches disdain for titles and accolades and all the nonsense of fame—and if you happen to be neither a person of rank nor anything like that: Well, my dear sir! You really shouldn’t try to speak on this topic. Your audience might think you’re serious or feel offended by your lack of tact in drawing attention to yourself. No, indeed, you should wait until you have a bunch of accolades—more is better; you should wait until you come equipped with a long list of titles, so many that you barely remember what they are: then is your moment to stand before your audience to preach and “bear witness”—and you’ll surely satisfy them because your life will then prove that it’s just a theatrical performance, an entertaining experience for the morning.

Is it your intention to preach Christianity in poverty, and insist that only thus it is taught in truth—and you happen to be very literally a poor devil: Why, my dear sir! You ought not to venture to speak on this subject. Why, your congregation might think you were in earnest, they might become afraid and lose their good humor, and they might be very unpleasantly affected by thus having poverty-thrust in on them. No indeed, first get yourself some fat living, and when you have had it so long that your promotion to one still fatter is to be expected: then is your time come to stand before your congregation and to preach and "bear witness"—and you will satisfy them; for your life then furnishes the guarantee that it is just a joke, such as serious men like to indulge in, now and then, in theatre or in church, as a sort of recreation to gather new strength—for making money.

Is your goal to preach Christianity while living in poverty and claim that this is the only true way to teach it—and you're actually living as a poor person? Well, my dear sir! You really shouldn't talk about this. Your audience might take you seriously, get scared, and lose their good mood, which could make them pretty uncomfortable with poverty being thrown at them. No, you should first secure a comfortable living, and once you’ve had it long enough that it's likely you'll get promoted to an even better position: then it’s your moment to stand in front of your congregation and preach and "bear witness"—and you'll be convincing to them; because at that point, your life will prove that it’s just a joke, something serious folks like to engage in once in a while, whether in the theater or at church, as a way to recharge for making money.

And that is the way they honor God in the churches! And then these silk and velvet orators weep, they sob, their voice is drowned in tears! Ah, if it be true (and it is, since God Himself has said so), if it be true that He counts the tears of the afflicted and puts them into His bottle,[7] then woe to these orators, if God has counted also their Sunday tears and put them into His bottle! And woe to us all if God really heeds these Sunday tears—especially those of the speakers, but also those of the listeners! For a Sunday preacher would indeed be right if he said—and, oratorically, this would have a splendid effect, especially if accompanied by his own tears and suppressed sobs—he would be right if he said to his audience: I shall count all the futile tears you have shed in church, and with them I shall step accusingly before you on the Day of Judgment—indeed, he is right; only please not to forget that, after all, the speaker's own dramatic tears are by far more dreadful than the thoughtless tears of his listeners.

And that’s how they honor God in the churches! Then these smooth-talking orators cry, they sob, their voices are drowned in tears! Ah, if it’s true (and it is, since God Himself has said so), if it’s true that He counts the tears of the suffering and puts them in His bottle,[7] then woe to these speakers if God has also counted their Sunday tears and put them in His bottle! And woe to all of us if God really pays attention to these Sunday tears—especially those of the speakers, but also those of the listeners! A Sunday preacher would indeed be right if he said—and, for dramatic effect, this would really hit home, especially if it’s paired with his own tears and suppressed sobs—he would be right if he told his audience: I will count all the pointless tears you’ve shed in church, and with those, I will stand accusingly before you on the Day of Judgment—truly, he is right; just please don’t forget that, after all, the speaker’s own dramatic tears are far more dreadful than the careless tears of his listeners.

WHAT SAYS THE FIRE-MARSHAL

(No. VI, 5)

That a man who in some fashion or other has what one calls a "cause," something he seriously purposes to accomplish—and there are other persons who make it their business to counteract, and antagonize, and hurt him—that he must take measures against these his enemies, this will be evident to every one. But that there is a well-intentioned kindness by far more dangerous, perhaps, and one that seems calculated to prevent the serious accomplishment of his mission, this will not at once be clear to every one.

That a man who has a "cause," something he genuinely aims to achieve — and there are others who actively work to oppose, undermine, and harm him — needs to protect himself from these enemies is obvious to everyone. However, the fact that well-meaning kindness can be even more dangerous, possibly hindering his serious efforts, might not be immediately clear to all.

When a person suddenly falls ill, kindly-intentioned folk will straightway rush to his help, and one will suggest this, another that—and if all those about him had a chance to have their way it would certainly result in the sick man's death; seeing that even one person's well-meaning advice may be dangerous enough. And even if nothing is done, and the advice of neither the assembled and well-meaning crowd nor of any one person is taken, yet their busy and flurried presence may be harmful, nevertheless, inasmuch as they are in the way of the physician.

When someone suddenly gets sick, well-meaning people immediately rush to help, and one person will suggest this, another will suggest that—and if everyone had their way, it would likely lead to the sick person's death, since even one person's heartfelt advice can be risky enough. Even if nothing is done and neither the advice of the eager crowd nor anyone in particular is followed, their frenzied and anxious presence can still be harmful, as they get in the way of the doctor.

Likewise at a fire. Scarcely has the alarm of fire been sounded but a great crowd of people will rush to the spot, good and kindly and sympathetic, helpful people, the one with a bucket, the other with a basin, still another with a hand-squirt—all of them goodly, kindly, sympathetic, helpful persons who want to do all they can to extinguish the fire.

Similarly at a fire. No sooner has the fire alarm gone off than a huge crowd of people rushes to the scene—kind, caring, and sympathetic individuals, some with buckets, others with basins, and still more with hand sprayers—all of them good-hearted, kind, sympathetic, helpful people eager to do everything they can to put out the fire.

But what says the fire-marshal? The fire-marshal, he says—well, at other times the fire-marshal is a very pleasant and refined man; but at a fire he does use coarse language—he says or, rather, he roars out: "Oh, go to hell with your buckets and hand-squirts!" And then, when these well-meaning people feel insulted, perhaps, and think it highly improper to be treated in this fashion, and would like at least to be treated respectfully—what says the fire-marshal then? Well, at other times the fire-marshal is a very pleasant and refined gentleman who will show every one the respect due him; but at a fire he is somewhat different—he says: "Where the devil is the police?" And when the policemen arrive he says to them: "Rid me of these damn people with their buckets and hand-squirts; and if they won't clear out, then club them on their heads, so that we get rid of them and—can get at the fire!"

But what does the fire marshal say? The fire marshal, he says—well, usually he’s a very nice and sophisticated guy; but when there’s a fire, he uses some rough language—he shouts: "Oh, go to hell with your buckets and hand-squirts!" And then, when these well-meaning people feel offended, maybe, and think it’s really inappropriate to be treated like this, and would at least like to be treated with respect—what does the fire marshal say then? Well, at other times he is still a very nice and refined gentleman who respects everyone; but in a fire situation he’s a bit different—he asks: "Where the heck is the police?" And when the police arrive, he tells them: "Get rid of these damn people with their buckets and hand-squirts; and if they won’t leave, then knock them on the head so we can get rid of them and—actually get to the fire!"

That is to say, in the case of a fire the whole way of looking at things is a very different one from that of quiet every-day life. The qualities which in quiet every-day life render one well-liked, viz., good-nature and kindly well-meaning, all this is repaid, in the case of a fire, with abusive language and finally with a crack on the head.

In other words, during a fire, your perspective changes drastically compared to everyday life. The traits that make someone well-liked in normal circumstances, like being friendly and well-intentioned, can lead to harsh criticism and even physical confrontation in the chaos of a fire.

And this is just as it should be. For a conflagration is a serious business; and wherever we have to deal with a serious business this well-intentioned kindness won't do at all. Indeed, any serious business enforces a very different mode of behavior which is: either-or. Either you are able really to do something, and really have something to do here; or else, if that be not the case, then the serious business demands precisely that you take yourself away. And if you will not comprehend that, the fire-marshal proposes to have the police hammer it into your head; which may do you a great deal of good, as it may help to render you a little serious, as is befitting so serious a business as a fire.

And this is exactly how it should be. A fire is a serious matter, and where there’s a serious matter, well-meaning kindness just doesn’t cut it. In fact, any serious situation requires a very different approach, which is: either-or. Either you can actually do something and you have a real role here, or if that’s not the case, then the serious matter expects you to step back. If you don’t understand that, the fire marshal may have the police drive it into your head; which might do you a lot of good, as it could help make you take things a bit more seriously, which is fitting for such a serious situation as a fire.

But what is true in the case of a fire holds true also in matters of the spirit. Wherever a cause is to be promoted, or an enterprise to be seen through, or an idea to be served—you may be sure that when he who really is the man to do it, the right man, he who, in a higher sense has and ought to have command, he who is in earnest and can make the matter the serious business it really is—you may be sure that when he arrives at the spot, so to say, he will find there a nice company of easy-going, addle-pated twaddlers who pretending to be engaged in serious business, dabble in wishing to serve this cause, to further that enterprise, to promote that idea—a company of addle-pated fools who will of course consider one's unwillingness to make common cause with them (which unwillingness precisely proves one's seriousness)—will of course consider that a sure proof of the man's lack of seriousness. I say, when the right man arrives he will find this; but I might also look at it in this fashion: the very question as to whether he is the right man is most properly decided by his attitude to that crowd of fools. If he thinks they may help him, and that he will add to his strength by joining them, then he is eo ipso not the right man. The right man will understand at once, as did the fire-marshal, that the crowd must be got out of the way; in fact, that their presence and puttering around is the most dangerous ally the fire could have. Only, that in matters of the spirit it is not as in the case of the conflagration, where the fire-marshal needs but to say to the police: rid me of these people!

But what applies to a fire also applies to spiritual matters. Whenever there’s a cause to support, a project to complete, or an idea to promote—you can be sure that when the right person shows up, the one who truly has the authority to lead, who is genuinely committed and can treat the issue with the seriousness it deserves—you can bet that when he arrives, he’ll find a group of relaxed, scatter-brained individuals pretending to be involved in important work, dabbling in the desire to support this cause, advance that project, or promote that idea—a group of clueless fools who will, of course, view his reluctance to join them (which actually shows his seriousness) as clear evidence of his lack of commitment. I mean, when the right person arrives, he will encounter this situation; but I could also look at it this way: the very question of whether he is the right person is best judged by his attitude toward that crowd of fools. If he thinks they can assist him and that joining them will strengthen him, then he is not the right person. The right person will immediately recognize, like the fire marshal, that the crowd needs to be moved out of the way; in fact, their presence and meddling are the most dangerous allies to the fire. However, in spiritual matters, it’s not like a fire where the fire marshal can simply tell the police: get rid of these people!

Thus in matters of the spirit, and likewise in matters of religion. History has frequently been compared to what the chemists call a "process." The figure is quite suggestive, providing it is correctly understood. For instance, in the "process of filtration" water is run through a filter and by this process loses its impurities. In a totally different sense history is a process. The idea is given utterance—and then enters into the process of history. But unfortunately this process (how ridiculous a supposition!) consists not in purifying the idea, which never is purer than at its inception; oh no, it consists in gradually and increasingly botching, bungling, and making a mess of, the idea, in using up the idea, in—indeed, is not this the opposite of filtering?—adding the impurer elements which it originally lacked: until at last, by the enthusiastic and mutually appreciative efforts of successive generations, the idea has absolutely disappeared and the very opposite of the original idea is now called the idea, which is then asserted to have arisen through a historic process by which the idea is purified and elevated.

So, when it comes to spirituality and religion, history is often likened to a "process," as chemists would describe it. This analogy is quite insightful if understood correctly. For example, in the "process of filtration," water passes through a filter and loses its impurities. In a completely different way, history is also a process. An idea is proposed—and then it becomes part of the historical process. Unfortunately, this process (how absurd it seems!) doesn’t purify the idea, which is at its purest when first conceived; no, it actually leads to gradually messing up, ruining, and complicating the idea, exhausting it, and— isn't this the opposite of filtering?—adding the impurities that it originally didn’t have. Eventually, through the enthusiastic and collaborative efforts of different generations, the idea disappears entirely, and what emerges is the complete opposite of the original idea, which is then claimed to have developed through a historic process that supposedly purifies and elevates it.

When finally the right man arrives, he who in the highest sense is called to the task—for all we know, chosen early and slowly educated for this business—which is, to throw light on the matter, to set fire to this jungle which is a refuge for all kinds of foolish talk and delusions and rascally tricks—when he comes he will always find a nice company of addle-pated fools and twaddlers who, surely enough, do think that, perhaps, things are wrong and that "something must be done about it"; or who have taken the position, and talk a good deal about it, that it is preposterous to be self-important and talk about it. Now if he, the right man, is deceived but a single instant and thinks that it is this company who are to aid him, then it is clear he is not the right man. If he is deceived and has dealings with that company, then providence will at once take its hand off him, as not fit. But the right man will see at a glance, as the fire-marshal does, that the crowd who in the kindness of their hearts mean to help in extinguishing a conflagration by buckets and hand-squirts—the right man will see that the same crowd who here, when there is a question, not of extinguishing a fire, but rather of setting something on fire, will in the kindness of their hearts wish to help, with a sulphur match sans fire or a wet spill—he will see that this crowd must be got rid of, that he must not have the least thing in common with this crowd, that he will be! obliged to use the coarsest possible language against them—he who perhaps at other times is anything but coarse. But the thing of supreme importance is to be rid of the crowd; for the effect of the crowd is to hamstring the whole cause by robbing it of its seriousness while heartfelt sympathy is pretended. Of course the crowd will then rage against him, against his incredible arrogance and so forth. This ought not to count with him, whether for or against. In all truly serious business the law of: either—or, prevails. Either, I am the man whose serious business this is, I am called to it, and am willing to take a decisive risk; or, if this be not the case, then the seriousness of the business demands that I do not meddle with it at all. Nothing is more detestable and mean, and nothing discloses and effects a deeper demoralization, than this lackadaisical wishing to enter "somewhat" into matters which demand an aut—aut, aut Cæsar aut nihil,[8] this taking just a little part in something, to be so wretchedly lukewarm, to twaddle about the business, and then by twaddling to usurp through a lie the attitude of being better than they who wish not to have anything whatever to do with the whole business—to usurp through a lie the attitude of being better, and thus to render doubly difficult the task of him whose business it really is.

When the right person finally shows up, the one who’s truly meant for the job—someone who’s likely been chosen early in life and trained for this purpose—it’s to illuminate the situation, to ignite the chaos that shelters all sorts of ridiculous notions and shady schemes. When this person arrives, they’ll find a group of confused individuals and chatterboxes who think that maybe things are off and that “something has to be done.” Others will argue that it’s ridiculous to be self-important and to talk about it. If the right person is fooled even for a moment into believing that this group will help them, it’s clear they’re not the right person. If they get caught up with this crowd, providence will quickly withdraw its support because they aren’t suitable. However, the right person will immediately recognize—just like a fire chief—that the crowd, eager to help extinguish a fire with their buckets and spray bottles, will, when the task is about igniting something instead, want to assist out of the goodness of their hearts but will only bring a sulfur match without a flame or a damp cloth. This person will realize that they need to distance themselves from this crowd, that they shouldn't share anything with them, and that they might have to resort to the bluntest language against them—even if normally they’re anything but rude. The most crucial thing is to distance themselves from the crowd, as the crowd’s influence will undermine the entire cause by pretending to sympathize while stripping it of its seriousness. Naturally, the crowd will then be furious with them for their perceived arrogance and so on. But that shouldn’t matter, either way. In all genuinely serious matters, the principle of either/or applies. Either I’m the person who is meant to handle this, I’m called to do so, and I’m ready to take a significant risk; or, if that’s not the case, then the seriousness of the situation requires that I not get involved at all. Nothing is more contemptible and petty, and nothing reveals and causes a deeper demoralization than this half-hearted desire to engage in matters that require a clear choice—either you’re in or you’re out, either you rise to the occasion or not at all. Taking just a small part in something, being so frustratingly indifferent, chatting about the issue, and then using that chatter to falsely claim superiority over those who want nothing to do with it only makes the task of the person who is truly responsible that much harder.

CONFIRMATION AND WEDDING CEREMONY; CHRISTIAN—COMEDY—OR WORSE STILL.

(No. VII, 6)

Pricks of conscience (insofar as they may be assumed in this connection)—pricks of conscience seem to have convinced "Christendom" that it was, after all, going too far, and that it would not do—this beastly farce of becoming a Christian by the simple method of letting a royal official give the infant a sprinkle of water over his head, which is the occasion for a family gathering with a banquet to celebrate the day.

Pricks of conscience (as far as we can assume in this context)—pricks of conscience seem to have convinced "Christendom" that it was, after all, going too far, and that it wouldn’t work—this ridiculous farce of becoming a Christian just by having a royal official sprinkle some water on an infant’s head, which leads to a family gathering with a feast to celebrate the occasion.

This won't do, was the opinion of "Christendom," for the opportunity ought to be given the baptized individual to indorse personally his baptismal vows.

This isn't acceptable, thought "Christendom," because the baptized person should be given the chance to personally affirm their baptismal vows.

For this purpose the rite of confirmation was devised—a splendid invention, providing we take two things for granted: in the first place, that the idea of divine worship is to make God ridiculous; and in the second place, that its purpose is to give occasion for family celebrations, parties, a jolly evening, a banquet which is different from other banquets in that it—ah, exquisite—in that it, "at the same time" has a religious significance.

For this reason, the ritual of confirmation was created—an impressive idea, assuming we accept two things: first, that the concept of divine worship is to make God look foolish; and second, that its aim is to provide an opportunity for family gatherings, parties, a fun evening, a banquet that is different from other banquets in that it—oh, how delightful—in that it, "at the same time" has a religious meaning.

"The tender child," thus Christendom, "can of course not assume the baptismal vow personally, for this requires a real personality." Consequently there was chosen—is this a stroke of genius or just ingenious?—there was chosen the age of 14 or 15 year's, the schoolboy age. This real personality—that is all right, if you please—he is equal to the task of personally assuming responsibility for the baptismal vow taken in behalf of the infant.

"The innocent child," so Christianity says, "cannot personally take the baptismal vow because that requires a true sense of self." Therefore, they decided—was this brilliant or just clever?—that the right age would be 14 or 15, the schoolboy age. This true sense of self—that’s fine, if you agree—means he is capable of personally taking on the responsibility for the baptismal vow made on behalf of the baby.

A boy of fifteen! Now, if it were a matter of 10 dollars, his father would probably say: "No, my boy, I can't let you have all that money, you are still too green for that." But for a matter touching his eternal salvation where the point is to assume, with all the seriousness one's personality is capable of, and as a personality, responsibility for what certainly could not in any profounder sense be called serious—when a child is bound by a vow: for that the age of fifteen is excellently fitting.

A fifteen-year-old boy! If it were about 10 dollars, his dad would probably say, "No, son, I can't give you all that money; you're still too inexperienced for that." But when it comes to something as crucial as his eternal salvation, where the goal is to take on, with all the seriousness one can muster, the responsibility for something that can't truly be considered serious in a deeper sense—when a child is tied to a vow: for that, being fifteen is just about perfect.

Excellently fitting. Oh yes if, as was remarked above, divine worship serves a double purpose, viz., to render God ridiculous in a very adroit manner—if you may call it so—and to furnish the occasion for graceful family celebrations. In that case it is indeed excellently fitting, as everything is on that occasion; as is, likewise, the customary biblical lesson for the day which, you will remember, begins: "Then the same day at evening, when the doors were shut[9]"—and this text is particularly suitable to a Confirmation Sunday. One is truly edified when hearing a clergyman read it on a Confirmation Sunday.

Excellently fitting. Oh yes, if, as mentioned earlier, worship serves two main purposes: first, to humorously mock God—if you can put it that way—and second, to provide an opportunity for lovely family celebrations. In that case, it is indeed perfectly suitable, just like everything else on that occasion; and so is the traditional biblical lesson for the day, which, as you may recall, starts: "Then the same day at evening, when the doors were shut[9]"—and this passage is especially fitting for a Confirmation Sunday. It is truly uplifting to hear a clergyman read it on Confirmation Sunday.

As is easily perceived, then, the confirmation ceremony is still worse nonsense than the baptism of infants, just because confirmation pretends to supply what was lacking at the baptism, viz., a real personality capable of making a vow in a matter touching one's eternal salvation. In another sense this nonsense is, to be sure, ingenious enough, as serving the self-interest of the clergy who understand full well that if the decision concerning a man's religion were reserved until he had reached maturity (which were the only Christian, as well as the only sensible, way), many might possess character enough to refuse to become Christians by an act of hypocrisy. For this reason "the clergyman" seeks to gain control of men in their infancy and their youth, so that they would find it difficult, upon reaching a more mature age, to break a "sacred" vow dating, to be sure, from one's boyhood, but which would, perhaps, still be a serious enough matter to many a one. Hence the clergy take hold of the infants, the youths, and receive sacred promises and the like from them. And what that man of God, "the clergyman," does, why, that is, of course, a God-fearing action. Else, analogy might, perhaps, demand that to the ordinance forbidding the sale of spirituous liquors to minors there should be added one forbidding the taking of solemn vows concerning one's eternal salvation from—boys; which ordinance would look toward preventing the clergy, who themselves are perjurers, from working—in order to salve their own consciences—from working toward the greatest conceivable shipwreck which is, to make all society become perjured; for letting boys of fifteen bind themselves in a matter touching their eternal salvation is a measure which is precisely calculated to have that effect.

As is easily seen, the confirmation ceremony is even more pointless than infant baptism, simply because confirmation claims to provide what was missing at baptism, namely a real individual capable of making a vow about something as important as eternal salvation. In another way, this absurdity is somewhat clever, as it serves the interests of the clergy who know very well that if people were allowed to decide about their faith only once they reached adulthood (which is the only truly Christian and sensible approach), many would have enough integrity to refuse to become Christians out of mere pretense. For this reason, “the clergyman” aims to control individuals during their childhood and youth, making it hard for them, when they mature, to break a “sacred” vow made when they were young, which still might feel like a serious commitment to many. Thus, the clergy take hold of infants and youths, extracting sacred promises and similar commitments from them. And what that man of God, “the clergyman,” does is, of course, seen as a righteous act. Otherwise, one might suggest that the rule prohibiting the sale of alcohol to minors should also include a ban on taking solemn vows about eternal salvation from—boys; such a rule would aim to prevent the clergy, who themselves might be dishonest, from contributing—out of a need to ease their own consciences—to the greatest possible moral disaster, which is making all of society dishonest; for allowing fifteen-year-olds to bind themselves in matters of eternal salvation is a measure specifically designed to achieve that outcome.

The ceremony of confirmation is, then, in itself a worse piece of nonsense than the baptism of infants. But in order to miss nothing which might, in any conceivable manner, contribute to render confirmation the exact opposite of what it purports to be, this ceremony has been connected with all manner of worldly and civil affairs, so that the significance of confirmation lies chiefly in the—certificate of character which the minister makes out; without which certificate no boy or girl will be able to get on at all in life.[10]

The confirmation ceremony is, in fact, even more pointless than infant baptism. To ensure that confirmation misses its intended purpose in every possible way, this ceremony has been linked to various worldly and civil matters, meaning the real importance of confirmation mainly lies in the character certificate issued by the minister; without that certificate, no boy or girl will be able to succeed in life.[10]

The whole thing is a comedy; and perhaps something might be done to add greater dramatic illusion to the solemnity; as e.g., passing an ordinance forbidding any one to be confirmed in a jacket, as not becoming a real personality; likewise, a regulation ordering male candidates for confirmation to wear a beard during the ceremony, which beard might, of course, be taken off for the family celebration in the evening, or be used in fun and merrymaking.

The whole thing is a joke; and maybe we could do something to make it feel more serious, like passing a rule that no one can be confirmed in a jacket because it doesn’t suit a true personality. Additionally, we could have a guideline saying that male candidates for confirmation must wear a beard during the ceremony, which they could take off for the family celebration later that evening, or use for fun and festivities.

I am not now attacking the community—they are led astray; they cannot be blamed for liking this kind of divine worship, seeing that they are left to their own devices and deceived by their clergyman who has sworn an oath on the New Testament. But woe to these clergymen, woe to them, these sworn liars! I know there have been mockers at religion, and I know how much they would have given to be able to do what I do; but they were not able to, because God was not with them. It is different with me. Originally as well disposed to the clergy as few have been, and very ready to help them. I have undergone a change of heart in the opposite direction, owing to their attitude. And the Almighty is with me, and He knows how the whip is to be handled so that the blows take effect, and that laughter must be that whip, handled with fear and trembling—therefore am I used.

I'm not attacking the community right now—they've been led astray; they can't be blamed for enjoying this kind of worship, since they've been left to figure things out on their own and misled by a clergyman who's taken an oath on the New Testament. But woe to these clergymen, woe to them, these sworn liars! I know there have been skeptics of religion, and I know how much they would have loved to do what I do; but they couldn't because God wasn't with them. It's different for me. Initially, I was as supportive of the clergy as anyone, and I was very willing to help them. I've had a change of heart in the opposite direction because of their attitude. And the Almighty is with me, and He knows how to wield the whip so that the hits count, and that laughter must be that whip, handled with fear and trembling—this is why I am used.

THE WEDDING CEREMONY

True worship of God consists, very simply, in doing God's will.

True worship of God is simply about doing what God wants.

But that kind of divine service has never suited man's wishes. That which occupies man's mind at all times, that which gives rise to science[11] and makes science spread into many, many sciences, and into interminable detail; that of which, and for which, thousands of clergymen and professors live, that which forms the contents of the history of Christendom, by the study of which the clergyman or the professor is to be trained—is to get a different kind of worship arranged, the main point of which would be: to do what one pleases, but in such fashion that the name of God and the invocation of God be brought into connection therewith; by which arrangement man imagines himself safeguarded against ungodliness—whereas, alas! just this procedure is the most unqualified ungodliness.

But that kind of service has never aligned with what people want. What occupies people's minds constantly, what leads to science[11] and causes it to branch into many different fields and endless details; that which thousands of clergy and professors dedicate their lives to, that which makes up the story of Christianity, and for which the clergy or professor is supposed to be trained—is to set up a different form of worship, the main point of which would be: to do whatever one wants, but in a way that connects it with the name of God and calls upon God; through this arrangement, a person thinks they are protected from wrongdoing—when, unfortunately, this very approach is the most blatant form of wrongdoing.

For example: a man has the intention to make his living by killing people. To be sure, he knows from the Word of God that this is not permissible, that God's will is: thou shalt not kill! "All right," thinks he, "but this way of serving God will not serve my purposes—at the same time I don't care to be among the ungodly ones, either." So what does he do but get hold of some priest who in God's name blesses his dagger. Ah, c'est bien autre chose!

For example: a man plans to make a living by killing people. He knows from the Word of God that this is not allowed, that God’s will is: you shall not kill! "Okay," he thinks, "but this way of serving God won't help me—at the same time, I also don’t want to be among the wicked." So, what does he do? He finds a priest who, in God’s name, blesses his dagger. Ah, c'est bien autre chose!

In the Scriptures the single state is recommended. "But," says man, "that kind of worship really does not serve my purposes—and surely, you can't say that I am an ungodly person; and such an important step as marriage (which nota bene God counsels against, His opinion being, in fact, that the important thing is not to take "this important step")—should I take such an important step without making sure of God's blessing?" Bravo! "That is what we have the priest for, that man of God, he will bestow the blessing on this important step (nota bene concerning which the most important thing was not to take it at all) and so it will be acceptable to God"—and so I have my own way; and my own way becomes the way of worshipping God; and the priest has his own way and gets his ten dollars, which are not earned in such a simple way as, for example, by brushing people's clothes, or by serving out beer and brandy—oh no! Was he not active on behalf of God? To earn ten dollars in this fashion is: serving God. Bravissimo!

In the Scriptures, being single is encouraged. "But," says a man, "that type of worship doesn't really work for me—and you can't exactly call me an ungodly person; and such a big step as marriage (which, by the way, God warns against, His viewpoint being that the main thing is not to take 'this big step')—should I take such a significant step without ensuring I have God's blessing?" Great! "That's what we have priests for, those men of God; they will give the blessing on this major move (by the way, about which the key point was not to take it at all), and then it'll be acceptable to God"—and so I do things my way; and my way becomes my way of worshipping God; and the priest has his own method and gets his ten bucks, which aren’t earned as simply as, say, cleaning people’s clothes or serving beer and brandy—oh no! Wasn't he working on behalf of God? Earning ten dollars this way is: serving God. Bravo!

What depth of nonsense and abomination! If something is not pleasing to God, does it perhaps become pleasing to Him by having—why, that is aggravating the mischief!—by having a clergyman along who—why, that is aggravating the mischief still more!—who gets ten dollars for declaring it pleasant to God?

What a ridiculous and terrible situation! If something isn’t pleasing to God, does it somehow become pleasing just because—well, that only makes it worse!—there’s a clergyman present who—honestly, that only makes it worse!—is getting ten dollars to say it’s pleasing to God?

Let us consider the marriage ceremony still further! In His word God recommends the single state. Now suppose two young people want to be married. To be sure, they ought certainly to know, themselves, what Christianity is, seeing that they call themselves Christians; but never mind that now. The lovers then apply to—the clergyman; and the clergyman is, we remember, pledged by his oath on the New Testament (which nota bene recommends the single state). Now, if he is not a liar and a perjurer who makes his money in the very shabbiest fashion, he would be bound to take the following course: at most he could, with human compassion for this human condition of being in love, say to them: "Dear children, I am the one to whom you should turn last of all; to turn to me on this occasion is, indeed, as strange as if one should turn to the chief of police and ask him how best to steal. My duty is to employ all means to restrain you. At most, I can say, with the words of the Apostle (for they are not the words of Our Lord), I can say to you: well, if it must be, and you cannot contain, why, then find some way of getting together; for fit is better to marry than to burn.'[12] I know very well that you will be likely to shudder when I speak in this manner about what you think is the most beautiful thing in life; but I must do my duty. And it is therefore I said to you that to me you should have applied last of all."

Let’s take a closer look at the marriage ceremony! God suggests that being single is preferable. Now, if two young people want to get married, they really should understand what Christianity is, especially since they call themselves Christians; but let’s not focus on that for now. The couple then goes to—the clergyman; and remember, the clergyman is bound by his oath on the New Testament (which, by the way, suggests being single is better). Now, if he isn’t a liar and a fraud who makes his living in a shady way, he would have to proceed like this: at most, with human compassion for their love, he might say to them: “Dear kids, I’m the last person you should turn to; asking me about this is as odd as asking the chief of police how to commit a theft. My job is to use every means to discourage you. At best, I can quote the Apostle (since these aren’t the words of Our Lord), and say: well, if it can’t be helped and you can’t contain yourselves, then find a way to be together; for it’s better to marry than to burn.”[12] I know you might feel uneasy hearing me talk this way about something you believe is the most beautiful thing in life; but I must do my duty. That’s why I told you that you should have come to me last.

It is different in "Christendom." The priest—oh dear me!—if there are but two to clap together, why certainly! Indeed, if the persons concerned turned to a midwife they would perhaps not be as sure to be confirmed in their conviction that their intention is pleasing to God.

It’s different in "Christendom." The priest—oh my!—if there are just two people coming together, then of course! In fact, if the individuals involved went to a midwife, they might not feel as certain that their intentions are pleasing to God.

And so they are married; i.e. man has his own way, and this having his own way strategically serves at the same time as divine worship, God's name being connected with it. They are married—by the priest! Ah, for having the clergyman along is just what reassures one—the man who, to be sure, is pledged by his oath to preach the New Testament, but who for a consideration of ten dollars is the pleasantest company one could desire—that man he guarantees that this act is true worship of God.

And so they’re married; that is, the man gets his way, and this getting his way also serves as a form of worship, with God’s name linked to it. They’re married—by the priest! Ah, having the clergyman there is just what gives one confidence—the man who, of course, is sworn to preach the New Testament, but for just ten dollars can be the most pleasant company you could ask for—that man guarantees that this act is genuine worship of God.

In a Christian sense one ought to say: precisely the fact that a priest is in it, precisely that is the worst thing about the whole business. If you want to be married you ought, rather, be married by a smith; for then—if it were admissible to speak in this fashion—then it might possibly escape God's attention; whereas, if there is a priest along it can certainly not escape His attention. Precisely the fact of the clergyman's being there makes it as criminal an affair as possible—call to mind what was said to a man who in a storm at sea invoked the gods: "By all means do not let the gods notice that you are aboard!" Thus one might say here also: By all means try to avoid calling in a priest. The others, the smith and the lovers, have not pledged themselves by an oath on the New Testament, so matters are not as bad—if it be admissible to speak in this fashion—as when the priest assists with his—holy presence.

In a Christian sense, one could say: the fact that a priest is involved is exactly what makes the whole situation so problematic. If you want to get married, you might as well be married by a blacksmith; then—if it’s okay to put it that way—it might slip under God's radar. But if a priest is there, it definitely won't escape His notice. The very presence of the clergyman turns it into a highly questionable affair—just like what was said to a man who, during a storm at sea, called on the gods: "Whatever you do, don’t let the gods know you’re on board!" Similarly, it’s best to avoid bringing in a priest. The others, the blacksmith and the lovers, haven't sworn an oath on the New Testament, so it’s not as serious—if it’s permissible to say so—as when the priest brings his—holy presence.

AN ETERNITY TO REPENT IN!

(No. VIII, 3)

Let me relate a story. I did not read it in a book of devotion but in what is generally called light reading. Yet I do not hesitate to make use of it, and indicate its source only lest any one be disturbed if he should happen to be acquainted with it, or find out at some later time where it is from—lest he be disturbed that I had been silent about this.

Let me tell you a story. I didn’t read it in a devotional book but in what’s usually considered casual reading. Still, I’m not afraid to share it and mention where it came from just in case someone is familiar with it or finds out later. I don’t want anyone to feel uneasy that I didn’t mention it earlier.

Once upon a time there lived somewhere in the East a poor old couple. Utterly poor they were, and anxiety about the future naturally grew when they thought of old age approaching. They did not, indeed, constantly assail heaven with their prayers, they were too God-fearing to do that; but still they were ever praying to God for help.

Once upon a time, there was a poor old couple living somewhere in the East. They were completely broke, and worry about the future naturally increased as they thought about getting older. They didn't constantly bombard heaven with their prayers; they were too respectful to do that. Still, they were always praying to God for help.

Then one morning it happened that the old woman found an exceeding large jewel on the hearth-stone, which she forthwith showed to her husband, who recognized its value and easily perceived that now their poverty was at an end.

Then one morning, the old woman found a really large jewel on the hearth, which she immediately showed to her husband. He recognized its value and quickly realized that their poverty was over.

What a bright future for these old people, and what gladness! But frugal and pious as they were they decided not to sell the jewel just yet, since they had enough wherewithal to live still one more day. But on the morrow they would sell it, and then a new life was to begin for them.

What a bright future for these elderly folks, and how happy they were! But being wise and devout, they chose not to sell the jewel just yet, since they had enough to get by for at least one more day. But tomorrow, they would sell it, and then a new life would start for them.

In the following night the woman dreamed that she was transported to Paradise. An angel showed her about the splendors which only an Oriental imagination can devise. He showed her a hall in which there stood long rows of arm-chairs gemmed all over with precious stones and pearls. These, so the angel explained, were the seats of the pious. And last of all he pointed out to her the one destined for herself. When regarding it more closely she discovered that a very large jewel was lacking in the back of the chair, and she asked the angel how that might be. He—ah, watch now, for here is the point! The angel answered: "That was the jewel which you found on your hearth-stone. It was given you ahead of time, and it cannot be put in again."

That night, the woman dreamed she was taken to Paradise. An angel showed her the wonders that only an Eastern imagination could create. He led her to a hall filled with long rows of armchairs adorned with precious stones and pearls. The angel explained that these were the seats of the righteous. Finally, he highlighted the one meant for her. Upon looking closer, she noticed a very large jewel was missing from the back of the chair, and she asked the angel why that was. He—ah, pay attention now, because this is crucial! The angel replied: "That was the jewel you found on your hearthstone. It was given to you in advance, and it cannot be replaced."

In the morning the woman told her husband this dream. And she was of the opinion that it was better, perhaps, to endure in poverty the few years still left to them to live, rather than to be without that jewel in all eternity. And her pious husband was of the same opinion.

In the morning, the woman shared her dream with her husband. She believed that it might be better to endure a few more years of poverty rather than be without that treasure for all eternity. Her devout husband agreed with her.

So in the evening they laid the jewel on the hearth-stone and prayed to God to take it away again. And next morning it had disappeared, for certain; and what had become of it the old folks well knew: it was in its right place again.

So in the evening they placed the jewel on the hearth and prayed to God to take it back. The next morning it was definitely gone, and the old folks knew exactly where it was: back in its rightful place.

This man was in truth happily married, and his wife a sensible woman. But even if it were true, as is maintained so often, that it is men's wives who cause them to lose sight of eternal values: even if all men remained unmarried, there would still be in every one of us an impulse, more ingenious and more pressing and more unremitting than a woman, which will cause him to use a wrong measure and to think a couple of years, or ten years, or forty years, so enormous a length of time that even eternity were quite brief in comparison; instead of these years being as nothing when compared with the infinite duration of eternity.

This man was genuinely happily married, and his wife was a sensible woman. But even if it were true, as is often claimed, that it's men's wives who make them lose sight of eternal values: even if all men stayed single, there would still be within all of us an impulse, more clever and more pressing and more relentless than a woman, that causes him to use the wrong perspective and to think a few years, or ten years, or forty years, are such a long time that even eternity seems quite short in comparison; instead of these years being nothing when compared to the infinite duration of eternity.

Therefore, heed this well! You may by worldly wisdom escape perhaps what it has pleased God to unite with the condition of one's being a Christian, that is, sufferings and tribulations; you may, and to your own destruction, by cleverly avoiding the difficulties, perhaps, gain what God has forever made incompatible with being a Christian, that is, the enjoyment of pleasures and all earthly goods; you may, fooled by your own worldly wisdom, perhaps, finally perish altogether, in the illusion that you are on the right way because you have gained happiness in this world: and then—you will have an eternity to repent in! An eternity to repent in; to repent that you did not employ your time in doing what might be remembered in all eternity; that is, in truth to love God, with the consequence that you suffer the persecution of men in this life.

So pay attention! You might think that using worldly wisdom can help you avoid what God has tied to being a Christian—namely, suffering and hardships. You could, to your own downfall, cleverly dodge these challenges and, in doing so, gain what God has made forever incompatible with being a Christian: the pursuit of pleasures and all material things. You might be misled by your own worldly wisdom and end up completely lost, thinking you’re on the right path just because you’ve found happiness in this life. And then—you’ll have an eternity to regret it! An eternity to regret not spending your time on things that will be remembered forever; things like truly loving God, which may lead to the persecution of others in this life.

Therefore, do not deceive yourself, and of all deceivers fear most yourself! Even if it were possible for one, with regard to eternity, to take something ahead of time, you would still deceive yourself just by having something ahead of time—and then an eternity to repent in!

Therefore, don't fool yourself, and of all deceivers, be most afraid of yourself! Even if it were somehow possible for someone to take something for the future regarding eternity, you would still be deceiving yourself by having something in advance—only to spend an eternity regretting it!

A DOSE OF DISGUST WITH LIFE

(No. IX, 3)

Just as man—as is natural—desires that which tends to nourish and revive his love of life, likewise he who wishes to live with eternity in mind needs a constant dose of disgust with life lest he become foolishly enamored of this world and, still more, in order that he may learn thoroughly to be disgusted and bored and sickened with the folly and lies of this wretched world. Here is a dose of it:

Just like people naturally want what nourishes and revitalizes their love for life, someone who wants to live with eternity in mind needs a regular dose of disgust with life. This is necessary to avoid becoming blindly enamored with this world and, even more so, to truly understand how to feel disgusted, bored, and sickened by the foolishness and lies of this miserable world. Here’s a dose of that:

God Incarnate is betrayed, mocked, deserted by absolutely all men; not a single one, literally not a single one, remains faithful to him—and then, afterwards, afterwards,—oh yes, afterwards, there were millions of men who on their knees made pilgrimage to the places where many hundred years ago His feet, perhaps, trod the ground; afterwards, afterwards—oh yes, afterwards, millions worshipped a splinter of the cross on which He was crucified!

God in human form is betrayed, ridiculed, and abandoned by everyone; not one person, not a single soul, stays loyal to him—and then, later, oh yes, later, there were millions of people who, on their knees, traveled to the places where, many hundreds of years ago, His feet may have touched the ground; later, later—oh yes, later, millions worshipped a fragment of the cross on which He was crucified!

And so it was always when men were contemporary with the great; but afterwards, afterwards—oh yes, afterwards!

And so it was always when people were living alongside the great; but later, later—oh yes, later!

Must one then not loathe being human?

Must one then not hate being human?

And again, must one not loathe being human? For these millions who on their knees made pilgrimage to His grave, this throng of people which no power on earth was able to overcome: but one thing were necessary, Christ's return—and all these millions would quickly regain their feet to run their way, so that the whole throng were as if blown away; or would, in a mass, and erect enough, rush upon Christ in order to kill him.

And again, isn't it frustrating to be human? For the millions who knelt in pilgrimage at His grave, this crowd of people that no earthly power could defeat: but one thing was needed, Christ's return—and all these millions would quickly get back on their feet to run away, as if the whole crowd had been blown away; or they would, all together and standing tall, rush at Christ to kill him.

That which Christ and the Apostles and every martyr desires, and desires as the only thing: that we should follow in His footsteps, just that is the thing which mankind does not like or does not find pleasure in.

What Christ, the Apostles, and every martyr want, and want above all else, is for us to follow in His footsteps. Yet, that's exactly what people often resist or find unappealing.

No, take away the danger—so that it is but play, and then the battallions of the human race will (ah, disgusting!) will perform astonishing feats in aping Him; and then instead of an imitation of Christ we get (ah, disgusting!), we get that sacred buffoonery—under guidance and command (ah, disgusting!) of sworn clergymen who do service as sergeants, lieutenants, etc.—ordained men who therefore have the Holy Spirit's special assistance in this serious business.

No, remove the danger—so it becomes just a game, and then the masses will (ugh, how awful!) do amazing things to imitate Him; and instead of a true reflection of Christ, we end up with (ugh, how awful!), this sacred mockery—under the direction and commands (ugh, how awful!) of committed clergy who serve as sergeants, lieutenants, etc.—ordained individuals who supposedly receive the Holy Spirit's special help in this serious matter.


[1]Selections.

__A_TAG_PLACEHOLDER_0__Selections.

[2]The following sentence is not clear in the original.

__A_TAG_PLACEHOLDER_0__The original sentence is unclear.

[3]Matthew 7, 14.

__A_TAG_PLACEHOLDER_0__Matthew 7:14.

[4]Luke 18, 8.

__A_TAG_PLACEHOLDER_0__Luke 18:8.

[5]The last line of this piece of bloody irony is not clear in the original (S. V. XIII, 128). It will make better sense if one substitutes "da" for the first "de."

[5]The final line of this piece of grim irony isn't clear in the original (S. V. XIII, 128). It will be easier to understand if you replace the first "de" with "da."

[6]This suggestion had actually been made to Kierkegaard in the course of his attacks on Martensen.

[6]This suggestion was actually brought up to Kierkegaard while he was criticizing Martensen.

[7]Allusion to Psalm 56, 9; also, to a passage in one of Bishop Mynster's sermons (S. V.).

[7]Reference to Psalm 56, 9; also, to a section in one of Bishop Mynster's sermons (S. V.).

[8]Either-or; either Cæsar or nothing (Cesare Borgia's slogan).

[8]Either-or; either Caesar or nothing (Cesare Borgia's slogan).

[9]"John 20, 19—where the disciples were assembled for fear of the Jews, came Jesus and stood in the midst, and saith unto them. Peace be unto you."

[9]"John 20:19—where the disciples had gathered out of fear of the Jews, Jesus came and stood among them and said, 'Peace be with you.'"

[10]This was, until very recently, the universal rule in Protestant Scandinavia and Germany.

[10]This was, until quite recently, the common rule in Protestant Scandinavia and Germany.

[11]"It is to be borne in mind that Danish videnskab, like German Wissenschaft, embraces the humanities and theology as well."

[11]"It's important to remember that Danish videnskab, like German Wissenschaft, also includes the humanities and theology."

[12]I Cor. 7, 9.

__A_TAG_PLACEHOLDER_0__1 Cor. 7:9.


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