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THE
VAMPYRE;

A Tale.

By John William Polidori



LONDON
PRINTED FOR SHERWOOD, NEELY, AND JONES
PATERNOSTER ROW

1819
[Entered at Stationers' Hall, March 27, 1819]
Gillet, Printer, Crown Court, Fleet Street, London.



EXTRACT OF A LETTER

FROM GENEVA.



"I breathe freely in the neighbourhood of this lake; the ground upon which I tread has been subdued from the earliest ages; the principal objects which immediately strike my eye, bring to my recollection scenes, in which man acted the hero and was the chief object of interest. Not to look back to earlier times of battles and sieges, here is the bust of Rousseau—here is a house with an inscription denoting that the Genevan philosopher first drew breath under its roof. A little out of the town is Ferney, the residence of Voltaire; where that wonderful, though certainly in many respects contemptible, character, received, like the hermits of old, the visits of pilgrims, not only from his own nation, but from the farthest boundaries of Europe. Here too is Bonnet's abode, and, a few steps beyond, the house of that astonishing woman Madame de Stael: perhaps the first of her sex, who has really proved its often claimed equality with, the nobler man. We have before had women who have written interesting novels and poems, in which their tact at observing drawing-room characters has availed them; but never since the days of Heloise have those faculties which are peculiar to man, been developed as the possible inheritance of woman. Though even here, as in the case of Heloise, our sex have not been backward in alledging the existence of an Abeilard in the person of M. Schlegel as the inspirer of her works. But to proceed: upon the same side of the lake, Gibbon, Bonnivard, Bradshaw, and others mark, as it were, the stages for our progress; whilst upon the other side there is one house, built by Diodati, the friend of Milton, which has contained within its walls, for several months, that poet whom we have so often read together, and who—if human passions remain the same, and human feelings, like chords, on being swept by nature's impulses shall vibrate as before—will be placed by posterity in the first rank of our English Poets. You must have heard, or the Third Canto of Childe Harold will have informed you, that Lord Byron resided many months in this neighbourhood. I went with some friends a few days ago, after having seen Ferney, to view this mansion. I trod the floors with the same feelings of awe and respect as we did, together, those of Shakespeare's dwelling at Stratford. I sat down in a chair of the saloon, and satisfied myself that I was resting on what he had made his constant seat. I found a servant there who had lived with him; she, however, gave me but little information. She pointed out his bed-chamber upon the same level as the saloon and dining-room, and informed me that he retired to rest at three, got up at two, and employed himself a long time over his toilette; that he never went to sleep without a pair of pistols and a dagger by his side, and that he never ate animal food. He apparently spent some part of every day upon the lake in an English boat. There is a balcony from the saloon which looks upon the lake and the mountain Jura; and I imagine, that it must have been hence, he contemplated the storm so magnificently described in the Third Canto; for you have from here a most extensive view of all the points he has therein depicted. I can fancy him like the scathed pine, whilst all around was sunk to repose, still waking to observe, what gave but a weak image of the storms which had desolated his own breast.

I breathe easily near this lake; the ground I walk on has been shaped since ancient times. The main things that catch my eye remind me of moments when people were heroes and the center of attention. Without recalling earlier battles and sieges, here’s the bust of Rousseau—here’s a house with an inscription saying that the Genevan philosopher was born under its roof. Just outside the town is Ferney, where Voltaire lived; there, he welcomed visitors like the hermits of old, not just from his own country but from far corners of Europe. There's also Bonnet's home, and just a little further is the house of the remarkable woman Madame de Stael; perhaps the first woman to genuinely demonstrate that she could match men in so many intellectual pursuits. We have seen women write captivating novels and poems, picking up on the characters found in drawing rooms, but since the days of Heloise, we haven't seen the unique talents of men reflected as potential traits of women. Though, like in Heloise's case, some have claimed that M. Schlegel was the inspiration behind her works. But I digress: along the same side of the lake, Gibbon, Bonnivard, Bradshaw, and others seem to mark important milestones in our journey; on the other side, there's a house built by Diodati, Milton's friend, which housed that poet we have read so often together. If human emotions remain the same, then that poet—who, like the strings of a harp, resonates with the impulses of nature—will surely be remembered by future generations as one of the greatest English poets. You must have heard, or the Third Canto of Childe Harold would have told you, that Lord Byron lived here for many months. A few days ago, I went with some friends to see this mansion after visiting Ferney. I walked through the halls with the same sense of awe and respect that we felt in Shakespeare's home at Stratford. I sat in a chair in the salon, content to think I was resting where he often sat. I met a servant who had worked for him, but she didn’t share much information. She pointed out his bedroom at the same level as the salon and dining room, and told me that he went to bed at three in the morning, got up at two in the afternoon, and spent a long time getting ready; that he never went to sleep without a pair of pistols and a dagger by his side, and that he never ate meat. He apparently spent part of every day on the lake in an English boat. There's a balcony off the salon that overlooks the lake and the Jura mountains; I can imagine that it was from here he observed the storm so magnificently described in the Third Canto, as you have a wide view of all the sights he wrote about. I can picture him like a battered pine, while everything around him was at peace, still awake to witness a mere shadow of the storms that had ravaged his own heart.

The sky is changed!—and such a change; Oh, night!
And storm and darkness, ye are wond'rous strong,
Yet lovely in your strength, as is the light
Of a dark eye in woman! Far along
From peak to peak, the rattling crags among,
Leaps the lire thunder! Not from one lone cloud,
But every mountain now hath found a tongue,
And Jura answers thro' her misty shroud,
Back to the joyous Alps who call to her aloud!

The sky has changed! — and what a change; Oh, night!
And storm and darkness, you are incredibly strong,
Yet beautiful in your strength, just like the light
Of a dark eye in a woman! Far and wide
From peak to peak, the rumbling cliffs echo,
The thunder leaps! Not from a single cloud,
But every mountain has found its voice now,
And Jura responds through her misty veil,
Back to the happy Alps that call to her loudly!

And this is in the night:—Most glorious night!
Thou wer't not sent for slumber! let me be
A sharer in thy far and fierce delight,—
A portion of the tempest and of me!
How the lit lake shines a phosphoric sea,
And the big rain comet dancing to the earth!
And now again 'tis black,—and now the glee
Of the loud hills shakes with its mountain mirth,
As if they did rejoice o'er a young; earthquake's birth,

And this is the night:—Most glorious night!
You weren't sent for sleep! Let me join
In your distant and wild joy,—
A part of the storm and of me!
How the lit lake glows like a phosphoric sea,
And the heavy rain falls like a comet to the earth!
And now again it's dark,—and now the joy
Of the loud hills rumbles with their mountain happiness,
As if they were celebrating a young earthquake's birth,

Now where the swift Rhine cleaves his way between
Heights which appear, as lovers who have parted
In haste, whose mining depths so intervene,
That they can meet no more, tho' broken hearted;
Tho' in their souls which thus each other thwarted,
Love was the very root of the fond rage
Which blighted their life's bloom, and then departed—
Itself expired, but leaving; them an age
Of years all winter—war within themselves to wage.

Now where the fast-flowing Rhine carves its path between Heights that look like lovers who’ve hurriedly split, Whose deep mines come between them, So they can’t meet again, even though they’re heartbroken; Though in their souls, which block each other, Love was the root of the deep anger That ruined the bloom of their lives and then faded— Itself gone, but leaving them with a lifetime Of endless winter—battles to fight within themselves.

I went down to the little port, if I may use the expression, wherein his vessel used to lay, and conversed with the cottager, who had the care of it. You may smile, but I have my pleasure in thus helping my personification of the individual I admire, by attaining to the knowledge of those circumstances which were daily around him. I have made numerous enquiries in the town concerning him, but can learn nothing. He only went into society there once, when M. Pictet took him to the house of a lady to spend the evening. They say he is a very singular man, and seem to think him very uncivil. Amongst other things they relate, that having invited M. Pictet and Bonstetten to dinner, he went on the lake to Chillon, leaving a gentleman who travelled with him to receive them and make his apologies. Another evening, being invited to the house of Lady D—— H——, he promised to attend, but upon approaching the windows of her ladyship's villa, and perceiving the room to be full of company, he set down his friend, desiring him to plead his excuse, and immediately returned home. This will serve as a contradiction to the report which you tell me is current in England, of his having been avoided by his countrymen on the continent. The case happens to be directly the reverse, as he has been generally sought by them, though on most occasions, apparently without success. It is said, indeed, that upon paying his first visit at Coppet, following the servant who had announced his name, he was surprised to meet a lady carried out fainting; but before he had been seated many minutes, the same lady, who had been so affected at the sound of his name, returned and conversed with him a considerable time—such is female curiosity and affectation! He visited Coppet frequently, and of course associated there with several of his countrymen, who evinced no reluctance to meet him whom his enemies alone would represent as an outcast.

I went down to the small port, if I can call it that, where his boat used to be docked, and chatted with the cottager who took care of it. You might find it amusing, but I enjoy getting to know the details of the life of the person I admire. I've asked a lot of people in town about him, but I can't find out much. He only went into town once when M. Pictet took him to a lady's house for an evening. They say he's very peculiar and think he's pretty rude. For instance, they tell a story about how he invited M. Pictet and Bonstetten to dinner but went out to Chillon on the lake, leaving a gentleman who was traveling with him to greet them and apologize. One evening, he was invited to Lady D—— H——'s house; he promised to come, but when he got to her villa and saw the room was full of guests, he dropped his friend off, asked him to explain his absence, and went straight home. This contradicts what you told me is being said in England about him being shunned by his countrymen on the continent. In reality, it’s the opposite; he has often been sought after, although it usually hasn't gone well. Apparently, during his first visit to Coppet, when he followed the servant who announced him, he was surprised to see a lady being carried out fainting. But before he’d been seated for long, the same lady, who had been so affected by his name, came back and talked with him for quite a while—such is female curiosity and pretension! He visited Coppet often and, of course, mingled with several of his fellow countrymen, who didn't hesitate to meet someone whom only his enemies would label an outcast.

Though I have been so unsuccessful in this town, I have been more fortunate in my enquiries elsewhere. There is a society three or four miles from Geneva, the centre of which is the Countess of Breuss, a Russian lady, well acquainted with the agrémens de la Société, and who has collected them round herself at her mansion. It was chiefly here, I find, that the gentleman who travelled with Lord Byron, as physician, sought for society. He used almost every day to cross the lake by himself, in one of their flat-bottomed boats, and return after passing the evening with his friends, about eleven or twelve at night, often whilst the storms were raging in the circling summits of the mountains around. As he became intimate, from long acquaintance, with several of the families in this neighbourhood, I have gathered from their accounts some excellent traits of his lordship's character, which I will relate to you at some future opportunity. I must, however, free him from one imputation attached to him—of having in his house two sisters as the partakers of his revels. This is, like many other charges which have been brought against his lordship, entirely destitute of truth. His only companion was the physician I have already mentioned. The report originated from the following circumstance: Mr. Percy Bysshe Shelly, a gentleman well known for extravagance of doctrine, and for his daring, in their profession, even to sign himself with the title of ATHeos in the Album at Chamouny, having taken a house below, in which he resided with Miss M. W. Godwin and Miss Clermont, (the daughters of the celebrated Mr. Godwin) they were frequently visitors at Diodati, and were often seen upon the lake with his Lordship, which gave rise to the report, the truth of which is here positively denied.

Although I haven't had much luck in this town, I’ve fared better in my inquiries elsewhere. There’s a community three or four miles from Geneva, centered around the Countess of Breuss, a Russian woman well-versed in social niceties who has gathered people at her estate. It was mainly here, I learned, that the gentleman who traveled with Lord Byron as his physician sought companionship. He used to cross the lake alone almost every day in one of their flat-bottomed boats and return after spending the evening with friends, around eleven or midnight, often while storms raged in the surrounding mountain peaks. As he became close with several families in this area over time, I picked up some great stories about Lord Byron’s character, which I will share with you later. However, I need to clear him of one accusation—that he hosted two sisters during his parties. This, like many other claims made against him, is completely untrue. His only companion was the doctor I mentioned earlier. The rumor started because Mr. Percy Bysshe Shelley, a man known for his unconventional beliefs and for boldly signing his name with the title of ATHeos in the guestbook at Chamouny, rented a house nearby where he lived with Miss M. W. Godwin and Miss Clermont (the daughters of the famous Mr. Godwin). They often visited Diodati and were frequently seen on the lake with Lord Byron, which led to the false report that I hereby deny.

Among other things which the lady, from whom I procured these anecdotes, related to me, she mentioned the outline of a ghost story by Lord Byron. It appears that one evening Lord B., Mr. P. B. Shelly, the two ladies and the gentleman before alluded to, after having perused a German work, which was entitled Phantasmagoriana, began relating ghost stories; when his lordship having recited the beginning of Christabel, then unpublished, the whole took so strong a hold of Mr. Shelly's mind, that he suddenly started up and ran out of the room. The physician and Lord Byron followed, and discovered him leaning against a mantle-piece, with cold drops of perspiration trickling down his face. After having given him something to refresh him, upon enquiring into the cause of his alarm, they found that his wild imagination having pictured to him the bosom of one of the ladies with eyes (which was reported of a lady in the neighbourhood where he lived) he was obliged to leave the room in order to destroy the impression. It was afterwards proposed, in the course of conversation, that each of the company present should write a tale depending upon some supernatural agency, which was undertaken by Lord B., the physician, and Miss M. W. Godwin.[1] My friend, the lady above referred to, had in her possession the outline of each of these stories; I obtained them as a great favour, and herewith forward them to you, as I was assured you would feel as much curiosity as myself, to peruse the ebauches of so great a genius, and those immediately under his influence."

Among other things the lady who shared these stories with me mentioned, she talked about the outline of a ghost story by Lord Byron. One evening, Lord B., Mr. P. B. Shelley, the two ladies, and the gentleman mentioned earlier, after reading a German book called Phantasmagoriana, started telling ghost stories. When his lordship recited the beginning of Christabel, which was unpublished at the time, it struck Mr. Shelley so intensely that he suddenly jumped up and ran out of the room. The physician and Lord Byron followed him and found him leaning against a mantelpiece, beads of cold sweat dripping down his face. After giving him something to help him recover, they asked what had scared him, and discovered that his wild imagination had conjured up an image of one of the ladies’ bosom with eyes (something rumored about a lady from his neighborhood), so he had to leave the room to shake off the impression. It was later suggested during the conversation that everyone present should write a story involving some supernatural element, which Lord B., the physician, and Miss M. W. Godwin agreed to take on. My friend, the lady mentioned earlier, had the outlines of each of these stories; I obtained them as a special favor and am forwarding them to you, as I was told you would be just as curious as I am to read the rough drafts of such a great genius and those closely influenced by him.



[1] Since published under the title of "Frankenstein; or, The Modern Prometheus."

[1] Since it was published under the title "Frankenstein; or, The Modern Prometheus."




THE VAMPYRE.


INTRODUCTION.



THE superstition upon which this tale is founded is very general in the East. Among the Arabians it appears to be common: it did not, however, extend itself to the Greeks until after the establishment of Christianity; and it has only assumed its present form since the division of the Latin and Greek churches; at which time, the idea becoming prevalent, that a Latin body could not corrupt if buried in their territory, it gradually increased, and formed the subject of many wonderful stories, still extant, of the dead rising from their graves, and feeding upon the blood of the young and beautiful. In the West it spread, with some slight variation, all over Hungary, Poland, Austria, and Lorraine, where the belief existed, that vampyres nightly imbibed a certain portion of the blood of their victims, who became emaciated, lost their strength, and speedily died of consumptions; whilst these human blood-suckers fattened—and their veins became distended to such a state of repletion, as to cause the blood to flow from all the passages of their bodies, and even from the very pores of their skins.

THE superstition on which this tale is based is quite common in the East. Among the Arabians, it's widely recognized; however, it didn't spread to the Greeks until after the rise of Christianity, and it has only taken its current form since the split between the Latin and Greek churches. At that time, the idea became popular that a Latin body couldn't be corrupted if buried in their land, which led to a growth in this belief and sparked many intriguing stories about the dead rising from their graves and feeding on the blood of the young and beautiful. In the West, this belief spread, with some minor variations, throughout Hungary, Poland, Austria, and Lorraine, where people believed that vampires drank a portion of their victims' blood at night, leaving them emaciated, weak, and quickly succumbing to ailments; meanwhile, these bloodsuckers thrived, and their veins became so full that blood would ooze from every opening in their bodies, even from the pores of their skin.

In the London Journal, of March, 1732, is a curious, and, of course, credible account of a particular case of vampyrism, which is stated to have occurred at Madreyga, in Hungary. It appears, that upon an examination of the commander-in-chief and magistrates of the place, they positively and unanimously affirmed, that, about five years before, a certain Heyduke, named Arnold Paul, had been heard to say, that, at Cassovia, on the frontiers of the Turkish Servia, he had been tormented by a vampyre, but had found a way to rid himself of the evil, by eating some of the earth out of the vampyre's grave, and rubbing himself with his blood. This precaution, however, did not prevent him from becoming a vampyre[2] himself; for, about twenty or thirty days after his death and burial, many persons complained of having been tormented by him, and a deposition was made, that four persons had been deprived of life by his attacks. To prevent further mischief, the inhabitants having consulted their Hadagni,[3] took up the body, and found it (as is supposed to be usual in cases of vampyrism) fresh, and entirely free from corruption, and emitting at the mouth, nose, and ears, pure and florid blood. Proof having been thus obtained, they resorted to the accustomed remedy. A stake was driven entirely through the heart and body of Arnold Paul, at which he is reported to have cried out as dreadfully as if he had been alive. This done, they cut off his head, burned his body, and threw the ashes into his grave. The same measures were adopted with the corses of those persons who had previously died from vampyrism, lest they should, in their turn, become agents upon others who survived them.

In the London Journal from March 1732, there's an intriguing and credible account of a case of vampirism that supposedly happened in Madreyga, Hungary. It seems that during an investigation with the commander-in-chief and local officials, they all confirmed that about five years earlier, a Heyduke named Arnold Paul had mentioned that in Cassovia, on the borders of Turkish Serbia, he had been tormented by a vampire. He claimed he found a way to protect himself by eating some soil from the vampire's grave and rubbing himself with its blood. However, this precaution didn’t stop him from becoming a vampire himself. About twenty or thirty days after his death and burial, many people reported being tormented by him, and it was stated that four individuals lost their lives because of his attacks. To stop further harm, the locals consulted their Hadagni and exhumed the body, which, as is commonly believed in cases of vampirism, was found fresh, completely uncorrupted, and oozing bright red blood from the mouth, nose, and ears. With this proof, they turned to the usual remedy. A stake was driven through Arnold Paul's heart and body, and he reportedly screamed as if he were alive. After that, they decapitated him, burned his body, and scattered the ashes in his grave. The same actions were taken with the bodies of those who had previously died from vampirism to prevent them from causing harm to the living.



[2] The universal belief is, that a person sucked by a vampyre becomes a vampyre himself, and sucks in his turn.

[2] The common belief is that a person bitten by a vampire becomes a vampire themselves and feeds in turn.

[3] Chief bailiff.

Lead bailiff.



This monstrous rodomontade is here related, because it seems better adapted to illustrate the subject of the present observations than any other instance which could be adduced. In many parts of Greece it is considered as a sort of punishment after death, for some heinous crime committed whilst in existence, that the deceased is not only doomed to vampyrise, but compelled to confine his infernal visitations solely to those beings he loved most while upon earth—those to whom he was bound by ties of kindred and affection.—A supposition alluded to in the "Giaour."

This outrageous bragging is shared here because it seems better suited to illustrate the topic of these observations than any other example that could be mentioned. In many parts of Greece, it's seen as a kind of punishment after death for a serious crime committed during life that the deceased is not only condemned to become a vampire but also forced to limit their horrific visits to the people they loved most on earth—those they were connected to by family and affection. This idea is referenced in the "Giaour."

But first on earth, as Vampyre sent,
Thy corse shall from its tomb be rent;
Then ghastly haunt the native place,
And suck the blood of all thy race;
There from thy daughter, sister, wife,
At midnight drain the stream of life;
Yet loathe the banquet which perforce
Must feed thy livid living corse,
Thy victims, ere they yet expire,
Shall know the demon for their sire;
As cursing thee, thou cursing them,
Thy flowers are withered on the stem.
But one that for thy crime must fall,
The youngest, best beloved of all,
Shall bless thee with a father's name—
That word shall wrap thy heart in flame!
Yet thou must end thy task and mark
Her cheek's last tinge—her eye's last spark,
And the last glassy glance must view
Which freezes o'er its lifeless blue;
Then with unhallowed hand shall tear
The tresses of her yellow hair,
Of which, in life a lock when shorn
Affection's fondest pledge was worn—
But now is borne away by thee
Memorial of thine agony!
Yet with thine own best blood shall drip;
Thy gnashing tooth, and haggard lip;
Then stalking to thy sullen grave,
Go—and with Gouls and Afrits rave,
Till these in horror shrink away
From spectre more accursed than they.

But first on earth, as the vampire commands,
Your body will be ripped from its tomb;
Then it will haunt your hometown,
And drain the blood from all your kin;
There, at midnight, you’ll drain the life force
From your daughter, sister, wife;
Yet you’ll despise the feast you must have
To nourish your lifeless, ghastly form;
Your victims, just before they die,
Will recognize the demon as their father;
As you curse them, they’ll curse you back,
Your flowers have withered on the stem.
But one who must pay for your crime,
The youngest, most beloved of all,
Will name you as her father—
That word will set your heart ablaze!
Yet you must finish your task and see
The last blush on her cheek—her final spark,
And the last glassy gaze you’ll witness
Freezing over its lifeless blue;
Then with your unholy hand you’ll tear
At the strands of her golden hair,
From which, when she lived, a lock was taken
As the sweetest sign of affection—
But now you carry it away
As a reminder of your torment!
Yet your own blood will flow;
Your grinding teeth, and haggard lip;
Then, heading to your gloomy grave,
Go—and rave with ghouls and spirits,
Until they shrink back in horror
From a specter more cursed than they.

Mr. Southey has also introduced in his wild but beautiful poem of "Thalaba," the vampyre corse of the Arabian maid Oneiza, who is represented as having returned from the grave for the purpose of tormenting him she best loved whilst in existence. But this cannot be supposed to have resulted from the sinfulness of her life, she being pourtrayed throughout the whole of the tale as a complete type of purity and innocence. The veracious Tournefort gives a long account in his travels of several astonishing cases of vampyrism, to which he pretends to have been an eyewitness; and Calmet, in his great work upon this subject, besides a variety of anecdotes, and traditionary narratives illustrative of its effects, has put forth some learned dissertations, tending to prove it to be a classical, as well as barbarian error.

Mr. Southey has also included in his wild but beautiful poem "Thalaba" the vampire corpse of the Arabian maid Oneiza, who is depicted as having returned from the grave to torment the one she loved most in life. However, this shouldn't be thought to stem from the wrongs of her life, as she is portrayed throughout the story as a complete embodiment of purity and innocence. The reputable Tournefort provides a detailed account in his travels of several astonishing cases of vampirism, which he claims to have witnessed. Additionally, Calmet, in his extensive work on this subject, has presented various anecdotes and traditional narratives that illustrate its effects and has put forth some scholarly essays aimed at proving it to be a mistake found in both classical and barbaric contexts.

Many curious and interesting notices on this singularly horrible superstition might be added; though the present may suffice for the limits of a note, necessarily devoted to explanation, and which may now be concluded by merely remarking, that though the term Vampyre is the one in most general acceptation, there are several others synonymous with it, made use of in various parts of the world: as Vroucolocha, Vardoulacha, Goul, Broucoloka, &c.

Many intriguing and fascinating details about this uniquely disturbing superstition could be included; however, what’s been shared here is enough for a note focused on explanation. To wrap it up, it’s worth mentioning that while the term "Vampyre" is the most commonly recognized, there are several other terms used in different parts of the world that mean the same thing, such as Vroucolocha, Vardoulacha, Goul, Broucoloka, etc.





THE VAMPYRE.



IT happened that in the midst of the dissipations attendant upon a London winter, there appeared at the various parties of the leaders of the ton a nobleman, more remarkable for his singularities, than his rank. He gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it, and throw fear into those breasts where thoughtlessness reigned. Those who felt this sensation of awe, could not explain whence it arose: some attributed it to the dead grey eye, which, fixing upon the object's face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart; but fell upon the cheek with a leaden ray that weighed upon the skin it could not pass. His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of ennui, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never gained a warmer tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection: Lady Mercer, who had been the mockery of every monster shewn in drawing-rooms since her marriage, threw herself in his way, and did all but put on the dress of a mountebank, to attract his notice:—though in vain:—when she stood before him, though his eyes were apparently fixed upon her's, still it seemed as if they were unperceived;—even her unappalled impudence was baffled, and she left the field. But though the common adultress could not influence even the guidance of his eyes, it was not that the female sex was indifferent to him: yet such was the apparent caution with which he spoke to the virtuous wife and innocent daughter, that few knew he ever addressed himself to females. He had, however, the reputation of a winning tongue; and whether it was that it even overcame the dread of his singular character, or that they were moved by his apparent hatred of vice, he was as often among those females who form the boast of their sex from their domestic virtues, as among those who sully it by their vices.

It happened that in the midst of the distractions of a London winter, a nobleman appeared at the various parties of the social elite, more known for his quirks than his status. He looked around at the joy surrounding him as if he couldn’t join in. The light laughter of the ladies seemed to catch his attention only so he could silence it with a glance, instilling fear in those who were otherwise carefree. Those who felt this sense of apprehension couldn’t explain where it came from; some said it was due to his lifeless grey eye, which, instead of seeing through to someone’s inner thoughts, cast a heavy gaze that weighed upon the skin of the person he looked at. His peculiar traits earned him invitations to every home; people wanted to see him, and those who had grown tired of intense excitement welcomed something intriguing in their presence. Despite the pallid hue of his face, which never flushed with embarrassment or passion, although it was beautifully shaped, many attention-seeking women tried to capture his interest, hoping for some sign of affection. Lady Mercer, who had been laughed at by everyone since her marriage, went out of her way to get his attention and almost dressed like a performer to stand out—but to no avail. When she stood in front of him, even though his eyes seemed fixed on hers, it felt as if he was unaware of her presence; even her bold attempts failed, and she left empty-handed. Yet, although a common seductress couldn’t influence his gaze, it wasn’t that he was indifferent toward women. However, he spoke with such caution to virtuous wives and innocent daughters that few realized he ever engaged with women. He had a reputation for being charming; whether this overcame the fear of his strange character, or whether people were drawn in by his clear disdain for immorality, he was frequently seen among women who took pride in their domestic virtues just as often as he was among those who tarnished that reputation.

About the same time, there came to London a young gentleman of the name of Aubrey: he was an orphan left with an only sister in the possession of great wealth, by parents who died while he was yet in childhood. Left also to himself by guardians, who thought it their duty merely to take care of his fortune, while they relinquished the more important charge of his mind to the care of mercenary subalterns, he cultivated more his imagination than his judgment. He had, hence, that high romantic feeling of honour and candour, which daily ruins so many milliners' apprentices. He believed all to sympathise with virtue, and thought that vice was thrown in by Providence merely for the picturesque effect of the scene, as we see in romances: he thought that the misery of a cottage merely consisted in the vesting of clothes, which were as warm, but which were better adapted to the painter's eye by their irregular folds and various coloured patches. He thought, in fine, that the dreams of poets were the realities of life. He was handsome, frank, and rich: for these reasons, upon his entering into the gay circles, many mothers surrounded him, striving which should describe with least truth their languishing or romping favourites: the daughters at the same time, by their brightening countenances when he approached, and by their sparkling eyes, when he opened his lips, soon led him into false notions of his talents and his merit. Attached as he was to the romance of his solitary hours, he was startled at finding, that, except in the tallow and wax candles that flickered, not from the presence of a ghost, but from want of snuffing, there was no foundation in real life for any of that congeries of pleasing pictures and descriptions contained in those volumes, from which he had formed his study. Finding, however, some compensation in his gratified vanity, he was about to relinquish his dreams, when the extraordinary being we have above described, crossed him in his career.

Around the same time, a young man named Aubrey arrived in London. He was an orphan with only a sister, both of whom inherited significant wealth from parents who passed away when he was still a child. Left to his own devices by guardians who believed it was their duty to manage his fortune while neglecting the more important task of nurturing his mind, he valued his imagination more than his judgment. Because of this, he developed a lofty romantic view of honor and honesty, which often leads many young apprentices astray. He believed that everyone naturally aligned with virtue and thought that evil existed only to add dramatic flair to life, much like in stories: he saw the hardship of a cottage as merely a matter of clothing that, while just as warm, was more visually appealing with their uneven shapes and assorted colors. Essentially, he thought that the dreams of poets reflected the true nature of reality. He was attractive, open-hearted, and wealthy, which led many mothers in the vibrant social scene to surround him, trying to present their daughters—whether shy or lively—in the best light. At the same time, the daughters would brighten and sparkle with excitement when he was near, leading him to develop a skewed perception of his own talents and worth. Drawn to the fantasy of his lonely moments, he was shocked to discover that outside of the flickering tallow and wax candles—flaming not from a supernatural presence, but from being poorly trimmed—there was no real-life basis for the delightful scenes and narratives he had read. However, finding some consolation in his inflated ego, he was about to let go of his fantasies when an extraordinary person, as we've previously mentioned, crossed his path.

He watched him; and the very impossibility of forming an idea of the character of a man entirely absorbed in himself, who gave few other signs of his observation of external objects, than the tacit assent to their existence, implied by the avoidance of their contact: allowing his imagination to picture every thing that flattered its propensity to extravagant ideas, he soon formed this object into the hero of a romance, and determined to observe the offspring of his fancy, rather than the person before him. He became acquainted with him, paid him attentions, and so far advanced upon his notice, that his presence was always recognised. He gradually learnt that Lord Ruthven's affairs were embarrassed, and soon found, from the notes of preparation in —— Street, that he was about to travel. Desirous of gaining some information respecting this singular character, who, till now, had only whetted his curiosity, he hinted to his guardians, that it was time for him to perform the tour, which for many generations has been thought necessary to enable the young to take some rapid steps in the career of vice towards putting themselves upon an equality with the aged, and not allowing them to appear as if fallen from the skies, whenever scandalous intrigues are mentioned as the subjects of pleasantry or of praise, according to the degree of skill shewn in carrying them on. They consented: and Aubrey immediately mentioning his intentions to Lord Ruthven, was surprised to receive from him a proposal to join him. Flattered by such a mark of esteem from him, who, apparently, had nothing in common with other men, he gladly accepted it, and in a few days they had passed the circling waters.

He watched him, and the sheer impossibility of understanding a man completely wrapped up in himself—who showed few signs of noticing anything outside of his own thoughts, except for the unspoken acknowledgment of their existence by avoiding contact with them—allowed his imagination to create a version of him as the hero of a story. He decided to focus on this creation rather than the person in front of him. He got to know him, paid him attention, and became familiar enough that his presence was always acknowledged. He gradually discovered that Lord Ruthven's situation was complicated and soon learned, through the preparations on —— Street, that he was planning to travel. Eager to find out more about this intriguing character, who had only piqued his curiosity until now, he suggested to his guardians that it was time for him to go on the journey that had been deemed necessary for generations, allowing young people to quickly indulge in vice and catch up with the older generation, so they wouldn't seem like they had just dropped out of the sky whenever scandalous affairs came up in conversation, whether for gossip or admiration, depending on the skill displayed in handling them. They agreed, and Aubrey soon told Lord Ruthven about his plans, only to be surprised by an invitation to join him. Flattered by such a gesture from someone who seemed so different from others, he happily accepted, and within a few days, they had crossed the waters.

Hitherto, Aubrey had had no opportunity of studying Lord Ruthven's character, and now he found, that, though many more of his actions were exposed to his view, the results offered different conclusions from the apparent motives to his conduct. His companion was profuse in his liberality;—the idle, the vagabond, and the beggar, received from his hand more than enough to relieve their immediate wants. But Aubrey could not avoid remarking, that it was not upon the virtuous, reduced to indigence by the misfortunes attendant even upon virtue, that he bestowed his alms;—these were sent from the door with hardly suppressed sneers; but when the profligate came to ask something, not to relieve his wants, but to allow him to wallow in his lust, or to sink him still deeper in his iniquity, he was sent away with rich charity. This was, however, attributed by him to the greater importunity of the vicious, which generally prevails over the retiring bashfulness of the virtuous indigent. There was one circumstance about the charity of his Lordship, which was still more impressed upon his mind: all those upon whom it was bestowed, inevitably found that there was a curse upon it, for they were all either led to the scaffold, or sunk to the lowest and the most abject misery. At Brussels and other towns through which they passed, Aubrey was surprized at the apparent eagerness with which his companion sought for the centres of all fashionable vice; there he entered into all the spirit of the faro table: he betted, and always gambled with success, except where the known sharper was his antagonist, and then he lost even more than he gained; but it was always with the same unchanging face, with which he generally watched the society around: it was not, however, so when he encountered the rash youthful novice, or the luckless father of a numerous family; then his very wish seemed fortune's law—this apparent abstractedness of mind was laid aside, and his eyes sparkled with more fire than that of the cat whilst dallying with the half-dead mouse. In every town, he left the formerly affluent youth, torn from the circle he adorned, cursing, in the solitude of a dungeon, the fate that had drawn him within the reach of this fiend; whilst many a father sat frantic, amidst the speaking looks of mute hungry children, without a single farthing of his late immense wealth, wherewith to buy even sufficient to satisfy their present craving. Yet he took no money from the gambling table; but immediately lost, to the ruiner of many, the last gilder he had just snatched from the convulsive grasp of the innocent: this might but be the result of a certain degree of knowledge, which was not, however, capable of combating the cunning of the more experienced. Aubrey often wished to represent this to his friend, and beg him to resign that charity and pleasure which proved the ruin of all, and did not tend to his own profit;—but he delayed it—for each day he hoped his friend would give him some opportunity of speaking frankly and openly to him; however, this never occurred. Lord Ruthven in his carriage, and amidst the various wild and rich scenes of nature, was always the same: his eye spoke less than his lip; and though Aubrey was near the object of his curiosity, he obtained no greater gratification from it than the constant excitement of vainly wishing to break that mystery, which to his exalted imagination began to assume the appearance of something supernatural.

Until now, Aubrey had no chance to understand Lord Ruthven's character, and he realized that even though he could see more of his actions, the outcomes suggested different reasons behind his behavior. His companion was really generous; the idle, the wandering, and the beggar received more than enough to meet their immediate needs. But Aubrey couldn't help noticing that he didn’t give his charity to the virtuous who had fallen into poverty due to misfortunes that sometimes come with virtue. These people were sent away from his door with barely concealed contempt, while when the corrupt came asking for something—not to address their needs, but to indulge in their vices or to sink deeper into their wrongdoing—Lord Ruthven sent them off with lavish charity. However, he attributed this to the greater persistence of the wicked, which often overpowers the shy humility of the virtuous distressed. One thing about Lord Ruthven's charity stuck with Aubrey: everyone who received it seemed cursed, as they either ended up on the gallows or sank into the depths of misery. In Brussels and other cities they visited, Aubrey was surprised by how eager his companion was to find the hotspots of fashionable vice; he got fully into the spirit of the faro table, betting and always winning, except against known cheaters, when he would lose even more than he gained. But his expression remained unchanged, no matter what. It was different when he faced the reckless young novice or the unfortunate father of a large family; then his every wish seemed to control fate—he would drop his usual detachment, and his eyes shone with a fire like a cat playing with a half-dead mouse. In every city, he left previously wealthy young men—torn from their social circles—cursing their fate in the isolation of a dungeon, while many a father sat in despair among the hungry, silent looks of his starving children, having lost all his once vast wealth, with nothing left to buy even a little sustenance. Yet he didn't take any money from the gambling table; he immediately lost the last coin he had just snatched from the desperate grip of the innocent: this could only be a result of a certain knowledge that could not match the cunning of more experienced players. Aubrey often wished he could express this to his friend and urge him to abandon that charity and pleasure that ruined everyone but didn’t bring him any benefit—but he held back, hoping each day that his friend would give him a chance to speak candidly and openly; however, that moment never came. Lord Ruthven, in his carriage and against the backdrop of the wild and beautiful scenes in nature, was always the same: his eyes said less than his lips; and although Aubrey was close to the object of his curiosity, he gained no greater satisfaction than the constant frustration of vainly wishing to unravel the mystery that, to his elevated imagination, began to seem almost supernatural.

They soon arrived at Rome, and Aubrey for a time lost sight of his companion; he left him in daily attendance upon the morning circle of an Italian countess, whilst he went in search of the memorials of another almost deserted city. Whilst he was thus engaged, letters arrived from England, which he opened with eager impatience; the first was from his sister, breathing nothing but affection; the others were from his guardians, the latter astonished him; if it had before entered into his imagination that there was an evil power resident in his companion, these seemed to give him sufficient reason for the belief. His guardians insisted upon his immediately leaving his friend, and urged, that his character was dreadfully vicious, for that the possession of irresistible powers of seduction, rendered his licentious habits more dangerous to society. It had been discovered, that his contempt for the adultress had not originated in hatred of her character; but that he had required, to enhance his gratification, that his victim, the partner of his guilt, should be hurled from the pinnacle of unsullied virtue, down to the lowest abyss of infamy and degradation: in fine, that all those females whom he had sought, apparently on account of their virtue, had, since his departure, thrown even the mask aside, and had not scrupled to expose the whole deformity of their vices to the public gaze.

They soon arrived in Rome, and Aubrey briefly lost track of his companion; he left him in daily attendance at the morning gatherings of an Italian countess, while he went in search of the remnants of another almost abandoned city. While he was busy with that, letters arrived from England, which he opened with eager impatience; the first was from his sister, filled with nothing but love; the others were from his guardians, and they astonished him; if he had ever thought there was something sinister about his companion, these letters seemed to confirm that belief. His guardians insisted that he leave his friend immediately, claiming his character was shockingly corrupt, and that his irresistible powers of seduction made his reckless behavior even more dangerous to society. It had been revealed that his disdain for the adulteress was not due to hatred of her character, but because he needed to revel in the fact that his victim, the accomplice in his wrongdoing, should be brought down from the heights of pure virtue to the depths of disgrace and humiliation: in short, all the women he had pursued, seemingly for their virtue, had, since his departure, dropped their facade and openly displayed their flaws and vices for everyone to see.

Aubrey determined upon leaving one, whose character had not yet shown a single bright point on which to rest the eye. He resolved to invent some plausible pretext for abandoning him altogether, purposing, in the mean while, to watch him more closely, and to let no slight circumstances pass by unnoticed. He entered into the same circle, and soon perceived, that his Lordship was endeavouring to work upon the inexperience of the daughter of the lady whose house he chiefly frequented. In Italy, it is seldom that an unmarried female is met with in society; he was therefore obliged to carry on his plans in secret; but Aubrey's eye followed him in all his windings, and soon discovered that an assignation had been appointed, which would most likely end in the ruin of an innocent, though thoughtless girl. Losing no time, he entered the apartment of Lord Ruthven, and abruptly asked him his intentions with respect to the lady, informing him at the same time that he was aware of his being about to meet her that very night. Lord Ruthven answered, that his intentions were such as he supposed all would have upon such an occasion; and upon being pressed whether he intended to marry her, merely laughed. Aubrey retired; and, immediately writing a note, to say, that from that moment he must decline accompanying his Lordship in the remainder of their proposed tour, he ordered his servant to seek other apartments, and calling upon the mother of the lady, informed her of all he knew, not only with regard to her daughter, but also concerning the character of his Lordship. The assignation was prevented. Lord Ruthven next day merely sent his servant to notify his complete assent to a separation; but did not hint any suspicion of his plans having been foiled by Aubrey's interposition.

Aubrey decided to leave one person behind, whose character hadn’t shown a single good trait to grab his attention. He planned to come up with some reasonable excuse to cut ties completely while intending to keep a closer eye on him, not letting any minor details slip by unnoticed. He entered the same social circle and quickly realized that his Lordship was trying to exploit the naivety of the daughter of the lady whose house he mostly visited. In Italy, it’s rare to find an unmarried woman in social settings; he had to execute his plans secretly. Still, Aubrey tracked his every move and soon uncovered that a meeting had been arranged, which would likely lead to the downfall of an innocent, though careless girl. Without wasting any time, he went to Lord Ruthven's room and directly confronted him about his intentions toward the lady, letting him know he was aware of their meeting that very night. Lord Ruthven replied that his intentions were what anyone would expect in such a situation, and when pressed about marrying her, he simply laughed. Aubrey left and immediately wrote a note saying that he would no longer accompany his Lordship for the rest of their planned trip. He instructed his servant to find alternate accommodations and then went to the lady's mother to share everything he knew, both about her daughter and Lord Ruthven's character. The rendezvous was stopped. The next day, Lord Ruthven just sent his servant to officially confirm their separation, without suggesting that his plans had been disrupted by Aubrey's intervention.

Having left Rome, Aubrey directed his steps towards Greece, and crossing the Peninsula, soon found himself at Athens. He then fixed his residence in the house of a Greek; and soon occupied himself in tracing the faded records of ancient glory upon monuments that apparently, ashamed of chronicling the deeds of freemen only before slaves, had hidden themselves beneath the sheltering soil or many coloured lichen. Under the same roof as himself, existed a being, so beautiful and delicate, that she might have formed the model for a painter wishing to pourtray on canvass the promised hope of the faithful in Mahomet's paradise, save that her eyes spoke too much mind for any one to think she could belong to those who had no souls. As she danced upon the plain, or tripped along the mountain's side, one would have thought the gazelle a poor type of her beauties; for who would have exchanged her eye, apparently the eye of animated nature, for that sleepy luxurious look of the animal suited but to the taste of an epicure. The light step of Ianthe often accompanied Aubrey in his search after antiquities, and often would the unconscious girl, engaged in the pursuit of a Kashmere butterfly, show the whole beauty of her form, floating as it were upon the wind, to the eager gaze of him, who forgot the letters he had just decyphered upon an almost effaced tablet, in the contemplation of her sylph-like figure. Often would her tresses falling, as she flitted around, exhibit in the sun's ray such delicately brilliant and swiftly fading hues, it might well excuse the forgetfulness of the antiquary, who let escape from his mind the very object he had before thought of vital importance to the proper interpretation of a passage in Pausanias. But why attempt to describe charms which all feel, but none can appreciate?—It was innocence, youth, and beauty, unaffected by crowded drawing-rooms and stifling balls. Whilst he drew those remains of which he wished to preserve a memorial for his future hours, she would stand by, and watch the magic effects of his pencil, in tracing the scenes of her native place; she would then describe to him the circling dance upon the open plain, would paint, to him in all the glowing colours of youthful memory, the marriage pomp she remembered viewing in her infancy; and then, turning to subjects that had evidently made a greater impression upon her mind, would tell him all the supernatural tales of her nurse. Her earnestness and apparent belief of what she narrated, excited the interest even of Aubrey; and often as she told him the tale of the living vampyre, who had passed years amidst his friends, and dearest ties, forced every year, by feeding upon the life of a lovely female to prolong his existence for the ensuing months, his blood would run cold, whilst he attempted to laugh her out of such idle and horrible fantasies; but Ianthe cited to him the names of old men, who had at last detected one living among themselves, after several of their near relatives and children had been found marked with the stamp of the fiend's appetite; and when she found him so incredulous, she begged of him to believe her, for it had been, remarked, that those who had dared to question their existence, always had some proof given, which obliged them, with grief and heartbreaking, to confess it was true. She detailed to him the traditional appearance of these monsters, and his horror was increased, by hearing a pretty accurate description of Lord Ruthven; he, however, still persisted in persuading her, that there could be no truth in her fears, though at the same time he wondered at the many coincidences which had all tended to excite a belief in the supernatural power of Lord Ruthven.

Having left Rome, Aubrey headed toward Greece and quickly found himself in Athens after crossing the Peninsula. He then settled into the home of a Greek and soon began to study the faded records of ancient glory on monuments that seemed to hide, ashamed of recording the deeds of free people in front of slaves, beneath layers of soil or colorful lichen. Under the same roof lived a being so beautiful and delicate that she could have been a model for a painter wanting to capture the promised hope of the faithful in Muhammad's paradise, except her eyes conveyed too much intellect for anyone to think she belonged to those without souls. As she danced on the plain or skipped along the mountainside, one would have thought a gazelle was a poor comparison to her beauty; who would trade her vibrant, animated eyes for the lazy luxury of the animal, suitable only for an epicure’s taste? Ianthe’s light steps often accompanied Aubrey in his search for antiquities, and frequently the unaware girl, chasing a Kashmir butterfly, would reveal the full beauty of her form, seemingly floating on the wind, captivating Aubrey, who would forget the inscriptions he had just deciphered on an almost erased tablet as he focused on her graceful figure. Her tresses, falling around her as she moved, would display such delicately brilliant and quickly fading colors in the sunlight that it could easily explain the antiquarian’s forgetfulness of the crucial object he had previously deemed vital for interpreting a passage in Pausanias. But why try to describe charms that everyone feels but no one can articulate?—It was innocence, youth, and beauty, untouched by crowded drawing rooms and stuffy balls. While he sketched the remains he wished to preserve for the future, she would stand by and watch the magic of his pencil as he depicted scenes from her homeland; she would then describe the circling dance on the open plain and paint for him, in all the vibrant colors of youthful memory, the wedding procession she remembered from her childhood. Then, turning to subjects that had evidently made a greater impact on her mind, she would share all the supernatural tales from her nurse. Her earnestness and genuine belief in her stories intrigued Aubrey; often, as she recounted the tale of the living vampire, who spent years among his friends and closest ties, forced each year to feed on the life of a beautiful woman to prolong his existence for several more months, his blood would run cold as he tried to laugh her out of such silly and terrifying fantasies. But Ianthe named elderly men who had eventually discovered one living among them after several of their relatives and children had shown signs of the fiend's appetite; when she found him so skeptical, she urged him to believe her, for it was noted that those who dared to question their existence always received some evidence that forced them, with grief, to admit it was true. She described the traditional appearance of these monsters, and his horror grew as he heard a fairly accurate description of Lord Ruthven; however, he still insisted on convincing her that there could be no truth in her fears, even as he pondered the many coincidences that had all contributed to a belief in the supernatural power of Lord Ruthven.

Aubrey began to attach himself more and more to Ianthe; her innocence, so contrasted with all the affected virtues of the women among whom he had sought for his vision of romance, won his heart; and while he ridiculed the idea of a young man of English habits, marrying an uneducated Greek girl, still he found himself more and more attached to the almost fairy form before him. He would tear himself at times from her, and, forming a plan for some antiquarian research, he would depart, determined not to return until his object was attained; but he always found it impossible to fix his attention upon the ruins around him, whilst in his mind he retained an image that seemed alone the rightful possessor of his thoughts. Ianthe was unconscious of his love, and was ever the same frank infantile being he had first known. She always seemed to part from him with reluctance; but it was because she had no longer any one with whom she could visit her favourite haunts, whilst her guardian was occupied in sketching or uncovering some fragment which had yet escaped the destructive hand of time. She had appealed to her parents on the subject of Vampyres, and they both, with several present, affirmed their existence, pale with horror at the very name. Soon after, Aubrey determined to proceed upon one of his excursions, which was to detain him for a few hours; when they heard the name of the place, they all at once begged of him not to return at night, as he must necessarily pass through a wood, where no Greek would ever remain, after the day had closed, upon any consideration. They described it as the resort of the vampyres in their nocturnal orgies, and denounced the most heavy evils as impending upon him who dared to cross their path. Aubrey made light of their representations, and tried to laugh them out of the idea; but when he saw them shudder at his daring thus to mock a superior, infernal power, the very name of which apparently made their blood freeze, he was silent.

Aubrey started to grow closer to Ianthe; her innocence, so different from the pretentious qualities of the women he had looked to for a vision of romance, captured his heart. While he mocked the idea of a young English man marrying an uneducated Greek girl, he found himself increasingly drawn to the almost fairy-like figure in front of him. Sometimes he would pull away from her and, creating a plan for some historical research, he would leave, determined not to come back until he achieved his goal; but he always found it impossible to focus on the ruins around him while his mind was filled with the image that he felt was the true keeper of his thoughts. Ianthe was unaware of his love and remained the same straightforward, childlike person he had first met. She always seemed to part from him reluctantly, but that was because she no longer had anyone to explore her favorite spots with, while her guardian was busy sketching or uncovering some piece that had yet to be claimed by time. She had asked her parents about vampires, and both of them, along with several others, confirmed their existence, going pale with horror at the very mention of them. Shortly after, Aubrey decided to go on one of his trips, which would keep him away for a few hours; when they heard the name of the place, they all suddenly urged him not to return at night, as he would have to pass through a woods where no Greek would ever linger after dark for any reason. They described it as a hangout for the vampires during their nighttime parties and warned of dire consequences for anyone who dared to cross their path. Aubrey dismissed their warnings and tried to laugh them out of their fears; but when he saw them shudder at his audacity to mock such a powerful, evil force, the very name of which seemed to chill their blood, he fell silent.

Next morning Aubrey set off upon his excursion unattended; he was surprised to observe the melancholy face of his host, and was concerned to find that his words, mocking the belief of those horrible fiends, had inspired them with such terror. When he was about to depart, Ianthe came to the side of his horse, and earnestly begged of him to return, ere night allowed the power of these beings to be put in action;—he promised. He was, however, so occupied in his research, that he did not perceive that day-light would soon end, and that in the horizon there was one of those specks which, in the warmer climates, so rapidly gather into a tremendous mass, and pour all their rage upon the devoted country.—He at last, however, mounted his horse, determined to make up by speed for his delay: but it was too late. Twilight, in these southern climates, is almost unknown; immediately the sun sets, night begins: and ere he had advanced far, the power of the storm was above—its echoing thunders had scarcely an interval of rest—its thick heavy rain forced its way through the canopying foliage, whilst the blue forked lightning seemed to fall and radiate at his very feet. Suddenly his horse took fright, and he was carried with dreadful rapidity through the entangled forest. The animal at last, through fatigue, stopped, and he found, by the glare of lightning, that he was in the neighbourhood of a hovel that hardly lifted itself up from the masses of dead leaves and brushwood which surrounded it. Dismounting, he approached, hoping to find some one to guide him to the town, or at least trusting to obtain shelter from the pelting of the storm. As he approached, the thunders, for a moment silent, allowed him to hear the dreadful shrieks of a woman mingling with the stifled, exultant mockery of a laugh, continued in one almost unbroken sound;—he was startled: but, roused by the thunder which again rolled over his head, he, with a sudden effort, forced open the door of the hut. He found himself in utter darkness: the sound, however, guided him. He was apparently unperceived; for, though he called, still the sounds continued, and no notice was taken of him. He found himself in contact with some one, whom he immediately seized; when a voice cried, "Again baffled!" to which a loud laugh succeeded; and he felt himself grappled by one whose strength seemed superhuman: determined to sell his life as dearly as he could, he struggled; but it was in vain: he was lifted from his feet and hurled with enormous force against the ground:—his enemy threw himself upon him, and kneeling upon his breast, had placed his hands upon his throat—when the glare of many torches penetrating through the hole that gave light in the day, disturbed him;—he instantly rose, and, leaving his prey, rushed through the door, and in a moment the crashing of the branches, as he broke through the wood, was no longer heard. The storm was now still; and Aubrey, incapable of moving, was soon heard by those without. They entered; the light of their torches fell upon the mud walls, and the thatch loaded on every individual straw with heavy flakes of soot. At the desire of Aubrey they searched for her who had attracted him by her cries; he was again left in darkness; but what was his horror, when the light of the torches once more burst upon him, to perceive the airy form of his fair conductress brought in a lifeless corse. He shut his eyes, hoping that it was but a vision arising from his disturbed imagination; but he again saw the same form, when he unclosed them, stretched by his side. There was no colour upon her cheek, not even upon her lip; yet there was a stillness about her face that seemed almost as attaching as the life that once dwelt there:—upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein:—to this the men pointed, crying, simultaneously struck with horror, "A Vampyre! a Vampyre!" A litter was quickly formed, and Aubrey was laid by the side of her who had lately been to him the object of so many bright and fairy visions, now fallen with the flower of life that had died within her. He knew not what his thoughts were—his mind was benumbed and seemed to shun reflection, and take refuge in vacancy—he held almost unconsciously in his hand a naked dagger of a particular construction, which had been found in the hut. They were soon met by different parties who had been engaged in the search of her whom a mother had missed. Their lamentable cries, as they approached the city, forewarned the parents of some dreadful catastrophe. —To describe their grief would be impossible; but when they ascertained the cause of their child's death, they looked at Aubrey, and pointed to the corse. They were inconsolable; both died broken-hearted.

The next morning, Aubrey set off on his trip alone. He was surprised to see the sad expression on his host's face and was worried to find that his comments, which mocked the beliefs about those horrific creatures, had left them so terrified. Just as he was about to leave, Ianthe approached his horse and urgently begged him to come back before night allowed these beings to act; he promised he would. However, he was so focused on his search that he didn't realize daylight was fading and there was a dark spot on the horizon, one of those clouds that can quickly grow into a massive storm, unleashing its fury on the unfortunate land below. Finally, he got on his horse, determined to make up for lost time with speed, but it was too late. In these southern regions, twilight is nearly nonexistent; as soon as the sun sets, night falls. Before long, the storm was upon him—the thunder rumbled incessantly, the heavy rain crashed through the tree canopy, and blue lightning seemed to strike right at his feet. Suddenly, his horse panicked, and he was thrown into a wild ride through the dense forest. Eventually, exhausted, the horse stopped, and in the flash of lightning, Aubrey saw he was near a rundown hut barely visible among the piles of dead leaves and brush surrounding it. He dismounted, hoping to find someone who could guide him to town or at least shelter from the relentless storm. As he neared, the thunder paused momentarily, letting him hear the terrible screams of a woman mixed with the stifled, mocking laughter, all flowing together in one constant sound. He was startled, but just as thunder boomed above him again, he made a sudden effort and forced open the door of the hut. Inside was complete darkness, but he followed the sounds. It seemed he had gone unnoticed; despite calling out, the noise continued without acknowledgment. He felt someone nearby and immediately grabbed hold of them, when a voice exclaimed, "Again baffled!" followed by loud laughter; he felt himself caught by someone with seemingly superhuman strength. Determined to fight for his life, he struggled, but it was in vain; he was lifted off his feet and slammed hard against the ground. His attacker pinned him down, hands clutching his throat, when the glare of multiple torches spilling in through a small opening broke their struggle. The attacker quickly stood up and fled through the door, leaving Aubrey behind, just as the sound of branches crashing as he pushed through the woods faded away. The storm had calmed, and Aubrey, unable to move, was soon heard by those outside. They entered, their torches casting light on the mud walls and thatched roof covered in soot. At Aubrey's request, they searched for the woman who had cried out, leaving him once again in darkness. But what a horror it was when the light returned, only to reveal the lifeless form of his beautiful guide being brought in. He shut his eyes, hoping it was just a nightmare from his troubled mind, but when he opened them again, the same figure lay beside him. Her cheeks were pale, her lips devoid of color, yet there was a stillness about her face that was almost as captivating as the life that once was there. Blood stained her neck and chest, and bite marks were visible on her throat, revealing where the vein had been opened. The men pointed at her, crying out in horror, "A Vampyre! A Vampyre!" A stretcher was quickly formed, and Aubrey was laid next to the woman who had recently filled his thoughts with dreams and visions, now fallen like the blossom of life that had left her. He couldn't grasp his own thoughts; his mind felt numb, fleeing from reflection and settling into emptiness. He unconsciously held a naked dagger, uniquely crafted, that had been found in the hut. Soon, they encountered different groups searching for the woman a mother had lost. Their heartbreaking cries warned the parents of a terrible tragedy. Describing their grief would be impossible, but when they learned the cause of their child's death, they looked at Aubrey and pointed to the body. They were inconsolable; both died of broken hearts.

Aubrey being put to bed was seized with a most violent fever, and was often delirious; in these intervals he would call upon Lord Ruthven and upon Ianthe—by some unaccountable combination he seemed to beg of his former companion to spare the being he loved. At other times he would imprecate maledictions upon his head, and curse him as her destroyer. Lord Ruthven, chanced at this time to arrive at Athens, and, from whatever motive, upon hearing of the state of Aubrey, immediately placed himself in the same house, and became his constant attendant. When the latter recovered from his delirium, he was horrified and startled at the sight of him whose image he had now combined with that of a Vampyre; but Lord Ruthven, by his kind words, implying almost repentance for the fault that had caused their separation, and still more by the attention, anxiety, and care which he showed, soon reconciled him to his presence. His lordship seemed quite changed; he no longer appeared that apathetic being who had so astonished Aubrey; but as soon as his convalescence began to be rapid, he again gradually retired into the same state of mind, and Aubrey perceived no difference from the former man, except that at times he was surprised to meet his gaze fixed intently upon him, with a smile of malicious exultation playing upon his lips: he knew not why, but this smile haunted him. During the last stage of the invalid's recovery, Lord Ruthven was apparently engaged in watching the tideless waves raised by the cooling breeze, or in marking the progress of those orbs, circling, like our world, the moveless sun;—indeed, he appeared to wish to avoid the eyes of all.

Aubrey, when put to bed, was struck by a severe fever and often fell into delirium; during these moments, he would call out for Lord Ruthven and Ianthe—through some strange combination, he seemed to beg his former friend to spare the one he loved. At other times, he would unleash curses upon him, condemning him as her destroyer. Lord Ruthven happened to arrive in Athens at this time, and for reasons unknown, upon learning about Aubrey’s condition, he immediately moved into the same house and became his constant caretaker. When Aubrey recovered from his delirium, he was shocked and disturbed to see the person whose image he had now associated with that of a vampire; however, Lord Ruthven, with his kind words suggesting almost remorse for the actions that had caused their separation, and even more so by the attention, worry, and care he showed, quickly made Aubrey comfortable with his presence. His lordship appeared completely changed; he no longer seemed like the indifferent person who had so baffled Aubrey. But as soon as Aubrey's recovery started to progress quickly, Lord Ruthven gradually retreated back to his previous state of mind, and Aubrey noticed no difference from the man he used to know, except that sometimes he felt strangely uneasy when he caught Ruthven staring intently at him, a smile of malicious satisfaction flickering on his lips: he didn’t know why, but this smile troubled him. During the final stages of Aubrey’s recovery, Lord Ruthven seemed to be preoccupied with watching the calm waves stirred by the cool breeze or observing the movements of the celestial bodies circling, like our world, around the stationary sun; in fact, he appeared to want to avoid anyone's gaze.

Aubrey's mind, by this shock, was much weakened, and that elasticity of spirit which had once so distinguished him now seemed to have fled for ever. He was now as much a lover of solitude and silence as Lord Ruthven; but much as he wished for solitude, his mind could not find it in the neighbourhood of Athens; if he sought it amidst the ruins he had formerly frequented, Ianthe's form stood by his side—if he sought it in the woods, her light step would appear wandering amidst the underwood, in quest of the modest violet; then suddenly turning round, would show, to his wild imagination, her pale face and wounded throat, with a meek smile upon her lips. He determined to fly scenes, every feature of which created such bitter associations in his mind. He proposed to Lord Ruthven, to whom he held himself bound by the tender care he had taken of him during his illness, that they should visit those parts of Greece neither had yet seen. They travelled in every direction, and sought every spot to which a recollection could be attached: but though they thus hastened from place to place, yet they seemed not to heed what they gazed upon. They heard much of robbers, but they gradually began to slight these reports, which they imagined were only the invention of individuals, whose interest it was to excite the generosity of those whom they defended from pretended dangers. In consequence of thus neglecting the advice of the inhabitants, on one occasion they travelled with only a few guards, more to serve as guides than as a defence. Upon entering, however, a narrow defile, at the bottom of which was the bed of a torrent, with large masses of rock brought down from the neighbouring precipices, they had reason to repent their negligence; for scarcely were the whole of the party engaged in the narrow pass, when they were startled by the whistling of bullets close to their heads, and by the echoed report of several guns. In an instant their guards had left them, and, placing themselves behind rocks, had begun to fire in the direction whence the report came. Lord Ruthven and Aubrey, imitating their example, retired for a moment behind the sheltering turn of the defile: but ashamed of being thus detained by a foe, who with insulting shouts bade them advance, and being exposed to unresisting slaughter, if any of the robbers should climb above and take them in the rear, they determined at once to rush forward in search of the enemy. Hardly had they lost the shelter of the rock, when Lord Ruthven received a shot in the shoulder, which brought him to the ground. Aubrey hastened to his assistance; and, no longer heeding the contest or his own peril, was soon surprised by seeing the robbers' faces around him—his guards having, upon Lord Ruthven's being wounded, immediately thrown up their arms and surrendered.

Aubrey's mind was greatly weakened by this shock, and the vibrant spirit that had once defined him now seemed to have vanished forever. He had become just as much a lover of solitude and silence as Lord Ruthven; but despite his longing for solitude, he could not find it near Athens. Whenever he sought it among the ruins he had once visited, Ianthe's figure appeared beside him—if he looked for it in the woods, her light footsteps wandered through the underbrush, searching for the modest violet; then suddenly turning around, she would show, to his wild imagination, her pale face and wounded throat, with a gentle smile on her lips. He decided to escape from scenes that brought such painful associations to his mind. He suggested to Lord Ruthven, to whom he felt indebted for the care he had received during his illness, that they should explore parts of Greece neither had seen before. They traveled in every direction, seeking every location tied to memories: but even though they rushed from place to place, they seemed to pay no attention to what they looked at. They heard a lot about robbers but gradually began to dismiss these reports, thinking they were merely fabrications by individuals trying to elicit the generosity of those they claimed to protect from made-up dangers. Because they disregarded the locals' advice, on one occasion they set off with only a few guards, more for guidance than for protection. However, upon entering a narrow pass with a torrent bed below, filled with large rocks that had fallen from nearby cliffs, they soon regretted their carelessness; for hardly had the whole party entered the narrow pass when they were startled by the whistling of bullets near their heads and the echoing sound of several gunshots. In an instant, their guards abandoned them, taking cover behind rocks and starting to fire in the direction from where the noise came. Lord Ruthven and Aubrey followed their example, taking refuge behind a bend in the defile for a moment; but ashamed of allowing themselves to be held back by an enemy who called out insulting shouts for them to come forward, and realizing they would be defenseless if any robbers climbed above them to attack from behind, they decided to charge forward in search of the enemy. Hardly had they left the protection of the rock when Lord Ruthven was shot in the shoulder and fell to the ground. Aubrey rushed to help him; and, no longer caring about the fight or his own danger, he was soon startled to see the robbers' faces surrounding him—his guards, upon seeing Lord Ruthven wounded, had immediately thrown down their weapons and surrendered.

By promises of great reward, Aubrey soon induced them to convey his wounded friend to a neighbouring cabin; and having agreed upon a ransom, he was no more disturbed by their presence—they being content merely to guard the entrance till their comrade should return with the promised sum, for which he had an order. Lord Ruthven's strength rapidly decreased; in two days mortification ensued, and death seemed advancing with hasty steps. His conduct and appearance had not changed; he seemed as unconscious of pain as he had been of the objects about him: but towards the close of the last evening, his mind became apparently uneasy, and his eye often fixed upon Aubrey, who was induced to offer his assistance with more than usual earnestness—"Assist me! you may save me—you may do more than that—I mean not my life, I heed the death of my existence as little as that of the passing day; but you may save my honour, your friend's honour."—"How? tell me how? I would do any thing," replied Aubrey.—"I need but little—my life ebbs apace—I cannot explain the whole—but if you would conceal all you know of me, my honour were free from stain in the world's mouth—and if my death were unknown for some time in England—I—I—but life."—"It shall not be known."—"Swear!" cried the dying man, raising himself with exultant violence, "Swear by all your soul reveres, by all your nature fears, swear that, for a year and a day you will not impart your knowledge of my crimes or death to any living being in any way, whatever may happen, or whatever you may see. "—His eyes seemed bursting from their sockets: "I swear!" said Aubrey; he sunk laughing upon his pillow, and breathed no more.

By promising a big reward, Aubrey quickly convinced them to take his injured friend to a nearby cabin. After settling on a ransom, he was no longer bothered by them—they were just there to guard the entrance until their partner returned with the promised money, for which he had a receipt. Lord Ruthven's strength faded fast; within two days, he started to show signs of decay, and death appeared to be approaching quickly. His behavior and look hadn’t changed; he seemed just as unaware of the pain as he was of the things around him. However, towards the end of the last evening, he seemed restless, often staring at Aubrey, who felt compelled to offer his help with more urgency than usual. “Help me! You could save me—you could do more than that—I don't mean my life; I care about my existence as little as I do about a day that’s gone by. But you could save my honor, your friend's honor.” “How? Tell me how? I’ll do anything,” replied Aubrey. “I don’t need much—my life is slipping away quickly. I can’t explain everything, but if you would keep secret everything you know about me, my honor would be protected from slander, and if my death remained unknown in England for a while—I—I—but life.” “It won’t be known.” “Swear!” the dying man shouted, pushing himself up with desperate energy. “Swear by everything you hold sacred, by everything you fear, swear that for a year and a day you won't reveal what you know about my wrongdoings or my death to anyone, no matter what happens, or whatever you might witness.” His eyes looked like they were going to pop out. “I swear!” said Aubrey; he fell back, laughing on his pillow, and breathed no more.

Aubrey retired to rest, but did not sleep; the many circumstances attending his acquaintance with this man rose upon his mind, and he knew not why; when he remembered his oath a cold shivering came over him, as if from the presentiment of something horrible awaiting him. Rising early in the morning, he was about to enter the hovel in which he had left the corpse, when a robber met him, and informed him that it was no longer there, having been conveyed by himself and comrades, upon his retiring, to the pinnacle of a neighbouring mount, according to a promise they had given his lordship, that it should be exposed to the first cold ray of the moon that rose after his death. Aubrey astonished, and taking several of the men, determined to go and bury it upon the spot where it lay. But, when he had mounted to the summit he found no trace of either the corpse or the clothes, though the robbers swore they pointed out the identical rock on which they had laid the body. For a time his mind was bewildered in conjectures, but he at last returned, convinced that they had buried the corpse for the sake of the clothes.

Aubrey went to rest, but he couldn't sleep; the various events surrounding his connection with this man flooded his mind, and he didn't know why. When he remembered his oath, a chill ran through him, as if he sensed something terrible was waiting for him. Rising early the next morning, he was about to enter the hovel where he had left the corpse when a robber approached him and told him it was no longer there. The robber and his friends had taken it to the top of a nearby mountain after Aubrey left, as they had promised his lordship that the body would be exposed to the first cold light of the moon that rose after his death. Aubrey, shocked, gathered several of the men and decided to go bury it at the spot where it lay. But when he reached the summit, there was no sign of the corpse or the clothes, even though the robbers insisted they were pointing out the exact rock where they had placed the body. For a while, his mind was clouded with confusion, but he eventually returned, convinced that they had buried the corpse for the sake of the clothes.

Weary of a country in which he had met with such terrible misfortunes, and in which all apparently conspired to heighten that superstitious melancholy that had seized upon his mind, he resolved to leave it, and soon arrived at Smyrna. While waiting for a vessel to convey him to Otranto, or to Naples, he occupied himself in arranging those effects he had with him belonging to Lord Ruthven. Amongst other things there was a case containing several weapons of offence, more or less adapted to ensure the death of the victim. There were several daggers and ataghans. Whilst turning them over, and examining their curious forms, what was his surprise at finding a sheath apparently ornamented in the same style as the dagger discovered in the fatal hut—he shuddered—hastening to gain further proof, he found the weapon, and his horror may be imagined when he discovered that it fitted, though peculiarly shaped, the sheath he held in his hand. His eyes seemed to need no further certainty—they seemed gazing to be bound to the dagger; yet still he wished to disbelieve; but the particular form, the same varying tints upon the haft and sheath were alike in splendour on both, and left no room for doubt; there were also drops of blood on each.

Tired of a country where he had faced such terrible misfortunes and where everything seemed to contribute to the superstitious gloom that had taken hold of him, he decided to leave and soon arrived in Smyrna. While waiting for a ship to take him to Otranto or Naples, he occupied himself by sorting through the belongings he had with him that belonged to Lord Ruthven. Among other things, there was a case containing several weapons designed to kill. There were several daggers and ataghans. As he was going through them and examining their strange shapes, he was shocked to find a sheath that looked like it was decorated in the same style as the dagger he had found in the fatal hut—he shuddered. Eager to confirm his suspicion, he located the weapon, and his horror was unimaginable when he discovered that it fit the peculiar sheath he was holding. His eyes seemed to need no further proof—they appeared to be fixated on the dagger; yet he still wanted to deny it. But the unique shape and the same varied colors on the grip and sheath were equally brilliant on both and left no room for doubt; there were also drops of blood on each.

He left Smyrna, and on his way home, at Rome, his first inquiries were concerning the lady he had attempted to snatch from Lord Ruthven's seductive arts. Her parents were in distress, their fortune ruined, and she had not been heard of since the departure of his lordship. Aubrey's mind became almost broken under so many repeated horrors; he was afraid that this lady had fallen a victim to the destroyer of Ianthe. He became morose and silent; and his only occupation consisted in urging the speed of the postilions, as if he were going to save the life of some one he held dear. He arrived at Calais; a breeze, which seemed obedient to his will, soon wafted him to the English shores; and he hastened to the mansion of his fathers, and there, for a moment, appeared to lose, in the embraces and caresses of his sister, all memory of the past. If she before, by her infantine caresses, had gained his affection, now that the woman began to appear, she was still more attaching as a companion.

He left Smyrna, and on his way home, in Rome, his first questions were about the woman he had tried to rescue from Lord Ruthven's manipulative charms. Her parents were in distress, their wealth destroyed, and she hadn't been seen since Lord Ruthven left. Aubrey's mind became nearly shattered from so many repeated horrors; he feared that this woman had fallen victim to the destroyer of Ianthe. He grew gloomy and quiet; his only focus was on urging the speed of the post drivers, as if he were about to save someone he loved. He arrived in Calais; a breeze, which seemed to follow his wishes, quickly carried him to the English shores; and he hurried to his family home, where, for a moment, he seemed to forget the past in the hugs and affection of his sister. If her childish affection had captured his love before, now, as a young woman, she was even more captivating as a companion.

Miss Aubrey had not that winning grace which gains the gaze and applause of the drawing-room assemblies. There was none of that light brilliancy which only exists in the heated atmosphere of a crowded apartment. Her blue eye was never lit up by the levity of the mind beneath. There was a melancholy charm about it which did not seem to arise from misfortune, but from some feeling within, that appeared to indicate a soul conscious of a brighter realm. Her step was not that light footing, which strays where'er a butterfly or a colour may attract—it was sedate and pensive. When alone, her face was never brightened by the smile of joy; but when her brother breathed to her his affection, and would in her presence forget those griefs she knew destroyed his rest, who would have exchanged her smile for that of the voluptuary? It seemed as if those eyes,—that face were then playing in the light of their own native sphere. She was yet only eighteen, and had not been presented to the world, it having been thought by her guardians more fit that her presentation should be delayed until her brother's return from the continent, when he might be her protector. It was now, therefore, resolved that the next drawing-room, which was fast approaching, should be the epoch of her entry into the "busy scene." Aubrey would rather have remained in the mansion of his fathers, and fed upon the melancholy which overpowered him. He could not feel interest about the frivolities of fashionable strangers, when his mind had been so torn by the events he had witnessed; but he determined to sacrifice his own comfort to the protection of his sister. They soon arrived in town, and prepared for the next day, which had been announced as a drawing-room.

Miss Aubrey didn't have that captivating charm that attracts attention and admiration at social gatherings. She lacked the vibrant energy that only thrives in the bustling atmosphere of a crowded room. Her blue eyes were never sparked by the lightheartedness of her thoughts. Instead, there was a sad beauty about her that seemed to come from a deeper feeling, suggesting a soul aware of a more radiant existence. Her walk wasn’t the carefree one that flits where a butterfly or a bright color may lead—it was calm and thoughtful. When she was by herself, her expression rarely lit up with a joyful smile; yet when her brother expressed his love for her and momentarily put aside the sorrows that haunted him, who would have chosen another smile over hers? It felt like those eyes—like that face were shining in their own natural light. She was only eighteen and hadn’t been introduced to society yet, as her guardians believed it was better to wait until her brother returned from abroad to act as her protector. It was now decided that the upcoming drawing-room, which was coming up soon, would mark her official entrance into the "busy scene." Aubrey would have preferred to stay at their family home, engulfed in the sadness that consumed him. He couldn’t muster any interest in the trivialities of fashionable strangers when his mind had been so shaken by the experiences he had endured; but he resolved to put aside his own comfort for the sake of his sister's safety. They soon arrived in the city and got ready for the following day, which had been scheduled as a drawing-room.

The crowd was excessive—a drawing-room had not been held for a long time, and all who were anxious to bask in the smile of royalty, hastened thither. Aubrey was there with his sister. While he was standing in a corner by himself, heedless of all around him, engaged in the remembrance that the first time he had seen Lord Ruthven was in that very place—he felt himself suddenly seized by the arm, and a voice he recognized too well, sounded in his ear—"Remember your oath." He had hardly courage to turn, fearful of seeing a spectre that would blast him, when he perceived, at a little distance, the same figure which had attracted his notice on this spot upon his first entry into society. He gazed till his limbs almost refusing to bear their weight, he was obliged to take the arm of a friend, and forcing a passage through the crowd, he threw himself into his carriage, and was driven home. He paced the room with hurried steps, and fixed his hands upon his head, as if he were afraid his thoughts were bursting from his brain. Lord Ruthven again before him—circumstances started up in dreadful array—the dagger—his oath.—He roused himself, he could not believe it possible—the dead rise again!—He thought his imagination had conjured up the image his mind was resting upon. It was impossible that it could be real—he determined, therefore, to go again into society; for though he attempted to ask concerning Lord Ruthven, the name hung upon his lips, and he could not succeed in gaining information. He went a few nights after with his sister to the assembly of a near relation. Leaving her under the protection of a matron, he retired into a recess, and there gave himself up to his own devouring thoughts. Perceiving, at last, that many were leaving, he roused himself, and entering another room, found his sister surrounded by several, apparently in earnest conversation; he attempted to pass and get near her, when one, whom he requested to move, turned round, and revealed to him those features he most abhorred. He sprang forward, seized his sister's arm, and, with hurried step, forced her towards the street: at the door he found himself impeded by the crowd of servants who were waiting for their lords; and while he was engaged in passing them, he again heard that voice whisper close to him—"Remember your oath!"—He did not dare to turn, but, hurrying his sister, soon reached home.

The crowd was overwhelming—there hadn't been a gathering in a long time, and everyone eager to catch a glimpse of royalty rushed there. Aubrey was there with his sister. While standing alone in a corner, oblivious to everything around him, he recalled that the first time he had seen Lord Ruthven was in that very spot. Suddenly, he felt a hand grab his arm, and a voice he recognized all too well whispered in his ear, "Remember your oath." He barely had the courage to turn, terrified of seeing a ghost that would ruin him, when he noticed, a short distance away, the same figure that had caught his attention when he first entered society. He stared until his legs felt weak, and he had to take a friend's arm to push through the crowd. He jumped into his carriage and was driven home. He paced the room restlessly, pressing his hands on his head as if afraid his thoughts would burst out. Lord Ruthven was again in his mind—thoughts came rushing in like a nightmare—the dagger—his oath. He shook himself; he couldn’t believe it was possible—the dead rising again! He thought maybe his imagination had conjured the image his mind was fixated on. It couldn’t be real—so he decided to go back into society; even though he tried to ask about Lord Ruthven, he stumbled over the name and couldn’t get any information. A few nights later, he went with his sister to a gathering hosted by a relative. After leaving her with a matron, he retreated to a corner and lost himself in his troubling thoughts. Eventually noticing that many were leaving, he pulled himself together and entered another room, where he found his sister surrounded by several people in intense conversation. As he tried to get closer to her, one person he asked to move turned around, revealing the features he hated most. He lunged forward, grabbed his sister's arm, and urgently pulled her toward the street. At the door, he was blocked by a crowd of servants waiting for their masters; as he tried to push through them, he heard that voice close by again—"Remember your oath!" He didn’t dare look back but hurried his sister until they finally reached home.

Aubrey became almost distracted. If before his mind had been absorbed by one subject, how much more completely was it engrossed, now that the certainty of the monster's living again pressed upon his thoughts. His sister's attentions were now unheeded, and it was in vain that she intreated him to explain to her what had caused his abrupt conduct. He only uttered a few words, and those terrified her. The more he thought, the more he was bewildered. His oath startled him;—was he then to allow this monster to roam, bearing ruin upon his breath, amidst all he held dear, and not avert its progress? His very sister might have been touched by him. But even if he were to break his oath, and disclose his suspicions, who would believe him? He thought of employing his own hand to free the world from such a wretch; but death, he remembered, had been already mocked. For days he remained in this state; shut up in his room, he saw no one, and ate only when his sister came, who, with eyes streaming with tears, besought him, for her sake, to support nature. At last, no longer capable of bearing stillness and solitude, he left his house, roamed from street to street, anxious to fly that image which haunted him. His dress became neglected, and he wandered, as often exposed to the noon-day sun as to the midnight damps. He was no longer to be recognized; at first he returned with the evening to the house; but at last he laid him down to rest wherever fatigue overtook him. His sister, anxious for his safety, employed people to follow him; but they were soon distanced by him who fled from a pursuer swifter than any—from thought. His conduct, however, suddenly changed. Struck with the idea that he left by his absence the whole of his friends, with a fiend amongst them, of whose presence they were unconscious, he determined to enter again into society, and watch him closely, anxious to forewarn, in spite of his oath, all whom Lord Ruthven approached with intimacy. But when he entered into a room, his haggard and suspicious looks were so striking, his inward shudderings so visible, that his sister was at last obliged to beg of him to abstain from seeking, for her sake, a society which affected him so strongly. When, however, remonstrance proved unavailing, the guardians thought proper to interpose, and, fearing that his mind was becoming alienated, they thought it high time to resume again that trust which had been before imposed upon them by Aubrey's parents.

Aubrey became almost distracted. If before his mind had been focused on one thing, it was now completely consumed by the certainty that the monster was alive again, haunting his thoughts. He ignored his sister's attempts to get him to explain his sudden behavior. He only said a few words, and they terrified her. The more he thought about it, the more confused he became. His oath shocked him; was he really going to let this monster roam free, bringing destruction to everything he loved, without trying to stop it? His own sister might have already been affected by him. But even if he broke his oath and shared his suspicions, who would believe him? He thought about using his own hands to rid the world of such a villain, but he remembered that death had already been mocked. For days he stayed in this state; he locked himself in his room, avoided everyone, and only ate when his sister came to him, tears streaming down her face, urging him to take care of himself for her sake. Finally, unable to bear the silence and solitude any longer, he left his house and wandered from street to street, trying to escape the image that tormented him. His appearance became disheveled, and he roamed, exposed to both the blazing midday sun and the dampness of midnight. He was hardly recognizable; at first, he returned home in the evenings, but eventually, he just lay down wherever exhaustion overtook him. His sister, worried for his safety, hired people to follow him, but they quickly lost track of him, as he was fleeing from a pursuer faster than any—his own thoughts. However, his behavior suddenly changed. Struck by the idea that his absence left his friends vulnerable to a fiend among them, one they didn’t know was there, he decided to rejoin society and keep a close watch, eager to warn, despite his oath, anyone whom Lord Ruthven got close to. But when he entered a room, his gaunt, suspicious appearance and visible inner turmoil made it so obvious that his sister eventually had to ask him not to seek out a social life that affected him so deeply. When her pleas proved ineffective, the guardians decided to intervene, fearing his mind was becoming unhinged, and thought it was time to take back the responsibility that Aubrey’s parents had previously entrusted to them.

Desirous of saving him from the injuries and sufferings he had daily encountered in his wanderings, and of preventing him from exposing to the general eye those marks of what they considered folly, they engaged a physician to reside in the house, and take constant care of him. He hardly appeared to notice it, so completely was his mind absorbed by one terrible subject. His incoherence became at last so great, that he was confined to his chamber. There he would often lie for days, incapable of being roused. He had become emaciated, his eyes had attained a glassy lustre;—the only sign of affection and recollection remaining displayed itself upon the entry of his sister; then he would sometimes start, and, seizing her hands, with looks that severely afflicted her, he would desire her not to touch him. "Oh, do not touch him—if your love for me is aught, do not go near him!" When, however, she inquired to whom he referred, his only answer was, "True! true!" and again he sank into a state, whence not even she could rouse him. This lasted many months: gradually, however, as the year was passing, his incoherences became less frequent, and his mind threw off a portion of its gloom, whilst his guardians observed, that several times in the day he would count upon his fingers a definite number, and then smile.

Wanting to protect him from the injuries and pains he faced daily during his travels, and to shield him from revealing to everyone the signs of what they deemed foolishness, they hired a doctor to live in the house and care for him constantly. He barely seemed to notice this, so consumed was he by one awful thought. His rambling eventually became so extreme that he was confined to his room. There, he would often lie for days, unable to be awakened. He had grown thin, and his eyes had taken on a glassy shine; the only sign of affection and recognition he showed was when his sister entered the room. At those moments, he would sometimes start, grab her hands, and with a look that deeply troubled her, he would plead with her not to touch him. "Oh, please don’t touch him—if you care for me at all, don’t go near him!" When she asked who he meant, his only reply was, "True! true!" before he sank back into a state from which even she could not rouse him. This continued for many months; however, as the year went on, his incoherencies became less common, and he started to lift some of the darkness from his mind, while his caregivers noticed that several times a day he would count on his fingers a specific number and then smile.

The time had nearly elapsed, when, upon the last day of the year, one of his guardians entering his room, began to converse with his physician upon the melancholy circumstance of Aubrey's being in so awful a situation, when his sister was going next day to be married. Instantly Aubrey's attention was attracted; he asked anxiously to whom. Glad of this mark of returning intellect, of which they feared he had been deprived, they mentioned the name of the Earl of Marsden. Thinking this was a young Earl whom he had met with in society, Aubrey seemed pleased, and astonished them still more by his expressing his intention to be present at the nuptials, and desiring to see his sister. They answered not, but in a few minutes his sister was with him. He was apparently again capable of being affected by the influence of her lovely smile; for he pressed her to his breast, and kissed her cheek, wet with tears, flowing at the thought of her brother's being once more alive to the feelings of affection. He began to speak with all his wonted warmth, and to congratulate her upon her marriage with a person so distinguished for rank and every accomplishment; when he suddenly perceived a locket upon her breast; opening it, what was his surprise at beholding the features of the monster who had so long influenced his life. He seized the portrait in a paroxysm of rage, and trampled it under foot. Upon her asking him why he thus destroyed the resemblance of her future husband, he looked as if he did not understand her—then seizing her hands, and gazing on her with a frantic expression of countenance, he bade her swear that she would never wed this monster, for he—— But he could not advance—it seemed as if that voice again bade him remember his oath—he turned suddenly round, thinking Lord Ruthven was near him but saw no one. In the meantime the guardians and physician, who had heard the whole, and thought this was but a return of his disorder, entered, and forcing him from Miss Aubrey, desired her to leave him. He fell upon his knees to them, he implored, he begged of them to delay but for one day. They, attributing this to the insanity they imagined had taken possession of his mind, endeavoured to pacify him, and retired.

The time was almost up when, on the last day of the year, one of his guardians entered his room and began talking to his doctor about the sad situation of Aubrey being in such a terrible state while his sister was about to get married the next day. Instantly, Aubrey's attention was caught; he asked anxiously who was getting married. Delighted by this sign of his returning sanity, which they feared he had lost, they mentioned the name of the Earl of Marsden. Thinking this was a young Earl he had met socially, Aubrey looked pleased and surprised them even more by saying he intended to attend the wedding and wanted to see his sister. They didn’t respond, but a few minutes later, his sister came to him. He seemed able to be touched by the power of her beautiful smile again; he pulled her to his chest and kissed her cheek, wet with tears, flowing at the thought of her brother once more being alive to feelings of affection. He began to speak with all his usual warmth and to congratulate her on her marriage to someone so distinguished in rank and abilities; when he suddenly noticed a locket on her chest; opening it, he was shocked to see the face of the monster who had so long influenced his life. He grabbed the portrait in a fit of rage and trampled it underfoot. When she asked him why he was destroying the image of her future husband, he looked as if he didn’t understand her—then seizing her hands and gazing at her with a wild expression, he urged her to swear that she would never marry this monster, for he—— But he couldn't continue—it felt like that voice again commanded him to remember his oath—he turned suddenly, thinking Lord Ruthven was close by but saw no one. Meanwhile, the guardians and physician, who had heard everything and thought this was just a return of his illness, came in and pulled him away from Miss Aubrey, asking her to leave him. He fell to his knees in front of them, pleading and begging them to delay for just one day. They, believing this was due to the madness they thought he had, tried to calm him down and left.

Lord Ruthven had called the morning after the drawing-room, and had been refused with every one else. When he heard of Aubrey's ill health, he readily understood himself to be the cause of it; but when he learned that he was deemed insane, his exultation and pleasure could hardly be concealed from those among whom he had gained this information. He hastened to the house of his former companion, and, by constant attendance, and the pretence of great affection for the brother and interest in his fate, he gradually won the ear of Miss Aubrey. Who could resist his power? His tongue had dangers and toils to recount—could speak of himself as of an individual having no sympathy with any being on the crowded earth, save with her to whom he addressed himself;—could tell how, since he knew her, his existence, had begun to seem worthy of preservation, if it were merely that he might listen to her soothing accents;—in fine, he knew so well how to use the serpent's art, or such was the will of fate, that he gained her affections. The title of the elder branch falling at length to him, he obtained an important embassy, which served as an excuse for hastening the marriage, (in spite of her brother's deranged state,) which was to take place the very day before his departure for the continent.

Lord Ruthven visited the morning after the drawing-room but was turned away like everyone else. When he heard about Aubrey's poor health, he quickly understood that he was the reason for it; however, when he found out he was considered insane, he could barely hide his excitement and joy from those who shared this news with him. He rushed to the home of his former companion and, through constant visits and pretending to care deeply for the brother and his situation, he gradually won over Miss Aubrey. Who could resist his charm? He had stories of dangers and struggles to share—he could portray himself as someone who had no connection to anyone in this busy world except for her, to whom he spoke; he could express how, since meeting her, his life had begun to feel valuable, even if just so he could listen to her calming voice; in short, he mastered the art of manipulation so well, or perhaps fate favored him, that he captured her heart. Eventually, when the title of the elder branch was passed down to him, he received a significant diplomatic appointment, which served as an excuse to hasten their marriage (despite her brother's unstable condition), scheduled for the day before his departure to the continent.

Aubrey, when he was left by the physician and his guardians, attempted to bribe the servants, but in vain. He asked for pen and paper; it was given him; he wrote a letter to his sister, conjuring her, as she valued her own happiness, her own honour, and the honour of those now in the grave, who once held her in their arms as their hope and the hope of their house, to delay but for a few hours that marriage, on which he denounced the most heavy curses. The servants promised they would deliver it; but giving it to the physician, he thought it better not to harass any more the mind of Miss Aubrey by, what he considered, the ravings of a maniac. Night passed on without rest to the busy inmates of the house; and Aubrey heard, with a horror that may more easily be conceived than described, the notes of busy preparation. Morning came, and the sound of carriages broke upon his ear. Aubrey grew almost frantic. The curiosity of the servants at last overcame their vigilance, they gradually stole away, leaving him in the custody of an helpless old woman. He seized the opportunity, with one bound was out of the room, and in a moment found himself in the apartment where all were nearly assembled. Lord Ruthven was the first to perceive him: he immediately approached, and, taking his arm by force, hurried him from the room, speechless with rage. When on the staircase, Lord Ruthven whispered in his ear—"Remember your oath, and know, if not my bride to day, your sister is dishonoured. Women are frail!" So saying, he pushed him towards his attendants, who, roused by the old woman, had come in search of him. Aubrey could no longer support himself; his rage not finding vent, had broken a blood-vessel, and he was conveyed to bed. This was not mentioned to his sister, who was not present when he entered, as the physician was afraid of agitating her. The marriage was solemnized, and the bride and bridegroom left London.

Aubrey, after being left alone by the doctor and his caretakers, tried to bribe the servants, but it didn’t work. He asked for pen and paper; they gave it to him, and he wrote a letter to his sister, urging her, for the sake of her own happiness, her honor, and the honor of those who had once held her as their hope and the hope of their family, to postpone that marriage, which he cursed with the heaviest of words. The servants promised to deliver it; however, when the doctor got hold of it, he decided it was best not to burden Miss Aubrey more with what he thought were the ramblings of a madman. The night passed in unrest for the busy occupants of the house, and Aubrey listened in horror to the sounds of preparations. Morning arrived, and the noise of carriages filled the air. Aubrey nearly lost control. The servants, curiosity getting the better of them, gradually slipped away, leaving him in the care of a helpless old woman. Seizing the chance, he leaped out of the room and quickly found himself in the gathering where everyone was nearly assembled. Lord Ruthven was the first to spot him: he immediately approached, forcefully grabbed his arm, and hurried him out of the room, speechless with anger. On the staircase, Lord Ruthven whispered in his ear, “Remember your oath, and understand that if she’s not my bride today, your sister will be dishonored. Women are frail!” With that, he shoved Aubrey towards his attendants, who, alerted by the old woman, had come looking for him. Aubrey could no longer keep himself upright; his unexpressed rage had caused him to rupture a blood vessel, and he was taken to bed. His sister was not informed, as she hadn’t been present when he entered, and the doctor was worried about upsetting her. The wedding took place, and the bride and groom left London.

Aubrey's weakness increased; the effusion of blood produced symptoms of the near approach of death. He desired his sister's guardians might be called, and when the midnight hour had struck, he related composedly what the reader has perused—he died immediately after.

Aubrey's condition worsened; the loss of blood brought on signs that death was imminent. He asked for his sister's guardians to be called, and when the clock struck midnight, he calmly recounted what the reader has just read—he died right after.

The guardians hastened to protect Miss Aubrey; but when they arrived, it was too late. Lord Ruthven had disappeared, and Aubrey's sister had glutted the thirst of a VAMPYRE!

The guardians hurried to protect Miss Aubrey; but when they got there, it was too late. Lord Ruthven had vanished, and Aubrey's sister had satisfied the hunger of a VAMPYRE!





EXTRACT OF A LETTER,

CONTAINING AN ACCOUNT
OF

LORD BYRON'S RESIDENCE

IN THE
ISLAND OF MITYLENE.



ACCOUNT
OF
LORD BYRON'S RESIDENCE, &c.



"The world was all before him, where to choose his place of rest, and Providence his guide."

"The world was laid out before him, ready for him to choose his spot to settle down, with Providence as his guide."

IN Sailing through the Grecian Archipelago, on board one of his Majesty's vessels, in the year 1812, we put into the harbour of Mitylene, in the island of that name. The beauty of this place, and the certain supply of cattle and vegetables always to be had there, induce many British vessels to visit it—both men of war and merchantmen; and though it lies rather out of the track for ships bound to Smyrna, its bounties amply repay for the deviation of a voyage. We landed; as usual, at the bottom of the bay, and whilst the men were employed in watering, and the purser bargaining for cattle with the natives, the clergyman and myself took a ramble to the cave called Homer's School, and other places, where we had been before. On the brow of Mount Ida (a small monticule so named) we met with and engaged a young Greek as our guide, who told us he had come from Scio with an English lord, who left the island four days previous to our arrival in his felucca. "He engaged me as a pilot," said the Greek, "and would have taken me with him; but I did not choose to quit Mitylene, where I am likely to get married. He was an odd, but a very good man. The cottage over the hill, facing the river, belongs to him, and he has left an old man in charge of it: he gave Dominick, the wine-trader, six hundred zechines for it, (about L250 English currency,) and has resided there about fourteen months, though not constantly; for he sails in his felucca very often to the different islands."

IN Sailing through the Greek Archipelago, on board one of His Majesty's ships, in the year 1812, we docked in the harbor of Mitylene, on the island of the same name. The beauty of this place and the reliable supply of cattle and vegetables always available there attract many British ships—both warships and merchant vessels; and even though it’s a bit off the typical route for ships headed to Smyrna, the rewards make the detour worthwhile. We landed, as usual, at the bottom of the bay, and while the crew was busy gathering water and the purser was haggling for cattle with the locals, the clergyman and I took a walk to the cave known as Homer's School and other sites we had visited before. At the top of a small hill called Mount Ida, we met and hired a young Greek to guide us, who told us he had just come from Scio with an English lord who left the island four days before we arrived in his small boat. "He hired me as a pilot," the Greek said, "and wanted to take me with him, but I didn’t want to leave Mitylene, where I hope to get married. He was a bit eccentric, but a very nice man. The cottage over the hill, overlooking the river, belongs to him, and he left an old man to take care of it: he paid Dominick, the wine trader, six hundred zechines for it (about £250 in English currency), and he has been living there for about fourteen months, though not all the time; he often sails in his small boat to the different islands."

This account excited our curiosity very much, and we lost no time in hastening to the house where our countryman had resided. We were kindly received by an old man, who conducted us over the mansion. It consisted of four apartments on the ground-floor—an entrance hall, a drawing-room, a sitting parlour, and a bed-room, with a spacious closet annexed. They were all simply decorated: plain green-stained walls, marble tables on either side, a large myrtle in the centre, and a small fountain beneath, which could be made to play through the branches by moving a spring fixed in the side of a small bronze Venus in a leaning posture; a large couch or sofa completed the furniture. In the hall stood half a dozen English cane chairs, and an empty book-case: there were no mirrors, nor a single painting. The bedchamber had merely a large mattress spread on the floor, with two stuffed cotton quilts and a pillow—the common bed throughout Greece. In the sitting-room we observed a marble recess, formerly, the old man told us, filled with books and papers, which were then in a large seaman's chest in the closet: it was open, but we did not think ourselves justified in examining the contents. On the tablet of the recess lay Voltaire's, Shakspeare's, Boileau's, and Rousseau's works complete; Volney's Ruins of Empires; Zimmerman, in the German language; Klopstock's Messiah; Kotzebue's novels; Schiller's play of the Robbers; Milton's Paradise Lost, an Italian edition, printed at Parma in 1810; several small pamphlets from the Greek press at Constantinople, much torn, but no English book of any description. Most of these books were filled with marginal notes, written with a pencil, in Italian and Latin. The Messiah was literally scribbled all over, and marked with slips of paper, on which also were remarks.

This account really piqued our interest, and we quickly made our way to the house where our fellow countryman had lived. We were warmly welcomed by an elderly man, who gave us a tour of the house. It had four rooms on the ground floor—an entrance hall, a drawing room, a sitting room, and a bedroom, with a large closet attached. All the rooms were simply decorated: plain green-stained walls, marble tables on either side, a large myrtle plant in the center, and a small fountain below that could be activated by a spring fixed on a small bronze statue of Venus leaning to one side; a large couch or sofa completed the furnishings. In the hall, there were about six English cane chairs and an empty bookcase: no mirrors or paintings anywhere. The bedroom had just a large mattress on the floor, with two stuffed cotton quilts and a pillow—the typical bed throughout Greece. In the sitting room, we noticed a marble recess that the old man told us used to be filled with books and papers, now stored in a large seaman's chest in the closet: it was open, but we didn’t feel right examining its contents. On the shelf of the recess lay complete works of Voltaire, Shakespeare, Boileau, and Rousseau; Volney's Ruins of Empires; Zimmerman in German; Klopstock's Messiah; Kotzebue's novels; Schiller's play The Robbers; Milton's Paradise Lost, an Italian edition printed in Parma in 1810; and several small pamphlets from the Greek press in Constantinople, which were quite torn, but not a single English book of any kind. Most of these books had handwritten notes in the margins, in Italian and Latin. The Messiah was literally covered in scribblings and marked with slips of paper that also contained comments.

The old man said: "The lord had been reading these books the evening before he sailed, and forgot to place them with the others; but," said he, "there they must lie until his return; for he is so particular, that were I to move one thing without orders, he would frown upon me for a week together; he is otherways very good. I once did him a service; and I have the produce of this farm for the trouble of taking care of it, except twenty zechines which I pay to an aged Armenian who resides in a small cottage in the wood, and whom the lord brought here from Adrianople; I don't know for what reason."

The old man said, "The lord was reading these books the night before he sailed and forgot to put them with the others; but," he continued, "they’ll have to stay there until he gets back, because he’s so particular that if I were to move even one thing without permission, he’d be upset with me for a week. Otherwise, he’s very good. I once did him a favor, and in return, I get the produce from this farm for taking care of it, except for twenty zechines that I pay to an elderly Armenian who lives in a small cottage in the woods, and whom the lord brought here from Adrianople; I have no idea why."

The appearance of the house externally was pleasing. The portico in front was fifty paces long and fourteen broad, and the fluted marble pillars with black plinths and fret-work cornices, (as it is now customary in Grecian architecture,) were considerably higher than the roof. The roof, surrounded by a light stone balustrade, was covered by a fine Turkey carpet, beneath an awning of strong coarse linen. Most of the house-tops are thus furnished, as upon them the Greeks pass their evenings in smoking, drinking light wines, such as "lachryma christi," eating fruit, and enjoying the evening breeze.

The outside of the house looked very nice. The front porch was fifty steps long and fourteen wide, with tall fluted marble columns that had black bases and decorative cornices, which is common in Greek architecture. These columns towered above the roof. The roof had a light stone railing around it and was covered with a nice Turkish carpet, all sheltered under a strong, rough linen awning. Most rooftops are set up like this since the Greeks spend their evenings there smoking, sipping light wines like "lachryma christi," eating fruit, and enjoying the evening breeze.

On the left hand as we entered the house, a small streamlet glided away, grapes, oranges and limes were clustering together on its borders, and under the shade of two large myrtle bushes, a marble seat with an ornamental wooden back was placed, on which we were told, the lord passed many of his evenings and nights till twelve o'clock, reading, writing, and talking to himself. "I suppose," said the old man, "praying" for he was very devout, "and always attended our church twice a week, besides Sundays."

As we entered the house, a small stream flowed to the left, with grapes, oranges, and limes growing nearby. Beneath the shade of two large myrtle bushes, there was a marble seat with a decorative wooden back. We were told that the lord spent many evenings and nights there until midnight, reading, writing, and talking to himself. "I suppose," said the old man, "he was praying," as he was very religious and always attended our church twice a week, plus Sundays.

The view from this seat was what may be termed "a bird's-eye view." A line of rich vineyards led the eye to Mount Calcla, covered with olive and myrtle trees in bloom, and on the summit of which an ancient Greek temple appeared in majestic decay. A small stream issuing from the ruins descended in broken cascades, until it was lost in the woods near the mountain's base. The sea smooth as glass, and an horizon unshadowed by a single cloud, terminates the view in front; and a little on the left, through a vista of lofty chesnut and palm-trees, several small islands were distinctly observed, studding the light blue wave with spots of emerald green. I seldom enjoyed a view more than I did this; but our enquiries were fruitless as to the name of the person who had resided in this romantic solitude: none knew his name but Dominick, his banker, who had gone to Candia. "The Armenian," said our conductor, "could tell, but I am sure he will not,"—"And cannot you tell, old friend?" said I—"If I can," said he, "I dare not." We had not time to visit the Armenian, but on our return to the town we learnt several particulars of the isolated lord. He had portioned eight young girls when he was last upon the island, and even danced with them at the nuptial feast. He gave a cow to one man, horses to others, and cotton and silk to the girls who live by weaving these articles. He also bought a new boat for a fisherman who had lost his own in a gale, and he often gave Greek Testaments to the poor children. In short, he appeared to us, from all we collected, to have been a very eccentric and benevolent character. One circumstance we learnt, which our old friend at the cottage thought proper not to disclose. He had a most beautiful daughter, with whom the lord was often seen walking on the sea-shore, and he had bought her a piano-forte, and taught her himself the use of it.

The view from this seat was what you might call "a bird's-eye view." A line of lush vineyards led the eye to Mount Calcla, which was covered with olive and myrtle trees in bloom, and on its summit, an ancient Greek temple stood in majestic decay. A small stream flowing from the ruins cascaded down until it vanished into the woods near the base of the mountain. The sea was as smooth as glass, and the horizon was completely clear with not a single cloud, finishing the view ahead; a little to the left, through a glimpse of tall chestnut and palm trees, several small islands could be clearly seen, dotting the light blue water with spots of emerald green. I rarely enjoyed a view more than this one; however, our inquiries about the identity of the person who lived in this romantic solitude were fruitless: only Dominick, his banker who had gone to Candia, knew his name. "The Armenian," said our guide, "could tell, but I’m sure he won’t,"—"And can’t you tell, old friend?" I asked—"If I can," he replied, "I dare not." We didn’t have time to visit the Armenian, but on our way back to town, we learned several details about the reclusive lord. He had arranged marriages for eight young girls during his last visit to the island and even danced with them at their wedding feast. He gave a cow to one man, horses to others, and cotton and silk to the girls who wove these items. He also bought a new boat for a fisherman who had lost his in a storm, and he often gave Greek Testaments to poor children. In short, he appeared to be a very eccentric and kind-hearted person based on everything we gathered. There was one detail we learned that our old friend in the cottage thought it best not to reveal. He had a stunning daughter, whom the lord was often seen walking with along the beach, and he had bought her a piano and taught her how to play it himself.

Such was the information with which we departed from the peaceful isle of Mitylene; our imaginations all on the rack, guessing who this rambler in Greece could be. He had money it was evident: he had philanthropy of disposition, and all those eccentricities which mark peculiar genius. Arrived at Palermo, all our doubts were dispelled. Falling in company with Mr. FOSTER, the architect, a pupil of WYATT'S, who had been travelling in Egypt and Greece, "The individual," said he, "about whom you are so anxious, is Lord Byron; I met him in my travels on the island of Tenedos, and I also visited him at Mitylene." We had never then heard of his lordship's fame, as we had been some years from home; but "Childe Harolde" being put into our hands we recognized the recluse of Calcla in every page. Deeply did we regret not having been more curious in our researches at the cottage, but we consoled ourselves with the idea of returning to Mitylene on some future day; but to me that day will never return. I make this statement, believing it not quite uninteresting, and in justice to his lordship's good name, which has been grossly slandered. He has been described as of an unfeeling disposition, averse to associating with human nature, or contributing in any way to sooth its sorrows, or add to its pleasures. The fact is directly the reverse, as may be plainly gathered from these little anecdotes. All the finer feelings of the heart, so elegantly depicted in his lordship's poems, seem to have their seat in his bosom. Tenderness, sympathy, and charity appear to guide all his actions: and his courting the repose of solitude is an additional reason for marking him as a being on whose heart Religion hath set her seal, and over whose head Benevolence hath thrown her mantle. No man can read the preceding pleasing "traits" without feeling proud of him as a countryman. With respect to his loves or pleasures, I do not assume a right to give an opinion. Reports are ever to be received with caution, particularly when directed against man's moral integrity; and he who dares justify himself before that awful tribunal where all must appear, alone may censure the errors of a fellow-mortal. Lord Byron's character is worthy of his genius. To do good in secret, and shun the world's applause, is the surest testimony of a virtuous heart and self-approving conscience.

This is the information we had when we left the peaceful island of Mitylene; our minds racing, trying to guess who this wanderer in Greece could be. It was clear he had money; he had a philanthropic nature and all the quirks that come with unique genius. Once we reached Palermo, all our questions were answered. We met Mr. Foster, the architect and a student of Wyatt's, who had been traveling in Egypt and Greece. "The person you're so curious about is Lord Byron," he said. "I met him during my travels on the island of Tenedos, and I also visited him in Mitylene." We hadn’t heard of his lordship’s fame yet since we had been away from home for some years; but when we got our hands on "Childe Harold," we recognized the recluse of Calcla on every page. We deeply regretted not being more curious during our visit to the cottage, but we consoled ourselves with the thought of returning to Mitylene someday; however, for me, that day will never come. I share this, thinking it's not uninteresting and in fairness to his lordship's good name, which has been unfairly maligned. He has been portrayed as unfeeling and unwilling to connect with humanity, or help ease its suffering or enhance its joys. In reality, the opposite is true, as can be clearly seen from these little stories. All the sensitivity and compassion depicted so beautifully in his poems seem to reside in his heart. Kindness, empathy, and charity seem to guide all his actions; and his preference for solitude is another reason to see him as a person marked by faith and covered by benevolence. No one can read the previous delightful "traits" without feeling proud of him as a fellow countryman. As for his romances or pleasures, I don't claim to have the right to express an opinion. Rumors should always be taken with caution, especially when they malign someone's moral character; and only those who dare to justify themselves before that ultimate judgment, where everyone must appear, can judge the mistakes of another. Lord Byron's character matches his genius. Doing good in secret and avoiding public recognition is the strongest testimony to a virtuous heart and a self-satisfied conscience.



THE END

THE END



Gillet, Printer, Crown-court, Fleet-street.





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