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THE EVERLASTING MAN

THE ENDURING HUMAN

THE
EVERLASTING MAN

BY
G. K. CHESTERTON


HODDER AND STOUGHTON
LIMITED LONDON


Made and Printed in Great Britain
T. and A. Constable Ltd., Printers, Edinburgh

BY
G. K. CHESTERTON


HODDER AND STOUGHTON
LIMITED LONDON


Made and Printed in Great Britain
T. and A. Constable Ltd., Printers, Edinburgh

PREFATORY NOTE

This book needs a preliminary note that its scope be not misunderstood. The view suggested is historical rather than theological, and does not deal directly with a religious change which has been the chief event of my own life; and about which I am already writing a more purely controversial volume. It is impossible, I hope, for any Catholic to write any book on any subject, above all this subject, without showing that he is a Catholic; but this study is not specially concerned with the differences between a Catholic and a Protestant. Much of it is devoted to many sorts of Pagans rather than any sort of Christians; and its thesis is that those who say that Christ stands side by side with similar myths, and his religion side by side with similar religions, are only repeating a very stale formula contradicted by a very striking fact. To suggest this I have not needed to go much beyond matters known to us all; I make no claim to learning; and have to depend for some things, as has rather become the fashion, on those who are more learned. As I have more than once differed from Mr. H. G. Wells in his view of history, it is the more right that I should here congratulate him on the courage and constructive imagination which carried through his vast and varied and intensely interesting work; but still more on having asserted the reasonable right of the amateur to do what he can with the facts which the specialists provide.

This book needs a note at the beginning so its purpose isn’t misunderstood. The perspective offered is historical rather than theological, and doesn’t directly address the religious change that has been the main event of my life, which I'm already writing about in a more purely controversial book. I hope it's impossible for any Catholic to write on any subject—especially this one—without making it clear that they are a Catholic. However, this study doesn’t focus specifically on the differences between Catholics and Protestants. A lot of it is directed at various types of Pagans rather than any sort of Christians, and its main argument is that those who claim Christ is on the same level as similar myths, and His religion is comparable to similar religions, are simply reiterating a worn-out formula that is contradicted by a very clear reality. To make this point, I haven’t needed to explore anything beyond what we all know; I don't claim to be highly knowledgeable; and I often rely on those who are more learned, as has become somewhat common. Since I've disagreed with Mr. H. G. Wells more than once regarding his views on history, I feel it’s appropriate to commend him here for the courage and creative vision that drove his extensive, varied, and deeply engaging work; but even more so for asserting the reasonable right of the amateur to make use of the facts presented by specialists.

CONTENTS

 PAGE
INTRODUCTION: The Outline of this Book3
PART I
ON THE CREATURE CALLED MAN
CHAP.
I. The Guy in the Cave19
II. Professors and Cavemen39
III. The Origin of Civilization58
IV. God and World Religions89
V. Man and Myths111
VI. The Demons and the Thinkers129
VII. The War of the Gods and Demons154
VIII. The Apocalypse171
PART II
ON THE MAN CALLED CHRIST
CHAP.
I. The God in the Cave191
II. The Mysteries of the Gospel211
III. The Weirdest Story in the World227
IV. The Testimony of the Heretics245
V. The Escape from Paganism267
VI. The Five Deaths of the Faith288
CONCLUSION: Book Summary302
APPENDIX I.: On Early Humans313
APPENDIX II.: On Authority and Accuracy315

INTRODUCTION

THE PLAN OF THIS BOOK

There are two ways of getting home; and one of them is to stay there. The other is to walk round the whole world till we come back to the same place; and I tried to trace such a journey in a story I once wrote. It is, however, a relief to turn from that topic to another story that I never wrote. Like every book I never wrote, it is by far the best book I have ever written. It is only too probable that I shall never write it, so I will use it symbolically here; for it was a symbol of the same truth. I conceived it as a romance of those vast valleys with sloping sides, like those along which the ancient White Horses of Wessex are scrawled along the flanks of the hills. It concerned some boy whose farm or cottage stood on such a slope, and who went on his travels to find something, such as the effigy and grave of some giant; and when he was far enough from home he looked back and saw that his own farm and kitchen-garden, shining flat on the hill-side like the colours and quarterings of a shield, were but parts of some such gigantic figure, on which he had always lived, but which was too large and too close to be seen. That, I think, is a true picture of the progress of any real independent intelligence to-day; and that is the point of this book.

There are two ways to get home; one is to stay put. The other is to travel around the whole world until we come back to the same spot, and I tried to trace that journey in a story I once wrote. However, it’s a relief to move from that topic to another story that I never wrote. Like every book I never wrote, it’s by far the best book I’ve ever created. It’s very likely that I will never write it, so I will symbolize it here; it represents the same truth. I imagined it as a romance set in those vast valleys with sloping sides, similar to those where the ancient White Horses of Wessex are carved into the hillsides. It followed a boy whose farm or cottage was on such a slope, and he set off on his travels to find something, like the statue and grave of some giant. When he got far enough from home, he looked back and saw that his own farm and garden, shining flat on the hillside like the colors and divisions of a shield, were just parts of some gigantic figure on which he had always lived, but which was too big and too close to see. That, I believe, accurately represents the journey of any true independent intelligence today; and that is the point of this book.

The point of this book, in other words, is that the next best thing to being really inside Christendom is to be really outside it. And a particular point of it is that the popular critics of Christianity are not{4} really outside it. They are on a debatable ground, in every sense of the term. They are doubtful in their very doubts. Their criticism has taken on a curious tone; as of a random and illiterate heckling. Thus they make current an anti-clerical cant as a sort of small-talk. They will complain of parsons dressing like parsons; as if we should be any more free if all the police who shadowed or collared us were plain-clothes detectives. Or they will complain that a sermon cannot be interrupted, and call a pulpit a coward’s castle; though they do not call an editor’s office a coward’s castle. It would be unjust both to journalists and priests; but it would be much truer of journalists. The clergyman appears in person and could easily be kicked as he came out of church; the journalist conceals even his name so that nobody can kick him. They write wild and pointless articles and letters in the press about why the churches are empty, without even going there to find out if they are empty, or which of them are empty. Their suggestions are more vapid and vacant than the most insipid curate in a three-act farce, and move us to comfort him after the manner of the curate in the Bab Ballads; ‘Your mind is not so blank as that of Hopley Porter.’ So we may truly say to the very feeblest cleric: ‘Your mind is not so blank as that of Indignant Layman or Plain Man or Man in the Street, or any of your critics in the newspapers; for they have not the most shadowy notion of what they want themselves, let alone of what you ought to give them.’ They will suddenly turn round and revile the Church for not having prevented the War, which they themselves did not want to prevent; and which nobody had ever professed to be able to prevent, except some of that very school of progressive and cosmopolitan sceptics who are the chief enemies of the Church. It was the anti-clerical and agnostic world that was always prophesying the{5} advent of universal peace; it is that world that was, or should have been, abashed and confounded by the advent of universal war. As for the general view that the Church was discredited by the War—they might as well say that the Ark was discredited by the Flood. When the world goes wrong, it proves rather that the Church is right. The Church is justified, not because her children do not sin, but because they do. But that marks their mood about the whole religious tradition: they are in a state of reaction against it. It is well with the boy when he lives on his father’s land; and well with him again when he is far enough from it to look back on it and see it as a whole. But these people have got into an intermediate state, have fallen into an intervening valley from which they can see neither the heights beyond them nor the heights behind. They cannot get out of the penumbra of Christian controversy. They cannot be Christians and they cannot leave off being Anti-Christians. Their whole atmosphere is the atmosphere of a reaction: sulks, perversity, petty criticism. They still live in the shadow of the faith and have lost the light of the faith.

The point of this book is that the next best thing to being truly part of Christianity is being completely outside it. A key point is that popular critics of Christianity are not really outside it. They occupy a confusing middle ground in every sense. They're unsure even in their doubts. Their criticism has taken on a strange tone, resembling pointless and uninformed heckling. They circulate an anti-clerical attitude like idle chatter. They complain about clergymen dressing like clergymen, as if we’d be any freer if all the police who followed or detained us were undercover detectives. Or they argue that sermons can’t be interrupted and label a pulpit as a coward’s fortress, yet they never call an editor’s office a coward’s fortress. That would be unfair to both journalists and priests, but it’s certainly more accurate about journalists. The clergyman shows up in person and could easily be confronted as he leaves church; the journalist hides even his name, so no one can confront him. They write ridiculous and pointless articles and letters about why the churches are empty, without even visiting to see if they are empty, or which ones are. Their suggestions are more shallow and empty than the most bland clergyman in a three-act comedy, and we’re inclined to comfort him like the curate in the Bab Ballads: ‘Your mind is not as blank as Hopley Porter’s.’ So we might reasonably say to the weakest clergyman: ‘Your mind isn’t as blank as that of the Indignant Layman or the Plain Man or the Man in the Street, or any of your critics in the newspapers; they have no real idea of what they want for themselves, let alone what you should provide for them.’ They will suddenly turn around and blame the Church for not preventing the War, which they themselves didn’t want to prevent; and which no one had ever claimed could be prevented, except for some in that very group of progressive and cosmopolitan skeptics who are the Church’s main adversaries. It was the anti-clerical and agnostic world that was always predicting the arrival of universal peace; it’s that world that should feel embarrassed and confused by the onset of universal war. As for the general belief that the Church was discredited by the War—they might as well say that the Ark was discredited by the Flood. When the world goes wrong, it actually shows that the Church is right. The Church is validated, not because its followers do not sin, but because they do. But that reflects their attitude toward the whole religious tradition: they are in a state of reaction against it. It’s good for a boy when he lives on his father’s land; and it’s good again when he’s far enough away to look back and see it as a whole. But these people have landed in a middle state, stuck in a valley from which they can’t see the heights ahead or behind them. They can’t become Christians, and they can’t stop being Anti-Christians. Their entire environment is one of reaction: sulking, stubbornness, minor critiques. They still exist in the shadow of the faith but have lost the light of that faith.

Now the best relation to our spiritual home is to be near enough to love it. But the next best is to be far enough away not to hate it. It is the contention of these pages that while the best judge of Christianity is a Christian, the next best judge would be something more like a Confucian. The worst judge of all is the man now most ready with his judgments; the ill-educated Christian turning gradually into the ill-tempered agnostic, entangled in the end of a feud of which he never understood the beginning, blighted with a sort of hereditary boredom with he knows not what, and already weary of hearing what he has never heard. He does not judge Christianity calmly as a Confucian would; he does not judge it as he would judge Confucianism. He cannot by an effort of fancy set the Catholic{6} Church thousands of miles away in strange skies of morning and judge it as impartially as a Chinese pagoda. It is said that the great St. Francis Xavier, who very nearly succeeded in setting up the Church there as a tower overtopping all pagodas, failed partly because his followers were accused by their fellow missionaries of representing the Twelve Apostles with the garb or attributes of Chinamen. But it would be far better to see them as Chinamen, and judge them fairly as Chinamen, than to see them as featureless idols merely made to be battered by iconoclasts; or rather as cockshies to be pelted by empty-headed cockneys. It would be better to see the whole thing as a remote Asiatic cult; the mitres of its bishops as the towering head-dresses of mysterious bonzes; its pastoral staffs as the sticks twisted like serpents carried in some Asiatic procession; to see the prayer-book as fantastic as the prayer-wheel and the Cross as crooked as the Swastika. Then at least we should not lose our temper as some of the sceptical critics seem to lose their temper, not to mention their wits. Their anti-clericalism has become an atmosphere, an atmosphere of negation and hostility from which they cannot escape. Compared with that, it would be better to see the whole thing as something belonging to another continent, or to another planet. It would be more philosophical to stare indifferently at bonzes than to be perpetually and pointlessly grumbling at bishops. It would be better to walk past a church as if it were a pagoda than to stand permanently in the porch, impotent either to go inside and help or to go outside and forget. For those in whom a mere reaction has thus become an obsession, I do seriously recommend the imaginative effort of conceiving the Twelve Apostles as Chinamen. In other words, I recommend these critics to try to do as much justice to Christian saints as if they were Pagan sages.{7}

Now the best way to relate to our spiritual home is to be close enough to love it. But the next best is to be far enough away not to hate it. The argument here is that while the best judge of Christianity is a Christian, the next best judge would be something more like a Confucian. The worst judge of all is the person who's most eager to judge; the poorly educated Christian who gradually becomes an ill-tempered agnostic, caught in a feud whose origins he never grasped, weighed down by a sort of inherited boredom with something he can't quite identify, and already tired of hearing things he's never actually heard. He doesn't judge Christianity calmly like a Confucian would; he doesn't judge it as he would evaluate Confucianism. He can't, through imagination, place the Catholic{6} Church thousands of miles away under strange morning skies and judge it as impartially as he would a Chinese pagoda. It’s said that the great St. Francis Xavier, who nearly succeeded in establishing the Church there as a towering presence above all pagodas, failed partly because his followers were criticized by fellow missionaries for portraying the Twelve Apostles in the attire or attributes of Chinese people. Yet it would be much better to see them as Chinese and judge them fairly as such than to view them as faceless idols merely meant to be smashed by iconoclasts; or rather as targets to be pelted by thoughtless individuals. It would be preferable to see the whole scenario as a distant Asian cult; the bishops' mitres as the elaborate headdresses of enigmatic monks; their pastoral staffs as twisted sticks resembling serpents carried in some Asian parade; to see the prayer book as fantastical as the prayer wheel and the Cross as crooked as the Swastika. At least then we wouldn’t lose our tempers like some skeptical critics seem to, not to mention their common sense. Their anti-clericalism has turned into an atmosphere of negation and hostility that they can't break free from. In comparison, it would be better to view the whole thing as belonging to another continent or even another planet. It would be more philosophical to look at monks with indifference than to be constantly and mindlessly complaining about bishops. It would be better to walk past a church as if it were a pagoda than to linger in the porch, powerless to either enter and help or exit and forget. For those whose mere reactions have spiraled into obsessions, I seriously suggest the imaginative exercise of picturing the Twelve Apostles as Chinese. In other words, I encourage these critics to try to give Christian saints the same consideration as they would to Pagan sages.{7}

But with this we come to the final and vital point. I shall try to show in these pages that when we do make this imaginative effort to see the whole thing from the outside, we find that it really looks like what is traditionally said about it inside. It is exactly when the boy gets far enough off to see the giant that he sees that he really is a giant. It is exactly when we do at last see the Christian Church afar under those clear and level eastern skies that we see that it is really the Church of Christ. To put it shortly, the moment we are really impartial about it we know why people are partial to it. But this second proposition requires more serious discussion; and I shall here set myself to discuss it.

But now we come to the final and crucial point. I'll try to show in these pages that when we actually make the effort to view the whole situation from the outside, we realize it really aligns with what is traditionally believed about it. It’s only when the boy steps back far enough to see the giant that he recognizes he truly is a giant. Similarly, it’s only when we see the Christian Church from a distance under those clear eastern skies that we understand it’s genuinely the Church of Christ. To put it simply, the moment we become truly impartial about it, we understand why others are so attached to it. However, this second idea needs more in-depth discussion, and I will now focus on that.

As soon as I had clearly in my mind this conception of something solid in the solitary and unique character of the divine story, it struck me that there was exactly the same strange and yet solid character in the human story that had led up to it; because that human story also had a root that was divine. I mean that just as the Church seems to grow more remarkable when it is fairly compared with the common religious life of mankind, so mankind itself seems to grow more remarkable when we compare it with the common life of nature. And I have noticed that most modern history is driven to something like sophistry, first to soften the sharp transition from animals to men, and then to soften the sharp transition from heathens to Christians. Now the more we really read in a realistic spirit of those two transitions the sharper we shall find them to be. It is because the critics are not detached that they do not see this detachment; it is because they are not looking at things in a dry light that they cannot see the difference between black and white. It is because they are in a particular mood of reaction and revolt that they have a motive for making out that all the white is dirty grey and the black not so black as it is painted. I do not say there{8} are not human excuses for their revolt; I do not say it is not in some ways sympathetic; what I say is that it is not in any way scientific. An iconoclast may be indignant; an iconoclast may be justly indignant; but an iconoclast is not impartial. And it is stark hypocrisy to pretend that nine-tenths of the higher critics and scientific evolutionists and professors of comparative religion are in the least impartial. Why should they be impartial, what is being impartial, when the whole world is at war about whether one thing is a devouring superstition or a divine hope? I do not pretend to be impartial in the sense that the final act of faith fixes a man’s mind because it satisfies his mind. But I do profess to be a great deal more impartial than they are; in the sense that I can tell the story fairly, with some sort of imaginative justice to all sides; and they cannot. I do profess to be impartial in the sense that I should be ashamed to talk such nonsense about the Lama of Thibet as they do about the Pope of Rome, or to have as little sympathy with Julian the Apostate as they have with the Society of Jesus. They are not impartial; they never by any chance hold the historical scales even; and above all they are never impartial upon this point of evolution and transition. They suggest everywhere the grey gradations of twilight, because they believe it is the twilight of the gods. I propose to maintain that whether or no it is the twilight of gods, it is not the daylight of men.

As soon as I clearly grasped the idea of something solid in the unique and solitary nature of the divine story, it struck me that there was the same strange yet solid quality in the human story that led to it; because that human story also has a divine root. Just as the Church seems more remarkable when compared to the everyday religious life of humanity, humanity itself also seems more remarkable when we look at it compared to the everyday life of nature. I've noticed that a lot of modern history tends to rely on something like sophistry, first to soften the sharp transition from animals to humans, and then to ease the stark shift from pagans to Christians. The more we genuinely read about those two transitions with a realistic perspective, the sharper they appear. Critics fail to see this detachment because they are not detached; they can't see the difference between black and white because they're not viewing things with a clear perspective. Their particular mood of reaction and rebellion drives them to portray all the white as dirty grey and the black as less black than it really is. I’m not saying there{8} aren’t human reasons for their rebellion; I’m not saying it isn’t in some respects understandable; what I am saying is that it isn't scientifically sound. An iconoclast may be outraged; an iconoclast may have every reason to be outraged; but an iconoclast is not impartial. It’s blatant hypocrisy to claim that most higher critics, scientific evolutionists, and comparative religion professors are even slightly impartial. Why would they be impartial? What does being impartial mean when the whole world is at odds over whether one thing is a destructive superstition or a divine hope? I don’t pretend to be impartial in the sense that the final act of faith shapes a person's mind simply because it satisfies them. But I do claim to be far more impartial than they are; in the sense that I can tell the story fairly, giving some kind of imaginative justice to all sides; and they cannot. I also claim to be impartial in that I would be embarrassed to talk nonsense about the Lama of Tibet as they do about the Pope of Rome, or to lack sympathy for Julian the Apostate as they do for the Society of Jesus. They aren't impartial; they never manage to balance the historical scales, and above all, they are never impartial regarding the issue of evolution and transition. They suggest everywhere the grey gradations of twilight because they believe it is the twilight of the gods. I propose to maintain that whether or not it is the twilight of gods, it is definitely not the daylight of men.

I maintain that when brought out into the daylight, these two things look altogether strange and unique; and that it is only in the false twilight of an imaginary period of transition that they can be made to look in the least like anything else. The first of these is the creature called man, and the second is the man called Christ. I have therefore divided this book into two parts: the former being a sketch of the main adventure of the human race{9} in so far as it remained heathen; and the second a summary of the real difference that was made by it becoming Christian. Both motives necessitate a certain method, a method which is not very easy to manage, and perhaps even less easy to define or defend.

I argue that when exposed to the light of day, these two things appear completely strange and unique; it's only in the misleading twilight of an imagined transitional period that they can resemble anything else. The first is the being known as man, and the second is the person known as Christ. Therefore, I've split this book into two parts: the first part outlines the main journey of humanity{9} while it was still pagan, and the second part summarizes the real change that occurred when it became Christian. Both motivations require a specific approach, one that's not very easy to navigate, and perhaps even harder to define or justify.

In order to strike, in the only sane or possible sense, the note of impartiality, it is necessary to touch the nerve of novelty. I mean that in one sense we see things fairly when we see them first. That, I may remark in passing, is why children generally have very little difficulty about the dogmas of the Church. But the Church, being a highly practical thing for working and fighting, is necessarily a thing for men and not merely for children. There must be in it for working purposes a great deal of tradition, of familiarity, and even of routine. So long as its fundamentals are sincerely felt, this may even be the saner condition. But when its fundamentals are doubted, as at present, we must try to recover the candour and wonder of the child; the unspoilt realism and objectivity of innocence. Or if we cannot do that, we must try at least to shake off the cloud of mere custom and see the thing as new, if only by seeing it as unnatural. Things that may well be familiar so long as familiarity breeds affection had much better become unfamiliar when familiarity breeds contempt. For in connection with things so great as are here considered, whatever our view of them, contempt must be a mistake. Indeed contempt must be an illusion. We must invoke the most wild and soaring sort of imagination; the imagination that can see what is there.

To be truly fair and impartial, we need to embrace a sense of novelty. In a way, we see things more clearly when we experience them for the first time. This is, by the way, one reason why children usually don't struggle much with the beliefs of the Church. However, since the Church is a practical entity built for action and conflict, it is fundamentally meant for adults, not just for kids. For it to function effectively, it needs a lot of tradition, familiarity, and even routine. As long as its core principles are genuinely felt, this might actually be a healthier state. But when those core principles are questioned, like they are now, we need to rekindle the openness and awe of childhood; the untouched realism and objectivity of innocence. And if we can't manage that, we should at least try to break free from mere habit and see things as if they were new, even if that means viewing them as unnatural. Things that can feel warm and familiar as long as that familiarity inspires love should instead feel strange when it breeds contempt. Especially regarding significant matters like those we're discussing, any sense of contempt must be a mistake. In fact, contempt is likely an illusion. We need to tap into the most imaginative and expansive kind of thinking—the kind that can truly perceive what is present.

The only way to suggest the point is by an example of something, indeed of almost anything, that has been considered beautiful or wonderful. George Wyndham once told me that he had seen one of the first aeroplanes rise for the first time, and it was very wonderful; but not so wonderful as a horse{10} allowing a man to ride on him. Somebody else has said that a fine man on a fine horse is the noblest bodily object in the world. Now, so long as people feel this in the right way, all is well. The first and best way of appreciating it is to come of people with a tradition of treating animals properly; of men in the right relation to horses. A boy who remembers his father who rode a horse, who rode it well and treated it well, will know that the relation can be satisfactory and will be satisfied. He will be all the more indignant at the ill-treatment of horses because he knows how they ought to be treated; but he will see nothing but what is normal in a man riding on a horse. He will not listen to the great modern philosopher who explains to him that the horse ought to be riding on the man. He will not pursue the pessimist fancy of Swift and say that men must be despised as monkeys, and horses worshipped as gods. And horse and man together making an image that is to him human and civilised, it will be easy, as it were, to lift horse and man together into something heroic or symbolical; like a vision of St. George in the clouds. The fable of the winged horse will not be wholly unnatural to him: and he will know why Ariosto set many a Christian hero in such an airy saddle, and made him the rider of the sky. For the horse has really been lifted up along with the man in the wildest fashion in the very word we use when we speak of ‘chivalry.’ The very name of the horse has been given to the highest mood and moment of the man; so that we might almost say that the handsomest compliment to a man is to call him a horse.

The only way to make the point is by using an example of something, really almost anything, that has been seen as beautiful or amazing. George Wyndham once told me that he witnessed one of the first airplanes take off for the first time, and it was amazing; but not as amazing as a horse{10} carrying a rider. Someone else said that a great man on a great horse is the most noble sight in the world. As long as people feel this in the right way, everything is good. The best way to appreciate it is to come from a background that shows respect for animals and understands the proper relationship between people and horses. A boy who remembers his father riding a horse, riding it well and treating it well, will know that this relationship can be fulfilling and will be content. He will be even more outraged by the mistreatment of horses because he understands how they deserve to be treated; but he will see nothing unusual in a man riding a horse. He won’t be swayed by the great modern philosopher who argues that horses should be riding men. He won't entertain the pessimistic idea of Swift, claiming that men should be looked down upon like monkeys while horses are revered like gods. With horse and man together forming a picture that is human and civilized to him, it will be easy, in a sense, to elevate both to something heroic or symbolic; like a vision of St. George in the sky. The story of the winged horse won’t feel completely out-of-place to him: he will understand why Ariosto placed many Christian heroes in such a lofty saddle, making them riders of the skies. This is because the horse has truly been elevated alongside the man in a way, reflected in the very word we use when we talk about ‘chivalry.’ The name of the horse has been associated with the highest emotions and moments of a person; so we might even say that the best compliment to a man is to call him a horse.

But if a man has got into a mood in which he is not able to feel this sort of wonder, then his cure must begin right at the other end. We must now suppose that he has drifted into a dull mood, in which somebody sitting on a horse means no more than somebody sitting on a chair. The wonder of{11} which Wyndham spoke, the beauty that made the thing seem an equestrian statue, the meaning of the more chivalric horseman, may have become to him merely a convention and a bore. Perhaps they have been merely a fashion; perhaps they have gone out of fashion; perhaps they have been talked about too much or talked about in the wrong way; perhaps it was then difficult to care for horses without the horrible risk of being horsy. Anyhow, he has got into a condition when he cares no more for a horse than for a towel-horse. His grandfather’s charge at Balaclava seems to him as dull and dusty as the album containing such family portraits. Such a person has not really become enlightened about the album; on the contrary, he has only become blind with the dust. But when he has reached that degree of blindness, he will not be able to look at a horse or a horseman at all until he has seen the whole thing as a thing entirely unfamiliar and almost unearthly.

But if a man has fallen into a mood where he can't feel that sense of wonder, then his healing needs to start from a completely different place. Let's imagine he's slipped into a dull state, where someone riding a horse means just as much as someone sitting on a chair. The marvel that Wyndham mentioned, the beauty that made it look like an equestrian statue, and the significance of the more knightly horseman may have turned into just a cliché and a drag for him. Maybe they were just a trend; maybe they’ve gone out of style; perhaps they’ve been over-discussed or talked about in the wrong way; maybe it became hard to appreciate horses without the awful risk of being seen as obsessed with them. Regardless, he's reached a point where he cares no more about a horse than he does about a towel rack. His grandfather’s charge at Balaclava seems as boring and dusty to him as the album filled with family photos. That person hasn’t truly become enlightened about the album; instead, he has just become blind to the dust. But when he reaches that level of blindness, he won’t be able to look at a horse or a horseman at all until he sees the whole thing as something completely unfamiliar and almost otherworldly.

Out of some dark forest under some ancient dawn there must come towards us, with lumbering yet dancing motions, one of the very queerest of the prehistoric creatures. We must see for the first time the strangely small head set on a neck not only longer but thicker than itself, as the face of a gargoyle is thrust out upon a gutter-spout, the one disproportionate crest of hair running along the ridge of that heavy neck like a beard in the wrong place; the feet, each like a solid club of horn, alone amid the feet of so many cattle; so that the true fear is to be found in showing not the cloven but the uncloven hoof. Nor is it mere verbal fancy to see him thus as a unique monster; for in a sense a monster means what is unique, and he is really unique. But the point is that when we thus see him as the first man saw him, we begin once more to have some imaginative sense of what it meant when the first man rode him. In such a dream he may seem ugly, but he does{12} not seem unimpressive; and certainly that two-legged dwarf who could get on top of him will not seem unimpressive. By a longer and more erratic road we shall come back to the same marvel of the man and the horse; and the marvel will be, if possible, even more marvellous. We shall have again a glimpse of St. George; the more glorious because St. George is not riding on the horse, but rather riding on the dragon.

Out of some dark forest at the break of dawn, one of the strangest prehistoric creatures must come toward us, moving in a clumsy yet graceful way. We must see for the first time the oddly small head perched on a neck that’s not only longer but thicker than the head itself, like the face of a gargoyle jutting out over a gutter-spout; the single disproportionate crest of hair running along the ridge of that heavy neck resembles a beard in the wrong place. Its feet, each resembling a solid club of horn, stand out among the feet of many cattle; thus, the real fear comes not from the cloven hoof but from the uncloven hoof. It’s not just poetic imagery to perceive him this way as a unique monster; in a sense, a monster is something that is one of a kind, and he truly is one of a kind. The key point is that when we see him as the first man saw him, we start to grasp what it really meant when the first man rode him. In such a vision, he may appear ugly, but he doesn’t seem unimpressive; and certainly, that two-legged dwarf who could climb on top of him won’t seem unimpressive either. Through a longer and more winding journey, we will return to the same wonder of the man and the horse; and the wonder will be, if anything, even more astonishing. We shall catch another glimpse of St. George; all the more glorious because St. George is not riding on the horse, but rather riding on the dragon.

In this example, which I have taken merely because it is an example, it will be noted that I do not say that the nightmare seen by the first man of the forest is either more true or more wonderful than the normal mare of the stable seen by the civilised person who can appreciate what is normal. Of the two extremes, I think on the whole that the traditional grasp of truth is the better. But I say that the truth is found at one or other of these two extremes, and is lost in the intermediate condition of mere fatigue and forgetfulness of tradition. In other words, I say it is better to see a horse as a monster than to see it only as a slow substitute for a motor-car. If we have got into that state of mind about a horse as something stale, it is far better to be frightened of a horse because it is a good deal too fresh.

In this example, which I’m using just as an illustration, it should be noted that I’m not claiming that the nightmare experienced by the first man in the forest is any more real or impressive than the ordinary mare in the stable seen by the civilized person who can recognize what's normal. Between the two extremes, I generally believe that the traditional understanding of truth is preferable. However, I assert that truth exists at one of these two extremes and is lost in the middle ground of simple fatigue and forgetfulness of tradition. In other words, I argue that it’s better to view a horse as a monster than just as a slow alternative to a car. If we've come to think of a horse as something boring, it’s much better to be afraid of a horse because it seems a bit too lively.

Now, as it is with the monster that is called a horse, so it is with the monster that is called a man. Of course the best condition of all, in my opinion, is always to have regarded man as he is regarded in my philosophy. He who holds the Christian and Catholic view of human nature will feel certain that it is a universal and therefore a sane view, and will be satisfied. But if he has lost the sane vision, he can only get it back by something very like a mad vision; that is, by seeing man as a strange animal and realising how strange an animal he is. But just as seeing the horse as a prehistoric prodigy ultimately led back to, and not away from, an admiration for the mastery of man, so the really detached consideration of the{13} curious career of man will lead back to, and not away from, the ancient faith in the dark designs of God. In other words, it is exactly when we do see how queer the quadruped is that we praise the man who mounts him; and exactly when we do see how queer the biped is that we praise the Providence that made him.

Now, just as it is with the creature known as a horse, it is the same with the creature known as a man. In my opinion, the best mindset is to view humanity as my philosophy suggests. Those who hold a Christian and Catholic view of human nature will feel confident that it is a universal and therefore rational perspective, and will be content. However, if someone has lost this rational understanding, the only way to regain it is through a perspective that may seem a bit crazy; that is, by seeing humanity as a peculiar species and recognizing how bizarre we really are. Just like viewing the horse as a prehistoric wonder eventually brings us back to an admiration for human mastery, a truly objective look at the curious journey of humanity will lead us back to, rather than away from, the ancient belief in God's mysterious plans. In other words, it is precisely when we acknowledge how odd the quadruped is that we admire the man who rides him; and it’s exactly when we recognize how strange the biped is that we appreciate the Providence that created him.

In short, it is the purpose of this introduction to maintain this thesis: that it is exactly when we do regard man as an animal that we know he is not an animal. It is precisely when we do try to picture him as a sort of horse on its hind legs that we suddenly realise that he must be something as miraculous as the winged horse that towered up into the clouds of heaven. All roads lead to Rome, all ways lead round again to the central and civilised philosophy, including this road through elfland and topsyturvydom. But it may be that it is better never to have left the land of a reasonable tradition, where men ride lightly upon horses and are mighty hunters before the Lord.

In short, the purpose of this introduction is to support this thesis: that it's exactly when we see humans as just animals that we realize they are not animals. It's when we try to imagine them as some kind of horse standing on its hind legs that we suddenly understand they must be something as extraordinary as the winged horse soaring into the clouds. All roads lead to Rome, and all paths circle back to the central and civilized philosophy, including this journey through a fantastical land and absurdity. However, it might be better never to have strayed from the land of reasonable tradition, where people ride easily on horses and are great hunters before the Lord.

So also in the specially Christian case we have to react against the heavy bias of fatigue. It is almost impossible to make the facts vivid, because the facts are familiar; and for fallen men it is often true that familiarity is fatigue. I am convinced that if we could tell the supernatural story of Christ word for word as of a Chinese hero, call him the Son of Heaven instead of the Son of God, and trace his rayed nimbus in the gold thread of Chinese embroideries or the gold lacquer of Chinese pottery instead of in the gold leaf of our own old Catholic paintings, there would be a unanimous testimony to the spiritual purity of the story. We should hear nothing then of the injustice of substitution or the illogicality of atonement, of the superstitious exaggeration of the burden of sin or the impossible insolence of an invasion of the laws of nature. We should admire the chivalry of the Chinese conception of a god who fell from the sky to fight the dragons and save the wicked from being{14} devoured by their own fault and folly. We should admire the subtlety of the Chinese view of life, which perceives that all human imperfection is in very truth a crying imperfection. We should admire the Chinese esoteric and superior wisdom, which said there are higher cosmic laws than the laws we know; we believe every common Indian conjurer who chooses to come to us and talk in the same style. If Christianity were only a new oriental fashion, it would never be reproached with being an old and oriental faith. I do not propose in this book to follow the alleged example of St. Francis Xavier with the opposite imaginative intention, and turn the Twelve Apostles into Mandarins; not so much to make them look like natives as to make them look like foreigners. I do not propose to work what I believe would be a completely successful practical joke; that of telling the whole story of the Gospel and the whole history of the Church in a setting of pagodas and pigtails; and noting with malignant humour how much it was admired as a heathen story in the very quarters where it is condemned as a Christian story. But I do propose to strike wherever possible this note of what is new and strange, and for that reason the style even on so serious a subject may sometimes be deliberately grotesque and fanciful. I do desire to help the reader to see Christendom from the outside in the sense of seeing it as a whole, against the background of other historic things; just as I desire him to see humanity as a whole against the background of natural things. And I say that in both cases, when seen thus, they stand out from their background like supernatural things. They do not fade into the rest with the colours of impressionism; they stand out from the rest with the colours of heraldry; as vivid as a red cross on a white shield or a black lion on a ground of gold. So stands the Red Clay against the green field of nature, or the White Christ against the red clay of his race.{15}

In the uniquely Christian context, we need to push back against the overwhelming fatigue that comes from familiarity. It's tough to make the facts engaging because they feel so well-known; for many people, familiarity can lead to boredom. I'm convinced that if we could tell the supernatural story of Christ just as we would a Chinese hero—calling him the Son of Heaven instead of the Son of God—and depict his radiant halo through the gold threads of Chinese embroidery or the gold lacquer of Chinese pottery instead of the gold leaf in our traditional Catholic art, people would unanimously acknowledge the spiritual beauty of the story. There would be no grumbling about the injustice of substitution or the illogicality of atonement, nor the exaggerated burden of sin or the audacious violation of natural laws. We would admire the nobility of the Chinese view of a god who descended from the sky to battle dragons and save the wicked from being consumed by their own mistakes and foolishness. We would appreciate the Chinese perspective that recognizes all human flaws as genuine cries for help. We would recognize the esoteric and superior wisdom of the Chinese, who believed in higher cosmic laws beyond our familiar ones; we accept every average magician from India who speaks in the same way. If Christianity were merely a new Eastern trend, it wouldn't be criticized as an old and Eastern faith. I don't intend in this book to follow the supposed example of St. Francis Xavier with the opposite imaginative goal, turning the Twelve Apostles into Mandarins—not to make them look like locals but rather to present them as outsiders. I’m not aiming to pull off what I believe would be a clever practical joke, retelling the entire Gospel and the history of the Church within the framework of pagodas and pigtails, while humorously observing how much it gets praised as a pagan tale in places where it's condemned as a Christian one. However, I do want to emphasize the new and unusual wherever I can, so even in discussing such a serious topic, the style may sometimes be intentionally quirky and imaginative. I want to help the reader see Christendom from an outside perspective, as a whole, against the backdrop of other historical contexts; similarly, I want them to see humanity as a whole against the backdrop of the natural world. When viewed this way, both stand out brightly against their backgrounds like supernatural entities. They don't blend into the surroundings like Impressionist colors; they stand out distinctly with the boldness of heraldry, as striking as a red cross on a white shield or a black lion on a field of gold. So too does the Red Clay stand out against the green fields of nature, or the White Christ against the red clay of his heritage.{15}

But in order to see them clearly we have to see them as a whole. We have to see how they developed as well as how they began; for the most incredible part of the story is that things which began thus should have developed thus. Any one who chooses to indulge in mere imagination can imagine that other things might have happened or other entities evolved. Any one thinking of what might have happened may conceive a sort of evolutionary equality; but any one facing what did happen must face an exception and a prodigy. If there was ever a moment when man was only an animal, we can if we choose make a fancy picture of his career transferred to some other animal. An entertaining fantasia might be made in which elephants built in elephantine architecture, with towers and turrets like tusks and trunks, cities beyond the scale of any colossus. A pleasant fable might be conceived in which a cow had developed a costume, and put on four boots and two pairs of trousers. We could imagine a Supermonkey more marvellous than any Superman, a quadrumanous creature carving and painting with his hands and cooking and carpentering with his feet. But if we are considering what did happen, we shall certainly decide that man has distanced everything else with a distance like that of the astronomical spaces and a speed like that of the still thunderbolt of the light. And in the same fashion, while we can if we choose see the Church amid a mob of Mithraic or Manichean superstitions squabbling and killing each other at the end of the Empire, while we can if we choose imagine the Church killed in the struggle and some other chance cult taking its place, we shall be the more surprised (and possibly puzzled) if we meet it two thousand years afterwards rushing through the ages as the winged thunderbolt of thought and everlasting enthusiasm; a thing without rival or resemblance; and still as new as it is old.

But to see them clearly, we need to view them as a whole. We have to understand how they developed as well as how they started; because the most astonishing part of the story is that things which began this way should have evolved this way. Anyone who wants to indulge in pure imagination can picture different outcomes or other beings evolving. Anyone contemplating what might have occurred could envision a kind of evolutionary equality; but anyone confronting what actually happened has to reckon with an exception and a marvel. If there was ever a time when humans were just animals, we could, if we want, create a fanciful image of our history transferred to some other animal. We could come up with an entertaining fantasy where elephants built massive structures, with towers and turrets resembling tusks and trunks, cities larger than any colossus. A delightful tale could be imagined in which a cow developed a wardrobe, donning four boots and two pairs of pants. We could envision a Supermonkey more amazing than any Superman, a creature with four limbs crafting art with its hands and cooking and building with its feet. But if we are examining what did happen, we will undoubtedly conclude that humans have distanced themselves from everything else with a gap akin to the vastness of space and a speed like the silent thunder of light. Likewise, while we can, if we choose, picture the Church amidst a crowd of Mithraic or Manichean superstitions fighting and killing each other at the end of the Empire, and while we can envision the Church being vanquished in that struggle with some other chance cult taking its place, we will be even more astonished (and perhaps confused) when we encounter it two thousand years later, racing through history as the winged thunderbolt of thought and timeless passion; something without a rival or equivalent; still as fresh as it is ancient.

PART I

ON THE CREATURE CALLED MAN

CHAPTER I

THE MAN IN THE CAVE

Far away in some strange constellation in skies infinitely remote, there is a small star, which astronomers may some day discover. At least I could never observe in the faces or demeanour of most astronomers or men of science any evidence that they had discovered it; though as a matter of fact they were walking about on it all the time. It is a star that brings forth out of itself very strange plants and very strange animals; and none stranger than the men of science. That at least is the way in which I should begin a history of the world if I had to follow the scientific custom of beginning with an account of the astronomical universe. I should try to see even this earth from the outside, not by the hackneyed insistence of its relative position to the sun, but by some imaginative effort to conceive its remote position for the dehumanised spectator. Only I do not believe in being dehumanised in order to study humanity. I do not believe in dwelling upon the distances that are supposed to dwarf the world; I think there is even something a trifle vulgar about this idea of trying to rebuke spirit by size. And as the first idea is not feasible, that of making the earth a strange planet so as to make it significant, I will not stoop to the other trick of making it a small planet in order to make it insignificant. I would rather insist that we do not even know that it is a planet at all, in the sense in which we know that it is a place; and a very extraordinary place too. That is the note which I wish to strike from the first, if not{20} in the astronomical, then in some more familiar fashion.

Far away in some distant constellation in the infinitely remote skies, there is a small star that astronomers might discover someday. At least, I never saw any signs in the faces or behavior of most astronomers or scientists that they had found it; even though, in reality, they were walking around on it all the time. It’s a star that produces very unusual plants and animals, with none stranger than the scientists themselves. That’s how I would start a history of the world if I had to follow the scientific practice of beginning with a description of the astronomical universe. I would aim to see this Earth from the outside, not by the tired perspective of its location relative to the sun, but through some imaginative effort to envision its distant position for a detached observer. However, I don’t believe in being detached to study humanity. I don’t think we should focus on the distances that supposedly diminish the world; there’s something a bit crass about the idea of trying to belittle the spirit by sheer size. And since the first idea isn’t workable, I won’t resort to making the Earth a strange planet just to make it significant. I would rather assert that we don’t even know for sure that it’s a planet at all, in the same way we know it’s a place; and an extraordinary place at that. That’s the point I want to emphasize from the very beginning, not{20} in an astronomical way, but in a more relatable manner.

One of my first journalistic adventures, or misadventures, concerned a comment on Grant Allen, who had written a book about the Evolution of the Idea of God. I happened to remark that it would be much more interesting if God wrote a book about the evolution of the idea of Grant Allen. And I remember that the editor objected to my remark on the ground that it was blasphemous; which naturally amused me not a little. For the joke of it was, of course, that it never occurred to him to notice the title of the book itself, which really was blasphemous; for it was, when translated into English, ‘I will show you how this nonsensical notion that there is a God grew up among men.’ My remark was strictly pious and proper; confessing the divine purpose even in its most seemingly dark or meaningless manifestations. In that hour I learned many things, including the fact that there is something purely acoustic in much of that agnostic sort of reverence. The editor had not seen the point, because in the title of the book the long word came at the beginning and the short word at the end; whereas in my comment the short word came at the beginning and gave him a sort of shock. I have noticed that if you put a word like God into the same sentence with a word like dog, these abrupt and angular words affect people like pistol-shots. Whether you say that God made the dog or the dog made God does not seem to matter; that is only one of the sterile disputations of the too subtle theologians. But so long as you begin with a long word like evolution the rest will roll harmlessly past; very probably the editor had not read the whole of the title, for it is rather a long title and he was rather a busy man.

One of my first journalism experiences, or maybe misadventures, was about a comment on Grant Allen, who had written a book about the Evolution of the Idea of God. I happened to say that it would be much more fascinating if God wrote a book about the evolution of the idea of Grant Allen. I remember the editor took issue with my comment, claiming it was blasphemous; which honestly made me laugh quite a bit. The irony was that it never crossed his mind to notice the title of the book itself, which was actually blasphemous; because when translated into English, it meant, ‘I will show you how this nonsensical idea that there is a God developed among people.’ My comment was completely pious and proper, acknowledging the divine purpose even in its most seemingly dark or meaningless forms. In that moment, I learned many things, including that there’s something purely acoustic in a lot of that agnostic kind of reverence. The editor didn’t get the point because in the book's title the long word came first and the short word last; whereas in my comment, the short word came first, which shocked him. I’ve noticed that if you place a word like God in the same sentence as a word like dog, these abrupt and striking words hit people like gunshots. Whether you say that God created the dog or the dog created God doesn’t seem to matter; that’s just one of the unproductive debates of the overly complex theologians. But as long as you start with a long word like evolution, the rest will go by without issue; the editor probably hadn’t read the entire title, considering it’s quite long and he was rather busy.

But this little incident has always lingered in my mind as a sort of parable. Most modern histories of mankind begin with the word evolution, and with a{21} rather wordy exposition of evolution, for much the same reason that operated in this case. There is something slow and soothing and gradual about the word and even about the idea. As a matter of fact, it is not, touching these primary things, a very practical word or a very profitable idea. Nobody can imagine how nothing could turn into something. Nobody can get an inch nearer to it by explaining how something could turn into something else. It is really far more logical to start by saying ‘In the beginning God created heaven and earth’ even if you only mean ‘In the beginning some unthinkable power began some unthinkable process.’ For God is by its nature a name of mystery, and nobody ever supposed that man could imagine how a world was created any more than he could create one. But evolution really is mistaken for explanation. It has the fatal quality of leaving on many minds the impression that they do understand it and everything else; just as many of them live under a sort of illusion that they have read the Origin of Species.

But this little incident has always stuck in my mind as a kind of parable. Most modern histories of humanity start with the word evolution and a{21} somewhat verbose explanation of evolution, for much the same reason as this case. There's something slow, soothing, and gradual about the word and even the idea. In fact, when it comes to these fundamental things, it’s not a very practical word or a particularly useful idea. No one can truly grasp how nothing could transform into something. No one can get any closer to understanding it by explaining how something can change into something else. It’s actually much more logical to begin with the statement, “In the beginning God created heaven and earth,” even if you only intend to express, “In the beginning, some unimaginable power initiated some unimaginable process.” Because God, by its nature, represents mystery, and no one ever thought that humans could comprehend how a world was created any more than they could create one themselves. But evolution is often mistaken for an explanation. It has the troubling effect of leading many people to believe that they understand it and everything else; just as many of them live under the illusion that they have read the Origin of Species.

But this notion of something smooth and slow, like the ascent of a slope, is a great part of the illusion. It is an illogicality as well as an illusion; for slowness has really nothing to do with the question. An event is not any more intrinsically intelligible or unintelligible because of the pace at which it moves. For a man who does not believe in a miracle, a slow miracle would be just as incredible as a swift one. The Greek witch may have turned sailors to swine with a stroke of the wand. But to see a naval gentleman of our acquaintance looking a little more like a pig every day, till he ended with four trotters and a curly tail, would not be any more soothing. It might be rather more creepy and uncanny. The medieval wizard may have flown through the air from the top of a tower; but to see an old gentleman walking through the air, in a leisurely and lounging manner, would still seem to call for some explanation.{22} Yet there runs through all the rationalistic treatment of history this curious and confused idea that difficulty is avoided, or even mystery eliminated, by dwelling on mere delay or on something dilatory in the processes of things. There will be something to be said upon particular examples elsewhere; the question here is the false atmosphere of facility and ease given by the mere suggestion of going slow; the sort of comfort that might be given to a nervous old woman travelling for the first time in a motor-car.

But this idea of something smooth and slow, like climbing a hill, is a big part of the illusion. It’s both illogical and an illusion because slowness really has nothing to do with the question. An event isn’t any clearer or harder to understand just because of how fast it happens. For someone who doesn’t believe in miracles, a slow miracle would be just as unbelievable as a fast one. The Greek witch might have transformed sailors into pigs with a wave of her wand. But watching a navy officer we know slowly start to look more like a pig every day, until he ended up with four hooves and a curly tail, wouldn’t be any less unsettling. It might even be creepier. The medieval wizard might have flown through the air from a tower, but seeing an old man strolling through the air in a relaxed way would still need some explanation. Yet, there’s this strange and muddled notion running through all the rational treatment of history that suggests we can avoid difficulty or even eliminate mystery by focusing on mere delays or something slow in how things unfold. There will be more to say about specific examples later; the issue here is the misleading atmosphere of simplicity and ease created by the mere suggestion of taking it slow; the kind of comfort that might be offered to an anxious older woman traveling in a car for the first time.{22}

Mr. H. G. Wells has confessed to being a prophet; and in this matter he was a prophet at his own expense. It is curious that his first fairy-tale was a complete answer to his last book of history. The Time Machine destroyed in advance all comfortable conclusions founded on the mere relativity of time. In that sublime nightmare the hero saw trees shoot up like green rockets, and vegetation spread visibly like a green conflagration, or the sun shoot across the sky from east to west with the swiftness of a meteor. Yet in his sense these things were quite as natural when they went swiftly; and in our sense they are quite as supernatural when they go slowly. The ultimate question is why they go at all; and anybody who really understands that question will know that it always has been and always will be a religious question; or at any rate a philosophical or metaphysical question. And most certainly he will not think the question answered by some substitution of gradual for abrupt change; or, in other words, by a merely relative question of the same story being spun out or rattled rapidly through, as can be done with any story at a cinema by turning a handle.

Mr. H. G. Wells has admitted to being a prophet, and in this case, he was a prophet at his own expense. It's interesting that his first fairy tale was a complete response to his last history book. The Time Machine preemptively dismantled all comfortable conclusions based on the simple relativity of time. In that incredible nightmare, the hero saw trees shoot up like green rockets, and plants spread visibly like a green fire, or the sun racing across the sky from east to west with the speed of a meteor. Yet in his view, these things felt just as normal when they happened quickly; and from our perspective, they feel just as unnatural when they happen slowly. The ultimate question is why they happen at all; anyone who truly understands that question will know it has always been and will always be a question of faith, or at least a philosophical or metaphysical one. And they certainly will not think the question is resolved by simply replacing sudden changes with gradual ones; in other words, by treating it as a matter of the same story being slowly unfolded or quickly rushed through, like how any movie can be sped up or slowed down at the cinema by turning a handle.

Now what is needed for these problems of primitive existence is something more like a primitive spirit. In calling up this vision of the first things, I would ask the reader to make with me a sort of experiment in simplicity. And by simplicity I do not mean stupidity, but rather the sort of clarity that sees{23} things like life rather than words like evolution. For this purpose it would really be better to turn the handle of the Time Machine a little more quickly and see the grass growing and the trees springing up into the sky, if that experiment could contract and concentrate and make vivid the upshot of the whole affair. What we know, in a sense in which we know nothing else, is that the trees and the grass did grow and that a number of other extraordinary things do in fact happen; that queer creatures support themselves in the empty air by beating it with fans of various fantastic shapes; that other queer creatures steer themselves about alive under a load of mighty waters; that other queer creatures walk about on four legs, and that the queerest creature of all walks about on two. These are things and not theories; and compared with them evolution and the atom and even the solar system are merely theories. The matter here is one of history and not of philosophy; so that it need only be noted that no philosopher denies that a mystery still attaches to the two great transitions: the origin of the universe itself and the origin of the principle of life itself. Most philosophers have the enlightenment to add that a third mystery attaches to the origin of man himself. In other words, a third bridge was built across a third abyss of the unthinkable when there came into the world what we call reason and what we call will. Man is not merely an evolution but rather a revolution. That he has a backbone or other parts upon a similar pattern to birds and fishes is an obvious fact, whatever be the meaning of the fact. But if we attempt to regard him, as it were, as a quadruped standing on his hind legs, we shall find what follows far more fantastic and subversive than if he were standing on his head.

Now, what we really need to address the challenges of basic existence is something more like a primitive spirit. In bringing up this idea of the origins, I’d like to invite the reader to join me in a bit of an experiment in simplicity. And when I say simplicity, I don’t mean ignorance; I mean a clarity that focuses on things like life rather than concepts like evolution. For this purpose, it would actually be better to speed up the Time Machine a bit to see the grass growing and the trees reaching up into the sky, if that experiment could condense and highlight the essence of the whole situation. What we know, in a way that we don’t know anything else, is that the trees and the grass did grow and that a number of other amazing things really do happen; that strange creatures support themselves in the air by flapping fans of various odd shapes; that other strange creatures navigate through deep waters while alive; that some creatures move around on four legs, and the strangest creature of all moves around on two. These are facts, not theories; and in comparison, evolution, atoms, and even the solar system are merely theories. This matter is historical, not philosophical; so it’s worth noting that no philosopher denies that there remains a mystery surrounding the two major transitions: the origin of the universe itself and the origin of life itself. Most philosophers wisely add that a third mystery surrounds the origin of man. In other words, a third bridge was built across a third chasm of the unimaginable when what we call reason and will came into the world. Man is not just an evolution but rather a revolution. That he has a backbone and other body parts similar to birds and fish is an obvious fact, no matter what that fact means. However, if we try to view him, so to speak, as a four-legged creature standing on his hind legs, we’ll find what follows to be far more bizarre and disruptive than if he were standing on his head.

I will take one example to serve for an introduction to the story of man. It illustrates what I mean by saying that a certain childish directness is needed to{24} see the truth about the childhood of the world. It illustrates what I mean by saying that a mixture of popular science and journalistic jargon has confused the facts about the first things, so that we cannot see which of them really comes first. It illustrates, though only in one convenient illustration, all that I mean by the necessity of seeing the sharp differences that give its shape to history, instead of being submerged in all these generalisations about slowness and sameness. For we do indeed require, in Mr. Wells’s phrase, an outline of history. But we may venture to say, in Mr. Mantalini’s phrase, that this evolutionary history has no outline or is a demd outline. But, above all, it illustrates what I mean by saying that the more we really look at man as an animal, the less he will look like one.

I’ll take one example to introduce the story of humanity. It shows what I mean when I say that we need a certain childlike honesty to{24} recognize the truth about the world's childhood. It also highlights how a mix of popular science and journalistic language has muddied the facts about the origins of things, making it hard for us to identify what truly comes first. It illustrates, albeit through one convenient example, everything I mean by the importance of recognizing the distinct differences that shape history, rather than getting lost in all these generalizations about slowness and uniformity. We actually need, as Mr. Wells puts it, a framework of history. Yet, we could also say, in Mr. Mantalini's words, that this evolutionary history lacks a clear outline or is an unclear outline. Most importantly, it illustrates what I mean by stating that the more we genuinely observe man as an animal, the less he appears to be one.

To-day all our novels and newspapers will be found swarming with numberless allusions to a popular character called a Cave-Man. He seems to be quite familiar to us, not only as a public character but as a private character. His psychology is seriously taken into account in psychological fiction and psychological medicine. So far as I can understand, his chief occupation in life was knocking his wife about, or treating women in general with what is, I believe, known in the world of the film as ‘rough stuff.’ I have never happened to come upon the evidence for this idea; and I do not know on what primitive diaries or prehistoric divorce-reports it is founded. Nor, as I have explained elsewhere, have I ever been able to see the probability of it, even considered a priori. We are always told without any explanation or authority that primitive man waved a club and knocked the woman down before he carried her off. But on every animal analogy, it would seem an almost morbid modesty and reluctance, on the part of the lady, always to insist on being knocked down before consenting to be carried off. And I repeat that I can never comprehend why,{25} when the male was so very rude, the female should have been so very refined. The cave-man may have been a brute, but there is no reason why he should have been more brutal than the brutes. And the loves of the giraffes and the river romances of the hippopotami are effected without any of this preliminary fracas or shindy. The cave-man may have been no better than the cave-bear; but the child she-bear, so famous in hymnology, is not trained with any such bias for spinsterhood. In short, these details of the domestic life of the cave puzzle me upon either the evolutionary or the static hypothesis; and in any case I should like to look into the evidence for them; but unfortunately I have never been able to find it. But the curious thing is this: that while ten thousand tongues of more or less scientific or literary gossip seemed to be talking at once about this unfortunate fellow, under the title of the cave-man, the one connection in which it is really relevant and sensible to talk about him as the cave-man has been comparatively neglected. People have used this loose term in twenty loose ways; but they have never even looked at their own term for what could really be learned from it.

Today, all our novels and newspapers are filled with countless references to a popular character known as the Cave-Man. He seems familiar to us, not just as a public figure but also as a personal one. His psychology is seriously considered in psychological fiction and mental health discussions. As far as I can tell, his main role in life involved being rough with his wife or treating women in general with what I think is referred to in the film world as "rough stuff." I've never encountered any proof for this idea, and I don't know what primitive diaries or prehistoric divorce records it’s based on. Nor, as I've said before, have I ever been able to see why this makes sense, even in theory. We're often told without explanation that primitive man swung a club and knocked the woman down before taking her away. But based on how animals behave, it seems odd that a woman would always want to be knocked down before agreeing to be taken away. I still can't understand why, when the male was so rude, the female had to be so refined. The cave-man might have been a brute, but there's no reason to think he was worse than actual beasts. The courtships of giraffes and the love lives of hippos happen without any of this initial chaos. The cave-man might not have been better than the cave-bear, but the famous she-bear from songs doesn't have any special inclination toward being single. In short, these aspects of cave life confuse me, whether viewed through evolution or in a static way; I would like to investigate the evidence for them, but unfortunately, I've never been able to find it. The strange thing is this: while countless voices discussing science and literature seem to be talking nonstop about this poor guy called the cave-man, the one context in which it actually makes sense to refer to him as the cave-man has been largely overlooked. People use this vague term in many ways, but they haven’t even stopped to examine what they could truly learn from it.

In fact, people have been interested in everything about the cave-man except what he did in the cave. Now there does happen to be some real evidence of what he did in the cave. It is little enough, like all the prehistoric evidence, but it is concerned with the real cave-man and his cave and not the literary cave-man and his club. And it will be valuable to our sense of reality to consider quite simply what that real evidence is, and not to go beyond it. What was found in the cave was not the club, the horrible gory club notched with the number of women it had knocked on the head. The cave was not a Bluebeard’s Chamber filled with the skeletons of slaughtered wives; it was not filled with female skulls all arranged in rows and all cracked like eggs. It was something{26} quite unconnected, one way or the other, with all the modern phrases and philosophical implications and literary rumours which confuse the whole question for us. And if we wish to see as it really is this authentic glimpse of the morning of the world, it will be far better to conceive even the story of its discovery as some such legend of the land of morning. It would be far better to tell the tale of what was really found as simply as the tale of heroes finding the Golden Fleece or the Gardens of the Hesperides, if we could so escape from a fog of controversial theories into the clear colours and clean-cut outlines of such a dawn. The old epic poets at least knew how to tell a story, possibly a tall story but never a twisted story, never a story tortured out of its own shape to fit theories and philosophies invented centuries afterwards. It would be well if modern investigators could describe their discoveries in the bald narrative style of the earliest travellers, and without any of these long allusive words that are full of irrelevant implication and suggestion. Then we might realise exactly what we do know about the cave-man, or at any rate about the cave.

People have been curious about everything related to the caveman except what he actually did in the cave. There is some real evidence of what he did in there. It’s not much, just like all prehistoric evidence, but it’s about the real caveman and his cave, not the fictional caveman and his club. It’ll help us understand reality better if we just consider what that real evidence is and don’t go beyond it. What was found in the cave wasn’t the club, the gruesome club marked with the number of women it had hit. The cave wasn’t a Bluebeard's Chamber filled with the skeletons of murdered wives; it wasn’t packed with female skulls all lined up and cracked like eggs. It was something{26} completely unrelated to all the modern phrases and philosophical ideas that confuse the issue for us. If we want to see this authentic glimpse of the world's dawn as it truly is, it’s better to think of even the story of its discovery as a kind of legend from that early time. It would be ideal to narrate the tale of what was actually found as simply as the stories of heroes discovering the Golden Fleece or the Gardens of the Hesperides, if we could break free from the fog of controversial theories into the vibrant colors and clear lines of such a dawn. The old epic poets knew how to tell a story, possibly an exaggerated one but never a convoluted one, never a story twisted into a shape to fit theories and philosophies created centuries later. It would be great if modern researchers could describe their findings in the straightforward narrative style of the earliest travelers, without all these long, allusive words full of irrelevant implications and suggestions. Then we might truly understand what we know about the caveman, or at least about the cave.

A priest and a boy entered some time ago a hollow in the hills and passed into a sort of subterranean tunnel that led into a labyrinth of such sealed and secret corridors of rock. They crawled through cracks that seemed almost impassable, they crept through tunnels that might have been made for moles, they dropped into holes as hopeless as wells, they seemed to be burying themselves alive seven times over beyond the hope of resurrection. This is but the commonplace of all such courageous exploration; but what is needed here is some one who shall put such stories in the primary light, in which they are not commonplace. There is, for instance, something strangely symbolic in the accident that the first intruders into that sunken world were a priest and a boy, the types of the antiquity and of the{27} youth of the world. But here I am even more concerned with the symbolism of the boy than with that of the priest. Nobody who remembers boyhood needs to be told what it might be to a boy to enter like Peter Pan under a roof of the roots of all the trees and go deeper and deeper, till he reach what William Morris called the very roots of the mountains. Suppose somebody, with that simple and unspoilt realism that is a part of innocence, to pursue that journey to its end, not for the sake of what he could deduce or demonstrate in some dusty magazine controversy, but simply for the sake of what he could see. What he did see at last was a cavern so far from the light of day that it might have been the legendary Domdaniel cavern that was under the floor of the sea. This secret chamber of rock, when illuminated after its long night of unnumbered ages, revealed on its walls large and sprawling outlines diversified with coloured earths; and when they followed the lines of them they recognised, across that vast and void of ages, the movement and the gesture of a man’s hand. They were drawings or paintings of animals; and they were drawn or painted not only by a man but by an artist. Under whatever archaic limitations, they showed that love of the long sweeping or the long wavering line which any man who has ever drawn or tried to draw will recognise; and about which no artist will allow himself to be contradicted by any scientist. They showed the experimental and adventurous spirit of the artist, the spirit that does not avoid but attempt difficult things; as where the draughtsman had represented the action of the stag when he swings his head clean round and noses towards his tail, an action familiar enough in the horse. But there are many modern animal-painters who would set themselves something of a task in rendering it truly. In this and twenty other details it is clear that the artist had watched animals with a certain interest and presumably a certain pleasure.{28} In that sense it would seem that he was not only an artist but a naturalist; the sort of naturalist who is really natural.

A priest and a boy entered a hollow in the hills some time ago and passed into a kind of underground tunnel that led into a maze of sealed and hidden rock corridors. They crawled through gaps that seemed nearly impossible to get through, crept through tunnels that seemed made for moles, and dropped into pits as deep as wells, making them feel like they were burying themselves alive without any hope of coming back. This is just the usual part of such brave exploration; what's needed here is someone who can shed new light on these stories so they don't feel ordinary. For example, it’s oddly symbolic that the first explorers of that sunken world were a priest and a boy, representing ancient tradition and the youth of the world. However, I’m more interested in the boy’s symbolism than the priest's. Anyone who remembers being a boy knows what it could be like to enter, like Peter Pan, under the roots of all the trees and go deeper and deeper until reaching what William Morris called the deepest roots of the mountains. Imagine someone, with the simple and untainted realism that comes with innocence, continuing that journey to the end, not for some scholarly debate but just for the sake of experiencing what they could see. What they eventually discovered was a cavern so far from daylight that it could have been the legendary Domdaniel cavern beneath the sea. This hidden chamber, once lit after its long period of darkness, revealed large and sprawling images painted with colored earth on its walls; and as they traced these shapes, they recognized, across that vast emptiness of ages, the movement and gesture of a man’s hand. They were drawings or paintings of animals; not just made by a man but by an artist. Despite whatever ancient constraints, these works showed a love for the long, flowing line that anyone who has ever tried to draw will recognize, and no artist would let any scientist argue against. They demonstrated the experimental and adventurous spirit of the artist, the spirit that embraces challenging tasks; like when the artist captured the moment a stag swings its head around to look at its tail, a movement familiar in horses. But many modern animal painters would struggle to accurately depict it. In this and many other details, it’s clear the artist observed animals with keen interest and likely enjoyment. In that sense, it seems he was not just an artist but a truly natural naturalist.

Now it is needless to note, except in passing, that there is nothing whatever in the atmosphere of that cave to suggest the bleak and pessimistic atmosphere of that journalistic cave of the winds, that blows and bellows about us with countless echoes concerning the cave-man. So far as any human character can be hinted at by such traces of the past, that human character is quite human and even humane. It is certainly not the ideal of an inhuman character, like the abstraction invoked in popular science. When novelists and educationists and psychologists of all sorts talk about the cave-man, they never conceive him in connection with anything that is really in the cave. When the realist of the sex novel writes, ‘Red sparks danced in Dagmar Doubledick’s brain; he felt the spirit of the cave-man rising within him,’ the novelist’s readers would be very much disappointed if Dagmar only went off and drew large pictures of cows on the drawing-room wall. When the psychoanalyst writes to a patient, ‘The submerged instincts of the cave-man are doubtless prompting you to gratify a violent impulse,’ he does not refer to the impulse to paint in water-colours; or to make conscientious studies of how cattle swing their heads when they graze. Yet we do know for a fact that the cave-man did these mild and innocent things; and we have not the most minute speck of evidence that he did any of the violent and ferocious things. In other words, the cave-man as commonly presented to us is simply a myth or rather a muddle; for a myth has at least an imaginative outline of truth. The whole of the current way of talking is simply a confusion and a misunderstanding, founded on no sort of scientific evidence and valued only as an excuse for a very modern mood of anarchy. If any gentleman wants to knock a woman about, he can{29} surely be a cad without taking away the character of the cave-man, about whom we know next to nothing except what we can gather from a few harmless and pleasing pictures on a wall.

Now, it's worth mentioning, just in passing, that there's nothing in the atmosphere of that cave to suggest the bleak and pessimistic vibe of that journalistic "cave of winds," which swirls around us with endless echoes about the cave-man. From any human traits we can glean from such remnants of the past, that human character is quite relatable and even compassionate. It's definitely not the ideal of an inhuman figure, like the abstract ideas often cited in popular science. When novelists, educators, and psychologists talk about the cave-man, they never really connect him to anything real found in the cave. When the realist in a sex novel writes, ‘Red sparks danced in Dagmar Doubledick’s brain; he felt the spirit of the cave-man rising within him,’ the readers would be pretty disappointed if Dagmar just went off and drew big pictures of cows on the drawing-room wall. When a psychoanalyst tells a patient, ‘The buried instincts of the cave-man are probably pushing you to fulfill a violent impulse,’ he’s definitely not referring to the urge to paint with watercolors or to study how cattle swing their heads while grazing. But we do know for a fact that the cave-man engaged in those mild and harmless activities; and we don't have a single shred of evidence that he did any of the violent or brutal things. In other words, the cave-man as he's usually depicted is simply a myth or, more accurately, a confusion; because a myth at least has some imaginative truth to it. The current way of discussing this topic is purely a muddle and a misunderstanding, based on no scientific evidence whatsoever and valued only as a justification for a very modern sense of chaos. If any guy wants to hurt a woman, he can surely be a jerk without claiming to embody the character of the cave-man, about whom we know little more than what we can infer from a few harmless and pleasant drawings on a wall.

But this is not the point about the pictures or the particular moral here to be drawn from them. That moral is something much larger and simpler, so large and simple that when it is first stated it will sound childish. And indeed it is in the highest sense childish; and that is why I have in this apologue in some sense seen it through the eyes of a child. It is the biggest of all the facts really facing the boy in the cavern; and is perhaps too big to be seen. If the boy was one of the flock of the priest, it may be presumed that he had been trained in a certain quality of common sense; that common sense that often comes to us in the form of tradition. In that case he would simply recognise the primitive man’s work as the work of a man, interesting but in no way incredible in being primitive. He would see what was there to see; and he would not be tempted into seeing what was not there, by any evolutionary excitement or fashionable speculation. If he had heard of such things he would admit, of course, that the speculations might be true and were not incompatible with the facts that were true. The artist may have had another side to his character besides that which he has alone left on record in his works of art. The primitive man may have taken a pleasure in beating women as well as in drawing animals; all we can say is that the drawings record the one but not the other. It may be true that when the cave-man’s finished jumping on his mother, or his wife as the case may be, he loves to hear the little brook a-gurgling, and also to watch the deer as they come down to drink at the brook. These things are not impossible, but they are irrelevant. The common sense of the child could confine itself to learning from the facts what the facts have to teach; and the{30} pictures in the cave are very nearly all the facts there are. So far as that evidence goes, the child would be justified in assuming that a man had represented animals with rock and red ochre for the same reason as he himself was in the habit of trying to represent animals with charcoal and red chalk. The man had drawn a stag just as the child had drawn a horse; because it was fun. The man had drawn a stag with his head turned as the child had drawn a pig with his eyes shut; because it was difficult. The child and the man, being both human, would be united by the brotherhood of men; and the brotherhood of men is even nobler when it bridges the abyss of ages than when it bridges only the chasm of class. But anyhow he would see no evidence of the cave-man of crude evolutionism; because there is none to be seen. If somebody told him that the pictures had all been drawn by St. Francis of Assisi out of pure and saintly love of animals, there would be nothing in the cave to contradict it.

But that's not the main point about the pictures or the specific lesson to be learned from them. That lesson is something much broader and simpler, so broad and simple that when it's first stated, it might sound childish. And it truly is, in the most genuine sense of being childish; that's why I've seen this story in some ways through a child's perspective. It’s the most significant fact facing the boy in the cavern, and it may be too vast to recognize. If the boy were part of the priest’s congregation, he probably had been taught a certain type of common sense, the kind that often comes from tradition. In that case, he would simply see the primitive man's work as just that—work done by a person, interesting but not surprising for being primitive. He would notice what was visible and wouldn’t get distracted by any evolutionary excitement or trendy speculation. If he had heard about such ideas, he would accept that the speculations might be valid and could coexist with the facts that are true. The artist may have had aspects of his character beyond what is captured in his artworks. The primitive man might have enjoyed hitting women as well as drawing animals; all we can say is that the drawings show one side but not the other. It might be accurate that after the cave-man was done jumping on his mother or his wife, he enjoyed listening to the bubbling brook and watching the deer come to drink. These things are not impossible, but they are not relevant. A child's common sense could focus on learning from the facts what they can teach; and the pictures in the cave are pretty much all the facts available. Based on that evidence, the child could reasonably assume that a man represented animals with rock and red ochre for the same reason he himself tried to represent animals with charcoal and red chalk. The man drew a stag just like the child drew a horse, because it was fun. The man drew a stag with its head turned just like the child drew a pig with its eyes closed, because it was challenging. The child and the man, both being human, would be connected by the brotherhood of humanity; and this brotherhood is even more admirable when it spans the huge gap of ages than when it only crosses the divide of class. But regardless, he wouldn’t see any proof of the cave-man as a crude version of evolution; because there’s nothing to see. If someone told him that the pictures were all made by St. Francis of Assisi out of pure and saintly love for animals, there would be nothing in the cave to dispute it.

Indeed I once knew a lady who half-humorously suggested that the cave was a crèche, in which the babies were put to be specially safe, and that coloured animals were drawn on the walls to amuse them; very much as diagrams of elephants and giraffes adorn a modern infant school. And though this was but a jest, it does draw attention to some of the other assumptions that we make only too readily. The pictures do not prove even that the cave-men lived in caves, any more than the discovery of a wine-cellar in Balham (long after that suburb had been destroyed by human or divine wrath) would prove that the Victorian middle classes lived entirely underground. The cave might have had a special purpose like the cellar; it might have been a religious shrine or a refuge in war or the meeting-place of a secret society or all sorts of things. But it is quite true that its artistic decoration has much more of the atmosphere of a nursery than of any of these night{31}mares of anarchical fury and fear. I have conceived a child as standing in the cave; and it is easy to conceive any child, modern or immeasurably remote, as making a living gesture as if to pat the painted beasts upon the wall. In that gesture there is a foreshadowing, as we shall see later, of another cavern and another child.

I once knew a woman who jokingly suggested that the cave was like a daycare, where babies were kept safe, and colorful animals were painted on the walls to entertain them, similar to how pictures of elephants and giraffes decorate a modern preschool. Though it was just a joke, it highlights some of the other assumptions we tend to make too easily. The images don't prove that cavemen actually lived in caves, any more than finding a wine cellar in Balham, long after that area had been wiped out by human or divine intervention, would prove that the Victorian middle classes lived entirely underground. The cave might have had a specific purpose, like a cellar; it could have been a religious site, a shelter during wars, a meeting place for a secret society, or any number of things. However, it’s true that its artistic decoration feels much more like a nursery than any of those chaotic nightmares of fury and fear. I can picture a child standing in the cave, and it's easy to imagine any child, whether modern or from long ago, reaching out as if to touch the painted animals on the wall. In that gesture, there’s a hint, as we’ll explore later, of another cave and another child.

But suppose the boy had not been taught by a priest but by a professor, by one of the professors who simplify the relation of men and beasts to a mere evolutionary variation. Suppose the boy saw himself, with the same simplicity and sincerity, as a mere Mowgli running with the pack of nature and roughly indistinguishable from the rest save by a relative and recent variation. What would be for him the simplest lesson of that strange stone picture-book? After all, it would come back to this; that he had dug very deep and found the place where a man had drawn a picture of a reindeer. But he would dig a good deal deeper before he found a place where a reindeer had drawn a picture of a man. That sounds like a truism, but in this connection it is really a very tremendous truth. He might descend to depths unthinkable, he might sink into sunken continents as strange as remote stars, he might find himself in the inside of the world as far from men as the other side of the moon; he might see in those cold chasms or colossal terraces of stone, traced in the faint hieroglyphic of the fossil, the ruins of lost dynasties of biological life, rather like the ruins of successive creations and separate universes than the stages in the story of one. He would find the trail of monsters blindly developing in directions outside all our common imagery of fish and bird; groping and grasping and touching life with every extravagant elongation of horn and tongue and tentacle; growing a forest of fantastic caricatures of the claw and the fin and the finger. But nowhere would he find one finger that had traced one significant line upon the{32} sand; nowhere one claw that had even begun to scratch the faint suggestion of a form. To all appearance, the thing would be as unthinkable in all those countless cosmic variations of forgotten aeons as it would be in the beasts and birds before our eyes. The child would no more expect to see it than to see the cat scratch on the wall a vindictive caricature of the dog. The childish common sense would keep the most evolutionary child from expecting to see anything like that; yet in the traces of the rude and recently evolved ancestors of humanity he would have seen exactly that. It must surely strike him as strange that men so remote from him should be so near, and that beasts so near to him should be so remote. To his simplicity it must seem at least odd that he could not find any trace of the beginning of any arts among any animals. That is the simplest lesson to learn in the cavern of the coloured pictures; only it is too simple to be learnt. It is the simple truth that man does differ from the brutes in kind and not in degree; and the proof of it is here; that it sounds like a truism to say that the most primitive man drew a picture of a monkey, and that it sounds like a joke to say that the most intelligent monkey drew a picture of a man. Something of division and disproportion has appeared; and it is unique. Art is the signature of man.

But what if the boy had been taught by a professor instead of a priest, one of those professors who reduce the relationship between humans and animals to just an evolutionary difference? What if the boy saw himself, with the same simplicity and sincerity, as just another Mowgli running with nature’s pack, only slightly different from the others due to a recent change? What would be the simplest lesson he could learn from that strange stone picture book? In the end, it would come down to this: he dug very deep and found a spot where a man had drawn a picture of a reindeer. But he would have to dig much deeper before he found a place where a reindeer had drawn a picture of a man. That may seem obvious, but in this context, it's a powerful truth. He could dive into unimaginable depths, sink into lost continents as bizarre as distant stars, and explore the inner world as far from people as the far side of the moon; he might see in those cold chasms or massive stone terraces, marked by faint fossil hieroglyphs, the remnants of lost biological dynasties, more like the ruins of separate creations and universes rather than stages in one story. He would find evidence of creatures blindly evolving in ways that defy our typical ideas of fish and birds; reaching, grasping, and exploring existence with every extravagant length of horn, tongue, and tentacle; creating a bizarre forest of exaggerated versions of claws, fins, and fingers. Yet, he wouldn’t find a single finger that traced a meaningful line in the {32} sand; not one claw that even started to sketch out a form. To all appearances, this would be just as unimaginable amid those countless cosmic variations of forgotten ages as it is with the animals we see today. The child would not expect to see that any more than he would expect to see a cat scrawl an angry drawing of a dog on the wall. A child’s common sense would prevent even the most evolutionary-minded child from expecting anything like that; yet in the evidence of humanity's rough and recently evolved ancestors, he would have seen exactly that. It would surely seem strange to him that people, so distant in time, could feel so close, while the animals, so familiar, could feel so far away. To his simple perspective, it must appear odd that he couldn't find any sign of the start of any kind of art among any animals. That is the simplest lesson to grasp in the cavern of colorful pictures; only it's too simple to actually learn. It's the straightforward truth that humanity differs from animals in kind, not just degree; and the proof is here: it seems obvious that the most primitive human drew a picture of a monkey, while it sounds humorous to say that the most intelligent monkey drew a picture of a man. A division and disparity have emerged; and it's unique. Art is the mark of humanity.

That is the sort of simple truth with which a story of the beginnings ought really to begin. The evolutionist stands staring in the painted cavern at the things that are too large to be seen and too simple to be understood. He tries to deduce all sorts of other indirect and doubtful things from the details of the pictures, because he cannot see the primary significance of the whole; thin and theoretical deductions about the absence of religion or the presence of superstition; about tribal government and hunting and human sacrifice and heaven knows what. In the next chapter I shall try to trace in a little more detail{33} the much disputed question about these prehistoric origins of human ideas and especially of the religious idea. Here I am only taking this one case of the cave as a sort of symbol of the simpler sort of truth with which the story ought to start. When all is said, the main fact that the record of the reindeer men attests, along with all other records, is that the reindeer man could draw and the reindeer could not. If the reindeer man was as much an animal as the reindeer, it was all the more extraordinary that he could do what all other animals could not. If he was an ordinary product of biological growth, like any other beast or bird, then it is all the more extraordinary that he was not in the least like any other beast or bird. He seems rather more supernatural as a natural product than as a supernatural one.

That's the kind of straightforward truth that a story about beginnings should really start with. The evolutionist stands staring at the painted cave, looking at things that are too big to see and too simple to understand. He tries to infer all sorts of indirect and questionable ideas from the details of the pictures because he can't grasp the overall significance of the whole; he makes thin, theoretical claims about the absence of religion or the presence of superstition; about tribal governance, hunting, human sacrifice, and who knows what else. In the next chapter, I’ll attempt to explore a bit more in-depth{33} the highly debated question regarding these prehistoric origins of human ideas, especially the idea of religion. Here, I'm just using the cave as a sort of symbol for the simpler truth that the story should begin with. Ultimately, the key fact that the record of the reindeer people shows, along with all other records, is that the reindeer person could draw while the reindeer could not. If the reindeer person was as much an animal as the reindeer, then it’s even more remarkable that he could do what all other animals couldn’t. If he was just an ordinary product of biological development, like any other creature, then it’s even more extraordinary that he was nothing like any other creature. He seems more supernatural as a natural being than as a supernatural one.

But I have begun this story in the cave, like the cave of the speculations of Plato, because it is a sort of model of the mistake of merely evolutionary introductions and prefaces. It is useless to begin by saying that everything was slow and smooth and a mere matter of development and degree. For in a plain matter like the pictures there is in fact not a trace of any such development or degree. Monkeys did not begin pictures and men finish them; Pithecanthropus did not draw a reindeer badly and Homo Sapiens draw it well. The higher animals did not draw better and better portraits; the dog did not paint better in his best period than in his early bad manner as a jackal; the wild horse was not an Impressionist and the race-horse a Post-Impressionist. All we can say of this notion of reproducing things in shadow or representative shape is that it exists nowhere in nature except in man; and that we cannot even talk about it without treating man as something separate from nature. In other words, every sane sort of history must begin with man as man, a thing standing absolute and alone. How he came there, or indeed how anything else came there,{34} is a thing for theologians and philosophers and scientists and not for historians. But an excellent test case of this isolation and mystery is the matter of the impulse of art. This creature was truly different from all other creatures; because he was a creator as well as a creature. Nothing in that sense could be made in any other image but the image of man. But the truth is so true that, even in the absence of any religious belief, it must be assumed in the form of some moral or metaphysical principle. In the next chapter we shall see how this principle applies to all the historical hypotheses and evolutionary ethics now in fashion; to the origins of tribal government or mythological belief. But the clearest and most convenient example to start with is this popular one of what the cave-man really did in his cave. It means that somehow or other a new thing had appeared in the cavernous night of nature; a mind that is like a mirror. It is like a mirror because it is truly a thing of reflection. It is like a mirror because in it alone all the other shapes can be seen like shining shadows in a vision. Above all, it is like a mirror because it is the only thing of its kind. Other things may resemble it or resemble each other in various ways; other things may excel it or excel each other in various ways; just as in the furniture of a room a table may be round like a mirror or a cupboard may be larger than a mirror. But the mirror is the only thing that can contain them all. Man is the microcosm; man is the measure of all things; man is the image of God. These are the only real lessons to be learnt in the cave, and it is time to leave it for the open road.

But I've started this story in a cave, like Plato's cave, because it's a perfect example of the error in just focusing on evolutionary introductions and prefaces. It's pointless to say everything developed slowly and smoothly. When it comes to something straightforward like art, there's no real evidence of such gradual development. Monkeys didn't start creating art and then humans perfected it; Pithecanthropus didn't sketch a reindeer poorly while Homo Sapiens drew it well. Higher animals didn’t gradually create better and better portraits; a dog didn't paint better during its prime than when it was a young jackal; the wild horse wasn’t an Impressionist while the racehorse was a Post-Impressionist. The notion of reproducing things in shadow or representative form is found nowhere in nature except in humans, and we can't even discuss it without treating humans as something separate from nature. In other words, a reasonable history must start with man as man—an absolute and solitary entity. How he got there, or how anything else did, is a question for theologians, philosophers, and scientists, not historians. However, a great example of this isolation and mystery is the impulse of art. This being is genuinely different from all others because he is both a creator and a creature. Nothing could be made in any other image but that of man. Yet this truth is so undeniable that, even without any religious belief, it must be taken as a moral or metaphysical principle. In the next chapter, we’ll discuss how this principle relates to the current historical hypotheses and evolutionary ethics surrounding the origins of tribal government or mythological belief. But the clearest and simplest example to begin with is the common idea of what the cave-man actually did in his cave. It implies that somehow, something new emerged from the darkness of nature: a mind that acts like a mirror. It’s like a mirror because it reflects. It’s like a mirror because it can see all the other shapes like shining shadows in a vision. Most importantly, it’s like a mirror because it’s the only one of its kind. Other things may resemble it or each other in different ways; other things may surpass it or each other in various aspects, just as a table in a room may be round like a mirror or a cupboard may be larger than a mirror. But the mirror is the only thing that can hold them all. Man is the microcosm; man is the measure of all things; man is the image of God. These are the only real lessons to learn in the cave, and now it’s time to leave for the open road.

It will be well in this place, however, to sum up once and for all what is meant by saying that man is at once the exception to everything and the mirror and the measure of all things. But to see man as he is, it is necessary once more to keep close to that simplicity that can clear itself of accumulated clouds{35} of sophistry. The simplest truth about man is that he is a very strange being; almost in the sense of being a stranger on the earth. In all sobriety, he has much more of the external appearance of one bringing alien habits from another land than of a mere growth of this one. He has an unfair advantage and an unfair disadvantage. He cannot sleep in his own skin; he cannot trust his own instincts. He is at once a creator moving miraculous hands and fingers and a kind of cripple. He is wrapped in artificial bandages called clothes; he is propped on artificial crutches called furniture. His mind has the same doubtful liberties and the same wild limitations. Alone among the animals, he is shaken with the beautiful madness called laughter; as if he had caught sight of some secret in the very shape of the universe hidden from the universe itself. Alone among the animals he feels the need of averting his thoughts from the root realities of his own bodily being; of hiding them as in the presence of some higher possibility which creates the mystery of shame. Whether we praise these things as natural to man or abuse them as artificial in nature, they remain in the same sense unique. This is realised by the whole popular instinct called religion, until disturbed by pedants, especially the laborious pedants of the Simple Life. The most sophistical of all sophists are Gymnosophists.

It makes sense here to sum up, once and for all, what it means to say that humans are both the exception to everything and the reflection and standard of all things. To truly understand humanity, we need to return to a simplicity that can clear away the accumulated clouds of complex reasoning. The simplest truth about humanity is that we are very peculiar beings, almost like outsiders on this planet. In all fairness, we have more of the appearance of someone bringing unfamiliar habits from another place than of just being a product of this one. We experience both unfair advantages and unfair disadvantages. We can't comfortably exist in our own skin; we struggle to trust our own instincts. We are simultaneously creators using miraculous hands and fingers and a sort of impaired being. We are wrapped in artificial coverings called clothes and supported by artificial aids called furniture. Our minds possess the same questionable freedoms and wild limitations. Unlike other animals, we experience the beautiful madness known as laughter, as if we've glimpsed a secret hidden in the very fabric of the universe that even the universe doesn't recognize. Uniquely among animals, we feel the urge to divert our thoughts from the fundamental realities of our physical existence, hiding them as if in the presence of a higher possibility that creates the mystery of shame. Whether we celebrate these traits as natural to humanity or criticize them as artificial, they remain unique in essence. This is recognized by the collective instinct we call religion, until it’s disrupted by scholars, particularly the pedantic ones of the Simple Life. The most convoluted of all thinkers are the Gymnosophists.

It is not natural to see man as a natural product. It is not common sense to call man a common object of the country or the seashore. It is not seeing straight to see him as an animal. It is not sane. It sins against the light; against that broad daylight of proportion which is the principle of all reality. It is reached by stretching a point, by making out a case, by artificially selecting a certain light and shade, by bringing into prominence the lesser or lower things which may happen to be similar. The solid thing standing in the sunlight, the thing we can walk round{36} and see from all sides, is quite different. It is also quite extraordinary; and the more sides we see of it the more extraordinary it seems. It is emphatically not a thing that follows or flows naturally from anything else. If we imagine that an inhuman or impersonal intelligence could have felt from the first the general nature of the non-human world sufficiently to see that things would evolve in whatever way they did evolve, there would have been nothing whatever in all that natural world to prepare such a mind for such an unnatural novelty. To such a mind, man would most certainly not have seemed something like one herd out of a hundred herds finding richer pasture; or one swallow out of a hundred swallows making a summer under a strange sky. It would not be in the same scale and scarcely in the same dimension. We might as truly say that it would not be in the same universe. It would be more like seeing one cow out of a hundred cows suddenly jump over the moon or one pig out of a hundred pigs grow wings in a flash and fly. It would not be a question of the cattle finding their own grazing-ground but of their building their own cattle-sheds, not a question of one swallow making a summer but of his making a summer-house. For the very fact that birds do build nests is one of those similarities that sharpen the startling difference. The very fact that a bird can get as far as building a nest, and cannot get any farther, proves that he has not a mind as man has a mind; it proves it more completely than if he built nothing at all. If he built nothing at all, he might possibly be a philosopher of the Quietist or Buddhistic school, indifferent to all but the mind within. But when he builds as he does build and is satisfied and sings aloud with satisfaction, then we know there is really an invisible veil like a pane of glass between him and us, like the window on which a bird will beat in vain. But suppose our abstract onlooker saw one of the birds{37} begin to build as men build. Suppose in an incredibly short space of time there were seven styles of architecture for one style of nest. Suppose the bird carefully selected forked twigs and pointed leaves to express the piercing piety of Gothic, but turned to broad foliage and black mud when he sought in a darker mood to call up the heavy columns of Bel and Ashtaroth; making his nest indeed one of the hanging gardens of Babylon. Suppose the bird made little clay statues of birds celebrated in letters or politics and stuck them up in front of the nest. Suppose that one bird out of a thousand birds began to do one of the thousand things that man had already done even in the morning of the world; and we can be quite certain that the onlooker would not regard such a bird as a mere evolutionary variety of the other birds; he would regard it as a very fearful wild-fowl indeed; possibly as a bird of ill-omen, certainly as an omen. That bird would tell the augurs, not of something that would happen, but of something that had happened. That something would be the appearance of a mind with a new dimension of depth; a mind like that of man. If there be no God, no other mind could conceivably have foreseen it.

It’s not natural to see humans purely as natural products. It doesn't make sense to think of humans as just common objects found in nature or at the beach. It's not a clear view to see them as mere animals. It’s not rational. It goes against reason; against that broad, clear light of proportion that is the basis of all reality. It’s achieved by twisting the truth, by making a case, by selectively highlighting certain aspects, and by focusing on the lesser or lower things that may be similar. The tangible being standing in the sunlight, the thing we can walk around{36} and observe from all angles, is completely different. It’s also quite extraordinary; and the more angles we view it from, the more extraordinary it appears. It definitely does not follow or flow naturally from anything else. If we think that an unfeeling or impersonal intelligence could have grasped the overall nature of the non-human world enough to see that things would evolve however they did, there would be nothing in that natural world to prepare such a mind for such an unnatural novelty. To such a mind, a human would not look like one herd out of a hundred herds finding richer grazing; or one swallow among a hundred swallows making a summer under an unfamiliar sky. It wouldn’t even be on the same scale or in the same dimension. It would be as if we said it wasn’t in the same universe. It would be more like seeing one cow out of a hundred suddenly leap over the moon or one pig out of a hundred grow wings in an instant and fly. It wouldn't be about the cattle finding their own grazing area but about them building their own barns, not about one swallow making a summer but about it creating its own summer home. The very fact that birds build nests highlights the startling difference. The fact that a bird can build a nest but can’t go any further shows that it doesn’t have a mind like humans do; it proves it more clearly than if it built nothing. If it built nothing at all, it might be a philosopher of the Quietist or Buddhistic sort, indifferent to everything except its own thoughts. But when a bird builds as it does and is satisfied, singing with glee, then we realize there’s actually an invisible barrier, like a sheet of glass, separating it from us, like a window where a bird will peck in vain. But let’s say our abstract observer saw one of these birds{37} start to build like humans do. Imagine that in no time at all there were seven architectural styles for one kind of nest. Suppose the bird carefully chose forked twigs and pointed leaves to express the intricate beauty of Gothic design, but turned to broad leaves and dark mud when in a heavier mood to evoke the strong columns of Bel and Ashtaroth, making its nest one of the hanging gardens of Babylon. Suppose the bird crafted little clay figures of famous birds from history or politics and placed them in front of the nest. Suppose one bird out of a thousand began to do one of the thousand things that humans had already done even at the dawn of time; we can be sure that the observer would not see such a bird as just another evolutionary variation among other birds; he would see it as a very strange creature indeed; possibly even as a sign of bad luck, definitely as an omen. That bird would signal the diviners, not of something that would happen, but of something that has already taken place. That something would be the emergence of a mind with a new depth; a mind like that of humans. If there’s no God, no other mind could have possibly foreseen it.

Now, as a matter of fact, there is not a shadow of evidence that this thing was evolved at all. There is not a particle of proof that this transition came slowly, or even that it came naturally. In a strictly scientific sense, we simply know nothing whatever about how it grew, or whether it grew, or what it is. There may be a broken trail of stones and bones faintly suggesting the development of the human body. There is nothing even faintly suggesting such a development of this human mind. It was not and it was; we know not in what instant or in what infinity of years. Something happened; and it has all the appearance of a transaction outside time. It has therefore nothing to do with history in the{38} ordinary sense. The historian must take it or something like it for granted; it is not his business as a historian to explain it. But if he cannot explain it as a historian, he will not explain it as a biologist. In neither case is there any disgrace to him in accepting it without explaining it; for it is a reality, and history and biology deal with realities. He is quite justified in calmly confronting the pig with wings and the cow that jumped over the moon, merely because they have happened. He can reasonably accept man as a freak, because he accepts man as a fact. He can be perfectly comfortable in a crazy and disconnected world, or in a world that can produce such a crazy and disconnected thing. For reality is a thing in which we can all repose, even if it hardly seems related to anything else. The thing is there; and that is enough for most of us. But if we do indeed want to know how it can conceivably have come there, if we do indeed wish to see it related realistically to other things, if we do insist on seeing it evolved before our very eyes from an environment nearer to its own nature, then assuredly it is to very different things that we must go. We must stir very strange memories and return to very simple dreams if we desire some origin that can make man other than a monster. We shall have discovered very different causes before he becomes a creature of causation; and invoked other authority to turn him into something reasonable, or even into anything probable. That way lies all that is at once awful and familiar and forgotten, with dreadful faces thronged and fiery arms. We can accept man as a fact, if we are content with an unexplained fact. We can accept him as an animal, if we can live with a fabulous animal. But if we must needs have sequence and necessity, then indeed we must provide a prelude and crescendo of mounting miracles, that ushered in with unthinkable thunders in all the seven heavens of another order, a man may be an ordinary thing.{39}

Now, the truth is, there isn’t any evidence that this came about at all. There’s no proof that this transition happened slowly or even that it happened naturally. In a strictly scientific sense, we really don’t know anything about how it developed, whether it developed, or what it actually is. There might be some scattered stones and bones vaguely hinting at the evolution of the human body, but there’s nothing even slightly suggesting the development of this human mind. It didn’t happen, and yet it did; we have no idea when, or over what endless years. Something occurred, and it seems to be a process outside of time. Therefore, it has nothing to do with history in the {38} usual sense. The historian has to accept it or something like it as a given; it’s not his role as a historian to explain it. But if he can’t explain it as a historian, he won’t explain it as a biologist. In either case, there’s no shame in accepting it without explanation because it is a reality, and history and biology deal with realities. He can comfortably confront the pig with wings and the cow that jumped over the moon simply because they exist. He can reasonably view humans as oddities because he acknowledges them as facts. He can feel perfectly at ease in a bizarre and disconnected world, or in a world that can produce such a bizarre and disconnected thing. For reality is something we can all find solace in, even if it hardly relates to anything else. It’s there, and that’s enough for most of us. But if we truly want to understand how it could have possibly come into being, if we genuinely wish to see it realistically linked to other things, if we insist on seeing it evolve before our eyes from an environment closer to its own nature, then we definitely need to look into very different matters. We must delve into very strange memories and return to very simple dreams if we wish to find an origin that can make humans anything other than monsters. We’ll have to uncover very different causes before he can be seen as a product of causation; and summon other authority to transform him into something reasonable or even remotely likely. That path leads to all that is simultaneously terrifying, familiar, and forgotten, filled with monstrous faces and fiery limbs. We can accept humans as a fact if we’re fine with an unexplained fact. We can accept them as animals if we can live with a mythical animal. But if we need sequence and necessity, then we must indeed create a prelude and crescendo of escalating miracles, that lead in with unimaginable thunders from all seven heavens of another order, so that a human can be an ordinary thing.{39}

CHAPTER II

PROFESSORS AND PREHISTORIC MEN

Science is weak about these prehistoric things in a way that has hardly been noticed. The science whose modern marvels we all admire succeeds by incessantly adding to its data. In all practical inventions, in most natural discoveries, it can always increase evidence by experiment. But it cannot experiment in making men; or even in watching to see what the first men make. An inventor can advance step by step in the construction of an aeroplane, even if he is only experimenting with sticks and scraps of metal in his own back-yard. But he cannot watch the Missing Link evolving in his own back-yard. If he has made a mistake in his calculations, the aeroplane will correct it by crashing to the ground. But if he has made a mistake about the arboreal habitat of his ancestor, he cannot see his arboreal ancestor falling off the tree. He cannot keep a cave-man like a cat in the back-yard and watch him to see whether he does really practise cannibalism or carry off his mate on the principles of marriage by capture. He cannot keep a tribe of primitive men like a pack of hounds and notice how far they are influenced by the herd instinct. If he sees a particular bird behave in a particular way, he can get other birds and see if they behave in that way; but if he finds a skull, or the scrap of a skull, in the hollow of a hill, he cannot multiply it into a vision of the valley of dry bones. In dealing with a past that has almost entirely perished, he can only go by evidence and not by experiment. And there is hardly enough evidence{40} to be even evidential. Thus while most science moves in a sort of curve, being constantly corrected by new evidence, this science flies off into space in a straight line uncorrected by anything. But the habit of forming conclusions, as they can really be formed in more fruitful fields, is so fixed in the scientific mind that it cannot resist talking like this. It talks about the idea suggested by one scrap of bone as if it were something like the aeroplane which is constructed at last out of whole scrap-heaps of scraps of metal. The trouble with the professor of the prehistoric is that he cannot scrap his scrap. The marvellous and triumphant aeroplane is made out of a hundred mistakes. The student of origins can only make one mistake and stick to it.

Science is surprisingly weak when it comes to these prehistoric topics, a fact that has gone largely unnoticed. The science we all admire today thrives by continually adding to its data. In practical inventions and most natural discoveries, it can always gather more evidence through experimentation. However, it has no way to experiment with creating humans or even to observe what the first humans might have created. An inventor can progress step by step in building an airplane, even if he’s just testing things with sticks and scraps of metal in his backyard. But he can’t observe the Missing Link evolving right in front of him. If he makes a mistake in his calculations, the airplane will correct it by crashing. But if he misjudges the living environment of his ancestor, he won't see that arboreal ancestor fall from a tree. He can’t keep a caveman like a pet and watch whether he really practices cannibalism or abducts his mate based on some notion of marriage by capture. He can’t keep a tribe of primitive people like a pack of dogs and see how much they are influenced by herd behavior. If he notices a certain bird acting in a specific way, he can get other birds and check if they behave similarly. But if he finds a skull, or just a piece of a skull, in a hollow hill, he can't turn that into a vision of a valley of dry bones. When dealing with a past that has nearly vanished, he can only rely on evidence, not experiments. And there's hardly enough evidence{40} to even be considered substantial. So while most science operates in a sort of curve, continuously corrected by new evidence, this field drifts into space in a straight line, uncorrected by anything. Yet the tendency to draw conclusions, as is done in more fruitful fields, is so entrenched in the scientific mindset that it can’t help but speak this way. It treats the idea suggested by a single bone fragment as if it were akin to the airplane, which is ultimately built from a mountain of scraps. The problem with the prehistoric scholar is that he can’t discard his single piece of evidence. The incredible and successful airplane is crafted from countless mistakes. The student of origins can only make one mistake and hold onto it.

We talk very truly of the patience of science; but in this department it would be truer to talk of the impatience of science. Owing to the difficulty above described, the theorist is in far too much of a hurry. We have a series of hypotheses so hasty that they may well be called fancies, and cannot in any case be further corrected by facts. The most empirical anthropologist is here as limited as an antiquary. He can only cling to a fragment of the past and has no way of increasing it for the future. He can only clutch his fragment of fact, almost as the primitive man clutched his fragment of flint. And indeed he does deal with it in much the same way and for much the same reason. It is his tool and his only tool. It is his weapon and his only weapon. He often wields it with a fanaticism far in excess of anything shown by men of science when they can collect more facts from experience and even add new facts by experiment. Sometimes the professor with his bone becomes almost as dangerous as a dog with his bone. And the dog at least does not deduce a theory from it, proving that mankind is going to the dogs—or that it came from them.

We often talk about the patience of science, but in this area, it would be more accurate to discuss the impatience of science. Because of the difficulty mentioned earlier, theorists rush too much. We have a series of hypotheses that are so hastily formed they could be seen as mere fancies, and they can't be corrected by facts. The most empirical anthropologist is as limited as an antiquarian. They can only hold onto a fragment of the past and have no way to expand it for the future. They cling to their fragment of fact, much like primitive people clutched their piece of flint. In fact, they handle it in much the same way and for similar reasons. It’s their only tool and their only weapon. They often use it with an intensity that's far beyond what scientists show when they can collect more facts through experience and even add new facts through experiments. Sometimes, the professor with his bone becomes almost as dangerous as a dog with his bone. And at least the dog doesn’t create a theory from it, claiming that humanity is going to the dogs—or that we came from them.

For instance, I have pointed out the difficulty of{41} keeping a monkey and watching it evolve into a man. Experimental evidence of such an evolution being impossible, the professor is not content to say (as most of us would be ready to say) that such an evolution is likely enough anyhow. He produces his little bone, or little collection of bones, and deduces the most marvellous things from it. He found in Java a part of a skull, seeming by its contour to be smaller than the human. Somewhere near it he found an upright thigh-bone, and in the same scattered fashion some teeth that were not human. If they all form part of one creature, which is doubtful, our conception of the creature would be almost equally doubtful. But the effect on popular science was to produce a complete and even complex figure, finished down to the last details of hair and habits. He was given a name as if he were an ordinary historical character. People talked of Pithecanthropus as of Pitt or Fox or Napoleon. Popular histories published portraits of him like the portraits of Charles the First and George the Fourth. A detailed drawing was reproduced, carefully shaded, to show that the very hairs of his head were all numbered. No uninformed person looking at its carefully lined face and wistful eyes would imagine for a moment that this was the portrait of a thigh-bone; or of a few teeth and a fragment of a cranium. In the same way people talked about him as if he were an individual whose influence and character were familiar to us all. I have just read a story in a magazine about Java, and how modern white inhabitants of that island are prevailed on to misbehave themselves by the personal influence of poor old Pithecanthropus. That the modern inhabitants of Java misbehave themselves I can very readily believe; but I do not imagine that they need any encouragement from the discovery of a few highly doubtful bones. Anyhow, those bones are far too few and fragmentary and dubious to fill up the whole of the vast void that{42} does in reason and in reality lie between man and his bestial ancestors, if they were his ancestors. On the assumption of that evolutionary connection (a connection which I am not in the least concerned to deny), the really arresting and remarkable fact is the comparative absence of any such remains recording that connection at that point. The sincerity of Darwin really admitted this; and that is how we came to use such a term as the Missing Link. But the dogmatism of Darwinians has been too strong for the agnosticism of Darwin; and men have insensibly fallen into turning this entirely negative term into a positive image. They talk of searching for the habits and habitat of the Missing Link; as if one were to talk of being on friendly terms with the gap in a narrative or the hole in an argument, of taking a walk with a non-sequitur or dining with an undistributed middle.

For example, I've mentioned the challenge of{41} keeping a monkey and watching it turn into a human. Since experimental evidence suggests that such evolution is impossible, the professor isn't satisfied saying (as most of us probably would) that this evolution is likely enough anyway. He presents his small bone, or a small collection of bones, and concludes the most incredible things from it. He discovered a fragment of a skull in Java that seems smaller than a human skull based on its shape. Nearby, he found an upright thigh bone, along with scattered teeth that weren't human. If these all belonged to one creature, which is questionable, our understanding of that creature would also be quite uncertain. However, the impact on popular science was to create a complete and complex figure, detailed even down to aspects like hair and behavior. He was given a name as though he were a regular historical figure. People discussed Pithecanthropus like they would discuss Pitt, Fox, or Napoleon. Popular histories published portraits of him, similar to those of Charles the First and George the Fourth. A highly detailed drawing was published, meticulously shaded to indicate that each hair on his head was numbered. No uninformed viewer, looking at its carefully outlined face and longing eyes, would think for a moment that this was the portrait of a thigh bone, or a few teeth and a piece of a skull. Similarly, people talked about him as though he were a person whose influence and character were well-known to everyone. I recently read a magazine story about Java and how the modern white residents of that island are influenced to misbehave by the personal presence of poor old Pithecanthropus. While I can easily believe that the modern inhabitants of Java misbehave, I doubt they need encouragement from the discovery of a few questionable bones. Anyway, those bones are far too few, fragmentary, and uncertain to bridge the vast gap that{42} exists in reason and reality between humans and their animal ancestors, if they were indeed ancestors. Assuming that evolutionary link (a connection I’m not at all inclined to deny), the truly striking and noteworthy fact is the relative absence of any remains documenting that link at that point. Darwin's sincerity acknowledged this, which is why we came to use the term Missing Link. But the certainty expressed by Darwinians has overshadowed Darwin's agnosticism, and people have unconsciously turned this entirely negative term into a positive image. They talk about searching for the habits and habitat of the Missing Link, as if discussing friendly relations with a gap in a story or a hole in an argument, as if taking a stroll with a non-sequitur or having dinner with an undistributed middle.

In this sketch, therefore, of man in his relation to certain religious and historical problems, I shall waste no further space on these speculations on the nature of man before he became man. His body may have been evolved from the brutes; but we know nothing of any such transition that throws the smallest light upon his soul as it has shown itself in history. Unfortunately the same school of writers pursue the same style of reasoning when they come to the first real evidence about the first real men. Strictly speaking of course we know nothing about prehistoric man, for the simple reason that he was prehistoric. The history of prehistoric man is a very obvious contradiction in terms. It is the sort of unreason in which only rationalists are allowed to indulge. If a parson had casually observed that the Flood was antediluvian, it is possible that he might be a little chaffed about his logic. If a bishop were to say that Adam was Preadamite, we might think it a little odd. But we are not supposed to notice such verbal trifles when sceptical historians talk of the part of{43} history that is prehistoric. The truth is that they are using the terms historic and prehistoric without any clear test or definition in their minds. What they mean is that there are traces of human lives before the beginning of human stories; and in that sense we do at least know that humanity was before history.

In this overview of humanity's relationship to certain religious and historical issues, I won’t spend any more time speculating about what humanity was like before it became humanity. While his body may have evolved from animals, we know nothing about any such change that sheds light on his soul as it has appeared throughout history. Unfortunately, the same group of writers applies the same reasoning when discussing the first real evidence of the first real humans. Strictly speaking, we know nothing about prehistoric humans simply because they were prehistoric. The concept of prehistoric humans is clearly a contradiction in terms. It’s a kind of illogical reasoning that only rationalists tend to engage in. If a clergyman casually mentioned that the Flood happened before the deluge, he might get teased about his logic. If a bishop were to say that Adam existed before Adam's time, we might find that a bit strange. But we aren’t supposed to pay attention to such verbal details when skeptical historians talk about the part of {43} history that is prehistoric. The truth is that they use the terms historic and prehistoric without any clear understanding or definition. What they really mean is that there are signs of human life before recorded human stories; and in that sense, we do know that humanity existed before history.

Human civilisation is older than human records. That is the sane way of stating our relations to these remote things. Humanity has left examples of its other arts earlier than the art of writing; or at least of any writing that we can read. But it is certain that the primitive arts were arts; and it is in every way probable that the primitive civilisations were civilisations. The man left a picture of the reindeer, but he did not leave a narrative of how he hunted the reindeer; and therefore what we say of him is hypothesis and not history. But the art he did practise was quite artistic; his drawing was quite intelligent, and there is no reason to doubt that his story of the hunt would be quite intelligent, only if it exists it is not intelligible. In short, the prehistoric period need not mean the primitive period, in the sense of the barbaric or bestial period. It does not mean the time before civilisation or the time before arts and crafts. It simply means the time before any connected narratives that we can read. This does indeed make all the practical difference between remembrance and forgetfulness; but it is perfectly possible that there were all sorts of forgotten forms of civilisation, as well as all sorts of forgotten forms of barbarism. And in any case everything indicated that many of these forgotten or half-forgotten social stages were much more civilised and much less barbaric than is vulgarly imagined to-day. But even about these unwritten histories of humanity, when humanity was quite certainly human, we can only conjecture with the greatest doubt and caution. And unfortunately doubt and caution are the last things commonly encouraged by the loose evolutionism of current{44} culture. For that culture is full of curiosity; and the one thing that it cannot endure is the agony of agnosticism. It was in the Darwinian age that the word first became known and the thing first became impossible.

Human civilization is older than our written records. That's the sensible way to think about our connection to these distant things. Humanity has left examples of its various arts even before the art of writing—or at least before any writing that we can understand. However, it’s clear that the early arts were indeed arts; and it's very likely that the early civilizations were civilizations. The person left behind a drawing of a reindeer, but he didn’t leave a story about how he hunted the reindeer; so what we say about him is speculation, not history. But the art he practiced was genuinely artistic; his drawing was clearly intelligent, and there’s no reason to doubt that his tale of the hunt would have been quite intelligent as well, only if it exists, it's not understandable. In short, the prehistoric era doesn’t have to imply a primitive phase in the sense of being savage or crude. It doesn’t refer to a time before civilization or before arts and crafts. It simply refers to the time before any connected stories that we can read. This certainly makes a significant difference between memory and forgetfulness; yet it’s entirely possible that there were many forgotten forms of civilization, as well as forgotten forms of savagery. In any case, everything suggests that many of these forgotten or half-forgotten social stages were far more civilized and less savage than what is commonly thought today. But even regarding these unwritten histories of humanity, when humanity was definitely human, we can only speculate with great uncertainty and care. Unfortunately, uncertainty and caution are the last things usually encouraged by the loose evolutionism of current culture. This culture is full of curiosity; and the one thing it struggles to tolerate is the pain of not knowing. It was during the Darwinian era that this term became known and the issue became impossible.

It is necessary to say plainly that all this ignorance is simply covered by impudence. Statements are made so plainly and positively that men have hardly the moral courage to pause upon them and find that they are without support. The other day a scientific summary of the state of a prehistoric tribe began confidently with the words ‘They wore no clothes.’ Not one reader in a hundred probably stopped to ask himself how we should come to know whether clothes had once been worn by people of whom everything has perished except a few chips of bone and stone. It was doubtless hoped that we should find a stone hat as well as a stone hatchet. It was evidently anticipated that we might discover an everlasting pair of trousers of the same substance as the everlasting rock. But to persons of a less sanguine temperament it will be immediately apparent that people might wear simple garments, or even highly ornamental garments, without leaving any more traces of them than these people have left. The plaiting of rushes and grasses, for instance, might have become more and more elaborate without in the least becoming more eternal. One civilisation might specialise in things that happened to be perishable, like weaving and embroidering, and not in things that happen to be more permanent, like architecture and sculpture. There have been plenty of examples of such specialist societies. A man of the future finding the ruins of our factory machinery might as fairly say that we were acquainted with iron and with no other substance; and announce the discovery that the proprietor and manager of the factory undoubtedly walked about naked—or possibly wore iron hats and trousers.{45}

It’s important to say outright that all this ignorance is just masked by boldness. Statements are made so straightforwardly and confidently that people barely have the moral courage to stop and realize they have no backing. Recently, a scientific summary about a prehistoric tribe boldly stated, “They wore no clothes.” Probably not one reader in a hundred stopped to consider how we would know if people who left behind nothing but a few bone and stone fragments ever wore clothes. It was surely hoped we might find a stone hat along with a stone hatchet. It seemed expected that we could discover a pair of everlasting trousers made from the same material as the everlasting rock. However, for those with a more realistic outlook, it’s immediately obvious that people could wear simple or even highly decorative clothing without leaving behind any more evidence than what this tribe has left. For example, the weaving of rushes and grasses could have become increasingly complex without lasting any longer. One civilization might focus on items that happen to be perishable, like textiles and embroidery, rather than on things that tend to be more enduring, like buildings and statues. There are many examples of such specialized societies. A future person discovering the ruins of our factory machinery might as well conclude that we only knew about iron and nothing else; they could even declare that the factory owner and manager must have walked around naked—or maybe wore iron hats and trousers.{45}

It is not contended here that these primitive men did wear clothes any more than they did weave rushes; but merely that we have not enough evidence to know whether they did or not. But it may be worth while to look back for a moment at some of the very few things that we do know and that they did do. If we consider them, we shall certainly not find them inconsistent with such ideas as dress and decoration. We do not know whether they decorated themselves; but we do know that they decorated other things. We do not know whether they had embroideries, and if they had, the embroideries could not be expected to have remained. But we do know that they did have pictures; and the pictures have remained. And there remains with them, as already suggested, the testimony to something that is absolute and unique; that belongs to man and to nothing else except man; that is a difference of kind and not a difference of degree. A monkey does not draw clumsily and a man cleverly; a monkey does not begin the art of representation and a man carry it to perfection. A monkey does not do it at all; he does not begin to do it at all; he does not begin to begin to do it at all. A line of some kind is crossed before the first faint line can begin.

It's not argued here that these early humans wore clothes any more than they wove rushes; we simply don't have enough evidence to know for sure. However, it might be worth taking a moment to reflect on some of the very few things we do know about them. If we consider these, we certainly won’t find them incompatible with concepts like clothing and decoration. We don’t know if they adorned themselves, but we do know they decorated other items. We’re uncertain if they had embroideries, and even if they did, those wouldn’t be expected to survive. But we do know they created pictures, and those pictures have lasted. Along with this, as mentioned earlier, there is proof of something that is absolute and unique; something that belongs exclusively to humans and nothing else; a distinction of kind, not just a difference in degree. A monkey doesn’t draw clumsily while a human draws skillfully; a monkey doesn’t start the art of representation while a human perfects it. A monkey doesn’t do it at all; it doesn’t even begin to do it. A boundary of some sort is crossed before the first faint line can appear.

Another distinguished writer, again, in commenting on the cave-drawings attributed to the neolithic men of the reindeer period, said that none of their pictures appeared to have any religious purpose; and he seemed almost to infer that they had no religion. I can hardly imagine a thinner thread of argument than this which reconstructs the very inmost moods of the prehistoric mind from the fact that somebody who has scrawled a few sketches on a rock, from what motive we do not know, for what purpose we do not know, acting under what customs or conventions we do not know, may possibly have found it easier to draw reindeers than to draw religion. He may have drawn it because it was his religious symbol. He{46} may have drawn it because it was not his religious symbol. He may have drawn anything except his religious symbol. He may have drawn his real religious symbol somewhere else; or it may have been deliberately destroyed when it was drawn. He may have done or not done half a million things; but in any case it is an amazing leap of logic to infer that he had no religious symbol, or even to infer from his having no religious symbol that he had no religion. Now this particular case happens to illustrate the insecurity of these guesses very clearly. For a little while afterwards, people discovered not only paintings but sculptures of animals in the caves. Some of these were said to be damaged with dints or holes supposed to be the marks of arrows; and the damaged images were conjectured to be the remains of some magic rite of killing the beasts in effigy; while the undamaged images were explained in connection with another magic rite invoking fertility upon the herds. Here again there is something faintly humorous about the scientific habit of having it both ways. If the image is damaged it proves one superstition and if it is undamaged it proves another. Here again there is a rather reckless jumping to conclusions; it has hardly occurred to the speculators that a crowd of hunters imprisoned in winter in a cave might conceivably have aimed at a mark for fun, as a sort of primitive parlour game. But in any case, if it was done out of superstition, what has become of the thesis that it had nothing to do with religion? The truth is that all this guesswork has nothing to do with anything. It is not half such a good parlour game as shooting arrows at a carved reindeer, for it is shooting them into the air.

Another notable writer, while discussing the cave drawings made by Neolithic people during the reindeer period, claimed that none of their images seemed to have any religious significance; and he implied that they might not have had any religion at all. I can hardly think of a weaker argument than this, which tries to reconstruct the deepest feelings of the prehistoric mind based on the fact that someone sketched a few pictures on a rock, without knowing their motive, purpose, or the customs or conventions they followed, and might simply have found it easier to draw reindeer than to depict a religion. They might have drawn it because it was their religious symbol. They might have drawn it because it was not their religious symbol. They might have drawn anything except their religious symbol. They might have created their actual religious symbol elsewhere, or it could have been intentionally destroyed when it was made. They could have done or not done countless things; but in any case, it's a significant leap in reasoning to conclude that they had no religious symbol, or even to argue that from the absence of a religious symbol, they lacked religion altogether. This specific case highlights how uncertain these guesses really are. Shortly afterward, people found not only paintings but sculptures of animals in the caves. Some were damaged with dints or holes thought to be marks from arrows; and these damaged images were theorized to be remnants of some magical rite for killing the beasts in effigy, while the undamaged images were linked to another magical rite intended to ensure fertility for the herds. Again, there’s something slightly amusing about the scientific tendency to have it both ways. If the image is damaged, it supports one superstition, and if it’s undamaged, it supports another. Here, too, there’s a rather hasty leap to conclusions; it hardly seems to occur to the speculators that a group of hunters stuck inside a cave during winter might have aimed at a target for fun, like a primitive parlor game. But anyway, if it was done out of superstition, what happened to the idea that it had nothing to do with religion? The truth is that all this guessing is completely unrelated to anything. It’s not nearly as good a parlor game as shooting arrows at a carved reindeer, because it's just shooting them into thin air.

Such speculators rather tend to forget, for instance, that men in the modern world also sometimes make marks in caves. When a crowd of trippers is conducted through the labyrinth of the Marvellous Grotto or the Magic Stalactite Cavern, it has been observed{47} that hieroglyphics spring into sight where they have passed; initials and inscriptions which the learned refuse to refer to any remote date. But the time will come when these inscriptions will really be of remote date. And if the professors of the future are anything like the professors of the present, they will be able to deduce a vast number of very vivid and interesting things from these cave-writings of the twentieth century. If I know anything about the breed, and if they have not fallen away from the full-blooded confidence of their fathers, they will be able to discover the most fascinating facts about us from the initials left in the Magic Grotto by ’Arry and ’Arriet, possibly in the form of two intertwined A’s. From this alone they will know (1) That as the letters are rudely chipped with a blunt pocket-knife, the twentieth century possessed no delicate graving-tools and was unacquainted with the art of sculpture. (2) That as the letters are capital letters, our civilisation never evolved any small letters or anything like a running hand. (3) That because initial consonants stand together in an unpronounceable fashion, our language was possibly akin to Welsh or more probably of the early Semitic type that ignored vowels. (4) That as the initials of ’Arry and ’Arriet do not in any special fashion profess to be religious symbols, our civilisation possessed no religion. Perhaps the last is about the nearest to the truth; for a civilisation that had religion would have a little more reason.

Such speculators tend to forget, for example, that people in the modern world also sometimes leave marks in caves. When a group of tourists is guided through the maze of the Marvelous Grotto or the Magic Stalactite Cavern, it has been observed{47} that hieroglyphics appear where they have gone; initials and inscriptions that experts refuse to date to any distant past. But eventually, these inscriptions will truly be of an ancient time. And if future scholars are anything like today’s scholars, they will be able to infer a wealth of vivid and interesting details from these cave writings of the twentieth century. If I know anything about their kind, and if they haven't lost the bold confidence of their predecessors, they'll be able to uncover fascinating facts about us from the initials left in the Magic Grotto by 'Arry and 'Arriet, possibly in the form of two intertwined A’s. From this alone, they will understand (1) That as the letters are roughly carved with a dull pocket knife, the twentieth century had no fine engraving tools and lacked knowledge of sculpture. (2) That since the letters are all capital, our civilization never developed lowercase letters or any cursive writing. (3) That because the initial consonants appear together in an unpronounceable way, our language was likely similar to Welsh or more probably an early Semitic type that ignored vowels. (4) That since the initials of 'Arry and 'Arriet do not specifically claim to be religious symbols, our civilization lacked religion. Perhaps the last point is the closest to reality; for a civilization with religion would likely have a bit more reason.

It is commonly affirmed, again, that religion grew in a very slow and evolutionary manner; and even that it grew not from one cause, but from a combination that might be called a coincidence. Generally speaking, the three chief elements in the combination are, first, the fear of the chief of the tribe (whom Mr. Wells insists on calling, with regrettable familiarity, the Old Man), second, the phenomena of dreams, and third, the sacrificial associations of the harvest{48} and the resurrection symbolised in the growing corn. I may remark in passing that it seems to me very doubtful psychology to refer one living and single spirit to three dead and disconnected causes, if they were merely dead and disconnected causes. Suppose Mr. Wells, in one of his fascinating novels of the future, were to tell us that there would arise among men a new and as yet nameless passion, of which men will dream as they dream of first love, for which they will die as they die for a flag and a fatherland. I think we should be a little puzzled if he told us that this singular sentiment would be a combination of the habit of smoking Woodbines, the increase of the income tax and the pleasure of a motorist in exceeding the speed limit. We could not easily imagine this, because we could not imagine any connection between the three or any common feeling that could include them all. Nor could any one imagine any connection between corn and dreams and an old chief with a spear, unless there was already a common feeling to include them all. But if there was such a common feeling it could only be the religious feeling; and these things could not be the beginnings of a religious feeling that existed already. I think anybody’s common sense will tell him that it is far more likely that this sort of mystical sentiment did exist already; and that in the light of it dreams and kings and cornfields could appear mystical then, as they can appear mystical now.

It is often stated that religion developed very slowly and gradually, and that it didn't stem from a single cause, but from a combination that could be considered coincidental. Generally, the three main components in this mix are, first, the fear of the tribe's leader (whom Mr. Wells, regrettably, refers to as the Old Man), second, the experiences of dreams, and third, the ritualistic connections to the harvest and the resurrection represented by growing corn. I want to point out that it seems very questionable to assign one living and unified spirit to three unrelated and separate causes, especially if they're just disconnected causes. Imagine if Mr. Wells, in one of his captivating future novels, told us that a new, yet unnamed passion would emerge among humans, something they'd dream about like they do first love, for which they'd be willing to die like they would for a flag and their homeland. I think we'd be somewhat confused if he said this unique feeling would be a mix of the habit of smoking cigarettes, the rise in income tax, and the thrill of a driver exceeding the speed limit. We couldn't easily envision this because there appears to be no connection among the three or any shared emotion that could bring them together. Similarly, no one could imagine any link between corn, dreams, and an old chief with a spear, unless there was already a common feeling that tied them all together. But if there was such a common feeling, it could only be the feeling of religion; these elements couldn’t have been the sources of a religious feeling that already existed. I believe common sense suggests that it’s much more likely that this mystical sentiment was indeed present; and that in its light, dreams, kings, and cornfields could seem mystical then, just as they can today.

For the plain truth is that all this is a trick of making things seem distant and dehumanised, merely by pretending not to understand things that we do understand. It is like saying that prehistoric men had an ugly and uncouth habit of opening their mouths wide at intervals and stuffing strange substances into them, as if we had never heard of eating. It is like saying that the terrible Troglodytes of the Stone Age lifted alternate legs in rotation, as if we had never heard of walking. If it were meant to{49} touch the mystical nerve and awaken us to the wonder of walking and eating, it might be a legitimate fancy. As it is here intended to kill the mystical nerve and deaden us to the wonder of religion, it is irrational rubbish. It pretends to find something incomprehensible in the feelings that we all comprehend. Who does not find dreams mysterious, and feel that they lie on the dark borderland of being? Who does not feel the death and resurrection of the growing things of the earth as something near to the secret of the universe? Who does not understand that there must always be the savour of something sacred about authority and the solidarity that is the soul of the tribe? If there be any anthropologist who really finds these things remote and impossible to realise, we can say nothing of that scientific gentleman except that he has not got so large and enlightened a mind as a primitive man. To me it seems obvious that nothing but a spiritual sentiment already active could have clothed these separate and diverse things with sanctity. To say that religion came from reverencing a chief or sacrificing at a harvest is to put a highly elaborate cart before a really primitive horse. It is like saying that the impulse to draw pictures came from the contemplation of the pictures of reindeers in the cave. In other words, it is explaining painting by saying that it arose out of the work of painters; or accounting for art by saying that it arose out of art. It is even more like saying that the thing we call poetry arose as the result of certain customs; such as that of an ode being officially composed to celebrate the advent of spring; or that of a young man rising at a regular hour to listen to the skylark and then writing his report on a piece of paper. It is quite true that young men often become poets in the spring; and it is quite true that when once there are poets, no mortal power can restrain them from writing about the skylark. But the poems did not exist{50} before the poets. The poetry did not arise out of the poetic forms. In other words, it is hardly an adequate explanation of how a thing appeared for the first time to say it existed already. Similarly, we cannot say that religion arose out of the religious forms, because that is only another way of saying that it only arose when it existed already. It needed a certain sort of mind to see that there was anything mystical about the dreams or the dead, as it needed a particular sort of mind to see that there was anything poetical about the skylark or the spring. That mind was presumably what we call the human mind, very much as it exists to this day; for mystics still meditate upon death and dreams as poets still write about spring and skylarks. But there is not the faintest hint to suggest that anything short of the human mind we know feels any of these mystical associations at all. A cow in a field seems to derive no lyrical impulse or instruction from her unrivalled opportunities for listening to the skylark. And similarly there is no reason to suppose that live sheep will ever begin to use dead sheep as the basis of a system of elaborate ancestor-worship. It is true that in the spring a young quadruped’s fancy may lightly turn to thoughts of love, but no succession of springs has ever led it to turn however lightly to thoughts of literature. And in the same way, while it is true that a dog has dreams, while most other quadrupeds do not seem even to have that, we have waited a long time for the dog to develop his dreams into an elaborate system of religious ceremonial. We have waited so long that we have really ceased to expect it; and we no more look to see a dog apply his dreams to ecclesiastical construction than to see him examine his dreams by the rules of psycho-analysis. It is obvious, in short, that for some reason or other these natural experiences, and even natural excitements, never do pass the line that separates them from creative expression like art and religion, in any{51} creature except man. They never do, they never have, and it is now to all appearance very improbable that they ever will. It is not impossible, in the sense of self-contradictory, that we should see cows fasting from grass every Friday or going on their knees as in the old legend about Christmas Eve. It is not in that sense impossible that cows should contemplate death until they can lift up a sublime psalm of lamentation to the tune the old cow died of. It is not in that sense impossible that they should express their hopes of a heavenly career in a symbolical dance, in honour of the cow that jumped over the moon. It may be that the dog will at last have laid in a sufficient store of dreams to enable him to build a temple to Cerberus as a sort of canine trinity. It may be that his dreams have already begun to turn into visions capable of verbal expression, in some revelation about the Dog Star as the spiritual home for lost dogs. These things are logically possible, in the sense that it is logically difficult to prove the universal negative which we call an impossibility. But all that instinct for the probable, which we call common sense, must long ago have told us that the animals are not to all appearance evolving in that sense; and that, to say the least, we are not likely to have any personal evidence of their passing from the animal experience to the human experiments. But spring and death and even dreams, considered merely as experiences, are their experiences as much as ours. The only possible conclusion is that these experiences, considered as experiences, do not generate anything like a religious sense in any mind except a mind like ours. We come back to the fact of a certain kind of mind as already alive and alone. It was unique and it could make creeds as it could make cave-drawings. The materials for religion had lain there for countless ages like the materials for everything else; but the power of religion was in the mind. Man could already see in these things the{52} riddles and hints and hopes that he still sees in them. He could not only dream but dream about dreams. He could not only see the dead but see the shadow of death; and was possessed with that mysterious mystification that for ever finds death incredible.

For the plain truth is that all this is a trick to make things seem distant and dehumanized, just by pretending not to understand things we actually do understand. It's like saying that prehistoric people had a weird and uncouth habit of opening their mouths wide now and then and shoving strange substances into them, as if we had never heard of eating. It's like saying that the terrible Troglodytes of the Stone Age lifted their legs in rotation, as if we had never heard of walking. If it were meant to touch the mystical nerve and awaken us to the wonder of walking and eating, it might be a legitimate fancy. As it stands, it is intended to kill the mystical nerve and deaden us to the wonder of religion, which is just nonsense. It pretends to find something incomprehensible in feelings that we all get. Who doesn’t find dreams mysterious and feel that they exist on the dark border of being? Who doesn’t feel the death and rebirth of the growing things on Earth as something close to the secret of the universe? Who doesn’t understand that there must always be something sacred about authority and the solidarity that captures the spirit of the tribe? If there’s an anthropologist who really finds these things remote and impossible to grasp, we can simply say that he doesn’t have as broad and open a mind as a primitive person. It seems clear to me that only an already active spiritual sentiment could have given these separate and diverse things a sense of sanctity. To say that religion came from revering a chief or making sacrifices at harvest time is to put an overly complex cart before a really primitive horse. It’s like saying that the urge to draw pictures started from looking at the pictures of reindeers in a cave. In other words, it tries to explain painting by claiming it came out of the work of painters; or to account for art by saying it emerged from art itself. It’s even more like saying that poetry came about as a result of certain customs, like composing an ode to celebrate the arrival of spring, or that a young man gets up at a regular hour to listen to the skylark and then writes a report on a piece of paper. It’s true that young men often become poets in the spring; and it’s true that once there are poets, nothing can stop them from writing about the skylark. But the poems didn’t exist before the poets. The poetry didn’t come from the poetic forms. In other words, it doesn’t adequately explain how something appeared for the first time to say it already existed. Similarly, we can't say that religion came from religious forms, because that’s just another way of saying it only came about when it already existed. It required a certain kind of mind to recognize anything mystical in dreams or about the dead, just as it took a particular kind of mind to see anything poetic about the skylark or spring. That mind was presumably what we call the human mind, very much as it exists today; because mystics still meditate on death and dreams as poets still write about spring and skylarks. But there’s not the slightest hint to suggest that anything less than the human mind we know experiences any of these mystical associations at all. A cow in a field seems to get no lyrical impulse or instruction from her unmatched opportunities for listening to the skylark. Similarly, there’s no reason to think that live sheep will ever start using dead sheep as the basis for a complex system of ancestor-worship. It is true that in spring a young quadruped's fancy may lightly turn to thoughts of love, but no series of springs has ever led it to turn, even lightly, to thoughts of literature. And in the same way, while it’s true that a dog has dreams, and most other quadrupeds don’t seem to have even that, we have waited a long time for the dog to turn his dreams into an elaborate religious system. We’ve waited so long that we really stopped expecting it; and we no more look to see a dog apply his dreams to ecclesiastical construction than to expect him to examine his dreams through psycho-analysis. It’s clear, in short, that for some reason or another, these natural experiences, and even natural excitements, never cross the boundary that separates them from creative expression like art and religion, in any creature except humans. They never do, they never have, and it now appears very unlikely that they ever will. It is not impossible, in a non-contradictory sense, that we might see cows fasting from grass every Friday or going on their knees like in the old legend about Christmas Eve. It's not impossible that cows could contemplate death until they could lift up a beautiful psalm of lamentation to the tune the old cow died from. It’s not impossible that they might express their hopes of a heavenly future in a symbolic dance to honor the cow that jumped over the moon. It may be that the dog will finally have gathered enough dreams to allow him to build a temple to Cerberus as a kind of canine trinity. It could be that his dreams have already started to turn into visions capable of verbal expression, in some revelation about the Dog Star as the spiritual home for lost dogs. These ideas are logically possible, in the sense that it’s logically difficult to prove the universal negative we call impossibility. But all that instinct for the probable, which we call common sense, must have told us long ago that animals don’t seem to be evolving in that sense; and that, to say the least, we are not likely to have any first-hand evidence of their transition from animal experiences to human experiments. But spring, death, and even dreams, considered merely as experiences, are theirs just as much as ours. The only conclusion is that these experiences, viewed solely as experiences, do not produce anything resembling a religious sense in any mind other than a mind like ours. We arrive back at the fact that a certain kind of mind is already alive and alone. It was unique and it could create beliefs just as it could create cave drawings. The materials for religion have lain around for countless ages just like the materials for everything else; but the power of religion existed in the mind. Man could already see in these things the riddles, hints, and hopes that he still sees in them. He could not only dream but dream about his dreams. He could not just see the dead but also see the shadow of death; and he was filled with that mysterious bewilderment that forever makes death seem unbelievable.

It is quite true that we have even these hints chiefly about man when he unmistakably appears as man. We cannot affirm this or anything else about the alleged animal originally connecting man and the brutes. But that is only because he is not an animal but an allegation. We cannot be certain that Pithecanthropus ever worshipped, because we cannot be certain that he ever lived. He is only a vision called up to fill the void that does in fact yawn between the first creatures who were certainly men and any other creatures that are certainly apes or other animals. A few very doubtful fragments are scraped together to suggest such an intermediate creature because it is required by a certain philosophy; but nobody supposes that these are sufficient to establish anything philosophical even in support of that philosophy. A scrap of skull found in Java cannot establish anything about religion or about the absence of religion. If there ever was any such ape-man, he may have exhibited as much ritual in religion as a man or as much simplicity in religion as an ape. He may have been a mythologist or he may have been a myth. It might be interesting to inquire whether this mystical quality appeared in a transition from the ape to the man, if there were really any types of the transition to inquire about. In other words, the missing link might or might not be mystical if he were not missing. But compared with the evidence we have of real human beings, we have no evidence that he was a human being or a half-human being or a being at all. Even the most extreme evolutionists do not attempt to deduce any evolutionary views about the origin of religion from him. Even in trying to prove that religion grew slowly from{53} rude or irrational sources, they begin their proof with the first men who were men. But their own proof only proves that the men who were already men were already mystics. They used the rude and irrational elements as only men and mystics can use them. We come back once more to the simple truth; that at some time too early for these critics to trace, a transition had occurred to which bones and stones cannot in their nature bear witness; and man became a living soul.

It's true that we primarily have these hints about humans when they clearly show up as human. We can't say anything about the supposed animal that supposedly connected humans to the rest of the animals. That's only because it isn’t an actual animal, but just a theory. We can’t be sure that Pithecanthropus ever engaged in worship, as we can’t be certain he ever existed. He’s just a concept created to fill the gap between the first creatures that were definitely human and other creatures that are clearly apes or different animals. A few very questionable fragments have been gathered to suggest such an intermediate creature because a specific philosophy demands it; however, no one seriously thinks these fragments are enough to support any philosophical ideas, even in favor of that philosophy. A piece of a skull found in Java doesn’t prove anything about religion or the lack of it. If there was ever an ape-man, he could have shown as much ritual in religion as a human or as much simplicity in religion as an ape. He could have been a mythology creator or just a myth himself. It might be interesting to explore whether this mystical quality appeared in a transition from ape to human, if there were really any transitional types to investigate. In other words, the missing link might or might not be mystical if he wasn’t actually missing. However, compared to the evidence we have of actual human beings, we have no proof that he was a human, a half-human, or even a being at all. Even the most extreme evolutionists don’t try to draw any conclusions about the origin of religion from him. Even when they attempt to show that religion gradually grew from{53} crude or irrational sources, they start their argument with the first people who were definitely human. But their own evidence only shows that the individuals who were already human were also already mystics. They used the crude and irrational elements in ways that only genuine humans and mystics can. We return once again to the simple truth: at some point too early for these critics to identify, a transition occurred to which bones and stones cannot naturally testify; and man became a living soul.

Touching this matter of the origin of religion, the truth is that those who are thus trying to explain it are trying to explain it away. Subconsciously they feel that it looks less formidable when thus lengthened out into a gradual and almost invisible process. But in fact this perspective entirely falsifies the reality of experience. They bring together two things that are totally different, the stray hints of evolutionary origins and the solid and self-evident block of humanity, and try to shift their standpoint till they see them in a single foreshortened line. But it is an optical illusion. Men do not in fact stand related to monkeys or missing links in any such chain as that in which men stand related to men. There may have been intermediate creatures whose faint traces can be found here and there in the huge gap. Of these beings, if they ever existed, it may be true that they were things very unlike men or men very unlike ourselves. But of prehistoric men, such as those called the cave-men or the reindeer men, it is not true in any sense whatever. Prehistoric men of that sort were things exactly like men and men exceedingly like ourselves. They only happened to be men about whom we do not know much, for the simple reason that they have left no records or chronicles; but all that we do know about them makes them just as human and ordinary as men in a medieval manor or a Greek city.

Regarding the origin of religion, the reality is that those trying to explain it are essentially trying to downplay it. Deep down, they think it seems less daunting when stretched out into a slow, almost imperceptible process. However, this view completely distorts the actual experience. They combine two entirely different things: the vague hints of evolutionary origins and the concrete reality of humanity, and attempt to change their perspective until they see both as a single, simplified line. But this is an optical illusion. People are not actually connected to monkeys or missing links in the same way they are connected to other humans. There may have been intermediate species whose faint traces can be found scattered throughout the vast gap. If these beings ever existed, they were likely very different from us or we were very different from them. But when it comes to prehistoric humans, like the cave-men or reindeer men, that isn’t the case at all. Those prehistoric individuals were exactly like us and very much human. The only reason we don’t know much about them is that they left behind no records or histories; but everything we do know shows they were just as human and ordinary as people living in a medieval manor or a Greek city.

Looking from our human standpoint up the long{54} perspective of humanity, we simply recognise this thing as human. If we had to recognise it as animal, we should have had to recognise it as abnormal. If we chose to look through the other end of the telescope, as I have done more than once in these speculations, if we chose to project the human figure forward out of an unhuman world, we could only say that one of the animals had obviously gone mad. But seeing the thing from the right end, or rather from the inside, we know it is sanity; and we know that these primitive men were sane. We hail a certain human freemasonry wherever we see it, in savages, in foreigners or in historical characters. For instance, all we can infer from primitive legend, and all we know of barbaric life, supports a certain moral and even mystical idea of which the commonest symbol is clothes. For clothes are very literally vestments, and man wears them because he is a priest. It is true that even as an animal he is here different from the animals. Nakedness is not nature to him; it is not his life but rather his death; even in the vulgar sense of his death of cold. But clothes are worn for dignity or decency or decoration where they are not in any way wanted for warmth. It would sometimes appear that they are valued for ornament before they are valued for use. It would almost always appear that they are felt to have some connection with decorum. Conventions of this sort vary a great deal with various times and places; and there are some who cannot get over this reflection, and for whom it seems a sufficient argument for letting all conventions slide. They never tire of repeating, with simple wonder, that dress is different in the Cannibal Islands and in Camden Town; they cannot get any further and throw up the whole idea of decency in despair. They might as well say that because there have been hats of a good many different shapes, and some rather eccentric shapes, therefore hats do not matter or do not exist. They would{55} probably add that there is no such thing as sunstroke or going bald. Men have felt everywhere that certain forms were necessary to fence off and protect certain private things from contempt or coarse misunderstanding; and the keeping of those forms, whatever they were, made for dignity and mutual respect. The fact that they mostly refer, more or less remotely, to the relations of the sexes illustrates the two facts that must be put at the very beginning of the record of the race. The first is the fact that original sin is really original. Not merely in theology but in history it is a thing rooted in the origins. Whatever else men have believed, they have all believed that there is something the matter with mankind. This sense of sin has made it impossible to be natural and have no clothes, just as it has made it impossible to be natural and have no laws. But above all it is to be found in that other fact, which is the father and mother of all laws as it is itself founded on a father and mother: the thing that is before all thrones and even all commonwealths.

Looking from our human perspective up the long{54} view of humanity, we simply recognize this as human. If we had to see it as animal, we would have to see it as abnormal. If we were to look through the other end of the telescope, as I've done more than once in these thoughts, if we chose to project the human figure forward from a non-human world, we could only say that one of the animals had clearly gone mad. But looking at it from the right end, or rather from the inside, we know it is sanity; and we know that these primitive people were sane. We acknowledge a certain human connection wherever we see it, in savages, in foreigners, or in historical figures. For example, everything we can gather from primitive legend and everything we know about barbaric life supports a certain moral and even mystical idea, the most common symbol of which is clothing. Clothes are quite literally vestments, and humans wear them because they are like priests. It’s true that even as an animal, he is different from the other animals here. Nakedness is not natural for him; it is not his life but his death; even in the basic sense of dying from the cold. But clothes are worn for dignity or decency or decoration where they are not needed for warmth. Sometimes it seems they are valued for aesthetics before they are valued for function. It often appears that they are felt to have some connection with decorum. These conventions vary greatly across different times and places; and some cannot overcome this observation, leading them to think that it's enough reason to discard all conventions. They can’t stop marveling at the difference in dress between the Cannibal Islands and Camden Town; they can’t go beyond that and give up the whole idea of decency in frustration. They might as well argue that because hats come in many shapes, including some quite odd ones, hats don’t matter or don’t exist. They would{55} likely assert that things like sunstroke or baldness don’t exist either. People everywhere have felt that certain forms are necessary to protect specific private matters from ridicule or misunderstanding; maintaining those forms, whatever they are, fostered dignity and mutual respect. The fact that they mostly relate, more or less distantly, to the relationships between the sexes highlights two points that must be stated at the very beginning of human history. The first is that original sin is indeed original. Not just in theology but in history, it’s a concept rooted in our beginnings. Whatever else people have believed, they have all believed that there’s something amiss with humankind. This sense of sin has made it impossible to be natural and go without clothes, just as it has made it impossible to be natural and have no laws. But above all, it can be traced back to that other fact, which is the foundation of all laws as it itself is based on a father and mother: the principle that exists before all thrones and all commonwealths.

That fact is the family. Here again we must keep the enormous proportions of a normal thing clear of various modifications and degrees and doubts more or less reasonable, like clouds clinging about a mountain. It may be that what we call the family had to fight its way from or through various anarchies and aberrations; but it certainly survived them and is quite as likely as not to have also preceded them. As we shall see in the case of communism and nomadism, more formless things could and did lie on the flank of societies that had taken a fixed form; but there is nothing to show that the form did not exist before the formlessness. What is vital is that form is more important than formlessness; and that the material called mankind has taken this form. For instance, of the rules revolving round sex, which were recently mentioned, none is more curious than the savage custom commonly called the couvade.{56} That seems like a law out of topsyturvydom; by which the father is treated as if he were the mother. In any case it clearly involves the mystical sense of sex; but many have maintained that it is really a symbolic act by which the father accepts the responsibility of fatherhood. In that case that grotesque antic is really a very solemn act; for it is the foundation of all we call the family and all we know as human society. Some groping in these dark beginnings have said that mankind was once under a matriarchy; I suppose that under a matriarchy it would not be called mankind but womankind. But others have conjectured that what is called matriarchy was simply moral anarchy, in which the mother alone remained fixed because all the fathers were fugitive and irresponsible. Then came the moment when the man decided to guard and guide what he had created. So he became the head of the family, not as a bully with a big club to beat women with, but rather as a respectable person trying to be a responsible person. Now all that might be perfectly true, and might even have been the first family act, and it would still be true that man then for the first time acted like a man, and therefore for the first time became fully a man. But it might quite as well be true that the matriarchy or moral anarchy, or whatever we call it, was only one of the hundred social dissolutions or barbaric backslidings which may have occurred at intervals in prehistoric as they certainly did in historic times. A symbol like the couvade, if it was really such a symbol, may have commemorated the suppression of a heresy rather than the first rise of a religion. We cannot conclude with any certainty about these things, except in their big results in the building of mankind, but we can say in what style the bulk of it and the best of it is built. We can say that the family is the unit of the state; that it is the cell that makes up the formation. Round the family do indeed gather the sanctities that separate men from{57} ants and bees. Decency is the curtain of that tent; liberty is the wall of that city; property is but the family farm; honour is but the family flag. In the practical proportions of human history, we come back to that fundamental of the father and the mother and the child. It has been said already that if this story cannot start with religious assumptions, it must none the less start with some moral or metaphysical assumptions, or no sense can be made of the story of man. And this is a very good instance of that alternative necessity. If we are not of those who begin by invoking a divine Trinity, we must none the less invoke a human Trinity; and see that triangle repeated everywhere in the pattern of the world. For the highest event in history to which all history looks forward and leads up, is only something that is at once the reversal and the renewal of that triangle. Or rather it is the one triangle superimposed so as to intersect the other, making a sacred pentacle of which, in a mightier sense than that of the magicians, the fiends are afraid. The old Trinity was of father and mother and child, and is called the human family. The new is of child and mother and father, and has the name of the Holy Family. It is in no way altered except in being entirely reversed; just as the world which it transformed was not in the least different, except in being turned upside-down.{58}

That fact is the family. Once again, we need to keep the vast importance of something normal separate from various modifications, degrees, and doubts—sort of like clouds hanging around a mountain. It’s possible that what we call the family had to struggle through different chaos and deviations; however, it certainly survived them and might have even existed before them. As we’ll explore in the case of communism and nomadism, more formless concepts could and did coexist alongside societies that had taken a stable shape; but there’s no evidence to suggest that the structured form didn’t exist before the formlessness. What matters is that form is more vital than formlessness; and that the material known as humanity has taken this form. For instance, the rules surrounding sex, which were mentioned earlier, include one particularly intriguing custom known as the couvade.{56} This custom seems like a law from a topsy-turvy world, where the father is treated as though he were the mother. It clearly involves a mystical perspective on sex, but many argue that it's actually a symbolic act where the father takes on the responsibilities of fatherhood. In that case, this odd custom is quite a serious act; because it lays the groundwork for everything we call family and human society. Some explorations of these dark beginnings suggest that humanity was once matriarchal; but I imagine that under a matriarchy, it wouldn’t be called mankind but womankind. However, others have speculated that what’s referred to as matriarchy was just moral chaos, where the mother remained constant while all the fathers were absent and irresponsible. Then came the moment when the man decided to protect and guide what he had created. So he became the head of the family, not as a bully with a club to hit women with, but as a respectable person trying to be responsible. Now, all of that might be completely true, and could even represent the first family act, and it would still be true that man, for the first time, acted like a man, and therefore truly became a man. But it could also be true that matriarchy or moral chaos, or whatever we call it, was just one of many social breakdowns or backslidings that occurred at different times in prehistory as they certainly did in history. A symbol like the couvade, if it really is such a symbol, may have marked the suppression of a heresy rather than the emergence of a religion. We can’t conclude anything with certainty about these matters, except in terms of their major impacts on the development of humanity, but we can assert the style in which the bulk of it and the best of it is constructed. We know that the family is the unit of the state; that it’s the cell that forms the structure. The sanctity that separates humans from{57} ants and bees does indeed revolve around the family. Decency is the curtain of that tent; liberty is the wall of that city; property is simply the family farm; honour is merely the family flag. In the practical scope of human history, we return to the fundamental structure of the father, the mother, and the child. It has already been stated that if this narrative can’t begin with religious assumptions, it must still be rooted in some moral or metaphysical beliefs, or else the story of humanity makes no sense. This serves as a perfect example of that necessary alternative. If we aren’t among those who begin by referencing a divine Trinity, we nonetheless need to invoke a human Trinity; and recognize that triangle repeated throughout the world’s pattern. The highest moment in history, to which all of history looks forward and leads up, is simply something that is both a reversal and a renewal of that triangle. Or rather, it is the one triangle layered to intersect the other, creating a sacred pentacle that, in a more profound sense than that of the magicians, the fiends fear. The old Trinity was of father, mother, and child, and is called the human family. The new is of child, mother, and father, and is referred to as the Holy Family. It’s changed not at all except in being entirely reversed; just as the world it transformed wasn’t at all different, except in being turned upside-down.{58}

CHAPTER III

THE ANTIQUITY OF CIVILISATION

The modern man looking at the most ancient origins has been like a man watching for daybreak in a strange land; and expecting to see that dawn breaking behind bare uplands or solitary peaks. But that dawn is breaking behind the black bulk of great cities long builded and lost for us in the original night; colossal cities like the houses of giants, in which even the carved ornamental animals are taller than the palm-trees; in which the painted portrait can be twelve times the size of the man; with tombs like mountains of man set four-square and pointing to the stars; with winged and bearded bulls standing and staring enormous at the gates of temples; standing still eternally as if a stamp would shake the world. The dawn of history reveals a humanity already civilised. Perhaps it reveals a civilisation already old. And among other more important things, it reveals the folly of most of the generalisations about the previous and unknown period when it was really young. The two first human societies of which we have any reliable and detailed record are Babylon and Egypt. It so happens that these two vast and splendid achievements of the genius of the ancients bear witness against two of the commonest and crudest assumptions of the culture of the moderns. If we want to get rid of half the nonsense about nomads and cave-men and the old man of the forest, we need only look steadily at the two solid and stupendous facts called Egypt and Babylon.

The modern person reflecting on the earliest origins has felt like someone waiting for dawn in an unfamiliar land, expecting to see the first light breaking over bare hills or lone peaks. But that dawn actually rises behind the massive structures of great cities, long established and now lost to us in the darkness of the past; gigantic cities like the homes of giants, where even the carved ornamental animals tower over palm trees; where painted portraits can be twelve times the size of a person; with tombs resembling mountains built strong and pointing toward the stars; with winged and bearded bulls standing watchfully at the temple gates; standing still forever, as if the slightest movement could shake the world. The dawn of history shows a humanity that is already sophisticated. It may even show a civilization that is already ancient. And among other significant insights, it exposes the folly of many generalizations about the earlier, unknown period when it was truly young. The first two human societies we have any reliable and detailed records of are Babylon and Egypt. Interestingly, these two incredible and magnificent achievements of ancient genius contradict two of the most common and simplistic beliefs held by modern culture. If we want to eliminate much of the nonsense about nomads, cave-dwellers, and the primitive man of the forest, we just need to focus on the two solid and impressive facts known as Egypt and Babylon.

Of course most of these speculators who are talking{59} about primitive men are thinking about modern savages. They prove their progressive evolution by assuming that a great part of the human race has not progressed or evolved; or even changed in any way at all. I do not agree with their theory of change; nor do I agree with their dogma of things unchangeable. I may not believe that civilised man has had so rapid and recent a progress; but I cannot quite understand why uncivilised man should be so mystically immortal and immutable. A somewhat simpler mode of thought and speech seems to me to be needed throughout this inquiry. Modern savages cannot be exactly like primitive man, because they are not primitive. Modern savages are not ancient because they are modern. Something has happened to their race as much as to ours, during the thousands of years of our existence and endurance on the earth. They have had some experiences, and have presumably acted on them if not profited by them, like the rest of us. They have had some environment, and even some change of environment, and have presumably adapted themselves to it in a proper and decorous evolutionary manner. This would be true even if the experiences were mild or the environment dreary; for there is an effect in mere time when it takes the moral form of monotony. But it has appeared to a good many intelligent and well-informed people quite as probable that the experience of the savages has been that of a decline from civilisation. Most of those who criticise this view do not seem to have any very clear notion of what a decline from civilisation would be like. Heaven help them, it is likely enough that they will soon find out. They seem to be content if cave-men and cannibal islanders have some things in common, such as certain particular implements. But it is obvious on the face of it that any peoples reduced for any reason to a ruder life would have some things in common. If we lost all our firearms we should{60} make bows and arrows; but we should not necessarily resemble in every way the first men who made bows and arrows. It is said that the Russians in their great retreat were so short of armament that they fought with clubs cut in the wood. But a professor of the future would err in supposing that the Russian Army of 1916 was a naked Scythian tribe that had never been out of the wood. It is like saying that a man in his second childhood must exactly copy his first. A baby is bald like an old man; but it would be an error for one ignorant of infancy to infer that the baby had a long white beard. Both a baby and an old man walk with difficulty; but he who shall expect the old gentleman to lie on his back, and kick joyfully instead, will be disappointed.

Of course, most of these speculators who are talking{59} about primitive people are really thinking about modern tribes. They demonstrate their idea of progress by claiming that a large part of humanity hasn’t advanced or evolved—or changed at all. I don’t agree with their theory of change, nor do I support their belief in things that cannot change. While I may not believe that civilized humans have progressed so quickly or recently, I can’t quite understand why uncivilized people should be viewed as mysteriously unchanging. I think a simpler way of thinking and speaking is needed throughout this discussion. Modern tribes cannot be exactly like primitive people because they aren’t primitive. Modern tribes aren’t ancient because they are modern. Something has happened to them just as much as it has to us over thousands of years of our existence on this planet. They have had their own experiences and presumably have acted on them, if not benefitted from them, just like the rest of us. They have faced various environments, and even changes in their environment, and have presumably adapted in a proper and respectful evolutionary way. This would hold true even if those experiences were mild or their environment was dull, as time alone has an effect when it manifests in a monotonous moral form. However, many intelligent and well-informed people find it just as likely that the experience of these tribes has been one of decline from civilization. Most critics of this perspective don’t seem to have a very clear idea of what a decline from civilization would actually look like. Heaven help them, they will likely discover this soon enough. They seem satisfied if cave-dwellers and cannibal islanders share some traits, like particular tools. But it’s clear that any group reduced to a simpler way of life would have some things in common. If we lost all our firearms, we would{60} create bows and arrows; but we wouldn’t necessarily resemble in every way the first humans to make bows and arrows. It is said that the Russians in their great retreat were so short on weaponry that they fought with makeshift clubs. But a future professor would be mistaken to think that the Russian Army of 1916 was a naked Scythian tribe that had never left the woods. It’s like saying that a man in his second childhood must exactly replicate his first. A baby is bald like an old man; but it would be a mistake for someone unaware of infancy to assume that the baby had a long white beard. Both a baby and an old man walk with difficulty, but anyone expecting the elderly gentleman to lie on his back and kick joyfully instead will be disappointed.

It is therefore absurd to argue that the first pioneers of humanity must have been identical with some of the last and most stagnant leavings of it. There were almost certainly some things, there were probably many things, in which the two were widely different or flatly contrary. An example of the way in which this distinction works, and an example essential to our argument here, is that of the nature and origin of government. I have already alluded to Mr. H. G. Wells and the Old Man, with whom he appears to be on such intimate terms. If we considered the cold facts of prehistoric evidence for this portrait of the prehistoric chief of the tribe, we could only excuse it by saying that its brilliant and versatile author simply forgot for a moment that he was supposed to be writing a history, and dreamed he was writing one of his own very wonderful and imaginative romances. At least I cannot imagine how he can possibly know that the prehistoric ruler was called the Old Man or that court etiquette requires it to be spelt with capital letters. He says of the same potentate, ‘No one was allowed to touch his spear or to sit in his seat.’ I have difficulty in believing that anybody{61} has dug up a prehistoric spear with a prehistoric label, ‘Visitors are Requested not to Touch,’ or a complete throne with the inscription, ‘Reserved for the Old Man.’ But it may be presumed that the writer, who can hardly be supposed to be merely making up things out of his own head, was merely taking for granted this very dubious parallel between the prehistoric and the decivilised man. It may be that in certain savage tribes the chief is called the Old Man and nobody is allowed to touch his spear or sit on his seat. It may be that in those cases he is surrounded with superstitious and traditional terrors; and it may be that in those cases, for all I know, he is despotic and tyrannical. But there is not a grain of evidence that primitive government was despotic and tyrannical. It may have been, of course, for it may have been anything or even nothing; it may not have existed at all. But the despotism in certain dingy and decayed tribes in the twentieth century does not prove that the first men were ruled despotically. It does not even suggest it; it does not even begin to hint at it. If there is one fact we really can prove, from the history that we really do know, it is that despotism can be a development, often a late development and very often indeed the end of societies that have been highly democratic. A despotism may almost be defined as a tired democracy. As fatigue falls on a community, the citizens are less inclined for that eternal vigilance which has truly been called the price of liberty; and they prefer to arm only one single sentinel to watch the city while they sleep. It is also true that they sometimes needed him for some sudden and militant act of reform; it is equally true that he often took advantage of being the strong man armed to be a tyrant like some of the Sultans of the East. But I cannot see why the Sultan should have appeared any earlier in history than many other human figures. On the contrary, the strong man armed obviously{62} depends upon the superiority of his armour; and armament of that sort comes with more complex civilisation. One man may kill twenty with a machine-gun; it is obviously less likely that he could do it with a piece of flint. As for the current cant about the strongest man ruling by force and fear, it is simply a nursery fairy-tale about a giant with a hundred hands. Twenty men could hold down the strongest strong man in any society, ancient or modern. Undoubtedly they might admire, in a romantic and poetical sense, the man who was really the strongest; but that is quite a different thing, and is as purely moral and even mystical as the admiration for the purest or the wisest. But the spirit that endures the mere cruelties and caprices of an established despot is the spirit of an ancient and settled and probably stiffened society, not the spirit of a new one. As his name implies, the Old Man is the ruler of an old humanity.

It’s completely unreasonable to argue that the first pioneers of humanity must have been exactly the same as some of its last and most stagnant remnants. There were almost certainly various aspects, and probably many, in which the two were significantly different or completely opposite. A crucial example of how this distinction operates, and an essential point for our argument, is the nature and origin of government. I've previously mentioned Mr. H. G. Wells and the Old Man, with whom he seems to have such close connections. If we consider the hard facts of prehistoric evidence regarding this portrayal of the tribe's prehistoric leader, we could only excuse it by saying that its brilliant and versatile author momentarily forgot he was supposed to be writing history and imagined he was creating one of his own incredible and imaginative stories. I just can’t fathom how he knows that the prehistoric ruler was called the Old Man or that court etiquette demands it be capitalized. He states about the same leader, ‘No one was allowed to touch his spear or sit in his seat.’ I find it hard to believe that anyone has unearthed a prehistoric spear with a label saying, ‘Visitors are Requested not to Touch,’ or a complete throne with the inscription, ‘Reserved for the Old Man.’ However, it can be assumed that the writer, who can hardly be presumed to be making things up entirely from his imagination, was simply taking for granted this extremely questionable parallel between the prehistoric and the uncivilized man. It might be true that in some savage tribes the chief is called the Old Man, and no one is allowed to touch his spear or sit in his seat. It could also be that in those instances, he is surrounded by superstitious and traditional fears; and for all I know, he could be despotic and tyrannical. But there is no evidence that primitive government was despotic and tyrannical. It might have been, of course, as it could have been anything or even nothing; it might not have existed at all. But the despotism found in some shabby and declining tribes in the twentieth century does not prove that the first humans were ruled despotically. It doesn’t even suggest it; it doesn’t begin to hint at it. If there’s one fact we can prove from the history we actually know, it's that despotism can be a development, often a late one, and frequently the conclusion of societies that have been highly democratic. Despotism may well be defined as a fatigued democracy. As weariness sets in on a community, citizens are less inclined towards that eternal vigilance which has rightfully been called the price of liberty; and instead, they prefer to appoint one single guardian to watch over the city while they sleep. It’s also true that they sometimes needed him for some sudden and decisive act of reform; it’s equally true that he often exploited his position as the strong man to become a tyrant like some of the Eastern Sultans. However, I don’t see why the Sultan should have existed any earlier in history than many other human figures. On the contrary, the strong armed man clearly relies on the superiority of his weaponry; and such armament arises from a more complex civilization. One individual could kill twenty with a machine gun; it's obviously less likely he could do the same with a flint tool. As for the current belief that the strongest man rules through force and fear, it’s simply a childish fairy tale about a giant with a hundred hands. Twenty people could restrain the strongest man in any society, ancient or modern. Undoubtedly, they might admire, in a romantic and poetic sense, the man who is genuinely the strongest; but that's a different matter altogether, and is as moral and even mystical as admiration for the purest or the wisest. Yet, the spirit that tolerates the mere cruelties and whims of an established despot is the spirit of an ancient and settled, likely rigid society, not one that is new. As his name suggests, the Old Man is the ruler of an aged humanity.

It is far more probable that a primitive society was something like a pure democracy. To this day the comparatively simple agricultural communities are by far the purest democracies. Democracy is a thing which is always breaking down through the complexity of civilisation. Any one who likes may state it by saying that democracy is the foe of civilisation. But he must remember that some of us really prefer democracy to civilisation, in the sense of preferring democracy to complexity. Anyhow, peasants tilling patches of their own land in a rough equality, and meeting to vote directly under a village tree, are the most truly self-governing of men. It is surely as likely as not that such a simple idea was found in the first condition of even simpler men. Indeed the despotic vision is exaggerated, even if we do not regard the men as men. Even on an evolutionary assumption of the most materialistic sort, there is really no reason why men should not have had at least as much camaraderie as rats or rooks. Leader{63}ship of some sort they doubtless had, as have the gregarious animals; but leadership implies no such irrational servility as that attributed to the superstitious subjects of the Old Man. There was doubtless somebody corresponding, to use Tennyson’s expression, to the many-wintered crow that leads the clanging rookery home. But I fancy that if that venerable fowl began to act after the fashion of some Sultans in ancient and decayed Asia, it would become a very clanging rookery and the many-wintered crow would not see many more winters. It may be remarked, in this connection, but even among animals it would seem that something else is respected more than bestial violence, if it be only the familiarity which in men is called tradition or the experience which in men is called wisdom. I do not know if crows really follow the oldest crow, but if they do they are certainly not following the strongest crow. And I do know, in the human case, that if some ritual of seniority keeps savages reverencing somebody called the Old Man, then at least they have not our own servile sentimental weakness for worshipping the Strong Man.

It's much more likely that a primitive society was something like a true democracy. Even today, simpler agricultural communities are the purest forms of democracy. Democracy tends to break down as civilization becomes more complex. Anyone can say that democracy is the enemy of civilization, but they should remember that some of us actually prefer democracy over civilization, meaning we prefer it over complexity. Anyway, farmers working small plots of their own land in relative equality, gathering to vote directly under a village tree, are the most genuinely self-governing people. It's just as likely that such a simple concept existed among even simpler individuals. In fact, the idea of despotism is exaggerated, even if we don't view people as people. Even from a strictly materialistic evolutionary perspective, there's no reason to think that humans couldn't have had at least as much camaraderie as rats or rooks. They certainly had some form of leadership, like social animals do; however, leadership doesn't necessarily mean the kind of irrational servitude attributed to the superstitious subjects of the Old Man. There was undoubtedly someone akin to Tennyson’s "many-wintered crow" leading the noisy rookery home. But I suspect that if that old bird started acting like some Sultans in ancient and decaying Asia, it would create a very loud rookery, and the many-wintered crow wouldn't last much longer. It's worth noting that even among animals, something is respected more than sheer violence, even if it's merely the familiarity we call tradition or the experience we call wisdom. I don’t know if crows genuinely follow the oldest crow, but if they do, they are definitely not following the strongest one. And I can say that in human societies, if some ritual of seniority keeps primitive people revering someone called the Old Man, at least they don’t have our own weak sentimental tendency to worship the Strong Man.

It may be said then that primitive government, like primitive art and religion and everything else, is very imperfectly known or rather guessed at; but that it is at least as good a guess to suggest that it was as popular as a Balkan or Pyrenean village as that it was as capricious and secret as a Turkish divan. Both the mountain democracy and the oriental palace are modern in the sense that they are still there, or are some sort of growth of history; but of the two the palace has much more the look of being an accumulation and a corruption, the village much more the look of being a really unchanged and primitive thing. But my suggestions at this point do not go beyond expressing a wholesome doubt about the current assumption. I think it interesting, for instance, that liberal institutions have{64} been traced even by moderns back to barbarian or undeveloped states, when it happened to be convenient for the support of some race or nation or philosophy. So the Socialists profess that their ideal of communal property existed in very early times. So the Jews are proud of the Jubilees or juster redistributions under their ancient law. So the Teutonists boasted of tracing parliaments and juries and various popular things among the Germanic tribes of the North. So the Celtophiles and those testifying to the wrongs of Ireland have pleaded the more equal justice of the clan system, to which the Irish chiefs bore witness before Strongbow. The strength of the case varies in the different cases; but as there is some case for all of them, I suspect there is some case for the general proposition that popular institutions of some sort were by no means uncommon in early and simple societies. Each of these separate schools were making the admission to prove a particular modern thesis; but taken together they suggest a more ancient and general truth, that there was something more in prehistoric councils than ferocity and fear. Each of these separate theorists had his own axe to grind, but he was willing to use a stone axe; and he manages to suggest that the stone axe might have been as republican as the guillotine.

It could be said that early government, like early art, religion, and everything else, is not very well understood or is more guessed than known. However, it's just as reasonable to suggest that it was as common as a village in the Balkans or Pyrenees as to say it was as unpredictable and secretive as a Turkish divan. The mountain democracy and the oriental palace are modern in the sense that they still exist or are remnants of history. However, the palace seems more like an accumulation and a corruption over time, while the village appears to be a truly unchanged and primitive entity. At this point, my suggestions only express a healthy skepticism about the current beliefs. I find it interesting, for example, that modern thinkers have sometimes traced liberal institutions back to barbaric or undeveloped societies when it supported a certain race, nation, or philosophy. Socialists claim their ideal of shared property dates back to ancient times. Jews take pride in the Jubilees or fair redistributions outlined in their ancient laws. Teutonists claim to trace parliaments, juries, and other democratic elements to the Germanic tribes of the North. Celtophiles and those advocating for Irish rights point to the more equitable justice of the clan system, which Irish chiefs acknowledged before Strongbow. The strength of each argument varies, but since there is some validity to all of them, I suspect there is merit to the general idea that popular institutions were not uncommon in early and simple societies. Each of these groups was trying to make a specific modern point, but together, they hint at a deeper, more ancient truth: that prehistoric councils involved more than just brutality and fear. Each theorist had his own agenda to pursue, yet he was willing to use crude tools; he suggests that these tools may have been just as democratic as the guillotine.

But the truth is that the curtain rises upon the play already in progress. In one sense it is a true paradox that there was history before history. But it is not the irrational paradox implied in prehistoric history; for it is a history we do not know. Very probably it was exceedingly like the history we do know, except in the one detail that we do not know it. It is thus the very opposite of the pretentious prehistoric history, which professes to trace everything in a consistent course from the amoeba to the anthropoid and from the anthropoid to the agnostic. So far from being a question of our knowing all about queer creatures very different from ourselves,{65} they were very probably people very like ourselves, except that we know nothing about them. In other words, our most ancient records only reach back to a time when humanity had long been human, and even long been civilised. The most ancient records we have not only mention but take for granted things like kings and priests and princes and assemblies of the people; they describe communities that are roughly recognisable as communities in our own sense. Some of them are despotic; but we cannot tell that they have always been despotic. Some of them may be already decadent, and nearly all are mentioned as if they were old. We do not know what really happened in the world before those records; but the little we do know would leave us anything but astonished if we learnt that it was very much like what happens in this world now. There would be nothing inconsistent or confounding about the discovery that those unknown ages were full of republics collapsing under monarchies and rising again as republics, empires expanding and finding colonies and then losing colonies, kingdoms combining again into world-states and breaking up again into small nationalities, classes selling themselves into slavery and marching out once more into liberty; all that procession of humanity which may or may not be a progress but is most assuredly a romance. But the first chapters of the romance have been torn out of the book; and we shall never read them.

But the truth is that the curtain rises on the play already in progress. In a way, it’s a true paradox that there was history before history. But it’s not the irrational paradox suggested by prehistoric history; it’s a history we don’t know. Most likely, it was very similar to the history we do know, except for the fact that we don’t know it. This is, in fact, the complete opposite of the pretentious prehistoric history, which claims to trace everything consistently from the amoeba to the anthropoid and from the anthropoid to the agnostic. Rather than being a question of our knowledge about strange creatures very different from ourselves,{65} they were probably people very much like us, except that we know nothing about them. In other words, our oldest records only go back to a time when humanity had long been human, and even long been civilized. The oldest records we have not only mention but take for granted things like kings, priests, princes, and gatherings of people; they describe communities that are roughly recognizable as communities in our sense. Some of them are despotic, but we can’t tell if they have always been despotic. Some may already be in decline, and nearly all are referred to as if they are old. We don’t know what really happened in the world before those records; but the little we do know would leave us far from surprised if we found out it was very much like what happens in this world now. There would be nothing inconsistent or confusing about the discovery that those unknown ages were filled with republics collapsing under monarchies and rising again as republics, empires expanding and losing colonies, kingdoms reassembling into world-states and breaking up again into small nationalities, and classes selling themselves into slavery and then marching out into liberty again; all that flow of humanity which may or may not show progress but is definitely a romance. But the first chapters of the romance have been torn out of the book; and we will never read them.

It is so also with the more special fancy about evolution and social stability. According to the real records available, barbarism and civilisation were not successive stages in the progress of the world. They were conditions that existed side by side, as they still exist side by side. There were civilisations then as there are civilisations now; there are savages now as there were savages then. It is suggested that all men passed through a nomadic stage; but it is certain that there are some who have never passed{66} out of it, and it seems not unlikely that there were some who never passed into it. It is probable that from very primitive times the static tiller of the soil and the wandering shepherd were two distinct types of men; and the chronological rearrangement of them is but a mark of that mania for progressive stages that has largely falsified history. It is suggested that there was a communist stage, in which private property was everywhere unknown, a whole humanity living on the negation of property; but the evidences of this negation are themselves rather negative. Redistributions of property, jubilees, and agrarian laws occur at various intervals and in various forms; but that humanity inevitably passed through a communist stage seems as doubtful as the parallel proposition that humanity will inevitably return to it. It is chiefly interesting as evidence that the boldest plans for the future invoke the authority of the past; and that even a revolutionary seeks to satisfy himself that he is also a reactionary. There is an amusing parallel example in the case of what is called feminism. In spite of all the pseudo-scientific gossip about marriage by capture and the cave-man beating the cave-woman with a club, it may be noted that as soon as feminism became a fashionable cry, it was insisted that human civilisation in its first stage had been a matriarchy. Apparently it was the cave-woman who carried the club. Anyhow all these ideas are little better than guesses; and they have a curious way of following the fortune of modern theories and fads. In any case they are not history in the sense of record; and we may repeat that when it comes to record, the broad truth is that barbarism and civilisation have always dwelt side by side in the world, the civilisation sometimes spreading to absorb the barbarians, sometimes decaying into relative barbarism, and in almost all cases possessing in a more finished form certain ideas and institutions which the barbarians possess in a ruder{67} form; such as government or social authority, the arts and especially the decorative arts, mysteries and taboos of various kinds especially surrounding the matter of sex, and some form of that fundamental thing which is the chief concern of this inquiry: the thing that we call religion.

It's the same with the specific idea of evolution and social stability. Based on the available evidence, barbarism and civilization weren't just stages in the world's progress. They existed alongside each other, just as they do today. There were civilizations back then just as there are now; there are people living in primitive conditions now just as there were in the past. Some suggest that all humans went through a nomadic phase, but it's clear that some have never left it, and it's possible that some never entered it at all. From very early times, the settled farmer and the wandering shepherd were likely two distinct types of people; rearranging them chronologically is just a result of the obsession with progress that has often distorted history. There's a notion that there was a communist stage where private property didn’t exist, and all of humanity thrived without it; however, the evidence for this claim is quite limited. Property redistributions, jubilees, and land reforms happen at various intervals and in different forms, but the idea that humanity definitely went through a communist stage is as questionable as the notion that humanity will eventually returned to it. It's particularly intriguing as it shows that the most ambitious future plans often lean on the past for credibility; even revolutionaries want to feel they're also traditionalists. A humorous parallel can be drawn with what's labeled feminism. Despite all the pseudo-scientific chatter about abduction marriages and cavemen hitting cavewomen with clubs, it becomes apparent that once feminism gained popularity, it was claimed that early human civilization started as a matriarchy. Apparently, it was the cavewoman who wielded the club. Either way, all these ideas are hardly more than educated guesses and seem to reflect modern theories and trends. In any case, they don't count as history in terms of actual records; and we can reiterate that the broad truth is barbarism and civilization have always coexisted in the world, with civilization expanding to include barbarians at times, sometimes declining into a state of relative barbarism, and in almost all cases having certain ideas and institutions that are more developed than those of the barbarians, such as governance or social authority, the arts—especially the decorative arts—various kinds of mysteries and taboos (especially related to sex), and some form of that core thing that is the main focus of this inquiry: what we call religion.

Now Egypt and Babylon, those two primeval monsters, might in this matter have been specially provided as models. They might almost be called working models to show how these modern theories do not work. The two great truths we know about these two great cultures happen to contradict flatly the two current fallacies which have just been considered. The story of Egypt might have been invented to point the moral that man does not necessarily begin with despotism because he is barbarous, but very often finds his way to despotism because he is civilised. He finds it because he is experienced; or, what is often much the same thing, because he is exhausted. And the story of Babylon might have been invented to point the moral that man need not be a nomad or a communist before he becomes a peasant or a citizen; and that such cultures are not always in successive stages but often in contemporary states. Even touching these great civilisations with which our written history begins, there is a temptation of course to be too ingenious or too cocksure. We can read the bricks of Babylon in a very different sense from that in which we guess about the Cup and Ring stones; and we do definitely know what is meant by the animals in the Egyptian hieroglyphic as we know nothing of the animals in the neolithic cave. But even here the admirable archeologists who have deciphered line after line of miles of hieroglyphics may be tempted to read too much between the lines; even the real authority on Babylon may forget how fragmentary is his hard-won knowledge; may forget that Babylon has only heaved half a brick at him, though half a brick is{68} better than no cuneiform. But some truths, historic and not prehistoric, dogmatic and not evolutionary, facts and not fancies, do indeed emerge from Egypt and Babylon; and these two truths are among them.

Now Egypt and Babylon, those two ancient civilizations, could serve as perfect examples in this context. They could almost be seen as demonstrations of how these modern theories fall short. The two key truths we know about these cultures directly contradict the two current misconceptions we've just discussed. The history of Egypt could have been created to illustrate that humanity doesn’t necessarily start with tyranny because of barbarism; rather, people often end up in tyranny because they are civilized. They arrive at it through experience, or, more commonly, because they’re worn out. Similarly, the history of Babylon could illustrate that a person doesn’t have to be a nomad or a communist before becoming a farmer or a citizen; and that these societal structures don’t always exist in a sequence but often coexist. Even when discussing these great civilizations where our written history begins, it’s easy to overthink things or be overly confident. We can interpret Babylon's bricks in a much different way than we guess about the Cup and Ring stones; and we definitely understand the meaning of the animals in Egyptian hieroglyphs unlike the animals in the Neolithic cave. However, even the skilled archaeologists who have painstakingly deciphered miles of hieroglyphics might be tempted to read too much into the nuances; even experts on Babylon might forget how limited their knowledge is; they might overlook that Babylon has only given them half a brick of information, though half a brick is{68} better than none at all. But certain undeniable truths, both historical and not prehistoric, dogmatic and not evolutionary, facts and not mere concepts, do indeed emerge from Egypt and Babylon; and these two truths are among them.

Egypt is a green ribbon along the river edging the dark red desolation of the desert. It is a proverb, and one of vast antiquity, that it is created by the mysterious bounty and almost sinister benevolence of the Nile. When we first hear of Egyptians they are living as in a string of river-side villages, in small and separate but co-operative communities along the bank of the Nile. Where the river branched into the broad Delta there was traditionally the beginning of a somewhat different district or people; but this need not complicate the main truth. These more or less independent though interdependent peoples were considerably civilised already. They had a sort of heraldry; that is, decorative art used for symbolic and social purposes; each sailing the Nile under its own ensign representing some bird or animal. Heraldry involves two things of enormous importance to normal humanity; the combination of the two making that noble thing called co-operation; on which rest all peasantries and peoples that are free. The art of heraldry means independence; an image chosen by the imagination to express the individuality. The science of heraldry means interdependence; an agreement between different bodies to recognise different images; a science of imagery. We have here therefore exactly that compromise of co-operation between free families or groups which is the most normal mode of life for humanity and is particularly apparent wherever men own their own land and live on it. With the very mention of the images of bird and beast the student of mythology will murmur the word ‘totem’ almost in his sleep. But to my mind much of the trouble arises from his habit of saying such words as if in his sleep. Throughout this rough outline I have made a necessarily inadequate{69} attempt to keep on the inside rather than the outside of such things; to consider them where possible in terms of thought and not merely in terms of terminology. There is very little value in talking about totems unless we have some feeling of what it really felt like to have a totem. Granted that they had totems and we have no totems; was it because they had more fear of animals or more familiarity with animals? Did a man whose totem was a wolf feel like a were-wolf or like a man running away from a were-wolf? Did he feel like Uncle Remus about Brer Wolf or like St. Francis about his brother the wolf, or like Mowgli about his brothers the wolves? Was a totem a thing like the British lion or a thing like the British bulldog? Was the worship of a totem like the feeling of niggers about Mumbo Jumbo, or of children about Jumbo? I have never read any book of folk-lore, however learned, that gave me any light upon this question, which I think by far the most important one. I will confine myself to repeating that the earliest Egyptian communities had a common understanding about the images that stood for their individual states; and that this amount of communication is prehistoric in the sense that it is already there at the beginning of history. But as history unfolds itself, this question of communication is clearly the main question of these riverside communities. With the need of communication comes the need of a common government and the growing greatness and spreading shadow of the king. The other binding force besides the king, and perhaps older than the king, is the priesthood; and the priesthood has presumably even more to do with these ritual symbols and signals by which men can communicate. And here in Egypt arose probably the primary and certainly the typical invention to which we owe all history, and the whole difference between the historic and the prehistoric: the archetypal script, the art of writing.{70}

Egypt is a green ribbon along the river, contrasting with the dark red waste of the desert. It's an old saying, one that has been around for ages, that it’s created by the mysterious generosity and almost sinister kindness of the Nile. When we first learn about Egyptians, they live in a line of riverside villages, in small, separate but cooperative communities along the Nile's banks. Where the river splits into the wide Delta, that traditionally marked the start of a different region or group of people; but this doesn't complicate the main point. These largely independent yet interdependent groups were already quite civilized. They had a form of heraldry, which means decorative art used for symbolic and social purposes, each one navigating the Nile under its own banner representing various birds or animals. Heraldry involves two crucial aspects for any society: the combination of these elements creates that noble thing we call cooperation, which is the foundation of all rural communities and free peoples. The art of heraldry symbolizes independence; it’s an image chosen by the imagination to express individuality. The science of heraldry represents interdependence; it's an agreement among different groups to recognize various images, a science of imagery. Thus, we see a perfect example of the compromise of cooperation among free families or groups, which is the most normal way of life for humans, especially where people own and live on their own land. Just mentioning images of birds and beasts might make a mythology student whisper the word 'totem' almost without thinking. However, I believe much of the confusion comes from how casually he uses such words. Throughout this rough outline, I've made a necessarily limited{69} effort to focus on the inner meanings rather than just the surface; to explore these ideas as thoughts rather than just jargon. There’s little value in discussing totems unless we grasp what it genuinely felt like to have one. Assuming they had totems and we don’t; could it be because they feared animals more or were more familiar with them? Did a man whose totem was a wolf feel like a werewolf or like someone running from one? Did he feel like Uncle Remus with Brer Wolf, or like St. Francis with his brother the wolf, or like Mowgli with his wolf brothers? Was a totem more like the British lion or more like the British bulldog? Was the reverence for a totem akin to the feelings of Black people about Mumbo Jumbo, or of children about Jumbo? I've yet to find any folklore book, no matter how scholarly, that sheds light on this question, which I believe is the most significant one. I’ll stick to noting that the earliest Egyptian communities shared a common understanding of the symbols that represented their individual states; this level of communication is prehistoric because it existed at the very start of history. But as history progresses, the need for communication becomes clearly the primary concern of these riverside communities. With the need for communication comes the need for a common government and the rising influence and growing shadow of the king. The other unifying force, besides the king and perhaps even older than him, is the priesthood; and the priesthood likely played an even larger role in these ritual symbols and signals that allowed people to communicate. Here in Egypt, probably arose the fundamental and certainly the typical invention that gave rise to all history, and marked the clear difference between the historic and prehistoric: the archetypal script, the art of writing.{70}

The popular pictures of these primeval empires are not half so popular as they might be. There is shed over them the shadow of an exaggerated gloom, more than the normal and even healthy sadness of heathen men. It is part of the same sort of secret pessimism that loves to make primitive man a crawling creature, whose body is filth and whose soul is fear. It comes of course from the fact that men are moved most by their religion; especially when it is irreligion. For them anything primary and elemental must be evil. But it is the curious consequence that while we have been deluged with the wildest experiments in primitive romance, they have all missed the real romance of being primitive. They have described scenes that are wholly imaginary, in which the men of the Stone Age are men of stone like walking statues; in which the Assyrians or Egyptians are as stiff or as painted as their own most archaic art. But none of these makers of imaginary scenes have tried to imagine what it must really have been like to see those things as fresh which we see as familiar. They have not seen a man discovering fire like a child discovering fireworks. They have not seen a man playing with the wonderful invention called the wheel, like a boy playing at putting up a wireless station. They have never put the spirit of youth into their descriptions of the youth of the world. It follows that amid all their primitive or prehistoric fancies there are no jokes. There are not even practical jokes, in connection with the practical inventions. And this is very sharply defined in the particular case of hieroglyphics; for there seems to be serious indication that the whole high human art of scripture or writing began with a joke.

The popular images of these ancient empires aren’t as popular as they could be. They are overshadowed by an exaggerated gloom, more than the normal and even healthy sadness that non-religious people might feel. It comes from a kind of hidden pessimism that likes to portray primitive people as crawling beings, with filthy bodies and fearful souls. This attitude stems from the idea that people are mostly influenced by their beliefs, especially when those beliefs are anti-religious. For them, anything basic and fundamental must be bad. However, the strange result is that while we've been flooded with the most outrageous fantasies of primitive stories, they all miss the real story of being primitive. They depict scenes that are completely made up, where Stone Age people are like walking statues; where Assyrians or Egyptians are as rigid or painted as their most ancient art. Yet, none of these creators of imaginary scenes have attempted to envision what it must have truly been like to see those things fresh, as we now see them as commonplace. They haven’t imagined a person discovering fire with the excitement of a child uncovering fireworks. They haven’t envisioned someone playing with the amazing invention of the wheel like a boy setting up a wireless station. They never injected the spirit of youth into their portrayals of the world’s youth. Therefore, amidst all their primitive or prehistoric fantasies, there are no jokes. There aren’t even any practical jokes related to practical inventions. This becomes especially clear in the case of hieroglyphics; as there seems to be a strong indication that the entire sophisticated art of writing began with a joke.

There are some who will learn with regret that it seems to have begun with a pun. The king or the priests or some responsible persons, wishing to send a message up the river in that inconveniently long and narrow territory, hit on the idea of sending it in{71} picture-writing, like that of the Red Indian. Like most people who have written picture-writing for fun, he found the words did not always fit. But when the word for taxes sounded rather like the word for pig, he boldly put down a pig as a bad pun and chanced it. So a modern hieroglyphist might represent ‘at once’ by unscrupulously drawing a hat followed by a series of upright numerals. It was good enough for the Pharaohs and ought to be good enough for him. But it must have been great fun to write or even to read these messages, when writing and reading were really a new thing. And if people must write romances about ancient Egypt (and it seems that neither prayers nor tears nor curses can withhold them from the habit), I suggest that scenes like this would really remind us that the ancient Egyptians were human beings. I suggest that somebody should describe the scene of the great monarch sitting among his priests, and all of them roaring with laughter and bubbling over with suggestions as the royal puns grew more and more wild and indefensible. There might be another scene of almost equal excitement about the decoding of this cipher; the guesses and clues and discoveries having all the popular thrill of a detective story. That is how primitive romance and primitive history really ought to be written. For whatever was the quality of the religious or moral life of remote times, and it was probably much more human than is conventionally supposed, the scientific interest of such a time must have been intense. Words must have been more wonderful than wireless telegraphy; and experiments with common things a series of electric shocks. We are still waiting for somebody to write a lively story of primitive life. The point is in some sense a parenthesis here; but it is connected with the general matter of political development, by the institution which is most active in these first and most fascinating of all the fairy-tales of science.{72}

There are some who will regret learning that it seems to have all started with a pun. The king, the priests, or some other important people, wanting to send a message up the river in that inconveniently long and narrow territory, came up with the idea of using picture-writing, similar to that of Native Americans. Like most people who have created picture-writing for fun, he found that the words didn't always match up. But when the word for taxes sounded a lot like the word for pig, he boldly drew a pig as a bad pun and went for it. So a modern hieroglyphic writer might represent ‘at once’ by carelessly sketching a hat followed by a series of upright numbers. It worked for the Pharaohs, so it should work for him. It must have been a blast to write or even read these messages when writing and reading were really new. And if people insist on writing stories about ancient Egypt (and it seems that neither prayers, tears, nor curses can keep them from doing so), I suggest scenes like this would really show us that the ancient Egyptians were human. I propose that someone describe the scene of the great king sitting among his priests, all of them bursting with laughter and overflowing with ideas as the royal puns became crazier and crazier. There could be another scene equally exciting about figuring out this code; the guesses, clues, and discoveries having all the popular thrill of a detective story. That’s how primitive romance and history should really be told. No matter the quality of the religious or moral life back then, which was likely much more human than we usually think, the scientific curiosity of such times must have been intense. Words must have seemed more amazing than wireless communication, and experiments with ordinary things like a series of electric shocks. We are still waiting for someone to write a vibrant story about primitive life. This point is somewhat of a side note here, but it connects to the broader topic of political development, through the institution most active in these first and most captivating of all the fairy tales of science.

It is admitted that we owe most of this science to the priests. Modern writers like Mr. Wells cannot be accused of any weakness of sympathy with a pontifical hierarchy; but they agree at least in recognising what pagan priesthoods did for the arts and sciences. Among the more ignorant of the enlightened there was indeed a convention of saying that priests had obstructed progress in all ages; and a politician once told me in a debate that I was resisting modern reforms exactly as some ancient priest probably resisted the discovery of wheels. I pointed out, in reply, that it was far more likely that the ancient priest made the discovery of the wheels. It is overwhelmingly probable that the ancient priest had a great deal to do with the discovery of the art of writing. It is obvious enough in the fact that the very word hieroglyphic is akin to the word hierarchy. The religion of these priests was apparently a more or less tangled polytheism of a type that is more particularly described elsewhere. It passed through a period when it co-operated with the king, another period when it was temporarily destroyed by the king, who happened to be a prince with a private theism of his own, and a third period when it practically destroyed the king and ruled in his stead. But the world has to thank it for many things which it considers common and necessary; and the creators of those common things ought really to have a place among the heroes of humanity. If we were at rest in a real paganism, instead of being restless in a rather irrational reaction from Christianity, we might pay some sort of pagan honour to these nameless makers of mankind. We might have veiled statues of the man who first found fire or the man who first made a boat or the man who first tamed a horse. And if we brought them garlands or sacrifices, there would be more sense in it than in disfiguring our cities with cockney statues of stale politicians and philanthropists. But one of the{73} strange marks of the strength of Christianity is that, since it came, no pagan in our civilisation has been able to be really human.

It's acknowledged that we owe most of this science to the priests. Modern writers like Mr. Wells aren’t sympathetic to a religious hierarchy, but they at least agree on the contributions of ancient pagan priesthoods to the arts and sciences. Among the less enlightened, there's been a common belief that priests have always hindered progress. In a debate, a politician once told me that I was resisting modern reforms just like some ancient priest probably resisted the invention of the wheel. I replied that it was much more likely that the ancient priest actually discovered the wheel. It's very likely that the ancient priest played a big role in the development of writing. The connection is clear in the fact that the word hieroglyphic is related to the word hierarchy. The religion of these priests was a complicated polytheism that’s described in more detail elsewhere. It went through phases: one where it worked with the king, another where it was temporarily dismantled by a king who had his own private beliefs, and a third where it effectively took over from the king. However, the world owes a lot to this religion for many things it now sees as ordinary and essential; those who created these common things truly deserve a place among humanity's heroes. If we were comfortable in genuine paganism, instead of being unsettled in an irrational backlash against Christianity, we might honor these unknown founders of humanity. We could have veiled statues of the person who first discovered fire, the one who first built a boat, or the one who first domesticated a horse. Bringing them gifts or tributes would make more sense than cluttering our cities with outdated statues of mediocre politicians and philanthropists. Yet, one of the strange signs of Christianity's strength is that since it emerged, no pagan in our civilization has been able to truly embrace the human experience.

The point is here, however, that the Egyptian government, whether pontifical or royal, found it more and more necessary to establish communication; and there always went with communication a certain element of coercion. It is not necessarily an indefensible thing that the State grew more despotic as it grew more civilised; it is arguable that it had to grow more despotic in order to grow more civilised. That is the argument for autocracy in every age; and the interest lies in seeing it illustrated in the earliest age. But it is emphatically not true that it was most despotic in the earliest age and grew more liberal in a later age; the practical process of history is exactly the reverse. It is not true that the tribe began in the extreme of terror of the Old Man and his seat and spear; it is probable, at least in Egypt, that the Old Man was rather a New Man armed to attack new conditions. His spear grew longer and longer and his throne rose higher and higher, as Egypt rose into a complex and complete civilisation. That is what I mean by saying that the history of the Egyptian territory is in this the history of the earth; and directly denies the vulgar assumption that terrorism can only come at the beginning and cannot come at the end. We do not know what was the very first condition of the more or less feudal amalgam of landowners, peasants, and slaves in the little commonwealths beside the Nile; but it may have been a peasantry of an even more popular sort. What we do know is that it was by experience and education that little commonwealths lose their liberty; that absolute sovereignty is something not merely ancient but rather relatively modern; and it is at the end of the path called progress that men return to the king.

The main point here is that the Egyptian government, whether religious or royal, increasingly found it necessary to establish communication, and along with communication came a certain level of coercion. It’s not necessarily wrong to say that the State became more authoritarian as it became more civilized; it can be argued that it needed to become more authoritarian in order to become more civilized. This argument for autocracy has been made throughout history, and it's interesting to see it in its earliest forms. However, it is definitely not true that it was most authoritarian in the earliest times and became more liberal later; the actual progression of history is the opposite. It’s not accurate to say that the tribe began in extreme fear of the Elder and his seat and spear; it's more likely, at least in Egypt, that the Elder was more like a New Man ready to tackle new challenges. His spear kept getting longer and his throne kept getting higher as Egypt developed into a complex and complete civilization. This is what I mean when I say that the history of the Egyptian territory reflects the history of the earth; it directly contradicts the common belief that terror can only come at the beginning and not at the end. We don’t know what the very first condition was like for the mix of landowners, peasants, and slaves in the small communities along the Nile; but it might have involved a peasantry that was even more popular. What we do know is that through experience and education, small communities lose their freedom; that absolute power is not just ancient but fairly modern; and that at the end of what we call progress, people return to the king.

Egypt exhibits, in that brief record of its remotest{74} beginnings, the primary problem of liberty and civilisation. It is the fact that men actually lose variety by complexity. We have not solved the problem properly any more than they did; but it vulgarises the human dignity of the problem itself to suggest that even tyranny has no motive save in tribal terror. And just as the Egyptian example refutes the fallacy about despotism and civilisation, so does the Babylonian example refute the fallacy about civilisation and barbarism. Babylon also we first hear of when it is already civilised; for the simple reason that we cannot hear of anything until it is educated enough to talk. It talks to us in what is called cuneiform; that strange and stiff triangular symbolism that contrasts with the picturesque alphabet of Egypt. However relatively rigid Egyptian art may be, there is always something different from the Babylonian spirit which was too rigid to have any art. There is always a living grace in the lines of the lotus and something of rapidity as well as rigidity in the movement of the arrows and the birds. Perhaps there is something of the restrained but living curve of the river, which makes us in talking of the serpent of old Nile almost think of the Nile as a serpent. Babylon was a civilisation of diagrams rather than of drawings. Mr. W. B. Yeats, who has a historical imagination to match his mythological imagination (and indeed the former is impossible without the latter), wrote truly of the men who watched the stars ‘from their pedantic Babylon.’ The cuneiform was cut upon bricks, of which all their architecture was built up; the bricks were of baked mud, and perhaps the material had something in it forbidding the sense of form to develop in sculpture or relief. Theirs was a static but a scientific civilisation, far advanced in the machinery of life and in some ways highly modern. It is said that they had much of the modern cult of the higher spinsterhood and recognised an official class of independent working{75} women. There is perhaps something in that mighty stronghold of hardened mud that suggests the utilitarian activity of a huge hive. But though it was huge it was human; we see many of the same social problems as in ancient Egypt or modern England; and whatever its evils this also was one of the earliest masterpieces of man. It stood, of course, in the triangle formed by the almost legendary rivers of Tigris and Euphrates, and the vast agriculture of its empire, on which its towns depended, was perfected by a highly scientific system of canals. It had by tradition a high intellectual life, though rather philosophic than artistic; and there preside over its primal foundation those figures who have come to stand for the star-gazing wisdom of antiquity; the teachers of Abraham; the Chaldees.

Egypt shows, in that brief account of its ancient beginnings, the main issue of freedom and civilization. The reality is that people actually lose diversity due to complexity. We haven't solved this problem any better than they did; but it diminishes the human dignity of the issue itself to suggest that even tyranny has no motivation other than tribal fear. Just as the Egyptian example disproves the misconception that despotism and civilization are incompatible, the Babylonian example disproves the idea that civilization and barbarism are opposites. We first learn about Babylon when it is already civilized, simply because we cannot know of anything until it has developed enough to express itself. It communicates with us through what is known as cuneiform—a strange and rigid triangular writing that contrasts with the more picturesque alphabet of Egypt. No matter how comparatively rigid Egyptian art may be, there is always something different about Babylonian culture, which was too inflexible to create any art. Egyptian designs have a living grace in the lotus lines, and there’s a sense of both speed and stiffness in the movement of arrows and birds. Perhaps there’s a bit of the smooth yet alive curve of the river that makes us, when talking about the ancient Nile, almost envision it as a serpent. Babylon was a civilization of diagrams rather than drawings. Mr. W. B. Yeats, with a historical imagination that pairs well with his mythical one (and indeed the former is impossible without the latter), accurately described the men who observed the stars 'from their pedantic Babylon.' The cuneiform was inscribed on bricks, from which all their architecture was constructed; the bricks were made of baked mud, and maybe the material itself restricted the development of form in sculpture or relief. Their civilization was static yet scientific, highly advanced in the mechanics of life and, in some ways, quite modern. It is said that they had a concept of the modern cult of independent womanhood and recognized an official class of working women. Perhaps there’s something in that mighty fortress of hardened mud that suggests the practical nature of a massive hive. But despite its size, it was human; we see many of the same social issues as in ancient Egypt or modern England; and whatever its flaws, this too was one of humanity's earliest masterpieces. It stood, of course, in the triangle formed by the almost legendary Tigris and Euphrates rivers, and its towns depended on a vast agricultural empire perfected by a highly scientific system of canals. It had a tradition of intellectual life that was more philosophical than artistic, and over its foundational figures preside those who symbolize the star-gazing wisdom of antiquity—the teachers of Abraham, the Chaldeans.

Against this solid society, as against some vast bare wall of brick, there surged age after age the nameless armies of the Nomads. They came out of the deserts where the nomadic life had been lived from the beginning and where it is still lived to-day. It is needless to dwell on the nature of that life; it was obvious enough and even easy enough to follow a herd or a flock which generally found its own grazing-ground and to live on the milk or meat it provided. Nor is there any reason to doubt that this habit of life could give almost every human thing except a home. Many such shepherds or herdsmen may have talked in the earliest times of all the truths and enigmas of the Book of Job; and of these were Abraham and his children, who have given to the modern world for an endless enigma the almost monomaniac monotheism of the Jews. But they were a wild people without comprehension of complex social organisation; and a spirit like the wind within them made them wage war on it again and again. The history of Babylonia is largely the history of its defence against the desert hordes; who came on at intervals of a century or two and generally retreated{76} as they came. Some say that an admixture of nomad invasion built at Nineveh the arrogant kingdom of the Assyrians, who carved great monsters upon their temples, bearded bulls with wings like cherubim, and who sent forth many military conquerors who stamped the world as if with such colossal hooves. Assyria was an imperial interlude; but it was an interlude. The main story of all that land is the war between the wandering peoples and the state that was truly static. Presumably in prehistoric times, and certainly in historic times, those wanderers went westward to waste whatever they could find. The last time they came they found Babylon vanished; but that was in historic times and the name of their leader was Mahomet.

Against this solid society, like a huge bare wall of brick, the nameless armies of the Nomads surged for ages. They emerged from the deserts where nomadic life had existed since the beginning and still thrives today. There's no need to elaborate on the nature of that life; it was straightforward enough to follow a herd or flock that usually discovered its own grazing ground and to survive on the milk or meat it provided. It's also clear that this way of life could offer almost everything a person needed, except a home. Many of these shepherds or herdsmen might have discussed the truths and mysteries of the Book of Job in ancient times; among them were Abraham and his descendants, who contributed to the world an enduring puzzle with the almost obsessive monotheism of the Jews. However, they were a wild people lacking an understanding of complex social organization, and a spirit like the wind drove them to repeatedly wage war against it. The history of Babylonia is largely about its defense against the desert hordes that came every century or so and generally retreated as they arrived{76}. Some believe that a mix of nomadic invasions contributed to the rise of the proud kingdom of the Assyrians in Nineveh, who carved great monsters on their temples, bearded bulls with wings like cherubs, and who produced many military conquerors that left their mark on the world like colossal hooves. Assyria was a temporary empire; it was just an interlude. The main story of that land is the conflict between the wandering peoples and the truly static state. Presumably in prehistoric times, and definitely in historic times, those wanderers moved westward to seize whatever they could find. The last time they arrived, they found Babylon gone; that was in historic times, and the name of their leader was Mahomet.

Now it is worth while to pause upon that story because, as has been suggested, it directly contradicts the impression still current that nomadism is merely a prehistoric thing and social settlement a comparatively recent thing. There is nothing to show that the Babylonians had ever wandered; there is very little to show that the tribes of the desert ever settled down. Indeed it is probable that this notion of a nomadic stage followed by a static stage has already been abandoned by the sincere and genuine scholars to whose researches we all owe so much. But I am not at issue in this book with sincere and genuine scholars, but with a vast and vague public opinion which has been prematurely spread from certain imperfect investigations, and which has made fashionable a false notion of the whole history of humanity. It is the whole vague notion that a monkey evolved into a man and in the same way a barbarian evolved into a civilised man, and therefore at every stage we have to look back to barbarism and forward to civilisation. Unfortunately this notion is in a double sense entirely in the air. It is an atmosphere in which men live rather than a thesis which they defend. Men in that mood are more easily answered by objects{77} than by theories; and it will be well if any one tempted to make that assumption, in some trivial turn of talk or writing, can be checked for a moment by shutting his eyes and seeing for an instant, vast and vaguely crowded, like a populous precipice, the wonder of the Babylonian wall.

Now it's worth taking a moment to reflect on that story because, as mentioned, it directly contradicts the common belief that nomadism is just a prehistoric phenomenon and that social settlement is a relatively recent development. There’s no evidence to suggest that the Babylonians were ever wanderers; there's very little to indicate that the tribes of the desert ever settled down. In fact, it's likely that the idea of a nomadic phase followed by a settled phase has already been dismissed by the earnest and dedicated scholars whose research has greatly benefited us all. However, I'm not debating the views of those sincere scholars in this book, but rather addressing a widespread and vague public opinion that has been prematurely shaped by certain incomplete studies, which has popularized a misleading perception of human history. This vague idea posits that a monkey evolved into a man, just as a barbarian evolved into a civilized person, and thus at every stage, we look back to barbarism and forward to civilization. Unfortunately, this belief is entirely abstract in two senses. It’s more of an atmosphere that people live in than a theory they actively support. People in this mindset are more easily swayed by experiences{77} than by theoretical arguments; it would be beneficial if anyone tempted to make that assumption, in some casual comment or piece of writing, could be momentarily paused by closing their eyes and envisioning, for just an instant, the awe-inspiring expanse of the Babylonian wall, vast and densely populated like an immense cliff.

One fact does certainly fall across us like its shadow. Our glimpses of both these early empires show that the first domestic relation had been complicated by something which was less human, but was often regarded as equally domestic. The dark giant called Slavery had been called up like a genii and was labouring on gigantic works of brick and stone. Here again we must not too easily assume that what was backward was barbaric; in the matter of manumission the earlier servitude seems in some ways more liberal than the later; perhaps more liberal than the servitude of the future. To insure food for humanity by forcing part of it to work was after all a very human expedient; which is why it will probably be tried again. But in one sense there is a significance in the old slavery. It stands for one fundamental fact about all antiquity before Christ; something to be assumed from first to last. It is the insignificance of the individual before the State. It was as true of the most democratic City State in Hellas as of any despotism in Babylon. It is one of the signs of this spirit that a whole class of individuals could be insignificant or even invisible. It must be normal because it was needed for what would now be called ‘social service.’ Somebody said, ‘The Man is nothing and the Work is all,’ meaning it for a breezy Carlylean commonplace. It was the sinister motto of the heathen Servile State. In that sense there is truth in the traditional vision of vast pillars and pyramids going up under those everlasting skies for ever, by the labour of numberless and nameless men, toiling like ants and dying like flies, wiped out by the work of their own hands.{78}

One fact definitely looms over us like a shadow. Our glimpses of both these early empires reveal that the first domestic relationship was complicated by something less human, yet often seen as equally domestic. The dark force called Slavery was summoned like a genie and was working on massive projects of brick and stone. Here, we shouldn't too quickly assume that what was primitive was barbaric; regarding manumission, earlier servitude seems in some ways more generous than later versions, perhaps even more so than future servitude. Ensuring food for humanity by forcing part of it to work was, after all, a very human solution, which is why it will likely be attempted again. But in one way, old slavery has significant meaning. It represents a fundamental reality about all of antiquity before Christ; something to be recognized from beginning to end. It highlights the lack of importance of the individual in relation to the State. This was true for even the most democratic City-State in Greece as much as any tyranny in Babylon. A clear sign of this mentality is that an entire class of individuals could be insignificant or even invisible. It must have been normal because it was necessary for what we now call ‘social service.’ Someone said, ‘The Man is nothing and the Work is everything,’ using it as a casual, breezy saying. It was the grim motto of the pagan Servile State. In that sense, there is truth in the traditional image of enormous pillars and pyramids rising beneath those eternal skies forever, built by countless nameless men, working like ants and dying like flies, erased by the very labor they performed. {78}

But there are two other reasons for beginning with the two fixed points of Egypt and Babylon. For one thing they are fixed in tradition as the types of antiquity; and history without tradition is dead. Babylon is still the burden of a nursery rhyme, and Egypt (with its enormous population of princesses awaiting reincarnation) is still the topic of an unnecessary number of novels. But a tradition is generally a truth; so long as the tradition is sufficiently popular; even if it is almost vulgar. And there is a significance in this Babylonian and Egyptian element in nursery rhymes and novels; even the newspapers, normally so much behind the times, have already got as far as the reign of Tutankhamen. The first reason is full of the common sense of popular legend; it is the simple fact that we do know more of these traditional things than of other contemporary things; and that we always did. All travellers from Herodotus to Lord Carnarvon follow this route. Scientific speculations of to-day do indeed spread out a map of the whole primitive world, with streams of racial emigration or admixture marked in dotted lines everywhere; over spaces which the unscientific medieval map-maker would have been content to call ‘terra incognita,’ if he did not fill the inviting blank with a picture of a dragon, to indicate the probable reception given to pilgrims. But these speculations are only speculations at the best; and at the worst the dotted lines can be far more fabulous than the dragon.

But there are two other reasons for starting with the two fixed points of Egypt and Babylon. For one, they are firmly rooted in tradition as symbols of the past; and history without tradition is lifeless. Babylon is still a part of a nursery rhyme, and Egypt (with its countless princesses waiting to be reincarnated) remains the subject of far too many novels. However, a tradition is usually a truth, as long as it is popular enough, even if it’s somewhat cliché. There’s significance in this Babylonian and Egyptian aspect in nursery rhymes and novels; even the newspapers, which are typically behind the times, have caught up to the reign of Tutankhamen. The first reason reflects the common sense of popular legend; it’s simply true that we know more about these traditional things than about other contemporary matters—and we always have. All travelers from Herodotus to Lord Carnarvon have taken this path. Today's scientific theories do spread out a map of the entire primitive world, with streams of racial migration or mixing marked in dotted lines everywhere, across areas that the unscientific medieval mapmaker would have labeled ‘terra incognita’ if he didn’t fill the empty space with a picture of a dragon to suggest how pilgrims might be received. But these theories are just theories at best; and at worst, the dotted lines can be far more fanciful than the dragon.

There is unfortunately one fallacy here into which it is very easy for men to fall, even those who are most intelligent and perhaps especially those who are most imaginative. It is the fallacy of supposing that because an idea is greater in the sense of larger, therefore it is greater in the sense of more fundamental and fixed and certain. If a man lives alone in a straw hut in the middle of Thibet, he may be told that he is living in the Chinese Empire; and the{79} Chinese Empire is certainly a splendid and spacious and impressive thing. Or alternatively he may be told that he is living in the British Empire, and be duly impressed. But the curious thing is that in certain mental states he can feel much more certain about the Chinese Empire that he cannot see than about the straw hut that he can see. He has some strange magical juggle in his mind, by which his argument begins with the empire though his experience begins with the hut. Sometimes he goes mad and appears to be proving that a straw hut cannot exist in the domains of the Dragon Throne; that it is impossible for such a civilisation as he enjoys to contain such a hovel as he inhabits. But his insanity arises from the intellectual slip of supposing that because China is a large and all-embracing hypothesis, therefore it is something more than a hypothesis. Now modern people are perpetually arguing in this way; and they extend it to things much less real and certain than the Chinese Empire. They seem to forget, for instance, that a man is not even certain of the Solar System as he is certain of the South Downs. The Solar System is a deduction, and doubtless a true deduction; but the point is that it is a very vast and far-reaching deduction, and therefore he forgets that it is a deduction at all and treats it as a first principle. He might discover that the whole calculation is a miscalculation; and the sun and stars and street lamps would look exactly the same. But he has forgotten that it is a calculation, and is almost ready to contradict the sun if it does not fit into the Solar System. If this is a fallacy even in the case of facts pretty well ascertained, such as the Solar System and the Chinese Empire, it is an even more devastating fallacy in connection with theories and other things that are not really ascertained at all. Thus history, especially prehistoric history, has a horrible habit of beginning with certain generalisations about races. I will not describe the disorder{80} and misery this inversion has produced in modern politics. Because the race is vaguely supposed to have produced the nation, men talk as if the nation were something vaguer than the race. Because they have themselves invented a reason to explain a result, they almost deny the result in order to justify the reason. They first treat a Celt as an axiom and then treat an Irishman as an inference. And then they are surprised that a great fighting, roaring Irishman is angry at being treated as an inference. They cannot see that the Irish are Irish whether or no they are Celtic, whether or no there ever were any Celts. And what misleads them once more is the size of the theory; the sense that the fancy is bigger than the fact. A great scattered Celtic race is supposed to contain the Irish, so of course the Irish must depend for their very existence upon it. The same confusion, of course, has eliminated the English and the Germans by swamping them in the Teutonic race; and some tried to prove from the races being at one that the nations could not be at war. But I only give these vulgar and hackneyed examples in passing, as more familiar examples of the fallacy; the matter at issue here is not its application to these modern things but rather to the most ancient things. But the more remote and unrecorded was the racial problem, the more fixed was this curious inverted certainty in the Victorian man of science. To this day it gives a man of those scientific traditions the same sort of shock to question these things, which were only the last inferences when he turned them into first principles. He is still more certain that he is an Aryan even than that he is an Anglo-Saxon, just as he is more certain that he is an Anglo-Saxon than that he is an Englishman. He has never really discovered that he is a European. But he has never doubted that he is an Indo-European. These Victorian theories have shifted a great deal in their shape and scope; but this habit of a rapid hardening of a{81} hypothesis into a theory, and of a theory into an assumption, has hardly yet gone out of fashion. People cannot easily get rid of the mental confusion of feeling that the foundations of history must surely be secure; that the first steps must be safe; that the biggest generalisation must be obvious. But though the contradiction may seem to them a paradox, this is the very contrary of the truth. It is the large thing that is secret and invisible; it is the small thing that is evident and enormous.

There's unfortunately a common mistake here that it's easy for people to make, even those who are the smartest and, ironically, those who are the most creative. It’s the mistake of thinking that just because an idea is bigger, it’s also more fundamental, fixed, and certain. If someone lives alone in a straw hut in the middle of Tibet, they might be told they’re living in the Chinese Empire; and the Chinese Empire is definitely something grand, vast, and impressive. Alternatively, they could be told they live in the British Empire and feel similarly impressed. But the strange part is that in some mental states, they might feel a lot more sure about the Chinese Empire they can’t see than about the straw hut they can see. There’s some weird mental juggling happening where their argument starts with the empire, even though their reality starts with the hut. Sometimes they go off the deep end and try to argue that a straw hut can’t exist in the lands of the Dragon Throne, as if such a civilization can’t possibly have room for such a humble dwelling as theirs. But their craziness comes from the intellectual slip of thinking that just because China is a big, all-encompassing idea, it’s more than just an idea. Nowadays, people argue like this all the time; they even extend this mistaken logic to things that are much less real and certain than the Chinese Empire. They seem to forget that a person can be more sure of the South Downs than they are of the Solar System. The Solar System is a deduction, and probably a correct one; but it’s such a vast deduction that it often gets treated like a given. They might discover that their whole understanding is wrong, and the sun, stars, and streetlights would still look the same. Yet they forget that it’s a deduction and are almost ready to argue with the sun if it doesn’t fit into the Solar System. If this is a mistake for things that are pretty well established, like the Solar System and the Chinese Empire, it’s an even bigger mistake with theories and other things that aren’t really established at all. For instance, history, especially prehistory, has a nasty habit of starting with overly broad generalizations about races. I won’t go into the chaos and suffering this confusion has caused in modern politics. Because race is loosely thought to produce nationhood, people often talk as if a nation is less certain than the race. They create reasons to explain outcomes and, in doing so, almost deny those outcomes in order to validate their reasons. They might treat a Celt as a basic truth and then treat an Irishman as an assumption. Then they’re shocked when a strong, loud Irishman gets upset at being treated as just an assumption. They fail to recognize that the Irish are Irish, regardless of whether they’re Celtic or if Celts ever existed. What misleads them again is the size of the theory; the idea that the fantasy is larger than the fact. A vast, scattered Celtic race is thought to encompass the Irish, so naturally, the Irish must rely on it for their very existence. The same confusion has, of course, overshadowed the English and Germans by lumping them into the Teutonic race; and some have tried to argue that if races are united, the nations can’t possibly be at war. But I only mention these common and worn-out examples briefly as they illustrate the mistake; the real issue at stake here isn’t how this applies to modern things but rather to the most ancient matters. The more distant and undocumented the racial issue was, the more fixed this strange inverted certainty became in Victorian science. Even today, someone from those scientific traditions feels a jolt when questioning these things, which were merely the last deductions when they were presented as first principles. They feel more certain about being Aryan than they do about being Anglo-Saxon, just as they’re more certain about being Anglo-Saxon than they are about being English. They’ve never truly realized that they’re European. But they’ve never doubted that they’re Indo-European. These Victorian theories have changed a lot over time, but the tendency to quickly solidify a hypothesis into a theory, and then a theory into an assumption, hasn’t gone out of style. People struggle to shake off the mental confusion of thinking that the foundations of history must be secure, that initial steps must be safe, and that the biggest generalizations must be obvious. But while the contradiction may seem paradoxical, this is exactly the opposite of the truth. It’s the big idea that’s hidden and invisible; it’s the small idea that’s clear and substantial.

Every race on the face of the earth has been the subject of these speculations, and it is impossible even to suggest an outline of the subject. But if we take the European race alone, its history, or rather its prehistory, has undergone many retrospective revolutions in the short period of my own lifetime. It used to be called the Caucasian race; and I read in childhood an account of its collision with the Mongolian race; it was written by Bret Harte and opened with the query, ‘Or is the Caucasian played out?’ Apparently the Caucasian was played out, for in a very short time he had been turned into the Indo-European man; sometimes, I regret to say, proudly presented as the Indo-Germanic man. It seems that the Hindu and the German have similar words for mother or father; there were other similarities between Sanskrit and various Western tongues; and with that all superficial differences between a Hindu and a German seemed suddenly to disappear. Generally this composite person was more conveniently described as the Aryan, and the really important point was that he had marched westward out of those high lands of India where fragments of his language could still be found. When I read this as a child, I had the fancy that after all the Aryan need not have marched westward and left his language behind him; he might also have marched eastward and taken his language with him. If I were to read it now, I should content myself with confessing my{82} ignorance of the whole matter. But as a matter of fact I have great difficulty in reading it now, because it is not being written now. It looks as if the Aryan is also played out. Anyhow he has not merely changed his name but changed his address; his starting-place and his route of travel. One new theory maintains that our race did not come to its present home from the East but from the South. Some say the Europeans did not come from Asia but from Africa. Some have even had the wild idea that the Europeans came from Europe; or rather that they never left it.

Every race on the planet has been the focus of these speculations, and it's impossible to even sketch out the topic. But if we look at just the European race, its history—or rather its prehistory—has gone through many revisions in my own lifetime. It was once called the Caucasian race; I remember reading as a child about its clash with the Mongolian race; it was written by Bret Harte and opened with the question, ‘Or is the Caucasian played out?’ Apparently, the Caucasian was played out, because soon he was transformed into the Indo-European man; sometimes, I regret to say, he was proudly referred to as the Indo-Germanic man. It turns out the Hindu and the German have similar words for mother or father; there were other similarities between Sanskrit and various Western languages; and with that, all the superficial differences between a Hindu and a German seemed to vanish. Generally, this mixed person was more conveniently referred to as the Aryan, and the key point was that he had moved westward from those highlands of India where remnants of his language could still be found. When I read this as a child, I fancied that maybe the Aryan didn’t have to move west and leave his language behind; he could have moved east and taken his language with him. If I were to read it now, I would just admit my ignorance of the whole thing. But honestly, I find it hard to read now because it’s not being written now. It looks like the Aryan is also played out. In any case, he has not just changed his name but also his address; his starting point and his travel route. One new theory claims that our race didn’t come to its current home from the East but from the South. Some suggest that Europeans didn’t come from Asia but from Africa. Some have even proposed the outrageous idea that Europeans originated in Europe; or rather, that they never left it.

Then there is a certain amount of evidence of a more or less prehistoric pressure from the North, such as that which seems to have brought the Greeks to inherit the Cretan culture and so often brought the Gauls over the hills into the fields of Italy. But I merely mention this example of European ethnology to point out that the learned have pretty well boxed the compass by this time; and that I, who am not one of the learned, cannot pretend for a moment to decide where such doctors disagree. But I can use my own common sense, and I sometimes fancy that theirs is a little rusty from want of use. The first act of common sense is to recognise the difference between a cloud and a mountain. And I will affirm that nobody knows any of these things, in the sense that we all know of the existence of the Pyramids of Egypt.

Then there's some evidence of a prehistoric push from the North, like what seems to have led the Greeks to adopt Cretan culture and often brought the Gauls down from the hills into the fields of Italy. I mention this example of European ethnology to highlight that scholars have pretty much covered all the angles by now; and I, who am not one of those scholars, cannot claim for a moment to settle disagreements among them. But I can use my own common sense, and sometimes I feel like theirs is a bit rusty from not being used. The first act of common sense is to recognize the difference between a cloud and a mountain. And I will say that nobody truly knows these things, in the same way we all know the Pyramids of Egypt exist.

The truth, it may be repeated, is that what we really see, as distinct from what we may reasonably guess, in this earliest phase of history is darkness covering the earth and great darkness the peoples, with a light or two gleaming here and there on chance patches of humanity; and that two of these flames do burn upon two of these tall primeval towns; upon the high terraces of Babylon and the huge pyramids of the Nile. There are indeed other ancient lights, or lights that may be conjectured to be very ancient,{83} in very remote parts of that vast wilderness of night. Far away to the East there is a high civilisation of vast antiquity in China; there are the remains of civilisations in Mexico and South America and other places, some of them apparently so high in civilisation as to have reached the most refined forms of devil-worship. But the difference lies in the element of tradition; the tradition of these lost cultures has been broken off, and though the tradition of China still lives, it is doubtful whether we know anything about it. Moreover, a man trying to measure the Chinese antiquity has to use Chinese traditions of measurement; and he has a strange sensation of having passed into another world under other laws of time and space. Time is telescoped outwards, and centuries assume the slow and stiff movement of aeons; the white man trying to see it as the yellow man sees, feels as if his head were turning round and wonders wildly whether it is growing a pigtail. Anyhow he cannot take in a scientific sense that queer perspective that leads up to the primeval pagoda of the first of the Sons of Heaven. He is in the real antipodes; the only true alternative world to Christendom; and he is after a fashion walking upside down. I have spoken of the medieval map-maker and his dragon; but what medieval traveller, however much interested in monsters, would expect to find a country where a dragon is a benevolent and amiable being? Of the more serious side of Chinese tradition something will be said in another connection; but here I am only talking of tradition and the test of antiquity. And I only mention China as an antiquity that is not for us reached by a bridge of tradition; and Babylon and Egypt as antiquities that are. Herodotus is a human being, in a sense in which a Chinaman in a billycock hat, sitting opposite to us in a London tea-shop, is hardly human. We feel as if we knew what David and Isaiah felt like, in a way in which we never were quite certain what{84} Li Hung Chang felt like. The very sins that snatched away Helen or Bathsheba have passed into a proverb of private human weakness, of pathos and even of pardon. The very virtues of the Chinaman have about them something terrifying. This is the difference made by the destruction or preservation of a continuous historical inheritance; as from ancient Egypt to modern Europe. But when we ask what was that world that we inherit, and why those particular people and places seem to belong to it, we are led to the central fact of civilised history.

The truth is that what we can actually see, as opposed to what we can only guess, in this early phase of history is darkness covering the earth and a deep darkness over the people, with a few lights flickering here and there among humanity; and two of these flames burn in two of these ancient cities: on the high terraces of Babylon and the massive pyramids of the Nile. There are indeed other ancient lights, or lights that might be very old, {83} in far-off parts of that vast wilderness of night. Far to the East, there's a highly developed civilization with a long history in China; there are remnants of civilizations in Mexico, South America, and other places, some of which appear to have advanced to the most refined forms of idol worship. But the difference lies in tradition; the tradition of these lost cultures has been interrupted, and while the tradition of China still exists, it's uncertain how much we truly understand about it. Moreover, someone trying to gauge Chinese antiquity must rely on Chinese measures of time; and they may feel as if they've entered a different world with its own laws of time and space. Time stretches out, and centuries slowly move like ages; a white person trying to see it as a Chinese person does might feel dizzy and wonder if they're growing a pigtail. Regardless, they can't grasp the scientific understanding of that strange perspective leading to the ancient pagoda of the first Sons of Heaven. They are in the true antipodes; a genuine alternative world to Christendom; and in a way, they feel upside down. I've mentioned the medieval map-maker and his dragon; but what medieval traveler, no matter how fascinated by monsters, would expect to find a place where a dragon is a friendly and charming creature? I’ll discuss the more serious aspects of Chinese tradition elsewhere; here I’m only focusing on tradition and how we measure antiquity. I'm just highlighting China as an ancient culture that we can't connect to through tradition, and Babylon and Egypt as cultures we can connect with. Herodotus is relatable in a way that a Chinese person in a bowler hat sitting across from us in a London café feels less familiar. We feel like we understand what David and Isaiah experienced in a way that we’re never quite sure about with {84} Li Hung Chang. The very flaws that led to the downfall of Helen or Bathsheba have become proverbs of human vulnerability, pathos, and even forgiveness. The traits of the Chinese person, however, seem almost frightening. This illustrates the difference that the destruction or preservation of a continuous historical legacy makes; from ancient Egypt to modern Europe. But when we ask what that inherited world is and why those specific people and places feel connected to it, we arrive at the central truth of civilized history.

That centre was the Mediterranean; which was not so much a piece of water as a world. But it was a world with something of the character of such a water; for it became more and more a place of unification in which the streams of strange and very diverse cultures met. The Nile and the Tiber alike flow into the Mediterranean; so did the Egyptian and the Etrurian alike contribute to a Mediterranean civilisation. The glamour of the great sea spread indeed very far inland, and the unity was felt among the Arabs alone in the deserts and the Gauls beyond the northern hills. But the gradual building up of a common culture running round all the coasts of this inner sea is the main business of antiquity. As will be seen, it was sometimes a bad business as well as a good business. In that orbis terrarum or circle of lands there were the extremes of evil and of piety, there were contrasted races and still more contrasted religions. It was the scene of an endless struggle between Asia and Europe from the flight of the Persian ships at Salamis to the flight of the Turkish ships at Lepanto. It was the scene, as will be more especially suggested later, of a supreme spiritual struggle between the two types of paganism, confronting each other in the Latin and the Phoenician cities; in the Roman forum and the Punic mart. It was the world of war and peace, the world of good and evil, the world of all that matters most; with all{85} respect to the Aztecs and the Mongols of the Far East, they did not matter as the Mediterranean tradition mattered and still matters. Between it and the Far East there were, of course, interesting cults and conquests of various kinds, more or less in touch with it, and in proportion as they were so intelligible also to us. The Persians came riding in to make an end of Babylon; and we are told in a Greek story how these barbarians learned to draw the bow and tell the truth. Alexander the great Greek marched with his Macedonians into the sunrise, and brought back strange birds coloured like the sunrise clouds and strange flowers and jewels from the gardens and treasuries of nameless kings. Islam went eastward into that world and made it partly imaginable to us; precisely because Islam itself was born in that circle of lands that fringed our own ancient and ancestral sea. In the Middle Ages the empire of the Moguls increased its majesty without losing its mystery; the Tartars conquered China and the Chinese apparently took very little notice of them. All these things are interesting in themselves; but it is impossible to shift the centre of gravity to the inland spaces of Asia from the inland sea of Europe. When all is said, if there were nothing in the world but what was said and done and written and built in the lands lying round the Mediterranean, it would still be in all the most vital and valuable things the world in which we live. When that southern culture spread to the north-west it produced many very wonderful things; of which doubtless we ourselves are the most wonderful. When it spread thence to colonies and new countries, it was still the same culture so long as it was culture at all. But round that little sea like a lake were the things themselves, apart from all extensions and echoes and commentaries on the things; the Republic and the Church; the Bible and the heroic epics; Islam and Israel and the memories of the lost empires; Aristotle and the{86} measure of all things. It is because the first light upon this world is really light, the daylight in which we are still walking to-day, and not merely the doubtful visitation of strange stars, that I have begun here with noting where that light first falls on the towered cities of the eastern Mediterranean.

That center was the Mediterranean; it was more than just a body of water; it was a world. But it was a world that shared some qualities of such a body of water, as it increasingly became a place where streams of diverse and unfamiliar cultures converged. The Nile and the Tiber flowed into the Mediterranean; both Egyptian and Etruscan cultures contributed to a Mediterranean civilization. The allure of the great sea extended far inland, bringing a sense of unity among the Arabs in the deserts and the Gauls beyond the northern hills. The gradual development of a common culture around all the coasts of this inner sea is the central theme of antiquity. As will be shown, this development included both positive and negative aspects. In that orbis terrarum or circle of lands, there were extremes of both evil and piety, contrasting races, and even more contrasting religions. It was the stage for an ongoing struggle between Asia and Europe, from the retreat of the Persian ships at Salamis to the retreat of the Turkish ships at Lepanto. It was also, as will be highlighted later, the scene of a profound spiritual battle between two forms of paganism, facing off in the Latin and Phoenician cities; in the Roman forum and the Punic marketplace. It was the world of war and peace, of good and evil, of everything essential; with all due respect to the Aztecs and Mongols of the Far East, they did not have the same significance as the Mediterranean tradition, which still holds great importance. Between it and the Far East, there were, of course, intriguing cults and conquests of various kinds, more or less connected to it, and the more connected they were, the more understandable they are to us. The Persians rode in to bring an end to Babylon, and a Greek story tells how these outsiders learned to shoot arrows and tell the truth. Alexander the Great, the Greek, marched with his Macedonians toward the east, bringing back strange birds colored like the clouds of dawn, along with unusual flowers and jewels from the gardens and treasuries of unknown kings. Islam moved east into that world, making it partly comprehensible to us; precisely because Islam was born in that circle of lands that bordered our own ancient and ancestral sea. In the Middle Ages, the empire of the Mongols grew in greatness without losing its mystery; the Tartars conquered China, and the Chinese seemed to take little notice of them. All these events are fascinating in their own right; however, it is impossible to shift the center of gravity from the inland spaces of Asia back to the inland sea of Europe. Ultimately, if all that existed in the world were the words, actions, writings, and constructions in the lands surrounding the Mediterranean, it would still encompass all the most vital and valuable aspects of the world we inhabit. When that southern culture spread to the northwest, it produced many remarkable things; of which, undoubtedly, we ourselves are the most remarkable. When it spread further to colonies and new countries, it remained the same culture as long as it was culture at all. But surrounding that small sea, like a lake, were the things themselves, apart from all extensions, echoes, and commentaries on those things; the Republic and the Church; the Bible and the heroic epics; Islam and Israel, along with the memories of lost empires; Aristotle and the{86} measure of all things. It is because the first light upon this world is truly light, the daylight in which we continue to walk today, not merely the uncertain visitations of strange stars, that I have started by noting where that light first shines on the towered cities of the eastern Mediterranean.

But though Babylon and Egypt have thus a sort of first claim, in the very fact of being familiar and traditional, fascinating riddles to us but also fascinating riddles to our fathers, we must not imagine that they were the only old civilisations on the southern sea; or that all the civilisation was merely Sumerian or Semitic or Coptic, still less merely Asiatic or African. Real research is more and more exalting the ancient civilisation of Europe and especially of what we may still vaguely call the Greeks. It must be understood in the sense that there were Greeks before the Greeks, as in so many of their mythologies there were gods before the gods. The island of Crete was the centre of the civilisation now called Minoan, after the Minos who lingered in ancient legend and whose labyrinth was actually discovered by modern archeology. This elaborate European society, with its harbours and its drainage and its domestic machinery, seems to have gone down before some invasion of its northern neighbours, who made or inherited the Hellas we know in history. But that earlier period did not pass till it had given to the world gifts so great that the world has ever since been striving in vain to repay them, if only by plagiarism.

But even though Babylon and Egypt have a sort of primary claim to fame, being familiar and traditional, intriguing puzzles to us and to our ancestors, we shouldn’t think they were the only ancient civilizations around the southern sea, or that all civilization was just Sumerian, Semitic, or Coptic, let alone only Asian or African. Real research is increasingly highlighting the ancient civilization of Europe, especially what we can still vaguely call the Greeks. It’s important to realize that there were Greeks before the Greeks, just as many of their mythologies spoke of gods before the gods. The island of Crete was the hub of the civilization now known as Minoan, named after the Minos from ancient legend, whose labyrinth was actually uncovered by modern archaeology. This complex European society, with its ports, sewage systems, and household infrastructure, seems to have fallen before some invasion from its northern neighbors, who formed or inherited the Hellas we recognize in history. But that earlier period didn’t end before it contributed such significant gifts to the world that humanity has since been struggling in vain to repay them, even if only through imitation.

Somewhere along the Ionian coast opposite Crete and the islands was a town of some sort, probably of the sort that we should call a village or hamlet with a wall. It was called Ilion but it came to be called Troy, and the name will never perish from the earth. A poet who may have been a beggar and a balladmonger, who may have been unable to read and write, and was described by tradition as blind, com{87}posed a poem about the Greeks going to war with this town to recover the most beautiful woman in the world. That the most beautiful woman in the world lived in that one little town sounds like a legend; that the most beautiful poem in the world was written by somebody who knew of nothing larger than such little towns is a historical fact. It is said that the poem came at the end of the period; that the primitive culture brought it forth in its decay; in which case one would like to have seen that culture in its prime. But anyhow it is true that this, which is our first poem, might very well be our last poem too. It might well be the last word as well as the first word spoken by man about his mortal lot, as seen by merely mortal vision. If the world becomes pagan and perishes, the last man left alive would do well to quote the Iliad and die.

Somewhere along the Ionian coast, across from Crete and the islands, there was a town, likely more of a village or a small settlement with a wall. It was called Ilion, but it later became known as Troy, a name that will never fade from history. A poet, who might have been a beggar and a storyteller, possibly unable to read or write, and traditionally described as blind, composed a poem about the Greeks waging war against this town to reclaim the most beautiful woman in the world. The idea that the most beautiful woman lived in that small town seems like a legend; however, the fact that the most beautiful poem was created by someone familiar with nothing larger than these small towns is a historical reality. It's said that the poem emerged at the end of that era, when the primitive culture was in decline; in that case, one would have liked to see that culture in its prime. Regardless, it's true that this, our first poem, could also be our last. It might very well be the final word, as well as the initial word spoken by humanity about its mortal existence, as perceived through merely mortal sight. If the world turns pagan and meets its end, the last person alive would do well to quote the Iliad and then pass on.

But in this one great human revelation of antiquity there is another element of great historical importance; which has hardly I think been given its proper place in history. The poet has so conceived the poem that his sympathies apparently, and those of his reader certainly, are on the side of the vanquished rather than of the victor. And this is a sentiment which increases in the poetical tradition even as the poetical origin itself recedes. Achilles had some status as a sort of demigod in pagan times; but he disappears altogether in later times. But Hector grows greater as the ages pass; and it is his name that is the name of a Knight of the Round Table and his sword that legend puts into the hand of Roland, laying about him with the weapon of the defeated Hector in the last ruin and splendour of his own defeat. The name anticipates all the defeats through which our race and religion were to pass; that survival of a hundred defeats that is its triumph.

But in this significant human revelation from ancient times, there’s another element of great historical importance that I believe hasn’t been given its proper recognition in history. The poet has crafted the poem in such a way that his sympathies, and certainly those of his readers, lean towards the defeated instead of the victor. This sentiment deepens in poetic tradition as the original context fades away. Achilles had some status as a kind of demigod in pagan times, but he completely fades from view in later years. In contrast, Hector's significance grows as time goes on; it's his name that becomes associated with a Knight of the Round Table, and his sword is legend has self in the hand of Roland, who fights with the weapon of the defeated Hector in the final ruin and splendor of his own defeat. The name foreshadows all the defeats our race and religion would endure; that enduring thousands of defeats is what constitutes its triumph.

The tale of the end of Troy shall have no ending; for it is lifted up for ever into living echoes, immortal as our hopelessness and our hope. Troy standing{88} was a small thing that may have stood nameless for ages. But Troy falling has been caught up in a flame and suspended in an immortal instant of annihilation; and because it was destroyed with fire the fire shall never be destroyed. And as with the city so with the hero; traced in archaic lines in that primeval twilight is found the first figure of the Knight. There is a prophetic coincidence in his title; we have spoken of the word chivalry and how it seems to mingle the horseman with the horse. It is almost anticipated ages before in the thunder of the Homeric hexameter, and that long leaping word with which the Iliad ends. It is that very unity for which we can find no name but the holy centaur of chivalry. But there are other reasons for giving in this glimpse of antiquity the flame upon the sacred town. The sanctity of such towns ran like a fire round the coasts and islands of the northern Mediterranean; the high-fenced hamlet for which heroes died. From the smallness of the city came the greatness of the citizen. Hellas with her hundred statues produced nothing statelier than that walking statue; the ideal of the self-commanding man. Hellas of the hundred statues was one legend and literature; and all that labyrinth of little walled nations resounded with the lament of Troy.

The story of the fall of Troy has no end; it lives on forever in the echoes of time, as immortal as our despair and our hope. Troy in its prime was just a small place, perhaps forgotten for ages. But the moment of its destruction has been captured in flames, frozen in an eternal instant of ruin; and because it was wiped out by fire, that fire will never fade away. Just as the city stands, so too does the hero; etched in ancient lines during that primal dusk is the first image of the Knight. There’s a prophetic connection in his title; we've talked about the term chivalry and how it seems to blend the horseman with the horse. It's almost foreshadowed long before in the thunderous rhythm of the Homeric hexameter, and that long-lasting phrase with which the Iliad concludes. It represents that unity for which we have no name other than the sacred centaur of chivalry. But there are other reasons to associate this glimpse of ancient times with the fire that engulfed the holy city. The sacredness of such towns spread like fire around the coasts and islands of the northern Mediterranean; the kind of fortified village for which heroes would fight and die. From the modesty of the city arose the greatness of its citizens. Greece, with her hundred statues, produced nothing more majestic than that living statue; the ideal of the self-controlled man. Greece, with her many statues, was one legend and narrative; and all the mingled stories of the small walled nations echoed with the mourning of Troy.

A later legend, an afterthought but not an accident, said that stragglers from Troy founded a republic on the Italian shore. It was true in spirit that republican virtue had such a root. A mystery of honour, that was not born of Babylon or the Egyptian pride, there shone like the shield of Hector, defying Asia and Africa; till the light of a new day was loosened, with the rushing of the eagles and the coming of the name; the name that came like a thunderclap, when the world woke to Rome.{89}

A later legend, more of an afterthought than a coincidence, claimed that survivors from Troy established a republic on the Italian coast. It was true in spirit that republican virtue had such origins. A mystery of honor, not born from Babylon or the pride of Egypt, shone like Hector's shield, challenging Asia and Africa; until the dawn of a new era broke, with the swift flight of eagles and the arrival of a name; the name that came like a thunderclap when the world awakened to Rome.{89}

CHAPTER IV

GOD AND COMPARATIVE RELIGION

I was once escorted over the Roman foundations of an ancient British city by a professor, who said something that seems to me a satire on a good many other professors. Possibly the professor saw the joke, though he maintained an iron gravity, and may or may not have realised that it was a joke against a great deal of what is called comparative religion. I pointed out a sculpture of the head of the sun with the usual halo of rays, but with the difference that the face in the disc, instead of being boyish like Apollo, was bearded like Neptune or Jupiter. ‘Yes,’ he said with a certain delicate exactitude, ‘that is supposed to represent the local god Sul. The best authorities identify Sul with Minerva; but this has been held to show that the identification is not complete.’

I’m here once taken around the Roman ruins of an ancient British city by a professor, who made a comment that now seems like a jab at many other professors. The professor might have recognized the humor, even though he kept a stern demeanor, and he may or may not have known that it poked fun at a lot of what’s referred to as comparative religion. I pointed out a sculpture of the sun's head with the typical halo of rays, but unlike the youthful face of Apollo, this one had a beard like Neptune or Jupiter. “Yes,” he replied with a certain precise delicacy, “that’s meant to represent the local god Sul. The top experts link Sul with Minerva; however, this has been interpreted as evidence that the connection isn’t entirely accurate.”

That is what we call a powerful understatement. The modern world is madder than any satires on it; long ago Mr. Belloc made his burlesque don say that a bust of Ariadne had been proved by modern research to be a Silenus. But that is not better than the real appearance of Minerva as the Bearded Woman of Mr. Barnum. Only both of them are very like many identifications by ‘the best authorities’ on comparative religion; and when Catholic creeds are identified with various wild myths, I do not laugh or curse or misbehave myself; I confine myself decorously to saying that the identification is not complete.

That's what we call a powerful understatement. The modern world is crazier than any satire about it; long ago, Mr. Belloc had his burlesque character claim that a bust of Ariadne had been proven by modern research to actually be a Silenus. But that’s not any better than the actual appearance of Minerva as the Bearded Woman from Mr. Barnum’s show. Both cases are similar to many identifications made by ‘the best authorities’ in comparative religion; and when Catholic creeds are compared to various wild myths, I don’t laugh, curse, or act out. I simply say, politely, that the comparison isn’t complete.

In the days of my youth the Religion of Humanity was a term commonly applied to Comtism, the theory{90} of certain rationalists who worshipped corporate mankind as a Supreme Being. Even in the days of my youth I remarked that there was something slightly odd about despising and dismissing the doctrine of the Trinity as a mystical and even maniacal contradiction; and then asking us to adore a deity who is a hundred million persons in one God, neither confounding the persons nor dividing the substance.

In my youth, the term Religion of Humanity was often used to describe Comtism, the belief system of some rationalists who viewed humanity as a Supreme Being. Even back then, I thought it was a bit strange to reject the doctrine of the Trinity as a mystical and even crazy contradiction, while at the same time asking us to worship a deity that is made up of a hundred million individuals in one God, without mixing up the individuals or splitting the essence.

But there is another entity, more or less definable and much more imaginable than the many-headed and monstrous idol of mankind. And it has a much better right to be called, in a reasonable sense, the religion of humanity. Man is not indeed the idol; but man is almost everywhere the idolator. And these multitudinous idolatries of mankind have something about them in many ways more human and sympathetic than modern metaphysical abstractions. If an Asiatic god has three heads and seven arms, there is at least in it an idea of material incarnation bringing an unknown power nearer to us and not farther away. But if our friends Brown, Jones, and Robinson, when out for a Sunday walk, were transformed and amalgamated into an Asiatic idol before our eyes, they would surely seem farther away. If the arms of Brown and the legs of Robinson waved from the same composite body, they would seem to be waving something of a sad farewell. If the heads of all three gentlemen appeared smiling on the same neck, we should hesitate even by what name to address our new and somewhat abnormal friend. In the many-headed and many-handed Oriental idol there is a certain sense of mysteries becoming at least partly intelligible; of formless forces of nature taking some dark but material form, but though this may be true of the multiform god it is not so of the multiform man. The human beings become less human by becoming less separate; we might say less human in being less lonely. The human beings become less{91} intelligible as they become less isolated; we might say with strict truth that the closer they are to us the farther they are away. An Ethical Hymn-book of this humanitarian sort of religion was carefully selected and expurgated on the principle of preserving anything human and eliminating anything divine. One consequence was that a hymn appeared in the amended form of ‘Nearer Mankind to Thee, Nearer to Thee.’ It always suggested to me the sensations of a strap-hanger during a crush on the Tube. But it is strange and wonderful how far away the souls of men can seem, when their bodies are so near as all that.

But there’s another being, more or less definable and much more imaginable than the many-headed and monstrous idol of humanity. And it has a much better claim to be called, in a reasonable sense, the religion of humanity. Man is not really the idol; rather, man is almost always the idolater. These numerous idolatries of humanity have something about them that feels more human and relatable than modern metaphysical ideas. If an Asian god has three heads and seven arms, it at least represents a concept of material embodiment that brings an unknown power closer to us instead of pushing it away. But if our friends Brown, Jones, and Robinson were transformed and mixed into an Asian idol right before our eyes, they’d definitely feel more distant. If Brown’s arms and Robinson’s legs were waving from the same combined body, it would feel like they were sadly saying goodbye. If the heads of all three men appeared smiling on the same neck, we’d struggle to even know what to call our new and somewhat unusual companion. In the many-headed and many-handed Oriental idol, there’s a sense of mysteries becoming at least partly understandable; of formless forces of nature taking on some dark but physical shape, but while this may apply to the multi-formed god, it doesn’t apply to the multi-formed man. Human beings become less human by becoming less distinct; we might say they become less human because they are less lonely. Human beings become less intelligible as they become less isolated; we might say with complete honesty that the closer they are to us, the farther away they feel. An Ethical Hymn-book based on this humanitarian type of religion was carefully curated and sanitized on the principle of keeping anything human and getting rid of anything divine. One result was that a hymn appeared in the adjusted form of ‘Nearer Mankind to Thee, Nearer to Thee.’ It always made me think of the experience of a strap-hanger during a busy ride on the Tube. But it’s strange and amazing how distant the souls of men can seem, even when their bodies are that close.

The human unity with which I deal here is not to be confounded with this modern industrial monotony and herding, which is rather a congestion than a communion. It is a thing to which human groups left to themselves, and even human individuals left to themselves, have everywhere tended by an instinct that may truly be called human. Like all healthy human things, it has varied very much within the limits of a general character; for that is characteristic of everything belonging to that ancient land of liberty that lies before and around the servile industrial town. Industrialism actually boasts that its products are all of one pattern; that men in Jamaica or Japan can break the same seal and drink the same bad whisky, that a man at the North Pole and another at the South might recognise the same optimistic label on the same dubious tinned salmon. But wine, the gift of gods to men, can vary with every valley and every vineyard, can turn into a hundred wines without any wine once reminding us of whisky; and cheeses can change from county to county without forgetting the difference between chalk and cheese. When I am speaking of this thing, therefore, I am speaking of something that doubtless includes very wide differences; nevertheless I will here maintain that it is one thing. I will maintain{92} that most of the modern botheration comes from not realising that it is really one thing. I will advance the thesis that before all talk about comparative religion and the separate religious founders of the world, the first essential is to recognise this thing as a whole, as a thing almost native and normal to the great fellowship that we call mankind. This thing is Paganism; and I propose to show in these pages that it is the one real rival to the Church of Christ.

The human unity I'm talking about here shouldn't be confused with today's industrial sameness and herd mentality, which is more like a crowding than a true connection. It’s something that human groups and even individuals have naturally pursued on their own, and we can genuinely call this instinct human. Like all healthy human things, it varies a lot while still sharing a general essence; this is typical of everything from that ancient land of freedom that exists both before and around the subservient industrial city. Industrialism claims that its products are all identical; that people in Jamaica or Japan can break the same seal and drink the same bad whiskey, that someone at the North Pole and another at the South can recognize the same optimistic label on the same questionable canned salmon. But wine, a divine gift to people, can differ based on every valley and vineyard, transforming into countless varieties without ever resembling whiskey; and cheeses can shift from county to county without losing the distinction between chalk and cheese. Therefore, when I talk about this subject, I’m referring to something that certainly encompasses vast differences; nonetheless, I will argue that it is one thing. I will assert{92} that much of the modern frustration stems from not recognizing that it is truly one thing. I will put forward the idea that before we dive into discussions about comparative religion and the distinct religious founders of the world, the first step is to acknowledge this concept as a whole, as something almost inherent to the extensive community we refer to as mankind. This concept is Paganism; and I plan to demonstrate in these pages that it is the one genuine competitor to the Church of Christ.

Comparative religion is very comparative indeed. That is, it is so much a matter of degree and distance and difference that it is only comparatively successful when it tries to compare. When we come to look at it closely we find it comparing things that are really quite incomparable. We are accustomed to see a table or catalogue of the world’s great religions in parallel columns, until we fancy they are really parallel. We are accustomed to see the names of the great religious founders all in a row: Christ; Mahomet; Buddha; Confucius. But in truth this is only a trick; another of these optical illusions by which any objects may be put into a particular relation by shifting to a particular point of sight. Those religions and religious founders, or rather those whom we choose to lump together as religions and religious founders, do not really show any common character. The illusion is partly produced by Islam coming immediately after Christianity in the list; as Islam did come after Christianity and was largely an imitation of Christianity. But the other eastern religions, or what we call religions, not only do not resemble the Church but do not resemble each other. When we come to Confucianism at the end of the list, we come to something in a totally different world of thought. To compare the Christian and Confucian religions is like comparing a theist with an English squire or asking whether a man is a believer in immortality or a hundred-per-cent American.{93} Confucianism may be a civilisation but it is not a religion.

Comparative religion definitely involves a lot of comparison. It's such a matter of degree, distance, and difference that it only achieves limited success when it attempts to compare. When we examine it closely, we see it’s comparing things that are actually quite different. We often see a list or table of the world’s major religions side by side, which makes us think they are genuinely comparable. We tend to see the names of the major religious leaders all lined up: Christ, Muhammad, Buddha, Confucius. But in reality, this is just an illusion; it's one of those optical tricks that can make unrelated objects appear related by simply changing our viewpoint. Those religions and religious figures, or rather, those we choose to group together as religions and religious figures, don’t truly share any common traits. This illusion is partly created by Islam being listed right after Christianity, given that Islam emerged after Christianity and was largely influenced by it. However, other Eastern religions, or what we refer to as religions, not only differ from Christianity but also from one another. When we reach Confucianism at the end of the list, we enter an entirely different realm of thought. Comparing Christianity and Confucianism is like comparing a theist to an English squire or asking if a person believes in immortality or is a hundred-percent American. Confucianism might represent a civilization, but it isn’t a religion.{93}

In truth the Church is too unique to prove herself unique. For most popular and easy proof is by parallel; and here there is no parallel. It is not easy, therefore, to expose the fallacy by which a false classification is created to swamp a unique thing, when it really is a unique thing. As there is nowhere else exactly the same fact, so there is nowhere else exactly the same fallacy. But I will take the nearest thing I can find to such a solitary social phenomenon, in order to show how it is thus swamped and assimilated. I imagine most of us would agree that there is something unusual and unique about the position of the Jews. There is nothing that is quite in the same sense an international nation; an ancient culture scattered in different countries but still distinct and indestructible. Now this business is like an attempt to make a list of nomadic nations in order to soften the strange solitude of the Jew. It would be easy enough to do it, by the same process of putting a plausible approximation first, and then tailing off into totally different things thrown in somehow to make up the list. Thus in the new list of nomadic nations the Jews would be followed by the Gypsies; who at least are really nomadic if they are not really national. Then the professor of the new science of Comparative Nomadics could pass easily on to something different; even if it was very different. He could remark on the wandering adventure of the English who had scattered their colonies over so many seas; and call them nomads. It is quite true that a great many Englishmen seem to be strangely restless in England. It is quite true that not all of them have left their country for their country’s good. The moment we mention the wandering empire of the English, we must add the strange exiled empire of the Irish. For it is a curious fact, to be noted in our imperial literature, that the same ubiquity and unrest which is a{94} proof of English enterprise and triumph is a proof of Irish futility and failure. Then the professor of Nomadism would look round thoughtfully and remember that there was great talk recently of German waiters, German barbers, German clerks, Germans naturalising themselves in England and the United States and the South American republics. The Germans would go down as the fifth nomadic race; the words Wanderlust and Folk-Wandering would come in very useful here. For there really have been historians who explained the Crusades by suggesting that the Germans were found wandering (as the police say) in what happened to be the neighbourhood of Palestine. Then the professor, feeling he was now near the end, would make a last leap in desperation. He would recall the fact that the French Army has captured nearly every capital in Europe, that it marched across countless conquered lands under Charlemagne or Napoleon; and that would be wanderlust, and that would be the note of a nomadic race. Thus he would have his six nomadic nations all compact and complete, and would feel that the Jew was no longer a sort of mysterious and even mystical exception. But people with more common sense would probably realise that he had only extended nomadism by extending the meaning of nomadism; and that he had extended that until it really had no meaning at all. It is quite true that the French soldier has made some of the finest marches in all military history. But it is equally true, and far more self-evident, that if the French peasant is not a rooted reality there is no such thing as a rooted reality in the world; or in other words, if he is a nomad there is nobody who is not a nomad.

In reality, the Church is so unique that it can't prove its uniqueness. Most popular and straightforward proof comes from parallels, and here there are no parallels. Therefore, it’s not easy to expose the fallacy created by a false classification meant to dilute something truly unique. Just as there is no exactly comparable fact, there’s also no exactly comparable fallacy. Still, I will attempt to find the closest thing to this solitary social phenomenon to show how it gets overshadowed and assimilated. I think most of us would agree that the position of the Jews is unusual and unique. There isn’t anything quite like them as an international nation—an ancient culture spread across various countries but still distinct and indestructible. This situation is like trying to compile a list of nomadic nations to soften the unique solitude of the Jews. It would be easy enough to do this by first listing a plausible approximation and then including totally different groups to fill out the list. Thus, in this new list of nomadic nations, the Jews would be followed by the Gypsies, who may be genuinely nomadic, even if they aren’t national. Then the professor of this new discipline of Comparative Nomadics could readily move on to something completely different. He might mention the adventurous wandering of the English who have scattered colonies across the seas and label them as nomads. It's true that many English people seem strangely restless in England. Not all of them have left their country for its betterment. As soon as we mention the wandering empire of the English, we must also refer to the strange exiled empire of the Irish. It’s a curious fact, noted in our imperial literature, that the same ubiquity and restlessness that showcases English enterprise and success is a sign of Irish futility and failure. Then the professor of Nomadism would thoughtfully remember the recent discussions about German waiters, German barbers, German clerks, and Germans naturalizing in England, the United States, and South American republics. Germans would be labeled as the fifth nomadic race; the terms Wanderlust and Folk-Wandering would fit in well here. There have been historians who suggested that the Germans were found wandering (as the police say) in the vicinity of Palestine during the Crusades. Then the professor, feeling he was nearly finished, would make a last desperate move. He would recall that the French Army has captured nearly every capital in Europe and marched across countless conquered lands under Charlemagne and Napoleon; and that would show wanderlust and mark a nomadic race. Thus, he would have his six nomadic nations neatly packaged and would feel that the Jews were no longer an enigmatic and even mystical exception. However, those with more common sense would likely realize that he merely expanded the idea of nomadism by broadening its definition until it lost any true meaning. It’s true that the French soldier has undertaken some of the greatest marches in military history. But it’s equally true, and much more obvious, that if the French peasant isn’t a grounded reality, then there’s no such thing as a grounded reality in the world; or in other words, if he’s a nomad, then no one is a non-nomad.

Now that is the sort of trick that has been tried in the case of comparative religion and the world’s religious founders all standing respectably in a row. It seeks to classify Jesus as the other would classify Jews, by inventing a new class for the purpose and{95} filling up the rest of it with stop-gaps and second-rate copies. I do not mean that these other things are not often great things in their own real character and class. Confucianism and Buddhism are great things, but it is not true to call them Churches; just as the French and English are great peoples, but it is nonsense to call them nomads. There are some points of resemblance between Christendom and its imitation in Islam; for that matter there are some points of resemblance between Jews and Gypsies. But after that the lists are made up of anything that comes to hand; of anything that can be put in the same catalogue without being in the same category.

Now that's the kind of trick that's been attempted when it comes to comparative religion, with the world's religious founders all lined up nicely. It tries to categorize Jesus in the same way one would categorize Jews, by creating a new category specifically for that purpose and{95} filling the rest with makeshift solutions and lesser imitations. I don't mean to say that these other things aren't often significant in their own right. Confucianism and Buddhism are indeed important, but it's not accurate to refer to them as Churches; just like the French and English are prominent nations, but it makes no sense to label them as nomads. There are some similarities between Christianity and its counterpart in Islam; for that matter, there are some similarities between Jews and Gypsies. But beyond that, the lists keep adding anything that’s available; anything that can be tossed into the same list without actually belonging to the same category.

In this sketch of religious history, with all decent deference to men much more learned than myself, I propose to cut across and disregard this modern method of classification, which I feel sure has falsified the facts of history. I shall here submit an alternative classification of religion or religions, which I believe would be found to cover all the facts and, what is quite as important here, all the fancies. Instead of dividing religion geographically, and as it were vertically, into Christian, Moslem, Brahmin, Buddhist, and so on, I would divide it psychologically and in some sense horizontally; into the strata of spiritual elements and influences that could sometimes exist in the same country, or even in the same man. Putting the Church apart for the moment, I should be disposed to divide the natural religion of the mass of mankind under such headings as these: God; the Gods; the Demons; the Philosophers. I believe some such classification will help us to sort out the spiritual experiences of men much more successfully than the conventional business of comparing religions; and that many famous figures will naturally fall into their place in this way who are only forced into their place in the other. As I shall make use of these titles or terms more than once in narrative and allusion, it will be well to define at{96} this stage for what I mean them to stand. And I will begin with the first, the simplest and the most sublime, in this chapter.

In this overview of religious history, with all due respect to those far more knowledgeable than I am, I intend to move beyond the current approach to classification, which I believe has distorted the historical facts. I will propose an alternative way to classify religion or religions that I think will encompass all the facts and, equally important, all the interpretations. Instead of categorizing religion based on geography, dividing it into Christian, Muslim, Hindu, Buddhist, and so forth, I would categorize it psychologically and somewhat horizontally; into layers of spiritual elements and influences that can sometimes coexist in the same country or even within the same individual. Setting the Church aside for now, I would categorize the natural religion of the majority of people under headings like these: God; the Gods; the Demons; the Philosophers. I believe this type of classification will help us better understand the spiritual experiences of people compared to the traditional method of comparing religions; and many notable figures will naturally fit into this framework, whereas they are often awkwardly placed in the other system. As I will be using these terms frequently throughout the narrative and references, it will be helpful to define them at{96} this point, starting with the first, the simplest, and the most profound, in this chapter.

In considering the elements of pagan humanity, we must begin by an attempt to describe the indescribable. Many get over the difficulty of describing it by the expedient of denying it, or at least ignoring it; but the whole point of it is that it was something that was never quite eliminated even when it was ignored. They are obsessed by their evolutionary monomania that every great thing grows from a seed, or something smaller than itself. They seem to forget that every seed comes from a tree, or from something larger than itself. Now there is very good ground for guessing that religion did not originally come from some detail that was forgotten because it was too small to be traced. Much more probably it was an idea that was abandoned because it was too large to be managed. There is very good reason to suppose that many people did begin with the simple but overwhelming idea of one God who governs all; and afterwards fell away into such things as demon-worship almost as a sort of secret dissipation. Even the test of savage beliefs, of which the folk-lore students are so fond, is admittedly often found to support such a view. Some of the very rudest savages, primitive in every sense in which anthropologists use the word, the Australian aborigines for instance, are found to have a pure monotheism with a high moral tone. A missionary was preaching to a very wild tribe of polytheists, who had told him all their polytheistic tales, and telling them in return of the existence of the one good God who is a spirit and judges men by spiritual standards. And there was a sudden buzz of excitement among these stolid barbarians, as at somebody who was letting out a secret, and they cried to each other, ‘Atahocan! He is speaking of Atahocan!’

In talking about the aspects of pagan humanity, we need to start by trying to describe the indescribable. Many people deal with the difficulty of describing it by either denying it or ignoring it altogether; but the key point is that it was something that was never fully removed, even when it was overlooked. They are fixated on their belief that every significant thing originates from a seed, or something smaller. They seem to forget that every seed comes from a tree, or from something larger than itself. It's reasonable to guess that religion didn't originally stem from some overlooked detail because it was too small to trace. More likely, it was an idea that was set aside because it was too immense to handle. There’s strong reason to believe that many individuals began with the straightforward yet powerful idea of one God who governs all; and later drifted into things like demon-worship almost as a way of secret indulgence. Even the examination of primitive beliefs, which folklore researchers love, often supports this perspective. Some of the most primitive societies, in every sense that anthropologists define the term, like the Australian aborigines, are found to have a pure monotheism with a strong moral framework. A missionary was preaching to a very wild tribe of polytheists, who had shared all their polytheistic stories with him, and he was telling them about the existence of one good God who is a spirit and judges people by spiritual standards. There was suddenly a buzz of excitement among these stoic tribespeople, as if someone had revealed a secret, and they called to one another, “Atahocan! He is speaking of Atahocan!”

Probably it was a point of politeness and even{97} decency among those polytheists not to speak of Atahocan. The name is not perhaps so much adapted as some of our own to direct and solemn religious exhortation; but many other social forces are always covering up and confusing such simple ideas. Possibly the old god stood for an old morality found irksome in more expansive moments; possibly intercourse with demons was more fashionable among the best people, as in the modern fashion of Spiritualism. Anyhow, there are any number of similar examples. They all testify to the unmistakable psychology of a thing taken for granted, as distinct from a thing talked about. There is a striking example in a tale taken down word for word from a Red Indian in California, which starts out with hearty legendary and literary relish: ‘The sun is the father and ruler of the heavens. He is the big chief. The moon is his wife and the stars are their children’; and so on through a most ingenious and complicated story, in the middle of which is a sudden parenthesis saying that sun and moon have to do something because ‘It is ordered that way by the Great Spirit Who lives above the place of all.’ That is exactly the attitude of most paganism towards God. He is something assumed and forgotten and remembered by accident; a habit possibly not peculiar to pagans. Sometimes the higher deity is remembered in the higher moral grades and is a sort of mystery. But always, it has been truly said, the savage is talkative about his mythology and taciturn about his religion. The Australian savages, indeed, exhibit a topsyturvydom such as the ancients might have thought truly worthy of the antipodes. The savage who thinks nothing of tossing off such a trifle as a tale of the sun and moon being the halves of a baby chopped in two, or dropping into small-talk about a colossal cosmic cow milked to make the rain, merely in order to be sociable, will then retire to secret caverns sealed against women and white men, temples of terrible initiation where{98} to the thunder of the bull-roarer and the dripping of sacrificial blood, the priest whispers the final secrets known only to the initiate: that honesty is the best policy, that a little kindness does nobody any harm, that all men are brothers and that there is but one God, the Father Almighty, maker of all things visible and invisible.

It was probably a matter of politeness and even{97} decency among those polytheists not to mention Atahocan. The name might not be quite as suited as some of our own for straightforward and serious religious encouragement; however, many other social influences constantly obscure and complicate such simple ideas. Perhaps the old god symbolized an outdated morality that felt restrictive during more liberating times; maybe interacting with demons was more in vogue among the elite, similar to today’s fascination with Spiritualism. Regardless, there are numerous comparable instances. They all illustrate the clear psychology of something taken for granted, as opposed to something openly discussed. A compelling example can be found in a story recorded verbatim from a Native American in California, which opens with enthusiastic legendary and literary flair: ‘The sun is the father and ruler of the heavens. He is the big chief. The moon is his wife and the stars are their children’; and it continues through a very clever and intricate narrative, abruptly including a side note stating that sun and moon must act a certain way because ‘It is ordered that way by the Great Spirit Who lives above the place of all.’ This reflects the general attitude of most paganism toward God. He is something assumed and then forgotten until randomly remembered; a tendency that might not be unique to pagans. Sometimes the higher deity is acknowledged in elevated moral contexts and becomes a sort of mystery. But, as has been rightly noted, the so-called primitive person is chatty about their mythology and reserved about their religion. The Australian indigenous people, in fact, display a topsy-turvy logic that the ancients might have believed was truly characteristic of the opposite hemisphere. The person who casually shares a story about the sun and moon being the halves of a baby cut in two or engages in light conversation about a gigantic cosmic cow that is milked to produce rain, simply to socialize, will then retreat to hidden caves barred to women and white men, temples of daunting initiation where{98} to the roar of the bull-roarer and the flow of sacrificial blood, the priest confides the ultimate secrets known only to initiates: that honesty is the best policy, that a little kindness doesn’t hurt anyone, that all humans are brothers, and that there is only one God, the Father Almighty, creator of all things seen and unseen.

In other words, we have here the curiosity of religious history that the savage seems to be parading all the most repulsive and impossible parts of his belief and concealing all the most sensible and creditable parts. But the explanation is that they are not in that sense parts of his belief; or at least not parts of the same sort of belief. The myths are merely tall stories, though as tall as the sky, the waterspout, or the tropic rain. The mysteries are true stories, and are taken secretly that they may be taken seriously. Indeed it is only too easy to forget that there is a thrill in theism. A novel in which a number of separate characters all turned out to be the same character would certainly be a sensational novel. It is so with the idea that sun and tree and river are the disguises of one god and not of many. Alas, we also find it only too easy to take Atahocan for granted. But whether he is allowed to fade into a truism or preserved as a sensation by being preserved as a secret, it is clear that he is always either an old truism or an old tradition. There is nothing to show that he is an improved product of the mere mythology and everything to show that he preceded it. He is worshipped by the simplest tribes with no trace of ghosts or grave-offerings, or any of the complications in which Herbert Spencer and Grant Allen sought the origin of the simplest of all ideas. Whatever else there was, there was never any such thing as the Evolution of the Idea of God. The idea was concealed, was avoided, was almost forgotten, was even explained away; but it was never evolved. There are not a few indications of this change in other{99} places. It is implied, for instance, in the fact that even polytheism seems often the combination of several monotheisms. A god will gain only a minor seat on Mount Olympus, when he had owned earth and heaven and all the stars while he lived in his own little valley. Like many a small nation melting in a great empire, he gives up local universality only to come under universal limitation. The very name of Pan suggests that he became a god of the wood when he had been a god of the world. The very name of Jupiter is almost a pagan translation of the words ‘Our Father which art in heaven.’ As with the Great Father symbolised by the sky, so with the Great Mother whom we still call Mother Earth. Demeter and Ceres and Cybele often seem to be almost incapable of taking over the whole business of godhood, so that men should need no other gods. It seems reasonably probable that a good many men did have no other gods but one of these, worshipped as the author of all.

In other words, we have here an interesting aspect of religious history: the primitive person seems to showcase the most shocking and unbelievable parts of their beliefs while hiding the more reasonable and respectable aspects. The reason is that these elements aren't really all part of their belief system; or at least, they don’t belong to the same category of belief. The myths are just exaggerated stories, though as big as the sky, a tornado, or tropical rain. The mysteries are real stories, shared discreetly so they can be taken seriously. It's all too easy to forget that there's excitement in theism. A novel where several different characters turn out to be the same person would definitely be a sensational one. It’s the same with the idea that the sun, tree, and river represent one god instead of many. Unfortunately, we also find it too easy to take Atahocan for granted. Whether he fades into a cliché or remains a sensation by staying a secret, it's clear that he's always either an old cliché or an old tradition. There's nothing to indicate he’s an improved version of mere mythology, and everything suggests he came before it. He is worshipped by the simplest tribes with no sign of ghosts, grave offerings, or any of the complexities that Herbert Spencer and Grant Allen searched for as the origins of the simplest idea. Whatever else there may have been, there was never such a thing as the Evolution of the Idea of God. The idea was hidden, avoided, nearly forgotten, and even rationalized, but it was never evolved. There are many signs of this change in other{99} places. It’s implied, for example, in the fact that even polytheism often combines several monotheisms. A god might only have a minor role on Mount Olympus after having owned the earth, heaven, and all the stars while living in his own little valley. Like many small nations dissolving into a large empire, he gives up his local supremacy only to fall under a universal restriction. The very name of Pan suggests that he became a god of the woods after being a god of the world. The name Jupiter is almost a pagan version of the phrase "Our Father who is in heaven." Just as the Great Father is symbolized by the sky, so is the Great Mother, whom we still call Mother Earth. Demeter, Ceres, and Cybele often seem almost unable to handle the entirety of divinity, so that humans wouldn’t need other gods. It seems quite likely that many people worshipped only one of these as the creator of everything.

Over some of the most immense and populous tracts of the world, such as China, it would seem that the simpler idea of the Great Father has never been very much complicated with rival cults, though it may have in some sense ceased to be a cult itself. The best authorities seem to think that though Confucianism is in one sense agnosticism, it does not directly contradict the old theism, precisely because it has become a rather vague theism. It is one in which God is called Heaven, as in the case of polite persons tempted to swear in drawing-rooms. But Heaven is still overhead, even if it is very far overhead. We have all the impression of a simple truth that has receded, until it was remote without ceasing to be true. And this phrase alone would bring us back to the same idea even in the pagan mythology of the West. There is surely something of this very notion of the withdrawal of some higher power in all those mysterious and very imaginative myths{100} about the separation of earth and sky. In a hundred forms we are told that heaven and earth were once lovers, or were once at one, when some upstart thing, often some undutiful child, thrust them apart; and the world was built on an abyss; upon a division and a parting. One of its grossest versions was given by Greek civilisation in the myth of Uranus and Saturn. One of its most charming versions was that of some savage people, who say that a little pepper-plant grew taller and taller and lifted the whole sky like a lid; a beautiful barbaric vision of daybreak for some of our painters who love that tropical twilight. Of myths, and the highly mythical explanations which the moderns offer of myths, something will be said in another section; for I cannot but think that most mythology is on another and more superficial plane. But in this primeval vision of the rending of one world into two there is surely something more of ultimate ideas. As to what it means, a man will learn far more about it by lying on his back in a field, and merely looking at the sky, than by reading all the libraries even of the most learned and valuable folk-lore. He will know what is meant by saying that the sky ought to be nearer to us than it is, that perhaps it was once nearer than it is, that it is not a thing merely alien and abysmal but in some fashion sundered from us and saying farewell. There will creep across his mind the curious suggestion that after all, perhaps, the myth-maker was not merely a moon-calf or village idiot thinking he could cut up the clouds like a cake, but had in him something more than it is fashionable to attribute to the Troglodyte; that it is just possible that Thomas Hood was not talking like a Troglodyte when he said that, as time went on, the tree-tops only told him he was further off from heaven than when he was a boy. But anyhow the legend of Uranus the Lord of Heaven dethroned by Saturn the Time Spirit would mean something to the author of that poem. And it would{101} mean, among other things, this banishment of the first fatherhood. There is the idea of God in the very notion that there were gods before the gods. There is an idea of greater simplicity in all the allusions to that more ancient order. The suggestion is supported by the process of propagation we see in historic times. Gods and demigods and heroes breed like herrings before our very eyes, and suggest of themselves that the family may have had one founder; mythology grows more and more complicated, and the very complication suggests that at the beginning it was more simple. Even on the external evidence, of the sort called scientific, there is therefore a very good case for the suggestion that man began with monotheism before it developed or degenerated into polytheism. But I am concerned rather with an internal than an external truth; and, as I have already said, the internal truth is almost indescribable. We have to speak of something of which it is the whole point that people did not speak of it; we have not merely to translate from a strange tongue or speech, but from a strange silence.

Over some of the largest and most populated areas in the world, like China, it seems the simpler idea of the Great Father has never been significantly complicated by competing beliefs, even though it may have, in a way, stopped being a belief itself. The best experts appear to think that while Confucianism can be seen as agnosticism, it doesn’t directly oppose the old theism, mainly because it has become a rather vague form of it. In this belief, God is referred to as Heaven, similar to how polite people might avoid swearing in formal settings. But Heaven is still up there, even if it’s very far away. We have the impression of a simple truth that has faded until it feels distant but hasn’t stopped being true. This idea would bring us back to a similar concept found in the pagan myths of the West. There’s definitely something in the idea of a higher power withdrawing reflected in all those mysterious and imaginative myths about the separation of earth and sky. In various forms, we hear stories of heaven and earth once being in love or once united, until some rebellious being, often an ungrateful child, split them apart; and the world was created out of a void, based on division and separation. One of the crudest versions of this was presented by Greek civilization in the myth of Uranus and Saturn. One of its most captivating versions comes from some indigenous cultures, telling of a little pepper plant that grew taller and lifted the entire sky like a lid; a beautiful, primitive vision of dawn popular with some artists who appreciate that tropical twilight. I’ll discuss myths and the often superficial modern interpretations of them in another section; I can’t help but feel that most mythology exists on a different, more basic level. Yet in this ancient image of one world splitting into two, there’s surely more profound significance. As for what it means, someone will learn more about it by lying in a field and simply gazing at the sky than by reading all the extensive libraries of even the most knowledgeable folklore. They’ll understand what it means to say that the sky should be closer to us than it is, that it may have once been nearer, that it isn’t just a distant and foreign thing but in some way separated from us and bidding us farewell. A curious thought may arise that maybe the myth-maker wasn’t just a fool or a simpleton thinking he could carve up the clouds like a cake, but had something deeper than what is usually attributed to early humans; it’s possible that Thomas Hood wasn’t being primitive when he noted that over time, the treetops only indicated he was further from heaven than he was as a child. Yet the story of Uranus, the Lord of Heaven, being overthrown by Saturn, the Spirit of Time, would mean something to the writer of that poem. And it would mean, among other things, the removal of the original fatherhood. The idea of God is embedded in the notion that there were gods before the gods. There’s a notion of greater simplicity in allusions to that more ancient order. This idea is backed by the way gods and demigods and heroes multiply, appearing before us as if the family may have had a single founder; mythology becomes increasingly complex, and this very complexity suggests that it began much simpler. Additionally, even the scientific evidence supports a strong argument that humanity started with monotheism before it evolved or declined into polytheism. However, I’m more focused on an internal truth rather than an external one; and as I’ve already mentioned, the internal truth is nearly indescribable. We need to discuss something that is significant because people didn’t talk about it; we’re not just translating from a strange language, but from a strange silence.

I suspect an immense implication behind all polytheism and paganism. I suspect we have only a hint of it here and there in these savage creeds or Greek origins. It is not exactly what we mean by the presence of God; in a sense it might more truly be called the absence of God. But absence does not mean non-existence; and a man drinking the toast of absent friends does not mean that from his life all friendship is absent. It is a void but it is not a negation; it is something as positive as an empty chair. It would be an exaggeration to say that the pagan saw higher than Olympus an empty throne. It would be nearer the truth to take the gigantic imagery of the Old Testament, in which the prophet saw God from behind; it was as if some immeasurable presence had turned its back on the world. Yet{102} the meaning will again be missed if it is supposed to be anything so conscious and vivid as the monotheism of Moses and his people. I do not mean that the pagan peoples were in the least overpowered by this idea merely because it is overpowering. On the contrary, it was so large that they all carried it lightly, as we all carry the load of the sky. Gazing at some detail like a bird or a cloud, we can all ignore its awful blue background; we can neglect the sky; and precisely because it bears down upon us with an annihilating force, it is felt as nothing. A thing of this kind can only be an impression and a rather subtle impression; but to me it is a very strong impression made by pagan literature and religion. I repeat that in our special sacramental sense there is, of course, the absence of the presence of God. But there is in a very real sense the presence of the absence of God. We feel it in the unfathomable sadness of pagan poetry; for I doubt if there was ever in all the marvellous manhood of antiquity a man who was happy as St. Francis was happy. We feel it in the legend of a Golden Age and again in the vague implication that the gods themselves are ultimately related to something else, even when that Unknown God has faded into a Fate. Above all we feel it in those immortal moments when the pagan literature seems to return to a more innocent antiquity and speak with a more direct voice, so that no word is worthy of it except our own monotheistic monosyllable. We cannot say anything but ‘God’ in a sentence like that of Socrates bidding farewell to his judges: ‘I go to die and you remain to live; and God alone knows which of us goes the better way.’ We can use no other word even for the best moments of Marcus Aurelius: ‘Can they say dear city of Cecrops, and canst thou not say dear city of God?’ We can use no other word in that mighty line in which Virgil spoke to all who suffer with the veritable cry of a Christian before Christ, in the{103} untranslatable: ‘O passi graviora dabit deus his quoque finem.’

I suspect there's a huge implication behind all polytheism and paganism. I think we only catch glimpses of it here and there in these primitive beliefs or Greek origins. It’s not quite what we mean by the presence of God; in some ways, it might be more accurately described as the absence of God. But absence doesn’t mean non-existence; a person toasting absent friends doesn’t mean all friendship is gone from their life. It’s a void, but it’s not a negation; it’s something as real as an empty chair. It would be an exaggeration to claim that the pagan saw an empty throne higher than Olympus. It’s closer to the truth to reference the grand imagery of the Old Testament, where the prophet saw God from behind; it was like some immeasurable presence had turned its back on the world. Yet{102} the meaning will again be missed if it’s seen as something so conscious and vivid as the monotheism of Moses and his people. I don’t think the pagan peoples were overwhelmed by this idea just because it’s overpowering. On the contrary, it was so vast that they all bore it lightly, much like how we all carry the weight of the sky. Focusing on details like a bird or a cloud, we can ignore its daunting blue background; we can overlook the sky; and precisely because it weighs down on us with a crushing force, it’s felt as nothing. Something like this can only be an impression, and a rather subtle one at that; but for me, it's a very strong impression made by pagan literature and religion. I repeat that in our special sacramental sense there is, of course, the absence of the presence of God. But there is, in a very real way, the presence of the absence of God. We sense it in the deep sadness of pagan poetry; I doubt there was ever anyone in all the incredible manliness of antiquity who was as happy as St. Francis was. We feel it in the legend of a Golden Age and again in the vague hint that the gods themselves are ultimately connected to something else, even when that Unknown God has faded into Fate. Above all, we feel it in those timeless moments when pagan literature seems to return to a more innocent past and speaks with a more direct voice, so that no word fits it better than our own monotheistic monosyllable. We can only say ‘God’ in a sentence like that of Socrates bidding farewell to his judges: ‘I go to die and you remain to live; and God alone knows which of us goes the better way.’ We have no other word even for the best moments of Marcus Aurelius: ‘Can they say dear city of Cecrops, and can you not say dear city of God?’ We have no other word in that powerful line where Virgil spoke to all who suffer with the true cry of a Christian before Christ, in the{103} untranslatable: ‘O passi graviora dabit deus his quoque finem.’

In short, there is a feeling that there is something higher than the gods; but because it is higher it is also further away. Not yet could even Virgil have read the riddle and the paradox of that other divinity, who is both higher and nearer. For them what was truly divine was very distant, so distant that they dismissed it more and more from their minds. It had less and less to do with the mere mythology of which I shall write later. Yet even in this there was a sort of tacit admission of its intangible purity, when we consider what most of the mythology is like. As the Jews would not degrade it by images, so the Greeks did not degrade it even by imaginations. When the gods were more and more remembered only by pranks and profligacies, it was relatively a movement of reverence. It was an act of piety to forget God. In other words, there is something in the whole tone of the time suggesting that men had accepted a lower level, and still were half conscious that it was a lower level. It is hard to find words for these things; yet the one really just word stands ready. These men were conscious of the Fall, if they were conscious of nothing else; and the same is true of all heathen humanity. Those who have fallen may remember the fall, even when they forget the height. Some such tantalising blank or break in memory is at the back of all pagan sentiment. There is such a thing as the momentary power to remember that we forget. And the most ignorant of humanity know by the very look of earth that they have forgotten heaven. But it remains true that even for these men there were moments, like the memories of childhood, when they heard themselves talking with a simpler language; there were moments when the Roman, like Virgil in the line already quoted, cut his way with a sword-stroke of song out of the tangle of the mythologies; the motley mob of gods and{104} goddesses sank suddenly out of sight and the Sky-Father was alone in the sky.

In short, there’s a sense that there’s something greater than the gods; but because it’s greater, it feels more distant. Even Virgil couldn’t fully grasp the puzzle and paradox of that other divinity, who is both higher and closer. For them, what was truly divine felt very far away, so distant that they increasingly pushed it out of their minds. It had less and less to do with the simple mythology that I’ll discuss later. Yet even in this, there was a sort of unspoken acknowledgment of its intangible purity, especially when we consider what most of the mythology is like. Just as the Jews refused to represent it with images, the Greeks didn’t diminish it even with their imaginations. As the gods were remembered more through mischief and immorality, it was relatively an act of reverence. It became a pious thing to forget God. In other words, there’s something in the overall feel of the time that suggests men had settled for a lower standard, while still being half-aware that it was indeed lower. It’s tough to articulate these feelings, yet there’s one true word that stands out. These men were aware of the Fall, even if they were aware of nothing else; and the same goes for all pagan humanity. Those who have fallen can remember the fall, even when they forget the height. There’s some kind of frustrating gap or break in memory at the core of all pagan sentiment. There’s such a thing as the fleeting ability to remember that we forget. And even the most ignorant among us can tell from the look of the earth that they’ve forgotten heaven. But it remains true that for these men, there were moments—like childhood memories—when they found themselves speaking in a simpler language; moments when the Roman, like Virgil in the line already mentioned, cut through the chaos of myth with a stroke of song; the colorful crowd of gods and goddesses suddenly vanished from view, leaving the Sky-Father alone in the sky.

This latter example is very relevant to the next step in the process. A white light as of a lost morning still lingers on the figure of Jupiter, of Pan, or of the elder Apollo; and it may well be, as already noted, that each was once a divinity as solitary as Jehovah or Allah. They lost this lonely universality by a process it is here very necessary to note; a process of amalgamation very like what was afterwards called syncretism. The whole pagan world set itself to build a Pantheon. They admitted more and more gods, gods not only of the Greeks but of the barbarians; gods not only of Europe but of Asia and Africa. The more the merrier, though some of the Asian and African ones were not very merry. They admitted them to equal thrones with their own; sometimes they identified them with their own. They may have regarded it as an enrichment of their religious life; but it meant the final loss of all that we now call religion. It meant that ancient light of simplicity, that had a single source like the sun, finally fades away in a dazzle of conflicting lights and colours. God is really sacrificed to the gods; in a very literal sense of the flippant phrase, they have been too many for him.

This latter example is very relevant to the next step in the process. A white light reminiscent of a lost morning still lingers on the figure of Jupiter, Pan, or the elder Apollo; and it might well be, as noted before, that each was once a deity as solitary as Jehovah or Allah. They lost this lonely universality through a process it’s important to highlight here; a process of blending very similar to what was later called syncretism. The entire pagan world set out to create a Pantheon. They welcomed more and more gods, not just of the Greeks but also of the barbarians; gods not only from Europe but from Asia and Africa as well. The more the merrier, even though some of the Asian and African ones weren’t very joyful. They gave them equal status alongside their own; sometimes they identified them with their own. They may have seen it as an enrichment of their spiritual life; but it meant the ultimate loss of what we now call religion. It meant that ancient light of simplicity, which had a single source like the sun, finally faded away into a blend of conflicting lights and colors. God is truly sacrificed to the gods; in a very literal sense of the casual phrase, there have been too many for him.

Polytheism, therefore, was really a sort of pool; in the sense of the pagans having consented to the pooling of their pagan religions. And this point is very important in many controversies ancient and modern. It is regarded as a liberal and enlightened thing to say that the god of the stranger may be as good as our own; and doubtless the pagans thought themselves very liberal and enlightened when they agreed to add to the gods of the city or the hearth some wild and fantastic Dionysus coming down from the mountains or some shaggy and rustic Pan creeping out of the woods. But exactly what it lost by these larger ideas is the largest idea of all. It is the idea{105} of the fatherhood that makes the whole world one. And the converse is also true. Doubtless those more antiquated men of antiquity who clung to their solitary statues and their single sacred names were regarded as superstitious savages benighted and left behind. But these superstitious savages were preserving something that is much more like the cosmic power as conceived by philosophy, or even as conceived by science. This paradox by which the rude reactionary was a sort of prophetic progressive has one consequence very much to the point. In a purely historical sense, and apart from any other controversies in the same connection, it throws a light, a single and a steady light, that shines from the beginning on a little and lonely people. In this paradox, as in some riddle of religion of which the answer was sealed up for centuries, lies the mission and the meaning of the Jews.

Polytheism was essentially a collective gathering; in the sense that pagans agreed to merge their various pagan religions. This idea is crucial in many debates, both ancient and modern. It's seen as progressive and open-minded to believe that someone else's god can be as good as our own; certainly, pagans thought they were being tolerant and enlightened when they accepted new deities like some wild and fantastic Dionysus coming down from the mountains or a rugged Pan coming out of the woods. However, what they lost in embracing these broader ideas is the most significant idea of all: the idea of a singular fatherhood that unites the entire world. Conversely, those ancient individuals who clung to their solitary statues and singular sacred names were viewed as superstitious savages who were backward and out of touch. But these so-called superstitious savages were preserving something that is much closer to the cosmic power as understood by philosophy, or even by science. This paradox, where the crude reactionary became a kind of prophetic progressive, has one relevant consequence. In a purely historical context, and apart from any other related debates, it sheds a consistent and clear light that has been shining since the beginning on a small and isolated people. Within this paradox, like a riddle of religion with an answer that was hidden for centuries, lies the mission and meaning of the Jews.

It is true in this sense, humanly speaking, that the world owes God to the Jews. It owes that truth to much that is blamed in the Jews, possibly to much that is blameable in the Jews. We have already noted the nomadic position of the Jews amid the other pastoral peoples upon the fringe of the Babylonian Empire, and something of that strange erratic course of theirs blazed across the dark territory of extreme antiquity, as they passed from the seat of Abraham and the shepherd princes into Egypt and doubled back into the Palestinian hills and held them against the Philistines from Crete and fell into captivity in Babylon; and yet again returned to their mountain city by the Zionist policy of the Persian conquerors; and so continued that amazing romance of restlessness of which we have not yet seen the end. But through all their wanderings, and especially through all their early wanderings, they did indeed carry the fate of the world in that wooden tabernacle, that held perhaps a featureless symbol and certainly an invisible god. We may say that one{106} most essential feature was that it was featureless. Much as we may prefer that creative liberty which the Christian culture has declared and by which it has eclipsed even the arts of antiquity, we must not underrate the determining importance at the time of the Hebrew inhibition of images. It is a typical example of one of those limitations that did in fact preserve and perpetuate enlargement, like a wall built round a wide open space. The God who could not have a statue remained a spirit. Nor would his statue in any case have had the disarming dignity and grace of the Greek statues then or the Christian statues afterwards. He was living in a land of monsters. We shall have occasion to consider more fully what those monsters were, Moloch and Dagon and Tanit the terrible goddess. If the deity of Israel had ever had an image, he would have had a phallic image. By merely giving him a body they would have brought in all the worst elements of mythology; all the polygamy of polytheism; the vision of the harem in heaven. This point about the refusal of art is the first example of the limitations which are often adversely criticised, only because the critics themselves are limited. But an even stronger case can be found in the other criticism offered by the same critics. It is often said with a sneer that the God of Israel was only a God of Battles, ‘a mere barbaric Lord of Hosts’ pitted in rivalry against other gods only as their envious foe. Well it is for the world that he was a God of Battles. Well it is for us that he was to all the rest only a rival and a foe. In the ordinary way, it would have been only too easy for them to have achieved the desolate disaster of conceiving him as a friend. It would have been only too easy for them to have seen him stretching out his hands in love and reconciliation, embracing Baal and kissing the painted face of Astarte, feasting in fellowship with the gods; the last god to sell his crown of stars for the Soma of the Indian pantheon{107} or the nectar of Olympus or the mead of Valhalla. It would have been easy enough for his worshippers to follow the enlightened course of Syncretism and the pooling of all the pagan traditions. It is obvious indeed that his followers were always sliding down this easy slope; and it required the almost demoniac energy of certain inspired demagogues, who testified to the divine unity in words that are still like winds of inspiration and ruin. The more we really understand of the ancient conditions that contributed to the final culture of the Faith, the more we shall have a real and even a realistic reverence for the greatness of the Prophets of Israel. As it was, while the whole world melted into this mass of confused mythology, this Deity who is called tribal and narrow, precisely because he was what is called tribal and narrow, preserved the primary religion of all mankind. He was tribal enough to be universal. He was as narrow as the universe.

It's true, in a human sense, that the world owes God to the Jews. The world owes this to much of what is criticized about the Jews, perhaps to a lot that can be criticized. We've already observed the wandering status of the Jews among the other pastoral peoples on the edges of the Babylonian Empire, and something of their unusual and unpredictable journey can be traced back through the dark ages of early history, as they moved from the land of Abraham and the shepherd kings into Egypt and then back to the hills of Palestine, where they resisted the Philistines from Crete and ended up in Babylonian captivity; yet they returned to their mountain city thanks to the efforts of the Persian conquerors, and so continued this incredible story of restlessness that we still haven't seen the end of. Throughout all their journeys, especially during their early travels, they truly carried the fate of the world in that wooden tabernacle, which held perhaps a simple symbol and definitely an invisible God. We can say that one essential feature was that it was featureless. As much as we may favor the creative freedom that Christian culture expressed and that has even outshone the arts of antiquity, we shouldn't underestimate the crucial significance of the Hebrew prohibition on images at the time. It's a typical example of one of those restrictions that actually preserved and encouraged growth, like a wall built around an open space. The God who could not have a statue remained a spirit. And even if he did have a statue, it would not have possessed the striking dignity and grace of Greek statues of that time or the Christian statues that followed. He lived among monsters. We'll have the chance to explore what those monsters were, like Moloch, Dagon, and the terrifying goddess Tanit. If the God of Israel ever had an image, it would likely have been a phallic one. By simply giving him a physical form, they would have invited all the worst aspects of mythology; all the polygamy of polytheism and the image of a heavenly harem. This point about the rejection of art is the first example of limitations that are often criticized, only because the critics themselves are limited. An even more compelling case can be found in another criticism made by these same critics. It's often sneered that the God of Israel was merely a God of Battles, ‘a mere barbaric Lord of Hosts,’ competing against other gods as their jealous enemy. It’s fortunate for the world that he was a God of Battles. It's fortunate for us that to everyone else, he was just a competitor and an opponent. Usually, it would have been too easy for them to end up in the devastating trap of seeing him as a friend. It would have been all too easy for them to imagine him reaching out with love and reconciliation, embracing Baal and kissing the painted face of Astarte, feasting in camaraderie with the gods; the last god to trade his crown of stars for the Soma of the Indian pantheon or the nectar of Olympus or the mead of Valhalla. His worshippers could have easily chosen the enlightened path of Syncretism and combined all the pagan traditions. It's clear that his followers were frequently sliding down this slippery slope; it required the almost demonic energy of certain inspired leaders, who proclaimed divine unity in words that still resonate with inspiration and destruction. The more we truly understand the ancient conditions that shaped the ultimate culture of the Faith, the more genuine and even realistic reverence we will have for the greatness of the Prophets of Israel. As it was, while the whole world melted into a mass of confused mythology, this God who is labeled as tribal and narrow, precisely because he was considered tribal and narrow, preserved the fundamental religion of all humanity. He was tribal enough to be universal. He was as narrow as the universe.

In a word, there was a popular pagan god called Jupiter-Ammon. There was never a god called Jehovah-Ammon. There was never a god called Jehovah-Jupiter. If there had been, there would certainly have been another called Jehovah-Moloch. Long before the liberal and enlightened amalgamators had got so far afield as Jupiter, the image of the Lord of Hosts would have been deformed out of all suggestion of a monotheistic maker and ruler and would have become an idol far worse than any savage fetish; for he might have been as civilised as the gods of Tyre and Carthage. What that civilisation meant we shall consider more fully in the chapter that follows; when we note how the power of demons nearly destroyed Europe and even the heathen health of the world. But the world’s destiny would have been distorted still more fatally if monotheism had failed in the Mosaic tradition. I hope in a subsequent section to show that I am not without sympathy with all that health in the heathen world that made{108} its fairy-tales and its fanciful romances of religion. But I hope also to show that these were bound to fail in the long run; and the world would have been lost if it had been unable to return to that great original simplicity of a single authority in all things. That we do preserve something of that primary simplicity, that poets and philosophers can still indeed in some sense say an Universal Prayer, that we live in a large and serene world under a sky that stretches paternally over all the peoples of the earth, that philosophy and philanthropy are truisms in a religion of reasonable men, all that we do most truly owe, under heaven, to a secretive and restless nomadic people; who bestowed on men the supreme and serene blessing of a jealous God.

In brief, there was a well-known pagan god named Jupiter-Ammon. There was never a god called Jehovah-Ammon. There was never a god called Jehovah-Jupiter. If there had been, there would definitely have been another one called Jehovah-Moloch. Long before the liberal and progressive amalgamators got as far as Jupiter, the image of the Lord of Hosts would have been twisted beyond any suggestion of a single, monotheistic creator and ruler, becoming an idol far worse than any primitive fetish; for he could have been as civilized as the gods of Tyre and Carthage. We will explore what that civilization meant more thoroughly in the following chapter, when we consider how the power of demons nearly destroyed Europe and even the pagan health of the world. However, the world’s fate would have been even more tragically altered if monotheism had failed in the Mosaic tradition. I hope to demonstrate in a later section that I have some sympathy for the well-being in the pagan world that created{108} its fairy tales and whimsical religious stories. But I also intend to show that these were destined to fail in the long run; and the world would have been lost if it had been unable to return to the great original simplicity of a single authority in all matters. That we do retain some of that fundamental simplicity, that poets and philosophers can still, in some sense, express a Universal Prayer, that we live in a vast and peaceful world beneath a sky that kindly encompasses all the people of the earth, and that philosophy and philanthropy are accepted truths in a religion of rational individuals—all of this we genuinely owe, under heaven, to a secretive and restless nomadic people; who provided humanity with the supreme and tranquil blessing of a jealous God.

The unique possession was not available or accessible to the pagan world, because it was also the possession of a jealous people. The Jews were unpopular, partly because of this narrowness already noted in the Roman world, partly perhaps because they had already fallen into that habit of merely handling things for exchange instead of working to make them with their hands. It was partly also because polytheism had become a sort of jungle in which solitary monotheism could be lost; but it is strange to realise how completely it really was lost. Apart from more disputed matters, there were things in the tradition of Israel which belong to all humanity now, and might have belonged to all humanity then. They had one of the colossal corner-stones of the world: the Book of Job. It obviously stands over against the Iliad and the Greek tragedies; and even more than they it was an early meeting and parting of poetry and philosophy in the morning of the world. It is a solemn and uplifting sight to see those two eternal fools, the optimist and the pessimist, destroyed in the dawn of time. And the philosophy really perfects the pagan tragic irony, precisely because it is more monotheistic and therefore more mystical. Indeed the Book of Job avowedly only answers mystery with mystery. Job is comforted with riddles; but{109} he is comforted. Herein is indeed a type, in the sense of a prophecy, of things speaking with authority. For when he who doubts can only say, ‘I do not understand,’ it is true that he who knows can only reply or repeat, ‘You do not understand.’ And under that rebuke there is always a sudden hope in the heart; and the sense of something that would be worth understanding. But this mighty monotheistic poem remained unremarked by the whole world of antiquity, which was thronged with polytheistic poetry. It is a sign of the way in which the Jews stood apart and kept their tradition unshaken and unshared, that they should have kept a thing like the Book of Job out of the whole intellectual world of antiquity. It is as if the Egyptians had modestly concealed the Great Pyramid. But there were other reasons for a cross-purpose and an impasse, characteristic of the whole of the end of paganism. After all, the tradition of Israel had only got hold of one half of the truth, even if we use the popular paradox and call it the bigger half. I shall try to sketch in the next chapter that love of locality and of personality that ran through mythology; here it need only be said that there was a truth in it that could not be left out, though it were a lighter and less essential truth. The sorrow of Job had to be joined with the sorrow of Hector; and while the former was the sorrow of the universe the latter was the sorrow of the city; for Hector could only stand pointing to heaven as the pillar of holy Troy. When God speaks out of the whirlwind He may well speak in the wilderness. But the monotheism of the nomad was not enough for all that varied civilisation of fields and fences and walled cities and temples and towns; and the turn of these things also was to come, when the two could be combined in a more definite and domestic religion. Here and there in all that pagan crowd could be found a philosopher whose thoughts ran on pure theism; but he never had, or supposed that he{110} had, the power to change the customs of the whole populace. Nor is it easy even in such philosophies to find a true definition of this deep business of the relation of polytheism and theism. Perhaps the nearest we can come to striking the note, or giving the thing a name, is in something far away from all that civilisation and more remote from Rome than the isolation of Israel. It is in a saying I once heard from some Hindu tradition; that gods as well as men are only the dreams of Brahma; and will perish when Brahma wakes. There is indeed in such an image something of the soul of Asia which is less sane than the soul of Christendom. We should call it despair, even if they would call it peace. This note of nihilism can be considered later in a fuller comparison between Asia and Europe. It is enough to say here that there is more of disillusion in that idea of a divine awakening than is implied for us in the passage from mythology to religion. But the symbol is very subtle and exact in one respect; that it does suggest the disproportion and even disruption between the very ideas of mythology and religion; the chasm between the two categories. It is really the collapse of comparative religion that there is no comparison between God and the gods. There is no more comparison than there is between a man and the men who walk about in his dreams. Under the next heading some attempt will be made to indicate the twilight of that dream in which the gods walk about like men. But if any one fancies the contrast of monotheism and polytheism is only a matter of some people having one god and others a few more, for him it will be far nearer the truth to plunge into the elephantine extravagance of Brahmin cosmology; that he may feel a shudder going through the veil of things, the many-handed creators, and the throned and haloed animals and all the network of entangled stars and rulers of the night, as the awful eyes of Brahma open like dawn upon the death of all.{111}

The unique possession wasn’t available or accessible to the pagan world because it also belonged to a jealous people. The Jews were not well-liked, partly due to this narrowness already noted in the Roman world, and perhaps partly because they had fallen into a routine of just exchanging things instead of creating them by hand. It was also because polytheism had turned into a kind of jungle where solitary monotheism could easily get lost; but it’s strange to see how completely it was lost. Aside from the more disputed issues, there were aspects of the tradition of Israel that now belong to all humanity and might have belonged to everyone back then. They had one of the colossal cornerstones of the world: the Book of Job. It clearly stands alongside the Iliad and the Greek tragedies; and more than they do, it was an early intersection of poetry and philosophy in the dawn of the world. It’s a solemn and uplifting sight to witness those two eternal fools, the optimist and the pessimist, being destroyed in the dawn of time. And the philosophy truly perfects the pagan tragic irony, precisely because it is more monotheistic and therefore more mystical. Indeed, the Book of Job openly responds to mystery with mystery. Job is comforted with riddles; but{109} he is comforted. In this, there's truly a type, in the sense of a prophecy, of things speaking with authority. For when he who doubts can only say, ‘I do not understand,’ it is true that he who knows can only respond or repeat, ‘You do not understand.’ And beneath that rebuke, there is always a sudden hope in the heart and a sense of something that would be worth understanding. But this mighty monotheistic poem went unnoticed by the entire world of antiquity, which was filled with polytheistic poetry. It shows how the Jews stood apart and kept their tradition untouched and unshared that they managed to keep something like the Book of Job out of the whole intellectual world of antiquity. It’s as if the Egyptians had modestly hidden the Great Pyramid. However, there were other reasons for a misunderstanding and an impasse, typical of the entire end of paganism. After all, the tradition of Israel had only grasped one half of the truth, even if we use the popular paradox and call it the bigger half. I will try to outline in the next chapter that love of locality and personality that ran through mythology; here it only needs to be said that there was a truth in it that couldn’t be ignored, even if it was a lighter and less essential truth. Job's sorrow had to be connected with Hector’s sorrow; and while the former represented the sorrow of the universe, the latter represented the sorrow of the city; for Hector could only stand pointing to heaven as the pillar of holy Troy. When God speaks from the whirlwind, He may well be speaking in the wilderness. But the monotheism of the nomad wasn’t enough for all that varied civilization of fields and fences and walled cities and temples and towns; and the turn of those things was also to come, when the two could be combined in a more definite and personal religion. Here and there in that pagan crowd, you could find a philosopher whose thoughts leaned toward pure theism; but he never had, or thought he{110} had, the power to change the customs of the whole populace. Nor is it easy to find a true definition of this deep issue of the relationship between polytheism and theism, even in such philosophies. Perhaps the closest we can get to hitting the mark or naming the thing is in something far removed from all that civilization and more distant from Rome than the isolation of Israel. It’s in a saying I once heard from some Hindu tradition: that gods, like men, are only dreams of Brahma and will perish when Brahma wakes. There’s indeed something in that image that reflects the soul of Asia, which is less sane than the soul of Christendom. We would call it despair, even if they would call it peace. This note of nihilism can be explored later in a fuller comparison between Asia and Europe. It’s enough to say here that there’s more disillusion in that idea of a divine awakening than what we imply in the shift from mythology to religion. But the symbol is very subtle and precise in one respect; it suggests the imbalance and even disruption between the very ideas of mythology and religion; the gap between the two categories. It’s really the collapse of comparative religion that shows there is no comparison between God and the gods. There's no more comparison than there is between a man and the men who walk around in his dreams. Under the next heading, some attempt will be made to indicate the twilight of that dream in which the gods walk about like men. But if anyone thinks the contrast between monotheism and polytheism is simply about some people having one god and others having a few more, they are much closer to the truth if they plunge into the vast extravagance of Brahmin cosmology; that they may feel a shudder going through the veil of things, the many-handed creators, and the throned and haloed animals and all the interconnected stars and rulers of the night, as the awful eyes of Brahma open like dawn upon the death of all.{111}

CHAPTER V

MAN AND MYTHOLOGIES

What are here called the Gods might almost alternatively be called the Day-Dreams. To compare them to dreams is not to deny that dreams can come true. To compare them to travellers’ tales is not to deny that they may be true tales, or at least truthful tales. In truth they are the sort of tales the traveller tells to himself. All this mythological business belongs to the poetical part of men. It seems strangely forgotten nowadays that a myth is a work of imagination and therefore a work of art. It needs a poet to make it. It needs a poet to criticise it. There are more poets than non-poets in the world, as is proved by the popular origin of such legends. But for some reason I have never heard explained, it is only the minority of unpoetical people who are allowed to write critical studies of these popular poems. We do not submit a sonnet to a mathematician or a song to a calculating boy; but we do indulge the equally fantastic idea that folk-lore can be treated as a science. Unless these things are appreciated artistically they are not appreciated at all. When the professor is told by the barbarian that once there was nothing except a great feathered serpent, unless the learned man feels a thrill and a half temptation to wish it were true, he is no judge of such things at all. When he is assured, on the best Red Indian authority, that a primitive hero carried the sun and moon and stars in a box, unless he claps his hands and almost kicks his legs as a child would at such a charming fancy, he knows nothing about the matter. This test is not{112} nonsensical; primitive children and barbaric children do laugh and kick like other children; and we must have a certain simplicity to repicture the childhood of the world. When Hiawatha was told by his nurse that a warrior threw his grandmother up to the moon, he laughed like any English child told by his nurse that a cow jumped over the moon. The child sees the joke as well as most men, and better than some scientific men. But the ultimate test even of the fantastic is the appropriateness of the inappropriate. And the test must appear merely arbitrary because it is merely artistic. If any student tells me that the infant Hiawatha only laughed out of respect for the tribal custom of sacrificing the aged to economical housekeeping, I say he did not. If any scholar tells me that the cow jumped over the moon only because a heifer was sacrificed to Diana, I answer that it did not. It happened because it is obviously the right thing for a cow to jump over the moon. Mythology is a lost art, one of the few arts that really are lost; but it is an art. The horned moon and the horned mooncalf make a harmonious and almost a quiet pattern. And throwing your grandmother into the sky is not good behaviour; but it is perfectly good taste.

What? are referred to as the Gods here could just as easily be called Day-Dreams. Comparing them to dreams doesn’t mean that dreams can’t come true. Similarly, comparing them to travelers’ stories doesn’t imply they can’t be true or at least genuine stories. In reality, they are the kinds of stories that travelers tell themselves. All this mythological stuff is part of the poetic side of humanity. It's oddly overlooked these days that a myth is a product of imagination, and therefore a work of art. It takes a poet to create it. It takes a poet to critique it. There are more poets than non-poets in the world, as shown by the common origins of such legends. However, for reasons I’ve never really understood, only a minority of unpoetic people are allowed to write critical studies of these popular poems. We wouldn’t submit a sonnet to a mathematician or a song to a calculating kid; yet, we entertain the equally unrealistic idea that folklore can be treated like a science. Unless these things are appreciated artistically, they aren’t appreciated at all. When a professor is told by someone from a primitive culture that there was once nothing but a giant feathered serpent, unless the scholar feels a rush of excitement and a slight desire to believe it’s true, he’s not really judging these things properly. When he learns from credible Native American sources that a primitive hero carried the sun, moon, and stars in a box, unless he claps his hands and practically jumps up and down like a child over such a delightful idea, he doesn’t understand the topic at all. This test isn’t{112} ridiculous; primitive and barbaric children laugh and kick just like other kids do; we need some simplicity to envision the childhood of the world. When Hiawatha was told by his caretaker that a warrior threw his grandmother up to the moon, he laughed just like any English child would when told that a cow jumped over the moon. Children grasp the joke as clearly as most adults, and sometimes better than some scientists. But the ultimate test of the fantastical is the appropriateness of the absurd. And this test may seem arbitrary because it is purely artistic. If a student asserts that the infant Hiawatha only laughed out of respect for the tribal tradition of sacrificing elders for the sake of efficiency, I’d say that’s not true. If a scholar claims the cow jumped over the moon simply because a heifer was sacrificed to Diana, I would respond that isn’t the reason. It happened because it’s just plainly fitting for a cow to jump over the moon. Mythology is a lost art, one of the few truly lost arts; but it is indeed an art. The horned moon and the horned mooncalf create a harmonious and almost serene pattern. And throwing your grandmother into the sky isn’t good behavior; but it has perfectly good taste.

Thus scientists seldom understand, as artists understand, that one branch of the beautiful is the ugly. They seldom allow for the legitimate liberty of the grotesque. And they will dismiss a savage myth as merely coarse and clumsy and an evidence of degradation, because it has not all the beauty of the herald Mercury new lighted on a heaven-kissing hill; when it really has the beauty of the Mock Turtle of the Mad Hatter. It is the supreme proof of a man being prosaic that he always insists on poetry being poetical. Sometimes the humour is in the very subject as well as the style of the fable. The Australian aborigines, regarded as the rudest of savages, have a story about a giant frog who had swallowed the sea and all the{113} waters of the world; and who was only forced to spill them by being made to laugh. All the animals with all their antics passed before him and, like Queen Victoria, he was not amused. He collapsed at last before an eel who stood delicately balanced on the tip of its tail, doubtless with a rather desperate dignity. Any amount of fine fantastic literature might be made out of that fable. There is philosophy in that vision of the dry world before the beatific Deluge of laughter. There is imagination in the mountainous monster erupting like an aqueous volcano; there is plenty of fun in the thought of his goggling visage as the pelican or the penguin passed by. Anyhow the frog laughed; but the folk-lore student remains grave.

So scientists rarely understand, like artists do, that one part of beauty is the ugly side. They often overlook the rightful place of the grotesque. They dismiss a rough myth as just clumsy and a sign of degeneration because it doesn't have the beauty of a bright Mercury lighting up a sky-high hill; when it actually has the beauty of the Mock Turtle from the Mad Hatter. It's a clear sign that someone is dull and unimaginative if they always insist poetry has to be poetical. Sometimes the humor is found in both the subject and the style of the story. The Australian aborigines, viewed as the most primitive of peoples, have a tale about a giant frog who swallowed the sea and all the{113} waters of the world; and he could only be forced to spit them out by making him laugh. All the animals with their antics paraded before him, and, like Queen Victoria, he was unimpressed. He finally collapsed in laughter at an eel that was balanced delicately on the tip of its tail, likely with a bit of desperate dignity. A wealth of whimsical literature could be inspired by that tale. There’s a deep thought behind that image of the dry world waiting for the joyful flood of laughter. There’s creativity in the towering monster bursting forth like a watery volcano; and plenty of amusement in picturing his wide-eyed face as the pelican or penguin swam past. In any case, the frog laughed; but the folklore scholar stays serious.

Moreover, even where the fables are inferior as art, they cannot be properly judged by science; still less properly judged as science. Some myths are very crude and queer like the early drawings of children; but the child is trying to draw. It is none the less an error to treat his drawing as if it were a diagram, or intended to be a diagram. The student cannot make a scientific statement about the savage, because the savage is not making a scientific statement about the world. He is saying something quite different; what might be called the gossip of the gods. We may say, if we like, that it is believed before there is time to examine it. It would be truer to say it is accepted before there is time to believe it.

Moreover, even when the fables are not as well-crafted, they can't be accurately judged by science; and even less so as science. Some myths are very basic and strange, like early drawings by children; but the child is attempting to express something. It's still a mistake to treat their drawing as if it were a chart or meant to be a chart. The student can’t make a scientific statement about the primitive person because the primitive person isn’t making a scientific statement about the world. They’re communicating something entirely different; what could be called the gossip of the gods. We might say, if we choose, that it's believed before there's a chance to examine it. It would be more accurate to say it's accepted before there's a chance to believe it.

I confess I doubt the whole theory of the dissemination of myths or (as it commonly is) of one myth. It is true that something in our nature and conditions makes many stories similar; but each of them may be original. One man does not borrow the story from the other man, though he may tell it from the same motive as the other man. It would be easy to apply the whole argument about legend to literature; and turn it into a vulgar monomania of plagiarism. I would undertake to trace a notion like that of the{114} Golden Bough through individual modern novels as easily as through communal and antiquated myths. I would undertake to find something like a bunch of flowers figuring again and again from the fatal bouquet of Becky Sharpe to the spray of roses sent by the Princess of Ruritania. But though these flowers may spring from the same soil, it is not the same faded flower that is flung from hand to hand. Those flowers are always fresh.

I have to admit, I’m skeptical about the whole idea of how myths spread or, as it’s usually put, how one myth spreads. It's true that something about our nature and circumstances makes many stories alike, but each one can be original. One person doesn’t steal a story from another, even if they share the same motivation. It would be easy to apply the whole argument about legends to literature and turn it into a boring obsession with plagiarism. I could trace a concept like the {114} Golden Bough through modern novels just as easily as through shared ancient myths. I could find something like a bouquet of flowers appearing repeatedly, from the doomed bouquet of Becky Sharpe to the spray of roses sent by the Princess of Ruritania. But while these flowers may come from the same source, it’s not the same wilted flower that gets tossed around. Those flowers are always fresh.

The true origin of all the myths has been discovered much too often. There are too many keys to mythology, as there are too many cryptograms in Shakespeare. Everything is phallic; everything is totemistic; everything is seed-time and harvest; everything is ghosts and grave-offerings; everything is the golden bough of sacrifice; everything is the sun and moon; everything is everything. Every folk-lore student who knew a little more than his own monomania, every man of wider reading and critical culture like Andrew Lang, has practically confessed that the bewilderment of these things left his brain spinning. Yet the whole trouble comes from a man trying to look at these stories from the outside, as if they were scientific objects. He has only to look at them from the inside, and ask himself how he would begin a story. A story may start with anything and go anywhere. It may start with a bird without the bird being a totem; it may start with the sun without being a solar myth. It is said there are only ten plots in the world; and there will certainly be common and recurrent elements. Set ten thousand children talking at once, and telling tarradiddles about what they did in the wood; and it will not be hard to find parallels suggesting sun-worship or animal-worship. Some of the stories may be pretty and some silly and some perhaps dirty; but they can only be judged as stories. In the modern dialect, they can only be judged aesthetically. It is strange that aesthetics, or mere feeling, which is now allowed{115} to usurp where it has no rights at all, to wreck reason with pragmatism and morals with anarchy, is apparently not allowed to give a purely aesthetic judgment on what is obviously a purely aesthetic question. We may be fanciful about everything except fairy-tales.

The true origin of all myths has been discovered way too often. There are too many keys to mythology, just like there are too many puzzles in Shakespeare. Everything is about sexuality; everything is about symbols; everything relates to planting and harvesting; everything involves spirits and offerings; everything connects to sacrifice; everything is about the sun and moon; everything means everything. Every folklore student who knows a bit more than their fixation, and every well-read and critically cultured person like Andrew Lang, has admitted that the confusion from these matters left them perplexed. But the real issue comes from someone trying to view these stories from the outside, as if they were scientific subjects. They just need to consider them from the inside and reflect on how they would start a story. A story can start with anything and lead anywhere. It might begin with a bird without the bird being a symbol; it might start with the sun without being a solar myth. It's said there are only ten plots in the world, and there will definitely be recurring themes. If you set ten thousand kids talking at once, sharing tall tales about what they did in the woods, it wouldn't be hard to find parallels that suggest sun-worship or animal-worship. Some of the stories might be lovely, some silly, and some maybe inappropriate; but they can only be judged as stories. In modern terms, they can only be judged based on aesthetics. It's odd that aesthetics, or mere feelings, which have now been allowed{115} to undermine what has no legitimacy at all, and to disrupt reason with practicality and morals with chaos, are apparently not permitted to give an entirely aesthetic judgment on what is clearly a purely aesthetic issue. We can be imaginative about everything except fairy tales.

Now the first fact is that the most simple people have the most subtle ideas. Everybody ought to know that, for everybody has been a child. Ignorant as a child is, he knows more than he can say and feels not only atmospheres but fine shades. And in this matter there are several fine shades. Nobody understands it who has not had what can only be called the ache of the artist to find some sense and some story in the beautiful things he sees; his hunger for secrets and his anger at any tower or tree escaping with its tale untold. He feels that nothing is perfect unless it is personal. Without that the blind unconscious beauty of the world stands in its garden like a headless statue. One need only be a very minor poet to have wrestled with the tower or the tree until it spoke like a titan or a dryad. It is often said that pagan mythology was a personification of the powers of nature. The phrase is true in a sense, but it is very unsatisfactory; because it implies that the forces are abstractions and the personification is artificial. Myths are not allegories. Natural powers are not in this case abstractions. It is not as if there were a God of Gravitation. There may be a genius of the waterfall; but not of mere falling, even less than of mere water. The impersonation is not of something impersonal. The point is that the personality perfects the water with significance. Father Christmas is not an allegory of snow and holly; he is not merely the stuff called snow afterwards artificially given a human form, like a snow man. He is something that gives a new meaning to the white world and the evergreens; so that snow itself seems to be warm rather than cold. The test therefore is purely imaginative. But imaginative does not mean imaginary. It{116} does not follow that it is all what the moderns call subjective, when they mean false. Every true artist does feel, consciously or unconsciously, that he is touching transcendental truths; that his images are shadows of things seen through the veil. In other words, the natural mystic does know that there is something there; something behind the clouds or within the trees; but he believes that the pursuit of beauty is the way to find it; that imagination is a sort of incantation that can call it up.

Now the first fact is that the simplest people have the most nuanced ideas. Everyone should know this, as everyone has been a child. Ignorant as a child may be, they know more than they can express and feel not only moods but also subtle distinctions. There are several nuances in this regard. No one truly understands it who hasn't experienced what can only be called the artist's longing to find some meaning and story in the beautiful things they see; their desire for secrets and frustration when a tower or tree doesn’t share its story. They sense that nothing is complete unless it's personal. Without that, the blind, unconscious beauty of the world stands in its garden like a headless statue. One only needs to be a very minor poet to have struggled with the tower or tree until it spoke like a giant or a spirit of the woods. It's often said that pagan mythology was a personification of the forces of nature. The phrase is true in some ways, but it's quite unsatisfactory because it suggests that the forces are just abstractions and that personification is artificial. Myths aren't merely allegories. Natural powers aren't abstractions here. It's not like there’s a God of Gravitation. There might be a genius of the waterfall, but not of merely falling, and even less of mere water. The impersonation is not of something impersonal. The point is that personality gives significance to the water. Father Christmas is not just an allegory of snow and holly; he isn't merely snow later given a human shape, like a snowman. He brings a fresh meaning to the white world and the evergreens, so snow itself feels more warm than cold. Therefore, the test is purely imaginative. But imaginative doesn’t mean imaginary. It doesn’t follow that it’s all what moderns call subjective when they mean false. Every true artist feels, consciously or unconsciously, that they are touching transcendental truths; that their images are shadows of things seen through a veil. In other words, the natural mystic knows that there is something there; something behind the clouds or within the trees; but they believe that the quest for beauty is the way to uncover it; that imagination is a sort of incantation that can invoke it.

Now we do not comprehend this process in ourselves, far less in our most remote fellow-creatures. And the danger of these things being classified is that they may seem to be comprehended. A really fine work of folk-lore, like The Golden Bough, will leave too many readers with the idea, for instance, that this or that story of a giant’s or wizard’s heart in a casket or a cave only ‘means’ some stupid and static superstition called ‘the external soul.’ But we do not know what these things mean, simply because we do not know what we ourselves mean when we are moved by them. Suppose somebody in a story says ‘Pluck this flower and a princess will die in a castle beyond the sea,’ we do not know why something stirs in the subconsciousness, or why what is impossible seems also inevitable. Suppose we read ‘And in the hour when the king extinguished the candle his ships were wrecked far away on the coast of the Hebrides.’ We do not know why the imagination has accepted that image before the reason can reject it; or why such correspondences seem really to correspond to something in the soul. Very deep things in our nature, some dim sense of the dependence of great things upon small, some dark suggestion that the things nearest to us stretch far beyond our power, some sacramental feeling of the magic in material substances, and many more emotions past finding out, are in an idea like that of the external soul. The power even in the myths of savages is like the{117} power in the metaphors of poets. The soul of such a metaphor is often very emphatically an external soul. The best critics have remarked that in the best poets the simile is often a picture that seems quite separate from the text. It is as irrelevant as the remote castle to the flower or the Hebridean coast to the candle. Shelley compares the skylark to a young woman in a turret, to a rose embedded in thick foliage, to a series of things that seem to be about as unlike a skylark in the sky as anything we can imagine. I suppose the most potent piece of pure magic in English literature is the much-quoted passage in Keats’s Nightingale about the casements opening on the perilous foam. And nobody notices that the image seems to come from nowhere; that it appears abruptly after some almost equally irrelevant remarks about Ruth; and that it has nothing in the world to do with the subject of the poem. If there is one place in the world where nobody could reasonably expect to find a nightingale, it is on a window-sill at the seaside. But it is only in the same sense that nobody would expect to find a giant’s heart in a casket under the sea. Now, it would be very dangerous to classify the metaphors of the poets. When Shelley says that the cloud will rise ‘like a child from the womb, like a ghost from the tomb,’ it would be quite possible to call the first a case of the coarse primitive birth-myth and the second a survival of the ghost-worship which became ancestor-worship. But it is the wrong way of dealing with a cloud; and is liable to leave the learned in the condition of Polonius, only too ready to think it like a weasel, or very like a whale.

Now, we don’t really understand this process in ourselves, let alone in our most distant fellow creatures. The danger in classifying these things is that they may appear to be understood. A truly great piece of folklore, like The Golden Bough, can leave many readers with the mistaken belief, for example, that a particular story about a giant’s or wizard’s heart in a box or a cave simply represents a dumb and fixed superstition called ‘the external soul.’ But we don’t know what these things really mean, mainly because we don’t know what we ourselves mean when we’re moved by them. If someone in a story says, ‘Pick this flower and a princess will die in a castle across the sea,’ we don’t understand why something stirs deep within us, or why something impossible also feels inevitable. Suppose we read, ‘And at the moment when the king snuffed out the candle, his ships were wrecked far away on the shores of the Hebrides.’ We can’t explain why our imagination accepts that image before our reason can dismiss it; or why such connections seem to relate to something deep within our souls. There are profound aspects of our nature—a vague sense that significant things depend on small actions, a dark hint that the closest things to us extend far beyond our control, a spiritual feeling of magic in physical objects, and many other emotions we can’t quite grasp—that relate to the idea of the external soul. The power found even in the myths of primitive people is similar to the power found in the metaphors used by poets. A metaphor often embodies an external soul. The best critics have noted that in the finest poets, a simile often feels completely distinct from the main text. It’s as unrelated as the far-off castle to the flower or the Hebridean shore to the candle. Shelley compares the skylark to a young woman in a tower, to a rose nestled among thick leaves, and to a series of things that seem as unlike a skylark in the sky as anything we can imagine. One of the most magical passages in English literature is the well-known line in Keats’s Nightingale about the windows opening to the dangerous foam. Yet no one sees that the image seems to come from nowhere; it appears suddenly after some almost equally irrelevant comments about Ruth; and it has no connection whatsoever to the poem's subject. If there’s anywhere in the world where you wouldn’t expect to find a nightingale, it’s on a windowsill by the seaside. But that’s only in the same way that no one would expect to find a giant’s heart in a box under the sea. Now, it would be very risky to categorize the metaphors of poets. When Shelley says that the cloud will rise ‘like a child from the womb, like a ghost from the tomb,’ it might be tempting to label the first as a crude primitive birth myth and the second as a remnant of ghost worship that turned into ancestor worship. But that would be completely the wrong way to approach a cloud; it risks leaving scholars in the position of Polonius, all too eager to compare it to a weasel or something very much like a whale.

Two facts follow from this psychology of day-dreams, which must be kept in mind throughout their development in mythologies and even religions. First, these imaginative impressions are often strictly local. So far from being abstractions turned into allegories, they are often images almost concentrated{118} into idols. The poet feels the mystery of a particular forest; not of the science of afforestation or the department of woods and forests. He worships the peak of a particular mountain, not the abstract idea of altitude. So we find the god is not merely water but often one special river; he may be the sea because the sea is single like a stream; the river that runs round the world. Ultimately doubtless many deities are enlarged into elements; but they are something more than omnipresent. Apollo does not merely dwell wherever the sun shines; his home is on the rock of Delphi. Diana is great enough to be in three places at once, earth and heaven and hell, but greater is Diana of the Ephesians. This localised feeling has its lowest form in the mere fetish or talisman, such as millionaires put on their motor-cars. But it can also harden into something like a high and serious religion, where it is connected with high and serious duties; into the gods of the city or even the gods of the hearth.

Two facts come from the psychology of daydreams that we should remember as they evolve in mythologies and even religions. First, these imaginative impressions are often very specific. Rather than being abstract concepts turned into allegories, they are often images almost concentrated{118} into idols. The poet experiences the mystery of a particular forest, not the science of tree planting or the management of woods and forests. He reveres the peak of a specific mountain, not the general concept of height. So, we see that a god is not just water but often one specific river; he can be the sea because the sea is as singular as a stream; the river that flows around the world. Ultimately, many deities may expand into elements, but they are more than just everywhere. Apollo doesn’t just exist wherever the sun shines; his home is on the rock of Delphi. Diana is powerful enough to be in three places at once—earth, heaven, and hell—but even greater is Diana of the Ephesians. This localized feeling can be seen in its simplest form as a mere fetish or talisman, like those wealthy people place on their luxury cars. But it can also develop into something resembling a serious religion, where it ties into important responsibilities; into the gods of the city or even the gods of the home.

The second consequence is this: that in these pagan cults there is every shade of sincerity—and insincerity. In what sense exactly did an Athenian really think he had to sacrifice to Pallas Athene? What scholar is really certain of the answer? In what sense did Dr. Johnson really think that he had to touch all the posts in the street or that he had to collect orange-peel? In what sense does a child really think that he ought to step on every alternate paving-stone? Two things are at least fairly clear. First, in simpler and less self-conscious times these forms could become more solid without really becoming more serious. Day-dreams could be acted in broad daylight, with more liberty of artistic expression; but still perhaps with something of the light step of the somnambulist. Wrap Dr. Johnson in an antique mantle, crown him (by his kind permission) with a garland, and he will move in state under those ancient skies of morning; touching a series of sacred posts{119} carved with the heads of the strange terminal gods, that stand at the limits of the land and of the life of man. Make the child free of the marbles and mosaics of some classic temple, to play on a whole floor inlaid with squares of black and white; and he will willingly make this fulfilment of his idle and drifting day-dream the clear field for a grave and graceful dance. But the posts and the paving-stones are little more and little less real than they are under modern limits. They are not really much more serious for being taken seriously. They have the sort of sincerity that they always had; the sincerity of art as a symbol that expresses very real spiritualities under the surface of life. But they are only sincere in the same sense as art; not sincere in the same sense as morality. The eccentric’s collection of orange-peel may turn to oranges in a Mediterranean festival or to golden apples in a Mediterranean myth. But they are never on the same plane with the difference between giving the orange to a blind beggar and carefully placing the orange-peel so that the beggar may fall and break his leg. Between these two things there is a difference of kind and not of degree. The child does not think it wrong to step on the paving-stone as he thinks it wrong to step on the dog’s tail. And it is very certain that whatever jest or sentiment or fancy first set Johnson touching the wooden posts, he never touched wood with any of the feeling with which he stretched out his hands to the timber of that terrible tree, which was the death of God and the life of man.

The second consequence is this: in these pagan cults, there’s every shade of sincerity and insincerity. What did an Athenian really believe he had to sacrifice to Pallas Athene? What scholar can confidently answer that? In what way did Dr. Johnson truly think he had to touch every post in the street or collect orange peels? How does a child really believe he should step on every other paving stone? Two things are at least pretty clear. First, in simpler and less self-aware times, these rituals could become more solid without actually being more serious. Daydreams could play out in broad daylight, allowing for more artistic freedom, while still perhaps carrying a slight lightness of a sleepwalker. Dress Dr. Johnson in an ancient cloak and crown him (with his kind permission) with a garland, and he would glide gracefully under those ancient morning skies, touching a series of sacred posts{119} carved with the heads of strange terminal gods standing at the edges of land and human life. If you let the child roam in the marbles and mosaics of a classic temple, to play on a floor inlaid with black and white squares, he would happily turn his idle, drifting daydream into a stage for a serious and graceful dance. But the posts and the paving stones are only slightly more or less real than they are under modern constraints. They aren’t truly more serious just because they’re taken seriously. They have the same kind of sincerity they always did; the sincerity of art as a symbol expressing genuine spiritualities beneath the surface of life. But they’re only sincere in the way art is, not in the way morality is. The eccentric’s collection of orange peels may transform into oranges at a Mediterranean festival or golden apples in a Mediterranean myth. But they are never on the same level as the difference between giving the orange to a blind beggar and carefully placing the orange peel so the beggar might trip and break his leg. Between these two actions, there’s a difference of kind, not degree. The child doesn’t think it’s wrong to step on the paving stone the way he thinks it’s wrong to step on a dog’s tail. And it’s clear that whatever joke or sentiment or whim inspired Johnson to touch the wooden posts, he never touched wood with the same feeling he had when reaching for the timber of that terrible tree, which was the death of God and the life of man.

As already noted, this does not mean that there was no reality or even no religious sentiment in such a mood. As a matter of fact the Catholic Church has taken over with uproarious success the whole of this popular business of giving people local legends and lighter ceremonial movements. In so far as all this sort of paganism was innocent and in touch with nature, there is no reason why it should not be patronised by patron saints as much as by pagan{120} gods. And in any case there are degrees of seriousness in the most natural make-believe. There is all the difference between fancying there are fairies in the wood, which often only means fancying a certain wood as fit for fairies, and really frightening ourselves until we will walk a mile rather than pass a house we have told ourselves is haunted. Behind all these things is the fact that beauty and terror are very real things and related to a real spiritual world; and to touch them at all, even in doubt or fancy, is to stir the deep things of the soul. We all understand that and the pagans understood it. The point is that paganism did not really stir the soul except with these doubts and fancies; with the consequence that we to-day can have little beyond doubts and fancies about paganism. All the best critics agree that all the greatest poets, in pagan Hellas for example, had an attitude towards their gods which is quite queer and puzzling to men in the Christian era. There seems to be an admitted conflict between the god and the man; but everybody seems to be doubtful about which is the hero and which is the villain. This doubt does not merely apply to a doubter like Euripides in the Bacchae; it applies to a moderate conservative like Sophocles in the Antigone; or even to a regular Tory and reactionary like Aristophanes in the Frogs. Sometimes it would seem that the Greeks believed above all things in reverence, only they had nobody to revere. But the point of the puzzle is this: that all this vagueness and variation arise from the fact that the whole thing began in fancy and in dreaming; and that there are no rules of architecture for a castle in the clouds.

As noted earlier, this doesn’t mean that there was no reality or even no religious feeling in such a mindset. In fact, the Catholic Church has successfully embraced the entire trend of providing people with local legends and lighter ceremonial activities. As long as this kind of paganism was innocent and connected to nature, there's no reason it shouldn’t be endorsed by patron saints just as much as by pagan{120} gods. Besides, there are various levels of seriousness in even the most natural make-believe. There’s a significant difference between imagining that there are fairies in the woods, which often really just means thinking of a particular woods as suitable for fairies, and genuinely getting scared enough to walk a mile just to avoid a house we've convinced ourselves is haunted. Underlying all of this is the fact that beauty and terror are very real and linked to a true spiritual world; and to engage with them, even in doubt or imagination, stirs the deep parts of the soul. We all get this, and the pagans did too. The key point is that paganism didn’t actually provoke the soul except through these doubts and fantasies; as a result, today we can have little more than doubts and fantasies about paganism. All the best critics agree that the greatest poets, for example in pagan Greece, had a relationship with their gods that seems quite strange and confusing to those in the Christian era. There appears to be an undeniable conflict between the god and the human; yet everyone seems uncertain about who the hero is and who the villain is. This uncertainty applies not only to someone like Euripides in the Bacchae but also to a more moderate conservative like Sophocles in the Antigone, or even to a traditional Tory and reactionary like Aristophanes in the Frogs. Sometimes it seems that the Greeks believed above all in reverence, but they had no one to revere. The puzzle lies in the fact that all this vagueness and variation stems from the notion that everything began in imagination and dreaming; and there are no rules of design for a castle in the clouds.

This is the mighty and branching tree called mythology which ramifies round the whole world, whose remote branches under separate skies bear like coloured birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forests, and buried{121} amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths: and he who has no sympathy with myths has no sympathy with men. But he who has most sympathy with myths will most fully realise that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar, they do not provide him with a creed. A man did not stand up and say ‘I believe in Jupiter and Juno and Neptune,’ etc., as he stands up and says ‘I believe in God the Father Almighty’ and the rest of the Apostles’ Creed. Many believed in some and not in others, or more in some and less in others, or only in a very vague poetical sense in any. There was no moment when they were all collected into an orthodox order which men would fight and be tortured to keep intact. Still less did anybody ever say in that fashion: ‘I believe in Odin and Thor and Freya,’ for outside Olympus even the Olympian order grows cloudy and chaotic. It seems clear to me that Thor was not a god at all but a hero. Nothing resembling a religion would picture anybody resembling a god as groping like a pigmy in a great cavern, that turned out to be the glove of a giant. That is the glorious ignorance called adventure. Thor may have been a great adventurer; but to call him a god is like trying to compare Jehovah with Jack and the Beanstalk. Odin seems to have been a real barbarian chief, possibly of the Dark Ages after Christianity. Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name or some noble memory in moments that are themselves noble{122} and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice. It is the wise and worthy idea of not taking our advantage to the full; of putting something in the other balance to ballast our dubious pride, of paying tithes to nature for our land. This deep truth of the danger of insolence, or being too big for our boots, runs through all the great Greek tragedies and makes them great. But it runs side by side with an almost cryptic agnosticism about the real nature of the gods to be propitiated. Where that gesture of surrender is most magnificent, as among the great Greeks, there is really much more idea that the man will be the better for losing the ox than that the god will be the better for getting it. It is said that in its grosser forms there are often actions grotesquely suggestive of the god really eating the sacrifice. But this fact is falsified by the error that I put first in this note on mythology. It is misunderstanding the psychology of day-dreams. A child pretending there is a goblin in a hollow tree will do a crude and material thing, like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history{123} did come when St. Paul declared to them whom they had ignorantly worshipped.

This is the powerful and sprawling tree known as mythology, which branches out across the entire world. Its distant branches, beneath different skies, bear brightly colored birds representing the treasured idols of Asia, the half-formed fetishes of Africa, and the fairy kings and queens from forest folk tales. Buried amid vines and olives are the Lares of the Latins, while the buoyant supremacy of the Greek gods floats on the clouds of Olympus. These are the myths: someone who lacks a connection to myths also lacks a connection to humanity. However, those who resonate most with myths understand fully that they were never a religion in the same way that Christianity or even Islam is. They fulfill some of the roles that religion does, particularly the need to perform specific actions on certain dates, satisfying our dual desires for celebration and formality. But while they offer people a calendar, they don't provide a creed. No one stood up and declared, 'I believe in Jupiter and Juno and Neptune,' like they do when reciting, 'I believe in God the Father Almighty' and the Apostles' Creed. Many believed in some gods but not others, or believed more in some than in others, or only in a very vague, poetic way. There was never a time when all of them were compiled into a set doctrine that people would fight and be tortured to preserve. Even less did anyone express it like this: 'I believe in Odin, Thor, and Freya,' because outside Olympus, even the Olympian order becomes unclear and chaotic. It seems evident to me that Thor was not a god but rather a hero. Nothing resembling a religion would depict anyone like a god fumbling around like a tiny creature in a vast cavern, which turned out to be a giant's glove. That reflects the splendid ignorance known as adventure. Thor might have been a great adventurer, but calling him a god is akin to trying to compare Jehovah with Jack and the Beanstalk. Odin seems to have been a genuine barbarian chief, possibly from the Dark Ages after Christianity. Polytheism fades into fairy tales or primitive memories at its edges; it's not comparable to monotheism as understood by serious believers. Yet it does satisfy the need to shout out some exalted name or noble memory during significant moments, like a child's birth or a city's rescue. But many used that name merely as a name. Ultimately, it partially fulfilled a deep-seated human need: the idea of surrendering something to unknown powers; of pouring out wine on the ground, of tossing a ring into the sea; in short, of sacrifice. It reflects the wise and noble idea of not exploiting our advantages completely; of offering something to balance our uncertain pride, of paying tithes to nature for our land. This profound truth about the perils of arrogance, or getting too big for our britches, runs through all the great Greek tragedies and elevates them. But it coexists with an almost cryptic agnosticism regarding the true nature of the gods we should please. Where that act of surrender is most magnificent, such as among the great Greeks, there is actually a greater belief that the individual will be better off for losing the ox than that the god will benefit from receiving it. It's said that in some of its more crude forms, actions suggest grotesquely that the god is actually consuming the sacrifice. However, this notion is distorted by the misunderstanding I stated earlier about mythology. It's a misinterpretation of the psychology of daydreams. A child imagining a goblin in a hollow tree might do something simple and tangible, like leaving out a piece of cake for him. A poet might perform a more dignified and elegant act, like offering fruits alongside flowers to the god. But the degree of seriousness in both acts may be the same or vary widely. The basic fantasy is not a creed any more than the ideal fantasy is a creed. Certainly, the pagan does not disbelieve like an atheist, nor does he believe like a Christian. He senses the presence of powers he can only guess at and invent. St. Paul said that the Greeks had an altar to an unknown god. But in reality, all their gods were unknown. The significant historical break occurred when St. Paul revealed to them whom they had unknowingly worshipped.

The substance of all such paganism may be summarised thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all. It is vital to the view of all history that reason is something separate from religion even in the most rational of these civilisations. It is only as an afterthought, when such cults are decadent or on the defensive, that a few Neo-Platonists or a few Brahmins are found trying to rationalise them, and even then only by trying to allegorise them. But in reality the rivers of mythology and philosophy run parallel and do not mingle till they meet in the sea of Christendom. Simple secularists still talk as if the Church had introduced a sort of schism between reason and religion. The truth is that the Church was actually the first thing that ever tried to combine reason and religion. There had never before been any such union of the priests and the philosophers. Mythology, then, sought God through the imagination; or sought truth by means of beauty, in the sense in which beauty includes much of the most grotesque ugliness. But the imagination has its own laws and therefore its own triumphs, which neither logicians nor men of science can understand. It remained true to that imaginative instinct through a thousand extravagances, through every crude cosmic pantomime of a pig eating the moon or the world being cut out of a cow, through all the dizzy convolutions and mystic malformations of Asiatic art, through all the stark and staring rigidity of Egyptian and Assyrian portraiture, through every kind of cracked mirror of mad art that seemed to deform the world and displace the sky, it remained true to something about which there can be no argument; something that makes it possible for some artist of some school to stand suddenly still before that particular deformity and say, ‘My dream{124} has come true.’ Therefore do we all in fact feel that pagan or primitive myths are infinitely suggestive, so long as we are wise enough not to inquire what they suggest. Therefore we all feel what is meant by Prometheus stealing fire from heaven, until some prig of a pessimist or progressive person explains what it means. Therefore we all know the meaning of Jack and the Beanstalk, until we are told. In this sense it is true that it is the ignorant who accept myths, but only because it is the ignorant who appreciate poems. Imagination has its own laws and triumphs; and a tremendous power began to clothe its images, whether images in the mind or in the mud, whether in the bamboo of the South Sea Islands or the marble of the mountains of Hellas. But there was always a trouble in the triumph, which in these pages I have tried to analyse in vain; but perhaps I might in conclusion state it thus.

The essence of all paganism can be summarized like this. It's an effort to connect with the divine solely through imagination; in its own realm, it doesn’t hold back from reason at all. It's essential to understand the history of all civilizations that reason is distinct from religion, even in the most rational ones. Only when these cults are in decline or defending themselves do a few Neo-Platonists or Brahmins appear, attempting to rationalize them by using allegory. But in reality, the streams of mythology and philosophy run side by side without mixing until they converge in the sea of Christianity. Secularists still claim that the Church created a divide between reason and religion. The truth is that the Church was the first to attempt to integrate reason and religion. There had never been such a union of priests and philosophers before. Mythology, therefore, pursued God through imagination or sought truth through beauty, which can often include much of what is grotesquely ugly. Yet imagination has its own rules and, consequently, its own successes that neither logicians nor scientists can comprehend. It remained faithful to that imaginative instinct through a thousand extravagances, from the crude cosmic antics of a pig eating the moon to the idea of the world being carved from a cow, through all the dizzy shapes and mystical distortions of Asian art, through the stark rigidity of Egyptian and Assyrian portraits, and through every kind of warped reflection in crazy art that seemed to warp reality and displace the sky. It remained true to something undeniable; something that allows any artist from any style to suddenly halt in front of that particular distortion and declare, ‘My dream{124} has come true.’ That’s why we all recognize that pagan or primitive myths are endlessly suggestive, as long as we’re smart enough not to question what they suggest. We all grasp what Prometheus stealing fire from heaven signifies until some cynical pessimist or progressive explains its meaning. We all understand the story of Jack and the Beanstalk until explained. In this way, it’s accurate that it’s the uninformed who embrace myths, but only because it’s the uninformed who appreciate poetry. Imagination has its own laws and triumphs; a tremendous force began to fill its images, whether in our minds or in clay, whether in the bamboo of the South Sea Islands or the marble of the mountains of Greece. However, there was always a problem with that triumph, which I have unsuccessfully tried to analyze in these pages; but perhaps I might conclude by stating it like this.

The crux and crisis is that man found it natural to worship; even natural to worship unnatural things. The posture of the idol might be stiff and strange; but the gesture of the worshipper was generous and beautiful. He not only felt freer when he bent; he actually felt taller when he bowed. Henceforth anything that took away the gesture of worship would stunt and even maim him for ever. Henceforth being merely secular would be a servitude and an inhibition. If man cannot pray he is gagged; if he cannot kneel he is in irons. We therefore feel throughout the whole of paganism a curious double feeling of trust and distrust. When the man makes the gesture of salutation and of sacrifice, when he pours out the libation or lifts up the sword, he knows he is doing a worthy and a virile thing. He knows he is doing one of the things for which a man was made. His imaginative experiment is therefore justified. But precisely because it began with imagination, there is to the end something of mockery in it, and especially in the object of it. This mockery, in the more{125} intense moments of the intellect, becomes the almost intolerable irony of Greek tragedy. There seems a disproportion between the priest and the altar or between the altar and the god. The priest seems more solemn and almost more sacred than the god. All the order of the temple is solid and sane and satisfactory to certain parts of our nature; except the very centre of it, which seems strangely mutable and dubious, like a dancing flame. It is the first thought round which the whole has been built; and the first thought is still a fancy and almost a frivolity. In that strange place of meeting, the man seems more statuesque than the statue. He himself can stand for ever in the noble and natural attitude of the statue of the Praying Boy. But whatever name be written on the pedestal, whether Zeus or Ammon or Apollo, the god whom he worships is Proteus.

The main issue is that people naturally found it instinctive to worship; even to worship things that aren’t real. The idol’s pose might be rigid and odd, but the worshipper’s gesture was open and beautiful. He didn’t just feel more liberated when he bowed; he actually felt more elevated. From that point on, anything that took away that act of worship would forever hinder and even cripple him. From then on, living solely in a secular way would be a form of servitude and limitation. If a person can’t pray, he feels stifled; if he can’t kneel, he feels chained. Thus, throughout all of paganism, there’s a strange mix of trust and distrust. When a person makes the gesture of greeting and sacrifice, when he pours an offering or raises a sword, he knows he’s doing something meaningful and strong. He realizes he’s engaging in one of the things he was created for. His imaginative effort is therefore validated. But because it starts with imagination, there’s also an element of mockery in it, especially concerning the object of worship. This mockery, in the more intense moments of thought, adds an almost unbearable irony seen in Greek tragedy. There seems to be a mismatch between the priest and the altar or between the altar and the deity. The priest appears more serious and even more sacred than the god. The whole arrangement of the temple is solid, sane, and satisfying to certain aspects of our nature; except for its very center, which feels strangely changeable and uncertain, like a flickering flame. It is the first idea around which everything has been built; and that first idea remains a notion and almost a triviality. In that odd place of convergence, the person seems more statue-like than the statue. He can hold the noble and natural pose of the statue of the Praying Boy forever. But no matter the name on the pedestal—whether Zeus, Ammon, or Apollo—the god he worships is Proteus.

The Praying Boy may be said to express a need rather than to satisfy a need. It is by a normal and necessary action that his hands are lifted; but it is no less a parable that his hands are empty. About the nature of that need there will be more to say; but at this point it may be said that perhaps after all this true instinct, that prayer and sacrifice are a liberty and an enlargement, refers back to that vast and half-forgotten conception of universal fatherhood, which we have already seen everywhere fading from the morning sky. This is true; and yet it is not all the truth. There remains an indestructible instinct, in the poet as represented by the pagan, that he is not entirely wrong in localising his god. It is something in the soul of poetry if not of piety. And the greatest of poets, when he defined the poet, did not say that he gave us the universe or the absolute or the infinite; but, in his own larger language, a local habitation and a name. No poet is merely a pantheist; those who are counted most pantheistic, like Shelley, start with some local and particular image as the pagans did. After all, Shelley{126} wrote of the skylark because it was a skylark. You could not issue an imperial or international translation of it for use in South Africa, in which it was changed to an ostrich. So the mythological imagination moves as it were in circles, hovering either to find a place or to return to it. In a word, mythology is a search; it is something that combines a recurrent desire with a recurrent doubt, mixing a most hungry sincerity in the idea of seeking for a place with a most dark and deep and mysterious levity about all the places found. So far could the lonely imagination lead, and we must turn later to the lonely reason. Nowhere along this road did the two ever travel together.

The Praying Boy seems to show a need instead of fulfilling one. His hands are raised in a normal and necessary action, but the emptiness of his hands is just as symbolic. We’ll explore the nature of that need more later, but for now, it’s worth mentioning that perhaps this true instinct—that prayer and sacrifice represent freedom and expansion—harkens back to the vast and somewhat forgotten idea of universal fatherhood, which we’ve seen fading from view. This is true, but it isn’t the whole truth. There remains an unbreakable instinct, represented by the poet through paganism, that it’s not entirely wrong to focus on a local god. It’s something in the essence of poetry, if not of faith. The greatest poet, when defining poetry, didn’t claim to present us with the universe, the absolute, or the infinite; instead, in his own broader way, he spoke of a specific place and a name. No poet is just a pantheist; those often considered most pantheistic, like Shelley, begin with a specific and particular image just like the pagans did. After all, Shelley wrote about the skylark because it was a skylark. You couldn’t create an imperial or international version of it for South Africa that changed it to an ostrich. Thus, the mythological imagination moves in circles, either to find a place or to return to one. In short, mythology is a search; it combines a persistent desire with ongoing doubt, mixing a sincere longing to find a place with a deep, mysterious uncertainty about all the places discovered. This is how far the solitary imagination can lead, and we’ll have to later look at the solitary reason. Never have the two traveled together along this path.

That is where all these things differed from religion in the reality in which these different dimensions met or a sort of solid. They differed from the reality not in what they looked like but in what they were. A picture may look like a landscape; it may look in every detail exactly like a landscape. The only detail in which it differs is that it is not a landscape. The difference is only that which divides a portrait of Queen Elizabeth from Queen Elizabeth. Only in this mythical and mystical world the portrait could exist before the person; and the portrait was therefore more vague and doubtful. But anybody who has felt and fed on the atmosphere of these myths will know what I mean when I say that in one sense they did not really profess to be realities. The pagans had dreams about realities; and they would have been the first to admit, in their own words, that some came through the gate of ivory and others through the gate of horn. The dreams do indeed tend to be very vivid dreams when they touch on those tender or tragic things, which can really make a sleeper awaken with the sense that his heart has been broken in his sleep. They tend continually to hover over certain passionate themes of meeting and parting, of a life that ends in death or a death that is the begin{127}ning of life. Demeter wanders over a stricken world looking for a stolen child; Isis stretches out her arms over the earth in vain to gather the limbs of Osiris; and there is lamentation upon the hills for Atys and through the woods for Adonis. There mingles with all such mourning the mystical and profound sense that death can be a deliverer and an appeasement; that such death gives us a divine blood for a renovating river and that all good is found in gathering the broken body of the god. We may truly call these foreshadowings; so long as we remember that foreshadowings are shadows. And the metaphor of a shadow happens to hit very exactly the truth that is very vital here. For a shadow is a shape; a thing which reproduces shape but not texture. These things were something like the real thing; and to say that they were like is to say that they were different. Saying something is like a dog is another way of saying it is not a dog; and it is in this sense of identity that a myth is not a man. Nobody really thought of Isis as a human being; nobody really thought of Demeter as a historical character; nobody thought of Adonis as the founder of a Church. There was no idea that any one of them had changed the world; but rather that their recurrent death and life bore the sad and beautiful burden of the changelessness of the world. Not one of them was a revolution, save in the sense of the revolution of the sun and moon. Their whole meaning is missed if we do not see that they mean the shadows that we are and the shadows that we pursue. In certain sacrificial and communal aspects they naturally suggest what sort of a god might satisfy men; but they do not profess to be satisfied. Any one who says they do is a bad judge of poetry.

That’s where all these things were different from religion in the reality where these various dimensions met or formed a solid. They differed from reality not in their appearance but in their essence. A painting might look like a landscape; it might resemble every detail of a landscape. The only difference is that it isn’t a landscape. The distinction is similar to what separates a portrait of Queen Elizabeth from Queen Elizabeth herself. In this mythical and mystical world, the portrait could exist before the individual; thus, the portrait was more vague and uncertain. But anyone who has experienced and absorbed the atmosphere of these myths will understand what I mean when I say that, in a sense, they didn’t truly claim to be realities. The pagans dreamed about realities; and they would have been the first to acknowledge, in their own terms, that some dreams come through the gate of ivory and others through the gate of horn. Indeed, dreams can be very vivid when they touch on tender or tragic matters, powerful enough to make someone feel like their heart has been broken in their sleep. They tend to linger over certain passionate themes of meeting and parting, of a life ending in death or a death being the beginning of life. Demeter wanders a troubled world searching for her stolen child; Isis reaches out across the earth in vain to gather the parts of Osiris; and there is mourning on the hills for Atys and through the woods for Adonis. Alongside all this grief is a mystical and profound awareness that death can serve as a deliverance and a comfort; that such death provides us with a divine essence for a renewing river and that all good lies in gathering the fragmented body of the god. We can truly call these foreshadowings, as long as we remember that foreshadowings are merely shadows. And the metaphor of a shadow precisely captures the vital truth here. A shadow is a shape; it replicates shape but not texture. These were something like the real thing; and to say they were like is to say they were different. Saying something is like a dog implies it is not a dog; and in this sense of identity, a myth is not a human. No one genuinely considered Isis to be a human being; no one thought of Demeter as a historical figure; no one viewed Adonis as the founder of a Church. There was no notion that any of them had transformed the world; instead, their recurring cycles of death and life carried the sad yet beautiful weight of the world’s unchanging nature. None of them represented a revolution, except in the way the sun and moon revolve. Their entire meaning is lost if we fail to see that they symbolize the shadows we are and the shadows we pursue. In certain sacrificial and communal aspects, they naturally suggest what kind of god might fulfill human needs; however, they do not claim to be fulfilling. Anyone who argues otherwise does not understand poetry.

Those who talk about Pagan Christs have less sympathy with Paganism than with Christianity. Those who call these cults ‘religions,’ and ‘compare’ them with the certitude and challenge of the Church{128} have much less appreciation than we have of what made heathenism human, or of why classic literature is still something that hangs in the air like a song. It is no very human tenderness for the hungry to prove that hunger is the same as food. It is no very genial understanding of youth to argue that hope destroys the need for happiness. And it is utterly unreal to argue that these images in the mind, admired entirely in the abstract, were even in the same world with a living man and a living polity that were worshipped because they were concrete. We might as well say that a boy playing at robbers is the same as a man in his first day in the trenches; or that a boy’s first fancies about ‘the not impossible she’ are the same as the sacrament of marriage. They are fundamentally different exactly where they are superficially similar; we might almost say they are not the same even when they are the same. They are only different because one is real and the other is not. I do not mean merely that I myself believe that one is true and the other is not. I mean that one was never meant to be true in the same sense as the other. The sense in which it was meant to be true I have tried to suggest vaguely here, but it is undoubtedly very subtle and almost indescribable. It is so subtle that the students who profess to put it up as a rival to our religion miss the whole meaning and purport of their own study. We know better than the scholars, even those of us who are no scholars, what was in that hollow cry that went forth over the dead Adonis and why the Great Mother had a daughter wedded to death. We have entered more deeply than they into the Eleusinian Mysteries and have passed a higher grade, where gate within gate guarded the wisdom of Orpheus. We know the meaning of all the myths. We know the last secret revealed to the perfect initiate. And it is not the voice of a priest or a prophet saying, ‘These things are.’ It is the voice of a dreamer and an idealist crying, ‘Why cannot these things be?{129}

Those who discuss Pagan Christs are more sympathetic to Christianity than to Paganism. Those who label these cults as ‘religions’ and ‘compare’ them with the certainty and demands of the Church{128} have far less understanding than we do of what made paganism human, or why classic literature still feels alive and resonates like a song. It’s not a very compassionate response to those in need to claim that hunger is the same as having food. It’s not a very friendly comprehension of youth to argue that hope eliminates the desire for happiness. And it’s completely unrealistic to suggest that these idealized images in our minds, appreciated only in the abstract, were part of the same world as a living person and a community that were worshipped for their tangible presence. We might as well say that a kid pretending to be a robber is the same as a soldier on his first day in the trenches; or that a young boy’s initial crush on ‘the not impossible she’ is equivalent to the sanctity of marriage. They are fundamentally different precisely where they seem superficially alike; we could almost say they aren’t the same even when they appear to be. The difference lies simply in the fact that one is real and the other isn’t. I don’t just mean that I personally believe one is true and the other isn’t. I mean that one was never intended to hold the same kind of truth as the other. The way in which it was meant to be true, I’ve tried to hint at here, but it’s undoubtedly very subtle and almost indescribable. It’s so subtle that the students who claim to position it as a rival to our faith completely miss the overall meaning and purpose of their study. We understand better than the scholars, even those of us who aren't scholars, what was behind that mournful cry that went out over the dead Adonis and why the Great Mother had a daughter who was married to death. We have delved deeper than they into the Eleusinian Mysteries and have reached a higher level, where gate after gate protected the wisdom of Orpheus. We grasp the meaning of all the myths. We are aware of the ultimate secret revealed to the perfect initiate. And it’s not the voice of a priest or a prophet stating, ‘These things are.’ It’s the voice of a dreamer and an idealist asking, ‘Why can’t these things be?{129}

CHAPTER VI

THE DEMONS AND THE PHILOSOPHERS

I have dwelt at some little length on this imaginative sort of paganism, which has crowded the world with temples and is everywhere the parent of popular festivity. For the central history of civilisation, as I see it, consists of two further stages before the final stage of Christendom. The first was the struggle between this paganism and something less worthy than itself, and the second the process by which it grew in itself less worthy. In this very varied and often very vague polytheism there was a weakness of original sin. Pagan gods were depicted as tossing men like dice; and indeed they are loaded dice. About sex especially men are born unbalanced; we might almost say men are born mad. They scarcely reach sanity till they reach sanctity. This disproportion dragged down the winged fancies; and filled the end of paganism with a mere filth and litter of spawning gods. But the first point to realise is that this sort of paganism had an early collision with another sort of paganism; and that the issue of that essentially spiritual struggle really determined the history of the world. In order to understand it we must pass to a review of the other kind of paganism. It can be considered much more briefly; indeed, there is a very real sense in which the less that is said about it the better. If we have called the first sort of mythology the day-dream, we might very well call the second sort of mythology the nightmare.

I’ve got spent some time discussing this imaginative form of paganism, which has filled the world with temples and is everywhere a source of popular celebrations. From my perspective, the central history of civilization consists of two additional stages before the final stage of Christianity. The first was the conflict between this paganism and something lesser than itself, and the second was the way in which it became less worthy over time. Within this diverse and often unclear polytheism, there was a flaw of original sin. Pagan gods were portrayed as treating humans like dice; in fact, they are loaded dice. Especially regarding sex, men are born unbalanced; we could almost say that men are born insane. They scarcely achieve sanity until they reach holiness. This imbalance dragged down the lofty dreams and filled the end of paganism with nothing but the filth and clutter of countless gods. However, the first thing to recognize is that this form of paganism had an early clash with another type of paganism, and the outcome of that fundamentally spiritual battle truly shaped the course of history. To grasp this, we need to take a look at the other kind of paganism. It can be discussed much more briefly; in fact, there is a real sense in which saying less about it is preferable. If we’ve labeled the first type of mythology as the daydream, we could just as easily call the second type of mythology the nightmare.

Superstition recurs in all ages, and especially in rationalistic ages. I remember defending the religious{130} tradition against a whole luncheon-table of distinguished agnostics; and before the end of our conversation every one of them had procured from his pocket, or exhibited on his watch-chain, some charm or talisman from which he admitted that he was never separated. I was the only person present who had neglected to provide himself with a fetish. Superstition recurs in a rationalist age because it rests on something which, if not identical with rationalism, is not unconnected with scepticism. It is at least very closely connected with agnosticism. It rests on something that is really a very human and intelligible sentiment, like the local invocations of the numen in popular paganism. But it is an agnostic sentiment, for it rests on two feelings: first that we do not really know the laws of the universe; and second that they may be very different from all that we call reason. Such men realise the real truth that enormous things do often turn upon tiny things. When a whisper comes, from tradition or what not, that one particular tiny thing is the key or clue, something deep and not altogether senseless in human nature tells them that it is not unlikely. This feeling exists in both the forms of paganism here under consideration. But when we come to the second form of it, we find it transformed and filled with another and more terrible spirit.

Superstition shows up in every era, especially during times that emphasize reason. I recall defending the religious tradition against a whole lunch table of well-known agnostics; by the end of our discussion, each of them had pulled out a charm or talisman from their pocket or shown one on their watch-chain, admitting they never left home without it. I was the only one there who hadn’t brought a talisman. Superstition arises in a rational age because it’s connected to something that, while not exactly the same as rationalism, isn’t far from skepticism. It’s closely related to agnosticism. It stems from a very human and understandable feeling, similar to the local invocations of the numen in popular paganism. Yet, it’s an agnostic feeling, grounded in two ideas: first, that we don’t truly understand the laws of the universe; and second, that these laws might be very different from what we call reason. Such people recognize the truth that huge things often depend on small ones. When a whisper comes, whether from tradition or elsewhere, suggesting that a specific small thing is the key or clue, something deep and somewhat irrational in human nature tells them it’s not too far-fetched. This feeling exists in both forms of paganism we’re discussing. But as we look at the second form, it’s transformed and charged with a darker and more frightening spirit.

In dealing with the lighter thing called mythology, I have said little about the most disputable aspect of it; the extent to which such invocation of the spirits of the sea or the elements can indeed call spirits from the vasty deep; or rather (as the Shakespearean scoffer put it) whether the spirits come when they are called. I believe that I am right in thinking that this problem, practical as it sounds, did not play a dominant part in the poetical business of mythology. But I think it even more obvious, on the evidence, that things of that sort have sometimes appeared, even if they were only appearances. But when we{131} come to the world of superstition, in a more subtle sense, there is a shade of difference; a deepening and a darkening shade. Doubtless most popular superstition is as frivolous as any popular mythology. Men do not believe as a dogma that God would throw a thunderbolt at them for walking under a ladder; more often they amuse themselves with the not very laborious exercise of walking round it. There is no more in it than what I have already adumbrated; a sort of airy agnosticism about the possibilities of so strange a world. But there is another sort of superstition that does definitely look for results; what might be called a realistic superstition. And with that the question of whether spirits do answer or do appear becomes much more serious. As I have said, it seems to me pretty certain that they sometimes do; but about that there is a distinction that has been the beginning of much evil in the world.

When it comes to the lighter topic of mythology, I haven't said much about its most debated aspect: whether invoking the spirits of the sea or the elements can actually summon spirits from the depths; or, as the skeptical Shakespearean put it, whether the spirits show up when called. I believe I'm right in thinking that this issue, practical as it may seem, wasn’t a major focus in the poetry of mythology. However, it’s clearer from the evidence that such phenomena have occasionally occurred, even if they were merely illusions. Yet, when we step into the realm of superstition, there’s a subtle but significant difference; a deepening and darkening nuance. Certainly, most popular superstitions are as trivial as any popular mythology. People don’t genuinely believe it's a dogma that God will strike them down with a thunderbolt for walking under a ladder; more often, they simply entertain themselves by walking around it. There’s nothing more to it than what I’ve already hinted at; a kind of light agnosticism regarding the possibilities of such a peculiar world. But there’s another form of superstition that actively seeks results; what could be called realistic superstition. In that case, the question of whether spirits respond or appear becomes much more serious. As I’ve mentioned, it seems quite likely that they sometimes do; but there's a distinction here that has sparked much trouble in the world.

Whether it be because the Fall has really brought men nearer to less desirable neighbours in the spiritual world, or whether it is merely that the mood of men eager or greedy finds it easier to imagine evil, I believe that the black magic of witchcraft has been much more practical and much less poetical than the white magic of mythology. I fancy the garden of the witch has been kept much more carefully than the woodland of the nymph. I fancy the evil field has even been more fruitful than the good. To start with, some impulse, perhaps a sort of desperate impulse, drove men to the darker powers when dealing with practical problems. There was a sort of secret and perverse feeling that the darker powers would really do things; that they had no nonsense about them. And indeed that popular phrase exactly expresses the point. The gods of mere mythology had a great deal of nonsense about them. They had a great deal of good nonsense about them; in the happy and hilarious sense in which we talk of the nonsense of Jabberwocky or the Land where the{132} Jumblies live. But the man consulting a demon felt as many a man has felt in consulting a detective, especially a private detective: that it was dirty work but the work would really be done. A man did not exactly go into the wood to meet a nymph; he rather went with the hope of meeting a nymph. It was an adventure rather than an assignation. But the devil really kept his appointments and even in one sense kept his promises; even if a man sometimes wished afterwards, like Macbeth, that he had broken them.

Whether it's because the Fall has actually brought people closer to less desirable neighbors in the spiritual realm, or simply because humans who are eager or greedy find it easier to imagine evil, I believe that the black magic of witchcraft has been much more practical and less poetic than the white magic of mythology. I suspect the witch's garden has been much more carefully maintained than the nymph's woodland. I think the evil field has even been more productive than the good one. To begin with, some impulse, perhaps a desperate one, drove people to the darker powers when facing practical problems. There was a secret and twisted feeling that the darker powers would really take action; that they didn't mess around. And indeed, that popular phrase exactly captures the idea. The gods of mere mythology had a lot of nonsense attached to them. They had plenty of good nonsense, in the cheerful and lighthearted sense in which we refer to the nonsense of Jabberwocky or the Land where the{132} Jumblies live. But a person consulting a demon felt much like many do when talking to a detective, especially a private one: it was dirty work, but the job would actually get done. A person didn't really go into the woods to meet a nymph; they went hoping to encounter one. It was an adventure rather than a meeting. But the devil actually kept his appointments and, in one sense, honored his promises; even if a person sometimes wished afterward, like Macbeth, that they had been broken.

In the accounts given us of many rude or savage races we gather that the cult of demons often came after the cult of deities, and even after the cult of one single and supreme deity. It may be suspected that in almost all such places the higher deity is felt to be too far off for appeal in certain petty matters, and men invoke the spirits because they are in a more literal sense familiar spirits. But with the idea of employing the demons who get things done, a new idea appears more worthy of the demons. It may indeed be truly described as the idea of being worthy of the demons; of making oneself fit for their fastidious and exacting society. Superstition of the lighter sort toys with the idea that some trifle, some small gesture such as throwing the salt, may touch the hidden spring that works the mysterious machinery of the world. And there is after all something in the idea of such an Open Sesame. But with the appeal to lower spirits comes the horrible notion that the gesture must not only be very small but very low; that it must be a monkey trick of an utterly ugly and unworthy sort. Sooner or later a man deliberately sets himself to do the most disgusting thing he can think of. It is felt that the extreme of evil will extort a sort of attention or answer from the evil powers under the surface of the world. This is the meaning of most of the cannibalism in the world. For most cannibalism is not a primitive or even a{133} bestial habit. It is artificial and even artistic; a sort of art for art’s sake. Men do not do it because they do not think it horrible; but, on the contrary, because they do think it horrible. They wish, in the most literal sense, to sup on horrors. That is why it is often found that rude races like the Australian natives are not cannibals; while much more refined and intelligent races, like the New Zealand Maories, occasionally are. They are refined and intelligent enough to indulge sometimes in a self-conscious diabolism. But if we could understand their minds, or even really understand their language, we should probably find that they were not acting as ignorant, that is as innocent cannibals. They are not doing it because they do not think it wrong, but precisely because they do think it wrong. They are acting like a Parisian decadent at a Black Mass. But the Black Mass has to hide underground from the presence of the real Mass. In other words, the demons have really been in hiding since the coming of Christ on earth. The cannibalism of the higher barbarians is in hiding from the civilisation of the white man. But before Christendom, and especially outside Europe, this was not always so. In the ancient world the demons often wandered abroad like dragons. They could be positively and publicly enthroned as gods. Their enormous images could be set up in public temples in the centre of populous cities. And all over the world the traces can be found of this striking and solid fact, so curiously overlooked by the moderns who speak of all such evil as primitive and early in evolution, that as a matter of fact some of the very highest civilisations of the world were the very places where the horns of Satan were exalted, not only to the stars but in the face of the sun.

In accounts of many primitive or savage cultures, we learn that the worship of demons often followed the worship of gods, and even the worship of a single, all-powerful deity. It seems that in almost all these places, people feel the higher deity is too distant to turn to for help with everyday problems, so they call upon spirits because they are, in a more direct way, familiar spirits. With the idea of using demons to get things done, a new concept emerges that has more significance for the demons. It can be truly described as the idea of being worthy of the demons; of making oneself suitable for their picky and demanding community. Lighter superstitions play with the thought that a trivial act, like tossing salt, might trigger the hidden mechanism that runs the mysterious workings of the world. And there's some truth in the concept of such a magical phrase. However, calling upon lower spirits brings the disturbing idea that the gesture must not only be very small but also very low; it must be a ridiculous act of an utterly unworthy nature. Sooner or later, a person deliberately tries to perform the most disgusting act they can think of. It is believed that the utmost evil will demand a kind of attention or response from the evil forces lurking beneath the surface of the world. This is the underlying reason for much of the cannibalism in the world. Most cannibalism isn’t a primitive or even a brutal habit. It is artificial and even artistic; a sort of art for art’s sake. People don’t do it because they find it acceptable; rather, quite the opposite, they do it specifically because they find it horrifying. They want, in the most literal sense, to dine on horrors. That’s why it’s often seen that primitive groups like the Australian natives are not cannibals, while more refined and intelligent cultures, like the New Zealand Maoris, sometimes are. They are sophisticated enough to occasionally indulge in a self-aware form of evil. But if we could understand their thoughts, or even truly grasp their language, we would probably discover that they are not acting out of ignorance, that is, as innocent cannibals. They don’t do it because they don’t think it’s wrong; instead, they do it precisely because they believe it is wrong. They act like a Parisian decadent at a Black Mass. Yet, the Black Mass has to remain underground from the presence of the true Mass. In other words, the demons have actually been hiding since Christ came to earth. The cannibalism of the higher barbarians is concealed from the civilization of white people. But before Christianity, especially outside of Europe, this wasn’t always the case. In the ancient world, demons often roamed freely like dragons. They could be openly and publicly honored as gods. Their massive idols could be erected in public temples in the heart of busy cities. And worldwide, there are traces of this striking and solid fact, so strangely overlooked by modern thinkers who consider all such evils as primitive and early in development, that, as a matter of fact, some of the very highest civilizations were also the places where the horns of Satan were exalted, not just to the stars but right in the sun's light.

Take for example the Aztecs and American Indians of the ancient empires of Mexico and Peru. They were at least as elaborate as Egypt or China and only less lively than that central civilisation which is our{134} own. But those who criticise that central civilisation (which is always their own civilisation) have a curious habit of not merely doing their legitimate duty in condemning its crimes, but of going out of their way to idealise its victims. They always assume that before the advent of Europe there was nothing anywhere but Eden. And Swinburne, in that spirited chorus of the nations in ‘Songs before Sunrise,’ used an expression about Spain in her South American conquests which always struck me as very strange. He said something about ‘her sins and sons through sinless lands dispersed,’ and how they ‘made accursed the name of man and thrice accursed the name of God.’ It may be reasonable enough that he should say the Spaniards were sinful, but why in the world should he say that the South Americans were sinless? Why should he have supposed that continent to be exclusively populated by archangels or saints perfect in heaven? It would be a strong thing to say of the most respectable neighbourhood; but when we come to think of what we really do know of that society the remark is rather funny. We know that the sinless priests of this sinless people worshipped sinless gods, who accepted as the nectar and ambrosia of their sunny paradise nothing but incessant human sacrifice accompanied by horrible torments. We may note also in the mythology of this American civilisation that element of reversal or violence against instinct of which Dante wrote; which runs backwards everywhere through the unnatural religion of the demons. It is notable not only in ethics but in aesthetics. A South American idol was made as ugly as possible, as a Greek image was made as beautiful as possible. They were seeking the secret of power, by working backwards against their own nature and the nature of things. There was always a sort of yearning to carve at last, in gold or granite or the dark red timber of the forests, a face at which the sky itself would break like a cracked mirror.{135}

Take for example the Aztecs and American Indians of the ancient empires of Mexico and Peru. They were at least as complex as Egypt or China and only less vibrant than that central civilization we call our own. But those who critique that central civilization (which is always their own civilization) have a strange tendency to not only fulfill their duty in condemning its crimes but also to go out of their way to idealize its victims. They always assume that before the arrival of Europeans, there was nothing but Eden everywhere. And Swinburne, in that passionate anthem of the nations in 'Songs before Sunrise,' used a phrase about Spain in her South American conquests that struck me as very odd. He mentioned ‘her sins and sons scattered through sinless lands,’ and how they ‘damned the name of man and thrice damned the name of God.’ It might be reasonable for him to say that the Spaniards were sinful, but why on earth would he claim that South Americans were sinless? Why would he think that continent was exclusively inhabited by archangels or saints perfect in heaven? It would be quite a statement to make about the most respectable neighborhood; but when we really consider what we know about that society, the comment is rather amusing. We know that the sinless priests of this sinless people worshipped sinless gods, who accepted as the nectar and ambrosia of their sunny paradise nothing but constant human sacrifice accompanied by terrible torments. We can also notice in the mythology of this American civilization that element of reversal or violence against instinct that Dante wrote about; which runs counter to everywhere through the unnatural religion of the demons. It's notable not only in ethics but in aesthetics too. A South American idol was crafted to be as ugly as possible, while a Greek statue was created to be as beautiful as possible. They were trying to uncover the secret of power by working against their own nature and the nature of things. There was always a sort of longing to carve, in gold or granite or the dark red wood of the forests, a face at which the sky itself would shatter like a cracked mirror.{135}

In any case it is clear enough that the painted and gilded civilisation of tropical America systematically indulged in human sacrifice. It is by no means clear, so far as I know, that the Eskimos ever indulged in human sacrifice. They were not civilised enough. They were too closely imprisoned by the white winter and the endless dark. Chill penury repressed their noble rage and froze the genial current of the soul. It was in brighter days and broader daylight that the noble rage is found unmistakably raging. It was in richer and more instructed lands that the genial current flowed on the altars, to be drunk by great gods wearing goggling and grinning masks and called on in terror or torment by long cacophonous names that sound like laughter in hell. A warmer climate and a more scientific cultivation were needed to bring forth these blooms; to draw up towards the sun the large leaves and flamboyant blossoms that gave their gold and crimson and purple to that garden, which Swinburne compares to the Hesperides. There was at least no doubt about the dragon.

In any case, it's pretty clear that the painted and gilded civilization of tropical America regularly practiced human sacrifice. However, as far as I know, there's no indication that the Eskimos ever engaged in human sacrifice. They weren't civilized enough for that. They were too confined by the harsh winter and the never-ending darkness. The chill and poverty stifled their noble rage and froze the warm spirit of their souls. It was during sunnier days and brighter daylight that this noble rage was clearly evident. It was in wealthier and more educated regions that the vibrant spirit flowed onto altars, to be consumed by powerful gods with goggling and grinning masks, invoked in fear or suffering by long, cacophonous names that sound like laughter in hell. A warmer climate and more scientific cultivation were necessary to bring forth these blooms; to lift up towards the sun the large leaves and flamboyant flowers that provided their gold, crimson, and purple tones to that garden, which Swinburne compares to the Hesperides. There was certainly no doubt about the dragon.

I do not raise in this connection the special controversy about Spain and Mexico; but I may remark in passing that it resembles exactly the question that must in some sense be raised afterwards about Rome and Carthage. In both cases there has been a queer habit among the English of always siding against the Europeans, and representing the rival civilisation, in Swinburne’s phrase, as sinless; when its sins were obviously crying or rather screaming to heaven. For Carthage also was a high civilisation, indeed a much more highly civilised civilisation. And Carthage also founded that civilisation on a religion of fear, sending up everywhere the smoke of human sacrifice. Now it is very right to rebuke our own race or religion for falling short of our own standards and ideals. But it is absurd to pretend that they fell lower than the other races and religions that professed the very opposite standards and ideals. There is a very real{136} sense in which the Christian is worse than the heathen, the Spaniard worse than the Red Indian, or even the Roman potentially worse than the Carthaginian. But there is only one sense in which he is worse; and that is not in being positively worse. The Christian is only worse because it is his business to be better.

I won’t dive into the specific debate about Spain and Mexico here, but I’d like to point out that it closely resembles the discussion we’ll have later about Rome and Carthage. In both cases, there’s been a strange tendency among the English to side with the Europeans, portraying the rival civilization, in Swinburne’s words, as innocent, even when its wrongdoings were obvious and glaring. Carthage was also a highly developed civilization, in fact, much more advanced. And Carthage built that civilization on a religion rooted in fear, with the smoke of human sacrifices rising everywhere. It’s completely valid to criticize our own race or religion for not living up to our own standards and ideals. However, it’s ridiculous to act like they fell short more than other races and religions that claimed to have the exact opposite ideals. In a very real{136} way, the Christian is worse than the pagan, the Spaniard worse than the Native American, or even the Roman potentially worse than the Carthaginian. But there’s only one way in which he is worse; and that’s not through being inherently worse. The Christian is only worse because it’s his duty to be better.

This inverted imagination produces things of which it is better not to speak. Some of them indeed might almost be named without being known; for they are of that extreme evil which seems innocent to the innocent. They are too inhuman even to be indecent. But without dwelling much longer in these dark corners, it may be noted as not irrelevant here that certain anti-human antagonisms seem to recur in this tradition of black magic. There may be suspected as running through it everywhere, for instance, a mystical hatred of the idea of childhood. People would understand better the popular fury against the witches, if they remembered that the malice most commonly attributed to them was preventing the birth of children. The Hebrew prophets were perpetually protesting against the Hebrew race relapsing into an idolatry that involved such a war upon children; and it is probable enough that this abominable apostasy from the God of Israel has occasionally appeared in Israel since, in the form of what is called ritual murder; not of course by any representative of the religion of Judaism, but by individual and irresponsible diabolists who did happen to be Jews. This sense that the forces of evil especially threaten childhood is found again in the enormous popularity of the Child Martyr of the Middle Ages. Chaucer did but give another version of a very national English legend, when he conceived the wickedest of all possible witches as the dark alien woman watching behind her high lattice and hearing, like the babble of a brook down the stony street, the singing of little St. Hugh.

This twisted imagination creates things better left unspoken. Some of these could almost be named without being truly understood; they represent a kind of extreme evil that seems innocent to those who are unaware. They are too inhumane to even be considered indecent. But without spending too much time in these dark corners, it's worth noting that certain anti-human feelings seem to run through this tradition of black magic. For instance, there may be a concealed hatred for childhood that recurs throughout. People would grasp the widespread outrage against witches more easily if they remembered that the malice usually attributed to them involved preventing children from being born. The Hebrew prophets constantly warned against the Hebrew people falling back into idolatry that waged war on children; it is quite likely that this horrid forsaking of the God of Israel has appeared in Israel since, manifested as what’s called ritual murder, not by any true representative of Judaism, but by individual and irresponsible practitioners of evil who just happened to be Jewish. This belief that evil forces especially threaten childhood is seen again in the immense popularity of the Child Martyr during the Middle Ages. Chaucer simply offered another version of a very well-known English legend when he imagined the most wicked witch as the dark foreign woman lurking behind her high window, listening, like the babble of a brook down the stony street, to the singing of little St. Hugh.

Anyhow the part of such speculations that concerns this story centred especially round that eastern{137} end of the Mediterranean where the nomads had turned gradually into traders and had begun to trade with the whole world. Indeed in the sense of trade and travel and colonial extension, it already had something like an empire of the whole world. Its purple dye, the emblem of its rich pomp and luxury, had steeped the wares which were sold far away amid the last crags of Cornwall and the sails that entered the silence of tropic seas amid all the mystery of Africa. It might be said truly to have painted the map purple. It was already a world-wide success, when the princes of Tyre would hardly have troubled to notice that one of their princesses had condescended to marry the chief of some tribe called Judah; when the merchants of its African outpost would only have curled their bearded and Semitic lips with a slight smile at the mention of a village called Rome. And indeed no two things could have seemed more distant from each other, not only in space but in spirit, than the monotheism of the Palestinian tribe and the very virtues of the small Italian republic. There was but one thing between them; and the thing which divided them has united them. Very various and incompatible were the things that could be loved by the consuls of Rome and the prophets of Israel; but they were at one in what they hated. It is very easy in both cases to represent that hatred as something merely hateful. It is easy enough to make a merely harsh and inhuman figure either of Elijah raving above the slaughter of Carmel or Cato thundering against the amnesty of Africa. These men had their limitations and their local passions; but this criticism of them is unimaginative and therefore unreal. It leaves out something, something immense and intermediate, facing east and west and calling up this passion in its eastern and western enemies; and that something is the first subject of this chapter.

Anyway, the part of these speculations that relates to this story particularly revolves around that eastern{137} end of the Mediterranean, where the nomads had slowly transitioned into traders and began trading with the whole world. In terms of trade, travel, and colonial expansion, it already had something resembling an empire over the entire world. Its purple dye, representing its wealth and luxury, had colored the goods sold far away amid the last cliffs of Cornwall and the ships that sailed into the quiet of tropical seas, shrouded in the mysteries of Africa. It could truly be said to have painted the map purple. It was already a global success when the princes of Tyre wouldn't have bothered to notice that one of their princesses had lowered herself to marry the chief of a tribe called Judah; when the merchants at its African outpost would merely curl their bearded, Semitic lips in a slight smile at the mention of a village named Rome. Indeed, nothing could have seemed more distant from each other, not only in geography but in spirit, than the monotheism of the Palestinian tribe and the very ideals of the small Italian republic. There was only one thing that stood between them; and that very thing that divided them has united them. The desires of the consuls of Rome and the prophets of Israel were vastly different and incompatible, yet they shared a common enemy. It’s easy in both instances to portray that enmity as simply hateful. It’s simple enough to create a harsh and inhumane image of either Elijah raging above the slaughter at Carmel or Cato denouncing the amnesty in Africa. These men had their limitations and their local passions; but this critique of them lacks imagination and is therefore unreal. It overlooks something immense and intermediary that exists between east and west, igniting this passion in their eastern and western adversaries; and that something is the primary focus of this chapter.

The civilisation that centred in Tyre and Sidon was above all things practical. It has left little in the{138} way of art and nothing in the way of poetry. But it prided itself upon being very efficient; and it followed in its philosophy and religion that strange and sometimes secret train of thought which we have already noted in those who look for immediate effects. There is always in such a mentality an idea that there is a short cut to the secret of all success; something that would shock the world by this sort of shameless thoroughness. They believed, in the appropriate modern phrase, in people who delivered the goods. In their dealings with their god Moloch, they themselves were always careful to deliver the goods. It was an interesting transaction, upon which we shall have to touch more than once in the rest of the narrative; it is enough to say here that it involved the theory I have suggested about a certain attitude towards children. This was what called up against it in simultaneous fury the servant of one God in Palestine and the guardians of all the household gods in Rome. This is what challenged two things naturally so much divided by every sort of distance and disunion, whose union was to save the world.

The civilization centered in Tyre and Sidon was primarily practical. It left behind little in the way of art and nothing in terms of poetry. However, it took pride in its efficiency and followed a peculiar and sometimes secretive line of thought in its philosophy and religion, which we've noted before in those who seek immediate results. There's often in such a mindset the belief that there's a shortcut to the secret of success; something that could shock the world with its blatant thoroughness. They believed, in a phrase we might use today, in people who get things done. When dealing with their god Moloch, they were careful to deliver results as well. This was an intriguing transaction that we will touch on several times throughout the narrative; for now, it's enough to say it involved the theory I've suggested regarding a certain attitude towards children. This provoked simultaneous outrage from the servant of one God in Palestine and the protectors of all the household gods in Rome. This is what brought together two entities that were naturally divided by all sorts of distance and discord, whose unity was meant to save the world.

I have called the fourth and final division of the spiritual elements into which I should divide heathen humanity by the name of The Philosophers. I confess that it covers in my mind much that would generally be classified otherwise; and that what are here called philosophies are very often called religions. I believe however that my own description will be found to be much the more realistic and not the less respectful. But we must first take philosophy in its purest and clearest form that we may trace its normal outline; and that is to be found in the world of the purest and clearest outlines, that culture of the Mediterranean of which we have been considering the mythologies and idolatries in the last two chapters.

I have named the fourth and final category of the spiritual elements that I’m dividing heathen humanity into as The Philosophers. I admit that this category overlaps with what might typically be classified differently, and what I'm referring to as philosophies is often labeled as religions. However, I believe my description is much more realistic and still respectful. But first, we need to look at philosophy in its purest and clearest form to follow its normal outline; and that can be found in the world with the most defined outlines, which is the culture of the Mediterranean that we’ve been examining in the mythologies and idolatries in the last two chapters.

Polytheism, or that aspect of paganism, was never to the pagan what Catholicism is to the Catholic. It was never a view of the universe satisfying all sides{139} of life; a complete and complex truth with something to say about everything. It was only a satisfaction of one side of the soul of man, even if we call it the religious side; and I think it is truer to call it the imaginative side. But this it did satisfy; in the end it satisfied it to satiety. All that world was a tissue of interwoven tales and cults, and there ran in and out of it, as we have already seen, that black thread among its more blameless colours: the darker paganism that was really diabolism. But we all know that this did not mean that all pagan men thought of nothing but pagan gods. Precisely because mythology only satisfied one mood, they turned in other moods to something totally different. But it is very important to realise that it was totally different. It was too different to be inconsistent. It was so alien that it did not clash. While a mob of people were pouring on a public holiday to the feast of Adonis or the games in honour of Apollo, this or that man would prefer to stop at home and think out a little theory about the nature of things. Sometimes his hobby would even take the form of thinking about the nature of God; or even in that sense about the nature of the gods. But he very seldom thought of pitting his nature of the gods against the gods of nature.

Polytheism, or that part of paganism, was never as central to the pagan as Catholicism is to the Catholic. It never provided a view of the universe that satisfied every aspect of life; it wasn’t a complete and complex truth that addressed everything. It only fulfilled one part of the human soul, even if we call it the religious side; and I think it’s more accurate to label it the imaginative side. But it did satisfy this part; ultimately, it satisfied it completely. That whole world was a tapestry of interwoven stories and rituals, and as we’ve already seen, there was a dark thread running through its otherwise pure colors: the darker paganism that was essentially diabolism. However, we all know this doesn’t mean that all pagans only thought about pagan gods. Precisely because mythology only fulfilled one mood, they turned to something entirely different for other moods. It’s very important to recognize that it was completely different. It was so different that it wasn’t inconsistent. It was so foreign that it didn’t clash. While a crowd of people flocked on a public holiday to the feast of Adonis or the games for Apollo, some individuals would rather stay home and ponder a little theory about the nature of things. Sometimes their interest would even take the form of contemplating the nature of God; or in that context, the nature of the gods. But they rarely thought of contrasting their understanding of the gods with the gods of nature.

It is necessary to insist on this abstraction in the first student of abstractions. He was not so much antagonistic as absent-minded. His hobby might be the universe; but at first the hobby was as private as if it had been numismatics or playing draughts. And even when his wisdom came to be a public possession, and almost a political institution, it was very seldom on the same plane as the popular and religious institutions. Aristotle, with his colossal common sense, was perhaps the greatest of all philosophers; certainly the most practical of all philosophers. But Aristotle would no more have set up the Absolute side by side with the Apollo of Delphi,{140} as a similar or rival religion, than Archimedes would have thought of setting up the Lever as a sort of idol or fetish to be substituted for the Palladium of the city. Or we might as well imagine Euclid building an altar to an isosceles triangle, or offering sacrifices to the square on the hypotenuse. The one man meditated on metaphysics as the other man did on mathematics; for the love of truth or for curiosity or for the fun of the thing. But that sort of fun never seems to have interfered very much with the other sort of fun; the fun of dancing or singing to celebrate some rascally romance about Zeus becoming a bull or a swan. It is perhaps the proof of a certain superficiality and even insincerity about the popular polytheism, that men could be philosophers and even sceptics without disturbing it. These thinkers could move the foundations of the world without altering even the outline of that coloured cloud that hung above it in the air.

It’s important to emphasize this idea in the first person to explore abstract concepts. He wasn’t so much opposed as he was lost in thought. His interest might be in the universe, but at first, it was as private as a hobby like coin collecting or playing checkers. Even when his insights became well-known and almost a political staple, they rarely aligned with popular religious beliefs. Aristotle, with his immense common sense, was probably the greatest philosopher of all time; definitely, the most practical one. But Aristotle wouldn’t have placed the Absolute next to the Apollo of Delphi, as if they were equal or competing religions, just as Archimedes wouldn’t have considered making the Lever an idol or fetish to replace the city’s Palladium. We might as well picture Euclid building an altar to an isosceles triangle or making offerings to the square on the hypotenuse. One person contemplated metaphysics as the other engaged in mathematics; for the love of truth, out of curiosity, or just for fun. But that kind of fun never seemed to clash much with the other types of fun, like dancing or singing to celebrate some mischievous story about Zeus turning into a bull or a swan. It suggests a certain superficiality and even insincerity about the popular polytheism that allowed people to be philosophers and even skeptics without causing any upheaval. These thinkers could shift the world's foundations without changing even the shape of that colorful cloud hanging above it.

For the thinkers did move the foundations of the world; even when a curious compromise seemed to prevent them from moving the foundations of the city. The two great philosophers of antiquity do indeed appear to us as defenders of sane and even of sacred ideas; their maxims often read like the answers to sceptical questions too completely answered to be always recorded. Aristotle annihilated a hundred anarchists and nature-worshipping cranks by the fundamental statement that man is a political animal. Plato in some sense anticipated the Catholic realism, as attacked by the heretical nominalism, by insisting on the equally fundamental fact that ideas are realities; that ideas exist just as men exist. Plato however seemed sometimes almost to fancy that ideas exist as men do not exist; or that the men need hardly be considered where they conflict with the ideas. He had something of the social sentiment that we call Fabian in his ideal of fitting the citizen to the city, like an imaginary head to an ideal hat;{141} and great and glorious as he remains, he has been the father of all faddists. Aristotle anticipated more fully the sacramental sanity that was to combine the body and the soul of things; for he considered the nature of men as well as the nature of morals, and looked to the eyes as well as to the light. But though these great men were in that sense constructive and conservative, they belonged to a world where thought was free to the point of being fanciful. Many other great intellects did indeed follow them, some exalting an abstract vision of virtue, others following more rationalistically the necessity of the human pursuit of happiness. The former had the name of Stoics; and their name has passed into a proverb for what is indeed one of the main moral ideals of mankind: that of strengthening the mind itself until it is of a texture to resist calamity or even pain. But it is admitted that a great number of the philosophers degenerated into what we still call sophists. They became a sort of professional sceptics who went about asking uncomfortable questions, and were handsomely paid for making themselves a nuisance to normal people. It was perhaps an accidental resemblance to such questioning quacks that was responsible for the unpopularity of the great Socrates; whose death might seem to contradict the suggestion of the permanent truce between the philosophers and the gods. But Socrates did not die as a monotheist who denounced polytheism; certainly not as a prophet who denounced idols. It is clear to any one reading between the lines that there was some notion, right or wrong, of a purely personal influence affecting morals and perhaps politics. The general compromise remained; whether it was that the Greeks thought their myths a joke or that they thought their theories a joke. There was never any collision in which one really destroyed the other, and there was never any combination in which one was really reconciled with the other. They certainly did not work together; if anything the{142} philosopher was a rival of the priest. But both seemed to have accepted a sort of separation of functions and remained parts of the same social system. Another important tradition descends from Pythagoras; who is significant because he stands nearest to the Oriental mystics who must be considered in their turn. He taught a sort of mysticism of mathematics, that number is the ultimate reality; but he also seems to have taught the transmigration of souls like the Brahmins; and to have left to his followers certain traditional tricks of vegetarianism and water-drinking very common among the eastern sages, especially those who figure in fashionable drawing-rooms, like those of the later Roman Empire. But in passing to eastern sages, and the somewhat different atmosphere of the East, we may approach a rather important truth by another path.

For thinkers did change the foundations of the world; even when a strange compromise seemed to stop them from changing the foundations of the city. The two great philosophers of ancient times really do come across as defenders of rational and even sacred ideas; their sayings often sound like answers to skeptical questions that were so thoroughly addressed they didn’t always need to be recorded. Aristotle defeated countless anarchists and nature-worshipping weirdos with the basic idea that man is a political animal. Plato, in some ways, anticipated Catholic realism, as opposed by the heretical nominalism, by emphasizing the equally essential fact that ideas are real; that ideas exist just like people do. However, Plato sometimes seemed to think that ideas exist in a way that people do not; or that people hardly matter when they conflict with the ideas. He had a bit of that social sentiment we call Fabian in his vision of fitting the citizen to the city, like an imaginary head fitting an ideal hat; and as great and glorious as he remains, he has also been the father of all fads. Aristotle more fully anticipated the sacramental sanity that would combine the body and soul of things; he considered the nature of people as well as the nature of morals, and he looked at the eyes as well as at the light. But although these great men were, in that sense, constructive and conservative, they lived in a world where thought was free to the point of being fanciful. Many other great thinkers did indeed follow them, some elevating an abstract vision of virtue and others more rationally pursuing the necessity of human happiness. The former were known as Stoics; and their name has become a proverb for what is indeed one of the main moral ideals of humanity: that of strengthening the mind itself until it can resist calamity or even pain. But it is recognized that many philosophers devolved into what we still refer to as sophists. They became a kind of professional skeptics who went around posing uncomfortable questions and were well-paid for being a nuisance to ordinary people. It was perhaps an accidental similarity to such questioning quacks that made the great Socrates unpopular; his death might seem to contradict the idea of a permanent truce between philosophers and the gods. But Socrates did not die as a monotheist denouncing polytheism; certainly not as a prophet criticizing idols. It is clear to anyone reading between the lines that there was some notion, right or wrong, of a purely personal influence on morals and maybe politics. The overall compromise stayed; whether it was that the Greeks thought their myths were a joke or that they considered their theories a joke. There was never any clash in which one truly destroyed the other, and there was never any combination in which one was truly reconciled with the other. They definitely did not collaborate; if anything, the philosopher was a rival to the priest. But both seemed to have accepted a sort of separation of functions and remained parts of the same social system. Another important tradition comes from Pythagoras; who is significant because he is closest to the Eastern mystics we should also consider. He taught a kind of mysticism of mathematics, that number is the ultimate reality; but he also seemed to teach the transmigration of souls like the Brahmins; and passed on to his followers certain traditional practices of vegetarianism and water-drinking that were common among Eastern sages, especially those who appeared in fashionable drawing rooms, such as those in the later Roman Empire. But as we move to Eastern sages and the somewhat different atmosphere of the East, we can approach a rather important truth by another route.

One of the great philosophers said that it would be well if philosophers were kings, or kings were philosophers. He spoke as of something too good to be true; but, as a matter of fact, it not unfrequently was true. A certain type, perhaps too little noticed in history, may really be called the royal philosopher. To begin with, apart from actual royalty, it did occasionally become possible for the sage, though he was not what we call a religious founder, to be something like a political founder. And the great example of this, one of the very greatest in the world, will with the very thought of it carry us thousands of miles across the vast spaces of Asia to that very wonderful and in some ways that very wise world of ideas and institutions, which we dismiss somewhat cheaply when we talk of China. Men have served many very strange gods; and trusted themselves loyally to many ideals and even idols. China is a society that has really chosen to believe in intellect. It has taken intellect seriously; and it may be that it stands alone in the world. From a very early age it faced the dilemma of the king and the philosopher by actually{143} appointing a philosopher to advise the king. It made a public institution out of a private individual, who had nothing in the world to do but to be intellectual. It had and has, of course, many other things on the same pattern. It creates all ranks and privileges by public examination; it has nothing that we call an aristocracy; it is a democracy dominated by an intelligentsia. But the point here is that it had philosophers to advise kings; and one of those philosophers must have been a great philosopher and a great statesman.

One of the great philosophers said it would be beneficial if philosophers were kings, or if kings were philosophers. He considered it something too good to be true; however, it often was true. There’s a certain type, perhaps too overlooked in history, that can genuinely be called the royal philosopher. Firstly, aside from actual royalty, there were times when a wise person, even if not a religious leader, could function as a political founder. The prime example of this, one of the greatest in the world, takes us thousands of miles across Asia to the remarkable and, in some ways, wise world of ideas and institutions that we often underestimate when we refer to China. People have served many unusual gods and committed themselves loyally to numerous ideals and even idols. China is a society that has genuinely chosen to value intellect. It has taken intellect seriously and may stand alone in this regard. From a very early age, it confronted the dilemma of the king and the philosopher by actually{143} appointing a philosopher to advise the king. It turned a private individual, whose sole purpose was to be intellectual, into a public institution. It has, of course, implemented many similar systems. It creates all ranks and privileges through public examinations; it has nothing resembling an aristocracy; it is a democracy led by an intelligentsia. But the important point here is that it had philosophers advising kings; and one of those philosophers must have been both a great philosopher and a great statesman.

Confucius was not a religious founder or even a religious teacher; possibly not even a religious man. He was not an atheist; he was apparently what we call an agnostic. But the really vital point is that it is utterly irrelevant to talk about his religion at all. It is like talking of theology as the first thing in the story of how Rowland Hill established the postal system or Baden Powell organised the Boy Scouts. Confucius was not there to bring a message from heaven to humanity, but to organise China; and he must have organised it exceedingly well. It follows that he dealt much with morals; but he bound them up strictly with manners. The peculiarity of his scheme, and of his country, in which it contrasts with its great pendant the system of Christendom, is that he insisted on perpetuating an external life with all its forms, that outward continuity might preserve internal peace. Any one who knows how much habit has to do with health, of mind as well as body, will see the truth in his idea. But he will also see that the ancestor-worship and the reverence for the Sacred Emperor were habits and not creeds. It is unfair to the great Confucius to say he was a religious founder. It is even unfair to him to say he was not a religious founder. It is as unfair as going out of one’s way to say that Jeremy Bentham was not a Christian martyr.

Confucius wasn't a religious founder or even a religious teacher; he might not have been a religious person at all. He wasn't an atheist; he seemed to be what we'd call an agnostic. But the key point is that discussing his religion is completely irrelevant. It's like talking about theology as the first step in the story of how Rowland Hill set up the postal system or how Baden Powell organized the Boy Scouts. Confucius wasn't there to deliver a message from heaven to humanity; he was there to organize China, and he must have done a fantastic job. This means he focused heavily on morals, but he tied them closely to manners. The uniqueness of his approach, and of his country, in contrast to the system of Christendom, is that he emphasized maintaining an external life with all its traditions, so that outward stability could ensure inner peace. Anyone who understands how much habits affect mental and physical health will recognize the truth in his idea. But they'll also see that ancestor worship and reverence for the Sacred Emperor were more about habits than beliefs. It's unfair to label Confucius as a religious founder. It's even unfair to say he wasn't one. It's just as unfair as insisting that Jeremy Bentham was not a Christian martyr.

But there is a class of most interesting cases in{144} which philosophers were kings, and not merely the friends of kings. The combination is not accidental. It has a great deal to do with this rather elusive question of the function of the philosopher. It contains in it some hint of why philosophy and mythology seldom came to an open rupture. It was not only because there was something a little frivolous about the mythology. It was also because there was something a little supercilious about the philosopher. He despised the myths, but he also despised the mob; and thought they suited each other. The pagan philosopher was seldom a man of the people, at any rate in spirit; he was seldom a democrat and often a bitter critic of democracy. He had about him an air of aristocratic and humane leisure; and his part was most easily played by men who happened to be in such a position. It was very easy and natural for a prince or a prominent person to play at being as philosophical as Hamlet, or Theseus in the Midsummer Night’s Dream. And from very early ages we find ourselves in the presence of these princely intellectuals. In fact, we find one of them in the very first recorded ages of the world; sitting on that primeval throne that looked over ancient Egypt.

But there are some really interesting cases in{144} where philosophers were kings, not just their friends. This connection isn’t random. It ties into the enigmatic question of what the role of the philosopher actually is. It offers a clue about why philosophy and mythology rarely came into open conflict. It wasn’t just because mythology was a bit frivolous. It was also because philosophers had a somewhat arrogant attitude. They looked down on the myths, but they also looked down on the masses; to them, the two were a perfect match. The pagan philosopher was rarely someone who connected with the common people, at least not in spirit; he was seldom a democrat and often a harsh critic of democracy. He carried an air of aristocratic and cultured leisure; his role was most easily filled by those in privilege. It was simple and natural for a prince or a notable figure to act as philosophical as Hamlet or Theseus in the Midsummer Night’s Dream. From ancient times, we see these noble intellectuals emerging. In fact, we encounter one of them in the very first recorded times in history, seated on that ancient throne overlooking Egypt.

The most intense interest of the incident of Akhenaten, commonly called the Heretic Pharaoh, lies in the fact that he was the one example, at any rate before Christian times, of one of these royal philosophers who set himself to fight popular mythology in the name of private philosophy. Most of them assumed the attitude of Marcus Aurelius, who is in many ways the model of this sort of monarch and sage. Marcus Aurelius has been blamed for tolerating the pagan amphitheatre or the Christian martyrdoms. But it was characteristic; for this sort of man really thought of popular religion just as he thought of popular circuses. Of him Professor Phillimore has profoundly said ‘a great and good man—and he knew it.’ The Heretic Pharaoh had a philosophy more{145} earnest and perhaps more humble. For there is a corollary to the conception of being too proud to fight. It is that the humble have to do most of the fighting. Anyhow, the Egyptian prince was simple enough to take his own philosophy seriously, and alone among such intellectual princes he affected a sort of coup d’état; hurling down the high gods of Egypt with one imperial gesture and lifting up for all men, like a blazing mirror of monotheistic truth, the disc of the universal sun. He had other interesting ideas often to be found in such idealists. In the sense in which we speak of a Little Englander he was a Little Egypter. In art he was a realist because he was an idealist; for realism is more impossible than any other ideal. But after all there falls on him something of the shadow of Marcus Aurelius; stalked by the shadow of Professor Phillimore. What is the matter with this noble sort of prince is that he has nowhere quite escaped being something of a prig. Priggishness is so pungent a smell that it clings amid the faded spices even to an Egyptian mummy. What was the matter with the Heretic Pharaoh, as with a good many other heretics, was that he probably never paused to ask himself whether there was anything in the popular beliefs and tales of people less educated than himself. And, as already suggested, there was something in them. There was a real human hunger in all that element of feature and locality, that procession of deities like enormous pet animals, in that unwearied watching at certain haunted spots, in all the mazy wandering of mythology. Nature may not have the name of Isis; Isis may not be really looking for Osiris. But it is true that Nature is really looking for something. Nature is always looking for the supernatural. Something much more definite was to satisfy that need; but a dignified monarch with a disc of the sun did not satisfy it. The royal experiment failed amid a roaring reaction of popular superstitions, in which the priests rose on the{146} shoulders of the people and ascended the throne of the kings.

The most fascinating aspect of the story of Akhenaten, often referred to as the Heretic Pharaoh, is that he was the only example, at least before Christian times, of a royal philosopher who tried to challenge popular mythology in the name of personal philosophy. Most of them adopted the mindset of Marcus Aurelius, who is in many ways the archetype of this kind of ruler and thinker. Marcus Aurelius has been criticized for tolerating the pagan arena or the Christian martyrdoms. But that was typical; this type of person really viewed popular religion the same way he viewed public entertainment. As Professor Phillimore profoundly noted, he was ‘a great and good man—and he knew it.’ The Heretic Pharaoh, on the other hand, had a philosophy that was more earnest and perhaps more humble. There’s a related idea when it comes to being too proud to fight: it’s often the humble who end up doing most of the fighting. In any case, the Egyptian prince was sincere enough to take his own philosophy seriously, and unlike other intellectual rulers, he staged a sort of coup; he toppled the high gods of Egypt with one grand gesture and lifted up, like a shining emblem of monotheistic truth, the disc of the universal sun. He had other interesting ideas typical of such idealists. In the same way we talk about a Little Englander, he could be seen as a Little Egypter. In the realm of art, he was a realist because he was an idealist; after all, realism is harder to achieve than any other ideal. Still, there’s an element of Marcus Aurelius’s shadow hanging over him, underlined by the presence of Professor Phillimore. The problem with this noble kind of prince is that he never fully escaped being somewhat of a prig. Priggishness has a strong odor that lingers, even among the faded spices of an Egyptian mummy. What troubled the Heretic Pharaoh, like many other heretics, was that he probably never stopped to consider whether there was anything in the popular beliefs and stories of those less educated than he was. And as previously mentioned, there was indeed something in them. There was a genuine human longing in the various features and local customs, in the procession of deities resembling enormous pets, in the constant vigil at certain revered spots, and in the intricate twists of mythology. Nature may not have the name of Isis; Isis might not genuinely be searching for Osiris. Yet it’s true that Nature is looking for something. Nature is always on the lookout for the supernatural. Something much more concrete was needed to fulfill that longing; but a dignified monarch with a disc of the sun didn’t meet that need. The royal experiment failed amid a loud resurgence of popular superstitions, where the priests rose on the{146} backs of the people and took the throne from the kings.

The next great example I shall take of the princely sage is Gautama, the great Lord Buddha. I know he is not generally classed merely with the philosophers; but I am more and more convinced, from all information that reaches me, that this is the real interpretation of his immense importance. He was by far the greatest and the best of these intellectuals born in the purple. His reaction was perhaps the noblest and most sincere of all the resultant actions of that combination of thinkers and of thrones. For his reaction was renunciation. Marcus Aurelius was content to say, with a refined irony, that even in a palace life could be lived well. The fierier Egyptian king concluded that it could be lived even better after a palace revolution. But the great Gautama was the only one of them who proved he could really do without his palace. One fell back on toleration and the other on revolution. But after all there is something more absolute about abdication. Abdication is perhaps the one really absolute action of an absolute monarch. The Indian prince, reared in Oriental luxury and pomp, deliberately went out and lived the life of a beggar. That is magnificent, but it is not war; that is, it is not necessarily a Crusade in the Christian sense. It does not decide the question of whether the life of a beggar was the life of a saint or the life of a philosopher. It does not decide whether this great man is really to go into the tub of Diogenes or the cave of St. Jerome. Now those who seem to be nearest to the study of Buddha, and certainly those who write most clearly and intelligently about him, convince me for one that he was simply a philosopher who founded a successful school of philosophy, and was turned into a sort of divus or sacred being merely by the more mysterious and unscientific atmosphere of all such traditions in Asia. So that it is necessary to say at this point a word about that{147} invisible yet vivid border-line that we cross in passing from the Mediterranean into the mystery of the East.

The next great example I’ll discuss of the wise leader is Gautama, the great Lord Buddha. I know he’s not usually just categorized as a philosopher; however, I’m increasingly convinced, based on the information I’ve received, that this is the true understanding of his significant importance. He was definitely the greatest and the best among these intellectuals born into privilege. His response was perhaps the noblest and most genuine of all the outcomes from that blend of thinkers and royalty. His reaction was renunciation. Marcus Aurelius would casually state, with a touch of irony, that even in a palace, life could be lived well. The fiery Egyptian king concluded that it could be lived even better after a palace uprising. But the great Gautama was the only one who truly showed he could live without his palace. One relied on tolerance, and the other on revolution. But there’s something more definitive about abdication. Abdication might be the one truly absolute action of an absolute ruler. The Indian prince, raised in Eastern luxury and grandeur, consciously chose to go out and live as a beggar. That’s impressive, but it’s not war; that is, it’s not necessarily a Crusade in the Christian sense. It doesn’t settle whether the life of a beggar was the life of a saint or a philosopher. It doesn’t determine if this great man is really going into Diogenes’ tub or St. Jerome’s cave. Now, those who appear to be closest to studying Buddha, and certainly those who write most clearly and intelligently about him, convince me, for one, that he was simply a philosopher who founded a successful school of thought and was transformed into a sort of divus or sacred figure just by the more mysterious and unscientific ambiance of such traditions in Asia. So, it’s necessary to take a moment to mention that{147} invisible yet vivid boundary we cross when moving from the Mediterranean into the enigma of the East.

Perhaps there are no things out of which we get so little of the truth as the truisms; especially when they are really true. We are all in the habit of saying certain things about Asia, which are true enough but which hardly help us because we do not understand their truth; as that Asia is old or looks to the past or is not progressive. Now it is true that Christendom is more progressive, in a sense that has very little to do with the rather provincial notion of an endless fuss of political improvement. Christendom does believe, for Christianity does believe, that man can eventually get somewhere, here or hereafter, or in various ways according to various doctrines. The world’s desire can somehow be satisfied as desires are satisfied, whether by a new life or an old love or some form of positive possession and fulfilment. For the rest, we all know there is a rhythm and not a mere progress in things, that things rise and fall; only with us the rhythm is a fairly free and incalculable rhythm. For most of Asia the rhythm has hardened into a recurrence. It is no longer merely a rather topsy-turvy sort of world; it is a wheel. What has happened to all those highly intelligent and highly civilised peoples is that they have been caught up in a sort of cosmic rotation, of which the hollow hub is really nothing. In that sense the worst part of existence is that it may just as well go on like that for ever. That is what we really mean when we say that Asia is old or unprogressive or looking backwards. That is why we see even her curved swords as arcs broken from that blinding wheel; why we see her serpentine ornament as returning everywhere, like a snake that is never slain. It has very little to do with the political varnish of progress; all Asiatics might have tophats on their heads, but if they had this spirit still in their hearts they would only think the hats would{148} vanish and come round again like the planets; not that running after a hat could lead them to heaven or even to home.

Maybe there are no things from which we get so little of the truth as clichés; especially when they are genuinely true. We all tend to say certain things about Asia that are true enough, but they don’t really help us because we don’t grasp their meaning; like saying Asia is old, looks to the past, or isn’t progressive. It’s true that the West is more progressive, but that has very little to do with the rather narrow idea of constant political improvement. The West believes, since Christianity believes, that humanity can eventually achieve something, whether here or in the afterlife, or through different teachings. The world’s desires can somehow be fulfilled, whether by starting anew, rekindling old loves, or finding some kind of positive possession and satisfaction. Beyond that, we all recognize that there’s a rhythm to life, not just straightforward progress; things rise and fall. For us, that rhythm is usually more unpredictable and free. For much of Asia, though, that rhythm has solidified into a cycle. It’s no longer just a chaotic world; it’s like a wheel. What has happened to those highly intelligent and civilized societies is that they’ve become trapped in a kind of cosmic rotation, where the empty center is essentially nothing. In that sense, the worst part of existence is that it could just continue like this forever. That’s what we really mean when we say that Asia is old, unprogressive, or looking backward. That’s why we even see her curved swords as arcs that break free from that blinding wheel; why we view her flowing designs as endlessly returning, like a snake that can never be killed. It has very little to do with the superficial notion of progress; all Asians might wear top hats, but if they still carry that spirit in their hearts, they would just believe the hats would vanish and come back around like the planets; not that chasing after a hat could lead them to heaven or even to home.

Now when the genius of Buddha arose to deal with the matter, this sort of cosmic sentiment was already common to almost everything in the East. There was indeed the jungle of an extraordinarily extravagant and almost asphyxiating mythology. Nevertheless it is possible to have more sympathy with this popular fruitfulness in folk-lore than with some of the higher pessimism that might have withered it. It must always be remembered, however, when all fair allowances are made, that a great deal of spontaneous eastern imagery really is idolatry; the local and literal worship of an idol. This is probably not true of the ancient Brahminical system, at least as seen by Brahmins. But that phrase alone will remind us of a reality of much greater moment. This great reality is the Caste System of ancient India. It may have had some of the practical advantages of the Guild System of Medieval Europe. But it contrasts not only with that Christian democracy, but with every extreme type of Christian aristocracy, in the fact that it does really conceive the social superiority as a spiritual superiority. This not only divides it fundamentally from the fraternity of Christendom, but leaves it standing like a mighty and terraced mountain of pride between the relatively egalitarian levels both of Islam and of China. But the fixity of this formation through thousands of years is another illustration of that spirit of repetition that has marked time from time immemorial. Now we may also presume the prevalence of another idea which we associate with the Buddhists as interpreted by the Theosophists. As a fact, some of the strictest Buddhists repudiate the idea and still more scornfully repudiate the Theosophists. But whether the idea is in Buddhism, or only in the birthplace of Buddhism, or only in a tradition or a travesty of Buddhism, it is{149} an idea entirely proper to this principle of recurrence. I mean of course the idea of Reincarnation.

Now, when the brilliance of Buddha emerged to address the issue, this kind of cosmic sentiment was already common throughout the East. There was indeed an overwhelming and nearly suffocating mythology. Still, it's easier to empathize with this vibrant folk-lore than with some of the higher pessimism that could have stifled it. However, it’s essential to remember, no matter how much we try to understand, that a significant amount of spontaneous Eastern imagery is essentially idolatry—the local and literal worship of an idol. This probably isn’t true of the ancient Brahminical system, at least as perceived by Brahmins. But that phrase alone brings to mind a reality of much greater significance. This substantial reality is the Caste System of ancient India. While it may have had some practical advantages similar to the Guild System of Medieval Europe, it stands in stark contrast not only to Christian democracy but also to every extreme form of Christian aristocracy, because it genuinely regards social superiority as a form of spiritual superiority. This fundamentally separates it from the brotherhood of Christendom and positions it like a towering, terraced mountain of pride between the relatively equal societies of both Islam and China. The permanence of this system over thousands of years illustrates that spirit of repetition that has characterized time throughout history. We can also assume the existence of another idea often associated with Buddhists as interpreted by Theosophists. In fact, some of the most stringent Buddhists reject this idea and disdainfully dismiss Theosophists even more. Regardless of whether the notion exists in Buddhism, or in the place where Buddhism originated, or is merely a part of a tradition or reinterpretation of Buddhism, it is{149} an idea wholly fitting with the principle of recurrence. I’m referring, of course, to the concept of Reincarnation.

But Reincarnation is not really a mystical idea. It is not really a transcendental idea, or in that sense a religious idea. Mysticism conceives something transcending experience; religion seeks glimpses of a better good or a worse evil than experience can give. Reincarnation need only extend experiences in the sense of repeating them. It is no more transcendental for a man to remember what he did in Babylon before he was born than to remember what he did in Brixton before he had a knock on the head. His successive lives need not be any more than human lives, under whatever limitations burden human life. It has nothing to do with seeing God or even conjuring up the devil. In other words, reincarnation as such does not necessarily escape from the wheel of destiny; in some sense it is the wheel of destiny. And whether it was something that Buddha founded, or something that Buddha found, or something that Buddha entirely renounced when he found, it is certainly something having the general character of that Asiatic atmosphere in which he had to play his part. And the part he played was that of an intellectual philosopher, with a particular theory about the right intellectual attitude towards it.

But reincarnation isn't really a mystical concept. It's not a transcendent idea or a religious one, either. Mysticism involves something that goes beyond experience; religion looks for glimpses of a better good or a worse evil than what we can experience. Reincarnation just extends experiences by repeating them. Remembering what you did in Babylon before you were born is no different from recalling what you did in Brixton before you had a bump on the head. His successive lives need not be anything more than human lives, constrained by the same limitations that burden human existence. It has nothing to do with seeing God or even summoning the devil. In other words, reincarnation doesn't necessarily break free from the wheel of destiny; in a way, it is the wheel of destiny. Whether it was something that Buddha founded, something he discovered, or something he completely rejected upon finding it, it's certainly part of the general character of the Asian environment in which he lived. The role he played was that of an intellectual philosopher, with a specific theory on the right intellectual approach to it.

I can understand that Buddhists might resent the view that Buddhism is merely a philosophy, if we understand by a philosophy merely an intellectual game such as Greek sophists played, tossing up worlds and catching them like balls. Perhaps a more exact statement would be that Buddha was a man who made a metaphysical discipline; which might even be called a psychological discipline. He proposed a way of escaping from all this recurrent sorrow; and that was simply by getting rid of the delusion that is called desire. It was emphatically not that we should get what we want better by restraining our impatience for part of it, or that we should get it in a{150} better way or in a better world. It was emphatically that we should leave off wanting it. If once a man realised that there is really no reality, that everything, including his soul, is in dissolution at every instant, he would anticipate disappointment and be intangible to change, existing (in so far as he could be said to exist) in a sort of ecstasy of indifference. The Buddhists call this beatitude, and we will not stop our story to argue the point; certainly to us it is indistinguishable from despair. I do not see, for instance, why the disappointment of desire should not apply as much to the most benevolent desires as to the most selfish ones. Indeed the Lord of Compassion seems to pity people for living rather than for dying. For the rest, an intelligent Buddhist wrote, ‘The explanation of popular Chinese and Japanese Buddhism is that it is not Buddhism.’ That has doubtless ceased to be a mere philosophy, but only by becoming a mere mythology. One thing is certain: it has never become anything remotely resembling what we call a Church.

I can see why Buddhists might be frustrated by the idea that Buddhism is just a philosophy, especially if we think of philosophy as some kind of intellectual game like the Greek sophists played, juggling ideas like balls. A more accurate statement would be that Buddha was a man who created a metaphysical discipline, which could even be seen as a psychological discipline. He offered a way to escape from all this ongoing sorrow, and that was simply by letting go of the illusion called desire. It was definitely not about getting what we want by holding back our impatience for part of it or finding it in a better way or in a better world. It was strongly about letting go of wanting it altogether. Once a person realizes that there is really no ultimate reality, that everything, including their soul, is falling apart at every moment, they would expect disappointment and become untouchable by change, existing (to the extent that they can be said to exist) in a kind of ecstasy of indifference. Buddhists call this beatitude, and we won't pause our story to debate this; clearly, to us, it feels like despair. I don't understand why the disappointment of desire shouldn't apply just as much to the most selfless desires as to the most selfish ones. In fact, the Lord of Compassion seems to pity people for living more than for dying. Additionally, an insightful Buddhist wrote, ‘The explanation of popular Chinese and Japanese Buddhism is that it is not Buddhism.’ That has certainly stopped being merely a philosophy, but only by transforming into a mere mythology. One thing is certain: it has never turned into anything close to what we call a Church.

It will appear only a jest to say that all religious history has really been a pattern of noughts and crosses. But I do not by noughts mean nothings, but only things that are negative compared with the positive shape or pattern of the other. And though the symbol is of course only a coincidence, it is a coincidence that really does coincide. The mind of Asia can really be represented by a round O, if not in the sense of a cypher at least of a circle. The great Asiatic symbol of a serpent with its tail in its mouth is really a very perfect image of a certain idea of unity and recurrence that does indeed belong to the Eastern philosophies and religions. It really is a curve that in one sense includes everything, and in another sense comes to nothing. In that sense it does confess, or rather boast, that all argument is an argument in a circle. And though the figure is but a symbol, we can see how sound is the symbolic{151} sense that produces it, the parallel symbol of the Wheel of Buddha generally called the Swastika. The cross is a thing at right angles pointing boldly in opposite directions; but the Swastika is the same thing in the very act of returning to the recurrent curve. That crooked cross is in fact a cross turning into a wheel. Before we dismiss even these symbols as if they were arbitrary symbols, we must remember how intense was the imaginative instinct that produced them or selected them both in the East and the West. The cross has become something more than a historical memory; it does convey, almost as by a mathematical diagram, the truth about the real point at issue; the idea of a conflict stretching outwards into eternity. It is true, and even tautological, to say that the cross is the crux of the whole matter.

It might seem like a joke to say that all religious history has really been like a game of noughts and crosses. But when I say "noughts," I don’t mean nothing; I’m referring to things that are negative compared to the positive shape or pattern of the other. And while the symbol is just a coincidence, it’s a meaningful one. The mind of Asia can truly be represented by a round O, at least as a circle, if not as a cipher. The great Asian symbol of a serpent eating its own tail is actually a perfect image of a specific idea of unity and recurrence found in Eastern philosophies and religions. It’s a curve that, in one sense, includes everything, and in another sense, leads to nothing. In that way, it admits, or rather boasts, that all argument is just an argument in a circle. And although this figure is merely a symbol, we can see how solid the symbolic sense is that creates it, much like the parallel symbol of the Wheel of Buddha, commonly referred to as the Swastika. The cross is a structure with lines at right angles boldly pointing in opposite directions, while the Swastika represents the same concept actively returning to the recurring curve. That crooked cross is essentially a cross transforming into a wheel. Before we dismiss these symbols as arbitrary, we should remember how powerful the imaginative instinct was that created or chose them in both the East and the West. The cross has evolved into something more than just a historical memory; it conveys, almost like a mathematical diagram, the truth about the real issue at hand: the idea of a conflict stretching out into eternity. It’s true, and even redundant, to say that the cross is the crux of the whole matter.

In other words, the cross, in fact as well as figure, does really stand for the idea of breaking out of the circle that is everything and nothing. It does escape from the circular argument by which everything begins and ends in the mind. Since we are still dealing in symbols, it might be put in a parable in the form of that story about St. Francis, which says that the birds departing with his benediction could wing their way into the infinities of the four winds of heaven, their tracks making a vast cross upon the sky; for compared with the freedom of that flight of birds, the very shape of the Swastika is like a kitten chasing its tail. In a more popular allegory, we might say that when St. George thrust his spear into the monster’s jaws, he broke in upon the solitude of the self-devouring serpent and gave it something to bite besides its own tail. But while many fancies might be used as figures of the truth, the truth itself is abstract and absolute; though it is not very easy to sum up except by such figures. Christianity does appeal to a solid truth outside itself; to something which is in that sense external as well as eternal. It{152} does declare that things are really there; or in other words that things are really things. In this Christianity is at one with common sense; but all religious history shows that this common sense perishes except where there is Christianity to preserve it.

In other words, the cross, both in reality and as a symbol, really represents the idea of breaking free from the cycle that is everything and nothing. It escapes the circular reasoning where everything starts and ends in the mind. Since we’re still using symbols, it can be illustrated in a story about St. Francis, which says that the birds flying away with his blessing could soar into the infinite four winds of heaven, leaving a huge cross in the sky; because compared to the freedom of those birds in flight, the very shape of the Swastika is like a kitten chasing its tail. In a more relatable example, we could say that when St. George drove his spear into the monster’s mouth, he interrupted the lone self-consuming serpent and gave it something to bite other than its own tail. But while many ideas can serve as representations of the truth, the truth itself is abstract and absolute; though it’s not easy to summarize except with such examples. Christianity appeals to a solid truth that exists outside of itself; to something that is both external and eternal. It does affirm that things are genuinely real; in other words, that things are truly things. In this, Christianity aligns with common sense; but all of religious history shows that this common sense fades away unless Christianity is there to uphold it.

It cannot otherwise exist, or at least endure, because mere thought does not remain sane. In a sense it becomes too simple to be sane. The temptation of the philosophers is simplicity rather than subtlety. They are always attracted by insane simplifications, as men poised above abysses are fascinated by death and nothingness and the empty air. It needed another kind of philosopher to stand poised upon the pinnacle of the Temple and keep his balance without casting himself down. One of these obvious, these too obvious explanations is that everything is a dream and a delusion and there is nothing outside the ego. Another is that all things recur; another, which is said to be Buddhist and is certainly Oriental, is the idea that what is the matter with us is our creation, in the sense of our coloured differentiation and personality, and that nothing will be well till we are again melted into one unity. By this theory, in short, the Creation was the Fall. It is important historically because it was stored up in the dark heart of Asia and went forth at various times in various forms over the dim borders of Europe. Here we can place the mysterious figure of Manes or Manichaeus, the mystic of inversion, whom we should call a pessimist, parent of many sects and heresies; here, in a higher place, the figure of Zoroaster. He has been popularly identified with another of these too simple explanations: the equality of evil and good, balanced and battling in every atom. He also is of the school of sages that may be called mystics; and from the same mysterious Persian garden came upon ponderous wings Mithras, the unknown god, to trouble the last twilight of Rome.

It can’t exist, or at least last, without this understanding, because simple thought doesn’t stay sane. In a way, it becomes too straightforward to be rational. Philosophers are drawn to simplicity instead of complexity. They often fall for overly simplistic ideas, just as people standing over an abyss are intrigued by death, nothingness, and the void. It took a different kind of philosopher to stand confidently at the top of the Temple and maintain balance without leaping off. One of these clear, perhaps too clear, ideas is that everything is just a dream and a delusion, and there’s nothing beyond the self. Another idea is that everything repeats; there’s also a notion, linked with Buddhism and certainly Eastern thought, that our issues stem from our individual identities and personal differences, and that everything will be right only when we’re merged back into a single unity. Essentially, according to this theory, Creation was the Fall. This concept is historically significant because it was harbored in the mysterious heart of Asia and emerged in different forms across the shadowy borders of Europe. Here we can reference the enigmatic figure of Manes or Manichaeus, the inversion mystic, who might be labeled a pessimist, the parent of numerous sects and heresies; and also, at a higher level, the figure of Zoroaster. He has often been mistakenly associated with another of these oversimplified ideas: the balance of good and evil, constantly fighting in every atom. He’s part of the group of sages known as mystics; and from the same mysterious Persian garden came the powerful figure of Mithras, the unknown god, to disrupt the fading twilight of Rome.

That circle or disc of the sun set up in the morning{153} of the world by the remote Egyptian has been a mirror and a model for all the philosophers. They have made many things out of it, and sometimes gone mad about it, especially when as in these eastern sages the circle became a wheel going round and round in their heads. But the point about them is that they all think that existence can be represented by a diagram instead of a drawing; and the rude drawings of the childish myth-makers are a sort of crude and spirited protest against that view. They cannot believe that religion is really not a pattern but a picture. Still less can they believe that it is a picture of something that really exists outside our minds. Sometimes the philosopher paints the disc all black and calls himself a pessimist; sometimes he paints it all white and calls himself an optimist; sometimes he divides it exactly into halves of black and white and calls himself a dualist, like those Persian mystics to whom I wish there were space to do justice. None of them could understand a thing that began to draw the proportions just as if they were real proportions, disposed in the living fashion which the mathematical draughtsman would call disproportionate. Like the first artist in the cave, it revealed to incredulous eyes the suggestion of a new purpose in what looked like a wildly crooked pattern; he seemed only to be distorting his diagram, when he began for the first time in all the ages to trace the lines of a form—and of a Face.{154}

That circle or disc of the sun, established in the morning{153} of the world by the distant Egyptians, has served as both a reflection and a model for all philosophers. They've created many ideas from it and sometimes have gone a bit crazy about it, especially when, like those eastern thinkers, the circle morphed into a wheel spinning in their minds. The key point about them is that they all believe existence can be shown as a diagram instead of a drawing; and the rough sketches of the naive myth-makers are a sort of crude yet spirited rebellion against that belief. They can't accept that religion isn't really a pattern but rather a picture. Even less can they believe that it is an image of something that actually exists outside our thoughts. Sometimes a philosopher paints the disc all black and calls himself a pessimist; other times he paints it all white and calls himself an optimist; sometimes he splits it evenly into halves of black and white and calls himself a dualist, like those Persian mystics whom I wish there were space to appreciate. None of them could grasp a thing that started to depict the proportions as if they were real proportions, arranged in a way that a mathematical draftsman would deem disproportionate. Like the first artist in the cave, it revealed to doubtful eyes the notion of a new purpose in what appeared to be a wildly distorted pattern; it seemed he was just deforming his diagram when he began, for the first time in all history, to outline the lines of a form—and of a Face.{154}

CHAPTER VII

THE WAR OF THE GODS AND DEMONS

The materialist theory of history, that all politics and ethics are the expression of economics, is a very simple fallacy indeed. It consists simply of confusing the necessary conditions of life with the normal preoccupations of life, that are quite a different thing. It is like saying that because a man can only walk about on two legs, therefore he never walks about except to buy shoes and stockings. Man cannot live without the two props of food and drink, which support him like two legs; but to suggest that they have been the motives of all his movements in history is like saying that the goal of all his military marches or religious pilgrimages must have been the Golden Leg of Miss Kilmansegg or the ideal and perfect leg of Sir Willoughby Patterne. But it is such movements that make up the story of mankind, and without them there would practically be no story at all. Cows may be purely economic, in the sense that we cannot see that they do much beyond grazing and seeking better grazing-grounds; and that is why a history of cows in twelve volumes would not be very lively reading. Sheep and goats may be pure economists in their external action at least; but that is why the sheep has hardly been a hero of epic wars and empires thought worthy of detailed narration; and even the more active quadruped has not inspired a book for boys called Golden Deeds of Gallant Goats or any similar title. But so far from the movements that make up the story of man being economic, we may say that the story only begins where the motive{155} of the cows and sheep leaves off. It will be hard to maintain that the Crusaders went from their homes into a howling wilderness because cows go from a wilderness to a more comfortable grazing-ground. It will be hard to maintain that the Arctic explorers went north with the same material motive that made the swallows go south. And if you leave things like all the religious wars and all the merely adventurous explorations out of the human story, it will not only cease to be human at all but cease to be a story at all. The outline of history is made of these decisive curves and angles determined by the will of man. Economic history would not even be history.

The materialist theory of history, which claims that all politics and ethics come from economic conditions, is actually a pretty basic mistake. It simply mixes up the essential needs of life with the usual concerns of life, which are completely different. It’s like saying that just because a person walks on two legs, they only walk to buy shoes and socks. Humans need food and drink to live, just like two legs support them; but to say these are the only reasons for all their actions throughout history is like claiming that every military march or religious pilgrimage was just to seek the Golden Leg of Miss Kilmansegg or the perfect leg of Sir Willoughby Patterne. Yet it's those kinds of actions that make up human history, and without them, there would hardly be any story at all. Cows might seem purely economic since they mainly graze and look for better pastures; that’s why a twelve-volume history of cows wouldn’t be very exciting. Sheep and goats may also seem to behave purely economically; that’s why sheep haven't been the heroes of epic wars or empires worth detailed storytelling, and even the more active goat hasn’t inspired a book for boys titled Golden Deeds of Gallant Goats or anything similar. But far from saying that human actions are economic, we could argue that the story of humanity only begins where the motivations of cows and sheep end. It's hard to argue that the Crusaders ventured into the wild just like cows seek better grazing. It’s also difficult to claim that the Arctic explorers headed north for the same basic reason that swallows fly south. If you exclude things like all the religious wars and purely adventurous explorations from human history, it wouldn’t just lose its humanity; it wouldn't even be a story at all. The framework of history is shaped by these key moments and decisions driven by human will. Economic history wouldn’t even qualify as history.

But there is a deeper fallacy besides this obvious fact; that men need not live for food merely because they cannot live without food. The truth is that the thing most present to the mind of man is not the economic machinery necessary to his existence, but rather that existence itself; the world which he sees when he wakes every morning and the nature of his general position in it. There is something that is nearer to him than livelihood, and that is life. For once that he remembers exactly what work produces his wages and exactly what wages produce his meals, he reflects ten times that it is a fine day or it is a queer world, or wonders whether life is worth living, or wonders whether marriage is a failure, or is pleased and puzzled with his own children, or remembers his own youth, or in any such fashion vaguely reviews the mysterious lot of man. This is true of the majority even of the wage-slaves of our morbid modern industrialism, which by its hideousness and inhumanity has really forced the economic issue to the front. It is immeasurably more true of the multitude of peasants or hunters or fishers who make up the real mass of mankind. Even those dry pedants who think that ethics depend on economics must admit that economics depend on existence. And any number of normal doubts and day-dreams are{156} about existence; not about how we can live, but about why we do. And the proof of it is simple; as simple as suicide. Turn the universe upside down in the mind and you turn all the political economists upside down with it. Suppose that a man wishes to die, and the professor of political economy becomes rather a bore with his elaborate explanations of how he is to live. And all the departures and decisions that make our human past into a story have this character of diverting the direct course of pure economics. As the economist may be excused from calculating the future salary of a suicide, so he may be excused from providing an old-age pension for a martyr. As he need not provide for the future of a martyr, so he need not provide for the family of a monk. His plan is modified in lesser and varying degrees by a man being a soldier and dying for his own country, by a man being a peasant and specially loving his own land, by a man being more or less affected by any religion that forbids or allows him to do this or that. But all these come back not to an economic calculation about livelihood but to an elemental outlook upon life. They all come back to what a man fundamentally feels, when he looks forth from those strange windows which we call the eyes, upon that strange vision that we call the world.

But there’s a deeper misconception here beyond the obvious; that people don’t only live for food just because they can’t survive without it. The reality is that what’s most present in a person's mind isn’t the economic mechanisms necessary for survival, but life itself; the world they see each morning when they wake up and their overall position in it. There’s something closer to them than just making a living, and that’s the experience of life. Once they remember what kind of work earns them money and exactly how that money buys food, they think ten times more about whether it’s a beautiful day or a strange world, or they wonder if life is even worth it, if marriage is a failure, or feel joy and confusion watching their own kids, or recall their youth, or in any way vaguely ponder the mysterious condition of humanity. This is true for most of the wage slaves in our grim modern industrial society, which, due to its ugliness and inhumanity, has really pushed economic issues to the forefront. It’s even more true for the many peasants, hunters, or fishers who make up the bulk of humanity. Even those dry scholars who believe ethics hinge on economics must acknowledge that economics are based on existence. And countless normal doubts and daydreams are about existence; not about how we can survive, but about why we do. The proof of this is straightforward; as straightforward as suicide. Upset the universe in your mind and you turn all the political economists upside down with it. Imagine a person wanting to die, and the professor of political economy becomes rather tedious with his complex explanations on how they should live. All the choices and paths that shape our human past are about diverting the straightforward pursuit of basic economics. Just as an economist can be excused from figuring out the future income of a suicide, they can also be excused from arranging a pension for a martyr. Just as there's no need to plan for a martyr's future, there’s no need to provide for a monk's family. This plan is altered in various ways by someone being a soldier and dying for their country, a peasant with a deep love for their land, or someone influenced by a religion that allows or forbids certain actions. But all these issues circle back not to an economic analysis of survival but to a fundamental perspective on life. They all return to what a person deeply feels when they look through those strange windows we call eyes at that odd vision we refer to as the world.

No wise man will wish to bring more long words into the world. But it may be allowable to say that we need a new thing; which may be called psychological history. I mean the consideration of what things meant in the mind of a man, especially an ordinary man; as distinct from what is defined or deduced merely from official forms or political pronouncements. I have already touched on it in such a case as the totem or indeed any other popular myth. It is not enough to be told that a tom-cat was called a totem; especially when it was not called a totem. We want to know what it felt like. Was it like Whittington’s cat or like a witch’s cat? Was{157} its real name Pasht or Puss-In-Boots? That is the sort of thing we need touching the nature of political and social relations. We want to know the real sentiment that was the social bond of many common men, as sane and as selfish as we are. What did soldiers feel when they saw splendid in the sky that strange totem that we call the Golden Eagle of the Legions? What did vassals feel about those other totems, the lions or the leopards upon the shield of their lord? So long as we neglect this subjective side of history, which may more simply be called the inside of history, there will always be a certain limitation on that science which can be better transcended by art. So long as the historian cannot do that, fiction will be truer than fact. There will be more reality in a novel; yes, even in a historical novel.

No wise person wants to add more complicated words to the world. However, it might be fair to say that we need something new, which we can call psychological history. I’m talking about understanding what things meant in the mind of a person, especially an ordinary person, as opposed to what is simply described or inferred from official documents or political statements. I've already touched on this with examples like totems or any other popular myths. It’s not enough to say that a tom-cat was called a totem, especially when it wasn’t actually called that. We need to know what it felt like. Was it like Whittington's cat or like a witch's cat? Was its real name Pasht or Puss-In-Boots? That’s the kind of insight we need when exploring the nature of political and social relationships. We want to understand the real feelings that served as the social bond among many ordinary people, as sane and as self-interested as we are. What did soldiers feel when they saw that striking totem in the sky, which we call the Golden Eagle of the Legions? What did vassals think about the other totems, like the lions or leopards on their lord's shield? As long as we ignore this subjective aspect of history, which can simply be referred to as the inside of history, there will always be a limit to that science that can better be expressed through art. As long as historians can’t do that, fiction will often feel more truthful than reality. There will be more truth in a novel, yes, even in a historical novel.

In nothing is this new history needed so much as in the psychology of war. Our history is stiff with official documents, public or private, which tell us nothing of the thing itself. At the worst we only have the official posters, which could not have been spontaneous precisely because they were official. At the best we have only the secret diplomacy, which could not have been popular precisely because it was secret. Upon one or other of these is based the historical judgment about the real reasons that sustained the struggle. Governments fight for colonies or commercial rights; governments fight about harbours or high tariffs; governments fight for a gold mine or a pearl fishery. It seems sufficient to answer that governments do not fight at all. Why do the fighters fight? What is the psychology that sustains the terrible and wonderful thing called a war? Nobody who knows anything of soldiers believes the silly notion of the dons, that millions of men can be ruled by force. If they were all to slack, it would be impossible to punish all the slackers. And the least little touch of slacking would lose a whole campaign in half a day. What did men really feel{158} about the policy? If it be said that they accepted the policy from the politician, what did they feel about the politician? If the vassals warred blindly for their prince, what did those blind men see in their prince?

In today’s world, understanding the psychology of war is more important than ever. Our historical records are filled with official documents, both public and private, that don’t really convey the essence of the experience. At best, we have official posters that lack spontaneity because they are, after all, official. And at worst, we only have secret diplomacy, which can’t be truly popular since it’s kept hidden. Our historical judgments about the genuine reasons behind the conflict rely on either of these. Governments may clash over colonies or trade rights, fight over ports or tariffs, or go to war for a gold mine or a pearl fishery. But isn’t it too simplistic to say governments are the ones fighting? What drives the individuals who actually engage in battle? What is the mindset that fuels the incredible and horrific phenomenon known as war? Anyone with experience around soldiers knows that it’s naïve to assume millions can be controlled solely by force. If they all chose to ignore orders, punishing every one of them would be impossible. And even a small amount of apathy could lead to losing an entire campaign in just a few hours. What did these men genuinely feel about the policies they were following? If it is claimed that they accepted the policies from the politicians, what were their thoughts about those politicians? If the soldiers fought blindly for their leaders, what did those blind soldiers perceive in their leaders?

There is something we all know which can only be rendered, in an appropriate language, as realpolitik. As a matter of fact, it is an almost insanely unreal politik. It is always stubbornly and stupidly repeating that men fight for material ends, without reflecting for a moment that the material ends are hardly ever material to the men who fight. In any case, no man will die for practical politics, just as no man will die for pay. Nero could not hire a hundred Christians to be eaten by lions at a shilling an hour; for men will not be martyred for money. But the vision called up by real politik, or realistic politics, is beyond example crazy and incredible. Does anybody in the world believe that a soldier says, ‘My leg is nearly dropping off, but I shall go on till it drops; for after all I shall enjoy all the advantages of my government obtaining a warm-water port in the Gulf of Finland.’ Can anybody suppose that a clerk turned conscript says, ‘If I am gassed I shall probably die in torments; but it is a comfort to reflect that should I ever decide to become a pearl-diver in the South Seas, that career is now open to me and my countrymen.’ Materialist history is the most madly incredible of all histories, or even of all romances. Whatever starts wars, the thing that sustains wars is something in the soul; that is something akin to religion. It is what men feel about life and about death. A man near to death is dealing directly with an absolute; it is nonsense to say he is concerned only with relative and remote complications that death in any case will end. If he is sustained by certain loyalties, they must be loyalties as simple as death. They are generally two ideas, which are only two sides of one idea. The first is the love of some{159}thing said to be threatened, if it be only vaguely known as home; the second is dislike and defiance of some strange thing that threatens it. The first is far more philosophical than it sounds, though we need not discuss it here. A man does not want his national home destroyed or even changed, because he cannot even remember all the good things that go with it; just as he does not want his house burnt down, because he can hardly count all the things he would miss. Therefore he fights for what sounds like a hazy abstraction, but is really a house. But the negative side of it is quite as noble as well as quite as strong. Men fight hardest when they feel that the foe is at once an old enemy and an eternal stranger, that his atmosphere is alien and antagonistic; as the French feel about the Prussian or the Eastern Christians about the Turk. If we say it is a difference of religion, people will drift into dreary bickerings about sects and dogmas. We will pity them and say it is a difference about death and daylight; a difference that does really come like a dark shadow between our eyes and the day. Men can think of this difference even at the point of death; for it is a difference about the meaning of life.

There’s something we all recognize that can only be described as realpolitik. In reality, it’s almost completely a misguided political perspective. It stubbornly and foolishly claims that people fight for material gains, without considering for a second that these gains rarely matter to the fighters themselves. In any case, no one is going to die for practical politics, just as no one will die for a paycheck. Nero couldn’t hire a hundred Christians to be fed to lions for a shilling an hour; people won’t become martyrs for money. Yet the vision evoked by realpolitik, or realistic politics, is incredibly crazy and unbelievable. Does anyone truly believe a soldier would think, ‘My leg is nearly falling off, but I’ll keep going until it does because I’ll enjoy the benefits of my government getting a warm-water port in the Gulf of Finland’? Can anyone imagine a clerk turned soldier saying, ‘If I get gassed, I’ll probably die in agony; but at least I can take comfort in the fact that if I ever want to become a pearl diver in the South Seas, that opportunity is now available to me and my countrymen’? Materialist history is the most wildly unbelievable of all histories, or even of all romances. Whatever starts wars, what keeps them going is something deep within the soul; something akin to religion. It’s tied to how people feel about life and death. A person close to death grapples with something absolute; it's nonsense to say they care only about relative and distant complications that death will eventually resolve. If they are driven by certain loyalties, those loyalties must be as straightforward as death itself. There are generally two ideas, which are really two sides of the same coin. The first is the love for something said to be in danger, even if it’s just vaguely recognized as home; the second is a dislike and defiance of some unfamiliar threat. The first is much more philosophical than it appears, though we don’t need to delve into that here. A person doesn’t want their national home destroyed or even altered, because they can hardly recall all the good things that come with it; just as they don’t want their house burned down, because they can hardly count all the things they’d miss. So they fight for what seems like a blurry idea, but is actually about a home. However, the negative aspect of this is just as noble and just as powerful. People fight hardest when they sense that the enemy is both a long-standing foe and an eternal outsider, that their presence is foreign and hostile; like how the French perceive the Prussian or how Eastern Christians view the Turk. If we claim it’s a religious difference, people will get into tedious arguments about sects and beliefs. However, we can express sympathy and say it's really a difference about life and death; a difference that casts a dark shadow between our eyes and the light of day. People think about this difference even at the brink of death; it’s about the meaning of life.

Men are moved in these things by something far higher and holier than policy: by hatred. When men hung on in the darkest days of the Great War, suffering either in their bodies or in their souls for those they loved, they were long past caring about details of diplomatic objects as motives for their refusal to surrender. Of myself and those I knew best I can answer for the vision that made surrender impossible. It was the vision of the German Emperor’s face as he rode into Paris. This is not the sentiment which some of my idealistic friends describe as Love. I am quite content to call it hatred; the hatred of hell and all its works, and to agree that as they do not believe in hell they need not believe in hatred. But in the face of this prevalent prejudice, this long{160} introduction has been unfortunately necessary, to ensure an understanding of what is meant by a religious war. There is a religious war when two worlds meet; that is, when two visions of the world meet; or in more modern language, when two moral atmospheres meet. What is the one man’s breath is the other man’s poison; and it is vain to talk of giving a pestilence a place in the sun. And this is what we must understand, even at the expense of digression, if we would see what really happened in the Mediterranean; when right athwart the rising of the Republic on the Tiber, a thing overtopping and disdaining it, dark with all the riddles of Asia and trailing all the tribes and dependencies of imperialism, came Carthage riding on the sea.

Men are driven in these matters by something much greater and more sacred than politics: by hatred. When people held on during the darkest days of the Great War, suffering either in body or soul for those they loved, they were way past caring about the details of diplomatic reasons for refusing to surrender. I can speak for myself and those I knew best about the vision that made surrender impossible. It was the image of the German Emperor’s face as he rode into Paris. This isn’t the emotion that some of my idealistic friends describe as Love. I’m perfectly fine calling it hatred; the hatred of hell and all its works, and I agree that since they don't believe in hell, they don't need to believe in hatred. But in light of this common bias, this long{160} introduction has unfortunately been necessary to ensure an understanding of what is meant by a religious war. A religious war occurs when two worlds clash; that is, when two different worldviews come together; or in more modern terms, when two moral perspectives interact. What is life to one man is poison to another; and it's pointless to talk about giving a plague a place in the sun. We must grasp this, even if it means digressing, if we want to understand what really happened in the Mediterranean; when right against the rise of the Republic on the Tiber, something that overshadowed and scorned it, dark with all the mysteries of Asia and dragging all the tribes and dependencies of imperialism, came Carthage sailing on the sea.

The ancient religion of Italy was on the whole that mixture which we have considered under the head of mythology; save that where the Greeks had a natural turn for the mythology, the Latins seem to have had a real turn for religion. Both multiplied gods, yet they sometimes seem to have multiplied them for almost opposite reasons. It would seem sometimes as if the Greek polytheism branched and blossomed upwards like the boughs of a tree, while the Italian polytheism ramified downward like the roots. Perhaps it would be truer to say that the former branches lifted themselves lightly, bearing flowers; while the latter hung down, being heavy with fruit. I mean that the Latins seem to multiply gods to bring them nearer to men, while the Greek gods rose and radiated outwards into the morning sky. What strikes us in the Italian cults is their local and especially their domestic character. We gain the impression of divinities swarming about the house like flies; of deities clustering and clinging like bats about the pillars or building like birds under the eaves. We have a vision of a god of roofs and a god of gateposts, of a god of doors and even a god of drains. It has been suggested that all mythology was a sort of{161} fairy-tale; but this was a particular sort of fairy-tale which may truly be called a fireside tale, or a nursery-tale; because it was a tale of the interior of the home; like those which make chairs and tables talk like elves. The old household gods of the Italian peasants seem to have been great, clumsy, wooden images, more featureless than the figure-head which Quilp battered with the poker. This religion of the home was very homely. Of course there were other less human elements in the tangle of Italian mythology. There were Greek deities superimposed on the Roman; there were here and there uglier things underneath, experiments in the cruel kind of paganism, like the Arician rite of the priest slaying the slayer. But these things were always potential in paganism; they are certainly not the peculiar character of Latin paganism. The peculiarity of that may be roughly covered by saying that if mythology personified the forces of nature, this mythology personified nature as transformed by the forces of man. It was the god of the corn and not of the grass, of the cattle and not the wild things of the forest; in short, the cult was literally a culture; as when we speak of it as agriculture.

The ancient religion of Italy was mainly a blend that we can consider a part of mythology; however, while the Greeks had a natural inclination toward mythology, the Latins appeared to have a genuine inclination toward religion. Both groups had many gods, but they seemed to have multiplied them for almost opposite reasons. It sometimes feels like Greek polytheism branched and blossomed upward like the limbs of a tree, while Italian polytheism spread downward like the roots. It might be more accurate to say that the former branches lifted themselves lightly, adorned with flowers, while the latter hung down, heavy with fruit. This means that Latins seemed to create more gods to bring them closer to people, whereas Greek gods rose and radiated outward into the bright sky. What stands out in Italian cults is their local, especially their domestic, character. We get the impression of divinities swarming around the house like flies, of deities clustering and clinging like bats around the pillars or nesting like birds under the eaves. We envision a god of rooftops, a god of gateposts, a god of doors, and even a god of drains. It's been suggested that all mythology was a sort of{161} fairy tale; but this was a specific kind of fairy tale that can truly be called a fireside tale or a nursery tale because it concerned the inner workings of the home, akin to stories that make chairs and tables talk like elves. The old household gods of Italian peasants seemed to be large, awkward wooden figures, more featureless than the figurehead that Quilp smashed with the poker. This religion of the home was very down-to-earth. Of course, there were other less human elements in the mix of Italian mythology. There were Greek deities placed over the Roman ones; there were occasional darker elements lurking beneath, experiments in a harsher form of paganism, like the Arician rite where the priest kills the slayer. But these aspects were always potential within paganism; they certainly are not the unique character of Latin paganism. The distinctiveness of that can be roughly summed up by saying that while mythology personified the forces of nature, this mythology personified nature as shaped by human forces. It was the god of the corn and not of grass, of cattle and not the wild creatures of the forest; in short, the cult was literally a culture, as when we refer to it as agriculture.

With this there was a paradox which is still for many the puzzle or riddle of the Latins. With religion running through every domestic detail like a climbing plant, there went what seems to many the very opposite spirit: the spirit of revolt. Imperialists and reactionaries often invoke Rome as the very model of order and obedience; but Rome was the very reverse. The real history of ancient Rome is much more like the history of modern Paris. It might be called in modern language a city built out of barricades. It is said that the gate of Janus was never closed because there was an eternal war without; it is almost as true that there was an eternal revolution within. From the first Plebeian riots to the last Servile Wars, the state that imposed peace on the{162} world was never really at peace. The rulers were themselves rebels.

With this came a paradox that remains a puzzle for many when it comes to the Latins. With religion intertwined in every aspect of daily life like a climbing plant, there also existed what seems to many as the complete opposite: a spirit of rebellion. Imperialists and conservatives often refer to Rome as the perfect example of order and obedience; however, Rome was quite the opposite. The true history of ancient Rome resembles the history of modern Paris much more closely. It could be described in modern terms as a city built on barricades. It's said that the gate of Janus was never closed due to a constant war on the outside; it’s almost equally true that there was a perpetual revolution on the inside. From the first Plebeian riots to the final Servile Wars, the state that enforced peace on the{162}world was never actually at peace. The rulers were rebels themselves.

There is a real relation between this religion in private and this revolution in public life. Stories none the less heroic for being hackneyed remind us that the Republic was founded on a tyrannicide that avenged an insult to a wife; that the Tribunes of the people were re-established after another which avenged an insult to a daughter. The truth is that only men to whom the family is sacred will ever have a standard or a status by which to criticise the state. They alone can appeal to something more holy than the gods of the city; the gods of the hearth. That is why men are mystified in seeing that the same nations that are thought rigid in domesticity are also thought restless in politics; for instance, the Irish and the French. It is worth while to dwell on this domestic point because it is an exact example of what is meant here by the inside of history, like the inside of houses. Merely political histories of Rome may be right enough in saying that this or that was a cynical or cruel act of the Roman politicians; but the spirit that lifted Rome from beneath was the spirit of all the Romans; and it is not a cant to call it the ideal of Cincinnatus passing from the senate to the plough. Men of that sort had strengthened their village on every side, had extended its victories already over Italians and even over Greeks, when they found themselves confronted with a war that changed the world. I have called it here the war of the gods and demons.

There’s a real connection between this private faith and this public revolution. Stories, no less heroic for being well-known, remind us that the Republic was founded on a killing of a tyrant that avenged an insult to a wife; that the Tribunes of the people were restored after another incident that avenged an insult to a daughter. The truth is that only those who see family as sacred will ever have a standard or a position to criticize the state. They alone can appeal to something more sacred than the city's gods; the gods of the home. This is why people are puzzled to see that the same nations thought to be strict about family life are also seen as restless in politics, like the Irish and the French. It’s important to focus on this domestic aspect because it perfectly illustrates what we mean by the inner workings of history, similar to the inner workings of houses. Political histories of Rome might accurately point out that this or that was a cynical or cruel act by Roman politicians; but the spirit that uplifted Rome came from all the Romans; and it’s not exaggeration to refer to it as the ideal of Cincinnatus moving from the senate to the plow. Men like that had strengthened their village in every way, had already expanded its victories against Italians and even Greeks, when they faced a war that transformed the world. I’ve referred to it here as the war of the gods and demons.

There was established on the opposite coast of the inland sea a city that bore the name of the New Town. It was already much older, more powerful, and more prosperous than the Italian town; but there still remained about it an atmosphere that made the name not inappropriate. It had been called new because it was a colony like New York or New Zealand. It was an outpost or settlement of the{163} energy and expansion of the great commercial cities of Tyre and Sidon. There was a note of the new countries and colonies about it; a confident and commercial outlook. It was fond of saying things that rang with a certain metallic assurance; as that nobody could wash his hands in the sea without the leave of the New Town. For it depended almost entirely on the greatness of its ships, as did the two great ports and markets from which its people came. It brought from Tyre and Sidon a prodigious talent for trade and considerable experience of travel. It brought other things as well.

Across the inland sea, a city known as the New Town was established. It was already older, more powerful, and more prosperous than the Italian town, yet it still had an atmosphere that made the name fitting. It was called new because it was a colony like New York or New Zealand. It served as an outpost or settlement of the{163} energy and expansion of the great commercial cities of Tyre and Sidon. There was a vibe of the new countries and colonies; a confident, commercial outlook. It often claimed that no one could wash their hands in the sea without permission from the New Town. Its prosperity relied almost entirely on the greatness of its ships, just like the two major ports and markets from which its people originated. It brought a remarkable talent for trade and considerable travel experience from Tyre and Sidon. It also brought other things.

In a previous chapter I have hinted at something of the psychology that lies behind a certain type of religion. There was a tendency in those hungry for practical results, apart from poetical results, to call upon spirits of terror and compulsion; to move Acheron in despair of bending the gods. There is always a sort of dim idea that these darker powers will really do things, with no nonsense about it. In the interior psychology of the Punic peoples this strange sort of pessimistic practicality had grown to great proportions. In the New Town, which the Romans called Carthage, as in the parent cities of Phoenicia, the god who got things done bore the name of Moloch, who was perhaps identical with the other deity whom we know as Baal, the Lord. The Romans did not at first quite know what to call him or what to make of him; they had to go back to the grossest myth of Greek or Roman origins and compare him to Saturn devouring his children. But the worshippers of Moloch were not gross or primitive. They were members of a mature and polished civilisation, abounding in refinements and luxuries; they were probably far more civilised than the Romans. And Moloch was not a myth; or at any rate his meal was not a myth. These highly civilised people really met together to invoke the blessing of heaven on their empire by throwing hundreds of their infants into a{164} large furnace. We can only realise the combination by imagining a number of Manchester merchants with chimney-pot hats and mutton-chop whiskers, going to church every Sunday at eleven o’clock to see a baby roasted.

In a previous chapter, I hinted at the psychology behind a certain type of religion. Those eager for practical results, not just poetic ones, tended to call upon spirits of fear and control; desperate to sway the gods, they sought to influence Acheron. There’s always this vague belief that these darker forces will actually accomplish things without any fluff. Among the Carthaginians, this odd kind of pessimistic practicality grew significantly. In the New Town, which the Romans named Carthage, just like in the original Phoenician cities, the god who made things happen was named Moloch, who might have been the same as the deity we know as Baal, the Lord. Initially, the Romans were unsure what to call him or how to understand him; they had to revert to the most shocking myths from Greek or Roman backgrounds and liken him to Saturn eating his children. However, Moloch's worshippers were not crude or primitive. They were part of a sophisticated and refined civilization, rich in culture and luxuries; they were likely more civilized than the Romans. And Moloch wasn’t a myth; at least, his sacrifice wasn’t a myth. These highly advanced people actually gathered to invoke divine favor for their empire by throwing hundreds of their babies into a{164} large furnace. We can only grasp this mix by picturing a group of Manchester merchants in chimney-pot hats and mutton-chop whiskers, attending church every Sunday at eleven o’clock to witness a baby being roasted.

The first stages of the political or commercial quarrel can be followed in far too much detail, precisely because it is merely political or commercial. The Punic Wars looked at one time as if they would never end; and it is not easy to say when they ever began. The Greeks and the Sicilians had already been fighting vaguely on the European side against the African city. Carthage had defeated Greece and conquered Sicily. Carthage had also planted herself firmly in Spain; and between Spain and Sicily the Latin city was contained and would have been crushed; if the Romans had been of the sort to be easily crushed. Yet the interest of the story really consists in the fact that Rome was crushed. If there had not been certain moral elements as well as the material elements, the story would have ended where Carthage certainly thought it had ended. It is common enough to blame Rome for not making peace. But it was a true popular instinct that there could be no peace with that sort of people. It is common enough to blame the Roman for his Delenda est Carthago; Carthage must be destroyed. It is commoner to forget that, to all appearance, Rome itself was destroyed. The sacred savour that hung round Rome for ever, it is too often forgotten, clung to her partly because she had risen suddenly from the dead.

The early stages of the political or commercial conflict can be traced in excessive detail, mainly because it is just political or commercial. The Punic Wars once seemed like they would never end, and it's hard to pinpoint when they really started. The Greeks and the Sicilians had already been vaguely fighting against the African city on the European side. Carthage had defeated Greece and conquered Sicily. They had also established a strong presence in Spain; and between Spain and Sicily, the Latin city was surrounded and would have been crushed if the Romans weren’t the kind of people who could be easily defeated. Yet, the core of the story lies in the fact that Rome was indeed crushed. If it weren't for certain moral aspects alongside the material ones, the tale would have ended where Carthage believed it had ended. It's common to criticize Rome for not making peace. But there was a genuine public feeling that there could be no peace with those kinds of people. People often blame the Romans for their belief in Delenda est Carthago; that Carthage must be destroyed. It’s even more common to forget that, by all appearances, Rome itself was destroyed. The sacred essence that surrounded Rome forever is often overlooked; it partly lingered because she had risen suddenly from the dead.

Carthage was an aristocracy, as are most of such mercantile states. The pressure of the rich on the poor was impersonal as well as irresistible. For such aristocracies never permit personal government, which is perhaps why this one was jealous of personal talent. But genius can turn up anywhere, even in a governing class. As if to make the world’s supreme test as terrible as possible, it was ordained that one of the{165} great houses of Carthage should produce a man who came out of those gilded palaces with all the energy and originality of Napoleon coming from nowhere. At the worst crisis of the war, Rome learned that Italy itself, by a military miracle, was invaded from the north. Hannibal, the Grace of Baal as his name ran in his own tongue, had dragged a ponderous chain of armaments over the starry solitudes of the Alps; and pointed southward to the city which he had been pledged by all his dreadful gods to destroy.

Carthage was an aristocracy, like most mercantile states. The pressure from the wealthy on the poor was both impersonal and unstoppable. Such aristocracies never allow for personal governance, which is probably why this one was threatened by individual talent. But brilliance can emerge from anywhere, even within a ruling class. To make the world’s ultimate test as daunting as possible, it was destined that one of the{165} great families of Carthage would produce a man who emerged from those lavish palaces with all the energy and originality of Napoleon rising from obscurity. At the most critical point of the war, Rome discovered that Italy itself was miraculously invaded from the north. Hannibal, known in his own language as the Grace of Baal, had dragged a heavy chain of weapons over the starry expanse of the Alps, aiming south towards the city he had sworn to destroy on behalf of his fearsome gods.

Hannibal marched down the road to Rome, and the Romans who rushed to war with him felt as if they were fighting with a magician. Two great armies sank to right and left of him into the swamps of the Trebia; more and more were sucked into the horrible whirlpool of Cannae; more and more went forth only to fall in ruin at his touch. The supreme sign of all disasters, which is treason, turned tribe after tribe against the falling cause of Rome, and still the unconquerable enemy rolled nearer and nearer to the city; and following their great leader the swelling cosmopolitan army of Carthage passed like a pageant of the whole world; the elephants shaking the earth like marching mountains and the gigantic Gauls with their barbaric panoply and the dark Spaniards girt in gold and the brown Numidians on their unbridled desert horses wheeling and darting like hawks, and whole mobs of deserters and mercenaries and miscellaneous peoples; and the Grace of Baal went before them.

Hannibal marched down the road to Rome, and the Romans rushing to fight him felt like they were battling a magician. Two massive armies fell to the right and left of him into the swamps of the Trebia; more and more were drawn into the dreadful whirlpool of Cannae; more and more went out only to be defeated by his hand. The ultimate sign of all disasters—betrayal—turned tribe after tribe against the crumbling cause of Rome, and still the unstoppable enemy rolled closer and closer to the city; and following their great leader, the growing diverse army of Carthage passed like a spectacle of the whole world; the elephants shaking the ground like moving mountains, the giant Gauls with their barbaric gear, the dark Spaniards adorned in gold, and the brown Numidians on their wild desert horses wheeling and darting like hawks, alongside crowds of deserters, mercenaries, and various people; and the Grace of Baal led them.

The Roman augurs and scribes who said in that hour that it brought forth unearthly prodigies, that a child was born with the head of an elephant or that stars fell down like hailstones, had a far more philosophical grasp of what had really happened than the modern historian who can see nothing in it but a success of strategy concluding a rivalry in commerce. Something far different was felt at the time and on the spot, as it is always felt by those who experience a foreign atmosphere entering their own like a fog or{166} a foul savour. It was no mere military defeat, it was certainly no mere mercantile rivalry, that filled the Roman imagination with such hideous omens of nature herself becoming unnatural. It was Moloch upon the mountain of the Latins, looking with his appalling face across the plain; it was Baal who trampled the vineyards with his feet of stone; it was the voice of Tanit the invisible, behind her trailing veils, whispering of the love that is more horrible than hate. The burning of the Italian cornfields, the ruin of the Italian vines, were something more than actual; they were allegorical. They were the destruction of domestic and fruitful things, the withering of what was human before that inhumanity that is far beyond the human thing called cruelty. The household gods bowed low in darkness under their lowly roofs; and above them went the demons upon a wind from beyond all walls, blowing the trumpet of the Tramontane. The door of the Alps was broken down; and in no vulgar but a very solemn sense, it was Hell let loose. The war of the gods and demons seemed already to have ended; and the gods were dead. The eagles were lost, the legions were broken; and in Rome nothing remained but honour and the cold courage of despair.

The Roman augurs and scribes who claimed at that time that it brought about otherworldly signs, like a child born with an elephant's head or stars falling like hail, had a much deeper understanding of what really happened than today’s historians, who only see it as a strategic victory ending a business rivalry. Something entirely different was felt back then, as it always is by those who feel a strange atmosphere creeping into their own, like fog or a terrible odor. This was no simple military defeat; it was certainly not just a trade rivalry that filled the Roman imagination with such grotesque omens of nature turning unnatural. It was Moloch on the mountain of the Latins, staring down with his horrifying face over the plains; it was Baal trampling the vineyards with his stone feet; it was the voice of Tanit, the unseen, whispering behind her flowing veils about a love more terrible than hate. The burning of the Italian fields and the devastation of the Italian vineyards were more than real; they were symbolic. They represented the destruction of nurturing and domestic things, the fading of humanity in the face of an inhumanity that surpasses mere cruelty. The household gods bowed low in darkness beneath their humble roofs; and above them, the demons roamed on a wind from beyond all walls, sounding the trumpet of the Tramontane. The door of the Alps was shattered; and in a very serious sense, it felt like Hell was unleashed. The war between gods and demons seemed to have already ended; and the gods were dead. The eagles were lost, the legions were shattered; and in Rome, nothing remained but honor and the cold bravery of despair.

In the whole world one thing still threatened Carthage, and that was Carthage. There still remained the inner working of an element strong in all successful commercial states, and the presence of a spirit that we know. There was still the solid sense and shrewdness of the men who manage big enterprises; there was still the advice of the best financial experts; there was still business government; there was still the broad and sane outlook of practical men of affairs; and in these things could the Romans hope. As the war trailed on to what seemed its tragic end, there grew gradually a faint and strange possibility that even now they might not hope in vain. The plain business men of Carthage, thinking as such men do{167} in terms of living and dying races, saw clearly that Rome was not only dying but dead. The war was over; it was obviously hopeless for the Italian city to resist any longer, and inconceivable that anybody should resist when it was hopeless. Under these circumstances, another set of broad, sound business principles remained to be considered. Wars were waged with money, and consequently cost money; perhaps they felt in their hearts, as do so many of their kind, that after all war must be a little wicked because it costs money. The time had now come for peace; and still more for economy. The messages sent by Hannibal from time to time asking for reinforcements were a ridiculous anachronism; there were much more important things to attend to now. It might be true that some consul or other had made a last dash to the Metaurus, had killed Hannibal’s brother and flung his head, with Latin fury, into Hannibal’s camp; and mad actions of that sort showed how utterly hopeless the Latins felt about their cause. But even excitable Latins could not be so mad as to cling to a lost cause for ever. So argued the best financial experts; and tossed aside more and more letters, full of rather queer alarmist reports. So argued and acted the great Carthaginian Empire. That meaningless prejudice, the curse of commercial states, that stupidity is in some way practical and that genius is in some way futile, led them to starve and abandon that great artist in the school of arms, whom the gods had given them in vain.

In the whole world, one thing still threatened Carthage, and that was Carthage itself. There remained the inner workings of a strong element in all successful commercial states, along with a familiar spirit. The practical sense and sharp minds of the men running large businesses were still present; they had the advice of top financial experts; they maintained a business-oriented government; and there was still the broad, rational perspective of practical people in charge. In these aspects, the Romans might still have hope. As the war dragged on toward what seemed like a tragic conclusion, a faint and unusual possibility emerged that they might not be hoping in vain. The straightforward businesspeople of Carthage, thinking as such men often do in terms of thriving and perishing, clearly saw that Rome was not just dying but already dead. The war was over; it was clearly pointless for the Italian city to resist any longer, and inconceivable that anyone would fight on when there was no hope. Given these circumstances, another set of solid business principles came into play. Wars were fought with money, and, as a result, they cost money; perhaps they felt deep down, as many of their kind do, that war must have some inherent wickedness because it drains finances. The time for peace had come; even more, the time for frugality. Hannibal's occasional messages asking for reinforcements were an absurd anachronism; there were far more critical matters to focus on now. It might be true that some consul had made a final rush to the Metaurus, killing Hannibal's brother and throwing his head, in a fit of Latin fury, into Hannibal's camp; such reckless actions underscored how utterly hopeless the Latins felt about their cause. But even the excitable Latins couldn't be so foolish as to cling to a lost cause forever. So argued the best financial experts, tossing aside more and more letters filled with rather strange, alarmist reports. So reasoned and acted the great Carthaginian Empire. That meaningless bias, the curse of commercial states, that stupidity somehow equates to practicality and that genius is somehow futile, led them to starve and abandon that great warrior, whom the gods had given them in vain.

Why do men entertain this queer idea that what is sordid must always overthrow what is magnanimous; that there is some dim connection between brains and brutality, or that it does not matter if a man is dull so long as he is also mean? Why do they vaguely think of all chivalry as sentiment and all sentiment as weakness? They do it because they are, like all men, primarily inspired by religion. For them, as for all men, the first fact is their notion of the nature of{168} things; their idea about what world they are living in. And it is their faith that the only ultimate thing is fear and therefore that the very heart of the world is evil. They believe that death is stronger than life, and therefore dead things must be stronger than living things; whether those dead things are gold and iron and machinery or rocks and rivers and forces of nature. It may sound fanciful to say that men we meet at tea-tables or talk to at garden-parties are secretly worshippers of Baal or Moloch. But this sort of commercial mind has its own cosmic vision and it is the vision of Carthage. It has in it the brutal blunder that was the ruin of Carthage. The Punic power fell, because there is in this materialism a mad indifference to real thought. By disbelieving in the soul, it comes to disbelieving in the mind. Being too practical to be moral, it denies what every practical soldier calls the moral of an army. It fancies that money will fight when men will no longer fight. So it was with the Punic merchant princes. Their religion was a religion of despair, even when their practical fortunes were hopeful. How could they understand that the Romans could hope even when their fortunes were hopeless? Their religion was a religion of force and fear; how could they understand that men can still despise fear even when they submit to force? Their philosophy of the world had weariness in its very heart; above all they were weary of warfare; how should they understand those who still wage war even when they are weary of it? In a word, how should they understand the mind of Man, who had so long bowed down before mindless things, money and brute force and gods who had the hearts of beasts? They awoke suddenly to the news that the embers they had disdained too much even to tread out were again breaking everywhere into flame; that Hasdrubal was defeated, that Hannibal was outnumbered, that Scipio had carried the war into Spain; that he had carried it into Africa. Before{169} the very gates of the golden city Hannibal fought his last fight for it and lost; and Carthage fell as nothing has fallen since Satan. The name of the New City remains only as a name. There is no stone of it left upon the sand. Another war was indeed waged before the final destruction: but the destruction was final. Only men digging in its deep foundations centuries after found a heap of hundreds of little skeletons, the holy relics of that religion. For Carthage fell because she was faithful to her own philosophy and had followed out to its logical conclusion her own vision of the universe. Moloch had eaten his children.

Why do men hold this strange belief that what is dirty must always defeat what is noble; that there is some vague link between intellect and brutality, or that it doesn't matter if a man is dull as long as he is also cruel? Why do they tend to see all chivalry as mere sentiment and all sentiment as weakness? They do this because they are, like all men, mainly influenced by religion. For them, as for all men, the first truth is their view of the nature of{168} things; their perspective on the world they inhabit. And they believe that the only fundamental reality is fear and thus that the core of the world is evil. They think that death is stronger than life, and therefore, lifeless things must be stronger than living things, whether those lifeless things are gold, iron, machinery, or rocks, rivers, and natural forces. It might seem fanciful to suggest that the men we encounter at tea parties or talk with at garden gatherings are secretly worshipers of Baal or Moloch. But this sort of commercial mindset has its own cosmic vision, which is one of Carthage. It includes the brutal error that led to Carthage's downfall. The Punic power collapsed because this materialism reflects a reckless disregard for genuine thought. By denying the existence of the soul, they end up doubting the mind. Being too practical to be moral, they reject what every practical soldier recognizes as the morale of an army. They imagine that money will fight when men can no longer do so. Just like the Punic merchant elites. Their religion was one of despair, even when their tangible fortunes appeared promising. How could they comprehend that the Romans could hope even when their situation was dire? Their belief was one of force and fear; how could they grasp that men can still look down on fear even while yielding to force? Their worldview was steeped in weariness; above all, they were tired of war; how could they understand those who continue to wage war even when fatigued by it? In short, how could they grasp the mind of Man, who had long bowed to mindless things, money, brute force, and gods with the hearts of beasts? They were suddenly jolted by the news that the embers they had scorned too much to even extinguish were blazing up everywhere; that Hasdrubal was defeated, that Hannibal was outnumbered, that Scipio had taken the war to Spain; that he had brought it to Africa. Before{169} the very gates of the golden city, Hannibal fought his last battle for it and lost; and Carthage fell like nothing else has since Satan. The name of the New City exists only as a name. No stone of it remains upon the sand. Another war was indeed fought before the final destruction: but the destruction was decisive. Only centuries later did men digging in its deep foundations find a pile of hundreds of little skeletons, the holy relics of that religion. Carthage fell because she remained loyal to her own philosophy and followed her understanding of the universe to its logical conclusion. Moloch had consumed his children.

The gods had risen again, and the demons had been defeated after all. But they had been defeated by the defeated, and almost defeated by the dead. Nobody understands the romance of Rome, and why she rose afterwards to a representative leadership that seemed almost fated and fundamentally natural, who does not keep in mind the agony of horror and humiliation through which she had continued to testify to the sanity that is the soul of Europe. She came to stand alone in the midst of an empire because she had once stood alone in the midst of a ruin and a waste. After that all men knew in their hearts that she had been representative of mankind, even when she was rejected of men. And there fell on her the shadow from a shining and as yet invisible light and the burden of things to be. It is not for us to guess in what manner or moment the mercy of God might in any case have rescued the world; but it is certain that the struggle which established Christendom would have been very different if there had been an empire of Carthage instead of an empire of Rome. We have to thank the patience of the Punic wars if, in after ages, divine things descended at least upon human things and not inhuman. Europe evolved into its own vices and its own impotence, as will be suggested on another page; but the worst into which it evolved was not like what it had escaped. Can{170} any man in his senses compare the great wooden doll, whom the children expected to eat a little bit of the dinner, with the great idol who would have been expected to eat the children? That is the measure of how far the world went astray, compared with how far it might have gone astray. If the Romans were ruthless, it was in a true sense to an enemy, and certainly not merely a rival. They remembered not trade routes and regulations, but the faces of sneering men; and hated the hateful soul of Carthage. And we owe them something if we never needed to cut down the groves of Venus exactly as men cut down the groves of Baal. We owe it partly to their harshness that our thoughts of our human past are not wholly harsh. If the passage from heathenry to Christianity was a bridge as well as a breach, we owe it to those who kept that heathenry human. If, after all these ages, we are in some sense at peace with paganism, and can think more kindly of our fathers, it is well to remember the things that were and the things that might have been. For this reason alone we can take lightly the load of antiquity and need not shudder at a nymph on a fountain or a cupid on a valentine. Laughter and sadness link us with things long past away and remembered without dishonour; and we can see not altogether without tenderness the twilight sinking around the Sabine farm and hear the household gods rejoice when Catullus comes home to Sirmio. Deleta est Carthago.{171}

The gods had risen again, and the demons had been defeated after all. But they had been defeated by those who had already been defeated, and nearly overtaken by the dead. Nobody understands the story of Rome and why it later achieved a kind of leadership that felt almost destined and completely natural, without recognizing the pain and humiliation it had endured while still standing for the sanity that is the essence of Europe. Rome became the lone stander in the middle of an empire because it once stood alone amid destruction and desolation. After that, everyone deep down realized that it represented humanity, even when it was rejected by people. And a shadow from a bright, yet unseen light fell upon her, along with the weight of future possibilities. It's not up to us to guess how or when God's mercy might have saved the world; however, it’s clear that the battle that led to the establishment of Christendom would have looked very different if there had been a Carthaginian empire instead of a Roman one. We owe the endurance of the Punic Wars for making it so that, in later times, divine matters connected with human matters rather than anything inhumane. Europe developed its own vices and weaknesses, as will be pointed out elsewhere; but the worst it became wasn’t as terrible as what it had escaped. Can any reasonable person compare the big wooden doll that children expected to nibble on their dinner with the great idol that would have been expected to consume the children? That illustrates how far the world strayed compared to how much worse it could have gone. If the Romans were ruthless, it was genuinely against an enemy, not just a rival. They didn’t remember trade routes and regulations but the faces of sneering foes; they despised the vile spirit of Carthage. We owe them something because we didn’t need to cut down the groves of Venus just as men did with the groves of Baal. Thanks in part to their severity, our understanding of our human past isn’t entirely harsh. If the shift from paganism to Christianity was a bridge as well as a divide, we owe it to those who kept that paganism human. If, after all these years, we can feel somewhat at peace with paganism and view our ancestors with more kindness, it’s important to recall the realities that existed and the possibilities that could have been. For this reason alone, we can bear the weight of history lightly and don’t need to recoil at a nymph on a fountain or a cupid on a Valentine. Laughter and sadness connect us with things long gone but remembered without shame; and we can gaze with some tenderness at the dusk settling around the Sabine farm and hear the household gods rejoicing when Catullus returns home to Sirmio. Deleta est Carthago.

CHAPTER VIII

THE END OF THE WORLD

I was once sitting on a summer day in a meadow in Kent under the shadow of a little village church, with a rather curious companion with whom I had just been walking through the woods. He was one of a group of eccentrics I had come across in my wanderings who had a new religion called Higher Thought; in which I had been so far initiated as to realise a general atmosphere of loftiness or height, and was hoping at some later and more esoteric stage to discover the beginnings of thought. My companion was the most amusing of them, for however he may have stood towards thought, he was at least very much their superior in experience, having travelled beyond the tropics while they were meditating in the suburbs; though he had been charged with excess in telling travellers’ tales. In spite of anything said against him, I preferred him to his companions and willingly went with him through the wood; where I could not but feel that his sunburnt face and fierce tufted eyebrows and pointed beard gave him something of the look of Pan. Then we sat down in the meadow and gazed idly at the tree-tops and the spire of the village church; while the warm afternoon began to mellow into early evening and the song of a speck of a bird was faint far up in the sky and no more than a whisper of breeze soothed rather than stirred the ancient orchards of the garden of England. Then my companion said to me: ‘Do you know why the spire of that church goes up like that?’ I expressed a respectable agnosticism, and he answered{172} in an off-hand way, ‘Oh, the same as the obelisks; the phallic worship of antiquity.’ Then I looked across at him suddenly as he lay there leering above his goatlike beard; and for the moment I thought he was not Pan but the Devil. No mortal words can express the immense, the insane incongruity and unnatural perversion of thought involved in saying such a thing at such a moment and in such a place. For one moment I was in the mood in which men burned witches; and then a sense of absurdity equally enormous seemed to open about me like a dawn. ‘Why, of course,’ I said after a moment’s reflection, ‘if it hadn’t been for phallic worship, they would have built the spire pointing downwards and standing on its own apex.’ I could have sat in that field and laughed for an hour. My friend did not seem offended, for indeed he was never thin-skinned about his scientific discoveries. I had only met him by chance and I never met him again, and I believe he is now dead; but though it has nothing to do with the argument, it may be worth while to mention the name of this adherent of Higher Thought and interpreter of primitive religious origins; or at any rate the name by which he was known. It was Louis de Rougemont.

I was once sitting on a summer day in a meadow in Kent under the shadow of a little village church, with a rather curious companion with whom I had just been walking through the woods. He was one of a group of eccentric individuals I had encountered during my wanderings who practiced a new belief system called Higher Thought; I had been introduced to it enough to sense a general atmosphere of elevation or enlightenment, and I was hoping to uncover deeper thoughts at some later and more profound stage. My companion was the most entertaining of them, because regardless of his intellectual stance, he clearly had more life experience, having traveled beyond the tropics while the others were meditating in the suburbs; though he had been accused of exaggerating his travelers' tales. Despite the criticisms, I preferred his company over the others and gladly walked with him through the woods; I couldn’t help but notice that his sunburnt face and wild tufts of eyebrows and pointed beard gave him a bit of a Pan-like appearance. Then we sat in the meadow, idly gazing at the treetops and the spire of the village church; as the warm afternoon began to soften into early evening, the faint song of a tiny bird echoed far up in the sky, and a gentle breeze soothed rather than agitated the ancient orchards of the garden of England. Then my companion asked me, ‘Do you know why the spire of that church points up like that?’ I expressed a decent uncertainty, and he casually replied, ‘Oh, it’s the same as obelisks; it’s all about the phallic worship of ancient times.’ I looked over at him, surprised, as he lay there grinning above his goat-like beard; for a moment, I thought he was not Pan but the Devil. Mortal words fail to convey the immense and absurd incongruity in saying such a thing at such a moment and in such a place. For just one moment, I was filled with the kind of mindset people had when they burned witches; then a sense of absurdity as equally vast seemed to dawn around me. ‘Well, of course,’ I said after reflecting for a moment, ‘if it weren’t for phallic worship, they would have built the spire pointing downwards and standing on its own tip.’ I could have sat in that field and laughed for an hour. My friend didn’t seem offended; in fact, he was never sensitive about his scientific discoveries. I had only met him by chance and never saw him again, and I believe he has since passed away; but although it isn’t directly related to the discussion, it might be worth mentioning the name of this adherent of Higher Thought and interpreter of primitive religious origins; or at least the name by which he was known. It was Louis de Rougemont.

That insane image of the Kentish church standing on the point of its spire, as in some old rustic topsy-turvy tale, always comes back into my imagination when I hear these things said about pagan origins; and calls to my aid the laughter of the giants. Then I feel as genially and charitably to all other scientific investigators, higher critics, and authorities on ancient and modern religion, as I do to poor Louis de Rougemont. But the memory of that immense absurdity remains as a sort of measure and check by which to keep sane, not only on the subject of Christian churches, but also on the subject of heathen temples. Now a great many people have talked about heathen origins as the distinguished traveller talked about Christian origins. Indeed a great many modern{173} heathens have been very hard on heathenism. A great many modern humanitarians have been very hard on the real religion of humanity. They have represented it as being everywhere and from the first rooted only in these repulsive arcana; and carrying the character of something utterly shameless and anarchical. Now I do not believe this for a moment. I should never dream of thinking about the whole worship of Apollo what De Rougemont could think about the worship of Christ. I would never admit that there was such an atmosphere in a Greek city as that madman was able to smell in a Kentish village. On the contrary, it is the whole point, even of this final chapter upon the final decay of paganism, to insist once more that the worst sort of paganism had already been defeated by the best sort. It was the best sort of paganism that conquered the gold of Carthage. It was the best sort of paganism that wore the laurels of Rome. It was the best thing the world had yet seen, all things considered and on any large scale, that ruled from the wall of the Grampians to the garden of the Euphrates. It was the best that conquered; it was the best that ruled; and it was the best that began to decay.

That crazy image of the Kentish church balancing on the tip of its spire, like something from a quirky old story, always pops into my mind when I hear discussions about pagan origins; and it brings back the laughter of giants. In those moments, I feel just as friendly and generous toward all other scientific researchers, critical thinkers, and experts on ancient and modern religions, as I do toward poor Louis de Rougemont. But the memory of that immense absurdity serves as a kind of measure and check to keep me grounded, not just about Christian churches, but also about pagan temples. Many people have talked about pagan origins in the same way the distinguished traveler spoke about Christian origins. In fact, many modern adherents of paganism have been quite critical of it. A lot of contemporary humanitarians have been very harsh on the true religion of humanity. They’ve portrayed it as being rooted only in these distasteful mysteries; and associating it with something utterly shameless and anarchic. I absolutely don't believe this. I could never imagine viewing the entire worship of Apollo in the same way De Rougemont viewed the worship of Christ. I would never accept that there was such a toxic atmosphere in a Greek city as that madman claimed to sense in a Kentish village. On the contrary, the main point of this final chapter about the decline of paganism is to emphasize once again that the worst kind of paganism had already been overcome by the best kind. It was the best kind of paganism that overcame the wealth of Carthage. It was the best kind of paganism that celebrated the glories of Rome. It was the best that the world had seen so far, considering everything on a large scale, that ruled from the Grampians to the Euphrates garden. It was the best that triumphed; it was the best that governed; and it was the best that began to fade away.

Unless this broad truth be grasped, the whole story is seen askew. Pessimism is not in being tired of evil but in being tired of good. Despair does not lie in being weary of suffering, but in being weary of joy. It is when for some reason or other the good things in a society no longer work that the society begins to decline; when its food does not feed, when its cures do not cure, when its blessings refuse to bless. We might almost say that in a society without such good things we should hardly have any test by which to register a decline; that is why some of the static commercial oligarchies like Carthage have rather an air in history of standing and staring like mummies, so dried up and swathed and embalmed that no man knows when they are new or old. But Carthage at{174} any rate was dead, and the worst assault ever made by the demons on mortal society had been defeated. But how much would it matter that the worst was dead if the best was dying?

Unless this broad truth is understood, the entire story is viewed incorrectly. Pessimism doesn’t come from being tired of evil, but from being tired of good. Despair doesn’t stem from being exhausted by suffering, but from being exhausted by joy. It’s when, for some reason, the good things in a society stop working that the society starts to decline; when its food doesn’t nourish, when its remedies don’t heal, when its blessings fail to bless. We could almost say that in a society lacking such good things, we would have no real way to measure a decline; that's why some of the static commercial oligarchies like Carthage have a tendency in history to appear as if they are standing still, like mummies, so dehydrated and wrapped up that no one knows if they are new or old. But Carthage at{174} was dead, and the worst attack ever made by the demons on human society had been defeated. But how important would it be that the worst was gone if the best was fading away?

To begin with, it must be noted that the relation of Rome to Carthage was partially repeated and extended in her relation to nations more normal and more nearly akin to her than Carthage. I am not here concerned to controvert the merely political view that Roman statesmen acted unscrupulously towards Corinth or the Greek cities. But I am concerned to contradict the notion that there was nothing but a hypocritical excuse in the ordinary Roman dislike of Greek vices. I am not presenting these pagans as paladins of chivalry, with a sentiment about nationalism never known until Christian times. But I am presenting them as men with the feelings of men; and those feelings were not a pretence. The truth is that one of the weaknesses in nature-worship and mere mythology had already produced a perversion among the Greeks, due to the worst sophistry; the sophistry of simplicity. Just as they became unnatural by worshipping nature, so they actually became unmanly by worshipping man. If Greece led her conqueror, she might have misled her conqueror; but these were things he did originally wish to conquer—even in himself. It is true that in one sense there was less inhumanity even in Sodom and Gomorrah than in Tyre and Sidon. When we consider the war of the demons on the children, we cannot compare even Greek decadence to Punic devil-worship. But it is not true that the sincere revulsion from either need be merely pharisaical. It is not true to human nature or to common sense. Let any lad who has had the luck to grow up sane and simple in his day-dreams of love hear for the first time of the cult of Ganymede; he will not be merely shocked but sickened. And that first impression, as has been said here so often about first impressions, will be right.{175} Our cynical indifference is an illusion; it is the greatest of all illusions: the illusion of familiarity. It is right to conceive the more or less rustic virtues of the ruck of the original Romans as reacting against the very rumour of it, with complete spontaneity and sincerity. It is right to regard them as reacting, if in a lesser degree, exactly as they did against the cruelty of Carthage. Because it was in a less degree they did not destroy Corinth as they destroyed Carthage. But if their attitude and action was rather destructive, in neither case need their indignation have been mere self-righteousness covering mere selfishness. And if anybody insists that nothing could have operated in either case but reasons of state and commercial conspiracies, we can only tell him that there is something which he does not understand; something which possibly he will never understand; something which, until he does understand, he will never understand the Latins. That something is called democracy. He has probably heard the word a good many times and even used it himself; but he has no notion of what it means. All through the revolutionary history of Rome there was an incessant drive towards democracy; the state and the statesman could do nothing without a considerable backing of democracy; the sort of democracy that never has anything to do with diplomacy. It is precisely because of the presence of Roman democracy that we hear so much about Roman oligarchy. For instance, recent historians have tried to explain the valour and victory of Rome in terms of that detestable and detested usury which was practised by some of the Patricians; as if Curius had conquered the men of the Macedonian phalanx by lending them money; or the Consul Nero had negotiated the victory of Metaurus at five per cent. But we realise the usury of the Patricians because of the perpetual revolt of the Plebeians. The rule of the Punic merchant princes had the very soul of usury. But{176} there was never a Punic mob that dared to call them usurers.

To start, it's important to note that Rome's relationship with Carthage somewhat repeated and expanded in her interactions with nations that were more typical and closer to her culturally than Carthage was. I’m not here to argue against the purely political belief that Roman leaders acted unscrupulously towards Corinth or Greek city-states. However, I do want to challenge the idea that the standard Roman disdain for Greek vices was nothing more than a hypocritical cover. I’m not depicting these pagans as knights of chivalry, with a sense of nationalism that didn’t exist until Christian times. But I am showing them as human beings with genuine feelings, and those feelings were sincere. The reality is that one of the flaws in nature-worship and simple mythology had already led to a distortion among the Greeks, thanks to a particularly shallow kind of reasoning. Just as they became unnatural by worshipping nature, they also became unmanly by idolizing humanity. If Greece influenced her conqueror, she might also have misled him; but those were aspects he originally wanted to conquer—even within himself. It’s true that, in one sense, there was less inhumanity, even in Sodom and Gomorrah, than in Tyre and Sidon. When we think about the demons’ war on the children, we really can’t compare even Greek decay to Punic devil-worship. But it’s not correct to say that a genuine revulsion toward either needs to be simply self-righteous. It doesn’t align with human nature or common sense. Any young man who has had the good fortune to grow up healthy and straightforward in his romantic daydreams will feel not just shocked but also nauseated upon hearing of the cult of Ganymede for the first time. And that initial response, as has been frequently said about first impressions, will be accurate.{175} Our cynical indifference is an illusion—the biggest illusion of all: the illusion of familiarity. It’s reasonable to view the more or less rustic virtues of ordinary early Romans as reacting instinctively and sincerely against the very idea of it. It’s fair to see their reactions, even if to a lesser extent, as similar to how they opposed the cruelty of Carthage. Because their response was less intense, they didn’t destroy Corinth as they did Carthage. But whether their attitude and actions were somewhat destructive, their outrage didn’t need to be just self-righteousness masking selfishness. If anyone argues that in either case only political motivations or financial conspiracies were at play, we can only indicate that there’s something he doesn’t grasp; something he may never fully understand; something that, until he comprehends it, will prevent him from understanding the Latins. That something is democracy. He has likely heard the term many times and may have even used it himself, but he has no real idea of its meaning. Throughout Rome’s revolutionary history, there was a constant drive toward democracy; the state and leaders could do nothing without substantial popular support; this kind of democracy has nothing to do with diplomacy. It’s precisely because Roman democracy existed that we hear so much about Roman oligarchy. For example, recent historians have attempted to explain Rome's bravery and victories in terms of the vile and reviled usury practiced by some Patricians, as though Curius had defeated the men of the Macedonian phalanx by lending them money; or that Consul Nero secured victory at Metaurus at a five percent interest rate. But we come to recognize the Patricians' usury because of the ongoing rebellion of the Plebeians. The reign of the Punic merchant princes had the very essence of usury. But{176} there was never a Punic mob bold enough to call them usurers.

Burdened like all mortal things with all mortal sin and weakness, the rise of Rome had really been the rise of normal and especially of popular things; and in nothing more than in the thoroughly normal and profoundly popular hatred of perversion. Now among the Greeks a perversion had become a convention. It is true that it had become so much of a convention, especially a literary convention, that it was sometimes conventionally copied by Roman literary men. But this is one of those complications that always arise out of conventions. It must not obscure our sense of the difference of tone in the two societies as a whole. It is true that Virgil would once in a way take over a theme of Theocritus; but nobody can get the impression that Virgil was particularly fond of that theme. The themes of Virgil were specially and notably the normal themes, and nowhere more than in morals; piety and patriotism and the honour of the countryside. And we may well pause upon the name of the poet as we pass into the autumn of antiquity: upon his name who was in so supreme a sense the very voice of autumn, of its maturity and its melancholy; of its fruits of fulfilment and its prospect of decay. Nobody who reads even a few lines of Virgil can doubt that he understood what moral sanity means to mankind. Nobody can doubt his feelings when the demons were driven in flight before the household gods. But there are two particular points about him and his work which are particularly important to the main thesis here. The first is that the whole of his great patriotic epic is in a very peculiar sense founded upon the fall of Troy; that is, upon an avowed pride in Troy although she had fallen. In tracing to Trojans the foundation of his beloved race and republic, he began what may be called the great Trojan tradition which runs through medieval and modern history. We have{177} already seen the first hint of it in the pathos of Homer about Hector. But Virgil turned it not merely into a literature but into a legend. And it was a legend of the almost divine dignity that belongs to the defeated. This was one of the traditions that did truly prepare the world for the coming of Christianity and especially of Christian chivalry. This is what did help to sustain civilisation through the incessant defeats of the Dark Ages and the barbarian wars; out of which what we call chivalry was born. It is the moral attitude of the man with his back to the wall; and it was the wall of Troy. All through medieval and modern times this version of the virtues in the Homeric conflict can be traced in a hundred ways co-operating with all that was akin to it in Christian sentiment. Our own countrymen, and the men of other countries, loved to claim like Virgil that their own nation was descended from the heroic Trojans. All sorts of people thought it the most superb sort of heraldry to claim to be descended from Hector. Nobody seems to have wanted to be descended from Achilles. The very fact that the Trojan name has become a Christian name, and been scattered to the last limits of Christendom, to Ireland or the Gaelic Highlands, while the Greek name has remained relatively rare and pedantic, is a tribute to the same truth. Indeed it involves a curiosity of language almost in the nature of a joke. The name has been turned into a verb; and the very phrase about hectoring, in the sense of swaggering, suggests the myriads of soldiers who have taken the fallen Trojan for a model. As a matter of fact, nobody in antiquity was less given to hectoring than Hector. But even the bully pretending to be a conqueror took his title from the conquered. That is why the popularisation of the Trojan origin by Virgil has a vital relation to all those elements that have made men say that Virgil was almost a Christian. It is almost as if two great tools or toys of the same timber, the{178} divine and the human, had been in the hands of Providence; and the only thing comparable to the Wooden Cross of Calvary was the Wooden Horse of Troy. So, in some wild allegory, pious in purpose if almost profane in form, the Holy Child might have fought the Dragon with a wooden sword and a wooden horse.

Burdened like all human things with sin and weakness, the rise of Rome was really the rise of ordinary and especially common things; and nothing represented this more than the deeply ingrained and widely shared hatred of perversion. Among the Greeks, a perversion had become a norm. It’s true that it had become such an established norm, especially in literature, that it was sometimes conventionally copied by Roman writers. But this is one of those complexities that always come from conventions. It should not obscure our understanding of the overall tone in both societies. It is true that Virgil would occasionally borrow a theme from Theocritus; but nobody gets the impression that Virgil particularly liked that theme. The themes of Virgil were distinctly the normal themes, especially when it came to morals; piety, patriotism, and the pride of the countryside. We should take a moment to reflect on the name of the poet as we move into the later years of antiquity: the name of the one who truly embodies the essence of autumn, with its maturity and sadness; its fruits of fulfillment and its hint of decay. Anyone who reads even a few lines of Virgil cannot doubt that he understood what moral sanity means to humanity. No one can question his emotions when the demons fled before the household gods. But there are two specific points about him and his work that are particularly crucial to the main argument here. The first is that the entirety of his great patriotic epic is, in a very unique way, based on the fall of Troy; that is, on an open pride in Troy even after her defeat. By tracing the foundation of his beloved race and republic back to the Trojans, he initiated what can be termed the great Trojan tradition that runs through medieval and modern history. We have already seen the first hint of this in Homer’s portrayal of Hector. But Virgil transformed it into not just literature but a legend. And it was a legend of the almost divine dignity that belongs to the defeated. This was one of the traditions that genuinely prepared the world for the rise of Christianity and especially Christian chivalry. This is what helped maintain civilization through the relentless losses of the Dark Ages and the barbarian wars, out of which what we call chivalry was born. It reflects the moral stance of a man with his back against the wall; and that wall was Troy. Throughout medieval and modern times, this interpretation of the virtues in the Homeric conflict can be traced in countless ways, merging with everything akin to it in Christian sentiment. Our own countrymen, as well as people from other nations, loved to claim like Virgil that their nation descended from the heroic Trojans. Many people regarded it as the most impressive kind of heritage to claim descent from Hector. Nobody seems to have wanted to be linked to Achilles. The mere fact that the Trojan name has become a Christian name, spreading to the far reaches of Christendom, including Ireland and the Gaelic Highlands, while the Greek name has remained relatively uncommon and scholarly, speaks to the same truth. Indeed, it involves a linguistic curiosity almost like a joke. The name has been turned into a verb; and the phrase about hectoring, meaning swaggering, suggests the countless soldiers who took the fallen Trojan as their model. In fact, no one in antiquity was less prone to hectoring than Hector. But even the bully pretending to be a conqueror derived his title from the conquered. That’s why the popularization of the Trojan origin by Virgil has a significant connection to all those elements that have led people to say that Virgil was almost a Christian. It’s almost as if two great tools or toys made from the same timber—the divine and the human—were in the hands of Providence; and the only comparable thing to the Wooden Cross of Calvary was the Wooden Horse of Troy. So, in some wild allegory, pious in intent yet almost profane in form, the Holy Child might have battled the Dragon with a wooden sword and a wooden horse.

The other element in Virgil which is essential to the argument is the particular nature of his relation to mythology; or what may here in a special sense be called folklore, the faiths and fancies of the populace. Everybody knows that his poetry at its most perfect is less concerned with the pomposity of Olympus than with the numina of natural and agricultural life. Every one knows where Virgil looked for the causes of things. He speaks of finding them not so much in cosmic allegories of Uranus and Chronos; but rather in Pan and the sisterhood of the nymphs and the shaggy old man of the forest. He is perhaps most himself in some passages of the Eclogues, in which he has perpetuated for ever the great legend of Arcadia and the shepherds. Here again it is easy enough to miss the point with petty criticism about all the things that happen to separate his literary convention from ours. There is nothing more artificial than the cry of artificiality, as directed against the old pastoral poetry. We have entirely missed all that our fathers meant by looking at the externals of what they wrote. People have been so much amused with the mere fact that the china shepherdess was made of china that they have not even asked why she was made at all. They have been so content to consider the Merry Peasant as a figure in an opera that they have not asked even how he came to go to the opera, or how he strayed on to the stage.

The other important aspect in Virgil that is crucial to the argument is his unique relationship with mythology, or what could be specifically referred to here as folklore—the beliefs and whims of the ordinary people. It's well-known that his poetry, at its finest, focuses less on the grandeur of Olympus and more on the spirits of nature and agricultural life. Everyone understands where Virgil sought the reasons behind things. He mentions finding them not so much in cosmic tales of Uranus and Chronos, but rather in Pan, the nymphs, and the rugged old man of the woods. He is perhaps most true to himself in certain passages of the Eclogues, where he has immortalized the timeless legend of Arcadia and the shepherds. Once again, it's easy to overlook the main idea with trivial critiques regarding the differences between his literary style and ours. There's nothing more contrived than the accusation of artificiality, especially aimed at old pastoral poetry. We have completely overlooked what our predecessors meant by focusing on the outward appearances of what they wrote. People have been so entertained by the simple fact that the china shepherdess is made of china that they haven't even bothered to ask why she was created in the first place. They've been so satisfied to see the Merry Peasant as a character in an opera that they haven't even questioned how he got to the opera or how he ended up on stage.

In short, we have only to ask why there is a china shepherdess and not a china shopkeeper. Why were not mantelpieces adorned with figures of city merchants in elegant attitudes; of ironmasters wrought{179} in iron, or gold speculators in gold? Why did the opera exhibit a Merry Peasant and not a Merry Politician? Why was there not a ballet of bankers, pirouetting upon pointed toes? Because the ancient instinct and humour of humanity have always told them, under whatever conventions, that the conventions of complex cities were less really healthy and happy than the customs of the countryside. So it is with the eternity of the Eclogues. A modern poet did indeed write things called Fleet Street Eclogues, in which poets took the place of the shepherds. But nobody has yet written anything called Wall Street Eclogues, in which millionaires should take the place of the poets. And the reason is that there is a real if only a recurrent yearning for that sort of simplicity; and there is never that sort of yearning for that sort of complexity. The key to the mystery of the Merry Peasant is that the peasant often is merry. Those who do not believe it are simply those who do not know anything about him, and therefore do not know which are his times for merriment. Those who do not believe in the shepherd’s feast or song are merely ignorant of the shepherd’s calendar. The real shepherd is indeed very different from the ideal shepherd, but that is no reason for forgetting the reality at the root of the ideal. It needs a truth to make a tradition. It needs a tradition to make a convention. Pastoral poetry is certainly often a convention, especially in a social decline. It was in a social decline that Watteau shepherds and shepherdesses lounged about the gardens of Versailles. It was also in a social decline that shepherds and shepherdesses continued to pipe and dance through the most faded imitations of Virgil. But that is no reason for dismissing the dying paganism without ever understanding its life. It is no reason for forgetting that the very word Pagan is the same as the word Peasant. We may say that this art is only artificiality; but it is not a love of the artificial. On the contrary, it is in its very{180} nature only the failure of nature-worship, or the love of the natural.

In short, we only need to ask why there’s a china shepherdess and not a china shopkeeper. Why aren't mantelpieces decorated with figures of city merchants in stylish poses, or ironmasters shaped in iron, or gold speculators in gold? Why does the opera showcase a Merry Peasant but not a Merry Politician? Why isn’t there a ballet of bankers dancing on pointed toes? Because the age-old instinct and humor of humanity have always suggested that, regardless of the rules, the norms of bustling cities are less truly healthy and happy than the customs of rural life. This is the essence of the timeless Eclogues. A modern poet did write a work called Fleet Street Eclogues, where poets filled the role of the shepherds. But no one has yet written anything titled Wall Street Eclogues, where millionaires would take the place of the poets. The reason is that there's a genuine if sporadic longing for that kind of simplicity; and there's never that same longing for that kind of complexity. The key to understanding the Merry Peasant is that the peasant is often merry. Those who doubt this simply don’t know anything about him, and thus don’t recognize his moments of joy. Those who don’t believe in the shepherd’s feasts or songs are just unaware of the shepherd’s calendar. The real shepherd is indeed very different from the ideal shepherd, but that doesn’t mean we should forget the reality behind the ideal. It takes truth to create a tradition. It takes a tradition to form a convention. Pastoral poetry is certainly often just a convention, especially during times of social decline. It was in a time of social decline that Watteau's shepherds and shepherdesses lingered in the gardens of Versailles. It was also during a social decline that shepherds and shepherdesses continued to play music and dance through the most faded imitations of Virgil. But that doesn’t justify dismissing dying paganism without understanding its life. It doesn’t mean we should forget that the word Pagan is the same as the word Peasant. We might say that this art is just artificiality; but it isn’t a love for the artificial. On the contrary, it is, in its very essence, just a failure of nature-worship or a love for the natural.

For the shepherds were dying because their gods were dying. Paganism lived upon poetry; that poetry already considered under the name of mythology. But everywhere, and especially in Italy, it had been a mythology and a poetry rooted in the countryside; and that rustic religion had been largely responsible for the rustic happiness. Only as the whole society grew in age and experience, there began to appear that weakness in all mythology already noted in the chapter under that name. This religion was not quite a religion. In other words, this religion was not quite a reality. It was the young world’s riot with images and ideas like a young man’s riot with wine or love-making; it was not so much immoral as irresponsible; it had no foresight of the final test of time. Because it was creative to any extent it was credulous to any extent. It belonged to the artistic side of man, yet even considered artistically it had long become overloaded and entangled. The family trees sprung from the seed of Jupiter were a jungle rather than a forest; the claims of the gods and demigods seemed like things to be settled rather by a lawyer or a professional herald than by a poet. But it is needless to say that it was not only in the artistic sense that these things had grown more anarchic. There had appeared in more and more flagrant fashion that flower of evil that is really implicit in the very seed of nature-worship, however natural it may seem. I have said that I do not believe that natural worship necessarily begins with this particular passion; I am not of the De Rougemont school of scientific folklore. I do not believe that mythology must begin in eroticism. But I do believe that mythology must end in it. I am quite certain that mythology did end in it. Moreover, not only did the poetry grow more immoral, but the immorality grew more indefensible. Greek{181} vices, oriental vices, hints of the old horrors of the Semitic demons, began to fill the fancies of decaying Rome, swarming like flies on a dung-heap. The psychology of it is really human enough, to any one who will try that experiment of seeing history from the inside. There comes an hour in the afternoon when the child is tired of ‘pretending’; when he is weary of being a robber or a Red Indian. It is then that he torments the cat. There comes a time in the routine of an ordered civilisation when the man is tired of playing at mythology and pretending that a tree is a maiden or that the moon made love to a man. The effect of this staleness is the same everywhere; it is seen in all drug-taking and dram-drinking and every form of the tendency to increase the dose. Men seek stranger sins or more startling obscenities as stimulants to their jaded sense. They seek after mad oriental religions for the same reason. They try to stab their nerves to life, if it were with the knives of the priests of Baal. They are walking in their sleep and try to wake themselves up with nightmares.

For the shepherds were fading away because their gods were fading away. Paganism thrived on poetry; that poetry was already understood as mythology. But everywhere, and particularly in Italy, it had become a mythology and a poetry rooted in the countryside; and that rural religion had largely contributed to the rural happiness. As society matured and gained experience, a weakness began to appear in all mythologies, as discussed in the chapter under that name. This religion was not entirely a religion. In other words, this belief system was not quite a reality. It was the youthful world's chaos of images and ideas, similar to a young man's chaos with wine or romance; it wasn't so much immoral as it was irresponsible; it lacked foresight about the ultimate test of time. Because it was creative to some extent, it was also gullible to that extent. It belonged to the artistic side of humanity, yet even when viewed artistically, it had long become overloaded and tangled. The family trees originating from the seed of Jupiter resembled a jungle more than a forest; the claims of the gods and demigods seemed to be matters more suited for a lawyer or a professional herald than a poet. But it is needless to say that it wasn't just artistically that these elements had become more anarchic. The flower of evil, which is inherently present in the very seed of nature-worship, however natural it may appear, had begun to manifest more and more blatantly. I've mentioned that I don’t think natural worship necessarily stems from this specific passion; I’m not aligned with the De Rougemont approach to scientific folklore. I don’t believe that mythology must begin with eroticism. However, I do believe that mythology must conclude with it. I am quite sure that mythology did reach that conclusion. Moreover, not only did the poetry become more immoral, but the immorality became even more indefensible. Greek vices, oriental vices, and hints of the old terrors of the Semitic demons began to fill the imaginations of decaying Rome, buzzing around like flies on a pile of refuse. The psychology behind it is quite human, for anyone willing to try viewing history from the inside. There comes a time in the afternoon when a child grows tired of ‘pretending’; when he becomes weary of being a robber or a Native American. It is then that he starts to annoy the cat. There comes a moment in the routine of a structured civilization when a person becomes bored with playing at mythology and pretending that a tree is a maiden or that the moon fell in love with a man. The impact of this monotony is the same everywhere; it's seen in all forms of drug use and alcohol consumption as well as the tendency to increase their intensity. People search for stranger sins or more shocking obscenities as a way to stimulate their dulled senses. They pursue bizarre oriental religions for the same reason. They try to jolt themselves awake from their stupor, as if stabbing their nerves to life with the knives of the priests of Baal. They are walking in their sleep and attempt to wake themselves with nightmares.

At that stage even of paganism therefore the peasant songs and dances sound fainter and fainter in the forest. For one thing, the peasant civilisation was fading, or had already faded, from the whole countryside. The Empire at the end was organised more and more on that servile system which generally goes with the boast of organisation; indeed it was almost as servile as the modern schemes for the organisation of industry. It is proverbial that what would once have been a peasantry became a mere populace of the town dependent for bread and circuses; which may again suggest to some a mob dependent upon doles and cinemas. In this as in many other respects, the modern return to heathenism has been a return not even to the heathen youth but rather to the heathen old age. But the causes of it were spiritual in both cases; and especially the spirit of paganism{182} had departed with its familiar spirits. The heart had gone out of it with its household gods, who went along with the gods of the garden and the field and the forest. The Old Man of the Forest was too old; he was already dying. It is said truly in a sense that Pan died because Christ was born. It is almost as true in another sense that men knew that Christ was born because Pan was already dead. A void was made by the vanishing of the whole mythology of mankind, which would have asphyxiated like a vacuum if it had not been filled with theology. But the point for the moment is that the mythology could not have lasted like a theology in any case. Theology is thought, whether we agree with it or not. Mythology was never thought, and nobody could really agree with it or disagree with it. It was a mere mood of glamour, and when the mood went it could not be recovered. Men not only ceased to believe in the gods, but they realised that they had never believed in them. They had sung their praises; they had danced round their altars. They had played the flute; they had played the fool.

At that point, even during pagan times, the peasant songs and dances were sounding fainter and fainter in the forest. For one thing, peasant culture was fading or had already faded from the entire countryside. By the end, the Empire was increasingly organized around a servile system that often comes with a claim of organization; it was almost as servile as modern systems of industrial organization. It’s commonly said that what used to be a peasantry has turned into a mere urban population dependent on bread and entertainment, which might remind some of a crowd reliant on handouts and movies. In this and many other ways, the modern return to paganism feels more like a return to its old age rather than its youth. But in both cases, the causes were spiritual; particularly, the spirit of paganism had vanished with its familiar deities. The heart went out of it with its household gods, who left alongside the gods of gardens, fields, and forests. The Old Man of the Forest was too old; he was already dying. It can be said, in a sense, that Pan died because Christ was born. In another sense, it's almost as true that people knew Christ was born because Pan was already dead. The entire mythology of humanity created a void that could have suffocated like a vacuum if it hadn’t been filled with theology. However, the main point for now is that mythology could never have endured like theology anyway. Theology represents thought, whether we accept it or not. Mythology was never really thought, and nobody could genuinely agree or disagree with it. It was simply a mood of glamour, and when that mood faded, it couldn’t be recovered. People didn’t just stop believing in the gods; they realized they never truly believed in them. They had sung their praises, danced around their altars, played the flute, and acted foolishly.

So came the twilight upon Arcady, and the last notes of the pipe sound sadly from the beechen grove. In the great Virgilian poems there is already something of the sadness; but the loves and the household gods linger in lovely lines like that which Mr. Belloc took for a test of understanding; incipe, parve puer, risu cognoscere matrem. But with them as with us, the human family itself began to break down under servile organisation and the herding of the towns. The urban mob became enlightened; that is, it lost the mental energy that could create myths. All round the circle of the Mediterranean cities the people mourned for the loss of gods and were consoled with gladiators. And meanwhile something similar was happening to that intellectual aristocracy of antiquity that had been walking about and talking at large ever since Socrates and Pythagoras. They{183} began to betray to the world the fact that they were walking in a circle and saying the same thing over and over again. Philosophy began to be a joke; it also began to be a bore. That unnatural simplification of everything into one system or another, which we have noted as the fault of the philosopher, revealed at once its finality and its futility. Everything was virtue or everything was happiness or everything was fate or everything was good or everything was bad; anyhow, everything was everything and there was no more to be said; so they said it. Everywhere the sages had degenerated into sophists; that is, into hired rhetoricians or askers of riddles. It is one of the symptoms of this that the sage begins to turn not only into a sophist but into a magician. A touch of oriental occultism is very much appreciated in the best houses. As the philosopher is already a society entertainer, he may as well also be a conjurer.

So came the twilight upon Arcadia, and the last notes of the pipe sounded sadly from the beechen grove. In the great Virgilian poems, there's already a sense of sadness; but the loves and the household gods linger in beautiful lines like the one Mr. Belloc used to test understanding: incipe, parve puer, risu cognoscere matrem. But just like us, the human family began to break down under servile organization and the herding of the towns. The urban crowd became enlightened; that is, it lost the mental energy that could create myths. Throughout the Mediterranean cities, people mourned the loss of gods and found comfort in gladiators. Meanwhile, something similar was happening to the intellectual elite of ancient times that had been walking around and talking freely since Socrates and Pythagoras. They{183} started to reveal to the world that they were just going in circles and repeating themselves. Philosophy became a joke; it also began to be boring. That unnatural simplification of everything into one system or another, which we noticed as the philosopher's flaw, showed both its finality and its futility. Everything was virtue or everything was happiness or everything was fate or everything was good or everything was bad; in any case, everything was everything and there was nothing more to say; so they just repeated it. Everywhere, the sages had degenerated into sophists; that is, into hired speakers or riddle solvers. One of the signs of this is that the sage starts to turn not only into a sophist but into a magician. A touch of oriental occultism is very much appreciated in the best homes. Since the philosopher is already a society entertainer, he might as well also be a conjurer.

Many moderns have insisted on the smallness of that Mediterranean world; and the wider horizons that might have awaited it with the discovery of the other continents. But this is an illusion; one of the many illusions of materialism. The limits that paganism had reached in Europe were the limits of human existence; at its best it had only reached the same limits anywhere else. The Roman stoics did not need any Chinamen to teach them stoicism. The Pythagoreans did not need any Hindus to teach them about recurrence or the simple life or the beauty of being a vegetarian. In so far as they could get these things from the East, they had already got rather too much of them from the East. The Syncretists were as convinced as Theosophists that all religions are really the same. And how else could they have extended philosophy merely by extending geography? It can hardly be proposed that they should learn a purer religion from the Aztecs or sit at the feet of the Incas of Peru. All the rest of the world was a welter of{184} barbarism. It is essential to recognise that the Roman Empire was recognised as the highest achievement of the human race; and also as the broadest. A dreadful secret seemed to be written as in obscure hieroglyphics across those mighty works of marble and stone, those colossal amphitheatres and aqueducts. Man could do no more.

Many modern thinkers have focused on the smallness of the Mediterranean world and how much broader things could have been with the discovery of other continents. But that's a misconception, one of the many illusions of materialism. The limits that paganism reached in Europe were the boundaries of human existence; at its best, it achieved no more than that anywhere else. The Roman Stoics didn’t need any Chinese philosophers to teach them stoicism. The Pythagoreans didn’t need any Hindus to teach them about cycles, the simple life, or the virtues of being a vegetarian. To the extent that they could learn these ideas from the East, they had actually absorbed too many of them already. The Syncretists were just as convinced as Theosophists that all religions are fundamentally the same. How else could they have expanded philosophy simply by expanding geography? It’s hardly reasonable to suggest that they should learn a truer religion from the Aztecs or sit at the feet of the Incas of Peru. The rest of the world was just a chaotic mix of{184} barbarism. It’s crucial to understand that the Roman Empire was seen as the pinnacle of human achievement and also the most expansive. A terrible secret seemed to be inscribed in obscure hieroglyphs across those grand works of marble and stone, those massive amphitheaters and aqueducts. Humanity could do no more.

For it was not the message blazed on the Babylonian wall, that one king was found wanting or his one kingdom given to a stranger. It was no such good news as the news of invasion and conquest. There was nothing left that could conquer Rome; but there was also nothing left that could improve it. It was the strongest thing that was growing weak. It was the best thing that was going to the bad. It is necessary to insist again and again that many civilisations had met in one civilisation of the Mediterranean sea; that it was already universal with a stale and sterile universality. The peoples had pooled their resources and still there was not enough. The empires had gone into partnership and they were still bankrupt. No philosopher who was really philosophical could think anything except that, in that central sea, the wave of the world had risen to its highest, seeming to touch the stars. But the wave was already stooping; for it was only the wave of the world.

For it wasn’t just the message on the Babylonian wall that said one king had fallen short or that his kingdom was handed over to a stranger. It wasn’t good news like the news of invasion and conquest. There was nothing left that could conquer Rome, but there was also nothing left that could make it better. It was the strongest thing that was becoming weak. It was the best thing that was going downhill. It’s important to repeat that many civilizations had merged into one civilization around the Mediterranean Sea; it had already become universally stale and lifeless. The peoples had combined their resources, and yet there still wasn’t enough. The empires had joined forces, and they were still bankrupt. No philosopher who was truly philosophical could believe anything other than that, in that central sea, the wave of the world had risen to its peak, seemingly reaching for the stars. But the wave was already starting to fall; after all, it was only the wave of the world.

That mythology and that philosophy into which paganism has already been analysed had thus both of them been drained most literally to the dregs. If with the multiplication of magic the third department, which we have called the demons, was even increasingly active, it was never anything but destructive. There remains only the fourth element, or rather the first; that which had been in a sense forgotten because it was the first. I mean the primary and overpowering yet impalpable impression that the universe after all has one origin and one aim; and because it has an aim must have an author. What{185} became of this great truth in the background of men’s minds, at this time, it is perhaps more difficult to determine. Some of the Stoics undoubtedly saw it more and more clearly as the clouds of mythology cleared and thinned away; and great men among them did much even to the last to lay the foundations of a concept of the moral unity of the world. The Jews still held their secret certainty of it jealously behind high fences of exclusiveness; yet it is intensely characteristic of the society and the situation that some fashionable figures, especially fashionable ladies, actually embraced Judaism. But in the case of many others I fancy there entered at this point a new negation. Atheism became really possible in that abnormal time; for atheism is abnormality. It is not merely the denial of a dogma. It is the reversal of a subconscious assumption in the soul; the sense that there is a meaning and a direction in the world it sees. Lucretius, the first evolutionist who endeavoured to substitute Evolution for God, had already dangled before men’s eyes his dance of glittering atoms, by which he conceived cosmos as created by chaos. But it was not his strong poetry or his sad philosophy, as I fancy, that made it possible for men to entertain such a vision. It was something in the sense of impotence and despair with which men shook their fists vainly at the stars, as they saw all the best work of humanity sinking slowly and helplessly into a swamp. They could easily believe that even creation itself was not a creation but a perpetual fall, when they saw that the weightiest and worthiest of all human creations was falling by its own weight. They could fancy that all the stars were falling stars; and that the very pillars of their own solemn porticos were bowed under a sort of gradual Deluge. To men in that mood there was a reason for atheism that is in some sense reasonable. Mythology might fade and philosophy might stiffen; but if behind these things there was a reality, surely{186} that reality might have sustained things as they sank. There was no God; if there had been a God, surely this was the very moment when He would have moved and saved the world.

That mythology and philosophy into which paganism has already been analyzed had both been drained completely to the dregs. If the increase in magic meant that the third category we’ve called demons was becoming more active, it was always destructive. What remains is the fourth element, or rather the first; the one that seemed to be forgotten because it was the original. I mean the fundamental and overwhelming yet intangible impression that the universe ultimately has one origin and one purpose; and because it has a purpose, it must have a creator. What{185} happened to this great truth in people's minds at this time is probably hard to pinpoint. Some of the Stoics certainly began to see it more clearly as the clouds of mythology cleared away; and many prominent figures among them did much, even until the end, to establish a concept of the moral unity of the world. The Jews still guarded their secret belief jealously behind tall barriers of exclusiveness; yet it’s telling that some trendy individuals, especially fashionable women, actually embraced Judaism. But for many others, I think a new denial set in at this point. Atheism became possible in that unusual time; because atheism itself is the result of abnormality. It’s not just a rejection of a belief. It’s the reversal of an unspoken assumption in the soul; the sense that there is meaning and direction in the world it perceives. Lucretius, the first evolutionist who tried to replace God with Evolution, had already dangled before people’s eyes his vision of glittering atoms, where he imagined the cosmos was formed from chaos. However, it wasn’t his beautiful poetry or his melancholic philosophy, I think, that made it possible for people to entertain such a vision. It was something in the feeling of helplessness and despair with which people shook their fists at the stars in vain, as they witnessed the best achievements of humanity sinking slowly and helplessly into a pit. They could easily believe that even creation itself was not an act of creation but a continual decline, as they saw the heaviest and most valuable of all human accomplishments collapsing under their own weight. They could picture all the stars as falling stars; and that the very pillars of their own grand structures were bending under a kind of gradual deluge. For people in that mindset, there was a reason for atheism that seems somewhat rational. Mythology might fade and philosophy might become rigid; but if there was a reality behind these things, surely{186} that reality could have upheld things as they fell. There was no God; if God existed, surely this was the very moment He would have intervened and saved the world.

The life of the great civilisation went on with dreary industry and even with dreary festivity. It was the end of the world, and the worst of it was that it need never end. A convenient compromise had been made between all the multitudinous myths and religions of the Empire; that each group should worship freely and merely give a sort of official flourish of thanks to the tolerant Emperor, by tossing a little incense to him under his official title of Divus. Naturally there was no difficulty about that; or rather it was a long time before the world realised that there ever had been even a trivial difficulty anywhere. The members of some eastern sect or secret society or other seemed to have made a scene somewhere; nobody could imagine why. The incident occurred once or twice again and began to arouse irritation out of proportion to its insignificance. It was not exactly what these provincials said; though of course it sounded queer enough. They seemed to be saying that God was dead and that they themselves had seen him die. This might be one of the many manias produced by the despair of the age; only they did not seem particularly despairing. They seem quite unnaturally joyful about it, and gave the reason that the death of God had allowed them to eat him and drink his blood. According to other accounts God was not exactly dead after all; there trailed through the bewildered imagination some sort of fantastic procession of the funeral of God, at which the sun turned black, but which ended with the dead omnipotence breaking out of the tomb and rising again like the sun. But it was not the strange story to which anybody paid any particular attention; people in that world had seen queer religions enough to fill a madhouse. It was something in the tone of{187} the madmen and their type of formation. They were a scratch company of barbarians and slaves and poor and unimportant people; but their formation was military; they moved together and were very absolute about who and what was really a part of their little system; and about what they said, however mildly, there was a ring like iron. Men used to many mythologies and moralities could make no analysis of the mystery, except the curious conjecture that they meant what they said. All attempts to make them see reason in the perfectly simple matter of the Emperor’s statue seemed to be spoken to deaf men. It was as if a new meteoric metal had fallen on the earth; it was a difference of substance to the touch. Those who touched their foundation fancied they had struck a rock.

The life of the great civilization continued with dull labor and even dull celebrations. It felt like the end of the world, and the worst part was that it could go on forever. A convenient compromise was made between all the countless myths and religions of the Empire: each group could worship freely but had to throw a small amount of incense to the tolerant Emperor, acknowledging him with the title of Divus. Naturally, there was no trouble with that; or rather, it took a long time for the world to realize that there was ever even a small issue at all. Members of some eastern sect or secret society seemed to have caused a stir somewhere; no one could figure out why. The incident occurred a couple of times again and started to provoke an irritation that was out of proportion to its triviality. It wasn't necessarily what these provincials were saying; though, of course, it sounded strange enough. They seemed to claim that God was dead and that they had witnessed His death. This might have been one of the many crazes born from the despair of the era; yet they didn't seem particularly despairing. In fact, they appeared quite unnaturally joyful about it, claiming that God's death had allowed them to eat Him and drink His blood. According to other reports, God wasn’t exactly dead after all; there was a sort of bizarre procession in the puzzled imagination around His funeral, where the sun darkened, but it ended with the dead omnipotence breaking free from the tomb and rising again like the sun. However, it wasn't the odd story that anyone paid much attention to; people in that world had seen enough strange religions to fill a madhouse. It was something about the tone of the madmen and their formation. They were a ragtag group of barbarians, slaves, and poor, insignificant people; yet their formation was military; they moved together and were very certain about who and what truly belonged to their little system; and there was a tone to what they said, however gently, that had an iron-like ring. Men familiar with many mythologies and moralities could offer no analysis of the mystery, except the curious guess that they meant what they said. All attempts to reason with them about the perfectly simple matter of the Emperor’s statue seemed to fall on deaf ears. It was as if a new meteoric metal had landed on earth; it felt different to the touch. Those who touched their foundation believed they had struck rock.

With a strange rapidity, like the changes of a dream, the proportions of things seemed to change in their presence. Before most men knew what had happened, these few men were palpably present. They were important enough to be ignored. People became suddenly silent about them and walked stiffly past them. We see a new scene, in which the world has drawn its skirts away from these men and women and they stand in the centre of a great space like lepers. The scene changes again and the great space where they stand is overhung on every side with a cloud of witnesses, interminable terraces full of faces looking down towards them intently; for strange things are happening to them. New tortures have been invented for the madmen who have brought good news. That sad and weary society seems almost to find a new energy in establishing its first religious persecution. Nobody yet knows very clearly why that level world has thus lost its balance about the people in its midst; but they stand unnaturally still while the arena and the world seem to revolve round them. And there shone on them in that dark hour a light that has never been darkened; a white fire clinging{188} to that group like an unearthly phosphorescence, blazing its track through the twilights of history and confounding every effort to confound it with the mists of mythology and theory; that shaft of light or lightning by which the world itself has struck and isolated and crowned it; by which its own enemies have made it more illustrious and its own critics have made it more inexplicable; the halo of hatred around the Church of God.{189}

With strange speed, like the twists of a dream, the size of things seemed to shift in their presence. Before most people realized what was happening, these few individuals were unmistakably there. They were so significant that they were overlooked. People became suddenly quiet about them and walked stiffly past. We see a new scene where the world has pulled away from these men and women, leaving them standing in the middle of a vast emptiness like outcasts. The scene changes again and the great space around them is filled on all sides with a crowd of witnesses, endless rows of faces staring down at them attentively; because strange things are happening to them. New tortures have been devised for the madmen who have brought good news. That sad and weary society seems almost to gain new strength in launching its first religious persecution. No one quite understands why that balanced world has lost its equilibrium around the people in its midst; but they remain unnaturally still while the arena and the world seem to spin around them. And there shone upon them in that dark hour a light that has never been dimmed; a white fire clinging{188} to that group like an otherworldly glow, blazing its path through the twilight of history, baffling every attempt to dismiss it with the fog of mythology and theory; that beam of light or lightning by which the world itself has struck, isolated, and crowned it; by which its own enemies have made it more renowned and its own critics have made it even more puzzling; the halo of hatred surrounding the Church of God.{189}

PART II

ON THE MAN CALLED CHRIST

CHAPTER I

THE GOD IN THE CAVE

This sketch of the human story began in a cave; the cave which popular science associates with the cave-man and in which practical discovery has really found archaic drawings of animals. The second half of human history, which was like a new creation of the world, also begins in a cave. There is even a shadow of such a fancy in the fact that animals were again present; for it was a cave used as a stable by the mountaineers of the uplands about Bethlehem; who still drive their cattle into such holes and caverns at night. It was here that a homeless couple had crept underground with the cattle when the doors of the crowded caravanserai had been shut in their faces; and it was here beneath the very feet of the passersby, in a cellar under the very floor of the world, that Jesus Christ was born. But in that second creation there was indeed something symbolical in the roots of the primeval rock or the horns of the prehistoric herd. God also was a Cave-Man, and had also traced strange shapes of creatures, curiously coloured, upon the wall of the world; but the pictures that he made had come to life.

This sketch of the human story started in a cave—the cave that popular science links to cavemen, where actual prehistoric drawings of animals have been discovered. The second half of human history, reminiscent of a new creation of the world, also begins in a cave. There's even a hint of this idea in the presence of animals again; it was a cave used as a stable by the mountain people around Bethlehem—who still bring their cattle into such holes and caves at night. It was in this cave that a homeless couple took shelter with the animals when the doors of the crowded inn had been shut in their faces; and it was here, right beneath the feet of the passersby, in a cellar below the surface of the world, that Jesus Christ was born. But in this second creation, there was indeed something symbolic in the ancient rock and the horns of the prehistoric herd. God was also a Cave-Man, having drawn strange, colorful shapes of creatures on the walls of the world; but the images He made came to life.

A mass of legend and literature, which increases and will never end, has repeated and rung the changes on that single paradox; that the hands that had made the sun and stars were too small to reach the huge heads of the cattle. Upon this paradox, we might almost say upon this jest, all the literature of our faith is founded. It is at least like a jest in this, that it is something which the scientific critic cannot{192} see. He laboriously explains the difficulty which we have always defiantly and almost derisively exaggerated; and mildly condemns as improbable something that we have almost madly exalted as incredible; as something that would be much too good to be true, except that it is true. When that contrast between the cosmic creation and the little local infancy has been repeated, reiterated, underlined, emphasised, exulted in, sung, shouted, roared, not to say howled, in a hundred thousand hymns, carols, rhymes, rituals, pictures, poems, and popular sermons, it may be suggested that we hardly need a higher critic to draw our attention to something a little odd about it; especially one of the sort that seems to take a long time to see a joke, even his own joke. But about this contrast and combination of ideas one thing may be said here, because it is relevant to the whole thesis of this book. The sort of modern critic of whom I speak is generally much impressed with the importance of education in life and the importance of psychology in education. That sort of man is never tired of telling us that first impressions fix character by the law of causation; and he will become quite nervous if a child’s visual sense is poisoned by the wrong colours on a golliwog or his nervous system prematurely shaken by a cacophonous rattle. Yet he will think us very narrow-minded if we say that this is exactly why there really is a difference between being brought up as a Christian and being brought up as a Jew or a Moslem or an atheist. The difference is that every Catholic child has learned from pictures, and even every Protestant child from stories, this incredible combination of contrasted ideas as one of the very first impressions on his mind. It is not merely a theological difference. It is a psychological difference which can outlast any theologies. It really is, as that sort of scientist loves to say about anything, incurable. Any agnostic or atheist whose childhood has known a real Christmas has ever afterwards,{193} whether he likes it or not, an association in his mind between two ideas that most of mankind must regard as remote from each other; the idea of a baby and the idea of unknown strength that sustains the stars. His instincts and imagination can still connect them, when his reason can no longer see the need of the connection; for him there will always be some savour of religion about the mere picture of a mother and a baby; some hint of mercy and softening about the mere mention of the dreadful name of God. But the two ideas are not naturally or necessarily combined. They would not be necessarily combined for an ancient Greek or a Chinaman, even for Aristotle or Confucius. It is no more inevitable to connect God with an infant than to connect gravitation with a kitten. It has been created in our minds by Christmas because we are Christians; because we are psychological Christians even when we are not theological ones. In other words, this combination of ideas has emphatically, in the much disputed phrase, altered human nature. There is really a difference between the man who knows it and the man who does not. It may not be a difference of moral worth, for the Moslem or the Jew might be worthier according to his lights; but it is a plain fact about the crossing of two particular lights, the conjunction of two stars in our particular horoscope. Omnipotence and impotence, or divinity and infancy, do definitely make a sort of epigram which a million repetitions cannot turn into a platitude. It is not unreasonable to call it unique. Bethlehem is emphatically a place where extremes meet.

A wealth of legend and literature, which keeps growing and will never end, has echoed that one paradox: that the hands that created the sun and stars were too small to reach the huge heads of cattle. This paradox, we might say this joke, is the foundation of all the literature of our faith. It resembles a joke in that it’s something the scientific critic cannot{192} comprehend. He painstakingly explains the issue we’ve always defiantly and almost mockingly exaggerated, and gently dismisses as improbable something we’ve almost madly glorified as incredible; something that seems almost too good to be true, except that it is true. When the contrast between cosmic creation and local infancy has been repeated, emphasized, celebrated, sung, shouted, and howled in countless hymns, carols, rhymes, rituals, pictures, poems, and sermons, we might say we hardly need a high-level critic to point out something a bit odd about it; especially someone who takes a long time to catch a joke, even their own. However, regarding this contrast and combination of ideas, one thing can be said here, as it relates to the entire thesis of this book. The type of modern critic I’m talking about is generally quite impressed with the importance of education in life and the role of psychology in education. This kind of person is always insisting that first impressions shape character due to the law of cause and effect; and he gets quite anxious if a child’s visual sense is influenced by the wrong colors on a golliwog or if their nervous system is rattled by a loud toy. Yet he thinks we are very narrow-minded if we claim that this is exactly why there is a real difference between being raised as a Christian and being raised as a Jew, a Muslim, or an atheist. The difference is that every Catholic child learns from images, and even every Protestant child learns from stories, this incredible mix of contrasting ideas as one of the very first impressions on their mind. It’s not just a theological difference. It’s a psychological difference that can outlast any theology. It truly is, as that kind of scientist loves to say about anything, incurable. Any agnostic or atheist who has experienced a real Christmas will, whether they like it or not, always have an association in their mind between two ideas that most of humanity considers far apart: the idea of a baby and the idea of the unknown strength that holds up the stars. Their instincts and imagination can still link them when their reason no longer sees the need for that connection; for them, there will always be some hint of spirituality in the mere image of a mother and child; some suggestion of compassion and softness in the mere mention of the daunting name of God. But those two ideas are not naturally or necessarily linked. They wouldn’t be naturally linked for an ancient Greek or a Chinese person, even for Aristotle or Confucius. It’s no more inevitable to connect God with an infant than it is to connect gravity with a kitten. This connection has been formed in our minds by Christmas because we are Christians; we are psychologically Christians even when we are not theologians. In other words, this combination of ideas has, as the much-debated phrase goes, changed human nature. There’s genuinely a difference between the person who understands this and the one who does not. It might not be a difference in moral worth; a Muslim or a Jew could be more worthy according to their principles; but it’s simply a fact about the crossing of two specific lights, the joining of two stars in our unique horoscope. Omnipotence and impotence, or divinity and infancy, create a sort of epigram that a million repetitions cannot turn into a cliché. It’s not unreasonable to call it unique. Bethlehem is definitely a place where extremes meet.

Here begins, it is needless to say, another mighty influence for the humanisation of Christendom. If the world wanted what is called a non-controversial aspect of Christianity, it would probably select Christmas. Yet it is obviously bound up with what is supposed to be a controversial aspect (I could never at any stage of my opinions imagine why); the{194} respect paid to the Blessed Virgin. When I was a boy a more Puritan generation objected to a statue upon a parish church representing the Virgin and Child. After much controversy, they compromised by taking away the Child. One would think that this was even more corrupted with Mariolatry, unless the mother was counted less dangerous when deprived of a sort of weapon. But the practical difficulty is also a parable. You cannot chip away the statue of a mother from all round that of a new-born child. You cannot suspend the new-born child in mid-air; indeed you cannot really have a statue of a new-born child at all. Similarly, you cannot suspend the idea of a new-born child in the void or think of him without thinking of his mother. You cannot visit the child without visiting the mother; you cannot in common human life approach the child except through the mother. If we are to think of Christ in this aspect at all, the other idea follows as it is followed in history. We must either leave Christ out of Christmas, or Christmas out of Christ, or we must admit, if only as we admit it in an old picture, that those holy heads are too near together for the haloes not to mingle and cross.

Here begins, needless to say, another powerful influence for the humanization of Christianity. If the world wanted what is called a non-controversial side of Christianity, it would probably choose Christmas. Yet it is obviously linked to what is considered a controversial aspect (I’ve never understood why); the{194} honor given to the Blessed Virgin. When I was a kid, a more Puritan generation objected to a statue on a parish church depicting the Virgin and Child. After much debate, they compromised by removing the Child. One would think this was even more problematic with Mariolatry, unless the mother was seen as less threatening when she was missing a sort of weapon. But the practical issue is also a metaphor. You can't chip away the statue of a mother without affecting the statue of a newborn child. You can't suspend the newborn in mid-air; in fact, you can’t really have a statue of a newborn at all. Similarly, you can't think of a newborn without considering his mother. You can’t visit the child without acknowledging the mother; you can’t approach the child in everyday life except through the mother. If we are to think of Christ in this way at all, the other idea follows just as it has historically. We must either leave Christ out of Christmas, or Christmas out of Christ, or we must accept, even just as we would with an old painting, that those holy figures are too close for their halos not to blend and overlap.

It might be suggested, in a somewhat violent image, that nothing had happened in that fold or crack in the great grey hills except that the whole universe had been turned inside out. I mean that all the eyes of wonder and worship which had been turned outwards to the largest thing were now turned inward to the smallest. The very image will suggest all that multitudinous marvel of converging eyes that makes so much of the coloured Catholic imagery like a peacock’s tail. But it is true in a sense that God who had been only a circumference was seen as a centre; and a centre is infinitely small. It is true that the spiritual spiral henceforward works inwards instead of outwards, and in that sense is centripetal and not centrifugal. The faith becomes, in more{195} ways than one, a religion of little things. But its traditions in art and literature and popular fable have quite sufficiently attested, as has been said, this particular paradox of the divine being in the cradle. Perhaps they have not so clearly emphasised the significance of the divine being in the cave. Curiously enough, indeed, tradition has not very clearly emphasised the cave. It is a familiar fact that the Bethlehem scene has been represented in every possible setting of time and country, of landscape and architecture; and it is a wholly happy and admirable fact that men have conceived it as quite different according to their different individual traditions and tastes. But while all have realised that it was a stable, not so many have realised that it was a cave. Some critics have even been so silly as to suppose that there was some contradiction between the stable and the cave; in which case they cannot know much about caves or stables in Palestine. As they see differences that are not there, it is needless to add that they do not see differences that are there. When a well-known critic says, for instance, that Christ being born in a rocky cavern is like Mithras having sprung alive out of a rock, it sounds like a parody upon comparative religion. There is such a thing as the point of a story, even if it is a story in the sense of a lie. And the notion of a hero appearing, like Pallas from the brain of Zeus, mature and without a mother, is obviously the very opposite of the idea of a god being born like an ordinary baby and entirely dependent on a mother. Whichever ideal we might prefer, we should surely see that they are contrary ideals. It is as stupid to connect them because they both contain a substance called stone as to identify the punishment of the Deluge with the baptism in the Jordan because they both contain a substance called water. Whether as a myth or a mystery, Christ was obviously conceived as born in a hole in the rocks primarily because it marked the position of one{196} outcast and homeless. Nevertheless it is true, as I have said, that the cave has not been so commonly or so clearly used as a symbol as the other realities that surrounded the first Christmas.

It might be said, in a somewhat intense way, that nothing happened in that fold or crack in the vast gray hills except that the entire universe was flipped inside out. I mean that all the eyes of wonder and worship, which had been directed outward to the biggest thing, were now focused inward on the smallest. This very image suggests all the countless marvel of converging eyes that makes so much of the colorful Catholic imagery resemble a peacock’s tail. It's true, in a sense, that God, who was only seen as a boundary, was perceived as a center; and a center is infinitely small. The spiritual spiral from now on works inward instead of outward, making it centripetal rather than centrifugal. In more{195} ways than one, faith becomes a religion of small things. However, its traditions in art, literature, and popular stories have sufficiently shown, as mentioned, this particular paradox of the divine being in the cradle. Perhaps they haven't emphasized enough the significance of the divine being in the cave. Oddly enough, tradition hasn't really highlighted the cave very clearly. It's a well-known fact that the Bethlehem scene has been depicted in every possible time and place, various landscapes and architectures; and it’s entirely positive and commendable that people have imagined it quite differently based on their own traditions and tastes. But while everyone has understood it was a stable, not many have recognized that it was a cave. Some critics have even been foolish enough to think there was a contradiction between the stable and the cave; if that's the case, they clearly don't know much about caves or stables in Palestine. Since they perceive differences that aren’t there, it's unnecessary to add that they also miss the differences that are present. When a well-known critic says, for example, that Christ being born in a rocky cavern is like Mithras springing alive from a rock, it sounds like a mockery of comparative religion. There is such a thing as the point of a story, even if it is a story in the sense of a falsehood. The idea of a hero appearing, like Pallas from the brain of Zeus, fully grown and without a mother, is obviously the opposite of the concept of a god being born like an ordinary baby and completely dependent on a mother. Whichever ideal we might prefer, we should surely recognize that they are opposing ideals. It is equally absurd to link them just because they both involve a substance called stone as it is to equate the punishment of the Deluge with the baptism in the Jordan because they both involve a substance called water. Whether as a myth or a mystery, Christ was clearly conceived as being born in a hole in the rocks primarily because it highlighted the position of one{196} outcast and homeless. Nonetheless, it is true, as I have said, that the cave has not been used as a symbol as commonly or as clearly as the other realities surrounding the first Christmas.

And the reason for this also refers to the very nature of that new world. It was in a sense the difficulty of a new dimension. Christ was not only born on the level of the world, but even lower than the world. The first act of the divine drama was enacted, not only on no stage set up above the sightseer, but on a dark and curtained stage sunken out of sight; and that is an idea very difficult to express in most modes of artistic expression. It is the idea of simultaneous happenings on different levels of life. Something like it might have been attempted in the more archaic and decorative medieval art. But the more the artists learned of realism and perspective, the less they could depict at once the angels in the heavens and the shepherds on the hills, and the glory in the darkness that was under the hills. Perhaps it could have been best conveyed by the characteristic expedient of some of the medieval guilds, when they wheeled about the streets a theatre with three stages one above the other, with heaven above the earth and hell under the earth. But in the riddle of Bethlehem it was heaven that was under the earth.

And the reason for this also relates to the very nature of that new world. It was, in a way, the challenge of a new dimension. Christ wasn’t just born in the world, but even lower than the world. The first act of the divine story took place, not on a stage set above the audience, but on a dark and hidden stage out of sight; and that's a concept that’s really hard to convey in most artistic forms. It’s the idea of events happening simultaneously on different levels of existence. Some of this might have been attempted in the more ancient and decorative medieval art. However, as artists became more skilled in realism and perspective, it became harder for them to depict both the angels in the heavens and the shepherds on the hills, along with the glory in the darkness below the hills, all at once. Maybe it could have been best illustrated by the familiar method some medieval guilds used, when they wheeled a theater through the streets with three tiers, one above the other, showing heaven above the earth and hell below it. But in the mystery of Bethlehem, it was heaven that was beneath the earth.

There is in that alone the touch of a revolution, as of the world turned upside down. It would be vain to attempt to say anything adequate, or anything new, about the change which this conception of a deity born like an outcast or even an outlaw had upon the whole conception of law and its duties to the poor and outcast. It is profoundly true to say that after that moment there could be no slaves. There could be and were people bearing that legal title until the Church was strong enough to weed them out, but there could be no more of the pagan repose in the mere advantage to the state of keeping it a servile state. Individuals became important, in{197} a sense in which no instruments can be important. A man could not be a means to an end, at any rate to any other man’s end. All this popular and fraternal element in the story has been rightly attached by tradition to the episode of the Shepherds; the hinds who found themselves talking face to face with the princes of heaven. But there is another aspect of the popular element as represented by the shepherds which has not perhaps been so fully developed; and which is more directly relevant here.

There’s something revolutionary about it, like the world flipped upside down. It would be pointless to try to express anything fully adequate or new about how the idea of a deity born like an outcast or even an outlaw changed the entire view of law and its obligations to the poor and marginalized. It’s deeply true to say that after that moment, there could be no slaves. There could be people still holding that legal title until the Church was strong enough to eliminate them, but the old pagan complacency about the benefits of maintaining a servile state could no longer exist. Individuals became significant, in a way that no objects can be. A man couldn’t be just a means to an end, particularly not for someone else’s end. The popular and fraternal aspect of the story has been rightly linked by tradition to the episode of the Shepherds—ordinary folks finding themselves face to face with heavenly princes. However, there’s another side of the popular element, represented by the shepherds, that perhaps hasn’t been fully explored and is more directly relevant here.

Men of the people, like the shepherds, men of the popular tradition, had everywhere been the makers of the mythologies. It was they who had felt most directly, with least check or chill from philosophy or the corrupt cults of civilisation, the need we have already considered; the images that were adventures of the imagination; the mythology that was a sort of search; the tempting and tantalising hints of something half-human in nature; the dumb significance of seasons and special places. They had best understood that the soul of a landscape is a story and the soul of a story is a personality. But rationalism had already begun to rot away these really irrational though imaginative treasures of the peasant; even as systematic slavery had eaten the peasant out of house and home. Upon all such peasantries everywhere there was descending a dusk and twilight of disappointment, in the hour when these few men discovered what they sought. Everywhere else Arcadia was fading from the forest. Pan was dead and the shepherds were scattered like sheep. And though no man knew it, the hour was near which was to end and to fulfil all things; and though no man heard it, there was one far-off cry in an unknown tongue upon the heaving wilderness of the mountains. The shepherds had found their Shepherd.

People like the shepherds, rooted in tradition, had always been the ones to create myths. They directly experienced, with little interference from philosophy or the corrupted practices of civilization, the deep need we’ve discussed; the images that were flights of imagination; the myths that represented a quest; the alluring and enticing hints of something partly human in nature; the unspoken meaning of seasons and specific places. They understood best that the essence of a landscape is a story and the essence of a story is a character. But rational thinking had already started to erode these genuinely irrational yet imaginative treasures of the common folk; just as systematic oppression had stripped the peasant of their livelihoods. A sense of disappointment was settling over rural communities everywhere at the moment these few men discovered what they were looking for. Elsewhere, the ideal of Arcadia was vanishing from the woods. Pan was gone, and the shepherds were scattered like lost sheep. And although no one realized it, the time was approaching that would both end and fulfill everything; and though no one could hear it, there was a distant cry in an unknown language echoing across the untamed mountains. The shepherds had found their Shepherd.

And the thing they found was of a kind with the things they sought. The populace had been wrong in many things; but they had not been wrong in{198} believing that holy things could have a habitation and that divinity need not disdain the limits of time and space. And the barbarian who conceived the crudest fancy about the sun being stolen and hidden in a box, or the wildest myth about the god being rescued and his enemy deceived with a stone, was nearer to the secret of the cave and knew more about the crisis of the world than all those in the circle of cities round the Mediterranean who had become content with cold abstractions or cosmopolitan generalisations; than all those who were spinning thinner and thinner threads of thought out of the transcendentalism of Plato or the orientalism of Pythagoras. The place that the shepherds found was not an academy or an abstract republic; it was not a place of myths allegorised or dissected or explained or explained away. It was a place of dreams come true. Since that hour no mythologies have been made in the world. Mythology is a search.

And what they discovered was aligned with what they had been searching for. The people had been mistaken about many things, but they weren't wrong in believing that sacred things could have a home and that divinity didn't need to ignore the boundaries of time and space. The barbarian who imagined the most simple idea of the sun being stolen and hidden in a box, or the wildest story of a god being saved while tricking his enemy with a stone, was closer to the truth of the cave and understood more about the world's crisis than all those in the cities around the Mediterranean who were satisfied with cold theories or global concepts; more than those who were weaving thinner and thinner threads of thought from the transcendental ideas of Plato or the Eastern philosophies of Pythagoras. The place that the shepherds found was not a school or an abstract republic; it wasn't a place of myths that were allegorized, analyzed, or dismissed. It was a place where dreams became reality. Since that moment, no new mythologies have been created in the world. Mythology is a quest.

We all know that the popular presentation of this popular story, in so many miracle plays and carols, has given to the shepherds the costume, the language, and the landscape of the separate English and European countrysides. We all know that one shepherd will talk in a Somerset dialect or another talk of driving his sheep from Conway towards the Clyde. Most of us know by this time how true is that error, how wise, how artistic, how intensely Christian and Catholic is that anachronism. But some who have seen it in these scenes of medieval rusticity have perhaps not seen it in another sort of poetry, which it is sometimes the fashion to call artificial rather than artistic. I fear that many modern critics will see only a faded classicism in the fact that men like Crashaw and Herrick conceived the shepherds of Bethlehem under the form of the shepherds of Virgil. Yet they were profoundly right; and in turning their Bethlehem play into a Latin Eclogue they took up one of the most important links in human history.{199} Virgil, as we have already seen, does stand for all that saner heathenism that had overthrown the insane heathenism of human sacrifice; but the very fact that even the Virgilian virtues and the sane heathenism were in incurable decay is the whole problem to which the revelation to the shepherds is the solution. If the world had ever had the chance to grow weary of being demoniac, it might have been healed merely by becoming sane. But if it had grown weary even of being sane, what was to happen except what did happen? Nor is it false to conceive the Arcadian shepherd of the Eclogues as rejoicing in what did happen. One of the Eclogues has even been claimed as a prophecy of what did happen. But it is quite as much in the tone and incidental diction of the great poet that we feel the potential sympathy with the great event; and even in their own human phrases the voices of the Virgilian shepherds might more than once have broken upon more than the tenderness of Italy.... Incipe, parve puer, risu cognoscere matrem.... They might have found in that strange place all that was best in the last traditions of the Latins; and something better than a wooden idol standing up for ever for the pillar of the human family; a Household God. But they and all the other mythologists would be justified in rejoicing that the event had fulfilled not merely the mysticism but the materialism of mythology. Mythology had many sins; but it had not been wrong in being as carnal as the Incarnation. With something of the ancient voice that was supposed to have rung through the groves, it could cry again, ‘We have seen, he hath seen us, a visible god.’ So the ancient shepherds might have danced, and their feet have been beautiful upon the mountains, rejoicing over the philosophers. But the philosophers had also heard.

We all know that the popular portrayal of this beloved story, in many miracle plays and carols, has given the shepherds the attire, the dialect, and the scenery of specific English and European countryside regions. We know that one shepherd might speak in a Somerset accent while another talks about herding his sheep from Conway to the Clyde. Most of us understand how true that misconception is, how wise, artistic, and deeply Christian and Catholic it is to embrace that anachronism. However, some who have witnessed it in these scenes of medieval simplicity may not have noticed it in another type of poetry, sometimes unfairly labeled as artificial rather than artistic. I fear many modern critics see only a faded classical influence in the fact that poets like Crashaw and Herrick envisioned the Bethlehem shepherds similarly to the shepherds in Virgil’s work. Yet they were fundamentally correct; by transforming their Bethlehem play into a Latin Eclogue, they seized one of the most significant connections in human history.{199} Virgil, as we've seen, represents the healthier form of paganism that had replaced the destructive paganism of human sacrifice; but the very truth that even Virgil’s virtues and the rational paganism were in irreversible decline captures the essence of the issue to which the shepherds' revelation offers an answer. If the world had ever tired of being demoniacal, it might have healed simply by becoming sane. But if it had grown weary even of sanity, what else could have happened but what did? Nor is it inaccurate to envision the Arcadian shepherd of the Eclogues celebrating what transpired. One of the Eclogues has even been interpreted as a prophecy of the event. Yet it is just as evident in the tone and incidental language of the great poet that we sense a potential empathy with the momentous event; and even in their own human expressions, the voices of the Virgilian shepherds might have resonated more than once with feelings beyond the warmth of Italy.... Incipe, parve puer, risu cognoscere matrem.... They might have discovered in that remarkable place everything that was best in the final traditions of the Latins; and something more significant than a wooden idol eternally representing the human family; a Household God. But they, along with all other myth-makers, would be right to rejoice that the event fulfilled not just the mysticism but also the material aspect of mythology. Mythology had its flaws; but it wasn’t wrong in being as physical as the Incarnation. With a touch of the ancient voice that was thought to echo through the groves, it could once again proclaim, ‘We have seen, he has seen us, a visible god.’ Thus the ancient shepherds might have danced, their feet beautiful on the mountains, celebrating the philosophers. But the philosophers had also listened.

It is still a strange story, though an old one, how they came out of orient lands, crowned with the majesty of kings and clothed with something of the{200} mystery of magicians. That truth that is tradition has wisely remembered them almost as unknown quantities, as mysterious as their mysterious and melodious names: Melchior, Caspar, Balthazar. But there came with them all that world of wisdom that had watched the stars in Chaldea and the sun in Persia; and we shall not be wrong if we see in them the same curiosity that moves all the sages. They would stand for the same human ideal if their names had really been Confucius or Pythagoras or Plato. They were those who sought not tales but the truth of things; and since their thirst for truth was itself a thirst for God, they also have had their reward. But even in order to understand that reward, we must understand that for philosophy as much as mythology, that reward was the completion of the incomplete.

It’s still a strange story, even though it’s an old one, about how they came from the eastern lands, crowned with royal majesty and wrapped in a bit of the{200} mystery of magicians. The truth that is tradition has wisely remembered them as almost unknown figures, just as mysterious as their enchanting names: Melchior, Caspar, Balthazar. Along with them came a wealth of wisdom that had observed the stars in Chaldea and the sun in Persia; we wouldn't be wrong to see in them the same curiosity that drives all the wise. They would stand for the same human ideal even if their names were really Confucius, Pythagoras, or Plato. They were those who sought not stories but the truth of existence; and since their thirst for truth was inherently a thirst for God, they too have received their reward. But to truly understand that reward, we must grasp that for both philosophy and mythology, that reward was the fulfillment of the incomplete.

Such learned men would doubtless have come, as these learned men did come, to find themselves confirmed in much that was true in their own traditions and right in their own reasoning. Confucius would have found a new foundation for the family in the very reversal of the Holy Family; Buddha would have looked upon a new renunciation, of stars rather than jewels and divinity than royalty. These learned men would still have the right to say, or rather a new right to say, that there was truth in their old teaching. But, after all, these learned men would have come to learn. They would have come to complete their conceptions with something they had not yet conceived; even to balance their imperfect universe with something they might once have contradicted. Buddha would have come from his impersonal paradise to worship a person. Confucius would have come from his temples of ancestor-worship to worship a child.

Such educated men would surely have arrived, just like these scholars did, to find their own traditions validated and their reasoning affirmed. Confucius would have discovered a new basis for family values in the complete opposite of the Holy Family; Buddha would have embraced a new form of renunciation, focusing on stars instead of jewels and spirituality instead of power. These scholars would still have the right to say—or rather a new reason to say—that there was truth in their previous teachings. But ultimately, these learned individuals would have come to learn. They would have sought to enrich their ideas with concepts they hadn’t previously considered; even to complete their imperfect understanding of the universe with something they might have once rejected. Buddha would have come from his impersonal paradise to honor a person. Confucius would have come from his ancestor-worshipping temples to celebrate a child.

We must grasp from the first this character in the new cosmos: that it was larger than the old cosmos. In that sense Christendom is larger than creation; as creation had been before Christ. It included things that had not been there; it also included the things{201} that had been there. The point happens to be well illustrated in this example of Chinese piety, but it would be true of other pagan virtues or pagan beliefs. Nobody can doubt that a reasonable respect for parents is part of a gospel in which God himself was subject in childhood to earthly parents. But the other sense in which the parents were subject to him does introduce an idea that is not Confucian. The infant Christ is not like the infant Confucius; our mysticism conceives him in an immortal infancy. I do not know what Confucius would have done with the Bambino, had it come to life in his arms as it did in the arms of St. Francis. But this is true in relation to all the other religions and philosophies; it is the challenge of the Church. The Church contains what the world does not contain. Life itself does not provide as she does for all sides of life. That every other single system is narrow and insufficient compared to this one; that is not a rhetorical boast; it is a real fact and a real dilemma. Where is the Holy Child amid the Stoics and the ancestor-worshippers? Where is Our Lady of the Moslems, a woman made for no man and set above all angels? Where is St. Michael of the monks of Buddha, rider and master of the trumpets, guarding for every soldier the honour of the sword? What could St. Thomas Aquinas do with the mythology of Brahminism, he who set forth all the science and rationality and even rationalism of Christianity? Yet even if we compare Aquinas with Aristotle, at the other extreme of reason, we shall find the same sense of something added. Aquinas could understand the most logical parts of Aristotle; it is doubtful if Aristotle could have understood the most mystical parts of Aquinas. Even where we can hardly call the Christian greater, we are forced to call him larger. But it is so to whatever philosophy or heresy or modern movement we may turn. How would Francis the Troubadour have fared among the Calvinists, or for that matter{202} among the Utilitarians of the Manchester School? Yet men like Bossuet and Pascal could be as stern and logical as any Calvinist or Utilitarian. How would St. Joan of Arc, a woman waving on men to war with the sword, have fared among the Quakers or the Doukhabors or the Tolstoyan sect of pacifists? Yet any number of Catholic saints have spent their lives in preaching peace and preventing wars. It is the same with all the modern attempts at Syncretism. They are never able to make something larger than the Creed without leaving something out. I do not mean leaving out something divine but something human; the flag or the inn or the boy’s tale of battle or the hedge at the end of the field. The Theosophists build a pantheon; but it is only a pantheon for pantheists. They call a Parliament of Religions as a reunion of all the peoples; but it is only a reunion of all the prigs. Yet exactly such a pantheon had been set up two thousand years before by the shores of the Mediterranean; and Christians were invited to set up the image of Jesus side by side with the image of Jupiter, of Mithras, of Osiris, of Atys, or of Ammon. It was the refusal of the Christians that was the turning-point of history. If the Christians had accepted, they and the whole world would have certainly, in a grotesque but exact metaphor, gone to pot. They would all have been boiled down to one lukewarm liquid in that great pot of cosmopolitan corruption in which all the other myths and mysteries were already melting. It was an awful and an appalling escape. Nobody understands the nature of the Church, or the ringing note of the creed descending from antiquity, who does not realise that the whole world once very nearly died of broadmindedness and the brotherhood of all religions.

We need to understand from the start that this new world is bigger than the old one. In that way, Christianity is bigger than creation, just as creation was before Christ. It embraces things that didn’t exist before and also includes things{201} that were already there. This idea is clearly illustrated in the example of Chinese respect for parents, but it applies to other pagan virtues or beliefs too. It’s undeniable that a reasonable regard for parents is part of a gospel where God himself was once a child under earthly parents. However, the idea that parents were also subject to Him introduces a notion that isn’t Confucian. The baby Christ isn’t like the baby Confucius; our belief sees Him in a state of eternal infancy. I wonder what Confucius would have done if the Christ child had come to life in his arms like it did for St. Francis. But this applies to all other religions and philosophies; it’s the challenge for the Church. The Church holds what the world lacks. Life itself doesn’t offer as much as she does for every aspect of life. The fact that every other system is limited and insufficient compared to this one isn’t just a rhetorical claim; it’s a real fact and a real dilemma. Where is the Holy Child among the Stoics and those who worship ancestors? Where is Our Lady for the Muslims, a woman above all men and honored above angels? Where is St. Michael for the monks of Buddha, the rider and master of the trumpets, safeguarding every soldier's honor? What could St. Thomas Aquinas make of Brahmin mythology, he who articulated all the logic and reason, even rationalism, of Christianity? Even when we compare Aquinas with Aristotle, the other extreme of logic, we find the same sense of something extra. Aquinas could grasp the most logical aspects of Aristotle; it’s uncertain if Aristotle could comprehend the most mystical aspects of Aquinas. Even in cases where we can't clearly say the Christian is greater, we are compelled to say He is larger. And this applies no matter which philosophy, heresy, or modern movement we consider. How would Francis the Troubadour have fit in among the Calvinists, or for that matter{202} among the Utilitarians of the Manchester School? Yet figures like Bossuet and Pascal could be as stern and logical as any Calvinist or Utilitarian. How would St. Joan of Arc, a woman leading men to war with a sword, have been welcomed among the Quakers, the Doukhabors, or the Tolstoyan pacifists? Yet countless Catholic saints have devoted their lives to promoting peace and preventing wars. The same holds true for all modern attempts at Syncretism. They can never create something larger than the Creed without leaving something behind. I don’t mean omitting something divine but something human; like the flag, the inn, the boy’s story of battle, or the hedge at the end of the field. The Theosophists create a pantheon, but it’s just a pantheon for pantheists. They convene a Parliament of Religions as if reuniting all peoples; but it’s just a gathering of all the pretentious. Yet such a pantheon was established two thousand years ago by the Mediterranean, where Christians were invited to place the image of Jesus alongside those of Jupiter, Mithras, Osiris, Atys, or Ammon. It was the Christians’ refusal that marked a turning point in history. If they had accepted, they and the entire world would have, in a grotesque yet accurate metaphor, gone to pot. They would all have been boiled down into a single lukewarm liquid in that great pot of cosmopolitan corruption where all the other myths and mysteries were already dissolving. It was an incredible and terrifying escape. Anyone who doesn’t grasp the nature of the Church or the powerful resonance of the creed that has descended from ancient times doesn’t realize that the whole world once nearly perished from extreme tolerance and the notion of the brotherhood of all religions.

Here it is the important point that the Magi, who stand for mysticism and philosophy, are truly conceived as seeking something new and even as finding something unexpected. That tense sense of crisis{203} which still tingles in the Christmas story, and even in every Christmas celebration, accentuates the idea of a search and a discovery. The discovery is, in this case, truly a scientific discovery. For the other mystical figures in the miracle play, for the angel and the mother, the shepherds and the soldiers of Herod, there may be aspects both simpler and more supernatural, more elemental or more emotional. But the Wise Men must be seeking wisdom; and for them there must be a light also in the intellect. And this is the light: that the Catholic creed is catholic and that nothing else is catholic. The philosophy of the Church is universal. The philosophy of the philosophers was not universal. Had Plato and Pythagoras and Aristotle stood for an instant in the light that came out of that little cave, they would have known that their own light was not universal. It is far from certain, indeed, that they did not know it already. Philosophy also, like mythology, had very much the air of a search. It is the realisation of this truth that gives its traditional majesty and mystery to the figures of the Three Kings; the discovery that religion is broader than philosophy and that this is the broadest of religions, contained within this narrow space. The Magicians were gazing at the strange pentacle with the human triangle reversed; and they have never come to the end of their calculations about it. For it is the paradox of that group in the cave, that while our emotions about it are of childish simplicity, our thoughts about it can branch with a never-ending complexity. And we can never reach the end even of our own ideas about the child who was a father and the mother who was a child.

Here’s the key point: the Magi, representing mysticism and philosophy, are really seen as searching for something new and even discovering the unexpected. That tense feeling of crisis{203} that still resonates in the Christmas story and in every Christmas celebration emphasizes the theme of exploration and revelation. This discovery is genuinely a scientific one. For the other mystical figures in the nativity play—the angel, the mother, the shepherds, and Herod’s soldiers—there may be simpler, more supernatural, more elemental, or more emotional aspects. But the Wise Men must be in pursuit of wisdom; and for them, the intellect must also find a guiding light. And that light is this: the Catholic creed is universal, and nothing else is. The Church’s philosophy is universal. The philosophers' philosophies were not. Had Plato, Pythagoras, and Aristotle stood for even a moment in the light that shone from that humble cave, they would have recognized that their own light was not universal. It's actually quite uncertain whether they didn’t already realize this. Philosophy, like mythology, often appeared to be a quest. Understanding this truth adds traditional majesty and mystery to the figures of the Three Kings; the realization that religion is broader than philosophy and that this is the broadest of religions, contained within this limited space. The Magi were contemplating the strange pentacle with the inverted human triangle; and they’ve never finished calculating it. The irony of that group in the cave is that while our feelings about it are childishly simple, our thoughts can unfold into an endlessly complex array. And we can never fully grasp even our own thoughts about the child who was a father and the mother who was a child.

We might well be content to say that mythology had come with the shepherds and philosophy with the philosophers; and that it only remained for them to combine in the recognisation of religion. But there was a third element that must not be ignored and one which that religion for ever refuses to ignore,{204} in any revel or reconciliation. There was present in the primary scenes of the drama that Enemy that had rotted the legends with lust and frozen the theories into atheism, but which answered the direct challenge with something of that more direct method which we have seen in the conscious cult of the demons. In the description of that demon-worship, of the devouring detestation of innocence shown in the works of its witchcraft and the most inhuman of its human sacrifice, I have said less of its indirect and secret penetration of the saner paganism; the soaking of mythological imagination with sex; the rise of imperial pride into insanity. But both the indirect and the direct influence make themselves felt in the drama of Bethlehem. A ruler under the Roman suzerainty, probably equipped and surrounded with the Roman ornament and order though himself of eastern blood, seems in that hour to have felt stirring within him the spirit of strange things. We all know the story of how Herod, alarmed at some rumour of a mysterious rival, remembered the wild gesture of the capricious despots of Asia and ordered a massacre of suspects of the new generation of the populace. Every one knows the story; but not every one has perhaps noted its place in the story of the strange religions of men. Not everybody has seen the significance even of its very contrast with the Corinthian columns and Roman pavement of that conquered and superficially civilised world. Only, as the purpose in his dark spirit began to show and shine in the eyes of the Idumean, a seer might perhaps have seen something like a great grey ghost that looked over his shoulder; have seen behind him, filling the dome of night and hovering for the last time over history, that vast and fearful face that was Moloch of the Carthaginians; awaiting his last tribute from a ruler of the races of Shem. The demons also, in that first festival of Christmas, feasted after their own fashion.

We might be satisfied to say that mythology arrived with the shepherds and philosophy with the philosophers; and that it only remained for them to come together in the acknowledgment of religion. But there was a third element that can’t be overlooked, and one that religion will forever refuse to ignore,{204} in any celebration or reconciliation. Present in the early scenes of the story was the Enemy that had corrupted the legends with desire and turned theories into atheism, yet responded to the direct challenge with a more straightforward method that we’ve seen in the deliberate worship of demons. In describing that demon-worship, the disturbing hatred of innocence revealed in the acts of witchcraft and the most inhumane of human sacrifices, I've said less about its indirect and secret infiltration of the more rational paganism; the saturation of mythological imagination with sexuality; the rise of imperial arrogance into madness. But both the indirect and the direct influences can be felt in the drama of Bethlehem. A ruler under Roman control, likely adorned and surrounded by Roman culture, though of eastern descent, seems in that moment to have felt stirring within him the spirit of strange things. We all know the story of how Herod, unsettled by some rumor of a mysterious rival, recalled the wild actions of the unpredictable despots of Asia and ordered a massacre of the suspected new generation of the population. Everyone knows the story; but not everyone may have recognized its significance in the narrative of the strange religions of humanity. Not everyone has understood the importance of its stark contrast with the Corinthian columns and Roman pavement of that conquered and superficially civilized world. Only, as the intent in his dark spirit began to manifest and shine in the eyes of the Idumean, a seer might have sensed something like a great grey ghost looming over his shoulder; seen behind him, filling the dome of night and hovering for the last time over history, that vast and terrifying face of Moloch from the Carthaginians; awaiting his final tribute from a ruler of the races of Shem. The demons too, at that first Christmas festival, celebrated in their own way.

Unless we understand the presence of that Enemy,{205} we shall not only miss the point of Christianity, but even miss the point of Christmas. Christmas for us in Christendom has become one thing, and in one sense even a simple thing. But, like all the truths of that tradition, it is in another sense a very complex thing. Its unique note is the simultaneous striking of many notes; of humility, of gaiety, of gratitude, of mystical fear, but also of vigilance and of drama. It is not only an occasion for the peacemakers any more than for the merrymakers; it is not only a Hindu peace conference any more than it is only a Scandinavian winter feast. There is something defiant in it also; something that makes the abrupt bells at midnight sound like the great guns of a battle that has just been won. All this indescribable thing that we call the Christmas atmosphere only hangs in the air as something like a lingering fragrance or fading vapour from the exultant explosion of that one hour in the Judean hills nearly two thousand years ago. But the savour is still unmistakable, and it is something too subtle or too solitary to be covered by our use of the word peace. By the very nature of the story the rejoicings in the cavern were rejoicings in a fortress or an outlaw’s den; properly understood it is not unduly flippant to say they were rejoicings in a dug-out. It is not only true that such a subterranean chamber was a hiding-place from enemies; and that the enemies were already scouring the stony plain that lay above it like a sky. It is not only that the very horse-hoofs of Herod might in that sense have passed like thunder over the sunken head of Christ. It is also that there is in that image a true idea of an outpost, of a piercing through the rock and an entrance into an enemy territory. There is in this buried divinity an idea of undermining the world; of shaking the towers and palaces from below; even as Herod the great king felt that earthquake under him and swayed with his swaying palace.

Unless we understand the presence of that Enemy,{205} we won't just miss the essence of Christianity, but we'll also miss the significance of Christmas. Christmas for us in Christendom has become somewhat straightforward, and in one way, even simple. However, like all truths from that tradition, it's incredibly complex in another way. Its unique characteristic is the simultaneous striking of many chords: humility, joy, gratitude, mystical fear, but also vigilance and drama. It's not just a time for peacemakers just as it’s not only for merrymakers; it's not merely a Hindu peace conference any more than it is just a Scandinavian winter celebration. There’s something defiant about it too; something that makes the abrupt bells at midnight sound like the great cannons of a victory just won. All this indescribable feeling we call the Christmas atmosphere lingers like a faint fragrance or fading mist from the exhilarating event that took place nearly two thousand years ago in the Judean hills. But the essence is still unmistakable, something too delicate or solitary to be defined by the word peace. By the very nature of the story, the celebrations in the cave were celebrations in a stronghold or an outlaw’s den; properly understood, it’s not overly casual to say they were celebrations in a hideout. It’s not only true that such an underground chamber was a refuge from enemies; the enemies were already searching the rocky terrain above like a sky. It’s not just that the very horse-hooves of Herod might have thundered above the hidden head of Christ. There's also a real idea in that image of an outpost, of breaking through the rock and entering enemy territory. This hidden divinity represents the idea of undermining the world; of shaking the towers and palaces from below; even as Herod the Great felt that earthquake beneath him and swayed with his swaying palace.

That is perhaps the mightiest of the mysteries of{206} the cave. It is already apparent that though men are said to have looked for hell under the earth, in this case it is rather heaven that is under the earth. And there follows in this strange story the idea of an upheaval of heaven. That is the paradox of the whole position; that henceforth the highest thing can only work from below. Royalty can only return to its own by a sort of rebellion. Indeed the Church from its beginnings, and perhaps especially in its beginnings, was not so much a principality as a revolution against the prince of the world. This sense that the world had been conquered by the great usurper, and was in his possession, has been much deplored or derided by those optimists who identify enlightenment with ease. But it was responsible for all that thrill of defiance and a beautiful danger that made the good news seem to be really both good and new. It was in truth against a huge unconscious usurpation that it raised a revolt, and originally so obscure a revolt. Olympus still occupied the sky like a motionless cloud moulded into many mighty forms; philosophy still sat in the high places and even on the thrones of the kings, when Christ was born in the cave and Christianity in the catacombs.

That is perhaps the greatest of the mysteries of{206} the cave. It’s already clear that while people have searched for hell beneath the earth, in this case, it’s actually heaven that lies below. And then there’s the idea of heaven being turned upside down in this strange story. That’s the paradox of the whole situation; from now on, the highest things can only emerge from below. Royalty can only reclaim its rightful place through a kind of rebellion. In fact, the Church, from its inception and maybe especially at the beginning, was not just a principality but more like a revolt against the ruler of the world. This feeling that the world had been taken over by a great usurper and was under his control has often been lamented or mocked by those optimists who equate enlightenment with comfort. But that perception sparked a sense of defiance and a beautiful danger that made the good news truly feel both good and new. It was indeed a rebellion against a massive, unconscious usurpation, an originally obscure revolt. Olympus still occupied the sky like a still cloud shaped into many powerful forms; philosophy still occupied the high places and even the thrones of kings when Christ was born in the cave and Christianity emerged in the catacombs.

In both cases we may remark the same paradox of revolution; the sense of something despised and of something feared. The cave in one aspect is only a hole or corner into which the outcasts are swept like rubbish; yet in the other aspect it is a hiding-place of something valuable which the tyrants are seeking like treasure. In one sense they are there because the innkeeper would not even remember them, and in another because the king can never forget them. We have already noted that this paradox appeared also in the treatment of the early Church. It was important while it was still insignificant, and certainly while it was still impotent. It was important solely because it was intolerable; and in that sense it is true to say that it was intolerable because it was{207} intolerant. It was resented, because, in its own still and almost secret way, it had declared war. It had risen out of the ground to wreck the heaven and earth of heathenism. It did not try to destroy all that creation of gold and marble; but it contemplated a world without it. It dared to look right through it as though the gold and marble had been glass. Those who charged the Christians with burning down Rome with firebrands were slanderers; but they were at least far nearer to the nature of Christianity than those among the moderns who tell us that the Christians were a sort of ethical society, being martyred in a languid fashion for telling men they had a duty to their neighbours, and only mildly disliked because they were meek and mild.

In both cases, we can notice the same paradox of revolution: a sense of something despised and something feared. The cave, in one view, is just a hole or corner where outcasts are discarded like trash; yet in another view, it’s a hiding place for something precious that tyrants seek like treasure. In one sense, they're there because the innkeeper wouldn’t even recognize them, and in another sense, because the king can never forget them. We’ve already mentioned that this paradox was also present in how the early Church was treated. It was significant while it was still small and certainly when it was powerless. It mattered only because it was intolerable; and in that way, it’s true to say that it was intolerable because it was intolerant. It was resented because, in its quiet and almost secretive way, it had declared war. It had come up from the ground to challenge the heavens and earth of paganism. It didn’t aim to destroy all that creation of gold and marble; instead, it envisioned a world without it. It dared to see right through it as if the gold and marble were made of glass. Those who accused the Christians of setting Rome on fire with torches were slanderers; but at least they were much closer to understanding Christianity than those modern thinkers who claim that Christians were just a sort of ethical society, martyred lazily for telling people they had a duty to their neighbors, and only slightly disliked because they were gentle and humble.

Herod had his place, therefore, in the miracle play of Bethlehem because he is the menace to the Church Militant and shows it from the first as under persecution and fighting for its life. For those who think this a discord, it is a discord that sounds simultaneously with the Christmas bells. For those who think the idea of the Crusade is one that spoils the idea of the Cross, we can only say that for them the idea of the Cross is spoiled; the idea of the Cross is spoiled quite literally in the Cradle. It is not here to the purpose to argue with them on the abstract ethics of fighting; the purpose in this place is merely to sum up the combination of ideas that make up the Christian and Catholic idea, and to note that all of them are already crystallised in the first Christmas story. They are three distinct and commonly contrasted things which are nevertheless one thing; but this is the only thing which can make them one. The first is the human instinct for a heaven that shall be as literal and almost as local as a home. It is the idea pursued by all poets and pagans making myths; that a particular place must be the shrine of the god or the abode of the blest; that fairyland is a land; or that the return of the ghost must be the resurrection{208} of the body. I do not here reason about the refusal of rationalism to satisfy this need. I only say that if the rationalists refuse to satisfy it, the pagans will not be satisfied. This is present in the story of Bethlehem and Jerusalem as it is present in the story of Delos and Delphi; and as it is not present in the whole universe of Lucretius or the whole universe of Herbert Spencer. The second element is a philosophy larger than other philosophies; larger than that of Lucretius and infinitely larger than that of Herbert Spencer. It looks at the world through a hundred windows where the ancient stoic or the modern agnostic only looks through one. It sees life with thousands of eyes belonging to thousands of different sorts of people, where the other is only the individual standpoint of a stoic or an agnostic. It has something for all moods of man, it finds work for all kinds of men, it understands secrets of psychology, it is aware of depths of evil, it is able to distinguish between real and unreal marvels and miraculous exceptions, it trains itself in tact about hard cases, all with a multiplicity and subtlety and imagination about the varieties of life which is far beyond the bald or breezy platitudes of most ancient or modern moral philosophy. In a word, there is more in it; it finds more in existence to think about; it gets more out of life. Masses of this material about our many-sided life have been added since the time of St. Thomas Aquinas. But St. Thomas Aquinas alone would have found himself limited in the world of Confucius or of Comte. And the third point is this: that while it is local enough for poetry and larger than any other philosophy, it is also a challenge and a fight. While it is deliberately broadened to embrace every aspect of truth, it is still stiffly embattled against every mode of error. It gets every kind of man to fight for it, it gets every kind of weapon to fight with, it widens its knowledge of the things that are fought for and against with every art of curiosity{209} or sympathy; but it never forgets that it is fighting. It proclaims peace on earth and never forgets why there was war in heaven.

Herod had his role, therefore, in the miracle play of Bethlehem because he represents a threat to the Church Militant, illustrating from the start that the Church is under persecution and struggling for its survival. For those who view this as a conflict, it is a conflict that rings out alongside the Christmas bells. For those who believe the concept of the Crusade undermines the idea of the Cross, we can only say that, for them, the concept of the Cross is compromised; the idea of the Cross is literally compromised in the Cradle. It’s not the point here to debate the ethical implications of fighting; the aim in this context is merely to summarize the combination of ideas that shape the Christian and Catholic understanding and to note that all of them are already embodied in the first Christmas story. There are three distinct and commonly contrasted elements that nevertheless form one whole; but this is the only element that can unify them. The first is the human instinct for a heaven that is as tangible and almost as local as a home. It’s the idea that poets and pagans have chased in their myths; that a specific location must serve as the shrine of the deity or the residence of the blessed; that fairyland is a real place; or that the return of the ghost must be the resurrection of the body. I’m not here to discuss rationalism’s failure to meet this need. I’m simply stating that if rationalists refuse to satisfy it, pagans will also remain unfulfilled. This is present in the stories of Bethlehem and Jerusalem just as it is in those of Delos and Delphi; and as it is not present in the entire universe of Lucretius or the complete works of Herbert Spencer. The second element is a philosophy that is broader than other philosophies; broader than that of Lucretius and infinitely more expansive than that of Herbert Spencer. It views the world through numerous lenses, while the ancient stoic or the contemporary agnostic only sees through one. It perceives life with thousands of perspectives belonging to thousands of different types of people, where the other represents merely the individual point of view of a stoic or an agnostic. It caters to all moods, finds work for all kinds of individuals, understands psychological intricacies, recognizes depths of evil, can differentiate between genuine and illusory wonders and miraculous exceptions, and is adept at handling tough situations, all with a complexity, subtlety, and imagination regarding life’s variety that far surpasses the simplistic or generic statements of most ancient or modern moral philosophy. In short, it encompasses more; it discovers more in existence to ponder; it derives more from life. A wealth of this material about our multifaceted existence has been added since the era of St. Thomas Aquinas. But St. Thomas Aquinas himself would have felt confined in the world defined by Confucius or Comte. The third point is this: while it is specific enough for poetry and broader than any other philosophy, it is also a challenge and a fight. While it is intentionally expanded to include every facet of truth, it remains resolutely opposed to every form of error. It enlists all kinds of people to fight for it, utilizes all forms of weaponry in that fight, broadens its understanding of both the subjects of contention and the areas of agreement with every form of curiosity or empathy; yet it never loses sight of the fact that it is in a battle. It proclaims peace on earth and never forgets why there was war in heaven.

This is the trinity of truths symbolised here by the three types in the old Christmas story: the shepherds and the kings and that other king who warred upon the children. It is simply not true to say that other religions and philosophies are in this respect its rivals. It is not true to say that any one of them combines these characters; it is not true to say that any one of them pretends to combine them. Buddhism may profess to be equally mystical; it does not even profess to be equally military. Islam may profess to be equally military; it does not even profess to be equally metaphysical and subtle. Confucianism may profess to satisfy the need of the philosophers for order and reason; it does not even profess to satisfy the need of the mystics for miracle and sacrament and the consecration of concrete things. There are many evidences of this presence of a spirit at once universal and unique. One will serve here which is the symbol of the subject of this chapter; that no other story, no pagan legend or philosophical anecdote or historical event, does in fact affect any of us with that peculiar and even poignant impression produced on us by the word Bethlehem. No other birth of a god or childhood of a sage seems to us to be Christmas or anything like Christmas. It is either too cold or too frivolous, or too formal and classical, or too simple and savage, or too occult and complicated. Not one of us, whatever his opinions, would ever go to such a scene with the sense that he was going home. He might admire it because it was poetical, or because it was philosophical, or any number of other things in separation; but not because it was itself. The truth is that there is a quite peculiar and individual character about the hold of this story on human nature; it is not in its psychological substance at all like a mere legend or the life of a great man. It does{210} not exactly in the ordinary sense turn our minds to greatness; to those extensions and exaggerations of humanity which are turned into gods and heroes, even by the healthiest sort of hero-worship. It does not exactly work outwards, adventurously, to the wonders to be found at the ends of the earth. It is rather something that surprises us from behind, from the hidden and personal part of our being; like that which can sometimes take us off our guard in the pathos of small objects or the blind pieties of the poor. It is rather as if a man had found an inner room in the very heart of his own house which he had never suspected; and seen a light from within. It is as if he found something at the back of his own heart that betrayed him into good. It is not made of what the world would call strong materials; or rather it is made of materials whose strength is in that winged levity with which they brush us and pass. It is all that is in us but a brief tenderness that is there made eternal; all that means no more than a momentary softening that is in some strange fashion become a strengthening and a repose; it is the broken speech and the lost word that are made positive and suspended unbroken; as the strange kings fade into a far country and the mountains resound no more with the feet of the shepherds; and only the night and the cavern lie in fold upon fold over something more human than humanity.{211}

This is the trinity of truths represented here by the three figures in the old Christmas story: the shepherds, the kings, and that other king who waged war on children. It’s simply not accurate to say that other religions and philosophies are rivals in this regard. It’s not true that any of them combine these elements; it’s not accurate to say that any of them even attempt to combine them. Buddhism may claim to be equally mystical, but it doesn't even claim to be equally martial. Islam may assert its military nature; however, it doesn’t even try to match the metaphysical and subtle aspects. Confucianism may suggest it meets the philosophers' needs for order and rationality, but it doesn’t even claim to fulfill the mystics' need for miracles, sacraments, and the sanctification of tangible things. There are many signs of this presence of a spirit that is both universal and unique. One example, which is the focus of this chapter, is that no other story, no pagan myth or philosophical story or historical event, impact us with the same peculiar and even intense feeling that the word Bethlehem evokes. No other god's birth or sage's childhood feels like Christmas or anything close to it. It’s either too cold, too playful, too formal and classical, or too simple and primitive, or too obscure and complicated. Not one of us, regardless of our beliefs, would ever approach such a scene feeling like we were going home. We might appreciate it for being poetic, philosophical, or for many other reasons on their own, but not because it is what it is. The truth is that this story has a unique and individual hold on human nature; it doesn't psychologically resemble a mere legend or the life of a great person. It doesn’t lead our minds to greatness in the conventional sense, to those extensions and exaggerations of humanity that are transformed into gods and heroes, even by the healthiest admiration. It doesn’t outwardly venture towards the wonders found at the ends of the earth. Instead, it surprises us from behind, from the hidden and personal aspects of our being; similar to moments when we find ourselves unexpectedly moved by the smallness of everyday objects or the simple faith of the poor. It’s like discovering an inner room in the very heart of our own home that we never knew existed, and seeing a light shining from within. It’s as if we find something deep within our own hearts that leads us towards goodness. It’s not constructed from what the world would call strong materials; rather, it consists of materials whose strength lies in the delicate grace with which they touch us and then move on. It encapsulates every moment of tenderness within us, making it eternal; all that means nothing more than a fleeting softness that has become, in some mysterious way, a source of strength and tranquility; it is the fragmented speech and lost words turned into something positive and unbroken; as the mystical kings journey into a distant land and the mountains resound no more with the shepherds' footsteps; and only the night and the cave lie in layers upon layers over something more human than humanity.{211}

CHAPTER II

THE RIDDLES OF THE GOSPEL

To understand the nature of this chapter, it is necessary to recur to the nature of this book. The argument which is meant to be the backbone of the book is of the kind called the reductio ad absurdum. It suggests that the results of assuming the rationalist thesis are more irrational than ours; but to prove it we must assume that thesis. Thus in the first section I often treated man as merely an animal, to show that the effect was more impossible than if he were treated as an angel. In the sense in which it was necessary to treat man merely as an animal, it is necessary to treat Christ merely as a man. I have to suspend my own beliefs, which are much more positive; and assume this limitation even in order to remove it. I must try to imagine what would happen to a man who did really read the story of Christ as the story of a man; and even of a man of whom he had never heard before. And I wish to point out that a really impartial reading of that kind would lead, if not immediately to belief, at least to a bewilderment of which there is really no solution except in belief. In this chapter, for this reason, I shall bring in nothing of the spirit of my own creed; I shall exclude the very style of diction, and even of lettering, which I should think fitting in speaking in my own person. I am speaking as an imaginary heathen human being, honestly staring at the Gospel story for the first time.

To understand what this chapter is about, we need to think about the overall purpose of this book. The main argument here is a type known as reductio ad absurdum. It suggests that the outcomes of accepting the rationalist viewpoint are more illogical than ours; however, to demonstrate this, we must accept that viewpoint. Therefore, in the first section, I often looked at humans simply as animals to illustrate that the implications are more absurd than if they were seen as angels. In the way it was important to view humans solely as animals, it’s also necessary to view Christ simply as a man. I have to set aside my own beliefs, which are much stronger, and take on this limitation in order to ultimately discard it. I must try to picture what would happen to someone who really read the story of Christ as just a man's story; even of a man he had never heard of before. I want to emphasize that a truly unbiased reading like that would lead, if not directly to faith, at least to a confusion that can really only be resolved through belief. For this reason, in this chapter, I won’t bring in anything from my own faith; I’ll avoid the specific language and even the style of lettering that I would typically use when speaking as myself. I am presenting this as a fictional non-believer, honestly examining the Gospel story for the first time.

Now it is not at all easy to regard the New Testament as a New Testament. It is not at all easy to{212} realise the good news as new. Both for good and evil familiarity fills us with assumptions and associations; and no man of our civilisation, whatever he thinks of our religion, can really read the thing as if he had never heard of it before. Of course it is in any case utterly unhistorical to talk as if the New Testament were a neatly bound book that had fallen from heaven. It is simply the selection made by the authority of the Church from a mass of early Christian literature. But apart from any such question, there is a psychological difficulty in feeling the New Testament as new. There is a psychological difficulty in seeing those well-known words simply as they stand and without going beyond what they intrinsically stand for. And this difficulty must indeed be very great; for the result of it is very curious. The result of it is that most modern critics and most current criticism, even popular criticism, makes a comment that is the exact reverse of the truth. It is so completely the reverse of the truth that one could almost suspect that they had never read the New Testament at all.

Now, it's not easy to see the New Testament as a New Testament. It's not easy to realize the good news as something new. Both in good ways and bad, familiarity fills us with assumptions and associations; and no person in our society, no matter their thoughts on our religion, can truly read it as if they've never heard of it before. Of course, it's utterly unhistorical to suggest that the New Testament is a neatly bound book that fell from the sky. It’s simply the selection made by the authority of the Church from a wealth of early Christian writings. But aside from that, there’s a psychological challenge in feeling the New Testament as new. There’s a psychological challenge in seeing those familiar words just as they are, without going beyond what they actually represent. And this challenge must be quite significant because the outcome is very interesting. The outcome is that most modern critics and most contemporary criticism, even popular criticism, makes comments that are the complete opposite of the truth. It's so entirely the opposite of the truth that one could almost suspect they've never actually read the New Testament at all.

We have all heard people say a hundred times over, for they seem never to tire of saying it, that the Jesus of the New Testament is indeed a most merciful and humane lover of humanity, but that the Church has hidden this human character in repellent dogmas and stiffened it with ecclesiastical terrors till it has taken on an inhuman character. This is, I venture to repeat, very nearly the reverse of the truth. The truth is that it is the image of Christ in the churches that is almost entirely mild and merciful. It is the image of Christ in the Gospels that is a good many other things as well. The figure in the Gospels does indeed utter in words of almost heart-breaking beauty his pity for our broken hearts. But they are very far from being the only sort of words that he utters. Nevertheless they are almost the only kind of words that the Church in its popular imagery ever repre{213}sents him as uttering. That popular imagery is inspired by a perfectly sound popular instinct. The mass of the poor are broken, and the mass of the people are poor, and for the mass of mankind the main thing is to carry the conviction of the incredible compassion of God. But nobody with his eyes open can doubt that it is chiefly this idea of compassion that the popular machinery of the Church does seek to carry. The popular imagery carries a great deal to excess the sentiment of ‘Gentle Jesus, meek and mild.’ It is the first thing that the outsider feels and criticises in a Pietà or a shrine of the Sacred Heart. As I say, while the art may be insufficient, I am not sure that the instinct is unsound. In any case there is something appalling, something that makes the blood run cold, in the idea of having a statue of Christ in wrath. There is something insupportable even to the imagination in the idea of turning the corner of a street or coming out into the spaces of a market-place to meet the petrifying petrifaction of that figure as it turned upon a generation of vipers, or that face as it looked at the face of a hypocrite. The Church can reasonably be justified therefore if she turns the most merciful face or aspect towards men; but it is certainly the most merciful aspect that she does turn. And the point is here that it is very much more specially and exclusively merciful than any impression that could be formed by a man merely reading the New Testament for the first time. A man simply taking the words of the story as they stand would form quite another impression; an impression full of mystery and possibly of inconsistency; but certainly not merely an impression of mildness. It would be intensely interesting; but part of the interest would consist in its leaving a good deal to be guessed at or explained. It is full of sudden gestures evidently significant except that we hardly know what they signify; of enigmatic silences; of ironical replies. The outbreaks of wrath, like storms above{214} our atmosphere, do not seem to break out exactly where we should expect them, but to follow some higher weather-chart of their own. The Peter whom popular Church teaching presents is very rightly the Peter to whom Christ said in forgiveness, ‘Feed my lambs.’ He is not the Peter upon whom Christ turned as if he were the devil, crying in that obscure wrath, ‘Get thee behind me, Satan.’ Christ lamented with nothing but love and pity over Jerusalem which was to murder him. We do not know what strange spiritual atmosphere or spiritual insight led him to sink Bethsaida lower in the pit than Sodom. I am putting aside for the moment all questions of doctrinal inferences or expositions, orthodox or otherwise; I am simply imagining the effect on a man’s mind if he did really do what these critics are always talking about doing; if he did really read the New Testament without reference to orthodoxy and even without reference to doctrine. He would find a number of things which fit in far less with the current unorthodoxy than they do with the current orthodoxy. He would find, for instance, that if there are any descriptions that deserved to be called realistic, they are precisely the descriptions of the supernatural. If there is one aspect of the New Testament Jesus in which he may be said to present himself eminently as a practical person, it is in the aspect of an exorcist. There is nothing meek and mild, there is nothing even in the ordinary sense mystical, about the tone of the voice that says ‘Hold thy peace and come out of him.’ It is much more like the tone of a very business-like lion-tamer or a strong-minded doctor dealing with a homicidal maniac. But this is only a side issue for the sake of illustration; I am not now raising these controversies; but considering the case of the imaginary man from the moon to whom the New Testament is new.

We’ve all heard people say time and again, and they never seem to tire of it, that the Jesus of the New Testament is a truly merciful and kind lover of humanity, but that the Church has hidden this humane side behind off-putting dogmas and stiffened it with ecclesiastical fears until it seems inhumane. I must say that this is almost completely the opposite of the truth. The reality is that it’s the image of Christ in churches that is mostly gentle and merciful. The image of Christ in the Gospels includes many other things as well. The figure in the Gospels does express, in beautifully heartbreaking words, his compassion for our broken hearts. However, these are far from the only types of words he speaks. Still, they are almost the only kind the Church’s popular imagery shows him as saying. This popular imagery is driven by a perfectly reasonable instinct. Most of the poor are broken, and most people are poor, and for many, the key thing is to grasp the incredible compassion of God. But no one with their eyes open can doubt that it’s primarily this idea of compassion that the Church’s popular messaging aims to convey. The popular imagery often exaggerates the sentiment of "Gentle Jesus, meek and mild." That's the first impression an outsider gets when they see a Pietà or a shrine of the Sacred Heart. As I mentioned, while the art may be lacking, I’m not sure the instinct is wrong. In any case, there’s something chilling and appalling about the idea of having a statue of Christ in anger. There’s something unbearable even to imagine turning the corner of a street or entering the bustling market only to face the petrifying image of that figure as it confronted a generation of vipers or that gaze as it looked at a hypocrite. The Church can be reasonably justified in showing the most merciful face to people, and indeed, it is the most merciful aspect she presents. What’s important here is that it's much more purely and exclusively merciful than the impression someone would get by just reading the New Testament for the first time. A person taking the story at face value would have a very different impression; one filled with mystery and possibly inconsistency, but certainly not just an impression of gentleness. It would be intensely intriguing; part of that intrigue would be in the many things left to guess or explain. It’s full of sudden actions that seem significant but whose meanings we hardly know; of puzzling silences; of sarcastic replies. The outbursts of anger, like storms in our atmosphere, don’t seem to erupt exactly where we expect them, instead following a higher weather pattern of their own. The Peter that popular Church teaching presents is rightly the Peter to whom Christ said, ‘Feed my lambs’ in forgiveness. He is not the Peter whom Christ rebuked, as if he were the devil, shouting in that obscure anger, ‘Get thee behind me, Satan.’ Christ mourned with nothing but love and pity over Jerusalem, which was set to kill him. We don’t know what strange spiritual context or insight led him to consider Bethsaida worse than Sodom. I’m putting aside discussions of doctrinal implications or interpretations, orthodox or otherwise; I’m simply imagining the impact on someone’s mind if they truly did what these critics keep talking about; if they actually read the New Testament without leaning on orthodoxy or even doctrine. They would find many things that align far less with current unorthodoxy than with current orthodoxy. For example, if there are any descriptions that could be called realistic, it’s those of the supernatural. If there’s one way the New Testament Jesus presents himself as especially practical, it’s as an exorcist. There’s nothing gentle or mild, and certainly nothing even remotely mystical, about the tone when he says, ‘Hold your peace and come out of him.’ It resembles much more the tone of a businesslike lion tamer or a strong-willed doctor handling a homicidal maniac. But that’s just a side note to illustrate my point; I’m not bringing up these debates now; instead, I'm considering the case of an imaginary person from the moon encountering the New Testament for the first time.

Now the first thing to note is that if we take it merely as a human story, it is in some ways a very{215} strange story. I do not refer here to its tremendous and tragic culmination or to any implications involving triumph in that tragedy. I do not refer to what is commonly called the miraculous element; for on that point philosophies vary and modern philosophies very decidedly waver. Indeed the educated Englishman of to-day may be said to have passed from an old fashion, in which he would not believe in any miracles unless they were ancient, and adopted a new fashion in which he will not believe in any miracles unless they are modern. He used to hold that miraculous cures stopped with the first Christians and is now inclined to suspect that they began with the first Christian Scientists. But I refer here rather specially to unmiraculous and even to unnoticed and inconspicuous parts of the story. There are a great many things about it which nobody would have invented, for they are things that nobody has ever made any particular use of; things which if they were remarked at all have remained rather as puzzles. For instance, there is that long stretch of silence in the life of Christ up to the age of thirty. It is of all silences the most immense and imaginatively impressive. But it is not the sort of thing that anybody is particularly likely to invent in order to prove something; and nobody so far as I know has ever tried to prove anything in particular from it. It is impressive, but it is only impressive as a fact; there is nothing particularly popular or obvious about it as a fable. The ordinary trend of hero-worship and myth-making is much more likely to say the precise opposite. It is much more likely to say (as I believe some of the gospels rejected by the Church do say) that Jesus displayed a divine precocity and began his mission at a miraculously early age. And there is indeed something strange in the thought that he who of all humanity needed least preparation seems to have had most. Whether it was some mode of the divine humility, or some truth of which we{216} see the shadow in the longer domestic tutelage of the higher creatures of the earth, I do not propose to speculate; I mention it simply as an example of the sort of thing that does in any case give rise to speculations, quite apart from recognised religious speculations. Now the whole story is full of these things. It is not by any means, as baldly presented in print, a story that it is easy to get to the bottom of. It is anything but what these people talk of as a simple Gospel. Relatively speaking, it is the Gospel that has the mysticism and the Church that has the rationalism. As I should put it, of course, it is the Gospel that is the riddle and the Church that is the answer. But whatever be the answer, the Gospel as it stands is almost a book of riddles.

Now the first thing to note is that if we look at it just as a human story, it's in some ways a very{215} strange one. I'm not referring to its dramatic and tragic outcome or any triumph that comes from that tragedy. I'm not talking about what people usually call the miraculous aspect; because on that point, philosophies differ, and modern philosophies are definitely wavering. In fact, the educated English person today could be said to have moved from an old belief that miracles only happened in the past to a new belief that they only happen in the present. They used to think that miraculous healings stopped with the early Christians and now tend to suspect that they began with the first Christian Scientists. But I'm specifically referring to the unmiraculous, unnoticed, and inconspicuous parts of the story. There are many details that no one would have invented since they aren’t particularly useful; things that, if noticed at all, have remained puzzling. For example, there’s that long stretch of silence in Christ’s life until he was thirty. It's the most immense and imaginatively striking silence of all. But it's not the kind of thing anyone would likely invent to prove something, and as far as I know, nobody has ever attempted to prove anything specific from it. It's impressive, but only as a fact; there’s nothing particularly popular or obvious about it as a story. The usual tendency toward hero-worship and myth-making is more likely to suggest the exact opposite. It’s much more likely to assert (as I believe some of the gospels rejected by the Church do) that Jesus showed divine intelligence and started his mission at a miraculously young age. And there is indeed something odd in the idea that someone who needed the least preparation seems to have received the most. Whether it was a form of divine humility or a truth we can see reflected in the extended upbringing of the more advanced beings on earth, I don’t intend to speculate; I mention it merely as an example of the kind of thing that prompts speculations, aside from recognized religious ideas. The entire story is full of these elements. It’s not, as presented in print, a straightforward story that’s easy to fully understand. It is anything but what these folks call a simple Gospel. Relatively speaking, it's the Gospel that contains the mysticism, while the Church offers rationality. To put it simply, the Gospel is the riddle, and the Church is the answer. But whatever the answer may be, the Gospel as it exists is almost a book of riddles.

First, a man reading the Gospel sayings would not find platitudes. If he had read even in the most respectful spirit the majority of ancient philosophers and of modern moralists, he would appreciate the unique importance of saying that he did not find platitudes. It is more than can be said even of Plato. It is much more than can be said of Epictetus or Seneca or Marcus Aurelius or Apollonius of Tyana. And it is immeasurably more than can be said of most of the agnostic moralists and the preachers of the ethical societies; with their songs of service and their religion of brotherhood. The morality of most moralists, ancient and modern, has been one solid and polished cataract of platitudes flowing for ever and ever. That would certainly not be the impression of the imaginary independent outsider studying the New Testament. He would be conscious of nothing so commonplace and in a sense of nothing so continuous as that stream. He would find a number of strange claims that might sound like the claim to be the brother of the sun and moon; a number of very startling pieces of advice; a number of stunning rebukes; a number of strangely beautiful stories. He would see some very gigantesque figures of speech{217} about the impossibility of threading a needle with a camel or the possibility of throwing a mountain into the sea. He would see a number of very daring simplifications of the difficulties of life; like the advice to shine upon everybody indifferently as does the sunshine or not to worry about the future any more than the birds. He would find on the other hand some passages of almost impenetrable darkness, so far as he is concerned, such as the moral of the parable of the Unjust Steward. Some of these things might strike him as fables and some as truths; but none as truisms. For instance, he would not find the ordinary platitudes in favour of peace. He would find several paradoxes in favour of peace. He would find several ideals of non-resistance, which taken as they stand would be rather too pacific for any pacifist. He would be told in one passage to treat a robber not with passive resistance, but rather with positive and enthusiastic encouragement, if the terms be taken literally; heaping up gifts upon the man who had stolen goods. But he would not find a word of all that obvious rhetoric against war which has filled countless books and odes and orations; not a word about the wickedness of war, the wastefulness of war, the appalling scale of the slaughter in war and all the rest of the familiar frenzy; indeed not a word about war at all. There is nothing that throws any particular light on Christ’s attitude towards organised warfare, except that he seems to have been rather fond of Roman soldiers. Indeed it is another perplexity, speaking from the same external and human standpoint, that he seems to have got on much better with Romans than he did with Jews. But the question here is a certain tone to be appreciated by merely reading a certain text; and we might give any number of instances of it.

First, a man reading the Gospel sayings wouldn't find empty clichés. If he had read even with the utmost respect for most ancient philosophers and modern moralists, he would recognize the unique significance of saying that he didn't find clichés. That's more than can be said even of Plato. It's much more than can be said of Epictetus, Seneca, Marcus Aurelius, or Apollonius of Tyana. And it's infinitely more than can be said of most agnostic moralists and the speakers of ethical societies, with their anthems of service and their ideals of brotherhood. The morality of most moralists, whether ancient or modern, has been one continuous stream of polished platitudes flowing endlessly. That would definitely not be the impression of an imagined independent outsider examining the New Testament. He wouldn't sense anything so ordinary and, in a sense, so monotonous as that flow. He'd encounter a lot of strange claims that might sound like claiming to be the sibling of the sun and moon; a number of very shocking pieces of advice; a number of striking rebukes; a number of oddly beautiful stories. He'd see some very exaggerated figures of speech about the impossibility of threading a needle with a camel or the feasibility of tossing a mountain into the sea. He'd observe some very bold simplifications of life's difficulties, like the suggestion to shine on everyone indiscriminately like the sun or not to stress about the future any more than the birds do. On the other hand, he'd come across some nearly impenetrable passages, at least for him, like the moral of the parable of the Unjust Steward. Some of these things might come across as fables and some as truths; but none as obvious truths. For instance, he wouldn't discover the usual platitudes supporting peace. Instead, he’d find several paradoxes supporting peace. He'd find several ideals of non-resistance that, taken literally, would seem overly pacifist for any pacifist. In one passage, he would be told to treat a robber not with passive resistance, but instead with positive and enthusiastic encouragement, if taken literally; showering gifts on the person who had stolen. But he wouldn't come across a word of all that obvious rhetoric against war that has filled countless books, poems, and speeches; not a word about the wrongness of war, the wastefulness of war, the horrific scale of slaughter in war, or any of the other familiar frenzies; indeed, not a word about war at all. There's nothing that sheds any particular light on Christ’s stance towards organized warfare, except that he seems to have been rather fond of Roman soldiers. In fact, it’s another puzzlement, from that same external and human perspective, that he appears to have gotten along much better with Romans than with Jews. But the question here is a certain tone to be recognized just by reading a specific text; and we could provide countless examples of it.

The statement that the meek shall inherit the earth is very far from being a meek statement. I mean it is not meek in the ordinary sense of mild and moderate{218} and inoffensive. To justify it, it would be necessary to go very deep into history and anticipate things undreamed of then and by many unrealised even now; such as the way in which the mystical monks reclaimed the lands which the practical kings had lost. If it was a truth at all, it was because it was a prophecy. But certainly it was not a truth in the sense of a truism. The blessing upon the meek would seem to be a very violent statement; in the sense of doing violence to reason and probability. And with this we come to another important stage in the speculation. As a prophecy it really was fulfilled; but it was only fulfilled long afterwards. The monasteries were the most practical and prosperous estates and experiments in reconstruction after the barbaric deluge; the meek did really inherit the earth. But nobody could have known anything of the sort at the time—unless indeed there was one who knew. Something of the same thing may be said about the incident of Martha and Mary; which has been interpreted in retrospect and from the inside by the mystics of the Christian contemplative life. But it was not at all an obvious view of it; and most moralists, ancient and modern, could be trusted to make a rush for the obvious. What torrents of effortless eloquence would have flowed from them to swell any slight superiority on the part of Martha; what splendid sermons about the Joy of Service and the Gospel of Work and the World Left Better Than We Found It, and generally all the ten thousand platitudes that can be uttered in favour of taking trouble—by people who need take no trouble to utter them. If in Mary the mystic and child of love Christ was guarding the seed of something more subtle, who was likely to understand it at the time? Nobody else could have seen Clare and Catherine and Teresa shining above the little roof at Bethany. It is so in another way with that magnificent menace about bringing into the world a sword to sunder and divide.{219} Nobody could have guessed then either how it could be fulfilled or how it could be justified. Indeed some freethinkers are still so simple as to fall into the trap and be shocked at a phrase so deliberately defiant. They actually complain of the paradox for not being a platitude.

The idea that the meek will inherit the earth is far from a subtle claim. It’s not meek in the typical sense of being mild, moderate, or non-offensive. To explain it fully, we would need to dive deep into history and foresee things that were unimaginable back then and still not recognized by many today; for example, how mystical monks reclaimed lands lost by practical kings. If it holds any truth at all, it’s because it serves as a prophecy. But it certainly isn’t a truth in the way of a cliché. The blessing on the meek seems like a bold statement, doing violence to reason and probability. This leads us to another crucial point in our speculation. As a prophecy, it was truly fulfilled, but only much later. The monasteries turned out to be the most practical and prosperous estates and experiments in rebuilding after the collapse of civilization; the meek really did inherit the earth. But no one could have known this at the time—unless there was someone who did. The same can be said about the episode of Martha and Mary, which has been interpreted retrospectively by mystics of the Christian contemplative life. However, it wasn’t at all an obvious interpretation; most moralists, both ancient and modern, would likely rush to the obvious conclusions. They would have easily spilled rivers of eloquence to elevate any small superiority of Martha, delivering splendid sermons about the Joy of Service and the Gospel of Work, and the idea of leaving the world better than we found it, along with all the countless clichés in favor of putting in effort—by those who have no actual trouble to speak of. If, in Mary, the mystic and child of love, Christ was protecting the seed of something more profound, who would have understood it at the time? No one could have envisioned Clare, Catherine, and Teresa shining above the humble roof at Bethany. Similarly, there’s that powerful threat about bringing a sword into the world to separate and divide. No one could have anticipated then how it would be fulfilled or justified. In fact, some freethinkers are still naive enough to get caught up in this and be shocked by such a deliberately defiant phrase. They even complain about the paradox for not being a cliché.

But the point here is that if we could read the Gospel reports as things as new as newspaper reports, they would puzzle us and perhaps terrify us much more than the same things as developed by historical Christianity. For instance; Christ after a clear allusion to the eunuchs of eastern courts, said there would be eunuchs of the kingdom of heaven. If this does not mean the voluntary enthusiasm of virginity, it could only be made to mean something much more unnatural or uncouth. It is the historical religion that humanises it for us by experience of Franciscans or of Sisters of Mercy. The mere statement standing by itself might very well suggest a rather dehumanised atmosphere; the sinister and inhuman silence of the Asiatic harem and divan. This is but one instance out of scores; but the moral is that the Christ of the Gospel might actually seem more strange and terrible than the Christ of the Church.

But the point here is that if we could read the Gospel reports like they were fresh newspaper articles, they would confuse and possibly scare us much more than the same accounts interpreted by historical Christianity. For example, Christ, after a clear reference to the eunuchs of eastern courts, mentioned that there would be eunuchs in the kingdom of heaven. If this doesn’t refer to the voluntary dedication of virginity, it might be taken to mean something much more unnatural or bizarre. It's the historical religion that makes it relatable for us through the experiences of Franciscans or Sisters of Mercy. The mere statement on its own could easily suggest a rather dehumanized setting; the sinister and inhuman silence of an Asiatic harem and divan. This is just one example out of many; but the takeaway is that the Christ of the Gospel might actually appear more strange and frightening than the Christ of the Church.

I am dwelling on the dark or dazzling or defiant or mysterious side of the Gospel words, not because they had not obviously a more obvious and popular side, but because this is the answer to a common criticism on a vital point. The freethinker frequently says that Jesus of Nazareth was a man of his time, even if he was in advance of his time; and that we cannot accept his ethics as final for humanity. The freethinker then goes on to criticise his ethics, saying plausibly enough that men cannot turn the other cheek, or that they must take thought for the morrow, or that the self-denial is too ascetic or the monogamy too severe. But the Zealots and the Legionaries did not turn the other cheek any more than we do, if so much. The Jewish traders and Roman tax-gatherers{220} took thought for the morrow as much as we, if not more. We cannot pretend to be abandoning the morality of the past for one more suited to the present. It is certainly not the morality of another age, but it might be of another world.

I’m focusing on the darker, brighter, defiant, or mysterious aspects of the Gospel words, not because they lack a more straightforward and popular interpretation, but because this addresses a common criticism on a crucial issue. Free thinkers often claim that Jesus of Nazareth was a man of his time, even if he was ahead of it; and that we can't regard his ethics as final for humanity. They then proceed to critique his ethics, arguing convincingly that people can’t just turn the other cheek, that they need to plan for the future, or that self-denial is too extreme and monogamy too harsh. However, the Zealots and the Legionaries didn't turn the other cheek any more than we do, if at all. Jewish traders and Roman tax collectors{220} planned for the future just as much, if not more, than we do. We can’t claim we’re abandoning the morality of the past in favor of one that fits better with the present. It certainly isn’t the morality of a different time, but it could be from another world.

In short, we can say that these ideals are impossible in themselves. Exactly what we cannot say is that they are impossible for us. They are rather notably marked by a mysticism which, if it be a sort of madness, would always have struck the same sort of people as mad. Take, for instance, the case of marriage and the relations of the sexes. It might very well have been true that a Galilean teacher taught things natural to a Galilean environment; but it is not. It might rationally be expected that a man in the time of Tiberius would have advanced a view conditioned by the time of Tiberius; but he did not. What he advanced was something quite different; something very difficult; but something no more difficult now than it was then. When, for instance, Mahomet made his polygamous compromise we may reasonably say that it was conditioned by a polygamous society. When he allowed a man four wives he was really doing something suited to the circumstances, which might have been less suited to other circumstances. Nobody will pretend that the four wives were like the four winds, something seemingly a part of the order of nature; nobody will say that the figure four was written for ever in stars upon the sky. But neither will any one say that the figure four is an inconceivable ideal; that it is beyond the power of the mind of man to count up to four; or to count the number of his wives and see whether it amounts to four. It is a practical compromise carrying with it the character of a particular society. If Mahomet had been born in Acton in the nineteenth century, we may well doubt whether he would instantly have filled that suburb with harems of four wives apiece. As he was born in Arabia in the sixth{221} century, he did in his conjugal arrangements suggest the conditions of Arabia in the sixth century. But Christ in his view of marriage does not in the least suggest the conditions of Palestine in the first century. He does not suggest anything at all, except the sacramental view of marriage as developed long afterwards by the Catholic Church. It was quite as difficult for people then as for people now. It was much more puzzling to people then than to people now. Jews and Romans and Greeks did not believe, and did not even understand enough to disbelieve, the mystical idea that the man and the woman had become one sacramental substance. We may think it an incredible or impossible ideal; but we cannot think it any more incredible or impossible than they would have thought it. In other words, whatever else is true, it is not true that the controversy has been altered by time. Whatever else is true, it is emphatically not true that the ideas of Jesus of Nazareth were suitable to his time, but are no longer suitable to our time. Exactly how suitable they were to his time is perhaps suggested in the end of his story.

In short, we can say that these ideals are impossible in themselves. What we can't say is that they are impossible for us. They are clearly marked by a mysticism that, if it is a kind of madness, would always have seemed mad to the same kinds of people. Take, for example, marriage and the relationships between genders. It might have been true that a Galilean teacher spoke about things that made sense in a Galilean context; but it’s not. You might reasonably expect that a man living in the time of Tiberius would have shared a perspective shaped by that era; but he didn’t. What he presented was quite different; something very challenging; but it is no more challenging now than it was back then. For instance, when Mohammed made his polygamous compromise, we can say it was influenced by a polygamous society. When he allowed a man to have four wives, he was essentially adjusting to the circumstances that might have been less fitting in other contexts. No one would argue that the four wives were like the four winds, something obviously a part of the natural order; no one would say that the number four was written in the stars forever. But no one would claim that the number four is an unthinkable ideal; that it's beyond human capability to count to four; or to count how many wives they have and see if it adds up to four. It’s a practical compromise that reflects a specific society. If Mohammed had been born in Acton in the nineteenth century, we might doubt if he would have immediately filled that suburb with harems of four wives each. As he was born in Arabia in the sixth century, he indeed suggested the marital conditions of that time. However, Christ's perspective on marriage does not reflect the realities of first-century Palestine at all. He doesn’t suggest anything except the sacramental view of marriage that was developed later by the Catholic Church. It was just as challenging for people back then as it is for people now. It was much more confusing for them than it is for us today. Jews and Romans and Greeks didn’t believe, and didn’t even understand enough to disbelieve, the mystical idea that the man and woman had become one sacramental entity. We might view it as an incredible or impossible ideal; but we can’t consider it any more incredible or impossible than they would have. In other words, whatever else is true, it is not true that the controversy has changed with time. Whatever else is true, it is definitely not true that the ideas of Jesus of Nazareth were appropriate for his time, but are no longer appropriate for ours. Just how fitting they were for his time is perhaps hinted at in the end of his story.

The same truth might be stated in another way by saying that if the story be regarded as merely human and historical, it is extraordinary how very little there is in the recorded words of Christ that ties him at all to his own time. I do not mean the details of a period, which even a man of the period knows to be passing. I mean the fundamentals which even the wisest man often vaguely assumes to be eternal. For instance, Aristotle was perhaps the wisest and most wide-minded man who ever lived. He founded himself entirely upon fundamentals, which have been generally found to remain rational and solid through all social and historical changes. Still, he lived in a world in which it was thought as natural to have slaves as to have children. And therefore he did permit himself a serious recognition of a difference{222} between slaves and free men. Christ as much as Aristotle lived in a world that took slavery for granted. He did not particularly denounce slavery. He started a movement that could exist in a world with slavery. But he started a movement that could exist in a world without slavery. He never used a phrase that made his philosophy depend even upon the very existence of the social order in which he lived. He spoke as one conscious that everything was ephemeral, including the things that Aristotle thought eternal. By that time the Roman Empire had come to be merely the orbis terrarum, another name for the world. But he never made his morality dependent on the existence of the Roman Empire or even on the existence of the world. ‘Heaven and earth shall pass away; but my words shall not pass away.’

The same truth can be expressed differently by saying that if we look at the story as just human and historical, it’s remarkable how little in the recorded words of Christ connects him to his own time. I’m not talking about the specifics of a period, which even people of that time know are temporary. I mean the core ideas that even the smartest person often assumes are timeless. For example, Aristotle was probably the wisest and most open-minded person ever. He based his thoughts entirely on fundamental principles that have generally been found to remain logical and solid through all social and historical changes. Yet, he lived in a world where having slaves was seen as normal, just like having children. As a result, he seriously acknowledged a distinction between slaves and free people. Christ lived in a world that accepted slavery just like Aristotle did. He didn’t specifically denounce slavery. He initiated a movement that could thrive in a world with slavery, but also in a world without it. He never used words that made his philosophy depend on the very existence of the society he lived in. He spoke from an awareness that everything is temporary, even the things Aristotle considered everlasting. By then, the Roman Empire had become simply the orbis terrarum, another term for the world. But he never based his morality on the existence of the Roman Empire or even on the existence of the world. ‘Heaven and earth shall pass away; but my words shall not pass away.’

The truth is that when critics have spoken of the local limitations of the Galilean, it has always been a case of the local limitations of the critics. He did undoubtedly believe in certain things that one particular modern sect of materialists do not believe. But they were not things particularly peculiar to his time. It would be nearer the truth to say that the denial of them is quite peculiar to our time. Doubtless it would be nearer still to the truth to say merely that a certain solemn social importance, in the minority disbelieving them, is peculiar to our time. He believed, for instance, in evil spirits or in the psychic healing of bodily ills; but not because he was a Galilean born under Augustus. It is absurd to say that a man believed things because he was a Galilean under Augustus when he might have believed the same things if he had been an Egyptian under Tuten-kamen or an Indian under Gengis Khan. But with this general question of the philosophy of diabolism or of divine miracles I deal elsewhere. It is enough to say that the materialists have to prove the impossibility of miracles against the testimony of all{223} mankind, not against the prejudices of provincials in North Palestine under the first Roman Emperors. What they have to prove, for the present argument, is the presence in the Gospels of those particular prejudices of those particular provincials. And, humanly speaking, it is astonishing how little they can produce even to make a beginning of proving it.

The truth is that when critics talk about the local limitations of the Galilean, it’s really a reflection of the critics' own limitations. He definitely believed in some things that a specific modern group of materialists do not. But those beliefs weren't unique to his time. It’s more accurate to say that the denial of those beliefs is uniquely characteristic of our time. In fact, it would be even more accurate to say that the serious social significance of the minority that disbelieves them is a feature of our time. For example, he believed in evil spirits and the psychic healing of physical ailments, but not because he was a Galilean born under Augustus. It’s silly to claim that a man believes certain things just because he was a Galilean in Augustus’ era when he could have believed the same things as an Egyptian during Tuten-kamen's time or as an Indian under Genghis Khan. However, I discuss the broader issue of the philosophy of diabolism and divine miracles elsewhere. It’s enough to say that materialists need to prove that miracles are impossible based on the testimonies of all{223} of mankind, not based on the biases of people living in North Palestine during the early Roman Empire. What they need to prove, for the sake of this argument, is the presence of those specific biases in the Gospels. And, quite frankly, it’s surprising how little they can actually present to even start proving that.

So it is in this case of the sacrament of marriage. We may not believe in sacraments, as we may not believe in spirits, but it is quite clear that Christ believed in this sacrament in his own way and not in any current or contemporary way. He certainly did not get his argument against divorce from the Mosaic law or the Roman law or the habits of the Palestinian people. It would appear to his critics then exactly what it appears to his critics now; an arbitrary and transcendental dogma coming from nowhere save in the sense that it came from him. I am not at all concerned here to defend that dogma; the point here is that it is just as easy to defend it now as it was to defend it then. It is an ideal altogether outside time; difficult at any period; impossible at no period. In other words, if any one says it is what might be expected of a man walking about in that place at that period, we can quite fairly answer that it is much more like what might be the mysterious utterance of a being beyond man, if he walked alive among men.

So it is with the sacrament of marriage. We might not believe in sacraments, just as we might not believe in spirits, but it's clear that Christ believed in this sacrament in his own way, which isn't aligned with any current or contemporary understanding. He definitely didn’t base his argument against divorce on the Mosaic law, Roman law, or the customs of the Palestinian people. To his critics back then, it probably seemed just like it does to critics today: a random and lofty principle that seemed to come from nowhere except from him. I’m not here to defend that principle; the point is, it’s just as easy to defend it now as it was back then. It’s an ideal that exists outside of time; challenging in any era; impossible in none. In other words, if someone claims it's what you'd expect of a man in that time and place, we can fairly respond that it's much more like the mysterious statement of a being beyond man, if he were alive among us.

I maintain therefore that a man reading the New Testament frankly and freshly would not get the impression of what is now often meant by a human Christ. The merely human Christ is a made-up figure, a piece of artificial selection, like the merely evolutionary man. Moreover there have been too many of these human Christs found in the same story, just as there have been too many keys to mythology found in the same stories. Three or four separate schools of rationalism have worked over the{224} ground and produced three or four equally rational explanations of his life. The first rational explanation of his life was that he never lived. And this in turn gave an opportunity for three or four different explanations; as that he was a sun-myth or a corn-myth, or any other kind of myth that is also a monomania. Then the idea that he was a divine being who did not exist gave place to the idea that he was a human being who did exist. In my youth it was the fashion to say that he was merely an ethical teacher in the manner of the Essenes, who had apparently nothing very much to say that Hillel or a hundred other Jews might not have said; as that it is a kindly thing to be kind and an assistance to purification to be pure. Then somebody said he was a madman with a Messianic delusion. Then others said he was indeed an original teacher because he cared about nothing but Socialism; or (as others said) about nothing but Pacifism. Then a more grimly scientific character appeared who said that Jesus would never have been heard of at all except for his prophecies of the end of the world. He was important merely as a Millennarian like Dr. Cumming; and created a provincial scare by announcing the exact date of the crack of doom. Among other variants on the same theme was the theory that he was a spiritual healer and nothing else; a view implied by Christian Science, which has really to expound a Christianity without the Crucifixion in order to explain the curing of Peter’s wife’s mother or the daughter of a centurion. There is another theory that concentrates entirely on the business of diabolism and what it would call the contemporary superstition about demoniacs; as if Christ, like a young deacon taking his first orders, had got as far as exorcism and never got any further. Now each of these explanations in itself seems to me singularly inadequate; but taken together they do suggest something of the very mystery which they miss.{225} There must surely have been something not only mysterious but many-sided about Christ if so many smaller Christs can be carved out of him. If the Christian Scientist is satisfied with him as a spiritual healer and the Christian Socialist is satisfied with him as a social reformer, so satisfied that they do not even expect him to be anything else, it looks as if he really covered rather more ground than they could be expected to expect. And it does seem to suggest that there might be more than they fancy in these other mysterious attributes of casting out devils or prophesying doom.

I assert that a person reading the New Testament openly and with fresh eyes would not get the impression of what is often meant today by a human Christ. The merely human Christ is a fabricated character, an artificial creation, similar to the purely evolutionary man. Additionally, there have been too many of these human Christs found within the same narrative, just as there are too many keys to mythology in the same tales. Three or four different schools of rationalism have explored the{224} subject and produced three or four equally rational explanations of his life. One of the first rational interpretations of his life was that he never existed at all. This gave rise to three or four different theories, such as he being a sun-myth or a corn-myth, or any other type of myth that is also an obsession. Then the notion that he was a divine being who didn’t exist shifted to the idea that he was a human being who did exist. In my youth, it was popular to claim that he was just an ethical teacher like the Essenes, who apparently had nothing much to say that Hillel or many other Jews couldn’t have said; like the idea that it’s nice to be nice and it’s beneficial to be pure. Then someone suggested he was a madman with a Messianic delusion. Others claimed he was indeed an original teacher who cared only about Socialism; or (as others maintained) he was only focused on Pacifism. Then a more rigorously scientific perspective emerged, claiming that Jesus wouldn’t have been known at all without his prophecies about the end of the world. He was only significant as a Millennarian like Dr. Cumming, creating a local panic by predicting the exact date of the apocalypse. Among other variations on the same theme was the theory that he was solely a spiritual healer; a view suggested by Christian Science, which has to explain a Christianity that doesn’t include the Crucifixion to account for the healing of Peter’s mother-in-law or the centurion’s daughter. There’s another theory that focuses entirely on the idea of diabolism and what it would call the modern superstition about demoniacs; as if Christ, like a young deacon receiving his first orders, managed to perform exorcisms and never progressed beyond that. Each of these explanations, on its own, seems notably insufficient; but together, they do hint at the very mystery they fail to grasp.{225} There must have been something not only mysterious but multifaceted about Christ if so many lesser Christs can be drawn from him. If the Christian Scientist sees him as a spiritual healer and the Christian Socialist views him as a social reformer, so much so that they don’t expect him to be anything else, it seems he actually encompassed a lot more than they could anticipate. It also suggests that there might be more to these other mysterious traits, like casting out devils or prophesying doom, than they realize.

Above all, would not such a new reader of the New Testament stumble over something that would startle him much more than it startles us? I have here more than once attempted the rather impossible task of reversing time and the historic method; and in fancy looking forward to the facts, instead of backward through the memories. So I have imagined the monster that man might have seemed at first to the mere nature around him. We should have a worse shock if we really imagined the nature of Christ named for the first time. What should we feel at the first whisper of a certain suggestion about a certain man? Certainly it is not for us to blame anybody who should find that first wild whisper merely impious and insane. On the contrary, stumbling on that rock of scandal is the first step. Stark staring incredulity is a far more loyal tribute to that truth than a modernist metaphysic that would make it out merely a matter of degree. It were better to rend our robes with a great cry against blasphemy, like Caiaphas in the judgment, or to lay hold of the man as a maniac possessed of devils like the kinsmen and the crowd, rather than to stand stupidly debating fine shades of pantheism in the presence of so catastrophic a claim. There is more of the wisdom that is one with surprise in any simple person, full of the sensitiveness of simplicity, who{226} should expect the grass to wither and the birds to drop dead out of the air, when a strolling carpenter’s apprentice said calmly and almost carelessly, like one looking over his shoulder: ‘Before Abraham was, I am.{227}

Above all, wouldn’t a new reader of the New Testament be shocked by something that would surprise them a lot more than it surprises us? I have often tried the nearly impossible task of reversing time and the historical approach; and in my imagination, I’ve looked forward to the facts instead of backward through memories. So I’ve pictured how monstrous humanity might have seemed at first to the nature around it. We would be even more shaken if we really imagined the nature of Christ being named for the first time. What would we feel at the first hint of a certain suggestion about a certain man? Certainly, we can’t blame anyone who finds that first wild whisper simply blasphemous and insane. On the contrary, tripping over that scandal is the first step. Stark disbelief is a far more genuine tribute to that truth than a modern philosophical approach that would reduce it to just a matter of perspective. It would be better to tear our clothes with a loud cry against blasphemy, like Caiaphas during the trial, or to grab the man as if he were a madman possessed by demons, like the relatives and the crowd, rather than to stand there stupidly debating subtle points of pantheism in the face of such an explosive claim. There’s more wisdom that blends with surprise in any simple person, full of the sensitivity of simplicity, who{226} would expect the grass to wither and the birds to drop dead from the sky when a passing carpenter’s apprentice casually said, almost without care: ‘Before Abraham was, I am.{227}

CHAPTER III

THE STRANGEST STORY IN THE WORLD

In the last chapter I have deliberately stressed what seems to be nowadays a neglected side of the New Testament story, but nobody will suppose, I imagine, that it is meant to obscure that side that may truly be called human. That Christ was and is the most merciful of judges and the most sympathetic of friends is a fact of considerably more importance in our own private lives than in anybody’s historical speculations. But the purpose of this book is to point out that something unique has been swamped in cheap generalisations; and for that purpose it is relevant to insist that even what was most universal was also most original. For instance, we might take a topic which really is sympathetic to the modern mood, as the ascetic vocations recently referred to are not. The exaltation of childhood is something which we do really understand; but it was by no means a thing that was then in that sense understood. If we wanted an example of the originality of the Gospel, we could hardly take a stronger or more startling one. Nearly two thousand years afterwards we happen to find ourselves in a mood that does really feel the mystical charm of the child; we express it in romances and regrets about childhood, in Peter Pan or The Child’s Garden of Verses. And we can say of the words of Christ with so angry an anti-Christian as Swinburne:—

In the last chapter, I intentionally emphasized what seems to be an overlooked aspect of the New Testament story today, but I don’t think anyone will imagine that this is meant to downplay what can truly be considered human. The fact that Christ was and is the most merciful judge and the most understanding friend is significantly more important in our personal lives than in anyone’s historical speculations. However, the aim of this book is to highlight that something unique has been overwhelmed by simplistic generalizations; and for that reason, it’s relevant to stress that even what was most universal was also most original. For example, we could discuss a topic that genuinely resonates with the modern mindset, unlike the ascetic vocations previously mentioned. The celebration of childhood is something we truly understand; however, it was not necessarily seen that way back then. If we wanted an example of the originality of the Gospel, we couldn’t find a stronger or more surprising one. Nearly two thousand years later, we find ourselves in a mindset that genuinely appreciates the mystical charm of childhood; we express this in stories and nostalgia about youth, like in Peter Pan or The Child’s Garden of Verses. And we can acknowledge the words of Christ even with the vehemently anti-Christian Swinburne:—

'No sign that was ever given To loyal or unfaithful eyes
Showed ever beyond torn clouds So clear a paradise.
The beliefs of the Earth could be seventy times seven. And blood has tainted every belief,
But if this is the kingdom of heaven
It must be heaven for sure.

But that paradise was not clear until Christianity had gradually cleared it. The pagan world, as such, would not have understood any such thing as a serious suggestion that a child is higher or holier than a man. It would have seemed like the suggestion that a tadpole is higher or holier than a frog. To the merely rationalistic mind, it would sound like saying that a bud must be more beautiful than a flower or that an unripe apple must be better than a ripe one. In other words, this modern feeling is an entirely mystical feeling. It is quite as mystical as the cult of virginity; in fact it is the cult of virginity. But pagan antiquity had much more idea of the holiness of the virgin than of the holiness of the child. For various reasons we have come nowadays to venerate children; perhaps partly because we envy children for still doing what men used to do; such as play simple games and enjoy fairy-tales. Over and above this, however, there is a great deal of real and subtle psychology in our appreciation of childhood; but if we turn it into a modern discovery, we must once more admit that the historical Jesus of Nazareth had already discovered it two thousand years too soon. There was certainly nothing in the world around him to help him to the discovery. Here Christ was indeed human; but more human than a human being was then likely to be. Peter Pan does not belong to the world of Pan but the world of Peter.

But that paradise wasn’t clear until Christianity gradually clarified it. The pagan world wouldn’t have understood any serious suggestion that a child is higher or holier than an adult. It would have seemed like saying that a tadpole is higher or holier than a frog. To a purely rational mind, it would sound like claiming that a bud is more beautiful than a flower, or that an unripe apple is better than a ripe one. In other words, this modern feeling is entirely mystical. It is just as mystical as the cult of virginity; in fact, it is the cult of virginity. However, pagan antiquity had a much better grasp of the holiness of the virgin than of the holiness of the child. For various reasons, we’ve come to venerate children today; perhaps partly because we envy them for still doing things that adults used to do, like playing simple games and enjoying fairy tales. Beyond that, there’s a lot of real and subtle psychology in our appreciation of childhood; but if we turn it into a modern discovery, we must again admit that the historical Jesus of Nazareth had already discovered it two thousand years too early. There was certainly nothing in the world around him to support that discovery. Here, Christ was indeed human; but more human than a human being was likely to be at that time. Peter Pan doesn’t belong to the world of Pan but to the world of Peter.

Even in the matter of mere literary style, if we suppose ourselves thus sufficiently detached to look at it in that light, there is a curious quality to which no critic seems to have done justice. It had among other things a singular air of piling tower upon tower by the use of the a fortiori; making a pagoda of degrees like the seven heavens. I have already noted{229} that almost inverted imaginative vision which pictured the impossible penance of the Cities of the Plain. There is perhaps nothing so perfect in all language or literature as the use of these three degrees in the parable of the lilies of the field; in which he seems first to take one small flower in his hand and note its simplicity and even its impotence; then suddenly expands it in flamboyant colours into all the palaces and pavilions full of a great name in national legend and national glory; and then, by yet a third overturn, shrivels it to nothing once more with a gesture as if flinging it away ’... and if God so clothes the grass that to-day is and to-morrow is cast into the oven—how much more....’ It is like the building of a good Babel tower by white magic in a moment and in the movement of a hand; a tower heaved suddenly up to heaven on the top of which can be seen afar off, higher than we had fancied possible, the figure of man; lifted by three infinities above all other things, on a starry ladder of light logic and swift imagination. Merely in a literary sense it would be more of a masterpiece than most of the masterpieces in the libraries; yet it seems to have been uttered almost at random while a man might pull a flower. But merely in a literary sense also, this use of the comparative in several degrees has about it a quality which seems to me to hint of much higher things than the modern suggestion of the simple teaching of pastoral or communal ethics. There is nothing that really indicates a subtle and in the true sense a superior mind so much as this power of comparing a lower thing with a higher and yet that higher with a higher still; of thinking on three planes at once. There is nothing that wants the rarest sort of wisdom so much as to see, let us say, that the citizen is higher than the slave and yet that the soul is infinitely higher than the citizen or the city. It is not by any means a faculty that commonly belongs to these simplifiers of the Gospel;{230} those who insist on what they call a simple morality and others call a sentimental morality. It is not at all covered by those who are content to tell everybody to remain at peace. On the contrary, there is a very striking example of it in the apparent inconsistency between Christ’s sayings about peace and about a sword. It is precisely this power which perceives that while a good peace is better than a good war, even a good war is better than a bad peace. These far-flung comparisons are nowhere so common as in the Gospels; and to me they suggest something very vast. So a thing solitary and solid, with the added dimension of depth or height, might tower over the flat creatures living only on a plane.

Even in terms of literary style, if we can detach ourselves enough to view it in that way, there’s a strange quality that no critic has really captured. It has, among other things, a unique feel of stacking one thing on top of another using the a fortiori; creating a layered structure like a pagoda or the seven heavens. I’ve already mentioned{229} that almost inverted imaginative vision which pictured the impossible sacrifice of the Cities of the Plain. There’s perhaps nothing more perfect in all of language or literature than the use of these three degrees in the parable of the lilies of the field; where he seems to first take one small flower in his hand and note its simplicity and even its helplessness; then suddenly expands it into vibrant colors, showcasing all the palaces and pavilions full of great names in national legend and glory; and then, with yet another twist, shrinks it back to nothing again with a motion as if tossing it away ‘... and if God so clothes the grass that to-day is and to-morrow is cast into the oven—how much more....’ It’s like building a great tower of Babel with white magic in an instant and with a flick of a hand; a tower shot up to heaven where from a distance, higher than we thought possible, we can see the figure of a man; lifted by three infinities above everything else, on a starry ladder of logical thought and rapid imagination. Merely from a literary perspective, it would be more of a masterpiece than most of what you'd find in libraries; yet it seems to have been spoken almost casually, as casually as someone might pick a flower. But even strictly in literary terms, this use of comparative degrees conveys a quality that suggests much deeper concepts than today’s notion of simple pastoral or community ethics. Nothing really shows a truly superior mind so much as the ability to compare a lower thing with a higher and then that higher with an even higher one still; to think on three levels at once. It takes rare wisdom to see, for example, that the citizen is above the slave and yet the soul is infinitely above both the citizen and the city. This skill isn’t common among those who simplify the Gospel; {230} those who focus on what they refer to as simple morality and others call sentimental morality. It definitely isn’t represented by those who are satisfied just telling everyone to be peaceful. On the contrary, there’s a striking example in the apparent contradiction between Christ’s teachings on peace and those on a sword. It’s precisely this understanding that realizes while a good peace is better than a good war, even a good war is better than a bad peace. These broad comparisons are most common in the Gospels; and to me they suggest something very expansive. Thus, a solitary and solid idea, with an added depth or height, might tower above the flat beings existing only on a single level.

This quality of something that can only be called subtle and superior, something that is capable of long views and even of double meanings, is not noted here merely as a counterblast to the commonplace exaggerations of amiability and mild idealism. It is also to be noted in connection with the more tremendous truth touched upon at the end of the last chapter. For this is the very last character that commonly goes with mere megalomania; especially such steep and staggering megalomania as might be involved in that claim. This quality that can only be called intellectual distinction is not, of course, an evidence of divinity. But it is an evidence of a probable distaste for vulgar and vainglorious claims to divinity. A man of that sort, if he were only a man, would be the last man in the world to suffer from that intoxication by one notion from nowhere in particular, which is the mark of the self-deluding sensationalist in religion. Nor is it even avoided by denying that Christ did make this claim. Of no such man as that, of no other prophet or philosopher of the same intellectual order, would it be even possible to pretend that he had made it. Even if the Church had mistaken his meaning, it would still be true that no{231} other historical tradition except the Church had ever even made the same mistake. Mahomedans did not misunderstand Mahomet and suppose he was Allah. Jews did not misinterpret Moses and identify him with Jehovah. Why was this claim alone exaggerated unless this alone was made? Even if Christianity was one vast universal blunder, it is still a blunder as solitary as the Incarnation.

This quality that can only be described as subtle and superior, something capable of broad perspectives and even double meanings, is mentioned here not just as a response to the common overstatements of friendliness and mild idealism. It's also relevant to the profound truth hinted at at the end of the last chapter. For this is the definitive trait that usually accompanies mere megalomania; especially the extreme and staggering megalomania that could be involved in that claim. This quality, which can be called intellectual distinction, isn’t, of course, proof of divinity. But it does suggest a likely disdain for crude and boastful claims to divinity. A person of that caliber, if he were just a person, would be the last to fall prey to that intoxication with a singular notion from nowhere, which is characteristic of self-deceiving sensationalists in religion. Moreover, denying that Christ made this claim doesn't avoid this issue. No man like that, nor any other prophet or philosopher of the same intellectual caliber, could reasonably be said to have made it. Even if the Church had misunderstood his meaning, it would still stand that no{231} other historical tradition other than the Church has ever made such a mistake. Muslims didn’t misunderstand Muhammad to think he was Allah. Jews didn't misinterpret Moses as being Jehovah. Why was this claim alone exaggerated unless this claim alone was made? Even if Christianity is one massive universal mistake, it remains as unique a blunder as the Incarnation.

The purpose of these pages is to fix the falsity of certain vague and vulgar assumptions; and we have here one of the most false. There is a sort of notion in the air everywhere that all the religions are equal because all the religious founders were rivals; that they are all fighting for the same starry crown. It is quite false. The claim to that crown, or anything like that crown, is really so rare as to be unique. Mahomet did not make it any more than Micah or Malachi. Confucius did not make it any more than Plato or Marcus Aurelius. Buddha never said he was Bramah. Zoroaster no more claimed to be Ormuz than to be Ahriman. The truth is that, in the common run of cases, it is just as we should expect it to be, in common sense and certainly in Christian philosophy. It is exactly the other way. Normally speaking, the greater a man is, the less likely he is to make the very greatest claim. Outside the unique case we are considering, the only kind of man who ever does make that kind of claim is a very small man; a secretive or self-centred monomaniac. Nobody can imagine Aristotle claiming to be the father of gods and men, come down from the sky; though we might imagine some insane Roman Emperor like Caligula claiming it for him, or more probably for himself. Nobody can imagine Shakespeare talking as if he were literally divine; though we might imagine some crazy American crank finding it as a cryptogram in Shakespeare’s works, or preferably in his own works. It is possible to find here and there human beings who make this supremely{232} superhuman claim. It is possible to find them in lunatic asylums; in padded cells; possibly in strait waistcoats. But what is much more important than their mere materialistic fate in our very materialistic society, under very crude and clumsy laws about lunacy, the type we know as tinged with this, or tending towards it, is a diseased and disproportionate type; narrow yet swollen and morbid to monstrosity. It is by rather an unlucky metaphor that we talk of a madman as cracked; for in a sense he is not cracked enough. He is cramped rather than cracked; there are not enough holes in his head to ventilate it. This impossibility of letting in daylight on a delusion does sometimes cover and conceal a delusion of divinity. It can be found, not among prophets and sages and founders of religions, but only among a low set of lunatics. But this is exactly where the argument becomes intensely interesting; because the argument proves too much. For nobody supposes that Jesus of Nazareth was that sort of person. No modern critic in his five wits thinks that the preacher of the Sermon on the Mount was a horrible half-witted imbecile that might be scrawling stars on the walls of a cell. No atheist or blasphemer believes that the author of the Parable of the Prodigal Son was a monster with one mad idea like a cyclops with one eye. Upon any possible historical criticism he must be put higher in the scale of human beings than that. Yet by all analogy we have really to put him there or else in the highest place of all.

The aim of these pages is to correct the falsehood of certain vague and crude beliefs, and here we have one of the biggest falsehoods. There's a widespread idea that all religions are equal because their founders were in competition; that they are all vying for the same heavenly prize. This is completely false. The claim to that prize, or anything resembling it, is so rare that it's essentially unique. Muhammad didn't make that claim any more than Micah or Malachi did. Confucius didn't make it any more than Plato or Marcus Aurelius did. Buddha never claimed to be Brahman. Zoroaster didn’t claim to be Ormuz any more than he claimed to be Ahriman. The truth is that, in most cases, things are just as we would expect based on common sense and certainly within Christian philosophy. It’s actually the opposite. Generally speaking, the greater a person is, the less likely they are to make the very greatest claim. Outside of the unique case we’re discussing, the only people who make that kind of claim are small-minded individuals; self-absorbed or obsessive ones. Nobody can imagine Aristotle claiming to be the father of gods and men, descending from the heavens; though we could picture some delusional Roman Emperor like Caligula claiming that for himself. No one could imagine Shakespeare speaking as if he were literally divine; although we might think of some bizarre American individual finding it as a hidden message in Shakespeare's works, or preferably in his own. It is possible to find a few individuals here and there who make this supreme, superhuman claim. You can find them in mental hospitals; in padded rooms; maybe even in straightjackets. But what’s more crucial than their mere fate in our very materialistic society, under crude and clumsy laws regarding mental illness, is that the type we know as being influenced by this is a flawed and disproportionate type; narrow yet exaggerated and grotesque. It’s rather unfortunate that we refer to a madman as being “cracked,” because in a way, he isn’t cracked enough. He is more constrained than cracked; there aren’t enough openings in his head to let in fresh air. This inability to let in light on a delusion can sometimes cover up a delusion of divinity. It can be found not among prophets, sages, and religious founders, but only among a low class of lunatics. However, this is precisely where the argument becomes particularly compelling because it proves too much. For no one thinks that Jesus of Nazareth was that kind of person. No modern critic would believe that the preacher of the Sermon on the Mount was a delusional half-wit scrawling stars on the walls of a cell. No atheist or blasphemer thinks that the author of the Parable of the Prodigal Son was a monster with one crazy idea like a cyclops with one eye. Based on any plausible historical analysis, he must be regarded as higher on the scale of human beings than that. Yet by all analogy, we really have to place him either there or at the highest level of all.

In fact, those who can really take it (as I here hypothetically take it) in a quite dry and detached spirit, have here a most curious and interesting human problem. It is so intensely interesting, considered as a human problem, that it is in a spirit quite disinterested, so to speak, that I wish some of them had turned that intricate human problem into something like an intelligible human portrait. If Christ was simply a human character, he really was a highly{233} complex and contradictory human character. For he combined exactly the two things that lie at the two extremes of human variation. He was exactly what the man with a delusion never is: he was wise; he was a good judge. What he said was always unexpected; but it was always unexpectedly magnanimous and often unexpectedly moderate. Take a thing like the point of the parable of the tares and the wheat. It has the quality that unites sanity and subtlety. It has not the simplicity of a madman. It has not even the simplicity of a fanatic. It might be uttered by a philosopher a hundred years old, at the end of a century of Utopias. Nothing could be less like this quality of seeing beyond and all round obvious things, than the condition of the egomaniac with the one sensitive spot on his brain. I really do not see how these two characters could be convincingly combined, except in the astonishing way in which the creed combines them. For until we reach the full acceptance of the fact as a fact, however marvellous, all mere approximations to it are actually further and further away from it. Divinity is great enough to be divine; it is great enough to call itself divine. But as humanity grows greater, it grows less and less likely to do so. God is God, as the Moslems say; but a great man knows he is not God, and the greater he is the better he knows it. That is the paradox; everything that is merely approaching to that point is merely receding from it. Socrates, the wisest man, knows that he knows nothing. A lunatic may think he is omniscience, and a fool may talk as if he were omniscient. But Christ is in another sense omniscient if he not only knows, but knows that he knows.

Actually, those who can really handle it (as I’m hypothetically doing here) in a pretty dry and detached way have a fascinating and complex human issue to consider. It’s so intensely intriguing as a human issue that, in a rather disinterested spirit, I wish some of them had created a clearer human portrait from that intricate problem. If Christ was just a human figure, he truly was a very complex and contradictory one. He combined exactly the two things that are at the opposite ends of human variation. He was precisely what a delusional person never is: he was wise; he was a good judge. What he said was always unexpected, but it was always unexpectedly generous and often surprisingly moderate. Take the point of the parable of the tares and the wheat. It has the quality that brings together sanity and subtlety. It doesn't have the simplicity of a madman or even the simplicity of a fanatic. It could be spoken by a philosopher a hundred years old, at the end of a century of Utopias. Nothing could be further from this quality of seeing beyond and all around obvious things than the state of an egomaniac with a single sensitive spot on his brain. I really don’t see how these two characters could be convincingly combined, except in the astonishing way that the creed combines them. Until we fully accept the fact as a fact, however marvelous, any mere approximations to it are actually moving further away from it. Divinity is great enough to be divine; it is great enough to call itself divine. But as humanity becomes greater, it becomes less and less likely to do so. God is God, as Muslims say; but a great person knows he is not God, and the greater he is, the better he understands it. That’s the paradox; everything that is merely approaching that point is only moving farther from it. Socrates, the wisest man, knows that he knows nothing. A lunatic may believe he knows everything, and a fool may speak as if he were all-knowing. But Christ is in another sense all-knowing if he not only knows but knows that he knows.

Even on the purely human and sympathetic side, therefore, the Jesus of the New Testament seems to me to have in a great many ways the note of something superhuman; that is, of something human and more than human. But there is another quality{234} running through all his teachings which seems to me neglected in most modern talk about them as teachings; and that is the persistent suggestion that he has not really come to teach. If there is one incident in the record which affects me personally as grandly and gloriously human, it is the incident of giving wine for the wedding-feast. That is really human in the sense in which a whole crowd of prigs, having the appearance of human beings, can hardly be described as human. It rises superior to all superior persons. It is as human as Herrick and as democratic as Dickens. But even in that story there is something else that has that note of things not fully explained; and in a way here very relevant. I mean the first hesitation, not on any ground touching the nature of the miracle, but on that of the propriety of working any miracles at all, at least at that stage; ‘My time is not yet come.’ What did that mean? At least it certainly meant a general plan or purpose in the mind, with which certain things did or did not fit in. And if we leave out that solitary strategic plan, we not only leave out the point of the story, but the story.

Even from a purely human and sympathetic perspective, the Jesus of the New Testament seems to possess, in many ways, a quality of something beyond human; that is, something both human and more than human. But there is another aspect{234} running through all his teachings that I feel is often overlooked in modern discussions about them as teachings, and that is the ongoing suggestion that he hasn't really come to teach. If there’s one moment in the record that resonates with me as deeply and beautifully human, it’s the incident of providing wine for the wedding feast. That truly embodies humanity in a way that a whole bunch of pretentious people, who seem human, can hardly be described as such. It transcends all those who consider themselves superior. It is as human as Herrick and as inclusive as Dickens. But even within that story, there’s something else that carries that quality of things not fully explained; and it’s quite relevant here. I mean his initial hesitation, not regarding the nature of the miracle, but concerning the appropriateness of performing any miracles at all, at least at that moment; ‘My time has not yet come.’ What did that mean? At the very least, it indicated a general plan or purpose in his mind, with which certain actions did or did not align. And if we ignore that singular strategic plan, we not only miss the main point of the story but the essence of the story itself.

We often hear of Jesus of Nazareth as a wandering teacher; and there is a vital truth in that view in so far as it emphasises an attitude towards luxury and convention which most respectable people would still regard as that of a vagabond. It is expressed in his own great saying about the holes of the foxes and the nests of the birds, and, like many of his great sayings, it is felt as less powerful than it is, through lack of appreciation of that great paradox by which he spoke of his own humanity as in some way collectively and representatively human; calling himself simply the Son of Man; that is, in effect, calling himself simply Man. It is fitting that the New Man or the Second Adam should repeat in so ringing a voice and with so arresting a gesture the great fact which came first in the original story: that man{235} differs from the brutes by everything, even by deficiency; that he is in a sense less normal and even less native; a stranger upon the earth. It is well to speak of his wanderings in this sense and in the sense that he shared the drifting life of the most homeless and hopeless of the poor. It is assuredly well to remember that he would quite certainly have been moved on by the police, and almost certainly arrested by the police, for having no visible means of subsistence. For our law has in it a turn of humour or touch of fancy which Nero and Herod never happened to think of; that of actually punishing homeless people for not sleeping at home.

We often hear about Jesus of Nazareth as a wandering teacher, and there’s a significant truth in that idea because it highlights his perspective on luxury and social norms, which most respectable people would still view as that of a drifter. This is illustrated in his famous saying about the foxes having holes and the birds having nests, and, like many of his profound sayings, it may be perceived as less impactful than it truly is, mainly due to a lack of understanding of the great paradox where he referred to his own humanity as somehow collectively representative of all humanity; simply calling himself the Son of Man, which effectively means he was simply calling himself Man. It’s fitting that the New Man or the Second Adam should proclaim so powerfully and strikingly the fundamental truth stated in the original story: that man{235} is different from animals in every way, even in deficiency; that he is, in a sense, less typical and even less native; a stranger on earth. It’s appropriate to talk about his wanderings in this way, considering he shared the drifting life of the most destitute and hopeless. It’s important to remember that he would almost certainly have been moved along by the police and likely arrested for not having visible means of support. Our laws have a touch of irony or whimsy that Nero and Herod never considered: actually punishing homeless people for not sleeping in a home.

But in another sense the word ‘wandering’ as applied to his life is a little misleading. As a matter of fact, a great many of the pagan sages and not a few of the pagan sophists might truly be described as wandering teachers. In some of them their rambling journeys were not altogether without a parallel in their rambling remarks. Apollonius of Tyana, who figured in some fashionable cults as a sort of ideal philosopher, is represented as rambling as far as the Ganges and Ethiopia, more or less talking all the time. There was actually a school of philosophers called the Peripatetics; and most even of the great philosophers give us a vague impression of having very little to do except to walk and talk. The great conversations which give us our glimpses of the great minds of Socrates or Buddha or even Confucius often seem to be parts of a never-ending picnic; and especially, which is the important point, to have neither beginning nor end. Socrates did indeed find the conversation interrupted by the incident of his execution. But it is the whole point, and the whole particular merit, of the position of Socrates that death was only an interruption and an incident. We miss the real moral importance of the great philosopher if we miss that point; that he stares at the executioner with an innocent surprise,{236} and almost an innocent annoyance, at finding any one so unreasonable as to cut short a little conversation for the elucidation of truth. He is looking for truth and not looking for death. Death is but a stone in the road which can trip him up. His work in life is to wander on the roads of the world and talk about truth for ever. Buddha, on the other hand, did arrest attention by one gesture; it was the gesture of renunciation, and therefore in a sense of denial. But by one dramatic negation he passed into a world of negation that was not dramatic; which he would have been the first to insist was not dramatic. Here again we miss the particular moral importance of the great mystic if we do not see the distinction; that it was his whole point that he had done with drama, which consists of desire and struggle and generally of defeat and disappointment. He passes into peace and lives to instruct others how to pass into it. Henceforth his life is that of the ideal philosopher; certainly a far more really ideal philosopher than Apollonius of Tyana; but still a philosopher in the sense that it is not his business to do anything but rather to explain everything; in his case, we might almost say, mildly and softly to explode everything. For the messages are basically different. Christ said ‘Seek first the kingdom, and all these things shall be added unto you.’ Buddha said ‘Seek first the kingdom, and then you will need none of these things.’

But in another way, calling his life ‘wandering’ is a bit misleading. In fact, many of the pagan sages and quite a few pagan sophists could genuinely be called wandering teachers. For some of them, their meandering journeys weren’t entirely unlike their meandering conversations. Apollonius of Tyana, who appeared in some trendy cults as a kind of ideal philosopher, is said to have traveled as far as the Ganges and Ethiopia, pretty much talking the whole time. There was actually a school of philosophers known as the Peripatetics, and even the major philosophers give us a vague impression that they mostly did little but walk and talk. The great discussions that give us insights into figures like Socrates, Buddha, or even Confucius often feel like parts of an endless picnic; and especially, which is key, without any clear beginning or end. Socrates did have his conversation interrupted by his execution. But the crucial aspect, and the special merit, of Socrates’ situation is that death was merely an interruption and an incident. We overlook the real moral significance of this great philosopher if we fail to see that; he looks at his executioner with an innocent surprise, and almost an innocent annoyance, at finding someone so unreasonable as to stop a little discussion in pursuit of truth. He is in search of truth, not death. Death is just a bump in the road that can trip him up. His purpose in life is to wander the world’s paths and talk about truth forever. Buddha, on the other hand, drew attention with one gesture; it was the gesture of renunciation, and therefore in a sense of denial. But with that one dramatic rejection, he entered a world of negation that wasn’t dramatic; which he would have been the first to stress was not dramatic. Here, again, we miss the particular moral importance of the great mystic if we don’t recognize the distinction; that his entire point was that he had moved past drama, which involves desire, struggle, and often defeat and disappointment. He enters into peace and lives to guide others on how to do the same. From then on, his life becomes that of the ideal philosopher; certainly a much more genuinely ideal philosopher than Apollonius of Tyana; but still a philosopher in the sense that his purpose isn’t to do anything but rather to explain everything; in his case, we might almost say, gently and quietly to dismantle everything. For the messages are fundamentally different. Christ said, ‘Seek first the kingdom, and all these things shall be added unto you.’ Buddha said, ‘Seek first the kingdom, and then you will need none of these things.’

Now, compared to these wanderers the life of Jesus went as swift and straight as a thunderbolt. It was above all things dramatic; it did above all things consist in doing something that had to be done. It emphatically would not have been done if Jesus had walked about the world for ever doing nothing except tell the truth. And even the external movement of it must not be described as a wandering in the sense of forgetting that it was a journey. This is where it was a fulfilment of the myths rather than of the{237} philosophies; it is a journey with a goal and an object, like Jason going to find the Golden Fleece, or Hercules the golden apples of the Hesperides. The gold that he was seeking was death. The primary thing that he was going to do was to die. He was going to do other things equally definite and objective; we might almost say equally external and material. But from first to last the most definite fact is that he is going to die. No two things could possibly be more different than the death of Socrates and the death of Christ. We are meant to feel that the death of Socrates was, from the point of view of his friends at least, a stupid muddle and miscarriage of justice interfering with the flow of a humane and lucid, I had almost said a light philosophy. We are meant to feel that Death was the bride of Christ as Poverty was the bride of St. Francis. We are meant to feel that his life was in that sense a sort of love-affair with death, a romance of the pursuit of the ultimate sacrifice. From the moment when the star goes up like a birthday rocket to the moment when the sun is extinguished like a funeral torch, the whole story moves on wings with the speed and direction of a drama, ending in an act beyond words.

Now, compared to these wanderers, Jesus's life moved as swiftly and directly as a lightning strike. It was dramatic above all else; it was about doing something that needed to be done. It certainly wouldn't have happened if Jesus had spent his time just walking around the world and telling the truth. Even the external journey cannot be considered a wandering if we remember it was a purposeful trip. This journey fulfilled myths rather than philosophies; it was a quest with a clear goal, like Jason seeking the Golden Fleece or Hercules searching for the golden apples of the Hesperides. The treasure he sought was death. The main thing he was destined to do was die. He would accomplish other clear and tangible things; we might almost say equally external and concrete. But from beginning to end, the undeniable fact is that he was going to die. No two events could be more different than the deaths of Socrates and Christ. We are led to feel that Socrates's death was, at least from his friends' perspective, a senseless disaster and a miscarriage of justice that disrupted a humane, clear-headed—indeed, light—philosophy. We are meant to perceive that Death was like a bride to Christ, just as Poverty was to St. Francis. We are meant to sense that his life was, in that sense, a kind of love affair with death, a romance centered around the ultimate sacrifice. From the moment the star rises like a birthday firework to the instant the sun is snuffed out like a funeral torch, the entire story unfolds with the speed and focus of a drama, culminating in an act beyond words.

Therefore the story of Christ is the story of a journey, almost in the manner of a military march; certainly in the manner of the quest of a hero moving to his achievement or his doom. It is a story that begins in the paradise of Galilee, a pastoral and peaceful land having really some hint of Eden, and gradually climbs the rising country into the mountains that are nearer to the storm-clouds and the stars, as to a Mountain of Purgatory. He may be met as if straying in strange places, or stopped on the way for discussion or dispute; but his face is set towards the mountain city. That is the meaning of that great culmination when he crested the ridge and stood at the turning of the road and suddenly cried aloud, lamenting over Jerusalem. Some light touch{238} of that lament is in every patriotic poem; or if it is absent, the patriotism stinks with vulgarity. That is the meaning of the stirring and startling incident at the gates of the Temple, when the tables were hurled like lumber down the steps, and the rich merchants driven forth with bodily blows; the incident that must be at least as much of a puzzle to the pacifists as any paradox about non-resistance can be to any of the militarists. I have compared the quest to the journey of Jason, but we must never forget that in a deeper sense it is rather to be compared to the journey of Ulysses. It was not only a romance of travel but a romance of return; and of the end of a usurpation. No healthy boy reading the story regards the rout of the Ithacan suitors as anything but a happy ending. But there are doubtless some who regard the rout of the Jewish merchants and moneychangers with that refined repugnance which never fails to move them in the presence of violence, and especially of violence against the well-to-do. The point here, however, is that all these incidents have in them a character of mounting crisis. In other words, these incidents are not incidental. When Apollonius the ideal philosopher is brought before the judgment-seat of Domitian and vanishes by magic, the miracle is entirely incidental. It might have occurred at any time in the wandering life of the Tyanean; indeed, I believe it is doubtful in date as well as in substance. The ideal philosopher merely vanished, and resumed his ideal existence somewhere else for an indefinite period. It is characteristic of the contrast perhaps that Apollonius was supposed to have lived to an almost miraculous old age. Jesus of Nazareth was less prudent in his miracles. When Jesus was brought before the judgment-seat of Pontius Pilate, he did not vanish. It was the crisis and the goal; it was the hour and the power of darkness. It was the supremely supernatural act, of all his miraculous life, that he did not vanish.{239}

Therefore, the story of Christ is about a journey, like a military march; definitely like a hero’s quest toward his achievement or demise. It starts in the paradise of Galilee, a peaceful, pastoral land that almost feels like Eden, and gradually moves up into the mountains that get closer to the storm clouds and the stars, akin to a Mountain of Purgatory. He can be found wandering in unfamiliar places or stopped along the way for discussions or arguments; yet his focus remains on the mountain city. This is highlighted by that significant moment when he reached the peak, paused at the bend in the road, and suddenly cried out, mourning over Jerusalem. A hint of that lament appears in every patriotic poem; if it’s missing, the patriotism lacks depth. This explains the intense and shocking incident at the Temple gates, when tables were thrown down the steps like trash, and wealthy merchants were physically forced out; an event that must be just as puzzling for pacifists as any paradox about non-resistance is for militarists. I've likened this quest to Jason's journey, but we must remember that, on a deeper level, it’s more like Ulysses’ journey. It’s not just a tale of travel, but also a tale of return; and the end of a usurpation. No healthy boy reading the story sees the defeat of the Ithacan suitors as anything but a happy ending. However, there are certainly some who view the defeat of the Jewish merchants and moneychangers with a certain disdain that always arises in the face of violence, especially against the well-off. The key point here is that all these incidents reflect a growing crisis. In other words, these events are not just random. When Apollonius, the ideal philosopher, is brought before the judgment of Domitian and disappears magically, that miracle is completely incidental. It could have happened at any moment in his wandering life; indeed, I think its date and nature are uncertain. The ideal philosopher simply disappeared and resumed his ideal life somewhere else for an indefinite time. This perhaps highlights the contrast, as Apollonius was believed to have lived to an almost miraculous old age. Jesus of Nazareth, however, was less cautious with his miracles. When Jesus stood before Pontius Pilate's judgment, he didn’t vanish. It was the crisis and the climax; it was the hour and the power of darkness. The most profoundly supernatural act of his entire miraculous life was that he did not vanish.{239}

Every attempt to amplify that story has diminished it. The task has been attempted by many men of real genius and eloquence as well as by only too many vulgar sentimentalists and self-conscious rhetoricians. The tale has been retold with patronising pathos by elegant sceptics and with fluent enthusiasm by boisterous best-sellers. It will not be retold here. The grinding power of the plain words of the Gospel story is like the power of mill-stones; and those who can read them simply enough will feel as if rocks had been rolled upon them. Criticism is only words about words; and of what use are words about such words as these? What is the use of word-painting about the dark garden filled suddenly with torchlight and furious faces? ‘Are you come out with swords and staves as against a robber? All day I sat in your temple teaching, and you took me not.’ Can anything be added to the massive and gathered restraint of that irony; like a great wave lifted to the sky and refusing to fall? ‘Daughters of Jerusalem, weep not for me, but weep for yourselves and for your children.’ As the High Priest asked what further need he had of witnesses, we might well ask what further need we have of words. Peter in a panic repudiated him: ‘and immediately the cock crew; and Jesus looked upon Peter, and Peter went out and wept bitterly.’ Has any one any further remarks to offer? Just before the murder he prayed for all the murderous race of men, saying, ‘They know not what they do’; is there anything to say to that, except that we know as little what we say? Is there any need to repeat and spin out the story of how the tragedy trailed up the Via Dolorosa and how they threw him in haphazard with two thieves in one of the ordinary batches of execution; and how in all that horror and howling wilderness of desertion one voice spoke in homage, a startling voice from the very last place where it was looked for, the gibbet of the criminal; and he said to that nameless ruffian,{240} ‘This night shalt thou be with me in Paradise’? Is there anything to put after that but a full-stop? Or is any one prepared to answer adequately that farewell gesture to all flesh which created for his Mother a new Son?

Every attempt to tell that story better has only made it less impactful. Many truly talented and articulate people, as well as a lot of insincere sentimentalists and self-aware speakers, have tried. The story has been retold with condescending emotion by refined skeptics and with lively enthusiasm by popular authors. It won't be retold here. The straightforward power of the plain words in the Gospel story is like the force of millstones; those who can read them simply will feel as if rocks have been rolled onto them. Criticism is just words about words; what good are words about such words? What is the point of describing a dark garden suddenly filled with torchlight and angry faces? ‘Are you coming out with swords and sticks like I’m a robber? I was teaching in your temple all day, and you didn’t take me.’ Can anything be added to the heavy and accumulated restraint of that irony, like a massive wave raised to the sky that won’t crash down? ‘Daughters of Jerusalem, don’t cry for me, but cry for yourselves and your children.’ As the High Priest asked what more witnesses he needed, we could ask what more words we need. Peter, in a panic, denied him: ‘and immediately the rooster crowed; and Jesus looked at Peter, and Peter went out and wept bitterly.’ Does anyone have anything more to say? Just before the murder, he prayed for all the men who were about to commit it, saying, ‘They don’t know what they’re doing’; is there anything to say about that, except that we know just as little about what we say? Is there any need to keep repeating the story of how the tragedy made its way to the Via Dolorosa, and how they recklessly threw him in with two thieves as part of a regular execution? And how, in that horror and chaotic emptiness of abandonment, one voice spoke up in honor, a surprising voice from the last place it would be expected, the cross of a criminal; and he said to that nameless thug,{240} ‘Tonight you’ll be with me in Paradise’? Is there anything to add to that except a full stop? Or is anyone ready to adequately respond to that farewell gesture to all humanity, which gave his Mother a new Son?

It is more within my powers, and here more immediately to my purpose, to point out that in that scene were symbolically gathered all the human forces that have been vaguely sketched in this story. As kings and philosophers and the popular element had been symbolically present at his birth, so they were more practically concerned in his death; and with that we come face to face with the essential fact to be realised. All the great groups that stood about the Cross represent in one way or another the great historical truth of the time; that the world could not save itself. Man could do no more. Rome and Jerusalem and Athens and everything else were going down like a sea turned into a slow cataract. Externally indeed the ancient world was still at its strongest; it is always at that moment that the inmost weakness begins. But in order to understand that weakness we must repeat what has been said more than once: that it was not the weakness of a thing originally weak. It was emphatically the strength of the world that was turned to weakness, and the wisdom of the world that was turned to folly.

It’s more in my power, and more relevant to my point, to highlight that in that scene, all the human forces described throughout this story were symbolically gathered. Just as kings, philosophers, and the common people were symbolically present at his birth, they were also significantly involved in his death; and this brings us to the crucial fact we need to acknowledge. All the major groups gathered around the Cross represent, in one way or another, the significant historical truth of the time: that the world couldn't save itself. Humanity couldn't do any more. Rome, Jerusalem, Athens, and everything else were collapsing like a sea becoming a slow waterfall. On the surface, the ancient world was still at its peak; it's always at that moment that the deepest weakness begins to show. But to understand that weakness, we must emphasize what has been mentioned before: it wasn’t the weakness of something inherently weak. It was clearly the strength of the world that had been turned to weakness, and the wisdom of the world that had become folly.

In this story of Good Friday it is the best things in the world that are at their worst. That is what really shows us the world at its worst. It was, for instance, the priests of a true monotheism and the soldiers of an international civilisation. Rome, the legend, founded upon fallen Troy and triumphant over fallen Carthage, had stood for a heroism which was the nearest that any pagan ever came to chivalry. Rome had defended the household gods and the human decencies against the ogres of Africa and the hermaphrodite monstrosities of Greece. But in the lightning flash of this incident, we see great Rome,{241} the imperial republic, going downward under her Lucretian doom. Scepticism has eaten away even the confident sanity of the conquerors of the world. He who is enthroned to say what is justice can only ask, ‘What is truth?’ So in that drama which decided the whole fate of antiquity, one of the central figures is fixed in what seems the reverse of his true rôle. Rome was almost another name for responsibility. Yet he stands for ever as a sort of rocking statue of the irresponsible. Man could do no more. Even the practical had become the impracticable. Standing between the pillars of his own judgment-seat, a Roman had washed his hands of the world.

In this story of Good Friday, the best things in the world are at their worst. That really highlights the world at its lowest point. For example, it was the priests of a true monotheism and the soldiers of an international civilization. Rome, the legend, built on fallen Troy and victorious over fallen Carthage, represented a heroism that was the closest any pagan got to chivalry. Rome defended the household gods and human decency against the monsters of Africa and the bizarre entities of Greece. But in the flash of this incident, we see great Rome, {241}, the imperial republic, declining under its own doom. Skepticism has eroded the once confident sanity of the world's conquerors. He who is meant to define justice can only ask, ‘What is truth?’ So in that drama that determined the fate of antiquity, one of the main figures is stuck in what seems to be the opposite of his true role. Rome was synonymous with responsibility. Yet he remains forever as a kind of unstable statue of irresponsibility. Man could do no more. Even the practical had become unfeasible. Standing between the pillars of his own judgment seat, a Roman washed his hands of the world.

There too were the priests of that pure and original truth that was behind all the mythologies like the sky behind the clouds. It was the most important truth in the world; and even that could not save the world. Perhaps there is something overpowering in pure personal theism; like seeing the sun and moon and sky come together to form one staring face. Perhaps the truth is too tremendous when not broken by some intermediaries, divine or human; perhaps it is merely too pure and far away. Anyhow it could not save the world; it could not even convert the world. There were philosophers who held it in its highest and noblest form; but they not only could not convert the world, but they never tried. You could no more fight the jungle of popular mythology with a private opinion than you could clear away a forest with a pocket-knife. The Jewish priests had guarded it jealously in the good and the bad sense. They had kept it as a gigantic secret. As savage heroes might have kept the sun in a box, they kept the Everlasting in the tabernacle. They were proud that they alone could look upon the blinding sun of a single deity; and they did not know that they had themselves gone blind. Since that day their representatives have been like blind men in broad daylight, striking to right and left with their{242} staffs, and cursing the darkness. But there has been that in their monumental monotheism that it has at least remained like a monument, the last thing of its kind, and in a sense motionless in the more restless world which it cannot satisfy. For it is certain that for some reason it cannot satisfy. Since that day it has never been quite enough to say that God is in his heaven and all is right with the world; since the rumour that God had left his heavens to set it right.

There were also the priests of that pure and original truth that lay behind all the mythologies, like the sky behind the clouds. It was the most important truth in the world, and even that couldn't save it. Maybe there's something overwhelming about pure personal theism; it's like seeing the sun, moon, and sky come together to form one glaring face. Perhaps the truth is too huge when not softened by some intermediaries, divine or human; maybe it’s just too pure and distant. Regardless, it couldn't save the world; it couldn't even change it. There were philosophers who understood it in its loftiest and most noble form, but they not only couldn't change the world, they never even tried. You could no more battle the jungle of popular mythology with a personal opinion than you could clear away a forest with a pocket knife. The Jewish priests guarded it jealously, both in good and bad ways. They kept it as a huge secret. Just like savage heroes might have locked the sun in a box, they kept the Everlasting in the tabernacle. They were proud that only they could gaze upon the blinding sun of a single deity, not realizing that they themselves had gone blind. Since that day, their representatives have acted like blind men in broad daylight, swinging their staffs to the right and left and cursing the darkness. Yet there has been something in their monumental monotheism that has at least remained a monument, the last of its kind, and in a sense unchanging in a world that is always moving and often unsatisfied. It's clear that for some reason, it can't fulfill that need. Since that day, it has never been quite enough to say that God is in his heaven and all is right with the world, especially since the rumor spread that God had left his heaven to set things right.

And as it was with these powers that were good, or at least had once been good, so it was with the element which was perhaps the best, or which Christ himself seems certainly to have felt as the best. The poor to whom he preached the good news, the common people who heard him gladly, the populace that had made so many popular heroes and demigods in the old pagan world, showed also the weaknesses that were dissolving the world. They suffered the evils often seen in the mob of the city, and especially the mob of the capital, during the decline of a society. The same thing that makes the rural population live on tradition makes the urban population live on rumour. Just as its myths at the best had been irrational, so its likes and dislikes are easily changed by baseless assertion that is arbitrary without being authoritative. Some brigand or other was artificially turned into a picturesque and popular figure and run as a kind of candidate against Christ. In all this we recognise the urban population that we know, with its newspaper scares and scoops. But there was present in this ancient population an evil more peculiar to the ancient world. We have noted it already as the neglect of the individual, even of the individual voting the condemnation and still more of the individual condemned. It was the soul of the hive; a heathen thing. The cry of this spirit also was heard in that hour, ‘It is well that one man die for the people.’ Yet this spirit in antiquity of devotion to the city and to the state had also been in itself{243} and in its time a noble spirit. It had its poets and its martyrs; men still to be honoured for ever. It was failing through its weakness in not seeing the separate soul of a man, the shrine of all mysticism; but it was only failing as everything else was failing. The mob went along with the Sadducees and the Pharisees, the philosophers and the moralists. It went along with the imperial magistrates and the sacred priests, the scribes and the soldiers, that the one universal human spirit might suffer a universal condemnation; that there might be one deep, unanimous chorus of approval and harmony when Man was rejected of men.

And just like these powers that were good, or at least had been good at one point, the element that was perhaps the best, or which Christ himself definitely felt was the best, also showed weaknesses that were breaking down the world. The poor, to whom he shared the good news, the everyday people who listened eagerly, the crowd that had created so many popular heroes and demigods in the old pagan world, also revealed the flaws that often show up in urban mobs, especially in the capital, during a society’s decline. The same thing that makes rural people rely on tradition makes city people rely on rumors. Just as their myths had been irrational at best, their preferences and aversions easily shift due to unfounded claims that are arbitrary yet not authoritative. Some criminal or another was artificially turned into a colorful and popular figure, running as a sort of candidate against Christ. In all this, we see the urban populace we recognize today, with its sensational news and big stories. But within this ancient group, there was an evil that was more unique to the ancient world. We've already pointed out the disregard for the individual, even for the person voting for condemnation and even more so for the condemned individual. It was the spirit of the collective; a pagan thing. The cry of this spirit was also heard in that moment: ‘It is better for one man to die for the people.’ Yet this ancient spirit of devotion to the city and state had its own noble qualities in its time. It had its poets and martyrs; people who should be honored forever. It was faltering because of its inability to see the individual soul of a person, the centerpiece of all mysticism, but it was just one part of the larger decline. The crowd followed the Sadducees and the Pharisees, the philosophers and moralists. It went along with the imperial officials and the sacred priests, the scribes and soldiers, so that one universal human spirit might face a universal condemnation; so there could be one deep, unanimous chorus of approval and agreement when humanity rejected Man.

There were solitudes beyond where none shall follow. There were secrets in the inmost and invisible part of that drama that have no symbol in speech; or in any severance of a man from men. Nor is it easy for any words less stark and single-minded than those of the naked narrative even to hint at the horror of exaltation that lifted itself above the hill. Endless expositions have not come to the end of it, or even to the beginning. And if there be any sound that can produce a silence, we may surely be silent about the end and the extremity; when a cry was driven out of that darkness in words dreadfully distinct and dreadfully unintelligible, which man shall never understand in all the eternity they have purchased for him; and for one annihilating instant an abyss that is not for our thoughts had opened even in the unity of the absolute; and God had been forsaken of God.

There were lonely places where no one would follow. There were secrets in the deepest, unseen parts of that story that have no words to describe them, nor do they exist in any separation of a person from other people. It’s not easy for any words less blunt and focused than those of the bare narrative to even suggest the horror of the exhilaration that rose above the hill. Countless explanations haven’t reached the end of it, or even the beginning. And if there’s any sound that can create silence, we can certainly remain quiet about the conclusion and extremes; when a cry broke free from that darkness in words that were horrifyingly clear yet terrifyingly unclear, which humanity will never comprehend in all the eternity they've earned for them; and for one crushing moment, a void that our thoughts cannot grasp opened, even within the unity of the absolute; and God had been abandoned by God.

They took the body down from the cross and one of the few rich men among the first Christians obtained permission to bury it in a rock tomb in his garden; the Romans setting a military guard lest there should be some riot and attempt to recover the body. There was once more a natural symbolism in these natural proceedings; it was well that the tomb should be sealed with all the secrecy of ancient eastern sepulture and guarded by the authority of the Caesars. For{244} in that second cavern the whole of that great and glorious humanity which we call antiquity was gathered up and covered over; and in that place it was buried. It was the end of a very great thing called human history; the history that was merely human. The mythologies and the philosophies were buried there, the gods and the heroes and the sages. In the great Roman phrase, they had lived. But as they could only live, so they could only die; and they were dead.

They took the body down from the cross, and one of the few wealthy men among the first Christians got permission to bury it in a rock tomb in his garden. The Romans set up military guards to prevent any riots or attempts to recover the body. There was a natural symbolism in these events; it made sense for the tomb to be sealed with the secrecy of ancient eastern burial practices and protected by the authority of the Caesars. For{244} in that second cavern, all of that great and glorious humanity we call antiquity was gathered and laid to rest. It marked the end of a very significant chapter in human history; the history that was purely human. The mythologies, the philosophies, the gods, the heroes, and the sages were all buried there. In the great Roman phrase, they had lived. But just as they could only live, they could only die; and now they were dead.

On the third day the friends of Christ coming at daybreak to the place found the grave empty and the stone rolled away. In varying ways they realised the new wonder; but even they hardly realised that the world had died in the night. What they were looking at was the first day of a new creation, with a new heaven and a new earth; and in a semblance of the gardener God walked again in the garden, in the cool not of the evening but the dawn.{245}

On the third day, Christ's friends arrived at dawn and found the tomb empty with the stone rolled aside. They understood the astonishing event in different ways, but even they barely grasped that the world had changed forever overnight. What they were witnessing was the start of a new creation, with a new heaven and a new earth; and like a gardener, God walked in the garden, not in the cool of the evening, but in the fresh morning light.{245}

CHAPTER IV

THE WITNESS OF THE HERETICS

Christ founded the Church with two great figures of speech; in the final words to the Apostles who received authority to found it. The first was the phrase about founding it on Peter as on a rock; the second was the symbol of the keys. About the meaning of the former there is naturally no doubt in my own case; but it does not directly affect the argument here save in two more secondary aspects. It is yet another example of a thing that could only fully expand and explain itself afterwards, and even long afterwards. And it is yet another example of something the very reverse of simple and self-evident even in the language, in so far as it described a man as a rock when he had much more the appearance of a reed.

Christ established the Church through two powerful metaphors in his final words to the Apostles who were given the authority to create it. The first was the statement about building it on Peter as a rock; the second was the symbol of the keys. I'm completely certain about the meaning of the first, but it doesn't directly impact the argument here except in a couple of minor ways. It's another instance of something that could only fully develop and make sense later on, and even much later. It's also another example of something that is far from simple and obvious in its language, as it described a man as a rock when he seemed much more like a reed.

But the other image of the keys has an exactitude that has hardly been exactly noticed. The keys have been conspicuous enough in the art and heraldry of Christendom; but not every one has noted the peculiar aptness of the allegory. We have now reached the point in history where something must be said of the first appearance and activities of the Church in the Roman Empire; and for that brief description nothing could be more perfect than that ancient metaphor. The Early Christian was very precisely a person carrying about a key, or what he said was a key. The whole Christian movement consisted in claiming to possess that key. It was not merely a vague forward movement, which might be better represented by a battering-ram. It was not something{246} that swept along with it similar and dissimilar things, as does a modern social movement. As we shall see in a moment, it rather definitely refused to do so. It definitely asserted that there was a key and that it possessed that key and that no other key was like it; in that sense it was as narrow as you please. Only it happened to be the key that could unlock the prison of the whole world; and let in the white daylight of escape.

But the other image of the keys is something that hasn’t been fully recognized. The keys have been prominent in the art and heraldry of Christendom; however, not everyone has acknowledged the unique relevance of the allegory. We’ve now arrived at a point in history where we need to discuss the first appearance and activities of the Church within the Roman Empire; and for that brief overview, nothing could be more fitting than that ancient metaphor. The Early Christian was essentially someone who carried a key, or what they claimed was a key. The entire Christian movement revolved around the assertion of having that key. It wasn’t just a vague forward movement that could be better depicted by a battering ram. It wasn’t something that swept along similar and dissimilar elements like a modern social movement. As we will see shortly, it distinctly refused to do that. It explicitly stated that there was a key, that it possessed that key, and that no other key was like it; in that sense, it was as exclusive as possible. Yet, it was the key that could unlock the prison of the entire world and let in the bright light of freedom.

The creed was like a key in three respects; which can be most conveniently summed up under this symbol. First, a key is above all things a thing with a shape. It is a thing that depends entirely upon keeping its shape. The Christian creed is above all things the philosophy of shapes and the enemy of shapelessness. That is where it differs from all that formless infinity, Manichean or Buddhist, which makes a sort of pool of night in the dark heart of Asia; the ideal of uncreating all the creatures. That is where it differs also from the analogous vagueness of mere evolutionism; the idea of creatures constantly losing their shape. A man told that his solitary latchkey had been melted down with a million others into a Buddhistic unity would be annoyed. But a man told that his key was gradually growing and sprouting in his pocket, and branching into new wards or complications, would not be more gratified.

The creed is like a key in three main ways, which can be simply summed up with this symbol. First, a key is, above all, an object with a specific shape. It depends entirely on maintaining that shape. The Christian creed is fundamentally the philosophy of shapes and stands against shapelessness. This sets it apart from all that formless infinity, like Manichean or Buddhist beliefs, which create a kind of dark pool of night in the heart of Asia, aiming to uncreate all creatures. It also differs from the vague idea of mere evolutionism, which suggests that creatures are constantly losing their form. If a person were told that their solitary key had been melted down with a million others into a Buddhist unity, they would be upset. But if they were told that their key was slowly growing and branching into new shapes or complexities in their pocket, they wouldn’t feel any more pleased.

Second, the shape of a key is in itself a rather fantastic shape. A savage who did not know it was a key would have the greatest difficulty in guessing what it could possibly be. And it is fantastic because it is in a sense arbitrary. A key is not a matter of abstractions; in that sense a key is not a matter of argument. It either fits the lock or it does not. It is useless for men to stand disputing over it, considered by itself; or reconstructing it on pure principles of geometry or decorative art. It is senseless for a man to say he would like a simpler key; it would be far more sensible to do his best with a{247} crowbar. And thirdly, as the key is necessarily a thing with a pattern, so this was one having in some ways a rather elaborate pattern. When people complain of the religion being so early complicated with theology and things of the kind, they forget that the world had not only got into a hole, but had got into a whole maze of holes and corners. The problem itself was a complicated problem; it did not in the ordinary sense merely involve anything so simple as sin. It was also full of secrets, of unexplored and unfathomable fallacies, of unconscious mental diseases, of dangers in all directions. If the faith had faced the world only with the platitudes about peace and simplicity some moralists would confine it to, it would not have had the faintest effect on that luxurious and labyrinthine lunatic asylum. What it did do we must now roughly describe; it is enough to say here that there was undoubtedly much about the key that seemed complex; indeed there was only one thing about it that was simple. It opened the door.

Second, the shape of a key is actually pretty fantastic. A person who didn’t know it was a key would have a hard time figuring out what it could possibly be. It’s fantastic because, in a way, it’s arbitrary. A key isn’t about abstract concepts; it doesn’t spark debate. It either fits the lock or it doesn’t. It’s pointless for people to argue about it by itself or to try to redesign it based on pure geometric or artistic principles. It’s silly for someone to say they want a simpler key; it would make much more sense to just use a crowbar. And third, since a key is always patterned, this one had a somewhat elaborate design. When people complain that faith got tangled up in complex theology and such, they forget that the world was not only in a jam but also in a whole maze of jams and corners. The issue was complicated; it wasn’t just about something simple like sin. It was filled with secrets, unexplored and confusing fallacies, unconscious mental issues, and dangers in every direction. If faith had faced the world only with the clichés about peace and simplicity that some moralists try to limit it to, it wouldn’t have had any impact on that luxurious and chaotic crazy house. What it actually did do, we can roughly outline; it’s enough to say that there was definitely a lot about the key that seemed complex; in fact, the only simple thing about it was that it opened the door.

There are certain recognised and accepted statements in this matter which may for brevity and convenience be described as lies. We have all heard people say that Christianity arose in an age of barbarism. They might just as well say that Christian Science arose in an age of barbarism. They may think Christianity was a symptom of social decay, as I think Christian Science a symptom of mental decay. They may think Christianity a superstition that ultimately destroyed a civilisation, as I think Christian Science a superstition capable (if taken seriously) of destroying any number of civilisations. But to say that a Christian of the fourth or fifth centuries was a barbarian living in a barbarous time is exactly like saying that Mrs. Eddy was a Red Indian. And if I allowed my constitutional impatience with Mrs. Eddy to impel me to call her a Red Indian, I should incidentally be telling a lie. We may like or dislike the imperial civilisation of Rome in the fourth century;{248} we may like or dislike the industrial civilisation of America in the nineteenth century; but that they both were what we commonly mean by a civilisation no person of common sense could deny if he wanted to. This is a very obvious fact, but it is also a very fundamental one; and we must make it the foundation of any further description of constructive Christianity in the past. For good or evil, it was pre-eminently the product of a civilised age, perhaps of an over-civilised age. This is the first fact apart from all praise or blame; indeed I am so unfortunate as not to feel that I praise a thing when I compare it to Christian Science. But it is at least desirable to know something of the savour of a society in which we are condemning or praising anything; and the science that connects Mrs. Eddy with tomahawks or the Mater Dolorosa with totems may for our general convenience be eliminated. The dominant fact, not merely about the Christian religion, but about the whole pagan civilisation, was that which has been more than once repeated in these pages. The Mediterranean was a lake in the real sense of a pool; in which a number of different cults or cultures were, as the phrase goes, pooled. Those cities facing each other round the circle of the lake became more and more one cosmopolitan culture. On its legal and military side it was the Roman Empire; but it was very many-sided. It might be called superstitious in the sense that it contained a great number of varied superstitions; but by no possibility can any part of it be called barbarous.

There are some well-known statements on this topic that, for the sake of simplicity, can be labeled as false. We've all heard people claim that Christianity emerged during a barbaric time. They might as well say that Christian Science did too. They might think of Christianity as a sign of social decline, just as I see Christian Science as a sign of mental decline. They might view Christianity as a superstition that eventually ruined a civilization, while I believe Christian Science, if taken seriously, could ruin multiple civilizations. But to call a Christian from the fourth or fifth centuries a barbarian living in a barbaric time is just as absurd as saying Mrs. Eddy was a Native American. And if I let my frustration with Mrs. Eddy push me to label her as a Native American, I'd be spreading falsehoods. We can appreciate or criticize the Roman civilization of the fourth century; we can feel the same way about the industrial American civilization of the nineteenth century; but no reasonable person could deny that both qualify as what we typically consider a civilization. This is an obvious yet crucial point; we must base our further discussion of constructive Christianity in the past on this truth. For better or worse, it was primarily a product of a civilized era, maybe even an overly civilized one. This is a key fact, free from praise or blame; in fact, I so happen to not feel like I’m praising something when I compare it to Christian Science. However, it's useful to understand the character of the society we're evaluating, whether it’s positive or negative, and we can mostly disregard any connection between Mrs. Eddy and tomahawks or the Mater Dolorosa and totems for our convenience. The main fact, not just about Christianity but about the entire pagan civilization, has been reiterated throughout this text. The Mediterranean was like a pool where numerous different religions or cultures coexisted. The cities surrounding this body of water developed into a more unified cosmopolitan culture. Legally and militarily, it was the Roman Empire, but it had many dimensions. It could be called superstitious because it had a wide range of diverse superstitions, but it could not, by any means, be labeled as barbaric.

In this level of cosmopolitan culture arose the Christian religion and the Catholic Church; and everything in the story suggests that it was felt to be something new and strange. Those who have tried to suggest that it evolved out of something much milder or more ordinary have found that in this case their evolutionary method is very difficult to apply. They may suggest that Essenes or Ebionites or such{249} things were the seed; but the seed is invisible; the tree appears very rapidly full-grown; and the tree is something totally different. It is certainly a Christmas tree in the sense that it keeps the kindliness and moral beauty of the story of Bethlehem; but it was as ritualistic as the seven-branched candlestick, and the candles it carried were considerably more than were probably permitted by the first prayer-book of Edward the Sixth. It might well be asked, indeed, why any one accepting the Bethlehem tradition should object to golden or gilded ornament since the Magi themselves brought gold; why he should dislike incense in the church since incense was brought even to the stable. But these are controversies that do not concern me here. I am concerned only with the historical fact, more and more admitted by historians, that very early in its history this thing became visible to the civilisation of antiquity; and that already the Church appeared as a Church; with everything that is implied in a Church and much that is disliked in a Church. We will discuss in a moment how far it was like other ritualistic or magical or ascetical mysteries in its own time. It was certainly not in the least like merely ethical and idealistic movements in our time. It had a doctrine; it had a discipline; it had sacraments; it had degrees of initiation; it admitted people and expelled people; it affirmed one dogma with authority and repudiated another with anathemas. If all these things be the marks of Antichrist, the reign of Antichrist followed very rapidly upon Christ.

In this cosmopolitan culture, the Christian religion and the Catholic Church emerged, and everything about it felt new and strange. Those who have tried to argue that it developed from something more mild or ordinary have found it difficult to support their case. They might claim that groups like the Essenes or Ebionites were the foundation, but that foundation is hard to see; the Church appeared fully formed very quickly, and it is something entirely different. It certainly resembles a Christmas tree in that it carries the kindness and moral beauty of the Bethlehem story, but it was as ritualistic as the seven-branched candlestick, and the candles it held were far more than what would have been allowed by the first prayer book of Edward the Sixth. One might reasonably ask why anyone who embraces the Bethlehem tradition would object to gold or gilded decorations since the Magi themselves brought gold, or why they would disapprove of incense in the church when even the stable had incense. However, these debates aren't my focus here. I'm only interested in the historical reality, increasingly recognized by historians, that very early on in its history, this thing became visible to the civilizations of antiquity, and the Church existed as a Church, with all that entails—both the good and the things that people have issues with. We will soon explore how similar it was to other ritualistic, magical, or ascetic mysteries of its time. It was definitely not like the purely ethical and idealistic movements of our day. It had a doctrine, a discipline, sacraments, levels of initiation, accepted members, and excluded others; it asserted one belief with authority while rejecting another with condemnation. If all these elements mark the Antichrist, then the reign of the Antichrist closely followed Christ.

Those who maintain that Christianity was not a Church but a moral movement of idealists have been forced to push the period of its perversion or disappearance further and further back. A bishop of Rome writes claiming authority in the very lifetime of St. John the Evangelist; and it is described as the first papal aggression. A friend of the Apostles writes of them as men he knew, and says they taught him{250} the doctrine of the Sacrament; and Mr. Wells can only murmur that the reaction towards barbaric blood-rites may have happened rather earlier than might be expected. The date of the Fourth Gospel, which at one time was steadily growing later and later, is now steadily growing earlier and earlier; until critics are staggered at the dawning and dreadful possibility that it might be something like what it professes to be. The last limit of an early date for the extinction of true Christianity has probably been found by the latest German professor whose authority is invoked by Dean Inge. This learned scholar says that Pentecost was the occasion for the first founding of an ecclesiastical, dogmatic and despotic Church utterly alien to the simple ideals of Jesus of Nazareth. This may be called, in a popular as well as a learned sense, the limit. What do professors of this kind imagine that men are made of? Suppose it were a matter of any merely human movement, let us say that of the Conscientious Objectors. Some say the early Christians were Pacifists; I do not believe it for a moment; but I am quite ready to accept the parallel for the sake of the argument. Tolstoy or some great preacher of peace among peasants has been shot as a mutineer for defying conscription; and a month or so after his few followers meet together in an upper room in remembrance of him. They never had any reason for coming together except that common memory; they are men of many kinds with nothing to bind them, except that the greatest event in all their lives was this tragedy of the teacher of universal peace. They are always repeating his words, revolving his problems, trying to imitate his character. The Pacifists meet at their Pentecost and are possessed of a sudden ecstasy of enthusiasm and wild rush of the whirlwind of inspiration, in the course of which they proceed to establish universal Conscription, to increase the Navy Estimates, to insist on everybody going about armed to the teeth{251} and on all the frontiers bristling with artillery; the proceedings concluding with the singing of ‘Boys of the Bulldog Breed’ and ‘Don’t let them scrap the British Navy.’ That is something like a fair parallel to the theory of these critics; that the transition from their idea of Jesus to their idea of Catholicism could have been made in the little upper room at Pentecost. Surely anybody’s common sense would tell him that enthusiasts, who only met through their common enthusiasm for a leader whom they loved, would not instantly rush away to establish everything that he hated. No, if the ‘ecclesiastical and dogmatic system’ is as old as Pentecost it is as old as Christmas. If we trace it back to such very early Christians we must trace it back to Christ.

Those who argue that Christianity wasn’t a Church but rather a moral movement of idealists have been forced to push back the timeline of its corruption or decline further and further. A bishop in Rome claims authority during the lifetime of St. John the Evangelist, and this is seen as the first step towards papal dominance. An associate of the Apostles regards them as people he knew and says they taught him the doctrine of the Sacrament; yet, Mr. Wells can only suggest that the shift towards barbaric blood rituals might have occurred earlier than expected. The dating of the Fourth Gospel, which was once consistently deemed to be later, is now increasingly considered to be earlier; critics are astonished by the unsettling possibility that it could be closer to what it claims to be. The latest findings about the early date of the decline of true Christianity likely come from the latest German professor cited by Dean Inge. This knowledgeable scholar asserts that Pentecost marked the first establishment of a structured, dogmatic, and authoritarian Church completely disconnected from the simple ideals of Jesus of Nazareth. This can be regarded, both popularly and academically, as a definitive limit. What do professors like this think people are made of? Imagine if this were about any purely human movement, let's say the Conscientious Objectors. Some claim that the early Christians were Pacifists; I don't believe it for a second, but I’m willing to accept the comparison for the sake of argument. If someone like Tolstoy or a great preacher of peace among peasants were shot for resisting conscription, and a month later, his few followers gather in an upper room to remember him. They would have no reason to come together other than that shared memory; they’re diverse individuals with no ties except that the most significant event in their lives was the tragedy of their teacher who promoted universal peace. They repeatedly recite his words, ponder his dilemmas, and strive to emulate his character. The Pacifists gather at their Pentecost and experience a sudden surge of enthusiasm and inspiration, during which they decide to establish universal conscription, increase the Navy budget, and insist that everyone be armed to the teeth and that all borders are fortified with artillery; their meetings conclude with the singing of ‘Boys of the Bulldog Breed’ and ‘Don’t Let Them Scrap the British Navy.’ That presents a fair parallel to the critics’ theory that the evolution from their concept of Jesus to their notion of Catholicism could have occurred in that small upper room at Pentecost. Surely, common sense would suggest that enthusiasts who gathered solely due to their shared admiration for a leader wouldn’t immediately strive to create everything he despised. No, if the ‘ecclesiastical and dogmatic system’ is as ancient as Pentecost, it is just as ancient as Christmas. If we trace it back to such early Christians, we must trace it back to Christ.

We may begin then with these two negations. It is nonsense to say that the Christian faith appeared in a simple age; in the sense of an unlettered and gullible age. It is equally nonsense to say that the Christian faith was a simple thing; in the sense of a vague or childish or merely instinctive thing. Perhaps the only point in which we could possibly say that the Church fitted into the pagan world is the fact that they were both not only highly civilised but rather complicated. They were both emphatically many-sided; but antiquity was then a many-sided hole, like a hexagonal hole waiting for an equally hexagonal stopper. In that sense only the Church was many-sided enough to fit the world. The six sides of the Mediterranean world faced each other across the sea and waited for something that should look all ways at once. The Church had to be both Roman and Greek and Jewish and African and Asiatic. In the very words of the Apostle of the Gentiles, it was indeed all things to all men. Christianity then was not merely crude and simple, and was the very reverse of the growth of a barbaric time. But when we come to the contrary charge, we come to a much more plausible charge. It is very much more tenable{252} that the Faith was but the final phase of the decay of civilisation, in the sense of the excess of civilisation; that this superstition was a sign that Rome was dying, and dying of being much too civilised. That is an argument much better worth considering; and we will proceed to consider it.

We can start with these two negations. It's absurd to claim that the Christian faith emerged in a simple time; by that, I mean an uneducated and easily deceived era. It's equally absurd to suggest that the Christian faith itself was simple; in other words, vague, childish, or just instinctual. The only area where we might say the Church fit into the pagan world is in the fact that both were not only highly civilized but also quite complex. They were both decidedly multifaceted; however, antiquity was a multifaceted whole, like a hexagonal hole waiting for an equally hexagonal stopper. In this sense, only the Church was diverse enough to match the world. The six sides of the Mediterranean world faced each other across the sea and awaited something that could look in all directions at once. The Church had to embody Roman, Greek, Jewish, African, and Asiatic elements. In the very words of the Apostle to the Gentiles, it was indeed everything to everyone. Christianity, therefore, was not simply crude and straightforward; it was the exact opposite of a barbaric time's development. But when we address the contrary accusation, we encounter a much more plausible claim. It is much more reasonable to assert that the faith was merely the last stage of a civilization's decline, in the sense that it was an overflow of civilization; that this superstition indicated that Rome was dying, and dying from being overly civilized. That is a point worth exploring, and we will go ahead and consider it.

At the beginning of this book I ventured on a general summary of it, in a parallel between the rise of humanity out of nature and the rise of Christianity out of history. I pointed out that in both cases what had gone before might imply something coming after; but did not in the least imply what did come after. If a detached mind had seen certain apes it might have deduced more anthropoids; it would not have deduced man or anything within a thousand miles of what man has done. In short, it might have seen Pithacanthropus or the Missing Link looming in the future, if possible almost as dimly and doubtfully as we see him looming in the past. But if it foresaw him appearing it would also foresee him disappearing, and leaving a few faint traces just as he has left a few faint traces; if they are traces. To foresee that Missing Link would not be to foresee Man, or anything like Man. Now this earlier explanation must be kept in mind; because it is an exact parallel to the true view of the Church; and the suggestion of it having evolved naturally out of the Empire in decay.

At the start of this book, I provided a general overview by drawing a parallel between the development of humanity from nature and the emergence of Christianity from history. I noted that in both cases, what came before could hint at something that follows, but it didn’t necessarily predict what actually did follow. If an objective observer had seen certain apes, they might have concluded that more anthropoids would appear, but they wouldn’t have predicted humans or anything close to what humans have accomplished. In short, they might have anticipated Pithacanthropus or the Missing Link emerging in the future, though perhaps as vaguely and uncertainly as we view it in the past. However, if they foresaw this figure appearing, they would also foresee it disappearing, leaving behind a few faint traces just as it has left a few faint traces; if they are traces at all. To predict that Missing Link would not mean to predict Man or anything resembling Man. This earlier explanation is important to remember because it mirrors the accurate perspective of the Church and the suggestion that it evolved naturally from a decaying Empire.

The truth is that in one sense a man might very well have predicted that the imperial decadence would produce something like Christianity. That is, something a little like and gigantically different. A man might very well have said, for instance, ‘Pleasure has been pursued so extravagantly that there will be a reaction into pessimism. Perhaps it will take the form of asceticism; men will mutilate themselves instead of merely hanging themselves.’ Or a man might very reasonably have said, ‘If we weary of our Greek and Latin gods we shall be hankering after some eastern mystery or other; there will be a fashion{253} in Persians or Hindoos.’ Or a man of the world might well have been shrewd enough to say, ‘Powerful people are picking up these fads; some day the court will adopt one of them and it may become official.’ Or yet another and gloomier prophet might be pardoned for saying, ‘The world is going down-hill; dark and barbarous superstitions will return, it does not matter much which. They will all be formless and fugitive like dreams of the night.’

The truth is that, in a way, someone could have predicted that the decline of the empire would lead to something like Christianity. I mean, something somewhat similar but vastly different. Someone could have easily said, for example, ‘People are chasing pleasure so recklessly that a backlash into pessimism is inevitable. Maybe it will show up as asceticism; instead of just ending their lives, people will harm themselves.’ Or someone might have reasonably thought, ‘If we grow tired of our Greek and Roman gods, we’ll start longing for some sort of Eastern mystery; there will be a trend in Persian or Hindu practices.’ Or a worldly person might have been astute enough to point out, ‘Influential people are picking up these trends; someday the elite will adopt one of them, and it might become mainstream.’ Or yet another, more pessimistic prophet might be forgiven for saying, ‘The world is going downhill; dark and barbaric superstitions will make a comeback, and it doesn’t really matter which ones. They will all be shapeless and fleeting like nighttime dreams.’

Now it is the intense interest of the case that all these prophecies were really fulfilled; but it was not the Church that fulfilled them. It was the Church that escaped from them, confounded them, and rose above them in triumph. In so far as it was probable that the mere nature of hedonism would produce a mere reaction of asceticism, it did produce a mere reaction of asceticism. It was the movement called Manichean, and the Church was its mortal enemy. In so far as it would have naturally appeared at that point of history, it did appear; it did also disappear, which was equally natural. The mere pessimist reaction did come with the Manichees and did go with the Manichees. But the Church did not come with them or go with them; and she had much more to do with their going than with their coming. Or again, in so far as it was probable that even the growth of scepticism would bring in a fashion of eastern religion, it did bring it in; Mithras came from far beyond Palestine out of the heart of Persia, bringing strange mysteries of the blood of bulls. Certainly there was everything to show that some such fashion would have come in any case. But certainly there is nothing in the world to show that it would not have passed away in any case. Certainly an Oriental fad was something eminently fitted to the fourth or fifth century; but that hardly explains it having remained to the twentieth century, and still going strong. In short, in so far as things of the kind might have been expected then, things like Mithraism were{254} experienced then; but it scarcely explains our more recent experiences. And if we were still Mithraists merely because Mithraic head-dresses and other Persian apparatuses might be expected to be all the rage in the days of Domitian, it would almost seem by this time that we must be a little dowdy.

Now the interesting thing about this case is that all these prophecies actually came true; but it wasn’t the Church that fulfilled them. It was the Church that escaped them, puzzled over them, and emerged victorious. To the extent that it was likely that the very nature of hedonism would trigger a reaction of asceticism, it did lead to a reaction of asceticism. This movement was called Manichean, and the Church was its fiercest opponent. As it would have naturally appeared at that point in history, it did appear; it also disappeared, which was equally natural. The pessimistic reaction did occur with the Manichees and disappeared with them. But the Church did not come with them or leave with them; and she played a much bigger role in their disappearance than in their emergence. Similarly, to the extent that it was likely that even the rise of skepticism would introduce a type of Eastern religion, it did bring it in; Mithras came from far beyond Palestine, from Persia, bringing strange mysteries involving the blood of bulls. There was certainly every indication that some form of this would have emerged in any case. But there is absolutely nothing to suggest that it would have lasted in any case. An Eastern fad certainly seemed perfectly suited for the fourth or fifth century; but that hardly explains why it has lasted into the twentieth century and is still thriving. In short, to the extent that such things could have been expected at that time, things like Mithraism were experienced then; but it hardly explains our more recent experiences. And if we were still Mithraists solely because Mithraic headpieces and other Persian paraphernalia might have been the trend during the reign of Domitian, it would seem by now that we must be a bit out of touch.

It is the same, as will be suggested in a moment, with the idea of official favouritism. In so far as such favouritism shown towards a fad was something that might have been looked for during the decline and fall of the Roman Empire, it was something that did exist in that Empire and did decline and fall with it. It throws no sort of light on the thing that resolutely refused to decline and fall; that grew steadily while the other was declining and falling; and which even at this moment is going forward with fearless energy, when another aeon has completed its cycle and another civilisation seems almost ready to fall or to decline.

It’s the same, as will be pointed out shortly, with the idea of official favoritism. While such favoritism towards a trend was something that could have been expected during the decline and fall of the Roman Empire, it did exist in that Empire and fell along with it. It doesn't shed any light on what steadfastly refused to decline and fall; that continued to grow while the other was declining and falling; and which even now is progressing with bold energy, as another era has completed its cycle and another civilization seems almost ready to decline or fall.

Now the curious fact is this; that the very heresies which the Early Church is blamed for crushing testify to the unfairness for which she is blamed. In so far as something deserved the blame, it was precisely the things that she is blamed for blaming. In so far as something was merely a superstition, she herself condemned that superstition. In so far as something was a mere reaction into barbarism, she herself resisted it because it was a reaction into barbarism. In so far as something was a fad of the fading empire, that died and deserved to die, it was the Church alone that killed it. The Church is reproached for being exactly what the heresy was repressed for being. The explanations of the evolutionary historians and higher critics do really explain why Arianism and Gnosticism and Nestorianism were born—and also why they died. They do not explain why the Church was born or why she has refused to die. Above all, they do not explain why she should have made war on the very evils she is supposed to share.{255}

Now the interesting fact is this: the very heresies the Early Church is criticized for suppressing actually prove the unfairness of that criticism. To the extent that something deserved blame, it was specifically the things for which the Church is criticized for blaming. To the extent that something was merely a superstition, she condemned that superstition herself. To the extent that something was a mere regression into barbarism, she resisted it because it was a regression into barbarism. To the extent that something was a trend of the declining empire that faded and deserved to fade, it was the Church alone that put an end to it. The Church is blamed for being exactly what the heresy was suppressed for being. The explanations of evolutionary historians and higher critics do explain why Arianism, Gnosticism, and Nestorianism emerged—and also why they died. They do not explain why the Church emerged or why she has refused to die. Most importantly, they do not explain why she would have fought against the very evils she is said to share.{255}

Let us take a few practical examples of the principle; the principle that if there was anything that was really a superstition of the dying empire, it did really die with the dying empire; and certainly was not the same as the very thing that destroyed it. For this purpose we will take in order two or three of the most ordinary explanations of Christian origins among the modern critics of Christianity. Nothing is more common, for instance, than to find such a modern critic writing something like this: ‘Christianity was above all a movement of ascetics, a rush into the desert, a refuge in the cloister, a renunciation of all life and happiness; and this was a part of a gloomy and inhuman reaction against nature itself, a hatred of the body, a horror of the material universe, a sort of universal suicide of the senses and even of the self. It came from an eastern fanaticism like that of the fakirs and was ultimately founded on an eastern pessimism, which seems to feel existence itself as an evil.’

Let’s look at a few practical examples of the principle that if there was anything that truly was a superstition of the fading empire, it really did die with that empire and was definitely not the same thing that caused its downfall. For this purpose, we'll examine two or three of the most common explanations for the origins of Christianity among modern critics. It's pretty typical, for instance, to find a modern critic saying something like this: ‘Christianity was primarily a movement of ascetics, a retreat into the desert, a refuge in monastic life, a rejection of all life and happiness; and this was part of a bleak and inhumane reaction against nature itself, a disdain for the body, a fear of the material world, a sort of universal denial of the senses and even of the self. It originated from an eastern fanaticism similar to that of the fakirs and was ultimately based on an eastern pessimism that seems to perceive existence itself as an evil.’

Now the most extraordinary thing about this is that it is all quite true; it is true in every detail except that it happens to be attributed entirely to the wrong person. It is not true of the Church; but it is true of the heretics condemned by the Church. It is as if one were to write a most detailed analysis of the mistakes and misgovernment of the ministers of George the Third, merely with the small inaccuracy that the whole story was told about George Washington; or as if somebody made a list of the crimes of the Bolshevists with no variation except that they were all attributed to the Czar. The early Church was indeed very ascetic, in connection with a totally different philosophy; but the philosophy of a war on life and nature as such really did exist in the world, if the critics only knew where to look for it.

Now the most extraordinary thing about this is that it's all completely true; it's true in every detail except that it’s attributed to the wrong person. It’s not true of the Church; it’s true of the heretics condemned by the Church. It’s like writing a detailed analysis of the mistakes and mismanagement of the ministers under George the Third, with just the small inaccuracy of telling the whole story about George Washington; or if someone made a list of the crimes of the Bolsheviks, only with the twist that they were all attributed to the Czar. The early Church was indeed very strict, connected to a totally different philosophy; but the philosophy of a war on life and nature as such really did exist in the world, if the critics only knew where to look for it.

What really happened was this. When the Faith first emerged into the world, the very first thing that{256} happened to it was that it was caught in a sort of swarm of mystical and metaphysical sects, mostly out of the East; like one lonely golden bee caught in a swarm of wasps. To the ordinary onlooker, there did not seem to be much difference, or anything beyond a general buzz; indeed in a sense there was not much difference, so far as stinging and being stung were concerned. The difference was that only one golden dot in all that whirring gold-dust had the power of going forth to make hives for all humanity; to give the world honey and wax or (as was so finely said in a context too easily forgotten) ‘the two noblest things, which are sweetness and light.’ The wasps all died that winter; and half the difficulty is that hardly any one knows anything about them and most people do not know that they ever existed; so that the whole story of that first phase of our religion is lost. Or, to vary the metaphor, when this movement or some other movement pierced the dyke between the east and west and brought more mystical ideas into Europe, it brought with it a whole flood of other mystical ideas besides its own, most of them ascetical and nearly all of them pessimistic. They very nearly flooded and overwhelmed the purely Christian element. They came mostly from that region that was a sort of dim borderland between the eastern philosophies and the eastern mythologies, and which shared with the wilder philosophers that curious craze for making fantastic patterns of the cosmos in the shape of maps and genealogical trees. Those that are supposed to derive from the mysterious Manes are called Manichean; kindred cults are more generally known as Gnostic; they are mostly of a labyrinthine complexity, but the point to insist on is the pessimism; the fact that nearly all in one form or another regarded the creation of the world as the work of an evil spirit. Some of them had that Asiatic atmosphere that surrounds Buddhism; the suggestion that life is a corruption of the purity of being.{257} Some of them suggested a purely spiritual order which had been betrayed by the coarse and clumsy trick of making such toys as the sun and moon and stars. Anyhow all this dark tide out of the metaphysical sea in the midst of Asia poured through the dykes simultaneously with the creed of Christ; but it is the whole point of the story that the two were not the same; that they flowed like oil and water. That creed remained in the shape of a miracle; a river still flowing through the sea. And the proof of the miracle was practical once more; it was merely that while all that sea was salt and bitter with the savour of death, of this one stream in the midst of it a man could drink.

What really happened was this. When the Faith first entered the world, the very first thing that{256} occurred was that it got caught in a sort of swarm of mystical and metaphysical groups, mostly from the East; like one lonely golden bee trapped in a swarm of wasps. To the average observer, there didn’t seem to be much difference, or anything beyond a general buzz; indeed, in a way, there wasn’t much difference, as far as stinging and being stung were concerned. The difference was that only one golden dot amidst all that whirring gold-dust had the power to go forth and create hives for all humanity; to provide the world with honey and wax or (as was so beautifully stated in a context too easily forgotten) ‘the two noblest things, which are sweetness and light.’ The wasps all died that winter; and half the issue is that hardly anyone knows anything about them, and most people are unaware that they ever existed; so the entire story of that first phase of our religion is lost. Or, to change the metaphor, when this movement or some other movement broke the barrier between the East and West and introduced more mystical ideas into Europe, it also brought with it a whole flood of other mystical ideas beyond its own, most of them ascetic and nearly all of them pessimistic. They very nearly flooded and overwhelmed the purely Christian element. They came mostly from that area that was a sort of dim borderland between eastern philosophies and mythologies, which shared with the more radical philosophers a strange obsession with creating fantastical patterns of the cosmos in the form of maps and family trees. Those ideas that are believed to originate from the mysterious Manes are called Manichean; similar cults are generally referred to as Gnostic; they are mostly tangled in complexity, but the critical point to emphasize is the pessimism; the fact that nearly all, in one form or another, viewed the creation of the world as the work of an evil spirit. Some of them carried that Asian atmosphere surrounding Buddhism; the insinuation that life is a corruption of true being.{257} Some suggested a purely spiritual order that had been betrayed by the crude and clumsy trick of creating such things as the sun, moon, and stars. Anyway, all this dark wave from the metaphysical sea in the heart of Asia surged through the barriers simultaneously with the creed of Christ; but the whole point of the story is that the two were not the same; they flowed like oil and water. That creed remained like a miracle; a river still flowing through the sea. And the proof of the miracle was practical once more; it was simply that while all that sea was salty and bitter with the taste of death, from this one stream amidst it, a person could drink.

Now that purity was preserved by dogmatic definitions and exclusions. It could not possibly have been preserved by anything else. If the Church had not renounced the Manicheans it might have become merely Manichean. If it had not renounced the Gnostics it might have become Gnostic. But by the very fact that it did renounce them it proved that it was not either Gnostic or Manichean. At any rate it proved that something was not either Gnostic or Manichean; and what could it be that condemned them, if it was not the original good news of the runners from Bethlehem and the trumpet of the Resurrection? The early Church was ascetic, but she proved that she was not pessimistic, simply by condemning the pessimists. The creed declared that man was sinful, but it did not declare that life was evil, and it proved it by damning those who did. The condemnation of the early heretics is itself condemned as something crabbed and narrow; but it was in truth the very proof that the Church meant to be brotherly and broad. It proved that the primitive Catholics were specially eager to explain that they did not think man utterly vile; that they did not think life incurably miserable; that they did not think marriage a sin or procreation a tragedy. They{258} were ascetic because asceticism was the only possible purge of the sins of the world; but in the very thunder of their anathemas they affirmed for ever that their asceticism was not to be anti-human or anti-natural; that they did wish to purge the world and not destroy it. And nothing else except those anathemas could possibly have made it clear, amid a confusion which still confuses them with their mortal enemies. Nothing else but dogma could have resisted the riot of imaginative invention with which the pessimists were waging their war against nature; with their Aeons and their Demiurge, their strange Logos and their sinister Sophia. If the Church had not insisted on theology, it would have melted into a mad mythology of the mystics, yet further removed from reason or even from rationalism; and, above all, yet further removed from life and from the love of life. Remember that it would have been an inverted mythology, one contradicting everything natural in paganism; a mythology in which Pluto would be above Jupiter and Hades hang higher than Olympus; in which Brahma and all that has the breath of life would be subject to Siva, shining with the eye of death.

Now that purity was maintained through strict definitions and exclusions, it couldn’t have been kept in any other way. If the Church hadn’t rejected the Manicheans, it could have easily become just like them. If it hadn’t turned away from the Gnostics, it might have become Gnostic. But by renouncing them, it showed that it wasn’t either Gnostic or Manichean. At the very least, it demonstrated that something was not Gnostic or Manichean; and what could it be that condemned them if it wasn't the original good news from Bethlehem and the message of the Resurrection? The early Church practiced asceticism, but it showed that it wasn’t pessimistic simply by condemning the pessimists. The creed stated that humanity was sinful, but it didn’t claim that life was evil, proving this by denouncing those who did. The condemnation of early heretics is often seen as narrow-minded and limiting; however, it was actually the very evidence that the Church intended to be inclusive and broad. It showed that the primitive Catholics were particularly eager to clarify that they did not believe humanity was entirely vile; that they did not think life was hopelessly miserable; that they did not view marriage as sinful or procreation as tragic. They{258} practiced asceticism because it was the only real way to cleanse the world’s sins; but through their strong declarations, they affirmed that their asceticism was not anti-human or anti-natural; they did want to cleanse the world without destroying it. Nothing but those strong declarations could have made it clear, amidst the confusion that still links them with their enemies. Only dogma could have withstood the chaotic imaginative narratives the pessimists were using in their attack on nature; with their Aeons, their Demiurge, their peculiar Logos, and their ominous Sophia. If the Church hadn’t prioritized theology, it would have dissolved into a crazy mythology of mystics, even further distanced from reason and rational thought; and most importantly, even further from life and the love of life. Keep in mind that it would have become a reversed mythology, contradicting everything natural in paganism; a mythology where Pluto would outrank Jupiter and Hades would rise higher than Olympus; where Brahma and everything alive would be subject to Siva, glowing with the eye of death.

That the early Church was itself full of an ecstatic enthusiasm for renunciation and virginity makes this distinction much more striking and not less so. It makes all the more important the place where the dogma drew the line. A man might crawl about on all fours like a beast because he was an ascetic. He might stand night and day on the top of a pillar and be adored for being an ascetic. But he could not say that the world was a mistake or the marriage state a sin without being a heretic. What was it that thus deliberately disengaged itself from eastern asceticism by sharp definition and fierce refusal, if it was not something with an individuality of its own; and one that was quite different? If the Catholics are to be confused with the Gnostics, we can only say it was not their fault if they are. And it is rather{259} hard that the Catholics should be blamed by the same critics for persecuting the heretics and also for sympathising with the heresy.

The early Church was filled with a passionate enthusiasm for renunciation and virginity, making this distinction even more striking. It highlights the importance of where the doctrine drew the line. A man could crawl on all fours like an animal because he was an ascetic. He could stand day and night on top of a pillar and be worshipped for being an ascetic. But he couldn't say that the world was a mistake or that marriage was a sin without being labeled a heretic. What was it that intentionally separated itself from Eastern asceticism with such clear definition and strong rejection, if not something with its own distinct identity? If Catholics are confused with Gnostics, it's not their fault. It's also pretty unfair for the same critics to blame Catholics for both persecuting heretics and sympathizing with heresy.

The Church was not a Manichean movement, if only because it was not a movement at all. It was not even merely an ascetical movement, because it was not a movement at all. It would be nearer the truth to call it the tamer of asceticism than the mere leader or loosener of it. It was a thing having its own theory of asceticism, its own type of asceticism, but most conspicuous at the moment as the moderator of other theories and types. This is the only sense that can be made, for instance, of the story of St. Augustine. As long as he was a mere man of the world, a mere man drifting with his time, he actually was a Manichean. It really was quite modern and fashionable to be a Manichean. But when he became a Catholic, the people he instantly turned on and rent in pieces were the Manicheans. The Catholic way of putting it is that he left off being a pessimist to become an ascetic. But as the pessimists interpreted asceticism, it might be said that he left off being an ascetic to become a saint. The war upon life, the denial of nature, were exactly the things he had already found in the heathen world outside the Church, and had to renounce when he entered the Church. The very fact that St. Augustine remains a somewhat sterner or sadder figure than St. Francis or St. Teresa only accentuates the dilemma. Face to face with the gravest or even grimmest of Catholics, we can still ask, ‘Why did Catholicism make war on Manichees, if Catholicism was Manichean?’

The Church wasn’t a Manichean movement, if only because it wasn’t a movement at all. It wasn’t even just an ascetic movement, because it wasn’t a movement at all. It would be more accurate to describe it as the tamer of asceticism rather than just the leader or loosener of it. It had its own theory of asceticism and its own style of ascetic practices, but it was most noticeable at the time as the moderator of other theories and practices. This is the only way to make sense of the story of St. Augustine, for example. As long as he was just a worldly man, drifting with the times, he was actually a Manichean. It was quite modern and trendy to be a Manichean. But when he became a Catholic, the people he immediately turned against and tore apart were the Manicheans. The Catholic explanation is that he stopped being a pessimist and became an ascetic. But from the pessimists’ perspective on asceticism, it could be said that he stopped being an ascetic and became a saint. The war on life and the denial of nature were precisely the things he had already encountered in the pagan world outside the Church, which he had to renounce when he entered the Church. The fact that St. Augustine remains a somewhat sterner or sadder figure than St. Francis or St. Teresa only highlights the dilemma. When faced with the most serious or even grim Catholics, we can still ask, ‘Why did Catholicism wage war on Manicheans if Catholicism was Manichean?’

Take another rationalistic explanation of the rise of Christendom. It is common enough to find another critic saying, ‘Christianity did not really rise at all; that is, it did not merely rise from below; it was imposed from above. It is an example of the power of the executive, especially in despotic states. The Empire was really an Empire; that is, it was really{260} ruled by the Emperor. One of the Emperors happened to become a Christian. He might just as well have become a Mithraist or a Jew or a Fire-Worshipper; it was common in the decline of the Empire for eminent and educated people to adopt these eccentric eastern cults. But when he adopted it, it became the official religion of the Roman Empire; and when it became the official religion of the Roman Empire, it became as strong, as universal, and as invincible as the Roman Empire. It has only remained in the world as a relic of that Empire; or, as many have put it, it is but the ghost of Caesar still hovering over Rome.’ This also is a very ordinary line taken in the criticism of orthodoxy, to say that it was only officialism that ever made it orthodoxy. And here again we can call on the heretics to refute it.

Take another rational explanation of how Christendom emerged. It’s common enough to find critics saying, ‘Christianity didn’t really rise at all; it didn’t just develop from the ground up; it was imposed from the top down. It’s an example of the power of leadership, especially in authoritarian states. The Empire was truly an Empire; that is, it was effectively{260} ruled by the Emperor. One of the Emperors happened to convert to Christianity. He could just as easily have become a follower of Mithras, Judaism, or Zoroastrianism; during the decline of the Empire, it was common for prominent and educated individuals to adopt these unusual eastern cults. But when he embraced it, it became the official religion of the Roman Empire; and once it was the official religion of the Roman Empire, it became as powerful, widespread, and unstoppable as the Roman Empire itself. It has only persisted in the world as a remnant of that Empire; or, as many have said, it is merely the spirit of Caesar still lingering over Rome.’ This is also a typical argument made in the criticism of orthodoxy, claiming that it was only through official approval that it ever became orthodoxy. And once again, we can invoke the heretics to disprove it.

The whole great history of the Arian heresy might have been invented to explode this idea. It is a very interesting history often repeated in this connection; and the upshot of it is in that in so far as there ever was a merely official religion, it actually died because it was a merely official religion; and what destroyed it was the real religion. Arius advanced a version of Christianity which moved, more or less vaguely, in the direction of what we should call Unitarianism; though it was not the same, for it gave to Christ a curious intermediary position between the divine and human. The point is that it seemed to many more reasonable and less fanatical; and among these were many of the educated class in a sort of reaction against the first romance of conversion. Arians were a sort of moderates and a sort of modernists. And it was felt that after the first squabbles this was the final form of rationalised religion into which civilisation might well settle down. It was accepted by Divus Caesar himself and became the official orthodoxy; the generals and military princes drawn from the new barbarian powers of the north, full of the future, supported it strongly. But the sequel is still{261} more important. Exactly as a modern man might pass through Unitarianism to complete agnosticism, so the greatest of the Arian emperors ultimately shed the last and thinnest pretence of Christianity; he abandoned even Arius and returned to Apollo. He was a Caesar of the Caesars; a soldier, a scholar, a man of large ambitions and ideals; another of the philosopher kings. It seemed to him as if at his signal the sun rose again. The oracles began to speak like birds beginning to sing at dawn; paganism was itself again; the gods returned. It seemed the end of that strange interlude of an alien superstition. And indeed it was the end of it, so far as there was a mere interlude of mere superstition. It was the end of it, in so far as it was the fad of an emperor or the fashion of a generation. If there really was something that began with Constantine, then it ended with Julian.

The entire elaborate history of the Arian heresy could have been created to challenge this concept. It's a fascinating story that's often repeated in this context, and the gist of it is that if there ever was a purely official religion, it ultimately failed because it was just that—official. What brought it down was the genuine faith. Arius proposed a version of Christianity that somewhat leaned toward what we'd now call Unitarianism; though it wasn't exactly the same, as it placed Christ in a unique intermediary role between divine and human. Many found it more reasonable and less extreme, including many educated individuals reacting against the initial excitement of conversion. Arians were like moderates and modernists. It was believed that after the first disputes, this would be the rational form of religion into which civilization could comfortably settle. It was accepted by Divus Caesar himself and became the official doctrine; it was strongly supported by generals and military leaders from the new barbarian powers of the north, filled with future potential. But what's even more significant is that just as a modern person might transition from Unitarianism to outright agnosticism, the greatest of the Arian emperors eventually shed the last remnants of Christianity; he even rejected Arius and reverted to Apollo. He was a Caesar among Caesars; a soldier, a scholar, a man with grand ambitions and ideals; another of the philosopher kings. It felt to him as though, with his command, the sun rose again. The oracles began to speak like birds chirping at dawn; paganism was back to its former self; the gods returned. It seemed like the conclusion of that unusual period marked by foreign superstition. And indeed, it marked the end, as far as it was simply a period of superficial belief. It ended, in so much as it was just the trend of an emperor or the fashion of a generation. If there was truly something that started with Constantine, then it wrapped up with Julian.

But there was something that did not end. There had arisen in that hour of history, defiant above the democratic tumult of the Councils of the Church, Athanasius against the world. We may pause upon the point at issue; because it is relevant to the whole of this religious history, and the modern world seems to miss the whole point of it. We might put it this way. If there is one question which the enlightened and liberal have the habit of deriding and holding up as a dreadful example of barren dogma and senseless sectarian strife, it is this Athanasian question of the Co-Eternity of the Divine Son. On the other hand, if there is one thing that the same liberals always offer us as a piece of pure and simple Christianity, untroubled by doctrinal disputes, it is the single sentence, ‘God is Love.’ Yet the two statements are almost identical; at least one is very nearly nonsense without the other. The barren dogma is only the logical way of stating the beautiful sentiment. For if there be a being without beginning, existing before all things, was He loving when there was nothing to{262} be loved? If through that unthinkable eternity He is lonely, what is the meaning of saying He is love? The only justification of such a mystery is the mystical conception that in His own nature there was something analogous to self-expression; something of what begets and beholds what it has begotten. Without some such idea, it is really illogical to complicate the ultimate essence of deity with an idea like love. If the moderns really want a simple religion of love, they must look for it in the Athanasian Creed. The truth is that the trumpet of true Christianity, the challenge of the charities and simplicities of Bethlehem or Christmas Day, never rang out more arrestingly and unmistakably than in the defiance of Athanasius to the cold compromise of the Arians. It was emphatically he who really was fighting for a God of Love against a God of colourless and remote cosmic control; the God of the stoics and the agnostics. It was emphatically he who was fighting for the Holy Child against the grey deity of the Pharisees and the Sadducees. He was fighting for that very balance of beautiful interdependence and intimacy, in the very Trinity of the Divine Nature, that draws our hearts to the Trinity of the Holy Family. His dogma, if the phrase be not misunderstood, turns even God into a Holy Family.

But there was something that didn't end. In that moment in history, standing strong against the democratic chaos of the Councils of the Church, was Athanasius, challenging the world. We should take a moment to consider the issue at hand because it's important to this entire religious history, and the modern world seems to overlook its significance. If we put it simply, there's one question that the enlightened and liberal often ridicule, treating it as a prime example of fruitless dogma and pointless sectarian conflict: the Athanasian question about the Co-Eternity of the Divine Son. Conversely, there's one thing that those same liberals consistently present as pure and simple Christianity, free from doctrinal disputes, and that's the statement, "God is Love." Yet, the two ideas are nearly identical; one is almost meaningless without the other. The seemingly barren dogma is just a logical way of expressing the beautiful sentiment. For if there is a being without a beginning, existing before anything else, was He loving when there was nothing to be loved? If through that unimaginable eternity He is alone, what does it mean to say He is love? The only explanation for such a mystery is the mystical idea that in His own nature there was something like self-expression; something that creates and observes what it has created. Without some concept like this, it's truly illogical to complicate the ultimate essence of divinity with an idea like love. If modern thinkers really want a simple religion of love, they should find it in the Athanasian Creed. The reality is that the call of true Christianity, the challenge of the love and simplicity of Bethlehem or Christmas Day, has never been more strikingly and clearly expressed than in Athanasius's resistance against the cold compromise of the Arians. He was the one truly fighting for a God of Love against a distant, colorless cosmic force; the God of the Stoics and the agnostics. He was also fighting for the Holy Child against the lifeless deity of the Pharisees and the Sadducees. He was advocating for that very balance of beautiful interdependence and closeness in the Trinity of the Divine Nature that draws our hearts to the Trinity of the Holy Family. His dogma, if that term is not misunderstood, turns even God into a Holy Family.

That this purely Christian dogma actually for a second time rebelled against the Empire, and actually for a second time refounded the Church in spite of the Empire, is itself a proof that there was something positive and personal working in the world, other than whatever official faith the Empire chose to adopt. This power utterly destroyed the official faith that the Empire did adopt. It went on its own way as it is going on its own way still. There are any number of other examples in which is repeated precisely the same process we have reviewed in the case of the Manichean and the Arian. A few centuries after{263}wards, for instance, the Church had to maintain the same Trinity, which is simply the logical side of love, against another appearance of the isolated and simplified deity in the religion of Islam. Yet there are some who cannot see what the Crusaders were fighting for; and some even who talk as if Christianity had never been anything but a form of what they call Hebraism coming in with the decay of Hellenism. Those people must certainly be very much puzzled by the war between the Crescent and the Cross. If Christianity had never been anything but a simpler morality sweeping away polytheism, there is no reason why Christendom should not have been swept into Islam. The truth is that Islam itself was a barbaric reaction against that very humane complexity that is really a Christian character; that idea of balance in the deity, as of balance in the family, that makes that creed a sort of sanity, and that sanity the soul of civilisation. And that is why the Church is from the first a thing holding its own position and point of view, quite apart from the accidents and anarchies of its age. That is why it deals blows impartially right and left, at the pessimism of the Manichean or the optimism of the Pelagian. It was not a Manichean movement because it was not a movement at all. It was not an official fashion because it was not a fashion at all. It was something that could coincide with movements and fashions, could control them and could survive them.

That this purely Christian belief actually rebelled against the Empire for a second time and re-established the Church despite the Empire is proof that something positive and personal was acting in the world, beyond whatever official faith the Empire chose to embrace. This force completely undermined the official faith the Empire accepted. It continued on its own path, just as it still does today. There are many other examples where the same process we've seen with the Manichean and the Arian is repeated. A few centuries later, for instance, the Church had to defend the same Trinity, which represents the logical aspect of love, against another version of a simplified deity in Islam. Yet, some people fail to understand what the Crusaders were fighting for; some even suggest that Christianity was just a form of what they call Hebraism, emerging with the decline of Hellenism. Those individuals must be quite confused by the conflict between the Crescent and the Cross. If Christianity was merely a simpler morality eliminating polytheism, there would be no reason why Christendom shouldn't have been absorbed into Islam. The reality is that Islam itself was a brutal reaction against the humane complexity that defines a Christian character; that idea of balance in the deity, just as in the family, which gives that belief a sense of sanity, and that sanity is the essence of civilization. That’s why the Church has always maintained its own position and perspective, separate from the randomness and chaos of its time. That’s why it strikes out in all directions, challenging both the pessimism of the Manichean and the optimism of the Pelagian. It wasn’t a Manichean movement because it wasn’t a movement at all. It wasn’t an official trend because it wasn’t a trend at all. It was something that could align with movements and trends, could influence them, and could outlast them.

So might rise from their graves the great heresiarchs to confound their comrades of to-day. There is nothing that the critics now affirm that we cannot call on these great witnesses to deny. The modern critic will say lightly enough that Christianity was but a reaction into asceticism and anti-natural spirituality, a dance of fakirs furious against life and love. But Manes the great mystic will answer them from his secret throne and cry, ‘These Christians have no right to be called spiritual; these Christians have no{264} title to be called ascetics; they who compromised with the curse of life and all the filth of the family. Through them the earth is still foul with fruit and harvest and polluted with population. Theirs was no movement against nature, or my children would have carried it to triumph; but these fools renewed the world when I would have ended it with a gesture.’ And another critic will write that the Church was but the shadow of the Empire, the fad of a chance Emperor, and that it remains in Europe only as the ghost of the power of Rome. And Arius the deacon will answer out of the darkness of oblivion: ‘No, indeed, or the world would have followed my more reasonable religion. For mine went down before demagogues and men defying Caesar; and around my champion was the purple cloak and mine was the glory of the eagles. It was not for lack of these things that I failed.’ And yet a third modern will maintain that the creed spread only as a sort of panic of hell-fire; men everywhere attempting impossible things in fleeing from incredible vengeance; a nightmare of imaginary remorse; and such an explanation will satisfy many who see something dreadful in the doctrine of orthodoxy. And then there will go up against it the terrible voice of Tertullian, saying, ‘And why then was I cast out; and why did soft hearts and heads decide against me when I proclaimed the perdition of all sinners; and what was this power that thwarted me when I threatened all backsliders with hell? For none ever went up that hard road so far as I; and mine was the Credo Quia Impossibile.’ Then there is the fourth suggestion that there was something of the Semitic secret society in the whole matter; that it was a new invasion of the nomad spirit shaking a kindlier and more comfortable paganism, its cities and its household gods; whereby the jealous monotheistic races could after all establish their jealous God. And Mahomet shall answer out of the whirlwind, the red whirlwind of the desert,{265} ‘Who ever served the jealousy of God as I did or left him more lonely in the sky? Who ever paid more honour to Moses and Abraham or won more victories over idols and the images of paganism? And what was this thing that thrust me back with the energy of a thing alive; whose fanaticism could drive me from Sicily and tear up my deep roots out of the rock of Spain? What faith was theirs who thronged in thousands of every class and country crying out that my ruin was the will of God; and what hurled great Godfrey as from a catapult over the wall of Jerusalem; and what brought great Sobieski like a thunderbolt to the gates of Vienna? I think there was more than you fancy in the religion that has so matched itself with mine.’

So might rise from their graves the great heretics to challenge their peers today. There's nothing that critics now claim that we can't summon these great witnesses to refute. The modern critic might casually say that Christianity was just a reaction towards asceticism and anti-natural spirituality, a frenzy of ascetics raging against life and love. But Manes the great mystic will respond from his hidden throne and shout, ‘These Christians have no right to be called spiritual; these Christians have no claim to be called ascetics; they who compromised with the burden of life and all the messiness of family. Because of them, the earth is still tainted with produce and harvest, polluted with population. Their movement was not against nature, or my followers would have brought it to triumph; instead, these fools renewed the world when I would have ended it with a gesture.’ And another critic will write that the Church was merely a shadow of the Empire, a trend of a random Emperor, and that it persists in Europe only as a remnant of Rome’s power. And Arius the deacon will reply from the depths of obscurity: ‘No, indeed, or the world would have embraced my more rational religion. Mine fell to demagogues and men defying Caesar; my champion wore the purple cloak, and mine was the glory of the eagles. It wasn’t for lack of these things that I failed.’ Yet a third modern will insist that the creed spread only as a form of panic over hell-fire; people everywhere attempting the impossible in fleeing from unimaginable vengeance; a nightmare of imagined guilt; and such an explanation will satisfy many who find something dreadful in orthodox doctrine. And then the chilling voice of Tertullian will rise against it, saying, ‘And why then was I cast out; and why did gentle hearts and minds turn against me when I proclaimed the damnation of all sinners; and what was this power that undermined me when I threatened all backsliders with hell? For none ever traveled that hard road as far as I did; and mine was the Credo Quia Impossibile.’ Then there's the fourth suggestion that there was something of the Semitic secret society in all this; that it was a new invasion of the nomadic spirit disturbing a friendlier and more comfortable paganism, its cities and household gods; allowing the jealous monotheistic races to eventually establish their jealous God. And Muhammad will respond from the storm, the red whirlwind of the desert, ‘Who has ever served the jealousy of God as I did or left Him more isolated in the sky? Who honored Moses and Abraham more or won more victories over idols and images of paganism? And what was this force that pushed me back with such vigorous energy; what fanaticism drove me away from Sicily and uprooted my deep ties from the rock of Spain? What faith belonged to those who surged in thousands from every class and country, proclaiming that my downfall was God's will; what launched great Godfrey like a projectile over the wall of Jerusalem; and what brought great Sobieski like a thunderbolt to the gates of Vienna? I think there was more to this religion that has aligned itself with mine than you realize.’

Those who would suggest that the faith was a fanaticism are doomed to an eternal perplexity. In their account it is bound to appear as fanatical for nothing, and fanatical against everything. It is ascetical and at war with ascetics, Roman and in revolt against Rome, monotheistic and fighting furiously against monotheism; harsh in its condemnation of harshness; a riddle not to be explained even as unreason. And what sort of unreason is it that seems reasonable to millions of educated Europeans through all the revolutions of some sixteen hundred years? People are not amused with a puzzle or a paradox or a mere muddle in the mind for all that time. I know of no explanation except that such a thing is not unreason but reason; that if it is fanatical it is fanatical for reason and fanatical against all the unreasonable things. That is the only explanation I can find of a thing from the first so detached and so confident, condemning things that looked so like itself, refusing help from powers that seemed so essential to its existence, sharing on its human side all the passions of the age, yet always at the supreme moment suddenly rising superior to them, never{266} saying exactly what it was expected to say and never needing to unsay what it had said; I can find no explanation except that, like Pallas from the brain of Jove, it had indeed come forth out of the mind of God, mature and mighty and armed for judgment and for war.{267}

Those who claim that faith is just fanaticism are stuck in a never-ending confusion. To them, it looks fanatical for no reason and against everything. It’s ascetic yet in conflict with ascetics, Roman but revolting against Rome, monotheistic while fiercely opposing monotheism; harsh in condemning harshness; a riddle that can't even be understood as irrational. What kind of irrationality seems sensible to millions of educated Europeans through the ups and downs of about sixteen hundred years? People don’t stay interested in a puzzle or a paradox or a simple mess in their thoughts for that long. The only explanation I can think of is that it’s not irrational but rational; that if it is fanaticism, it’s fanaticism for reason and against all unreasonable things. That’s the only explanation I see for something that has always been so separate and so sure of itself, condemning things that seemed so alike, dismissing help from forces that appeared essential to its survival, sharing all the emotions of its time, yet always rising above them at the crucial moment, never saying exactly what was expected and never needing to take back what it said; I can find no explanation other than that, like Pallas emerging from the brain of Jove, it truly came forth from the mind of God, fully developed, powerful, and ready for judgment and battle.{266}{267}

CHAPTER V

THE ESCAPE FROM PAGANISM

The modern missionary, with his palm-leaf hat and his umbrella, has become rather a figure of fun. He is chaffed among men of the world for the ease with which he can be eaten by cannibals and the narrow bigotry which makes him regard the cannibal culture as lower than his own. Perhaps the best part of the joke is that the men of the world do not see that the joke is against themselves. It is rather ridiculous to ask a man just about to be boiled in a pot and eaten, at a purely religious feast, why he does not regard all religions as equally friendly and fraternal. But there is a more subtle criticism uttered against the more old-fashioned missionary; to the effect that he generalises too broadly about the heathen and pays too little attention to the difference between Mahomet and Mumbo-Jumbo. There was probably truth in this complaint, especially in the past; but it is my main contention here that the exaggeration is all the other way at present. It is the temptation of the professors to treat mythologies too much as theologies; as things thoroughly thought out and seriously held. It is the temptation of the intellectuals to take much too seriously the fine shades of various schools in the rather irresponsible metaphysics of Asia. Above all, it is their temptation to miss the real truth implied in the idea of Aquinas contra Gentiles or Athanasius contra mundum.

The modern missionary, with his palm-leaf hat and umbrella, has become somewhat of a joke. People tease him for how easily he can be eaten by cannibals and for the narrow-mindedness that makes him see the cannibal culture as inferior to his own. Ironically, the real joke is on those who mock him, as they fail to recognize that they are the punchline. It’s pretty absurd to ask a man who’s about to be boiled and eaten at a religious feast why he doesn’t see all religions as equally friendly and brotherly. However, there’s a more subtle critique of the old-school missionary that says he generalizes too much about non-Christians and doesn’t pay enough attention to the differences between Muhammad and Mumbo-Jumbo. There was likely some truth to this in the past, but my main argument here is that the exaggeration has flipped to the opposite extreme today. Professors are tempted to treat myths too much like theologies, as if they’re thoroughly thought out and sincerely held beliefs. Intellectuals often take the nuanced differences between the various schools of Asian metaphysics way too seriously. Most importantly, they miss the deeper truth found in ideas like Aquinas contra Gentiles or Athanasius contra mundum.

If the missionary says, in fact, that he is exceptional in being a Christian, and that the rest of the races and religions can be collectively classified as heathen,{268} he is perfectly right. He may say it in quite the wrong spirit, in which case he is spiritually wrong. But in the cold light of philosophy and history, he is intellectually right. He may not be right-minded, but he is right. He may not even have a right to be right, but he is right. The outer world to which he brings his creed really is something subject to certain generalisations covering all its varieties, and is not merely a variety of similar creeds. Perhaps it is in any case too much of a temptation to pride or hypocrisy to call it heathenry. Perhaps it would be better simply to call it humanity. But there are certain broad characteristics of what we call humanity while it remains in what we call heathenry. They are not necessarily bad characteristics; some of them are worthy of the respect of Christendom; some of them have been absorbed and transfigured in the substance of Christendom. But they existed before Christendom and they still exist outside Christendom, as certainly as the sea existed before a boat and all round a boat; and they have as strong and as universal and as unmistakable a savour as the sea.

If a missionary claims he is unique for being a Christian and asserts that all other races and religions can be grouped as heathen,{268} he’s technically correct. He might express this in an inappropriate way, which would make him spiritually wrong. However, when looking at it from a philosophical and historical perspective, he is intellectually correct. He may not have the right mindset, but he is still right. He may not even deserve to be right, yet he is right. The world to which he brings his beliefs can indeed be generalized into certain categories that encompass all its diversity, and it isn’t just a collection of similar beliefs. Perhaps it’s too much of a temptation for pride or hypocrisy to label it heathenry. Maybe it would be better to just refer to it as humanity. But there are certain broad traits of what we consider humanity while it remains in what we call heathenry. These traits aren’t necessarily negative; some deserve the respect of Christianity, and some have been integrated and transformed within the essence of Christianity. Yet, they existed before Christianity and continue to exist outside of it, just as the sea existed before any boat and all around it; they have a strong, universal, and unmistakable essence like the sea.

For instance, all real scholars who have studied the Greek and Roman culture say one thing about it. They agree that in the ancient world religion was one thing and philosophy quite another. There was very little effort to rationalise and at the same time to realise a real belief in the gods. There was very little pretence of any such real belief among the philosophers. But neither had the passion or perhaps the power to persecute the other, save in particular and peculiar cases; and neither the philosopher in his school nor the priest in his temple seems ever to have seriously contemplated his own concept as covering the world. A priest sacrificing to Artemis in Calydon did not seem to think that people would some day sacrifice to her instead of to Isis beyond the sea; a sage following the vegetarian rule of the Neo-Pythagoreans did not seem to think it would universally{269} prevail and exclude the methods of Epictetus or Epicurus. We may call this liberality if we like; I am not dealing with an argument but describing an atmosphere. All this, I say, is admitted by all scholars; but what neither the learned nor the unlearned have fully realised, perhaps, is that this description is really an exact description of all non-Christian civilisation to-day; and especially of the great civilisations of the East. Eastern paganism really is much more all of a piece, just as ancient paganism was much more all of a piece, than the modern critics admit. It is a many-coloured Persian carpet as the others was a varied and tessellated Roman pavement; but the one real crack right across that pavement came from the earthquake of the Crucifixion.

For instance, all genuine scholars who have studied Greek and Roman culture agree on one thing: in the ancient world, religion and philosophy were distinctly different. There was minimal effort to reconcile or genuinely believe in the gods. Philosophers rarely pretended to hold such real beliefs. But neither group had the drive or perhaps the ability to persecute the other, except in specific and unusual cases; neither the philosopher in his school nor the priest in his temple seemed to entertain the idea that their worldview encompassed everything. A priest making sacrifices to Artemis in Calydon didn’t seem to consider that people might one day sacrifice to her instead of to Isis overseas; a sage following the vegetarian practices of the Neo-Pythagoreans didn’t seem to think it would become universal and override the teachings of Epictetus or Epicurus. We might call this openness if we want; I’m not arguing but just describing the general vibe. Scholars agree on all this, but what neither the educated nor the uneducated may fully grasp is that this description accurately reflects all non-Christian civilizations today, especially the great civilizations of the East. Eastern paganism is actually much more coherent, just as ancient paganism was, than modern critics acknowledge. It resembles a diverse Persian carpet, just as the other was a patterned and elaborate Roman floor; but the real rupture across that floor came from the seismic event of the Crucifixion.

The modern European seeking his religion in Asia is reading his religion into Asia. Religion there is something different; it is both more and less. He is like a man mapping out the sea as land; marking waves as mountains; not understanding the nature of its peculiar permanence. It is perfectly true that Asia has its own dignity and poetry and high civilisation. But it is not in the least true that Asia has its own definite dominions of moral government, where all loyalty is conceived in terms of morality; as when we say that Ireland is Catholic or that New England was Puritan. The map is not marked out in religions, in our sense of churches. The state of mind is far more subtle, more relative, more secretive, more varied and changing, like the colours of the snake. The Moslem is the nearest approach to a militant Christian; and that is precisely because he is a much nearer approach to an envoy from western civilisation. The Moslem in the heart of Asia almost stands for the soul of Europe. And as he stands between them and Europe in the matter of space, so he stands between them and Christianity in the matter of time. In that sense the Moslems in Asia are merely like the{270} Nestorians in Asia. Islam, historically speaking, is the greatest of the eastern heresies. It owed something to the quite isolated and unique individuality of Israel; but it owed more to Byzantium and the theological enthusiasm of Christendom. It owed something even to the Crusades. It owed nothing whatever to Asia. It owed nothing to the atmosphere of the ancient and traditional world of Asia, with its immemorial etiquette and its bottomless or bewildering philosophies. All that ancient and actual Asia felt the entrance of Islam as something foreign and western and warlike, piercing it like a spear.

The modern European searching for his religion in Asia is projecting his beliefs onto Asia. Religion there is something different; it is both more and less. He is like someone trying to map the ocean as if it were land, labeling waves as mountains without grasping the true nature of its unique permanence. It’s absolutely true that Asia has its own dignity, poetry, and high civilization. However, it is not accurate to say that Asia has its own clear realms of moral governance, where all loyalty is defined in moral terms, like when we say that Ireland is Catholic or that New England was Puritan. The map isn't divided into religions in our sense of churches. The mindset is much more nuanced, relative, secretive, varied, and ever-changing, like the colors of a snake. The Muslim is the closest thing to a militant Christian; and that's exactly because he is a much closer representative of Western civilization. The Muslim in the heart of Asia almost embodies the essence of Europe. And just as he physically stands between them and Europe, he also stands between them and Christianity in terms of time. In that sense, Muslims in Asia are somewhat like the Nestorians in Asia. Historically speaking, Islam is the greatest of the Eastern heresies. It owes some influence to the unique individuality of Israel, but it owes even more to Byzantium and the theological fervor of Christendom. It drew some inspiration even from the Crusades. It owes nothing at all to Asia; it has no roots in the ancient and traditional world of Asia, with its time-honored etiquette and its complex or perplexing philosophies. All that ancient and present Asia experienced the arrival of Islam as something foreign, Western, and aggressive, piercing through like a spear.

Even where we might trace in dotted lines the domains of Asiatic religions, we should probably be reading into them something dogmatic and ethical belonging to our own religion. It is as if a European ignorant of the American atmosphere were to suppose that each ‘state’ was a separate sovereign state as patriotic as France or Poland; or that when a Yankee referred fondly to his ‘home town’ he meant he had no other nation, like a citizen of ancient Athens or Rome. As he would be reading a particular sort of loyalty into America, so we are reading a particular sort of loyalty into Asia. There are loyalties of other kinds; but not what men on the West mean by being a believer, by trying to be a Christian, by being a good Protestant or a practising Catholic. In the intellectual world it means something far more vague and varied by doubts and speculations. In the moral world it means something far more loose and drifting. A professor of Persian at one of our great universities, so passionate a partisan of the East as practically to profess a contempt for the West, said to a friend of mine: ‘You will never understand oriental religions, because you always conceive religion as connected with ethics. This kind has really nothing to do with ethics.’ We have most of us known some Masters of the Higher Wisdom, some Pilgrims upon the Path to Power,{271} some eastern esoteric saints and seers, who had really nothing to do with ethics. Something different, something detached and irresponsible, tinges the moral atmosphere of Asia and touches even that of Islam. It was very realistically caught in the atmosphere of Hassan; and a very horrible atmosphere too. It is even more vivid in such glimpses as we get of the genuine and ancient cults of Asia. Deeper than the depths of metaphysics, far down in the abysses of mystical meditations, under all that solemn universe of spiritual things, is a secret, an intangible and a terrible levity. It does not really very much matter what one does. Either because they do not believe in a devil, or because they do believe in a destiny, or because experience here is everything and eternal life something totally different, but for some reason they are totally different. I have read somewhere that there were three great friends famous in medieval Persia for their unity of mind. One became the responsible and respected Vizier of the Great King; the second was the poet Omar, pessimist and epicurean, drinking wine in mockery of Mahomet; the third was the Old Man of the Mountain who maddened his people with hashish that they might murder other people with daggers. It does not really much matter what one does.

Even when we try to outline the areas of Asian religions, we’re probably projecting our own dogmatic and ethical beliefs onto them. It’s like a European, who knows nothing about American culture, assuming that each ‘state’ is an independent nation as patriotic as France or Poland; or thinking that when a Yankee fondly talks about his ‘hometown,’ he means he has no other nation, like a citizen of ancient Athens or Rome. Just as he would be reading a specific type of loyalty into America, we are reading a specific type of loyalty into Asia. There are different kinds of loyalties, but they are not what Westerners mean by being a believer, by trying to be a Christian, or by being a good Protestant or practicing Catholic. In the intellectual realm, it means something much vaguer and filled with doubts and speculations. In the moral realm, it feels much looser and more uncertain. A Persian professor from one of our top universities, who was such a passionate supporter of the East that he practically looked down on the West, told a friend of mine: ‘You will never grasp Oriental religions because you always think of religion as tied to ethics. This kind really has nothing to do with ethics.’ Many of us have encountered some Masters of Higher Wisdom, some Pilgrims on the Path to Power,{271} and some Eastern esoteric saints and visionaries who had nothing to do with ethics. There’s something different, something detached and irresponsible, that colors the moral landscape of Asia and even touches Islam. This was vividly captured in the world of Hassan, and it’s quite a disturbing atmosphere. It’s even clearer in the glimpses we get of the real and ancient cults of Asia. Deeper than metaphysics, far down in the depths of mystical reflections, beneath the solemn universe of spiritual matters, lies a secret, an intangible and dreadful lightness. It doesn’t really matter much what one does. Whether it’s because they don’t believe in a devil, or because they have faith in destiny, or because experiences here mean everything and eternal life is something entirely different, for some reason, they are completely different. I once read that there were three great friends in medieval Persia known for their deep connection. One became the responsible and respected Vizier of the Great King; the second was the poet Omar, a pessimist and hedonist, drinking wine in defiance of Mahomet; the third was the Old Man of the Mountain, who drove his people mad with hashish so they could murder others with daggers. It doesn’t really matter much what one does.

The Sultan in Hassan would have understood all those three men; indeed he was all those three men. But this sort of universalist cannot have what we call a character; it is what we call a chaos. He cannot choose; he cannot fight; he cannot repent; he cannot hope. He is not in the same sense creating something; for creation means rejection. He is not, in our religious phrase, making his soul. For our doctrine of salvation does really mean a labour like that of a man trying to make a statue beautiful; a victory with wings. For that there must be a final choice; for a man cannot make statues without rejecting stone. And there really is this ultimate{272} unmorality behind the metaphysics of Asia. And the reason is that there has been nothing through all those unthinkable ages to bring the human mind sharply to the point; to tell it that the time has come to choose. The mind has lived too much in eternity. The soul has been too immortal; in the special sense that it ignores the idea of mortal sin. It has had too much of eternity, in the sense that it has not had enough of the hour of death and the day of judgment. It is not crucial enough; in the literal sense that it has not had enough of the cross. That is what we mean when we say that Asia is very old. But strictly speaking Europe is quite as old as Asia; indeed in a sense any place is as old as any other place. What we mean is that Europe has not merely gone on growing older. It has been born again.

The Sultan in Hassan would have understood all three of those men; in fact, he embodied all three of them. But someone with this kind of universal perspective can’t really have what we think of as a character; it becomes chaos. He can’t choose; he can’t fight; he can’t repent; he can’t hope. He isn’t creating anything in the same way we do, because creation involves rejection. He isn’t, in our religious terms, making his soul. Our idea of salvation truly involves a struggle similar to a sculptor trying to make a statue beautiful; it’s a victory that takes effort. For that, there must be a final choice; a person can’t create statues without rejecting some stone. There really is this fundamental lack of morality behind the metaphysics of Asia. The reason is that throughout all those unimaginable ages, there hasn’t been anything to force the human mind to focus sharply; nothing to signal that the time has come to make a choice. The mind has been too immersed in eternity. The soul has felt too immortal, in the specific sense that it overlooks the concept of mortal sin. It has experienced too much eternity, meaning it hasn't faced the hour of death and the day of judgment enough. It's not urgent enough; in the literal sense, it hasn’t dealt with the cross enough. That’s what we mean when we say that Asia is very old. However, strictly speaking, Europe is just as old as Asia; in fact, in a way, any place is as old as any other place. What we mean is that Europe hasn't just continued to age. It has been reborn.

Asia is all humanity; as it has worked out its human doom. Asia, in its vast territory, in its varied populations, in its heights of past achievement and its depths of dark speculation, is itself a world; and represents something of what we mean when we speak of the world. It is a cosmos rather than a continent. It is the world as man has made it; and contains many of the most wonderful things that man has made. Therefore Asia stands as the one representative of paganism and the one rival to Christendom. But everywhere else where we get glimpses of that mortal destiny, they suggest stages in the same story. Where Asia trails away into the southern archipelagoes of the savages, or where a darkness full of nameless shapes dwells in the heart of Africa, or where the last survivors of lost races linger in the cold volcano of prehistoric America, it is all the same story; sometimes perhaps later chapters of the same story. It is men entangled in the forest of their own mythology; it is men drowned in the sea of their own metaphysics. Polytheists have grown weary of the wildest of fictions. Monotheists have grown{273} weary of the most wonderful of truths. Diabolists here and there have such a hatred of heaven and earth that they have tried to take refuge in hell. It is the Fall of Man; and it is exactly that fall that was being felt by our own fathers at the first moment of the Roman decline. We also were going down that wide road; down that easy slope; following the magnificent procession of the high civilisations of the world.

Asia embodies all of humanity; it has shaped its own fate. Asia, with its vast land, diverse populations, rich history of achievements, and profound uncertainties, is a world in itself and reflects what we think of when we refer to the world. It's more like a cosmos than just a continent. It's the world created by humanity and is home to some of the most amazing things humans have produced. Thus, Asia represents both paganism and serves as a competitor to Christianity. Yet in every other place, glimpses of human destiny tell parts of the same story. Whether it's Asia blending into the southern islands inhabited by indigenous peoples, a darkness filled with unknown forms in the heart of Africa, or the last remnants of lost cultures in the cold remains of prehistoric America, it all shares the same narrative—perhaps later chapters of the same tale. It’s humanity caught in the tangled web of its own myths; humanity submerged in the depths of its own philosophical explorations. Polytheists have grown tired of their wildest fables. Monotheists have become weary of the most astonishing truths. In some places, those who hate both heaven and earth have sought solace in hell. This is the Fall of Man; the same fall that our ancestors experienced at the onset of Rome's decline. We were also descending that broad path; down that gentle slope; following the grand march of the world’s great civilizations.

If the Church had not entered the world then, it seems probable that Europe would be now very much what Asia is now. Something may be allowed for a real difference of race and environment, visible in the ancient as in the modern world. But after all we talk about the changeless East very largely because it has not suffered the great change. Paganism in its last phase showed considerable signs of becoming equally changeless. This would not mean that new schools or sects of philosophy would not arise; as new schools did arise in Antiquity and do arise in Asia. It does not mean that there would be no real mystics or visionaries; as there were mystics in Antiquity and are mystics in Asia. It does not mean that there would be no social codes, as there were codes in Antiquity and are codes in Asia. It does not mean that there could not be good men or happy lives, for God has given all men a conscience and conscience can give all men a kind of peace. But it does mean that the tone and proportion of all these things, and especially the proportion of good and evil things, would be in the unchanged West what they are in the changeless East. And nobody who looks at that changeless East honestly, and with a real sympathy, can believe that there is anything there remotely resembling the challenge and revolution of the Faith.

If the Church hadn't entered the world back then, it seems likely that Europe would be very similar to Asia today. We can acknowledge some real differences in race and environment, seen both in ancient and modern times. However, we often describe the unchanging East mainly because it hasn't experienced a significant transformation. Paganism in its final phase showed notable signs of becoming just as unchanging. This doesn't mean that new schools or sects of philosophy wouldn't emerge; as new schools appeared in Antiquity and continue to appear in Asia. It also doesn't mean there wouldn't be genuine mystics or visionaries, just like there were mystics in Antiquity and are mystics in Asia. It doesn't imply there would be no social codes, as there were codes in Antiquity and are codes in Asia. It also doesn't mean there couldn't be good people or happy lives, because God has given everyone a conscience, which can provide a sense of peace. But it does mean that the tone and balance of all these things, especially the ratio of good to evil, would be the same in the unchanged West as it is in the unchanging East. And no one who looks at that unchanging East honestly and with real empathy can believe that there is anything there that resembles the challenge and upheaval of the Faith.

In short, if classic paganism had lingered until now, a number of things might well have lingered with it; and they would look very like what we call the religions of the East. There would still be{274} Pythagoreans teaching reincarnation, as there are still Hindus teaching reincarnation. There would still be Stoics making a religion out of reason and virtue, as there are still Confucians making a religion out of reason and virtue. There would still be Neo-Platonists studying transcendental truths, the meaning of which was mysterious to other people and disputed even amongst themselves; as the Buddhists still study a transcendentalism mysterious to others and disputed among themselves. There would still be intelligent Apollonians apparently worshipping the sun-god but explaining that they were worshipping the divine principle; just as there are still intelligent Parsees apparently worshipping the sun but explaining that they are worshipping the deity. There would still be wild Dionysians dancing on the mountain as there are still wild Dervishes dancing in the desert. There would still be crowds of people attending the popular feasts of the gods, in pagan Europe as in pagan Asia. There would still be crowds of gods, local and other, for them to worship. And there would still be a great many more people who worshipped them than people who believed in them. Finally there would still be a very large number of people who did worship gods and did believe in gods; and who believed in gods and worshipped gods simply because they were demons. There would still be Levantines secretly sacrificing to Moloch as there are still Thugs secretly sacrificing to Kalee. There would still be a great deal of magic; and a great deal of it would be black magic. There would still be a considerable admiration of Seneca and a considerable imitation of Nero; just as the exalted epigrams of Confucius could coexist with the tortures of China. And over all that tangled forest of traditions growing wild or withering would brood the broad silence of a singular and even nameless mood; but the nearest name of it is nothing. All these things, good and bad, would have an indescribable air of being too old to die.{275}

In short, if classic paganism had survived until today, many things might have continued with it, and they would resemble what we now refer to as Eastern religions. There would still be{274} Pythagoreans teaching reincarnation, just as there are still Hindus doing the same. There would still be Stoics creating a religion based on reason and virtue, similar to how Confucians still do. There would still be Neo-Platonists exploring transcendental truths, which would remain mysterious to others and debated among themselves, just like Buddhists still engage in a transcendentalism that is enigmatic to outsiders and contested among their own. There would still be thoughtful Apollonians seemingly worshipping the sun-god but explaining that they are actually honoring a divine principle; just as there are still insightful Parsees who appear to worship the sun yet clarify that they are worshipping a deity. There would still be ecstatic Dionysians dancing on the mountains, as there are still wild Dervishes dancing in the desert. Crowds would still gather for the popular feasts of the gods, in pagan Europe and pagan Asia alike. There would still be numerous gods, both local and foreign, for them to venerate. Most importantly, there would be a lot more worshippers than believers. Lastly, there would be many people who worshipped gods and believed in them merely because they were demons. There would still be Levantines secretly sacrificing to Moloch, as there are still Thugs who secretly sacrifice to Kalee. There would still be a lot of magic, much of it dark. There would still be significant admiration for Seneca and notable imitation of Nero, just as the profound sayings of Confucius could exist alongside the tortures in China. And above all that tangled web of traditions, thriving or fading away, would hang a deep silence of a unique and almost nameless mood; but the closest name for it is nothing. All these elements, both good and bad, would have an indescribable essence of being too ancient to die.{275}

None of these things occupying Europe in the absence of Christendom would bear the least likeness to Christendom. Since the Pythagorean Metempsychosis would still be there, we might call it the Pythagorean religion as we talk about the Buddhist religion. As the noble maxims of Socrates would still be there, we might call it the Socratic religion as we talk about the Confucian religion. As the popular holiday was still marked by a mythological hymn to Adonis, we might call it the religion of Adonis as we talk about the religion of Juggernaut. As literature would still be based on the Greek mythology, we might call that mythology a religion, as we call the Hindu mythology a religion. We might say that there were so many thousands or millions of people belonging to that religion, in the sense of frequenting such temples or merely living in a land full of such temples. But if we called the last tradition of Pythagoras or the lingering legend of Adonis by the name of a religion, then we must find some other name for the Church of Christ.

None of these things in Europe without Christendom would resemble Christendom in any way. Since the Pythagorean belief in reincarnation would still exist, we might refer to it as the Pythagorean religion, just as we refer to Buddhism. With the noble teachings of Socrates still present, we could call it the Socratic religion, similar to how we talk about Confucianism. The popular holiday, still celebrated with a mythological hymn to Adonis, could be regarded as the religion of Adonis, just as we refer to the religion of Juggernaut. Literature would still draw from Greek mythology, making it seem like a religion, much like how we categorize Hindu mythology. We could claim there are thousands or millions of followers of that religion, in the sense of attending those temples or simply living in a place filled with them. But if we label the last remnants of Pythagoras or the enduring myth of Adonis as a religion, then we'd need a different name for the Church of Christ.

If anybody says that philosophic maxims preserved through many ages, or mythological temples frequented by many people, are things of the same class and category as the Church, it is enough to answer quite simply that they are not. Nobody thinks they are the same when he sees them in the old civilisation of Greece and Rome; nobody would think they were the same if that civilisation had lasted two thousand years longer and existed at the present day; nobody can in reason think they are the same in the parallel pagan civilisation in the East, as it is at the present day. None of these philosophies or mythologies are anything like a Church; certainly nothing like a Church Militant. And, as I have shown elsewhere, even if this rule were not already proved, the exception would prove the rule. The rule is that pre-Christian or pagan history does not produce a Church Militant; and the exception, or{276} what some would call the exception, is that Islam is at least militant if it is not Church. And that is precisely because Islam is the one religious rival that is not pre-Christian and therefore not in that sense pagan. Islam was a product of Christianity; even if it was a by-product; even if it was a bad product. It was a heresy or parody emulating and therefore imitating the Church. It is no more surprising that Mahomedanism had something of her fighting spirit than that Quakerism had something of her peaceful spirit. After Christianity there are any number of such emulations or extensions. Before it there are none.

If anyone claims that philosophical principles passed down through the ages or mythological temples visited by many people are in the same category as the Church, it's enough to simply say they're not. No one thinks they’re the same when they see them in the ancient civilizations of Greece and Rome; no one would think they were the same if that civilization had lasted another two thousand years and existed today; no one can reasonably think they’re the same as the parallel pagan civilization in the East as it is now. None of these philosophies or mythologies resemble a Church; certainly nothing like a Church Militant. And, as I’ve shown elsewhere, even if this idea weren't already established, the exception would demonstrate the rule. The general rule is that pre-Christian or pagan history does not create a Church Militant; the exception, or what some might call the exception, is that Islam is at least militant, if not a Church. And that’s because Islam is the one religious rival that is *not* pre-Christian, and therefore not pagan in that sense. Islam emerged from Christianity; even if it was a by-product; even if it was a flawed product. It was a heresy or parody emulating and thus imitating the Church. It’s no more surprising that Mahomedanism had some of its fighting spirit than that Quakerism had some of its peaceful spirit. After Christianity, there are countless such emulations or extensions. Before it, there are none.

The Church Militant is thus unique because it is an army marching to effect a universal deliverance. The bondage from which the world is thus to be delivered is something that is very well symbolised by the state of Asia as by the state of pagan Europe. I do not mean merely their moral or immoral state. The missionary, as a matter of fact, has much more to say for himself than the enlightened imagine, even when he says that the heathen are idolatrous and immoral. A touch or two of realistic experience about Eastern religion, even about Moslem religion, will reveal some startling insensibilities in ethics; such as the practical indifference to the line between passion and perversion. It is not prejudice but practical experience which says that Asia is full of demons as well as gods. But the evil I mean is in the mind. And it is in the mind wherever the mind has worked for a long time alone. It is what happens when all dreaming and thinking have come to an end in an emptiness that is at once negation and necessity. It sounds like an anarchy, but it is also a slavery. It is what has been called already the wheel of Asia; all those recurrent arguments about cause and effect or things beginning and ending in the mind, which make it impossible for the soul really to strike out and go anywhere or do anything. And the point is that it{277} is not necessarily peculiar to Asiatics; it would have been true in the end of Europeans—if something had not happened. If the Church Militant had not been a thing marching, all men would have been marking time. If the Church Militant had not endured a discipline, all men would have endured a slavery.

The Church Militant is unique because it's an army working for universal liberation. The bondage from which the world is to be freed is well represented by the conditions in Asia as well as those in pagan Europe. I’m not just talking about their moral or immoral states. The missionary actually has more justification for his actions than many enlightened people assume, even when he claims that the people are idolatrous and immoral. A bit of realistic experience regarding Eastern religions, including Islam, reveals some shocking insensitivities in ethics, like the practical indifference to the difference between passion and perversion. It’s not prejudice but practical experience that shows Asia is filled with both demons and gods. However, the real evil I’m referring to is in the mind. It exists in the mind whenever it has been left to function alone for too long. It’s what occurs when all dreaming and thinking come to an end in a void that is both a negation and a necessity. It may sound like chaos, but it is also a form of slavery. This has been referred to as the wheel of Asia; all those endless debates about cause and effect or beginnings and endings in the mind make it impossible for the soul to truly venture out, go anywhere, or accomplish anything. The important thing is that this situation{277} is not just specific to Asians; it would have eventually been true for Europeans too—if something hadn’t changed. If the Church Militant hadn’t been on the move, everyone would have been stuck in place. If the Church Militant hadn’t gone through discipline, everyone would have faced a kind of slavery.

What that universal yet fighting faith brought into the world was hope. Perhaps the one thing common to mythology and philosophy was that both were really sad; in the sense that they had not this hope even if they had touches of faith or charity. We may call Buddhism a faith; though to us it seems more like a doubt. We may call the Lord of Compassion a Lord of Charity; though it seems to us a very pessimist sort of pity. But those who insist most on the antiquity and size of such cults must agree that in all their ages they have not covered all their areas with that sort of practical and pugnacious hope. In Christendom hope has never been absent; rather it has been errant, extravagant, excessively fixed upon fugitive chances. Its perpetual revolution and reconstruction has at least been an evidence of people being in better spirits. Europe did very truly renew its youth like the eagles; just as the eagles of Rome rose again over the legions of Napoleon, or we have seen soaring but yesterday the silver eagle of Poland. But in the Polish case even revolution always went with religion. Napoleon himself sought a reconciliation with religion. Religion could never be finally separated even from the most hostile of the hopes; simply because it was the real source of the hopefulness. And the cause of this is to be found simply in the religion itself. Those who quarrel about it seldom even consider it in itself. There is neither space nor place for such a full consideration here; but a word may be said to explain a reconciliation that always recurs and still seems to require explanation.

What that universal yet fighting faith brought into the world was hope. Maybe the one thing that mythology and philosophy have in common is that both are really sad; in the sense that they lack this hope even if they have hints of faith or charity. We might call Buddhism a faith; though to us it feels more like a doubt. We might call the Lord of Compassion a Lord of Charity; but it seems to us like a rather pessimistic kind of pity. However, those who emphasize the age and scope of such beliefs must agree that throughout their history they haven't entirely filled their realms with that kind of practical and combative hope. In Christendom, hope has never been missing; rather, it has wandered, been extravagant, and overly focused on fleeting chances. Its constant change and renewal have at least shown that people were in better spirits. Europe truly renewed its youth like the eagles; just as the eagles of Rome rose again over Napoleon's legions, or we recently saw the silver eagle of Poland soaring. But in Poland's case, revolution always accompanied religion. Napoleon himself sought to reconcile with religion. Religion could never be completely separated from even the most hostile of hopes; simply because it was the true source of hopefulness. And the reason for this can be found simply in religion itself. Those who argue about it often don’t even consider it on its own. There is neither space nor time for such a thorough consideration here; but something can be said to clarify a reconciliation that always appears and still seems to need explaining.

There will be no end to the weary debates about{278} liberalising theology, until people face the fact that the only liberal part of it is really the dogmatic part. If dogma is incredible, it is because it is incredibly liberal. If it is irrational, it can only be in giving us more assurance of freedom than is justified by reason. The obvious example is that essential form of freedom which we call free-will. It is absurd to say that a man shows his liberality in denying his liberty. But it is tenable that he has to affirm a transcendental doctrine in order to affirm his liberty. There is a sense in which we might reasonably say that if man has a primary power of choice, he has in that fact a supernatural power of creation, as if he could raise the dead or give birth to the unbegotten. Possibly in that case a man must be a miracle; and certainly in that case he must be a miracle in order to be a man; and most certainly in order to be a free man. But it is absurd to forbid him to be a free man and do it in the name of a more free religion.

There will be no end to the exhausting discussions about{278} liberalizing theology until people confront the fact that the only truly liberal aspect of it is the dogmatic part. If dogma seems unbelievable, it's because it's strikingly liberal. If it's irrational, it can only be due to providing us with more assurance of freedom than reason supports. A clear example is that essential form of freedom we call free will. It's ridiculous to claim that a person demonstrates their liberality by denying their liberty. However, it makes sense to say that they must affirm a higher doctrine to assert their liberty. In a way, we could reasonably argue that if a person has a fundamental ability to choose, that fact gives them a supernatural capacity for creation, as if they could bring the dead back to life or give birth to the unbegotten. In that sense, a person must be a miracle; and without a doubt, they must be a miracle to genuinely be a person, and certainly to be a free person. But it's absurd to prevent someone from being a free person while claiming to promote a more liberated religion.

But it is true in twenty other matters. Anybody who believes at all in God must believe in the absolute supremacy of God. But in so far as that supremacy does allow of any degrees that can be called liberal or illiberal, it is self-evident that the illiberal power is the deity of the rationalists and the liberal power is the deity of the dogmatists. Exactly in proportion as you turn monotheism into monism you turn it into despotism. It is precisely the unknown God of the scientist, with his impenetrable purpose and his inevitable and unalterable law, that reminds us of a Prussian autocrat making rigid plans in a remote tent and moving mankind like machinery. It is precisely the God of miracles and of answered prayers who reminds us of a liberal and popular prince, receiving petitions, listening to parliaments and considering the cases of a whole people. I am not now arguing the rationality of this conception in other respects; as a matter of fact it is not, as some suppose, irrational; for there is nothing irrational in{279} the wisest and most well-informed king acting differently according to the action of those he wishes to save. But I am here only noting the general nature of liberality, or of free or enlarged atmosphere of action. And in this respect it is certain that the king can only be what we call magnanimous if he is what some call capricious. It is the Catholic, who has the feeling that his prayers do make a difference when offered for the living and the dead, who also has the feeling of living like a free citizen in something almost like a constitutional commonwealth. It is the monist who lives under a single iron law who must have the feeling of living like a slave under a sultan. Indeed I believe that the original use of the word suffragium, which we now use in politics for a vote, was that employed in theology about a prayer. The dead in Purgatory were said to have the suffrages of the living. And in this sense, of a sort of right of petition to the supreme ruler, we may truly say that the whole of the Communion of Saints, as well as the whole of the Church Militant, is founded on universal suffrage.

But it's true in twenty other ways. Anyone who believes in God has to believe in God's absolute authority. However, as that authority allows for variations that could be called liberal or illiberal, it's clear that the illiberal force represents the deity of the rationalists, while the liberal force represents the deity of the dogmatists. The more you transform monotheism into monism, the more you turn it into despotism. It's exactly the unknown God of the scientist, with his impenetrable purpose and his inevitable and unchanging laws, that reminds us of a Prussian autocrat making rigid plans in a distant tent and treating humanity like machinery. It's precisely the God of miracles and answered prayers who reminds us of a liberal and popular ruler, receiving petitions, listening to parliaments, and considering the needs of an entire people. I'm not arguing the rationality of this view in other respects; actually, it's not, as some think, irrational; there's nothing irrational about a wise and well-informed king acting differently based on the actions of those he wants to save. But here, I'm only pointing out the general nature of liberality, or the free or expanded space for action. In this regard, it's certain that a king can only be what we call magnanimous if he is also seen as somewhat capricious. It’s the Catholic, who believes that his prayers truly matter when offered for the living and the dead, who also feels like a free citizen in something almost like a constitutional democracy. It’s the monist who lives under a single, strict law who must feel like a slave under a sultan. Indeed, I believe that the original use of the word suffragium, which we now use in politics to mean a vote, was actually a theological term referring to a prayer. The dead in Purgatory were said to have the suffrages of the living. In this sense, as a kind of right to petition the supreme ruler, we can rightly say that the entire Communion of Saints, as well as the whole Church Militant, is based on universal suffrage.

But above all, it is true of the most tremendous issue; of that tragedy which has created the divine comedy of our creed. Nothing short of the extreme and strong and startling doctrine of the divinity of Christ will give that particular effect that can truly stir the popular sense like a trumpet; the idea of the king himself serving in the ranks like a common soldier. By making that figure merely human we make that story much less human. We take away the point of the story which actually pierces humanity; the point of the story which was quite literally the point of a spear. It does not especially humanise the universe to say that good and wise men can die for their opinions; any more than it would be any sort of uproariously popular news in an army that good soldiers may easily get killed. It is no news that King Leonidas is dead any more than that Queen{280} Anne is dead; and men did not wait for Christianity to be men, in the full sense of being heroes. But if we are describing, for the moment, the atmosphere of what is generous and popular and even picturesque, any knowledge of human nature will tell us that no sufferings of the sons of men, or even of the servants of God, strike the same note as the notion of the master suffering instead of his servants. And this is given by the theological and emphatically not by the scientific deity. No mysterious monarch, hidden in his starry pavilion at the base of the cosmic campaign, is in the least like that celestial chivalry of the Captain who carries his five wounds in the front of battle.

But above all, this is true of the most significant issue; of that tragedy which has created the divine comedy of our beliefs. Nothing less than the bold, powerful, and surprising idea of Christ’s divinity will create that particular impact that can genuinely resonate with people like a trumpet; the image of the king himself fighting alongside common soldiers. If we reduce that figure to just being human, we make that story much less relatable. We lose the aspect of the story that truly connects with humanity; the aspect of the story that was literally the point of a spear. It doesn’t really humanize the universe to say that good and wise people can die for their beliefs; it’s no more shocking news in an army that good soldiers can easily get killed. It’s not news that King Leonidas is dead any more than it’s news that Queen Anne is dead; and men didn’t need Christianity to be fully human, in the sense of being heroes. But if we are currently describing the vibe of what is generous, popular, and even picturesque, any understanding of human nature will show us that no suffering of ordinary people, or even of God’s servants, strikes the same chord as the idea of the master suffering instead of his servants. This is presented by theology, and emphatically not by science. No mysterious king, hidden in his starry palace at the edge of the universe’s campaign, resembles that heavenly bravery of the Captain who bears his five wounds at the front lines.

What the denouncer of dogma really means is not that dogma is bad; but rather that dogma is too good to be true. That is, he means that dogma is too liberal to be likely. Dogma gives man too much freedom when it permits him to fall. Dogma gives even God too much freedom when it permits him to die. That is what the intelligent sceptics ought to say; and it is not in the least my intention to deny that there is something to be said for it. They mean that the universe is itself a universal prison; that existence itself is a limitation and a control; and it is not for nothing that they call causation a chain. In a word, they mean quite simply that they cannot believe these things; not in the least that they are unworthy of belief. We say, not lightly but very literally, that the truth has made us free. They say that it makes us so free that it cannot be the truth. To them it is like believing in fairyland to believe in such freedom as we enjoy. It is like believing in men with wings to entertain the fancy of men with wills. It is like accepting a fable about a squirrel in conversation with a mountain to believe in a man who is free to ask or a God who is free to answer. This is a manly and a rational negation, for which I for one shall always show respect. But I decline to{281} show any respect for those who first of all clip the bird and cage the squirrel, rivet the chains and refuse the freedom, close all the doors of the cosmic prison on us with a clang of eternal iron, tell us that our emancipation is a dream and our dungeon a necessity; and then calmly turn round and tell us they have a freer thought and a more liberal theology.

What the critic of dogma really means is not that dogma is bad; it's that dogma is too good to be true. Essentially, they believe dogma is too generous to be realistic. Dogma gives people too much freedom when it allows them to fail. It even gives God too much freedom when it allows Him to die. That’s what intelligent skeptics should argue, and I don't mean to deny that there’s something to support that viewpoint. They think the universe is a kind of universal prison; that existence itself is a limitation and control; it's no surprise they refer to causation as a chain. In short, they simply can’t buy into these ideas; it’s not that they think they’re unworthy of belief. We say, not lightly but very literally, that the truth has set us free. They argue that it makes us so free that it can't possibly be the truth. To them, believing in such freedom as we experience is like believing in fairy tales. It’s like believing in men with wings to entertain the idea of men with wills. It’s like accepting a fable about a squirrel talking to a mountain to believe in a man who can ask or a God who can answer. This is a strong and rational rejection, which I for one will always respect. But I refuse to show any respect for those who first clip the bird and cage the squirrel, fasten the chains and deny freedom, slam all the doors of the cosmic prison shut with a clang of eternal iron, tell us that our liberation is a fantasy and our confinement a necessity; and then calmly turn around and claim they have freer thoughts and a more liberal theology.

The moral of all this is an old one; that religion is revelation. In other words, it is a vision, and a vision received by faith; but it is a vision of reality. The faith consists in a conviction of its reality. That, for example, is the difference between a vision and a day-dream. And that is the difference between religion and mythology. That is the difference between faith and all that fancy-work, quite human and more or less healthy, which we considered under the head of mythology. There is something in the reasonable use of the very word vision that implies two things about it; first that it comes very rarely, possibly that it comes only once; and secondly that it probably comes once and for all. A day-dream may come every day. A day-dream may be different every day. It is something more than the difference between telling ghost-stories and meeting a ghost.

The moral of all this is an old one: religion is revelation. In other words, it’s a vision, and a vision received through faith; but it’s a vision of reality. Faith is a conviction in its reality. That’s, for example, the difference between a vision and a daydream. And that’s the difference between religion and mythology. That’s the difference between faith and all the fanciful ideas, quite human and somewhat healthy, which we discussed under mythology. There’s something in the reasonable use of the word vision that implies two things about it: first, that it comes very rarely, possibly only once; and second, that it probably comes once and for all. A daydream may come every day. A daydream may change every day. It’s more than the difference between telling ghost stories and actually encountering a ghost.

But if it is not a mythology neither is it a philosophy. It is not a philosophy because, being a vision, it is not a pattern but a picture. It is not one of those simplifications which resolve everything into an abstract explanation; as that everything is recurrent; or everything is relative; or everything is inevitable; or everything is illusive. It is not a process but a story. It has proportions, of the sort seen in a picture or a story; it has not the regular repetitions of a pattern or a process; but it replaces them by being convincing as a picture or a story is convincing. In other words, it is exactly, as the phrase goes, like life. For indeed it is life. An example of what is meant here might well be found in the treatment of the problem of evil. It is easy{282} enough to make a plan of life of which the background is black, as the pessimists do; and then admit a speck or two of star-dust more or less accidental, or at least in the literal sense insignificant. And it is easy enough to make another plan on white paper, as the Christian Scientists do, and explain or explain away somehow such dots or smudges as may be difficult to deny. Lastly it is easiest of all, perhaps, to say as the dualists do, that life is like a chess-board in which the two are equal; and can as truly be said to consist of white squares on a black board or of black squares on a white board. But every man feels in his heart that none of these three paper plans is like life; that none of these worlds is one in which he can live. Something tells him that the ultimate idea of a world is not bad or even neutral; staring at the sky or the grass or the truths of mathematics or even a new-laid egg, he has a vague feeling like the shadow of that saying of the great Christian philosopher, St. Thomas Aquinas, ‘Every existence, as such, is good.’ On the other hand, something else tells him that it is unmanly and debased and even diseased to minimise evil to a dot or even a blot. He realises that optimism is morbid. It is if possible even more morbid than pessimism. These vague but healthy feelings, if he followed them out, would result in the idea that evil is in some way an exception but an enormous exception; and ultimately that evil is an invasion or yet more truly a rebellion. He does not think that everything is right or that everything is wrong, or that everything is equally right and wrong. But he does think that right has a right to be right and therefore a right to be there; and wrong has no right to be wrong and therefore no right to be there. It is the prince of the world; but it is also a usurper. So he will apprehend vaguely what the vision will give to him vividly; no less than all that strange story of treason in heaven and the great desertion by which evil damaged and tried{283} to destroy a cosmos that it could not create. It is a very strange story and its proportions and its lines and colours are as arbitrary and absolute as the artistic composition of a picture. It is a vision which we do in fact symbolise in pictures by titanic limbs and passionate tints of plumage; all that abysmal vision of falling stars and the peacock panoplies of the night. But that strange story has one small advantage over the diagrams. It is like life.

But if it’s not mythology, it’s also not philosophy. It’s not philosophy because, as a vision, it’s not a pattern but a picture. It doesn’t simplify everything into an abstract explanation, like saying that everything is repetitive, or everything is relative, or everything is inevitable, or everything is illusory. It’s not a process, but a story. It has proportions like those seen in a picture or a story; it doesn’t have the regular repetitions of a pattern or a process, but it replaces them by being as convincing as a picture or story can be. In other words, it is exactly, as the saying goes, like life. Because it is life. An example of this can be found in the way the problem of evil is tackled. It’s easy enough to create a life plan where the background is dark, like pessimists do, and then admit a few specks of stardust that are more or less accidental or, at least in the literal sense, insignificant. It’s also easy to create another plan on a white background, as Christian Scientists do, and find a way to explain away any dots or smudges that are hard to deny. Lastly, it might even be easiest to say, as dualists do, that life is like a chessboard where both sides are equal; it can just as easily be described as consisting of white squares on a black board or black squares on a white board. But every person feels in their heart that none of these three paper plans resemble life; none of these worlds is one they can inhabit. Something tells them that the ultimate idea of a world is not bad or even neutral; staring at the sky, the grass, the truths of mathematics, or even a fresh egg, they have a vague sense reflecting the idea expressed by the great Christian philosopher, St. Thomas Aquinas, that 'Every existence, as such, is good.' On the other hand, something else tells them that it’s weak and corrupt to minimize evil to just a dot or even a blot. They realize that optimism can be unhealthy. It may even be more unhealthy than pessimism. These vague but healthy feelings, if explored further, might lead to the idea that evil is somehow an exception, but a massive one; and ultimately, that evil is an invasion or, more accurately, a rebellion. They don’t believe that everything is right or everything is wrong, or that everything is equally right and wrong. But they do believe that right has a claim to being right and therefore a claim to exist; and wrong has no claim to being wrong and therefore no claim to exist. It’s the prince of the world; but it’s also a usurper. So, they’ll vaguely understand what the vision reveals to them vividly: the entire strange story of treason in heaven and the great betrayal through which evil harmed and attempted to destroy a cosmos that it could not create. It’s a very strange story, and its proportions, lines, and colors are as arbitrary and absolute as the artistic composition of a picture. It’s a vision that we actually symbolize in images with titanic limbs and passionate colors; all that profound vision of falling stars and the vibrant displays of the night. But that strange story has one small advantage over the diagrams. It’s like life.

Another example might be found, not in the problem of evil, but in what is called the problem of progress. One of the ablest agnostics of the age once asked me whether I thought mankind grew better or grew worse or remained the same. He was confident that the alternative covered all possibilities. He did not see that it only covered patterns and not pictures; processes and not stories. I asked him whether he thought that Mr. Smith of Golder’s Green got better or worse or remained exactly the same between the age of thirty and forty. It then seemed to dawn on him that it would rather depend on Mr. Smith; and how he chose to go on. It had never occurred to him that it might depend on how mankind chose to go on; and that its course was not a straight line or an upward or downward curve, but a track like that of a man across a valley, going where he liked and stopping where he chose, going into a church or falling drunk in a ditch. The life of man is a story; an adventure story; and in our vision the same is true even of the story of God.

Another example can be found, not in the problem of evil, but in what’s known as the problem of progress. One of the smartest agnostics of our time once asked me if I thought humanity was getting better, worse, or staying the same. He was sure that those options covered all the possibilities. He didn't realize that they only covered patterns, not the full picture; processes, not actual stories. I asked him if he thought Mr. Smith from Golder’s Green got better, worse, or stayed the same between the ages of thirty and forty. It began to occur to him that it would depend on Mr. Smith and how he chose to live. It had never crossed his mind that it might depend on how humanity chose to live too; that its path wasn't a straight line or a simple upward or downward trend, but rather like a person walking across a valley, going where he wanted and stopping when he felt like it, whether that meant entering a church or passing out drunk in a ditch. The life of a person is a story; an adventure story; and in our view, the same is true even of the story of God.

The Catholic faith is the reconciliation because it is the realisation both of mythology and philosophy. It is a story and in that sense one of a hundred stories; only it is a true story. It is a philosophy and in that sense one of a hundred philosophies; only it is a philosophy that is like life. But above all, it is a reconciliation because it is something that can only be called the philosophy of stories. That normal narrative instinct which produced all the fairy-tales{284} is something that is neglected by all the philosophies—except one. The Faith is the justification of that popular instinct; the finding of a philosophy for it or the analysis of the philosophy in it. Exactly as a man in an adventure story has to pass various tests to save his life, so the man in this philosophy has to pass several tests and save his soul. In both there is an idea of free will operating under conditions of design; in other words, there is an aim and it is the business of a man to aim at it; we therefore watch to see whether he will hit it. Now this deep and democratic and dramatic instinct is derided and dismissed in all the other philosophies. For all the other philosophies avowedly end where they begin; and it is the definition of a story that it ends differently; that it begins in one place and ends in another. From Buddha and his wheel to Akhen-Aten and his disc, from Pythagoras with his abstraction of number to Confucius with his religion of routine, there is not one of them that does not in some way sin against the soul of a story. There is none of them that really grasps this human notion of the tale, the test, the adventure; the ordeal of the free man. Each of them starves the story-telling instinct, so to speak, and does something to spoil human life considered as a romance; either by fatalism (pessimist or optimist) and that destiny that is the death of adventure; or by indifference and that detachment that is the death of drama; or by a fundamental scepticism that dissolves the actors into atoms; or by a materialistic limitation blocking the vista of moral consequences; or a mechanical recurrence making even moral tests monotonous; or a bottomless relativity making even practical tests insecure. There is such a thing as a human story; and there is such a thing as the divine story which is also a human story. But there is no such thing as a Hegelian story or a Monist story or a relativist story or a determinist story. For every story, yes, even a penny dreadful or a cheap novelette,{285} has something in it that belongs to our universe and not theirs. Every short story does truly begin with creation and end with a last judgment.

The Catholic faith is about reconciliation because it embodies both mythology and philosophy. It's a story, and in that sense, it's one of many stories; but it’s the true story. It’s a philosophy, and in that sense, it’s one of many philosophies; but it’s a philosophy that resonates with life. Most importantly, it’s a reconciliation because it can be described as the philosophy of stories. That natural storytelling instinct that created all the fairy tales{284} is overlooked by nearly all philosophies—except one. The Faith justifies that instinct; it finds a philosophy for it or analyzes the philosophy within it. Just like a character in an adventure story has to overcome various challenges to survive, a person in this philosophy must also pass several tests to save their soul. In both cases, free will operates under certain conditions; in other words, there’s a goal, and it’s up to the person to reach it; we watch to see if they succeed. This profound, democratic, and dramatic instinct is mocked and ignored by all other philosophies. Other philosophies, by their nature, start and finish in the same place; but a story is defined by a different ending—it starts in one place and ends in another. From Buddha and his wheel to Akhen-Aten and his disc, from Pythagoras and his number concept to Confucius and his routines, none truly respects the essence of a story. None grasp the human idea of narrative, challenge, adventure—the trials of a free person. Each one stifles the storytelling instinct, so to speak, and diminishes human life when seen as a romance; either through fatalism (whether pessimistic or optimistic), which kills adventure; or through indifference and detachment, which extinguish drama; or through a fundamental skepticism that breaks actors down into fragments; or through a materialistic view that blocks the vision of moral outcomes; or through a mechanical cycle that makes moral challenges dull; or through a deep relativism that makes practical tests uncertain. There absolutely exists a human story; and there is also a divine story that is a human story. But there is no such thing as a Hegelian story, a Monist story, a relativist story, or a determinist story. Every story, even a simple horror tale or a cheap novel,{285} contains elements that belong to our universe and not to theirs. Every short story indeed begins with creation and ends with a final judgment.

And that is the reason why the myths and the philosophers were at war until Christ came. That is why the Athenian democracy killed Socrates out of respect for the gods; and why every strolling sophist gave himself the airs of a Socrates whenever he could talk in a superior fashion of the gods; and why the heretic Pharaoh wrecked his huge idols and temples for an abstraction and why the priests could return in triumph and trample his dynasty under foot; and why Buddhism had to divide itself from Brahminism, and why in every age and country outside Christendom there has been a feud for ever between the philosopher and the priest. It is easy enough to say that the philosopher is generally the more rational; it is easier still to forget that the priest is always the more popular. For the priest told the people stories; and the philosopher did not understand the philosophy of stories. It came into the world with the story of Christ.

And that is why the myths and the philosophers fought until Christ arrived. That's why the Athenian democracy executed Socrates out of reverence for the gods; and why every wandering sophist acted like Socrates whenever he could speak arrogantly about the gods; and why the heretic Pharaoh destroyed his massive idols and temples for an idea, allowing the priests to return in triumph and crush his dynasty; and why Buddhism had to separate from Brahminism, and why in every age and country outside Christendom there has always been a conflict between the philosopher and the priest. It's easy to claim that the philosopher is usually the more rational one; it's even easier to forget that the priest is always the more popular. The priest shared stories with the people, while the philosopher didn't grasp the philosophy behind those stories. It all began with the story of Christ.

And this is why it had to be a revelation or vision given from above. Any one who will think of the theory of stories or pictures will easily see the point. The true story of the world must be told by somebody to somebody else. By the very nature of a story it cannot be left to occur to anybody. A story has proportions, variations, surprises, particular dispositions, which cannot be worked out by rule in the abstract, like a sum. We could not deduce whether or no Achilles would give back the body of Hector from a Pythagorean theory of number or recurrence; and we could not infer for ourselves in what way the world would get back the body of Christ, merely from being told that all things go round and round upon the wheel of Buddha. A man might perhaps work out a proposition of Euclid without having heard of Euclid; but he would not work out the precise legend{286} of Eurydice without having heard of Eurydice. At any rate he would not be certain how the story would end and whether Orpheus was ultimately defeated. Still less could he guess the end of our story; or the legend of our Orpheus rising, not defeated, from the dead.

And this is why it had to be a revelation or vision given from above. Anyone who thinks about storytelling or imagery can easily see the point. The true story of the world must be shared by one person with another. By its very nature, a story can’t just happen to anyone. A story has proportions, variations, surprises, and specific arrangements that can’t be figured out in an abstract way, like solving a math problem. We couldn’t deduce whether Achilles would return Hector’s body based on some Pythagorean theory of numbers or cycles; nor could we figure out how the world would retrieve the body of Christ simply by being told that everything goes round and round on the wheel of Buddha. A person might work out a proposition from Euclid without ever having heard of him; but they wouldn’t be able to work out the exact legend{286} of Eurydice without knowing about Eurydice. At least, they wouldn’t be sure how the story would end or whether Orpheus was ultimately defeated. Even less could they guess the ending of our story or the legend of our Orpheus rising, not defeated, from the dead.

To sum up; the sanity of the world was restored and the soul of man offered salvation by something which did indeed satisfy the two warring tendencies of the past; which had never been satisfied in full and most certainly never satisfied together. It met the mythological search for romance by being a story and the philosophical search for truth by being a true story. That is why the ideal figure had to be a historical character, as nobody had ever felt Adonis or Pan to be a historical character. But that is also why the historical character had to be the ideal figure; and even fulfil many of the functions given to these other ideal figures; why he was at once the sacrifice and the feast, why he could be shown under the emblems of the growing vine or the rising sun. The more deeply we think of the matter the more we shall conclude that, if there be indeed a God, his creation could hardly have reached any other culmination than this granting of a real romance to the world. Otherwise the two sides of the human mind could never have touched at all; and the brain of man would have remained cloven and double; one lobe of it dreaming impossible dreams and the other repeating invariable calculations. The picture-makers would have remained for ever painting the portrait of nobody. The sages would have remained for ever adding up numerals that came to nothing. It was that abyss that nothing but an incarnation could cover; a divine embodiment of our dreams; and he stands above that chasm whose name is more than priest and older even than Christendom; Pontifex Maximus, the mightiest maker of a bridge.

To sum it up, the world's sanity was restored, and humanity found salvation through something that truly satisfied the two opposing tendencies from the past, which had never been fully satisfied and certainly never satisfied together. It fulfilled the mythological quest for romance by being a story and the philosophical quest for truth by being a true story. That’s why the ideal figure needed to be a historical character, as no one ever perceived Adonis or Pan as real figures. But that’s also why the historical character had to be the ideal figure, fulfilling many of the roles attributed to those other ideal figures; why he was both the sacrifice and the feast, and why he could be represented by symbols like the growing vine or the rising sun. The more we contemplate this, the more we conclude that, if there is indeed a God, his creation could hardly have reached any other climax than this granting of real romance to the world. Otherwise, the two sides of the human mind could never have connected; the human brain would have remained split and dual; one part dreaming impossible dreams while the other stuck to rigid calculations. Artists would have been forever painting the portrait of nobody. Philosophers would have continuously summed up numbers that added up to nothing. It was that abyss that nothing but an incarnation could bridge; a divine embodiment of our dreams; and he stands above that chasm, whose name is more than just priest and even older than Christianity; Pontifex Maximus, the greatest builder of a bridge.

But even with that we return to the more specially{287} Christian symbol in the same tradition; the perfect pattern of the keys. This is a historical and not a theological outline, and it is not my duty here to defend in detail that theology, but merely to point out that it could not even be justified in design without being justified in detail—like a key. Beyond the broad suggestion of this chapter I attempt no apologetic about why the creed should be accepted. But in answer to the historical query of why it was accepted, and is accepted, I answer for millions of others in my reply; because it fits the lock; because it is like life. It is one among many stories; only it happens to be a true story. It is one among many philosophies; only it happens to be the truth. We accept it; and the ground is solid under our feet and the road is open before us. It does not imprison us in a dream of destiny or a consciousness of the universal delusion. It opens to us not only incredible heavens, but what seems to some an equally incredible earth, and makes it credible. This is the sort of truth that is hard to explain because it is a fact; but it is a fact to which we can call witnesses. We are Christians and Catholics not because we worship a key, but because we have passed a door; and felt the wind that is the trumpet of liberty blow over the land of the living.{288}

But even with that, we go back to the more specific{287} Christian symbol in the same tradition: the perfect pattern of the keys. This is a historical outline rather than a theological one, and it's not my job here to defend that theology in detail, but just to point out that it couldn't even be justified in design without being justified in detail—like a key. Beyond the broad suggestion of this chapter, I make no argument about why the creed should be accepted. But in response to the historical question of why it was accepted, and is accepted, I speak for millions of others in my reply: because it fits the lock; because it resonates with life. It’s one of many stories; it just happens to be a true story. It's one of many philosophies; it just happens to be the truth. We embrace it; the ground is solid beneath us, and the path is clear ahead. It doesn't trap us in a dream of destiny or a belief in universal delusion. It reveals to us not only incredible heavens, but what seems to some an equally incredible earth, and makes it believable. This kind of truth is hard to explain because it is a fact; yet it's a fact we can call witnesses to. We are Christians and Catholics not because we worship a key, but because we have passed through a door; and felt the wind that is the trumpet of liberty blow over the land of the living.{288}

CHAPTER VI

THE FIVE DEATHS OF THE FAITH

It is not the purpose of this book to trace the subsequent history of Christianity, especially the later history of Christianity; which involves controversies of which I hope to write more fully elsewhere. It is devoted only to the suggestion that Christianity, appearing amid heathen humanity, had all the character of a unique thing and even of a supernatural thing. It was not like any of the other things; and the more we study it the less it looks like any of them. But there is a certain rather peculiar character which marked it henceforward even down to the present moment, with a note on which this book may well conclude.

It is not the aim of this book to outline the later history of Christianity, especially the controversies that arose, which I plan to discuss in more detail elsewhere. This book is focused solely on the idea that Christianity, emerging in a pagan world, was truly unique and even had a supernatural aspect. It was unlike anything else, and the deeper we investigate it, the more distinct it appears. However, there is a certain unique quality that has defined it up to the present day, which serves as a fitting conclusion for this book.

I have said that Asia and the ancient world had an air of being too old to die. Christendom has had the very opposite fate. Christendom has had a series of revolutions and in each one of them Christianity has died. Christianity has died many times and risen again; for it had a god who knew the way out of the grave. But the first extraordinary fact which marks this history is this: that Europe has been turned upside down over and over again; and that at the end of each of these revolutions the same religion has again been found on top. The Faith is always converting the age, not as an old religion but as a new religion. This truth is hidden from many by a convention that is too little noticed. Curiously enough, it is a convention of the sort which those who ignore it claim especially to detect and denounce. They are always telling us that priests and ceremonies{289} are not religion and that religious organisation can be a hollow sham; but they hardly realise how true it is. It is so true that three or four times at least in the history of Christendom the whole soul seemed to have gone out of Christianity; and almost every man in his heart expected its end. This fact is only masked in medieval and other times by that very official religion which such critics pride themselves on seeing through. Christianity remained the official religion of a Renaissance prince or the official religion of an eighteenth-century bishop, just as an ancient mythology remained the official religion of Julius Caesar or the Arian creed long remained the official religion of Julian the Apostate. But there was a difference between the cases of Julius and of Julian; because the Church had begun its strange career. There was no reason why men like Julius should not worship gods like Jupiter for ever in public and laugh at them for ever in private. But when Julian treated Christianity as dead, he found it had come to life again. He also found, incidentally, that there was not the faintest sign of Jupiter ever coming to life again. This case of Julian and the episode of Arianism is but the first of a series of examples that can only be roughly indicated here. Arianism, as has been said, had every human appearance of being the natural way in which that particular superstition of Constantine might be expected to peter out. All the ordinary stages had been passed through; the creed had become a respectable thing, had become a ritual thing, had then been modified into a rational thing; and the rationalists were ready to dissipate the last remains of it, just as they do to-day. When Christianity rose again suddenly and threw them, it was almost as unexpected as Christ rising from the dead. But there are many other examples of the same thing, even about the same time. The rush of missionaries from Ireland, for instance, has all the air of an unexpected onslaught of young men on an old{290} world, and even on a Church that showed signs of growing old. Some of them were martyred on the coast of Cornwall; and the chief authority on Cornish antiquities told me that he did not believe for a moment that they were martyred by heathens but (as he expressed it with some humour) ‘by rather slack Christians.’

I’ve mentioned that Asia and the ancient world seem too old to fade away. Christendom has had a completely different experience. Christendom has gone through a series of revolutions, and during each of them, Christianity has effectively died. Christianity has died many times and come back to life; after all, it had a God who knew how to escape from the grave. The first notable fact in this history is that Europe has been turned upside down repeatedly, and at the end of each of these revolutions, the same religion is found back on top. The Faith continually reshapes the times, not as an outdated religion but as a new one. Many people overlook this truth due to a widely ignored convention. Interestingly, this is a convention that those who claim to see through it tend to criticize. They frequently tell us that priests and rituals{289} aren't true religion and that the structure of religion can be a hollow facade; yet they hardly realize how accurate that is. It’s so true that at least three or four times in the history of Christendom, it seemed like the very essence of Christianity had vanished; and nearly every person expected its demise in their hearts. This reality is only obscured in medieval and earlier times by that very official religion which these critics take pride in seeing through. Christianity stayed the official religion of a Renaissance prince or an eighteenth-century bishop, just as an ancient mythology remained the official religion of Julius Caesar or the Arian creed held its position for a long time under Julian the Apostate. However, there was a difference between Julius and Julian; the Church had started its unusual journey. There was no reason for people like Julius to not worship gods like Jupiter publicly and mock them privately forever. But when Julian regarded Christianity as dead, he discovered that it had come back to life. He also found, by the way, that there was no sign of Jupiter ever coming back to life. Julian's situation and the episode of Arianism is just one of the first examples of a pattern that can only be roughly outlined here. Arianism, as mentioned, appeared to be the natural conclusion of the particular superstition of Constantine. All the usual stages had been gone through; the creed had become respectable, had turned into a ritual, and then been altered into a rational belief; the rationalists were ready to eliminate the last remnants of it, just like they do today. When Christianity suddenly surged back and overwhelmed them, it was almost as surprising as Christ rising from the dead. But there are many more instances of this happening, even around the same period. For example, the wave of missionaries from Ireland felt like a surprising attack of young men on an aging{290} world, even targeting a Church that was showing its signs of age. Some of them were martyred on the coast of Cornwall, and the leading expert on Cornish history told me that he didn’t believe for a second that they were martyred by heathens but (as he humorously put it) ‘by rather slack Christians.’

Now if we were to dip below the surface of history, as it is not in the scope of this argument to do, I suspect that we should find several occasions when Christendom was thus to all appearance hollowed out from within by doubt and indifference, so that only the old Christian shell stood as the Pagan shell had stood so long. But the difference is that in every such case, the sons were fanatical for the faith where the fathers had been slack about it. This is obvious in the case of the transition from the Renaissance to the Counter-Reformation. It is obvious in the case of a transition from the eighteenth century to the many Catholic revivals of our own time. But I suspect many other examples which would be worthy of separate studies.

Now, if we were to dig deeper into history, which isn't the focus of this discussion, I believe we would find several times when Christianity seemed to be hollowed out from within by doubt and apathy, leaving only the old Christian framework just like the old Pagan one that had stood for so long. However, the key difference is that in every instance, the next generation was passionate about the faith where the previous one had been indifferent. This is clear during the shift from the Renaissance to the Counter-Reformation. It’s also evident during the transition from the eighteenth century to the various Catholic revivals happening today. But I suspect there are many other examples that would deserve individual exploration.

The Faith is not a survival. It is not as if the Druids had managed somehow to survive somewhere for two thousand years. That is what might have happened in Asia or ancient Europe, in that indifference or tolerance in which mythologies and philosophies could live for ever side by side. It has not survived; it has returned again and again in this western world of rapid change and institutions perpetually perishing. Europe, in the tradition of Rome, was always trying revolution and reconstruction; rebuilding a universal republic. And it always began by rejecting this old stone and ended by making it the head of the corner; by bringing it back from the rubbish-heap to make it the crown of the capitol. Some stones of Stonehenge are standing and some are fallen; and as the stone falleth so shall it lie. There has not been a Druidic renaissance every{291} century or two, with the young Druids crowned with fresh mistletoe, dancing in the sun on Salisbury Plain. Stonehenge has not been rebuilt in every style of architecture from the rude round Norman to the last rococo of the Baroque. The sacred place of the Druids is safe from the vandalism of restoration.

The Faith isn't about survival. It's not like the Druids somehow managed to stick around for two thousand years. That might have been the case in Asia or ancient Europe, where mythologies and philosophies could live together in indifference or tolerance for ages. It hasn't survived; instead, it has reemerged repeatedly in this rapidly changing western world where institutions are always fading away. Europe, following the tradition of Rome, constantly tried out revolutions and rebuildings, aiming for a universal republic. It always started by rejecting this old stone and ended by making it the cornerstone; taking it from the trash heap and making it the centerpiece of the capital. Some stones of Stonehenge are still standing while others have fallen; and just as the stone falls, so shall it lie. There hasn't been a Druidic renaissance every{291} century or two, with young Druids crowned with fresh mistletoe, dancing in the sun on Salisbury Plain. Stonehenge hasn't been rebuilt in every architectural style from the rough Norman to the intricate rococo of the Baroque. The sacred place of the Druids is safe from the damage of restoration.

But the Church in the West was not in a world where things were too old to die; but in one in which they were always young enough to get killed. The consequence was that superficially and externally it often did get killed; nay, it sometimes wore out even without getting killed. And there follows a fact I find it somewhat difficult to describe, yet which I believe to be very real and rather important. As a ghost is the shadow of a man, and in that sense the shadow of life, so at intervals there passed across this endless life a sort of shadow of death. It came at the moment when it would have perished had it been perishable. It withered away everything that was perishable. If such animal parallels were worthy of the occasion, we might say that the snake shuddered and shed a skin and went on, or even that the cat went into convulsions as it lost only one of its nine-hundred-and-ninety-nine lives. It is truer to say, in a more dignified image, that a clock struck and nothing happened; or that a bell tolled for an execution that was everlastingly postponed.

But the Church in the West wasn't in a situation where things were too old to die; it was in one where they were always young enough to be destroyed. As a result, it often seemed to get destroyed on the surface and externally; indeed, it sometimes faded away even without being outright killed. There’s a reality that I find hard to articulate, yet I believe it to be very real and quite significant. Just as a ghost is the shadow of a person, and thus a shadow of life, there occasionally passed across this endless existence a kind of shadow of death. It appeared at the moment when it would have perished had it been capable of dying. It drained away everything that was perishable. If we were to use animal comparisons appropriate for the situation, we might say that the snake shuddered and shed its skin and moved on, or even that the cat went into convulsions as it lost just one of its nine-hundred-and-ninety-nine lives. It's more accurate, in a more dignified way, to say that a clock struck and nothing happened; or that a bell tolled for an execution that was always being postponed.

What was the meaning of all that dim but vast unrest of the twelfth century; when, as it has been so finely said, Julian stirred in his sleep? Why did there appear so strangely early, in the twilight of dawn after the Dark Ages, so deep a scepticism as that involved in urging nominalism against realism? For realism against nominalism was really realism against rationalism, or something more destructive than what we call rationalism. The answer is that just as some might have thought the Church simply a part of the Roman Empire, so others later might have thought the Church only a part of the Dark{292} Ages. The Dark Ages ended as the Empire had ended; and the Church should have departed with them, if she had been also one of the shades of night. It was another of those spectral deaths or simulations of death. I mean that if nominalism had succeeded, it would have been as if Arianism had succeeded; it would have been the beginning of a confession that Christianity had failed. For nominalism is a far more fundamental scepticism than mere atheism. Such was the question that was openly asked as the Dark Ages broadened into that daylight that we call the modern world. But what was the answer? The answer was Aquinas in the chair of Aristotle, taking all knowledge for his province; and tens of thousands of lads, down to the lowest ranks of peasant and serf, living in rags and on crusts about the great colleges, to listen to the scholastic philosophy.

What was the significance of all that vague but widespread unrest of the twelfth century, when, as has been beautifully stated, Julian stirred in his sleep? Why did such deep skepticism emerge so early, in the dawn after the Dark Ages, especially in the debate between nominalism and realism? Because realism versus nominalism was really realism versus rationalism, or something even more destructive than what we call rationalism. The answer is that just as some people believed the Church was simply a part of the Roman Empire, others later thought the Church was just a remnant of the Dark Ages. The Dark Ages ended just like the Empire did; and the Church should have faded away with them if it was merely a shadow of the night. It was another of those ghostly deaths or pretensions of death. What I mean is that if nominalism had triumphed, it would have been like Arianism succeeding; it would have marked the start of admitting that Christianity had failed. Nominalism represents a much deeper skepticism than simple atheism. Such was the question openly posed as the Dark Ages transitioned into what we now call the modern world. But what was the answer? The answer was Aquinas in the chair of Aristotle, claiming all knowledge as his domain; and tens of thousands of young men, even the poorest peasants and serfs, living in rags and surviving on scraps, flocking to the great colleges to hear the scholastic philosophy.

What was the meaning of all that whisper of fear that ran round the West under the shadow of Islam, and fills every old romance with incongruous images of Saracen knights swaggering in Norway or the Hebrides? Why were men in the extreme West, such as King John if I remember rightly, accused of being secretly Moslems, as men are accused of being secretly atheists? Why was there that fierce alarm among some of the authorities about the rationalistic Arab version or Aristotle? Authorities are seldom alarmed like that except when it is too late. The answer is that hundreds of people probably believed in their hearts that Islam would conquer Christendom; that Averroes was more rational than Anselm; that the Saracen culture was really, as it was superficially, a superior culture. Here again we should probably find a whole generation, the older generation, very doubtful and depressed and weary. The coming of Islam would only have been the coming of Unitarianism a thousand years before its time. To many it may have seemed quite reasonable and quite probable and quite likely to happen. If so, they would have{293} been surprised at what did happen. What did happen was a roar like thunder from thousands and thousands of young men, throwing all their youth into one exultant counter-charge; the Crusades. It was the sons of St. Francis, the Jugglers of God, wandering singing over all the roads of the world; it was the Gothic going up like a flight of arrows; it was the waking of the world. In considering the war of the Albigensians, we come to the breach in the heart of Europe and the landslide of a new philosophy that nearly ended Christendom for ever. In that case the new philosophy was also a very new philosophy; it was pessimism. It was none the less like modern ideas because it was as old as Asia; most modern ideas are. It was the Gnostics returning; but why did the Gnostics return? Because it was the end of an epoch, like the end of the Empire; and should have been the end of the Church. It was Schopenhauer hovering over the future; but it was also Manichaeus rising from the dead; that men might have death and that they might have it more abundantly.

What was the meaning of all that fear that spread across the West under the influence of Islam, filling every old romance with strange images of Saracen knights strutting around in Norway or the Hebrides? Why were people in the far West, like King John if I remember correctly, accused of secretly being Muslims, similar to how people are sometimes accused of being secretly atheists? Why was there such intense worry among some authorities about the rational Arab interpretation of Aristotle? Authorities typically don't get that alarmed unless it’s already too late. The answer is that hundreds of people probably believed deep down that Islam would overtake Christendom; that Averroes was more rational than Anselm; that Saracen culture was genuinely, as it appeared, a superior culture. Here again, we would likely find an entire generation, the older generation, feeling doubtful, depressed, and weary. The rise of Islam would have only been the rise of Unitarianism a thousand years ahead of its time. To many, it might have seemed quite reasonable, likely, and possible. If that was the case, they would have been surprised at what actually happened. What happened was a thunderous roar from thousands of young men, channeling all their youthful energy into one triumphant countercharge: the Crusades. It was the sons of St. Francis, the Jugglers of God, wandering and singing along all the roads of the world; it was the Gothic spirit rising like a volley of arrows; it was the awakening of the world. In looking at the war of the Albigensians, we encounter a fracture at the heart of Europe and the onset of a new philosophy that almost led to the permanent downfall of Christendom. In that instance, the new philosophy was also something very recent; it was pessimism. It was no less similar to modern ideas just because it was as old as Asia; most modern ideas are. It marked the return of the Gnostics; but why did the Gnostics return? Because it was the end of an era, much like the fall of the Empire; and it should have signaled the end of the Church. It was Schopenhauer looming over the future; but it was also Manichaeus coming back to life; that people might experience death and have it more abundantly.

It is rather more obvious in the case of the Renaissance, simply because the period is so much nearer to us and people know so much more about it. But there is more even in that example than most people know. Apart from the particular controversies which I wish to reserve for a separate study, the period was far more chaotic than those controversies commonly imply. When Protestants call Latimer a martyr to Protestantism, and Catholics reply that Campion was a martyr to Catholicism, it is often forgotten that many perished in such persecutions who could only be described as martyrs to atheism or anarchism or even diabolism. That world was almost as wild as our own; the men wandering about in it included the sort of man who says there is no God, the sort of man who says he is himself God, the sort of man who says something that nobody can make head or{294} tail of. If we could have the conversation of the age following the Renaissance, we should probably be shocked by its shameless negations. The remarks attributed to Marlowe are probably pretty typical of the talk in many intellectual taverns. The transition from Pre-Reformation to Post-Reformation Europe was through a void of very yawning questions; yet again in the long run the answer was the same. It was one of those moments when, as Christ walked on the water, so was Christianity walking in the air.

It's a lot clearer when you look at the Renaissance, mainly because it’s so much closer to us and people know much more about it. But there's actually more to it than what most people realize. Setting aside the specific controversies that I want to analyze separately, that period was way more chaotic than those debates suggest. When Protestants call Latimer a martyr for Protestantism, and Catholics claim Campion was a martyr for Catholicism, it’s often overlooked that many who died in those persecutions could only be seen as martyrs for atheism, anarchism, or even devil worship. That world was almost as wild as ours; it had people who claimed there is no God, people who insisted they themselves are God, and people who said things that made no sense at all. If we could listen in on the conversations of the time after the Renaissance, we would probably be shocked by their blatant denials. The comments attributed to Marlowe likely reflect the discussions in many intellectual pubs. The shift from Pre-Reformation to Post-Reformation Europe was filled with huge, unanswered questions; yet over time, the answer remained the same. It was one of those times when, just as Christ walked on water, Christianity seemed to float in the air.

But all these cases are remote in date and could only be proved in detail. We can see the fact much more clearly in the case when the paganism of the Renaissance ended Christianity and Christianity unaccountably began all over again. But we can see it most clearly of all in the case which is close to us and full of manifest and minute evidence; the case of the great decline of religion that began about the time of Voltaire. For indeed it is our own case; and we ourselves have seen the decline of that decline. The two hundred years since Voltaire do not flash past us at a glance like the fourth and fifth centuries or the twelfth and thirteenth centuries. In our own case we can see this oft-repeated process close at hand; we know how completely a society can lose its fundamental religion without abolishing its official religion; we know how men can all become agnostics long before they abolish bishops. And we know that also in this last ending, which really did look to us like the final ending, the incredible thing has happened again; the Faith has a better following among the young men than among the old. When Ibsen spoke of the new generation knocking at the door, he certainly never expected that it would be the church-door.

But all these cases are from a long time ago and would require detailed proof. We understand the situation much more clearly when we look at how Renaissance paganism faded, only for Christianity to surprisingly reemerge. However, we can see it most clearly in our own time, particularly during the significant decline of religion that began around the time of Voltaire. This is indeed our own experience, and we have witnessed the decline of that decline. The two hundred years since Voltaire don't just flash by like the fourth and fifth centuries or the twelfth and thirteenth centuries. In our own case, we can observe this recurring process up close; we understand how a society can completely lose its core faith without getting rid of its official religion; we see how people can become agnostics long before they eliminate bishops. And we also see that, in this last conclusion—which truly felt like the ultimate conclusion—the astonishing has happened again; the Faith actually has more followers among young people than among the older generations. When Ibsen talked about the new generation knocking on the door, he certainly never anticipated that it would be the church door.

At least five times, therefore, with the Arian and the Albigensian, with the Humanist sceptic, after Voltaire and after Darwin, the Faith has to all appearance gone to the dogs. In each of these five{295} cases it was the dog that died. How complete was the collapse and how strange the reversal, we can only see in detail in the case nearest to our own time.

At least five times, then, with the Arian and the Albigensian, with the Humanist skeptic, after Voltaire and after Darwin, the Faith has seemingly fallen apart. In each of these five{295} instances, it was the dog that actually passed away. How total the collapse was and how unusual the turnaround, we can only fully understand by looking closely at the case closest to our own time.

A thousand things have been said about the Oxford Movement and the parallel French Catholic revival; but few have made us feel the simplest fact about it; that it was a surprise. It was a puzzle as well as a surprise; because it seemed to most people like a river turning backwards from the sea and trying to climb back into the mountains. To have read the literature of the eighteenth and nineteenth centuries is to know that nearly everybody had come to take it for granted that religion was a thing that would continually broaden like a river, till it reached an infinite sea. Some of them expected it to go down in a cataract of catastrophe, most of them expected it to widen into an estuary of equality and moderation; but all of them thought its returning on itself a prodigy as incredible as witchcraft. In other words, most moderate people thought that faith like freedom would be slowly broadened down; and some advanced people thought that it would be very rapidly broadened down, not to say flattened out. All that world of Guizot and Macaulay and the commercial and scientific liberality was perhaps more certain than any men before or since about the direction in which the world is going. People were so certain about the direction that they only differed about the pace. Many anticipated with alarm, and a few with sympathy, a Jacobin revolt that should guillotine the Archbishop of Canterbury or a Chartist riot that should hang the parsons on the lamp-posts. But it seemed like a convulsion in nature that the Archbishop instead of losing his head should be looking for his mitre; and that instead of diminishing the respect due to parsons we should strengthen it to the respect due to priests. It revolutionised their very vision of revolution; and turned their very topsyturvydom topsy-turvy.{296}

A lot has been said about the Oxford Movement and the similar revival of Catholicism in France, but few have captured the basic truth about it: it was unexpected. It was puzzling as well as surprising because to most people, it felt like a river flowing backward from the sea, attempting to reach the mountains again. Reading the literature from the eighteenth and nineteenth centuries makes it clear that nearly everyone had come to simply accept that religion would keep expanding like a river until it arrived at an infinite sea. Some expected it to crash down dramatically, while most thought it would eventually evolve into a broad area of equality and moderation; but everyone considered its reversal a marvel as astonishing as witchcraft. In other words, most moderate individuals believed that faith, like freedom, would gradually expand; and some progressive thinkers believed it would broaden quickly, even flatten out. That world of Guizot, Macaulay, and the commercial and scientific openness was perhaps more convinced than anyone before or since about the direction in which the world was heading. People were so confident about the direction that they only disagreed about the speed. Many anticipated with concern, and a few with understanding, a violent uprising that could lead to the Archbishop of Canterbury facing execution, or a Chartist rebellion that might see clergy hanged from lamp-posts. But it felt like a natural disaster that the Archbishop, instead of losing his head, was searching for his mitre; and rather than reducing respect for clergy, we ended up enhancing the respect due to priests. It changed their entire perspective on revolution and flipped their chaotic ideas upside down.{296}

In short, the whole world being divided about whether the stream was going slower or faster, became conscious of something vague but vast that was going against the stream. Both in fact and figure there is something deeply disturbing about this, and that for an essential reason. A dead thing can go with the stream, but only a living thing can go against it. A dead dog can be lifted on the leaping water with all the swiftness of a leaping hound; but only a live dog can swim backwards. A paper boat can ride the rising deluge with all the airy arrogance of a fairy ship; but if the fairy ship sails upstream it is really rowed by the fairies. And among the things that merely went with the tide of apparent progress and enlargement, there was many a demagogue or sophist whose wild gestures were in truth as lifeless as the movement of a dead dog’s limbs wavering in the eddying water; and many a philosophy uncommonly like a paper boat, of the sort that it is not difficult to knock into a cocked hat. But even the truly living and even life-giving things that went with that stream did not thereby prove that they were living or life-giving. It was this other force that was unquestionably and unaccountably alive; the mysterious and unmeasured energy that was thrusting back the river. That was felt to be like the movement of some great monster; and it was none the less clearly a living monster because most people thought it a prehistoric monster. It was none the less an unnatural, an incongruous, and to some a comic upheaval; as if the Great Sea Serpent had suddenly risen out of the Round Pond—unless we consider the Sea Serpent as more likely to live in the Serpentine. This flippant element in the fantasy must not be missed, for it was one of the clearest testimonies to the unexpected nature of the reversal. That age did really feel that a preposterous quality in prehistoric animals belonged also to historic rituals; that mitres and tiaras were like the horns or crests of antediluvian creatures; and{297} that appealing to a Primitive Church was like dressing up as a Primitive Man.

In short, the whole world was split on whether the stream was flowing slower or faster, becoming aware of something vague yet immense that was pushing against the current. Both in reality and in representation, there's something deeply unsettling about this, and for a fundamental reason. A dead thing can drift with the current, but only a living thing can swim against it. A dead dog can be swept along by the rushing water just as quickly as a leaping hound; but only a live dog can swim backward. A paper boat can float on the rising waters with all the lightness of a fairy ship; but if the fairy ship sails upstream, it’s actually being rowed by fairies. Among the things that simply went along with the tide of apparent progress and expansion, there were many demagogues or sophists whose wild gestures were really as lifeless as the limbs of a dead dog flailing in swirling water; and many philosophies that resembled a paper boat, the kind that can be easily toppled. But even the truly living and life-giving things that flowed with that stream didn’t necessarily prove they were alive or life-giving. It was this other force that was unquestionably and inexplicably alive; the mysterious and immeasurable energy that was pushing the river back. It felt like the movement of some enormous creature; and it was clearly a living creature even if most people thought it was a prehistoric one. It was still an unnatural, incongruous, and to some, a comically chaotic upheaval; as if the Great Sea Serpent had suddenly emerged from the Round Pond—unless we consider that the Sea Serpent might be more at home in the Serpentine. This playful element in the fantasy shouldn’t be overlooked, as it was one of the clearest signals of the unexpected reversal. That era truly felt that a ridiculous quality present in prehistoric animals also belonged to historic rituals; that mitres and tiaras were like the horns or crests of ancient creatures; and{297} that appealing to a Primitive Church was like dressing up as a Primitive Man.

The world is still puzzled by that movement; but most of all because it still moves. I have said something elsewhere of the rather random sort of reproaches that are still directed against it and its much greater consequences; it is enough to say here that the more such critics reproach it the less they explain it. In a sense it is my concern here, if not to explain it, at least to suggest the direction of the explanation; but above all, it is my concern to point out one particular thing about it. And that is that it had all happened before; and even many times before.

The world is still confused by that movement, especially because it keeps going. I've mentioned before the somewhat random criticisms that are still aimed at it and its much bigger impacts; it’s enough to note that the more critics complain about it, the less they actually explain it. My goal here is not necessarily to explain it, but at least to hint at a possible explanation; however, my main focus is to highlight one specific thing about it. And that is that it has all happened before; in fact, it has happened many times before.

To sum up, in so far as it is true that recent centuries have seen an attenuation of Christian doctrine, recent centuries have only seen what the most remote centuries have seen. And even the modern example has only ended as the medieval and pre-medieval examples ended. It is already clear, and grows clearer every day, that it is not going to end in the disappearance of the diminished creed; but rather in the return of those parts of it that had really disappeared. It is going to end as the Arian compromise ended, as the attempts at a compromise with Nominalism and even with Albigensianism ended. But the point to seize in the modern case, as in all the other cases, is that what returns is not in that sense a simplified theology; not according to that view a purified theology; it is simply theology. It is that enthusiasm for theological studies that marked the most doctrinal ages; it is the divine science. An old Don with D.D. after his name may have become the typical figure of a bore; but that was because he was himself bored with his theology, not because he was excited about it. It was precisely because he was admittedly more interested in the Latin of Plautus than in the Latin of Augustine, in the Greek of Xenophon than in the Greek of Chrysostom. It was precisely because he was more interested in a{298} dead tradition than in a decidedly living tradition. In short, it was precisely because he was himself a type of the time in which Christian faith was weak. It was not because men would not hail, if they could, the wonderful and almost wild vision of a Doctor of Divinity.

To sum up, while it's true that in recent centuries Christian doctrine has become less prominent, this is something that has also been seen in much earlier times. Even today's situations will ultimately conclude in the same way that medieval and earlier situations did. It's becoming increasingly clear that this won't result in the complete fading away of the diluted beliefs; rather, it's about the revival of those elements that had truly vanished. It will end like the Arian compromise did, just as past attempts to find common ground with Nominalism and even Albigensianism did. The key point to understand in today's context, as in all previous contexts, is that what returns isn’t a simplified form of theology; it is simply theology. It embodies the passion for theological studies that characterized the most doctrinal periods; it is the divine science. An old professor with a D.D. after his name may have become the stereotype of a bore, but that’s because he was bored with his theology, not because he was passionate about it. He was more interested in the Latin of Plautus than in the Latin of Augustine, in the Greek of Xenophon rather than the Greek of Chrysostom. He showed a greater interest in a{298} dead tradition than in a truly living one. In short, he was a mirror of the time when Christian faith was weak. It wasn’t because people wouldn’t embrace, if they could, the amazing and almost wild vision of a Doctor of Divinity.

There are people who say they wish Christianity to remain as a spirit. They mean, very literally, that they wish it to remain as a ghost. But it is not going to remain as a ghost. What follows this process of apparent death is not the lingering of the shade; it is the resurrection of the body. These people are quite prepared to shed pious and reverential tears over the Sepulchre of the Son of Man; what they are not prepared for is the Son of God walking once more upon the hills of morning. These people, and indeed most people, were indeed by this time quite accustomed to the idea that the old Christian candle-light would fade into the light of common day. To many of them it did quite honestly appear like that pale yellow flame of a candle when it is left burning in daylight. It was all the more unexpected, and therefore all the more unmistakable, that the seven-branched candle-stick suddenly towered to heaven like a miraculous tree and flamed until the sun turned pale. But other ages have seen the day conquer the candle-light and then the candle-light conquer the day. Again and again, before our time, men have grown content with a diluted doctrine. And again and again there has followed on that dilution, coming as out of the darkness in a crimson cataract, the strength of the red original wine. And we only say once more to-day as has been said many times by our fathers: ‘Long years and centuries ago our fathers or the founders of our people drank, as they dreamed, of the blood of God. Long years and centuries have passed since the strength of that giant vintage has been anything but a legend of the age of giants. Centuries ago already is the dark time{299} of the second fermentation, when the wine of Catholicism turned into the vinegar of Calvinism. Long since that bitter drink has been itself diluted; rinsed out and washed away by the waters of oblivion and the wave of the world. Never did we think to taste again even that bitter tang of sincerity and the spirit, still less the richer and the sweeter strength of the purple vineyards in our dreams of the age of gold. Day by day and year by year we have lowered our hopes and lessened our convictions; we have grown more and more used to seeing those vats and vineyards overwhelmed in the water-floods and the last savour and suggestion of that special element fading like a stain of purple upon a sea of grey. We have grown used to dilution, to dissolution, to a watering down that went on for ever. But Thou hast kept the good wine until now.’

Some people say they want Christianity to stay as a spirit. They literally mean they want it to remain as a ghost. But it won’t stay a ghost. What comes after this apparent death is not the lingering of a shade; it’s the resurrection of the body. These people are more than willing to shed pious tears over the tomb of the Son of Man; what they aren’t ready for is the Son of God walking again on the hills in the morning. These individuals, and most others, had really gotten used to the idea that the old Christian candlelight would fade into the daylight. To many, it honestly seemed like that pale yellow flame of a candle burning in daylight. It was all the more surprising, and therefore unmistakable, when the seven-branched candlestick suddenly towered to heaven like a miraculous tree and burned until the sun grew dim. Other eras have seen daylight conquer candlelight and then candlelight conquer daylight. Time and time again, before our era, people have settled for a watered-down doctrine. And each time that dilution happened, out of the darkness came the strength of the original red wine. And we once again say today, as our ancestors have said many times: ‘Long ago, our ancestors or the founders of our people drank, as they dreamed, of the blood of God. Long years and centuries have passed since that powerful vintage has been anything but a legend from the age of giants. Centuries ago was the dark time{299} of the second fermentation, when the wine of Catholicism turned into the vinegar of Calvinism. Long ago, that bitter drink became diluted; washed away by the waters of oblivion and the wave of the world. We never thought we would taste again even that bitter tang of sincerity and spirit, let alone the richer and sweeter strength of the purple vineyards in our dreams of the golden age. Day by day and year by year, we have lowered our hopes and weakened our beliefs; we have become more accustomed to seeing those vats and vineyards overwhelmed in the floods, with the last hints of that special element fading like a purple stain on a sea of gray. We’ve grown used to dilution, to dissolution, to a watering down that seems endless. But Thou hast kept the good wine until now.’

This is the final fact, and it is the most extraordinary of all. The faith has not only often died but it has often died of old age. It has not only been often killed but it has often died a natural death; in the sense of coming to a natural and necessary end. It is obvious that it has survived the most savage and the most universal persecutions from the shock of the Diocletian fury to the shock of the French Revolution. But it has a more strange and even a more weird tenacity; it has survived not only war but peace. It has not only died often but degenerated often and decayed often; it has survived its own weakness and even its own surrender. We need not repeat what is so obvious about the beauty of the end of Christ in its wedding of youth and death. But this is almost as if Christ had lived to the last possible span, had been a white-haired sage of a hundred and died of natural decay, and then had risen again rejuvenated, with trumpets and the rending of the sky. It was said truly enough that human Christianity in its recurrent weakness was sometimes too much wedded to the powers of the world; but if it{300} was wedded it has very often been widowed. It is a strangely immortal sort of widow. An enemy may have said at one moment that it was but an aspect of the power of the Caesars; and it sounds as strange to-day as to call it an aspect of the Pharaohs. An enemy might say that it was the official faith of feudalism; and it sounds as convincing now as to say that it was bound to perish with the ancient Roman villa. All these things did indeed run their course to its normal end; and there seemed no course for the religion but to end with them. It ended and it began again.

This is the final fact, and it’s the most extraordinary of all. The faith has not only often died but has often died of old age. It hasn’t just been killed, but it has also often come to a natural end. It’s clear that it has endured the most brutal and widespread persecutions, from the wrath of Diocletian to the upheaval of the French Revolution. But it has an even stranger and more unusual resilience; it has survived not just war but also peace. It has not only died many times but has often weakened and decayed; it has outlasted its own frailty and even its own surrender. We need not restate the obvious beauty of Christ’s ending in its blend of youth and death. It’s almost as if Christ had lived to an extreme old age, becoming a wise sage of a hundred, dying of natural causes, and then rising again renewed, with trumpets and the tearing of the sky. It was correctly said that human Christianity, in its recurring weakness, was sometimes too much aligned with worldly powers; but if it was aligned, it has very often been left alone. It’s a strangely immortal kind of widow. An opponent might have claimed at one time that it was just a reflection of the power of the Caesars, and that sounds as strange today as calling it a reflection of the Pharaohs. An enemy might suggest that it was the official faith of feudalism; and that sounds just as convincing now as saying it was destined to disappear along with the ancient Roman villa. All these things did indeed run their course to their natural conclusion; and there seemed no way for the religion to survive along with them. It ended and it began again.

‘Heaven and earth shall pass away, but my words shall not pass away.’ The civilisation of antiquity was the whole world: and men no more dreamed of its ending than of the ending of daylight. They could not imagine another order unless it were in another world. The civilisation of the world has passed away and those words have not passed away. In the long night of the Dark Ages feudalism was so familiar a thing that no man could imagine himself without a lord: and religion was so woven into that network that no man would have believed they could be torn asunder. Feudalism itself was torn to rags and rotted away in the popular life of the true Middle Ages; and the first and freshest power in that new freedom was the old religion. Feudalism had passed away, and the words did not pass away. The whole medieval order, in many ways so complete and almost cosmic a home for man, wore out gradually in its turn: and here at least it was thought that the words would die. They went forth across the radiant abyss of the Renaissance and in fifty years were using all its light and learning for new religious foundations, new apologetics, new saints. It was supposed to have been withered up at last in the dry light of the Age of Reason; it was supposed to have disappeared ultimately in the earthquake of the Age of Revolution. Science explained it away; and it{301} was still there. History disinterred it in the past; and it appeared suddenly in the future. To-day it stands once more in our path; and even as we watch it, it grows.

‘Heaven and earth will pass away, but my words will not pass away.’ The civilization of ancient times was the entire world: people didn’t dream of its end any more than they did the end of daylight. They couldn't imagine a different order unless it was in another world. The civilization of the world has faded, yet those words remain. During the long night of the Dark Ages, feudalism was so ingrained that no one could picture themselves without a lord; and religion was so woven into that fabric that no one would have believed it could be torn apart. Feudalism itself was shredded and decayed in the popular life of the true Middle Ages; and the first and most vibrant power in that new freedom was the old religion. Feudalism had faded away, but the words did not. The entire medieval order, which was in many ways a complete and almost cosmic home for humanity, gradually wore out in its turn: and at that point, it was thought those words would die. They crossed the brilliant chasm of the Renaissance and in fifty years were using all its light and knowledge for new religious foundations, new apologetics, new saints. It was believed to have finally withered in the harsh light of the Age of Reason; it was thought to have ultimately vanished in the upheaval of the Age of Revolution. Science explained it away; yet it was still there. History unearthed it in the past; and it suddenly emerged in the future. Today it stands again in our way; and even as we observe it, it grows.

If our social relations and records retain their continuity, if men really learn to apply reason to the accumulating facts of so crushing a story, it would seem that sooner or later even its enemies will learn from their incessant and interminable disappointments not to look for anything so simple as its death. They may continue to war with it, but it will be as they war with nature; as they war with the landscape, as they war with the skies. ‘Heaven and earth shall pass away, but my words shall not pass away.’ They will watch for it to stumble; they will watch for it to err; they will no longer watch for it to end. Insensibly, even unconsciously, they will in their own silent anticipations fulfil the relative terms of that astounding prophecy; they will forget to watch for the mere extinction of what has so often been vainly extinguished; and will learn instinctively to look first for the coming of the comet or the freezing of the star.{302}

If our social connections and records stay connected, if people really learn to use reason to understand the overwhelming facts of such a significant story, it seems that eventually, even its opponents will learn from their constant and endless disappointments not to expect anything as straightforward as its demise. They may keep fighting against it, but it will be like fighting against nature; like fighting against the landscape, like fighting against the skies. 'Heaven and earth will pass away, but my words will not pass away.' They will look for it to trip up; they will look for it to make mistakes; they will no longer look for it to end. Gradually, even without realizing it, they will, in their own quiet expectations, fulfill the conditions of that remarkable prediction; they will stop waiting for the simple extinction of what has so often been endlessly tried to extinguish; and will instinctively learn to first look for the arrival of the comet or the freezing of the star.{302}

CONCLUSION

THE SUMMARY OF THIS BOOK

I have taken the liberty once or twice of borrowing the excellent phrase about an Outline of History; though this study of a special truth and a special error can of course claim no sort of comparison with the rich and many-sided encyclopedia of history, for which that name was chosen. And yet there is a certain reason in the reference; and a sense in which the one thing touches and even cuts across the other. For the story of the world as told by Mr. Wells could here only be criticised as an outline. And, strangely enough, it seems to me that it is only wrong as an outline. It is admirable as an accumulation of history; it is splendid as a storehouse or treasury of history; it is a fascinating disquisition on history; it is most attractive as an amplification of history; but it is quite false as an outline of history. The one thing that seems to me quite wrong about it is the outline; the sort of outline that can really be a single line, like that which makes all the difference between a caricature of the profile of Mr. Winston Churchill and of Sir Alfred Mond. In simple and homely language, I mean the things that stick out; the things that make the simplicity of a silhouette. I think the proportions are wrong; the proportions of what is certain as compared with what is uncertain, of what played a great part as compared with what played a smaller part, of what is ordinary and what is extraordinary, of what really lies level with an average and what stands out as an exception.

I have occasionally borrowed the great phrase about an Outline of History; however, this exploration of a specific truth and a specific error obviously can’t compare to the rich and diverse encyclopedia of history for which that title was chosen. Still, there's a reason for the reference, and a way in which one thing touches on and even intersects with the other. The story of the world as told by Mr. Wells can only be critiqued here as an outline. Oddly enough, it seems to me that it’s only incorrect as an outline. It’s impressive as a collection of history; it’s remarkable as a repository of historical information; it’s an intriguing analysis of history; it’s very appealing as an expansion on history; but it’s completely misleading as an outline of history. The one aspect that I think is clearly wrong is the outline itself; the kind of outline that can really be represented by a single line, similar to what distinguishes a caricature of Mr. Winston Churchill from that of Sir Alfred Mond. In straightforward and simple terms, I mean the elements that stand out; the things that create the simplicity of a silhouette. I believe the proportions are off; the proportions of what is known compared to what is unknown, of what played a significant role versus what played a minor role, of what is typical and what is exceptional, of what truly aligns with the average and what stands out as an exception.

I do not say it as a small criticism of a great writer,{303} and I have no reason to do so; for in my own much smaller task I feel I have failed in very much the same way. I am very doubtful whether I have conveyed to the reader the main point I meant about the proportions of history, and why I have dwelt so much more on some things than others. I doubt whether I have clearly fulfilled the plan that I set out in the introductory chapter; and for that reason I add these lines as a sort of summary in a concluding chapter. I do believe that the things on which I have insisted are more essential to an outline of history than the things which I have subordinated or dismissed. I do not believe that the past is most truly pictured as a thing in which humanity merely fades away into nature, or civilisation merely fades away into barbarism, or religion fades away into mythology, or our own religion fades away into the religions of the world. In short I do not believe that the best way to produce an outline of history is to rub out the lines. I believe that, of the two, it would be far nearer the truth to tell the tale very simply, like a primitive myth about a man who made the sun and stars or a god who entered the body of a sacred monkey. I will therefore sum up all that has gone before in what seems to me a realistic and reasonably proportioned statement; the short story of mankind.

I don't mean this as a slight against a great writer,{303} and I have no reason to; I recognize that in my own much smaller effort, I feel like I’ve fallen short in a similar way. I’m unsure if I’ve clearly communicated the main point I wanted to make about the proportions of history, and why I've focused so much more on some aspects than others. I wonder if I’ve effectively followed the plan I laid out in the introductory chapter, which is why I’m adding these lines as a sort of summary in a concluding chapter. I genuinely believe that the topics I’ve emphasized are more crucial to a history overview than the ones I’ve downplayed or dismissed. I don't think the past is best represented as a gradual fading of humanity into nature, civilization into barbarism, religion into mythology, or our own religion into the world’s religions. In short, I don’t think the best way to outline history is to erase the details. I think it would be far more accurate to tell the story simply, like an ancient myth about a man who created the sun and stars or a god who inhabited the body of a sacred monkey. Therefore, I will sum up everything that has come before in what seems to me a realistic and reasonably balanced statement: the short story of humankind.

In the land lit by that neighbouring star, whose blaze is the broad daylight, there are many and very various things, motionless and moving. There moves among them a race that is in its relation to the others a race of gods. The fact is not lessened but emphasised because it can behave like a race of demons. Its distinction is not an individual illusion, like one bird pluming itself on its own plumes; it is a solid and a many-sided thing. It is demonstrated in the very speculations that have led to its being denied. That men, the gods of this lower world, are linked with it in various ways is true; but it is another aspect of the same truth. That they grow as the grass grows{304} and walk as the beasts walk is a secondary necessity that sharpens the primary distinction. It is like saying that a magician must after all have the appearance of a man; or that even the fairies could not dance without feet. It has lately been the fashion to focus the mind entirely on these mild and subordinate resemblances and to forget the main fact altogether. It is customary to insist that man resembles the other creatures. Yes; and that very resemblance he alone can see. The fish does not trace the fish-bone pattern in the fowls of the air; or the elephant and the emu compare skeletons. Even in the sense in which man is at one with the universe it is an utterly lonely universality. The very sense that he is united with all things is enough to sunder him from all.

In the land illuminated by that nearby star, whose brightness is like broad daylight, there are many different things, both still and in motion. Among them exists a race that, in relation to the others, is a race of gods. This fact isn't diminished but highlighted by its ability to behave like a race of demons. Its distinction isn’t just an individual illusion, like one bird grooming itself with its own feathers; it is a substantial and complex thing. This is shown in the very debates that have led to its being denied. It’s true that humans, the gods of this lower world, are connected to it in various ways; but that’s just another part of the same truth. Their growth, like the grass, and their walking, like the beasts, is a secondary necessity that emphasizes the primary distinction. It’s like saying that a magician must still appear to be a man; or that even fairies couldn’t dance without feet. Recently, it’s become popular to focus solely on these mild and subordinate resemblances and to overlook the main fact entirely. It’s common to insist that humans resemble other creatures. Yes; and that very resemblance is something only he can see. Fish don’t notice the fish-bone pattern in the birds of the air; nor do elephants and emus compare skeletons. Even in the way that humans are one with the universe, it is a profoundly lonely universality. The very sense that he is connected with all things is enough to separate him from everything.

Looking around him by this unique light, as lonely as the literal flame that he alone has kindled, this demigod or demon of the visible world makes that world visible. He sees around him a world of a certain style or type. It seems to proceed by certain rules or at least repetitions. He sees a green architecture that builds itself without visible hands; but which builds itself into a very exact plan or pattern, like a design already drawn in the air by an invisible finger. It is not, as is now vaguely suggested, a vague thing. It is not a growth or a groping of blind life. Each seeks an end; a glorious and radiant end, even for every daisy or dandelion we see in looking across the level of a common field. In the very shape of things there is more than green growth; there is the finality of the flower. It is a world of crowns. This impression, whether or no it be an illusion, has so profoundly influenced this race of thinkers and masters of the material world, that the vast majority have been moved to take a certain view of that world. They have concluded, rightly or wrongly, that the world had a plan as the tree seemed to have a plan; and an end and crown like the flower. But so long as the race of thinkers was able{305} to think, it was obvious that the admission of this idea of a plan brought with it another thought more thrilling and even terrible. There was some one else, some strange and unseen being, who had designed these things, if indeed they were designed. There was a stranger who was also a friend; a mysterious benefactor who had been before them and built up the woods and hills for their coming, and had kindled the sunrise against their rising, as a servant kindles a fire. Now this idea of a mind that gives a meaning to the universe has received more and more confirmation within the minds of men, by meditations and experiences much more subtle and searching than any such argument about the external plan of the world. But I am concerned here with keeping the story in its most simple and even concrete terms; and it is enough to say here that most men, including the wisest men, have come to the conclusion that the world has such a final purpose and therefore such a first cause. But most men in some sense separated themselves from the wisest men, when it came to the treatment of that idea. There came into existence two ways of treating that idea; which between them make up most of the religious history of the world.

Looking around him in this unique light, as lonely as the flame he’s sparked himself, this demigod or demon of the visible world makes that world clear. He sees a world with a certain style or type. It seems to operate by certain rules or at least patterns. He observes a green architecture that creates itself without visible hands, but organizes itself into a precise plan or pattern, like a design already sketched in the air by an invisible finger. It’s not, as is now vaguely suggested, something unclear. It isn’t just a random growth or a stumbling of blind life. Each element seeks a goal; a glorious and radiant goal, even for every daisy or dandelion visible across a common field. In the very shape of things, there's more than just green growth; there's the purpose of the flower. It’s a world of crowns. This impression, whether it’s an illusion or not, has deeply influenced this race of thinkers and masters of the material world, leading the vast majority to adopt a certain view of that world. They’ve concluded, rightly or wrongly, that the world has a plan like the tree appears to have a plan; and a purpose and crown like the flower. But as long as this race of thinkers could think, it was clear that accepting this idea of a plan introduced another thought that was both thrilling and even terrifying. There was someone else, some strange and unseen being, who had designed these things, if they were indeed designed. There was a stranger who was also a friend; a mysterious benefactor who had been there before them, shaping the woods and hills for their arrival, and had sparked the sunrise for their waking, much like a servant lights a fire. Now this idea of a mind that gives meaning to the universe has gained more and more support in the minds of people, through reflections and experiences far more nuanced and probing than any arguments about the world’s external plan. But my focus here is on keeping the story in its simplest and most concrete terms; it’s enough to say that most people, including the wisest among them, have come to believe that the world has such a final purpose and thus such a first cause. However, most people in some way distanced themselves from the wisest when it came to addressing that idea. Two approaches to that idea emerged, which together make up most of the religious history of the world.

The majority, like the minority, had this strong sense of a second meaning in things; of a strange master who knew the secret of the world. But the majority, the mob or mass of men, naturally tended to treat it rather in the spirit of gossip. The gossip, like all gossip, contained a great deal of truth and falsehood. The world began to tell itself tales about the unknown being or his sons or servants or messengers. Some of the tales may truly be called old wives’ tales; as professing only to be very remote memories of the morning of the world; myths about the baby moon or the half-baked mountains. Some of them might more truly be called travellers’ tales; as being curious but contemporary tales brought from certain borderlands of experience; such as miraculous{306} cures or those that bring whispers of what has happened to the dead. Many of them are probably true tales; enough of them are probably true to keep a person of real common sense more or less conscious that there really is something rather marvellous behind the cosmic curtain. But in a sense it is only going by appearances; even if the appearances are called apparitions. It is a matter of appearances—and disappearances. At the most these gods are ghosts; that is, they are glimpses. For most of us they are rather gossip about glimpses. And for the rest, the whole world is full of rumours, most of which are almost avowedly romances. The great majority of the tales about gods and ghosts and the invisible king are told, if not for the sake of the tale, at least for the sake of the topic. They are evidence of the eternal interest of the theme; they are not evidence of anything else, and they are not meant to be. They are mythology, or the poetry that is not bound in books—or bound in any other way.

Most people, like a smaller group, had a strong sense that there was a deeper meaning to everything; like a mysterious force that understood the secrets of the world. However, the majority, the crowd or general public, tended to discuss it mostly as gossip. This gossip, like all gossip, mixed a lot of truth and lies. The world started to create stories about this unknown being or its offspring, followers, or messengers. Some of these stories could be called old wives’ tales, claiming to be distant memories from the beginning of time; myths about the baby moon or the underdeveloped mountains. Others are more like travelers’ tales, interesting but current stories brought from certain experiences; like miraculous{306} cures or tales of what has happened to the dead. Many are probably true; there are enough true ones to keep a sensible person aware that something remarkable lies behind the cosmic curtain. But really, it’s all about appearances; even if those appearances are referred to as apparitions. It’s a matter of things showing up—and then disappearing. At most, these gods are just ghosts; they are merely glimpses. For most of us, they’re mostly gossip about those glimpses. And for others, the world is filled with rumors, most of which are clearly just stories. The vast majority of tales about gods, ghosts, and the unseen king are shared, if not for the love of storytelling, then at least for the conversation. They show a timeless fascination with the topic; they don’t prove anything else, nor are they meant to. They are mythology or poetry that isn't confined to books—or to any form.

Meanwhile the minority, the sages or thinkers, had withdrawn apart and had taken up an equally congenial trade. They were drawing up plans of the world; of the world which all believed to have a plan. They were trying to set forth the plan seriously and to scale. They were setting their minds directly to the mind that had made the mysterious world; considering what sort of a mind it might be and what its ultimate purpose might be. Some of them made that mind much more impersonal than mankind has generally made it; some simplified it almost to a blank; a few, a very few, doubted it altogether. One or two of the more morbid fancied that it might be evil and an enemy; just one or two of the more degraded in the other class worshipped demons instead of gods. But most of these theorists were theists: and they not only saw a moral plan in nature, but they generally laid down a moral plan for humanity. Most of them were good men who did good work: and they were remembered and rever{307}enced in various ways. They were scribes; and their scriptures became more or less holy scriptures. They were law-givers; and their tradition became not only legal but ceremonial. We may say that they received divine honours, in the sense in which kings and great captains in certain countries often received divine honours. In a word, wherever the other popular spirit, the spirit of legend and gossip, could come into play, it surrounded them with the more mystical atmosphere of the myths. Popular poetry turned the sages into saints. But that was all it did. They remained themselves; men never really forgot that they were men, only made into gods in the sense that they were made into heroes. Divine Plato, like Divus Caesar, was a title and not a dogma. In Asia, where the atmosphere was more mythological, the man was made to look more like a myth, but he remained a man. He remained a man of a certain special class or school of men, receiving and deserving great honour from mankind. It is the order or school of the philosophers; the men who have set themselves seriously to trace the order across any apparent chaos in the vision of life. Instead of living on imaginative rumours and remote traditions and the tail-end of exceptional experiences about the mind and meaning behind the world, they have tried in a sense to project the primary purpose of that mind a priori. They have tried to put on paper a possible plan of the world; almost as if the world were not yet made.

Meanwhile, the minority, the thinkers and sages, had separated themselves and taken up a similar profession. They were creating designs for the world, a world that everyone believed had a plan. They aimed to articulate this plan seriously and in detail. They directed their thoughts towards the mind that created the mysterious world, contemplating what kind of mind it might be and what its ultimate purpose could be. Some of them made that mind far more impersonal than humanity typically perceives it; others simplified it almost to nothing; a few, a very few, outright doubted its existence. A couple of the more troubled among them imagined it might be evil and hostile; just a few of the more debased in the other group worshipped demons instead of gods. But most of these theorists were theists: they not only perceived a moral plan in nature but also usually proposed a moral plan for humanity. Most of them were good people doing good work, and they were remembered and revered in various ways. They were scribes, and their writings became more or less sacred texts. They were law-givers, and their traditions turned into not only legal but also ceremonial practices. We can say they received divine honors in the way that kings and great leaders in certain cultures often did. In short, wherever the other popular spirit, the spirit of legend and gossip, could influence, it surrounded them with a more mystical aura of myths. Popular poetry transformed the sages into saints. But that was all it achieved. They remained themselves; people never really forgot they were human, only elevated to the status of heroes. Titles like Divine Plato or Divus Caesar were honors, not doctrines. In Asia, where the atmosphere was more mythological, individuals looked more like myths but remained human. They stayed as members of a certain special class or school of men, earning and deserving great respect from humanity. This was the school of philosophers; those who dedicated themselves to tracing the order through any apparent chaos in life’s vision. Instead of relying on imaginative rumors, distant traditions, and the remnants of extraordinary experiences regarding the mind and meaning behind the world, they attempted to articulate the primary purpose of that mind a priori. They sought to draft a possible plan for the world, almost as if the world had not yet been created.

Right in the middle of all these things stands up an enormous exception. It is quite unlike anything else. It is a thing final like the trump of doom, though it is also a piece of good news; or news that seems too good to be true. It is nothing less than the loud assertion that this mysterious maker of the world has visited his world in person. It declares that really and even recently, or right in the middle of historic times, there did walk into the world this original invisible being; about whom the thinkers make theories and the mythologists hand down myths;{308} the Man Who Made the World. That such a higher personality exists behind all things had indeed always been implied by all the best thinkers, as well as by all the most beautiful legends. But nothing of this sort had ever been implied in any of them. It is simply false to say that the other sages and heroes had claimed to be that mysterious master and maker, of whom the world had dreamed and disputed. Not one of them had ever claimed to be anything of the sort. Not one of their sects or schools had ever claimed that they had claimed to be anything of the sort. The most that any religious prophet had said was that he was the true servant of such a being. The most that any visionary had ever said was that men might catch glimpses of the glory of that spiritual being; or much more often of lesser spiritual beings. The most that any primitive myth had ever suggested was that the Creator was present at the Creation. But that the Creator was present at scenes a little subsequent to the supper-parties of Horace, and talked with tax-collectors and government officials in the detailed daily life of the Roman Empire, and that this fact continued to be firmly asserted by the whole of that great civilisation for more than a thousand years—that is something utterly unlike anything else in nature. It is the one great startling statement that man has made since he spoke his first articulate word, instead of barking like a dog. Its unique character can be used as an argument against it as well as for it. It would be easy to concentrate on it as a case of isolated insanity; but it makes nothing but dust and nonsense of comparative religion.

Right in the middle of all this stands an enormous exception. It's completely unlike anything else. It’s a final statement, like the sound of doom, but it's also really good news; or news that seems too good to be true. It is nothing less than a loud declaration that this mysterious creator of the world has visited his creation in person. It states that, truly and even recently, or right in the midst of historical times, this original invisible being walked into our world; the one whom thinkers theorize about and mythologists pass down stories of—the Man Who Made the World. The existence of such a higher personality behind everything has always been implied by the best thinkers and the most beautiful legends. But nothing of this sort had ever been implied by any of them. It's simply false to say that other sages and heroes claimed to be that mysterious master and creator whom the world had dreamed about and argued over. Not one of them ever claimed to be anything like that. Not one of their groups or schools ever claimed to have made such a claim. The most any religious prophet ever said was that he was the true servant of that being. The most any visionary ever suggested was that people might catch glimpses of the glory of that spiritual being; more often, they saw lesser spiritual beings. The most any primitive myth hinted at was that the Creator was present during the Creation. But that the Creator was present at scenes shortly after the dinner parties of Horace, talking with tax collectors and government officials in the daily life of the Roman Empire, and that this fact continued to be strongly asserted by that entire civilization for over a thousand years—that is something completely unique in all of nature. It is the one great startling statement that humanity has made since we first spoke actual words, instead of barking like dogs. Its uniqueness can be used as an argument against it as well as for it. It would be easy to dismiss it as a case of isolated insanity; but it renders comparative religion meaningless.

It came on the world with a wind and rush of running messengers proclaiming that apocalyptic portent; and it is not unduly fanciful to say they are running still. What puzzles the world, and its wise philosophers and fanciful pagan poets, about the priests and people of the Catholic Church is that they still behave as if they were messengers. A messenger does not dream about what his message might be,{309} or argue about what it probably would be; he delivers it as it is. It is not a theory or a fancy but a fact. It is not relevant to this intentionally rudimentary outline to prove in detail that it is a fact; but merely to point out that these messengers do deal with it as men deal with a fact. All that is condemned in Catholic tradition, authority, and dogmatism and the refusal to retract and modify, are but the natural human attributes of a man with a message relating to a fact. I desire to avoid in this last summary all the controversial complexities that may once more cloud the simple lines of that strange story; which I have already called, in words that are much too weak, the strangest story in the world. I desire merely to mark those main lines and specially to mark where the great line is really to be drawn. The religion of the world, in its right proportions, is not divided into fine shades of mysticism or more or less rational forms of mythology. It is divided by the line between the men who are bringing that message and the men who have not yet heard it, or cannot yet believe it.

It came into the world like a rush of messengers declaring an apocalyptic warning; and it’s not too far-fetched to say they’re still running. What puzzles the world, along with its wise philosophers and imaginative poets, about the priests and followers of the Catholic Church is that they still act like messengers. A messenger doesn’t ponder what his message might be or debate what it could mean; he delivers it as it is. It’s not a theory or a notion but a fact. It’s not necessary to prove in detail that it’s a fact in this intentionally simple outline; it’s just important to point out that these messengers treat it like a fact. Everything criticized in Catholic tradition, authority, and unwavering dogmatism, as well as the refusal to change or adjust, are just natural human traits of someone with a message tied to a fact. I want to steer clear of any controversial complexities that might once again obscure the straightforward lines of that strange story, which I have already referred to, using words that are far too weak, as the strangest story in the world. I just want to highlight those main lines and especially emphasize where the significant divide lies. The religion of the world, in its true form, isn’t divided into subtle shades of mysticism or varying degrees of mythology. It’s divided by the line between those who are sharing that message and those who haven’t heard it yet or can’t yet believe it.

But when we translate the terms of that strange tale back into the more concrete and complicated terminology of our time, we find it covered by names and memories of which the very familiarity is a falsification. For instance, when we say that a country contains so many Moslems, we really mean that it contains so many monotheists; and we really mean, by that, that it contains so many men; men with the old average assumption of men—that the invisible ruler remains invisible. They hold it along with the customs of a certain culture and under the simpler laws of a certain law-giver; but so they would if their law-giver were Lycurgus or Solon. They testify to something which is a necessary and noble truth; but was never a new truth. Their creed is not a new colour; it is the neutral and normal tint that is the background of the many-coloured life of man. Mahomet did not, like the Magi, find a new star; he saw through his own particular{310} window a glimpse of the great grey field of the ancient starlight. So when we say that the country contains so many Confucians or Buddhists, we mean that it contains so many Pagans whose prophets have given them another and rather vaguer version of the invisible power; making it not only invisible but almost impersonal. When we say that they also have temples and idols and priests and periodical festivals, we simply mean that this sort of heathen is enough of a human being to admit the popular element of pomp and pictures and feasts and fairy-tales. We only mean that Pagans have more sense than Puritans. But what the gods are supposed to be, what the priests are commissioned to say, is not a sensational secret like what those running messengers of the Gospel had to say. Nobody else except those messengers has any Gospel; nobody else has any good news; for the simple reason that nobody else has any news.

But when we translate the terms of that strange tale back into the more concrete and complex language of our time, we find it's filled with names and memories so familiar that they actually distort the truth. For example, when we say a country has so many Muslims, what we really mean is that it has so many monotheists; and by that, we mean so many people; people with the old average view that the unseen ruler remains unseen. They hold onto it alongside the customs of a certain culture and under the simplified laws of a specific law-giver; but they would do the same if their law-giver were Lycurgus or Solon. They express something that is a necessary and noble truth, but it was never a new truth. Their belief system isn't a new color; it's the neutral and normal shade that forms the background of the many-colored life of humanity. Muhammad didn't, like the Magi, discover a new star; he saw through his own particular {310} window a glimpse of the vast gray field of ancient starlight. So when we say that the country has so many Confucians or Buddhists, we mean it has so many pagans whose prophets have given them another and rather vague version of the invisible power, making it not only invisible but almost impersonal. When we say they also have temples, idols, priests, and seasonal festivals, we simply mean that this type of pagan is enough of a human being to embrace the popular aspects of spectacle and imagery, and celebrations and stories. We just mean that pagans are more sensible than puritans. But what the gods are supposed to be, what the priests are tasked to say, isn't a sensational secret like what those messengers of the Gospel had to share. No one else but those messengers has any Gospel; no one else has any good news; for the simple reason that no one else has any news.

Those runners gather impetus as they run. Ages afterwards they still speak as if something had just happened. They have not lost the speed and momentum of messengers; they have hardly lost, as it were, the wild eyes of witnesses. In the Catholic Church, which is the cohort of the message, there are still those headlong acts of holiness that speak of something rapid and recent; a self-sacrifice that startles the world like a suicide. But it is not a suicide; it is not pessimistic; it is still as optimistic as St. Francis of the flowers and birds. It is newer in spirit than the newest schools of thought; and it is almost certainly on the eve of new triumphs. For these men serve a mother who seems to grow more beautiful as new generations rise up and call her blessed. We might sometimes fancy that the Church grows younger as the world grows old.

Those runners gain energy as they run. Even years later, they talk as if it just happened. They haven't lost the speed and urgency of messengers; they barely seem to have lost the wild eyes of witnesses. In the Catholic Church, which carries the message, there are still intense acts of holiness that feel fresh and immediate; a self-sacrifice that shocks the world like a suicide. But it’s not a suicide; it’s not negative; it’s still as hopeful as St. Francis among the flowers and birds. It’s more modern in spirit than the latest schools of thought; and it’s almost certainly on the brink of new successes. Because these men serve a mother who appears to become more beautiful as new generations rise up and praise her. Sometimes, we might imagine that the Church becomes younger as the world grows older.

For this is the last proof of the miracle; that something so supernatural should have become so natural. I mean that anything so unique when seen from the outside should only seem universal when seen from the inside. I have not minimised the scale{311} of the miracle, as some of our milder theologians think it wise to do. Rather have I deliberately dwelt on that incredible interruption, as a blow that broke the very backbone of history. I have great sympathy with the monotheists, the Moslems, or the Jews, to whom it seems a blasphemy; a blasphemy that might shake the world. But it did not shake the world; it steadied the world. That fact, the more we consider it, will seem more solid and more strange. I think it a piece of plain justice to all the unbelievers to insist upon the audacity of the act of faith that is demanded of them. I willingly and warmly agree that it is, in itself, a suggestion at which we might expect even the brain of the believer to reel, when he realised his own belief. But the brain of the believer does not reel; it is the brains of the unbelievers that reel. We can see their brains reeling on every side and into every extravagance of ethics and psychology; into pessimism and the denial of life; into pragmatism and the denial of logic; seeking their omens in nightmares and their canons in contradictions; shrieking for fear at the far-off sight of things beyond good and evil, or whispering of strange stars where two and two make five. Meanwhile this solitary thing that seems at first so outrageous in outline remains solid and sane in substance. It remains the moderator of all these manias; rescuing reason from the Pragmatists exactly as it rescued laughter from the Puritans. I repeat that I have deliberately emphasised its intrinsically defiant and dogmatic character. The mystery is how anything so startling should have remained defiant and dogmatic and yet become perfectly normal and natural. I have admitted freely that, considering the incident in itself, a man who says he is God may be classed with a man who says he is glass. But the man who says he is glass is not a glazier making windows for all the world. He does not remain for after ages as a shining and crystalline figure, in whose light everything is as clear as crystal.

For this is the final proof of the miracle: that something so supernatural has become so ordinary. I mean that anything so unique, when viewed from the outside, only seems universal when looked at from the inside. I have not downplayed the significance{311} of the miracle, as some of our more moderate theologians think is wise. Instead, I have intentionally focused on that unbelievable interruption, like a blow that shattered the very core of history. I feel a lot of sympathy for monotheists, Muslims, or Jews, who see it as blasphemy; a blasphemy that could shake the world. But it didn’t shake the world; it steadied it. The more we think about that fact, the more solid and strange it seems. I believe it’s only fair to all the nonbelievers to highlight the boldness of the act of faith that’s being asked of them. I wholeheartedly agree that it’s a suggestion that might make even the believer's mind spin when they realize their own belief. But the believer’s mind doesn’t spin; it’s the minds of the nonbelievers that do. We can see their minds spinning in every direction, leading to every extreme of ethics and psychology; into pessimism and the denial of life; into pragmatism and the denial of logic; seeking signs in nightmares and their principles in contradictions; screaming for fear at the distant sight of things beyond good and evil, or whispering about strange stars where two plus two equals five. Meanwhile, this solitary thing that initially seems so outrageous in form remains solid and sane in essence. It serves as the moderator of all these crazes; rescuing reason from the Pragmatists just as it rescued laughter from the Puritans. I emphasize its inherently defiant and dogmatic nature. The mystery is how something so striking has managed to stay defiant and dogmatic while also becoming perfectly normal and natural. I have readily acknowledged that, considering the incident itself, a man who says he is God can be seen as similar to a man who says he is glass. But the man who claims to be glass isn’t a glazier making windows for everyone. He doesn’t endure through the ages as a shining and crystalline figure, in whose light everything is as clear as crystal.

But this madness has remained sane. The madness{312} has remained sane when everything else went mad. The madhouse has been a house to which, age after age, men are continually coming back as to a home. That is the riddle that remains; that anything so abrupt and abnormal should still be found a habitable and hospitable thing. I care not if the sceptic says it is a tall story; I cannot see how so toppling a tower could stand so long without foundation. Still less can I see how it could become, as it has become, the home of man. Had it merely appeared and disappeared, it might possibly have been remembered or explained as the last leap of the rage of illusion, the ultimate myth of the ultimate mood, in which the mind struck the sky and broke. But the mind did not break. It is the one mind that remains unbroken in the break-up of the world. If it were an error, it seems as if the error could hardly have lasted a day. If it were a mere ecstasy, it would seem that such an ecstasy could not endure for an hour. It has endured for nearly two thousand years; and the world within it has been more lucid, more levelheaded, more reasonable in its hopes, more healthy in its instincts, more humorous and cheerful in the face of fate and death, than all the world outside. For it was the soul of Christendom that came forth from the incredible Christ; and the soul of it was common sense. Though we dared not look on His face we could look on His fruits; and by His fruits we should know Him. The fruits are solid and the fruitfulness is much more than a metaphor; and nowhere in this sad world are boys happier in apple-trees, or men in more equal chorus singing as they tread the vine, than under the fixed flash of this instant and intolerant enlightenment; the lightning made eternal as the light.{313}

But this madness has stayed sane. The madness{312} has remained sane while everything else has gone crazy. The madhouse has been a place that, through the ages, people keep returning to like it's home. That’s the mystery that persists; that something so drastic and weird can still be considered livable and welcoming. I don’t care if the skeptic calls it a tall tale; I can’t understand how such a shaky structure could last this long without a solid base. Even more puzzling is how it has become, as it is now, a home for humanity. If it had only shown up and then vanished, it might have been remembered or explained as just a fleeting illusion, the ultimate fantasy in an extreme mood, where the mind reached for the sky and shattered. But the mind did not shatter. It is the one mind that remains intact amidst the disintegration of the world. If it were a mistake, it seems that the mistake could barely have lasted a day. If it were just a moment of ecstasy, such an ecstasy seems unlikely to last for even an hour. It has lasted for nearly two thousand years; and the world within it has been clearer, more sensible, more realistic in its hopes, healthier in its instincts, and more joyful and cheerful when facing fate and death than the world outside. For it was the essence of Christendom that emerged from the astonishing Christ; and its essence was common sense. Though we dared not look upon His face, we could see His impact; and by His impact, we should recognize Him. The effects are tangible, and the abundance is much more than just a metaphor; nowhere in this sorrowful world are boys happier in apple trees, or men singing together more equally as they tread the vine, than under the unwavering brilliance of this immediate and uncompromising enlightenment; the lightning made eternal as the light.{313}

APPENDIX I

ON PREHISTORIC MAN

In a sense it would be better if history were more superficial. What is wanted is a reminder of the things that are seen so quickly that they are forgotten almost as quickly. The one moral of this book, in a manner of speaking, is that first thoughts are best. So a flash might reveal a landscape; with the Eiffel Tower or the Matterhorn standing up in it as they would never stand up again in the light of common day. I ended the book with an image of everlasting lightning; in a very different sense, alas, this little flash has lasted only too long. But the method has also certain practical disadvantages upon which I think it well to add these two notes. It may seem to simplify too much and to ignore out of ignorance. I feel this especially in the passage about the prehistoric pictures; which is not concerned with all that the learned may learn from prehistoric pictures, but with the single point of what anybody could learn from there being any prehistoric pictures at all. I am conscious that this attempt to express it in terms of innocence may exaggerate even my own ignorance. Without any pretence of scientific research, I should be sorry to have it thought that I knew no more than I had occasion to say in that passage of the stages into which primitive humanity has been divided. I am aware, of course, that the story is elaborately stratified; and that there were many such stages before the Cro-Magnan or any peoples with whom we associate such pictures. Indeed recent studies about the Neanderthal and other races rather tend to repeat the moral that is here most relevant. The notion, noted in these pages, of something necessarily slow or late in the development of religion will gain little indeed from these later revelations about the precursors of the reindeer picture-maker. The learned appear to hold that, whether the reindeer picture could be religious or not, the people that lived before it were religious already. Men were already burying their dead with the care that is the{314} significant sign of mystery and hope. This obviously brings us back to the same argument; an argument that is not approached by any measurement of the earlier man’s skull. It is little use to compare the head of the man with the head of the monkey, if it certainly has never come into the head of the monkey to bury another monkey with nuts in his grave to help him towards a heavenly monkey-house. Talking of skulls, we all know the story of the finding of a Cro-Magnan skull that is much larger and finer than a modern skull. It is a very funny story; because an eminent evolutionist, awakening to a somewhat belated caution, protested against anything being inferred from one specimen. It is the duty of a solitary skull to prove that our fathers were our inferiors. Any solitary skull presuming to prove that they were superior is felt to be suffering from swelled head.{315}

In a way, it would be better if history were more straightforward. What we need is a reminder of things that are glanced at so briefly they’re forgotten almost instantly. The main idea of this book, in some ways, is that first impressions are the best. A quick glimpse might show a scene; with the Eiffel Tower or the Matterhorn standing out in a way they never would again in the light of day. I ended the book with an image of eternal lightning; in a very different sense, unfortunately, this little flash has lasted way too long. However, this method does have some practical downsides, and I think it’s good to add these two notes. It might seem to oversimplify things and overlook details out of ignorance. I really feel this in the section about prehistoric images; which doesn’t deal with everything knowledgeable people can learn from prehistoric art, but rather focuses on what anyone could learn just from the existence of these images. I’m aware that this effort to express it in innocent terms may even exaggerate my own ignorance. Without pretending to be a scientific expert, I wouldn't want it to seem like I know no more than what I’ve mentioned in that part about the stages of primitive humanity. I know, of course, that the story is complex and that there were many stages before the Cro-Magnon or any peoples we connect with those images. In fact, recent studies about the Neanderthal and other groups tend to reinforce the lesson most relevant here. The idea, pointed out in these pages, that religious development necessarily takes time will gain little from these later findings about the ancestors of the reindeer artist. Scholars seem to believe that, whether the reindeer art could be deemed religious or not, the people before it were already practicing some form of religion. Humans were already burying their dead with the care that is a{314} significant sign of mystery and hope. This clearly brings us back to the same discussion; a discussion that can't be understood just by measuring the skull of early humans. It’s not very useful to compare a human skull to a monkey’s, if it has clearly never occurred to a monkey to bury another monkey with nuts in its grave to help it reach a heavenly monkey paradise. Speaking of skulls, we all know the tale about discovering a Cro-Magnon skull that is larger and more impressive than a modern one. It’s quite a funny story because a well-known evolutionist, suddenly becoming more cautious, protested against drawing any conclusions from just one specimen. It’s the role of a single skull to prove that our ancestors were inferior. Any single skull that dares to suggest they were superior is viewed as having an inflated ego.{315}

APPENDIX II

ON AUTHORITY AND ACCURACY

In this book, which is merely meant as a popular criticism of popular fallacies, often indeed of very vulgar errors, I feel that I have sometimes given an impression of scoffing at serious scientific work. It was, however, the very reverse of my intention. I am not arguing with the scientist who explains the elephant, but only with the sophist who explains it away. And as a matter of fact the sophist plays to the gallery, as he did in ancient Greece. He appeals to the ignorant, especially when he appeals to the learned. But I never meant my own criticism to be an impertinence to the truly learned. We all owe an infinite debt to the researches, especially the recent researches, of single-minded students in these matters; and I have only professed to pick up things here and there from them. I have not loaded my abstract argument with quotations and references, which only make a man look more learned than he is; but in some cases I find that my own loose fashion of allusion is rather misleading about my own meaning. The passage about Chaucer and the Child Martyr is badly expressed; I only mean that the English poet probably had in mind the English saint; of whose story he gives a sort of foreign version. In the same way two statements in the chapter on Mythology follow each other in such a way that it may seem to be suggested that the second story about Monotheism refers to the Southern Seas. I may explain that Atahocan belongs not to Australasian but to American savages. So in the chapter called ‘The Antiquity of Civilisation,’ which I feel to be the most unsatisfactory, I have given my own impression of the meaning of the development of Egyptian monarchy too much, perhaps, as if it were identical with the facts on which it was founded, as given in works like those of Professor J. L. Myres. But the confusion was not intentional; still less was there any intention to imply, in the remainder of{316} the chapter, that the anthropological speculations about races are less valuable than they undoubtedly are. My criticism is strictly relative; I may say that the Pyramids are plainer than the tracks of the desert, without denying that wiser men than I may see tracks in what is to me the trackless sand.

In this book, which is simply intended as a popular critique of common misconceptions, often of quite basic errors, I worry that I sometimes come across as mocking serious scientific work. However, that was the opposite of my aim. I'm not debating with the scientist who explains the elephant; I'm only challenging the sophist who tries to explain it away. The sophist seeks attention, just like in ancient Greece. He appeals to the uninformed, especially when he tries to impress the educated. But I never intended for my critiques to come off as disrespectful to genuine scholars. We owe a huge debt to the research, especially recent studies, by dedicated students in these fields; I've simply aimed to gather insights here and there from them. I haven’t cluttered my abstract argument with quotes and references, which only make someone seem more knowledgeable than they are; but in some cases, I find that my casual references can make my meaning somewhat unclear. The section about Chaucer and the Child Martyr is poorly phrased; I only meant to suggest that the English poet likely had the English saint in mind, of whose story he provides a sort of foreign version. Similarly, two statements in the chapter on Mythology are arranged in a way that might imply the second story about Monotheism refers to the Southern Seas. To clarify, Atahocan pertains not to Australasian but to American indigenous people. In the chapter titled ‘The Antiquity of Civilisation,’ which I think is the most unsatisfactory, I may have presented my interpretation of the development of Egyptian monarchy too strongly, as if it were identical to the facts on which it was based, as described in works like those by Professor J. L. Myres. However, the confusion was unintentional; still less did I mean to imply, in the rest of {316} the chapter, that anthropological theories about races are any less valuable than they definitely are. My critique is very much relative; I can say that the Pyramids are clearer than the tracks in the desert, without denying that wiser individuals than I might see patterns in what seems to me like endless sand.



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